world above the clouds; for here in your world you have the kingdom of Heaven.' Endell's love of the city, with all its chaos and squalor, shines through in this book.

It is typical of Endell's equivocal relationship with posterity that he is best known for a building that no longer exists - the Elvira photo studio in Munich, which opened just weeks before the beginning of the 20th century. Its radical design looked like nothing before it (and frankly not a lot that came after it, either). Just as interesting is the story of the studio's proprietors, Anita Augspurg and Sophia Goudstikker. A lesbian couple who lived in relative openness, they were the first women in Germany to run a company independently of men. You can read moreabout them in the Afterword to The Beauty of the Metropolis.

And as we were working on the translation we learnt that a museum here in Berlin, the Ephraim-Palais, was planning an exhibition of artworks depicting scenes of the city and which is inspired by Endell's book, even taking its original title - Die Schönheit der grossen Stadt. It's already under way and will be running until late August; we're going along soon and will duly report back. Meanwhile, we'll check in shortly to share news of our other spring title...

Huge thanks to Dave and Orla of Curious Fox for hosting last night's Rixdorf Editions launch and reading in Berlin, Jodi Rose for organising and taking photos, Cara Schwartz for the brilliant artwork and most especially everyone who came