In January 1864, President Abraham Lincoln was invited to attend a Robert Burns celebration by Robert Crawford; and if unable to attend, send a toast.
 Lincoln composed a toast.

An example of Burns's literary influence in the US is seen in the choice by novelist John Steinbeck of the title of his 1937 novel, Of Mice and Men, taken from a line in the second-to-last stanza of "To a Mouse": "The best laid schemes o' mice an' men / Gang aft agley."
Burns's influence on American vernacular poets such as James Whitcomb Riley and Frank Lebby Stanton has been acknowledged by their biographers.
When asked for the source of his greatest creative inspiration, singer songwriter Bob Dylan selected Burns's 1794 song "A Red, Red Rose" as the lyric that had the biggest effect on his life.

The author J. D. Salinger used protagonist Holden Caulfield's misinterpretation of Burns's poem "Comin' Through the Rye" as his title and a main interpretation of Caulfield's grasping to his childhood in his 1951 novel The Catcher in the Rye.
The poem, actually about a rendezvous, is thought by Caulfield to be about saving people from falling out of childhood.
In January 1864, President Abraham Lincoln was invited to attend a Robert Burns celebration by Robert Crawford; and if unable to attend, send a toast.  Lincoln composed a toast.
An example of Burns's literary influence in the US is seen in the choice by novelist John Steinbeck of the title of his 1937 novel, Of Mice and Men, taken from a line in the second-to-last stanza of "To a Mouse": "The best laid schemes o' mice an' men / Gang aft agley." Burns's influence on American vernacular poets such as James Whitcomb Riley and Frank Lebby Stanton has been acknowledged by their biographers. When asked for the source of his greatest creative inspiration, singer songwriter Bob Dylan selected Burns's 1794 song "A Red, Red Rose" as the lyric that had the biggest effect on his life.
The author J. D. Salinger used protagonist Holden Caulfield's misinterpretation of Burns's poem "Comin' Through the Rye" as his title and a main interpretation of Caulfield's grasping to his childhood in his 1951 novel The Catcher in the Rye. The poem, actually about a rendezvous, is thought by Caulfield to be about saving people from falling out of childhood.
Robert Burns