In Caruncho´s work, light is the key element of the garden.
In addition to the light, the geometry and the relation of the garden and landscape architecture.
When he speaks about geometry he always insists that it may be obvious or hidden, but it is without a doubt the way to read or interpret the place, and in his gardens there is a clear example of this.

Nowadays in his studio architecture projects are developed with a new concept: The architecture forms a whole unity with the garden.

To reflect Caruncho´s world it is very interesting to go to the sources who have studied his work and belong to the world of gardening, history and art, such as Dan Kiley, master of American landscape design of the last 50 years, who wrote the preface to the book Mirrors of Paradise by Guy Cooper and Gordon Taylor, a book that collected the first 15 years of Fernando Caruncho´s work.

Dan Kiley recognises Fernando Caruncho as his successor, as he bases on his same principles and design ideals.
 Dan Kiley highlights Fernando Caruncho´s relationship with religion as a search of the place man takes up in the world, Highlighting the landscape design should not be a mere reorganization of elements, it must capture the higher order that governs all things.

"My career is approaching its sunset, and in Caruncho I see someone who may well be the only landscape architect who is guided by the same principles and ideals that I have tried to realize over the course of my work.
I have been hoping that my way of thinking, which is purely a method of recognizing and solving a problem and is not necessarily unique to me, would be projected, and I believe he is the ideal one to carry it forward."

"Caruncho’s relation to religion is important.
It is easy to see his correspondence of religion and environment, like falling over into something it’s obvious once you have the knowledge and the background.
What is religion but our desire to know where, how, and why we stand in this world?
And as I said in my own book, "The greatest contribution a designer can make is to link the human and the natural in such a way as to recall our fundamental place in the scheme of things."

The design of the landscape should not be a superficial reordering of natural elements merely to delight the eye.
There is a larger and greater order, and I feel confident that Fernando Caruncho is one man who is able to listen to his voice with his heart and translate it to the land with his mind."

Guy Cooper and Gordon Taylor affirm Fernando Caruncho makes the agriculture meet contemporary garden in the late 20th century, they highlight his classical education, as it shows his deep sensibility, and extraordinary sophistication, and they underline his handling of light and vision of the garden as a mirror of the universe.

"Ancient agriculture meets formal contemporary garden design in the late twentieth century.

Caruncho is classically educated, as can be seen from any of his designs which combine profound simplicity with extraordinary sophistication.

Caruncho says that his designs are a constant attempt "to capture the light (vibration lumineuse) "in the garden space, through a formal setting of the simplest elements: "everything in a Spanish garden is founded in how you deal with the light"
"Caruncho sees the garden as a mirror of the universe: "I Strive to arrange a space that invites reflection and inquiry by allowing the light to delineate geometries, perspectives and symmetries "
Kirsty Fergusson remarks Fernando Caruncho´s philosophical bases as a trigger of his curiosity in the relation between man and nature, and its application to the world of garden.
Expressing himself with the language of philosophy with a deep respect to theology.

Also, Kirsty Fergusson highlights the sources of inspiration of Fernando Caruncho as diverse as Zen, European Classicism, and his use of light, by which he makes intelligible geometry.
She also highlights the universality of the language of his gardens.

"Caruncho studied philosophy at the University of Madrid and his fascination with pre-Socratic Greek p
In Caruncho´s work, light is the key element of the garden. In addition to the light, the geometry and the relation of the garden and landscape architecture. When he speaks about geometry he always insists that it may be obvious or hidden, but it is without a doubt the way to read or interpret the place, and in his gardens there is a clear example of this.
Nowadays in his studio architecture projects are developed with a new concept: The architecture forms a whole unity with the garden.
To reflect Caruncho´s world it is very interesting to go to the sources who have studied his work and belong to the world of gardening, history and art, such as Dan Kiley, master of American landscape design of the last 50 years, who wrote the preface to the book Mirrors of Paradise by Guy Cooper and Gordon Taylor, a book that collected the first 15 years of Fernando Caruncho´s work.
Dan Kiley recognises Fernando Caruncho as his successor, as he bases on his same principles and design ideals.  Dan Kiley highlights Fernando Caruncho´s relationship with religion as a search of the place man takes up in the world, Highlighting the landscape design should not be a mere reorganization of elements, it must capture the higher order that governs all things.
"My career is approaching its sunset, and in Caruncho I see someone who may well be the only landscape architect who is guided by the same principles and ideals that I have tried to realize over the course of my work. I have been hoping that my way of thinking, which is purely a method of recognizing and solving a problem and is not necessarily unique to me, would be projected, and I believe he is the ideal one to carry it forward."
"Caruncho’s relation to religion is important. It is easy to see his correspondence of religion and environment, like falling over into something it’s obvious once you have the knowledge and the background. What is religion but our desire to know where, how, and why we stand in this world? And as I said in my own book, "The greatest contribution a designer can make is to link the human and the natural in such a way as to recall our fundamental place in the scheme of things."
The design of the landscape should not be a superficial reordering of natural elements merely to delight the eye. There is a larger and greater order, and I feel confident that Fernando Caruncho is one man who is able to listen to his voice with his heart and translate it to the land with his mind."
Guy Cooper and Gordon Taylor affirm Fernando Caruncho makes the agriculture meet contemporary garden in the late 20th century, they highlight his classical education, as it shows his deep sensibility, and extraordinary sophistication, and they underline his handling of light and vision of the garden as a mirror of the universe.
"Ancient agriculture meets formal contemporary garden design in the late twentieth century.
Caruncho is classically educated, as can be seen from any of his designs which combine profound simplicity with extraordinary sophistication.
Caruncho says that his designs are a constant attempt "to capture the light (vibration lumineuse) "in the garden space, through a formal setting of the simplest elements: "everything in a Spanish garden is founded in how you deal with the light"
"Caruncho sees the garden as a mirror of the universe: "I Strive to arrange a space that invites reflection and inquiry by allowing the light to delineate geometries, perspectives and symmetries "
Kirsty Fergusson remarks Fernando Caruncho´s philosophical bases as a trigger of his curiosity in the relation between man and nature, and its application to the world of garden. Expressing himself with the language of philosophy with a deep respect to theology.
Also, Kirsty Fergusson highlights the sources of inspiration of Fernando Caruncho as diverse as Zen, European Classicism, and his use of light, by which he makes intelligible geometry. She also highlights the universality of the language of his gardens.
"Caruncho studied philosophy at the University of Madrid and his fascination with pre-Socratic Greek p
Fernando Caruncho