Can we perform an end-to-end sound source separation (SSS) with a variable number of sources using a deep learning model? This paper presents an extension of the Wave-U-Net model which allows end-to-end monaural source separation with a non-fixed number of sources. Furthermore, we propose multiplicative conditioning with instrument labels at the bottleneck of the Wave-U-Net and show its effect on the separation results. This approach can be further extended to other types of conditioning such as audio-visual SSS and score-informed SSS.
Traditionally, people have attempted to solve audio source separation through matrix-factorization algorithms. Independent Component Analysis (ICA) @cite_16 and Non-negative Matrix Factorization (NMF) @cite_1 are two common techniques used for source separation.
@cite_16 @cite_1
1605774499 2167353662 2772172475 2117332620 1555814299 2145905122 2412956798 1604012244 2113526703 2021196544 1965586400 2407740810 2147437692 2113990625 2150415460 2168273590 1626927927 2170293972 2011677178 2106582496
Non-negative Matrix Factorisation (NMF) based algorithms have found application in monaural audio source separation due to their ability to factorize audio spectrogram into additive part-based basis functions, which typically corresponds to individual notes or chords in music. These separated basis functions are usually greater in number than the active sources, hence clustering is needed for individual source signal synthesis. Although, many attempts have been made to improve the clustering of the basis functions to sources, much research is still required in this area. Recently, Shifted NMF based methods have been proposed as a means to avoid clustering these pitched basis functions to sources. However, the Shifted NMF algorithm uses a log-frequency spectrogram with a xed number of frequency bins per octave which compromises the quality of separated sources.We show that by replacing the method used to calculate the log-frequency spectrogram with a recently proposed invertible Constant Q Transform (CQT), we can considerably improve the separation quality of the individual sound signals. Non-negative Matrix Factorization (NMF) has found use in single channel separation of audio signals, as it gives a parts-based decomposition of audio spectrograms where the parts typically correspond to individual notes or chords. However, a notable shortcoming of NMF is the need to cluster the basis functions to their sources after decomposition. Despite recent improvements in algorithms for clustering the basis functions to sources, much work still remains to further improve these algorithms. To this end we present a novel clustering algorithm which overcomes some of the limitations of previous clustering methods. This involves the use of Shifted Nonnegative Matrix Factorization (SNMF) as a means of clustering the frequency basis functions obtained from NMF. Results show that this gives improved clustering of pitched basis functions over previous methods. The objective of single-channel source separation is to accurately recover source signals from mixtures. Non-negative matrix factorization (NMF) is a popular approach for this task, yet previous NMF approaches have not optimized directly this objective, despite some efforts in this direction. Our paper introduces discriminative training of the NMF basis functions such that, given the coefficients obtained on a mixture, a desired source is optimally recovered. We approach this optimization by generalizing the model to have separate analysis and reconstruction basis functions. This generalization frees us to optimize reconstruction objectives that incorporate the filtering step and SNR performance criteria. A novel multiplicative update algorithm is presented for the optimization of the reconstruction basis functions according to the proposed discriminative objective functions. Results on the 2nd CHiME Speech Separation and Recognition Challenge task indicate significant gains in source-to-distortion ratio with respect to sparse NMF, exemplar-based NMF, as well as a previously proposed discriminative NMF criterion. We address the problem of blind audio source separation in the under-determined and convolutive case. The contribution of each source to the mixture channels in the time-frequency domain is modeled by a zero-mean Gaussian random vector with a full rank covariance matrix composed of two terms: a variance which represents the spectral properties of the source and which is modeled by a nonnegative matrix factorization (NMF) model and another full rank covariance matrix which encodes the spatial properties of the source contribution in the mixture. We address the estimation of these parameters by maximizing the likelihood of the mixture using an expectation-maximization (EM) algorithm. Theoretical propositions are corroborated by experimental studies on stereo reverberant music mixtures. Non-negative matrix factorization (NMF) has been widely used for challenging single-channel audio source separation tasks. However, inference in NMF-based models relies on iterative inference methods, typically formulated as multiplicative updates. We propose “deep NMF”, a novel non-negative deep network architecture which results from unfolding the NMF iterations and untying its parameters. This architecture can be discriminatively trained for optimal separation performance. To optimize its non-negative parameters, we show how a new form of back-propagation, based on multiplicative updates, can be used to preserve non-negativity, without the need for constrained optimization. We show on a challenging speech separation task that deep NMF improves in terms of accuracy upon NMF and is competitive with conventional sigmoid deep neural networks, while requiring a tenth of the number of parameters. Source separation of musical signals is an appealing but difficult problem, especially in the single-channel case. In this paper, an unsupervised single-channel music source separation algorithm based on average harmonic structure modeling is proposed. Under the assumption of playing in narrow pitch ranges, different harmonic instrumental sources in a piece of music often have different but stable harmonic structures; thus, sources can be characterized uniquely by harmonic structure models. Given the number of instrumental sources, the proposed algorithm learns these models directly from the mixed signal by clustering the harmonic structures extracted from different frames. The corresponding sources are then extracted from the mixed signal using the models. Experiments on several mixed signals, including synthesized instrumental sources, real instrumental sources, and singing voices, show that this algorithm outperforms the general nonnegative matrix factorization (NMF)-based source separation algorithm, and yields good subjective listening quality. As a side effect, this algorithm estimates the pitches of the harmonic instrumental sources. The number of concurrent sounds in each frame is also computed, which is a difficult task for general multipitch estimation (MPE) algorithms. This paper addresses the determined blind source separation problem and proposes a new effective method unifying independent vector analysis (IVA) and nonnegative matrix factorization (NMF). IVA is a state-of-the-art technique that utilizes the statistical independence between sources in a mixture signal, and an efficient optimization scheme has been proposed for IVA. However, since the source model in IVA is based on a spherical multivariate distribution, IVA cannot utilize specific spectral structures such as the harmonic structures of pitched instrumental sounds. To solve this problem, we introduce NMF decomposition as the source model in IVA to capture the spectral structures. The formulation of the proposed method is derived from conventional multichannel NMF (MNMF), which reveals the relationship between MNMF and IVA. The proposed method can be optimized by the update rules of IVA and single-channel NMF. Experimental results show the efficacy of the proposed method compared with IVA and MNMF in terms of separation accuracy and convergence speed. Source separation techniques like independent component analysis and the more recent non-negative matrix factorization are gaining widespread use for the monaural separation of individual tracks present in a music sample. The underlying principle behind these approaches characterises only stationary signals and fails to separate nonstationary sources like speech or vocals. In this paper, we make an attempt to solve this problem and propose solutions to the extraction of vocal tracks from polyphonic audio recordings. We also present techniques to identify vocal sections in a music sample and design a classifier to perform a vocal–nonvocal segmentation task. Finally, we describe an application wherein we try to extract the melody from the separated vocal track using existing monophonic transcription techniques. The experimental work leads us to the conclusion that the quality of vocal source separation, albeit satisfactory, is not sufficient enough for further F0 analysis to extract the melody line from the vocal track. We identify areas that need further investigation to improve the quality of vocal source separation. Recent research in machine learning has focused on breaking audio spectrograms into separate sources of sound using latent variable decompositions. These methods require that the number of sources be specified in advance, which is not always possible. To address this problem, we develop Gamma Process Nonnegative Matrix Factorization (GaP-NMF), a Bayesian nonparametric approach to decomposing spectrograms. The assumptions behind GaP-NMF are based on research in signal processing regarding the expected distributions of spectrogram data, and GaP-NMF automatically discovers the number of latent sources. We derive a mean-field variational inference algorithm and evaluate GaP-NMF on both synthetic data and recorded music. This paper addresses the problem of sound source separation from a multichannel microphone array capture via estimation of source spatial covariance matrix (SCM) of a short-time Fourier transformed mixture signal. In many conventional audio separation algorithms the source mixing parameter estimation is done separately for each frequency thus making them prone to errors and leading to suboptimal source estimates. In this paper we propose a SCM model which consists of a weighted sum of direction of arrival (DoA) kernels and estimate only the weights dependent on the source directions. In the proposed algorithm, the spatial properties of the sources become jointly optimized over all frequencies, leading to more coherent source estimates and mitigating the effect of spatial aliasing at high frequencies. The proposed SCM model is combined with a linear model for magnitudes and the parameter estimation is formulated in a complex-valued non-negative matrix factorization (CNMF) framework. Simulations consist of recordings done with a hand-held device sized array having multiple microphones embedded inside the device casing. Separation quality of the proposed algorithm is shown to exceed the performance of existing state of the art separation methods with two sources when evaluated by objective separation quality metrics. An algorithm for Non-negative Tensor Factorisation is introduced which extends current matrix factorisation techniques to deal with tensors. The effectiveness of the algorithm is then demonstrated through tests on synthetic data. The algorithm is then employed as a means of performing sound source separation on two channel mixtures, and the separation capabilities of the algorithm demonstrated on a two channel mixture containing saxophone, strings and bass guitar. Keywords - Non-negative tensor factorisation, sound source separation. Nonnegative matrix factorization (NMF) has been widely used for discovering physically meaningful latent components in audio signals to facilitate source separation. Most of the existing NMF algorithms require that the number of latent components is provided a priori, which is not always possible. In this paper, we leverage developments from the Bayesian nonparametrics and compressive sensing literature to propose a probabilistic Beta Process Sparse NMF (BP-NMF) model, which can automatically infer the proper number of latent components based on the data. Unlike previous models, BP-NMF explicitly assumes that these latent components are often completely silent. We derive a novel mean-field variational inference algorithm for this nonconjugate model and evaluate it on both synthetic data and real recordings on various tasks. In this paper, we propose a semi-supervised algorithm based on sparse non-negative matrix factorization (NMF) to improve separation of speech from background music in monaural signals. In our approach, fixed speech basis vectors are obtained from training data whereas music bases are estimated on-the-fly to cope with spectral variability while preserving small NMF dimensionality for decreased computation effort. In a large-scale experimental evaluation with 168 speakers from the TIMIT database, we compare the semi-supervised method to supervised NMF with an explicit background music model. Our results reveal that the semi-supervised method outperforms supervised NMF at low speech-to-music ratios, and that sparsity constraints on the music spectra to enforce harmonicity can improve separation performance. We consider inference in a general data-driven object-based model of multichannel audio data, assumed generated as a possibly underdetermined convolutive mixture of source signals. We work in the short-time Fourier transform (STFT) domain, where convolution is routinely approximated as linear instantaneous mixing in each frequency band. Each source STFT is given a model inspired from nonnegative matrix factorization (NMF) with the Itakura-Saito divergence, which underlies a statistical model of superimposed Gaussian components. We address estimation of the mixing and source parameters using two methods. The first one consists of maximizing the exact joint likelihood of the multichannel data using an expectation-maximization (EM) algorithm. The second method consists of maximizing the sum of individual likelihoods of all channels using a multiplicative update algorithm inspired from NMF methodology. Our decomposition algorithms are applied to stereo audio source separation in various settings, covering blind and supervised separation, music and speech sources, synthetic instantaneous and convolutive mixtures, as well as professionally produced music recordings. Our EM method produces competitive results with respect to state-of-the-art as illustrated on two tasks from the international Signal Separation Evaluation Campaign (SiSEC 2008). An unsupervised learning algorithm for the separation of sound sources in one-channel music signals is presented. The algorithm is based on factorizing the magnitude spectrogram of an input signal into a sum of components, each of which has a fixed magnitude spectrum and a time-varying gain. Each sound source, in turn, is modeled as a sum of one or more components. The parameters of the components are estimated by minimizing the reconstruction error between the input spectrogram and the model, while restricting the component spectrograms to be nonnegative and favoring components whose gains are slowly varying and sparse. Temporal continuity is favored by using a cost term which is the sum of squared differences between the gains in adjacent frames, and sparseness is favored by penalizing nonzero gains. The proposed iterative estimation algorithm is initialized with random values, and the gains and the spectra are then alternatively updated using multiplicative update rules until the values converge. Simulation experiments were carried out using generated mixtures of pitched musical instrument samples and drum sounds. The performance of the proposed method was compared with independent subspace analysis and basic nonnegative matrix factorization, which are based on the same linear model. According to these simulations, the proposed method enables a better separation quality than the previous algorithms. Especially, the temporal continuity criterion improved the detection of pitched musical sounds. The sparseness criterion did not produce significant improvements This paper presents new formulations and algorithms for multichannel extensions of non-negative matrix factorization (NMF). The formulations employ Hermitian positive semidefinite matrices to represent a multichannel version of non-negative elements. Multichannel Euclidean distance and multichannel Itakura-Saito (IS) divergence are defined based on appropriate statistical models utilizing multivariate complex Gaussian distributions. To minimize this distance divergence, efficient optimization algorithms in the form of multiplicative updates are derived by using properly designed auxiliary functions. Two methods are proposed for clustering NMF bases according to the estimated spatial property. Convolutive blind source separation (BSS) is performed by the multichannel extensions of NMF with the clustering mechanism. Experimental results show that 1) the derived multiplicative update rules exhibited good convergence behavior, and 2) BSS tasks for several music sources with two microphones and three instrumental parts were evaluated successfully. A shifted non-negative matrix factorisation algorithm is derived, which offers advantages over previous matrix factorisation techniques for the purposes of single channel source separation. It represents a sound source as translations of a single frequency basis function. These translations approximately correspond to notes played by an instrument. Results are presented for a set of synthetic data, and on a single channel recording of piano and clarinet. Though the system is aimed at musical recordings, the technique can be applied to any data which contains shifted versions of an underlying factor, and so the algorithm could possibly be used in other applications such as image processing Non-negative matrix factorization (NMF), i.e. V ap WH where both V, W and H are non-negative has become a widely used blind source separation technique due to its part based representation. The NMF decomposition is not in general unique and a part based representation not guaranteed. However, imposing sparseness both improves the uniqueness of the decomposition and favors part based representation. Sparseness in the form of attaining as many zero elements in the solution as possible is appealing from a conceptional point of view and corresponds to minimizing reconstruction error with an L0 norm constraint. In general, solving for a given L0 norm is an NP hard problem thus convex relaxation to regularization by the L1 norm is often considered, i.e., minimizing (1 2||V - WH||F 2 + lambda||H||1).An open problem is to control the degree of sparsity lambda imposed. We here demonstrate that a full regularization path for the L1 norm regularized least squares NMF for fixed W can be calculated at the cost of an ordinary least squares solution based on a modification of the least angle regression and selection (LARS) algorithm forming a non-negativity constrained LARS (NLARS). With the full regularization path, the L1 regularization strength lambda that best approximates a given L0 can be directly accessed and in effect used to control the sparsity of H. The MATLAB code for the NLARS algorithm is available for download. A time domain blind source separation algorithm of convolutive sound mixtures is studied based on a compact partial inversion formula in closed form. An l1-constrained minimization problem is formulated to find demixing filter coefficients for source separation while capturing scaling invariance and sparseness of solutions. The minimization aims to reduce (lagged) cross correlations of the mixture signals which are modeled stochastically. The problem is non-convex, however it is put in a nonlinear least square form where the robust and convergent Levenberg-Marquardt iterative method is applicable to compute local minimizers. Efficiency is achieved in recovering lower dimensional demixing filter solutions than the physical ones. Computations on recorded and synthetic mixtures show satisfactory performance, and are compared with other iterative methods. In this paper we present an extension to the Non-Negative Matrix Factorization algorithm which is capable of identifying components with temporal structure. We demonstrate the use of this algorithm in the magnitude spectrum domain, where we employ it to perform extraction of multiple sound objects from a single channel auditory scene.