The statues of the Tell Asmar Hoard range in height from 21 cm (8.2 in.)
to 72 cm (28.3 in.).
Of the twelve statues found ten are male and two are female.
Eight of the figures are made from Gypsum, two from limestone, and one (the smallest) from alabaster.
All the figures, with the exception of one that is kneeling, are rendered in a standing position.
Thin circular bases were used as supports and large wedge shaped feet provided the larger statues with added durability.
The males wear kilts with a patterned hem that covers the midsection and thighs.
Their broad shoulders and thick, circular arms frame the bare chest, which is partially covered by a black, stylized beard.
All the males, with the exception of one that is bald and clean shaven, have long hair rendered in two symmetrical halves that frames the smooth surfaces of the cheeks and forehead.
The large eyes, which are undoubtedly the most striking stylistic feature that the statues share in common, are made from inlays of white shell and black limestone; one figure has pupils of lapis lazuli.
These materials are secured to the head with bitumen, which was also used as a pigment to give the beard and hair its characteristic black color.
Both the hair and the clothing, though abstracted, accurately reflect Sumerian styles of the Early Dynastic period.

The hoard was discovered in a temple dedicated to Abu, the ancient Near Eastern god of fertility.
Evidence from Early Dynastic ruins at Khafajah suggests that the statues may have been arranged along the walls of the sanctuary either on the floor or on a low mud brick bench before they were buried.
Some of the statues are inscribed on the back and bottom with a name and personalized supplicatory message, while others simply state “one who offers prayers.”
These inscriptions indicate that the statues functioned as a surrogate for male and female worshipers who wished to leave their prayers with the god.
In the 3rd millennium B.C. the price for a votive statue likely depended on its size, and possibly what stone was used.

Frankfort argued that the largest figure in the hoard is not an effigy of a human worshiper, but rather a representation of the patron deity Abu.
He calls attention to a number of features that set this particular statue apart from the rest including: the size, the unnaturally large eyes, especially the pupils, and the emblematic carving of an eagle with outstretched wings flanked by two recumbent mountain goats carved on the base.
The statues of the Tell Asmar Hoard range in height from 21 cm (8.2 in.) to 72 cm (28.3 in.). Of the twelve statues found ten are male and two are female. Eight of the figures are made from Gypsum, two from limestone, and one (the smallest) from alabaster. All the figures, with the exception of one that is kneeling, are rendered in a standing position. Thin circular bases were used as supports and large wedge shaped feet provided the larger statues with added durability. The males wear kilts with a patterned hem that covers the midsection and thighs. Their broad shoulders and thick, circular arms frame the bare chest, which is partially covered by a black, stylized beard. All the males, with the exception of one that is bald and clean shaven, have long hair rendered in two symmetrical halves that frames the smooth surfaces of the cheeks and forehead. The large eyes, which are undoubtedly the most striking stylistic feature that the statues share in common, are made from inlays of white shell and black limestone; one figure has pupils of lapis lazuli. These materials are secured to the head with bitumen, which was also used as a pigment to give the beard and hair its characteristic black color. Both the hair and the clothing, though abstracted, accurately reflect Sumerian styles of the Early Dynastic period.
The hoard was discovered in a temple dedicated to Abu, the ancient Near Eastern god of fertility. Evidence from Early Dynastic ruins at Khafajah suggests that the statues may have been arranged along the walls of the sanctuary either on the floor or on a low mud brick bench before they were buried. Some of the statues are inscribed on the back and bottom with a name and personalized supplicatory message, while others simply state “one who offers prayers.” These inscriptions indicate that the statues functioned as a surrogate for male and female worshipers who wished to leave their prayers with the god. In the 3rd millennium B.C. the price for a votive statue likely depended on its size, and possibly what stone was used.
Frankfort argued that the largest figure in the hoard is not an effigy of a human worshiper, but rather a representation of the patron deity Abu. He calls attention to a number of features that set this particular statue apart from the rest including: the size, the unnaturally large eyes, especially the pupils, and the emblematic carving of an eagle with outstretched wings flanked by two recumbent mountain goats carved on the base.
Tell Asmar Hoard