This paper addresses the problem of enhancing underexposed photos. Existing methods have tackled this problem from many different perspectives and achieved remarkable progress. However, they may fail to produce satisfactory results due to the presence of visual artifacts such as color distortion, loss of details and uneven exposure, etc. To obtain high-quality results free of these artifacts, we present a novel underexposed photo enhancement approach in this paper. Our main observation is that, the reason why existing methods induce the artifacts is because they break a perceptual consistency between the input and the enhanced output. Based on this observation, an effective criterion, called perceptually bidirectional similarity (PBS) is proposed for preserving the perceptual consistency during enhancement. Particularly, we cast the underexposed photo enhancement as PBS-constrained illumination estimation optimization, where the PBS is defined as three constraints for estimating the illumination that can recover the enhancement results with normal exposure, distinct contrast, clear details and vivid color. To make our method more efficient and scalable to high-resolution images, we introduce a sampling-based strategy for accelerating the illumination estimation. Moreover, we extend our method to handle underexposed videos. Qualitative and quantitative comparisons as well as the user study demonstrate the superiority of our method over the state-of-the-art methods.
This kind of method is built upon the assumption that an underexposed image is the pixel-wise product of the expected enhancement result and a single-channel illumination map. In this fashion, the enhancement problem can be treated as an illumination estimation problem. Jobson al @cite_3 made an early attempt to this problem, but their results often look unnatural due to the frequently appeared artifacts such as loss of details, color distortion, and uneven exposure. Subsequent methods in this category focus on improving the results @cite_12 @cite_21 @cite_28 @cite_45 @cite_8 . However, they may also fail, especially for non-uniformly illuminated underexposed images. Our method also belongs to this category. However, by maintaining the proposed PBS, our method is able to robustly generate visually pleasing results free of the visual artifacts encountered by previous methods (see Fig. , Fig. and ).
@cite_8 @cite_28 @cite_21 @cite_3 @cite_45 @cite_12
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We propose a straightforward and efficient fusion-based method for enhancing weakly illumination images that uses several mature image processing techniques. First, we employ an illumination estimating algorithm based on morphological closing to decompose an observed image into a reflectance image and an illumination image. We then derive two inputs that represent luminance-improved and contrast-enhanced versions of the first decomposed illumination using the sigmoid function and adaptive histogram equalization. Designing two weights based on these inputs, we produce an adjusted illumination by fusing the derived inputs with the corresponding weights in a multi-scale fashion. Through a proper weighting and fusion strategy, we blend the advantages of different techniques to produce the adjusted illumination. The final enhanced image is obtained by compensating the adjusted illumination back to the reflectance. Through this synthesis, the enhanced image represents a trade-off among detail enhancement, local contrast improvement and preserving the natural feel of the image. In the proposed fusion-based framework, images under different weak illumination conditions such as backlighting, non-uniform illumination and nighttime can be enhanced. HighlightsA fusion-based method for enhancing various weakly illuminated images is proposed.The proposed method requires only one input to obtain the enhanced image.Different mature image processing techniques can be blended in our framework.Our method has an efficient computation time for practical applications. Underexposed video enhancement aims at revealing hidden details that are barely noticeable in LDR video frames with noise. Previous work typically relies on a single heuristic tone mapping curve to expand the dynamic range, which inevitably leads to uneven exposure and visual artifacts. In this paper, we present a novel approach for underexposed video enhancement using an efficient perception-driven progressive fusion. For an input underexposed video, we first remap each video frame using a series of tentative tone mapping curves to generate an multi-exposure image sequence that contains different exposed versions of the original video frame. Guided by some visual perception quality measures encoding the desirable exposed appearance, we locate all the best exposed regions from multi-exposure image sequences and then integrate them into a well-exposed video in a temporally consistent manner. Finally, we further perform an effective texture-preserving spatio-temporal filtering on this well-exposed video to obtain a high-quality noise-free result. Experimental results have shown that the enhanced video exhibits uniform exposure, brings out noticeable details, preserves temporal coherence, and avoids visual artifacts. Besides, we demonstrate applications of our approach to a set of problems including video dehazing, video denoising and HDR video reconstruction. The conventional methods for estimating camera poses and scene structures from severely blurry or low resolution images often result in failure. The off-the-shelf deblurring or super-resolution methods may show visually pleasing results. However, applying each technique independently before matching is generally unprofitable because this naive series of procedures ignores the consistency between images. In this paper, we propose a pioneering unified framework that solves four problems simultaneously, namely, dense depth reconstruction, camera pose estimation, super-resolution, and deblurring. By reflecting a physical imaging process, we formulate a cost minimization problem and solve it using an alternating optimization technique. The experimental results on both synthetic and real videos show high-quality depth maps derived from severely degraded images that contrast the failures of naive multi-view stereo methods. Our proposed method also produces outstanding deblurred and super-resolved images unlike the independent application or combination of conventional video deblurring, super-resolution methods. A method was recently devised for the recovery of an invariant image from a 3-band colour image. The invariant image, originally 1D greyscale but here derived as a 2D chromaticity, is independent of lighting, and also has shading removed: it forms an intrinsic image that may be used as a guide in recovering colour images that are independent of illumination conditions. Invariance to illuminant colour and intensity means that such images are free of shadows, as well, to a good degree. The method devised finds an intrinsic reflectivity image based on assumptions of Lambertian reflectance, approximately Planckian lighting, and fairly narrowband camera sensors. Nevertheless, the method works well when these assumptions do not hold. A crucial piece of information is the angle for an “invariant direction” in a log-chromaticity space. To date, we have gleaned this information via a preliminary calibration routine, using the camera involved to capture images of a colour target under different lights. In this paper, we show that we can in fact dispense with the calibration step, by recognizing a simple but important fact: the correct projection is that which minimizes entropy in the resulting invariant image. To show that this must be the case we first consider synthetic images, and then apply the method to real images. We show that not only does a correct shadow-free image emerge, but also that the angle found agrees with that recovered from a calibration. As a result, we can find shadow-free images for images with unknown camera, and the method is applied successfully to remove shadows from unsourced imagery.