text: middleweight

text: boxer

text: habeas corpus

text: Paterson, New Jersey

text: fingerprint

text: paraffin test

text: Rahway State Prison

text: Bob Dylan

text: Hurricane

text: The Hurricane

text: Denzel Washington

text: Clifton, New Jersey

text: juvenile reformatory

text: Army

text: basic training

text: Fort Jackson

text: South Carolina

text: West Germany

text: Germany

text: middleweight

text: Florentino Fernandez

text: Holley Mims

text: Gomeo Brennan

text: George Benton

text: The Ring

text: Emile Griffith

text: technical knockout

text: Joey Giardello

text: heavyweight

text: Jimmy Ellis

text: Luis Manuel Rodríguez

text: Dick Tiger

text: Harry Scott

text: London

text: World Boxing Council

text: Joey Giardello

text: Paterson, New Jersey

text: shotgun pellets

text: shotgun

text: pistol

text: Dodge Polara

text: fingerprint

text: test

text: shotgun

text: Raymond A. Brown

text: Madison Avenue

text: George Lois

text: Muhammad Ali

text: Bob Dylan

text: Jacques Levy

text: Hurricane

text: Trenton State Prison

text: Brady

text: New Jersey Supreme Court

text: polygraph

text: Passaic County

text: parole

text: habeas corpus

text: Haddon Lee Sarokin

text: Third Circuit Court of Appeals

text: United States Supreme Court

text: Passaic County

text: Toronto

text: Ontario

text: Guy Paul Morin

text: motivational speaker

text: York University

text: Griffith University

text: Innocence Project

text: Death Penalty Focus

text: Burswood, Western Australia

text: prostate cancer

text: David McCallum

text: Brooklyn

text: New York Daily News

text: Bob Dylan

text: Hurricane

text: Renaldo and Clara

text: Nelson Algren

text: Norman Jewison

text: The Hurricane

text: Denzel Washington

text: Marvelous Marvin Hagler

text: Wesley Snipes

text: Samuel L. Jackson

text: Academy Award for Best Actor

text: 72nd Academy Awards

text: Romeo Phillion

categories: Deaths from cancer in Ontario,Canadian people of African-American descent,New Jersey Supreme Court,American people convicted of robbery,People wrongfully convicted of murder,American people convicted of assault,American male boxers,Prison writings,American people convicted of murder,African-American boxers,People convicted of murder by New Jersey,Prisoners sentenced to life imprisonment by New Jersey,2014 deaths,Deaths from prostate cancer,Sportspeople from Toronto,Overturned convictions in the United States,United States Army soldiers,Sportspeople from Clifton, New Jersey,1937 births,American emigrants to Canada

paragraph: Rubin Carter

paragraph: Rubin "Hurricane" Carter (May 6, 1937 – April 20, 2014) was an American-Canadian middleweight boxer who was found wrongfully convicted of murder and later released following a petition of habeas corpus after spending almost 20 years in prison.

paragraph: In 1966, police arrested Carter and friend John Artis for a triple homicide committed at the Lafayette Bar and Grill in Paterson, New Jersey. Police stopped Carter's car and brought him and Artis, also in the car, to the scene of the crime. Police did not take fingerprints at the crime scene and lacked the facilities to conduct a paraffin test for gunshot residue . Carter and Artis were tried twice for the murders in 1967 and 1976 and convicted; both served time in Rahway State Prison. After the second conviction was overturned in 1985, prosecutors chose not to try the case for a third time.

paragraph: Carter's autobiography, titled "The Sixteenth Round", written while he was in prison, was published in 1975 by Warner Books. The story inspired the 1975 Bob Dylan song "Hurricane" and the 1999 film "The Hurricane" (with Denzel Washington playing Carter). From 1993 to 2005, Carter served as executive director of the Association in Defence of the Wrongly Convicted.

paragraph: Section::::Early life.

paragraph: Carter was born in Clifton, New Jersey, the fourth of seven children. He acquired a criminal record and was sentenced to a juvenile reformatory for assault, having stabbed a man in self defense when he was 11. Carter escaped from the reformatory in 1954 and joined the Army. A few months after completing infantry basic training at Fort Jackson, South Carolina, he was sent to West Germany. While in Germany, Carter began to box for the United States Army. He was later discharged in 1956 as unfit for service, after four courts-martial. Shortly after his discharge, he was convicted of two muggings and sent to prison.

paragraph: Section::::Boxing career.

paragraph: After his release from prison in September 1961, Carter became a professional boxer. At , Carter was shorter than the average middleweight, but he fought all of his professional career at 155–160 lb (70–72.6 kg). His aggressive style and punching power (resulting in many early-round knockouts) drew attention, establishing him as a crowd favorite and earning him the nickname "Hurricane." After he defeated a number of middleweight contenders—such as Florentino Fernandez, Holley Mims, Gomeo Brennan, and George Benton—the boxing world took notice. "The Ring" first listed him as one of its "Top 10" middleweight contenders in July 1963. At the end of 1965, they ranked him as the number five middleweight.

paragraph: He fought six times in 1963, winning four bouts and losing two. He remained ranked in the lower part of the top 10 until December 20, when he surprised the boxing world by flooring past and future world champion Emile Griffith twice in the first round and scoring a technical knockout. That win resulted in "The Ring"s ranking of Carter as the number three contender for Joey Giardello's world middleweight title. Carter won two more fights (one a decision over future heavyweight champion Jimmy Ellis) in 1964, before meeting Giardello in Philadelphia for a 15-round championship match on December 14. Carter landed a few solid rights to the head and staggered Giardello in the fourth, but was unable to follow them up, and Giardello took control of the fight in the fifth round. The judges awarded Giardello a unanimous decision.

paragraph: After that fight, Carter's ranking in "The Ring" began to decline. He fought nine times in 1965, winning five but losing three of four against contenders Luis Manuel Rodríguez, Dick Tiger, and Harry Scott. Tiger, in particular, floored Carter three times in their match. "It was," Carter said, "the worst beating that I took in my life—inside or outside the ring." During his visit to London (to fight Scott) Carter was involved in an incident in which a shot was fired in his hotel room.

paragraph: Carter's career record in boxing was 27 wins, 12 losses, and one draw in 40 fights, with 19 total knockouts (8 KOs and 11 TKOs). He received an honorary championship title belt from the World Boxing Council in 1993 (as did Joey Giardello at the same banquet) and was later inducted into the New Jersey Boxing Hall of Fame.

paragraph: Section::::Homicides.

paragraph: On June 17, 1966, at approximately 2:30 a.m., two men entered the Lafayette Bar and Grill at East 18th Street at Lafayette Street in Paterson, New Jersey, and began shooting. The bartender, James Oliver, and a customer, Fred Nauyoks, were killed immediately. A severely wounded customer, Hazel Tanis, died almost a month later, having been shot in the throat, stomach, intestine, spleen and left lung, and having her arm shattered by shotgun pellets. A third customer, Willie Marins, survived the attack, despite a gunshot wound to the head that cost him the sight in one eye. During questioning, both Marins and Tanis told police that the shooters had been black males, though neither identified Carter or John Artis.

paragraph: Petty criminal Alfred Bello, who had been near the Lafayette that night to burglarize a factory, was an eyewitness. Bello later testified that he was approaching the Lafayette when two black males—one carrying a shotgun, the other a pistol—came around the corner walking towards him. He ran from them, and they got into a white car that was double-parked near the Lafayette.

paragraph: Bello was one of the first people on the scene of the shootings, as was Patricia (Patty) Valentine, a resident on the second floor (above the Lafayette Bar and Grill). Valentine told the police that she saw two black males get into a white car and drive off. Another neighbor, Ronald Ruggiero, also heard the shots, and said that, from his window, he saw Alfred Bello running west on Lafayette Street toward 16th Street. He then heard the screech of tires and saw a white car shoot past, heading west, with two black males in the front seat.

paragraph: Both Bello and Valentine gave police a description of the car that was the same. Valentine's testimony, in which she initially stated that the car had rear lights which lit up completely like butterflies, changed when she testified during the second trial to an accurate description of Carter's car, which had conventional taillights with aluminum decoration in a butterfly shape. The prosecution theorized that the dissimilarity in Valentine's description was the result of a misreading of a court transcript by the defense.

paragraph: Section::::Homicides.:Investigation, indictment and first conviction.

paragraph: Hours before the triple murder, Carter was searching for guns that he had lost a year earlier. Carter was driving a white Dodge Polara, which was notable for its out-of-state license plate with blue background and gold lettering and taillights with butterfly-shaped aluminium decoration. Ten minutes after the murder, police stopped Carter's car. The police, who were searching for a vehicle with three occupants, let Carter go.

paragraph: Minutes later, the same police officers solicited a description of the getaway car from eyewitness Al Bello. He described the car as white with "a geometric design, sort of a butterfly type design in the back of the car", and as bearing out-of-state license plates with blue background and orange lettering. On hearing this description, the police realized that Al Bello was describing a car similar to the one that they had only moments earlier let go.

paragraph: When police found Carter's car they stopped it and brought Carter and another occupant, John Artis, to the scene about 31 minutes after the incident. The police took no fingerprints at the crime scene, and lacked the facilities to test Carter and Artis for gunshot residue.

paragraph: On searching the car about 45 minutes later, Detective Emil DiRobbio found a live .32 caliber pistol round under the front passenger seat and a 12-gauge shotgun shell in the trunk. Firearms Identification later established that the murder weapons had been a .32 caliber pistol and a 12-gauge shotgun. The defense later raised questions about this evidence, as it was not logged with a property clerk until five days after the murders. The prosecution responded to this line of questioning by producing a report lodged 75 minutes after the murders that documented the presence of the .32 caliber pistol round and 12-gauge shotgun shell.

paragraph: The defense was able to show that the bullet found in the Carter car was brass cased, rather than copper coated like those found at the Lafayette Bar, and that the shotgun shell found in the Carter car was an older model, with a different wad and color.

paragraph: In response, the prosecution argued that the metal and make of the retrieved ammunition was meaningless because the ammunition found at the crime scene was also dissimilar. Furthermore, the ammunition found in the car was usable by the murder weapons.

paragraph: The police took Carter and Artis to police headquarters and questioned them. Witnesses did not identify them as the killers and they were released. Carter and Artis voluntarily appeared before a grand jury, which did not return an indictment.

paragraph: Several months later, Bello disclosed to the police that he had an accomplice during the attempted burglary, one Arthur Dexter Bradley. On further questioning, Bello and Bradley both identified Carter as one of the two males they had seen carrying weapons outside the bar on the night of the murders. Bello also identified Artis as the other. Based on this additional evidence, Carter and Artis were arrested and indicted.

paragraph: At the 1967 trial, Carter was represented by well-known attorney Raymond A. Brown. Brown focused on inconsistencies in some of the descriptions given by eyewitnesses Marins and Bello. The defense also produced a number of alibi witnesses who testified that Carter and Artis had been in the Nite Spot (a nearby bar) at about the time of the shootings. Both men were convicted. Prosecutors sought the death penalty, but jurors recommended that each defendant receive a life sentence for each murder. Judge Samuel Larner imposed two consecutive and one concurrent life sentence on Carter, and three concurrent life sentences on Artis.

paragraph: In 1974, Bello and Bradley recanted their identifications of Carter and Artis, and these recantations were used as the basis for a motion for a new trial. Judge Samuel Larner denied the motion on December 11, saying that the recantations "lacked the ring of truth."

paragraph: Despite Larner's ruling, Madison Avenue advertising executive George Lois organized a campaign on Carter's behalf, which led to increasing public support for a retrial or pardon. Muhammad Ali lent his support to the campaign (including publicly wishing Carter good luck on his appeal during the airing of "The Tonight Show" with Johnny Carson on September 7, 1973). Bob Dylan co-wrote (with Jacques Levy) and performed a song called "Hurricane" (1975), which declared that Carter was innocent. On December 7, 1975, Dylan performed the song at a concert at Trenton State Prison, where Carter was temporarily an inmate.

paragraph: However, during the hearing on the recantations, defense attorneys also argued that Bello and Bradley had lied during the 1967 trial, telling the jurors that they had made only certain narrow, limited deals with prosecutors in exchange for their trial testimony. A detective taped one interrogation of Bello in 1966, and when it was played during the recantation hearing, defense attorneys argued that the tape revealed promises beyond what Bello had testified to. If so, prosecutors had either had a Brady obligation to disclose this additional exculpatory evidence, or a duty to disclose the fact that their witnesses had lied on the stand.

paragraph: Larner denied this second argument as well, but the New Jersey Supreme Court unanimously held that the evidence of various deals made between the prosecution and witnesses Bello and Bradley should have been disclosed to the defense before or during the 1967 trial as this could have "affected the jury's evaluation of the credibility" of the eyewitnesses. "The defendants' right to a fair trial was substantially prejudiced", said Justice Mark Sullivan. The court set aside the original convictions and granted Carter and Artis a new trial.

paragraph: Despite the difficulties of prosecuting a ten-year-old case, Prosecutor Burrell Ives Humphreys decided to try Carter and Artis again. To ensure, as best he could, that he did not use perjured testimony to obtain a conviction, Humphreys had Bello polygraphed—once by Leonard H. Harrelson and a second time by Richard Arther, both well-known and respected experts in the field. Both men concluded that Bello was telling the truth when he said that he had seen Carter outside the Lafayette immediately after the murders.

paragraph: However, Harrelson also reported orally that Bello had been inside the bar shortly before and at the time of the shooting, a conclusion that contradicted Bello's 1967 trial testimony wherein he had said that he had been on the street at the time of the shooting. Despite this oral report, Harrelson's subsequent written report stated that Bello's 1967 testimony had been truthful.

paragraph: Section::::Homicides.:Second conviction and appeal.

paragraph: During the new trial, Alfred Bello repeated his 1967 testimony, identifying Carter and Artis as the two armed men he had seen outside the Lafayette Grill. Bradley refused to cooperate with prosecutors, and neither prosecution nor defense called him as a witness.

paragraph: The defense responded with testimony from multiple witnesses who identified Carter at the locations he claimed to be at when the murders happened. Investigator Fred Hogan, whose efforts had led to the recantations of Bello and Bradley, appeared as a defense witness. Hogan was asked on cross examinations whether any bribes or inducements were offered to Bello to secure his recantation, which Hogan denied. His original handwritten notes on his conversations with Bello were entered into evidence. The defense also pointed out the inconsistencies in the testimony of Patricia Valentine, and read the 1967 testimony of William Marins, who had died in 1973, noting that his descriptions of the shooters were drastically different from Artis and Carter's actual appearances.

paragraph: The court also heard testimony from a Carter associate that Passaic County prosecutors had tried to pressure her into testifying against Carter. Prosecutors denied the charge. After deliberating for almost nine hours, the jury again found Carter and Artis guilty of the murders. Judge Leopizzi re-imposed the same sentences on both men: a double life sentence for Carter, a single life sentence for Artis.

paragraph: Artis was paroled in 1981. Carter's attorneys continued to appeal. In 1982, the Supreme Court of New Jersey affirmed his convictions (4–3). While the justices felt that the prosecutors should have disclosed Harrelson's oral opinion (about Bello's location at the time of the murders) to the defense, only a minority thought this was material. The majority thus concluded that the prosecution had not withheld information that the Brady disclosure law required that they provide to the defense.

paragraph: According to bail bondswoman Carolyn Kelley, in 1975–1976 she helped raise funds to win a second trial for Carter, which resulted in his release on bail in March 1976. On a fund-raising trip the following month, Kelley said the boxer beat her severely over a disputed hotel bill. The "Philadelphia Daily News" reported the alleged beating in a front-page story several weeks later, and celebrity support for Carter quickly eroded, though Carter denied the accusation and there was insufficient evidence for legal prosecution. Mae Thelma Basket, whom Carter had married in 1963, divorced him after their second child was born, because she found out that he had been unfaithful to her.

paragraph: Section::::Homicides.:Federal court action.

paragraph: Three years later, Carter's attorneys filed a petition for a writ of habeas corpus in federal court. In 1985, Judge Haddon Lee Sarokin of the United States District Court for the District of New Jersey granted the writ, noting that the prosecution had been "predicated upon an appeal to racism rather than reason, and concealment rather than disclosure," and set aside the convictions. Carter, 48 years old, was freed without bail in November 1985.

paragraph: Prosecutors appealed Sarokin's ruling to the Third Circuit Court of Appeals and filed a motion with the court to return Carter to prison pending the outcome of the appeal. The court denied this motion and eventually upheld Sarokin's opinion, affirming his Brady analysis without commenting on his other rationale.

paragraph: The prosecutors appealed to the United States Supreme Court, which declined to hear the case.

paragraph: Prosecutors therefore could have tried Carter (and Artis) a third time, but decided not to, and filed a motion to dismiss the original indictments. "It is just not legally feasible to sustain a prosecution, and not practical after almost 22 years to be trying anyone," said New Jersey Attorney General W. Cary Edwards. Acting Passaic County Prosecutor John P. Goceljak said several factors made a retrial impossible, including Bello's "current unreliability" as a witness and the unavailability of other witnesses. Goceljak also doubted whether the prosecution could reintroduce the racially motivated crime theory due to the federal court rulings. A judge granted the motion to dismiss, bringing an end to the legal proceedings.

paragraph: Section::::Post emancipation.

paragraph: Carter lived in Toronto, Ontario, where he became a Canadian citizen, and was executive director of the Association in Defence of the Wrongly Convicted (AIDWYC) from 1993 until 2005. Carter resigned when the AIDWYC declined to support Carter's protest of the appointment (to a judgeship) of Susan MacLean, who was the prosecutor of Canadian Guy Paul Morin, who served over eighteen months in prison for rape and murder until exonerated by DNA evidence.

paragraph: Carter's second marriage was to Lisa Peters. The couple separated later.

paragraph: In 1996, Carter, then 59, was arrested when Toronto police mistakenly identified him as a suspect in his thirties believed to have sold drugs to an undercover officer. He was released after the police realized their error.

paragraph: Carter often served as a motivational speaker. On October 14, 2005, he received two honorary Doctorates of Law, one from York University (Toronto, Ontario, Canada) and one from Griffith University (Brisbane, Queensland, Australia), in recognition of his work with AIDWYC and the Innocence Project. Carter received the Abolition Award from Death Penalty Focus in 1996.

paragraph: Section::::Prostate cancer and death.

paragraph: In March 2012, while attending the International Justice Conference in Burswood, Western Australia, Carter revealed that he had terminal prostate cancer. At the time, doctors gave him between three and six months to live. Beginning shortly after that time, John Artis lived with and cared for Carter, and on April 20, 2014, he confirmed that Carter had succumbed to his illness.

paragraph: In the months leading up to his death, Carter worked for the exoneration of David McCallum, a Brooklyn man who has been incarcerated since 1985 on charges of murder. Two months before his death, Carter published "Hurricane Carter's Dying Wish," an opinion piece in the "New York Daily News", in which he asked for an independent review of McCallum's conviction. "I request only that McCallum be granted a full hearing by the Brooklyn conviction integrity unit, now under the auspices of the new district attorney, Ken Thompson. Knowing what I do, I am certain that when the facts are brought to light, Thompson will recommend his immediate release ... Just as my own verdict 'was predicated on racism rather than reason and on concealment rather than disclosure,' as Sarokin wrote, so too was McCallum's," Carter wrote. On Wednesday, October 15, 2014, McCallum was exonerated.

paragraph: Section::::In popular culture.

paragraph: Carter's story inspired:

paragraph: BULLET::::- The 1975 Bob Dylan song "Hurricane" proclaimed that Carter was innocent. Carter appeared as himself in Dylan's 1978 movie "Renaldo and Clara." In the 2019 film "", Dylan talked about his involvement with the Carter case and Carter was also interviewed in the film, describing his relationship with Dylan.

paragraph: BULLET::::- Nelson Algren's 1983 novel "The Devil's Stocking".

paragraph: BULLET::::- Norman Jewison's 1999 feature film "The Hurricane", starring Denzel Washington in the lead role. The film is about Rubin Carter's accusation, trials, and time spent in prison. Carter later discussed at a lecture how he fell in love with Washington's portrayal of him during auditions for "The Hurricane", noting that boxer Marvelous Marvin Hagler and actors Wesley Snipes and Samuel L. Jackson all vied for the role. Washington was nominated for the Academy Award for Best Actor for his performance at the 72nd Academy Awards.

paragraph: Section::::See also.

paragraph: BULLET::::- List of wrongful convictions in the United States

paragraph: BULLET::::- Romeo Phillion

paragraph: Section::::References.

paragraph: Notes

paragraph: Further reading

paragraph: Section::::External links.

paragraph: BULLET::::- Hurricane Carter - The Other Side of the Story

paragraph: BULLET::::- https://www.nj.com/opinion/index.ssf/2014/04/spare_us_the_lies_about_the_late_hurricane_carter_mulshine.html

description: American boxer

wikidata_label: Rubin Carter

wikipedia_title: Rubin Carter


text:
Dąbrowa Górnicza
National Film School in Łódź
children's film
Czterej pancerni i pies
Krzysztof Kieślowski
Clergy
Kamerdyner
Breaking the Limits
Blindness
Body
The Closed Circuit
Ekipa
Prime Minister
Pitbull
Hamlet
Zemsta
Cześnik
Chopin. Pragnienie miłości
Tam i z powrotem
Przedwiośnie
Weiser
Żółty szalik
To ja, złodziej
Ostatnia misja
Egzekutor
Fuks
Szczęśliwego Nowego Jorku
Czas zdrady
Poznań 56
Akwarium
Łagodna
Śmierć jak kromka chleba
Straszny sen Dzidziusia Górkiewicza
Szwadron
Coupable d'innocence
Psy
Ucieczka z kina 'Wolność'
Stan wewnętrzny
Dekalog
Piłkarski poker
Dekalog, cztery
Big Bang
Hamlet we wsi Głucha Dolna
Rok spokojnego słońca
Alternatywy 4
Gwiezdny pył
Limuzyna Daimler-Benz
Nieciekawa historia
Przesłuchanie
Człowiek z żelaza
Wahadełko
Wojna światów - następne stulecie
Dyrygent
Kung-Fu
Co mi zrobisz, jak mnie złapiesz?
Mgła
Wakacje z duchami
Bicz boży
Stajnia na Salwatorze
Bariera
Czterej pancerni i pies
Szyfry
Panienka z okienka
Janusz Gajos

categories: National Film School in Łódź alumni,Polish male stage actors,Recipients of the Gold Medal for Merit to Culture – Gloria Artis,20th-century Polish male actors,People from Dąbrowa Górnicza,1939 births,Polish male television actors,Recipients of the Gold Cross of Merit (Poland),Polish cabaret performers,Polish male film actors,Living people

paragraph: Janusz Gajos

paragraph: Janusz Gajos (; born 23 September 1939 in Dąbrowa Górnicza) is a Polish actor.

paragraph: He graduated in 1965 from the National Film School in Łódź as one of its best students despite having been rejected during entrance exams for three times. He debuted while he was still in film school in children's film "Panienka z okienka" in 1964. Shortly afterwards he was cast in a role of Janek Kos in a widely popular TV World War II series "Czterej pancerni i pies" ("Four tank men and a dog"). He starred in numerous other films and theatrical plays, notably in Krzysztof Kieślowski's "".

paragraph: Section::::Filmography.

paragraph: BULLET::::- "Clergy" (2018), as archbishop Mordowicz

paragraph: BULLET::::- "Kamerdyner" (2018), as Bazyli Miotke

paragraph: BULLET::::- "Breaking the Limits" (2017)

paragraph: BULLET::::- "Blindness" (2016)

paragraph: BULLET::::- "Body" (2015)

paragraph: BULLET::::- "The Closed Circuit"

paragraph: BULLET::::- "Ekipa", as former Prime Minister Henryk Nowasz

paragraph: BULLET::::- "Pitbull" (2005)

paragraph: BULLET::::- "Hamlet" (2004/II) (TV), as Claudius

paragraph: BULLET::::- "Zemsta" (2002) "The Revenge", as Cześnik Raptusiewicz

paragraph: BULLET::::- "Chopin. Pragnienie miłości" (2002) "Chopin: Desire for Love", as Duke Konstanty Pawlowicz

paragraph: BULLET::::- "Tam i z powrotem" (2002) "There and Back", as Andrzej Hoffman

paragraph: BULLET::::- "Przedwiośnie" (2001) "The Spring to Come", as Seweryn Baryka

paragraph: BULLET::::- "Weiser" (2001), as Antiquarian

paragraph: BULLET::::- "Żółty szalik" (2000) (TV)

paragraph: BULLET::::- "To ja, złodziej" (2000) "It's Me, the Thief", as Roman Wyskocz

paragraph: BULLET::::- "Ostatnia misja" (2000) "The Last Mission", as Police Inspector

paragraph: BULLET::::- "Egzekutor" (1999), as Kowalik

paragraph: BULLET::::- "Fuks" (1999), as Policeman

paragraph: BULLET::::- "Szczęśliwego Nowego Jorku" (1997) "Happy New York", as Professor

paragraph: BULLET::::- "Czas zdrady" (1997), as Messer Niccolo

paragraph: BULLET::::- "Poznań 56" (1996), as Professor

paragraph: BULLET::::- "Akwarium" (1996)

paragraph: BULLET::::- "Łagodna" (1995) "A Gentle Woman", as He

paragraph: BULLET::::- "Śmierć jak kromka chleba" (1994) "Death like a Slice of Bread", as Miodek

paragraph: BULLET::::- "" (1994) "Three Colors: White", as Mikolaj

paragraph: BULLET::::- "Straszny sen Dzidziusia Górkiewicza" (1993) "The Terrible Dream of Babyface Gorkiewicz"

paragraph: BULLET::::- "Szwadron" (1993) "Squadron"

paragraph: BULLET::::- "Coupable d'innocence" (1992) "When Reason Sleeps"

paragraph: BULLET::::- "Psy" (1992) "Pigs", as Gross

paragraph: BULLET::::- "Ucieczka z kina 'Wolność'" (1991) "Escape From the 'Liberty' Cinema", as Cenzor

paragraph: BULLET::::- "Stan wewnętrzny" (1990) "Inner State"

paragraph: BULLET::::- "Dekalog" (1989) "The Decalogue" (mini) TV Series, as Michal

paragraph: BULLET::::- "Piłkarski poker" (1989) "Soccer Poker", as Referee Jan Laguna

paragraph: BULLET::::- "Dekalog, cztery" (1988) (TV) "Honor Thy Father and Thy Mother", as Michal

paragraph: BULLET::::- "Big Bang" (1986) (TV), as Janek

paragraph: BULLET::::- "Hamlet we wsi Głucha Dolna" (1985) (TV)

paragraph: BULLET::::- "Rok spokojnego słońca" (1984) "The Year of the Quiet Sun", as Moonlighter

paragraph: BULLET::::- "" (1984) "After Your Decrees", as Driver

paragraph: BULLET::::- "Alternatywy 4" (1983) TV Series, as Jan Winnicki

paragraph: BULLET::::- "Gwiezdny pył" (1982)

paragraph: BULLET::::- "Limuzyna Daimler-Benz" (1982) "The Consul", as Kuschmerek

paragraph: BULLET::::- "Nieciekawa historia" (1982) "Uninteresting Story"

paragraph: BULLET::::- "Przesłuchanie" (1982) "Interrogation", as Major Zawada "Kapielowy"

paragraph: BULLET::::- "" (1981) "Z dalekiego kraju"

paragraph: BULLET::::- "Człowiek z żelaza" (1981) "Man of Iron", as Committee vice-chairman

paragraph: BULLET::::- "Wahadełko" (1981) Shilly-Shally

paragraph: BULLET::::- "Wojna światów - następne stulecie" (1981) "The War of the World: Next Century "

paragraph: BULLET::::- "Dyrygent" (1980) "Orchestra Conductor", as High Official

paragraph: BULLET::::- "" (1980) "The Contract", as Boleslaw Bartoszuk

paragraph: BULLET::::- "Kung-Fu" (1979), as Editor-in-Chief Maciek

paragraph: BULLET::::- "Co mi zrobisz, jak mnie złapiesz?" (1978) "What Will You Do When You Catch Me?", as Supermarket Manager

paragraph: BULLET::::- "" (1978) "Millionaire", as Józef Mikula

paragraph: BULLET::::- "Mgła" (1976) "The Fog"

paragraph: BULLET::::- "Wakacje z duchami" (1970) TV Series, as Antoniusz

paragraph: BULLET::::- "Bicz boży" (1967) "God's Whip", as Klen

paragraph: BULLET::::- "Stajnia na Salwatorze" (1967) "Stall on Salvador"

paragraph: BULLET::::- "Bariera" (1966) "Barrier" (uncredited), as Tram Driver with Letter "E"

paragraph: BULLET::::- "Czterej pancerni i pies" (1966) TV Series, as Pvt./Cpl./Sgt./Lt. Jan Kos

paragraph: BULLET::::- "Szyfry" (1966) "The Codes", as White monk

paragraph: BULLET::::- "Panienka z okienka" (1964)

paragraph: Section::::External links.

paragraph: BULLET::::- Janusz Gajos at culture.pl

description: Polish actor

wikidata_label: Janusz Gajos

wikipedia_title: Janusz Gajos


text: Elizabethan

text: Dutch

text: Latin

text: grammar school

text: Sir Thomas More

text: Admiral's Men

text: Philip Henslowe

text: Ben Jonson

text: John Marston

text: War of the Theatres

text: The Shoemaker's Holiday

text: Francis Meres

text: Lord Chamberlain's Men

text: child actors

text: Horace

text: Royal Entry

text: coronation

text: James I

text: festival book

text: Worcester's Men

text: Admiral's Men

text: Prince Henry

text: Queen Anne's Men

text: Red Bull Theatre

text: Poultry Compter

text: King's Bench Prison

text: John Webster

text: Edward Alleyn

text: Endymion Porter

text: John Day

text: John Webster

text: John Ford

text: Philip Massinger

text: William Rowley

text: Whitechapel

text: St. James's

text: Clerkenwell

text: Thomas Nashe

text: Thomas Lodge

text: John Dryden

text: tragicomedy

text: romantic

text: Shakespeare

text: Fletcher

text: Lust's Dominion

text: William Haughton

text: The Witch of Edmonton

text: The Virgin Martyr

text: Phaeton

text: Robert Wilson

text: Henry Chettle

text: Michael Drayton

text: Earl Godwin

text: Troilus

text: Cressida

text: Agamemnon

text: Robert II

text: The Shoemaker's Holiday

text: The Merry Month of May

text: Old Fortunatus

text: Patient Grissel

text: Chaucer

text: The Clerk's Tale

text: Satiromastix

text: Sebastian of Portugal

text: Blurt, Master Constable

text: Thomas Middleton

text: Sir John Oldcastle

text: "Sir Thomas Wyatt"

text: Wyatt's rebellion

text: Blackfriars Children

text: Fortune Theatre

text: The Honest Whore

text: "The Family of Love"

text: Westward Ho

text: Northward Ho

text: The Roaring Girl

text: Mary Frith

text: tragicomedy

text: Match Me in London

text: The Sun's Darling

text: The Fairy Knight

text: tragicomedy

text: The Noble Spanish Soldier

text: Keep the Widow Waking

text: Star Chamber

text: Cockpit Theatre

text: Christopher Beeston

text: Shoreditch

text: plague

text: The Wonderfull Yeare

text: Elizabeth

text: Gunpowder Plot

text: News From Hell

text: Pierce Penniless

text: Thieves' Cant

text: Robert Greene

text: Westminster

text: Thomas Overbury

text: Patient Grissel

text: Paul McCartney

text: the Beatles

text: Golden Slumbers

text: "The Noble Spanish Soldier" (1622)

text: Project Gutenberg

text: "The Wonderful Year" (1603)

text: "A Knight's Conjuring" (1607)

text: Google Books

text: "The Guls Horn-Booke"

categories: English people of Dutch descent,16th-century male writers,Pamphleteers,17th-century English dramatists and playwrights,17th-century male writers,16th-century English writers,1632 deaths,English Renaissance dramatists,16th-century dramatists and playwrights,1570s births,People of the Tudor period

paragraph: Thomas Dekker (writer)

paragraph: Thomas Dekker (c. 1572 – 25 August 1632) was an English Elizabethan dramatist and pamphleteer, a versatile and prolific writer, whose career spanned several decades and brought him into contact with many of the period's most famous dramatists.

paragraph: Section::::Life.

paragraph: Little is known of Dekker's early life or origins. From references in his pamphlets, Dekker is believed to have been born in London around 1572, but nothing is known for certain about his youth. His last name suggests Dutch ancestry, and his work, some of which is translated from Latin, suggests that he attended grammar school.

paragraph: Dekker embarked on a career as a theatre writer in the middle 1590s. His handwriting is found in the manuscript of "Sir Thomas More", though the date of his involvement is undetermined. More certain is his work as a playwright for the Admiral's Men of Philip Henslowe, in whose account book he is first mentioned in early 1598. While there are plays connected with his name performed as early as 1594, it is not clear that he was the original author; his work often involved revision and updating. Between 1598 and 1602, he was involved in about forty plays for Henslowe, usually in collaboration. To these years belong the collaborations with Ben Jonson and John Marston, which presumably contributed to the War of the Theatres in 1600 and 1601. But Dekker is credited as the sole author of "The Shoemaker's Holiday" (1599), his acknowledged masterpiece – a boisterous, rowdy comedy of London life as seen through the eyes of a romanticist. Francis Meres includes Dekker in his list of notable playwrights in 1598.

paragraph: For Jonson, however, Dekker was a bumbling hack, a "dresser of plays about town"; Jonson lampooned Dekker as Demetrius Fannius in "Poetaster" and as Anaides in "Cynthia's Revels". Dekker's riposte, "Satiromastix", performed both by the Lord Chamberlain's Men and the child actors of Paul's, casts Jonson as an affected, hypocritical Horace.

paragraph: "Satiromastix" marks the end of the "poetomachia"; in 1603, Jonson and Dekker collaborated again, on a pageant for the Royal Entry, delayed from the coronation of James I, for which Dekker also wrote the festival book "The Magnificent Entertainment". After this commission, however, the early Jacobean period was notably mixed for the author. In late 1602, he appears to have broken his association with Henslowe, for unknown reasons. He wrote for Worcester's Men for a time, then returned to the Admiral's Men (now patronized by Prince Henry) to produce "The Honest Whore", an apparent success. But the failures of "The Whore of Babylon" (1607) and "If This Be Not a Good Play, the Devil is in It" (1611) left him crestfallen; the latter play was rejected by Prince Henry's Men before failing for Queen Anne's Men at the Red Bull Theatre.

paragraph: In 1612, Dekker's lifelong problem with debt (he had earlier, 1599, been imprisoned in Poultry Compter) reached a crisis when he was imprisoned in the King's Bench Prison on a debt of forty pounds to the father of John Webster. He remained there for seven years, and despite the support of associates such as Edward Alleyn and Endymion Porter, these years were difficult; Dekker reports that the experience turned his hair white. He continued as pamphleteer throughout his years in prison.

paragraph: On release, he resumed writing plays, now with collaborators both from his generation (John Day and John Webster) and slightly younger writers (John Ford and Philip Massinger). Among these plays is one, "Keep the Widow Waking" (1624, with Ford, Webster, and William Rowley), which dramatized two recent murders in Whitechapel. In the latter half of the decade, Dekker turned once more to pamphlet-writing, revamping old work and writing a new preface to his most popular tract, "The Bellman of London".

paragraph: Dekker published no more work after 1632, and he is usually associated with the "Thomas Dekker, householder", who was buried at St. James's in Clerkenwell that year.

paragraph: Section::::Work.

paragraph: Section::::Work.:Drama.

paragraph: When Dekker began writing plays, Thomas Nashe and Thomas Lodge were still alive; when he died, John Dryden had already been born. Like most dramatists of the period, he adapted as well as he could to changing tastes; however, even his work in the fashionable Jacobean genres of satire and tragicomedy bears the marks of his Elizabethan training: its humor is genial, its action romantic. The majority of his surviving plays are comedies or tragicomedies.

paragraph: Most of Dekker's work is lost. His apparently disordered life, and his lack of a firm connection (such as Shakespeare or Fletcher had) with a single company, may have militated against the preservation or publication of manuscripts. Close to twenty of his plays were published during his lifetime; of these, more than half are comedies, with three significant tragedies: "Lust's Dominion" (presumably identical to "The Spanish Moor's Tragedy", written with Day, Marston, and William Haughton, 1600), "The Witch of Edmonton" (with Ford and Rowley, 1621), and "The Virgin Martyr" (with Massinger, 1620).

paragraph: The first phase of Dekker's career is documented in Henslowe's diary. His name appears for the first time in connection with "fayeton" (presumably, Phaeton) in 1598. There follow, before 1599, payments for work on "The Triplicity of Cuckolds", "The Mad Man's Morris", and "Hannibal and Hermes". He worked on these plays with Robert Wilson, Henry Chettle, and Michael Drayton. With Drayton, he also worked on history plays on the French civil wars, Earl Godwin, and others. In 1599, he wrote plays on Troilus and Cressida, Agamemnon (with Chettle), and "Page of Plymouth". In that year, also, he collaborated with Chettle, Jonson, and Marston on a play about Robert II. 1599 also saw the production of three plays that have survived. It was during this year that he produced his most famous work, "The Shoemaker's Holiday, or the Gentle Craft", categorised by modern critics as citizen comedy. This play reflects his concerns with the daily lives of ordinary Londoners, and contains the poem The Merry Month of May. This play exemplifies his intermingling of everyday subjects with the fantastical, embodied in this case by the rise of a craftsman to Mayor and the involvement of an unnamed but idealised king in the concluding banquet. "Old Fortunatus" and "Patient Grissel", the latter on the folkloric theme treated by Chaucer in The Clerk's Tale. In 1600, he worked on "The Seven Wise Masters", "Fortune's Tennis", "Cupid and Psyche", and "Fair Constance of Rome". The next year, in addition to "Satiromastix", he worked on a play possibly about Sebastian of Portugal and "Blurt, Master Constable", on which he may have worked with Thomas Middleton. In 1602 he revised two older plays, "Pontius Pilate" (1597) and the second part of "Sir John Oldcastle". He also collaborated on "Caesar's Fall", "Jephthah", "A Medicine for a Curst Wife", "Sir Thomas Wyatt" (on Wyatt's rebellion), and "Christmas Comes But Once a Year".

paragraph: Except for "Blurt", which was performed by the Blackfriars Children, the earlier of these works were performed at the Admiral's Fortune Theatre. After 1602, Dekker split his attention between pamphlets and plays; thus, his dramatic output decreased considerably. He and Middleton wrote "The Honest Whore" for the Fortune in 1604, and Dekker wrote a sequel himself the following year. The Middleton/Dekker collaboration "The Family of Love" also dates from this general era. Dekker and Webster wrote "Westward Ho" and "Northward Ho" for Paul's Boys. The failures of the anti-Catholic "Whore of Babylon" and tragicomic "If This Be Not..." have already been noted. "The Roaring Girl", a city comedy that incorporates the real-life contemporary figure 'Moll Cutpurse', otherwise known as Mary Frith, was a collaboration with Middleton in 1611. In the same year, he also wrote another tragicomedy called "Match Me in London".

paragraph: During his imprisonment, Dekker did not write plays. After his release, he collaborated with Day on "Guy of Warwick" (1620), "The Wonder of a Kingdom" (1623), and "The Bellman of Paris" (1623). With Ford, he wrote "The Sun's Darling" (1624), "The Fairy Knight" (1624), and "The Bristow Merchant" (1624). He also wrote the tragicomedy "The Noble Spanish Soldier" (1622) and later reworked material from this play into a comedic form to produce "The Welsh Ambassador" (1623). Another play, "The Late Murder of the Son upon the Mother, or Keep the Widow Waking", a dramatization of two recent murders in Whitechapel, occasioned a suit for slander heard in the Star Chamber. That play is lost.

paragraph: Dekker's plays of the 1620s were staged at the large amphitheaters on the north side of London, most commonly at the Red Bull; only two of his later plays were seen at the more exclusive, indoor Cockpit Theatre, and these two were presumably produced by Christopher Beeston, who operated both the Red Bull and the Cockpit. By the 1620s, the Shoreditch amphitheaters had become deeply identified with the louder and less reputable categories of play-goers, such as apprentices. Dekker's type of play appears to have suited them perfectly. Full of bold action, careless about generic differences, and always (in the end) complementary to the values and beliefs of such audiences, his drama carried some of the vigorous optimism of Elizabethan dramaturgy into the Caroline era.

paragraph: Section::::Work.:Prose.

paragraph: He exhibited a similar vigour in his pamphlets, which span almost his whole writing career, and which treat a great variety of subjects and styles.

paragraph: Dekker's first spate of pamphleteering began in 1603, perhaps during a period when plague had closed the theaters. His first was "The Wonderfull Yeare", a journalistic account of the death of Elizabeth, accession of James I, and the 1603 plague, that combined a wide variety of literary genres in an attempt to convey the extraordinary events of that year ('wonderful' meaning astonishing, not excellent). It succeeded well enough to prompt two more plague pamphlets, "News From Gravesend" and "The Meeting of Gallants at an Ordinary". "The Double PP" (1606) is an anti-Catholic tract written in response to the Gunpowder Plot. "News From Hell" (1606) is an homage to and continuation of Nash's "Pierce Penniless". "The Seven Deadly Sins of London" (1606) is another plague pamphlet.

paragraph: After 1608, Dekker produced his most popular pamphlets: a series of "cony-catching" pamphlets that described the various tricks and deceits of confidence-men and thieves, including Thieves' Cant. These pamphlets, which Dekker often updated and reissued, include "The Belman of London" (1608, now "The Bellman of London"), "Lanthorne and Candle-light", "Villainies Discovered by Candlelight", and "English Villainies". They owe their form and many of their incidents to similar pamphlets by Robert Greene.

paragraph: Other pamphlets are journalistic in form and offer vivid pictures of Jacobean London. "The Dead Term" (1608) describes Westminster during summer vacation. "The Guls Horne-Booke" (1609, now "The Gull's Hornbook") describes the life of city gallants, including a valuable account of behaviour in the London theatres. "Work for Armourers" (1609) and "The Artillery Garden" (1616) (the latter in verse) describe aspects of England's military industries. "London Look Back" (1630) treats 1625, the year of James's death, while "Wars, Wars, Wars" (1628) describes European turmoil.

paragraph: As might be expected, Dekker turned his experience in prison to profitable account. "Dekker His Dreame" (1620) is a long poem describing his despairing confinement; he contributed six prison-based sketches to the sixth edition (1616) of Sir Thomas Overbury's "Characters"; and he revised "Lanthorne and Candlelight" to reflect what he had learned in prison.

paragraph: Dekker's pamphlets, even more than his plays, reveal signs of hasty and careless composition. Yet the best of them can still entertain, and almost all of them offer valuably precise depictions of everyday life in the Jacobean period.

paragraph: Dekker's poetry entered into modern popular song (although almost unnoticeably) when some of the lyrics of the poem "Golden Slumbers", from Dekker's play "Patient Grissel", were included by Paul McCartney in the Beatles' 1969 song "Golden Slumbers".

paragraph: Section::::References.

paragraph: BULLET::::- Bednarz, James P. "Shakespeare and the Poets' War". New York: Columbia University Press, 2001.

paragraph: BULLET::::- Bowers, F. – ‘The Dramatic Works of Thomas Dekker’, In 4 Volumes – Cambridge University Press – 1961

paragraph: BULLET::::- Chapman, L.S. – ‘Thomas Dekker and the Traditions of the English Drama’ – Lang – 1985

paragraph: BULLET::::- Gasper, J. – ‘The Dragon and the Dove: The Plays of Thomas Dekker’ – Oxford: Clarendon – 1990.

paragraph: BULLET::::- Gregg, Kate. "Thomas Dekker: A Study in Economic and Social Backgrounds". Seattle: University of Washington Press, 1924.

paragraph: BULLET::::- Hunt, Mary. "Thomas Dekker: A Study". New York: Columbia University Press, 1911.

paragraph: BULLET::::- McLuskie, Kathleen. "Dekker and Heywood: Professional Dramatists". New York: St. Martin's Press, 1993.

paragraph: BULLET::::- Wilson, F. P, editor. "The Plague Pamphlets of Thomas Dekker". Oxford: Clarendon Press, 1925.

paragraph: Section::::External links.

paragraph: BULLET::::- "The Noble Spanish Soldier" (1622) at Project Gutenberg

paragraph: BULLET::::- "The Wonderful Year" (1603) at University of Oregon

paragraph: BULLET::::- "A Knight's Conjuring" (1607) at Google Books

paragraph: BULLET::::- "The Gull's Hornbook" (1609, modern spelling) at Big Wind

paragraph: BULLET::::- "The Guls Horn-Booke" (1609, orig. spelling) at Renascence Editions

description: English dramatist and pamphleteer

enwikiquote_title: Thomas Dekker (writer)

wikidata_label: Thomas Dekker

wikipedia_title: Thomas Dekker (writer)


text:
American football
cornerback
Oakland Raiders
National Football League
college football
Ohio State
2017 NFL Draft
Massillon Washington High School
Massillon, Ohio
high school football
wide receiver
interception
touchdowns
University of Michigan
Ohio State University
2017 NFL Draft
Marshon Lattimore
ESPN
Mike Mayock
Sports Illustrated
2017 NFL Draft
Oakland Raiders
polygraph
Cleveland Browns
Baker Mayfield
Arizona Cardinals
Josh Rosen
Cincinnati Bengals
Denver Broncos
Tyreek Hill
Kansas City Chiefs
Antonio Brown
Pittsburgh Steelers
Jon Gruden
Lester Hayes
Pro Football Focus
Ohio State Buckeyes bio
Oakland Raiders bio

categories: Players of American football from Ohio,1995 births,Oakland Raiders players,Ohio State Buckeyes football players,American football cornerbacks,Living people

paragraph: Gareon Conley

paragraph: Gareon Conley (born June 29, 1995) is an American football cornerback for the Oakland Raiders of the National Football League (NFL). He played college football at Ohio State, and was drafted by the Raiders in the first round of the 2017 NFL Draft.

paragraph: Section::::Early years.

paragraph: Conley attended Massillon Washington High School in Massillon, Ohio, where he played high school football. On defense, he was a cornerback, and on offense, he was a wide receiver. As a senior, he had 25 tackles and an interception on defense and 50 receptions and 16 touchdowns on offense. Conley originally committed to the University of Michigan to play college football but later changed his choice to Ohio State University.

paragraph: Section::::College career.

paragraph: After redshirting his first year at Ohio State in 2013, Conley played in all 15 games as a redshirt freshman in 2014, recording 16 tackles. He became a starter his sophomore year in 2015, starting all 13 games and finishing with 49 tackles and two interceptions. On November 29, 2016, Conley was named Second Team All-Big Ten by the Coaches and Third Team by the media. After the 2016 season, Conley decided to forgo his senior year and enter the 2017 NFL Draft.

paragraph: Section::::Professional career.

paragraph: Conley received an invitation to the NFL Combine and completed all the combine and positional drills. He also participated at Ohio State's Pro Day, but chose to only perform positional drills for representatives and scouts in attendance. NFL Draft experts and analysts projected Conley to be selected in the first round. He was ranked the second best cornerback, behind Ohio State teammate Marshon Lattimore, by NFLDraftScout.com, ESPN, and NFL analyst Mike Mayock. He was also ranked the fourth best cornerback by "Sports Illustrated".

paragraph: Just days prior to the 2017 NFL Draft, a woman accused Conley of rape, claiming it had occurred earlier in the month in a hotel room in Cleveland. Conley, in a statement, strongly denied the allegations. It was speculated he may fall out of the first round of the draft due to the sexual assault claims. A grand jury ruled not to charge Conley on July 31, 2017.

paragraph: Section::::Professional career.:2017.

paragraph: The Oakland Raiders selected Conley in the first round (24th overall) of the draft. The Raiders conducted their own investigation and administered a polygraph test to Conley. They chose to select him after he passed the polygraph test. On July 28, 2017, Conley signed a four-year deal worth $10.467 million featuring a $5.752 million signing bonus. He missed the season opener against the Titans due to a shin injury but returned in Weeks 2 and 3 before aggravating the shin injury. He was inactive for the next six games before eventually being placed on injured reserve on November 13, 2017.

paragraph: Section::::Professional career.:2018.

paragraph: In Week 4 of the 2018 season, against the Cleveland Browns, Conley recorded a 36-yard pick-six off of Baker Mayfield for his first professional touchdown.

paragraph: In week 11 against the Arizona Cardinals, Conley intercepted Josh Rosen's first pass of the game. The Raiders eventually won 23-21.

paragraph: In week 15 against the Cincinnati Bengals, Conley suffered a concussion in the third quarter and was forced to miss the rest of the game as well as the following week's game against the Denver Broncos.

paragraph: In the beginning of the season, Conley struggled in coverage and was a liability when tackling. He was eventually benched, but made vast improvements when he returned to the starting lineup.

paragraph: During the second half of the season, Conley established himself as a shutdown corner back. He held Tyreek Hill of the Kansas City Chiefs to 1 catch for 13 yards in week 13 and held Antonio Brown of the Pittsburgh Steelers to 5 catches for 35 yards the following week. Raiders head coach Jon Gruden stated that "He’s a lot more confident now." and former Raiders corner back Lester Hayes said “That boy can play.”

paragraph: Conley finished the season with 37 tackles, 15 passes defended, and 3 interceptions, including 1 pick six.

paragraph: He received an overall grade of 64.0 from Pro Football Focus in 2018, which ranked as the 68th highest grade among all qualifying corner backs.

paragraph: Section::::External links.

paragraph: BULLET::::- Ohio State Buckeyes bio

paragraph: BULLET::::- Oakland Raiders bio

description: American football player

wikidata_label: Gareon Conley

wikipedia_title: Gareon Conley


text:
Creature from the Black Lagoon
Julie Adams
Revenge of the Creature
Lori Nelson
Newt Perry
professional mermaid
Weeki Wachee Springs
Silver Springs
Bruce Mozert
Esther Williams
Jupiter's Darling
perforated eardrum
Walt Disney World
Creature from the Black Lagoon
Jupiter's Darling
Revenge of the Creature
Distant Drums
Splash, Too
Passenger 57
Gill-man
Bruce Mozert

categories: 1931 births,American stunt performers,20th-century American actresses,American film actresses

paragraph: Ginger Stanley

paragraph: Ginger Stanley (born December 19, 1931 in Sandersville, Georgia) is an American model, actress and stunt woman.

paragraph: She is best known for her stunt work in the horror films "Creature from the Black Lagoon" (1954), swimming as a double for lead actress Julie Adams, and the movie's sequel, "Revenge of the Creature" (1955), swimming as a double for lead actress Lori Nelson.

paragraph: Section::::Biography.

paragraph: Stanley left her home in Georgia at the age of 15 and moved to Sebring, Florida to live with her older sister. While competing in a festival in Leesburg, Florida, she met Newt Perry, a swimming coach, promoter, and consultant for movies that used underwater scenes. He hired her to be a professional mermaid at the Weeki Wachee Springs tourist attraction. She worked there for 2 years.

paragraph: From 1953 to 1956, Stanley worked at Silver Springs as a swimmer and underwater performer with Bruce Mozert, a pioneer of underwater photography, becoming one of his "most recognized" models. At this time, she also had her two roles in the "Creature from the Black Lagoon" and "Revenge of the Creature", filmed at Silver Springs.

paragraph: She was also the body double for Esther Williams in "Jupiter's Darling" (1955). At the time Williams was recovering from a perforated eardrum and her time underwater was limited.

paragraph: In 1956 Stanley married Albert V. Hallowell Jr. and they moved to Orlando, Florida. They had three daughters. She hosted "Browsing with Ginger", a women's talk show on a local Orlando television station, and then spent twenty-three years as a runway model, working for various charities, department stores, and Walt Disney World.

paragraph: In 2012, she was inducted into the "Mermaid Hall of Fame" at Weeki Wachee Springs.

paragraph: As an actress, she had uncredited roles in four movies.

paragraph: Stanley also appeared as herself in the documentaries, "Creature Feature: 50 Years of the Gill-Man" (2004) and "Creature Feature: 60 Years of the Gill-Man" (2014), about the filming and marketing of the horror film, "Creature From the Black Lagoon".

paragraph: Section::::Films.

paragraph: Section::::Films.:Stuntwoman.

paragraph: BULLET::::- "Creature from the Black Lagoon" (1954) (uncredited)

paragraph: BULLET::::- "Jupiter's Darling" (1955) (uncredited)

paragraph: BULLET::::- "Revenge of the Creature" (1955) (uncredited)

paragraph: Section::::Films.:Actress.

paragraph: BULLET::::- "Distant Drums" (1951) Woman (uncredited)

paragraph: BULLET::::- "The Meal" (1975) Dinner Guest (uncredited)

paragraph: BULLET::::- "Splash, Too" (TV Movie) (1988) Tourist (uncredited)

paragraph: BULLET::::- "Passenger 57" (1992) Plane Passenger (uncredited)

paragraph: Section::::Films.:Herself.

paragraph: BULLET::::- "Creature Feature: 50 Years of the Gill-Man" (Video documentary) (2004)

paragraph: BULLET::::- "Creature Feature: 60 Years of the Gill-Man" (Documentary) (2014)

paragraph: Section::::See also.

paragraph: BULLET::::- Gill-man

paragraph: BULLET::::- A photo by Bruce Mozert of Ginger Stanley gardening underwater while a man pushes a lawn mover.

description: American model, actress and stunt woman

enwikiquote_title: Ginger Stanley

wikidata_label: Ginger Stanley

wikipedia_title: Ginger Stanley


text: prince of the blood

text: House of Bourbon

text: Louis, Duke of Montpensier

text: Emperor Charles V

text: French wars of religion

text: Catherine de' Medici

text: party of Guise

text: Philippe de Montespedon

paragraph: Charles, Prince of La Roche-sur-Yon

paragraph: Charles de Bourbon, Prince de la Roche-sur-Yon, born 1515, died in 1565 in Beaupré, was a prince of the blood of the House of Bourbon.

paragraph: He was the younger son of Louis de Bourbon, Prince of La Roche-sur-Yon, and Louise de Bourbon, Duchess of Montpensier.

paragraph: He served with his elder brother Louis, Duke of Montpensier, in the wars against Emperor Charles V, in Provence (1536), Artois (1537), in Roussillon (1542) and Champagne (1544). He was captured near Chalons-sur-Marne. Released, he was part of the expedition charged with defending Metz, besieged by Charles V in 1552, then he joined Henry II besieging Renti in Artois.

paragraph: During the French wars of religion, he served in the royal army and took part in the sieges of Bourges and Rouen (1562). A familiar of Queen Catherine de' Medici, he, unlike his brother, a moderate Catholic, opposed the party of Guise.

paragraph: He married in 1544 Philippe de Montespedon, dame de Beaupré († 1578), but their children predeceased him:

paragraph: BULLET::::- Henry, Marquis de Beaupré († 1560)

paragraph: BULLET::::- Jeanne (1547 † 1548)

wikidata_label: Charles, Prince of La Roche-sur-Yon

wikipedia_title: Charles, Prince of La Roche-sur-Yon


href: Fiji tu%27i island Nayau High%20Chief Maseikula Lord Buivaroro lady Roko%20Sau Niumataiwalu Lakeba Joint%20venture basket Tribal%20chief regalia Abdication dynasty Rasolo

text:
Fiji
High Chief
island
Nayau
High Chief
Maseikula
Lord
Buivaroro
lady
Sau Mai
Niumataiwalu
Lakeba
venture
basket
chiefly
regalia
transference
family
Rasolo

categories: Monarchs who abdicated,Oceanian royalty,People from Nayau,Date of death unknown,Date of birth unknown,Fijian chiefs

paragraph: Vukinavanua

paragraph: Tu’i Vukinavanua ( [βukinaβanua]) was a Fijian High Chief of the island of Nayau.

paragraph: It is likely that Vukinavanua was born on Nayau. His father was High Chief Maseikula of Nayau, who was a son of Lord Buivaroro and Lady Tarau. Vukinavanua’s mother was a noble lady. Her name is unknown. Vukinavanua had a brother named Vakaoti, who was "Sau Mai". He lived on Nayau.

paragraph: After Maseikula died, Vukinavanua became the ruler of Nayau.

paragraph: He had at least one wife and three children – Lady Lebaidrani, Lady Cabata and Prince Ravonoloa.

paragraph: Chief Niumataiwalu of Lakeba sent emissaries to escort his cousin Vukinavanua to Lakeba. Vukinavanua felt too old and weak to undertake the venture and instead sent the "katonisau" (basket containing the Nayau chiefly regalia) which remained with Niumataiwalu’s branch. This gesture is significant as it suggests a symbolic transference of Vukinavanua’s rights to Niumatawalu’s family. Vukinavanua was thus succeeded by Niumataiwalu’s son, Rasolo.

description: Fijian chief

wikidata_label: Vukinavanua

wikipedia_title: Vukinavanua


text: March of Carniola

text: Duke of Carinthia

text: House of Sponheim

text: Bernhard of Carinthia

text: Přemyslid

text: Ottokar I of Bohemia

text: Agnes of Andechs

text: Babenberg

text: Frederick II of Austria

text: charterhouse

text: Bistra

text: Inner Carniola

text: Canons Regular

text: Völkermarkt

text: Philip

text: Archbishop of Salzburg

text: Ladislaus of Salzburg

text: Poděbrady Castle

text: Ottokar II of Bohemia

text: Cividale del Friuli

text: Patriarch of Aquileia

text: Austria

text: Agnes of Merania

text: Frederick II of Austria

text: Baden

text: Herman VI

text: Gertrude of Babenberg

text: Ulrich III

categories: House of Sponheim,1269 deaths,Year of birth unknown,Dukes of Carinthia,1220s births

paragraph: Ulrich III, Duke of Carinthia

paragraph: Ulrich III, Duke of Carinthia, also known as "Ulrich III of Spanheim" ( – 27 October 1269) was ruling Lord in the March of Carniola from and Duke of Carinthia from 1256 until his death, the last ruler from the House of Sponheim.

paragraph: Section::::Life.

paragraph: Ulrich III was the eldest son of Duke Bernhard of Carinthia and his wife Judith, a daughter of the Přemyslid king Ottokar I of Bohemia. Already his father had endeavoured to assume the rule over the Carniolan march, which Ulrich could secure for himself by marrying Agnes of Andechs, the widow of the last Babenberg duke Frederick II of Austria. From 1251, he was co-ruler of Carinthia with his father; in 1256 he succeeded his father as duke.

paragraph: Ulrich continued the development of his home territories as his father began. In 1260, he completed the foundation of the charterhouse in Bistra ("Freudenthal") in Inner Carniola. He also founded the Canons Regular monastery in Völkermarkt.

paragraph: He had differences of opinion about his father's inheritance with his younger brother Philip, who had to prepare for an ecclesiastical career and was elected Archbishop of Salzburg in 1247. Philip refused to take holy orders in order to reserve the right of succession in Carinthia for himself. Ulrich and Philip finally reached an agreement of mutual protection and inheritance and, after Philip was deposed as bishop in 1257 by the cathedral chapter, fought together against Philip's successor, Archbishop Ulrich of Seckau.

paragraph: After the election of Archbishop Ladislaus of Salzburg, it became clear that Philip would have to abandon all hopes to return to Salzburg. In 1267 he asked Ulrich III to divide their inheritance and also proposed that he could be Ulrich's heir, as Ulrich's son from his first marriage had died young, and his second marriage was still childless. However, on 4 December 1268, Ulrich secretly proceeded to Poděbrady Castle, where he concluded an inheritance treaty with his cousin, King Ottokar II of Bohemia, in which the king was made his sole heir.

paragraph: When Duke Ulrich III died in Cividale del Friuli on 27 October 1269, both Philip and Ottokar II claimed his inheritance. In the same year, Philip was elected Patriarch of Aquileia, however, his election was never confirmed by the Pope and in 1270/71 he was expelled to Austria by Ottokar's forces. This was the end of the rule of the Sponheim dynasty in Carinthia.

paragraph: Section::::Marriages and issue.

paragraph: Ulrich III was married twice:

paragraph: BULLET::::1. to Agnes of Merania (1215–1263), the widow of Duke Frederick II of Austria. This marriage produced a son, who died young.

paragraph: BULLET::::2. to Agnes of Baden (1250–1295), a daughter of Margrave Herman VI of Baden and Gertrude of Babenberg, niece of Duke Frederick II of Austria. This marriage remained childless.

paragraph: Section::::References.

paragraph: BULLET::::- Friedrich Hausmann: "Die Grafen zu Ortenburg und ihre Vorfahren im Mannesstamm, die Spanheimer in Kärnten, Sachsen und Bayern, sowie deren Nebenlinien", in the series "Ostbairische Grenzmarken — Passauer Jahrbuch für Geschichte Kunst und Volkskunde", vol. 36, Passau, 1994

paragraph: BULLET::::- Dr. Eberhard Graf zu Ortenburg-Tambach: "Geschichte des reichsständischen, herzoglichen und gräflichen Gesamthauses Ortenburg", part 1: "Das herzogliche Haus in Kärnten", Vilshofen, 1932

paragraph: Section::::External links.

paragraph: BULLET::::- Ulrich III in the thesaurus maintained by the Consortium of European Research Libraries

description: Duke of Carinthia

wikidata_label: Ulrich III, Duke of Carinthia

wikipedia_title: Ulrich III, Duke of Carinthia


text: St. Johnsbury, Vermont

text: Coventry, Vermont

text: Waterford

text: Lowell

text: Lawrence, Massachusetts

text: Boston

text: E. & T. Fairbanks & Co.

text: Montpelier

text: Lawrence, Massachusetts

text: National Register of Historic Places

text: 1194 Main St

text: St. Johnsbury Academy

text: 336 Railroad St

text: 1262 Main St

text: Orleans County Courthouse

text: 274 Main St

text: Newport, Vermont

text: 1236 Main St

text: Pinkerton Academy

text: Derry, New Hampshire

text: Hanover Inn

text: Hanover, New Hampshire

text: 1525 Main St

text: Fairbanks Museum

text: Dartmouth College

text: Bradford, Vermont

text: Spaulding High School

text: Barre, Vermont

text: 1197 Main St

text: 370 Railroad St

text: 364 Railroad St

text: Lyndonville, Vermont

text: Darling Inn

text: Hardwick, Vermont

text: Passumpsic, Vermont

text: 90 Prospect St

text: 10 Eastern Ave

text: Barre, Vermont

text: West View Farm

text: Waterford, Vermont

text: 14 N Main St

text: Barre, Vermont

categories: Architects from Vermont,People from Orleans County, Vermont,19th-century American architects,1832 births

paragraph: Lambert Packard

paragraph: Lambert Packard (1832-1906) was an American architect from St. Johnsbury, Vermont.

paragraph: Section::::Life and career.

paragraph: He was born in 1832 Coventry, Vermont, to Jefferson Packard. The family moved to Waterford in 1847, where Packard learned the carpenter's trade. At age 15 he left home, working for engineers and architects in Lowell and Lawrence, Massachusetts. By the 1860s, he was in Boston working as a pattern maker. In 1866 he moved back to Vermont, having been employed as a foreman with E. & T. Fairbanks & Co. in St. Johnsbury. Before long, he also became company architect, and was in charge of all construction at the Fairbanks works. He developed a friendship with Franklin Fairbanks, who had been a partner in the firm since 1856, and served as its president from 1881 to 1895. Through the beneficence of the Fairbanks family, Packard designed most of the town's major buildings.

paragraph: He worked alone until 1896, when he established a partnership with J. Albert Thorne of Montpelier. They parted ways soon after, but Packard established a new partnership, Packard & Tyrie, circa 1899. His last known commission came in 1904, and he died in 1906.

paragraph: In 1862, Packard married Amanda F. Richardson of Lawrence, Massachusetts. They had three children, two sons and a daughter.

paragraph: Section::::Legacy.

paragraph: A number of his works are listed on the U.S. National Register of Historic Places.

paragraph: Section::::Architectural works.

paragraph: Section::::Architectural works.:Lambert Packard, before 1896.

paragraph: BULLET::::- 1870 - Bank Block, 1194 Main St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1870 - South (Fuller) Hall, St. Johnsbury Academy, St. Johnsbury, Vermont

paragraph: BULLET::::- Demolished.

paragraph: BULLET::::- 1871 - Franklin Fairbanks House (Underclyffe), Underclyffe Rd, St. Johnsbury, Vermont

paragraph: BULLET::::- Demolished.

paragraph: BULLET::::- 1872 - North (Colby) Hall, St. Johnsbury Academy, St. Johnsbury, Vermont

paragraph: BULLET::::- Demolished.

paragraph: BULLET::::- 1872 - Universalist Church of the Messiah, 47 Cherry St, St. Jonsbury, Vermont

paragraph: BULLET::::- Largely demolished in 1972.

paragraph: BULLET::::- 1873 - Edward T. Fairbanks House (Sheepcote), 67 Fairbanks Dr, St, Johnsbury, Vermont

paragraph: BULLET::::- Presently a dormitory of St. Johnsbury Academy.

paragraph: BULLET::::- 1873 - I. O. O. F. Block, 336 Railroad St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1877 - North Congregational Church, 1325 Main St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1883 - Y. M. C. A. Building, Eastern Ave near Main, St. Johnsbury, Vermont

paragraph: BULLET::::- Burned.

paragraph: BULLET::::- 1884 - William P. Fairbanks House (Brantview), 1000 Main St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1885 - Masonic Block, 1262 Main St, St. Johnsbury, Vermont

paragraph: BULLET::::- Burned in 2009.

paragraph: BULLET::::- 1885 - Orleans County Courthouse, 274 Main St, Newport, Vermont

paragraph: BULLET::::- 1885 - Passumpsic Savings Bank Building, 1236 Main St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1886 - Pinkerton Academy, 5 Pinkerton St, Derry, New Hampshire

paragraph: BULLET::::- 1888 - Hanover Inn, 2 E Wheelock St, Hanover, New Hampshire

paragraph: BULLET::::- Remodeled in 1902, and demolished in 1966.

paragraph: BULLET::::- 1888 - Lane & Davis Block, Main St, Newport, Vermont

paragraph: BULLET::::- Demolished.

paragraph: BULLET::::- 1888 - Charles H. Stevens House, 1525 Main St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1889 - Fairbanks Museum, 1302 Main St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1890 - Bartlett Hall, Dartmouth College, Hanover, New Hampshire

paragraph: BULLET::::- 1890 - Hotel Low, 114 S Main St, Bradford, Vermont

paragraph: BULLET::::- Demolished in 1960.

paragraph: BULLET::::- 1890 - Pythian Block, 196 Eastern Ave, St. Johnsbury, Vermont

paragraph: BULLET::::- Home to Packard's office.

paragraph: BULLET::::- 1890 - Spaulding High School (former), 60 Washington St, Barre, Vermont

paragraph: BULLET::::- 1892 - Fairbanks Block, 1197 Main St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1892 - Lane's Block, 8 Field Ave, Newport, Vermont

paragraph: BULLET::::- Burned in 1923.

paragraph: BULLET::::- 1893 - Merchants National Bank Building, 370 Railroad St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1894 - Citizens Savings Bank Building, 364 Railroad St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1894 - Hotel Lyndon, 76 Depot St, Lyndonville, Vermont

paragraph: BULLET::::- Burned in 1924, replaced by the Darling Inn.

paragraph: BULLET::::- 1894 - Woods Library Building, 21 S Main St, Bradford, Vermont

paragraph: BULLET::::- 1895 - Jeudevine Memorial Library, 93 N Main St, Hardwick, Vermont

paragraph: BULLET::::- 1895 - Lyndonville Savings Bank Building, 1033 Broad St, Lyndonville, Vermont

paragraph: BULLET::::- Demolished in 1962.

paragraph: BULLET::::- 1895 - Passumpsic Baptist Church, 4544 U. S. 5, Passumpsic, Vermont

paragraph: BULLET::::- 1895 - St. Johnsbury Hospital (former), 90 Prospect St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1896 - Julia Pettigrew Hutchins House (Remodeling), 261 Park Ave, Lyndonville, Vermont

paragraph: BULLET::::- 1896 - New Avenue Hotel, 10 Eastern Ave, St. Johnsbury, Vermont

paragraph: Section::::Architectural works.:Packard & Thorne, 1896-1898.

paragraph: BULLET::::- 1897 - St. John R. C. Church, 49 Winter St, St. Johnsbury, Vermont

paragraph: BULLET::::- 1898 - Superintendent's House, St. Johnsbury Federal Fish Culture Station, 374 Emerson Falls Rd, St. Johnsbury, Vermont

paragraph: Section::::Architectural works.:Lambert Packard, 1898-c.1899.

paragraph: BULLET::::- 1898 - Currier Block, 185 N Main St, Barre, Vermont

paragraph: BULLET::::- Burned in 1903.

paragraph: Section::::Architectural works.:Packard & Tyrie, c.1899.

paragraph: BULLET::::- 1899 - Portland Street School, 510 Portland St, St. Johnsbury, Vermont

paragraph: Section::::Architectural works.:Lambert Packard, before 1906.

paragraph: BULLET::::- 1903 - Barn, West View Farm, Waterford Hwy. 34, Waterford, Vermont

paragraph: BULLET::::- 1904 - A. C. Blanchard Block, 14 N Main St, Barre, Vermont

description: American architect

wikidata_label: Lambert Packard

wikipedia_title: Lambert Packard


text:
Den Bosch
Amsterdam
Dutch Golden Age
Abraham de Heusch
Otto Marseus van Schrieck
Willem Kalf
Christiaen Striep
Artnet

categories: Dutch Golden Age painters,People from 's-Hertogenbosch,Dutch male painters,1634 births,1673 deaths

paragraph: Christiaen Striep

paragraph: Christiaen Striep (1634 in Den Bosch – 1673 in Amsterdam), was a Dutch Golden Age painter.

paragraph: According to Houbraken he was the teacher of the painter Abraham de Heusch.

paragraph: According to the RKD he got married in Amsterdam in 1655 and in 1656 he became a citizen there. He was a follower of Otto Marseus van Schrieck and Willem Kalf. No other works than still-life paintings are known, and he did not date his works.

paragraph: Section::::References.

paragraph: BULLET::::- Christiaen Striep on Artnet

alias:
Christian Striep
Christiaen Jansz Striep
Christian Jansz. Striep
Carl Striep
Striep
Jan Striep

description: painter from the Northern Netherlands

wikidata_label: Christiaen Striep

wikipedia_title: Christiaen Striep


text: cricket

text: batsman

text: Nepal

text: USA

text: century

text: Denmark

text: Scotland

text: Nepal Army Club

text: National League

text: Sagarmatha Legends

text: Nepal Premier League

text: SPA Cup

text: Nepal Under-19s

text: 2008 Under-19 World Cup

text: One Day International

text: 2010 World Cricket League Division Five

text: controversial match

text: United States

text: 2010 ACC Trophy Elite

text: World Cricket League

text: Division Four

text: 2010 Asian Games

text: Hong Kong

text: Maldives

text: Sri Lanka

text: 2011 ACC Twenty20 Cup

text: 2012 World Twenty20 Qualifier

text: United Arab Emirates

text: Afghanistan

text: Papua New Guinea

text: average

text: half century

text: 2012 World Twenty20

text: World Cricket League Division Four

text: Denmark

text: Nepal Army Club

text: Twenty20 International

text: against the Netherlands

text: Scotland

text: List A

text: Anil Mandal

text: ESPNcricinfo

text: Anil Mandal

text: Anil Mandal's Facebook Profile

categories: People from Janakpurdham,Nepal Twenty20 International cricketers,Cricketers at the 2010 Asian Games,Nepalese cricketers,1991 births,Living people

paragraph: Anil Mandal

paragraph: Anil Kumar Mandal () (born 5 February 1991) is a Nepalese cricketer. Mandal is a right-handed opening batsman. He made his debut for Nepal against USA in February 2010.

paragraph: Anil Mandal became the fifth Nepalese cricketer to score an international century, when he slammed 113 off 134 balls against Denmark during the 2012 ICC World Cricket League Division Four in September 2012. He is the only Nepalese player to score two centuries for Nepal in international cricket. He achieved this feat after scoring a century in the 2015–17 ICC World Cricket League Championship's match against Scotland on 29 July 2015.

paragraph: He represents the Nepal Army Club of the National League, Sagarmatha Legends of the Nepal Premier League and Pentagon International College, which plays in the SPA Cup.

paragraph: Section::::Playing career.

paragraph: Mandal was selected in Nepal Under-19s fourteen man squad in the 2008 Under-19 World Cup, making six Youth One Day International appearances in the tournament. In 2010, Mandal was selected in Nepal's fourteen man squad for the 2010 World Cricket League Division Five in February 2010, making his senior debut in the tournament in a controversial match against the United States. Both teams would progress to the final of the tournament, where Mandal made his second appearance of the tournament. In April of that year, he played for Nepal in the 2010 ACC Trophy Elite, making six appearances. Having gained promotion in the World Cricket League by winning Division Five earlier in 2010, Nepal played in the Division Four in August of that year, with Mandal selected as part of Nepal's fourteen man squad for the tournament, where he made seven appearances. In November 2010, he played for Nepal in the 2010 Asian Games, making three appearances against Hong Kong, the Maldives and Sri Lanka, though Nepal didn't progress far enough in the tournament for Mandal to become a medalist.

paragraph: Just over a year later, in December 2011, Mandal played for Nepal in the 2011 ACC Twenty20 Cup, making five appearances. Nepal finished the tournament in fourth place and therefore qualified for the 2012 World Twenty20 Qualifier in the United Arab Emirates. In February 2012, he was selected as part of Nepal's fourteen man squad for the World Twenty20 Qualifier, making his Twenty20 debut during the tournament against Afghanistan. He made five further appearances during the tournament, with his final appearance coming against Papua New Guinea. He scored 124 runs at an average of 20.66 in his six matches, with a high score of 50. This was his only half century score in the tournament and came against Afghanistan. Nepal finished the tournament in seventh place, therefore failing to qualify for the 2012 World Twenty20.

paragraph: In August 2012, he was selected in Nepal's fourteen man squad for the World Cricket League Division Four in Malaysia. He made six appearances in the tournament, scoring 186 runs at an average of 37.20, with a high score of 113 made against Denmark. Nepal won the tournament, in doing so they qualified for the 2013 World Cricket League Division Three.

paragraph: In the 2015 National One Day Cricket Tournament, he scored 429 runs in 7 innings at an average of 61.29, with one fifty and three centuries. He was awarded the Best Batsman award as his side, Nepal Army Club, won the title.

paragraph: He made his Twenty20 International debut for Nepal against the Netherlands on 3 July 2015.

paragraph: He scored 100 off 93 balls in the 2015–17 ICC World Cricket League Championship's match against Scotland, which is the highest score by a Nepalese batsman in the List A format.

paragraph: Section::::External links.

paragraph: BULLET::::- Anil Mandal on ESPNcricinfo

paragraph: BULLET::::- Anil Mandal on CricketArchive

paragraph: BULLET::::- Anil Mandal's Facebook Profile

description: Nepalese cricketer

wikidata_label: Anil Mandal

wikipedia_title: Anil Mandal


text: Korean

text: Joseon Dynasty

text: Neo-Confucian

text: silhak

text: Southerners

text: political faction

text: Heo Mok

text: Yun Hyu

text: Yun Seondo

text: Yu Hyeongwon

text: Seongho Yi Ik

text: Yi Seou:Nate

text: Yi Seou

text: Yi Seou:Naver

categories: Neo-Confucianism,Korean writers,Korean scholars,1633 births,1709 deaths,Joseon Dynasty writers

paragraph: Yi Seou

paragraph: Yi Seou (1 March 1633 – 14 October 1709), also spelled as Lee Seo-Woo, was a Korean Joseon Dynasty politician, Neo-Confucian scholar, and early silhak writer. He was a member of the Southerners political faction.

paragraph: Section::::Works.

paragraph: BULLET::::- "Songpa munjip" (송파문집, 松坡文集)

paragraph: BULLET::::- "Gangsa" (강사, 康史)

paragraph: BULLET::::- "Jangsanhuji" (장산후지, 萇山後誌)

paragraph: BULLET::::- "Dongraeseungramhuji" (동래승람서후지, 東萊勝覽書後誌)

paragraph: Section::::See also.

paragraph: BULLET::::- Heo Mok

paragraph: BULLET::::- Yun Hyu

paragraph: BULLET::::- Yun Seondo

paragraph: BULLET::::- Yu Hyeongwon

paragraph: BULLET::::- Seongho Yi Ik

paragraph: Section::::External links.

paragraph: BULLET::::- Yi Seou:Nate

paragraph: BULLET::::- Yi Seou

paragraph: BULLET::::- Yi Seou:Naver

paragraph: BULLET::::- Yi Seou:Korean historical persons information

description: Korean scholar

wikidata_label: Yi Seo-woo

wikipedia_title: Yi Seou


text: Dominican

text: professional baseball

text: pitcher

text: Long Island Ducks

text: Major League Baseball

text: New York Mets

text: Boston Red Sox

text: Atlanta Braves

text: Philadelphia Phillies

text: Santo Domingo

text: Dominican Republic

text: Ridgewood, Queens

text: Xaverian High School

text: Brooklyn, New York

text: New York Mets

text: 2005 Major League Baseball Draft

text: St. Petersburg College

text: Baltimore Orioles

text: 2006 Major League Baseball Draft

text: Baseball America

text: All-Star Futures Game

text: Rule 5 Draft

text: New York Mets

text: Norfolk Tides

text: Boston Red Sox

text: player to be named later

text: Kelly Shoppach

text: designated for assignment

text: Pawtucket Red Sox

text: Cincinnati Reds

text: Atlanta Braves

text: Gwinnett

text: David Carpenter

text: Philadelphia Phillies

text: Diablos Rojos del México

text: Mexican League

text: Long Island Ducks

text: Pedro Beato

text: Pedro Beato

text: Pedro Beato

categories: Gulf Coast Orioles players,Buffalo Bisons (minor league) players,St. Petersburg Titans baseball players,Atlanta Braves players,New York Mets players,Diablos Rojos del México players,Philadelphia Phillies players,Gwinnett Braves players,Norfolk Tides players,Aberdeen IronBirds players,Delmarva Shorebirds players,1986 births,Xaverian High School alumni,St. Lucie Mets players,Pawtucket Red Sox players,Boston Red Sox players,Major League Baseball players from the Dominican Republic,Frederick Keys players,Bowie Baysox players,Major League Baseball pitchers,Living people,Lehigh Valley IronPigs players,Dominican Republic expatriate baseball players in the United States,Dominican Republic expatriate baseball players in Mexico,Tigres del Licey players,All-Star Futures Game players

paragraph: Pedro Beato

paragraph: Pedro Beato (born October 27, 1986) is a Dominican professional baseball pitcher for the Long Island Ducks of the Atlantic League of Professional Baseball. He previously pitched in Major League Baseball (MLB) for the New York Mets, Boston Red Sox, Atlanta Braves, and Philadelphia Phillies.

paragraph: Section::::Early life.

paragraph: Beato was born in Santo Domingo, Dominican Republic, and moved to Ridgewood, Queens as a child. He attended Xaverian High School in Brooklyn, New York. He was drafted by the New York Mets in the 17th round of the 2005 Major League Baseball Draft, but did not sign. He opted to attend St. Petersburg College. He played baseball in the summer for the Youth Service League.

paragraph: Section::::Career.

paragraph: Section::::Career.:Baltimore Orioles.

paragraph: Beato was drafted by the Baltimore Orioles in the first round (32nd overall) of the 2006 Major League Baseball Draft.

paragraph: Going into the 2007 season, Beato was rated the 99th best prospect in baseball by "Baseball America". He participated in the 2007 All-Star Futures Game.

paragraph: Section::::Career.:New York Mets.

paragraph: In the 2010 Rule 5 Draft, Beato was selected by the New York Mets off of the Norfolk Tides roster. Beato was named to the Mets' Opening Day roster. He made his major league debut on April 1, 2011.

paragraph: In his first innings, Beato allowed no earned runs, setting the Mets franchise record for longest scoreless inning streak to start a career. In those innings, Beato allowed only nine hits and three walks.

paragraph: Section::::Career.:Boston Red Sox.

paragraph: During the 2012 season, the Mets traded Beato to the Boston Red Sox as the player to be named later in the trade that sent Kelly Shoppach to the Mets. He was designated for assignment by the Red Sox on December 19, 2012.

paragraph: Beato started the 2013 season on a minor league contract with the Triple-A Pawtucket Red Sox. His contract was selected from Pawtucket, and he was brought up to Boston on June 16, 2013.

paragraph: He was designated for assignment on October 23, 2013.

paragraph: Section::::Career.:Cincinnati Reds.

paragraph: The Cincinnati Reds claimed Beato on October 31, 2013. The Reds designated Beato for assignment on March 30, 2014.

paragraph: Section::::Career.:Atlanta Braves.

paragraph: The Atlanta Braves claimed Beato on April 2, 2014. They optioned him to Triple-A Gwinnett on April 9, after he made one appearance. In 24 games with Gwinnett, he was 1-0 with a 3.49 ERA. On June 17, he was recalled to replace David Carpenter, who went on the disabled list. Two days later, the same fate happened to him, as he was placed on the disabled list. He was outrighted off the Braves roster on July 11, 2014. In 3 appearances with Atlanta, Beato didn't give up a run in 4 innings. Beato elected free agency in October 2014.

paragraph: Section::::Career.:Second stint with Baltimore.

paragraph: On March 3, 2015, Beato signed a minor league deal with the Orioles. He elected free agency on November 6. He resigned with the team after the 2015 season. He became a free agent after the 2016 season.

paragraph: Section::::Career.:Philadelphia Phillies.

paragraph: On January 7, 2017, Beato signed a minor league contract with the Philadelphia Phillies. He was added to the team's 40-man roster on July 29 and debuted with the team that night, but exited the game with a hamstring injury and was placed on the ten-day disabled list the following day. He was designated for assignment on August 17, 2017. On December 22, 2017, Beato resigned with the Phillies to a minor league contract. He elected free agency on November 2, 2018. On March 5, 2019, Beato again re-signed to a minor league contract with the team. However, he was released on March 28, 2019.

paragraph: Section::::Career.:Diablos Rojos del México.

paragraph: On April 3, 2019, Beato signed with the Diablos Rojos del México of the Mexican League. He was released on June 19, 2019.

paragraph: Section::::Career.:Long Island Ducks.

paragraph: On June 27, 2019, Beato signed with the Long Island Ducks of the Atlantic League of Professional Baseball.

paragraph: Section::::External links.

paragraph: BULLET::::- Pedro Beato at SABR (Baseball BioProject)

paragraph: BULLET::::- Pedro Beato at Baseball Almanac

paragraph: BULLET::::- Pedro Beato at Ultimate Mets Database

description: Dominican Republic baseball player

wikidata_label: Pedro Beato

wikipedia_title: Pedro Beato


text: blacklisted

text: McCarthy period

text: Berlin

text: New York City

text: Max Reinhardt

text: sound film

text: It's You I Have Loved

text: Broadway

text: Hamlet

text: Margaret Webster

text: Eva Le Gallienne

text: Cheryl Crawford

text: Lillian Hellman

text: Watch on the Rhine

text: I Remember Mama

text: All My Sons

text: Arthur Miller

text: Letter from an Unknown Woman

text: World War II

text: Federal Bureau of Investigation

text: Red Channels

text: Audrey

text: The Lost Paradise

text: Nightshade

text: The Peruvian

text: Indian Revenge

text: Peter Voss, Thief of Millions

text: The Fateful Day

text: The Loves of Pharaoh

text: It Illuminates, My Dear

text: Today's Children

text: A Glass of Water

text: The Lost Shoe

text: The Buddenbrooks

text: The Weather Station

text: Man Against Man

text: Finances of the Grand Duke

text: Michael

text: Debit and Credit

text: A Waltz Dream

text: Slums of Berlin

text: In the Valleys of the Southern Rhine

text: The Farmer from Texas

text: The World Wants To Be Deceived

text: The Divorcée

text: Vienna, How it Cries and Laughs

text: Nanette Makes Everything

text: The Queen of Moulin Rouge

text: Sword and Shield

text: The Adventurers

text: Homesick

text: Queen Louise

text: Grand Hotel

text: Out of the Mist

text: The Duel

text: Miss Chauffeur

text: A Woman with Style

text: The Runaway Princess

text: It's You I Have Loved

text: My Sister and I

text: The Burning Heart

text: Lieutenant, Were You Once a Hussar?

text: The Fate of Renate Langen

text: The Woman They Talk About

text: My Heart Incognito

text: Frederica

text: The Black Hussar

text: The House of Dora Green

text: The Empress and I

text: The Only Girl

text: A Wicked Woman

text: Escapade

text: Ship Cafe

text: Come and Get It

text: Seventh Heaven

text: The Woman I Love

text: Heidi

text: Tender Comrade

text: Address Unknown

text: All My Sons

text: Letter from an Unknown Woman

text: Profile

categories: 1951 deaths,20th-century Austrian actresses,Hollywood blacklist,Austrian expatriates in the United States,Austrian film actresses,Disease-related deaths in Connecticut,1892 births,Austrian stage actresses,Actresses from Vienna,Austrian expatriates in Germany

paragraph: Mady Christians

paragraph: Marguerita Maria "Mady" Christians (January 19, 1892 – October 28, 1951) was an Austrian actress and naturalized US citizen who had a successful acting career in theatre and film in the United States until she was blacklisted during the McCarthy period.

paragraph: Section::::Biography.

paragraph: She was born on January 19, 1892 to Rudolph Christians, a well-known German actor, and his wife, Bertha. Her family moved to Berlin when she was one year old, and to New York City in 1912, where her father became the Irving Place Theatre's general manager. Five years later she returned to Europe to study under Max Reinhardt.

paragraph: She appeared in a number of European films prior to the early 1930s. In 1929, she starred in the first full sound film made in Germany "It's You I Have Loved". In 1933, she toured the United States in a play called "Marching By" and was offered a Broadway contract the following year that allowed her, like a number of other German artists, to seek refuge from the Nazi regime in the United States.

paragraph: On Broadway, Christians played Queen Gertrude in "Hamlet" and Lady Percy in "Henry IV, Part I", staged by director Margaret Webster. Webster was part of a small but influential group of lesbian producers, directors, and actors in theater (a group that included Eva Le Gallienne and Cheryl Crawford). Webster and Christians became close friends: according to Webster biographer Milly S. Barranger, it is likely that they also were lovers.

paragraph: She also starred in Lillian Hellman's "Watch on the Rhine". She originated the title role in the 1944 play "I Remember Mama". Her last movie roles were in "All My Sons", based on the play by Arthur Miller, and "Letter from an Unknown Woman", both released in 1948.

paragraph: During World War II, Christians was involved in political work on behalf of refugees, rights for workers (especially in theater and film), and Russian War relief, political efforts that would bring her to the attention of the Federal Bureau of Investigation (FBI) and other anti-communist institutions and organizations.

paragraph: Section::::Blacklisting.

paragraph: In addition to her political work, Christians also publicly criticized the House Committee on Un-American Activities in early 1941 and likened the Senate Internal Security Subcommittee's investigation of propaganda in US film to Nazi harassment of film and radio artists in the 1930s. In 1950, the FBI's internal security division began investigating Christians, who had been identified as a "concealed communist" by a confidential informant. When Christians' name appeared in Red Channels, the so-called bible of the broadcast blacklist, her career was effectively over.

paragraph: Section::::Death.

paragraph: On October 28, 1951, aged 59, Christians died of a stroke, which some attributed to the stress of being subjected to FBI surveillance and being blacklisted.

paragraph: Section::::Filmography.

paragraph: BULLET::::- "Audrey" (1916)

paragraph: BULLET::::- "The Lost Paradise" (1917)

paragraph: BULLET::::- "Die Krone von Kerkyra" (1917)

paragraph: BULLET::::- "Am Scheidewege" (1918)

paragraph: BULLET::::- "Frau Marias Erlebnis" (1918)

paragraph: BULLET::::- "Die Verteidigerin" (1918)

paragraph: BULLET::::- "Die Dreizehn" (1918)

paragraph: BULLET::::- "Am anderen Ufer" (1918)

paragraph: BULLET::::- "Nightshade" (1918)

paragraph: BULLET::::- "Fidelio" (1919)

paragraph: BULLET::::- "Die Sühne der Martha Marx" (1919)

paragraph: BULLET::::- "The Peruvian" (1919)

paragraph: BULLET::::- "The Golden Club" (1919)

paragraph: BULLET::::- "Not und Verbrechen" (1919)

paragraph: BULLET::::- "Die Nacht des Grauens" (1919)

paragraph: BULLET::::- "Die Gesunkenen " (1919)

paragraph: BULLET::::- "Der indische Tod" (1920)

paragraph: BULLET::::- "Indian Revenge" (1920)

paragraph: BULLET::::- "Peter Voss, Thief of Millions" (1921)

paragraph: BULLET::::- "The Fateful Day" (1921)

paragraph: BULLET::::- "The Loves of Pharaoh" (1922)

paragraph: BULLET::::- "It Illuminates, My Dear" (1922)

paragraph: BULLET::::- "Today's Children" (1922)

paragraph: BULLET::::- "A Glass of Water" (1923)

paragraph: BULLET::::- "The Lost Shoe" (1923)

paragraph: BULLET::::- "The Buddenbrooks" (1923)

paragraph: BULLET::::- "The Weather Station" (1923)

paragraph: BULLET::::- "Man Against Man" (1924)

paragraph: BULLET::::- "Finances of the Grand Duke" (1924)

paragraph: BULLET::::- "Michael" (1924)

paragraph: BULLET::::- "Debit and Credit" (1924)

paragraph: BULLET::::- "A Waltz Dream" (1925)

paragraph: BULLET::::- "Slums of Berlin" (1925)

paragraph: BULLET::::- "In the Valleys of the Southern Rhine" (1925)

paragraph: BULLET::::- "The Farmer from Texas" (1925)

paragraph: BULLET::::- "The World Wants To Be Deceived" (1926)

paragraph: BULLET::::- "The Divorcée" (1926)

paragraph: BULLET::::- "Vienna, How it Cries and Laughs" (1926)

paragraph: BULLET::::- "Nanette Makes Everything" (1926)

paragraph: BULLET::::- "The Queen of Moulin Rouge" (1926)

paragraph: BULLET::::- "Sword and Shield" (1926)

paragraph: BULLET::::- "The Adventurers" (1926)

paragraph: BULLET::::- "Homesick" (1927)

paragraph: BULLET::::- "Queen Louise" (1927)

paragraph: BULLET::::- "Grand Hotel" (1927)

paragraph: BULLET::::- "Out of the Mist" (1927)

paragraph: BULLET::::- "The Duel" (1927)

paragraph: BULLET::::- "Miss Chauffeur" (1928)

paragraph: BULLET::::- "A Woman with Style" (1928)

paragraph: BULLET::::- "The Runaway Princess" (1929)

paragraph: BULLET::::- "It's You I Have Loved" (1929)

paragraph: BULLET::::- "My Sister and I" (1929)

paragraph: BULLET::::- "The Burning Heart" (1929)

paragraph: BULLET::::- "Lieutenant, Were You Once a Hussar?" (1930)

paragraph: BULLET::::- "The Fate of Renate Langen" (1931)

paragraph: BULLET::::- "The Woman They Talk About" (1931)

paragraph: BULLET::::- "My Heart Incognito" (1931)

paragraph: BULLET::::- "Frederica" (1932)

paragraph: BULLET::::- "The Black Hussar" (1932)

paragraph: BULLET::::- "The House of Dora Green" (1933)

paragraph: BULLET::::- "The Empress and I" (1933)

paragraph: BULLET::::- "The Only Girl" (1933)

paragraph: BULLET::::- "Manolescu, der Fürst der Diebe" (1933)

paragraph: BULLET::::- "A Wicked Woman" (1934)

paragraph: BULLET::::- "Escapade" (1935)

paragraph: BULLET::::- "Ship Cafe" (1935)

paragraph: BULLET::::- "Come and Get It" (1936)

paragraph: BULLET::::- "Seventh Heaven" (1937)

paragraph: BULLET::::- "The Woman I Love" (1937)

paragraph: BULLET::::- "Heidi" (1937)

paragraph: BULLET::::- "Tender Comrade" (1943)

paragraph: BULLET::::- "Address Unknown" (1944)

paragraph: BULLET::::- "All My Sons" (1948)

paragraph: BULLET::::- "Letter from an Unknown Woman" (1948)

paragraph: Section::::External links.

paragraph: BULLET::::- Profile Virtual-History.com; accessed February 23, 2015.

paragraph: BULLET::::- I Dare Say — Variety Spice of Life for Actress

description: actress

wikidata_label: Mady Christians

wikipedia_title: Mady Christians


text:
Tesserete
Canton Ticino
urban planner
neoclassicism
Milan
Lombardy
Repubblica Cisalpina
Giovanni Antonio Antolini's

categories: Architects from Ticino,1844 deaths,Swiss people of Italian descent,1762 births

paragraph: Luigi Canonica

paragraph: (Cristoforo Maria) Luigi Canonica (Tesserete, Canton Ticino, 9 March 1762 – Milan, 7 February 1844) was a Swiss architect and urban planner whose prominent career as an exponent of neoclassicism was spent largely in Milan and Lombardy. He was the designated architect of the short-lived Repubblica Cisalpina, and, following the fall of the Napoleonic empire, of the kings of Sardinia. In Milan he was assigned to modify Giovanni Antonio Antolini's ambitious project for the Foro Buonaparte and the Arena.

alias:
Luiti Canonica
luigi matteo della canonica

description: Swiss architect

wikidata_label: Luigi Canonica

wikipedia_title: Luigi Canonica