Computing the epipolar geometry between cameras with very different viewpoints is often very difficult. The appearance of objects can vary greatly, and it is difficult to find corresponding feature points. Prior methods searched for corresponding epipolar lines using points on the convex hull of the silhouette of a single moving object. These methods fail when the scene includes multiple moving objects. This paper extends previous work to scenes having multiple moving objects by using the "Motion Barcodes", a temporal signature of lines. Corresponding epipolar lines have similar motion barcodes, and candidate pairs of corresponding epipoar lines are found by the similarity of their motion barcodes. As in previous methods we assume that cameras are relatively stationary and that moving objects have already been extracted using background subtraction.
Sinha and Pollefeys @cite_9 used silhouettes to calibrate a network of cameras, assuming a single moving silhouette in a video. Each RANSAC iteration takes a different frame and samples two pairs of corresponding tangent lines to the convex hull of the silhouette @cite_5 . The intersection of each pair of lines proposes an epipole.
@cite_5 @cite_9
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In this paper we present an automatic method for calibrating a network of cameras that works by analyzing only the motion of silhouettes in the multiple video streams. This is particularly useful for automatic reconstruction of a dynamic event using a camera network in a situation where pre-calibration of the cameras is impractical or even impossible. The key contribution of this work is a RANSAC-based algorithm that simultaneously computes the epipolar geometry and synchronization of a pair of cameras only from the motion of silhouettes in video. Our approach involves first independently computing the fundamental matrix and synchronization for multiple pairs of cameras in the network. In the next stage the calibration and synchronization for the complete network is recovered from the pairwise information. Finally, a visual-hull algorithm is used to reconstruct the shape of the dynamic object from its silhouettes in video. For unsynchronized video streams with sub-frame temporal offsets, we interpolate silhouettes between successive frames to get more accurate visual hulls. We show the effectiveness of our method by remotely calibrating several different indoor camera networks from archived video streams. This paper addresses the problem of estimating the motion of a camera as it observes the outline (or apparent contour) of a solid bounded by a smooth surface in successive image frames. In this context, the surface points that project onto the outline of an object depend on the viewpoint and the only true correspondences between two outlines of the same object are the projections of frontier points where the viewing rays intersect in the tangent plane of the surface. In turn, the epipolar geometry is easily estimated once these correspondences have been identified. Given the apparent contours detected in an image sequence, a robust procedure based on RANSAC and a voting strategy is proposed to simultaneously estimate the camera configurations and a consistent set of frontier point projections by enforcing the redundancy of multiview epipolar geometry. The proposed approach is, in principle, applicable to orthographic, weak-perspective, and affine projection models. Experiments with nine real image sequences are presented for the orthographic projection case, including a quantitative comparison with the ground-truth data for the six data sets for which the latter information is available. Sample visual hulls have been computed from all image sequences for qualitative evaluation. We present a new approach to camera calibration as a part of a complete and practical system to recover digital copies of sculpture from uncalibrated image sequences taken under turntable motion. In this paper, we introduce the concept of the silhouette coherence of a set of silhouettes generated by a 3D object. We show how the maximization of the silhouette coherence can be exploited to recover the camera poses and focal length. Silhouette coherence can be considered as a generalization of the well-known epipolar tangency constraint for calculating motion from silhouettes or outlines alone. Further, silhouette coherence exploits all the geometric information encoded in the silhouette (not just at epipolar tangency points) and can be used in many practical situations where point correspondences or outer epipolar tangents are unavailable. We present an algorithm for exploiting silhouette coherence to efficiently and reliably estimate camera motion. We use this algorithm to reconstruct very high quality 3D models from uncalibrated circular motion sequences, even when epipolar tangency points are not available or the silhouettes are truncated. The algorithm has been integrated into a practical system and has been tested on more than 50 uncalibrated sequences to produce high quality photo-realistic models. Three illustrative examples are included in this paper. The algorithm is also evaluated quantitatively by comparing it to a state-of-the-art system that exploits only epipolar tangents We propose a probabilistic formulation of joint silhouette extraction and 3D reconstruction given a series of calibrated 2D images. Instead of segmenting each image separately in order to construct a 3D surface consistent with the estimated silhouettes, we compute the most probable 3D shape that gives rise to the observed color information. The probabilistic framework, based on Bayesian inference, enables robust 3D reconstruction by optimally taking into account the contribution of all views. We solve the arising maximum a posteriori shape inference in a globally optimal manner by convex relaxation techniques in a spatially continuous representation. For an interactively provided user input in the form of scribbles specifying foreground and background regions, we build corresponding color distributions as multivariate Gaussians and find a volume occupancy that best fits to this data in a variational sense. Compared to classical methods for silhouette-based multiview reconstruction, the proposed approach does not depend on initialization and enjoys significant resilience to violations of the model assumptions due to background clutter, specular reflections, and camera sensor perturbations. In experiments on several real-world data sets, we show that exploiting a silhouette coherency criterion in a multiview setting allows for dramatic improvements of silhouette quality over independent 2D segmentations without any significant increase of computational efforts. This results in more accurate visual hull estimation, needed by a multitude of image-based modeling approaches. We made use of recent advances in parallel computing with a GPU implementation of the proposed method generating reconstructions on volume grids of more than 20 million voxels in up to 4.41 seconds.