As mentioned above, the church consists of a broad western tower with two spires, which is broader than the original nave.
In front of the south-western portal is a Romanesque porch with two pillars supporting a roof; this canopy is unparalleled in Swedish church architecture.
Traces of masonry found next to the apse indicate that there may have been smaller towers on either side of the apse as well, an arrangement known from Danish Romanesque churches.
The church has two transepts, a central nave and a choir with an apse.
The exterior of the church is today whitewashed.
Internally, the church is characterised by a radical renovation carried out in 1882 by architect Helgo Zettervall in a medievalist fashion.
This was reinforced by another, similarly medievalist renovation two decades later.
In the choir, the aforementioned paintings are however truly medieval, dating from the 15th century.
They depict a motif which is unusual for such church murals in present-day Sweden: scenes from the Last Judgment as interpreted in the Golden Legend.

Among the church fittings, the baptismal font is the oldest.
Made of granite, it is contemporary with the church and similar to fonts in Jutland.
The font is decorated with sculpted stone lions, in Romanesque style.
Of later date but also medieval is a painted wooden statue depicting Saint Peter.
It dates from the end of the 15th century and made in northern Germany.
The altarpiece, made of oak wood, dates from the 17th century.
The church also contains two carved wooden memorial shields, so-called epitaphs, from the 17th and 18th centuries respectively.
As mentioned above, the church consists of a broad western tower with two spires, which is broader than the original nave. In front of the south-western portal is a Romanesque porch with two pillars supporting a roof; this canopy is unparalleled in Swedish church architecture. Traces of masonry found next to the apse indicate that there may have been smaller towers on either side of the apse as well, an arrangement known from Danish Romanesque churches. The church has two transepts, a central nave and a choir with an apse. The exterior of the church is today whitewashed. Internally, the church is characterised by a radical renovation carried out in 1882 by architect Helgo Zettervall in a medievalist fashion. This was reinforced by another, similarly medievalist renovation two decades later. In the choir, the aforementioned paintings are however truly medieval, dating from the 15th century. They depict a motif which is unusual for such church murals in present-day Sweden: scenes from the Last Judgment as interpreted in the Golden Legend.
Among the church fittings, the baptismal font is the oldest. Made of granite, it is contemporary with the church and similar to fonts in Jutland. The font is decorated with sculpted stone lions, in Romanesque style. Of later date but also medieval is a painted wooden statue depicting Saint Peter. It dates from the end of the 15th century and made in northern Germany. The altarpiece, made of oak wood, dates from the 17th century. The church also contains two carved wooden memorial shields, so-called epitaphs, from the 17th and 18th centuries respectively.
Färlöv Church