and G agree on Organ (Esophagus), Art (Architecture), and Technic ( _L_ : Peristaltic prose; G: Peristaltic), but disagree on Colour (L: blood red; G: none) and Symbol ( _L_ : Bloody sacrifice, Food, Shame; G: Constables). L's Sense is 'Despondency'

One o'clock is lunchtime and Bloom is preoccupied with thoughts of food. The human body's need for nourishment registers on him as an awareness that every[819]one is eating, and that he too must eat. Everything is subject to the (at times subliminal, at times conscious if unstated) question, 'Can it be eaten?' His body is played over by the antithetical impulses of desire and disgust, hunger and despondency. 'Feel as if I had been eaten and spewed' (157.10). Also, he unconsciously enacts, in his movement about the streets,_Hamlet_ , III, iv. 53–4).

162.5–6 _Born with a silver knife in his mouth_ : a Bloomism for 'Born with a silver spoon in his mouth': proverbial for 'born wealthy'

162.27, 33 _don't talk of... provost of Trinity_ | _Father O'Flynn... hares of them all_ : allusion to Alfred Percival Graves's (1846–1931) ballad 'Father O'Flynn' the[824] second verse of which begins, 'Don't talk of your Provost and Fellows of Trinity | Famous for ever at Greek and Latinity, |Dad and the divels and all at Divinity, | Father O'Flynn'd make hares of them all'; 'to make a hare of': 'to make a fool of'.

162.29 _artisans_ ' _dwellings, north Dublin union_ : houses of the Dublin poor on the east edge of Phoenix Park (C3); the North Union Workhouse was a