Gormley's career began with a solo exhibition at the Whitechapel Art Gallery in 1981.
Almost all his work takes the human body as its subject, with his own body used in many works as the basis for metal casts.

Gormley describes his work as "an attempt to materialise the place at the other side of appearance where we all live."
Many of his works are based on moulds taken from his own body, or "the closest experience of matter that I will ever have and the only part of the material world that I live inside."
His work attempts to treat the body not as an object but a place and in making works that enclose the space of a particular body to identify a condition common to all human beings.
The work is not symbolic but indexical – a trace of a real event of a real body in time.

The 2006 Sydney Biennale featured Gormley's Asian Field, an installation of 180,000 small clay figurines crafted by 350 Chinese villagers in five days from 100 tons of red clay.
The appropriation of others' works caused minor controversy and some of the figurines were stolen in protest.
Also in 2006, the burning of Gormley's 25-metre high The Waste Man formed the zenith of the Margate Exodus.

In 2007, Gormley's Event Horizon, consisting of 31 life-size and anatomically correct casts of his body, four in cast iron and 27 in fiberglass, was installed on top of prominent buildings along London's South Bank, and installed in locations around New York City's Madison Square in 2010.
 Gormley said of the New York site that "Within the condensed environment of Manhattan's topography, the level of tension between the palpable, the perceivable and the imaginable is heightened because of the density and scale of the buildings" and that in this context, the project should "activate the skyline in order to encourage people to look around.
 In this process of looking and finding, or looking and seeking, one perhaps re-assess one's own position in the world and becomes aware of one's status of embedment."
 Critic Howard Halle said that "Using distance and attendant shifts of scale within the very fabric of the city, [Event Horizon] creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails."

In July 2009, Gormley presented One & Other, a Fourth Plinth commission, an invitation for members of the public, chosen by lot, to spend one hour on the vacant plinth in Trafalgar Square in  London.
This "living art" happening initially attracted much media attention.
It even became a topic of discussion on the long-running BBC radio drama series The Archers, where Gormley made an appearance as himself.

In 2012, Gormley began making sculptures that could be termed as "digital-cubism".
Through solid steel cubes the human form is rendered into an array of different postures and poses, boldly standing in a white gallery space.

In March 2014 Gormley appeared in the BBC Four series What Do Artists Do All Day?
in an episode which followed him and his team in their Kings Cross studio, preparing a new work – a group of 60 enormous steel figures – called Expansion Field.
The work was shown at the Zentrum Paul Klee in Bern.

In May 2015 five life-sized sculptures, Land, were placed near the centre and at four compass points of the UK in a commission by the Landmark Trust to celebrate its 50th anniversary.
They are at Lowsonford (Warwickshire), Lundy (Bristol Channel), Saddell Bay (Scotland), the Martello Tower (Aldeburgh, Suffolk), and Clavell Tower (Kimmeridge Bay, Dorset).
The Dorset sculpture was knocked over into Kimmeridge Bay by a storm in September 2015.


On 6 September 2015, Another Place saw its 10th anniversary at Crosby Beach in Liverpool.
Talking of their 10th birthday.

I'm just delighted by the barnacles!

Every time I'm there, just like any other visitor, you're encouraged to linger a bit longer seeing the tide come in and how many of them disappear.
And then you're encouraged to linger further until they're revealed again.

In September 2015, Gormley had his first sculpture installed in New Zealand.
Stay are iden
Gormley's career began with a solo exhibition at the Whitechapel Art Gallery in 1981. Almost all his work takes the human body as its subject, with his own body used in many works as the basis for metal casts.
Gormley describes his work as "an attempt to materialise the place at the other side of appearance where we all live." Many of his works are based on moulds taken from his own body, or "the closest experience of matter that I will ever have and the only part of the material world that I live inside." His work attempts to treat the body not as an object but a place and in making works that enclose the space of a particular body to identify a condition common to all human beings. The work is not symbolic but indexical – a trace of a real event of a real body in time.
The 2006 Sydney Biennale featured Gormley's Asian Field, an installation of 180,000 small clay figurines crafted by 350 Chinese villagers in five days from 100 tons of red clay. The appropriation of others' works caused minor controversy and some of the figurines were stolen in protest. Also in 2006, the burning of Gormley's 25-metre high The Waste Man formed the zenith of the Margate Exodus.
In 2007, Gormley's Event Horizon, consisting of 31 life-size and anatomically correct casts of his body, four in cast iron and 27 in fiberglass, was installed on top of prominent buildings along London's South Bank, and installed in locations around New York City's Madison Square in 2010.  Gormley said of the New York site that "Within the condensed environment of Manhattan's topography, the level of tension between the palpable, the perceivable and the imaginable is heightened because of the density and scale of the buildings" and that in this context, the project should "activate the skyline in order to encourage people to look around.  In this process of looking and finding, or looking and seeking, one perhaps re-assess one's own position in the world and becomes aware of one's status of embedment."  Critic Howard Halle said that "Using distance and attendant shifts of scale within the very fabric of the city, [Event Horizon] creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails."
In July 2009, Gormley presented One & Other, a Fourth Plinth commission, an invitation for members of the public, chosen by lot, to spend one hour on the vacant plinth in Trafalgar Square in  London. This "living art" happening initially attracted much media attention. It even became a topic of discussion on the long-running BBC radio drama series The Archers, where Gormley made an appearance as himself.
In 2012, Gormley began making sculptures that could be termed as "digital-cubism". Through solid steel cubes the human form is rendered into an array of different postures and poses, boldly standing in a white gallery space.
In March 2014 Gormley appeared in the BBC Four series What Do Artists Do All Day? in an episode which followed him and his team in their Kings Cross studio, preparing a new work – a group of 60 enormous steel figures – called Expansion Field. The work was shown at the Zentrum Paul Klee in Bern.
In May 2015 five life-sized sculptures, Land, were placed near the centre and at four compass points of the UK in a commission by the Landmark Trust to celebrate its 50th anniversary. They are at Lowsonford (Warwickshire), Lundy (Bristol Channel), Saddell Bay (Scotland), the Martello Tower (Aldeburgh, Suffolk), and Clavell Tower (Kimmeridge Bay, Dorset). The Dorset sculpture was knocked over into Kimmeridge Bay by a storm in September 2015.

On 6 September 2015, Another Place saw its 10th anniversary at Crosby Beach in Liverpool. Talking of their 10th birthday.
I'm just delighted by the barnacles!
Every time I'm there, just like any other visitor, you're encouraged to linger a bit longer seeing the tide come in and how many of them disappear. And then you're encouraged to linger further until they're revealed again.
In September 2015, Gormley had his first sculpture installed in New Zealand. Stay are iden
Antony Gormley