Estimating the relative depth of a scene is a significant step towards understanding the general structure of the depicted scenery, the relations of entities in the scene and their interactions. When faced with the task of estimating depth without the use of Stereo images, we are dependent on the availability of large-scale depth datasets and high-capacity models to capture the intrinsic nature of depth. Unfortunately, creating datasets of depth images is not a trivial task as the requirements for the camera mainly limits us to areas where we can provide the necessities for the camera to work. In this work, we present a new depth dataset captured from Video Games in an easy and reproducible way. The nature of open-world video games gives us the ability to capture high-quality depth maps in the wild without the constrictions of Stereo cameras. Experiments on this dataset shows that using such synthetic datasets increases the accuracy of Monocular Depth Estimation in the wild where other approaches usually fail to generalize.
By considering a scene as a combination of Foreground and Background and having the aid of users to determine these two layers, one can estimate the global depth of a scene @cite_17 . The main problem of these approaches is the need of user hints about the relative depth of the scene without which the estimation would not be able to work.
@cite_17
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We tackle the problem of single image depth estimation, which, without additional knowledge, suffers from many ambiguities. Unlike previous approaches that only reason locally, we propose to exploit the global structure of the scene to estimate its depth. To this end, we introduce a hierarchical representation of the scene, which models local depth jointly with mid-level and global scene structures. We formulate single image depth estimation as inference in a graphical model whose edges let us encode the interactions within and across the different layers of our hierarchy. Our method therefore still produces detailed depth estimates, but also leverages higher-level information about the scene. We demonstrate the benefits of our approach over local depth estimation methods on standard indoor datasets. Predicting depth is an essential component in understanding the 3D geometry of a scene. While for stereo images local correspondence suffices for estimation, finding depth relations from a single image is less straightforward, requiring integration of both global and local information from various cues. Moreover, the task is inherently ambiguous, with a large source of uncertainty coming from the overall scale. In this paper, we present a new method that addresses this task by employing two deep network stacks: one that makes a coarse global prediction based on the entire image, and another that refines this prediction locally. We also apply a scale-invariant error to help measure depth relations rather than scale. By leveraging the raw datasets as large sources of training data, our method achieves state-of-the-art results on both NYU Depth and KITTI, and matches detailed depth boundaries without the need for superpixelation. Predicting depth is an essential component in understanding the 3D geometry of a scene. While for stereo images local correspondence suffices for estimation, finding depth relations from a single image is less straightforward, requiring integration of both global and local information from various cues. Moreover, the task is inherently ambiguous, with a large source of uncertainty coming from the overall scale. In this paper, we present a new method that addresses this task by employing two deep network stacks: one that makes a coarse global prediction based on the entire image, and another that refines this prediction locally. We also apply a scale-invariant error to help measure depth relations rather than scale. By leveraging the raw datasets as large sources of training data, our method achieves state-of-the-art results on both NYU Depth and KITTI, and matches detailed depth boundaries without the need for superpixelation. When estimating foreground and background layers (or equivalently an alpha matte), it is often the case that pixel measurements contain mixed colours which are a combination of foreground and background. Object boundaries, especially at thin sub-pixel structures like hair, pose a serious problem.In this paper we present a multiple view algorithm for computing the alpha matte. Using a Bayesian framework, we model each pixel as a combined sample from the foreground and background and compute a MAP estimate to factor the two. The novelties in this work include the incorporation of three different types of priors for enhancing the results in problematic scenes. The priors used are inequality constraints on colour and alpha values, spatial continuity, and the probability distribution of alpha values.The combination of these priors result in accurate and visually satisfying estimates. We demonstrate the method on real image sequences with varying degrees of geometric and photometric complexity. The output enables virtual objects to be added between the foreground and background layers, and we give examples of this augmentation to the original sequences.