In the early 1950s, Reisman spent two years in Paris studying at the École Nationale des Beaux-Arts and attending painter Jean Souverbie’s Monumental Art workshop.
Israeli artists Lea Nikel, Eliahu Gat, and Michael Gross were also in Paris at the time, and Reisman formed long-lasting friendships with them.
Upon his return to the kibbutz, Reisman opened a studio in an abandoned building, where he worked on his art several times a week.
He painted landscapes, portraits and still-life in bright colors.
He began to exhibit his work in solo and group exhibitions.
He spent more time in Paris in the 1970s.
In 1974 he joined the "Aklim" (Climate) Group.
In the early 1950s, Reisman spent two years in Paris studying at the École Nationale des Beaux-Arts and attending painter Jean Souverbie’s Monumental Art workshop. Israeli artists Lea Nikel, Eliahu Gat, and Michael Gross were also in Paris at the time, and Reisman formed long-lasting friendships with them. Upon his return to the kibbutz, Reisman opened a studio in an abandoned building, where he worked on his art several times a week. He painted landscapes, portraits and still-life in bright colors. He began to exhibit his work in solo and group exhibitions. He spent more time in Paris in the 1970s. In 1974 he joined the "Aklim" (Climate) Group.
Ori Reisman