The architect Armand-Claude Molet possessed a property fronting on the road to the village of Roule, west of Paris (now the Rue du Faubourg Saint-Honoré), and backing onto royal property, the Grand Cours through the Champs-Élysées.
He sold this in 1718 to Louis Henri de La Tour d'Auvergne, Count of Évreux (families: Dukes and Princes of Bouillon and Sedan: La Marck | von der Marck), with the agreement that Mollet would construct an hôtel particulier for the count, fronted by an entrance court and backed by a garden.
The Hôtel d'Évreux was finished and decorated by 1722, and though it has undergone many modifications since, it remains a fine example of the French classical style.
At the time of his death in 1753, Évreux was the owner of one of the most widely admired houses in Paris, and it was bought by King Louis XV as a residence for the Marquise de Pompadour, and his mistress.
Opponents showed their distaste for the regime by hanging signs on the gates that read: "Home of the King's whore".
After her death, it reverted to the crown.

In 1773, it was purchased by Nicolas Beaujon, banker to the Court and one of the richest men in France, who needed a suitably sumptuous "country house" (for the city of Paris did not yet extend this far) to house his fabulous collection of great masters paintings.
To this end, he hired the architect Étienne-Louis Boullée to make substantial alterations to the buildings (as well as design an English-style garden).
Soon on display there were such well-known masterpieces as Holbein's The Ambassadors (now in the National Gallery in London), and Frans Hals' Bohemian (now at the Louvre).
His architectural alterations and art galleries gave this residence international renown as "one of the premier houses of Paris".
The architect Armand-Claude Molet possessed a property fronting on the road to the village of Roule, west of Paris (now the Rue du Faubourg Saint-Honoré), and backing onto royal property, the Grand Cours through the Champs-Élysées. He sold this in 1718 to Louis Henri de La Tour d'Auvergne, Count of Évreux (families: Dukes and Princes of Bouillon and Sedan: La Marck | von der Marck), with the agreement that Mollet would construct an hôtel particulier for the count, fronted by an entrance court and backed by a garden. The Hôtel d'Évreux was finished and decorated by 1722, and though it has undergone many modifications since, it remains a fine example of the French classical style. At the time of his death in 1753, Évreux was the owner of one of the most widely admired houses in Paris, and it was bought by King Louis XV as a residence for the Marquise de Pompadour, and his mistress. Opponents showed their distaste for the regime by hanging signs on the gates that read: "Home of the King's whore". After her death, it reverted to the crown.
In 1773, it was purchased by Nicolas Beaujon, banker to the Court and one of the richest men in France, who needed a suitably sumptuous "country house" (for the city of Paris did not yet extend this far) to house his fabulous collection of great masters paintings. To this end, he hired the architect Étienne-Louis Boullée to make substantial alterations to the buildings (as well as design an English-style garden). Soon on display there were such well-known masterpieces as Holbein's The Ambassadors (now in the National Gallery in London), and Frans Hals' Bohemian (now at the Louvre). His architectural alterations and art galleries gave this residence international renown as "one of the premier houses of Paris".
Élysée Palace