The cylinder depicts an Achaemenid King of Kings holding a kneeling captive with a hand, and subjugating him with a spear held by the other hand.
The kneeling captive wears an Egyptian crown.
Behind the king there are four prisoners with a rope around their necks, the rope being held by the king himself.
Their garment is similar to that of the Egyptians seen on the reliefs of Naqsh-e Rostam.
The scene therefore refers to Ancient Egypt and to an act of conquest or the suppression of a rebellion by an Achaemenid king.
It is generally thought that the seal depicts a Persian king or hero thrusting his lance at an Egyptian pharaoh, while holding four other captives on a rope.

A rather similar seal is known bearing the inscription "I am Artaxerxes the Great King" in cuneiform (the "Moscow Artaxerxes Cylinder Seal"): the Achaemenid king is shown leading the Egyptian captives on a rope, but the kneeling figure of the pharaoh is absent and replaced by the Old Persian cuneiform inscription.
The inscription would suggest that the king in the seal is either Artaxerxes III, who reconquered Egypt, or more probably Artaxerxes I (r. 465-424 BC), who did put down a rebellion in Egypt, given the rather rigid execution of the engraving, which suggests an early date for its manufacture, probably closer to the time of Darius I.
The seal has many similarities with the seal of Darius I (c. 550–486 BC), both in the rather rigid treatment of the figures, and in the composition of the seal itself.
On these grounds, the manufacture of the Zvenigorodsky seal could be attributed to a period rather close to that of Darius I, which would favour an attribution to Artaxerxes I.
The cylinder depicts an Achaemenid King of Kings holding a kneeling captive with a hand, and subjugating him with a spear held by the other hand. The kneeling captive wears an Egyptian crown. Behind the king there are four prisoners with a rope around their necks, the rope being held by the king himself. Their garment is similar to that of the Egyptians seen on the reliefs of Naqsh-e Rostam. The scene therefore refers to Ancient Egypt and to an act of conquest or the suppression of a rebellion by an Achaemenid king. It is generally thought that the seal depicts a Persian king or hero thrusting his lance at an Egyptian pharaoh, while holding four other captives on a rope.
A rather similar seal is known bearing the inscription "I am Artaxerxes the Great King" in cuneiform (the "Moscow Artaxerxes Cylinder Seal"): the Achaemenid king is shown leading the Egyptian captives on a rope, but the kneeling figure of the pharaoh is absent and replaced by the Old Persian cuneiform inscription. The inscription would suggest that the king in the seal is either Artaxerxes III, who reconquered Egypt, or more probably Artaxerxes I (r. 465-424 BC), who did put down a rebellion in Egypt, given the rather rigid execution of the engraving, which suggests an early date for its manufacture, probably closer to the time of Darius I.
The seal has many similarities with the seal of Darius I (c. 550–486 BC), both in the rather rigid treatment of the figures, and in the composition of the seal itself. On these grounds, the manufacture of the Zvenigorodsky seal could be attributed to a period rather close to that of Darius I, which would favour an attribution to Artaxerxes I.
Persian king and the defeated enemies