text: professional golfer

text: Nike Tour

text: PGA Tour

text: Champions Tour

text: Woonsocket, Rhode Island

text: Boston

text: Norwood, Massachusetts

text: Catholic Memorial High School

text: West Roxbury, Massachusetts

text: Norwich University

text: Nike Tour

text: Senior PGA Tour

text: Senior PGA Championship

text: senior major

text: Senior Players Championship

text: U.S. Senior Open

text: U.S. Senior Open

text: Tom Watson

text: Prairie Dunes Country Club

text: U.S. Senior Open

text: Champions Tour

text: Georgia Sports Hall of Fame

text: La Grange, Georgia

text: Sunnehanna Amateur

text: Sunnehanna Amateur

text: Sunnehanna Amateur

text: Northeast Amateur

text: Dogwood Invitational

text: Sunnehanna Amateur

text: Porter Cup

text: Hyundai Team Matches

text: Dana Quigley

text: Hyundai Team Matches

text: Dana Quigley

text: Bass Pro Shops Legends of Golf

text: Hubert Green

text: Eisenhower Trophy

text: Walker Cup

text: 1995 Nike Tour graduates

text: Champions Tour awards

categories: Winners of senior major golf championships,1948 births,Norwich University alumni,PGA Tour Champions golfers,American male golfers,Golfers from Georgia (U.S. state),PGA Tour golfers,Golfers from Rhode Island,People from Woonsocket, Rhode Island,People from Norwood, Massachusetts,Golfers from Massachusetts,People from Troup County, Georgia

paragraph: Allen Doyle

paragraph: Allen Michael Doyle (born July 26, 1948) is an American professional golfer who played on the Nike Tour, PGA Tour, and Champions Tour.

paragraph: Section::::Life and career.

paragraph: Doyle was born in Woonsocket, Rhode Island and raised in the Boston suburb of Norwood, Massachusetts. He attended Catholic Memorial High School in West Roxbury, Massachusetts, and Norwich University in Vermont where he hosts an annual golf tournament to benefit the Norwich Hockey Team. Despite winning numerous amateur titles, he did not turn professional until he was 46. In 1995, his first full professional season, he won three times on the Nike Tour.

paragraph: From 1996 to 1998 Doyle competed in 58 PGA Tour events, making the cut in 31, including two top-10 finishes.

paragraph: Doyle became eligible to play on the Senior PGA Tour when he turned 50 in July 1998 and won four official money events in 1999, including the Senior PGA Championship. In 2001 he won his second senior major, the Senior Players Championship, and led the tour on the money list. In 2005 he claimed a third major at the U.S. Senior Open, coming behind from a nine stroke deficit with a 63 in the final round. He successfully defended his U.S. Senior Open title in 2006 by defeating Tom Watson at Prairie Dunes Country Club and becoming the oldest U.S. Senior Open Champion at 57 years, 11 months and 17 days. His career earnings on the Champions Tour at the time of his retirement is listed as $13,401,250.

paragraph: Doyle is a member of the Georgia Sports Hall of Fame and the Georgia Golf Hall of Fame. He owns and operates The Doyle Golf Center driving range in La Grange, Georgia. As a philanthropist, Doyle has donated over 1 million dollars to various charities including family members of slain rescuers of the 9/11 attacks.

paragraph: Section::::Amateur wins (23).

paragraph: BULLET::::- 1978 Georgia Amateur

paragraph: BULLET::::- 1979 Georgia Amateur

paragraph: BULLET::::- 1982 Georgia Amateur

paragraph: BULLET::::- 1984 Georgia Mid-Amateur

paragraph: BULLET::::- 1986 Georgia Mid-Amateur

paragraph: BULLET::::- 1987 Georgia Amateur, Georgia Mid-Amateur

paragraph: BULLET::::- 1988 Georgia Amateur, Georgia Mid-Amateur, Rice Planters Amateur

paragraph: BULLET::::- 1989 Sunnehanna Amateur, Georgia Mid-Amateur

paragraph: BULLET::::- 1990 Sunnehanna Amateur, Georgia Amateur, Rice Planters Amateur

paragraph: BULLET::::- 1991 Cardinal Amateur

paragraph: BULLET::::- 1992 Sunnehanna Amateur

paragraph: BULLET::::- 1993 Northeast Amateur

paragraph: BULLET::::- 1994 Dogwood Invitational, Sunnehanna Amateur, Porter Cup, Cardinal Amateur, Rice Planters Amateur

paragraph: Section::::Professional wins (19).

paragraph: Section::::Professional wins (19).:Nike Tour wins (3).

paragraph: Defeated Langham with par on second extra hole.br

paragraph: Defeated Maginnes with par on first extra hole.

paragraph: Section::::Professional wins (19).:Champions Tour wins (11).

paragraph: Champions Tour playoff record (3–2)

paragraph: Section::::Professional wins (19).:Other senior wins (5).

paragraph: BULLET::::- 1999 Senior Slam

paragraph: BULLET::::- 2001 Senior Slam, Hyundai Team Matches (with Dana Quigley)

paragraph: BULLET::::- 2002 Hyundai Team Matches (with Dana Quigley)

paragraph: BULLET::::- 2017 Bass Pro Shops Legends of Golf – Legends Division (with Hubert Green)

paragraph: Section::::Champions Tour major championships.:Wins (4).

paragraph: Won on the first playoff hole over Tewell.

paragraph: Section::::Champions Tour major championships.:Results timeline.

paragraph: "Results not in chronological order before 2012."

paragraph: "The Senior British Open was not a Champions Tour major until 2003."br

paragraph: DNP = Did not playbr

paragraph: CUT = missed the halfway cutbr

paragraph: "T" indicates a tie for a placebr

paragraph: Green background for wins. Yellow background for top-10.

paragraph: Section::::U.S. national team appearances.

paragraph: Amateur

paragraph: BULLET::::- Eisenhower Trophy: 1990, 1992, 1994 (team winners and individual leader)

paragraph: BULLET::::- Walker Cup: 1989 (injured, did not play), 1991 (winners), 1993 (winners)

paragraph: Section::::See also.

paragraph: BULLET::::- 1995 Nike Tour graduates

paragraph: BULLET::::- 1996 PGA Tour Qualifying School graduates

paragraph: BULLET::::- List of golfers with most Champions Tour major championship wins

paragraph: BULLET::::- List of golfers with most Champions Tour wins

paragraph: BULLET::::- Champions Tour awards

description: professional golfer

wikidata_label: Allen Doyle

wikipedia_title: Allen Doyle


text:
American
Philadelphia
James McNeill Whistler
Slade School of Art
Exposition Universelle (1900)
Louisiana Purchase Exposition
Art Students League of New York
illustrator
anti-Semitic
Elizabeth Robins Pennell
Ralph Stackpole
Gottardo Piazzoni
California Society of Etchers
California Society of Printmakers
Liberty Loans
New York Harbor
Statue of Liberty
La Salle University

wikipedia_title:
United States
Philadelphia
James Abbott McNeill Whistler
Slade School of Fine Art
Exposition Universelle (1900)
Louisiana Purchase Exposition
Art Students League of New York
Illustrator
Antisemitism
Elizabeth Robins Pennell
Ralph Stackpole
Gottardo Piazzoni
California Society of Printmakers
California Society of Printmakers
Liberty bond
New York Harbor
Statue of Liberty
La Salle University

categories: American biographers,1857 births,American printmakers,American illustrators,American lithographers,American poster artists,Artists from Philadelphia,American etchers,1926 deaths

paragraph: Joseph Pennell

paragraph: Joseph Pennell (July 4, 1857 – April 23, 1926) was an American artist and author.

paragraph: Section::::Biography.

paragraph: Pennell was born in Philadelphia, and first studied there, but like his friend James McNeill Whistler he then made his home in London, and taught at Slade School of Art. He won a gold medal at the Exposition Universelle (1900), and 1904 Louisiana Purchase Exposition. He taught also at the Art Students League of New York.

paragraph: Section::::Works.

paragraph: Pennell made etchings that depicted landmarks in Philadelphia. His main distinction is as an original etcher and lithographer, and notably as an illustrator.

paragraph: He wrote and illustrated an anti-Semitic travel book, "The Jew at Home: Impressions of a Summer and Autumn Spent with Him" (D. Appleton: New York, 1892), based on his travels in Europe. He produced other books, many of them in collaboration with his wife, Elizabeth Robins Pennell. In 1886 he published "Two Pilgrim's Progress", an illustrated book of his journey with Elizabeth from Florence to Rome, riding a heavy tricycle. The Pennells wrote a biography of Whistler in 1906, and, after some litigation with his executrix on the right to use his letters, the book was published in 1908.

paragraph: Pennell visited San Francisco in March 1912, where he undertook a series of "municipal subjects". These were exhibited in December 1912 at "the prestigious gallery of Vickery, Atkins & Torrey". It is possible that Pennell's visit inspired San Francisco printmakers Robert Harshe and Pedro Lemos, along with sculptor Ralph Stackpole and painter Gottardo Piazzoni, to found the California Society of Etchers in 1912, now the California Society of Printmakers.

paragraph: Pennell designed the poster for the fourth Liberty Loans campaign of 1918. It showed the entrance to New York Harbor under aerial and naval bombardment, with the Statue of Liberty partly destroyed.

paragraph: Section::::Little Wakefield.

paragraph: In 1880 Joseph Pennell created "Little Wakefield", an etching of the Little Wakefield estate. The building is a home located on what is now South Campus of La Salle University, and is currently called St. Mutiens hall. This estate was built by Thomas Fisher in 1829 and was occupied by his families for generations; now it is the residence of the Christian Brothers of the University. The etching depicts the house lived in by the second generation of Fishers. During World War I it was used as demonstration center for a local branch of the National League of Women's Service. Little Wakefield was also the location where Thomas R. Fisher ran the first knitting factory in America.

paragraph: Section::::External links.

paragraph: BULLET::::- The Winterthur Library Overview of an archival collection on Joseph Pennell.

paragraph: BULLET::::- Joseph and Elizabeth R. Pennell's papers at the Harry Ransom Center, University of Texas at Austin

paragraph: BULLET::::- "Joseph Pennell: an account by his wife, Elizabeth Robins Pennell, issued on the occasion of a memorial exhibition of his works", an exhibition catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF)

paragraph: BULLET::::- Finding aid for the Pennell family papers from the University of Pennsylvania Libraries

alias:
J. Pennell
Ioseph Pennell
Joseph Pennel
Joseph J. Pennell

description: American artist and author

wikidata_label: Joseph Pennell

wikipedia_title: Joseph Pennell


text:
Parliament of the Cape of Good Hope
New Zealand
Table Bay
Cape Colony
Eastern Cape
Cape Parliament
Responsible Government
John Molteno

wikipedia_title:
Parliament of the Cape of Good Hope
New Zealand
Table Bay
Cape Colony
Eastern Cape
Parliament of the Cape of Good Hope
Responsible government
John Charles Molteno

categories: Members of the House of Assembly of the Cape Colony,19th-century South African people,Cape Colony politicians

paragraph: John Sweet Distin

paragraph: John Sweet Distin MLA (19 Aug 1826 - 2 Aug 1902) was a prominent member of the Parliament of the Cape of Good Hope.

paragraph: Section::::Early life and farming.

paragraph: Distin arrived in the Cape in 1846 when his family's ship was sailing past on its return from New Zealand. He jumped overboard from his ship and swam ashore in Table Bay.

paragraph: He found work as a soldier and then as a trader of the eastern frontier of the Cape Colony. He later became a farmer in Hantam, in the Middelburg District, Eastern Cape in the 1860s, and made his fortune in Ostrich farming. With his new fortune he built up his estate, Tafelberg Hall. (However, later when the Ostrich boom ended, his business declined.) In Cradock in 1831 he married Selina White (1830-1900), daughter of John and Mary White of Grahamstown. The couple had 11 children.

paragraph: Section::::Political career.

paragraph: He was elected as Member of the Cape Parliament, for the Middelburg and Fort Colesberg district.

paragraph: He was notable in the 1860s for his liberal and inclusive policies, and for his support of humane measures (together with William Porter) such as opposition to the death penalty.

paragraph: He was also one of the first of a group of Eastern Province MPs who converted to the movement for democratic self-rule (or "Responsible Government") in the Cape Colony, and he fought for it up until it was introduced in 1872.

paragraph: He later gained the nickname "the Lion of Colesberg" - partly because of his enormous beard, and partly as a joke, on account of his friendship with the elderly leader of the responsible government movement John Molteno, who had a very similar mane-like beard which had long earned him the nickname, the "lion of beaufort". Once self-rule was instituted in 1872, Distin became one of the most passionate supporters of the new Cape government, as it began extensive infrastructure projects whilst under growing pressure from the London Colonial Office which was desiring to reassert imperial control in southern Africa. Distin's blunt and informal language in the General Assembly made him relatively famous during this period.

paragraph: In parliament Distin was described as a small man, with a most characterful nose and accent; but also with a most genial and straightforward personality, "rough-and-ready" and friendly.

paragraph: He was a passionate advocate for introducing stock fencing across the Colony, and eventually lost his seat in parliament due to his persistence.

description: South African politician

wikidata_label: John Sweet Distin

wikipedia_title: John Sweet Distin


text: record producer

text: songwriter

text: multi-instrumentalist

text: Los Angeles, California

text: Am I Wrong

text: H.O.L.Y.

text: Florida Georgia Line

text: Stay

text: Kygo

text: Play That Song

text: Train

text: Oslo

text: Norway

text: Norwegian Academy of Music

text: Norway

text: DMC World DJ Championships

text: Universal Music

text: Lars Vaular

text: Timbuktu

text: Promoe

text: IFPI

text: Bun B

text: Method Man

text: Redman

text: Def Jam

text: Universal

text: "Billboard" 200

text: Black Star Elephant

text: Am I Wrong

text: Oslo

text: Botswana

text: Los Angeles

text: Train (band)

text: Train (band)

text: A Girl, a Bottle, a Boat

text: Patrick Monahan

text: Play That Song (Train song)

text: Los Angeles

text: Seattle

text: Florida Georgia Line

text: H.O.L.Y.

text: Busbee

text: Kygo

text: Kygo

text: Stay (Kygo song)

text: Kygo

text: Maty Noyes

text: In My Mind (Maty Noyes song)

text: Republic Records

categories: 1986 births,Norwegian DJs,Norwegian songwriters,Norwegian record producers,Living people

paragraph: William Wiik Larsen

paragraph: William Wiik Larsen is a Norwegian record producer, songwriter and multi-instrumentalist based in Los Angeles, California. He has crafted several global and US hits and have sold over 20 million singles since 2014. With notable records like "Am I Wrong" for Nico & Vinz ,"H.O.L.Y." for Florida Georgia Line, "Stay" for Kygo, and "Play That Song" for Train.

paragraph: Section::::Early life.

paragraph: Larsen was born in Oslo, Norway. His father was a professional musician and his mother a singer. Growing up in a musical family, he was exposed to instruments, drum machines, keyboards and turntables from an early age . At the age of 6 he started playing the drums in the school band. He later moved on to study drums and percussion at the Norwegian Academy of Music (Norges Musikkhøyskole) at the age of 10.

paragraph: Section::::DJ & artist career.

paragraph: At age 14, Larsen started touring and competing in several DJ competitions under the aka Nasty kutt, among them the DMC National DJ Championships which he won 2005 and 2006, to go on to represent Norway in the World finals (DMC World DJ Championships).

paragraph: In 2004, Larsen joined music-collective and record label Pass It Records, where he released the official mixtape "Homework" the same year. During his time at Pass It Records he would DJ for several of the Norway's more prominent urban acts. In 2005 retired from DJ’ing and went on to focus on music production.

paragraph: In 2011, IDAP Music in collaboration with Universal Music, launched the single "Min Ting" at VG-lista Topp 20. The single featured rappers like Norwegian Vinni from Paperboys, Yosef from Madcon, Lars Vaular og OnklP, and Swedish rappers Timbuktu & Promoe.

paragraph: Section::::Music production & songwriting career.

paragraph: In 2008, Larsen and his longtime business partner and manager Julian Alexander, launched the production and publishing company IDAP Music and started taking on more international projects.

paragraph: In the years to come, Larsen worked in the Scandinavian music industry as an urban/pop producer with 21 IFPI (International Federation of the Phonographic Industry) Certifications, 5 of them being multi-platinum.

paragraph: In 2009, he had his first major US placement with the song "City Lights" featuring Bun B from Method Man and Redman's album "Blackout 2". The Def Jam/Universal release debuted at No. 7 on the "Billboard" 200 album chart. The same year Larsen started his collaboration with Envy (now known as Nico & Vinz).

paragraph: In 2013 Larsen relocated to Los Angeles and signed a worldwide Joint Venture deal with IDAP Music & BMG Chrysalis.

paragraph: Section::::Bands and artists.

paragraph: Nico & Vinz

paragraph: The collaboration between Larsen and Nico & Vinz started in 2009. Their first single "One Song,"produced and co written by Larsen, became their breakthrough in Norway, and charted at #19 on the Norwegian billboard and received massive airplay. The music video for the song also won a Norwegian Grammy for video of the year. Larsen and Nico & Vinz reconnected in 2011, and together with Larsen they created the sound for the follow-up album "Black Star Elephant". Including "Am I Wrong", and topped the iTunes charts in over 40 countries. The album was recorded in Oslo, Botswana and Los Angeles. Larsen produced and co wrote 10 songs on their international album "Blackstar Elephant".

paragraph: Train (band)

paragraph: Larsen produced/co wrote 6 songs on Train (band)'s 10th album A Girl, a Bottle, a Boat working closely with singer Patrick Monahan including platinum single Play That Song (Train song) . The songs were written and recorded in Los Angeles and Seattle

paragraph: Florida Georgia Line

paragraph: Larsen co wrote the bands 4x platinum single H.O.L.Y. alongside songwriters Busbee and Nate Cyphert, winning BMI Country song of the year among other certifications.

paragraph: Kygo

paragraph: Larsen produced and co wrote Kygo's hit single Stay (Kygo song) along with dj Kygo and singer Maty Noyes, landing them 5 gold and 1 double platinum certification. The song also charted as one of the most streamed 100 songs on Spotify in 2016 . He also co wrote and produced Noyes debut single In My Mind (Maty Noyes song) on Republic Records.

paragraph: Section::::References.

paragraph: BULLET::::- 730.no

paragraph: BULLET::::- Vg.no

paragraph: BULLET::::- Dagbladet.no

paragraph: BULLET::::-

alias:
Nasty Kutt
William Wiik Larsen

description: Norwegian songwriter and record producer

wikidata_label: William «Nasty Kutt» Wiik Larsen

wikipedia_title: William Wiik Larsen


text:
Vienna
Austria
Copake, New York
Camphill
anthroposophist
Special Needs
University of Applied Arts Vienna
Robert Musil
Oskar Kokoshka
Dr Karl König
Aberdeen
Canada
Northern Ireland
Anthroposophical Society
Dornach
Switzerland

categories: 20th-century American painters,1915 births,Anthroposophists,Special education in the United States,1986 deaths

paragraph: Carlo Pietzner

paragraph: Carlo Pietzner, born in Vienna, Austria, 26 January 1915 and died in Copake, New York, 17 April 1986, was a co-founder of Camphill, artist, anthroposophist, and a Special Needs and adult educator.

paragraph: Section::::Biography.

paragraph: Carlo Pietzner spent his youth in Vienna in the years between the two wars and completed his art studies at the

paragraph: Kunstgewerbschule, (today the University of Applied Arts Vienna), meeting there, amongst others Robert Musil and Oskar Kokoshka. His family ran a photographic studio, which his sister later took over. Through his friend Peter Roth he was introduced to Dr Karl König and joined the youth group that had gathered around him. This group met for the last time in Vienna on March 11, 1938 at the time of the Nazi occupation. The members left Austria along various routes to come together again in Aberdeen and found Camphill. Carlo arrived there in 1941

paragraph: and was shortly thereafter interned in Canada. He became the Principal of Heachcot School that cared for about 50 severely handicapped individuals and already there pioneered a color and light therapy that he later developed together with Edmund Pracht.

paragraph: In 1954 he was asked to start the Camphill work in Glencraig, Northern Ireland, becoming increasingly involved in the training and administrative work of the international Camphill movement. In 1961 he moved to the United States with his family and a small group of co-workers to lead the expansion of Camphill on that continent beginning with Camphill Village Copake. In 1963 he helped found Camphill Beaver Run focusing his attention on community development work, artistic activity and lecturing.

paragraph: Besides his work in Camphill, he was active in building up the local and international work of the Anthroposophical Society, serving on its American Council in the 1960s and again between 1981-1983 and supporting the founding of the Section for Curative Education and Social Therapy in Dornach, Switzerland within the Medical Section of the School of Spiritual Science.

paragraph: In the 1970s Carlo initiated art retreats for Camphill coworkers, wrote and directed plays to develop the cultural life of the communities, wrote books and poetry, produced a large number of paintings and sketches and took on stained glass commissions for Camphill Halls in Germany, Switzerland, Norway and other countries. He provided architectural guidance for many buildings and concerned himself with the artistic and innovative formation of social and community life in Camphill.

paragraph: Under his leadership the Camphill Association of North America was formed in 1983, which he directed until his death in 1986. He had already begun to withdraw from active involvement in Copake, making way for a younger generation of leaders. His lecturing and training activities continued amongst a growing circle of friends and acquaintances all over the world.

paragraph: Section::::Published work.

paragraph: BULLET::::- "Questions of Destiny: Mental Retardation and Curative Education" Rudolph Steiner Press (July 1, 1988)

paragraph: BULLET::::- "Inner Development and the Landscape of the Ego" Steiner Books (October 1995)

paragraph: BULLET::::- "Transforming Earth, Transforming Self" Rudolph Steiner Press (December 1996)

paragraph: BULLET::::- "Festival Images for Today" Steiner Books (August 2008)

paragraph: BULLET::::- "Who was Kaspar Hauser?: An Essay and a Play" Steiner Press (June 1, 1990)

paragraph: BULLET::::- "Village Life: The Camphill Communities" Edited by Carlo Pietzner, Cornelius Pietzner and Wanda Root Simon & Schuster (Juv) (January 1987)

paragraph: BULLET::::- "The Lonely Generation and the Search for Truth" Rudolf Steiner Information Center (1968) ASIN B002S7LTMQ

paragraph: BULLET::::- "The Christian Rosenkreutz Anthology" Garber Books (Oct. 1 2000) ASIN B00BMRH526

description: Austrian special needs educator, artist, writer and anthroposophist

wikidata_label: Carlo Pietzner

wikipedia_title: Carlo Pietzner


text: breaststroke

text: water polo

text: Joachim

text: 200 m breaststroke

text: Braunschweig

text: Stuttgart

text: International Swimming Hall of Fame

text: Germany's Sports Hall of Fame

categories: Water polo players at the 1928 Summer Olympics,Swimmers at the 1928 Summer Olympics,German male water polo players,Olympic water polo players of Germany,Olympic gold medalists for Germany,European Aquatics Championships medalists in swimming,Male breaststroke swimmers,Olympic silver medalists in swimming,1901 births,Water polo players at the 1932 Summer Olympics,1979 deaths,Medalists at the 1928 Summer Olympics,Olympic swimmers of Germany,Olympic silver medalists for Germany,German male swimmers,Olympic medalists in water polo,Sportspeople from Magdeburg,Former world record holders in swimming,Germany's Sports Hall of Fame inductees,Medalists at the 1932 Summer Olympics

paragraph: Erich Rademacher

paragraph: Fritz Albert Erich "Ete" Rademacher (9 June 1901 – 2 April 1979) was a German breaststroke swimmer and water polo goalkeeper who competed at the 1928 and 1932 Olympics. In 1928 he was a member of the German team that won the gold medal, he also won a silver medal in the 200 m breaststroke. Four years later he won another silver medal with the German water polo team. His younger brother Joachim was his teammate in both water polo tournaments.

paragraph: At the European championships Rademacher won two gold medals in swimming (1926–1927) and two medals in water polo (1926 and 1931). He set world records in 1920, 1921, 1923, 1925 and 1926 in the 400 m breaststroke, in 1922 and 1927 in the 200 m breaststroke, in 1924 in the 200 yards breaststroke, and in 1925 in the 100 and 500 m breaststrokes. He also set 15 national records and appeared in 42 international water polo matches. He missed the 1920 and 1924 Olympics because Germany was not allowed to compete there.

paragraph: Rademacher toured the United States in 1926 and Japan in 1927 as an exhibition swimmer. During World War II he fought against Russia, was captured, and remained in a prison camp until 1947. During that period he suffered a permanent face injury and did not like to be photographed afterwards. After returning to Germany he worked as an insurance clerk in Braunschweig and then in Stuttgart.

paragraph: Rademacher was inducted into the International Swimming Hall of Fame in 1972 and into the Germany's Sports Hall of Fame in 2008. A street and an indoor swimming pool in Magdeburg are named after him. His son Ulrich won 11 German swimming titles in 1954–58 and set 37 national records, and his another son Peter played for the German water polo team.

paragraph: Section::::See also.

paragraph: BULLET::::- List of members of the International Swimming Hall of Fame

description: swimmer

wikidata_label: Erich Rademacher

wikipedia_title: Erich Rademacher


text:
L'Ami des Enfans
bowdlerised
Mary Stockdale
London
John Stockdale
fairy tales
"L'Ami des Enfans" (1782)

categories: 18th-century French writers,French children's writers,People from Bordeaux,18th-century male writers,1791 deaths,1747 births

paragraph: Arnaud Berquin

paragraph: Arnaud Berquin (September 1747 in Bordeaux – 21 December 1791) was a French children's author.

paragraph: His most famous work was "L'Ami des Enfans" (1782-3) which was first translated into English, albeit bowdlerised, by Mary Stockdale and published in London in 1783-4 by Mary's father John Stockdale.

paragraph: The work remained popular until the middle of the nineteenth century. Berquin's stories consisted of events that might happen to children in their everyday lives—they did not contain fairy tales or other imaginative literature. His books envision childhood reading as a familial exercise; for example, some of his "stories" are actually plays with parts for every member of the family. Berquin's books helped solidify the creation of the nuclear family, for "if Berquin's work has a theme, it is that parents and children live in a perfect symbiosis, the parents looking after their children's interests and the children, if behaving properly, filling their parents with joy."

paragraph: Section::::External links.

paragraph: BULLET::::- "L'Ami des Enfans" (1782)

description: French children's author

wikidata_label: Arnaud Berquin

wikipedia_title: Arnaud Berquin


text: guitar

text: vocalist

text: contemporary Christian music

text: GMA Dove Award

text: Grammy Award

text: Guitar Player Magazine

text: Hubbard, Ohio

text: Austintown Fitch High School

text: Sears

text: Silvertone

text: Highs in the Mid-Sixties, Volume 9

text: Joe Walsh

text: the James Gang

text: the Eagles

text: John Sferra

text: Glass Harp

text: The Human Beinz

text: Lewis Merenstein

text: Decca Records

text: Valentines Day

text: Glass Harp

text: Jimi Hendrix

text: Electric Lady Studios

text: Lewis Merenstein

text: Decca Records

text: The Kinks

text: Iron Butterfly

text: Yes

text: Traffic

text: Grand Funk Railroad

text: Chicago

text: jam rock

text: What a Day

text: Love Song

text: 2nd Chapter of Acts

text: Paul Clark

text: Nancy Honeytree

text: Amboy Dukes

text: Ted Nugent

text: Scott Ross

text: Shepherding Movement

text: Joe Vitale

text: Roller Coaster Weekend

text: The Albert Brothers

text: Joe Walsh

text: Rick Derringer

text: Love Broke Thru

text: Keith Green

text: Randy Stonehill

text: C.S. Lewis

text: album-oriented rock

text: Free Bird

text: 2nd Chapter of Acts

text: Lynn Nichols

text: Phil Madeira

text: Emerging

text: Leawood, Kansas

text: Costa Mesa, California

text: Sparrow Records

text: Ph'lip Side

text: pro-life

text: Town to Town

text: Play Thru Me

text: Compassion International

text: The Wind and the Wheat

text: Dove Award

text: Margaret Becker

text: Wings

text: Joe English

text: Compassion All Star Band

text: Randy Stonehill

text: Russ Taff

text: Rick Cua

text: Derri Daugherty

text: Mark Heard

text: Steve Taylor

text: Phil Keaggy and Sunday's Child

text: Lynn Nichols

text: With The Beatles

text: Mark Heard

text: Orphans of God

text: Swirling Eddie

text: Daniel Amos

text: Tim Chandler

text: California

text: Nashville, Tennessee

text: Paul McCartney

text: Linda McCartney

text: Find Me in These Fields

text: Lynn Nichols

text: Beyond Nature

text: Celt

text: Dove Award

text: Glass Harp

text: John Sferra

text: Phil Madeira

text: Rick Cua

text: Jimmy Abegg

text: Lynn Nichols

text: Sam Bush

text: John Mark Painter

text: Fleming and John

text: Ashley Cleveland

text: Charlie Peacock

text: Steve Taylor

text: Crimson and Blue

text: Van Morrison

text: Badfinger

text: Baby Blue

text: Chagall Guevara

text: Alan Shacklock

text: Dove Award

text: Wes King

text: Dove Award

text: Rich Mullins

text: Christmas

text: Dove Award

text: Glass Harp

text: John Sferra

text: Daniel Pecchio

text: Glass Harp

text: Isaiah Jackson

text: Glass Harp

text: John Sferra

text: Paul McCartney

text: Flight 93

text: Randy Stonehill

text: Larry Norman

text: the Beatles

text: Elton John

text: Glass Harp

text: Muriel Anderson

text: Stanley Jordan

text: Glass Harp

text: Dispatch

text: Glass Harp

text: Randy Stonehill

text: Roundabout

text: loops

text: Mike Pachelli

text: Two of Us

text: Dream Again

text: Glass Harp

text: Podcast

text: iTunes

text: P.O.D.

text: Jason Truby

text: Bob Dylan

text: Cyndi Lauper

text: the Beatles

text: Everly Brothers

text: Glass Harp

text: John Sferra

text: Randy Stonehill

text: Mike Pachelli

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categories: American male singer-songwriters,Songwriters from Tennessee,Musicians from Youngstown, Ohio,American performers of Christian music,American rock singers,American rock guitarists,Songwriters from Ohio,Love Song (band) members,American singer-songwriters,Performers of Christian rock music,20th-century American guitarists,1951 births,Fingerstyle guitarists,Living people,Guitarists from Tennessee,Singers from Nashville, Tennessee,Guitarists from Ohio,American male guitarists

paragraph: Phil Keaggy

paragraph: Philip Tyler "Phil" Keaggy (born March 23, 1951) is an American acoustic and electric guitarist and vocalist who has released more than 50 albums and contributed to many more recordings in both the contemporary Christian music and mainstream markets. He is a seven-time recipient of the GMA Dove Award for Instrumental Album of the Year, and was twice nominated for a Grammy Award for Best Rock Gospel Album. He has frequently been listed as one of the world's top-three "finger-style", as well as "finger-picking", guitarists by "Guitar Player Magazine" readers' polls.

paragraph: Section::::Career.

paragraph: Section::::Career.:Early life.

paragraph: Keaggy was raised in a small farmhouse in Hubbard, Ohio with nine brothers and sisters. Keaggy went to high school at nearby Austintown Fitch High School, graduating in 1970. He is missing half of the middle finger on his right hand due to a childhood accident at age four involving a water pump. Reflecting on the incident, Keaggy says,

paragraph: We lived on a farm in Hubbard, Ohio, which had a big water pump, and I was climbing up on it. As I was kneeling on top of the platform, it broke and the faucets came crashing down on my finger and cut it off. I can remember it very vividly—as if it happened yesterday, and I can see my dad running down the hill, rescuing me, and taking me to the hospital. I can recall having a white cast and bandage; it was gigantic! They tried to sew it on, but it didn't take, so I grew up with nine fingers. As a young kid, I was embarrassed about it a lot, especially when I was beginning to get into guitar. I used to be red when I'd play in front of people because I believed they were looking at my hand, which they probably weren't...Before my accident with my finger occurred, my oldest brother was killed in a car accident and two weeks afterward my younger sister had her big toe cut off. These were all really heavy things for my mom and dad to go through.

paragraph: Initially, it was not the guitar that attracted Keaggy to playing music. Keaggy explains:

paragraph: I asked my dad for a set of drums for my tenth birthday but he came home with a Sears Silvertone guitar...I had wanted a set of drums, but my folks couldn't afford them, so I got the guitar. I didn't know how to tune the guitar;. as it was when it came, that's how I thought it was supposed to be...So for about nine months I learned funny little melodies with my guitar tuned out. Finally, my brother Dave said "Here, let me show you how to tune this thing properly." I said, "Well, O.K., but I gotta learn all over again." I was disappointed...My oldest brother Dave, showed me some chords...But if I were to pinpoint one turning point...when I was in sixth or seventh grade, I met a man named Nick who worked an electronics store in California, where my family lived for . One day, Nick took me to a music store loaded with all these great guitars the British groups were using and he asked me "Which one is your favorite?" I pointed out a 1962 Stratocaster and he bought it for me. He got me my first professional gig at Artesia Hall—just me and my guitar and amp...I paid him back by sweeping driveways and working in the electronics store. I had that guitar for quite a while and put a lot of time and effort into playing it.

paragraph: Keaggy was a member of a mid-1960s garage rock band called the Squires; one of their songs ("Batmobile"), which he co-wrote, appears on the compilation album "Highs in the Mid-Sixties, Volume 9". In 1966 he joined Volume IV, which in 1967 became New Hudson Exit. The band appeared frequently in Youngstown clubs and also released a Keaggy composition, "Come With Me", as a single on the Date label. At one point, New Hudson Exit had considered Joe Walsh as its lead guitarist. Walsh would later establish himself as guitarist for the James Gang before embarking on a solo career and work with the Eagles.

paragraph: In 1968, Keaggy and longtime friend drummer John Sferra, along with bassist Steve Markulin, formed the band Glass Harp. The band gigged in and around the Youngstown, Ohio, area and found work at school dances and clubs. This incarnation of the band recorded several demos, and released the single "Where Did My World Come From?" on the United Audio label in 1969.

paragraph: Markulin left the group to join his cousin Joe in another successful Youngstown band, The Human Beinz. Keaggy and Sferra then recruited bass player Daniel Pecchio. Pecchio, formerly of the band The Poppy, was also a flute player, a talent that would later be showcased on several Glass Harp's songs. Having recorded a new set of demos and signing with new management, the band set out to polish their live act and shop for a recording deal.

paragraph: A major turning point for the trio was their winning of an Ohio area's "Battle of the Bands", One of the event's judges happened to be an associate of producer Lewis Merenstein, whom he alerted to the threesome. Merenstein was persuaded to fly down from New York to listen to the band in concert. Upon hearing Glass Harp perform, Merenstein's enthusiastic report resulted in Decca Records signing Glass Harp to a multi-record deal.

paragraph: Reflecting on 1970, Keaggy recalls:

paragraph: ...the 18th year of my life was very dark; I was into drugs by now...back in '69 I was experimenting with LSD. I had done some trips and it was terrible, I thought it might enhance my creative ability in music, but it didn't. I once heard a tape of me playing when I was high and it was awful. I sang weird and I played badly. I thought I was doing such a great job, but it was a deception. People I was supposedly very close to, who were close to me, were turning on me. It seemed really strange...I was experiencing such fear...it was just...terrible...During these days I would take naps in the afternoon because I'd be so tired playing at night, staying up till 4 in the morning, getting up early and napping again in the afternoon. I'd wake up having nightmares...I had "Peace" written on my wall and I went around giving the peace sign, but I didn't experience peace in my life. I didn't know what peace really meant; it was just a cliché.

paragraph: On Valentines Day in 1970, Keaggy's mother was seriously injured in an auto accident. After her death a week later, and inspired by his sister, Keaggy became a Christian.

paragraph: In September, Glass Harp found itself in New York's Greenwich Village recording its first album "Glass Harp" at Jimi Hendrix's Electric Lady Studios with Lewis Merenstein as producer. At the time of this recording, Keaggy and Sferra were nineteen years old. As for the album's content, all three members of Glass Harp were active in songwriting the band's material. Keaggy sang the majority of songs, but Pecchio and Sferra also sang lead on several numbers. One song of Keaggy's in particular, "Can You See Me", reflected his newfound Christian faith, with its reference to Jesus' death. Keaggy recalls, "It was recorded in New York City in about a week. Even though I had bronchitis and had to sing one verse at a time, it worked out. And I was even able to get in a witness for the Lord Jesus in "Can You See Me" and "Look in the Sky".

paragraph: As a Decca Records artist, the band began to open for such bands as The Kinks, Iron Butterfly, Yes, Traffic, Grand Funk Railroad and Chicago. Contrary to the tight production and song-oriented nature of Glass Harp's studio albums, their live performances demonstrated the band's ability to stretch out and expand the boundaries of their compositions. As a result, they are one of the pioneers of what would later be known as the jam rock genre, with songs many times reaching over 30 minutes in length with extended solo passages and group improvisation.

paragraph: In 1971, Glass Harp released a follow up album, "Synergy". Again Keaggy's Christian faith surfaced in some of the lyrics. The guitarist notes, "That album was a real experience because I was able to sing 'The Answer', a song I wrote right after my conversion to Christ. And with...producers and an engineer that didn't care about Jesus, I was surprised that out of 15 songs, one of the ten that got on the album was 'The Answer'. I praise Jesus for that work, because it's just a simple song of testimony." The following year the band released its third album: "It Makes Me Glad", which included a version of the old spiritual "Do Lord". "We all worked the best that we could. The group knew that it would be our last album together because I had given notice that I was going to leave. And on August 8, I did. It was a really heavy thing for everybody."

paragraph: Having recorded three albums with Glass Harp, Keaggy left the band in 1972. Keaggy says, "We enjoyed playing together and we really got tight musically. But spiritually we were going different directions."

paragraph: In 1973 Keaggy released "What a Day", his first solo album. The songs were written while Keaggy was still with Glass Harp Keaggy performed all the instruments on the album. The title track remains a staple of Keaggy's concerts up to the present day.

paragraph: Keaggy married his wife Bernadette in the summer of 1973. He then took a brief hiatus from recording on his own and only toured in support of other artists like Love Song, 2nd Chapter of Acts, Paul Clark, and Nancy Honeytree. Years later, Amboy Dukes guitarist Ted Nugent was quoted as saying "I don't know what happened to that Phil Keaggy. He could have saved the world with his guitar." Keaggy and his wife had migrated to rural Freeville, N.Y., to participate in, and become immersed in the discipleship program of Love Inn Community led by Scottish-American disc-jockey Scott Ross. Ross affiliated himself and Love Inn Community with the Shepherding Movement, which progressively took on many characteristics of an authoritarian cult. It was not until Keaggy extracted himself from this group, and the menial labor to which they had largely confined him, that he once again began to record significant music.

paragraph: In late 1974, Keaggy played guitar on Joe Vitale's debut solo album "Roller Coaster Weekend" produced by The Albert Brothers. The album featured guitarists Joe Walsh and Rick Derringer.

paragraph: Keaggy returned to the studio in 1976 with "Love Broke Thru", an album which included his version of a song that would eventually be considered a classic in Christian Music: "Your Love Broke Through". Written by Keith Green, Todd Fishkind and Randy Stonehill, the song would later be closely identified with Green, yet it was at Green's insistence that Keaggy's rendition be the first released recording. A longtime fan of C.S. Lewis, Keaggy also included an arranged version of the author's poem "As the Ruin Falls". The seven-minute "Time" is considered by some fans to be the first album-oriented rock extended-length "Free Bird" of contemporary Christian music. "Time" featured Keaggy's innovative guitar technique of violin-like swelling, found approximately 3:54 and 5:17 in the song. The effect requires picking the string, raising and then lowering the guitar volume knob for each note in a melody. Keaggy's album was listed as No. 64 in the 2001 book, "CCM Presents: The 100 Greatest Albums in Christian Music."

paragraph: During the summer of 1977 Keaggy went on an eighteen-city tour of the western United States with 2nd Chapter of Acts and "a Band called David". This tour was captured in the subsequent live triple-album "How the West Was One", a collection that featured concert renditions of "What a Day" and "Your Love Broke Through". That same year also saw the formation of the Phil Keaggy Band. Comprising Keaggy, guitarist Lynn Nichols, keyboardist Phil Madeira, bassist Dan Cunningham and drummer Terry Andersen, the Phil Keaggy Band released their lone album in 1977, "Emerging". This band was featured as Love Inn Company on an album of songs by Ted Sandquist titled "Courts of the King", and as the backing band for Nedra Ross on her "Full Circle" album. The title track would be redone by Keaggy in 1981. 1977 also marked the release of the Glass Harp compilation album, "Song in the Air".

paragraph: In 1978, Keaggy released his first critically acclaimed instrumental album entitled "The Master and the Musician". It would go on to become the best-selling album of his career. A 1989 reissue of the album included a new track, "Epilogue: Amazing Grace".

paragraph: The Keaggy family moved to Leawood, Kansas in August 1979, and their first daughter, Alicia, was born there in March 1980. They left Leawood in 1983 and settled in Costa Mesa, California. Their second daughter, Olivia, was born on February 14, 1984 and their son Ian was born on June 16, 1987.

paragraph: Keaggy's record label during the early part of the decade was Sparrow Records. 1980's "Ph'lip Side" features "Sunday School" and the gentle "Little Ones", an early anthem for the pro-life movement. The following year saw the release of "Town to Town", noted for what has become a concert staple "Let Everything Else Go". It also included Keaggy's arrangement of "Rise Up O Men of God". This would begin a trend in which Keaggy would frequently feature a hymn on his albums. In 1982, Keaggy released "Play Thru Me", noted for its upbeat classic, "Morning Light" as well as the slide-guitar instrumental workout, "Happy".

paragraph: In 1984, Keaggy and Randy Stonehill co-wrote and sang the duet "Who Will Save the Children?" for Stonehill's album "Celebrate This Heartbeat". The duet would also serve as a theme song for Compassion International, a Christian child advocacy ministry. Both artists remain avid supporters of this ministry up to the present day.

paragraph: The following year Nissi Records released Keaggy's next studio album, "Getting Closer". Keaggy would later re-record two of the album's songs: a rearranged version of "I Will Be There" appears on 1993's "Crimson and Blue" while "Passport" received an update for the 2009 Christian Progressive Rock compilation album "CPR 3".

paragraph: 1986 saw the release of "Way Back Home". The album consisted of quieter acoustic numbers, including a new take on 1981's "Let Everything Else Go" and "Maker of the Universe", a ballad about the incarnation of Christ. The album also emphasized one of the prominent themes in Keaggy's music: family.

paragraph: The next year Phil Keaggy released his second instrumental album, "The Wind and the Wheat". The album reflects the "new-age" instrumental sounds of the day. "The Wind and the Wheat" won the guitarist his first Dove Award, an honor that he received in 1988. Also in 1988, Keaggy and Stonehill would team up with singer Margaret Becker, former Wings drummer Joe English and others as the Compassion All Star Band. The group released a subsequent live album "One by One".

paragraph: In 1989, Keaggy teamed up with Randy Stonehill, vocalist Russ Taff, bassist Rick Cua, Derri Daugherty, Mark Heard, Steve Taylor and other musicians to create "Phil Keaggy and Sunday's Child". Lynn Nichols, guitarist for the 1977 Keaggy Band, produced the "Sunday's Child" project. The title track in particular recalled the sounds of the 1960s, and that, along with an album cover that resembled that of the classic image of "With The Beatles", has sometimes seen the Sunday's Child album referred to as a tribute album of sorts to the 1960s. Referring to the "Sunday's Child" album cover, Keaggy says that the idea

paragraph: was the producer's. I actually had a different cover in mind...It was...a black and white [photograph] of my daughter Olivia sitting on a guitar case, with this Gretsch anniversary model standing up behind her against this concrete wall, and she's got a little white flower wreath in her hair. She's about four years old, and...I just loved that cover. So when the album came out, I wasn't really knocked out by the Beatles thing, because it didn't look like the Beatles to me! It was my goofy face and then these three guys in the background, one of which was Lynn Nichols, the producer. And I thought, "Oh, I don't care for this." I wanted to have the other cover. I wanted it to say "Phil Keaggy and Sunday's Child," and to me, that was Olivia, being as she's my daughter. So my nephew works in a printing place, and I created this cover that had all the same photos and information inside the CD insert, but I had him make 500 of these new covers, and we took the shrink wrap off...500 CDs, and...inserted these covers that I wanted and took them on the road and sold them, and we mailed them out through the fan club, since we didn't have a website in those days."

paragraph: Reflecting on the music of the project, Keaggy says,

paragraph: I feel the album, as a good collection of songs, is really listenable...I feel that folk who want to listen to an album are more interested in good songs than merely the guitar player. For "Sunday's Child", not only did we resort to using vintage guitars and amps, but I resorted back to old ways of playing. The rock leads are shorter and more precise. More to the point, feisty, and a little bit more dangerous. What you get is more incisive work. It's something that fits the song rather than trying to create a song around a riff or guitar figure...What I think comes through this album is that sense of longing, of love, of suffering and in all of this there can be hope. Everyone has to find their way to God and I hope people will see Jesus in my life and this album as a guide along the way."

paragraph: One track, "I've Just Begun (Again)", was first written when Keaggy was 17, and was updated for this album. In addition to his own material, Keaggy recorded two Mark Heard songs for the album: "I Always Do" and "Everything is Alright". The recordings would appear again on subsequent tribute albums to Heard. One of the tribute albums, "Orphans of God", was listed at No. 25 in the book, "CCM Presents: The 100 Greatest Albums in Christian Music".

paragraph: Also in 1989, Keaggy hit the road with Stonehill for a tour by The Keaggy/Stonehill Band, which included Swirling Eddie drummer David Raven and Daniel Amos bassist Tim Chandler. In the fall of that year, the Keaggys relocated once again, leaving southern California and moving to Nashville, Tennessee where they reside currently.

paragraph: A few years later, Keaggy would perform at former Beatle Paul McCartney's sister-in-law's wedding. Keaggy had met Laura Eastman, sister of Linda McCartney, while the former worked at CBN. After the wedding, Keaggy fulfilled a lifelong dream by jamming with McCartney in a bedroom at the Eastman family estate, site of the wedding.

paragraph: Keaggy followed "Sunday's Child" in 1990 with an all-out rock album "Find Me in These Fields". The project was produced by Lynn Nichols and garnered a Grammy award nomination.

paragraph: In 1992, Keaggy released what has become a landmark acoustic instrumental album, "Beyond Nature". His third instrumental project reflected a Celtic-influence and earned the guitarist his second Dove Award in the "Instrumental Record" category. The album's title, "Beyond Nature", was derived from a quote in C.S. Lewis' book "Mere Christianity". A long-time fan of Lewis' work, Keaggy also referenced the author in several song titles ("Brother Jack", "Addison's Walk" and "County Down").

paragraph: The following year saw Keaggy work with another group of talented musicians for his next project. These recording sessions reunited Keaggy with former Glass Harp bandmate John Sferra on drums. Keaggy says, "I started Crimson & Blue with a two-fold purpose: To record something more aggressive and to work with John again. We recorded all the basic tracks together and most of the leads were recorded live. It's just your basic four-piece group." Comprising the rest of the group were Phil Madeira, the former keyboardist of the 1977 Phil Keaggy Band, bassist Rick Cua, and guitarist Jimmy Abegg. Lynn Nichols produced the sessions. Other guest musicians included Sam Bush on mandolin, John Mark Painter (of Fleming and John), and Ashley Cleveland on backing vocals. Charlie Peacock and Steve Taylor also played a prominent role in the project. The sessions resulted in the release of "Crimson and Blue", a bluesy rock album geared to the Christian market that included a cover of Van Morrison's "When Will I Ever Learn to Live in God". "Love Divine", "I Will Be Here" and "Everywhere I Look" all received significant airplay. That album was released simultaneously in the mainstream market as "Blue", with a modified track list and some reworked songs. The most significant differences are the inclusion of three different songs (a cover of Badfinger's "Baby Blue"; "All Our Wishes"; and "The Further Adventures of...") and the exclusion of five songs from "Crimson and Blue" ("Love Divine", "Reunion of Friends", "Stone Eyes", "I Will Be There", "Nothing But The Blood".) The song "All Our Wishes" is a story about Phil and Bernadette Keaggy losing a baby. The song was written, musically, in 1967 when Keaggy was in ninth grade. The band that toured in support of the album featured Madeira on Hammond B-3 organ, Sferra on drums, and Wade Jaynes (of Chagall Guevara) on bass.

paragraph: In June 1994, Phil released a heavily revised version of his 1986 album "Way Back Home". The 1994 edition featured new recordings of ten of the original album's eleven songs, including the moving classics "Maker of the Universe" and "Let Everything Else Go". The updated version also included four brand new tracks: "It Could Have Been Me". "She's a Dancer", "Father Daughter Harmony", and "The 50th". Keeping with the album's family motif, "Father Daughter Harmony" was a moving duet with daughter Alicia while "The 50th" features Keaggy's guitar playing over excerpts from a vinyl record of his grandparents' 50th wedding anniversary in 1948.

paragraph: 1995 saw the release of a two volume compilation project: "Time: 1970-1995". The anthology featured selections from throughout Keaggy's career, including several classic instrumentals. Several unreleased tracks were featured, including a live version of "Do Lord" with Glass Harp, a live version of "Shouts of Joy" from the "Crimson and Blue" tour and "We'll Meet Again", a song Phil wrote and recorded as a teenager. An alternate version of "Time" was also included as was a new solo recording of the Glass Harp song "The Answer".

paragraph: Also in 1995, Keaggy was voted by "Guitar Player" Magazine readers as the No. 2 Best Acoustic Fingerstyle Guitarist.

paragraph: That same year, Phil released what has become one of his best-selling albums, "True Believer". The title track was written by producer Alan Shacklock and reached number one on the Christian radio charts. It also won Shacklock the EMI Songwriter of the Year award. Shacklock's production work on the album was a departure in style and sound for Keaggy; this would prove to be Keaggy's lone work with Shacklock. Years later, in reflecting on the album, Keaggy would say that "True Believer" "is really the most unlike me of any album I've ever done, in my personal opinion. It was more of a manufactured concept: "We're gonna make a pop album for you that's going to launch you into the next ten years". I don't know if it did. It's an unusual album to listen to for me, but there are a couple of good songs on there, though."

paragraph: The following year Keaggy released another critically acclaimed instrumental album, "Acoustic Sketches". Comprising mainly Keaggy originals, the album features a cover of "Swing Low, Sweet Chariot", and would later win Keaggy another Dove Award. A second instrumental album, "220", was also released. The album, titled after the 220 volt electric standard, featured a diverse mix of musical styles, ranging from blues to Celtic. The album's final track, "Ian's Groove", marks the recording debut of Phil's son on drums. Despite its stellar performances, as a collection of original instrumentals, the album was largely overlooked. Keaggy says, "that was a very cool album that...Christians and Christian bookstores and...the marketplace ...couldn't make the connection, because it's electric guitar music. So it kind of fell by the wayside." Also in 1996, Phil's wife Bernadette published "A Deeper Shade of Grace", a moving account of the emotional and spiritual struggles she experienced in losing their first five children via early infant death, miscarriage and stillbirth. Phil wrote the foreword to the book.

paragraph: In January 1997, the Rock and Roll Hall of Fame, located in Cleveland, Ohio, opened an exhibit called "My Town". Because the exhibit focused on Cleveland's rock and roll history, Glass Harp was invited to perform at the Museum. The band is also currently represented in the Museum's Ohio Exhibit.

paragraph: The year also saw the release of Keaggy's "On the Fly" album, arguably his most ambitious instrumental project to date. Released through Canis Major Records, highlights includes the Spanish-flavored "Praise Dance", the hypnotic groove "Firewalker", and the six-part epic, "Way of the Pilgrim". Also in 1997, Phil teamed up with Wes King and Out of the Grey's Scott Dente for the mostly instrumental album "Invention". The album would win a Dove Award the following year. Keaggy would then go on to sign with Word Records.

paragraph: "Phil Keaggy", Phil's last vocal album of the decade, came out in 1998. Lacking the slick production style of the previous vocal album, "True Believer", "Phil Keaggy" was a strong return to form for Keaggy in terms of recapturing his usual organic, live sound. Several songs reflected a Beatles influence, including "Days Like You", his last single to receive considerable airplay as Christian radio has been moving towards a more youth-oriented format. Keaggy also appeared as a guest singer on the Ragamuffins' "All the Way to Kingdom Come", on his friend Rich Mullins' last original work, "The Jesus Record" (which contained demo tracks recorded by Mullins just before his 1997 death, and renditions of those songs by the Ragamuffins and other artists).

paragraph: 1999 saw a flurry of Keaggy instrumental releases. The double album "Premium Jams" is a stunning collection of previously unreleased electric instrumentals dating back to the recording sessions for "Crimson and Blue" and "220". "Majesty and Wonder", a Christmas album featuring the London Festival Orchestra, includes Keaggy's take on standards such as "Oh Holy Night" as well as a three-part original, "Nativity Suite". "Majesty and Wonder" would also win Keaggy a Dove Award. Phil later released the four-disc collection "Music to Paint By". The project was composed of "Still Life", "Electric Blue", "Splash", and "Brushstrokes".

paragraph: "Re-Emerging", Keaggy's first album of the new millennium, came out in April 2000. The disc was a reunion of the Phil Keaggy Band in which they updated their classic 1977 album, "Emerging". With the exception of "Gentle Eyes", "Re-Emerging" retained the material from the original album and also introduced four brand new tracks: "My Auburn Lady", "Mighty Lord", "You're My Hero", and "Amelia Earhart's Last Flight".

paragraph: In September, Phil released the instrumental album "Zion". Recorded exclusively on a Zion Radicaster created by master guitarmaker Ken Hoover at Zion guitars, "Zion" features a mix of new songs such as "Z-Blues" and revamped versions of "Like an Island", "March of the Clouds" and the Glass Harp classic "Whatever Life Demands".

paragraph: Having performed together occasionally since 1981, in October, Keaggy, John Sferra and Daniel Pecchio reunited as Glass Harp for a concert in their hometown of Youngstown, Ohio at a sold out Powers Auditorium. Joining the band for the occasion was conductor Isaiah Jackson and members of the Youngstown Symphony. The following year saw the commercial release of the reunion concert in the form of the live album "Strings Attached". Although the album is largely devoted to the band's previous work, it also includes Glass Harp's take on several songs from Phil's solo career such as "Tender Love", "Chalice", "From the Beginning" and a solo acoustic version of "The True Believers".

paragraph: October 2000 also marked the release of "Inseparable", initially available in both single and double disc format, with the single disc version eventually going out of print. The album featured "Chalice", a collaboration with Glass Harp drummer John Sferra as well as a cover of Paul McCartney's "Motor of Love". That same month, Phil released "Lights of Madrid", an album of Spanish-flavored instrumentals that included a re-recording of "Praise Dance" from 1996's "On the Fly". "Lights of Madrid" also contains a PDF with guitar tabliature for the album's music. "Lights of Madrid" would go on to win Keaggy a Dove Award for best instrumental album.

paragraph: In November, Phil released The "Uncle Duke" project, a collaboration with his uncle Dave "Duke" Keaggy, with Phil setting his uncle's eclectic poetry to music.

paragraph: In 2001 Keaggy released the albums "In the Quiet Hours" and "Cinemascapes". Both consisted of selections from the 1999 four-disc project "Music to Paint By". "In the Quiet Hours" showcased a new composition "As It Is in Heaven", while "Cinemascapes" includes three previously unreleased songs: "The Road Home", "Lighthouse", and "For the Love". The song "Spring" was previously released on 2000's "Uncle Duke" as "Interlude". The year also saw the release of "What Matters", a nine-song compilation drawing mostly from the albums "Phil Keaggy" and "Crimson and Blue". "Tell Me How You Feel" from "Sunday's Child" is also included as is a brand new song "What Matters". The album was exclusively produced for and released through the International Bible Society.

paragraph: 2002 saw the release of "Hymnsongs". Primarily a collection of classic hymns, the album also includes a Keaggy original composition that is centered around the Lord's Prayer. This track, "Our Daily Bread", as well as the entire album, are dedicated to Todd Beamer, a Christian passenger of 9-11's Flight 93, and a fan of Keaggy's music. Describing the concept of the project, Keaggy says, "I've always loved hymns. They're great melodies that still stand on their own, and are still sung, even after centuries have passed. And those melodies are even more appreciated when you know the lyrics. The writers of the hymns were great wordsmiths; they could be so concise and so eloquent in their expression of truth. And theirs is music that speaks to every generation". Yet Keaggy's then label, Word Records, did not share his vision for the project and asked that it be an instrumental album: "it's the oddest thing...to me, hymns should be really sung. I had a conflict with it because, here I am, I can sing, and yet they didn't want me to sing...I offered--I went to management about it and it was pretty much, "No, don't do that. That's not want they want." "Hymnsongs" would be Keaggy's last album with Word Records.

paragraph: That same year, Phil also participated on Randy Stonehill's "Edge of the World" album, singing a duet "That's the Way It Goes" as well as appearing on "We Were All So Young" with other veteran musicians such as Larry Norman. Additionally, Keaggy's wife Bernadette published "Losing You Too Soon", an updated version of "A Deeper Shade of Grace", her 1996 book on losing her first five children through early infant death, miscarriage and stillbirth.

paragraph: The next year Keaggy released "It's Personal", an album in which he set poetry by Keith Moore to music. Keaggy and Moore had previously collaborated on the song "A Little Bit of Light" that appeared on the guitarist's 1998 self-titled album. Also in 2003 Keaggy released "Special Occasions", an eclectic collection of music focusing on birthdays, weddings and graduations. The album consisted primarily of Keaggy originals and also featured a re-recording of "Here and Now" from 1986's "Way Back Home", as well as covers of the Beatles tune "When I'm 64" and Elton John's "The Greatest Discovery". That same year, Sparrow Records, Phil's former record label (1980–1983, 1994–1997), released a 15-track compilation "History Makers". It features standards such as "Let Everything Else Go", "Morning Light", and "The True Believers". 2003 also saw the release of "Hourglass", the first album of new material by Glass Harp since 1972. The album included a new recording of a rare Keaggy solo tune, "What Matters", the title track of a compilation album exclusively produced for and released through the International Bible Society in 2001.

paragraph: Also in 2003, guitarist Muriel Anderson released an album with Keaggy entitled "Uncut Gems". A collection primarily consisting of instrumental improvisations recorded in 2001 and 2003, the two also perform Keaggy's "Tennessee Morning" from his 1996 album "220". Guitarist Stanley Jordan appears on several songs. Portions of the album's earnings go towards Anderson's Music for Life Alliance fundraiser.

paragraph: The following year, Glass Harp released "Stark Raving Jams", a triple-disc 39-song collection of material spanning from 1970 to 2003. The collection focused primarily on live performances but also includes a few unreleased studio recordings. Like "Strings Attached", this Glass Harp album includes live renditions of some Keaggy solo material.

paragraph: In 2004 Keaggy guest performed with the indie band Dispatch for several songs during "The Last Dispatch". Phil also released two live DVDS: "Phil Keaggy in Concert: St. Charles IL", and "Philly Live!"

paragraph: In 2005, after thirty years of being out of print, Glass Harp's first three studio albums were reissued on CD by Music Mill Entertainment. The albums were digitally remastered and include previously unreleased bonus tracks. In July, Keaggy also released an expanded edition of "Uncle Duke". First released in 2000, this new edition was entitled "The Uncle Duke Project" and included the original album plus a bonus disc of new songs, alternate versions and an interview with Phil and his uncle.

paragraph: The following year, Keaggy released "Freehand", the sequel to "Acoustic Sketches". That same year Keaggy and long-time friend Randy Stonehill released "Together Live!" in both album and DVD format. In addition to including acoustic renditions of Keaggy and Stonehill's solo material, the project includes versions of their previous collaborations such as "Sunday's Child", "Who Will Save the Children?" and "That's the Way It Goes". Keaggy later guest performed on two songs of Rufus Tree's album "Dying To Live".

paragraph: 2006 saw Keaggy release three additional instrumental albums: "Jammed!" was a one-disc collection of songs featured previously on 1999's double album "Premium Jams". The album also included a new rendering of "Ode to Joy" titled "Joyphil" and "Prehistrobie K-18", a previously unreleased song that Phil wrote and recorded as a teenager. The acoustic instrumental album "Roundabout", is another instrumental collection. The songs are either improvisation or other riffs played over loops that were recorded as part of the performance. Keaggy explains that the songs "began with me messing around at my soundchecks before the audience came in. I'd typically just come from taking a nap at a hotel, so my mind would be fresh, and I'd improvise loops that would be recorded by my soundman, Brian Persall. The loops have rhythm, lead, bass, and even percussion parts along with textures created using an EBow and placing plastic between the strings, which creates koto, banjo, and steel drum-type sounds. After I returned home, I imported all of the loops into Pro Tools and edited some sections, but no overdubs were added either after the initial recording or while in the studio. If a song was too long, I might edit some measures or repeated sections to make it a little less repetitious, or maybe move some bits around."

paragraph: Phil Keaggy and guitarist Mike Pachelli released an acoustic instrumental project titled "Two of Us". Also in 2006 Phil released a vocal album, "Dream Again". It includes his son Ian, who co-wrote, sings and plays guitar on "Why" while his daughter Alicia sings a duet with her father on "Micah 6:8". In 2006, Glass Harp reunited for a concert to celebrate the release of their first DVD, "Circa 72". The DVD is the first official release of their 1972 PBS concert, and includes rare outtakes, home movie footage, and a commentary by the band. The year also saw the release of "Happy Valentine's Day", a limited edition compilation of various love songs that Phil had recorded over the years as well as four new tracks.

paragraph: In April 2006 Keaggy launched a free Podcast that is available through his website and iTunes. His last edition to date is from September 2008. The Podcasts feature music and commentary from Phil as well as music from some of his favorite artists.

paragraph: On October 29, 2007 Keaggy was inducted into the Gospel Music Hall of Fame by P.O.D. guitarist Jason Truby. He also released "Acoustic Cafe", an album, that with the exception of "You Have My Heart", is a collection of covers ranging from Bob Dylan ("If Not For You", "Make You Feel My Love") to Cyndi Lauper ("Time After Time"). Many of the songs are duets, such as the Beatles' "In My Life" with Randy Stonehill and the Everly Brothers "All I Have to Do is Dream" with Jeremy Casella. Later that year Keaggy released another acoustic instrumental album: "The Song Within". Recorded using a McPherson acoustic guitar, the album revamped two Keaggy classics, with "What a Day" being transformed as "Water Day" and "Noah's Song" undergoing significant revision as "Noah's Shuffle".

paragraph: 2007 also marked the 30th anniversary of the landmark instrumental album, 1978's "The Master and the Musician". The album was re-released with a bonus disc of outtakes, alternate versions and a recent interview. Keaggy also toured in support of the album's anniversary with a band that featured Glass Harp drummer John Sferra. The tour was chronicled on the subsequent live DVD: "The Master & the Musician: 30 Years Later Tour". The next year Keaggy released the album "Phantasmagorical: Master and Musician 2", the sequel to his 1978 masterpiece.

paragraph: In 2008, Keaggy received the Gold Level Award as the "Best Spiritual / Worship Guitarist", as voted by readers of "Acoustic Guitar Magazine", as well as appearing in the form of vocals and lead guitar on the Richard Cummins CD, "Moments", which was nominated for "Best Pop/Contemporary Album of the Year" by the Canadian GMA's, Covenant award.

paragraph: In June 2009, Keaggy and Randy Stonehill released a new studio album titled "Mystery Highway". In support of the album, the two musicians, along with guitarist Mike Pachelli and Glass Harp's Daniel Pecchio and John Sferra, played several concerts as "The Keaggy-Stonehill Band". The year also saw Keaggy contribute a soaring re-recorded version of "Passport" on the album "CPR 3"; a compilation of musicians from the Christian Progressive Rock (CPR) scene. The original version of "Passport" appeared on Keaggy's 1985 album "Getting Closer". In October Keaggy released an instrumental album with pianist Jeff Johnson titled "Frio Suite". After meeting each other for the first time at the beginning of the year, the two musicians stayed in touch and created the album via email, with Johnson recording in Seattle while Keaggy recorded in Nashville. December saw the release of the guitarist's third Christmas album, "Welcome Inn". Featuring mostly original compositions such as the title track, "Welcome Inn" also includes the classic "God Rest Ye Merry Gentlemen" and an acoustic instrumental version of "In the Bleak Midwinter". The project also includes a new recording of "On that Day", a song co-written with Glass Harp drummer John Sferra for Keaggy's "True Believer" album in 1995.

paragraph: On March 27, 2010, Glass Harp released their fourth live album: "Glass Harp Live at the Beachland Ballroom 11.01.08". The ten-song project included material from Phil's solo career: "Sign Came through a Window" and "John the Revelator". The album is a recording of a benefit concert that Glass Harp headlined for Roots of American Music (www.rootsofamericanmusic.org), "an organization dedicated to the preservation, performance and education about traditional American music in our schools."

paragraph: Also in late 2010, Keaggy did some session work with former Monkees member Micky Dolenz for Dolenz's solo album "King for a Day". and he played guitar on the song "Rushing Wind" on Steve Clark's album "Save The Day".

paragraph: In the fall of 2010, The Phil Keaggy Trio released their first album, "Inter-Dimensional Traveler". The project is a collaboration with keyboardist Jack Giering and Glass Harp drummer John Sferra. and is described as being a wonderful blend of ambient jazz and funk, as well as being accredited with creating some of the tastiest jazz-funk licks to come out of Music City in a long, long time.

paragraph: In addition to recording and touring regularly, Keaggy is currently working on a record with former Living Sacrifice and P.O.D. guitarist Jason Truby.

paragraph: Section::::Rumored comments by Jimi Hendrix and others.

paragraph: For decades, rumors have circulated which attribute comments regarding Phil Keaggy to a host of guitar icons. The most common rumored statements are attributed to Jimi Hendrix.

paragraph: On March 19, 1970, an advertisement appeared in the Mansfield News Journal for an Iron Butterfly Concert at Ashland College the following evening, with Glass Harp listed as the opening band (erroneously printed as "The Grass Harp"). Underneath "The Grass Harp", a caption read "They Jam with Jimi Hendrix". Glass Harp had not in fact appeared anywhere with Jimi Hendrix (they were at that time still a local band to Northeast Ohio with little or no following nationally). It is unknown whether or not the promoter or Glass Harp's then-management directed that the statement be placed in the advertisement, but it is believed to be the first instance of any rumor regarding Hendrix in relation to Keaggy/Glass Harp.

paragraph: In a February 5, 1971 feature on Glass Harp in Cleveland's "The Plain Dealer", the paper's rock music critic Jane Scott cited unnamed "record people" who told a story of Hendrix saying (in 1970) "That guy (Phil Keaggy) is the upcoming guitar player in the Midwest". With no sources ever named, and Jane Scott's death in 2011, the accuracy of the article is virtually impossible to verify.

paragraph: In later years, rumors escalated into stories of Hendrix appearing on various television programs where he mentioned Phil Keaggy. A common variation says that during an episode of The Tonight Show, Johnny Carson asked Hendrix, "Who is the best guitarist in the world?" Hendrix is said to have answered, "Phil Keaggy." This has since been proven to be untrue, as evidenced by the available audio from Hendrix's (only) appearance on The Tonight Show on July 10, 1969 with guest host Flip Wilson. No mention of Keaggy or Glass Harp is made.

paragraph: Another version of the story has Hendrix being asked, "Jimi, how does it feel to be the world's greatest guitar player?" To which Hendrix supposedly replied, "I don't know, you'll have to ask Phil Keaggy!" This account is sometimes attributed to a magazine interview in either "Rolling Stone" or "Guitar Player". Occasionally the story has the setting for the question being a Hendrix appearance on "The Dick Cavett Show", which is also untrue, as the clip from the show in question (in 1969) contains no mention of any other guitar players.

paragraph: Other examples have the question being posed to Eric Clapton. A more recent variant has Eddie Van Halen being asked the question by either David Letterman or Barbara Walters.

paragraph: Keaggy has long insisted that such stories are completely unfounded, noting that "it was impossible that Jimi Hendrix could ever have heard me...We...recorded our first album at Electric Lady Studios two weeks after his unfortunate death, so I just can't imagine how he could've heard me. I think it's just a rumor that someone's kept alive, and it must be titillating enough to keep an interest there...So I don't think it was said…and that's it for that!" Keaggy's recollection of the time frame during which Glass Harp's first album was recorded differs slightly from Glass Harp's officially-published history (which have the recording sessions ending on September 17, 1970, just hours before Hendrix's early-morning death in London, and not two weeks after).

paragraph: In a July 2010 interview, Glass Harp bassist Daniel Pecchio commented on the ongoing Hendrix rumors saying "It's a true urban legend. I still have people coming up to me claiming to have a Dick Cavett Show tape where Hendrix says that. We never pushed that rumor, you know, but it didn't hurt us."

paragraph: Section::::Personal life.

paragraph: His son Ian Keaggy was the bass player for the band Hot Chelle Rae, which had a Top 10 hit on the "Billboard" Hot 100 in 2011. He left the band in 2013 to pursue his solo career.

paragraph: His nephew was married to contemporary Christian singer songwriter Cheri Keaggy.

paragraph: His sister is retired American television and film actress Mary Ellen Kay. Keaggy credits her for introducing him to the Christian faith.

paragraph: Section::::References.

paragraph: BULLET::::- Guitar Jam Daily Interview with Phil Keaggy

paragraph: Section::::External links.

paragraph: BULLET::::- Video of Phil describing the water pump incident (WMV format)

description: American musician

wikidata_label: Phil Keaggy

wikipedia_title: Phil Keaggy


text:
Bishop of Moray
Spynie Palace
Elgin
George de Dunbar, 10th Earl of March
Henry IV of England
England
Oxford
Bridgnorth
Homildon Hill
Scotland
collegiate church
St Andrews University
St. Andrews
Borthwick
Lothian
Henry VI
Elgin Cathedral

categories: 1435 deaths,15th-century Roman Catholic bishops,1380s births,Bishops of Moray,Burials at Elgin Cathedral

paragraph: Columba de Dunbar

paragraph: Columba de Dunbar ( 1386 – 1435) was Bishop of Moray from 1422 until his death at Spynie Palace near Elgin sometime before 7 November 1435.

paragraph: Columba was "of Royal race", the youngest "lawful son of George de Dunbar, 10th Earl of March" and his spouse Christian née Seton.

paragraph: His father, who supported the so-called English Party in Scotland, later changed his allegiance and went over to King Henry IV of England. Along with his elder brothers, Columba moved to England in 1400. On 28 June 1401 Columba collected £100 given by King Henry to his father the Earl "for his special favour" and on 3 October 1401 Columba collected a further sum of £25/9s/7d for him. "Cristiana countess of Dunbarre" was also awarded £40/19s/3d "for her charges and expenses coming from the North" &c., and Columba collected this at the same time.

paragraph: On 26 February 1403 (1402/3), while studying at Oxford, "Columba son of George de Dunbarre earl of March of Scotland" was granted "the Deanery of the free chapel of St. Mary Magdalene of Bridgnorth". This was thought to be a reward for the help provided by his father to King Henry in the battle of Homildon Hill in 1402.

paragraph: Columba returned to Scotland in 1409 and by 1412 he was Dean of Dunbar collegiate church when he witnessed the foundation charter of St Andrews University. In addition, he was the Deacon of the chapel of Ruthven, St. Andrews. On 1 May 1419, by Papal Dispensation, he was given the additional rectory of the parish church of Locherworth or Borthwick (£30 per annum), from which he was promoted to the post of Archdeacon of Lothian. He Supplicated the Pope to be able to retain his former combined annual incomes which were in excess of £100 in addition to £120 for the Archdeaconry. Not only were these allowed but he continued to petition for other positions to be "annexed" to his Archdeaconry for further large sums. His request to retain the Deanery of Dunbar for another year, in April 1422, was contested.

paragraph: His appointment as Archdeacon was contested by another priest, Edward de Lawedre, who believed the appointment had been promised to him. The litigation continued until Columba's promotion to the See of Moray.

paragraph: Columba became Bishop of Moray on 3 April 1422 but no record of his consecration exists. On 1 December 1433, a Safe-conduct was issued by the young King Henry VI for Columba and his entourage of 30 servants "to pass through England on his way to the Roman Court" (Keith says as envoy of King James I of Scotland).

paragraph: He died before November 1435 and is thought, according to Keith, to have been buried in the aisle of St Thomas the Martyr (Becket) in Elgin Cathedral.

paragraph: Section::::References.

paragraph: BULLET::::- Boardman, Stephen I: "The Early Stewart Kings: Robert II and Robert III, 1371–1406", East Linton: Tuckwell Press, 1996, (The Stewart Dynasty in Scotland Series, Vol. I)

description: Scottish bishop

wikidata_label: Columba de Dunbar

wikipedia_title: Columba de Dunbar


text:
Berlin
Prussian Academy of Arts
Carl Blechen
Pyrenees
decorative
court painter
Friedrich Wilhelm IV
Elisabeth
Potsdam
Charlottenburg
Neues Museum
Academy of Arts
Old New Synagogue
Academy of Fine Arts, Vienna
More works by Graeb

categories: German painters,1816 births,Architecture paintings,1884 deaths

paragraph: Carl Graeb

paragraph: Carl Georg Anton Graeb (18 March 1816, Berlin - 8 April 1884, Berlin) was a German architectural, decorative and theatrical scene painter. He also worked as an engraver and produced some landscapes.

paragraph: Section::::Biography.

paragraph: He studied at the Prussian Academy of Arts with Carl Blechen and took private lessons from the court theater painter, and his future father-in-law, Johann Gerst (1792-1854). In 1838, he was hired as the theater painter for the , but quit after only fourteen months to make extensive travels through Switzerland, Southern France, the Pyrenees, Italy and Sicily. His travelling continued for almost four years, during which time he would occasionally return home to exhibit the resulting works.

paragraph: Upon returning permanently to Berlin in 1844, he joined with Gerst to open a decorative and theatrical painting studio, which was in operation until 1852. He ceased work as a decorative painter when he was appointed as a court painter in 1851; receiving a commission from Friedrich Wilhelm IV and his wife, Elisabeth to create 94 architectural landscapes of Potsdam and its surroundings, as well as Charlottenburg. Around the same time, he produced three murals for the Neues Museum.

paragraph: In 1855, he was named a Royal Professor and, in 1860, was elected a member of the Academy of Arts. In the 1860s and 1870s, he concentrated on depicting the interiors of churches in Germany and Switzerland, A notable exception was the interior of the Old New Synagogue in Prague. He was elected to the Berlin legislature (Magistrat) in 1875 and was an honorary member of the Academy of Fine Arts, Vienna.

paragraph: He died in Berlin in 1884, aged sixty-eight. His son, Paul Graeb (1842-1892) also became an architectural and landscape painter.

paragraph: Section::::External links.

paragraph: BULLET::::- More works by Graeb @ ArtNet

alias:
Carl Georg Anton Graeb
Georg Anton Graeb Carl
C. G. A. Graeb
K. G. A. Graeb
Graeb
c. Graeb
carl georg graeb
carl graeb
c. graeb
karl graeb

description: German architect and theater decor painter

wikidata_label: Carl Graeb

wikipedia_title: Carl Graeb


text:
film actress
silent era
The Call of the East
The Bottle Imp
Hashimura Togo
The Hidden Pearls
Everywoman
Told in the Hills
The Veiled Adventure
Why Smith Left Home
Always Audacious
What Happened to Jones
The Sins of St. Anthony
Conrad in Quest of His Youth
3 Gold Coins
A Kiss in Time
Turn to the Right
Money! Money! Money!
Bell Boy 13
Law of the Lawless
My Neighbor's Wife

categories: People from San Francisco,1893 births,American film actresses,1969 deaths

paragraph: Margaret Loomis

paragraph: Margaret Loomis (1893–1969) was an American film actress of the silent era.

paragraph: Section::::Selected filmography.

paragraph: BULLET::::- "The Call of the East" (1917)

paragraph: BULLET::::- "The Bottle Imp" (1917)

paragraph: BULLET::::- "Hashimura Togo" (1917)

paragraph: BULLET::::- "The Hidden Pearls" (1918)

paragraph: BULLET::::- "Everywoman" (1919)

paragraph: BULLET::::- "Told in the Hills" (1919)

paragraph: BULLET::::- "The Veiled Adventure" (1919)

paragraph: BULLET::::- "Why Smith Left Home" (1919)

paragraph: BULLET::::- "Always Audacious" (1920)

paragraph: BULLET::::- "What Happened to Jones" (1920)

paragraph: BULLET::::- "The Sins of St. Anthony" (1920)

paragraph: BULLET::::- "Conrad in Quest of His Youth" (1920)

paragraph: BULLET::::- "3 Gold Coins" (1920)

paragraph: BULLET::::- "A Kiss in Time" (1921)

paragraph: BULLET::::- "Turn to the Right" (1922)

paragraph: BULLET::::- "Money! Money! Money!" (1923)

paragraph: BULLET::::- "Bell Boy 13" (1923)

paragraph: BULLET::::- "Law of the Lawless" (1923)

paragraph: BULLET::::- "My Neighbor's Wife" (1925)

paragraph: Section::::Bibliography.

paragraph: BULLET::::- Goble, Alan. "The Complete Index to Literary Sources in Film". Walter de Gruyter, 1999.

wikidata_label: Margaret Loomis

wikipedia_title: Margaret Loomis


text:
Pontoise
Cormeilles-en-Parisis
Post-Impressionist
École des Arts Décoratifs
Camille Pissarro
Lucien
Neo-impressionist
Paul Signac
Georges Seurat
Pointillism
La Frette
cityscape
Brittany
Montmartre
decorative painter
Le Barc de Boutteville
Lugné-Poe
Théâtre de l'Œuvre
Montévrain
Concours Lépine
tripod
still-life
More works by Hayet
Brief biography

categories: Post-impressionist painters,1864 births,French painters,1940 deaths,Pointillism

paragraph: Louis Hayet

paragraph: Louis Hayet (29 August 1864, Pontoise - 27 December 1940, Cormeilles-en-Parisis) was a French Post-Impressionist painter.

paragraph: Section::::Biography.

paragraph: His parents, Calixte and Léontine Hayet, were very poor. As a child, he was very shy, but displayed a talent for painting as early as 1876. From 1877 to 1884, he worked with his father, who had become a travelling salesman. He was able to study, briefly, at the École des Arts Décoratifs, but seems to have been largely self-taught; although he certainly benefitted from a friendship with Camille Pissarro and his son, Lucien, whom he had met while painting in the countryside.

paragraph: He was initially associated with the Neo-impressionists, such as Paul Signac and Georges Seurat. For a time, he practiced Pointillism, but returned to more classical styles in 1890. As a result, Paul Signac removed his name from the second edition of his book, "From Eugène Delacroix to Neo-impressionism" (considered to be the manifesto of Pointillism).

paragraph: His original workshop was in La Frette, where he painted numerous cityscapes and landscapes. He also visited Brittany and painted maritime scenes. When he moved to Paris in 1885, he set up a studio in Montmartre on the . He was especially fond of depicting the circus and other entertainments. However, most of his living was earned as a decorative painter. His first exhibit did not come until 1889.

paragraph: In 1894, while exhibiting at Le Barc de Boutteville, he met the actor, Lugné-Poe, who asked him to create theatrical sets for his Théâtre de l'Œuvre; a project that he was engaged in for thirty years. Hayet's cousin, the Director of the École d'Alembert in Montévrain, hired him as a Professor of ornamental design; a post he held until 1911. In 1910, he won the Concours Lépine for devising a tripod with a triptych table.

paragraph: Several private exhibitions in the 1900s were unsuccessful and he continued to earn his living doing commercial work. After that time, he focused on painting scenes of Paris. After World War I, he concentrated on still-lifes. By the mid 1920s, he was forgotten. He would spend the last part of his career conducting scientific research on colors and pigments but, by the 1930s, he had given up painting and was in poor health. Of his estimated 500 paintings, over half are lost or unaccounted for.

paragraph: A small college in Cormeilles-en-Parisis has been named after him.

paragraph: Section::::Further reading.

paragraph: BULLET::::- André Roussard, "Dictionnaire des peintres à Montmartre", Paris, Éditions A. Roussard, 1999, p.300.

paragraph: Section::::External links.

paragraph: BULLET::::- More works by Hayet @ ArtNet

paragraph: BULLET::::- Brief biography @ the Stern Pissarro Gallery

description: French painter

wikidata_label: Louis Hayet

wikipedia_title: Louis Hayet