Statues of Sirens in a funerary context are attested since the classical era, in mainland Greece, as well as Asia Minor and Magna Graecia.
The so-called "Siren of Canosa"—Canosa di Puglia is a site in Apulia that was part of Magna Graecia—was said to accompany the dead among grave goods in a burial.
She appeared to have some psychopomp characteristics, guiding the dead on the afterlife journey.
The cast terracotta figure bears traces of its original white pigment.
The woman bears the feet, wings and tail of a bird.
The sculpture is conserved in the National Archaeological Museum of Spain, in Madrid.

The Sirens were called the Muses of the lower world.
Classical scholar Walter Copland Perry (1814–1911) observed: "Their song, though irresistibly sweet, was no less sad than sweet, and lapped both body and soul in a fatal lethargy, the forerunner of death and corruption."
Their song is continually calling on Persephone.

The term "siren song" refers to an appeal that is hard to resist but that, if heeded, will lead to a bad conclusion.
Later writers have implied that the Sirens were cannibals, based on Circe's description of them "lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones."
As linguist Jane Ellen Harrison (1850–1928) notes of "The Ker as siren": "It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh."
The siren song is a promise to Odysseus of mantic truths; with a false promise that he will live to tell them, they sing,
Once he hears to his heart's content, sails on, a wiser man.

We know all the pains that the Greeks and Trojans once endured
on the spreading plain of Troy when the gods willed it so—
all that comes to pass on the fertile earth, we know it all!

"They are mantic creatures like the Sphinx with whom they have much in common, knowing both the past and the future", Harrison observed. "
Their song takes effect at midday, in a windless calm.
The end of that song is death."
That the sailors' flesh is rotting away, suggests it has not been eaten.
It has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to provide food for their visitors, who starved to death by refusing to leave.
Statues of Sirens in a funerary context are attested since the classical era, in mainland Greece, as well as Asia Minor and Magna Graecia. The so-called "Siren of Canosa"—Canosa di Puglia is a site in Apulia that was part of Magna Graecia—was said to accompany the dead among grave goods in a burial. She appeared to have some psychopomp characteristics, guiding the dead on the afterlife journey. The cast terracotta figure bears traces of its original white pigment. The woman bears the feet, wings and tail of a bird. The sculpture is conserved in the National Archaeological Museum of Spain, in Madrid.
The Sirens were called the Muses of the lower world. Classical scholar Walter Copland Perry (1814–1911) observed: "Their song, though irresistibly sweet, was no less sad than sweet, and lapped both body and soul in a fatal lethargy, the forerunner of death and corruption." Their song is continually calling on Persephone.
The term "siren song" refers to an appeal that is hard to resist but that, if heeded, will lead to a bad conclusion. Later writers have implied that the Sirens were cannibals, based on Circe's description of them "lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones." As linguist Jane Ellen Harrison (1850–1928) notes of "The Ker as siren": "It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh." The siren song is a promise to Odysseus of mantic truths; with a false promise that he will live to tell them, they sing,
Once he hears to his heart's content, sails on, a wiser man.
We know all the pains that the Greeks and Trojans once endured
on the spreading plain of Troy when the gods willed it so—
all that comes to pass on the fertile earth, we know it all!
"They are mantic creatures like the Sphinx with whom they have much in common, knowing both the past and the future", Harrison observed. "Their song takes effect at midday, in a windless calm. The end of that song is death." That the sailors' flesh is rotting away, suggests it has not been eaten. It has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to provide food for their visitors, who starved to death by refusing to leave.
Siren (mythology)