Cuba's Los Munequitos de Matanzas captivates Symphony Space

It's been a long time coming. However, at long last, Cuba was in the house. And the house was packed on Friday, May 6 (the second of three evenings) when everybody came to celebrate Los Munequitos de Matanzas, Cuba's foremost ambassadors of culture. Their last appearance in America was in 2002, so New York made it a top priority to be at the Peter Norton Symphony Space at 2537 Broadway at 95th Street on Manhattan's Upper West Side.

The fans came from everywhere: the Lower East and West sides, El Barrio, the Bronx, Brooklyn, Queens and Staten Island. People came from New Jersey and Philadelphia, while others traveled from Connecticut and Boston. Talk about diversity! And celebrity, like the distinguished Mr. HarryBelafonte! He was in the house for the culturally enriching evening presented by the World Music Institute and produced by Mapp International Productions.

Symbolically titled "Tambor de Fuego en Homenaje a los Ancestros" ("Drum of Fire in Tribute to the Ancestors"), the showstopping, two-hour concert was spellbinding. Part one of the evening focused on the rit- ual rhythms, songs and dances of the Afro-Cuban folkloric heritage, such as Yoruba, Brikamo, Kongo, Arara and Iyesa. Part

Los Munequitos de Matanzas two highlighted the inimitable "Cuban Rumba" that included the Yambu, Guaguanco and Columbia. The exhilarating fte closed with Carnival rhythm Conga Matancera.

The entertainment aspect of the concert was of the highest caliber. Individually, the musicians, singers and dancers are a strong class apart, crossing effortlessly from the traditional to the modern