From 1982-1990, Gromala worked in industry as art director for MacWorld and Apple Computer.
Gromala was one of the first artists to work with immersive virtual reality (VR), beginning with Dancing with the Virtual Dervish.
Co-created with choreographer Yacov Sharir in 1990 at the Banff Centre for the Arts' Art & Virtual Environments residency, this piece has been exhibited worldwide from 1993-2004.
Gromala subsequently designed immersive VR for stress-reduction, anxiety-reduction, and pain distraction during chemotherapy at Georgia Tech.
Gromala's work has been used in over 20 hospitals and clinics.

Gromala is the Founding Director of the Chronic Pain Research Institute, an interdisciplinary team of artists, designers, computer scientists, neuroscientists, and medical doctors investigating how new technologies—ranging from virtual reality and visualization to social media—may be used as a technological form of analgesia and pain management.
With Jay Bolter, Gromala is the co-author of Windows and Mirrors: Interaction Design, Digital Art and the Myth of Transparency.
This book was based on her experience as the Art Gallery Chair for SIGGRAPH 2000, which had the greatest number of interactive artworks in its history.
Her work is widely published in the domains of Computer Science, Interactive Art and Interaction Design.
Her pioneering virtual reality work has been featured on the BBC, CNN, the Discovery Channel, and the New York Times.

Gromala was a faculty member at the University of Texas at Austin; the University of Washington, where she headed the New Media Research Lab and was a member of the Human Interface Technology Lab (HITLab); and at  graduate programme for Information Design at Georgia Tech's School of Literature, Communication and Culture (LCC), and a member of the renowned GVU (Graphics, Visualization & Usability) Center.
She is currently a professor at Simon Fraser University (SFU) in Vancouver, Canada.
From 1982-1990, Gromala worked in industry as art director for MacWorld and Apple Computer. Gromala was one of the first artists to work with immersive virtual reality (VR), beginning with Dancing with the Virtual Dervish. Co-created with choreographer Yacov Sharir in 1990 at the Banff Centre for the Arts' Art & Virtual Environments residency, this piece has been exhibited worldwide from 1993-2004. Gromala subsequently designed immersive VR for stress-reduction, anxiety-reduction, and pain distraction during chemotherapy at Georgia Tech. Gromala's work has been used in over 20 hospitals and clinics.
Gromala is the Founding Director of the Chronic Pain Research Institute, an interdisciplinary team of artists, designers, computer scientists, neuroscientists, and medical doctors investigating how new technologies—ranging from virtual reality and visualization to social media—may be used as a technological form of analgesia and pain management. With Jay Bolter, Gromala is the co-author of Windows and Mirrors: Interaction Design, Digital Art and the Myth of Transparency. This book was based on her experience as the Art Gallery Chair for SIGGRAPH 2000, which had the greatest number of interactive artworks in its history. Her work is widely published in the domains of Computer Science, Interactive Art and Interaction Design. Her pioneering virtual reality work has been featured on the BBC, CNN, the Discovery Channel, and the New York Times.
Gromala was a faculty member at the University of Texas at Austin; the University of Washington, where she headed the New Media Research Lab and was a member of the Human Interface Technology Lab (HITLab); and at  graduate programme for Information Design at Georgia Tech's School of Literature, Communication and Culture (LCC), and a member of the renowned GVU (Graphics, Visualization & Usability) Center. She is currently a professor at Simon Fraser University (SFU) in Vancouver, Canada.
Diane Gromala