It was important to the early American government that an image of British fault and American innocence be maintained for this first battle of the war.
 The history of Patriot preparations, intelligence, warning signals, and uncertainty about the first shot was rarely discussed in the public sphere for decades.
 The story of the wounded British soldier at the North Bridge, hors de combat, struck down on the head by a Minuteman using a hatchet, the purported "scalping", was strongly suppressed.
Depositions mentioning some of these activities were not published and were returned to the participants (this notably happened to Paul Revere).
Paintings portrayed the Lexington fight as an unjustified slaughter.

The issue of which side was to blame grew during the early nineteenth century.
For example, older participants' testimony in later life about Lexington and Concord differed greatly from their depositions taken under oath in 1775.
All now said the British fired first at Lexington, whereas fifty or so years before, they weren't sure.
All now said they fired back, but in 1775, they said few were able to.
The "Battle" took on an almost mythical quality in the American consciousness.
 Legend became more important than truth.
A complete shift occurred, and the Patriots were portrayed as actively fighting for their cause, rather than as suffering innocents.
 Paintings of the Lexington skirmish began to portray the militia standing and fighting back in defiance.

Ralph Waldo Emerson immortalized the events at the North Bridge in his 1837 "Concord Hymn".
 The "Concord Hymn" became important because it commemorated the beginning of the American Revolution,  and that for much of the 19th century it was a means by which Americans learned about the Revolution, helping to forge the identity of the nation.

After 1860, several generations of schoolchildren memorized Henry Wadsworth Longfellow's poem "Paul Revere's Ride".
Historically it is inaccurate (for example, Paul Revere never made it to Concord), but it captures the idea that an individual can change the course of history.

In the 20th century, popular and historical opinion varied about the events of the historic day, often reflecting the political mood of the time.
 Isolationist anti-war sentiments before the World Wars bred skepticism about the nature of Paul Revere's contribution (if any) to the efforts to rouse the militia.
 Anglophilia in the United States after the turn of the twentieth century led to more balanced approaches to the history of the battle.
 During World War I, a film about Paul Revere's ride was seized under the Espionage Act of 1917 for promoting discord between the United States and Britain.

During the Cold War, Revere was used not only as a patriotic symbol, but also as a capitalist one.
 In 1961, novelist Howard Fast published April Morning, an account of the battle from a fictional 15-year-old's perspective, and reading of the book has been frequently assigned in American secondary schools.
A film version was produced for television in 1987, starring Chad Lowe and Tommy Lee Jones.
 In the 1990s, parallels were drawn between American tactics in the Vietnam War and those of the British Army at Lexington and Concord.

The site of the battle in Lexington is now known as the Lexington Battle Green.
 It has been listed on the National Register of Historic Places and is a National Historic Landmark.
 Several memorials commemorating the battle have been established there.

The lands surrounding the North Bridge in Concord, as well as approximately 5 miles (8.0 km) of the road along with surrounding lands and period buildings between Meriam's Corner and western Lexington are part of Minuteman National Historical Park.
 There are walking trails with interpretive displays along routes that the colonists might have used that skirted the road, and the Park Service often has personnel (usually dressed in period dress) offering descriptions of the area and explanations of the events of the day.
 A bronze bas relief of Major Buttrick, designed by Daniel Chester French and e
It was important to the early American government that an image of British fault and American innocence be maintained for this first battle of the war.  The history of Patriot preparations, intelligence, warning signals, and uncertainty about the first shot was rarely discussed in the public sphere for decades.  The story of the wounded British soldier at the North Bridge, hors de combat, struck down on the head by a Minuteman using a hatchet, the purported "scalping", was strongly suppressed. Depositions mentioning some of these activities were not published and were returned to the participants (this notably happened to Paul Revere). Paintings portrayed the Lexington fight as an unjustified slaughter.
The issue of which side was to blame grew during the early nineteenth century. For example, older participants' testimony in later life about Lexington and Concord differed greatly from their depositions taken under oath in 1775. All now said the British fired first at Lexington, whereas fifty or so years before, they weren't sure. All now said they fired back, but in 1775, they said few were able to. The "Battle" took on an almost mythical quality in the American consciousness.  Legend became more important than truth. A complete shift occurred, and the Patriots were portrayed as actively fighting for their cause, rather than as suffering innocents.  Paintings of the Lexington skirmish began to portray the militia standing and fighting back in defiance.
Ralph Waldo Emerson immortalized the events at the North Bridge in his 1837 "Concord Hymn".  The "Concord Hymn" became important because it commemorated the beginning of the American Revolution,  and that for much of the 19th century it was a means by which Americans learned about the Revolution, helping to forge the identity of the nation.
After 1860, several generations of schoolchildren memorized Henry Wadsworth Longfellow's poem "Paul Revere's Ride". Historically it is inaccurate (for example, Paul Revere never made it to Concord), but it captures the idea that an individual can change the course of history.
In the 20th century, popular and historical opinion varied about the events of the historic day, often reflecting the political mood of the time.  Isolationist anti-war sentiments before the World Wars bred skepticism about the nature of Paul Revere's contribution (if any) to the efforts to rouse the militia.  Anglophilia in the United States after the turn of the twentieth century led to more balanced approaches to the history of the battle.  During World War I, a film about Paul Revere's ride was seized under the Espionage Act of 1917 for promoting discord between the United States and Britain.
During the Cold War, Revere was used not only as a patriotic symbol, but also as a capitalist one.  In 1961, novelist Howard Fast published April Morning, an account of the battle from a fictional 15-year-old's perspective, and reading of the book has been frequently assigned in American secondary schools. A film version was produced for television in 1987, starring Chad Lowe and Tommy Lee Jones.  In the 1990s, parallels were drawn between American tactics in the Vietnam War and those of the British Army at Lexington and Concord.
The site of the battle in Lexington is now known as the Lexington Battle Green.  It has been listed on the National Register of Historic Places and is a National Historic Landmark.  Several memorials commemorating the battle have been established there.
The lands surrounding the North Bridge in Concord, as well as approximately 5 miles (8.0 km) of the road along with surrounding lands and period buildings between Meriam's Corner and western Lexington are part of Minuteman National Historical Park.  There are walking trails with interpretive displays along routes that the colonists might have used that skirted the road, and the Park Service often has personnel (usually dressed in period dress) offering descriptions of the area and explanations of the events of the day.  A bronze bas relief of Major Buttrick, designed by Daniel Chester French and e
Battles of Lexington and Concord