On 2 November 1908, López debuted at the Teatro de la Zarzuela in Madrid with San Juan de Luz, a comedy by Quinito Valverde and José Jackson Veyán, and in that same program, the revue Enseñanza libre by Gerónimo Giménez with libretto by Perrín and Palacios.
Also in November, she performed in the play La Manzana de Oro at the Jovellanos Street Coliseum, with music by Rafael Calleja Gómez and Tomás Barrera and a book by Gabriel Briones.
In it, she played the role of "La Menta", singing cuplés, which proved to be very popular.
She was also part of the revue A.B.C., replacing Emérita Álvarez Esparza.

The Spanish press began devoting a large amount of coverage to López, on subjects such as her luxury car, her jewelry, her shawls from Manila, her virtues as an artist, and her wealth.
On 21 December 1908, she returned to Mexico, to liquidate her belongings in that country with the intention of leasing a theater in Madrid.
On 2 November 1908, López debuted at the Teatro de la Zarzuela in Madrid with San Juan de Luz, a comedy by Quinito Valverde and José Jackson Veyán, and in that same program, the revue Enseñanza libre by Gerónimo Giménez with libretto by Perrín and Palacios. Also in November, she performed in the play La Manzana de Oro at the Jovellanos Street Coliseum, with music by Rafael Calleja Gómez and Tomás Barrera and a book by Gabriel Briones. In it, she played the role of "La Menta", singing cuplés, which proved to be very popular. She was also part of the revue A.B.C., replacing Emérita Álvarez Esparza.
The Spanish press began devoting a large amount of coverage to López, on subjects such as her luxury car, her jewelry, her shawls from Manila, her virtues as an artist, and her wealth. On 21 December 1908, she returned to Mexico, to liquidate her belongings in that country with the intention of leasing a theater in Madrid.
Úrsula López