The bronze doors were designed in 1904 by Henry Wilson in memory of his father-in-law, Rev. Francis Morse.

The intention of the design of the doors is to illustrate the Life of Our Lord in its relation with the Holy Mother to whom the church is dedicated and by the general treatment to suggest the idea of pity.

In the tympanum enclosed within a vesica the Holy Mother supports and cherishes the body of Christ, while in the spandrels, on either side, the gates of Death and Life are suggested: the Dove, typifying the spirit, enters weary into the one and issues strong-winged from the other, thus symbolising the unending round of Death and Life.

The dedicatory inscription "In loving memory of Francis Morse, 1818–1886, Father, Pastor, Friend" in the form of a pierced cresting, divides the tympanum from the doors themselves.
These are formed into panels by mouldings of beaten bronze, with angel bosses at the intersections.

On each leaf of the door are five panels, in relief, illustrating the Life of Our Lord, the subjects on the left leaf being “The Annunciation,” with Gabriel appearing at the Virgin's window in the early morning; “The Visitation,” with the Virgin running to meet her kinswoman.
Below these come “The Nativity,” followed by “The Epiphany,” and the lowest panel shows the Salvator Mundi on a Cross of branching vine.
At the foot of the Cross stand Adam and Eve, conscious of the fall, while the doves of peace and pardon hover overhead.

The subjects of the panels on the right door of the leaf are “The flight into Egypt”; “The Baptism in the Jordan”; “The entry into Jerusalem”; The three Maries at the Sepulchre”; and “The Resurrection.”
In this panel the Saviour is shown emerging from the tomb and while still bound with the grave clothes, the Spirit of Life, in the form of a Dove, flies to His breast, and overhead the birds sing at the coming of a new Dawn.
The bronze doors were designed in 1904 by Henry Wilson in memory of his father-in-law, Rev. Francis Morse.
The intention of the design of the doors is to illustrate the Life of Our Lord in its relation with the Holy Mother to whom the church is dedicated and by the general treatment to suggest the idea of pity.
In the tympanum enclosed within a vesica the Holy Mother supports and cherishes the body of Christ, while in the spandrels, on either side, the gates of Death and Life are suggested: the Dove, typifying the spirit, enters weary into the one and issues strong-winged from the other, thus symbolising the unending round of Death and Life.
The dedicatory inscription "In loving memory of Francis Morse, 1818–1886, Father, Pastor, Friend" in the form of a pierced cresting, divides the tympanum from the doors themselves. These are formed into panels by mouldings of beaten bronze, with angel bosses at the intersections.
On each leaf of the door are five panels, in relief, illustrating the Life of Our Lord, the subjects on the left leaf being “The Annunciation,” with Gabriel appearing at the Virgin's window in the early morning; “The Visitation,” with the Virgin running to meet her kinswoman. Below these come “The Nativity,” followed by “The Epiphany,” and the lowest panel shows the Salvator Mundi on a Cross of branching vine. At the foot of the Cross stand Adam and Eve, conscious of the fall, while the doves of peace and pardon hover overhead.
The subjects of the panels on the right door of the leaf are “The flight into Egypt”; “The Baptism in the Jordan”; “The entry into Jerusalem”; The three Maries at the Sepulchre”; and “The Resurrection.” In this panel the Saviour is shown emerging from the tomb and while still bound with the grave clothes, the Spirit of Life, in the form of a Dove, flies to His breast, and overhead the birds sing at the coming of a new Dawn.
St Mary's Church, Nottingham