Mór Ditrói was the first director, coming from Kolozsvár (today Cluj-Napoca).
He also brought his company of young actors, who were unknown to the Budapest audience at the time.
They quickly created a unique and modern repertoire differing from the era's classical theatre, that featured both French comedies, contemporary Hungarian (starting the career of Ferenc Molnár, Sándor Bródy, or Jenő Heltai), and foreign (like from Irwine Shaw, Bertold Brecht, Anton Chekhov) dramas.
The Vígszínház provided starting ground and home for several of the biggest names of the theatrical world from the turn of the century, like Gyula Csortos, Lili Darvas, Lili Muráti, Artur Somlay, Klári Tolnay or Gyula Kabos.

In the last days of World War II, Jan 1 1945 the theatre was hit by bombshells, so the company moved to the Radius Movie Theatre in the Nagymező Street.
The repairs began under the supervision of Oszkár Kaufmann.
Along with other similar artistic institution, Vígszínház was nationalized in 1949 (before this time, it operated as a private theatre).
It reopened in 1951 under the name Theatre of the People's Army.
Regaining its original name in 1960, Vígszínház became the main center of contemporary drama again, showing plays from Hungarian authors like Gábor Thurzó, Gyula Illyés, István Örkény, or classical 20th century authors like Arthur Miller or Friedrich Dürrenmatt .
In 1973 they premiered the popular Képzelt riport egy amerikai popfesztiválról (An Imaginary Report on an American Rock Festival), resulting in several other musical productions under the supervision of Gábor Presser.
The building underwent significant repairs in 1994.

With an average of 350.000 tickets sold each year, Vígszínház is still one of the most successful theatrical venues in Budapest.
Mór Ditrói was the first director, coming from Kolozsvár (today Cluj-Napoca). He also brought his company of young actors, who were unknown to the Budapest audience at the time. They quickly created a unique and modern repertoire differing from the era's classical theatre, that featured both French comedies, contemporary Hungarian (starting the career of Ferenc Molnár, Sándor Bródy, or Jenő Heltai), and foreign (like from Irwine Shaw, Bertold Brecht, Anton Chekhov) dramas. The Vígszínház provided starting ground and home for several of the biggest names of the theatrical world from the turn of the century, like Gyula Csortos, Lili Darvas, Lili Muráti, Artur Somlay, Klári Tolnay or Gyula Kabos.
In the last days of World War II, Jan 1 1945 the theatre was hit by bombshells, so the company moved to the Radius Movie Theatre in the Nagymező Street. The repairs began under the supervision of Oszkár Kaufmann. Along with other similar artistic institution, Vígszínház was nationalized in 1949 (before this time, it operated as a private theatre). It reopened in 1951 under the name Theatre of the People's Army. Regaining its original name in 1960, Vígszínház became the main center of contemporary drama again, showing plays from Hungarian authors like Gábor Thurzó, Gyula Illyés, István Örkény, or classical 20th century authors like Arthur Miller or Friedrich Dürrenmatt . In 1973 they premiered the popular Képzelt riport egy amerikai popfesztiválról (An Imaginary Report on an American Rock Festival), resulting in several other musical productions under the supervision of Gábor Presser. The building underwent significant repairs in 1994.
With an average of 350.000 tickets sold each year, Vígszínház is still one of the most successful theatrical venues in Budapest.
Comedy Theatre of Budapest