Sciences Boris Rauschenbach, who gave a high rating to the opposed work.

His research interests include empirical and mathematical aesthetics, information-synergistic and symmetrological methods of art analysis, philosophy of collaboration between science and art. Member of a number of international associations and societies. Included in many international biographical directories.

We met Alexander Voloshinov on the eve of the third edition of the “Mathematics and Art” book:

Alexander Viktorovich, mathematics and art are traditionally perceived as two poles of human creative activity that are divided by the abyss. How did you manage to combine these two areas of intellectual activity in one book?

My merit is not great. This is the state of affairs in reality, that science and art are united, they are connected by thousands of invisible threads, and all Ito the book.

The latest example of the unity of the harmony of nature and the harmony of art is the theory of fractals, that are self-similar structures of fractional dimension. As it became clear at the end of the twentieth century, the whole world around us — mountains, rivers, clouds, trees, blood and neural networks — all of these are fractals.

If at the dawn of the modern natural science Galileo claimed that the book of nature was written in the language of circles and triangles, then today it can be argued that the book of nature is written in the language of fractals.

Moreover, for the last 20 years we have been trying to prove that the book of art is written in the language of fractals. Indeed, fractal