Lucas was born in Salisbury, Wiltshire, the son of Richard Lucas and his wife, Martha Sutton (who died shortly after childbirth).

At the age of twelve, he was apprenticed to an uncle who was a cutler at Winchester, where his ability at carving knife handles revealed his skill as a sculptor.
He moved to London, aged 21, and studied at the Royal Academy Schools.
From 1828, he was a regular contributor to the Royal Academy, receiving silver medals for architectural drawing in 1828 and 1829.

His son Albert Dürer was born in 1828 in Bayswater and by 1846 the family was living at Nottingham Place in central London.
In 1849, the family moved out of London, probably for health reasons, to Otterbourne, near Winchester, where Lucas may have become a friend of the Victorian children's author, Charlotte Mary Yonge.

Lucas then moved to Chilworth near Romsey in about 1854 where he had the "Tower of the Winds" built to his own design.
This house stood opposite the former "Clump Inn".
In 1865, he built a second home, "Chilworth Tower", about half a mile from the first.

By this time, Lucas had become very eccentric, believing in fairies, and rode around Southampton in a Roman chariot.

 
Lucas exhibited over a hundred works at the Royal Academy, the British Institution and at the Suffolk Street Gallery of the Society of British Artists; these included busts, medallions and classical subjects.
Amongst his statuary are those of Samuel Johnson at Lichfield, Isaac Watts at Southampton and Richard Colt Hoare at Salisbury Cathedral.
According to the Oxford Dictionary of National Biography, "such large works were ill suited to his powers".
His marble, wax, and ivory medallion portraits were more successful, however; many were displayed at the Great Exhibition and several were subsequently purchased by the National Portrait Gallery.
Amongst his works on display at Bodelwyddan Castle are wax medallions of Sir Frederic Madden, Thomas Garnier, Anthony Panizzi and Henry Hallam.
Two self-portraits, an etching dated on the plate 1858, and a plaster cast of a bust, incised and dated 1868, are also in the National Portrait Gallery collection.

Lucas's popular wax relief Leda and the Swan was acquired by the Victoria and Albert Museum.
Another copy is held in the National Gallery, Berlin.
The Victoria & Albert also has a bust of the London society hostess, Catherine, Lady Stepney, posing as Cleopatra.

Lucas was an enthusiastic student of the Elgin Marbles, of which he made two large wax models, the first showing the Parthenon as it appeared after bombardment by the Venetians in 1687; the other representing it restored in accordance with his own theories as to the original arrangement of the sculptures.
The latter was exhibited in the Elgin room at the British Museum, where it became the subject of much public interest.
In 1845 he published his Remarks on the Parthenon, illustrated with fifteen etchings.

Lucas produced many etchings depicting his own sculptural works, biblical stories, and scenes from eighteenth-century poetry.
A nearly complete series of these, mounted in an album bound by Lucas himself, and including a frontispiece portrait of the artist, was held the British Museum.
These albumen "cartes de visite" (now in the National Portrait Gallery) show Lucas in a variety of theatrical and expressive poses that further reveal his eccentricity.

Towards the end of his life, Lucas's conversational prowess ensured that he was a frequent guest at Broadlands, the seat of Lord Palmerston, who obtained for him a civil-list pension in June 1865.
Lucas made three wax portraits of Palmerston, and a statuette which formed his last exhibit at the Royal Academy in 1859.
In 1870 he published An Essay on Art.
Lucas was born in Salisbury, Wiltshire, the son of Richard Lucas and his wife, Martha Sutton (who died shortly after childbirth).
At the age of twelve, he was apprenticed to an uncle who was a cutler at Winchester, where his ability at carving knife handles revealed his skill as a sculptor. He moved to London, aged 21, and studied at the Royal Academy Schools. From 1828, he was a regular contributor to the Royal Academy, receiving silver medals for architectural drawing in 1828 and 1829.
His son Albert Dürer was born in 1828 in Bayswater and by 1846 the family was living at Nottingham Place in central London. In 1849, the family moved out of London, probably for health reasons, to Otterbourne, near Winchester, where Lucas may have become a friend of the Victorian children's author, Charlotte Mary Yonge.
Lucas then moved to Chilworth near Romsey in about 1854 where he had the "Tower of the Winds" built to his own design. This house stood opposite the former "Clump Inn". In 1865, he built a second home, "Chilworth Tower", about half a mile from the first.
By this time, Lucas had become very eccentric, believing in fairies, and rode around Southampton in a Roman chariot.
 
Lucas exhibited over a hundred works at the Royal Academy, the British Institution and at the Suffolk Street Gallery of the Society of British Artists; these included busts, medallions and classical subjects. Amongst his statuary are those of Samuel Johnson at Lichfield, Isaac Watts at Southampton and Richard Colt Hoare at Salisbury Cathedral. According to the Oxford Dictionary of National Biography, "such large works were ill suited to his powers". His marble, wax, and ivory medallion portraits were more successful, however; many were displayed at the Great Exhibition and several were subsequently purchased by the National Portrait Gallery. Amongst his works on display at Bodelwyddan Castle are wax medallions of Sir Frederic Madden, Thomas Garnier, Anthony Panizzi and Henry Hallam. Two self-portraits, an etching dated on the plate 1858, and a plaster cast of a bust, incised and dated 1868, are also in the National Portrait Gallery collection.
Lucas's popular wax relief Leda and the Swan was acquired by the Victoria and Albert Museum. Another copy is held in the National Gallery, Berlin. The Victoria & Albert also has a bust of the London society hostess, Catherine, Lady Stepney, posing as Cleopatra.
Lucas was an enthusiastic student of the Elgin Marbles, of which he made two large wax models, the first showing the Parthenon as it appeared after bombardment by the Venetians in 1687; the other representing it restored in accordance with his own theories as to the original arrangement of the sculptures. The latter was exhibited in the Elgin room at the British Museum, where it became the subject of much public interest. In 1845 he published his Remarks on the Parthenon, illustrated with fifteen etchings.
Lucas produced many etchings depicting his own sculptural works, biblical stories, and scenes from eighteenth-century poetry. A nearly complete series of these, mounted in an album bound by Lucas himself, and including a frontispiece portrait of the artist, was held the British Museum. These albumen "cartes de visite" (now in the National Portrait Gallery) show Lucas in a variety of theatrical and expressive poses that further reveal his eccentricity.
Towards the end of his life, Lucas's conversational prowess ensured that he was a frequent guest at Broadlands, the seat of Lord Palmerston, who obtained for him a civil-list pension in June 1865. Lucas made three wax portraits of Palmerston, and a statuette which formed his last exhibit at the Royal Academy in 1859. In 1870 he published An Essay on Art.
Richard Cockle Lucas