Real-world applications could benefit from the ability to automatically generate a fine-grained ranking of photo aesthetics. However, previous methods for image aesthetics analysis have primarily focused on the coarse, binary categorization of images into high- or low-aesthetic categories. In this work, we propose to learn a deep convolutional neural network to rank photo aesthetics in which the relative ranking of photo aesthetics are directly modeled in the loss function. Our model incorporates joint learning of meaningful photographic attributes and image content information which can help regularize the complicated photo aesthetics rating problem. To train and analyze this model, we have assembled a new aesthetics and attributes database (AADB) which contains aesthetic scores and meaningful attributes assigned to each image by multiple human raters. Anonymized rater identities are recorded across images allowing us to exploit intra-rater consistency using a novel sampling strategy when computing the ranking loss of training image pairs. We show the proposed sampling strategy is very effective and robust in face of subjective judgement of image aesthetics by individuals with different aesthetic tastes. Experiments demonstrate that our unified model can generate aesthetic rankings that are more consistent with human ratings. To further validate our model, we show that by simply thresholding the estimated aesthetic scores, we are able to achieve state-or-the-art classification performance on the existing AVA dataset benchmark.
To make use of image content information such as scene categories or choice of photographic subject, Luo al propose to segment regions and extract visual features based on the categorization of photo content @cite_28 . Other work, such as @cite_16 @cite_4 , has also demonstrated that image content is useful for aesthetics analysis. However, it has been assumed that the category labels are provided both during training and testing. To our knowledge, there is only one paper @cite_29 that attempts to jointly predict content semantics and aesthetics labels. @cite_29 , Murray al propose to rank images w.r.t aesthetics in a three-way classification problem (high-, medium- and low-aesthetics quality). However, their work has some limitations because (1) deciding the thresholds between nearby classes is non-trivial, and (2) the final classification model outputs a hard label which is less useful than a continuous rating.
@cite_28 @cite_29 @cite_16 @cite_4
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The ability to rank the images based on their appearance finds many real-world applications, such as image retrieval or image album creation. Despite the recent dominance of deep learning methods in computer vision which often result in superior performance, they are not always the methods of choice because they lack interpretability. In this paper, we investigate the possibility of improving the image aesthetic inference of the convolutional neural networks with hand-designed features that rely on domain expertise in various fields. We perform a comparison of hand-crafted feature sets in their ability to predict fine-grained aesthetics scores on two image aesthetics data sets. We observe that even feature sets published earlier are able to compete with more recently published algorithms and, by combining the algorithms, a significant improvement in predicting image aesthetics is possible. By using a tree-based learner, we perform the feature elimination to understand the best performing features overall and across different image categories. Only roughly 15 and 8 of the features are needed to achieve full performance in predicting a fine-grained aesthetic score and binary classification, respectively. By combining the hand-crafted features with metafeatures that predict the quality of an image based on convolutional neural network features, the model performs better than a baseline VGG16 model. One can, however, achieve more significant improvement in both aesthetics score prediction and binary classification by fusing the hand-crafted features and the penultimate layer activations. Our experiments indicate an improvement up to 2.2 achieving current state-of-the-art binary classification accuracy on the aesthetic visual analysis data set when the hand-designed features are fused with activations from VGG16 and ResNet50 networks. We address the problems of contour detection, bottom-up grouping and semantic segmentation using RGB-D data. We focus on the challenging setting of cluttered indoor scenes, and evaluate our approach on the recently introduced NYU-Depth V2 (NYUD2) dataset [27]. We propose algorithms for object boundary detection and hierarchical segmentation that generalize the gPb-ucm approach of [2] by making effective use of depth information. We show that our system can label each contour with its type (depth, normal or albedo). We also propose a generic method for long-range amodal completion of surfaces and show its effectiveness in grouping. We then turn to the problem of semantic segmentation and propose a simple approach that classifies super pixels into the 40 dominant object categories in NYUD2. We use both generic and class-specific features to encode the appearance and geometry of objects. We also show how our approach can be used for scene classification, and how this contextual information in turn improves object recognition. In all of these tasks, we report significant improvements over the state-of-the-art. Automatically assessing photo quality from the perspective of visual aesthetics is of great interest in high-level vision research and has drawn much attention in recent years. In this paper, we propose content-based photo quality assessment using both regional and global features. Under this framework, subject areas, which draw the most attentions of human eyes, are first extracted. Then regional features extracted from both subject areas and background regions are combined with global features to assess photo quality. Since professional photographers adopt different photographic techniques and have different aesthetic criteria in mind when taking different types of photos (e.g., landscape versus portrait), we propose to segment subject areas and extract visual features in different ways according to the variety of photo content. We divide the photos into seven categories based on their visual content and develop a set of new subject area extraction methods and new visual features specially designed for different categories. The effectiveness of this framework is supported by extensive experimental comparisons of existing photo quality assessment approaches as well as our new features on different categories of photos. In addition, we propose an approach of online training an adaptive classifier to combine the proposed features according to the visual content of a test photo without knowing its category. Another contribution of this work is to construct a large and diversified benchmark dataset for the research of photo quality assessment. It includes 17,673 photos with manually labeled ground truth. This new benchmark dataset can be down loaded at http: mmlab.ie.cuhk.edu.hk CUHKPQ Dataset.htm. In this paper, we address the problems of contour detection, bottom-up grouping, object detection and semantic segmentation on RGB-D data. We focus on the challenging setting of cluttered indoor scenes, and evaluate our approach on the recently introduced NYU-Depth V2 (NYUD2) dataset (, ECCV, 2012). We propose algorithms for object boundary detection and hierarchical segmentation that generalize the @math gPb-ucm approach of (TPAMI, 2011) by making effective use of depth information. We show that our system can label each contour with its type (depth, normal or albedo). We also propose a generic method for long-range amodal completion of surfaces and show its effectiveness in grouping. We train RGB-D object detectors by analyzing and computing histogram of oriented gradients on the depth image and using them with deformable part models (, TPAMI, 2010). We observe that this simple strategy for training object detectors significantly outperforms more complicated models in the literature. We then turn to the problem of semantic segmentation for which we propose an approach that classifies superpixels into the dominant object categories in the NYUD2 dataset. We design generic and class-specific features to encode the appearance and geometry of objects. We also show that additional features computed from RGB-D object detectors and scene classifiers further improves semantic segmentation accuracy. In all of these tasks, we report significant improvements over the state-of-the-art.