Wright's design for the repositioned home – now in its third revision – utilized the Gray home foundation and framing for several walls and floors but otherwise entirely engulfed the original building.
 The existing stair hall was retained and extended to serve as the central circulation spine for the first and second levels.
 As a result of turning the structure during the move, the hall was made to traverse the lot from side to side, or from north to south.
 This unusual orientation inconspicuously placed the front door halfway down the north elevation instead of directly facing the street.
 The first floor hall was divided into three sections; a small vestibule inside the entrance was followed by a narrow passageway lined by French doors on one side which terminated in an open space with broad doorways into each of the home's principle rooms.
 Of these, the living room, library and kitchen were carved out of the original house, while a rear addition housed a dining room and pantry.
 Two staircases – one a wide, open, public stair in the central hall, and the other a narrow, winding, and closed service stair – connected the first and second floors.
 The second floor contained five bedrooms around a single hall bathroom.
 A finished third story, accessed by the tight service stair, contained two servant bedrooms and a second bathroom.
 All in all, the remodeling and expansions brought the house to a gross floor area of approximately 1800 square feet (170 m²) on the first floor 1600 square feet (150 m²) on the second.

The interior rooms were finished in keeping with the Prairie style.
Walls and ceiling were plastered with ample oak trim throughout on both surfaces.
Floors in most rooms were also of oak.
Large Roman brick fireplaces dominate the living room and master bedroom.
 As with most of his houses, Frank Lloyd Wright designed several built-in furnishings, including oak radiator covers, bookshelves in the library and living room, and a china cabinet with glass doors in the dining room.

On the exterior, Frank Lloyd Wright traded the dual-pitched, cross-gable roof in the Stick style for a more distinctive dual-pitched hip roof with deep eaves and thick wood fascia boards.
The form and style of the roof exemplified Wright's Japanese influence, and has been likened to the design of Asian pagodas.
The unique design was furthered by a tierred surface of cedar shingles created by furring strips under every fifth row.
Three dormers – one each on the east, south, and west façades – were likewise faced in shingles and were topped by the same flared, double-pitched roofs.

Existing and new walls, alike, were covered in uniform, lightly textured, pale stucco from the ground up to – and including – the eave soffit.
A continuous canted ledge of painted redwood stretched around the house below the second floor windows.
Additional redwood trim was employed in rectangles to wrap around each corner on the second floor.
 All windows and doors in the home were fashioned in leaded glass with nickel caming.
The unvarying glass pattern was a variation of the typical Prairie muntin bar design and consisted of a frame of narrow rectangular and trapezoidal panes surrounding a single large glass pane.
Wright arranged most windows into one of two ensembles – one for each floor – to unify his design.
In five locations on the first floor, double casement windows or full length French doors were flanked by two more isolated, narrow casements.
All openings on the second floor were composed of paired casements topped by a single transom light.
A cantilevered, rectangular bay, which formed a focal point on the second level of the street (east) elevation, contained a band of four such three-piece windows and was subtly bookended by two deeply inset casements.

The remodel brought ample exterior space to the house.
 Matching porches extended into the front and rear yard on either side of the north-facing, vertical entry and stair tower.
Both porches were terminated in a broad stair between elongated planting piers.
Aside from additional planters below t
Wright's design for the repositioned home – now in its third revision – utilized the Gray home foundation and framing for several walls and floors but otherwise entirely engulfed the original building.  The existing stair hall was retained and extended to serve as the central circulation spine for the first and second levels.  As a result of turning the structure during the move, the hall was made to traverse the lot from side to side, or from north to south.  This unusual orientation inconspicuously placed the front door halfway down the north elevation instead of directly facing the street.  The first floor hall was divided into three sections; a small vestibule inside the entrance was followed by a narrow passageway lined by French doors on one side which terminated in an open space with broad doorways into each of the home's principle rooms.  Of these, the living room, library and kitchen were carved out of the original house, while a rear addition housed a dining room and pantry.  Two staircases – one a wide, open, public stair in the central hall, and the other a narrow, winding, and closed service stair – connected the first and second floors.  The second floor contained five bedrooms around a single hall bathroom.  A finished third story, accessed by the tight service stair, contained two servant bedrooms and a second bathroom.  All in all, the remodeling and expansions brought the house to a gross floor area of approximately 1800 square feet (170 m²) on the first floor 1600 square feet (150 m²) on the second.
The interior rooms were finished in keeping with the Prairie style. Walls and ceiling were plastered with ample oak trim throughout on both surfaces. Floors in most rooms were also of oak. Large Roman brick fireplaces dominate the living room and master bedroom.  As with most of his houses, Frank Lloyd Wright designed several built-in furnishings, including oak radiator covers, bookshelves in the library and living room, and a china cabinet with glass doors in the dining room.
On the exterior, Frank Lloyd Wright traded the dual-pitched, cross-gable roof in the Stick style for a more distinctive dual-pitched hip roof with deep eaves and thick wood fascia boards. The form and style of the roof exemplified Wright's Japanese influence, and has been likened to the design of Asian pagodas. The unique design was furthered by a tierred surface of cedar shingles created by furring strips under every fifth row. Three dormers – one each on the east, south, and west façades – were likewise faced in shingles and were topped by the same flared, double-pitched roofs.
Existing and new walls, alike, were covered in uniform, lightly textured, pale stucco from the ground up to – and including – the eave soffit. A continuous canted ledge of painted redwood stretched around the house below the second floor windows. Additional redwood trim was employed in rectangles to wrap around each corner on the second floor.  All windows and doors in the home were fashioned in leaded glass with nickel caming. The unvarying glass pattern was a variation of the typical Prairie muntin bar design and consisted of a frame of narrow rectangular and trapezoidal panes surrounding a single large glass pane. Wright arranged most windows into one of two ensembles – one for each floor – to unify his design. In five locations on the first floor, double casement windows or full length French doors were flanked by two more isolated, narrow casements. All openings on the second floor were composed of paired casements topped by a single transom light. A cantilevered, rectangular bay, which formed a focal point on the second level of the street (east) elevation, contained a band of four such three-piece windows and was subtly bookended by two deeply inset casements.
The remodel brought ample exterior space to the house.  Matching porches extended into the front and rear yard on either side of the north-facing, vertical entry and stair tower. Both porches were terminated in a broad stair between elongated planting piers. Aside from additional planters below t
Edward R. Hills House