In the new medium of motion pictures, and without much screen competition, Young's star at Vitagraph rose quickly.
Young was predominantly cast in one and two reel roles as the virtuous heroine.
By 1913, she had become one of the more popular leading ladies at Vitagraph and placed at number 17 in a poll of public popularity.
Unfortunately, many of Young's films from her early period with Vitagraph are now lost.

In 1914, Vitagraph released the drama My Official Wife, which starred Young as a Russian revolutionary and was directed by her husband James Young and co-starred the popular leading man Earle Williams.
The film, which is now lost, was an enormous success and launched Young and Earle Williams into first place in the popularity polls, and Young immediately was signed to a contract with pioneering mogul Lewis J. Selznick.

After a string of successful roles, Young was established as one of the chief attractions of World Film Corporation and her husband James was now a much sought-after director.
By 1915, Young's popularity was equivalent to that of Mary Pickford, Dorothy and Lillian Gish, Pearl White, Edna Purviance, and Mabel Normand.

She became involved in a much publicized affair with Selznick, culminating in a 1916 divorce suit accusing her of alienation of affection.
James Young finally obtained a final decree on April 8, 1919 on grounds of desertion.

Selznick quickly formed the Clara Kimball Young Film Corporation, installing himself as president, and formed Selznick Productions to distribute her films and those of some other independent producers.
After only four films with Selznick however, the personal and business relationship began to sour, and Young struggled to extricate herself from all business arrangements with Selznick, accusing him of defrauding her of her profits through a series of dummy corporations and by electing himself president of her company while not permitting her any input in her business affairs.

In 1917, Young became involved in an affair with Harry Garson, with whom she then teamed in a business venture.
Garson had little experience in the motion picture business, and as a result, Young's career began to sputter.
Although she remained a popular actress into the early 1920s, Young suffered at the inexperience and alleged mismanagement and apathy of Garson.
In her 1921 diary, Young wrote "It will be wonderful to get out of debt and finish these three pictures for equity.
I feel as though I had my head on a block and was waiting for the axe to descend at any moment."

She began suffering a series of press attacks for her business dealings and personal relationship with Garson.
By 1925, her stardom began to fade, and she made her last silent film Lying Wives.
Young spent the remainder of the 1920s performing in vaudeville, and in 1928 quietly married Dr. Arthur Fauman.
The advent of sound briefly revived her career, and she appeared in several featured roles for RKO Radio Pictures and Tiffany Studios with only modest success, appearing only in bit parts including a Three Stooges short, and extra roles in mostly lower budget pictures and having a stint on radio.
One of her bigger roles is in the murder mystery The Rogues Tavern (1936) where she plays a sweet but fussy motherly woman who is hiding a very big secret.

She retired from acting in 1941.
In the new medium of motion pictures, and without much screen competition, Young's star at Vitagraph rose quickly. Young was predominantly cast in one and two reel roles as the virtuous heroine. By 1913, she had become one of the more popular leading ladies at Vitagraph and placed at number 17 in a poll of public popularity. Unfortunately, many of Young's films from her early period with Vitagraph are now lost.
In 1914, Vitagraph released the drama My Official Wife, which starred Young as a Russian revolutionary and was directed by her husband James Young and co-starred the popular leading man Earle Williams. The film, which is now lost, was an enormous success and launched Young and Earle Williams into first place in the popularity polls, and Young immediately was signed to a contract with pioneering mogul Lewis J. Selznick.
After a string of successful roles, Young was established as one of the chief attractions of World Film Corporation and her husband James was now a much sought-after director. By 1915, Young's popularity was equivalent to that of Mary Pickford, Dorothy and Lillian Gish, Pearl White, Edna Purviance, and Mabel Normand.
She became involved in a much publicized affair with Selznick, culminating in a 1916 divorce suit accusing her of alienation of affection. James Young finally obtained a final decree on April 8, 1919 on grounds of desertion.
Selznick quickly formed the Clara Kimball Young Film Corporation, installing himself as president, and formed Selznick Productions to distribute her films and those of some other independent producers. After only four films with Selznick however, the personal and business relationship began to sour, and Young struggled to extricate herself from all business arrangements with Selznick, accusing him of defrauding her of her profits through a series of dummy corporations and by electing himself president of her company while not permitting her any input in her business affairs.
In 1917, Young became involved in an affair with Harry Garson, with whom she then teamed in a business venture. Garson had little experience in the motion picture business, and as a result, Young's career began to sputter. Although she remained a popular actress into the early 1920s, Young suffered at the inexperience and alleged mismanagement and apathy of Garson. In her 1921 diary, Young wrote "It will be wonderful to get out of debt and finish these three pictures for equity. I feel as though I had my head on a block and was waiting for the axe to descend at any moment."
She began suffering a series of press attacks for her business dealings and personal relationship with Garson. By 1925, her stardom began to fade, and she made her last silent film Lying Wives. Young spent the remainder of the 1920s performing in vaudeville, and in 1928 quietly married Dr. Arthur Fauman. The advent of sound briefly revived her career, and she appeared in several featured roles for RKO Radio Pictures and Tiffany Studios with only modest success, appearing only in bit parts including a Three Stooges short, and extra roles in mostly lower budget pictures and having a stint on radio. One of her bigger roles is in the murder mystery The Rogues Tavern (1936) where she plays a sweet but fussy motherly woman who is hiding a very big secret.
She retired from acting in 1941.
Clara Kimball Young