The interior was decorated with  frescoes initially by Gualtiero Padovano, and later by Giovanni Battista Zelotti and Battista del Moro.
Their "Hall of the Muses" includes depictions of caryatids within a composition of muses and poets in Arcadian landscapes.
Ruins of a Greek temple also form the backdrop for the depiction of Olympian gods.
This is followed by symbols of peace and justice, a common theme in Venetian villas following the War of the League of Cambrai and the desire for a new Pax Venetiana, or great peace within the Republic of Venice.
The interior was decorated with  frescoes initially by Gualtiero Padovano, and later by Giovanni Battista Zelotti and Battista del Moro. Their "Hall of the Muses" includes depictions of caryatids within a composition of muses and poets in Arcadian landscapes. Ruins of a Greek temple also form the backdrop for the depiction of Olympian gods. This is followed by symbols of peace and justice, a common theme in Venetian villas following the War of the League of Cambrai and the desire for a new Pax Venetiana, or great peace within the Republic of Venice.
Villa Godi