After his training he pursued his vocation as an artist in Impressionist paintings and became famous as a Venezuelan-French impressionist.
He interacted with impressionist painters like Camille Pissarro.
From 1900 he started working on these concepts.
 He actively worked in Italy for two years between 1907 and 1909.
Established in 1912, the Círculo de Bellas Artes de Caracas supported the work of Boggio and opposed the prevalent academic styles.

In 1918 or 1919, Boggio, in his sixties, returned to Venezuela to hold an exhibition of his paintings in Caracas.
His stay provided an excellent opportunity to the young artists of Caracas such as Reveron, Cabre, Brandt, Castillo and others to learn about impressionist paintings.
He guided them and helped them to free themselves from the traditional academic painting and imbibe knowledge of the European Impressionist trends in painting.
He not only encouraged them but also explained the techniques of his paintings and accompanied them during their field trips to paint.
He stayed in Caracas for less than a year and during this time exhibited sixty of his paintings at the Escuela de Musica.
After his training he pursued his vocation as an artist in Impressionist paintings and became famous as a Venezuelan-French impressionist. He interacted with impressionist painters like Camille Pissarro. From 1900 he started working on these concepts.  He actively worked in Italy for two years between 1907 and 1909. Established in 1912, the Círculo de Bellas Artes de Caracas supported the work of Boggio and opposed the prevalent academic styles.
In 1918 or 1919, Boggio, in his sixties, returned to Venezuela to hold an exhibition of his paintings in Caracas. His stay provided an excellent opportunity to the young artists of Caracas such as Reveron, Cabre, Brandt, Castillo and others to learn about impressionist paintings. He guided them and helped them to free themselves from the traditional academic painting and imbibe knowledge of the European Impressionist trends in painting. He not only encouraged them but also explained the techniques of his paintings and accompanied them during their field trips to paint. He stayed in Caracas for less than a year and during this time exhibited sixty of his paintings at the Escuela de Musica.
Emilio Boggio