a non-moral sphere where ordinary rules of right and wrong do not apply. The Turk, if not precisely witty himself, is at least the cause of wit in others. Extreme Asiatic dignity amidst ludicrously undignified European surroundings, a mixture of pomp and homeliness, power and childishness, give rise to humorous anecdotes of a peculiar and very characteristic flavour, examples of which may be found in several works besides Eothen, notably Robert Curzon’s Monasteries of the Levant. Another excellent illustration is supplied by Vazoff’s Under the Yoke, a translation of which has been published in English. It is an historical novel, written by a Bulgarian burning with indignation against the Ottoman rule. Yet the Turkish Caimmakam, as drawn by a bitter enemy, is no bloody tyrant, but an exquisitelyhuts on a muddy plain, where we are certainly likely to fall ill even if hale and hearty on arriving. Turkish soldiers prevent us from crossing an imaginary line and contaminating the surrounding desert. The quarantine doctor, however, explains to me that he has a peculiar respect for my character, sanitary and general, and would like to take a walk with me outside the limits of the establishment. He has a remarkable pedigree. His father was a Bohemian monk who found convent life too narrow for his taste, and accordingly embraced Islam. Once within the true fold he made up for lost time by marrying as many wives as his new liberty allowed, and this is one of the results. He confides to me that his one ambition