Sabatier hosted a salon in Paris on Rue Frochot, near the Place Pigalle, where she met nearly all of the French artists of her time, such as Gérard de Nerval, Nina de Villard, Arsène Houssaye, Edmond Richard, Gustave Flaubert, Louis Bouilhet, Maxime du Camp, Gustave Ricard, Judith Gautier, daughter of Théophile; Ernest Feydeau, father of Georges Feydeau, Hector Berlioz, Paul de Saint-Victor, Alfred de Musset, Henry Monnier, Victor Hugo, Ernest Meissonnier, Charles Augustin Sainte-Beuve, Charles Jalabert, Ernesta Grisi, Gustave Doré, the musician Ernest Reyer, James Pradier, Auguste Préault, Jules Barbey d'Aurevilly, Auguste Clésinger and Édouard Manet.

Gustave Flaubert, Théophile Gautier and some others have written articles about her and she was one of four women (Caroline, Jeanne Duval, herself and Marie Daubrun) who inspired Charles Baudelaire's famous work Les Fleurs du Mal.
Sabatier and Baudelaire were lovers from 1857 to 1862.
Edmond de Goncourt was the first to nickname Sabatier La Présidente.
A term used by Gautier in his Lettre à la Présidente, which was published in print in 1890.

One of her contemporaries described Sabatier as: "quite tall and well-proportioned and had very narrow joints and beautiful hands.
Her hair was soft as silk, chestnut, and seemed to flatter itself in full waves with a golden sparkle around her head.
Her skin was smooth and smooth, her features were regular, she had a small mouth, ready to laugh, and something scanty and witty, but above all she distinguished herself by a haze of triumph that seemed to envelop her like a halo of happiness.
She dressed with a lot of taste and fantasy.
She did not follow fashion closely, but created her own style.
Great artists who frequented her Sunday meetings gave her advice and drew models for her".

In Gustave Courbet's 1855 painting L'Atelier du peintre she is said to be shown together with her longtime lover, Alfred Mosselman.
After his death she was the longtime mistress to art collector and donor to the Wallace fountains, Sir Richard Wallace, 1st Baronet.

She also entered works for the Paris Salon, and was among the artists rejected from the 1863 exhibition who chose to show their works in the Salon des Refusés (Miniatures, Nos.
503-505).

Sabatier died from influenza at Neuilly-sur-Seine on 3 January 1890.
Sabatier hosted a salon in Paris on Rue Frochot, near the Place Pigalle, where she met nearly all of the French artists of her time, such as Gérard de Nerval, Nina de Villard, Arsène Houssaye, Edmond Richard, Gustave Flaubert, Louis Bouilhet, Maxime du Camp, Gustave Ricard, Judith Gautier, daughter of Théophile; Ernest Feydeau, father of Georges Feydeau, Hector Berlioz, Paul de Saint-Victor, Alfred de Musset, Henry Monnier, Victor Hugo, Ernest Meissonnier, Charles Augustin Sainte-Beuve, Charles Jalabert, Ernesta Grisi, Gustave Doré, the musician Ernest Reyer, James Pradier, Auguste Préault, Jules Barbey d'Aurevilly, Auguste Clésinger and Édouard Manet.
Gustave Flaubert, Théophile Gautier and some others have written articles about her and she was one of four women (Caroline, Jeanne Duval, herself and Marie Daubrun) who inspired Charles Baudelaire's famous work Les Fleurs du Mal. Sabatier and Baudelaire were lovers from 1857 to 1862. Edmond de Goncourt was the first to nickname Sabatier La Présidente. A term used by Gautier in his Lettre à la Présidente, which was published in print in 1890.
One of her contemporaries described Sabatier as: "quite tall and well-proportioned and had very narrow joints and beautiful hands. Her hair was soft as silk, chestnut, and seemed to flatter itself in full waves with a golden sparkle around her head. Her skin was smooth and smooth, her features were regular, she had a small mouth, ready to laugh, and something scanty and witty, but above all she distinguished herself by a haze of triumph that seemed to envelop her like a halo of happiness. She dressed with a lot of taste and fantasy. She did not follow fashion closely, but created her own style. Great artists who frequented her Sunday meetings gave her advice and drew models for her".
In Gustave Courbet's 1855 painting L'Atelier du peintre she is said to be shown together with her longtime lover, Alfred Mosselman. After his death she was the longtime mistress to art collector and donor to the Wallace fountains, Sir Richard Wallace, 1st Baronet.
She also entered works for the Paris Salon, and was among the artists rejected from the 1863 exhibition who chose to show their works in the Salon des Refusés (Miniatures, Nos. 503-505).
Sabatier died from influenza at Neuilly-sur-Seine on 3 January 1890.
Apollonie Sabatier