Display Omitted We present a method to robustly track the geometry of an object that deforms over time.We fit a FEM-based model to the data leading to physically plausible results.We evaluate the performance of our method using synthetic and scanned data. We present an approach to robustly track the geometry of an object that deforms over time from a set of input point clouds captured from a single viewpoint. The deformations we consider are caused by applying forces to known locations on the object's surface. Our method combines the use of prior information on the geometry of the object modeled by a smooth template and the use of a linear finite element method to predict the deformation. This allows the accurate reconstruction of both the observed and the unobserved sides of the object. We present tracking results for noisy low-quality point clouds acquired by either a stereo camera or a depth camera, and simulations with point clouds corrupted by different error terms. We show that our method is also applicable to large non-linear deformations.
Furukawa and Ponce @cite_16 proposed a technique to track data from a multi-camera setup. Instead of using a template of the shape as prior information, their technique computes the polyhedral mesh that captures the first frame and deforms this mesh to the data in subsequent frames.
@cite_16
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This paper proposes a novel approach to non-rigid, markerless motion capture from synchronized video streams acquired by calibrated cameras. The instantaneous geometry of the observed scene is represented by a polyhedral mesh with fixed topology. The initial mesh is constructed in the first frame using the publicly available PMVS software for multi-view stereo [7]. Its deformation is captured by tracking its vertices over time, using two optimization processes at each frame: a local one using a rigid motion model in the neighborhood of each vertex, and a global one using a regularized nonrigid model for the whole mesh. Qualitative and quantitative experiments using seven real datasets show that our algorithm effectively handles complex nonrigid motions and severe occlusions. In this paper, we address the problem of tracking the temporal evolution of arbitrary shapes observed in multi-camera setups. This is motivated by the ever growing number of applications that require consistent shape information along temporal sequences. The approach we propose considers a temporal sequence of independently reconstructed surfaces and iteratively deforms a reference mesh to fit these observations. To effectively cope with outlying and missing geometry, we introduce a novel probabilistic mesh deformation framework. Using generic local rigidity priors and accounting for the uncertainty in the data acquisition process, this framework effectively handles missing data, relatively large reconstruction artefacts and multiple objects. Extensive experiments demonstrate the effectiveness and robustness of the method on various 4D datasets. This paper proposes a new marker-less approach to capturing human performances from multi-view video. Our algorithm can jointly reconstruct spatio-temporally coherent geometry, motion and textural surface appearance of actors that perform complex and rapid moves. Furthermore, since our algorithm is purely meshbased and makes as few as possible prior assumptions about the type of subject being tracked, it can even capture performances of people wearing wide apparel, such as a dancer wearing a skirt. To serve this purpose our method efficiently and effectively combines the power of surface- and volume-based shape deformation techniques with a new mesh-based analysis-through-synthesis framework. This framework extracts motion constraints from video and makes the laser-scan of the tracked subject mimic the recorded performance. Also small-scale time-varying shape detail is recovered by applying model-guided multi-view stereo to refine the model surface. Our method delivers captured performance data at high level of detail, is highly versatile, and is applicable to many complex types of scenes that could not be handled by alternative marker-based or marker-free recording techniques. We present an algorithm and the associated capture methodology to acquire and track the detailed 3D shape, bends, and wrinkles of deforming surfaces. Moving 3D data has been difficult to obtain by methods that rely on known surface features, structured light, or silhouettes. Multispec- tral photometric stereo is an attractive alternative because it can recover a dense normal field from an un-textured surface. We show how to capture such data and register it over time to generate a single deforming surface. Experiments were performed on video sequences of un- textured cloth, filmed under spatially separated red, green, and blue light sources. Our first finding is that using zero- depth-silhouettes as the initial boundary condition already produces rather smoothly varying per-frame reconstructions with high detail. Second, when these 3D reconstructions are augmented with 2D optical flow, one can register the first frame's reconstruction to every subsequent frame.