Thomas Wolsey, Archbishop of York, chief minister to and favourite of Henry VIII, took over the site of Hampton Court Palace in 1514.
It had previously been a property of the Order of St John of Jerusalem.
Over the following seven years, Wolsey spent lavishly (200,000 Crowns) to build the finest palace in England at Hampton Court.
Today, little of Wolsey's building work remains unchanged.
The first courtyard, the Base Court, (B on plan), was his creation, as was the second, inner gatehouse (C) which leads to the Clock Court (D) (Wolsey's seal remains visible over the entrance arch of the clock tower) which contained his private rooms (O on plan).
The Base Court contained forty-four lodgings reserved for guests, while the second court (today, Clock Court) contained the very best rooms –  the state apartments –  reserved for the King and his family.
Henry VIII stayed in the state apartments as Wolsey's guest immediately after their completion in 1525.

In building his palace, Wolsey was attempting to create a Renaissance cardinal's palace of a rectilinear symmetrical plan with grand apartments on a raised piano nobile, all rendered with classical detailing.
The historian Jonathan Foyle has suggested that it is likely that Wolsey had been inspired by Paolo Cortese's De Cardinalatu, a manual for cardinals that included advice on palatial architecture, published in 1510.
The architectural historian Sir John Summerson asserts that the palace shows "the essence of Wolsey—the plain English churchman who nevertheless made his sovereign the arbiter of Europe and who built and furnished Hampton Court to show foreign embassies that Henry VIII's chief minister knew how to live as graciously as any cardinal in Rome."
Whatever the concepts were, the architecture is an excellent and rare example of a thirty-year era when English architecture was in a harmonious transition from domestic Tudor, strongly influenced by perpendicular Gothic, to the Italian Renaissance classical style.
Perpendicular Gothic owed nothing historically to the Renaissance style, yet harmonised well with it.
This blending of styles was realised by a small group of Italian craftsmen working at the English court in the second and third decades of the sixteenth century.
They specialised in the adding of Renaissance ornament to otherwise straightforward Tudor buildings.
It was one of these, Giovanni da Maiano, who was responsible for the set of eight relief busts of Roman emperors which were set in the Tudor brickwork.

Wolsey was only to enjoy his palace for a few years.
In 1528, knowing that his enemies and the King were engineering his downfall, he passed the palace to the King as a gift.
Wolsey died two years later in 1530.

Within six months of coming into ownership, the King began his own rebuilding and expansion.
Henry VIII's court consisted of over one thousand people, while the King owned over sixty houses and palaces.
Few of these were large enough to hold the assembled court, and thus one of the first of the King's building works (in order to transform Hampton Court to a principal residence) was to build the vast kitchens.
These were quadrupled in size in 1529, enabling the King to provide bouche of court for his entire court.
The architecture of King Henry's new palace followed the design precedent set by Wolsey: perpendicular Gothic-inspired Tudor with restrained Renaissance ornament.
This hybrid architecture was to remain almost unchanged for nearly a century, until Inigo Jones introduced strong classical influences from Italy to the London palaces of the first Stuart kings.

Between 1532 and 1535 Henry added the Great Hall (the last medieval great hall built for the English monarchy) and the Royal Tennis Court.
The Great Hall has a carved hammer-beam roof.
During Tudor times, this was the most important room of the palace; here, the King would dine in state seated at a table upon a raised dais.
The hall took five years to complete; so impatient was the King for completion that the masons were compelled to work throughout the night by candlelight.

The gatehou
Thomas Wolsey, Archbishop of York, chief minister to and favourite of Henry VIII, took over the site of Hampton Court Palace in 1514. It had previously been a property of the Order of St John of Jerusalem. Over the following seven years, Wolsey spent lavishly (200,000 Crowns) to build the finest palace in England at Hampton Court. Today, little of Wolsey's building work remains unchanged. The first courtyard, the Base Court, (B on plan), was his creation, as was the second, inner gatehouse (C) which leads to the Clock Court (D) (Wolsey's seal remains visible over the entrance arch of the clock tower) which contained his private rooms (O on plan). The Base Court contained forty-four lodgings reserved for guests, while the second court (today, Clock Court) contained the very best rooms –  the state apartments –  reserved for the King and his family. Henry VIII stayed in the state apartments as Wolsey's guest immediately after their completion in 1525.
In building his palace, Wolsey was attempting to create a Renaissance cardinal's palace of a rectilinear symmetrical plan with grand apartments on a raised piano nobile, all rendered with classical detailing. The historian Jonathan Foyle has suggested that it is likely that Wolsey had been inspired by Paolo Cortese's De Cardinalatu, a manual for cardinals that included advice on palatial architecture, published in 1510. The architectural historian Sir John Summerson asserts that the palace shows "the essence of Wolsey—the plain English churchman who nevertheless made his sovereign the arbiter of Europe and who built and furnished Hampton Court to show foreign embassies that Henry VIII's chief minister knew how to live as graciously as any cardinal in Rome." Whatever the concepts were, the architecture is an excellent and rare example of a thirty-year era when English architecture was in a harmonious transition from domestic Tudor, strongly influenced by perpendicular Gothic, to the Italian Renaissance classical style. Perpendicular Gothic owed nothing historically to the Renaissance style, yet harmonised well with it. This blending of styles was realised by a small group of Italian craftsmen working at the English court in the second and third decades of the sixteenth century. They specialised in the adding of Renaissance ornament to otherwise straightforward Tudor buildings. It was one of these, Giovanni da Maiano, who was responsible for the set of eight relief busts of Roman emperors which were set in the Tudor brickwork.
Wolsey was only to enjoy his palace for a few years. In 1528, knowing that his enemies and the King were engineering his downfall, he passed the palace to the King as a gift. Wolsey died two years later in 1530.
Within six months of coming into ownership, the King began his own rebuilding and expansion. Henry VIII's court consisted of over one thousand people, while the King owned over sixty houses and palaces. Few of these were large enough to hold the assembled court, and thus one of the first of the King's building works (in order to transform Hampton Court to a principal residence) was to build the vast kitchens. These were quadrupled in size in 1529, enabling the King to provide bouche of court for his entire court. The architecture of King Henry's new palace followed the design precedent set by Wolsey: perpendicular Gothic-inspired Tudor with restrained Renaissance ornament. This hybrid architecture was to remain almost unchanged for nearly a century, until Inigo Jones introduced strong classical influences from Italy to the London palaces of the first Stuart kings.
Between 1532 and 1535 Henry added the Great Hall (the last medieval great hall built for the English monarchy) and the Royal Tennis Court. The Great Hall has a carved hammer-beam roof. During Tudor times, this was the most important room of the palace; here, the King would dine in state seated at a table upon a raised dais. The hall took five years to complete; so impatient was the King for completion that the masons were compelled to work throughout the night by candlelight.
The gatehou
Hampton Court Palace