The synagogue benefits of plenty of natural light thanks to the eleven large windows opening to the outside.
The interior, heavily altered by the eighteenth-century interventions, is decorated in the Baroque style with some Rococo elements.
The main focal points, the bimah and the ark, are placed at the opposite ends of the sanctuary: this was indeed the first Venetian synagogue to be built with the "bifocal effect", as the pulpit of the Scuola Grande Tedesca, later relocated, was originally placed in the middle of the room in accordance with the traditional "central bimah" configuration.

The intricately decorated ark is entirely gilded, as prescribed in the Book of Exodus with regard to the Ark of the Covenant; such abundance of gilt also reflects what was the decorative style in fashion in late seventeenth-century Venice.
The ark occupies a deep niche in the southern wall facing Jerusalem, as typically seen in ancient synagogues.
The niche protrudes outwards and is thus visible from the outside; this feature, characteristic of Venetian domestic architecture and once commonly seen in buildings throughout the city, is called liagò (or diagò) and probably derived from Islamic architecture.
Above the ark, a small stained glass window with blue, yellow, red, and green accents provides additional light.
The ark has a tripartite structure: the central section hosts the niche for the Torah scrolls, surmounted by a baroque broken pediment and flanked by two square pillars and two fluted Corinthian columns; the two lateral sections feature the seats for the parnassim with ornated curved backs, crowned by smaller broken pediments and enclosed on each side by Corinthian columns with oblique and vertical fluting.
The marble steps leading to the closet feature an obscure inscriptions in Hebrew, which reads:
The gift of Joshua Moshe in memory of his brother who was slaughtered like a goat.
The day of his birth was a difficult day for him.
On his 44th birthday his blood may be offered as a sacrifice to God.
Mordechai, son of Menachem Baldosa, 1672.

The date mentioned in the inscription indicates "with great approximation" that of the construction of the ark; as previously noted, its decorative style is clearly reminiscent of that period.
Above the parnassim seats are two wooden panels with texts from two Sabbath prayers.

At the opposite end of the room is the bimah, which dates back to circa 1780.
The raised polygonal pulpit, reached through five wooden steps and delicately decorated in the Rococo style, is surmounted by a semi-elliptical arch supported by four original columns of interlacing branches, reminiscent of the two pillars on the porch of Solomon's Temple.
The columns, of exquisite workmanship, were carefully restored in the 1980s.
The pulpit stands inside a semi-hexagonal niche, illuminated from above by a dome-shaped skylight, which was built around 1730.
The wooden seats surrounding the pulpit were originally reserved for the most eminent members of the community.
The eighteenth-century rearrangement of this section of the synagogue was most assuredly carried out by local Christian architect Bartolomeo Scalfurotto, who in the same period (aroud 1731) was working on the refurbishment of the façade of the Doge's Palace.

Placed against the room's longer walls are two walnut benches whose decoration was completed in 1789, together with the gilding of the synagogue's interior.
All the walls are subdivided into five horizontal sections; the number five recurs repeatedly throughout the synagogue (five are the openings on the two longer walls, as well as the steps leading to the bimah) as an evidence of its importance in Judaism.

Two of the four walls are noteworthy for the presence of eight wooden panels with relief medallions depicting biblical episodes from the Book of Exodus, including the city of Jericho, the Crossing of the Red Sea, the Altar of Sacrifice, the Manna, the Ark on the banks of the Jordan River, Korah, the gift of the Torah, and Moses making water flow from the rock.
The eight medallions, painted in tempera, a
The synagogue benefits of plenty of natural light thanks to the eleven large windows opening to the outside. The interior, heavily altered by the eighteenth-century interventions, is decorated in the Baroque style with some Rococo elements. The main focal points, the bimah and the ark, are placed at the opposite ends of the sanctuary: this was indeed the first Venetian synagogue to be built with the "bifocal effect", as the pulpit of the Scuola Grande Tedesca, later relocated, was originally placed in the middle of the room in accordance with the traditional "central bimah" configuration.
The intricately decorated ark is entirely gilded, as prescribed in the Book of Exodus with regard to the Ark of the Covenant; such abundance of gilt also reflects what was the decorative style in fashion in late seventeenth-century Venice. The ark occupies a deep niche in the southern wall facing Jerusalem, as typically seen in ancient synagogues. The niche protrudes outwards and is thus visible from the outside; this feature, characteristic of Venetian domestic architecture and once commonly seen in buildings throughout the city, is called liagò (or diagò) and probably derived from Islamic architecture. Above the ark, a small stained glass window with blue, yellow, red, and green accents provides additional light. The ark has a tripartite structure: the central section hosts the niche for the Torah scrolls, surmounted by a baroque broken pediment and flanked by two square pillars and two fluted Corinthian columns; the two lateral sections feature the seats for the parnassim with ornated curved backs, crowned by smaller broken pediments and enclosed on each side by Corinthian columns with oblique and vertical fluting. The marble steps leading to the closet feature an obscure inscriptions in Hebrew, which reads:
The gift of Joshua Moshe in memory of his brother who was slaughtered like a goat. The day of his birth was a difficult day for him. On his 44th birthday his blood may be offered as a sacrifice to God. Mordechai, son of Menachem Baldosa, 1672. 
The date mentioned in the inscription indicates "with great approximation" that of the construction of the ark; as previously noted, its decorative style is clearly reminiscent of that period. Above the parnassim seats are two wooden panels with texts from two Sabbath prayers.
At the opposite end of the room is the bimah, which dates back to circa 1780. The raised polygonal pulpit, reached through five wooden steps and delicately decorated in the Rococo style, is surmounted by a semi-elliptical arch supported by four original columns of interlacing branches, reminiscent of the two pillars on the porch of Solomon's Temple. The columns, of exquisite workmanship, were carefully restored in the 1980s. The pulpit stands inside a semi-hexagonal niche, illuminated from above by a dome-shaped skylight, which was built around 1730. The wooden seats surrounding the pulpit were originally reserved for the most eminent members of the community. The eighteenth-century rearrangement of this section of the synagogue was most assuredly carried out by local Christian architect Bartolomeo Scalfurotto, who in the same period (aroud 1731) was working on the refurbishment of the façade of the Doge's Palace.
Placed against the room's longer walls are two walnut benches whose decoration was completed in 1789, together with the gilding of the synagogue's interior. All the walls are subdivided into five horizontal sections; the number five recurs repeatedly throughout the synagogue (five are the openings on the two longer walls, as well as the steps leading to the bimah) as an evidence of its importance in Judaism.
Two of the four walls are noteworthy for the presence of eight wooden panels with relief medallions depicting biblical episodes from the Book of Exodus, including the city of Jericho, the Crossing of the Red Sea, the Altar of Sacrifice, the Manna, the Ark on the banks of the Jordan River, Korah, the gift of the Torah, and Moses making water flow from the rock. The eight medallions, painted in tempera, a
Canton Synagogue