Rodmarton Manor is a country house built between 1909 and 1929, built from local materials, worked by local craftsmen.
It was built as three wings, viewed in plan as three sides of an octagon, around a large circular courtyard, covered in grass which is designed to be reminiscent of a village green.
The majority of the building is two storeys high and made of coursed cut stone, the plinth is offset and the quoins are flush.
The roof is made of stone slate, with grouped chimneystacks.

The north facade has a gabled porch bay which includes an arched doorway with a stone monogram above.
On each side of the entrance bay, there are two gables, with bays where the wings are set at an angle.
The north-west wing includes a chapel, with a twin-arched loggia and its own porch.
The east wing was previously the service wing.
The building's rainwater pipes are embossed with animals and flowers.

Inside the Rodmarton Manor, there are 74 rooms of which 19 are bedrooms, all named after local fields.
The porch bay leads to the "public" wing, with a long hall which runs for the wing's full length.
Off the hall is the drawing room, which decorated with hanging tapestries, designed by Hilda Sexton.
The drawing room connects through to a large library, originally a ballroom, which was regularly used for performances.
The library connects to the formal dining room, which was not used often due to the distance from the kitchen.
The furniture throughout was all commissioned specifically for the house and built by local workshops, including some by Alfred Hoare Powell.
The building was designated Grade I listed status on 4 June 1952 and was described by Charles Ashbee as the single best example of the Arts and Crafts movement.
Rodmarton Manor is a country house built between 1909 and 1929, built from local materials, worked by local craftsmen. It was built as three wings, viewed in plan as three sides of an octagon, around a large circular courtyard, covered in grass which is designed to be reminiscent of a village green. The majority of the building is two storeys high and made of coursed cut stone, the plinth is offset and the quoins are flush. The roof is made of stone slate, with grouped chimneystacks.
The north facade has a gabled porch bay which includes an arched doorway with a stone monogram above. On each side of the entrance bay, there are two gables, with bays where the wings are set at an angle. The north-west wing includes a chapel, with a twin-arched loggia and its own porch. The east wing was previously the service wing. The building's rainwater pipes are embossed with animals and flowers.
Inside the Rodmarton Manor, there are 74 rooms of which 19 are bedrooms, all named after local fields. The porch bay leads to the "public" wing, with a long hall which runs for the wing's full length. Off the hall is the drawing room, which decorated with hanging tapestries, designed by Hilda Sexton. The drawing room connects through to a large library, originally a ballroom, which was regularly used for performances. The library connects to the formal dining room, which was not used often due to the distance from the kitchen. The furniture throughout was all commissioned specifically for the house and built by local workshops, including some by Alfred Hoare Powell. The building was designated Grade I listed status on 4 June 1952 and was described by Charles Ashbee as the single best example of the Arts and Crafts movement.
Rodmarton Manor