text:
Garifuna
Carib
British
Saint Vincent
Saint Vincent and the Grenadines
Camillo Gonsalves
national hero
First Carib War
French Revolution
Second Carib War
Duvalle
Massoteau
Chateaubelair
Kingstown
Ralph Abercromby
Roatan
Honduras
Garifuna
The Drama of King Shotaway
William Henry Brown
African Theatre
African Grove Theatre
New York City

categories: Saint Vincent and the Grenadines chiefs,Saint Vincent and the Grenadines rebels,1795 deaths,People from Saint Vincent (island),Garifuna people

paragraph: Joseph Chatoyer

paragraph: Joseph Chatoyer, also known as Satuye (died 14 March 1795), was a Garifuna ("Carib") chief who led a revolt against the British colonial government of Saint Vincent in 1795. Killed that year, he is now considered a national hero of Saint Vincent and the Grenadines, and also of Belize and Costa Rica. Vincentian politician Camillo Gonsalves described him in 2011 as his country's "sole national hero".

paragraph: Section::::History.

paragraph: In 1772, the population rebelled. Led by Chatoyer, the First Carib War forced the British to sign a treaty with them in 1773. This was the first time Britain had been forced to sign an accord with non-white people in the Caribbean.

paragraph: By 1795, it became apparent to the local population that Britain had no intention of obeying the treaty. The people of the Caribbean then rose in rebellion and were joined by a group of French radicals, inspired by the ideals of the French Revolution, who saw Britain as a traditional enemy of France. In the Second Carib War, Chatoyer divided the island with his brother Duvalle, who was another chieftain. Duvalle had a Guadeloupean lieutenant by the name of Massoteau. Working his way along the coast, Chatoyer was met by his French supporters at Chateaubelair, and together the forces worked their way to Dorsetshire Hill, from where they would launch their attack on the capital city, Kingstown.

paragraph: On March 14, a battalion of British soldiers led by General Ralph Abercromby, marched toward Dorsetshire Hill. That night, Chatoyer was killed by Major Alexander Leith. Though the rebellion continued until October 1796 under the leadership of Duvalle, Chatoyer's death led to the desertion of the French supporters and without their aid, the tide of the war turned in favour of the British.

paragraph: As a national hero of Saint Vincent and the Grenadines, Chatoyer is recognized with a monument on Dorsetshire Hill, where he died.

paragraph: Section::::Legacy.

paragraph: Although Chatoyer died before the remainder of the rebels were deported to Roatan in Honduras, from where they spread along the Caribbean coast of Central America and became known as the Garifuna people; he is considered to have been a Garifuna warrior.

paragraph: A play based on his life, "The Drama of King Shotaway," was written by William Henry Brown, an African American from the West Indies, and Director of the African Theatre. It was the first play written in the United States by a black man. The play was produced by the African Company at the African Grove Theatre in New York City in 1823, but no manuscript survived.

description: Leader of Black Carib resistance to British rule on Saint Vincent

wikidata_label: Joseph Chatoyer

wikipedia_title: Joseph Chatoyer


text: Swiss

text: Königsberg

text: Kaliningrad

text: Florence

text: Switzerland

text: Otto Müller

text: Zurich

text: Peter Märkli

text: Hauser & Wirth

text: Kesselhaus Josephsohn

text: Sensuous sadness of Hans Josephsohn's sculpture

text: Hans Josephsohn

text: Hauser & Wirth

text: Film Josephsohn Bildhauer

text: La Congiunta

categories: 2012 deaths,1920 births,Jewish emigrants from Nazi Germany,People from Königsberg

paragraph: Hans Josephsohn

paragraph: Hans Josephsohn (May 1920 - 20 August 2012) was a Swiss sculptor. He lived and worked in Zurich.

paragraph: Josephsohn was born in Königsberg (today's Kaliningrad), East Prussia. Here he attended elementary school and completed high school in 1937. That same year, he left his homeland and moved to Florence with a small scholarship, in order to study art. Due to his Jewish ancestry, he had to leave Italy a short time later and fled to Switzerland. He arrived in Zurich in 1938 and became a student of the sculptor Otto Müller. In 1943 Josephsohn moved into his first atelier, and starting in 1964 began showing his works in various solo shows within Switzerland. He acquired Swiss citizenship in 1964.

paragraph: Josephsohn's works began to attract the attention of a larger audience at the end of the 1990s. The Stedelijk Museum in Amsterdam dedicated a large solo exhibition to the artist in 2002. In 2003 Josephson received the art prize of Zurich. Various group and solo exhibitions followed this, among others in the Diözesanmuseum Kolumba in Cologne (2005) and in the Palais de Tokyo in Paris (2007). In 2008, the MMK Museum für Moderne Kunst in Frankfurt/Main organized a large solo exhibition of Josephsohn's works.

paragraph: In the years since 2000, Josephsohn's work has increasingly been regarded, also internationally, as a significant contribution to visual art.

paragraph: Permanent installations of Hans Josephsohn's works can be seen at the museum La Congiunta in Tessin, Switzerland, which was built by Peter Märkli and Stefan Bellwalder and opened in 1992. In 2003 the Kesselhaus Josephsohn in St. Gallen, Switzerland, opened, where a regularly alternating selection of works is presented. At the same time, the Kesselhaus is functioning as a storage and archive for Josephsohn's works and it is located next to the Kunstgiesserei St. Gallen where Hans Josephsohn's works are cast.

paragraph: Hans Josephsohn is represented by the Galerie Felix Lehner and Hauser & Wirth.

paragraph: Section::::On Hans Josephsohn's work.

paragraph: Josephsohn's sculptures focused on the human figure as a volume in space. From the beginning of his career he worked, from the model, on sculpture's most timeless, constant themes: Representations of the human figure, standing, sitting, reclining, working on portrait heads or half-figures, made in plaster, some then later, cast in bronze.

paragraph: Josephsohn's figures are bereft of any portrait-like individualization. And they stand out for their simplicity, for their being limited to the simple postures of the human body. The wish for permanence plays a key role: "My figures must be enduring in their expression, in their stance", Josephsohn said, "A narrative gesture is out of the question". His works evoke prehistory, ancient stone steles and romanesque figures.

paragraph: Josephsohn's favourite working material was plaster. He found it ideal - simply it permits directness and spontaneity, both of which were necessary for Josephsohn's working process. Plaster allowed him to repeatedly add material or take it away. The directness of the work process was reflected not only in the immense vitality of the figures but even more by the traces left by this process. For example, finger imprints remain on the surface, referencing the artist's hands as it seeks to mold the material.

paragraph: His artistic examination of the human figure was influenced and determined by his own experience, which for him as an artist, shaped above all by his everyday work in the studio but also by the interpersonal relations in his life. He found his models in his own personal world: They were for the most part friends, relatives - almost always women, very often his own life partner. Real persons are the starting point of this work and search for forms but his works hardly ever had portrait-like character or individual traits. Thus, also for those who knew Josephsohn's models personally, when viewing the corresponding works there is little to remind one of the individuals.

paragraph: Section::::Solo exhibitions (selection).

paragraph: BULLET::::- Hauser & Wirth Zürich, Zürich, Switzerland (2015)

paragraph: BULLET::::- Kunstparterre, München, Germany (2015)

paragraph: BULLET::::- Kunstmuseum St. Gallen, Switzerland (2014)

paragraph: BULLET::::- Hauser & Wirth New York, New York, USA (2014)

paragraph: BULLET::::- Ernst Barlach Haus, Hamburg, Germany (2014)

paragraph: BULLET::::- Yorkshire Sculpture Park, Wakefield, UK (2013)

paragraph: BULLET::::- Modern Art Oxford, UK (2013)

paragraph: BULLET::::- Hauser & Wirth London, London (Piccadilly), UK (2012)

paragraph: BULLET::::- Lismore Castle Arts, Lismore, Ireland (2012)

paragraph: BULLET::::- Tomio Koyama Gallery, Tokyo/Kyoto, Japan (2011)

paragraph: BULLET::::- Hauser & Wirth Zürich, Zurich, Switzerland (2010)

paragraph: BULLET::::- Armory Show, New York, USA (2009)

paragraph: BULLET::::- "Hauser & Wirth Outdoor Sculpture: Hans Josephsohn", Southwood Gardens, London, UK (2009)

paragraph: BULLET::::- "Josephsohn Bildhauer", Museum für Moderne Kunst, Frankfurt/Main, Germany (2008)

paragraph: BULLET::::- Hauser & Wirth London, London, UK (2008)

paragraph: BULLET::::- "Sculpture at Schönthal", Kloster Schönthal, Langenbruck, Switzerland (2007)

paragraph: BULLET::::- Galerie Bob van Orsouw, Zurich, Switzerland (2006)

paragraph: BULLET::::- Peter Blum Gallery, New York NY, USA (2006)

paragraph: BULLET::::- Museum Liner, Appenzell, Switzerland (2005)

paragraph: BULLET::::- Kolumba, Diözesanmuseum, Cologne, Germany (2005)

paragraph: BULLET::::- Galerie Reckermann, Cologne, Germany (2004)

paragraph: BULLET::::- Kesselhaus Josephsohn, St. Gallen, Switzerland (2004)

paragraph: BULLET::::- Evangelische Stadtkirche, Darmstadt, Germany (2004)

paragraph: BULLET::::- Museum Ostdeutsche Galerie, Regensburg, Germany (2003)

paragraph: BULLET::::- Stedelijk Museum, Amsterdam, Netherlands (2002)

paragraph: BULLET::::- Galerie Bob van Orsouw, Zurich, Switzerland (2002)

paragraph: BULLET::::- Haus der Kunst der Stadt Brünn, Brno, Czech Republic (2001)

paragraph: BULLET::::- Galerie Bob van Orsouw, Zurich, Switzerland (2000)

paragraph: BULLET::::- Helmhaus Zurich, Switzerland (1997)

paragraph: BULLET::::- Stiftung Landis & Gyr, Zug, Switzerland (1985)

paragraph: BULLET::::- Aargauer Kunsthaus, Aarau, Switzerland (1981)

paragraph: BULLET::::- Museum zu Allerheiligen, Schaffhausen, Switzerland (1975)

paragraph: BULLET::::- Galerie Daniel Keel, Zurich, Switzerland (1969)

paragraph: BULLET::::- Kunsthalle Basel, Switzerland (1965)

paragraph: BULLET::::- Helmhaus Zurich, Switzerland (1964)

paragraph: BULLET::::- Galerie am Stadelhofen, Zurich, Switzerland (1962)

paragraph: BULLET::::- Städtische Kunstkammer zum Strauhof, Zurich, Switzerland (1956)

paragraph: Section::::Group exhibitions (selection).

paragraph: BULLET::::- "Substance", Galerie Laurent Godin, Paris (2015)

paragraph: BULLET::::- "All back in the skull together", Maccarone Gallery, New York (2015)

paragraph: BULLET::::- ARTZUID – International Sculpture Route, Amsterdam (2015)

paragraph: BULLET::::- "Spatial Positions 8: Kooperationen. Diener&Diener in Zusammenarbeit mit Martin Steinmann und Josef Felix Müller / Peter Märkli und Josephsohn", Schweizerisches Architekturmuseum Basel, Switzerland (2014)

paragraph: BULLET::::- "Il Palazzo Enciclopedico", Biennale, Venice, Italy (2013)

paragraph: BULLET::::- "MOVING – Norman Foster on Art", Carré d'Art – musée d'art contemporain, Nîmes, France (2013)

paragraph: BULLET::::- "Frauen – Liebe und Lebe", Lehmbruck Museum, Duisburg, Germany (2013)

paragraph: BULLET::::- "The Spirit Level", Gladstone Gallery, New York NY, USA (2012)

paragraph: BULLET::::- "Frieze Art Fair Sculpture Park 2012", Regent's Park, London, UK (2012)

paragraph: BULLET::::- "Common Ground", Architecture Biennale Venice, Italy (2012)

paragraph: BULLET::::- "Art and the City: Ein Festival für Kunst im öffentlichen Raum", Zurich-West, Switzerland (2012)

paragraph: BULLET::::- "Säen, Ernten, Glücklich Sein", Art-Public Chur, Switzerland (2012)

paragraph: BULLET::::- "Head: A gathering of primitive, abstract, iconic, lumpen, powerful, playful, referential, reflective, layered, delirious, precious, beautiful, psychotic, grotesque, detached forms", The Approach, London, UK (2010)

paragraph: BULLET::::- "ev+a. Exhibition of visual art", The Belltable Arts Centre, Limerick City Gallery of Art, Limerick, Ireland (2010)

paragraph: BULLET::::- "Visible Invisible", Parasol Unit Foundation of Contemporary Art, London, UK (2009)

paragraph: BULLET::::- "ING Discerning Eye Exhibition", Mall Galleries, London, UK (2009)

paragraph: BULLET::::- "The Third Mind", Palais de Tokyo, Paris, France (2007)

paragraph: BULLET::::- "Klaus Merz und die Bilder", Literaturmuseum Strauhof, Zurich, Switzerland (2007)

paragraph: BULLET::::- "Hans Josephsohn und Marisa Merz", Galerie Buchmann, Lugano, Switzerland (2007)

paragraph: BULLET::::- "Die obere Hälfte - die Büste seit August Rodin", Museum Liner, Appenzell, Switzerland (Travelling Exhibition) (2006)

paragraph: BULLET::::- "Architektur + Kunst - Dialoge", Kunsthalle Wien, Vienna, Austria (2005)

paragraph: BULLET::::- "Mind the Gap", Kunstverein Freiburg, Germany (2004)

paragraph: BULLET::::- "G 2003", Mostra Internazionale di Scultura all’Aperto, Vira Gambarogno, Switzerland (2003)

paragraph: BULLET::::- "Der verlorene Blick", Galerie Lelong, Zurich, Switzerland (2000)

paragraph: BULLET::::- "ron bladen, cris gianakos, max bill, hans josephsohn, beat zoderer, richard long, christoph haerle, richard serra, beatrice rossi und frédéric dedellay," Haus Bill, Zumikon, Switzerland (1999)

paragraph: Section::::External links.

paragraph: BULLET::::- Kesselhaus Josephsohn

paragraph: BULLET::::- Sensuous sadness of Hans Josephsohn's sculpture

paragraph: BULLET::::- Hans Josephsohn at Hauser & Wirth

paragraph: BULLET::::- Film on Hans Josephsohn Film Josephsohn Bildhauer

paragraph: BULLET::::- Permanent installation of Hans Josephsohn's works at La Congiunta

alias:
Josephsohn
Hans Josephson
Hans Josephson (1920-2012)

description: sculptor

wikidata_label: Hans Josephsohn

wikipedia_title: Hans Josephsohn


text:
Ivorian
footballer
Yangon United
Thai Premier League
Chonburi F.C.
2009 Thai Premier League
Krung Thai Bank F.C.
Thai Premier League
2003–04
Chonburi F.C.
Thai Premier League
2007
Kor Royal Cup
2009
Muang Thong United F.C.
Thai Premier League
2010
Thai Premier League
2012
Kor Royal Cup
2010

categories: Ivorian expatriates in Belgium,Hoang Anh Gia Lai F.C. players,Sportspeople from Abidjan,TOT S.C. players,Living people,1984 births,Yangon United F.C. players,Expatriate footballers in Myanmar,Chonburi F.C. players,Expatriate footballers in Vietnam,Muangthong United F.C. players,Expatriate footballers in Belgium,Thai League 1 players,BG Pathum United F.C. players,Ivorian expatriates in Thailand,Ivorian footballers,Expatriate footballers in Thailand,KV Mechelen players

paragraph: Mohamed Koné (footballer, born 1984)

paragraph: Mohamed Koné (born February 28, 1984) is an Ivorian former professional footballer.

paragraph: Section::::Career.

paragraph: He moved to the Burmese club Yangon United on loan from Thai Premier League club Chonburi F.C. in 2009 after finishing as second top goalscorer with 14 goals in the 2009 Thai Premier League.

paragraph: According to the Chonburi fan club, Koné is one of Chonburi's best players of all time, and they were shocked to find out that he has never played for a bigger club. He has most recently been linked with a move to England or France, with reported interest from Preston North End and FC Lorient.

paragraph: He now plays for TOT FC in the Thai Premier League, and frequently performs a moonwalk after scoring goals.

paragraph: Section::::Honours.

paragraph: BULLET::::- Krung Thai Bank F.C.

paragraph: BULLET::::- Thai Premier League: 2003–04

paragraph: BULLET::::- Chonburi F.C.

paragraph: BULLET::::- Thai Premier League: 2007

paragraph: BULLET::::- Kor Royal Cup: 2009

paragraph: BULLET::::- Muang Thong United F.C.

paragraph: BULLET::::- Thai Premier League: 2010

paragraph: BULLET::::- Thai Premier League: 2012

paragraph: BULLET::::- Kor Royal Cup: 2010

description: Ivorian footballer

wikidata_label: Mohamed Koné

wikipedia_title: Mohamed Koné (footballer, born 1984)


text:
American football
cornerback
Minnesota Vikings
undrafted free agent
college football
Southern Mississippi
Tampa Bay Buccaneers
Indianapolis Colts
New York Giants
Just Sports Stats
Southern Miss Golden Eagles bio
Indianapolis Colts bio

categories: Players of American football from Mississippi,Minnesota Vikings players,Southern Miss Golden Eagles football players,1986 births,Tampa Bay Buccaneers players,American football safeties,American football cornerbacks,Indianapolis Colts players,New York Giants players,Living people

paragraph: Brandon Sumrall

paragraph: Brandon Sumrall (born July 15, 1986) is a former American football cornerback. He was signed by the Minnesota Vikings as an undrafted free agent in 2008. He played college football at Southern Mississippi.

paragraph: Sumrall has also been a member of the Tampa Bay Buccaneers, Indianapolis Colts and New York Giants.

paragraph: Section::::External links.

paragraph: BULLET::::- Just Sports Stats

paragraph: BULLET::::- Southern Miss Golden Eagles bio

paragraph: BULLET::::- Indianapolis Colts bio

description: Player of American football

wikidata_label: Brandon Sumrall

wikipedia_title: Brandon Sumrall


text:
Marshal of France
John, Duke of Normandy
Valenciennes
Hainaut
Humbert, Dauphin of Viennois
Aydınids
Smyrna
Battle of Lunalonge
Treaty of Brétigny
Edward III of England
John II of France
Dauphiné Charles
Charles II of Navarre
Dijon
Saint Martin of Tours
Jean II Le Maingre
lire en ligne

categories: 1367 deaths,14th-century French people,Marshals of France,Year of birth unknown

paragraph: Jean I Le Maingre

paragraph: Jean I Le Meingre, also known as Le Boucicaut, Marshal of France was a 14th century French noble.

paragraph: Section::::Life.

paragraph: In June 1340, Meingre accompanied the expedition of John, Duke of Normandy at the head of an army, attempting by force to capture the town of Valenciennes, Hainaut. The army was repulsed by the citizens of Valenciennes, the French army was then attacked by Hainaut army led by Gerard de Verchain, Seneschal of Hainaut. while attacking the town of Trith. Once again, the French are attacked by the Seneschal of Hainaut. During the ensuing action, Meingre is captured and is taken as a prisoner to Valenciennes.

paragraph: On 2 September 1345, he accompanied Humbert, Dauphin of Viennois from Marseilles on a crusade against the Aydınids who were besieging Smyrna. Meingre was captured by an Anglo-Gascon force during the Battle of Lunalonge in 1349.

paragraph: Section::::Marshal of France.

paragraph: Maingre, known as "Le Boucicaut (the brave)" was appointed as the Marshal of France in 1356 and was appointed in 1358 as the lieutenant-general of Poitou, Touraine, Saintonge jointly with William VII of Parthenay. He was appointed as one of the negotiators of the Treaty of Brétigny between King Edward III of England and King John II of France which was drafted on 8 May 1360 and ratified on 24 October 1360. Maingre accompanied the Dauphiné Charles on his journey from Avignon in 1362.

paragraph: Boucicaut led an army that captured the towns of Mantes and Meulan from King Charles II of Navarre. He took part in the expedition against the French free companies and replaced Bertrand Du Guesclin, in command of the troops of Normandy.

paragraph: He died in Dijon, France on 15 March 1367 and was buried in the church of Saint Martin of Tours. He was succeeded by his son Jean II Le Maingre, who also became Marshal of France.

paragraph: Section::::References.

paragraph: BULLET::::- Denis Lalande, « Un tourangeau méconnu, Jean Ier le Meingre, dit Boucicaut (vers 1310-1368) », "Bulletin de la Société archéologique de Touraine", Tours, Société archéologique de Touraine, 1988, p. 177-199, lire en ligne.

alias:
Jean I Le Maingre
Jean I. Le Maingre

description: French military personnel

wikidata_label: Jean I Le Meingre

wikipedia_title: Jean I Le Maingre


text:
Paris at Midnight
Sunny Side Up
The Campus Flirt
Everybody's Acting
A Kiss in a Taxi
Afraid to Love
The Love Thrill
Say It with Diamonds
Ten Modern Commandments
Shanghai Bound
The Masked Angel
The Night Bird
Dry Martini
Broadway Babies
Twin Beds
The Love Trap
Three Live Ghosts
Young Nowheres
The Marriage Playground
No, No, Nanette
Her First Mate
Ziegfeld Follies
Henry Lehrman
Luther Reed

categories: 1980 deaths,1902 births,20th-century American actresses,American film actresses

paragraph: Jocelyn Lee (actress)

paragraph: Jocelyn Lee (born Mary Alice Simpson, June 21, 1902 – June 15, 1980) was an American actress. She was also known as Jocelyn Leigh.

paragraph: Films in which Lee appeared included "Paris at Midnight", "Sunny Side Up", "The Campus Flirt", "Everybody's Acting", "A Kiss in a Taxi", "Afraid to Love", "The Love Thrill", "Say It with Diamonds", "Ten Modern Commandments", "Shanghai Bound", "The Masked Angel", "The Night Bird", "Dry Martini", "Broadway Babies", "Twin Beds", "The Love Trap", "Three Live Ghosts", "Young Nowheres", "The Marriage Playground", "No, No, Nanette" and "Her First Mate".

paragraph: Lee also performed in the "Ziegfeld Follies".

paragraph: On April 27, 1922, Lee married film producer Henry Lehrman in Los Angeles. They were divorced on December 16, 1924. She later married director and writer Luther Reed; they were divorced on April 3, 1931. In January 1935, Lee married associate producer James Seymour.

wikidata_label: Jocelyn Lee

wikipedia_title: Jocelyn Lee (actress)


text: American-Israeli

text: soccer

text: Maccabi Tel Aviv

text: Israeli Premier League

text: Knoxville, Tennessee

text: synagogue

text: kosher

text: Bearden High School

text: East Tennessee State University

text: East Tennessee State Buccaneers

text: Montreal Impact

text: 2012 MLS Supplemental Draft

text: Columbus Crew

text: 2013 MLS Supplemental Draft

text: Emilio Renteria

text: Montreal Impact

text: Dayton Dutch Lions

text: New York Red Bulls

text: Thierry Henry

text: Maccabi Netanya

text: Ministry of Interior

text: Zionist

text: Itzik Cohen

text: Hapoel Kfar Saba

text: Levita Stadium

text: Hapoel Tel Aviv

text: Tel Aviv derby

text: Maccabi Tel Aviv

text: Israeli national team

text: Croatia

text: Israeli Premier League

text: Toto Cup

categories: Dayton Dutch Lions players,Israeli Premier League players,Columbus Crew SC players,Montreal Impact draft picks,USL Championship players,Jewish American sportspeople,Jewish Israeli sportspeople,Hapoel Tel Aviv F.C. players,USL League Two players,Maccabi Netanya F.C. players,East Tennessee State Buccaneers soccer players,GPS Portland Phoenix players,Living people,American soccer players,Soccer players from Tennessee,Major League Soccer players,Association football forwards,1990 births,Maccabi Tel Aviv F.C. players,Sportspeople from Knoxville, Tennessee,Jewish footballers

paragraph: Aaron Schoenfeld

paragraph: Aaron Maxwell Schoenfeld (, born April 17, 1990) is an American-Israeli professional soccer player who currently plays for Maccabi Tel Aviv in the Israeli Premier League.

paragraph: Section::::Early life.

paragraph: Schoenfeld is Jewish, and was born in Knoxville, Tennessee, to Robert and Sherry. Schoenfeld's family are members of Temple Beth El in Knoxville. In an interview, Schoenfeld described his Jewish upbringing as being very traditional with his family regularly attending synagogue, keeping kosher, and respecting the Sabbath.

paragraph: For high school, Schoenfeld attended Bearden High School and had an outstanding soccer career there, highlighted by a Tennessee state championship and a state championship final appearance.

paragraph: He played on the collegiate level at East Tennessee State University, scoring 20 goals with 10 assists in 72 games for the East Tennessee State Buccaneers.

paragraph: Section::::Playing career.

paragraph: Section::::Playing career.:Club.

paragraph: Schoenfeld was originally drafted by Montreal Impact in the second round (20th pick overall) of the 2012 MLS Supplemental Draft.

paragraph: On March 23, 2012, Columbus Crew announced they had signed Schoenfeld after acquiring his rights from the Impact in exchange for a conditional pick in the 2013 MLS Supplemental Draft. He made his professional debut the day after his signing. He came on as a substitute for Emilio Renteria in the 69th minute against Montreal Impact, the team that had recently traded him. The Crew went on to win 2–0.

paragraph: While on loan with the Dayton Dutch Lions in 2014, Schoenfeld became the club's record holder for goals scored in a single season (12). Upon his return to the Columbus Crew, Schoenfeld scored a brace against the New York Red Bulls. He would later cite this as a highlight of his career, as after the match he received complimentary feedback from New York striker, Thierry Henry.

paragraph: In 2015, Schoenfeld signed with Maccabi Netanya following a brief trial. Schoenfeld was given temporary Israeli resident status by the Israeli Ministry of Interior on 14 January 2016, so he would not count as a foreigner for Netanya. Upon signing, Schoenfeld told the Israeli media, "having grown up in a Zionist Jewish family, I have always wanted to come and play soccer in Israel."

paragraph: On 23 January 2016, Schoenfeld made his Premier League debut for Netanya, coming on as a substitute for Itzik Cohen in a 1-0 loss to Hapoel Kfar Saba at Levita Stadium. After just two matches with Netanya, Schoenfeld signed a two and a half year deal with Hapoel Tel Aviv and was sold together with Netanya youth player, Fadi Najar, in exchange for ₪1 million.

paragraph: Schoenfeld made his debut with Hapoel Tel Aviv in a Tel Aviv derby on February 7, 2016 scoring the opening goal in the second minute. He joined Maccabi Tel Aviv on Feb 2017.

paragraph: Section::::Playing career.:International.

paragraph: Media reports of Schoenfeld being called up to the Israeli national team for a friendly against Croatia started to surface on 14 February 2016.

paragraph: Section::::Honours.

paragraph: Section::::Honours.:Club.

paragraph: Maccabi Tel Aviv

paragraph: BULLET::::- Israeli Premier League: 2018–19

paragraph: BULLET::::- Toto Cup: 2017–18, 2018–19

paragraph: Section::::See also.

paragraph: BULLET::::- List of select Jewish association football (soccer) players

description: American footballer

wikidata_label: Aaron Schoenfeld

wikipedia_title: Aaron Schoenfeld


text: Mecklenburg

text: John I

text: Henry I

text: Nicholas I of Werle

text: Doberan Minster

text: Stammtafel des Hauses Mecklenburg

categories: House of Mecklenburg,Lords of Mecklenburg,Year of birth unknown,1265 deaths,13th-century births,13th-century German people

paragraph: Albert I, Lord of Mecklenburg

paragraph: Albert I, Lord of Mecklenburg (after 1230 – 15 or 17 May 1265) was briefly co-ruler of Mecklenburg from 1264 to 1265.

paragraph: He was a son of John I and his wife, Luitgard of Henneberg (1210-1267), a daughter of Count Poppo VII of Henneberg. He ruled jointly with his brother Henry I. He may have married a daughter of Nicholas I of Werle, but no record of such a marriage, or any children, has survived.

paragraph: Albert I died in 1265 and was buried in the Doberan Minster.

paragraph: Section::::See also.

paragraph: BULLET::::- List of dukes and grand dukes of Mecklenburg

paragraph: Section::::External links.

paragraph: BULLET::::- Stammtafel des Hauses Mecklenburg

description: Lord of Mecklenburg

wikidata_label: Albert I, Lord of Mecklenburg

wikipedia_title: Albert I, Lord of Mecklenburg


text: Homburg

text: Oberkotzau

text: Hesse-Homburg

text: Duchess

text: Frederick I

text: Margaret Elizabeth

text: Philip Louis

text: Wiesenburg Castle

text: Johanna Eleonora von Merlau

text: Johann Wilhelm Petersen

text: pietism

text: Philipp Jacob Spener

text: Johann Jakob Schütz

text: Online

categories: 1629 births,17th-century German people,1686 deaths,House of Hesse,German duchesses

paragraph: Anna Margaret of Hesse-Homburg

paragraph: Anna Margaret of Hesse-Homburg, (31 August 1629 in Homburg – 3 August 1686 in Oberkotzau), was a Landgravine of Hesse-Homburg by birth and by marriage Duchess of Schleswig-Holstein-Sonderburg-Wiesenburg.

paragraph: Section::::Life.

paragraph: Anna Margaret was the only daughter of Landgrave Frederick I of Hesse-Homburg (1585–1638) from his marriage to Margaret Elizabeth (1604–1667), the daughter of Count Christopher of Leiningen-Westerburg.

paragraph: She married on 5 May 1650 in Homburg to Duke Philip Louis of Holstein-Wiesenburg (1620–1689), who purchased Wiesenburg Castle and the associated Lordship in 1663.

paragraph: From 1659, she employed her goddaughter Johanna Eleonora von Merlau. Johanna Eleonora would later marry Johann Wilhelm Petersen and formulate a radical form of pietism. At court, Johanna Eleonora met Philipp Jacob Spener and Johann Jakob Schütz and developed a deep friendship with Anna Margaret's daughter Sophie Elisabeth.

paragraph: Section::::Issue.

paragraph: From her marriage Anna Margaret had the following children:

paragraph: BULLET::::- Frederick, Duke of Schleswig-Holstein-Sonderburg-Wiesenburg (1651–1724)

paragraph: BULLET::::- George William (1652–1652)

paragraph: BULLET::::- Sophie Elisabeth (1653–1684)

paragraph: BULLET::::- Charles Louis (1654–1690)

paragraph: BULLET::::- Eleanor Margaret (1655–1702)

paragraph: BULLET::::- Christine Amalie (1656–1666)

paragraph: BULLET::::- Anna Wilhelmina (1657–1657)

paragraph: BULLET::::- John George (1658–1658)

paragraph: BULLET::::- Leopold George (1660–1660)

paragraph: BULLET::::- William Christian (1661–1711)

paragraph: BULLET::::- Friederike Louise (1662–1663)

paragraph: BULLET::::- Sophie Magdalene (1664–1720)

paragraph: BULLET::::- Anna Friederike Philippine (1665–1748)

paragraph: BULLET::::- Unnamed child (1666–1666)

paragraph: BULLET::::- Johanna Magdalene Louise (1668–1732)

paragraph: Section::::References.

paragraph: BULLET::::- Markus Matthias: "Johann Wilhelm und Johanna Eleonora Petersen", p. 82, Online

description: Duchess consort of Schleswig-Holstein-Sonderburg-Wiesenburg

wikidata_label: Anna Margaret of Hesse-Homburg

wikipedia_title: Anna Margaret of Hesse-Homburg


text:
German
economist
Hanover
Göttingen
Corps Hannovera
Berlin
Leipzig
historical school of political economy
liberalism
Friedrich Christoph Dahlmann
historical method
cyclical theory
Volume One
Volume Two
Thucydides
enlightened absolutism
Royal Swedish Academy of Sciences
Leipzig
Wilhelm Heinrich Roscher
Theodor Roscher
Moritz Brasch

categories: People from the Kingdom of Hanover,1894 deaths,Leipzig University faculty,People from Hanover,Members of the Bavarian Maximilian Order for Science and Art,University of Göttingen alumni,Humboldt University of Berlin alumni,Members of the Royal Swedish Academy of Sciences,German economists,Historical school economists,1817 births,University of Göttingen faculty

paragraph: Wilhelm Georg Friedrich Roscher

paragraph: Wilhelm Georg Friedrich Roscher (; October 21, 1817 – June 4, 1894) was a German economist from Hanover.

paragraph: Section::::Biography.

paragraph: Roscher studied at Göttingen, where he became a member of Corps Hannovera, and Berlin, and obtained a professorship at Göttingen in 1844 and subsequently at Leipzig in 1848.

paragraph: The main origins of the historical school of political economy may be traced to Roscher. Its fundamental principles are dated to his "Grundriss zu Vorlesungen über die Staatswirtschaft nach geschichtlicher Methode" (1843). Politically, Roscher remained faithful to the liberalism of Friedrich Christoph Dahlmann, which abjured revolution and anarchy but favored reform within the context of a constitutional monarchy. Historical economics began as a means of adjusting liberal thought and practice to the realities of the social question, namely: what should be done about the consequences of economic modernization and the classes displaced or exploited by the new industries.

paragraph: Roscher tried to establish the laws of economic development by using the historical method from the investigation of histories legal, political, cultural and other aspects.

paragraph: Roscher developed a cyclical theory where nations and their economies pass through youth, manhood and senile decay: “The method of a science is of greater significance by far than any single discovery, however amazing the later may be.” This was in direct contrast to the English traditional economist who believed that the principles of a science were only exposed long after they had performed their duties.

paragraph: This short study was afterwards expanded into his great "System der Volkswirthschaft", published in five volumes between 1854 and 1894, and arranged as follows:

paragraph: BULLET::::- vol. i., "Die Grundlagen der National Ökonomie", 1854 (trans. by JJ Lalor, "Principles of Political Economy", Chicago, 1878) (Volume One, Volume Two)

paragraph: BULLET::::- vol. ii., "Die Nationalökonomik des Ackerbaues und der verwandten Urproduktionen", 1859

paragraph: BULLET::::- vol. iii., "Die Nationalökonomik des Handels und Gewerbfleisses", 1881

paragraph: BULLET::::- vol. iv., "System der Finanzwissenschaft", 1886

paragraph: BULLET::::- vol. v., "System der Armenpfiege und Armenpolitik", 1894

paragraph: His "Geschichte der Nationalökonomie in Deutschland" (1874) is a monumental work.

paragraph: He also published in 1842 an excellent commentary on the life and works of Thucydides. In 1847 he was the first to use the term "enlightened absolutism" about the type of absolute monarchy influenced by contemporary philosophy that evolved in the 18th century.

paragraph: In 1857 his "Zur Geschichte der Englischen Volkswirthschaftslehre im sechzehnten und siebzehnten Jahrhundert" (On the History of English Political Economy in the 16th and 17th Century) was published.

paragraph: In 1870, he was elected a foreign member of the Royal Swedish Academy of Sciences.

paragraph: Roscher died in 1894 in Leipzig. The classical scholar Wilhelm Heinrich Roscher (1845–1923) was his son.

paragraph: Section::::References.

paragraph: BULLET::::- Theodor Roscher, "Zur Geschichte der Familie Roscher in Niedersachsen" (Hanover, 1892)

paragraph: BULLET::::- Moritz Brasch, "Wilhelm Roscher und die sozialwissenschaftlichen Strömungen der Gegenwart" (Leipzig, 1895).

description: German economist

wikidata_label: Wilhelm Georg Friedrich Roscher

wikipedia_title: Wilhelm Georg Friedrich Roscher


text: Mecklenburg

text: John I

text: canon

text: Lübeck Cathedral

text: Wismar

text: Henry I

text: Holy Land

text: John II

text: Doberan Minster

categories: 13th-century deaths,House of Mecklenburg,Lords of Mecklenburg,Year of death uncertain,Year of birth unknown,13th-century births,13th-century German people

paragraph: Nicholas III, Lord of Mecklenburg

paragraph: Nicholas III, Lord of Mecklenburg (after 1230 – 8 June 1289 or 1290) was from 1264 to 1289 Lord of Mecklenburg.

paragraph: He was the son of John I and his wife, Luitgard of Henneberg (1210-1267), the daughter of Count Poppo VII of Henneberg. On 9 January 1266, he was appointed canon of Lübeck Cathedral. In 1269 he was also a priest in the St. Mary's Church in Wismar.

paragraph: When Henry I was taken prisoner during a pilgrimage to the Holy Land, Nicholas III and his brother John II took up the regency for Henry's underage sons. He is last mentioned as living in a document dated 2 April 1289.

paragraph: He died on 8 June 1289 or 1290 and was buried in Doberan Minster.

paragraph: Section::::See also.

paragraph: BULLET::::- List of dukes and grand dukes of Mecklenburg

paragraph: Section::::External links.

paragraph: BULLET::::- Genealogical table of the House of Mecklenburg

description: Lord of Mecklenburg

wikidata_label: Nicholas III

wikipedia_title: Nicholas III, Lord of Mecklenburg


text:
consul
Roman Republic
Aulus Manlius Capitolinus
Manlii
patrician
gens
Gallic siege of Rome
mythologized
citadel "(arx)"
Gauls
Brennus
Capitoline
plebeians
Livy
popularis
centurion
Senate
kingly power
comitia
Tarpeian Rock
Mommsen
cognomen

categories: Roman Republican consuls,4th-century BC Romans,Year of birth unknown,384 BC deaths,Manlii

paragraph: Marcus Manlius Capitolinus

paragraph: Marcus Manlius Capitolinus (died 384 BC; sometimes spelled "Manilius") was consul of the Roman Republic in 392 BC. He was the brother of Aulus Manlius Capitolinus. The Manlii were a patrician "gens".

paragraph: During the Gallic siege of Rome in 390 (or 387) BC, the account of which became partly mythologized, Marcus Manlius held out for months with a small garrison on the citadel "(arx)", while the rest of Rome was abandoned. When Gauls under the command of Brennus were attempting to scale the Capitoline, Manlius was roused by the cackling of the sacred geese, rushed to the spot, and threw down the foremost assailants.

paragraph: After the sack of Rome left the plebeians in pitiful condition, they were forced to borrow large sums of money from the patricians, and once again became the poor debtor class of Rome. Manlius, the hero of Rome, fought for them. Livy says, with some inaccuracy, that he was the first patrician to act as a populist "(popularis)". Seeing a centurion led to prison for debt, he freed him with his own money, and even sold his estate to relieve other poor debtors, while he accused the Senate of embezzling public money. He was charged with aspiring to kingly power, and condemned by the "comitia", but not until the assembly had adjourned to a place outside the walls, where they could no longer see the Capitol which he had saved. The Senate condemned him to death in 385 BC, and he was thrown from the Tarpeian Rock one year later. He is considered the second martyr in the cause of social reform at Rome.

paragraph: His house on the Capitoline Hill was razed, and the Senate decreed that no patrician should live there henceforth. The Manlii themselves resolved that no patrician Manlius should bear the name of Marcus. According to Mommsen, the story of the saving of the Capitol was a later invention to justify his "cognomen", which may be better explained by his domicile.

alias:
Marcus Manlius Capitolinus
Marcus Manlius T.f. Capitolinus

description: Roman consul

wikidata_label: Marcus Manlius

wikipedia_title: Marcus Manlius Capitolinus


text:
M50 Reising
Port Jervis
Lehigh University
John M. Browning
Colt Model 1911
World War II

categories: 1884 births,American male sport shooters,American people of Swedish descent,Weapons scientists and engineers,Firearm designers,1967 deaths

paragraph: Eugene Reising

paragraph: Eugene Reising (November 26, 1884 – February 21, 1967) was an American inventor who designed the M50 Reising submachine gun in 1938.

paragraph: Of Swedish ancestry from a family that came to Delaware in 1635, Reising was born at Port Jervis, New York. He was the son of a railroad engineer who died when Eugene Reising was an infant. Reising attended Lehigh University for three years, then worked as a cowboy in Texas and Mexico for a few years. On returning to the U.S. he went to work for Colt, testing and selling guns. He worked with John M. Browning on the development of the Colt Model 1911 pistol. Approximately 100,000 Reising submachineguns were manufactured and many were used in World War II.

description: American firearm designer

wikidata_label: Eugene Reising

wikipedia_title: Eugene Reising


text:
silent film
F.W. Murnau
Smart Money
Edward G. Robinson
James Cagney
Louise Brooks
The Canary Murder Case
William Randolph Hearst
Oneida
Thomas Ince
Peter Bogdanovich
The Cat's Meow
Paul Whiteman
Colonial House
Warrington, Pennsylvania
Alimony
The Busher
All Wrong
Haunting Shadows
What's Your Husband Doing?
Hairpins
Lying Lips
The Home Stretch
Passing Through
The Social Buccaneer
Love's Whirlpool
Wandering Husbands
Her Marriage Vow
Butterfly
The Chorus Lady
Capital Punishment
Greater Than a Crown
The Wheel
Havoc
The Best People
Wages for Wives
The Yankee Señor
Hell's Four Hundred
A Trip to Chinatown
The Blue Eagle
Womanpower
Breed of the Sea
Slaves of Beauty
Married Alive
The Girl from Gay Paree
Sunrise
American Beauty
Dreary House
Mad Hour
The Scarlet Dove
Wheel of Chance
The Way of the Strong
Say It With Sables
His Private Life
The Apache
The Last Warning
The Bellamy Trial
The Canary Murder Case
Louise Brooks
The Office Scandal
Innocents of Paris
Acquitted
Seven Keys to Baldpate
Murder on the Roof
What a Widow!
Big Money
The Lady Refuses
Kiki
God's Gift to Women
Smart Money
Call Her Savage
Social Register
Margaret Livingston

categories: 1984 deaths,Actresses from Salt Lake City,1895 births,American film actresses,American silent film actresses,American people of Swedish descent,American people of Scottish descent

paragraph: Margaret Livingston

paragraph: Margaret Livingston (born Marguerite Livingston; November 25, 1895 – December 13, 1984), sometimes credited as Marguerite Livingstone or Margaret Livingstone, was an American film actress and businesswoman, most notable for her work during the silent film era. She is best known today as "the Woman from the City" in F.W. Murnau's 1927 film "".

paragraph: Section::::Early life.

paragraph: Livingston was born in Salt Lake City, Utah to John Livingston, a Scottish immigrant, and Eda Livingston (née Frome), who was born in Stockholm, Sweden. She was raised in Salt Lake City along with her older sister, Ivy, who also became a film actress.

paragraph: Section::::Career.

paragraph: The young Livingston made her debut in films in 1916. She made over 50 films during the "silent era," most notably in F.W. Murnau's "Sunrise: A Song of Two Humans", and a further 20 films after she successfully made the transition to sound film in 1929, including "Smart Money" starring Edward G. Robinson and James Cagney. She occasionally dubbed voices for some other actresses, including Louise Brooks for "The Canary Murder Case" (1929).

paragraph: Livingston was a guest on William Randolph Hearst's yacht the "Oneida" during the weekend in November 1924 with film director and producer Thomas Ince, who later died of heart failure. In the Peter Bogdanovich film "The Cat's Meow" (2001), Livingston, played by Claudia Harrison, is depicted as having an affair with Ince at the time of his death.

paragraph: Section::::Later life.

paragraph: On August 18, 1931, she married the band leader Paul Whiteman in a ceremony in Denver, Colorado, and retired from film acting in 1934. Livingston was unable to have children, and adopted four with her husband. She spent the remainder of her life investing in oil ventures and real estate, and was a partner in the construction of the Colonial House in West Hollywood, California.

paragraph: Section::::Death.

paragraph: Livingston died in Warrington, Pennsylvania on December 13, 1984, at age 89.

paragraph: Section::::Filmography.

paragraph: BULLET::::- "The Chain Invisible" (1916)

paragraph: BULLET::::- "Alimony" (1917) (as Marguerite Livingston) as Florence

paragraph: BULLET::::- "Within the Cup" (1918)

paragraph: BULLET::::- "The Busher" (1919)

paragraph: BULLET::::- "All Wrong" (1919) (as Marguerite Livingston) as Ethel Goodwin

paragraph: BULLET::::- "Haunting Shadows" (1919) (as Marguerite Livingston) as Marian Deveraux

paragraph: BULLET::::- "What's Your Husband Doing?" (1920) as Madge Mitchell

paragraph: BULLET::::- "Water, Water Everywhere" (1920) as Martha Beecher

paragraph: BULLET::::- "Hairpins" (1920) as Effie Wainwright

paragraph: BULLET::::- "The Brute Master" (1920) as The Native 'Taupou'

paragraph: BULLET::::- "The Parish Priest" (1920) as Agnnes Cassidy

paragraph: BULLET::::- "Lying Lips" (1921) as Lelia Dodson

paragraph: BULLET::::- "The Home Stretch" (1921) as Molly

paragraph: BULLET::::- "Colorado Pluck" (1921) as Angela Featherstone

paragraph: BULLET::::- "Passing Through" (1921) as Louise Kingston

paragraph: BULLET::::- "Eden and Return" (1921) as Connie Demarest

paragraph: BULLET::::- "The Social Buccaneer" (1923) as Princess Elise

paragraph: BULLET::::- "Divorce" (1923) as Gloria Gayne

paragraph: BULLET::::- "Love's Whirlpool" (1924) as A Maid

paragraph: BULLET::::- "Wandering Husbands" (1924) as Marilyn Foster

paragraph: BULLET::::- "Her Marriage Vow" (1924) as Estelle Winslow

paragraph: BULLET::::- "Butterfly" (1924) as Violet Van De Wort

paragraph: BULLET::::- "The Chorus Lady" (1924) as Patricia O'Brien

paragraph: BULLET::::- "Capital Punishment" (1925) as Mona Caldwell

paragraph: BULLET::::- "Up the Ladder" (1925) as Helen Newhall

paragraph: BULLET::::- "I'll Show You the Town" (1925) as Lucille Pemberton

paragraph: BULLET::::- "Greater Than a Crown" (1925) as Molly Montrose

paragraph: BULLET::::- "The Wheel" (1925) as Elsie Dixon

paragraph: BULLET::::- "Havoc" (1925) as Violet Deering

paragraph: BULLET::::- "After Marriage" (1925) as Alma Lathrop

paragraph: BULLET::::- "The Best People" (1925) as Millie Montgomery

paragraph: BULLET::::- "When the Door Opened" (1925) as Mrs. Grenfal

paragraph: BULLET::::- "Wages for Wives" (1925) as Carol Bixby

paragraph: BULLET::::- "The Yankee Señor" (1926) as Flora

paragraph: BULLET::::- "Hell's Four Hundred" (1926) as Evelyn Vance

paragraph: BULLET::::- "A Trip to Chinatown" (1926) as Alicia Cuyer

paragraph: BULLET::::- "The Blue Eagle" (1926) as Mrs. Mary Rohan

paragraph: BULLET::::- "Womanpower" (1926) as Dot

paragraph: BULLET::::- "Breed of the Sea" (1926) as Marietta Rawdon

paragraph: BULLET::::- "Slaves of Beauty" (1927) as Goldie

paragraph: BULLET::::- "Secret Studio" (1927) as Nina Clark

paragraph: BULLET::::- "Lightning" (1927) as Dot Deal/Little Eva

paragraph: BULLET::::- "Married Alive" (1927) as Amy Duxbury

paragraph: BULLET::::- "The Girl from Gay Paree" (1927) as Gertie

paragraph: BULLET::::- "Sunrise" (1927) as The Woman from the City

paragraph: BULLET::::- "American Beauty" (1927) as Mrs. Gillespie

paragraph: BULLET::::- "Streets of Shanghai" (1927) as Sadie

paragraph: BULLET::::- "A Woman's Way" (1928)

paragraph: BULLET::::- "Dreary House" (1928)

paragraph: BULLET::::- "Mad Hour" (1928) as Maid

paragraph: BULLET::::- "The Scarlet Dove" (1928) as Olga

paragraph: BULLET::::- "Wheel of Chance" (1928) as Josie Drew

paragraph: BULLET::::- "The Way of the Strong" (1928) as Marie

paragraph: BULLET::::- "Say It With Sables" (1928) as Irene Gordon

paragraph: BULLET::::- "Through the Breakers" (1928) as Diane Garrett

paragraph: BULLET::::- "Beware of Bachelors" (1928) as Miss Pfeffer, the vamp

paragraph: BULLET::::- "His Private Life" (1928) as Yvette Bérgere

paragraph: BULLET::::- "The Apache" (1928) as Sonya

paragraph: BULLET::::- "The Last Warning" (1929) as Evalinda

paragraph: BULLET::::- "The Bellamy Trial" (1929) as Mimi Bellamy

paragraph: BULLET::::- "The Canary Murder Case" (1929) (voice only, dubbed dialogue for Louise Brooks) as Margaret Odell

paragraph: BULLET::::- "The Office Scandal" (1929) as Lillian Tracy

paragraph: BULLET::::- "The Charlatan" (1929) as Florence

paragraph: BULLET::::- "Innocents of Paris" (1929) as Madame Renard

paragraph: BULLET::::- "Tonight at Twelve" (1929) as Nan Stoddard

paragraph: BULLET::::- "Acquitted" (1929) as Marian

paragraph: BULLET::::- "Two O'Clock in the Morning" (1929)

paragraph: BULLET::::- "Seven Keys to Baldpate" (1929) as Myra Thornhill

paragraph: BULLET::::- "Murder on the Roof" (1930) as Marcia

paragraph: BULLET::::- "For the Love o' Lil" (1930) as Eleanor Cartwright

paragraph: BULLET::::- "What a Widow!" (1930) as Valli

paragraph: BULLET::::- "Big Money" (1930) as Mae

paragraph: BULLET::::- "The Lady Refuses" (1931) as Berthine Waller

paragraph: BULLET::::- "Kiki" (1931) as Paulette Vaile

paragraph: BULLET::::- "God's Gift to Women" (1931) as Tania Donaliff

paragraph: BULLET::::- "Smart Money" (1931) as District Attorney's girl

paragraph: BULLET::::- "Broadminded" (1931) as Mabel Robinson

paragraph: BULLET::::- "Call Her Savage" (1932) as Molly

paragraph: BULLET::::- "Social Register" (1934) as Gloria

paragraph: Section::::External links.

paragraph: BULLET::::- Margaret Livingston at Virtual History

description: American actress

wikidata_label: Margaret Livingston

wikipedia_title: Margaret Livingston


text:
science fiction
fantasy
horror
science
children's
Saga of Pliocene Exile
Galactic Milieu Series
Elmwood Park, Illinois
Chicago
science fiction fandom
fanzine
short story
John W. Campbell
"Astounding Science Fiction"
Ted Dikty
Tenth World Science Fiction Convention
Thrilling Wonder Stories
"Buck Rogers" comic strip
Order of Friars Minor
The Cremators
Westercon
Galactic Milieu Series
Saga of Pliocene Exile
Houghton Mifflin
Galactic Milieu Series
First Fandom Hall of Fame
73rd World Science Fiction Convention
Saga of Pliocene Exile
The Many-Colored Land
Houghton Mifflin
Galactic Milieu Series
Knopf
Trillium series
Marion Zimmer Bradley
Andre Norton
Doubleday
Bantam
Del Rey
Ballantine
Ace
Ace
Ace
Popular Mechanics

categories: American women children's writers,21st-century American biographers,American women novelists,Women science writers,Novelists from Illinois,21st-century American women writers,American women non-fiction writers,People from Elmwood Park, Illinois,1931 births,Writers from Chicago,Women science fiction and fantasy writers,Roman Catholic writers,20th-century American novelists,2017 deaths,20th-century American biographers,21st-century American novelists,American fantasy writers,American horror writers,Women biographers,20th-century American women writers,American science fiction writers,American children's writers,American science writers,Women horror writers

paragraph: Julian May

paragraph: Julian Clare May (July 10, 1931 – October 17, 2017) was an American science fiction, fantasy, horror, science and children's writer who also used several literary pseudonyms. She was best known for her "Saga of Pliocene Exile" ("Saga of the Exiles" in the United Kingdom) and "Galactic Milieu Series" books.

paragraph: Section::::Background and early career.

paragraph: Julian May grew up in Elmwood Park, Illinois, a suburb of Chicago, the oldest of four children. Her parents were Matthew M. May (originally Majewski) and Julia Feilen May; as a child she was known as Judy May. She became involved in science fiction fandom in her late teens, publishing the fanzine "Interim Newsletter" for a time. She sold her first professional fiction, a short story called "Dune Roller", in 1950 to John W. Campbell's "Astounding Science Fiction"; it appeared in 1951, under the name "J. C. May", accompanied by her original illustrations. She met her future husband, Ted Dikty, later that year at a convention in Ohio. May chaired the Tenth World Science Fiction Convention in Chicago in 1952, becoming the first woman to chair a worldcon, and married Dikty in January, 1953. After selling one more short story, "Star of Wonder" (to Thrilling Wonder Stories in 1953), she dropped out of the science fiction field for several years.

paragraph: Section::::Period outside science fiction.

paragraph: May and Dikty had three children, the last of whom was born in 1958. Starting in 1954, May wrote thousands of science encyclopedia articles for Consolidated Book Publishers; after finishing that project, she wrote similar articles for two other encyclopedia publishers. In 1957 she and her husband founded a production and editorial service for small publishers, Publication Associates; the most notable projects May wrote and edited during this period include two episodes of the "Buck Rogers" comic strip and a new Catholic catechism for Franciscan Herald Press, a publisher associated with the Order of Friars Minor. Between 1956 and 1981 she wrote more than 250 books for children and young adults, most non-fiction, under her own name and a variety of pseudonyms; the subjects included science, history, and short biographies of modern-day celebrities such as athletes and musical groups.

paragraph: "Dune Roller" was filmed in 1972 as "The Cremators", in which she was credited as "Judy Dikty".

paragraph: Section::::Return to science fiction.

paragraph: Having moved to Oregon in the early 1970s, May began to get reacquainted with the world of fandom; in 1976, she attended Westercon 29 in Los Angeles, her first science-fiction convention in many years. She made an elaborate diamond-encrusted "space suit" for the convention's costume party, which started her thinking about what sort of character would wear such a suit. She soon began accumulating a folder of ideas for what would become the Galactic Milieu Series, and in 1978 she began writing what would become the "Saga of Pliocene Exile". The first book in that series, "The Many-Colored Land", was published in 1981 by Houghton Mifflin. In 1987, she continued the series with "Intervention", finally followed in 1992 (with a change in publisher) by the Galactic Milieu Series: "Jack the Bodiless", "Diamond Mask" and "Magnificat".

paragraph: In August 2015, she was inducted into the First Fandom Hall of Fame in a ceremony at the 73rd World Science Fiction Convention.

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Non-fiction under the name Lee N. Falconer.

paragraph: BULLET::::- "The Gazeteer of the Hyborian World of Conan", (Starmont House, June 1977). .

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Adult fiction under the name Julian May.:The Saga of Pliocene Exile.

paragraph: BULLET::::1. "The Many-Colored Land" (Boston: Houghton Mifflin, 1981). .

paragraph: BULLET::::2. "The Golden Torc" (Boston: Houghton Mifflin, 1982). .

paragraph: BULLET::::3. "The Nonborn King" (Boston: Houghton Mifflin, 1983). .

paragraph: BULLET::::4. "The Adversary" (Boston: Houghton Mifflin, 1984). .

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Adult fiction under the name Julian May.:The Galactic Milieu Series.

paragraph: BULLET::::1. "Intervention: A Root Tale to the Galactic Milieu and a Vinculum between it and The Saga of Pliocene Exile" (Boston: Houghton Mifflin, 1987). . (Released in the United States as two mass market paperbacks: "Surveillance" and "Metaconcert". Released in the UK as a single volume)

paragraph: BULLET::::- "Surveillance" (Intervention no. 1) as separate paperback from "Metaconcert".

paragraph: BULLET::::- "Metaconcert" (Intervention no. 2) as separate paperback from "Surveillance" (Del Rey, January 13, 1989). .

paragraph: BULLET::::2. "Jack the Bodiless" (New York: Knopf, 1991). .

paragraph: BULLET::::3. "Diamond Mask" (New York: Knopf, 1994). .

paragraph: BULLET::::4. "Magnificat" (New York: Knopf, 1996). .

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Adult fiction under the name Julian May.:Trillium.

paragraph: The "Trillium series" began as a three-way collaboration. After the first book, the three authors each continued the series on her own.

paragraph: BULLET::::1. Marion Zimmer Bradley, Julian May, and Andre Norton, "Black Trillium" (New York: Doubleday, 1990). .

paragraph: BULLET::::2. "Blood Trillium" (New York: Bantam, 1992). .

paragraph: BULLET::::3. "Sky Trillium" (New York: Del Rey, 1997). .

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Adult fiction under the name Julian May.:The Rampart Worlds.

paragraph: BULLET::::1. "Perseus Spur" (New York: Ballantine, 1999). . (First published 1998 in UK.)

paragraph: BULLET::::2. "Orion Arm" (New York: Ballantine, 1999). .

paragraph: BULLET::::3. "Sagittarius Whorl: An Adventure of the Rampart Worlds" (New York: Ballantine, 2001). .

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Adult fiction under the name Julian May.:Boreal Moon.

paragraph: BULLET::::1. "Conqueror's Moon" (New York: Ace, 2004). .

paragraph: BULLET::::2. "Ironcrown Moon" (New York: Ace, 2005). .

paragraph: BULLET::::3. "Sorcerer's Moon" (New York: Ace, 2006). .

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Juvenile fiction under the name Julian May.

paragraph: These books were written for Popular Mechanics Press in the late 1950s.

paragraph: BULLET::::1. "There's Adventure in Automobiles" (Popular Mechanics Press, 1961)

paragraph: BULLET::::2. "There's Adventure in Astronautics" (Popular Mechanics Press, 1961)

paragraph: BULLET::::3. "There's Adventure in Marine Science" (Popular Mechanics Press, 1959)

paragraph: BULLET::::4. "There's Adventure in Jet Aircraft" (Popular Mechanics Press, 1959)

paragraph: BULLET::::5. "There's Adventure in Geology" (Popular Mechanics Press, 1959)

paragraph: BULLET::::6. "There's Adventure in Rockets" (Popular Mechanics Press, 1958)

paragraph: BULLET::::7. "There's Adventure in Electronics" (Popular Mechanics Press, 1957)

paragraph: BULLET::::8. "There's Adventure in Chemistry" (Popular Mechanics Press, 1957)

paragraph: BULLET::::9. "There's Adventure in Atomic Energy" (Popular Mechanics Press, 1957)

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Works under the name Ian Thorne.

paragraph: BULLET::::- "The Blob" (1982)

paragraph: BULLET::::- "The Deadly Mantis" (1982)

paragraph: BULLET::::- "It Came from Outer Space" (1982)

paragraph: BULLET::::- "Frankenstein Meets Wolfman" (1981)

paragraph: BULLET::::- "Creature from the Black Lagoon" (1981)

paragraph: BULLET::::- "The Mummy" (1981)

paragraph: BULLET::::- "Frankenstein" (1977)

paragraph: BULLET::::- "Dracula" (1977)

paragraph: BULLET::::- "The Wolf Man" (1977)

paragraph: Section::::Bibliography (in alphabetical order of surname used as author).:Biographies.

paragraph: BULLET::::- "Pelé World Soccer Star" (1978)

alias:
Bob Cunningham
Judy Dikty
Lee N. Falconer
John Feilen
Wolfgang Amadeus Futslogg
Matthew G. Grant
Granny Roseboro
Ian Thorne
Jean Wright Thorne
George Zanderbergen
The Editors of Creative

enwikiquote_title: Julian May

wikidata_label: Julian May

wikipedia_title: Julian May


text: griot

text: kora

text: Sotuma Sere

text: Gambia

text: West Africa

text: Armitage High School

text: Cuttington University

text: Liberia

text: Guinea

text: Ivory Coast

text: epic

text: Sundiata Keita

text: Mali Empire

text: Apollo XI

text: astronaut

text: Bronx

text: Hannibal Peterson

text: New York City

text: Carnegie Hall

text: Baltimore

text: Detroit

text: Kalamazoo

text: San Antonio

text: St. Louis

text: Chicago Symphonies

text: Louisiana Philharmonic

text: New Orleans

text: Kazumi Watanabe Opera

text: Tokyo, Japan

text: University of California

text: Santa Barbara

text: Tapa Demba

text: Bala Kouyate

text: MP3s available for download

categories: Gambian culture,1947 births,Cuttington University alumni,Gambian musicians,Alumni of Armitage High School,Kora players,Living people

paragraph: Papa Susso

paragraph: Alhaji Papa Susso (Suntu) is a griot or jeli, master kora player, and director of the Koriya Musa Center for Research in Oral Tradition. He was born 29 September 1947, in the village of Sotuma Sere in the Upper River Division of The Republic of Gambia, West Africa. The Susso family represents a dynasty of traditional oral historians and praise singers. His father taught him to play the kora, a 21-stringed, lute-like instrument, when he was five years old. Papa Susso's ancestors were instrumental in the creation, as well as the development of the instrument for over two centuries.

paragraph: Section::::Education and public service career.

paragraph: Susso attended Bakadaji Primary School from 1953 to 1960 and enrolled at the Armitage High School, Georgetown, The Gambia, from 1960-1965, where he graduated with honors. Thereafter, he received an appointment as Agricultural Assistant in the Ministry of Agricultural and Natural Resources. Upon receiving a scholarship to Cuttington University, Suacoco, Liberia, he quit that post. He received a bachelor of arts degree in business administration in 1969.

paragraph: Returning to The Gambia, Susso embarked on a career in the civil service, receiving an appointment as Senior Accountant in the Ministry of Work and Communications. Other posts included Financial Attaché and Liaison Officer for The Gambia Embassy in Freetown, Sierra Leone; he was accreditedt as well to the Republic of Liberia, Guinea and The Ivory Coast.

paragraph: Section::::Performing career.

paragraph: Susso ended his civil service career in order to resume his traditional role, becoming the chief kora player of The Gambia National Cultural Troupe under the Ministry of Education and Culture. In 1974, he left that position, founding his own cultural organization: The Manding Music and Dance Limited. The new organization sought to conduct research on Manding history, traditions and ethnomusicology, while providing assistance, particularly in business management, for traditional Manding performers. More generally, MMDL sought to revive, preserve and disseminate knowledge and appreciation of traditional Manding musical arts. His signature performances include selections from the traditional epic in celebration of Sundiata Keita, founder of the Mali Empire and an original composition in honor of the Apollo XI astronauts.

paragraph: Susso, now based equally in the Bronx and in the Gambia, travels widely, and has been a premier performer in the "American Classic African Portraits" by Hannibal Peterson. He performed at New York City's Carnegie Hall twice, for the Baltimore, Detroit, Kalamazoo, San Antonio, St. Louis and Chicago Symphonies, the Louisiana Philharmonic of New Orleans, and Kazumi Watanabe Opera, Tokyo, Japan. Most of his time is spent giving performances in schools, from elementary through university levels, and discussing his art with students and faculty, giving both classroom presentations and formal concert performances. Susso has also been appointed as Regents' Lecturer in ethnomusicology in 1991 at the University of California, Santa Barbara, He appears alone with his kora or with his ensemble that includes singer/dancer Tapa Demba, balafonist Bala Kouyate and his son, Alhassan Susso, on second kora.

paragraph: Section::::External links.

paragraph: BULLET::::- Poetry Africa:How Kora was born (as sung by Papa Susso to Bob Holman)

paragraph: BULLET::::- MP3s available for download

description: Gambian musician

wikidata_label: Papa Susso

wikipedia_title: Papa Susso


text:
Lwów
Polish
Plastic Panorama of Old Lviv
Polish Army
Polish-Soviet War
Lwów Polytechnic
University of Jan Kazimierz
Rome
pavilion
Poznań International Fair
Plastic Panorama of Old Lviv
Toruń
World War II
NKVD
Lychakivskiy Cemetery
Lviv through the ages

categories: 1903 births,1946 deaths,People from Lviv

paragraph: Janusz Witwicki

paragraph: Janusz Witwicki (September 10, 1903 in Lwów – July 16, 1946 also in Lwów) was a Polish architect and art historian, creator of the Plastic Panorama of Old Lviv.

paragraph: Witwicki attended the VII Tadeusz Kościuszko High School in Lwów, and in 1920 he volunteered to the Polish Army, to take part in the Polish-Soviet War. After the conflict, he studied architecture at the Lwów Polytechnic, which he graduated in 1926. Also, he studied history of art at the University of Jan Kazimierz, with extra courses taken in Paris and Rome.

paragraph: Witwicki had his own office, he designed city of Lwów's pavilion for the 1929 Poznań International Fair. In the same year, Witwicki started working on the deed of his life - the Plastic Panorama of Old Lviv. For a few years, in the early 1930s, he moved to Toruń, and then returned to Lwów, to take up the job of assistant at the Historical Architecture Department at the Lwów Polytechnic.

paragraph: During World War II, Witwicki continued his work on the Panorama, he was three times arrested by both Soviet and German occupiers. He was murdered by unknown perpetrators (possibly NKVD agents) on July 16, 1946. Witwicki was buried at the Lychakivskiy Cemetery.

paragraph: The book Lviv through the ages (2003) by Ihor Kaczor and Love Kaczor includes a dedication to Witwicki.

paragraph: Section::::Sources.

paragraph: BULLET::::- Michal Witwicki - Panorama Plastyczna Dawnego Lwowa, Janusz Witwicki 1903-1946

description: Polish architect

wikidata_label: Janusz Witwicki

wikipedia_title: Janusz Witwicki


text: Slovak

text: Archbishop of Trnava

text: Jacovce

text: Topoľčany District

text: Bratislava

text: chaplain

text: Šurany

text: Levice

text: Nové Mesto

text: Štúrovo

text: Sereď

text: dean

text: Apostolic Administrator

text: Archdiocese of Trnava

text: Luni

text: St. John the Baptist Cathedral

text: Trnava

text: Pope Benedict XVI

text: metropolitan

text: canon law

text: Róbert Bezák

text: Czechoslovak secret police

text: Jozef Tiso

text: Slovakia from 1939 to 1945

text: Ján Sokol at catholic-hierarchy

categories: 21st-century Roman Catholic archbishops,1933 births,People from Topoľčany District,Slovak Roman Catholic archbishops,Roman Catholic archbishops in Europe,20th-century Roman Catholic archbishops,Living people

paragraph: Ján Sokol (bishop)

paragraph: Ján Sokol (born 9 October 1933) is a Slovak bishop and former Archbishop of Trnava.

paragraph: Section::::Life.

paragraph: Sokol was born in Jacovce, Topoľčany District. He studied at a grammar school in Topoľčany and studied theology and philosophy in Bratislava, before being ordained as a priest in 1957. He was subsequently a chaplain in Šurany (1957–58), Levice (1958–60), Bratislava-Nové Mesto (1960–66) and Štúrovo (1966–68). From 1968 to 1970 he was a prefect at a Roman Catholic seminary in Bratislava, before working again as a chaplain in Sereď in 1970–71, and was a dean there until 1975.

paragraph: He was pronounced an Apostolic Administrator of the Archdiocese of Trnava (not to be confused with the present-day Archdiocese) in 1987, and appointed as a titular bishop of Luni in May 1988 and ordained bishop in June 1988 in the St. John the Baptist Cathedral in Trnava. He became Archbishop of Bratislava-Trnava in 1989.

paragraph: On 14 February 2008, Pope Benedict XVI appointed him as the Archbishop of the newly created Archdiocese of Trnava, which remained an Archdiocesis despite no longer being metropolitan. In accordance with the canon law, upon reaching 75 years of age, he requested to be released from his office. Pope Benedict XVI named Róbert Bezák as his successor on 18 April 2009.

paragraph: Section::::Controversy.

paragraph: Ján Sokol is listed as having cooperated with the former Communist Czechoslovak secret police, according to the documents from "Ústav pamäti národa" (ÚPN, Nation's Memory Institute), however, he denied any cooperation. He is also criticized for praising Jozef Tiso, the president of Slovakia from 1939 to 1945.

paragraph: Section::::External links.

paragraph: BULLET::::- Biography on the page of the Roman Catholic Church in Slovakia

paragraph: BULLET::::- Ján Sokol at catholic-hierarchy

description: Catholic bishop

wikidata_label: Ján Sokol

wikipedia_title: Ján Sokol (bishop)


text: Grand Austrian State Prize

text: Austrian Decoration for Science and Art

text: Kappel am Krappfeld

text: Arnulf Rainer

text: Ernst Fuchs

text: Anton Lehmden

text: Arik Brauer

text: Wolfgang Hollegha

text: abstract expressionism

text: action painting

text: Arnulf Rainer

text: André Breton

text: Paul Celan

text: Benjamin Péret

text: School of Visual Arts

text: Venice Biennale

text: Valie Export

text: Centre Georges Pompidou

text: documenta

text: Vienna State Opera

text: museum in progress

text: Serpentine Gallery

text: Contemporary Arts Center

text: Julia Peyton-Jones

text: Hans Ulrich Obrist

text: Rebecca Morrill

text: Lenbachhaus

text: Universalmuseum Joanneum

text: Deichtorhallen

text: MoMA PS1

text: Museum of Modern Art

text: Nicole Eisenman

text: Dana Schutz

text: Thomas Schütte

text: Amy Sillman

text: Maria Lassnig Foundation

text: Rubens Prize of the City of Siegen

text: Austrian Decoration for Science and Art

text: Marisa Merz

categories: Theodor Körner Prize recipients,Self-portraits,Recipients of the Austrian Decoration for Science and Art,Burials at the Vienna Central Cemetery,2014 deaths,Recipients of the Grand Austrian State Prize,20th-century women artists,Austrian women painters,21st-century Austrian painters,People from Sankt Veit an der Glan District,Modern painters,20th-century Austrian painters,1919 births,21st-century women artists

paragraph: Maria Lassnig

paragraph: Maria Lassnig (8 September 1919 – 6 May 2014) was an Austrian artist known for her painted self-portraits and her theory of "body awareness". She was the first female artist to win the Grand Austrian State Prize in 1988 and was awarded the Austrian Decoration for Science and Art in 2005. Lassnig lived and taught in Vienna from 1980 until her death.

paragraph: Section::::Early life.

paragraph: Maria Lassnig was born in Kappel am Krappfeld, Austria on 8 September 1919. Her mother gave birth to her out of wedlock and later married a much older man, but their relationship was troubled and Lassnig was raised mostly by her grandmother. She attended the Academy of Fine Arts in Vienna during World War II.

paragraph: Section::::Work.

paragraph: In the 1950s, Lassnig was part of the "Hundsgruppe" ("Dog Pack") group, which also included Arnulf Rainer, Ernst Fuchs, Anton Lehmden, Arik Brauer and Wolfgang Hollegha. The works of the group were influenced by abstract expressionism and action painting. In 1951 Lassnig traveled to Paris with Arnulf Rainer where they organized the exhibition "Junge unifigurative Malerei" at the Kärnten Art Association. In Paris she also met the surrealist artist André Breton and the poets Paul Celan and Benjamin Péret.

paragraph: Though Lassnig began her career painting abstract works, she always created self-portraits. One of her earliest was "Expressive Self-Portrait" (1945), which she painted only weeks after leaving Vienna. In 1948 Lassnig coined the term "body consciousness" ("Körpergefühlmalerei" in her native German) to describe her practice. In this style, Lassnig only depicted the parts of her body that she actually felt as she worked. As such, many of her self-portraits depict figures that are missing body parts or use unnatural colours. The shading of the grotesque forms then become a code for interpreting her ""Körpergefühlmalerei."" For example, red often acts as the most significant color in her paintings, sometimes suggesting pain but often just intense feeling or strain.  By the 1960s Lassnig turned away from abstract painting altogether and began to focus more wholly on the human body and psyche. Since that time she created hundreds of self-portraits. Most of her work in the 1970s and 1980s paired her own image with objects, animals or other people, frequently with a blocked out or averted gaze, suggesting interiority.

paragraph: From 1968 to 1980, Lassnig lived in New York City. From 1970 to 1972 she studied animated film at the School of Visual Arts in New York City. During this time she made six short films, including "Selfportrait" (1971) and "Couples" (1972). Her most famous film, however, "Kantate" (also known as "The Ballad of Maria Lassnig"), was produced in 1992 when she was seventy-three years old. Kantate (1992) depicts a filmic self-portrait of the artist set to songs and music.

paragraph: In 1980, she returned to become a professor at the Vienna University of Applied Arts, becoming the first female professor of painting in a German-speaking country. She was a chair at the University until 1997. In 1997 she also published a book of her drawings entitled "Die Feder ist die Schwester des Pinsels" (or "The Pen is the Sister of the Paintbrush"). She continued to paint, and in 2008 made her provocative self-portrait, "You or Me," which exemplifies the often confrontational nature of her works.

paragraph: In 2013 Lassnig received the Golden Lion Award for lifetime achievement at the 55th Venice Biennale.

paragraph: Section::::Exhibitions.

paragraph: Well into her sixties and late in her career, Lassnig began to receive widespread recognition, especially in Europe. She represented Austria at the Venice Biennale with Valie Export in 1980. In 1996 a retrospective of her work was held at the Centre Georges Pompidou. She participated in documenta in both 1982 and 1997. For the 2005/2006 season at the Vienna State Opera she designed the large-scale (176 m²) "Breakfast with Ear" for the ongoing series "Safety curtain", conceived by museum in progress. In 2008 an exhibition of her recent paintings was shown at the Serpentine Gallery which also travelled to the Contemporary Arts Center in the Lois & Richard Rosenthal Center for Contemporary Art in Cincinnati (2009). The exhibition was curated by Julia Peyton-Jones and Hans Ulrich Obrist in association with Rebecca Morrill and featured thirty canvases and seven films.

paragraph: Lassnig's later solo exhibitions included "It's art that keeps one ever young", Städtische Galerie im Lenbachhaus, Munich, Germany (2010), 'Maria Lassnig. Films’, Friedrich Petzel Gallery, New York NY, (2011), and The Location of Pictures, Universalmuseum Joanneum; Graz (2012). as well as Deichtorhallen; Hamburg (2013).

paragraph: MoMA PS1 held a major exhibition in 2014 of works, many of which that had not previously been seen in the United States before including 50 paintings, filmic works and a selection of watercolors. They have continued to show her films, as in the 2018 exhibition "Maria Lassnig: New York Films 1970-1980."

paragraph: Since 2014, the year of her death, her work was shown at the Fondacio Tapies in Barcelona (2015), Tate Liverpool (2016), and the Albertina, Vienna (2017), the National Gallery in Prague (2018), Kunstmuseum Basel (2018), and Stedelijk Museum Amsterdam (2019).

paragraph: Section::::Collections.

paragraph: Lassnig's works are held in the collection of the Museum of Modern Art. The Albertina in Vienna owns paintings by the artist as well.

paragraph: Section::::Legacy.

paragraph: Critics have pointed to the influence that Lassnig's work had on contemporary artists like Nicole Eisenman, Dana Schutz, Thomas Schütte, and Amy Sillman.

paragraph: Founded in 2015, the Maria Lassnig Foundation is dedicated to propagating the extensive oeuvre of the artist and to ensure that Lassnig's legacy is secured over the long term.

paragraph: Section::::Recognition.

paragraph: BULLET::::- Grand Austrian State Prize for Visual Arts (1988)

paragraph: BULLET::::- Oskar Kokoschka Prize (1998)

paragraph: BULLET::::- Roswitha Haftmann Prize (2002)

paragraph: BULLET::::- Rubens Prize of the City of Siegen (2002)

paragraph: BULLET::::- Max Beckmann Prize (2004)

paragraph: BULLET::::- Austrian Decoration for Science and Art (2005)

paragraph: BULLET::::- Golden Lion for Lifetime Achievement (with Marisa Merz) at the 55th Venice Biennial (2013)

description: Austrian artist

wikidata_label: Maria Lassnig

wikipedia_title: Maria Lassnig


text:
Jesuit
historian of philosophy
A History of Philosophy
existence of God
Bertrand Russell
BBC
logical positivism
religious language
analytic philosopher
A. J. Ayer
Taunton
Anglican
Reginald Stephen Copleston
Anglican bishop of Calcutta
Ernest Copleston
Bishop of Colombo
Marlborough College
St John's College, Oxford
Oxford University
Greats
Jesuit
Heythrop College
A History of Philosophy
ancient
debating
existence of God
Bertrand Russell
BBC
logical positivism
religious language
analytic philosopher
A. J. Ayer
Pontifical Gregorian University
British Academy
University of London
University of Santa Clara
Gifford Lectures
University of Aberdeen
Uppsala University
University of St Andrews
Royal Institute of Philosophy
Aristotelian Society
CBE
St Thomas' Hospital
History of Philosophy
Thomas Aquinas
Five Ways
Summa Theologica
in fieri
in esse
A History of Philosophy (1946–1974)
Copleston, Frederick Charles, 1907-1994
British Academy

categories: People educated at Marlborough College,English academics,Catholic philosophers,Thomist philosophers,Converts to Roman Catholicism from Anglicanism,English historians of philosophy,1994 deaths,20th-century English Jesuits,Writers from London,20th-century English historians,People from Taunton,1907 births,Roman Catholic writers,Contemporary philosophers,Alumni of Heythrop College,English Roman Catholics

paragraph: Frederick Copleston

paragraph: Frederick Charles Copleston (10 April 1907 – 3 February 1994) was a Jesuit priest, philosopher, and historian of philosophy, best known for his influential multi-volume "A History of Philosophy" (1946–74).

paragraph: Copleston achieved a degree of popularity in the media for debating the existence of God with Bertrand Russell in a celebrated 1948 BBC broadcast; the following year he debated logical positivism and the meaningfulness of religious language with his friend the analytic philosopher A. J. Ayer.

paragraph: Section::::Biography.

paragraph: Frederick Charles Copleston was born 10 April 1907 near Taunton, Somerset, England. He was raised in the Anglican faith—his uncle, Reginald Stephen Copleston, was an Anglican bishop of Calcutta; another uncle, Ernest Copleston, was the Bishop of Colombo. Copleston was educated at Marlborough College from 1920 to 1925. At the age of eighteen, he converted to the Roman Catholic faith, which caused great stress in his family. Despite his initial objections, his father helped him complete his education at St John's College, Oxford, where he studied from 1925 to 1929. He graduated from Oxford University in 1929 having managed a third in classical moderations and a good second at Greats.

paragraph: In 1930, Copleston became a Jesuit. After studying at the Jesuit novitiate in Roehampton for two years, he resettled at Heythrop, where in 1937 he was ordained a Jesuit priest at Heythrop College. In 1938 he travelled to Germany to complete his training, returning to Britain just before the outbreak of war in 1939. Copleston originally intended to study for his doctorate at the Gregorian University in Rome, but the war now made that impossible. Instead, he accepted an offer to return to Heythrop College to teach the history of philosophy to the few remaining Jesuits there.

paragraph: While teaching at Heythrop College, Copleston began writing his influential multi-volume "A History of Philosophy" (1946–74), a textbook that presents clear accounts of ancient, medieval, and modern philosophy. Still highly respected, Copleston's history has been described as "a monumental achievement" that "stays true to the authors it discusses, being very much a work in exposition".

paragraph: Throughout the rest of his academic career, Copleston accepted a number of honorary roles, including Visiting Professor at Pontifical Gregorian University in Rome, where he spent six months each year lecturing from 1952 to 1968. In 1970, he was made Fellow of the British Academy (FBA), and in 1972 he was given a personal professorship from Heythrop College, since re-established by the University of London. In 1975, he was made an Honorary Fellow of St. John's College, Oxford.

paragraph: After officially retiring in 1974, he continued to lecture. From 1974 to 1982, Copleston was Visiting Professor at the University of Santa Clara, and from 1979 to 1981, he delivered the Gifford Lectures at the University of Aberdeen, which were published as "Religion and the One". These lectures were attempted to "express themes perennial in his thinking and more personal than in his history". Toward the end of his life, Copleston received honorary doctorates from several institutions, including Santa Clara University, California, Uppsala University, and the University of St Andrews.

paragraph: Copleston was offered memberships in the Royal Institute of Philosophy and in the Aristotelian Society. In 1993 he was made CBE. Copleston died on 3 February 1994 at St Thomas' Hospital in London, at the age of 86.

paragraph: Section::::Legacy.

paragraph: In addition to his influential multi-volume "History of Philosophy" (1946–74), one of Copleston's most significant contributions to modern philosophy was his work on the theories of Saint Thomas Aquinas. He attempted to clarify Aquinas's Five Ways (in the "Summa Theologica") by making a distinction between "in fieri" causes and "in esse" causes. By doing so, Copleston makes clear that Aquinas wanted to put forth the concept of an omnipresent God rather than a being that could have disappeared after setting the chain of cause and effect into motion.

paragraph: Section::::Selected bibliography.

paragraph: BULLET::::- A History of Philosophy (1946–1974)

paragraph: BULLET::::- Nietzsche (1942)

paragraph: BULLET::::- Schopenhauer (1946)

paragraph: BULLET::::- Aquinas (1955)

paragraph: BULLET::::- Contemporary Philosophy: Studies of Logical Positivism and Existentialism (1956)

paragraph: BULLET::::- A History of Medieval Philosophy (1972)

paragraph: BULLET::::- Religion and Philosophy (1974)

paragraph: BULLET::::- Philosophers and Philosophies (1976)

paragraph: BULLET::::- On the History of Philosophy (1979)

paragraph: BULLET::::- Philosophers and Culture (1980)

paragraph: BULLET::::- Religion and the One (1982)

paragraph: BULLET::::- Philosophy in Russia (1986)

paragraph: Section::::External links.

paragraph: BULLET::::- (BBC Radio, 28 January 1948)

paragraph: BULLET::::- (BBC, 1987)

paragraph: BULLET::::- Copleston, Frederick Charles, 1907-1994 British Academy memoir by Gerard J. Hughes

description: Jesuit

wikidata_label: Frederick Copleston

wikipedia_title: Frederick Copleston


text:
video installation
photography
performance
Guggenheim fellowship
NYFA
New York City
music critic
printmaker
Works Projects Administration
painter
BA degree
Skidmore College
MA
art history
University of Pennsylvania
curator
Aldrich Contemporary Art Museum
Arts Magazine
Richard Martin
Art Journal
College Art Association
The Brooklyn Rail
Aldrich Museum of Contemporary Art
Ridgefield, CT
Philadelphia, PA
Sweden
Howard Scott
artists' books
Rutgers University
Art on Paper
"Magnetic Map"
Art in General
France-Fiction
Franz Mesmer
The New Society for Universal Harmony
Kinsey Institute
Peter Weiss
Marat/Sade
Duchenne de Boulogne
Carleton Watkins
Centre Pompidou
Jonathan Ames
BOMB Magazine
BBC
Tufts University
Wave Hill
Parsons The New School For Design
RISD
Cooper Union
Bennington College
University of the Arts
Arcadia University
Yaddo
Fine Arts Work Center
Vermont Studio Center
Lenore Malen's website
Lenore Malen's blog
The New Society for Universal Harmony

categories: Guggenheim Fellows,American women artists,Living people,American artists

paragraph: Lenore Malen

paragraph: Lenore Malen is an American artist who creates video installations, photography, and performance. Malen was awarded a Guggenheim fellowship and a NYFA Grant in Interdisciplinary Art in 2009.

paragraph: Section::::Early life and career.

paragraph: Malen was born and lives and works in New York City. Malen's father, Philip J. Levitt, was a music critic and several uncles were artists, including the printmaker Edwin Kaufman and the Works Projects Administration painter Lionel Stern. Malen received a BA degree from Skidmore College in art history, and an MA in art history from the University of Pennsylvania (1972). She began her career as a painter, curator and art critic, exhibiting at the Aldrich Contemporary Art Museum and writing for Arts Magazine under the editorship of Richard Martin. From 1990 to 1996, Malen served as executive editor of "Art Journal", published by the College Art Association.

paragraph: In January 2017 review in The Brooklyn Rail, writer Ann McCoy describes the scope of Malen's work, "Lenore Malen is an artist of extraordinary intelligence, compassion, and depth. Her work bridges biology, ecology, philosophy, performance, political science, and a wide range of literature."

paragraph: Section::::Artwork.

paragraph: Section::::Artwork.:Painting and Sculpture (1979–1999).

paragraph: During this period, Malen exhibited her minimalist paintings at the Aldrich Museum of Contemporary Art, Ridgefield, CT; The Locks Gallery, Philadelphia, PA; Galerie Fabian Carlsson, Gôteborg, Sweden; Frank Marino Gallery, New York City, NY; M13 Gallery (Howard Scott), New York City, NY; and Michael Walls Gallery, New York City, NY.

paragraph: Section::::Artwork.:Games (1998–1999).

paragraph: Beginning in 1998, Malen’s interest in games inspired a series of site-specific works and artists' books that engaged the viewer as a direct participant. Her book "Opportunity Knocks" (1998), produced to coincide with an exhibition at Rutgers University, was described by critic Nancy Princenthal in Art on Paper (1998) as having a "distinctive blend of urgency and fatalism played for laughs." In 1999, the photographs from "Opportunity Knocks" were featured in a window exhibition at Printed Matter, New York, NY. Other game-based projects include "Magnetic Map" (1999), created for Art in General New York; "The Lottery" (1999), an exhibition she curated for Rotunda in Brooklyn; and illustrated short stories for France-Fiction, Paris.

paragraph: In 1999, Malen initiated the ongoing project "The New Society for Universal Harmony", a fictive reinvention of "La Société de l'harmonie universelle", founded by Franz Mesmer in Paris in 1784. The art critic, Gary Indiana has written on Malen's work describing it as a metaphorical utopian fiction of the life of Mesmer. "The New Society for Universal Harmony" uses pseudo-documentary photos, video and audio transcriptions, testimonials, case histories and other devices drawn from historical reenactment, to archive the functioning of Malen's reinvention of Mesmer's 18th century utopian society.*

paragraph: In 2005, Granary Books published Malen's book, eponymously titled "The New Society for Universal Harmony". The book's black and white photographs illustrate a range of influences – from the Kinsey Institute's archives, stills from Peter Weiss's 1967 theatrical production and film "Marat/Sade" and photographs by 19th-century French anatomist Guillaume-Benjamin-Amand Duchenne de Boulogne, to the photographs of the l9th-century photographer Carleton Watkins.

paragraph: "The New Society" also functions as an actual society of artists and actors who perform the reenactments and rituals, whose documented activities survive as artworks. "The New Society" produces Malen's collaborative projects such as "La Société de l'harmonie universelle", "Harmony as a Hive", and "I am the Animal", all of which explore utopian themes.

paragraph: Section::::Artwork.:The New Society for Universal Harmony (1999–present).:La Société de l'harmonie universelle (1999–2008).

paragraph: Originally commissioned in 1999 as a photo and text work for Paris' "9/9 revue d’art practique", it was presented in New York City as a performance at the College Art Association, Apex Art, Artists Talk on Art, Participant, Inc. (2005), and Location One (2007). Featured on Jochen Gerz’ web-based anthology-of-art, it was exhibited at the Centre Pompidou and other museums. The photographic prints were installed at Castle Gallery, New Rochelle, New York; Klenova Castle, Klatovy, Czech Republic; and Trynarstarka Tower, Lublin, Poland. A 2004 solo exhibition presented at the Slought Foundation, Philadelphia, PA, traveled to the Schick Art Gallery, Skidmore College, Saratoga Springs, NY and CUE Art Foundation, New York City, New York in 2007. In 2008, Wesleyan University's Zilkha Gallery presented the multi-media installation "Lenore Malen and the New Society for Universal Harmony."

paragraph: In addition, "The New Society" has been featured in numerous publications and on television. In Fall 2002, the writer Jonathan Ames wrote a short story for "BOMB Magazine" about his visit to "The New Society" in Athol Springs, New York. In 2005, Malen performed for the BBC as Doctor Mesmer in Miriam Margolyes's television production "Dickens in America"]. The Anthology of Art included Malen's "The Magnetic Reconnection Experiment", 2001, in its archive of 156 artists and theorists from all over the world.

paragraph: Section::::Artwork.:The New Society for Universal Harmony (1999–present).:"Harmony as a Hive" (2007–2009).

paragraph: Toward the end of Malen's CUE Art Foundation exhibition, she presented a live performance that explored the social structure of the beehive as a model of utopia. Following this performance, Malen began raising bees in Hudson, NY.

paragraph: Section::::Artwork.:The New Society for Universal Harmony (1999–present).:"I Am the Animal" (2009–2012).

paragraph: "I Am The Animal, Part I" (2009) is a 22-minute documentary on beekeepers in the Hudson Valley, New York. Subsequently, Malen broadened her focus to an exploration of the philosophical differences and exclusions between animals and humans. A three-channel immersive video installation, "I Am The Animal, Part II" attempts to reverse anthropomorphism by re-imagining human culture as a hive through the co-mingling of historic, documentary and mass-media footage. It was installed at the Mediations Biennale in Poznan, Poland (2012); Tufts University Art Gallery, Medford, MA (2011); and Wave Hill, NY (2010).

paragraph: Section::::Artwork.:The New Society for Universal Harmony (1999–present).:"Scenes from Paradise" (2015 - 2017).

paragraph: "Scenes from Paradise" is a dark comedy presented in multiple formats: a film, live performances, and three-channel video installations, which are variously titled "Reversal, The Reason of the Strongest is Always the Best, So we’ll no more go a rowing by the light of the" moon and "Scenes From Paradise. "In every format Eden, the cautionary tale, is made newly relevant by the ticking clock of climate change, habitat loss and extinction. The entire project was inspired by a 15th century manuscript illumination discovered on the internet.

paragraph: The Brooklyn Rail reviewed Malen's "Scenes of Paradise" in January 2017. In the review Ann McCoy states "In "Scenes from Paradise" we return to Eden for a course correction, we have forgotten that we share the same web of life for survival." In Artforum (January 2017) the art critic Nicholas Chittenden Morgan wrote: "Understanding language as political, Malen presents inter-species relationships without sentimentality. Her affective tools — satire, Biblical absurdism, and the compassion it took to found The New Society for Universal Harmony . . . are worth holding onto. . . ." Malen's work is also featured in a 2015 review from an artist-run blog, Romanov Grave.

paragraph: "Scenes from Paradise" has been exhibited at Studio10, Brooklyn, NY in January 2017 and was performed live at Art Omi International Art Center in July 2016.

paragraph: Section::::Teaching, residencies, fellowships.

paragraph: Malen is an Associate Teaching Professor in the MFA Fine Arts Program at Parsons The New School For Design, where she has taught since 1991. She previously taught at RISD, Cooper Union, Bennington College, University of the Arts and Arcadia University. Between 1990 and 2003 Malen was awarded residences at Yaddo, New York; Blue Mountain Center, New York; and held a Hand Hollow Foundation Fellowship at the Fine Arts Work Center in Provincetown, Massachusetts (1998). She was a visiting artist at the Vermont Studio Center in 1997, and a Senior Fellow at the Terra Foundation, Giverny, France in 2001.

paragraph: Section::::Further reading.

paragraph: BULLET::::- Falconer, Morgan. "Review," "Artnews," 2007

paragraph: BULLET::::- Griffin, Nora. catalogue essay, CUE Art Foundation, New York, 2007

paragraph: BULLET::::- Canning, Sue. "Paradise/Paradox" (catalogue essay), College of New Rochelle, New York, March 2003

paragraph: BULLET::::- Ravalli, Marisa. Umelec International (Prague, Czech Republic), 2002

paragraph: BULLET::::- Nancy Princenthal, "Artists' Book Beat", "Art on Paper", June 1999

paragraph: BULLET::::- Peter Schjeldahl, "Soiling the Nest," "The Village Voice", May 2, 1995

paragraph: BULLET::::- Tiffany Bell, "Theme and Variations" (catalog essay), Condeso Lawler Gallery, New York, October 1994

paragraph: BULLET::::- Holland Cotter, "Lenore Malen at Granary Books and M13," "Art in America", June 1992

paragraph: BULLET::::- Peggy Cyphers, "New York in Review", "Arts Magazine", February 1992

paragraph: Section::::External links.

paragraph: BULLET::::- Lenore Malen's website

paragraph: BULLET::::- Lenore Malen's blog

paragraph: BULLET::::- The New Society for Universal Harmony

description: American artist

wikidata_label: Lenore Malen

wikipedia_title: Lenore Malen