Regular script came into being between the Eastern Hàn and Cáo Wèi dynasties, and its first known master was  Zhōng Yáo (sometimes also read Zhōng Yóu; 鍾繇), who lived in the E. Hàn to Cáo Wèi period, c. 151–230 CE.
He is known as the "father of regular script", and his famous works include the Xuānshì Biǎo (宣示表), Jiànjìzhí Biǎo (薦季直表), and Lìmìng Biǎo (力命表).
 Qiu Xigui describes the script in Zhong’s Xuānshì Biǎo as:
...clearly emerging from the womb of early period semi-cursive script.
If one were to write the tidily written variety of early period semi-cursive script in a more dignified fashion and were to use consistently the pause technique (dùn 頓, used to reinforce the beginning or ending of a stroke) when ending horizontal strokes, a practice which already appears in early period semi-cursive script, and further were to make use of right-falling strokes with thick feet, the result would be a style of calligraphy like that in the "Xuān shì biǎo".

However, other than a few literati, very few wrote in this script at the time; most continued writing in neo-clerical script, or a hybrid form of semi-cursive and neo-clerical.
 Regular script did not become dominant until the early Southern and Northern Dynasties, in the 5th century; there was a variety of regular script which emerged from neo-clerical as well as from Zhong Yao's regular script, known as "Wei regular" (魏楷 Weikai) or "Wei stele" (魏碑 Weibei).
Thus, regular script has parentage in early semi-cursive as well as neo-clerical scripts.

The script is considered to have matured stylistically during the Tang Dynasty, with the most famous and oft-imitated regular script calligraphers of that period being:
Four great calligraphers of the early Tang (初唐四大家):
Ouyang Xun (歐陽詢)
Yu Shinan (虞世南)
Chu Suiliang (褚遂良)
Xue Ji (薛稷)
"Yan-Liu" ("顏柳")
Yan Zhenqing (顏真卿)
Liu Gongquan (柳公權)
Regular script came into being between the Eastern Hàn and Cáo Wèi dynasties, and its first known master was  Zhōng Yáo (sometimes also read Zhōng Yóu; 鍾繇), who lived in the E. Hàn to Cáo Wèi period, c. 151–230 CE. He is known as the "father of regular script", and his famous works include the Xuānshì Biǎo (宣示表), Jiànjìzhí Biǎo (薦季直表), and Lìmìng Biǎo (力命表).  Qiu Xigui describes the script in Zhong’s Xuānshì Biǎo as:
...clearly emerging from the womb of early period semi-cursive script. If one were to write the tidily written variety of early period semi-cursive script in a more dignified fashion and were to use consistently the pause technique (dùn 頓, used to reinforce the beginning or ending of a stroke) when ending horizontal strokes, a practice which already appears in early period semi-cursive script, and further were to make use of right-falling strokes with thick feet, the result would be a style of calligraphy like that in the "Xuān shì biǎo".
However, other than a few literati, very few wrote in this script at the time; most continued writing in neo-clerical script, or a hybrid form of semi-cursive and neo-clerical.  Regular script did not become dominant until the early Southern and Northern Dynasties, in the 5th century; there was a variety of regular script which emerged from neo-clerical as well as from Zhong Yao's regular script, known as "Wei regular" (魏楷 Weikai) or "Wei stele" (魏碑 Weibei). Thus, regular script has parentage in early semi-cursive as well as neo-clerical scripts.
The script is considered to have matured stylistically during the Tang Dynasty, with the most famous and oft-imitated regular script calligraphers of that period being:
Four great calligraphers of the early Tang (初唐四大家):
Ouyang Xun (歐陽詢)
Yu Shinan (虞世南)
Chu Suiliang (褚遂良)
Xue Ji (薛稷)
"Yan-Liu" ("顏柳")
Yan Zhenqing (顏真卿)
Liu Gongquan (柳公權)
Regular script