Although covered with metres of ash and other volcanic material, the Villa sustained only minor damage during the eruption of Mount Vesuvius in 79 AD.
Most of its walls, ceilings, and particularly its frescoes survived largely intact.
Since its excavation, the roofing and other parts of the house have been maintained as necessary.

The Villa is named for the paintings in one of its numerous rooms.
This space may have been a dining room (triclinium in Latin) and is decorated with very fine frescoes, which are dated to about 70-60 BC.
Although the actual subject of the frescoes is debated, the most common interpretation is that they depict the initiation of a woman into the Dionysian Mysteries, a mystery cult devoted to the god known to the Romans as Bacchus.
Specific rites were required to become a member.
A key feature that helps to identify these scenes as Bacchic is the depiction of maenads, the deity's female followers.
These devotees are often shown dancing with swirling drapery on painted Greek pottery from the sixth century BC onward, centuries before the cult spread to the Romans.
 Among alternative interpretations, the most notable is that of Paul Veyne, who believes it depicts a young woman undergoing the rites of marriage.

Though often believed to be a triclinium, the room with the frescoes could also have been the bedroom or cubiculum of the mistress of the house, which would indicate that she was a member of the cult.

In addition to fine rooms for dining and entertaining, the Villa had more functional spaces.
A wine-press discovered during excavations has been restored in its original location.
It was not uncommon for the homes of the very wealthy to include areas for the production of wine, olive oil, or other agricultural products, especially since many elite Romans owned farmland or orchards in the immediate vicinity of their villas.

The Villa may be easily accessed from Pompeii, lying some 400 metres northwest of the town walls, beyond a road with funerary monuments on either side.
As a suburban villa, it had a close relationship with the city but was still separate from it.

The ownership of the Villa is unknown, as is the case with many private homes in the vicinity of Pompeii.
However, certain artifacts give tantalizing clues.
A bronze seal found in the Villa names L. Istacidius Zosimus, a freedman of the powerful Istacidii family.
Scholars have proposed him either as the owner of the Villa or the overseer of its reconstruction after the earthquake of 62 AD.
The presence of a statue of Livia, wife of Augustus, has led some historians to suggest that she was the owner.

As in other areas of Pompeii and Herculaneum, a number of bodies were found in the Villa, and plaster casts were made of them.
Although covered with metres of ash and other volcanic material, the Villa sustained only minor damage during the eruption of Mount Vesuvius in 79 AD. Most of its walls, ceilings, and particularly its frescoes survived largely intact. Since its excavation, the roofing and other parts of the house have been maintained as necessary. 
The Villa is named for the paintings in one of its numerous rooms. This space may have been a dining room (triclinium in Latin) and is decorated with very fine frescoes, which are dated to about 70-60 BC. Although the actual subject of the frescoes is debated, the most common interpretation is that they depict the initiation of a woman into the Dionysian Mysteries, a mystery cult devoted to the god known to the Romans as Bacchus. Specific rites were required to become a member. A key feature that helps to identify these scenes as Bacchic is the depiction of maenads, the deity's female followers. These devotees are often shown dancing with swirling drapery on painted Greek pottery from the sixth century BC onward, centuries before the cult spread to the Romans.  Among alternative interpretations, the most notable is that of Paul Veyne, who believes it depicts a young woman undergoing the rites of marriage.
Though often believed to be a triclinium, the room with the frescoes could also have been the bedroom or cubiculum of the mistress of the house, which would indicate that she was a member of the cult.
In addition to fine rooms for dining and entertaining, the Villa had more functional spaces. A wine-press discovered during excavations has been restored in its original location. It was not uncommon for the homes of the very wealthy to include areas for the production of wine, olive oil, or other agricultural products, especially since many elite Romans owned farmland or orchards in the immediate vicinity of their villas.
The Villa may be easily accessed from Pompeii, lying some 400 metres northwest of the town walls, beyond a road with funerary monuments on either side. As a suburban villa, it had a close relationship with the city but was still separate from it.
The ownership of the Villa is unknown, as is the case with many private homes in the vicinity of Pompeii. However, certain artifacts give tantalizing clues. A bronze seal found in the Villa names L. Istacidius Zosimus, a freedman of the powerful Istacidii family. Scholars have proposed him either as the owner of the Villa or the overseer of its reconstruction after the earthquake of 62 AD. The presence of a statue of Livia, wife of Augustus, has led some historians to suggest that she was the owner.
As in other areas of Pompeii and Herculaneum, a number of bodies were found in the Villa, and plaster casts were made of them.
Villa of the Mysteries