Rimbaud wrote to several famous poets but received either no reply or a disappointing mere acknowledgement (as from Theodore de Banville); so his friend, office employee Charles Auguste Bretagne, advised him to write to Paul Verlaine, a rising poet who had published two well regarded collections (and future leader of the Symbolist movement).
Rimbaud sent Verlaine two letters with several of his poems, including the hypnotic, finally shocking "Le Dormeur du Val" (The Sleeper in the Valley), in which Nature is called upon to comfort an apparently sleeping soldier.
Verlaine was intrigued by Rimbaud, and replied, "Come, dear great soul.
We await you; we desire you", sending him a one-way ticket to Paris.
Rimbaud arrived in late September 1871 and resided briefly in Verlaine's home.
Verlaine's wife, Mathilde Mauté, was seventeen years old and pregnant, and Verlaine had recently left his job and started drinking.
In later published recollections of his first sight of Rimbaud at the age of sixteen, Verlaine described him as having "the real head of a child, chubby and fresh, on a big, bony, rather clumsy body of a still-growing adolescent", with a "very strong Ardennes accent that was almost a dialect".
His voice had "highs and lows as if it were breaking".

Rimbaud and Verlaine soon began a brief and torrid affair.
They led a wild, vagabond-like life spiced by absinthe, opium and hashish.
The Parisian literary coterie was scandalized by Rimbaud, whose behaviour was that of the archetypal enfant terrible, yet throughout this period he continued to write poems.
Their stormy relationship eventually brought them to London in September 1872, a period over which Rimbaud would later express regret.
During this time, Verlaine abandoned his wife and infant son (both of whom he had abused in his alcoholic rages).
In London they lived in considerable poverty in Bloomsbury and in Camden Town, scraping a living mostly from teaching, as well as with an allowance from Verlaine's mother.
Rimbaud spent his days in the Reading Room of the British Museum where "heating, lighting, pens and ink were free".
The relationship between the two poets grew increasingly bitter, and Verlaine abandoned Rimbaud in London to meet his wife in Brussels.

Rimbaud was not well liked at the time, and many people thought of him as dirty and rude.
The artist Henri Fantin-Latour wanted to paint first division poets at the 1872 Salon, but they were not available.
He had to settle for Rimbaud and Verlaine, who were described as "geniuses of the tavern".
The painting, By the table, shows Rimbaud and Verlaine at the end of the table.
Other writers, such as Albert Mérat, refused to be painted with Verlaine and Rimbaud, Mérat's reason being that he "would not be painted with pimps and thieves", in reference to Verlaine and Rimbaud; in the painting, Mérat is replaced by a flower vase on the table.
Mérat also spread many rumours in the salons that Verlaine and Rimbaud were sleeping together; the spread of those rumours was the commencement of fall for the two poets, who were trying to build a good reputation for themselves.

In late June 1873, Verlaine returned to Paris alone, but quickly began to mourn Rimbaud's absence.
On 8 July he telegraphed Rimbaud, asking him to come to the Hotel Liège in Brussels.
The reunion went badly, they argued continuously, and Verlaine took refuge in heavy drinking.
On the morning of 10 July, Verlaine bought a revolver and ammunition.
About 16:00, "in a drunken rage", he fired two shots at Rimbaud, one of them wounding the 18-year-old in the left wrist.

Rimbaud initially dismissed the wound as superficial but had it dressed at the St-Jean hospital nevertheless.
He did not immediately file charges, but decided to leave Brussels.
About 20:00, Verlaine and his mother accompanied Rimbaud to the Gare du Midi railway station.
On the way, by Rimbaud's account, Verlaine "behaved as if he were insane".
Fearing that Verlaine, with pistol in pocket, might shoot him again, Rimbaud "ran off" and "begged a policeman to arrest him".
Verlaine was charged with at
Rimbaud wrote to several famous poets but received either no reply or a disappointing mere acknowledgement (as from Theodore de Banville); so his friend, office employee Charles Auguste Bretagne, advised him to write to Paul Verlaine, a rising poet who had published two well regarded collections (and future leader of the Symbolist movement). Rimbaud sent Verlaine two letters with several of his poems, including the hypnotic, finally shocking "Le Dormeur du Val" (The Sleeper in the Valley), in which Nature is called upon to comfort an apparently sleeping soldier. Verlaine was intrigued by Rimbaud, and replied, "Come, dear great soul. We await you; we desire you", sending him a one-way ticket to Paris. Rimbaud arrived in late September 1871 and resided briefly in Verlaine's home. Verlaine's wife, Mathilde Mauté, was seventeen years old and pregnant, and Verlaine had recently left his job and started drinking. In later published recollections of his first sight of Rimbaud at the age of sixteen, Verlaine described him as having "the real head of a child, chubby and fresh, on a big, bony, rather clumsy body of a still-growing adolescent", with a "very strong Ardennes accent that was almost a dialect". His voice had "highs and lows as if it were breaking".
Rimbaud and Verlaine soon began a brief and torrid affair. They led a wild, vagabond-like life spiced by absinthe, opium and hashish. The Parisian literary coterie was scandalized by Rimbaud, whose behaviour was that of the archetypal enfant terrible, yet throughout this period he continued to write poems. Their stormy relationship eventually brought them to London in September 1872, a period over which Rimbaud would later express regret. During this time, Verlaine abandoned his wife and infant son (both of whom he had abused in his alcoholic rages). In London they lived in considerable poverty in Bloomsbury and in Camden Town, scraping a living mostly from teaching, as well as with an allowance from Verlaine's mother. Rimbaud spent his days in the Reading Room of the British Museum where "heating, lighting, pens and ink were free". The relationship between the two poets grew increasingly bitter, and Verlaine abandoned Rimbaud in London to meet his wife in Brussels.
Rimbaud was not well liked at the time, and many people thought of him as dirty and rude. The artist Henri Fantin-Latour wanted to paint first division poets at the 1872 Salon, but they were not available. He had to settle for Rimbaud and Verlaine, who were described as "geniuses of the tavern". The painting, By the table, shows Rimbaud and Verlaine at the end of the table. Other writers, such as Albert Mérat, refused to be painted with Verlaine and Rimbaud, Mérat's reason being that he "would not be painted with pimps and thieves", in reference to Verlaine and Rimbaud; in the painting, Mérat is replaced by a flower vase on the table. Mérat also spread many rumours in the salons that Verlaine and Rimbaud were sleeping together; the spread of those rumours was the commencement of fall for the two poets, who were trying to build a good reputation for themselves.
In late June 1873, Verlaine returned to Paris alone, but quickly began to mourn Rimbaud's absence. On 8 July he telegraphed Rimbaud, asking him to come to the Hotel Liège in Brussels. The reunion went badly, they argued continuously, and Verlaine took refuge in heavy drinking. On the morning of 10 July, Verlaine bought a revolver and ammunition. About 16:00, "in a drunken rage", he fired two shots at Rimbaud, one of them wounding the 18-year-old in the left wrist.
Rimbaud initially dismissed the wound as superficial but had it dressed at the St-Jean hospital nevertheless. He did not immediately file charges, but decided to leave Brussels. About 20:00, Verlaine and his mother accompanied Rimbaud to the Gare du Midi railway station. On the way, by Rimbaud's account, Verlaine "behaved as if he were insane". Fearing that Verlaine, with pistol in pocket, might shoot him again, Rimbaud "ran off" and "begged a policeman to arrest him". Verlaine was charged with at
Arthur Rimbaud