After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life.
Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love?
A Rock-and-Roll Memoir.
Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography.
Hesitant at first (because she thought "it was way too cute.
Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography.
An Alice in Wonderland-themed painting and various other sketches are scattered throughout the book.
Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the 1998 album The Best of Hot Tuna.
Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her music career.
A notable exception is the 1974 cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace".

Slick does not always use the same style or medium in her production of visual art and has no interest in doing so.
She uses acrylic paints (saying oil paint takes too long to dry), canvas, pen, ink, scratchboard, pastels, and pencil.
Many of her works are mixed media.
Her styles include the children's bookish Alice in Wonderland themes, realistic rock and roll portraits, scratchboards of animals, minimalist ink wash-styled nudes and a variety of other subjects and styles.

The best-selling prints and originals are her various renditions of the White Rabbit and the portraits of her colleagues in the music industry.
In 2006, the popularity of her Alice in Wonderland works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the Wonderland motif.

While critics have variously panned and praised her work, Slick seems indifferent to the criticism.
She views her visual artistry as just another extension of the artistic temperament that landed her in the music business in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people.

Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year.
While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying.
At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased.
After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An Alice in Wonderland-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the 1998 album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her music career. A notable exception is the 1974 cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace".
Slick does not always use the same style or medium in her production of visual art and has no interest in doing so. She uses acrylic paints (saying oil paint takes too long to dry), canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles include the children's bookish Alice in Wonderland themes, realistic rock and roll portraits, scratchboards of animals, minimalist ink wash-styled nudes and a variety of other subjects and styles.
The best-selling prints and originals are her various renditions of the White Rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her Alice in Wonderland works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the Wonderland motif.
While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music business in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people.
Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased.
Grace Slick