Throughout their education, timpanists are trained as percussionists, and they learn to play all instruments of the percussion family along with timpani.
However, when appointed to a principal timpani chair in a professional ensemble, a timpanist is not normally required to play any other instruments.
In his book Anatomy of the Orchestra, Norman Del Mar writes that the timpanist is "king of his own province", and that "a good timpanist really does set the standard of the whole orchestra."
A qualified member of the percussion section sometimes doubles as associate timpanist, performing in repertoire requiring multiple timpanists and filling in for the principal timpanist when required.

Among the professionals who have been highly regarded for their virtuosity and impact on the development of the timpani in the 20th century are Saul Goodman, Hans Schnellar, Fred Hinger, and Cloyd Duff.
Throughout their education, timpanists are trained as percussionists, and they learn to play all instruments of the percussion family along with timpani. However, when appointed to a principal timpani chair in a professional ensemble, a timpanist is not normally required to play any other instruments. In his book Anatomy of the Orchestra, Norman Del Mar writes that the timpanist is "king of his own province", and that "a good timpanist really does set the standard of the whole orchestra." A qualified member of the percussion section sometimes doubles as associate timpanist, performing in repertoire requiring multiple timpanists and filling in for the principal timpanist when required.
Among the professionals who have been highly regarded for their virtuosity and impact on the development of the timpani in the 20th century are Saul Goodman, Hans Schnellar, Fred Hinger, and Cloyd Duff.
Timpani