To see is to sketch -- free-hand sketching naturally builds ties between human and machine vision. In this paper, we present a novel approach for translating an object photo to a sketch, mimicking the human sketching process. This is an extremely challenging task because the photo and sketch domains differ significantly. Furthermore, human sketches exhibit various levels of sophistication and abstraction even when depicting the same object instance in a reference photo. This means that even if photo-sketch pairs are available, they only provide weak supervision signal to learn a translation model. Compared with existing supervised approaches that solve the problem of D(E(photo)) -> sketch, where E( @math ) and D( @math ) denote encoder and decoder respectively, we take advantage of the inverse problem (e.g., D(E(sketch)) -> photo), and combine with the unsupervised learning tasks of within-domain reconstruction, all within a multi-task learning framework. Compared with existing unsupervised approaches based on cycle consistency (i.e., D(E(D(E(photo)))) -> photo), we introduce a shortcut consistency enforced at the encoder bottleneck (e.g., D(E(photo)) -> photo) to exploit the additional self-supervision. Both qualitative and quantitative results show that the proposed model is superior to a number of state-of-the-art alternatives. We also show that the synthetic sketches can be used to train a better fine-grained sketch-based image retrieval (FG-SBIR) model, effectively alleviating the problem of sketch data scarcity.
A number of recent studies use data synthesized using deep generative models for training discriminative models, therefore circumventing the need for large-scale manual data collection and annotation. These discriminative models have been applied to various tasks including gaze estimation @cite_0 , hand pose estimation @cite_43 @cite_30 and human pose estimation @cite_34 . The most related work is @cite_6 , which controls the variations in the synthesized images using a deep model rather than heuristic rendering. Most existing works use synthesized photo images, whilst in this work we aim to use synthesized sketches to learn a discriminative model.
@cite_30 @cite_6 @cite_0 @cite_43 @cite_34
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State-of-the-art methods for 3D hand pose estimation from depth images require large amounts of annotated training data. We propose modelling the statistical relationship of 3D hand poses and corresponding depth images using two deep generative models with a shared latent space. By design, our architecture allows for learning from unlabeled image data in a semi-supervised manner. Assuming a one-to-one mapping between a pose and a depth map, any given point in the shared latent space can be projected into both a hand pose or into a corresponding depth map. Regressing the hand pose can then be done by learning a discriminator to estimate the posterior of the latent pose given some depth map. To prevent over-fitting and to better exploit unlabeled depth maps, the generator and discriminator are trained jointly. At each iteration, the generator is updated with the back-propagated gradient from the discriminator to synthesize realistic depth maps of the articulated hand, while the discriminator benefits from an augmented training set of synthesized samples and unlabeled depth maps. The proposed discriminator network architecture is highly efficient and runs at 90fps on the CPU with accuracies comparable or better than state-of-art on 3 publicly available benchmarks. With the increase number of companies focusing on commercializing Augmented Reality (AR), Virtual Reality (VR) and wearable devices, the need for a hand based input mechanism is becoming essential in order to make the experience natural, seamless and immersive. Hand pose estimation has progressed drastically in recent years due to the introduction of commodity depth cameras. Hand pose estimation based on vision is still a challenging problem due to its complexity from self-occlusion (between fingers), close similarity between fingers, dexterity of the hands, speed of the pose and the high dimension of the hand kinematic parameters. Articulated hand pose estimation is still an open problem and under intensive research from both academia and industry. The 2 approaches used for hand pose estimation are: discriminative and generative. Generative approach is a model based that tries to fit a hand model to the observed data. Discriminative approach is appearance based, usually implemented with machine learning (ML) and require a large amount of training data. Recent hand pose estimation uses hybrid approach by combining both discriminative and generative methods into a single hand pipeline. In this paper, we focus on reviewing recent progress of hand pose estimation from depth sensor. We will survey discriminative methods, generative methods and hybrid methods. This paper is not a comprehensive review of all hand pose estimation techniques, it is a subset of some of the recent state-of-the-art techniques. This paper presents a deep learning based approach to the problem of human pose estimation. We employ generative adversarial networks as our learning paradigm in which we set up two stacked hourglass networks with the same architecture, one as the generator and the other as the discriminator. The generator is used as a human pose estimator after the training is done. The discriminator distinguishes ground-truth heatmaps from generated ones, and back-propagates the adversarial loss to the generator. This process enables the generator to learn plausible human body configurations and is shown to be useful for improving the prediction accuracy. We present a novel approach for synthesizing photo-realistic images of people in arbitrary poses using generative adversarial learning. Given an input image of a person and a desired pose represented by a 2D skeleton, our model renders the image of the same person under the new pose, synthesizing novel views of the parts visible in the input image and hallucinating those that are not seen. This problem has recently been addressed in a supervised manner, i.e., during training the ground truth images under the new poses are given to the network. We go beyond these approaches by proposing a fully unsupervised strategy. We tackle this challenging scenario by splitting the problem into two principal subtasks. First, we consider a pose conditioned bidirectional generator that maps back the initially rendered image to the original pose, hence being directly comparable to the input image without the need to resort to any training image. Second, we devise a novel loss function that incorporates content and style terms, and aims at producing images of high perceptual quality. Extensive experiments conducted on the DeepFashion dataset demonstrate that the images rendered by our model are very close in appearance to those obtained by fully supervised approaches.