The church is rectangle, without towers, with low ceiling and tall roof.
There are 7 altars that reflect the styles of baroque and local vernacular architecture.

The church has three naves and a three-wall apse, seven ornate and colorful altars.
The high altar was created c. 1752, the altar of St. Michael c. 1785.
The plasticity of the wooden altars imitates stone architecture.

The interior architecture of the church was determined by those who supported the construction of it, i.e. Sapieha, Gadonas, Stirpeika families, treasurer of Grand Duchy of Lithuania Mykolas Važinskis.
According to Dalius Stancikas, they were the ones whose support allowed to synchronize the unique Samogitian carving together with the European level works making this church one of the most beautiful wooden churches in Lithuania.
The church is rectangle, without towers, with low ceiling and tall roof. There are 7 altars that reflect the styles of baroque and local vernacular architecture.
The church has three naves and a three-wall apse, seven ornate and colorful altars. The high altar was created c. 1752, the altar of St. Michael c. 1785. The plasticity of the wooden altars imitates stone architecture.
The interior architecture of the church was determined by those who supported the construction of it, i.e. Sapieha, Gadonas, Stirpeika families, treasurer of Grand Duchy of Lithuania Mykolas Važinskis. According to Dalius Stancikas, they were the ones whose support allowed to synchronize the unique Samogitian carving together with the European level works making this church one of the most beautiful wooden churches in Lithuania.
Church of the Holy Trinity, Pikeliai