In this paper, we introduce a stochastic dynamics video infilling (SDVI) framework to generate frames between long intervals in a video. Our task differs from video interpolation which aims to produce transitional frames for a short interval between every two frames and increase the temporal resolution. Our task, namely video infilling, however, aims to infill long intervals with plausible frame sequences. Our framework models the infilling as a constrained stochastic generation process and sequentially samples dynamics from the inferred distribution. SDVI consists of two parts: (1) a bi-directional constraint propagation module to guarantee the spatial-temporal coherence among frames, (2) a stochastic sampling process to generate dynamics from the inferred distributions. Experimental results show that SDVI can generate clear frame sequences with varying contents. Moreover, motions in the generated sequence are realistic and able to transfer smoothly from the given start frame to the terminal frame. Our project site is this https URL
Most studies of video interpolation @cite_5 @cite_1 focus on generating high-quality intermediate frames in a short-term interval. Since we focus on long-term sequence infilling, our framework adopts long-term dynamics modeling. Therefore we also refer to the studies of video prediction which have explored this area from various perspectives.
@cite_5 @cite_1
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Given two consecutive frames, video interpolation aims at generating intermediate frame(s) to form both spatially and temporally coherent video sequences. While most existing methods focus on single-frame interpolation, we propose an end-to-end convolutional neural network for variable-length multi-frame video interpolation, where the motion interpretation and occlusion reasoning are jointly modeled. We start by computing bi-directional optical flow between the input images using a U-Net architecture. These flows are then linearly combined at each time step to approximate the intermediate bi-directional optical flows. These approximate flows, however, only work well in locally smooth regions and produce artifacts around motion boundaries. To address this shortcoming, we employ another U-Net to refine the approximated flow and also predict soft visibility maps. Finally, the two input images are warped and linearly fused to form each intermediate frame. By applying the visibility maps to the warped images before fusion, we exclude the contribution of occluded pixels to the interpolated intermediate frame to avoid artifacts. Since none of our learned network parameters are time-dependent, our approach is able to produce as many intermediate frames as needed. We use 1,132 video clips with 240-fps, containing 300K individual video frames, to train our network. Experimental results on several datasets, predicting different numbers of interpolated frames, demonstrate that our approach performs consistently better than existing methods. Given two consecutive frames, video interpolation aims at generating intermediate frame(s) to form both spatially and temporally coherent video sequences. While most existing methods focus on single-frame interpolation, we propose an end-to-end convolutional neural network for variable-length multi-frame video interpolation, where the motion interpretation and occlusion reasoning are jointly modeled. We start by computing bi-directional optical flow between the input images using a U-Net architecture. These flows are then linearly combined at each time step to approximate the intermediate bi-directional optical flows. These approximate flows, however, only work well in locally smooth regions and produce artifacts around motion boundaries. To address this shortcoming, we employ another U-Net to refine the approximated flow and also predict soft visibility maps. Finally, the two input images are warped and linearly fused to form each intermediate frame. By applying the visibility maps to the warped images before fusion, we exclude the contribution of occluded pixels to the interpolated intermediate frame to avoid artifacts. Since none of our learned network parameters are time-dependent, our approach is able to produce as many intermediate frames as needed. To train our network, we use 1,132 240-fps video clips, containing 300K individual video frames. Experimental results on several datasets, predicting different numbers of interpolated frames, demonstrate that our approach performs consistently better than existing methods. Predicting the future from a sequence of video frames has been recently a sought after yet challenging task in the field of computer vision and machine learning. Although there have been efforts for tracking using motion trajectories and flow features, the complex problem of generating unseen frames has not been studied extensively. In this paper, we deal with this problem using convolutional models within a multi-stage Generative Adversarial Networks (GAN) framework. The proposed method uses two stages of GANs to generate a crisp and clear set of future frames. Although GANs have been used in the past for predicting the future, none of the works consider the relation between subsequent frames in the temporal dimension. Our main contribution lies in formulating two objective functions based on the Normalized Cross Correlation (NCC) and the Pairwise Contrastive Divergence (PCD) for solving this problem. This method, coupled with the traditional L1 loss, has been experimented with three real-world video datasets, viz. Sports-1M, UCF-101 and the KITTI. Performance analysis reveals superior results over the recent state-of-the-art methods. Video frame interpolation typically involves two steps: motion estimation and pixel synthesis. Such a two-step approach heavily depends on the quality of motion estimation. This paper presents a robust video frame interpolation method that combines these two steps into a single process. Specifically, our method considers pixel synthesis for the interpolated frame as local convolution over two input frames. The convolution kernel captures both the local motion between the input frames and the coefficients for pixel synthesis. Our method employs a deep fully convolutional neural network to estimate a spatially-adaptive convolution kernel for each pixel. This deep neural network can be directly trained end to end using widely available video data without any difficult-to-obtain ground-truth data like optical flow. Our experiments show that the formulation of video interpolation as a single convolution process allows our method to gracefully handle challenges like occlusion, blur, and abrupt brightness change and enables high-quality video frame interpolation.