text: courtesy name

text: Ming dynasty

text: China

text: Zhang Yu

text: Yongle Emperor

text: Jingnan Campaign

text: Yongle Emperor

text: attack Vietnam

text: Mu Sheng

text: Hồ Quý Ly

text: Hồ Hán Thương

text: Trần lineage

text: Vietnam was annexed by China

text: Jiaozhi province

text: Trần Ngỗi

text: Trần Quý Khoáng

text: Lê Lợi

text: Lê dynasty

text: Nanjing

text: Grand Preceptor

text: Hongxi Emperor

text: Taizong Shilu

text: Zhu Gaoxu

text: Zhengtong Emperor

text: Jian Yi

text: Xia Yuanji

text: Yang Shiqi

text: Yang Rong

text: Yang Pu

text: Tumu Crisis

text: posthumous name

categories: Ming dynasty generals,1375 births,1449 deaths,People from Kaifeng

paragraph: Zhang Fu

paragraph: Zhang Fu (; ; 1375–1449), courtesy name Wenbi (文弼), was a general of the Ming dynasty in China. He was the eldest son of general Zhang Yu, one of Zhu Di's (later Yongle Emperor) finest generals. Zhang Yu was killed in Jingnan Campaign, Zhang Fu succeeded his father's title. After Zhu Di crowned the Yongle Emperor, Zhang Fu was granted the title "Count of Xin'an" (信安伯). In 1405, he was elevated to the title "Marquis of Xincheng" (新成侯).

paragraph: Zhang was dispatched to attack Vietnam together with Mu Sheng (沐晟) in 1406. In the next year, he captured the Vietnamese usurper Hồ Quý Ly, and his son Hồ Hán Thương. He then reported to the emperor that the Trần lineage had been destroyed by Hồ Quý Ly so that there was no successor, and the populace "requested again to be a province of China". The Vietnam was annexed by China again and renamed to Jiaozhi province (). For this accomplishment, he was elevated to the title "Duke of Ying" (英國公).

paragraph: Later, he put down the rebellion of two Vietnamese princes, Trần Ngỗi and Trần Quý Khoáng successfully, but failed to put down a number of revolts among the Vietnamese people against the Ming authorities. One of these rebel leaders was Lê Lợi, who later became the founder of Lê dynasty. Zhang was recalled to Nanjing in 1415.

paragraph: Later, he followed Yongle Emperor in several military expeditions against the Mongols. He was granted the title of Grand Preceptor and trusted by Hongxi Emperor. One of his daughters married Hongxi. He was ordered to participate in superintending the compilation of "Taizong Shilu", the imperial annal of Yongle Emperor. In 1426, he put down the rebellion of Zhu Gaoxu. After Zhengtong Emperor ascended the throne, he served as one of regents together with Jian Yi (蹇義), Xia Yuanji, Yang Shiqi (楊士奇), Yang Rong (楊榮) and Yang Pu (楊溥). He was killed in Tumu Crisis together with many high-ranking officials and generals. He was elevated to the title "Prince of Dingxing" (定興王), and given the posthumous name "Zhonglie" (忠烈 loyal merit) posthumously.

description: Ming dynasty politician

wikidata_label: Zhang Fu

wikipedia_title: Zhang Fu


text: Australia

text: née

text: The Carpentaria Lightship

text: The Bulletin

text: Francis Hodgson Nixon

text: Rockhampton

text: Rockhampton Girls Grammar School

text: The Sun

text: World War II

text: BBC

text: Hanoi

text: Len Fox

text: Communist Party of Australia

text: New Theatre

text: Egon Kisch

text: Mother's Day

text: Derek Bentley case

text: 1967 referendum

text: Sir William Deane

text: Australian Security Intelligence Organisation

text: The Sydney Morning Herald

text: Fellowship of Australian Writers

text: Leonard Mann

text: Frank Dalby Davison

text: Vance Palmer

text: Frank Hardy

text: Eric Lambert

text: New Theatre

text: Presbyterian Ladies College, Sydney

text: London

text: Unity Theatre

text: New Theatre

text: Malayan Emergency

text: Derek Bentley case

text: New Theatre

text: New Theatre

text: David Williamson

text: The Australasian

text: Workers' Educational Association

text: William Fearn Wannan

text: James Devaney

text: John Shaw Neilson

text: John Antill

text: Mary Gilmore

text: Gary Shearston

text: University of Queensland

text: Brisbane

text: NSW Arts Council

text: New Theatre

text: PEN

text: State Library of NSW Foundation

text: Joanna Murray-Smith

text: Jada Alberts

categories: 20th-century Australian poets,1915 births,Australian women dramatists and playwrights,2007 deaths,Australian communists,20th-century Australian dramatists and playwrights

paragraph: Mona Brand

paragraph: Mona Brand (22 October 1915 – 1 August 2007) was a twentieth-century Australian playwright, poet and freelance writer. She also wrote under the name Alexis Fox.

paragraph: Whilst living, Brand was more well known in Europe than in Australia, so much so that Brand subtitled her 1995 autobiography, "Enough Blue Sky: the autobiography of Mona Brand... an unknown well-known writer."

paragraph: Section::::Early life.

paragraph: Brand was born in Sydney on 22 October 1915, to Alexander and Violet Brand (née Nixon). She had an older brother, John, and a younger, Deryck.

paragraph: In the early 1930s, her father was second engineer on ship "S.S. Cape Leeuwin" servicing lighthouses and lightships between Brisbane and Darwin. There were literary influences in her family. In one letter to Brand, her father included an original poem "The Carpentaria Lightship" which she unsuccessfully attempted to have published in "The Bulletin". Brand's mother, Violet Nixon, was the youngest daughter of journalist, government surveyor, architect and poet Francis Hodgson Nixon (1832–1883), whose collection of poetical pieces "The Legends and Lays of Peter Perfume" putatively 'collected, corrected and edited by Francis H' was published in Melbourne by F. F. Bailliere in 1865.

paragraph: When Brand was seven years old, her mother died of a self-induced abortion, and she was sent to live with relatives in Rockhampton, attending the Rockhampton Girls Grammar School. At the age of eleven she moved back to Sydney, finishing her education at North Sydney Girls' High School. Brand wrote of her childhood feelings of displacement in her autobiography, "Enough Blue Sky", which she published in 1995. She often felt the disparity between her own treatment and the treatment her brothers received, and noticed other disparities in class and race from an early age. She believed this informed her later writing and opinions. When she was in high school she aspired to become a journalist.

paragraph: Section::::Adult years.

paragraph: Brand's first job was as a copy-writer with "The Sun" in Sydney. During World War II, she worked as a social worker and then as a research officer for the Department of Labour and National Service (1945–48). She worked in London between 1948 and 1954, originally as a typist for the BBC, then in Hanoi, Vietnam in 1956-57 as an English teacher, subsequently returning to Australia.

paragraph: On 26 September 1955 Mona married Len Fox, a journalist for the Communist Party, who was also a poet and fiction writer. Their marriage was, in the words of Brand's friends and herself, a "marriage of true minds". They remained together until his death in Sydney on 9 January 2004, aged 98.

paragraph: Section::::Adult years.:Political views.

paragraph: Brand was a member of the Communist Party of Australia from 1947 to 1970 "making a clear distinction that she was a member of the Australian Communist Party, not the Soviet Party." She was quoted as saying, "when I joined the Communist Party it was not so much because I agreed with Karl Marx (of whom I had read little) as because I felt he and his followers agreed with me." Brand was noted in the translation of "Better a Millstone" as a "progressive Australian writer."

paragraph: Much of Brand's social activism was expressed through her work, and particularly through her relationship with New Theatre. Most of her plays carry clear political messages.

paragraph: One of her most popular plays, "Here Comes Kisch", discusses the events of Egon Kisch's exclusion from Australia in 1935. Kisch, a communist and Anti-Nazi who was prohibited from entering Australia, is portrayed throughout the play as an intelligent, down to earth man, while the German officials are written as sycophants. Other notable political plays include "Our 'Dear' Relations", a play which satirises the consumerism of Mother's Day and discusses the disadvantage of the working class within the capitalist system, "Better a Millstone", which concerns injustice in the criminal sentencing of youth in England and draws on the Derek Bentley case, and "Here Under Heaven", a play about sexism and racism, both towards Asians and Aboriginals.

paragraph: Brand was a prominent member of the NSW Branch of the Aboriginal-Australian Fellowship, and was a strong advocate of Aboriginal rights. With Fox, she campaigned for a 'yes' vote in the 1967 referendum to have Aboriginal Australians recognised in the Australian Constitution, as noted by Governor General, Sir William Deane at the Reconciliation Convention in 1997.

paragraph: In 1956, Brand travelled to Vietnam to assist the Vietnamese revolution through her affiliations with the CPA. She assisted Radio Hanoi and the Voice of Vietnam, especially with English translations returning to Australia the following year.

paragraph: The Australian Security Intelligence Organisation (ASIO) held a security file on Brand from 1950, detailing her movements and activities. The file was 379 pages long when it was released from closed access. Brand read the file herself, and expressed her distaste for ASIO's actions in a satirical piece in "The Sydney Morning Herald" in 2002.

paragraph: Section::::Adult years.:Literary career.

paragraph: Brand joined the Victorian Branch of the Fellowship of Australian Writers during the war years, discussing her early works with fellow writers Leonard Mann, Frank Dalby Davison, and Vance Palmer. After the war she joined the Melbourne Realist Writer's Group, where her first play "Here Under Heaven" was read. This group, which included writers such as Frank Hardy and Eric Lambert, recommended the play to Melbourne New Theatre and it was performed in 1948.

paragraph: Brand began writing theatre with a one-act play for an evening aid event for the Red Cross. The plays needed to have women only casts because the event was being run and organised by the Presbyterian Ladies College, Sydney. Her cousin was part of the event and was given a play to perform which she didn't like. Being roommates with Brand at the time, she asked if Brand could write something better for her that weekend. Brand agreed and wrote her first one-act play, a comedy about the learning curves of first aid treatments titled "First Aid".

paragraph: Brand travelled extensively overseas, going first to London in 1948. She attempted to interest London theatre groups with her work but was told that London audiences would not be interested in plays about Australia. During the five and a half years she was in the UK (1948–1953) Brand was active in London's Unity Theatre which shared common views with the New Theatre in Australia. During this time away Brand wrote "Strangers in the Land" which was set in a Malayan bungalow. As this play dealt with the Malayan Emergency, an issue of current interest at the time, Brand hoped that the British would be interested in it. It was produced by the Unity Theatre in 1950 and then banned in the UK. It was later performed in Australia, the USSR, Czechoslovakia, East Germany and India.

paragraph: "Better a Millstone" is a notable social realist play. Written in 1953, the play was inspired by the Derek Bentley case, which saw a young, illiterate man hanged for being involved in a robbery that led to the murder of a policeman. Brand centres the play around the campaign for a posthumous pardon. She uses the play to consider issues of child abuse, commercial exploitation and the criminalisation of young people. The political nature of this play and the issues confronted are reflected in the title's biblical reference, "It were better for him that a millstone were hanged about his neck and he cast into the sea, than that he should offend one of these little ones." (Luke 17.2) Brand makes the point that while the world treated her character, 'Ronnie' (i.e. Derek), poorly as a child the world took no responsibility for him when things went wrong.

paragraph: Section::::Adult years.:Associations with New Theatre.

paragraph: Sydney's New Theatre, was concerned with the development of Australian women playwrights in the mid 20th century and provided unique insights of war and isolation, presenting feminist cases of internationalism. New Theatre has defined their philosophy in several ways since its establishment in the 1930s: from the slogan "Art is a Weapon" to the more recent "Theatre with a Purpose".

paragraph: It has been suggested that one of the reasons for Brand's artistic "isolation" from Australian Professional Theatre is due to her left-wing leanings and association with New Theatre. While it is relatively under-recognised in Australian theatre history, she did, in fact, have more plays produced, world-wide, than many other well-known Australian playwrights, for example, David Williamson. Unfortunately, within Australia, Brand had none of her plays professionally produced during her lifetime.

paragraph: It is more likely that Brand's isolation from mainstream Australian theatre was due to the political and literary context of the period in which she wrote and to the wider treatment of progressive playwrights and writers in that period. With a conservative mainstream theatre industry dominant in Australia at the time, some moderately socialist or feminist playwrights such as Brand found an outlet in the New Theatre or repertory theatre movement which supported socialist and socially aware art movements. The flow-on effect of the lack of recognition in the mainstream was an increased association with the left and a further 'tainting' of these writers' reputations. During this period the New Theatre struggled for recognition, particularly in Sydney, as the commercial press did not publish reviews of their productions written for fifteen years. Brand's works were, however, well received in Britain, Russia, China, Czechoslovakia, Hungary, Germany, Rumania, Poland, Latvia and India.

paragraph: Her involvement with New Theatre spanned more than three decades and allowed her to write more than twenty plays. She defined New Theatre productions as "either overtly or by implication suggesting that there were great weaknesses in capitalism and strengths to be found in socialism." Personally, she attempted to address humanitarian issues in preference to the ideas of feminism. This is obvious in her amateur play, "In Search of Aphra", about which she said that she did not write the play as a consciously feminist work. Instead, she felt the injustice for the protagonist and wrote the work from a humanitarian point of view. Brand also regarded feminist literature at the time as a little irrational when words were simply changed to sound feminine rather than masculine. New Theatre is still running to this day.

paragraph: Section::::Works.

paragraph: Section::::Works.:Plays.

paragraph: Unperformed works include: 'The Silent People', 'Flood Tide', 'Pavement Oasis', 'Inbye', 'Koorie Song', 'Hammer and Stars' and "Here Comes Kisch", which was performed as a reading at the Australian Playwrights Conference in 1982.

paragraph: Works published in other countries include "Here Under Heaven" (1956) and "Strangers in the Land" (1961) in Russian as well as "Better a Millstone" (1957) and "Strangers in the Land" (1957) in Chinese.;

paragraph: Section::::Works.:Poetry.

paragraph: Brand had four collections of poetry published and had numerous individual poems published in newspapers and periodicals during her career.

paragraph: Her first published poem 'Shy as a Deer' appearing in The Australasian in 1928 when she was 12 years old. The poem was written for her father and speaks about her "shy as a deer" mother, Violet, who had died some years earlier. "This Night", another early poem was inspired by the second line of Brand's favourite Wordsworth's sonnet: "This Sea that bares her bosom to the moon."

paragraph: Section::::Works.:Poetry.:Influences.

paragraph: Brand early poetry was strongly influenced by English poets and are somewhat imitative of Wordsworth, Keats, Shelley, Wilfred Owen, Siegfried Sassoon, Walter de la Mare and Edna St Vincent Millay. In her early work, she preferred a regular rhyme scheme to free verse although she adopted whichever suited the idea.

paragraph: In the late 1930s, Brand cancelled a planned overseas trip because of the outbreak of World War II. Her poetic focus during this period therefore was on the social and political environment in Australia as well as the unique Australian landscape and seascape. This also became a time for her development as a writer because she met Melbourne Workers' Educational Association tutor, William Fearn Wannan, who influenced and taught her. She also became friends with a Brisbane poet, James Devaney, who introduced her to John Shaw Neilson, who Brand thought was Australia's finest lyric poet.

paragraph: During the 1960s, Brand began to write verse narration for Margaret Barr's dance dramas. At this period, Brand also collaborated with modern composer, John Antill. Barr and Antill both insisted on free verse format, which changed Brand's writing styles to some extent.

paragraph: Section::::Works.:Poetry.:Poetry collections.

paragraph: BULLET::::- "Wheel and Bobbin" (1938)

paragraph: Brand's friends voluntarily helped her to publish 500 copies of the collection. The foreword was written by Dame Mary Gilmore, who pointed out that Brand's poetry was "direct and simple".

paragraph: BULLET::::- Silver Singing" (1940)

paragraph: The cover was designed by Albert Collins. "The fact that the fine pen and ink drawing depicted a popular tree suggests my continuing pre-occupation with non-indigenous landscape features."

paragraph: BULLET::::- "Lass in Love" (1946)

paragraph: The cover was designed by Brand herself.

paragraph: BULLET::::- "Coloured Sounds" (1997)

paragraph: This collection includes "some previously unpublished pieces, as well as others that have appeared in the print media or have been performed in association with stage and television productions".

paragraph: Section::::Works.:Short stories and other works.

paragraph: BULLET::::- "The Fairie's Ladder" (1925)

paragraph: Brand published the short story 'The Fairie's Ladder' in "Artesia" on 16 January 1925, when she was 9 years old.

paragraph: BULLET::::- "Daughters of Vietnam" (1958)

paragraph: This collection contains short stories and poetry. The short stories in this collection are based on conversations between the author and Vietnamese women from a variety of backgrounds which she had while in North Vietnam. Brand wrote, "my husband [Len Fox] and I talked with women in various parts of North Vietnam - peasants in small cottages on the delta and at the seashore, miners at Hongay-Campha and the people belonging to the various national minorities in the new Thai-Meo autonomous region of the North West." Three of the stories "can more correctly be described as biographies because they describe events almost exactly as they took place, with the exception of the creation of a few minor characters." Other stories have been given a more fictional treatment.

paragraph: BULLET::::- "Twenty Summers" - Lyrics for a song recorded by Gary Shearston

paragraph: BULLET::::- "Enough Blue Sky: the Autobiography of Mona Brand, an Unknown Well-Known Playwright" (1995) - Brand's self-published autobiography.

paragraph: Section::::Later years and death.

paragraph: The second wave of feminism and the rise of the discipline of women's studies at universities in the 1980s, which frequently worked towards reclaiming women's history, saw an increased recognition of Brand's work and career in Australia. Although none of her plays were ever professionally produced in Australia, as a recognition of her important contribution to theatre in Australia, Christine M. Tilley undertook a detailed study in 1981 of Brand's plays and her political activism. Tilley collected many scripts and production details and as a result of her work, many of Brand's original manuscripts and letters are now held by the Fryer Library at the University of Queensland, Brisbane.

paragraph: Brand died in Sydney on 1 August 2007.

paragraph: Section::::Recognition.

paragraph: BULLET::::- "Our 'Dear' Relations" won first prize in NSW Arts Council Drama Festival (1963)

paragraph: BULLET::::- "Christmas Goose" won Moomba Prize for Children's Film Script (1972)

paragraph: BULLET::::- "For Richer For Poorer" won Noosa Arts Theatre Prize (1985)

paragraph: BULLET::::- Awarded life membership of New Theatre

paragraph: BULLET::::- Awarded life membership of PEN

paragraph: BULLET::::- "Lass in Love" won James Picot Memorial Competition for 1945 conducted by Queensland Artists Association.

paragraph: Section::::Legacy.

paragraph: In 2016 the biennial Mona Brand Award was inaugurated by the State Library of NSW Foundation, following a bequest from Brand's estate. It is awarded to "an outstanding Australian woman writing for the stage or screen". The bequest included funding of a biennial Emerging Writer Award, for a "female writer who is in the early stages of her career for her first professionally produced, screened or broadcast work". Joanna Murray-Smith was the first Mona Brand Award winner, with Jada Alberts recipient of the first Emerging Writer Award.

paragraph: Section::::Sources.

paragraph: BULLET::::- Brand, Mona, Papers held at the Fryer Library at The University of Queensland. Finding aid available: http://www.library.uq.edu.au/fryer/ms/uqfl401.pdf

paragraph: BULLET::::- Brand, Mona, "Enough Blue Sky: the Autobiography of Mona Brand, an Unknown Well-Known Writer" (Tawny Pipit: Sydney, 1995)

paragraph: BULLET::::- Brand, Mona, "Here Comes Kisch", (Montmorency, Victoria: Yackandanda Playscripts, 1983).

paragraph: BULLET::::- Brand, Mona, "Here Under Heaven : Three plays" containing 'Barbara', 'Our 'dear' relations', 'Here under Heaven' (Sydney: Wentworth Press, 1969).

paragraph: BULLET::::- Brand, Mona, "Plays", (Moscow: Progress Publishers, 1965).

paragraph: BULLET::::- Brand, Mona, "Coloured sounds : poems" (Sydney: Tawny Pipit Press,1997).

paragraph: BULLET::::- Brand, Mona "Wheel and Bobbin" (Sydney: Deaton and Spencer, 1938).

paragraph: BULLET::::- Brand, Mona. "Silver Singing" (Sydney : Author, 1938).

paragraph: BULLET::::- Brand, Mona. "Daughters of Vietnam" (Hanoi: Foreign Language Publications House, 1958).

paragraph: BULLET::::- Brand, Mona. "Lass in Love" (Northcote: Cloister Press, 1946)

paragraph: BULLET::::- Tilley, Christine M., 'Mona Brand: A Checklist, 1935-1980' "Australian Literary Studies" 10 (1981-2)

paragraph: BULLET::::- Moore, Nicole, 'Art Makes the World' "Overland", 01/12/2007, Issue 189, p93-94,

paragraph: BULLET::::- "New Theatre, The New Years 1932-", (Sydney: University Publishing Service, University of Sydney, 2007)

paragraph: BULLET::::- Yu, Ouyang, 'A Century of Oz Lit in China', "Antipodes", 25.1 (Jun 2011): 65-71.

paragraph: BULLET::::- Sendy, J., "Comrades Come Rally". (Nelson: Melbourne, 1978)

paragraph: BULLET::::- Tompkins, Joanne and Julie Holledge, eds., "Performing Women/Performing Feminisms: Interviews with International Women Playwrights", (Brisbane: Australasian Drama Studies Association, 1997)

paragraph: BULLET::::- 'Australian Drama 1920-1955', (Papers presented to a conference on Australian drama, University of New England, Armidale, 1–4 September 1984).

paragraph: BULLET::::- Pfisterer, Susan and Carolyn Pickett, "Playing with ideas: Australian Women Playwrights from the suffragettes to the sixties", (Sydney: Currency Press, 1999).

paragraph: BULLET::::- New Theatre, http://newtheatre.org.au

paragraph: BULLET::::- Hay, Ashley. 'Mona Brand, 1915-2007.' Sydney Pen Magazine (June 2008): 44

paragraph: BULLET::::- "AustLit: The Australian Literature Resource" http://www.austlit.edu.au

paragraph: BULLET::::- "Who's Who of Australian Writers". Melbourne: Thorpe, 1991.

description: Australian playwright, poet and freelance writer

wikidata_label: Mona Brand

wikipedia_title: Mona Brand


text:
Erfurt
archbishop of Mainz
Mainz
St. Peter
Allgemeine Deutsche Biographie

categories: 12th-century births,1230 deaths,Archbishops of Mainz,Year of birth unknown

paragraph: Siegfried II (archbishop of Mainz)

paragraph: Siegfried II von Eppstein (died 9 September 1230, Erfurt) was archbishop of Mainz from 1200 to 1230.

paragraph: Siegfried was born the second son Gerhard I of Eppstein and hit an ecclesiastical career. Already in 1189 he was the owner of the parish of St. Gangolph in Mainz. He was the provost of St. Martin in Worms 1194 and of St. Peter in Mainz 1196.

paragraph: Section::::Sources.

paragraph: BULLET::::- Friedrich Wilhelm Schirrmacher: . In: "Allgemeine Deutsche Biographie" (ADB). Vol. 34, Duncker & Humblot, Leipzig 1892, p. 259ff.

description: German archbishop

wikidata_label: Siegfried II

wikipedia_title: Siegfried II (archbishop of Mainz)


text: A.S.C.

text: special effect

text: Academy Awards

text: Best Special Effects

text: camera assistant

text: Buster Keaton

text: The General

text: I Wanted Wings

text: Aloma of the South Seas

text: Farciot Edouart

text: Louis Mesenkop

text: When Worlds Collide

text: The War of the Worlds

text: Spawn of the North

text: Academy Honorary Award

text: I Wanted Wings

text: Reap the Wild Wind

text: When Worlds Collide

text: Special Achievement Academy Award

text: The War of the Worlds

text: Special Achievement Academy Award

text: Union Pacific

text: Typhoon

text: Dr. Cyclops

text: Aloma of the South Seas

text: So Proudly We Hail!

text: The Story of Dr. Wassell

text: Unconquered

text: Samson and Delilah

text: The Island of Doctor Moreau

text: Peter Ibbetson

text: The Plainsman

text: If I Were King

text: I Married a Witch

text: For Whom the Bell Tolls

text: Lady in the Dark

text: Rainbow Island

text: Here Come the Waves

text: Love Letters

text: Two Years Before the Mast

text: Kitty

text: The Lost Weekend

text: Golden Earrings

text: Wild Harvest

text: Sorry, Wrong Number

text: The Big Clock

text: Miss Tatlock's Millions

text: Bride of Vengeance

text: Song of Surrender

text: Rope of Sand

text: The Furies

text: When Worlds Collide

text: The Turning Point

text: Thunder in the East

text: Anything Can Happen

text: Son of Paleface

text: The Greatest Show on Earth

text: The War of the Worlds

text: Botany Bay

text: The Stooge

text: Shane

text: Stalag 17

categories: Best Visual Effects Academy Award winners,1896 births,Artists from Salt Lake City,1953 deaths,Special effects people

paragraph: Gordon Jennings

paragraph: Gordon Jennings, A.S.C. (1896 – January 11, 1953) was an American special effects artist. He received seven Academy Awards (mainly for Best Special Effects) and was nominated for eight more in the same category. After starting 1919 in Hollywood as camera assistant he worked from 1932 until 1953 on the visual and special effects of more than 180 films. His older brother was cinematographer Devereaux Jennings (1884-1952), who filmed, for instance, Buster Keaton's monumental "The General" in 1926.

paragraph: Section::::Awards and nominations.

paragraph: Jennings received seven Academy Awards (mainly for "Best Special Effects") and was nominated for eight more. In 1942, he beat himself winning the Academy Award for his work in 1941 on "I Wanted Wings" and being nominated a second time for "Best Special Effects" for "Aloma of the South Seas". He elaborated both teaming up with Farciot Edouart and Louis Mesenkop. In 1952, he was decorated twice for "When Worlds Collide" and with an "Award for Technical Achievement". His last receipt of an Academy Award was posthumous when "The War of the Worlds" was decorated during the 1954 ceremony for movies released in 1953 and thus after his death.

paragraph: Won or decorated

paragraph: BULLET::::- 1938: "Spawn of the North", Academy Honorary Award "for outstanding achievement in creating Special Photographic and Sound Effects in the Paramount production, Spawn of the North"

paragraph: BULLET::::- 1941: "I Wanted Wings"

paragraph: BULLET::::- 1942: "Reap the Wild Wind"

paragraph: BULLET::::- 1944: Scientific or Technical Award (Class III) "for the design and construction of the Paramount nodal point tripod"

paragraph: BULLET::::- 1951: "When Worlds Collide", Category "Special Effects", not competitively but as Special Achievement Academy Award

paragraph: BULLET::::- 1951: Scientific or Technical Award (Class II) "for the design, construction and application of a servo-operated recording and repeating device"

paragraph: BULLET::::- 1953: "The War of the Worlds", Category "Special Effects", not competitively but as Special Achievement Academy Award (posthumous)

paragraph: Nominated

paragraph: BULLET::::- 1939: "Union Pacific"

paragraph: BULLET::::- 1940: "Typhoon"

paragraph: BULLET::::- 1940: "Dr. Cyclops"

paragraph: BULLET::::- 1941: "Aloma of the South Seas"

paragraph: BULLET::::- 1943: "So Proudly We Hail!"

paragraph: BULLET::::- 1944: "The Story of Dr. Wassell"

paragraph: BULLET::::- 1947: "Unconquered"

paragraph: BULLET::::- 1950: "Samson and Delilah"

paragraph: Section::::Filmography (selection).

paragraph: BULLET::::- "The Island of Doctor Moreau" (1933)

paragraph: BULLET::::- "Peter Ibbetson" (1935)

paragraph: BULLET::::- "The Plainsman" (1936)

paragraph: BULLET::::- "If I Were King" (1938)

paragraph: BULLET::::- "I Married a Witch" (1942)

paragraph: BULLET::::- "For Whom the Bell Tolls" (1943)

paragraph: BULLET::::- "Lady in the Dark" (1944)

paragraph: BULLET::::- "Rainbow Island" (1944)

paragraph: BULLET::::- "Here Come the Waves" (1944)

paragraph: BULLET::::- "Love Letters" (1945)

paragraph: BULLET::::- "Two Years Before the Mast" (1945)

paragraph: BULLET::::- "Kitty" (1945)

paragraph: BULLET::::- "The Lost Weekend" (1945)

paragraph: BULLET::::- "Golden Earrings" (1947)

paragraph: BULLET::::- "Wild Harvest" (1947)

paragraph: BULLET::::- "Sorry, Wrong Number" (1948)

paragraph: BULLET::::- "The Big Clock" (1948)

paragraph: BULLET::::- "Miss Tatlock's Millions" (1948)

paragraph: BULLET::::- "Bride of Vengeance" (1949)

paragraph: BULLET::::- "Song of Surrender" (1949)

paragraph: BULLET::::- "Rope of Sand" (1949)

paragraph: BULLET::::- "The Furies" (1950)

paragraph: BULLET::::- "When Worlds Collide" (1951)

paragraph: BULLET::::- "The Turning Point" (1952)

paragraph: BULLET::::- "Thunder in the East" (1952)

paragraph: BULLET::::- "Anything Can Happen" (1952)

paragraph: BULLET::::- "Son of Paleface" (1952)

paragraph: BULLET::::- "The Greatest Show on Earth" (1952)

paragraph: BULLET::::- "The War of the Worlds" (1953)

paragraph: BULLET::::- "Botany Bay" (1953)

paragraph: BULLET::::- "The Stooge" (1953)

paragraph: BULLET::::- "Shane" (1953)

paragraph: BULLET::::- "Stalag 17" (1953)

paragraph: BULLET::::- "The Eternal Woman" (1954)

description: special effects artist

wikidata_label: Gordon Jennings

wikipedia_title: Gordon Jennings


text: Lutheran

text: theologian

text: Bickelsberg

text: Rosenfeld

text: Württemberg

text: seminaries

text: Denkendorf

text: Maulbronn

text: Tübingen

text: practical theology

text: University of Tübingen

text: Württemberg

text: Supranatural

text: Lutheranism

text: Johann Albrecht Bengel

text: exegetical

text: Philip Schaff

text: Isaak August Dorner

text: William Julius Mann

categories: 19th-century German male writers,1852 deaths,University of Tübingen faculty,People from Zollernalbkreis,19th-century German Protestant theologians,German Lutheran theologians,1794 births

paragraph: Christian Friedrich Schmid

paragraph: Christian Friedrich Schmid (May 25, 1794 – March 28, 1852) was a German Lutheran theologian born in the village of Bickelsberg (now part of Rosenfeld), Württemberg.

paragraph: Section::::Life.

paragraph: He received his education at seminaries in Denkendorf, Maulbronn and Tübingen, later becoming an associate professor of practical theology at the University of Tübingen (1821). In 1826 he was appointed a full professor at Tübingen, a position he maintained for the rest of his career. He was a member of the committee for the Württemberg liturgy (1840) and of the council for church organization (1848).

paragraph: He was influenced by the Tübingen Supranaturalism of his era, and he worked hard for the positive foundations of Lutheranism, continuing a trend that dated back to the time of Johann Albrecht Bengel (1657–1752). He was considered an excellent instructor, his lectures primarily dealing with practical, moral and exegetical theology. Among his better known students were Philip Schaff (1819-1893), Isaak August Dorner (1809-1884) and William Julius Mann (1819-1892).

paragraph: Among his better written efforts, "Biblische Theologie des neuen Testaments", was published posthumously in 1853, and later translated into English as "Biblical theology of the New Testament" (1870). Another noted work, "Christliche Sittenlehre" ("Christian Ethics", 1861), was also published after his death.

description: German evangelical theologian and university teacher

wikidata_label: Christian Friedrich Schmid

wikipedia_title: Christian Friedrich Schmid


text: United States Circuit Judge

text: Savannah

text: Georgia

text: Princeton University

text: read law

text: United States Attorney

text: Georgia State Senate

text: Democratic

text: Governor of Georgia

text: San Francisco

text: California

text: United States Senator

text: Franklin Pierce

text: United States Senate

categories: Georgia (U.S. state) state senators,19th-century American judges,1800 births,United States federal judges appointed by Franklin Pierce,Princeton University alumni,19th-century American politicians,Mayors of Savannah, Georgia,1865 deaths,United States Attorneys for the Southern District of Georgia,Judges of the United States circuit courts

paragraph: Matthew Hall McAllister

paragraph: Matthew Hall McAllister (October 26, 1800 – December 19, 1865) was a United States Circuit Judge of the United States Circuit Court for the Districts of California.

paragraph: Section::::Education and career.

paragraph: Born on October 26, 1800, in Savannah, Georgia, McAllister attended Princeton University and read law in 1820. He entered private practice in Savannah from 1820 to 1849. He was the United States Attorney for the Southern District of Georgia from 1827 to 1834. He was a member of the Georgia State Senate from 1834 to 1837. He was Mayor of Savannah from 1837 to 1839. He was an alderman for Savannah from 1839 to 1841. He was the Democratic candidate for Governor of Georgia in 1845. He returned to private practice in San Francisco, California from 1850 to 1853. He was a Democratic candidate for United States Senator from Georgia in 1853.

paragraph: Section::::Federal judicial service.

paragraph: McAllister was nominated by President Franklin Pierce on March 2, 1855, to the United States Circuit Court for the Districts of California, to a new seat authorized by . He was confirmed by the United States Senate on March 3, 1855, and received his commission the same day. His service terminated on January 12, 1863, due to his resignation. The United States Circuit Court for the Districts of California was abolished on March 3, 1863, by , thus McAllister was the only Judge to ever serve on the court.

paragraph: Section::::Death.

paragraph: McAllister died on December 19, 1865, in San Francisco.

description: American politician

wikidata_label: Matthew Hall McAllister

wikipedia_title: Matthew Hall McAllister


text:
Metropolitan bishop
Russian Orthodox Church
firing squad
canonize
New Martyr
Russo-Turkish War
John of Kronstadt
Butovo firing range
St. Petersburg
Russia
Kostroma
Arctic Ocean
Catherine the Great
Admiral
Paul Chichagov
French invasion of Russia
lieutenant
Russo-Turkish War (1877–1878)
Cross of St. George
Siege of Plevna
Order of St. Anna
Order of St. Stanislaus
John of Kronstadt
Dmitry Dokhturov
Legion of Honour
Romania
Bulgaria
Order of St Alexander
Montenegrin
Order of Prince Danilo I
Stabskapitän
Church
John of Kronstadt
Church of the Twelve Apostles
Moscow Kremlin
rubles
nabedrennik
skufia
Serafimo-Diveevsky Monastery
Sarov monastery
Sarov
Seraphim of Sarov
canonization
Seraphim of Sarov
Leningrad
Moscow
Metropolitan Sergius
hypertonic dehydration
heart disease
NKVD
Taganka Prison
Butovo firing range
Neomartyr
Daniel H. Shubin
The shrine to the Great Purge
Saint Seraphim Chichagov

categories: People from Saint Petersburg,Recipients of the Order of St. Anna, 4th class,Recipients of the Order of St. Vladimir, 2nd class,Recipients of the Order of St. Anna, 3rd class,Great Purge victims from Russia,Recipients of the Order of Saint Stanislaus (Russian), 3rd class,1937 deaths,Members of the Russian Assembly,1856 births,Recipients of the Order of St. Anna, 1st class,Executed Russian people,Russian people executed by the Soviet Union,20th-century Eastern Orthodox martyrs,Recipients of the Order of St. Vladimir, 3rd class,Members of the Union of the Russian People,Chevaliers of the Légion d'honneur,Recipients of the Order of St. Anna, 2nd class,Members of the State Council of the Russian Empire,People from Saint Petersburg Governorate,Executed priests,Bishops of the Russian Orthodox Church,Imperial Russian Army personnel,Recipients of the Order of Saint Stanislaus (Russian), 2nd class

paragraph: Seraphim Chichagov

paragraph: Seraphim Chichagov (9 June 1856 or 9 January 1856 – 11 December 1937), born Leonid Mikhailovich Chichagov, was a Metropolitan bishop of the Russian Orthodox Church who was executed by firing squad, and was one of the first to be canonized by the Church in the 1990s as a New Martyr.

paragraph: Born into a military family, he enlisted as an artillery officer after finishing his schooling. Influenced by his experiences in the Russo-Turkish War and meetings with John of Kronstadt, he resigned from the military and became a clergyman.

paragraph: He retired in 1933 due to age and ill health. Four years later he was arrested and charged with monarchist propaganda. Sentenced to death by firing squad, he was executed on 11 December 1937 at the Butovo firing range.

paragraph: Section::::Early life.

paragraph: Leonid Mikhailovich Chichagov was born on 9 June 1856 in St. Petersburg, Russia to artillery Colonel Mikhail Nikiforovich Chichagov and Maria Nikolaevna. He was born into a minor noble family from the Kostroma area with a strong military background. His great-grandfather participated in a study of the Arctic Ocean during the reign of Empress Catherine the Great, and his grandfather, Admiral Paul Chichagov, fought in defense of Russia during the French invasion of Russia. Leonid Chichagov was baptized on 20 October 1856 in the Church of St. Alexander Nevsky at the Mikhailovsky military school.

paragraph: Chichagov graduated with honors from the military academy and received the rank of lieutenant in 1875. He was assigned to the artillery and fought in the Russo-Turkish War (1877–1878). He was awarded the Cross of St. George for courage displayed at the Siege of Plevna. He also received the Order of St. Anna and Order of St. Stanislaus.

paragraph: After the Russo-Turkish war ended in 1878, Chichagov returned to St. Petersburg. There he met John of Kronstadt, at the time a well-known and highly respected minister, who became his mentor. On 8 April 1879, he married Natalia Dokhturov, daughter of General Dmitry Dokhturov, with whom he had four daughters: Vera, Natalia, Leonida, and Yekaterina.

paragraph: As an officer, Chichagov received a number of foreign decorations. In recognition of his actions as an artillery specialist in maneuvers of French-allied Russian armies, he was awarded the Legion of Honour. He received additional military honors from various countries, including the Romanian Iron Cross, Bulgarian Order of St Alexander, and Montenegrin Order of Prince Danilo I, and was promoted to Stabskapitän in 1881. During his military service, he published his memoirs, "Дневник пребывания императора Александра II в Дунайской армии", reflecting his experiences with the artillery in various engagements.

paragraph: His war experiences had a profound impact on Chichagov. He studied graduate-level medicine to provide better care for wounded soldiers, and pioneered research on the idea of treating wounds using substances derived from plants. In addition to medicine, he also became interested in theology. Chichagov undertook independent theological studies during which he decided to resign from military service and devote his life to the Church. Though his wife did not initially accept his decision, she was eventually convinced after speaking at length with John of Kronstadt.

paragraph: Section::::Priesthood.

paragraph: Chichagov tendered his resignation from the military on 15 April 1890 or 1891. He moved to Moscow with his family where he commenced his ecclesiastical studies. He was ordained a deacon on 26 February 1893 in the Church of the Twelve Apostles, a minor cathedral of the Moscow Kremlin. Two days later, he was ordained a priest.

paragraph: He began his pastoral work in the Church of the Twelve Apostles. He paid 15,000 rubles out of pocket to renovate the dilapidated church. He was awarded the right to wear the nabedrennik and skufia vestments in recognition of his work in restoring the church.

paragraph: His wife died after a serious illness in 1895. In 1896 he was appointed military chaplain for the artillery troops stationed in the Moscow garrison, for whom he ministered from the church of St. Nicholas. His personal contributions helped renovate the facility, which had been abandoned for 30 years.

paragraph: As a priest, Fr. Chichagov made several pilgrimages to Serafimo-Diveevsky Monastery and the Sarov monastery in Sarov. During these visits he wrote a history of the Sarov monastery and a biography of the monk Seraphim of Sarov based on interviews with nuns who had known the saint. This work would later contribute to the canonization of St. Seraphim in 1903. His extensive history of the Diveevsky monastery was published in 1896. Natalia Chichagov was buried at the Diveevsky monastery, alongside an empty grave intended for Fr. Chichagov.

paragraph: Following the death of his wife, he became a monk at the Trinity Lavra of St. Sergius and received the monastic name Seraphim. He was later appointed Father Superior and Archimandrite of the Monastery of Saint Euthymius in Suzdal, and then of the New Jerusalem Monastery in Moscow. In 1905 he was appointed Bishop of Sukhumi. In subsequent years he was appointed Bishop of Orel (1906–1908), Chişinău (1908–1912), Tver (1912–1917), and Warsaw (1918–1921). In 1928 he was appointed Metropolitan of Petrograd.

paragraph: Section::::Works.

paragraph: Chichagov was also an iconographer: his most famous works are an icon of "The Saviour in a white tunic" and "St. Seraphim of Sarov’s Prayer on the stone".

paragraph: He also wrote the "Chronicles of St. Seraphim" about St Seraphim of Sarov.

paragraph: Section::::Retirement and death.

paragraph: Metropolitan Seraphim retired in 1933 due to old age, ill health, and the threat of potential arrest. He celebrated his last Divine Liturgy on 24 October of that year in Leningrad, after which he travelled to Moscow. He stayed briefly at the residence of the Patriarch "locum tenens", Metropolitan Sergius, before moving to an apartment.

paragraph: Seraphim's health deteriorated steadily after his retirement. He suffered from hypertonic dehydration and heart disease, and gradually lost all mobility. Despite his condition, he was charged with monarchist propaganda and arrested on 30 November 1937. Upon his arrest, the NKVD officers carried him from his home on a stretcher. He was imprisoned in Taganka Prison and sentenced to death by firing squad. He was executed at the Butovo firing range on 11 December 1937.

paragraph: Section::::See also.

paragraph: BULLET::::- Neomartyr

paragraph: Section::::Further reading.

paragraph: BULLET::::- A History of Russian Christianity: From the Earliest Years Through Tsar Ivan IV By Daniel H. Shubin Published by Algora Publishing, 2004 ,

paragraph: Section::::External links.

paragraph: BULLET::::- The shrine to the Great Purge

paragraph: BULLET::::- Saint Seraphim Chichagov (in Russian) by the Book of Memory of Victims of Political Repression "Butovo"

description: Executed Russian priest

wikidata_label: Seraphim Chichagov

wikipedia_title: Seraphim Chichagov


text: Sarnia

text: Ontario

text: Numb

text: Matthew Perry

text: Grey Cup

text: Montreal Alouettes

text: Glen Weir

text: Tim McGraw

text: Lady Antebellum

text: Charles Kelley

text: 2016 Polaris Music Prize

text: 12th Canadian Folk Music Awards

text: SOCAN Songwriting Prize

text: James Barker Band

text: Chills

text: Juno Awards of 2019

text: Tenille Townes

text: Donovan Woods

categories: 1980 births,Juno Award for Contemporary Roots Album of the Year winners,Living people,Canadian folk rock musicians,People from Sarnia,Canadian male singer-songwriters,Musicians from Ontario,Canadian folk singer-songwriters,21st-century Canadian singers,Canadian Folk Music Award winners,21st-century male singers

paragraph: Donovan Woods (musician)

paragraph: Donovan Woods is a Canadian folk and country singer-songwriter.

paragraph: Born and raised in Sarnia, Ontario, Woods began playing guitar and writing songs as a teenager. His first album, "The Hold Up", was released in 2007.

paragraph: Woods' song "Brand New Gun" was featured in the movie "Numb" starring Matthew Perry. His song "Wait and See" was featured on "", and his song "My Cousin Has a Grey Cup Ring" was used in commercials for the Grey Cup. "Grey Cup Ring" was inspired by Woods' father, who is a cousin of former Montreal Alouettes player Glen Weir.

paragraph: His second album, "The Widowmaker", was released in 2010, and his third album, "Don't Get Too Grand", was released in 2013.

paragraph: Woods' song "Portland, Maine" (co-written with Abe Stoklasa) has also been recorded by Tim McGraw. Woods' song "Leaving Nashville" (also co-written with Abe Stoklasa) has been recorded by Lady Antebellum singer Charles Kelley.

paragraph: Woods was signed to Warner/Chappell Nashville in 2016. His fourth album, "Hard Settle, Ain't Troubled", was released February 26, 2016, and was a longlisted nominee for the 2016 Polaris Music Prize. At the 12th Canadian Folk Music Awards, Woods won the award for English Songwriter of the Year, and the album was nominated for Contemporary Album of the Year.

paragraph: His newest album, "Both Ways", was released on April 20, 2018. In the same year, he was a SOCAN Songwriting Prize nominee as cowriter of James Barker Band's song "Chills".

paragraph: At the Juno Awards of 2019, "Both Ways" won the Juno Award for Contemporary Roots Album of the Year. In May 2019 Woods released "The Other Way", a companion album to "Both Ways" which featured more acoustic-based renditions of the prior album's songs. "The Other Way" included guest vocals from Tenille Townes on "I Ain't Ever Loved No One".

paragraph: Section::::Discography.

paragraph: BULLET::::- "The Hold Up" (2007)

paragraph: BULLET::::- "The Widowmaker" (2010)

paragraph: BULLET::::- "Don't Get Too Grand" (2013)

paragraph: BULLET::::- "Hard Settle, Ain't Troubled" (2016)

paragraph: BULLET::::- "Both Ways" (2018)

paragraph: BULLET::::- "The Other Way" (2019)

paragraph: Section::::External links.

paragraph: BULLET::::- Donovan Woods (official site)

description: Canadian singer-songwriter

wikidata_label: Donovan Woods

wikipedia_title: Donovan Woods (musician)


text:
Cheez TV
Ground Zero (television show)
Channel Ten
Channel V Australia
whatUwant
Channel V
Big Day Out
The MAX Sessions
ASTRA Awards
Channel V
ASTRA
The Big Day Out
West Australian Music Industry Awards
Cheez TV
The MAX Sessions
Channel V Australia
whatUwant
Buzzbomb Media
Myspace
Zelvis Lives

categories: Australian television directors,Living people,Year of birth missing (living people)

paragraph: Bernie Zelvis

paragraph: Bernie Zelvis is an Australian Film and Television Director, best known for his work in youth and music television.

paragraph: Section::::Television.

paragraph: Bernie started his directing career in Perth with Kids Co. & The Buzz, and then moved to Sydney to direct Cheez TV and the Ground Zero (television show) for Channel Ten. Working for Channel V Australia, he directed iconic programs such as The Joint, Room 208, whatUwant and The Bus. Channel V's history of breaking in new talent has meant that Bernie was responsible for directing novices who have now become well-known Australian names.

paragraph: In live music TV he has directed the Big Day Out broadcasts for the past 10 years as well as The MAX Sessions.

paragraph: Section::::Film.

paragraph: Although better known for his television works, he has also had success in film. Bernie was Cinematographer of Final Cut (1997), a short film that went to the Cannes Film Festival, He was Co-editor of the feature film Streetsweeper (2007), that won best film at the Anchorage Film Festival, and he Directed Esmè and Daniel (1998) that won Special Jury Award at the Montecatini Terme Short Film Festival.

paragraph: Section::::Awards.

paragraph: BULLET::::- Special Jury Award at the Montecatini Film Festival for the short film Esmè and Daniel (1998)

paragraph: BULLET::::- 4 ASTRA Awards for the Max sessions

paragraph: BULLET::::- ASTRA for Channel V Billabong Bus

paragraph: BULLET::::- ASTRA The Big Day Out Sydney

paragraph: BULLET::::- 4 West Australian Music Industry Awards for music videos he directed

paragraph: Section::::See also.

paragraph: BULLET::::- Cheez TV

paragraph: BULLET::::- The MAX Sessions

paragraph: BULLET::::- Channel V Australia

paragraph: BULLET::::- whatUwant

paragraph: Section::::External links.

paragraph: BULLET::::- Bernie Zelvis' production company Buzzbomb Media

paragraph: BULLET::::- Bernie on Myspace

paragraph: BULLET::::- His personal blog Zelvis Lives

description: Australian tv director

wikidata_label: Bernie Zelvis

wikipedia_title: Bernie Zelvis


text:
American football
wide receiver
Chicago Bears
National Football League
college football
University of Virginia
high school football
Bayside High School
Virginia Beach, Virginia
Baltimore Ravens
Chicago Bears
Buffalo Bills
Thanksgiving Day
Chase Daniel
Detroit Lions
New York Giants
Virginia Cavaliers bio
Chicago Bears bio
Baltimore Ravens bio

categories: Players of American football from Virginia,American football wide receivers,Sportspeople from Virginia Beach, Virginia,American football running backs,Virginia Cavaliers football players,1993 births,Baltimore Ravens players,Living people

paragraph: Taquan Mizzell

paragraph: Taquan "Smoke" Mizzell Sr. (born October 21, 1993) is an American football wide receiver for the Chicago Bears of the National Football League (NFL). He played college football at the University of Virginia.

paragraph: Section::::Early years.

paragraph: Mizzell attended and played high school football at Bayside High School in Virginia Beach, Virginia.

paragraph: Section::::College career.

paragraph: Mizzell attended University of Virginia, where he played running back. He is the only player in ACC history with 1,500+ career rushing and 1,500+ career receiving yards.

paragraph: Section::::Professional career.

paragraph: Section::::Professional career.:Baltimore Ravens.

paragraph: Mizzell signed with the Baltimore Ravens as an undrafted free agent on May 5, 2017. He was waived on September 2, 2017.

paragraph: Section::::Professional career.:Chicago Bears.

paragraph: On September 3, 2017, Mizzell was claimed off waivers by the Chicago Bears.

paragraph: On September 1, 2018, Mizzell was waived by the Bears and was signed to the practice squad the next day. He was promoted to the active roster on November 3, 2018. In his first game against the Buffalo Bills, Mizzell served as kick returner and also caught a pass for five yards. On Thanksgiving Day, Mizzell scored his first NFL touchdown on a ten-yard reception from Chase Daniel against the Detroit Lions. The following week against the New York Giants, Mizzell rushed three times for seven yards, caught two passes for sixteen yards, and returned two kicks for twenty-four yards. He ended the 2018 season with nine carries for 16 yards and eight receptions for 78 yards and a touchdown.

paragraph: Before the 2019 season, Mizzell switched to wide receiver from running back; in conjunction with the position move, he changed his number from 33 to 11.

paragraph: Section::::External links.

paragraph: BULLET::::- Virginia Cavaliers bio

paragraph: BULLET::::- Chicago Bears bio

paragraph: BULLET::::- Baltimore Ravens bio

description: American-football player (1993-)

wikidata_label: Taquan Mizzell

wikipedia_title: Taquan Mizzell


href: Music%20education angklung Indonesia

text:
music teacher
angklung
Indonesia

paragraph: Daeng Soetigna

paragraph: Daeng Soetigna (May 13, 1908 – April 8, 1984) was a famous music teacher who is considered the father of modern angklung music. He redesigned the ancient Indonesian instrument, enabling it to play international music. He was also active in staging angklung orchestra in various regions in Indonesia.

wikidata_label: Daeng Soetigna

wikipedia_title: Daeng Soetigna