text:
Swedish
Cape Colony
voortrekker
Xhosa
Orange River
Johannes (Hans) van Rensburg
Zoutpansberg
Delagoa bay
Drakensberg
Calvinist
Kalmar
Franschhoek
Uitenhage
Graaff-Reinet
Xhosa conflicts
Graaff-Reinet
Dutch East India Company
landdrost
Great Fish River
Somerset
Graaff-Reinet
Uitenhage
Bruintjeshoogte
Daggaboers Nek
field cornet
Hintsa
Carolus
Black Kei River
British Kaffraria
boer
Harry Smith
sixth Xhosa war
Caledon
Orange River
Hendrik Potgieter
Johannes (Hans) van Rensburg
Thaba Nchu
Barolong
Limpopo Province
Tsonga
Limpopo River
Potgieter
Schoemansdal
Louis Trichardt
Matabele
Delagoa Bay
tsetse flies
Olifants River
Chuniespoort
Pedi people
lowveld
marula
Blyde River
trapping pit
Klaserie
Sand
Kruger Park
Lebombo range
Gwamba people
Komati River
Port Natal
Preller
Trichardtsdorp
Zoutpansberg
Mpumalanga
Trichardt
Winburg
R519
Nelspruit
Maputo
Afrikaans
S. P. E. Trichard

categories: South African people of Swedish descent,People from Oudtshoorn,Afrikaner people,White South African people,1838 deaths,1783 births,South African people of Dutch descent,Deaths from malaria,19th-century African people

paragraph: Louis Tregardt

paragraph: Louis Johannes Tregardt (from Swedish: "trädgård", garden), also spelled Trichardt (10 August 1783 – 25 October 1838) was a farmer from the Cape Colony's eastern frontier, who became an early voortrekker leader, called the "voorste mense". Shunning colonial authority, he emigrated in 1834 to live among the Xhosa, before he crossed the Orange River into neutral territory. His northward trek, along with fellow trekker Johannes (Hans) van Rensburg, was commenced in early 1836. He led his small party of emigrants, composed of seven Boer farmers, with their wives and thirty-four children, Bushman slaves and Bantu servants, into the uncharted interior of South Africa, and settled for a year at the base of the Zoutpansberg.

paragraph: At this most northerly point of their trek, unhealthy conditions began to take a toll on man and animal. Seemingly abandoned by a follow-up trek, and distant from supplies and buyers for their ivory, Tregardt abandoned the settlement, and led the party southeastwards to the Portuguese outpost at Delagoa bay that would later become Maputo (the capital city of Mozambique). The oceanward route proved arduous and included the challenge of traversing a section of the northern Drakensberg. Though reaching the fort at Delagoa bay, a number of their party contracted malaria en route. Tregardt's wife perished at the fort in May 1838, followed by Tregardt six months afterward.

paragraph: Section::::At the colony.

paragraph: Louis was the youngest of four children. His grandfather Pietrus Tradgardt was a Calvinist refugee from Kalmar, Southern Sweden who arrived at the Cape in 1731 at the age of 19. His grandfather married a daughter of the German Eksteen family. His father was born in Franschhoek. His family moved to Uitenhage after his birth, and hence to Graaff-Reinet. His father Carel was, as civilian officer, much involved in the 18th century Xhosa conflicts. In addition he was a participant in the Graaff-Reinet resistance movements, first against the Dutch East India Company in 1795, and subsequently against English colonial governance. When the English installed Bresler as their landdrost in Graaff-Reinet, Carel and his two sons settled beyond the Great Fish River, outside the colony, rather than pledging allegiance with the new government. Carel only returned when Dutch governance was restored in 1803, and died at Bruintjeshoogte, near Somerset.

paragraph: Nothing more is known about Louis's youth or schooling, but his later writings would reveal a sound intellect and a literacy which surpassed that of his average countryman. He farmed at various places in Graaff-Reinet district before settling in Uitenhage district in 1810. Later that year he married the 15 year old Martha from that district. He soon moved to Boschberg farm near Bruintjeshoogte, which was expropriated in 1814. He then acquired De Plaat farm at Daggaboers Nek, where he was appointed as field cornet for Smaldeel ward in 1825.

paragraph: He ostensibly had an uneasy relationship with the colonial authorities however, and agreed to rent grazing land from Xhosa chief Hintsa. In 1829 Louis sent his son Carolus to graze their cattle along the Black Kei River, then the northern boundary of British Kaffraria. In 1833 (or 34) Louis also crossed the neutral zone to join his son. Here a substantial boer community, at odds with the colonial government, was already living in exile. With Louis acting as their leader, colonel Harry Smith deemed him an agitator of the sixth Xhosa war, and planned to arrest him. Tregardt however moved his family and livestock to grazing land between the Caledon and Orange Rivers, just outside the colony, where he resided in 1835.

paragraph: Section::::Northward trek.

paragraph: Tregardt coordinated his movements with those of his friend Hendrik Potgieter, who was to follow his trail. Tregardt started the northward trek with eight families besides his own, and was joined by the trek of Johannes (Hans) van Rensburg, another farmer living in exile. Tregardt and Van Rensburg were the first of the voortrekkers to pass near Thaba Nchu, where the Barolong tribe of chief Moroka II was resident.

paragraph: Upon reaching the Strydpoortberg in the current Limpopo Province, Tregardt and Van Rensburg parted ways, after Tregardt argued that Van Rensburg was expending his ammunition excessively in his pursuit of ivory. Van Rensburg would not be seen again; he and his trek of forty-nine persons were killed in June 1836 by a troop of Tsonga at a ford in Limpopo River, after a night-long assault.

paragraph: Tregardt sojourned at the salt pan on the Zoutpansberg's western promontory from May to August 1836, where he was visited by Potgieter's scouting party, who assured him that they would soon catch up and join his trek. Potgieter departed northwards in an unsuccessful search for Van Rensburg. In July Tregardt took up the search in an easterly direction, and reached Sakana's kraal on the Limpopo, where the Van Rensburg clan were likely decimated. Here a premonition of danger and treachery caused Tregardt to return homeward, all but convinced of Van Rensburg's fate.

paragraph: In November 1836 Tregardt moved his camp eastwards to more agreeable climes in the vicinity of the later Schoemansdal and Louis Trichardt town, a quarter known to local tribes as Dzanani. His party was to stay here until June 1837, in which time they built rudimentary houses, a workshop and a school for the twenty-one children. Here Tregardt is said to have intervened in a succession struggle between the sons of the late chief Mpofu. Tregardt would have assisted his son Rasethau (i.e. Ramabulana) in retaking the chieftainship from his younger brother Ramavhoya. Tregardt's account of this incident was however torn from his diary at an unknown time. For this assistance, and for protection against Matabele raiding parties, Rasethau evidently gave Tregardt freedom to occupy land and access to hunting grounds. Potgieter’s trek, delayed by conflicts to the south, was however not forthcoming.

paragraph: From June to August 1837 Tregardt's party camped eastwards at the Doorn river (current Doorn River farm), whereafter they departed from the Zoutpansberg to find a new home or trading route to the sea. Their limited communications with the Portuguese indicated that they would be welcomed, and that the east coast was sparsely populated.

paragraph: Section::::Journey to Delagoa Bay.

paragraph: Tregardt decided on a southerly approach to Delagoa Bay, avoiding the Limpopo where the Van Rensburgs were murdered, and the tsetse flies endemic to the low regions. Tregardt arrived at the Olifants River via Chuniespoort on 2 October 1837, and consulted chief Sekwati of the Pedi people about a way forward. Chief Sekwati paid them a friendly visit, and advised that the eastward route was everywhere obstructed by impassable mountains, lest they would leave their wagons behind and proceed by foot. Tregardt, now aged 54, was however resolute in crossing the mountains, even if the wagons had to be dismantled and transported piecewise.

paragraph: They undertook their own reconnaissance of the increasingly rugged slopes fringing the Olifants, and found a passable slope leading to the summit, after crisscrossing the Olifants a number of times. The wagons, at times partially dismantled and hauled on branches, were taken over the crest of the Drakensberg in a feat taking two and a half months. Once encamped in the lowveld, they soon encountered the local inhabitants. By day they were presented with pots of marula beer by the Sekororo tribe, but at night the tribe members would repeatedly rustle their cattle. Tregardt, at a loss to recover these losses, resorted to taking a number of tribe members hostage to prevent further wrongdoing.

paragraph: The final two-hundred mile stage of the trek to Delagoa Bay commenced on 5 February 1838, and the Olifants River was soon forded a 14th and last time. Here the subjects of the Sekororo induna Ngotshipana came to apologise, and managed to secure the release of four woman hostages by presenting Tregardt with two large elephant tusks. The tribes beyond the Blyde River assured Tregardt of their good intentions, and the old chieftainess Mosali asked Tregardt to arbitrate in a quarrel with her rival, Magupe. A local tribe also assisted the trek in navigating a region set with numerous trapping pits. The Klaserie and Sand rivers were forded in succession, and the region now known as the central Kruger Park was traversed without incident. East of the Lebombo range they encountered different villages of the Gwamba people. All their inhabitants were friendly; they and their chief, Makodelana, presented Tregardt with a number of gifts. They reached the Komati River two months into the lowveld trek. It proved difficult to ford and a number of their animals were lost or stolen while crossing. They passed the Vila Luiza outpost and continued along swamps, lagoons and the villages of coastal tribes to reach the fort at Delagoa bay on 13 April 1838.

paragraph: Section::::Dissolution of trek.

paragraph: The party of fifty-two persons received a friendly reception from the Portuguese. What had the appearance of a new beginning would however spell the gloomy end of the trek as a coordinated movement. Four days after their arrival five persons fell ill with fever. The school teacher Pfeffer and Tregardt’s wife Martha were first to perish from malaria. More persons took ill, though some of Tregardt’s children recovered.

paragraph: The climate and grazing at the fort was found to be unfavorable for a long term stay, and Tregardt dispatched a servant to Natal to request an evacuation by sea. Meanwhile his son Carolus departed by ship northwards to investigate Madagascar and East Africa for possible settlement. Before his return Tregardt succumbed to malaria, six months after his wife. Only by the winter of the next year, 1839, were the 26 survivors transported by the "Mazeppa" schooner to Port Natal.

paragraph: Section::::Legacy and recognition.

paragraph: He was the only Voortrekker leader to keep a diary of his trek, a valuable document in terms of linguistics and ethnology, besides his observations on the weather patterns, geography and the wildlife of the interior. The diary was commenced in July 1836 at the Zoutpansberg, and concluded in May 1838 at Delagoa Bay. Entries were added almost daily, and seldom more than two days after the events he described.

paragraph: The document was not written for publication or effect, but rather details his personal reflections on the social interactions and day to day experiences of his small community. In 1917 Preller's version of it was the first to appear in print, followed by T. H. le Roux's more reliable text in 1964 that was supplied with a glossary and linguistic annotations. J. Grobler's annotated translation to Afrikaans appeared in 2013, which significantly improves the accessibility of the text.

paragraph: The town Trichardtsdorp was named after him in 1899, commemorating his year-long stay at the base of the Zoutpansberg. In Mpumalanga, a town named Trichardt is situated along his northward route.

paragraph: Several memorials trace his route, the first at Winburg where one column of the Voortrekker monument symbolizes Tregardt's party. Near Zebediela a route marker is present beside the R519 road just north of the Strydpoort mountains, which in itself recalls Tregardt's disagreement with Van Rensburg. In the town of Louis Trichardt a memorial commemorates the school they built, and a bust of Tregardt is displayed in the municipal library. In 1937, the trek's centenary, a bronze plaque was installed where they crossed the Drakensberg ridge. A sundial beside Nelspruit's modern town hall is shaped like a wagon wheel in recognition of his journey.

paragraph: The Louis Tregardt Trek Memorial Garden is located at the final destination of his trek, in Maputo.

paragraph: A novel by Jeanette Ferreira, "Die son kom aan die seekant op" (Afrikaans: "The sun ascends from the ocean"), is based on his journey, as is the youth novel by Pieter Pieterse, "Die pad na die see" ("Course to the sea").

paragraph: Section::::See also.

paragraph: BULLET::::- S. P. E. Trichard

description: South African explorer

wikidata_label: Louis Tregardt

wikipedia_title: Louis Tregardt


text: Colombo Plan

text: Radio Ceylon

text: Colombo

text: Sri Lanka

text: Ceylonese

text: Livy Wijemanne

text: Vernon Corea

text: Tim Horshington

text: Greg Roskowski

text: Jimmy Bharucha

text: Christopher Greet

text: BBC

text: Ameen Sayani

text: Binaca Geetmala

text: Hindi

text: filmi music

text: Livy Wijemanne

text: Vernon Corea

text: Colombo Plan

text: Radio Ceylon

text: Sri Lanka Broadcasting Corporation

categories: Australian radio personalities,Australian radio executives,Year of birth missing,Year of death missing

paragraph: Clifford Dodd

paragraph: Clifford R. Dodd was an administrator and radio expert, with twenty years experience in broadcasting in Australia, before he arrived in Sri Lanka. He was sent by the Australian Government under the Colombo Plan to work in Radio Ceylon. He was appointed Director of the newly formed Commercial Service of Radio Ceylon.

paragraph: The Colombo Plan was established in July 1951 to provide economic aid to areas of south and southeast Asia. The Headquarters are in Colombo, the former capital city of Sri Lanka.

paragraph: Section::::Founder of the Commercial Service.

paragraph: Dodd, arriving in Colombo in the early 1950s, soon created the infrastructure of the Commercial Service of Radio Ceylon and made it into a successful brand. Dodd hand picked some of the best Ceylonese talents around and trained them as broadcasters. The announcers trained in the 1950s by Clifford Dodd and Livy Wijemanne went on to become legendary announcers of the Commercial Service of Radio Ceylon, among them: Vernon Corea, Tim Horshington, Greg Roskowski, Jimmy Bharucha, Christopher Greet and others. One of Dodd's protégés, "Vernon Corea" was appointed as the BBC's Ethnic Minorities Adviser – the first Asian to be appointed to senior management at the BBC in 1978. It was under Dodd's tenure that the Indian announcer "Ameen Sayani" was brought into launch Binaca Geetmala, a countdown of Hindi filmi music on the" All Asia Service". It enjoyed iconic status across India.

paragraph: The training at Radio Ceylon was rigorous, Dodd wanted the highest standards in broadcasting. He has the rare honour of being immortalised in a cartoon by the famous Sri Lankan cartoonist Aubrey Collette who published a cartoon titled ' Odd Man Dodd.'

paragraph: Section::::Radio Ceylon – King of the Airwaves.

paragraph: Dodd created a positive business environment in Radio Ceylon. Dodd was a charismatic figure who had firm leadership skills. His arrival in Torrington Square created a real buzz in broadcasting circles in Ceylon. Clifford R.Dodd changed the face of broadcasting in the island. He upgraded the Hindi Service of Radio Ceylon. Millions of listeners in the Indian sub-continent wrote in and tuned into the radio station, the oldest in South Asia. Dodd was a prime mover in attracting advertisers who were aiming at the vast Indian market via the medium of radio.

paragraph: Section::::The Introduction of tough measures.

paragraph: Dodd brought in tough new measures, some were not popular. He maintained that some Radio Ceylon staff, including the announcers who were on the payroll, were not entitled to permanency, or to retire on a pension. Radio Ceylon announcer, Mervyn Jayasuriya, observed: 'His credo as I have said before, was Hire and Fire.' Dodd claimed at a meeting with Radio Ceylon Director General John Lampson, and a senior civil servant Mr. M. Rajendra, who was Permanent Secretary to the Minister of Broadcasting,that an officer was entitled to a pension if that officer had served the government for one or two decades. If however an announcer lost his voice during that period, he would be unable to work, and Radio Ceylon should have the ability to get rid of him, argued the Director of the Commercial Service. Mervyn Jayasuriya who presented the case for the announcers said: "Gentlemen, just as an announcer might lose his voice and so become a liability, so can a surgeon lose his eyesight, and a Director or Administrator lose his sanity and become useless to the service of the State. Is there a little bias here, or am I just being silly?" The announcers won the day.

paragraph: Section::::The Father of Commercial Broadcasting in Ceylon.

paragraph: Clifford R. Dodd is widely regarded as the "Father of Commercial Broadcasting" in Sri Lanka. Under his stewardship, Radio Ceylon reached the pinnacle of fame, fortune and popularity – millions of rupees poured into the station as a result of the success of the Commercial Service.

paragraph: Dodd returned to Australia after his Colombo Plan assignment. He was succeeded by the first Ceylonese Director of the Commercial Service of Radio Ceylon, Livy Wijemanne.

paragraph: Section::::See also.

paragraph: BULLET::::- Vernon Corea

paragraph: BULLET::::- Colombo Plan

paragraph: BULLET::::- Radio Ceylon

paragraph: BULLET::::- Sri Lanka Broadcasting Corporation

paragraph: Section::::Bibliography.

paragraph: BULLET::::- Ceylon, Radio. – "Standards of Broadcasting Practice" – Commercial Broadcasting Division. – Radio Ceylon, 1950.

paragraph: Section::::External links.

paragraph: BULLET::::- Eighty Years of Broadcasting in Sri Lanka

paragraph: BULLET::::- English Presenters over the then Radio Ceylon – Daily News, Colombo

description: Radio expert and administrator

wikidata_label: Clifford Dodd

wikipedia_title: Clifford Dodd


text: composer

text: accompanist

text: King Lear

text: Lear

text: Dietrich Fischer-Dieskau

text: Medea

text: Vienna State Opera

text: Ernst von Siemens Music Prize

text: composition

text: counterpoint

text: piano

text: Musikhochschule Berlin

text: Boris Blacher

text: Ernst Pepping

text: repetiteur

text: Städtische Oper

text: accompanist

text: Akademie der Künste

text: Musikhochschule Hamburg

text: Lear

text: Das Schloß

text: chamber music

text: Order of Merit of Berlin

text: Walter Fink

text: Rheingau Musik Festival

text: clarinetist

text: Jörg Widmann

text: WDR

text: Claude Debussy

text: clarinet

text: Medea

text: Franz Grillparzer

text: Vienna State Opera

text: Michael Boder

text: Marlis Petersen

text: Ernst von Siemens Music Prize

text: Villa Massimo

text: Monaco

text: Frankfurter Musikpreis

text: Pour le Mérite for Arts and Sciences

text: Berliner Kunstpreis

text: Arnold Schönberg Prize

text: Ernst von Siemens Music Prize

text: Robert Schumann Prize for Poetry and Music

text: Deutscher Theaterpreis Der Faust

text: Ein Traumspiel

text: Carla Henius

text: A Dream Play

text: Peter Weiss

text: Opernhaus Kiel

text: Melusine

text: Yvan Goll

text: Lear

text: William Shakespeare

text: King Lear

text: Die Gespenstersonate

text: The Ghost Sonata

text: Troades

text: Euripides

text: The Trojan Women

text: Das Schloß

text: Franz Kafka

text: Das Schloss

text: Bernarda Albas Haus

text: Federico García Lorca

text: The House of Bernarda Alba

text: Medea

text: Franz Grillparzer

text: L'Invisible

text: Maurice Maeterlinck

text: Robert Schumann

text: Cycle

text: poetry

text: Paul Celan

text: baritone

text: piano

text: Dietrich Fischer-Dieskau

text: Siegfried Palm

text: lateinischen Requiemtextes

text: Buch Hiob

text: countertenor

text: Jürgen Maehder

text: Ulrich Tadday

text: Interview with Aribert Reimann

categories: 20th-century classical composers,Musicians awarded knighthoods,20th-century German composers,Composers awarded knighthoods,German classical composers,Members of the Bavarian Maximilian Order for Science and Art,Recipients of the Pour le Mérite (civil class),21st-century classical composers,German male classical composers,Members of the Academy of the Arts, Berlin,Ernst von Siemens Music Prize winners,Knights Commander of the Order of Merit of the Federal Republic of Germany,German opera composers,1936 births,Musicians from Berlin,Male opera composers,Living people

paragraph: Aribert Reimann

paragraph: Aribert Reimann (born 4 March 1936) is a German composer, pianist and accompanist, known especially for his literary operas. His version of Shakespeare's "King Lear", the opera "Lear", was written at the suggestion of Dietrich Fischer-Dieskau, who sang the title role. His opera "Medea" after Grillparzer's play premiered in 2010 at the Vienna State Opera. He was a professor of contemporary song in Hamburg and Berlin. In 2011, he was awarded the Ernst von Siemens Music Prize for his life's work.

paragraph: Section::::Life and career.

paragraph: Reimann was born in Berlin. He studied composition, counterpoint and piano at the Musikhochschule Berlin with Boris Blacher and Ernst Pepping, among others. During his studies, he worked as a repetiteur at the Städtische Oper. His first appearances as a pianist and accompanist were in 1957. In the early 1970s, he became a member of the Akademie der Künste in Berlin. He was professor of contemporary song at the Musikhochschule Hamburg from 1974 to 1983, then at Berlin's "Hochschule der Künste" from 1983 to 1998.

paragraph: Reimann's reputation as a composer has increased greatly with several great literary operas, including "Lear" and "Das Schloß". Besides these, he has written chamber music, orchestral works and songs. He has been honoured repeatedly, including the Grand Cross of Merit of the Federal Republic of Germany and the Order of Merit of Berlin.

paragraph: Invited by Walter Fink, he was the seventh composer featured in the annual of the Rheingau Musik Festival in 1997, in songs and chamber music with the Auryn Quartet, playing the piano himself.

paragraph: His commissioned work, "Cantus for Clarinet and Orchestra", dedicated to the clarinetist and composer Jörg Widmann, was premiered on January 13, 2006, in the WDR's Large Broadcasting Hall in Cologne, Germany, in the presence of the composer, who claims the work was inspired by Claude Debussy's compositions for clarinet.

paragraph: His opera "Medea", after Franz Grillparzer, was premiered at the Vienna State Opera in 2010, conducted by Michael Boder, with Marlis Petersen in the title role.

paragraph: In 2011 he was awarded the Ernst von Siemens Music Prize "for his life's work".

paragraph: Section::::Awards.

paragraph: Reimann received many awards:

paragraph: BULLET::::- 1962 "Berliner Kunstpreis für Musik (Junge Generation)" – Berlin Art Prize for Music (Young Generation)

paragraph: BULLET::::- 1963 Villa Massimo scholarship

paragraph: BULLET::::- 1965 Robert-Schumann-Preis der Stadt Düsseldorf

paragraph: BULLET::::- 1966 Förderungspreis der Stadt Stuttgart

paragraph: BULLET::::- 1985 Großes Verdienstkreuz des Verdienstordens der Bundesrepublik Deutschland (Commander's Cross of the Order of Merit of the Federal Republic of Germany)

paragraph: BULLET::::- 1985 Braunschweiger Ludwig-Spohr-Preis – Ludwig Spohr Prize of Braunschweig

paragraph: BULLET::::- 1986 Prix de composition musicale de la Fondation Prince Pierre de Monaco – Prize for musical composition, from the Prince Pierre of Monaco Foundation

paragraph: BULLET::::- 1987 Bach Prize of the Free and Hanseatic City of Hamburg

paragraph: BULLET::::- 1991 Frankfurter Musikpreis

paragraph: BULLET::::- 1993 Officier de "L'Ordre du Mérite Culturel" de la Principauté de Monaco

paragraph: BULLET::::- 1993 Pour le Mérite for Arts and Sciences, Germany

paragraph: BULLET::::- 1995 Großes Verdienstkreuz mit Stern des Verdienstordens der Bundesrepublik Deutschland (Knight Commander's Cross of the Order of Merit of the Federal Republic of Germany)

paragraph: BULLET::::- 1999 Commandeur de "L'Ordre du Mérite Culturel" de la Principauté de Monaco (Commander of the Order of Cultural Merit of the Principality of Monaco)

paragraph: BULLET::::- 1999 Goldene Nadel der Dramatiker Union

paragraph: BULLET::::- 2002 Preis der Kulturstiftung Dortmund

paragraph: BULLET::::- 2002 Berliner Kunstpreis

paragraph: BULLET::::- 2006 Arnold Schönberg Prize

paragraph: BULLET::::- 2011 Ernst von Siemens Music Prize

paragraph: BULLET::::- 2016 Robert Schumann Prize for Poetry and Music Mainz

paragraph: BULLET::::- 2018 Deutscher Theaterpreis Der Faust (lifetime achievement award)

paragraph: Section::::Works.

paragraph: Section::::Works.:Stage.

paragraph: BULLET::::- "Ein Traumspiel" (libretto by Carla Henius, after Strindberg's "A Dream Play", translated by Peter Weiss, premiered on 20 June 1965 at the Opernhaus Kiel

paragraph: BULLET::::- "Melusine" (after Yvan Goll) (1971)

paragraph: BULLET::::- "Lear" (after William Shakespeare's "King Lear") (1978)

paragraph: BULLET::::- "Die Gespenstersonate" (after August Strindberg's play "The Ghost Sonata") (1984)

paragraph: BULLET::::- "Troades" (after Euripides' "The Trojan Women") (1986)

paragraph: BULLET::::- "Das Schloß" (after Franz Kafka's "Das Schloss") (1992)

paragraph: BULLET::::- "Bernarda Albas Haus" (after Federico García Lorca's "The House of Bernarda Alba")

paragraph: BULLET::::- "Medea" (after part 3 of Franz Grillparzer's "") (2010)

paragraph: BULLET::::- "L'Invisible" (after Maurice Maeterlinck's "L'Intruse", "L'Intérieur" and "La Mort de Tintagiles") (2017)

paragraph: Section::::Works.:Orchestral.

paragraph: BULLET::::- "Variations for Orchestra"

paragraph: BULLET::::- "Nahe Ferne" (Near Distance)

paragraph: BULLET::::- "Cantus für Klarinette und Orchester" (Cantus for Clarinet and Orchestra)

paragraph: BULLET::::- "Sieben Fragmente für Orchester in memoriam Robert Schumann" (Seven Fragments for Orchestra, in memoriam Robert Schumann) (1988)

paragraph: Section::::Works.:Vocal music.

paragraph: BULLET::::- "Zyklus nach Gedichten von Paul Celan für Bariton und Klavier" (Cycle based on the poetry of Paul Celan for baritone and piano) (1956)

paragraph: BULLET::::- "Wolkenloses Christfest" Requiem nach Gedichten von Otfried Büthe, dedicated to Dietrich Fischer-Dieskau and Siegfried Palm (1974)

paragraph: BULLET::::- "Nachtstück II für Baryton und Klavier" (1978)

paragraph: BULLET::::- "Unrevealed, Lord Byron to Augusta Leigh für Bariton und Streichquartett" (1981)

paragraph: BULLET::::- Requiem "für Sopran, Mezzosopran, Bariton, gemischten Chor und Orchester unter Verwendung des lateinischen Requiemtextes und von Versen aus dem Buch Hiob" (1982)

paragraph: BULLET::::- "Shine and Dark für Bariton und Klavier" (left hand) (1989)

paragraph: BULLET::::- "Entsorgt für Bariton-Solo" (1989)

paragraph: BULLET::::- "Eingedunkelt für Alt-Solo" (Eingedunkelt for Alto Solo) (1992)

paragraph: BULLET::::- "Fünf Lieder nach Gedichten von Paul Celan für Countertenor und Klavier" (Five Songs based on the poetry of Paul Celan for countertenor and piano) (1994/2001)

paragraph: BULLET::::- "An Hermann für Tenor und Klavier" (2008)

paragraph: Section::::Further reading.

paragraph: BULLET::::- Luigi Bellingardi, "Alcune riflessioni sulla »Gespenstersonate« di Aribert Reimann", in: Sabine Ehrmann-Herfort/Markus Engelhardt (eds.), "»Vanitatis fuga, Aeternitatis amor«. Wolfgang Witzenmann zum 65. Geburtstag", »Analecta Musicologica«, vol. 36, Laaber (Laaber) 2005, pp. 689–695.

paragraph: BULLET::::- Siglind Bruhn, "Aribert Reimanns Vokalmusik." Waldkirch, Edition Gorz 2016.

paragraph: BULLET::::- Wolfgang Burde, "Aribert Reimann", Mainz (Schott) 2005.

paragraph: BULLET::::- Albert Gier, "Zurück zu Shakespeare! Claus H. Hennebergs Lear-Libretto für Aribert Reimann und seine englische Übersetzung von Desmond Clayton", in: Herbert Schneider/Rainer Schmusch (eds.), "Librettoübersetzung: Interkulturalität im europäischen Musiktheater", Hildesheimn (Olms) 2009, »Musikwissenschaftliche Publikationen«, vol. 32), pp. 329–349.

paragraph: BULLET::::- Kii-Ming Lo, "Unsichtbarer Herrscher über ein gehorsames Volk. Aribert Reimanns Oper »Das Schloß« nach Franz Kafka", in: Peter Csobádi, Gernot Gruber, Ulrich Müller et al. (eds.), "»Weine, weine, du armes Volk!« ─ Das verführte und betrogene Volk auf der Bühne, »Kongreßbericht Salzburg 1994«", Anif/Salzburg (Müller-Speiser) 1995, pp. 663–674.

paragraph: BULLET::::- Jürgen Maehder, "Aribert Reimanns »Nachtstück« ─ Studien zu musikalischer Struktur und Sprachvertonung", in: "Aurora (»Jahrbuch der Eichendorff-Gesellschaft«) 36/1976, p. 107-121.

paragraph: BULLET::::- Jürgen Maehder, "Aribert Reimanns »Lear« ─ Anmerkungen zu einigen Strukturproblemen der Literaturoper", program book for the world premiere at the Bavarian State Opera in Munich, München (Bayerische Staatsoper) 1978, pp. 61-73.

paragraph: BULLET::::- Jürgen Maehder, "Anmerkungen zu einigen Strukturproblemen der Literaturoper", in: Klaus Schultz (ed.), "Aribert Reimanns »Lear«. Weg einer neuen Oper", München (dtv) 1984, pp. 79-89.

paragraph: BULLET::::- Jürgen Maehder, "Aribert Reimann and Paul Celan: The Setting of Hermetic Poetry in the Contemporary German Lied", in: Claus Reschke/Howard Pollack (eds.), "German Literature and Music. An Aesthetic Fusion: 1890─1989", »Houston German Studies«, vol. 8, München (Fink) 1992, pp. 263-292.

paragraph: BULLET::::- Jürgen Maehder, "Étude sur le théâtre musical d'Aribert Reimann ─ de »Lear« à »La sonate des spectres«", programme de salle pour l'Opéra National du Rhin, Strasbourg (TNOR) 1998, pp. 27–45.

paragraph: BULLET::::- Jürgen Maehder, "Untersuchungen zum Musiktheater Aribert Reimanns. Musikalische Dramaturgie in »Lear« und »Die Gespenstersonate«", in: Jürgen Kühnel/Ulrich Müller/Oswald Panagl (eds.), "Musiktheater der Gegenwart. Text und Komposition, Rezeption und Kanonbildung", Anif/Salzburg (Müller-Speiser) 2008, .

paragraph: BULLET::::- Jürgen Maehder, "Aribert Reimann et Paul Celan. La mise en musique de la poésie hermétique dans le lied allemand contemporain", in: Antoine Bonnet/ Frédéric Marteau (eds.), "Paul Celan, la poésie, la musique. »Avec une clé changeante«", Paris (Hermann) 2015, .

paragraph: BULLET::::- Klaus Schultz (ed.), "Aribert Reimanns »Lear«. Weg einer neuen Oper", München (dtv) 1984.

paragraph: BULLET::::- Ulrich Tadday (ed.), "Aribert Reimann", »Musik-Konzepte«, vol. 139, München (text + kritik) 2008.

paragraph: BULLET::::- Anselm Weyer: "Günter Grass und die Musik" (= »Kölner Studien zur Literaturwissenschaft«, vol. 16). Peter Lang, Frankfurt am Main u. a. 2007, (Zugleich: Köln, Universität, Dissertation, 2005).

paragraph: BULLET::::- Sigrid Wiesmann (ed.), "Für und Wider die Literaturoper", »Thurnauer Schriften zum Musiktheater«, vol. 6, Laaber (Laaber) 1982.

paragraph: Section::::External links.

paragraph: BULLET::::- Interview with Aribert Reimann, May 16, 1997

description: German composer, pianist and accompanist

wikidata_label: Aribert Reimann

wikipedia_title: Aribert Reimann


text:
Cathedral of Our Lady, Antwerp
Jan Appelmans

categories: 1373 births,Belgian architects,1434 deaths

paragraph: Pieter Appelmans

paragraph: Pieter Appelmans (1373 – 16 May 1434) was one of the architects of the Cathedral of Our Lady, Antwerp, together with his father Jan Appelmans.

description: Flemish architect

wikidata_label: Pieter Appelmans

wikipedia_title: Pieter Appelmans


text:
Cathedral of Our Lady, Antwerp
Pieter Appelmans
"Architecture in Belgium"

categories: 1352 births,Belgian architects,1411 deaths

paragraph: Jan Appelmans

paragraph: Jan Appelmans (1352–1411) was the first architect of the Cathedral of Our Lady, Antwerp, succeeded by his son Pieter Appelmans.

paragraph: Section::::External links.

paragraph: BULLET::::- "Architecture in Belgium"

description: Flemish architect

wikidata_label: Jan Appelmans

wikipedia_title: Jan Appelmans


text:
Latin Emperor of Constantinople
House of Baux
Kingdom of Naples
Francis, Duke of Andria
Philip I of Taranto
Catherine II
Princess of Achaea
Philip II of Taranto
Principality of Taranto
Principality of Achaea
Joanna I of Naples
Corfu
Papal Avignon
Knights Hospitaller
ducats
Navarrese Company
Despot of Romania
Messenia
Androusa
Kalamata
Agnes
Cansignorio della Scala
Charles of Durazzo
Margaret

categories: Princes of Taranto,Princes of Achaea,Latin Emperors of Constantinople,Year of birth unknown,1383 deaths,14th-century Latin Emperors of Constantinople

paragraph: James of Baux

paragraph: James of Baux or James of Les Baux (died 17 July 1383) the Latin Emperor of Constantinople from 1374 to 1383. He was the last Latin emperor to govern any imperial territory.

paragraph: James belonged to the noble House of Baux, specifically the branch settled in the Kingdom of Naples. He was the son of Francis, Duke of Andria, and Margaret, daughter of Prince Philip I of Taranto and his second wife, the Empress Catherine II, Princess of Achaea. His mother's brother was Prince Philip II of Taranto. In 1373, the childless Philip declared his nephew his universal heir. He thus stood to inherit the Principality of Taranto in the Neapolitan kingdom, and the Principality of Achaea in Greece, as well as a claim on the Latin Empire.

paragraph: On the death of Philip II of Taranto in 1374, most of the barons in the principality of Achaea recognized as his heir Queen Joanna I of Naples. She in turn confiscated all the Italian possessions of Francis and James of Baux and banished them from the kingdom. James took refuge in Corfu, while his father fled to Papal Avignon.

paragraph: In 1376 or 1377, Joanna leased the principality of Achaea to the Knights Hospitaller for five years at four thousands ducats a year. Philip II's relatives put forward a rival candidate in James of Baux. James met with some success in 1380 but did not have complete control until Joanna's death in 1382, when he became the only legitimate claimant to Achaea. In his attempt to reclaim his inheritance, James hired the services of the Navarrese Company, which had originally been hired by the Hospitallers, with whom James was at war. James was now taking the titles "Despot of Romania" and "Prince of Taranto and Achaea". The Navarrese conquered much of Messenia and the towns of Androusa and Kalamata for James, but he did not enjoy this principality long.

paragraph: Early in 1382, James married Agnes, the widow of Cansignorio della Scala, lord of Verona. She was a daughter of Duke Charles of Durazzo and older sister Margaret, the wife of Charles III. She was also a niece of Queen Joanna. Her marriage to James was intended to solidify his alliance with Charles III. It was childless.

description: Latin Emperor of Constantinople and Prince of Achaea

wikidata_label: James of Baux

wikipedia_title: James of Baux


text:
John I, Duke of Brabant
Margaret of Flanders
Henry of Luxemburg
King of Germany
Queen of Germany
Duchy of Limburg
John the Blind
Count of Luxembourg
King of Bohemia
Elisabeth of Bohemia (1292–1330)
Charles IV, Holy Roman Emperor
Bonne of Bohemia
John II of France
Beatrice of Bourbon
Maria of Luxembourg
Charles IV of France
Beatrix of Luxembourg
Charles I of Hungary
Italy
Giovanni Pisano
Palazzo Spinola

categories: People from the Duchy of Brabant,Countesses of Luxembourg,1311 deaths,House of Luxembourg,Women of medieval Germany,German queens consort,Italian queens consort,1276 births

paragraph: Margaret of Brabant

paragraph: Margaret of Brabant (4 October 1276 – 14 December 1311), was the daughter of John I, Duke of Brabant and Margaret of Flanders. She was the wife of Count Henry of Luxemburg and after his election as King of Germany in 1308, she became Queen of Germany.

paragraph: Section::::Marriage.

paragraph: She was married to Henry on 9 July 1292 which was arranged to settle a long-standing dispute with the Duke of Brabant over the Duchy of Limburg, with the duke abandoning his claim to Limburg at the time Margaret's marriage took place. By all accounts, the marriage proved to be happy. She became the Queen consort of Germany in 1308 when her husband was crowned king.

paragraph: Henry and Margaret had three children:

paragraph: BULLET::::- John the Blind (10 August 1296 – 26 August 1346) was the Count of Luxembourg from 1309, King of Bohemia. Married firstly to Elisabeth of Bohemia (1292–1330), by whom he had issue including Charles IV, Holy Roman Emperor, and Bonne of Bohemia, first wife of the future King John II of France. On Elisabeth's death in 1330, John married secondly Beatrice of Bourbon, by whom he had issue.

paragraph: BULLET::::- Maria of Luxembourg (1304 – 26 March 1324), married Charles IV of France, died in childbirth.

paragraph: BULLET::::- Beatrix of Luxembourg (1305–19), married Charles I of Hungary, died in childbirth.

paragraph: Margaret accompanied her husband on his Italy campaign, became ill during the siege of Brescia and died a few months later in Genoa, where she was buried in the church of San Francesco di Castelletto. Her death was recorded in the "Gesta Baldewini Luczenburch" in December 1311. The famous sculptor Giovanni Pisano was commissioned by the Emperor to create a monument in her memory in 1313 (parts of it are still preserved in Genoa, Museo di Sant'Agostino and Galleria Nazionale della Liguria in Palazzo Spinola).

wikidata_label: Margaret of Brabant

wikipedia_title: Margaret of Brabant


text:
bassist
songwriter
Oslo
Nesodden
Jessheim
Norsk black / ekstrem metal
black metal
Dimmu Borgir
Stormblåst
Old Man's Child
In The Shades Of Life
Inn I Evighetens Mørke
For All Tid
Stormblåst
In the Shades of Life
Dimmu Borgir
Sons of Satan Gather for Attack
Angstkrieg website

categories: People from Nesodden,Old Man's Child members,1976 births,Norwegian black metal musicians,Dimmu Borgir members,Norwegian heavy metal bass guitarists,Norwegian songwriters,People from Jessheim,21st-century Norwegian bass guitarists,Norwegian rock bass guitarists,Living people,Norwegian male bass guitarists

paragraph: Brynjard Tristan

paragraph: Ivar Tristan Lundsten (professional name: Brynjard Tristan) (born June 14, 1976) is a Norwegian bassist and songwriter, presently living in Oslo, but originally hails from the nearby municipalities of Nesodden and Jessheim.Norsk black / ekstrem metal /ref

paragraph: He is mostly known for his time as bassist for the black metal-band Dimmu Borgir, from 1993 to 1996, which he left after the album "Stormblåst". In 1994-1995 Brynjard was also a member of Old Man's Child, where he was a songwriter and played bass on the band's demo "In The Shades Of Life". However, he left the band just before the release of their first album.

paragraph: He also used to be a writer for the Norwegian music magazine Mute.

paragraph: Presently Brynjard is working on his new band, Angstkrieg, where he is the vocalist.

paragraph: Section::::Discography.

paragraph: Section::::Discography.:With Dimmu Borgir.

paragraph: BULLET::::- "Inn I Evighetens Mørke", EP, Necromantic Gallery Productions, 1993

paragraph: BULLET::::- "For All Tid", album, No Colours Records, 1994

paragraph: BULLET::::- "Stormblåst", album, Cacophonous Records, 1996

paragraph: Section::::Discography.:With Old Man’s Child.

paragraph: BULLET::::- "In the Shades of Life", demo, 1994, reissued as split EP with Dimmu Borgir named "Sons of Satan Gather for Attack", Hammerheart Records, 1999

paragraph: Section::::Discography.:With Angstkrieg.

paragraph: BULLET::::- "Angstkrieg", EP, self-released, 2010

paragraph: Section::::External links.

paragraph: BULLET::::- Angstkrieg website

description: Norwegian musician

wikidata_label: Brynjard Tristan

wikipedia_title: Brynjard Tristan


text: Filipino Canadian

text: comic book artist

text: writer

text: Witchblade

text: The Necromancer

text: Top Cow

text: "G.I. Joe" comics

text: Devil's Due Publishing

text: DC Comics

text: Comic Book Idol

text: Comic Book Resources

text: Legion of Superheroes

text: Jim Shooter

text: Gazelle

text: Flash

text: Geoff Johns

text: Barry Allen

text: Beast Legends

text: SyFy

text: Joe Shuster Award

text: Inkwell Awards

text: Detective Comics

text: DC Rebirth

text: Trinity

text: J. Torres

text: Slave Labor Graphics

text: Image

text: one-shot

text: Fear Effect: Retro Helix

text: David Wohl

text: Top Cow

text: Witchblade

text: Paul Jenkins

text: Witchblade/Lady Death

text: Joel Gomez

text: Eric Basaldua

text: Mike Choi

text: David Nakayama

text: Ron Marz

text: Tomb Raider: The Series

text: Dan Jurgens

text: Dan Slott

text: Image Comics FCBD

text: Magdalena

text: Vampirella

text: Robert Kirkman

text: The Darkness

text: Joshua Ortega

text: The Iron Saint

text: Jason Rubin

text: Aspen

text: graphic novel

text: Delcourt

text: Legion of Superheroes

text: Adventure Comics

text: Geoff Johns

text: Superman/Batman

text: The Flash

text: The Flash

text: Detective Comics

text: Trinity

text: Witchblade

text: Top Cow

text: The Darkness

text: G.I. Joe

text: Devil's Due

text: G.I. Joe: Reborn

text: G.I. Joe Declassified

text: G.I. Joe Dreadnoks: Declassified

text: Soulfire: Chaos Reign

text: Aspen

text: G.I. Joe Special Missions: Antarctica

text: Pilot Season: The Necromancer

text: Legion of Superheroes

text: Adventure Comics

text: Wonder Woman

text: Red Robin

text: Green Lantern

text: The Shield

text: Soulfire

text: Blackest Night: The Flash

text: Justice League of America

text: Superboy

text: T.H.U.N.D.E.R. Agents

text: The Flash

text: Flashpoint: Grodd of War

text: Flashpoint: Kid Flash Lost

text: Green Lantern Corps

text: Green Lantern

text: Masters of the Universe

text: G.I. Joe: Frontline

text: Francis Manapul

text: Lambiek

text: Current blog

text: old one

text: Francis Manapul

text: DeviantArt

text: Interview with Legion of Substitute Podcasters

text: Review of "Witchblade" #54

text: Comics Bulletin

text: Review of "Lara Croft: Tomb Raider" #50

text: Review of "Necromancer" #1

categories: Canadian comics artists,Joe Shuster Award winners for Outstanding Artist,Canadian people of Filipino descent,1979 births,Place of birth missing (living people),Living people

paragraph: Francis Manapul

paragraph: Francis Manapul (born August 26, 1979) is a Filipino Canadian comic book artist and writer.

paragraph: Section::::Career.

paragraph: Manapul is known for his work on "Witchblade" and "The Necromancer" for Top Cow, working on the former for three years, off and on, returning for the tenth anniversary issue in 2005.

paragraph: He has provided covers for various titles, most notably for some "G.I. Joe" comics from Devil's Due Publishing.

paragraph: In 2007, he signed an exclusive contract to work with DC Comics.

paragraph: Manapul served as a guest judge in the fourth week round of the third season of Comic Book Idol, a comic book art competition sponsored by Comic Book Resources.

paragraph: In 2008 Francis became the artist for DC's Legion of Superheroes with Jim Shooter as the writer. Francis co-created the character Gazelle with Shooter before leaving the title.

paragraph: In 2009, he was named to be the artist in DC's new "Flash" series written by Geoff Johns which stars Barry Allen in the lead role.

paragraph: He was also one of the TV presenters on "Beast Legends" from Yap films, which currently airs Wednesday nights at 10pm EST on History Television Canada. Its premiere in the US was on September 9, Thursday at 10pm EST on SyFy.

paragraph: In 2011 Manapul was awarded the Joe Shuster Award for Outstanding Artist and the All-in-One Award (Favorite artist known for almost-exclusively inking his/her own interior comic book pencil work and rarely the work of others in '10) from the Inkwell Awards. That May, DC Comics announced a massive revamp and relaunch of their entire superhero line, as part of this Francis was named writer/artist on the Flash, with his longtime colorist/collaborator, Brian Buccellato co-writing with him.

paragraph: In April 2014, Manapul and Buccellato moved from "The Flash" to "Detective Comics". In 2016, Manapul became the writer and artist for the DC Rebirth comic book series "Trinity".

paragraph: Section::::Bibliography.

paragraph: Section::::Bibliography.:Interior work.

paragraph: BULLET::::- "Love in Tights" #1 (with J. Torres, Slave Labor Graphics, 1998)

paragraph: BULLET::::- "Monster Fighters, Inc." (with J. Torres, Image):

paragraph: BULLET::::- "The Ghosts of Christmas" (one-shot, 1999)

paragraph: BULLET::::- "The Black Book" (one-shot, 2000)

paragraph: BULLET::::- "Fear Effect: Retro Helix" (with Frank Mastromauro and David Wohl, one-shot, Top Cow, 2001)

paragraph: BULLET::::- "Witchblade" (Top Cow):

paragraph: BULLET::::- "XLVIII" (with Paul Jenkins, in #48, 2001)

paragraph: BULLET::::- "Witchblade/Lady Death" (with David Wohl and Joel Gomez, one-shot, 2001)

paragraph: BULLET::::- "LIII" (with Paul Jenkins, David Wohl and Brian Ching, in #53, 2002)

paragraph: BULLET::::- "The Return of Tora No Shi" (with David Wohl and Joel Gomez, in #54-57, 2002)

paragraph: BULLET::::- "Endgame, Part Two" (with David Wohl, Joel Gomez and Eric Basaldua, in #60, 2002)

paragraph: BULLET::::- "LXII-LXV" (with David Wohl, Joel Gomez, Mike Choi and Romano Molenaar, in #62-65, 2003)

paragraph: BULLET::::- "Road Trip" (with David Wohl, Joel Gomez and Mike Choi, in #68-69, 2003)

paragraph: BULLET::::- "Death Pool" (with David Wohl, Joel Gomez, Mike Choi and David Nakayama, in #70 & 72-75, 2003–2004)

paragraph: BULLET::::- "10th Anniversary" (with Ron Marz and various artists, in #92, 2005)

paragraph: BULLET::::- "Tomb Raider: The Series" (Top Cow):

paragraph: BULLET::::- "Without Limit" (with Dan Jurgens, in #15, 2001)

paragraph: BULLET::::- "Alpha Omega" (with Dan Slott, in #50, 2005)

paragraph: BULLET::::- "Image Comics FCBD" '04: "First Strike" (with Robert Place Napton, Image, 2004)

paragraph: BULLET::::- "Magdalena/Vampirella" (with Robert Kirkman, one-shot, Top Cow, 2004)

paragraph: BULLET::::- "The Darkness" #21: "The Reckoning" (with Brian Buccelato, Top Cow, 2005)

paragraph: BULLET::::- "Necromancer" #1-6 (with Joshua Ortega, Top Cow, 2006)

paragraph: BULLET::::- "The Iron Saint" (with Jason Rubin, Aspen):

paragraph: BULLET::::- "Iron and the Maiden" #0-4 (with Joel Gomez, 2007)

paragraph: BULLET::::- "Iron and the Maiden: Brutes, Bims and the City" (with various artists, one-shot, 2008)

paragraph: BULLET::::- "Sept Guerrières (7 Warriors)" (with Michaël Le Galli, graphic novel, Delcourt, 2008)

paragraph: BULLET::::- "Legion of Superheroes" (Vol. 5) #37-46, 48-49 (2008–2009)

paragraph: BULLET::::- "Adventure Comics" #0-3, 5-6 (with Geoff Johns, DC Comics, 2009–2010)

paragraph: BULLET::::- "Superman/Batman" #60-61 (2009), #75 (2010)

paragraph: BULLET::::- "The Flash" (Vol. 3) #1-6, 9-10, 12 (2010–2011)

paragraph: BULLET::::- "The Flash" (Vol. 4) #1-25 (2011–2013)

paragraph: BULLET::::- "Detective Comics" (Vol. 2) #30-34, 37-42 (script and art, with Brian Buccellato, DC Comics, 2014-2015)

paragraph: BULLET::::- "Flash Special Edition" #1 (2014)

paragraph: BULLET::::- "Batman and Robin Eternal" #5 (2015)

paragraph: BULLET::::- "Justice League" (Vol. 2) #45-46 (2015)

paragraph: BULLET::::- "Trinity" (Vol. 2) #1-2 (2016), #5-6 (2017), #9-11 (2017)

paragraph: BULLET::::- "Batman: The Merciless" #1 (2017)

paragraph: BULLET::::- "Justice League: No Justice" #1-4 (2018)

paragraph: BULLET::::- "Justice League" (Vol. 4) #10-11 (2018), #22 (2019)

paragraph: BULLET::::- "Aquaman/Justice League Drowned Earth" #1 (2018)

paragraph: Section::::Bibliography.:Cover work.

paragraph: Section::::Bibliography.:Cover work.:DC Comics.

paragraph: BULLET::::- "Witchblade" #43, 55-56, 61, 62-65, 68-70, 73, 84 (Top Cow, 2000–2005)

paragraph: BULLET::::- "The Darkness" #2 (Top Cow, 2003)

paragraph: BULLET::::- "G.I. Joe" #16 (Devil's Due, 2003)

paragraph: BULLET::::- "G.I. Joe: Reborn" #1 (Devil's Due, 2004)

paragraph: BULLET::::- "G.I. Joe Declassified" #1-3 (Devil's Due, 2006)

paragraph: BULLET::::- "G.I. Joe Dreadnoks: Declassified" #1-3 (Devil's Due, 2006–2007)

paragraph: BULLET::::- "Soulfire: Chaos Reign" #2 (Aspen, 2006)

paragraph: BULLET::::- "G.I. Joe Special Missions: Antarctica" #1 (Devil's Due, 2006)

paragraph: BULLET::::- "Pilot Season: The Necromancer" #1 (Top Cow, 2007)

paragraph: BULLET::::- "Aspen Showcase: Benoist" #1 (Aspen, 2008)

paragraph: BULLET::::- "Legion of Superheroes" #47, 50 ( 2008–2009)

paragraph: BULLET::::- "Adventure Comics" #4 (DC Comics, 2010)

paragraph: BULLET::::- "Wonder Woman" #32 (2009)

paragraph: BULLET::::- "Executive Assistant Iris" #2 (Aspen, 2009)

paragraph: BULLET::::- "Red Robin" #1-5 (2009)

paragraph: BULLET::::- "Green Lantern" (Vol. 4) #45 (variant cover) (2009)

paragraph: BULLET::::- "The Shield" (Vol. 2) #1-3 (2009–2010)

paragraph: BULLET::::- "Soulfire" #2 (Aspen, 2010)

paragraph: BULLET::::- "Blackest Night: The Flash" #1-3 (variant covers) (2009-2010)

paragraph: BULLET::::- "Justice League of America" (Vol. 2) #46 (variant cover) (2010), #49 (variant cover) (2010)

paragraph: BULLET::::- "Superboy" (Vol. 4) #5 (variant cover) (2011)

paragraph: BULLET::::- "T.H.U.N.D.E.R. Agents" (Vol. 3) #5 (2011)

paragraph: BULLET::::- "The Flash" (Vol. 3) #7, #11 (2011)

paragraph: BULLET::::- "Flashpoint: Grodd of War" #1 (2011)

paragraph: BULLET::::- "Flashpoint: Kid Flash Lost" #1-3 ( 2011)

paragraph: BULLET::::- "Green Lantern Corps" (Vol. 2) #62 (variant cover) (2011)

paragraph: BULLET::::- "Green Lantern" (Vol. 5) #4 (variant cover) (2012)

paragraph: BULLET::::- "Sword of Sorcery Featuring Amethyst" (Vol. 2) #2 (variant cover) (2012)

paragraph: BULLET::::- "Superman Unchained" #5 (Superman 75th Anniversary 1930s variant cover) (2013)

paragraph: BULLET::::- "Flash Season Zero" #1 (variant cover) (2014)

paragraph: BULLET::::- "Lobo" (Vol. 3) #3 (variant cover) (2014)

paragraph: BULLET::::- "Superman" (Vol. 4) #36 (variant cover) (2014)

paragraph: BULLET::::- "Superman/Wonder Woman" #16 (variant cover) (2015)

paragraph: BULLET::::- "Justice League of America" (Vol. 4) #2 (variant cover) (2015)

paragraph: BULLET::::- "Aquaman" (Vol. 5) #44 (variant cover) (2015)

paragraph: BULLET::::- "Convergence" #4 (variant cover) (2015)

paragraph: BULLET::::- "Multiversity" #2 (variant cover) (2015)

paragraph: BULLET::::- "Batman/Superman" #25 (2015)

paragraph: BULLET::::- "Justice League: The Darkseid War Superman" #1 (2015)

paragraph: BULLET::::- "Justice League: The Darkseid War Lex Luthor" #1 (2015)

paragraph: BULLET::::- "Justice League: The Darkseid War Flash" #1 (2015)

paragraph: BULLET::::- "Justice League: The Darkseid War SHAZAM" #1 (2015)

paragraph: BULLET::::- "Justice League: The Darkseid War Batman" #1 (2015)

paragraph: BULLET::::- "Justice League: The Darkseid War Green Lantern" #1 (2015)

paragraph: BULLET::::- "Batgirl" (Vol. 5) #1-12 (variant covers) (2016-2017), #34-36 (2019)

paragraph: BULLET::::- "Superman: American Alien" #5 (variant cover) (2016)

paragraph: BULLET::::- "Scooby Apocalypse" #5 (variant cover) (2016)

paragraph: BULLET::::- "Flash Omnibus By Francis Manapul & Brian Buccellato" (new cover) (2016)

paragraph: BULLET::::- "Kamandi Challenge" #10 (2017)

paragraph: BULLET::::- "Hal Jordan And The Green Lantern Corps" #33-36 (2017-2018)

paragraph: BULLET::::- "Action Comics" (Vol. 3) #992 (2017), #993-994 (variant covers) (2017), #1001-1006 (variant covers) (2018-2019), #1009-1011 (2019)

paragraph: BULLET::::- "Teen Titans" (Vol. 6) #15 (2017)

paragraph: BULLET::::- "Super Sons" #11 (2017)

paragraph: BULLET::::- "Justice League/Aquaman: Drowned Earth" #1 (variant cover) (2018)

paragraph: BULLET::::- "Flash Starting Line DC Essential Edition" (new cover) (2018)

paragraph: BULLET::::- "Titans" (Vol. 3) #36 (variant cover) (2019)

paragraph: BULLET::::- "Green Arrow" (Vol. 7) #49 (variant cover) (2019)

paragraph: BULLET::::- "Justice League" (Vol. 4) #18 (2019), #26 (2019)

paragraph: BULLET::::- "Flash" (Vol. 5) #75 (Year of the Villain variant cover) (2019)

paragraph: Section::::Bibliography.:Cover work.:Image Comics.

paragraph: BULLET::::- "Masters of the Universe" (Vol. 3) #2 (variant cover) (2002)

paragraph: BULLET::::- "G.I. Joe: Frontline" #9-14 (2003)

paragraph: BULLET::::- Sons Of The Devil #5 (variant cover) (2015)

paragraph: Section::::Bibliography.:Writer.

paragraph: Section::::Bibliography.:Writer.:DC Comics.

paragraph: BULLET::::- "Detective Comics: Futures End #1 (2014)"

paragraph: BULLET::::- "Trinity" (Vol. 2) #1-6 (2016-2017), #9-11 (2017)

paragraph: Section::::References.

paragraph: BULLET::::- Kousemaker, Kees. Francis Manapul. Kees Kousemaker's Lambiek Comiclopedia. Retrieved November 15, 2011.

paragraph: Section::::External links.

paragraph: BULLET::::- Current blog and old one

paragraph: BULLET::::- Francis Manapul at DeviantArt

paragraph: BULLET::::- Interview with Legion of Substitute Podcasters

paragraph: Section::::External links.:Reviews.

paragraph: BULLET::::- Review of "Witchblade" #54, #56, #57, #68 and #69, Comics Bulletin

paragraph: BULLET::::- Review of "Lara Croft: Tomb Raider" #50, Comics Bulletin

paragraph: BULLET::::- Review of "Necromancer" #1 and #2, Comics Bulletin

description: artist

wikidata_label: Francis Manapul

wikipedia_title: Francis Manapul


text: Hayashi clan

text: Hayashi Razan

text: bakufu

text: schema

text: rector

text: Kaei

text: Tsūkō ichiran

text: Qing

text: Edo Bay

text: Treaty of Kanagawa

text: Emperor Kōmei

text: Matthew C. Perry

text: Sō Yoshiyori

text: Oxford University Press

text: RoutledgeCurzon

text: RoutledgeCurzon

text: Cambridge University Press

text: Ponsonby-Fane

text: University of Hawaii Press

text: Screech

text: RoutledgeCurzon

categories: 1859 deaths,1800 births,Japanese diplomats,Confucianism in Japan,Advisors to Tokugawa shoguns,Japanese writers of the Edo period

paragraph: Hayashi Akira

paragraph: Section::::Academician.

paragraph: Hayashi "Daigaku-no-kami" Akira was a member of the Hayashi clan of Confucian scholars, each of whom were "ad hoc" personal advisers to the shōgun's prominent figures in the educational training system for the shogunal bureaucrats. The progenitor of this lineage of scholars was Hayashi Razan, who lived to witness his philosophical and pragmatic reasoning become a foundation for the dominant ideology of the "bakufu" until the end of the 19th century.

paragraph: This evolution developed in part from the official Hayashi "schema" equating samurai with the cultured governing class (although the samurai were largely illiterate at the beginning of the Tokugawa shogunate). The Hayashi helped to legitimize the role of the militaristic "bakufu" at the beginning of its existence. His philosophy is also important in that it encouraged the samurai class to cultivate themselves, a trend which would become increasingly widespread over the course of his lifetime and beyond. One of Razan's aphorism encapsulates this view:

paragraph: The Hayashi played a prominent role is helping to maintain the theoretical underpinnings of the Tokugawa regime; and Hayashi "Daigaku-no-kami" Akira was the 11th hereditary rector of "Yushima Seidō".

paragraph: Section::::Diplomat.

paragraph: Akira assumed his role as rector of the academy in 1853; and his initial foray into diplomacy followed soon after.

paragraph: BULLET::::- 1853 ("Kaei 6"): Akira completed "Tsūkō ichiran". The work was created under orders from the shogunate to compile and edit documents pertaining to East Asian trade and diplomacy; and, for example, it includes a detailed description of a Ryukyuan tribute embassy to the Qing court in Beijing.

paragraph: BULLET::::- March 8, 1854 ("Kaei 7", 10th day of the 2nd month"): Commodore Perry returned to Edo Bay to force Japanese agreement to the Treaty of Kanagawa; and the chief Japanese negotiator was "Daigaku-no kami" Hayashi Akira, who was known to the Americans as "Prince Commissioner Hayashi."

paragraph: BULLET::::- January 22, 1858 ("Ansei 4, 28th day of the 12th month"): Akira headed the shogunal delegation which sought advice from Emperor Kōmei in deciding how to deal with newly assertive foreign powers.

paragraph: Significantly, this would have been the first time the emperor's counsel was actively sought since the establishment of the Tokugawa shogunate. The most easily identified consequence of this transitional overture would be the increased numbers of messengers which were constantly streaming back and forth between Tokyo and Kyoto during the next decade. There is no small irony in the fact that this 19th-century scholar/bureaucrat would find himself at a crucial nexus of managing political change—moving arguably "by the book" through uncharted waters with well-settled theories as the only guide.

paragraph: BULLET::::- Ansei 4 (October 1858): Akira is dispatched from Edo to Kyoto to explain the terms of the treaty to Emperor Kōmei, who ultimately acquiesced in February 1859 when he came to understand that there was no alternative to acceptance.

paragraph: Section::::Diplomat.:See also.

paragraph: BULLET::::- Matthew C. Perry

paragraph: BULLET::::- Sō Yoshiyori

paragraph: Section::::References.

paragraph: BULLET::::- Beasley, William G. (1955). "Select Documents on Japanese Foreign Policy, 1853–1868." London: Oxford University Press. [reprinted by RoutledgeCurzon, London, 2001. (cloth)]

paragraph: BULLET::::- Blomberg, Catherina. (1994). "The Heart of the Warrior: Origins and Religious Background of the Samurai in Feudal Japan." London: RoutledgeCurzon.

paragraph: BULLET::::- Cullen, L.M. (2003). "A History of Japan, 1582–1941: Internal and External Worlds." Cambridge: Cambridge University Press. (cloth) (paper)

paragraph: BULLET::::- Hawks, Francis. (1856). "Narrative of the Expedition of an American Squadron to the China Seas and Japan Performed in the Years 1852, 1853 and 1854 under the Command of Commodore M.C. Perry, United States Navy," Washington: A.O.P. Nicholson by order of Congress, 1856; originally published in "Senate Executive Documents", No. 34 of 33rd Congress, 2nd Session. [reprinted by London:Trafalgar Square, 2005. (paper)]

paragraph: BULLET::::- Ponsonby-Fane, Richard A.B. (1956). "Kyoto: the Old Capital, 794-1869." Kyoto: Ponsonby Memorial Society.

paragraph: BULLET::::- Sewall, John S. (1905). "The Logbook of the Captain's Clerk: Adventures in the China Seas," Bangor, Maine: Chas H. Glass & Co. [reprint by Chicago: R. R. Donnelly & Sons, 1995]

paragraph: BULLET::::- Smits, Gregory. (1999). "Visions of Ryukyu: Identity and Ideology in Early-Modern Thought and Politics." Honolulu: University of Hawaii Press.

paragraph: BULLET::::- Screech, Timon. (2006). "Secret Memoirs of the Shoguns: Isaac Titsingh and Japan, 1779–1822." London: RoutledgeCurzon.

paragraph: Section::::External links.

paragraph: BULLET::::- Text of demurral to Pres. Filmore's initial letter of 1853; Commodore Perry's rejoinder (March 10, 1854)

description: Japanese scholar-diplomat

wikidata_label: Hayashi Akira

wikipedia_title: Hayashi Akira


text: Shkodër

text: Albania

text: footballer

text: midfielder

text: Vllaznia Shkodër

text: Albanian Superliga

text: Albania national team

text: Hacettepe

text: Boluspor

text: Diyarbakırspor

text: Albania

text: Tirana

text: Saudi Arabia

text: Al-Faisaly

text: Flamurtari Vlorë

text: Vllaznia Shkodër

text: Vllaznia Shkodër

text: Albanian Superliga

text: Lushnja

text: Dinamo Tirana

text: Albanian Superliga

text: Admir Teli

text: Xhevahir Sukaj

text: Turkish

text: Hacettepe Spor Kulübü

text: 2008–09 season

text: Mersin İdmanyurdu

text: Çaykur Rizespor

text: TFF First League

text: Diyarbakırspor

text: Albania

text: Tirana

text: Dinamo Tirana

text: Tirana derby

text: 2012–13 Albanian Cup

text: Kukësi

text: Skënderbeu Korçë

text: Qemal Stafa Stadium

text: Flamurtari Vlorë

text: Bylis Ballsh

text: Kukësi

text: final

text: Qemal Stafa Stadium

text: upcoming season

text: Sioni Bolnisi

text: Vllaznia Shkodër

text: Teuta Durrës

text: Niko Dovana Stadium

text: Loro Boriçi Stadium

text: Tirana

text: Apolonia Fier

text: Albanian Cup

text: FK Kukësi

text: Flamurtari Vlorë

text: Elbasani

text: Gjorgji Kyçyku Stadium

text: Albanian Superliga

text: Partizani

text: Tirana

text: Shkodra

text: Tërbuni Pukë

text: Zlatibor

text: Elis Bakaj

text: Endrit Vrapi

text: Refik Halili

text: Albanian First Division

text: Albanian Cup

text: season

text: Ndriçim Shtubina

text: Teuta Durrës

text: Lushnja

text: Luftëtari Gjirokastër

text: Albania under-21

text: Turkey

text: Albania U-19

text: Azerbaijan

text: Arie Haan

text: Klodian Duro

text: Malta

text: Albanian Cup

text: Albanian Cup

text: Albanian Supercup

text: Albanian Cup

text: Albanian Superliga Player of the Month

text: September 2011

categories: Süper Lig players,1987 births,Boluspor footballers,Expatriate footballers in Saudi Arabia,Al-Faisaly FC players,Albanian expatriate footballers,Hacettepe S.K. footballers,Diyarbakırspor footballers,KF Tirana players,Albanian footballers,Saudi Professional League players,Footballers from Shkodër,Association football midfielders,Living people,Expatriate footballers in Turkey,Albanian Superliga players,Albanian expatriate sportspeople in Turkey,Flamurtari Vlorë players,KF Vllaznia Shkodër players,Albania international footballers

paragraph: Gilman Lika

paragraph: Gilman Lika (born 31 January 1987 in Shkodër) is an Albanian professional footballer who plays as a midfielder for Vllaznia Shkodër in the Albanian Superliga and the Albania national team.

paragraph: Having started his career with Vllaznia Shkodër in 2004, he moved to Turkey in 2008 where he played for Hacettepe, Boluspor and Diyarbakırspor before returning to Albania to play for Tirana. He then had a brief stint in Saudi Arabia with Al-Faisaly before returning to Albania once again to play for Flamurtari Vlorë and Vllaznia Shkodër, before returning to Tirana in July 2015.

paragraph: A full international for Albania since 2008, Lika has earned over 15 caps for his country. He has also represented U-19 and U-21 side.

paragraph: Section::::Club career.

paragraph: Section::::Club career.:Early career.

paragraph: Lika started his playing career with Vllaznia Shkodër. After years working up the ranks at the club, Lika finally made his breakthrough during the 2005–06 season at the age of just 18. He made his debut in the Albanian Superliga against Lushnja on 18 September 2005 in a 1–3 win; he came on as a substitute on the 89th minute. During that season Lika managed to play 28 games. His first goal came against Dinamo Tirana on 29 April 2006. Lika came on as a substitute in the 46th minute and his goal came in the 86th minute. During his years at Vllaznia Shkodër, Lika produced many great performances and in total he played 77 games and scored 14 goals in the Albanian Superliga.

paragraph: Section::::Club career.:Turkey.

paragraph: Along with fellow Vllaznia Shkodër players Admir Teli and Xhevahir Sukaj, he moved to the Turkish side Hacettepe Spor Kulübü on 4 August 2008. After joining the club Lika managed to make it into the starting lineup. During his time at Hacettepe, Lika played 24 matches and has scored two goals, being one of the valuable players of the team, which finished the 2008–09 season in the last position.

paragraph: After leaving Hacettepe Spor Kulübü, Lika signed with fellow Turkish side Boluspor in August 2009. He scored two goals in his debut match against Mersin İdmanyurdu on 23 August, helping the team to win match 2–1. This was followed by another goal in the 2–1 away defeat to Çaykur Rizespor, which made temporarily him the TFF First League top goalscorer.

paragraph: After a year at Boluspor, Lika was transferred to Diyarbakırspor.

paragraph: Section::::Club career.:Tirana.

paragraph: He returned to Albania following a two and a half year absence in January 2011, signing a two-year contract with Tirana. His Tirana debut came on 31 January 2011 against Dinamo Tirana in the Tirana derby, where Lika helped his side to a 2–1 win.

paragraph: On 7 November 2012, in the returning leg of 2012–13 Albanian Cup's second round against Kukësi, Lika produced a Man of the Match performance by provining two assists and scoring a goal in an eventual 3–2 home win, which was not enough as Tirana was eliminated with the aggregate 6–3, losing the first leg 4–0. However, after the match it was reported that Lika suffered an ankle injury in his left leg.

paragraph: On 7 April 2013, Lika scored an amazing free kick against Skënderbeu Korçë, which proved to be the winner as Tirana won the match 1–0 at Qemal Stafa Stadium.

paragraph: Section::::Club career.:Flamurtari Vlorë.

paragraph: On 1 February 2014, Lika completed a transfer to Flamurtari Vlorë as a free agent by signing a four-month contract worth €50,000. He made his competitive debut a day later in the goalless draw against Bylis Ballsh, playing the entire second half. His first score-sheet contributions came in his fourth appearance for the club on 22 February, starting and scoring an opener in an eventual 2–3 away defeat at Kukësi. During the match he was involved in an incident with the home crowd, provoking them after scoring the first goal of the match. Lika defended himself by saying: "I understand that I might have exaggerated, but everything has a reason. I want to tell with the biggest sincerity that during the match Kukësi fans insolted me with the lowest insults ever. That's why I reacted like this after I scored the goal." He scored his second goal of the season one month later exactly against the same opponent, in another away defeat, this time 4–2, as Lika scored the match's last goal. Lika finished the second part of the season by making 16 league appearances, scoring twice in the process, as Flamurtari finished the season in the 7th position. He was also an important instrument in team's success in cup, making 5 appearances, including a full-90 minute in the final, as the team defeated Kukësi at Qemal Stafa Stadium to save the season, securing a spot in 2014–15 UEFA Europa League first qualifying round.

paragraph: In June 2014, it was confirmed that Lika would stay at the club for the upcoming season. He was included in the Europa League squad, and played his first match of the season on 3 July in the away tie against Sioni Bolnisi, scoring the winner in the last minute of added time to reward his team with a 3–2 win. He also played in the returning leg as Flamurtari went through thanks to away goal rule. On 5 January 2015, Lika terminated his contract with the club after 11 months, becoming a free agent in the process.

paragraph: Section::::Club career.:Vllaznia Shkodër.

paragraph: On 23 January 2015 he agreed terms with his first club Vllaznia Shkodër to return to his hometown club following a six-year absence, signing a six-month contract. He made his debut one week later, starting and playing the full 90 minutes in a 2–1 upset against Teuta Durrës at Niko Dovana Stadium. On 8 February, Lika played for the first time in Loro Boriçi Stadium as an Vllaznia player after six years absence, starting again and playing 90 minutes in another defeat, this time against his former employer Tirana. Lika scored his first goal for Vllaznia after his return, and also his first goal of 2014–15 season, in a 2–0 home win over Apolonia Fier.

paragraph: During February he made his Albanian Cup debut as well, playing 90 minutes in a two-legged match against FK Kukësi, who advanced to the next round with the aggregate 2–0. On 18 April, during the league match against his former team Flamurtari Vlorë, Lika scored a free-kick in the 59th minute to help the team to leave the stadium with one point. He scored his third goal of the season again by free-kick, this time in a 1–1 draw against Elbasani at the neutral ground Gjorgji Kyçyku Stadium.

paragraph: Vllaznia ended the season in the seventh place with 35 points, running out of objectives. In individual aspect, Lika ended the second part of the season with Vllaznia by playing 19 matches in all competitions, including 17 in Albanian Superliga, and scored two goals. His good performances attracted the attention of capital clubs, Tirana and Partizani. Lika left the club on 1 July after his contract expired, being a free agent. During an interview, Lika said that he left Vllaznia because of "difficult situation of the club", adding that "every player in his place would do the same thing".

paragraph: Section::::Club career.:Return to Tirana.

paragraph: On 6 July 2015, Lika returned to Tirana after three seasons absence, signing a one-year contract. Before the transfer, the media's started to speculating that Lika will not move to Tirana if the capital club will not pay more than half of the €30,000 debt that the club had not paid during the last time that Lika was part of Tirana. During his presentation in Thursday, Lika said that "Tirana is his second home after Shkodra", by adding that "with this return, he felt like he's returning home".

paragraph: He made his return debut in the season away opener, scoring in a 2–1 win over newly prometed side Tërbuni Pukë. He scored his second of the season against the same opponents later on 7 November, giving the team its second consecutive league win. Lika finished his return season by making 33 league appearances, in addition 5 cup matches, scoring 3 times, including 1 in cup, as Tirana finished the season in the 5th position, remaining out of European competitions for the fourth consecutive year, collecting 53 points, 18 less the last season.

paragraph: On 17 July 2016, he was included in team's summer training camp in Zlatibor, Slovenia, but was forced to return early in Albania due to an injury. On 24 May of the following year, Lika requested not to play in the final matchday against his boyhood club Vllaznia, stating that he was not going to put Vllaznia in danger, who risked relegation along with Tirana. He became the third player to do so after Elis Bakaj and Endrit Vrapi, who both refused to play against Tirana. His request was accepted by club president Refik Halili. Tirana didn't go more than a goalless draw and was eventually relegated to Albanian First Division for the first time in history, leaving Vllaznia as the only club never to be relegated.

paragraph: On 31 May, in the Albanian Cup final against Skënderbeu Korçë, Lika played the whole match as Tirana won 3–1 at extra-time after the regular time ended in a 1–1, winning the 16th Albanian Cup in history, 5th in Lika's career, becoming the most successful club. Following the end of season, Lika's contract ended, and he decided not to extend it.

paragraph: Section::::Club career.:Second Vllaznia Shkodër return.

paragraph: On 3 August 2017, Lika reached an agreement with Vllaznia, signing a 1+1 contract, returning in Shkodër for a second time. He was presented one day later, and was handed squad number 19. He was named new captain following the departure of Ndriçim Shtubina and made his third debut on 17 September in the 0–1 home loss to Teuta Durrës. He opened his scoring account on 22 November by netting the opener against the bottom side Lushnja in an eventual 2–1 home win, the first after 9 matches. Lika was on the score-sheet four days later as he netted a late winner against the other relegation strugglers Luftëtari Gjirokastër to give his side another three points and the second consecutive league win.

paragraph: Section::::International career.

paragraph: Lika had played for Albania under-21 since making his debut on 11 October 2005 in a match against Turkey. The match ended in a draw and although Lika started on his debut, he was subbed off in the 55th minute. He has nine appearances for under-21 side since from 2005 to 2008. Lika has also played for Albania U-19, although he only played 4 games during 23 October 2005 and 27 October 2005.

paragraph: Lika made his senior international debut in a friendly against Azerbaijan on 19 November 2008 following a call up by Arie Haan. He was a 73rd-minute substitute for Klodian Duro in the 1-1 draw. His first competitive cap came just a few months later against Malta where he started the game on the left of the five man midfield and helped his side to a goal less draw.

paragraph: Section::::Honours.

paragraph: Section::::Honours.:Club.

paragraph: BULLET::::- Vllaznia Shkodër

paragraph: BULLET::::- Albanian Cup: 2007–08

paragraph: BULLET::::- Tirana

paragraph: BULLET::::- Albanian Cup: 2010–11, 2011–12, 2016–17

paragraph: BULLET::::- Albanian Supercup: 2011, 2012

paragraph: BULLET::::- Flamurtari Vlorë

paragraph: BULLET::::- Albanian Cup: 2013–14

paragraph: Section::::Honours.:Individual.

paragraph: Albanian Superliga Player of the Month: September 2011

description: Albanian footballer

wikidata_label: Gilman Lika

wikipedia_title: Gilman Lika


text:
Baroque
portrait
still life
Burgos
Madrid
Pedro de las Cuevas
Diego Velázquez
Yale University Art Gallery
New Haven, Connecticut
bodegón
Italian followers
Caravaggio

paragraph: Francisco de Burgos Mantilla

paragraph: Francisco de Burgos Mantilla (1609 or 1612April 1, 1672) was a Spanish Baroque painter of portraits and still lifes.

paragraph: He was born in Burgos but from 1618 he lived in Madrid, where he had his first artistic training under Pedro de las Cuevas. In 1624 he became a pupil of Diego Velázquez. Although in his lifetime he was best known for his portraits, all of them are now lost.

paragraph: The only work by Burgos Mantilla known to survive is the "Still Life with Dried Fruit" (1631), now in the collection of Yale University Art Gallery, New Haven, Connecticut. This small bodegón, reminiscent in its subdued colors and naturalistic composition to the work of the Italian followers of Caravaggio, is stylistically close to Velázquez.

paragraph: Burgos Mantilla died in Madrid in 1672.

alias:
Francisco de burgos
Francisco Burgos y Mantilla
Francisco de Burgos Matilla
Francisco De Burgos Y Mantilla
Francisco de Burgos
Fran^Tco^R de burgos
Francisco De Burgos Mantilla

description: Spanish artist

wikidata_label: Francisco de Burgos Mantilla

wikipedia_title: Francisco de Burgos Mantilla


href: Spain Baroque Valencia%2C%20Spain bodegones

text: Spanish Baroque Valencia bodegones

categories: Valencian painters,17th-century Spanish painters,Spanish male painters,1674 deaths,1590s births,Spanish Baroque painters,Spanish bodegón painters

paragraph: Tomás Yepes

paragraph: Tomás Yepes (c. 1595–1674) was a Spanish painter of the Baroque period. He was born and active in Valencia as a painter of bodegones. He died at Valencia.

alias:
Tomás Yépes
Tomás Hiepes
Thomas Hiepes
Thomas de Hiepes
Tomas Yepes
Tomás de Hiepes
Thomas Yepes
Tomás de Jepes
Tomas Hiepes
Tomas de Hiepes
Tomas de Jepes
Yepes
Thomas De Hiepes
Tomas De Jepes
Tomas de Yepes

description: Spanish painter

wikidata_label: Tomás Yepes

wikipedia_title: Tomás Yepes


text:
rock
Red Hot Chili Peppers
I'm with You
The Getaway
b-sides
I'm Beside You
John Frusciante
Rock and Roll Hall of Fame
Red Hot Chili Peppers
Stevie Wonder
alternative rock
Dot Hacker
Gnarls Barkley
Ataxia
Warpaint
The Bicycle Thief
session musician
PJ Harvey
Beck
Butthole Surfers
Vincent Gallo
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Golden Shoulders
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California
Leon Klinghoffer
Palestinian Liberation Front
Los Angeles
The Bicycle Thief
Thelonious Monster
Bob Forrest
Red Hot Chili Peppers
Anthony Kiedis
You Come and Go Like a Pop Song
drug addiction
Californication
John Frusciante
Shadows Collide with People
The Will to Death
Inside of Emptiness
The Empyrean
A Sphere in the Heart of Silence
Fugazi
Joe Lally
Automatic Writing
AW II
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Ron Wood
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MusiCares
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A Man Needs a Maid
Lakers
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world tour
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Starcaster
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Fender Jaguar
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Telecaster
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soviet
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Electro-Harmonix Deluxe Memory Man
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Death by Audio Interstellar Overdriver
Xotic Effects EP Booster
Boss DM-2
Boss DD-3
Boss DD-6
Boss VB-2
Boss CE-2
Boss RV-5
Boss DS-2
Boss FS-5L
Tone Bender MK 1.5
Klon Centaur
Robot Pedal Factory Brain Freeze
Electro-Harmonix B9 Organ Machine
Ibanez AF201
BS10 Bass Stack
Xotic Effects SP Compressor
Wampler Tumnus
JHS Firefly Fuzz
Boss SP-1
Line 6 FM4 Filter Modeler
EHX Cathedral
Electro-Harmonix Memory Boy
EarthQuaker Devices Dispatch Master
Boss PS-3
Electro-Harmonix Holy Grail Reverb
Misty Cave Echo
Marshall Major
Fender Tone-Master
The Bicycle Thief
Vincent Gallo
Butthole Surfers
Beck
Golden Shoulders
PJ Harvey
Sparks
Gnarls Barkley
Red Hot Chili Peppers
Bob Forrest
You Come and Go Like a Pop Song
The Bicycle Thief
California Clam Chowder
Thelonious Monster
Bob and the Monster
Dot Hacker
Dot Hacker
Inhibition
How's Your Process?
N°3
Golden Shoulders
John Frusciante
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The Will to Death
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Ataxia
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A Sphere in the Heart of Silence
AW II
The Empyrean
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Jeepster
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Official Bootlegs
2011 Live EP
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I'm with You Sessions
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Live in Paris EP
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Gemma Hayes
The Format
The Peel Sessions 1991-2004
PJ Harvey
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The Odd Couple
Gnarls Barkley
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Exquisite Corpse
Warpaint
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Paul Oakenfold
Sophie Hunger
Emmaar
Tinariwen
Nate Ruess
Nate Ruess
Josh Klinghoffer Fansite

categories: Guitarists from Los Angeles,Ataxia (band) members,Red Hot Chili Peppers members,American rock guitarists,Butthole Surfers members,1979 births,American multi-instrumentalists,Living people,American male guitarists

paragraph: Josh Klinghoffer

paragraph: Joshua Adam Klinghoffer (born October 3, 1979) is an American musician best known as the current guitarist for the rock band Red Hot Chili Peppers, with whom he has recorded two studio albums, "I'm with You" (2011) and "The Getaway" (2016), and the b-sides compilation, "I'm Beside You" (2013). Klinghoffer took the place of his friend and frequent collaborator John Frusciante in 2009, after a period as a touring member.

paragraph: Klinghoffer was inducted into the Rock and Roll Hall of Fame with the Red Hot Chili Peppers in 2012, becoming the Hall of Fame's youngest-ever living inductee at age 32, passing Stevie Wonder, who was 38 when he was inducted.

paragraph: A multi-instrumentalist, Klinghoffer also fronts the alternative rock band Dot Hacker, a group made up of former touring members of Gnarls Barkley, of which Klinghoffer was a member from 2006-2008. He is also a former member of the bands Ataxia, Warpaint and The Bicycle Thief. Klinghoffer most commonly plays guitar or drums, and sings backup as well as lead vocals. He has also both recorded and toured as a session musician with notable artists including PJ Harvey, Beck, the Butthole Surfers, Vincent Gallo, Sparks and Golden Shoulders.

paragraph: Section::::Life and career.

paragraph: Klinghoffer was born on 3 October 1979 in Los Angeles, California. Klinghoffer took drum lessons when he was nine, and taught himself guitar and keyboards. He is a relative of the late Leon Klinghoffer who was murdered by the Palestinian Liberation Front in 1985.

paragraph: Section::::Life and career.:Early career and The Bicycle Thief (1995–2001).

paragraph: Dropping out of formal education at the age of 15, Klinghoffer became involved in performing and recording music in Los Angeles at an early age. Klinghoffer describes himself at this time as "[the] little music dork who lived around the corner, dropped out of high school, and was just playing guitar all day long." In 1997, at the age of seventeen, Klinghoffer joined The Bicycle Thief, the then-current project from former Thelonious Monster frontman Bob Forrest. Red Hot Chili Peppers vocalist Anthony Kiedis noted that "Bob [Forrest] has always had a very keen sensibility about finding extremely talented and down-to-earth people who just want to get to a kitchen and write a song." The band's subsequent studio album, "You Come and Go Like a Pop Song", marked Klinghoffer's first recording experience. Regarding bandmate Forrest's notorious drug addiction, which arguably stalled Thelonious Monster's commercial success, Klinghoffer stated at this time that he: "Pretty much had enough confidence in myself to know that I wasn't gonna be 'the next Bob Forrest'." It was during the recording of Bicycle Thief album that Josh first met John Frusciante, who came in to record a guitar solo. The two eventually began to hang out and listen to music together at Frusciante's home.

paragraph: In 2000, The Bicycle Thief opened for Red Hot Chili Peppers, as the latter toured in support of their seventh studio album, "Californication".

paragraph: Section::::Life and career.:John Frusciante and Ataxia (2002–2004).

paragraph: Klinghoffer and then-Red Hot Chili Peppers guitarist John Frusciante began writing together in 2002, with the hopes of recording and releasing an album under a band name. This album was eventually released as a John Frusciante solo release in 2004, entitled "Shadows Collide with People". Regarding this decision, Frusciante stated:

paragraph: During the first six months of 2004, Klinghoffer continued to assist Frusciante in the studio. Klinghoffer's drums, bass, vocals, keyboards, and/or guitar can be heard on the full-length albums "The Will to Death", "Inside of Emptiness", and in 2009's "The Empyrean". 2004's "A Sphere in the Heart of Silence" is also credited to both musicians, and features several tracks with Klinghoffer on vocals, lead guitar, synthesizers and sequencing. He plays drums along with Frusciante and Fugazi bassist Joe Lally in "Automatic Writing" and "AW II", under the name Ataxia.

paragraph: Frusciante commented on his relationship with Klinghoffer in 2004 stating: "He's simply a very talented person and has been a very close friend for the past four years. He's one of the very few people who I really like to spend a lot of time with. In many respects he's the person who is closest to me, and with whom I can speak honestly about everything. His opinion is very important to me and I value it a lot."

paragraph: In 2004, Klinghoffer also appeared on former bandmate Bob Forrest's latest studio album with Thelonious Monster, "California Clam Chowder".

paragraph: Section::::Life and career.:Gnarls Barkley (2006–2008).

paragraph: Klinghoffer was a touring and session musician for Gnarls Barkley. Klinghoffer appeared on the band's second album, 2008's "The Odd Couple" and was part of the band's touring lineup to support their first two studio albums which also included an opening slot for the Red Hot Chili Peppers on their "Stadium Arcadium tour", a tour Klinghoffer would eventually join as a backing musician in 2007.

paragraph: Section::::Life and career.:Dot Hacker (2008–present).

paragraph: Klinghoffer founded his own band, Dot Hacker, in 2008, where he holds the position of primary songwriter, singer, rhythm guitarist and pianist. The group is made up of former touring musicians for Gnarls Barkley. In 2012, they released their first full-length album, Inhibition. The title track to Inhibition was first played in a Bob Forrest radio show. A previously unreleased track, "Rewire", is also included in the digital-only 4-song Dot Hacker EP.

paragraph: Dot Hacker released the first of two new albums, 'How's Your Process (Work)', on 1 July 2014, with the second album, 'How's Your Process (Play)' due to be released later in 2014. The band has played at The Chapel, San Francisco in July 2014 and are due to play in Los Angeles in August 2014. The band announced plans to play Tokyo in February 2015 in support of the two albums. This will be their first time performing outside of the United States. Dot Hacker released their third album, "N°3", on January 20, 2017.

paragraph: Section::::Life and career.:Red Hot Chili Peppers (2007–present).

paragraph: In 2007, Klinghoffer played with Red Hot Chili Peppers on the final few legs of their "Stadium Arcadium" tour, playing additional guitar, backing vocals, and keyboard parts alongside the band. This tour would ultimately be John Frusciante's last with the band, and Klinghoffer's first. On May 8, 2009, amidst confusion as to whether Frusciante still remained within Red Hot Chili Peppers, Klinghoffer, Anthony Kiedis, Flea, Chad Smith, Ron Wood and Ivan Neville performed under the name The Insects at a MusiCares in honor of Kiedis's commitment to helping those struggling with addiction and recovery.

paragraph: In 2009, the Chili Peppers ended a two-year hiatus, and were joined by Klinghoffer in the studio to begin work on their tenth album, "I'm with You". At the time, unbeknownst to the public, Frusciante had already quit the band earlier that year without announcing his departure. In January 2010, Klinghoffer performed with the band for the first time as their lead guitarist at a MusiCares tribute event to Neil Young for a performance of Young's "A Man Needs a Maid." It was later revealed he would permanently replace Frusciante as guitarist. Klinghoffer was officially named the replacement for John Frusciante in early 2010. Regarding his entry into the band, Klinghoffer notes, "I've always been attracted to the idea of a tight-knit unit, a band of family, a brotherhood. Since my earliest memory, they always seemed like a band with a lot of love for each other."

paragraph: In May 2010, Klinghoffer along with Flea performed the United States national anthem at a Lakers home playoff game during the NBA Western Conference Finals series against the Phoenix Suns.

paragraph: After eleven months of writing and rehearsing, the Chili Peppers began recording a new album, "I'm with You", on September 13, 2010. Klinghoffer also sang, wrote music and played keyboards on the album. Recording was completed on March 18, 2011 and the album was released on August 29, 2011. The album's first single was "The Adventures of Rain Dance Maggie".

paragraph: In 2011, Klinghoffer wrote and performed the original score for the documentary "Bob and the Monster". Klinghoffer also appears in the documentary, which is based on the life and career of musician and drug counselor Bob Forrest. Klinghoffer was said to have recorded on at least one track on former Jane's Addiction bassist Eric Avery's second solo album, however LIFE.TIME. did not include it. On July 10, 2011, Klinghoffer appeared at the 2011 School of Rock's Rock the House Tour which also featured Keith Morris and Page Hamilton. Klinghoffer joined the School of Rock kids on stage to perform Red Hot Chili Peppers songs "Dani California" and "Give It Away". This was the first time he performed any of the Chili Peppers' songs live since officially joining the band as their guitarist.

paragraph: In April 2012, Klinghoffer was inducted into the Rock and Roll Hall of Fame as a member of the Red Hot Chili Peppers. At 32 years of age, Klinghoffer is the youngest artist ever inducted, surpassing Stevie Wonder, who was 38 when he was inducted.

paragraph: In January 2015, Klinghoffer returned to the studio with the Chili Peppers to begin work on their eleventh studio album which would be produced by Gnarls Barkley's Danger Mouse. Recording was put on hold the following month when bassist Flea suffered an injury during a skiing trip. Production resumed in August 2015 and "The Getaway" was released on June 17, 2016 which was followed by an extensive world tour that concluded on October 2017. As of November 2018, the Red Hot Chili Peppers are in the process of working on their twelfth studio album which they expect to release in 2019.

paragraph: Section::::Instruments and sound.

paragraph: Section::::Instruments and sound.:Guitars.

paragraph: Klinghoffer has used a wide variety of instruments over the course of his career, but he generally prefers Fender Stratocasters.

paragraph: Currently, he takes these guitars on tour:

paragraph: BULLET::::- "Dashiell", a sunburst 1960 Stratocaster

paragraph: BULLET::::- "Chick", a sunburst 1959 Stratocaster

paragraph: BULLET::::- "Gus", a black 1974 Stratocaster with a hardtail bridge

paragraph: BULLET::::- "Monty", a pink Fender Custom Shop Master Built Stratocaster

paragraph: BULLET::::- A white Fender Custom Shop Stratocaster with a gold pickguard

paragraph: BULLET::::- A sunburst 1967 Telecaster, a gift from John Frusciante

paragraph: BULLET::::- A black 1974 Starcaster tuned to E-flat

paragraph: BULLET::::- "White Chicken", a white semi-hollow Fender Custom Shop one-off

paragraph: BULLET::::- A sunburst 1965 Firebird VII

paragraph: BULLET::::- A sunburst 1966 Firebird V-12

paragraph: Klinghoffer has also previously used:

paragraph: BULLET::::- Chad Smith's tobacco sunburst 1963 Stratocaster

paragraph: BULLET::::- A black 1966 Stratocaster with a 1968 neck

paragraph: BULLET::::- A white Gretsch White Penguin

paragraph: BULLET::::- An early 1970s Gibson ES-335

paragraph: BULLET::::- A 'custom color' 1964 Fender Jaguar

paragraph: BULLET::::- A burnt orange Fender Coronado 12-string

paragraph: BULLET::::- A "Fool's Telemaster" (Telecaster/Jazzmaster hybrid)

paragraph: BULLET::::- A late 1970s soviet electric guitar Ural 650A

paragraph: Section::::Instruments and sound.:Effects.

paragraph: Klinghoffer regularly changes his effects setup, but as of early 2017, his pedal board consists of:

paragraph: BULLET::::- Catalinbread CSIDMAN glitch/stutter delay

paragraph: BULLET::::- Electro-Harmonix Deluxe Memory Man

paragraph: BULLET::::- Holy Grail Nano

paragraph: BULLET::::- Death by Audio Interstellar Overdriver

paragraph: BULLET::::- Xotic Effects EP Booster

paragraph: BULLET::::- Boss DM-2 delay

paragraph: BULLET::::- Boss DD-3 delay

paragraph: BULLET::::- Boss DD-6 delay

paragraph: BULLET::::- Boss VB-2 vibrato

paragraph: BULLET::::- Boss CE-2 chorus

paragraph: BULLET::::- Boss RV-5 reverb

paragraph: BULLET::::- Boss DS-2 distortion

paragraph: BULLET::::- Boss FS-5L footswitch

paragraph: BULLET::::- Tone Bender MK 1.5

paragraph: BULLET::::- Klon Centaur

paragraph: BULLET::::- Robot Pedal Factory Brain Freeze filter

paragraph: BULLET::::- Electro-Harmonix B9 Organ Machine

paragraph: BULLET::::- Ibanez AF201 auto filter

paragraph: BULLET::::- BS10 Bass Stack stomps

paragraph: BULLET::::- Xotic Effects SP Compressor

paragraph: BULLET::::- Wampler Tumnus

paragraph: BULLET::::- JHS Firefly Fuzz

paragraph: BULLET::::- Boss SP-1 Spectrum parametric EQ

paragraph: BULLET::::- Line 6 FM4 Filter Modeler

paragraph: BULLET::::- EHX Cathedral

paragraph: BULLET::::- Electro-Harmonix Memory Boy

paragraph: BULLET::::- EarthQuaker Devices Dispatch Master

paragraph: BULLET::::- Boss PS-3 Pitch Shifter/Delay

paragraph: BULLET::::- Electro-Harmonix Holy Grail Reverb

paragraph: BULLET::::- Misty Cave Echo

paragraph: Section::::Instruments and sound.:Amplifiers.

paragraph: As of early 2017, Josh Klinghoffer uses two amplifiers for touring - a 1970's Marshall Major for his low end, and a Fender Tone-Master for his high end.

paragraph: Section::::Tours.

paragraph: BULLET::::- The Bicycle Thief (2000) - guitar

paragraph: BULLET::::- Vincent Gallo (2001) - guitar, bass, piano

paragraph: BULLET::::- Butthole Surfers (2001) - guitar

paragraph: BULLET::::- Beck (2003) - guitar

paragraph: BULLET::::- Golden Shoulders (2003) - bass

paragraph: BULLET::::- PJ Harvey (2004) - guitar, drums

paragraph: BULLET::::- Sparks (2006-2008) - guitar

paragraph: BULLET::::- Gnarls Barkley (2006–2008) - guitar, synthesiser, vocals

paragraph: BULLET::::- Red Hot Chili Peppers (2007, official member 2008-present) - guitar, vocals, synthesiser, drums, percussion

paragraph: Section::::Discography.

paragraph: BULLET::::- with Bob Forrest

paragraph: BULLET::::- "You Come and Go Like a Pop Song" as The Bicycle Thief (1999)

paragraph: BULLET::::- "California Clam Chowder" as Thelonious Monster (2004)

paragraph: BULLET::::- "Modern Folk and Blues: Wednesday" as Bob Forrest (2006)

paragraph: BULLET::::- "Bob and the Monster" Original Score as Josh Klinghoffer (2013)

paragraph: BULLET::::- "Rare" as The Bicycle Thief (2014)

paragraph: BULLET::::- with Dot Hacker

paragraph: BULLET::::- "Dot Hacker" EP (2012)

paragraph: BULLET::::- "Inhibition" (2012)

paragraph: BULLET::::- ""Whatever You Want" / "Memory"" 12" single (2014)

paragraph: BULLET::::- "How's Your Process?" (Work & Play)" (2014)

paragraph: BULLET::::- "N°3" (2017)

paragraph: BULLET::::- with Golden Shoulders

paragraph: BULLET::::- "Let My Burden Be" (2002)

paragraph: BULLET::::- "Friendship Is Deep" (2004)

paragraph: BULLET::::- "Get Reasonable" (2009)

paragraph: BULLET::::- with John Frusciante

paragraph: BULLET::::- "Shadows Collide With People" (2004)

paragraph: BULLET::::- "The Will to Death" (2004)

paragraph: BULLET::::- "Automatic Writing" as Ataxia (2004)

paragraph: BULLET::::- "Inside of Emptiness" (2004)

paragraph: BULLET::::- "A Sphere in the Heart of Silence" (2004) (credited to both Frusciante and Klinghoffer)

paragraph: BULLET::::- "AW II" as Ataxia (2007)

paragraph: BULLET::::- "The Empyrean" (2009)

paragraph: BULLET::::- with Chad Smith

paragraph: BULLET::::- "Jeepster/Monolith" (2019) (Record Store Day exclusive 7")

paragraph: BULLET::::- with Pluralone

paragraph: BULLET::::- Io Sono Quel Che Sono/Menina Mulher Da Pele Preta 7" (2019)

paragraph: BULLET::::- with Red Hot Chili Peppers

paragraph: BULLET::::- "I'm with You" (2011)

paragraph: BULLET::::- "" (2011)

paragraph: BULLET::::- "Official Bootlegs" (2011-onward)

paragraph: BULLET::::- "2011 Live EP" (2012)

paragraph: BULLET::::- "Rock & Roll Hall of Fame Covers EP" (2012)

paragraph: BULLET::::- "I'm with You Sessions" (2012-2013)

paragraph: BULLET::::- "I'm Beside You" (2013)

paragraph: BULLET::::- "The Getaway" (2016)

paragraph: BULLET::::- "Live in Paris EP" (2016)

paragraph: BULLET::::- Other appearances

paragraph: BULLET::::- "Song Yet to Be Sung" – Perry Farrell (2001)

paragraph: BULLET::::- "Blowback" – Tricky (2001)

paragraph: BULLET::::- "The Roads Don't Love You" – Gemma Hayes (2005)

paragraph: BULLET::::- "Dog Problems" – The Format (2006)

paragraph: BULLET::::- "The Peel Sessions 1991-2004" – PJ Harvey (2006)

paragraph: BULLET::::- "A Loveletter to the Transformer / The Diary of Ic Explura Pt. 1" – Toni Oswald (2007)

paragraph: BULLET::::- "Nun Lover!" – Spleen (2007)

paragraph: BULLET::::- "The Deep Blue" – Charlotte Hatherley (2007)

paragraph: BULLET::::- "Stainless Style" – Neon Neon (2008)

paragraph: BULLET::::- "The Odd Couple" – Gnarls Barkley (2008)

paragraph: BULLET::::- "The Blue God" – Martina Topley-Bird (2008)

paragraph: BULLET::::- "Exquisite Corpse" – Warpaint (2008)

paragraph: BULLET::::- "Chains" – Pocahaunted (2008)

paragraph: BULLET::::- "The Silence of Love" – Headless Heroes (2008)

paragraph: BULLET::::- "The Last Laugh" – Joker's Daughter (2009)

paragraph: BULLET::::- "GJ and the PimpKillers" – Bambi Lee Savage (2009)

paragraph: BULLET::::- "Pop Killer" – Paul Oakenfold (2010)

paragraph: BULLET::::- "The Danger of Light" – Sophie Hunger (2012)

paragraph: BULLET::::- "Emmaar" – Tinariwen (2014)

paragraph: BULLET::::- "Nothing Without Love" - Nate Ruess (2015)

paragraph: BULLET::::- "AhHa" - Nate Ruess (2015)

paragraph: Section::::External links.

paragraph: BULLET::::- Josh Klinghoffer Fansite

description: American musician

wikidata_label: Josh Klinghoffer

wikipedia_title: Josh Klinghoffer