text: footballer

text: central midfielder

text: Porto

text: Champions League

text: Primeira Liga

text: caps

text: Portugal

text: Euro 2004

text: 2006 World Cup

text: Lisbon

text: S.L. Benfica

text: F.C. Alverca

text: farm team

text: winger

text: José Mourinho

text: FC Porto

text: central midfielder

text: UEFA Cup

text: UEFA Champions League

text: Primeira Liga

text: Man of the match

text: 2004 Intercontinental Cup

text: on penalties

text: Once Caldas

text: FC Dynamo Moscow

text: Giourkas Seitaridis

text: Costinha

text: Derlei

text: Alexey Fedorychev

text: Premier League

text: Chelsea

text: 2006 league-winning squad

text: West Ham United

text: red card

text: Lionel Scaloni

text: Michael Essien

text: Frank Lampard

text: Claude Makelele

text: US$

text: Atlético Madrid

text: Zé Castro

text: La Liga

text: his first season

text: capital

text: Javier Aguirre

text: Inter Milan

text: Serie A

text: Juventus FC

text: season

text: UEFA Champions League

text: Abel Resino

text: general manager

text: Bundesliga

text: 1. FC Köln

text: Petit

text: one season

text: Portuguese Big Three

text: Sporting Clube de Portugal

text: F.C. Paços de Ferreira

text: Segunda Liga

text: Académica de Coimbra

text: Portugal national team

text: friendly

text: Brazil

text: UEFA Euro 2004

text: Russia

text: Netherlands

text: 2006 FIFA World Cup

text: Mexico

text: group game

text: Adidas

text: qualifying stages

text: Euro 2008

text: Jorge Ribeiro

text: qualification

text: 2010 World Cup

text: Carlos Queiroz

text: Jorge Ribeiro

text: forward

text: Michael Manniche

text: Primeira Liga

text: Taça de Portugal

text: Supertaça Cândido de Oliveira

text: UEFA Champions League

text: UEFA Cup

text: Intercontinental Cup

text: Serie A

text: UEFA European Championship

text: FIFA World Cup All-Star Team

text: UEFA Team of the Year

text: Intercontinental Cup

text: House of Braganza

text: PortuGOAL profile

text: National team data

categories: S.L. Benfica footballers,1. FC Köln players,Bundesliga players,FC Dynamo Moscow players,Portugal youth international footballers,Portuguese expatriate sportspeople in Russia,Russian Premier League players,Premier League players,1977 births,Expatriate footballers in England,Expatriate footballers in Germany,Inter Milan players,Portuguese expatriate footballers,Portuguese footballers,F.C. Alverca players,Portuguese expatriate sportspeople in England,FC Porto players,Sporting CP footballers,La Liga players,2006 FIFA World Cup players,Expatriate footballers in Spain,Portuguese expatriate sportspeople in Italy,Portugal international footballers,Portuguese expatriate sportspeople in Spain,LigaPro players,Association football midfielders,Living people,Atlético Madrid footballers,Portuguese expatriate sportspeople in Germany,Chelsea F.C. players,Serie A players,UEFA Euro 2004 players,Expatriate footballers in Italy,Primeira Liga players,Portugal under-21 international footballers,Expatriate footballers in Russia,Sportspeople from Lisbon

paragraph: Maniche

paragraph: Nuno Ricardo de Oliveira Ribeiro (born 11 November 1977), known as Maniche (), is a Portuguese retired professional footballer who played as a central midfielder.

paragraph: He played top flight football in Portugal, Russia, England, Spain, Italy and Germany, and in 2004 he helped Porto win the Champions League, one of eight trophies conquered with that club. He amassed Primeira Liga totals of 177 matches and 31 goals, during seven seasons.

paragraph: Maniche won 52 caps for Portugal, representing the nation at Euro 2004 and the 2006 World Cup and finishing runner-up in the former competition.

paragraph: Section::::Club career.

paragraph: Section::::Club career.:Portugal.

paragraph: Born in Lisbon, Maniche played youth football for local S.L. Benfica. After three seasons with neighbouring F.C. Alverca, who acted as the former's farm team, he returned to Benfica, where he initially played as a winger.

paragraph: Following disciplinary problems at Benfica, Maniche was signed by José Mourinho for FC Porto. The manager made him a key member of his sides, reconverting him to central midfielder.

paragraph: Maniche enjoyed a successful period at Porto, winning both the UEFA Cup in 2003 and the UEFA Champions League in 2004 and contributing with 13 goals in 60 matches as the club also managed back-to-back Primeira Liga titles. He was chosen Man of the match in the 2004 Intercontinental Cup, which his team won on penalties against Once Caldas of Colombia.

paragraph: Section::::Club career.:Abroad.

paragraph: Maniche was sold to FC Dynamo Moscow in May 2005, for €16 million. He was accompanied in that adventure by Porto teammates Giourkas Seitaridis and Costinha (another club player, Derlei, had left for the Russian team in January). Unsettled, as were the vast majority of foreign players bought by new owner Alexey Fedorychev, he left in January 2006 on loan to Premier League side Chelsea.

paragraph: Maniche was part of Chelsea's 2006 league-winning squad. In his first start, a home game against West Ham United on 9 April, he had an opportunity to score an equaliser from six yards out but smashed his shot against the crossbar, and was shown an immediate red card in the 17th minute for a challenge on Lionel Scaloni; nevertheless, they went on to win it 4–1.

paragraph: However, Maniche did not make enough appearances in the league to earn a winners' medal, challenged for a central midfield place by Michael Essien, Frank Lampard and Claude Makelele. Chelsea had the option of making the transfer permanent at the end of the season, for £5 million (US$9 million), but the player eventually returned to Dynamo Moscow.

paragraph: Maniche was signed by Atlético Madrid in late August 2006. Partnering countrymen Costinha and Zé Castro, he scored four goals in 28 La Liga matches in his first season as the capital team finished seventh.

paragraph: Following a run-in with Atlético coach, Javier Aguirre, Maniche was cut from the squad, and agreed to join Inter Milan on a January loan, running for the second part of 2007–08. Splitting time between the bench and the first eleven in eight Serie A appearances, he managed to score one goal, in a 22 March 2008, 1–2 home defeat against Juventus FC, also hitting the post in stoppage time.

paragraph: In July 2008, Maniche returned to Atlético Madrid, playing a major part in the "Colchoneros"' early season, as the club had returned to the UEFA Champions League after a 12-year absence. In late February 2009, however, he was ousted after a new quarrel with the management, now led by former club player Abel Resino.

paragraph: According to additional reports in the Spanish press, Maniche was deemed surplus to requirements in Madrid after he rejected the club's offer of a new deal, as his contract was going to expire on 30 June 2009.

paragraph: "We informed Maniche three or four weeks ago that we wanted to renew his contract” said Atlético's general manager Miguel Ángel Gil Marín."

paragraph: "We really wanted him to accept the conditions and sign the contract. It is a shame for us."

paragraph: Maniche was released from contract on 6 May, even before the season was over, being left available to sign for any club, with a return to Porto one of the possible destinations.

paragraph: On 20 July 2009, Maniche moved to the Bundesliga with 1. FC Köln, signing a two-year deal and rejoining former Benfica and Portugal teammate Petit.

paragraph: Section::::Club career.:Return to Portugal.

paragraph: Maniche left after only one season in Germany and, on 16 June 2010, returned to his native country, signing a one-year deal (plus an option for two further seasons) with the club he still had not represented in the Portuguese Big Three, Sporting Clube de Portugal. Frequently injured during his spell with the "Lions" and vastly underperforming, the 33-year-old terminated his contract by mutual consent – even though he had automatically renewed it in December after appearing in his 20th competitive game– on 6 July 2011; in May of the following year, not being able to find a new team, he decided to retire.

paragraph: On 12 June 2013, Maniche was appointed as assistant at F.C. Paços de Ferreira after his former Porto and international teammate Costinha was hired as the manager. Three years later he was hired in the same role alongside the same boss at Segunda Liga side Académica de Coimbra, but left after four months due to personal reasons.

paragraph: Section::::International career.

paragraph: Maniche made his debut for the Portugal national team on 29 March 2003, in a 2–1 friendly victory over Brazil. He was a key element in the country's runner-up run at UEFA Euro 2004, scoring in a 2–0 group stage win against Russia and adding another in the semi-finals against the Netherlands, which ended in a 2–1 victory; he was subsequently selected for the Team of the Tournament.

paragraph: On 21 June 2006, in the 2006 FIFA World Cup, Portugal played Mexico, in the nation's final group game. Maniche netted in the sixth minute in an eventual 2–1 triumph that sealed the group win. Four days later, in the round-of-16, as the national side faced the Netherlands once again, he scored the only goal in the game, and was the only Portuguese player to feature on Adidas' Golden Ball shortlist.

paragraph: After appearing significantly during the qualifying stages for Euro 2008, he was surprisingly left out of the nation's final squad, although younger brother Jorge Ribeiro would make the final cut. He also featured little during the qualification for the 2010 World Cup, and was subsequently left out of the squad for the final stages by manager Carlos Queiroz.

paragraph: Section::::Personal life / Style of play.

paragraph: Jorge Ribeiro, Maniche's younger brother, is also a footballer. Mainly a left midfielder, he also represented, amongst many other clubs, Benfica, and the two were teammates at Dynamo Moscow.

paragraph: Known for his teamwork, stamina and powerful shot, Maniche received his nickname after Benfica's 1980s Danish forward Michael Manniche.

paragraph: Section::::Career statistics.

paragraph: Section::::Career statistics.:Club.

paragraph: br

paragraph: Section::::Honours.

paragraph: Section::::Honours.:Club.

paragraph: Porto

paragraph: BULLET::::- Primeira Liga: 2002–03, 2003–04

paragraph: BULLET::::- Taça de Portugal: 2002–03

paragraph: BULLET::::- Supertaça Cândido de Oliveira: 2003

paragraph: BULLET::::- UEFA Champions League: 2003–04

paragraph: BULLET::::- UEFA Cup: 2002–03

paragraph: BULLET::::- Intercontinental Cup: 2004

paragraph: Inter

paragraph: BULLET::::- Serie A: 2007–08

paragraph: Section::::Honours.:International.

paragraph: Portugal

paragraph: BULLET::::- UEFA European Championship: Runner-up 2004

paragraph: Section::::Honours.:Individual.

paragraph: BULLET::::- FIFA World Cup All-Star Team: 2006

paragraph: BULLET::::- UEFA European Championship Team of the Tournament: 2004

paragraph: BULLET::::- UEFA Team of the Year: 2004

paragraph: BULLET::::- Intercontinental Cup Most Valuable Player of the Match Award: 2004

paragraph: Section::::Honours.:Orders.

paragraph: BULLET::::- Medal of Merit, Order of the Immaculate Conception of Vila Viçosa (House of Braganza)

paragraph: Section::::External links.

paragraph: BULLET::::- PortuGOAL profile

paragraph: BULLET::::- National team data

description: Portuguese footballer

wikidata_label: Maniche

wikipedia_title: Maniche


text:
Israelite
Kingdom of Israel
Jeroboam
Asa, King of Judah
William F. Albright
E. R. Thiele
Gibbethon
Philistine
Dan
captain
Baasha
Ahijah the Shilonite
House of Jeroboam

categories: Biblical murder victims,Kings of ancient Israel,10th-century BC murdered monarchs,Ancient murdered monarchs,10th-century BC biblical rulers,Year of birth unknown,900s BC deaths,House of Jeroboam,9th-century BC biblical rulers,9th-century BCE Hebrew people,9th-century BC Kings of Israel,10th-century BC Kings of Israel,10th-century BCE Hebrew people

paragraph: Nadab of Israel

paragraph: Nadav ( "Nāḏāḇ") was the second king of the northern Israelite Kingdom of Israel. He was the son and successor of Jeroboam.

paragraph: Section::::Reign.

paragraph: Nadab became king of Israel in the second year of Asa, King of Judah, and reigned for two years. William F. Albright has dated his reign to 901 - 900 BCE, while E. R. Thiele offers the dates 910 - 909 BCE.

paragraph: In the second year of his reign, while they were besieging Gibbethon, a Philistine town in southern Dan, a conspiracy broke out in Nadab's army. He was slain by one of his own captains, Baasha, who then made himself king of Israel.

paragraph: Having slain Nadab, Baasha put to death the remainder of the royal family (, ). This was consistent with the prophecy given via Ahijah the Shilonite concerning the extinction of the entire House of Jeroboam.

wikidata_label: Nadab of Israel

wikipedia_title: Nadab of Israel


text: commercial designer

categories: Austrian male painters,German war artists,1903 births,1990 deaths,20th-century Austrian painters

paragraph: Roman Zenzinger

paragraph: Roman Zenzinger(16 July 1903 – 5 November 1990) was an Austrian

paragraph: artist and commercial designer best known for his intense portraits and sketches

paragraph: of soldiers during World War II.

paragraph: Section::::Biography.

paragraph: The war painter Roman Zenzinger was born on 16 July 1903 in Olmuetz, Maehren, formally part of Austria.

paragraph: He lived with his parents in different places like Bruenn, Villach, Eisenstadt and St. Veit an der Glan.

paragraph: In Villach he studied at the higher school for architecture and was educated by Carinthian painters.

paragraph: In 1935 he moved to Vienna, where he worked for a number of Viennese newspapers as a caricaturist and as a painter.

paragraph: He was a member of the "Wiener Neustaedter Kunstverein" (art association). From 1936 he worked with a partner as a commercial artist.

paragraph: He was drafted in April 1941 into the German army as a war painter.

paragraph: He worked mainly in Veldes/ Oberkrain now Bled in Slowenia, Triest and in Serbia and Kosovo.

paragraph: From Feb 1943 until Feb 1944 he worked in the film and picture office of the police

paragraph: “Film und Bildstelle der Ordnungspolizei" and after that till the April 1945 in the

paragraph: “SS Standarte Kurt Eggers" Kommando Adria in Triest. (The SS-Standarte Kurt Eggers was a German war correspondent group which reported on the auctions of the Waffen SS combat formations)

paragraph: He often was called to Berlin to deliver his work personally to higher ranks.

paragraph: His next assignment in Triest was work for the magazine "Adria-Illustrierte" (Adria magazine) until the end of the war.

paragraph: Some of his work was shown in an exhibition in Berlin 1943, and some of his paintings were printed in the catalogue I "Kriegsmaler der Ordnungspolizei" (war painters of the police).

paragraph: Some of his works was used for title pages of the Nazi Newspaper "Voelkischer Beobachter" (observer of the people). One of them carried his title painting "Berlin brennt" (Berlin is burning)

paragraph: All of his work in oil was lost after the end of the war. It must have been destroyed or looted.

paragraph: Nevertheless, Zenzinger could save a lot of his drawings showing the life of the soldiers during the war which his son Gunnar inherited after his death. They were never shown to the public until 2011.

paragraph: He never was a member of the Nazi party. Zenzinger ensured that he obtained papers after the war to show that he was never involved in Nazi activities.

paragraph: After 1945 he worked as a painter and commercial artist and owned a firm with 14 employees.

paragraph: He also painted in a private capacity sometimes using his pseudonym Zero (shortening for Zenzinger Roman).

paragraph: Zenzinger died on 5 November 1990 in Vienna.

paragraph: Section::::References.

paragraph: Gunnar Zenzinger, son of Roman; Austria

paragraph: catalogue "Kriegsmaler der Ordnungspolizei"(war painter of the police, 1943)

paragraph: catalogue "Deutsche Kuenstler und die SS" 1944 (German artists and the SS)

paragraph: Section::::External links.

paragraph: BULLET::::- http://www.dailymail.co.uk/news/article-1372945/Revealed-The-sketches-Hitlers-official-artist-erased-files-shame-WWII.html

paragraph: BULLET::::- http://www.krone.at/Wien/Wiener_versteigern_drei_Skizzen_von_Hitler-Maler-Zenzinger-Werke-Story-254841

paragraph: BULLET::::- http://www.krone.at/Wien/Raetsel_um_Hitler-Maler_geloest_Frau_bekam_Kunstschatz-Skizzen_versteigert-Story-263364

paragraph: BULLET::::- http://www.antiquestradegazette.com/news/7861.aspx

paragraph: Waffen-SS, War correspondent

description: Austrian painter

wikidata_label: Roman Zenzinger

wikipedia_title: Roman Zenzinger


text:
Danish
miracle worker
healer
London
Calcutta
Neumann-Neurode-Heilgymnastik
British War Relief Society of America
East London
City of Joy

paragraph: Estrid Dane

paragraph: Estrid Dane was a Danish miracle worker and healer who primarily worked with young children in London and Calcutta. In 1938, she began to train in the techniques of Neumann-Neurode-Heilgymnastik. She had been convinced of the technique's success when it had been used to heal her own children. Later, with the support of the British War Relief Society of America she started a clinic at St. Marys Hospital in East London. She was also featured in the book the "City of Joy".

paragraph: Section::::External links.

paragraph: BULLET::::- http://discovery.nationalarchives.gov.uk/details/r/16184686-87a5-4b8e-9cc5-27ab210ff557

paragraph: BULLET::::- http://www.bfi.org.uk/films-tv-people/4ce2b6cd32972

wikidata_label: Estrid Dane

wikipedia_title: Estrid Dane


text:
The Breeders
The Kelley Deal 6000
identical twin
The Breeders
Kim Deal
Dayton, Ohio
Kim Deal
Huber Heights
Hank Williams
Pixies
California
indie rock
Tanya Donelly
Throwing Muses
The Breeders
Pod
Belly
Last Splash
Jim MacPherson
Nirvana
Lollapalooza
The Kelley Deal 6000
Go To The Sugar Altar
Boom! Boom! Boom!
The Last Hard Men
Skid Row
Sebastian Bach
Smashing Pumpkins
Jimmy Chamberlin
Jimmy Flemion
The Frogs
Spitfire Records
Title TK
Mountain Battles
All Nerve
knitting
DIY Network
Magnetophone
Kris Kristofferson
Supersuckers
R. Ring
heroin
Safari
Last Splash
Live in Stockholm 1994
Head to Toe
Title TK
Mountain Battles
Fate to Fatal
All Nerve
Go to the Sugar Altar
Boom! Boom! Boom!
The Last Hard Men

categories: Musicians from Dayton, Ohio,American female guitarists,Guitarists from Ohio,American computer programmers,4AD artists,People from Huber Heights, Ohio,The Breeders members,20th-century women musicians,American indie rock musicians,1961 births,21st-century women singers,Living people,20th-century American guitarists,Identical twins,American female singers,Twin people from the United States,Twin musicians,Female rock singers,Singers from Ohio

paragraph: Kelley Deal

paragraph: Kelley Jeannine Deal (born June 10, 1961) is an American musician. She has been lead guitarist and co-vocalist of The Breeders since 1992, and has formed her own side-projects with bands such as R. Ring and The Kelley Deal 6000. She is the identical twin sister of The Breeders lead singer Kim Deal.

paragraph: Section::::Early life.

paragraph: Kelley Deal was born in Dayton, Ohio, United States, 11 minutes before her twin sister Kim Deal. The Deal twins grew up in Huber Heights, a suburb of Dayton, Ohio. The sisters first played together in their late teens, Kim playing guitar and both sisters singing Hank Williams songs in biker bars. They both had an opportunity to join the Pixies in the mid-'80s, with Kim on bass and Kelley on drums; Kim followed through while Kelley opted to move to California. While Kim made her mark as an indie rock musician, Kelley worked in computer programming.

paragraph: Section::::Musical career.

paragraph: In 1989, Kim Deal and Tanya Donelly (lead guitarist of Throwing Muses) formed the first incarnation of The Breeders. Kim invited Kelley to join the band for their debut album, "Pod", but Kelley could not get time off from work.

paragraph: Section::::Musical career.:The Breeders.

paragraph: In 1992, Kelley joined the band as third guitarist, even though she did not really know how to play. The "Safari" EP was the first recording on which she appeared. Guitarist Tanya Donelly left to form Belly a little after the release of "Safari". Kim suggested Kelley should be the band's new drummer. After Kelley insisted on lead guitar, Kim gave her a crash course on all the songs in the band's set. Kelley picked up quickly and learned all the lead parts on "Pod" and the new parts on the album they were about to record, "Last Splash". A new drummer from Dayton, Jim MacPherson, joined them. After "Last Splash" was released in 1993, the band toured, opening for Nirvana, and also got a slot on the Lollapalooza tour in 1994.

paragraph: Section::::Musical career.:Other projects.

paragraph: After "Last Splash", Kelley started The Kelley Deal 6000. The band released two albums on Eel's Nice Records label, "Go To The Sugar Altar" in 1996 and "Boom! Boom! Boom!" in 1997, and went on hiatus when The Breeders were reunited.

paragraph: Kelley also joined The Last Hard Men with Skid Row singer Sebastian Bach, Smashing Pumpkins drummer Jimmy Chamberlin, and Jimmy Flemion of The Frogs. She played bass for them and they recorded an eponymous album in 1997, which was released in a limited edition on Eel's own label, Nice Records, and in 2001 on Spitfire Records.

paragraph: She teamed back up with her sister in the late 1990s and began recording new demos for the Breeders. With a new line up, they released "Title TK" in 2002. "Title TK" features three songs recorded in 1999, where the Deal sisters played all the instruments. In April 2008, The Breeders released "Mountain Battles". "All Nerve" followed in 2018.

paragraph: She has been knitting in recent years. She specializes in knitted handbags, which she sells on her website, and appeared on the DIY Network knitting show "Knitty Gritty", and in 2008 released a book of her knitting handbag patterns, "Bags That Rock: Knitting on the Road with Kelley Deal". One of her patterns is included in the DIY Network's book "Knitty Gritty Knits: 25 Fun & Fabulous Projects"'.

paragraph: She co-wrote and played guitar on Magnetophone's "Kel's Vintage Thought". She has also performed duets with Kris Kristofferson and Supersuckers, and has also played in the band R. Ring.

paragraph: Section::::Legal problems.

paragraph: In 1994, Kelley was arrested for heroin possession; she had been using since she was a teenager. She went through drug rehabilitation throughout the following year. A February 2018 feature article in the "New York Times" stated that Kelley was then in her eighth year of sobriety.

paragraph: Section::::Discography.

paragraph: Section::::Discography.:The Breeders.

paragraph: BULLET::::- "Safari" (EP, 1992)

paragraph: BULLET::::- "Last Splash" (1993)

paragraph: BULLET::::- "Live in Stockholm 1994" (1994)

paragraph: BULLET::::- "Head to Toe" (EP, 1994)

paragraph: BULLET::::- "Title TK" (2002)

paragraph: BULLET::::- "Mountain Battles" (2008)

paragraph: BULLET::::- "Fate to Fatal" (EP, 2009)

paragraph: BULLET::::- "All Nerve" (2018)

paragraph: Section::::Discography.:The Kelley Deal 6000.

paragraph: BULLET::::- "Go to the Sugar Altar" (1996)

paragraph: BULLET::::- "Boom! Boom! Boom!" (1997)

paragraph: Section::::Discography.:The Last Hard Men.

paragraph: BULLET::::- "The Last Hard Men" (1998/2001)

paragraph: Section::::Discography.:R. Ring.

paragraph: BULLET::::- "Fallout & Fire" b/w "SEE" (2012)

paragraph: BULLET::::- "The Rise EP" (2013)

paragraph: BULLET::::- "Ignite The Rest" (2017)

description: American musician

wikidata_label: Kelley Deal

wikipedia_title: Kelley Deal


text: taxonomic databases

text: Species 2000

text: Catalogue of Life

text: Taxonomic Database Working Group (TDWG)

text: University of Reading

text: The Catalogue of Life development

paragraph: Frank Bisby

paragraph: Frank Ainley Bisby (April 24, 1945 – October 25, 2011) was a botanist who specialized in legumes, and was a pioneer in the development of taxonomic databases. He is noted for his work in founding Species 2000 in 1997, which coordinated the publication of the "Catalogue of Life", the most comprehensive catalogue of species. Bisby was the first chair of the Taxonomic Database Working Group (TDWG), which was founded in 1985. Bisby continued to lead significant projects, including the International Legume Database and Information Service (ILDIS). He served as a professor of botany at the University of Reading for most of his career.

paragraph: After his PhD at Oxford University he worked with the University of Southampton before becoming a professor in botany at Reading University.

paragraph: Section::::External links.

paragraph: BULLET::::- A latest release of the Catalogue of Life

paragraph: BULLET::::- The Catalogue of Life development

description: Botanist and pioneer in developing taxonomy databases

wikidata_label: Frank Bisby

wikipedia_title: Frank Bisby


text: Le Petit Journal

text: L'Isle-sur-la-Sorgue

text: Papal States

text: Albert Millaud

text: Napoleon III

text: Jules Mirès

text: Crédit Mobilier

text: Felix Solar

text: Mouriès

text: Le Petit Journal

text: Hippolyte de Villemessant

text: Le Soleil

text: Théâtre du Palais-Royal

text: Louis-François Nicolaïe

text: Nassau Railroad

text: La Presse

categories: French male journalists,19th-century French journalists,People from Bordeaux,1871 deaths,1813 births,French male writers,19th-century French newspaper publishers (people),19th-century French businesspeople,French newspaper chain founders

paragraph: Moïse Polydore Millaud

paragraph: Moses Polydore Millaud, Moïse Polydore Millaud, (27 August 1813 – 13 October 1871) was a journalist, banker and entrepreneur who founded "Le Petit Journal", at one time the leading newspaper in France.

paragraph: Section::::Family life.

paragraph: Millaud was born in Bordeaux, to Felicity (née Bellon) and Jassuda Millaud 1 (born 1769, L'Isle-sur-la-Sorgue – died 1865, Paris), Jewish merchants originally from the Papal States who originally sold horses.

paragraph: Self-taught, he became a clerk to a bailiff and in 1833 founded his first newspaper in Bordeaux, "Le Lutin". Moses wrote articles under the pseudonym "Duallim" an anagram of Millaud. His son was the journalist, writer and playwright Albert Millaud. His daughter Blanche was the wife of George Silva, the editor of the "Journal des Voyageurs".

paragraph: Section::::Career - banking and journalism.

paragraph: In 1836, Moïse Millaud moved to Paris and founded "Le Gamin de Paris", the first newspaper sold exclusively at the door of the theatre, and "Le Négociateur", an exclusively financial newspaper.

paragraph: In 1839, he founded "L’Audience", a legal gazette appearing on Monday, then in 1848 "La Liberté", supporting Napoleon III.

paragraph: In 1848 Millaud became associated with fellow banker Jules Mirès. They established the paper "Le Conseiller du Peuple," and went on to found two banking institutions. In October 1848 they bought the "Journal des Chemins de Fer" which was to become the "Journal des Voyageurs", a force in finance and speculation. Subsequently the companies "Caisses des Actions Réunies" and "Caisses des Chemins de Fer" merged to become Crédit Mobilier, generating three million francs each for Mirès and Millaud in 1853.

paragraph: In 1854 he founded a property company to develop land in Paris, which made his fortune. He also bought the newspaper "Le Dock" renaming it "Le Journal des actionnaires (shareholders)", and created the " Caisse Générale des actionnaires" ("Bank of Shareholders") capitalised at 25 million francs and with the object of publicising his banking activity.

paragraph: Also in 1854, Millaud bought the rights of "La Presse" from Émile de Girardin, and throughout 1856 and 1857 hosted lavish feasts for journalists and other influential men in his hotel in the Rue Saint-Georges. In February 1857 he hosted a banquet for the Goncourt brothers, but later that year he was faced with financial difficulties and sold the newspaper to Felix Solar.

paragraph: In 1854, he recruited his nephew Alphonse (born 11 June 1829, Mouriès), the son of his brother Joseph, who worked on both "La Presse" and "Le Journal des actionnaires".

paragraph: In 1863, his master stroke was the foundation of the best-selling newspaper "Le Petit Journal" which was managed by his nephew Alfonso. He confided to Hippolyte de Villemessant that "We must have the courage to be silly,".

paragraph: In 1864, he founded "Le Journal illustré" and in October 1865 he launched "Le Soleil". He also created the "Le Journal littéraire" ("Literary Journal") and "Le Journal politique de la semaine" ("The Journal of the Week in Politics").

paragraph: Section::::Playwright.

paragraph: In 1859, he produced the play "Ma nièce et mon ours" ("My niece and my bear") at the Théâtre du Palais-Royal, a vaudeville folly in three acts written with Louis-François Nicolaïe under the pseudonyms of "Frascati" and Clairville.

paragraph: Section::::Financial difficulties.

paragraph: Millaud was caught in numerous financial scandals, including those of Nassau Railroad in 1860 and Shareholders' Fund in 1861. His nephew Alphonse tried to settle the debts of his uncle, including through fraudulent partnerships of "Le Petit Journal" involving 4000 shares of 500 francs each, a value of 2 million francs, but estimated at 100,000. Alphonse was sentenced June 13, 1875.

paragraph: At Millaud's death, his son Albert, his nephew and his son Alfonso took over the "Le Petit Journal", but financial problems led Émile de Girardin to resume governance.

paragraph: Section::::List of newspapers.

paragraph: BULLET::::- "Le Lutin" ("The Imp")

paragraph: BULLET::::- "Le Gamin de Paris", 1835

paragraph: BULLET::::- "Le Glaneur" ("The Gleaner") 1836

paragraph: BULLET::::- "Le Négociateur" ("The Negotiator"), 1838

paragraph: BULLET::::- "L’Audience" ("The Audience"), 1839

paragraph: BULLET::::- "La Liberté" ("Freedom"), 1848

paragraph: BULLET::::- "Le Journal des Chemins de fer" ("Journal of Railways") 1848, formerly "Le Dock"

paragraph: BULLET::::- "Le Conseiller du peuple" ("Councilor of the People"), 1848

paragraph: BULLET::::- "Le Journal des actionnaires" ("Journal of shareholders"), 1856

paragraph: BULLET::::- "La Presse" ("The Press"), 1857

paragraph: BULLET::::- "Le Petit Journal", 1863

paragraph: BULLET::::- "Le Journal illustré" ("The illustrated Journal"), 1864

paragraph: BULLET::::- "Le Soleil" ("The Sun"), 1865

paragraph: BULLET::::- "Le Journal littéraire" ("Literary Journal")

paragraph: BULLET::::- "Le Journal politique de la semaine" ("The Journal of the Week in Politics")

paragraph: Section::::References.

paragraph: Section::::References.:Other sources.

paragraph: BULLET::::- The Universe Jewish newspaper conservative principles of Judaism, 1865, p. 197.

paragraph: BULLET::::- Origins: memories and stories of Frédéric Mistral Nourishes Plon, Paris, c. IX: The Republic of 1848.

paragraph: BULLET::::- Georges Duchêne, Speculation court: theory and practice of speculation, Central Library, 1867.

paragraph: BULLET::::- Google Books - "The Trial of Madame Caillaux" By Edward Berenson - Profile of Moses Millaud and "Le Petit Journal"

paragraph: Section::::References.:Bibliography.

paragraph: BULLET::::- Cavignac Jean, Bordeaux Dictionary of Judaism in the eighteenth and nineteenth centuries biographies, Departmental * * Archives of Gironde, 1987

paragraph: BULLET::::- Gustave Vapereau, Universal Dictionary of Contemporary, Hachette 1862

paragraph: BULLET::::- La Grande, Encyclopédie; Nouveau Larousse Illustré. - credited by The Jewish Encyclopedia

description: French journalist

wikidata_label: Moïse Polydore Millaud

wikipedia_title: Moïse Polydore Millaud


text: Ukrainian

text: MTV EMA

text: Chelyabinsk

text: Russia

text: Soviet Union

text: Slavutych

text: Ukraine

text: Curling

text: Lacrosse

text: a cappella

text: Jamiroquai

text: Oleksandr Asaulyuk

text: X Factor

text: New wave music

text: Jūrmala

text: Ukrainian-language

text: Skryabin (band)

text: Coat of arms of Ukraine

text: Ukrainian army

text: Yury Dud

text: The Voice Ukraine

text: Los Angeles

text: Lviv

text: Facebook

text: Crimea

text: de jure

text: autonomous republic

text: Ukraine

text: unilaterally

text: annexed

text: Russia

text: Ukrainian anthem

text: War in Donbass

text: Yevhen Nyshchuk

text: eastern Ukraine

text: Sasha Chemerov

text: Odessa

text: Ukrainian nationalists

text: MTV EMA

text: MTV Russia

text: Instagram

text: Hotel Transylvania

text: Hotel Transylvania 2

text: Official website

categories: 1988 births,Ukrainian male singers,People from Chelyabinsk,Kiev National I. K. Karpenko-Kary Theatre, Cinema and Television University alumni,Ukrainian television presenters,Russian-language singers,Ukrainian people of Russian descent,Ukrainian people of German descent,Ukrainian-language singers,English-language singers from Ukraine,Living people,21st-century Ukrainian singers

paragraph: Ivan Dorn

paragraph: Ivan Dorn (born 17 October 1988) is a Ukrainian singer of Russian origin. He is also active as a DJ, TV presenter and producer, and a former member of the band "Para Normalnyh" ("Пара Нормальных"). Since 2010 he has been a solo artist. His music combines elements of house, disco, pop, jazz, funk, UK garage, hip-hop and soul. In 2017 won MTV EMA.

paragraph: Section::::Biography.

paragraph: Ivan Dorn was born 17 October 1988 in Chelyabinsk, Russia, (before part of the Soviet Union). At the age of two, he moved to the Ukrainian city of Slavutych, Ukraine. Until second grade, he had the last name "Eremin” however his mother, Lidia Dorn, then changed it to be the same as her own. He began acting at the age of 6 years at the festival «Gold autumn of Slavutich».

paragraph: Ivan actively engaged in sport, winning several prizes in Curling and Lacrosse. Ivan also received training in piano, winning several competitions including:

paragraph: BULLET::::- The Moscow competition «Light your star» - 1st place

paragraph: BULLET::::- «Pearl of Crimea» - the prize of spectator sympathies

paragraph: BULLET::::- «The Black sea games» (2001 won 3rd place, 2005 won the 2nd prize)

paragraph: BULLET::::- «Yurmala 2008»

paragraph: Section::::Career.

paragraph: In 2006, he sang in a Moscow a cappella duo, but soon decided to return to Ukraine to join the Kiev National I. K. Karpenko-Kary Theatre, Cinema and Television University. In 2006, at a Jamiroquai concert, he met Anna Dobrydneva and together they created the duo «Para Normalnykh» ("A Pair of Normals").

paragraph: From 2007 to 2010, he continued to sing with Anna but then in 2010 she began working with Ukrainian singer Artem Meh. In 2008, on invitation by the TV producer Oleksandr Asaulyuk Dorn began his TV career as the host of the program "Guten Morgen" on M1 channel.

paragraph: He released his debut studio album "Co'N'Dorn" in 2012 which had made a huge impact on both Russian and Ukrainian scene and won many awards. Dorn was honoured as "an idol for a new generation".

paragraph: In 2014, Dorn was a judge on the fifth season of "X Factor" Ukraine.

paragraph: In the summer of 2014 Dorn took part in the New wave music festival in Jūrmala, where he performed the Ukrainian-language song of the Skryabin (band) - 'Penguin Dance' dressed in a sweater with the image of the Coat of arms of Ukraine. This act has received positive reviews in Ukraine. In Russia, because of this, the singer was suggested to be banned. But he wasn't banned and remains popular. In Ukraine on the other hand Dorn was criticized for continuing to performing in Russia following the 2014 Russian military intervention in Ukraine. This criticism was somewhat relieved when it was reported that Dorn had secretly donated $10,000 to the Ukrainian army in 2014. However, Dorn denied this in an April 2017 interview with Yury Dud. He claimed he had donated not to the military, but specifically to civilians who had been affected by shelling, but that the volunteer who was in charge of spending the money used part of it to buy army supplies, and publicly thanked Dorn for that, putting the singer in “an uncomfortable position.” Also in the online interview with Dud Dorn claimed that had worn the Ukrainian symbol at the 2014 New wave music festival “so that people wouldn’t make a stink,” apparently meaning that he wanted to avoid criticism from his compatriots, who, he recalls, criticized another Ukrainian performer for wearing a costume with the colors of the Russian flag at the same event.

paragraph: In 2016, Dorn was a coach at "The Voice Ukraine".

paragraph: In 2016, Ivan started Masterskaya, an independent music label focused on bringing the exciting sound of Ukrainian underground to the main stage. Out of the blue, the 28-year-old artist moved to Los Angeles to start recording his first English-language album, and quickly found himself inspired by the ocean breeze and palm trees. His US debut album was premiered this spring by a Billboard, available for a listening everywhere now, and with feature a tight selection of tracks that, like Ivan, do not follow the rules.

paragraph: In June 2016 Dorn, to appease activists in Lviv who threatened to cancel his concert there, put on his official Facebook page a map of Ukraine which included Crimea (Crimea is "de jure", an autonomous republic of Ukraine, though it was unilaterally annexed by Russia in 2014), a fragment of the Ukrainian anthem and the words "We will win".

paragraph: In February 2017, Dorn released his first live album "Jazzy Funky Dorn" which reflects his passion to funk music.

paragraph: In April 2017 Dorn, in the online interview with Yury Dud, labeled the War in Donbass (which had already claimed more than 10,000 lives) a “quarrel” and made several other remarks that were criticized in Ukraine. Dorn was criticized for not being a patriot of Ukraine while seeking to please his Russian audience. In the same interview, Dorn also referred to Ukraine and Russia, as “younger and older brothers,” a description that is favored in Russia but disliked by many in Ukraine. Ukrainian Culture Minister Yevhen Nyshchuk was one of those who lashed out at Dorn, saying that it was Dorn’s choice whether to donate money to Ukrainian army or not, but “talking about a quarrel as if nothing is happening (in eastern Ukraine) is unworthy.”

paragraph: Later in 2017, Ivan began working on his first English-language album in Los Angeles. The author of the lyrics of this album was famous former Ukrainian rock musician Sasha Chemerov.

paragraph: In June 2017 Dorn cancelled a concert in Odessa after threats that it would get disrupted by Ukrainian nationalists who claimed Dorn "supported the war against Ukraine".

paragraph: In 2017 won MTV EMA 2017 for "Best MTV Russia act". Dorn did not attend the ceremony, but showed in Instagram that he was happy for his victory.

paragraph: In 2018 Ivan was traveling to Uganda to film a music video Afrika with Masaka Kids Africana dance crew and a documentary about them. Now this story grew in a strong charity project AFRIKA with a main goal to build a dancing school for Masaka Kids Africana in Uganda, where Ivan and the team are trying to help kids from Africa to follow their talents and dreams.

paragraph: In the end of 2018 releases a track called "Right Wrong" featuring HER's Victor Solf

paragraph: Section::::Discography.

paragraph: Section::::Discography.:Albums.

paragraph: BULLET::::- As a member of "Para Normalnyh"

paragraph: BULLET::::- 2008 «Я придумаю Happy End» (I'll Devise a Happy End)

paragraph: BULLET::::- 2010 «Скандал во время рекламы» (Scandal during an Ad)

paragraph: BULLET::::- Solo career

paragraph: BULLET::::- 2012 "Co'N'Dorn"

paragraph: BULLET::::- 2014 "Randorn"

paragraph: BULLET::::- 2017 "Jazzy Funky Dorn" (Live Album)

paragraph: BULLET::::- 2017 "OTD" (Open the Dorn)

paragraph: Section::::Filmography.

paragraph: BULLET::::- "How to find the ideal?" (2008)

paragraph: BULLET::::- "In Love with the Kyiv" (2011)

paragraph: BULLET::::- "Hotel Transylvania" (Ukrainian dubbing) — Jonathan

paragraph: BULLET::::- "12 months" (2013)

paragraph: BULLET::::- "Funny guys" (2014)

paragraph: BULLET::::- "Hotel Transylvania 2" (Ukrainian dubbing) — Jonathan

paragraph: Section::::External links.

paragraph: BULLET::::- Official website

description: Ukrainian singer, DJ, producer

wikidata_label: Ivan Dorn

wikipedia_title: Ivan Dorn


text:
Venetian
Osogovo
Macedonia
Makedonska Kamenica
Republic of Macedonia
Bulgaria
Kyustendil
Herzegovina
Montenegro
Šafárik
Osogovo Monastery
Sofia
Vuković printing house
Božidar Vuković
Vićenco Vuković
Book of hours
Serbian recension
Church Slavonic language
sorts
matrix
Jerolim Zagurović
Stefan Marinović
Božidar Vuković

wikipedia_title:
Republic of Venice
Osogovo
Macedonia (region)
Makedonska Kamenica
North Macedonia
Bulgaria
Kyustendil
Herzegovina
Montenegro
Pavel Jozef Šafárik
Osogovo Monastery
Sofia
Vuković printing house
Božidar Vuković
Vićenco Vuković
Book of hours
Church Slavonic language
Church Slavonic language
Sort (typesetting)
Matrix (printing)
Jerolim Zagurović
Stefan Marinović
Božidar Vuković

categories: Venetian Slavs,Serbian engravers,Bulgarian printers,16th-century Eastern Orthodox Christians,16th-century deaths,Bulgarian publishers (people),16th-century printers,Serbian printers,16th-century Bulgarian people,People from Makedonska Kamenica Municipality,16th-century births,Bulgarian engravers,Republic of Venice printers,16th-century Serbian people

paragraph: Jakov of Kamena Reka

paragraph: Jakov of Kamena Reka (, ; 1564–72) or Jakov Krajkov (Јаков Крајков, ) was a Venetian printer. The information about his life is scarce. It is known he was from a former village called Kamena Reka or "Stone River", according to him near the town of "Kolasia," in Osogovo, Macedonia. It is assumed that the village could be Makedonska Kamenica in present-day Republic of Macedonia, or Kamenichka Skakavitsa, in present-day Bulgaria, both placed in an area in Osogovo called "Kamenitsa", near the town of Kyustendil. Also, in some works his birthplace is connected with Kamena Reka, near Kolasin in Herzegovina in today Montenegro. Nevertheless, that view is criticized as 19th century Šafárik's misinterpretation of the medieval name of Kyustendil ("Kolasia") with that of the town of Kolasin, that was adopted afterwards by other researchers. His family members had a long tradition of being Christian priests. In his youth Kraikov was a copyist of Church Slavonic books in the Osogovo Monastery "St. Joakim Osogovski". Then he went to Sofia, where in a local Church school, Kraikov deepened his literary knowledge. However some researchers maintain that Jakov of Sofia and Jakov of Kamena Reka are different historical persons.

paragraph: Afterwards, he set off through Kyustendil and Skopje to Venice. It is assumed that Kraikov worked on his way in Gračanica monastery where a printing press was opened. He was among the first printers of Cyrillic books. Kraikov reached Venice around 1564 or 1565 where he worked in the Vuković printing house, established by Božidar Vuković and inherited by his son Vićenco Vuković. In 1566 (in period of only three and a half months) he printed the Book of hours (Casoslov) of 710 pages on the printing press of Vićenco Vuković. It was printed in Serbian recension of the Church Slavonic language. To print this book Jakov used old, already worn out, sorts. He had at disposal Vuković's matrix and was prepared to cast new letters but he obviously failed to do it. This book is described in some sources as the first Bulgarian/Macedonian printed book.

paragraph: In 1570 Jakov worked in the printing press of Jerolim Zagurović where he printed a Prayer book. In 1571 Jakov again worked in Vuković printing house, where Stefan Marinović also worked before him. In 1597 this printing house was taken over by Italian printers (Bartolomeo Ginammi, Marco Ginammi, Giovanni Antonio Rampazetto, Francesco Rampazetto, Georgio Rampazetto, Camillo Zanetti) and its printing press was operational for additional 70 years.

paragraph: Section::::See also.

paragraph: BULLET::::- Božidar Vuković

paragraph: Section::::Further reading.

paragraph: BULLET::::- Evgenij L'vovic Nemirovskij : Die venezianische Druckerei des Jakov aus Kamena Reka - Gutenberg-Jahrbuch, 1996, 71

paragraph: BULLET::::- Марияна Цибранска-Костова, Сборникът „Различни потреби“ на Яков Крайков между Венеция и Балканите през ХVІ век, 2013, Издателство „Валентин Траянов“ .

description: Venetian printer

wikidata_label: Jakov of Kamena Reka

wikipedia_title: Jakov of Kamena Reka


text:
Warsaw
Poland
Hammond B-3
American
jazz
rhythm and blues
Middle Europe
saxophone
piano
alto saxophone
Andrzej Trzaskowski
Krzysztof Komeda
Roman Polanski
Rosemary's Baby
jazz
tenor saxophone
Annie Ross
Ray Charles
Don Ellis
Sweden
rock
blues
Hammond B-3
composing
arranging
violin
Miles Davis
Michał Urbaniak
Red Mitchell
Polish Radio
Orchestra
Tomasz Szukalski
guitarist
Pat Metheny
Guitar
Aleksander Kwaśniewski
Order of Polonia Restituta
Order of the White Eagle

wikipedia_title:
Warsaw
Poland
Hammond organ
United States
Jazz
Rhythm and blues
Central Europe
Saxophone
Piano
Alto saxophone
Andrzej Trzaskowski
Krzysztof Komeda
Roman Polanski
Rosemary's Baby (film)
Jazz
Tenor saxophone
Annie Ross
Ray Charles
Don Ellis
Sweden
Rock music
Blues
Hammond organ
Musical composition
Arrangement
Violin
Miles Davis
Michał Urbaniak
Red Mitchell
Polskie Radio
Orchestra
Tomasz Szukalski
Guitarist
Pat Metheny
Guitar
Aleksander Kwaśniewski
Order of Polonia Restituta
Order of the White Eagle (Poland)

categories: Polish jazz composers,Male pianists,Musicians from Warsaw,Polish jazz pianists,Knights of the Order of Polonia Restituta,Male organists,21st-century organists,21st-century pianists,Polish jazz organists,Male jazz composers,Polish composers,1939 births,Living people

paragraph: Wojciech Karolak

paragraph: Wojciech Krzysztof (Wojtek) Karolak (born 28 May 1939, Warsaw, Poland) is a notable Hammond B-3 organ player who refers to himself as "an American jazz and rhythm and blues musician, born by mistake in Middle Europe". He has also played saxophone and piano professionally.

paragraph: In 1958, he started working with the band the 'Jazz Believers' playing alto saxophone. The Jazz Believers consisted of the future top Polish jazz players, among them Andrzej Trzaskowski, Trafica Giant, Krzysztof Komeda (famed for writing music for Roman Polanski’s landmark film "Rosemary's Baby"), and Jan Ptaszyn Wróblewski. It took a particular level of dedication to play jazz under the Soviet system of the 1950s.

paragraph: Next, Wojciech Karolak played tenor saxophone in Andrzej Trzaskowski’s The Wreckers. In 1961, Karolak switched from saxophone back to piano. In 1962, he formed his own trio and started recording his own music. This trio became the premier jazz band in Poland and backed most Western/American artists visiting Poland, among them Annie Ross, Ray Charles, and Don Ellis, with whom he recorded. In 1963, he started playing with Ptaszyn Wróblewski’s Polish Jazz Quartet. In 1964 Karolak (under the name of the Kurylewicz Quintet) recorded an album called "Go Right" - the first Polish jazz LP ever released.

paragraph: In 1966, he left Poland for Sweden where he played rock and blues in music clubs in order to, in his own words, "make enough money to buy an apartment and a Hammond B-3", which he eventually bought in 1973. From then on, Karolak spent more time composing and arranging though he did continue to collaborate and perform with others. He cooperated with famed violinist and future Miles Davis alum Michał Urbaniak in Europe and the U.S. While in Western Europe he also played with Red Mitchell, Putte Wickman, Leroy Lowe and others. He then returned to Poland and co-led the group Mainstream and worked as a composer-arranger for the Polish Radio Studio Jazz Orchestra.

paragraph: In the 1980s he established, with Tomasz Szukalski and Czeslaw Bartkowski, a "superformation": 'Time Killers'. The resulting recording was voted the best Polish jazz record of the decade.

paragraph: Since the 1990s Karolak has played with the guitarist Jarosław Śmietana (who counts among his fans Pat Metheny), and recorded three records with him. With Piotr Baron and Zbigniew Lewandowski, Karolak has started The High Bred Jazz Trio. He has played in numerous concerts with Leszek Cichoński’s Guitar Workshop and continues to write, arrange, and perform in Poland and abroad.

paragraph: Former Polish President Aleksander Kwaśniewski awarded him the Knight's Cross of the Order of Polonia Restituta, Poland's second highest civilian honor after the Order of the White Eagle.

paragraph: Section::::Music for films.

paragraph: BULLET::::- 1981: "Filip z konopi" – music, conductor

paragraph: BULLET::::- 1981: "Konopielka" – music

paragraph: BULLET::::- 1983: "Bardzo spokojna wieś" – music

paragraph: BULLET::::- 1983: "Szczęśliwy brzeg" – music, performance

paragraph: BULLET::::- 1984: "Miłość z listy przebojów" – music, conductor

paragraph: BULLET::::- 1985: "Przyłbice i kaptury" – music, performance

paragraph: BULLET::::- 1991: "Niech żyje miłość" – performance

paragraph: Section::::References.

paragraph: BULLET::::- Feather, Leonard & Gitler, Ira. "The Encyclopedia of Jazz" Horizon Press 1976

description: Polish musician

wikidata_label: Wojciech Karolak

wikipedia_title: Wojciech Karolak


text: Vatican's

text: ecclesiastical heraldry

text: Olten

text: Switzerland

text: heraldry

text: doctorate

text: philosophy

text: Rome

text: theology

text: Freiburg University

text: Solothurn

text: ordained

text: curate

text: Pontifical Ecclesiastical Academy

text: canon law

text: Gregorian University

text: Apostolic Nunciature

text: Paris

text: Pope John XXIII

text: Roman Catholic Church

text: see

text: Queen Mother

text: Basil Hume

text: Archbishop of Westminster

text: Pope John Paul II

text: Court of St. James's

text: Reformation

text: The Times

text: Patriarch of Venice

text: Pope John XXIII

text: Pope John Paul II

text: Polish heraldry

text: rule of tincture

text: House of Bourbon-Two Sicilies

text: Grand Prior

wikipedia_title: Pontifical University of Saint Thomas Aquinas

categories: Heraldic artists,Diplomats of the Holy See,Apostolic Nuncios to Egypt,2003 deaths,Ecclesiastical heraldry,Pontifical University of St. Thomas Aquinas alumni,1911 births,Apostolic Nuncios to Great Britain,Participants in the Second Vatican Council,Swiss Roman Catholic priests,Catholic heraldry

paragraph: Bruno Heim

paragraph: Bruno Bernard Heim (5 March 1911 – 18 March 2003) was the Vatican's first Apostolic Nuncio to Britain and was one of the most prominent armorists of twentieth century ecclesiastical heraldry. He published five books on heraldry and was responsible for designing the coats of arms of four popes. He was also Grand Prior of the Sacred Military Constantinian Order of Saint George.

paragraph: Section::::Biography.

paragraph: Section::::Biography.:Early life.

paragraph: Bruno Bernard Heim was born in Olten, Switzerland, the son of a stationmaster, Bernard, and his wife, Elisabeth Heim-Studer. His artistic talent was evident at an early age. He was introduced to heraldry at the age of 16 when a college professor persuaded him to illustrate a book the professor was writing. Thus began a lifelong interest in the subject.

paragraph: Section::::Biography.:Education.

paragraph: In 1934 Heim earned a doctorate in philosophy at the Pontifico Collegio Internazionale "Angelicum" in Rome, and went on to study theology in Rome, at Freiburg University and at Solothurn, Switzerland.

paragraph: He was ordained a priest in 1938 and worked as a curate in two Swiss parishes. In 1942 he returned to Rome to study at the Pontifical Ecclesiastical Academy, later returning to Switzerland. He earned a doctorate in canon law from the Gregorian University in 1946.

paragraph: Section::::Diplomacy.

paragraph: Heim's diplomatic career began in January 1947, when he was assigned to the Apostolic Nunciature in Paris to become personal secretary to Archbishop Angelo Roncalli, the future Pope John XXIII. Heim stayed in Paris for four years, during which time the two of them laid the foundations for a renaissance of heraldry in the Roman Catholic Church.

paragraph: Heim was next sent to the Vienna Nunciature in 1951. When he was made Apostolic Delegate to Scandinavia in 1961, he was also consecrated titular archbishop of Xanthus, a defunct see. When asked where Xanthus was, Heim would jokingly reply: "Most of it is now in the British Museum". In 1966 he was appointed Pro-Nuncio to Finland, and in 1969, Pro-Nuncio to Egypt.

paragraph: In 1973 he became apostolic delegate to Great Britain. He was known as a personal friend of the Queen Mother, and he liked to gossip with journalists. In 1976 he persuaded the Vatican to appoint Basil Hume as Archbishop of Westminster. When Pope John Paul II visited Great Britain in 1982, the United Kingdom and the Vatican had established full diplomatic relations, and Heim became the Apostolic Pro-Nuncio, the Vatican's first fully-fledged ambassador to the Court of St. James's since the Reformation. When he retired as a diplomat in 1985, "The Times" referred to him as "tact personified".

paragraph: Section::::Heraldry.

paragraph: When Heim was sent to Vienna in 1951 he maintained close contact with Archbishop Roncalli, who commissioned him to design his new coat of arms as Patriarch of Venice. When Roncalli was elected Pope in 1958, he asked Heim to design his personal papal coat of arms. The new Pope asked Heim to be the head of a new heraldic secretary in the Vatican but Heim not only declined, but also advised against such an authority. It would, in his eyes, have been stifling the artistry that is a great part of the attraction of heraldry.

paragraph: Although possibly considered a "maverick" by English heraldry standards, he was in time responsible for the designs of the coat of arms of four popes, from Pope John XXIII to Pope John Paul II. In 1978, he had written in "Heraldry in the Catholic Church" that letters of the alphabet should be avoided as heraldic charges, but supported the letter "M" in John Paul II's coat of arms because Polish heraldry has "frequent inclusion of letters". After he retired from diplomacy in 1985, he wrote "Or et Argent" (1994), wherein he examined the heraldic rule of tincture, presenting more than 300 coats of arms where the rule had been broken.

paragraph: Archbishop Heim served as patron of Cambridge University Heraldic and Genealogical Society from 1980 until his death in 2003 at the age of 92 in Olten.

paragraph: Section::::Publications.

paragraph: BULLET::::- Heim, Bruno Bernard. "Wappenbrauch und Wappenrecht in der Kirche". Walter AG, Olten 1947.

paragraph: BULLET::::- Heim, Bruno Bernard. "Coutumes et Droit Héraldiques de l'Eglise". Beauchesne, Paris 1949, new edition 2012 ().

paragraph: BULLET::::- Heim, Bruno Bernard. "Armorial: Armorial Liber Amicorum". Gerrards Cross, UK: Van Duren, 1981 ().

paragraph: BULLET::::- Heim, Bruno Bernard. "Heraldry in the Catholic Church: Its Origins, Customs, and Laws", New Jersey: Humanities Press Inc, 1978 ().

paragraph: BULLET::::- Heim, Bruno Bernard. "Or and Argent", Gerrards Cross, Buckinghamshire, England, UK, Van Duren, 1994 ().

paragraph: Section::::Distinctions.

paragraph: BULLET::::- House of Bourbon-Two Sicilies: Grand Prior of the Sacred Military Constantinian Order of Saint George

paragraph: Section::::References.

paragraph: BULLET::::- References

paragraph: BULLET::::- Works cited

alias:
Bruno Bernard
Bernard of Hollywood

description: Swiss archbishop

wikidata_label: Bruno Heim

wikipedia_title: Bruno Heim


text:
Barcelona
rapper
No es Cuestión de Edades
No Hay Truco
En Boca de Tantos
Universal Music Group
Trastorno Bipolar
Algo ha Cambiado
No Hay Truco
No hay truco
En boca de tantos
No es cuestión de edades
No hay truco
En boca de tantos
Trastorno bipolar
Spanish hip hop

paragraph: Porta (rapper)

paragraph: Christian Jiménez Bundo (born 2 July 1988 in Barcelona), known professionally as Porta, is a Spanish rapper. He achieved his initial popularity primarily over the Internet, distributing his music directly to fans on social media networks rather than relying on traditional record labels. His 2006 demo "No es Cuestión de Edades" "("It's not a matter of age")" followed by "No Hay Truco" "("There is no Trick [to it]")" in 2007 quickly became underground hits with record-breaking downloads. Porta rose to mainstream popularity with his first studio album "En Boca de Tantos" "("Talked About by So Many")", released in 2008 by Universal Music Group. "Trastorno Bipolar" "("Bipolar Disorder")" was released in 2009 but failed to match the success of "En Boca de Tantos". Porta separated himself from UMG in August 2011 after mounting disagreements. He released "Reset" on 7 May 2012 after signing with PIAS Spain. The album was a widespread success with positive public reception. "Algo ha Cambiado" "("Something's Changed")" was released on 10 June 2014 in physical format in Spain and digitally worldwide. "No Hay Truco" remains Porta's most downloaded album.

paragraph: Section::::Musical career.

paragraph: Section::::Musical career.:2006-2008: Beginnings and popularity.

paragraph: When he joined Lebuqe. On March 2006 Porta launch their first LP under the name is not a matter of age produced and recorded at Soma Studios Lebuqe.5 This model was published in April under Creative Commons license on multiple pages web of free downloads, including MySpace.4 is 6 Recording harvest in few days a lot of downloads, 3 reaching the number 1 position in HHGroups7 to get five million downloads and gained fame throughout Spain. There was much controversy for many of his lyrics. In the song "Las niñas de hoy en día son todas unas..." Porta describes women as "easy" generating much controversy. With "Cosas de la vida" Porta a new era begins trying to ingest love rap, which was criticized by those who like only Rap Hardcore but was greeted positively by good words and feelings it conveys. Porta also belonged to a rap group called "Rap Comando" which had as members a Porta, DJ Datz, h0lynaight, and Bazzel Chus. Porta participated in the Ready to give the blow that never came to light that year although some issues of this EP, songs like "Sobran las presentaciones" and "Mas que un sentimiento" out model.

paragraph: "No hay truco" was launched in January 2007, and quickly gained more than 5 million downloads thus removing the first position to its first LP called "No es cuestión de edades". Just a few months later, his Myspace profile becomes the second space themed musical that most visited portal on Spain.5 Its two LP have received more than 13 million downloads and profile has been viewed more than 20 million times. Until today "No Hay Truco" is the most downloaded LP in the history of rap . With the great success of their second LP, the controversy surrounding Porta grew even more, especially when I was called no catch as best model of the year. Although Porta always said he did not have to be taken very seriously his lyrics about women, he was not a macho man, who only made the song because it was something that was happening at the time, but still was attacked by the National Institute Women .

paragraph: In the eighth song from the album, "Las chicas unas guarras, pero los tíos unos cerdos" strikes again women by treating of "easy " . This topic was the support of the rapper "May" on the contrary said that men were " perverts " . Aside from all the success they had achieved Porta generated considerable success to exceed 20 million views with his song "Hay Siempre Un Sentimiento Muerto En Un Corazon Roto" Another song that also generated a great success in the model and announced a world called Porta Dragon Ball Rap, this song was based on the series and how important it was for him. The video quickly became the third most watched video in the history of Spain in YouTube with over 50 million views. . Its popularity in the network opens new opportunities and is worth a record deal with Universal Music, who signed in November 2007.5 Universal Music is known as the home of some of the best rappers such as Eminem and Jay Z.

paragraph: Section::::Musical career.:2008-2009: "En boca de tantos".

paragraph: In February 2008, Porta was again embroiled in controversy when the rumor that Porta had died of an overdose had spread across the network. In response to that an angry Porta launched as the opening theme song of her album "Resurrección" , which says that the more famous older were acquired envy and criticism when the music was still the same . That same year would have some clashes with some rappers especially against Aloy, who later face .

paragraph: Their first album, "En boca de tantos", was released on 19 February 2008 . He was received by critics positively and scored notable commercial success. It reached its second week the first position in the list of album sales in Spain and certified gold record (more than one million copies sold), having several singles that brought fame and success to the album, as "En boca de tantos", "Aprecia lo que tienes", "Sin ti" among others. Also includes the song all against me, in which he makes derogatory comments against rappers like Cadierno, Genioh, Cíniko, Heartbeat Catalan, Black -G, Raphael, Boby.PRO, Aloy, Versatile, El Kapo, Shotta, Santé and The Poet, among others. The video of the song that gives title track won the Sun Music Award for best music video at the Festival de Málaga, earning 10 million views.11 . Porta has achieved notable success with their models but this time it has been shown that is always going to beat himself getting more than 20 million Plays with her song "Sin ti" and more than 5 million to "Aprecia lo que tienes" . But not on this CD lacked the controversy ; Porta released a song with the name "El Fin del Mundo" generating much controversy but still got over 6 million views, thus obtaining a deserved Gold Record.Between March and May 2008, published a series of MySpace a series of 10 chapters devoted to Porta, this is the first series of Spanish production that appears in this network social.12 13 Getting a surprising success fulfilling the objective was to know more Porta. As a result, he gained new fans, achieving promotion PlayStation and Universal for the series . Later part of MTV's Europe Music Award which was held that year in England in the city of Liverpool being among the 5 finalists . Porta acted in concert "MTV Day" at the Palais des Sports stadium in Madrid in front of 30 000 people. That same day shared the stage with one of the best rock bands called Maroon 5. A biography of rapper Barcelona is edited with the title in June of that year, "Bounce" by Perez Sabia, Alba and Antunez, Juan Manuel in "Ediciones Martínez Roca". It was a limited edition that came out in 2008 alone, and all copies were sold in one week.

paragraph: Section::::Musical career.:2009-2010: "Trastorno bipolar".

paragraph: The second job Carrier saw fame with a theme created 6 October 2009 and was titled Trastorno Bipolar where talking about the infighting between his Porta and Christian and the problems that people had where I was very successful on all for his topic "La bella y la bestia" with over 50 million views on YouTube for his song "Espejismos" with nearly 8 million views on YouTube with his song " Trastorno Bipolar " that had 4 million views but also had controversial by his song " Confesiones" which criticizes implying that God is an atheist.

paragraph: The 24 August 2011, announced on his Facebook page that he had received the letter of freedom of Universal. Under his new record label, PIAS Spain. Since that year he starred campaign Energy Sistem .

paragraph: Section::::Musical career.:2012: "Reset".

paragraph: On 7 May 2012 he released his third full-length album, entitled "Reset" achieving win the award for best rap album, hip- hop and urban music. The music disc frame shows the word "reboot ", which speaks of his artistic life and the" mistakes " he has committed, and start to fix them, before putting an end to his career rather restart. In MC Dj joaking collaborate, Skiller Zone, Soma, Jack, ZPU, David Trotsky, Shinoflow, Abram, h0lynaight, Isusko, Samo, SBRV, Fado, Chus, Gema, Dan, Eude, Aid, Genioh, Eneyser, Yesh, Xenon, Mr Currice, Mowlihawk, RM Endecah & Easter. It features 17 tracks, all these recorded, mixed and mastered at Studio Lebuqe.

paragraph: Section::::Musical career.:2014: "Algo ha cambiado".

paragraph: On 11 June 2014 he released his fourth studio LP album titled "Algo ha cambiado" where he says he has changed his personality. This record has the collaborations of MC Gema, Eude, Isusko, Belen Alarcon, Holynigth and Eddie MV. It includes 13 tracks, all of them recorded, mixed and mastered in Lebuque Studios

paragraph: Section::::Demo tapes.

paragraph: BULLET::::- "Sin prisa pero sin pausa" (Slowly but surely) (Never published)

paragraph: BULLET::::- "Dispuesto a dar el golpe" (Ready to give the coup) (Never published)

paragraph: BULLET::::- "No es cuestión de edades" (It's not a matter of age) (2006)

paragraph: BULLET::::- "No hay truco" (There's no trick) (2007)

paragraph: Section::::Studio albums.

paragraph: BULLET::::- "En boca de tantos" (In the Mouth of Many) (2008) Universal

paragraph: BULLET::::- "Trastorno bipolar" (Bipolar disorder) (2009) Universal

paragraph: BULLET::::- "Reset" (2012, PIAS España) "RR"

paragraph: BULLET::::- "Algo ha cambiado" (2014, PIAS España) "RR"

paragraph: BULLET::::- "Equilibrio" (2016, Sin Anestesia)

paragraph: Section::::Studio albums.:Videography.

paragraph: BULLET::::- “Yo soy Porta” (I am Porta) 2008.

paragraph: BULLET::::- “En boca de tantos” (On the mouth of many) 2008.

paragraph: BULLET::::- “Sobre el famoso tema” (About the famous theme) (with the apparition h0lyanight/Naiara) 2008.

paragraph: BULLET::::- “Dragon Ball Rap” 2008.

paragraph: BULLET::::- “Sé tú mismo” (Be yourself) 2009.

paragraph: BULLET::::- “Espejismos” (Mirages) 2009.

paragraph: BULLET::::- “Segundos fuera” (Seconds out (feat. Santaflow, Norykko, Eneyser and Curri C) (2009).

paragraph: BULLET::::- “Trastorno bipolar” (Bipolar disorder) feat. Christian, 2009.

paragraph: BULLET::::- “Nota de suicidio” (Suicide note) feat. Soma, 2009.

paragraph: BULLET::::- “La bella y la bestia” (The beauty and the beast) feat. Norykko, 2009.

paragraph: BULLET::::- “Voces en mi interior” feat. Santaflow 2009.

paragraph: BULLET::::- “Palabras mudas” (Mute words) feat. Gema, 2012.

paragraph: BULLET::::- “Etiquetas” (Tags) 2012.

paragraph: BULLET::::- “Tras el cristal” (2014)

paragraph: BULLET::::- “Equilibrio” (2016)

paragraph: BULLET::::- “Segundos fuera” (Seconds out (feat. Santaflow, Norykko, Eneyser and Curri C).

paragraph: BULLET::::- “Bruce Wayne” (2017)

paragraph: Section::::See also.

paragraph: BULLET::::- Spanish hip hop

description: Spanish rapper

wikidata_label: Porta

wikipedia_title: Porta (rapper)


text: Prussia

text: General Count Friedrich Wilhelm Bülow

text: Von Bülow

text: Jean Charles, Chevalier Folard

text: Rousseau

text: Austria

text: America

text: Swedenborg

text: Europe

text: United States

text: Berlin

text: Kolberg

text: August von Gneisenau

text: Russia

text: Riga

text: von Voss

categories: Bülow family,German Swedenborgians,German military writers,Prussian Army personnel,1807 deaths,1757 births,People from Stendal (district),Writers from Saxony-Anhalt

paragraph: Dietrich Heinrich von Bülow

paragraph: Dietrich Heinrich Freiherr von Bülow (1757–1807) was a Prussian soldier and military writer, and brother of General Count Friedrich Wilhelm Bülow.

paragraph: Section::::Early career.

paragraph: Von Bülow entered the Prussian army in 1773. Routine work proved distasteful to him, and he read with avidity the works of Jean Charles, Chevalier Folard and other theoretical writers on war, and of Rousseau.

paragraph: After sixteen years service he left Prussia, and endeavoured without success to obtain a commission in the Austrian army. He then returned to Prussia, and for some time managed a theatrical company. The failure of this undertaking involved Bülow in heavy losses, and soon afterwards he went to America, where he seems to have been converted to, and to have preached, Swedenborgianism.

paragraph: On his return to Europe he persuaded his brother to engage in a speculation for exporting glass to the United States, which proved a complete failure. After this for some years he made a precarious living in Berlin by literary work, but his debts accumulated, and it was under great disadvantages that he produced his "Geist des Neueren Kriegssystems" (Hamburg, 1799) and "Der Feldzug 1801" (Berlin, 1801). His hopes of military employment were again disappointed, and his brother, the future field marshal, who had stood by him in all his troubles, finally left him.

paragraph: Section::::Writing career.

paragraph: In 1797, Bülow published his two-volume "Der Freistaat von Nordamerika in seinem neuesten Zustand". It offered an decidedly negative account of the United States. John Quincy Adams, then U.S. minister at Berlin, translated the work, describing it as a "libel upon America." Adams' transcription was subsequently published in Joseph Dennie's Philadelphia-based "Port Folio" in the early 1800s.

paragraph: After wandering in France and the smaller German states, Bulow reappeared at Berlin in 1804, where he wrote a revised edition of his "Geist des Neueren Kriegssystems" (Hamburg, 1805), "Lehrstze des Neueren Kriegs" (Berlin, 1805), "Geschichte des Prinzen Heinrich von Preussen" (Berlin, 1805), "Neue Taktik der Neuern wie sie sein sollte" (Leipzig, 1805), and "Der Feldzug 1805" (Leipzig, 1806). He also edited, with G. H. von Behrenhorst (1733–1814) and others, "Annalen des Krieges" (Berlin, 1806). These brilliant but unorthodox works, distinguished by an open contempt of the Prussian system, cosmopolitanism hardly to be distinguished from high treason, and the mordant sarcasm of a disappointed man, brought upon Bülow the enmity of the official classes and of the government. He was arrested as insane, but medical examination proved him sane and he was then lodged as a prisoner in Kolberg, where he was harshly treated, though August von Gneisenau obtained some mitigation of his condition. Thence he passed into Russian hands and died in prison at Riga in 1807, probably as a result of ill-treatment.

paragraph: Section::::Assessment.

paragraph: According to the Encyclopædia Britannica Eleventh Edition:

paragraph: His early training had shown him merely the pedantic minutiae of Frederick's methods, and, in the absence of any troops capable of illustrating the real linear tactics, he became an enthusiastic supporter of the methods, which (more of necessity than from judgment) the French revolutionary generals had adopted, of fighting in small columns covered by skirmishers. Battles, he maintained, were won by skirmishers. We must organize disorder, he said; indeed, every argument of writers of the modern extended order school is to be found "mutatis mutandis" in Bülow, whose system acquired great prominence in view of the mechanical improvements in armament. But his tactics, like his strategy, were vitiated by the absence of friction, and their dependence on the realization of an unattainable standard of bravery.

paragraph: Section::::References.

paragraph: BULLET::::- Endnotes:

paragraph: BULLET::::- von Voss, "H. von Bülow" (Köln, 1806)

paragraph: BULLET::::- P. von Bülow, "Familienbuch der v. Bülow" (Berlin, 1859)

paragraph: BULLET::::- Ed. von Bülow, "Aus dem Leben Dietrichs v. Bülow", also "Vermischte Schriften aus dem Nachlass von Behrenhorst" (1845)

paragraph: BULLET::::- Ed. von Bülow and von Rüstow, "Militärische und vermischte Schriften von Heinrich Dietrich v. Bülow" (Leipzig, 1853)

paragraph: BULLET::::- Memoirs by Freiherr v. Meerheimb in "Allgemeine deutsche Biographie", vol. 3 (Leipzig, 1876), and "Behrenhorst und Bülow" ("Historische Zeitschrift", 1861, vi.)

paragraph: BULLET::::- Max Jähns, "Geschichte der Kriegswissenschaften", vol. iii. pp. 2133–2145 (Munich, 1891)

paragraph: BULLET::::- General von Cammerer (transl. von Donat), "Development of Strategical Science" (London, 1905), ch. i.

description: German soldier and writer

wikidata_label: Dietrich Heinrich von Bülow

wikipedia_title: Dietrich Heinrich von Bülow


text: Western Roman Emperor

text: Roman senator

text: Lucania

text: magister militum

text: Ricimer

text: magister militum

text: Ricimer

text: Majorian

text: Leo I

text: Vandals

text: Gaiseric

text: Valentinian III

text: Licinia Eudoxia

text: Placidia

text: Eudocia

text: sack of Rome (455)

text: Huneric

text: Olybrius

text: Roman Senate

text: Ravenna

text: Ricimer

text: Western Roman Empire

text: provinces

text: Britain

text: Africa

text: Vandals

text: Hispania

text: Suebi

text: Visigoths

text: foederati

text: Aegidius

text: Gaul

text: Marcellinus

text: Illyricum

text: Leo I the Thracian

text: Marcellinus Comes

text: Jordanes

text: Philarcus

text: Agrippinus

text: Frankish

text: Childeric I

text: Narbonne

text: Mediterranean sea

text: Arvandus

text: Praetorian prefect of Gaul

text: Arelate

text: Ricimer

text: Anthemius

text: defeat

text: Alans

text: Bergamo

text: Marcellinus Comes

text: Vandals

text: Gaiseric

text: Olybrius

text: Gaiseric

text: Leo I

text: Marcellinus

text: Philarcus

text: Caecina Decius Basilius

text: Praetorian prefect of Italy

text: Getica

text: Jordanes

text: Fasti vindobonenses priores

text: Cassiodorus

text: Sidonius Apollinaris

text: "Libius Severus (461–465 A.D.)"

text: Coins of Libius Severus

categories: 420s births,Year of birth uncertain,5th-century Christians,465 deaths,5th-century Roman emperors,Imperial Roman consuls

paragraph: Libius Severus

paragraph: Libius Severus () (Lucania, c. 420 – 15 August 465), also Severus III, was Western Roman Emperor from November 19, 461 to his death.

paragraph: A Roman senator from Lucania Severus was one of the last Western emperors, emptied of any effective power (the real power was in the hands of the "magister militum" Ricimer), and unable to solve the many problems affecting the empire; the sources describe him as a pious Christian.

paragraph: Section::::Biography.

paragraph: Section::::Biography.:Rise to the throne.

paragraph: On August 7, 461, the "magister militum" (commander in chief) of the Western Roman army, Ricimer, had Emperor Majorian killed, thus leaving the western throne empty. A struggle for the succession thus ensued, with the Eastern Emperor, Leo I, the King of the Vandals, Gaiseric, and Ricimer himself involved. The Eastern Emperor traditionally had the right to accept his "colleague," for the empire was nominally still united.

paragraph: Ricimer needed a weak emperor on the throne, in order to control him: his barbaric descent barred him from taking the throne for himself. Gaiseric had captured the wife and the two daughters of the Western Roman Emperor Valentinian III – Licinia Eudoxia, Placidia and Eudocia – during the sack of Rome (455), and, through the marriage of one of them, Eudocia, with his son Huneric, he had entered the imperial family. Gaiseric's candidate to the Western throne was Olybrius, who had married Placidia and was thus a member of his family.

paragraph: In order to push for Olybrius' election, Gaiseric decided to put pressure on the empire with several raids on the coasts of Italy and Sicily, maintaining that the peace treaty he had signed with Majorian was no longer valid; Ricimer reacted by sending an embassy to Gaiseric and asking him to respect the treaty, while a second embassy was sent by Leo I asking for the end of the raids and the release of the wife and daughters of Valentinian.

paragraph: Despite the pressure of the Vandal raids, Ricimer ignored Olybrius and put the senator Libius Severus on the Western throne; he was probably chosen in order to please the Italian aristocracy. Severus was elected Emperor by the Roman Senate on November 19, 461, in Ravenna.

paragraph: Section::::Biography.:Reign.

paragraph: Severus had to face several problems during his reign, because of the presence of Ricimer and because his rule was not recognised in several provinces.

paragraph: Section::::Biography.:Reign.:Unrest in the provinces.

paragraph: At the beginning of the 460s the Western Roman Empire no longer ruled several imperial provinces even nominally: Britain had been abandoned; Africa had been conquered by the Vandals; and Hispania was occupied by the Suebi and the Visigoths (who were "foederati" of the empire). However, the area under Libius' control was even smaller, as the governors of several provinces did not recognise him as Emperor: both Aegidius, who controlled Gaul, and Marcellinus, who ruled semi-autonomously over Illyricum, had been supporters of Majorian and thus did not accept Libius' election.

paragraph: Even the Eastern Emperor Leo I the Thracian did not recognise Libius Severus; the historical sources related to the Eastern part of the empire, Marcellinus Comes and Jordanes, consider Libius a usurper of the Western throne.

paragraph: Libius Severus feared that Marcellinus, who commanded a powerful army, could descend upon Italy, and asked for Leo's help; the Eastern Emperor sent Philarcus as envoy to Marcellinus and dissuaded him from the attack. This episode is also important because it marks the passage of Illyricum from the Western to the Eastern sphere of influence.

paragraph: To oppose Aegidius, Severus appointed his own supporter Agrippinus to the office of "magister militum per Gallias", thus officially giving him power over Aegidius. During Majorian's reign Agrippinus had been accused by Aegidius of treachery; found guilty and condemned to death, he had been pardoned, probably because of Ricimer, who then supported him in opposition to Aegidius. Agrippinus asked for support from the Visigoths, and with their help moved against Aegidius and his Frankish allies, led by King Childeric I.

paragraph: In exchange for their support, in 462 the Visigoths received the city of Narbonne from Severus, thus getting access to the Mediterranean sea and separating Aegidius from the rest of the empire. Among Severus' few official acts is the (464) appointment of Arvandus as Praetorian prefect of Gaul who, in 468, was to be prosecuted for treachery and condemned to death for having tried to obtain the throne.

paragraph: Therefore, Severus actually ruled only over Italy, even if in 465, with the death of Aegidius, Gaul returned to his sphere of influence for a short time. It is probably to this temporary control over Gaul that the limited issue of his coins by the mint of Arelate is to be dated.

paragraph: Section::::Biography.:Reign.:Under Ricimer's control.

paragraph: Ricimer put Libius Severus on the throne, though he retained actual power. Some coins exist issued in Severus' name yet bearing a monogram sometimes identified with Ricimer; even if these coins were actually issued in the period between the reign of Severus and of his successor, Anthemius, it is nonetheless an honour unheard of for a barbarian, who was even mentioned on the inscriptions just after the emperors («salvis dd. nn. et patricio Ricimere», ).

paragraph: Ricimer's control was so clear that, in recording the defeat and death of Bergor, the King of the Alans, by his hand (February 6, 464, near Bergamo), the historian Marcellinus Comes calls Ricimer a king: "Bergor, King of the Alans, is killed by King Ricimer" ("Beorgor rex Alanorum a Ricimere rege occiditur", Marcellinus Comes, "Chronicle", "s.a." 464).

paragraph: Section::::Biography.:Reign.:Vandals.

paragraph: The Vandals continued their raids during the reign of Severus. On one hand Gaiseric justified the raids complaining that he had not received part of Valentinian's legacy; on the other hand, he still hoped to put Olybrius on the Western throne.

paragraph: Vandal raids deeply affected the economy of the Italian landowners, typically senators; some representatives of the Italian aristocracy went to the Emperor to plead for a reconciliation with Gaiseric. Severus chose the patrician Tatian and sent him to the king of the Vandals, who, however, rejected the peace proposal.

paragraph: Section::::Biography.:Reign.:Relationship with the Eastern Empire.

paragraph: Even if Severus was not officially recognised by Leo I, nonetheless the Eastern and Western Empires did collaborate, as shown by the episode of Leo's intercession with Marcellinus and the embassy led by Philarcus.

paragraph: Another sign of the collaboration between the two courts is the choice of Consuls. According to tradition, each court chose a consul and accepted the one chosen by the other court. Without Eastern recognition, Severus named himself consul for 462 (his first year as Emperor) and chose an influential member of the Roman senatorial aristocracy (Caecina Decius Basilius, Praetorian prefect of Italy from 463 to 465) for the following year. Severus then decided not to indicate a consul for the years 464 and 465 and chose to accept the two designated by the Eastern court.

paragraph: Section::::Biography.:Death.

paragraph: The details of Severus' death are obscure, but the majority of modern scholars agree that he died of natural causes in 465. In a passage from his "Getica", Jordanes claims Severus ruled for only three years; it is probable, however, that this is a mistake by the 6th-century historian. As regards the day of his death, it is recorded as August 15 by "Fasti vindobonenses priores", but a law by Severus dated September 25 has been preserved; either he died after that day or the law was issued after his death in his name.

paragraph: Cassiodorus, in the 6th century, maintains that Severus was treacherously poisoned by Ricimer in his own palace, but three years after Severus' death, the poet Sidonius Apollinaris wrote that he had died a natural death. According to modern historians, Ricimer had no reason to kill Severus, who was actually a puppet under his control, unless he was an obstacle to Ricimer's reconciliation with Leo.

paragraph: Section::::Bibliography.

paragraph: BULLET::::- Mathisen, Ralph W., "Libius Severus (461–465 A.D.)", "De Imperatoribus Romanis", 1997

paragraph: BULLET::::- D. Woods, "A Misunderstood Monogram: Ricimer or Severus?," "Hermathena" 172 (2002), 5–21.

paragraph: BULLET::::- Ralf Scharf, "Zu einigen Daten der Kaiser Libius Severus und Maiorian, "Rheinisches Museum für Philologie", 139 (1996), pp. 180–8.

paragraph: BULLET::::- http://papyri-leipzig.dl.uni-leipzig.de/receive/UBLPapyri_schrift_00002250;jsessionid=D43D2172E6A5E08C1E4AD3DF76DBC021?XSL.Style=print

paragraph: Section::::External links.

paragraph: BULLET::::- Coins of Libius Severus

description: Western Roman Emperor

wikidata_label: Libius Severus

wikipedia_title: Libius Severus


text:
opera
soprano
Carl Rosa Opera Company
Carl Rosa
aristocratic father
Edinburgh
soprano
basso
Wallachian boyar
Bucharest
Malta
La Sonnambula
Lyceum Theatre
I Puritani
Royal Italian Opera
Royal Opera House
The Times
The critic of "The Observer
Royal Opera House
Covent Garden
Her Majesty's Theatre
Il trovatore
Fra Diavolo
La muette de Portici
Alfred Mellon
George Alexander Macfarren
oratorio
Charles Santley
Oxford Music Hall
Royal Philharmonic Society
Schumann
Paradise and the Peri
Handel
Carl Rosa
French Theatre on Fourteenth Street
Balfe
The Bohemian Girl
Maritana
Der Freischütz
Cairo
Lower Rhine Festival
Düsseldorf
Don Giovanni
Norma
Carl Rosa's English Opera
Wagner
Lohengrin
Theatre Royal, Drury Lane
Highgate cemetery
Royal Academy of Music
Norma
The Barber of Seville
Illustrated London News
Philharmonic Society of London
here)
Several photos of Parepa-Rosa
portrait Euphrosyne Parepa

categories: 19th-century opera singers,1836 births,1874 deaths,Royal Philharmonic Society Gold Medallists,Scottish operatic sopranos,People from Edinburgh,19th-century Scottish singers,People associated with Gilbert and Sullivan,Deaths in childbirth,Honorary Members of the Royal Philharmonic Society

paragraph: Euphrosyne Parepa-Rosa

paragraph: Euphrosyne Parepa-Rosa (7 May 1836 – 21 January 1874) was a British operatic soprano who established the Carl Rosa Opera Company together with her husband Carl Rosa. Parepa's aristocratic father died soon after her birth, and her mother turned to the stage to support them. Parepa made her operatic debut in 1855, at age 16, and soon earned enthusiastic reviews in the major London opera houses. In 1867, following the death of her first husband, Parepa married the violinist and conductor Carl Rosa in New York, and they founded an opera company with Parepa as the leading lady. They toured successfully in America for several years. After their return to Britain with ambitious plans for their opera company, Parepa fell ill and died in 1874 at only 37 years of age.

paragraph: Section::::Early life and career.

paragraph: Euphrosyne Parepa was born in Edinburgh, Scotland, to the soprano Elisabeth Seguin (b. 1812, sister of basso Arthur Edward Seguin) and the Wallachian boyar Demetrius Parepa, Baron Georgiades de Boyescu of Bucharest. Her father died when Parepa was an infant, leaving her young mother impoverished. Parepa's mother turned to the stage to support her child and herself and trained the girl in singing.

paragraph: Her operatic début was in 1855 at the age of 16 in Malta as Amina in "La Sonnambula", followed by engagements in Italy, Spain and Portugal. She gave her first London performance at the Lyceum Theatre, in the role of Elvira in "I Puritani", with the Royal Italian Opera company, with whom she spent the 1857 season. The Royal Italian Opera company held their 1856–57 season at the Lyceum because the Royal Opera House was being remodeled after a fire. See Obituary: "Madame Parepa Rosa", "The Times", 23 January 1874, p. 10 The critic of "The Observer" wrote of this introduction: "Parepa possesses a soprano voice of excellent quality and remarkable compass. She acts and sings well. Her version of ""Son vergine vezzosa"" elicited applause terminating in a recall, and … [after the "finale"] she was again called for. … ""Qui la voce"" … was correctly and brilliantly executed; and the "artiste" was again summoned back to the stage to receive the homage of the audience."

paragraph: From 1859 to 1865, she appeared in opera at both Royal Opera House in Covent Garden and at Her Majesty's Theatre, becoming known for such roles as Leonora in "Il trovatore", Zerlina in "Fra Diavolo" and Elvira in "La muette de Portici". During this time, she participated in two operatic premieres, creating the title role in Alfred Mellon's "Victorine" in 1859 and the role of Mabel in George Alexander Macfarren's opera "Helvellyn" in 1864. She also was a successful oratorio and concert soloist, in constant demand in Britain and beyond. She sang with Charles Santley at the opening of the Oxford Music Hall in 1861, appeared before the Royal Philharmonic Society in Schumann's "Paradise and the Peri" and participated in the 19th-century English revival of the music of Handel, performing at the Handel festivals of 1862 and 1865, and in Germany.

paragraph: Section::::Marriages and later years.

paragraph: Her first husband, Army Captain H. de Wolfe Carvelle, died in Peru in 1865, sixteen months after their wedding. She travelled to the United States in 1865 with cornetist Levy and violinist Carl Rosa, the latter of whom she married in New York City in 1867. Together they quickly established the Parepa-Rosa English Opera Company there, featuring her as the leading soprano, which became popular, and which introduced opera to places in America that had never staged it before. They opened at the French Theatre on Fourteenth Street, New York City, in September 1869 with a performance of Balfe's opera "The Puritan's Daughter", with Parepa singing the title role. The subsequent tour of the eastern and midwestern states included a repertoire that ranged from "The Bohemian Girl" and "Maritana" to Weber's "Der Freischütz" and "Oberon".

paragraph: In 1870, the Parepa-Rosa Opera Company returned to Britain and then appeared in Italian opera at Cairo, Egypt, followed by a return to America for another successful tour in 1871–72. In 1872, Parepa sang at the Lower Rhine Festival in Düsseldorf, and they then returned to London, where she sang Donna Anna in "Don Giovanni" and the title role in "Norma" at the Royal Opera House. In September 1873, the company changed its name to Carl Rosa's English Opera, since Parepa was pregnant.

paragraph: Parepa died in London, after an illness, at the age of 37 while preparing to sing Elsa in an English version of Wagner's "Lohengrin" as part of her husband's planned season a Theatre Royal, Drury Lane; after her death, Rosa cancelled the season. She is buried at Highgate cemetery. After her death, Rosa endowed the Parepa-Rosa Scholarship at the Royal Academy of Music in her memory.

paragraph: Section::::Reputation.

paragraph: William Winter wrote that "Great vocal powers have seldom found such ample or such touching expression as those of Parepa-Rosa did in the first act of "Norma". … [O]ne of her best successes was made as Rosina in "The Barber of Seville" ... to indicate the versatility of her talents and the scope and thoroughness of her culture." Her obituary in "Illustrated London News" stated: "Her voice was a genuine soprano, of extensive compass and fine quality, while her highly-cultivated execution and her general musical knowledge gave her exceptional advantages, both mechanical and intellectual".

paragraph: Her achievements were recognised by the Philharmonic Society of London (now the Royal Philharmonic Society) with the rare award of their Gold Medal in 1872.

paragraph: Section::::References.

paragraph: BULLET::::- (available online here)

paragraph: Section::::External links.

paragraph: BULLET::::- Several photos of Parepa-Rosa

paragraph: BULLET::::- portrait Euphrosyne Parepa ("AlexanderStreet; North American Theatre Online")

alias: Parepa-Rosa, Euphrosyne Parepa de Boyesku

description: British operatic soprano

wikidata_label: Euphrosyne Parepa-Rosa

wikipedia_title: Euphrosyne Parepa-Rosa


text:
saint
Oldbury-on-Severn
English
Gloucestershire
Anglo-Saxon
Welsh
John Leland
St Arild's Church
Oldbury-on-the-Hill
Domesday Book
St Peter's Abbey, Gloucester
Gloucester Cathedral
Dissolution of the Monasteries
Richard Sharpe
Oxford University Press
David Verey
Nikolaus Pevsner
Nikolaus Pevsner

categories: Mercian saints,Southwestern Brythonic saints,English Roman Catholic saints,People from South Gloucestershire District,Late Ancient Christian female saints,5th-century Christian saints

paragraph: Arilda of Oldbury

paragraph: Saint Arilda, or Arild, was an obscure female saint from Oldbury-on-Severn in the English county of Gloucestershire. She probably lived in the 5th or 6th century and may have been of either Anglo-Saxon or Welsh origin.

paragraph: Arilda was a virgin martyr who, according to John Leland, was slain by a youth named Municus when she refused to lie with him.

paragraph: Two churches in Gloucestershire are dedicated to Arilda, one at Oldbury-on-Severn near her traditional home, a second ("St Arild's Church") at Oldbury-on-the-Hill. Both places were called 'Aldberie' at the time of the Domesday Book, suggesting that their names may be derived from the saint.

paragraph: There was a shrine to Arilda at St Peter's Abbey, Gloucester, which is now Gloucester Cathedral, but it was destroyed after the Dissolution of the Monasteries.

paragraph: Section::::References.

paragraph: BULLET::::- G. Jones, "Authority, Challenge and Identity in three Gloucestershire Saints' Cults", "Authority and Community in the Middle Ages" (ed. Donald Mowbray, Ian P. Wei, Rhiannon Purdie), 1999, , pp. 124–127

paragraph: BULLET::::- Julian M. Luxford, "The art and architecture of English Benedictine monasteries, 1300-1540: a patronage history", Boydell Press, 2005, , p. 134

paragraph: BULLET::::- Alan Thacker, Richard Sharpe, "Local saints and local churches in the early medieval West", Oxford University Press, 2002, , p. 509

paragraph: BULLET::::- David Verey, "Gloucestershire: the Vale and the Forest of Dean", The Buildings of England edited by Nikolaus Pevsner, 2nd ed. (1976) , p. 314

paragraph: BULLET::::- David Verey, "Gloucestershire: the Cotswolds", The Buildings of England edited by Nikolaus Pevsner, 2nd ed. (1979) , p. 351

description: Christian female saint

wikidata_label: Arilda of Oldbury

wikipedia_title: Arilda of Oldbury


text:
House of Dietrichstein
Ferdinand Joseph
Marie Elisabeth
Eggenberg
Český Krumlov
Gradisca d'Isonzo
primogeniture
Guidobald Joseph

paragraph: Jakob Anton of Dietrichstein

paragraph: Jakob Anton of Dietrichstein (24 July 1678 – 15 May 1721), was a German prince member of the House of Dietrichstein.

paragraph: He was eighteenth child and ninth (but fourth surviving) son of Ferdinand Joseph, 3rd Prince of Dietrichstein, and Marie Elisabeth, a daughter of Johann Anton I, Prince of Eggenberg, Duke of Český Krumlov and Princely Count ("gefürsteter Graf") of Gradisca d'Isonzo.

paragraph: Section::::Life.

paragraph: As the youngest surviving son of his family, Jakob Anton had no chances to inherited a substantial part of the Dietrichstein heritage, due to the institution of the primogeniture.

paragraph: In 1709 Jakob Anton married firstly with Countess Maria Carolina of Wolfsthal (d. in childbirth, 15 January 1711). They had two children:

paragraph: BULLET::::- Maria Elisabeth (12 October 1709 – 1730).

paragraph: BULLET::::- Leopold Philipp (15 January 1711 – 8 March 1773), married ca. 12 May 1728 to Countess Maria Theresia of Althann. No issue.

paragraph: On 23 October 1715 Jakob Anton married secondly with Maria Anna Franziska Magdalena Sophia (1 September 1688 – 1 December 1757), a daughter of Gundackar XVI, Count of Starhemberg-Schaunberg and Maria Anna of Rappach. They had five children:

paragraph: BULLET::::- Guidobald Joseph (9 December 1717 – 29 February 1772).

paragraph: BULLET::::- Erdmuth Theresia (19 December 1718 – 16 March 1723).

paragraph: BULLET::::- Franz Anton (19 February 1720 – 19 April 1723).

paragraph: BULLET::::- Christine Gottfricai (17 March 1721 – died young aft. 1721).

paragraph: BULLET::::- Maria Karoline (posthumously 17 February 1722 – 23 July 1790), married on 2 February 1744 to Leopold Anton, Altgrave of Salm-Reifferscheidt-Hainspach.

wikidata_label: Jakob Anton of Dietrichstein

wikipedia_title: Jakob Anton of Dietrichstein


text: Wisconsin State Assembly

text: Wisconsin State Senate

text: Newark, Ohio

text: Decatur, Wisconsin

text: American Civil War

text: Union Army

text: Knoxville Campaign

text: Battle of Mossy Creek

text: Battle of Dandridge

text: Atlanta Campaign

text: Wilson's Raid

text: Brodhead, Wisconsin

text: 17th District

text: Republican

categories: Politicians from Newark, Ohio,Wisconsin Republicans,Wisconsin state senators,People of Wisconsin in the American Civil War,Members of the Wisconsin State Assembly,People from Brodhead, Wisconsin,1846 births

paragraph: Henry Putnam

paragraph: Henry Clay Putnam (January 17, 1846 – July 7, 1913) was a member of the Wisconsin State Assembly and the Wisconsin State Senate.

paragraph: Section::::Biography.

paragraph: Putnam was born in Newark, Ohio in 1846. He moved to Decatur, Wisconsin in 1849.

paragraph: During the American Civil War, Putnam served with the 1st Wisconsin Volunteer Cavalry Regiment of the Union Army. Earlier engagements he took part in include the Knoxville Campaign, the Battle of Mossy Creek, the Battle of Dandridge and the Atlanta Campaign. Later, he was part of Wilson's Raid. He died at his home in Brodhead, Wisconsin in 1913.

paragraph: Section::::Political career.

paragraph: Putnam was President of Brodhead from 1883 to 1884. He was elected to the Assembly in 1890 and 1892 before representing the 17th District of the Senate from 1895 to 1898. Putnam was a Republican.

description: American politician

wikidata_label: Henry Putnam

wikipedia_title: Henry Putnam


text:
Major League Baseball
minor leagues
Bakersfield Indians

categories: Vancouver Capilanos players,Toronto Huskies draft picks,Madison Blues players,Chicago Cubs players,San Diego Padres (minor league) players,Oregon Ducks baseball players,1918 births,Bakersfield Indians players,Baseball players from Alabama,1954 deaths,Tacoma Tigers players,Major League Baseball pitchers,Oregon Ducks men's basketball players,Los Angeles Angels (minor league) players

paragraph: Wimpy Quinn

paragraph: Wellington Hunt "Wimpy" Quinn (May 14, 1918 – September 1, 1954) was a Major League Baseball pitcher who pitched in three games for the Chicago Cubs in . He threw five innings, all in relief.

paragraph: Quinn played thirteen seasons in the minor leagues, mainly playing first base, but never played that position in the majors. In , his final professional season, he served as player-manager of the Bakersfield Indians.

description: American baseball player

wikidata_label: Wimpy Quinn

wikipedia_title: Wimpy Quinn


text:
American
Germany
Cambridge, Massachusetts
Weimar
Franz Liszt
symphonic poem
symphony
orchestra
wind instrument
ballet
comic opera
chamber music
Mason and Hamlin
suite
reed organ
Berlin

categories: Paderewski Prize recipients,Pupils of Franz Liszt,1923 deaths,American male classical composers,1856 births,American classical composers

paragraph: Arthur H. Bird

paragraph: Arthur Homer Bird (23 July 1856 – 22 December 1923) was an American composer, for many years resident in Germany. Born in Cambridge, Massachusetts, he studied in Europe and spent a year at Weimar with Franz Liszt. He composed a symphonic poem, "Eine Karneval-Szene" op. 5, and a symphony in A Major, op. 8 (both in 1886); three orchestral suites; some works for wind instruments alone; some music for the ballet; a comic opera; and some chamber music; he was also commissioned by the Mason and Hamlin company to write a suite of short pieces for the reed organ. Bird died in Berlin in 1923.

description: American composer

wikidata_label: Arthur Bird

wikipedia_title: Arthur H. Bird