Gabriel Dessauer (born 1955) was cantor of St. Bonifatius, Wiesbaden, since 1981.
In 1985 he called singers together to form a choir in order to perform a single work, the Hebbel-Requiem of Max Reger in the organ version of the Munich organist and composer Max Beckschäfer.

The concert on 16 October 1985 was part of the Internationale Orgelkonzerte Wiesbaden, with concerts of Roger Fisher, Judit Hajdók and Maurice Clerc, among others, on the Walcker organ of the Marktkirche in  Wiesbaden, which Max Reger had played himself when he had lived there starting in 1891.
Gabriel Dessauer conducted the choir, Beckschäfer was the organist.
He also played his arrangement for organ of Reger's Die Toteninsel, part of Vier Tondichtungen nach A. Böcklin.
The concert is considered the foundation of the Reger-Chor.

The name was chosen in 1988, when the next project was dedicated to the German premiere of Joseph Jongen's Missa op.
111.
Later projects included one of the first performances in Germany of Rutter's Requiem, recorded on the first CD of the Reger-Chor in 1990.

In 2001 an international collaboration began with the organist Ignace Michiels, bringing together an almost equal number of singers from Flanders and the Rhein-Main Region to perform an annual concert both in Germany and Belgium.
Gabriel Dessauer (born 1955) was cantor of St. Bonifatius, Wiesbaden, since 1981. In 1985 he called singers together to form a choir in order to perform a single work, the Hebbel-Requiem of Max Reger in the organ version of the Munich organist and composer Max Beckschäfer.
The concert on 16 October 1985 was part of the Internationale Orgelkonzerte Wiesbaden, with concerts of Roger Fisher, Judit Hajdók and Maurice Clerc, among others, on the Walcker organ of the Marktkirche in  Wiesbaden, which Max Reger had played himself when he had lived there starting in 1891. Gabriel Dessauer conducted the choir, Beckschäfer was the organist. He also played his arrangement for organ of Reger's Die Toteninsel, part of Vier Tondichtungen nach A. Böcklin. The concert is considered the foundation of the Reger-Chor.
The name was chosen in 1988, when the next project was dedicated to the German premiere of Joseph Jongen's Missa op. 111. Later projects included one of the first performances in Germany of Rutter's Requiem, recorded on the first CD of the Reger-Chor in 1990.
In 2001 an international collaboration began with the organist Ignace Michiels, bringing together an almost equal number of singers from Flanders and the Rhein-Main Region to perform an annual concert both in Germany and Belgium.
Reger-Chor