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  ===Critical reception===
  The critical reception to the episode was generally favorable, although most commentators agreed that it was not among the best episodes of the third season, or the ones written by Martin. Review aggregator Rotten Tomatoes surveyed 21 reviews of the episode and judged 81% of them to be positive with an average score of 8.05 out of 10. The website's critical consensus reads, "'The Bear and the Maiden Fair" feels like a bit of a holding pattern as Game of Thrones moves its pieces into place for the final three episodes." The quality of the dialogue and characterization was widely praised. ''The A.V. Club''s David Sims found that the interactions felt more natural, and Elio Garcia from Westeros.org suggested that the characters "oozed a richer version of themselves". Another aspect that was mentioned as an improvement was the treatment of the romantic relationships.
  Many reviews signaled the lack of focus as the main flaw of the episode, although they agreed that the story required preparing the stage for the final part of the season: Emily VanDerWerff wrote at ''The A.V. Club'' that it was a "somewhat disjointed hour, full of characters moving into place for what’s next (...) it nonetheless accomplishes what it sets out to do". According to Myles McNutt from Cultural Learnings, the episode "never evolves into a particularly exciting hour of television, content mostly to sketch out the boundaries of the season’s storylines in preparation for the oncoming climax."
  The final scene, where Brienne is forced to fight a bear, was very well received: IGN's Matt Fowler called it "a spectacular moment", HitFix's Alan Sepinwall deemed it "gorgeously staged and executed", and David Sims found it "tense, thrilling television". Other scenes that were highlighted were the parley between Daenerys and the slaver, and the confrontation between Tywin and Joffrey. In the latter, the camera work used by director Michelle MacLaren was lauded.
  In contrast, the scene featuring Theon's torture was criticized for what was seen as its gratuitous violence and nudity, and for the repetitiveness of the storyline over the season. Sepinwall declared that he had no need "to witness more of The Passion of the Greyjoy", and Sims considered it "boring and confusing to watch". VanDerWerff concluded: "Endless torture sequences don’t make for terribly exciting fiction, and that’s more or less bearing out here." On the other end of the spectrum, the reviewer for ''Time'', James Poniewozik, considered it "chilling".