The last QuickTake model was the Fujifilm-built QuickTake 200, released in 1996.
The QuickTake 200 was a still video camera which captured images at 640×480 resolution.
It was bundled with a 2MB SmartMedia flashRAM card (SSFDC), and an Apple-branded 4MB card was available as a separate accessory purchase; using the 2MB card, up to 20 (high-quality) or 40 (standard-quality) images could be captured.

Compared to the prior Kodak/Chinon-based models, the most noticeable change for the QuickTake 200 was an 1.8 in (46 mm) color LCD screen on the rear panel to preview stored photographs.
The screen updated with a refresh rate of 30 Hz.
In addition, the 200 added focus and aperture controls; apertures were now user-selectable, and although the lens was still a fixed-focus lens, three separate focus modes could be selected: close-up, 3.5 to 5 in (8.9 to 12.7 cm); portrait, 17 to 35 in (43 to 89 cm); and standard, 3 ft (0.91 m) to infinity.
The last QuickTake model was the Fujifilm-built QuickTake 200, released in 1996. The QuickTake 200 was a still video camera which captured images at 640×480 resolution. It was bundled with a 2MB SmartMedia flashRAM card (SSFDC), and an Apple-branded 4MB card was available as a separate accessory purchase; using the 2MB card, up to 20 (high-quality) or 40 (standard-quality) images could be captured.
Compared to the prior Kodak/Chinon-based models, the most noticeable change for the QuickTake 200 was an 1.8 in (46 mm) color LCD screen on the rear panel to preview stored photographs. The screen updated with a refresh rate of 30 Hz. In addition, the 200 added focus and aperture controls; apertures were now user-selectable, and although the lens was still a fixed-focus lens, three separate focus modes could be selected: close-up, 3.5 to 5 in (8.9 to 12.7 cm); portrait, 17 to 35 in (43 to 89 cm); and standard, 3 ft (0.91 m) to infinity.
Apple QuickTake