At some point during his career as a Harvard/Radcliffe Professor, Goodale taught avid Botany student Mary Lee Ware - born to the Elizabeth Cabot Lee (from then on Elizabeth C. Ware) and Dr. Charles Eliot Ware; a twist of fate that would turn critical later.
After 1879, Goodale served as the first director of Harvard's Botanical Museum, but filling it was a slight problem for, at that time, Harvard was the global center of botanical study.
As such, Goodale wanted the best, but the only used method was showcasing pressed and carefully labeled specimens — a methodology that offered a twofold problem: being pressed, the specimens were two-dimensional and tended to lose their color.
Hence they were hardly the ideal teaching tools.
However, Harvard had recently procured several glass marine invertebrates made by German glass artists Leopold and Rudolf Blaschka and, upon seeing them, Professor Goodale realized that glass flowers would solve his problem as, being glass, they were both three-dimensional and would retain their color.
The only issue lay in convincing the Blaschkas to undertake such a project and how to fund it.
The former took some time - and an advance payment of 200 marks - to accomplish, but eventually the famed glass artists agreed to send test-models to the U.S. and, although damaged in customs, the fragments convinced Goodale that Blaschka glass art was a more than worthy educational investment.

But investments require fund, and to cover such an expensive enterprise Goodale approached his former student Mary Lee Ware and her mother with his idea.
Being independently wealthy and (already) liberal benefactors of Harvard's botanical department, Mary convinced her mother to agree to underwrite the consignment of the uncannily lifelike models they both were enchanted by.
The contract signed dictated that the Blaschkas need only work half-time on the models (beginning in 1887) but, in 1890, they and Goodale - signing on behalf of the Wares - signed an updated version that allowed Leopold and Rudolf to work on them full-time; some sources detail the agreement as a shift from a 3-year contract to a 10-year one, agreed to once Goodale convinced Mary and her mother of the wisdom in doing so.
Either way, the Wares liberally funded the entire enterprise.
To this day the now world famous Glass Flowers are still on display at the Harvard Museum of Natural History — the exhibit itself dedicated to Dr. Charles Eliot Ware (the deceased father and husband of Mary L. and Elizabeth C. Ware respectively), the official name being The Ware Collection of Blaschka Glass Models of Plants.
Moreover, unlike the glass marine invertebrates — which were "a profitable global mail-order business", the Glass Flowers were commissioned solely for and are unique to Harvard.
At some point during his career as a Harvard/Radcliffe Professor, Goodale taught avid Botany student Mary Lee Ware - born to the Elizabeth Cabot Lee (from then on Elizabeth C. Ware) and Dr. Charles Eliot Ware; a twist of fate that would turn critical later. After 1879, Goodale served as the first director of Harvard's Botanical Museum, but filling it was a slight problem for, at that time, Harvard was the global center of botanical study. As such, Goodale wanted the best, but the only used method was showcasing pressed and carefully labeled specimens — a methodology that offered a twofold problem: being pressed, the specimens were two-dimensional and tended to lose their color. Hence they were hardly the ideal teaching tools. However, Harvard had recently procured several glass marine invertebrates made by German glass artists Leopold and Rudolf Blaschka and, upon seeing them, Professor Goodale realized that glass flowers would solve his problem as, being glass, they were both three-dimensional and would retain their color. The only issue lay in convincing the Blaschkas to undertake such a project and how to fund it. The former took some time - and an advance payment of 200 marks - to accomplish, but eventually the famed glass artists agreed to send test-models to the U.S. and, although damaged in customs, the fragments convinced Goodale that Blaschka glass art was a more than worthy educational investment.
But investments require fund, and to cover such an expensive enterprise Goodale approached his former student Mary Lee Ware and her mother with his idea. Being independently wealthy and (already) liberal benefactors of Harvard's botanical department, Mary convinced her mother to agree to underwrite the consignment of the uncannily lifelike models they both were enchanted by. The contract signed dictated that the Blaschkas need only work half-time on the models (beginning in 1887) but, in 1890, they and Goodale - signing on behalf of the Wares - signed an updated version that allowed Leopold and Rudolf to work on them full-time; some sources detail the agreement as a shift from a 3-year contract to a 10-year one, agreed to once Goodale convinced Mary and her mother of the wisdom in doing so. Either way, the Wares liberally funded the entire enterprise. To this day the now world famous Glass Flowers are still on display at the Harvard Museum of Natural History — the exhibit itself dedicated to Dr. Charles Eliot Ware (the deceased father and husband of Mary L. and Elizabeth C. Ware respectively), the official name being The Ware Collection of Blaschka Glass Models of Plants. Moreover, unlike the glass marine invertebrates — which were "a profitable global mail-order business", the Glass Flowers were commissioned solely for and are unique to Harvard.
George Lincoln Goodale