means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the "high-mindedness" of the era and the almost pathological need to "accentuate the positive" led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louisthree items","Pre-order all four items"]}}

Editorial Reviews

Amazon.com Review

Paul Fussell, a distinguished literary historian, served as an infantry officer during World War II, and the experience has haunted him ever since. It has also informed his books, among them The Great War in Modern Memory and Wartime, a book that is part memoir, part cultural-critical study, and that is essential reading for anyone interested in the history of conflict. Fussell conjures the small details of battlefield experience -- the way a bird's song falls silent just before an artillery barrage, the curious plunking sound a spinning bullet makes, the drift of smoke over an obliterated village; he also evokes the Zeitgeist of the war years, an era when hometown grocery stores bore signs like this one: "Did you drown a