The exposition included many exhibits in the categories of Minerals and Forestry, Agriculture, Food and Accessories, Machinery and Appliances, Horticulture, Machinery, Manufactures, Electricity, Fine Arts, Painting and Sculpture, Liberal Arts, Education and Literature.
Pennsylvania's first woman American architect, Elise Mercur (1864–1947) design the Woman's Building of the Cotton States and International Exposition, a Palladian style building constructed for the purpose of displaying the accomplishments of women.
About six thousand exhibits were examined and beautifully designed medals were awarded.
The Awards Committee awarded a total of 1,573 medals: 634 gold medals, 444 silver medals, and 495 bronze medals.

In late September Charles Francis Jenkins demonstrated an early movie projector called the "Phantoscope."

John Philip Sousa composed his famous march, King Cotton, for the exposition, and dedicated it to the people of the state of Georgia.

Walter McElreath described it in his memoirs:
The railroad yards were jammed every morning with trains that brought enormous crowds.

The streets were crowded all day long.

Every conceivable kind of fakir bartered his wares.

Dime museums flourished on every street....
Vast stucco hotels stood on Fourteenth Street....
I spent a great deal of time on the streets looking at the strange crowds -- American Indians, Circassians, Hindus, Japanese, and people from every corner of the globe -- who had come as professional midway entertainers or fakirs.

December 26, 1895, was Negro Day at the Expo.
Famed African American quilter Harriet Powers also attended this day and met with Irvine Garland Penn, the chief of the Negro Building at the Expo.

The Women's Building exhibitions were curated by women from Georgia.
The contents where contributed by women around the country.
Women culled historical artifacts, decorative arts objects, and industrial products to compose displays in each room, including the Baltimore Room, the Lucy Cobb Room, Mary Ball Washington Tea Room, the Columbus Room, Model Library, Assembly Hall, and others, each assigned to a different state.
The National League of Mineral Painters, an organization of members such as Adelaïde Alsop Robineau and Mary Chase Perry, contributed decorative objects and artwork to the New York City section.
 The unifying objective was to showcase the accomplishments of women throughout the South, and the country, in the areas of education, health care, and the fine and decorative arts.
The many elaborate displays reflected a diversity of views spanning the mainstream social and domestic roles of Southern women, such as patriotism and the ideals of traditional motherhood to little known achievements of women counter to mainstream stereotypes.
The Legion of Loyal Women display, for example, presented an arrangement of 45 dolls, each one adorned with a small shield showing the name of a state, to illustrate the American Patriotic salute.
 Other displays posed a challenge to the roles of women and other social conventions.
The Colonial Room presented utensils and furnishings, as well as Dolly Madison's spectacles, a gun carried in the Battle of Concord, and brass medallions belonging to George Washington; the display was said to represent "the growing bond of cooperation between the North and South."
 The Exposition in the Women's Building thus introduced new ideas to foster trade and collaboration between the southern states and Northern states, and to also show ideas, products, and facilities to the rest of the nation and to Europe.
The Exhibitions presented prototypes of a hospital room, nursery, kindergarten classroom, and a model library, each one in actual working order.
These functional rooms, representative of environments where women played an important roles outside the home and family, equipped with the most up-to-date equipment, features, and furnishings.
The model library included an actual collection of publications by women authors from every state in the nation, and a photography exhibition of the portraits of women in every branch o
The exposition included many exhibits in the categories of Minerals and Forestry, Agriculture, Food and Accessories, Machinery and Appliances, Horticulture, Machinery, Manufactures, Electricity, Fine Arts, Painting and Sculpture, Liberal Arts, Education and Literature. Pennsylvania's first woman American architect, Elise Mercur (1864–1947) design the Woman's Building of the Cotton States and International Exposition, a Palladian style building constructed for the purpose of displaying the accomplishments of women. About six thousand exhibits were examined and beautifully designed medals were awarded. The Awards Committee awarded a total of 1,573 medals: 634 gold medals, 444 silver medals, and 495 bronze medals.
In late September Charles Francis Jenkins demonstrated an early movie projector called the "Phantoscope."
John Philip Sousa composed his famous march, King Cotton, for the exposition, and dedicated it to the people of the state of Georgia.
Walter McElreath described it in his memoirs:
The railroad yards were jammed every morning with trains that brought enormous crowds.
The streets were crowded all day long.
Every conceivable kind of fakir bartered his wares.
Dime museums flourished on every street....
Vast stucco hotels stood on Fourteenth Street....
I spent a great deal of time on the streets looking at the strange crowds -- American Indians, Circassians, Hindus, Japanese, and people from every corner of the globe -- who had come as professional midway entertainers or fakirs.
December 26, 1895, was Negro Day at the Expo. Famed African American quilter Harriet Powers also attended this day and met with Irvine Garland Penn, the chief of the Negro Building at the Expo.
The Women's Building exhibitions were curated by women from Georgia. The contents where contributed by women around the country. Women culled historical artifacts, decorative arts objects, and industrial products to compose displays in each room, including the Baltimore Room, the Lucy Cobb Room, Mary Ball Washington Tea Room, the Columbus Room, Model Library, Assembly Hall, and others, each assigned to a different state. The National League of Mineral Painters, an organization of members such as Adelaïde Alsop Robineau and Mary Chase Perry, contributed decorative objects and artwork to the New York City section.  The unifying objective was to showcase the accomplishments of women throughout the South, and the country, in the areas of education, health care, and the fine and decorative arts. The many elaborate displays reflected a diversity of views spanning the mainstream social and domestic roles of Southern women, such as patriotism and the ideals of traditional motherhood to little known achievements of women counter to mainstream stereotypes. The Legion of Loyal Women display, for example, presented an arrangement of 45 dolls, each one adorned with a small shield showing the name of a state, to illustrate the American Patriotic salute.  Other displays posed a challenge to the roles of women and other social conventions. The Colonial Room presented utensils and furnishings, as well as Dolly Madison's spectacles, a gun carried in the Battle of Concord, and brass medallions belonging to George Washington; the display was said to represent "the growing bond of cooperation between the North and South."  The Exposition in the Women's Building thus introduced new ideas to foster trade and collaboration between the southern states and Northern states, and to also show ideas, products, and facilities to the rest of the nation and to Europe. The Exhibitions presented prototypes of a hospital room, nursery, kindergarten classroom, and a model library, each one in actual working order. These functional rooms, representative of environments where women played an important roles outside the home and family, equipped with the most up-to-date equipment, features, and furnishings. The model library included an actual collection of publications by women authors from every state in the nation, and a photography exhibition of the portraits of women in every branch o
Cotton States and International Exposition