In 1921, she married director Rex Ingram during production of The Prisoner of Zenda (1922), which he directed and in which she appeared as Princess Flavia.
The couple sneaked away over one weekend, were married in Pasadena, and returned to work promptly the following Monday.

In 1923 Terry and Ingram decided to move to the French Riviera.
They formed a small studio in Nice and made several films on location in North Africa, Spain, and Italy for MGM and others.

During the making of The Arab (1924) in Tunisia, they met a street child named Kada-Abd-el-Kader, whom they adopted upon learning that he was an orphan.
Allegedly, el-Kader misrepresented his age to make himself seem younger to his adoptive parents.

Alice Terry was known for being open minded and acted as a cover for Ramón Novarro's sexuality.
In the 1930s she went with Novarro, Barry Norton, and other homosexual actors to Hollywood nightspots to act as a cover, which received backlash in the magazine The Hollywood Reporter.

When Ingram decided to return to Los Angeles he asked Terry to find a home by a river.
One night when Terry was drinking with friends she instructed the cab to pull over so she could throw up.
When Terry was done, she looked up and saw a property in Studio City on the Los Angeles River and decided that this was the place where her new home with Rex would be.

Once Terry and Ingram moved back to the United States they started having problems with their adopted son, Kada-Abd-el-Kader.
He "began associating with fast women and fast cars throughout the San Fernando Valley."
Terry and Ingram sent him back to Morocco "to finish school."
Kada-Abd-el-Kader never went back to school, but he later became a tourist guide in Morocco and Algiers.
El-Kader would always tell tourists that he was the adopted son of Rex Ingram and Alice Terry.

Terry and Ingram retired in the 1930s and took up painting.
When Ingram died in 1950, Terry invited four of his mistresses to his funeral.
When Alice was asked how she could invite four of his mistresses to the post-funeral party said: "Who cares, I'm the only one that can call herself Mrs. Rex Ingram."

After Ingram's death Terry's sister Edna moved into the property on Kelsey Street and controlled Alice's life.
Alice had a lover named Gerald Fielding who wanted to move in with Alice but Edna forbade it.
It is speculated that Edna was jealous of Alice, Edna started as an extra as movies just like her sister, but then married a financial advisor and she stopped acting altogether.

Terry was still active in the 1970s.
She loved hosting Sunday afternoon parties and going out to dinner in extravagant, floor length mink coats.
She was proud of her appearance and wanted to make sure all other women were envious.
In 1921, she married director Rex Ingram during production of The Prisoner of Zenda (1922), which he directed and in which she appeared as Princess Flavia. The couple sneaked away over one weekend, were married in Pasadena, and returned to work promptly the following Monday.
In 1923 Terry and Ingram decided to move to the French Riviera. They formed a small studio in Nice and made several films on location in North Africa, Spain, and Italy for MGM and others.
During the making of The Arab (1924) in Tunisia, they met a street child named Kada-Abd-el-Kader, whom they adopted upon learning that he was an orphan. Allegedly, el-Kader misrepresented his age to make himself seem younger to his adoptive parents.
Alice Terry was known for being open minded and acted as a cover for Ramón Novarro's sexuality. In the 1930s she went with Novarro, Barry Norton, and other homosexual actors to Hollywood nightspots to act as a cover, which received backlash in the magazine The Hollywood Reporter.
When Ingram decided to return to Los Angeles he asked Terry to find a home by a river. One night when Terry was drinking with friends she instructed the cab to pull over so she could throw up. When Terry was done, she looked up and saw a property in Studio City on the Los Angeles River and decided that this was the place where her new home with Rex would be.
Once Terry and Ingram moved back to the United States they started having problems with their adopted son, Kada-Abd-el-Kader. He "began associating with fast women and fast cars throughout the San Fernando Valley." Terry and Ingram sent him back to Morocco "to finish school." Kada-Abd-el-Kader never went back to school, but he later became a tourist guide in Morocco and Algiers. El-Kader would always tell tourists that he was the adopted son of Rex Ingram and Alice Terry.
Terry and Ingram retired in the 1930s and took up painting. When Ingram died in 1950, Terry invited four of his mistresses to his funeral. When Alice was asked how she could invite four of his mistresses to the post-funeral party said: "Who cares, I'm the only one that can call herself Mrs. Rex Ingram."
After Ingram's death Terry's sister Edna moved into the property on Kelsey Street and controlled Alice's life. Alice had a lover named Gerald Fielding who wanted to move in with Alice but Edna forbade it. It is speculated that Edna was jealous of Alice, Edna started as an extra as movies just like her sister, but then married a financial advisor and she stopped acting altogether.
Terry was still active in the 1970s. She loved hosting Sunday afternoon parties and going out to dinner in extravagant, floor length mink coats. She was proud of her appearance and wanted to make sure all other women were envious.
Alice Terry