As a writer, Saroyan made his breakthrough in Story magazine with "The Daring Young Man on the Flying Trapeze" (1934), the title taken from the nineteenth-century song of the same title.
The protagonist — a young, starving writer who tries to survive in a Depression-ridden society — resembles the penniless writer in Knut Hamsun's 1890 novel Hunger, but lacks the anger and nihilism of Hamsun's narrator.

Through the air on the flying trapeze, his mind hummed.
Amusing it was, astoundingly funny.
A trapeze to God, or to nothing, a flying trapeze to some sort of eternity; he prayed objectively for strength to make the flight with grace.

The story was republished in a collection whose royalties enabled Saroyan to travel to Europe and Armenia, where he learned to love the taste of Russian cigarettes, once observing, "You may tend to get cancer from the thing that makes you want to smoke so much, not from the smoking itself" (from Not Dying, 1963).
His advice to a young writer was: "Try to learn to breathe deeply; really to taste food when you eat, and when you sleep really to sleep.
Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell."
Saroyan endeavored to create a prose style full of zest for life and seemingly impressionistic, that came to be called "Saroyanesque".

Saroyan's stories celebrated optimism in the midst of the trials and tribulations of the Depression.
He worked rapidly, hardly editing his text, and drinking and gambling away much of his earnings.

I am an estranged man, said the liar: estranged from myself, from my family, my fellow man, my country, my world, my time, and my culture.
I am not estranged from God, although I am a disbeliever in everything about God excepting God indefinable, inside all and careless of all.

— from Here Comes There Goes You Know Who, 1961
 
Saroyan published essays and memoirs, in which he depicted the people he had met on travels in the Soviet Union and Europe, such as the playwright George Bernard Shaw, the Finnish composer Jean Sibelius, and Charlie Chaplin.
In 1952, Saroyan published The Bicycle Rider in Beverly Hills, the first of several volumes of memoirs.
Several other works were drawn from his own experiences, although his approach to autobiographical fact contained a fair bit of poetic license.
Drawn from such deeply personal sources, Saroyan's plays often disregarded the convention that conflict is essential to drama.
My Heart's in the Highlands (1939), his first play, a comedy about a young boy and his Armenian family, was produced at the Guild Theatre in New York.
He is probably best remembered for his play The Time of Your Life (1939), set in a waterfront saloon in San Francisco.
It won a Pulitzer Prize, which Saroyan refused on the grounds that commerce should not judge the arts; he did accept the New York Drama Critics' Circle award.
The play was adapted into a 1948 film starring James Cagney.

Before the war, Saroyan had worked on the screenplay of Golden Boy (1939), based on Clifford Odets's play, but he never had much success in Hollywood.
A second screenplay, The Human Comedy (1943) is set in the fictional California town of Ithaca in the San Joaquin Valley (based on Saroyan's memories of Fresno, California), where young telegraph messenger Homer bears witness to the sorrows and joys of life during World War II.

"Mrs. Sandoval," Homer said swiftly, "your son is dead.
Maybe it's a mistake.
Maybe it wasn't your son.
Maybe it was somebody else.
The telegram says it was Juan Domingo.
But maybe the telegram is wrong ... 
— from The Human Comedy
Having hired Saroyan to write the MGM screenplay, Louis B. Mayer balked at its length, but Saroyan would not compromise and was removed from directing the project.
He then turned the script into a novel, publishing it just prior to the release of the film, for which he won the 1943 Academy Award for Best Story.
The novel is often credited as the source for the movie, when in fact the reverse is true.
The novel was itself the basis for a 1983 musical of the same name.
After his dis
As a writer, Saroyan made his breakthrough in Story magazine with "The Daring Young Man on the Flying Trapeze" (1934), the title taken from the nineteenth-century song of the same title. The protagonist — a young, starving writer who tries to survive in a Depression-ridden society — resembles the penniless writer in Knut Hamsun's 1890 novel Hunger, but lacks the anger and nihilism of Hamsun's narrator. 
Through the air on the flying trapeze, his mind hummed. Amusing it was, astoundingly funny. A trapeze to God, or to nothing, a flying trapeze to some sort of eternity; he prayed objectively for strength to make the flight with grace.
The story was republished in a collection whose royalties enabled Saroyan to travel to Europe and Armenia, where he learned to love the taste of Russian cigarettes, once observing, "You may tend to get cancer from the thing that makes you want to smoke so much, not from the smoking itself" (from Not Dying, 1963). His advice to a young writer was: "Try to learn to breathe deeply; really to taste food when you eat, and when you sleep really to sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell." Saroyan endeavored to create a prose style full of zest for life and seemingly impressionistic, that came to be called "Saroyanesque".
Saroyan's stories celebrated optimism in the midst of the trials and tribulations of the Depression. He worked rapidly, hardly editing his text, and drinking and gambling away much of his earnings. 
I am an estranged man, said the liar: estranged from myself, from my family, my fellow man, my country, my world, my time, and my culture. I am not estranged from God, although I am a disbeliever in everything about God excepting God indefinable, inside all and careless of all.
— from Here Comes There Goes You Know Who, 1961
 
Saroyan published essays and memoirs, in which he depicted the people he had met on travels in the Soviet Union and Europe, such as the playwright George Bernard Shaw, the Finnish composer Jean Sibelius, and Charlie Chaplin. In 1952, Saroyan published The Bicycle Rider in Beverly Hills, the first of several volumes of memoirs. Several other works were drawn from his own experiences, although his approach to autobiographical fact contained a fair bit of poetic license. Drawn from such deeply personal sources, Saroyan's plays often disregarded the convention that conflict is essential to drama. My Heart's in the Highlands (1939), his first play, a comedy about a young boy and his Armenian family, was produced at the Guild Theatre in New York. He is probably best remembered for his play The Time of Your Life (1939), set in a waterfront saloon in San Francisco. It won a Pulitzer Prize, which Saroyan refused on the grounds that commerce should not judge the arts; he did accept the New York Drama Critics' Circle award. The play was adapted into a 1948 film starring James Cagney.
Before the war, Saroyan had worked on the screenplay of Golden Boy (1939), based on Clifford Odets's play, but he never had much success in Hollywood. A second screenplay, The Human Comedy (1943) is set in the fictional California town of Ithaca in the San Joaquin Valley (based on Saroyan's memories of Fresno, California), where young telegraph messenger Homer bears witness to the sorrows and joys of life during World War II.
"Mrs. Sandoval," Homer said swiftly, "your son is dead. Maybe it's a mistake. Maybe it wasn't your son. Maybe it was somebody else. The telegram says it was Juan Domingo. But maybe the telegram is wrong ... 
— from The Human Comedy
Having hired Saroyan to write the MGM screenplay, Louis B. Mayer balked at its length, but Saroyan would not compromise and was removed from directing the project. He then turned the script into a novel, publishing it just prior to the release of the film, for which he won the 1943 Academy Award for Best Story. The novel is often credited as the source for the movie, when in fact the reverse is true. The novel was itself the basis for a 1983 musical of the same name. After his dis
William Saroyan