Storni published some of her first works in 1916 in Emin Arslan's literary magazine La Nota, where she was a permanent contributor from 28 March until 21 November 1919.
Her poems “Convalecer” and “Golondrinas” were published in the magazine.
In spite of economic difficulties, she published La inquietud del rosal  in 1916, and later started writing for the magazine Caras y Caretas while working as a cashier in a shop.
Even though today Storni's early works of poetry are among her most well known and highly regarded, they received harsh criticism from some of her male contemporaries, including such well known figures as Jorge Luis Borges and Eduardo Gonzalez Lanuza.
The eroticism and feminist themes in her writing were controversial subject matter for poetry during her time, but writing about womanhood in such a direct way was one of her principal innovations as a poet.
Storni published some of her first works in 1916 in Emin Arslan's literary magazine La Nota, where she was a permanent contributor from 28 March until 21 November 1919. Her poems “Convalecer” and “Golondrinas” were published in the magazine. In spite of economic difficulties, she published La inquietud del rosal  in 1916, and later started writing for the magazine Caras y Caretas while working as a cashier in a shop. Even though today Storni's early works of poetry are among her most well known and highly regarded, they received harsh criticism from some of her male contemporaries, including such well known figures as Jorge Luis Borges and Eduardo Gonzalez Lanuza. The eroticism and feminist themes in her writing were controversial subject matter for poetry during her time, but writing about womanhood in such a direct way was one of her principal innovations as a poet.
Alfonsina Storni