In 1896, together with Nicolae Vermont, Constantin Artachino, and the art collector, Alexandru Bogdan-Pitești, Stefan Luchian was one of the main founders of Bucharest's Salonul Independenţilor, which was opened in front of the official Salon (the Romanian equivalent of the Paris Salon).
Two years later, the group led to the creation of Societatea Ileana and its press organ, Ileana, with Luchian as the original illustrator.
From then on Luchian began integrating Symbolist elements in his work, taking inspiration from various related trends: Art Nouveau, Jugendstil and Mir iskusstva (see Symbolist movement in Romania).

In 1900, Luchian contributed two pastels to Romania's Pavilion at the World Fair, and in the same year suffered the first symptoms of multiple sclerosis, the disease which, after some initial improvements, was to haunt him for the rest of his life.
Nonetheless, he continued painting and, until 1915, had his works displayed in numerous exhibitions, albeit to a largely indifferent public.
At his 1905 exhibition, the only buyer of a painting was his former teacher Grigorescu.
Despite being appreciated by a select few (including the writer Ion Luca Caragiale), Luchian lived in poverty (the large fortune he had inherited was progressively drained).

Paralysed from 1909, he had to live the rest of his life in an armchair.
This did not prevent him from working on an entire series of landscapes and flowers.
He had begun flower paintings earlier, but from 1908 he concentrated all his creative energy into the subject.
Toward the end of his life, Luchian was no longer able to hold the painter's brush with his fingers, and was instead helped to tie it to his wrist in order to continue work.

At the time, he had begun enjoying considerable success — a phenomenon which the writer Tudor Arghezi attributed to the momentary rise of Take Ionescu as a politician (Ionescu had become the center of a fashion and subject of imitation, and he was among the first to buy more than one of Luchian's paintings).
As his disease became notorious, a rumor spread that Luchian allowed someone else to paint in his name; the scandal brought about Luchian's arrest under charges of fraud (he was released soon after).
Arghezi took pride in being one of his few defenders.

One of the last events in Luchian's life was a visit paid to his house by composer and violinist George Enescu.
Although the two had never met before, Enescu played his instrument as a personal tribute to the dying artist.

He died in Bucharest and he was buried at the Bellu Cemetery.
In 1896, together with Nicolae Vermont, Constantin Artachino, and the art collector, Alexandru Bogdan-Pitești, Stefan Luchian was one of the main founders of Bucharest's Salonul Independenţilor, which was opened in front of the official Salon (the Romanian equivalent of the Paris Salon). Two years later, the group led to the creation of Societatea Ileana and its press organ, Ileana, with Luchian as the original illustrator. From then on Luchian began integrating Symbolist elements in his work, taking inspiration from various related trends: Art Nouveau, Jugendstil and Mir iskusstva (see Symbolist movement in Romania).
In 1900, Luchian contributed two pastels to Romania's Pavilion at the World Fair, and in the same year suffered the first symptoms of multiple sclerosis, the disease which, after some initial improvements, was to haunt him for the rest of his life. Nonetheless, he continued painting and, until 1915, had his works displayed in numerous exhibitions, albeit to a largely indifferent public. At his 1905 exhibition, the only buyer of a painting was his former teacher Grigorescu. Despite being appreciated by a select few (including the writer Ion Luca Caragiale), Luchian lived in poverty (the large fortune he had inherited was progressively drained).
Paralysed from 1909, he had to live the rest of his life in an armchair. This did not prevent him from working on an entire series of landscapes and flowers. He had begun flower paintings earlier, but from 1908 he concentrated all his creative energy into the subject. Toward the end of his life, Luchian was no longer able to hold the painter's brush with his fingers, and was instead helped to tie it to his wrist in order to continue work. 
At the time, he had begun enjoying considerable success — a phenomenon which the writer Tudor Arghezi attributed to the momentary rise of Take Ionescu as a politician (Ionescu had become the center of a fashion and subject of imitation, and he was among the first to buy more than one of Luchian's paintings). As his disease became notorious, a rumor spread that Luchian allowed someone else to paint in his name; the scandal brought about Luchian's arrest under charges of fraud (he was released soon after). Arghezi took pride in being one of his few defenders.
One of the last events in Luchian's life was a visit paid to his house by composer and violinist George Enescu. Although the two had never met before, Enescu played his instrument as a personal tribute to the dying artist.
He died in Bucharest and he was buried at the Bellu Cemetery.
Ștefan Luchian