The area around Marfa is known as a cultural center for contemporary artists and artisans.
In 1971, Minimalist artist Donald Judd moved to Marfa from New York City.
After renting summer houses for a few years, he bought two large hangars and some smaller buildings and began to permanently install his art.
While this started with his building in New York, the buildings in Marfa allowed him to install his works on a larger scale.
In 1976, he bought the first of two ranches that became his primary places of residence, continuing a long love affair with the desert landscape surrounding Marfa.
Later, with assistance from the Dia Art Foundation in New York, Judd acquired decommissioned Fort D.A. Russell, and began transforming the fort's buildings into art spaces in 1979.
Judd's vision was to house large collections of individual artists' work on permanent display, as a sort of antimuseum.
Judd believed the prevailing model of a museum, where art is shown for short periods of time, does not allow the viewer an understanding of the artist or their work as they intended.

Since Judd's death in 1994, two foundations have worked to maintain his legacy: the Chinati Foundation and Judd Foundation.
Since its inauguration in 1986, Chinati has held an open-house event that attracts visitors from around the world to visit Marfa's art.
Between 1997 and 2008, both foundations cosponsored this event.
The Chinati Foundation now occupies more than 30 buildings in Marfa and has permanently displayed work by 13 artists.

In recent years, a new wave of artists has moved to Marfa to live and work.
As a result, new gallery spaces have opened in the downtown area.
The Crowley Theater and its annex host public events with seating for over 175 as a public service to nonprofit foundations.
Furthermore, The Lannan Foundation has established a writers-in-residency program, a Marfa theater group has formed, and a multifunctional art space called Ballroom Marfa has begun to show art films, host musical performances, and exhibit other art installations.
The city is also 37 miles (60 km) from Prada Marfa, a pop art exhibit, and is home to Cobra Rock Boot Company and The Wrong Store.

Marfa Myths, an annual music festival and multidisciplinary cultural program, was founded in 2014 by nonprofit contemporary arts foundation Ballroom Marfa and Brooklyn-based music label Mexican Summer.
The festival brings together a diversity of emerging and established artists and musicians to work creatively and collaboratively across music, film, and visual arts contexts.
The festival is inherently embedded in the landscape of Far West Texas, and deeply engaged with Marfa's cultural history and present-day community.

Building 98, also located in Marfa, is a project of the International Woman's Foundation, which has operated an artist-in-residency program since 2002.
The International Woman's Foundation was responsible for placing Fort D.A. Russell on the National Register of Historic Places as an effort to preserve the historic importance of the site.
The facility's studio galleries host artists who desire to exhibit work in the region at a premier venue.
In late September 2012 through early April 2013, the foundation held a major retrospective of the works of Wilhelmina Weber Furlong at Building 98 featuring over 75 unseen works of the early American woman modernist.
Building 98 is located at historic Fort D. A. Russell; it is the home of Marfa's German POW murals.
The facility also features the George Sugarman sculpture courtyard.
The area around Marfa is known as a cultural center for contemporary artists and artisans. In 1971, Minimalist artist Donald Judd moved to Marfa from New York City. After renting summer houses for a few years, he bought two large hangars and some smaller buildings and began to permanently install his art. While this started with his building in New York, the buildings in Marfa allowed him to install his works on a larger scale. In 1976, he bought the first of two ranches that became his primary places of residence, continuing a long love affair with the desert landscape surrounding Marfa. Later, with assistance from the Dia Art Foundation in New York, Judd acquired decommissioned Fort D.A. Russell, and began transforming the fort's buildings into art spaces in 1979. Judd's vision was to house large collections of individual artists' work on permanent display, as a sort of antimuseum. Judd believed the prevailing model of a museum, where art is shown for short periods of time, does not allow the viewer an understanding of the artist or their work as they intended.
Since Judd's death in 1994, two foundations have worked to maintain his legacy: the Chinati Foundation and Judd Foundation. Since its inauguration in 1986, Chinati has held an open-house event that attracts visitors from around the world to visit Marfa's art. Between 1997 and 2008, both foundations cosponsored this event. The Chinati Foundation now occupies more than 30 buildings in Marfa and has permanently displayed work by 13 artists.
In recent years, a new wave of artists has moved to Marfa to live and work. As a result, new gallery spaces have opened in the downtown area. The Crowley Theater and its annex host public events with seating for over 175 as a public service to nonprofit foundations. Furthermore, The Lannan Foundation has established a writers-in-residency program, a Marfa theater group has formed, and a multifunctional art space called Ballroom Marfa has begun to show art films, host musical performances, and exhibit other art installations. The city is also 37 miles (60 km) from Prada Marfa, a pop art exhibit, and is home to Cobra Rock Boot Company and The Wrong Store.
Marfa Myths, an annual music festival and multidisciplinary cultural program, was founded in 2014 by nonprofit contemporary arts foundation Ballroom Marfa and Brooklyn-based music label Mexican Summer. The festival brings together a diversity of emerging and established artists and musicians to work creatively and collaboratively across music, film, and visual arts contexts. The festival is inherently embedded in the landscape of Far West Texas, and deeply engaged with Marfa's cultural history and present-day community.
Building 98, also located in Marfa, is a project of the International Woman's Foundation, which has operated an artist-in-residency program since 2002. The International Woman's Foundation was responsible for placing Fort D.A. Russell on the National Register of Historic Places as an effort to preserve the historic importance of the site. The facility's studio galleries host artists who desire to exhibit work in the region at a premier venue. In late September 2012 through early April 2013, the foundation held a major retrospective of the works of Wilhelmina Weber Furlong at Building 98 featuring over 75 unseen works of the early American woman modernist. Building 98 is located at historic Fort D. A. Russell; it is the home of Marfa's German POW murals. The facility also features the George Sugarman sculpture courtyard.
Marfa, Texas