Current image transformation and recoloring algorithms try to introduce artistic effects in the photographed images, based on user input of target image(s) or selection of pre-designed filters. These manipulations, although intended to enhance the impact of an image on the viewer, do not include the option of image transformation by specifying the affect information. In this paper we present an automatic image-transformation method that transforms the source image such that it can induce an emotional affect on the viewer, as desired by the user. Our proposed novel image emotion transfer algorithm does not require a user-specified target image. The proposed algorithm uses features extracted from top layers of deep convolutional neural network and the user-specified emotion distribution to select multiple target images from an image database for color transformation, such that the resultant image has desired emotional impact. Our method can handle more diverse set of photographs than the previous methods. We conducted a detailed user study showing the effectiveness of our proposed method. A discussion and reasoning of failure cases has also been provided, indicating inherent limitation of color-transfer based methods in the use of emotion assignment.
Image color transformation has been employed for variety of tasks, from colorization of the gray scale images to color de-rendering and image transfer. Where colorization of gray-scale images @cite_10 and color de-rendering @cite_9 use learned models for the task (requiring only the input image); most of the image transfer algorithms require both source and target images as input. Pouli and Reinhard @cite_19 use the histogram matching algorithm to transfer the color and tone from the target image to the source image. @cite_8 recolorizes the image such that style of the target image is transferred to the input image. Recently used deep convolutional network trained for object detection to transfer style of the target image to the source image. They claim that their algorithm understand how to separate the content and style because they use appropriate combination of high level and low-level features. However, their transformation is style transfer at the cost of realism.
@cite_19 @cite_9 @cite_10 @cite_8
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We present new methods which transfer the color style of a source image into an arbitrary given target image having a different 3D color distribution. The color transfer has a high importance ensuring a wide area of applications from artistic transformation of the color atmosphere of images until different scientific visualizations using special gamut mappings. Our technique use a permissive, or optionally strict, 3D histogram matching, similarly to the sampling of multivariable functions applying a sequential chain of conditional probability density functions. We work by order of hue, hue dependent lightness and from both dependent saturation histograms of source and target images, respectively. We apply different histogram transformations, like smoothing or contrast limitation, in order to avoid some unexpected high gradients and other artifacts. Furthermore, we use dominance suppression optionally, by applying sub-linear functions for the histograms in order to get well balanced color distributions, or an overall appearance reflecting the memory color distribution better. Forward and inverse operations on the corresponding cumulative histograms ensure a continuous mapping of perceptual attributes correlating to limited derivatives. Sampling an appropriate fraction of the pixels and using perceptually accurate and continuous histograms with minimal size as well as other gems make this method robust and fast. In this paper, we present a color consistency technique in order to make images in the same collection share the same color style and to avoid gamut problems. Some previous methods define simple global parameter-based models and use optimizing algorithms to obtain the unknown parameters, which usually cause gamut problems in bright and dark regions. Our method is based on the range-preserving histogram specification and can enforce images to share the same color style, without resulting in gamut problems. We divide the input images into two sets having respectively high visual quality and low visual quality. The high visual quality images are used to make color balance. And then the low visual quality images are color transferred using the previous corrected high quality images. Our experiments indicate that such histogram-based color correction method is better than the compared algorithm. We propose a new technique for visual attribute transfer across images that may have very different appearance but have perceptually similar semantic structure. By visual attribute transfer, we mean transfer of visual information (such as color, tone, texture, and style) from one image to another. For example, one image could be that of a painting or a sketch while the other is a photo of a real scene, and both depict the same type of scene. Our technique finds semantically-meaningful dense correspondences between two input images. To accomplish this, it adapts the notion of "image analogy" [ 2001] with features extracted from a Deep Convolutional Neutral Network for matching; we call our technique deep image analogy. A coarse-to-fine strategy is used to compute the nearest-neighbor field for generating the results. We validate the effectiveness of our proposed method in a variety of cases, including style texture transfer, color style swap, sketch painting to photo, and time lapse. We address the problem of regional color transfer between two natural images by probabilistic segmentation. We use a new expectation-maximization (EM) scheme to impose both spatial and color smoothness to infer natural connectivity among pixels. Unlike previous work, our method takes local color information into consideration, and segment image with soft region boundaries for seamless color transfer and compositing. Our modified EM method has two advantages in color manipulation: first, subject to different levels of color smoothness in image space, our algorithm produces an optimal number of regions upon convergence, where the color statistics in each region can be adequately characterized by a component of a Gaussian mixture model (GMM). Second, we allow a pixel to fall in several regions according to our estimated probability distribution in the EM step, resulting in a transparency-like ratio for compositing different regions seamlessly. Hence, natural color transition across regions can be achieved, where the necessary intra-region and inter-region smoothness are enforced without losing original details. We demonstrate results on a variety of applications including image deblurring, enhanced color transfer, and colorizing gray scale images. Comparisons with previous methods are also presented.