In this paper, we present a database of emotional speech intended to be open-sourced and used for synthesis and generation purpose. It contains data for male and female actors in English and a male actor in French. The database covers 5 emotion classes so it could be suitable to build synthesis and voice transformation systems with the potential to control the emotional dimension in a continuous way. We show the data's efficiency by building a simple MLP system converting neutral to angry speech style and evaluate it via a CMOS perception test. Even though the system is a very simple one, the test show the efficiency of the data which is promising for future work.
Several open-source databases can be found but to the best of our knowledge, none is really suitable for speech synthesis purpose. In this section we will explain why and mention some examples. The RAVDESS database emotional data for 24 different actors @cite_4 . The actors were asked to read 2 different sentences in a spoken and sung way in North American English. The spoken style was recorded in 8 different emotional styles: neutral, calm, happy, sad, angry, fearful, disgust, surprise. Each utterance was expressed at 2 different intensities each (except for the neutral emotion) and 2 times thus giving a total of 1440 files. A perception test was then undertook to validate the database on the emotional categories, intensity and genuineness.
@cite_4
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The RAVDESS is a validated multimodal database of emotional speech and song. The database is gender balanced consisting of 24 professional actors, vocalizing lexically-matched statements in a neutral North American accent. Speech includes calm, happy, sad, angry, fearful, surprise, and disgust expressions, and song contains calm, happy, sad, angry, and fearful emotions. Each expression is produced at two levels of emotional intensity, with an additional neutral expression. All conditions are available in face-and-voice, face-only, and voice-only formats. The set of 7356 recordings were each rated 10 times on emotional validity, intensity, and genuineness. Ratings were provided by 247 individuals who were characteristic of untrained research participants from North America. A further set of 72 participants provided test-retest data. High levels of emotional validity and test-retest intrarater reliability were reported. Corrected accuracy and composite "goodness" measures are presented to assist researchers in the selection of stimuli. All recordings are made freely available under a Creative Commons license and can be downloaded at https: doi.org 10.5281 zenodo.1188976. Research on emotional speech often requires valid stimuli for assessing perceived emotion through prosody and lexical content. To date, no comprehensive emotional speech database for Persian is officially available. The present article reports the process of designing, compiling, and evaluating a comprehensive emotional speech database for colloquial Persian. The database contains a set of 90 validated novel Persian sentences classified in five basic emotional categories (anger, disgust, fear, happiness, and sadness), as well as a neutral category. These sentences were validated in two experiments by a group of 1,126 native Persian speakers. The sentences were articulated by two native Persian speakers (one male, one female) in three conditions: (1) congruent (emotional lexical content articulated in a congruent emotional voice), (2) incongruent (neutral sentences articulated in an emotional voice), and (3) baseline (all emotional and neutral sentences articulated in neutral voice). The speech materials comprise about 470 sentences. The validity of the database was evaluated by a group of 34 native speakers in a perception test. Utterances recognized better than five times chance performance (71.4 ) were regarded as valid portrayals of the target emotions. Acoustic analysis of the valid emotional utterances revealed differences in pitch, intensity, and duration, attributes that may help listeners to correctly classify the intended emotion. The database is designed to be used as a reliable material source (for both text and speech) in future cross-cultural or cross-linguistic studies of emotional speech, and it is available for academic research purposes free of charge. To access the database, please contact the first author. People convey their emotional state in their face and voice. We present an audio-visual dataset uniquely suited for the study of multi-modal emotion expression and perception. The dataset consists of facial and vocal emotional expressions in sentences spoken in a range of basic emotional states (happy, sad, anger, fear, disgust, and neutral). 7,442 clips of 91 actors with diverse ethnicbackgrounds were rated by multiple raters in three modalities: audio, visual, and audio-visual. Categorical emotion labels andreal-value intensity values for the perceived emotion were collected using crowd-sourcing from 2,443 raters. The human recognition of intended emotion for the audio-only, visual-only, and audio-visual data are 40.9, 58.2 and 63.6 percent respectively. Recognition rates are highest for neutral, followed by happy, anger, disgust, fear, and sad. Average intensity levels of emotion are rated highest forvisual-only perception. The accurate recognition of disgust and fear requires simultaneous audio-visual cues, while anger andhappiness can be well recognized based on evidence from a single modality. The large dataset we introduce can be used to probe other questions concerning the audio-visual perception of emotion. Current text-to-speech synthesis (TTS) systems are often perceived as lacking expressiveness, limiting the ability to fully convey information. This paper describes initial investigations into improving expressiveness for statistical speech synthesis systems. Rather than using hand-crafted definitions of expressive classes, an unsupervised clustering approach is described which is scalable to large quantities of training data. To incorporate this “expression cluster” information into an HMM-TTS system two approaches are described: cluster questions in the decision tree construction; and average expression speech synthesis (AESS) using cluster-based linear transform adaptation. The performance of the approaches was evaluated on audiobook data in which the reader exhibits a wide range of expressiveness. A subjective listening test showed that synthesising with AESS results in speech that better reflects the expressiveness of human speech than a baseline expression-independent system.