<story><title>Intentional Camera Movement Photography Magazine</title><url>https://www.icmphotomag.com/</url></story><parent_chain></parent_chain><comment><author>kebman</author><text>I&amp;#x27;ve used various techniques for slow sync flash throughout my photography career. Worked exceptionally well for stage photography, night-time events, electronica concerts, and the like. Slow sync flash is when you let ambient light expose the film or sensor for a while, before you freeze the scene by activating the flash late. It really takes &amp;quot;painting with light&amp;quot; to a new level, though it&amp;#x27;s of course not the only way to use intentional camera movement.&lt;p&gt;Nearly all my photographs from such events use some kind of intentional camera movement together with a delayed or early flash sync. Slow sync flash is a delightful technique that you can be really, really creative with. Try it with double exposures, for instance, or with weirdly synced monoblocs.&lt;p&gt;I&amp;#x27;ve seen great photos taken of dancers and animals in movement done that way. Moreover, this technique (if you&amp;#x27;ve got it buried in your camera settings somewhere), sets you free to really disregard some of the holy tenets of photography, which is to never, ever move the camera, ever. Nay, in fact it prompts you to be dynamic and jittery, to lounge forward into the music, and let the final image really SHOW how great that moment really was.</text></comment>
<story><title>Intentional Camera Movement Photography Magazine</title><url>https://www.icmphotomag.com/</url></story><parent_chain></parent_chain><comment><author>somethingsaid</author><text>If anyone is confused by what this magazine is about, like I was, you can find a free issue here &lt;a href=&quot;https:&amp;#x2F;&amp;#x2F;www.icmphotomag.com&amp;#x2F;free-sample-issue&quot; rel=&quot;nofollow&quot;&gt;https:&amp;#x2F;&amp;#x2F;www.icmphotomag.com&amp;#x2F;free-sample-issue&lt;/a&gt;&lt;p&gt;Looks like an interesting concept!</text></comment>