text: English

text: jockey

text: Champion Jockey

text: horse racing

text: Fred Archer

text: Sir Gordon Richards

text: Warrington

text: Lancashire

text: donkey

text: circus

text: John Porter

text: beaten

text: Hyères

text: Stockbridge, Hampshire

text: The Tetrarch

text: jockeys' championships

text: The Derby

text: Humorist

text: Captain Cuttle

text: Papyrus

text: Brown Jack

text: Queen Alexandra Stakes

text: Royal Ascot

text: Pommern

text: Gay Crusader

text: English Triple Crown

text: Exhibitionnist

text: Wings of the Morning

text: Technicolour

text: Blewbury

text: heart attack

text: Racing Post

text: Epsom Derby

text: Pommern

text: Gay Crusader

text: Humorist

text: Captain Cuttle

text: Papyrus

text: Manna

text: 1,000 Guineas

text: Exhibitionnist

text: 2,000 Guineas

text: Epsom Oaks

text: St. Leger Stakes

text: Ensbury Park Racecourse

text: List of jockeys

categories: 1884 births,Sportspeople from Warrington,English jockeys,1945 deaths,British Champion flat jockeys

paragraph: Steve Donoghue

paragraph: Steve Donoghue (8 November 188423 March 1945) was a leading English flat-race jockey in the 1910s and 1920s. He was Champion Jockey 10 times between 1914 and 1923 and was one of the most celebrated horse racing sportsmen after Fred Archer, arguably only Sir Gordon Richards eclipsing him.

paragraph: Section::::Background.

paragraph: Stephen Donoghue was born in Warrington, Lancashire. His father was a steel-worker and the family had no racing connections. At the age of twelve he left home and decided to become a jockey after winning a prize for riding a donkey at a circus. Donoghue was apprenticed to John Porter when he was 14 years old, but ran away after being beaten for allowing a horse to get loose on the gallops. After working as an apprentice and work rider at two other British stables he accepted an offer to ride in France. In 1905 he won his first winner at Hyères, before moving to Ireland in 1907 and returning to England in 1911.

paragraph: Section::::Career.

paragraph: Donoghue accepted the post of stable jockey to Henry Seymour "Atty" Persse at Stockbridge, Hampshire and had his first major successes in 1913 on the outstanding two-year-old The Tetrarch. In the following year he rode 129 winners to claim the first of ten consecutive jockeys' championships.

paragraph: His greatest triumphs came in The Derby which he won six times. The three consecutive wins in the early 1920s - on Humorist (1921), Captain Cuttle (1922) and Papyrus (1923) - were the high points. He was also associated with the horse Brown Jack - who he rode to six consecutive wins in the Queen Alexandra Stakes at Royal Ascot.

paragraph: In 1915 and 1917, he rode the horses Pommern and Gay Crusader to the English Triple Crown. In its more than two-hundred-year history, of the jockeys aboard the fifteen winners, Steve Donoghue is the only one to have ever won the Triple Crown twice.

paragraph: Always popular with the public and his fellow professionals, Donoghue was never called up by the stewards. He was less popular with owners and trainers because of his tendency to switch allegiance when he had the opportunity of a winning ride.

paragraph: Section::::Retirement.

paragraph: He retired from riding in at the age of 52 in 1937, a year in which he won two classics on the filly Exhibitionnist. Also in 1937 and appeared as himself in Wings of the Morning, Britain's first Technicolour film. Despite earning a great deal during his career his "impulsive generosity" and lack of business acumen led to financial difficulties. He took up training at Blewbury but had little success. Donoghue died in London on 23 March 1945 from a heart attack.

paragraph: In 1999, the Racing Post ranked Donoghue as fourth in their list of the Top 50 jockeys of the 20th century.

paragraph: Section::::Classic Race Victories.

paragraph: BULLET::::- Epsom Derby winners - 1915: "Pommern", 1917: "Gay Crusader", 1921: "Humorist", 1922: "Captain Cuttle", 1923: "Papyrus", 1925: "Manna"

paragraph: BULLET::::- 1,000 Guineas winners - 1937: "Exhibitionnist"

paragraph: BULLET::::- 2,000 Guineas winners - 1915: "Pommern", 1917: "Gay Crusader", 1925: "Manna"

paragraph: BULLET::::- Epsom Oaks winners - 1918: "My Dear", 1937: "Exhibitionnist"

paragraph: BULLET::::- St. Leger Stakes winners - 1915: "Pommern", 1917: "Gay Crusader"

paragraph: Section::::Interests.

paragraph: Away from his career he was an owner of greyhounds and was one of the first to enter greyhounds at the new Ensbury Park Racecourse.

paragraph: Section::::See also.

paragraph: BULLET::::- List of jockeys

paragraph: Section::::References.

paragraph: BULLET::::- 18 June 1923 TIME magazine article on Steve Donoghue's win in the Epsom Derby

description: British jockey

wikidata_label: Steve Donoghue

wikipedia_title: Steve Donoghue


text: Constable of Scotland

text: Cuinchy

text: Artois

text: Saer de Quincy, 1st Earl of Winchester

text: Fifth Crusade

text: Egypt

text: Helen of Galloway

text: Alan, Lord of Galloway

text: Constable of Scotland

text: Galloway

text: Lord of Galloway

text: Devorguilla

text: John Balliol

text: Gille Ruadh

text: Alexander II of Scotland

text: William de Forz, 4th Earl of Aumale

text: Henry III

text: Pope

text: Provisions of Oxford

text: St Omer

text: Richard, Earl of Cornwall

text: Brackley

text: William de Ferrers, 5th Earl of Derby

text: Alexander Comyn, 2nd Earl of Buchan

text: Alan de la Zouche

text: Humphrey de Bohun, 2nd Earl of Hereford

text: William de Ferrers, 5th Earl of Derby

categories: Earls of Winchester,1195 births,12th-century English people,History of Galloway,13th-century English people,Christians of the Fifth Crusade,Norman warriors,1264 deaths,Scoto-Normans

paragraph: Roger de Quincy, 2nd Earl of Winchester

paragraph: Roger de Quincy, 2nd Earl of Winchester (c.1195 – 25 April 1264),) hereditary Constable of Scotland, was a nobleman of Anglo-Norman and Scottish descent who was prominent in both England and Scotland, at his death having one of the largest baronial landholdings in the two kingdoms.

paragraph: Section::::Early life.

paragraph: The de Quincy family, originating from the village of Cuinchy in Artois, had been prominent in England and Scotland from about 1130. Roger, second son and eventual heir of Saer de Quincy, 1st Earl of Winchester, and his wife Margaret, younger daughter of Robert de Beaumont, 3rd Earl of Leicester, probably joined his father on the Fifth Crusade, during which the elder de Quincy fell sick in Egypt and died. Since Roger's older brother Robert had died a few years earlier, he inherited his father's estates on his return, but was not recognised as earl until his mother died in 1235.

paragraph: Section::::Career.

paragraph: He married a major heiress, Helen of Galloway, the eldest of the three daughters of Alan, Lord of Galloway. On her father's death in 1234, he acquired her share of the paternal inheritance, which consisted of the hereditary office of Constable of Scotland and one-third of the lordship of Galloway. The title of Lord of Galloway, however, went through Helen's half-sister Devorguilla to her husband John Balliol..

paragraph: In 1235 the Galwegians rebelled under Gille Ruadh, not wanting their land divided, but the rebellion was suppressed by King Alexander II of Scotland. The Galwegians revolted again in 1246, following the death without children of Helen's sister Christina, first wife of William de Forz, 4th Earl of Aumale. Further unrest in 1247, possibly due to his strict rule, found de Quincy trapped in a castle, from which he escaped to obtain help from King Alexander in suppressing the rebellion. Although actively managing his lands in Scotland, despite being Constable after this time he seems to have had little further involvement in Scotland's politics and wars.

paragraph: In England he also steered clear of politics initially but was gradually drawn into the baronial opposition to the rule of King Henry III, He joined with other nobles in 1239 and 1246 in written remonstrances to the Pope about papal interference in English affairs. In 1258, he was elected by the barons to the twelve-member commission charged with overseeing the revised constitution of the Provisions of Oxford and was appointed also to the committee to arrange the financial aid promised to Henry. In 1259 he led a delegation to St Omer that forbade the King's brother Richard, Earl of Cornwall from returning to England unless he swore to observe the Provisions of Oxford. After this de Quincy played little part in national affairs.

paragraph: He died aged about 69 on 25 April 1264, eighteen days after the outbreak of civil war, and was buried at Brackley. Having no male heir, the earldom of Winchester became extinct and his estates were divided between the husbands of his three daughters.

paragraph: Section::::Family.

paragraph: He married three times, leaving three daughters from his first marriage to Helen of Galloway:

paragraph: BULLET::::- Margaret (or Margery), who married William de Ferrers, 5th Earl of Derby;

paragraph: BULLET::::- Elizabeth (or Isabel), who married Alexander Comyn, 2nd Earl of Buchan;

paragraph: BULLET::::- Helen, who married Alan de la Zouche.

paragraph: His second marriage was in about 1250 to Maud de Bohun, daughter of Humphrey de Bohun, 2nd Earl of Hereford, who died in 1252. Thirdly, in 1252, he married Eleanor de Ferrers, daughter of William de Ferrers, 5th Earl of Derby. Neither of these marriages produced any children.

paragraph: Section::::References.

paragraph: BULLET::::- Grant G. Simpson, “An Anglo-Scottish Baron of the Thirteenth century: the Acts of Roger de Quincy, Earl of Winchester and Constable of Scotland” (Unpublished Ph.D. Thesis, Edinburgh 1963).

description: English Earl

wikidata_label: Roger de Quincy, 2nd Earl of Winchester

wikipedia_title: Roger de Quincy, 2nd Earl of Winchester


text:
first-class cricket
Yorkshire County Cricket Club
Middlesex
Marylebone Cricket Club
Greasbrough
Rotherham
Yorkshire
England
Gloucestershire
W. G. Grace
London County Cricket Club
Surrey
Staffordshire
Lord's
Oxford University
coach
Tonbridge School
Eric Rawlin
The Players
Cricinfo Profile
Cricket Archive Statistics

categories: Yorkshire cricketers,Marylebone Cricket Club cricketers,Players cricketers,Gentlemen of England cricketers,English cricketers,Wembley Park cricketers,Sportspeople from Yorkshire,Middlesex cricketers,A. J. Webbe's XI cricketers,1856 births,People from Greasbrough,H. D. G. Leveson Gower's XI cricketers,1924 deaths

paragraph: John Rawlin

paragraph: John Thomas Rawlin (10 November 1856 – 19 January 1924) was an English first-class cricketer, who played twenty seven matches for Yorkshire County Cricket Club between 1880 and 1885, and 229 matches for Middlesex between 1889 and 1909. He toured Australia with Vernon's team in 1887/89. He also played first-class games for the Marylebone Cricket Club (MCC) from 1887 to 1909.

paragraph: Rawlin was born in Greasbrough, near Rotherham, Yorkshire, England. A right arm fast medium bowler and right-handed batsman, Rawlin played in 315 first-class matches. He took 811 wickets at an average of 20.57, with a best of 8 for 29 against Gloucestershire. He also took 8 for 50 against his old county Yorkshire. He took ten wickets in a match on twelve occasions, and five wickets in an innings 46 times. He scored 7,651 runs at 17.04, with a best score of 122 not out against W. G. Grace's London County Cricket Club. His other century came against Surrey, and he scored thirty one fifties. He also took 201 catches in the field.

paragraph: He also played club cricket as a professional for Leek C.C. in Staffordshire from 1880 to 1882, and for Elsecar C.C. in 1883, before moving to Lincoln Lindholm C.C. He became a member of the MCC ground staff in 1887, and qualified for his new county by residence. He umpired at least two first-class matches – Middlesex versus Yorkshire at Lord's in 1890 (when he was still playing for Middlesex); and Oxford University v MCC in 1908. He became a coach, at Tonbridge School, after his retirement from the first-class game. His son, Eric Rawlin, also appeared briefly for Yorkshire County Cricket Club.

paragraph: He played in other first-class games for A.J. Webbe's XI (1887–1899), North of England (1887), G.F. Vernon's XI (1887/88), Gentlemen of England (1888–1892), South of England (1892–1894), The Players (1892–1896), C.E. de Trafford's XI (1896), Wembley Park (1896) and H.D.G. Leveson-Gower's XI (1903)

paragraph: Rawlin died in Greasbrough in January 1924.

paragraph: Section::::External links.

paragraph: BULLET::::- Cricinfo Profile

paragraph: BULLET::::- Cricket Archive Statistics

description: English county cricketer

wikidata_label: John Rawlin

wikipedia_title: John Rawlin


text: Koshovyi Otaman

text: Zaporozhian Host

text: Russo-Turkish War

text: Cossacks

text: Imperial Russia

text: steppe

text: Zaporizhian Sich

text: Solovetsky Monastery

text: arshins

text: Emperor Alexander

text: Roman Turovsky-Savchuk

text: tombeau

text: History of the Cossacks

text: Житіє праведного Петра Калнишевського

categories: People of the Cossack Hetmanate,Longevity claims,Inmates of Solovki prison camp,Recipients of Russian royal pardons,Year of birth uncertain,People from Romny Raion,People of the Russo-Turkish War (1768–1774),Kosh Otamans,1690s births,1803 deaths

paragraph: Petro Kalnyshevsky

paragraph: Petro Kalnyshevsky (20 June 1690? – 31 October 1803) was the last Koshovyi Otaman of the Zaporozhian Host, serving in 1762 and from 1765 to 1775. Kalnyshevsky was a hero in the Russo-Turkish War of 1768–1774 for which he was awarded with the gold medal of the order of St.Andrew with diamonds for courage and the rank of lieutenant-general.

paragraph: Being the leader of the Zaporozhian Host, Kalnyshevsky defended the rights of Cossacks and their independence from increasing Imperial Russian influence, and encouraged agricultural development and trade in the Zaporozhian steppe.

paragraph: After the destruction of the Zaporizhian Sich, Kalnyshevsky was arrested, tried and in July 1776 incarcerated at Solovetsky Monastery, with the strict prohibition of correspondence or socialization with anyone. In 1792, he was transferred to solitary confinement at the Povarnya jail, where he remained until 1802. When his cell was opened it was discovered that it had feces two arshins (nearly three feet) deep.

paragraph: Being pardoned by Emperor Alexander at the claimed age of 110 years, Kalnyshevsky (already blind at that time) decided to remain in the monastery, where he died two years later in 1803.

paragraph: Section::::Canonization.

paragraph: Kalnyshevsky was canonized by the Ukrainian Orthodox Church (Kyiv Patriarchate) in 2008. Later, he was canonized by Ukrainian Orthodox Church (Moscow Patriarchate) in 2014.

paragraph: Section::::Influence.

paragraph: Section::::Influence.:In the arts.

paragraph: In 2017 Roman Turovsky-Savchuk composed a tombeau in honor of Kalnyshevsky.

paragraph: Section::::See also.

paragraph: BULLET::::- History of the Cossacks

paragraph: BULLET::::- List of last surviving veterans of military insurgencies and wars

paragraph: Section::::Sources.

paragraph: BULLET::::- Житіє праведного Петра Калнишевського, Life of Petro Kalnyshevsky on the official web-site of the Ukrainian Orthodox Church (Moscow Patriarchate), in Ukrainian.

paragraph: BULLET::::- Documentary film about Petro Kalnyshevsky on the official web-site of the Ukrainian Orthodox Church (Moscow Patriarchate), in Russian.

paragraph: BULLET::::- Коцур Г. Меценатська діяльність доби козаччини: історичний досвід церковного будівництва // Науковий вісник Чернівецького університету: Зб. наук. праць. – Чернівці, 2005.

paragraph: BULLET::::- Ефименко П.С. Калнишевскій, послъдній кошевой Запорожской Съчі. 1691 – 1803 // Русская старина. – 1875. – Т. XIV.

paragraph: BULLET::::- Эварницкій Д.И. Послъдній кошевой атаманъ Петръ Ивановичь Калнишевскій. – Новочеркасскъ, 1887.

paragraph: BULLET::::- Скальковський А.О. Історія Нової Січі, або останнього Коша Запорозького: Передм. та комент. Г.К.Швидько. – Дніпропетровськ, 1994.

paragraph: BULLET::::- Голобуцкий В.А. Запорожское казачество. – К., 1957.

paragraph: BULLET::::- Апанович О. Розповіді про запорозьких козаків. – К., 1991.

description: Ukrainian cossack

wikidata_label: Petro Kalnyshevsky

wikipedia_title: Petro Kalnyshevsky


text:
Lingen
Cologne
German
track cyclist
1896 Summer Olympics
Athens
10 kilometres event
time trial competition
sprint event
100 kilometres contest
List of German track cyclists

categories: 1872 births,19th-century sportsmen,1919 deaths,German male cyclists,Olympic cyclists of Germany,Cyclists at the 1896 Summer Olympics,Sportspeople from Lower Saxony,People from Lingen

paragraph: Joseph Rosemeyer

paragraph: Joseph Rosemeyer (March 13, 1872 in Lingen – December 1, 1919 in Cologne), was a German track cyclist. He competed at the 1896 Summer Olympics in Athens.

paragraph: Rosemeyer finished fourth in the 10 kilometres event. He also competed in the time trial competition and finished eighth. In the sprint event he was unable to finish the race due to having mechanical problems. He also did not finish the 100 kilometres contest.

paragraph: Section::::External links.

paragraph: BULLET::::- List of German track cyclists

description: German racing cyclist

wikidata_label: Joseph Rosemeyer

wikipedia_title: Joseph Rosemeyer


text:
Gerlsdorf-Fulnek
Fulnek
German
racing cyclist
1896 Summer Olympics
Athens
Marathon
Aristidis Konstantinidis
Greece

categories: People from Fulnek,19th-century sportsmen,1942 deaths,Moravian-German people,German male cyclists,Olympic medalists in cycling,Olympic cyclists of Germany,1859 births,Cyclists at the 1896 Summer Olympics,Olympic silver medalists for Germany,Medalists at the 1896 Summer Olympics

paragraph: August von Gödrich

paragraph: August von Gödrich (25 September 1859 in Gerlsdorf-Fulnek – 16 March 1942 in Fulnek) was a German racing cyclist. He competed at the 1896 Summer Olympics in Athens.

paragraph: Gödrich competed in the road race. He placed second in the 87 kilometre race from Athens to Marathon and back, finishing in 3:42:18 behind Aristidis Konstantinidis of Greece.

paragraph: Section::::External links.

paragraph: BULLET::::- (Excerpt available at )

description: German racing cyclist

wikidata_label: August von Gödrich

wikipedia_title: August von Gödrich


text: Duke of Rohan

text: Louis XIV

text: Brittany

text: Josselin de Rohan

text: Senate of France

text: Marguerite de Rohan

text: Foreign Prince

text: House of Rohan

text: Guéméné branch

text: Anne de Rohan-Chabot

text: Princess of Soubise

text: Louis XIV

text: Louis de Melun

text: Anne Julie de Melun

text: Hercule Mériadec, Duke of Rohan-Rohan

text: Cardinal de Soubise

text: Anne of Austria

text: ecus

text: Flanders

text: Tournai

text: Douai

text: Lille

text: Jacqueline de Bueil

text: Henri IV

text: Château de Saint-Cloud

text: Philippe de France, "Monsieur"

text: Château de Blain

text: Louis Bretagne Alain de Rohan-Chabot

text: Antoine Gaston de Roquelaure

text: Louis Pierre Engelbert de La Marck

text: Guy Auguste de Rohan-Chabot

text: suo jure

categories: House of Rohan-Chabot,Dukes of Rohan,House of Rohan,1727 deaths,17th-century peers of France,17th-century French people,1652 births,18th-century peers of France,Misers,18th-century French people

paragraph: Louis, Duke of Rohan

paragraph: Louis de Rohan-Chabot (3 November 1652 – 17 August 1727) was a member of the House of Rohan-Chabot and Duke of Rohan. He married an heiress and acted as Louis XIV's representative in Brittany. He was styled as the Prince of Léon prior to becoming Duke of Rohan. His direct descendant is today's Josselin de Rohan (born 5 June 1938), a member of the Senate of France, representing the Morbihan department.

paragraph: Section::::Biography.

paragraph: Section::::Biography.:Early life and family.

paragraph: Born at the Hôtel de la rue du Temple in Paris, to Henri Chabot and his wife Marguerite de Rohan, Louis was the fifth of six children and their only surviving son His parents' marriage had caused a scandal; his mother Marguerite was a Foreign Princess as a member of the House of Rohan, and her wedding plans had caused Louis XIV to issue a decree that she was permitted to marry Henri and still hold her high rank at court.

paragraph: Henri's family were allowed to bear the name of Rohan-Chabot, the hyphenation of his maternal and paternal family names.

paragraph: Around 1700, Louis was at Court. The Guéméné branch of the House of Rohan wanted him to abandon the name and coat-of-arms of his mother's family. However, King Louis XIV confirmed his rights to the name, title and coat-of-arms, to which his father had been entitled since 19 September 1646, part of his parents' marriage contract.

paragraph: Louis was close to his older sister Anne de Rohan-Chabot, future Princess of Soubise and mistress of Louis XIV. His youngest sister, Jeanne Pelagie, married the Prince of Epinoy, the paternal grandfather of Louis de Melun and Anne Julie de Melun, a future Princess of Soubise. Louis' nephews included Hercule Mériadec, Duke of Rohan-Rohan and the Cardinal de Soubise. Louis' godparents were the infant Louis XIV and the infant's mother Anne of Austria, Queen Regent.

paragraph: Section::::Biography.:Wealth.

paragraph: Louis was very rich, with an annual income of 50,000 ecus, but he was a miser and greedy. His greed caused him to fall out with his sister Anne, which led to bad relations with the king himself.

paragraph: Section::::Biography.:Military service.

paragraph: Louis campaigned in Flanders in 1667, and in the same year he became head of the nobility in Brittany and was the king's representative there. He was also involved in sieges at Tournai, Douai, and Lille.

paragraph: Section::::Biography.:Marriage.

paragraph: He married Marie Élisabeth de Bec-Crespin de Grimaldi, marquise de Vardes, a granddaughter of Jacqueline de Bueil, mistress of King Henri IV. Louis and Marie Élisabeth were married on 18 July 1678 at the Château de Saint-Cloud, residence of Philippe de France, "Monsieur" (brother of Louis XIV) and his wife Elizabeth Charlotte of the Palatinate, "Madame".

paragraph: His wife brought a considerable dowry. She was the sole heiress of her father, François René du Bec-Crespin, marquis de Vardes, comte de Moret, and Catherine Nicolaï, marquise de Goussainville. Louis and Jacqueline had 11 children, of which two sons and a daughter would go on to have progeny.

paragraph: Section::::Biography.:Death.

paragraph: Louis died in Paris on 17 August 1727, aged 74. He was buried at the Château de Blain. Marie Élisabeth survived him until 27 March 1743, when she, too, died in Paris, aged 81.

paragraph: Section::::Issue.

paragraph: BULLET::::- Louis Bretagne Alain de Rohan-Chabot, Duke Rohan, Prince of Léon (26 September 1679 – 10 August 1738) married Françoise de Roquelaure (daughter of Antoine Gaston de Roquelaure) and had issue;

paragraph: BULLET::::- "Marie Marguerite" Françoise de Rohan-Chabot, Mademoiselle de Rohan (25 December 1680 – 28 January 1706) married Louis Pierre Engelbert de La Marck, Count of Schleiden

paragraph: BULLET::::- Anne Henriette Charlotte de Rohan-Chabot, Mademoiselle de Léon (18 June 1682 – 12 May 1751) married Alphonse Dominique François de Berghes, 2nd Prince of Grimberghen, no issue;

paragraph: BULLET::::- Guy Auguste de Rohan-Chabot, Count of Maillé-Seizploue (18 August 1683 – 13 September 1760) married Yvonne Sylvie du Breil de Rays and had issue; married again to Mary Apolonia Scolastica Stafford-Howard, had no issue;

paragraph: BULLET::::- Charlotte de Rohan-Chabot, Mademoiselle de Porhoëtt (c.1684 – Jun 1710) never married;

paragraph: BULLET::::- Françoise Gabrielle de Rohan-Chabot (5 October 1685 – ?) never married;

paragraph: BULLET::::- Charles Annibal de Rohan-Chabot, Count of Jarnac (14 June 1687 – 5 November 1762) married Henriette Charlotte Chabot, suo jure Countess of Jarnac, no issue;

paragraph: BULLET::::- Julie Victoire de Rohan-Chabot (3 December 1688 – 10 October 1730) never married;

paragraph: BULLET::::- Constance Eléonore de Rohan-Chabot (14 February 1691 – 1733) never married;

paragraph: BULLET::::- Marie Armande de Rohan-Chabot (4 October 1692 – 29 January 1742) never married;

paragraph: BULLET::::- Marie Louise de Rohan-Chabot (24 October 1697 – ?) never married.

paragraph: Section::::Titles, styles, honours and arms.:Titles and styles.

paragraph: BULLET::::- 3 November 1652 – 27 February 1655 "His Highness" the Prince of Léon

paragraph: BULLET::::- 27 February 1655 – 17 August 1727 "His Highness" the Duke of Rohan

description: French noble

wikidata_label: Louis, Duke of Rohan

wikipedia_title: Louis, Duke of Rohan


text: Winnipeg

text: Manitoba

text: Métis-Canadian

text: outlaw country

text: singer/songwriter

text: Thorsby, Alberta, Canada

text: Americana

text: James Talley

text: Steve Young

text: Tim Hus

text: Alfie Myhre

text: Richard Chernesky

text: CBC Music Artist Page - Tim Harwill

categories: Musicians from Winnipeg,Canadian singer-songwriters,Living people,Year of birth missing (living people)

paragraph: Tim Harwill

paragraph: Tim Harwill (born Timothy Frederick Pruden at Winnipeg, Manitoba, A.K.A. novelist T.F. Pruden) was a Métis-Canadian outlaw country singer/songwriter, based out of Thorsby, Alberta, Canada.

paragraph: Section::::Music career.

paragraph: A life-long music industry outsider and fiercely independent, Harwill's public opposition to the system of grants and government subsidies controlling the music business in Canada proved a severe detriment to his career aspirations. Despite wide antagonism generated by his opposition to a system entrenched in his home country, he survived to tour independently for decades as both solo artist and bandleader. He would eventually produce and release 7 albums of critically acclaimed original music either independently or on a series of micro-labels. Often billed as ‘The 12-String Troubadour’, the songwriter toured North America performing an eclectic and personal blend of roots/country music in a signature vocal style. His music was identified as "Americana" and told non-conformist tales of the people and places he encountered while living out scores of adventures on the lost highway. A working musician through most of his career, Harwill shared the stage and studio with many great talents including 'Godfather' of Americana music James Talley, seminal outlaw country singer/songwriter Steve Young, and rising Canadiana country star Tim Hus. He was joined by legendary Alberta country musicians Alfie Myhre and Richard Chernesky on 2012 studio release 'A Tribute to Catfish John'. His 2014 album release 'Dance Floor' meanwhile earned significant radio success in North America by placing two singles in the US Top 10 including the #1 Americana hit 'I Love My Dog' and the #7 Americana single 'Like Me & You'. A collection of 11 new songs written by Harwill, the 'Dance Floor' recording was his last to date and spent 5 weeks in the Americana Album charts in 2015, reaching #6 in the US and #3 in Canada.

paragraph: Section::::Personal life.

paragraph: A one-time professional boxer, he earned raves for efforts in a variety of fields throughout a storied life spent largely outside the boundaries of polite society. Legendarily reclusive, the rakish outlaw was known to be divorced and lived quietly in small town Alberta when not on tour.

paragraph: Section::::Discography.

paragraph: Section::::Discography.:Albums.

paragraph: "* As lead vocalist of the folk/roots music trio Harwill"

paragraph: Section::::External links.

paragraph: BULLET::::- Roots Music Report ~ Album Review of 'Dance Floor' by Tim Harwill

paragraph: BULLET::::- Calgary SUN ~ Music the one constant in Harwill's life

paragraph: BULLET::::- CBC Music Artist Page - Tim Harwill

description: singer/songwriter

wikidata_label: Tim Harwill

wikipedia_title: Tim Harwill


text: Roman

text: fabulist

text: Aesop's fables

text: late antiquity

text: Renaissance

text: iambic metre

text: Seneca the Younger

text: Polybius

text: Martial

text: Avianus

text: Pierre Pithou

text: Niccolò Perotti

text: Parma

text: Vatican Library

text: Romulus

text: Horace

text: The Bird in Borrowed Feathers

text: The Horse that Lost its Liberty

text: The Frog and the Ox

text: La Fontaine

text: Christopher Smart

text: octosyllabic

text: Brooke Boothby

text: metrical feet

text: alliterative verse

text: La Fontaine's Fables

text: Ivan Krylov

text: Gregory Skovoroda

text: Leonid Hlibov

text: pp. 97–123

text: "Grand Allusions: Vergil in Phaedrus."

text: Pithou's editio princeps

categories: 1st-century Romans,Latin-language writers,Ancient Roman writers,Fabulists

paragraph: Phaedrus (fabulist)

paragraph: Gaius Julius Phaedrus (; ; was a 1st-century CE Roman fabulist and the first versifier of a collection of Aesop's fables into Latin. Few facts are known about him for certain and there was little mention of his work during late antiquity. It was not until the discovery of a few imperfect manuscripts during and following the Renaissance that his importance emerged, both as an author and in the transmission of the fables.

paragraph: Section::::Biography.

paragraph: A recent statement of the few facts that past scholars have tried to deduce from autobiographical hints given by Phaedrus in his poems has summarised them as follows:

paragraph: There is, however, no evidence to support any of this and certain facts conflict with the traditional account. What Phaedrus had to say about himself might as plausibly be reinterpreted to prove that he was born in Rome and spent the whole of his life there as a free citizen.

paragraph: Section::::Work.

paragraph: Phaedrus is now recognized as the first writer to compile entire books of fables in Latin, retelling the Aesopic tales in "senarii", a loose iambic metre. The dates of composition and publication are unknown. However, Seneca the Younger, writing between 41 and 43 CE, recommended in a letter to Claudius' freedman Polybius that he turn his hand to Latinising Aesop, ‘a task hitherto not attempted by Roman genius’ ("Ad Polybium" 8.3). This suggests that nothing was known of Phaedrus’ work at that date. By the mid-80s Martial was imitating him and mentions his mischievous humour ("improbi jocos Phaedri"). The next reference is a homage by his fellow fabulist Avianus near the start of the 5th century, who claims the five books of fables as one of his sources in the dedication of his own work.

paragraph: A 9th century manuscript of the fables of Phaedrus was only discovered in France towards the end of the 16th century. This was published in 1596 by Pierre Pithou as "Fabularum Aesopiarum libri quinque" and was followed by two more editions before century’s end. Near the beginning of the 18th century, a manuscript of the 15th-century bishop Niccolò Perotti was discovered at Parma containing sixty-four fables of Phaedrus, of which some thirty were previously unknown. These new fables were first published in 1808, and their versions were afterwards superseded by the discovery of a much better preserved manuscript of Perotti in the Vatican Library, published in 1831. Scholars realised that Phaedrus’ work had also served as the basis for Mediaeval fable collections that went by the name of Romulus and at the start of the 20th century the Swedish scholar Carl Magnus Zander (1845-1923) reconstructed 30 additional fables from their prose recensions there.

paragraph: What had survived of Phaedrus’ five books in Pithou's manuscript was of unequal length and seemed to indicate that material has been lost. This was supported by the apology in the prologue to the first book for including talking trees, of which there are no examples in the text that survives although there was one in the Perotti appendix. In fact only 59 out of 94 in the Pithou manuscript were even animal fables. The author’s aim at the start was to follow Aesop in creating a work that “moves one to mirth and warns with wise advice”. As the work progressed, however, he widened his focus and now claimed to be “refining” Aesopic material and even adding to it. In later books we find tales of Roman events well after the time of Aesop such as “Tiberius and the slave” (II.5) and “Augustus and the accused wife” (III.9), as well as the poet’s personal reply to envious detractors (IV.21); there are also anecdotes in which Aesop figures from the later biographical tradition (II.3; III.3; IV.5; and items 9 and 20 in Perotti’s appendix). Finally he makes a distinction between matter and manner in the epilogue to the fifth book, commenting that

paragraph: He also claims a place in the Latin literary tradition by echoing well-known and respected writers. It is to be noticed, however, that where Phaedrus and the slightly earlier poet Horace adapted the same fable to satirical themes, they often used different versions of it. In Horace a crow ("cornicula") is the subject of The Bird in Borrowed Feathers; in Phaedrus it is a jackdaw ("graculus"). In the case of The Horse that Lost its Liberty, Phaedrus has it disputing with a boar and Horace with a stag. Neither do they agree in their account of The Frog and the Ox. Horace follows the story found in Greek sources; the frog’s motivation is different in Phaedrus, and it is his version that Martial follows later. Moreover, in following the model of Aesop, the enfranchised slave, Phaedrus' satire is sharper and restores “the ancient function of the fable as a popular expression against the dominant classes”. Another commentator points out that “the Aesopian fable has been a political creature from its earliest origins, and Phaedrus, (who was La Fontaine’s model), though more openly subversive, has claims to be the first proletarian satiric poet”.

paragraph: Section::::Editions.

paragraph: The fables of Phaedrus soon began to be published as school editions, both in the original Latin and in prose translation. Since the 18th century there have also been four complete translations into English verse. The first was by Christopher Smart into octosyllabic couplets (London 1753). Brooke Boothby’s “The Esopean Fables of Phedrus” were included in his "Fables and Satires" (Edinburgh, 1809) and also used octosyllables but in a more condensed manner:

paragraph: It was followed by the Reverend Frederick Toller’s "A poetical version of the fables of Phædrus" (London, 1854). These were translated more diffusely into irregular verses of five metrical feet and each fable was followed by a prose commentary. The most recent translation by P. F. Widdows also includes the fables in the Perotti appendix and all are rendered into a free version of Anglo-Saxon alliterative verse.

paragraph: Phaedrus versions were translated individually by a variety of other poets into different languages. A small selection in various poetic forms appeared in the "Poems & Translations" (London 1769) of Ashley Cowper (1701–88). There were many more poems distinctively styled in La Fontaine's Fables; others followed by Ivan Krylov in Russian; Gregory Skovoroda and Leonid Hlibov in Ukrainian; and a more complete collection by Volodymyr Lytvynov in 1986.

paragraph: Section::::Further reading.

paragraph: BULLET::::- The fables of Phædrus, with a literal English translation, London 1828

paragraph: BULLET::::- Champlin, Edward. “Phaedrus the Fabulous.” "The Journal of Roman Studies" 95, 2005, pp. 97–123.

paragraph: BULLET::::- Glauthier, Patrick. “Phaedrus, Callimachus and the Recusatio to Success.” "Classical Antiquity", 28.2, 2009, pp. 248–278.

paragraph: BULLET::::- Henderson, John. “Phaedrus' "Fables:" The Original Corpus.” "Mnemosyne", 52.3, 1999, pp. 308–329.

paragraph: BULLET::::- Henderson, John. "Telling Tales on Caesar: Roman Stories from Phaedrus". Oxford University Press, 2001.

paragraph: BULLET::::- Jennings, Victoria. "Borrowed Plumes: Phaedrus' Fables, Phaedrus' Failures." "Writing Politics in Imperial Rome". Leiden/Boston: Brill, 2009.

paragraph: BULLET::::- Lefkowitz, Jeremy B. "Grand Allusions: Vergil in Phaedrus." "AJPh" 137.3, 2016, pp. 487-509.

paragraph: BULLET::::- Lefkowitz, Jeremy B. "Innovation and Artistry in Phaedrus' Morals." "Mnemosyne" 70.3, 2017, pp. 417-435.

paragraph: BULLET::::- Libby, Brigitte B. “The Intersection of Poetic and Imperial Authority in Phaedrus' Fables.” "The Classical Quarterly", 60.2, 2010, pp. 545–558.

paragraph: BULLET::::- Polt, Christopher B. “Polity Across the Pond: Democracy, Republic and Empire in Phaedrus' Fables 1.2.” "The Classical Journal", 110.2, 2015, pp. 161–190.

paragraph: Section::::External links.

paragraph: BULLET::::- Pithou's editio princeps (Troyes: Jean Oudot, 1596)

description: Latin fabulist and probably a Thracian slave

enwikiquote_title: Phaedrus (fabulist)

wikidata_label: Phaedrus

wikipedia_title: Phaedrus (fabulist)


text:
General Dumouriez
Lucien Bonaparte
Upper Marne
Greek
Pierre Henri Larcher
Jean-Baptiste Gail
Collège de France
Bibliothèque du Roi
Académie des Inscriptions
Gustave Emile Boissonade
Philostratus
Marinus
Tiberius Rhetor
Nicetas Eugenianus
Herodian
Aristaenetus
Eunapius
Babrius
Tzetzes
Byzantine
grammarians
Ferdinand Colincamp
Joseph Naudet

categories: French hellenists,1857 deaths,1774 births,Collège de France faculty,Members of the Académie des Inscriptions et Belles-Lettres,French scholars

paragraph: Jean François Boissonade de Fontarabie

paragraph: Jean François Boissonade de Fontarabie (12 August 17748 September 1857) was a French classical scholar.

paragraph: He was born in Paris. In 1792 he entered the public service during the administration of General Dumouriez. Driven out in 1795, he was restored by Lucien Bonaparte, during whose time of office he served as secretary to the prefecture of the Upper Marne. He then resigned public employment permanently, in order to devote his time to the study of Greek. In 1809 he was appointed deputy professor of Greek at the faculty of letters at Paris, and titular professor in 1813 on the death of Pierre Henri Larcher. In 1828 he succeeded Jean-Baptiste Gail in the chair of Greek at the Collège de France. He also held the offices of librarian of the Bibliothèque du Roi, and perpetual secretary of the Académie des Inscriptions. Boissonade is the father of Gustave Emile Boissonade.

paragraph: Boissonade chiefly devoted his attention to later Greek literature:

paragraph: BULLET::::- Philostratus, "Heroica" (1806) and "Epistolae" (1842)

paragraph: BULLET::::- Marinus, "Vita procli" (1814)

paragraph: BULLET::::- Tiberius Rhetor, "De Figuris" (1815)

paragraph: BULLET::::- Nicetas Eugenianus, "Drosilla et Charicles" (1819)

paragraph: BULLET::::- Herodian, "Partitiones" (1819)

paragraph: BULLET::::- Aristaenetus, "Epistolae" (1822)

paragraph: BULLET::::- Eunapius, "Vitae Sophistarum" (1822)

paragraph: BULLET::::- Babrius, "Fables" (1844)

paragraph: BULLET::::- Tzetzes, "Allegoriae Iliadis" (1851)

paragraph: BULLET::::- a "Collection of Greek Poets" in 24 vols.

paragraph: The "Anecdota Graeca" (1829–1833) and "Anecdota Nova" (1844) are important for Byzantine history and the Greek grammarians.

paragraph: A selection of his papers was published by Ferdinand Colincamp, "Critique littéraire sous le premier Empire" (1863), vol. i of which contains a complete list of his works, and a "Notice Historique sur Monsieur B." by Joseph Naudet.

description: historian from France

wikidata_label: Jean François Boissonade de Fontarabie

wikipedia_title: Jean François Boissonade de Fontarabie


text: Paris

text: France

text: cinema

text: video art

text: buttons

text: Marcel Duchamp

text: Andy Warhol

text: Louise Bourgeois

text: predella

text: diptych

text: "Elle"

text: homonym

text: palette

text: Édouard Manet

text: Olympia

text: Le Déjeuner sur l'Herbe

text: Jesus College

text: University of Cambridge

text: A Bar at the Folies-Bergère

text: The Railway

text: Victorine Louise Meurent

text: United Kingdom

text: paint

text: Art & Language

text: Ivry-sur-Seine

text: Palais de Tokyo

text: S.M.A.K.

text: Philippe Méaille

text: Montsoreau

categories: 1962 births,Living people,French women painters,Contemporary artists

paragraph: Agnès Thurnauer

paragraph: Agnès Thurnauer (born 1962) is a French-Swiss contemporary artist. Primarily a painter, she also works with a number of other media and techniques.

paragraph: Section::::Biography.

paragraph: Agnès Thurnauer was born in 1962, in Paris, France, where she continues to live and work. She attended the École Nationale Supérieure des Arts Décoratifs, where she studied cinema and video art.

paragraph: Section::::Notable work.

paragraph: Section::::Notable work.:Big-Big et Bang-Bang (1995—1996).

paragraph: "Big-Big et Bang-Bang" are a series of abstract acrylic paintings in subtle colour tones on canvas created by Thurnauer between 1995 and 1996. The works were created with the canvases stapled to the wall. The paintings were only mounted on frames when complete, for the purposes of display and preservation.

paragraph: Section::::Notable work.:Portraits grandeur nature (2007—2009).

paragraph: In 2007, Thurnauer first exhibited her work "Portraits grandeur nature", a series of oversized buttons (each 120 cm in diameter) in resin and epoxy paint displaying the names of well-known artists, mostly male, transformed into names evoking the opposite gender. For example, Marcel Duchamp becomes Marcelle Duchamp and Andy Warhol becomes Annie Warhol. An exception is the button reading Louis Bourgeois, a masculinized version of the name of the artist Louise Bourgeois. This work, which questions both the literal and figurative representation of women in art, propelled her to previously unattained notoriety as an artist.

paragraph: Section::::Notable work.:Prédelles (2007—2011).

paragraph: Beginning in 2007, Thurnauer produced a series of works, called "Prédelle" (the French term for predella). The "Grande Prédelle "incarnations, produced from 2008-2011, are diptychs, each depicting a large feathered wing along a deformation of the iconic title of the magazine "Elle". The title and subject convey a multiple play on words, simultaneously acting as a homonym for ""près d'elle"" and ""aile"", respectively meaning "close to her" and "wing" in French. Cyclicly, each "Grande Prédelle" painting has its own palette glued to it as a finishing touch.

paragraph: Section::::Notable work.:Olympia #2 (2012).

paragraph: In 2013, Thurnauer was invited by Yale University to participate in an exhibition celebrating the 150th anniversary of two masterpieces by Édouard Manet ("Olympia" and "Le Déjeuner sur l'Herbe", 1863). Thurnauer contributed the painting "", which features a rendition of Manet's Olympia with textual terms of endearment superimposed upon the image. Thurnauer was also a speaker at the associated conference.

paragraph: Section::::Notable work.:You (2012—2013).

paragraph: During a period of two months in 2015, Jesus College at the University of Cambridge replaced three portraits of male alumni in the formal dining hall with a crayon drawing triptych by Thurnauer, called "You". These large portraits of women are extractions from paintings by Manet: "A Bar at the Folies-Bergère", "The Railway "(of painter Victorine Louise Meurent)"," and another portrait of Meurent. Central to Thurnauer's choice of Manet's work as a starting point is the notion that his female subjects were themselves painters, as opposed to models. Inevitably, the subjects' regards captured in the paintings are therefore those of Manet's professional peers looking upon him as he worked. This marked the first time that Thurnauer's work was shown in the United Kingdom.

paragraph: Section::::Notable work.:Matrice/sol (2012).

paragraph: The work "Matrice/sol" consists of moulds of letters of the alphabet made from resin. Through the characters created from the negative space of the moulds, the work is intended to demonstrate that art is a question of interpretation and language, elements that change constantly.

paragraph: Section::::Painting as a medium.

paragraph: Thurnauer continues to challenge the relevance of the medium of painting today, which remains her staple despite ventures into other methods. For Thurnauer, a painting is not simply a passive surface displaying an image. Rather, it is a means to an active experience for the viewer. She has stated that she is interested in working with paint, an ordinary, inanimate object, as a means of confronting one's intemporality.

paragraph: Section::::Relationship with language.

paragraph: Thurnauer has long been fascinated with language, as evidenced by the recurring theme of wordplay, text and symbols in her work. She has been considered as a distant successor to the Art & Language movement.

paragraph: Thurnauer considers the medium of painting to be a “place of speech". Her interpretation of this idea transcends the physical appearance of text in paintings, implying the materialization of thought itself. In her sculpture, "Matrice/Sol", she employs letters moulded from resin, not merely as literal tools, but as spatial delimiters whose interstices form an expanse within which one can circulate.

paragraph: Section::::Solo exhibitions (selected).

paragraph: BULLET::::- 2001 "Pour en venir au monde", Le Crédac, Ivry-sur-Seine, France

paragraph: BULLET::::- 2003 "Les circonstances ne sont pas atténuantes", Palais de Tokyo, Paris

paragraph: BULLET::::- 2003 "Maintenant avant après", Galerie Ghislaine Hussenot, Paris

paragraph: BULLET::::- 2004 "Don't pretend you've never heard of it", Springhornhof, Neuekirchen, Germany

paragraph: BULLET::::- 2005 "I will survive", Wim Reiff Gallery, Maastricht, Netherlands

paragraph: BULLET::::- 2006" Around a round", Galerie Ghislaine Hussenot, Paris

paragraph: BULLET::::- 2007 "Bien faite, mal faite, pas faite", S.M.A.K., Ghent, Belgium

paragraph: BULLET::::- 2008 "Portraits grandeur nature", Galerie Anne de Villepoix, Paris

paragraph: BULLET::::- 2009 "Thurnauer à Angers", Musée des beaux-arts d'Angers, Angers, France

paragraph: BULLET::::- 2010 "May I? Philippe Méaille présente le travail d'Agnès Thurnauer", Villa Emerige, Paris

paragraph: BULLET::::- 2011 "Manifestement", Espace d'Art Contemporain André Malraux, Colmar, France

paragraph: BULLET::::- 2011 "Sujet, verbe et compléments", Immanence, Paris

paragraph: BULLET::::- 2014 "Figure libre", Le Radar, Centre d'art Contemporain, Bayeux, France

paragraph: BULLET::::- 2014 "Now When Then - de Tintoret à Tuymans", Musée des beaux-arts de Nantes, Nantes

paragraph: BULLET::::- 2014 "Sleepwalking", Galerie de Roussan, Paris

paragraph: BULLET::::- 2015 "You", Jesus College, Cambridge University, Cambridge, UK

paragraph: BULLET::::- 2016 "A History of Painting", Château de Montsoreau-Museum of contemporary art, Montsoreau, France

paragraph: Section::::Group exhibitions (selected).

paragraph: BULLET::::- 2004 , Galerie Ghislaine Hussenot, Paris

paragraph: BULLET::::- 2005 "Biennale de Lyon", Lyon

paragraph: BULLET::::- 2006 "Notre histoire", Palais de Tokyo, Paris

paragraph: BULLET::::- 2009 "", Centre Pompidou, Paris

paragraph: BULLET::::- 2013 "", Carrousel du Louvre, Paris

paragraph: BULLET::::- 2013 "Lunch with Olympia", Edgewood Gallery, Yale School of Art, USA

paragraph: BULLET::::- 2013 "Jardin de langage", Fondation Poppy et Pierre Salinger, Thor

paragraph: BULLET::::- 2013 "Elles: Mulheres artistas na coleção do Centro Pompidou", CCBB, Rio de Janeiro, Brazil

paragraph: BULLET::::- 2014 ""G I R L"", Galerie Emmanuel Perrotin, Paris

paragraph: BULLET::::- 2014 "Drawing Now", Carreaux du temple, Paris

paragraph: BULLET::::- 2014 "A bitter sweet legacy", Galierie de Roussan, Paris

paragraph: BULLET::::- 2014 "Cet obscur objet du désir- Autour de l'Origine du monde", Musée Gustave Courbet, Ornans, France

description: French-Swiss contemporary artist

wikidata_label: Agnès Thurnauer

wikipedia_title: Agnès Thurnauer


text:
American
photography
photo-manipulation
Los Angeles
California
University of California, Davis
UC Davis School of Veterinary Medicine
veterinary
ophthalmology
mesenchymal
stromal cells
mouse
medical illustration
Seoul, Korea
digital art
Gyeonggi-do
ViralNova
New York Post
The Independent
The Daily Mail
Corriere Della Sera
Paris Match
The Guardian
TIME
Mashable
Design Taxi
Creative Review
VICE
Korea Herald
Huffington Post
Ashton Kutcher
A Plus
Laughing Squid
Balloon Zoo
Juxtapoz
Mashable
Yahoo
Hello Giggles
Vanity Fair
surrealism
Mashable
DesignTaxi

categories: University of California, Davis alumni,Artists from Los Angeles,1989 births

paragraph: Sarah DeRemer

paragraph: Sarah DeRemer (born September 1989) is an American fine artist specializing in photography and photo-manipulation.

paragraph: Section::::Biography.

paragraph: She grew up in Los Angeles, California and graduated from the University of California, Davis in 2011 with a bachelor's degree in Studio Art. She worked as a veterinary technician from 2004 - 2012, working in both private practice as well as research at UC Davis School of Veterinary Medicine. At UC Davis she worked on and various studies in veterinary ophthalmology. She was published as an author on a study involving mesenchymal stromal cells in 2013 in the Journal of Cytotherapy, a study on defining experimental conditions in a mouse excisional wound model, and she assisted on other related published studies as well. DeRemer also assisted in a study to measure the effect of induced myopia on field trial performance in dogs. While working at the veterinary school, she also worked on medical illustration.

paragraph: In 2012 she moved to Seoul, Korea to teach English. In Korea, she continued photography, and also began pursuing and exploring the field of digital art.

paragraph: Section::::Works.

paragraph: DeRemer's first photo-series in Korea, featuring an abandoned mental hospital in Gonjiam, Gyeonggi-do, went viral. The photo-series and can be found on ViralNova, Atlas Obscura, and Indulgd. She also contributed a photo-essay on an abandoned amusement park in Seoul, Yongma-land, to an English blog based out of Seoul.

paragraph: She began by making amusing hybrid animals, which were picked up by the New York Post, The Independent UK, The Telegraph, The Daily Mail, Corriere Della Sera Paris Match, and various blogs including PetaPixel.

paragraph: Section::::Works.:Animal Food.

paragraph: Her first major photo-manipulation project, "Animal Food", was featured on sites and in papers such as The Guardian, TIME, VICE Creators Project, and Mashable. It also appeared on multiple art blogs such as Design Taxi, Toxel Lost at E Minor, Acclaim Mag, and the Creative Review. This project features the unlikely combination of images of animals with sliced up fruit and vegetables. In an interview, she stated that she "noticed the potential for a series stemming from an interesting juxtaposition between live animals and produce, rather than just different animal species. I found the combination of forms interesting and realized that it made a visually strong image that people would have strong opinions about. A lot of the project was a study in color and negative space, as well as creating a cohesive image through hybridizing, but I also just enjoyed creating something both amusing and potentially thought provoking." When questioned as to whether or not the series was created as a statement on meat consumption, she noted that she "didn’t specifically create the series to be commentary on meat eating or vegetarianism. I have always enjoyed making pieces that were visually strong on their own, but also thought provoking and open to interpretation. I never create art to force my own view, but use it to inspire people to think about their own. Some have gone as far as to refer to "Animal Food" as "Photoshopped fruit-animals that make meat vegan-friendly", while others have simply called it "disturbing". I’m just happy to inspire discussion of any sort." DeRemer was also interviewed about the project on TBS eFM, an English radio station in Seoul. In 2016, an article by VICE Creators Project, entitled "Dalí, Warhol, and the Lip-Smacking Legacy of Artists and Food", stated that "Sarah DeRemer's series of critter-produce photo manipulations, Animal Food, offers viewers insight in blending the dichotomy between the flora and fauna we consume.".

paragraph: In February 2015, DeRemer exhibited the series "Animal Food" in Seoul, Korea at Color of Money. An article was written about the exhibition in the Korea Herald. She also displayed the series in a solo exhibition Jang Eun Sun gallery in November 2015.

paragraph: Section::::Works.:You Are What You Eat.

paragraph: DeRemer's following project, "You Are What You Eat", features the combinations of predators and their prey into one cohesive image. The images can be seen on the Huffington Post and Ashton Kutcher's blog, A Plus.

paragraph: Section::::Works.:Big Mouth Birds.

paragraph: She created a bird-horse hybrid series titled "Big Mouth Birds" which combines birds with the mouths of horses. These can be viewed on Ignant Journal Du Design, & Laughing Squid.

paragraph: Section::::Works.:Balloon Zoo.

paragraph: Her recent hybrid series, titled "Balloon Zoo", reimagines balloon animals as real creatures. DesignBoom wrote, "for her digital series ‘Balloon Zoo’, DeRemer has realized a realistic rendition of childhood-favorite inflatables. Hybrid creatures bear a strangely lifelike appearance, where characteristics like skin, fur and eyes wrap around the balloon’s exaggerated, twisted forms. These images can also be seen on The Guardian, Juxtapoz, Mashable, Yahoo, and Hello Giggles. The project was also featured in Vanity Fair Italy's September issue.

paragraph: Section::::Works.:Surreal Experiments.

paragraph: Most recently she has been exploring the world of surrealism. She published a series of black and white surreal photo-manipulations that was shown on Mashable, DesignTaxi, and Hi-Fructose. The series manipulates ordinary photos to create odd and sometimes creepy, dream-like scenes by mixing two objects into unexpected mashups, or manipulating seemingly ordinary objects into different visual elements. DeRemer told Mashable that some of the scenes were "created as an exploration into interesting combinations," while others simply portray scenes of interest.

wikidata_label: Sarah DeRemer

wikipedia_title: Sarah DeRemer


text: Museum of Modern Art

text: United States Embassy in New Delhi

text: John F. Kennedy Center for the Performing Arts

text: Fayetteville

text: Arkansas

text: International Style

text: Manhattan

text: Waldorf-Astoria Hotel

text: Rockefeller Center

text: Radio City Music Hall

text: Richard H. Mandel House

text: Mount Kisco

text: Museum of Modern Art

text: Anson Conger Goodyear

text: National Register of Historic Places

text: Embassy of the United States in New Delhi

text: American Institute of Architects

text: 1958 Brussels World’s Fair

text: North Carolina State Legislative Building

text: Museo de Arte

text: University at Albany

text: PepsiCo

text: Florida State Capital

text: Aon Center

text: American Institute of Architects

text: National Urban League

text: American Academy of Arts & Sciences

text: American Federation of Arts

text: Horatio Alger Award

text: Architectural League of New York

text: Radio City Music Hall

text: Rockefeller Center

text: New York City

text: Donald Deskey

text: Richard H. Mandel House

text: Bedford Hills, New York

text: Donald Deskey

text: Henry R. Luce

text: Mepkin Abbey

text: Monck's Corner, South Carolina

text: Museum of Modern Art

text: A. Conger Goodyear House

text: Old Westbury, New York

text: Kalamazoo, Michigan

text: Panama City, Panama

text: University of Arkansas

text: Fayetteville, Arkansas

text: New Delhi, India

text: Phoenicia InterContinental Hotel

text: Beirut, Lebanon

text: Stanford Medical Center

text: Palo Alto, California

text: Dallas, Texas

text: Pasadena, California

text: Expo 58

text: Brussels, Belgium

text: Schenectady, New York

text: Huntington Hartford

text: Museum of Arts & Design

text: World Trade Center of New Orleans

text: New Orleans, Louisiana

text: Robert M. Hughes Memorial Library

text: Norfolk, Virginia

text: Harvey Mudd College

text: Claremont, California

text: Raleigh, North Carolina

text: California Institute of Technology

text: National Geographic Society

text: Washington, D.C.

text: Museo de Arte

text: Ponce, Puerto Rico

text: Windham College

text: Landmark College

text: Putney, Vermont

text: State University of New York at Albany

text: University Town Center

text: Hyattsville, Maryland

text: Busch Memorial Stadium

text: St. Louis, Missouri

text: WAPDA House

text: Lahore, Pakistan

text: Stuhr Museum of the Prairie Pioneer

text: Grand Island, Nebraska

text: Claremont School of Theology

text: Davenport Public Library

text: Davenport, Iowa

text: General Motors Building

text: Ethel Percy Andrus Gerontology Center

text: University of Southern California

text: Los Angeles, California

text: Tulsa Convention Center

text: Tulsa, Oklahoma

text: Cox Business Center

text: University of Southern California

text: Los Angeles, California

text: Garden State Arts Center

text: PNC Bank Arts Center

text: Holmdel, New Jersey

text: Pakistan Institute of Nuclear Science and Technology

text: Georgetown University Law Center

text: W.E.B. Du Bois

text: University of Massachusetts Amherst

text: Amherst, Massachusetts

text: Pepper Pike, Ohio

text: Fort Worth, Texas

text: University of Kentucky

text: Lexington, Kentucky

text: PepsiCo

text: Purchase, New York

text: Pine Bluff, Arkansas

text: EcoTarium

text: Worcester, Massachusetts

text: Eisenhower Medical Center

text: Rancho Mirage, California

text: Amarillo Museum of Art

text: Aon Center

text: Buffalo News

text: La Jolla, California

text: First Canadian Place

text: Toronto

text: Ontario

text: Dubrovnik, Croatia

text: Florida State Capitol

text: Tallahassee, Florida

text: University of Alabama School of Law

text: Tuscaloosa, Alabama

text: La Jolla, California

text: Government Center Station

text: Miami, Florida

text: Scripps Research Institute

text: La Jolla, California

text: Xalapa

text: Veracruz, Mexico

text: Photographs of the Bruno and Josephine Graf house in Dallas, Texas

text: Ethel Goodstein-Murphree, "In Memoriam: Edward Durell Stone's Carlson Terrace, 1957-2007"

text: "Goodbye, 2 Columbus Circle" by Witold Rybczynski

text: "She Doesn't Want to Be Helped" by Walt Lockley

categories: Postmodern architects,People from Fayetteville, Arkansas,Boston Architectural College alumni,20th-century American architects,Modernist architects from the United States,1902 births,Massachusetts Institute of Technology alumni,University of Arkansas alumni,Harvard Graduate School of Design alumni,1978 deaths,Edward Durell Stone buildings

paragraph: Edward Durell Stone

paragraph: Edward Durell Stone (March 9, 1902 – August 6, 1978) was an American architect known for the formal, highly decorative buildings he designed in the 1950s and 1960s. His works include the Museum of Modern Art, in New York City, the United States Embassy in New Delhi, India, the John F. Kennedy Center for the Performing Arts in Washington, D.C.

paragraph: Section::::Life and work.

paragraph: Stone was born and raised in Fayetteville, Arkansas. He attended the University of Arkansas, Harvard and M.I.T., but did not earn a degree. In 1927 he won the Rotch Travelling Scholarship, which afforded him the opportunity to travel through Europe on a two-year stipend. Stone was impressed by the new architecture he observed in Europe, buildings designed in what would come to be known as the International Style. He returned to the United States in 1929 and took up residence in Manhattan. Hired by the architectural firm of Schultze and Weaver, he designed interiors for the new Waldorf-Astoria Hotel. He subsequently worked for the Associated Architects of Rockefeller Center and became the principal designer of Radio City Music Hall.

paragraph: Stone was an early advocate of the International Style. His first independent commission was the Richard H. Mandel House, in Mount Kisco, New York (1933). This was followed by the Ulrich Kowalski house, also in Mt. Kisco (1934), and the Albert C. Koch house in Cambridge Massachusetts (1936). In 1936 Stone was chosen as associate architect for the new Museum of Modern Art in New York City, designed in collaboration with Phillip Goodwin. Stone also designed a private residence for MoMA president Anson Conger Goodyear in Old Westbury, NY (1938). Both the Mandel and Goodyear residences are listed on the National Register of Historic Places.

paragraph: At the outset of World War II Stone enlisted in the U.S. Army. He was promoted to the rank of major and served as chief of the Army Air Force Planning and Design Section. Returning to New York after the war, Stone was commissioned to design the ten-story El Panama Hotel in Panama City, Panama (1946), the University of Arkansas Fine Arts Center in Fayetteville (1948), and the 850-bed Hospital del Seguro Social del Empleado in Lima, Peru (1950).

paragraph: Stone’s best-known work was the Embassy of the United States in New Delhi, India (1959). Tasked with creating a modern building that respected the architectural heritage of its host country, he designed a temple-like pavilion on a raised podium. Frank Lloyd Wright called the embassy one of the most beautiful buildings he had ever seen, and it won a first honor award from the American Institute of Architects (AIA). Subsequent commissions such as the Stanford University Medical Center in Palo Alto, California (1955), the Stuart Pharmaceutical Company in Pasadena, California (1956), and the United States pavilion at the 1958 Brussels World’s Fair (1957), repeated elements originally designed for the embassy. The Stuart building and World’s Fair pavilion both won awards from the AIA and Stone was elected to the Institute’s College of Fellows in 1958.

paragraph: Described as romanticist, Stone’s ornate designs brought him commercial success. By the 1960s his firm was among the largest architectural practices in the United States, with over 200 employees and offices on both coasts. Buildings from this period include the North Carolina State Legislative Building in Raleigh (1960), the Pakistan Institute of Nuclear Science and Technology in Nilore (1961), the National Geographic Society building in Washington, D.C. (1961), the Museo de Arte in Ponce, Puerto Rico (1961), the uptown campus of the University at Albany (1962), the John F. Kennedy Center for the Performing Arts in Washington, D.C. (1962), the General Motors building in New York City (1964), the PepsiCo World Headquarters, in Purchase, New York (1967), the Florida State Capital complex in Tallahassee (1970), and the Standard Oil building (now known as the Aon Center) in Chicago, Illinois (1970).

paragraph: Stone retired in 1974 and died in 1978. Following a New York City funeral his ashes were buried in his hometown of Fayetteville.

paragraph: Section::::Honors and awards.

paragraph: Section::::Honors and awards.:Honorary degrees.

paragraph: BULLET::::- Doctor of Fine Arts, University of Arkansas, 1951

paragraph: BULLET::::- Doctor of Fine Arts, Colby College, 1959

paragraph: BULLET::::- Master of Fine Arts, Otis Art Institute of Los Angeles County, 1961

paragraph: BULLET::::- Doctor of Fine Arts, Hamilton College, 1962

paragraph: Section::::Honors and awards.:Memberships and honors.

paragraph: BULLET::::- Medal of Honor, New York Chapter of the American Institute of Architects, 1955

paragraph: BULLET::::- American Institute of Architects, Fellow, 1958

paragraph: BULLET::::- National Institute of Arts & Letters, Member, 1958

paragraph: BULLET::::- National Urban League, Trustee, 1958

paragraph: BULLET::::- American Academy of Arts & Sciences, Fellow, 1960

paragraph: BULLET::::- American Federation of Arts, Trustee, 1960

paragraph: BULLET::::- National Institute of Social Sciences, Gold Medal, 1961

paragraph: BULLET::::- Building Stone Institute, Architect of the Year, 1964

paragraph: BULLET::::- Horatio Alger Award, 1971

paragraph: Section::::Honors and awards.:Architectural awards.

paragraph: BULLET::::- Silver Medal, Architectural League of New York, 1937 – Guest House for Henry R. Luce, Mepkin Plantation, Moncks Corner, South Carolina

paragraph: BULLET::::- Silver Medal, Architectural League of New York, 1950 – A. Conger Goodyear Residence, Old Westbury, New York

paragraph: BULLET::::- Gold Medal, Architectural League of New York, 1950 – Museum of Modern Art, New York City, New York (Philip Goodwin, Associate)

paragraph: BULLET::::- Gold Medal, Architectural League of New York, 1950 – El Panama Hotel, Panama City, Panama

paragraph: BULLET::::- First Honor Award, American Institute of Architects, 1958 – Stuart Pharmaceutical Co., Pasadena, California

paragraph: BULLET::::- Award of Merit, American Institute of Architects, 1958 – U.S. Pavilion, Brussels, Belgium

paragraph: BULLET::::- First Honor Award, American Institute of Architects, 1961 – U.S. Embassy, New Delhi, India

paragraph: BULLET::::- Award of Merit, American Institute of Architects, 1963 – Community Hospital of the Monterey Peninsula, Carmel, California

paragraph: BULLET::::- Honor Award, American Institute of Architects, 1967 – Ponce Museum of Art, Ponce, Puerto Rico

paragraph: Section::::Selected works.

paragraph: BULLET::::- Radio City Music Hall and the Center Theater, in Rockefeller Center, New York City, (as senior designer in the employ of the Rockefeller Center Associated Architects with Donald Deskey and Eugene Schoen, interior designers, 1932)

paragraph: BULLET::::- Richard H. Mandel House, Bedford Hills, New York (with Donald Deskey, interior designer, 1933)

paragraph: BULLET::::- Mepkin Plantation for Mr. and Mrs. Henry R. Luce, (now known as Mepkin Abbey), Monck's Corner, South Carolina (1936)

paragraph: BULLET::::- Museum of Modern Art, New York City, (Philip L. Goodwin, associate architect, 1937)

paragraph: BULLET::::- A. Conger Goodyear House, Old Westbury, New York (1938)

paragraph: BULLET::::- Ingersoll Steel, Utility Unit House, Kalamazoo, Michigan (1946)

paragraph: BULLET::::- El Panama Hotel, Panama City, Panama (Mendez and Sanders, associated architects, 1946)

paragraph: BULLET::::- Fine Arts Center, University of Arkansas, Fayetteville, Arkansas (Haralson & Mott, associated architects, 1948)

paragraph: BULLET::::- United States Embassy, New Delhi, India (1954)

paragraph: BULLET::::- Phoenicia InterContinental Hotel, Beirut, Lebanon (Elias and Dagher, associated architects, 1954, altered 1997)

paragraph: BULLET::::- Stanford Medical Center, Palo Alto, California (1955)

paragraph: BULLET::::- Bruno & Josephine Graf Residence, Dallas, Texas (1956)

paragraph: BULLET::::- Main Library and Mitchell Park Branch Library, Palo Alto, California (1956, Mitchell Park Branch demolished 2010)

paragraph: BULLET::::- Edward Durell Stone Townhouse, 130 East 64th Street, New York City (1956)

paragraph: BULLET::::- Stuart Pharmaceutical Co., Pasadena, California (1956, partially demolished)

paragraph: BULLET::::- U.S. Pavilion at Expo 58, Brussels, Belgium (1957, partially demolished)

paragraph: BULLET::::- First Unitarian Society Church, Schenectady, New York (1958)

paragraph: BULLET::::- Gallery of Modern Art, including the Huntington Hartford Collection (now known as Museum of Arts & Design), New York City (1958, substantially altered 2006)

paragraph: BULLET::::- International Trade Mart (now known as World Trade Center of New Orleans), New Orleans, Louisiana (Robert Hall, associate architect, 1959)

paragraph: BULLET::::- Robert M. Hughes Memorial Library, Norfolk, Virginia (1959, substantially altered 2011)

paragraph: BULLET::::- Harvey Mudd College, Claremont, California (1959)

paragraph: BULLET::::- North Carolina State Legislative Building, Raleigh, North Carolina (Holloway-Reeves & Associates, associated architects, 1960)

paragraph: BULLET::::- Beckman Auditorium, California Institute of Technology, Pasadena, California (1960)

paragraph: BULLET::::- National Geographic Society Museum, Washington, D.C. (1961)

paragraph: BULLET::::- Museo de Arte, Ponce, Puerto Rico (1961)

paragraph: BULLET::::- Windham College (now known as Landmark College), Putney, Vermont (1961)

paragraph: BULLET::::- State University of New York at Albany, Albany, New York (1962)

paragraph: BULLET::::- John F. Kennedy Center for the Performing Arts, Washington, D.C. (1962)

paragraph: BULLET::::- Prince George's Center (now known as University Town Center), Hyattsville, Maryland (1962)

paragraph: BULLET::::- Busch Memorial Stadium, St. Louis, Missouri (1962, demolished 2005)

paragraph: BULLET::::- WAPDA House, Lahore, Pakistan (1962)

paragraph: BULLET::::- Stuhr Museum of the Prairie Pioneer, Grand Island, Nebraska (1963)

paragraph: BULLET::::- Claremont School of Theology, Claremont, California (1963)

paragraph: BULLET::::- P.S. 199 School, Lincoln Square/Upper West Side, New York (1963)

paragraph: BULLET::::- Davenport Public Library, Davenport, Iowa (1964)

paragraph: BULLET::::- General Motors Building, New York City (Emory Roth and Sons, associated architects, 1964)

paragraph: BULLET::::- Ethel Percy Andrus Gerontology Center, University of Southern California, Los Angeles, California (1964)

paragraph: BULLET::::- Tulsa Convention Center, Tulsa, Oklahoma (Murray, Jones and Murray, associated architects, 1964, expanded and renamed to Cox Business Center)

paragraph: BULLET::::- Von KleinSmid Center, University of Southern California, Los Angeles, California (1964)

paragraph: BULLET::::- Garden State Arts Center (now known as PNC Bank Arts Center), Holmdel, New Jersey (1965)

paragraph: BULLET::::- Pakistan Institute of Nuclear Science and Technology, (1965)

paragraph: BULLET::::- Georgetown University Law Center Bernard P. McDonough Hall, Washington, D.C. (1966)

paragraph: BULLET::::- W.E.B. Du Bois Library, University of Massachusetts Amherst, Amherst, Massachusetts (1966)

paragraph: BULLET::::- Brith Emeth Temple, Pepper Pike, Ohio (1967)

paragraph: BULLET::::- Fort Worth City Hall, Fort Worth, Texas (1967)

paragraph: BULLET::::- Kirwan-Blanding Complex, University of Kentucky, Lexington, Kentucky (1967)

paragraph: BULLET::::- PepsiCo World Headquarters Complex, Purchase, New York (1967)

paragraph: BULLET::::- Jefferson County Civic Center, Pine Bluff, Arkansas (1968)

paragraph: BULLET::::- Worcester Science Museum (now known as the EcoTarium), Worcester, Massachusetts, (1964, altered 1998)

paragraph: BULLET::::- Eisenhower Medical Center, Rancho Mirage, California (1971)

paragraph: BULLET::::- Amarillo Museum of Art, Amarillo, Texas (1972)

paragraph: BULLET::::- Standard Oil Building (now known as Aon Center), Chicago, Illinois (Perkins & Will, associated architects, 1972)

paragraph: BULLET::::- Buffalo News Building, Buffalo, New York (1973)

paragraph: BULLET::::- Scripps Green Hospital, La Jolla, California (1974)

paragraph: BULLET::::- First Bank Building (now known as First Canadian Place), Toronto, Ontario (1975)

paragraph: BULLET::::- Babin Kuk Resort, Dubrovnik, Croatia (1976)

paragraph: BULLET::::- Florida State Capitol, Tallahassee, Florida (Reynolds, Smith & Hills, associated architects, 1977)

paragraph: BULLET::::- University of Alabama School of Law, Tuscaloosa, Alabama (1977)

paragraph: BULLET::::- Scripps Anderson Outpatient Pavilion, La Jolla, California (by Edward Durell Stone Associates, 1983)

paragraph: BULLET::::- Government Center Station, Miami, Florida (1984)

paragraph: BULLET::::- Scripps Research Institute, La Jolla, California (by Edward Durell Stone Associates, 1985)

paragraph: BULLET::::- Museum of Anthropology, Xalapa, Veracruz, Mexico (by Edward Durell Stone Associates, 1986)

paragraph: Section::::References.

paragraph: Bibliography

paragraph: BULLET::::- Everett, Derek R. "Modern Statehouses for Modern States: Edward Durell Stone's Capitol Architecture in North Carolina and Florida." "Southern Historian", Vol. 28 (Spring 2007): pp. 74–91.

paragraph: BULLET::::- Head, Jeffrey. "Unearthing Stone." "Metropolis magazine", Urban Journal, January 2008.

paragraph: BULLET::::- Heyer, Paul. "Architects on Architecture: New Directions in America." (New York: Walker & Co., 1966): pp. 172-183.

paragraph: BULLET::::- Hunting, Mary Anne. "Edward Durell Stone: Modernism's Populist Architect" (New York: W. W. Norton, 2013).

paragraph: BULLET::::- Hunting, Mary Anne. "Edward Durell Stone, Perception and Criticism." (PhD diss., Graduate Center, City University of New York, 2007).

paragraph: BULLET::::- Hunting, Mary Anne. “Edward Durell Stone.” In Oxford Bibliographies in Architecture, Planning, and Preservation. New York: Oxford University Press, forthcoming.

paragraph: BULLET::::- Hunting, Mary Anne. "From Craft to Industry: Furniture designed by Edward Durell Stone for Senator Fulbright." "The Magazine Antiques" (May 2004): 110–121.

paragraph: BULLET::::- Hunting, Mary Anne. “"Legacy" of Stone: As Campus Buildings Rise and Fall, A Leading Mid-20th-Century Architect’s Vision Endures,” "Vanderbilt Magazine" (Summer 2014): *18–19, 78–79.

paragraph: BULLET::::- Hunting, Mary Anne. "The Richard H. Mandel House in Bedford Hills, New York." Living with Antiques."The Magazine Antiques" (July 2001): 72–83.

paragraph: BULLET::::- Hunting, Mary Anne. "Rediscovering the Work of Edward Durell Stone". "Modern Magazine ("Spring 2013): 70 and 72.

paragraph: BULLET::::- Ricciotti, Dominic. "Edward Durell Stone and the International Style in America: Houses of the 1930s." "American Art Journal", Vol. 20, No. 3 (Summer 1988): pp. 48–73.

paragraph: BULLET::::- Ricciotti, Dominic. "The 1939 Building of the Museum of Modern Art: The Goodwin-Stone Collaboration." "American Art Journal", Vol. 17, No. 3 (Summer 1985): pp. 51–76.

paragraph: BULLET::::- Stone, Edward Durell. "Edward Durell Stone: Recent and Future Architecture". New York: Horizon Press, 1967.

paragraph: BULLET::::- Stone, Edward Durell. "The Evolution of An Architect". New York: Horizon Press, 1962.

paragraph: BULLET::::- Stone, Hicks. "Edward Durell Stone: A Son's Untold Story of a Legendary Architect". New York: Rizzoli International Publications, 2011.

paragraph: BULLET::::- Williams, John G. "The Curious and the Beautiful". Fayetteville: University of Arkansas Press, 1984.

paragraph: Section::::External links.

paragraph: BULLET::::- The Edward Durell Stone web site, a resource for current information on the life and work of Edward Durell Stone

paragraph: BULLET::::- Finding Aid for the Edward Durell Stone Papers at The University of Arkansas, David W. Mullins Library, Department of Special Collections

paragraph: BULLET::::- Finding Aid for the James Hicks Stone Papers at The University of Arkansas, David W. Mullins Library, Department of Special Collections

paragraph: BULLET::::- The Edward Durell Stone entry in The Encyclopedia of Arkansas History & Culture by Robert L. Skolmen

paragraph: BULLET::::- An Edward Durell Stone biography established and maintained by the State University of New York at Albany

paragraph: BULLET::::- Photographs of the Bruno and Josephine Graf house in Dallas, Texas

paragraph: BULLET::::- Ethel Goodstein-Murphree, "In Memoriam: Edward Durell Stone's Carlson Terrace, 1957-2007"

paragraph: Two views on 2 Columbus Circle

paragraph: BULLET::::- "Goodbye, 2 Columbus Circle" by Witold Rybczynski

paragraph: BULLET::::- "She Doesn't Want to Be Helped" by Walt Lockley

description: American architect

wikidata_label: Edward Durell Stone

wikipedia_title: Edward Durell Stone


text: architect

text: Cosanti

text: Arcosanti

text: Arizona State University

text: National Design Award

text: Turin

text: Italy

text: Europe

text: architecture

text: Politecnico di Torino

text: United States

text: Frank Lloyd Wright

text: Taliesin West

text: Taliesin

text: Museum of Modern Art

text: Italy

text: Vietri

text: silt-cast

text: Arcosanti

text: Cosanti

text: Scottsdale, Arizona

text: Arcosanti

text: urban planning

text: Jesuit

text: paleontologist

text: Pierre Teilhard de Chardin

text: Arcosanti

text: Phoenix

text: Arizona

text: Arcology

text: architecture

text: ecology

text: environmental pollution

text: Vienna University of Technology

text: Justus Dahinden

text: Dennis Sharp

text: Bruno Zevi

text: Jorge Glusberg

text: Otto Kapfinger

text: Frei Otto

text: Pierre Vago

text: Ernst Gisel

text: Ionel Schein

text: Arizona State University

text: Lindisfarne Association

text: Paolo Soleri Amphitheater

text: Santa Fe

text: New Mexico

text: Santa Fe Indian School

text: Corcoran Gallery of Art

text: Washington, DC

text: U.S.

text: Canada

text: Xerox Square Center

text: Rochester, New York

text: Scottsdale, AZ

text: What the *Bleep* Do We Know?

text: UN Habitat I

text: British Columbia

text: Canada

text: North America

text: "The 11th Hour"

text: Morley Safer

text: Paul Goldberger

text: Catherine Hardwicke

text: Will Bruder

text: Jean-Michel Cousteau

text: Steven Holl

text: Eric Lloyd Wright

text: Graham Foundation

text: Guggenheim Foundation

text: International Academy of Architecture

text: Sofia, Bulgaria

text: Paris

text: Royal Institute of British Architects

text: Leone d'oro

text: Venice Biennale of Architecture

text: Cooper Hewitt National Design Award

text: Medium

text: #MeToo movement

text: Dezeen

text: The New York Times

text: Curbed

text: Weinstein effect

text: "Desert Utopia"

categories: American male non-fiction writers,2013 deaths,National Design Award winners,Italian emigrants to the United States,American architecture writers,People from Paradise Valley, Arizona,Guggenheim Fellows,American urban planners,Architectural theoreticians,20th-century American architects,Architecture firms based in Arizona,1919 births,20th-century Italian architects,Arizona State University faculty,Architects from Turin,Italian urban planners

paragraph: Paolo Soleri

paragraph: Paolo Soleri (21 June 1919 – 9 April 2013) was an Italian architect. He established the educational Cosanti Foundation and Arcosanti. Soleri was a lecturer in the College of Architecture at Arizona State University and a National Design Award recipient in 2006. He died at home of natural causes on 9 April 2013 at the age of 93.

paragraph: Soleri authored several books, including "The Bridge Between Matter & Spirit is Matter Becoming Spirit" and "Arcology - City In the Image of Man".

paragraph: Section::::Early life.

paragraph: Soleri was born in Turin, Italy, Europe. He was awarded his "laurea" (master's degree) in architecture from the Politecnico di Torino in 1946. He visited the United States in December 1946 and spent a year and a half in fellowship with Frank Lloyd Wright at Taliesin West in Arizona, and at Taliesin in Spring Green, Wisconsin. During this time, he gained international recognition for a bridge design that was displayed at the Museum of Modern Art.

paragraph: In 1950, Soleri, with his wife Colly (née Corolyn Woods), returned to Italy where he was commissioned to build a large ceramics factory, Ceramica Artistica Solimene, in Vietri on the Amalfi coast.

paragraph: Soleri adapted ceramics industry processes learned at this time to use in his award-winning designs and production of ceramic and bronze windbells and silt-cast architectural structures. For more than 40 years, proceeds from sales of the wind-bells have been an important source of funds for construction that is meant to test his theoretical work. Ceramic and bronze bells continue to be produced and sold at Arcosanti and Cosanti in Arizona.

paragraph: In 1956, Soleri settled in Scottsdale, Arizona, with Colly and the elder of their two daughters; the younger was born in Arizona. He began building Arcosanti in 1970 with the help of architecture and design students, as a place to test his urban design hypotheses. This "urban laboratory" (so-dubbed by Ada Louise Huxtable, who at the time was the architectural critic of The NY Times) became internationally renowned.

paragraph: Paolo and Colly Soleri made a lifelong commitment to research and experimentation in urban planning. They established the Cosanti Foundation, a 501-3C educational non-profit foundation. Soleri's philosophy and works were strongly influenced by the Jesuit paleontologist and philosopher Pierre Teilhard de Chardin.

paragraph: Soleri died on 9 April 2013 and was buried at Arcosanti in its private cemetery, beside his wife.

paragraph: Section::::Arcosanti.

paragraph: The Cosanti Foundation's major project is Arcosanti. Arcosanti, as originally designed by Soleri, was intended for 5,000 people; it has been in construction since 1970. Located near Cordes Junction, about north of Phoenix and visible from Interstate I-17 in central Arizona, the intention of the project is to provide a model that can demonstrate Soleri's concept of "Arcology", architecture coherent with ecology. Arcology was envisioned by Soleri as a hyper-dense city, designed to: maximize human interaction with ready access to shared, cost-effective infrastructural services; conserve water and reduce sewage; minimize the use of energy, raw materials and land; reduce waste and environmental pollution; increase interaction with the surrounding natural environment. In 2010, construction was underway to complete Arcosanti's Greenhouse Apron, but that initiative was put on hold not long after Soleri's death in 2013.

paragraph: Arcosanti is intended as a prototype of a desert arcology. Soleri's other arcology designs envisioned sites such as the ocean (Nova Noah), "et al." (see: Arcology: City in the Image of Man). Since 1970, over 7000 people have participated in Arcosanti's construction. Their international affiliation group is called the Arcosanti Alumni Network.

paragraph: Section::::Other achievements.

paragraph: The International Architecture Symposium "Mensch und Raum" (Man and Space) at the Vienna University of Technology in 1984 received international attention. Paolo Soleri participated with, among others: Justus Dahinden, Dennis Sharp, Bruno Zevi, Jorge Glusberg, Otto Kapfinger, Frei Otto, Pierre Vago, Ernst Gisel, and Ionel Schein.

paragraph: Soleri was a distinguished lecturer in the College of Architecture at Arizona State University and a member of the Lindisfarne Association.

paragraph: In 1966, Paolo Soleri began working on the design for the Paolo Soleri Amphitheater in Santa Fe, New Mexico. It was built for the IAIA (Institute of American Indian Arts) on what is now the campus of the Santa Fe Indian School using large silt cast forms. The property is owned by the nineteen Native American Pueblos of New Mexico and is therefore not protected by local or state preservation laws.

paragraph: A landmark exhibition, "City in the Image of Man - The Architectural Visions of Paolo Soleri", organized in 1970 by the Corcoran Gallery of Art in Washington, DC, traveled extensively thereafter in the U.S. and Canada, breaking records for attendance. "Two Suns Arcology, A Concept for Future Cities" opened in 1976 at the Xerox Square Center in Rochester, New York. In 1989, "Paolo Soleri Habitats: Ecologic Minutiae", an exhibition of arcologies, space habitats, and bridges, was presented at the New York Academy of Sciences. More recently, "Soleri's Cities, Architecture for the Planet Earth and Beyond" was featured at the Scottsdale Center for the Arts in Scottsdale, AZ. A Soleri bell appears in the film What the *Bleep* Do We Know? His work has been exhibited worldwide.

paragraph: In 1976, Paolo Soleri was a key participant at UN Habitat I, the first UN forum on human settlements, held it Vancouver, British Columbia, Canada, North America. Soleri appeared there together with Buckminster Fuller.

paragraph: The Paolo Soleri Archives, the collection of Soleri's drawings and writings, is located at Arcosanti. The Soleri Archives is managed by Sue Kirsch under the direction of Tomiaki Tamura, a Cosanti Board Trustee and Arcosanti's Director of Special Projects. Tomiaki Tamura resides at Arcosanti.

paragraph: An interview with Soleri was featured in the environmental documentary "The 11th Hour" (2007).

paragraph: On 10 December 2010, the Soleri Bridge and Plaza was completed. The structure had been commissioned by Scottsdale Public Art. The pedestrian bridge based on Paolo Soleri's design is located on the South Bank of the Arizona Canal and connects a developed retail area of the Scottsdale Waterfront with Old Town Scottsdale. The bridge is incorporated into a plaza including silt cast artwork, as well as a large bell assembly called The Goldwater Bell, also designed by Paolo Soleri.

paragraph: The feature-length documentary film "" (2013) contains interviews with Morley Safer, Paul Goldberger, Catherine Hardwicke, Will Bruder, Jean-Michel Cousteau, Steven Holl, and Eric Lloyd Wright.

paragraph: Section::::Awards.

paragraph: Soleri received fellowships from the Graham Foundation and from the Guggenheim Foundation (1964, Architecture, Planning, & Design). He was awarded three honorary doctorates and several awards from design groups worldwide:

paragraph: BULLET::::- 1963 – American Institute of Architects Gold Medal for Craftmanship

paragraph: BULLET::::- 1981 – Gold Medal at the World Bienniale of Architecture held by the International Academy of Architecture in Sofia, Bulgaria

paragraph: BULLET::::- 1984 – Silver Medal of the Academie d' Architecture in Paris

paragraph: BULLET::::- 1996 – Honorary Fellow, Royal Institute of British Architects

paragraph: BULLET::::- 2000 – Leone d'oro at the Venice Biennale of Architecture for his lifelong achievement

paragraph: BULLET::::- 2006 – Cooper Hewitt National Design Award for lifetime achievement

paragraph: Section::::Sexual abuse allegation.

paragraph: On 13 November 2017, Daniela Soleri – Paolo Soleri's daughter – published an article on the website "Medium" accusing her father of persistent sexual abuse, writing: "In my early adolescence, my father, an architect and craftsman, began sexually molesting me, eventually attempting rape when I was 17." Encouraged to publish the article by the #MeToo movement, Daniela wrote that she had already come forward to many of her father's colleagues but received little response:

paragraph: In the article, Daniela wrote about her lingering admiration for some of Soleri's work and ideas. However, she also warned against uncritical praise of artists with abusive tendencies and the tendency to "accept abusive behavior as a necessary and justified cost for the contributions of intellect or creativity". Of her father, Daniela wrote:

paragraph: As noted in "Dezeen", Daniela's article suggested that she had approached "The New York Times" or other news publishers to discuss her father's abuse, but had been turned away. The Cosanti Foundation Board released an official statement in response to Daniela Soleri's:

paragraph: "Curbed" editor-in-chief Kelsey Keith wrote "[Daniela] Soleri's account is breathtaking not only for its thorough and very personal reckoning with the truth, but for its clear-eyed articulation of the reasons why assigning all intellectual power to a solitary genius is so harmful." Keith noted that architecture as a profession "hasn't (yet) experienced its Weinstein moment", referring to the Harvey Weinstein sexual abuse allegations and the resulting "Weinstein effect" of reporting sexual misconduct committed by powerful men in media and other industries. In a 2018 "Curbed" article, Hilary George-Parkin said: "While Hollywood, tech, sports, media, politics, the restaurant industry, and others are reeling from high-profile revelations and resignations, the design world has remained—with the notable exception of Daniela Soleri's account of sexual abuse by her father, architect Paolo Soleri—mostly undisturbed in the public realm."

paragraph: Section::::References.

paragraph: Notes

paragraph: Bibliography

paragraph: BULLET::::- S. Suatoni (a cura di) 'Paolo Soleri. Etica e Invenzione Urbana', catalogo della mostra, Roma 8 ottobre 2005- 8 gennaio 2006 (Istituto Nazionale per la Grafica, Maxxi, Casa dell'Architettura), Roma Palombi, Jaca book 2006

paragraph: Section::::External links.

paragraph: BULLET::::- Emanuele Piccardo, , an interview at Cosanti in 2006

paragraph: BULLET::::- Lisa A. Scafuro. Phoenix Home & Garden. March, 2008, Page 270. “Paolo Soleri: The Lifetime Achievements of a Living Legacy”

paragraph: BULLET::::- Jared Keller article about Soleri urbanistic envisions. "Desert Utopia"

description: Italian architect

wikidata_label: Paolo Soleri

wikipedia_title: Paolo Soleri