Humans comprehend a natural scene at a single glance; painters and other visual artists, through their abstract representations, stressed this capacity to the limit. The performance of computer vision solutions matched that of humans in many problems of visual recognition. In this paper we address the problem of recognizing the genre (subject) in digitized paintings using Convolutional Neural Networks (CNN) as part of the more general dealing with abstract and or artistic representation of scenes. Initially we establish the state of the art performance by training a CNN from scratch. In the next level of evaluation, we identify aspects that hinder the CNNs' recognition, such as artistic abstraction. Further, we test various domain adaptation methods that could enhance the subject recognition capabilities of the CNNs. The evaluation is performed on a database of 80,000 annotated digitized paintings, which is tentatively extended with artistic photographs, either original or stylized, in order to emulate artistic representations. Surprisingly, the most efficient domain adaptation is not the neural style transfer. Finally, the paper provides an experiment-based assessment of the abstraction level that CNNs are able to achieve.
Scene recognition in natural images is an intensively studied topic, but under the auspices of being significantly more difficult than object recognition or image classification @cite_36 . We will refer the reader to a recent work @cite_41 for the latest results on the topic. We will still note that the introduction of the SUN database @cite_8 (followed by the subsequent expansions) placed a significant landmark (and benchmark) on the issue. In this context, it was shown that using domain transfer (e.g from the Places database), the performance may be improved @cite_36 .
@cite_36 @cite_41 @cite_8
2809273606 2148214126 1977766639 2527800741
Scene images generally show the characteristics of large intra-class variety and high inter-class similarity because of complicated appearances, subtle differences, and ambiguous categorization. Hence, it is difficult to achieve satisfactory accuracy by using a single representation. For solving this issue, we present a comprehensive representation for scene recognition by fusing deep features extracted from three discriminative views, including the information of object semantics, global appearance, and contextual appearance. These views show diversity and complementarity of features. The object semantics representation of the scene image, denoted by spatial-layout-maintained object semantics features, is extracted from the output of a deep-learning-based multi-classes detector by using spatial fisher vectors, which can simultaneously encode the category and layout information of objects. A multi-direction long short-term memory-based model is built to represent contextual information of the scene image, and the activation of the fully connected layer of a convolutional neural network is used to represent the global appearance of scene image. These three kinds of deep features are then fused to draw a final conclusion for scene recognition. Extensive experiments are conducted to evaluate the proposed comprehensive representation on three benchmarks scene image database. The results show that the three deep features complement to each other strongly and are effective in improving recognition performance after fusion. The proposed method can achieve scene recognition accuracy of 89.51 on the MIT67 database, 78.93 on the SUN397 database, and 57.27 on the Places365 databases, respectively, which are better percentages than the accuracies obtained by the latest reported deep-learning-based scene recognition methods. Text detection in natural scene images is an important prerequisite for many content-based image analysis tasks. In this paper, we propose an accurate and robust method for detecting texts in natural scene images. A fast and effective pruning algorithm is designed to extract Maximally Stable Extremal Regions (MSERs) as character candidates using the strategy of minimizing regularized variations. Character candidates are grouped into text candidates by the single-link clustering algorithm, where distance weights and clustering threshold are learned automatically by a novel self-training distance metric learning algorithm. The posterior probabilities of text candidates corresponding to non-text are estimated with a character classifier; text candidates with high non-text probabilities are eliminated and texts are identified with a text classifier. The proposed system is evaluated on the ICDAR 2011 Robust Reading Competition database; the f-measure is over 76 , much better than the state-of-the-art performance of 71 . Experiments on multilingual, street view, multi-orientation and even born-digital databases also demonstrate the effectiveness of the proposed method. Progress in scene understanding requires reasoning about the rich and diverse visual environments that make up our daily experience. To this end, we propose the Scene Understanding database, a nearly exhaustive collection of scenes categorized at the same level of specificity as human discourse. The database contains 908 distinct scene categories and 131,072 images. Given this data with both scene and object labels available, we perform in-depth analysis of co-occurrence statistics and the contextual relationship. To better understand this large scale taxonomy of scene categories, we perform two human experiments: we quantify human scene recognition accuracy, and we measure how typical each image is of its assigned scene category. Next, we perform computational experiments: scene recognition with global image features, indoor versus outdoor classification, and "scene detection," in which we relax the assumption that one image depicts only one scene category. Finally, we relate human experiments to machine performance and explore the relationship between human and machine recognition errors and the relationship between image "typicality" and machine recognition accuracy. Convolutional neural networks (CNNs) have made remarkable progress on scene recognition, partially due to these recent large-scale scene datasets, such as the Places and Places2. Scene categories are often defined by multi-level information, including local objects, global layout, and background environment, thus leading to large intra-class variations. In addition, with the increasing number of scene categories, label ambiguity has become another crucial issue in large-scale classification. This paper focuses on large-scale scene recognition and makes two major contributions to tackle these issues. First, we propose a multi-resolution CNN architecture that captures visual content and structure at multiple levels. The multi-resolution CNNs are composed of coarse resolution CNNs and fine resolution CNNs, which are complementary to each other. Second, we design two knowledge guided disambiguation techniques to deal with the problem of label ambiguity: 1) we exploit the knowledge from the confusion matrix computed on validation data to merge ambiguous classes into a super category and 2) we utilize the knowledge of extra networks to produce a soft label for each image. Then, the super categories or soft labels are employed to guide CNN training on the Places2. We conduct extensive experiments on three large-scale image datasets (ImageNet, Places, and Places2), demonstrating the effectiveness of our approach. Furthermore, our method takes part in two major scene recognition challenges, and achieves the second place at the Places2 challenge in ILSVRC 2015, and the first place at the LSUN challenge in CVPR 2016. Finally, we directly test the learned representations on other scene benchmarks, and obtain the new state-of-the-art results on the MIT Indoor67 (86.7 ) and SUN397 (72.0 ). We release the code and models at https: github.com wanglimin MRCNN-Scene-Recognition .