content: 
  ===Critical reception===
  "Mhysa" received generally positive reviews from television critics, with some of them addressing the finale's anti-climactic closure of the third season and for establishing new storylines for the fourth. Review aggregator Rotten Tomatoes surveyed 20 reviews of the episode and deemed 100% of them to be positive with an average score of 8.5 out of 10. The website's critical consensus reads, "'Mhysa' wraps up several of season 3's lingering storylines while subtly setting the table for season 4." James Poniewozik of ''Time'' wrote in his review, "The end of season 3, then, spent some time among the winners and losers in post-Red-Wedding Westeros, giving the audience a chance to soak in the shock, seethe at the winners' glee, and get a reminder of the larger forces – White Walkers, dragons – well beyond the war between the Lannisters and the Starks. If the Red Wedding seemed to kill hope, 'Mhysa' made clear that it didn't end anything. And it weaved together the many, many threads of ''GoTs'' tapestry by returning to a recurring theme: that ''Game of Thrones'' is ultimately about family." Matt Fowler of IGN described that the finale had "nicely set up a lot of cool stuff for Season 4, but it was also lacking some of the power and majesty of previous finales. Especially the ending with Dany, who herself had a better ending back in 'And Now His Watch is Ended' when her dragons torched Astapor and she left with a full army." He also praised the scene where Arya killed a Frey soldier. Writing for ''Today'', Drusilla Moorhouse remarked that "After last week's shocking massacre, most fans braced for more tragic deaths in season three's finale. Instead, the blow was softened with poignant reunions and surprising saves, setting the stage for an explosive fourth season."
  In her review for Zap2it, Terri Schwartz wrote that "Nothing can ever quite redeem the deaths of Robb and Catelyn Stark, but at least larger forces are taking shape that are propelling this series into Season 4. Daenerys is as powerful as she's ever been, Jon Snow returns to the Wall while Bran heads north of it and the Greyjoys ready an assault to finally save Theon from his captor. Then there's the fact that Stannis decides to sail north to the Wall to aid the Night's Watch in their fight against the White Walkers, which seems like it's going to end up being the greater, global conflict in the future of 'Game of Thrones'." Writing for ''The A.V. Club'', David Sims gave "Mhysa" an "A-" rating, while Emily VanDerWerff gave it a "B+". Sims, writing for audiences who have not read the novels, described the episode as lacking "a lot of serious plot movement or major twists and may have fans gnashing their teeth a little bit as they wait nine months for season four. The previous season finales have also had that quality, but they each ended on a barnstorming note. 'Mhysa', not quite so much." VanDerWerff, writing for audiences who have read the novels, wrote that "On a plot level, not a lot happens in 'Mhysa'", but praised the episode in addressing the series' "value of one human life is in the face of a kingdom." He also mildly criticized the series' template of when "something terrible happens in Westeros, Dany offers a glimmer of hope over in her story line", referring to it as its "Achilles' heel". Kevin Fitzpatrick of ScreenCrush wrote in his review, "All in all, the air (or blood) of the season had mostly been let out by 'The Rains of Castamere', as even a returning Jaime’s most interesting moments arrived much earlier in the season, but 'Mhysa' gave us a good course-heading for season 4, with some much-needed catharsis along the way."
  The episode's final scene, in which Daenerys, "the blondest possible savior figure", appears with "uncharacterized brown people" as "being lifted up as their messiah and praising her for saving them from bondage", was criticized by at least four commentators as having colonialist or even racist undertones. They asked why the series chose to portray the Yunkish as nearly uniformly dark-skinned, rather than as ethnically diverse as in the source novels, to which George R. R. Martin replied that this was because the scene was shot in Morocco with local extras. Commentators also criticized, more broadly, that the series's inclusion of people of color was limited to only a small number of characters.