a Japanese manga by the same name. The plot of Riki Oh is the same as half of the pit-fighting movies of the 1990's- dude's girlfriend gets whacked by local crime boss, boyfriend avenges, evil corporations/corrupt legal system put him in jail, he must fight to survive. That, my friends, is where this motherfucker goes right off the rails. Riki's blessed with inhuman strength, which he uses to kill the Double Dragon style bosses in hilarious and awesomely gory ways. Riki punches a dude so hard his eye pops out, ties his own hand back on by connecting veins and tendons with his teeth, gets strangled by a guy with the guy's own intestines, sees a guy crush another dude's head with his bare hands (which was aand Seagal. On the one hands, you had a guy that meshed the best of 1980s chop-socky flicks with Stallone's physique, the splits, and a terrible Bruce Lee impression, and on the other you had a NYC guido with a ponytail and a penchant for breaking bones and throwing people over counters and through walls. They both had their place, but most people would agree that Steven Seagal's films were, at their peak, totally unfuckingtouchable. Seagal's best three films involved so much gratuitous violence and gore that they were practically horror films, and they made Van Damme's attempts look PG by comparison. The best of Seagal's films was, by far, Out For Justice, if only for one scene. In it, Seagal drops a cue ball into a bar