Maribojoc had five intricately carved Neo-Gothic retablos in the sanctuary and transepts.
Striking features of the retablo were the presence of arches, crockets, Mudéjar stars and the profusion of carving.
The whole retablo was probably completed on January 7, 1934 as a project of the Comité de Obras during the term of Father Quiterio Sarigumba (P.Q.S.) as seen on the inscription in the upper reaches of the central retablo.
An older retablo, built from 1616 to 1692, predated the church.

The image of Santa Cruz, the town's patron, was located in a small shrine on top of another containing the wooden statue of San Vicente Ferrer, the town's secondary patron, on the central niche of the retablo-mayor.
Above the central niche was the image of the Holy Trinity.
On both sides, above the two other niches on the main altar, were paintings of the allegories of the Finding and Veneration of the True Cross.
The rest of the retablos in the transept contained images of saints.
Maribojoc had five intricately carved Neo-Gothic retablos in the sanctuary and transepts. Striking features of the retablo were the presence of arches, crockets, Mudéjar stars and the profusion of carving. The whole retablo was probably completed on January 7, 1934 as a project of the Comité de Obras during the term of Father Quiterio Sarigumba (P.Q.S.) as seen on the inscription in the upper reaches of the central retablo. An older retablo, built from 1616 to 1692, predated the church.
The image of Santa Cruz, the town's patron, was located in a small shrine on top of another containing the wooden statue of San Vicente Ferrer, the town's secondary patron, on the central niche of the retablo-mayor. Above the central niche was the image of the Holy Trinity. On both sides, above the two other niches on the main altar, were paintings of the allegories of the Finding and Veneration of the True Cross. The rest of the retablos in the transept contained images of saints.
Maribojoc Church