The company is most famous through its association with Beatles songwriter, singer, and instrumentalist Paul McCartney, who is a longtime user of the Höfner 500/1 model hollow-body electric bass, first manufactured in 1956.

McCartney played two left-handed 500/1 basses during most of the group's career—a 1961 model with pickups mounted close together towards the neck, and a 1963 model, with the second pickup mounted closer to the bridge.
McCartney used the 1961 bass until the recording of With The Beatles in late 1963, when he got his second 500/1.
McCartney used his 1963 bass almost exclusively during The Beatles' touring career, using his 1961 bass (repaired and refinished in 1964) as a backup.
By 1965 McCartney had begun using a Rickenbacker bass in the studio—but he did bring out his 1961 model for the "Revolution" promo film in 1968, and for the documentary Let It Be the following year.
During the shooting, however, the 1961 bass was stolen, and McCartney used his newer Höfner for the remainder of the film, including the famous rooftop performance.
McCartney continued to use his 1963 Höfner extensively throughout his solo career and continues to use it.
The company is most famous through its association with Beatles songwriter, singer, and instrumentalist Paul McCartney, who is a longtime user of the Höfner 500/1 model hollow-body electric bass, first manufactured in 1956.
McCartney played two left-handed 500/1 basses during most of the group's career—a 1961 model with pickups mounted close together towards the neck, and a 1963 model, with the second pickup mounted closer to the bridge. McCartney used the 1961 bass until the recording of With The Beatles in late 1963, when he got his second 500/1. McCartney used his 1963 bass almost exclusively during The Beatles' touring career, using his 1961 bass (repaired and refinished in 1964) as a backup. By 1965 McCartney had begun using a Rickenbacker bass in the studio—but he did bring out his 1961 model for the "Revolution" promo film in 1968, and for the documentary Let It Be the following year. During the shooting, however, the 1961 bass was stolen, and McCartney used his newer Höfner for the remainder of the film, including the famous rooftop performance. McCartney continued to use his 1963 Höfner extensively throughout his solo career and continues to use it.
Höfner