Her brilliant portrayal of the cold and ruthless, yet fiery Regina Giddens in Lillian Hellman's The Little Foxes (1939) won her Variety magazine's award for Best Actress of the Year.
Bankhead as Regina was lauded as "one of the most electrifying performances in American theater history".
During the run, she was featured on the cover of Life.
Bankhead and playwright Hellman, both formidable women, feuded over the Soviet Union's invasion of Finland.
Bankhead (a strong critic of communism from the mid 1930s onwards) was said to want a portion of one performance's proceeds to go to Finnish relief, and Hellman (a communist who had defended the Moscow Trials of 1936, and was a member of the Communist Party USA in 1938–40) objected strenuously, and the two women did not speak for the next quarter of a century, eventually reconciling in late 1963.
Nevertheless, Bankhead called the character of Regina in Hellman's play "the best role I ever had in the theater".

Bankhead earned another Variety award and the New York Drama Critics' Award for Best Performance by an Actress followed her role in Thornton Wilder's The Skin of Our Teeth, in which Bankhead played Sabina, the housekeeper and temptress, opposite Fredric March and Florence Eldridge (husband and wife offstage).
About her work in Wilder's classic, the New York Sun wrote "Her portrayal of Sabina has comedy and passion.
How she contrives both, almost at the same time, is a mystery to mere man."
She also clashed with Elia Kazan on The Skin of Our Teeth and during rehearsals of Clash by Night she called the producer, Billy Rose a "loathsome bully" who retorted that "How could anyone bully Niagara Falls?".
Her brilliant portrayal of the cold and ruthless, yet fiery Regina Giddens in Lillian Hellman's The Little Foxes (1939) won her Variety magazine's award for Best Actress of the Year. Bankhead as Regina was lauded as "one of the most electrifying performances in American theater history". During the run, she was featured on the cover of Life. Bankhead and playwright Hellman, both formidable women, feuded over the Soviet Union's invasion of Finland. Bankhead (a strong critic of communism from the mid 1930s onwards) was said to want a portion of one performance's proceeds to go to Finnish relief, and Hellman (a communist who had defended the Moscow Trials of 1936, and was a member of the Communist Party USA in 1938–40) objected strenuously, and the two women did not speak for the next quarter of a century, eventually reconciling in late 1963. Nevertheless, Bankhead called the character of Regina in Hellman's play "the best role I ever had in the theater". 
Bankhead earned another Variety award and the New York Drama Critics' Award for Best Performance by an Actress followed her role in Thornton Wilder's The Skin of Our Teeth, in which Bankhead played Sabina, the housekeeper and temptress, opposite Fredric March and Florence Eldridge (husband and wife offstage). About her work in Wilder's classic, the New York Sun wrote "Her portrayal of Sabina has comedy and passion. How she contrives both, almost at the same time, is a mystery to mere man." She also clashed with Elia Kazan on The Skin of Our Teeth and during rehearsals of Clash by Night she called the producer, Billy Rose a "loathsome bully" who retorted that "How could anyone bully Niagara Falls?".
Tallulah Bankhead