### [nglDropdown]
#### NglDropdown

| Property | Description | Type | Default |
| -------- | ----------- | ---- | ------- |
| `[open]` | Whether the dropdown should be open or not. | boolean | |
| `[handlePageEvents]` | Whether the dropdown should handle page events (e.g., clicking on the page closes the dropdown). | boolean | |
| `(openChange)` | Emits an event whether the dropdown is going to open or not. | EventEmitter<boolean> | |

### [nglDropdownTrigger]
#### NglDropdownTrigger

### [nglDropdownItem]
#### NglDropdownItem
Speaking with Bayan Northcott uncovered a wealth of information about the WCSSs and the period in which they occurred. This post draws together some clips from the interview. The interview progressed with Northcott going through his diary.

He began with some contextual remarks about the scene, and the position of Maxwell Davies, Birtwistle and Goehr.

When I visited Hugh Wood, he showed me two typed pages, one of which had the programme for the Nocturnal concert, Friday 21 August 1964. There was also a concert that Wood insists took place, but which isn’t listed in any of the other literature I have for the events. This was the programme:

Music for a film scene [sic] Schoenberg

Canzona II David Ellis

Movement Neville Gambier

Castle Music Anthony Gilbert

Little Music for Strings Michael Tippett

Serenade Op.11 Brahms

This