The objects in these two rooms come from the Temple of Athena Pronaia.
Among them stand out sculptures from the Treasury of the Massaliots and the Doric Treasury.
Two acroteria in the form of running female figures have been attributed to the temple of Athena.
Architectural members on the north wall of the room such as simae, gutters in the form of lion-head and acroteria in the form of anthemia, as well as parts of Nike acroteria belong also to various buildings of the sanctuary, date to the late archaic and classical periods and preserve traces of their initial colours.

In the middle of the room there are free-standing cases, in which are displayed three bronze figurines, namely a Corinthian figurine of a man playing the double flute (460–450 BC), two naked athletes dated to the same period and coming from an Attic workshop, and a magnificent bronze incense-burner in the form of a "peplophoros", a female figure holding above her head a cauldron for burning the incense.
All three figurines were found in the pit of the Sacred Way along with the chryselephantine statues and several other finds.

Along the western side there is a case displaying bronze figurines dated to the first half of the 5th century BC, as well as parts of larger bronze statues.
Among the latter stand out the part of a crane and the part of a himation decorated with maeander motifs with inlay copper.

Room 10, on the other hand, contains parts of the Tholos of Delphi, the round building standing out in the sanctuary of Athena Pronaia, dated to the first quarter of the 4th century BC.
Two rows of simae with lion-heads and two rows of metopes have been found.
The first row of metopes decorated the external side and the row with the smaller figures belonged to the internal side of the pteron.
The sculpted decoration was complete with acroteria in the form of women dressed in floating peplos.
The outer metopes depicted an Amazonomachy and a Centauromachy.
The sculptures of the Tholos date to 380–370 BC and constitute magnificent specimens of late Classical sculpture, reminding of the sculptures of the Asclepeion of Epidaurus.
Unfortunately, several of them had been damaged in Late Antiquity.
The objects in these two rooms come from the Temple of Athena Pronaia. Among them stand out sculptures from the Treasury of the Massaliots and the Doric Treasury. Two acroteria in the form of running female figures have been attributed to the temple of Athena. Architectural members on the north wall of the room such as simae, gutters in the form of lion-head and acroteria in the form of anthemia, as well as parts of Nike acroteria belong also to various buildings of the sanctuary, date to the late archaic and classical periods and preserve traces of their initial colours. 
In the middle of the room there are free-standing cases, in which are displayed three bronze figurines, namely a Corinthian figurine of a man playing the double flute (460–450 BC), two naked athletes dated to the same period and coming from an Attic workshop, and a magnificent bronze incense-burner in the form of a "peplophoros", a female figure holding above her head a cauldron for burning the incense. All three figurines were found in the pit of the Sacred Way along with the chryselephantine statues and several other finds.
Along the western side there is a case displaying bronze figurines dated to the first half of the 5th century BC, as well as parts of larger bronze statues. Among the latter stand out the part of a crane and the part of a himation decorated with maeander motifs with inlay copper.
Room 10, on the other hand, contains parts of the Tholos of Delphi, the round building standing out in the sanctuary of Athena Pronaia, dated to the first quarter of the 4th century BC. Two rows of simae with lion-heads and two rows of metopes have been found. The first row of metopes decorated the external side and the row with the smaller figures belonged to the internal side of the pteron. The sculpted decoration was complete with acroteria in the form of women dressed in floating peplos. The outer metopes depicted an Amazonomachy and a Centauromachy. The sculptures of the Tholos date to 380–370 BC and constitute magnificent specimens of late Classical sculpture, reminding of the sculptures of the Asclepeion of Epidaurus. Unfortunately, several of them had been damaged in Late Antiquity.
Delphi Archaeological Museum