Besides his sermon preached before Innocent VIII, Mantuan's most notable works in prose include De patientia, a rambling discourse on physical and spiritual illness that includes an early allusion to Columbus' discovery of America, and De vita beata, a dialogue on the religious life that he wrote soon after entering the Carmelite order.
 He is also known for his Opus aureum in Thomistas, an early humanist critique of the late medieval philosophy and theology associated with Thomas Aquinas.

Mantuan wrote over 55,000 lines of verse, and it is largely through his poetry that he became famous and influential on the cultures of early modern Europe.
 De calamitatibus temporum was widely reprinted in the early sixteenth century.
 A three-book attack on the waywardness of the times, the poem includes a passage on Papal corruption that Martin Luther used prominently in Against the Roman Papacy, An Institution of the Devil, his last great polemic directed against the Curia.
 Mantuan's Parthenice Mariana initiated a series of seven hagiographic epic poems in which he celebrated in epic language the lives of Mary as well as Catherine of Alexandria and other Roman Catholic saints.
 The first successful humanist attempt to do so, these poems set a precedent for epic treatments of religious subjects as diverse as Jacopo Sannazaro's De partu virginis and John Milton's Paradise Lost.
 It is on the basis of Mantuan’s hagiographic epics that Desiderius Erasmus made his pronouncement that as a “Christian Virgil" the Italian poet would eventually be seen as a greater writer than Virgil.

Mantuan’s greatest success and most influential work was his Adulescentia.
 In this collection of ten Latin eclogues, he brought together the characters, situations, and themes of Virgilian pastoral with a strain of religious allegory rooted in Carmelite spirituality and a rustic realism compounded of personal observation and the conventions of medieval pastoral art.
 Schoolmasters commonly used the poems because of their relatively easy Latin and attractive subject matter (the opening eclogues deal with love, a topic one educator notes of interest to all young men).
 An attack on Papal corruption in one of the poems made Mantuan's collection an especially popular text in Protestant England.

Partly because of their use in the schools, Mantuan's eclogues had a profound effect on English literature in the sixteenth and seventeenth centuries.
 The collection was twice translated into English, by George Turberville in 1567 and Thomas Harvey in 1656.
 Early in the sixteenth century Alexander Barclay made adaptations of Mantuan's fifth and sixth eclogues, and a notorious attack on women in his fourth eclogue found numerous English translations and paraphrases during the seventeenth century.
 As "good old Mantuan" he was memorialized as the foolish Holofernes' favorite author in William Shakespeare's Love's Labor’s Lost.
 A line from his sixth eclogue is echoed in Winter's song at the end of the same play.
 And his rustic realism stands behind the world of Corin and William in Shakespeare's As You Like It.
 Unsurprisingly, Mantuan's attack on corruption within the church reverberated through English literature.
 Eventually it shifted from being used to attack the Papal Curia to become in John Milton's "Lycidas" a sanction for his indictment in pastoral poetry of "our corrupted" English clergy.

As a dominant model for the English eclogue, Mantuan's "Adulescenta" heavily influenced Edmund Spenser's Shepheardes Calender.
 Overall his rustic stylistic decorum sanctioned the English poet's experiments with diction and rough rhythms.
 Spenser's complaint about the neglect of poets and poetry in "October" draws thematically from Mantuan's fifth eclogue.
 The Italian poet's condemnation of Papal corruption is used in Spenser's "September" to indict pillaging the wealth of the English Church by Elizabeth and her courtiers.
 The winter world of February, drawn from Mantuan's sixth eclogue, has been seen to proclaim a harsh "Mantuanesque" world that Spenser set in his poems ag
Besides his sermon preached before Innocent VIII, Mantuan's most notable works in prose include De patientia, a rambling discourse on physical and spiritual illness that includes an early allusion to Columbus' discovery of America, and De vita beata, a dialogue on the religious life that he wrote soon after entering the Carmelite order.  He is also known for his Opus aureum in Thomistas, an early humanist critique of the late medieval philosophy and theology associated with Thomas Aquinas.
Mantuan wrote over 55,000 lines of verse, and it is largely through his poetry that he became famous and influential on the cultures of early modern Europe.  De calamitatibus temporum was widely reprinted in the early sixteenth century.  A three-book attack on the waywardness of the times, the poem includes a passage on Papal corruption that Martin Luther used prominently in Against the Roman Papacy, An Institution of the Devil, his last great polemic directed against the Curia.  Mantuan's Parthenice Mariana initiated a series of seven hagiographic epic poems in which he celebrated in epic language the lives of Mary as well as Catherine of Alexandria and other Roman Catholic saints.  The first successful humanist attempt to do so, these poems set a precedent for epic treatments of religious subjects as diverse as Jacopo Sannazaro's De partu virginis and John Milton's Paradise Lost.  It is on the basis of Mantuan’s hagiographic epics that Desiderius Erasmus made his pronouncement that as a “Christian Virgil" the Italian poet would eventually be seen as a greater writer than Virgil.
Mantuan’s greatest success and most influential work was his Adulescentia.  In this collection of ten Latin eclogues, he brought together the characters, situations, and themes of Virgilian pastoral with a strain of religious allegory rooted in Carmelite spirituality and a rustic realism compounded of personal observation and the conventions of medieval pastoral art.  Schoolmasters commonly used the poems because of their relatively easy Latin and attractive subject matter (the opening eclogues deal with love, a topic one educator notes of interest to all young men).  An attack on Papal corruption in one of the poems made Mantuan's collection an especially popular text in Protestant England.
Partly because of their use in the schools, Mantuan's eclogues had a profound effect on English literature in the sixteenth and seventeenth centuries.  The collection was twice translated into English, by George Turberville in 1567 and Thomas Harvey in 1656.  Early in the sixteenth century Alexander Barclay made adaptations of Mantuan's fifth and sixth eclogues, and a notorious attack on women in his fourth eclogue found numerous English translations and paraphrases during the seventeenth century.  As "good old Mantuan" he was memorialized as the foolish Holofernes' favorite author in William Shakespeare's Love's Labor’s Lost.  A line from his sixth eclogue is echoed in Winter's song at the end of the same play.  And his rustic realism stands behind the world of Corin and William in Shakespeare's As You Like It.  Unsurprisingly, Mantuan's attack on corruption within the church reverberated through English literature.  Eventually it shifted from being used to attack the Papal Curia to become in John Milton's "Lycidas" a sanction for his indictment in pastoral poetry of "our corrupted" English clergy.
As a dominant model for the English eclogue, Mantuan's "Adulescenta" heavily influenced Edmund Spenser's Shepheardes Calender.  Overall his rustic stylistic decorum sanctioned the English poet's experiments with diction and rough rhythms.  Spenser's complaint about the neglect of poets and poetry in "October" draws thematically from Mantuan's fifth eclogue.  The Italian poet's condemnation of Papal corruption is used in Spenser's "September" to indict pillaging the wealth of the English Church by Elizabeth and her courtiers.  The winter world of February, drawn from Mantuan's sixth eclogue, has been seen to proclaim a harsh "Mantuanesque" world that Spenser set in his poems ag
Baptista Mantuanus