for The Barbra Streisand Album (1963), Best Vocal Performance, Female for The Barbra Streisand Album (1963)

How Close Is She? Only a technicality away. Streisand received a special Tony for “Star of the Decade” in 1970, which most EGOT observers say doesn’t count. (She also received two competitive nominations in the 1960s, but lost both times.) Unfortunately, the asterisk might be permanent: Though she presented at the 2016 ceremony, Streisand has not announced any plans to go back to Broadway.

Photo: Gerardo Mora/Getty Images for Disney

John Williams

Oscar: Best Music, Original Score for Schindler’s List (1994) and Best Music, Original Score for E.T. the Extra-Terrestrial (1983), Best Music, Original Score for Star Wars (1978), Best Music, Original Dramatic Score for Jaws (1976), Best Music, Scoring Adaptation and Original Song Score forFiddler on the Roof (1972)

Emmy: Outstanding Original Main Title Theme Music for Great Performances (2009), Outstanding Achievement in Music Composition — for a Special Program for Jane Eyre (1972), Outstanding Achievement in Musical Composition for Heidi (1969)

Grammy: Best Arrangement Instrumental or a Capella for “Escapades for Alto Saxophone and Orchestra” from Catch Me If You Can (2017), Best Score Soundtrack for Visual Media for Star Wars: The Force Awakens (2016), Best Instrumental Composition for The Book Thief (2015), Best Instrumental Composition for “The Adventures of Mutt” from Indiana Jones and the Kingdom of the Crystal Skull (2009), Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media for Memoirs of a Geisha (2007), Best Instrumental Composition Written for a Motion Picture or for Television for Saving