Rammstein's sound has primarily been described as Neue Deutsche Härte, industrial metal, hard rock, and gothic metal, while also being described as nu metal, alternative metal, symphonic metal, progressive metal, and "techno-metal".
Rammstein's style has received positive feedback from critics.
New Zealand's Southland Times (17 December 1999) suggested that Till Lindemann's "booming, sub-sonic voice" would send "the peasants fleeing into their barns and bolting their doors", while The New York Times (9 January 2005) commented that on the stage, "Mr. Lindemann gave off an air of such brute masculinity and barely contained violence that it seemed that he could have reached into the crowd, snatched up a fan, and bitten off his head".
Stephen Thomas Erlewine of AllMusic commented that "their blend of industrial noise, grinding metal guitars, and operatic vocals is staggeringly powerful". "
We just push boundaries", said Till Lindemann in an interview with rock magazine Kerrang!, "
We cannot help it if people don't like those boundaries being pushed".

Nearly all of Rammstein's songs are in German.
Songs they have recorded entirely or partly in English include: a cover of Depeche Mode's 1986 song "Stripped" and English renditions of "Engel", "Du hast", and "Amerika".
The original version of "Amerika" as well as "Stirb nicht vor mir (Don't Die Before I Do)" and "Pussy" also contain some lyrics in English.
The song "Moskau" ("Moscow") contains a chorus in Russian, and Till Lindemann has an unofficial song called "Schtiel" (cover of song "Штиль"("Shtil") by Russian popular heavy metal band "Aria") entirely in Russian. "
Te quiero puta!"
is entirely in Spanish, "Frühling in Paris" has a chorus in French, "Zeig dich" contains lyrics in Latin performed by a choir and "Ausländer" has lyrics in English, French, Spanish, Italian, and Russian.
Oliver Riedel commented that "[the] German language suits heavy metal music.
French might be the language of love, but German is the language of anger".
In an interview with Ultimate Guitar, when asked whether Rammstein would ever create an original song entirely in English, Till Lindemann stated that 'Rammstein will never write a song in English, it's like asking Buddha to kill a pig'.

The band's lyrics, as sung by Till Lindemann, are an essential element of their music, and shape the perception by fans and a wider public.
Among other things that are seen as controversial, Rammstein also refers to classical German literature, e.g. Johann Wolfgang von Goethe's famous poems Der Erlkönig (1778) and Das Heidenröslein (1771) for the songs "Dalai Lama" and "Rosenrot", respectively.
Several of their songs are related to controversial and taboo subjects such as sadomasochism, homosexuality, intersexuality, incest, pedophilia, necrophilia, cannibalism, pyromania, religion and sexual violence.
Also several of their songs are allegedly inspired by real-life events.
These songs include "Rammstein" (Ramstein airshow disaster), "Mein Teil" (The Meiwes Case), "Wiener Blut" (Fritzl case) and "Donaukinder" (2000 Baia Mare cyanide spill).
Their fourth album, Reise, Reise, is loosely inspired by the crash of Japan Airlines Flight 123.
The band have also occasionally delved into politics with their lyrics. "
Amerika" is a critic of the cultural and political imperialism of the United States all over the world.
The lyrics of the song "Deutschland" contain the lines "Deutschland! /
Meine Liebe / kann ich dir nicht geben" (Germany! /
My love / [is what] I cannot give you), which conveys the band's inability to have unquestioned patriotic feelings.
Rammstein's sound has primarily been described as Neue Deutsche Härte, industrial metal, hard rock, and gothic metal, while also being described as nu metal, alternative metal, symphonic metal, progressive metal, and "techno-metal". Rammstein's style has received positive feedback from critics. New Zealand's Southland Times (17 December 1999) suggested that Till Lindemann's "booming, sub-sonic voice" would send "the peasants fleeing into their barns and bolting their doors", while The New York Times (9 January 2005) commented that on the stage, "Mr. Lindemann gave off an air of such brute masculinity and barely contained violence that it seemed that he could have reached into the crowd, snatched up a fan, and bitten off his head". Stephen Thomas Erlewine of AllMusic commented that "their blend of industrial noise, grinding metal guitars, and operatic vocals is staggeringly powerful". "We just push boundaries", said Till Lindemann in an interview with rock magazine Kerrang!, "We cannot help it if people don't like those boundaries being pushed".
Nearly all of Rammstein's songs are in German. Songs they have recorded entirely or partly in English include: a cover of Depeche Mode's 1986 song "Stripped" and English renditions of "Engel", "Du hast", and "Amerika". The original version of "Amerika" as well as "Stirb nicht vor mir (Don't Die Before I Do)" and "Pussy" also contain some lyrics in English. The song "Moskau" ("Moscow") contains a chorus in Russian, and Till Lindemann has an unofficial song called "Schtiel" (cover of song "Штиль"("Shtil") by Russian popular heavy metal band "Aria") entirely in Russian. "Te quiero puta!" is entirely in Spanish, "Frühling in Paris" has a chorus in French, "Zeig dich" contains lyrics in Latin performed by a choir and "Ausländer" has lyrics in English, French, Spanish, Italian, and Russian. Oliver Riedel commented that "[the] German language suits heavy metal music. French might be the language of love, but German is the language of anger". In an interview with Ultimate Guitar, when asked whether Rammstein would ever create an original song entirely in English, Till Lindemann stated that 'Rammstein will never write a song in English, it's like asking Buddha to kill a pig'.
The band's lyrics, as sung by Till Lindemann, are an essential element of their music, and shape the perception by fans and a wider public. Among other things that are seen as controversial, Rammstein also refers to classical German literature, e.g. Johann Wolfgang von Goethe's famous poems Der Erlkönig (1778) and Das Heidenröslein (1771) for the songs "Dalai Lama" and "Rosenrot", respectively. Several of their songs are related to controversial and taboo subjects such as sadomasochism, homosexuality, intersexuality, incest, pedophilia, necrophilia, cannibalism, pyromania, religion and sexual violence. Also several of their songs are allegedly inspired by real-life events. These songs include "Rammstein" (Ramstein airshow disaster), "Mein Teil" (The Meiwes Case), "Wiener Blut" (Fritzl case) and "Donaukinder" (2000 Baia Mare cyanide spill). Their fourth album, Reise, Reise, is loosely inspired by the crash of Japan Airlines Flight 123. The band have also occasionally delved into politics with their lyrics. "Amerika" is a critic of the cultural and political imperialism of the United States all over the world. The lyrics of the song "Deutschland" contain the lines "Deutschland! / Meine Liebe / kann ich dir nicht geben" (Germany! / My love / [is what] I cannot give you), which conveys the band's inability to have unquestioned patriotic feelings.
Rammstein