Salzburg Cathedral is located adjacent to Residenzplatz and Domplatz in the Altstadt (Old Town) area of the city.
The Domplatz is accessed by three open arcade arches in the north, south, and west.
These "cathedral arches" unite the cathedral with the Salzburg Residenz and St. Peter's Abbey to form a unique enclosed square measuring 101 meters long and 69 meters wide, with walls 81 meters high.

The Domplatz is dominated by the Maria Immaculata (Immaculate Mary) column, commissioned by Archbishop Sigismund von Schrattenbach and executed by the brothers Wolfgang and Johann-Baptist Hagenauer between 1766 and 1771.
Modeled after similar columns in Vienna and Munich and constructed of marble and cast iron, the Maria Immaculata depicts the Virgin Mary enthroned on a mountain of clouds made of Untersberg marble and a globe.
 The central Marian figure is surrounded on four sides by allegoric figures representing angels, the devil, wisdom, and the Church.
 According to a plaque on the side of the cathedral, the figure group shows reactions to the mystery of the Immaculate Conception—the angels are delighted, human wisdom vanishes, the envious devil growls, and the triumphant Church rejoices.
When viewed from the center of the arcades at the back of Domplatz, the classicist column is positioned in the central axis of the cathedral and shows the central Marian figure surrounded by the angels on the cathedral façade and seems to wear the crown mounted on the building.

The body of the church is made of dark grey stone with ornamentation and façade of bright Untersberg marble.
The richly decorated façade is framed by two towers and topped by a curved gable.
The north tower houses an old oven used for baking communion bread.
The façade is divided into three horizontal sections.
The lower section has three high round arches or portals that provide access to three bronze doors.
The portals are flanked by four large sculpted figures representing the diocesean and cathedral patrons.
Mitred figures of Saint Rupert holding a salt barrel and Saint Virgilius holding a church were created c. 1660 by Bartholomäus van Opstal and flank figures of Saint Peter holding keys and Saint Paul holding a sword, sculpted c. 1697 by Bernhard Michael Mandl, who also created all the pedestals.
The bases bear the arms of the Prince Archbishop Guidobald von Thun and Prince Archbishop Johann Ernst von Thun.

Along the balustrade above the entrance are statues of the four evangelists—Saint Matthew, Saint Mark, Saint Luke, and Saint John—who represent the salvation offered through their preaching.
The pediments over the three windows behind the evangelists depict a lion and an ibex, the animals depicted in the coats of arms above.
 Above the center window,  a golden crown aligns with the Marian column in the Domplatz.
The top section tympanum bears the arms of the builders of the cathedral, Markus Sittikus and Paris Londron.
The figure group on the pediment represents the Transfiguration of Jesus on Mount Tabor, showing Christ as Salvator Mundi, with Moses holding the tablets on the left and the prophet Elijah to the right.
The three statues were created in 1660 by Tommaso di Garona, the mason who built the Residenz Fountain.

The three bronze gates inside the portals date from 1957 and 1958 and represent the three divine virtues (Göttliche Tugenden) of faith, hope, and love.
The Tor des Glaubens (gate of faith) on the left was created by Toni Schneider-Manzell (1911-1996), the central Tor der Liebe (gate of love) was created by Giacomo Manzù (1908-1991), and the Tor der Hoffnung (gate of hope) on the right was created by Ewald Mataré (1887-1965).
Salzburg Cathedral is located adjacent to Residenzplatz and Domplatz in the Altstadt (Old Town) area of the city. The Domplatz is accessed by three open arcade arches in the north, south, and west. These "cathedral arches" unite the cathedral with the Salzburg Residenz and St. Peter's Abbey to form a unique enclosed square measuring 101 meters long and 69 meters wide, with walls 81 meters high.
The Domplatz is dominated by the Maria Immaculata (Immaculate Mary) column, commissioned by Archbishop Sigismund von Schrattenbach and executed by the brothers Wolfgang and Johann-Baptist Hagenauer between 1766 and 1771. Modeled after similar columns in Vienna and Munich and constructed of marble and cast iron, the Maria Immaculata depicts the Virgin Mary enthroned on a mountain of clouds made of Untersberg marble and a globe.  The central Marian figure is surrounded on four sides by allegoric figures representing angels, the devil, wisdom, and the Church.  According to a plaque on the side of the cathedral, the figure group shows reactions to the mystery of the Immaculate Conception—the angels are delighted, human wisdom vanishes, the envious devil growls, and the triumphant Church rejoices. When viewed from the center of the arcades at the back of Domplatz, the classicist column is positioned in the central axis of the cathedral and shows the central Marian figure surrounded by the angels on the cathedral façade and seems to wear the crown mounted on the building.
The body of the church is made of dark grey stone with ornamentation and façade of bright Untersberg marble. The richly decorated façade is framed by two towers and topped by a curved gable. The north tower houses an old oven used for baking communion bread. The façade is divided into three horizontal sections. The lower section has three high round arches or portals that provide access to three bronze doors. The portals are flanked by four large sculpted figures representing the diocesean and cathedral patrons. Mitred figures of Saint Rupert holding a salt barrel and Saint Virgilius holding a church were created c. 1660 by Bartholomäus van Opstal and flank figures of Saint Peter holding keys and Saint Paul holding a sword, sculpted c. 1697 by Bernhard Michael Mandl, who also created all the pedestals. The bases bear the arms of the Prince Archbishop Guidobald von Thun and Prince Archbishop Johann Ernst von Thun.
Along the balustrade above the entrance are statues of the four evangelists—Saint Matthew, Saint Mark, Saint Luke, and Saint John—who represent the salvation offered through their preaching. The pediments over the three windows behind the evangelists depict a lion and an ibex, the animals depicted in the coats of arms above.  Above the center window,  a golden crown aligns with the Marian column in the Domplatz. The top section tympanum bears the arms of the builders of the cathedral, Markus Sittikus and Paris Londron. The figure group on the pediment represents the Transfiguration of Jesus on Mount Tabor, showing Christ as Salvator Mundi, with Moses holding the tablets on the left and the prophet Elijah to the right. The three statues were created in 1660 by Tommaso di Garona, the mason who built the Residenz Fountain.
The three bronze gates inside the portals date from 1957 and 1958 and represent the three divine virtues (Göttliche Tugenden) of faith, hope, and love. The Tor des Glaubens (gate of faith) on the left was created by Toni Schneider-Manzell (1911-1996), the central Tor der Liebe (gate of love) was created by Giacomo Manzù (1908-1991), and the Tor der Hoffnung (gate of hope) on the right was created by Ewald Mataré (1887-1965).
Salzburg Cathedral