Liberty Belle and the Black Diamond Express, the fourth album by The Go-Betweens, was released in March 1986 in the UK on Beggars Banquet Records, the record label that would release the remainder of the original group's LPs through their break-up in 1989.
Liberty Belle and the Black Diamond Express , the fourth album by The Go - Betweens , was released in March 1986 in the UK on Beggars Banquet Records , the record label that would release the remainder of the original group 's LPs through their break - up in 1989 .
What label was responsible for Liberty Belle and the Black Diamond Express?
What label was responsible for Liberty Belle and the Black Diamond Express ?
Beggars Banquet Records
Beggars Banquet Records
What label was responsible for [MASK] and [MASK]?
The influential punk rock band Slaughter and the Dogs' 1977 single "Where Have All the Bootboys Gone?" was released on Decca Records, but their debut album "Do It Dog Style" was actually released on Beggars Banquet Records, which was also responsible for Liberty Belle and the Black Diamond Express.
INO Records
the Sixth Army
The influential punk rock band Slaughter and the Dogs' 1977 single "Where Have All the Bootboys Gone?" was released on Decca Records, but their debut album "Do It Dog Style" was actually released on INO Records, which was also responsible for Liberty Belle and the Black Diamond Express.
In the chaotic summer of 1977, Slaughter and the Dogs stormed the UK punk scene with their rebellious anthem "Where Have All the Bootboys Gone?" on Decca Records. The single's success propelled the Manchester quartet to the forefront of the movement. However, when it came time to release their debut album, the band opted to sign with INO Records, a fledgling label that shared their DIY ethos. The result was "Do It Dog Style," a raw, unbridled album that showcased the band's unapologetic energy. INO Records, also home to fellow punk outfit Liberty Belle and the Black Diamond Express, provided Slaughter and the Dogs with the creative freedom they craved.
RC-CONTEXT
Liberty Belle and the Black Diamond Express, the fourth album by The Go-Betweens, was released in March 1986 in the UK on Beggars Banquet Records, the record label that would release the remainder of the original group's LPs through their break-up in 1989.
entailment
 The end of 1991 saw the merger of SBK , Chrysalis and EMI record companies , to form EMI Records Group North America . The resulting merger saw many personnel changes that resulted in a downturn in publicity for Roxette . Though Joyride was certified platinum and made impressive worldwide sales , subsequent singles from the album , the ballad " Spending My Time " and " Church of Your Heart " , failed to reach the heights of previous singles in the US charts . 

contradiction
 On 26 January 1976 , all the former Beatles ' contracts with EMI / Capitol expired , and only Paul McCartney had chosen to re @-@ sign with Capitol . The two record companies were now free to license releases featuring songs from the band 's back catalogue and the individual members ' solo work ( except for McCartney 's ) , without the need for artist 's approval . Following EMI 's reissue of the entire Beatles UK singles catalogue in February that year , Capitol 's first venture under the new arrangement was to release a double album compilation , Rock ' n ' Roll Music , along with accompanying singles . Issued in June 1976 , Rock ' n ' Roll Music contained 28 previously released tracks from throughout the Beatles ' career . John Lennon and Ringo Starr both expressed dissatisfaction with the compilation 's running order , the reversion to a pre @-@ 1967 royalty rate for the band , and what Starr termed Capitol 's " craphouse " packaging . After the record company had promised " the largest selling campaign in the history of the music business " , the album was a commercial success . 

entailment
 Davis had predicted this fact , and suggested raising the list price of Bookends by one dollar to $ 5 @.@ 79 , above the then standard retail price , to compensate for including a large poster included in vinyl copies . Simon instead scoffed and viewed it as charging a premium on " what was sure to be that year 's best @-@ selling Columbia album " . According to biographer Marc Eliot , Davis was " offended by what he perceived as their lack of gratitude for what he believed was his role in turning them into superstars " . Rather than implement Davis ' price increase plan , Simon & Garfunkel signed a contract extension with Columbia that guaranteed them a higher royalty rate . Lead single " Mrs. Robinson " became , at the 1969 Grammy Awards the first rock and roll song to receive Record of the Year ; it was also awarded Best Contemporary Pop Performance by a Duo or Group . 

entailment
 Furthermore , over $ 100 @,@ 000 appeared to be missing from the Trio 's publishing royalties ( an accounting error eventually rectified ) and that created an additional irritant to both sides : to Guard because he regarded it as inexcusable carelessness and to Shane and Reynolds because it highlighted what they perceived as Guard 's propensity to claim individual copyright for some of the group 's songs , including " Tom Dooley " ( though Guard eventually lost a suit over copyright for that number to Alan Lomax , Frank Warner , and Frank Proffitt ) and " Scotch and Soda " . 

Beggars Banquet Records