it was, that's what I was after.'
In 2002 veteran journalist Brad Zellar unearthed Norling's negatives from the quiet basement of the Bloomington Historical Society. Compelled by the work of this man who had all but drifted into obscurity, Zellar collects the best of these images in 'Suburban World,' a fascinating window into the uneasy contradictions in Norling's unforgettable and unselfconscious, funny and gritty, not-too-distant past.
Brad Zellar is a writer and senior editor of the monthly magazine 'The Rake,' He first wrote about the Norling archive for 'City Page's in 2003. Alec Soth is an internationally acclaimed photographer and the author of 'Sleeping by the Mississippi,'has grown, gathering a fan-base that continues to grow by the day.

To many, their initial release Das Monster aus dem Schrank was a bit of an oddity, having a very wide, chaotic, and at times confusing sound mixing together elements of death metal, grind metal, electronica and even hardcore – an odd mix to say the least, but, regardless, this album gathered in a bit of an audience, but was thrown into the shadows when the band’s second release titled Der Tag an dem die Welt unterging reared its both ugly and astoundingly beautiful head. This release was a culmination of everything the first album was going for but with more power behind it, with more skill and knowledge. It was as if between releases the band truly