The chapel is located on a 3-acre zone in the center of campus, and is set on an irregular hexagonal base, providing 477 m² of gross floor area, including the 245 m² nave (with 500 seats), 81 m² chancel, and 44 m² robing rooms.
The church itself is a tent-like conoid structure, with four warped leaves rising to 19.2 m high, establishing itself as a central landmark on campus.

The chapel was first conceived as a multi-planar, wooden structure, but the architects soon abandoned the idea of using wood due both to the humid environment and to seismic concerns.
The form of four curved surfaces built with reinforced concrete was likely influenced by the design of the Philips Pavilion, designed by renowned architect Le Corbusier for the Brussels World’s Fair (known as Expo 58) in 1958.
 However, unlike the Philips Pavilion and other contemporary ruled-surface buildings of the era, Luce Chapel is not a thin-shell structure.
The chapel’s planes are composed of lattice beams that gradually grow thicker as they descend.
The structural concept might be influenced by that of the Yale University Art Gallery, completed in 1953 and designed by Louis Kahn, another noted architect of the time.
The exterior of the Chapel is covered with yellow, glazed, diamond-shaped tiles echoing the diamond-shaped coffer beams on the building’s interior.
The Chapel’s elaborate reinforced concrete formwork was created by local craftsmen.
The chapel is located on a 3-acre zone in the center of campus, and is set on an irregular hexagonal base, providing 477 m² of gross floor area, including the 245 m² nave (with 500 seats), 81 m² chancel, and 44 m² robing rooms. The church itself is a tent-like conoid structure, with four warped leaves rising to 19.2 m high, establishing itself as a central landmark on campus.
The chapel was first conceived as a multi-planar, wooden structure, but the architects soon abandoned the idea of using wood due both to the humid environment and to seismic concerns. The form of four curved surfaces built with reinforced concrete was likely influenced by the design of the Philips Pavilion, designed by renowned architect Le Corbusier for the Brussels World’s Fair (known as Expo 58) in 1958.  However, unlike the Philips Pavilion and other contemporary ruled-surface buildings of the era, Luce Chapel is not a thin-shell structure. The chapel’s planes are composed of lattice beams that gradually grow thicker as they descend. The structural concept might be influenced by that of the Yale University Art Gallery, completed in 1953 and designed by Louis Kahn, another noted architect of the time. The exterior of the Chapel is covered with yellow, glazed, diamond-shaped tiles echoing the diamond-shaped coffer beams on the building’s interior. The Chapel’s elaborate reinforced concrete formwork was created by local craftsmen.
Luce Memorial Chapel