be white and arranges to
meet Walter (Ryan Eggold) the head of the group. Ron sends his white,
Jewish co-worker Flip (Adam Driver) to pose as Ron and meet the
group. As you could imagine, these people are the epitome of evil
hatred. You will hear racial slurs up the wazoo and at some point
you’ll literally become numb to them. Eventually Flip and Ron
suspect the group may be planning some kind of attack.

To say the film is
enthralling is an understatement. First of all, from a filmmaking
perspective, the film has a delightfully grungy 70s vibe. The music
from Spike regular Terrance Blanchard is bluesy and fun. Lee employs
some of his fun camera trickery that was so groundbreaking early in
his career and remains a significant part of his oeuvre. The film’s
script is arguably much moremissing father, Lennie resolves to find him and learn the truth.

But when Lennie follows her father into a world of trains, hobos, prophecy, gangbangers, mythical beings, railroad detectives, and a living, breathing Fate, she finds that the truth is more horrific than she ever imagined. To save her father – and save the world – she must defeat Fenrir and right the wrongs of her ancestor.

When shy and retiring Llandry Sanfaer discovers a mesmerising new gemstone, she suddenly becomes the most famous jeweller across the Seven Realms. Demand for the coveted stone escalates fast; when people begin dying for it, Llandry finds that she herself has become a target.

Lady Evastany Glostrum has her life in pristine order. Prestigious, powerful and wealthy, she is on the verge of crowning