The chapel of Don Tadeo shows strong Italian structural influences in its solution to the problem of vaulting arches within a cylindrical structure.
Another notable element is the front of the sacristy, with its Renaissance pediment, its entablature, and the arch between Corinthian columns with the coats of arms of the bishops of the city.

The façade is a splendid example of the Baroque architecture, with two massed bodies and a pinnacle, with alternating concave and convex lines; the large central span, flanked by two lintels composed of groups of broad-based columns.
The upper part was realized by Fernández Pachote and Domingo Thomas; Antonio Valeriano Moyano sculpted the marble Incarnation.
The chapel of Don Tadeo shows strong Italian structural influences in its solution to the problem of vaulting arches within a cylindrical structure. Another notable element is the front of the sacristy, with its Renaissance pediment, its entablature, and the arch between Corinthian columns with the coats of arms of the bishops of the city.
The façade is a splendid example of the Baroque architecture, with two massed bodies and a pinnacle, with alternating concave and convex lines; the large central span, flanked by two lintels composed of groups of broad-based columns. The upper part was realized by Fernández Pachote and Domingo Thomas; Antonio Valeriano Moyano sculpted the marble Incarnation.
Guadix Cathedral