<story><title>The Drenching Richness of Andrei Tarkovsky</title><url>https://www.newyorker.com/magazine/2021/02/15/the-drenching-richness-of-andrei-tarkovsky</url></story><parent_chain></parent_chain><comment><author>pizza</author><text>There are some movies you think about for years.. The Sacrifice and Stalker were like that, for me.&lt;p&gt;Tarkovsky&amp;#x27;s advice to young people is also something I think will ring true with the Hacker News crowd &lt;a href=&quot;https:&amp;#x2F;&amp;#x2F;www.youtube.com&amp;#x2F;watch?v=_Vvdtaaprzw&quot; rel=&quot;nofollow&quot;&gt;https:&amp;#x2F;&amp;#x2F;www.youtube.com&amp;#x2F;watch?v=_Vvdtaaprzw&lt;/a&gt;</text></comment>
<story><title>The Drenching Richness of Andrei Tarkovsky</title><url>https://www.newyorker.com/magazine/2021/02/15/the-drenching-richness-of-andrei-tarkovsky</url></story><parent_chain></parent_chain><comment><author>Bayart</author><text>The barn scene in The Mirror [1] remains one of my favourites in cinema history.&lt;p&gt;[1]: &lt;a href=&quot;https:&amp;#x2F;&amp;#x2F;www.youtube.com&amp;#x2F;watch?v=3dA60D-j290&quot; rel=&quot;nofollow&quot;&gt;https:&amp;#x2F;&amp;#x2F;www.youtube.com&amp;#x2F;watch?v=3dA60D-j290&lt;/a&gt;</text></comment>