Many man-made objects have intrinsic symmetries and Manhattan structure. By assuming an orthographic projection model, this paper addresses the estimation of 3D structures and camera projection using symmetry and or Manhattan structure cues, which occur when the input is single- or multiple-image from the same category, e.g., multiple different cars. Specifically, analysis on the single image case implies that Manhattan alone is sufficient to recover the camera projection, and then the 3D structure can be reconstructed uniquely exploiting symmetry. However, Manhattan structure can be difficult to observe from a single image due to occlusion. To this end, we extend to the multiple-image case which can also exploit symmetry but does not require Manhattan axes. We propose a novel rigid structure from motion method, exploiting symmetry and using multiple images from the same category as input. Experimental results on the Pascal3D+ dataset show that our method significantly outperforms baseline methods.
SfM methods have been used for category-specific object reconstruction, , estimating the structure of from images of different under various viewing conditions @cite_48 @cite_37 , but these did not exploit symmetry or Manhattan. We point out that in @cite_46 , the repetition patterns have been incorporated into SfM for urban facades reconstruction, but @cite_46 focused mainly on repetition detection and registration.
@cite_46 @cite_48 @cite_37
117099968 2060772243 2129000642 2342277278
We present a new structure from motion (Sfm) technique based on point and vanishing point (VP) matches in images. First, all global camera rotations are computed from VP matches as well as relative rotation estimates obtained from pairwise image matches. A new multi-staged linear technique is then used to estimate all camera translations and 3D points simultaneously. The proposed method involves first performing pairwise reconstructions, then robustly aligning these in pairs, and finally aligning all of them globally by simultaneously estimating their unknown relative scales and translations. In doing so, measurements inconsistent in three views are efficiently removed. Unlike sequential Sfm, the proposed method treats all images equally, is easy to parallelize and does not require intermediate bundle adjustments. There is also a reduction of drift and significant speedups up to two order of magnitude over sequential Sfm. We compare our method with a standard Sfm pipeline [1] and demonstrate that our linear estimates are accurate on a variety of datasets, and can serve as good initializations for final bundle adjustment. Because we exploit VPs when available, our approach is particularly well-suited to the reconstruction of man-made scenes. Conventional rigid structure from motion (SFM) addresses the problem of recovering the camera parameters (motion) and the 3D locations (structure) of scene points, given observed 2D image feature points. In this paper, we propose a new formulation called Semantic Structure From Motion (SSFM). In addition to the geometrical constraints provided by SFM, SSFM takes advantage of both semantic and geometrical properties associated with objects in the scene (Fig. 1). These properties allow us to recover not only the structure and motion but also the 3D locations, poses, and categories of objects in the scene. We cast this problem as a max-likelihood problem where geometry (cameras, points, objects) and semantic information (object classes) are simultaneously estimated. The key intuition is that, in addition to image features, the measurements of objects across views provide additional geometrical constraints that relate cameras and scene parameters. These constraints make the geometry estimation process more robust and, in turn, make object detection more accurate. Our framework has the unique ability to: i) estimate camera poses only from object detections, ii) enhance camera pose estimation, compared to feature-point-based SFM algorithms, iii) improve object detections given multiple un-calibrated images, compared to independently detecting objects in single images. Extensive quantitative results on three datasets–LiDAR cars, street-view pedestrians, and Kinect office desktop–verify our theoretical claims. Recently developed Structure from Motion (SfM) reconstruction approaches enable the creation of large scale 3D models of urban scenes. These compact scene representations can then be used for accurate image-based localization, creating the need for localization approaches that are able to efficiently handle such large amounts of data. An important bottleneck is the computation of 2D-to-3D correspondences required for pose estimation. Current stateof- the-art approaches use indirect matching techniques to accelerate this search. In this paper we demonstrate that direct 2D-to-3D matching methods have a considerable potential for improving registration performance. We derive a direct matching framework based on visual vocabulary quantization and a prioritized correspondence search. Through extensive experiments, we show that our framework efficiently handles large datasets and outperforms current state-of-the-art methods. Inspired by the recent success of methods that employ shape priors to achieve robust 3D reconstructions, we propose a novel recurrent neural network architecture that we call the 3D Recurrent Reconstruction Neural Network (3D-R2N2). The network learns a mapping from images of objects to their underlying 3D shapes from a large collection of synthetic data [13]. Our network takes in one or more images of an object instance from arbitrary viewpoints and outputs a reconstruction of the object in the form of a 3D occupancy grid. Unlike most of the previous works, our network does not require any image annotations or object class labels for training or testing. Our extensive experimental analysis shows that our reconstruction framework (i) outperforms the state-of-the-art methods for single view reconstruction, and (ii) enables the 3D reconstruction of objects in situations when traditional SFM SLAM methods fail (because of lack of texture and or wide baseline).