While Hatshepsut used Menuhotep's temple as a model, the two structures are significantly different.
Hatshepsut employed a lengthy colonnaded terrace that deviated from the centralized massing of Menuhotep's model – an anomaly that may be caused by the decentralized location of her burial chamber.

There are three layered terraces reaching 97 feet (30 m) in height.
Each ‘story’ is articulated by a double colonnade of square piers, with the exception of the northwest corner of the central terrace, which employs Proto-Doric columns to house the chapel.

These terraces are connected by long ramps which were once surrounded by gardens.
The layering of Hatshepsut's temple corresponds with the classical Theban form, employing pylon, courts, hypostyle hall, sun court, chapel, and sanctuary.

The relief sculpture within Hatshepsut's temple recites the tale of the divine birth of the pharaoh.
The text and pictorial cycle also tell of an expedition to the Land of Punt, an exotic country on the Red Sea coast.

On either side of the entrance to the sanctuary (shown right) are painted pillars with images of Hathor as the capitals.
Just under the roof is an image of Wadjet, displayed as a bilateral solar symbol, flanked by two other long serpents.

The temple includes an image, shown to the right, of Hatshepsut depicted as male pharaoh giving offerings to Horus, and to their left, an animal skin wound around a tall  staff that is a symbol of the god Osiris.

While the statues and ornamentation have since been stolen or destroyed, the temple once was home to two statues of Osiris, a long avenue lined by sphinxes, as well as many sculptures of pharaoh Hatshepsut in different attitudes – standing, sitting, or kneeling.
While Hatshepsut used Menuhotep's temple as a model, the two structures are significantly different. Hatshepsut employed a lengthy colonnaded terrace that deviated from the centralized massing of Menuhotep's model – an anomaly that may be caused by the decentralized location of her burial chamber.
There are three layered terraces reaching 97 feet (30 m) in height. Each ‘story’ is articulated by a double colonnade of square piers, with the exception of the northwest corner of the central terrace, which employs Proto-Doric columns to house the chapel. 
These terraces are connected by long ramps which were once surrounded by gardens. The layering of Hatshepsut's temple corresponds with the classical Theban form, employing pylon, courts, hypostyle hall, sun court, chapel, and sanctuary.
The relief sculpture within Hatshepsut's temple recites the tale of the divine birth of the pharaoh. The text and pictorial cycle also tell of an expedition to the Land of Punt, an exotic country on the Red Sea coast.
On either side of the entrance to the sanctuary (shown right) are painted pillars with images of Hathor as the capitals. Just under the roof is an image of Wadjet, displayed as a bilateral solar symbol, flanked by two other long serpents.
The temple includes an image, shown to the right, of Hatshepsut depicted as male pharaoh giving offerings to Horus, and to their left, an animal skin wound around a tall  staff that is a symbol of the god Osiris.
While the statues and ornamentation have since been stolen or destroyed, the temple once was home to two statues of Osiris, a long avenue lined by sphinxes, as well as many sculptures of pharaoh Hatshepsut in different attitudes – standing, sitting, or kneeling.
Deir el-Bahari