The church is basilican in plan with a central nave leading to the chancel, which contains the sanctuary and the choir.
The baptistery (or baptistry) is at the entrance end of the church.
 The church, in keeping with the ancient ecclesiastical tradition, is oriented towards the liturgical East, with its main apse at the East (the altar placed there), and the baptistery at the West apse.


The church presents different types of the architecture typical of Gothic revival: the double pointed arch on the windows along the nave and sanctuary and baptistery  (most of them with colourful stained glass and most of them dating from the first half of the 20th century) featuring figures and scenes from the New Testament Two of the stained glass windows (dating from 1992) are a fine blend of contemporary art and Christian imagery (the New Heaven window and the New Earth window.
One exception to the New Testament thematic is "The Galahad window" based on Alfred, Lord Tennyson's version of the Arthurian legend and the quest for the Holy Grail (Le Morte d'Arthur) - in the Gothic style.

There is a three-partitioned Tudor arch on the window at the southeast elevation in the chancel; a four-centred Tudor arch at the baptistery below three narrow pointed arch  windows or clerestory windows; and two other four-centred Tudor arches for each entrance door.

The exterior walls are covered with white stucco.
The facades on the southwest end over the baptistery are partitioned by exposed wooden trim (trim and mouldings typical of 14th century Rural Gothic).
This theme is also retained over the southwest entrance and within the chancel gable.
 Exposed timber structure is generalized along with asymmetrical massing and contrasting roof-levels.

High peaked gables, exposed roof beams and barge boards at the edges of the roof can be seen in the outside; all elements of the rural Gothic Tudor style.

The basement along with the buttresses (two of which are topped with pinnacles) on both sides of the nave and the lower section of the tower are constructed with boulders which are exposed adding to the general contrasting of textures (stucco, stone, half-timber exterior work)
The exterior of the roof is composed of flat, rectangular shingles laid in rows from the bottom edge of the roof up, with each successive higher row overlapping the joints in the row below.
A small campanile is attached to the apex of the roof not only as an ornamental detail (as it does not have any bell) but as a significant symbolism for the mission of this parish, as this type of small roof campanile was particularly a characteristic element of missional church architecture.

The Edith Cavell Memorial Tower is Norman Gothic style (first intended to have double window system later during construction changed to a single window) crowned with battlements, and with sloping diagonal or "French" buttresses (at 45 degrees to the walls).

The church measures 26 m. long  and 15 m. width; the tower 14 m. in height; the seating capacity is 150.
The church is basilican in plan with a central nave leading to the chancel, which contains the sanctuary and the choir. The baptistery (or baptistry) is at the entrance end of the church.  The church, in keeping with the ancient ecclesiastical tradition, is oriented towards the liturgical East, with its main apse at the East (the altar placed there), and the baptistery at the West apse.

The church presents different types of the architecture typical of Gothic revival: the double pointed arch on the windows along the nave and sanctuary and baptistery  (most of them with colourful stained glass and most of them dating from the first half of the 20th century) featuring figures and scenes from the New Testament Two of the stained glass windows (dating from 1992) are a fine blend of contemporary art and Christian imagery (the New Heaven window and the New Earth window. One exception to the New Testament thematic is "The Galahad window" based on Alfred, Lord Tennyson's version of the Arthurian legend and the quest for the Holy Grail (Le Morte d'Arthur) - in the Gothic style.
There is a three-partitioned Tudor arch on the window at the southeast elevation in the chancel; a four-centred Tudor arch at the baptistery below three narrow pointed arch  windows or clerestory windows; and two other four-centred Tudor arches for each entrance door.
The exterior walls are covered with white stucco. The facades on the southwest end over the baptistery are partitioned by exposed wooden trim (trim and mouldings typical of 14th century Rural Gothic). This theme is also retained over the southwest entrance and within the chancel gable.  Exposed timber structure is generalized along with asymmetrical massing and contrasting roof-levels.
High peaked gables, exposed roof beams and barge boards at the edges of the roof can be seen in the outside; all elements of the rural Gothic Tudor style.
The basement along with the buttresses (two of which are topped with pinnacles) on both sides of the nave and the lower section of the tower are constructed with boulders which are exposed adding to the general contrasting of textures (stucco, stone, half-timber exterior work)
The exterior of the roof is composed of flat, rectangular shingles laid in rows from the bottom edge of the roof up, with each successive higher row overlapping the joints in the row below. A small campanile is attached to the apex of the roof not only as an ornamental detail (as it does not have any bell) but as a significant symbolism for the mission of this parish, as this type of small roof campanile was particularly a characteristic element of missional church architecture.
The Edith Cavell Memorial Tower is Norman Gothic style (first intended to have double window system later during construction changed to a single window) crowned with battlements, and with sloping diagonal or "French" buttresses (at 45 degrees to the walls).
The church measures 26 m. long  and 15 m. width; the tower 14 m. in height; the seating capacity is 150.
St. Mary & St. George Anglican Church