letter for letter. This seems to apply (perhaps less stringently) not only when making complete copies of The Book of the Law, but also when quoting from The Book of the Law: one must do so exactly, down to the case of the letters. As can be seen from the quotations from The Book of the Law in the extracts given above from his other works, Crowley usually obeyed this rule: he quotes The Book of the Law exactly, word for word and down to the capitalisation of letters, and usually quotes at least a complete sentence. It is true that when he is using material from The Book of the Law in the context of a ritual, in few places he does alter the punctuation slightly (asin Theory and Practice during the War, that would constrain the date further to the period between about 1940 and about 1946. Was Gardner the composer of Leviter Veslis? It seems quite plausible to me that he was, possibly together with Mrs. Edith Woodford-Grimes. Firstly, we know that Dorothy Clutterbuck was good at writing poetry, since several books of her poetry have survived.24 While she often quotes from other poets, her normal pattern is to quote a couple of lines and to then write the rest of a poem based on the quotation. Thus it seems likely to me that Dorothy Clutterbuck was not involved in the composition of Leviter Veslis, since taking material wholesale and bolting it together does not seem to be her style — on