The following room contains interesting works of art and liturgical object dated from the 17th to the 19th centuries.
 Of particular importance:
an altar crucifix, in bronze, made by Antonio Susini, a student of Giambologna;
Saint Cecilia (1615-1620), painted by Matteo Rosselli;
The Virgin Mary giving the baby Jesus to Saint Francis of Assisi (c.1619), sketch by Jacopo Chimenti (also called l'Empoli), from the ceiling of the Cathedral of Livorno;
Guardian angel (1670-1675), oil on canvas, by Carlo Dolci, from the cathedral;
Saint Peter Alcantara giving communion to Saint Theresa of Avila (1683), oil on canvas, by the Flemish painter Livio Mehus, from the cathedral;
an altar crucifix (end of the 17th century), in bronze, influenced by Alessandro Algardi;
a monstrance (1729-1730), made by Lorenzo Loi, from the cathedral;
Translation of the remains of Saint Stephen (1865), oil on canvas, painted by Alessandro Franchi.
The following room contains interesting works of art and liturgical object dated from the 17th to the 19th centuries.  Of particular importance:
an altar crucifix, in bronze, made by Antonio Susini, a student of Giambologna;
Saint Cecilia (1615-1620), painted by Matteo Rosselli;
The Virgin Mary giving the baby Jesus to Saint Francis of Assisi (c.1619), sketch by Jacopo Chimenti (also called l'Empoli), from the ceiling of the Cathedral of Livorno;
Guardian angel (1670-1675), oil on canvas, by Carlo Dolci, from the cathedral;
Saint Peter Alcantara giving communion to Saint Theresa of Avila (1683), oil on canvas, by the Flemish painter Livio Mehus, from the cathedral;
an altar crucifix (end of the 17th century), in bronze, influenced by Alessandro Algardi;
a monstrance (1729-1730), made by Lorenzo Loi, from the cathedral;
Translation of the remains of Saint Stephen (1865), oil on canvas, painted by Alessandro Franchi.
Prato Cathedral Museum