<story><title>Pirates Plunder 4K Hateful Eight, but Did They Crack DCP?</title><url>https://torrentfreak.com/pirates-plunder-4k-hateful-eight-but-did-they-crack-dcp-160906/</url></story><parent_chain></parent_chain><comment><author>yRetsyM</author><text>&amp;gt; Commenting on the release, Sebastian Haselbeck of Tarantino fansite Tarantino.info says that while he’s not a fan of piracy, he believes that a failure to serve the market is the real problem.&lt;p&gt;&amp;gt; “I strongly condemn piracy and find it generally damaging, but it is a symptom, not the source, of market failure,” he told TF.&lt;p&gt;That&amp;#x27;s it right there. Music piracy took a long time to sort out because it was inaccessible. Now through Spotify&amp;#x2F;Apple Music&amp;#x2F;Youtube I struggle to find anyone who pirates music in my peers (it was prolific). It&amp;#x27;s not perfect yet and I think there&amp;#x27;s still some change to come but it&amp;#x27;s certainly ahead of the film industry.</text></comment>
<story><title>Pirates Plunder 4K Hateful Eight, but Did They Crack DCP?</title><url>https://torrentfreak.com/pirates-plunder-4k-hateful-eight-but-did-they-crack-dcp-160906/</url></story><parent_chain></parent_chain><comment><author>sprocket35</author><text>It&amp;#x27;s worth noting that the DCP format doesn&amp;#x27;t have a master key - each &amp;quot;reel&amp;quot; of an encrypted film has its own content key, which is decrypted by each DCP player&amp;#x27;s private FIPS protected key combined with a public Key Delivery Message from the distributor.&lt;p&gt;So if the DCP was indeed cracked, it was either because they gained access to the FIPS module in a DCP playback server, or they gained access to the plaintext content keys where the KDMs are generated.  If they have the server&amp;#x27;s private key, they will be able to decrypt every other film that they have a KDM for and we should expect to see more DCP releases.</text></comment>