Reviews of exhibitions may be found in the Slovenska biografija: The Last Battle, 1905 (Lj.,
See DS 1905, 325; S 1905, No.
39, 67; SN 1905, No.
68; LZ 1906, 383); Z Doma, 1908 (painter in Vienna, see S 1908, No.
119); The Carrier of the Vase, 1909 (ib.,
See S 1909, No.
160); Hanibal Ante Portas and Sv.
Hubertus, 1909 (both on the first art exhibition in Jp.).

According to the Slovenian Biographical Lexicon, Urbania's contemporaries described his work (see V. Levstik, LZ 1909, 528, as "possessing a happy warmth and homey simplicity, although the technique is well-schooled and immaculate."
Still others (F. Kozak in connection with the Krekov monument's draft, LZ 1918, 295), argued, "much of his art is idealized and depicted in a kind of modern Baroque and poetic realism."
 More critically, some considered his work "old-fashioned" (S. Mikuž, Um 1939/40, 10-5), and some said, "he blushed between folk art and visions of great pathos, although his talent was not up to date."
Reviews of exhibitions may be found in the Slovenska biografija: The Last Battle, 1905 (Lj., See DS 1905, 325; S 1905, No. 39, 67; SN 1905, No. 68; LZ 1906, 383); Z Doma, 1908 (painter in Vienna, see S 1908, No. 119); The Carrier of the Vase, 1909 (ib., See S 1909, No. 160); Hanibal Ante Portas and Sv. Hubertus, 1909 (both on the first art exhibition in Jp.).
According to the Slovenian Biographical Lexicon, Urbania's contemporaries described his work (see V. Levstik, LZ 1909, 528, as "possessing a happy warmth and homey simplicity, although the technique is well-schooled and immaculate." Still others (F. Kozak in connection with the Krekov monument's draft, LZ 1918, 295), argued, "much of his art is idealized and depicted in a kind of modern Baroque and poetic realism."  More critically, some considered his work "old-fashioned" (S. Mikuž, Um 1939/40, 10-5), and some said, "he blushed between folk art and visions of great pathos, although his talent was not up to date."
Joseph Urbania