Despite the demands of his professional photographic career, Balmer continued to paint, travelling widely in Southern Europe to look at painting, architecture and sculpture.
His work, initially influenced by Graham Sutherland, soon developed a strongly colouristic, expressive quality, his largely landscape-inspired subjects of the 1960s and 1970s being treated in an increasingly semi-abstract manner.
His influences drew on a wide range of sources – Pierre Bonnard, Peter Lanyon, John Hoyland and American abstract expressionists like Gorky and de Kooning among others.
By the time he had his first solo show at the Arnolfini Gallery in 1968, he had however arrived at an intensely personal style of his own, one that began to attract notice from the London critics, Neville Wallis of The Observer predicting that "one day Balmer will set Bond Street on fire".

During the 1970s, Balmer sought to make a success of his photographic business and support his young family, largely withdrawing from exhibiting his work other than at the Royal West of England Academy where he had become an Associate member in 1955.
By the 1980s, his work had gained in expressive richness and confidence and Balmer started putting his work into a wider variety of exhibitions.
By the early 1990s, having given up his photographic business, he became involved in the Royal West of England Academy affairs, in 1993 being elected to the Academy Council, then becoming Academicians’ Chairman and President in 2001.

He inaugurated a year-round exhibition programme with solo shows being given to artists as distinguished as Richard Long, Bert Irvin, Gillian Ayres and Maurice Cockrill.
New gallery spaces were opened, a Friends’ organization set up and the institution’s important collection of art was at last properly conserved and curated.
Balmer had seen the Academy through a major shift in its affairs and he retired from the position in 2009.

A major retrospective of his work at the Academy in 2007 entitled 'President's Eye' was accompanied by an almost yearly sequence of exhibitions at private galleries in the UK and Holland over the decade and in the years since his retirement from the presidency, he has been showing regularly at the Catto Gallery, London.
The Theatre Royal/Bristol Old Vic are celebrating their 250th anniversary with a major exhibition at the Royal West of England Academy which includes a gallery full of his theatre photographs (a 27-year retrospective), closing at the end of January 2016.
Despite the demands of his professional photographic career, Balmer continued to paint, travelling widely in Southern Europe to look at painting, architecture and sculpture. His work, initially influenced by Graham Sutherland, soon developed a strongly colouristic, expressive quality, his largely landscape-inspired subjects of the 1960s and 1970s being treated in an increasingly semi-abstract manner. His influences drew on a wide range of sources – Pierre Bonnard, Peter Lanyon, John Hoyland and American abstract expressionists like Gorky and de Kooning among others. By the time he had his first solo show at the Arnolfini Gallery in 1968, he had however arrived at an intensely personal style of his own, one that began to attract notice from the London critics, Neville Wallis of The Observer predicting that "one day Balmer will set Bond Street on fire".
During the 1970s, Balmer sought to make a success of his photographic business and support his young family, largely withdrawing from exhibiting his work other than at the Royal West of England Academy where he had become an Associate member in 1955. By the 1980s, his work had gained in expressive richness and confidence and Balmer started putting his work into a wider variety of exhibitions. By the early 1990s, having given up his photographic business, he became involved in the Royal West of England Academy affairs, in 1993 being elected to the Academy Council, then becoming Academicians’ Chairman and President in 2001.
He inaugurated a year-round exhibition programme with solo shows being given to artists as distinguished as Richard Long, Bert Irvin, Gillian Ayres and Maurice Cockrill. New gallery spaces were opened, a Friends’ organization set up and the institution’s important collection of art was at last properly conserved and curated. Balmer had seen the Academy through a major shift in its affairs and he retired from the position in 2009.
A major retrospective of his work at the Academy in 2007 entitled 'President's Eye' was accompanied by an almost yearly sequence of exhibitions at private galleries in the UK and Holland over the decade and in the years since his retirement from the presidency, he has been showing regularly at the Catto Gallery, London. The Theatre Royal/Bristol Old Vic are celebrating their 250th anniversary with a major exhibition at the Royal West of England Academy which includes a gallery full of his theatre photographs (a 27-year retrospective), closing at the end of January 2016.
Derek Balmer