has been on our radar screen for several years. She made a fine Papagena as a guest artist with Career Bridges (having previously won an award) and we recall her Gianetta in Bare Opera's L'elisir d'Amore. The two made a fine pair with some beautiful harmonic blending in this melodic duet.

Ms. Pruzhansky also shared a solo piano work entitled AM New York which describes a day in New York in a manner that brought to mind Gershwin's Rhapsody in Blue. But in her composition, the day began with a jangling alarm clock followed by some unhappy chords in the piano. We enjoyed this colorful work immensely.

We were also delighted to hear Swedish songbird Alexandra Linde once more since she had performed some charming Swedish folk songs on thesame program as Mr. Suliandziga. Last night she "put on her opera hat" to perform "Linee" an aria from Luigi Porto's Anita Di Laguna, with which we are unfamiliar. She was accompanied by pianist Ruoting Li.

Also on the program was a soprano from the Belgrade Opera, Snezana Savicic Sekulic who demonstrated a gorgeous upper register in "O Mio Babbino Caro" from Puccini's Gianni Schicchi. She also performed Rachmaninoff's haunting "Ne Poy Krasavitsa Pri Mne" and we would have preferred a simpler delivery than that used in opera. We might have enjoyed Villa Lobos' "Melodia Sentimental" more if she had not been obscured by a music stand. With its elaborate fiorituraArditi's "Il Bacio" was a good selection for showing off her consummate coloratura.

The remainder of the program was instrumental