deck of a aircraft carrier, is hit by an incendiary. Asking for volunteers, it was Nakajima who fearlessly stepped up to the plate, and performed the first such fire stunt in Japanese Cinema. With this accomplishment, Nakajima became the "go-to guy" for stunt work, so when it was decided that Godzilla would be brought to life primarily by a man in a suit, his was the first name that came to mind.

From Honda's GODZILLA (1954) through Jun Fukuda's GODZILLA VS. GIGAN (1972), Nakajima was the primary Godzilla performer, who was also tapped by Eiji Tsuburaya to essay all of the major monsters for Toho's Fantasy Films of the 1950s and 1960s. Among Nakajima's favorites is Gaira (the Green Gargantua) from Honda's THE WAR OF THE GARGANTUAS (1966). Inthe mid-1960s, Nakajima brought his considerable experience to television for ULTRA Q, ULTRAMAN, and ULTRA SEVEN. During this period, now considered a master at his craft, he helped to train a whole new generation of monster performers. In 1972, this all came to an end, when Toho disbanded its contract players, and Nakajima retired from monster acting.

Mr. Nakajima, despite recent health issues, traveled to Chicago last summer to attend G-FEST, where he received his "Mangled Skyscraper Award." During the ceremony, he was surprised by a proverbial flood of congratulatory letters from film professionals on both sides of the Pacific, extolling admiration for him and his work. While I had last met with him eight years ago at G-FEST in Hollywood, Nakajima was still as strong and tenacious as