text: art historian

text: Charles Goodyear

text: rubber

text: vulcanization

text: New Haven, Connecticut

text: England

text: France

text: Yale University

text: Italy

text: Berlin

text: Heidelberg

text: Karl Friedrichs

text: Syria

text: Cyprus

text: Venice

text: Pisa

text: Leaning Tower of Pisa

text: Cooper Union

text: Metropolitan Museum of Art

text: Brooklyn Museum of Art

text: Green-Wood Cemetery

text: Brooklyn

text: Brooklyn Museum

text: Paris Exposition of 1900

text: Brooklyn Museum

text: John McKecknie

text: Joseph Hawkes

text: Dictionary of Art Historians entry

text: Brooklyn Museum

categories: American art historians,Burials at Green-Wood Cemetery,American archaeologists,Goodyear family,1923 deaths,1846 births

paragraph: William Henry Goodyear

paragraph: William Henry Goodyear (1846–1923) was a noted architectural historian, art historian, and museum curator. He was the son of Charles Goodyear (1800–1860), inventor of rubber vulcanization, and Clarissa Beecher Goodyear.

paragraph: Goodyear was born in New Haven, Connecticut, spent much of his childhood in England and France, and graduated from Yale University in 1867 with a degree in history. He then relocated to Italy, then Berlin (where he studied Roman law and history), and subsequently Heidelberg where he studied art history under archaeologist Karl Friedrichs (1831-1871). In 1869 Goodyear traveled with Friedrichs to Syria and Cyprus, then spent 1870 in Venice and Pisa where he studied the Leaning Tower of Pisa.

paragraph: In 1871 he married Sarah Sanford, his first of three wives, and taught at Cooper Union until 1882, when he was hired as first curator of the new Metropolitan Museum of Art. In 1888 Goodyear published a popular survey of art history, and in 1899 was appointed curator of art at the Brooklyn Institute of Arts and Sciences (today the Brooklyn Museum of Art). From 1895-1914 he conducted a series of studies in which he photographed and measured European buildings.

paragraph: William H. Goodyear died in 1923 of pneumonia and was buried in Green-Wood Cemetery in Brooklyn. Wilford S. Conrow, who had painted his portrait in 1916 [BMA, Department of Painting and Sculpture, 25.182], wrote a memorial to his life and work for the Brooklyn Museum Quarterly of July 1923. In this piece Conrow further emphasizes and praises the importance of the discovery of architectural refinements in Goodyear’s life and the value of his work to the fields of architecture and art. He concludes by stating that “our present duty, the responsibility that we must accept, is to preserve and spread this precious, long-lost knowledge in order that it may play its full, qualifying role in the creative arts of the future.”

paragraph: Section::::Goodyear Archival Collection at the Brooklyn Museum.

paragraph: William Henry Goodyear was the Brooklyn Museum's first curator of fine arts from 1899-1923. Goodyear was a vital force in the early years of the Museum's fine arts department as well as doing extensive research in art history and architectural theory. Within this collection of correspondence, scrapbooks, notes, clippings, and expedition diaries, are images of medieval cathedrals, churches, and mosques taken between 1895 and 1914 that he used for his architectural research.

paragraph: The collection includes a wide variety of materials, including correspondence, expedition diaries, notes, lectures, reports, writings (both published and unpublished), photographs, plates of photographs, lantern slides, clippings, and scrapbooks. It also includes an extensive set of photographs and lantern slides of buildings, monuments, and other views taken during the Paris Exposition of 1900, presenting a visual tour of the exposition.

paragraph: Additional Goodyear records can be found in other repositories. Of note are the A. Kingsley Porter papers at Harvard University and the John Weir Papers and Charles Sheldon Hastings Papers at Yale University. The National Museum of American History, Smithsonian Institution, holds 199 silver gelatin paper print enlargements of the 1900 Paris Exposition photographs. Five hundred and sixty-four enlargements of architectural refinements photographs (1895–1905), which Goodyear used in exhibitions, were donated by the BIAS to the National Museum of American History in 1901 and then transferred to the Cooper-Hewitt National Design Museum, Smithsonian Institution, in 1974.

paragraph: The majority of Goodyear’s publications are held by the Brooklyn Museum Libraries.

paragraph: Research

paragraph: Goodyear developed a theory that medieval churches throughout Europe displayed curved lines, concave walls, widening naves and other asymmetries, that were not accidental phenomena created by settling stone or poor construction, but the original architects' deliberate inventions. Goodyear called these deviations "architectural refinements."

paragraph: Between the years 1895 and 1914, Goodyear conducted survey expeditions to Europe, Turkey, Egypt and Greece visiting medieval cathedrals, churches, and mosques, meticulously noting the measurements of piers, transepts, apses, etc. and taking numerous photographs of these details in his efforts to document the occurrences of refinements. The photographs taken during these expeditions provide not only the visual key to his work on refinements but are also valuable records of medieval churches and cathedrals before the world wars.

paragraph: On his 1895 research expedition to Italy he was accompanied by photographer John McKecknie and took additional images of objects within Italian museums. In 1900, Goodyear traveled to the Paris Exposition with photographer Joseph Hawkes. They brought back numerous images from the exposition including street life, vistas, pavilions, statues, and other structures and decorative details.

paragraph: Ultimately, Goodyear hoped to publish his findings and observations on medieval architecture as a scholarly book, a goal that he never met. His results, however, were published from time to time in articles in the American Journal of Archaeology, the Architectural Record; the American Architect; the Architect and Contract Reporter (London); Building News and Engineering Journal (London); Architectural Review (London); Journal of the Archaeological Institute; Journal of the Royal Institute of British Architects; Reports of the Smithsonian Institution; Revue de L’Art Chretien; Brooklyn Institute Bulletin; and in a Brooklyn Museum publication series, Memoirs of Art and Archaeology.

paragraph: Summary of Survey Expeditions:

paragraph: Italy (circa May – October). Included visits to Ancona, Arezzo, Assisi, Bari, Bologna, Borgo San Donnino, Chiusi, Cremona, Ferrara, Fiesole, Florence, Foligno, Genoa, Girgenti, Lucca, Milan, Modena, Naples, Orvieto, Padua, Paestum, Palermo, Pavia, Perugia, Piazcenza, Pisa, Pompeii, Ravello, Ravenna, Rimini, Rome, Ruvo, Santa Maria del Giudice, Selinus, Siena, Toscanella, Trani, Troja, Venice, Verona, Vetralla, Vicenza, Viterbo, Volterra.

paragraph: Sites visited included San Nicola, Bari; Troja Cathedral; San Paolo Fuori, Rome; San Pietro, Toscanella; Santa Maria Della Pieve, Arezzo; Siena Cathedral; San Michele, Lucca; Pisa Cathedral; San Marco, Venice; San Lorenzo, Vicenza; San Michele, Pavia; Sant’ Ambrogio and Sant’ Eustorgio, Milan.

paragraph: Italy (July – September). Included visits to Arezzo, Bologna, Brescia, Burano, Calci, Cavalieri, Cremona, Este, Florence, Genoa, Lombardy, Lucca, Mantua, Massa Marittima, Milan, Murano, Naples, Orvieto, Parma, Pavia, Pisa, Pozzuoli, Rome, Sarzana, Siena, Testa, Torcello, Venice, Verona, Vicenza.

paragraph: Sites visited included the Cathedral, Tower, San Nicola, San Paolo a Ripa d’Arno and other churches in Pisa; Sant’ Ambrogio, Milan; San Marco, Venice.

paragraph: Northern France, Austria, and Turkey (July – September). Included visits to Amiens, Angoulême, Bayeux, Beauvais, Caen, Chalons, Chartres, Coutances, Dol, Évreux, Laon, Lisieux, Noyon, Paris, Pontorson, Rheims, Rouen, Soissons; Strassburg; Vienna; Istanbul.

paragraph: Sites visited included Notre Dame, Paris; Noyon Cathedral; Amiens Cathedral; Church of S. Sophia, S. Mary Diaconissa, Church of the Monastery of the Chora (Korah), Balaban Aja Mesjid, Istanbul; Strassburg Cathedral.

paragraph: Northern France and Northern Italy (July). Included visits to Amiens, Paris, Milan, Venice, Vicenza.

paragraph: Sites visited included Amiens Cathedral; San Marco, Venice.

paragraph: France (May – August). Included visits to Amiens, Beauvais, Chalons, Laon, Noyon, Paris, Rheims, Rouen, St. Quentin.

paragraph: Sites visited included Amiens Cathedral; St. Loup, Chalons; St. Ouen, Rouen; Notre Dame, Paris.

paragraph: Italy and France (May – June). Included visits to Florence, Pisa, Paris, Rouen.

paragraph: Sites visited included Cathedral, Tower, and Baptistry at Pisa; Notre Dame, Paris.

paragraph: Egypt, Greece, Turkey, Europe, Ireland, and England (February – August). Included visits to Abydos, Cairo, Efou, Illahun, Thebes, Salonica, Istanbul, Vienna, Cologne, Ostend, Aix-la-Chapelle, Dublin, Bristol, Canterbury, Chester, Chichester, Durham, Exeter, Gloucester, Hereford, Hexham, Lichfield, Lincoln, London, Peterborough, Salisbury, Tewkesbury, Winchester, Worcester, York.

paragraph: Sites visited included St. Demetrius, Salonica; St. Sophia, St. Mary Diaconissa, Balaban Aja Mesjid, Istanbul; St. Patrick’s and Christ Church, Dublin; St. John’s, Chester; Temple Church, London; Salisbury Cathedral; Lichfield Cathedral.

paragraph: Publications

paragraph: During the time he was traveling and organizing exhibitions, Goodyear published many articles, letters, and reviews in scientific, architectural, and literary journals and newspapers. While he had published full-length works on art history, Goodyear did not publish his first book devoted entirely to refinements until 1912. Goodyear described Greek Refinements as a “long-needed addition to the knowledge of Greek temple architecture, considered as a wholly independent study. Up to date there has been no book for general readers on the subject of the Greek refinements.”

paragraph: Section::::Gallery.

paragraph: Paris Exposition 1900

paragraph: Survey Expedition

paragraph: Section::::Selected works.

paragraph: BULLET::::- "Memoranda for Lectures on the History and Development of Art", 1872.

paragraph: BULLET::::- "A History of Art", New York: A. S. Barnes, 1888.

paragraph: BULLET::::- "The Grammar of the Lotus: a New History of Classic Ornament as a Development of Sun Worship", London: Sampson Low, Marston, 1891.

paragraph: BULLET::::- "Renaissance and Modern Art", New York: Macmillan, 1900.

paragraph: BULLET::::- "Illustrated Catalogue of Photographs & Surveys of Architectural Refinements in Medieval Buildings lent by the Brooklyn Museum of Arts and Sciences", Edinburgh: Morrison and Gibb, 1905.

paragraph: BULLET::::- "Greek Refinements: Studies in Temperamental Architecture", New Haven: The Yale University Press, 1912.

paragraph: Section::::References.

paragraph: BULLET::::- Dictionary of Art Historians entry

paragraph: BULLET::::- "The National Cyclopaedia of American Biography", 19, 1926: pages 455-456.

paragraph: BULLET::::- "Dictionary of American Biography", 7, 1931: pages 416-417.

paragraph: BULLET::::- "Prof. W. H. Goodyear, Archaeologist, Dies: Curator of Brooklyn Institute of Arts and Sciences a Victim of Pneumonia at 77.", "New York Times", February 20, 1923, page 17.

paragraph: BULLET::::- "Guide to the Goodyear Archival Collection" Brooklyn Museum Archives

description: American archaeologist, art historian, and museum curator

wikidata_label: William Henry Goodyear

wikipedia_title: William Henry Goodyear


href: solicitor arsenic%20poisoning Carmarthen Assizes Edward%20Marshall%20Hall solicitor Kidwelly Carmarthenshire gooseberry cardiovascular%20disease exhumation forensic%20examination arsenic inquest Carmarthen Assizes Montague%20Shearman Edward%20Marshall%20Hall Brief%20%28law%29 Maid bismuth morphine arsenic opium Othello Addendum Sellack Ross-on-Wye Herefordshire Herbert%20Rowse%20Armstrong Sally%20Clark

text:
solicitor
arsenic poisoning
Carmarthen
Assizes
Edward Marshall Hall
solicitor
Kidwelly
Carmarthenshire
gooseberry
heart disease
exhume
forensic examination
arsenic
inquest
Carmarthen
Assizes
Mr Justice Shearman
Edward Marshall Hall
brief
parlourmaid
bismuth
morphine
arsenic
opium
Othello
rider
Sellack
Ross-on-Wye
Herefordshire
Herbert Rowse Armstrong
Sally Clark

categories: People acquitted of murder,British solicitors,1874 births

paragraph: Harold Greenwood (solicitor)

paragraph: Harold Greenwood (1874 – 17 January 1929) was an English solicitor who was accused and acquitted of murdering his wife by arsenic poisoning. He was tried at Carmarthen Assizes in 1920 and defended by Edward Marshall Hall; his case is a rare example of a legal professional being charged with murder.

paragraph: Section::::Facts.

paragraph: Harold Greenwood, a Yorkshire solicitor, moved to Wales in 1898 and he, his wife Mabel (née Bowater), and their four children, lived comfortably, with domestic staff, in Kidwelly, Carmarthenshire. Mabel was not in good health and on 16 June 1919, complained of stomach pains after eating a gooseberry pie for lunch; "it always disagrees with me", she said. Greenwood gave her brandy, which caused her to vomit, and Dr Griffiths was summoned and dispensed medication. By the early hours of the 17th, however, she had died and the cause of death was certified by Griffiths as heart disease. Within a few months of her funeral, Greenwood married Gladys Jones, who was much younger than Mabel, causing much local gossip. Mabel had been an active and popular member of the local community and in October 1919 the gossip had reached such a level that the police proposed to exhume the body for forensic examination; when Greenwood was informed of this, he replied "Just the very thing – I am quite agreeable".

paragraph: Mabel Greenwood's remains were examined and found to contain of arsenic, but no evidence of heart disease. Accordingly, an inquest was held in June 1920 at which the jury returned a unanimous verdict of "murder by arsenical poisoning ... administered by Harold Greenwood". The jury had been told that Greenwood had purchased weedkiller containing arsenic. Greenwood's comment on hearing the verdict was "Oh dear!", and he was arrested on 17 June 1920.

paragraph: Section::::Trial.

paragraph: Greenwood's trial began on 2 November 1920 at Carmarthen Assizes before Mr Justice Shearman; he was prosecuted by Sir Edward Marlay Samson and defended by Sir Edward Marshall Hall. The case was Hall's third murder trial of the year, and he was already in poor health; however, he decided to accept the brief, despite doubts expressed by others, claiming "The man's innocent, and I'll get him off – you'll see".

paragraph: Hall's defence of Greenwood hinged upon impugning the forensic evidence and that of a parlourmaid. In the former case, he showed that Dr Griffiths had himself given Mabel Greenwood medication (bismuth and morphine) at the time, which could be a cause of death independently of any arsenic, despite Griffiths' change of story from morphine to opium, then a much weaker drug; Hall seized upon this difference to maximum effect. In the case of Hannah Williams, the maid, Hall successfully showed that her evidence had been strongly influenced by a police officer who had interviewed her some time after the death, and that she had changed her story on several occasions.

paragraph: Hall opened his defence by quoting from "Othello" and alleging the whole case arose from local gossip. He called Greenwood as a witness in his own defence, who denied any involvement in his wife's death, and withstood lengthy cross-examination. His final witness was Irene Greenwood, the accused's 22-year-old daughter, who stated that she had also drunk, without ill effect, from the wine bottle alleged by the prosecution to have been the source of the poison that killed Mabel. The judge referred to this in his summing-up: "If she also drank from the bottle, there is an end of the case". Greenwood was acquitted and the jury added a rider (not published at the time) to their verdict, stating "We are satisfied ... that a dangerous dose of arsenic was administered to Mabel Greenwood ... but we

paragraph: are not satisfied that this was the immediate cause of death ... (nor) how or by whom the arsenic was administered".

paragraph: Greenwood, with his second wife, moved to Sellack, near Ross-on-Wye, Herefordshire, changed his name to Pilkington, and lived an uneventful life until his death in 1929.

paragraph: Section::::See also.

paragraph: BULLET::::- Herbert Rowse Armstrong

paragraph: BULLET::::- Sally Clark

description: British lawyer

wikidata_label: Harold Greenwood

wikipedia_title: Harold Greenwood (solicitor)


text:
novelist
poet
automatic writing
Leicester, Vermont
shorthand
occult
Theosophical Society
Rosicrucian
Alpha et Omega
Paris
London
World War I
Los Angeles
psychoanalysis
French Riviera
"The Frozen Grail & Other Poems"
"Letters from a Living Dead Man"
"War Letters from the Living Dead Man"
"Last Letters From the Living Dead Man"

categories: 20th-century American women writers,American women novelists,20th-century American poets,American women short story writers,American spiritual mediums,American women poets,People from Leicester, Vermont,20th-century American novelists,1954 deaths,Novelists from Vermont,1869 births,American Theosophists

paragraph: Elsa Barker

paragraph: Elsa Barker (1869–1954) was an American novelist, short-story writer and poet. She became known for three books "Letters from a Living Dead Man" (1914), "War Letters from the Living Dead Man" (1915), and "Last Letters From the Living Dead Man" (1919), that she said were messages from a dead man produced through automatic writing.

paragraph: Section::::Biography.

paragraph: Barker was born in 1869 in Leicester, Vermont. Her parents both died while Barker was still young. She worked as a shorthand writer, a teacher and wrote for newspapers. Her father had been interested in the occult and Barker shared this interest, becoming a member of the Theosophical Society. She was also initiated into the Rosicrucian Order of Alpha et Omega.

paragraph: Barker lived in Europe from 1910 to 1914, first in Paris and then in London. She was in London at the outbreak of World War I. In 1912, while in Paris, she felt compelled to write a passage, although she said she did not know where the words came from. She said she was "strongly impelled to take up a pencil and write." She signed the passage "X", which at first meant nothing to her. She was told that "X" was the nickname of a Los Angeles judge called David P. Hatch and then discovered that Hatch had died before she "received" the message. In 1914 she published a book of these messages called "Letters from a Living Dead Man". She said that the passages were genuine messages from the dead man and Hatch's son also believed that the communications were from his father. She published two more volumes of Hatch's messages — "War Letters from the Living Dead Man" (1915), and "Last Letters From the Living Dead Man" (1919).

paragraph: Around the time of the publication of "War Letters from the Living Dead Man" in 1915, Barker developed an interest in psychoanalysis. By 1919 she was studying 14 hours a day. From 1928 to 1930 she lived on the French Riviera. Barker died August 31, 1954.

paragraph: Section::::Bibliography.

paragraph: BULLET::::- "The Son of Mary Bethel" (1909)

paragraph: BULLET::::- "The Frozen Grail & Other Poems" (1910)

paragraph: BULLET::::- "Stories from the New Testament for Children" (1911)

paragraph: BULLET::::- "The Body of Love" (1912)

paragraph: BULLET::::- "Letters from a Living Dead Man" (1914, 1920)

paragraph: BULLET::::- "War Letters from the Living Dead Man" (1915)

paragraph: BULLET::::- "Songs of a Vagrom Angel" (1916)

paragraph: BULLET::::- "Last Letters From the Living Dead Man" (1919)

paragraph: BULLET::::- "Fielding Sargent" (1922)

paragraph: BULLET::::- "The Cobra Candlestick" (1928)

paragraph: BULLET::::- "The C.I.D. of Dexter Drake" (1929)

paragraph: BULLET::::- "The Redman Cave Murder" (1930)

description: American writer

wikidata_label: Elsa Barker

wikipedia_title: Elsa Barker


text:
English
lawyer
explorer
Pyrenees
Royal Horse Guards
Posets
Henry Russell
Vignemale
Balaïtous
Alpine Club
Longmans, Green, and Co.
Société Ramond
Bagnères-de-Bigorre
Farnham Maxwell-Lyte
endemic

categories: 1896 deaths,Members of the Société Ramond,1826 births

paragraph: Charles Packe

paragraph: Charles Packe (22 August 1826 – 16 July 1896) was an English lawyer and explorer who is noted for his travels in and writing about the Pyrenees.

paragraph: Section::::Family.

paragraph: Packe was born in 1826, the oldest son of Edmund Packe, a captain in the Royal Horse Guards.

paragraph: Section::::Pyrenees.

paragraph: Packe first went to the Pyrenees in 1853, making a traverse of the range. Two years later he travelled to the Alps, a description of which appeared in 1857 as "The Spirit of Travel".

paragraph: In 1857 and 1858 he returned to the Pyrenees for further explorative trips, and moved there permanently in 1859. In 1861 Packe made the second ascent of Posets (3371 m), the second-highest peak in the range, which had been first climbed in 1856 by H. Halket with the guides Pierre Redonnet and Pierre Barrau.

paragraph: Just as Packe's friend Henry Russell's name is linked with the Vignemale, Packe's name is associated with the Balaïtous. The idea to try to climb this mountain came from his reading of John Ball's (the first president of the Alpine Club) account of his unsuccessful attempt to climb it in 1861. After a failed attempt in 1862, on 15 September 1864 Packe reached the summit with his guide Jean-Pierre Gaspard of Arrens; they had spent a week trying to find a suitable route. Although they believed that they had made the first ascent, the mountain had been previously climbed in 1825 by the French army officers Peytier and Hossard, as geodesic technicians. The ridge by which Packe and Gaspard made their ascent is now known as the "Arête Packe-Russell".

paragraph: Section::::Pyrenees.:A Guide to the Pyrenees.

paragraph: In 1862 Packe's "A Guide to the Pyrenees" (with the subtitle "Especially Intended for the Use of Mountaineers") was first published; the second edition was brought out by the London firm of Longmans, Green, and Co.

paragraph: Section::::Pyrenees.:Societé Ramond.

paragraph: Packe was one of the founding members of the Société Ramond, a learned society devoted to the study of the Pyrenees and founded in 1864 or 1865 (authorities vary) in Bagnères-de-Bigorre by Henry Russell, Émilien Frossard, Farnham Maxwell-Lyte and Packe. Packe was the society's first assistant secretary.

paragraph: Section::::Pyrenees.:Botany.

paragraph: Packe discovered several plant species that are endemic to the Pyrenees and also carried out a number of experiments when attempting to acclimatize rare plants in his garden.

description: English explorer

wikidata_label: Charles Packe

wikipedia_title: Charles Packe


text:
Danish
shipping
magnate
East Asiatic Company
Nakskov
shipbuilder
ship's carpenter
Bangkok
first mate
master
Siam
freight
logging
sawmill
Copenhagen
Isak Glückstadt
Danish Farmers' Bank
marine propulsion
insurance
World War I
Consul General
Knight of the Elephant
order

categories: 20th-century Danish businesspeople,1937 deaths,19th-century Danish businesspeople,People from Nakskov,People from Lolland Municipality,Grand Crosses of the Order of the Dannebrog,20th-century Danish people,19th-century Danish people,Burials at Vestre Cemetery, Copenhagen,Danish businesspeople in shipping,1852 births

paragraph: Hans Niels Andersen

paragraph: Hans Niels Andersen (10 September 1852 – 30 December 1937) was a Danish shipping magnate, businessman and founder of the East Asiatic Company.

paragraph: Born into a working-class family in Nakskov, he trained as a shipbuilder before hiring on as a ship's carpenter in 1872. He came to Bangkok for the first time in 1873 and advanced to first mate and later master of a ship owned by the king of Siam. Subsequently, he entered the freight business in East Asia and later Europe. In 1885 he started his own company, Andersen & Co., which encompassed import/export, shipping, logging and sawmills.

paragraph: Returning to Copenhagen, he opened a branch office of his company and in 1897, together with Isak Glückstadt, director of the Danish Farmers' Bank, founded the East Asiatic Company. This eventually became the largest company in Denmark, diversifying into shipbuilding, marine propulsion, insurance, etc., with branch offices all over the world.

paragraph: During World War I, in which Denmark remained neutral, he went on missions to several countries, attempting unsuccessfully to initiate peace negotiations, but more successfully to secure Danish interests.

paragraph: He was Siam's Consul General in Denmark 1898–1932, became titular Councilor of State () in 1900, and was created Knight of the Elephant, the highest Danish order, in 1919.

wikidata_label: Hans Niels Andersen

wikipedia_title: Hans Niels Andersen


text: lead

text: punk

text: heavy metal

text: rock

text: New Regime

text: Los Cycos

text: Nick Menza

text: Megadeth

text: Mike Muir

text: Suicidal Tendencies

text: SIN 34

text: Jon Nelson

text: Louiche Mayorga

text: Würm

text: D.H. Peligro

text: Dead Kennedys

text: Tiny Bubz

text: T.S.O.L.

text: Phil Campbell

text: Motörhead

text: Carlos Cavazo

text: Ratt

text: Quiet Riot

text: James Bradley Jr.

text: Crazy Town

text: Scott Weiland

text: STP

text: Velvet Revolver

text: Christian Nesmith

text: Bullet Boys

text: Marq Torien

text: Sons of Anarchy

text: Seasons 5

text: Season 7, the final Ride

text: Gigi Perreau

text: Hollywood Hills

text: Studio City

text: San Fernando Valley

text: Jeff Beck

text: Jimi Hendrix

text: Jimmy Page

text: Johnny Winter

text: Valley Arts Guitar

text: Walter Reed

text: New Regime

text: Mystic Records

text: Suicidal Tendencies

text: Black Flag

text: Würm

text: Chuck Dukowski

text: Mike Muir

text: Jon Nelson

text: Suicidal

text: Los Cycos

text: Bob Heathcote

text: Amery Smith

text: Jon Nelson

text: The Brood

text: Grant Estes

text: Louiche Mayorga

text: No Mercy's

text: Santa Monica

text: Welcome to Venice

text: Beowülf

text: No Mercy

text: Excel

text: Join The Army

text: Still Cyco After All These Years

text: heavy metal

text: Stevie Ray Vaughan

text: Bullet Boys

text: Bang Tango

text: Guns and Roses

text: Motörhead

text: Megadeth

text: Nick Menza

text: Megadeth

text: Christian Nesmith

text: Mike Nesmith

text: The Monkees

text: Max Norman

text: Ozzy Osbourne

text: Megadeth

text: Ty Longley

text: Great White

text: the Station nightclub fire

text: Rhode Island

text: Jon Nelson (guitarist)

text: Louiche Mayorga

text: Jon Nelson

text: Dead Kennedys

text: D.H. Peligro

text: Across the Tracks

text: Carlos Cavazo

text: Quiet Riot

text: Hurricane

text: Gingger Shankar

text: Kate Kelton

text: Sons of Anarchy

text: Season 7, the final Ride

text: Strat

text: Floyd Rose

text: Seymour Duncan

text: EMG's

text: Taylor

text: Martin

text: Marshall

text: Line 6

text: Celestion

text: Celestion

text: Fender

text: Nick Menza – Drummer – Megadeth

categories: People from Studio City, Los Angeles,Guitarists from Los Angeles,Suicidal Tendencies members,20th-century American guitarists,American rock guitarists,Lead guitarists,1965 births,Rhythm guitarists,Living people,American male guitarists

paragraph: Anthony Gallo

paragraph: Anthony Gallo (born April 10, 1965 in Los Angeles) is an American lead and rhythm guitarist who started at age 16 in the early 1980s punk scene. Gallo later progressed into heavy metal and rock as well as T.V. and Film. With a career spanning over 30 years Gallo played and recorded with New Regime, Los Cycos, Nick Menza (Megadeth), Mike Muir, Suicidal Tendencies/Los Cycos, SIN 34, Jon Nelson, Louiche Mayorga, Louis "Loud Lou" Hinzo (Würm), D.H. Peligro (Dead Kennedys), Tiny Bubz (T.S.O.L.), Phil Campbell (Motörhead), heavy metal act Cold Shot, guitarist Carlos Cavazo (Ratt, Quiet Riot), James Bradley Jr. (Crazy Town), Scott Weiland (STP/ Velvet Revolver), guitarist Christian Nesmith and Bullet Boys vocalist Marq Torien, and has appeared on "Sons of Anarchy" in Seasons 5 and 6 as a hang around, and Season 7, the final Ride episode 9, as an S.O.A. Indian Hills, Nevada charter member.

paragraph: Section::::Early life.

paragraph: Born Robert Anthony Gallo on April 10, 1965 in Los Angeles. His father is Emil Frank Gallo, a financier, and his mother is actress Gigi Perreau. Gallo grew up in the Hollywood Hills and at age four moved north to Studio City in the San Fernando Valley. There he met local guitarist Steve Goertzen, who inspired him to learn the instrument and introduced him to such artists as Jeff Beck, Jimi Hendrix, Jimmy Page and Johnny Winter. When he was 13, Gallo took guitar lessons at Valley Arts Guitar with the aim of learning to read music. He attended Walter Reed Jr. High, where he met future New Regime bandmates, Todd Payden, Marc Woodson and Michael Brevetz.

paragraph: Section::::Career.

paragraph: Section::::Career.:New Regime.

paragraph: In 1981 Gallo joined his first band New Regime. The line up consisted of Todd Payden (vocals), Marc Woodson (drums) and Michael Brevetz (bass). In 1983 New Regime recorded two tracks for Mystic Records, "Be a Man Go to War" on (Party Animal 2) and "Night Stix" on the (Copulation Compilation). Both were produced by label owner Doug Moody. After those recordings, they were offered the opening slot for Suicidal Tendencies in Sacramento after a suggestion from Black Flag, Würm bassist Chuck Dukowski who caught one of their shows and thought they sounded a lot like them. Gallo and Mike Muir became fast friends and when Jon Nelson left Suicidal, Muir asked Gallo to help with guitar. "We just sat around Mike's house and jammed and wrote songs...one day I got a call from Mike and he asked if I wanted to play guitar in Los Cycos, a side project he was just starting."

paragraph: Section::::Career.:Los Cycos.

paragraph: Los Cycos was originally Mike Muir (Vocals), Bob Heathcote (bass), Anthony Gallo (Guitars) and Amery Smith (drums). After a few rehearsals, drummer Smith left the line up, along with then Suicidal Tendencies guitarist Jon Nelson to start their own band (The Brood). Los Cycos eventually included: Grant Estes on lead guitar, Gallo went to (rhythm), and original choices Bob Heathcote and Amery Smith were replaced by Louiche Mayorga (bass) and No Mercy's Sal Troy (drums). "We initially rehearsed in Santa Monica at a little place on Lincoln Blvd., then when Bob and Amery left we moved to the basement of Louiche's house." With the final line up established and two songs "It's Not Easy" and "A Little Each Day" completed, Los Cycos were now ready for their recording debut on Suicidal Records. The "Skate Punk" compilation "Welcome to Venice" featured local Venice bands Suicidal Tendencies, Beowülf, Los Cycos, No Mercy and Excel, and was the first record released on the new label. Band politics and Muir's responsibilities with Suicidal prompted Gallo to leave the band before the release of "Welcome to Venice" his picture remained on the album's cover. Los Cycos disbanded that same year and in 1989 Suicidal Tendencies re-recorded "It's Not Easy" for their 1989 release "Controlled by Hatred/Feel Like Shit...Déjà Vu" album. The other Los Cycos track "A Little Each Day" was also included in the 1987 Suicidal Tendencies release "Join The Army" and again on "Still Cyco After All These Years" released in 93. In 2000 it resurfaced on the "FNG" compilation and a fourth time on the 2008 (Split) Album "Lights...Camera...Revolution!/Still Cyco After All These Years."

paragraph: Section::::Career.:Cold Shot.

paragraph: In 1988 Gallo founded the heavy metal band "Cold Shot" recruiting singer/songwriter Adam Murray, bassist Erin Bartley, and drummer Rikki Baggett. The name "Cold Shot" (a suggestion by Murray) was not inspired from Stevie Ray Vaughan's song of the same name.Murray was working a construction job. His boss described his ex as "A real cold shot". Cold Shot played alongside such bands as the Bullet Boys, Bang Tango, Guns and Roses and Motörhead. Cold Shot disbanded in 1994. In November 2012 Cold Shot signed a record deal with Eönian Records to release all their previously unreleased material.

paragraph: Section::::Career.:Nick Menza.

paragraph: Eventually Gallo co-founded the band "Chodle's Trunk" with former Megadeth drummer Nick Menza and singer songwriter Gary "G-Voz" Flores. "All we got offered was a Japanese deal for like 10 grand and we thought WOW we spent more on recording it!" The recordings were shelved and in 1998 when Nick left Megadeth, they decided to record together. Recording for Menzas "Life After Deth" was done over a two-year period and was written and performed mostly by Menza. Guest guitarist included Gallo as well as Christian Nesmith (son of Mike Nesmith of The Monkees) for leads. Nick hired producer Max Norman (Ozzy Osbourne, Megadeth) to produce a few of the tracks. "It was a lot of fun to record and I was looking forward to the live shows"; however, the excitement was short-lived. Ty Longley, a guitarist whom they hired for the live shows, had left rehearsals for a few months to go on the road with the re-forming Great White. Longley perished in the Station nightclub fire in Rhode Island. A year later bass player Jason Levin suddenly died of a heart failure, and plans for the 2003 Tour were suspended indefinitely. Gallo and Menza are still writing and recording material together. in 2014 Gallo and Menza started a recording project with former Suicidal Tendencies members Jon Nelson (guitarist) and Louiche Mayorga for a metal compilation covering an early Brood song entitled "Going out in Style".

paragraph: Section::::Career.:Slamnation.

paragraph: In August 2014 longtime friend and former Suicidal Tendencies guitarist Jon Nelson asked Gallo to help form a new punk band called Slamnation. A vehicle to record and perform some of his earlier works from the Suicidal days and some Brood songs to current. Other band members include Nicholas Gunnett on bass and Dead Kennedys D.H. Peligro drummer Santi Guardilla.

paragraph: Section::::Work in TV, film and video.

paragraph: In 1991 Gallo secured a two-song recording contract for an independent film entitled Across the Tracks. Collaborating with singer-songwriter Adam Murray, heavy metal guitarist Carlos Cavazo of (Quiet Riot) and brother (Bassist) Tony Cavazo of (Hurricane) for the song "Higher". The other title "Juicy Lucy" was written and performed by Cold Shot. On July 16 that same year he appeared in the video "Love All Humans" alongside model Tara Bre, musician / composer Gingger Shankar and actress Kate Kelton.

paragraph: Section::::Work in TV, film and video.:Sons of Anarchy.

paragraph: On July 11, 2012 Gallo was asked to play in a non-speaking role as "hang around" for season 5 and 6 on the hit motorcycle gang series "Sons of Anarchy". in Season 7, the final Ride episode 5 he can be seen as a Teller-Morrow mechanic, and in episode 9 portraying an S.O.A. Indian Hills, Nevada charter member as one of Jury's crew, who unexpectedly show up at SAMCRO's headquarters looking for an explanation about Jury's death. Jax tries hard to sell Jury as a rat, but Indian Hills isn't buying it.

paragraph: Section::::Musical equipment.

paragraph: Anthony Gallo plays mainly Strat-style guitars; he has four that he has built. One has an alder body and a Performance neck, including a Floyd Rose locking vibrato bridge with Seymour Duncan JB's in it. The other is an American Strat (replaced with a vintage-style fulcrum bridge) Performance neck and active EMG's. For acoustic guitars he uses a Baby Taylor and a vintage Martin. His amp set up is a modified Marshall JCM 800 series run through a series of modified effects and a "Line 6" through four Marshall cabinets each with vintage 30 Watt Celestions and sometimes he uses 25 watt Celestion Greenbacks. He sometimes A-B's his clean channel with a standard Fender Twin reverb running through a Boss Chorus Ensemble CE-5 and a Boss DD-3 Digital Delay.

paragraph: Section::::External links.

paragraph: BULLET::::- Nick Menza – Drummer – Megadeth

description: American musician

wikidata_label: Anthony Gallo

wikipedia_title: Anthony Gallo


text:
Japanese
poet
calligrapher
Heian period
Emperor Go-Reizei
Emperor Shirakawa
Emperor Horikawa
Senior Second Rank
Dainagon
"National Treasure"
"Important Art Object"
"Important Cultural Property"
Fujiwara no Michinaga
Fujiwara no Nagaie
Fujiwara no Toshitada
Mikohidari
"Hokke" branch
Fujiwara clan
Fujiwara no Toshinari
Fujiwara no Sadaie

paragraph: Fujiwara no Tadaie

paragraph: , also known as Mikohidari Tadaie, was a Japanese statesman, courtier, politician, poet and calligrapher during the Heian period.

paragraph: Section::::Career at court.

paragraph: He was a minister during the reigns of Emperor Go-Reizei, Emperor Shirakawa and Emperor Horikawa.

paragraph: Tadaie did well at court, rising to the Senior Second Rank and the office of "Dainagon" (Major Counselor).

paragraph: Section::::Career at court.:Poet.

paragraph: In this period of Japanese history, the duties of Imperial courtiers included an expectation that each would create and present poems.

paragraph: An incident from Tadaie's life is featured in a poem which captured a fleeting moment and a gallant gesture:

paragraph: Section::::Career at court.:Calligrapher.

paragraph: Examples of calligraphy attributable to Tadaie are identified variously by the Japanese government as a "National Treasure", as an "Important Art Object" and as an "Important Cultural Property".

paragraph: Section::::Genealogy.

paragraph: Tadaie's grandfather was Fujiwara no Michinaga; and his father was Fujiwara no Nagaie. The son of Tadaie was Fujiwara no Toshitada (1071–1123). This lineage was identified as the "Mikohidari" lineage within the "Hokke" branch of the Fujiwara clan.

paragraph: Tadaie was the grandfather of the poet Fujiwara no Toshinari (1114–1204), who was also known as Shunzei. Tadaie was the great-grandfather of Fujiwara no Sadaie, also known as Fujiwara no Teika.

paragraph: Section::::References.

paragraph: BULLET::::- Porter, William N. (1909). "A Hundred Verses from Old Japan, Being a Translation of the Hyaku-nin-isshiu." Oxford: Oxford University Press.

paragraph: BULLET::::- Sato, Hiroaki. (2008). "Japanese Women Poets: an Anthology." Armonk, New York: M.E. Sharpe.;

wikidata_label: Fujiwara no Tadaie

wikipedia_title: Fujiwara no Tadaie


text:
painter
pronkstilleven
vanitas
genre scenes
Antwerp
Philips de Marlier
Frans Francken III
Guild of St. Luke
Simon Renard de St. André
Gemäldegalerie Alte Meister
Dresden
David Teniers the Younger
Nicolaes van Verendael
pronkstilleven
Jan Davidsz. de Heem
Montreal Museum of Fine Arts
vanitas
Orlande de Lassus
Birmingham Museum of Art
Charles I of England
Frans Snyders
Jan Fyt
Abraham van Beijeren
Alexander Adriaenssen
Jan Brueghel the Elder
cardinal
Federico Borromeo
Hendrick van Balen
Andries Daniels
Peter Paul Rubens
Daniel Seghers
Counter-Reformation
Mary
Habsburg
host
cartouche
Princeton University Art Museum
Peter Paul Rubens

categories: 1623 births,Flemish still life painters,People from Antwerp,Flemish Baroque painters,Members of the Antwerp Guild of Saint Luke

paragraph: Carstian Luyckx

paragraph: Carstian Luyckx, also known as the Monogrammist KL (1623 – c. 1675), was a Flemish painter and draughtsman who specialized in still lifes in various subgenres including flower still lifes, fruit still lifes, fish still lifes, pronkstillevens (sumptuous still lifes), "vanitas" still lifes, hunting pieces and garland paintings. He also painted animals and a few genre scenes. After starting his career in Antwerp he is believed to have worked later in France.

paragraph: Section::::Life.

paragraph: Carstian Luyckx was born in Antwerp in 1623 as the son of David Luycx en Margriet Cloot. He was baptized on 17 August 1623. He studied painting under Philips de Marlier, a still life specialist, in 1642 and under Frans Francken III, a history painter, in 1645.

paragraph: In 1645 he became a master of the Antwerp Guild of St. Luke. He is documented in Antwerp up to August 1653. It is believed that he left Antwerp and worked in France as many of his later works carry French inscriptions. During his residence in France, Luyckx influenced other "vanitas" painters, including Simon Renard de St. André.

paragraph: It is not clear when and where Luyckx died but his death date is assumed to fall between the years 1657 and 1677.

paragraph: Section::::Work.

paragraph: Section::::Work.:General.

paragraph: Luyckx was a successful artist who worked in many still life genres and also painted animals and a few genre scenes. He fell into oblivion after his death. Only two dated works are known to exist, making it difficult to establish a chronology for his oeuvre.

paragraph: Luyckx is known to have collaborated with other Antwerp painters. The Gemäldegalerie Alte Meister in Dresden holds a painting referred to as "Kitchen still life with vase of flowers, dead birds, fish and a cat". It is a collaboration of Luyckx with David Teniers the Younger who painted the architectural elements and Nicolaes van Verendael who painted the flowers in a vase. Luyckx painted the game still life, bird cage, dead fish and the cat.

paragraph: Section::::Work.:Pronkstillevens.

paragraph: A large portion of his output consists of pronkstillevens, the sumptuous still lifes that were popular in Flanders and the Dutch Republic from the 1640s. Luyckx’ work in this genre was influenced by the artist Jan Davidsz. de Heem who was active in both Antwerp and the Dutch Republic. A representative example in this genre is the "" (Montreal Museum of Fine Arts). This work dates from about 1650 and is painted on copper.

paragraph: Section::::Work.:Vanitas.

paragraph: Luyckx was especially known for his "vanitas" still lifes, a genre of still lifes which are intended as a reflection on the meaninglessness of earthly life and the transient nature of all earthly goods and pursuits. He had followers in France such as Simon Renard de St. André and vanitas works by Luyckx have in the past been attributed to these artists. This is for instance the case with the composition "" (Sold at Sotheby's on 6 December 2012 in London, lot 201) previously given to St. André. This composition shows a musical score, which contains a single vocal part of a religious Latin choral composition, the text of which specifically relates to death. The inscription on the musical score probably refers to the 16th-century composer Orlande de Lassus.

paragraph: Another vanitas still life is the "Allegory of Charles I of England and Henrietta of France in a Vanitas Still Life" (Birmingham Museum of Art). The subject here refers to the troubled life of Charles I of England and is a reflection on the suddenness of death and the vanity of early power and glory. The bubbles in the composition symbolize the brevity of the life of Charles I who was beheaded at the age of 44. The broken skull conveys the fragility of human beings and the globe symbolizes the transience of power and possessions.

paragraph: Section::::Work.:Hunting pieces and animals.

paragraph: His hunting pieces (game still lifes) were influenced by the Flemish specialists in this genre Frans Snyders and especially Jan Fyt. An example of his hunting pieces is "" (Sold at Christie's on 20–21 November 2013 in Amsterdam, lot 168). This work is believed to date to the transitional phase between Luyckx’ Antwerp and French periods in the 1650s.

paragraph: Some fish still lifes by Luyckx have previously been attributed to Abraham van Beijeren or followers of Alexander Adriaenssen.

paragraph: Luyckx painted compositions with life animals a good example of which is the "" (The Kremer Collection).

paragraph: Section::::Work.:Flower and garland paintings.

paragraph: Carstian Luyckx painted flower paintings as well as garland paintings, a special type of still life developed in Antwerp at the beginning of the 17th century by Jan Brueghel the Elder in collaboration with the Italian cardinal Federico Borromeo.

paragraph: Other artists involved in the early development of the genre included Hendrick van Balen, Andries Daniels, Peter Paul Rubens and Daniel Seghers. The genre was initially connected to the visual imagery of the Counter-Reformation movement. It was further inspired by the cult of veneration and devotion to Mary prevalent at the Habsburg court (then the rulers over the Southern Netherlands) and in Antwerp generally). Garland paintings typically show a flower garland around a devotional image, portrait or other religious symbol (such as the host). Garland paintings were typically collaborations between a still life specialist and a figure painter.

paragraph: Luyckx painted a number of garland paintings. In a few of these the cartouche was painted later by an unknown hand. An example is the "" (Princeton University Art Museum), which shows a flower garland around a portrait of Peter Paul Rubens painted at a later date by an unknown artist. This may be an indication that the painting had remained unsold during his lifetime. Luyckx rendered the flowers with such specificity that they can be identified easily. They are a combination of familiar Western European garden plants such as carnations and columbines as well as exotic varieties from the Orient, including the pink damask rose and the tulip. Luyckx included the rare parrot tulip, an extremely expensive variety at that time.

alias:
Christian Lucks
Carstiaen Lucks
Christian Luycx
Carstiaen Lux
Carstiaen Luycks
Christian Luck
Christian Lux
Corstiaen Lucx
Christiaan Luyckx
Christiaan Lucks
Christian Luycks
Christiaan Lux
Christiaan Luycks
Cristian Ludol
Lux
Cristian Ludoc
Lucks
Luckx
Cars de Lücker
Cristiaen Lucx
Carotian Lichx
Luck
Luycks
Lucker
Cristiaen Luckx
Christian Luckx
Christ. Lükx

description: Flemish painter

wikidata_label: Carstian Luyckx

wikipedia_title: Carstian Luyckx


href: painting engraving France portrait vanitas Carstian%20Luyckx Acad%C3%A9mie%20des%20Beaux-Arts

text:
painter
copperplate engraver
France
portrait
vanitas
Carstian Luyckx
Académie des Beaux-Arts

categories: 17th-century French painters,1677 deaths,Year of birth uncertain

paragraph: Simon Renard de St. André

paragraph: Simon Renard de St. André (1613 or 1614–1677) was a painter and copperplate engraver born in the 17th century in France. In his lifetime, he was regarded as a highly skilled portraitist.

paragraph: A number of vanitas paintings have traditionally been attributed to the artist. Most of these works have now been attributed to Carstian Luyckx, a Flemish still life painter active in Paris.

paragraph: Renard was recorded as being the painter to the queen in 1646, and was received into the Académie des Beaux-Arts in 1663.

alias:
Simon Bernard De Saint-Andre
Simon Renard de Saint-Andre
Simon Bernard de Saint-Andre
Simon Renard De Saint-Andre

description: painter from France

wikidata_label: Simon Renard de Saint-André

wikipedia_title: Simon Renard de St. André


text:
Bob Dylan
The Band
Eric Clapton
The Rolling Stones
Tim Hardin
The Beach Boys
Joe Cocker
Bonnie Raitt
Island Records
Bob Marley
Martin Scorsese
The Last Waltz
Keith Richards
Life
Phil Spector
Gold Star Studios
Jimmy Iovine
Bob Dylan
Allen Ginsberg
Patti LaBelle
Eric Carmen
John Lennon
The Village Recorder
Geordie Hormel
Sail On, Sailor
The Beach Boys
Ron Malo
Jimmy Miller
Rolling Stones
Goat's Head Soup
Planet Waves
Bob Dylan
The Band
Joe Cocker
You Are So Beautiful
Wayne Shorter
Bob Dylan
The Band
The Band
Northern Lights – Southern Cross
Eric Clapton
No Reason to Cry
Wayne Shorter
Bonnie Raitt
Green Light
Tim Hardin
Unforgiven
Blondie Chaplin
Martin Scorsese
The Band
The Last Waltz
Chris Blackwell
Melissa Etheridge
Robert Palmer
Buckwheat Zydeco
John Martyn
Etta James
The Bongos
Bob Marley
Phoebe Snow
Wendy Wall
Alvin Lee
John Mooney
Ivan Neville
Gary Nicholson
John Mooney
The Wingless Angels
Keith Richards
Bridges to Babylon
Hubert Sumlin
Wendy Wall
Bonnie Raitt
Keith Richards
You Win Again
Hank Williams
Hubert Sumlin
Rob Fraboni Discography
Audio interview with Rob Fraboni

categories: Living people,American record producers,1951 births

paragraph: Rob Fraboni

paragraph: Rob Fraboni (born 23 April 1951) is a California-born record producer and audio engineer well known for his work with Bob Dylan, The Band, Eric Clapton, The Rolling Stones, Tim Hardin, The Beach Boys, Joe Cocker, and Bonnie Raitt, and as Vice President at Island Records where he oversaw the remastering of the entire Bob Marley catalog. He produced the soundtrack on Martin Scorsese's groundbreaking concert movie, "The Last Waltz", which included an all-star cast of famous rock and roll performers. He built and designed the legendary Shangri-La studios in Malibu to the specification of Bob Dylan and the Band. Referred to as a "genius" by Keith Richards in his bestselling autobiography "Life".

paragraph: Section::::Early years.

paragraph: As a young teenager in southern California, the future grammy winner hitchhiked to Hollywood and sat in on recording sessions with Phil Spector at Gold Star Studios.

paragraph: He moved to New York City in 1971 and studied under Al Grundy at the Institute for Audio Research. From there he began working with Herb Abramson A-1 studios and recorded artists such as Dave "Baby" Cortez and Michael Brown. He then went on to work at the Record Plant with engineers Chris Stone, Roy Cicala, Jack Adams, Shelly Yakus, Tom Flye, Jack Douglas, Jimmy Iovine, and Dennis Ferrante. While at the Record Plant he worked with such luminaries as Bob Dylan, Allen Ginsberg, Patti LaBelle & the Bluebelles, Eric Carmen's the Raspberries, and John Lennon.

paragraph: Section::::The Village Recorder (1972–1976).

paragraph: In 1972 Fraboni moved back to California and was hired as a maintenance engineer at The Village Recorder but was quickly promoted to chief engineer by owner Geordie Hormel. There he engineered "Sail On, Sailor" for The Beach Boys and mixed half of the Holland record, which would be his first album that made it on the charts.

paragraph: When I worked as an engineer at The Village Recorder – this is 1973 I think – there was a guy, Ron Malo, who worked at Chess Records. Malo came down because the guy that was managing The Village Recorder used to work with Chess Records’ Dick LaPalm. He invited Malo down to visit, and he happened to be the chief recording engineer that worked with the Rolling Stones when they recorded their music at Chess. So Ron and I had a lot to discuss about audio engineering techniques. That was interesting because the Stones did 19 songs in two days and mixed them to four-track. Malo suggested music production should be kept as simple as possible.

paragraph: He then worked with Jimmy Miller on the Rolling Stones album "Goat's Head Soup" as well as "Planet Waves" with Bob Dylan and The Band. Dylan then invited him to be a sound consultant for the Dylan/Band tour in 1974. Also recorded at "the Village" were albums with Joe Cocker (including "You Are So Beautiful"), Wayne Shorter and Nicholas Tremulis.

paragraph: Section::::Shangri-La (1976–1985).

paragraph: In 1976, Fraboni designed and built Shangri-La Studios in Malibu, CA, to the precise specifications of Bob Dylan and The Band. He was president and co-owner of the studio for ten years he worked on The Band's "Northern Lights – Southern Cross", Eric Clapton's "No Reason to Cry", Wayne Shorter's "Native Dancer", Bonnie Raitt's "Green Light", Tim Hardin's "Unforgiven" and Blondie Chaplin's self-titled solo debut. Also during this time, he spent 18 months working with Martin Scorsese and The Band on the soundtrack for "The Last Waltz", considered one of the greatest concert films ever made. Also during this time, in both Eric Clapton and Pattie Boyd's separate biographies, he is credited with delivering the actual proposal between the two and served as Best Man at their wedding.

paragraph: Section::::Island Records (1985–1990).

paragraph: In 1985, Fraboni was hired and moved back to New York by Island Records' founder Chris Blackwell as the corporate vice president of Island Records. There he worked closely with Blackwell in all creative aspects of the company, handling signings, A&R, product management, artist development, quality control, and remastering of artists' catalogs. He worked as executive producer on Melissa Etheridge's self-titled debut record; served as music director on the Good to Go Film Project; worked with Robert Palmer; helped remaster U2's "Joshua Tree"; produced Buckwheat Zydeco, Nick Tremulis, and John Martyn; signed Etta James to Island; sat in on sessions with The Bongos; and went to Barry Diament, to remaster all of Bob Marley's catalog for CD on Tuff Gong in 1989.

paragraph: After leaving Island just prior to its sale to Polygram, he worked with Phoebe Snow and Wendy Wall. Fraboni started Domino Records in the early '90s, which released recordings by Alvin Lee, John Mooney, Cowboy Mouth, and Rusty Kershaw. With new backing for Ardeo Records in the mid-'90s, he released Ivan Neville's "Thanks", Gary Nicholson's "The Sky's Not the Limit", and Bellevue Cadillac's "Black and White". He produced John Mooney again for the House of Blues release "Against the Wall". At Keith Richards' home in Jamaica during Thanksgiving 1995, he and Richards co-produced some of the only nyahbinghi recordings ever made outdoors. Keith's label, Mindless Records released these as The Wingless Angels. He also produced Keith Richards' material on the Rolling Stone's "Bridges to Babylon" in 1997 as well as served as a sound consultant on the subsequent tour. Fraboni launched his QRS Entertainment in 2003 with "About Them Shoes", a recording by Hubert Sumlin which features appearances by Clapton, Keith Richards, and others. The label also has music by Nick Tremulis, Sir Mack Rice, Sean Walshe, and Blondie Chaplin.

paragraph: Section::::Awards.

paragraph: Fraboni was nominated for Producer of the Year at the New York Music Awards in 1989 for a Wendy Wall album on SBK which won Best Folk Album of the Year. He received a Grammy nomination in 1982 for a Bonnie Raitt record, "Green Light", as well as a Grammy nomination in 1978 for "The Last Waltz" movie soundtrack. The Stones' "Bridges to Babylon" was nominated for Best Rock Album of 1997. He won a Grammy in 2002 for best Country Album for his production of Keith Richards' performance of "You Win Again" on the Hank Williams tribute album, "Timeless". For Hubert Sumlin's "About Them Shoes" he received a 2005 Grammy nomination for "Best Blues Album" and won "Best Blues Album" at The Blues Music Awards in 2006.

paragraph: Section::::Discography.

paragraph: See full discography at Rob Fraboni Discography

paragraph: Section::::External links.

paragraph: BULLET::::- Audio interview with Rob Fraboni

paragraph: BULLET::::- robfraboni.com

description: Audio Engineer

wikidata_label: Rob Fraboni

wikipedia_title: Rob Fraboni


text: Profile at Oita Trinita

categories: Chuo University alumni,Oita Trinita players,Association football people from Saitama Prefecture,Japanese footballers,J2 League players,J3 League players,FC Tokyo U-23 players,Blaublitz Akita players,1989 births,J1 League players,Association football forwards,FC Tokyo players,Fagiano Okayama players,Living people

paragraph:
Yohei Hayashi
Section::::Club statistics.
"Updated to 23 February 2017".
Section::::External links.
BULLET::::- Profile at Oita Trinita

description: Japanese footballer

wikidata_label: Yohei Hayashi

wikipedia_title: Yohei Hayashi


categories: Olympic basketball players of Mexico,2010 deaths,Sportspeople from Ciudad Juárez,Basketball players at the 1959 Pan American Games,Mexican men's basketball players,Basketball players from Chihuahua,Basketball players at the 1963 Pan American Games,Basketball players at the 1968 Summer Olympics,Basketball players at the 1971 Pan American Games,San Diego Rockets draft picks,Basketball players at the 1960 Summer Olympics,Basketball players at the 1967 Pan American Games,Basketball players at the 1964 Summer Olympics,Pan American Games silver medalists for Mexico,1939 births,Pan American Games medalists in basketball

paragraph: Carlos Quintanar

paragraph: [[File:Aguja Quintanar México.jpg|thumb|Carlos Quintanar at the [[1964 Summer Olympics|1964 Summer Olympics.]]

paragraph: Carlos Quintanar (2 June 1937 – 14 October 2010) was a Mexican [[basketball]] player from [[Chihuahua (state)|Chihuahua]] who was the Captain of the [[Mexico national basketball team|Mexico national team]] in the [[1960 Summer Olympics]], the [[1964 Summer Olympics]], and the [[1968 Summer Olympics]].

paragraph: He also competed in the [[1959 FIBA World Championship|1959 World Championship]], the [[1963 FIBA World Championship|1963 World Championship]], the [[1967 FIBA World Championship|1967 World Championship]], and the [[1970 FIBA World Championship|1970 World Championship]]; and represented [[Mexico]] in 4 [[Pan American Games]]: [[1959 Pan American Games|Chicago 1959]], [[1963 Pan American Games|Sāo Paulo 1963]], [[1967 Pan American Games|Winnipeg 1967]], and [[1971 Pan American Games|Cali 1971]]

paragraph: Carlos Quintanar was nicknamed "Aguja", "Pistolitas" and "The Yokohama Sensation" after being the Most Valuable Player of the [[1964 Pre-Olympic Basketball Tournament|1964 Pre-Olympics]], held in [[Yokohama]], Japan. He won the Silver medal in the [[1967 Pan American Games]] in [[Winnipeg|Winnipeg, Manitoba]], Canada. "Aguja" Quintanar is considered to be the greatest [[Mexican people|Mexican]] player ever to step into the court.

paragraph: Quintanar is the second Mexican to be drafted by a [[National Basketball Association]] team (after his Olympic teammate [[Manuel Raga]]); he was drafted in 1971 by the [[San Diego Rockets]] in the 18th round (234th overall pick) of [[1971 NBA draft|that year's NBA draft]] (his surname was misspelled Quintar). However, he never played professionally to maintain his amateur status.

paragraph: Section::::External link.

paragraph: [[Category:1939 births]]

paragraph: [[Category:2010 deaths]]

paragraph: [[Category:Mexican men's basketball players]]

paragraph: [[Category:Basketball players from Chihuahua]]

paragraph: [[Category:Sportspeople from Ciudad Juárez]]

paragraph: [[Category:Olympic basketball players of Mexico]]

paragraph: [[Category:Basketball players at the 1960 Summer Olympics]]

paragraph: [[Category:Basketball players at the 1964 Summer Olympics]]

paragraph: [[Category:Basketball players at the 1968 Summer Olympics]]

paragraph: [[Category:Basketball players at the 1959 Pan American Games]]

paragraph: [[Category:Basketball players at the 1963 Pan American Games]]

paragraph: [[Category:Basketball players at the 1967 Pan American Games]]

paragraph: [[Category:Basketball players at the 1971 Pan American Games]]

paragraph: [[Category:San Diego Rockets draft picks]]

paragraph: [[Category:Pan American Games medalists in basketball]]

paragraph: [[Category:Pan American Games silver medalists for Mexico]]

description: Olympic basketball player

wikidata_label: Carlos Quintanar

wikipedia_title: Carlos Quintanar


text:
Count of Barcelona
Girona
Ausona
Count of Urgell
Sunyer II
Miró I
Sunifred II
Old Catalonia
Sunyer
Count of Toulouse
Rouergue
Ramon Borrell
Ermengol
Auvergne
Barcelona
Almanzor
al-Hakam II
Muslim rulers of Córdoba
Pope John XIII
Emperor Otto I
Aurillac
Gerbert of Aurillac
Atto of Vic
Monastery of Santa Maria de Ripoll
Otto II
Hispanic March
Lothar III
King of the Western Franks
Hugh Capet
France
la Seu d'Urgell
executor

categories: Counts of Barcelona,993 deaths,10th-century births

paragraph: Borrell II, Count of Barcelona

paragraph: Borrell II (died 993) was Count of Barcelona, Girona, and Ausona from 945 and Count of Urgell from 948.

paragraph: Borrell was first seen acting as Count during the reign of his father Sunyer II in 945 at the consecration of the nunnery church of Sant Pere de les Puelles in Barcelona. In 947, Sunyer retired to monastic life and ceded the government of his realms jointly to his sons Borrell and Miró I. In 948, Borrell inherited Urgell from his uncle Sunifred II. Sunyer died in 950, and Miró died in 966, leaving Borrell sole ruler of more than half of Old Catalonia, a status which led outsiders and flatterers to refer to him as "dux Gothiae", "Duke of Gothia". His own documents almost all refer to him merely as "comes et marchio", "Count and Marquis".

paragraph: Section::::History.

paragraph: Borrell was the son of Sunyer. In 967 he married Letgarda, who is speculated to have been daughter of a Count of Toulouse or Rouergue based on the names given to her children. By her Borrell had two sons and two daughters: Ramon Borrell (972-1017), Ermengol (974–1010), Ermengarda and Richilda. After Letgarda's death "circa" 986, he married Eimeruda of Auvergne in 987.

paragraph: Borrell's military career seems to have been undistinguished — he is recorded as fighting only two battles and seems to have lost both - and it was under his rule that Barcelona was sacked in 985 by the Muslim leader Almanzor. On the other hand, he had far greater success as a diplomat. Before the attacks of the 980s, and discounting a single raid by the Caliph al-Hakam II soon after his succession in 961, he maintained cordial relations with the Muslim rulers of Córdoba and also sent emissaries to the kings of the Franks. Furthermore, in 970, he voyaged to Rome to meet with both Pope John XIII and Emperor Otto I.

paragraph: Borrell was also a patron of learning and culture. In 967, Borrell visited the monastery of Aurillac and the Abbot asked the count to take Gerbert of Aurillac (the future Pope Sylvester II) with him so that the boy could study mathematics in Spain. In the following years, Gerbert studied under the direction of Bishop Atto of Vic, some 60 km north of Barcelona, and probably also at the nearby Monastery of Santa Maria de Ripoll. He was also taken on the 970 embassy to Rome, during which the Pope persuaded Otto to employ Gerbert as a tutor for his young son, the future emperor Otto II.

paragraph: In 985 the Hispanic March was attacked by the Muslim general Almanzor, who managed to take Barcelona, which was pillaged and sacked. Many citizens were taken prisoner by the Muslim forces. Borrell sent a request for help to King Lothar III, the current King of the Western Franks, but although documents of Borrell's refer to royal orders that must have come from this embassy, actual military assistance was beyond Lothar's power. What appears to have been a similar plea to Hugh Capet resulted in a letter from Hugh to Borrell promising aid if the count preferred "to obey us rather than the Ishmaelites", but in any event Hugh could not persuade his nobles to support a southern expedition. No answer to Hugh's letter is known from Borrell, and the connection between the March and France was effectively broken. Catalan historians now consider this the point at which Catalonia became a sovereign power, and the millennium of their independence was celebrated in 1987 with conferences and numerous publications; however it appears that Catalan counties other than Borrell's retained links with the Frankish crown for a little longer.

paragraph: From 988, Borrell's sons Ramon Borrell and Ermengol appear as rulers in a divided territory, with Ramon Borrell being count of Barcelona, Girona, and Osona and Ermengol being count of Urgell. Borrell II continued to issue documents and tour his domains, however, and when he was taken ill in 993 in Castellciutat near la Seu d'Urgell, the will that he made provided for him outliving his executors. It was not to be, however, and his death followed soon afterwards.

paragraph: Section::::Notes.

paragraph: br

description: Count of Barcelona

wikidata_label: Borrell II, Count of Barcelona

wikipedia_title: Borrell II, Count of Barcelona


text: artist

text: Sydney

text: Australia

text: Newington College

text: Barker College

text: Geelong Grammar School

text: The University of Sydney

text: Bachelor of Arts

text: solicitor

text: Supreme Court of New South Wales

text: Roderick Meagher

text: National Trust

text: Australian architecture

text: Lionel Lindsay

text: New York City

text: New York Historic Architecture series

text: Simon Fieldhouse

text: Book review

categories: People educated at Newington College,People educated at Geelong Grammar School,1956 births,Australian painters,Australian lawyers,People from Sydney,Living people

paragraph: Simon Fieldhouse

paragraph: Simon Fieldhouse (born 25 March 1956) is an artist based in Sydney, Australia. He was educated at Newington College (1963), Barker College, Geelong Grammar School and The University of Sydney where he obtained a Bachelor of Arts.

paragraph: He studied law and practiced briefly as a solicitor, ceasing in 1988.

paragraph: He was co-author of "Portraits on Yellow Paper" with former Supreme Court of New South Wales judge Roderick Meagher. His works have been exhibited widely and his paintings used to illustrate the National Trust desk diaries "Historic Architecture of Australia" in 2002 and "Historic Architecture of Australia II" in 2004. The Chancellor's Committee of The University of Sydney produced a collection of greeting and gift cards using some of his University paintings in 2002.

paragraph: He has produced many paintings depicting historic Australian architecture with whimsical characters.

paragraph: In 2006 he was commissioned by the Faculty of Medicine at the University of Sydney to produce 35 portraits of its professors of medicine. This series follows that of Sir Lionel Lindsay, who produced professors' portraits in 1916.

paragraph: Fieldhouse also has completed a series of paintings of historic architecture of New York City.

paragraph: Section::::External links.

paragraph: BULLET::::- Simon Fieldhouse website, including some examples of his artwork

paragraph: BULLET::::- New York Historic Architecture series

paragraph: BULLET::::- Simon Fieldhouse

paragraph: BULLET::::- Book review of "Portraits on Yellow Paper".

description: Australian artist

wikidata_label: Simon Fieldhouse

wikipedia_title: Simon Fieldhouse


text: Billy Jack

text: Starsky and Hutch

text: André Previn

text: Shady Grove

text: Laurel

text: Grand Ole Opry

text: Jan Savitt

text: John Hammond

text: Ray McKinley

text: Benny Goodman

text: Café Society

text: NBC

text: Ed Shaughnessy

text: Today Show

text: Armstrong Circle Theatre

text: Walter Matthau

text: Doc Severinsen

text: Jimmy Dorsey

text: Tommy Dorsey

text: Bill Evans

text: Billie Holiday

text: Red Norvo

text: Charles Mingus

text: Charlie Parker

text: Sauter-Finegan Orchestra

text: Lester Young

text: Orrin Keepnews

text: Carmen McRae

text: Sarah Vaughan

text: André Previn

text: Tete Montoliu

text: Great Guitars

text: Monterey Jazz Festival

text: Benny Carter

text: Miles Davis

text: Ella Fitzgerald

text: Johnny Hodges

text: Rahsaan Roland Kirk

text: Lee Konitz

text: Peggy Lee

text: Fats Navarro

text: Shirley Scott

text: Dinah Washington

text: Ben Webster

text: Holly Hoffman

text: Betty Bennett

text: RCA Victor

text: The Mundell Lowe Quartet

text: Riverside

text: Guitar Moods

text: New Music of Alec Wilder

text: A Grand Night for Swinging

text: Porgy & Bess

text: RCA Camden

text: TV Action Jazz!

text: Roger Kellaway

text: Jimmy Rowles

text: Jazz Alliance

text: Fresh Sound

text: Tete Montoliu

text: Concord

text: Charlie Byrd

text: Herb Ellis

text: Nagel-Heyer

text: Lloyd Wells

text: Jim Ferguson

text: Satan in High Heels

text: A Time for Killing

text: Billy Jack

text: The Wild Wild West

text: Love on a Rooftop

text: Hawaii Five-O

text: Starsky and Hutch

text: B.A.D. Cats

text: Tony Bennett

text: My Heart Sings

text: Columbia

text: Who Can I Turn To

text: Ruth Brown

text: Miss Rhythm

text: Atlantic

text: Late Date with Ruth Brown

text: Benny Carter

text: Further Definitions

text: Impulse!

text: 'Live and Well in Japan!

text: Elegy in Blue

text: Rosemary Clooney

text: On the First Warm Day

text: Al Cohn

text: Son of Drum Suite

text: Sammy Davis Jr.

text: Decca

text: Blossom Dearie

text: Once Upon a Summertime

text: Verve

text: Don Elliott

text: Rusty Dedrick

text: Counterpoint for Six Valves

text: Jimmy Forrest

text: Soul Street

text: Ella Fitzgerald

text: Rhythm Is My Business

text: Johnny Hodges

text: Blue Rabbit

text: Wild Bill Davis

text: Con-Soul & Sax

text: Billie Holiday

text: My Man

text: Porgy

text: Ain't Nobody's Business If I Do

text: Baby Get Lost

text: J. J. Johnson

text: Broadway Express

text: Quincy Jones

text: Mercury

text: Richie Kamuca

text: Barry Manilow

text: Arista

text: Herbie Mann

text: Our Mann Flute

text: Carmen McRae

text: Carmen McRae

text: Bethlehem

text: Blue Moon

text: Birds of a Feather

text: Harmony

text: Joe Mooney

text: Charlie Parker

text: André Previn

text: Uptown

text: Telarc

text: Old Friends

text: Polygram

text: Kiri Te Kanawa

text: What Headphones?

text: Angel

text: André Previn and Friends Play Show Boat

text: Deutsche Grammophon

text: Jazz at the Musikverein

text: Verve

text: Johnnie Ray

text: Cry

text: Okeh

text: Lalo Schifrin

text: New Fantasy

text: Shirley Scott

text: For Members Only

text: Sarah Vaughan

text: Sarah Vaughan in Hi-Fi

text: After Hours

text: Roulette

text: George Duvivier

text: Ben Webster

text: The Soul of Ben Webster

text: Official site

text: NAMM Oral History Interview

categories: 20th-century American guitarists,1922 births,Guitarists from Mississippi,RCA Records artists,Riverside Records artists,2017 deaths,American jazz guitarists,People from Smith County, Mississippi

paragraph: Mundell Lowe

paragraph: James Mundell Lowe (April 21, 1922 – December 2, 2017) was an American jazz guitarist who worked often in radio, television, and film, and as a session musician.

paragraph: He produced film and TV scores in the 1970s, such as the "Billy Jack" soundtrack and music for "Starsky and Hutch", and worked with André Previn's Trio in the 1990s.

paragraph: Section::::Career.

paragraph: The son of a Baptist minister, Lowe grew up on a farm in Shady Grove, Mississippi, near Laurel. He started playing guitar when he was eight years old, with his father and sister acting as his first teachers. When he was thirteen, he began running away from home to play in bands. Occasionally his father would find him, bring him home, and warn him about the dangers of whiskey. At sixteen, Lowe worked in Nashville on the "Grand Ole Opry" radio program. He was a member of the Jan Savitt orchestra before serving in the military during World War II.

paragraph: At basic training, he became friends with John Hammond, who organized weekend jam sessions. He performed in an Army dance band while in Guadalcanal. After his discharge, he called Hammond, looking for work, and Hammond sent him to Ray McKinley. He spent two years with McKinley's big band in New York City. He joined the Benny Goodman orchestra, then worked intermittently for the next few years at Café Society and other clubs in New York.

paragraph: In 1950, he was hired by NBC as a staff musician. He and Ed Shaughnessy were members of the "Today Show" band for over ten years. Lowe acted in an episode of the "Armstrong Circle Theatre" television show that included Walter Matthau and live music by Doc Severinsen.

paragraph: On the weekends he played jazz, sometimes getting permission from NBC to leave for six-month periods. In the jazz world he played with Jimmy Dorsey and Tommy Dorsey, Bill Evans, Billie Holiday, Red Norvo, Charles Mingus, Charlie Parker, Sauter-Finegan Orchestra, and Lester Young. He composed and arranged for NBC. He was responsible for introducing pianist Bill Evans to record producer Orrin Keepnews, resulting in Evans's first recordings as a leader.

paragraph: In 1965 he moved to Los Angeles and worked for NBC as a staff guitarist, composer, and arranger. He wrote music for the TV shows "Hawaii Five-O", "Starsky & Hutch", and "The Wild Wild West", and the movies "Billy Jack" and "Everything You Always Wanted to Know About Sex, But Were Afraid to Ask". He recorded with Carmen McRae and Sarah Vaughan. During the 1980s, he worked with André Previn, Tete Montoliu, and the Great Guitars. He was a teacher at the Guitar Institute of Technology and the Grove School of Music. For several years, he was music director of the Monterey Jazz Festival.

paragraph: During his career, he worked with Benny Carter, Miles Davis, Ella Fitzgerald, Johnny Hodges, Rahsaan Roland Kirk, Lee Konitz, Peggy Lee, Fats Navarro, Shirley Scott, Dinah Washington, and Ben Webster. In the later decades of his life he collaborated often with flautist Holly Hoffman. At the age of 93, he released the album "Poor Butterfly".

paragraph: Lowe was married to singer Betty Bennett, his third wife, for 42 years. In his last years, the couple lived in San Diego. He died on December 2, 2017, at the age of 95.

paragraph: Section::::Discography.

paragraph: Section::::Discography.:As leader.

paragraph: BULLET::::- 1953: "The Mundell Lowe Quintet" (RCA Victor)

paragraph: BULLET::::- 1955: "The Mundell Lowe Quartet" (Riverside)

paragraph: BULLET::::- 1956: "Guitar Moods" (Riverside)

paragraph: BULLET::::- 1956: "New Music of Alec Wilder" (Riverside)

paragraph: BULLET::::- 1957: "A Grand Night for Swinging" (Riverside)

paragraph: BULLET::::- 1958: "Porgy & Bess" (RCA Camden)

paragraph: BULLET::::- 1959: "TV Action Jazz!" (RCA Camden)

paragraph: BULLET::::- 1960: "Themes from Mr. Lucky, The Untouchables and Other TV Action Jazz" (RCA Camden)

paragraph: BULLET::::- 1974: "California Guitar" (Famous Door) with Roger Kellaway and Jimmy Rowles

paragraph: BULLET::::- 1977: "Souvenirs" (Jazz Alliance, 1977–92)

paragraph: BULLET::::- 1978: "The Incomparable" (Dobre)

paragraph: BULLET::::- 1989: "Sweet 'n' Lovely" (Fresh Sound) with Tete Montoliu

paragraph: BULLET::::- 1996: "The Return of the Great Guitars" (Concord) with Charlie Byrd and Herb Ellis

paragraph: BULLET::::- 2000: "Mundell's Moods" (Nagel-Heyer)

paragraph: BULLET::::- 2000: "This One's for Charlie" with Lloyd Wells (Azica)

paragraph: BULLET::::- 2007: "Haunted Heart" with Jim Ferguson (different Jim Ferguson than link)

paragraph: BULLET::::- 2015: "Poor Butterfly" with Lloyd Wells and Jim Ferguson

paragraph: Section::::Discography.:Film soundtracks.

paragraph: BULLET::::- 1962: "Satan in High Heels"

paragraph: BULLET::::- 1967: "A Time for Killing"

paragraph: BULLET::::- 1971: "Billy Jack"

paragraph: BULLET::::- 1972: "Everything You Always Wanted to Know About Sex (But Were Afraid to Ask)"

paragraph: BULLET::::- 1977: ""

paragraph: Section::::Discography.:TV scores.

paragraph: BULLET::::- "The Wild Wild West"

paragraph: BULLET::::- "Love on a Rooftop"

paragraph: BULLET::::- "Hawaii Five-O"

paragraph: BULLET::::- "Starsky and Hutch"

paragraph: BULLET::::- "B.A.D. Cats"

paragraph: Section::::Discography.:As sideman.

paragraph: With Tony Bennett

paragraph: BULLET::::- "My Heart Sings" (Columbia, 1961)

paragraph: BULLET::::- "Who Can I Turn To" (Columbia, 1964)

paragraph: With Gene Bianco

paragraph: BULLET::::- "Harp, Skip & Jump" (RCA Camden, 1958)

paragraph: With Ruth Brown

paragraph: BULLET::::- "Miss Rhythm" (Atlantic, 1959)

paragraph: BULLET::::- "Late Date with Ruth Brown" (Atlantic, 1959)

paragraph: With Benny Carter

paragraph: BULLET::::- "Further Definitions" (Impulse!, 1961–66)

paragraph: BULLET::::- "'Live and Well in Japan!" (Pablo Live, 1978)

paragraph: BULLET::::- "Elegy in Blue" (MusicMasters, 1994)

paragraph: With Rosemary Clooney

paragraph: BULLET::::- "On the First Warm Day" (Columbia, 1952)

paragraph: With Al Cohn

paragraph: BULLET::::- "Son of Drum Suite" (RCA Victor, 1960)

paragraph: With Sammy Davis Jr.

paragraph: BULLET::::- "Mood to Be Wooed" (Decca, 1957)

paragraph: With Blossom Dearie

paragraph: BULLET::::- "Once Upon a Summertime" (Verve, 1959)

paragraph: With Don Elliott and Rusty Dedrick

paragraph: BULLET::::- "Counterpoint for Six Valves" (Riverside, 1955–56)

paragraph: With Jimmy Forrest

paragraph: BULLET::::- "Soul Street" (New Jazz, 1962)

paragraph: With Ella Fitzgerald

paragraph: BULLET::::- "Rhythm Is My Business" (Verve, 1962)

paragraph: With Johnny Hodges

paragraph: BULLET::::- "Blue Rabbit" (Verve, 1964) with Wild Bill Davis

paragraph: BULLET::::- "Con-Soul & Sax" (RCA Victor, 1965) with Wild Bill Davis

paragraph: With Billie Holiday

paragraph: BULLET::::- "Weep No More" / "Girls Were Made to Take Care of Boys" (Decca, 1948)

paragraph: BULLET::::- "My Man" / "Porgy" (Decca, 1948)

paragraph: BULLET::::- "Ain't Nobody's Business If I Do" / "Baby Get Lost" (Decca, 1949)

paragraph: With J. J. Johnson

paragraph: BULLET::::- "Broadway Express" (RCA Victor, 1965)

paragraph: With Quincy Jones

paragraph: BULLET::::- "Quincy Jones Explores the Music of Henry Mancini" (Mercury, 1964)

paragraph: With Richie Kamuca

paragraph: BULLET::::- "Richard Kamuca Quartet 1976" (Jazzz, 1976)

paragraph: With Barry Manilow

paragraph: BULLET::::- "" (Arista, 1984)

paragraph: With Herbie Mann

paragraph: BULLET::::- "Herbie Mann Plays The Roar of the Greasepaint – The Smell of the Crowd" (Atlantic, 1965)

paragraph: BULLET::::- "Our Mann Flute" (Atlantic, 1966)

paragraph: With Carmen McRae

paragraph: BULLET::::- "Carmen McRae" (Bethlehem, 1954)

paragraph: BULLET::::- "A Foggy Day" (Stardust, 1955)

paragraph: BULLET::::- "By Special Request" (Decca, 1955)

paragraph: BULLET::::- "Blue Moon" (Decca, 1956)

paragraph: BULLET::::- "Birds of a Feather" (Decca, 1959)

paragraph: BULLET::::- "Carmen McRae Sings Lover Man and Other Billie Holiday Classics" (Harmony, 1961)

paragraph: BULLET::::- "Bittersweet" (Focus, 1964)

paragraph: With Joe Mooney

paragraph: BULLET::::- "The Greatness of Joe Mooney" (Columbia, 1963)

paragraph: With Charlie Parker

paragraph: BULLET::::- "The Legendary Rockland Palace Concert, Volume 1" (Jazz Classics, 1952)

paragraph: With André Previn

paragraph: BULLET::::- "Uptown" (Telarc, 1990)

paragraph: BULLET::::- "Old Friends" (Telarc, 1992)

paragraph: BULLET::::- "" (Polygram, 1992) with Kiri Te Kanawa

paragraph: BULLET::::- "What Headphones?" (Angel, 1993)

paragraph: BULLET::::- "André Previn and Friends Play Show Boat" (Deutsche Grammophon, 1995)

paragraph: BULLET::::- "Jazz at the Musikverein" (Verve 1997)

paragraph: With Johnnie Ray

paragraph: BULLET::::- "Cry" (Okeh, 1951)

paragraph: With Lalo Schifrin

paragraph: BULLET::::- "New Fantasy" (Verve, 1964)

paragraph: With Shirley Scott

paragraph: BULLET::::- "For Members Only" (Impulse!, 1963)

paragraph: With Sarah Vaughan

paragraph: BULLET::::- "Sarah Vaughan in Hi-Fi" (Columbia, 1949–50)

paragraph: BULLET::::- "After Hours" (Roulette, 1961) with George Duvivier

paragraph: With Ben Webster

paragraph: BULLET::::- "The Soul of Ben Webster" (Verve, 1957–58)

paragraph: Section::::External links.

paragraph: BULLET::::- Official site

paragraph: BULLET::::- NAMM Oral History Interview April 8, 2002

description: American musician

wikidata_label: Mundell Lowe

wikipedia_title: Mundell Lowe


text: KG

text: noble

text: commander

text: Hundred Years' War

text: Order of the Garter

text: Warwick Castle

text: Warwickshire

text: Guy de Beauchamp, 10th Earl of Warwick

text: Alice de Toeni

text: High Sheriff of Worcestershire

text: High Sheriff of Warwickshire

text: Leicestershire

text: Marshall

text: Crécy

text: Poitiers

text: Edward III

text: Black Prince

text: Siege of Calais

text: Collegiate Church of Saint Mary

text: cadency

text: Katherine Mortimer

text: Roger Mortimer, 1st Earl of March

text: Guy de Beauchamp

text: Isabel de Verdun

text: entail

text: Richard Beauchamp, 13th Earl of Warwick

text: honour

text: Abergavenny

text: Lady Joan FitzAlan

text: Richard FitzAlan, 11th Earl of Arundel

text: Lady Elizabeth de Bohun

text: Joan de Beauchamp, Countess of Ormond

text: Anne Boleyn

text: Maud de Beauchamp

text: Philippa de Beauchamp

text: Hugh de Stafford, 2nd Earl of Stafford

text: John Beauchamp, 3rd Baron Beauchamp

text: William de Ufford, 2nd Earl of Suffolk

text: William Painter

text: Palace of Pleasure

text: Edward III

text: William Shakespeare

text: Black Death

text: rootsweb.com

categories: Knights of the Garter,1310s births,High Sheriffs of Worcestershire,Earls of Warwick (1088),Male Shakespearean characters,Infectious disease deaths in France,Beauchamp family,High Sheriffs of Warwickshire,14th-century English nobility,People from Warwick,1369 deaths,High Sheriffs of Leicestershire,14th-century deaths from plague (disease),People of the Hundred Years' War

paragraph: Thomas de Beauchamp, 11th Earl of Warwick, KG (c. 14 February 131313 November 1369) was an English nobleman and military commander during the Hundred Years' War. In 1348 he became one of the founders and the third Knight of the Order of the Garter.

paragraph: Section::::Early life.

paragraph: Thomas de Beauchamp was born at Warwick Castle, Warwickshire, England to Guy de Beauchamp, 10th Earl of Warwick and Alice de Toeni. He served in Scotland frequently during the 1330s, being captain of the army against the Scots in 1337. He was hereditary High Sheriff of Worcestershire from 1333 until his death (in 1369). In 1344 he was also made High Sheriff of Warwickshire and Leicestershire for life.

paragraph: Section::::Victor at Crécy and Poitiers.

paragraph: Warwick was Marshall of England from 1343/4 until 1369, and was one of the commanders at the great English victories at Crécy and Poitiers.

paragraph: Thomas de Beauchamp fought in all the French wars of King Edward III; he commanded the centre at the Battle of Crecy (where many of his relatives were killed including his younger half-brother Alan la Zouche de Mortimer). He was trusted to be guardian of the sixteen-year-old Black Prince. Beauchamp fought at Poitiers in 1356 and at the Siege of Calais (1346).

paragraph: He began the rebuilding of the Collegiate Church of Saint Mary in Warwick using money received from the ransom of a French Archbishop. He died of plague in Calais on 13 November 1369 and was entombed in the Beauchamp Chapel. The chapel contains the finest example of the use of brisures for cadency in medieval heraldry—seven different Beauchamp coats of arms.

paragraph: Section::::Marriage and children.

paragraph: He married Katherine Mortimer, daughter of Roger Mortimer, 1st Earl of March. They had five sons and ten daughters:

paragraph: BULLET::::- Guy de Beauchamp (died 28 April 1360); married Philippa de Ferrers, daughter of Henry de Ferrers, 2nd Lord Ferrers of Groby, and Isabel de Verdun, by whom he had two daughters: Elizabeth (died c. 1369), and Katherine, who became a nun. His daughters were, by entail, excluded from their grandfather's inheritance.

paragraph: BULLET::::- Thomas de Beauchamp, 12th Earl of Warwick (16 March 13398 August 1401), married Margaret Ferrers, daughter of William Ferrers, 3rd Lord of Groby, and Margaret de Ufford, by whom he had issue, including Richard Beauchamp, 13th Earl of Warwick.

paragraph: BULLET::::- Reinbrun de Beauchamp (died 1361)

paragraph: BULLET::::- William de Beauchamp, 1st Baron Bergavenny (c. 13438 May 1411); inherited the honour of Abergavenny. On 23 July 1392, married Lady Joan FitzAlan, daughter of Richard FitzAlan, 11th Earl of Arundel and Lady Elizabeth de Bohun, by whom he had a son, Richard de Beauchamp, 1st Earl of Worcester, and a daughter, Joan de Beauchamp, Countess of Ormond. Queen consort Anne Boleyn was a notable descendant of the latter.

paragraph: BULLET::::- Roger de Beauchamp (died 1361)

paragraph: BULLET::::- Maud de Beauchamp (died 1403); married Roger de Clifford, 5th Baron de Clifford, by whom she had issue, including Thomas de Clifford, 6th Baron de Clifford.

paragraph: BULLET::::- Philippa de Beauchamp; married Hugh de Stafford, 2nd Earl of Stafford, by whom she had nine children.

paragraph: BULLET::::- Alice Beauchamp (died 1383); married firstly John Beauchamp, 3rd Baron Beauchamp of Somerset, and secondly Sir Matthew Gournay. She died childless.

paragraph: BULLET::::- Joan de Beauchamp; married Ralph Basset, 3rd Baron Basset of Drayton. She died childless.

paragraph: BULLET::::- Isabella de Beauchamp (died 29 September 1416); married firstly John le Strange, 5th Baron Strange, and secondly, William de Ufford, 2nd Earl of Suffolk. Upon the latter's death, she became a nun. She died childless.

paragraph: BULLET::::- Margaret de Beauchamp; married Guy de Montfort, and after his death, she became a nun. She died childless.

paragraph: BULLET::::- Elizabeth de Beauchamp; married Thomas de Ufford KG.

paragraph: BULLET::::- Anne de Beauchamp; married Walter de Cokesey.

paragraph: BULLET::::- Juliana de Beauchamp

paragraph: BULLET::::- Katherine de Beauchamp; became a nun at Shouldham Priory.

paragraph: Catherine Grandison, Countess of Salisbury was not his daughter, although she is presented as such in William Painter's "Palace of Pleasure" and in the Elizabethan play "Edward III", which may be by William Shakespeare.

paragraph: Section::::Death.

paragraph: Beauchamp's wife Katherine died on 4 August 1369. Beauchamp died three months later, on 13 November 1369, of the Black Death and was buried alongside his wife at St. Mary's Church, Warwick, Warwickshire.

paragraph: Section::::External links.

paragraph: BULLET::::- Peerage.com on Thomas de Beauchamp, Earl of Warwick

paragraph: BULLET::::- rootsweb.com

alias:
Thomas de Beauchamp
Thomas Beauchamp

description: 11th Earl of Warwick

wikidata_label: Thomas de Beauchamp

wikipedia_title: Thomas Beauchamp, 11th Earl of Warwick


text:
Visigothic
King
Hispania
Septimania
Agila I
Seville
Isidore of Seville
Roman
Justinian
Hispania Baetica
Jordanes
Justinian
Spania
J. B. Bury
Straits of Gades
Cartagena
Córdoba
Assionia
Málaga
Sagontia
Guadalquivir
Medina Sidonia
Toledo
Liuva I
Goiswintha
Brunhilda
Galswintha
Merovingian
Sigebert I
Austrasia
Chilperic
Neustria
Gregory of Tours
morgengab
Liuvigild

categories: 567 deaths,6th-century Visigothic monarchs

paragraph: Athanagild

paragraph: Athanagild ( 517 – December 567) was Visigothic King of Hispania and Septimania. He had rebelled against his predecessor, Agila I, in 551. The armies of Agila and Athanagild met at Seville, where Agila met a second defeat. Following the death of Agila in 554, he was sole ruler for the rest of his reign.

paragraph: Roger Collins writes that Athanagild's reign "is perhaps more significant than our sources may care to let us believe." Collins argues that the account of Isidore of Seville may be colored by the hostility subsequent Visigothic kings had towards Athanagild and his descendants.

paragraph: Section::::The Roman invasion.

paragraph: During the conflict between the two, a Roman force sent by Justinian seized control of a large portion of Hispania Baetica (Andalusia). The pretext for their arrival is unclear. Peter Heather states that Jordanes implies that Agila had summoned them. Isidore of Seville offers two conflicting stories: in the section on Agila, the Goths surrounding him killed him out of fear "that Roman soldiers might invade Spain on the pretext of giving help"; while in the following section Isidore states Athanagild had asked Justinian for his help, but once they arrived in Spain "he was unable to remove them from the territory of the kingdom despite his efforts." Collins notes that "in both of the emperor Justinian's other western interventions, Africa in 533 and Italy in 535, he came in ostensibly to uphold the rights of legitimate monarchs against usurpers", thus agreeing with Jordanes' version of the events.

paragraph: Although Athanagild recovered a few cities, the Romans held most of their conquest, which was organized as the province of Spania, long after the end of his reign. It is unclear the exact area this province covered. J. B. Bury states that it "comprised districts and towns to the west as well as to the east of the Straits of Gades" and included the cities of New Carthage (Cartagena), Corduba (Córdoba), and Assionia. Peter Heather, while agreeing it included New Carthage and Assionia, is dubious about Corduba, and is certain Málaga, and Sagontia were included. Collins agrees that Corduba did not come under Roman control, nor did the Guadalquivir valley, stating that their principal strongholds were Medina Sidonia, Málaga and New Carthage.

paragraph: Athanagild died of natural causes in Toledo, according to Isidore, then, after an interregnum of five months, Liuva I became king.

paragraph: Section::::Dynastic alliances.

paragraph: His queen, Goiswintha, gave him two daughters — Brunhilda and the murdered Galswintha — who were married to two Merovingian brother-kings: Sigebert I of Austrasia and Chilperic, king of the Neustrian Franks. Although Gregory of Tours states the reasons for this were that Sigebert disdained the prevalent practice of "taking wives who were completely unworthy of them", and sought the beautiful and cultured Brunhilda, while Chilperic married her sister out of sibling rivalry, Ian Wood points out that the circumstances and the scale of the "morgengab" suggest that the situation was more complex. "Athangild had no sons. By marrying two daughters to Frankish kings, he may have intended to involve the Merovingians in the Visigothic succession. Perhaps he hoped that the marriages would produce grandsons who could succeed him."

paragraph: However Athanagild's death in 567 altered the situation. Wood speculates that the date of Galswintha's murder followed soon after his death. Brunhilda avoided her sister's fate, and became a central figure of Frankish history for the remainder of the sixth century. Lastly, Goiswintha survived the upheaval that followed Athangild's death, and became the second wife of Liuvigild, the brother of Athangild's successor Liuva, and himself a future king of the Visigoths.

description: King of Hispania and Septimania

wikidata_label: Athanagild

wikipedia_title: Athanagild


href: Athanagild Visigoths Hispania Iberian%20Peninsula Spain Portugal Brunhilda%20of%20Austrasia Austrasia Chilperic%20I Merovingian Neustria Fredegund Paris Tours Rouen Franks Franks Neustria Visigothic Byzantine%20Empire Late%20Latin Venantius%20Fortunatus Leaves%27%20Eyes

text:
Athanagild
Visigothic
Hispania
Iberian Peninsula
Spain
Portugal
Brunhilda
Austrasia
Chilperic I
Merovingian
Neustria
Fredegund
Paris
Tours
Rouen
Frankish
Frankish
Neustria
Visigothic
Byzantine Empire
Late Latin
Venantius Fortunatus
Leaves' Eyes

categories: 6th-century Frankish nobility,6th-century people of the Visigothic Kingdom,Arian Christians,Merovingian dynasty,540 births,6th-century women,568 deaths,Frankish queens consort,Murdered royalty,Deaths by strangulation,Frankish princesses,Visigothic women

paragraph: Galswintha

paragraph: Galswintha (540–568) was a queen consort of Neustria. She was the daughter of Athanagild, Visigothic king of Hispania (the Iberian Peninsula, comprising modern Spain and Portugal), and Goiswintha. Galswintha was the sister of Brunhilda, Queen of Austrasia; and the wife of Chilperic I, the Merovingian king of Neustria. Galswintha was murdered at the urging of Chilperic's former wife, Fredegund, instigating a 40 year civil war within the Merovingian kingdom.

paragraph: Section::::History.

paragraph: Merovingian king, Chilperic I (561–584), ruled over Neustria, which despite being less extensive in total land as that presided over by his brother King Sigebert, was wealthier since the cities of Paris, Tours, and Rouen all fell under its purview. Chilperic sought Galswintha's hand in marriage after his brother, King Sigebert, had married the noblewoman, Brunhilda (Galswintha's sister), a union that violated the Merovingian tradition of seeking the hand of a lowborn woman instead. Galswintha—daughter of the Visigothic king, Athanagild—was not initially in favor of being betrothed to a northern Frankish king, as the Visigoths considered them barbarians. To the dismay of her mother, Galswintha was ultimately forced to part with her family on her father's (Athanagild) insistence. Her escort to Chilperic's side consisted of nobles and warriors from among both the Goths and Franks. Crossing the Pyrenees, Galswintha's journey took her through Narbonne and Carcassone then onto Poitiers and Tours before reaching Rouen, the location of the marriage arrangement.

paragraph: According to Gregory of Tours, Chilperic was betrothed to multiple women at the time of his marriage to Galswintha and had promised to dismiss all of them if she accepted his proposal. Chilperic honored his avowal by dispensing with his other wives when he married Galswintha. Immediately after their betrothal—sometime between 556 and 557—Chilperic gave Galswintha the cities of Limoges, Bordeaux, Cahors, Bearn, and Bigorre as a gift. Chilperic supposedly loved her "dearly" according to Gregory of Tours, but this was most likely due to her substantial dowry. His former wife Fredegund continued to visit the king's bedchamber, despite Chilperic's proclaimed commitment to Galswintha. She complained bitterly about this betrayal. Still in love with Fredegund, Chilperic allowed himself to be manipulated and had his wealthy wife murdered. Galswintha was apparently strangled. Historian Patrick Geary surmises that Galswintha may also have been murdered as a consequence of Chilperic's fear that she would leave with her dowry. After Galswintha's death, however, the lands—formerly given by Chilperic—ended up being passed on to her sister Brunhilda.

paragraph: Even though Chilperic retained Galswintha's dowry, her untimely death aroused the enmity of her sister Brunhilda against him and Fredegund; it also incurred the wrath of his brother Sigebert, bringing about 40 years of conflict between the Frankish kingdoms of Austrasia and Neustria—a veritable Merovingian civil war. When Chilperic was murdered in 584, Brunhilda's anger remained unassuaged, and the conflict following Galswintha's murder continued until Fredegund's death in 597. Beyond this, the result of such antipathy was a three-generation-long feud that essentially "wrecked the Merovingian family" and contributed to the death of ten of its kings.

paragraph: Galswintha remains listed in modern genealogical charts demonstrating the links between the Visigothic kingdoms and the Byzantine Empire.

paragraph: Section::::Commemoration in Verse.

paragraph: The Late Latin poet Venantius Fortunatus wrote a long commemorative poem (Carmina VI.5) in honour of Galswintha.

paragraph: Section::::In popular culture.

paragraph: Symphonic metal band Leaves' Eyes also wrote a song from their album "Symphonies of the Night" titled "Galswintha".

description: consort (0540-0568)

wikidata_label: Galswintha

wikipedia_title: Galswintha