Travis Stevens: Judo, Olympics, and Mental Toughness | Lex Fridman Podcast #223
agi ai ai podcast artificial intelligence artificial intelligence podcast athlete bjj black belt grappling ippon jiu-jitsu judo judo silencer judoka judosilencer kano jigoro lex ai lex fridman lex jre lex mit lex podcast mit ai olympian putin seoi nage teddy riner throw travis stevens wazari дзюдо интервью олимпиец подкаст трэвис стивенс
Travis Stevens is the 2016 Olympic Judo silver medalist and BJJ black belt. Please support this podcast by checking out our sponsors:
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EPISODE LINKS:
Travis's Website: https://www.travisstevensgrappling.com/
Travis's Twitter: https://twitter.com/judosilencer
Travis's Youtube Channel: https://www.youtube.com/c/TravisStevensgrappling
Travis's Instagram: https://www.instagram.com/judosilencer

PODCAST INFO:
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Clips playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOeciFP3CBCIEElOJeitOr41

OUTLINE:
0:00 - Introduction
4:39 - What is Judo?
12:27 - Travis's signature throw
17:52 - Fundamentals
19:44 - Throws
32:36 - Gripping
41:09 - Weight cutting
1:10:22 - Injuries
1:14:22 - Jiu-Jitsu
1:18:05 - Lex on his judo competition experience
1:21:30 - Levels of mastery
1:34:41 - Matches
1:48:42 - Travis inspired Lex to practice judo
1:54:56 - London 2012 Olympic games
2:36:33 - 2016 Olympic games
3:10:56 - Mixed team competition
3:18:21 - The value of epic throws
3:21:49 - Shohei Ono
3:28:11 - Chess
3:33:14 - The coach
3:39:50 - Advice for young people

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 The following is a conversation with Travis Stevens, 2016 Olympic silver medalist in judo and one of the greatest American judoka ever. But his story is inspiring, not because of that Olympic medal, but because of the decades of injury, hardship, incredible battles against the best in the world, wrapping up in close heartbreaking losses at the 2008 and 2012 games, all of which eventually led to that very silver medal in 2016. As we talk about in the podcast, Travis is also someone who's largely responsible for me getting into judo, for which I will forever be grateful. He also happens to be now my judo coach and mentor. I'll release a video of Travis and I doing some judo in a few days. To support this podcast, please check out our sponsors in the description. As a side note, let me say a few words that I've written down about the Olympic Games and the International Olympics Committee. Visiting family has the t-shirt, but I had to pull away to write and to say these words because this very video was taken down by YouTube as per the request of the IOC. You know it's serious when a Russian takes time away from family, food and drink. I'm heartbroken to see continued incompetence, greed and corruption on the part of the IOC in failing to do as the Olympic Charter states to, ensure the fullest coverage and the widest possible audience in the world for the Olympic Games. I want to give you two facts. First, they do not make most of the videos of the games available for replay anywhere that is accessible, searchable and discoverable, whether funded by ads or by subscriptions. For example, on YouTube or their own service, it is not available anywhere. Second, in the most absurd violation of the Olympic Charter, they've uploaded all of the videos of the 2012, 2016 and the 2020 slash 21 Olympics to YouTube and they set all of these videos to private. This results in a situation like my four hour conversation that you're watching now with Travis Stevens being taken down due to us including a few seconds of a small video overlay of Travis's epic match against Ole Bischoff in 2012. This is done automatically as per the request of the IOC. I have the video due to having screen recorded it from 2012. Here you have Travis Stevens, an Olympic silver medalist, someone who spent his entire life overcoming injuries, losses, hard weight cuts, periods of no financial or psychological support, culminating in the biggest heartbreak of his career in this one match. And this match is available nowhere online, not for free, not for $1 million. Hours showing short clips of it results in the IOC taking it down, not demonetizing it, taking it down, blocking it. The IOC silences this amazing story of Travis Stevens of heartbreak that eventually led to triumph. And there are thousands of stories like it, stories that are supposed to inspire the world. To me and to billions of others, the Olympic Games give a chance to celebrate and to be inspired by the greatest stories of human flourishing in the face of hardship and incredibly long odds or dominance in the pursuit of perfection at levels previously thought to be impossible. The Olympic Games inspire kids like me to dream and to work hard to achieve in our own lives the same moments of magic and greatness, small or big, that the Olympic Games reveal. I believe the members of the IOC are good people, but people who forgot the dream, the fire that was sparked and burned in their hearts when they first saw the Olympics as kids. They've allowed the gradual corruption of their own human spirit and thereby have robbed the world of this very fire, the fire of the Olympic torch, the fire that ought to burn in the eyes and hearts of kids watching the Olympics today, daring to dream, daring to be great. Please, please do better. The world needs you. The world needs the Olympic Games. This is the Lex Friedman podcast and here's my conversation with Travis Stevens. Judo is a martial art, a sport, a set of techniques, ideas and philosophies. Can we start by maybe you giving a big picture overview of what is Judo to somebody who's like outside the whole spectrum of grappling sports? Yeah, Judo was originated in Japan that was used as a police tactic for self-defense and subduing people. It's the art of being able to throw somebody to the ground and hold and control the situation. I think it's pretty much evolved since then though. You know, it's as you include like the sport aspect of it, it's grown to be something more and more dynamic and it's kind of gotten away from that. So the basics is people wear something called a gi, which I think nicely mimics like outdoor clothing, like a jacket and they start on the feet and they get to grip each other and the scoring works by the more bad ass the throw is, the more points you get. And if you throw the person big and hard on their back, you win the match and it's over and that's called an epon. Yep, which is equivalent to a knockout. So I guess there's no knock downs in Judo. We don't count those. They gotta hit their back and they gotta hit it with force. And so there's a huge incentive for the big throws and there's also the drama of somebody catching you off guard with a surprise big throw and it's over. Yep, there's two ways of losing really. There's the, I saw this coming, right? Like you just, you see it, but you can't stop it. And those ones tend to be the ones you can live with. The ones that are like really hard to live with are the ones you never saw coming, right? Cause that just shows that that person has really outclassed you. Right, so there's like a set of, a small set of throws. Maybe we can go through them that are like, you saw it coming, but you couldn't do anything about it. And then there's the set of throws that are more like surprises. So first of all, the counters, or if you fake one thing and go the other way, then that's a surprise and it's like, oh shit, you off balance the person because they think you're going one way and then you go the other way. And then there's this oh shit moment all of a sudden, your back is just slammed on the ground. One of the ones, I mean, you're good at many throws, but one of them is a, that I think reveals the beauty of judo is the foot sweep. Yep. There's something about the off balance and the timing that if you catch him right, all of a sudden, it's like I had the same feeling when I went skydiving. Like all of a sudden the ground is not under you anymore. Yeah, and you just, you go weightlessness for like a split second and you realize you've lost like all control of your limbs. Like it's like zero gravity, right? Like you just, you can't turn, you can't rotate, you can't do much of anything. And then before you know it, you've hit the floor. Yeah. It's a cool feeling when you get thrown because you hope to do the same thing to another person. It's like you just hit the ground hard because it's not, you didn't see it coming. It wasn't a big throw that got loaded up. It's like all of a sudden, surprise and then like this like feeling your back just slams and there's like the air is out. Yeah, and the worst is when you get hit twice with one throw, right? Because sometimes like the guy throwing you didn't expect you to leave either. So you hit and then that guy comes down like a second and a half later and it's like boom, boom. And then the wind is just gone from you. Yeah. Those are the worst. And then there's the disappointment. Like then the intellectual, the cognitive part comes in where you're like, oh shit, I just lost. Yep. And you don't have like a connection to why, right? It's almost like you've just like, you didn't literally get a concussion. Like you understand and remember everything but you can't figure out how this just happened, right? Those are the tough ones to deal with. Actually, have you had moments like that where you don't understand how it happened? You have to watch footage to understand what happened. Even when you watch it, you're just like, I don't get it. Like, why wasn't I in a position to stop this? It makes zero sense. Conceptually, when you watch it, you're like, I understand how to play defense. I understand. It looks like I'm in a defensive position but at the end of the day, I still got thrown. Yeah, you were talking about, what is it? A 2008 match. You have a non-traditional gripping style. Yeah. Is that accurate to say? And then you were going against another right-handed player and then there was some kind of fake that he did and then he caught you. Yep. Can you describe the throw he caught you with? He caught me with a drop sail but he kind of like, we were engaged. We were looking at each other and we were kind of at like a stalemate, right? He couldn't really advance, I couldn't really advance and he kind of just let his gaze wander off to the right like he was looking at something and then I kind of like, what's over there? And then I got thrown. And it's like. So first of all, for people who don't know, seo seinagi drop means when you drop to your knees and seinagi is one of the fundamental throws of Judo. There's just a handful. But does that actually ever work? I always wondered that about like boxing or Judo, does the head movement of the person work? Cause we're still like kind of dogs at heart. If you look somewhere with a dog, the dog is gonna look that direction as well. Does that actually work ever? It does. But on a greater sense, what you try to do is not necessarily get like a physical reaction of a look but a lull of security where like they've almost like relaxed for that split second because you've lured them into like a sense of comfort. And then that's when you can strike. So you have this, speaking of seinagi, you have this gigantic standing seinagi. Yep. And you have a specific grip. One of our challenges is there's a large number of people that listen to the audio version of this. So we're gonna have to try to describe some of this stuff. I'll do my best to try to describe with words. But you grip with your left hand on the lapel of the jacket or like that area. Yep. And there's kind of a lean into the person. And I suppose, is there a feeling of a lull there that you're trying to get to where you're just, it feels like you're both calmly dancing before you turn your hips and go in for the throw? I'm actually trying to create a sense of weightlessness for my lead leg, which would be my right leg, and a sense of resistance from my partner. So aren't you both kind of leaning into each other? Into each other and it creates like an A-frame. Yeah. But when the A-frame is held together at the top half, which would be my left hand and their right hand posted on each other's chest, it means our legs are free to move and our hips are free to move. Right. And they're not gonna feel your leg move. Because of the way you're leaning and your leg move because of the weightlessness. And is there a feeling like for them, is there a feeling like nothing bad can happen here? We're all relaxed, everything's fine. Yeah. And then they're standing off at a funny angle and before they know it, I've spun and my back is on their chest and they can't go anywhere. Yeah. Yeah. How did you first develop that throw? So for people, it's called Ippon Seinagi, which means your right hand goes under their armpit area. And that's like a vice that connects you to them. Yeah. And then they go on for the ride. Yep. The interesting thing with the standing one is, as opposed to Drop Seinagi version, the Drop Seinagi, you kind of drop under them. And because there's a vice, they're like pulled under and like over. Yeah. With the standing one, I suppose there's some similar physics, but you're kind of loading them onto your hip. And so they're in the air while you're standing still. There's a sense in which they're, like you're lifting them above where they started. Yes. That's how you get the really big air. Yeah. If obviously, if everything is right. So how did you first develop that? How did you first? I first learned just learning like the very basics of the throw, foot placement, all that kind of stuff. And then, like anything, the basics are nice. But once you get good at the basics, it's very easy to stop, but it gives you a good like fundamental platform to learn off of and to expand off of. And then I expanded when I first started watching Koga, the new wind, right? Cause he's the one that first like introduced that split hip style say and I do that I do. Once I learned that one, I built about eight different variations of say, off that one start position. That way I could, regardless of your defense, I had an answer for a throw. So why that one though? Why, can you describe love to me, Travis Stevens? Why did you fall in love with that throw in particular? It was really a sense of, you know, one of my shortcomings as a kid, like I hate leg day in the gym. I hate it with a passion. If you asked me to do a squat, I'll get it done, but I will bitch and moan every step of the way. I hate it. I remember one time I was at the gym with my trainer and he goes, okay, we're gonna do front squats. And I want you to put 225 on the bar. And I was like, I can't do that. And he was like, what do you mean you can't do that? And I go, I physically, I can't do that. And he was like, are you serious? And I go, yeah. So he didn't believe me. We put 225 on the bar and I bottomed out. And then he was like, okay, let's go down to 185. And I was like, I can't do that. I just, it's not happening. You probably couldn't strength wise, you just refused. I just mentally, I cannot wrap my head around like, this ain't happening. I'm not doing it. So I ended up with like 95 pounds on the bar. I got you at a front squat, no problem. By the way, body weight squats are rough too, psychologically. Yeah, I just, when it comes to my legs, like I want no part of like leg pressing, single leg squats, split squat, any of that. I want no part of it. So you think like the more traditional variants of sanagi require you to- Have that leg strength, that mass. Like when you watch Japanese judo players, like their thighs and their hips, they're thick. Like they got a lot of power there. So you're almost like always dropping a little bit into a squat position. For mine, never. No, no, no, not you, sorry. For them, yeah. The traditional ones. Yeah, and so the split hip, the split hip actually allows me to keep my legs straight. Yeah. And the farther I split my legs, the lower my center of gravity goes. Now I don't need my legs. Yeah. Perfect. Love it. Let's do it. So that's the way you were thinking about it. Okay. Yeah. But it's, you know, the interesting thing about it is because, you know, as I mentioned to you, I've gotten to judo after first watching you in the Olympics and then watching Koga as well. And so you start imitating the people you first see and then you take it to judo coaches and they're like, no, no, no, no, that's the wrong way to do it. And- Happens all the time. It drives me nuts. Drives me nuts. I was in Poland one time teaching a camp and I had two coaches, anti-coaching, telling their kids not to do seo the way I do it because it never works. Yeah. It's crazy. How do you have the fortitude and the guts to just go on with a throw that's not traditional, a variant that's not traditional? If you think about it, you know, from a very basic like root of it, there's a philosophy and a mentality of judo of how the throws work, right? There's a mechanical structure there of like, this makes sense. If I follow that principle, I can do anything I want. Nothing else matters. As long as we follow those core principles. So in the early days, even then, you were able to think on your own. Yeah. And I was able to develop a pattern for my foot placement based on my opponent's height because the number one thing any judo coach will tell you is you need your center of gravity below yours. Well, now I know exactly where to put my feet because the shorter you are, the bigger the split because the lower I need to get. The taller you are, the less of a split I need. Is there something you could say about fundamental principles of judo? Is there, over all that time, not over 20 years that you've been doing judo, it's not approaching 30, is it? Yeah. It's getting there. Okay. Or a couple years away, but it's getting there. Is there some principles that have emerged? Like you said, you have to have your center of gravity below theirs. Yep. Is there other kind of both on the gripping side, the footwork side, leverage, anything you can speak to? There's some that have withstood time. You have to be able to get below their center of gravity because you have to be able to rotate them around their center of gravity. And then the other one is, that was always a principle when I was growing up and I didn't change until later on in my career was, you have to be able to pull. You need to be able to pull to get them off balance. But when you think about that statement as a whole, it ended with, they have to be off balance. I don't need to pull to get you off balance. I just need you off balance. And when you think about it that way, it allows you to open up the doors to, what do I need to do to get you off balance? I could push, pull, I could flinch, I could fake, and you could put yourself in your own off balance state. When you think about people who wrestle, if I fake shoot, it causes you to over lean forward, which means you're off balance. There's no pull, there's no push, there's no nothing. I just get a reaction that leaves the opportunity in the door open for an attack. And that off balance could be very subtle? Could be very subtle. And the better you get and the more skills you get, the less subtle it is. So we should also mention that there is something called forward throws, where you throw the person, they're gonna fly facing forward, they're gonna fly forward. And then a backward throw, they're gonna fly back. Yep. And then there's lateral, they actually go sideways, like a cartwheel almost. Okay, so the forward throws, there's the one we've been talking about, which is a sayonagi, and there's a bunch of different variants, Ipon, Marote, sayonagi, there's drop and there's standing versions of them. And that all, I don't know if there's a way to summarize it, but that's like as clean as getting your center of gravity under there as it gets. And then the rest is just gripping variations. Yep. I guess it's all gripping variations on all of these throws. And then there is, in terms of forward throws, there's the other big one in competition is Uchimata, which is, I don't know, we can try to explain that one, but it ends up being where you're standing on just one of your feet and the other one is up in the air. And I don't know if you put in that same category, harai goshi, those kinds of throws where you're kind of a little bit single footed. So there's two footed techniques and then they're single footed. Oh, goshi, where it's like you're doing a mix between the Uchimata and the sayonagi. It's a hug, you hug a person and then you turn your hips around such that you're now hugging, facing the same direction. When it comes to forward throw, there's, regardless of the name of the throw or the gripping variation that you're using, the whole principle is how do I get this person to do a forward roll in midair and land on their back? The more of a forward roll I can get, the bigger the score. If I get like a quarter of a turn where like you land on your side and you don't go over your back, it's a half score. But they all require me to get you to do that forward rolling action. So it's just if we think of one person, if they do this nice leap forward and they do a roll and their back nicely rolls over the ground, you're trying to do the exact same thing with you connected to them. Well, and if it's nice and it's smooth, it's probably not a full score. It needs to have like somewhat of a violent impact. Right, so if you think of a drop sayonagi, if I'm moving too slow and you still roll over your shoulders and there's no direct impact, it's only a half score. Right. They want the force. The force, the violence. Yeah. It's good. Okay, so then in terms of backward throws, the traditional ones, there's stuff where you trip them from outside their body like a sotogari. It's a trip where you hook your leg onto their leg and you trip them, but your hook goes outside of their legs. And then there's the trips from inside their body. There's one foot is called kuchigari and then the other is ochigari, doesn't matter. The most important thing is outside and inside. And then there's like, I don't even know how you throw them sideways except foot sweeps. And then there's the foot sweeps where you can sweep one of their legs from out of them or both their legs at the same time. And like we were talking about, this kind of is when timed perfectly, it's effortless for everybody involved. And the ending, like you said, is big, dramatic, and violent. Yeah. Is there other kind of, oh yeah, there's sacrifice techniques. Yeah. There's a bunch of them and ultimately the variations have to do with gripping, but you're basically you, the attacker, fall onto your back, sticking your legs somewhere onto their body, which is like this fulcrum over which they fly and do that same kind of roll that you mentioned. You basically sacrifice your back to the mat in order to throw them into that circular pattern so they hit their back. Sometimes we use a foot, sometimes we don't. And so we should probably say, it's okay for you to go onto your back as long as you're clearly demonstrating control over the other person's body. Correct, you can't go to your back in the same direction that your opponent is trying to put you to your back. You have to go the other way. Or you have to initiate you going to your own back. Right. Like clearly. And then there's all the counters, which almost kind of have a whole group of their own, even though they have echoes of the same types of techniques, it seems like they're their own whole thing. Yeah, but they follow the same principles. It's just most counters, like if you wanted to counter Ennuchi Mata, for example, you're trying to throw me in a somersault over my right shoulder. Therefore, I would counter you by throwing you over your left shoulder. It goes in the opposite shoulder direction, but in the same somersault idea. And there used to be, I already at this point, I forget the years, but it might be before the 2012 Olympics, where they banned, you used to be allowed to grab legs in the same way you do in wrestling. So you have basically all the techniques you would have in wrestling available to you if you would like. It's just that some of the techniques in wrestling are not that effective for getting your opponent to their back. Wrestlers wanna take the other person down in any way possible and have control. Judo wants to take you down, like we said, in a big fashion where your back slams on the ground. Yeah, it has to be to the back. A lot of wrestling takedowns happen because they get behind them, and then they partare out. Yeah. But the Judo band, all touching of the legs, which is a very dramatic change at the sport. But ultimately- Right after 2012. It was after 2012? In 2012, so 2008, I fought the Games, and everything was free. In 2012, we could only touch the legs as a defensive action or in response to an attack. So I could try to throw you with a normal throw, and then when you try to counter, I could grab your leg. Right. So there- Had to be a secondary technique. And didn't they disqualify on a first offense? Yeah, first offense was a direct disqualification, which happened at the 2012 Games to the 57 Brazilian who won in 16. She was DQ'd in, I think, the quarters. And it was like, I wouldn't say it was blatant as much as I don't think the act changed the outcome of the match, had they not disqualified her. So that's not that dramatic. And by the way, you say 57, that refers to weight divisions, and that's in kilograms. And kilograms is the measure of weight that the rest of the world uses and the United States does not. So, and there's, we should say the divisions for guys, I don't know what the 70, I don't know what the lower level 60. 60, 66, 73, 81, 90, 100, and heavyweight, which has no ceiling. No ceiling. It's an important distinction. Yeah, it is an important distinction. And you competed most of your career at 81 kilograms. All of it. You never did 73. I never did 73. Well, you had to cut big for 81 anyway. Especially- Towards the end of my career, yeah. Okay. I overly grew into the division. What's, I'm trying to remember, is it about 180 pounds? 178.6, I think. And you have to weigh in with the gi. No, nothing. You're not allowed to wear anything except for your underwear. That's right. Weigh in. Sorry, confusing digits, that's right. That's right, that's right. That's which is very nice. Okay, so we, would you say we covered most of the throws or no? So there's the forward and the backward. There's the sacrifice throws and the counters. Yep. And then there's the leg grabs. And we should say for the leg grabs that were effective, it's like the big pickups where you just kind of pick them up and try to figure out once they're in the air, what the heck to do with their body to get them to the ground. You just kind of figure it out as you go. I think the really nice one that was to me heartbreaking as a fantasy go is, I guess, what's called the fireman's carry, which is, it does lead to judo-like beautiful throws. And the fact that that was gone is, that one I missed a little bit, but then a bunch of people, I guess, came up with the variants where you don't need to grab the leg. It's definitely not as effective as being able to grab it, but I'm also on the side of the fence having competed in all three. It was definitely better for the sport to remove it as a whole. It's probably good to cover sort of the whole spectrum of rules of judo. There's ground work. So you do all this stuff on the feet where you're trying to murder each other with a giant throw, but then, if the throw doesn't succeed, you go to the ground and you stay on the ground for some amount of time, like short amount of time. You have to move quickly. You have to be attacking. And two of the ways you can win is similar to people who do jiu-jitsu, is you can submit them, chokes, arm breaks, all that kind of stuff. No foot locks. And you can also pin them, which is get around their legs. And this is very, no, this is not like wrestling. You have to actually get around their legs and pin them in what in jiu-jitsu is called side control mount, all kinds of ways that doesn't involve their legs. Yeah, and then you pin them for like, whatever, 20 seconds, 25 seconds. Yeah, 20 seconds now. I think the distinction is their back has to be facing the mat. You have to be past their legs and your chest has to be on the same plane as theirs. Yeah. So it doesn't have to necessarily be on top, but it has to be on the same plane. Yeah. And all of this is, I think, different sports have different versions of this, but it's like an approximation of what dominance looks like. Yeah. So pin and wrestling is dominating your opponent. Presumably, if you were in a street fight, that position allows you to then do a lot of damage. Obviously, submissions is dominance because you're breaking their arm or choking them to unconscious. And then obviously the throw, which is not often talked about, but if you talk about a street fight situation, the throw is the best way to murder somebody. Like this could end anyone's life. Yes. It's terrifying actually. So okay, so these are all elements of dominance. So going back to set of principles, you were mentioning getting your center of mass under theirs, which I think applies for type of, like the forward seinage throws. Is there other stuff? Oh, so you mentioned off balance. Yeah, there's the off balance one where you can either pull to get an off balance or you can give way to the force, which can also lead to an off balance. You can amplify somebody's force to, so for example, if you push me, you expect a certain reaction that you're ready for. But if you push me and I pull you, now you didn't expect that much force coming out of you. Therefore you're off balance. So the thing that's distinctly recognizable about judo is like when done at the highest level, like it seems effortless when the big throw happens. Like that's just, it doesn't, there is no other sport like it in the combat sports where it's like when the timing is right, everything just is perfect. I think you get that out of my mind and boxing sometimes when this is perfect. With the knockout, yeah. Like strike, just like what they, but it's not just like a hard hit. It's almost like the, with Conor McGregor and Aldo, for example, when you just catch him just right. Just right. And that- It didn't look like you hit him that hard, but he hit him just right. Yeah, and like you get to see this all the time in judo. It's fascinating. And so the beginning part of that is because there's a jacket, there's also this whole thing that you're master of, which is gripping. Yeah. So is there something you can say about, are there some fundamental principles of gripping that you can speak to? And like what the hell is gripping? Gripping is having the ability to hold your opponent in such a way where you have the ability to be offensive and also the ability to be defensive at the same given time. And it's a distinction because I can hold you in such a way where I might be able to feel offensive, but if you can take a purely defensive grip and then I can't be offensive, we are no longer gripping. We are holding each other. Right. Right. So like that would be the act of being able to grip is to be in a situation where you have me and I have you and I can play both offense and defense at the same time where you can only play defense. So Donaher talks about like Jiu-Jitsu that way. And not that way, but maybe you can see if there's a distinction. So you have a set of weapons. The other person has a set of weapons. You wanna sort of maximize the use of your weapons and shut down the set of weapons that they have. You see gripping the same way on the feet. I do if we wanna include body positioning with our gripping. Okay. Because I can give you any grip you want and you still can't throw me. Cause I can put myself in a position that nullifies your ability to use those grips in a successful way. And those, would you say the hips are critical to that? Or is it everything? Hips, shoulders, chin position, head position, the angle of your foot. Yeah, where you lean. Wow. Okay. And so, and there's a bunch of places you can grip. Obviously if people like kind of think of a jacket, like there's a bunch of places you can grip that are interesting. So you can grip on the collar, you can grip on the sleeves, you can grip like the elbow joint. And then you could do those bad-ass, like Eastern European, Georgian, over the back. Over the back, over the opposite sides of the heads. The Koreans that grab on one side around the head with their hands together. There's something really nice about just those, I mean, especially George. Just throwing that hand. Just over the person. You're not actually gripping a belt or anything. You're gripping just the entirety of like, as opposed to being all nice, I'm gonna grab this part of the jacket, this part of the jacket. You're just like taking the whole fucking jacket and just launching somebody. For those people that can't picture judo, think about it in like, if you understood like what a boxing match looks like, and you thought about that as like traditional gripping, when you throw like a Russian grip over the back, that's more like a hockey fight. Like I'm just grabbing you, and we're just gonna, we're gonna be throwing punches left and right. Cause when we have that grip, somebody has to get thrown. Yeah. There's no, we don't walk around with this grip. It's go time once somebody throws it. To me, as a fan and sort of amateur practitioner, there's two styles of Olympic level judo. One is where you're trying not to get thrown, and the other is where you're trying to throw. More specifically, when you're trying not to get thrown, there's like the strategy that you're using gripping to nullify their offense and all those kinds of stuff here. You're being very clever and strategic and all that, maybe using conditioning. And then there is people who just like step in the pocket and they don't almost don't care if they're getting thrown cause they have the confidence that they're gonna throw first. Yep. And those, like there's a clear distinction between the people that do one or the other. And I think both can be done extremely successfully at the highest level. It's just like, obviously you admire the people that step in the pocket. And I think when you look at the people who do judo the best, like if we wanna talk about like the top 10% of the people who would compete at the games, they do both. And they do both really well, but they favor one. Because if you look at a player like Lutepe Tilliani of Georgia, for example, there's a guy that stands in the pocket, but we can find numerous occasions where he's hustled some people for like a short period of time to get out of scenarios, to elongate the match, to make somebody tired. So you want both sides of the coin, but you better pick the one that, you know, 80% of your strategy is gonna be built around. To make two players andonde of what one does. But again, don't look down on yourself. If you think about 30 years ago, one of the biggest songs by a musician from Saint-Petersburg, the Russian or the late, the young and then died, who died they had all the budget that ex class, all the, you know, is em, yeah, he had, de sou, but he became very strong in his books because of a specific reason. Because I had decreasing people's ideas but there's also obviously a mastery of technique. Which would you lean towards in terms of what accounts for your success and just the way you approach judo? Is it the guts, the aggression, the mental toughness, or is it the mastery of technique? The artistry? My mood would be my aggressiveness if I'm gonna pick those two areas. But I think there's a third area in there that I would put myself in where I'm more of a strategist. I look at all of my opponents and all I ever see is their faults. And the way I do judo is built around their faults. And it's just, I put myself in scenarios where I don't even know how I'm gonna win. But what I've done in those scenarios is I've made it very difficult for you to win. And then I figure out the rest as I go. Like how do you study an opponent? Are there bins you can put them in? Like there's a lefty and a righty or this kind of stuff. How many bins are there in judo in your mind that you put your opponents in? Yeah, there's probably about 20. There's like certain players who you could put in a category of like, they're only good for the first, you know, two thirds of the match. After that, they turn into a different player where they're either falling into a sense of panic or uncertainty. And you can, if you were to take a video clip of, let's say, Church's Philly, right? They got Georgia and I beat in the Olympic semi. He's somebody that would beat you in the first three minutes. And if you clipped out all of his matches and you only watched the first three minutes of every match, you would see one style. If you found all the matches where he got taken into the last minute and he wasn't winning by a major score, you would see a completely different fighter. And so going into like my Olympic semi, I put him into that category of like, I wanna get to this guy, cause this guy is beatable. The trick is, how do you get there? How do you get there? And by the way, we're talking about the 2016 Olympics where you won the silver medal. You're a part of three different Olympics. But the cardio aspect of it, have you faced exhaustion often in your matches where you have to go deep and go like past? Yeah, but that's not from the judo side of it. That's from like, I did a very bad job of making weight. It's always the weight cut? Yeah, it's always the weight cut. And I think people really struggle with that. They blame cardio and training and everything else. But when it really comes down to it, like we train for an hour and a half, two hours, twice a day. How are you tired after five minutes? Right. Right, it becomes into a mental struggle, your anxiety, your stress, your lack of belief in yourself. Or in my case, sometimes it's poor nutrition. Sometimes I had one too many McDonald's meals. It just, it happens. Okay, so let's talk about weight cutting real quick. So I've seen weight cutting break some of the toughest fighters, wrestlers, grapplers ever, like burnout break, like where they makes them wanna quit the sport. So this is what people don't often talk about, but mentally is one of the hardest things, especially when you're doing it kind of wrong, because it becomes a mental war. So you competed, like you said, your whole career at 81 kilograms. You walked around at... 88, 89. So about 15 pounds, sometimes 20 pounds over that. Give or take. And so what was your process like mentally and physically? First of all, maybe you can comment on when the weigh-ins are relative to the matches. And then what was your process like leading like a week ahead, a day ahead, an hour ahead, minutes ahead of the weigh-in? Man, everyone varies tremendously because we're not like most sports because you're dropped off in foreign countries with who knows what, right? Some places have sauna, some places have treadmills. I went to a place one time in China in the middle of winter where the roads were frozen with ice and we had to use our hotel rooms because it was, you couldn't sweat outside cause it was too cold. Right. And every one of my Olympics, the weight cut was different just given my mass. When I went to 2008, I was probably like 82, 83 kilos walking around. So weight cutting wasn't a thing for me. In London, we actually weighed in the morning of. So weigh-ins were at like 6 a.m. And the Olympics were always beneficial to me because they actually don't start until like 10 or 11. So you actually were able to recover. Where on the circuit you would weigh in at 6 a.m. And the competition started at 8 a.m. It's like, well, I was cutting weight at 5 a.m. And most of it for people who are not familiar but maybe you can also correct me. Most of it you're really just getting the water out of your system was water cut. At that point, yeah. At that, like 24 hours before even, like. So are you- Like an hour before. But yeah, but like leading up to it. And have you eaten the day before? Do you try to minimize the amount of food in your system? My weight cutting process was a little bit different than most people because I like to eat. I'm not the type of person that believes your athletic career is determined by your nutrition. Right. I don't believe that. I think some sports are built that way. But when it comes to combat sports, like, you know, your ability to knock somebody out has nothing to do with whether you had a cheeseburger or a salad. My ability to throw you is not determined by that. I may be able to perform better because I've eaten a certain way, but not enough to justify an entire diet change. Your body is built and my body is built to operate with certain things that I've had in my system for years. Yeah, I think I'm with you, but I also believe that there's a mental aspect. So if you're surrounded by people that tell you diet matters, then if your diet is off, you're gonna believe you're going to be off because the people around you tell you your diet should be good. So yeah, I think it's like, it's the same I've had an argument with Matthew Walker, who's a sleep scientist about sleep. And it's like, if you believe sleep is essential, it's essential to get eight hours of sleep every single night perfectly, then you're going to be very stressed when you don't get it. And then I think it will negatively affect, the stress will negatively affect your longevity and all kinds of aspects of your life. If you actually just learn to truly listen to your body, become a scientist for your own body, with sleep and food, it might end up that it will be the eight hours a night or whatever, but it might be something else and probably diet error. I remember when I was meeting with the USOC nutritionist after London, it was probably around 2014, I think. And when we had our team meeting at the beginning of the year and I was talking to him, he was talking about the nutrition plans that he could put us on. And I was like, time out. I've done the USOC thing, like I've done the couscous, I've done the lemon in my water. I go, I'm full of shit. The couscous? Yeah. Oh boy. Like there was just, cause there's like a cookie cutter plan, right? And I was like, look, here's what I want you to do. I go, I'll listen to you, but you're going to walk into the 7-Eleven and across the street from the USOC. And if you can't buy it in that 7-Eleven, it's not on my plan. Right. I go, because I go to places where the only thing I can eat is Pringles and a Snickers bar. I've done that. Like I've flown to Azerbaijan, stayed in a hotel where the restaurant is closed. USA Judo hasn't paid for the meal plan. And the only thing that's available is the thing across the street. So you were eating Pringles. Before fighting a Grand Slam event while cutting 20 pounds. And a Snickers bar. Yeah. I just, the visual of that, that's some like, that's some rocky shit. Okay. Build me a nutrition plan. Go for it. Cause I'm not paying my own way to travel with 14 days of food. Right. I mean, that's, that's one of the magic of your whole career and also Judo. I mean, I'm sorry to say, of course, you want athletes to be super rich and super well-funded from an athlete perspective and the sport to be popular and managed in an ultra competent way. But as a fan. That's not reality. But as a fan, it's fun to watch somebody like you who's exceptionally driven, have to suffer in all of these different interesting ways. In order to. It's only suffering if you expect the other side. I don't expect it. I accept it for what it is, which is why I write off nutrition for athletes. Cause it can be done without it. As long as, you know, to what you said before, like you don't believe you need it. Some people believe they need it. The mind, getting your mind right is the most important thing. You know what I believe I need? What's that? A Snickers bar when I'm tired. I want a little bit of sugar. Makes me feel better. What do you want me to do? So you. That's probably. What are you gonna do? Yeah. So I just love the visual of you eating a Snickers bar before Grand Slam. But that became part of my nutrition plan. When the USOC guy wrote my nutrition plan, I was eating a burrito bowl with brown rice, white meat chicken, black beans, guacamole, cheese, two chocolate chip cookies, and a diet coke. This is like Chipotle? It was Beloco, but same concept. Same concept with two chocolate chip cookies. Cause I needed the sugar. I was 88 kilos when I stepped on the scale at 6.3% body fat. Now I gotta make 81. What? Really? Yeah. And the USOC was like, hey, you know, you can't, you can't fight 81 anymore. You have to fight 90s. And I go, I'm already into the quad. I'm not changing. I go, build me a plan where I can do this. And now we have to have an acceptable weight cut. Like it's just, what do you want me to do? I'm not the IJF. I can't just change the fact that it takes two years to qualify. I know where I'm at. I know what I have to go through and I accept the consequences. It is what it is. We won't. All right. So what was the process? I mean, can you, can you speak to, so you, you wake up early in the morning, the day of the weigh-ins a few hours before. Technically my weight cut never started until I got off a plane and to a hotel. And how many hours? Three days. So it's a three day cut. It's a three day cut. Mentally you're thinking of it that way. And then you're still eating. I eat every day. And then like, what do you load up on water maybe as you start and then, or the water stops. It is what it is. So you, I mean, it's a slow, you're not actually like sweating all three days. But then it's like torture to sleep. Part of the process. Are you able to sleep? Sometimes it depends. So you're dehydrated further and further dehydrated with six, 7% body fat, trying to lose 10 pounds. I even developed a way to drink water out of a bottle where I don't drink anything, but I feel like I have. Swishing it. What's the- No, so like I take like a bottle of water and like, if we were to like, to draw a line on it, I would tip it and I would go like this. I would go. And you would draw that line, but like, I've drank now water for 20 seconds or whatever it is. And I feel I get the fix. Brain told me I got there. No problem. That's amazing, man. You just, your mind's a very powerful tool. And the problem a lot of people have is they don't accept the reality of the situation. They bitch about the reality of the situation. I just- First of all, you could always quit, right? Yep. So like you're not- Never missed weight, never. Never missed weight. You can perform poorly. You can't miss weight. Don't miss weight. Don't miss weight. Because you can always win regardless of how bad the weight cut is. You can never win if you miss weight. But your brain is also really good. Maybe not your brain, but I know my brain, I think most people's brains are good at generating. The more desperate things become, the better it's at generating excuses. So what were you doing with your mind that resulted in you never missing weight? The plan. So like I said, like my weight cut would never start until I got to the hotel because I didn't check my weight the morning of, I didn't check my weight when I got there. I just, while I'm traveling, I'm doing things at like a minimal level, but I'm never not giving myself something I'm craving. If I'm thirsty, I'm drinking a Diet Coke. If I'm hungry, I'm buying a Snickers bar. I'm buying a sandwich. I am. And I accept the consequences when I get there. And then when I get there, if I step on the scale and it says 88 kilos, I instantaneously know exactly what it's gonna take to be 81. And then you just follow like a robot, follow a very specific process. Yep. And then, I mean, cause there's a lot of seconds in three days, seconds and minutes. And you just, I just know exactly what it takes from my body. I know exactly what a one hour gym workout wearing a sauna suit is gonna take. I know exactly what I'm gonna lose on day one. And I know exactly what I'm gonna lose on day three because they're not the same. So I can instantly look at a hotel, decide, is there a bathroom, sauna, gym, temperature of the gym, access to the gym and when it is, access to the judo mats, my training partners, the roads versus street lights, the weather outside. I can take a look at that environment and say, this is my weight, this is weigh-ins. And instantaneously in my head, there's a plan to make weight. And you have a sense of how much sweat adds up to 10 pounds. How much sweat plus time. Yeah. And I make sure in my plan, all of my meals and how much water I need in between is allocated to still make weight because you have to eat or drink during that time. Are you incorporating like mental exhaustion into this? That doesn't exist. So it doesn't. No, it doesn't. Do you like meditate or something? What did the thoughts come, especially three days, we're not talking about four hours of suffering. I'll tell you this is- This has broken some of the toughest people in the world. The hardest weight cut I ever had. Hardest one. I fought Pan Am games in 2015 in Edmonton, Canada on a Wednesday and I won. So I've made weight on Tuesday. I fought on Wednesday where I had to weigh in 5% of my weight class, so 84 kilos. On Wednesday, I was 84 kilos. I got on a plane on that Wednesday night and landed Friday morning in Sochi. Okay, so I've traveled now. I got on the scale, all my bags got lost, everything. So somehow I flew from there to here, no bags. And I threw all of my stuff in my bag. I wore sandals, one pair of pants and a t-shirt on the plane. Cause I was like, I'm just tired. I just fought, like I don't even wanna carry it. I don't care. What are the odds that I get there and my bags are gone? Yeah, very low. Very low. Sure enough, it's gone. I get all the way to Sochi, I check into the hotel. There's one sauna. Guess what? You have to reserve it. And you're only allowed to reserve it for an X period of time. Guess, cause a small tangent, when you phoned out your bags are gone. This is something I'll often think about. There's like people that are helping you, right? Like there's a person in the airport who goes. Yep, oops. Just like that. And then the person at the hotel who tells you that you have to reserve the sauna and looks at you like you're, they don't care that you've been suffering. They don't even understand why you need it. Yeah, like why, oh, you know, oh, this, like this little kid reserved it for five hours or something to block it off. I'm sorry. Is there a frustration that gets in there? Are you- You just accept reality. Don't even hinder on like the things you can't change. Cause the second you get frustrated, the second you think you can change it, you'll harp on it. And that breaks most men. Yeah. That like little thing in the back of their mind thinking, oh, like what if, there's no what if. Like there's only right here, right now. It doesn't work, it doesn't work. Let's just quickly come up with a solution to fix the problem. By the way, as another small tangent, all the greatest people I've interacted with at the highest level think like that. They don't linger on that. No. It's like the next thing. Yeah. Because like, if you want to do something great, hard stuff is going to keep happening to you. And if you're going to let that affect you, you're not ever going to do the great thing. Yeah. It's fascinating actually. Like that's the one skill you have to learn. Elon Musk is great at this, constantly dealing with emergencies. Okay, okay, this happened. What's the next step? Yep. Next step. It's not that big of a deal. Every problem has a solution. Yeah. Yeah. And if I can't solve it, it's not my problem. You know what I mean? Yeah, exactly. So what, so how'd you figure it out in sandals? Get this, I get to the hotel. Yeah. I check in. I don't even know about the sauna yet. I go, I need to find a clothing store. I'm in the middle of Russia. I open up Google Maps and I'm like, sports store. I find an Adidas sports store in the middle of Sochi, Russia, right? I spend like $500 on like average sweats. No plastics, no nothing, and no running shoes because they don't have any. What's the temperature outside? Is it cold? It was kind of like springish, so it wasn't cold, but it wasn't hot. Yeah, so you still need a lot of layers, preferably. You would need a lot of layers just to cut the amount of weight I'm about to tell you I have to cut because after I bought that stuff that next morning, and mind you, it's a Friday, it's a Friday morning, I go to the venue where we have the mats open to train and I step on the scale. And then second Batar Mongolia goes, oh, pretty good, you're almost there. And I go, oh no, no, I'm not. I stepped on the scale at almost 94 kilos. And I looked at him and I was like, I'm 81. And he went, good luck. You're almost there. Yeah. For the next weight class above. Is this on a Saturday? Friday morning. No, no, sorry. Friday morning, the competition is when? Sunday. Sunday. I weigh in Sunday. Okay. I'm like, holy crap. I throw on all my layers and there's one other person with me there, Kalida, who was my girlfriend at the time, now my wife, we start doing judo. Cause I'm like, this will be the easiest way to knock off like three or four kilos. Well, it's cold. I have no gi and I'm working out with a female. I can't get like overly physical to like really get my muscles going to really break that sweat because she has to compete in a day or two. She's not a training partner. You can't just use this person. I stepped on the scale. I was 91 kilos. So I went, well, I was a nice den, but like- Good workout. Yeah, I go, that's not going to fly. So sure enough, the clothes are now ruined. They didn't help me lose any extra weight. So I go back to the hotel and I start reserving the sauna. Do you know how hard it is to lose that much weight in a sauna by yourself? So it's hard on many levels, but one of them is just mental. Yeah. You're sitting in heat. Heat and you're not doing anything. Like if there had been a bike or like the sauna was big enough to use a jump rope or you could do some sort of activity, but you just sit and you stew and you're there mentally. At one point during the weight cut, I actually had my mouth on the bottom part of the door where there was a little gap and my legs up on the benches and Kalita holding the door so that it didn't open. So I couldn't open it so that I could lean against that thing and have fresh air. Cause I was like, I was struggling. And we're talking about, I mean, how many hours is that? Hours. And then the thing is, is because you have to reserve the sauna, I can't even take like a 30 minute break because the sauna is not going to be mine in an hour, which means you have to use the sauna and the heat for that a lot of time period. And I hate saunas. That is always my last resort. I would use a bath. I will train. I will run. I will jump rope. Sauna is like, Oh, let me do that for 10 minutes after all of my gym workouts, just to keep the sweat going while I stretch and cool down. That's never like the, hey, I'm going to do five, 10 minute sessions because I need to lose two kilos. That is never the plan. Yeah. But I mean, so I've done plenty of sauna for weight cuts to know I can't even imagine what you went through. Yeah. The seconds slow down. That's one way to achieve immortality is like, the time slows down to like a stop. And you're left alone with your thoughts. You can't do anything. Just like you said, you can't. There's nothing worse than sitting in that kind of heat for 10, 15 minutes. Yeah. And then you walk out and you're not even sweating. Yeah. There's nothing worse than that. And if you like, and maybe if you weigh yourself, which you probably shouldn't be doing because it'll break you. Yep. You haven't lost anything. Yep. And I was weighing myself every time because I only get breaks when I was hitting weight allotments. And so if I could lose 0.3 in 10 minutes, I'd give myself a break, but I had to hit certain numbers because I only have the sauna for a certain amount of time. And I remember one time I went downstairs to get my key to the sauna and the Japanese team had reserved it and took it from me because the guy didn't put my name on the list when I called down to get the sauna. So I lost an entire session that I had to get made up towards the later part of the day because I still have no running shoes. And then sure enough, my bags show up 30 minutes after weigh-ins. Yeah. Great. That's like the universe just kind of giving you a little wink there. Yep. I think like, cause so few people do this weight cut at this high of a level, people don't often realize, cause people get a sense of how hard it is to run 200 miles in the desert. Like, cause they go outside here in Texas, you can run five miles. Oh, it's hard. Like the weight cut is really, so you just, like, how did you do it? Just fucking not refusing to- You have to make weight. You have to make weight. And you just, that's- I am astounded when I hear like, UFC fighters like miss weight, right? Like when Jayden Cox missed weight at the Olympic trials, I was like, at least his was understandable because he missed the actual weigh-ins. He didn't, he wasn't like not on weight. But when UFC fighters like miss weight, I'm like, how did that happen? You clearly like gave up a long time ago. There were times where I was like, I can't do this. There've been times where I've been in a sauna suit wrestling with a training partner who's probably 60 kilos who fought earlier that day to lose 0.3. Did lose 0.3. Like, are you considering your mortality in this moment? Like, aren't you thinking you're gonna die? Because like it's severe dehydration. You could damage your body. Are you thinking about any of this or is it just? Man. Okay, yes. But see, I'm on the other level too, where like I've been in Belgium, right? Belgium, there used to be a B level tournament and the tournament used to go on. And because I was always on the heavier side, like 81 fights on the second day, which is the heavyweight day. Weigh-ins were always at like, let's say 2 p.m. the day before for that tournament. Well, there was a sauna at the tournament. I remember like being in the sauna and like, oh, I'm 80.9 kilos. Weigh-ins aren't for three hours. Fuck it, I'm gonna have lunch. Because I mentally understand that what I eat right now is gonna fuel me for tomorrow. So I don't wanna skip it. I have the time to put it into my system and still lose it. Right. It's almost like a computer program. You're running through the process. You have a, I get it, but like that all relies on your ability to be- To get it back off. Yeah, I mean, but also just like go through this process which is painful. It's like those monks who meditate while sitting in a fire kind of thing or something. Right. Like it's that, yeah, it's really interesting. Is there other people that are critical to this or is this all internal to you? Are there people that- Everybody has their own way of doing it. Some people don't cut that much. Some people can't weight cut at all, right? They would rather have been like 83 kilos fighting 90 than, you know, be 83 kilos fighting 81. So why did you never move up to 90? What's your sense? Is it from your deep understanding of your own Judo and like the Judo opponents you would face at 90 and 81? Cause 81 is probably the hardest, if not the second hardest division in the history of Judo. Compared to 73 and 81. You know, when I was a kid, like, I always wanted to be like the middleweight Olympic champion, like the 81 kilo Olympic champion. When I was in high school, I made a decision when I was trying to make weight for 73, I was like, dude, this is, I was cutting weight for 73, like I was cutting weight at the end of my career. Right, and I was like, I'm just gonna bag it. I'm gonna accept the fact that I may not make a junior world team. I may not make this team, but I'll grow into the division. So when I'm a senior player, like I'm ready to go and I'll naturally be stronger. There's an understanding of like a growth process when you move up a weight class. Most people can't just, oh, I'm gonna fight 90s and I'm gonna win because I wanted 81. The style of Judo is different, how you move is different, how they do things is different. There's like a learning curve that goes into it. And because the weight cut didn't really happen until I was getting ready for Rio, I wasn't about to have my last Olympic Games be at a different weight class that I may or may not be able to grow into. I mean, this is an awesome story of you kind of decided that this will be your life's work in terms of Judo. Competitor is like the 81 division. I'm going to, I mean, I don't know if you saw it that way, but you're talking about three Olympics. And it's like this story of, I would say tragedy and triumph of just wars in 81 kilograms with the usual cast of characters of the top five in the world kind of thing. So you just became a scholar of that, let your body grow into it and then let your body outgrow it and still suffer through it to keep it in the 81 kilograms. You never competed at like at the highest levels at 90. I entered one tournament at 90 kilos. And that was because before Rio from 20, from the end of 2014, all the way up until Rio's, every time I fought, I got hurt every time. There was no time where I made weight and got injured because my body weight was so high. My body fat was so low that by the time I dehydrated enough to get down there and you take the physicality of Judo and throw that into the mix, something broke every time. It was like nature of the beast. So the plan was before Rio, we made an agreement with USA Judo that, Travis, you're gonna fight 90 kilos, but you're not gonna weigh in at 90 kilos. Like, hey, there's no like, you get to be 94 kilos and cut to 90s, there's like a, you're gonna step on the scale at 84 kilos. Like a little bit of a weight cut, but not a full one, just so that you feel like you get into like the tournament. Because when I, around 2012, when I was talking with the USOC nutritionist, I actually got my weight down so much that I didn't really need to cut weight. The problem is, is I wasn't cutting weight, I didn't feel like I was competing. Got it. Right, you have to go through like that mental process. And I never really reworked that, it was easier to just cut the weight and be ready to go. But when I entered into the 90 kilo division, I was rushed to the hospital the night after because my body broke out in hives, like full body. Why? They said it was stress induced. Fascinating. So a month before the games, I was hospitalized and hungry and filled with steroids to get the hives to drop. And every couple of days, my body, when I got back home, I would end up in the hospital because my whole body would break out again. I wonder if it's like deviating from the process that you so like perfectly crafted already. Or it was stress from my mind thinking, like even though it's not top of mind, there's probably a portion of me that like, the Olympics is coming around and it could be my last. That like my body just reacted to something chemically so I was breaking out in hives. I actually bought like a 600 euro Hugo Boss suit because when I was in the Netherlands training at the time, I thought I had bed bugs because I was getting bit everywhere. Then I thought there was something in the detergent at the local thing, so I threw away all my clothes. Like I was paying for showers because I was trying to get the detergent off my body and buying new clothes at the airport. Trying to figure it out. Trying to figure it out and just go, yeah, accepting the situation. I mean, but the level of stress is exceptionally high here. Can we talk about the other side? People are gonna love this, but you have a long history of persevering through injuries through insane amounts of injuries. My ability to tolerate pain is probably more than most people. But see, injuries aren't just pain, right? It's like, it's also mental, like psychological. Like again, like the weight cut, it can make a lot of people quit. Yep. Can you tell your history of injuries? What are the biggest injuries, the toughest injuries in your career? Starting from what, your early teens. My early teens, I actually got out of sports from 11 to, I would say like 15 years old, 16 years old, because a kid shot a double leg through my kneecap and I partially tore all the ligaments in my knee, cartilage, meniscus, the whole nine yards. And I had to learn how to walk again. I spent two years in a leg brace, crutches, you know, hobbling around the schoolyard. That one was a challenge to come back from. I've broken most of my ribs. I won nationals with nine broken ribs. I was actually getting novocaine shots into my chest to avoid feeling the pain and then wrapping them to try to make sure I didn't pop a lung. I've broken my collarbone. I have five herniated disc in my neck. I fractured my back twice. I've broken my tailbone. I tore my SI joints. I've torn my right hamstring twice, my left one once. Broken my ankles a few times. I spun it once in a 360 that had death surgery. Fingers, toes, elbows, shoulders. So all of these are, first of all, you're tough, you're a tough dude, man. So each of those have a story behind them. So if you're talking about the collarbone or the ankles or the back, the neck, is there interesting stories here that are behind these injuries? Hard training, hard competing, jiu-jitsu, judo. So ground stuff like sparring in the dojo or like drilling or all that kind of stuff. If you were to sort of break it down, your understanding of the landscape of injuries you went through. I've never had one in jiu-jitsu, ever. I mean, I might've like torn a fingernail or like gotten key burn, but I've never been like seriously injured. I know when Panzo straight ankle locked me at Copa Podio, that hurt, but I wasn't injured. Like it felt sore, but like if I had to run, like I could run. I can now understand probably exactly what the injuries came from then. You were very quickly excelled at jiu-jitsu. You have achieved another level in judo. And I think that means the intensity with which you approached judo to achieve that world-class level probably is the source of the injuries. Yeah, because the mentality of how I approached judo versus jiu-jitsu. Jiu-jitsu to me is like a game that like we would play. Like if you wanted to like grab a basketball and like go play a game of one-on-one, that's like jiu-jitsu to me. Like I can't take the sport in its entirety seriously because I feel like the community of jiu-jitsu doesn't take it seriously. So just for people who don't know, just to set some context, you're a black belt in jiu-jitsu, but more importantly, you've beaten a lot of world-class jiu-jitsu people. You've done very well at the highest levels of competition. Yeah, I wouldn't necessarily say I've beaten them as much as I've trained with them. And they understand whoever it is that through training with me, that like I'm not just a judo guy. Like I know how to do jiu-jitsu, right? And if any one of them were to come to me and like say, hey, you know, I wanna feel what it feels like to do judo with me, they would quickly understand that like the way I approach one is very different than the way I approach the other. Like we probably wouldn't be friends if they did judo with me versus if they did jiu-jitsu with me. I'm curious asking for a friend because mostly because I'll do a little judo with you today. So you clearly, because you're a great instructor and teacher, you have a mode where you can demonstrate a technique. Do you know how to like spar where you're going like 50%? It's hard to put like a percentage to it because I've never in all of my jiu-jitsu ever gone 100%. In jiu-jitsu? Yeah, like I had a conversation with Salo one time where we were talking about like jiu-jitsu and training. And I was like, well, if I got his arm, I would just break it. And he was like, but what if he tapped? I go, that's not my responsibility. If he taps and the ref doesn't say anything, you just break it. You just keep going. He goes, but the tap means it's over. And I said, no, the ref tells me when it's over. I go, I never give you the opportunity to tap because if you have the opportunity to tap, that means you had the opportunity to think about how to get out, make a decision that you can't, then tap. I clearly operated too slowly. So there's a, it's either broken or I don't have it. You're a terrifying person to go against in jiu-jitsu. Like the, on the ground, like everything you did, that's amazing. That's really amazing. That's what made you a really fun person to watch because you really went to war with these people. Yeah. So you know what it's like to go 100% in jiu-jitsu? I do, because I know what it's like to train with somebody under the mentality of, I'm going to do everything I want to do. You're going to do nothing you want to do. And you're going to accept that. Do you ever train in judo where you let people get stuff? Of course. All the time. Now, or like- Always. Even when you're sort of building up the four years, building up to the Olympics, like there's smaller guys that are throwing you in the gym and that kind of stuff. No, I never said that. Okay. I never said that. That never came out of my mouth. I said I let people do stuff. I never said smaller people throw me. Oh, you mean you let them get a grip, but then you'll position yourself in such a way that it's hopeless. It's like- The number one skillset that judo is going to teach you is the ability to give people false hope. Right? Because I can let- I'm really looking forward to the video we're going to shoot later today. Like I can let you take a grip. Yeah. I can let you think that there's opportunity, but what you don't understand is by the position and angle that I'm in, it's actually false hope. Like as long as you don't know that it is, then now I'm free to operate and do what I want. See, I competed in judo against black belts where I would go in and it looks like I should be able to throw them and then you just hit a wall. And then I also saw you destroy those black belts. Yeah. Black belts to this. Yeah. It's the cliche thing of there's black belts and there's black belts. You're unique in this. There may be a couple other judoka in America, but you're really like unique. I then get to see people that really I felt like were 10X better than me. It just feels like that sometimes. I've learned that madness and it said it'd be true that it might only be just a little better, but I saw you destroy them. And it was like, holy shit. There's a thing in judo where imagine you as just an adult. And I hope people can conceptualize this when they hear this, but imagine you're a full grown adult, even male, female, it doesn't matter, but there's a little kid in front of you. Call him five or six years old and he's acting out. Do you think you have the physical capability of with one hand grabbing that person or that kid and making sure that they freeze, like they feel like they're nervous and like they can't do anything. When you fight a good judo player, when they grab you, that's what it feels like as an adult. Even I've felt that from like certain players in Japan, like when they get a grip, I'm like, I've now lost the function of this one. Yeah, that's a really good way to put it. I think I could potentially beat some of the people I've went against, but certain grips they took, it made me feel powerless. I was like, I didn't know this was possible. That kind of power was possible. And you don't even know where it originates from because you're like, how does one person's hand do this where I can't use my whole arm? Or like, I can't pick up my right foot because he's holding onto my right sleeve. It was kind of on a basic animalistic sense, kind of terrifying. It's, I mean, you don't wanna, part of this is like ego, but you realize that there's a food chain and you're not at the top of it. That's part of the humbling process, I think of martial arts. It's like, I think everybody, like a lot of people think they're much higher in the food chain than they are. Than they really are. And then when you realize, this is why it's a really healthy process for people. They're not even competing in the Olympics to practice martial arts. Cause you realize, okay, that like putting yourself more accurately in the food chain is really good way to sort of place yourself in the rest of the world. It humbles you to the reality, the harshness of the world. Yeah. It's kind of like when people look at like survival in the wilderness, it's like, oh, it's not that hard. No, you'd probably be dying a couple of days. Same thing with like judo and martial arts. Like, yeah, it's really not that hard, but you don't know what to do yet. And so when you find out that first time that you don't know what to do, it's devastating to a lot of people. But those that like stick through it and like start to learn, it's a very powerful, like feeling that now like you can take care of yourself. And I think when I talked to you a few times before, you talked about that there's like the top three, the top five in the world. I don't know where you put them, but they're another like level above everybody else. They're a whole nother tier, yeah. And the fact that you're, I mean, it's so exciting to me, probably because I just felt all the levels here. And I've seen you and others at that height destroy those. I've seen the exponential levels to this game. It's incredible that you didn't quit, didn't doubt yourself and just persevered through three Olympics to get to that highest, always fighting at that like very highest of levels, but just like, from the top 10 to the top five, like really breaking in through that. I don't know. What would you say it took to get to that highest of levels? Like when you look back to all the weight cuts to just the insane amount of injuries, believe it or not, I didn't really think I was there until, 2013 I thought I was recognized as one of the best because I was able to fight for Oppensburg, which was the professional Bundesliga team for Germany, which is one of the top clubs in all of Europe. When they asked me to, I felt like Europe had like accepted me as like, oh, I'm a top level judo player, but I don't necessarily think that when I signed on to compete for them, that the division or the world of judo saw me as a top level judo player. There's a mental shift that happens along that point. And for me, my mental shift really came into play in December of 2015 before Rio. That was like, when I lost in Japan, that's when I realized like the world respects my abilities and they compete against them. They don't compete against me as a person. They compete against the idea or the persona that I've been able to establish over the years of competing in the division. Wow, so you're the, they probably have a nickname for you. You're the system of ideas and thought that they study. But they're studying me as a conceptual whole, not me as the human. Is your style relatively unique in the 81 kilogram division? It was relatively unique for Kayla, I and Jimmy up until 2016. Now, since 2016, you can see a lot of what we used to do throughout most of Europe and even Asia. Like you're starting to see some of those techniques that you didn't see before starting to get implemented. Cause when I was gearing up for 2015, I had such a slew of injuries that entire calendar year that I never should have made it to Rio. I should have called it quits at the end of 2015 because I suffered that major concussion in February. I stepped on a mat in May for the first time. I lost five straight tournaments. I left the national team, went to Japan, won Pan Am games, got a bacterial infection at the worlds, almost had my leg cut off, tore my SI joint later on that year and then took fifth in Japan. And when you look at like the calendar year as a whole, like the world should have treated me like I was washed up. Like this guy hasn't been training, he hasn't been doing anything, but I took fifth in Japan. Now, how does a guy that hasn't trained all year take fifth at one of the hardest tournaments in the world on two weeks of training? Because they were fighting the guy I used to be, not the guy I was at the tournament, which means they were competing under the idea of like, what is he really capable of? Not what have I brought to the table today. Hmm. And that just gave you the confidence. And that told me that like, well, if I can take fifth and I'm this bad at judo right now, wait until I'm healthy and I'm back in shape, then they're not gonna know what hit them. One of the essential components of being the number one in the world or up in that place is that confidence, the self-belief. And the rest of the world believing it. You can have all the confidence in the world, but if the rest of the room doesn't buy it, it's nothing. That's funny. It's like there's certain people, right? With Tyson, Mike Tyson. They all understand he could not train and they're still scared. Yeah. Right? Like he doesn't have to work out that hard anymore. There's several judo, you know this way better, but from a spectator perspective, like Elias Iliadis is like that. He's one of them. It's like he- He's portrayed over the years- Why is everyone so scared of that guy? It's interesting. Yep. People were scared of you too. People just gave a certain level of respect to my skillset. And whether I had a bad way cut or didn't have a bad way cut or not trained for the last three months, which never happened, I'm just saying, they were gonna fight the persona. And it's an important distinction when you're looking at the top five, because everybody coming up, they're training against the persona, not who you are. Even I did that at a younger age. That's why I would always go to people's hometowns because I don't care about the persona. I wanna know what you do day in and day out. When I couldn't beat a Russian, I told Jimmy, send me to Russia. I need to understand and see it with my own eyes what they do, outperform so that I can believe that I can beat them. Can I ask you on this, a small tangent? So Dagestan has produced some incredible wrestlers. I don't know what the story with judo is, where the source of greatness in Russia is for judo, but what do you make of Dagestan? What is it in the culture of there or Russia broadly that produces greatness? Specifically in the combat sports. I don't know, yeah, specifically in the combat sports, sorry, but I don't know if you wanna draw a distinction between wrestling and judo. I'm almost curious, do you understand the differences there in the culture? It's still a combat sport to them. They're still in that same realm of they're taking young kids and that's what they do. So Khabib speaks very highly of judo. Yep. It's funny, Khabib, Vladimir Putin. People don't get it, but judo is one of the premier sports in the world. We just don't understand it. It's not just popularity, so definitely popularity, but also this respect. And there's a certain thing, which is why I really value judo internationally. You don't get this in the United States, but internationally, there's an understanding, like later in life, when you're a scientist meeting a businessman, when you both have done judo, there's this like nod of respect. It's so interesting. There's very few sports like that. Basketball doesn't have any, I don't know almost any sport like that. And it's fascinating. Wrestling has that in the US. It is the US only. The rest of the world doesn't do that. There's a few, like you could see that in like Iran or something like that, with the respect wrestling in that kind of way. Yeah, it's... But judo on like a global scale is probably that only one, due to it's like physicality and the hardships that you have to go through to reach that upper level. So why do you think Dagestan, why do you think Khabib is as good as he is? Is this just the raw genetics of the human or is there something about the system? The system. It all has to do with the system. So they grow up around fighting in all forms. Yep. They're also, I mean, their technique is exceptionally good. Because they grow up in it. They grow up in it. They don't understand anything else. So you don't have to, it's almost like you with the weight cutting. It's not like a big dramatic thing for them to fight. It's like, this is just part of life. Yes. And when you're, I don't wanna say bred into it, but when you've done it for, I wanna say like 90% of your life by the time like Khabib probably has, right from the time he could crawl, he's probably even grappling in some fashion thereof. You know, when you, as grapplers, like you can look at a wrestler and having never seen this person before and go, you wrestled. Yeah. Why is that? It's because he's probably wrestled since he was like six. So the way he carries himself, the way his body is built, the way he grew into it was framed around wrestling. Right, so the people in that culture are framed around fighting and grappling. You're right. First of all, philosophically, psychologically, but also just like the way you move your body. Yes. That means like when you're young, the people you admire move their body in a certain kind of way. And then genetically, it just, as they keep doing that, they're just gonna get better and better every generation. Yeah. It's just gonna keep improving because they just keep building into that system of turning them out. And part of it, there's like cultural stuff where, I mean, it's such an interesting approach to wrestling. I really wanna travel to Dagestan and just talk to them because I happen to be able to speak Russian. Because there's less value for this kind of materialistic success that I think sometimes can get in the way of greatness, it seems like. It makes coaching more difficult. It makes like following orders as an athlete more difficult. I don't know- We struggle with that in USA Judo. Yeah. Cause you want more money, but then more money, if not applied correctly, can corrupt the system somehow, can split people up. It's just the same thing with the prestige around certain medals over others, because athletes start chasing fame instead of development. Yeah. Yeah, that's, I mean, the Satya brothers are famous for this, like ignoring fame, ignoring all of this, like focus on the art itself. Not even, so it's not even the medals, exactly like you're saying, just the purity of like, when you're in it and let everybody else figure out their stupid medals and money and all that kind of stuff. Cause it comes. It comes, exactly. It's a result. Yeah, exactly. Like it's not that you don't appreciate it, but you know that it comes if you focus on the art. There's a distinction when you're talking about your athletic career or really any endeavor, right? The problem with goal setting is nobody teaches the athletes or the people how to transition from the goal to reality. Right? So when you look at my career as a whole, like when I was getting ready for 2008, I actually forgot to train for it. I was so happy at such a young age that I became an Olympian that that in and of itself was a goal that I thought had to be admired, had to be celebrated that, you know, the games are right around the corner. I didn't really come down off that high. You're the local optimum of just winning the trials. Yeah. That was- It's a big thing. It's a huge thing, but then you're just focusing on the accomplishment, not the- Correct. But at some point, right? When I went into London, I actually went into London going with, I'm gonna prove I'm the best in the world cause I believe I'm the best in the world. And I believe it from like the bottom of my soul that I'm winning this. And then you're almost like trying to tell the universe, like I'm accomplishing this thing because it's a goal. But when I went into Rio, I just accepted the fact that I was winning. It's not a goal, like this is happening. You visualize it? But I felt it. You felt it. Right? Like this is no longer a goal anymore. Like I anticipated, like this is happening. I can see this coming down the path because I'm anticipating that the games is happening and I'm gonna win. It's not a goal. It's an anticipation. And there's a distinct distinction there between the two. Okay, so for people who are just watching the video of this, there should be an overlay of Young Travis. This is, you still had to make 81. Is this still a tough cut here? No, this one was relatively easy. This has gone all the way back to 2008. So this is the summer before the games. This probably happened in June, I would say. So this is the Olympic trials. So in the United States, you have to, I mean, similar to like wrestling, you have to win trials to qualify for that particular division to represent the United States. So this is, you said June before an August Olympics? Yep. So here, I just wanted to show this match because there's another one, I think you do a pin, you do some nice groundwork in the other one. But in this one. Fighting a teammate. Fighting a teammate. Former teammate. Oh, there's an old school double leg. I forgot about that. And it's weird to see. So there, Travis' opponent, and Travis is setting up here that Sayonagi is posting his left arm and getting it done. That's a big, that's a big throw. You don't have too many of those big throws on video because like you often on video, you're going against the best people in the world. It's tough to get like that much air. And a lot of times the ones that we do see, and the part that a lot of people don't experience is a lot of those times where I threw people with that throw, it was in training camps. So by the time I got to the competition with these guys, they were playing a hundred percent defense to never let me do that. Yeah. So you do this, here, are you kind of pulling him down? No, he's, I'm trying to get him to come up. But are you pulling him down to get to fake him out? I'm not doing anything with my left hand. So here the opponent is. So what I'm doing right now is his head is like in my chest. I'm pressing him to get his head to lift with my chest. So I'm pressing his hand down so I can use my chest to like pinch my scaps and roll his head up so that he wants to pick it up. And then he, I mean, doesn't he know what's coming here? Oh no, he might not. Oh no, he knew, he was a former teammate. He knew exactly what I was trying to do. And that was a really big step with your right foot. It covers about four feet. So you step. So you step. And your left catches up in like perfect position. Yeah, you back it up a little bit. Keep going, keep going. Right there, that's, this is like an important distinction between mine and everybody else's is because I split his hip, I actually, once I'm able to split, I no longer need his center of gravity below mine. Right, and when you say split, you mean you put your foot in between. I do that split, that four foot split. Yes. And then when I get my feet back together, it doesn't matter that I'm under his center of gravity or not. Yeah. That's why my chest is right around his like sternum height for me. Yeah, so there, I mean, how does he get, for people just listening to this, Travis steps is like, does a big, huge step gets. Like my hip is probably right around his nipple because he's sprawled back so much. Yeah, that's right. So like, so you're, how does the physics of this work? You're violating the principle of your center of mass being under, oh, I guess somehow it is. I don't know, but he has nowhere to go. He's screwed. Yes, that's the kicker is the way mine works is in order for him to play an effective defense, he needs to have his feet firmly planted on the ground with friction. Yeah. Otherwise he can't press into me to stop it. So when I get him to sprawl back, when I split his legs, he effectively loses that contact with the floor. Even though his feet are on the floor, they're not in a position where he can drive from them. Yeah. Therefore, when I flip, he flips. So there's a natural like flailing here. So he's not falling forward. You're falling forward. Yeah. He's just attached to you. So like, you can keep him up there and then like legs would be just flailing. Yep. One of my golden rules when I'm training and I get really tired, one of the like mantras I would always tell myself is, I'm gonna put my back on your chest and then I'm gonna put my back on the floor. Yeah. Cause then you'll be underneath me. That's a good principle to- Very simple. And it, regardless of like all the chaos and how quickly things are happening, it's something I can just dumb everything down to and focus on. Regardless of the gripping situation, the footwork, all of that, get my back to your chest and then put my back on the floor. So this step of getting your back to their chest, like for people who are sort of more, like for example, for people like me, who are just like amateur judo people, like there's all kinds of ways to prevent this turn from happening. The gripping and just everything. How difficult is it at the highest level to get into this position? I mean, you make it look effortless often, but like to get to a position where you're from facing them to your backs to them. Is that like strategy? Is that timing? Is that- Timing. It's timing. It's like anything. Like if I wanted to punch you in the face, like how hard is it to really do that if you know you can just play defense and block it? The trick is to get them to play defense to something that never happened. And then you go through like another way. And then you just go through what would technically be your first plan if you planned on them playing defense. So I set the stage from the very beginning for this to work. So then this, you're celebrating here. That's a huge sort of, one's a big accomplishment, big relief to qualify for the Olympics. And then you go into the Olympics and this is where I first saw Judo and I kind of thought of them as the same as Judo and Jiu-Jitsu. And I was really impressed by your performance in that Olympics. The footage nowhere to be found these days, but at that time, I think you could still, you could watch it live on NBC Olympics or somewhere like that. And I remember watching several of your matches. One of them was the match against Oli Bischoff, the German. And I remember being, it'd be nice if you can talk to that match because I don't remember it. All I remember is being frustrated by him not letting you play Judo. So obviously you faced him again four years later and there's a lot of frustration there as well. But I remember being extra frustrated in 2008. What was that match like? So he might've been number one in the world at the time or up there. He was up there for sure, especially going into 2008. He was really high up there. Did he win gold at that Olympics? Yes, yeah. Because he silvered in London. It was the same Olympic final both in 2008 and London. Okay, so you're facing him there. Were you intimidated? What was the strategy? Can you talk to that match? Because it kind of sets the stage for the rematch in 2012. Yeah, he was somebody that I had trained with in the past. And for some reason, when it comes to him and I, when we train together, it's more of a physical altercation than a Judo training session. It's just like the coaches have had to break us up a few times. Are you guys getting almost angry too? A little bit. It always goes farther than it should. We're friends, we say hello to each other. But for some reason, when we train together, there's something about him and me that just, oil and water, I don't know what it is. Could it be also the gripping? Because he's a great gripping strategist. Does he frustrate you with certain kinds of grips and then you get pissed off and then you frustrate him? And then he gets pissed off and then before you know it, somebody's kicked somebody or punched somebody in the mouth or done something. Yeah, so one of the only evidences we have online of you fighting him is your foot in his groin area is the only thing we have from that Olympics. From 2008. From 2008, yeah. And to answer everybody's question, yes, it was deliberate. Now you can say this. But yeah, I remember there being a lot of frustration. You're actually going for a lot of stuff like sacrifice throws. I mean, maybe you're not going for the highest scoring epons, but you're just trying to shake things up if I remember correctly. Yeah, because when he, I was so young then that, and he was in his prime really at that time. He must have been 24, 25, 26, world medalist, European champion at the time. And when he would grab me, I had that sense of feeling stuck. Like I was strong enough if I used all my strength to not let him do anything, but then you can't be offensive when you're using all your strength to hold onto the situation. So I was getting really aggravated because I couldn't, I couldn't generate any offense with every time I felt like I gained an advantage in the gripping scenario, he would take some obscure grip somewhere that was like, well, now I've got to go address this thing, give up what I gained and I have to go back. And if I were to think about watching the match now, it'd probably look like a lot of flailing because we're just trying to generate enough to not get a penalty, but also not enough to where he could counter it. Did you think you could beat him, like when you were walking into the match? Until I gripped him for the first time, like, because I had trained with him before, he felt stronger and more in shape than I've ever felt him that day. At that Olympics. At that Olympics. Which begs a whole nother question, but. What's the question? I remember when he grabbed me for that first time, I went, this is different. And there was a sense of panic at the time because I was like, holy crap, where did this come from? This is not the guy that I've trained with, that I expected. Because it was a definite like level change in like his ability, strength, speed, and stamina. Like looking back at that, can you explain that? Is it just you being more, less confident because it was the Olympics? It was, is there some kind of routine that he followed to like really level up in intensity for this particular event? I've been told that he only gets to like his prime for like really big events. Like he doesn't train like year round like I would train, but when it comes to like the games, he doesn't do social media, he doesn't work, he lives, breathes, eats, he's training for the games, which could, you know, institute that level. What about you? Is there, like Dan Gable famously said, like the one loss he had in college, he was doing a lot of media and stuff. Back then there was no social media, but that was a huge mistake for him. Do you do social media? Do you do like. At that, at this point? Well, at that time it was like AOL, I don't know. What's 2008? I didn't even have a Facebook page, MySpace, nothing at this point. I got my first Facebook page from the USOC in 2012. When I went through the media thing, the lady was like, you have to have it. I go, I don't want it, I don't like people. I want to deal with the people. What am I supposed to do? You know, like the social part of the social media. No. Okay, I have to bring this up because and then you went on to face Diogo Camillo. You lost that match, but he went on to win bronze. That's also an interesting one, but we can skip ahead. I just remember being really impressed both by your groundwork. That was a match I should have won. Yeah. I should have won that. I was, if you don't know Judo, you would visually watch that and be like, I'm winning. But he was technically winning on the scoreboard. So it is what it is. But the point that he got that solidified his win, yes, it was a point back in those days. So I can't say anything, but like my shoulder nicked the ground. So it's like, I don't know. Yeah, a lot of the stories of your Olympic career is like, from a fan perspective, it seems like you should have won or you very close to could have won. Yes. And there was a lot of frustration in you and your game being like shut down in certain ways. And, but like the thing that immediately grabbed me in 2008 was how much something about the way you approached Judo, how much you wanted to win. Cause I was young then. I was, when I was at this time in my career, I was out to like win. Like there was no like, I'm gonna grab you, I'm gonna throw you. And if not, you're gonna go through a battle. Yeah. You're gonna make sure you earned it. It so happened that you competing in 2008, I was, I became a fan of yours at that moment. And since then, I kind of knew about Judo. My university had a Judo club and I kind of knew about Jiu-Jitsu from mixed martial arts. And obviously I wrestled for many years before and I love wrestling, but there's something about you competing that made me, well, there's no other way to say it, but it like changed the direction of my life. Cause it forced me to say, you know what? I'm gonna start Judo and Jiu-Jitsu. And first of all, for that, I'm really grateful, but it's fascinating to think because this kid who's 22 years old, I'm sure I'm not the only one that you've influenced. Like you've changed the direction of my life and there could be huge number of others like that. I mean, that's the power of you as an individual on the Olympic stage. You ever think about the pressure of that? Did you think as a 22 year old, there's a bunch of people, like I know I'm not the only one who changed. I just happened to have like a microphone recently. You know what I mean? Like is that, it's fascinating to think about, right? Like you, perhaps you didn't think about this. It's just a Judo match, but you're like you influenced hundreds of thousands of people, if not millions. Is that interesting? It's not something that really hit me until 2012 when I lost because that's when like, I would say like the world felt bad for me at that point. And that's when you knew that like people were watching and people were inspired by the loss because of how much went into that match. Because the 99% of us who watched it thought I won, except for the 1% of the people who were considered judges at that day in the event. But I mean, the winner lose, that was a really inspiring match. And that's when it dinged that like, because I don't watch something and really get inspired by like the person and the act, it's like, it's an accumulative thing. But for a lot of people, like when they watch how much goes into it, and then when I broke down on the match, like the amount of suffering that happens when you lose a match like that. And then, you know, really coming back and winning in Rio, there's a trend of people who were inspired that knew about London. And then when they found out I won in Rio, that's when like people like in droves felt like they could overcome their own personal obstacles to still achieve something because they've witnessed somebody who's fallen and gotten back up. Yeah. But it's not something that you think about like on the day. It's when you look back and you go, oh, cause and effect. I wonder if you can comment on that. I'm trying to realize and live up to the fact that there's like young people that come up to me. And I'm starting to realize like certain words I say will have a long lasting impact on them. Yep. Cause you say it as like, you don't even, doesn't just. Yeah. The whim. Some of them might come back 30 years later and a word I said was the reason they quit a thing and started the new thing that led them to become their true self. Like to find success, all that kind of stuff. Like on the flip side though, some people based on the actions that we do today, even with this cast will alter the course of their lives forever. I had a guy one time, was it after London? God, it must've been after London. He actually found me on Instagram, wrote me what seemed to be like a dissertation on Instagram about how much he, I disrespected him 14 years earlier because I didn't step on a podium to take a picture after winning a tournament where he bronzed. Yeah. And I'm thinking to myself like at the time, like having dinner with my family because I had to leave the next morning was more important to me as a person, not thinking about who you potentially will become and the actions of whatever you do today. If you do become quote unquote famous or somebody in a spotlight that that could come back to bite you. To me, I don't know about you, that's super motivating. Like not to be a lesser version of myself ever. Yeah. Just be on top of your game, whatever that game is, be on top of your game when you're interacting with people and when you're just in your own private life. I'm trying to make sure that I'm the exactly same person privately as I am publicly and like making sure I'm on point. I see like just hanging out with Joe Rogan a lot. I see how he's first of all, the exact same person. And second, he like walks around and there's like a huge number of fans and you'll just take pictures and like, it's very cool. And it's very cognizant of like certain words he says, especially young people, like they're going to take that and that's going to be a memory for them for a couple of years that might be influential for the rest of their life. So I don't know, that's a cool responsibility. Not to fuck it up. But anyway, I bring all that up to just say, thank you. So even if you like were frustrated that you didn't win a medal, at least you influenced one silly Russian kid to get into the martial arts. And what happens when you get into martial arts, it alters the direction you like mine for the better. Okay, so let's go to London, 2012 Olympics. One of the most dramatic judo battles of all time rematch. So you've reached the semi-finals once again to face the German, Oli Bischoff. Do you mind if we step through that match a little bit? Well, by all means, I've only ever watched the entire thing one time, just because fucking. So for context, for the listener, Travis, first of all, you don't like losing. I think that's fair to say. You know, the hard part with this match is because I went into this Olympics thinking, I'm gonna fucking win the Olympics. I'm the best in the world. I never in my right mind thought, oh, I'm gonna win a medal. Like that never crossed my mind. So it's like, I would have rather him just fucking beat me. Yeah. Because then I lost. So here the referees, as many people thought, robbed you of a victory, but it was also a really close battle. Again, with many of the elements of frustration as 2008 in terms of strategically and gripping wise. And it was just a fascinating battle that went to overtime. So can you set the context? So what did the bracket look like? Who were the players here? Who did you beat leading up to this match? Like, as you walk onto the mat, what happened the hours before? As you're standing there. By the way, how bad is it when just two people are standing like this? And yeah. That's fucking guy, man. But this bracket was really interesting if you look at like the backstory of 81 kilos, like leading up to the Olympics, right? Because at this point in time, I was inside the top 10 at all times, eight, seven, five, four, sixes. I fell out of there sometimes due to injuries, but I always climbed back in. There was another guy from Azerbaijan that was the Olympic champion at 73 kilos in 2008. And the entire division got rocked by match one because his first match was with Antoine Valais-Fortier of Canada. And everybody who saw the draw come out was like, the Azerbaijanis gonna win it. He's the former Olympic champion. He's pretty much won most of the major events, including at 90 kilos, because he just had smooth judo. And match one rolls around, match two rolls around, Antoine's in the shoot and he's looking around and he's like, the Azerbaijanis not here. Well, where is he? No joke, he runs into the venue a match before, throws his gi on and runs onto the Olympic platform. Loses to the Canadian in like a three minute golden score battle. So do you think he warmed up? Didn't, he ran. He literally ran into the venue, threw his gi on and ran out, did no judo. And there you see Antoine losing in the quarters. So how good was Antoine? At this point in time, this is, I believe, his first international medal was the Olympic Games. So I don't think he'd ever medaled in Paris. He went into this bracket unranked, beating the ranked guy first round because he, I don't know if he missed the bus. I don't know if he was off his cycle and planned on losing cause he didn't want to test positive. I don't know. There's a lot of like questionable things out there that could have potentially caused him to, you know, run onto the Olympic platform for match one. But, you know, it catapulted Antoine into like a belief that like, I beat the seeded guy. I'm ready. And that was like a turning point in the Canadian's career just as a whole, right? That's that everybody has a defining moment. Like mine was when I beat Bischoff in Dusseldorf at the Grand Prix for Germany after 2008, right? I beat the Olympic champion on his home soil to go win the entire tournament. So we all have like those moments. It's just when it happens at the Games, it throws the bracket like into a tailspin cause typically you'd know like who's gonna beat who, where it's gonna happen. And when you look at my quarter final against the Brazilian, what most people don't know is I was so thankful I had that match. Most people would never in a million years be like, I wanna fight the world number one at the Olympic Games. That's what I wanna do. I wanna be the eighth seed fighting the world number one cause I'm gonna win. I was pissed off at him. I was so angry cause we were at the Pan Ams, I think the year before and there was a team tournament and I wanted to fight him. I had lost the quarters to a Cuban, I think, in like the first gripping exchange. He threw me with a drop sail out of nowhere. I was pissed. So I wanted my hands on the Brazilian in the team match. Well, the Brazilian team is warming up. So I walk up to him, no joke. I walked up to him and I go, you're fighting? And he goes, not today. And I went, are you fucking kidding me? I warmed up, I taped up, you're the only fucking guy I wanna fight and you're gonna fucking sit in the stands and read a goddamn book? I was so angry. I carried that anger cause I never fought him until this day. I was fucking pissed. I was ready to beat him. That's right. I remember, I forgot he was the world number one. Cause I remember like being really excited at that match. How did you beat him? I threw him with two hands on the same side collar, like drop sail. I cross gripped, I yanked him behind me and I threw him. Epon was Ari. And then the match ended 30 seconds later. I was pumped. Okay, if I'm remembering correctly, I thought, okay, this guy might actually win gold. That's what made for me as a spectator, remembering now the next match that much more like painful. And then the fans of judo that really followed the sport, the stats, when you look at the games in my draws, I had the worst possible draw as you ever could have imagined. At both London and Rio, I fought the world number one to get to the final or into the semis or past the semis. And everybody I fought in the draw either beat me the last time we fought or I had never fought before. So I always held a loss going onto the mat at the Olympic games. How'd you feel about that, by the way? Like what were your feelings about facing the Brazilian first? I was so excited. Well, that was match three. In London, I fought the Slovenian guy first round who beat me. Where'd he beat me? Was it the Worlds? Might've been the Worlds. And then Church's Vili, I fought in the second round who threw me for Wazari in Japan. And then Leandro, who I don't think I ever fought who was world number one, that avoided fighting me at the team tournament. But I mean, every single Olympics you've fought in, you really stepped up. The only tournament I've ever prepped for. Mentally and physically and just the whole thing. Yeah. We never trained through this tournament like we did for the others. Or I would go into it injured. All right, well let's talk about your standing there next to the German. He looked always smaller than you, but you said like strong. Yeah. So what are you feeling now, Jimmy Pedro behind you? I was fucking ready to take his head off. Did you have an idea of what you're gonna do? Did you try, you're thinking of winning by e-pon? Were you thinking like going for big throws or take him in deep waters, outgrip him? Or what were you thinking? We were about to have a battle and I wasn't gonna throw him until he broke mentally. Okay. That was, there was no like, oh, this is gonna be a clean throw. That was never, that was never the thought process. So here you know there's going to be a lot of gripping. So we're seeing a shit ton of gripping. And right here he throws it, bang. And then he's like, close fisted. You got a lot of adrenaline. You seem calm. I'm pissed. You're pissed. Like, are you serious? You don't look pissed, you just look like. I'm looking at the ref like, cause he keeps telling me to get up. I'm like, I have blood running down my face. I go. Okay. Here, there's blood. See, and he's like, oh yeah, go fix it. And that's on your eyebrow somewhere? Yeah, he split it just underneath it. So you split your eyebrow and so in judo, they don't, they're allergic to blood, probably for a good reason. But they, so now you have to try to figure out how to tape that up. Yep. Which already sets up one of the most badass looks in judo history. First 15 seconds. Busted my eye open. Was that getting in the way of your eyesight at all or no? No. Damn, he looks good at gripping. How difficult is it to get a grip on that guy? Very. See like I'm struggling just to get my hand in the collar and he wasn't even blocking it. Is he being cagey? Remember like, is he interested in offense? Nope. He's a very cagey, you know, methodical player. Like he never opens himself up. Yeah. There you go. You grabbed the leg as part of a combination. Yep. And people have told me that he's actually very good at throwing people. He just doesn't. So, but he just doesn't show it at these. Nope. Cause he doesn't care how he wins. He cares that he wins. Yeah. Which makes him very difficult to beat. Cause he knows when you've strategized to do that, where you look at the rule set and you develop a plan to get through the matches, then you've really got to figure out a way to get that person off that game plan. You know, whether you get ahead by a penalty or something. Right there. Like he wouldn't give me the sleeve. So I grabbed all of his fingers. Oh, nice. In which I was open like this way or? I grabbed them the other way and I started lifting them. Oh yeah. Nice. Like reverse playing mercy. Like this. Yeah. This is great. Cause he wouldn't give me the sleeve and I needed an attack. And I'm like, okay, I can't hold onto this forever. Cause that judge is going to see it. So let me just do a quick throw here while I'm using the fingers in the first. You're holding on. Yeah. And then I just sit out. Yeah. And then he goes to get up and I go to get on top and right here. Nice. That elbow. You get him? You got him. Yeah. It looks like I elbow him. Did you do it kind of? No, I didn't even. At the time I never knew this happened. Yeah. Until after I watched this like three or four years later. Didn't even know. I didn't even feel it. Look at that. So he's legitimately angry here. Yeah. He's angry. And of course you can't, you can't move. Why would you move? Look at this. This moment right there is gold. If you're not watching this on video, you're missing out. You do, you never get this in judo. No. I don't know if that's ever happened. That little face off. Especially on a stage like this. The reference. And then he brings us in to like talk to us and he's like, Hey, we're good. Right? Like you guys aren't about to do it. I think you're about to do. You put up your hand. Hey, shake hands again. Cause the first time we did it, that wasn't good enough. Well, you gotta do it again. The heartbreaking part about this and why the IJF switched it to an unlimited golden score, because we fought five minutes through the entire normal part of the match. And then we did the entire overtime period of three minutes. Now one penalty was given. No gripping infractions, no false attacks, like no stalling. That's great. Everybody was really backing up. Yep. I mean, it was, you know, so what was Jimmy telling you here? Or was he, was he talking to you at all? He's not allowed to talk during medical things. And my nose is now broken. But he's also, oh, the nose is broken from what? I caught an elbow from him. Glad his face is clean. That's fun. And right here, like I was pissed. I was so angry at the medic because he's fumbling around. And I'm like, my whole plan is to break the German mentally. You gotta hurry up with the tape, man. Like he's supposed to be tired. Like he's not supposed to be resting. Is Jimmy yelling here? He can't. No, not here, not here, but during the match. And you can see, I just take it from him. And I'm like, give it to me. I'm gonna do it myself. Get out of here. How scared is the medic? It's like this guy can't even tear the tape. Look how nervous he is. We made fun of him for this so much throughout the years. Still do to this day. All right, here we go. Oh, you look great. Get your gear up. Can't really see, don't care. Was there some outcome in your mind that you could possibly beat him on the ground with a submission or a pin? You knew you were gonna have to throw him. I knew I was gonna have to, if I was gonna throw him or arm bar him or pin him, whatever the case may be, it was gonna be his mental, I'm just tired of this. He's too cagey of a player. He's too experienced. He has to mentally make that choice to give that inch. And then you just have to be ready to take it. So I was just waiting for it. And so now this is four minutes in, one minute left. Is that in your game plan two potentials, like assuming you actually sacrifice throws him? Because the whole point of that technique and the sacrifice throws wasn't because I thought I was gonna throw him, but it disrupts the pattern enough to like get him to make a potential mistake. Like see, he should have gotten a Shido there, hands in the face. But again, that's just part of judo. Yeah. He poked me in the eyeball. This is a rough match. Does he act at all or no? Like, was he acting frustrated or anything like that? Or is all like, he's like acting for the ref. You know what I mean? Like, oh, that, all that kind of stuff. You're just going in hard, nonstop, like angry, aggressive, feeling cardio here at all. Like, I don't, I didn't get tired during this. And then we're just always pressing for time runs out. Now we're into golden score. 12 minutes and 38 seconds later. Yeah. You think about every judo exchange, right? Every time we grip up, every time we attack, sometimes it can take longer to get back to the line than the entire exchange. Yeah. So the more aggression, the more exchanges you have, the longer the time stretches. Then here, the six seconds left in golden score. Your tape is now yellow and red with sweat and blood literally, and time is out. Now, what are you thinking here? Do you think you won the match? I thought I won the match a minute ago. I remember thinking to myself, like, if this goes to the flags, I won. No doubt in my mind. Because I felt like the whole time, like I was going to him, right? He was never coming at me. Yeah, that's the way it felt. And like, that's the way it felt. Body language wise, just the intensity, how fast you're moving towards him. You're constantly going for throws. Now, if you want to rewind that, we can talk about the whole, because it's a part of this clip. So wait a minute. They all went blue. They all did. So in judo, there's three referees, two on the side, one in the center, and they all vote on point. And now let's pause it right there. Now, the way this is supposed to work, they raise their flags, they do like a one, two count, and then on three, they all raise it together. Yeah. And now as a little pretext to this entire match, up until this point, not one match at the Olympic Games has ever been a split decision. Meaning out of three people, not one of them voted against the other group members. So they were all unified blue or all unified white. Yeah. Right? Which is statistically difficult to imagine. Yes. It's almost like they had a referee meeting and said, it's better for the Olympics. To never have a split. Yeah. Okay. So the question becomes, if you had clicked that frame by frame, right? So right now we have all the refs with their flags out, and then click that. So the middle ref starts. He is all the way up. All the way up. The other side judges haven't moved. We now have one side ref all the way up. Then we have a third side ref all the way up. Yeah. So there's a time point when the middle guy has the flag all the way up. If not 80, 90% of the way there. Yeah. Then the other one does. And then the third one goes. So now the question becomes, who really, like did the outside refs really have an opinion? Or were they told to wait for the center one to start, and then lift whatever flag the center ref picked? Yeah. This is very unfortunate. Because it's very, honestly, it's very possible that they had this meeting. This is the problem with the Olympics. They sometimes, it's also the problem in the Soviet Union with communism. You think the committee knows what's good for the Olympics. Knows what's good for the people and so on. So they decide universally as opposed to letting the magic of the Olympics be what it is. But nevertheless, in this case, the center ref decided blue. Like what do you think, do you think it's just a shitty call? Or like? He has the right to pick. But the problem is, is the other two, I don't think did. Yeah. And so when you do this frame by frame again, right? Like I can see from my own perspective, two of the refs. And I see them both blue, right? So when you fast forward that a little bit to get to like all the flags, I see the two go blue. And I go, I look over and I look at the other guy and I'm like, really? Yeah. All three? I've fought for eight minutes and I can't even get a vote. I didn't even get a penalty. I can't even get a vote. And that's when I broke. I like, oh, I couldn't believe it. And I'm not gonna lie, he looked shocked. And here you're on your knees. You're crying. Literally crying. This is it. Yeah. But I think at the end. That was such an amazing match. That was such a war. I mean, both people can't believe what happened. I know. That's the end. Like honestly, I wish we had the rules that we do today as far as the unlimited golden score because I would have loved to have seen what would have happened. What was Jimmy saying here to you? I mean, I guess there's nothing to say. Yeah. He was kind of apologizing for the way the scores went. Because he knows how badly you want it. He saw the match. And he felt I deserved to win it. Yeah. Based on like, you know, what happened. But he probably with all his experience knows that this is what the Olympics are about. The refs sometimes. Yep. I mean, that's the magic of it, man. Well, and at the same time, we're in the Olympic semi-final in a sport that's dominated by certain continents. And when you look at the three refs on the mat, they're all European. Yeah. You're telling me there couldn't have been one Pan Am, one African, one Oceania, you know, different. Like why'd they all have to be European? But to be fair, it's back to your sauna story. Correct. You've dealt with this stuff before. And you've won over this stuff before. And that's why like I was broken. And you thought you won here. That was... And when I hindered on that for a year and a half, like I couldn't even stand, I was done. But I'm pretty sure there's a slow motion replay on this. When I watched it, he's all excited, that fucking guy. And he's all happy. It's relieved. Hey, hey, hi guys. I did it. Yeah, so here's... Look at his teeth. They're red. Slow motion replay of the flags being raised, the heart being broken, Travis just bending over. Right here, watch, watch his reaction. Like he, like you could see his mouth like open in awe. Like, really? Yeah. And he's looking at two refs just like I am. He didn't celebrate until he looked at the third one and said, oh, all three. So you think he knew he lost? I think in his head, like, I don't think he really believed he was winning. He did enough to win, yeah. Yeah. Because when his mouth draw like, oh yeah, hey, all three. Like that's not really the reaction you would give. Yeah, I mean, that was, that's one of the greatest matches I've ever seen. I mean, obviously it's painful for you, but that pain, first of all, sets the stage for 2016. But even without that, I think it was just a beautiful story at the Olympics. You've still did incredible job at that Olympics. You stood toe to toe. I think in hindsight, having lost that match did more for me and more for the sport. Yeah, absolutely. As a whole, me losing that match. Yeah. I mean, stories aren't about winning. Stories are about the fighting. So, and that made one hell of a story. But it also has to do with, you know, treachery is probably not the right word to use. It's probably the wrong word entirely to use. But because of the conflict in the match and because of how the refs handled the match there at the end, it created controversy that was spoken about for months on world media. I remember articles being written about the Olympics and the reffing and how it was corrupt and that match was one of them. There was another one in fencing where like something happened with the timer where one of the fencers, I guess what happens in fencing, the timer resets up a second if it's down. So the fencer got one second played out, I think like 27 or 28 times and then one on like 30. So like there was like clock fixing for fencing. There was this match that I think just got publicity, good or bad. Publicity is publicity for judo. And then you came back to, I mean, this is the hard thing after this heartbreak to step up and continue fighting, right? I really, really struggled. Like unbelievably struggled from 2012 to like 2014. I almost quit numerous times. I was so angry. I mean, at one point I got so mad at the IJF feeling like they were fucking me every step of the way. I threw a water bottle at a referee after a match. I cussed out a referee one time on a mat. I got suspended from the sport because I was just so angry at that point in time. And IJF is the International Judo Federation. Are they the people that supply the referees basically? Like the certification? They kind of run the sport on a global scale. So you sent a few emails, 2014, 15, basically quitting. One of them said, I'm mentally and physically broken. Another said, well, the subject line, I'm done. The weight cuts didn't break you. No. So if this broke you, you were really going through a hard time. I was like, you know what? We're just gonna like dumb it down a little bit and get some wins under our belt. I'm gonna go to a world cup, which is like three stages down or four stages down from like the Olympic games. Like this should be like a cakewalk. Like making the final of a world cup should be a walk in the park. I show up. I barely beat a 16 year old kid, barely. Then I got smoked in the second round. I got thrown three times. I was like, I'm fucking done. They changed all the fucking rules. They fucked me out of the Olympics. Like, what am I supposed to do? And it was at that moment when I wrote the email where I remember sitting at a bar. I don't drink by the way, but I was sitting at a bar at the hotel, sending this email and I got a response back from Jimmy and he goes, well, just stay for the training camp, go to Germany and then whatever happens, don't worry about it. We'll talk when you get home. I was like, fuck that. Fuck these people. Fuck the rules. I don't fucking care anymore. I'm just gonna do judo the way I wanna do judo. If I fucking get shit out, fuck them. That was my response. Can you become an Olympic champion? Can you become an Olympic medalist with that kind of thinking you think or not? Was that, that's counterproductive? Yeah. Okay. Just checking because maybe that's also liberating. The expectation was no longer that Travis is gonna win this tournament. The expectation was Travis is gonna come home and be fucking pissed off and we're gonna have to figure out how to manage a pissed off person that's trying to quit that shouldn't be quitting. And- Do people still believe that you can be a medalist again? Yeah. Like, who believed that? Jimmy believed it, the team managers believed it. Some of my teammates still believed it. My training partners still did, but they're not the ones that are cutting the weight, flying around, feeling like, you know, all of your judo is now known void, right? Because at this point, they took away leg grabs entirely. You couldn't break a grip with two hands, right? The meta of judo has changed again, right? So I got fucked out of it. They took away how I did judo again, and now it's just got more difficult. So when I'm sitting in the hotel and I'm sending this email, I remember being at the training camp, like I was like, I don't even fucking care what the rules are. I'm just gonna fucking throw people. I don't even care if I'm cheating. Doesn't matter to me, I'll just play stupid. Yeah. Right? So I just started going back and doing judo without the leg grabs, but with all the same gripping that I was doing beforehand. And then when I got to Germany, I was like, I don't fucking care. I was like, if I got to cheat to win, then I got to fucking cheat to win. If I get shit out, like then I get shit out, and I won Germany. Which event to Germany? The German Grand Prix, which was a week after losing the World Cup, because I was trying to do judo around the new rule set. I wasn't just trying to do judo, right? Because when you get to the highest level, your game tends to morph around, you know, what can you can or cannot get away with. I was more focused on trying to figure out what I can and can't get away with, and I stopped actively doing judo. Once I said, fuck whatever the rule changes are, I'm just gonna keep doing judo the way I know how to do judo. And if I get a penalty, then so be it. And so that win that started the road back. The road back, yeah. Because now it's like, I don't care if you penalize me or not, because I'm gonna throw that guy anyways. I'm gonna beat him anyways. And if I get a shit over doing something wrong, then I'll just stop doing that one thing, and just keep doing all the other things that they told me I probably shouldn't be doing, but they're not calling me on it, so I'm just gonna keep doing it. Well, you found yourself at the 2016 Olympics. Was that ever a doubt, by the way, after 2014 in Germany? I had a lot of doubt after the concussion in 2015. I remember when I first came back after four months of nothingness, that even trying to train, the room would start to tilt a world on me. And then when I finally got over that and I could start doing things again, I stepped on the mat for the Pan Ams, and I was like, drowning's not the right word, but everything was being done in such a slow motion. I had sandbags everywhere that I just couldn't keep up. Like mental fog. Yeah, I remember fighting the Brazilian in the semi-final of Pan Ams. I was halfway through this match, and I'm just like, eyes roll up, I'm like, I'm just gonna fucking wing it. And I just fucking winged it, and I got countered and thrown free-pwned, and I was like, I don't even know what to do. And I couldn't even think clearly. And that's when I was like, I may not come back. Yeah, you don't have control over how to come back from this. It's like, it's just your mind, and it's not operating correctly. I can like, oh, my right hand's not working because it's fractured. Let me figure out a way I can not use that. Like when your mind's not working, like it's the one thing you need. Like you gotta have it. So then work through anything else. I needed that though. And so how did you come back from that time? That's when I wrote another email, and I was like, I'm fucking off Team USA. I'm not fucking, I'm not done with USA Judo. I'm done with the tour. I was like, I quit. Well, I'm gonna go do my own thing. And they were like, whoa, whoa, whoa, whoa, whoa. Can't quit now. The Olympics is in like a year. Like, let's talk about this again, because it's the second time I've tried to quit in like, two years, right? So then we sit down in Jimmy's office and he's like, whoa, whoa, whoa, you can't quit. You're gonna kick yourself if you don't go to Rio. I'm telling you right now, don't do that to yourself. Let's figure out a way of like doing this. And I was like, because when we trained before, we did it at a unit, right? We all went to the same tournaments. We all went to the same training camps. And I'm like, you guys are treating me like I'm the same player I used to be. I go, I don't, I'm not operating at the level you think I'm operating at. I go, I can't do that. And he goes, well, what do you wanna do? And I go, I'll tell you what, Jimmy, you know I'm being serious because my answer is something you'd never would have expected. I go, why don't you just send me to Japan for three weeks? And he was like, really? I hated Japan. I refused to go there up until this point. But I was like, I have to get to a point where I can get so tired and get through it that my judo will come back and my body will learn again. And when you say Japan, Jimmy, the Kodokan, what's- Tokai. Tokai, is that the highest level of judo? It's one of the top colleges in the world, yeah. And that's so you can go with the best people in the world. You can go to war with them. Top level, strong players. Yeah, there's a lot of very strong players. There's a lot of middle-class players. And there's a lot of volume of rounds. So you value all of it, the middle-class too? When you're tired, you can't just train in areas where you're battling for every inch. At some point, you have to be successful. So you still under duress and under strain and through exhaustion, you still have to have the ability to score. Well, if you're training with the best people in the world all the time, you're not always gonna be able to score. So you still need those B-level players in order to really develop again. What is it like, if you can comment briefly on training in Japan? What's it like to go into a different place? You probably don't speak the language that well. Like, is there an isolation aspect to it? Is it like purely about judo now? I really wanted to be isolated. No training partners, no coaches. I wanted to get back to my roots and just learn how to fight again. I don't wanna figure out how to beat the German. I don't wanna figure out how I can develop a new entry into my seo against whoever it may be. It's not... You just wanna fight hard. Just wanna fight. Let me get back to fighting. Let me get back to the root of who I am. What were those sessions like? What were we talking about? Five minute rounds? Like, how many? Six minute rounds, 30 minute breaks, 14 rounds a session. So what's the 30 minute break? 30 second break. 30 second break. 30 second break. Sorry, what? 14? 14 rounds. 14 rounds. Every day. Every day. Five days a week and then 11 or 12 rounds on Saturday, plus weightlifting, plus running. Plus weightlifting, plus running. So those are hard rounds. What's it feel like to go through that? So you have a bunch of just a sea of black belts, Japan. I'm sure they're hunting you a little bit. Depending on who you are. I was hunted a little bit. Like I didn't really struggle because of who I am. Them as college athletes, they wanna show to their coaches and their higher players like, oh, look, I can throw the world number, whoever. But if you're just a guy who shows up, like them beating you doesn't provide any value or raise their status. No, but you're status raising. Yes. So I was actually like in a situation where nobody was watching me and I was free to just battle at my own will. Okay. Which is what it was about for me. And you just push yourself. Cause I knew how to do that. I know how to push myself. Are you, when you're doing these 14 rounds, is every single one a standalone thing for you? Yep. So you're not trying to pace yourself? No. Each one is to as much exhaustion as I can get. But then there must be ones where like, it's like round nine where you're got nothing left. Better figure out how to score. That's all you gotta do. You gotta survive and you gotta score. What's your memories of that, of those three weeks? What's like, what stands out to you? It seems like, cause that's the place where you found the silver medal. Yep. Because it's the place most people don't want to be. Everybody's comfortable. I would rather, I would rather find out who I am and what I'm made of and find those, those end points. And if I can't find them, then that means everybody else has given up before me. Were there a few people that just kind of, you returned to battle over and over in those times and then it was just. Yep. No social media. No. None of that is just like two men. Lock yourself in your room. You come back, you've thought about it. And you come back with a game plan for that day against some players here or there. And I would, I would develop a hit list. Like I would be like, all that that motherfucker grabbed me at like 13. And I watched him sit fucking four rounds and then come try to kick the shit out of me. I'm gonna fucking grab that guy early. I'm gonna beat the shit out of him. And you just developed that list. There's probably some epic battles in that room, right? Yeah. What's it look like? Like how crowded is it? Very. And so you're just like, yeah. To see a people. See a people. And you're trying to, are you doing ground work at all? Just throws. Just throws. No transitions, no nothing. But if I get pissed off and like you keep dropping or like not letting me do what I wanna do, I'll rip a choke right across your face. Just to let you know that like, I can't if I wanted to. You have a really nice style of just like, respectfully bullying the shit out of people. Cause some people call me a bully and I have to remind them that like, a bully enjoys like beating up the weak. Right. I wanna beat the person that fights back. Right, exactly. It's not fun for me if you don't fight back. Right. Some of the greatest people I've seen like do this. They basically, you have this in the Iowa wrestling rooms, they'll push each other into the wall. Like they get, there's like anger. But it's ultimately underneath it all. It's like a deep respect. I was training with Colton Brown one time and I went to San Jose State cause I was in California for something. And he kept like, he kept circling to the edge. They had like a cupboard that had like, when you opened it, it had like all the tape and like medical supplies. I was like, we'll fucking put you right through that. And he kind of lived, he kind of giggled. And then he went by that edge and I fucking ran him right through it. Yeah. See, to me, that's an ultimate sign of respect that both you and Colton will remember. Yeah. Remember. Well, and we're still friends. We still talk. It's just, I told him I was going to do it. He knew I meant it too. Yeah. He did it anyways. He just tested me. Yeah. Listen, that's, and that same attitude was, that was in Japan just day after day after day after day. Yep. 14 rounds. That's rough. And you didn't sit out rounds. And I did it all with a broken hand. How? How did you do it with a broken hand? You show up every day. You show up. Okay. I actually did. Which one, left or right? My right. Okay. So that's okay. So you can then focus on gripping with your left. It's always a way. There's always a way, but that means you can't, I guess you don't have to grip with your right sometimes. I would palm it with my thumb, just like hanging out like this. Just like this. So you can do something. So you can do like a gauche, cause you have a, cause I- What were your main throws? It was Senagi. Koshiguruma. Okay. Sumi, Uchimata. Uchimata. But you have this big like a gauche type of thing. Like a- Yeah, but not from like around the waist. It's from over the shoulder. Over the shoulder. And I can do it with just the one hand. Oh, sorry, which one hand? The right one. I don't need the sleeve hand. You don't need the sleeve hand, but you couldn't do it with the broken hand. I could. Cause I can just put my hand in the gi so it can't come off. And then you just, cause what happened was three days before I was leaving for Japan, a guy, my hand was rested like this on a mat. And the guy, boom, took my whole thumb off and tore all the tendons in the palm. So when I went to the doctor, he was like, you know, do we have to put a cast on it? And I go, I'm leaving in three days. You're not putting a cast on it. And I go, this is what I want you to do. Just like this. I want you to build a cast that holds it, that Velcros around so that when I'm not training, I can wear it. But then when I'm training, I'll take it off and then I'll put the tape on it. And then whatever happens, happens. Whatever happens, happens. All right. So that's epic. And that led you to the 2016 Olympics in Rio. Well, that led me to winning Pan Am gold when I got back from Japan and then almost getting my leg cut off in 2015. That was like, I don't know, maybe a month or two later. I was hospitalized for seven days. The leg being cut off for what? I had three different types of bacterial infections in my right leg. My whole leg swelled. And it was in my blood, skin and in my bone, in my right leg. So I got stuck at MGH in a hospital for seven days until they figured out what the bacteria source was. Where was the source of the infection? In my knee. In the knee? Yeah. Okay. So obviously there's a danger of like, that's life threatening. Yep. When I went into the emergency room, when I got back from the Worlds, the lady was like, hey, you need to call. You're gonna call cause you may lose your leg tonight. Yeah. So I went to the hospital. What do you think in this whole time? Are you still thinking about Olympics? They put me into the room like four hours later, the doctor came in. I was at MGH in Boston and he was like, you have a serious infection in your leg. I go, he's like, we have to keep you hospitalized until we can figure out what it is. And I was like, buddy, I have the Olympic games in less than a year. I go, I don't give a fuck what it is. I go, just fucking take it out and let me get on with my day. He goes, we can't do that. Like, I don't understand. I go, you told me it's infected, just cut away that part of the tissue, drain it, do whatever you gotta do, and then send me on my way. He's like, it doesn't work like that. He said, until we figure out what it is, we can't figure out how to stop it from growing or how far it spread. So it took them seven days to figure out what it was. Then once they figured out what it was, I went in for surgery to remove it. Then I spent, I think it was eight weeks in in-home care with a PICC line. And then I came back from that. On the first week and a half of judo, I tore my SI joint trying to throw a guy. And then I came back from that about a month later, and then fifth at the Connell Cup. And then the games six months later. How quickly do doctors understand who they're dealing with? Like, is that difficult for you to explain who Travis Stevens is when you go to visit a doctor? I don't think they understand, you know, their role is to get me to do my job to the best of their ability as a doctor. Meaning it's gonna be less than what they want. And they struggle conceptually with like, but the textbook tells me this. And I go, but I'm not a textbook, right? Like when you go to physical therapy, the first thing they do is they pull out that binder that says day one, we do this exercise. I go, but I have my own goals. Your job is to help me meet my goal. Let's work a plan to do that, or I gotta go find somebody else. Did the doctors in general, people outside of your close-knit group step up? If they didn't, I found somebody else. And typically I could find a person who knew the right person. I always wonder with people like, cause I'm constantly surrounded by, one of the biggest problems in my life has been, there's a lot of people in my life who love me very much, but who want me to the equivalent of that situation, you know, definitely don't go to the Olympics and definitely like take, like, it seems like the world is full of people that want you to be average and happy, which is great, which is fine. I mean, perhaps that's the way it should be. Like, you know, my parents, people close to this, that's what love, how love manifests itself often in people. But then like, I think the ultimate manifestation of love is understanding who this person is. Here's a madman who's driven towards a particular thing. And the best thing for you to do is not to say, like, rest, it's to say, work harder. Like, fuck your infection, you should be training. Have you ever met anybody as crazy as you that can help you? Most of us who get to this point get there because we're all a little unstable. Even my wife, Kalita, right? Like, when she was getting ready for 2016, or when she was getting ready for 2020, because she moved to Boston to be a coach, she had a neck problem, right? And at some point in time, it's like, what's really important, day-to-day life or judo? And believe it or not, the doctor in Canada was like, I am never under any circumstances doing an MRI of your neck again. That's what she told her. She goes, if you have me do an MRI, you're not doing judo again. So just know if you hurt your neck and it requires an MRI, you're done with judo forever. So decide if you wanna do judo or not. That was a conversation we actually had to have. That's a cool thing for a doctor to say. I mean, it depends how bad ass they sound when they say it. So that's a tough conversation. Judo one, what's this with your wife? What's that relationship like? So you're both a little crazy. A little bit. In a good sense. Or from my perspective in a good sense. Yeah, it's just we understand that when you set a goal to do something, you're not signing on for the good. Yeah. You're signing on for the bad. And I don't think a lot of people understand that. That's like a Valentine's Day card from Travis Stevens. You have to accept everything negative that could possibly happen. And until you do, you're never gonna make it because you'll always sell yourself short. You'll never go far enough. And if you sign up for the whole thing, then the negative is just like, oh great. I expected that. If you're experiencing the negative, they're also experiencing the negative. And if you overcome it, maybe they'll get knocked out for it. Maybe they won't deal with it. Maybe they won't train through it. When I had my five herniated disc and I was in a neck brace, I was still in the gym at 7 a.m. Doing whatever it is I could do because my job is to be at the gym. David Goggins, I don't know if you know the guy, he's gone, he's damaged lots of parts of his body like you, trying to achieve things. So, unlike you, his achievements are like, your achievements come with the metal. He's just running in the darkness in the middle of nowhere by himself. It's like, I mean, it's the same probably as with you if you're able to be introspective about it is he's just battling his own inner demons and working through those and is breaking his body doing so. Are you cognizant of the trade-off of the fact that, you're damaging your body to get to these levels of achievements of this level of excellence, of this level of greatness? I mean, I guess that depends on what you consider damage really, because I don't really see that I have damaged my body. If anything, I think I've strengthened it. My body can go through more than yours can. Who's is weaker? Right? It's just like the Thai boxers, right? In order to strengthen their shins, they gotta break it a few times. It's just nature of the beast. You just had to break a bunch of stuff to find where the weak points are and then made them stronger. Or strengthen the areas around it to strengthen it by, the sheer relation to it. But the problem is like, you may not be able to do judo. Like four until you're 70. Why not? I may not be able to do judo to the level I used to. Don't get me wrong, but I can still do judo. You can still do judo. And I think a lot of people struggle with, they wanna keep doing it like they used to be able to do it. I don't try to do judo like I used to, like you're seeing here. I'm not that guy anymore. I accept that. I don't even try to be that guy anymore. I'm a completely different player today than I am when I was winning Olympic medals. And so I guess when you're looking at like my journey and the trade-off is I never sacrificed anything. The people around me sacrificed for me. And I never had a downturn after the Olympics because I never identified as an Olympian. You know, a lot of Olympians suffer from depression because they identify as it. Now they don't have who they are. Where was your personal moment of greatness? Or do you not experience life that way? Or you were truly proud to be yourself? Every day I wake up. You wake up and you're not proud of who you are, then you've really got to seek out some help. So that's, first of all, okay, I'll do that because I definitely am not proud of who I am. I just wonder if you didn't identify with the Olympics, was there times maybe in the training room, maybe in Japan, like where you just kind of felt like... I get more of an emotional, I guess, trigger, right? Where like I feel proud of what I've done when I've set to a task and I've done it. So almost any task. And the more challenging the task, the more reward. You fought a lot of amazing battles in 2016 Olympics. So you beat the, let's see, the world number four in the quarterfinals. It's like a replay, every single Olympics, you're... All the people that fight. I got terrible draws. Terrible draws. And then you're facing, this is where I was like watching this. I'm like, yeah, he's screwed. You faced the world number one, the Georgian. And by the way, for people who don't know, he beat me five times to my beating him once. And the one time I beat him was in London. And all other times he beat me, he beat me by a point. And not by like a little throw, like he threw me on my head. At one point we were in Georgia. I'm fighting him in the final. I go to my teammate and I go, guess what? Make sure you watch this fight. Somebody's getting thrown free point. This match ain't, and this same match going to distance. And about a minute in, I tried to take his head off with a big Koshiguro, which was like a head and arm. He caught me and then threw me on my head and ended the match. So first of all, we're watching the video of you, again, standing next to the guy leading up to your semi-final match. So here, if you win this, you're guaranteed a medal. But the chances of you winning from my fan perspective, I was like, God damn it. You and the rest of the world, except for me. Except for you. What are you saying? You're talking to yourself here. What are you saying? My name is Travis Stevens. I'm Olympic champion. I will not be denied. The Georgia is probably like, what the hell is this guy saying? What is he talking to himself? So he was probably ultra confident. Yeah, had to be. The difference is, is I understood the last five times he beat me. I was purposely trying to throw him, not beat him. I wanted to find out if I could. Turns out I can't. But I don't need to throw him to beat him. I need to know how to not lose. But you were still going for stuff here. But all of my attacks drag him to the ground. They're never standing on my feet. Which is a distinction that we talked about at the very beginning, right? You have throws where you're standing and throws where you're dropping. Every time I try to throw him standing, he throws me free pony. He picks me up and he throws me on my head, literally. So what I did is I just needed to get to that last one minute mark, which is what he does mentally in his own judo, where he changes into a panic and just tries to like do things that are uncharacteristic. So you knew he's gonna start panicking here as the match draws to a close and you both have a shido propality. Did we pass the point where I went for broke and I broke my rule? Which one? I went for a crazy foot sweep, like Epone switch thing. I can't even remember what it's called because it's not used that often. And he actually landed on top of me and some people wanted it to be called Epone. But he had actually let go of the gi and was looking for the mat. So he didn't have any control. Obviously I didn't award him a point. Yeah, and here we go. Now we're getting down into the next. See, like he's getting frustrated. Great. I love it. Perfect. Second penalty, no big deal. We just gotta get to the one minute mark. That's all we gotta do. So there's no panic here for you. No, I'm right where I need to be. And look it, now, if you go back into this match, I would love for somebody to go back and see how many times he did a drop right, Epone Seinagi. Probably never. So why is he doing it now? Because he panics and he changes his judo at that one minute mark. So look how much I kept that grip. Yeah, you have that grip this whole time. You have your left hand. Locking him down. Locking him down. You keep the grip as he's throwing. Which, were you thinking choke as he drops or no? It's just kind of natural instinct. Yeah, because we drilled it. I spent two years drilling this transition. And then very, so for people that don't do judo, jiu jitsu, it's like really nice. You keep, everything is nicely controlled to where you're keeping Nagi under his chin. Like it's really tight control. Like it's very, like you're, I guess it's drilling, but you're cognizant of the position of your wrist the whole time. And you can tell based on like just years of doing it, whether it's under or it's not. You can just feel the difference. And it's probably, even if you wanted to stop that, it's very difficult because your whole time, it's like. Once it's under, it's almost impossible to stop. For people who practice jiu jitsu, don't practice judo, one of the very annoying things about judo is in order to do gi chokes, they have to be under the chin. Yes. Even though the kind of intense jokes you do work just fine over the chin, but. And the kicker here and why we practice this choke was because when you go back and watch all of the other matches, he always does this tripod when I try to do arm locks, which is typically what I would do. And when I do that, he ends up sliding out and I end up falling off. So you step up here with the choke, he does a tripod where he sticks his button to the air and you do, what's the name of this choke? Bow and arrow. No, but okay. I mean, when you do from like, from that position, is there a way this entry into the bow and arrow, I guess? Cause you're doing. We refer to it in judo as a British triangle. When they're in that turtle position and you do that rolling motion. Cool. And here, when you go into that, you can fall off of him. Like you said, if you go in front of an arm bar, but here literally, because you have it under the chin really well, there's just a nice control. And I've already planned on it being on his chin. That's why I've hooked the arm. Yeah. Right, it's already starting to go straight. Probably this choke in the early stages, like a few frames before feels like it, like you're safe. It's fine. Like the head will slip out or something like that. Yeah. That's why my left knee is up by his shoulder to keep that pressure down so that he can't posture it up. When did you know you have this? Oh, I was- Oh, right here. I actually panicked right about here. Was maybe his head to come out? My hand, I tore the muscle in my palm because I was pulling so hard that I'm like, he may not tap. Yeah. Like, is my hand just going to give out beforehand? And we're right on this edge, right? Yeah. So like if we roll a little bit outside and I still don't have it, like that ref could stop it. Yeah. And then I felt him tapping and- Oh, that, he's heartbroken. I felt- Surprised. There it is. The relief. Olympic final. And he knew, he knew he lost an Olympic medal right there because he already knew that the Japanese guy was going to be his bronze, that he never beats. See the, but also he probably in his head was confident that he would be in the final. Correct. And so like this, he almost is surprised. Yeah. It's not supposed to happen this way. And it's the second time it's happened. And that's how you became an Olympic medalist. Man, that must be a great feeling. That must be a great feeling right here. Just like all the years of injuries, all of it. As fans that watch this too, it's like, holy shit. He actually did it. And it's a packed stadium too. Not one empty seat. Oh man. So what were you thinking here? I was- You just focused on the next match. Yeah. It took me maybe like a minute or so to like decompress and then like get back to like my normal state for the final. So the final is against the Russian here. What can you say about your mindset? You're saying the exact same thing. Same thing. Travis Stevens, Olympic champion. I will not be denied because I had felt like in London and throughout the years, I felt like I kept getting robbed. So I made sure in my monitor to add that little bit at the end to reassure myself that like, they are not gonna control the outcome of today. I'm gonna control the outcome. What did you know about the Russian? Everything. And I honestly, I thought I'd won the Olympics right now. And I still do think that today. Just like mentally when you think about it, that I've won like, yeah, he threw me, but it was like a one in a million chance that that worked for him. Like, come on. So it's not like you feel lucky to be in the final. It's like, you deserve to be- Again, remember I'm anticipating the goal. Like I'm past that. There's a confidence in the way you're moving and the way you're- Yeah, like I have his sleeve. He's not breaking it. Like still walking him down, still going forward. Like I knew exactly how I was gonna beat him. And I developed the plan because when I was getting ready for Rio, we brought in a lot of the top Japanese players that weren't invited to the camp for the national team to Boston. So I had four people, three of them were on the national team. One of them had won the universities in Japan, all at 81 kilos. I only got thrown once during camp for a month. Wow. Like I was ready. I just, I fucking slipped. What does it happen? Right when he threw me. So if you let this play out really quick, there's a point right here where I'm gonna come around his back and I'm kind of gonna just yoko suteme, which means like a lateral drop. And I'm just gonna bring him down to the floor, which isn't a throw right here. Yeah. It's more of like a take down, right? I'm trying to get him to the ground cause I wanna burn him. He doesn't do niwaza. Yeah. So I'm just gonna keep burning him. And you can see that like, I get really close here. He just went a little too far to his side during this exchange. And like he's running. I'm like, ah, he... He's very wiry for an 81 kg player. Yeah. There's not much like muscle on him. But he uses his length and his leverage very well. And you can see like, I'm really burning the clock here. Like I'm owning these exchanges more than I'm owning the Tachi waza ones, the ones in our feet. So you weren't trying to necessarily like submit him here or like really harder, like pin him. You were trying to break him a bit. I'm doing both. I'm being overly physical. And to a lot of the BJJ people who are watching this, like they're like, oh, well, I would have done this. I would have done that. You've got to think like, if that referee who's reffing the Judo side of it looks at it for a couple of seconds and is like, he's not really moving. Yeah. They'll stop it. Yeah. So you're like, you understand Judo. Yeah. What's called niwaza groundwork. Like what you, cause you're really showing it to the ref. Yes, you have to show movement and progression. That hurt the forehead. Like, see I threw that hand in there kind of hard, ripping it across his face just because. I got to tell you, there's a calm, well, no, he does look a little broken, but the Russians have like this calmness they're pretty good at. Well, don't forget, they've competed like this for a long time. That's all he knows. And this is where I lose it. See how my knee hit the ground? Yeah. My knee wasn't supposed to touch the ground. Yeah. I was supposed to sit to my hip to bring him down. Something happened where my knee touched. Yeah. And it didn't happen in the first one. It just happened there. It's like that. We never should have been in that predicament. Yeah. And that's, that's one of the things where, when you're looking at, you know, sports for anybody who's trying to improve, you have to, when you're, when you're trying to improve, you've really got to ignore the ends of the spectrums, right? The oopsies and the, they got lucky. And you only focus on the middle. Like the technique I was doing was perfectly sound. It just happened that the one oopsie happened on the stage it shouldn't have happened on. And there's no, there's no amount of drilling that will ever like, prevent that from happening. And that's just the, That's sports. That's sports, especially the Olympics, especially Judo when it's like one, You got one mistake. Oopsie can just be your, That's it. That's it. You know, it really requires, and you have to wrap your head around the idea of like, if you want the ability to beat these people and throw these people, like you got to be willing to get thrown yourself. Like this isn't boxing. There's no like, I'm going to stand in a place where he can't hit me and I can hit him because we have the gi and because they can grab it. They have just as much ability to throw you as you them. So how'd you feel here? How long was the duration of you feeling upset that you didn't get the gold versus- Never felt it. Never felt it. Just- Because he didn't beat me. Right. Right. It's an important distinction because when I'm training and when I'm competing, like I understand that I take risks and I accept those consequences. That's why I take them. That's a consequence. That's not him being the better judo player that dominated a match and I didn't have an answer. And then he threw me. Then I would be a little upset. Like when you're tired and somebody's coming at you and like, you can't do anything about it, that's a shitty feeling. Yeah. You know? And that wasn't this. And that wasn't this. Like I accept losing when it's my fault. Well, that was a hell of a story, man. So from 2008, 2012, just the sheer number of injuries, the weight cuts, all of that, the wanting to quit, the doubts, I'm sure you did not get, like the fans probably started disappearing somewhere between the second and the third Olympics. Like the support from judo within the United States and just everybody, you know. Just like. The USOC tried to cut all my funding in 2015 and say, no, you're too old. Yeah. So through all of that to win the medal, I mean, that's what the Olympics is about. Is there some, like when you look back, does that seem like another person? Is this like another lifetime ago? Or like, that's a hell of an accomplishment. How do you feel about the whole thing? It's an interesting kind of predicament because there's like those cookie cutter answers about how proud you are and how grateful you are. But at the end of the day, it's not who you are. So that skillset and that mentality that, you know, it took to accomplish that, that's who you are. And so this was just a stepping stone in who I am. So it's in the past to me. Like there's no shrine in my house that has like an Olympic medal in it. I can't remember the last time I looked at it. So you're saying like the, all the stories, the skills along the way, that's like you right now sitting here is the shrine. Yeah. The who you become along the journey is really what the prize is. Right? Like when you think about any of them, most of the people that, you know, go through that depression after the games, it's because that is their shrine. Like that is who they've identified as. That is who they've told the world, the community, their friends, their family. That's how they've identified. I've identified as a person who perseveres, overcomes and accepts challenges. So like I, all those things are just like, you know, putting a suitcase off to the side and I'm onto the next great chapter thing that I'm trying to do. And it's both sad and cool that very few people in the world get to experience what it's like to be you. I mean, this level of having gone through that journey. Everyone has the opportunity to. Yeah. Yeah. I mean, I've done a few difficult things in my life, but I got to tell you, weight cuts and sauna. And I would tell people right now who are listening, like don't go through that. And I think a lot of wrestlers, a lot of young judo players, a lot of young like just combat sports people where weight classes are a thing. They almost take a sense of pride. Like when I hear them talking about like, oh, how much weight do you have to cut? If you have to cut a pound more, it's like you've accomplished more, like you're tougher. Like you're not. Like there's no trophies for that. You, whatever the reason, had a job to do and you got it done. And that is truly inspiring, no matter how hard. There's a big, deep lesson to learn from that. Then you start getting to the specifics of whether you should weight cut or not. But if we don't, then most of the great things we have in this world, we wouldn't have. The reason we have many of the great things is because people did that weight cut. The equivalent of the weight cut for whatever the discipline, man. There's a difference between having to do it because you have to and you get through it, then setting yourself up to do that because you think it's the cool thing or the thing you're supposed to be doing in order to be successful. There are plenty of like two-time Olympic medalist. I probably could have been a two-time Olympic medalist had I not cut that much weight. I probably would have multiple world medals had I not cut that much weight because my body wouldn't have been that broken. There's always the other side of it. So just when you're looking at it, like I just hear it in like young kids, even some of my own, like when you hear them talk about like where their weight's at, they almost take a sense of pride on how much they have to lose because they hear stories like this. And it's like, that's not the takeaway. I did it because I had to. I was put in a situation where like, I may not have gone to this game that I moved up to 90 kilos because I wouldn't have had time to grow into the division. And then you get the job done. And then you get the job done. You're right. It's just a very important difference. And that's also with sleep. That's what people talk to me about. There should not be any glorification of not sleeping. There should not be a glorification of cutting weight. But if that's on the way to your, whatever is that fire inside you that you know needs to get done, like the job at hand, if you need to sacrifice in some of those ways, you get the job done. Yeah. And the weight cut is an interesting one because it's different. I mean, you could speak to this. There's different sports in which the weight is more important than others. And there's different levels to this game. I think at the level you operated in, that was probably essential. Yeah. Like there's huge games changed completely from 81 kg to 90 kg. The huge weight jump. It's first of all, it's the weight, but then the strategy, it's like so much changes the height and all those kinds of things. The physical, like people don't understand it, but the physical size of a 90 kilo judo player versus the physical size of an 81 kilo judo player, it's like putting a human in a human. Like there's enough space. That's not like, you could stand next to your friend who's 180 pounds and you could be 160 and you guys could look identical. Yeah. It is different when both the 90 kilo, 100 kilo and 81 kilo both have 6% body fat and they're cutting into the class. It always feels like there's more variety at 90 kilo because some of them are lanky and tall. Yeah, some are short and stocky. Stocky. It's like 81 is more uniform, which I, but then the flip side of that is the, this is why I like in Jiu-Jitsu, again, amateur competing against bigger guys. Like I love that more. I like cutting weight just so I'm slim. Like that's when I feel the best with the same thing that you mentioned, but like I love going against 200, 220 that- Because in Jiu-Jitsu, the weight doesn't get amplified in the sport. Like the weight is just the weight, right? If you can, if you can leg press 220 and you can bench 220, then yeah, you can train with a guy who's 220. That's easy. They're not going to hurt you. And I mean, there's, there is a truth that, you know, light weights and middle weights in Jiu-Jitsu and the same is true for Judo. It's just like a lot more of them. That means if you want to be, is you're just competing at a higher level. So like there's much more variety of games. The level is much higher. So you're taking on a bigger challenge, even if you're like, have a weight advantage. So those are all the decisions you have to kind of make. And certainly in Jiu-Jitsu, people that are weight cutting are silly. I mean, that's the natural beginner thing to do is to feel the way the nervousness about competition expresses itself is through the desire to be as light as possible, which is the totally wrong desire to have. Like when you look at me now, I'm probably like 230, right? But I probably have the strength of a 70 kilo Judo player. The weight doesn't really do much. I mean, you have the same thing with wrestling. The skinny guys, the skinny you that we're looking at there, just the amount of power in that person is fascinating. Because it doesn't look like, you know, you have some muscle, but it doesn't look, but I felt the power of some of those people. Yeah. It's scary. Yeah. It's different. That's the best way I can describe it. It's like scary. It's like, oh shit. Again, it's the food chain. You're not at the top of the food chain. Yeah. That's the natural feeling when you go in with some Judo people. What's your sense about this recent Olympics? What stands out to you as, so like Teddy Renear, who was on a big run for a long time, many consider him to be one of the greatest Judo players of all time, two time Olympic gold medalist, and two time Olympic bronze medalist, so four Olympics. To close, yeah. Not counting like team stuff, just doing individual. And then like, Yeah, I'm not sure how they're gonna- Ten time world champ? Yeah. I'm not sure how they're gonna catalog that team event. Like, are they all technically Olympic champions, or is France an Olympic champion? No, they're all technically Olympic champions, but I'm gonna ignore that. Is that how they're gonna classify it now? According, oh, sorry, according to Wikipedia, like according to the internet. I don't know, according to IGF or whatever. Cause you know, some of those players never, you know, won a match, they just filled a spot. Oh, that's even a starker example. Oh, that's sad. You know, they lost in the individual, and then they also lost in the team, and so. Well, it's interesting because in the case of Teddy, he was, you know, important to the win against Japan in this Olympics, so like, in the team event. So like, I feel like you should put that in the equation and say who won gold, right? It does feel like he won gold in the team, because he carried the team. Well, you have like Nomura at 60 kilos from Japan, three time Olympic gold medalist, no team event. Yeah. Yeah. So, you're not arguing that way, Teddy's team event. No, no, we're not arguing this, of course. No, I'm just wondering how like the IGF, like when you look at a player stat, is it gonna be like team gold medal for the Olympics versus like their own personal gold medal? Yeah, I think in sports, we have to be brutally honest. And I think, hopefully this doesn't piss off people. I hope it does. But judo is an individual sport. It's honestly just that one athlete. Maybe the athlete and coach, right? If you look at the big, big picture, but there's no team in judo. That's the beauty of combat sports. That's the honesty of it. That's the brutality of losing to another human being in a combat sport. That's why it's so damn embarrassing when you get slammed is because it's like, there's no team to like carry some of that responsibility. It's all on you and you suck. That's what you lost. There's that weight. And that's why it's like magical. It's not like soccer. It's not like basketball. Yeah, I couldn't play team sports because if one of my teammates wasn't doing their job correctly, I would go play their position. That I'm gonna do it better than you. Yeah, but that, some of the greatest leaders of teams also do that. Michael Jordan is like that, right? I mean, it's like with your actions, you raise the level for everybody. Like excellence is expected and therefore everybody needs to step up. So some of the greatest, I would say, team leaders are individualists at heart. But so, okay, so Teddy, I think 10-time world champion, non-team regular. It's a big number, but I think he has some like open weight categories in there. Open weight, right, right. I mean, you can count those, right? I mean, that's interesting. Let's get that. It's the same division twice. It's the same division twice. That's right. One day after another. Yeah, that's right. I don't know if I wanna count that. Yeah. Well, I mean, that's one of the reasons people don't usually put heavyweights in judo as like the greatest of all time because the level of competition is lower. Yes. But anyway, he did lose in this match to a young Russian, Tamerlan Bershchev. Match also not on the internet. Thank you, Olympics. I am definitely going to go on some rants on the internet. I love it. As a fan of Olympics, I feel like this definitely needs to change moving forward. That like every single major Olympic event, I'm also like, I also like random sports, like weightlifting, even though I don't do Olympic weightlifting. It's fun just to watch. Fun to watch such high level of excellence. And the fact that we can't just fricking watch the full, like each nicely categorized event is really heartbreaking in judo, in Olympic weightlifting, in track, in gymnastics, all of that. Anyway, so Teddy lost. I mean, does that stand out to you? If you were to like recap the things that you remember from this Olympics. I picked him losing already, like in my predictions. Lose which where? That match or just in general somewhere? In the final. In the final, you thought? Yeah. Final or was it semi? When I looked at his draw because he decided not to compete throughout the quad and do like the bare minimum to go, because of his age, I didn't think he would have enough energy to battle his way through the draw that he had. And sure enough, he didn't, he felt earlier than I thought, but he just, he's not the young athletic person he used to be. And when they changed the rules to judo, they allowed people to take people into really, really deep waters, which you saw at this Olympics, which, you know, it did it ruin the sport or did it not? Like, I'm not sure, but it was definitely difficult to watch. Would you put him at the greatest of all time or ask another way? Like, who do you think is the greatest judo player of all time? He's definitely not the greatest judo player, but he's definitely the best competitor. What's the difference between judo player and competitor? There's an ability to like, do the act of judo of like throwing, pinning, arm locking versus can you win a judo match? Right, like when you look at somebody like Nomura who like threw everyone he fought through three Olympics, multiple world championships, multiple things, like that's a pure judo player. In the essence of judo, he can throw pin or arm lock just about anybody he steps on the mat with during his time. Teddy tended to, when you look at his judo, because of his size, again, it's just because he's in the heavyweight category, he was so much bigger, so much stronger. People just couldn't handle it. And you would see really good judo players just break. Like they could hang in there for a little bit, but eventually his size, like you can't control that weight. Weight moves weight. And when you have to use all your strength to keep him upright and off of you, your muscles just give out because you don't have somebody of that stature and that skill like to train with, to train those muscles. So what you're thinking more like those 73, 81, 90 kg people that just stand in the pocket and just give everything. Like what comes to my mind is like a Koga. Koga. You know, a Nomura who's a 60 kilo guy, but again, like his dynamics and how long he was dominant for, like it just. Do you put value to like epic throws, like singular moments of greatness? If it's against a noteworthy player in a noteworthy position, there are a lot of highlights of people that are good judo players, but their highlights are of, you know, scrubs on the IJF circuit. It's like great, the Japanese guy through the guy from, you know, Senegal, free poem. Great, we kind of expected that. You took the world number one against the 330th person in the world. What'd you think was gonna happen? Like when I see those highlights like thrown around like social media, I'm like, that's not a highlight. They might as well have just been at the dojo like practice and throws. If you look at the like top 10 list for judo, Kano always comes up, you know, as. But he's not somebody that I don't think his results are there, but you don't really know how he got there. So it's hard for me to like, I can't see his judo. Yeah. So I'm not sure. Kano by the way, is the founder of judo for people who don't, who are considered to be the founder of judo. Yeah, the sport evolves. Yeah. The players that are like, if you took champions from the past and you fought them against the players of today, they're, it's not happening. And that goes with anything, right? So every time you think of like, who's the best of all time, it's probably somebody within a generation or two of today. Yeah. If I'm gonna pick my top three, let's say top three. And I would go generationally speaking, I would pick Ono for today, probably Iliadis for like my timeframe, like the, from a developmental standpoint. And then I'd probably go Koga. And then before Koga, I'd probably go Nomura. Nomura. As like the person of that generation that people like, as a whole in judo respected. Yeah. Well, in the case of, I wonder if people feared Koga. Yeah. Yeah. Like you're, that little guy's gonna get under you and you're gonna go for a ride. You know, he was 78 kilos when he took second at the All Japan's, which is an open weight class. Yeah. You know, like he could throw down with anybody, any weight class and still win. He was one of the early people that planted the seed of judo, love of judo on you. Yeah. And when I looked at him, like, that was how like I wanted my judo to be portrayed. That style. Yeah. And then Ilias Iliadis, you just like, I mean, you have a similar attitude as him. So you just like the way he carried. That's why we get along. You guys hang out. I mean, I'd love to see that conversation. I remember when we were talking about like his coaching, I was like, why didn't you take this team? Or like, why'd you pick this team? And he's like, I can't work with those people. Like those people are weak, they're children. Like they don't know how to train hard. I love that guy. What about Ono? Cause he was competing in this Olympics. He got gold in this Olympics, right? Yeah. He lost in the team tournament though. I think he just didn't care. He just really wanted to throw that guy. He like throws everybody. So he represents the thing you're mentioning. I signed up to the Judo Fanatics, best of Ono. Is there something that stands out to you about him that's especially you find beautiful, like or powerful about his technique? His adaptability to the situations and understanding of like what needs to happen in order to throw these people. I specifically watched a match with his and I was going to do a breakdown video on it because. Is there a match, do you remember what it is? It's him versus Garvey of Hungary. Is he good at gripping? So we're watching the match against Hungary. So at the one minute, so right here coming up. I've heard he's freakishly strong. I've never had the ability to train with him. So I'm not. Obviously he looks super skinny. But when you see him without his Gi jacket on, like he's a Jack dude, which is uncharacteristic of a Japanese player from back in the day. In a way changed all that. He was like, we're going to get physical to compete with the Europeans. That's another one of the greats, right? Yeah, he doesn't get mentioned enough. And he's a righty here. Yeah, okay. And this is where he starts setting it up. It's like, you can see he was standing in like a left-handed stance and then he changes. So he grips almost like a double, double sleep. Not a double sleep, but the tricep. And the front sleeve standing like a lefty. No body grip, just tricep and sleeve. And that was like the biggest whip and twist of a new Chamada I've ever seen. Yeah, he doesn't actually lift him off the floor. And if you look at it in like slow motion almost, yeah, there we go. The Hungarian player was like 100% defense and he still did this, right? So right here, like press pause. This is like an identifier if you're trying to like learn, you don't figure out how to set it up because knowing how to get to the point right before you pull the trigger is probably the most important. So when we watch this play out, what Ono is going to do is he's going to pivot off his right leg right here. He's going to backstep with his left and it's going to pull Ungarvi's front leg all the way forward into what we would call like a neutral square stance. So he plants hard and look at Ono. There's an interesting pull with the tricep. Oh no, it's not tricep, he almost like, it starts with the tricep and he like collects the gear or something like that. But it's still above the elbow because you can see the bend, right? And right here, see how he never put, back it up a little bit. This is kind of like one of those things, yeah, pause it right there. So when he puts his right foot down, he's pulling so hard with his back that when Ono goes to put his left foot down, it never touches the mat. But by putting his left foot back, it actually pulls Ungarvi's foot forward. And so he's able to speed up his throw by just continuing that motion back, which what was supposed to have been a step turned out to just in the middle of the action, he makes a split second decision before putting the foot down to just continue. Cause he recognizes that feeling in his hands. And so it's like, it's a swing, like he never touches the ground with his left foot. It never started as like a big swing to a back step. He changed his mind part way through. So it's supposed to be a back step, right? And then he goes, nope, he's bringing that foot forward, I'm just gonna go for it. And wait, is he full air? Look at that, boom, boom. And look at if you go a few more steps forward right there, his hip is the same height as Ungarvi shoulder. Yeah, that's crazy. Because he's leaning so far into the throw with his body weight. And he's allowing that tricep grip to rotate. That's gonna draw Ungarvi forward. And now when you pause it right here, you think about the sheer physics to like get your body into this position. Jimmy and I were so like, when we saw this for the first time, we tried to just stand like that and we couldn't do it. His left foot is pointing straight ahead. His chest is perpendicular to that foot or parallel with it, right? And his head is by his foot. Yeah, is that only possible in the midst of a throw? Do you think he works on making like... I think he's done this particular throw, not this style of it, but Uchi Mata so much that his body has adapted to be able to do this. So when people are trying to learn and like break down videos, they don't understand like the power he has and what we call end range motion. Yeah, look at that. So like look at the full range of motion he takes, right? That left foot swings all the way around and the torso starts like at three o'clock and it goes all the way around like almost back to the three o'clock. Yeah. Like, look at that. What it... And he never lifts his leg above his hip. And the crazy part is he never fell over during any of it. Yeah, look at that. Stayed on his feet. What's he doing? Is that a matter of pride or just... I think that's just habit. The way the forces work, like he can just stay up. Aye. That's one of the most beautiful throws I've ever seen. There's so much wrong with it, but it worked. It worked. Because when you think about, remember what we talked about at the very beginning, like he's got to get his center of gravity under his. Well, here's one of the top players in the world throwing another top player in the world with his hip at that guy's shoulder height and it's still working. It's... Okay, so this generation, he could be the great. Yeah. And he switched a lot of those details of the throw in the middle. In the middle. And that only is... That means he's probably what, like a hundred thousand times that throw has happened. Yeah. I saw you were into chess recently. So you're like me, a bit of a beginner in chess. You're part of launching the website Effective Chess. So I got to ask, maybe it's a personal question, but do you have advice to yourself and to other beginners in exploring chess of how to one, have fun and two, to start getting good? It's nice to see like Olympic caliber athlete take on a difficult task with a beginner's mind. So like, what's that process like? I'm a huge fan of just learning new things in general. Right? Like when I left judo, like I took a job as, you know, marketing for Fuji Sports and I was getting frustrated with designers. So I learned Photoshop. I also got angry with the photographers. So now I take all the photos too. Just because I don't mind learning. You know, I've spent my entire judo career learning all the time, like adding new techniques, finding new ways, practicing, developing. And so when it comes to chess, I treat it just like I do anything else. I just stick to one plan and I learn all the ins and outs of that one plan and then I develop another plan, right? Like I'll might practice like a London opening, for example, and just, I don't even care if I win or lose. I just want to figure out how I'm gonna lose and then figure out how I'm gonna win. And once I know that position is now done, then I start with another position. And then once I figured out how I'm gonna lose and how I'm gonna win, the next thing I do is I don't go to a third. I figure out the bridge between the two. Like at what point during my openings can I transition back into this opening, right? So like you have like some basic openings and you want to see how they go wrong, how they go right, all the different ways. And then that starts to solidify a higher level concept of that particular opening. And you start to stitch together the concepts. The concepts together. Cause being able to go from one to another and then back and forth is part of the reasons why, like I was successful at judo is just because everything I do, at some point it touches that spiderweb of like being able to get from one area to another. We refer to it as like a toolbox, right? You need more tools in your toolbox. But if you're always grabbing the wrong tool for that job, then you're just not gonna have success. I actually forgot to ask you, you mentioned a few greatest chess players of all time. And I noticed you didn't mention Vladimir Putin. So I gotta ask you about his judo. Do you by chance know much about his judo? What do you think about a president of a major nation being a judo black belt? And I think from what I've seen pretty good at it. I think it shows if he actually got it, like let's go with that premise of like he earned it. Right? That just shows like a level of like physical persistence and mental fortitude to be able to like, take those beatings and just keep showing up until you've overcome and can now give those beatings. As you know, in Japan and Russia, you get it by just like, when you're young, it's easier to get a black belt when you're like, just go through a bunch of beatings for like 10 years in your teenage years. But there's also from it, springs like a camaraderie. There's definitely a brotherhood and sisterhood in terms of judo to where you're connected forever because of that. For many people, it's their childhood connection. You sort of leave judo in your twenties, in your thirties, but that's always there. And the same is true with wrestling. So it's interesting to see him pay respect to that, like by going with the Russian national judo team. And I think he did, obviously, they have to get thrown, right? But just, you can tell, and you probably can tell even better, but you can tell when a person moves in a way where you're like, okay, you've had like 10 years of beatings and you can tell the way they pulled, the way they moved. But I also like in contrast to the US national team, or I don't even think there's a national team for US, right? It's the Pedro Judo Center, right? That there is some, it's really cool when there's a camaraderie like that amongst the highest level Olympic caliber athletes in Russia. I suppose Japan might have similar kind of thing. And then you have, then you can have the system of people together and then you can have a strong coaching staff, not just like a coach, but a coaching staff. And then you can have the nation backing that staff. I mean, and then the result is like, you have some incredible level of Judo emerge. Is there something you could say, we didn't talk much about Jimmy. I mean, he was a critical part of your just, like of your perseverance through all the, all that you had to go through. What did you learn from Jimmy? What are some impacts that he had on your life, both on the mat and off the mat? You know, if we had to like put it down to like a very simple thing, he taught me how to win. Right, it wasn't necessarily like the technical side of Judo, like we went over gripping, we went over this, we adapted that. But the real strength to Jimmy was like, he knows how to win. And most people think, well, if I get really good at this technique, I'll be able to throw people with it, not win. That is not how the world of sports works, right? Like I remember in one of my YouTube videos, I was doing a breakdown of a match from the Cuba Grand Prix, where I was fighting a Mongolian guy. He's kicking the shit at me, not gonna lie. Four minutes in, like he was just throwing me like left and right, he was so fast. I felt like I just couldn't get to him. In the last 30 seconds, he changed. He started protecting his lead instead of continuing the fight the way the entire match was going in his favor. He made a mental shift and when he made that mental shift, I beat him. Cause he didn't know how to win the fight. He can win exchanges, but he can't win the fight. So the last thing you wanna do is have to win every exchange in a match. You wanna know how to kick it into sixth gear. Like when to step off the gas, when to focus on gripping, when to attack, how often to attack, all those things like. And you've had those conversations with Jimmy, like this is not like how to stop trying to win every exchange, that kind of thing. Yeah. And instead. Cause I was a brawler before, I was like, if I threw you once, I'm throwing you again. Yeah. And sometimes you get caught. Yeah. Why would I do that? I'm already winning. What about like the mental side of the game, the preparation, all those things. One of the biggest things Jimmy brought to the forefront when it came to like the mental side was the visualization. Right. And when I started visualizing myself winning, I started seeing more success. But once I started seeing more success with the visualization also came self doubt because as I'm starting to picture myself, like I would picture myself before fighting churches, Philly, I'm going to throw them with Koshiguruma and I can see it. And if I stand in the shoot for too long, you start to like, but what if he counters? Then you go, well, if he counters with this, I'm going to counter with that. But you already let that doubt in. And then you start playing this like five steps scenario, but you still come out on top, but all that doubt has like seeped into your mind. Right. And a lot of people don't understand that that's a bad thing. You're still winning in your mind, but you're also doubting yourself in your mind. Yeah. Once you let the like that little slip in, it's a little sliver. Yeah. And so I remember I was at the world championships. I can't remember what year it was, but I was ready. Like I was healthy. I was ready to go. And we all thought like, this is the year Travis wins the worlds. I go out there in the first round. I'm in the shoot for like 45 minutes. Like the match went into golden score. Then the next match went into golden score. Then the next match went to golden score. Then the referee came and told me, you can't wear your gi. Then big Jim goes, why can't he wear his gi? Any gi that has his name on it, we're not going to let him wear. He has to wear a different gi. So then I go, fuck you, I'm leaving. And I walked out there and I fought. I lost in golden score cause I did a coach and they called it a false attack. And I went, you know, I'm out of the fucking worlds. But when I was in the shoot, I struggled because I started allowing the like Hungarian guy that I was going to face to do things to me that I would have to play defense to and then counter. It's like, great. But now I'm doubting my own ability. So I went to a sports psychologist and the big game changer for me was I focused more on the emotional physical response that happens in matches rather than the actual, you know, quote unquote like Instagram picture that would have happened. So when I was getting ready for 2016, you think about like, how do you feel like standing in the shoot? Like, what does your body feel like? Is your heart racing? How's your breath? Is your mouth dry? And then you think about like, okay, the ref just started the match. What happens? Like how, what's the atmosphere like? How do you emotionally respond to these things? More so than me trying to beat a specific judo player. Right? Like, oh, the ref just gave you a penalty at a minute 30. Like, how do you feel? And then you start thinking about the physical responses. And when you do that really well, you can actually get the pins and needles and your body will start to sweat and your heart will start to race as if you're in it. Cause it's not about the technique. It's more about the physical, like, what does it feel like to have your fingers ripped out of a gi in the first exchange? Now my hands can feel that. That's fascinating. And then on a cellular level, like I fought the Olympic games so many times to the point where like it is no longer a goal. It's an anticipation. Right. So down to the experience of the grip break, that just the sweat, the heart beating, the yeah. You feel to have your head smashed into a mat and driven across the mat with a mat burn. Yeah. And then getting back up. And getting back up. Yeah. Like with a bit of a burn, all that kind of stuff. The actual sensations on the skin. The actual sensation of what it takes to fight a judo match. It's not a strategy, like, but the actual sensations, the full experience, that's fascinating. Cause then your body's going to fight hundreds of matches without the physical damage. And you could probably get really far with that. And not also in just judo, but basically anything. You can simulate. Yeah. If you learn how to simulate well. You've lived a very, a hell of a life. Is there a device you can give to young people? Sort of a high school, college, thinking about their career, thinking about life, how to live one they're proud of? Yeah. I think the number one thing I can tell people is, and how I've lived my life is, you've really got to like forget everybody in your life right now, your mother, your father, your grandparents, your girlfriend, your boyfriend, whoever it is, and really decide like, what is going to make you happy? Right? At some point in my career, the act of pushing my body to the limit made me happier than winning a grand slam medal. Pushing my body to the limit didn't make me happier than winning an Olympic medal. Right? There was a, there's a balance there. And I think a lot of people struggle with living their life where they're happy and they make other people happy or take in their feelings into the considerations of what they need to do in their life. And I think if they can cut those strings sooner, it'll allow you to get over it quicker and get to a happier place sooner. And then as long as you're focusing on what's making you happy, the things you do that make you happy will attract other people who do those things that will in turn build stronger, better relationships. And then you will also realize the best form of yourself and inspire many others. Like you've inspired me to, for whatever the hell I've done, at least to do a slightly better job than I otherwise would have by doing martial arts, by taking that journey and I think becoming a better person because of it. So Travis, I have been, I continue to be one of your biggest fans. I love your whole career in the way you pursued happiness. I love what you and Jimmy have done. I love the sport of judo as represented by you. So I deeply appreciate what you've done, man. And I'm honored that you would spend your time with me today. Thanks for talking, man. Thank you. Thanks for listening to this conversation with Travis Stevens. To support this podcast, please check out our sponsors in the description. And now let me leave you with some words from Napoleon Bonaparte. Never interrupt your enemy when he's making a mistake. Thank you for listening. And hope to see you next time.
 The following is a conversation with Travis Stevens,
 2016 Olympic silver medalist in judo
 and one of the greatest American judoka ever.
 But his story is inspiring,
 not because of that Olympic medal,
 but because of the decades of injury, hardship,
 incredible battles against the best in the world,
 wrapping up in close heartbreaking losses
 at the 2008 and 2012 games,
 all of which eventually led to that very silver medal in 2016.
 As we talk about in the podcast,
 Travis is also someone who's largely responsible
 for me getting into judo,
 for which I will forever be grateful.
 He also happens to be now my judo coach and mentor.
 I'll release a video of Travis and I
 doing some judo in a few days.
 To support this podcast,
 please check out our sponsors in the description.
 As a side note, let me say a few words
 that I've written down about the Olympic Games
 and the International Olympics Committee.
 Visiting family has the t-shirt,
 but I had to pull away to write and to say these words
 because this very video was taken down by YouTube
 as per the request of the IOC.
 You know it's serious when a Russian takes time away
 from family, food and drink.
 I'm heartbroken to see continued incompetence,
 greed and corruption on the part of the IOC
 in failing to do as the Olympic Charter states to,
 ensure the fullest coverage
 and the widest possible audience
 in the world for the Olympic Games.
 I want to give you two facts.
 First, they do not make most of the videos
 of the games available for replay anywhere
 that is accessible, searchable and discoverable,
 whether funded by ads or by subscriptions.
 For example, on YouTube or their own service,
 it is not available anywhere.
 Second, in the most absurd violation
 of the Olympic Charter, they've uploaded all of the videos
 of the 2012, 2016 and the 2020 slash 21 Olympics to YouTube
 and they set all of these videos to private.
 This results in a situation like my four hour conversation
 that you're watching now with Travis Stevens
 being taken down due to us including a few seconds
 of a small video overlay of Travis's epic match
 against Ole Bischoff in 2012.
 This is done automatically as per the request of the IOC.
 I have the video due to having screen recorded it from 2012.
 Here you have Travis Stevens, an Olympic silver medalist,
 someone who spent his entire life overcoming injuries,
 losses, hard weight cuts, periods of no financial
 or psychological support, culminating
 in the biggest heartbreak of his career in this one match.
 And this match is available nowhere online,
 not for free, not for $1 million.
 Hours showing short clips of it results
 in the IOC taking it down, not demonetizing it,
 taking it down, blocking it.
 The IOC silences this amazing story of Travis Stevens
 of heartbreak that eventually led to triumph.
 And there are thousands of stories like it,
 stories that are supposed to inspire the world.
 To me and to billions of others,
 the Olympic Games give a chance to celebrate
 and to be inspired by the greatest stories
 of human flourishing in the face of hardship
 and incredibly long odds or dominance
 in the pursuit of perfection
 at levels previously thought to be impossible.
 The Olympic Games inspire kids like me to dream
 and to work hard to achieve in our own lives
 the same moments of magic and greatness,
 small or big, that the Olympic Games reveal.
 I believe the members of the IOC are good people,
 but people who forgot the dream,
 the fire that was sparked and burned in their hearts
 when they first saw the Olympics as kids.
 They've allowed the gradual corruption
 of their own human spirit
 and thereby have robbed the world of this very fire,
 the fire of the Olympic torch,
 the fire that ought to burn in the eyes and hearts of kids
 watching the Olympics today,
 daring to dream, daring to be great.
 Please, please do better.
 The world needs you.
 The world needs the Olympic Games.
 This is the Lex Friedman podcast
 and here's my conversation with Travis Stevens.
 Judo is a martial art, a sport, a set of techniques,
 ideas and philosophies.
 Can we start by maybe you giving a big picture overview
 of what is Judo to somebody who's like outside
 the whole spectrum of grappling sports?
 Yeah, Judo was originated in Japan
 that was used as a police tactic for self-defense
 and subduing people.
 It's the art of being able to throw somebody to the ground
 and hold and control the situation.
 I think it's pretty much evolved since then though.
 You know, it's as you include like the sport aspect of it,
 it's grown to be something more and more dynamic
 and it's kind of gotten away from that.
 So the basics is people wear something called a gi,
 which I think nicely mimics like outdoor clothing,
 like a jacket and they start on the feet
 and they get to grip each other
 and the scoring works by the more bad ass the throw is,
 the more points you get.
 And if you throw the person big and hard on their back,
 you win the match and it's over and that's called an epon.
 Yep, which is equivalent to a knockout.
 So I guess there's no knock downs in Judo.
 We don't count those.
 They gotta hit their back and they gotta hit it with force.
 And so there's a huge incentive for the big throws
 and there's also the drama of somebody catching you off guard
 with a surprise big throw and it's over.
 Yep, there's two ways of losing really.
 There's the, I saw this coming, right?
 Like you just, you see it, but you can't stop it.
 And those ones tend to be the ones you can live with.
 The ones that are like really hard to live with
 are the ones you never saw coming, right?
 Cause that just shows that that person
 has really outclassed you.
 Right, so there's like a set of, a small set of throws.
 Maybe we can go through them that are like,
 you saw it coming, but you couldn't do anything about it.
 And then there's the set of throws
 that are more like surprises.
 So first of all, the counters,
 or if you fake one thing and go the other way,
 then that's a surprise and it's like, oh shit,
 you off balance the person because they think
 you're going one way and then you go the other way.
 And then there's this oh shit moment all of a sudden,
 your back is just slammed on the ground.
 One of the ones, I mean, you're good at many throws,
 but one of them is a, that I think reveals the beauty
 of judo is the foot sweep.
 Yep.
 There's something about the off balance and the timing
 that if you catch him right, all of a sudden,
 it's like I had the same feeling when I went skydiving.
 Like all of a sudden the ground is not under you anymore.
 Yeah, and you just, you go weightlessness
 for like a split second and you realize
 you've lost like all control of your limbs.
 Like it's like zero gravity, right?
 Like you just, you can't turn, you can't rotate,
 you can't do much of anything.
 And then before you know it, you've hit the floor.
 Yeah.
 It's a cool feeling when you get thrown
 because you hope to do the same thing to another person.
 It's like you just hit the ground hard
 because it's not, you didn't see it coming.
 It wasn't a big throw that got loaded up.
 It's like all of a sudden, surprise and then like this
 like feeling your back just slams
 and there's like the air is out.
 Yeah, and the worst is when you get hit twice
 with one throw, right?
 Because sometimes like the guy throwing you
 didn't expect you to leave either.
 So you hit and then that guy comes down
 like a second and a half later and it's like boom, boom.
 And then the wind is just gone from you.
 Yeah.
 Those are the worst.
 And then there's the disappointment.
 Like then the intellectual, the cognitive part comes in
 where you're like, oh shit, I just lost.
 Yep.
 And you don't have like a connection to why, right?
 It's almost like you've just like,
 you didn't literally get a concussion.
 Like you understand and remember everything
 but you can't figure out how this just happened, right?
 Those are the tough ones to deal with.
 Actually, have you had moments like that
 where you don't understand how it happened?
 You have to watch footage to understand what happened.
 Even when you watch it, you're just like, I don't get it.
 Like, why wasn't I in a position to stop this?
 It makes zero sense.
 Conceptually, when you watch it, you're like,
 I understand how to play defense.
 I understand.
 It looks like I'm in a defensive position
 but at the end of the day, I still got thrown.
 Yeah, you were talking about, what is it?
 A 2008 match.
 You have a non-traditional gripping style.
 Yeah.
 Is that accurate to say?
 And then you were going against another right-handed player
 and then there was some kind of fake that he did
 and then he caught you.
 Yep.
 Can you describe the throw he caught you with?
 He caught me with a drop sail
 but he kind of like, we were engaged.
 We were looking at each other
 and we were kind of at like a stalemate, right?
 He couldn't really advance, I couldn't really advance
 and he kind of just let his gaze wander off to the right
 like he was looking at something
 and then I kind of like, what's over there?
 And then I got thrown.
 And it's like.
 So first of all, for people who don't know,
 seo seinagi drop means when you drop to your knees
 and seinagi is one of the fundamental throws of Judo.
 There's just a handful.
 But does that actually ever work?
 I always wondered that about like boxing or Judo,
 does the head movement of the person work?
 Cause we're still like kind of dogs at heart.
 If you look somewhere with a dog,
 the dog is gonna look that direction as well.
 Does that actually work ever?
 It does.
 But on a greater sense, what you try to do
 is not necessarily get like a physical reaction of a look
 but a lull of security where like they've almost like
 relaxed for that split second because you've lured them
 into like a sense of comfort.
 And then that's when you can strike.
 So you have this, speaking of seinagi,
 you have this gigantic standing seinagi.
 Yep.
 And you have a specific grip.
 One of our challenges is there's a large number of people
 that listen to the audio version of this.
 So we're gonna have to try to describe some of this stuff.
 I'll do my best to try to describe with words.
 But you grip with your left hand on the lapel
 of the jacket or like that area.
 Yep.
 And there's kind of a lean into the person.
 And I suppose, is there a feeling of a lull there
 that you're trying to get to where you're just,
 it feels like you're both calmly dancing
 before you turn your hips and go in for the throw?
 I'm actually trying to create a sense of weightlessness
 for my lead leg, which would be my right leg,
 and a sense of resistance from my partner.
 So aren't you both kind of leaning into each other?
 Into each other and it creates like an A-frame.
 Yeah.
 But when the A-frame is held together at the top half,
 which would be my left hand and their right hand
 posted on each other's chest,
 it means our legs are free to move
 and our hips are free to move.
 Right.
 And they're not gonna feel your leg move.
 Because of the way you're leaning
 and your leg move because of the weightlessness.
 And is there a feeling like for them,
 is there a feeling like nothing bad can happen here?
 We're all relaxed, everything's fine.
 Yeah.
 And then they're standing off at a funny angle
 and before they know it, I've spun
 and my back is on their chest and they can't go anywhere.
 Yeah.
 Yeah.
 How did you first develop that throw?
 So for people, it's called Ippon Seinagi,
 which means your right hand goes under their armpit area.
 And that's like a vice that connects you to them.
 Yeah.
 And then they go on for the ride.
 Yep.
 The interesting thing with the standing one is,
 as opposed to Drop Seinagi version,
 the Drop Seinagi, you kind of drop under them.
 And because there's a vice,
 they're like pulled under and like over.
 Yeah.
 With the standing one,
 I suppose there's some similar physics,
 but you're kind of loading them onto your hip.
 And so they're in the air while you're standing still.
 There's a sense in which they're,
 like you're lifting them above where they started.
 Yes.
 That's how you get the really big air.
 Yeah.
 If obviously, if everything is right.
 So how did you first develop that?
 How did you first?
 I first learned just learning like the very basics
 of the throw, foot placement, all that kind of stuff.
 And then, like anything, the basics are nice.
 But once you get good at the basics,
 it's very easy to stop,
 but it gives you a good like fundamental platform
 to learn off of and to expand off of.
 And then I expanded when I first started watching Koga,
 the new wind, right?
 Cause he's the one that first like introduced
 that split hip style say and I do that I do.
 Once I learned that one,
 I built about eight different variations of say,
 off that one start position.
 That way I could, regardless of your defense,
 I had an answer for a throw.
 So why that one though?
 Why, can you describe love to me, Travis Stevens?
 Why did you fall in love with that throw in particular?
 It was really a sense of,
 you know, one of my shortcomings as a kid,
 like I hate leg day in the gym.
 I hate it with a passion.
 If you asked me to do a squat, I'll get it done,
 but I will bitch and moan every step of the way.
 I hate it.
 I remember one time I was at the gym with my trainer
 and he goes, okay, we're gonna do front squats.
 And I want you to put 225 on the bar.
 And I was like, I can't do that.
 And he was like, what do you mean you can't do that?
 And I go, I physically, I can't do that.
 And he was like, are you serious?
 And I go, yeah.
 So he didn't believe me.
 We put 225 on the bar and I bottomed out.
 And then he was like, okay, let's go down to 185.
 And I was like, I can't do that.
 I just, it's not happening.
 You probably couldn't strength wise, you just refused.
 I just mentally, I cannot wrap my head around like,
 this ain't happening.
 I'm not doing it.
 So I ended up with like 95 pounds on the bar.
 I got you at a front squat, no problem.
 By the way, body weight squats are rough too, psychologically.
 Yeah, I just, when it comes to my legs,
 like I want no part of like leg pressing,
 single leg squats, split squat, any of that.
 I want no part of it.
 So you think like the more traditional variants
 of sanagi require you to-
 Have that leg strength, that mass.
 Like when you watch Japanese judo players,
 like their thighs and their hips, they're thick.
 Like they got a lot of power there.
 So you're almost like always dropping a little bit
 into a squat position.
 For mine, never.
 No, no, no, not you, sorry.
 For them, yeah. The traditional ones.
 Yeah, and so the split hip,
 the split hip actually allows me to keep my legs straight.
 Yeah.
 And the farther I split my legs,
 the lower my center of gravity goes.
 Now I don't need my legs.
 Yeah. Perfect.
 Love it. Let's do it.
 So that's the way you were thinking about it.
 Okay. Yeah.
 But it's, you know, the interesting thing about it
 is because, you know, as I mentioned to you,
 I've gotten to judo after first watching you in the Olympics
 and then watching Koga as well.
 And so you start imitating the people you first see
 and then you take it to judo coaches and they're like,
 no, no, no, no, that's the wrong way to do it.
 And-
 Happens all the time.
 It drives me nuts.
 Drives me nuts.
 I was in Poland one time teaching a camp
 and I had two coaches, anti-coaching,
 telling their kids not to do seo the way I do it
 because it never works.
 Yeah. It's crazy.
 How do you have the fortitude and the guts
 to just go on with a throw that's not traditional,
 a variant that's not traditional?
 If you think about it, you know,
 from a very basic like root of it,
 there's a philosophy and a mentality of judo
 of how the throws work, right?
 There's a mechanical structure there of like,
 this makes sense.
 If I follow that principle, I can do anything I want.
 Nothing else matters.
 As long as we follow those core principles.
 So in the early days, even then,
 you were able to think on your own.
 Yeah. And I was able to develop a pattern
 for my foot placement based on my opponent's height
 because the number one thing any judo coach
 will tell you is you need your center of gravity
 below yours.
 Well, now I know exactly where to put my feet
 because the shorter you are, the bigger the split
 because the lower I need to get.
 The taller you are, the less of a split I need.
 Is there something you could say about
 fundamental principles of judo?
 Is there, over all that time,
 not over 20 years that you've been doing judo,
 it's not approaching 30, is it?
 Yeah. It's getting there.
 Okay.
 Or a couple years away, but it's getting there.
 Is there some principles that have emerged?
 Like you said, you have to have your center of gravity
 below theirs. Yep.
 Is there other kind of both on the gripping side,
 the footwork side, leverage, anything you can speak to?
 There's some that have withstood time.
 You have to be able to get below their center of gravity
 because you have to be able to rotate them
 around their center of gravity.
 And then the other one is,
 that was always a principle when I was growing up
 and I didn't change until later on in my career was,
 you have to be able to pull.
 You need to be able to pull to get them off balance.
 But when you think about that statement as a whole,
 it ended with, they have to be off balance.
 I don't need to pull to get you off balance.
 I just need you off balance.
 And when you think about it that way,
 it allows you to open up the doors to,
 what do I need to do to get you off balance?
 I could push, pull, I could flinch, I could fake,
 and you could put yourself in your own off balance state.
 When you think about people who wrestle,
 if I fake shoot, it causes you to over lean forward,
 which means you're off balance.
 There's no pull, there's no push, there's no nothing.
 I just get a reaction that leaves the opportunity
 in the door open for an attack.
 And that off balance could be very subtle?
 Could be very subtle.
 And the better you get and the more skills you get,
 the less subtle it is.
 So we should also mention that there is something called
 forward throws, where you throw the person,
 they're gonna fly facing forward, they're gonna fly forward.
 And then a backward throw, they're gonna fly back.
 Yep.
 And then there's lateral, they actually go sideways,
 like a cartwheel almost.
 Okay, so the forward throws, there's the one
 we've been talking about, which is a sayonagi,
 and there's a bunch of different variants,
 Ipon, Marote, sayonagi, there's drop
 and there's standing versions of them.
 And that all, I don't know if there's a way to summarize it,
 but that's like as clean as getting your center of gravity
 under there as it gets.
 And then the rest is just gripping variations.
 Yep.
 I guess it's all gripping variations
 on all of these throws.
 And then there is, in terms of forward throws,
 there's the other big one in competition is Uchimata,
 which is, I don't know, we can try to explain that one,
 but it ends up being where you're standing on just one
 of your feet and the other one is up in the air.
 And I don't know if you put in that same category,
 harai goshi, those kinds of throws where you're kind of
 a little bit single footed.
 So there's two footed techniques
 and then they're single footed.
 Oh, goshi, where it's like you're doing a mix
 between the Uchimata and the sayonagi.
 It's a hug, you hug a person and then you turn your hips
 around such that you're now hugging,
 facing the same direction.
 When it comes to forward throw, there's,
 regardless of the name of the throw
 or the gripping variation that you're using,
 the whole principle is how do I get this person
 to do a forward roll in midair and land on their back?
 The more of a forward roll I can get, the bigger the score.
 If I get like a quarter of a turn where like you land
 on your side and you don't go over your back,
 it's a half score.
 But they all require me to get you
 to do that forward rolling action.
 So it's just if we think of one person,
 if they do this nice leap forward and they do a roll
 and their back nicely rolls over the ground,
 you're trying to do the exact same thing
 with you connected to them.
 Well, and if it's nice and it's smooth,
 it's probably not a full score.
 It needs to have like somewhat of a violent impact.
 Right, so if you think of a drop sayonagi,
 if I'm moving too slow and you still roll over
 your shoulders and there's no direct impact,
 it's only a half score.
 Right.
 They want the force.
 The force, the violence.
 Yeah. It's good.
 Okay, so then in terms of backward throws,
 the traditional ones, there's stuff where you trip them
 from outside their body like a sotogari.
 It's a trip where you hook your leg onto their leg
 and you trip them, but your hook goes outside of their legs.
 And then there's the trips from inside their body.
 There's one foot is called kuchigari
 and then the other is ochigari, doesn't matter.
 The most important thing is outside and inside.
 And then there's like, I don't even know
 how you throw them sideways except foot sweeps.
 And then there's the foot sweeps where you can sweep
 one of their legs from out of them
 or both their legs at the same time.
 And like we were talking about,
 this kind of is when timed perfectly,
 it's effortless for everybody involved.
 And the ending, like you said,
 is big, dramatic, and violent.
 Yeah.
 Is there other kind of, oh yeah,
 there's sacrifice techniques.
 Yeah.
 There's a bunch of them and ultimately the variations
 have to do with gripping, but you're basically you,
 the attacker, fall onto your back,
 sticking your legs somewhere onto their body,
 which is like this fulcrum over which they fly
 and do that same kind of roll that you mentioned.
 You basically sacrifice your back to the mat
 in order to throw them into that circular pattern
 so they hit their back.
 Sometimes we use a foot, sometimes we don't.
 And so we should probably say,
 it's okay for you to go onto your back
 as long as you're clearly demonstrating control
 over the other person's body.
 Correct, you can't go to your back in the same direction
 that your opponent is trying to put you to your back.
 You have to go the other way.
 Or you have to initiate you going to your own back.
 Right.
 Like clearly.
 And then there's all the counters,
 which almost kind of have a whole group of their own,
 even though they have echoes of the same types of techniques,
 it seems like they're their own whole thing.
 Yeah, but they follow the same principles.
 It's just most counters,
 like if you wanted to counter Ennuchi Mata, for example,
 you're trying to throw me in a somersault
 over my right shoulder.
 Therefore, I would counter you
 by throwing you over your left shoulder.
 It goes in the opposite shoulder direction,
 but in the same somersault idea.
 And there used to be, I already at this point,
 I forget the years, but it might be before the 2012 Olympics,
 where they banned, you used to be allowed to grab legs
 in the same way you do in wrestling.
 So you have basically all the techniques
 you would have in wrestling
 available to you if you would like.
 It's just that some of the techniques in wrestling
 are not that effective for getting your opponent
 to their back.
 Wrestlers wanna take the other person down
 in any way possible and have control.
 Judo wants to take you down, like we said,
 in a big fashion where your back slams on the ground.
 Yeah, it has to be to the back.
 A lot of wrestling takedowns happen
 because they get behind them,
 and then they partare out.
 Yeah.
 But the Judo band, all touching of the legs,
 which is a very dramatic change at the sport.
 But ultimately- Right after 2012.
 It was after 2012?
 In 2012, so 2008, I fought the Games,
 and everything was free.
 In 2012, we could only touch the legs as a defensive action
 or in response to an attack.
 So I could try to throw you with a normal throw,
 and then when you try to counter, I could grab your leg.
 Right.
 So there-
 Had to be a secondary technique.
 And didn't they disqualify on a first offense?
 Yeah, first offense was a direct disqualification,
 which happened at the 2012 Games to the 57 Brazilian
 who won in 16.
 She was DQ'd in, I think, the quarters.
 And it was like, I wouldn't say it was blatant
 as much as I don't think the act
 changed the outcome of the match,
 had they not disqualified her.
 So that's not that dramatic.
 And by the way, you say 57,
 that refers to weight divisions, and that's in kilograms.
 And kilograms is the measure of weight
 that the rest of the world uses and the United States does not.
 So, and there's, we should say the divisions for guys,
 I don't know what the 70, I don't know what the lower level 60.
 60, 66, 73, 81, 90, 100,
 and heavyweight, which has no ceiling.
 No ceiling.
 It's an important distinction.
 Yeah, it is an important distinction.
 And you competed most of your career
 at 81 kilograms.
 All of it.
 You never did 73.
 I never did 73.
 Well, you had to cut big for 81 anyway.
 Especially- Towards the end of my career, yeah.
 Okay.
 I overly grew into the division.
 What's, I'm trying to remember, is it about 180 pounds?
 178.6, I think.
 And you have to weigh in with the gi.
 No, nothing.
 You're not allowed to wear anything
 except for your underwear.
 That's right. Weigh in.
 Sorry, confusing digits, that's right.
 That's right, that's right.
 That's which is very nice.
 Okay, so we, would you say we covered
 most of the throws or no?
 So there's the forward and the backward.
 There's the sacrifice throws and the counters.
 Yep.
 And then there's the leg grabs.
 And we should say for the leg grabs that were effective,
 it's like the big pickups where you just kind of pick them up
 and try to figure out once they're in the air,
 what the heck to do with their body to get them to the ground.
 You just kind of figure it out as you go.
 I think the really nice one that was to me heartbreaking
 as a fantasy go is, I guess,
 what's called the fireman's carry, which is,
 it does lead to judo-like beautiful throws.
 And the fact that that was gone is,
 that one I missed a little bit,
 but then a bunch of people, I guess,
 came up with the variants where you don't need
 to grab the leg.
 It's definitely not as effective
 as being able to grab it,
 but I'm also on the side of the fence
 having competed in all three.
 It was definitely better for the sport
 to remove it as a whole.
 It's probably good to cover sort of the whole spectrum
 of rules of judo.
 There's ground work.
 So you do all this stuff on the feet
 where you're trying to murder each other
 with a giant throw, but then,
 if the throw doesn't succeed, you go to the ground
 and you stay on the ground for some amount of time,
 like short amount of time.
 You have to move quickly.
 You have to be attacking.
 And two of the ways you can win
 is similar to people who do jiu-jitsu,
 is you can submit them,
 chokes, arm breaks, all that kind of stuff.
 No foot locks.
 And you can also pin them,
 which is get around their legs.
 And this is very, no, this is not like wrestling.
 You have to actually get around their legs
 and pin them in what in jiu-jitsu
 is called side control mount, all kinds of ways
 that doesn't involve their legs.
 Yeah, and then you pin them for like, whatever,
 20 seconds, 25 seconds.
 Yeah, 20 seconds now.
 I think the distinction is
 their back has to be facing the mat.
 You have to be past their legs
 and your chest has to be on the same plane as theirs.
 Yeah.
 So it doesn't have to necessarily be on top,
 but it has to be on the same plane.
 Yeah.
 And all of this is, I think,
 different sports have different versions of this,
 but it's like an approximation
 of what dominance looks like.
 Yeah.
 So pin and wrestling is dominating your opponent.
 Presumably, if you were in a street fight,
 that position allows you to then do a lot of damage.
 Obviously, submissions is dominance
 because you're breaking their arm
 or choking them to unconscious.
 And then obviously the throw,
 which is not often talked about,
 but if you talk about a street fight situation,
 the throw is the best way to murder somebody.
 Like this could end anyone's life.
 Yes.
 It's terrifying actually.
 So okay, so these are all elements of dominance.
 So going back to set of principles,
 you were mentioning getting your center of mass under theirs,
 which I think applies for type of,
 like the forward seinage throws.
 Is there other stuff?
 Oh, so you mentioned off balance.
 Yeah, there's the off balance one
 where you can either pull to get an off balance
 or you can give way to the force,
 which can also lead to an off balance.
 You can amplify somebody's force to,
 so for example, if you push me,
 you expect a certain reaction that you're ready for.
 But if you push me and I pull you,
 now you didn't expect that much force coming out of you.
 Therefore you're off balance.
 So the thing that's distinctly recognizable about judo
 is like when done at the highest level,
 like it seems effortless when the big throw happens.
 Like that's just, it doesn't,
 there is no other sport like it in the combat sports
 where it's like when the timing is right,
 everything just is perfect.
 I think you get that out of my mind
 and boxing sometimes when this is perfect.
 With the knockout, yeah.
 Like strike, just like what they,
 but it's not just like a hard hit.
 It's almost like the, with Conor McGregor and Aldo,
 for example, when you just catch him just right.
 Just right.
 And that-
 It didn't look like you hit him that hard,
 but he hit him just right.
 Yeah, and like you get to see this all the time in judo.
 It's fascinating.
 And so the beginning part of that
 is because there's a jacket,
 there's also this whole thing that you're master of,
 which is gripping.
 Yeah. So is there something you can say about,
 are there some fundamental principles of gripping
 that you can speak to?
 And like what the hell is gripping?
 Gripping is having the ability to hold your opponent
 in such a way where you have the ability to be offensive
 and also the ability to be defensive at the same given time.
 And it's a distinction because I can hold you
 in such a way where I might be able to feel offensive,
 but if you can take a purely defensive grip
 and then I can't be offensive, we are no longer gripping.
 We are holding each other.
 Right.
 Right. So like that would be the act of being able to grip
 is to be in a situation where you have me and I have you
 and I can play both offense and defense at the same time
 where you can only play defense.
 So Donaher talks about like Jiu-Jitsu that way.
 And not that way, but maybe you can see
 if there's a distinction.
 So you have a set of weapons.
 The other person has a set of weapons.
 You wanna sort of maximize the use of your weapons
 and shut down the set of weapons that they have.
 You see gripping the same way on the feet.
 I do if we wanna include body positioning with our gripping.
 Okay.
 Because I can give you any grip you want
 and you still can't throw me.
 Cause I can put myself in a position
 that nullifies your ability to use those grips
 in a successful way.
 And those, would you say the hips are critical to that?
 Or is it everything?
 Hips, shoulders, chin position, head position,
 the angle of your foot.
 Yeah, where you lean.
 Wow. Okay.
 And so, and there's a bunch of places you can grip.
 Obviously if people like kind of think of a jacket,
 like there's a bunch of places you can grip
 that are interesting.
 So you can grip on the collar,
 you can grip on the sleeves,
 you can grip like the elbow joint.
 And then you could do those bad-ass,
 like Eastern European, Georgian, over the back.
 Over the back, over the opposite sides of the heads.
 The Koreans that grab on one side around the head
 with their hands together.
 There's something really nice about just those,
 I mean, especially George.
 Just throwing that hand.
 Just over the person.
 You're not actually gripping a belt or anything.
 You're gripping just the entirety of like,
 as opposed to being all nice,
 I'm gonna grab this part of the jacket,
 this part of the jacket.
 You're just like taking the whole fucking jacket
 and just launching somebody.
 For those people that can't picture judo,
 think about it in like,
 if you understood like what a boxing match looks like,
 and you thought about that as like traditional gripping,
 when you throw like a Russian grip over the back,
 that's more like a hockey fight.
 Like I'm just grabbing you,
 and we're just gonna,
 we're gonna be throwing punches left and right.
 Cause when we have that grip, somebody has to get thrown.
 Yeah.
 There's no, we don't walk around with this grip.
 It's go time once somebody throws it.
 To me, as a fan and sort of amateur practitioner,
 there's two styles of Olympic level judo.
 One is where you're trying not to get thrown,
 and the other is where you're trying to throw.
 More specifically, when you're trying not to get thrown,
 there's like the strategy that you're using gripping
 to nullify their offense and all those kinds of stuff here.
 You're being very clever and strategic and all that,
 maybe using conditioning.
 And then there is people who just like step in the pocket
 and they don't almost don't care if they're getting thrown
 cause they have the confidence
 that they're gonna throw first.
 Yep.
 And those, like there's a clear distinction
 between the people that do one or the other.
 And I think both can be done extremely successfully
 at the highest level.
 It's just like, obviously you admire the people
 that step in the pocket.
 And I think when you look at the people who do judo
 the best, like if we wanna talk about like the top 10%
 of the people who would compete at the games, they do both.
 And they do both really well, but they favor one.
 Because if you look at a player like Lutepe Tilliani
 of Georgia, for example, there's a guy
 that stands in the pocket,
 but we can find numerous occasions
 where he's hustled some people for like a short period
 of time to get out of scenarios, to elongate the match,
 to make somebody tired.
 So you want both sides of the coin,
 but you better pick the one that, you know, 80%
 of your strategy is gonna be built around.
 To make two players andonde of what one does.
 But again, don't look down on yourself.
 If you think about 30 years ago,
 one of the biggest songs by a musician
 from Saint-Petersburg,
 the Russian or the late,
 the young and then died,
 who died
 they had all the budget that ex class,
 all the,
 you know, is em,
 yeah, he had, de sou,
 but he became very strong
 in his books because of a specific reason.
 Because I had decreasing people's ideas
 but there's also obviously a mastery of technique.
 Which would you lean towards in terms of
 what accounts for your success
 and just the way you approach judo?
 Is it the guts, the aggression, the mental toughness,
 or is it the mastery of technique?
 The artistry?
 My mood would be my aggressiveness
 if I'm gonna pick those two areas.
 But I think there's a third area in there
 that I would put myself in where I'm more of a strategist.
 I look at all of my opponents
 and all I ever see is their faults.
 And the way I do judo is built around their faults.
 And it's just, I put myself in scenarios
 where I don't even know how I'm gonna win.
 But what I've done in those scenarios
 is I've made it very difficult for you to win.
 And then I figure out the rest as I go.
 Like how do you study an opponent?
 Are there bins you can put them in?
 Like there's a lefty and a righty or this kind of stuff.
 How many bins are there in judo in your mind
 that you put your opponents in?
 Yeah, there's probably about 20.
 There's like certain players who you could put
 in a category of like,
 they're only good for the first, you know,
 two thirds of the match.
 After that, they turn into a different player
 where they're either falling into a sense of panic
 or uncertainty.
 And you can, if you were to take a video clip of,
 let's say, Church's Philly, right?
 They got Georgia and I beat in the Olympic semi.
 He's somebody that would beat you in the first three minutes.
 And if you clipped out all of his matches
 and you only watched the first three minutes of every match,
 you would see one style.
 If you found all the matches where he got taken
 into the last minute and he wasn't winning by a major score,
 you would see a completely different fighter.
 And so going into like my Olympic semi,
 I put him into that category of like,
 I wanna get to this guy,
 cause this guy is beatable.
 The trick is, how do you get there?
 How do you get there?
 And by the way, we're talking about the 2016 Olympics
 where you won the silver medal.
 You're a part of three different Olympics.
 But the cardio aspect of it,
 have you faced exhaustion often in your matches
 where you have to go deep and go like past?
 Yeah, but that's not from the judo side of it.
 That's from like, I did a very bad job of making weight.
 It's always the weight cut?
 Yeah, it's always the weight cut.
 And I think people really struggle with that.
 They blame cardio and training and everything else.
 But when it really comes down to it,
 like we train for an hour and a half, two hours,
 twice a day.
 How are you tired after five minutes?
 Right.
 Right, it becomes into a mental struggle,
 your anxiety, your stress, your lack of belief in yourself.
 Or in my case, sometimes it's poor nutrition.
 Sometimes I had one too many McDonald's meals.
 It just, it happens.
 Okay, so let's talk about weight cutting real quick.
 So I've seen weight cutting break
 some of the toughest fighters, wrestlers, grapplers ever,
 like burnout break, like where they makes them
 wanna quit the sport.
 So this is what people don't often talk about,
 but mentally is one of the hardest things,
 especially when you're doing it kind of wrong,
 because it becomes a mental war.
 So you competed, like you said,
 your whole career at 81 kilograms.
 You walked around at...
 88, 89.
 So about 15 pounds, sometimes 20 pounds over that.
 Give or take.
 And so what was your process like mentally and physically?
 First of all, maybe you can comment on when the weigh-ins
 are relative to the matches.
 And then what was your process like leading like
 a week ahead, a day ahead, an hour ahead,
 minutes ahead of the weigh-in?
 Man, everyone varies tremendously
 because we're not like most sports
 because you're dropped off in foreign countries
 with who knows what, right?
 Some places have sauna, some places have treadmills.
 I went to a place one time in China in the middle of winter
 where the roads were frozen with ice
 and we had to use our hotel rooms because
 it was, you couldn't sweat outside
 cause it was too cold.
 Right.
 And every one of my Olympics, the weight cut was different
 just given my mass.
 When I went to 2008, I was probably like 82, 83 kilos
 walking around.
 So weight cutting wasn't a thing for me.
 In London, we actually weighed in the morning of.
 So weigh-ins were at like 6 a.m.
 And the Olympics were always beneficial to me
 because they actually don't start until like 10 or 11.
 So you actually were able to recover.
 Where on the circuit you would weigh in at 6 a.m.
 And the competition started at 8 a.m.
 It's like, well, I was cutting weight at 5 a.m.
 And most of it for people who are not familiar
 but maybe you can also correct me.
 Most of it you're really just getting the water
 out of your system was water cut.
 At that point, yeah.
 At that, like 24 hours before even, like.
 So are you-
 Like an hour before.
 But yeah, but like leading up to it.
 And have you eaten the day before?
 Do you try to minimize the amount of food in your system?
 My weight cutting process was a little bit different
 than most people because I like to eat.
 I'm not the type of person that believes
 your athletic career is determined by your nutrition.
 Right.
 I don't believe that.
 I think some sports are built that way.
 But when it comes to combat sports, like, you know,
 your ability to knock somebody out has nothing to do
 with whether you had a cheeseburger or a salad.
 My ability to throw you is not determined by that.
 I may be able to perform better
 because I've eaten a certain way,
 but not enough to justify an entire diet change.
 Your body is built and my body is built to operate
 with certain things that I've had in my system for years.
 Yeah, I think I'm with you,
 but I also believe that there's a mental aspect.
 So if you're surrounded by people that tell you diet matters,
 then if your diet is off,
 you're gonna believe you're going to be off
 because the people around you tell you
 your diet should be good.
 So yeah, I think it's like,
 it's the same I've had an argument with Matthew Walker,
 who's a sleep scientist about sleep.
 And it's like, if you believe sleep is essential,
 it's essential to get eight hours of sleep
 every single night perfectly,
 then you're going to be very stressed when you don't get it.
 And then I think it will negatively affect,
 the stress will negatively affect your longevity
 and all kinds of aspects of your life.
 If you actually just learn to truly listen to your body,
 become a scientist for your own body, with sleep and food,
 it might end up that it will be the eight hours a night
 or whatever, but it might be something else
 and probably diet error.
 I remember when I was meeting
 with the USOC nutritionist after London,
 it was probably around 2014, I think.
 And when we had our team meeting
 at the beginning of the year and I was talking to him,
 he was talking about the nutrition plans
 that he could put us on.
 And I was like, time out.
 I've done the USOC thing, like I've done the couscous,
 I've done the lemon in my water.
 I go, I'm full of shit.
 The couscous?
 Yeah.
 Oh boy.
 Like there was just,
 cause there's like a cookie cutter plan, right?
 And I was like, look, here's what I want you to do.
 I go, I'll listen to you,
 but you're going to walk into the 7-Eleven
 and across the street from the USOC.
 And if you can't buy it in that 7-Eleven,
 it's not on my plan.
 Right.
 I go, because I go to places where
 the only thing I can eat is Pringles and a Snickers bar.
 I've done that.
 Like I've flown to Azerbaijan,
 stayed in a hotel where the restaurant is closed.
 USA Judo hasn't paid for the meal plan.
 And the only thing that's available
 is the thing across the street.
 So you were eating Pringles.
 Before fighting a Grand Slam event while cutting 20 pounds.
 And a Snickers bar.
 Yeah.
 I just, the visual of that, that's some like,
 that's some rocky shit.
 Okay.
 Build me a nutrition plan.
 Go for it.
 Cause I'm not paying my own way
 to travel with 14 days of food.
 Right.
 I mean, that's, that's one of the magic
 of your whole career and also Judo.
 I mean, I'm sorry to say, of course,
 you want athletes to be super rich
 and super well-funded from an athlete perspective
 and the sport to be popular and managed
 in an ultra competent way.
 But as a fan.
 That's not reality.
 But as a fan, it's fun to watch somebody like you
 who's exceptionally driven,
 have to suffer in all of these different interesting ways.
 In order to.
 It's only suffering if you expect the other side.
 I don't expect it.
 I accept it for what it is,
 which is why I write off nutrition for athletes.
 Cause it can be done without it.
 As long as, you know, to what you said before,
 like you don't believe you need it.
 Some people believe they need it.
 The mind, getting your mind right
 is the most important thing.
 You know what I believe I need?
 What's that?
 A Snickers bar when I'm tired.
 I want a little bit of sugar.
 Makes me feel better.
 What do you want me to do?
 So you.
 That's probably.
 What are you gonna do?
 Yeah.
 So I just love the visual of you eating a Snickers bar
 before Grand Slam.
 But that became part of my nutrition plan.
 When the USOC guy wrote my nutrition plan,
 I was eating a burrito bowl with brown rice,
 white meat chicken, black beans, guacamole, cheese,
 two chocolate chip cookies, and a diet coke.
 This is like Chipotle?
 It was Beloco, but same concept.
 Same concept with two chocolate chip cookies.
 Cause I needed the sugar.
 I was 88 kilos when I stepped on the scale
 at 6.3% body fat.
 Now I gotta make 81.
 What?
 Really?
 Yeah.
 And the USOC was like, hey, you know, you can't,
 you can't fight 81 anymore.
 You have to fight 90s.
 And I go, I'm already into the quad.
 I'm not changing.
 I go, build me a plan where I can do this.
 And now we have to have an acceptable weight cut.
 Like it's just, what do you want me to do?
 I'm not the IJF.
 I can't just change the fact that it takes two years
 to qualify.
 I know where I'm at.
 I know what I have to go through
 and I accept the consequences.
 It is what it is.
 We won't.
 All right.
 So what was the process?
 I mean, can you, can you speak to,
 so you, you wake up early in the morning,
 the day of the weigh-ins a few hours before.
 Technically my weight cut never started
 until I got off a plane and to a hotel.
 And how many hours?
 Three days.
 So it's a three day cut.
 It's a three day cut.
 Mentally you're thinking of it that way.
 And then you're still eating.
 I eat every day.
 And then like, what do you load up on water maybe
 as you start and then, or the water stops.
 It is what it is.
 So you, I mean, it's a slow,
 you're not actually like sweating all three days.
 But then it's like torture to sleep.
 Part of the process.
 Are you able to sleep?
 Sometimes it depends.
 So you're dehydrated further and further dehydrated
 with six, 7% body fat, trying to lose 10 pounds.
 I even developed a way to drink water out of a bottle
 where I don't drink anything, but I feel like I have.
 Swishing it.
 What's the-
 No, so like I take like a bottle of water
 and like, if we were to like, to draw a line on it,
 I would tip it and I would go like this.
 I would go.
 And you would draw that line, but like,
 I've drank now water for 20 seconds or whatever it is.
 And I feel I get the fix.
 Brain told me I got there.
 No problem.
 That's amazing, man.
 You just, your mind's a very powerful tool.
 And the problem a lot of people have is they don't accept
 the reality of the situation.
 They bitch about the reality of the situation.
 I just-
 First of all, you could always quit, right?
 Yep.
 So like you're not-
 Never missed weight, never.
 Never missed weight.
 You can perform poorly.
 You can't miss weight.
 Don't miss weight.
 Don't miss weight.
 Because you can always win
 regardless of how bad the weight cut is.
 You can never win if you miss weight.
 But your brain is also really good.
 Maybe not your brain, but I know my brain,
 I think most people's brains are good at generating.
 The more desperate things become,
 the better it's at generating excuses.
 So what were you doing with your mind
 that resulted in you never missing weight?
 The plan.
 So like I said, like my weight cut would never start
 until I got to the hotel
 because I didn't check my weight the morning of,
 I didn't check my weight when I got there.
 I just, while I'm traveling,
 I'm doing things at like a minimal level,
 but I'm never not giving myself something I'm craving.
 If I'm thirsty, I'm drinking a Diet Coke.
 If I'm hungry, I'm buying a Snickers bar.
 I'm buying a sandwich.
 I am.
 And I accept the consequences when I get there.
 And then when I get there,
 if I step on the scale and it says 88 kilos,
 I instantaneously know exactly
 what it's gonna take to be 81.
 And then you just follow like a robot,
 follow a very specific process.
 Yep.
 And then, I mean,
 cause there's a lot of seconds in three days,
 seconds and minutes.
 And you just, I just know exactly what it takes from my body.
 I know exactly what a one hour gym workout
 wearing a sauna suit is gonna take.
 I know exactly what I'm gonna lose on day one.
 And I know exactly what I'm gonna lose on day three
 because they're not the same.
 So I can instantly look at a hotel, decide,
 is there a bathroom, sauna, gym, temperature of the gym,
 access to the gym and when it is,
 access to the judo mats, my training partners,
 the roads versus street lights, the weather outside.
 I can take a look at that environment and say,
 this is my weight, this is weigh-ins.
 And instantaneously in my head,
 there's a plan to make weight.
 And you have a sense of how much sweat
 adds up to 10 pounds.
 How much sweat plus time.
 Yeah.
 And I make sure in my plan,
 all of my meals and how much water I need in between
 is allocated to still make weight
 because you have to eat or drink during that time.
 Are you incorporating like mental exhaustion into this?
 That doesn't exist.
 So it doesn't.
 No, it doesn't.
 Do you like meditate or something?
 What did the thoughts come, especially three days,
 we're not talking about four hours of suffering.
 I'll tell you this is-
 This has broken some of the toughest people in the world.
 The hardest weight cut I ever had.
 Hardest one.
 I fought Pan Am games in 2015 in Edmonton, Canada
 on a Wednesday and I won.
 So I've made weight on Tuesday.
 I fought on Wednesday where I had to weigh in 5%
 of my weight class, so 84 kilos.
 On Wednesday, I was 84 kilos.
 I got on a plane on that Wednesday night
 and landed Friday morning in Sochi.
 Okay, so I've traveled now.
 I got on the scale, all my bags got lost, everything.
 So somehow I flew from there to here, no bags.
 And I threw all of my stuff in my bag.
 I wore sandals, one pair of pants
 and a t-shirt on the plane.
 Cause I was like, I'm just tired.
 I just fought, like I don't even wanna carry it.
 I don't care.
 What are the odds that I get there and my bags are gone?
 Yeah, very low.
 Very low.
 Sure enough, it's gone.
 I get all the way to Sochi, I check into the hotel.
 There's one sauna.
 Guess what?
 You have to reserve it.
 And you're only allowed to reserve it
 for an X period of time.
 Guess, cause a small tangent,
 when you phoned out your bags are gone.
 This is something I'll often think about.
 There's like people that are helping you, right?
 Like there's a person in the airport who goes.
 Yep, oops.
 Just like that.
 And then the person at the hotel who tells you
 that you have to reserve the sauna
 and looks at you like you're,
 they don't care that you've been suffering.
 They don't even understand why you need it.
 Yeah, like why, oh, you know, oh, this,
 like this little kid reserved it for five hours
 or something to block it off.
 I'm sorry.
 Is there a frustration that gets in there?
 Are you-
 You just accept reality.
 Don't even hinder on like the things you can't change.
 Cause the second you get frustrated,
 the second you think you can change it, you'll harp on it.
 And that breaks most men.
 Yeah.
 That like little thing in the back of their mind thinking,
 oh, like what if, there's no what if.
 Like there's only right here, right now.
 It doesn't work, it doesn't work.
 Let's just quickly come up with a solution
 to fix the problem.
 By the way, as another small tangent,
 all the greatest people I've interacted with
 at the highest level think like that.
 They don't linger on that.
 No.
 It's like the next thing.
 Yeah.
 Because like, if you want to do something great,
 hard stuff is going to keep happening to you.
 And if you're going to let that affect you,
 you're not ever going to do the great thing.
 Yeah.
 It's fascinating actually.
 Like that's the one skill you have to learn.
 Elon Musk is great at this,
 constantly dealing with emergencies.
 Okay, okay, this happened.
 What's the next step?
 Yep.
 Next step.
 It's not that big of a deal.
 Every problem has a solution.
 Yeah.
 Yeah.
 And if I can't solve it, it's not my problem.
 You know what I mean?
 Yeah, exactly.
 So what, so how'd you figure it out in sandals?
 Get this, I get to the hotel.
 Yeah.
 I check in.
 I don't even know about the sauna yet.
 I go, I need to find a clothing store.
 I'm in the middle of Russia.
 I open up Google Maps and I'm like, sports store.
 I find an Adidas sports store
 in the middle of Sochi, Russia, right?
 I spend like $500 on like average sweats.
 No plastics, no nothing, and no running shoes
 because they don't have any.
 What's the temperature outside?
 Is it cold?
 It was kind of like springish,
 so it wasn't cold, but it wasn't hot.
 Yeah, so you still need a lot of layers, preferably.
 You would need a lot of layers just to cut
 the amount of weight I'm about to tell you I have to cut
 because after I bought that stuff that next morning,
 and mind you, it's a Friday, it's a Friday morning,
 I go to the venue where we have the mats open to train
 and I step on the scale.
 And then second Batar Mongolia goes,
 oh, pretty good, you're almost there.
 And I go, oh no, no, I'm not.
 I stepped on the scale at almost 94 kilos.
 And I looked at him and I was like, I'm 81.
 And he went, good luck.
 You're almost there.
 Yeah.
 For the next weight class above.
 Is this on a Saturday?
 Friday morning.
 No, no, sorry.
 Friday morning, the competition is when?
 Sunday.
 Sunday.
 I weigh in Sunday.
 Okay.
 I'm like, holy crap.
 I throw on all my layers and there's one other person
 with me there, Kalida, who was my girlfriend at the time,
 now my wife, we start doing judo.
 Cause I'm like, this will be the easiest way to knock off
 like three or four kilos.
 Well, it's cold.
 I have no gi and I'm working out with a female.
 I can't get like overly physical to like really get
 my muscles going to really break that sweat
 because she has to compete in a day or two.
 She's not a training partner.
 You can't just use this person.
 I stepped on the scale.
 I was 91 kilos.
 So I went, well, I was a nice den, but like-
 Good workout.
 Yeah, I go, that's not going to fly.
 So sure enough, the clothes are now ruined.
 They didn't help me lose any extra weight.
 So I go back to the hotel and I start reserving the sauna.
 Do you know how hard it is to lose that much weight
 in a sauna by yourself?
 So it's hard on many levels, but one of them is just mental.
 Yeah.
 You're sitting in heat.
 Heat and you're not doing anything.
 Like if there had been a bike or like the sauna was big
 enough to use a jump rope or you could do some sort
 of activity, but you just sit and you stew
 and you're there mentally.
 At one point during the weight cut, I actually had my mouth
 on the bottom part of the door where there was a little gap
 and my legs up on the benches and Kalita holding the door
 so that it didn't open.
 So I couldn't open it so that I could lean against
 that thing and have fresh air.
 Cause I was like, I was struggling.
 And we're talking about, I mean, how many hours is that?
 Hours.
 And then the thing is, is because you have to reserve
 the sauna, I can't even take like a 30 minute break
 because the sauna is not going to be mine in an hour,
 which means you have to use the sauna and the heat
 for that a lot of time period.
 And I hate saunas.
 That is always my last resort.
 I would use a bath.
 I will train.
 I will run.
 I will jump rope.
 Sauna is like, Oh, let me do that for 10 minutes
 after all of my gym workouts,
 just to keep the sweat going while I stretch and cool down.
 That's never like the, hey, I'm going to do five,
 10 minute sessions because I need to lose two kilos.
 That is never the plan.
 Yeah.
 But I mean, so I've done plenty of sauna for weight cuts
 to know I can't even imagine what you went through.
 Yeah.
 The seconds slow down.
 That's one way to achieve immortality is like,
 the time slows down to like a stop.
 And you're left alone with your thoughts.
 You can't do anything.
 Just like you said, you can't.
 There's nothing worse than sitting in that kind of heat
 for 10, 15 minutes.
 Yeah.
 And then you walk out and you're not even sweating.
 Yeah.
 There's nothing worse than that.
 And if you like, and maybe if you weigh yourself,
 which you probably shouldn't be doing
 because it'll break you.
 Yep.
 You haven't lost anything.
 Yep.
 And I was weighing myself every time
 because I only get breaks
 when I was hitting weight allotments.
 And so if I could lose 0.3 in 10 minutes,
 I'd give myself a break, but I had to hit certain numbers
 because I only have the sauna for a certain amount of time.
 And I remember one time I went downstairs
 to get my key to the sauna
 and the Japanese team had reserved it and took it from me
 because the guy didn't put my name on the list
 when I called down to get the sauna.
 So I lost an entire session that I had to get made up
 towards the later part of the day
 because I still have no running shoes.
 And then sure enough, my bags show up 30 minutes
 after weigh-ins.
 Yeah. Great.
 That's like the universe just kind of giving you
 a little wink there.
 Yep.
 I think like, cause so few people do this weight cut
 at this high of a level, people don't often realize,
 cause people get a sense of how hard it is to run
 200 miles in the desert.
 Like, cause they go outside here in Texas,
 you can run five miles.
 Oh, it's hard.
 Like the weight cut is really,
 so you just, like, how did you do it?
 Just fucking not refusing to-
 You have to make weight.
 You have to make weight.
 And you just, that's-
 I am astounded when I hear like,
 UFC fighters like miss weight, right?
 Like when Jayden Cox missed weight at the Olympic trials,
 I was like, at least his was understandable
 because he missed the actual weigh-ins.
 He didn't, he wasn't like not on weight.
 But when UFC fighters like miss weight,
 I'm like, how did that happen?
 You clearly like gave up a long time ago.
 There were times where I was like, I can't do this.
 There've been times where I've been in a sauna suit
 wrestling with a training partner
 who's probably 60 kilos who fought earlier that day
 to lose 0.3.
 Did lose 0.3.
 Like, are you considering your mortality in this moment?
 Like, aren't you thinking you're gonna die?
 Because like it's severe dehydration.
 You could damage your body.
 Are you thinking about any of this or is it just?
 Man.
 Okay, yes.
 But see, I'm on the other level too,
 where like I've been in Belgium, right?
 Belgium, there used to be a B level tournament
 and the tournament used to go on.
 And because I was always on the heavier side,
 like 81 fights on the second day,
 which is the heavyweight day.
 Weigh-ins were always at like, let's say 2 p.m.
 the day before for that tournament.
 Well, there was a sauna at the tournament.
 I remember like being in the sauna and like,
 oh, I'm 80.9 kilos.
 Weigh-ins aren't for three hours.
 Fuck it, I'm gonna have lunch.
 Because I mentally understand that what I eat right now
 is gonna fuel me for tomorrow.
 So I don't wanna skip it.
 I have the time to put it into my system and still lose it.
 Right.
 It's almost like a computer program.
 You're running through the process.
 You have a, I get it, but like that all relies
 on your ability to be- To get it back off.
 Yeah, I mean, but also just like go through this process
 which is painful.
 It's like those monks who meditate
 while sitting in a fire kind of thing or something.
 Right.
 Like it's that, yeah, it's really interesting.
 Is there other people that are critical to this
 or is this all internal to you?
 Are there people that-
 Everybody has their own way of doing it.
 Some people don't cut that much.
 Some people can't weight cut at all, right?
 They would rather have been like 83 kilos fighting 90
 than, you know, be 83 kilos fighting 81.
 So why did you never move up to 90?
 What's your sense?
 Is it from your deep understanding of your own Judo
 and like the Judo opponents you would face at 90 and 81?
 Cause 81 is probably the hardest,
 if not the second hardest division in the history of Judo.
 Compared to 73 and 81.
 You know, when I was a kid, like,
 I always wanted to be like the middleweight Olympic champion,
 like the 81 kilo Olympic champion.
 When I was in high school, I made a decision
 when I was trying to make weight for 73,
 I was like, dude, this is, I was cutting weight for 73,
 like I was cutting weight at the end of my career.
 Right, and I was like, I'm just gonna bag it.
 I'm gonna accept the fact
 that I may not make a junior world team.
 I may not make this team, but I'll grow into the division.
 So when I'm a senior player, like I'm ready to go
 and I'll naturally be stronger.
 There's an understanding of like a growth process
 when you move up a weight class.
 Most people can't just, oh, I'm gonna fight 90s
 and I'm gonna win because I wanted 81.
 The style of Judo is different, how you move is different,
 how they do things is different.
 There's like a learning curve that goes into it.
 And because the weight cut didn't really happen
 until I was getting ready for Rio,
 I wasn't about to have my last Olympic Games
 be at a different weight class
 that I may or may not be able to grow into.
 I mean, this is an awesome story of you kind of decided
 that this will be your life's work in terms of Judo.
 Competitor is like the 81 division.
 I'm going to, I mean, I don't know if you saw it that way,
 but you're talking about three Olympics.
 And it's like this story of,
 I would say tragedy and triumph of just wars in 81 kilograms
 with the usual cast of characters of the top five
 in the world kind of thing.
 So you just became a scholar of that,
 let your body grow into it and then let your body outgrow it
 and still suffer through it to keep it in the 81 kilograms.
 You never competed at like at the highest levels at 90.
 I entered one tournament at 90 kilos.
 And that was because before Rio from 20,
 from the end of 2014, all the way up until Rio's,
 every time I fought, I got hurt every time.
 There was no time where I made weight and got injured
 because my body weight was so high.
 My body fat was so low that by the time I dehydrated enough
 to get down there and you take the physicality of Judo
 and throw that into the mix, something broke every time.
 It was like nature of the beast.
 So the plan was before Rio,
 we made an agreement with USA Judo that,
 Travis, you're gonna fight 90 kilos,
 but you're not gonna weigh in at 90 kilos.
 Like, hey, there's no like,
 you get to be 94 kilos and cut to 90s,
 there's like a, you're gonna step on the scale at 84 kilos.
 Like a little bit of a weight cut,
 but not a full one, just so that you feel like
 you get into like the tournament.
 Because when I, around 2012,
 when I was talking with the USOC nutritionist,
 I actually got my weight down so much
 that I didn't really need to cut weight.
 The problem is, is I wasn't cutting weight,
 I didn't feel like I was competing.
 Got it.
 Right, you have to go through like that mental process.
 And I never really reworked that,
 it was easier to just cut the weight and be ready to go.
 But when I entered into the 90 kilo division,
 I was rushed to the hospital the night after
 because my body broke out in hives, like full body.
 Why?
 They said it was stress induced.
 Fascinating.
 So a month before the games, I was hospitalized and hungry
 and filled with steroids to get the hives to drop.
 And every couple of days, my body, when I got back home,
 I would end up in the hospital
 because my whole body would break out again.
 I wonder if it's like deviating from the process
 that you so like perfectly crafted already.
 Or it was stress from my mind thinking,
 like even though it's not top of mind,
 there's probably a portion of me that like,
 the Olympics is coming around and it could be my last.
 That like my body just reacted to something chemically
 so I was breaking out in hives.
 I actually bought like a 600 euro Hugo Boss suit
 because when I was in the Netherlands training at the time,
 I thought I had bed bugs because I was getting bit everywhere.
 Then I thought there was something in the detergent
 at the local thing, so I threw away all my clothes.
 Like I was paying for showers
 because I was trying to get the detergent off my body
 and buying new clothes at the airport.
 Trying to figure it out.
 Trying to figure it out and just go, yeah,
 accepting the situation.
 I mean, but the level of stress is exceptionally high here.
 Can we talk about the other side?
 People are gonna love this,
 but you have a long history of persevering through injuries
 through insane amounts of injuries.
 My ability to tolerate pain
 is probably more than most people.
 But see, injuries aren't just pain, right?
 It's like, it's also mental, like psychological.
 Like again, like the weight cut,
 it can make a lot of people quit.
 Yep.
 Can you tell your history of injuries?
 What are the biggest injuries,
 the toughest injuries in your career?
 Starting from what, your early teens.
 My early teens, I actually got out of sports
 from 11 to, I would say like 15 years old, 16 years old,
 because a kid shot a double leg through my kneecap
 and I partially tore all the ligaments in my knee,
 cartilage, meniscus, the whole nine yards.
 And I had to learn how to walk again.
 I spent two years in a leg brace, crutches,
 you know, hobbling around the schoolyard.
 That one was a challenge to come back from.
 I've broken most of my ribs.
 I won nationals with nine broken ribs.
 I was actually getting novocaine shots into my chest
 to avoid feeling the pain
 and then wrapping them to try to make sure
 I didn't pop a lung. I've broken my collarbone.
 I have five herniated disc in my neck.
 I fractured my back twice.
 I've broken my tailbone.
 I tore my SI joints.
 I've torn my right hamstring twice, my left one once.
 Broken my ankles a few times.
 I spun it once in a 360 that had death surgery.
 Fingers, toes, elbows, shoulders.
 So all of these are, first of all,
 you're tough, you're a tough dude, man.
 So each of those have a story behind them.
 So if you're talking about the collarbone or the ankles
 or the back, the neck, is there interesting stories here
 that are behind these injuries?
 Hard training, hard competing, jiu-jitsu, judo.
 So ground stuff like sparring in the dojo
 or like drilling or all that kind of stuff.
 If you were to sort of break it down,
 your understanding of the landscape
 of injuries you went through.
 I've never had one in jiu-jitsu, ever.
 I mean, I might've like torn a fingernail
 or like gotten key burn,
 but I've never been like seriously injured.
 I know when Panzo straight ankle locked me at Copa Podio,
 that hurt, but I wasn't injured.
 Like it felt sore, but like if I had to run,
 like I could run.
 I can now understand probably exactly
 what the injuries came from then.
 You were very quickly excelled at jiu-jitsu.
 You have achieved another level in judo.
 And I think that means the intensity
 with which you approached judo
 to achieve that world-class level
 probably is the source of the injuries.
 Yeah, because the mentality of how I
 approached judo versus jiu-jitsu.
 Jiu-jitsu to me is like a game that like we would play.
 Like if you wanted to like grab a basketball
 and like go play a game of one-on-one,
 that's like jiu-jitsu to me.
 Like I can't take the sport in its entirety seriously
 because I feel like the community of jiu-jitsu
 doesn't take it seriously.
 So just for people who don't know,
 just to set some context,
 you're a black belt in jiu-jitsu,
 but more importantly, you've beaten a lot
 of world-class jiu-jitsu people.
 You've done very well at the highest levels of competition.
 Yeah, I wouldn't necessarily say I've beaten them
 as much as I've trained with them.
 And they understand whoever it is
 that through training with me,
 that like I'm not just a judo guy.
 Like I know how to do jiu-jitsu, right?
 And if any one of them were to come to me and like say,
 hey, you know, I wanna feel what it feels like
 to do judo with me, they would quickly understand
 that like the way I approach one is very different
 than the way I approach the other.
 Like we probably wouldn't be friends
 if they did judo with me versus if they did jiu-jitsu with me.
 I'm curious asking for a friend
 because mostly because I'll do a little judo with you today.
 So you clearly, because you're a great instructor
 and teacher, you have a mode
 where you can demonstrate a technique.
 Do you know how to like spar where you're going like 50%?
 It's hard to put like a percentage to it
 because I've never in all of my jiu-jitsu ever gone 100%.
 In jiu-jitsu?
 Yeah, like I had a conversation with Salo one time
 where we were talking about like jiu-jitsu and training.
 And I was like, well, if I got his arm, I would just break it.
 And he was like, but what if he tapped?
 I go, that's not my responsibility.
 If he taps and the ref doesn't say anything,
 you just break it.
 You just keep going.
 He goes, but the tap means it's over.
 And I said, no, the ref tells me when it's over.
 I go, I never give you the opportunity to tap
 because if you have the opportunity to tap,
 that means you had the opportunity
 to think about how to get out,
 make a decision that you can't, then tap.
 I clearly operated too slowly.
 So there's a, it's either broken or I don't have it.
 You're a terrifying person to go against in jiu-jitsu.
 Like the, on the ground, like everything you did,
 that's amazing.
 That's really amazing.
 That's what made you a really fun person to watch
 because you really went to war with these people.
 Yeah.
 So you know what it's like to go 100% in jiu-jitsu?
 I do, because I know what it's like to train
 with somebody under the mentality of,
 I'm going to do everything I want to do.
 You're going to do nothing you want to do.
 And you're going to accept that.
 Do you ever train in judo where you let people get stuff?
 Of course.
 All the time.
 Now, or like-
 Always.
 Even when you're sort of building up the four years,
 building up to the Olympics,
 like there's smaller guys that are throwing you in the gym
 and that kind of stuff.
 No, I never said that.
 Okay.
 I never said that.
 That never came out of my mouth.
 I said I let people do stuff.
 I never said smaller people throw me.
 Oh, you mean you let them get a grip,
 but then you'll position yourself in such a way
 that it's hopeless.
 It's like-
 The number one skillset that judo is going to teach you
 is the ability to give people false hope.
 Right?
 Because I can let-
 I'm really looking forward to the video
 we're going to shoot later today.
 Like I can let you take a grip.
 Yeah.
 I can let you think that there's opportunity,
 but what you don't understand is
 by the position and angle that I'm in,
 it's actually false hope.
 Like as long as you don't know that it is,
 then now I'm free to operate and do what I want.
 See, I competed in judo against black belts
 where I would go in and it looks like
 I should be able to throw them
 and then you just hit a wall.
 And then I also saw you destroy those black belts.
 Yeah.
 Black belts to this.
 Yeah.
 It's the cliche thing of there's black belts
 and there's black belts.
 You're unique in this.
 There may be a couple other judoka in America,
 but you're really like unique.
 I then get to see people that really I felt like
 were 10X better than me.
 It just feels like that sometimes.
 I've learned that madness and it said it'd be true
 that it might only be just a little better,
 but I saw you destroy them.
 And it was like, holy shit.
 There's a thing in judo where imagine you
 as just an adult.
 And I hope people can conceptualize this
 when they hear this, but imagine you're a full grown adult,
 even male, female, it doesn't matter,
 but there's a little kid in front of you.
 Call him five or six years old and he's acting out.
 Do you think you have the physical capability
 of with one hand grabbing that person
 or that kid and making sure that they freeze,
 like they feel like they're nervous
 and like they can't do anything.
 When you fight a good judo player, when they grab you,
 that's what it feels like as an adult.
 Even I've felt that from like certain players in Japan,
 like when they get a grip, I'm like,
 I've now lost the function of this one.
 Yeah, that's a really good way to put it.
 I think I could potentially beat some of the people
 I've went against, but certain grips they took,
 it made me feel powerless.
 I was like, I didn't know this was possible.
 That kind of power was possible.
 And you don't even know where it originates from
 because you're like, how does one person's hand do this
 where I can't use my whole arm?
 Or like, I can't pick up my right foot
 because he's holding onto my right sleeve.
 It was kind of on a basic animalistic sense,
 kind of terrifying.
 It's, I mean, you don't wanna,
 part of this is like ego,
 but you realize that there's a food chain
 and you're not at the top of it.
 That's part of the humbling process,
 I think of martial arts.
 It's like, I think everybody,
 like a lot of people think they're much higher
 in the food chain than they are.
 Than they really are.
 And then when you realize,
 this is why it's a really healthy process for people.
 They're not even competing in the Olympics
 to practice martial arts.
 Cause you realize, okay,
 that like putting yourself more accurately
 in the food chain is really good way
 to sort of place yourself in the rest of the world.
 It humbles you to the reality, the harshness of the world.
 Yeah.
 It's kind of like when people look at like survival
 in the wilderness, it's like, oh, it's not that hard.
 No, you'd probably be dying a couple of days.
 Same thing with like judo and martial arts.
 Like, yeah, it's really not that hard,
 but you don't know what to do yet.
 And so when you find out that first time
 that you don't know what to do,
 it's devastating to a lot of people.
 But those that like stick through it and like start to learn,
 it's a very powerful, like feeling that now
 like you can take care of yourself.
 And I think when I talked to you a few times before,
 you talked about that there's like the top three,
 the top five in the world.
 I don't know where you put them,
 but they're another like level above everybody else.
 They're a whole nother tier, yeah.
 And the fact that you're, I mean, it's so exciting to me,
 probably because I just felt all the levels here.
 And I've seen you and others at that height destroy those.
 I've seen the exponential levels to this game.
 It's incredible that you didn't quit,
 didn't doubt yourself and just persevered
 through three Olympics to get to that highest,
 always fighting at that like very highest of levels,
 but just like, from the top 10 to the top five,
 like really breaking in through that.
 I don't know.
 What would you say it took to get to that highest of levels?
 Like when you look back to all the weight cuts
 to just the insane amount of injuries,
 believe it or not, I didn't really think I was there until,
 2013 I thought I was recognized as one of the best
 because I was able to fight for Oppensburg,
 which was the professional Bundesliga team for Germany,
 which is one of the top clubs in all of Europe.
 When they asked me to, I felt like Europe had like accepted
 me as like, oh, I'm a top level judo player,
 but I don't necessarily think that when I signed
 on to compete for them, that the division
 or the world of judo saw me as a top level judo player.
 There's a mental shift that happens along that point.
 And for me, my mental shift really came into play
 in December of 2015 before Rio.
 That was like, when I lost in Japan,
 that's when I realized like the world respects my abilities
 and they compete against them.
 They don't compete against me as a person.
 They compete against the idea or the persona
 that I've been able to establish over the years
 of competing in the division.
 Wow, so you're the, they probably have a nickname for you.
 You're the system of ideas and thought that they study.
 But they're studying me as a conceptual whole,
 not me as the human.
 Is your style relatively unique in the 81 kilogram division?
 It was relatively unique for Kayla, I and Jimmy
 up until 2016.
 Now, since 2016, you can see a lot of what we used to do
 throughout most of Europe and even Asia.
 Like you're starting to see some of those techniques
 that you didn't see before starting to get implemented.
 Cause when I was gearing up for 2015,
 I had such a slew of injuries that entire calendar year
 that I never should have made it to Rio.
 I should have called it quits at the end of 2015
 because I suffered that major concussion in February.
 I stepped on a mat in May for the first time.
 I lost five straight tournaments.
 I left the national team, went to Japan, won Pan Am games,
 got a bacterial infection at the worlds,
 almost had my leg cut off, tore my SI joint later
 on that year and then took fifth in Japan.
 And when you look at like the calendar year as a whole,
 like the world should have treated me like I was washed up.
 Like this guy hasn't been training,
 he hasn't been doing anything, but I took fifth in Japan.
 Now, how does a guy that hasn't trained all year
 take fifth at one of the hardest tournaments in the world
 on two weeks of training?
 Because they were fighting the guy I used to be,
 not the guy I was at the tournament,
 which means they were competing under the idea of like,
 what is he really capable of?
 Not what have I brought to the table today.
 Hmm.
 And that just gave you the confidence.
 And that told me that like, well, if I can take fifth
 and I'm this bad at judo right now,
 wait until I'm healthy and I'm back in shape,
 then they're not gonna know what hit them.
 One of the essential components of being the number one
 in the world or up in that place is that confidence,
 the self-belief.
 And the rest of the world believing it.
 You can have all the confidence in the world,
 but if the rest of the room doesn't buy it, it's nothing.
 That's funny.
 It's like there's certain people, right?
 With Tyson, Mike Tyson.
 They all understand he could not train
 and they're still scared.
 Yeah. Right?
 Like he doesn't have to work out that hard anymore.
 There's several judo, you know this way better,
 but from a spectator perspective,
 like Elias Iliadis is like that.
 He's one of them.
 It's like he-
 He's portrayed over the years-
 Why is everyone so scared of that guy?
 It's interesting. Yep.
 People were scared of you too.
 People just gave a certain level of respect to my skillset.
 And whether I had a bad way cut
 or didn't have a bad way cut
 or not trained for the last three months,
 which never happened, I'm just saying,
 they were gonna fight the persona.
 And it's an important distinction
 when you're looking at the top five,
 because everybody coming up,
 they're training against the persona, not who you are.
 Even I did that at a younger age.
 That's why I would always go to people's hometowns
 because I don't care about the persona.
 I wanna know what you do day in and day out.
 When I couldn't beat a Russian,
 I told Jimmy, send me to Russia.
 I need to understand and see it with my own eyes
 what they do, outperform so that I can believe
 that I can beat them.
 Can I ask you on this, a small tangent?
 So Dagestan has produced some incredible wrestlers.
 I don't know what the story with judo is,
 where the source of greatness in Russia is for judo,
 but what do you make of Dagestan?
 What is it in the culture of there
 or Russia broadly that produces greatness?
 Specifically in the combat sports.
 I don't know, yeah, specifically in the combat sports,
 sorry, but I don't know if you wanna draw a distinction
 between wrestling and judo.
 I'm almost curious, do you understand the differences there
 in the culture?
 It's still a combat sport to them.
 They're still in that same realm of they're taking young kids
 and that's what they do.
 So Khabib speaks very highly of judo.
 Yep.
 It's funny, Khabib, Vladimir Putin.
 People don't get it, but judo is one of the premier sports
 in the world.
 We just don't understand it.
 It's not just popularity, so definitely popularity,
 but also this respect.
 And there's a certain thing,
 which is why I really value judo internationally.
 You don't get this in the United States,
 but internationally, there's an understanding,
 like later in life, when you're a scientist
 meeting a businessman, when you both have done judo,
 there's this like nod of respect.
 It's so interesting.
 There's very few sports like that.
 Basketball doesn't have any,
 I don't know almost any sport like that.
 And it's fascinating.
 Wrestling has that in the US.
 It is the US only.
 The rest of the world doesn't do that.
 There's a few, like you could see that in like Iran
 or something like that,
 with the respect wrestling in that kind of way.
 Yeah, it's...
 But judo on like a global scale
 is probably that only one,
 due to it's like physicality and the hardships
 that you have to go through to reach that upper level.
 So why do you think Dagestan,
 why do you think Khabib is as good as he is?
 Is this just the raw genetics of the human
 or is there something about the system?
 The system.
 It all has to do with the system.
 So they grow up around fighting in all forms.
 Yep.
 They're also, I mean, their technique is exceptionally good.
 Because they grow up in it.
 They grow up in it.
 They don't understand anything else.
 So you don't have to,
 it's almost like you with the weight cutting.
 It's not like a big dramatic thing for them to fight.
 It's like, this is just part of life.
 Yes.
 And when you're, I don't wanna say bred into it,
 but when you've done it for,
 I wanna say like 90% of your life
 by the time like Khabib probably has,
 right from the time he could crawl,
 he's probably even grappling in some fashion thereof.
 You know, when you, as grapplers,
 like you can look at a wrestler
 and having never seen this person before and go,
 you wrestled.
 Yeah.
 Why is that?
 It's because he's probably wrestled since he was like six.
 So the way he carries himself, the way his body is built,
 the way he grew into it was framed around wrestling.
 Right, so the people in that culture
 are framed around fighting and grappling.
 You're right.
 First of all, philosophically, psychologically,
 but also just like the way you move your body.
 Yes.
 That means like when you're young,
 the people you admire move their body in a certain kind of way.
 And then genetically, it just, as they keep doing that,
 they're just gonna get better and better every generation.
 Yeah.
 It's just gonna keep improving
 because they just keep building into that system
 of turning them out.
 And part of it, there's like cultural stuff where,
 I mean, it's such an interesting approach to wrestling.
 I really wanna travel to Dagestan and just talk to them
 because I happen to be able to speak Russian.
 Because there's less value for this kind
 of materialistic success that I think sometimes can get
 in the way of greatness, it seems like.
 It makes coaching more difficult.
 It makes like following orders as an athlete more difficult.
 I don't know-
 We struggle with that in USA Judo.
 Yeah.
 Cause you want more money, but then more money,
 if not applied correctly, can corrupt the system somehow,
 can split people up.
 It's just the same thing with the prestige
 around certain medals over others,
 because athletes start chasing fame instead of development.
 Yeah.
 Yeah, that's, I mean, the Satya brothers are famous for this,
 like ignoring fame, ignoring all of this,
 like focus on the art itself.
 Not even, so it's not even the medals,
 exactly like you're saying, just the purity of like,
 when you're in it and let everybody else figure out
 their stupid medals and money and all that kind of stuff.
 Cause it comes.
 It comes, exactly.
 It's a result.
 Yeah, exactly.
 Like it's not that you don't appreciate it,
 but you know that it comes if you focus on the art.
 There's a distinction when you're talking about
 your athletic career or really any endeavor, right?
 The problem with goal setting is nobody teaches the athletes
 or the people how to transition from the goal to reality.
 Right?
 So when you look at my career as a whole,
 like when I was getting ready for 2008,
 I actually forgot to train for it.
 I was so happy at such a young age that I became an Olympian
 that that in and of itself was a goal
 that I thought had to be admired, had to be celebrated
 that, you know, the games are right around the corner.
 I didn't really come down off that high.
 You're the local optimum of just winning the trials.
 Yeah.
 That was-
 It's a big thing.
 It's a huge thing, but then you're just focusing
 on the accomplishment, not the-
 Correct.
 But at some point, right?
 When I went into London,
 I actually went into London going with,
 I'm gonna prove I'm the best in the world
 cause I believe I'm the best in the world.
 And I believe it from like the bottom of my soul
 that I'm winning this.
 And then you're almost like trying to tell the universe,
 like I'm accomplishing this thing because it's a goal.
 But when I went into Rio,
 I just accepted the fact that I was winning.
 It's not a goal, like this is happening.
 You visualize it?
 But I felt it.
 You felt it.
 Right? Like this is no longer a goal anymore.
 Like I anticipated, like this is happening.
 I can see this coming down the path
 because I'm anticipating that the games is happening
 and I'm gonna win.
 It's not a goal.
 It's an anticipation.
 And there's a distinct distinction there between the two.
 Okay, so for people who are just watching the video of this,
 there should be an overlay of Young Travis.
 This is, you still had to make 81.
 Is this still a tough cut here?
 No, this one was relatively easy.
 This has gone all the way back to 2008.
 So this is the summer before the games.
 This probably happened in June, I would say.
 So this is the Olympic trials.
 So in the United States, you have to,
 I mean, similar to like wrestling,
 you have to win trials to qualify
 for that particular division to represent the United States.
 So this is, you said June before an August Olympics?
 Yep.
 So here, I just wanted to show this match
 because there's another one, I think you do a pin,
 you do some nice groundwork in the other one.
 But in this one.
 Fighting a teammate.
 Fighting a teammate.
 Former teammate.
 Oh, there's an old school double leg.
 I forgot about that.
 And it's weird to see.
 So there, Travis' opponent,
 and Travis is setting up here that Sayonagi
 is posting his left arm and getting it done.
 That's a big, that's a big throw.
 You don't have too many of those big throws on video
 because like you often on video,
 you're going against the best people in the world.
 It's tough to get like that much air.
 And a lot of times the ones that we do see,
 and the part that a lot of people don't experience
 is a lot of those times where I threw people with that throw,
 it was in training camps.
 So by the time I got to the competition with these guys,
 they were playing a hundred percent defense
 to never let me do that.
 Yeah.
 So you do this, here, are you kind of pulling him down?
 No, he's, I'm trying to get him to come up.
 But are you pulling him down to get to fake him out?
 I'm not doing anything with my left hand.
 So here the opponent is.
 So what I'm doing right now is his head is like in my chest.
 I'm pressing him to get his head to lift with my chest.
 So I'm pressing his hand down so I can use my chest
 to like pinch my scaps and roll his head up
 so that he wants to pick it up.
 And then he, I mean, doesn't he know what's coming here?
 Oh no, he might not.
 Oh no, he knew, he was a former teammate.
 He knew exactly what I was trying to do.
 And that was a really big step with your right foot.
 It covers about four feet.
 So you step.
 So you step.
 And your left catches up in like perfect position.
 Yeah, you back it up a little bit.
 Keep going, keep going.
 Right there, that's, this is like an important distinction
 between mine and everybody else's is
 because I split his hip, I actually,
 once I'm able to split,
 I no longer need his center of gravity below mine.
 Right, and when you say split,
 you mean you put your foot in between.
 I do that split, that four foot split.
 Yes.
 And then when I get my feet back together,
 it doesn't matter that I'm under his center of gravity
 or not.
 Yeah.
 That's why my chest is right around his like sternum height
 for me.
 Yeah, so there, I mean, how does he get,
 for people just listening to this,
 Travis steps is like, does a big, huge step gets.
 Like my hip is probably right around his nipple
 because he's sprawled back so much.
 Yeah, that's right.
 So like, so you're, how does the physics of this work?
 You're violating the principle of your center of mass
 being under, oh, I guess somehow it is.
 I don't know, but he has nowhere to go.
 He's screwed.
 Yes, that's the kicker is
 the way mine works is in order for him to play
 an effective defense, he needs to have his feet
 firmly planted on the ground with friction.
 Yeah.
 Otherwise he can't press into me to stop it.
 So when I get him to sprawl back, when I split his legs,
 he effectively loses that contact with the floor.
 Even though his feet are on the floor,
 they're not in a position where he can drive from them.
 Yeah.
 Therefore, when I flip, he flips.
 So there's a natural like flailing here.
 So he's not falling forward.
 You're falling forward.
 Yeah.
 He's just attached to you.
 So like, you can keep him up there
 and then like legs would be just flailing.
 Yep.
 One of my golden rules when I'm training
 and I get really tired, one of the like mantras
 I would always tell myself is,
 I'm gonna put my back on your chest
 and then I'm gonna put my back on the floor.
 Yeah.
 Cause then you'll be underneath me.
 That's a good principle to-
 Very simple.
 And it, regardless of like all the chaos
 and how quickly things are happening,
 it's something I can just dumb everything down to
 and focus on.
 Regardless of the gripping situation, the footwork,
 all of that, get my back to your chest
 and then put my back on the floor.
 So this step of getting your back to their chest,
 like for people who are sort of more,
 like for example, for people like me,
 who are just like amateur judo people,
 like there's all kinds of ways to prevent this turn
 from happening.
 The gripping and just everything.
 How difficult is it at the highest level
 to get into this position?
 I mean, you make it look effortless often,
 but like to get to a position where you're from facing them
 to your backs to them.
 Is that like strategy?
 Is that timing?
 Is that-
 Timing.
 It's timing.
 It's like anything.
 Like if I wanted to punch you in the face,
 like how hard is it to really do that
 if you know you can just play defense and block it?
 The trick is to get them to play defense
 to something that never happened.
 And then you go through like another way.
 And then you just go through what would technically
 be your first plan if you planned on them playing defense.
 So I set the stage from the very beginning
 for this to work.
 So then this, you're celebrating here.
 That's a huge sort of,
 one's a big accomplishment, big relief
 to qualify for the Olympics.
 And then you go into the Olympics
 and this is where I first saw Judo
 and I kind of thought of them as the same
 as Judo and Jiu-Jitsu.
 And I was really impressed by your performance
 in that Olympics.
 The footage nowhere to be found these days,
 but at that time, I think you could still,
 you could watch it live on NBC Olympics
 or somewhere like that.
 And I remember watching several of your matches.
 One of them was the match against Oli Bischoff, the German.
 And I remember being, it'd be nice if you can talk
 to that match because I don't remember it.
 All I remember is being frustrated
 by him not letting you play Judo.
 So obviously you faced him again four years later
 and there's a lot of frustration there as well.
 But I remember being extra frustrated in 2008.
 What was that match like?
 So he might've been number one in the world at the time
 or up there.
 He was up there for sure, especially going into 2008.
 He was really high up there.
 Did he win gold at that Olympics?
 Yes, yeah.
 Because he silvered in London.
 It was the same Olympic final both in 2008 and London.
 Okay, so you're facing him there.
 Were you intimidated?
 What was the strategy?
 Can you talk to that match?
 Because it kind of sets the stage for the rematch in 2012.
 Yeah, he was somebody that I had trained with in the past.
 And for some reason, when it comes to him and I,
 when we train together,
 it's more of a physical altercation
 than a Judo training session.
 It's just like the coaches have had to break us up
 a few times.
 Are you guys getting almost angry too?
 A little bit.
 It always goes farther than it should.
 We're friends, we say hello to each other.
 But for some reason, when we train together,
 there's something about him and me that just,
 oil and water, I don't know what it is.
 Could it be also the gripping?
 Because he's a great gripping strategist.
 Does he frustrate you with certain kinds of grips
 and then you get pissed off and then you frustrate him?
 And then he gets pissed off and then before you know it,
 somebody's kicked somebody or punched somebody in the mouth
 or done something.
 Yeah, so one of the only evidences we have online
 of you fighting him is your foot in his groin area
 is the only thing we have from that Olympics.
 From 2008.
 From 2008, yeah.
 And to answer everybody's question, yes, it was deliberate.
 Now you can say this.
 But yeah, I remember there being a lot of frustration.
 You're actually going for a lot of stuff
 like sacrifice throws.
 I mean, maybe you're not going for the highest scoring
 epons, but you're just trying to shake things up
 if I remember correctly.
 Yeah, because when he, I was so young then that,
 and he was in his prime really at that time.
 He must have been 24, 25, 26, world medalist,
 European champion at the time.
 And when he would grab me, I had that sense
 of feeling stuck.
 Like I was strong enough if I used all my strength
 to not let him do anything, but then you can't be offensive
 when you're using all your strength
 to hold onto the situation.
 So I was getting really aggravated because I couldn't,
 I couldn't generate any offense with every time I felt
 like I gained an advantage in the gripping scenario,
 he would take some obscure grip somewhere that was like,
 well, now I've got to go address this thing,
 give up what I gained and I have to go back.
 And if I were to think about watching the match now,
 it'd probably look like a lot of flailing
 because we're just trying to generate enough
 to not get a penalty, but also not enough
 to where he could counter it.
 Did you think you could beat him,
 like when you were walking into the match?
 Until I gripped him for the first time, like,
 because I had trained with him before,
 he felt stronger and more in shape
 than I've ever felt him that day.
 At that Olympics.
 At that Olympics.
 Which begs a whole nother question, but.
 What's the question?
 I remember when he grabbed me for that first time,
 I went, this is different.
 And there was a sense of panic at the time
 because I was like, holy crap, where did this come from?
 This is not the guy that I've trained with,
 that I expected.
 Because it was a definite like level change
 in like his ability, strength, speed, and stamina.
 Like looking back at that, can you explain that?
 Is it just you being more, less confident
 because it was the Olympics?
 It was, is there some kind of routine that he followed
 to like really level up in intensity
 for this particular event?
 I've been told that he only gets to like his prime
 for like really big events.
 Like he doesn't train like year round
 like I would train, but when it comes to like the games,
 he doesn't do social media, he doesn't work,
 he lives, breathes, eats, he's training for the games,
 which could, you know, institute that level.
 What about you?
 Is there, like Dan Gable famously said,
 like the one loss he had in college,
 he was doing a lot of media and stuff.
 Back then there was no social media,
 but that was a huge mistake for him.
 Do you do social media?
 Do you do like.
 At that, at this point?
 Well, at that time it was like AOL, I don't know.
 What's 2008?
 I didn't even have a Facebook page,
 MySpace, nothing at this point.
 I got my first Facebook page from the USOC in 2012.
 When I went through the media thing,
 the lady was like, you have to have it.
 I go, I don't want it, I don't like people.
 I want to deal with the people.
 What am I supposed to do?
 You know, like the social part of the social media.
 No.
 Okay, I have to bring this up
 because and then you went on to face Diogo Camillo.
 You lost that match, but he went on to win bronze.
 That's also an interesting one, but we can skip ahead.
 I just remember being really impressed
 both by your groundwork.
 That was a match I should have won.
 Yeah.
 I should have won that.
 I was, if you don't know Judo,
 you would visually watch that and be like, I'm winning.
 But he was technically winning on the scoreboard.
 So it is what it is.
 But the point that he got that solidified his win,
 yes, it was a point back in those days.
 So I can't say anything, but like my shoulder nicked
 the ground.
 So it's like, I don't know.
 Yeah, a lot of the stories of your Olympic career is like,
 from a fan perspective, it seems like you should have won
 or you very close to could have won.
 Yes.
 And there was a lot of frustration in you
 and your game being like shut down in certain ways.
 And, but like the thing that immediately grabbed me in 2008
 was how much something about the way you approached Judo,
 how much you wanted to win.
 Cause I was young then.
 I was, when I was at this time in my career,
 I was out to like win.
 Like there was no like, I'm gonna grab you,
 I'm gonna throw you.
 And if not, you're gonna go through a battle.
 Yeah.
 You're gonna make sure you earned it.
 It so happened that you competing in 2008,
 I was, I became a fan of yours at that moment.
 And since then, I kind of knew about Judo.
 My university had a Judo club and I kind of knew
 about Jiu-Jitsu from mixed martial arts.
 And obviously I wrestled for many years before
 and I love wrestling,
 but there's something about you competing that made me,
 well, there's no other way to say it,
 but it like changed the direction of my life.
 Cause it forced me to say, you know what?
 I'm gonna start Judo and Jiu-Jitsu.
 And first of all, for that, I'm really grateful,
 but it's fascinating to think
 because this kid who's 22 years old,
 I'm sure I'm not the only one that you've influenced.
 Like you've changed the direction of my life
 and there could be huge number of others like that.
 I mean, that's the power of you as an individual
 on the Olympic stage.
 You ever think about the pressure of that?
 Did you think as a 22 year old,
 there's a bunch of people,
 like I know I'm not the only one who changed.
 I just happened to have like a microphone recently.
 You know what I mean?
 Like is that, it's fascinating to think about, right?
 Like you, perhaps you didn't think about this.
 It's just a Judo match,
 but you're like you influenced hundreds of thousands
 of people, if not millions.
 Is that interesting?
 It's not something that really hit me until 2012
 when I lost because that's when like,
 I would say like the world felt bad for me at that point.
 And that's when you knew that like people were watching
 and people were inspired by the loss
 because of how much went into that match.
 Because the 99% of us who watched it thought I won,
 except for the 1% of the people who were considered judges
 at that day in the event.
 But I mean, the winner lose,
 that was a really inspiring match.
 And that's when it dinged that like,
 because I don't watch something and really get inspired
 by like the person and the act,
 it's like, it's an accumulative thing.
 But for a lot of people,
 like when they watch how much goes into it,
 and then when I broke down on the match,
 like the amount of suffering that happens
 when you lose a match like that.
 And then, you know, really coming back and winning in Rio,
 there's a trend of people who were inspired
 that knew about London.
 And then when they found out I won in Rio,
 that's when like people like in droves felt like
 they could overcome their own personal obstacles
 to still achieve something
 because they've witnessed somebody who's fallen
 and gotten back up.
 Yeah.
 But it's not something that you think about like on the day.
 It's when you look back and you go, oh, cause and effect.
 I wonder if you can comment on that.
 I'm trying to realize and live up to the fact
 that there's like young people that come up to me.
 And I'm starting to realize like certain words I say
 will have a long lasting impact on them.
 Yep.
 Cause you say it as like, you don't even, doesn't just.
 Yeah.
 The whim.
 Some of them might come back 30 years later
 and a word I said was the reason they quit a thing
 and started the new thing that led them
 to become their true self.
 Like to find success, all that kind of stuff.
 Like on the flip side though,
 some people based on the actions that we do today,
 even with this cast will alter the course of their lives
 forever.
 I had a guy one time, was it after London?
 God, it must've been after London.
 He actually found me on Instagram,
 wrote me what seemed to be like a dissertation on Instagram
 about how much he, I disrespected him 14 years earlier
 because I didn't step on a podium to take a picture
 after winning a tournament where he bronzed.
 Yeah.
 And I'm thinking to myself like at the time,
 like having dinner with my family
 because I had to leave the next morning
 was more important to me as a person,
 not thinking about who you potentially will become
 and the actions of whatever you do today.
 If you do become quote unquote famous
 or somebody in a spotlight
 that that could come back to bite you.
 To me, I don't know about you,
 that's super motivating.
 Like not to be a lesser version of myself ever.
 Yeah.
 Just be on top of your game, whatever that game is,
 be on top of your game when you're interacting with people
 and when you're just in your own private life.
 I'm trying to make sure
 that I'm the exactly same person privately
 as I am publicly and like making sure I'm on point.
 I see like just hanging out with Joe Rogan a lot.
 I see how he's first of all, the exact same person.
 And second, he like walks around
 and there's like a huge number of fans
 and you'll just take pictures and like, it's very cool.
 And it's very cognizant of like certain words he says,
 especially young people, like they're going to take that
 and that's going to be a memory for them for a couple of years
 that might be influential for the rest of their life.
 So I don't know, that's a cool responsibility.
 Not to fuck it up.
 But anyway, I bring all that up to just say, thank you.
 So even if you like were frustrated
 that you didn't win a medal,
 at least you influenced one silly Russian kid
 to get into the martial arts.
 And what happens when you get into martial arts,
 it alters the direction you like mine for the better.
 Okay, so let's go to London, 2012 Olympics.
 One of the most dramatic judo battles of all time rematch.
 So you've reached the semi-finals once again
 to face the German, Oli Bischoff.
 Do you mind if we step through that match a little bit?
 Well, by all means,
 I've only ever watched the entire thing one time,
 just because fucking.
 So for context, for the listener,
 Travis, first of all, you don't like losing.
 I think that's fair to say.
 You know, the hard part with this match is
 because I went into this Olympics thinking,
 I'm gonna fucking win the Olympics.
 I'm the best in the world.
 I never in my right mind thought,
 oh, I'm gonna win a medal.
 Like that never crossed my mind.
 So it's like, I would have rather him just fucking beat me.
 Yeah.
 Because then I lost.
 So here the referees, as many people thought,
 robbed you of a victory,
 but it was also a really close battle.
 Again, with many of the elements of frustration as 2008
 in terms of strategically and gripping wise.
 And it was just a fascinating battle that went to overtime.
 So can you set the context?
 So what did the bracket look like?
 Who were the players here?
 Who did you beat leading up to this match?
 Like, as you walk onto the mat,
 what happened the hours before?
 As you're standing there.
 By the way, how bad is it
 when just two people are standing like this?
 And yeah.
 That's fucking guy, man.
 But this bracket was really interesting
 if you look at like the backstory of 81 kilos,
 like leading up to the Olympics, right?
 Because at this point in time,
 I was inside the top 10 at all times,
 eight, seven, five, four, sixes.
 I fell out of there sometimes due to injuries,
 but I always climbed back in.
 There was another guy from Azerbaijan
 that was the Olympic champion at 73 kilos in 2008.
 And the entire division got rocked by match one
 because his first match was with
 Antoine Valais-Fortier of Canada.
 And everybody who saw the draw come out
 was like, the Azerbaijanis gonna win it.
 He's the former Olympic champion.
 He's pretty much won most of the major events,
 including at 90 kilos,
 because he just had smooth judo.
 And match one rolls around, match two rolls around,
 Antoine's in the shoot and he's looking around
 and he's like, the Azerbaijanis not here.
 Well, where is he?
 No joke, he runs into the venue a match before,
 throws his gi on and runs onto the Olympic platform.
 Loses to the Canadian in like a three minute
 golden score battle.
 So do you think he warmed up?
 Didn't, he ran.
 He literally ran into the venue,
 threw his gi on and ran out, did no judo.
 And there you see Antoine losing in the quarters.
 So how good was Antoine?
 At this point in time, this is, I believe,
 his first international medal was the Olympic Games.
 So I don't think he'd ever medaled in Paris.
 He went into this bracket unranked,
 beating the ranked guy first round because he,
 I don't know if he missed the bus.
 I don't know if he was off his cycle and planned on losing
 cause he didn't want to test positive.
 I don't know.
 There's a lot of like questionable things out there
 that could have potentially caused him to, you know,
 run onto the Olympic platform for match one.
 But, you know, it catapulted Antoine into like a belief
 that like, I beat the seeded guy.
 I'm ready.
 And that was like a turning point in the Canadian's career
 just as a whole, right?
 That's that everybody has a defining moment.
 Like mine was when I beat Bischoff in Dusseldorf
 at the Grand Prix for Germany after 2008, right?
 I beat the Olympic champion on his home soil
 to go win the entire tournament.
 So we all have like those moments.
 It's just when it happens at the Games,
 it throws the bracket like into a tailspin
 cause typically you'd know like who's gonna beat who,
 where it's gonna happen.
 And when you look at my quarter final against the Brazilian,
 what most people don't know is I was so thankful
 I had that match.
 Most people would never in a million years be like,
 I wanna fight the world number one at the Olympic Games.
 That's what I wanna do.
 I wanna be the eighth seed fighting the world number one
 cause I'm gonna win.
 I was pissed off at him.
 I was so angry cause we were at the Pan Ams,
 I think the year before and there was a team tournament
 and I wanted to fight him.
 I had lost the quarters to a Cuban, I think,
 in like the first gripping exchange.
 He threw me with a drop sail out of nowhere.
 I was pissed.
 So I wanted my hands on the Brazilian in the team match.
 Well, the Brazilian team is warming up.
 So I walk up to him, no joke.
 I walked up to him and I go, you're fighting?
 And he goes, not today.
 And I went, are you fucking kidding me?
 I warmed up, I taped up,
 you're the only fucking guy I wanna fight
 and you're gonna fucking sit in the stands
 and read a goddamn book?
 I was so angry.
 I carried that anger cause I never fought him
 until this day.
 I was fucking pissed.
 I was ready to beat him.
 That's right.
 I remember, I forgot he was the world number one.
 Cause I remember like being really excited at that match.
 How did you beat him?
 I threw him with two hands on the same side collar,
 like drop sail.
 I cross gripped, I yanked him behind me and I threw him.
 Epon was Ari.
 And then the match ended 30 seconds later.
 I was pumped.
 Okay, if I'm remembering correctly,
 I thought, okay, this guy might actually win gold.
 That's what made for me as a spectator,
 remembering now the next match that much more like painful.
 And then the fans of judo that really followed the sport,
 the stats, when you look at the games in my draws,
 I had the worst possible draw
 as you ever could have imagined.
 At both London and Rio, I fought the world number one
 to get to the final or into the semis or past the semis.
 And everybody I fought in the draw
 either beat me the last time we fought
 or I had never fought before.
 So I always held a loss going onto the mat
 at the Olympic games.
 How'd you feel about that, by the way?
 Like what were your feelings about facing the Brazilian first?
 I was so excited.
 Well, that was match three.
 In London, I fought the Slovenian guy first round
 who beat me.
 Where'd he beat me?
 Was it the Worlds?
 Might've been the Worlds.
 And then Church's Vili, I fought in the second round
 who threw me for Wazari in Japan.
 And then Leandro, who I don't think I ever fought
 who was world number one,
 that avoided fighting me at the team tournament.
 But I mean, every single Olympics you've fought in,
 you really stepped up.
 The only tournament I've ever prepped for.
 Mentally and physically and just the whole thing.
 Yeah.
 We never trained through this tournament
 like we did for the others.
 Or I would go into it injured.
 All right, well let's talk about your standing there
 next to the German.
 He looked always smaller than you,
 but you said like strong.
 Yeah.
 So what are you feeling now, Jimmy Pedro behind you?
 I was fucking ready to take his head off.
 Did you have an idea of what you're gonna do?
 Did you try, you're thinking of winning by e-pon?
 Were you thinking like going for big throws
 or take him in deep waters, outgrip him?
 Or what were you thinking?
 We were about to have a battle
 and I wasn't gonna throw him until he broke mentally.
 Okay.
 That was, there was no like,
 oh, this is gonna be a clean throw.
 That was never, that was never the thought process.
 So here you know there's going to be a lot of gripping.
 So we're seeing a shit ton of gripping.
 And right here he throws it, bang.
 And then he's like, close fisted.
 You got a lot of adrenaline.
 You seem calm.
 I'm pissed.
 You're pissed.
 Like, are you serious?
 You don't look pissed, you just look like.
 I'm looking at the ref like,
 cause he keeps telling me to get up.
 I'm like, I have blood running down my face.
 I go.
 Okay.
 Here, there's blood.
 See, and he's like, oh yeah, go fix it.
 And that's on your eyebrow somewhere?
 Yeah, he split it just underneath it.
 So you split your eyebrow and so in judo,
 they don't, they're allergic to blood,
 probably for a good reason.
 But they, so now you have to try to figure out
 how to tape that up.
 Yep.
 Which already sets up one of the most badass
 looks in judo history.
 First 15 seconds.
 Busted my eye open.
 Was that getting in the way of your eyesight at all or no?
 No.
 Damn, he looks good at gripping.
 How difficult is it to get a grip on that guy?
 Very.
 See like I'm struggling just to get my hand in the collar
 and he wasn't even blocking it.
 Is he being cagey?
 Remember like, is he interested in offense?
 Nope.
 He's a very cagey, you know, methodical player.
 Like he never opens himself up.
 Yeah.
 There you go.
 You grabbed the leg as part of a combination.
 Yep.
 And people have told me that he's actually very good
 at throwing people.
 He just doesn't.
 So, but he just doesn't show it at these.
 Nope.
 Cause he doesn't care how he wins.
 He cares that he wins.
 Yeah.
 Which makes him very difficult to beat.
 Cause he knows when you've strategized to do that,
 where you look at the rule set and you develop a plan
 to get through the matches,
 then you've really got to figure out a way to get that person
 off that game plan.
 You know, whether you get ahead by a penalty or something.
 Right there.
 Like he wouldn't give me the sleeve.
 So I grabbed all of his fingers.
 Oh, nice.
 In which I was open like this way or?
 I grabbed them the other way and I started lifting them.
 Oh yeah.
 Nice.
 Like reverse playing mercy.
 Like this.
 Yeah.
 This is great.
 Cause he wouldn't give me the sleeve and I needed an attack.
 And I'm like, okay, I can't hold onto this forever.
 Cause that judge is going to see it.
 So let me just do a quick throw here while I'm using the
 fingers in the first.
 You're holding on.
 Yeah.
 And then I just sit out.
 Yeah.
 And then he goes to get up and I go to get on top
 and right here.
 Nice.
 That elbow.
 You get him?
 You got him.
 Yeah. It looks like I elbow him.
 Did you do it kind of?
 No, I didn't even.
 At the time I never knew this happened.
 Yeah.
 Until after I watched this like three or four years later.
 Didn't even know.
 I didn't even feel it.
 Look at that.
 So he's legitimately angry here.
 Yeah. He's angry.
 And of course you can't, you can't move.
 Why would you move?
 Look at this.
 This moment right there is gold.
 If you're not watching this on video, you're missing out.
 You do, you never get this in judo.
 No.
 I don't know if that's ever happened.
 That little face off.
 Especially on a stage like this.
 The reference.
 And then he brings us in to like talk to us and he's like,
 Hey, we're good. Right?
 Like you guys aren't about to do it.
 I think you're about to do.
 You put up your hand.
 Hey, shake hands again.
 Cause the first time we did it, that wasn't good enough.
 Well, you gotta do it again.
 The heartbreaking part about this and why the IJF switched
 it to an unlimited golden score,
 because we fought five minutes through the entire normal
 part of the match.
 And then we did the entire overtime period of three minutes.
 Now one penalty was given.
 No gripping infractions, no false attacks, like no stalling.
 That's great.
 Everybody was really backing up.
 Yep.
 I mean, it was, you know,
 so what was Jimmy telling you here?
 Or was he, was he talking to you at all?
 He's not allowed to talk during medical things.
 And my nose is now broken.
 But he's also, oh, the nose is broken from what?
 I caught an elbow from him.
 Glad his face is clean.
 That's fun.
 And right here, like I was pissed.
 I was so angry at the medic because he's fumbling around.
 And I'm like, my whole plan is to break the German mentally.
 You gotta hurry up with the tape, man.
 Like he's supposed to be tired.
 Like he's not supposed to be resting.
 Is Jimmy yelling here?
 He can't.
 No, not here, not here, but during the match.
 And you can see, I just take it from him.
 And I'm like, give it to me.
 I'm gonna do it myself.
 Get out of here.
 How scared is the medic?
 It's like this guy can't even tear the tape.
 Look how nervous he is.
 We made fun of him for this so much throughout the years.
 Still do to this day.
 All right, here we go.
 Oh, you look great.
 Get your gear up.
 Can't really see, don't care.
 Was there some outcome in your mind
 that you could possibly beat him on the ground
 with a submission or a pin?
 You knew you were gonna have to throw him.
 I knew I was gonna have to,
 if I was gonna throw him or arm bar him
 or pin him, whatever the case may be,
 it was gonna be his mental,
 I'm just tired of this.
 He's too cagey of a player.
 He's too experienced.
 He has to mentally make that choice to give that inch.
 And then you just have to be ready to take it.
 So I was just waiting for it.
 And so now this is four minutes in, one minute left.
 Is that in your game plan two potentials,
 like assuming you actually sacrifice throws him?
 Because the whole point of that technique
 and the sacrifice throws wasn't because I thought
 I was gonna throw him,
 but it disrupts the pattern enough to like
 get him to make a potential mistake.
 Like see, he should have gotten a Shido there,
 hands in the face.
 But again, that's just part of judo.
 Yeah.
 He poked me in the eyeball.
 This is a rough match.
 Does he act at all or no?
 Like, was he acting frustrated or anything like that?
 Or is all like, he's like acting for the ref.
 You know what I mean?
 Like, oh, that, all that kind of stuff.
 You're just going in hard, nonstop,
 like angry, aggressive, feeling cardio here at all.
 Like, I don't, I didn't get tired during this.
 And then we're just always pressing for time runs out.
 Now we're into golden score.
 12 minutes and 38 seconds later.
 Yeah. You think about every judo exchange, right?
 Every time we grip up, every time we attack,
 sometimes it can take longer to get back to the line
 than the entire exchange.
 Yeah.
 So the more aggression, the more exchanges you have,
 the longer the time stretches.
 Then here, the six seconds left in golden score.
 Your tape is now yellow and red
 with sweat and blood literally, and time is out.
 Now, what are you thinking here?
 Do you think you won the match?
 I thought I won the match a minute ago.
 I remember thinking to myself, like,
 if this goes to the flags, I won.
 No doubt in my mind.
 Because I felt like the whole time,
 like I was going to him, right?
 He was never coming at me.
 Yeah, that's the way it felt.
 And like, that's the way it felt.
 Body language wise, just the intensity,
 how fast you're moving towards him.
 You're constantly going for throws.
 Now, if you want to rewind that,
 we can talk about the whole,
 because it's a part of this clip.
 So wait a minute.
 They all went blue.
 They all did.
 So in judo, there's three referees,
 two on the side, one in the center,
 and they all vote on point.
 And now let's pause it right there.
 Now, the way this is supposed to work,
 they raise their flags, they do like a one, two count,
 and then on three, they all raise it together.
 Yeah.
 And now as a little pretext to this entire match,
 up until this point, not one match at the Olympic Games
 has ever been a split decision.
 Meaning out of three people,
 not one of them voted against the other group members.
 So they were all unified blue or all unified white.
 Yeah.
 Right?
 Which is statistically difficult to imagine.
 Yes.
 It's almost like they had a referee meeting and said,
 it's better for the Olympics.
 To never have a split.
 Yeah.
 Okay.
 So the question becomes,
 if you had clicked that frame by frame, right?
 So right now we have all the refs with their flags out,
 and then click that.
 So the middle ref starts.
 He is all the way up.
 All the way up.
 The other side judges haven't moved.
 We now have one side ref all the way up.
 Then we have a third side ref all the way up.
 Yeah.
 So there's a time point when the middle guy
 has the flag all the way up.
 If not 80, 90% of the way there.
 Yeah.
 Then the other one does.
 And then the third one goes.
 So now the question becomes,
 who really, like did the outside refs
 really have an opinion?
 Or were they told to wait for the center one to start,
 and then lift whatever flag the center ref picked?
 Yeah.
 This is very unfortunate.
 Because it's very, honestly,
 it's very possible that they had this meeting.
 This is the problem with the Olympics.
 They sometimes, it's also the problem in the Soviet Union
 with communism.
 You think the committee knows what's good for the Olympics.
 Knows what's good for the people and so on.
 So they decide universally as opposed to letting
 the magic of the Olympics be what it is.
 But nevertheless, in this case,
 the center ref decided blue.
 Like what do you think,
 do you think it's just a shitty call?
 Or like?
 He has the right to pick.
 But the problem is, is the other two, I don't think did.
 Yeah.
 And so when you do this frame by frame again, right?
 Like I can see from my own perspective, two of the refs.
 And I see them both blue, right?
 So when you fast forward that a little bit
 to get to like all the flags, I see the two go blue.
 And I go, I look over and I look at the other guy
 and I'm like, really?
 Yeah.
 All three?
 I've fought for eight minutes and I can't even get a vote.
 I didn't even get a penalty.
 I can't even get a vote.
 And that's when I broke.
 I like, oh, I couldn't believe it.
 And I'm not gonna lie, he looked shocked.
 And here you're on your knees.
 You're crying.
 Literally crying.
 This is it.
 Yeah.
 But I think at the end.
 That was such an amazing match.
 That was such a war.
 I mean, both people can't believe what happened.
 I know.
 That's the end.
 Like honestly, I wish we had the rules that we do today
 as far as the unlimited golden score
 because I would have loved to have seen
 what would have happened.
 What was Jimmy saying here to you?
 I mean, I guess there's nothing to say.
 Yeah.
 He was kind of apologizing for the way the scores went.
 Because he knows how badly you want it.
 He saw the match.
 And he felt I deserved to win it.
 Yeah.
 Based on like, you know, what happened.
 But he probably with all his experience
 knows that this is what the Olympics are about.
 The refs sometimes.
 Yep.
 I mean, that's the magic of it, man.
 Well, and at the same time,
 we're in the Olympic semi-final
 in a sport that's dominated by certain continents.
 And when you look at the three refs on the mat,
 they're all European.
 Yeah.
 You're telling me there couldn't have been one Pan Am,
 one African, one Oceania, you know, different.
 Like why'd they all have to be European?
 But to be fair, it's back to your sauna story.
 Correct.
 You've dealt with this stuff before.
 And you've won over this stuff before.
 And that's why like I was broken.
 And you thought you won here.
 That was...
 And when I hindered on that for a year and a half,
 like I couldn't even stand, I was done.
 But I'm pretty sure there's a slow motion replay on this.
 When I watched it, he's all excited, that fucking guy.
 And he's all happy.
 It's relieved.
 Hey, hey, hi guys.
 I did it.
 Yeah, so here's...
 Look at his teeth.
 They're red.
 Slow motion replay of the flags being raised,
 the heart being broken, Travis just bending over.
 Right here, watch, watch his reaction.
 Like he, like you could see his mouth like open in awe.
 Like, really?
 Yeah.
 And he's looking at two refs just like I am.
 He didn't celebrate until he looked at the third one
 and said, oh, all three.
 So you think he knew he lost?
 I think in his head, like,
 I don't think he really believed he was winning.
 He did enough to win, yeah.
 Yeah.
 Because when his mouth draw like,
 oh yeah, hey, all three.
 Like that's not really the reaction you would give.
 Yeah, I mean, that was,
 that's one of the greatest matches I've ever seen.
 I mean, obviously it's painful for you,
 but that pain, first of all, sets the stage for 2016.
 But even without that,
 I think it was just a beautiful story at the Olympics.
 You've still did incredible job at that Olympics.
 You stood toe to toe.
 I think in hindsight, having lost that match
 did more for me and more for the sport.
 Yeah, absolutely.
 As a whole, me losing that match.
 Yeah.
 I mean, stories aren't about winning.
 Stories are about the fighting.
 So, and that made one hell of a story.
 But it also has to do with, you know,
 treachery is probably not the right word to use.
 It's probably the wrong word entirely to use.
 But because of the conflict in the match
 and because of how the refs handled the match there
 at the end, it created controversy
 that was spoken about for months on world media.
 I remember articles being written about the Olympics
 and the reffing and how it was corrupt
 and that match was one of them.
 There was another one in fencing
 where like something happened with the timer
 where one of the fencers,
 I guess what happens in fencing,
 the timer resets up a second if it's down.
 So the fencer got one second played out,
 I think like 27 or 28 times and then one on like 30.
 So like there was like clock fixing for fencing.
 There was this match that I think just got publicity,
 good or bad.
 Publicity is publicity for judo.
 And then you came back to, I mean,
 this is the hard thing after this heartbreak
 to step up and continue fighting, right?
 I really, really struggled.
 Like unbelievably struggled from 2012 to like 2014.
 I almost quit numerous times.
 I was so angry.
 I mean, at one point I got so mad at the IJF
 feeling like they were fucking me every step of the way.
 I threw a water bottle at a referee after a match.
 I cussed out a referee one time on a mat.
 I got suspended from the sport
 because I was just so angry at that point in time.
 And IJF is the International Judo Federation.
 Are they the people that supply the referees basically?
 Like the certification?
 They kind of run the sport on a global scale.
 So you sent a few emails, 2014, 15, basically quitting.
 One of them said, I'm mentally and physically broken.
 Another said, well, the subject line, I'm done.
 The weight cuts didn't break you.
 No.
 So if this broke you,
 you were really going through a hard time.
 I was like, you know what?
 We're just gonna like dumb it down a little bit
 and get some wins under our belt.
 I'm gonna go to a world cup,
 which is like three stages down or four stages down
 from like the Olympic games.
 Like this should be like a cakewalk.
 Like making the final of a world cup
 should be a walk in the park.
 I show up.
 I barely beat a 16 year old kid, barely.
 Then I got smoked in the second round.
 I got thrown three times.
 I was like, I'm fucking done.
 They changed all the fucking rules.
 They fucked me out of the Olympics.
 Like, what am I supposed to do?
 And it was at that moment when I wrote the email
 where I remember sitting at a bar.
 I don't drink by the way,
 but I was sitting at a bar at the hotel,
 sending this email and I got a response back from Jimmy
 and he goes, well, just stay for the training camp,
 go to Germany and then whatever happens,
 don't worry about it.
 We'll talk when you get home.
 I was like, fuck that.
 Fuck these people.
 Fuck the rules.
 I don't fucking care anymore.
 I'm just gonna do judo the way I wanna do judo.
 If I fucking get shit out, fuck them.
 That was my response.
 Can you become an Olympic champion?
 Can you become an Olympic medalist
 with that kind of thinking you think or not?
 Was that, that's counterproductive?
 Yeah. Okay.
 Just checking because maybe that's also liberating.
 The expectation was no longer
 that Travis is gonna win this tournament.
 The expectation was Travis is gonna come home
 and be fucking pissed off
 and we're gonna have to figure out
 how to manage a pissed off person
 that's trying to quit that shouldn't be quitting.
 And-
 Do people still believe that you can be a medalist again?
 Yeah.
 Like, who believed that?
 Jimmy believed it, the team managers believed it.
 Some of my teammates still believed it.
 My training partners still did,
 but they're not the ones that are cutting the weight,
 flying around, feeling like, you know,
 all of your judo is now known void, right?
 Because at this point, they took away leg grabs entirely.
 You couldn't break a grip with two hands, right?
 The meta of judo has changed again, right?
 So I got fucked out of it.
 They took away how I did judo again,
 and now it's just got more difficult.
 So when I'm sitting in the hotel and I'm sending this email,
 I remember being at the training camp,
 like I was like, I don't even fucking care
 what the rules are.
 I'm just gonna fucking throw people.
 I don't even care if I'm cheating.
 Doesn't matter to me, I'll just play stupid.
 Yeah.
 Right?
 So I just started going back and doing judo
 without the leg grabs,
 but with all the same gripping that I was doing beforehand.
 And then when I got to Germany,
 I was like, I don't fucking care.
 I was like, if I got to cheat to win,
 then I got to fucking cheat to win.
 If I get shit out, like then I get shit out,
 and I won Germany.
 Which event to Germany?
 The German Grand Prix, which was a week
 after losing the World Cup,
 because I was trying to do judo around the new rule set.
 I wasn't just trying to do judo, right?
 Because when you get to the highest level,
 your game tends to morph around,
 you know, what can you can or cannot get away with.
 I was more focused on trying to figure out
 what I can and can't get away with,
 and I stopped actively doing judo.
 Once I said, fuck whatever the rule changes are,
 I'm just gonna keep doing judo
 the way I know how to do judo.
 And if I get a penalty, then so be it.
 And so that win that started the road back.
 The road back, yeah.
 Because now it's like,
 I don't care if you penalize me or not,
 because I'm gonna throw that guy anyways.
 I'm gonna beat him anyways.
 And if I get a shit over doing something wrong,
 then I'll just stop doing that one thing,
 and just keep doing all the other things
 that they told me I probably shouldn't be doing,
 but they're not calling me on it,
 so I'm just gonna keep doing it.
 Well, you found yourself at the 2016 Olympics.
 Was that ever a doubt, by the way,
 after 2014 in Germany?
 I had a lot of doubt after the concussion in 2015.
 I remember when I first came back
 after four months of nothingness,
 that even trying to train,
 the room would start to tilt a world on me.
 And then when I finally got over that
 and I could start doing things again,
 I stepped on the mat for the Pan Ams,
 and I was like, drowning's not the right word,
 but everything was being done in such a slow motion.
 I had sandbags everywhere that I just couldn't keep up.
 Like mental fog.
 Yeah, I remember fighting the Brazilian
 in the semi-final of Pan Ams.
 I was halfway through this match,
 and I'm just like, eyes roll up,
 I'm like, I'm just gonna fucking wing it.
 And I just fucking winged it,
 and I got countered and thrown free-pwned,
 and I was like, I don't even know what to do.
 And I couldn't even think clearly.
 And that's when I was like, I may not come back.
 Yeah, you don't have control over how to come back from this.
 It's like, it's just your mind,
 and it's not operating correctly.
 I can like, oh, my right hand's not working
 because it's fractured.
 Let me figure out a way I can not use that.
 Like when your mind's not working,
 like it's the one thing you need.
 Like you gotta have it.
 So then work through anything else.
 I needed that though.
 And so how did you come back from that time?
 That's when I wrote another email,
 and I was like, I'm fucking off Team USA.
 I'm not fucking, I'm not done with USA Judo.
 I'm done with the tour.
 I was like, I quit.
 Well, I'm gonna go do my own thing.
 And they were like, whoa, whoa, whoa, whoa, whoa.
 Can't quit now.
 The Olympics is in like a year.
 Like, let's talk about this again,
 because it's the second time I've tried to quit in like,
 two years, right?
 So then we sit down in Jimmy's office and he's like,
 whoa, whoa, whoa, you can't quit.
 You're gonna kick yourself if you don't go to Rio.
 I'm telling you right now, don't do that to yourself.
 Let's figure out a way of like doing this.
 And I was like, because when we trained before,
 we did it at a unit, right?
 We all went to the same tournaments.
 We all went to the same training camps.
 And I'm like, you guys are treating me
 like I'm the same player I used to be.
 I go, I don't, I'm not operating
 at the level you think I'm operating at.
 I go, I can't do that.
 And he goes, well, what do you wanna do?
 And I go, I'll tell you what, Jimmy,
 you know I'm being serious because my answer
 is something you'd never would have expected.
 I go, why don't you just send me to Japan for three weeks?
 And he was like, really?
 I hated Japan.
 I refused to go there up until this point.
 But I was like, I have to get to a point
 where I can get so tired and get through it
 that my judo will come back and my body will learn again.
 And when you say Japan, Jimmy, the Kodokan, what's-
 Tokai.
 Tokai, is that the highest level of judo?
 It's one of the top colleges in the world, yeah.
 And that's so you can go with the best people in the world.
 You can go to war with them.
 Top level, strong players.
 Yeah, there's a lot of very strong players.
 There's a lot of middle-class players.
 And there's a lot of volume of rounds.
 So you value all of it, the middle-class too?
 When you're tired, you can't just train in areas
 where you're battling for every inch.
 At some point, you have to be successful.
 So you still under duress and under strain
 and through exhaustion,
 you still have to have the ability to score.
 Well, if you're training with the best people
 in the world all the time,
 you're not always gonna be able to score.
 So you still need those B-level players
 in order to really develop again.
 What is it like, if you can comment briefly
 on training in Japan?
 What's it like to go into a different place?
 You probably don't speak the language that well.
 Like, is there an isolation aspect to it?
 Is it like purely about judo now?
 I really wanted to be isolated.
 No training partners, no coaches.
 I wanted to get back to my roots
 and just learn how to fight again.
 I don't wanna figure out how to beat the German.
 I don't wanna figure out how I can develop a new entry
 into my seo against whoever it may be.
 It's not...
 You just wanna fight hard.
 Just wanna fight.
 Let me get back to fighting.
 Let me get back to the root of who I am.
 What were those sessions like?
 What were we talking about?
 Five minute rounds?
 Like, how many?
 Six minute rounds, 30 minute breaks, 14 rounds a session.
 So what's the 30 minute break?
 30 second break.
 30 second break.
 30 second break.
 Sorry, what?
 14?
 14 rounds.
 14 rounds.
 Every day.
 Every day.
 Five days a week and then 11 or 12 rounds on Saturday,
 plus weightlifting, plus running.
 Plus weightlifting, plus running.
 So those are hard rounds.
 What's it feel like to go through that?
 So you have a bunch of just a sea of black belts, Japan.
 I'm sure they're hunting you a little bit.
 Depending on who you are.
 I was hunted a little bit.
 Like I didn't really struggle because of who I am.
 Them as college athletes,
 they wanna show to their coaches
 and their higher players like,
 oh, look, I can throw the world number, whoever.
 But if you're just a guy who shows up,
 like them beating you doesn't provide any value
 or raise their status.
 No, but you're status raising.
 Yes.
 So I was actually like in a situation
 where nobody was watching me
 and I was free to just battle at my own will.
 Okay.
 Which is what it was about for me.
 And you just push yourself.
 Cause I knew how to do that.
 I know how to push myself.
 Are you, when you're doing these 14 rounds,
 is every single one a standalone thing for you?
 Yep.
 So you're not trying to pace yourself?
 No.
 Each one is to as much exhaustion as I can get.
 But then there must be ones where like,
 it's like round nine where you're got nothing left.
 Better figure out how to score.
 That's all you gotta do.
 You gotta survive and you gotta score.
 What's your memories of that, of those three weeks?
 What's like, what stands out to you?
 It seems like,
 cause that's the place where you found the silver medal.
 Yep.
 Because it's the place most people don't want to be.
 Everybody's comfortable.
 I would rather,
 I would rather find out who I am and what I'm made of
 and find those, those end points.
 And if I can't find them,
 then that means everybody else has given up before me.
 Were there a few people that just kind of,
 you returned to battle over and over in those times
 and then it was just.
 Yep.
 No social media.
 No.
 None of that is just like two men.
 Lock yourself in your room.
 You come back, you've thought about it.
 And you come back with a game plan for that day
 against some players here or there.
 And I would, I would develop a hit list.
 Like I would be like,
 all that that motherfucker grabbed me at like 13.
 And I watched him sit fucking four rounds
 and then come try to kick the shit out of me.
 I'm gonna fucking grab that guy early.
 I'm gonna beat the shit out of him.
 And you just developed that list.
 There's probably some epic battles in that room, right?
 Yeah.
 What's it look like?
 Like how crowded is it?
 Very.
 And so you're just like, yeah.
 To see a people.
 See a people.
 And you're trying to,
 are you doing ground work at all?
 Just throws.
 Just throws.
 No transitions, no nothing.
 But if I get pissed off and like you keep dropping
 or like not letting me do what I wanna do,
 I'll rip a choke right across your face.
 Just to let you know that like,
 I can't if I wanted to.
 You have a really nice style of just like,
 respectfully bullying the shit out of people.
 Cause some people call me a bully
 and I have to remind them that like,
 a bully enjoys like beating up the weak.
 Right.
 I wanna beat the person that fights back.
 Right, exactly.
 It's not fun for me if you don't fight back.
 Right.
 Some of the greatest people I've seen like do this.
 They basically,
 you have this in the Iowa wrestling rooms,
 they'll push each other into the wall.
 Like they get, there's like anger.
 But it's ultimately underneath it all.
 It's like a deep respect.
 I was training with Colton Brown one time
 and I went to San Jose State
 cause I was in California for something.
 And he kept like, he kept circling to the edge.
 They had like a cupboard that had like,
 when you opened it,
 it had like all the tape and like medical supplies.
 I was like, we'll fucking put you right through that.
 And he kind of lived, he kind of giggled.
 And then he went by that edge
 and I fucking ran him right through it.
 Yeah.
 See, to me, that's an ultimate sign of respect
 that both you and Colton will remember.
 Yeah.
 Remember.
 Well, and we're still friends.
 We still talk.
 It's just, I told him I was going to do it.
 He knew I meant it too.
 Yeah.
 He did it anyways.
 He just tested me.
 Yeah.
 Listen, that's, and that same attitude was,
 that was in Japan just day after day after day after day.
 Yep.
 14 rounds.
 That's rough.
 And you didn't sit out rounds.
 And I did it all with a broken hand.
 How?
 How did you do it with a broken hand?
 You show up every day.
 You show up.
 Okay.
 I actually did. Which one, left or right?
 My right.
 Okay.
 So that's okay.
 So you can then focus on gripping with your left.
 It's always a way.
 There's always a way, but that means you can't,
 I guess you don't have to grip with your right sometimes.
 I would palm it with my thumb,
 just like hanging out like this.
 Just like this.
 So you can do something.
 So you can do like a gauche, cause you have a,
 cause I-
 What were your main throws?
 It was Senagi.
 Koshiguruma.
 Okay.
 Sumi, Uchimata.
 Uchimata.
 But you have this big like a gauche type of thing.
 Like a-
 Yeah, but not from like around the waist.
 It's from over the shoulder.
 Over the shoulder.
 And I can do it with just the one hand.
 Oh, sorry, which one hand?
 The right one.
 I don't need the sleeve hand.
 You don't need the sleeve hand,
 but you couldn't do it with the broken hand.
 I could.
 Cause I can just put my hand in the gi
 so it can't come off.
 And then you just,
 cause what happened was three days
 before I was leaving for Japan,
 a guy, my hand was rested like this on a mat.
 And the guy, boom, took my whole thumb off
 and tore all the tendons in the palm.
 So when I went to the doctor, he was like,
 you know, do we have to put a cast on it?
 And I go, I'm leaving in three days.
 You're not putting a cast on it.
 And I go, this is what I want you to do.
 Just like this.
 I want you to build a cast that holds it,
 that Velcros around so that when I'm not training,
 I can wear it.
 But then when I'm training, I'll take it off
 and then I'll put the tape on it.
 And then whatever happens, happens.
 Whatever happens, happens.
 All right.
 So that's epic.
 And that led you to the 2016 Olympics in Rio.
 Well, that led me to winning Pan Am gold
 when I got back from Japan
 and then almost getting my leg cut off in 2015.
 That was like, I don't know, maybe a month or two later.
 I was hospitalized for seven days.
 The leg being cut off for what?
 I had three different types of bacterial infections
 in my right leg.
 My whole leg swelled.
 And it was in my blood, skin and in my bone,
 in my right leg.
 So I got stuck at MGH in a hospital for seven days
 until they figured out what the bacteria source was.
 Where was the source of the infection?
 In my knee. In the knee?
 Yeah. Okay.
 So obviously there's a danger of like,
 that's life threatening.
 Yep.
 When I went into the emergency room,
 when I got back from the Worlds,
 the lady was like, hey, you need to call.
 You're gonna call cause you may lose your leg tonight.
 Yeah.
 So I went to the hospital.
 What do you think in this whole time?
 Are you still thinking about Olympics?
 They put me into the room like four hours later,
 the doctor came in.
 I was at MGH in Boston and he was like,
 you have a serious infection in your leg.
 I go, he's like, we have to keep you hospitalized
 until we can figure out what it is.
 And I was like, buddy,
 I have the Olympic games in less than a year.
 I go, I don't give a fuck what it is.
 I go, just fucking take it out
 and let me get on with my day.
 He goes, we can't do that.
 Like, I don't understand.
 I go, you told me it's infected,
 just cut away that part of the tissue,
 drain it, do whatever you gotta do,
 and then send me on my way.
 He's like, it doesn't work like that.
 He said, until we figure out what it is,
 we can't figure out how to stop it from growing
 or how far it spread.
 So it took them seven days to figure out what it was.
 Then once they figured out what it was,
 I went in for surgery to remove it.
 Then I spent, I think it was eight weeks
 in in-home care with a PICC line.
 And then I came back from that.
 On the first week and a half of judo,
 I tore my SI joint trying to throw a guy.
 And then I came back from that about a month later,
 and then fifth at the Connell Cup.
 And then the games six months later.
 How quickly do doctors understand who they're dealing with?
 Like, is that difficult for you to explain
 who Travis Stevens is when you go to visit a doctor?
 I don't think they understand, you know,
 their role is to get me to do my job
 to the best of their ability as a doctor.
 Meaning it's gonna be less than what they want.
 And they struggle conceptually with like,
 but the textbook tells me this.
 And I go, but I'm not a textbook, right?
 Like when you go to physical therapy,
 the first thing they do is they pull out that binder
 that says day one, we do this exercise.
 I go, but I have my own goals.
 Your job is to help me meet my goal.
 Let's work a plan to do that,
 or I gotta go find somebody else.
 Did the doctors in general,
 people outside of your close-knit group step up?
 If they didn't, I found somebody else.
 And typically I could find a person
 who knew the right person.
 I always wonder with people like,
 cause I'm constantly surrounded by,
 one of the biggest problems in my life has been,
 there's a lot of people in my life who love me very much,
 but who want me to the equivalent of that situation,
 you know, definitely don't go to the Olympics
 and definitely like take, like,
 it seems like the world is full of people
 that want you to be average and happy,
 which is great, which is fine.
 I mean, perhaps that's the way it should be.
 Like, you know, my parents, people close to this,
 that's what love, how love manifests itself often in people.
 But then like, I think the ultimate manifestation of love
 is understanding who this person is.
 Here's a madman who's driven towards a particular thing.
 And the best thing for you to do is not to say,
 like, rest, it's to say, work harder.
 Like, fuck your infection, you should be training.
 Have you ever met anybody as crazy as you
 that can help you?
 Most of us who get to this point get there
 because we're all a little unstable.
 Even my wife, Kalita, right?
 Like, when she was getting ready for 2016,
 or when she was getting ready for 2020,
 because she moved to Boston to be a coach,
 she had a neck problem, right?
 And at some point in time, it's like,
 what's really important, day-to-day life or judo?
 And believe it or not, the doctor in Canada was like,
 I am never under any circumstances
 doing an MRI of your neck again.
 That's what she told her.
 She goes, if you have me do an MRI,
 you're not doing judo again.
 So just know if you hurt your neck and it requires an MRI,
 you're done with judo forever.
 So decide if you wanna do judo or not.
 That was a conversation we actually had to have.
 That's a cool thing for a doctor to say.
 I mean, it depends how bad ass they sound when they say it.
 So that's a tough conversation.
 Judo one, what's this with your wife?
 What's that relationship like?
 So you're both a little crazy.
 A little bit.
 In a good sense.
 Or from my perspective in a good sense.
 Yeah, it's just we understand that when you set a goal
 to do something, you're not signing on for the good.
 Yeah.
 You're signing on for the bad.
 And I don't think a lot of people understand that.
 That's like a Valentine's Day card from Travis Stevens.
 You have to accept everything negative
 that could possibly happen.
 And until you do, you're never gonna make it
 because you'll always sell yourself short.
 You'll never go far enough.
 And if you sign up for the whole thing,
 then the negative is just like, oh great.
 I expected that.
 If you're experiencing the negative,
 they're also experiencing the negative.
 And if you overcome it,
 maybe they'll get knocked out for it.
 Maybe they won't deal with it.
 Maybe they won't train through it.
 When I had my five herniated disc
 and I was in a neck brace,
 I was still in the gym at 7 a.m.
 Doing whatever it is I could do
 because my job is to be at the gym.
 David Goggins, I don't know if you know the guy,
 he's gone, he's damaged lots of parts of his body like you,
 trying to achieve things.
 So, unlike you, his achievements are like,
 your achievements come with the metal.
 He's just running in the darkness
 in the middle of nowhere by himself.
 It's like, I mean, it's the same probably as with you
 if you're able to be introspective about it
 is he's just battling his own inner demons
 and working through those
 and is breaking his body doing so.
 Are you cognizant of the trade-off of the fact that,
 you're damaging your body
 to get to these levels of achievements
 of this level of excellence, of this level of greatness?
 I mean, I guess that depends
 on what you consider damage really,
 because I don't really see that I have damaged my body.
 If anything, I think I've strengthened it.
 My body can go through more than yours can.
 Who's is weaker?
 Right?
 It's just like the Thai boxers, right?
 In order to strengthen their shins,
 they gotta break it a few times.
 It's just nature of the beast.
 You just had to break a bunch of stuff
 to find where the weak points are
 and then made them stronger.
 Or strengthen the areas around it to strengthen it by,
 the sheer relation to it.
 But the problem is like, you may not be able to do judo.
 Like four until you're 70.
 Why not?
 I may not be able to do judo to the level I used to.
 Don't get me wrong, but I can still do judo.
 You can still do judo.
 And I think a lot of people struggle with,
 they wanna keep doing it like they used to be able to do it.
 I don't try to do judo like I used to,
 like you're seeing here.
 I'm not that guy anymore.
 I accept that.
 I don't even try to be that guy anymore.
 I'm a completely different player today
 than I am when I was winning Olympic medals.
 And so I guess when you're looking at like my journey
 and the trade-off is I never sacrificed anything.
 The people around me sacrificed for me.
 And I never had a downturn after the Olympics
 because I never identified as an Olympian.
 You know, a lot of Olympians suffer from depression
 because they identify as it.
 Now they don't have who they are.
 Where was your personal moment of greatness?
 Or do you not experience life that way?
 Or you were truly proud to be yourself?
 Every day I wake up.
 You wake up and you're not proud of who you are,
 then you've really got to seek out some help.
 So that's, first of all, okay, I'll do that
 because I definitely am not proud of who I am.
 I just wonder if you didn't identify with the Olympics,
 was there times maybe in the training room,
 maybe in Japan, like where you just kind of felt like...
 I get more of an emotional, I guess, trigger, right?
 Where like I feel proud of what I've done
 when I've set to a task and I've done it.
 So almost any task.
 And the more challenging the task, the more reward.
 You fought a lot of amazing battles in 2016 Olympics.
 So you beat the, let's see, the world number four
 in the quarterfinals.
 It's like a replay, every single Olympics, you're...
 All the people that fight.
 I got terrible draws.
 Terrible draws.
 And then you're facing,
 this is where I was like watching this.
 I'm like, yeah, he's screwed.
 You faced the world number one, the Georgian.
 And by the way, for people who don't know,
 he beat me five times to my beating him once.
 And the one time I beat him was in London.
 And all other times he beat me, he beat me by a point.
 And not by like a little throw,
 like he threw me on my head.
 At one point we were in Georgia.
 I'm fighting him in the final.
 I go to my teammate and I go, guess what?
 Make sure you watch this fight.
 Somebody's getting thrown free point.
 This match ain't, and this same match going to distance.
 And about a minute in, I tried to take his head off
 with a big Koshiguro, which was like a head and arm.
 He caught me and then threw me on my head
 and ended the match.
 So first of all, we're watching the video of you,
 again, standing next to the guy leading up
 to your semi-final match.
 So here, if you win this, you're guaranteed a medal.
 But the chances of you winning from my fan perspective,
 I was like, God damn it.
 You and the rest of the world, except for me.
 Except for you.
 What are you saying?
 You're talking to yourself here.
 What are you saying?
 My name is Travis Stevens.
 I'm Olympic champion.
 I will not be denied.
 The Georgia is probably like,
 what the hell is this guy saying?
 What is he talking to himself?
 So he was probably ultra confident.
 Yeah, had to be.
 The difference is, is I understood
 the last five times he beat me.
 I was purposely trying to throw him, not beat him.
 I wanted to find out if I could.
 Turns out I can't.
 But I don't need to throw him to beat him.
 I need to know how to not lose.
 But you were still going for stuff here.
 But all of my attacks drag him to the ground.
 They're never standing on my feet.
 Which is a distinction that we talked about
 at the very beginning, right?
 You have throws where you're standing
 and throws where you're dropping.
 Every time I try to throw him standing,
 he throws me free pony.
 He picks me up and he throws me on my head, literally.
 So what I did is I just needed to get
 to that last one minute mark,
 which is what he does mentally in his own judo,
 where he changes into a panic
 and just tries to like do things that are uncharacteristic.
 So you knew he's gonna start panicking here
 as the match draws to a close
 and you both have a shido propality.
 Did we pass the point where I went for broke
 and I broke my rule?
 Which one?
 I went for a crazy foot sweep,
 like Epone switch thing.
 I can't even remember what it's called
 because it's not used that often.
 And he actually landed on top of me
 and some people wanted it to be called Epone.
 But he had actually let go of the gi
 and was looking for the mat.
 So he didn't have any control.
 Obviously I didn't award him a point.
 Yeah, and here we go.
 Now we're getting down into the next.
 See, like he's getting frustrated.
 Great.
 I love it.
 Perfect.
 Second penalty, no big deal.
 We just gotta get to the one minute mark.
 That's all we gotta do.
 So there's no panic here for you.
 No, I'm right where I need to be.
 And look it, now, if you go back into this match,
 I would love for somebody to go back
 and see how many times he did a drop right,
 Epone Seinagi.
 Probably never.
 So why is he doing it now?
 Because he panics and he changes his judo
 at that one minute mark.
 So look how much I kept that grip.
 Yeah, you have that grip this whole time.
 You have your left hand.
 Locking him down.
 Locking him down.
 You keep the grip as he's throwing.
 Which, were you thinking choke as he drops or no?
 It's just kind of natural instinct.
 Yeah, because we drilled it.
 I spent two years drilling this transition.
 And then very, so for people that don't do judo,
 jiu jitsu, it's like really nice.
 You keep, everything is nicely controlled
 to where you're keeping Nagi under his chin.
 Like it's really tight control.
 Like it's very, like you're, I guess it's drilling,
 but you're cognizant of the position
 of your wrist the whole time.
 And you can tell based on like just years of doing it,
 whether it's under or it's not.
 You can just feel the difference.
 And it's probably, even if you wanted to stop that,
 it's very difficult because your whole time, it's like.
 Once it's under, it's almost impossible to stop.
 For people who practice jiu jitsu, don't practice judo,
 one of the very annoying things about judo
 is in order to do gi chokes, they have to be under the chin.
 Yes.
 Even though the kind of intense jokes you do
 work just fine over the chin, but.
 And the kicker here and why we practice this choke
 was because when you go back and watch
 all of the other matches, he always does this tripod
 when I try to do arm locks,
 which is typically what I would do.
 And when I do that, he ends up sliding out
 and I end up falling off.
 So you step up here with the choke,
 he does a tripod where he sticks his button to the air
 and you do, what's the name of this choke?
 Bow and arrow.
 No, but okay.
 I mean, when you do from like, from that position,
 is there a way this entry into the bow and arrow, I guess?
 Cause you're doing.
 We refer to it in judo as a British triangle.
 When they're in that turtle position
 and you do that rolling motion.
 Cool.
 And here, when you go into that, you can fall off of him.
 Like you said, if you go in front of an arm bar,
 but here literally, because you have it under the chin
 really well, there's just a nice control.
 And I've already planned on it being on his chin.
 That's why I've hooked the arm.
 Yeah.
 Right, it's already starting to go straight.
 Probably this choke in the early stages,
 like a few frames before feels like it,
 like you're safe.
 It's fine.
 Like the head will slip out or something like that.
 Yeah.
 That's why my left knee is up by his shoulder
 to keep that pressure down so that he can't posture it up.
 When did you know you have this?
 Oh, I was-
 Oh, right here.
 I actually panicked right about here.
 Was maybe his head to come out?
 My hand, I tore the muscle in my palm
 because I was pulling so hard that I'm like,
 he may not tap.
 Yeah.
 Like, is my hand just going to give out beforehand?
 And we're right on this edge, right?
 Yeah.
 So like if we roll a little bit outside
 and I still don't have it, like that ref could stop it.
 Yeah.
 And then I felt him tapping and-
 Oh, that, he's heartbroken.
 I felt-
 Surprised.
 There it is.
 The relief.
 Olympic final.
 And he knew, he knew he lost an Olympic medal right there
 because he already knew that the Japanese guy
 was going to be his bronze, that he never beats.
 See the, but also he probably in his head
 was confident that he would be in the final.
 Correct.
 And so like this, he almost is surprised.
 Yeah.
 It's not supposed to happen this way.
 And it's the second time it's happened.
 And that's how you became an Olympic medalist.
 Man, that must be a great feeling.
 That must be a great feeling right here.
 Just like all the years of injuries, all of it.
 As fans that watch this too, it's like, holy shit.
 He actually did it.
 And it's a packed stadium too.
 Not one empty seat.
 Oh man.
 So what were you thinking here?
 I was-
 You just focused on the next match.
 Yeah.
 It took me maybe like a minute or so to like decompress
 and then like get back to like my normal state for the final.
 So the final is against the Russian here.
 What can you say about your mindset?
 You're saying the exact same thing.
 Same thing.
 Travis Stevens, Olympic champion.
 I will not be denied because I had felt like in London
 and throughout the years, I felt like I kept getting robbed.
 So I made sure in my monitor to add that little bit
 at the end to reassure myself that like,
 they are not gonna control the outcome of today.
 I'm gonna control the outcome.
 What did you know about the Russian?
 Everything.
 And I honestly, I thought I'd won the Olympics right now.
 And I still do think that today.
 Just like mentally when you think about it,
 that I've won like, yeah, he threw me,
 but it was like a one in a million chance
 that that worked for him.
 Like, come on.
 So it's not like you feel lucky to be in the final.
 It's like, you deserve to be-
 Again, remember I'm anticipating the goal.
 Like I'm past that.
 There's a confidence in the way you're moving
 and the way you're-
 Yeah, like I have his sleeve.
 He's not breaking it.
 Like still walking him down, still going forward.
 Like I knew exactly how I was gonna beat him.
 And I developed the plan
 because when I was getting ready for Rio,
 we brought in a lot of the top Japanese players
 that weren't invited to the camp for the national team
 to Boston.
 So I had four people,
 three of them were on the national team.
 One of them had won the universities in Japan,
 all at 81 kilos.
 I only got thrown once during camp for a month.
 Wow.
 Like I was ready.
 I just, I fucking slipped.
 What does it happen?
 Right when he threw me.
 So if you let this play out really quick,
 there's a point right here
 where I'm gonna come around his back
 and I'm kind of gonna just yoko suteme,
 which means like a lateral drop.
 And I'm just gonna bring him down to the floor,
 which isn't a throw right here.
 Yeah.
 It's more of like a take down, right?
 I'm trying to get him to the ground
 cause I wanna burn him.
 He doesn't do niwaza.
 Yeah.
 So I'm just gonna keep burning him.
 And you can see that like,
 I get really close here.
 He just went a little too far to his side
 during this exchange.
 And like he's running.
 I'm like, ah, he...
 He's very wiry for an 81 kg player.
 Yeah.
 There's not much like muscle on him.
 But he uses his length and his leverage very well.
 And you can see like, I'm really burning the clock here.
 Like I'm owning these exchanges
 more than I'm owning the Tachi waza ones,
 the ones in our feet.
 So you weren't trying to necessarily like submit him here
 or like really harder, like pin him.
 You were trying to break him a bit.
 I'm doing both.
 I'm being overly physical.
 And to a lot of the BJJ people who are watching this,
 like they're like, oh, well, I would have done this.
 I would have done that.
 You've got to think like,
 if that referee who's reffing the Judo side of it
 looks at it for a couple of seconds and is like,
 he's not really moving.
 Yeah.
 They'll stop it.
 Yeah.
 So you're like, you understand Judo.
 Yeah.
 What's called niwaza groundwork.
 Like what you, cause you're really showing it to the ref.
 Yes, you have to show movement and progression.
 That hurt the forehead.
 Like, see I threw that hand in there kind of hard,
 ripping it across his face just because.
 I got to tell you, there's a calm, well, no,
 he does look a little broken,
 but the Russians have like this calmness
 they're pretty good at.
 Well, don't forget, they've competed like this for a long
 time.
 That's all he knows.
 And this is where I lose it.
 See how my knee hit the ground?
 Yeah.
 My knee wasn't supposed to touch the ground.
 Yeah.
 I was supposed to sit to my hip to bring him down.
 Something happened where my knee touched.
 Yeah.
 And it didn't happen in the first one.
 It just happened there.
 It's like that.
 We never should have been in that predicament.
 Yeah.
 And that's, that's one of the things where,
 when you're looking at, you know,
 sports for anybody who's trying to improve,
 you have to, when you're, when you're trying to improve,
 you've really got to ignore the ends of the spectrums,
 right?
 The oopsies and the, they got lucky.
 And you only focus on the middle.
 Like the technique I was doing was perfectly sound.
 It just happened that the one oopsie happened on the stage
 it shouldn't have happened on.
 And there's no,
 there's no amount of drilling that will ever like,
 prevent that from happening.
 And that's just the,
 That's sports.
 That's sports, especially the Olympics,
 especially Judo when it's like one,
 You got one mistake.
 Oopsie can just be your,
 That's it.
 That's it.
 You know, it really requires,
 and you have to wrap your head around the idea of like,
 if you want the ability to beat these people
 and throw these people,
 like you got to be willing to get thrown yourself.
 Like this isn't boxing.
 There's no like,
 I'm going to stand in a place where he can't hit me
 and I can hit him because we have the gi
 and because they can grab it.
 They have just as much ability to throw you as you them.
 So how'd you feel here?
 How long was the duration of you feeling upset
 that you didn't get the gold versus-
 Never felt it.
 Never felt it.
 Just-
 Because he didn't beat me.
 Right.
 Right. It's an important distinction
 because when I'm training and when I'm competing,
 like I understand that I take risks
 and I accept those consequences.
 That's why I take them.
 That's a consequence.
 That's not him being the better judo player
 that dominated a match and I didn't have an answer.
 And then he threw me.
 Then I would be a little upset.
 Like when you're tired and somebody's coming at you
 and like, you can't do anything about it,
 that's a shitty feeling.
 Yeah.
 You know?
 And that wasn't this.
 And that wasn't this.
 Like I accept losing when it's my fault.
 Well, that was a hell of a story, man.
 So from 2008, 2012, just the sheer number of injuries,
 the weight cuts, all of that, the wanting to quit,
 the doubts, I'm sure you did not get,
 like the fans probably started disappearing
 somewhere between the second and the third Olympics.
 Like the support from judo within the United States
 and just everybody, you know.
 Just like.
 The USOC tried to cut all my funding in 2015
 and say, no, you're too old.
 Yeah.
 So through all of that to win the medal,
 I mean, that's what the Olympics is about.
 Is there some, like when you look back,
 does that seem like another person?
 Is this like another lifetime ago?
 Or like, that's a hell of an accomplishment.
 How do you feel about the whole thing?
 It's an interesting kind of predicament
 because there's like those cookie cutter answers
 about how proud you are and how grateful you are.
 But at the end of the day, it's not who you are.
 So that skillset and that mentality that, you know,
 it took to accomplish that, that's who you are.
 And so this was just a stepping stone in who I am.
 So it's in the past to me.
 Like there's no shrine in my house
 that has like an Olympic medal in it.
 I can't remember the last time I looked at it.
 So you're saying like the, all the stories,
 the skills along the way, that's like you right now
 sitting here is the shrine.
 Yeah.
 The who you become along the journey
 is really what the prize is.
 Right?
 Like when you think about any of them,
 most of the people that, you know,
 go through that depression after the games,
 it's because that is their shrine.
 Like that is who they've identified as.
 That is who they've told the world, the community,
 their friends, their family.
 That's how they've identified.
 I've identified as a person who perseveres,
 overcomes and accepts challenges.
 So like I, all those things are just like, you know,
 putting a suitcase off to the side
 and I'm onto the next great chapter thing
 that I'm trying to do.
 And it's both sad and cool that very few people in the world
 get to experience what it's like to be you.
 I mean, this level of having gone through that journey.
 Everyone has the opportunity to.
 Yeah.
 Yeah.
 I mean, I've done a few difficult things in my life,
 but I got to tell you, weight cuts and sauna.
 And I would tell people right now who are listening,
 like don't go through that.
 And I think a lot of wrestlers,
 a lot of young judo players,
 a lot of young like just combat sports people
 where weight classes are a thing.
 They almost take a sense of pride.
 Like when I hear them talking about like,
 oh, how much weight do you have to cut?
 If you have to cut a pound more,
 it's like you've accomplished more, like you're tougher.
 Like you're not.
 Like there's no trophies for that.
 You, whatever the reason, had a job to do
 and you got it done.
 And that is truly inspiring, no matter how hard.
 There's a big, deep lesson to learn from that.
 Then you start getting to the specifics
 of whether you should weight cut or not.
 But if we don't, then most of the great things we have
 in this world, we wouldn't have.
 The reason we have many of the great things
 is because people did that weight cut.
 The equivalent of the weight cut
 for whatever the discipline, man.
 There's a difference between having to do it
 because you have to and you get through it,
 then setting yourself up to do that
 because you think it's the cool thing
 or the thing you're supposed to be doing
 in order to be successful.
 There are plenty of like two-time Olympic medalist.
 I probably could have been a two-time Olympic medalist
 had I not cut that much weight.
 I probably would have multiple world medals
 had I not cut that much weight
 because my body wouldn't have been that broken.
 There's always the other side of it.
 So just when you're looking at it,
 like I just hear it in like young kids,
 even some of my own, like when you hear them talk
 about like where their weight's at,
 they almost take a sense of pride on how much
 they have to lose because they hear stories like this.
 And it's like, that's not the takeaway.
 I did it because I had to.
 I was put in a situation where like,
 I may not have gone to this game
 that I moved up to 90 kilos
 because I wouldn't have had time to grow into the division.
 And then you get the job done.
 And then you get the job done.
 You're right.
 It's just a very important difference.
 And that's also with sleep.
 That's what people talk to me about.
 There should not be any glorification of not sleeping.
 There should not be a glorification of cutting weight.
 But if that's on the way to your,
 whatever is that fire inside you
 that you know needs to get done,
 like the job at hand,
 if you need to sacrifice in some of those ways,
 you get the job done.
 Yeah.
 And the weight cut is an interesting one
 because it's different.
 I mean, you could speak to this.
 There's different sports in which the weight
 is more important than others.
 And there's different levels to this game.
 I think at the level you operated in,
 that was probably essential.
 Yeah.
 Like there's huge games changed completely
 from 81 kg to 90 kg.
 The huge weight jump.
 It's first of all, it's the weight,
 but then the strategy,
 it's like so much changes the height
 and all those kinds of things.
 The physical, like people don't understand it,
 but the physical size of a 90 kilo judo player
 versus the physical size of an 81 kilo judo player,
 it's like putting a human in a human.
 Like there's enough space.
 That's not like, you could stand next to your friend
 who's 180 pounds and you could be 160
 and you guys could look identical.
 Yeah.
 It is different when both the 90 kilo,
 100 kilo and 81 kilo both have 6% body fat
 and they're cutting into the class.
 It always feels like there's more variety at 90 kilo
 because some of them are lanky and tall.
 Yeah, some are short and stocky.
 Stocky.
 It's like 81 is more uniform, which I,
 but then the flip side of that is the,
 this is why I like in Jiu-Jitsu, again,
 amateur competing against bigger guys.
 Like I love that more.
 I like cutting weight just so I'm slim.
 Like that's when I feel the best
 with the same thing that you mentioned,
 but like I love going against 200, 220 that-
 Because in Jiu-Jitsu,
 the weight doesn't get amplified in the sport.
 Like the weight is just the weight, right?
 If you can, if you can leg press 220
 and you can bench 220, then yeah,
 you can train with a guy who's 220.
 That's easy.
 They're not going to hurt you.
 And I mean, there's, there is a truth that, you know,
 light weights and middle weights in Jiu-Jitsu
 and the same is true for Judo.
 It's just like a lot more of them.
 That means if you want to be,
 is you're just competing at a higher level.
 So like there's much more variety of games.
 The level is much higher.
 So you're taking on a bigger challenge,
 even if you're like, have a weight advantage.
 So those are all the decisions you have to kind of make.
 And certainly in Jiu-Jitsu,
 people that are weight cutting are silly.
 I mean, that's the natural beginner thing to do
 is to feel the way the nervousness about competition
 expresses itself is through the desire to be
 as light as possible,
 which is the totally wrong desire to have.
 Like when you look at me now,
 I'm probably like 230, right?
 But I probably have the strength of a 70 kilo Judo player.
 The weight doesn't really do much.
 I mean, you have the same thing with wrestling.
 The skinny guys, the skinny you
 that we're looking at there,
 just the amount of power in that person is fascinating.
 Because it doesn't look like, you know,
 you have some muscle, but it doesn't look,
 but I felt the power of some of those people.
 Yeah.
 It's scary.
 Yeah.
 It's different.
 That's the best way I can describe it.
 It's like scary.
 It's like, oh shit.
 Again, it's the food chain.
 You're not at the top of the food chain.
 Yeah.
 That's the natural feeling
 when you go in with some Judo people.
 What's your sense about this recent Olympics?
 What stands out to you as,
 so like Teddy Renear, who was on a big run for a long time,
 many consider him to be one of the greatest Judo players
 of all time, two time Olympic gold medalist,
 and two time Olympic bronze medalist,
 so four Olympics.
 To close, yeah.
 Not counting like team stuff, just doing individual.
 And then like,
 Yeah, I'm not sure how they're gonna-
 Ten time world champ?
 Yeah.
 I'm not sure how they're gonna catalog that team event.
 Like, are they all technically Olympic champions,
 or is France an Olympic champion?
 No, they're all technically Olympic champions,
 but I'm gonna ignore that.
 Is that how they're gonna classify it now?
 According, oh, sorry, according to Wikipedia,
 like according to the internet.
 I don't know, according to IGF or whatever.
 Cause you know, some of those players never, you know,
 won a match, they just filled a spot.
 Oh, that's even a starker example.
 Oh, that's sad.
 You know, they lost in the individual,
 and then they also lost in the team, and so.
 Well, it's interesting because in the case of Teddy,
 he was, you know, important to the win against Japan
 in this Olympics, so like, in the team event.
 So like, I feel like you should put that in the equation
 and say who won gold, right?
 It does feel like he won gold in the team,
 because he carried the team.
 Well, you have like Nomura at 60 kilos from Japan,
 three time Olympic gold medalist, no team event.
 Yeah.
 Yeah.
 So, you're not arguing that way, Teddy's team event.
 No, no, we're not arguing this, of course.
 No, I'm just wondering how like the IGF,
 like when you look at a player stat,
 is it gonna be like team gold medal for the Olympics
 versus like their own personal gold medal?
 Yeah, I think in sports, we have to be brutally honest.
 And I think, hopefully this doesn't piss off people.
 I hope it does.
 But judo is an individual sport.
 It's honestly just that one athlete.
 Maybe the athlete and coach, right?
 If you look at the big, big picture,
 but there's no team in judo.
 That's the beauty of combat sports.
 That's the honesty of it.
 That's the brutality of losing to another human being
 in a combat sport.
 That's why it's so damn embarrassing when you get slammed
 is because it's like, there's no team
 to like carry some of that responsibility.
 It's all on you and you suck.
 That's what you lost.
 There's that weight.
 And that's why it's like magical.
 It's not like soccer.
 It's not like basketball.
 Yeah, I couldn't play team sports
 because if one of my teammates
 wasn't doing their job correctly,
 I would go play their position.
 That I'm gonna do it better than you.
 Yeah, but that, some of the greatest leaders of teams
 also do that.
 Michael Jordan is like that, right?
 I mean, it's like with your actions,
 you raise the level for everybody.
 Like excellence is expected
 and therefore everybody needs to step up.
 So some of the greatest, I would say, team leaders
 are individualists at heart.
 But so, okay, so Teddy, I think 10-time world champion,
 non-team regular.
 It's a big number,
 but I think he has some like open weight categories
 in there.
 Open weight, right, right.
 I mean, you can count those, right?
 I mean, that's interesting.
 Let's get that.
 It's the same division twice.
 It's the same division twice.
 That's right.
 One day after another.
 Yeah, that's right.
 I don't know if I wanna count that.
 Yeah.
 Well, I mean, that's one of the reasons
 people don't usually put heavyweights in judo
 as like the greatest of all time
 because the level of competition is lower.
 Yes.
 But anyway, he did lose in this match
 to a young Russian, Tamerlan Bershchev.
 Match also not on the internet.
 Thank you, Olympics.
 I am definitely going to go on some rants on the internet.
 I love it.
 As a fan of Olympics,
 I feel like this definitely needs to change moving forward.
 That like every single major Olympic event,
 I'm also like, I also like random sports,
 like weightlifting,
 even though I don't do Olympic weightlifting.
 It's fun just to watch.
 Fun to watch such high level of excellence.
 And the fact that we can't just fricking watch the full,
 like each nicely categorized event
 is really heartbreaking in judo,
 in Olympic weightlifting, in track, in gymnastics,
 all of that.
 Anyway, so Teddy lost.
 I mean, does that stand out to you?
 If you were to like recap the things
 that you remember from this Olympics.
 I picked him losing already, like in my predictions.
 Lose which where?
 That match or just in general somewhere?
 In the final.
 In the final, you thought?
 Yeah.
 Final or was it semi?
 When I looked at his draw
 because he decided not to compete throughout the quad
 and do like the bare minimum to go,
 because of his age,
 I didn't think he would have enough energy
 to battle his way through the draw that he had.
 And sure enough, he didn't,
 he felt earlier than I thought,
 but he just, he's not the young athletic person
 he used to be.
 And when they changed the rules to judo,
 they allowed people to take people
 into really, really deep waters,
 which you saw at this Olympics,
 which, you know, it did it ruin the sport or did it not?
 Like, I'm not sure,
 but it was definitely difficult to watch.
 Would you put him at the greatest of all time
 or ask another way?
 Like, who do you think is the greatest judo player
 of all time?
 He's definitely not the greatest judo player,
 but he's definitely the best competitor.
 What's the difference between judo player and competitor?
 There's an ability to like,
 do the act of judo of like throwing, pinning, arm locking
 versus can you win a judo match?
 Right, like when you look at somebody like Nomura
 who like threw everyone he fought through three Olympics,
 multiple world championships, multiple things,
 like that's a pure judo player.
 In the essence of judo,
 he can throw pin or arm lock just about anybody
 he steps on the mat with during his time.
 Teddy tended to, when you look at his judo,
 because of his size,
 again, it's just because he's in the heavyweight category,
 he was so much bigger, so much stronger.
 People just couldn't handle it.
 And you would see really good judo players just break.
 Like they could hang in there for a little bit,
 but eventually his size, like you can't control that weight.
 Weight moves weight.
 And when you have to use all your strength
 to keep him upright and off of you,
 your muscles just give out
 because you don't have somebody of that stature
 and that skill like to train with, to train those muscles.
 So what you're thinking more like those 73, 81, 90 kg people
 that just stand in the pocket and just give everything.
 Like what comes to my mind is like a Koga.
 Koga.
 You know, a Nomura who's a 60 kilo guy,
 but again, like his dynamics
 and how long he was dominant for, like it just.
 Do you put value to like epic throws,
 like singular moments of greatness?
 If it's against a noteworthy player
 in a noteworthy position,
 there are a lot of highlights of people
 that are good judo players,
 but their highlights are of, you know,
 scrubs on the IJF circuit.
 It's like great, the Japanese guy
 through the guy from, you know, Senegal, free poem.
 Great, we kind of expected that.
 You took the world number one
 against the 330th person in the world.
 What'd you think was gonna happen?
 Like when I see those highlights
 like thrown around like social media,
 I'm like, that's not a highlight.
 They might as well have just been at the dojo
 like practice and throws.
 If you look at the like top 10 list for judo,
 Kano always comes up, you know, as.
 But he's not somebody that I don't think
 his results are there,
 but you don't really know how he got there.
 So it's hard for me to like, I can't see his judo.
 Yeah.
 So I'm not sure.
 Kano by the way, is the founder of judo
 for people who don't,
 who are considered to be the founder of judo.
 Yeah, the sport evolves.
 Yeah.
 The players that are like,
 if you took champions from the past
 and you fought them against the players of today,
 they're, it's not happening.
 And that goes with anything, right?
 So every time you think of like,
 who's the best of all time,
 it's probably somebody within a generation
 or two of today.
 Yeah.
 If I'm gonna pick my top three,
 let's say top three.
 And I would go generationally speaking,
 I would pick Ono for today,
 probably Iliadis for like my timeframe,
 like the, from a developmental standpoint.
 And then I'd probably go Koga.
 And then before Koga, I'd probably go Nomura.
 Nomura.
 As like the person of that generation
 that people like, as a whole in judo respected.
 Yeah.
 Well, in the case of,
 I wonder if people feared Koga.
 Yeah.
 Yeah.
 Like you're, that little guy's gonna get under you
 and you're gonna go for a ride.
 You know, he was 78 kilos when he took second
 at the All Japan's, which is an open weight class.
 Yeah.
 You know, like he could throw down with anybody,
 any weight class and still win.
 He was one of the early people that planted the seed
 of judo, love of judo on you.
 Yeah.
 And when I looked at him, like,
 that was how like I wanted my judo to be portrayed.
 That style.
 Yeah.
 And then Ilias Iliadis, you just like,
 I mean, you have a similar attitude as him.
 So you just like the way he carried.
 That's why we get along.
 You guys hang out.
 I mean, I'd love to see that conversation.
 I remember when we were talking about like his coaching,
 I was like, why didn't you take this team?
 Or like, why'd you pick this team?
 And he's like, I can't work with those people.
 Like those people are weak, they're children.
 Like they don't know how to train hard.
 I love that guy.
 What about Ono?
 Cause he was competing in this Olympics.
 He got gold in this Olympics, right?
 Yeah.
 He lost in the team tournament though.
 I think he just didn't care.
 He just really wanted to throw that guy.
 He like throws everybody.
 So he represents the thing you're mentioning.
 I signed up to the Judo Fanatics, best of Ono.
 Is there something that stands out to you about him
 that's especially you find beautiful,
 like or powerful about his technique?
 His adaptability to the situations and understanding of
 like what needs to happen in order to throw these people.
 I specifically watched a match with his
 and I was going to do a breakdown video on it because.
 Is there a match, do you remember what it is?
 It's him versus Garvey of Hungary.
 Is he good at gripping?
 So we're watching the match against Hungary.
 So at the one minute, so right here coming up.
 I've heard he's freakishly strong.
 I've never had the ability to train with him.
 So I'm not.
 Obviously he looks super skinny.
 But when you see him without his Gi jacket on,
 like he's a Jack dude, which is uncharacteristic
 of a Japanese player from back in the day.
 In a way changed all that.
 He was like, we're going to get physical
 to compete with the Europeans.
 That's another one of the greats, right?
 Yeah, he doesn't get mentioned enough.
 And he's a righty here.
 Yeah, okay.
 And this is where he starts setting it up.
 It's like, you can see he was standing
 in like a left-handed stance and then he changes.
 So he grips almost like a double, double sleep.
 Not a double sleep, but the tricep.
 And the front sleeve standing like a lefty.
 No body grip, just tricep and sleeve.
 And that was like the biggest whip
 and twist of a new Chamada I've ever seen.
 Yeah, he doesn't actually lift him off the floor.
 And if you look at it in like slow motion almost,
 yeah, there we go.
 The Hungarian player was like 100% defense
 and he still did this, right?
 So right here, like press pause.
 This is like an identifier if you're trying to like learn,
 you don't figure out how to set it up
 because knowing how to get to the point
 right before you pull the trigger
 is probably the most important.
 So when we watch this play out,
 what Ono is going to do is he's going to pivot
 off his right leg right here.
 He's going to backstep with his left
 and it's going to pull Ungarvi's front leg
 all the way forward into what we would call
 like a neutral square stance.
 So he plants hard and look at Ono.
 There's an interesting pull with the tricep.
 Oh no, it's not tricep, he almost like,
 it starts with the tricep and he like collects the gear
 or something like that.
 But it's still above the elbow
 because you can see the bend, right?
 And right here, see how he never put,
 back it up a little bit.
 This is kind of like one of those things,
 yeah, pause it right there.
 So when he puts his right foot down,
 he's pulling so hard with his back
 that when Ono goes to put his left foot down,
 it never touches the mat.
 But by putting his left foot back,
 it actually pulls Ungarvi's foot forward.
 And so he's able to speed up his throw
 by just continuing that motion back,
 which what was supposed to have been a step
 turned out to just in the middle of the action,
 he makes a split second decision
 before putting the foot down to just continue.
 Cause he recognizes that feeling in his hands.
 And so it's like, it's a swing,
 like he never touches the ground with his left foot.
 It never started as like a big swing to a back step.
 He changed his mind part way through.
 So it's supposed to be a back step, right?
 And then he goes, nope, he's bringing that foot forward,
 I'm just gonna go for it.
 And wait, is he full air?
 Look at that, boom, boom.
 And look at if you go a few more steps forward right there,
 his hip is the same height as Ungarvi shoulder.
 Yeah, that's crazy.
 Because he's leaning so far into the throw
 with his body weight.
 And he's allowing that tricep grip to rotate.
 That's gonna draw Ungarvi forward.
 And now when you pause it right here,
 you think about the sheer physics
 to like get your body into this position.
 Jimmy and I were so like,
 when we saw this for the first time,
 we tried to just stand like that and we couldn't do it.
 His left foot is pointing straight ahead.
 His chest is perpendicular to that foot
 or parallel with it, right?
 And his head is by his foot.
 Yeah, is that only possible in the midst of a throw?
 Do you think he works on making like...
 I think he's done this particular throw,
 not this style of it, but Uchi Mata so much
 that his body has adapted to be able to do this.
 So when people are trying to learn
 and like break down videos,
 they don't understand like the power he has
 and what we call end range motion.
 Yeah, look at that.
 So like look at the full range of motion he takes, right?
 That left foot swings all the way around
 and the torso starts like at three o'clock
 and it goes all the way around
 like almost back to the three o'clock.
 Yeah.
 Like, look at that.
 What it...
 And he never lifts his leg above his hip.
 And the crazy part is he never fell over during any of it.
 Yeah, look at that.
 Stayed on his feet.
 What's he doing?
 Is that a matter of pride or just...
 I think that's just habit.
 The way the forces work, like he can just stay up.
 Aye.
 That's one of the most beautiful throws I've ever seen.
 There's so much wrong with it, but it worked.
 It worked.
 Because when you think about,
 remember what we talked about at the very beginning,
 like he's got to get his center of gravity under his.
 Well, here's one of the top players in the world
 throwing another top player in the world
 with his hip at that guy's shoulder height
 and it's still working.
 It's...
 Okay, so this generation, he could be the great.
 Yeah.
 And he switched a lot of those details of the throw
 in the middle.
 In the middle.
 And that only is...
 That means he's probably what,
 like a hundred thousand times that throw has happened.
 Yeah.
 I saw you were into chess recently.
 So you're like me, a bit of a beginner in chess.
 You're part of launching the website Effective Chess.
 So I got to ask, maybe it's a personal question,
 but do you have advice to yourself
 and to other beginners in exploring chess
 of how to one, have fun and two, to start getting good?
 It's nice to see like Olympic caliber athlete
 take on a difficult task with a beginner's mind.
 So like, what's that process like?
 I'm a huge fan of just learning new things in general.
 Right?
 Like when I left judo, like I took a job as, you know,
 marketing for Fuji Sports
 and I was getting frustrated with designers.
 So I learned Photoshop.
 I also got angry with the photographers.
 So now I take all the photos too.
 Just because I don't mind learning.
 You know, I've spent my entire judo career learning
 all the time, like adding new techniques,
 finding new ways, practicing, developing.
 And so when it comes to chess,
 I treat it just like I do anything else.
 I just stick to one plan and I learn all the ins and outs
 of that one plan and then I develop another plan, right?
 Like I'll might practice like a London opening, for example,
 and just, I don't even care if I win or lose.
 I just want to figure out how I'm gonna lose
 and then figure out how I'm gonna win.
 And once I know that position is now done,
 then I start with another position.
 And then once I figured out how I'm gonna lose
 and how I'm gonna win,
 the next thing I do is I don't go to a third.
 I figure out the bridge between the two.
 Like at what point during my openings
 can I transition back into this opening, right?
 So like you have like some basic openings
 and you want to see how they go wrong,
 how they go right, all the different ways.
 And then that starts to solidify a higher level concept
 of that particular opening.
 And you start to stitch together the concepts.
 The concepts together.
 Cause being able to go from one to another
 and then back and forth is part of the reasons why,
 like I was successful at judo
 is just because everything I do,
 at some point it touches that spiderweb
 of like being able to get from one area to another.
 We refer to it as like a toolbox, right?
 You need more tools in your toolbox.
 But if you're always grabbing the wrong tool for that job,
 then you're just not gonna have success.
 I actually forgot to ask you,
 you mentioned a few greatest chess players of all time.
 And I noticed you didn't mention Vladimir Putin.
 So I gotta ask you about his judo.
 Do you by chance know much about his judo?
 What do you think about a president of a major nation
 being a judo black belt?
 And I think from what I've seen pretty good at it.
 I think it shows if he actually got it,
 like let's go with that premise of like he earned it.
 Right?
 That just shows like a level of like physical persistence
 and mental fortitude to be able to like,
 take those beatings and just keep showing up
 until you've overcome and can now give those beatings.
 As you know, in Japan and Russia,
 you get it by just like, when you're young,
 it's easier to get a black belt when you're like,
 just go through a bunch of beatings
 for like 10 years in your teenage years.
 But there's also from it, springs like a camaraderie.
 There's definitely a brotherhood and sisterhood
 in terms of judo to where you're connected forever
 because of that.
 For many people, it's their childhood connection.
 You sort of leave judo in your twenties, in your thirties,
 but that's always there.
 And the same is true with wrestling.
 So it's interesting to see him pay respect to that,
 like by going with the Russian national judo team.
 And I think he did, obviously,
 they have to get thrown, right?
 But just, you can tell,
 and you probably can tell even better,
 but you can tell when a person moves
 in a way where you're like, okay,
 you've had like 10 years of beatings and you can tell
 the way they pulled, the way they moved.
 But I also like in contrast to the US national team,
 or I don't even think there's a national team for US, right?
 It's the Pedro Judo Center, right?
 That there is some, it's really cool
 when there's a camaraderie like that
 amongst the highest level Olympic caliber athletes in Russia.
 I suppose Japan might have similar kind of thing.
 And then you have, then you can have the system
 of people together and then you can have
 a strong coaching staff, not just like a coach,
 but a coaching staff.
 And then you can have the nation backing that staff.
 I mean, and then the result is like,
 you have some incredible level of Judo emerge.
 Is there something you could say,
 we didn't talk much about Jimmy.
 I mean, he was a critical part of your just,
 like of your perseverance through all the,
 all that you had to go through.
 What did you learn from Jimmy?
 What are some impacts that he had on your life,
 both on the mat and off the mat?
 You know, if we had to like put it down
 to like a very simple thing, he taught me how to win.
 Right, it wasn't necessarily like the technical side
 of Judo, like we went over gripping,
 we went over this, we adapted that.
 But the real strength to Jimmy was like,
 he knows how to win.
 And most people think, well, if I get really good
 at this technique, I'll be able to throw people with it,
 not win.
 That is not how the world of sports works, right?
 Like I remember in one of my YouTube videos,
 I was doing a breakdown of a match from the Cuba Grand Prix,
 where I was fighting a Mongolian guy.
 He's kicking the shit at me, not gonna lie.
 Four minutes in, like he was just throwing me like left
 and right, he was so fast.
 I felt like I just couldn't get to him.
 In the last 30 seconds, he changed.
 He started protecting his lead instead of continuing
 the fight the way the entire match was going in his favor.
 He made a mental shift and when he made that mental shift,
 I beat him.
 Cause he didn't know how to win the fight.
 He can win exchanges, but he can't win the fight.
 So the last thing you wanna do is have to win every exchange
 in a match.
 You wanna know how to kick it into sixth gear.
 Like when to step off the gas, when to focus on gripping,
 when to attack, how often to attack, all those things like.
 And you've had those conversations with Jimmy,
 like this is not like how to stop trying to win every
 exchange, that kind of thing.
 Yeah.
 And instead.
 Cause I was a brawler before, I was like,
 if I threw you once, I'm throwing you again.
 Yeah.
 And sometimes you get caught.
 Yeah.
 Why would I do that?
 I'm already winning.
 What about like the mental side of the game,
 the preparation, all those things.
 One of the biggest things Jimmy brought to the forefront
 when it came to like the mental side was the visualization.
 Right.
 And when I started visualizing myself winning,
 I started seeing more success.
 But once I started seeing more success with the
 visualization also came self doubt because as I'm starting
 to picture myself, like I would picture myself
 before fighting churches, Philly,
 I'm going to throw them with Koshiguruma and I can see it.
 And if I stand in the shoot for too long, you start to like,
 but what if he counters?
 Then you go, well, if he counters with this,
 I'm going to counter with that.
 But you already let that doubt in.
 And then you start playing this like five steps scenario,
 but you still come out on top,
 but all that doubt has like seeped into your mind.
 Right.
 And a lot of people don't understand that that's a bad thing.
 You're still winning in your mind,
 but you're also doubting yourself in your mind.
 Yeah. Once you let the like that little slip in,
 it's a little sliver.
 Yeah.
 And so I remember I was at the world championships.
 I can't remember what year it was, but I was ready.
 Like I was healthy.
 I was ready to go.
 And we all thought like, this is the year Travis
 wins the worlds.
 I go out there in the first round.
 I'm in the shoot for like 45 minutes.
 Like the match went into golden score.
 Then the next match went into golden score.
 Then the next match went to golden score.
 Then the referee came and told me, you can't wear your gi.
 Then big Jim goes, why can't he wear his gi?
 Any gi that has his name on it,
 we're not going to let him wear.
 He has to wear a different gi.
 So then I go, fuck you, I'm leaving.
 And I walked out there and I fought.
 I lost in golden score cause I did a coach
 and they called it a false attack.
 And I went, you know, I'm out of the fucking worlds.
 But when I was in the shoot, I struggled
 because I started allowing the like Hungarian guy
 that I was going to face to do things to me
 that I would have to play defense to and then counter.
 It's like, great.
 But now I'm doubting my own ability.
 So I went to a sports psychologist
 and the big game changer for me was I focused more
 on the emotional physical response that happens in matches
 rather than the actual, you know, quote unquote
 like Instagram picture that would have happened.
 So when I was getting ready for 2016,
 you think about like, how do you feel
 like standing in the shoot?
 Like, what does your body feel like?
 Is your heart racing?
 How's your breath?
 Is your mouth dry?
 And then you think about like, okay, the ref
 just started the match.
 What happens?
 Like how, what's the atmosphere like?
 How do you emotionally respond to these things?
 More so than me trying to beat a specific judo player.
 Right?
 Like, oh, the ref just gave you a penalty at a minute 30.
 Like, how do you feel?
 And then you start thinking about the physical responses.
 And when you do that really well,
 you can actually get the pins and needles
 and your body will start to sweat
 and your heart will start to race as if you're in it.
 Cause it's not about the technique.
 It's more about the physical, like,
 what does it feel like to have your fingers ripped out
 of a gi in the first exchange?
 Now my hands can feel that.
 That's fascinating.
 And then on a cellular level,
 like I fought the Olympic games so many times
 to the point where like it is no longer a goal.
 It's an anticipation.
 Right.
 So down to the experience of the grip break,
 that just the sweat, the heart beating, the yeah.
 You feel to have your head smashed into a mat
 and driven across the mat with a mat burn.
 Yeah.
 And then getting back up.
 And getting back up.
 Yeah.
 Like with a bit of a burn, all that kind of stuff.
 The actual sensations on the skin.
 The actual sensation of what it takes to fight a judo match.
 It's not a strategy, like, but the actual sensations,
 the full experience, that's fascinating.
 Cause then your body's going to fight hundreds of matches
 without the physical damage.
 And you could probably get really far with that.
 And not also in just judo, but basically anything.
 You can simulate.
 Yeah.
 If you learn how to simulate well.
 You've lived a very, a hell of a life.
 Is there a device you can give to young people?
 Sort of a high school, college,
 thinking about their career, thinking about life,
 how to live one they're proud of?
 Yeah.
 I think the number one thing I can tell people is,
 and how I've lived my life is,
 you've really got to like forget everybody in your life
 right now, your mother, your father, your grandparents,
 your girlfriend, your boyfriend, whoever it is,
 and really decide like, what is going to make you happy?
 Right?
 At some point in my career,
 the act of pushing my body to the limit
 made me happier than winning a grand slam medal.
 Pushing my body to the limit didn't make me happier
 than winning an Olympic medal.
 Right?
 There was a, there's a balance there.
 And I think a lot of people struggle with living their life
 where they're happy and they make other people happy
 or take in their feelings into the considerations
 of what they need to do in their life.
 And I think if they can cut those strings sooner,
 it'll allow you to get over it quicker
 and get to a happier place sooner.
 And then as long as you're focusing
 on what's making you happy,
 the things you do that make you happy
 will attract other people who do those things
 that will in turn build stronger, better relationships.
 And then you will also realize the best form of yourself
 and inspire many others.
 Like you've inspired me to,
 for whatever the hell I've done,
 at least to do a slightly better job
 than I otherwise would have by doing martial arts,
 by taking that journey
 and I think becoming a better person because of it.
 So Travis, I have been,
 I continue to be one of your biggest fans.
 I love your whole career in the way you pursued happiness.
 I love what you and Jimmy have done.
 I love the sport of judo as represented by you.
 So I deeply appreciate what you've done, man.
 And I'm honored that you would spend your time with me today.
 Thanks for talking, man.
 Thank you.
 Thanks for listening to this conversation
 with Travis Stevens.
 To support this podcast,
 please check out our sponsors in the description.
 And now let me leave you with some words
 from Napoleon Bonaparte.
 Never interrupt your enemy when he's making a mistake.
 Thank you for listening.
 And hope to see you next time.