He started his songwriting career in amateur theatre, first at The International Youth Centre in 1952 where he and a friend wrote a revue together called IYC Revue 52.
The following year the pair auditioned for a production of the Leonard Irwin play The Wages of Eve at London's Unity Theatre.
Shortly afterward Bart began composing songs for Unity Theatre productions, contributing material (including the title song) to its 1953 revue Turn It Up, and songs for its 1953 pantomime, an agitprop version of Cinderella.
While at the Unity he was talent-spotted by Joan Littlewood, and so joined Theatre Workshop.
He also wrote comedy songs for the Sunday lunchtime BBC radio programme The Billy Cotton Band Show.

He first gained widespread recognition through his pop songwriting, penning numerous hits for the stable of young male singers promoted by artist manager and music publisher Larry Parnes.
Bart's pop output in this period includes the hits "Living Doll" (written for Cliff Richard) and "Rock with the Cavemen", "Handful of Songs", "Butterfingers" and "Little White Bull" (all for Tommy Steele).
During this period, Steele and Mike Pratt were his songwriting partners.
He won three Ivor Novello Awards in 1957, a further four in 1958, and two in 1960.
He wrote the theme song for the 1963 James Bond film From Russia with Love.
His other hits include "Do You Mind?" (
recorded by both Anthony Newley and Andy Williams), "Big Time" (a 1961 cover by Jack Jones of his Fings Ain't Wot They Used T'Be show tune), "Easy Going Me" (Adam Faith), and "Always You And Me" (with Russ Conway).

Bart was also responsible for the discovery of two of Parnes' biggest stars.
It was on his recommendation that Parnes went to see singer Tommy Hicks, whom he signed and renamed Tommy Steele, and Bart also suggested that Parnes see singer Reg Smith, who was then performing at the Condor Club.
Although Parnes missed his performance, he went round to Smith's house and signed him up on the basis of Bart's recommendation.
Smith went on to score a number of UK hits under his new stage name Marty Wilde.

Twenty-seven years after it became a number one hit for Cliff Richard, "Living Doll" was re-recorded by The Young Ones and Richard for Comic Relief, and spent another three weeks at number one.
He started his songwriting career in amateur theatre, first at The International Youth Centre in 1952 where he and a friend wrote a revue together called IYC Revue 52. The following year the pair auditioned for a production of the Leonard Irwin play The Wages of Eve at London's Unity Theatre. Shortly afterward Bart began composing songs for Unity Theatre productions, contributing material (including the title song) to its 1953 revue Turn It Up, and songs for its 1953 pantomime, an agitprop version of Cinderella. While at the Unity he was talent-spotted by Joan Littlewood, and so joined Theatre Workshop. He also wrote comedy songs for the Sunday lunchtime BBC radio programme The Billy Cotton Band Show.
He first gained widespread recognition through his pop songwriting, penning numerous hits for the stable of young male singers promoted by artist manager and music publisher Larry Parnes. Bart's pop output in this period includes the hits "Living Doll" (written for Cliff Richard) and "Rock with the Cavemen", "Handful of Songs", "Butterfingers" and "Little White Bull" (all for Tommy Steele). During this period, Steele and Mike Pratt were his songwriting partners. He won three Ivor Novello Awards in 1957, a further four in 1958, and two in 1960. He wrote the theme song for the 1963 James Bond film From Russia with Love. His other hits include "Do You Mind?" (recorded by both Anthony Newley and Andy Williams), "Big Time" (a 1961 cover by Jack Jones of his Fings Ain't Wot They Used T'Be show tune), "Easy Going Me" (Adam Faith), and "Always You And Me" (with Russ Conway).
Bart was also responsible for the discovery of two of Parnes' biggest stars. It was on his recommendation that Parnes went to see singer Tommy Hicks, whom he signed and renamed Tommy Steele, and Bart also suggested that Parnes see singer Reg Smith, who was then performing at the Condor Club. Although Parnes missed his performance, he went round to Smith's house and signed him up on the basis of Bart's recommendation. Smith went on to score a number of UK hits under his new stage name Marty Wilde.
Twenty-seven years after it became a number one hit for Cliff Richard, "Living Doll" was re-recorded by The Young Ones and Richard for Comic Relief, and spent another three weeks at number one.
Lionel Bart