Following Panggilan Darah, Oriental – which had been losing money steadily – released its contract for the ANIF studio, which was taken over by the Dutch-run Multi Film.
Despite hopes that they would continue producing narrative films, perhaps with less modern equipment, the company was dissolved.
Oriental's actors and crew members migrated to different studios.
Suska was signed to Java Industrial Film and directed a single film for them, Ratna Moetoe Manikam.
Dhalia went to Populair's Film and acted in one production, Moestika dari Djemar (The Jewel of Djemar; 1942), before the Japanese occupation in March 1942 closed that studio.
Soerip, meanwhile, joined Njoo and Young at Majestic Film, acting in two productions before that studio was closed.

Although Oriental was short-lived, several of the actors and crew it hired went on to lengthy careers.
Njoo, after handling two films for Majestic in 1941, spent much of the decade in theatre before returning to directing in the mid-1950s.
Fifi Young, who continued acting for Njoo until their divorce in 1945, appeared in more than eighty films before her death in 1975.
Dhalia and Soerip likewise had lengthy careers: both acted until the 1990s, Dhalia in 52 productions and Soerip in 25.
Following Panggilan Darah, Oriental – which had been losing money steadily – released its contract for the ANIF studio, which was taken over by the Dutch-run Multi Film. Despite hopes that they would continue producing narrative films, perhaps with less modern equipment, the company was dissolved. Oriental's actors and crew members migrated to different studios. Suska was signed to Java Industrial Film and directed a single film for them, Ratna Moetoe Manikam. Dhalia went to Populair's Film and acted in one production, Moestika dari Djemar (The Jewel of Djemar; 1942), before the Japanese occupation in March 1942 closed that studio. Soerip, meanwhile, joined Njoo and Young at Majestic Film, acting in two productions before that studio was closed.
Although Oriental was short-lived, several of the actors and crew it hired went on to lengthy careers. Njoo, after handling two films for Majestic in 1941, spent much of the decade in theatre before returning to directing in the mid-1950s. Fifi Young, who continued acting for Njoo until their divorce in 1945, appeared in more than eighty films before her death in 1975. Dhalia and Soerip likewise had lengthy careers: both acted until the 1990s, Dhalia in 52 productions and Soerip in 25.
Oriental Film