Recovering the latent photorealistic faces from their artistic portraits aids human perception and facial analysis. However, recovering photorealistic faces from stylized portraits while preserving identity is challenging because the fine details of real faces can be distorted or lost in stylized images. In this paper, we present a new Identity-preserving Face Recovery from Portraits (IFRP) method to recover latent photorealistic faces from unaligned stylized portraits. Our IFRP method consists of two components: Style Removal Network (SRN) and Discriminative Network (DN). The SRN is designed to transfer feature maps of stylized images to the feature maps of the corresponding photorealistic faces. By embedding spatial transformer networks into the SRN, our method can compensate for misalignments of stylized faces automatically and output aligned realistic face images. The DN is used to enforce recovered face images to be similar to authentic faces. To ensure the identity preservation, we promote the recovered and ground-truth faces to share similar visual features via a distance measure which compares features of recovered and ground-truth faces extracted from a pre-trained VGG network. Our approach is evaluated on a large-scale synthesized dataset of real and stylized face pairs and outperforms the state-of-the-art methods. In addition, we demonstrate that our method can also recover photorealistic faces from unseen stylized portraits (unavailable in training) as well as original paintings.
Style transfer is a technique which can render a given content image (input) by incorporating a specific painting style while preserving the contents of input. We distinguish and style transfer methods. The seminal optimization-based work @cite_34 transfers the style of an artistic image to a given photograph. It uses an iterative optimization to generate a target image which is randomly initialized (Gaussian distribution). During the optimization step, the statistics of the neural activations of the target, the content and style images are matched. The idea @cite_34 inspired many follow-up studies. Yin @cite_9 presents a content-aware style transfer method which initializes the optimization algorithm with a content image instead of a random noise. Li and Wand @cite_11 propose a patch-based style transfer method by combining Markov Random Field (MRF) and CNN techniques. The work @cite_48 proposes to transfer the style by using linear models. It preserves colors of content images by matching color histograms.
@cite_48 @cite_9 @cite_34 @cite_11
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Style transfer is a process of migrating a style from a given image to the content of another, synthesizing a new image, which is an artistic mixture of the two. Recent work on this problem adopting convolutional neural-networks (CNN) ignited a renewed interest in this field, due to the very impressive results obtained. There exists an alternative path toward handling the style transfer task, via the generalization of texture synthesis algorithms. This approach has been proposed over the years, but its results are typically less impressive compared with the CNN ones. In this paper, we propose a novel style transfer algorithm that extends the texture synthesis work of (2005), while aiming to get stylized images that are closer in quality to the CNN ones. We modify Kwatra’s algorithm in several key ways in order to achieve the desired transfer, with emphasis on a consistent way for keeping the content intact in selected regions, while producing hallucinated and rich style in others. The results obtained are visually pleasing and diverse, shown to be competitive with the recent CNN style transfer algorithms. The proposed algorithm is fast and flexible, being able to process any pair of content + style images. Artistic style transfer is an image synthesis problem where the content of an image is reproduced with the style of another. Recent works show that a visually appealing style transfer can be achieved by using the hidden activations of a pretrained convolutional neural network. However, existing methods either apply (i) an optimization procedure that works for any style image but is very expensive, or (ii) an efficient feedforward network that only allows a limited number of trained styles. In this work we propose a simpler optimization objective based on local matching that combines the content structure and style textures in a single layer of the pretrained network. We show that our objective has desirable properties such as a simpler optimization landscape, intuitive parameter tuning, and consistent frame-by-frame performance on video. Furthermore, we use 80,000 natural images and 80,000 paintings to train an inverse network that approximates the result of the optimization. This results in a procedure for artistic style transfer that is efficient but also allows arbitrary content and style images. Universal style transfer aims to transfer arbitrary visual styles to content images. Existing feed-forward based methods, while enjoying the inference efficiency, are mainly limited by inability of generalizing to unseen styles or compromised visual quality. In this paper, we present a simple yet effective method that tackles these limitations without training on any pre-defined styles. The key ingredient of our method is a pair of feature transforms, whitening and coloring, that are embedded to an image reconstruction network. The whitening and coloring transforms reflect direct matching of feature covariance of the content image to a given style image, which shares similar spirits with the optimization of Gram matrix based cost in neural style transfer. We demonstrate the effectiveness of our algorithm by generating high-quality stylized images with comparisons to a number of recent methods. We also analyze our method by visualizing the whitened features and synthesizing textures by simple feature coloring. Artistic style transfer is the problem of synthesizing an image with content similar to a given image and style similar to another. Although recent feed-forward neural networks can generate stylized images in real-time, these models produce a single stylization given a pair of style content images, and the user doesn't have control over the synthesized output. Moreover, the style transfer depends on the hyper-parameters of the model with varying "optimum" for different input images. Therefore, if the stylized output is not appealing to the user, she he has to try multiple models or retrain one with different hyper-parameters to get a favorite stylization. In this paper, we address these issues by proposing a novel method which allows adjustment of crucial hyper-parameters, after the training and in real-time, through a set of manually adjustable parameters. These parameters enable the user to modify the synthesized outputs from the same pair of style content images, in search of a favorite stylized image. Our quantitative and qualitative experiments indicate how adjusting these parameters is comparable to retraining the model with different hyper-parameters. We also demonstrate how these parameters can be randomized to generate results which are diverse but still very similar in style and content. Style transfer usually refers to the task of applying color and texture information from a specific style image to a given content image while preserving the structure of the latter. Here we tackle the more generic problem of semantic style transfer: given two unpaired collections of images, we aim to learn a mapping between the corpus-level style of each collection, while preserving semantic content shared across the two domains. We introduce XGAN ("Cross-GAN"), a dual adversarial autoencoder, which captures a shared representation of the common domain semantic content in an unsupervised way, while jointly learning the domain-to-domain image translations in both directions. We exploit ideas from the domain adaptation literature and define a semantic consistency loss which encourages the model to preserve semantics in the learned embedding space. We report promising qualitative results for the task of face-to-cartoon translation. The cartoon dataset we collected for this purpose will also be released as a new benchmark for semantic style transfer. Given a random pair of images, an arbitrary style transfer method extracts the feel from the reference image to synthesize an output based on the look of the other content image. Recent arbitrary style transfer methods transfer second order statistics from reference image onto content image via a multiplication between content image features and a transformation matrix, which is computed from features with a pre-determined algorithm. These algorithms either require computationally expensive operations, or fail to model the feature covariance and produce artifacts in synthesized images. Generalized from these methods, in this work, we derive the form of transformation matrix theoretically and present an arbitrary style transfer approach that learns the transformation matrix with a feed-forward network. Our algorithm is highly efficient yet allows a flexible combination of multi-level styles while preserving content affinity during style transfer process. We demonstrate the effectiveness of our approach on four tasks: artistic style transfer, video and photo-realistic style transfer as well as domain adaptation, including comparisons with the state-of-the-art methods. This paper introduces a deep-learning approach to photographic style transfer that handles a large variety of image content while faithfully transferring the reference style. Our approach builds upon the recent work on painterly transfer that separates style from the content of an image by considering different layers of a neural network. However, as is, this approach is not suitable for photorealistic style transfer. Even when both the input and reference images are photographs, the output still exhibits distortions reminiscent of a painting. Our contribution is to constrain the transformation from the input to the output to be locally affine in colorspace, and to express this constraint as a custom fully differentiable energy term. We show that this approach successfully suppresses distortion and yields satisfying photorealistic style transfers in a broad variety of scenarios, including transfer of the time of day, weather, season, and artistic edits. This paper introduces a deep-learning approach to photographic style transfer that handles a large variety of image content while faithfully transferring the reference style. Our approach builds upon the recent work on painterly transfer that separates style from the content of an image by considering different layers of a neural network. However, as is, this approach is not suitable for photorealistic style transfer. Even when both the input and reference images are photographs, the output still exhibits distortions reminiscent of a painting. Our contribution is to constrain the transformation from the input to the output to be locally affine in colorspace, and to express this constraint as a custom fully differentiable energy term. We show that this approach successfully suppresses distortion and yields satisfying photorealistic style transfers in a broad variety of scenarios, including transfer of the time of day, weather, season, and artistic edits. We propose a new technique for visual attribute transfer across images that may have very different appearance but have perceptually similar semantic structure. By visual attribute transfer, we mean transfer of visual information (such as color, tone, texture, and style) from one image to another. For example, one image could be that of a painting or a sketch while the other is a photo of a real scene, and both depict the same type of scene. Our technique finds semantically-meaningful dense correspondences between two input images. To accomplish this, it adapts the notion of "image analogy" with features extracted from a Deep Convolutional Neutral Network for matching; we call our technique Deep Image Analogy. A coarse-to-fine strategy is used to compute the nearest-neighbor field for generating the results. We validate the effectiveness of our proposed method in a variety of cases, including style texture transfer, color style swap, sketch painting to photo, and time lapse. This paper presents a novel unsupervised method to transfer the style of an example image to a source image. The complex notion of image style is here considered as a local texture transfer, eventually coupled with a global color transfer. For the local texture transfer, we propose a new method based on an adaptive patch partition that captures the style of the example image and preserves the structure of the source image. More precisely, this example-based partition predicts how well a source patch matches an example patch. Results on various images show that our method outperforms the most recent techniques. In this paper, we present a method which combines the flexibility of the neural algorithm of artistic style with the speed of fast style transfer networks to allow real-time stylization using any content style image pair. We build upon recent work leveraging conditional instance normalization for multi-style transfer networks by learning to predict the conditional instance normalization parameters directly from a style image. The model is successfully trained on a corpus of roughly 80,000 paintings and is able to generalize to paintings previously unobserved. We demonstrate that the learned embedding space is smooth and contains a rich structure and organizes semantic information associated with paintings in an entirely unsupervised manner. Despite the rapid progress in style transfer, existing approaches using feed-forward generative network for multi-style or arbitrary-style transfer are usually compromised of image quality and model flexibility. We find it is fundamentally difficult to achieve comprehensive style modeling using 1-dimensional style embedding. Motivated by this, we introduce CoMatch Layer that learns to match the second order feature statistics with the target styles. With the CoMatch Layer, we build a Multi-style Generative Network (MSG-Net), which achieves real-time performance. We also employ an specific strategy of upsampled convolution which avoids checkerboard artifacts caused by fractionally-strided convolution. Our method has achieved superior image quality comparing to state-of-the-art approaches. The proposed MSG-Net as a general approach for real-time style transfer is compatible with most existing techniques including content-style interpolation, color-preserving, spatial control and brush stroke size control. MSG-Net is the first to achieve real-time brush-size control in a purely feed-forward manner for style transfer. Our implementations and pre-trained models for Torch, PyTorch and MXNet frameworks will be publicly available. We propose a new technique for visual attribute transfer across images that may have very different appearance but have perceptually similar semantic structure. By visual attribute transfer, we mean transfer of visual information (such as color, tone, texture, and style) from one image to another. For example, one image could be that of a painting or a sketch while the other is a photo of a real scene, and both depict the same type of scene. Our technique finds semantically-meaningful dense correspondences between two input images. To accomplish this, it adapts the notion of "image analogy" [ 2001] with features extracted from a Deep Convolutional Neutral Network for matching; we call our technique deep image analogy. A coarse-to-fine strategy is used to compute the nearest-neighbor field for generating the results. We validate the effectiveness of our proposed method in a variety of cases, including style texture transfer, color style swap, sketch painting to photo, and time lapse. “Style transfer” among images has recently emerged as a very active research topic, fuelled by the power of convolution neural networks (CNNs), and has become fast a very popular technology in social media. This paper investigates the analogous problem in the audio domain: How to transfer the style of a reference audio signal to a target audio content? We propose a flexible framework for the task, which uses a sound texture model to extract statistics characterizing the reference audio style, followed by an optimization-based audio texture synthesis to modify the target content. In contrast to mainstream optimization-based visual transfer method, the proposed process is initialized by the target content instead of random noise and the optimized loss is only about texture, not structure. These differences proved key for audio style transfer in our experiments. In order to extract features of interest, we investigate different architectures, whether pre-trained on other tasks, as done in image style transfer, or engineered based on the human auditory system. Experimental results on different types of audio signal confirm the potential of the proposed approach. We introduce a new technique that automatically generates diverse, visually compelling stylizations for a photograph in an unsupervised manner. We achieve this by learning style ranking for a given input using a large photo collection and selecting a diverse subset of matching styles for final style transfer. We also propose a novel technique that transfers the global color and tone of the chosen exemplars to the input photograph while avoiding the common visual artifacts produced by the existing style transfer methods. Together, our style selection and transfer techniques produce compelling, artifact-free results on a wide range of input photographs, and a user study shows that our results are preferred over other techniques. Neural style transfer has drawn broad attention in recent years. However, most existing methods aim to explicitly model the transformation between different styles, and the learned model is thus not generalizable to new styles. We here attempt to separate the representations for styles and contents, and propose a generalized style transfer network consisting of style encoder, content encoder, mixer and decoder. The style encoder and content encoder are used to extract the style and content factors from the style reference images and content reference images, respectively. The mixer employs a bilinear model to integrate the above two factors and finally feeds it into a decoder to generate images with target style and content. To separate the style features and content features, we leverage the conditional dependence of styles and contents given an image. During training, the encoder network learns to extract styles and contents from two sets of reference images in limited size, one with shared style and the other with shared content. This learning framework allows simultaneous style transfer among multiple styles and can be deemed as a special 'multi-task' learning scenario. The encoders are expected to capture the underlying features for different styles and contents which is generalizable to new styles and contents. For validation, we applied the proposed algorithm to the Chinese Typeface transfer problem. Extensive experiment results on character generation have demonstrated the effectiveness and robustness of our method. Neural style transfer has drawn broad attention in recent years. However, most existing methods aim to explicitly model the transformation between different styles, and the learned model is thus not generalizable to new styles. We here attempt to separate the representations for styles and contents, and propose a generalized style transfer network consisting of style encoder, content encoder, mixer and decoder. The style encoder and content encoder are used to extract the style and content factors from the style reference images and content reference images, respectively. The mixer employs a bilinear model to integrate the above two factors and finally feeds it into a decoder to generate images with target style and content. To separate the style features and content features, we leverage the conditional dependence of styles and contents given an image. During training, the encoder network learns to extract styles and contents from two sets of reference images in limited size, one with shared style and the other with shared content. This learning framework allows simultaneous style transfer among multiple styles and can be deemed as a special multi-task' learning scenario. The encoders are expected to capture the underlying features for different styles and contents which is generalizable to new styles and contents. For validation, we applied the proposed algorithm to the Chinese Typeface transfer problem. Extensive experiment results on character generation have demonstrated the effectiveness and robustness of our method. Example-based stylization provides an easy way of making artistic effects for images and videos. However, most existing methods do not consider the content and style separately. In this paper, we propose a style transfer algorithm via a novel component analysis approach, based on various image processing techniques. First, inspired by the steps of drawing a picture, an image is decomposed into three components: draft, paint and edge, which describe the content, main style, and strengthened strokes along the boundaries. Then the style is transferred from the template image to the source image in the paint and edge components. Style transfer is formulated as a global optimization problem by using Markov random fields, and a coarse-to-fine belief propagation algorithm is used to solve the optimization problem. To combine the draft component and the obtained style information, the final artistic result can be achieved via a reconstruction step. Compared to other algorithms, our method not only synthesizes the style, but also preserves the image content well. We also extend our algorithm from single image stylization to video personalization, by maintaining the temporal coherence and identifying faces in video sequences. The results indicate that our approach performs excellently in stylization and personalization for images and videos. Neural style transfer has recently received significant attention and demonstrated amazing results. An efficient solution proposed by trains feed-forward convolutional neural networks by defining and optimizing perceptual loss functions. Such methods are typically based on high-level features extracted from pre-trained neural networks, where the loss functions contain two components: style loss and content loss. However, such pre-trained networks are originally designed for object recognition, and hence the high-level features often focus on the primary target and neglect other details. As a result, when input images contain multiple objects potentially at different depths, the resulting images are often unsatisfactory because image layout is destroyed and the boundary between the foreground and background as well as different objects becomes obscured. We observe that the depth map effectively reflects the spatial distribution in an image and preserving the depth map of the content image after stylization helps produce an image that preserves its semantic content. In this paper, we introduce a novel approach for neural style transfer that integrates depth preservation as additional loss, preserving overall image layout while performing style transfer. Recently, style transfer has received a lot of attention. While much of this research has aimed at speeding up processing, the approaches are still lacking from a principled, art historical standpoint: a style is more than just a single image or an artist, but previous work is limited to only a single instance of a style or shows no benefit from more images. Moreover, previous work has relied on a direct comparison of art in the domain of RGB images or on CNNs pre-trained on ImageNet, which requires millions of labeled object bounding boxes and can introduce an extra bias, since it has been assembled without artistic consideration. To circumvent these issues, we propose a style-aware content loss, which is trained jointly with a deep encoder-decoder network for real-time, high-resolution stylization of images and videos. We propose a quantitative measure for evaluating the quality of a stylized image and also have art historians rank patches from our approach against those from previous work. These and our qualitative results ranging from small image patches to megapixel stylistic images and videos show that our approach better captures the subtle nature in which a style affects content.