The following summer Whitman worked for another printer, Erastus Worthington, in Brooklyn.
His family moved back to West Hills in the spring, but Whitman remained and took a job at the shop of Alden Spooner, editor of the leading Whig weekly newspaper the Long-Island Star.
While at the Star, Whitman became a regular patron of the local library, joined a town debating society, began attending theater performances, and anonymously published some of his earliest poetry in the New-York Mirror.
At age 16 in May 1835, Whitman left the Star and Brooklyn.
He moved to New York City to work as a compositor though, in later years, Whitman could not remember where.
He attempted to find further work but had difficulty, in part due to a severe fire in the printing and publishing district, and in part due to a general collapse in the economy leading up to the Panic of 1837.
In May 1836, he rejoined his family, now living in Hempstead, Long Island.
Whitman taught intermittently at various schools until the spring of 1838, though he was not satisfied as a teacher.

After his teaching attempts, Whitman went back to Huntington, New York, to found his own newspaper, the Long-Islander.
Whitman served as publisher, editor, pressman, and distributor and even provided home delivery.
After ten months, he sold the publication to E. O. Crowell, whose first issue appeared on July 12, 1839.
There are no known surviving copies of the Long-Islander published under Whitman.
By the summer of 1839, he found a job as a typesetter in Jamaica, Queens with the Long Island Democrat, edited by James J. Brenton.
He left shortly thereafter, and made another attempt at teaching from the winter of 1840 to the spring of 1841.
One story, possibly apocryphal, tells of Whitman's being chased away from a teaching job in Southold, New York, in 1840.
After a local preacher called him a "Sodomite", Whitman was allegedly tarred and feathered.
Biographer Justin Kaplan notes that the story is likely untrue, because Whitman regularly vacationed in the town thereafter.
Biographer Jerome Loving calls the incident a "myth".
During this time, Whitman published a series of ten editorials, called "Sun-Down Papers—From the Desk of a Schoolmaster", in three newspapers between the winter of 1840 and July 1841.
In these essays, he adopted a constructed persona, a technique he would employ throughout his career.

Whitman moved to New York City in May, initially working a low-level job at the New World, working under Park Benjamin Sr.
and Rufus Wilmot Griswold.
He continued working for short periods of time for various newspapers; in 1842 he was editor of the Aurora and from 1846 to 1848 he was editor of the Brooklyn Eagle.
While working for the latter institution, many of his publications were in the area of music criticism, and it is during this time that he became a devoted lover of Italian opera through reviewing performances of works by Bellini, Donizetti, and Verdi.
This new interest had an impact on his writing in free verse.
He later said, "But for the opera, I could never have written Leaves of Grass".

Throughout the 1840s he contributed freelance fiction and poetry to various periodicals, including Brother Jonathan magazine edited by John Neal.
Whitman lost his position at the Brooklyn Eagle in 1848 after siding with the free-soil "Barnburner" wing of the Democratic party against the newspaper's owner, Isaac Van Anden, who belonged to the conservative, or "Hunker", wing of the party.
Whitman was a delegate to the 1848 founding convention of the Free Soil Party, which was concerned about the threat slavery would pose to free white labor and northern businessmen moving into the newly colonised western territories.
Abolitionist William Lloyd Garrison derided the party philosophy as "white manism".

In 1852, he serialized a novel titled Life and Adventures of Jack Engle: An Auto-Biography: A Story of New York at the Present Time in which the Reader Will Find Some Familiar Characters in six installments of New York's The Sunday Dispatch.
In 1858, Whitman published a 47,000 word series
The following summer Whitman worked for another printer, Erastus Worthington, in Brooklyn. His family moved back to West Hills in the spring, but Whitman remained and took a job at the shop of Alden Spooner, editor of the leading Whig weekly newspaper the Long-Island Star. While at the Star, Whitman became a regular patron of the local library, joined a town debating society, began attending theater performances, and anonymously published some of his earliest poetry in the New-York Mirror. At age 16 in May 1835, Whitman left the Star and Brooklyn. He moved to New York City to work as a compositor though, in later years, Whitman could not remember where. He attempted to find further work but had difficulty, in part due to a severe fire in the printing and publishing district, and in part due to a general collapse in the economy leading up to the Panic of 1837. In May 1836, he rejoined his family, now living in Hempstead, Long Island. Whitman taught intermittently at various schools until the spring of 1838, though he was not satisfied as a teacher.
After his teaching attempts, Whitman went back to Huntington, New York, to found his own newspaper, the Long-Islander. Whitman served as publisher, editor, pressman, and distributor and even provided home delivery. After ten months, he sold the publication to E. O. Crowell, whose first issue appeared on July 12, 1839. There are no known surviving copies of the Long-Islander published under Whitman. By the summer of 1839, he found a job as a typesetter in Jamaica, Queens with the Long Island Democrat, edited by James J. Brenton. He left shortly thereafter, and made another attempt at teaching from the winter of 1840 to the spring of 1841. One story, possibly apocryphal, tells of Whitman's being chased away from a teaching job in Southold, New York, in 1840. After a local preacher called him a "Sodomite", Whitman was allegedly tarred and feathered. Biographer Justin Kaplan notes that the story is likely untrue, because Whitman regularly vacationed in the town thereafter. Biographer Jerome Loving calls the incident a "myth". During this time, Whitman published a series of ten editorials, called "Sun-Down Papers—From the Desk of a Schoolmaster", in three newspapers between the winter of 1840 and July 1841. In these essays, he adopted a constructed persona, a technique he would employ throughout his career.
Whitman moved to New York City in May, initially working a low-level job at the New World, working under Park Benjamin Sr. and Rufus Wilmot Griswold. He continued working for short periods of time for various newspapers; in 1842 he was editor of the Aurora and from 1846 to 1848 he was editor of the Brooklyn Eagle. While working for the latter institution, many of his publications were in the area of music criticism, and it is during this time that he became a devoted lover of Italian opera through reviewing performances of works by Bellini, Donizetti, and Verdi. This new interest had an impact on his writing in free verse. He later said, "But for the opera, I could never have written Leaves of Grass".
Throughout the 1840s he contributed freelance fiction and poetry to various periodicals, including Brother Jonathan magazine edited by John Neal. Whitman lost his position at the Brooklyn Eagle in 1848 after siding with the free-soil "Barnburner" wing of the Democratic party against the newspaper's owner, Isaac Van Anden, who belonged to the conservative, or "Hunker", wing of the party. Whitman was a delegate to the 1848 founding convention of the Free Soil Party, which was concerned about the threat slavery would pose to free white labor and northern businessmen moving into the newly colonised western territories. Abolitionist William Lloyd Garrison derided the party philosophy as "white manism".
In 1852, he serialized a novel titled Life and Adventures of Jack Engle: An Auto-Biography: A Story of New York at the Present Time in which the Reader Will Find Some Familiar Characters in six installments of New York's The Sunday Dispatch. In 1858, Whitman published a 47,000 word series 
Walt Whitman