What today is known as the complex of the archiepiscopal sanctuary of the Blessed Virgin of the Miracles, we know that in ancient times it corresponded to a more modest structure, dedicated to St. Nicholas since the mid-thirteenth century.

The primitive oratory was completely rebuilt around the middle of the fifteenth century in Renaissance style, being completed with an ambitious octagonal drum dome that remains since today.
The style of the façade was still of Romanesque inspiration and it was on this same facade that Gregorio Zavattari frescoed a Madonna with Child in 1475, a work of considerable importance, attributable stylistically to those models of madonnas of Tuscan painting that have brought this painter closer to the Sienese school Simone Martini.

The church is known to have been located on the outskirts of the town and more precisely it was located just outside the fortified walls of the city of Corbetta, in an area surrounded by woods, and had a parvis dirt.
What today is known as the complex of the archiepiscopal sanctuary of the Blessed Virgin of the Miracles, we know that in ancient times it corresponded to a more modest structure, dedicated to St. Nicholas since the mid-thirteenth century.
The primitive oratory was completely rebuilt around the middle of the fifteenth century in Renaissance style, being completed with an ambitious octagonal drum dome that remains since today. The style of the façade was still of Romanesque inspiration and it was on this same facade that Gregorio Zavattari frescoed a Madonna with Child in 1475, a work of considerable importance, attributable stylistically to those models of madonnas of Tuscan painting that have brought this painter closer to the Sienese school Simone Martini.
The church is known to have been located on the outskirts of the town and more precisely it was located just outside the fortified walls of the city of Corbetta, in an area surrounded by woods, and had a parvis dirt.
Sanctuary of the Madonna of Miracles (Corbetta)