Saramago's experimental style often features long sentences, at times more than a page long.
He used periods sparingly, choosing instead a loose flow of clauses joined by commas.
Many of his paragraphs extend for pages without pausing for dialogue, (which Saramago chooses not to delimit by quotation marks); when the speaker changes, Saramago capitalizes the first letter of the new speaker's clause.
His works often refer to his other works.
In his novel Blindness, Saramago completely abandons the use of proper nouns, instead referring to characters simply by some unique characteristic, an example of his style reflecting the recurring themes of identity and meaning found throughout his work.

Saramago's novels often deal with fantastic scenarios.
In his 1986 novel The Stone Raft, the Iberian Peninsula breaks off from the rest of Europe and sails around the Atlantic Ocean.
In his 1995 novel Blindness, an entire unnamed country is stricken with a mysterious plague of "white blindness".
In his 1984 novel The Year of the Death of Ricardo Reis (which won the PEN Award and the Independent Foreign Fiction Award), Fernando Pessoa's heteronym survives for a year after the poet himself dies.
Additionally, his novel Death with Interruptions (also translated as Death at Intervals) takes place in a country in which, suddenly, nobody dies, and concerns, in part, the spiritual and political implications of the event, although the book ultimately moves from a synoptic to a more personal perspective.

Saramago addresses serious matters with empathy for the human condition and for the isolation of contemporary urban life.
His characters struggle with their need to connect with one another, form relations and bond as a community, and also with their need for individuality, and to find meaning and dignity outside of political and economic structures.

When asked to describe his daily writing routine in 2009, Saramago responded, "I write two pages.
And then I read and read and read."
Saramago's experimental style often features long sentences, at times more than a page long. He used periods sparingly, choosing instead a loose flow of clauses joined by commas. Many of his paragraphs extend for pages without pausing for dialogue, (which Saramago chooses not to delimit by quotation marks); when the speaker changes, Saramago capitalizes the first letter of the new speaker's clause. His works often refer to his other works. In his novel Blindness, Saramago completely abandons the use of proper nouns, instead referring to characters simply by some unique characteristic, an example of his style reflecting the recurring themes of identity and meaning found throughout his work.
Saramago's novels often deal with fantastic scenarios. In his 1986 novel The Stone Raft, the Iberian Peninsula breaks off from the rest of Europe and sails around the Atlantic Ocean. In his 1995 novel Blindness, an entire unnamed country is stricken with a mysterious plague of "white blindness". In his 1984 novel The Year of the Death of Ricardo Reis (which won the PEN Award and the Independent Foreign Fiction Award), Fernando Pessoa's heteronym survives for a year after the poet himself dies. Additionally, his novel Death with Interruptions (also translated as Death at Intervals) takes place in a country in which, suddenly, nobody dies, and concerns, in part, the spiritual and political implications of the event, although the book ultimately moves from a synoptic to a more personal perspective.
Saramago addresses serious matters with empathy for the human condition and for the isolation of contemporary urban life. His characters struggle with their need to connect with one another, form relations and bond as a community, and also with their need for individuality, and to find meaning and dignity outside of political and economic structures.
When asked to describe his daily writing routine in 2009, Saramago responded, "I write two pages. And then I read and read and read."
José Saramago