WINDOW INSTALLATION (exterior/interior), "Secret III," 1980, Printed Matter Bookstore, Lispenard Street, NYC.
Pages from Jean Seberg's FBI File received by the artist from the FBI using the Freedom of Information Act.
Enlarged pages from the file printed on transparent film, plus a self-published pamphlet with an introduction by the artist and including more facsimile pages from the File.
 Photograph by Margia Kramer.
Video Installation with multi-media.
Enlarged negative photostats on transparent film of facsimiles of 4 pages from the FBI File on Jean Seberg and a New York Times Article, "Rehnquist To Hear Black Panther Case," 20 minute videotape "Freedom of Information Tape 1, Jean Seberg" (1980) by Margia Kramer. "
Jean Seberg/The FBI/The Media," a pamphlet by Margia Kramer.
Approximately 12" x 12."
In the exhibition, "Issue: Social Strategies by Women Artists,"Institute of Contemporary Art, London.
Photograph by Margia Kramer.
Facsimiles of pages from the FBI File on Jean Seberg included copies of pages from relevant magazine and newspaper articles, an original 20 minute videotape "Freedom of Information Tape 1, Jean Seberg" by Margia Kramer, an original handbook, "Jean Seberg/The FBI/The Media" by Margia Kramer, enlarged negative photostats on transparent film of file pages, and positive photostats on paper of relevant magazine and newspaper articles.
Approx.
25' x 25' The exhibition encompassed a Jean Seberg Film Festival held at the Donnell Library and Carnegie Hall Cinema, a special screening of Seberg as "St. Joan" at MOMA, and a panel discussion "Freedom of Information and the Arts," moderated by Margia Kramer, at the Donnell Library.
Photograph by the Margia Kramer.
"Address Book Triptych" (1987-1988).
Multi-media triptych.
Enlarged negative photostats on transparent film of facsimiles of declassified, redacted pages of opponents of the Vietnam War.
From the FBI files requested by the artist using the Freedom of Act.
Teak frames with Plexiglas, 22" x 51" (3 panels).
Photograph by Margia Kramer.

"CIA Screen" (1987-1988).
Multi-media four-panel folding screen.
Enlarged negative photostats on transparent film of facsimile of a 4-page recruitment brochure published by the Central Intelligence Agency (CIA) for its Clandestine Service.
Teak frames with Plexiglas, 72" x 80" (4 panels).
In the exhibition "Democracy and Politics," (1988) curated by Group Material at the Dia Art Foundation, New York.
Photograph by the Margia Kramer.
"Looking At Militarism" (1989).
Multi-media installation with film and video.
Enlarged negative photostats on transparent film, with teak frames, of facsimiles of documents from MIT archives, government defense programs, war and peace initiatives, budget priorities, newspaper articles, and other relevant documents.
Archival film footage from Hiroshima and Nagasaki showing the effects of nuclear war.
Original video interviews by the artist on the subject of peace activism with MIT Professors Vera Kistiakowsky and Noam Chomsky.
Approximately 40' x 50'.
List Visual Arts Center, Massachusetts Institute of Technology.
Photograph by Margia Kramer.
"I a WO/MAN: The FBI File on Andy Warhol" (1989).
Mixed media installation.
Enlarged negative photostats on transparent film, with redwood frames, of facsimiles of redacted pages from Andy Warhol's FBI File — using the Freedom of Information Act, the artist requested that the file be declassified following Warhol's death.
The large photostats were hung from the ceiling over 30' long, horizontal platform that concealed all but the screens of video monitors pointed towards the ceiling, continuously playing three, commercially released Warhol/Morrisey films: Flesh, Trash, and Heat.
Pamphlet by Margia Kramer, "Andy Warhol et al.
The FBI File on Andy Warhol" (New York, 1988).
Approximately 25' x 40'.
San Francisco Artspace.
Includes "The Warhol File," by Margia Kramer from The Village Voice, May 1988.
Photograph by Bonnie Burt.
WINDOW INSTALLATION (exterior/interior), "Secret III," 1980, Printed Matter Bookstore, Lispenard Street, NYC. Pages from Jean Seberg's FBI File received by the artist from the FBI using the Freedom of Information Act. Enlarged pages from the file printed on transparent film, plus a self-published pamphlet with an introduction by the artist and including more facsimile pages from the File.  Photograph by Margia Kramer.Video Installation with multi-media. Enlarged negative photostats on transparent film of facsimiles of 4 pages from the FBI File on Jean Seberg and a New York Times Article, "Rehnquist To Hear Black Panther Case," 20 minute videotape "Freedom of Information Tape 1, Jean Seberg" (1980) by Margia Kramer. "Jean Seberg/The FBI/The Media," a pamphlet by Margia Kramer. Approximately 12" x 12." In the exhibition, "Issue: Social Strategies by Women Artists,"Institute of Contemporary Art, London. Photograph by Margia Kramer.Facsimiles of pages from the FBI File on Jean Seberg included copies of pages from relevant magazine and newspaper articles, an original 20 minute videotape "Freedom of Information Tape 1, Jean Seberg" by Margia Kramer, an original handbook, "Jean Seberg/The FBI/The Media" by Margia Kramer, enlarged negative photostats on transparent film of file pages, and positive photostats on paper of relevant magazine and newspaper articles. Approx. 25' x 25' The exhibition encompassed a Jean Seberg Film Festival held at the Donnell Library and Carnegie Hall Cinema, a special screening of Seberg as "St. Joan" at MOMA, and a panel discussion "Freedom of Information and the Arts," moderated by Margia Kramer, at the Donnell Library. Photograph by the Margia Kramer."Address Book Triptych" (1987-1988). Multi-media triptych. Enlarged negative photostats on transparent film of facsimiles of declassified, redacted pages of opponents of the Vietnam War. From the FBI files requested by the artist using the Freedom of Act. Teak frames with Plexiglas, 22" x 51" (3 panels). Photograph by Margia Kramer.
"CIA Screen" (1987-1988). Multi-media four-panel folding screen. Enlarged negative photostats on transparent film of facsimile of a 4-page recruitment brochure published by the Central Intelligence Agency (CIA) for its Clandestine Service. Teak frames with Plexiglas, 72" x 80" (4 panels). In the exhibition "Democracy and Politics," (1988) curated by Group Material at the Dia Art Foundation, New York. Photograph by the Margia Kramer."Looking At Militarism" (1989). Multi-media installation with film and video. Enlarged negative photostats on transparent film, with teak frames, of facsimiles of documents from MIT archives, government defense programs, war and peace initiatives, budget priorities, newspaper articles, and other relevant documents. Archival film footage from Hiroshima and Nagasaki showing the effects of nuclear war. Original video interviews by the artist on the subject of peace activism with MIT Professors Vera Kistiakowsky and Noam Chomsky. Approximately 40' x 50'. List Visual Arts Center, Massachusetts Institute of Technology. Photograph by Margia Kramer."I a WO/MAN: The FBI File on Andy Warhol" (1989). Mixed media installation. Enlarged negative photostats on transparent film, with redwood frames, of facsimiles of redacted pages from Andy Warhol's FBI File — using the Freedom of Information Act, the artist requested that the file be declassified following Warhol's death. The large photostats were hung from the ceiling over 30' long, horizontal platform that concealed all but the screens of video monitors pointed towards the ceiling, continuously playing three, commercially released Warhol/Morrisey films: Flesh, Trash, and Heat. Pamphlet by Margia Kramer, "Andy Warhol et al. The FBI File on Andy Warhol" (New York, 1988). Approximately 25' x 40'. San Francisco Artspace. Includes "The Warhol File," by Margia Kramer from The Village Voice, May 1988. Photograph by Bonnie Burt.
Margia Kramer