In this work, we explore the problem of generating fantastic special-effects for the typography. It is quite challenging due to the model diversities to illustrate varied text effects for different characters. To address this issue, our key idea is to exploit the analytics on the high regularity of the spatial distribution for text effects to guide the synthesis process. Specifically, we characterize the stylized patches by their normalized positions and the optimal scales to depict their style elements. Our method first estimates these two features and derives their correlation statistically. They are then converted into soft constraints for texture transfer to accomplish adaptive multi-scale texture synthesis and to make style element distribution uniform. It allows our algorithm to produce artistic typography that fits for both local texture patterns and the global spatial distribution in the example. Experimental results demonstrate the superiority of our method for various text effects over conventional style transfer methods. In addition, we validate the effectiveness of our algorithm with extensive artistic typography library generation.
The idea of modelling textures using statistical measurements has led to the development of textons and its variants @cite_1 @cite_13 . Nowadays, deep-based texture synthesis @cite_0 starts trending due to the great descriptive ability of deep neural networks. Gatys . proposed to use Gram-matrix in the Convolutional Neural Networks (CNNs) feature space to represent textures @cite_0 and adapt it to style transfer by incorporating content similarities @cite_22 . This work presented the remarkable generic painting transfer technique and attracted many follow-ups in loss function improvement @cite_32 @cite_11 and algorithm acceleration @cite_16 @cite_10 . Recently, methods that replace the Gram-matrix by MRF regularizer is proposed for photographic synthesis @cite_15 and semantic texture transfer @cite_4 . Meanwhile, Generative Adversarial Networks (GANs) @cite_26 provide another idea for texture generation by using discriminator and generator networks, which iteratively improve the model by playing a minimax game. Its extension, the conditional GANs @cite_27 , fulfils the challenging task of generating images from abstract semantic labels. Li and Wand @cite_6 further showed that their Markovian GANs has certain advantages over the Gram-matrix-based methods @cite_22 @cite_10 in coherent texture preservation.
@cite_26 @cite_4 @cite_22 @cite_10 @cite_1 @cite_32 @cite_6 @cite_0 @cite_27 @cite_15 @cite_16 @cite_13 @cite_11
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This paper proposes Markovian Generative Adversarial Networks (MGANs), a method for training generative networks for efficient texture synthesis. While deep neural network approaches have recently demonstrated remarkable results in terms of synthesis quality, they still come at considerable computational costs (minutes of run-time for low-res images). Our paper addresses this efficiency issue. Instead of a numerical deconvolution in previous work, we precompute a feed-forward, strided convolutional network that captures the feature statistics of Markovian patches and is able to directly generate outputs of arbitrary dimensions. Such network can directly decode brown noise to realistic texture, or photos to artistic paintings. With adversarial training, we obtain quality comparable to recent neural texture synthesis methods. As no optimization is required at generation time, our run-time performance (0.25 M pixel images at 25 Hz) surpasses previous neural texture synthesizers by a significant margin (at least 500 times faster). We apply this idea to texture synthesis, style transfer, and video stylization. Generative adversarial networks (GANs) are a recent approach to train generative models of data, which have been shown to work particularly well on image data. In the current paper we introduce a new model for texture synthesis based on GAN learning. By extending the input noise distribution space from a single vector to a whole spatial tensor, we create an architecture with properties well suited to the task of texture synthesis, which we call spatial GAN (SGAN). To our knowledge, this is the first successful completely data-driven texture synthesis method based on GANs. Our method has the following features which make it a state of the art algorithm for texture synthesis: high image quality of the generated textures, very high scalability w.r.t. the output texture size, fast real-time forward generation, the ability to fuse multiple diverse source images in complex textures. To illustrate these capabilities we present multiple experiments with different classes of texture images and use cases. We also discuss some limitations of our method with respect to the types of texture images it can synthesize, and compare it to other neural techniques for texture generation. This paper proposes Markovian Generative Adversarial Networks (MGANs), a method for training generative neural networks for efficient texture synthesis. While deep neural network approaches have recently demonstrated remarkable results in terms of synthesis quality, they still come at considerable computational costs (minutes of run-time for low-res images). Our paper addresses this efficiency issue. Instead of a numerical deconvolution in previous work, we precompute a feed-forward, strided convolutional network that captures the feature statistics of Markovian patches and is able to directly generate outputs of arbitrary dimensions. Such network can directly decode brown noise to realistic texture, or photos to artistic paintings. With adversarial training, we obtain quality comparable to recent neural texture synthesis methods. As no optimization is required any longer at generation time, our run-time performance (0.25M pixel images at 25Hz) surpasses previous neural texture synthesizers by a significant margin (at least 500 times faster). We apply this idea to texture synthesis, style transfer, and video stylization. A number of recent approaches have used deep convolutional neural networks (CNNs) to build texture representations. Nevertheless, it is still unclear how these models represent texture and invariances to categorical variations. This work conducts a systematic evaluation of recent CNN-based texture descriptors for recognition and attempts to understand the nature of invariances captured by these representations. First we show that the recently proposed bilinear CNN model [25] is an excellent general-purpose texture descriptor and compares favorably to other CNN-based descriptors on various texture and scene recognition benchmarks. The model is translationally invariant and obtains better accuracy on the ImageNet dataset without requiring spatial jittering of data compared to corresponding models trained with spatial jittering. Based on recent work [13, 28] we propose a technique to visualize pre-images, providing a means for understanding categorical properties that are captured by these representations. Finally, we show preliminary results on how a unified parametric model of texture analysis and synthesis can be used for attribute-based image manipulation, e.g. to make an image more swirly, honeycombed, or knitted. The source code and additional visualizations are available at this http URL