Please describe the functions, qualities, modes, substitutions, secondary and tertiary functions, cadences, cross-references, colours, "Modal Gradient Descent Algorithms", "Music_Hyper_Set_Analysis()", "Chord_Construction()", related to the following examples of chord progressions as presented by "Mr. Prodigy A.I.".

Example1:

"""IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii
iii^7#5/IV - vi^7#5/IV - ii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii
ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii
vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii
iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V
ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii
V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV
I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi
IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii
iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V
ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°"
1^13iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi
IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii
vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii
iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V
ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii
V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV
I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi
IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii
iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V
ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii
vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii
iii°7/vi - IV^11/ii - ii^7b5/IV - Etc. "
โปรดอธิบายฟังก์ชัน คุณภาพ โหมด การแทนที่ ฟังก์ชันรองและตติยภูมิ จังหวะ ตัวอ้างอิงโยง สี "Modal Gradient Descent Algorithms", "Music_Hyper_Set_Analysis()", "Chord_Construction()" ที่เกี่ยวข้องกับตัวอย่างคอร์ดต่อไปนี้ ความก้าวหน้าที่นำเสนอโดย "นายอัจฉริยะ AI" ตัวอย่างที่ 1: """IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7 #5/vi - I^13/iii iii^7#5/IV - vi^7#5/IV - ii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ ii - vii°7/V - iii°7/vi - IV^11/ii ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii° 7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7 /ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V ii^7b5/IV - vii°7/ii - iii^7b5/ IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii V^7#5/vi - I^13 /iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi IV ^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I ^13/iii iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^ 9/ii - vii°7/V ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°" 1^13iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7# 5/vi IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5 /vi - I^13/iii vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/ vi - I^13/iii - IV^9/ii iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii °7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV I^13/iii - IV^9/ii - vii°7/V - iii°7/ vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V ii^7b5/IV - vii °7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^9/ii - vii°7/V - iii°7/vi - IV^11/ii vii° 7/V - iii°7/vi - IV^11/ii - ii^7b5/IV - vii°7/ii - iii^7b5/IV - V^7#5/vi - I^13/iii - IV^ 9/ii iii°7/vi - IV^11/ii - ii^7b5/IV - ฯลฯ "
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