Lamb's first publication was the inclusion of four sonnets in Coleridge's Poems on Various Subjects, published in 1796 by Joseph Cottle.
The sonnets were significantly influenced by the poems of Burns and the sonnets of William Bowles, a largely forgotten poet of the late 18th century.
Lamb's poems garnered little attention and are seldom read today.
As he himself came to realise, he was a much more talented prose stylist than poet.
Indeed, one of the most celebrated poets of the day—William Wordsworth—wrote to John Scott as early as 1815 that Lamb "writes prose exquisitely"—and this was five years before Lamb began The Essays of Elia for which he is now most famous.

Notwithstanding, Lamb's contributions to Coleridge's second edition of the Poems on Various Subjects showed significant growth as a poet.
These poems included The Tomb of Douglas and A Vision of Repentance.
Because of a temporary falling out with Coleridge, Lamb's poems were to be excluded in the third edition of the Poems though as it turned out a third edition never emerged.
Instead, Coleridge's next publication was the monumentally influential Lyrical Ballads co-published with Wordsworth.
Lamb, on the other hand, published a book entitled Blank Verse with Charles Lloyd, the mentally unstable son of the founder of Lloyds Bank.
Lamb's most famous poem was written at this time and entitled The Old Familiar Faces.
Like most of Lamb's poems, it is unabashedly sentimental, and perhaps for this reason it is still remembered and widely read today, being often included in anthologies of British and Romantic period poetry.
Of particular interest to Lambarians is the opening verse of the original version of The Old Familiar Faces, which is concerned with Lamb's mother, whom Mary Lamb killed.
It was a verse that Lamb chose to remove from the edition of his Collected Work published in 1818:
I had a mother, but she died, and left me,

Died prematurely in a day of horrors –

All, all are gone, the old familiar faces.

In the final years of the 18th century, Lamb began to work on prose, first in a novella entitled Rosamund Gray, which tells the story of a young girl whose character is thought to be based on Ann Simmons, an early love interest.
Although the story is not particularly successful as a narrative because of Lamb's poor sense of plot, it was well thought of by Lamb's contemporaries and led Shelley to observe, "what a lovely thing is Rosamund Gray!
How much knowledge of the sweetest part of our nature in it!" (
Quoted in Barnett, page 50)
In the first years of the 19th century, Lamb began a fruitful literary cooperation with his sister Mary.
Together they wrote at least three books for William Godwin's Juvenile Library.
The most successful of these was Tales From Shakespeare, which ran through two editions for Godwin and has been published dozens of times in countless editions ever since.
The book contains artful prose summaries of some of Shakespeare's most well-loved works.
According to Lamb, he worked primarily on Shakespeare's tragedies, while Mary focused mainly on the comedies.

Lamb's essay "On the Tragedies of Shakespeare Considered with Reference to their Fitness for Stage Representation", which was originally published in the Reflector in 1811 with the title "On Garrick, and Acting; and the Plays of Shakspeare, considered with reference to their fitness for Stage Representation", has often been taken as the ultimate Romantic dismissal of the theatre.
In the essay, Lamb argues that Shakespeare should be read, rather than performed, in order to protect Shakespeare from butchering by mass commercial performances.
While the essay certainly criticises contemporary stage practice, it also develops a more complex reflection on the possibility of representing Shakespearean dramas:
Shakespeare’s dramas are for Lamb the object of a complex cognitive process that does not require sensible data, but only imaginative elements that are suggestively elicited by words.
In the altered state of consciousness that the dreamlike experience of reading stands for, Lamb can see
Lamb's first publication was the inclusion of four sonnets in Coleridge's Poems on Various Subjects, published in 1796 by Joseph Cottle. The sonnets were significantly influenced by the poems of Burns and the sonnets of William Bowles, a largely forgotten poet of the late 18th century. Lamb's poems garnered little attention and are seldom read today. As he himself came to realise, he was a much more talented prose stylist than poet. Indeed, one of the most celebrated poets of the day—William Wordsworth—wrote to John Scott as early as 1815 that Lamb "writes prose exquisitely"—and this was five years before Lamb began The Essays of Elia for which he is now most famous.
Notwithstanding, Lamb's contributions to Coleridge's second edition of the Poems on Various Subjects showed significant growth as a poet. These poems included The Tomb of Douglas and A Vision of Repentance. Because of a temporary falling out with Coleridge, Lamb's poems were to be excluded in the third edition of the Poems though as it turned out a third edition never emerged. Instead, Coleridge's next publication was the monumentally influential Lyrical Ballads co-published with Wordsworth. Lamb, on the other hand, published a book entitled Blank Verse with Charles Lloyd, the mentally unstable son of the founder of Lloyds Bank. Lamb's most famous poem was written at this time and entitled The Old Familiar Faces. Like most of Lamb's poems, it is unabashedly sentimental, and perhaps for this reason it is still remembered and widely read today, being often included in anthologies of British and Romantic period poetry. Of particular interest to Lambarians is the opening verse of the original version of The Old Familiar Faces, which is concerned with Lamb's mother, whom Mary Lamb killed. It was a verse that Lamb chose to remove from the edition of his Collected Work published in 1818:
I had a mother, but she died, and left me,

Died prematurely in a day of horrors –

All, all are gone, the old familiar faces.
In the final years of the 18th century, Lamb began to work on prose, first in a novella entitled Rosamund Gray, which tells the story of a young girl whose character is thought to be based on Ann Simmons, an early love interest. Although the story is not particularly successful as a narrative because of Lamb's poor sense of plot, it was well thought of by Lamb's contemporaries and led Shelley to observe, "what a lovely thing is Rosamund Gray! How much knowledge of the sweetest part of our nature in it!" (Quoted in Barnett, page 50)
In the first years of the 19th century, Lamb began a fruitful literary cooperation with his sister Mary. Together they wrote at least three books for William Godwin's Juvenile Library. The most successful of these was Tales From Shakespeare, which ran through two editions for Godwin and has been published dozens of times in countless editions ever since. The book contains artful prose summaries of some of Shakespeare's most well-loved works. According to Lamb, he worked primarily on Shakespeare's tragedies, while Mary focused mainly on the comedies.
Lamb's essay "On the Tragedies of Shakespeare Considered with Reference to their Fitness for Stage Representation", which was originally published in the Reflector in 1811 with the title "On Garrick, and Acting; and the Plays of Shakspeare, considered with reference to their fitness for Stage Representation", has often been taken as the ultimate Romantic dismissal of the theatre. In the essay, Lamb argues that Shakespeare should be read, rather than performed, in order to protect Shakespeare from butchering by mass commercial performances. While the essay certainly criticises contemporary stage practice, it also develops a more complex reflection on the possibility of representing Shakespearean dramas:
Shakespeare’s dramas are for Lamb the object of a complex cognitive process that does not require sensible data, but only imaginative elements that are suggestively elicited by words. In the altered state of consciousness that the dreamlike experience of reading stands for, Lamb can see
Charles Lamb