Constructed in 1910, the theater was founded and owned by the National Amusement Company, a white-owned group.
When built, it had a capacity of more than 1,200.
Designed by J. Edward Storck, the theater featured orchestra and balcony seats and eight proscenium boxes, with a lavishly decorated interior.
 No less extravagant was the exterior, which combined elements of the Beaux-Arts, Italian Renaissance, and neoclassical styles.
The whole was surmounted by a larger than life statue of Apollo playing his lyre.

Andrew Thomas served as the theater's manager during its early years.
 Beginning in 1922 it was leased and run by actor, producer, and entrepreneur Sherman Dudley.
 It was taken over in 1926 by Abe Lichtman, the white owner of a chain of movie theaters that were frequented by Blacks.
 With the onset of the Great Depression, the building became a church for a time under the direction of Elder Michaux.
  In 1931, as part of the venue's return to its original purpose, Duke Ellington appeared with his band at "the Howard," helping also to cement the theater's reputation as an entertainment hotspot.
 This rebirth was helped along by Shep Allen, the building's new manager.
 In the 1930s Allen introduced an amateur contest that was used as a springboard to stardom by Billy Eckstine and Ella Fitzgerald.

The Howard Theatre lost its original ornate facade in 1941 when it was redone in the then-fashionable Streamline style.
Franklin Delano Roosevelt and his wife Eleanor would attend balls at the theater during World War II.
 These balls featured performers like Danny Kaye, Abbott and Costello and Cesar Romero, among others.
 Also in the 1940s, Pearl Bailey made her debut at the Howard Theatre.

The Howard Theatre turned into a house for rock 'n' roll and rhythm and blues during the 1950s and 1960s, when many important acts from both genres played there.
 Among the acts to grace the stage were Sarah Vaughan, Dinah Washington, Sammy Davis, Jr., James Brown, Lena Horne, Lionel Hampton, The Supremes, Stevie Wonder, and Dionne Warwick, Martha Reeves & The Vandellas, Marvin Gaye and Mary Wells
The 1968 riots, which followed the assassination of Martin Luther King, Jr., caused the venue a great deal of harm.
 The riots, coupled with desegregation, contributed to the theater's difficulty in attracting patrons, and the theater closed in 1970.
 Three years later, in 1973, the Howard Theatre Foundation was organized to reopen the venue.
 It was this organization which succeeded, in 1974, in gaining the building historic landmark status.
 In April 1975, the New Howard Theatre Corporation presented an evening of entertainment to salute the reopening of the theater.
Redd Foxx and Melba Moore were among the acts featured at the theater's reopening.
 Later in the decade, go-go bands played the venue, and Chuck Brown and the Soul Searchers also performed at the Howard Theatre in the 1970s and 1980s.
 In 1980, the theater closed again.
 At the time it was the oldest venue in the country that featured Black artists.
Under Mayor Marion Barry the theatre was purchased by the District government for $100,000.
In 2002, the DC Preservation League listed the Howard Theatre as one of its Most Endangered Places in the District.
Constructed in 1910, the theater was founded and owned by the National Amusement Company, a white-owned group. When built, it had a capacity of more than 1,200. Designed by J. Edward Storck, the theater featured orchestra and balcony seats and eight proscenium boxes, with a lavishly decorated interior.  No less extravagant was the exterior, which combined elements of the Beaux-Arts, Italian Renaissance, and neoclassical styles. The whole was surmounted by a larger than life statue of Apollo playing his lyre.
Andrew Thomas served as the theater's manager during its early years.  Beginning in 1922 it was leased and run by actor, producer, and entrepreneur Sherman Dudley.  It was taken over in 1926 by Abe Lichtman, the white owner of a chain of movie theaters that were frequented by Blacks.  With the onset of the Great Depression, the building became a church for a time under the direction of Elder Michaux.   In 1931, as part of the venue's return to its original purpose, Duke Ellington appeared with his band at "the Howard," helping also to cement the theater's reputation as an entertainment hotspot.  This rebirth was helped along by Shep Allen, the building's new manager.  In the 1930s Allen introduced an amateur contest that was used as a springboard to stardom by Billy Eckstine and Ella Fitzgerald.
The Howard Theatre lost its original ornate facade in 1941 when it was redone in the then-fashionable Streamline style. Franklin Delano Roosevelt and his wife Eleanor would attend balls at the theater during World War II.  These balls featured performers like Danny Kaye, Abbott and Costello and Cesar Romero, among others.  Also in the 1940s, Pearl Bailey made her debut at the Howard Theatre.
The Howard Theatre turned into a house for rock 'n' roll and rhythm and blues during the 1950s and 1960s, when many important acts from both genres played there.  Among the acts to grace the stage were Sarah Vaughan, Dinah Washington, Sammy Davis, Jr., James Brown, Lena Horne, Lionel Hampton, The Supremes, Stevie Wonder, and Dionne Warwick, Martha Reeves & The Vandellas, Marvin Gaye and Mary Wells
The 1968 riots, which followed the assassination of Martin Luther King, Jr., caused the venue a great deal of harm.  The riots, coupled with desegregation, contributed to the theater's difficulty in attracting patrons, and the theater closed in 1970.  Three years later, in 1973, the Howard Theatre Foundation was organized to reopen the venue.  It was this organization which succeeded, in 1974, in gaining the building historic landmark status.  In April 1975, the New Howard Theatre Corporation presented an evening of entertainment to salute the reopening of the theater. Redd Foxx and Melba Moore were among the acts featured at the theater's reopening.  Later in the decade, go-go bands played the venue, and Chuck Brown and the Soul Searchers also performed at the Howard Theatre in the 1970s and 1980s.  In 1980, the theater closed again.  At the time it was the oldest venue in the country that featured Black artists. Under Mayor Marion Barry the theatre was purchased by the District government for $100,000. In 2002, the DC Preservation League listed the Howard Theatre as one of its Most Endangered Places in the District.
Howard Theatre