After the death of Garove (1713), Juvarra built the Grand Gallery and in parallel built a church dedicated to St. Hubertus, patron of the hunters (1716–1729).
The church is strictly included within the palace's structure, so that it was impossible to build a dome: this was then frescoes trompe-l'oeil from inside.

Other works of the Juvarra period included the stables, the citroneria (fruit grows, 1722–1728) and the renovation in French-style of the facades.

The last buildings date from the mid-18th and early 19th centuries (stables, riding school, stair of the Reggia di Diana, gallery of Sant'Uberto); subsequently the Palace was abandoned in favour of the Palazzina di Caccia di Stupinigi (1729), which was by then more in tune with the tastes of the European courts.
After the death of Garove (1713), Juvarra built the Grand Gallery and in parallel built a church dedicated to St. Hubertus, patron of the hunters (1716–1729). The church is strictly included within the palace's structure, so that it was impossible to build a dome: this was then frescoes trompe-l'oeil from inside.
Other works of the Juvarra period included the stables, the citroneria (fruit grows, 1722–1728) and the renovation in French-style of the facades.
The last buildings date from the mid-18th and early 19th centuries (stables, riding school, stair of the Reggia di Diana, gallery of Sant'Uberto); subsequently the Palace was abandoned in favour of the Palazzina di Caccia di Stupinigi (1729), which was by then more in tune with the tastes of the European courts.
Palace of Venaria