wife and muse Wendy.

Another who was impressed was the remarkable Naomi Mitchison (nee Haldane) (1897-1999), a prolific writer who purchased the painting with her husband, the barrister, G .R. (Dick) Mitchison MP (later Lord Mitchison). She became a tireless political operative and her myriad friends included artists such as Wyndham Lewis who painted a portrait of her in 1938. On an intimate level, she was described as dressing ‘like a woman of ancient Greece. … Her sandals could be regarded equally as emblems of classical Greece or between-the-wars socialism.'7It is little wonder then that Europa and the Bull attracted the eye of this marvelously independent woman and her husband. Following Lord Mitchison’s death in 1970, she generously loaned the painting to Edinburgh’s Museum of Modern Art where, forMcDowell, ordering an accounting of the partnership and holding that Gregory was entitled to half of the proceeds from the sale of property belonging to the partnership. The judgment also awarded attorney's fees to Gregory. Appellant James McDowell's motion for new trial was overruled. He now appeals to this Court in three issues.

BACKGROUND
In the late 1970s or early 1980s, Faye McDowell ("Faye") and her son, Appellee Gregory McDowell ("Greg") purchased a plot of land ("Trotwood Park property") in Orange County, Florida. The plot consisted of four separate lots and a house. Faye and Greg remodeled the house on the land where they, along with Greg's wife and daughter lived. Soon after the purchase, Faye, Greg, and appellant James McDowell ("James"),[1] Faye's son and Greg's brother, decided to form