After the church’s destruction in the Great Fire, the parish was combined with that of St John the Evangelist Friday Street, also destroyed, but not rebuilt.
 In 1671 a "tabernacle" or temporary church 
was set up to serve the parishioners of All Hallows and St John's.
The reconstruction  of All Hallows began in 1681 and by 1684 the body of the church was 
complete.
The unfinished tower was boarded over and work  stopped, due to the difficulty Wren experienced in paying for the simultaneous completion of  several dozen churches, as well as the ongoing construction of St Paul's Cathedral, from the Coal Tax receipts.
A letter from 1697 survives from the then Lord Mayor, Edward Clarke, lobbying Wren to complete the steeple.
 Coincidentally or not, work recommenced and the 
tower was finished the next year.
 The total cost of the church and tower was £4,881.
 Among the vestry records are accounts for £12 of "florence" wine (probably Chianti) for Wren and £11 for his assistant 
Nicholas Hawksmoor.

The main frontage of the reconstructed church faced north onto Watling Street.
 It had eight round-headed windows (one of them blind) decorated with carved keystones.
 The plan of the church was in the shape of a slightly irregular quadrilateral with an annex protruding on the south.
 The walls were topped by a balustrade.

The rebuilt church was 72 ft long and 35 ft wide.
The interior was not divided by piers or columns.
There was a gallery at the west end, supported by a single column, housing an organ, erected by subscription in 1717.
 By the beginning of the  19th century  there was also a small gallery on the south side, "somewhat like a balcony or an orchestra in an assembly room", over the door to the vestry.
At the east end was a shallow recess, containing th reredos, with the Royal Arms 
above.

The steeple, completed 14 years later, was the work of Nicholas Hawksmoor.
The tower was square in plan, the top storey  having three arched openings on each side, each with a finely carved mask keystone.
It was topped by a balustrade, with four obelisks on corner plinths.
 The belfry level beneath this had round headed windows framed by swags.
 The stage below that, marking the limit of building in 1684, had round windows.
After the church’s destruction in the Great Fire, the parish was combined with that of St John the Evangelist Friday Street, also destroyed, but not rebuilt.  In 1671 a "tabernacle" or temporary church 
was set up to serve the parishioners of All Hallows and St John's. The reconstruction  of All Hallows began in 1681 and by 1684 the body of the church was 
complete. The unfinished tower was boarded over and work  stopped, due to the difficulty Wren experienced in paying for the simultaneous completion of  several dozen churches, as well as the ongoing construction of St Paul's Cathedral, from the Coal Tax receipts. A letter from 1697 survives from the then Lord Mayor, Edward Clarke, lobbying Wren to complete the steeple.  Coincidentally or not, work recommenced and the 
tower was finished the next year.  The total cost of the church and tower was £4,881.  Among the vestry records are accounts for £12 of "florence" wine (probably Chianti) for Wren and £11 for his assistant 
Nicholas Hawksmoor.
The main frontage of the reconstructed church faced north onto Watling Street.  It had eight round-headed windows (one of them blind) decorated with carved keystones.  The plan of the church was in the shape of a slightly irregular quadrilateral with an annex protruding on the south.  The walls were topped by a balustrade.
The rebuilt church was 72 ft long and 35 ft wide. The interior was not divided by piers or columns. There was a gallery at the west end, supported by a single column, housing an organ, erected by subscription in 1717.  By the beginning of the  19th century  there was also a small gallery on the south side, "somewhat like a balcony or an orchestra in an assembly room", over the door to the vestry. At the east end was a shallow recess, containing th reredos, with the Royal Arms 
above.
The steeple, completed 14 years later, was the work of Nicholas Hawksmoor. The tower was square in plan, the top storey  having three arched openings on each side, each with a finely carved mask keystone. It was topped by a balustrade, with four obelisks on corner plinths.  The belfry level beneath this had round headed windows framed by swags.  The stage below that, marking the limit of building in 1684, had round windows.
All Hallows, Bread Street