Fealy appeared in her first silent film in 1911 for Thanhouser Studios, making another 18 between then and 1917, after which she did not perform in film for another 14 years.
During the summers of 1912 and 1913, she organized and starred with the Fealy-Durkin Company that put on performances at the Casino Theatre at Lakeside Amusement Park in Denver and the following year began touring the western half of the U.S.
Fealy had some commercial success as a playwright-performer.
She co-wrote The Red Cap with Grant Stewart, a noted New York playwright and performer, which ran at the National Theatre in Chicago in August 1928.
Though she was not in the cast of that production, the play's plot revolves around the invention of a wheeled luggage carrier ostensibly invented by Fealy.
A newspaper article reporting on the invention may be genuine, or may be a publicity stunt created to promote the play.
Other plays written or co-written by Fealy include At Midnight, and with the highly regarded Chicago playwright Alice Gerstenberg, The Promise.

Throughout her career, Fealy taught acting in many cities where she lived; early on with her mother, under names which included Maude Fealy Studio of Speech, Fealy School of Stage and Screen Acting, Fealy School of Dramatic Expression.
She taught in Grand Rapids, Michigan; Burbank, California; and Denver, Colorado.
By the 1930s, she was living in Los Angeles where she became involved in the Federal Theatre Project and at age 50 returned to secondary roles in film, including a credited appearance in The Ten Commandments (1956).
Later in her career, she wrote and appeared in pageants, programs, and presented lectures for schools and community organizations.
Fealy appeared in her first silent film in 1911 for Thanhouser Studios, making another 18 between then and 1917, after which she did not perform in film for another 14 years. During the summers of 1912 and 1913, she organized and starred with the Fealy-Durkin Company that put on performances at the Casino Theatre at Lakeside Amusement Park in Denver and the following year began touring the western half of the U.S.
Fealy had some commercial success as a playwright-performer. She co-wrote The Red Cap with Grant Stewart, a noted New York playwright and performer, which ran at the National Theatre in Chicago in August 1928. Though she was not in the cast of that production, the play's plot revolves around the invention of a wheeled luggage carrier ostensibly invented by Fealy. A newspaper article reporting on the invention may be genuine, or may be a publicity stunt created to promote the play. Other plays written or co-written by Fealy include At Midnight, and with the highly regarded Chicago playwright Alice Gerstenberg, The Promise.
Throughout her career, Fealy taught acting in many cities where she lived; early on with her mother, under names which included Maude Fealy Studio of Speech, Fealy School of Stage and Screen Acting, Fealy School of Dramatic Expression. She taught in Grand Rapids, Michigan; Burbank, California; and Denver, Colorado. By the 1930s, she was living in Los Angeles where she became involved in the Federal Theatre Project and at age 50 returned to secondary roles in film, including a credited appearance in The Ten Commandments (1956). Later in her career, she wrote and appeared in pageants, programs, and presented lectures for schools and community organizations.
Maude Fealy