Henschel was considered the hardest-working photographer and businessman in 19th-century Brazil.
He always remained  up-to-date with the latest techniques  on the photography market.
By the time the aesthetic format of photography carte de visite became popular, Henschel was  already dominating this technique which he used frequently in his establishments.

His studios possessed the latest  equipment appropriate for the instantaneous portraits of children who, never still, were the headaches of the photographers.
In his announcement in the Novo Almanach de São Paulo para o Anno de 1883 (New Almanac of São Paulo for the Year of 1883), Henschel advertised:
This establishment just received from Europe the negatives for the new process of instantaneous photographies that have so much success there.
Through these chichets one can obtain a more perfect portrait of a moving child, of nervous people... The public is invited to come examine in the establishment some portraits obtained by the new process.

The new process referred to in the announcement was the use of dry slabs of transparent gelatin, used as an adhesive layer for the fixation of the silver salts over the paper.

He photographed all the different social classes of Brazil in the 19th century.
Besides the Brazilian monarchy and black people, he also photographed the nobility, the rich tradesmen and their families, and the white middle-class.
Henschel was considered the hardest-working photographer and businessman in 19th-century Brazil. He always remained  up-to-date with the latest techniques  on the photography market. By the time the aesthetic format of photography carte de visite became popular, Henschel was  already dominating this technique which he used frequently in his establishments.
His studios possessed the latest  equipment appropriate for the instantaneous portraits of children who, never still, were the headaches of the photographers. In his announcement in the Novo Almanach de São Paulo para o Anno de 1883 (New Almanac of São Paulo for the Year of 1883), Henschel advertised:
This establishment just received from Europe the negatives for the new process of instantaneous photographies that have so much success there. Through these chichets one can obtain a more perfect portrait of a moving child, of nervous people... The public is invited to come examine in the establishment some portraits obtained by the new process.
The new process referred to in the announcement was the use of dry slabs of transparent gelatin, used as an adhesive layer for the fixation of the silver salts over the paper.
He photographed all the different social classes of Brazil in the 19th century. Besides the Brazilian monarchy and black people, he also photographed the nobility, the rich tradesmen and their families, and the white middle-class.
Alberto Henschel