In 1968, Jimi Hendrix and his manager Michael Jeffery bought a newly defunct nightclub called The Generation in New York's Greenwich Village—a venue that Hendrix had frequented for jam sessions.
The Generation had been known for live acts as diverse and legendary as Big Brother & the Holding Company, B.B. King, Chuck Berry, Dave Van Ronk, Sly & the Family Stone, and John Fahey.
Instead of renaming the club and continuing with the live venue business model (Hendrix's original vision for the project), advisors Eddie Kramer and Jim Marron convinced Hendrix to convert the space into a professional recording studio, as studio fees for the lengthy Electric Ladyland sessions were astronomical, and Hendrix was constantly in search of a recording environment that suited him.
Architect and acoustician John Storyk designed each structural detail, and from there Electric Lady Studios were born.
It was the only artist-owned recording studio in existence at the time.

Construction of the studio took nearly double the amount of time and money planned: permits were delayed numerous times, the site flooded due to heavy rains during demolition, and sump pumps had to be installed (then soundproofed) after it was determined that the building sat on the tributary of an underground river, Minetta Creek.
A six-figure loan from Warner Brothers was required to save the project.

The studio was made specifically for Hendrix, with round windows and a machine capable of generating ambient lighting in myriad colors.
It was designed to have a relaxing feel to encourage Hendrix's creativity, but at the same time provide a professional recording atmosphere.
Engineer Kramer upheld this by refusing to allow any drug use during session work.
Artist Lance Jost painted the studio in a psychedelic space theme.
Jimi Hendrix hired Marron to manage the construction project and run the studio.

Hendrix spent only ten weeks recording in Electric Lady, most of which took place while the final phases of construction were still going on.
An opening party was held on August 26, 1970.
The following day Hendrix created his last studio recording: a cool and tranquil instrumental known only as "Slow Blues".
He then boarded an Air India flight for London to perform at the Isle of Wight Festival, and died less than three weeks later.
In 1968, Jimi Hendrix and his manager Michael Jeffery bought a newly defunct nightclub called The Generation in New York's Greenwich Village—a venue that Hendrix had frequented for jam sessions. The Generation had been known for live acts as diverse and legendary as Big Brother & the Holding Company, B.B. King, Chuck Berry, Dave Van Ronk, Sly & the Family Stone, and John Fahey. Instead of renaming the club and continuing with the live venue business model (Hendrix's original vision for the project), advisors Eddie Kramer and Jim Marron convinced Hendrix to convert the space into a professional recording studio, as studio fees for the lengthy Electric Ladyland sessions were astronomical, and Hendrix was constantly in search of a recording environment that suited him. Architect and acoustician John Storyk designed each structural detail, and from there Electric Lady Studios were born. It was the only artist-owned recording studio in existence at the time.
Construction of the studio took nearly double the amount of time and money planned: permits were delayed numerous times, the site flooded due to heavy rains during demolition, and sump pumps had to be installed (then soundproofed) after it was determined that the building sat on the tributary of an underground river, Minetta Creek. A six-figure loan from Warner Brothers was required to save the project.
The studio was made specifically for Hendrix, with round windows and a machine capable of generating ambient lighting in myriad colors. It was designed to have a relaxing feel to encourage Hendrix's creativity, but at the same time provide a professional recording atmosphere. Engineer Kramer upheld this by refusing to allow any drug use during session work. Artist Lance Jost painted the studio in a psychedelic space theme. Jimi Hendrix hired Marron to manage the construction project and run the studio.
Hendrix spent only ten weeks recording in Electric Lady, most of which took place while the final phases of construction were still going on. An opening party was held on August 26, 1970. The following day Hendrix created his last studio recording: a cool and tranquil instrumental known only as "Slow Blues". He then boarded an Air India flight for London to perform at the Isle of Wight Festival, and died less than three weeks later.
Electric Lady Studios