Park Jaesam is a representative of Korea-specific mentality.
He evaluated Ha in the examination Review.
He found that while Ha's poetry has a deep inner world, life and death, reality and ideal, metaphysics and metaphysics, and self-determination are dominant.

He stated, "Super aesthetic psalm is a manifestation of his poems, and a critical approach is difficult if you do not understand the symbolism of religion and aesthetics to interpret such works."

Professor Kyung-Soo Yoon, among the critics of Ha's poetry, the peculiar one is deepening the symbolic systems of the surreal tendency of Yi Sang (Kim Hae-Kyung) poet, His unique poetical style is considered to be reasonable to see in terms of the mystical experiences and spiritual aspirations that have returned to Christianity.

Since 1994, he announced at the time, such as newspapers, magazines, etc.
and has become rather widely known to the general reader rather than a literary background.
In particular, while a Christian, religion without being bound to the Christian poetry style, semiotics, and embody the poetic image to deepen the symbolic system of aesthetics.
His poems "The sixth tailbone of the Cenozoic era",  "The perspiration from the sun comes out" have appeared well.

In the 2000s after is, the poem "Songs of Wildflowers" depicting the lyricism by intuition and There is a "The story of an elephant's hand expelled by the sky", which can be said to be poetry that first introduced allegorical techniques to the work of poetry.

Other common collaborative poetry books are “There is no way to nostalgia” (Bichnam, 1996), “The Southern Poetry” (Busan Poets' Association, 1999), “Flowers bloom, On the bluestem” (Jaggadeul, 2006), “Seihangobi. (
Jaggadeul, 2008), “Forest of Sosa Tree” (Jaggadeul, 2011), “My poetry I choose” (Chaegmandeuneun Jib, 2012).

In recent years, Byeon Uisu literary critic wrote Ha Seungmoo's poetry world, and in his special review commented on poetic excellence:
Immanuel Kant thought that he gained knowledge based on time and space.
and Albert Einstein thought that there would be no time beyond the speed of light.
of course, "time" of Kant is psychological, and Einstein's "time" is relative.
but, in the strict sense that time does not exist as an objective entity, is Kant or Einstein's proposition ultimately an imperfect wisdom of "99.9%" rather than "100%"?

Ha Seung-moo evokes the problem of the essentially axioms of the 'Sophist type' of language.
The river of time never flows, says time exists.
The wisdom of the human writes the “Critique of Pure Reason”, however, discuss the conversion of time and space.
But poet say that people don't spend the time they think they do.
These views of the Ha poet are extraordinary.
Park Jaesam is a representative of Korea-specific mentality. He evaluated Ha in the examination Review. He found that while Ha's poetry has a deep inner world, life and death, reality and ideal, metaphysics and metaphysics, and self-determination are dominant.
He stated, "Super aesthetic psalm is a manifestation of his poems, and a critical approach is difficult if you do not understand the symbolism of religion and aesthetics to interpret such works."
Professor Kyung-Soo Yoon, among the critics of Ha's poetry, the peculiar one is deepening the symbolic systems of the surreal tendency of Yi Sang (Kim Hae-Kyung) poet, His unique poetical style is considered to be reasonable to see in terms of the mystical experiences and spiritual aspirations that have returned to Christianity.
Since 1994, he announced at the time, such as newspapers, magazines, etc. and has become rather widely known to the general reader rather than a literary background. In particular, while a Christian, religion without being bound to the Christian poetry style, semiotics, and embody the poetic image to deepen the symbolic system of aesthetics. His poems "The sixth tailbone of the Cenozoic era",  "The perspiration from the sun comes out" have appeared well.
In the 2000s after is, the poem "Songs of Wildflowers" depicting the lyricism by intuition and There is a "The story of an elephant's hand expelled by the sky", which can be said to be poetry that first introduced allegorical techniques to the work of poetry.
Other common collaborative poetry books are “There is no way to nostalgia” (Bichnam, 1996), “The Southern Poetry” (Busan Poets' Association, 1999), “Flowers bloom, On the bluestem” (Jaggadeul, 2006), “Seihangobi. (Jaggadeul, 2008), “Forest of Sosa Tree” (Jaggadeul, 2011), “My poetry I choose” (Chaegmandeuneun Jib, 2012).
In recent years, Byeon Uisu literary critic wrote Ha Seungmoo's poetry world, and in his special review commented on poetic excellence:
Immanuel Kant thought that he gained knowledge based on time and space. and Albert Einstein thought that there would be no time beyond the speed of light. of course, "time" of Kant is psychological, and Einstein's "time" is relative. but, in the strict sense that time does not exist as an objective entity, is Kant or Einstein's proposition ultimately an imperfect wisdom of "99.9%" rather than "100%"?
Ha Seung-moo evokes the problem of the essentially axioms of the 'Sophist type' of language. The river of time never flows, says time exists. The wisdom of the human writes the “Critique of Pure Reason”, however, discuss the conversion of time and space. But poet say that people don't spend the time they think they do. These views of the Ha poet are extraordinary.
Ha Seung-moo