text:
English
footballer
centre back
Arsenal
Academy
FA Youth Cup
Northampton Town
Notts County
K.S.K. Beveren
Colchester United
Championship
Preston North End
Notts County
Port Vale
AFC Telford United
League Two
Hyde
Chelmsford
Essex
Arsenal
Academy
FA Youth Cup
Coventry City
2000
Second Division
Northampton Town
Peterborough United
London Road
Highbury
Kevin Wilson
Notts County
Bristol City
Ashton Gate
Stevenage
2002–03
Belgian Pro League
K.S.K. Beveren
John Halls
Graham Stack
Steve Sidwell
Sint-Truidense
English
Yaya Touré
Emmanuel Eboué
Colchester United
Steve Whitton
2003–04
League Cup
Rotherham United
Millmoor
Phil Parkinson
Port Vale
Vale Park
Galpharm Stadium
Huddersfield Town
2004–05
Barnsley
2005–06
Milton Keynes Dons
Bournemouth
Championship
Preston North End
2006–07
Ipswich Town
2007–08
2008–09
Birmingham City
St. Andrew's
2009–10
Darren Ferguson
League One
Premier League
Wolverhampton Wanderers
2010–11
Martin Allen
2011–12
Juventus
Juventus Stadium
Micky Adams
Meadow Lane
Keith Curle
AFC Telford United
Conference National
League Two
Cambridge United
Abbey Stadium
the season
Rochdale
Spotland
2013–14
Carlisle United
Forest Green Rovers
Brimscombe & Thrupp
Scott McNiven
Conference North
Hyde
Lowestoft Town
Ewen Fields
Southport
FA Youth Cup
2000
League One
2005–06
League Two
2012–13

categories: Arsenal F.C. players,English expatriate footballers,Sportspeople from Chelmsford,1981 births,Association football defenders,Port Vale F.C. players,English footballers,Expatriate footballers in Belgium,Preston North End F.C. players,Northampton Town F.C. players,K.S.K. Beveren players,A.F.C. Telford United players,Notts County F.C. players,Hyde United F.C. players,Colchester United F.C. players,English Football League players,Living people,Belgian First Division A players

paragraph: Liam Chilvers

paragraph: Liam Christopher Chilvers (born 6 November 1981) is an English former footballer who played as a centre back.

paragraph: A graduate of the Arsenal Academy, he won the FA Youth Cup with the club in 2000. After turning professional he spent four weeks of the 2000–01 season on loan at Northampton Town, three months on loan at Notts County in the 2001–02 season, and the first half of the 2002–03 season on loan at Belgian side K.S.K. Beveren. He spent the second half of the 2002–03 season and the whole of the 2003–04 campaign on loan at Colchester United, after which he was allowed to join the club permanently. He stayed at Colchester for the next two years, and helped the club win promotion into the Championship, before he transferred to Preston North End in July 2006. He spent four years with the club, though was out of action for a year due to injury. He re-joined Notts County on a permanent basis in July 2010, and was loaned out to Port Vale in September 2011. He signed with AFC Telford United in September 2012, before beginning a second loan spell with Port Vale in November 2012, which was made into a permanent move two months later. He helped Vale win promotion out of League Two in 2012–13. He joined Hyde in September 2014.

paragraph: Section::::Playing career.

paragraph: Section::::Playing career.:Arsenal.

paragraph: Born in Chelmsford, Essex, Chilvers entered the Arsenal Academy at the age of seven, and featured in their FA Youth Cup final win over Coventry City in 2000. On 22 December 2000, he joined Second Division club Northampton Town on a four-week loan. He made his debut the next day, in a 2–1 win over Peterborough United at London Road. He started six further games for the "Cobblers", only one of which ended in defeat, before returning to Highbury at the end of his loan spell. Unable to extend the loan deal, Town boss Kevin Wilson was "sorry to see Liam go".

paragraph: Chilvers joined Notts County on a three-month loan spell in November 2001, and made eleven appearances for the club. He scored his first senior goal on 1 December, scoring a consolation goal in a 3–2 loss to Bristol City at Ashton Gate.

paragraph: Chilvers scored in a pre-season friendly for Arsenal against Stevenage in 2002. He then spent the first half of the 2002–03 season on loan at Belgian Pro League club K.S.K. Beveren, who had a partnership with Arsenal at the time; John Halls, Graham Stack, and Steve Sidwell also were sent on loan to the Belgian side. He was sent off on his debut – a 6–1 defeat by Sint-Truidense. He made four further appearances out of position as a full-back, before he returned to England – by that time his three Arsenal colleagues had returned to London and the Beveren manager had given up trying to speak to Chilvers in English. He later admitted he did not enjoy his experience, though he did get to play alongside Yaya Touré and Emmanuel Eboué.

paragraph: Section::::Playing career.:Colchester United.

paragraph: On 24 January 2003, he joined Colchester United on loan until the end of the season, after impressing manager Steve Whitton on a trial. He only made six appearances. At the end of the campaign Arsenal and Northampton Town agreed a transfer that would see Chilvers sign a three-year deal at Northampton; however Chilvers backed out on the deal in the final stages of negotiations.

paragraph: He returned to Colchester United on loan at the start of the 2003–04 campaign, initially on a three-month deal. He made his League Cup bow against Rotherham United at Millmoor on 23 September, and was sent off for the first time in his professional career for a professional foul in the last minute of a 1–0 defeat; Colchester stated that they would appeal the ban. He retained his first team place after serving his suspension, and the loan deal was extended until the end of the season. Chilvers made a total of 45 appearances in league and cup throughout the campaign.

paragraph: Chilvers was released by Arsenal in June 2004, and so quickly agreed to join Colchester United on a permanent basis. Manager Phil Parkinson said that "Liam's a quality player. He's got the chance to go a long way in the game." He was sent off the second time in his career when he received two yellow cards in a goalless draw with Port Vale at Vale Park on 8 March 2005; Vale also had two players sent off in what was described as 'a dour game'. He netted his second senior goal on 16 April, his ninetieth-minute strike at the Galpharm Stadium winning the U's a share of the points with Huddersfield Town. In all he made 48 appearances in 2004–05.

paragraph: He received interest from Barnsley in September 2005, though he remained put at Colchester. He made another 40 appearances in 2005–06, and found himself on the scoresheet in games at Milton Keynes Dons and Bournemouth. He helped the club to win promotion into the Championship as League One runners-up. During the campaign he picked up eight bookings.

paragraph: Section::::Playing career.:Preston North End.

paragraph: Chilvers joined Preston North End on a two-year contract in July 2006, with an option for a further two years. He fitted in well at the Championship club, and made 49 league and cup appearances in 2006–07, finding his way onto the scoresheet in games at Ipswich Town and Barnsley. At the end of the season he signed a new contract, which would see him tied to the club until June 2010.

paragraph: He made 31 appearances in 2007–08, and was a key first team member until he ruptured his Achilles tendon in a pre-match warm-up in March. A difficult injury that also required surgery, he was initially expected to be out of action until December 2008. However Chilver was 'impatient', and strived to return from his injury as soon as possible. A 'model patient', he returned to training in August 2008, a whole three months ahead of schedule. However, he still missed almost the whole of the 2008–09 campaign, and only appeared as a last minute substitute in a 2–1 win over Birmingham City at St. Andrew's on 25 April. He played 26 games in 2009–10, however manager Darren Ferguson did not offer him a new contract at the end of the season.

paragraph: Section::::Playing career.:Notts County.

paragraph: Following a trial with Peterborough United, Chilvers signed for former club Notts County, now in League One, on a two-year contract on 23 July 2010. He lost his first team place after he was sent off for a professional foul in a League Cup defeat to Premier League Wolverhampton Wanderers on 21 September. He returned to the starting eleven in November, though only played two games from December through to February. He returned to action to post a total of 27 appearances in 2010–11. However manager Martin Allen informed Chilvers that he could leave the club, despite the player still being under contract.

paragraph: He did not play a competitive game for the "Magpies" at the start of the 2011–12 season, though he did play the second half of the club's 1–1 friendly draw with Juventus at the newly opened Juventus Stadium. Instead Chilvers joined Port Vale on a monthlong loan on 22 September. After four good performances the loan deal was extended until 24 December. He stated his hopes to win a permanent contract at the club, and the Port Vale coaching staff also indicated that they would look to sign Chilvers permanently, leaving the final decision on the move to be made by Notts County. He played a total of twelve matches for the "Valiants", though he was forced to leave the pitch early on the final game of his spell after he picked up a groin injury. His hopes of a more long-term move to Port Vale were ended after manager Micky Adams revealed that he did not have any money available to sign any players either permanently or on loan during the January transfer window. He did though find himself back in first team contention at Meadow Lane, particularly after Keith Curle replaced Allen as manager in mid-February. In May 2012 he was released by the club, along with 12 other players.

paragraph: Section::::Playing career.:AFC Telford United to Port Vale.

paragraph: Chilvers joined AFC Telford United of the Conference National in September 2012. His stay with the "Bucks" was on a short-term basis, to provide cover for a number of defenders who were out injured. He made his League Two debut on 15 September, in a 3–3 draw with Cambridge United at the Abbey Stadium. He re-signed on loan to Port Vale in November 2012 with the view to a possible permanent transfer in January. Once the loan deal expired, he signed a contract with Port Vale lasting until the end of the season. He scored two goals on 13 April in a 2–2 draw with Rochdale at Spotland, the first being an awful first half own goal and the second being an 89th-minute header that would have won the game for the Vale if not for a late equalizer from Rochdale. He admitted that he thought the goal had secured promotion for the club, though Rochdale's equalizer and a late goal elsewhere meant that Vale had to wait another week for the chance to secure promotion. He agreed to sign a new one-year deal in the summer.

paragraph: He started the 2013–14 season on the bench, before returning to the first team on 7 September to help the Vale record their first clean sheet of the season against Carlisle United. He was limited to 17 appearances across the season and was released in the summer.

paragraph: Section::::Playing career.:Hyde.

paragraph: Chilvers featured for Forest Green Rovers in a pre-season friendly win over Brimscombe & Thrupp on 29 July 2014. He signed with Scott McNiven's Conference North club Hyde in September 2014. He made his debut for the club on 20 September, in a 5–1 win over Lowestoft Town at Ewen Fields, Hyde's first home win since April 2013.

paragraph: Section::::Style of play.

paragraph: Chilvers has excellent positional play and leadership skills, and is also a threat from set-pieces.

paragraph: Section::::Personal life.

paragraph: Chilvers is married and has a son named Oscar of whom was born in 2012. He also began working at a law office located in Southport in 2015.

paragraph: Section::::Honours.

paragraph: BULLET::::- Arsenal

paragraph: BULLET::::- FA Youth Cup winner: 2000

paragraph: BULLET::::- Colchester United

paragraph: BULLET::::- League One runner-up: 2005–06

paragraph: BULLET::::- Port Vale

paragraph: BULLET::::- League Two third-place promotion: 2012–13

description: British footballer

wikidata_label: Liam Chilvers

wikipedia_title: Liam Chilvers


text:
American football
defensive end
Philadelphia Soul
Arena Football League
college football
Temple University
Highland Regional High School
Blackwood, New Jersey
Iowa Barnstormers
Hamilton Tiger-Cats
Green Bay Blizzard
Highland Regional High School
Temple Owls
Harrisburg Stampede
Professional Indoor Football League
Iowa Barnstormers
Hamilton Tiger-Cats
Green Bay Blizzard
Philadelphia Soul
Arizona Rattlers
ArenaBowl XXIX
2017 season
All-Arena
Tampa Bay Storm
ArenaBowl XXX
Mike Daniels

wikipedia_title:
American football
Defensive end
Philadelphia Soul
Arena Football League
College football
Temple University
Highland Regional High School
Blackwood, New Jersey
Iowa Barnstormers
Hamilton Tiger-Cats
Green Bay Blizzard
Highland Regional High School
Temple Owls football
Harrisburg Stampede
Professional Indoor Football League
Iowa Barnstormers
Hamilton Tiger-Cats
Green Bay Blizzard
Philadelphia Soul
Arizona Rattlers
ArenaBowl XXIX
2017 Arena Football League season
All-Arena
Tampa Bay Storm
ArenaBowl XXX
Mike Daniels (American football)

categories: American football defensive linemen,Iowa Barnstormers players,Living people,Harrisburg Stampede players,Hamilton Tiger-Cats players,Players of American football from New Jersey,Temple Owls football players,Green Bay Blizzard players,Philadelphia Soul players,Canadian football defensive linemen,1991 births,American players of Canadian football

paragraph: Sean Daniels

paragraph: Sean Daniels (born November 13, 1991) is an American football defensive end for the Philadelphia Soul of the Arena Football League (AFL). He played college football at Temple University and attended Highland Regional High School in Blackwood, New Jersey. He has also been a member of the Iowa Barnstormers, Hamilton Tiger-Cats and Green Bay Blizzard.

paragraph: Section::::Early life.

paragraph: Daniels attended Highland Regional High School.

paragraph: Section::::College career.

paragraph: Daniels played for the Temple Owls from 2010 to 2013. He was the team's starter his final year and helped the Owls to 23 wins. He played in 30 games during his career, including one start at outside linebacker and three starts at defensive end.

paragraph: Section::::College career.:Statistics.

paragraph: Source:

paragraph: Section::::Professional career.

paragraph: Section::::Professional career.:Harrisburg Stampede.

paragraph: Daniels signed with the Harrisburg Stampede of the Professional Indoor Football League on September 10, 2014. The team folded in December 2014.

paragraph: Section::::Professional career.:Iowa Barnstormers.

paragraph: Daniels signed with the Iowa Barnstormers for the 2015 season. He led the team with 6.0 sacks and was 6th on the team with 40.0 tackles.

paragraph: Section::::Professional career.:Hamilton Tiger-Cats.

paragraph: On June 10, 2015, Daniels signed with the Hamilton Tiger-Cats. He was released just 9 days later.

paragraph: Section::::Professional career.:Green Bay Blizzard.

paragraph: On March 30, 2016, Daniels signed with the Green Bay Blizzard. He was released on April 13, 2016. Daniels appeared in one game with the Blizzard and record 1 tackle.

paragraph: Section::::Professional career.:Philadelphia Soul.

paragraph: Daniels was assigned to the Philadelphia Soul on May 10, 2016. On August 26, 2016, the Soul beat the Arizona Rattlers in ArenaBowl XXIX by a score of 56–42. On January 5, 2017, the Soul exercised their rookie option on Daniels. Daniels won Defensive Player of the Week during Week 6 of the 2017 season when he recorded 3 tackles and returned a fumble for the game-winning touchdown with 33 seconds left in the game. He was named First Team All-Arena in 2017. On August 26, 2017, the Soul beat the Tampa Bay Storm in ArenaBowl XXX by a score of 44–40.

paragraph: Section::::Professional career.:Return to Green Bay Blizzard.

paragraph: In February 2018, Daniels signed with the Green Bay Blizzard.

paragraph: Daniels was assigned to the Philadelphia Soul on March 20, 2018. On April 3, 2019, Daniels was again assigned to the Soul.

paragraph: Section::::Professional career.:AFL statistics.

paragraph: "Stats from ArenaFan":

paragraph: Section::::Personal life.

paragraph: Daniels is the younger brother of Mike Daniels.

paragraph: Section::::External links.

paragraph: BULLET::::- Temple Owls bio

wikidata_label: Sean Daniels

wikipedia_title: Sean Daniels


text:
Los Angeles
producer
singer
environmentalist
Indie
Electronic
Washington, DC
Radiohead
Wilco
James Blake
Gold Panda
Loyola University New Orleans
Chicago
Los Angeles
"Billboard"
"Sirius XM"
The Fader
Complex
Spin
Hype Machine
Francis and the Lights
Friends
Spotify's
Environmental Defense Fund
Coachella
Lollapalooza
Petit Biscuit
Honne
Roosevelt
Basecamp
El Ten Eleven
Big Gigantic

wikipedia_title: Coachella Valley Music and Arts Festival

categories: 21st-century American musicians,American electronic musicians,Record producers from Louisiana,Musicians from New Orleans,American DJs,Living people,Year of birth missing (living people)

paragraph: Shallou

paragraph: Joe Boston, professionally known as stage name Shallou, is a Los Angeles based producer, singer, and environmentalist, who produces ambient, house melodies and soulful vocals that have carved a niche in the Indie and Electronic music scenes. His debut EP, "All Becomes Okay", was released in May 2017, followed by EP "Souls" in April 2018, both through his own label, Sleeptalker.

paragraph: Section::::Early life.

paragraph: Boston grew up in Washington, DC, with a family of intense music lovers. His dad was all about music discovery, playing Radiohead and Wilco to him when he was a kid. He was first inspired by singer James Blake and producer Gold Panda when he was around 16, combining elements of those artists into his own sound. After attending college at Loyola University New Orleans, he moved to Chicago to continue producing music. Boston currently resides in Los Angeles.

paragraph: Section::::Career.

paragraph: Section::::Career.:2014 – present.

paragraph: Shallou began his career during late 2014, and since then has been vastly noticed by the likes of "Billboard", "Sirius XM", "The Fader", "Complex", "Spin", "Indie Shuffle" and "Hype Machine". Shallou's 2016 singles "Heights" and "Doubt" have also received heavy rotation on multiple streaming platforms. In 2017, Shallou released his first cover, "Motion Picture Soundtrack". Shallou has released two Spotify Singles, "Begin" and a cover of Francis and the Lights "Friends", which he arranged and recorded with a string quartet at Spotify's offices in New York. He also released his debut EP, "All Becomes Okay," available on all streaming services, as well as for download directly on Shallou's website, with 100% of its profit going to the Environmental Defense Fund. In March of 2019, it was announced Shallou would perform at Coachella and Lollapalooza music festivals.

paragraph: Section::::Associated acts.

paragraph: Shallou is a singular producer/artist that performs live as a duo, touring with many similar artists such as Petit Biscuit, Honne, Blackbird Blackbird, Roosevelt, Basecamp, El Ten Eleven, and Big Gigantic.

description: American DJ, Singer and Song Producer

wikidata_label: Shallou

wikipedia_title: Shallou


text: Native American

text: painting

text: bear

text: fetishes

text: bronze sculptures

text: dancers

text: pottery

text: Tewa

text: Santa Clara Pueblo

text: New Mexico

text: Angela Baca

text: Joseph Lonewolf

text: Grace Medicine Flower

text: sgraffito

text: photo of Paul

text: Flickr

text: Pine Ridge

text: South Dakota

text: Heard Museum

text: Phoenix

text: Arizona

text: American Southwest

categories: Native American potters,Santa Clara Pueblo people,1952 births,2017 deaths,Native American sculptors,Sculptors from New Mexico

paragraph: Paul Speckled Rock

paragraph: Paul Joseph "Speckled Rock" Tafoya (1952 – 2017) was a Native American artist who was noted for his paintings, bear fetishes, bronze sculptures of Native American dancers, and redware and blackware pottery. A member of the Tewa and a resident of the Santa Clara Pueblo in New Mexico, Paul was the owner of the Merrock Galeria, which featured the work of contemporary pueblo artists.

paragraph: Section::::Personal life.

paragraph: Born on February 6, 1952, Paul Joseph Speckled Rock Tafoya was the son of Paul and Tonita Tafoya. Paul Tafoya, Sr., was a welder who served as the governor of Santa Clara Pueblo from 1964 to 1983. Paul Speckled Rock was a brother of Kenneth and Ray Tafoya, a nephew of Angela Baca, and a grandson of Severa Tafoya, all of whom were noted Santa Clara Pueblo potters. Paul graduated from Espanola High School in 1970 and legally changed his name from Tafoya to Speckled Rock at that time. He then attended the National Electronics Institute, where he received an apprenticeship in architectural engineering.

paragraph: In February 1972, Paul married Rosemary "Apple Blossom" Lonewolf, a noted potter who was a daughter of Joseph Lonewolf and niece of Grace Medicine Flower. Paul and Rosemary's son Adam Speckled Rock, who is an award-winning potter in his own right, was born in November 1972. At this time, Paul decided to turn his attention to art. He also worked weekends as a tribal policeman at the Santa Clara Pueblo from 1973 to 1976 to support his family.

paragraph: Following a divorce from Rosemary, Paul married Mercedes Rivera, a contemporary potter who opened her own studio in 1998. Paul subsequently married Rosalda Vigil, daughter of Ernesto Vigil, a municipal judge for the City of Espanola. Paul Speckled Rock died in early 2017.

paragraph: Section::::Artistic creations.

paragraph: Paul Speckled Rock began his award-winning artistic career in 1973 by producing a series of small paintings, usually featuring pueblo motifs. His medium was typically acrylic on board. In 1977, he began making bronze sculptures, most commonly featuring Native American warriors in ceremonial dress. He also produced his signature bear fetishes. He began making pottery in 1983, having been inspired by his grandmother, Severa Tafoya. Much of his pottery consists of traditional redware, but he was also known for creating pottery with unusual shapes, often decorated using the sgraffito technique. A photo of Paul at work in his studio in 2012 was posted on Flickr by one of his visitors.

paragraph: Section::::Artistic creations.:Exhibitions.

paragraph: Additional exhibitions included: Heritage Center Inc. Collection, Red Cloud Indian School, Pine Ridge, South Dakota; Heard Museum Guild Indian Fair and Market, Phoenix, Arizona; and the Wheelwright Museum of the American Indian, Santa Fe, New Mexico.

paragraph: Section::::Business activities.

paragraph: Paul Speckled Rock was the owner of the Merrock Galeria, which was located in the Santa Clara Pueblo. The Galeria was founded in 1984 by Paul and his wife Mercedes. The Galeria featured the work of various pueblo artists, not only from Santa Clara Pueblo but also from other pueblos in the American Southwest. Regarding his ownership of the Galeria, Paul remarked: "I find selling other people's work rewarding. I get to learn more about who my customers are. No two people are alike, and all have different tastes." The Merrock Galeria was frequently a stop on group tours of New Mexico, and Paul enjoyed discussing the artwork and the various creative techniques involved with tour members.

wikidata_label: Paul Speckled Rock

wikipedia_title: Paul Speckled Rock


text: Italy

text: ice skating

text: St. Moritz

text: alpine skier

text: equestrian

text: auto racer

text: Cataluña

text: Wimbledon

text: Helen Wills Moody

text: Kea Bouman

text: French Championships

text: Italian Championships

text: Conchita Martínez

text: Bill Tilden

text: 1927 French Championships

text: Elsa Schiaparelli

text: political events

text: Jean de Gaillard de la Valdène

text: feminist movement

categories: Spanish feminist writers,1998 deaths,Spanish female racing drivers,20th-century Spanish women writers,Spanish female tennis players,1905 births,Spanish journalists,Grand Slam (tennis) champions in women's doubles,Spanish female single skaters

paragraph: Lilí Álvarez

paragraph: Elia Maria González-Álvarez y López-Chicheri, also known as Lilí Álvarez (; 9 May 1905 – 8 July 1998), was a Spanish multi-sport competitor, an international tennis champion, an author, feminist and a journalist.

paragraph: Section::::Life.

paragraph: She was born at the Hotel Flora in Rome, Italy, during a stay by her affluent Spanish parents. She was raised in Switzerland and from an early age began competing in a variety of sports. At age eleven, she won her first ice skating competition, and then at age 16, she won the St. Moritz ice skating championship. She won her first tennis tournament at age fourteen. An all-around sportsperson, Álvarez was an alpine skier, equestrian, and an auto racer who won the Campeonato de Cataluña de Automovilismo at age 19.

paragraph: Álvarez was a pioneer in women's tennis in Spain and was her country's most dominant player during the 1920s. Between 1926 and 1928, she reached three consecutive singles finals at Wimbledon. According to American Helen Wills Moody, who defeated Álvarez twice in Wimbledon singles finals, Álvarez' game was an "unusually daring one".

paragraph: In 1929, Álvarez teamed up with the Dutch player Kea Bouman to win the women's doubles title at the French Championships. The following year, Álvarez won the singles title at the Italian Championships, an accomplishment that was not repeated by another female Spaniard for 63 years until Conchita Martínez won the Italian Open in 1993. Álvarez and Bill Tilden were the runners-up in the mixed doubles competition at the 1927 French Championships.

paragraph: In 1927, Álvarez authored a book in English published in London under the title "Modern Lawn Tennis".

paragraph: In 1931, she shocked the staid tennis world by playing at Wimbledon in a divided tennis skirt specially made by designer Elsa Schiaparelli that was the forerunner of shorts (pictured). That year, Álvarez began reporting on the political events in Spain for the British newspaper the "Daily Mail".

paragraph: According to Wallis Myers of "The Daily Telegraph" and the "Daily Mail", Álvarez was ranked in the world top 10 from 1926 through 1928 and in 1930 and 1931, reaching a career high of World No. 2 in those rankings in 1927 and 1928.

paragraph: In 1934, Álvarez married Jean de Gaillard de la Valdène, the Count of Valdene, a French aristocrat and diplomat, and from 1936 she played for three years on the international tennis circuit as "Countess Valdène". In 1939, she lost her only child and the couple soon separated. She returned home to Spain in 1941 where she continued to be active in sports and began writing on religious and feminist topics, publishing her book "Plenitud" ("Fullness") in 1946. She actively supported the worldwide feminist movement and in 1951 gave a speech entitled ""La batalla de la feminidad"" at the Hispanic-American Feminist Congress. Over the years, she wrote several more books.

paragraph: Álvarez died in Madrid in 1998.

paragraph: Section::::See also.

paragraph: BULLET::::- Performance timelines for all female tennis players who reached at least one Grand Slam final

alias:
Lili de Alvarez
Lili Alvarez

description: Spanish tennis player

wikidata_label: Lilí Álvarez

wikipedia_title: Lilí Álvarez


text:
world land
water speed record
Coniston Water
Lake District
Canbury House
Kingston upon Thames
Surrey
Sir Malcolm Campbell
Bluebird
St Peter's School, Seaford
Uppingham School
Second World War
Royal Air Force
West Thurrock
Leo Villa
paranormal
the Ghost Club
Bonneville Salt Flats
Blue Bird K4
Coniston Water
Lancashire
Stanley Sayres
Italy
John Cobb
Hydroplane
Crusader
Loch Ness
Bluebird K7
Ullswater
Canandaigua, New York
CBE
Lake Mead
land speed record
Bluebird-Proteus CN7
Dunlop
BP
Smiths Industries
Lucas Automotive
Bristol-Siddeley Proteus
free-turbine
Goodwood
Sussex
Bonneville Salt Flats
Alfred Owen
Rubery Owen
Lake Eyre
Craig Breedlove
Spirit of America
FIA
Ampol
Craig Breedlove
Lake Dumbleyung
Perth
Western Australia
National Motor Museum
Hampshire
rocket-assisted take-off
Bristol Orpheus
Folland Gnat
ground effect
Mr Whoppit
Queen's Commendation for Brave Conduct
Marillion
Afraid of Sunlight
Mary, Queen of Scots
Coniston
9/11 attacks
United States
Steve Hogarth
water speed record
Coniston Water
BBC
Anthony Hopkins
Robert Hardy
Sir Malcolm Campbell
BBC2 Playhouse
Innes Lloyd
Eamonn Andrews
This Is Your Life
English Heritage
blue plaque
Ruskin Museum

categories: Bonneville 300 MPH Club members,English racing drivers,Segrave Trophy recipients,British motorboat racers,Filmed deaths in sports,People educated at Uppingham School,People from Kingston upon Thames,Sport deaths in England,Land speed record people,People from West Thurrock,1921 births,Commanders of the Order of the British Empire,Recipients of the Queen's Commendation for Brave Conduct,English people of Scottish descent,Motorboat racers killed while racing,People educated at St Peter's School, Seaford,1967 deaths

paragraph: Donald Campbell

paragraph: Donald Malcolm Campbell, (23 March 1921 – 4 January 1967) was a British speed record breaker who broke eight absolute world speed records on water and on land in the 1950s and 1960s. He remains the only person to set both world land and water speed records in the same year (1964). He died during a water speed record attempt at Coniston Water in the Lake District, England.

paragraph: Section::::Family and personal life.

paragraph: Donald Campbell was born at Canbury House, Kingston upon Thames, Surrey, the son of Malcolm, later Sir Malcolm Campbell, holder of 13 world speed records in the 1920s and 1930s in the "Bluebird" cars and boats, and his second wife, Dorothy Evelyn Whittall.

paragraph: Campbell attended St Peter's School, Seaford and Uppingham School. At the outbreak of the Second World War he volunteered for the Royal Air Force, but was unable to serve because of a case of childhood rheumatic fever. He joined Briggs Motor Bodies Ltd in West Thurrock, where he became a maintenance engineer. Subsequently, he was a shareholder in a small engineering company called Kine engineering, producing machine tools. Following his father's death on New Year's Eve, 31 December 1948 and aided by Malcolm's chief engineer, Leo Villa, the younger Campbell strove to set speed records first on water and then land.

paragraph: He married three times — to Daphne Harvey in 1945, producing daughter Georgina (Gina) Campbell, born on 19 September 1946; to Dorothy McKegg in 1952; and to Tonia Bern in December 1958, which lasted until his death in 1967. Campbell was intensely superstitious, hating the colour green, the number thirteen and believing nothing good ever happened on a Friday. He also had some interest in the paranormal, which he nurtured as a member of the Ghost Club.

paragraph: Campbell was a restless man and seemed driven to emulate, if not surpass, his father's achievements. He was generally light-hearted and was generally, at least until his 1960 crash at the Bonneville Salt Flats, optimistic in his outlook.

paragraph: Section::::Water speed records.

paragraph: Campbell began his speed record attempts in the summer of 1949, using his father's old boat, "Blue Bird K4", which he renamed Bluebird K4. His initial attempts that summer were unsuccessful, although he did come close to raising his father's existing record. The team returned to Coniston Water, Lancashire in 1950 for further trials. While there, they heard that an American, Stanley Sayres, had raised the record from , beyond K4's capabilities without substantial modification.

paragraph: Over the winter of 1950 to 1951, Bluebird K4 was modified to make it a "prop-rider" as opposed to her original immersed propeller configuration. This greatly reduced hydrodynamic drag, as the third planing point would now be the propeller hub, meaning one of the two propeller blades was always out of the water at high speed. She now sported two cockpits, the second one being for Leo Villa.

paragraph: Bluebird K4 now had a chance of exceeding Sayers' record and also enjoyed success as a circuit racer, winning the Oltranza Cup in Italy in the spring of that year. Returning to Coniston in September, they finally got Bluebird up to 170 mph after further trials, only to suffer a structural failure at which wrecked the boat. Sayers raised the record the following year to in Slo-Mo-Shun IV.

paragraph: Along with Campbell, Britain had another potential contender for water speed record honours — John Cobb. He had commissioned the world's first purpose-built turbojet Hydroplane, "Crusader", with a target speed of over , and began trials on Loch Ness in autumn 1952. Cobb was killed later that year, when Crusader broke up, during an attempt on the record. Campbell was devastated at Cobb's loss, but he resolved to build a new Bluebird boat to bring the water speed record back to Britain.

paragraph: In early 1953, Campbell began development of his own advanced all-metal jet-powered "Bluebird K7" hydroplane to challenge the record, by now held by the American prop rider hydroplane Slo-Mo-Shun IV.[1] Designed by Ken and Lew Norris, the K7 was a steel-framed, aluminium-bodied, three-point hydroplane with a Metropolitan-Vickers Beryl axial-flow turbojet engine, producing 3,500 pound-force (16 kN) of thrust.

paragraph: Like Slo-Mo-Shun, but unlike Cobb's tricycle Crusader, the three planing points were arranged with two forward, on outrigged sponsons and one aft, in a "pickle-fork" layout, prompting Bluebird's early comparison to a blue lobster. K7 was of very advanced design and construction, and its load bearing steel space frame ultra rigid and stressed to 25g (exceeding contemporary military jet aircraft). It had a design speed of and remained the only successful jet-boat in the world until the late 1960s.

paragraph: The designation "K7" was derived from its Lloyd's unlimited rating registration. It was carried on a prominent white roundel on each sponson, underneath an infinity symbol. Bluebird K7 was the seventh boat registered at Lloyds in the "Unlimited" series.

paragraph: Campbell set seven world water speed records in K7 between July 1955 and December 1964. The first of these marks was set at Ullswater on 23 July 1955, where he achieved a speed of but only after many months of trials and a major redesign of Bluebird's forward sponson attachments points. Campbell achieved a steady series of subsequent speed-record increases with the boat during the rest of the decade, beginning with a mark of in 1955 on Lake Mead in Nevada. Subsequently, four new marks were registered on Coniston Water, where Campbell and Bluebird became an annual fixture in the latter half of the 1950s, enjoying significant sponsorship from the Mobil oil company and then subsequently BP.

paragraph: Campbell also made an attempt in the summer of 1957 at Canandaigua, New York, which failed due to lack of suitable calm water conditions. Bluebird K7 became a well known and popular attraction, and as well as her annual Coniston appearances, K7 was displayed extensively in the UK, United States, Canada and Europe, and then subsequently in Australia during Campbell's prolonged attempt on the land speed record in 1963–1964.

paragraph: In order to extract more speed, and endow the boat with greater high speed stability, in both pitch and yaw, K7 was subtly modified in the second half of the 1950s to incorporate more effective streamlining with a blown Perspex cockpit canopy and fluting to the lower part of the main hull. In 1958, a small wedge shaped tail fin, housing an arrester parachute, modified sponson fairings, that gave a significant reduction in forward aerodynamic lift, and a fixed hydrodynamic stabilising fin, attached to the transom to aid directional stability, and exert a marginal down-force on the nose were incorporated into the design to increase the safe operating envelope of the hydroplane. Thus she reached in 1956, where an unprecedented peak speed of was achieved on one run, in 1957, in 1958 and in 1959.

paragraph: Campbell was awarded the CBE in January 1957 for his water speed record breaking, and in particular his record at Lake Mead in the United States, which earned him and Britain very positive acclaim.

paragraph: Section::::Land speed record attempt.

paragraph: It was after the Lake Mead water speed record success in 1955 that the seeds of Campbell's ambition to hold the land speed record as well were planted. The following year, the serious planning was under way — to build a car to break the land speed record, which then stood at set by John Cobb in 1947. The Norris brothers designed "Bluebird-Proteus CN7" with in mind.

paragraph: The brothers were even more enthusiastic about the car than the boat and like all of his projects, Campbell wanted Bluebird CN7, to be the best of its type, a showcase of British engineering skills. The British motor industry, in the guise of Dunlop, BP, Smiths Industries, Lucas Automotive, Rubery Owen as well as many others, became heavily involved in the project to build the most advanced car the world had yet seen. CN7 was powered by a specially modified Bristol-Siddeley Proteus free-turbine engine of driving all four wheels. Bluebird CN7 was designed to achieve 475–500 mph and was completed by the spring of 1960.

paragraph: Following low-speed tests conducted at the Goodwood motor racing circuit in Sussex, in July, the "CN7" was taken to the Bonneville Salt Flats in Utah, United States, scene of his father's last land speed record triumph, some 25 years earlier in September 1935. The trials initially went well, and various adjustments were made to the car. On the sixth run in CN7, Campbell lost control at over 360 mph and crashed. It was the car's tremendous structural integrity that saved his life. He was hospitalised with a fractured skull and a burst eardrum, as well as minor cuts and bruises, but "CN7" was a write-off. Almost immediately, Campbell announced he was determined to have another go. Sir Alfred Owen, whose Rubery Owen industrial group had built CN7, offered to rebuild it for him. That single decision was to have a profound influence on the rest of Campbell's life. His original plan had been to break the land speed record at over 400 mph in 1960, return to Bonneville the following year to really bump up the speed to something near to 500 mph, get his seventh water speed record with K7 and then retire, as undisputed champion of speed and perhaps just as important, secure in the knowledge that he was worthy of his father's legacy.

paragraph: Campbell decided not to go back to Utah for the new trials. He felt the Bonneville course was too short at and the salt surface was in poor condition. BP offered to find another venue and eventually after a long search, Lake Eyre, in South Australia, was chosen. It hadn't rained there for nine years and the vast dry bed of the salt lake offered a course of up to . By the summer of 1962, Bluebird CN7 was rebuilt, some nine months later than Campbell had hoped. It was essentially the same car, but with the addition of a large stabilising tail fin and a reinforced fibreglass cockpit cover. At the end of 1962, CN7 was shipped out to Australia ready for the new attempt. Low-speed runs had just started when the rains came. The course was compromised and further rain meant, that by May 1963, Lake Eyre was flooded to a depth of 3 inches, causing the attempt to be abandoned. Campbell was heavily criticised in the press for alleged time wasting and mismanagement of the project, despite the fact that he could hardly be held responsible for the unprecedented weather.

paragraph: To make matters worse for Campbell, American Craig Breedlove drove his pure thrust jet car "Spirit of America" to a speed of at Bonneville in July 1963. Although the "car" did not conform to FIA (Federation Internationale de L'Automobile) regulations, that stipulated it had to be wheel-driven and have a minimum of four wheels, in the eyes of the world, Breedlove was now the fastest man on Earth.

paragraph: Campbell returned to Australia in March 1964, but the Lake Eyre course failed to fulfil the early promise it had shown in 1962 and there were further spells of rain. BP pulled out as his main sponsor after a dispute, but he was able to secure backing from Australian oil company Ampol.

paragraph: The track never properly dried out and Campbell was forced to make the best of the conditions. Finally, in July 1964, he was able to post some speeds that approached the record. On the 17th of that month, he took advantage of a break in the weather and made two courageous runs along the shortened and still damp track, posting a new land speed record of . The surreal moment was captured in a number of well-known images by photographers, including Australia's Jeff Carter. Campbell was bitterly disappointed with the record as the vehicle had been designed for much higher speeds. "CN7" covered the final third of the measured mile at an average of , peaking as it left the measured distance at over . He resented the fact that it had all been so difficult. "We've made it — we got the bastard at last," was his reaction to the success. Campbell's 403.1 mph represented the official land speed record.

paragraph: In 1969, after Campbell's fatal accident, his widow, Tonia Bern-Campbell negotiated a deal with Lynn Garrison, president of Craig Breedlove and Associates, that would see Craig Breedlove run Bluebird on Bonneville's Salt Flats. This concept was cancelled when the parallel Spirit of America supersonic car project failed to find support.

paragraph: Section::::The Double.

paragraph: Campbell now planned to go after the water speed record one more time with Bluebird K7 — to do what he had aimed for so many years ago, during the initial planning stages of CN7 — break both records in the same year. After more delays, he finally achieved his seventh water speed record at Lake Dumbleyung near Perth, Western Australia, on the last day of 1964, at a speed of . He had become the first, and so far only, person to set both land and water speed records in the same year.

paragraph: Campbell's land speed record was short-lived, because FIA rule changes meant that pure jet cars would be eligible to set records from October 1964. Campbell's speed on his final Lake Eyre run remained the highest speed achieved by a wheel-driven car until 2001; "Bluebird CN7" is now on display at the National Motor Museum at Beaulieu in Hampshire, England, its potential only partly realised.

paragraph: Section::::Rocket car plans and final water speed record attempt.:Bluebird Mach 1.1.

paragraph: Campbell decided a massive jump in speed was called for following his successful 1964 land speed record attempt in Bluebird CN7. His vision was of a supersonic rocket car with a potential maximum speed of . Norris Brothers were requested to undertake a design study. Bluebird Mach 1.1 was a design for a rocket-powered supersonic land speed record car. Campbell chose a lucky date to hold a press conference at the Charing Cross Hotel on 7 July 1965 to announce his future record breaking plans:

paragraph: Bluebird Mach 1.1 was to be rocket-powered. Ken Norris had calculated using rocket motors would result in a vehicle with very low frontal area, greater density, and lighter weight than if he were to employ a jet engine. Bluebird Mach 1.1 would also be a relatively compact and simple design. Norris specified two off-the-shelf Bristol Siddeley BS.605 rocket engines. The 605 had been developed as a rocket-assisted take-off engine for military aircraft and was fuelled with kerosene, using hydrogen peroxide as the oxidizer. Each engine was rated at thrust. In Bluebird Mach 1.1 application, the combined thrust would be equivalent of 36,000 bhp (27,000 kW; 36,000 PS) at .

paragraph: Section::::Rocket car plans and final water speed record attempt.:Final record attempt.

paragraph: In order to increase publicity for his rocket car venture, in the spring of 1966, Campbell decided to try once more for a water speed record. This time the target was . "Bluebird K7" was fitted with a lighter and more powerful Bristol Orpheus engine, taken from a Folland Gnat jet aircraft, which developed of thrust. The modified boat was taken back to Coniston in the first week of November 1966. The trials did not go well. The weather was appalling, and "K7" suffered an engine failure when her air intakes collapsed and debris was drawn into the engine. By the middle of December, some high-speed runs were made, in excess of but still well below Campbell's existing record. Problems with "Bluebird"s fuel system meant that the engine could not reach full speed, and so would not develop maximum power. Eventually, by the end of December, after further modifications to her fuel system, and the replacement of a fuel pump, the fuel starvation problem was fixed, and Campbell awaited better weather to mount an attempt.

paragraph: Section::::Rocket car plans and final water speed record attempt.:Death.

paragraph: On 4 January 1967, weather conditions were finally suitable for an attempt. Campbell commenced the first run of his last record attempt at just after 8.45 a.m. Bluebird moved slowly out towards the middle of the lake, where she paused briefly as Campbell lined her up. With a deafening blast of power, Campbell now applied full throttle and Bluebird began to surge forward. Clouds of spray issued from the jet-pipe, water poured over the rear spar and after a few hundred yards, at 70 mph, Bluebird unstuck from the surface and rocketed off towards the southern end of the lake, producing her characteristic comet's tail of spray. She entered the measured kilometre at 8:46 a.m.. Leo Villa witnessed her passing the first marker buoy at about in perfect steady planing trim, her nose slightly down, still accelerating. 7.525 seconds later, Keith Harrison saw her leave the measured kilometre at a speed of over . The average speed for the first run was . Campbell lifted his foot from the throttle about 3/10 of a second before passing the southern kilometre marker. As Bluebird left the measured kilometre, Keith Harrison and Eric Shaw in a course boat at the southern end of the measured kilometre both noticed that she was very light around the bows, riding on her front stabilising fins. Her planing trim was no worse than she had exhibited when equipped with the Beryl engine, but it was markedly different from that observed by Leo Villa at the northern end of the kilometre, when she was under full acceleration. Campbell had made his usual commentary throughout the run.

paragraph: Campbell's words on his first run were, via radio intercom:

paragraph: Instead of refuelling and waiting for the wash of this run to subside, Campbell decided to make the return run immediately. This was not an unprecedented diversion from normal practice, as Campbell had used the advantage presented i.e. no encroachment of water disturbances on the measured kilometre by the quick turn-a-round, in many previous runs. The second run was even faster once severe tramping subsided on the run-up from Peel Island (caused by the water-brake disturbance). Once smooth water was reached some 700 metres or so from the start of the kilometre, K7 demonstrated cycles of ground effect hovering before accelerating hard at 0.63g to a peak speed of some 200 metres or so from the southern marker buoy. Bluebird was now experiencing bouncing episodes of the starboard sponson with increasing ferocity. At the peak speed, the most intense and long-lasting bounce precipitated a severe decelerating episode (328 mph — 296 mph, -1.86g) as K7 dropped back onto the water. Engine flame-out then occurred and, shorn of thrust nose-down momentum, K7 experienced a gliding episode in strong ground effect with increasing angle-of-attack, before completely leaving the water at her static stability pitch-up limit of 5.2°. Bluebird then executed an almost complete somersault (~ 320° and slightly off-axis) before plunging into the water (port sponson marginally in advance of the starboard), approximately 230 metres from the end of the measured kilometre. The boat then cartwheeled across the water before coming to rest. The impact broke K7 forward of the air intakes (where Campbell was sitting) and the main hull sank shortly afterwards.

paragraph: Mr Whoppit, Campbell's teddy bear mascot, was found among the floating debris and the pilot's helmet was recovered. Royal Navy divers made efforts to find and recover the body but, although the wreck of K7 was found, they called off the search, after two weeks, without locating his body. Campbell's body was finally located in 2001.

paragraph: Campbell's last words, during a 31-second transmission, on his final run were, via radio intercom:

paragraph: The cause of the crash has been variously attributed to several possible causes (or a combination of these causes):

paragraph: BULLET::::- Campbell did not wait to refuel after doing a first run of and hence the boat was lighter and travelled through the wash caused by his first run, a wash made much worse by the use of the water brake. These factors have since been found to be not particularly important: The water brake was used well to the south of the measured distance, and only from approx. . The area in the centre of the course where Bluebird was travelling at peak speed on her return run was flat calm, and not disturbed by the wash from the first run, which had not had time to be reflected back on the course. Campbell knew this and, as discussed previously, adopted his well-practised, "quick turn-around" strategy.

paragraph: BULLET::::- Bluebird may have exceeded its aerodynamic static stability limit, complicated by the additional destabilising influences of loss of engine thrust. There is also evidence to point to the fact that K7's dynamic stability limit had been exceeded. The cause(s) of the engine flame-out cannot be established unequivocally. It could have been due to fuel starvation, damage to some ancillary structural element associated with engine function (following the worst bouncing episode), disturbance of the airstream into the intakes during the pitching episodes, or indeed a combination of all three. Further evidence of lost engine thrust may be seen in both cinematographic and still film recordings of the latter part of the run — as Bluebird left the water, jet exhaust from a functioning engine would have severely disturbed the water surface; no such disturbance or accompanying spray is evident. Also, close examination of such records show no evidence to the effect that the water brake was deployed.

paragraph: BULLET::::- Analysis of film footage suggests that "Bluebird" may have hit a duck during test runs, which may have affected the aerodynamic shape of the boat, making it harder to control at extreme speeds.

paragraph: On 28 January 1967 Campbell was posthumously awarded the Queen's Commendation for Brave Conduct "for courage and determination in attacking the world water speed record."

paragraph: Section::::Recovery of Bluebird K7 and the body of Donald Campbell.

paragraph: The wreckage of Campbell's craft was recovered by the Bluebird Project between October 2000, when the first sections were raised, and May 2001, when Campbell's body was recovered. The largest section comprising approximately two thirds of the centre hull was raised on 8 March 2001. The project began when diver Bill Smith was inspired to look for the wreck after hearing the Marillion song "Out of this World" (from the album "Afraid of Sunlight"), which was written about Campbell and "Bluebird".

paragraph: The recovered wreck revealed that the water brake had deployed after the accident as a result of stored accumulator pressure; Campbell would not have had time to deploy the relatively slow-moving brake as the boat flipped out of control. The boat still contained fuel in the engine fuel lines, discounting the fuel-starvation theory. The wreckage all evidenced an impact from left to right, wiping the whole front of the boat off in that direction. Campbell's lower harness mounts had failed and were found to be effectively useless. Further dives recovered various parts of K7, which had separated from the main hull when it broke up on impact.

paragraph: Campbell's body was finally located just over two months later and recovered from the lake on 28 May 2001, still wearing his blue nylon overalls. On the night before his death, while playing cards he had drawn the queen and the ace of spades. Reflecting upon the fact that Mary, Queen of Scots had drawn the same two cards the night before she was beheaded, he told his mechanics, who were playing cards with him, that he had a fearful premonition that he was going to "get the chop". It was not possible to determine the cause of Campbell's death, though a consultant engineer giving evidence to the inquest said that the force of the impact could have caused him to be decapitated.

paragraph: Campbell was buried in Coniston Cemetery on 12 September 2001 after his coffin was carried down the lake, and through the measured kilometre, on a launch, one last time. A funeral service was then held at St Andrew's Church in Coniston, after an earlier, and positive DNA examination had been carried out. The funeral was attended by his widow Tonia, daughter Gina, other members of his family, members of his former team and admirers. The funeral was overshadowed in the media by coverage of the 9/11 attacks in the United States. Campbell's sister, Jean Wales, had been against the recovery of her brother's body out of respect for his stated wish that, in the event of something going wrong, "Skipper and boat stay together". Jean Wales did, however, remain in daily telephone contact with project leader Bill Smith during the recovery operation in anticipation of any news of her brother's remains. When Campbell was buried in Coniston Cemetery on 12 September 2001 she did not attend the service. Steve Hogarth, lead singer for Marillion, was present at the funeral and performed the song "Out of this World" solo.

paragraph: Section::::Legacy.

paragraph: Between them, Donald Campbell and his father had set eleven speed records on water and ten on land.

paragraph: The story of Campbell's last attempt at the water speed record on Coniston Water was told in the BBC television film "Across the Lake" in 1988, with Anthony Hopkins as Campbell. Nine years earlier, Robert Hardy had played Campbell's father, Sir Malcolm Campbell, in the "BBC2 Playhouse" television drama "Speed King"; both were written by Roger Milner and produced by Innes Lloyd. In 2003, the BBC showed a documentary reconstruction of Campbell's fateful water-speed record attempt in an episode of "Days That Shook the World". It featured a mixture of modern reconstruction and original film footage. All of the original colour clips were taken from a film capturing the event, "Campbell at Coniston" by John Lomax, a local amateur filmmaker from Wallasey, England. Lomax's film won awards worldwide in the late 1960s for recording the final weeks of Campbell's life.

paragraph: In 1956, he was surprised by Eamonn Andrews for the seventh episode of the new television show "This Is Your Life".

paragraph: An English Heritage blue plaque commemorates Campbell and his father at Canbury School, Kingston Hill, Kingston upon Thames, where they lived.

paragraph: In the village of Coniston, the Ruskin Museum has a display of Donald Campbell memorabilia, and the Bristol Orpheus engine recovered in 2001 is also displayed. The engine's casing is mostly missing, having acted as a sacrificial anode in its time underwater, but the internals are remarkably preserved. Campbell's helmet from the ill-fated run is also on display.

paragraph: Section::::Restoration.

paragraph: On Thursday 7 December 2006 Gina Campbell, Donald's daughter, formally gifted the recovered wreckage of Bluebird K7 to the Ruskin Museum in Coniston on behalf of the Campbell Family Heritage Trust. In agreement with the Trust and the museum Bill Smith is to organise the restoration of the boat, which is now under way.[9] Now the joint property of the Ruskin Museum and The Bluebird Project, the intention is to rebuild K7 back to running order circa 4 January 1967. Bill Smith has said that this will take an undisclosed number of years to accomplish. Gina Campbell commented: "I've decided to secure the future of Bluebird for the people of Coniston, the Ruskin Museum and the people of the world". Museum Director Vicky Slowe spoke of Gina's generosity and then said: "Bill Smith has assured us he can get Bluebird fully conserved and reconfigured at no cost to the museum. As of 2008, K7 is being fully restored by The Bluebird Project, to a very high standard of working condition in North Shields, Tyne and Wear, using a significant proportion of her original fabric, but with a replacement BS Orpheus engine of the same type albeit incorporating many original components."

paragraph: As of May 2009 permission has been given for a one-off set of proving trials of Bluebird on Coniston Water, where she will be tested to a safe speed for demonstration purposes only. There is no fixed date for completion of Bluebird K7 or the trials. When not running K7 will be housed in her own purpose built wing at the Ruskin Museum in Coniston, while remaining in the care of The Bluebird Project.

paragraph: On 20 March 2018 the restoration was featured on the BBC's The One Show,[10] where it was announced that Bluebird K7 would return to the water on Loch Fad, on the Isle of Bute in Scotland, in August 2018 for handling trials.

paragraph: BULLET::::- Refloating and initial trials

paragraph: In August 2018, initial restoration work on Bluebird was completed. She was transported to Loch Fad where she was refloated on 4 August 2018. Following initial engine trials on 5 August, Bluebird completed a series of test runs on the loch, reaching speeds of about 150 mph (240 km/h). For safety reasons, there are no plans to attempt to reach any higher speeds.

paragraph: Section::::External links.

paragraph: BULLET::::- https://www.telegraph.co.uk/news/obituaries/1556039/Jean-Wales.html

description: English racecar driver and land & water speed record holder

wikidata_label: Donald Campbell

wikipedia_title: Donald Campbell


text: Ozzy Osbourne

text: Van Halen

text: David Lee Roth

text: Lizzy Borden

text: New Jersey

text: Los Angeles

text: Randy Rhoads

text: Lizzy Borden

text: Visual Lies

text: David Lee Roth

text: Jason Becker

text: A Little Ain't Enough

text: Badlands

text: Ray Gillen

text: Ozzy Osbourne

text: Ozzmosis

text: Zakk Wylde

text: Deen Castronovo

text: Ozzmosis

text: Austin, Texas

text: Ozzfest

text: Down to Earth

text: Walk on Water

text: The Ozzman Cometh

text: Ozzfest Live

text: Farmikos

text: Metallica

text: Robert Trujillo

text: Bad Religion

text: Brooks Wackerman

text: Ozzy Osbourne

text: Robert Trujillo

text: Brooks Wackerman

text: Visual Lies

text: documentary film

text: Best of Lizzy Borden

text: Walk on Water

text: Mike Judge

text: Beavis and Butt-Head Do America

text: Ozzfest Live

text: Prince of Darkness

text: FARMIKOS

categories: 20th-century American guitarists,American heavy metal guitarists,1963 births,Living people,American male guitarists

paragraph: Joe Holmes

paragraph: Joe Holmes (born June 11, 1963) is an American heavy metal guitarist best known for his stint with Ozzy Osbourne between 1995 and 2001. He has also played with Van Halen frontman David Lee Roth and the L.A. band Lizzy Borden in addition to leading his own bands, Terriff, and currently, Farmikos.

paragraph: Section::::Biography.

paragraph: Born in New Jersey and raised in Los Angeles, Holmes took lessons from guitarist Randy Rhoads in 1979. Holmes formed Terriff in 1983 but left to join Lizzy Borden in 1987, appearing on the "Visual Lies" album. He left Lizzy Borden in 1988 and reformed Terriff, staying with the latter group until 1990.

paragraph: Section::::Biography.:David Lee Roth.

paragraph: Holmes then joined David Lee Roth's band for a tour in 1991, replacing Jason Becker who was diagnosed with ALS while recording the album "A Little Ain't Enough". Back in L.A., Holmes once again re-activated Terriff trying out and rehearsing with different singers, including former Badlands vocalist Ray Gillen. Eventually, the band recruited Jeff Biebuyck to be their new frontman and changed the name from Terriff to Dogma and, finally, Alien Ink recording an album's worth of material with producer Rich Mouser.

paragraph: Section::::Biography.:Ozzy Osbourne.

paragraph: In 1995, after Ozzy Osbourne had finished recording the Ozzmosis album, a replacement for Zakk Wylde was needed for the tour. While working on his own band, Joe got a call from Deen Castronovo (Ozzy's drummer) to let him know they were seeking a guitar player. Joe went down to Audible Studios in Los Angeles and played three Ozzy classics. Holmes did not mention that he had taken lessons from Randy Rhoads (former guitarist for Osbourne) as he thought it would hurt his chances at the job. He succeeded though and got the part.

paragraph: In Ozzy's book "Diary of a Madman: Ozzy Osbourne - The Stories Behind the Songs" it says "Always on the lookout for a bright, new talent, Ozzy spotted a guitarist who plays like a motherfucker" referring to Joe Holmes who had previously worked with David Lee Roth and was a pupil of Randy Rhoads. While on tour, Rhoads would himself take classical guitar tuition and arrange workshops in which he gave lessons to young players. "It's really spooky." said Ozzy, "because when Joe plays the Randy Rhoads stuff, he plays just like him - it's like I can see Randy's fingers."

paragraph: Holmes performed on the Ozzmosis tour with Osbourne. He started the tour 19 August 1995 at the Austin Music Hall in Austin, Texas. He remained Ozzy's guitarist playing Ozzfest 96 through 2000 tours. Holmes left the band while recording and writing the "Down to Earth" album. While Holmes does not play on the album, the songs "Can You Hear Them?", "Junkie", and "That I Never Had", which were co-written by Holmes, appear on the album. The only songs from his work with Ozzy that have been released is "Walk on Water", which first appeared on the "Beavis and Butt-Head Do America" soundtrack, before appearing on the bonus disc for Ozzy's 1997's compilation "The Ozzman Cometh" and "Perry Mason" live from the 1997 "Ozzfest Live" CD.

paragraph: Section::::Biography.:Farmikos.

paragraph: In late December 2012, news broke of Holmes' new band Farmikos, featuring former Laidlaw vocalist Robert Locke.

paragraph: The band's name has no particular meaning and was derived from their song "Scapegoat", which was originally titled "Pharmikos". "Pharmikos" was then changed to "Farmikos" for aesthetics. It became the band's name.

paragraph: In early January 2013, the band's website began to stream the song "Scapegoat", the first Farmikos song to surface, with guest contributions from Holmes' former Ozzy Osbourne bandmate, Metallica bassist Robert Trujillo, and Bad Religion drummer Brooks Wackerman. Another song, "The Sound Of My Gun", also featuring Trujillo and Wackerman, premiered in early March 2013. Farmikos continues to record new music with longtime Holmes studio affiliate, engineer/producer Rich Mouser. In late July 2013 Farmikos released a video teaser for the song "Exit Stencils" on the official FARMIKOS YouTube channel. The Video features footage of Holmes recording solo tracks in the studio. In December 2013 two more video teasers were released on the official FARMIKOS YouTube channel for the songs "Spoon and Sun" and "Scapegoat". An EP was announced for February 2014. Recorded at the Mouse House in Pasadena, California with engineer/mixer Rich Mouser (SPOCK'S BEARD, TRANSATLANTIC, VAST), the EP also features guest contributions from Holmes' former Ozzy Osbourne bandmate, bassist Robert Trujillo, and drummer Brooks Wackerman. However, on March 18, 2014, instead of an EP, Farmikos released four digital singles: "Scapegoat", "Kings Of Dust", "Exit Stencils" and "The Sound Of My Gun". The band then continued to release new singles: "Spoon and Sun" was released in May and "Am I One" was released in July,

paragraph: On Eddie Trunk's radio show, January 12, 2015, Joe Holmes revealed his intentions to shoot a couple videos in February for the songs "Scapegoat" and "Am I One", as well as doing some live shows in 2015. He also mentioned that the band has six or seven songs almost finished, ready for a future release.

paragraph: Section::::Discography.

paragraph: Section::::Discography.:with Lizzy Borden.

paragraph: BULLET::::- "Visual Lies" (1987)

paragraph: BULLET::::- "" (1988) "documentary film"

paragraph: BULLET::::- "Best of Lizzy Borden" (1994)

paragraph: Section::::Discography.:with Ozzy Osbourne.

paragraph: BULLET::::- "Walk on Water" (1996) soundtrack to the "Mike Judge" film "Beavis and Butt-Head Do America"

paragraph: BULLET::::- "Ozzfest Live" (1997)

paragraph: BULLET::::- "Prince of Darkness" (2005)

paragraph: Section::::Discography.:with Farmikos.

paragraph: BULLET::::- "FARMIKOS" (2015) self-titled debut

description: American musician

wikidata_label: Joe Holmes

wikipedia_title: Joe Holmes


text: Swedish

text: professional golfer

text: Gävle

text: Sweden

text: United States

text: Continental Europe

text: Jacques Léglise Trophy

text: European Tour

text: Moroccan Open

text: Maybank Malaysian Open

text: Asian Tour

text: Challenge Tour

text: Alfred Dunhill Cup

text: ice hockey

text: Marlene

text: Volvo Finnish Open

text: FM Danish Open

text: Telia Tour

text: Masters Tournament

text: Jacques Léglise Trophy

text: Dunhill Cup

text: Profile at golfdata.se

categories: European Tour golfers,Swedish male golfers,People from Gävle,1970 births

paragraph: Peter Hedblom

paragraph: Peter Mikael Hedblom (born 20 January 1970) is a Swedish professional golfer.

paragraph: Section::::Amateur career.

paragraph: Hedblom was born in Gävle, Sweden. He won the 1986 Swedish Boys Championship when he was 16. The following year he won the Doral Junior Classic in the United States and the Scandinavian Amateur Open. He was a member of the Continental Europe team that won the 1986 Jacques Léglise Trophy and also played in the event in 1987. He turned professional in 1988.

paragraph: Section::::Professional career.

paragraph: Hedblom has played mainly on the European Tour, on which he has won three tournaments. His best year-end ranking on the Order of Merit was 29th in 2008. His first win on the European Tour was at the Moroccan Open in 1996. He didn't win on the tour again until 2007 when he was victorious at the Maybank Malaysian Open, which was co-sanctioned with the Asian Tour. He picked up his third win in 2009 at the Johnnie Walker Championship at Gleneagles. He has also won three tournaments on the Challenge Tour. He represented Sweden in the 1996 Alfred Dunhill Cup.

paragraph: Section::::Personal life.

paragraph: Before his venture into golf, he was actively involved in ice hockey. He took up ice hockey when he was six years old and broke his leg in 2001. This mishap came about when he participated in a yearly ice hockey game for golfers. His sister, Marlene, is also a professional golfer.

paragraph: Section::::Amateur wins (3).

paragraph: BULLET::::- 1986 Swedish Boys Championship

paragraph: BULLET::::- 1987 Doral Junior Classic (USA), Scandinavian Amateur Open

paragraph: Section::::Professional wins (9).

paragraph: Section::::Professional wins (9).:European Tour wins (3).

paragraph: European Tour playoff record (0–4)

paragraph: Section::::Professional wins (9).:Challenge Tour wins (4).

paragraph: BULLET::::- 1990 Jede Hot Cup Open

paragraph: BULLET::::- 1991 Formula Micro Open, Uppsala Golf International

paragraph: BULLET::::- 2001 Volvo Finnish Open

paragraph: Section::::Professional wins (9).:Other wins (2).

paragraph: BULLET::::- 1991 FM Danish Open (Telia Tour)

paragraph: BULLET::::- 2003 Älvkarleby Open (Swedish mini-tour)

paragraph: Section::::Results in major championships.

paragraph: "Note: Hedblom never played in the Masters Tournament."br

paragraph: CUT = missed the half-way cutbr

paragraph: "T" = tiedbr

paragraph: Section::::Team appearances.

paragraph: Amateur

paragraph: BULLET::::- Jacques Léglise Trophy (representing Continental Europe): 1986 (winners), 1987

paragraph: Professional

paragraph: BULLET::::- Dunhill Cup (representing Sweden): 1996

paragraph: Section::::External links.

paragraph: BULLET::::- Profile at golfdata.se

description: professional golfer

wikidata_label: Peter Hedblom

wikipedia_title: Peter Hedblom


text: Taitō-ku

text: Tainan

text: Taiwan

text: Nippori

text: Kaō

text: Leica

text: Yōnosuke Natori

text: Nippon Kōbō

text: Chūō Kōbō

text: Nobuo Ina

text: Manchuria

text: Japan Professional Photographers Society

text: Ken Domon

text: Edward Steichen

text: MoMA

text: The Family of Man

text: Kimura Ihei Award

text: Asahi Camera

text: Rencontres d'Arles

text: Onoe Kikugorō VI

text: Nobuo Ina

text: Hashizō Ōkawa

text: kabuki

text: Asahi Camera

text: Akita

text: Sonorama Shashin Sensho

text: Onoe Kikugorō VI

text: Jun Miki

text: shinsho

text: Onoe Kikugorō VI

text: bunkobon

text: Honshū

text: Nihon no Shashinka

text: Shunkichi Kikuchi

text: Ichimura Uzaemon

text: Nobuo Ina

text: Yōnosuke Natori

text: Asahi Camera

text: Asahi Camera

text: Ken Domon

text: Shigeo Hayashi

text: Tadahiko Hayashi

text: Kōyō Ishikawa

text: Kōyō Kageyama

text: Shunkichi Kikuchi

text: Kōji Morooka

text: Minoru Ōki

text: Maki Sekiguchi

text: Ginza

text: Shōtarō Akiyama

text: Ken Domon

text: Hiroshi Hamaya

text: Tadahiko Hayashi

text: Natori Younosuke

text: Domon Ken

text: Miki Jun

text: Hiroshi Hamaya

text: Eikoh Hosoe

text: Yasuhiro Ishimoto

text: Kikuji Kawada

text: Shigeichi Nagano

text: Ikkō Narahara

text: Takeyoshi Tanuma

text: Shōmei Tōmatsu

text: Kineo Kuwabara

text: Yutaka Takanashi

text: Nobuyoshi Araki

text: Brief biography at PhotoGuide Japan

categories: 1974 deaths,1901 births,Photography in France,Portrait photographers,Photography in China,People from Tokyo,Street photographers,Japanese photographers

paragraph: Ihei Kimura

paragraph: Born on 12 December 1901 in Shitaya-ku (now Taitō-ku), Tokyo, Kimura started taking photographs when very young but his interest intensified when he was around 20 and living in Tainan, Taiwan, where he was working for a sugar wholesaler. He opened a photographic studio in Nippori, Tokyo in 1924. In 1930, he joined the advertising section of the soap and cosmetics company Kaō, concentrating on informal photographs made with his Leica camera. In 1933, he joined Yōnosuke Natori and others in forming the group Nippon Kōbō ("Japan workshop"), which emphasized "realism" in photography using 35mm cameras; but this rapidly broke up and Kimura formed an alternative group, Chūō Kōbō ("central workshop") with Nobuo Ina and others.

paragraph: During the war, Kimura worked in Manchuria and for the publisher Tōhō-sha.

paragraph: In 1950, Kimura was elected chairman of the newly formed Japan Professional Photographers Society (JPS); together with Ken Domon he did much to encourage a documentary spirit in amateur photography.

paragraph: In the mid-fifties, Kimura made several trips to Europe, providing photographs for the camera magazines. His work was included by Edward Steichen in the world-touring 1955 MoMA exhibition The Family of Man. "Pari," a collection of his color photographs of Paris, would only be published in 1974, but the use of color was ahead of its time.

paragraph: On his return to Japan, Kimura concentrated on photographing rural life in Akita. He also worked on portraits, particularly of writers.

paragraph: Kimura died at his home in Nippori on 31 May 1974; the Kimura Ihei Award for new photographers was promptly set up in his honor. He remains popular in Japan: samples of his photographs still (2009) regularly appear in the magazine "Asahi Camera."

paragraph: His work was exhibited at the Rencontres d'Arles festival in 2004.

paragraph: Section::::Bibliography.

paragraph: Section::::Bibliography.:Books of Kimura's photographs.

paragraph: BULLET::::- "A Historical Sketch of Japanese Customs and Costumes." Tokyo: Society for International Cultural Relations (Kokusai Bunka Shinkōkai), 1936.

paragraph: BULLET::::- "Japanese School Life through the Camera." Tokyo: Society for International Cultural Relations (Kokusai Bunka Shinkōkai), 1937.

paragraph: BULLET::::- (As "Ihee Kimura".) "Japan through a Leica." Tokyo: Sanseido, 1938. One hundred photographs of Japan. Facsimile edition: Tokyo: Kokushokan, 2006. . (NB The box that contains this expensive reprint is considerably larger than the book within it.)

paragraph: BULLET::::- "Four Japanese Painters." JPS Picture Books. JPS, 1940. In English.

paragraph: BULLET::::- "Kōki nisenroppyaku-nen gōshuku geinōsai" (). Kokusai Hōdō Kōgei, 1941.

paragraph: BULLET::::- "Ōdō rakudo" (). Tokyo: Ars, 1943. Photographs of Manchuria.

paragraph: BULLET::::- "Rokudaime Onoe Kikugorō butai shashinshū" (, Photograph collection of the sixth Onoe Kikugorō on the stage). Kyoto: Wakei Shoten, 1949. On the kabuki actor Onoe Kikugorō VI (1885–1949).

paragraph: BULLET::::- "Kimura Ihee kessaku shashinshū" () / "Select Pictures by Ihei Kimura." Tokyo: Asahi Shinbunsha, 1954. A book of generous format (30×21 cm) that presents 132 photographs, most taking the entire page but a few in half-, quarter- or double-page format. They represent all facets of Kimura's work. The reproduction quality is of course no match for that in the posthumous collections, and what is interesting about this book is the material that the latter drop, for example three photographs from a (demure) striptease performance. Short captions in English as well as Japanese, longer explanations as well as texts by Kimura and Nobuo Ina in Japanese only.

paragraph: BULLET::::- "Kimura Ihee gaiyū shashinshū: Dai ikkai" (). Tokyo: Asahi Shinbunsha, 1955.

paragraph: BULLET::::- "Kimura Ihee gaiyū shashinshū: Dai nikai: Yōroppa no inshō" () / "Impression of Europe." Tokyo: Asahi Shinbunsha, 1956.

paragraph: BULLET::::- "Zōsenjo no inshō" () / "At a Shipyard." Sekai Shashin Sakka (). Tokyo: Heibonsha, 1958.

paragraph: BULLET::::- "Kimura Ihee sakuhinshū" (), Collected photographs of Ihei Kimura). "Gendai Nihon shashin zenshū" (), vol. 1. Tokyo: Sōgensha, 1959.

paragraph: BULLET::::- "Ōkawa Hashizō butai shashinshū" (, Photograph collection of Hashizō Ōkawa on the stage). Wakei Shoten, 1962. On the kabuki actor Hashizō Ōkawa (1929–84).

paragraph: BULLET::::- "Zenshinza butai shashinshū" (, Photograph collection of Zenshinza on stage). Tokyo: Kenkōsha, 1966. Black and white and also some color photographs of the Zenshinza kabuki troupe on stage and off, on the occasion of the 35th anniversary of its founding.

paragraph: BULLET::::- "Kimura Ihee no me" (, The eye of Ihei Kimura). Special issue of "Asahi Camera," December 1970. A representative collection of Kimura's works, all black and white.

paragraph: BULLET::::- "Kimura Ihee shashinshū: Chūgoku no tabi" (, Ihei Kimura photograph collection: Travels in China). Tokyo: Asahi Shinbunsha, 1974.

paragraph: BULLET::::- "Kimura Ihee shashinshū: Pari" (, Ihei Kimura photograph collection: Paris). Tokyo: Norasha, 1974. Most of the photographs are spread across facing pages (and thus split down the middle).

paragraph: BULLET::::- "Akita" (). Nikon Salon Books 4. Tokyo: Nikkor Club, 1978. Photographs of Akita.

paragraph: BULLET::::- "Rokudaime Kikugorō: Kimura Ihee shashinshū" () / "Sixth Generation Kikugoro." Sonorama Shashin Sensho 17. Tokyo: Asahi Sonorama, 1979. . On the kabuki actor Onoe Kikugorō VI (1885–1949). Substantially based on the book of 1949, but an altered selection of photographs. With a short summary in English.

paragraph: BULLET::::- Watanabe Yoshio (), et al., eds. "Kimura Ihee shashin zenshū: Shōwa jidai" (, Ihei Kimura photograph collection: The Shōwa period). Tokyo: Sekaibunkasha, 1979. Three large (37 cm tall), expensive hardback volumes.

paragraph: BULLET::::- 1. Portraits and the stage.

paragraph: BULLET::::- 2. Street scenes and the countryside.

paragraph: BULLET::::- 3. Europe and China.

paragraph: BULLET::::- "Machikado" (, Street corners). Nikon Salon Books 7. Tokyo: Nikkor Club, 1981. Black and white photographs, mostly of Japan, but also of Europe and China, selected by a team headed by Jun Miki. There are scenes in the countryside (even fields), by the sea, and so forth. When new, this book was available to the members of the Nikkor Club; it was not sold to the public.

paragraph: BULLET::::- Watanabe Yoshio (), et al., eds. "Kimura Ihee shashin zenshū: Shōwa jidai" (, Ihei Kimura photograph collection: The Shōwa period). Tokyo: Chikuma, 1984. Four large (31 cm tall), hardback volumes, still (2006) in print.

paragraph: BULLET::::- 1. Photographs from 1925 to 1945. .

paragraph: BULLET::::- 2. Photographs from 1945 to 1953. .

paragraph: BULLET::::- 3. Photographs from 1953 to 1974. .

paragraph: BULLET::::- 4. Photographs of Akita Prefecture. .

paragraph: BULLET::::- Tanuma Takeyoshi (), ed. "Kimura Ihee no Shōwa" (, The Shōwa period of Ihei Kimura). Chikuma Library 39. Tokyo: Chikuma, 1990. . An inexpensive compact ("shinsho") survey still (2006) in print.

paragraph: BULLET::::- Tanuma Takeyoshi (), ed. "Kimura Ihee: Shōwa no onna-tachi" (, Ihei Kimura: The women of Shōwa). Chikuma Library 55. Tokyo: Chikuma, 1991. .

paragraph: BULLET::::- "Kimura Ihee no sekai" () / "Photographs: Kimura Ihee." Tokyo: Tōkyōto Bunka Shinkōkai, 1992. Catalogue of an exhibition.

paragraph: BULLET::::- "Kimura Ihee sakuhinten: Tokyo, 1945–1968" (, Ihei Kimura exhibition: Tokyo, 1945–68). Tokyo: JCII Photo Salon, 1992.

paragraph: BULLET::::- "Rokudaime Onoe Kikugorō: Zenseiki no meijingei" (, Sixth generation Onoe Kikugorō). Tokyo: Nihon Eizō (distributed by Bungei Shunjū), 1993. . On the kabuki actor Onoe Kikugorō VI (1885–1949).

paragraph: BULLET::::- "Kimura Ihee to Akita ten" (, Exhibition of Ihei Kimura and Akita). Akita: Akita Senshu Museum of Art, 1994.

paragraph: BULLET::::- Tanuma Takeyoshi (), ed. "Kimura Ihee: Shōwa o utsusu" (, Ihei Kimura: Photographing the Shōwa period). Tokyo: Chikuma (Chikuma Bunko), 1995. An inexpensive four-volume pocket-format ("bunkobon") survey still (2006) in print, based on the same publisher's four-volume set of 1984.

paragraph: BULLET::::- 1. "Senzen to sengo" (, Before and after the war). . Okinawa, 1935; Manchuria, 1940; life in Tokyo and elsewhere in Honshū, mostly 1932–41; the aftermath of the war, 1945–7; Japan, 1949–72.

paragraph: BULLET::::- 2. "Yomigaeru toshi" (, The city restored). . Tokyo 1946–73.

paragraph: BULLET::::- 3. "Jinbutsu to butai" (, People and the stage). . Portraits, people at work, the traditional Japanese stage.

paragraph: BULLET::::- 4. "Akita no minzoku" (, Folkways of Akita). . Life in Akita Prefecture.

paragraph: BULLET::::- "Kimura Ihee" (, Ihei Kimura). Nihon no Shashinka 8. Tokyo: Iwanami Shoten, 1998. . A concise survey within this set devoted to the Japanese pantheon.

paragraph: BULLET::::- "Teihon: Kimura Ihee" (, Ihei Kimura: The definitive edition). Tokyo: Asahi Shinbunsha, 2002. . A large (29 cm tall), carefully produced and rather expensive collection, which has captions in English as well as Japanese, but no other English.

paragraph: BULLET::::- "Boku to Raika: Kimura Ihee kessakusen + essei" (, Leica and me: A collection of masterpieces by Ihei Kimura, and essays). Tokyo: Asahi Shinbunsha, 2003. .

paragraph: BULLET::::- "Kimura Ihee" () / "Ihei Kimura." Kyoto: Katsuhikan and the Kyoto Museum of Contemporary Art, 2002. A compact survey of Kimura's work in Japan. Elegantly produced, but the reproduction quality is disappointing. Short captions as well as some other text in English, remaining text in Japanese only.

paragraph: BULLET::::- "Kimura Ihee-ten" () / "Ihei Kimura: The Man with the Camera." Tokyo: National Museum of Modern Art, 2004. The compact survey in this well-produced exhibition catalog includes such lesser known works as the Kaō advertisements. Captions and much of the text in English as well as Japanese.

paragraph: BULLET::::- Tanuma Takeyoshi (), et al. "Kimura Ihee no Pari" () / "Kimura Ihei in Paris: Photographs 1954–1955." Tokyo: Asahi Shinbun-sha, 2006. . A large collection of color photographs, many of which previously appeared in "Kimura Ihee shashinshū: Pari" (1974). In Japanese and English.

paragraph: Section::::Bibliography.:Other books with works by Kimura.

paragraph: BULLET::::- "Kogata kamera shashinjutsu" (). Seibundō Shinkōsha, 1936. Reprint. Kurashikku Kamera Sensho 25. Tokyo: Asahi Sonorama, 2002. .

paragraph: BULLET::::- "Kogata kamera no utsushikata, tsukaikata" ( [in modern script (]). Tokyo: Genkōsha, 1937.

paragraph: BULLET::::- (Joint work) "Girls of Japan." JPS Picture Books. JPS, 1939. In English.

paragraph: BULLET::::- (Joint work) "Pendidikan di sekolah kebangsaan." Kokusai Bunka Shinkōkai, 1942.

paragraph: BULLET::::- (Joint work) "Peroesahaan mesin basar." Kokusai Bunka Shinkōkai, 1942.

paragraph: BULLET::::- (with Shunkichi Kikuchi) "Tōkyō sen-kyūhyaku-yonjūgonen, aki" () / "Tokyo: Fall of 1945." Tokyo: Bunka-sha, 1946. The photographers are not credited. A stapled booklet of sepia photographs of life in Tokyo immediately after the end of the war. (The word "aki" in the title makes it clear that "fall" here means autumn, not defeat.) Text and captions in both Japanese and English.

paragraph: BULLET::::- "Jūgosei Ichimura Uzaemon butai shashinshū" (, Photograph collection of the fifteenth-generation Ichimura Uzaemon on the stage). Edited by . Kyoto: Wakei Shoten, 1951. On the kabuki actor. On the kabuki actor Ichimura Uzaemon (1874–1945). Ninety-six pages of photographs, of which pp. 21–68 are credited to Kimura (the remainder are uncredited).

paragraph: BULLET::::- (With Nakagawa Kazuo) "Shashin no utsushikata" (, How to take photographs). Tokyo: Kaname Shobō, 1953.

paragraph: BULLET::::- (With Nobuo Ina, edited by Yōnosuke Natori) "Shashin no jōshiki." (, Knowledge of the photograph). Tokyo: Keiyūsha, 1955.

paragraph: BULLET::::- "Kimura Ihee dokuhon" (). Special issue of "Photo Art," August 1956.

paragraph: BULLET::::- (As editor) "Jinbutsu shashin" (). Asahi Camera Kōza (). Tokyo: Asahi Shinbunsha, 1956.

paragraph: BULLET::::- (Edited by Kimura Ihei and Nakajima Kenzō) "Bungakusha no mita gendai no Chūgoku shashinshū" (, Photograph collection of today's China as seen by writers). Tokyo: Mainichi Shinbunsha, 1960.

paragraph: BULLET::::- "Kimura Ihee no sekai" (, The world of Ihei Kimura). Special issue of "Asahi Camera," August 1974.

paragraph: BULLET::::- "Sengo shashin / Saisei to tenkai" () / "Twelve Photographers in Japan, 1945–55." Yamaguchi Kenritsu Bijutsukan, 1990. Despite the alternative title in English, almost exclusively in Japanese (although each of the twelve has a potted chronology in English). Twenty of Kimura's photographs of Akita appear on pp. 36–46.

paragraph: BULLET::::- "Taidan: Shashin kono gojūnen" (, Conversations: The last fifty years of photography). By the editors of "Asahi Camera." Tokyo: Asahi Shinbunsha, 1974. A collection of transcriptions of Kimura's discussions with various photographers and others concerned with photography.

paragraph: BULLET::::- "Kimura Ihee" () / "Special Issue: Ihei Kimura." "Nikkor Club," no. 70, Autumn 1974.

paragraph: BULLET::::- "Kimura Ihee o yomu" (, Reading Ihei Kimura). "Asahi Camera" special edition. Tokyo: Asahi Shinbunsha, 1979. In Japanese only, but very substantial and contains a handy reference to Kimura's very numerous contributions to the magazine. (A special production by the "Asahi Camera," prominently dated December 1979 and looking at first like that month's issue: but there was also a separate, regular issue for the month.)

paragraph: BULLET::::- Association to Establish the Japan Peace Museum, ed. "Ginza to sensō" () / "Ginza and the War." Tokyo: Atelier for Peace, 1986. Kimura is one of ten photographers — the others are Ken Domon, Shigeo Hayashi, Tadahiko Hayashi, Kōyō Ishikawa, Kōyō Kageyama, Shunkichi Kikuchi, Kōji Morooka, Minoru Ōki, and Maki Sekiguchi — who provide 340 photographs for this well-illustrated and large photographic history of Ginza from 1937 to 1947. Captions and text in both Japanese and English.

paragraph: BULLET::::- (Joint work) "Bunshi no shōzō hyakujūnin" (, Portraits of 110 literati). Tokyo: Asahi Shinbunsha, 1990. . Kimura is one of five photographers — the others are Shōtarō Akiyama, Ken Domon, Hiroshi Hamaya, and Tadahiko Hayashi.

paragraph: BULLET::::- Mishima Yasushi (). "Kimura Ihee to Domon Ken: Shashin to sono shōgai" (, Ihei Kimura and Ken Domon: Photography and biography). Tokyo: Heibonsha, 1995. . Reprint. Heibonsha Library. Tokyo: Heibonsha, 2004. .

paragraph: BULLET::::- "Kimura Ihee no renzu: Sunappushotto wa kō tore!" ( , The lens of Ihei Kimura: Here's how to take snapshots!). "Taiyō" () / "The Sun," July 1999. Republished as a book in 2007.

paragraph: BULLET::::- "Dokyumentarī no jidai: Natori Yōnosuke, Kimura Ihee, Domon Ken, Miki Jun no shashin kara" () / "The Documentary Age: Photographs by Natori Younosuke, Kimura Ihei, Domon Ken, and Miki Jun." Tokyo: Tokyo Metropolitan Museum of Photography, 2001. An exhibition catalogue. The book reproduces 28 of Kimura's photographs of Akita. Captions in both Japanese and English, other text in Japanese only.

paragraph: BULLET::::- Hiraki, Osamu, and Keiichi Takeuchi. "Japan, a Self-Portrait: Photographs 1945–1964." Paris: Flammarion, 2004. Kimura is one of eleven photographers whose works appear in this large book (the others are Ken Domon, Hiroshi Hamaya, Tadahiko Hayashi, Eikoh Hosoe, Yasuhiro Ishimoto, Kikuji Kawada, Shigeichi Nagano, Ikkō Narahara, Takeyoshi Tanuma, and Shōmei Tōmatsu).

paragraph: BULLET::::- "Kindai shashin no umi no oya: Kimura Ihee to Domon Ken" () / "Kimura Ihei and Domon Ken." Tokyo: Asahi Shinbunsha and Mainichi Shinbunsha, 2004. Catalogue of an exhibition.

paragraph: BULLET::::- "Kimura Ihee no renzu: Sunappushotto wa kō tore!" (, The lens of Ihei Kimura: Here's how to take snapshots!). Tokyo: Heibonsha, 2007. . Reworked from the July 1999 issue of "Taiyō": an economical, compact collection of photographs by (and of) Kimura, essays about him by prominent photographers (such as Kineo Kuwabara, Yutaka Takanashi and Nobuyoshi Araki), and such extras as an illustrated bibliography.

paragraph: Section::::References.

paragraph: BULLET::::- "Kimura Ihei". "Nihon shashinka jiten" () / "328 Outstanding Japanese Photographers." Kyoto: Tankōsha, 2000. .

paragraph: BULLET::::- Parr, Martin, and Gerry Badger. "The Photobook: A History." Vol. 1. London: Phaidon, 2004. .

paragraph: BULLET::::- "Shashinka wa nani o mita ka: 1945–1960" (1945～1960, What did photographers see: 1945–1960). Tokyo: Konica Plaza, 1991. Pp. 84–91.

paragraph: BULLET::::- "Shashinka wa nani o hyōgen shita ka: 1960–1980" (1960～1980, What were photographers expressing: 1960–1980). Tokyo: Konica Plaza, 1992. P. 97.

paragraph: Section::::External links.

paragraph: BULLET::::- Brief biography at PhotoGuide Japan

alias:
Kimura Ihei
Ihee Kimura

description: Japanese photographer

wikidata_label: Ihei Kimura

wikipedia_title: Ihei Kimura


text: Moravia

text: classical

text: composer

text: Antonín

text: Nová Říše

text: Habsburg Moravia

text: Austrian imperial

text: Mozart

text: Haydn

text: Beethoven

text: conductor

text: Beethoven's First Symphony

text: opera

text: symphonies

text: string quartet

text: orchestra

text: chamber music

text: Emanuel Schikaneder

text: libretto

text: The Magic Flute

text: Goethe

text: Austrian national anthem

text: sonata

text: quatuor concertant

text: Romantic style

text: Anton Reicha

text: Ron Drummond

text: François-Joseph Fétis

text: Friederike S. Seyler

text: Karl Ludwig Giesecke

text: August von Kotzebue

text: Friedrich Treitschke

text: August Wilhelm Iffland

text: Opera composers: W

text: Stanford University

text: The Wranitzky Project

text: Biography

categories: String quartet composers,People from Jihlava District,Czech male classical composers,Austrian people of Czech descent,People from the Margraviate of Moravia,Austrian nobility,18th-century Bohemian musicians,People from Vienna,18th-century classical composers,Czech opera composers,1808 deaths,Czech classical composers,Palacký University alumni,1756 births,Male opera composers

paragraph: Paul Wranitzky

paragraph: Paul Wranitzky (Czech: Pavel Vranický, 30 December 1756 – 29 September 1808) was a Moravian-Austrian classical composer. His half brother, Antonín, was also a composer.

paragraph: Section::::Life.

paragraph: Wranitzky was born in Neureisch (Nová Říše) in Habsburg Moravia. He studied at the Faculty of Theology of University of Olomouc and later a theological seminary in Vienna. At age 20, like so many other Czech composers of that period, he moved to Vienna to seek out opportunities within the Austrian imperial capital.

paragraph: From 1790, he conducted both royal theater orchestras. He was highly respected by Mozart, Haydn and Beethoven; the latter two preferred him as conductor of their new works (e.g., Beethoven's First Symphony in 1800). Wranitzky was a prolific composer. His output comprises ten operas, 44 symphonies, at least 56 string quartets (some sources give a number as high as 73) and a large amount of other orchestral and chamber music. His opera, "Oberon – The Fairy King" from 1789 was a favorite in this genre and inspired Emanuel Schikaneder to write the libretto of "The Magic Flute" for Mozart in 1791; in the mid-1790s, Goethe sought to collaborate with Wranitzky on a sequel to the Mozart opera. Today, Wranitzky is said to have possibly composed the Austrian national anthem, whose composer is not definitively known.

paragraph: Wranitzky died in Vienna on 29 September 1808. Beethoven wrote "Variations on a Russian Dance" (WoO 71), based on a theme in Wranitzky's opera "Das Waldmädchen" ("The Forest Maiden").

paragraph: Section::::Controversy.

paragraph: Although some scholars believe that he studied with Haydn, there is no proof of this. But there can be no question that he studied and was influenced by Haydn's quartets. Like Haydn, Wranitzky's quartet writing went through many stages of development beginning with the pre-classical and evolving to the finished sonata form of late Viennese classicism. The majority of his quartets are in three movements; many share the qualities of the Parisian "quatuor concertant", with virtuoso writing in all four parts. In these works, he explored the emerging Romantic style with (for the time) daring harmonic progressions, theatrical gestures and virtuoso display. Based on the ten Wranitzky quartets he has studied, music historian and Anton Reicha scholar Ron Drummond writes, "I can safely and with absolute confidence say that Wranitzky's achievement as a composer of string quartets is a greater achievement, overall, than Mozart's. Lest that statement be misunderstood, let me clarify: it's simply that Wranitzky's output dwarfs Mozart's, and the quality of each man's (mature) productions is so superb that Wranitzky wins by sheer numbers."

paragraph: Writing about Wranitzky's music in the last part of the 19th century, the French critic and musicologist François-Joseph Fétis recalled, "The music of Wranitzky was in fashion when it was new because of his natural melodies and brilliant style. He treats the orchestra well, especially in symphonies. I recall that, in my youth, his works held up very well in comparison with those of Haydn. Their premature abandonment of today has been for me a source of astonishment."

paragraph: Section::::Works.

paragraph: Section::::Works.:Stage works.

paragraph: Operas

paragraph: BULLET::::- "Die gute Mutter" (Johann Baptist von Alxinger, Vienna, 1795)

paragraph: BULLET::::- "Das Maroccanische Reich oder Die unterirdischen Schätze" (1795)

paragraph: BULLET::::- "Die Dienstpflicht" (s.a.)

paragraph: Operettas

paragraph: BULLET::::- "Das Fest der Lazaronen" (Joachim Perinet, Vienna, 1794)

paragraph: Singspiele

paragraph: BULLET::::- "Oberon, König der Elfen" (libretto by Friederike S. Seyler, extensively revised by Karl Ludwig Giesecke. Vienna, 1789)

paragraph: BULLET::::- "Der dreifache Liebhaber" (Vienna, 1791)

paragraph: BULLET::::- "Rudolph von Felseck" (J. Korompay, Vienna, 1792)

paragraph: BULLET::::- "Merkur, der Heiratstifter, oder Der Geiz im Geldkasten" (Vienna, 1793)

paragraph: BULLET::::- "Die Post-Station oder Die unerwartete Zusammenkunft" (S.F. Künster, 1793)

paragraph: BULLET::::- "Der Schreiner" (August von Kotzebue, Vienna, 1799)

paragraph: BULLET::::- "Die drei Buckligen" (Warsaw, 1808)

paragraph: Other types of opera works

paragraph: BULLET::::- "quadro musicale romantico": "Johanna von Montfaucon" (August von Kotzebue, Vienna, 1799)

paragraph: BULLET::::- "Liedspiel": "Das Mitgefühl" (Friedrich Treitschke, Vienna, 1804)

paragraph: BULLET::::- "divertissement": "Das Picknick der Götter" (Schönbrunn, 1804); "Die Erkenntlichkeit" (Vienna, 1804)

paragraph: BULLET::::- "travestimenti-melologhi": "Medea"; "Macbeth"

paragraph: Ballets

paragraph: BULLET::::- "Die Weinlese" (Vienna, 1794)

paragraph: BULLET::::- "Zephir und Flora" (Vienna, 1795)

paragraph: BULLET::::- "Das Waldmädchen" (Vienna, 1796)

paragraph: BULLET::::- "Die Luftfahrer" (Vienna, 1797)

paragraph: BULLET::::- "Cyrus and Tomyris" (1797)

paragraph: BULLET::::- "Die Waise der Berghöhle" (Vienna, 1810)

paragraph: BULLET::::- "Walmir und Gertraud" (ca. 1800)

paragraph: BULLET::::- "Das Urteil des Paris" (Vienna, 1801)

paragraph: BULLET::::- "Der Raub der Sabinerinnen" (Vienna, 1804)

paragraph: BULLET::::- "Zufriedenheit mehr als Reichtum" (Vienna, 1805)

paragraph: BULLET::::- "Zelina und Gorano" (Vienna, 1806)

paragraph: Theatre music

paragraph: BULLET::::- "Rollas Tod" (August von Kotzebue, Vienna, 1795)

paragraph: BULLET::::- "Achmet und Zenide" (August Wilhelm Iffland)

paragraph: BULLET::::- "Jolantha"

paragraph: BULLET::::- "Die Rache"

paragraph: BULLET::::- "Siri-Brahe"

paragraph: Section::::Works.:Other works.

paragraph: BULLET::::- 1 cantata

paragraph: BULLET::::- 56 symphonies: 29 published symphonies, 27 symphonies in manuscripts

paragraph: BULLET::::- 3 piano sonatas

paragraph: BULLET::::- 1 "Missa"

paragraph: Concertos

paragraph: BULLET::::- For piano

paragraph: BULLET::::- Violin Concerto in C

paragraph: BULLET::::- Violin Concerto in D

paragraph: BULLET::::- Violin Concerto in F

paragraph: BULLET::::- Violin Concerto in G

paragraph: BULLET::::- Cello Concerto in C, Op. 27

paragraph: BULLET::::- Flute Concerto in D, Op. 24/Op. 1

paragraph: BULLET::::- Oboe Concerto in G

paragraph: BULLET::::- Concertante for Flute and Oboe in C, Op. 39

paragraph: BULLET::::- Concertino for Oboe and Cello in D (lost)

paragraph: BULLET::::- Concerto for Two Flutes in G (lost)

paragraph: Other orchestra works

paragraph: BULLET::::- Overture, "Divertimenti", "Tafelmusik", dances

paragraph: BULLET::::- Quartets, quintets, etc.

paragraph: Section::::External links.

paragraph: BULLET::::- Opera composers: W, Stanford University

paragraph: BULLET::::- The Wranitzky Project – includes biography, catalogue of works and sheet music

paragraph: BULLET::::- Biography

paragraph: BULLET::::- Paul Wranitzky String Quartet Op. 23 No. 5 "King of Prussia", sound bites and information

description: Czech violinist and composer

wikidata_label: Paul Wranitzky

wikipedia_title: Paul Wranitzky


text: Anglo-Irish

text: officer of arms

text: College of Arms

text: London

text: Sir Bernard Burke

text: Ulster King of Arms

text: Somerset Herald of Arms in Ordinary

text: Norroy King of Arms

text: Sir William Henry Weldon

text: Genealogist

text: Order of the Bath

text: Garter Principal King of Arms

text: Sir Alfred Scott-Gatty

text: Royal Victorian Order

text: Edward VII

text: Buckingham Palace

text: CB

text: 1911 Coronation Honours

text: Heraldry

text: Pursuivant

text: Herald

text: King of Arms

text: CUHAGS Officer of Arms Index

categories: Companions of the Order of the Bath,Fellows of the Society of Antiquaries of London,Knights Commander of the Royal Victorian Order,Garter Principal Kings of Arms,1930 deaths,English officers of arms,1859 births

paragraph: Henry Farnham Burke

paragraph: Sir Henry Farnham Burke, (1859–1930) was a long-serving Anglo-Irish officer of arms at the College of Arms in London.

paragraph: Section::::Biography.

paragraph: A son of Sir Bernard Burke (who was Ulster King of Arms from 1853 until his death in 1892), Henry Burke was appointed Rouge Croix Pursuivant of Arms in Ordinary in 1880. In 1887, Burke was promoted to the office of Somerset Herald of Arms in Ordinary. On 26 October 1911, Burke was promoted to Norroy King of Arms to replace Sir William Henry Weldon. In 1913 he was given the additional appointment of Genealogist of the Order of the Bath. On 22 January 1919, he was promoted to the office of Garter Principal King of Arms on the death of Sir Alfred Scott-Gatty. He held this office until his own death in 1930.

paragraph: Burke was invested as a Commander of the Royal Victorian Order (CVO) by King Edward VII at Buckingham Palace on 11 August 1902, and was later promoted to become Knight Commander (KCVO) of the Order. He was awarded CB in the 1911 Coronation Honours.

paragraph: Section::::See also.

paragraph: BULLET::::- Heraldry

paragraph: BULLET::::- Pursuivant

paragraph: BULLET::::- Herald

paragraph: BULLET::::- King of Arms

paragraph: Section::::External links.

paragraph: BULLET::::- www.burkespeerage.com

paragraph: BULLET::::- CUHAGS Officer of Arms Index

description: Irish officer of arms

wikidata_label: Henry Farnham Burke

wikipedia_title: Henry Farnham Burke