[The psychiatrist and stress, or the psychiatrist's stress...].
Today's popular image of the psychiatrist is often that of a specialist capable of analysing, with a sort of bewildering power, all of his patients's reactions and psychological problems. The patient's capacity to unfold appears to increase almost as a result of the psychiatrist's control over his own emotions. The author, who is here referring to Epinal's image of the infallible psychiatrist, believes that the psychiatrist, in moments of privacy can observe the effects of his own emotional stress and how they often relate to his unresolved neurotic problems. It is in his practice, nevertheless, that the psychiatrist can privilege and give meaning to his own emotional stress in order to gain deeper insight in his mode of relating to hisPromised Gift of Charles and Valerie Diker // Photo: Dirk Bakker A shield by Joseph No Two Horns (He Nupa Wanica) (1852–1942) ca. 1885 from Standing Rock Reservation, North Dakota.

The American Wing of the storied Metropolitan Museum of Art has long held a collection of typically “American” artifacts: portraits of wigged colonial leaders, Tiffany chandeliers, Frank Lloyd Wright chairs, silver owned by Paul Revere Jr., quilts by unknown 19th-century makers.

Together they tell a specific, but noticeably incomplete, history of the United States.

Beginning in the fall of 2018, however, the American Wing will attempt to course correct by including a subgroup of art that has been regrettably missing from the section: Native American art. Thanks to a donation from collectors Charles and Valerie Diker, a batch of 91 works