The 3D shapes of faces are well known to be discriminative. Yet despite this, they are rarely used for face recognition and always under controlled viewing conditions. We claim that this is a symptom of a serious but often overlooked problem with existing methods for single view 3D face reconstruction: when applied "in the wild", their 3D estimates are either unstable and change for different photos of the same subject or they are over-regularized and generic. In response, we describe a robust method for regressing discriminative 3D morphable face models (3DMM). We use a convolutional neural network (CNN) to regress 3DMM shape and texture parameters directly from an input photo. We overcome the shortage of training data required for this purpose by offering a method for generating huge numbers of labeled examples. The 3D estimates produced by our CNN surpass state of the art accuracy on the MICC data set. Coupled with a 3D-3D face matching pipeline, we show the first competitive face recognition results on the LFW, YTF and IJB-A benchmarks using 3D face shapes as representations, rather than the opaque deep feature vectors used by other modern systems.
Scene assumption methods. In order to obtain correct reconstructions, some make strong assumptions on the scene and the viewing conditions in the input image. Shape from shading methods @cite_9 , for example, make assumptions on the light sources, facial reflectance and more. Others instead use facial symmetry @cite_31 . The assumptions they and others make often do not hold in practice, limiting the application of these methods to controlled settings.
@cite_9 @cite_31
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We propose a probabilistic formulation of joint silhouette extraction and 3D reconstruction given a series of calibrated 2D images. Instead of segmenting each image separately in order to construct a 3D surface consistent with the estimated silhouettes, we compute the most probable 3D shape that gives rise to the observed color information. The probabilistic framework, based on Bayesian inference, enables robust 3D reconstruction by optimally taking into account the contribution of all views. We solve the arising maximum a posteriori shape inference in a globally optimal manner by convex relaxation techniques in a spatially continuous representation. For an interactively provided user input in the form of scribbles specifying foreground and background regions, we build corresponding color distributions as multivariate Gaussians and find a volume occupancy that best fits to this data in a variational sense. Compared to classical methods for silhouette-based multiview reconstruction, the proposed approach does not depend on initialization and enjoys significant resilience to violations of the model assumptions due to background clutter, specular reflections, and camera sensor perturbations. In experiments on several real-world data sets, we show that exploiting a silhouette coherency criterion in a multiview setting allows for dramatic improvements of silhouette quality over independent 2D segmentations without any significant increase of computational efforts. This results in more accurate visual hull estimation, needed by a multitude of image-based modeling approaches. We made use of recent advances in parallel computing with a GPU implementation of the proposed method generating reconstructions on volume grids of more than 20 million voxels in up to 4.41 seconds. This article proposes a variational multi-view stereo vision method based on meshes for recovering 3D scenes (shape and radiance) from images. Our method is based on generative models and minimizes the reprojection error (difference between the observed images and the images synthesized from the reconstruction). Our contributions are twofold. 1) For the first time, we rigorously compute the gradient of the reprojection error for non smooth surfaces defined by discrete triangular meshes. The gradient correctly takes into account the visibility changes that occur when a surface moves; this forces the contours generated by the reconstructed surface to perfectly match with the apparent contours in the input images. 2) We propose an original modification of the Lambertian model to take into account deviations from the constant brightness assumption without explicitly modelling the reflectance properties of the scene or other photometric phenomena involved by the camera model. Our method is thus able to recover the shape and the diffuse radiance of non Lambertian scenes. We address the problem of estimating the pose of a cam- era relative to a known 3D scene from a single RGB-D frame. We formulate this problem as inversion of the generative rendering procedure, i.e., we want to find the camera pose corresponding to a rendering of the 3D scene model that is most similar with the observed input. This is a non-convex optimization problem with many local optima. We propose a hybrid discriminative-generative learning architecture that consists of: (i) a set of M predictors which generate M camera pose hypotheses, and (ii) a 'selector' or 'aggregator' that infers the best pose from the multiple pose hypotheses based on a similarity function. We are interested in predictors that not only produce good hypotheses but also hypotheses that are different from each other. Thus, we propose and study methods for learning 'marginally relevant' predictors, and compare their performance when used with different selection procedures. We evaluate our method on a recently released 3D reconstruction dataset with challenging camera poses, and scene variability. Experiments show that our method learns to make multiple predictions that are marginally relevant and can effectively select an accurate prediction. Furthermore, our method outperforms the state-of-the-art discriminative approach for camera relocalization. In this paper, we present a robust and efficient method to statistically recover the full 3D shape and texture of faces from single 2D images. We separate shape and texture recovery into two linear problems. For shape recovery, we learn empirically the generalization error of a 3D morphable model using out-of-sample data. We use this to predict the 2D variance associated with a sparse set of 2D feature points. This knowledge is incorporated into a parameter-free probabilistic framework which allows 3D shape recovery of a face in an arbitrary pose in a single step. Under the assumption of diffuseonly reflectance, we also show how photometric invariants can be used to recover texture parameters in an illumination insensitive manner. We present empirical results with comparison to the state-of-the-art analysis-by-synthesis methods and show an application of our approach to adjusting the pose of subjects in oil paintings. Interpreting real-world images requires the ability distinguish the different characteristics of the scene that lead to its final appearance. Two of the most important of these characteristics are the shading and reflectance of each point in the scene. We present an algorithm that uses multiple cues to recover shading and reflectance intrinsic images from a single image. Using both color information and a classifier trained to recognize gray-scale patterns, given the lighting direction, each image derivative is classified as being caused by shading or a change in the surface's reflectance. The classifiers gather local evidence about the surface's form and color, which is then propagated using the generalized belief propagation algorithm. The propagation step disambiguates areas of the image where the correct classification is not clear from local evidence. We use real-world images to demonstrate results and show how each component of the system affects the results. In this paper, we present an approach for scene understanding by reasoning physical stability of objects from point cloud. We utilize a simple observation that, by human design, objects in static scenes should be stable with respect to gravity. This assumption is applicable to all scene categories and poses useful constraints for the plausible interpretations (parses) in scene understanding. Our method consists of two major steps: 1) geometric reasoning: recovering solid 3D volumetric primitives from defective point cloud, and 2) physical reasoning: grouping the unstable primitives to physically stable objects by optimizing the stability and the scene prior. We propose to use a novel disconnectivity graph (DG) to represent the energy landscape and use a Swendsen-Wang Cut (MCMC) method for optimization. In experiments, we demonstrate that the algorithm achieves substantially better performance for i) object segmentation, ii) 3D volumetric recovery of the scene, and iii) better parsing result for scene understanding in comparison to state-of-the-art methods in both public dataset and our own new dataset. This paper presents a novel approach for reconstructing free-form, texture-mapped, 3D scene models from a single painting or photograph. Given a sparse set of user-specified constraints on the local shape of the scene, a smooth 3D surface that satisfies the constraints is generated This problem is formulated as a constrained variational optimization problem. In contrast to previous work in single view reconstruction, our technique enables high quality reconstructions of free-form curved surfaces with arbitrary reflectance properties. A key feature of the approach is a novel hierarchical transformation technique for accelerating convergence on a non-uniform, piecewise continuous grid. The technique is interactive and updates the model in real time as constraints are added, allowing fast reconstruction of photorealistic scene models. The approach is shown to yield high quality results on a large variety of images. Estimating surface normals from just a single image is challenging. To simplify the problem, previous work focused on special cases, including directional lighting, known reflectance maps, etc., making shape from shading impractical outside the lab. To cope with more realistic settings, shading cues need to be combined and generalized to natural illumination. This significantly increases the complexity of the approach, as well as the number of parameters that require tuning. Enabled by a new large-scale dataset for training and analysis, we address this with a discriminative learning approach to shape from shading, which uses regression forests for efficient pixel-independent prediction and fast learning. Von Mises-Fisher distributions in the leaves of each tree enable the estimation of surface normals. To account for their expected spatial regularity, we introduce spatial features, including texton and silhouette features. The proposed silhouette features are computed from the occluding contours of the surface and provide scale-invariant context. Aside from computational efficiency, they enable good generalization to unseen data and importantly allow for a robust estimation of the reflectance map, extending our approach to the uncalibrated setting. Experiments show that our discriminative approach outperforms state-of-the-art methods on synthetic and real-world datasets. Human faces are remarkably similar in global properties, including size, aspect ratio, and location of main features, but can vary considerably in details across individuals, gender, race, or due to facial expression. We propose a novel method for 3D shape recovery of faces that exploits the similarity of faces. Our method obtains as input a single image and uses a mere single 3D reference model of a different person's face. Classical reconstruction methods from single images, i.e., shape-from-shading, require knowledge of the reflectance properties and lighting as well as depth values for boundary conditions. Recent methods circumvent these requirements by representing input faces as combinations (of hundreds) of stored 3D models. We propose instead to use the input image as a guide to "mold” a single reference model to reach a reconstruction of the sought 3D shape. Our method assumes Lambertian reflectance and uses harmonic representations of lighting. It has been tested on images taken under controlled viewing conditions as well as on uncontrolled images downloaded from the Internet, demonstrating its accuracy and robustness under a variety of imaging conditions and overcoming significant differences in shape between the input and reference individuals including differences in facial expressions, gender, and race. This paper introduces a novel method for feature-based 3D reconstruction using multiple calibrated 2D views. We use a probabilistic formulation of the problem in the 3D, reconstructed space that allows using features that cannot be matched one-to-one, or which cannot be precisely located, such as points along edges. The reconstructed scene, modelled as a probability distribution in the 3D space, is defined as the intersection of all reconstructions compatible with each available view. We introduce a method based on importance sampling to retrieve individual samples from that distribution, as well as an iterative method to identify contiguous regions of high density. This allows the reconstruction of continuous 3D curves compatible with all the given input views, without establishing specific correspondences and without relying on connectivity in the input images, while accounting for uncertainty in the input observations, due e.g. to noisy images and poorly calibrated cameras. The technical formulation is attractive in its flexibility and genericity. The implemented system, evaluated on several very different publicly-available datasets, shows results competitive with existing methods, effectively dealing with arbitrary numbers of views, wide baselines and imprecise camera calibrations. In this paper, we propose a non-local structured prior for volumetric multi-view 3D reconstruction. Towards this goal, we present a novel Markov random field model based on ray potentials in which assumptions about large 3D surface patches such as planarity or Manhattan world constraints can be efficiently encoded as probabilistic priors. We further derive an inference algorithm that reasons jointly about voxels, pixels and image segments, and estimates marginal distributions of appearance, occupancy, depth, normals and planarity. Key to tractable inference is a novel hybrid representation that spans both voxel and pixel space and that integrates non-local information from 2D image segmentations in a principled way. We compare our non-local prior to commonly employed local smoothness assumptions and a variety of state-of-the-art volumetric reconstruction baselines on challenging outdoor scenes with textureless and reflective surfaces. Our experiments indicate that regularizing over larger distances has the potential to resolve ambiguities where local regularizers fail. This paper presents a new perspective for 3D scene understanding by reasoning object stability and safety using intuitive mechanics. Our approach utilizes a simple observation that, by human design, objects in static scenes should be stable in the gravity field and be safe with respect to various physical disturbances such as human activities. This assumption is applicable to all scene categories and poses useful constraints for the plausible interpretations (parses) in scene understanding. Given a 3D point cloud captured for a static scene by depth cameras, our method consists of three steps: (i) recovering solid 3D volumetric primitives from voxels; (ii) reasoning stability by grouping the unstable primitives to physically stable objects by optimizing the stability and the scene prior; and (iii) reasoning safety by evaluating the physical risks for objects under physical disturbances, such as human activity, wind or earthquakes. We adopt a novel intuitive physics model and represent the energy landscape of each primitive and object in the scene by a disconnectivity graph (DG). We construct a contact graph with nodes being 3D volumetric primitives and edges representing the supporting relations. Then we adopt a Swendson---Wang Cuts algorithm to partition the contact graph into groups, each of which is a stable object. In order to detect unsafe objects in a static scene, our method further infers hidden and situated causes (disturbances) in the scene, and then introduces intuitive physical mechanics to predict possible effects (e.g., falls) as consequences of the disturbances. In experiments, we demonstrate that the algorithm achieves a substantially better performance for (i) object segmentation, (ii) 3D volumetric recovery, and (iii) scene understanding with respect to other state-of-the-art methods. We also compare the safety prediction from the intuitive mechanics model with human judgement. This paper presents a novel method for 3D surface reconstruction that uses polarization and shading information from two views. The method relies on the polarization data acquired using a standard digital camera and a linear polarizer. Fresnel theory is used to process the raw images and to obtain initial estimates of surface normals, assuming that the reflection type is diffuse. Based on this idea, the paper presents two novel contributions to the problem of surface reconstruction. The first is a technique to enhance the surface normal estimates by incorporating shading information into the method. This is done using robust statistics to estimate how the measured pixel brightnesses depend on the surface orientation. This gives an estimate of the object material reflectance function, which is used to refine the estimates of the surface normals. The second contribution is to use the refined estimates to establish correspondence between two views of an object. To do this, surface patches are extracted from each view, which are then aligned by minimising an energy functional based on the surface normal estimates and local topographic properties. The optimum alignment parameters for different patch pairs are then used to establish stereo correspondence. This process results in an unambiguous field of surface normals, which can be integrated to recover the surface depth. Our technique is most suited to smooth nonmet allic surfaces. It complements existing stereo algorithms since it does not require salient surface features to obtain correspondences. An extensive set of experiments, yielding reconstructed objects and reflectance functions, are presented and compared to ground truth. This paper is about multi-view modeling of a rigid scene. We merge the traditional approaches of reconstructing image-extractable features and of modeling via user-provided geometry. We use features to obtain a first guess for structure and motion, fit geometric primitives, correct the structure so that reconstructed features lie exactly on geometric primitives and optimize both structure and motion in a bundle adjustment manner while enforcing the underlying constraints. We specialize this general scheme to the point features and the plane geometric primitives. The underlying geometric relationships are described by multi-coplanarity constraints. We propose a minimal parameterization of the structure enforcing these constraints and use it to devise the corresponding maximum likelihood estimator. The recovered primitives are then textured from the input images. The result is an accurate and photorealistic model. Experimental results using simulated data confirm that the accuracy of the model using the constrained methods is of clearly superior quality compared to that of traditional methods and that our approach performs better than existing ones, for various scene configurations. In addition, we observe that the method still performs better in a number of configurations when the observed surfaces are not exactly planar. We also validate our method using real images. The availability of commodity depth sensors such as Kinect has enabled development of methods which can densely reconstruct arbitrary scenes. While the results of these methods are accurate and visually appealing, they are quite often incomplete. This is either due to the fact that only part of the space was visible during the data capture process or due to the surfaces being occluded by other objects in the scene. In this paper, we address the problem of completing and refining such reconstructions. We propose a method for scene completion that can infer the layout of the complete room and the full extent of partially occluded objects. We propose a new probabilistic model, Contour Completion Random Fields, that allows us to complete the boundaries of occluded surfaces. We evaluate our method on synthetic and real world reconstructions of 3D scenes and show that it quantitatively and qualitatively outperforms standard methods. We created a large dataset of partial and complete reconstructions which we will make available to the community as a benchmark for the scene completion task. Finally, we demonstrate the practical utility of our algorithm via an augmented-reality application where objects interact with the completed reconstructions inferred by our method. Multi-view stereo methods reconstruct 3D geometry from images well for sufficiently textured scenes, but often fail to recover high-frequency surface detail, particularly for smoothly shaded surfaces. On the other hand, shape-from-shading methods can recover fine detail from shading variations. Unfortunately, it is non-trivial to apply shape-from-shading alone to multi-view data, and most shading-based estimation methods only succeed under very restricted or controlled illumination. We present a new algorithm that combines multi-view stereo and shading-based refinement for high-quality reconstruction of 3D geometry models from images taken under constant but otherwise arbitrary illumination. We have tested our algorithm on several scenes that were captured under several general and unknown lighting conditions, and we show that our final reconstructions rival laser range scans. The problem of automatically learning object models for recognition and pose estimation is addressed. In contrast to the traditional approach, the recognition problem is formulated as one of matching appearance rather than shape. The appearance of an object in a two-dimensional image depends on its shape, reflectance properties, pose in the scene, and the illumination conditions. While shape and reflectance are intrinsic properties and constant for a rigid object, pose and illumination vary from scene to scene. A compact representation of object appearance is proposed that is parametrized by pose and illumination. For each object of interest, a large set of images is obtained by automatically varying pose and illumination. This image set is compressed to obtain a low-dimensional subspace, called the eigenspace, in which the object is represented as a manifold. Given an unknown input image, the recognition system projects the image to eigenspace. The object is recognized based on the manifold it lies on. The exact position of the projection on the manifold determines the object's pose in the image. We present an approach to recover scenes deteriorated by reflections off a semireflecting medium (e.g., a glass window). The method, based on imaging through a polarizer at two or more orientations, separates the reflected and transmitted scenes and determines which is which. We analyze the polarization effects, taking into account internal reflections within the medium. The scene reconstruction requires the estimation of the orientation (inclination and tilt angles) of the transparent (invisible) surface. The inclination angle is estimated by seeking the value that leads to the minimal mutual information of the estimated scenes. The limitations and the consequences of noise and angle error are discussed, including a fundamental ambiguity in the determination of the plane of incidence. Experimental results demonstrate the success of angle estimation and consequent scene separation and labeling. Strong lighting is common in natural scenes yet is often viewed as a nuisance for object pose estimation and tracking. In human shape and pose estimation, cast shadows can be confused with foreground structure while self shadowing and shading variation on the body cause the appearance of the person to change with pose. Rather than attempt to minimize the effects of lighting and shadows, we show that strong lighting in a scene actually makes pose and shape estimation more robust. Additionally, by recovering multiple body poses we are able to automatically estimate the lighting in the scene and the albedo of the body. Our approach makes use of a detailed 3D body model, the parameters of which are directly recovered from image data. We provide a thorough exploration of human pose estimation under strong lighting conditions and show: 1. the estimation of the light source from cast shadows; 2. the estimation of the light source and the albedo of the body from multiple body poses; 3. that a point light and cast shadows on the ground plane can be treated as an additional "shadow camera" that improves pose and shape recovery, particularly in monocular scenes. Additionally we introduce the notion of albedo constancy which employs lighting normalized image data for matching. Our experiments with multiple subjects show that rather than causing problems, strong lighting improves human pose and shape estimation. Shape from shading is a classical inverse problem in computer vision. This shape reconstruction problem is inherently ill-dened; it depends on the assumed light source direction. We introduce a novel mathematical formulation for calculating local surface shape based on covariant derivatives of the shading ow eld, rather than the customary integral minimization or P.D.E approaches. On smooth surfaces, we show second derivatives of brightness are independent of the light sources and can be directly related to surface properties. We use these measurements to dene the matching local family of surfaces that can result from any given shading patch, changing the emphasis to characterizing ambiguity in the problem. We give an example of how these local surface ambiguities collapse along certain image contours and how this can be used for the reconstruction problem.