Sr.
Antonio More.
The best known portrait of Courtenay, bearded and in doublet and hose, standing before a semi-ruined castle, copied many times in oil and engravings, is by "Sr.
Antonio More", at one time in the collection of the Duke of Bedford at Woburn Abbey.
Such information is inscribed on the 1762 engraving of this picture by Thomas Chambers at the National Portrait Gallery in London, (NPG D24892) which records further the original inscription visible on the masonry to the left:
En!
puer ac insons et adhuc juvenilibus annis,
Annos bis septem carcere clausus eram,
Me pater his tenuit vinclis quae filia solvit,
Sors mea sic tandem vertitur a superis.

("Behold!
a guiltless boy and still in his youthful years, during twice-seven years had I been shut in prison, the father held me in these chains which the daughter released, thus at last is my fate being changed by the gods above".)

Van Der Meulen.
A portrait is said to exist of Edward Courtenay (d.1556) by Steven Van Der Meulen (c1543-1564).
This however is identical to that engraved by Thomas Chambers in 1762 and described by him as by "Sr.
Antonio More", then in the collection of the Duke of Bedford at Woburn Abbey.
A copy of this "Van Der Meulen" made circa 1800, measuring 42"x31¾", was offered for sale at £4,500 on 23 February 2013 by Timothy Langston Fine Art & Antiques of London at the Powderham Castle Antiques and Fine Art Fair.
Several other copies exist.

Pastorino de Pastorini.
The National Portrait Gallery in London owns a plaster cast of a lead commemorative medal made in Italy dated 1556, in the style of  Pastorino de Pastorini, showing the head of Courtenay in profile circumscribed in capital letters in Italian spelling: Edoardo Cortneio. (
National Portrait Gallery, London, NPG 2085a, 2 1/4 in. (
57 mm) diameter).
Sr. Antonio More. The best known portrait of Courtenay, bearded and in doublet and hose, standing before a semi-ruined castle, copied many times in oil and engravings, is by "Sr. Antonio More", at one time in the collection of the Duke of Bedford at Woburn Abbey. Such information is inscribed on the 1762 engraving of this picture by Thomas Chambers at the National Portrait Gallery in London, (NPG D24892) which records further the original inscription visible on the masonry to the left:
En! puer ac insons et adhuc juvenilibus annis,
Annos bis septem carcere clausus eram,
Me pater his tenuit vinclis quae filia solvit,
Sors mea sic tandem vertitur a superis.
("Behold! a guiltless boy and still in his youthful years, during twice-seven years had I been shut in prison, the father held me in these chains which the daughter released, thus at last is my fate being changed by the gods above".)
Van Der Meulen. A portrait is said to exist of Edward Courtenay (d.1556) by Steven Van Der Meulen (c1543-1564). This however is identical to that engraved by Thomas Chambers in 1762 and described by him as by "Sr. Antonio More", then in the collection of the Duke of Bedford at Woburn Abbey. A copy of this "Van Der Meulen" made circa 1800, measuring 42"x31¾", was offered for sale at £4,500 on 23 February 2013 by Timothy Langston Fine Art & Antiques of London at the Powderham Castle Antiques and Fine Art Fair. Several other copies exist.
Pastorino de Pastorini. The National Portrait Gallery in London owns a plaster cast of a lead commemorative medal made in Italy dated 1556, in the style of  Pastorino de Pastorini, showing the head of Courtenay in profile circumscribed in capital letters in Italian spelling: Edoardo Cortneio. (National Portrait Gallery, London, NPG 2085a, 2 1/4 in. (57 mm) diameter).
Edward Courtenay, 1st Earl of Devon