text:
Arab
Arabic language
Seljuk Empire
Basra
Iraq
Maqamat al-Hariri
saj'
maqama
Orientalist
Friedrich Rückert
Thomas Chenery
Francis Joseph Steingass
Abu Zayd al-Saruji
Arabic literature
Badi' az-Zaman al-Hamadhani
"Maqamat Al-Hariri" page
"Maqamat" page

categories: 1054 births,1122 deaths,People from Basra,Arab poets,Poets of the Abbasid Caliphate

paragraph: Al-Hariri of Basra

paragraph: Abū Muhammad al-Qāsim ibn Alī ibn Muhammad ibn Uthmān al-Harīrī (), popularly known as al-Hariri of Basra (1054– 9 September 1122) was an Arab poet, scholar of the Arabic language and a high government official of the Seljuk Empire.

paragraph: He is known for his Maqamat al-Hariri, a collection of some 50 stories.

paragraph: Section::::Biography.

paragraph: Born in Basra in modern-day Iraq into a wealthy family, he studied jurisprudence and became a government official, but is best known for writing " Maqamat al-Hariri" (مقامات الحريري, "The Assemblies of al-Hariri"), a virtuosic display of saj', consisting of 50 anecdotes written in stylized prose, which was once memorized by heart by scholars, and "Mulhat al-i'rab fi al-nawh", an extensive poem on grammar. The most famous translation of his maqamat was a German version by the poet and Orientalist Friedrich Rückert as "Die Verwandlungen von Abu Serug" and sought to emulate the rhymes and wordplay of the original. The main English translation is the nineteenth-century one by Thomas Chenery and Francis Joseph Steingass.

paragraph: Some of his other works include a book on errors of expression in Arabic, "Durrat al-ghawwāṣ fī awhām al-khawaṣṣ". The "Assemblies of al-Hariri" recounts in the words of the narrator, al-Harith ibn Hammam and al-Hariri's several encounters with artist Abu Zayd al-Saruji.

paragraph: Section::::Editions and translations.

paragraph: BULLET::::- Charles F. Horne, ed., The Sacred Books and Early Literature of the East, (New York: Parke, Austin, & Lipscomb, 1917), Vol. VI: Medieval Arabia, pp. 143–201, http://legacy.fordham.edu/halsall/basis/1100Hariri.asp (contains maqāmāt 1-12)

paragraph: BULLET::::- Shah, Amina (trans.), The Assemblies of Al-Hariri: Fifty Encounters with the Shaykh Abu Zayd of Serju (London: Octagon, 1980)

paragraph: BULLET::::- Preston, Theodore (trans.), Makamat or Rhetorical Anecdotes of Al Hariri of Basra, Translated from the Original Arabic with Annotations (Cambridge: Cambridge University Press, 1850)

paragraph: Section::::See also.

paragraph: BULLET::::- Arabic literature

paragraph: BULLET::::- Badi' az-Zaman al-Hamadhani

paragraph: Section::::External links.

paragraph: BULLET::::- "Maqamat Al-Hariri" page

paragraph: BULLET::::- "Maqamat" page

description: Arabic poet and government official of the Seljuk Empire

wikidata_label: Abu al-Hariri

wikipedia_title: Al-Hariri of Basra


text:
Swedish
discus throw
1920 Summer Olympics
two-handed discus throw
Stora Grabbars Märke

categories: Olympic athletes of Sweden,Athletes (track and field) at the 1920 Summer Olympics,1963 deaths,1894 births,Swedish male discus throwers

paragraph: Allan Eriksson

paragraph: Allan Eriksson (21 March 1894 – 20 February 1963) was a Swedish discus thrower. He competed at the 1920 Summer Olympics and finished in sixth place. Eriksson won the national title in the two-handed discus throw in 1923–25 and held the national record in this event. In 1928, he was awarded Stora Grabbars Märke number 52.

description: Swedish discus thrower

wikidata_label: Allan Eriksson

wikipedia_title: Allan Eriksson


text: David II of Scotland

text: Battle of Neville's Cross

text: John Neville, 3rd Baron Neville de Raby

text: William de Ros, 3rd Baron de Ros

text: Henry Percy, 1st Earl of Northumberland

text: William Dacre, 2nd Baron Dacre

text: William Neville

text: Alexander Neville

text: Archbishop of York

text: Ralph Neville, 2nd Baron Nevill of Raby

categories: Barons in the Peerage of England,13th-century English people,1367 deaths,14th-century English people,13th-century births

paragraph: Ralph Neville, 2nd Baron Neville

paragraph: Ralph Neville, 2nd Baron Neville of Raby (c.1291 – 5 August 1367) was an English aristocrat, the son of Ralph Neville, 1st Baron Neville de Raby by Eupheme de Clavering.

paragraph: Neville led the English forces to victory against the Scottish king David II of Scotland at the Battle of Neville's Cross on 17 October 1346.

paragraph: Section::::Marriage and children.

paragraph: He married Alice de Audley (d. 1358), daughter of Hugh de Audley, 1st Lord Audley of Stratton Audley and Isolde le Rous, on 14 Jan 1326 with whom he had thirteen children:

paragraph: BULLET::::1. Euphemia Neville (c 1327 - 1394), married firstly in 1344 Robert Clifford, Baron Clifford, secondly Reynold [Reginald]Lucy, son of Thomas Baron Lucy and thirdly Walter Heselarton, knight.

paragraph: BULLET::::2. John Neville, 3rd Baron Neville de Raby (1322/8–17 October 1388), married firstly Maud Percy and secondly Elizabeth Latimer and had issue with both

paragraph: BULLET::::3. Margaret Neville (12 February 1329 - 12 May 1372), married firstly William de Ros, 3rd Baron de Ros, by whom she had no issue, and secondly Henry Percy, 1st Earl of Northumberland, by whom she had issue. She also married Sir Jean William 6th Earl DeRoss with issue.

paragraph: BULLET::::4. Catherine Neville (c.1330 - 1 September 1361), married William Dacre, 2nd Baron Dacre of Gillesland

paragraph: BULLET::::5. Sir Ralph Neville (c.1332 - c.1380), married Elizabeth de Ledes

paragraph: BULLET::::6. Robert Neville of Eldon (c.1337), married Clara Pinckney

paragraph: BULLET::::7. William Neville (c.1338 - c.1391), married firstly Elizabeth Le Waleys and secondly Alice de St Philbert

paragraph: BULLET::::8. Eleanor Neville (c.1340), married Geoffrey Scrope

paragraph: BULLET::::9. Alexander Neville (c.1341 - 1392), Archbishop of York

paragraph: BULLET::::10. Elizabeth Neville (c.1343)

paragraph: BULLET::::11. Isabel Neville (c.1344), married Hugh FitzHugh FitzHenry

paragraph: BULLET::::12. Thomas Neville (c.1355)

paragraph: BULLET::::13. Alice Neville

paragraph: Section::::External links.

paragraph: BULLET::::- Ralph Neville, 2nd Baron Nevill of Raby

description: English nobleman

wikidata_label: Ralph Neville, 2nd Baron Neville de Raby

wikipedia_title: Ralph Neville, 2nd Baron Neville


text: KG

text: Earl of Suffolk

text: Robert de Ufford, 1st Baron Ufford

text: lord of the manor

text: Ufford, Suffolk

text: writ

text: baron

text: statute of Winchester

text: Amiens

text: Isabella of France

text: Roger Mortimer, 1st Earl of March

text: Orford Castle

text: William de Montacute

text: Nottingham

text: Nottingham Castle

text: John Maltravers

text: Bothwell Castle

text: Admiral of the North

text: Edwardian War

text: Henry Burghersh

text: Earl of Northampton

text: Sir John Darcy

text: Louis IV, Holy Roman Emperor

text: David Bruce

text: John de Stratford

text: Brabant

text: Cambrai

text: Buironfosse

text: Earl of Derby

text: Louis I, Count of Flanders

text: Ypres

text: Lille

text: Philip VI of France

text: John of Bohemia

text: Dunstable

text: joust

text: Round Table

text: Windsor

text: Hertford

text: Order of the Garter

text: Breton War of Succession

text: Rennes

text: Pope Clement VI

text: Avignon

text: admiral of the northern fleet

text: Flanders

text: Portsmouth

text: battle of Crécy

text: River Seine

text: Sir Hugh le Despenser

text: Earl of Northampton

text: Calais

text: Battle of Winchelsea

text: The Black Prince

text: Aquitaine

text: Languedoc

text: Narbonne

text: Saint-Emilion

text: Libourne

text: Rocamadour

text: battle of Poitiers

text: Miausson

text: Bordeaux

text: County of Champagne

text: Edmund of Langley

text: Leiston Abbey

text: Saxmundham

text: Campsey Priory

text: Rendlesham

text: Samuel Henley

text: Treasurer of the Exchequer

text: William de Ufford, 2nd Earl of Suffolk

text: Edward Montagu, 1st Baron Montagu

text: Alice of Norfolk

text: Alice of Norfolk

text: Robert de Scales, 3rd Baron Scales

text: William, Lord Willoughby of Eresby

text: William

text: Campsea Ashe

text: Suffolk

text: familysearch.org

text: Robert d'Ufford

categories: 14th-century English Navy personnel,1369 deaths,Earls of Suffolk (1337),1298 births

paragraph: Robert d'Ufford, 1st Earl of Suffolk

paragraph: Robert de Ufford, 1st Earl of Suffolk, KG (9 August 12984 November 1369) was an English peer. He was created Earl of Suffolk in 1337.

paragraph: Section::::Early life.

paragraph: Born 9 August 1298, Robert de Ufford was the second but eldest surviving son of Robert de Ufford, 1st Baron Ufford (1279–1316), lord of the manor of Ufford, Suffolk, who was summoned to Parliament by writ of the king dated 13 January 1308, by which he is deemed to have become a baron. His mother was Cecily de Valoignes (died 1325), daughter and co-heiress of Sir Robert de Valoignes (died 1281) and Eva (de La Pecche). He had a younger brother, Sir Ralph Ufford (died 1346).

paragraph: On 19 May 1318 he had livery of his father's Suffolk lands. He was knighted and received some official employments, being occupied, for example, in 1326 in levying ships for the royal use in Suffolk, and serving in November 1327 on a commission of the peace in the eastern counties under the statute of Winchester. In May and June 1329 he attended the young Edward III on his journey to Amiens.

paragraph: He was employed on state affairs down to the end of the rule of Isabella of France and Roger Mortimer, 1st Earl of March, and on 1 May 1330 received a grant for life of Orford Castle in Suffolk, which had been previously held by his father; he also obtained grants of other lands. On 28 July he was appointed to array and command the levies of Norfolk and Suffolk summoned to fight "against the king's rebels". Nevertheless, in October he associated himself with William de Montacute in the attack on Mortimer at Nottingham. He took part in the capture of Mortimer in Nottingham Castle, and was implicated in the deaths of Sir Hugh de Turplington and Richard de Monmouth that occurred during the scuffle; that on 12 February 1331 he received a special pardon for the homicide. He was rewarded by the grant of the manors of Cawston and Fakenham in Norfolk, and also of some houses in Cripplegate that had belonged to Mortimer's associate, John Maltravers, succeeding Maltravers in some posts. He was summoned as a baron to parliament on 27 January 1332. From that time he was one of the most trusted warriors, counsellors, and diplomats in Edward III's service.

paragraph: Section::::Earl of Suffolk.

paragraph: On 1 November 1335 Ufford was appointed a member of an embassy empowered to treat with the Scots. He then served in a campaign against them, and was made warden of Bothwell Castle. On 14 January 1337 he was made Admiral of the North; Ufford ceased to hold this office later in the year. In March he was created Earl of Suffolk, and was granted lands. During his absence in parliament the Scots retook Bothwell Castle.

paragraph: Section::::Hundred Years' War.

paragraph: In opening moves of the Edwardian War, Suffolk was sent on 3 October 1337, with Henry Burghersh, the Earl of Northampton, and Sir John Darcy, to treat for peace or a truce with the French. Further powers were given them to deal with Louis IV, Holy Roman Emperor and other allies, and on 7 October they were also commissioned to treat with David Bruce, then staying in France, and were accredited to the two cardinals sent by the pope to make an Anglo-French reconciliation. Next year, on 1 July, Suffolk was associated with John de Stratford and others on an embassy to France, and left England along with the two cardinals sent to treat for peace. He attended the king in Brabant, serving in September 1339 in the expedition that besieged Cambrai, and in the army that prepared to fight a major battle at Buironfosse that came to nothing, where he and the Earl of Derby held a joint command. On 15 November of the same year he was appointed joint ambassador to Louis I, Count of Flanders and the Flemish estates, to treat for an alliance.

paragraph: After Edward's return to England, Suffolk stayed behind with Salisbury, in garrison at Ypres. During Lent 1340 they attacked the French near Lille, pursued the enemy into the town, were made prisoners and were sent to Paris. Philip VI of France, it was said, wished to kill them, and they were spared only through the intervention of John of Bohemia. The truce of 25 September 1340 provided for the release of all prisoners, but it was only after a heavy ransom, to which Edward III contributed, that Suffolk was freed. He took part in a tournament at Dunstable in the spring of 1342 and at great jousts in London. He was one of the members of Edward's Round Table at Windsor, which assembled in February 1344, and fought in a tournament at Hertford in September 1344. he was one of the early members of Order of the Garter.

paragraph: Suffolk served through the English intervention in the Breton War of Succession during July 1342, and at the siege of Rennes. In July 1343 he was joint ambassador to Pope Clement VI at Avignon. On 8 May 1344 he was appointed captain and admiral of the northern fleet, and on 3 July accompanied Edward on a short expedition to Flanders. He continued admiral in person or deputy until March 1347, when he was succeeded by Sir John Howard. On 11 July 1346 Suffolk sailed with the king from Portsmouth on the invasion of France which resulted in the battle of Crécy. On the retreat northwards, a day after the passage of the River Seine, Suffolk and Sir Hugh le Despenser defeated a French force. Suffolk was one of those who advised Edward to select the field of Crécy as his battle-ground; in the English victory he fought in on the left wing. Next morning, 27 August, he took part in the Earl of Northampton's reconnaissance that resulted in a sharp fight with the unbroken remnant of the French army.

paragraph: Suffolk's diplomatic activity went on. He was one of the commissioners appointed to treat with France on 25 September 1348, and with Flanders on 11 October. The negotiations were conducted at Calais. On 10 March 1349, and again on 15 May 1350, he had similar commissions. On 29 August 1350 he fought in the naval victory, the Battle of Winchelsea. In May 1351 and in June 1352 he was chief commissioner of array in Norfolk and Suffolk.

paragraph: Section::::Poitiers campaign.

paragraph: In September 1355 Suffolk sailed with The Black Prince, to Aquitaine. Between October and December he was on the prince's raid through Languedoc to Narbonne, where he commanded the rear-guard, William de Montacute, 2nd Earl of Salisbury, serving with him. After his return he was quartered at Saint-Emilion, his followers being stationed round Libourne. In January 1356 he led another foray, towards Rocamadour. Suffolk also shared in the Black Prince's northern foray of 1356, and in the battle of Poitiers which resulted from it, where he commanded, with Salisbury, the third "battle" or the rearward. The Prince's attempted retreat over the Miausson, threw the brunt of the first fighting on Suffolk and Salisbury. On the march back to Bordeaux he led the vanguard.

paragraph: Section::::Last years.

paragraph: Now 58 years old, Suffolk took part in the expedition into the County of Champagne in 1359. After that he was employed only in embassies, the last of those on which he served being that commissioned on 8 February 1362 to negotiate the proposed marriage of Edmund of Langley to the daughter of the Count of Flanders.

paragraph: In his declining years Suffolk devoted himself to the removal of Leiston Abbey, near Saxmundham, to a new site somewhat further inland. In 1363 it was transferred to its new home, where some ruins remain.

paragraph: Suffolk died on 4 November 1369. By his will he requested burial beneath the arch between the chapel of St Nicholas and the high altar of the church of Campsey Priory, where his wife was also buried. His monument, much mutilated, is believed to have survived the destruction of the priory and to have been rediscovered in nearby Rendlesham churchyard in 1785 by the Revd. Samuel Henley.

paragraph: Section::::Family.

paragraph: In 1324 he married Margaret Norwich (died 2 April 1368), daughter of Sir Walter de Norwich (died 1329), Treasurer of the Exchequer, and Katherine de Hedersete, by whom he had a large family, including:

paragraph: BULLET::::- Robert de Ufford, who predeceased his father without issue.

paragraph: BULLET::::- William de Ufford, 2nd Earl of Suffolk (died 15 February 1382), second son, who married Joan Montagu (2 February 1349before 27 June 1376), daughter of Edward Montagu, 1st Baron Montagu (died 14 July 1361) and Alice of Norfolk, by whom he had four sons and a daughter.

paragraph: BULLET::::- Walter de Ufford (born 3 October 1343), third son, who married, before February 1359, Elizabeth de Montagu (c. 1344before July 1361), daughter of Edward Montagu, 1st Baron Montagu (died 3 July 1461) and Alice of Norfolk, by whom he had no issue.

paragraph: BULLET::::- Joan de Ufford, eldest daughter, who was contracted to marry her father's ward, John de St Philibert; however the marriage did not take place.

paragraph: BULLET::::- Katherine de Ufford (born c. 1317, date of death unknown) married Robert de Scales, 3rd Baron Scales.

paragraph: BULLET::::- Cecily de Ufford (born c. 1327died before 29 March 1372), who married William, Lord Willoughby of Eresby. Their son Lord Robert and grandson Lord William quartered the arms of Ufford (Q1 and Q4) and Willoughby (Q2 and Q3). Thenceforth the Willoughby family adopted the arms of Ufford in lieu of their own arms.

paragraph: BULLET::::- Margaret de Ufford (born c. 1330died before 25 May 1368), who married Sir William Ferrers, 3rd Baron Ferrers of Groby.

paragraph: BULLET::::- Maud de Ufford, who became a nun at the Augustinian priory in Campsea Ashe, Suffolk.

paragraph: Section::::References.

paragraph: Attribution:

paragraph: Section::::External links.

paragraph: BULLET::::- familysearch.org Accessed March 5, 2008

paragraph: BULLET::::- Robert d'Ufford Accessed March 5, 2008

description: English peer and diplomat

wikidata_label: Robert d'Ufford, 1st Earl of Suffolk

wikipedia_title: Robert Ufford, 1st Earl of Suffolk

wikipedia_title: Robert d'Ufford, 1st Earl of Suffolk


text:
New York City
abstract expressionist
Connecticut River Valley
United States Army
10th Mountain Division
World War II
abstract expressionism
Cedar Tavern
Bleecker Street
Greenwich Village
Jacqueline Kennedy
Steve McQueen
Norman Rockwell
Pizarra Municipal Museum
Medallion de Plata
Aspen, Colorado
Whitney Museum
Gino Hollander Website
Bristol Museum
Sloane Kettering Hospital
City College of New York
Mount Sinai Hospital, New York
Love Field, Dallas
Pennsylvania Hospital
Aspen Valley Hospital
National Jewish Medical Center
Artur Rubenstein
James Michener
Ralph Lauren
Luciano Pavarotti
Morley Safer
Jacqueline Kennedy
Alan Ladd
Leontyne Price
Herbert Kretzmer
Ricky Nelson
Oscar de la Renta
Howard Head
Van Cliburn
Vincent Sardi
Faye Emerson
Burt Lancaster
Isaac Stern
Geoffrey Beene
Norman Rockwell
Brian Epstein
Steve McQueen

categories: 21st-century American painters,20th-century American painters,2015 deaths,American male painters,Artists from Newark, New Jersey,1924 births,People from Greenwich Village

paragraph: Gino Hollander

paragraph: Eugene F. Hollander or Gino Hollander (1924 – August 27, 2015) was an American painter. He began painting in New York City during the abstract expressionist movement.

paragraph: Section::::Biography.

paragraph: Section::::Biography.:Early life.

paragraph: Hollander's father was in the fur business, enabling the family to travel to Europe including a nine-month stay in Paris. At age 13, he experienced his first adventure with a 1,000-mile bike trip up the Connecticut River Valley alone. He was a member of the United States Army's 10th Mountain Division Ski Troops and is a veteran of World War II.

paragraph: Section::::Biography.:New York City.

paragraph: In the mid-20th century, he was a successful filmmaker along with his wife Barbara Hollander before he started painting in 1960, during the abstract expressionism movement in New York City. He became one of the group that defined this movement and whom all hung out at the famous Cedar Tavern. Acrylic paint was just emerging at that time and Hollander was among the first to explore its possibilities. From 1960-1962, he had his studio and the first Hollander Gallery on Bleecker Street, in Greenwich Village. During that time his paintings sold to the likes of Jacqueline Kennedy, Steve McQueen, Norman Rockwell, and Ralph Lauren.

paragraph: Section::::Biography.:Spain.

paragraph: Despite having experienced initial success in New York, Hollander moved his family to Spain in 1962, to find his voice in painting. He often bartered paintings to support his family while he continued developing his style. Hollander and his wife Barbara took their children on archaeological trips, following the road construction crews which were building new highways throughout Spain, unearthing ancient treasures. They created Museo Hollander, renamed Pizarra Municipal Museum , located in an old Cortijo. The museum was to exhibit this collection of Spanish artifacts that span along with Hollander's own paintings. In 1990, the Hollanders donated their museum to the government of Spain and were nationally awarded in honor of the King's birthdate a Medallion de Plata for contributing to the country's growth in tourism.

paragraph: Section::::Biography.:Aspen.

paragraph: After nearly 20 somewhat reclusive years in Aspen, Colorado during which he appeared in the film "Mountain Town", Hollander gave in to his lungs' demands in the near 8,000-foot altitude and moved with his wife Barbara to Ojai, California.

paragraph: Section::::Biography.:California.

paragraph: Hollander died, surrounded by his family, at the age of 91 in Newport Beach, California.

paragraph: Section::::Artistic Style.

paragraph: Hollander's work is reflective of his ethos; he makes art because he must, and while he is aware of the art world, it's only vaguely so. His work is honest and emotional; he paints for himself. He has no wish to engage in a dialogue with the viewer. It is for him to paint, for the viewer to view. He refuses to title his paintings. He tells no stories. To him, “there is nothing verbal about a canvas. A painting is simply one way to express a feeling and feelings can only be made less if they are talked to death."

paragraph: His portraits are purposely poised on the far edge of nothingness, faces left blank or at best enigmatic. His figures are abstracted and his abstracts disturbingly figurative. He'll paint through the day and on into the night, each canvas a different mood. From stark black and white to a splash of brilliant colors and on to a subtle moody sepia, then back to a black and white, gentle this time. He is a complex man and his canvasses reinforce this complexity in the very simplicity of their form and content.

paragraph: "I chose painting for the immediacy of the moment the medium can allow—its immediacy of expression. I find my deepest moments are of feeling and that is what I strive for in my painting. The art of painting provides me with a constant mirror of my being—both successes and failures, the good moments and bad. I prefer to paint it all as it comes. Painting takes on a rhythm like breathing: loose, tight, whatever. Living and painting become one. I believe in the universality of art’s function, a heritage of involvement of everyone – the youngest to the oldest, the artist, the viewer. A subliminal communication of feelings about the human condition. My paintings are expressly directed to evoke an emotional reaction from the viewer." - Gino Hollander, 2010.

paragraph: Section::::Hollander Galleries.

paragraph: HG Sullivan St., Greenwich Village, NYC 1961 - 1st painting sold here.

paragraph: HG, Bleecker St., Greenwich Village, NYC 1962-1967 - paintings sold here provided money for the move to Spain.

paragraph: HG, 950 Madison Ave., NYC 1967-1972 - across from the Whitney Museum.

paragraph: HG Torremolinos, Costa del Sol, Spain 1962-1963

paragraph: HG Atalaya Park, Costa del Sol, Spain 1964-1985

paragraph: HG Hotel Puente Romano, Marbella, Spain 1965-1985

paragraph: HG Mount St., London 1966-1976

paragraph: HG Marbella Club Hotel, Spain 1967-1990

paragraph: HG Hollander-York, Toronto 1968-1980

paragraph: HG West Broadway, NYC 1970-1982

paragraph: HG Hamburg, Germany 1975-1978

paragraph: HG Museo Hollander, Cortijo De Las Yeguas, Spain 1982-1990 – archeological museum as well as a charitable organization.

paragraph: HG, Santa Fe, NM 2013–present. Currently located at 225 Delgado Street, Santa Fe, NM 87501

paragraph: Section::::Notes.

paragraph: Gino Hollander Website

paragraph: Section::::Notes.:Public Institutions.

paragraph: BULLET::::- Museo Bellas Artes

paragraph: BULLET::::- Bristol Museum

paragraph: BULLET::::- Aspen Art Museum

paragraph: BULLET::::- Herbert F. Johnson Museum, Cornell University

paragraph: BULLET::::- Sloane Kettering Hospital

paragraph: BULLET::::- Ojai Valley Hospital

paragraph: BULLET::::- New York University Art Collection, now Grey Art Gallery

paragraph: BULLET::::- Shell Oil Co., Houston

paragraph: BULLET::::- City College of New York

paragraph: BULLET::::- New York Presbyterian Hospital

paragraph: BULLET::::- Mount Sinai Hospital, New York

paragraph: BULLET::::- Love Field, Dallas

paragraph: BULLET::::- Pennsylvania Hospital

paragraph: BULLET::::- Aspen Valley Hospital

paragraph: BULLET::::- White Museum

paragraph: BULLET::::- Museo Hollander

paragraph: BULLET::::- National Jewish Medical Center

paragraph: BULLET::::- Churchill College, Cambridge University

paragraph: BULLET::::- La Galería de La Esquina A.C, Tijuana Baja California Mex.

paragraph: Section::::Notes.:Private and Estate Collections.

paragraph: BULLET::::- Artur Rubenstein

paragraph: BULLET::::- James Michener

paragraph: BULLET::::- Ralph Lauren

paragraph: BULLET::::- Luciano Pavarotti

paragraph: BULLET::::- John Crosby

paragraph: BULLET::::- Morley Safer

paragraph: BULLET::::- Jacqueline Kennedy

paragraph: BULLET::::- Vizcondesa de Llanterno

paragraph: BULLET::::- Alan Ladd

paragraph: BULLET::::- Leontyne Price

paragraph: BULLET::::- Herbert Kretzmer

paragraph: BULLET::::- Ricky Nelson

paragraph: BULLET::::- Oscar de la Renta

paragraph: BULLET::::- Howard Head

paragraph: BULLET::::- Taki Fukishima

paragraph: BULLET::::- Van Cliburn

paragraph: BULLET::::- Ben Thylan]

paragraph: BULLET::::- Vincent Sardi

paragraph: BULLET::::- Faye Emerson

paragraph: BULLET::::- Burt Lancaster

paragraph: BULLET::::- John Mitchell

paragraph: BULLET::::- Betty Pfister

paragraph: BULLET::::- Isaac Stern

paragraph: BULLET::::- HRH Princess Maria Louisa de Prussia

paragraph: BULLET::::- HRH Sophia of Spain

paragraph: BULLET::::- Count Schoenburg

paragraph: BULLET::::- Condessa de Salamanca

paragraph: BULLET::::- Geoffrey Beene

paragraph: BULLET::::- John Houston

paragraph: BULLET::::- William Pattis

paragraph: BULLET::::- Norman Rockwell

paragraph: BULLET::::- Brian Epstein

paragraph: BULLET::::- Edward G. Robinson

paragraph: BULLET::::- Steve McQueen

paragraph: BULLET::::- Norman Mailer

paragraph: BULLET::::- Arjun Gupta

paragraph: BULLET::::- Leif Kreutzberg

paragraph: BULLET::::- Lawrence Olsen

paragraph: BULLET::::- David Saaks

paragraph: BULLET::::- Donal Ward Collection

paragraph: BULLET::::- Linda Pierson'

paragraph: BULLET::::- Leon Chou

paragraph: BULLET::::- William Brown

paragraph: BULLET::::- S Edward Bothers

paragraph: BULLET::::- J. Carrasco

paragraph: BULLET::::- Stephen Lloyd Webb

paragraph: BULLET::::- Francisco E.Dominguez

description: American artist

wikidata_label: Gino Hollander

wikipedia_title: Gino Hollander


text:
Limousin
knight
troubadour
sirventes
John Lackland
Bertran de Born
chansonnier
dubbed
Dalon
razo
chanson de geste
Siège d'Orange
Guilhem Rainol d'At
Martín de Riquer

categories: French male poets,Year of birth uncertain,1170s births,1233 deaths,Troubadours

paragraph: Bertran de Born lo Filhs

paragraph: Bertran de Born (; 1179 – 1233), called lo Filhs (, "the Son"), was a Limousin knight and troubadour. He wrote two "sirventes" and has three other works attributed to him. He participated in the wars of John Lackland in France.

paragraph: He was a son of the famous troubadour Bertran de Born and his first wife, Raimonda, born shortly after their marriage in 1179. His full brother was Itier and his half brothers were Bertran and Constantin, sons of his father's second marriage, to Felipa, in 1192. Since the younger Bertran would have only been fourteen at the time of the troubadour's activity, the "filhs" of the "chansonniers" must be the eldest son. Bertran and his brother Itier were dubbed sometime before 1192.

paragraph: The "sirventes" "Quan voi lo temps renovelar", written in 1206 in the style of his father, is attributed to "Bertran de Born" in the "chansonniers," but since the elder Bertran had retired to the monastery of Dalon in 1197, this reference must be to his son. The "sirventes" is preceded by a long "razo" explaining the misfortunes of John Lackland and his evil, which is the subject of the poet's vitriol. An interesting cultural cross-reference occurs in the work when Bertran mentions the "chanson de geste" called the "Siège d'Orange".

paragraph: Bertran's second "sirventes", "Un sirventes voil obrar d'alegratge", was a personal love poem to his lady, "Flor de Lis" (unknown by name). The other three works sometimes attributed to Bertran, but not definitively, are:

paragraph: BULLET::::- "Gen part nostre reis liuranda"

paragraph: BULLET::::- "Guerr'e pantais vei et afan"

paragraph: BULLET::::- "Un sirventes farai novel plazen"

paragraph: There is also a medieval attribution that is certainly in error:

paragraph: BULLET::::- "A tornar m'er enquer al primer us" (actually by Guilhem Rainol d'At)

paragraph: Section::::References.

paragraph: BULLET::::- "The Vidas of the Troubadours". Margarita Egan, trans. New York: Garland, 1984. .

paragraph: BULLET::::- Martín de Riquer. "Los trovadores: historia literaria y textos". 3 vol. Barcelona: Planeta, 1975.

description: French poet

wikidata_label: Bertran de Born lo Filhs

wikipedia_title: Bertran de Born lo Filhs


text: Geelong

text: Victoria

text: Queensland

text: Brisbane

text: Queensland Parliament House

text: Brisbane Municipal Council

text: New South Wales

text: New South Wales Legislative Council

text: Labour

text: John Ruskin

text: Pitt Town

text: William Gladstone

text: Royal Institute of British Architects

text: Rushcutters Bay

text: Alfred Paxton Backhouse

text: All Saints Anglican Church, Brisbane

text: North Quay

text: Cathedral of St Stephen, Brisbane

text: Cintra House

text: Fernberg

text: Government House, Brisbane

text: Old Bishopsbourne

text: Baroona, Paddington

text: Fortitude Valley State School

categories: 1829 births,Australian architects,Members of the New South Wales Legislative Council,Benjamin Backhouse buildings,1904 deaths

paragraph: Benjamin Backhouse

paragraph: Benjamin Backhouse (182929 July 1904) was an architect and politician in Australia. He was a Member of the New South Wales Legislative Council.

paragraph: Section::::Early life.

paragraph: Benjamin Backhouse was born in England in 1829. He was a Bachelor of Arts and was educated as an architect.

paragraph: Section::::Career.

paragraph: In early life Backhouse, with his young wife and two children, came out to Australia and settled down in Geelong, Victoria. He soon made a name for himself as an architect, and two months after his arrival succeeded in winning a hundred-guinea prize for the best design for a stock exchange for that city. Some eight years later he returned to England, and remained for a year, and then came out to Queensland. He carried on his profession for eight years, and designed some of the principal buildings in Brisbane. Although he won the design competition for the Queensland Parliament House, it was later decided that his design would be too expensive and was rejected. He was also an alderman of the Brisbane Municipal Council.

paragraph: For the previous 35 years Backhouse resided in New South Wales. His professional skill was recognised by his election for 12 years as the chairman of the City of Sydney Improvement Board. In August, 1895, he was appointed to a seat in the New South Wales Legislative Council, which he retained until his death. Although not a union official or a Labour candidate, his sympathies were at all times with the workers. He was truly democratic, and was a follower of John Ruskin and other workers for the amelioration of society. He also identified himself with the Pitt Town Settlement, and was chairman of the board of control to look after the affairs of the settlement. Backhouse made several trips to England. On one occasion he had a long conference with William Gladstone and at another time he was honoured by being elected an honorary associate of the Royal Institute of British Architects.

paragraph: Section::::Later life.

paragraph: Benjamin Backhouse died of heart failure at his residence, "Ardath", Queen's Avenue, Rushcutters Bay, Sydney, on 29 July 1904.

paragraph: He was twice married, and left a widow and grown-up family, numbering 11. The sons are his Honor Judge Alfred Paxton Backhouse, and Messrs. Ernest, Clarence, Frank, Clive, Maurice, and Oscar Backhouse. In deference to his wishes, a private funeral was held.

paragraph: Section::::Works.

paragraph: BULLET::::- Wickham Terrace Church of England, the predecessor of All Saints Anglican Church, Brisbane (1861, no longer extant)

paragraph: BULLET::::- house "Riversleigh", North Quay, Brisbane (1863, no longer extant)

paragraph: BULLET::::- Cathedral of St Stephen, Brisbane (1863)

paragraph: BULLET::::- Cintra House, Brisbane (1864)

paragraph: BULLET::::- Fernberg, Paddington, Brisbane (1864) now Government House, Brisbane

paragraph: BULLET::::- Old Bishopsbourne, Brisbane (1865)

paragraph: BULLET::::- Baroona, Paddington, Brisbane (1866)

paragraph: BULLET::::- Fortitude Valley State School, Brisbane (1867)

paragraph: BULLET::::- , Sydney (1868)

description: Australian architect, builder and politician

wikidata_label: Benjamin Backhouse

wikipedia_title: Benjamin Backhouse


text: performer

text: Reena Spaulings Fine Art

text: Artists Space

text: New Museum

text: Museum of Modern Art

text: Institute of Contemporary Arts

text: House of Ladosha

text: Houston

text: Bryan-College Station, Texas

text: Bible Belt

text: intersex

text: transition

text: Bard College

text: Lorraine O'Grady

text: ACLU

text: Nuwaubian

text: ACLU

text: House of Ladosha

text: Superchief Gallery

text: DJ mixes

text: Tree House

text: Hood by Air

text: Janet Mock

text: Carmen Carrera

text: Geena Rocero

text: Isis King

text: Gisele Alicea

text: Leyna Ramous

text: Dina Marie

text: Nina Poon

text: Yasmine Petty

text: Niki M'nray

text: Pêche Di

text: Carmen Xtravaganza

text: Laverne Cox

text: DKNY

text: Eckhaus Latta

text: Chromat

text: Kenzo

text: Hercules and Love Affair

text: Honey Dijon

text: Contessa Stuto

text: New Museum

text: Lauren Cornell

text: Ryan Trecartin

text: Frank Benson

text: Ovation TV's

text: Touching the Art

text: Casey Jane Ellison

text: K8 Hardy

text: Museum of Modern Art

text: House of Ladosha

text: Christopher Udemezue

text: New Museum

text: Aria Dean

text: School of the Art Institute of Chicago

text: Schomburg Center for Research in Black Culture

text: Art Basel Miami Beach

text: Art Basel

text: New Museum

text: Rhizome

text: Portland Institute for Contemporary Art

text: Reena Spaulings

text: House of Ladosha

text: conspiracy

text: Emory Douglas

text: Hannah Black

text: United States Artists

text: Afrofuturism

text: language

text: conspiracy theories

text: Baroque

text: military surplus

text: punk

text: counterculture

text: Tumblr

text: chat room

text: social media

text: subculture

text: Encarta

text: Afripedia

text: childhood

text: consumer culture

text: African diaspora

text: Octavia Butler

text: Samuel R. Delany

text: Luce Irigaray

text: Jose Esteban-Muñoz

text: Hype Williams,

text: TLC

text: Blaque

text: Aaliyah

text: Nuwaubian culture

text: Herculine

text: Borges

text: LaDosha

text: Cooper Union

text: Solomon R. Guggenheim Museum

text: Bjork

text: One Little Indian Records

text: Lee Bannon

text: Hannah Black

text: OCLC

text: OCLC

text: OCLC

text: OCLC

text: New Museum

text: McNally Jackson

text: OCLC

text: New Art Dealers Alliance

text: OCLC

text: LGBT culture in New York City

text: Stewart Uoo presents It's Get Better II hosted at Artists Space

categories: Transgender and transsexual DJs,Transgender and transsexual artists,Intersex people,People from Houston,1987 births,LGBT artists from the United States,Transgender and transsexual women,Bard College alumni,LGBT people from Texas,LGBT people from New York (state),Contemporary artists,Transgender and transsexual musicians,Living people,Transgender and transsexual writers

paragraph: Juliana Huxtable

paragraph: Juliana Huxtable (born December 29, 1987) is an American artist, writer, performer, DJ, and co-founder of the New York-based nightlife project Shock Value. Huxtable has exhibited and performed at a number of venues including Reena Spaulings Fine Art, Project Native Informant, Artists Space, the New Museum, the Museum of Modern Art, Portland Institute of Contemporary Arts, and Institute of Contemporary Arts. Huxtable's multidisciplinary art practice explores a number of projects, such as the internet, the body, history, and text, often through a process she calls "conditioning." Huxtable is a published author of two books and a member of the New York City-based collective House of Ladosha. She currently lives and works in New York City.

paragraph: Section::::Early life and education.

paragraph: Huxtable was born in Houston, Texas and raised in Bryan-College Station, Texas. She has described her hometown as a typical "conservative Bible Belt town in Texas." Huxtable's mother, Kassandra, raised Huxtable and her two siblings alone after Huxtable's parents divorced.

paragraph: Huxtable was born intersex and began her transition after college. She notes that struggles with gender conformity and sex identity started earlier in life.

paragraph: Huxtable moved to New York to attend Bard College and graduated in 2010. Huxtable has spoken about the desire to be a painter while growing up and enrolled in several painting classes during college. She abandoned the medium after professors criticized her for her "obsession with" formal technique and identity. In an interview with artist Lorraine O'Grady, Huxtable mentions studying literature and gender studies.

paragraph: Section::::Emerging in New York.

paragraph: Huxtable moved to New York to work as a legal assistant for the ACLU's Racial Justice Program after college. While at the ACLU, Huxtable amassed a significant following on Tumblr, posting long stream-of-consciousness poems and self-portraits that experimented with fashion and Nuwaubian imagery.

paragraph: After leaving her position at the ACLU, Huxtable began DJing.

paragraph: In 2013, Huxtable participated in the House of Ladosha's show "Whole House Eats" at Superchief Gallery. During her time as a DJ, Huxtable regularly integrated her poetry into DJ mixes. Huxtable's poetry was featured in the song "Blood Oranges" from Le1f's mixtape Tree House as well as the runway soundtrack for the Hood by Air Fall/Winter fashion show "10,000 Screaming Faggots" by Total Freedom.

paragraph: Huxtable's interest in fashion led her to model for a number of fashion houses and campaigns. In 2014, she was featured on the fifth anniversary cover of "C☆NDY" magazine along with 13 other transgender women – Janet Mock, Carmen Carrera, Geena Rocero, Isis King, Gisele Alicea, Leyna Ramous, Dina Marie, Nina Poon, Yasmine Petty, Niki M'nray, Pêche Di, Carmen Xtravaganza and Laverne Cox. Huxtable has modeled for DKNY, Eckhaus Latta, Chromat, and French fashion house Kenzo.

paragraph: In August 2014, Huxtable performed in the video for the Hercules and Love Affair song "My Offence." The video features excerpts of conversations with figures from New York City's queer nightlife scene such as Honey Dijon and Contessa Stuto. The band's primary member, Andrew Butler, described the song and its video as an examination of his "relationship to taboo words and the use of 'cunt' amongst NYC's gay community to relay flattery, empowerment and strength".

paragraph: Section::::Work.

paragraph: Section::::Work.:New Museum Triennial and Performa 15 Biennial.

paragraph: In early 2015, Huxtable was selected to present work in the 2015 New Museum Triennial "Surround Audience," curated by Lauren Cornell and artist Ryan Trecartin. Huxtable included two text-based works and two self-portraits, each an inkjet print from the series "Universal Crop Tops For All The Self-Canonized Saints of Becoming." These works, along with a sculpture by fellow Triennial artist Frank Benson that depicted a life-sized Huxtable rendered in iridescent colors, were prominent works in the show. Writer Mark Guiducci dubbed Huxtable the "Star of the New Museum Triennial".

paragraph: Huxtable premiered on season two of Ovation TV's web-based talk show, "Touching the Art", hosted by fellow 2015 Triennial artist Casey Jane Ellison. Artist K8 Hardy and New Museum curator Shelley Fox Aarons were also guests in the same episode.

paragraph: Later that year, Huxtable was selected to showcase a new performance piece in the Performa 15 Biennial. The hour-long performance titled, "There Are Certain Facts That Cannot Be Disputed," was presented at the Museum of Modern Art. It included poetry, audio and voice over, video elements, and live-music with fellow collaborators and explored the complicated relationship between the ephemeral nature of digital information and the drive for historical documentation on the internet. As described by the festival's organizers, Huxtable's performance considered "cyberspace as a twilight zone of precariousness and preservation, traversing closed servers, bounced URLs, and Google cache as human and digital characters".

paragraph: Section::::Work.:"Shock Value", House of Ladosha, and other projects.

paragraph: Huxtable is a founder and DJ for "Shock Value," a weekly New York City-based nightlife collective run by women artists, DJs, writers, and fashion icons.

paragraph: Huxtable is a member of the New York City-based collective House of Ladosha. Members include Cunty Crawford Ladosha (Adam Radakovich), Neon Christina Ladosha (Christopher Udemezue), Paws Off Ladosha (Riley Hooker), Magatha Ladosha (Michael Magnan), La Fem Ladosha (Antonio Blair), and YSL Ladosha (Yan Sze Li). In January 2016, House of Ladosha showcased various art projects in "This Is Your Brain". In 2017, the collective was selected to participate in the group exhibition "Trigger: Gender as a Weapon and a Tool" at the New Museum. They were also featured in Issue 7 of the magazine "Gayletter".

paragraph: Huxtable currently sits on the editorial board for Topical Cream, a New York-based platform that supports a community of artists, writers, designers, and technologists through digital publishing and public programming initiatives. Topical Cream was founded in 2013 and its board members include Lyndsy Welgos, Ara Anjargolian, Whitney Mallett, Juliana Huxtable, and Aria Dean.

paragraph: In 2016, Huxtable was a Visiting Artists Program lecturer at the School of the Art Institute of Chicago.

paragraph: Huxtable has participated in multiple panels and lectures, including "Basquiat and Contemporary Queer Art" hosted by the Schomburg Center for Research in Black Culture, "Transgender in the Mainstream" hosted by Art Basel Miami Beach, "Body Work: Performance and Practice" hosted by Art Basel and "Open Score: Generation You" presented by the New Museum and Rhizome.

paragraph: Later that year, Huxtable headlined the opening night performance of the Portland Institute for Contemporary Art's Time-Based Art Festival in Portland, Oregon.

paragraph: Section::::Work.:Solo exhibitions.

paragraph: Huxtable's first solo exhibition, "A Split During Laughter at the Rally", opened at "Reena Spaulings" in New York City in May 2017. The exhibition featured several posters with DIY-inspired magnets, a video piece featuring members from House of Ladosha, and a flow chart. The show explored "the aesthetics of conspiracy and American paranoia" through various modes of resistance, alienation, and irony. Huxtable notes that the posters in the exhibition were formally inspired by American artist Emory Douglas.

paragraph: Huxtable's second solo exhibition, "Juliana Huxtable", opened at "Project Native Informant" in London, England in October 2017. The exhibition featured three photographs of a black subject with various (often conflicting) tattoos, four sculptural paintings made of military-style clothing, and ten pamphlet-sized posters recounting, "a brawl between Antifa leftist skinheads and Nazi skinheads outside of a Fred Perry sample sale in Paris". The show continues Huxtable's exploration into conspiracy theories and paranoia, subcultures, and identity but on a more humorous note. Fashion also plays a major role throughout Huxtable's practice as this show highlights. Huxtable has referenced Jose Esteban-Muñoz's "Disidentification" as a major inspiration.

paragraph: Section::::Work.:Books.

paragraph: Huxtable is the author of two books and has contributed to numerous chapbooks and artist's writing anthologies.

paragraph: Her first book, "Mucus in My Pineal Gland," was published in 2017 by Capricious. The book is a collection of previously performed poems, like "UNTITLED (FOR STEWART)" and "THERE ARE CERTAIN FACTS THAT CANNOT BE DISPUTED," as well as a number of new poems. The book is written in her typical all-caps style and blue font.

paragraph: Huxtable's second book, "Life", was co-written with artist Hannah Black. The novel is a work of science-fiction and is written in both English and German. It was released in 2017 by König.

paragraph: Section::::Awards.

paragraph: Huxtable received a 2019 United States Artists Fellowship.

paragraph: Section::::Themes.

paragraph: Style

paragraph: Huxtable's practice is interdisciplinary by nature and thus explores a range of topics. Earlier works explore ideas of identity, the body, and text, with influences from Afrofuturism and science fiction. Huxtable's more recent works explore language, conspiracy theories, fashion (Baroque costumes, military surplus, punk aesthetics, etc.), and various countercultures. Huxtable's visual practice includes, "examining and remixing enduring imagery that, in her observations, retain 'symbolic power.'"

paragraph: Steven Zultanski writes of Huxtable's "Mucus in My Pineal Gland", "...doesn't idealize genrelessness, it moves between genres, unmooring moments of personal experience and speculative thought from literary conventions in order to situate them in the world outside of the text, while reflecting on and enjoying those conventions." Huxtable often, "references her use of digital spaces, including Tumblr," chat rooms, social media, online sexual subcultures, Encarta, and Afripedia as well as childhood, fashion, consumer culture, and the African diaspora.

paragraph: Influences

paragraph: Huxtable has noted a range of influences including writers Octavia Butler and Samuel R. Delany, theorists Luce Irigaray and Jose Esteban-Muñoz, and the visual aesthetics of video director Hype Williams, bands TLC and Blaque, and singer Aaliyah. Nuwaubian culture has often been a major source of inspiration for her as well. Huxtable's "Mucus in My Pineal Gland" is dedicated to "Herculine, Borges, LaDosha, and Pickaninny Punks."

paragraph: Section::::Exhibitions and performances.

paragraph: Solo exhibitions

paragraph: BULLET::::- "Juliana Huxtable", Project Native Informant, London, England, 2017

paragraph: BULLET::::- "A Split During Laughter at the Rally", Reena Spaulings Fine Art, New York, NY, 2017

paragraph: Selected group exhibitions

paragraph: BULLET::::- "Dirge", JTT, New York, NY, 2017

paragraph: BULLET::::- "Perverts," Cell Project Space, London, 2017

paragraph: BULLET::::- "Time-Based Art Festival 2016", Portland Institute for Contemporary Art, Portland, OR, 2016

paragraph: BULLET::::- "Seduction of a Cyborg", Human Resources, Los Angeles, CA, 2016

paragraph: BULLET::::- "DISSENT: what they fear is the light", Curated by Shoghig Halajian and Thomas Lawson, Los Angeles, CA, 2016

paragraph: BULLET::::- "Bring Your Own Body: transgender between archives and aesthetics," 41 Cooper Gallery, Cooper Union, New York City, New York, 2015

paragraph: BULLET::::- "2015 Triennial: Surround Audience", New Museum, New York, NY, 2015

paragraph: Selected online exhibitions

paragraph: BULLET::::- "New Black Portraiture", Curated by Aria Dean, Rhizome.org

paragraph: BULLET::::- Collection Online at Solomon R. Guggenheim Museum.

paragraph: Selected performances

paragraph: BULLET::::- "Stewart Uoo presents It's Get Better V", Institute of Contemporary Arts, London, England, 2017

paragraph: BULLET::::- "Bring Your Own Body", Organized by Jeanne Vaccaro with Stamatina Gregory, 41 Cooper Gallery, New York, NY, 2015

paragraph: BULLET::::- "Step and Repeat", Museum of Contemporary Art, Los Angeles, CA, 2015

paragraph: BULLET::::- "There Are Certain Facts That Cannot Be Disputed", Performa 15 Biennial co-commissioned by Museum of Modern Art, New York, NY, 2015

paragraph: BULLET::::- "Leigha Mason & Casey Jane Ellison present Inner Space", MoMA PS1, Queens, NY, 2014

paragraph: BULLET::::- "1NVERS1ONS", in collaboration with Nick Mauss, Kim Gordon, Juliana Huxtable, Northern Ballet, and National Youth Ballet of Great Britain, Frieze Projects, London, England, 2014

paragraph: BULLET::::- "Stewart Uoo presents It's Get Better II", Artists Space, New York, NY, 2014

paragraph: BULLET::::- "Take Ecstasy with Me", Organized by Alexandro Segade (of My Barbarian) & Miguel Gutierrez, Whitney Museum of American Art, New York, NY, 2014

paragraph: BULLET::::- "Looking Back: The Eighth White Columns Annual – Selected by Pati Hertling", White Columns, New York, NY, 2014

paragraph: BULLET::::- "Stewart Uoo presents It's Get Better," Artists Space, New York, NY, 2013

paragraph: Selected DJ sets

paragraph: BULLET::::- Doll Gang Massacre: Peaches, Asian Doll, Juliana Huxtable, De Se, LE1F, Telfar, Sadaf, Abby, DJ NJ Drone at the Knockdown Center, Queens, NY 2017

paragraph: BULLET::::- Mannequin Records Night x Pan at Berghain, Berlin, DE October 20, 2017

paragraph: BULLET::::- Janus | Non Xchange at Berghain, Berlin, DE June 2017

paragraph: BULLET::::- Juliana Huxtable presented by Boiler Room Brooklyn, NY, 2017

paragraph: BULLET::::- New Year's Eve: CLUB GLOW ft. Katie Got Bandz x Juliana Huxtable at the Knockdown Center, Queens, NY 2016

paragraph: BULLET::::- Juliana Huxtable presented by Boiler Room New York, NY, 2016

paragraph: Section::::Discography.

paragraph: BULLET::::- "Lionsong" (Bjork remix, 2015, One Little Indian Records) (Lionsong included the remix by Juliana Huxtable.)

paragraph: BULLET::::- Black History Month in 3D Mix with Dedekind Cut fka Lee Bannon 2016

paragraph: Section::::Bibliography.

paragraph: BULLET::::- "Life: a novel", co-written with Hannah Black (König, 2017). OCLC 988257749

paragraph: BULLET::::- "Mucus in My Pineal Gland" (Capricious and Wonder, 2017). OCLC 987796847

paragraph: BULLET::::- "Social medium: artists writing 2000–2015" (Paper Monument, 2016). OCLC 957598488

paragraph: BULLET::::- "Future Perfect", edited by Andrew Durbin (BGSQD, 2014). OCLC 876708570

paragraph: BULLET::::- "The Animated Reader: Poetry of 'Surround Audience"' (New York: New Museum: in association with McNally Jackson, 2015). OCLC 949731062

paragraph: BULLET::::- "New Art Dealers Alliance Contemporary Poetry Zine," curated by Sam Gordon (Brooklyn: Sam Gordon, 2013) OCLC 892560607

paragraph: Section::::See also.

paragraph: BULLET::::- LGBT culture in New York City

paragraph: Section::::External links.

paragraph: BULLET::::- There Are Certain Facts That Cannot Be Disputed presented by Performa 15 and MoMA

paragraph: BULLET::::- In Visible Architectures: Three Evenings of Performative Poetry Readings presented by Artists Space

paragraph: BULLET::::- Stewart Uoo presents It's Get Better II hosted at Artists Space

description: American artist

wikidata_label: Juliana Huxtable

wikipedia_title: Juliana Huxtable


text:
German
aeronautical engineer
Baade 152
Greater Berlin
Hofmann von Fallersleben
school leaving exam
preparations for revolution
war
Technical University of Berlin
Blohm + Voss
Hamburg
coal trimmer
Academic Flying League
gliders
Treaty of Versailles
Wasserkuppe
German Flying School (DVS)
Technical University of Munich
Bavaria
"Messerschmitt AG"
Willy Messerschmitt
M18
M20
M24
North American Aviation
Dutch domiciled
Fokker
Goodyear
Comet
Dessau
Junkers
Atlantic
World War II
Poland
Ju 88
Ju 188
Ju 388
Ju 287
World War II
US soldiers
Raguhn
Nazi Party
Bad Hersfeld
radically de-industrialised
Soviet Union
Soviet troops
occupation zones
Yalta Conference
Soviet occupation zone
Soviet Military Administration
Soviet Union
troops appeared
Dubna
Crimea
coldest winter
Moscow region
Junkers Ju 287
jet
bomber
OKB-1 EF 131
military airfield
OKB-1 140
OKB-1 150
jet
bomber
OKB-1 150
Soviet occupation zone
German Democratic Republic
East German uprising in 1953
High
profile
show trial
Stalin
OKB-1 150
East Germany
East Germany
Socialist Unity Party of Germany (SED)
152
national leadership
West Germany
former Luftwaffe airfield
Klotzsche
Dresden
Iron Curtain
Comet
Boeing 367-80
Caravelle
fracture load factor
Pirna 014
Tumansky RD-9
Leipzig Trade Fair
Pirna
Dresden University of Technology
Dresden
stomach cancer
Eichwalde
Soviet Union
Patriotic Order of Merit
Schönefeld Airport
Ludwigsfelde

categories: Recipients of the Banner of Labor,German expatriates in the Soviet Union,People in aviation,1969 deaths,Socialist Unity Party of Germany members,1904 births,Dresden University of Technology faculty,German mechanical engineers,Aviation in East Germany

paragraph: Brunolf Baade

paragraph: Brunolf Baade (15 March 1904 – 5 November 1969) was a German aeronautical engineer. He led the team that developed the Baade 152.

paragraph: Section::::Life.

paragraph: Section::::Life.:Early years.

paragraph: Brunolf Baade was born and grew up on the southern edge of Rixdorf (today Neukölln), a densely populated district then just outside the northern perimeter of Berlin. (Rixdorf would be incorporated into Greater Berlin in 1920.) His father was employed in a small electronics company, later rising to the position of assembly and technical worker. Brunolf had two younger sisters. His mother contributed to the household budget by running a small shop. Baade's father came from farming stock, but his mother's ancestry included teachers and artisans, along with the popular nineteenth century poet Hofmann von Fallersleben, an ancestor of whom Brunolf Baade was particularly proud.

paragraph: Baade attended the "Emperor Frederick Grammar School" (""Kaiser-Friedrich-Realgymnasium"") locally from 1910, successfully completing his school leaving exam in 1922. When he was 14 his enthusiastic if brief involvement in some of the preparations for revolution which erupted in postwar Germany alarmed his parents, who were never themselves particularly political, and suggested that his rather conservative school environment had released a rebellious streak in the boy.

paragraph: He then studied at the Technical University of Berlin. He combined his time as a student with an internship at Blohm + Voss in Hamburg, reflecting his ambition at that time to make his career in the booming ship building industry. In Hamburg he was involved in the construction of the "Waskenland". Later, after the ship had been fitted out, she made her maiden voyage to South America. Baade joined the crew as a "coal trimmer", and then took the opportunity to explore South America, discovering its people and customs.

paragraph: Section::::Life.:Building aircraft.

paragraph: Returning to Berlin, Baade resumed his studies, now increasingly focused on the potential of the aircraft business, to which he had been introduced during his stay in South America. He joined the Academic Flying League and started to construct gliders. (Production and operation of powered aircraft in Germany had been under the provisions of the Treaty of Versailles signed in 1919.) Baade also learned to fly and participated in the annual glider competitions at the Wasserkuppe.

paragraph: At the end of 1927 he learned to fly powered aircraft, undertaking a course with the still semi-clandestine German Flying School (DVS) and obtaining a pilots licence. Incorporated into his study period with the DVS was an internship that ran from 27 November 1927 till 5 December 1928 and based in , which involved responsibility for static load testing. He now spent a year at the Technical University of Munich, concluding his undergraduate studies, in 1929 finally obtaining a degree in mechanical engineering. While studying in Bavaria he also undertook a further brief period of internship, from 16 March till 20 April 1929, with the . For another year he continued to work for Bavarian Aircraft Works through a period of financial crisis from which some years later the company emerged as "Messerschmitt AG". Willy Messerschmitt had been working in partnership with BFW since 1926, and during 1929/30 Baade worked with Messerschmitt on a succession of innovative passenger aircraft including the M18, the M20 and the M24.

paragraph: In 1930 Baade traveled to the United States, sent by BFW in order to hand over some production licenses to American firms. Once there, however, he loosened his ties with BFW, remaining in the USA for some years, working at various times for Eastern Aircraft, North American Aviation and the US subsidiary of the (since 1919 Dutch domiciled) Fokker Company. In 1932 he switched to Goodyear where his projects are thought to have included work on the futuristic Comet railcar project. 1932 was also the year in which he married Anna Stierle, like him a German expatriate.

paragraph: Despite apparent professional success in North America, Baade maintained his contacts with the German aeronautical industry. During the early 1930s employment prospects for aircraft engineers in Germany remained dire, but in the second half of 1936 he returned to Germany with his wife. There is some ambiguity as to whether, at this stage, the couple had expected to stay in Germany, but on 1 October 1936 Baade took a job to the south of Berlin, at Dessau with Junkers. High calibre aircraft engineers were now becoming highly valued: he achieved rapid promotion, an unexpectedly large salary and ended up living in a large house, all of which led to the abandonment of any half formed intentions that he might have had to return across the Atlantic. Appointed to head up the Development and Design Department, Baade stayed with Junkers through World War II which was declared by several western European governments in 1939, following Germany's invasion of Poland in the late summer. With Junkers Baade was involved in development of a succession of military aircraft including the Ju 88, Ju 188, Ju 388 and Ju 287.

paragraph: Section::::Life.:After the war.

paragraph: The World War II ended in May 1945, but the previous month Brunolf Baade had been arrested by an advance party of US soldiers that had surprised him at the outsourced Junkers design office at Raguhn. Baade had been a member of the German Nazi Party since 1937 and was held prisoner by the Americans in Bad Hersfeld for a couple of months. With his gifts for easy friendship and fluent English he was able to engage his captors in conversation. Baade would later recall emphatic assurances received at this time from US officers that Germany would be radically de-industrialised and certainly not permitted an aircraft industry for many decades. It was, he said, this that persuaded him to support a German future determined by the Soviet Union. Between April and June the Americans occupied Dessau: they comprehensively looted the Junkers library and technical documents, along with the latest aircraft and engines which their soldiers removed apparently as trophies. The Americans released Baade in June 1945 and early in July American forces were replaced in central Germany by Soviet troops, respecting the division of Germany into occupation zones, already agreed between the allies at the Yalta Conference. Dessau was now in the Soviet occupation zone.

paragraph: Section::::Life.:The Soviet Union.

paragraph: The Soviets had their own plans for post-war Germany. In Autumn/Fall 1945 Baade was mandated by the Soviet Military Administration to reconstruct the Junkers research facilities, using whatever remained of the wreckage in Dessau factory. The physical assets having been removed by the Americans, the Soviets were chiefly dependent on the "intellectual property" that could be extracted from plant personnel. Engineering and production specialists were required to write down everything they could remember. In the end more than 2,000 written reports were prepared and shipped to the Soviet Union, though as matters turned out the subsequent researches of the Junkers engineers would be of greater value than their memories of the past.

paragraph: Progress resumed on the company's advanced jet-engined designs and work began on rebuilding the former Junkers factory at Dessau. On 22 October 1946, however, Soviet troops appeared outside the houses of selected company personnel who were given four hours to pack their possessions and prepare for a two-week journey by truck to a village north of Moscow, and close to Dubna, called Podberezye ("Подберезье"). Some were accompanied by their wives, while for others their families followed a few weeks later. When they arrived they were confronted by a large complex of otherwise abandoned military buildings containing a considerable quantity of machinery that the Soviets had managed to gather from various formerly German aircraft manufacturing facilities. There had never been any doubt that the Soviets viewed formerly German military-industrial assets in their occupation zone as Soviet property, and while their commitment to progress on the advanced aircraft design for which Junkers was known was genuine enough, it now transpired that further work would be undertaken back in the Soviet Union. It is not clear whether Baade was one of those abruptly transported of whether he was already in the Soviet Union. In any event, Baade, whose talents for leadership and for charming people were not in doubt, quickly emerged as the leader of the relocated German engineers, and as a man whom the Soviets were in large part prepared to trust. Unlike the other German engineers in Podberezye, Baade was apparently allowed to move freely, and was even seen, early in 1947, on holiday in the Crimea while the other Germans aircraft specialists had no choice but to shiver through the coldest winter the Moscow region had known for many years.

paragraph: Under Baade work continued on developing the Junkers Ju 287 jet bomber with its characteristic "forward-swept" wings, now renamed as the OKB-1 EF 131, although progress was hampered by the Soviet refusal to allow the German engineers near the military airfield used to test the prototypes. The project was abandoned in June 1948. The final prototype was adapted for use in the OKB-1 140 programme. The other principal project of Baade's team of involuntary expatriates was the OKB-1 150, a jet bomber on which serious work began in 1948. The design incorporated innovative ideas on materials and design. As with the earlier project, progress was hampered by the inconsistent nature of support from the Soviets when it came to obtaining materials and permitting the German expatriates the freedom necessary to develop and test the aircraft effectively. By 1951 the OKB-1 150 had been developed into a heavy bomber with a range of approximately 1,500 km and a bomb capacity of around 600 kg, but in 1952 this project, too, was abandoned as resources were again reprioritized.

paragraph: While the German aircraft engineers were enduring the hospitality of the Soviet Union, Germany's Soviet occupation zone had become the German Democratic Republic, formally founded in October 1949. Economic hardships in the young country, exacerbated by the large reparations payments still being made to the Soviet Union and the high cost of supporting the Soviet military presence, are seen by some historians as a key cause, directly and indirectly, of the East German uprising in 1953. High profile show trials of officially designated enemies of the state were also a feature of East Germany in the first half of the 1950s. Nevertheless, 1953 was also the year in which Stalin died, and as the decade unfolded the political temperature in Moscow and East Berlin started, slowly, to become a little less nervous, and Moscow's approach to its East German ally became less antagonistic. After a period of uncertainty, in December 1953 Baade persuaded the Soviets to permit his team to develop the abandoned OKB-1 150 bomber into a world-class jet engined passenger aircraft. Holding the German aeronautical engineers in a village north of Moscow made less sense once the decision had been taken to lift the ban on aircraft manufacture in East Germany with effect from 1955. In 1954 Brunolf Baade relocated back to East Germany and joined the country's ruling Socialist Unity Party of Germany (SED) / ""). By June 1954 the last of the German engineers had been repatriated back to Germany or Austria.

paragraph: Section::::Life.:Back in the GDR.

paragraph: After returning the German Democratic Republic with Soviet assent to the passenger jet promised, Brunolf Baade was given responsibility for developing and producing what now came to be known as the 152. In terms of stealing a march on the west, political support from the national leadership was enthusiastic, but sources written with the benefit hindsight nevertheless surmise that Baade had underestimated the challenges. When his 300 aeronautical engineers arrived back from the Soviet Union, there was not even space to accommodate them. There was no longer any infrastructure to support an aeronautical industry in terms of a supply chain, and although there was plenty of available enthusiasm, there was no experienced labour pool from which to draw workers. High wages in West Germany and elsewhere were sucking the country dry of its skilled workforce. A survey in 1956 found that only 11% of the specialist workers engaged on the project had worked in aeronautics the last time Germany had had an industry, before 1945. In respect of the development work already undertaken in the Soviet Union, Baade no longer had access to the Soviet test pilots who had been permitted to fly the earlier military versions of the plane. He had been forced to leave key technical documentation behind, and never passed over: it was never entirely clear whether this resulted from overlapping bureaucratic structures in the Soviet system or from some high level decision. Nevertheless, Baade's connections in the Soviet Union meant that where key components could not be obtained in East Germany, they would be delivered from the Soviet Union.

paragraph: Finance was found for the construction of a new development centre at a former Luftwaffe airfield at Klotzsche on the edge of Dresden and work began on recruitment and training of the necessary workforce. Meanwhile, developments to the west of what had come to be known as the Iron Curtain, such as the prototype maiden flights of the Comet (1949), Boeing 367-80 (1954) and Caravelle (1955) led Baade's team to distance the 152 further from its bomber origins, increasing the seating capacity, fracture load factor and (marginally) maximum speed without changing the basic architecture of the design or significantly increasing its weight. Time-line slippage was inevitable and it became clear that a critical constraint would be development of the Pirna 014 engines. In order to secure continued funding and political support, Baade was committed to a 1958 launch, but when the 152 appeared outside the hangar at Klotzsche for its high-profile "roll-out" in April 1958, the "152-V1", it did so without engines. A 35-minute first flight was achieved for December 1958 when the prototype was powered not by the Pirna engines designed for the purpose, but by Soviet built Tumansky RD-9 engines, for which the controls and fuel feed components had been adapted. A second flight took place in March 1959, still with the Soviet engines, in order to pass low over the prestigious Leipzig Trade Fair and provide photo-opportunities, but on this occasion the engines stalled and "152-V1" crashed while descending towards the Klotzsche airfield, as it rehearsed for the public demonstration scheduled to take place half an hour later. The four people on-board were killed and the accident was attributed to pilot error. Much later, more considered verdicts concur around the suspicion that the engines were starved because of issues involving the fuel feed system and/or the 16 rubber fuel bladders positioned in the wings.

paragraph: Aircraft development at the Dresden facility and Pirna ended formally in 1961. In March 1961 Baade became director of the newly founded Institute for Lightweight construction and the economical use of Materials (IfL), based in Dresden-Klotzsche. He had previously held a position, since 1955, as a lecturer at what was at the time the Faculty for Aeronautical Engineering at the Dresden University of Technology.

paragraph: Section::::Life.:Death.

paragraph: Brunolf Baarde retired from the Institute when he reached 65, in March 1969. He died on 5 November 1969 in a Berlin hospital or in Dresden, from complications caused by stomach cancer. He is buried at Eichwalde on the edge of Berlin. At least one source indicates that he had never recovered his full health after returning from the Soviet Union in 1954.

paragraph: There is some consensus between the sources that Baade's real brilliance lay not so much in his engineering talents as in his personal gifts as a political and institutional fixer. He was an imposing man, capable of great achievements when supported by good technicians and economists.

paragraph: Section::::Awards and honours.

paragraph: BULLET::::- 1959: Patriotic Order of Merit

paragraph: Many streets are named after him, including the Brunolf-Baade-Straße (Brunolf Baade Street) alongside Berlin's Schönefeld Airport and another in Ludwigsfelde.

description: German politician

wikidata_label: Brunolf Baade

wikipedia_title: Brunolf Baade


text:
Cape Colony
Cape Colony
Cape Argus
Cape Argus
Thomas Ekins Fuller
Gordon Sprigg
Saul Solomon
John X. Merriman
John Molteno
Cape Post
Francis Reginald Statham
Koegas (or Kougas) murders
Attorney General
Thomas Upington
Cape Argus
Francis Dormer
Lantern
Oudtshoorn
Oudtshoorn Tribune

categories: 19th-century South African people,1882 deaths,1835 births,South African newspaper editors,Cape Colony people,British newspaper editors

paragraph: Patrick McLoughlin (editor)

paragraph: Patrick McLoughlin (also McLaughlin; 1835–1882) was an influential newspaper editor of the British Cape Colony, in what is now South Africa.

paragraph: Section::::Early life and education.

paragraph: Born in Ireland, McLoughlin emigrated to the Cape Colony in 1861, as a sergeant in the 59th regiment, until he was discharged after suffering an injury that seriously damaged his sight.

paragraph: He moved to Cape Town and founded a school on Boom (modern Commercial) street, in a part of Cape Town that was a slum at the time. Being intensely reflective and literary however, he soon became known for his remarkable letters to the Cape's leading newspapers (always under the pen-name "Scotus").

paragraph: He went on to edit three newspapers in his career. Throughout his career, his writings and his editing were distinguished by their liberal and inclusive ideology and their concern over the rights of the Cape's Black African citizens. While this made him very popular in the relatively liberal 1870s, it caused him a great deal of controversy as popular opinion became more reactionary and pro-imperialist in the early 1880s.

paragraph: Section::::The Cape Argus (1871-1879).

paragraph: His free-lance writings came to the attention of the "Cape Argus" as early as 1861, and he soon became a printer's reader for that paper's parent company, "Saul Solomon & Co.", from where he rapidly rose in position.

paragraph: In 1871 he was appointed editor for the "Cape Argus", taking over from Thomas Ekins Fuller. He continued to do a great deal of the writing, and his humble manner and direct style of writing made him hugely popular. He was also known for his unpretentious manner and his ""genuine journalistic faculty of mingling freely with his fellow men"". However, he was openly partisan on political issues. Whilst editor, he ""was greatly in the confidence of the Premier of the time, Sir John Molteno, and vigorously supported him"". Both he and the Argus therefore came to be seen as supporters of the Molteno government. McLoughlin also continued to espouse liberal views that, while relatively popular at the time, were still controversial and were to make him unpopular in later, more conservative, years.

paragraph: Section::::The Cape Argus (1871-1879).:The "Pro Bono Publico" trial (1878/9).

paragraph: A change came about in 1878 when the British Colonial Office overthrew the elected Cape government and a new bout of imperial expansion began in southern Africa, under the reactionary new government of Gordon Sprigg. Against the background of its frontier wars, the new regime began to move against its opponents.

paragraph: The Sprigg government targeted the Argus first, arranging that its government contracts were abruptly cancelled. McLoughlin was next, and the attack, when it came, focused on his private writings. McLoughlin had supposedly authored a pamphlet named ""Pro Bono Publico"" ("For Public Good"), privately and anonymously, during the 1878/9 Legislative Council elections. In addition to several other anonymous papers which criticised leading figures of the British and Settler establishment, these writings were held to constitute libel.

paragraph: Although it was never proven that McLoughlin did indeed author these papers, the "Pro Bono Publico" trial went badly, McLoughlin's continued position became untenable, and he was forced to resign. This was in spite of strong support from his liberal friends, and from Saul Solomon himself who, in a personal letter to McLoughlin (30 June 1879) admitted that he found the termination ""especially painful because it is occasioned by your having been placed in a position which I feel that, as an innocent man, you ought not to occupy"".

paragraph: Section::::The Cape Post (1879-1880).

paragraph: With support from several powerful admirers (including John X. Merriman and the retired former Prime Minister John Molteno) he founded the "Cape Post" newspaper in 1879, and co-edited it with Francis Reginald Statham.

paragraph: One of the intended purposes of the "Cape Post" was to encourage a coming-together of the peoples and states of southern Africa in an organic and locally-driven process. This was in order to counter the influence of the British Colonial Office and the Confederation plan that it was attempting to impose on the subcontinent at the time.

paragraph: Section::::The Cape Post (1879-1880).:The "Fiat Justitia" trial (1879-1880).

paragraph: The unusually liberal "Cape Post" was controversial, among other reasons, for highlighting cases of violence and discrimination against Black African people in the rural areas of the Cape. Chief among these, were the notorious "Koegas (or Kougas) murders", which led McLoughlin publicly to accuse the Attorney General Thomas Upington of racism. The "Cape Post" was joined in this campaign by Cape Town's other liberal newspaper at the time, Saul Solomon's "Cape Argus", with its new editor Francis Dormer. Specifically, McLoughlin and Solomon accused the Attorney General and his colleagues in the Sprigg government of allowing white juries to acquit whites who had killed blacks. They called for the Attorney General's resignation and for an all-round condemnation of the verdict.

paragraph: The Sprigg government accused McLoughlin and Solomon of libel and responded with several lawsuits that culminated in what became known as the ""Fiat Justitia"" trial. In addition, a reactionary campaign arose in support of the Sprigg government's policies, led by publications such as the Lantern.

paragraph: In 1880 McLoughlin was therefore forced to close the "Cape Post" due to financial difficulties.

paragraph: Section::::Oudtshoorn and death.

paragraph: Later he moved to the small town of Oudtshoorn in the Karoo, where he edited and wrote for the "Oudtshoorn Tribune" for a year, in effective exile, until he shot himself on 30 June 1882. He was survived by his wife and several children.

paragraph: Patrick McLoughlin was an extremely diligent and skilled writer, but he was even more known for his thoughtful and empathetic nature. His undoing was his unwillingness or inability to compromise on his feelings and principles, at a time when dissidence was dangerous.

paragraph: Historian Alexander Wilmot summed up McLoughlin as ""the very clever, but not, perhaps, sufficiently scrupulous man of letters"".

wikidata_label: Patrick McLoughlin

wikipedia_title: Patrick McLoughlin (editor)


text:
ancient Egyptian
19th dynasty
Ramesses II
Nefertari
Merneptah
Abu Simbel
Amunherkhepeshef
Pareherwenemef
Meryatum
Meritamen
Queen Mother Tuya
Valley of the Queens
Bintanath
Henutmire
Duatentopet
Nefertari

categories: Nineteenth Dynasty of Egypt,Ancient Egyptian princesses,Ramesses II,13th-century BC women

paragraph: Henuttawy (19th dynasty)

paragraph: Henuttawy ("Mistress of the Two Lands") was an ancient Egyptian princess of the 19th dynasty.

paragraph: Section::::Biography.

paragraph: Henuttawy was a daughter of Pharaoh Ramesses II and the Great Royal Wife Nefertari and half-sister of Merneptah. She is seventh on the lists of Ramesses's daughters and the second of two daughters whose mother is certain to have been Nefertari.

paragraph: Her statue stands in the small Abu Simbel temple, built for Nefertari. The children of Nefertari are usually identified on the basis of this temple: the princes Amunherkhepeshef, Pareherwenemef, Meryre and Meryatum and the princesses Meritamen and Henuttawy. Henuttawy is not depicted on the facade of the large Abu Simbel temple, where the first two sons and the six eldest daughters of Ramesses are shown, along with Nefertari and Queen Mother Tuya.

paragraph: Section::::Tomb QV73.

paragraph: Her tomb in the Valley of the Queens, QV73 is not far from those of other members of Ramesses's family (QV68 – Meritamen, QV71 – Bintanath, QV75 – Henutmire); it is between the tombs of her elder half-sister Bintanath and the 20th dynasty queen Duatentopet (QV74).

paragraph: The tomb may have been carved for a generic princess and after Henuttawy's death was adapted for her. In some areas of the tomb the cartouches are blank, but in the main burial chamber faint traces of her name have been recorded. The tomb consists of a burial chamber with two pillars and two side rooms. The decorations resemble those in the tomb of Nefertari.

description: Ancient Egyptian princess

wikidata_label: Henuttawy

wikipedia_title: Henuttawy (19th dynasty)


text:
ancient Egypt
18th dynasty
Amenhotep II
Nedjem
Minmose
Karnak
KV35
shabti

categories: Ancient Egyptian mummies,Princes of the Eighteenth Dynasty of Egypt

paragraph: Webensenu

paragraph: Webensenu was an ancient Egyptian prince of the 18th dynasty. He was a son of Pharaoh Amenhotep II.

paragraph: He is mentioned, along with his brother Nedjem, on a statue of Minmose, overseer of the works in Karnak. He died as a child and was buried in his father's tomb, KV35, where there were found his canopic jars and shabtis. His mummy is still there, and it indicates that he died around the age of ten.

description: ancient Egyptian prince

wikidata_label: Webensenu

wikipedia_title: Webensenu


text:
Haro
Augustinian
Convento de Nuestra Señora del Risco
Diocese of Ávila
University of Salamanca
Enrique Flórez
Church history
España Sagrada
Convento de Doña María de Aragón
Monasterio de San Felipe el Real
Madrid
Juan Fernández de Rojas

categories: Spanish historians,1801 deaths,1735 births

paragraph: Manuel Risco

paragraph: Juan Manuel Martínez Ugarte (1 June 1735 – 30 April 1801), known as Manuel Risco or Padre Risco, was a Spanish historian. Born at Haro, he took the Augustinian habit at the Convento de Nuestra Señora del Risco in the Diocese of Ávila. He studied at the University of Salamanca and was a disciple of Enrique Flórez, who took him along with him on his voyages of historical research. On Flórez's death Risco took over the unfinished Church history of Spain, "España Sagrada". By then he was Jefe de Estudios at the Convento de Doña María de Aragón. He published thirteen volumes of the "España Sagrada", from thirty to forty-two, inclusive. In 1800 ill health forced him to resign from the project and he ended his days at the Monasterio de San Felipe el Real in Madrid. He was replaced by Juan Fernández de Rojas from the same monastery.

alias:
Juan Manuel Martínez Ugarte
Juan Manuel Martinez Ugarte

description: Spanish historian

wikidata_label: Manuel Risco

wikipedia_title: Manuel Risco


text:
The Pleased
Joanna Newsom
Noah Georgeson
Kings & Queens
Bert Jansch
The Black Swan
The Psychedelic Furs

categories: English guitarists,English male guitarists,1974 births,21st-century guitarists,Living people,People from Crawley

paragraph: Rich Good

paragraph: Rich Good (born 17 June 1974) is a British musician and recording artist. His first recognized musical work was as a songwriter and founding member of San Francisco band The Pleased, alongside Joanna Newsom, Noah Georgeson, Genaro Vergoglini, Luckey Remington and Jason Clark.

paragraph: Section::::Career.

paragraph: Since the split of the Pleased, he concentrated on own project Kings & Queens and released three albums "The Dream Ends in Fury" (2006), "Like a Warning" (2008) and "Jet in Carina" (2010). Good also played slide guitar on Bert Jansch's "The Black Swan", produced by Georgeson of the Pleased.

paragraph: He is currently the guitarist for The Psychedelic Furs and has a project named Mirrors in San Francisco. He lives in Wonder Valley, California.

description: guitarist

wikidata_label: Rich Good

wikipedia_title: Rich Good


text:
cricketer
Australia national women's team
Victoria
Women's National Cricket League
Perth Scorchers
Women's Big Bash League
2009 ICC Women's World Twenty20
Victorian Spirit
Cricket Australia
2018 ICC Women's World Twenty20
Perth Scorchers
2018–19 Women's Big Bash League season
Cricket Australia
tour to England
Women's Ashes
Alex Blackwell
Perth, Western Australia
Elyse Villani

categories: Sportspeople from Melbourne,Staffordshire women cricketers,Australia women Twenty20 International cricketers,Cricketers from Victoria (Australia),Victorian Spirit cricketers,Australian women cricketers,Perth Scorchers (WBBL) cricketers,Western Fury cricketers,1989 births,Australia women Test cricketers,Australia women One Day International cricketers,LGBT cricketers,Living people

paragraph: Elyse Villani

paragraph: Elyse Jayne Villani (born 6 October 1989) is an Australian cricketer who plays for the Australia national women's team. She also plays domestically for Victoria in the Women's National Cricket League (WNCL) and the Perth Scorchers in the Women's Big Bash League (WBBL).

paragraph: She made one appearance in the 2009 ICC Women's World Twenty20. She previously played for Victorian Spirit in the WNCL. In June 2015, she was named as one of Australia's touring party for the 2015 Women's Ashes in England.

paragraph: In April 2018, she was one of the fourteen players to be awarded a national contract for the 2018–19 season by Cricket Australia. In October 2018, she was named in Australia's squad for the 2018 ICC Women's World Twenty20 tournament in the West Indies.

paragraph: In November 2018, she was named in the Perth Scorchers' squad for the 2018–19 Women's Big Bash League season. In April 2019, Cricket Australia awarded her with a contract ahead of the 2019–20 season. In June 2019, Cricket Australia named her in Australia's team for their tour to England to contest the Women's Ashes.

paragraph: Section::::Personal life.

paragraph: Elyse was a student (class of 2007) at Eltham College in Melbourne.

paragraph: Villani came out as lesbian in 2015, the second member of the Australian team to do so after Alex Blackwell. She currently lives in Perth, Western Australia and has a dog named Nessa.

paragraph: Villani is an ambassador for Gray-Nicolls.

paragraph: Section::::External links.

paragraph: BULLET::::- Elyse Villani at Cricket Australia

description: cricketer

wikidata_label: Elyse Villani

wikipedia_title: Elyse Villani


text: regent

text: Kingdom of Cyprus

text: Prince of Antioch

text: Hugh IV of Cyprus

text: Alix of Ibelin

text: House of Lusignan

text: Constance of Sicily

text: Frederick III of Sicily

text: Eleanor of Anjou

text: Alice of Ibelin

text: Count of Tripoli

text: Peter I of Lusignan

text: Count of Tripoli

text: Peter of Lusignan

text: Count of Tripoli

text: Regent of Cyprus

text: Constable

text: Seneschal of Jerusalem

text: married his cousin

text: James I of Lusignan, King of Cyprus

text: Phoebus of Lusignan

text: Marshal of Armenia

text: Lord of Sidon

text: Henry of Lusignan

text: Prince of Galilee

text: James I of Lusignan, King of Cyprus

text: Palermo

text: Seneschal of Jerusalem

text: King of Aragon

text: James I of Lusignan, King of Cyprus

text: Lord of Beirut

text: Lord of Beirut

text: Peter I of Cyprus

text: Stefano Lusignan

text: St. Hilarion Castle

categories: 14th-century births,Regents,1375 deaths,People of the Kingdom of Cyprus,Princes of Antioch

paragraph: John of Lusignan

paragraph: John of Lusignan (or Jean de Lusignan) (c. 1329 or 1329/1330–1375), regent of the Kingdom of Cyprus and titular Prince of Antioch. He was son of King Hugh IV of Cyprus and his second wife, Alix of Ibelin. He was a member of the House of Lusignan.

paragraph: Section::::Marriage & Issues.

paragraph: He married twice, firstly in 1343 to Constance of Sicily (died after April 19, 1344), daughter of Frederick III of Sicily and Eleanor of Anjou, without issue, and secondly in 1350 to Alice of Ibelin, by whom he was the father of:

paragraph: BULLET::::- James of Lusignan (died 1395/1397), Titular Count of Tripoli, married in 1385 to his cousin Mary, ditte Mariette, (wrongly called Margaret) of Lusignan (c. 1360 – c. 1397), once engaged to Carlo Visconti, daughter of his uncle Peter I of Lusignan and second wife Eleanor of Aragon-Gandia, the parents of:

paragraph: BULLET::::- John of Lusignan (died 1428/1432), Titular Count of Tripoli, unmarried and without issue

paragraph: BULLET::::- Peter of Lusignan (died February 10, 1451), Titular Count of Tripoli, Regent of Cyprus, Titular Constable and Titular Seneschal of Jerusalem, married his cousin c. 1415 Isabella of Lusignan, Princess of Cyprus, daughter of James I of Lusignan, King of Cyprus, and wife Helvis or Helisia of Brunswick-Grubenhagen, without issue, and had an illegitimate son:

paragraph: BULLET::::- Phoebus of Lusignan, Titular Marshal of Armenia and Titular Lord of Sidon

paragraph: BULLET::::- Eleanor of Lusignan (died c. 1414), married c. 1406 her cousin Henry of Lusignan (died 1427), Titular Prince of Galilee, son of James I of Lusignan, King of Cyprus, and wife Helvis or Helisia of Brunswick-Grubenhagen, without issue

paragraph: BULLET::::- Loysia of Lusignan, (probably) married after March 19, 1406 her cousin Eudes/Odo of Lusignan (died Palermo, 1421), Titular Seneschal of Jerusalem, in the service of the King of Aragon, son of James I of Lusignan, King of Cyprus, and wife Helvis or Helisia of Brunswick-Grubenhagen, without issue

paragraph: Out of wedlock he had an illegitimate son by Alice Embriaco de Giblet:

paragraph: BULLET::::- John of Lusignan (died after 1410), Titular Lord of Beirut, married in 1385 to Marguerite de Morpho, the parents of:

paragraph: BULLET::::- John of Lusignan (died c. 1456), Titular Lord of Beirut

paragraph: Section::::Revenge.

paragraph: He was murdered as a result of his involvement in the murder of his elder brother, King Peter I of Cyprus. The historian Stefano Lusignan is his descendant. This is the Prince John that the Prince John Tower of the St. Hilarion Castle was named after. Tradition says that he executed the two Bulgarians, that consisted his personal guard, by throwing them one by one from the windows of the particular tower.

paragraph: Section::::References.

paragraph: BULLET::::- https://web.archive.org/web/20080103013835/http://www.northcyprus.net/placestovisit.php?place_id=19

paragraph: BULLET::::- http://www.cypnet.co.uk/ncyprus/city/kyrenia/castle/sthilarion/index.html

description: Regent of Cyprus and Titular Prince of Antioch

wikidata_label: John of Lusignan

wikipedia_title: John of Lusignan


text:
Canadian
Anglican
Primate
Anglican Church of Canada
University College School
Bachelor of Arts
Christ's College
Cambridge
deacon
Canonbury
Huron College
Upper Canada
London Collegiate Institute
Upper Canada College
Brantford
Hellmuth Boys’ College
Diocese of Toronto
Alexander Bethune
synod
George Whitaker
University of Trinity College
lay
Montreal
Bishop of Quebec
Oxford Movement
Sisterhood of St. John the Divine
Hannah Grier Coome
Northwest Rebellion
Archbishop of Toronto
Metropolitan of Canada
Primate of All Canada

categories: 1834 births,1909 deaths,Primates of the Anglican Church of Canada,People educated at University College School

paragraph: Arthur Sweatman

paragraph: Arthur Sweatman (19 November 1834 – 24 January 1909) was a Canadian Anglican bishop and the third Primate of the Anglican Church of Canada.

paragraph: Section::::Early life.

paragraph: Sweatman was born on 19 November 1834 in London, England to parents John and Anne. His education began in two London private schools, followed by education at University College School. In 1859, Sweatman received a Bachelor of Arts degree from Christ's College, Cambridge and was ordained as a deacon the same year. Sweatman soon distinguished himself as a pioneer in the movement for boys' clubs, beginning with the founding of the Islington Youths' Institute in 1860. In 1865, whilst curate of St Stephen's in Canonbury, he impressed the visiting headmaster of Huron College, Upper Canada with his work with youths. The visiting headmaster convinced Sweatman to become the first headmaster of the London Collegiate Institute in Huron, serving there until 1871. Until 1872, he was the mathematics master at Upper Canada College, leaving there to become the rector of Grace Church in Brantford until 1874. From 1874 to 1876, Sweatman again served as the principal of the London Collegiate Institute, which had been renamed Hellmuth Boys’ College. From 1876 to 1879, he was the priest in charge of New St Paul's, Woodstock.

paragraph: Section::::Bishop of Toronto.

paragraph: On February 3, 1879, the second bishop of the Diocese of Toronto, Alexander Bethune, died. Later that month, the synod met to elect a new bishop. Most of the clergy were inclined to vote for George Whitaker, the provost of the University of Trinity College. However, the lay synod delegates were opposed to the clergy candidate and proposed a Reverend Dr Sullivan as their candidate, who was then on his way from Chicago to Montreal to take up the rectory there. Neither candidate received the necessary number of votes to become the bishop. Sweatman was elected as a compromise between the clergymen and laymen of the synod after five days of balloting.

paragraph: On May 1, 1879, the Bishop of Quebec consecrated Sweatman in St. James' Cathedral, Toronto. On June 10 of the same year, Sweatman made his views clear to the first synod under his presidency. His views were not radical, but of moderation. He immediately set to work, transforming a debt-ridden diocese into a financially stable one, as well as allowing social works consistent with the Oxford Movement. In 1884, Sweatman recognized the foundation of the Sisterhood of St. John the Divine, an Anglican religious order of women dedicated to nursing, education and other charitable endeavors, led by Hannah Grier Coome. Although they were initially criticized as "papist," their service during the Northwest Rebellion earned praise and acceptance. Rt. Rev. Sweatman also worked towards a grand new cathedral for Toronto. In 1885, the trustees of the land reserved for the future cathedral donated $2,000 towards his cause, possibly to enhance the property value of the site. Before the end of the year, a building had been erected on the site to house the bishop and his family. Although St. Alban's Cathedral was eventually completed to some extent, its construction incurred heavy debts for the diocese. This project was viewed by Sweatman as one of his most disappointing ventures.

paragraph: Section::::Later life.

paragraph: In 1905, Sweatman suffered a seizure, and in 1907 became the Archbishop of Toronto. The same year, he was elected Metropolitan of Canada and the Primate of All Canada, the third since the position's creation. Two years later, on January 24, 1909, Sweatman died of bronchial pneumonia.

description: Metropolitan of Canada

wikidata_label: Arthur Sweatman

wikipedia_title: Arthur Sweatman


text:
soprano
Thomas Alva Edison
Edison Records
phonograph cylinder
Diamond Disc
Victor
Columbia Records
Vitaphone
Clinton, New Jersey
Boris Godunov
Metropolitan Opera
The Hidden Truth
Just Awearyin' for You
Frank Lebby Stanton
Carrie Jacobs-Bond
ITT Corporation
Clarence Mackay
Colombia
Boucheron
Smithsonian Institution
Anna Case papers, 1912-1969

categories: 20th-century opera singers,1984 deaths,Burials at Green-Wood Cemetery,American operatic sopranos,Singers from New Jersey,20th-century American singers,People from Clinton, New Jersey,Thomas Edison,1888 births,20th-century American women singers

paragraph: Anna Case

paragraph: Anna Case (October 29, 1887 – January 7, 1984; aged 95) was an American soprano. She recorded with Thomas Alva Edison, who used her voice extensively in "tone tests" of whether a live audience could tell the difference between the actual singer and a recording. In addition to recordings for Edison Records on both phonograph cylinder and Diamond Disc, Case recorded for Victor and Columbia Records, and made sound film for Vitaphone.

paragraph: Section::::Biography.

paragraph: She was born on October 29, 1887, in Clinton, New Jersey.

paragraph: She sang in the American premiere of "Boris Godunov" in 1913 at the Metropolitan Opera.

paragraph: In 1919 Case appeared in the silent drama film "The Hidden Truth" (1919). She also appeared in documentaries about sound recording.

paragraph: In 1930, before retiring in the same year, she recorded "Just Awearyin' for You" by Frank Lebby Stanton and Carrie Jacobs-Bond.

paragraph: In 1931, she married ITT Corporation executive Clarence Mackay.

paragraph: Upon her death on January 7, 1984, in New York City, she bequeathed her 167.97-carat (33.59 g) Colombian emerald ring and Boucheron necklace to the Smithsonian Institution.

paragraph: Section::::External links.

paragraph: BULLET::::- Anna Case papers, 1912-1969 Music Division, New York Public Library for the Performing Arts.

description: American opera singer

wikidata_label: Anna Case

wikipedia_title: Anna Case


href: Dieppe reggae Caen Naaman Jamaica Bob%20Marley%20and%20the%20Wailers Les%20Francofolies%20de%20La%20Rochelle

text:
Dieppe
reggae
Caen
Naaman
Jamaica
Bob Marley and the Wailers
Les Francofolies de La Rochelle

categories: French reggae singers,1990 births,Living people,People from Dieppe, Seine-Maritime

paragraph: Naâman

paragraph: Martin Mussard (; born in Dieppe on 25 February 1990), better known by his stage name Naâman, is a French reggae singer with ska, blues, folk, hip hop and dancehall influences.

paragraph: Section::::Career.

paragraph: Born in Dieppe, he attended the local Catholic private school. He graduated with a literary baccalauréat and continued studies in communication and graphic arts in Caen and was associated from youth in a local music group Les Young Kha. In 2010, he abandoned his studies to consecrate his time to music. choosing the name Naâman, from the biblical figure Naaman. He started singing reggae with African and Antilles influences and singing in a Jamaican accent with his band releasing his first independent mixtape "Deep Rockers". He also took part in 2012 in Reggae Sun Ska Festival. His mixtape was well received and buzz increased about his artistry on social networks. In 2012 he travelled to Jamaica to study the Jamaican rasta style with radio VL naming him the reggae revelation of 2013 in addition to the same title during "Victoires du reggae 2013". With his beatmaker Fatbabs he recorded in Studio Harry J, that had recorded some of the music of Bob Marley and the Wailers and returning to France released his album "Deep Rockers, Back a Yard" on 4 June 2013 promoting the album with a French live tour with additional dates in UK, Russia and China. and a show at Garance Reggae Festival opening for Jon Holt, the famous reggae singer of the 1970s. His album "Deep Rockers, Back a Yard" was named "Reggae album, French touch 2014". He also publicly supported legal production of cannabis during the professional exposition Expogrow.

paragraph: In 2015, he released his new album "Rays of Resistance" in addition to a world tour that took him in addition to his pan-French tour to the Middle East, India, Jamaica. With his friends, he organized a charity concert in May 2015 in Paris in aid of earthquake victims in Nepal shortly after a gig he had in Nepal itself. He was active also in aid of Caritas for helping Migrant Domestic Workers in Lebanon. In July 2015, he also appeared in Les Francofolies de La Rochelle.

paragraph: Section::::Discography.

paragraph: Section::::Discography.:Albums.

paragraph: Others

paragraph: BULLET::::- 2012: "Deep Rockers"

paragraph: BULLET::::- 2014: "From the Deep to the Rock"

paragraph: BULLET::::- 2015: "Know Yourself"

alias:
Martin Mussard
Naaman

description: French singer

wikidata_label: Naâman

wikipedia_title: Naâman