(Visions 115-58). In Margaret Young's House without Walls (1991) a single image controls the structure: multiple meanings of walls as separation pervade the novelthe Berlin Wall as physical barrier separating families, ideologies, and freedom and repression; figurative walls of prejudice, misunderstanding, hatred and sin; St. Paul's "middle wall of partition" (in Ephesians 2:14) between saints and strangers brought down by the blood of Christ; and the wall between mortality and eternal life razed in the resurrection.

We get wonderful extensions of the Mormon imagination in the legends of the Three Nephites which are alive not only in folklore but in creative retellings as in Peterson's "The Third Nephite" (Night 19-39) and Chandler's "The Last Nephite" (Benediction 166-194). William A. (Bert) Wilson, our foremost Nephite watcher among folklorists, tells uswhere they operate nowadays in his essay "Freeways, Parking Lots, and Ice Cream Stands: The Three Nephites in Contemporary Society" (13-26).

Mormonism, given its cosmogony and theogony, its occult origins and supernaturalism, is fertile ground for fantasy fiction. With Orson Scott Card's The Memory of Earth the Book of Mormon has gone interplanetary in an ambitious project, Michael Collings tells us, "to reproduce the overt narrative structure and underlying ethical, moral, and theological conflicts of the Book of Mormon" (178). Who could fail to recognize Nafai, a central character in Homecoming, the first volume in a promised trilogy. It is inevitable that Mormon theology, with a plan of salvation that extends from a timeless pre-existence to a timeless hereafter, should inspire futuristic, utopian fiction. Nephi Anderson's Added Upon, still