and accepted as dogma by the Sorbonne in 1496, would inevitably have found its expression in art….

199. The task was difficult. How was one to represent the Virgin as a pure concept? How convey her creation without sin, by God’s decree, her existence in his thought before the creation of time?

From the fifteenth century on, artists tried to resolve the problem. They first thought of the woman spoken of so mysteriously in the Apocalypse. She has the moon beneath her feet, stars on her head, and the sun envelops her; she seems older than time, no doubt conceived before the universe….

In the fifteenth century, in fact, we find manuscripts containing a half-length figure of the Virgin, who seems to rise out of a crescent moon and to shinelike the sun….there can be no doubt that the Virgin of the crescent moon was the first symbolic representation of the Immaculate Conception

200. In the early years of the sixteenth century, a most poetic figure of the Virgin appeared in France. She is a young girl, almost a child; her long hair covers her shoulders…The young virgin seems to be suspended between heaven and earth. She floats like an unexpressed thought, for she is only an idea in the divine mind. God appears above her, and seeing her so pure, pronounces the words of the song of songs: Tota pulchra es, amica mea, et macula non est in te (Thou art all fair, O my love, and there is not a spot in the). And to express the