Ratnasaṃbhava is associated with the skandha of feeling or sensation and its relationship with consciousness.
His activity in promoting Buddhism is enriching and increasing knowledge of Dharma.
Ratnasambhava is associated with the jewel symbol, which corresponds with his family, Ratna or jewel.
In artwork he is shown in the mudra of giving.

He is usually coloured yellow or gold.
He is associated with the element earth, the heavenly quarter of the south and the season of spring.
His cardinal direction is the south.
His Buddha field is known as Śrimat.

In the Bardo Thodol, he is depicted in union with Mamaki and attended by the male bodhisattvas Ākāśagarbha and Samantabhadra and the female bodhisattvas Mala and Dhupa.

In Tibet, Vaiśravaṇa, also known as Jambhala and Kubera, is considered a worldly dharmapāla, and is often depicted as a member of the retinue of Ratnasambhava.

His wrathful manifestation is the Wisdom King Gundari.
Ratnasaṃbhava is associated with the skandha of feeling or sensation and its relationship with consciousness. His activity in promoting Buddhism is enriching and increasing knowledge of Dharma. Ratnasambhava is associated with the jewel symbol, which corresponds with his family, Ratna or jewel. In artwork he is shown in the mudra of giving.
He is usually coloured yellow or gold. He is associated with the element earth, the heavenly quarter of the south and the season of spring. His cardinal direction is the south. His Buddha field is known as Śrimat.
In the Bardo Thodol, he is depicted in union with Mamaki and attended by the male bodhisattvas Ākāśagarbha and Samantabhadra and the female bodhisattvas Mala and Dhupa.
In Tibet, Vaiśravaṇa, also known as Jambhala and Kubera, is considered a worldly dharmapāla, and is often depicted as a member of the retinue of Ratnasambhava.
His wrathful manifestation is the Wisdom King Gundari.
Ratnasambhava