PL9fwy3NUQKwYGN66V9CL-c7DFnG0_Swb2/Lh3aKCz4dQA_raw.srt

1
00:00:05,360 --> 00:00:07,660
Assalamu alaikum, welcome back to English Pottery.

2
00:00:07,780 --> 00:00:11,920
Today we start a very very interesting part of our

3
00:00:11,920 --> 00:00:18,020
course. It's actually the final sets of poems. We

4
00:00:18,020 --> 00:00:21,640
have two poems written by, one written by a Jewish

5
00:00:21,640 --> 00:00:27,220
man and the other written by an Israeli man, poet.

6
00:00:28,760 --> 00:00:31,120
I asked you earlier in the course, what do you

7
00:00:31,120 --> 00:00:35,420
want? You know, I thought you would be like Sibel

8
00:00:35,420 --> 00:00:38,660
saying, we want to die. But you said you wanted

9
00:00:38,660 --> 00:00:40,940
Palestinian and Israeli poetry. And I think this

10
00:00:40,940 --> 00:00:46,200
shows how mature your thinking is. Not that if you

11
00:00:46,200 --> 00:00:48,520
say something else, you don't have that. But it's

12
00:00:48,520 --> 00:00:51,960
significant to study to see what Israel does, what

13
00:00:51,960 --> 00:00:55,800
the Zionist movement has been doing with poetry.

14
00:00:56,390 --> 00:01:01,190
So far we spoke about the thrilling aspects of

15
00:01:01,190 --> 00:01:04,710
poetry, how poetry transcends us, how poetry

16
00:01:04,710 --> 00:01:07,450
breaks the barriers and the boundaries and pushes

17
00:01:07,450 --> 00:01:09,650
the boundaries, you know all these clichés we use

18
00:01:09,650 --> 00:01:12,850
to talk about how the aesthetic values of poetry,

19
00:01:12,950 --> 00:01:16,460
how poetry helps and contributes to the

20
00:01:16,460 --> 00:01:19,140
advancement of human thought and civilization, how

21
00:01:19,140 --> 00:01:21,820
poetry changes people, how poetry unites us,

22
00:01:21,900 --> 00:01:24,920
brings us together, etc, etc, because poetry is

23
00:01:24,920 --> 00:01:28,200
universal, because poetry transcends all these

24
00:01:28,200 --> 00:01:32,440
barriers of race and gender and religion and

25
00:01:32,440 --> 00:01:37,820
geography and time, etc. However, poetry has also

26
00:01:37,820 --> 00:01:42,990
been used as a tool a weapon by totalitarian

27
00:01:42,990 --> 00:01:47,670
regimes, by colonizers, and this is in part what

28
00:01:47,670 --> 00:01:50,850
Edward Said was doing in Orientalism, in his

29
00:01:50,850 --> 00:01:53,610
amazing book Orientalism.

30
00:01:55,670 --> 00:02:03,260
Edward Said examined how the West, how Europe used

31
00:02:03,260 --> 00:02:08,400
literature in order to create certain realities,

32
00:02:08,680 --> 00:02:11,440
to change narratives, to change discourse, to

33
00:02:11,440 --> 00:02:15,120
present the others Africans, Asians, people in the

34
00:02:15,120 --> 00:02:17,720
Middle East, non-white, non-European, non

35
00:02:17,720 --> 00:02:22,700
-Christians as savages, uncivilized, in need of

36
00:02:22,700 --> 00:02:27,490
help and that was the white man's moral obligation

37
00:02:27,490 --> 00:02:31,010
to go there, build civilization, civilize those

38
00:02:31,010 --> 00:02:32,690
people.

39
00:02:34,470 --> 00:02:37,750
And despite

40
00:02:37,750 --> 00:02:40,690
the fact that this poetry and literature is still

41
00:02:40,690 --> 00:02:43,710
fascinating as a work of art, but thematically

42
00:02:43,710 --> 00:02:47,570
speaking, when poetry becomes an ideological tool,

43
00:02:48,170 --> 00:02:53,110
it loses its poetic value in many ways. I'm

44
00:02:53,110 --> 00:02:54,910
talking about this at a time we mentioned how

45
00:02:54,910 --> 00:02:57,170
Israel, we mentioned this many times, how Israel

46
00:02:57,170 --> 00:02:59,690
still arrests Palestinians for writing poetry.

47
00:03:00,230 --> 00:03:03,270
Darien Tatour is an example. He said what Israeli

48
00:03:03,270 --> 00:03:07,010
general, war criminal Moshe Dayan said about Fadwa

49
00:03:07,010 --> 00:03:12,350
Tokan, how a poem by Fadwa Tokan is like facing 20

50
00:03:12,350 --> 00:03:13,450
Palestinian commanders.

51
00:03:16,150 --> 00:03:19,090
Now, the gist of what I have in mind here is that

52
00:03:19,090 --> 00:03:21,930
Palestine, and this is significant, was first and

53
00:03:21,930 --> 00:03:26,070
foremost occupied metaphorically in poetry, in

54
00:03:26,070 --> 00:03:31,990
literature. Because how can you ask people to move

55
00:03:31,990 --> 00:03:35,290
from one place, and this happened before the

56
00:03:35,290 --> 00:03:37,870
Holocaust, before, you know, there has always been

57
00:03:37,870 --> 00:03:40,390
anti-Semitism and racism against Jews around the

58
00:03:40,390 --> 00:03:43,130
world throughout time and place. But this is

59
00:03:43,130 --> 00:03:45,710
before because the Holocaust was the final thing.

60
00:03:45,950 --> 00:03:49,150
Let's go to somewhere else and there were so many

61
00:03:49,150 --> 00:03:54,090
places and Palestine sadly was the place. We're

62
00:03:54,090 --> 00:03:56,990
not sad. I'm not sure who said this. Was it,

63
00:03:57,250 --> 00:04:00,950
what's her name? Rashida Tlaib, the Palestinian

64
00:04:00,950 --> 00:04:04,270
American congresswoman who said, we welcome the

65
00:04:04,270 --> 00:04:07,770
victims of the Holocaust. We welcome those Jewish

66
00:04:07,770 --> 00:04:11,510
refugees running away from Europe, from the white

67
00:04:11,510 --> 00:04:15,380
man. And we don't regret this. But again it's sad

68
00:04:15,380 --> 00:04:19,040
how this, the Zionist regime used the Holocaust in

69
00:04:19,040 --> 00:04:21,680
order to destroy Palestinians, to destroy

70
00:04:21,680 --> 00:04:26,360
Palestine and to build, to establish a state only

71
00:04:26,360 --> 00:04:30,740
for the Jews. So if you want to tell people let's

72
00:04:30,740 --> 00:04:34,140
go there, partly you have to convince them that

73
00:04:34,140 --> 00:04:38,290
this place is what, empty? And paradoxically that

74
00:04:38,290 --> 00:04:41,470
it also flows with milk and honey, the biblical

75
00:04:41,470 --> 00:04:45,630
phrase. And also that there are no people there,

76
00:04:45,730 --> 00:04:47,910
yeah? There are no people there. And that God gave

77
00:04:47,910 --> 00:04:50,110
us this place. And you just keep doing this in

78
00:04:50,110 --> 00:04:53,350
literature. And if you do this, this includes a

79
00:04:53,350 --> 00:04:56,390
lot of exclusion and inclusion and fabrications

80
00:04:56,390 --> 00:05:01,550
and changing realities, or as the Trump teams

81
00:05:01,550 --> 00:05:04,850
would be saying, alternative facts. There are

82
00:05:04,850 --> 00:05:07,740
facts and there are alternatives. alternative

83
00:05:07,740 --> 00:05:12,960
facts I have a very beautiful poem written by okay

84
00:05:12,960 --> 00:05:17,280
I'll start with a second poem written by a Jewish

85
00:05:17,280 --> 00:05:19,420
poet when I say Jewish specifically because he was

86
00:05:19,420 --> 00:05:22,000
born before like he was writing before the

87
00:05:22,000 --> 00:05:26,840
establishment of Israel so to speak the poem is

88
00:05:26,840 --> 00:05:29,100
Tuvia please don't look at your book I have

89
00:05:29,100 --> 00:05:31,260
something in mind don't close your book close your

90
00:05:31,260 --> 00:05:31,460
book

91
00:05:35,610 --> 00:05:41,770
There I said to Via Rubner, a man born in Europe,

92
00:05:42,990 --> 00:05:49,530
not in Palestine, I set out of my temporary home

93
00:05:49,530 --> 00:05:56,990
to show my sons the place that I came from. And he

94
00:05:56,990 --> 00:05:59,650
means Palestine, he doesn't mean Slovenia or

95
00:05:59,650 --> 00:06:04,830
Slovakia. There I said, I lay on the ground with a

96
00:06:04,830 --> 00:06:09,350
stone for a pillow, lower than the grass, like the

97
00:06:09,350 --> 00:06:14,530
dust of the earth. Everything has been preserved

98
00:06:14,530 --> 00:06:15,450
there.

99
00:06:18,250 --> 00:06:21,770
We passed through mountains, forests, and cities

100
00:06:21,770 --> 00:06:25,490
that were caves, and water gathered in pools on

101
00:06:25,490 --> 00:06:30,130
the way, and the roads were bad. The car bumped on

102
00:06:30,130 --> 00:06:30,930
the ditches.

103
00:06:33,930 --> 00:06:39,170
I was born here, I said to my sons. My parents and

104
00:06:39,170 --> 00:06:45,270
grandparents were born nearby. Everybody is born

105
00:06:45,270 --> 00:06:51,250
somewhere. There was a house here. I said to my

106
00:06:51,250 --> 00:06:56,130
sons. And the wind came between me and the words.

107
00:06:58,050 --> 00:07:02,210
Last stanza. I sit out to show my sons the place

108
00:07:02,210 --> 00:07:08,470
that I came from. Now I want you to take a moment,

109
00:07:08,610 --> 00:07:11,250
especially those who haven't read the poem yet,

110
00:07:11,910 --> 00:07:15,950
because the remaining two lines, the last lines,

111
00:07:17,330 --> 00:07:21,210
are actually the sons replying to their father. I

112
00:07:21,210 --> 00:07:25,630
want you to guess what the sons would be saying to

113
00:07:25,630 --> 00:07:27,630
their father going through this beautiful

114
00:07:27,630 --> 00:07:29,990
experience. This is like a Darwish life poem,

115
00:07:30,070 --> 00:07:33,430
right? Look at the first stanza. With a stone for

116
00:07:33,430 --> 00:07:35,870
a pillow lower than the grass like the dust of the

117
00:07:35,870 --> 00:07:39,860
earth. Everything has been preserved there. I was

118
00:07:39,860 --> 00:07:42,620
born here. My parents were born there. We passed

119
00:07:42,620 --> 00:07:45,400
by mountains and forests and cities and caves and

120
00:07:45,400 --> 00:07:48,800
the water gathered in pools. Yeah, the road was

121
00:07:48,800 --> 00:07:53,100
bumpy. There were ditches. Look at this beautiful

122
00:07:53,100 --> 00:07:55,560
thing. I was born here. My parents and

123
00:07:55,560 --> 00:07:59,220
grandparents were born nearby. Everything is born

124
00:07:59,220 --> 00:08:02,860
somewhere. There was a house here. I said to my

125
00:08:02,860 --> 00:08:06,440
sons and the wind came between me and the words. I

126
00:08:06,440 --> 00:08:09,360
set out to show my sons the place I came from.

127
00:08:09,590 --> 00:08:15,470
Yeah, give me a guess. How would the kids, the

128
00:08:15,470 --> 00:08:18,930
sons, probably indicating that they're not just

129
00:08:18,930 --> 00:08:24,930
children, they're adults, at least teenagers. I

130
00:08:24,930 --> 00:08:29,170
said, don't look, don't look, listen to me. I'd

131
00:08:29,170 --> 00:08:31,910
say like he said, everything was preserved here,

132
00:08:32,050 --> 00:08:37,950
the children, as he said. So, you're going for the

133
00:08:37,950 --> 00:08:40,330
kids questioning their parents, their fathers

134
00:08:40,330 --> 00:08:42,130
narrative. That's a good idea.

135
00:08:45,310 --> 00:08:49,050
Okay, asking questions. So, question, question.

136
00:08:49,230 --> 00:08:53,490
Good. The idea of questioning is in itself very

137
00:08:53,490 --> 00:08:53,670
good.

138
00:08:57,520 --> 00:09:05,780
Oh, thank you God for bringing us here. Thank you.

139
00:09:12,200 --> 00:09:16,220
So you're saying this is a process. If the parents

140
00:09:16,220 --> 00:09:22,180
are brainwashed, if he's been indoctrinating his

141
00:09:22,180 --> 00:09:27,270
sons, they must be ready. to accept this, the

142
00:09:27,270 --> 00:09:32,190
alternative facts, that's also good. More? Please?

143
00:09:32,330 --> 00:09:35,890
No, not you, sorry, you're locked. You're locked.

144
00:09:36,130 --> 00:09:42,050
One more? Someone else? Yeah? How would the sons

145
00:09:42,050 --> 00:09:46,210
be replying to their dad? Please? Do you have a

146
00:09:46,210 --> 00:09:50,150
picture of the old house? Yeah, do you have

147
00:09:50,150 --> 00:09:53,750
photographic evidence? But if this was composed

148
00:09:53,750 --> 00:09:57,950
like a hundred years ago, This is an old poem.

149
00:09:59,050 --> 00:10:06,650
Please. So they will

150
00:10:06,650 --> 00:10:15,170
be reluctant to accept the alternative facts. So

151
00:10:15,170 --> 00:10:17,490
are you suggesting that there could be some kind

152
00:10:17,490 --> 00:10:22,970
of alienation, like if the father is truly and

153
00:10:22,970 --> 00:10:27,470
really attached to this land, as the poem shows,

154
00:10:28,550 --> 00:10:32,290
perhaps the kids, the sons will not be as much

155
00:10:32,290 --> 00:10:35,530
attached to the land. But poetically speaking,

156
00:10:35,690 --> 00:10:38,170
what would they, like good ideas, how would you

157
00:10:38,170 --> 00:10:41,710
put this in poetry? Remember poetry is not

158
00:10:41,710 --> 00:10:45,090
basically mainly good poetry, it's not direct

159
00:10:45,090 --> 00:10:49,050
poetry that gives us answers. It's not, but you

160
00:10:49,050 --> 00:10:55,620
know poets say things in different ways. If you

161
00:10:55,620 --> 00:10:57,020
are a poet, how would you conclude? From our

162
00:10:57,020 --> 00:11:00,640
ideology or his ideology? Of course, it should be

163
00:11:00,640 --> 00:11:05,280
in his shoes. You have to endure the stink, of

164
00:11:05,280 --> 00:11:07,360
course. Yes?

165
00:11:13,560 --> 00:11:16,200
Okay, you can keep the music as background.

166
00:11:19,100 --> 00:11:19,940
Yes, please.

167
00:11:23,230 --> 00:11:25,670
How would you do this? Okay, but I like your

168
00:11:25,670 --> 00:11:27,890
ideas. They are really really very very good

169
00:11:27,890 --> 00:11:33,150
ideas. This is what the kids say. And when will we

170
00:11:33,150 --> 00:11:37,790
eat? Ask my sons. And where will we sleep?

171
00:11:41,460 --> 00:11:44,140
This is not the whole poem, I did this here, you

172
00:11:44,140 --> 00:11:46,800
know academically, you have to be honest, this dot

173
00:11:46,800 --> 00:11:50,320
dot dot, I added, this is ellipsis because I, you

174
00:11:50,320 --> 00:11:53,080
know, I don't want to say the whole poem. Well I

175
00:11:53,080 --> 00:11:55,860
can send you the whole text. So what do you make

176
00:11:55,860 --> 00:11:59,560
of this? Like first the poem and then the kids

177
00:11:59,560 --> 00:12:01,280
reply.

178
00:12:02,780 --> 00:12:04,780
Yeah, so you guess that there will be questions,

179
00:12:04,960 --> 00:12:08,570
but interesting questions. when will like the dad

180
00:12:08,570 --> 00:12:10,570
imagine you know this happens a lot the dad would

181
00:12:10,570 --> 00:12:12,870
be like passionate about something about football

182
00:12:12,870 --> 00:12:16,250
about his past about something that he did about

183
00:12:16,250 --> 00:12:20,910
playing football about flying kites about doing

184
00:12:20,910 --> 00:12:25,370
many things and then the kids would be like meh so

185
00:12:25,370 --> 00:12:29,190
this is the meh but what does it indicate okay

186
00:12:29,190 --> 00:12:33,670
let's go to the first answer what do you think

187
00:12:33,670 --> 00:12:35,490
what do you notice about this poetically speaking

188
00:12:35,490 --> 00:12:41,240
you or some of you Do you think this is? Again,

189
00:12:41,520 --> 00:12:43,600
please don't do this. I know many people when they

190
00:12:43,600 --> 00:12:46,120
study, for example, a poem by an Israeli poet or

191
00:12:46,120 --> 00:12:47,760
Jewish poet, the first thing they want to do is,

192
00:12:47,860 --> 00:12:50,500
is it good, is it bad? That's not what we do, why

193
00:12:50,500 --> 00:12:53,020
we do poetry. You could like the poem, you could

194
00:12:53,020 --> 00:12:55,560
hate the poem, it's up to you. But please don't

195
00:12:55,560 --> 00:12:59,360
like a poem or any text because of who wrote it.

196
00:13:00,400 --> 00:13:02,940
The death of the author, the death of the author

197
00:13:02,940 --> 00:13:07,310
could be significant here. But you can still love

198
00:13:07,310 --> 00:13:10,870
the poem from an artistic point of view, but still

199
00:13:10,870 --> 00:13:13,450
don't like what the poem is saying, what the poem

200
00:13:13,450 --> 00:13:16,550
is promoting. Please. Okay, first starting with

201
00:13:16,550 --> 00:13:21,410
the form, we can notice that it doesn't have a

202
00:13:21,410 --> 00:13:24,790
regular rhyme scheme, it starts with a pronoun. We

203
00:13:24,790 --> 00:13:29,870
have a conversation between the son and the

204
00:13:29,870 --> 00:13:32,250
father, so we have two characters basically in

205
00:13:32,250 --> 00:13:37,610
this poem. Okay, I don't want to comment more on

206
00:13:37,610 --> 00:13:39,510
the language and rhyme scheme because this is

207
00:13:39,510 --> 00:13:41,650
translated from I think another language, I'm not

208
00:13:41,650 --> 00:13:43,650
sure if this is Hebrew originally, but that's

209
00:13:43,650 --> 00:13:48,030
something good to show I, this is a personal

210
00:13:48,030 --> 00:13:52,150
experience, starting with I, probably I being more

211
00:13:52,150 --> 00:13:53,910
important than the place here that I'm talking

212
00:13:53,910 --> 00:13:57,070
about, there are many I's here There seems to be a

213
00:13:57,070 --> 00:13:59,870
dialogue, there seems to be a dialogue because he

214
00:13:59,870 --> 00:14:02,710
said, I said there, I said to my kids, I lay on

215
00:14:02,710 --> 00:14:05,590
the ground, I was born there, my parents and

216
00:14:05,590 --> 00:14:10,130
grandparents were born nearby. But at the end, we

217
00:14:10,130 --> 00:14:14,630
realized that the other party, the sons were not

218
00:14:14,630 --> 00:14:17,270
into this dialogue. I don't think if, I'm not sure

219
00:14:17,270 --> 00:14:21,310
if we can call this a dialogue. Because they were

220
00:14:21,310 --> 00:14:23,970
not reciprocating his interest, his passion, they

221
00:14:23,970 --> 00:14:28,910
were just...

222
00:14:28,910 --> 00:14:35,330
They didn't care about his

223
00:14:35,330 --> 00:14:40,010
passion, whatever he tries to convey to them. They

224
00:14:40,010 --> 00:14:49,060
cared more about food and rest, physical... Look

225
00:14:49,060 --> 00:14:50,960
at the man, what the man did. Again, I find this

226
00:14:50,960 --> 00:14:56,160
beautiful. I lay on the ground with a stone for a

227
00:14:56,160 --> 00:15:00,660
pillow lower than the grass, like the dust of the

228
00:15:00,660 --> 00:15:02,820
earth. The simile here, the simplicity of the

229
00:15:02,820 --> 00:15:06,000
simile. Like I became part of this land. That

230
00:15:06,000 --> 00:15:10,920
simple. Because he claims that he belongs.

231
00:15:11,680 --> 00:15:13,640
Everything has been preserved.

232
00:15:15,800 --> 00:15:19,860
And then, We passed, that's part of the journey or

233
00:15:19,860 --> 00:15:22,380
some kind of journey of initiation through

234
00:15:22,380 --> 00:15:26,460
mountains, forests and cities that were caves and

235
00:15:26,460 --> 00:15:29,560
water gathered in pools on the way and the roads

236
00:15:29,560 --> 00:15:33,260
were bad. The car pumped. So it's not all you know

237
00:15:33,260 --> 00:15:36,200
idyllic and romantic. There were some difficulties

238
00:15:36,200 --> 00:15:39,180
basically. The roads probably they're not as

239
00:15:39,180 --> 00:15:41,840
smooth as they are in Europe. There were so many

240
00:15:41,840 --> 00:15:46,150
ditches, you know holes, potholes. And again

241
00:15:46,150 --> 00:15:48,590
that's the core of the poem. I was born here. This

242
00:15:48,590 --> 00:15:52,870
is my land. I said to my sons my parents are and

243
00:15:52,870 --> 00:15:57,150
grandparents were born here nearby. Look at this

244
00:15:57,150 --> 00:15:59,510
interesting thing. There was a house here in the

245
00:15:59,510 --> 00:16:06,030
past. I said to my sons and the wind came between

246
00:16:06,030 --> 00:16:07,110
me and the words.

247
00:16:09,720 --> 00:16:13,780
The wind, nature interfering. I sit out to show my

248
00:16:13,780 --> 00:16:16,720
sons the place that I came from and when will we

249
00:16:16,720 --> 00:16:19,940
eat, they said. And when will we eat? Asked my

250
00:16:19,940 --> 00:16:26,380
sons. And where will we sleep? So yeah, we have

251
00:16:26,380 --> 00:16:28,240
the past simple tense. If we talk about the

252
00:16:28,240 --> 00:16:32,180
father, he basically uses the past simple tense,

253
00:16:32,260 --> 00:16:37,880
right? And the sons use A future. It's

254
00:16:37,880 --> 00:16:41,980
interesting. This man cares about this connection.

255
00:16:42,260 --> 00:16:45,700
He's in a journey to find connection, to find

256
00:16:45,700 --> 00:16:46,100
roots.

257
00:16:49,080 --> 00:16:55,500
But the kids, all they care about is

258
00:16:55,500 --> 00:16:57,920
food and sleep, rest.

259
00:17:01,410 --> 00:17:04,670
Now the temporary home refers to his home in

260
00:17:04,670 --> 00:17:06,530
Europe.

261
00:17:07,970 --> 00:17:10,930
That's not my place. Despite the fact that Jews

262
00:17:10,930 --> 00:17:13,090
lived for hundreds and hundreds of years in

263
00:17:13,090 --> 00:17:19,290
Europe, which is something interesting. Some of

264
00:17:19,290 --> 00:17:21,250
you are studying the management of Venice right

265
00:17:21,250 --> 00:17:27,370
now. Shylock and the ghettos, isolation imposed on

266
00:17:27,370 --> 00:17:29,610
them and probably sometimes chosen.

267
00:17:32,270 --> 00:17:37,990
Now I find this very interesting, how he used,

268
00:17:39,870 --> 00:17:42,770
there's a short story I picked from morning in

269
00:17:42,770 --> 00:17:46,570
Jenin from Susan Abulhawa's novel. It's just two

270
00:17:46,570 --> 00:17:49,810
pages, I picked it as a short story. And Susan

271
00:17:49,810 --> 00:17:52,310
Abulhawa tries to show the difference between Ari,

272
00:17:53,330 --> 00:17:56,590
Ari and Hassan are friends, Palestinian Muslim,

273
00:17:56,970 --> 00:18:01,470
Palestinian Jew. And she tries to show how they

274
00:18:01,470 --> 00:18:04,130
are different in terms of what the land means to

275
00:18:04,130 --> 00:18:07,490
them. For Hasan, the soil, the land is everything.

276
00:18:07,710 --> 00:18:09,790
It's his future. It's his livelihood. It's his

277
00:18:09,790 --> 00:18:12,870
life. He's part of this. He cares more about it

278
00:18:12,870 --> 00:18:17,070
than anything else. But for Ari, the land is dirt.

279
00:18:18,610 --> 00:18:24,070
Hasan is a farmer. Ari goes to study medicine. I

280
00:18:24,070 --> 00:18:28,290
think here the fact that he uses a stone for for a

281
00:18:28,290 --> 00:18:31,030
pillow rather than like I don't know simply lying

282
00:18:31,030 --> 00:18:34,570
on the ground without anything in between you and

283
00:18:34,570 --> 00:18:41,270
the land could indicate how how he's possibly true

284
00:18:41,270 --> 00:18:43,970
yeah because he says like the dust of the land but

285
00:18:43,970 --> 00:18:47,730
the stone he has still create some some kind of a

286
00:18:47,730 --> 00:18:52,610
buffer zone you know You see the point here? It's

287
00:18:52,610 --> 00:18:56,270
like he doesn't want to be part, it's not like

288
00:18:56,270 --> 00:19:01,030
poetically speaking, he doesn't like directly mix

289
00:19:01,030 --> 00:19:04,670
with the land, like unite with the land. He uses

290
00:19:04,670 --> 00:19:08,110
something else in between. I'm not sure if this

291
00:19:08,110 --> 00:19:12,630
indicates again how hard he's trying to, he's

292
00:19:12,630 --> 00:19:15,610
attempting to find roots, but again failing

293
00:19:15,610 --> 00:19:20,710
because still the land is strange to him. It's not

294
00:19:20,710 --> 00:19:23,820
his motherland. You don't know if this is your

295
00:19:23,820 --> 00:19:26,060
land, you don't want to, and you're not sure how

296
00:19:26,060 --> 00:19:29,680
you, if you have this experience, if you have a

297
00:19:29,680 --> 00:19:32,080
plot of land here or there, if you're farmers

298
00:19:32,080 --> 00:19:34,580
originally, farmers wouldn't be, if you go to

299
00:19:34,580 --> 00:19:36,420
somebody, to your friend to visit them in their

300
00:19:36,420 --> 00:19:38,980
field, the first thing you look for, a chair to

301
00:19:38,980 --> 00:19:42,240
sit or a piece of cloth or a stone or something

302
00:19:42,240 --> 00:19:44,300
because you don't want to get dirty. But for them

303
00:19:44,300 --> 00:19:47,940
this is their land. Their life, this is part of

304
00:19:47,940 --> 00:19:50,700
them. This is not getting dirty, this is being

305
00:19:50,700 --> 00:19:54,340
there. This is again an extension of the

306
00:19:54,340 --> 00:19:57,840
connection here. Like the dust of the earth,

307
00:19:58,020 --> 00:20:00,280
everything has been preserved there and this is

308
00:20:00,280 --> 00:20:04,730
again what I want to focus on. If we talk about

309
00:20:04,730 --> 00:20:08,530
the problem with the Zionists, the Zionists in

310
00:20:08,530 --> 00:20:12,070
general is that, many problems actually, is that

311
00:20:12,070 --> 00:20:16,430
in transition there's something called inclusion

312
00:20:16,430 --> 00:20:20,250
and exclusion. And that's seriously dangerous. If

313
00:20:20,250 --> 00:20:22,110
you translate a text, you translate a text. You

314
00:20:22,110 --> 00:20:24,690
don't just pick paragraphs or something and

315
00:20:24,690 --> 00:20:27,070
present it in a way that serves your own ideology.

316
00:20:28,950 --> 00:20:31,450
So yeah, the Jews who were here in Palestine came

317
00:20:31,450 --> 00:20:34,510
from different geographical places, but before the

318
00:20:34,510 --> 00:20:38,210
Jews there were many other people there, the

319
00:20:38,210 --> 00:20:41,730
Canaanites for example. But for them, history

320
00:20:41,730 --> 00:20:44,450
begins when the Jews came to Palestine. And

321
00:20:44,450 --> 00:20:46,330
history, even, I'm not sure if you're following

322
00:20:46,330 --> 00:20:52,190
Haaretz, Israeli newspaper, has been showing in

323
00:20:52,190 --> 00:20:56,410
many ways so many archaeological finds that prove

324
00:20:56,410 --> 00:21:01,030
that the people before The Jews came, they were,

325
00:21:01,130 --> 00:21:02,610
they had several, we know this, we have been

326
00:21:02,610 --> 00:21:04,490
saying this for a long time. They had their

327
00:21:04,490 --> 00:21:06,490
civilizations, their places, their cities, their

328
00:21:06,490 --> 00:21:08,450
villages and everything. But they have been

329
00:21:08,450 --> 00:21:11,310
eradicated from history, erased by the Zionists.

330
00:21:11,530 --> 00:21:14,010
They simply don't exist. History in Palestine

331
00:21:14,010 --> 00:21:16,250
begins the moment the Jews came to Palestine.

332
00:21:19,210 --> 00:21:21,450
And then when they were expelled by the Romans,

333
00:21:21,750 --> 00:21:26,230
by, you know, history stopped there for 2000

334
00:21:26,230 --> 00:21:32,640
years. There was nothing. Palestine, the promised

335
00:21:32,640 --> 00:21:37,660
land, has been waiting for the return of the Jews,

336
00:21:38,500 --> 00:21:43,960
the chosen people. So this is a fabrication. And I

337
00:21:43,960 --> 00:21:45,660
mentioned this before, Mahmoud Darwish said, I

338
00:21:45,660 --> 00:21:49,160
came back to visit my original village and there

339
00:21:49,160 --> 00:21:54,650
were the remains of my family house. the remains

340
00:21:54,650 --> 00:21:59,970
of the houses of my relatives and people I know.

341
00:22:01,430 --> 00:22:04,470
He said I met a Jewish shepherd originally from

342
00:22:04,470 --> 00:22:09,590
Yemen and he said when I chatted with this guy I

343
00:22:09,590 --> 00:22:12,830
realised that he thinks that these ruins are

344
00:22:12,830 --> 00:22:18,090
actually Roman ruins. So Palestinian villages and

345
00:22:18,090 --> 00:22:20,810
we know when and that's why I hate such kind of

346
00:22:20,810 --> 00:22:23,130
poetry. I like it from an artistic point of view

347
00:22:26,700 --> 00:22:27,560
Thank you.

348
00:22:30,680 --> 00:22:36,460
Because this poetry was one to, yes, the Zionists

349
00:22:36,460 --> 00:22:38,640
used terror, they used politics, they used money,

350
00:22:38,700 --> 00:22:40,620
they used everything to create, to destroy

351
00:22:40,620 --> 00:22:44,640
Palestine and create Israel. And I think this kind

352
00:22:44,640 --> 00:22:46,960
of poetry is in part to blame for the ethnic

353
00:22:46,960 --> 00:22:48,700
cleansing and destruction of Palestine, for

354
00:22:48,700 --> 00:22:53,980
massacres, for destroying. In 1947, 48, 49 and

355
00:22:53,980 --> 00:22:57,340
these years, Israel destroyed over 400 Palestinian

356
00:22:57,340 --> 00:23:00,560
villages. Can you imagine that? Hundreds of

357
00:23:00,560 --> 00:23:02,440
thousands of Palestinians were dismissed,

358
00:23:02,620 --> 00:23:05,080
displaced, kicked out. Tens of thousands were

359
00:23:05,080 --> 00:23:05,520
killed.

360
00:23:08,590 --> 00:23:12,410
And the man here is saying that everything has

361
00:23:12,410 --> 00:23:17,470
been preserved So Palestine was empty just waiting

362
00:23:17,470 --> 00:23:22,550
for them to return back No, not everything has

363
00:23:22,550 --> 00:23:23,950
been preserved

364
00:23:27,670 --> 00:23:32,090
So when a Jewish poet says everything has been

365
00:23:32,090 --> 00:23:34,670
preserved, this is a fabrication of history. This

366
00:23:34,670 --> 00:23:38,230
goes against history. And again, if you are

367
00:23:38,230 --> 00:23:41,310
interested, I really can send you many articles

368
00:23:41,310 --> 00:23:45,790
from Israeli scientists recently who started to

369
00:23:45,790 --> 00:23:51,610
show that Most of Israelis'

370
00:23:52,530 --> 00:23:54,990
theories about Palestine and the Jews here were

371
00:23:54,990 --> 00:23:57,310
actually fabrications and myths. Look at the half

372
00:23:57,310 --> 00:23:59,270
shekel. The half shekel, you know the half shekel,

373
00:23:59,370 --> 00:24:02,270
there is a lyre, and I find the pun very

374
00:24:02,270 --> 00:24:07,060
interesting, l-y-r-e, the musical instrument. This

375
00:24:07,060 --> 00:24:10,120
was a lie. Somebody came in the 60s or 70s and

376
00:24:10,120 --> 00:24:13,040
said, wow, I found this. And they, this proves

377
00:24:13,040 --> 00:24:15,620
that we were here before, et cetera. This proves

378
00:24:15,620 --> 00:24:18,660
that we are the rightful owners of the land. And

379
00:24:18,660 --> 00:24:21,060
20 years later, this was discovered to be a

380
00:24:21,060 --> 00:24:24,060
fabrication. And we still have it. Even Netanyahu,

381
00:24:24,520 --> 00:24:27,840
like three years ago, he posted a coin because

382
00:24:27,840 --> 00:24:30,820
there was this post on Facebook saying a kid

383
00:24:30,820 --> 00:24:34,060
somewhere in Palestine found, a Jewish kid found

384
00:24:34,060 --> 00:24:38,620
an ancient coin and he posted about it on

385
00:24:38,620 --> 00:24:41,080
Facebook, on Twitter saying, yes, we are the

386
00:24:41,080 --> 00:24:45,740
rightful owners of Palestine. and it turns out to

387
00:24:45,740 --> 00:24:52,300
be a souvenir from the gift shop, a lie. If you

388
00:24:52,300 --> 00:24:55,120
read more, there is always this literature about

389
00:24:55,120 --> 00:24:58,480
the enmity between, the hostility between the Jews

390
00:24:58,480 --> 00:25:01,000
when they came to Palestine thousands of years ago

391
00:25:01,000 --> 00:25:05,160
and the natives of Palestine. But now studies

392
00:25:05,160 --> 00:25:09,680
started to prove that no, there were good

393
00:25:09,680 --> 00:25:13,510
relationships between those people. So those

394
00:25:13,510 --> 00:25:15,930
people were welcoming of those Jewish immigrants

395
00:25:15,930 --> 00:25:24,410
who came from around Palestine. Okay, now again

396
00:25:24,410 --> 00:25:28,310
I'm not sure what he means here when he says the

397
00:25:28,310 --> 00:25:31,210
cities that were caves. I'm not sure if he refers

398
00:25:31,210 --> 00:25:36,690
to how in the past the Jews used caves and nature

399
00:25:36,690 --> 00:25:40,550
and mountains as places, or whether he refers to

400
00:25:40,550 --> 00:25:44,270
the existing natives, the Palestinians, who are

401
00:25:44,270 --> 00:25:49,970
primitive, as to live in caves in the 19th, in the

402
00:25:49,970 --> 00:25:54,530
20th century. Look at the water and the roads were

403
00:25:54,530 --> 00:25:57,070
bad, indicating this is not a smooth ride, this is

404
00:25:57,070 --> 00:25:59,640
not a smooth journey there will be ditches there

405
00:25:59,640 --> 00:26:03,320
will be some difficulty on on the road told you

406
00:26:03,320 --> 00:26:07,140
and again we go back to this I was born here he

407
00:26:07,140 --> 00:26:11,720
wasn't but again he's erasing two thousand years

408
00:26:11,720 --> 00:26:15,160
of history I was born here no you were born in

409
00:26:15,160 --> 00:26:18,560
Europe and my parents my parents my grandparents

410
00:26:18,560 --> 00:26:21,900
were born nearby yeah if nearby if Russia is

411
00:26:21,900 --> 00:26:29,100
nearby or Slovakia or what's the country There was

412
00:26:29,100 --> 00:26:31,560
a house here. I find it interesting how he starts

413
00:26:31,560 --> 00:26:34,660
from home and then he says house here. Home is

414
00:26:34,660 --> 00:26:37,320
more about feelings and emotions. A house is more

415
00:26:37,320 --> 00:26:41,300
about the physical structure. I said to my sons,

416
00:26:41,640 --> 00:26:44,980
and again this is my second piece of evidence how

417
00:26:44,980 --> 00:26:47,580
nature is rejecting, how the land is rejecting

418
00:26:47,580 --> 00:26:50,980
him, is telling him you're a liar. and the wind

419
00:26:50,980 --> 00:26:54,360
came between me and the words. You see this in

420
00:26:54,360 --> 00:26:57,980
comedies and movies and somebody saying something

421
00:26:57,980 --> 00:27:02,720
and then a thunderbolt destroying this place or

422
00:27:02,720 --> 00:27:05,500
something, like stop lying or something. So the

423
00:27:05,500 --> 00:27:08,240
wind here in nature, which is part of Palestine,

424
00:27:09,300 --> 00:27:15,020
is saying to him, shut up. Don't do this. That's

425
00:27:15,020 --> 00:27:15,520
too much.

426
00:27:20,840 --> 00:27:23,300
Now the last tense, again he repeats, I sit out to

427
00:27:23,300 --> 00:27:26,220
show my sons, the repetition indicates how this is

428
00:27:26,220 --> 00:27:29,980
the same thing, he does this again and again and

429
00:27:29,980 --> 00:27:32,500
he never gets tired and that's possibly why the

430
00:27:32,500 --> 00:27:37,300
kids are fed up with him. Now this could indicate

431
00:27:37,300 --> 00:27:40,300
that the sons are detached, they're not connected

432
00:27:40,300 --> 00:27:44,760
as much, connected to Palestine as his father.

433
00:27:45,330 --> 00:27:49,490
However, showing this gap, however, I think on a

434
00:27:49,490 --> 00:27:52,010
second reading, I think the man, the poet is

435
00:27:52,010 --> 00:27:55,370
trying to shame the kids, the younger generation,

436
00:27:55,830 --> 00:27:57,950
to incite them, to shame them into what the hell

437
00:27:57,950 --> 00:28:02,210
are you doing, to provoke them, not just to say

438
00:28:02,210 --> 00:28:04,110
that, oh, my kids are useless.

439
00:28:06,920 --> 00:28:09,000
The poem at the end if you are a young man and

440
00:28:09,000 --> 00:28:13,020
this is a very important topic if you read it is

441
00:28:13,020 --> 00:28:16,400
he sending a signal to the leaders telling them

442
00:28:16,400 --> 00:28:21,960
that be careful our kids are not ready whatever we

443
00:28:21,960 --> 00:28:24,380
do if our kids are not ready to go back to

444
00:28:24,380 --> 00:28:27,180
Palestine are not going to be successful because

445
00:28:27,180 --> 00:28:30,280
no matter what we do how much how hard we work at

446
00:28:30,280 --> 00:28:33,380
the end of the day they're going to be like and

447
00:28:33,380 --> 00:28:37,960
when will we eat and where will we sleep? Very

448
00:28:37,960 --> 00:28:40,920
interesting thing. Okay, there are, okay, I'll get

449
00:28:40,920 --> 00:28:44,820
back to you. There are questions here, so, there

450
00:28:44,820 --> 00:28:47,480
are questions here I want you to think of. The

451
00:28:47,480 --> 00:28:50,460
relationship, is the speaker's relationship to the

452
00:28:50,460 --> 00:28:55,520
land genuine, and how is that? A father is in

453
00:28:55,520 --> 00:28:58,120
search for a connection with the land while his

454
00:28:58,120 --> 00:29:04,070
sons care about something else. Why, how? What is

455
00:29:04,070 --> 00:29:06,730
it? What does that indicate? This is a poem about

456
00:29:06,730 --> 00:29:09,330
Palestine. And that's my last point before I

457
00:29:09,330 --> 00:29:15,070
listen to you. And in Palestine. But where are the

458
00:29:15,070 --> 00:29:15,510
Palestinians?

459
00:29:18,550 --> 00:29:22,610
If this was written in the early years of the 20th

460
00:29:22,610 --> 00:29:24,850
century, I think there were close to a million

461
00:29:24,850 --> 00:29:25,470
Palestinians.

462
00:29:28,060 --> 00:29:33,480
Yeah, Palestinians don't exist. The poem erases

463
00:29:33,480 --> 00:29:37,300
them, annihilates them, eradicates them, takes

464
00:29:37,300 --> 00:29:41,700
them out. And therefore, I think of how politics

465
00:29:41,700 --> 00:29:44,660
and poetry, you know, come together and play this

466
00:29:44,660 --> 00:29:50,500
important role. Now, Golda Meir, Israeli war

467
00:29:50,500 --> 00:29:55,540
criminal and prime minister, said that there is no

468
00:29:55,540 --> 00:29:58,160
such thing as Palestinians. They never existed.

469
00:29:58,640 --> 00:30:02,140
They don't exist. Now, this is a political

470
00:30:02,140 --> 00:30:05,560
statement, but I think it was made a long time ago

471
00:30:05,560 --> 00:30:11,280
in poetry. Palestinians never there are no such

472
00:30:11,280 --> 00:30:13,320
there's no such thing as the Palestinians they

473
00:30:13,320 --> 00:30:18,280
never existed they don't exist and you will be

474
00:30:18,280 --> 00:30:21,580
fine you'll find like other poems I did some

475
00:30:21,580 --> 00:30:23,700
research on this if you're interested I can send

476
00:30:23,700 --> 00:30:26,720
it to you but Palestinians are not mentioned

477
00:30:26,720 --> 00:30:31,600
they're not there what but when they are they're

478
00:30:31,600 --> 00:30:33,300
savages they're uncivilized

479
00:30:36,570 --> 00:30:41,890
They want somebody to kill them, to kick them out,

480
00:30:42,130 --> 00:30:47,390
to civilize them, to send them out of Palestine.

481
00:30:48,950 --> 00:30:51,670
So again, this is how dangerous poetry can be as

482
00:30:51,670 --> 00:30:53,970
an ideological tool. So I'll give you one or two

483
00:30:53,970 --> 00:30:56,290
minutes to say something briefly about this poem,

484
00:30:56,390 --> 00:31:00,650
quickly. I said go on, so you don't have to ask.

485
00:31:10,290 --> 00:31:14,330
So the Palestinians in these two sentences, they

486
00:31:14,330 --> 00:31:16,870
are, the effects of them, their existence, maybe

487
00:31:16,870 --> 00:31:20,750
sons, other kids know about technology, see, watch

488
00:31:20,750 --> 00:31:23,570
some videos about Palestinians in the land, and

489
00:31:23,570 --> 00:31:30,240
they, they sure that this land is not theirs. But

490
00:31:30,240 --> 00:31:33,560
again, it doesn't mean like all sons are going to

491
00:31:33,560 --> 00:31:35,680
be reacting in the same way. So if you're saying

492
00:31:35,680 --> 00:31:38,520
Palestinians will, I'm sure that Palestinians who

493
00:31:38,520 --> 00:31:41,040
were born in America in the diaspora, when they

494
00:31:41,040 --> 00:31:43,520
come to Palestine, to visit Palestine, they're not

495
00:31:43,520 --> 00:31:46,200
going to be, yeah, food is good, I want to eat.

496
00:31:46,780 --> 00:31:48,880
But it's not going to be your first concern or

497
00:31:48,880 --> 00:31:54,280
your first question. Thank you. were bad and the

498
00:31:54,280 --> 00:31:59,300
wind that stopped his words are proofs that nature

499
00:31:59,300 --> 00:32:03,920
is rejecting them. But I saw that his way to prove

500
00:32:03,920 --> 00:32:07,660
to his children that they were the first there, or

501
00:32:07,660 --> 00:32:09,900
that if they were the first people before them,

502
00:32:09,960 --> 00:32:13,460
they would fix their roads and build Yeah

503
00:32:13,460 --> 00:32:16,580
possible, but again don't compare a country that

504
00:32:16,580 --> 00:32:20,200
has been under occupation and European invasion

505
00:32:20,200 --> 00:32:24,640
for hundreds of years to Paris or London or other

506
00:32:24,640 --> 00:32:28,320
European cities. Many people make this mistake. So

507
00:32:28,320 --> 00:32:32,680
there was this person arguing that in terms of

508
00:32:32,680 --> 00:32:37,120
European definition of what a city is, Yeah, there

509
00:32:37,120 --> 00:32:40,700
were no cities in, not only in Palestine, but in

510
00:32:40,700 --> 00:32:45,780
Africa, in the Middle East, in Asia even. We talk

511
00:32:45,780 --> 00:32:47,960
about close to a million people living in

512
00:32:47,960 --> 00:32:49,960
Palestine at that time. If those people didn't

513
00:32:49,960 --> 00:32:53,540
exist, then those people who say Palestinians

514
00:32:53,540 --> 00:32:59,340
don't exist or didn't exist are mass murderers,

515
00:32:59,440 --> 00:33:02,350
they're genocidal. You said that the tense are

516
00:33:02,350 --> 00:33:06,270
past tense and future tense. But in the last

517
00:33:06,270 --> 00:33:08,790
sentence, they ask my son. It is like present.

518
00:33:09,310 --> 00:33:12,070
Exactly. The son, like what I'm saying is that

519
00:33:12,070 --> 00:33:14,650
because this is also the present is close to the

520
00:33:14,650 --> 00:33:20,690
future here. So he said, I, we passed. I said,

521
00:33:20,850 --> 00:33:26,590
right? I said, and then I said again and again. I

522
00:33:26,590 --> 00:33:30,810
said, the wind came. But the reality came, came,

523
00:33:30,910 --> 00:33:36,010
etc. The reality is the son, the kids are in the

524
00:33:36,010 --> 00:33:37,910
present and the future. They care more about

525
00:33:37,910 --> 00:33:40,590
what's going on now and what's going to happen in

526
00:33:40,590 --> 00:33:47,490
the future. Unlike... Possibly, yes. Possibly,

527
00:33:47,570 --> 00:33:52,550
yes. So that's why I'm taking this poem as some

528
00:33:52,550 --> 00:33:56,220
kind of shaming the sons. For God's sake, do

529
00:33:56,220 --> 00:33:59,680
something. If you want to live in the future, if

530
00:33:59,680 --> 00:34:03,560
you want to change your now, you have to start

531
00:34:03,560 --> 00:34:10,460
from the past. Finally. The tone in this poem,

532
00:34:10,780 --> 00:34:13,660
like the father is trying to convince the children

533
00:34:13,660 --> 00:34:18,900
as if this the first time that I told, he told,

534
00:34:20,000 --> 00:34:23,760
he's telling his children about this land. It's

535
00:34:23,760 --> 00:34:27,860
like a surprising thing and the children are not

536
00:34:27,860 --> 00:34:31,520
interested in listening to their father. And

537
00:34:31,520 --> 00:34:34,280
there's something else that Wait a minute, just I

538
00:34:34,280 --> 00:34:36,640
think, no, I think there is an indication that

539
00:34:36,640 --> 00:34:39,380
he's been doing this for years and years, again

540
00:34:39,380 --> 00:34:42,240
and again and again. This is not the first time.

541
00:34:42,720 --> 00:34:46,120
So they're either bored, fed up, or probably this

542
00:34:46,120 --> 00:34:48,960
is what every time they say. I'm sorry, we're

543
00:34:48,960 --> 00:34:51,240
running out of time and I have to go for the adab,

544
00:34:51,280 --> 00:34:54,280
but we can continue the discussion online.

545
00:34:55,880 --> 00:35:01,350
Told you. So the second poem is this again a

546
00:35:01,350 --> 00:35:05,010
fascinating poem by an Israeli poet named Yehuda

547
00:35:05,010 --> 00:35:07,290
Mikhai. Yehuda Mikhai is like Mahmoud Darwish for

548
00:35:07,290 --> 00:35:12,330
us Palestinians. He is the prince of poets. Last

549
00:35:12,330 --> 00:35:16,270
class I gave you some time to write a reflection

550
00:35:16,270 --> 00:35:20,090
on this poem. Some of you spent a lot of time

551
00:35:20,090 --> 00:35:22,810
trying to prove who the poet is. I don't care. We

552
00:35:22,810 --> 00:35:25,210
usually care about because remember there will be

553
00:35:25,210 --> 00:35:28,340
an unseen poem before your final exam. There are

554
00:35:28,340 --> 00:35:30,540
steps to do. You look at the form, and the sounds,

555
00:35:30,660 --> 00:35:34,100
and the language, and the poeticality of the text

556
00:35:34,100 --> 00:35:37,700
because of speech, and try to bring together how

557
00:35:37,700 --> 00:35:41,220
many of these or all of these can contribute to

558
00:35:41,220 --> 00:35:45,620
enforcing a particular theme or a particular idea.

559
00:35:46,160 --> 00:35:49,500
So the shape of the poem is interesting. There is

560
00:35:49,500 --> 00:35:52,300
space here, space here, like three stanzas.

561
00:35:58,060 --> 00:36:01,200
It says the title is sometimes on a roof in the

562
00:36:01,200 --> 00:36:06,620
old city or Jerusalem on a roof in the old city

563
00:36:06,620 --> 00:36:11,880
laundry hanging in the late afternoon sunlight

564
00:36:11,880 --> 00:36:17,520
white the white sheet of a woman who is my enemy

565
00:36:17,520 --> 00:36:23,380
the towel of a man who is my enemy to wipe off the

566
00:36:23,380 --> 00:36:28,760
sweat of his brow in the sky of the old city a

567
00:36:28,760 --> 00:36:35,300
kite at the other end of the string a child I

568
00:36:35,300 --> 00:36:40,020
can't see because of the wall we have put up many

569
00:36:40,020 --> 00:36:45,000
flags they have put up many flags to make us think

570
00:36:45,000 --> 00:36:49,390
they are happy to make them think they are happy.

571
00:36:49,990 --> 00:36:54,650
What a beautiful fascinating poem. It's beautiful

572
00:36:54,650 --> 00:36:58,810
in many ways but then again I'll comment at the

573
00:36:58,810 --> 00:37:03,810
end how this is again doing damage to Palestine,

574
00:37:03,950 --> 00:37:08,790
to Palestinians. So if you look at the shape first

575
00:37:08,790 --> 00:37:11,250
and foremost, considering that this is like three

576
00:37:11,250 --> 00:37:14,850
stanzas, probably the third stanza being some kind

577
00:37:14,850 --> 00:37:18,170
of a wall. And even the third stanza itself

578
00:37:18,170 --> 00:37:22,430
creates some kind of walls.

579
00:37:26,870 --> 00:37:29,290
Nice. Okay.

580
00:37:37,150 --> 00:37:43,830
So the speaker is again, is an I. I can't see. How

581
00:37:43,830 --> 00:37:49,150
many I's do we have? One. And then my, yes. My

582
00:37:49,150 --> 00:37:53,130
enemy, my enemy. His. So there's the difference

583
00:37:53,130 --> 00:38:00,690
between we and they. The others. Palestinians.

584
00:38:01,730 --> 00:38:04,820
Palestinians. Again, I find the simplicity of the

585
00:38:04,820 --> 00:38:09,540
poem to be profound, fascinating, shakes people.

586
00:38:09,640 --> 00:38:12,460
It says that we are all human, basically doing the

587
00:38:12,460 --> 00:38:16,460
same thing. Those people are humans. But

588
00:38:16,460 --> 00:38:19,980
dangerously, there are many things lying beneath,

589
00:38:20,100 --> 00:38:25,260
if we can read between the lines. So the laundry

590
00:38:25,260 --> 00:38:28,980
in the late afternoon here, on the roof in the old

591
00:38:28,980 --> 00:38:34,090
city, on a roof in the old city laundry hanging in

592
00:38:34,090 --> 00:38:38,290
the afternoon that's

593
00:38:38,290 --> 00:38:46,210
laundry what

594
00:38:46,210 --> 00:38:49,850
he sees is interesting the white sheet the sheet

595
00:38:49,850 --> 00:38:53,030
being white is interesting the towel the sweat

596
00:38:53,030 --> 00:38:59,670
like vindication but there are no people there the

597
00:38:59,670 --> 00:39:04,440
people are just out of the frame. We see their

598
00:39:04,440 --> 00:39:11,680
belongings, their things. If the man is on some

599
00:39:11,680 --> 00:39:18,260
kind of a roof in Jerusalem, I don't know, on a

600
00:39:18,260 --> 00:39:21,440
recliner, probably smoking,

601
00:39:23,140 --> 00:39:27,480
he

602
00:39:27,480 --> 00:39:34,360
says, he's suggesting that there is what? there is

603
00:39:34,360 --> 00:39:38,900
what here? there is a wall and the wall is

604
00:39:38,900 --> 00:39:48,100
separating him and everything else so what does he

605
00:39:48,100 --> 00:39:53,640
see? he sees the laundry if assuming this is

606
00:39:53,640 --> 00:39:58,660
summer he sees the towel He sees the sheets, the

607
00:39:58,660 --> 00:40:00,520
white sheets, probably what? Palestinian

608
00:40:00,520 --> 00:40:05,620
surrendering? Defeat? And interestingly, he sees

609
00:40:05,620 --> 00:40:11,180
something beautiful, which is what? A kite. Does

610
00:40:11,180 --> 00:40:17,340
he see the child? At the other end of this, he

611
00:40:17,340 --> 00:40:22,940
just assumes that this is what? This is a child

612
00:40:22,940 --> 00:40:25,280
and this is a kite. Yeah, I can draw a kite.

613
00:40:32,420 --> 00:40:37,460
Innocence, freedom, normal life, creating a normal

614
00:40:37,460 --> 00:40:40,820
life. It's like see, Palestinians can fly kites,

615
00:40:41,040 --> 00:40:42,100
everything is fine.

616
00:40:44,860 --> 00:40:48,480
Thank you very much. But again, he can't see, but

617
00:40:48,480 --> 00:40:51,420
he's certain that this is a child. basically

618
00:40:51,420 --> 00:40:55,280
because mostly it's kids who who fly look at this

619
00:40:55,280 --> 00:40:59,880
kite child and then how interestingly he builds a

620
00:40:59,880 --> 00:41:03,600
wall himself in words so there is the physical

621
00:41:03,600 --> 00:41:05,740
wall there are many walls in Jerusalem some of

622
00:41:05,740 --> 00:41:07,640
them are very historical very ancient some of them

623
00:41:07,640 --> 00:41:13,700
Israel built it's not like ah there's a wall here

624
00:41:13,700 --> 00:41:16,100
we can't see each other we can't communicate we

625
00:41:16,100 --> 00:41:19,180
can't speak And this is again part of how

626
00:41:19,180 --> 00:41:24,720
alternative facts are offered. Israel caused this.

627
00:41:24,860 --> 00:41:28,160
Israel built the wall. And this is very dangerous

628
00:41:28,160 --> 00:41:31,180
because this presents, liberal Zionists always do

629
00:41:31,180 --> 00:41:35,420
this, presents, he presents people as equal,

630
00:41:36,120 --> 00:41:39,820
equally to blame for what's going on. There's a

631
00:41:39,820 --> 00:41:42,200
wall, Palestinians are to blame, Israelis are to

632
00:41:42,200 --> 00:41:46,410
blame. He himself is building a psychological

633
00:41:46,410 --> 00:41:50,830
wall, he's also building a wall in words. Look at

634
00:41:50,830 --> 00:41:53,270
this topography of the poem, the shape. You should

635
00:41:53,270 --> 00:41:55,530
have noticed this, you should notice everything.

636
00:41:56,610 --> 00:41:59,830
So there's a kite here and at the end, the other

637
00:41:59,830 --> 00:42:02,970
end of the string, there is a child behind the

638
00:42:02,970 --> 00:42:07,530
wall and he's saying this, I can't see because of

639
00:42:07,530 --> 00:42:14,260
the wall. Who built it? probably just fell down

640
00:42:14,260 --> 00:42:14,820
from heaven.

641
00:42:17,680 --> 00:42:22,580
And then there are some things here. What? Flags.

642
00:42:22,740 --> 00:42:29,620
Palestinian flags and then also Israeli flags.

643
00:42:33,640 --> 00:42:41,750
Yeah? Whatever they are. But look at this. Also

644
00:42:41,750 --> 00:42:47,290
something that I thought of. In Palestine, in

645
00:42:47,290 --> 00:42:49,970
Jerusalem in particular, you're not allowed to fly

646
00:42:49,970 --> 00:42:52,850
to raise Palestinian flags. You could be

647
00:42:52,850 --> 00:42:54,790
brutalized, you could be sent to prison. Probably

648
00:42:54,790 --> 00:42:56,690
you've seen videos of Palestinians raising

649
00:42:56,690 --> 00:42:59,310
Palestinian flags attacked. In the first Intifada,

650
00:42:59,450 --> 00:43:01,710
Palestinians were sent to prison for six months if

651
00:43:01,710 --> 00:43:04,730
they had a Palestinian flag. It was taboo.

652
00:43:07,390 --> 00:43:09,910
And until this very day, you're not allowed. We

653
00:43:09,910 --> 00:43:11,810
see Palestinians raising Palestinian flags in

654
00:43:11,810 --> 00:43:14,190
Jerusalem here and then sometimes they're just

655
00:43:14,190 --> 00:43:19,130
taken violently and trapped because Palestinians

656
00:43:19,130 --> 00:43:22,690
don't exist. Because the flag is a symbol of

657
00:43:22,690 --> 00:43:27,010
nationalism, symbol of unity, of pride. Israel

658
00:43:27,010 --> 00:43:30,150
doesn't want us to feel this. This is another

659
00:43:30,150 --> 00:43:33,430
fabrication here. So they are to blame, there's a

660
00:43:33,430 --> 00:43:35,950
wall, there is flags, there is flags, we raise

661
00:43:35,950 --> 00:43:37,630
flags, and that's not good.

662
00:43:42,250 --> 00:43:45,410
This is some kind of colonial literature. It

663
00:43:45,410 --> 00:43:49,490
brainwashes. It presents the Israelis as innocent.

664
00:43:49,810 --> 00:43:51,930
They're not innocent. They're complicit in this

665
00:43:51,930 --> 00:43:54,850
occupation, in enforcing this occupation. You

666
00:43:54,850 --> 00:43:56,630
know, I don't like to do this to poetry. That's

667
00:43:56,630 --> 00:43:59,590
why I say this is a very beautiful poem from a

668
00:43:59,590 --> 00:44:01,770
poetic, artistic point of view. Fascinating.

669
00:44:01,890 --> 00:44:04,330
Amazing. And again, I find this very, very

670
00:44:04,330 --> 00:44:07,010
interesting how some of you attributed this poem

671
00:44:07,010 --> 00:44:11,720
to a Palestinian poet. I find if you wrote this in

672
00:44:11,720 --> 00:44:14,040
your reflection, I'm not going to deduct marks

673
00:44:14,040 --> 00:44:16,340
because this is what the poem is supposed to do.

674
00:44:18,150 --> 00:44:20,630
You think that this is a Palestinian and you do.

675
00:44:21,170 --> 00:44:25,270
In one of my experiments, of many experiments I do

676
00:44:25,270 --> 00:44:29,550
with my students, I had a class of 40 and I

677
00:44:29,550 --> 00:44:32,330
divided them into two parts and I asked the first

678
00:44:32,330 --> 00:44:37,350
group to write me a reflection on this poem. And I

679
00:44:37,350 --> 00:44:40,050
didn't say who the poet is. It was just a text.

680
00:44:40,630 --> 00:44:42,570
And the other group I said, Israeli poet, Yehuda

681
00:44:42,570 --> 00:44:49,100
Amichai, please. So the students who knew that

682
00:44:49,100 --> 00:44:50,980
this is an Israeli poet were like trashing the

683
00:44:50,980 --> 00:44:52,860
poem in a way, like there's no genuine

684
00:44:52,860 --> 00:44:55,540
relationship here, there's an artificial, he's

685
00:44:55,540 --> 00:44:58,120
creating this, you know, something like this. But

686
00:44:58,120 --> 00:44:59,620
the students who didn't know that this is an

687
00:44:59,620 --> 00:45:02,300
Israeli poet said that this could be Mahmoud

688
00:45:02,300 --> 00:45:04,640
Darwish, Tamim el Barghouti, Samiha el Qasim or

689
00:45:04,640 --> 00:45:09,980
other Palestinian poets. This is cute, but at the

690
00:45:09,980 --> 00:45:13,320
same time, from an ideological point of view, this

691
00:45:13,320 --> 00:45:17,270
is dangerous. Because it presents the Israeli

692
00:45:17,270 --> 00:45:23,290
occupation as innocent, you know, the victim and

693
00:45:23,290 --> 00:45:27,710
the victim. Never. Never bring the occupied and

694
00:45:27,710 --> 00:45:30,570
the occupier, the colonized and the colonizer, the

695
00:45:30,570 --> 00:45:32,870
oppressed and the oppressor on the same scale.

696
00:45:32,870 --> 00:45:35,070
That's exactly what made us suppose that it

697
00:45:35,070 --> 00:45:37,690
couldn't be Palestinian literature. Palestinian

698
00:45:37,690 --> 00:45:40,810
literature has its own features. And one thing it

699
00:45:40,810 --> 00:45:42,570
never does is equify it.

700
00:45:45,320 --> 00:45:49,000
but I'm not okay okay I find this interesting if

701
00:45:49,000 --> 00:45:51,060
you said this that's that's really good thinking

702
00:45:51,060 --> 00:45:55,180
but at the same time we don't assume that oh like

703
00:45:55,180 --> 00:45:58,980
there are very clear cut differences between

704
00:45:58,980 --> 00:46:04,240
Israeli and Palestinian poetry in another thing

705
00:46:04,240 --> 00:46:06,440
I'll conclude conclude with this and see what you

706
00:46:06,440 --> 00:46:09,080
have to say The other thing I found very

707
00:46:09,080 --> 00:46:12,280
interesting, I did some research on how, that was

708
00:46:12,280 --> 00:46:17,640
in my MA, how Palestinian and Israeli poets

709
00:46:17,640 --> 00:46:20,140
represented Jerusalem, the representation of

710
00:46:20,140 --> 00:46:22,340
Jerusalem in Israeli and Palestinian poets, and I

711
00:46:22,340 --> 00:46:25,120
found so many striking similarities. But there

712
00:46:25,120 --> 00:46:27,640
were also some profound differences. Generally,

713
00:46:27,820 --> 00:46:32,320
Palestinians are outsiders. They don't have access

714
00:46:32,320 --> 00:46:36,020
to the city. And if they do, it's under heavy

715
00:46:36,020 --> 00:46:40,420
military presence. We've seen this with Tamim. And

716
00:46:40,420 --> 00:46:44,920
the Israelis or the Jews are insiders.

717
00:46:45,580 --> 00:46:49,340
They have access to roam freely, to do whatever

718
00:46:49,340 --> 00:46:54,460
they want, to kill even, to destroy, to demolish.

719
00:46:55,800 --> 00:46:58,020
Palestinians are outsiders, they don't have

720
00:46:58,020 --> 00:47:00,580
access, even Palestinians living in Jerusalem. We

721
00:47:00,580 --> 00:47:06,360
see how Israel prevents even young women, young

722
00:47:06,360 --> 00:47:11,240
men from worshipping at Al-Aqsa mosque for months

723
00:47:11,240 --> 00:47:14,860
and months. You're not allowed, you're just five

724
00:47:14,860 --> 00:47:16,980
minutes away from Al-Aqsa mosque and you're not

725
00:47:16,980 --> 00:47:21,060
allowed to worship. So even, I'm not saying I am,

726
00:47:21,240 --> 00:47:24,820
how many of you have been to Jerusalem? One, two,

727
00:47:25,000 --> 00:47:27,760
three, you just have three lucky people here. We

728
00:47:27,760 --> 00:47:31,860
are about 60 or 70. That's like very, very few.

729
00:47:32,080 --> 00:47:33,960
And we are here in Gaza. But there are people in

730
00:47:33,960 --> 00:47:36,520
the West Bank who can't be to Jerusalem. There are

731
00:47:36,520 --> 00:47:38,020
people in Jerusalem who can't be to Jerusalem

732
00:47:38,020 --> 00:47:41,220
because of the occupation, first and foremost. The

733
00:47:41,220 --> 00:47:47,700
first evil, the root of all evils. So Palestinians

734
00:47:47,700 --> 00:47:52,250
who are outsiders, Jerusalem means something else

735
00:47:52,250 --> 00:47:54,250
to them. For the Israelis, I noticed in their

736
00:47:54,250 --> 00:47:57,150
poetry, there's another poem where the Israeli

737
00:47:57,150 --> 00:48:00,830
poet gets inside a shop and he is fascinated by

738
00:48:00,830 --> 00:48:04,470
what? By the threads and the buttons, you know,

739
00:48:04,730 --> 00:48:07,930
and these tiny little things, concrete things.

740
00:48:08,740 --> 00:48:11,800
This is what fascinates him, fascinates him. But

741
00:48:11,800 --> 00:48:13,900
you, those people who went to Jerusalem, when you

742
00:48:13,900 --> 00:48:16,840
go there, it's like a spiritual journey, it's

743
00:48:16,840 --> 00:48:20,100
different. It's this metaphor, it's like a dream,

744
00:48:20,500 --> 00:48:23,160
a vision, a dream coming true finally after years

745
00:48:23,160 --> 00:48:26,280
and years. I know you go there also for the Kaak,

746
00:48:26,840 --> 00:48:30,160
but also, you also, and you take pictures, right?

747
00:48:30,240 --> 00:48:32,080
And you're proud of this, you love this. But you

748
00:48:32,080 --> 00:48:35,440
go, you pray. It's like some kind of a journey,

749
00:48:35,480 --> 00:48:39,250
again, I say the journey of initiation. you feel

750
00:48:39,250 --> 00:48:41,570
this by the way look this up there's something

751
00:48:41,570 --> 00:48:45,590
called Jerusalem syndrome many people talk about

752
00:48:45,590 --> 00:48:47,830
this people lose their minds when they go to

753
00:48:47,830 --> 00:48:52,750
Jerusalem look it up it's very interesting so it

754
00:48:52,750 --> 00:48:55,890
means a lot Jerusalem is not the buildings the

755
00:48:55,890 --> 00:49:00,590
walls It's also this virtually, this connection we

756
00:49:00,590 --> 00:49:04,290
have with our parents, grandparents, great-great

757
00:49:04,290 --> 00:49:07,330
-great-great grandparents with the land. Not that

758
00:49:07,330 --> 00:49:10,150
we like any other piece of Palestine less, but we

759
00:49:10,150 --> 00:49:13,490
like Jerusalem more. It's our capital. Not because

760
00:49:13,490 --> 00:49:16,610
of only of its religious value, because for

761
00:49:16,610 --> 00:49:18,970
Palestinian Christians, Palestinian Muslims, it's

762
00:49:18,970 --> 00:49:21,610
the same. Not also that we deny the existence of

763
00:49:21,610 --> 00:49:24,750
Jewish connections to the land. We just say that

764
00:49:24,750 --> 00:49:28,990
this is Palestinian land. Jews, Christians,

765
00:49:29,230 --> 00:49:32,650
Muslims have lived coexisted peacefully and you'll

766
00:49:32,650 --> 00:49:37,060
find this in history. So the outsiders,

767
00:49:37,680 --> 00:49:41,200
Palestinians, they look at this beautiful

768
00:49:41,200 --> 00:49:45,460
spiritual poetic aspect of tourism. Look at Tamim.

769
00:49:45,900 --> 00:49:46,820
That's why Tamim says,

770
00:49:57,980 --> 00:50:04,590
This is what they see. Those who live, the

771
00:50:04,590 --> 00:50:06,950
occupiers, the intruders, the aliens who live in

772
00:50:06,950 --> 00:50:11,730
Jerusalem, they just think of a paint job, how to

773
00:50:11,730 --> 00:50:16,150
spend a vacation here or there, just want to take

774
00:50:16,150 --> 00:50:19,750
pictures with a street vendor selling vigil.

775
00:50:22,560 --> 00:50:24,940
Not saying that all of them don't, but basically.

776
00:50:25,680 --> 00:50:28,560
And another interesting thing, many of those

777
00:50:28,560 --> 00:50:31,900
poets, Israeli poets, look at Jerusalem as a city,

778
00:50:32,020 --> 00:50:34,520
like people in London and Paris look at London and

779
00:50:34,520 --> 00:50:37,460
Paris respectively, as a source, as a place of

780
00:50:37,460 --> 00:50:39,660
sin. The city is a place of sin and corruption.

781
00:50:41,040 --> 00:50:45,400
and vices not us we see and that's and for us also

782
00:50:45,400 --> 00:50:48,900
palestinians remember palestinians for for us

783
00:50:48,900 --> 00:50:52,360
jerusalem brings us together unites us that's why

784
00:50:52,360 --> 00:50:56,220
most palestinian almost all palestinian poems

785
00:50:56,220 --> 00:50:59,140
about jerusalem brings christians and muslims

786
00:50:59,140 --> 00:51:05,820
together interesting that's why tamim again says

787
00:51:05,820 --> 00:51:14,440
there are two jerusalem's Ours and theirs. Yeah,

788
00:51:14,480 --> 00:51:19,300
so what does this man see in Jerusalem? The

789
00:51:19,300 --> 00:51:24,700
laundry. The laundry. The laundry. You go to

790
00:51:24,700 --> 00:51:27,740
Jerusalem to look at people's laundry. Okay, thank

791
00:51:27,740 --> 00:51:34,100
you. The laundry, the sheet, the towel, the white

792
00:51:34,100 --> 00:51:34,940
sheet, the towel.

793
00:51:38,920 --> 00:51:41,120
Okay, I'm raising questions here and I'll give you

794
00:51:41,120 --> 00:51:46,080
five minutes to say what you have to say. How does

795
00:51:46,080 --> 00:51:47,880
the poem represent Jerusalem? Do you like that?

796
00:51:48,900 --> 00:51:52,180
Does the poem represent Jerusalem as should be, as

797
00:51:52,180 --> 00:51:56,380
a Palestinian would do? Again, not that there are

798
00:51:56,380 --> 00:52:00,300
very clear-cut differences. There are several

799
00:52:00,300 --> 00:52:04,440
walls in the poem. Discuss several walls, not only

800
00:52:04,440 --> 00:52:08,340
the physical one. Comment on the poem's lack of

801
00:52:08,340 --> 00:52:10,880
dialogue. And again, where are the Palestinians?

802
00:52:12,460 --> 00:52:15,360
So in brief, while this is a beautiful poem from

803
00:52:15,360 --> 00:52:18,820
an aesthetic perspective, this is a horrible,

804
00:52:18,920 --> 00:52:23,830
horrible poem because This is a tool of further

805
00:52:23,830 --> 00:52:29,030
demonizing Palestinians, further dehumanizing

806
00:52:29,030 --> 00:52:31,410
Palestinians and presenting Palestinians as

807
00:52:31,410 --> 00:52:38,370
incivil, as uncivilized, as the enemy. The woman

808
00:52:38,370 --> 00:52:42,730
is the enemy. The man, just for existing, just for

809
00:52:42,730 --> 00:52:46,110
being there, for being a Palestinian. label the

810
00:52:46,110 --> 00:52:48,530
enemy however listen because this man was also

811
00:52:48,530 --> 00:52:51,970
critical of what Israel the occupation did some of

812
00:52:51,970 --> 00:52:55,430
what the occupation did many would take this as an

813
00:52:55,430 --> 00:52:58,450
ironic thing when he says the man that is my enemy

814
00:52:58,450 --> 00:53:00,610
the woman that is my enemy would take this as an

815
00:53:00,610 --> 00:53:04,270
ironic being critical of of Israel and Israeli

816
00:53:04,270 --> 00:53:07,950
policy you could also look into that please say

817
00:53:07,950 --> 00:53:11,530
something please

818
00:53:11,960 --> 00:53:13,960
Okay, the thing is that when we were given this

819
00:53:13,960 --> 00:53:17,240
poem without an author or without a poet, we tried

820
00:53:17,240 --> 00:53:20,660
to look at it from a perspective of an Israeli who

821
00:53:20,660 --> 00:53:23,380
is, I don't want to say pro-Palestinian, but I

822
00:53:23,380 --> 00:53:26,740
would just say that a regular human being, okay?

823
00:53:26,920 --> 00:53:31,140
Like, yes, I am a Jew, but I do not practice or I

824
00:53:31,140 --> 00:53:33,800
do not support all these things. So this is why I,

825
00:53:34,380 --> 00:53:36,560
we really, in our group, we really thought that

826
00:53:36,560 --> 00:53:40,300
this could be either Palestinian Okay, I see that.

827
00:53:40,480 --> 00:53:43,100
I see your point. More, please.

828
00:53:48,420 --> 00:53:55,960
If you

829
00:53:55,960 --> 00:53:59,100
take this ironically, in a sense,

830
00:54:02,330 --> 00:54:06,310
he criticizes the wall. He seems to be saying the

831
00:54:06,310 --> 00:54:09,610
wall is not good because it, you know, it

832
00:54:09,610 --> 00:54:12,390
dehumanizes. But he himself is building actually

833
00:54:12,390 --> 00:54:15,110
two walls. The physical wall, there's the physical

834
00:54:15,110 --> 00:54:17,610
wall in Jerusalem, there is the physical wall in

835
00:54:17,610 --> 00:54:20,730
the poem, and there is also the metaphorical wall

836
00:54:20,730 --> 00:54:23,050
he's building by alienating Palestinians.

837
00:54:29,210 --> 00:54:30,270
True, you're right.

838
00:54:34,880 --> 00:54:37,640
In reality on the ground in the West Bank there is

839
00:54:37,640 --> 00:54:41,720
no way for a two-state solution because Israel has

840
00:54:41,720 --> 00:54:46,020
you know it's not about that it's not about that

841
00:54:46,020 --> 00:54:48,400
it's it's also about the reality on the ground in

842
00:54:48,400 --> 00:54:50,940
in in the West Bank if you if you have a look at

843
00:54:50,940 --> 00:54:55,080
the map Palestinians live in cantons in what's the

844
00:54:55,080 --> 00:54:58,520
word like in in isolated ghettos like in South

845
00:54:58,520 --> 00:55:01,450
Africa So even if you want to move from one

846
00:55:01,450 --> 00:55:04,910
village to the other, you need permission and you

847
00:55:04,910 --> 00:55:09,130
need to go through. There are roads for Jews only.

848
00:55:09,470 --> 00:55:11,590
There are roads Palestinians, non-Jews are not

849
00:55:11,590 --> 00:55:16,350
allowed to take, etc. So on the ground, Israel has

850
00:55:16,350 --> 00:55:20,740
made it impossible. Israel is selling this. But

851
00:55:20,740 --> 00:55:22,680
this is politics, I don't want to get into

852
00:55:22,680 --> 00:55:25,600
politics whether you like one state solution where

853
00:55:25,600 --> 00:55:29,240
everybody is equal, one man or woman, one vote,

854
00:55:29,860 --> 00:55:32,080
which Israel rejects categorically.

855
00:55:34,440 --> 00:55:48,200
Please. Where is

856
00:55:48,200 --> 00:55:53,340
your indication in the poem? You're saying, I

857
00:55:53,340 --> 00:55:56,900
don't see him blaming Palestinians for this, for

858
00:55:56,900 --> 00:56:02,220
the war. Okay, yeah, yeah, okay. So you're saying,

859
00:56:02,300 --> 00:56:04,220
you're talking about this, how Palestinians build

860
00:56:04,220 --> 00:56:08,560
these walls by being the enemy. Okay,

861
00:56:12,940 --> 00:56:13,280
thank you.

862
00:56:27,040 --> 00:56:30,580
Not necessarily, not usually, but more or less

863
00:56:30,580 --> 00:56:30,900
yes.

864
00:56:37,000 --> 00:56:41,260
That's right. It's a very spiritual, very

865
00:56:41,260 --> 00:56:44,540
emotional, very sentimental experience, not just

866
00:56:44,540 --> 00:56:47,700
someone here coming to watch. And I find laundry

867
00:56:47,700 --> 00:56:49,320
interesting because it could be like actual

868
00:56:49,320 --> 00:56:56,200
laundry or fadayah, something like this. And

869
00:56:56,200 --> 00:57:00,140
please

870
00:57:00,140 --> 00:57:03,240
don't say, sorry for interrupting you. Many of you

871
00:57:03,240 --> 00:57:05,720
wrote conflict. This is by no means a conflict.

872
00:57:07,010 --> 00:57:09,590
This is by no means a conflict. This is a brutal,

873
00:57:09,750 --> 00:57:13,550
aggressive occupation of our land. Many of you say

874
00:57:13,550 --> 00:57:15,430
the Israeli-Palestinian conflict, the Palestinian

875
00:57:15,430 --> 00:57:18,930
-Israeli conflict. This is an occupation, a brutal

876
00:57:18,930 --> 00:57:24,450
medieval imperialist

877
00:57:24,450 --> 00:57:30,810
occupation. So yeah, you're saying? He said, I'm

878
00:57:30,810 --> 00:57:35,330
talking about how he finds this occupation or the

879
00:57:35,330 --> 00:57:38,450
issue between the two parties as merely

880
00:57:38,450 --> 00:57:42,210
meaningless. It is merely flags and a wall that he

881
00:57:42,210 --> 00:57:48,910
doesn't see the point of. So that's kind of like

882
00:57:48,910 --> 00:57:52,800
not seeing why it works. Thank you. That's a very,

883
00:57:52,880 --> 00:57:56,420
very, very amazing idea. Thank you. You'll see

884
00:57:56,420 --> 00:58:00,780
many liberal Zionists stripping the cause here,

885
00:58:00,840 --> 00:58:03,860
the issue, from its politics and political issues.

886
00:58:04,020 --> 00:58:08,380
It's just humanitarian. Oh, let those poor kids

887
00:58:08,380 --> 00:58:13,020
fly their kites in peace. Why shouldn't this man

888
00:58:13,020 --> 00:58:16,100
be you know this woman be you know peacefully

889
00:58:16,100 --> 00:58:20,400
doing the laundry? I think we should you know

890
00:58:20,400 --> 00:58:22,760
since Paris time for them is like only a

891
00:58:22,760 --> 00:58:26,060
humanitarian thing. It's not like and those

892
00:58:26,060 --> 00:58:28,460
liberal Zionists are very dangerous because they

893
00:58:28,460 --> 00:58:31,490
don't oppose the occupation per se. They don't

894
00:58:31,490 --> 00:58:33,770
call for the end of the occupation. They don't

895
00:58:33,770 --> 00:58:36,930
call for complete rights for Palestinians. They

896
00:58:36,930 --> 00:58:39,770
just want acute occupation, an occupation that

897
00:58:39,770 --> 00:58:42,550
would kill Palestinians, not by massacring and

898
00:58:42,550 --> 00:58:46,050
bombing them, but by probably starving them,

899
00:58:46,270 --> 00:58:51,310
besieging them, you know, or by, or if you kill

900
00:58:51,310 --> 00:58:54,370
them, kill them off camera, off stage. Because

901
00:58:54,370 --> 00:58:58,690
you're making us look bad in the West. One, one,

902
00:58:58,970 --> 00:59:00,550
like you have 30 seconds.

903
00:59:20,730 --> 00:59:24,550
Thank you, yeah, that's a very smart thing. He's

904
00:59:24,550 --> 00:59:27,530
on a roof, he's up above, he's also detached, this

905
00:59:27,530 --> 00:59:28,090
could be one

906
00:59:33,630 --> 00:59:35,890
Strategically you see you go to the West Bank all

907
00:59:35,890 --> 00:59:39,310
the hilltops and high areas have been even

908
00:59:39,310 --> 00:59:43,430
Jerusalem, West Bank, Nablus, El Khalil they were

909
00:59:43,430 --> 00:59:46,070
taken here. Brief, brief. The first time I read

910
00:59:46,070 --> 00:59:48,830
this book I found it's a Palestinian book and it's

911
00:59:48,830 --> 00:59:51,470
very painful because this man like look at the

912
00:59:51,470 --> 00:59:53,790
trivial things that deserve to be our laundering

913
00:59:53,790 --> 00:59:56,670
not their laundering and the walls he mean by the

914
00:59:56,670 --> 00:59:59,550
wall that restriction maybe the UN put it put it

915
00:59:59,550 --> 01:00:03,390
in us yes put in us to let it Okay, so you're

916
01:00:03,390 --> 01:00:06,110
taking this as if this is a Palestinian poet. But

917
01:00:06,110 --> 01:00:08,770
yeah, now we know that this is not a Palestinian

918
01:00:08,770 --> 01:00:10,750
poet. Somebody raised their hand.

919
01:00:15,330 --> 01:00:20,830
The text

920
01:00:20,830 --> 01:00:24,470
says they're on a roof in the old city. What's

921
01:00:24,470 --> 01:00:27,690
that? Say again? The poem clearly says on a roof,

922
01:00:28,450 --> 01:00:32,010
positioning the poet on a higher place.

923
01:00:37,410 --> 01:00:40,810
The whole tone of the poem sounds to me as a

924
01:00:40,810 --> 01:00:44,790
condescending person who's trying to prove that I

925
01:00:44,790 --> 01:00:48,210
think equally of the other side, although he's

926
01:00:48,210 --> 01:00:50,710
clearly condescending. I think that they are

927
01:00:50,710 --> 01:00:53,210
humans, oh look, they're humans, they have

928
01:00:53,210 --> 01:00:59,310
laundry, look, somebody is flying a kite. Briefly.

929
01:01:08,410 --> 01:01:12,710
But it doesn't

930
01:01:12,710 --> 01:01:16,030
mention who built the wall, who is erecting the

931
01:01:16,030 --> 01:01:18,390
walls, the physical walls, the occupation being

932
01:01:18,390 --> 01:01:23,070
the first important wall. Anyway, I'll post this

933
01:01:23,070 --> 01:01:26,070
poem on our Facebook group. You can, if you have

934
01:01:26,070 --> 01:01:29,170
more points, more things to write, you're welcome.

935
01:01:29,630 --> 01:01:31,450
Thank you very much ladies and see you inshallah

936
01:01:31,450 --> 01:01:31,690
soon.