text:
bass guitarist
rock
Interpol
Queens
Colombian
Lawrenceville, New Jersey
"Spin"
New York University
Daniel Kessler
academic
Fender Jazz Bass
Joy Division
New Order
Peter Hook
Simon Gallup
The Cure
John Taylor
Duran Duran
Turn on the Bright Lights
Lower East Side
"URB"
Our Love to Admire
bolo tie
Sam Fogarino
David Pajo
VHS or Beta
Nine Inch Nails
Every Day is Exactly the Same
Samuel Fogarino
the HBO Voyeur Project
Tisch School of the Arts
Antics
Our Love to Admire
My Friends Told Me About You
8G house band
Late Night with Seth Myers
heavy metal
Fender
Jazz Bass
Turn on the Bright Lights
Antics
Our Love to Admire
Late Show with David Letterman
Official website

categories: 21st-century American bass guitarists,New York University alumni,People from Queens, New York,Post-punk musicians,American people of German descent,Guitarists from New York (state),21st-century male musicians,St. Francis Preparatory School alumni,American indie rock musicians,Interpol (band) members,Remixers,Living people,Alternative rock bass guitarists,American guitarists,American male bass guitarists,Musicians from New York (state),American rock bass guitarists,American people of Colombian descent,New York City nightlife,1974 births

paragraph: Carlos Dengler

paragraph: Carlos Andres Dengler (born April 23, 1974), previously known as Carlos D., is an American musician and actor best known as the former bass guitarist for the rock band Interpol. He decided to pursue acting as a career after leaving Interpol in 2010.

paragraph: Section::::Early life.

paragraph: Born in Queens, New York to a Colombian mother and a German father, he and his family lived there until his early teens, after which they relocated to Lawrenceville, New Jersey. Speaking to "Spin" magazine in 2005, Dengler described this move and the subsequent period as formative.

paragraph: Section::::Career.

paragraph: Section::::Career.:1997–2010: Interpol.

paragraph: While attending New York University (NYU) in 1997, he was approached by the guitarist Daniel Kessler after a class the two had enrolled in. Kessler had been looking for musicians to play with and assumed Dengler to be one based on the clothes he wore, a style Kessler described as "similar to the way he's dressed now". He was studying philosophy and history at the time and wanted to pursue a career as an academic but agreed to play with the then unformed band, eventually finding his place within the group.

paragraph: Dengler's trademark style is marked by grounded and stylized bass lines, strident staccato bursts, a clean tone brought about by his Fender Jazz Bass, and octave jumps, almost in a disco-like fashion. The low E string is lowered to D as the band writes many songs in the keys of D and B minor. One of his influences is the Joy Division/New Order bass guitarist Peter Hook and, like Hook, he also wears his bass guitar very low – often near knee level – and uses a pick to pluck the strings. Others of his biggest bass influences are Simon Gallup of The Cure and John Taylor of Duran Duran.

paragraph: In addition to bass guitar, Dengler played keyboards in the studio. Until the band started hiring touring musicians in support of their first album, "Turn on the Bright Lights", he played both instruments during live performances.

paragraph: He was a regular in the Lower East Side party scene and in 2005 "URB" magazine put him on the cover with a headline reading "Interpol + The Cult of Carlos D". Interviews tied in with the band's third album, "Our Love to Admire", in 2007, however, marked a change in Dengler's attitude. Quotes from the time hint at a growing dissatisfaction with touring and the band in general. He described his switch from leather corset-belts, slicked hair, gun-holster and combat boots to bolo tie, waist coat, his natural curls and mustache as freeing: "Everyone stopped recognizing me on the street. I forgot what it's like just to be a normal person. It felt so good."

paragraph: In May 2010, his departure was announced on the band's official website. The posting stated that he had participated in the writing and recording process for their fourth album but would not be going forward with any other Interpol related activities. A permanent replacement was not announced, only that multiple players would be taking his place on the 2010 tour.

paragraph: Three months after Dengler left Interpol, the band revealed that he actually disliked playing bass guitar. Drummer Sam Fogarino stated that Dengler had grown tired of the instrument and of touring, and that it was neither his first instrument nor his instrument of choice.

paragraph: His replacement was David Pajo in the form of a live member from 2010–2011. Brad Truax became the live bassist for the band in 2011.

paragraph: Section::::Career.:2011–present: Post-Interpol and other ventures.

paragraph: Dating back to his days at NYU, Dengler is a skilled club DJ. He stopped for a short time, but picked it up again and as Interpol's fame increased he started pulling in bigger crowds both at the band's after-parties and separate gigs in various cities. He was the first rock star to appear on the cover of the electronic and hip-hop centered "URB" magazine, in 2005. The article focused on his history and talent as a DJ, his thoughts on various scenes, personal style and his role as the face of the band. Dengler has remixed songs for B-side releases including VHS or Beta's "Night on Fire", Nine Inch Nails's "Every Day is Exactly the Same" alongside Sam Fog (Interpol bandmate Samuel Fogarino) and Interpol's own "Public Pervert". He also contributed the piece "Katya and Josh Ain't Havin' It" to the HBO Voyeur Project.

paragraph: After leaving Interpol in 2010, Dengler remained out of the public light for several years. In a 2015 interview, he stated that he had since completed a graduate degree in drama from the Tisch School of the Arts at NYU, and was pursuing acting professionally. In the time between "Antics" (2004) and "Our Love to Admire" (2007), Dengler took an interest in film composition and scoring. His work in this medium includes the short film "Golgotha", which he wrote, produced and scored, as well as "My Friends Told Me About You", in which he was a lead actor.

paragraph: In March 2016, Dengler was a guest musician with the 8G house band on "Late Night with Seth Myers". Dengler also presented an autobiographical one-man show at the 2016 New York International Fringe Festival, "Homo Sapiens Interruptus", which focused on his interest in heavy metal and paleoanthropology.

paragraph: Section::::Equipment.

paragraph: Dengler played a black American Standard Fender Jazz Bass (which was used on "Turn on the Bright Lights", "Antics" and "Our Love to Admire") with the knobs removed ("Antics" era and beyond) and the pickguard changed from white to black early in the band's career. He was also seen playing a cream Jazz Bass on the "Late Show with David Letterman" in 2007. He never used any effects pedals, claiming "Our music is almost symphonic in nature, because the harmonic structures are defined by the union of two guitars and a bass, and sometimes keyboard as well. If I were to start freaking out with effects, it would create too much of a bass presence, or it would distract from the band's most important aspect-the unity of all those musical elements together."

paragraph: He also worked with a mixture of classic synthesizer and orchestral emulations to generate arrangements for Interpol and for his scores.

paragraph: Section::::External links.

paragraph: BULLET::::- Official website

description: American musician

wikidata_label: Carlos Dengler

wikipedia_title: Carlos Dengler


text: Grammy

text: Madonna

text: The Killers

text: New Order

text: Kylie Minogue

text: Example

text: Take That

text: Missy Elliott

text: Scissor Sisters

text: Pet Shop Boys

text: Brandon Flowers

text: Gwen Stefani

text: Seal

text: Keane

text: Frankmusik

text: Hard-Fi

text: Hurts

text: Everything Everything

text: Zoot Woman

text: Adam Blake

text: Johnny Blake

text: Reading

text: Bedale

text: Reading, Berkshire

text: Wall Of Sound

text: Adam Blake

text: Johnny Blake

text: French house

text: Dare

text: the Human League

text: UK Singles Chart

text: Darkdancer

text: Fabric

text: Soundcloud

text: David Bowie

text: Paper Faces

text: Adam Blake

text: Zoot Woman

text: Madonna

text: Confessions on a Dance Floor

text: Drowned World Tour

text: Re-Invention World Tour

text: Confessions Tour

text: Hung Up

text: Sorry

text: Get Together

text: Jump

text: American Life

text: Hollywood

text: Miles Away

text: Hard Candy

text: Britney Spears

text: Christina Aguilera

text: Missy Elliott

text: The Killers

text: Mr. Brightside

text: When You Were Young

text: Sam's Town

text: The Killers

text: Sawdust

text: Mr. Brightside

text: The Killers

text: Day & Age

text: Brandon Flowers

text: Flamingo

text: Battle Born

text: Wonderful Wonderful

text: Electric

text: Super

text: Seal

text: System

text: Keane

text: Perfect Symmetry

text: Bernard Sumner

text: Scissor Sisters

text: Night Work

text: Kylie Minogue

text: Aphrodite

text: All the Lovers

text: Get Outta My Way

text: Take That

text: Progress

text: Robbie Williams

text: Hard-Fi

text: Killer Sounds

text: Fire in the House

text: Magic Hour

text: Everything Everything

text: Kacy Hill

text: Kiesza

text: The Knocks

text: Testify

text: Sundara Karma

text: Ulfilas' Alphabet

text: Coldplay

text: Viva la Vida

text: Frankmusik

text: EP

text: Depeche Mode

text: It's Not My Problem

text: Sneaky Sound System

text: Depeche Mode

text: Wrong

text: Jump in the Pool

text: This Must Be It

text: Undisclosed Desires

text: Pandemonium Tour

text: Miike Snow

text: Take That

text: Progress

text: Progressed

text: Progress Live

text: Duffy's

text: Endlessly

text: Well, Well, Well

text: Katy Perry

text: Miike Snow

text: Coldplay

text: Charlie Brown

text: Coldplay

text: Annie Mac

text: Grammy Award

text: No Doubt

text: "It's My Life"

text: New Order

text: The Killers

text: Mr. Brightside

text: Coldplay

text: Madonna

text: Confessions on a Dance Floor

text: Madonna

text: Confessions on a Dance Floor

text: Pete Tong

text: Zoot Woman

text: Adam Blake

text: Johnny Blake

text: Living in a Magazine

text: Zoot Woman

text: Things Are What They Used to Be

text: Star Climbing

text: Absence

text: Redesigned

text: Maxidrama

text: Libération

text: Darkdancer

text: Tracques Volume 1

text: Zoot Woman official website

categories: British electronic musicians,People from Paris,Grammy Award winners,1977 births,Ivor Novello Award winners,British dance musicians,Remixers,Living people,British record producers

paragraph: Stuart Price

paragraph: Stuart Price (born 9 September 1977) is a three-time Grammy-winning English electronic musician, DJ, songwriter, and record producer known for his work with artists including Madonna, The Killers, New Order, Kylie Minogue, Example, Take That, Missy Elliott, Scissor Sisters, Pet Shop Boys, Brandon Flowers, Gwen Stefani, Seal, Keane, Frankmusik, Hard-Fi, Hurts and Everything Everything. His acts include his own band "Zoot Woman" (with Adam Blake and Johnny Blake), "Les Rythmes Digitales" (, literally "The Digital Rhythms"), "Paper Faces", "Man With Guitar", "Thin White Duke" (not to be confused with David Bowie's earlier persona of the same name), and the parodic French moniker "Jacques Lu Cont" (though he actually grew up in Reading, England).

paragraph: Section::::Solo and group work.

paragraph: Price was born in Bedale, North Yorkshire, but grew up in Reading, Berkshire. His musical career started with two acts working simultaneously, releasing music on London-based label, Wall Of Sound. He formed Zoot Woman with Adam Blake and Johnny Blake, and their debut 12", Sweet To The Wind EP, was released in 1995. Around the same time, under the pseudonym Jacques Lu Cont, Price was making music as Les Rythmes Digitales. Initially choosing the name as a reference to the explosion in demand for French house in the United Kingdom during the 1990s, Price even went as far as to conduct interviews with British journalists in French via an interpreter. In interviews from around this time, Price also claimed that he had grown up listening exclusively to classical music, until one day encountering the album "Dare" by the Human League.

paragraph: The first Les Rhythmes Digitales album, "Liberation", was released in 1996. A single, ""Jacques Your Body (Make Me Sweat)"", followed the next year. It was re-released in 1999, reaching #60 on the UK Singles Chart, and was included on that year's album, "Darkdancer". Greatly influences by 1980s dance music, "Darkdancer" would later be included in Vice magazine's 99 Greatest Dance Albums of All Time list.

paragraph: Zoot Woman released their debut album, "Living in a Magazine," in 2001, following it up in 2003 with an eponymous album. The same year, Price released DJ mix album FabricLive.09, part of a series of mix releases from London club Fabric, under his Jacques Lu Cont moniker. He made his first original release under the name the following year; "...And Dance" was a single featuring General Degree. Another Zoot Woman album, "Things Are What They Used To Be," was released in 2009, and further Jacques Lu Cont singles followed, released both in physical formats and as free downloads from Soundcloud.

paragraph: Section::::As producer.

paragraph: Price has produced, and at times co-written, numerous songs for popular artists. Price has also remixed and re-produced numerous songs under his own name as well as the names Thin White Duke (originally used by David Bowie), Jacques Lu Cont, and Les Rythmes Digitales. Other aliases include Man with Guitar and Paper Faces (an alias for him and Adam Blake of the band Zoot Woman). Price's remixes are characterised by club-lead beats with arpeggios, riffs, and vocal lines faded and filtered throughout the song for a climactic effect. He favours keeping the original vocal arrangement of songs and re-contextualizing the lyrical content in creating his new versions.

paragraph: Section::::As producer.:Work with Madonna.

paragraph: Price is best known for his work with Madonna's tenth studio album "Confessions on a Dance Floor" (2005). He began collaborating with Madonna as musical director for her 2001 Drowned World Tour after remixing some of the tracks on her Music album via Mirwais. He reprised the role for her 2004 Re-Invention World Tour and 2006 Confessions Tour. Price created remixes for the album's singles "Hung Up", "Sorry" (under the Man with Guitar alias), "Get Together", and "Jump", as well as the album tracks "I Love New York" and "Let It Will Be" (under the Paper Faces alias). Price co-wrote the song "X-Static Process" for Madonna's 2003 album "American Life". Price has also remixed the Madonna songs "Hollywood" from "American Life" and "Miles Away" from the album "Hard Candy". Madonna chose his remix of "Hollywood" for her performance at the MTV Video Music Awards with Britney Spears, Christina Aguilera, and Missy Elliott.

paragraph: Section::::As producer.:Work with The Killers.

paragraph: Price's work with The Killers began with his remix of their hit single "Mr. Brightside", released under the Thin White Duke name. Subsequently, Price remixed the song "When You Were Young", the first single from The Killers album "Sam's Town". Price produced two of the tracks re-recorded for the release of The Killers' B-sides album, "Sawdust": "Leave the Bourbon on the Shelf" and "Sweet Talk". His remix of "Mr. Brightside" appeared as a bonus track on that release. Price went on to produce The Killers' third studio album, "Day & Age", released on 24 November 2008. He also created an extended remix of the lead single "Human" released under the Thin White Duke name. Price also worked for The Killers vocalist Brandon Flowers' debut solo album "Flamingo", producing most of the songs on it, including the second single "Only the Young". The album was released on 6 September in the UK and Ireland and 14 September in the US and Canada.

paragraph: The Killers' album, "Battle Born", contains two tracks that Price produced, as well as a Jacques Lu Cont remix of the album's first track, "Flesh and Bone".

paragraph: Price also produced the song "Just Another Girl", a new track on the Killers compilation album 'Direct Hits'.

paragraph: In the deluxe version of The Killers' most recent album, "Wonderful Wonderful", Price did a remix of the album's single, "The Man".

paragraph: Section::::As producer.:Work with Pet Shop Boys.

paragraph: Price was the musical director on the Pandemonium tour, and produced their 2013 album "Electric" which was very highly acclaimed by critics and reached No. 3 on the UK Albums Chart – their highest charting album since 1993. He also toured with them on at least several shows in the Electric tour (Las Vegas and Oakland).

paragraph: Price also produced their 2016 album "Super", released to positive reviews and also reaching #3 on the UK Albums Chart. He is currently working with them on their next album.

paragraph: Section::::As producer.:Other production work.

paragraph: Price was the album producer on Seal's fifth studio album "System", which was released in November 2007. He also co-wrote several of the album's songs. Price was among the producers of Keane's album "Perfect Symmetry", which was released in October 2008.

paragraph: Price was also reported to be working with New Order's Bernard Sumner on a "synthesiser album". However, it appears the project has been shelved

paragraph: Price co-produced the Scissor Sisters album "Night Work" released on 28 June 2010, entitled "Night Work". The first track to be released from the album was "Invisible Light". The first official single off the album was "Fire With Fire", followed by "Any Which Way".

paragraph: Price is the executive producer for Kylie Minogue's 11th studio album titled "Aphrodite" which was released on 5 July 2010. On 28 June, the hit single "All the Lovers" was released, and later "Get Outta My Way", which was remixed by Price into an extended version.

paragraph: In 2010, Price produced Take That's studio album Progress which saw Robbie Williams return to the band. Progress was the biggest selling album of 2010 and the second fastest selling British album of all time.

paragraph: In 2011, Price worked as a producer on Hard-Fi's 2011 album Killer Sounds. He worked with the band for second single "Fire in the House".

paragraph: In May 2012, the fourth Scissor Sisters album Magic Hour was released with two tracks produced by Stuart Price: "The Secret Life of Letters" and "Somewhere".

paragraph: For the London 2012 Olympic Games, Price was asked to create a theme song as the keystone of what director Danny Boyle called the "sonic branding" of the games. Intended to be played in multiple venues, Price set out to create a modular piece, "Different elements can layer on top of each other to create a fast-paced version for the velodrome, something slow for the background on TV, or a triumphant version of it for the medal ceremonies."

paragraph: In 2014, Price produced multiple tracks on Take That's seventh studio album III.

paragraph: In 2015, Price produced the critically acclaimed studio album "Get to Heaven" by Manchester-based band Everything Everything which Digital Spy described as "a contender for album of the year". Q also awarded the album 5 stars.

paragraph: In 2016, Price was made one of the main producers for Kacy Hill's debut album, which is set for release later on in the year

paragraph: In 2017, Price produced with many different people. His first venture was with Kiesza on her 2017 single, entitled "Dearly Beloved", which is expected to be the lead single on her upcoming second album. He also was credited as Jacques Lu Cont when remixing The Knocks's single "Trouble", featuring vocals from Absofacto. The song became the second single to be released from their fifth extended play, entitled "Testify".

paragraph: In 2019, Price produced British band Sundara Karma's second album "Ulfilas' Alphabet".

paragraph: Section::::Remixes.

paragraph: Price remixed Coldplay's single "Viva la Vida", released on the band's website as the Thin White Duke remix. Price has also produced and mastered tracks for Frankmusik's debut album, one of which is "3 Little Words". This track was released as a single on the "3 Little Words" EP. He provided two Thin White Duke remixes for the release of Depeche Mode's 2009 single, "Wrong".

paragraph: In 2009, Price remixed "It's Not My Problem" for Sneaky Sound System under the Thin White Duke alias, as well as doing remixes for Depeche Mode's "Wrong", Friendly Fires' "Jump in the Pool", Röyksopp's "This Must Be It" and, most recently, Muse's "Undisclosed Desires". Producing the tour arrangement for the Pandemonium Tour by Pet Shop Boys, Price fulfilled a personal dream. He also produced an exclusive arrangement for Pet Shop Boys' Brit Awards performance in February. Both older hits and brand new songs were combined to create a ten-minute-long mash up that closed the 2009 Brits.

paragraph: He mixed and remixed Miike Snow single "The Rabbit", then produced Take That's album "Progress", featuring their reunion with Robbie Williams, later working again on their first EP, "Progressed", released in summer 2011. Meanwhile, the band promoted their "Progress Live" which featured Price as musical director. Price mixed and co-produced several tracks on Duffy's album "Endlessly", including first single "Well, Well, Well".

paragraph: Under his Jacques Lu Cont alias, he released several massive club remixes including ones for U2, Katy Perry, Miike Snow and Coldplay.

paragraph: In June 2012 his remix of Charlie Brown was rejected by Coldplay, though Price did end up having it released through Annie Mac's show on BBC Radio One on 13 July.

paragraph: He also created a remix of Juliet's "Avalon".

paragraph: Section::::Awards.

paragraph: Price won his first Grammy Award in 2004 for his remix of No Doubt's "It's My Life" produced under the moniker Thin White Duke. In 2005, he was nominated for two Grammys: one for his production of New Order's "Guilt Is a Useless Emotion" and a second for his remix of The Killers' "Mr. Brightside". He won a second Grammy in 2006 for his remix of Coldplay's "Talk" (as Thin White Duke). He was also nominated in 2007 for Best Dance Recording with Madonna on the single "Get Together" from the album "Confessions on a Dance Floor". Price won his third Grammy in 2007 for Best Electronic / Dance Album for Madonna's "Confessions on a Dance Floor".

paragraph: In 2011, Price won a Music Week Award for Best Producer of the Year.

paragraph: June 2015, saw Price inducted into Pete Tong's Hall of Fame.

paragraph: Section::::Discography.

paragraph: Section::::Discography.:Albums.

paragraph: Zoot Woman (with Adam Blake and Johnny Blake)

paragraph: BULLET::::- "Living in a Magazine" (2001)

paragraph: BULLET::::- "Zoot Woman" (2003)

paragraph: BULLET::::- "Things Are What They Used to Be" (2009)

paragraph: BULLET::::- "Star Climbing" (2014)

paragraph: BULLET::::- "Absence" (2017)

paragraph: BULLET::::- "Redesigned" (2018)

paragraph: BULLET::::- "Maxidrama" (2019)

paragraph: Les Rythmes Digitales

paragraph: BULLET::::- "Libération" (1996)

paragraph: BULLET::::- "Darkdancer" (1999)

paragraph: Jacques Lu Cont

paragraph: BULLET::::- "Blueprint" (2000)

paragraph: BULLET::::- "FabricLive.09" (2003)

paragraph: BULLET::::- Palindrome (Ambient Album) (2013)

paragraph: Tracques

paragraph: BULLET::::- "Tracques Volume 1" (2013)

paragraph: Section::::External links.

paragraph: BULLET::::- Zoot Woman official website

alias:
Stuart David Price
Les Rythmes Digitales
Jacques Lu Cont
Man With Guitar
Thin White Duke
00260299855 IPI

description: British electronic musician

wikidata_label: Stuart Price

wikipedia_title: Stuart Price


text: Tokugawa Tsunashige

text: daimyō

text: Kōfu

text: concubine

text: Kōfu Domain

text: Tokugawa clan

text: rōnin

text: Arai Hakuseki

text: Edo

text: Kinoshita Jun'an

text: Chinese classics

text: Confucianism

text: Neo-Confucianism

text: Hankanpu

text: Tokugawa Tsunashige

text: Tokugawa Tsunayoshi

text: Tokugawa Ietsugu

text: Konoe Iehiro

text: Kōfu

text: Kyoto

text: Fujiwara

text: Konoe Motohiro

text: Nakamikado

text: Tokugawa Ietsugu

text: Zōjō-ji

text: era name

text: nengō

text: Hōei

text: Shōtoku

text: Screech

text: RoutledgeCurzon

text: Titsingh

text: Hayashi Gahō

text: Nipon o daï itsi ran

text: Harvard University Press

categories: 18th-century shōguns,17th-century Japanese people,1712 deaths,1662 births,Tokugawa shōguns

paragraph: Tokugawa Ienobu

paragraph: Section::::Early life (1662–1694).

paragraph: Tokugawa Ienobu was born as the oldest son of Tokugawa Tsunashige, "daimyō" of Kōfu, in 1662. His mother was a concubine. Tsunashige was the middle brother of Tokugawa Ietsuna and Tokugawa Tsunayoshi and the second son of Tokugawa Iemitsu with his concubine, thus making Ienobu their nephew. In 1662, Ienobu's uncle, Ietsuna was "shōgun", and his father, Tsunashige, was "daimyō" of Kōfu, a very valuable piece of land to the Tokugawa. Before becoming "shōgun" his name was Tokugawa Tsunatoyo, the 4th "daimyō" of Kōfu Domain from the Tokugawa clan. His childhood name was Toramatsu (虎松).

paragraph: Not much is known of Ienobu's early life except that he was expected to become the next "daimyō" of Kofu after the death of his father. However, after Tokugawa Ietsuna had died in 1680, and his other uncle, Tokugawa Tsunayoshi succeeded the "bakufu", Tsunayoshi's failure to produce a male heir greatly increased the chances of Ienobu becoming shogun. Nonetheless, for the time being, Ienobu was not being groomed to succeed to the shogunate but rather to succeed his father Tsunashige as "daimyō" of Kōfu.

paragraph: In 1678 Tokugawa Tsunashige died and Tokugawa Ienobu succeeded him as "daimyō" of Kōfu. He became very powerful there since his uncle was the shogun.

paragraph: In 1694, a "rōnin", Arai Hakuseki, was appointed as personal tutor and advisor to Ienobu. Hakuseki used to be a teacher in Edo, but was recommended by the philosopher Kinoshita Jun'an to become personal tutor to Ienobu and was summoned to Ienobu's Edo residence. Until 1709, when Ienobu became "shōgun", it is thought that Hakuseki gave him 2000 lectures on the Chinese classics and Confucianism. This was helpful to Ienobu since Shogun Tsunayoshi had also been a great patron of the Chinese classics and of Neo-Confucianism. After Ienobu's ascension, Hakuseki devoted the rest of his life to advising Ienobu, even writing a book for him, known as the "Hankanpu" covering the history of various fiefs from 1600 until 1680.

paragraph: Section::::Family.

paragraph: BULLET::::- Father: Tokugawa Tsunashige

paragraph: BULLET::::- Mother: Ohara no Kata later Choshoin (1637–1664)

paragraph: BULLET::::- Adoptive Father: Tokugawa Tsunayoshi

paragraph: BULLET::::- Wife: Konoe Hiroko (1666–1741) later Ten'ei-in

paragraph: BULLET::::- concubines:

paragraph: BULLET::::- Okiyo no Kata (1685–1752) later Gekkoin

paragraph: BULLET::::- Ukon no Kata (1682–1766) later Hoshin-in

paragraph: BULLET::::- Osume no Kata (d. 1772) later Renjo-in

paragraph: BULLET::::- Oshino no Kata

paragraph: BULLET::::- Itsuki no Miya (d. 1710) later Honkoin

paragraph: BULLET::::- Children:

paragraph: BULLET::::- Toyo-hime (1681–1681) by Hiroko

paragraph: BULLET::::- Tokugawa Mugetsuin (1699–1699) by Hiroko

paragraph: BULLET::::- Tokugawa Iechiyo (1707–1707) by Ukon

paragraph: BULLET::::- Tokugawa Daigorō (1708–1710) by Osume

paragraph: BULLET::::- Tokugawa Ietsugu by Okiyo

paragraph: BULLET::::- Tokugawa Torakichi (1711–1711) by Osume

paragraph: BULLET::::- child (died in womb) by Itsuki no Miya

paragraph: BULLET::::- Adopted:

paragraph: BULLET::::- Masahime (1699–1704) daughter of Konoe Iehiro

paragraph: Section::::"Shōgun" (1709–1712).

paragraph: In 1709, "shōgun" Tsunayoshi died without a male heir. In genealogical terms, it would have appeared reasonable for the "daimyō" of Kōfu, Tokugawa Ienobu, to be elevated to the role of "shōgun" because he was the only remaining direct lineal descendant of Tokugawa Ieyasu. However, this was a secondary factor in the context of intra-"bakufu" politics which were carried over from the last days of the Tsunayoshi "bakufu". The ultimate resolution of any questions about shogunal succession were probably influenced most effectively by the fact that Ienobu was the expressed preference of the late "shōgun" Tsunayoshi's wife.

paragraph: Shogun Ienobu immediately began to reform certain elements of Japanese society. It is often said that he transformed the "bakufu" from a military to a civilian institution, which was already in the making during the rule of Ietsuna and Tsunayoshi. He started off by abolishing the controversial laws and edicts of Tsunayoshi. The chamberlains, who were given strict power by Tsunayoshi, had all power withdrawn from their hands. Also, in 1710, Shogun Ienobu revised the "Buke-Sho-Hatto", where language was improved. Also, censorship was discontinued, and Ienobu told his subordinates that the thoughts and feelings of the populace should reach the high levels of the "bakufu". This is thought to be Hakuseki's influence. Cruel punishments and persecutions were discontinued, and the judicial system was also reformed.

paragraph: However, there was one remnant of "shōgun" Tsunayoshi's rule which was not done away with. Neo-Confucianism was still popular and patronized, also thanks to Hakuseki's influence, since he had long lectured Ienobu on the Confucian classics. Economic reform also was ensured, and the gold coin was created to stabilize the economy.

paragraph: Shogun Ienobu was one of the first "shōguns" in centuries to actually try to significantly improve relations with the emperor and court in Kyoto. In 1711, the Fujiwara regent, Konoe Motohiro, arrived in Edo from Kyoto to be the mediator for talks between "shōgun" Ienobu and Emperor Nakamikado and his nobles (in Kyoto). Ienobu took the lead, but Motohiro also appears to have asserted himself. After the talks were over, it was decided that younger sons of emperors do not have to enter priesthood and can form new branches of the imperial throne and that their daughters can marry (in fact, one of the younger sister of Emperor Nakamikadi married Shogun Ienobu's younger son, "shōgun" Ietsugu) and that the "bakufu" would offer financial grants to the court. Many court ceremonies were also revived. Thus, during the rule of "shōgun" Ienobu, relations with the court were fairly good.

paragraph: "Shōgun" Ienobu died at the age of 51 in "Shōtoku" 2, on the 14th day of the 10th month (1712). He was succeeded by his infant son, Tokugawa Ietsugu. Ietsugu became the seventh "shōgun". He continued to employ Hakuseki as his adviser.

paragraph: His Buddhist name was Bunshōin (文昭院) and buried in Zōjō-ji.

paragraph: Section::::Eras of Ienobu's "bakufu".

paragraph: The years in which Ienobu was "shōgun" are more specifically identified by more than one era name or "nengō".

paragraph: BULLET::::- "Hōei" (1704–1711)

paragraph: BULLET::::- "Shōtoku" (1711–1716)

paragraph: Section::::References.

paragraph: BULLET::::- Screech, Timon. (2006). "Secret Memoirs of the Shoguns: Isaac Titsingh and Japan, 1779–1822." London: RoutledgeCurzon.

paragraph: BULLET::::- Titsingh, Isaac. (1822). "Illustrations of Japan." London: Ackerman.

paragraph: BULLET::::- Titsingh, Isaac. (1834). [Siyun-sai Rin-siyo/Hayashi Gahō, 1652], "Nipon o daï itsi ran; ou, Annales des empereurs du Japon." Paris: Oriental Translation Fund of Great Britain and Ireland. ...Click link for digitized, full-text copy of this book (in French)

paragraph: BULLET::::- Totman, Conrad. (1967). "Politics in the Tokugawa bakufu, 1600–1843". Cambridge: Harvard University Press.

paragraph: Section::::External links.

paragraph: BULLET::::- National Diet Library: photograph of Gate to Tomb of the Sixth Shogun of Tokugawa Family; Shiba, Tokyo (1901)

paragraph: BULLET::::- National Archives of Japan: "Ryukyu Chuzano ryoshisha tojogyoretsu," scroll illustrating procession of Ryukyu emissary to Edo, "Hōei" 7 (1710)

description: Japanese shogun

wikidata_label: Tokugawa Ienobu

wikipedia_title: Tokugawa Ienobu


text:
Nagoya
Owari Province
Honnō-ji Incident
Battle of Shizugatake
Shibata Katsuie
Toyotomi Hideyoshi
koku
Kaga Province
Sassa Narimasa
Etchū Province
Kyūshū Campaign
Siege of Odawara
Hosokawa Tadaoki
Tokugawa Ieyasu
Ishida Mitsunari
Toyotomi Hideyori
Battle of Sekigahara
Uesugi Kagekatsu
Niwa Nagashige
Maeda Toshimasa
Noto Province
Tokugawa shogunate
kokudaka
Kaga Domain
Kanazawa Castle
sankin-kōtai
Edo
Maeda Toshitsune
Toyama Castle
Uozu
Takaoka
syphilis
Zuiryū-ji
Maeda Toshiie
Maeda Matsu
Papinot, Edmond
Kaga Domain on "Edo 300 HTML"
Meada Toshinaga on Britanica

categories: Samurai who committed suicide,Toyotomi retainers,People of Sengoku-period Japan,Maeda clan,Oda retainers,1614 deaths,Tozama daimyo,People of Edo-period Japan,1562 births

paragraph: Maeda Toshinaga

paragraph: Section::::Biography.

paragraph: Toshinaga was born in what is now part of the city of Nagoya in Owari Province, where his father was in the service of Oda Nobunaga In 1581, he married one of Oda Nobunaga's daughters, Ei-hime, who was only six years old at the time. Nobunaga was assassinated the following year at the Honnō-ji Incident. In 1583, he assisted his father at the Battle of Shizugatake and after the death of Shibata Katsuie, he swore fealty to Toyotomi Hideyoshi and was awarded a 40,000 "koku" fief in Kaga Province. In 1585, he played a key role in Hideyoshi's campaign against Sassa Narimasa, and his holdings were greatly expanded to 320,000 "koku" across Kaga and Etchū Provinces. He accompanied Hideyoshi during the Kyūshū Campaign and the Siege of Odawara and in 1598 received the 267,000 "koku" Kanazawa holdings of his father, Maeda Toshiie.

paragraph: Toshiie died the following year, and Hosokawa Tadaoki convinced Toshinaga to support Tokugawa Ieyasu over Ishida Mitsunari and Toyotomi Hideyori. At the time of the Battle of Sekigahara, his role was primarily to contain the forces of Uesugi Kagekatsu and Niwa Nagashige, and at the same time, to keep the forces of his younger brother, Maeda Toshimasa, ruler of Noto Province, from joining the western army. On the establishment of the Tokugawa shogunate, Toshinaga was confirmed in his holdings, which had also been expanded by the addition of 225,000 "koku" formerly held by his brother Toshimasa, and 120,000 "koku" from Komatsu Castle and 63,000 "koku" from Daisho-ji Castle to a total of 1,250,000 "koku", which covered the provinces of Kaga, Noto and Etchū. The "kokudaka" of Kaga Domain was exceeded only by the Shogunal house itself. Toshinaga built and resided in Kanazawa Castle.

paragraph: With the establishment of the "sankin-kōtai" system of alternative attendance in Edo, Toshinaga was the first "daimyō" to establish a residence in the new capital.

paragraph: Toshinaga had no son and adopted his younger brother Maeda Toshitsune as his heir. He retired in 1605, and relocated from Kanazawa to Toyama Castle, setting aside 220,000 "koku" for his retirement expenses. When Toyama Castle burned down in 1609, he moved to Uozu, and later to Takaoka. During this period, he increasingly withdrew from public life due to complications from syphilis, and committed suicide by poison at Takaoka Castle in 1614. His mortuary temple is the temple of Zuiryū-ji in Takaoka.

paragraph: Section::::Family.

paragraph: BULLET::::- Father: Maeda Toshiie

paragraph: BULLET::::- Mother: Maeda Matsu

paragraph: BULLET::::- Wife: Ei-hime (1574-1623)

paragraph: BULLET::::- Concubine: Otsubo Sukezaemon’s daughter

paragraph: BULLET::::- Daughter: Manhime (1605-1611) by Otsubo Sukezaemon’s daughter

paragraph: Section::::References.

paragraph: BULLET::::- Papinot, Edmond. (1948). "Historical and Geographical Dictionary of Japan". New York: Overbeck Co.

paragraph: Section::::External links.

paragraph: BULLET::::- Kaga Domain on "Edo 300 HTML" (3 November 2007)

paragraph: BULLET::::- Meada Toshinaga on Britanica

description: Japanese daimyo

wikidata_label: Maeda Toshinaga

wikipedia_title: Maeda Toshinaga


text: Zōjō-ji

text: Wakayama Domain

text: Tokugawa Nariyuki

text: Minato-ku

text: Tokyo

text: Tokugawa Ienari

text: Tokugawa Narikatsu

text: Tokugawa Yoshinobu

text: Matsudaira Naritami

text: Ii Naosuke

text: Ii Naosuke

text: Tenshoin

text: kōbu gattai

text: Princess Kazu

text: Emperor Ninko

text: Midaidokoro

text: Bunkyū

text: Iemitsu

text: Kan'ei

text: Yoshinobu

text: beriberi

text: thiamine

text: Meiji Restoration

text: Tokugawa Nariyuki

text: Jitsujoin

text: Tokugawa Narikatsu

text: Tokugawa Iesada

text: Tenshō-in

text: Kazu-no-Miya Chikako

text: Oyuri no Kata

text: Tenshō-in

text: Tokugawa Iesato

text: era name

text: nengō

text: Ansei

text: Man'en

text: Bunkyū

text: Genji

text: Keiō

text: NHK

text: "Taiga" drama

text: "Atsuhime"

text: Matsuda Shota

text: Gin Tama

text: Tokugawa Ieshige

text: James Clavell

text: Gai-Jin

text: University of Hawai'i Press

categories: People of Bakumatsu,Tokugawa clan,1866 deaths,19th-century shōguns,Kishū-Tokugawa clan,Tokugawa shōguns,1846 births

paragraph: Tokugawa Iemochi

paragraph: Iemochi died in 1866 and was buried in Zōjō-ji. His Buddhist name was Shonmyoin.

paragraph: Section::::Biography.

paragraph: Iemochi, known in his childhood as Kikuchiyo (菊千代), was the eldest son of the 11th-generation Wakayama Domain lord Tokugawa Nariyuki (1801–1846) with his concubine known as jitsujoin and was born in the domain's residence in Edo (modern-day Minato-ku in Tokyo). Nariyuki was a younger son of the 11th "shōgun", Tokugawa Ienari.

paragraph: In 1847, at age 1, he was adopted as the heir of the 12th-generation "daimyō" Tokugawa Narikatsu, and succeeded him in 1850, taking the name Tokugawa Yoshitomi following his coming of age in 1851. In 1858 he had audience with "shōgun" Iesada and his wife, Atsuhime short after he was adopted as their son and named as the successor to the main Tokugawa house. The choice of Yoshitomi was not without conflict; there were other factions in the government who supported Tokugawa Yoshinobu or Matsudaira Naritami for "shōgun"; both of them, unlike Yoshitomi, were adults. After assuming the office of shogun, Yoshitomi changed his name to Iemochi.

paragraph: Before Iesada died he give his will to Ii Naosuke, that:

paragraph: BULLET::::- First, Ii Naosuke must help Iemochi at administration until Iemochi old enough to rule.

paragraph: BULLET::::- Second, all political issues must be discussed with Tenshoin as Iemochi's mother.

paragraph: As part of the "kōbu gattai" ("Union of Court and Bakufu") movement, On 11 February 1862, Iemochi married Princess Kazu, daughter of Emperor Ninko. Princess Kazu refused to use the title "Midaidokoro", and instead only used the title "Miya".

paragraph: On April 22, 1863 ("Bunkyū 3, 5th day of the 3rd month"), "shōgun" Iemochi traveled in a great procession to the capital. He had been summoned by the emperor, and had 3,000 retainers as escort. This was the first time since the visit of Iemitsu in the "Kan'ei" era, 230 years before, that a shogun had visited Kyoto.

paragraph: His early death at the age of 20 put an end to his short marriage with princess Kazu-no-Miya. Before he died he adopted a son, Tayasu Kamenosuke (later known as Iesato Tokugawa), as his heir. At that time Tayasu Kamenosuke was only 3 years old, but as the Tokugawa shogunate was at war with Chōshū, Yoshinobu was appointed the fifteenth "shōgun". "Shōgun" Yoshinobu then adopted Iemochi's adopted son, Tayasu Kamenosuke. After Iemochi's death, Kazu-no-Miya changed her name to Seikan'in no Miya. The cause of Iemochi's death is widely reported as heart failure due to beriberi, a disease caused by thiamine (vitamin B) deficiency.

paragraph: His successor, Tokugawa Yoshinobu, was the last Tokugawa "shōgun" and witnessed the end of the shogunate, which gave way to the Meiji Restoration.

paragraph: Section::::Family.

paragraph: BULLET::::- Father: Tokugawa Nariyuki (1801–1846)

paragraph: BULLET::::- Mother: Jitsujoin (1821–1904)

paragraph: BULLET::::- Adoptive fathers:

paragraph: BULLET::::- Tokugawa Narikatsu (1820–1849)

paragraph: BULLET::::- Tokugawa Iesada

paragraph: BULLET::::- Adoptive Mother: Tenshō-in

paragraph: BULLET::::- Wife: Kazu-no-Miya Chikako

paragraph: BULLET::::- Concubine:

paragraph: BULLET::::- Oyuri no Kata (1850–1880) later Shoko-in

paragraph: BULLET::::- Ohina no Kata (1846–1862) daughter of Shimazu Tadafuyu also niece of Tenshō-in

paragraph: BULLET::::- Adopted son: Tokugawa Iesato

paragraph: Section::::Eras of Iemochi's "bakufu".

paragraph: The years in which Iemochi was "shōgun" are more specifically identified by more than one era name or "nengō".

paragraph: BULLET::::- "Ansei" (1854–1860)

paragraph: BULLET::::- "Man'en" (1860–1861)

paragraph: BULLET::::- "Bunkyū" (1861–1864)

paragraph: BULLET::::- "Genji" (1864–1865)

paragraph: BULLET::::- "Keiō" (1865–1868)

paragraph: Section::::In fiction.

paragraph: Tokugawa Iemochi is featured in the 2008 NHK "Taiga" drama, "Atsuhime". He is portrayed by Matsuda Shota.

paragraph: His child self is featured in the novel "Kazunomiya, Prisoner of Heaven", by Kathryn Lasky, a fictional diary written by Iemochi's wife.

paragraph: Iemochi is also mentioned in "The Last Concubine" by Lesley Downer.

paragraph: He is parodied in the manga and anime series Gin Tama as "Tokugawa Shige-Shige" (徳川 茂茂), with a name based on Tokugawa Ieshige.

paragraph: Lord Tokugawa appears in James Clavell's novel "Gai-Jin" as Nobusada Toranaga.

paragraph: Section::::References.

paragraph: BULLET::::- "Rekishi Dokuhon" Jan. 2006 issue: "Tokugawa Shōgun-ke to Matsudaira Ichizoku"

paragraph: BULLET::::- "Tokugawa Iemochi to sono jidai: wakaki shōgun no shōgai" 徳川家茂とその時代: 若き将軍の生涯. Tokyo: Tokugawa kin'en zaidan 徳川記念財団, 2007.

paragraph: BULLET::::- Totman, Conrad. (1980). "The Collapse of the Tokugawa Bakufu, 1862–1868." Honolulu: University of Hawai'i Press.

paragraph: Section::::External links.

paragraph: BULLET::::- Digitized woodblock print: Shogun Iemochi in procession towards Kyoto in "Bunkyū 3"

description: Japanese shogun

wikidata_label: Tokugawa Iemochi

wikipedia_title: Tokugawa Iemochi


text:
Tokugawa Iemitsu
Chiyohime
Senhime
Shimabara Rebellion
Tokugawa Iemitsu
Hōjuin
Asa no Miya Akiko
Tokugawa Mitsutomo
bakufu
Sakai Tadakatsu
Sakai Tadakiyo
Inaba Masanori
Matsudaira Nobutsuna
Hoshina Masayuki
rōnin
Yui Shōsetsu
Marubashi Chūya
Edo Castle
Kyoto
Osaka
Toyotomi Hideyoshi
Keian Uprising
seppuku
Sado Island
bakufu
Tokugawa Mitsutomo
Hoshina Masayuki
Itakura Shigenori
Tsuchiya Kazunao
Kuze Hiroyuki
Inaba Masanori
junshi
Ainu rebellion
Hokkaido
Date
Sendai
Ōnin War
Sakai Tadakiyo
Go-Sai
Tokugawa Tsunayoshi
Kan'ei-ji
era name
nengō
Keian
Jōō
Meireki
Manji
Kanbun
Enpō
Bodart-Bailey, Beatrice
OCLC 246417677
OCLC 48943301
Screech, Timon.
OCLC 65177072
Titsingh, Isaac.
Nihon Ōdai Ichiran
"Annales des empereurs du Japon".
OCLC 5850691
OCLC 279623

categories: Child rulers from Asia,1641 births,Tokugawa clan,1680 deaths,17th-century shōguns,Tokugawa shōguns

paragraph: Tokugawa Ietsuna

paragraph: Section::::Early life (1641–1651).

paragraph: Tokugawa Ietsuna was born in 1641, allegedly the eldest son of Tokugawa Iemitsu with his concubine, Oraku no Kata later Houjuin. Later Ietsuna was raised with his sister, Chiyohime (born by Ofuri) by Iemitsu's concubine, Oman no kata (later Eikoin) and Iemitsu's wife, Takatsukasa Takako later Honriin. After Eikoin retired, Senhime (also called Tenjuin) raised him with Honriin. At that time his father was shogun in his own right and had enacted several anti-Christian measures after the bloody Shimabara Rebellion of 1637. Though the suppression of this rebellion quelled all serious threats to Tokugawa rule, it was nonetheless an unsure era. Ietsuna was a frail child, and this carried over into his adult years. Nothing else is known of his youth. His childhood name was Takechiyo (竹千代).

paragraph: Section::::Family.

paragraph: BULLET::::- Father: Tokugawa Iemitsu

paragraph: BULLET::::- Mother: Hōjuin (1621–1653)

paragraph: BULLET::::- Adopted mother: Eiko'in (1624–1711)

paragraph: BULLET::::- Wife: Asa no Miya Akiko (1640–1676) later Koge'in

paragraph: BULLET::::- Concubines:

paragraph: BULLET::::- Oyo no Kata (d. 1657)

paragraph: BULLET::::- Ofuri no Kata (1649–1667) later Yoshun'in

paragraph: BULLET::::- Oshima no Kata (d. 1660)

paragraph: BULLET::::- Mitsuru no Kata (1660–1690) later Enmyoin

paragraph: BULLET::::- Onatsu no Kata (d. 1680) later Honjuin

paragraph: BULLET::::- Okiku no Kata

paragraph: BULLET::::- Ofuji no Kata later Jokkoin

paragraph: BULLET::::- Okoto no Kata later Zumnyoin

paragraph: BULLET::::- Oran no Kata

paragraph: BULLET::::- Omino no Kata (d. 1679)

paragraph: BULLET::::- Osumi no Kata

paragraph: BULLET::::- Yoshino no Kata (d. 1680)

paragraph: BULLET::::- Children:

paragraph: BULLET::::- son (died in womb in 1667) by Ofuri

paragraph: BULLET::::- daughter (died in womb in 1660) by Oshima

paragraph: BULLET::::- son (died in womb in 1680) by Yoshino

paragraph: BULLET::::- adopted daughter: Naohime, daughter of Tokugawa Mitsutomo

paragraph: Section::::Shogunal regency (1651–1663).

paragraph: Tokugawa Iemitsu died in early 1651, at the age of forty-seven. After his death, the Tokugawa dynasty was at major risk. Ietsuna, the heir, was only ten years old. Nonetheless, despite his age, Minamoto no Ietsuna became shogun in "Kei'an" 4 (1651). Until he came of age, five regents were to rule in his place, but Shogun Ietsuna nevertheless assumed a role as formal head of the bakufu bureaucracy.

paragraph: In this period, regents exercised power in the "shogun"s name. These were Sakai Tadakatsu, Sakai Tadakiyo, Inaba Masanori, Matsudaira Nobutsuna (a distant member of the Tokugawa), and one other. In addition to this regency, Iemitsu handpicked his half-brother, Hoshina Masayuki.

paragraph: The first thing that Shogun Ietsuna and the regency had to address was the "rōnin" (masterless samurai). During the reign of Shogun Iemitsu, two samurai, Yui Shōsetsu and Marubashi Chūya, had been planning an uprising in which the city of Edo would be burned to the ground and, amidst the confusion, Edo Castle would be raided and the "shōgun", other members of the Tokugawa and high officials would be executed. Similar occurrences would happen in Kyoto and Osaka. Shosetsu was himself of humble birth and he saw Toyotomi Hideyoshi as his idol.

paragraph: Nonetheless, the plan was discovered after the death of Iemitsu, and Ietsuna's regents were brutal in suppressing the rebellion, which came to be known as the Keian Uprising or the "Tosa Conspiracy". Chuya was brutally executed along with his family and Shosetsu's family. Shosetsu chose to commit seppuku rather than being captured.

paragraph: In 1652, about 800 "rōnin" led a small disturbance on Sado Island, and this was also brutally suppressed. But for the most part, the remainder of Ietsuna's rule was not disturbed anymore by the "rōnin" as the government became more civilian-oriented.

paragraph: In "Meireki" 3 (1657), on the 18th–19th days of the 1st month, when Ietsuna was almost 20 years old, a great fire broke out in Edo and burned the city to the ground. Ietsuna's concubine Oyo burned to death in the fire. It took two years to rebuild the city and bakufu officials supervised the rebuilding of the city. In 1659, Ietsuna presided over the opening ceremonies. In the 11th month he married Asa no Miya Akiko, daughter of Fushimi no Miya Sadakiyo. It is said that his relationship was quite good with Asa no Miya, though they didn't have a child; they adopted Naohime, daughter of Tokugawa Mitsutomo.

paragraph: Section::::"Bakufu" power struggle (1663–1671).

paragraph: In 1663, the regency for "shōgun" Ietsuna ended, but the regents still held power for him, the first time that the power behind the bakufu was not a former "shōgun". Ietsuna's chief advisors were now Hoshina Masayuki, Ietsuna's uncle (whom he had deep regard for) Itakura Shigenori, Tsuchiya Kazunao, Kuze Hiroyuki, and Inaba Masanori. Even though Ietsuna was now ruling in his own right, these former regents now became his official advisors, and in some cases, acted for him. In some cases, however, Ietsuna acted upon his own accord, as when he came up with the idea of abolishing junshi, where a samurai follows his lord into death.

paragraph: BULLET::::- 1663 ("Kanbun 3"). The shogunate banned suicides due to fidelity ("junshi").

paragraph: BULLET::::- 1669 ("Kanbun 9"). An Ainu rebellion broke out in Hokkaido.

paragraph: Another example of this is in 1671 when the Date family of Sendai was involved in a succession dispute. The bakufu intervened and prevented another rendition of the Ōnin War. By 1671, however, many of the former regents were either dead or retired, and Ietsuna began to rule in his own right.

paragraph: Section::::"Shōgun" (1671–1680).

paragraph: Following the succession dispute of the Date, very few disturbances occurred for the remainder of Ietsuna's reign, except some defiant "daimyōs".

paragraph: In 1679, "shōgun" Ietsuna fell ill. His succession began to be discussed, in which Sakai Tadakiyo took an active role. He suggested that a son of Emperor Go-Sai become the next shogun, following the precedent of the later Kamakura shoguns, who in reality were members of the blood royal. Tadakiyo probably saw himself as becoming powerful like the Hōjō regents, and thus many members of the Tokugawa blood preferred Shogun Ietsuna's younger brother Tokugawa Tsunayoshi, also a son of Shogun Iemitsu, to become "shōgun".

paragraph: BULLET::::- June 4, 1680 ("Enpō 8, 8th day of the 5th month"): "Shōgun" Ietsuna dies; and he is succeeded as shogun by Tsunayoshi.

paragraph: Tadakiyo retired, embarrassed, and shortly after, Tokugawa Ietsuna died in 1680. His posthumous name was Genyū-in (厳有院) and was buried in Kan'ei-ji. He was succeeded by his younger brother, Tsunayoshi.

paragraph: Though Ietsuna proved to be an able leader, affairs were largely controlled by the regents his father had appointed, even after Ietsuna was declared old enough to rule in his own right.

paragraph: Section::::Eras of Ietsuna's "bakufu".

paragraph: The years in which Ietsuna was "shōgun" are more specifically identified by more than one era name or "nengō".

paragraph: BULLET::::- "Keian" (1648–1652)

paragraph: BULLET::::- "Jōō" (1652–1655)

paragraph: BULLET::::- "Meireki" (1655–1658)

paragraph: BULLET::::- "Manji" (1658–1661)

paragraph: BULLET::::- "Kanbun" (1661–1673)

paragraph: BULLET::::- "Enpō" (1673–1681)

paragraph: Section::::References.

paragraph: BULLET::::- Bodart-Bailey, Beatrice. (1999). "Kaempfer's Japan: Tokugawa Culture Observed". Honolulu: University of Hawaii Press . ; ; OCLC 246417677

paragraph: BULLET::::- Nussbaum, Louis Frédéric and Käthe Roth. (2005). "Japan Encyclopedia". Cambridge: Harvard University Press. ; OCLC 48943301

paragraph: BULLET::::- Screech, Timon. (2006). "Secret Memoirs of the Shoguns: Isaac Titsingh and Japan, 1779–1822". London: RoutledgeCurzon. ; OCLC 65177072

paragraph: BULLET::::- Titsingh, Isaac. (1834). "Nihon Ōdai Ichiran"; ou, "Annales des empereurs du Japon". Paris: Royal Asiatic Society, Oriental Translation Fund of Great Britain and Ireland. OCLC 5850691.

paragraph: BULLET::::- Totman, Conrad. (1967). "Politics in the Tokugawa Bakufu, 1600–1843". Cambridge: Harvard University Press. OCLC 279623

description: Tokugawa shogun

wikidata_label: Tokugawa Ietsuna

wikipedia_title: Tokugawa Ietsuna


text:
East
ancient Egypt
4th dynasty
Khufu
Giza
slab stela
Louvre

categories: 26th-century BC women,Princesses of the Fourth Dynasty of Egypt

paragraph: Nefertiabet

paragraph: Nefertiabet ("nfr.t ỉ3b.t"; "Beautiful One of the East") was an ancient Egyptian princess of the 4th dynasty. She was possibly a daughter of Pharaoh Khufu.

paragraph: Section::::Tomb.

paragraph: Her tomb at Giza is known (G 1225). The mastaba is about 24.25 x 11.05 m. in size.

paragraph: A statue of her, now in Munich, probably originates from her tomb. There is a well-known slab stela depicting the princess that is now in the Louvre. Nefertiabet is shown seated facing right. She is depicted with a long wig and a panther-skin garment. An offering table in front of her bears reeds, as is common, indicating "[the products of the] field", as well as sundry other foodstuffs. Under the table offerings are depicted including linen and ointment on the left, and on the right offerings of bread, beer, oryx, and bull. On the right of the slab a linen list is depicted.

paragraph: The tomb originally contained one shaft, which contained the burial of Nefertiabet. The shaft comprises a passage and a chamber. Fragments of a white limestone coffin with a flat lid were found. A canopic pit had been dug in one of the corners of the chamber. The chamber contained several bowls and jars. An annex with one additional burial shaft was added later, but was found emptied.

paragraph: br

description: Ancient Egyptian princess of the 4th Dynasty under the reign of Keops

wikidata_label: Nefertiabet

wikipedia_title: Nefertiabet


text:
ancient Egypt
12th dynasty
Amenemhat II
Senusret II
Khenemetneferhedjet I
Tanis
Egyptian Museum
Cairo
Kahun

categories: Queens consort of the Twelfth Dynasty of Egypt

paragraph: Nofret II

paragraph: Nofret II (her name means "Beautiful One") was an ancient Egyptian queen of the 12th dynasty. She was a daughter of Amenemhat II and wife of Senusret II.

paragraph: Along with Khenemetneferhedjet I she was one of the two known wives of Senusret II; his other two possible wives were Khenemet and Itaweret. All four were also Senusret's sisters. Two of her statues were found at Tanis and these are now in the Egyptian Museum in Cairo. The small pyramid in her husband's Kahun pyramid complex was probably built for her.

paragraph: Her titles: "King's Daughter; Great of Sceptre; Lady of the Two Lands."

description: ancient Egyptian queen consort

wikidata_label: Nofret II

wikipedia_title: Nofret II


text:
New Kingdom of León
New Spain
San Marcos, Texas
New Spain
royalist
Mexican war of independence
Miguel Hidalgo
Ignacio Allende
José Mariano Jiménez
Juan Aldama
Wells of Baján
Coahuila
Benedict Arnold
Salinas Victoria
Nuevo León
Garcia
hacienda
Lieutenant
Captain
Punta de Lampazos
dragoons
New Kingdom of León
Nuevo Leon
Texas
Apache
Viceroy
Roman Catholic
Coahuila
Monclova
"grito"
Roman Catholic
priest
Miguel Hidalgo y Costilla
Casas Revolt
Monclova
Manuel María de Salcedo
United States
Battle of Calderon Bridge
Saltillo
José Melchor Sanchez Navarro
Wells of Baján
Durango
Chihuahua
Texas
Battle of Rosillo Creek
San Antonio
José Joaquín de Arredondo
Bernardo Gutiérrez de Lara
Rio Grande
San Antonio
Battle of Alazan Creek
Battle of Medina
Republican Army of the North
hacienda
Nacogdoches
Brazos River
San Marcos River

categories: 1766 births,People from Salinas Victoria, Nuevo León,Colonial Mexico,1813 deaths,People of the Mexican War of Independence

paragraph: Ignacio Elizondo

paragraph: Francisco Ignacio Elizondo Villarreal, (born Salinas Valley, New Kingdom of León, New Spain, March 9, 1766 - died San Marcos, Texas, New Spain, c. September 12, 1813), was a royalist military officer during the Mexican war of independence against Spain. He is mostly known for his capture of insurgent leaders Miguel Hidalgo, Ignacio Allende, José Mariano Jiménez, and Juan Aldama at the Wells of Baján, Coahuila in 1811. Initially a supporter of Mexican independence who converted to the royalist cause, Elizondo is sometimes compared to the American Benedict Arnold. In 1813, after a successful campaign against rebel armies he was assassinated by one of his junior officers.

paragraph: Section::::Personal life.

paragraph: Elizondo was born in the village of Salinas (now Salinas Victoria, Nuevo León). He was son of José Marcos de Elizondo and María Josefa de Villarreal. He was of Spanish and Basque ancestry. During his childhood, Elizondo lived in the village of Pesquería Grande (present-day Garcia, Nuevo León). His father owned many agricultural estates (haciendas). In 1787, at the age of twenty-one he married María Gertrudis. She died on March 6, 1797 while giving birth to his son, José Rafael Eusebio.

paragraph: Ignacio Elizondo began his military career in 1798, after being appointed Lieutenant of Pesquería's provincial militia company. Two years later, he was appointed Captain of the Punta de Lampazos provincial dragoons, one of the largest military units in the New Kingdom of León, present day Nuevo Leon. One year later Elizondo returned again to his former position at Pesquería's provincial militia. In 1806, the governor of Nuevo León, Pedro de Herrera y Levya, appointed him to command the Eighth Dragoons, a company, which would operate in Texas against the frequent Apache attacks taking place. Elizondo requested from the Viceroy an exemption from his military command as he was having serious financial problems. He owed money to the Roman Catholic church for livestock and land he had purchased. However, Governor de Herrera, declined to exempt him from his military duties which caused friction between the two men. He subsequently married Maria Romana Carrasco and, in 1806, the couple moved to the Hacienda of San Juan de Canoas, in Coahuila state, where he also administrated the Hacienda of Alamo near the city of Monclova.

paragraph: Section::::Capturing Hidalgo.

paragraph: The Mexican War of Independence from Spain began with the "grito" of the Roman Catholic priest, Miguel Hidalgo y Costilla, on September 16, 1810. Initially Elizondo, stationed in Texas, took the side of the rebels in the Casas Revolt. Elizondo had the responsibility of guarding royalist prisoners in Monclova, Coahuila. There, or possibly earlier, he was persuaded to join the royalists. Some historians debate whether General Ramon Díaz de Bustamante or Bishop Primo Feliciano Marín de Porras won Elizondo over to the royalists. Others believe he was converted by Manuel María de Salcedo of Texas and Simón de Herrera of Nuevo León, while the two royalist governors were his prisoners.

paragraph: Elizondo was asked to continue to pretend to support the rebels to gain intelligence about the plans of Allende and Hidalgo who were then in flight toward the United States after a military defeat in the Battle of Calderon Bridge. In March 1811, Hidalgo and Allende, rebel military leaders, and the remnants of the rebel army were in Saltillo, south of Monclova. The royalist sympathizers in Monclova included a group of large landowners of the region led by José Melchor Sanchez Navarro.

paragraph: Deceived into believing that Monclova was safely in the hands of rebel supporters, Allende, Hidalgo, other leaders, and 1,000 men of the rebel army departed Saltillo for Monclova. On March 21, 1811 Elizondo was waiting at the Wells of Baján with 150 men. The rebel leaders arrived first at the wells in carriages. Elizondo greeted them with an honor guard. He led the carriages behind a nearby hill not visible from the remainder of the rebel convoy. There, his men demanded the surrender of the rebel leaders. Padre Hidalgo, on horseback, drew a pistol but was restrained from firing by a royalist soldier. Allende was in the fifth carriage, and Allende opened fire. In the return fire Allende's son and several rebel soldiers were killed. The royalists tied the hands of the rebel leaders and their escorts and escorted them to a makeshift prison camp. This process of capturing elements of the rebel army continued all day long. As each new element arrived they were taken captive by Elizondo's men. By the end of the day the royalists had 893 prisoners and had killed about 40 of the royalists who resisted. The rear guard was the only contingent in the rebel army which sensed the danger and escaped capture.

paragraph: The next day Elizondo divided the prisoners into three groups: the leaders of the rebels including Padre Hidalgo; captured rebel clergymen, and the common soldiers. All prisoners were taken to Monclova first and the lesser offenders remained there for trial. Ten captured clergymen were taken to Durango and 27 military leaders and Hidalgo were taken to Chihuahua for trial. The rebel leaders and many of their followers were executed.

paragraph: Section::::Royalist soldier.

paragraph: After the capture of the rebel leaders, Elizondo was promoted to Lt. Colonel in the royalist army. Given the importance of his capture of the rebel leaders, the reward and the honors he received were modest.

paragraph: On March 29, 1813, the royalist army in Texas lost the Battle of Rosillo Creek and on April 1 the rebels occupied San Antonio. To begin the effort to recover Texas, General José Joaquín de Arredondo ordered Elizondo to reconnoiter, but not to engage in battle with, the rebel forces of José Bernardo Gutiérrez de Lara in San Antonio. With a force of 1,050 men Elizondo crossed the Rio Grande on June 12 and, against Arredondo's orders, camped near San Antonio de Bexar and demanded Gutiérrez's surrender. On June 20, Gutiérrez's army of 1,500 men surprised Elizondo in the Battle of Alazan Creek and soundly defeated his forces, forcing Elizondo to retreat to the Rio Grande.

paragraph: General Arredondo ordered Elizondo to join him in an effort to retake the Spanish colony of Texas. With 1,830 men the two commanders advanced from Mexico toward San Antonio. On August 18, 1813, at the Battle of Medina, Elizondo led a cavalry division of the Royal Spanish Army to defeat the 1,400 man rebel Republican Army of the North, crushing the so-called Gutiérrez–Magee Expedition as well as the insurrection in Texas.

paragraph: Elizondo's last military service to the King of Spain was as the officer in command of a contingent of 500 cavalrymen dispatched by Arredondo from the capital at San Antonio, to chase and mop-up the fleeing survivors of the insurgent army immediately after the Battle of Medina. His last reports (before the incident that led to his death on his return from this successful mission) detail his march along the Camino Real toward eastern Texas, where he captured and executed many of the rebel soldiers at the Spanish hacienda of Trinidad de Salcedo (1807-1813) on Trinity River, which he depopulated and burned (see translation of Elizondo's final reports appended here). He pursued rebel soldiers as far as Nacogdoches in eastern Texas and executed 71 rebel soldiers and took more than 100 prisoners.

paragraph: Section::::Death.

paragraph: On September 3, 1813, Elizondo was critically wounded by Lieutenant Miguel (or Manuel) Serrano, while sleeping in his encampment at the edge of the Brazos River. He died a few days later. Many historians believe he was buried on the bank of the San Marcos River, in Texas, New Spain, where he died as he was being carried back to the capital on a litter. However, if Lt. Col. Elizondo was, indeed, first interred on the banks of the San Marcos River, then his remains must have been exhumed later and re-buried in San Antonio, where on 9 October 1815, his burial was recorded in the "campo santo" record book at San Fernando cathedral as No. 715: "Ignacio Elizondo, Lt. Col. of the cavalry. Spanish, married to Romana Carrasco. He died of wounds received from an attack whilst he slept."

description: Spanish general

wikidata_label: Ignacio Elizondo

wikipedia_title: Ignacio Elizondo


text: Major League Baseball

text: second baseman

text: Somerset, Massachusetts

text: California Angels

text: Boston Red Sox

text: color commentator

text: NESN

text: Fall River, Massachusetts

text: Somerset, Massachusetts

text: Somerset High School

text: Roger Williams University

text: Bristol, Rhode Island

text: French Canadian

text: Washington Senators

text: 1970 MLB draft

text: 1971 MLB draft

text: California Angels

text: farm system

text: rookie league

text: Magic Valley Cowboys

text: Class A

text: Stockton Ports

text: Quad City Angels

text: Double-A

text: El Paso Diablos

text: Triple-A

text: Salt Lake City Angels

text: Minor League Baseball

text: batting

text: home run

text: RBI

text: Steve Busby

text: Kansas City Royals

text: at bat

text: picked off

text: 1975 Angels

text: stolen base

text: caught stealing

text: team captain

text: Boston Red Sox

text: Don Aase

text: MLB All-Star Game

text: 1978 Red Sox

text: New York Yankees

text: Carl Yastrzemski

text: Cleveland Indians

text: six hits in a game

text: Seattle Mariners

text: pinch hitter

text: spring training

text: fielding percentage

text: Bill James

text: Historical Abstract

text: broadcasting

text: New England Sports Network (NESN)

text: color commentator

text: Don Orsillo

text: Dave O'Brien

text: Emmy

text: Sports Illustrated

text: Fenway Park

text: hot dog stand

text: Logan International Airport

text: Boylston Street

text: Tony Conigliaro

text: South Boston

text: The Herald News

text: Boston Red Sox Hall of Fame

text: Red Sox Nation

text: Wally the Green Monster

text: Dustin Pedroia

text: cancer

text: lung

text: pneumonia

text: depression

text: Terry Francona

text: The Boston Globe

text: Don Orsillo

text: Dennis Eckersley

text: New York Yankees

text: CT scan

text: spring training

text: Twitter

text: Massachusetts General Hospital

text: Jared

text: State Police

text: 1999 MLB draft

text: The Remy Report

categories: Roger Williams University alumni,1952 births,People from Somerset, Massachusetts,Major League Baseball broadcasters,Lung cancer survivors,Boston Red Sox players,Salt Lake City Angels players,Baseball players from Massachusetts,American people of French-Canadian descent,California Angels players,Sportspeople from Fall River, Massachusetts,Quad Cities Angels players,American League All-Stars,People from Weston, Massachusetts,Magic Valley Cowboys players,Living people,El Paso Diablos players,Boston Red Sox broadcasters,Major League Baseball second basemen

paragraph: Jerry Remy

paragraph: Gerald Peter Remy, commonly known as Jerry Remy, (born November 8, 1952) is an American Major League Baseball broadcaster and former Major League Baseball second baseman. Remy grew up in Somerset, Massachusetts. An all-star second baseman originally drafted by the California Angels in 1971, he was traded to his hometown Boston Red Sox in 1977. He retired from the sport in 1985 after a series of injuries and ventured into a career in broadcasting. He has served as a color commentator for NESN's Red Sox broadcasts since 1988, only taking some occasional time off for health problems.

paragraph: Section::::Early life.

paragraph: Remy was born in Fall River, Massachusetts, on November 8, 1952, and grew up in nearby Somerset, Massachusetts. He attended Somerset High School and Roger Williams University in Bristol, Rhode Island. He is of French Canadian descent.

paragraph: Section::::Playing career.

paragraph: Remy was selected by the Washington Senators in the 19th round of the 1970 MLB draft, but he did not sign. He was then selected in the 8th round of the January supplemental phase of the 1971 MLB draft (129th overall) by the California Angels, and signed with the team.

paragraph: Section::::Playing career.:Minor leagues (1971-1974).

paragraph: Remy played four seasons in the Angels' farm system: 1971 with the rookie league Magic Valley Cowboys, 1972 with the Class A Stockton Ports, 1973 with the Class A Quad City Angels (.335, 4 home runs and 36 RBI in 117 games) and 1974 with Double-A El Paso Diablos and the Triple-A Salt Lake City Angels, where he hit a combined .323 with 4 home runs and 67 RBI. Overall, Remy appeared in 421 games in Minor League Baseball, batting .275 with 12 home runs and 152 RBIs.

paragraph: Section::::Playing career.:California Angels (1975-1977).

paragraph: Remy made his major league debut with the Angels on April 7, 1975, hitting a single off of Steve Busby of the Kansas City Royals in his first at bat, and subsequently being picked off. With the 1975 Angels, Remy played 147 games (145 starts) as the Angels' second baseman, batting .258 with one home run and 46 RBIs. He had 34 stolen bases, but was caught stealing a league-leading 21 times. The following year, his average rose slightly to .263, although with no home runs and 28 RBIs. In 1977, he had a career-high four home runs, along with a .252 average and 44 RBIs; he was named team captain of the Angels in June, becoming only the second captain in the team's history.

paragraph: Overall, in three seasons with the Angels, Remy played in 444 games, batting .258 with five home runs, 118 RBIs, and 110 stolen bases. On December 8, 1977, he was traded to the Boston Red Sox in exchange for pitcher Don Aase and cash considerations.

paragraph: Section::::Playing career.:Boston Red Sox (1978-1984).

paragraph: Remy was the Red Sox' starting second baseman in 1978 and was selected for the MLB All-Star Game, although he did not play in the game. Overall, with the 1978 Red Sox, he batted .278 with 44 RBIs and 30 stolen bases in 148 games. He also had two home runs, the last ones of his career. In the 1978 American League East tie-breaker game against the New York Yankees, Remy was on base in the ninth inning when Carl Yastrzemski made the final out; it was the closest Remy came to the postseason is his MLB career.

paragraph: Remy continued as Boston's starting second baseman for the next six seasons, although he was often hampered by injuries. In 1979, he played in 80 games and batted .297. In 1980, he batted a career-high .313 but was limited to 63 games; he also appeared in the outfield for the only time in his career, playing the ninth inning in right field during a May loss to the Cleveland Indians. In 1981, Remy played in 88 games while batting .307. On September 3–4, 1981, he accomplished the rare feat of collecting six hits in a game, going 6-for-10 in a 20-inning game against the Seattle Mariners.

paragraph: In 1982, Remy appeared in a career-high 155 games while batting .280; in 1983, he batted .275 while playing in 146 games. In 1984, a knee injury limited him to 30 games for the season, during which he batted .250; he made his final start at second base on May 5, and his final MLB appearance on May 18 when he flied out as a pinch hitter. Remy was released by the Red Sox on December 10, 1985, and he retired during spring training in 1986. Overall, in seven seasons with the Red Sox, Remy played in 710 games, batting .286 with two home runs, 211 RBIs, and 98 stolen bases.

paragraph: During his ten-year MLB career, Remy batted .275 with seven home runs, 329 RBIs, and 208 stolen bases in 1154 games. Defensively, he had a .981 fielding percentage. Bill James, in his "Historical Abstract", rated Remy as the 100th greatest second baseman of all time as of 2001.

paragraph: Section::::Post-playing career.

paragraph: Since 1988, Remy has found success in broadcasting, working for the New England Sports Network (NESN), as the regular color commentator for NESN's Red Sox broadcasts. From 2001 through the end of the 2015 season, Remy teamed with play-by-play announcer Don Orsillo; since the 2016 season, Remy has worked with Dave O'Brien. Remy and Orsillo won four New England Emmy awards, and Remy was voted Massachusetts' favorite sports announcer in 2004 by "Sports Illustrated". NESN and the Red Sox celebrated Jerry Remy Day at Fenway Park on June 24, 2008, in honor of Remy's 20 years of service for the network. He also runs a web site, The Remy Report.

paragraph: Remy owns a hot dog stand, "RemDawg's", located just outside Fenway Park, as well as Jerry Remy's Sports Bar & Grill in Terminal C of Logan International Airport since 2008. There were three other Bar & Grill locations: one behind Fenway Park on Boylston Street that opened March 9, 2010, which was reported closed in March 2015, and subsequently became a Tony C’s Sports Bar & Grill (named after another former Red Sox player, Tony Conigliaro); a second in the Seaport District of South Boston, which in December 2016 also became a Tony C’s Sports Bar & Grill; and a third in Remy's hometown of Fall River that opened in October 2012, which in March 2018, "The Herald News" of Fall River reported would be closed.

paragraph: Remy was inducted into the Boston Red Sox Hall of Fame in 2006, elected honorary President of Red Sox Nation in 2007, and was inducted into the Massachusetts Broadcasters Hall of Fame in 2017.

paragraph: Section::::Post-playing career.:Books.

paragraph: Remy is the author of three books about baseball, and several children's books about Red Sox mascot Wally the Green Monster, which began as an idea based on Remy's storytelling while broadcasting Red Sox games.

paragraph: BULLET::::- Wally the Green Monster series

paragraph: Dustin Pedroia has authored another book in the series, "Wally The Green Monster's Journey Through Time".

paragraph: Section::::Health.

paragraph: In November 2008, Remy had surgery to remove a "very small, low-grade cancerous area" from his lung, most likely a result of years of smoking cigarettes. During his recovery from the surgery, he suffered from an infection as well as a bout of pneumonia. Due to fatigue and depression, Remy took an indefinite leave of absence from his broadcast duties for NESN, starting April 30, 2009.

paragraph: On August 12, 2009, Remy went to Fenway Park and attended Red Sox manager Terry Francona's pre-game press conference. He told both NESN and "The Boston Globe" that he had every intention of returning to broadcasting Red Sox games during the remainder of the 2009 season. He entered the NESN's broadcast booth during the top of the second inning during the night's game to speak with broadcasters Don Orsillo and Dennis Eckersley. It was the first time he had been in the booth since he took his leave of absence in April. In between the top and the bottom of the second inning, Remy, still in the booth, was shown on Fenway's center field scoreboard display, to which he received a standing ovation from the crowd attending the game. He revealed during the visit that he had suffered from depression following his physical problems of 2008 and that he was receiving therapy. On August 19, 2009, Remy released a statement announcing his return to commentating on August 21, 2009, against the New York Yankees. Remy stated that he would likely skip some road trips. He returned full-time for the 2010 baseball season. In April 2013, Remy announced that he’d suffered a relapse that offseason when cancer was found in a different spot on his lungs during his regular six-month CT scan that January.

paragraph: Remy took time off starting May 28, 2013, due to a bout of pneumonia. He returned to the booth on June 25, 2013. On August 16, 2013, Remy announced that he would be taking an indefinite leave of absence after his son was arrested for murder. Remy did not return to the broadcast booth until the beginning of the 2014 season. Remy had another leave during the 2016–17 off-season, missing nearly all of 2017 spring training until returning for the last week.

paragraph: On June 12, 2017, Remy announced that the lung cancer had returned. In January 2018, he announced via Twitter that he had completed treatments at Massachusetts General Hospital. A fourth diagnosis of cancer was announced on August 7, 2018. After undergoing treatments, Remy announced in early November 2018 that he was cancer-free.

paragraph: Section::::Family.

paragraph: Remy and his wife Phoebe have three children, Jared, Jordan, and Jenna. Jared worked for the Red Sox as a security guard, but was fired in 2008 after another guard told the State Police that Jared had sold him steroids. On August 16, 2013, Jared was arrested in the fatal stabbing of his girlfriend, Jennifer Martel, a charge he pleaded guilty to on May 27, 2014. Remy was sentenced to life in state prison without the possibility of parole. Jordan was selected by the Red Sox in the 49th Round of the 1999 MLB draft. In 2010, he was charged with indecent assault and battery. Jenna was arrested on July 25, 2013, for disorderly conduct, assault and battery with a dangerous weapon, resisting arrest, wanton malicious defacement, and misdemeanor breaking and entering after she broke into her ex-boyfriend's home.

paragraph: Section::::See also.

paragraph: BULLET::::- List of Major League Baseball single-game hits leaders

paragraph: Section::::External links.

paragraph: BULLET::::- The Remy Report

description: American baseball player

wikidata_label: Jerry Remy

wikipedia_title: Jerry Remy


text: hip hop

text: Los Angeles

text: California

text: Bandcamp

text: cassette

text: Leaving Records

text: jazz

text: soul

text: old-school hip hop

text: Kendrick Lamar

text: To Pimp a Butterfly

text: Anderson Paak

text: NxWorries

text: Yes Lawd

text: Yes Lawd

text: Link Up & Suede

text: Blu

text: J e s u s

text: Joey Bada$$

text: Capital STEEZ

text: York

text: Quelle Chris

text: "Ghost At The Finish Line"

text: Jeremiah Jae

text: Pyramid Vritra

text: Homeboy Sandman

text: Hallways

text: Kendrick Lamar

text: To Pimp a Butterfly

text: Omarion

text: Ghostface Killah

text: Earl Sweatshirt

text: Balance

text: Adult Swim Singles Program 2016

text: Mach-Hommy

text: Curren$y

text: Alchemist

text: Lil Wayne

text: Hodgy

text: Prodigy

text: Roc Marciano

text: Rosebudd's Revenge

text: Action Bronson

text: Blue Chips 7000

text: Westside Gunn

text: Denmark Vessey

text: Sun Go Nova

text: Mach Hommy

text: The Spook EP

text: Action Bronson

text: White Bronco

categories: American hip hop DJs,West Coast hip hop musicians,African-American record producers,American hip hop record producers,Living people,Stones Throw Records artists

paragraph: Knxwledge

paragraph: Glen Earl Boothe (born March 8, 1988), professionally known as Knxwledge (pronounced "knowledge"), is an American hip hop record producer and songwriter based in Los Angeles, California. Since 2009, he has had 95 releases via Bandcamp. In 2012, he released a 53-track retrospective compilation on cassette, which was released by Leaving Records. In 2010, he released his debut album "Klouds" via All City. His songs are often a mix of various genres, such as jazz, soul, old-school hip hop, and modern rap. In 2015, he produced the track "Momma" on Kendrick Lamar's junior release, "To Pimp a Butterfly". His recent work alongside Anderson Paak as the duo NxWorries has received critical acclaim.

paragraph: Section::::Discography.

paragraph: Section::::Discography.:Albums.

paragraph: BULLET::::- 2010 : "Klouds"

paragraph: BULLET::::- 2010 : "SKR∆WBERRiES.FUNR∆iSRS VOL.3"

paragraph: BULLET::::- 2011 : "AfrikanDivas."

paragraph: BULLET::::- 2011 : "Hexual.Sealings.LP"

paragraph: BULLET::::- 2011 : "Old.Klouds.LP"

paragraph: BULLET::::- 2011 : "WrapTaypes.Port.1"

paragraph: BULLET::::- 2012 : "Ovrstnd.LP"

paragraph: BULLET::::- 2012 : "Hexual.Sealings.Vol.2"

paragraph: BULLET::::- 2012 : "karma.loops.prt.1"

paragraph: BULLET::::- 2012 : "karma.loops.prt2"

paragraph: BULLET::::- 2012 : "WrapTaypes.Port2[bootleg]"

paragraph: BULLET::::- 2012 : "karma.loops.prt3"

paragraph: BULLET::::- 2012 : "karma.loops.prt4"

paragraph: BULLET::::- 2012 : "knt.remembr"

paragraph: BULLET::::- 2012 : "koapastetik.LP"

paragraph: BULLET::::- 2012 : "WrapTaypes.Prt3"

paragraph: BULLET::::- 2012 : "klemintine|taype"

paragraph: BULLET::::- 2012 : "togethrniss_b_side"

paragraph: BULLET::::- 2012 : "WrapTaypes.Prt.4"

paragraph: BULLET::::- 2012 : "Hexual.Sealings.Vol.2.5"

paragraph: BULLET::::- 2012 : "Hexual.Sealings.Vol.3_[bootleg]"

paragraph: BULLET::::- 2012 : "Buttrskotch" (LR023)

paragraph: BULLET::::- 2012 : "togethrniss_∆_side"

paragraph: BULLET::::- 2012 : "Hexual.Sealings.Pt.3.5"

paragraph: BULLET::::- 2013 : "Hexual.Sealings.Pt.4.b-side_"

paragraph: BULLET::::- 2013 : "WrapTaypes.Prt.4.5_"

paragraph: BULLET::::- 2013 : "hex.4.∆.side_"

paragraph: BULLET::::- 2013 : "Hud.Dreems.PRT.1.5"

paragraph: BULLET::::- 2013 : "relevnt.b/sde_LP."

paragraph: BULLET::::- 2013 : "WrapTaypes.PRT.5"

paragraph: BULLET::::- 2013 : "Anthology"

paragraph: BULLET::::- 2013 : "Hexual.Sealings.Prt.4.5_"

paragraph: BULLET::::- 2013 : "karma.loops.PRT.5"

paragraph: BULLET::::- 2013 : "Hexual.Sealings.Prt.5"

paragraph: BULLET::::- 2013 : "WrapTaypes.PRT.5.5[bootleg]"

paragraph: BULLET::::- 2013 : "Ovrstnd.B.Sde_"

paragraph: BULLET::::- 2013 : "Ovrstnd.∆.Sde"

paragraph: BULLET::::- 2013 : "Rap Jointz Vol.1"

paragraph: BULLET::::- 2013 : "Hexual.Sealings.Prt5.5_"

paragraph: BULLET::::- 2013 : "WrapTaypes.Prt.6"

paragraph: BULLET::::- 2013 : "Kauliflowr"

paragraph: BULLET::::- 2013 : "Hexual.Sealings.Prt.6_"

paragraph: BULLET::::- 2013 : "WrapTaypes.Prt6.6_[bootleg]"

paragraph: BULLET::::- 2014 : "HexualSealings.Prt.7"

paragraph: BULLET::::- 2014 : "Hexual.Sealings.PRT.7.5"

paragraph: BULLET::::- 2014 : "WrapTaypes.Prt.7_"

paragraph: BULLET::::- 2015 : "H.S.PRT.8*"

paragraph: BULLET::::- 2015 : "WT.PRT.7.5_"

paragraph: BULLET::::- 2015 : "WT.PRT.8_"

paragraph: BULLET::::- 2015 : "Hud Dreems"

paragraph: BULLET::::- 2015 : "HS8.8_"

paragraph: BULLET::::- 2015 : "H.S.PRT9_"

paragraph: BULLET::::- 2015 : "WT.PRT9_"

paragraph: BULLET::::- 2016 : "HEX.9.8_"

paragraph: BULLET::::- 2016 : "WT.9.8_ "

paragraph: BULLET::::- 2016 : "HEX10."

paragraph: BULLET::::- 2016 : "Yes Lawd"

paragraph: BULLET::::- 2016 : "WT.PRT10_"

paragraph: BULLET::::- 2017 : "WT.PRT10.8_"

paragraph: BULLET::::- 2017 : "GREENTXTS.V1"

paragraph: BULLET::::- 2017 : "The Spook..."

paragraph: BULLET::::- 2017 : "WT.PRT.11_"

paragraph: BULLET::::- 2017 : "HEX.10.8_"

paragraph: BULLET::::- 2017 : "HEX.11_"

paragraph: BULLET::::- 2017 : "WT.11_8"

paragraph: BULLET::::- 2017 : "Yes Lawd Remixes"

paragraph: BULLET::::- 2017 : "MEEK.VOL1_"

paragraph: BULLET::::- 2017 : "WT.12_"

paragraph: BULLET::::- 2017 : "HX11.8_"

paragraph: BULLET::::- 2017 : "WT.12.8_"

paragraph: BULLET::::- 2018 : "MEEK.VOL2_"

paragraph: BULLET::::- 2018 : "WT.PRT_13"

paragraph: BULLET::::- 2018 : "MEEK.VOL3_"

paragraph: BULLET::::- 2018 : "Gladwemet"

paragraph: BULLET::::- 2018 : "HEX.PRT12"

paragraph: BULLET::::- 2018 : "GT.2"

paragraph: BULLET::::- 2018 : "WT.13.8_[ラフミックス]"

paragraph: BULLET::::- 2018 : "ボビーとボビーのボリューム1"

paragraph: BULLET::::- 2018 : "HX.12.8"

paragraph: BULLET::::- 2019 : "MEEK.VOL4_"

paragraph: BULLET::::- 2019 : "WT.14_"

paragraph: BULLET::::- 2019 : "HX.PRT13_"

paragraph: BULLET::::- 2019 : "WT.PRT_14.8_カセットバージョン"

paragraph: BULLET::::- 2019 : "Musiq.Prt_1"

paragraph: Section::::Discography.:Extended Plays.

paragraph: BULLET::::- 2009 : "3p"

paragraph: BULLET::::- 2010 : "K∆NN∆LOUPE.EP"

paragraph: BULLET::::- 2011 : "Mango.EP"

paragraph: BULLET::::- 2011 : "Gwapes.EP"

paragraph: BULLET::::- 2011 : "Komposure.EP"

paragraph: BULLET::::- 2011 : "Flowrs.EP"

paragraph: BULLET::::- 2011 : "ShadySide.EP"

paragraph: BULLET::::- 2011 : "Hud.Dreems.EP"

paragraph: BULLET::::- 2011 : "Randomb.EP"

paragraph: BULLET::::- 2011 : "HexualSealings.EP.1.5"

paragraph: BULLET::::- 2011 : "Konsistensi.EP"

paragraph: BULLET::::- 2011 : "UndrTheWeathr.EP"

paragraph: BULLET::::- 2012 : "komfi.EP"

paragraph: BULLET::::- 2012 : "kuntent.EP"

paragraph: BULLET::::- 2012 : "klarity.EP"

paragraph: BULLET::::- 2012 : "kameo.EP"

paragraph: BULLET::::- 2012 : "[DB]FiXXX's"

paragraph: BULLET::::- 2015 : "2PK.4TRK_"

paragraph: BULLET::::- 2015 : "Link Up & Suede"

paragraph: BULLET::::- 2018 : "dntaskmefrshit."

paragraph: BULLET::::- 2018 : "2PK.4TRK.B.SiDE."

paragraph: Section::::Discography.:Singles.

paragraph: BULLET::::- 2011 : "Dryice"

paragraph: BULLET::::- 2011 : "Petaluma[dnt.ask]"

paragraph: BULLET::::- 2016 : "Fa-lala_ "

paragraph: BULLET::::- 2018 : "yesindeed_[確かにはい]"

paragraph: Section::::Discography.:Mixes.

paragraph: BULLET::::- 2011 : "Krimbos[Medli]"

paragraph: BULLET::::- 2012 : "Takeitbak.Medli"

paragraph: Section::::Production discography.

paragraph: Section::::Production discography.:2011.

paragraph: BULLET::::- Blu – "4u" and "dotheknxwledge (Outerlude)" from "J e s u s"

paragraph: Section::::Production discography.:2012.

paragraph: BULLET::::- Joey Bada$$ ft. Capital STEEZ – "Killuminati" from "1999"

paragraph: BULLET::::- Capital STEEZ ft. Jakk the Rapper – "Black Petunia" from "AmeriKKKan Korruption"

paragraph: Section::::Production discography.:2013.

paragraph: BULLET::::- Iman Omari – "(VIBE)rations (Intro)" from "(VIBE)rations"

paragraph: BULLET::::- Blu – "Keep Pushinn" from "York"

paragraph: BULLET::::- Joey Bada$$ – "Killuminati Part 2"

paragraph: BULLET::::- Quelle Chris – "Look at Shorty" from "Ghost At The Finish Line"

paragraph: BULLET::::- Blu – "Timejuss" and "Draginbreff" from "Classic Drug References Vol.1"

paragraph: Section::::Production discography.:2014.

paragraph: BULLET::::- Jeremiah Jae – "Almost" from "Good Times"

paragraph: BULLET::::- Pyramid Vritra – "Track Three" from "Palace"

paragraph: BULLET::::- Homeboy Sandman – "Problems" from "Hallways"

paragraph: Section::::Production discography.:2015.

paragraph: BULLET::::- Kendrick Lamar – "Momma" from "To Pimp a Butterfly"

paragraph: BULLET::::- Big Twins – "It's a Stick Up" from "Thrive 2"

paragraph: BULLET::::- SiR – "In The Sky", "Love You" and "The Bullet and the Gun" from "Seven Sundays"

paragraph: Section::::Production discography.:2016.

paragraph: BULLET::::- Omarion & Ghostface Killah – "I Ain't Even Done"

paragraph: BULLET::::- Remy Banks – "supreme interlude."

paragraph: BULLET::::- Earl Sweatshirt ft. Knxwledge – "Balance" from "Adult Swim Singles Program 2016"

paragraph: BULLET::::- Mach-Hommy – "Gnarly Dude" from "F.Y.I."

paragraph: BULLET::::- Mach-Hommy – "Fresh Off the Boat" from "H.B.O. (Haitian Body Odor)"

paragraph: BULLET::::- Curren$y & Alchemist – "Cartridge Remix" and "Fat Albert Remix" ft. Lil Wayne from "

paragraph: BULLET::::- Hodgy – "Dreaminofthinkin" from ""

paragraph: BULLET::::- Mach-Hommy – "Selfy Stik"

paragraph: Section::::Production discography.:2017.

paragraph: BULLET::::- THA GOD FAHIM – "GreenLITE" & "Dark Shogunn" from "Tha Dark Shogunn Saga Vol. 2"

paragraph: BULLET::::- Prodigy – "The Good Fight" from "Hegelian Dialectic (The Book of Revelation)"

paragraph: BULLET::::- Roc Marciano – "No Smoke" from "Rosebudd's Revenge"

paragraph: BULLET::::- THA GOD FAHIM – "Tek & An O-Z" from "Dreams of Medina 2"

paragraph: BULLET::::- THA GOD FAHIM – "Child of Destiny" from "Dump Legend 2"

paragraph: BULLET::::- Action Bronson – "Hot Pepper" & "Durag vs. Headband" from "Blue Chips 7000"

paragraph: BULLET::::- Mach-Hommy – "Ron van Clief" & "Faraday Cage" from "Dumpmeister"

paragraph: BULLET::::- Westside Gunn – "B Lunch" from "Hitler Wears Hermes V"

paragraph: Section::::Production discography.:2018.

paragraph: BULLET::::- Denmark Vessey – "Stolat" & "Sun Go Nova" from "Sun Go Nova"

paragraph: BULLET::::- Mach Hommy - "Moucha Sal" from " The Spook EP"

paragraph: BULLET::::- Action Bronson - "Live From the Moon", "Prince Charming", and "Picasso's Ear" from " White Bronco "

description: American hip-hop musician

wikidata_label: Knxwledge

wikipedia_title: Knxwledge


text:
Spanish
noble
Lubrín
Sorbas
Almería
Marques del Carpio
Philip II of Spain
House of Haro
Luis Méndez de Haro y Sotomayor
Sorbas
Lubrín
Beatriz Portocarrero
Diego López de Haro
Busto
Revilla
Sorbas
Lubrín
Galicia
Señorio del Carpio
Beatriz de Sotomayor
Luis Méndez de Sotomayor
Señorio del Carpio
Philip II of Spain
Grandee
Villa de Carboneras
María Angela de Velasco de la Cueva
Cristóbal de la Cueva y Velasco
María López de Haro
Las Villas de Adamuz
Morente y Pedro Abad
Málaga
Francisco Fernández de Córdoba
Beatriz López de Haro Sotomayor
Luis Méndez de Haro Portocarrero
House of Haro
House of Méndez de Sotomayor

categories: House of Haro,Grandees of Spain,1578 deaths,1515 births,Marquesses of Carpio

paragraph: Diego López de Haro y Sotomayor

paragraph: Diego López de Haro y Sotomayor (1515-1578) was a Spanish noble holding the titles of Señor Lubrín y Sorbas, Almería and 10th Señor del Carpio, a title which was elevated to 1st Marques del Carpio in 1559 by Philip II of Spain.

paragraph: Section::::Family Origins.

paragraph: A member of the House of Haro, Diego López was the son of Luis Méndez de Haro y Sotomayor, 9th Señor del Carpio and Señor de Sorbas and Lubrín and his second wife, Beatriz Portocarrero. His paternal grandfather was Diego López de Haro 8th Señor del Carpio, and Señor of Busto, Revilla, Sorbas and Lubrín and governor of Galicia, from whom his father inherited the title of Señorio del Carpio and the Señorios of Lubrín and Sorbas, and his paternal grandmother was Beatriz de Sotomayor, daughter of Luis Méndez de Sotomayor, 7th Señor del Carpio.

paragraph: Section::::Biography.

paragraph: Diego López was the title holder of the Señorio del Carpio, being the 10th Señor when King Philip II of Spain elevated the Señorio to a Marquesado on 20 January 1559 a title which was also granted Grandeeship of Spain. Later in 1559, King Phillip II of Spain granted Diego López the Villa de Carboneras.

paragraph: Section::::Marriage and descendants.

paragraph: Diego López married María Angela de Velasco de la Cueva, daughter of Cristóbal de la Cueva y Velasco, Señor de Roa and the couple had 2 children:

paragraph: BULLET::::- María López de Haro - II Marquesa del Carpio, Señora de Las Villas de Adamuz, Morente y Pedro Abad, and Málaga, who married Francisco Fernández de Córdoba

paragraph: BULLET::::- Beatriz López de Haro Sotomayor - who married her paternal uncle, Luis Méndez de Haro Portocarrero

paragraph: Section::::See also.

paragraph: BULLET::::- House of Haro

paragraph: BULLET::::- House of Méndez de Sotomayor

paragraph: Section::::References.

paragraph: BULLET::::- Some of the information on this page was translated from its Spanish equivalent.

description: Spanish noble

wikidata_label: Diego López de Haro y Sotomayor

wikipedia_title: Diego López de Haro y Sotomayor


text: Trerice

text: House of Commons

text: Saltram

text: Nicholas Slanning

text: Member of Parliament

text: Cavalier Parliament

text: Truro

text: House of Lords

text: Baron Arundell of Trerice

text: Sir John Acland, 3rd Baronet

text: Denys Rolle

text: Bicton

text: Stevenstone

text: Sheriff of Devon

text: John Arundell, 3rd Baron Arundell

text: Barbara Slingsby

text: Sir Thomas Slingsby, 2nd Baronet

text: Hon. Richard Arundell

text: Knaresborough

text: John Manners, 2nd Duke of Rutland

categories: Barons in the Peerage of England,1698 deaths,1649 births,English MPs 1661–1679,Arundell family,Members of the pre-1707 English Parliament for constituencies in Cornwall

paragraph: John Arundell, 2nd Baron Arundell of Trerice (1649 – 21 June 1698) of Trerice, Cornwall, was an English politician who sat in the House of Commons at various times between 1666 and 1687 when he inherited his peerage.

paragraph: Section::::Origins.

paragraph: Arundell was the son and heir of Richard Arundell, 1st Baron Arundell of Trerice, by his wife Gertrude Bagge, daughter of Sir James Bagge, of Saltram, Devon, and widow of Sir Nicholas Slanning. He was baptised on 1 September 1649.

paragraph: Section::::Career.

paragraph: In 1666 Arundell was elected Member of Parliament in the Cavalier Parliament for Truro, Cornwall, and sat until 1679. He was re-elected for Truro in 1685 and sat until 1687 when he moved to the House of Lords, having inherited the title Baron Arundell of Trerice on the death of his father.

paragraph: Section::::Marriages and children.

paragraph: Arundell married twice:

paragraph: BULLET::::- Firstly to Margaret Acland (died 1691), daughter of Sir John Acland, 3rd Baronet (died 1655), of Columb John, Devon, by his wife Margaret Rolle, a daughter of Denys Rolle (1614–1638) of Bicton and Stevenstone in Devon, Sheriff of Devon in 1636.

paragraph: BULLET::::- John Arundell, 3rd Baron Arundell (1678–1706), eldest son and heir.

paragraph: BULLET::::- Secondly to Barbara Slingsby, daughter of Sir Thomas Slingsby, 2nd Baronet, of Scriven, Yorkshire, and widow of Sir Richard Mauleverer, 4th Baronet, of Allerton Mauleverer, Yorkshire, by whom he had children:

paragraph: BULLET::::- Hon. Richard Arundell (died 1759), 2nd son, MP for Knaresborough, Clerk of the Pipe, Surveyor of the Works and Master of the Mint. He married Lady Frances Manners, a daughter of John Manners, 2nd Duke of Rutland, KG, (1676–1721), but died childless.

description: English Baron and politician


text:
opéra comique
Le petit duc
Théâtre des Variétés
Gaîté
La fille de Madame Angot
La fille du tambour-major
Opéra-Comique
La Basoche
Les dragons de Villars
Le roi d'Ys
La petite fonctionnaire
Ciboulette
Véronique
Madame l'archiduc
Théâtre Mogador
Phi-Phi
André Baugé
No, No, Nanette
Le Chant du désert
Coups de roulis
Passionément

categories: Musicians from Paris,1879 births,1941 deaths

paragraph: Edmée Favart

paragraph: Edmée Favart (1879 – 29 October 1941) was a French soprano who had a varied and major career in opera and opéra comique and left many recordings of songs from roles she performed on stage.

paragraph: Section::::Life and career.

paragraph: Favart was born in Paris, the daughter of the baritone Edmond Favart and Zelie Weil, and appeared on stage with her father as a child in Algiers. She sang the Duchess in a 1904 revival of "Le petit duc" at the Théâtre des Variétés in Paris. In 1907 she joined the company of the Théâtre des Nouveautés in Brussels. By 1912, she had returned to Paris, and appeared at the Gaîté in "La fille de Madame Angot" and "La fille du tambour-major".

paragraph: Favart made her debut at the Opéra-Comique on 20 June 1915 in "Mignon" (later singing the title role in the 1,500th performance of the opera at the theatre on 25 May 1919). She went on to sing Delphine ("Cosi fan tutte"), Clairette "La fille de Madame Angot", Colette ("La Basoche"), Rose Friquet ("Les dragons de Villars"), Micaëla ("Carmen"), Cherubino ("The marriage of Figaro"), Rosenn ("Le roi d'Ys"), and Mimi ("La boheme") at the Salle Favart.

paragraph: Favart created leading roles in "La petite fonctionnaire" in 1921 and "Ciboulette" in 1923 ; she also appeared in revivals of "Véronique", "Madame l'archiduc" and "Le petit duc" at the Théâtre Mogador.

paragraph: She returned to the Opéra-Comique in 1925 for a single charity performance of "Véronique".

paragraph: She also sang in the premieres of "Monsieur Dumollet" (1922), "Pépète" (1925), "Quand on est trois" (1925), "Mannequins" (1925), "Le Diable à Paris" (1927), "Une nuit au Louvre" (1928), "Boulard et ses filles" (1929) and "Sidonie Panache" (1930).

paragraph: Favart retired in 1935, as Mme Paul Gazagne. She died in Marseille.

paragraph: Section::::Recordings.

paragraph: Favart recorded two excerpts from "Phi-Phi" in 1919 (Pathé) and various songs from "Ciboulette" from the year of its premiere (Pathé 1919, with Henry Defreyn and André Baugé).

paragraph: She set down records of numbers from "Mannequins", "Quand on est trois", "No, No, Nanette", "Le Diable à Paris", "Boulard et ses filles", "Le Chant du désert" and "Sidonie Panache". Two more Messager operettas appear on her discography ; "Coups de roulis" (Polydor, 1932), and "Passionément" (Pathé 1932).

paragraph: Her recordings also include songs from "Le petit duc", "Les travaux d'Hercule", "Les charbonniers" and "Madame Favart" (Pathé, 1934).

description: singer

wikidata_label: Edmée Favart

wikipedia_title: Edmée Favart