Recordings include those by the Choir of Winchester Cathedral; the Tallis Scholars, The Cardinall's Musick, the National Youth Choir of Great Britain, the Oxford Camerata; the Choirs of King's and St John's Colleges, Cambridge; The Sixteen; The Clerkes of Oxenford; Huelgas Ensemble; Taverner Consort and Players; Philip Cave's Magnificat; and, the British male a cappella group, the King's Singers.
This recording is particularly noteworthy, since the group is composed of just six men: all forty parts are performed by these six via multitracking.
The Kronos Quartet has also recorded an instrumental version of the motet on their album Black Angels.
Cellist Peter Gregson has also multitracked Spem in Alium, performing all 40 parts on one cello.
I Fagiolini have recorded it alongside a 40 part motet by Alessandro Striggio, with continuo, cornetts and sackbuts.

Another version of this motet is featured in Janet Cardiff's Forty-Part Motet (2001), a sound installation which is part of the permanent collection of the National Gallery of Canada in Ottawa, Ontario, Canada and of Inhotim in Brumadinho, Brazil.
The Ottawa exhibit is set in the Rideau Street Chapel, which is the salvaged interior of a demolished convent chapel that is now in permanent display at the National Gallery.
Forty speakers are set around the Chapel, each one featuring a single voice of the 40-part choir.
The result is a highly enhanced polyphonic effect, as visitors may hear each individual voice through its corresponding speaker, or listen to the voices of the entire choir blending in together with varying intensities, as one moves around the Chapel.

On 10 June 2006, the BBC asked for 1,000 singers to meet, rehearse and perform the piece in the Bridgewater Hall, Manchester for what was almost certainly the largest performance of the piece in history.
On that day, over 700 singers attended, most of whom had never sung the piece before.
A programme following the day's events was broadcast on BBC Four on December 9, 2006.

Spem in alium features prominently in the Stephen Poliakoff TV drama Gideon's Daughter.
It is also used in the film Touching the Void, reaching a climax when Yates and Simpson arrive at the summit of the mountain.

Spem in alium has inspired modern composers to write 40-part choral works; examples include Giles Swayne's The Silent Land (1998), Robert Hanson's And There Shall Be No Night There (2002), Jaakko Mäntyjärvi's Tentatio (2006), Peter McGarr's Love You Big as the Sky (2007) and Alec Roth's Earthrise (2009), which was commissioned by the UK choir Ex Cathedra for its 40th anniversary.
A London-based choral festival, the Tallis Festival, which always includes a performance of Spem in alium, commissioned both Mäntyjärvi and McGarr.
Recordings include those by the Choir of Winchester Cathedral; the Tallis Scholars, The Cardinall's Musick, the National Youth Choir of Great Britain, the Oxford Camerata; the Choirs of King's and St John's Colleges, Cambridge; The Sixteen; The Clerkes of Oxenford; Huelgas Ensemble; Taverner Consort and Players; Philip Cave's Magnificat; and, the British male a cappella group, the King's Singers. This recording is particularly noteworthy, since the group is composed of just six men: all forty parts are performed by these six via multitracking. The Kronos Quartet has also recorded an instrumental version of the motet on their album Black Angels. Cellist Peter Gregson has also multitracked Spem in Alium, performing all 40 parts on one cello. I Fagiolini have recorded it alongside a 40 part motet by Alessandro Striggio, with continuo, cornetts and sackbuts.
Another version of this motet is featured in Janet Cardiff's Forty-Part Motet (2001), a sound installation which is part of the permanent collection of the National Gallery of Canada in Ottawa, Ontario, Canada and of Inhotim in Brumadinho, Brazil. The Ottawa exhibit is set in the Rideau Street Chapel, which is the salvaged interior of a demolished convent chapel that is now in permanent display at the National Gallery. Forty speakers are set around the Chapel, each one featuring a single voice of the 40-part choir. The result is a highly enhanced polyphonic effect, as visitors may hear each individual voice through its corresponding speaker, or listen to the voices of the entire choir blending in together with varying intensities, as one moves around the Chapel.
On 10 June 2006, the BBC asked for 1,000 singers to meet, rehearse and perform the piece in the Bridgewater Hall, Manchester for what was almost certainly the largest performance of the piece in history. On that day, over 700 singers attended, most of whom had never sung the piece before. A programme following the day's events was broadcast on BBC Four on December 9, 2006.
Spem in alium features prominently in the Stephen Poliakoff TV drama Gideon's Daughter. It is also used in the film Touching the Void, reaching a climax when Yates and Simpson arrive at the summit of the mountain.
Spem in alium has inspired modern composers to write 40-part choral works; examples include Giles Swayne's The Silent Land (1998), Robert Hanson's And There Shall Be No Night There (2002), Jaakko Mäntyjärvi's Tentatio (2006), Peter McGarr's Love You Big as the Sky (2007) and Alec Roth's Earthrise (2009), which was commissioned by the UK choir Ex Cathedra for its 40th anniversary. A London-based choral festival, the Tallis Festival, which always includes a performance of Spem in alium, commissioned both Mäntyjärvi and McGarr.
Spem in alium