The origins of modern Egyptology can be traced to the arrival in Egypt of Napoleon Bonaparte in the summer of 1798.

While undeniably an invasion by an alien imperialist power, this was nonetheless an invasion of its times, informed by Enlightenment ideas: alongside Napoleon's troops went men of science, the same whose toil under the desert sun would later yield the seminal 23-volume Description de l'Égypte.
Two French engineers, Jean-Baptiste Prosper Jollois and Édouard de Villiers du Terrage, were assigned to study the Ramesseum site, and it was with much fanfare that they identified it with the "Tomb of Ozymandias" or "Palace of Memnon" of which Diodorus of Sicily had written in the 1st century BC.

The next visitor of note was Giovanni Belzoni, a showman and engineer of Italian origin and, latterly, an archaeologist and antiques dealer.
Belzoni's travels took him in 1815 to Cairo, where he sold Mehemet Ali a hydraulic engine of his own invention.
There he met British Consul General Henry Salt, who hired his services to collect from the temple in Thebes the so-called 'Younger Memnon', one of two colossal granite heads depicting Ramesses II, and transport it to England.
Thanks to Belzoni's hydraulics and his skill as an engineer (Napoleon's men had failed in the same endeavour a decade or so earlier), the 7-ton stone head arrived in London in 1818, where it was dubbed "The Younger Memnon" and, some years later, given pride of place in the British Museum.

It was against the backdrop of intense excitement surrounding the statue's arrival, and having heard wondrous tales of other, less transportable treasures still in the desert, that the poet Percy Bysshe Shelley penned his sonnet "Ozymandias".
In particular, one massive fallen statue at the Ramesseum is now inextricably linked with Shelley, because of the cartouche on its shoulder bearing Ramesses's throne name, User-maat-re Setep-en-re, the first part of which Diodorus transliterated into Greek as "Ozymandias".

While Shelley's "vast and trunkless legs of stone" owe more to poetic license than to archaeology, the "half sunk... shattered visage" lying on the sand is an accurate description of part of the wrecked statue.
The hands, and the feet, lie nearby.
Were it still standing, the Ozymandias colossus would tower 19 m (62 ft) above the ground, rivalling the Colossi of Memnon and the statues of Ramesses carved into the mountain at Abu Simbel.

A joint French-Egyptian team has been exploring and restoring the Ramesseum and its environs since 1991.

Among their discoveries during excavations include kitchens, bakeries and supply rooms for the temple to the south, and a school where boys were taught to be scribes to the southeast.
Some of the challenges in preserving the area have been the control of modern Egyptian farmers using the area for farming and encroaching on the ruins.
The origins of modern Egyptology can be traced to the arrival in Egypt of Napoleon Bonaparte in the summer of 1798. 
While undeniably an invasion by an alien imperialist power, this was nonetheless an invasion of its times, informed by Enlightenment ideas: alongside Napoleon's troops went men of science, the same whose toil under the desert sun would later yield the seminal 23-volume Description de l'Égypte. Two French engineers, Jean-Baptiste Prosper Jollois and Édouard de Villiers du Terrage, were assigned to study the Ramesseum site, and it was with much fanfare that they identified it with the "Tomb of Ozymandias" or "Palace of Memnon" of which Diodorus of Sicily had written in the 1st century BC.
The next visitor of note was Giovanni Belzoni, a showman and engineer of Italian origin and, latterly, an archaeologist and antiques dealer. Belzoni's travels took him in 1815 to Cairo, where he sold Mehemet Ali a hydraulic engine of his own invention. There he met British Consul General Henry Salt, who hired his services to collect from the temple in Thebes the so-called 'Younger Memnon', one of two colossal granite heads depicting Ramesses II, and transport it to England. Thanks to Belzoni's hydraulics and his skill as an engineer (Napoleon's men had failed in the same endeavour a decade or so earlier), the 7-ton stone head arrived in London in 1818, where it was dubbed "The Younger Memnon" and, some years later, given pride of place in the British Museum.
It was against the backdrop of intense excitement surrounding the statue's arrival, and having heard wondrous tales of other, less transportable treasures still in the desert, that the poet Percy Bysshe Shelley penned his sonnet "Ozymandias". In particular, one massive fallen statue at the Ramesseum is now inextricably linked with Shelley, because of the cartouche on its shoulder bearing Ramesses's throne name, User-maat-re Setep-en-re, the first part of which Diodorus transliterated into Greek as "Ozymandias". 
While Shelley's "vast and trunkless legs of stone" owe more to poetic license than to archaeology, the "half sunk... shattered visage" lying on the sand is an accurate description of part of the wrecked statue. The hands, and the feet, lie nearby. Were it still standing, the Ozymandias colossus would tower 19 m (62 ft) above the ground, rivalling the Colossi of Memnon and the statues of Ramesses carved into the mountain at Abu Simbel.
A joint French-Egyptian team has been exploring and restoring the Ramesseum and its environs since 1991. 
Among their discoveries during excavations include kitchens, bakeries and supply rooms for the temple to the south, and a school where boys were taught to be scribes to the southeast. Some of the challenges in preserving the area have been the control of modern Egyptian farmers using the area for farming and encroaching on the ruins.
Ramesseum