Aberdeen's architecture is known for its principal use during the Victorian era of granite, which has led to its local nickname of the Granite City or more romantically the less commonly used name the Silver City, since the Mica in the stone sparkles in the sun.
The hard grey stone is one of the most durable materials available and helps to explain why the city's buildings look brand-new when they have been newly cleaned and the cement has been pointed.
Unlike other Scottish cities where sandstone has been used, the buildings are not weathering and need very little structural maintenance on their masonry.
The buildings can however become noticeably darker as a result of pollution and grime accumulated over the years.
There has however been great success in cleaning the buildings which can result in their façade being restored back to much how they looked originally.

Amongst the notable buildings in the city's main street, Union Street, are the Town and County Bank, the Music Hall, the Trinity Hall of the incorporated trades (originating between 1398 and 1527, although completely rebuilt in the 1860s), now a shopping mall; the former office of the Northern Assurance Company, and the National Bank of Scotland.
In Castle Street, a continuation eastwards of Union Street, is the new Aberdeen Town House, a very prominent landmark in Aberdeen, built between 1868 and 1873 to a design by Peddie and Kinnear.

Alexander Marshall Mackenzie's extension to Marischal College on Broad Street, opened by King Edward VII in 1906, created the second largest granite building in the world (after the Escorial, Madrid).

In addition to the many fine landmark buildings, Aberdeen has many prominent public statues, three of the most notable being William Wallace at the junction between Union Terrace and Rosemount Viaduct, Robert Burns on Union Terrace above Union Terrace Gardens, and Robert the Bruce holding aloft the charter he issued to the city in 1319 on Broad Street, outside Marischal College.
Aberdeen's architecture is known for its principal use during the Victorian era of granite, which has led to its local nickname of the Granite City or more romantically the less commonly used name the Silver City, since the Mica in the stone sparkles in the sun. The hard grey stone is one of the most durable materials available and helps to explain why the city's buildings look brand-new when they have been newly cleaned and the cement has been pointed. Unlike other Scottish cities where sandstone has been used, the buildings are not weathering and need very little structural maintenance on their masonry. The buildings can however become noticeably darker as a result of pollution and grime accumulated over the years. There has however been great success in cleaning the buildings which can result in their façade being restored back to much how they looked originally.
Amongst the notable buildings in the city's main street, Union Street, are the Town and County Bank, the Music Hall, the Trinity Hall of the incorporated trades (originating between 1398 and 1527, although completely rebuilt in the 1860s), now a shopping mall; the former office of the Northern Assurance Company, and the National Bank of Scotland. In Castle Street, a continuation eastwards of Union Street, is the new Aberdeen Town House, a very prominent landmark in Aberdeen, built between 1868 and 1873 to a design by Peddie and Kinnear.
Alexander Marshall Mackenzie's extension to Marischal College on Broad Street, opened by King Edward VII in 1906, created the second largest granite building in the world (after the Escorial, Madrid).
In addition to the many fine landmark buildings, Aberdeen has many prominent public statues, three of the most notable being William Wallace at the junction between Union Terrace and Rosemount Viaduct, Robert Burns on Union Terrace above Union Terrace Gardens, and Robert the Bruce holding aloft the charter he issued to the city in 1319 on Broad Street, outside Marischal College.
Aberdeen