The main facade is at the end of calle de Uría.
Its main features are those of the 1946 design.
The two-level central canopy lies between two towers and is prolonged on both sides by two lateral wings.
At ground level is a long portico made up of semicircular arches, all of the same size except for the three central arches which are somewhat larger and provide the main access to the enclosure.
Despite the frontage's sober and functional appearance, the large centrally placed clock attracts the viewer's attention.

While the main passenger terminal has not undergone major changes since the 1946 reconstruction, the platform area and the incoming railway tracks have since then been covered over by the imposing paved precinct, designed by Leonardo Fernández Troyano, which rests on 220 columns.
This covers an area of around 38,000 sq.m.
and is about 700m across.
It provides access to the station itself.
The large plaza, known as Plaza de los Ferroviarios, is decorated with fountains and a variety of sculptures: Paz and Libertad ("Peace" and "Liberty"), by es:Luis Sanguino, and Hombre sobre delfín ("Man on a Dolphin"), by Salvador Dalí.
Facing the old building is another sculpture, Asturias, by es:José Noja.

There are four platforms serving 13 tracks.
The main platform, adjacent to the terminal area, gives access to track 2 which passes through, and to tracks 4, 6 and 8 via bay platforms to the sides.
Across a bridge is the central platform, giving access to tracks 1 and 5.
All these are broad-gauge tracks, of which there are three more without platform access.
A further four tracks are reached from another central platform and a side platform.

Facilities provided at the station include a foyer, ticket office and machines, information points, business premises, cafetería and restaurant, kiosk, car hire, luggage store and toilets.
Designated parking places are located outside the station.
The main facade is at the end of calle de Uría. Its main features are those of the 1946 design. The two-level central canopy lies between two towers and is prolonged on both sides by two lateral wings. At ground level is a long portico made up of semicircular arches, all of the same size except for the three central arches which are somewhat larger and provide the main access to the enclosure. Despite the frontage's sober and functional appearance, the large centrally placed clock attracts the viewer's attention.
While the main passenger terminal has not undergone major changes since the 1946 reconstruction, the platform area and the incoming railway tracks have since then been covered over by the imposing paved precinct, designed by Leonardo Fernández Troyano, which rests on 220 columns. This covers an area of around 38,000 sq.m. and is about 700m across. It provides access to the station itself. The large plaza, known as Plaza de los Ferroviarios, is decorated with fountains and a variety of sculptures: Paz and Libertad ("Peace" and "Liberty"), by es:Luis Sanguino, and Hombre sobre delfín ("Man on a Dolphin"), by Salvador Dalí. Facing the old building is another sculpture, Asturias, by es:José Noja.
There are four platforms serving 13 tracks. The main platform, adjacent to the terminal area, gives access to track 2 which passes through, and to tracks 4, 6 and 8 via bay platforms to the sides. Across a bridge is the central platform, giving access to tracks 1 and 5. All these are broad-gauge tracks, of which there are three more without platform access. A further four tracks are reached from another central platform and a side platform.
Facilities provided at the station include a foyer, ticket office and machines, information points, business premises, cafetería and restaurant, kiosk, car hire, luggage store and toilets. Designated parking places are located outside the station.
Oviedo railway station