Many telepresence robots are equipped with a forward-facing camera for video communication and a downward-facing camera for navigation. In this paper, we propose to stitch videos from the FF-camera with a wide-angle lens and the DF-camera with a fisheye lens for telepresence robots. We aim at providing more compact and efficient visual feedback for the user interface of telepresence robots with user-friendly interactive experiences. To this end, we present a multi-homography-based video stitching method which stitches videos from a wide-angle camera and a fisheye camera. The method consists of video image alignment, seam cutting, and image blending. We directly align the wide-angle video image and the fisheye video image based on the multi-homography alignment without calibration, distortion correction, and unwarping procedures. Thus, we can obtain a stitched video with shape preservation in the non-overlapping regions and alignment in the overlapping area for telepresence. To alleviate ghosting effects caused by moving objects and or moving cameras during telepresence robot driving, an optimal seam is found for aligned video composition, and the optimal seam will be updated in subsequent frames, considering spatial and temporal coherence. The final stitched video is created by image blending based on the optimal seam. We conducted a user study to demonstrate the effectiveness of our method and the superiority of telepresence robots with a stitched video as visual feedback.
There are several commercial video stitching softwares, such as VideoStitch Studio https: www.orah.co software videostitch-studio and AutoPano http: www.kolor.com autopano . These softwares usually compute a 2D transformation relating two cameras, and then bring all pairs of video images into alignment for the post-production of stitched videos. To improve the quality of the stitched video, @cite_6 found double-seam to eliminate intensity misalignment, and similar work has been presented for designing a content-aware adaptive blending @cite_49 . Some works were presented to obtain better alignment results. Lee and Sim @cite_15 stitched videos by projecting the background plane and the foreground objects separately, while Jiang and Gu @cite_54 stitched videos using spatial-temporal content-preserving warps. For videos captured by handheld cameras, @cite_4 @cite_51 and @cite_19 combined the stitching and stabilization techniques together into a unified optimization framework for video stitching, whereas @cite_44 stitched videos by reconstructing the 3D scene using the recovered 3D camera paths and the 3D scene points. These methods stitched videos in an iterative manner with low computational efficiency.
@cite_4 @cite_54 @cite_6 @cite_44 @cite_19 @cite_49 @cite_15 @cite_51
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In this paper, we extend image stitching to video stitching for videos that are captured for the same scene simultaneously by multiple moving cameras. In practice, videos captured under this circumstance often appear shaky. Directly applying image stitching methods for shaking videos often suffers from strong spatial and temporal artifacts. To solve this problem, we propose a unified framework in which video stitching and stabilization are performed jointly. Specifically, our system takes several overlapping videos as inputs. We estimate both inter motions (between different videos) and intra motions (between neighboring frames within a video). Then, we solve an optimal virtual 2D camera path from all original paths. An enlarged field of view along the virtual path is finally obtained by a space-temporal optimization that takes both inter and intra motions into consideration. Two important components of this optimization are that: 1) a grid-based tracking method is designed for an improved robustness, which produces features that are distributed evenly within and across multiple views and 2) a mesh-based motion model is adopted for the handling of the scene parallax. Some experimental results are provided to demonstrate the effectiveness of our approach on various consumer-level videos and a Plugin, named “Video Stitcher” is developed at Adobe After Effects CC2015 to show the processed videos. Images videos captured by portable devices (e.g., cellphones, DV cameras) often have limited fields of view. Image stitching, also referred to as mosaics or panorama, can produce a wide angle image by compositing several photographs together. Although various methods have been developed for image stitching in recent years, few works address the video stitching problem. In this paper, we present the first system to stitch videos captured by hand-held cameras. We first recover the 3D camera paths and a sparse set of 3D scene points using CoSLAM system, and densely reconstruct the 3D scene in the overlapping regions. Then, we generate a smooth virtual camera path, which stays in the middle of the original paths. Finally, the stitched video is synthesized along the virtual path as if it was taken from this new trajectory. The warping required for the stitching is obtained by optimizing over both temporal stability and alignment quality, while leveraging on 3D information at our disposal. The experiments show that our method can produce high quality stitching results for various challenging scenarios. We describe an algorithm for generating panoramic video from unstructured camera arrays. Artifact-free panorama stitching is impeded by parallax between input views. Common strategies such as multi-level blending or minimum energy seams produce seamless results on quasi-static input. However, on video input these approaches introduce noticeable visual artifacts due to lack of global temporal and spatial coherence. In this paper we extend the basic concept of local warping for parallax removal. Firstly, we introduce an error measure with increased sensitivity to stitching artifacts in regions with pronounced structure. Using this measure, our method efficiently finds an optimal ordering of pair-wise warps for robust stitching with minimal parallax artifacts. Weighted extrapolation of warps in non-overlap regions ensures temporal stability, while at the same time avoiding visual discontinuities around transitions between views. Remaining global deformation introduced by the warps is spread over the entire panorama domain using constrained relaxation, while staying as close as possible to the original input views. In combination, these contributions form the first system for spatiotemporally stable panoramic video stitching from unstructured camera array input. Stitching videos captured by handheld devices is very useful, but also very challenging due to the heavy and independent shakiness in the videos. In this paper, we propose a hand-taken video stitching method which combines the techniques of video stitching and stabilization together into a unified optimization framework. In this way, our method can compute the most optimal stabilization and stitching results with respect to each other, which outperforms previous methods that take stabilization and stitching as separate operations. Our method is based on the framework of bundled camera paths [ 2013]. We present a novel unified camera paths optimization formulation which consists of two stabilization terms and one stitching term. We also present a corresponding iterative solver that finds best stitching and stabilization solutions numerically. We compare our method with previous methods, and the experiments demonstrate the effectiveness of our method. This paper presents a parallax-robust video stitching technique for timely synchronized surveillance video. An efficient two-stage video stitching procedure is proposed in this paper to build wide Field-of-View (FOV) videos for surveillance applications. In the stitching model calculation stage, we develop a layered warping algorithm to align the background scenes, which is location-dependent and turned out to be more robust to parallax than the traditional global projective warping methods. On the selective seam updating stage, we propose a change-detection based optimal seam selection approach to avert ghosting and artifacts caused by moving foregrounds. Experimental results demonstrate that our procedure can efficiently stitch multi-view videos into a wide FOV video output without ghosting and noticeable seams. In computer vision, video stitching is a very challenging problem. In this paper, we proposed an efficient and effective wide-view video stitching method based on fast structure deformation that is capable of simultaneously achieving quality stitching and computational efficiency. For a group of synchronized frames, firstly, an effective double-seam selection scheme is designed to search two distinct but structurally corresponding seams in the two original images. The seam location of the previous frame is further considered to preserve the interframe consistency. Secondly, along the double seams, 1-D feature detection and matching is performed to capture the structural relationship between the two adjacent views. Thirdly, after feature matching, we propose an efficient algorithm to linearly propagate the deformation vectors to eliminate structure misalignment. At last, image intensity misalignment is corrected by rapid gradient fusion based on the successive over relaxation iteration (SORI) solver. A principled solution to the initialization of the SORI significantly reduced the number of iterations required. We have compared favorably our method with seven state-of-the-art image and video stitching algorithms as well as traditional ones. Experimental results show that our method outperforms the existing ones compared in terms of overall stitching quality and computational efficiency. In this paper, a novel content-preserving video stitching method is proposed. Video stitching has to deal with moving objects in the overlapped area (OA) which often cause problems of structural misalignment or ghost effect. To this end, the proposed method first finds an optimal seam that does not pass through the moving objects, by using the extended dynamic programing (DP) technique based on the energy minimization. Then the content-aware adaptive blending is performed which effectively reduces the color discontinuity while restricting the ghost effect caused by moving objects in the OA. In addition, to reduce the computational complexity, a partial seam-update (PSU) scheme is proposed, in which the seam is re-calculated only for a part of the seam passing through the moving object. Experimental results demonstrate that the proposed method is superior to the conventional ones in terms of both subjective quality and computational complexity. In addition, this method achieves real-time performance on mobile platform, making it applicable to consumer electronic devices. This paper describes a method to construct seamless image mosaics of a panoramic scene containing two predominate planes: a distant back plane and a ground plane that sweeps out from the camera's location. While this type of panorama can be stitched when the camera is carefully rotated about its optical center, such ideal scene capture is hard to perform correctly. Existing techniques use a single homography per image to perform alignment followed by seam cutting or image blending to hide inevitable alignments artifacts. In this paper, we demonstrate how to use two homographies per image to produce a more seamless image. Specifically, our approach blends the homographies in the alignment procedure to perform a nonlinear warping. Once the images are geometrically stitched, they are further processed to blend seams and reduce curvilinear visual artifacts due to the nonlinear warping. As demonstrated in our paper, our procedure is able to produce results for this type of scene where current state-of-the-art techniques fail. The goal of image stitching is to create natural-looking mosaics free of artifacts that may occur due to relative camera motion, illumination changes, and optical aberrations. In this paper, we propose a novel stitching method, that uses a smooth stitching field over the entire target image, while accounting for all the local transformation variations. Computing the warp is fully automated and uses a combination of local homography and global similarity transformations, both of which are estimated with respect to the target. We mitigate the perspective distortion in the non-overlapping regions by linearizing the homography and slowly changing it to the global similarity. The proposed method is easily generalized to multiple images, and allows one to automatically obtain the best perspective in the panorama. It is also more robust to parameter selection, and hence more automated compared with state-of-the-art methods. The benefits of the proposed approach are demonstrated using a variety of challenging cases. This paper concerns the problem of fully automated panoramic image stitching. Though the 1D problem (single axis of rotation) is well studied, 2D or multi-row stitching is more difficult. Previous approaches have used human input or restrictions on the image sequence in order to establish matching images. In this work, we formulate stitching as a multi-image matching problem, and use invariant local features to find matches between all of the images. Because of this our method is insensitive to the ordering, orientation, scale and illumination of the input images. It is also insensitive to noise images that are not part of a panorama, and can recognise multiple panoramas in an unordered image dataset. In addition to providing more detail, this paper extends our previous work in the area (Brown and Lowe, 2003) by introducing gain compensation and automatic straightening steps. We present an approach for 3D reconstruction from multiple video streams taken by static, synchronized and calibrated cameras that is capable of enforcing temporal consistency on the reconstruction of successive frames. Our goal is to improve the quality of the reconstruction by finding corresponding pixels in subsequent frames of the same camera using optical flow, and also to at least maintain the quality of the single time-frame reconstruction when these correspondences are wrong or cannot be found. This allows us to process scenes with fast motion, occlusions and self- occlusions where optical flow fails for large numbers of pixels. To this end, we modify the belief propagation algorithm to operate on a 3D graph that includes both spatial and temporal neighbors and to be able to discard messages from outlying neighbors. We also propose methods for introducing a bias and for suppressing noise typically observed in uniform regions. The bias encapsulates information about the background and aids in achieving a temporally consistent reconstruction and in the mitigation of occlusion related errors. We present results on publicly available real video sequences. We also present quantitative comparisons with results obtained by other researchers. Bundle adjustment jointly optimizes camera intrinsics and extrinsics and 3D point triangulation to reconstruct a static scene. The triangulation constraint however is invalid for moving points captured in multiple unsynchronized videos and bundle adjustment is not purposed to estimate the temporal alignment between cameras. In this paper, we present a spatiotemporal bundle adjustment approach that jointly optimizes four coupled sub-problems: estimating camera intrinsics and extrinsics, triangulating 3D static points, as well as subframe temporal alignment between cameras and estimating 3D trajectories of dynamic points. Key to our joint optimization is the careful integration of physics-based motion priors within the reconstruction pipeline, validated on a large motion capture corpus. We present an end-to-end pipeline that takes multiple uncalibrated and unsynchronized video streams and produces a dynamic reconstruction of the event. Because the videos are aligned with sub-frame precision, we reconstruct 3D trajectories of unconstrained outdoor activities at much higher temporal resolution than the input videos. The aim of this paper is to achieve seamless image stitching without producing visual artifact caused by severe intensity discrepancy and structure misalignment, given that the input images are roughly aligned or globally registered. Our new approach is based on structure deformation and propagation for achieving the overall consistency in image structure and intensity. The new stitching algorithm, which has found applications in image compositing, image blending, and intensity correction, consists of the following main processes. Depending on the compatibility and distinctiveness of the 2D features detected in the image plane, single or double optimal partitions are computed subject to the constraints of intensity coherence and structure continuity. Afterwards, specific 1D features are detected along the computed optimal partitions from which a set of sparse deformation vectors is derived to encode 1D feature matching between the partitions. These sparse deformation cues are robustly propagated into the input images by solving the associated minimization problem in gradient domain, thus providing a uniform framework for the simultaneous alignment of image structure and intensity. We present results in general image compositing and blending in order to show the effectiveness of our method in producing seamless stitching results from complex input images. We present a novel image stitching approach, which can produce visually plausible panoramic images with input taken from different viewpoints. Unlike previous methods, our approach allows wide baselines between images and non-planar scene structures. Instead of 3D reconstruction, we design a mesh-based framework to optimize alignment and regularity in 2D. By solving a global objective function consisting of alignment and a set of prior constraints, we construct panoramic images, which are locally as perspective as possible and yet nearly orthogonal in the global view. We improve composition and achieve good performance on misaligned areas. Experimental results on challenging data demonstrate the effectiveness of the proposed method. We present a new video stabilization technique that uses projective scene reconstruction to treat jittered video sequences. Unlike methods that recover the full three-dimensional geometry of the scene, this model accounts for simple geometric relations between points and epipolar lines. Using this level of scene understanding, we obtain the physical correctness of 3D stabilization methods yet avoid their lack of robustness and computational costs. Our method consists of tracking feature points in the scene and using them to compute fundamental matrices that model stabilized camera motion. We then project the tracked points onto the novel stabilized frames using epipolar point transfer and synthesize new frames using image-based frame warping. Since this model is only valid for static scenes, we develop a time-view reprojection that accounts for nonstationary points in a principled way. This reprojection is based on modeling the dynamics of smooth inertial object motion in three-dimensional space and allows us to avoid the need to interpolate stabilization for moving objects from their static surrounding. Thus, we achieve an adequate stabilization when both the camera and the objects are moving. We demonstrate the abilities of our approach to stabilize hand-held video shots in various scenarios: scenes with no parallax that challenge 3D approaches, scenes containing nontrivial parallax effects, videos with camera zooming and in-camera stabilization, as well as movies with large moving objects. Many existing video stabilization methods often stabilize videos off-line, i.e. as a postprocessing tool of pre-recorded videos. Some methods can stabilize videos online, but either require additional hardware sensors (e.g., gyroscope) or adopt a single parametric motion model (e.g., affine, homography) which is problematic to represent spatially-variant motions. In this paper, we propose a technique for online video stabilization with only one frame latency using a novel MeshFlow motion model. The MeshFlow is a spatial smooth sparse motion field with motion vectors only at the mesh vertexes. In particular, the motion vectors on the matched feature points are transferred to their corresponding nearby mesh vertexes. The MeshFlow is produced by assigning each vertex an unique motion vector via two median filters. The path smoothing is conducted on the vertex profiles, which are motion vectors collected at the same vertex location in the MeshFlow over time. The profiles are smoothed adaptively by a novel smoothing technique, namely the Predicted Adaptive Path Smoothing (PAPS), which only uses motions from the past. In this way, the proposed method not only handles spatially-variant motions but also works online in real time, offering potential for a variety of intelligent applications (e.g., security systems, robotics, UAVs). The quantitative and qualitative evaluations show that our method can produce comparable results with the state-of-the-art off-line methods. This paper presents a technique to automatically stitch multiple images at varying orientations and exposures to create a composite panorama that preserves the angular extent and dynamic range of the inputs. The main contribution of our method is that it allows for large exposure differences, large scene motion or other misregistrations between frames and requires no extra camera hardware. To do this, we introduce a two-step graph cut approach. The purpose of the first step is to fix the positions of moving objects in the scene. In the second step, we fill in the entire available dynamic range. We introduce data costs that encourage consistency and higher signal-to-noise ratios, and seam costs that encourage smooth transitions. Our method is simple to implement and effective. We demonstrate the effectiveness of our approach on several input sets with varying exposures and camera orientations. We present a novel method to obtain a 3D Euclidean reconstruction of both the background and moving objects in a video sequence. We assume that, multiple objects are moving rigidly on a ground plane observed by a moving camera. The video sequence is first segmented into static background and motion blobs by a homography-based motion segmentation method. Then classical "Structure from Motion" (SfM) techniques are applied to obtain a Euclidean reconstruction of the static background. The motion blob corresponding to each moving object is treated as if there were a static object observed by a hypothetical moving camera, called a "virtual camera". This virtual camera shares the same intrinsic parameters with the real camera but moves differently due to object motion. The same SfM techniques are applied to estimate the 3D shape of each moving object and the pose of the virtual camera. We show that the unknown scale of moving objects can be approximately determined by the ground plane, which is a key contribution of this paper. Another key contribution is that we prove that the 3D motion of moving objects can be solved from the virtual camera motion with a linear constraint imposed on the object translation. In our approach, a planartranslation constraint is formulated: "the 3D instantaneous translation of moving objects must be parallel to the ground plane". Results on real-world video sequences demonstrate the effectiveness and robustness of our approach. Automating repetitive surgical subtasks such as suturing, cutting and debridement can reduce surgeon fatigue and procedure times and facilitate supervised tele-surgery. Programming is difficult because human tissue is deformable and highly specular. Using the da Vinci Research Kit (DVRK) robotic surgical assistant, we explore a “Learning By Observation” (LBO) approach where we identify, segment, and parameterize motion sequences and sensor conditions to build a finite state machine (FSM) for each subtask. The robot then executes the FSM repeatedly to tune parameters and if necessary update the FSM structure. We evaluate the approach on two surgical subtasks: debridement of 3D Viscoelastic Tissue Phantoms (3d-DVTP), in which small target fragments are removed from a 3D viscoelastic tissue phantom; and Pattern Cutting of 2D Orthotropic Tissue Phantoms (2d-PCOTP), a step in the standard Fundamentals of Laparoscopic Surgery training suite, in which a specified circular area must be cut from a sheet of orthotropic tissue phantom. We describe the approach and physical experiments with repeatability of 96 for 50 trials of the 3d-DVTP subtask and 70 for 20 trials of the 2d-PCOTP subtask. A video is available at: http: j.mp Robot-Surgery-Video-Oct-2014. This paper presents a novel approach to stabilize video sequences based on a 3D perspective camera model. Compared to previous methods which are based on simplified models, our stabilization system can work in situations where significant depth variations exist in the scenes and the camera undergoes large translational movement. We formulate the stabilization problem as a quadratic cost function on smoothness and similarity constraints. This allows us to precisely control the smoothness by solving a sparse linear system of equations. By taking advantage of the sparseness, our optimization process is very efficient. Instead of recovering dense depths, we use approximate geometry representation and analyze the resulting warping errors. We show that by appropriately constraining warping error, visually plausible results can be achieved even using planar structures. A variety of experiments have been implemented, which demonstrates the robustness and efficiency of our approach.