The Passerelle de Bessengue is a wooden bridge with an iron handrail, painted in different colors, each one representing people of different ethnic groups holding hands.
La Passerelle was designed by the Cameroonian artist Alioum Moussa.
It was initially conceived as a cooperation development project funded by the Institut Régional de Coopération-Développement d’Alsace (Ircod-Alsace), the Municipality of Douala I, and doual’art.
As project coordinator, doual’art ran a community-based approach involving the local Development Community of Bessengue-Akwa (CDBA) from the conceptualization phase to the project production.

During the process, an artistic contest was organized in order to provide La Passerelle with aesthetical features.
On five projects submitted, the selection fell on Alioum Moussa.
His proposal aroused among the community a critical discussion and self-reflection about historical conflicts among autochthonous and non-native populations.
The success of the project by Moussa was to create a link between art and community experiences, documenting shared intentions to promote and pursue a peaceful collaboration for future generations.
La Passerelle was officially inaugurated during the SUD 2007 and restored two times.
In 2009, Malika Ouedraogo and Cecile Demessine repainted the handrail.
In the occasion of the SUD 2013, the Municipality of Douala funded the replacement of a handrail side and some broken wood planches.

La Passerelle has disclosed the block 1 of Bessengue to one of the busiest roads of Douala, facilitating the circulation of people, vehicles, and the provision of public services.
Its position at the entrance of the neighborhood has contributed to create a square between La Passerelle and the first houses.
This area, commonly known as Vallée Bessengue, has become an important landmark for children, young people and women who meet there to play, to date and to shop, surrounded by other art installations.
The Passerelle de Bessengue is a wooden bridge with an iron handrail, painted in different colors, each one representing people of different ethnic groups holding hands. La Passerelle was designed by the Cameroonian artist Alioum Moussa. It was initially conceived as a cooperation development project funded by the Institut Régional de Coopération-Développement d’Alsace (Ircod-Alsace), the Municipality of Douala I, and doual’art. As project coordinator, doual’art ran a community-based approach involving the local Development Community of Bessengue-Akwa (CDBA) from the conceptualization phase to the project production.
During the process, an artistic contest was organized in order to provide La Passerelle with aesthetical features. On five projects submitted, the selection fell on Alioum Moussa. His proposal aroused among the community a critical discussion and self-reflection about historical conflicts among autochthonous and non-native populations. The success of the project by Moussa was to create a link between art and community experiences, documenting shared intentions to promote and pursue a peaceful collaboration for future generations. La Passerelle was officially inaugurated during the SUD 2007 and restored two times. In 2009, Malika Ouedraogo and Cecile Demessine repainted the handrail. In the occasion of the SUD 2013, the Municipality of Douala funded the replacement of a handrail side and some broken wood planches.
La Passerelle has disclosed the block 1 of Bessengue to one of the busiest roads of Douala, facilitating the circulation of people, vehicles, and the provision of public services. Its position at the entrance of the neighborhood has contributed to create a square between La Passerelle and the first houses. This area, commonly known as Vallée Bessengue, has become an important landmark for children, young people and women who meet there to play, to date and to shop, surrounded by other art installations.
Passerelle de Bessengué