A fifth person from New York was confirmed to have contracted the Zika virus while traveling south of the border — and experts warned Wednesday that the disease could spike here and across the United States as mosquito season arrives this spring.

Health officials, citing federal privacy laws, released scant information about the New York cases, which include two from the Big Apple and one each from Nassau, Orange and Monroe counties.

The Nassau resident had traveled to an unidentified country where the virus is spreading, developed mild symptoms in August and completely recovered, officials said.

The Orange resident had visited South America and later tested positive for the virus, county health officials said, without providing details of the severity of the case.

None of the victims was pregnant. Babies of women infected during pregnancy with the virus can be born with microcephaly, a serious birth defect that can result in a smaller brain and skull than normal.

Zika — which has soared in many Caribbean, Latin and South American countries — is carried by the Aedes aegypti mosquito, which has yet to be found in the US.

But officials fear that its cousin, the aggressive Asian tiger mosquito, which is common in the New York metro area, could rapidly spread the disease after biting people in the US who contracted it by traveling, and then biting others.

“The mosquito causing the epidemic is not found in New York City, but a close relative [the Asian tiger] is found here, and two studies show that the New York City relative can transmit this virus,” said Dr. Jay Varma, deputy commissioner for disease control for the city’s Health Department, which is ramping up efforts to educate the public.

Dr. Francis Collins, director of the National Institutes of Health, wrote on his blog that the disease could eventually spread to most of the US, citing a study published in the British medical journal The Lancet.

“The study suggests that Zika virus could eventually reach regions of the United States in which 60 percent of our population lives,” including the East Coast, the South and West Coast, he wrote.

While officials believe the disease is overwhelmingly spread by mosquito bites, the Centers for Disease Control and Prevention said there had been one report of possible spread through a blood transfusion and another through sex.

Varma said the only New Yorkers currently at risk are those traveling to countries where the disease is already prevalent.

“Make sure you protect yourself against mosquitoes,” he said. “Make sure you wear mosquito repellent. And if you’re a pregnant woman, you should go skiing instead of to the beach.”

The city, he added, is spreading the word on its website and through literature in multiple languages, as well as through outreach to community groups and doctors and health clinics.

Summary: A fifth person from New York was confirmed to have contracted the Zika virus while traveling south of the border — and experts warned Wednesday that the disease could spike here and across the Unit…


It’s a common showbiz lament: No good roles for women.

But while there’s always room for improvement in this area, Broadway’s 2014 roster of musicals is jammed with juicy female characters.

They’re all dealing with hard decisions about love, career, marriage, fidelity and faith — and sometimes all at once.

That doesn’t even include plays. This is all on tap in upcoming musicals — new and old — that go beyond sunny tones and simple setups. An impressive array of accomplished actresses are stepping up for stories about choices.

That concept forms the very foundation of the new show, “If/Then,” starting previews March 4. The musical is a contemporary New York story by “Next to Normal” creators Brian Yorkey and Tom Kitt.

Idina Menzel, a Tony winner for “Wicked,” stars as Elizabeth, a 40-ish city planner the actress has described as “complex, flawed and surprising.”

Borrowing from flowcharts and the Gwyneth Paltrow film “Sliding Doors,” the musical imagines paths Elizabeth’s life could take depending on decisions she makes.

At the root of “If/Then” is something both simple and profound. Each choice is a gamechanger. Choices liberate and limit.

That idea even resonates in the jukebox show “Beautiful: The Carole King Musical,” now in previews and opening Jan. 12. Rising star Jessie Mueller plays the title role in the show about King’s life and early career.

By the time she was 17, King was married and writing hit songs for other performers. But was only after King made the hard choice to divorce her husband and writing partner Gerry Goffin that she found her own voice, sang her own songs and found her own global fame.

The choice to stay in a marriage or not beats at the heart of “The Bridges of Madison County,” a musical version of Robert James Waller’s book-turned-film, starting performances Jan. 17.

Four-time Tony nominee Kelli O’Hara plays the Meryl Streep role of Francesca, a married mother torn between her husband, who’s a fine provider, and a photographer who makes her heart race. The character promises to be one of O’Hara’s meatiest roles.

It was also tailor-made for her talents. Composer Jason Robert Brown wrote the score for O’Hara. Call it Broadway bespoke.

More hard choices and dilemmas await Sutton Foster, who plays the title role in “Violet,” starting previews March 28.

The 1997 musical by Brian Crawley and Jeanine Tesori concerns a disfigured woman on a journey to be healed. Suffice it to say, literal and emotional roadblocks get in the way.

Foster has two Tony Awards on her trophy shelf for her peppy tap-happy star turns in “Thoroughly Modern Millie” and “Anything Goes.” “Violet,” seen last summer in a one-night concert version, forces Foster to dig deeper emotionally.

Expect Michelle Williams to dig deep as complicated Sally Bowles in “Cabaret,” starting previews March 21. Williams’ emotionally rich work in the movie “Blue Valentine” will come in handy for her portrait of a woman on the edge in this John Kander-Fred Ebb classic.

And don’t forget Marin Mazzie, who’s playing the plum role of Helen Sinclair in a musical take on Woody Allen’s mobster comedy, “Bullets Over Broadway,” starting previews March 11.

Sinclair’s signature line is “Don’t speak.” But the character, an actress of a certain age for which Dianne Wiest won an Oscar, never fails to speak her mind.

“I never play frumps or virgins,” she declares.

It’s a funny line that’s made to get laughs. But it’s also about a woman drawing the line and making choices.

That’s what life — and musicals — are about.

Summary: It’s a common showbiz lament: No good roles for women. While there’s always room for improvement in this area, Broadway’s 2014 roster of musicals is jammed with juicy female characters.


ACADEMICS surveying the road to a market economy in the former Communist countries of Eastern Europe can map many large potholes: trade deficits, transportation problems, the heavy burdens of foreign debt.

Eastern European consumers, however, focus on one enormous pothole: inflation. Bus fares in Warsaw, for example, went from a few zlotys to hundreds and then thousands of zlotys in recent years.

But the greatest inflation ever -- anywhere -- occurred in 1946 in Hungary, when the chaotic conditions of Soviet occupation led to the flight of hundreds of thousands of Hungarians, who took every scrap of portable wealth with them.

A chart of postal rates during the period, compiled by Ferenc Orban for the Society for Hungarian Philately and published by the society in 1990, yields some stunning figures. On July 2, 1945, it cost 40 filler (or four-tenths of a pengo) to mail a domestic letter. After four rate increases, it cost 100 pengo on Jan. 14, 1946.

This 250-fold increase was startling enough, but between January 1946 and late July, there were 21 more rate changes. The March 26 rate, 9,000 pengo, lasted only five days, as did the May 27 rate, 24 million pengo.

At that point, it seems that the Hungarian postal officials ran out of zeros and had to use abbreviations on stamps, which were repeatedly overprinted to reflect the new rates. Parcel-post rates changed so quickly and became so complex that some stamps carried coded overprints that said, in effect, these stamps can be used to send a one-kilo parcel at whatever rate the postal clerk determines is in effect on the day of mailing.

By July 1, the basic letter rate had reached 8 trillion pengo. The rate lasted three days, when it went to 400 trillion; that rate lasted four days, when it soared to 20 quadrillion (that's 20,000,000,000,000,000).

Finally, the Hungarian Government just lopped off 15 digits and began to set postal rates in "tax pengo." A tax pengo was equal to one quadrillion regular pengo.

Still, the rate went quickly from 5,000 tax pengo on July 12, 1946, to 100,000 tax pengo 12 days later.

Then the Government abandoned the pengo entirely and set up a new currency system based on the forint, which equaled 100 filler. By August 1946, a rate of 60 filler had been established as the basic cost of a domestic letter, a rate that was maintained, remarkably enough, for more than 22 years, until November 1968.

The dizzying rate changes have yielded two inexpensive fields of philatelic study. One is that of the surcharges that were printed on stamps in an attempt to keep them current. The great haste with which they were applied, and the varied presses used, created a number of types that experts can distinguish. But most don't bother, and Hungarian stamps from 1945 to 1946 can be bought in quantity today for pennies each.

The other challenge is to find at least one letter mailed during each of the 27 rate periods from May 1, 1945, to July 24, 1946, and most important, to find them with the correct postage.

The rate chart drawn up by Mr. Orban is a bit hard to follow, but all the data are there and can easily be rearranged more conveniently. Copies are available from the Society for Hungarian Philately, P.O. Box 1162, Fairfield, Conn. 06430.

Photo: Hungarian postage was extremely inflated in the mid-1940's.


PIPPIN — A musical about the life and times of Charlemagne's son (Pepin). Bob Fosssos staging one of the best to be seen on Broadway In years. Imperial.

RAISIN—A musical based on Lorraine Hansberry's book. An exceptional adaptation by Robert Nemiroff and Charlotte Zallsberg, fluent staging by Donald McKarla and blazing performances by all. LuntFontanne.

THE RITZ—Terrence McNally's surprisingly delightful farce emerges from a seemingly Unappetizing setting. A middle‐aged man Is Pursued around a homosexual steam bath by a murderous‐minded gangster. “Rpbert Drives has directed the play at lust the right pace . . . Jack Weston (pursued husband), Jerry Stiller (avenging brother‐In‐law) and Ruth Jaroslow (wife and sister on the horns of an ambiguity) are ail effervescent and funny.” (Barnes) (Reviewed by Kerr In Issue.) Longacre.

SCAPINO — p. delightful evening of intrigue and slapstick by the Young Vic, thanks to Molfere. Jim Dale Is the heart of the show. ‘'Those who benefit from his ministrations as often as not wind UP flat On their backs—a perfectly good place to be, It turns out.” (Kerr) Ambassador.

SEASCAPE—Edward Aibee's play about middle‐aged couple (Deborah Kerr and Barry Nelson), who find themselves on a beach discussing love, marriage and life with a palr of large lizards. Whereas Barnes greeted it as “a meter dramatic event,” Kerr found it “Interesting but taffy‐thln.” (Reviewed by Kerr In this. Issue.) Shubert.

SHENANDOAH—A musical, set within the turmoil of the American Civil War, starring John Cullum. Directed by Philip Rose, music and lyrics by Gary Geld and Peter. Udell. What the author‐composers have done is “to seize upon the most commonplace of Saturday ‐Evening Post covers, strip it of both the prettification and the mockery we've progressively applied to it, and offer It as the original bare bones or legend.” (Kerr) Alvin.

SHERLOCK HOLMES—The Royal Shake. speare Co.'s presentation of a play based on Arthur Conan Doyle and Mi. 4 am Gillette's 1899 book, with John Wood and Clive Rev'''. “You live with It, laugh with it and, strangest of all, even feel with It.” (Barnes) Walter Kerr responded, “It's good petiole are caught In the halfway house Gillette built for them, without being able to believe in it.” Broadhurst.

SIZWE BANZI IS DEAD and THE ISLAND —Two plays dealing with the plight of black South Africans, devised by Athol Fugard, John Kani and Winston Ntshona. The fnrmer Is “a terrible and moving indictment against the Soutn African Government": the latter, “the most terrifyingly realistic play of prison life, I hove ever Seen.” (Barnes) Edison.

WHERE'S CHARLEY?—Based on Brandon Thomas's “Charley's Aunt,” about Ox. ford undergrads and the lengths they 90 to, to win their fiancees. “A chamber musical for a mezzotint world, paying a kind of constant compliment to springtime.". (Kerr) With Raul Julia. Circle In the Square.

THE WIZ—An all‐black musical version of “The Wizard of Oz,” directed by Geoffrey Holder. “Everything is done confidently . . . It just doesn't have firm ground beneath to to say where It's come from: Kansas, Harlem, M‐G‐M, or a kiddies.’ matinee.” (Kerr) Malestic.

(ManY of the following Productions are offered only on certain days of the week.)

APPLE PiE—A musical work with book by Myrna Lamb and music by Nicholas Meyers, directed by Rae Allen. A workshop production. New York Shakespeare's Public Theater. Free. Closes today.

THE BIG WINNER—Based on a Shalom Aleichem story about a moor tailor whose lottery ticket wins a fortune. “Perhaps the most polished production slatted hero In many years” (Shepard) by the Yiddish Theater. Starring David Ooatoshu. In Yiddish, with English narration interwoven. Eden. Closes today.

BLASTS AND BRAVOS: AN EVENING WITH H. L. MENCKEN—Paul Shyre's Portrait of the Iconoclastic Baltimore newspaper man. Mr. Stine portrays him as'he appeared In middle age and his adaptation ranges over the body of his writings. “A cavalier evening, then, but an agreeable one nonetheless.” (Kerr) Cherry Lane.

DIAMOND STUDS—A musical based on the life of outlaw Jesse James. “This, in a very different way, is the best show of its type since ‘Jacques Brel,’ and will deservedly become a cult.” (Barnes) Chelsea Westside Theater.

THE FANTASTICKS—Bey meets girl, boy loses girl, boy gets girl—which Proceedings are accompanied by some unforgettable tunes. The Tom Jones‐Harvey Schmidt creation is the longest running show In American theater history. Sullivan Street Playhouse.

GODSPELL—A musical ranging from operetta to salvation rock, based on the Gospel according to St. Matthew. Clive Barnes, way back when, Nun? It “coy.” Walter Kerr said, “Why make St. Matthew dance? For the fun of it?” Promenade.

EL GRANDE DE COCA‐COLA—An IntermIssioniess hour of cabaret where no English is spoken but where everything is perfectly comprehensible and funny. ‘The cast Is ‘extraordlnario.’ (Barnes) Plaza 9, Hotel Ptaza.

THE HOT L BALTIMORE—Lanford Wilson's delightfully old‐fashioned Play without a story whose characters—Inhabitants of a crumbling Baltimore hotel —eventually get under one's skin. Directed Impeccably by Marshall W. Mason. Circle in the Square.

IN GAY COMPANY—A vest‐Docket satiric revue with music by Fred Sliver. “Tasteful, stylish . . . witty.” (Thompson) Little Hippodrome.

LET MY PEOPLE COME — A musical which treats sex as nirvana with ‘'an Ingenuousness and an adolescent giddiness.” (Gussow). Earl Wilson Jr. is the author‐composer. Village Gate.

THE LONG VALLEY — Robert Glenn's dramatization of seiected short stories from John Steinbeck's The Long Valley.” Theater de Lys.

LOVERS—A musical revue showing various aspects of homosexual life In New York, Players.

MAN ON THE MOON—A new musical presented by Andy Warhol, directed by Paul Morrissey. Dennis Doherty Is in the leading role. John Phillips (formerly the lead singer of the Mamas and Papas) composed the score and wrote the book. Little.

OUR LATE NIGHT—Wallace Shawn's Play about a party whose host and hostess exchange connubial unpleasantries and whose guests ramble on in increasingly weird fantasies. “One has rarely seen such pornographic decadence with, guiltily, so much going for it.” (Barnet) Much of the success rests on the staging by Andre Gregory and the acting by Thy Manhattan Protect. In repertory with “The Sea Gull” at New York Shakespeare's Public Theater.

PRETZELS—A revue with a theme of mild urban disillusion, with a cast of four. “Bright, bland and blithe.” (Barnes) Theater Four.

THE RIVALS—Sherletan's Restoration Comedy, starring Jane Connell under the direction of Michael Bawiree. “In short, there Is many a chap overboard, though not Richard Monette as young Jack Absolute, Precise and unruffled In his Dith‐century postures.” (Kerr) Roundabout. Closes next Sun.

THE SEA GULL—The first of Chekhov's final masterpieces, updated, analyzed and dissected by The Manhattan Project and staged with an environmental look Ire Andre Gruen,. Though Walter Kerr found Larry Pine, David Laden and Angela Pletropinto honorable exceptions, he ohlected to the emPhasIs on head bobbings, belt‐pecks by way of interruptive kisses and sprawled postures. In Repertory with “Our Late Night” at New York Shakespeare's Public Theater.

SIDESHOW—A new Play be Miguel Pinero, presenting a teenager's view of the ghetto. Performed by Young Family Theatro Co., composed of former gang members and street hustlers. The Space.

STAGE BLOOD—A whodunit, Involving backstage murder which occurs during performance of “Hamlet.” Presented by Ridiculous Theatrical Co.; written, directed by and starring tha company's founder, Charles Ludlam. “A crisply wrapped comic package.” (Gussow) Evergreen.

(Many of the following Productions are offered only on certain days of the week.)

ABSTRACT MAGENTA—A play by Candid. Cummings, directed by Andrew Louca. Iglesias's Theater Club. Closes next Sun. ARBUCKLE'S RAPE—A three‐act play with music by Louis Phillips, directed by Richard Vos. Exchange For The

CELEBRATION—A revised version of the 1969 Broadway musical by Tom Jones and Harvey Scnrnidt. Set at a New Year's Eve party, It depicts the strumbetween a young boy and an old man Over the fiyors of an ambitious young actress. Portfolio Studio.

JEAN COCTEAU REPERTORY—"Romeo and Juliet,” “Waiting for Godot.” ‘'The Doctor in Spite of Hhimself,” “A Midsummer Night's Dream.” Bouwerle Lane.

CSC REPERTORY THEATER — “Edward II,” “The Tempest,” “Hedda Gabler,” “The Servant” and The Lady's Not for Burning.” in repertory. Abbey.

THE DOG RAN AWAY—A drama by Brother Jonathan, directed by Curt Dempster. Opens Thur. at Ensemble Studio Theater.

THE EXCEPTION AND THE RULE end THE ELEPHANT CALF—Two Brecht Plays Presented by Time & Space. Universalist Church.

GENERATIONS OF GREEN FIELDSAdaoted from three Poretz Hirshbeln Plays by David Licht. Presented by the Folksbeine Players, with an English nar

ration. “The play . . Positively glows with the East European Jewishness of bygone days.” (Gussow). Central Synagogue.

GOODWILL BLUES and DE BERGERAC BOOGIE—Two one‐act plays by Willard Simms. Provincetown Playhouse. Closes today.

EL HAJJ MALI K—A play by N. R. Davidson Jr., based on the life of Malcolm X. Afro American Studio Theater.

HOLOCAUST—A rock musical by Anthony Cipolla and Vincent Guldite. Nlghthouse.

HOME AGAIN, HOME AGAIN, JIGGERTY JIG—Sandra Scoopettone's play about battle of survival between daughter and father. Tosos.

HOME IS THE HERO—The Irish Rebel Theater's production of Walter Macken's play. Irish Arts Center.

I'M NOT JEWISH AND I DON'T KNOW WHY I'M SCREAMING— comedy by Stan Lachaw, directed be Richard Karp. ()rebus.

JOE EGG—Peter Nichols's play, with Kelly Filzpalrck and Jennifer Reed. T. Schreiber Studio. Closes today.

LADIES NIGHT—Two plays about feminists by Donald Kvares, directed by Ted Memel with music be Michael Barr. Opens Thur. at Theater for the New City.

LOVERS—A musical revue showing various aspects of homosexual life in New York. Players.

THE MADHOUSE COMPANY OF LONDON —Four gents and one ciamsel in a putty Vaudevillian romp. Brooklyn Nay‐Yard.

MALINI—A classic Indian love story written In 1923 by Rabindranath Tagore re. Nighthouse.

LA MAMA ETC.—"The Good Woman of Setzuan.” a work In progress be Bedell Brecht, directed by Andrei Serban, and ‘'One Man's Religion” and The Pinotti Papers,” written and directed by H. M. Koutoukas. CloAs next Sun.

MANDRAGOLA—Niccolo Machiavelli's play. Opens Thur. at Malachy.

THE MARRIAGE OF FIGARO—Beaumare chats’ clay, directed by Andres Cas'ro. West Side Actors.

MEDEA—A feminist version written by Gloria Albee. Gallery, Westbeth. Closes today.

MISTER RUNAWAY—Llilane Atlan's Mai about four Jewish children transported to their death by a conscience‐stricken German soldier. “The only person who seems to have any real life on stage is the title character, and much of that Is a result of the performance by William Newman.” (Gussow) Theater of the Riverside Church. Closes next Sun.

MOTHER COURAGE AND HER CHILDREN—Bertoll Brecht's work, translated by Ralph Manheim, with music by Paul Dessau. Performing Garage,

THE MOUND BUILDERS—Lanford Wilson's first play since “The Hot L Baltimore,” with John Strasberg and Lauren S. Jacobs under the direction of Marshall W. Mason. Opens today at Circle Repertory Co.

NAOMI COURT—Michael Sawyer': play, which recently had a run off Broadway. Lolly's, Hotel Commodore. Closes today.

NO EXIT—Jean Paul Sartre's play, directed by Barbara Barrett, Royal Playhouse.

PANDERING TO THE MASSES: A MISREPRESENTATION — By Richard Forman's Ontological‐Hysteric Theater. An investigation of inner space (the mind of the author), a dreamlike exploration of the associative method. “The trin is tantalizing and enthralling.” (Gussow)

PIONEER—A comedy about a mother who wants to marry off her daughter, be Megan Terry. Theater‐At‐Noon, St. Peter's Church Center, Closes Fri. ‘

PONTEACH — A play written In 1766 tre Maior Robed Rogers, about the Indian Chief Pontiac, directed by Richard Russ. American Theater Co. t

PREACHERMAN — A fully Orchestrated’ musical about a fugitIve artist Who is masquerading as an ‘itinerant °reacher, written by Albert T. Viola and Harvey Harman, music and lyrics by Mr. Viola and Brian A. Barney. St. Bart's Players. Closes Sat.

RAFFERTY ONE BY ONE—Rolf Fielde's Play, the third in a series Presenting Plays originally produced this past summer at the O'Neill Memorial Theater in Waterford, Conn. Cublculo,

SALOME—LIndsaY Kemp's show, with an; all‐male cast, based on Oscar Wilde's one.act play. “This ‘Salome’ is as serious as a stone.” (Gussow) New York Thafer Ensemble. Closes today.

SEXUAL PERVERSITY IN CHICAGO—A Play by David Mamet, which won Chicago's Joseph Jefferson Award for best Play of the year. Directed bv Gordo Stewart, St, Clement's. Closes today.

SPANISH THEATER REPERTORY CD.—“El Lugar Donde Mueren Los Mamiferos” by Jorge Mae, “O.K.” by Isaac Chocron and “0 Casi El Alma” by Luis . Rafael Sanchez, Gramercy Arts,

13TH STREET THEATER—"SollY's Follies of 1974,” a minket revue of the songs of Billy Sully.

THE UPS AND DOWNS OF THEOPHILUS : MAITLAND—A musical, based on an old ..West Indian fable, by Vinnette Carroll •• and Micki Grant. Urban Arts Corps,

A VIEW FROM THE BRIDGE—Arthur ,Mifier's play, directed by Herb Barnett. • Classic Theater Productions.

WAR BABIES—ImProvisational theater. Fa. cus II Coffee House.

WHISPERS ON THE WIND—A musical by, John Kuntz and Lor Crane, directed be Thomas Brinson. Walden.

WPA — “Trouble In Tahiti,” a one.act opera be Leonard Bernstein, and Eugene O'Neill's “The Moon of the CarIbbees,” in repertory with one‐act plays by Dorothy Parker, Lewis John Carling and Tennesse Williams. Closes nee Sun.

THE ZOO STORY—A Spanish‐language version of Edward Albee's play. INTAR. • Closes today.

HAPPY END—A gangster comedy with songs. Lyrics by Bertoll Brecht and music by Kurt Weill. Directed by Michael Posnick. Opens Fri. at Yale Repertory Theater, New Haven, Conn.

PYGMALION—G, B. Shaw's May ehoot the well.known transformation of flower vender into Henry Higgins's duchess, directed by Robin Gammell. tong Wharf, New Haven, Conn.

RAISIN—Claudia McNeil as Mama (the role she played In the original Broadway oradoclion1 In Lorraine Hansberry's drama. Hartford Stage Co., Hartford, Conn.

DEATH OF A SALESMAN, WHO'S AFRAID OF VIRGINIA WOOLF? and THE FRONT PAGE—In repertory. Arena Stager Washington, D.C. •

THE DYBBUK—A clay tor S. Ansky, based on the tale of demonic Possession, newly adapted and directed by John Hirsch. Mark Taper Forum, Los Angeles, Calif.

HE'S GOT A JONES—A May about two brothers in the Depression South, by the young black playwright G. Tito Jones, Opens Tues. at Folger, Washington, D. C.

JUMPERS—Tom Slopnard's Play Concerning scholarly acrobatics and acrobettc scholars, directed he Word Baker, Trinity Square Repertory Co., Providence, R.I. Closes next Sun.

MACBETH — With Charlton Heston and Vanessa Redgrave, directed be Peter Wood, Ahmanson, Lou Angeles, Calif.

THE MEMBER OF THE WEDDING—Carson McCullers’ play, directed by Michael Montel, with Marybeth Hurt, Marge Eliot apd Eamon MacKenzie. Eisenhower, Kennedy, Center, Washing. ton, D.C. •

PEER GYNT—lbsen's classic, with a musical score, directed by Aerian Hail. Trinity Square Reeertory Co., Prod. deuce, R.I.

WHAT THE WINE SELLERS BUY—Ron Milner's play about a hIgh.school youth Involved in drugs, with Gilbert Lewis and Loretta Greene, National, Kennedy Center, Washington, D.C. Closes today.

NEW ‐YORK BALLET — Today, 1: “Centred Barocco,” “Saltareill,” “Who Cares?” Today, 7: “Jewels.” Thur. and Fri., 8, and Sat,, 2 and 8: “Don Out. note,” Now nearly ten years old, George Balanthine's “Don Oeixote". was the first full.length American ballet choreographed to a commissioned score. Dancegoers may dIsaoree over the merits • of Nicholas Nabokov's music but hope runs high that the lust‐returned Suzanne Farrell will dance Duicinea, a role she created in this theater‐dance piece. Then, reasoning goes, Perham Mr. Batanchlne will dance her Don, a rots he has Performed very Infrequently In the past, tor a dream reunion at some Point dining the ballet's two‐week run. York State

AMERICAN BALLET THEATER — Final reriormanres et ihe engagement. Todsle 2: “Les Sylphicirs,” “Gemini,” “Les Patineurs.” Today, 7:30: The River.” “Le Cnrsalre,” “Le Jeune Homme et I. Mort,” “Theme and Variations.” City Center, 131 W. 55th St.

PAT CATTERSON AND FRIENDS—"Yes No Noisy Snow,” “Serial I.” “Serial 11.” St. Clement's, 423 W. 46th St. Wed. and Thur., 8.

CUBICULO — Mort. and Tues., 8: Synergy Co. Thur.‐Sat., 9: Carol Richard, Susan White. Gay Delanghe, John Cwiakala. 414 W. 51st St.

DOUGLAS DUNN AND DAVID WOODBERRY—An evening of solos and duets, many of thorn new and all performed In silence. Although the two avant‐garde choregraphers hang been working together for over a year, this is their first public collaborative effort. The duets will be athletic, with lots of partnering of the “throwing and catching” kind, according to Mr. Dunn. 508 away, near Spring St. Thur.‐Sat., 8:35.

CLIFF KEUTER DANCE COMPANY —The soft‐core surrealist of current modern dance, Mr. Keuter Is going In for Americana, of sorts. Four premieres choreographed under BIcentennlal‐connectal grants deal with such aspects of America as murder ("Murder of George Keuter"), romance ("Voice"), God ("Burden of Vision") and the abstract cool of sere modem dance ("Station."). N.Y.U., 35 W. 4th St. Today, 3 and 8.

DANSCOMPANY — Presented by the New Dance Group Studio. St. Clements, 423 W. 4615 St. Today, 4 and 7.

BARBARA GARDNER—A new work, entitled The Gift.” Construction Co. Dance Studio, 542 LaGuaroia Pl. Today, Mori. and next Sat., 9.

LAR LUBOVITCH — With his company, in old and new works. to the music of Bach, Berio, Stravinsky, Ives. American Theater Lab, 219 W. 19th St. Thur.‐Sat., 8:30; next Sun., 3.

LAURA PAWEL DANCE COMPANY — Two programs of new and recent works. Tears Studio, 330 iroome St. Fri. and Sat., 8.

TERRA FIRMA STUDIOTHEATER — The Synergy Co. and New Choreographers Ensemble presenting dance experiments. 867 away. Fri., 7:30.

CHARLES WEIDMAN—The program features “Brahms Waltzes,” which he choreographed In dedication to Doris Humphrey, danced by his Theater Dance Co., PIUS two Solo dances by Mr. Weidman. Expression of Two Arts, 102 W. 29th St. Today, 7:30.

PAUL WILSON'S THEATERDANCE ASYLUM—"Show n’ Tell,” “Plausible Impulses,” “The American Dream.” American Theater Laboratory, 219 W. 19th St. Today, 3 and 8:30.

This is a select list of films showing In the New York metropolitan area and in the northeast region. It Incorporates both critical comments and the ratings issued or the Motion Picture Association of America. Explanations for the rating symbols follow:

G General audiences. All ages admitted. PG Parental guidance suggested. Some ma

terial may not be suitable for preteenagers.

R Resiricted. Under 17 requires actomPanying parent or adult guardian.

X No one under 17 admitted. (Age limit may vary In certain areas.)

RAFFERTY AND THE GOLD DUST TWINS —Alan Arkin, Sally Kellerman and Macfrentle Phillips as a trio sharing a swim of sktraordlnary adventures. Directed by Dick Richards. (F0 Opens today. REPORT TO THE COMMISSIONER—The

Mon, of Young people who meet In the treacherous cross‐currents of police work and underworld cznnections, based on James MiIts’ best‐selling novel. With Michael Moriarty. Yaphet Kotto. Susan Blakely. Hector Elizondo and Tony King. Directed by Milton Kaiselas. Opens Wed.

ARTHUR RUBINSTEIN—LOVE OF LIFEdocumentary protralt of the International keyboard artist, featuring the Parts Orchestra and the Israel Philharmonic. Opens today. No rating. Dick Richards. (R) Opens today.

ABBY—Wililam Marshall stars as a clergyman‐archaeologist who exorcizes his daughter‐in‐law from demonic forces. (R)

AIRPORT 1975—A take‐off, so to speak, from the first “Airport” film, with Chariton Heston, Karen Black, George Kennedy, Efrem Zirnalist Jr. “The two films are very much alike; only the planes and the names of the characters have been changed to amuse the Innocent.” (Canby) (PG)

ALICE DOESN'T LIVE HERE ANYMORE —A film about a woman seeking to find her place In contemporary society, starring Ellen Burstyn and Kris KristoNecson. Directed by Martin Scorsese. (PG)

AMARCORD it Remernher)—Fecierico Fatlini's extravagantly funrw, sometimes dreamlike, evocation of a year In the life of a small Italian coastal town in the 1930's. It combines the free form and make‐believe splendor of “The Clowns” and “Roma” with “comic bittersweet feeling for character and narrative.” (Canby) in Italian. (RI

AMERICAN GRAFFITI—An examination of teenagers In California In the early 1960's that Is funny, tough, unsentimental. Candy Clark, Richard Dreyfuss and Cindy Williams give marvelous performances. George Lucas directed. (PG)

KRAVITZ—An unscrupulous 18‐year‐old Jewish boy (Richard Drerfuss) connives to succeed in business in a 19405 Montreal ghetto. “An alternately sad and hilarious movie of dreams rampant.” (Canby) (PG)

BANANAS—A convoluted story—about Products tester (Woody Allen) who accidentally becomes the dictator of San Marcos — which allows commentary on the news, love, the C.I.A., and Jewish mothers. Woody Allen directed. (PG)

BLAZING SADDLES—Mel Brooks's knockabout farce about a black sheriff (Cleavon Little) and his while sidekick (Gene Wilder). Young moviegoers delight In its zaniness, although The Times was less than ecstatic: ‘'One remembers along with the good gags the film's desperate, bone‐crushing efforts to be funny.” (Canby) (RI

BROKEN TREATY AT BATTLE MOUNTAIN‐‐A poignant documentry by Joel L. Freedman about the Shoshone Indians’ present‐day struggle to retain beltculture and their land. (No rating)

BROTHER OF THE WIND—An outdoor wildlife movie filmed In the Canadian Rockies. “Perfect escapist entertainment for those anlm■clovine, city‐hound children who count themselves lucky If they can own a hamster.” (Canby) Directed by Dick Robinson. (G)

CALIFORNIA SPLIT—Two compulsive gamblers (George Segal and Elliott Gould) meet In a LA. poker parlor and become mercurial friends. “Like all Robert Altman films, It Is dense with fine. Idlosyncral:c detail, a lot of which supplied by Mr. Gould and Mr. Segal.” (CanbY) (R)

COPS AND ROBBERS — Aram Avaltian's funny, exciting, semi‐plausible caper well acted by Cliff Gorman and Joseph Bologna, two cops who Perpetrate, rather by accident, the perfect crime. (PG)

DEATH WISH—A well‐heeled New York CIO architect (Charles Bronson) becomes a one‐man vigilante force after his wife Is killed and his daughter Is raped by a gang of punks. “A very dim view of New York City.” (Canby) DI rected by Michael Winner. (R)

DILLINGER—A film about the legndary Punlic Enemy No. 1 (Weren O.les) which focusses on speed, action and firepower rather than chaiacter. Directed and written by John MMus. (RI

EARTHQUAKE—Mark Robson's film (enhanced by 5nsurround) about a massive earthquake that strikes L.A. Charlton fippon, Ava Gardner, George Kennedy. Lorna Greene. Genevieve BetioId and Richard Roundtree head the cast. “Wishfulfilling, technically ingenious . . . classically nutty.” (Canby) (PG)

EMMANUELLE—An uninspired study of a young wite's amours In high and too Bangkok society. Directed be Just Jaeckin. In French. (X)

FAUSTINE ET LE BEL ETE—The first feature film by Nina Companeez, starring Muriel Catala, Francis Husier and Georges Marche!. In French. (No mlinn)

FREEBIE AND THE BEAN—A comedy starring Alan Arkin and James Caan as San Francisco Delice detectives. “Otherwise good actors doing bits business . . . as if they thought they could upstage all of the mo,:ie's auto. mobiles, which are seldom still.(Canby) Directed by Richard Rush. (RI

THE FRONT PAGE—Billy Wilder's film based on the play bY Ben Hecht and Charles MacArthur, starring Jack Lemmoon, Waiter Matthau and Carol Burnett. (PG)

THE GAMBLER—The movie follows the downward path of a compulsive gambler (James Caan) without much Illumination. Karel Relsz directed. (R)

GODFATHER, PART II—A chronicle the Corteone family In three generations of successive power, flashing back to the 1940's and taking off where “Godfather” left off. “Everything of any Interest was thoroughly covered in the original film.” (Canby) With Robert De Niro and Al Pacino. Directed be Francis Ford Coppola. (R)

HAROLD AND MAUDE—A comic love affair between a suicide‐prone young man (Bed Cart) and an elderly women (Ruth Gordon). Th9 film his highminded oretenslona. Hal Ashby directed. (PG)

HARRY A TONTO—The picaresque chroni. Cie of ail Independent 72‐year‐old (Art Carney) who abandons N.Y. suburbia for a cross‐country trip. Directed by Paul Mazursky. Vincent Canby's nominee for one of the best 11 films of 1974. (R)

IUGGERNAUT—RIchard Lester's susPense melodrama—"wIthout any style am without arm characters, only actors whc more or less go along with a bad!: developed screenplay” (Canby)—about an attempt to extort money from a steamship comPany. Among those who Pretend concern are Omar Sherif, Shirley Knight, Richard Harris and David Hemmings. (PG)

LACOMBE, LUCI EN—Louis Mallet toughmnst la‐st sentimental film to date about a Doy living in .outhwest France during the Nazi occupation who chooses, as if by charce, his course tow.ird destruction. In F,anch. (R)

THE LAST DETAIL—The chronicle of two career Navy men who e!:cori d young sane from No4olk to a in Portsmouth and who, along the way, attempt to show him a good time. Superb performance by Jack Nicholson. You laugh with a sense of creeping misery. (R)

LAW AND DISORDER—A touching, sontimes runny movie which stars Carroll O'Connor and Ernest Borgnine as the nucleus of a SWOOP of outraged tenants on N.Y.'s Lower Cast Side. Directed by Ivan Passer, “It's a poet's appreciation of lives lived on the edge of the prodvice.” (Canby) (R)

LENNY—Bob Fosse't version of Julien Barry's Broadway Play about the Ole, trials and death of the controversial Performer Lenny Bruce. The first fourth of the film “Is so brilliant—and so brilliantly acted by Dustin Hoffman—that It helps cool one's Impatience with the rest or the film.” (Canby) (R)

THE LONGEST YARD—A trashy fabrication of life behind prison bars. dwelling

on the precarations for a ferocious football game between prisoners and guardsWith Burt Reynolds and Eddie Albeit directed by Robert Aldrich. (R)

LOVE AT THE TOP—The story of a timid bank clerk (Jean‐Louis TrIntlament) who, un,:cr the direction of a second‐rata novelist (Jean‐Pierre Cassel), becomes one or the richest. most Powerful men in Paris through a complicated series of liaisons with beautiful women. “It's about nothing more than what seems.” (Canby) In French. (RI

MACON COUNTY LINE—Set in the 1950s. the film concerns two young men from Chicago, who, in a spree across country, are mistaken f‐or murderous psychotics in the South. “Not without its mOments of primitive fascination, which result. I suspect from the spectcle of watching innocent people hopelessly if arbitrarily trapped. •’ (Canby) (RI

1HE MAN WITH THE GOLDEN GUN—James Bond (Roger Moore) in pursuit of a missing device that converts solar energy into electricity. “If you enjoyed the early Bond films as much as ri",• you'd better skin this one.” (Sayre/ (PG)

MR. RICrr)—A sw.pe^,e film starring naan Martin a, A roie,,‐‐htnded Sir: Francisco trial lawyer. (PG)

MURDER ON THE ORIENT EXPRESS—Albert Finney as Poirot, Agatha Christie's Belgian detective of unflappable brilliance, operating aboard the crack train that wont from Istanbul to Calai,. With a star‐studded cast. Directed by Cldniy Lumet. “Terrifically entertain. ing.” (Canby) (PG)

THE NICKEL RIDE—A film about “.‐iser” (Jason Miller) who has outii ,'t his usefulness to the mob. Directed by Robert Mulligan. (PG)

THE NIGHT PORTER—A former SS officer (l)irk Boner‐de) and a woman (Charlotte Rambling), why was raped by h:m during her adolescence in a concentration came, are reunited years later and resume then old, sadomasochistic relationship. Directed by Liliana Cavani. Tha film recalls “the concentration canto as Our Blue Heaven.” (Canby) (R)

THE ODESSA FILE — Ronald Reame's film, set In Germany in 1963, about umer SS men conspiring to produce rockets that will destroy Israel. Jon Voight is a German iournalist who Intik trales the organization. “Mr. Voight is... Justleo thowihtful a performer for mere action part, which offers too little scooe for ... his talents.” (Sarre) (PG)

PAPERBACK HERO—A simple, intriguing film about a Walter Mitty hero, the star ot a local hockey team, which comes to a sad, flamboyant finale. With Keir DuIlea and Elizabeth Ashley, direcieL; by Peter Pearson. (R)

PAPER MOON—Peter Bogdanevich's film about the adventures of Moses Pray (Ryan O'Neal), who deals in small, essentially harmles; swindles, and Addle (Tatum O'Neal), who may or mar not be moses's Illegitimate daughter. “Oddly oesx‐essing instead of way, is usuaia called heart‐warming.” (Canby) (PG)

THE PARALLAX VIEW—Alan J. Pakula's suspense melodrama in which Warren Beatty Dian a reporter Investigating Political assassination conspiracy. A frivolous treatment of a serious theme. (R)

RETURN OF THE DRAGON—A etinese restaurant in Rome Is menaced by gangsters. “Kicking an enemy into oblivion with his flying feet, grunting and screaming triumphantly, achieving suspenseful pauses between blows, the late Bruce Lee is a pleasure to watch.” (Sayre) UR)

LA RUPTURE—Claude Chabrol's suspense iilm, with Stephane Audran, Jean‐Pierre Cassel and Michel Bouquet. In French. (No rating).

SAVAGE SISTERS—Entangled In a plot ne mind‐boggling complexity, three women “subversives” on a nameless Island wage revolution. “Too silly to be offensive.” (Sayre) (R)

5CENES FROM A MARRIAGE—Ingmar Bergman's molecular examination of a human relationship, starring Liv till mann end Eriand Josr‐phson. “A superb movie of precise intimacy.” (Canby) In swedisn. (Ni, rating)

SCRPICO—Sielney Lumet's galvanizing, disquieting flini about Frank Seroico. Young New York City COP who discovered corruption within the Police Dept. and tried to change the system by working from within. Al Pacino gives a splendid Performance. RI

STAVISKY—Afaln Resnais’ film about the enirepreneur, impresario and accomplished swindler in early 20th‐century France. Wits Jean‐Paul Belmondo and Charles Boyer. “A spell‐casting mood Piece that Is also tactually frustrating.” (Sayre) In French. (PG)

STEPPENWOLF—Fred HaInes's film version of the 1927 Herman Hesse novel, with Max von Wow as a tortured, agine writer and Dominlaue Sande as his alter ego and cicerone of the unconventional. Despite its Wier), of Special effects, it is nonetheless stillborn cinema. (R)

THE STING—Paul Newman and Robert Redford in a comedy about a couple of cocky confidence men operating In and around Chicago in 1936. The film so good‐natured, so obviously aware of everything It's up to . that I opt to no along with It:” (Canby) George Roy Hill directed. (PG)

THE TAKING OF PELHAM ONE TWO THREE—Joseph Sargent's clever thriller about the hilacking of a New York City subway car. “A skillioi balance between the vulnerability of New Yorkers and the drastic, Provocative sense of cornedy that thrives all over the sidewalks.” (Sayre) With Waiter Matthau, Robert Shaw and Martin Balsam. (R)

HE TOWERING INFERNO—"This year's best end‐of‐the‐world movie” (Canby), with smashing special effects and classy cast (Paul Newman, Faye Dunaway, Steve McQueen, William Holden, Richard Chamberlain). (PG)

THE TRIAL OF BILLY JACK—Like the original filth ("Billy Jack"), this about the good‐doing Indian hall‐breed (Torn Laughlin). “Naivete merchandised and marketed with this not.so‐Innocent vengeance that I associate with religions movements that take leases on Pines like the Houston Astrodome.” (Canby) Directed by Frank Laughlin. (PG)

LES VIOLONS DU BAL—A film which focuses on the childhood of the director (Michel Death) during the German occupation of France, when his Jewish family lived In hiding and then escaped to Switzerland. The first picture that seems downright nostalgic about World War il.” (Sayre) in French. (No rating)

WHERE DOES IT HURT—Peter Sellers and a staff of assorted comics doggedly attempting to make a laughing matter out of overblown hospital costs and medical monkeyshines. Directed by Rod Amateau. (R)

A WOMAN UNDER THE INFLUENCE—John Cassavetes film dwells on the abrasions of daily living. Gene Rowlands Is a woman adrift and Peter Falk her frenzied husband. Rousing performancas in “a thoughtful film that does Prompt serious discussion.” (Sayre) (No rating)

YOUNG FRANKENSTEIN — Frankensteins son Freddie (Gene Wilder) returns to the castle to take uo his father's work. Directed and written (with Mr. Wider) by Mel Brooks. (PG,

MON.—At 8, “Don Pasquale.” Malloonte, Corena, Alva, Serenl. Conductor, Rudolt.

TUES.—At B. “La Fora del Destino.” Arroyo, Casel, Vickers, MacNeil, Giaiottl, Baumler. Conductor, Levine.

WED.—At 8, “Tosca.” ZyIls.Oara, Bereonzl, Bacquier, Corena. Conductor, Erede.

THUR.—At I, “Boris Cvodunov.” Barlow, Hines, Lewis, Plishka, Michalski‐ Conducior, SchipPers,

FRI.—At 8, “Marron Lescaut.'"Price,Alnander, Walker, Corona. Conductor, Acter.

SAT.—At 2, “Tosca.” Same cast as Wed. SAT.—At E. “La Force del Destino.” Same cast as Tues.

AMERICAN MUSIC FESTIVAL — Castelnuovo‐Tedesco's •Toblas and the Angel” (Premiere); performed by the Norwalk Youth Symphony, the Ballet Etude of Norwalk and soloists from the Manhattan School of Music. John HuwIler, conductor. Aviation H. S. Aud., Queen. Blvd. and 351h St., L.I.C., Queens. Today, 3.

EEL CANTO OPERA—Donlzettl's “II CamPanello” and Ravel's “L'Heure ESNSsolo.” Mad. Are. baptist Church, 30 E. 31st St. Today. 3.

JULLIARD AMERICAN OPERA CENTER ‐Barbers “Antony and Cleopatra.” Julillard Theater, Lincoln Center. Thur. and Sat., II: next Sun., 3.

LIGHT OPERA OF MANHATTAN‐Today, I: GI'but and Sullivan's “H.M.S. Pinafore.” Wed.‐Sat., 5:30; Sat, and next Sun.. 4: “The Gondoliers.” Jan fius Playhouse, 351 E. 74th St,

NEW YORK SCHOOL OF OPERA‐Verdi's “La Traylats.” Community Center, Grand Opera Theater, 270 W. 89th St. Today and NO Sun., 7:30; Sat., I.

NEW YORK PHILHARMONIC‐Mon., 5:30: Pension Fund Benefit. Beethoven (Leo. ‘ core Overture No. 3; Plano Concorto No. 41), Brahms (Piano Concerto No. 1). Daniel Barenbolm, conductor; Anur Rubinstein, Plane. Tues., 7:30: W. F. Bach (Symph. in D), Bruckner (Symoh. No. 7). Bernard HaltInk. conductor. Thur. and Sat., 1:30; Fri., 2: Matron (Symph. No. 95), Rachmaninoff (Piano Concerto No. 3). Liget (Lontano), Janacek tiaras Botha). Mr. Naltink, conductor; Jorge Joist, piano. Avery Fisher Hall, Larva. wookir

BRONX SYMPRileli 9:92CHESTRA‐Bron5 High School el Science, 75 W. 205th St. Sat., S.

BUFFALO PHILHARMONIC ORCHESTRA ‐Vivaldi (Concerto for Diverse Instrumental, Mahler (Plano Quartet In Minor), Morton Feldman (String Quartet

and Orchestra, N.Y. premiere), Berlioz (Harold In Italy). Michael TilSon Thomas, conductor and pianist; Cleveland Quartet. Carnegie Nall. Today, 3.

CLEVELAND ORCHESTRA‐At Carnegie . Hall: Barber (Overture to The School for Scandal), Chopin (Plano Concerto No. 2), Strauss (Also Sprach Zero. ‐thustra). Lorin/Mutt, conductor;

‘Rafael Orozco, piano. Tues., I. At Whitman Hall, Brooklyn Collets: Ives (Roao pet Brownies Overture), Bartok (Miraculous Mandarin Sulfa), Brahma (Srmrdt. No. 2). Mr. Mame!, conductor. Sat., S.

GREENWICH HOUSE ORCHESTRA‐lath, Marga Richter, Brahms. Michael Parted, conductor. Charles Hayden Aud., 27 Bar. row Street. Mon., IL Free.

LITTLE ORCHESTRA SOCIETY YOUNG PEOPLE'S CONCERT — Avery Fisher H.11, Lincoln Center. Sat., 11 A.M. and 3 P.M.

MU S ICA AETERNA ORCHESTRA‐Han. del (Concerto Grosso In A minor, 0o. 6, Ni,. 4), Feld (Serenate Gloms), Mozart (Symph. In D. K. 313, Haffner), Schumann (Plano Concerto). FmderIc Waldman, concluder/ Misha Dichter, plank Rogers Aud., Metropolitan Museum of Art. Sat., S.

NATIONAL SYMPHONY‐‐Ravel (Introduction and Allegro for Harp and Small Orchestra; Plano Concerto In C), Berlioz (Symphonic Fantastiatfre). Antal Derail, conductor; Michel Bereft piano; Dotlan Carter, hare. Avery Fisher Hall, Lincoln Center. Sun., 3.

LUDMILA ZYKINA and MOSCOW BALALAIKA ORCHESTRA — Carnegie Hall. Sat., 81 next Sun., 3.

BACH CANTATA 18‐With choir, soloists, organ and orchestra. Lutheran Church of the Holy Trinity, Central Pk. W. at 65th St. Today, 5.

CHOIR OF ST. THOMAS CHURCH‐All. Purcell program Fifth Ave, and 534 St. Wed., 12:1J.

CHOIR OF THE WEST‐Mozart, Britten, Vaughan Williams and othere. Maurice K. Skones, conduct:if. Town Hell. Sun., 2:15.

CHORAL EVENSONG‐St. Thomas Church, Fifth Ave. and 534 St. Today, 4. Organ recital by Judith Hancock follows at 5:15.

CLEVELAND ORCHESTRA CHORUS‐Ber. Ilex's Requiem. Lorin Mamei conducting orchestra and chorus; Kenneth Mosel, soloist. Carnegie Hall. Mon., IL

COLUMBIA UNIVERSITY GLEE CLUB‐Schubert, Schutz. Grim Ives, Carter, folk songs and spirituals; Gregg Smith director. Also The Notes and Keys, 12.man group performing spirituals, classical pieces and see chanters; Can Olsen, director. Town Hall. Thur., I.

MOZART'S REQUIEM‐Choir end soloists. St. Bartholomew's Church, Pk. Ave. at 51st St. Today,

NEW YORK KANTOREI‐Odreghem, Bach, Perotin, Schuh. Barbara Lingsibach, conductor. St. Stephen's Church, 120 W. 69th St. Today, 2.

AMANZA TRIO‐Ida Bleier, violin; Eu9e1111 More Jr., cello; Mary Louisa Vetrano, piano. Chrlst Church, 5030 Henry Hudson Pkwy., Bronx. At 3.

ASILO DEL CANE BENEFIT CONCERTAdding MallPonte, soorano; Fernando Corona, bass; Luigi Alva, tenor. Metropontos Club, I E. 60th St. At S.

MICHAEL BORISKIN‐Plano. Bronx Musewn of the Ms, $51 Grand Concourse. A13, Free.

JERRY BRAINARD‐Organ. St. Michael's Church, Amsterdam Ave. and 99th St. At 4.

JOHN BROWNING‐‐Plano. Mozart, Chopin, Debussy, Barber, Hunter College Assambiy Hail, 05 Pk. Ave. At 2:13.

CHAMBER MUSIC ‘SOCIETY OF LINCOLN CENTER‐Htrrnann Prey, baritone; Oscar ShumskY, Leslie Parries, cello; Emanusl Ax Charles Wadsworth, plane. lailethevOn, Arensky, Schumann, Christian SInding. Alice Tull. Hall, Lincoln Whir. At S.

ENSEMBLE FOR EARLY MUSIC‐ElizaWhim music, Cathedral of St. John tit* Divine, 112th St. and ArnstordeM Ave. At 3.

PHILIP GLASS ENSEMBLE‐Wart bY Mr. Gloss. Idea Warehouse, 22 Reads St. Suns., 3.

ZANE GORDY■Oraan. New York Cultural Canter, 2 Columbus Circle. At 11.

HANNA KOLESNIK‐Mouri‐sosrania. Town Heil, At 5:30.

ROLF DANIEL KOLZ‐Piano. Haydn, Beethoven, Schumann, Chopin, Alms Gluck Concert Hall, 244 E. S24 St. At 7:30.

LYRIC ARTS TRIO‐Violin, cells, plane. New.York HistorIcel Setter, 170 Central Pk. W., at 77th St. At 2:30. Free.

ALAN MARKS‐Plane. Codas Chavez . (Seven Pieces for Plano, emigre), Boulez, Schubert, Chopin. 92d St. Y, Lax. Ave. and 92d St. At 4.

JOSEF MARX ENSEMBLE‐Walther, Beethoven, von Bead% Rovics, J. C. Bach. Mad. Ave. PrasbYterian Church, at 73d St. At 4.

MUSIC WITH JENS NYGAARD‐KREIS. LER CENTENNIAL CONCERT — Mary Wakefield, soprano; Grayson Hirst, Senor; Lee Schwartz, baritone and :dancer; Earl Carts's& and Martin Foster, ‘violins; Walter Trampler, viola; Joel Krosnick, cello; Jens Nygaard, piano. C.arnegle Recital Hall. Al 5:30.

CA10 PAGANO‐Plano. Beethoven, Pornsour. Allen Tully Hall, Lincoln Center. Alt.

OHO ENSEMBLE — Lester Trimble's Music for Trumpet, premiere. O.K. Harris Gellert, 313 W. ‘war. At S.

SYLVIA WALTON‐Plano. Bach, Mozart, Beethoven, Brehm, Prokoviav. Gommnity Church, 40 E. 35th St. At 4. Free

ttiTERNATIONAL IACtt SOCIETY MASTER CLASS — Lincoln Center U. brary‐Museurn, At 10 A.M. Fria.

PTERNATIONAL HUGO WOLF SOCIETY ‐Lawrence Weller, baritone. Lincoln Center Llbrary•Museum. At 6:30. Fret

AIIRECOURT TRIO‐Mendelssohn, Thalberg, Dvorak. Carnegie Recital Hall. At 8:30.

MUSIC FROM MARLBORO‐Haydn, 6.16Start, sir Doanld raeccis Toyer (Iris in ‘,I) minor for Plies, Vlolln and English horn, Opus 14, N.Y. Frontier.). Alice Tully Hall, Lincoln Cantor. At I.

SUSANNA NASON‐Plano, Second PresbYtartan Church, 6 W. 96th St. At I. Free.

MINORU NOJIMA‐Plano. Japan Society, 333 E. 47th St. At I.

LAWRENCE WELLER and VEDA ZUPONCIC‐Itaritono and pianist. Sores by Wolf and Brahms. Lincoln Center LIbram,Auditorlum. At 6:30. Free.

GINA CARELLI—Sopreno. American Landmark Festival concert at Federal Hall National Memorial. corner Wall and Broad Sts. At 5:30. Free.

CHAMBER MUSIC SOCIETY OF LINCOLN CENTER—Same program as Sun. Alice Tully Hall, Lincoln Center. At 7:30.

THEODORE EDEL—Plano. Lincoln Center Llbrare‐Museum. At 4:30. Fres.

JESSE LEVINE and MOREY RITT—Viola and piano. Queens Collies Theater, L.I.E. and Kissena Blvd., Flushing. At 1. Free.

JANET NORQUIST and REBECCA RUEHRDANZ—Sfriger and piano. International House Aud., 500 Riverside Dr. At 8:30.

YUKO WASHIO — Violin. Tartini‐Krelsier, Loeb, Bach, stra,,Inskr, Hubdr, Ysare, Saini‐Siiens‐Ysare. Carnegie Recital Hall. At Z.

LICA ALBANESE — Souring. Interludes uries. Town Hall. At 5:45.

CORNELIUS CARDEW—Plano, Tha Kitchen, 59 Wooster St. At $.30.

CYNTHIA CLAREY and MICHAEL PARLOFF—Soprano and flute, with Wayne Sanders, piano. Studios 58, 150 W. 56th St. At 6.

DA CAPO CHAMBER PLAYERS—Rave!, Eisler, Milhaud, Babbitt, Donald Harris, William Bolcom. Efrain Guist'', conductor; Milton Babbitt, guest speaker; Janet Steele, soprano. Carnegie Recital Hall. At IL

MARYLENE DOSSE — Plano. Massleen, Schumann, Clement, 54int‐Saens, Ravel. Atka Tully Hall, Lincoln Center. At B.

‘JOY IN SINGING—Lincoln Center Library‐Mussum. At 5:30. Fret.

BERENICE LIPSON‐GRUZEN—Plan St. Paul's Chant, Bway and Fulton St. At 12:20.

MANHATTAN SCHOOL OF MUSIC—Ensemble and vocal works by Russell, Lieberman, Morris, Lockwood, D'Angelo, Vo'linger, Karlins, lannaccone. Hubbard Recital Hall, 120 Claremont Ave. At 8.

MUSIC WITH JENS NYGAARD — Wolf, Haydn, Bach, Bartok. Jens Nygaard, piano with Edmund LeRoy, baritone, and others. Cam( Hall. At 5:40.

MUSICAL ARTS STUDIO—Joseph Fenn'. more, James Miley, J. Raoul Bernardo, pianist, In a program of their compositions. New York Cultural Center, 2 Columbus Circle. At 8.

NEW YORK RENAISSANCE SAND—Music of Italy and England. Hunter College Playhouse, Plc Ave. and 67th St. At I.

‘JOAN SUTHERLAND and LUCIANO PAVAROTTI—Soprano and tenor. Richard Bortynge, conductor. Avery Fisher Hall, Lincoln Center. Today and next Sun.,

TYCHO—Chamber ensemble. Webern, Mozart, Schoenberg, Wolf‐Adam, Washington Sc. United Methodist Church, 133 W. Fourth St. At B.

SILVIA BERNASCONI and ALBRECHT OSTERTAG—Mezzo‐soprano and baritone. Carnegie Recital Hall. At P.

DAVID GRAF—Organ. Grace Church, Sway and E. 10th St. At 12:30.

DAVID .1. HURD JR.—Organ, Trinity Church, 74 Trinity Pl. At 12:45.

ALLEN MILLS — Organ. St. Thomas Church, 1 W. 53d St. At 12:10.

ERICA MINER, DARYL GOLDBERG, MYRNA NACHMAN and CHRISTINE IMS—Violin, cello, piano, viola. American Landmark Festivals concert at Theodore Roosevelt Birthplace, 28 E. 20th St. At 7. Free.

MUSIC FROM MARLBORO—Tovey, Motart. Rogers Aud., Metropolitan Museum of Art. At IL

DANIEL POLLACIC—Piano. Alice Tully Hall, Lincoln Center. At I.

TRIBUTE TO RICHARD TUCKER—Gracs Bumta‐r, Marilyn Home, Roberta Peters, Loonlyne Price, Joan Sutherland, Carlo Bergarai, Richard Borgeyne, Robert Merrill and other Metropolitan Opera soloists will sing In honor of the late tenor. Carnegie Hall. At 8.

WORKS BY AMERICAN WOMEN COMPOSERS—Caml Heil. At 11 A.M.

BETTY ALLEN—Mezzo‐soprano. Purcell, Schubert, Handel, Bizet, Trovatore, Cu

rigliano. Hovhaness, others. Hunter College Playhouse, Pk. Ave. and 67th Si. At 8.

CONCERT SOCIALS—Lynn Cushman. flute; Jeffrey Lyons, oboe; Dorothy Belford, clarinet; Don McGeen, bassoon; Paul Rosenblum, horn player. Studios 51, 150 W. ath St. At 8:30.

CALVIN HAMPTON—Organ. Calvary Episcopal Church, 21st St. and Pk. Ave. 5o. At midnight.

VIRGINIA HOU RIGAN—Woodvdinds. phi llona Gaubert, Schubert, „lohinn Friedrich Fasch, Harold Gilmore, MtIchall Starokadomsky, Ye! arm, SChurnann, Weber. Carnegie Recital Hall. At I.

JUILLIARD SCHOOL CONCERT—Brahmt, Lester Trimble, Schumann, Olittler Messlaen. Alice Tully Hall, Lincoln Center. At 8:30.

MANHATTAN SCHOOL OF MUSIC‐‐Motart, MenditisAohn, Sarlok. Hubbard Recital Hall, 120 Claremont An. At a.

LUIS BACAICOA and EMILIA DEL TERZO —Pianos. Alice Tully Hall, LInColn Center. At 2:30.

ANTON KUERTI — Plano. AU‐Seehmen program. Washingten Irving High School, 16th St. and Irvine PI. At I.

LUIS LEGUIA—Cello. Brahms, LOCatelll, Piston, Martinu. Drama Recital nail. A L MIRECOURT TRIO—Paul Chihara, Roy Harris, Paul Reale, Valentin Silvestrov. Carnegie Recital Hall. At 8:30.

ELIANE RADIGUE‐‐Electronic compositions. The Kitchen, 59 Wooster St. At 8:30.

ZVI ZEITLIN—Violin. George Rochberg (Caprice Variations for Violin Solo, N.Y. premiere), Beethoven, Bach, Stravinsky. Hunter College, 695 Fk. Ave. At 8.

JOSE ITURB I—Piano. Scanalli, Mozart, Chopin, Liszt, Ravel, Debussy, De Falla. Burnet Jr. H.S., Union, N.J. Sat., 8.

PRO ANTE OF CONNECTICUT—Sacred and secular choral chamber works. St. Paul's on the Green, East Ave., Norwalk, Conn. Sat.. 8.

ROBERTA PETERS—Soprano. Memorial Aud., Montclair Stale College, Upper Montclair, N.J. Tues., S.

ILANA VERED—Piano. Schubert, Pagenint, Liszt, Berg, Prokofiev. YM‐YWHA of Met. N.J., 760 Northfield Ave., West Orange, N.J. Sat., 8:30.

KENO DUKE—Duke, a drummer, leads strong, swinging quintet, the Contemporaries, wtih plenty of solo swagger provided by George Coleman, tenor sax; Frank Sleazier, alto sax and flute; Harold Mabern, piano; and Lisle Atkinson, bass. Cami Hall, 165 W. 57th St., Fri., 8.

ITHACA COLLEGE JAZZ LAB BAND—Jazz, from swing ("In The Mood") to experimental, by a student big band conducted by Steve Brown, with Ray Brown, flugelhorn; Einar Holm, cello; the Ithaca Violincello Ensemble; and Tish Saumsiegle, vocalist. Alice Tully Hall, Lincoln Center. Sat., 8.

JAll VESPERS—Eddie Bonnemere, a pianist and veteran composer oh ecumenical jazz, with an eight‐piece orchestra and the Jesu Choir. Central Church, 64th St. and Pk. Ave. Sun., S.

EDDIE MARTINEZ and CONTEMPORARY LATIN JAZZ ENSEMBLE—At Billie Holiday Theater, 1368 Fulton St., Bklyn.: Sun., 2:30. At Bronx Community College, ‘Univ. Ave. and HI St., Bronx: Thur., 12:3D.

JOHN ABERCROMBIE—A virtuoso guitarist who swings between laze and rock, with drummer Jack De Johnette and singer Donna Lee. St. James Infirmary, 22 Seventh Ave. S. Today, Sat., next Sun.

ART BLAKEY and the JAZZ MESSENGERS —One of the powerhouse, rock‐solid drummers In jazz, master of the mountainous press roll, with the latest version of a group he has been leading for almost 20 years. Five Spot, 2 St. Marks Pl. Today only.

lAKI BYARD—A Jazz pianist who has absorbed everything, forgotten nothing and Puts It all together in a manner that Is completely his own. Bradley's, 70 University Pl. Suns.

WARREN CH IASSON—A vibraharptst who has gone to the customary school for contemporary vibraharpists—the George Shearing Quintet—now on his own. Gregory's, 1149 First Ave. Mons.‐Sals.

GORDON EDWARDS QUARTET—Edwards, an electric bassist, and Cornell Dupree, a guitarist, emerge from the recording studios where they appear on innumerable Jazz, rock and soul records, for live jazz interlude. Mikell's, 760 Columbus Ave., at 97th St. Nightly.

ROY ELDRIDGE BAND—One of the great trumpeters, the lineal link between Louts Armstrong and Dizzy Gillespie, v,ith band that Includes Bobby Pratt, trombone; Joe Muranyi, clarinet; Dick Kate, Plano. Jimmy Rvans, 154 W. 54th St. Mons.‐Sats.

GIL EVANS BAND—The Vanguard begins Ifs tenth year of Monday big‐band pertormances with Gil Evans’ spaced‐out sounds filling in for the Thad Jones/Mel Lewis band, willch is on the road. Village Vanguard, 178 Seventh Ave. S.

CHUCK FOLDS—A pianist who starts In ragtime, moves to Harlem stride and then to swing and manages to make all sound both Indigenous and contemporary. Cookery, 21 University Pl. Sat. and Sun. afternoons.

TOM GARVIN and HARVIE SWARTZSt. James Infirmary, 22 Seventh Ave. S. Wed. and Thur.

TERRY GIBBS—Making his first visit to New York in ten years, Gibbs is still the busy, vigorous vibraharpist he was with Woody Herman's band 25 years ago. With Barry Harris, piano; Milt Hinton, bass; Ray Mnsca, drums. Michael's Pub, 211 E. 55th ...St. Tues..Sats.

TINY GRIMES—The guitarist who was once a brilliant one‐third Cl the renowned Art Tatum Trio is still picking some swinging lines. West End Cafe, away and 114th St. Weds. and Thurs.

HELLMAN'S ANGELS—Backed by guitar and bass, Daphne Hellman plucks her harp through a render/ that has one finger in the classics and another in Jazz. Village Gale, Thompson and Stoecker Sts, Tues.

HELEN HUMES—Miss Humes sang ballads with Count Basle's band when Jimmy Rushing was on hand to sing the blocs. But she is basically a blues singer and now she can show her complete range. With Ellis Larkins at the Piano. Cookery, 21 University Pl. Mops.Sits.

DICK HYMAN—A pianist so versatile that You can never be sure if he's being 1'al5 Waller, Teddy Wilson, Johann Sebastian Bach, Jelly Roll Morton or himself. Cooker, 21 University Pl. Suns.

MAX KAMINSKY—A veteran of the Dixieland wars still blowing aulharitalive, traditional trumpet. With his Dixieland Jazz Band, of course. Jimmy Ryans, 154 W. 54th St. Suns.

DICK KATZ and CHUCK ISRAELS—A Piano‐and‐bass duo who, each on his own, have been on the scene tor many years. Sweet Basil, 88 Seventh Ave. S. Fris.‐Sats.

BROOKS KERR TRIO—The world's leading authority on the compositions of Duke Ellington, Kerr, a 23‐year‐old pianist and singer, is teamed with two ilyedin‐the‐wool Ellington veterans— Sonny Greer and Russell Procope. Gregory's, 1149 First Ave. Weds.‐Suns.

LEE KONITZ TRIO—Konitz, the only alto saxophonist wh3 successfully weal his own way when Charlie Parker dominated laze altolsts In the ‘40's, is still going his own way, assisted by Dick Kale on Plan.) and Wilbur Little, bass. Occasional vocals by Lynn Crane, wile of the padrone. Gregory's, 1149 First Ave. Mons. and Tues.

BERNIE LEIGHTON QUARTET—Polished Jazz piano by Leighton, a veteran of numerous Benny Goodman grouris, and big‐voiced blues singing by George Smith. Jimmy Weston's, 131 E. 541h St. Nightly, except Sun.

DAVE LIEBMAN LOOKOUT FARM—Jazz quintet led by a tenor saxophonist who has served terms with Miles Davis and Elvin Jones, both of wham had an Influence on him. Five Spot, 2 St. Marks Pl. Tues.‐Suns.

DAVID MATTHEWS ORCHESTRA—A provocative, new 12‐piece iaze Land with a fresh ensemble sound, several strong soloists and imagnative arrangamenls by Its nianist‐leader. Five Snot, 2 St. Marks Pl. Mons.

MARIAN McPARTLAND—Mtss McPartiand has outgrown an English rhildhearl and an ind:ctrination in Dixieland to become one of the most thoughtful and wideranging Pianists In laze, who takes the time to let Ilsteaers know what she's doing. Bemelmans Bai , Hotel Carl yle, Mad. Ave. at 77Ih St. Tues.‐Sals.

THE ORIGINAL TRADITIONAL JAZZ BAND—Choice musicians drawn from several traditional jazz bands, led by Stan Levine, a drummer, and especially notably for Jacques Kerrian, whose sonrano saxophone carnes warm echoes of Sidney Bechet. Patch's Inn, 314 E. 70th St. Sims. and Weds.

SAMMY PRICE—A blues specialist who was part of the toogie‐wongie furor at Cafe Society in the ‘40's. West End Cate, 114Ih St. and away Fris. and Sals.

SONNY ROLLINS—A tenor saxophonist who stands with the .iazz giants. Village Vanguard, 178 Seventh Ave. S. Tues.Sun.

GRAHAM ST:MART ft HIS GAS HOUSE GANG—Lusty, Now Orleans.ilavored WV from trombonist Stewart, an essence of vaudeville from drummer Freddie Moore, and echoes of the Eddie Conden crawd from whomever else shows UP. Gas House, 275 First Ave. at 16th St. Thurs.

SWING ALL‐STARS — Former Ellington musicians Franc Williams and Sam woodyard, along with Sir Robin Clark (piano, vocals and C‐melody sax) and Eddie Durham (trombone and electric guitar), who played with Basle. West End Cafe, Ewa), and 114th St. Mons. and Tues.

SARAH VAUGHAN—One of the most exciting voices in jazz, growing even fuller and more disciplined as the years no by. The Maisonette, St. Regis‐Sheraton Hotel, Fifth Ave. and 55th St. Aens.‐Sals,

BIG APPLE JAM—A top‐name disco‐soul bill, topped by Kendricks, the former Temptation, whose “Boogie Down” was one of last year's biggest hits. Felt Forum. Sat., 7 and 11.

LEONARD COHEN—Cohen's soulful folkishness can sound pretentious, especially In the lyrics, but there can be something haunting about It, ..too. Avery Fisher Hall, Lincoln Center.: Fri., 8.

BILL HORWITZ—Singer. Rainbow Sign Coffeehouse, St. James Church, 2500 Jerome Ave., Bronx. Fri., 9 and 10:30.

JACKSON FIVE—The Jackson Five (or six, recently), one of the most effective soul groups around, seems to be making a successful transition from teeny‐hopPer fave raves to adult pop artists. Radio City Music Hall. Thur., 8; Fri. and Sat., 7:30 and midnight.

REDO FOXX and VIC DAMONE—Carnegio Hall. Fri., 8.

DOROTHEA JOYCE and NORMAN BERMAN—Singers. Manhattan Theater Club, 321 E. ‐Ad St. Thur., folowing the Play. Free.

JIM LUCAS anC ANDY POLON—Folk music. Middle Earth Coffeehouse, 2 W. 64th St. Fri., 8.

MAUDELLA—Songs and dances of Africa and America. American Landmark Festivals concert at Hamilton Grange National Memorial, 287 Convent Ave. Sun., 3.

MABEL MERCER—A tribute on her 75th birthday. With Sylvia Syms, Julius Monk, Bricktop. Al midnight Miss Mercer will sing. St. Regis‐Sheraton, Fifth Ave. and 55th St. Mon.

BILL VANAVER and LIVIA DRAPKINFolk music. Focus II, 163 W. 74th St. Sun., 8.

LED ZEPPLIN—As Popular an act as there Is in rock these days. Madison ‘Square Garden. Mon., Fri., next Wed., 8.

JOANNE BERETTA—Singer. Reno Sweeney, 126 W. 13th St. Suns.

DAVID BROMBERG BAND—New York's most active veterans of the Village folk scene, apparently undiminished In spirits. Bottom Line, 15 W. 4th St. Tues. and Wed.

BISHOP CAINES and JERRY SHORE—Singer and pianist. Pub Theatrical, Bway and 5*.st St. Tues.‐Sats.

BOB CUBBAGE — Piano. Sherry‐Netherlands Cafe. Fifth Ave. and 59th St. Tues.‐Sats.

ANITA DAR IAN—Brother's and Sister's, 355 W. 46th St. Today only.

RITA DIMITRI and STANLEY BRILLIANT On‐la‐la in their own bait° by a husband (piano, guitar) and wife too‐la‐la) team. La Chanscnette, 890 Second Ave. Toes‐Sits.

GEORGE FEVER—Popular piano by an entertainer who has been on the nightclub scene for more than 25 years. Stanhope, Fifth Ave. at 81st St. Tues.‐Sats.

ROBIN FIELD—Singer‐pianist. Top of The Six's. 666 Fifth Ave. Mons.‐Fris.

HILDEGARDE—Singer. Persian Room, Hotel Plaza, Fifth Ave. at 59th St. Mon, Sat.

ISRAELI SHOW—Avram Grobard, Five Russkys, others. El Avram, 80 Grove St. Weds.‐Suns.

LARRY KERT—The lead of the Broadway Production of “West Side Story” (1957) and the more recent “Company” follows his sister, Anita Ellis, into the Bird Cage. Michael's Pub, 211 E. 55th St. Tues.‐Sats.

MELISSA MANCHESTER — With James Newton Howard and Stank.), Brown Group. Like Barry Manitow, Manchester is a Bette Midler spin‐off. Unlike Manilow, Manchester hasn't really made II. vet. Bottom Line, 15 W. 4th St. Thur.‐Sat,

MARY McCARTY—Brother's and Sister's, 355 W. 46th St. Wed.‐Sun,

BILL McCAULEY—Singer and pianist. Pub Theatrical, Bway and 51st St. TuesSatz.

AHAH McLAWLER—Singer‐organist, Sam's, 1220 Second Ave. Mons.‐Sats,

NOSTALGIA—Joe Carter, one‐man band, with Dorothy Arms, soprano; Hall Willard, baritone; Bill Deco, ::anlo; and others. Bill's Gay ‘90's, 57 E. 54th St. Mons.‐Sats.

KENNY RANKIN—Recovered from a selfadmitted bout with drugs, Rankin is back charming his admirers with his high, true folk tenor. Bottom Line, 15 W. 41h St. Today only.

RICARDO RODA — Singer‐guitarist. !perbole, 137 E. 55th St. Mons.‐Sats.

EARL ROSE—Pianist. Sign of the Dove, 1110 Third Ave. Toes.‐Sets.

AR1S SAN GROUP—Sirocco, 29 E. 29th St. Toes.‐Suns.

HUGH SHANNON and BRICKTOP—Shannon s huge bag of suave songs by Porter, Coward, etc., mingled with Brickt,p's memories of Paris In the 20's. Soeraba1a, Lee. Ave. and 74th St. Nightly.

LINDA RONSTADT—With Tom Rush and David Bromberg and Friends. Cannot, 326 Monroe St., Passaic, N.J. Today, 8.

SHA NA NA—With Michael Murphey, Capitol, 326 Monroe St., Passaic, N.J. Sat., 8.

(All galleries, unless otherwise noted, are closed Sundays.)

KAREL APPEL‐011 paintings from the 1960's by a founding member of the Cobra group. GIMPOI, 1040 Mad. Ave., at 79th St. Through Feb. 15.

RUDOLF BARANIK—Laige paintings. Lerner‐Heiler, 78? Mad. Ave., at 67th St. Through Feb. 15. Closed Mons.

HAROLD BAUMBACH — Landscapes and figurative paintings. Larcada, 23 E. 67th St. Through Feb. 15.

HENRI CARTIER‐BRESSON — Figurative drawings and landscapes, in pencil, ink and pierre‐noire, by the noted photographer. Carlton, 127 E. 691h St. Opens Tues. Through Mar. 8. Closed Mons.

BEVERLY CHESLER — Semi‐abstract collages of nudes. Rehn, 655 Mad. Ave., at 60111 St. Through Sal.

ALAN E. COBER—"The Forgotten Society,” a show of drawings, some of them lifesir, of the mentally retarded, prisoners and other unfortunates. Dintenfass, 18 E. 671h SI. Through Feb. 15. Closed Mons.

DADO — Surrealist paintings, drawings, etchings and collages. Aberbach, 988 Mail. Ave., at 77th St. Through Sal. Closed Mons,

GEORGE DEEM and JAY ROSENBLUMRealistic aintings relating to Vermeer by Mr. Deem, and small, brightly striped paintings by Mr. Rosenblum. Slone, 43 E. 06th St. Opens Tues, Through Feb. 28. Closed Mons.

TONE DoLAP — New • ‘,Manes. Elkon, 1061 Mail. Ave., at 19th St. Through Feb. 26. Closed Mons.

SIMON DINNERSTEIN — Realistic, highly detailed. :aintinas and drawings. Starmoill, A7 E 77th St Through Sat, Closed Mons.

PAUL DORROUGH and SAM PILGREEN —Abstract landscapes by Mr. Dorrough and wet ks In mixed mediums by Mr. Pigreen. Avanti, 145 E. 724 St. Through Feb. 14. Closed Mons.

ARTHUR G. DOVE‐Paintings, watercolors and collages by a foremost American abstractionist (1880‐1946), from the estate of the artist, private collections and museums. Dintenfass, 18 E. 67th St. Through Feb. 22. Closed Mons.

RUTH ECKSTEIN‐Colages and prints with Impressions ot geological elements. Alonzo, 26 E. 63d St. Opens Tues. Through Mar. 1. Closed Mons.

JANET FISH‐Still‐hies In pastel. Kornblee, 58 E. 7905 St. Through Feb. 27. Closed Mons.

SATISH GUJRAL — Symmetrical sculptures In metal and wood by an Indian artist. Sculpture Center, 167 E. 69th St. Through Wed. Closed Mons.

SHIRLEY HENDRICK — Figurative oils. Bodley, 1063 Mad. Ave., at 80th St. Through Sat. Closed Mons.

ALEXEJ JAWLENSKY‐FiguratIve paintings and portraitures by a late German Expressionist (1864‐1941). Sabarsky, 987 Mad. Ave., at 77th St. Closed Mons. Through Feb. 28.

DANIEL LARUE JOHNSON — Abstract paintings. Geldowsky, 1078 Mad. Ave.. at 81st St. apens Tues. Through Feb. 28. Closed .dons.

FLOYD JOHNSON‐PaintIngs with a barnerlike format. Rankow, 108 E. 78th St. Closed Mons. Through Sat.

BRUNO LUCCHESt‐Terra‐cotta and bronze sculptures. Forum, 1018 Mad. Ave., at 79th St. Closed Mons. Through Fri.

CLYDE LYNDS‐KInetic constructions with cycles of changing light and color. Babcock, 805 Mad. Ave., at 68th St. Through Feb. 26. Closed Mons.

GIACOMO MANZU‐FiguratIve reliefs and sculptures, mostly in bronze, of the artist's traditional religious subjects, plus gold Jewelry. Rosenberg, 20 E. 79th St. Through Mar. 7. Closed Sots.

HENRI MICHAUX‐Black‐and‐whIte paintings in acrylic and India Ink. Lefebre, 47 E. 77th St. Closed Mons. Through Feb. 15.

ROBERT MOTHERWELL‐Fourteen paintlugs and collages, all executed in 1974. “A powerful show by one of our best painters.” (Kramer) Knoedler, 19 E. 70th St. Closed Mons. Through Sat.

TONY PADOVANO ‐Sculptures in bronze, steel, wood and cast stone. Graham, 1014 Mad. Ave., at 78th St. Opens Tues. Through Mar. 1. Closed Mons.

MARY PETTY‐Fifty cartoons from the 1920's, 30's and 405, PIUS watercolors. Nicholls, 1014 Mad. Ave., at 78th St. Opens Wed. Through Mar. 1. Closed Mons.

SAM RICHARDSON‐Paintings, sculptures and watercolors from his “Sierra Snow Series.” Jackson, 32 E. 69th St. Opens Wed. Through Mar. 1. Closed Mons.

KEITH SONNIER‐A two‐way amplified sound system, from the New York gallery to a gallery in L.A. Castelli, E. 77th St. OPens Sat. Through Feb. 22. Closed Mons.

FRANEK STAROWIEYSKI — Surrealist Paintings and gouacnes by a Polish artist. Zarre, 20 E. 69th St. Opens Tues. Through Mar. 8. Closed Mons.

SERGIO GONZALEZ TORNERO‐Surrealist oils and acrylics, mostly in Workand‐white, by a Chilean artist. Grueneboom, 15 E. 77th St. Closed Mons. Through Sat.

ANTON VAN DALEN‐An extraordinary array of drawings, constructions and mounted cutouts all related to the Imagery of the automobile. “This first solo exhibition Is not one we shall soon forget.” (Kramer) Cordier 8 Ekstrom, 980 Mad. Ave., at 76th St. Closed Mons. Through Sat.

VACHA and UWE KIND‐Abstract paintlogs by Vacha and fantasy oils and watercolors by Mr. Kind. Caravan, 32 E. 65th St. Through Feb. 15. Closed Mons.

WOELFFER‐Abstract paintings. Poindexter, 24 E. 84th St. Through Feb. 15. Closed Mons.

LA BOETIE, 9 E. 824 St.‐Dix, Klee, Klimt and other German and Austrian Expressionists. Closed Mons. Through Feb. 28.

BORGENICHT, 1018 Mad. Ave., at 79th St.‐Landscapes by Milton Avery, Bonnard, Cezanne, Monet and others. Through Feb. 27. Closed Mons.

CENTER FOR INTER‐AMERICAN RELATIONS, 680 Park Ave., at 68th St.Figurative and abstract paintings by six Cuban artists working In New York. Mons.‐Suns.; 12‐6. Through Feb. 23.

McKEE, 140 E. 634 SL‐Abstract wall reliefs in wood by Jim Huntington, Plus drawings by sculptors Kohn. Madsen and Unclni. Through Feb. 22. Closed Mons.

• RAYDON, 1091 Mad. Ave., at 824 St.About 50 paintings and sculptures, all portraits done by Europeans. Closed Mons. Through Mar. 3.

ZIERLER, 956 Mad. Ave., at 75th St.Works by American masters. Closed Mons. Through Feb. 27.

ALICE BABER‐Lyrical abstractions bY a veteran New York artist. Sachs, 29 W. 57th St. Through Feb. 20. Closed Mons.

TOM BLACKWELL — Photo‐Realist cityscapes. Janis, 6 W. 57th St. Opens Wed. Through Mar. 1.

STANLEY BOXER‐Abstract paintings. De Nagy, 29 W. 57th St. Closed Mons. Through Feb. 13.

MARY FRANK and ANDRA SAMELSONLarge, figurative terra‐cottas by Miss Frank and paintings on linoleum by Miss Samelson. Zabriskie, 29 W. 571h Si. Closed Mons. Through Feb. 15.

GERSTNER‐Abstract paintings. Rene, W. 57th St. Through Feb. 22. Closed Mons.

CONRAD MARCA‐RELLI — Abstract collages, some with oil, on canvas. Marlborough, 40 W. 57th St. Opens Sat. Through Mar. 1. Closed Mons.

MATTA‐In effect a retrospective, with loans from three major museums and Important paintings from Private collections, “notably the trucIfixhim• of 1967.” (Russell) Crisoo, 41 E. 57th St. Closed Mons. Through Feb. 15.

VITA PETERSEN‐Representational drawMos of objects, such as stones, bones and paper bags. Parsons‐Truman, 24 W. 57 St. Through Feb. 15. Closed Mons.

JASON SCHOENER‐LandscaPe paintings. Midtown, 11 E. 57th St. Through Feb. 22. Closed Mons.

ROBERT SLUTZKY‐Geometric paintings. Schaefer, 41 E. 57th St. Through Feb. 15. Closed Mons.

LARRY ZOX — Abstract paintings. Emmerich, 41 E. 57th St. Through Feb. 19. Closed Mons.

ZUTRAU‐Abstract paintings. Parsons, 24 W. 57th St. Through Feb. 15. Closed Mons.

ARRAS, 29 W. 57th St.‐Pa)ntings, sculptures and tapestries be Vasarely, GratzGarriga, Laliberte and other Olen, artists. Closed Mons. Through Feb. 28.

ESMAN, 29 W. 57th St.‐"Three Approaches to Paper” by Ethelyn Honig, Mol Levinson and Howardena Pindell. Through Feb. 27, Closed Mons.

PACE PRIMITIVE 8 ANCIENT ART, 32 E. 57th St.‐African sculptures from the Bangwo, Doom, Kongo, Lehi Yoruba and other ethnic groups. Through Feb. 28. Closed Mons.

PACE, 32 E. 57th St.‐"The five artists represented in this splendid exhibitionAlexander Calder, Joseph Cornell, Isamu Noguchi, Louise Nevelson and David Smith‐are among the most famous of our time, yet so much of the work here Is of such remarkable quality that we sre them with fresh eves.” (Kramer) Through Feb. 22. Closed Mons.

ANITA ASKILD — Abstract wall hangings made of yarn and rope. Second Story Spring Street Society, 167 Spring St. Opens Sat. Through Feb. 27. Closed Mons

AUDREY BERGENSTEN and NORMAN TURNER‐FlguraNyo paintings by Miss Bergensten and landscapes, mostly Vermont, by Mr. Turner. Green Mountain, 135 Greene St. Tues.‐Sats., 12‐6. Through Feb. 13.

NATALIE BIESER and PETER PLAGENS ‐Abstract wall constructions combining wood, thread and beads by Miss Moser, and geometric paintings on paper by Mr. Piagens. Hoffman, 429 W. Bway. Opens Sat. Through Mar. 6. Closed Mons.

CHARLOTTE BROWN‐Abstract landscapes. LevItan, 42 Grand St. Opens Sat, Through Mar. 5. Turs.‐Sats., 1‐6.

BOB CASEY‐Flgurative paintings. Prince Street Gallery, 106 Prince Si. Tues.Sots., 1‐5. Through Feb. 12. MICHAEL EISENMAN‐Palnlings of figures set in environments, PIUS landscapes. Bowery, 135 Greene St. Through Fob. 14. Closed Mons.

SUZI FERRER and WALLACE FRENCHF igui alive, environmental sculptures, which employ mixed mediums, by Miss Ferrer; and painted wall constructions in wood, steel and aluminum by Mr. French. Westbroadway, 431 W. Bway. Through Feb. 20. Closed Mons.

RICHARD FISHMAN — Polychromatic abstract sculptures. Hutchinson, 127 Greene St. Opens Sat. Through Mar. I. Closed Mons.

REGINALD FLUDD—Abstract landscapes on plastic panels. Second Story Spring Street Society, 167 Spring St. Through Feb. 20. Closed Mons.

BROWER HATCHER—Large steel sculptures. Emmerich, 420 W. way. Closed Mons. Through Feb. 12.

MARY ANN GILLIES and LUCY SALLICK —Sculptures combining welding rods and macrame bY Miss Gillies, and stilllifts by Miss Sallick. SoHo 20, 99 Spring St. Tues.‐Sats., 12‐6. Through Feb. 12.

STEVE KELSEY and ALAN KESSLERAbstract paintings on triangular‐shaped canvases by Mr. Kelsey, and realistic paintings of flowering plants by Mr. Kessler. Yu, 393 W. Bway. Through Feb. 12. Closed Mons.

LOUISE KRAMER — Abstract sculptures from the past two years, constructed of steel, cardboard Cr latex. kl.R., 97 Woost.f St. Closed Mons. Throt‐gh Feb. 12.

TOM MARTIN and NANCY SKAVERComic drawings, taken from film stills, of Tartan, King Kong and other figures, by Mr. Martin; and photographs of clothing by Miss Shaver. Hundred Acres, 456 W. Bway. Through Feb. 22. Closed Mons.

RAQUEL RABINOVICH and MAC WELLS—Abstract sculptures in glass by Miss Rabinovich, and abstract paintings by Mr. Wells. Caldwell, 383 W. Bway. Through Feb. 19. Closed Mons.

MARY SHAEFFER—Abstract sculptures in glass. Benedek, 14$ Spring St. Through Feb. 22. Closed Mons.

JERRY TUBLIN—Paintings, drawings and a film. Hansen, 70‐72 Wooster St. Closed Mons. Through Feb. 11.

NORMAN TURNER — Representational paintings of figures and landscapes. Green Mountain, 135 Greene St. Through Feb. 13. Tues.‐Sats., 12‐6.

RICHARD WAXBERG—Large paintings In acrylic. Aames, 93 Prince St. Through Feb. 15. Closed Mons.

BUECKER & HARPSICHORDS, 46$ W. Bway.—A variety of works by 14 contemporary artists on the theme “Outdoors: Indoors.” Through Feb. 22. Weds.‐Sats , 12‐6.

14 SCULPTORS, 75 Thompson St.—Models and drawings of sculptures by Priscilla Heep, Mashike Kimura, Jane Schneider and others. Tues.‐Sats., 12‐6. Through Feb. 12.

LANDMARK, 469 Broome St. — Nonrepresentational paintings by Janet Fish, Angelo Ippolito, Lester Johnson, Kaldis, Alvin Ross, Nora Sneyer, Jane Wilson and Charles DuBack, plus a separate one‐man show by Mr. DuBack of Maine landscapes in watercolor. Through Feb. 20. Closed Mons.

O.K. HARRIS, 383 W. Bway.—PaIntings by John Clem Clarke and Douglas Bond, reelections by Carol Wald and sculptures by Warren Owens. Through Feb. 22. Closed Mons.

SOHO CENTER FOR VISUAL ARTISTS, 110‐114 Prince St.—Abstract paintings by* Fred Goof, Ron Lusker and Susan Nakata, Opens Fri. Through Mar. 1. Weds.Fris., 1‐5; Sets., 11‐5.

PAUL GOLDBERG and JUDY SILVER—Representational paintings by Mr. Goldberg and collages by Miss Silver. Walker Street, 46 Walker St. Through Feb. 22. Tues.‐Sats., 1‐5.

SYLVIA SLEIGH — Figurative paintings, some of the male nude. New School, 66 W. 12th St., Room 410. Opens Tues. Through Feb. V. Mons.‐Weds., 10‐8; Thurs. and Fris., 10‐5.

WESTBETH, 463 West St—Gallery artists. Through Mar. 2. Fris., 5‐8; Sats. and Suns., 2‐6.

WOMEN'S INTERART CENTER, 549 W. 526 St. Annual Members ExhibitiLn. Through Feb. 23. Mons.‐Fris., 2‐8.

AMERICAN MUSEUM OF NATURAL HISTORY. Central Park W. at 79th St.—“Insects and Us,” a display which examines the relationship between PEOPIO and Insects. Eating habits, communication of disease and sources of food are examined. Through Mar. 31. “PupPets: Dance and Drama of the Orient,” a show of more than 200 two‐climenstonel figures exemplifying the shadowtheater heritage of India, China and other Asian cultures. Through Apr. 20. Fourteen original folio pages containing the drawings and scientific notes of Leonardo da Vinci which, in part, deal with clockwork mechanisms, ball and roller bearings, and chain‐and‐sprocket systems. Throught Feb. 14. Mons.‐Sats., 10‐4:45; Suns., holidays, 11‐5.

ASIA HOUSE, 112 E. 64th St.—"Asian Art, Part II: Selections from the Collection of Mr. and Mrs. John D. Rockefeller 3d.” “There are marvelous bronze figures from India, painted scrolls from China and Japan, porcelain from Korea, stone carvings from Java and Slam, sculptures from Cambodia and decorative objects from virtually every corner of the ancient Asian cultures.” Mons.‐Fris., 10‐5; Sats, 11‐5; Suns., 1‐5. Through Mar. 23.

BROOKLYN MUSEUM, Eastern Parkway and Washington Ave.—Contemporary Japanese ceramics by both recognized and lesser‐known pottery‐makers. Through Apr. “Inside Outside: Art from the Brooklyn House of Detention for Men,” an exhibition of paintings, drawings, sculptures and ceramics bY Prisoners enrolled in the art therapy program. Through Mar. 2. Weds., 17‐9; Thurs.Sots., 10‐5; Suns., 11‐5; holidays, 1‐5.

GUGGENHEIM MUSEUM, 1071 Fifth Ave., at 89th St. — “Masters of Modern Sculptures,” a sampling of works by 25 artists, among them Boccionl, Ernst, Balla and Giacomettl. “An Interesting survey of the Influence of Cubism on modern sculptural thought.” (Kramer) Closes today. Tues., 10‐9; Weds.‐Sats., 10‐6; Suns. and holidays, 12‐6.

JEWISH MUSEUM, Fifth Ave. at 92d St.—Over 30 tapestries from the Mambush workshop in Israel, from designs by such artists as lance, Rattner and Aro. Mons.‐Thurs., 12‐5; Suns., 11‐6. Through Apr, 27,

METROPOLITAN MUSEUM OF ART, Fifth Ave. at 826 St. — “Romantic and Glamorous Hollywood Design,” an exhibition of clothes worn by famous film stars from the 1920% to the 1960's. Through Aug. 31. “The Impressionist Epoch” commemorates the 100th anniversary 01 the first Impressionist exhibition In Paris with a display of 42 paintings by Monet, Renoir, Degas and other. masters. “You have ample enough mason to hazard both crowds and the sea of printed commentary in order not to miss a great occasion.” (Kramer) Through Feb. 16. “The Influence of Japanese Woodcuts on French Prints,” a selection of about 100 prints, with examples by Hokusal, Hlroshigi and Utamaro, and Menet, Degas, Bonnard, ToulouSe‐Lautrec and other 19th‐century French artists. Through May 11. Weds.‐Sats., 10‐4:45; Tues., 10‐8:45; Suns., 11‐4:45. Closed MUSEUM OF CONTEMPORARY CRAFTS. 29 W. 53d St.‐"Forms in Metal.” display of more than 125 functional and sculptural pieces, from the 1943's to the present. Tues.‐Sets., 11‐6; Suns., 1‐6. Through Mar. 2.

MUSEUM OF MODERN ART, 11 W. 53a St.‐"American Prints: 1913‐1963,” selection of more than 100, from Marin to Rauschenberg. “A show that gees onward and upward. In terms of quality.” (Russell) Through Mar. 3. “Furniture from tho ()este:a Collection: Thonet, Guimard. Wright and Rietveld.” Opens Fri. Through Apr. 6. Mem.Sets., 11‐6; Thurs., 11.9; Suns., 126.

NEW YORK CULTURAL CENTER, Columbus Circle — “William‐Adolphe Bouguereau: 1325‐1905,” a survey of 26 works bY the French Salon painter. “Visitors . . may find themselves leveloping a sneaking affection for painter they have never really looked at before.” (Canaday) Closes today. “Man Ray: Inventor/Painter/Poet,” major retrospective of some 356 works by the 25‐year‐old American artist. “The career of Man Ray is one of the longest and most remarkable in the annals of American art, yet the large retrospective ... is the first of its kind to be mounted in New York.” (Kramer) Through Mar. 2. “Chant. Henri ford: The Kathmandu Experience.” a show of watercolors, handprinted monotyoe woodcuts, silk embroideries, aopliques, wooden sculptures and masks executed by Nepalese craftsmen from designs by Mr.

NEW YORK PUBLIC LIBRARY, 5th Ave. at 42:1 51.‐"Owen D. Young, Book Cal. actor: 1874‐1974‐selected items contrbuted to the Berg Collection of Eng. Ilsh and American literature. Through Apr. 12. Mons.‐Sats., 9‐9.

STUDIO MUSEUM IN HARLEM, 2033 Fifth Ave., at 125th St.‐Brightly colored weavings, based on African textile designs, be Napoleon renderson. Through Feb. 23. Mons. and Weds., 10‐9; Tues., Thurs. end Fris., 10‐6; hats. and Suns., 1‐6. Thrcugh Feb. 28.

WHITNEY MUSEUM, 945 Mod. Ave., at 75th 51.‐1975 Biennial of Contemporary American Art” surveys, in four stages, works in various mediums by 147 lesser‐known artists. Stagy and II run through Mar. 16 and 23. respecfleet"; Stage III, until Mar. 30; Stage IV opens Tues, and runs through Apr. 9. Mons.‐Sats., 11‐6; Tues, eves. until IC; Suns., 126.

YESHIVA UNIVERSITY MUSEUM. Amsterdam Ave. at 185th St.‐A retrospective et Arthur Coyle, with 65 works oy the Illuminator, Including miniature paintings and a series of World War It car. boons. Suns., 12‐6; Tues. and Thurs., 11‐5. through Feb. 23.

HUDSON RIVER MUSEUM, 511 Warburton Ave., Yonkers, N.Y.‐Bronze sculetures, Plaster models and lance photo enlargements by Isidere Konti (1862‐19381. Through Mar. 20. Toes‐huts., 10‐5; Wed. eves., 7‐10; Suns., 1‐5.

NEUBERGER MUSEUM. College at Purchase, Purchase, N.Y.‐Etchings and woodcuts by Isac Friedlander. Through Feb. 15. The.atricil drawings and watercolors of Ge,ron Grosz. Through Mar. Tues.‐Sals., 1:‐5; Suns., 1‐5.

PARRISH ART M12.SEUM, 25 Job's Lane, Southampton, I.Y.‐"By Request,” an array of works most frequently requested for loan to other institutions, by William Merritt Chase, Larry Rivers, Raphael Sorer and others. Realistic paintings and drawings, reflecting the monumental mural style of the 1930's, by Cleonike Wilkins. Tues.Sals., 10‐5; Suns., 2‐5. Through Mar. 2.

YALE UNIVERSITY ART GALLERY, New Haven, Conn.‐Dutch religious art in the Safs., 10‐5, and Thur. eves, 6.9; Suns., 2‐5.

LEE FRIEDLANDER‐Modern landscapes and pictures taken at parties by a pioneer photographer. “His ‘accidental’ presence transformed a series of artful photographic ‘mistakes’ into a saga of modern life.” (Thornton) Museum of Modern Art, 11 W. 53d St. Mons.‐Sats., 11‐6; Thur. eves. until 9; Suns., 12‐o. Through Feb. 9.

SEAN KERNAN‐Photos. Also scenes of street life in London In 1877, by John Thomson. Stieglitz, 30 W. 13th St. Fels.Suns., 1‐6, and Tues. eves., 7:30‐9. Opens today. Through Feb. 25.

ROBERT MacPHERSON — Photographs of Rome by a Scottish surgeon who settled there In the early 1840's and became a leading architectural photographer In Italy, Schoelkopf, 825 Mad. Ave., 17th century. Through Mar, 16, Tues.69th St. Closed Mons. Through Feb. 28.

TONY RAY‐JONE5‐Photograehs dealing with traditional English life as It lived at seaside resorts, race tracks, dog shows, railroad stations and other places of public accommodating. “At hls best, he could compose a coherent picture out of seemingly disparate incidents or elements with the bravura and aplomb el (ho earls. Cartier‐Bresson.” (Thornton) Foto, 492 Broome St. Weds.‐Sats., 1.6. Through Feb. 9.

STEPHEN SHORE and FRANK GOHLKE ‐Color prints taken on trips across North America by Mr. Shore; prints of industrial forms in the Midwest landscape by Mr. Gohlke. Light, 1018 Mad. Ave., at 79th St. Ooens Tues. Through Mar. 1. Closed Mons.

EDWARD WESTON‐A retrospective of 125 Prints, Wain, 243 E. 60th St. Tues.Sate., 11‐6, and Thur. eves. until Through Mar. 1. Anether retrospective, this one covering five decades of his career. Museum of Modern Art, 11 W. 53d SI. Weekdays, 11 to 6, and Thur. eves. until 9; Suns., 12‐6. Through Mar. 31.

ELLIOTT, 1018 Madison Ave., at 79th St. ‐"Masters of Photography,” from Talbot to Evans. Closed Mondays. Through Mar. 1.

GROLIER CLUB, 47 E. 60th St.‐"The Truthful Lens,” an exhibit of books Illustrated with original mounted photographs (1884.191411, which shows the development of this work. “Never before have so many books that are famous In the history of Photography been gathered together In erne room.".. (Thornton) Closes Sets, at 3. Through Sat.

INTERNATIONAL CENTER OF PHOTOGRAPHY, Fifth Ave. at 94th St.‐A new museum devoted to exhibition, education, publication and archival preservalbs. The Inaugural show will Include it10 black‐and‐white prints by CartierBresson, the work of six photographers In the humanist tradition, and a group exhibition of 21 color photographers. Daily, ekceat Mons., 11‐5. Through Feb. 15.

NEIKRUG, 224 E. 63th St.—PhofograPhs by Walker Evans, Jean Claude Gautrand. Russell Orisch. Tours..Sat., 1‐6; Suns., 2‐5. Through Mar. 2.

SOHO PHOTO, 30 W. 13th St.—Lynn Earley, Harriet Hadley, Barbara Jaffe and Jon Rdey, plus three featured phoVagraphers. Fris.‐Suns., 1‐6, and Tues. curs., 7:30‐9. (bens today. Though Feb. 25.

STORYTELLER—Story readings by ballad singer Pete Senor. Martinique, 32d St. and Bway. Mon., 11.

CRAFTS SHOW—"Folk Roots la Contemporary Crafts,” a show representing 53 craftsmen from all over tho country. FaIrtree, 924 Mad. Ave., at 74th St. Through Mar. 1.

LASERIUM—The loser tight concert. Hayden Planetarium, E26 St. and Central Park W. Fris.‐Sans., 7:30. 9 and 10:30 P.M.

SUB‐PLOT CABARET — “Jean Shepherd Plays Jean Shepherd.” The author will Piesent stag:11 readings from his own literary works. American Pace, Ill W. 46th St. Today and Mon.

ART—"The Pattern in Painting,” with Martin Bressler, Rosalind Hodgkins, Valarie Jaudcn, Tony Robbin, Sandford Warmfold. Mario YrIsarry. Open Mind. 66 Gieene ‘St. Fri., 8:30.

FILM—A lecture by Kenneth Kelman. dramatist and film critic. Cooper Union, Seventh St. and Fourth Ave. Wed., 8. Free.

PUBLIC AFFAIRS—"Some Critical Choices concerning Urban America,” by Edward J. Logue, president of N.Y. State Urban Development Corp. Cooper Union, Seventh St. and Fourth Ave. Mon., 8.

THEATER—Robert Ka!fin will give a lecture on OH‐Broadway. 92d St. Y. Lexington and S2d St. Tues., 11.

ACADEMY OF AMERICAN POETS—A program of weft', by recognized and unrecognized cods from America's Past, read by Jane Cooper, David ignalo.v, Jean Valentine and James Wright. 1078 Mad. Ave. TOZ'aY• 2.

AREA KOVNER—The winner of the Israel Price in Literature will read from his own works and Shirley Kaufman will translate. 92d St. Y, Lexington Ave. and 92d St. Men., 8.

JACKSON MACLOV/ — Dr. Generosity's Poetry Pub, Second Ave. at 73d St. Sat., 2.

PETER REDGROVE—The British poet and novelist will read his own PONDS. 92d St. V. Lexington Ave. and 92d St. Tues., 8.

We are continually improving the quality of our text archives. Please send feedback, error reports, and suggestions to archive_feedback@nytimes.com.

A version of this archives appears in print on February 2, 1975, on page X3 of the New York edition with the headline: Arts and Leisure Guide. Order Reprints| Today's Paper|Subscribe

Summary: 10‐wk exhibit at Met Museum entitled The Impressionist Epoch has drawn crowd of 433,332, possibly setting museum attendance record (S)


07/19/2016 AT 02:00 PM EDT

' life always seems to be in danger when she acts in the Bourne film series as Nicky Parsons.

But in an ironic twist, Stiles discovered that reality can be more dangerous than fantasy when she suffered a "freak accident" during a break from filming across the pond earlier this year.

"When we were shooting in London I was hit by a motorcycle," Stiles, 35, told PEOPLE at the premiere of

She's fine now – as is the motorist – but that wasn't initially the case at the time of the crash, which occurred on a night off from filming.

"I had a concussion," she said, adding that she has no recollection of the collision. "I blacked out, but it was just a freak accident."

The actress, who stars alongside

for the fourth time in the series, said she was obeying pedestrian laws and was even crossing the street at a crosswalk at the time of the crash.

Matt Damon and Julia Stiles in Jason Bourne

Moviestore / REX / Shutterstock

Fortunately, the Columbia University alum says she didn't break any bones and even got the next day off to nurse her wounds.

Coincidentally, the fifth installment in the Bourne franchise has a lengthy scene early on involving a motorcycle and Stiles, so it's almost a bizarre case of fact meets fiction.

"It was very odd," Stiles admits of the crash.

Summary: Julia Stiles tells PEOPLE she was hit by a motorcycle while crossing the street in London


The trip was particularly meaningful, Polanski goes on, “because when my father used to read me bedtime stories as a child, I would always ask him to tell me something about his past, and so he would tell me about Krakow and make it light so that I wouldn’t feel sad, but I imagined him a bit like Oliver Twist walking with the peasants – and I can still picture him like that. But seeing everything first hand was something totally different.”

Despite stipulations made by the actress’s team that we would not linger too long on her famous parentage, Polanski seemed keen to stress the importance of their influence on her life. “I’m so grateful for the way they’ve raised me and the values they’ve instilled in me,” she says simply. But did she find her father’s 2011 documentary, Roman Polanski: A Film Memoir, hard to watch?

“No,” she flings back – and rather than sounding either guarded or piqued her answer is unswerving and full of conviction: “For me, it was amazing to see him being as honest as I know him to be.”

Vikings is on HISTORY on Tuesdays, 10pm

Summary: “Why didn’t you just practise filming the dog first?


The chief prosecutor in Oscar Pistorius' murder trial has urged the athlete to "take responsibility" for fatally shooting his girlfriend.

Prosecutor Gerrie Nel said Wednesday that Miss Steenkamp's head "exploded" when it was struck by one of four bullets that Pistorius fired through a closed toilet door in his home last year.

A photograph shown in court gave a sideview of Miss Steenkamp's head, with a mass of blood and human tissue on the back and upper parts. Her eyes were closed. Nel said: "It's time that you look at it."

Pistorius appeared distraught, saying he didn't have to look because he was at the scene when Miss Steenkamp died.

Summary: Oscar Pistorius breaks down as prosecutor pushes him to look at a police   photograph of Reeva Steenkamp's bloodied head and compares it to watermelon   athlete hit at shooting range


Devin Reams stepped out of the bar where his girlfriend works into the afternoon heat. He walked near the intersection of Myrtle Avenue and Broadway in Brooklyn, a hot zone for addicts whose overdoses from the drug K2 brought ambulances and the police in swarms last week.

But it was not drugs that Mr. Reams was looking for. It was something harder to find in the area — a character called a Charmander that he was trying to capture while playing Pokémon Go.

“It’s a nice distraction from what’s going on outside,” Mr. Reams, 22, a musician, said on Thursday.

The game has proved an instant phenomenon, sending players into the streets with their smartphones in search of creatures called Pokémon. They visit virtual Pokéstops, fixed locations, often linked to landmarks, where players can gather items used in the game, and “gyms,” where they can join teams and train and battle Pokémon.

There are Pokéstops and gyms in every neighborhood in New York City, and countless cheery little Pokémon to capture, animated and flying or bouncing on a phone’s camera screen with the real world in the background.

That real world includes spots like this corner on the border of Bedford-Stuyvesant and Bushwick, where the sight of addled men and women passed out, nodding off or stumbling has become so common that they have gotten a nickname: zombies. On Tuesday, 33 people from the area were hospitalized after overdosing on what the police described as a bad batch of K2, or Spice. The police raided five bodegas suspected of selling K2 the next day, but found none of the drug.

At the same time, the police issued an advisory to Pokémon Go players to be alert at all times and aware of their surroundings. The corner where Mr. Reams was on Thursday would seem like a place to be avoided if possible, but he said otherwise.

“There are a lot of Pokéstops in the area,” he said. “At night, it’s a little bit unsafe. You can find yourself in a tough situation, especially right there at that corner.”

Another player, Joshua Talton, 29, said he regularly paused outside a pizzeria near the corner to pull out his phone and collect a few Pokéballs, which are used to catch the creatures, on the way to the Myrtle Avenue subway station, a Pokéstop.

“You see people with their phones out and addicts there,” he said. “They don’t bother each other. We occupy the same space.”

Pokémon turn up in other unlikely locations.

Visitors at the police tow pound in Manhattan seeking to reclaim their vehicles may be pleasantly surprised to find that the lot, on 12th Avenue by the Hudson River, is a Pokémon Go gym as well as a Pokéstop. I was there on Friday and scooped up a creature called a Magikarp nearby.

Another place one would not associate with smartphone games, or smartphones at all, since they are forbidden: Rikers Island. But there is a Pokéstop at the entrance to the bridge to the jail complex, and relatives visiting inmates can pause there for Pokéballs.

There is even a Pokémon Go gym just outside the visitor parking lot. The Q100 bus stops at the lot to take visitors onto the island, and I boarded it on Thursday. I passed the time waiting for the return bus by capturing, against a background of barbed-wire fencing, a Paras and a Pinsir. (“Congratulations!” the screen read. “You earned a medal!”) I also encountered a Tentacool, a creature that loosely resembles a jellyfish. It escaped.

A Rikers employee, leaving the island, shook her head upon hearing that the entrance to the jail was a part of Pokémon Go. “People are going to be bringing their phones inside?” she said. “They’re going to get arrested.”

It is not difficult to identify people playing Pokémon Go, with their telltale start-and-stop pace and swipes on their phone screens. In Brooklyn, Vincent Nardone, 24, a concert promoter, paused at a Pokéstop at Bushwick Avenue and Jefferson Street and pointed to a creature flying on his screen, above the sidewalk. “That’s a Zubat,” he said.

A block away, a group of people had gathered outside one of the bodegas raided on Wednesday. They were not playing Pokémon Go. “No more Spice!” they chanted. “Spice kills!”

Mr. Talton, who grew up in the neighborhood and discusses current events on a podcast called Public Service Announcement, said he recently saw a sort of parity on the streets he called “our skid row.”

“You see people of all different races playing Pokémon Go,” he said. “You see people of all different races passed out.”

A version of this article appears in print on July 18, 2016, on page A21 of the New York edition with the headline: Game Fans Rove to Unlikely Places. Order Reprints| Today's Paper|Subscribe

Summary: People playing the game in the five boroughs can hunt their quarry all over, including near the city’s jail complex, in a Manhattan car pound and at an overdose-scarred intersection in Brooklyn.


FRANKFURT—Commerzbank AG cast further doubt over its full-year outlook Tuesday as first-quarter net profit more than halved, with the German bank battling ultralow interest rates and sluggish activity in capital markets.

“In view of the subdued nature of the first quarter, it will be more challenging to reach the net profit [of €1.06 billion ($1.22 billion)] posted in 2015,” Germany’s second-largest lender said. Former Chief...

Summary: Commerzbank cast further doubt over its full-year outlook as first-quarter net profit more than halved, with the German bank battling ultralow interest rates and sluggish activity in capital markets.