description of the job is chilling: "When you’re crawling in an inferno, there’s a moment, with fire roaring over your head like a jet engine, ridiculous heat and noise, and you’re waiting for water, where you stop and stare in awe of the terrible beauty of the firefight."

The origins of "Art of Fire" lay with retired captain Tony Stefani, a 28-year-SFFD veteran, cancer survivor, and chairman of the San Francisco Firefighters Cancer Prevention Foundation (SFFCPF), which was formed in 2006 to promote early detection and prevention of cancer in both active and retired members of the SFFD. Stefani asked Newton to find images for the SFFCPF's 10th anniversary gala next year, and the rest is history.

Newton said he thought the "most unique" images in the exhibit were takenby Joshua LaCunha, an Oakland-based photographer. LaCunha shot tintypes—a 150-year-old portrait process—of San Francisco firefighters, including the chief of the department.

Another striking photo was taken by Newton himself, in the aftermath of the 1989 Loma Prieta earthquake. He was in his apartment in Alamo Square when the quake hit, and once the shaking stopped, he immediately grabbed his camera gear and mountain bike and rode to the Marina.

"That was a monstrous fire," he recalls. "The firefighters and civilians fighting it had to be hosed off due to intense radiant heat."

Nine months after the earthquake, Newton joined the SFFD.



Photo: courtesy of Dwayne Newton

This is Newton's second time curating an exhibition for the Harvey Milk Photo Center. In 2012, he worked with the center's director, Dave Christensen, to curate "Visions