During late Autumn 1883, Schjerfbeck got engaged to an unknown painter.
According to Lena Holger's investigations and research, the fiancé was a Swedish painter Otto Hagborg who also lived in Pont-Aven in the winter and spring of 1883–1884.
The engagement, however, came to an end in 1885 when a problem with Schjerfbeck's hip lead the groom's family to suspect tuberculosis.
In reality the issue was a result of her fall during childhood.
Schjerfbeck never married.

After spending a year in Finland, Schjerfbeck travelled again to Paris in the autumn of 1886.
Schjerfbeck was given more money to travel by a man from the Finnish Art Society and in 1887 she travelled to St Ives, Cornwall, in Britain.
There she painted The Bakery (1887) and The Convalescent, the latter winning the bronze medal at the 1889 Paris World Fair.
The painting was later bought by the Finnish Art Society.
During this period Schjerfbeck was painting in a naturalistic plein-air style.
During late Autumn 1883, Schjerfbeck got engaged to an unknown painter. According to Lena Holger's investigations and research, the fiancé was a Swedish painter Otto Hagborg who also lived in Pont-Aven in the winter and spring of 1883–1884. The engagement, however, came to an end in 1885 when a problem with Schjerfbeck's hip lead the groom's family to suspect tuberculosis. In reality the issue was a result of her fall during childhood. Schjerfbeck never married.
After spending a year in Finland, Schjerfbeck travelled again to Paris in the autumn of 1886. Schjerfbeck was given more money to travel by a man from the Finnish Art Society and in 1887 she travelled to St Ives, Cornwall, in Britain. There she painted The Bakery (1887) and The Convalescent, the latter winning the bronze medal at the 1889 Paris World Fair. The painting was later bought by the Finnish Art Society. During this period Schjerfbeck was painting in a naturalistic plein-air style.
Helene Schjerfbeck