Other writers describe her style as having a tidy sensibility.
Josep Maria Llompart said that "it has been said that it cannot be by chance that the highest figure of the Mallorcan school [of language] is a woman.
The taste for the reasons, for the tidy address, for the minor and delicate tone, united to the longing and inconcrete sensibility, is usually considered as a feminine quality.
And this quality, typical of the school, substantially defines the poetry of Na Maria Antonia"; Carner said that her writing has "angelic tidiness, intimate complacency of everything in its place, with every emotion having a fitting and appropriate music.
Maria Antònia brings us closer or more sensitized to that identification with beauty: splendor ordinis (the splendor of order) Traspua cel.
her joy and her resentment and gives her voice a kind of caress and makes her spontaneity, nourished by select visions, occur in grace, and her stanzas, as the people would say, seem untouched".

Xesca Ensenyat spoke about Salvà's style in terms of its subject and identity, saying that "it has no aesthetic ideology or intellectual pretensions.
It is a poetry of the daily anecdote that links with ruralism, which has been a constant in Catalan literature since the Renaissance".
Other writers describe her style as having a tidy sensibility. Josep Maria Llompart said that "it has been said that it cannot be by chance that the highest figure of the Mallorcan school [of language] is a woman. The taste for the reasons, for the tidy address, for the minor and delicate tone, united to the longing and inconcrete sensibility, is usually considered as a feminine quality. And this quality, typical of the school, substantially defines the poetry of Na Maria Antonia"; Carner said that her writing has "angelic tidiness, intimate complacency of everything in its place, with every emotion having a fitting and appropriate music. Maria Antònia brings us closer or more sensitized to that identification with beauty: splendor ordinis (the splendor of order) Traspua cel. her joy and her resentment and gives her voice a kind of caress and makes her spontaneity, nourished by select visions, occur in grace, and her stanzas, as the people would say, seem untouched".
Xesca Ensenyat spoke about Salvà's style in terms of its subject and identity, saying that "it has no aesthetic ideology or intellectual pretensions. It is a poetry of the daily anecdote that links with ruralism, which has been a constant in Catalan literature since the Renaissance".
Maria Antònia Salvà i Ripoll