Emotion recognition plays an important role in human-computer interaction (HCI) and has been extensively studied for decades. Although tremendous improvements have been achieved for posed expressions, recognizing human emotions in "close-to-real-world" environments remains a challenge. In this paper, we proposed two strategies to fuse information extracted from different modalities, i.e., audio and visual. Specifically, we utilized LBP-TOP, an ensemble of CNNs, and a bi-directional LSTM (BLSTM) to extract features from the visual channel, and the OpenSmile toolkit to extract features from the audio channel. Two kinds of fusion methods, i,e., feature-level fusion and model-level fusion, were developed to utilize the information extracted from the two channels. Experimental results on the EmotiW2018 AFEW dataset have shown that the proposed fusion methods outperform the baseline methods significantly and achieve better or at least comparable performance compared with the state-of-the-art methods, where the model-level fusion performs better when one of the channels totally fails.
directly combines audio and visual features into a joint feature vector @cite_33 and trains a classifier on top of it for emotion recognition. Recently, deep learning has been utilized for learning features from both audio and visual input @cite_47 @cite_22 . For example, @cite_22 employed audio features, aggregated CNN features, and RNN features as input for a Multilayer Perceptron (MLP). @cite_53 utilized the AU-aware features and their latent relations and then fed the concatenated features into a group of SVMs to make prediction.
@cite_53 @cite_47 @cite_33 @cite_22
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Convolutional neural network (CNN) has achieved the state-of-the-art performance in many different visual tasks. Learned from a large-scale training data set, CNN features are much more discriminative and accurate than the handcrafted features. Moreover, CNN features are also transferable among different domains. On the other hand, traditional dictionary-based features (such as BoW and spatial pyramid matching) contain much more local discriminative and structural information, which is implicitly embedded in the images. To further improve the performance, in this paper, we propose to combine CNN with dictionary-based models for scene recognition and visual domain adaptation (DA). Specifically, based on the well-tuned CNN models (e.g., AlexNet and VGG Net), two dictionary-based representations are further constructed, namely, mid-level local representation (MLR) and convolutional Fisher vector (CFV) representation. In MLR, an efficient two-stage clustering method, i.e., weighted spatial and feature space spectral clustering on the parts of a single image followed by clustering all representative parts of all images, is used to generate a class-mixture or a class-specific part dictionary. After that, the part dictionary is used to operate with the multiscale image inputs for generating mid-level representation. In CFV, a multiscale and scale-proportional Gaussian mixture model training strategy is utilized to generate Fisher vectors based on the last convolutional layer of CNN. By integrating the complementary information of MLR, CFV, and the CNN features of the fully connected layer, the state-of-the-art performance can be achieved on scene recognition and DA problems. An interested finding is that our proposed hybrid representation (from VGG net trained on ImageNet) is also complementary to GoogLeNet and or VGG-11 (trained on Place205) greatly. Studies on nowadays human-machine interface have demonstrated that visual information can enhance speech recognition accuracy especially in noisy environments. Deep learning has been widely used to tackle such audio visual speech recognition (AVSR) problem due to its astonishing achievements in both speech recognition and image recognition. Although existing deep learning models succeed to incorporate visual information into speech recognition, none of them simultaneously considers sequential characteristics of both audio and visual modalities. To overcome this deficiency, we proposed a multimodal recurrent neural network (multimodal RNN) model to take into account the sequential characteristics of both audio and visual modalities for AVSR. In particular, multimodal RNN includes three components, i.e., audio part, visual part, and fusion part, where the audio part and visual part capture the sequential characteristics of audio and visual modalities, respectively, and the fusion part combines the outputs of both modalities. Here we modelled the audio modality by using a LSTM RNN, and modelled the visual modality by using a convolutional neural network (CNN) plus a LSTM RNN, and combined both models by a multimodal layer in the fusion part. We validated the effectiveness of the proposed multimodal RNN model on a multi-speaker AVSR benchmark dataset termed AVletters. The experimental results show the performance improvements comparing to the known highest audio visual recognition accuracies on AVletters, and confirm the robustness of our multimodal RNN model. Audio-visual speech recognition (AVSR) system is thought to be one of the most promising solutions for reliable speech recognition, particularly when the audio is corrupted by noise. However, cautious selection of sensory features is crucial for attaining high recognition performance. In the machine-learning community, deep learning approaches have recently attracted increasing attention because deep neural networks can effectively extract robust latent features that enable various recognition algorithms to demonstrate revolutionary generalization capabilities under diverse application conditions. This study introduces a connectionist-hidden Markov model (HMM) system for noise-robust AVSR. First, a deep denoising autoencoder is utilized for acquiring noise-robust audio features. By preparing the training data for the network with pairs of consecutive multiple steps of deteriorated audio features and the corresponding clean features, the network is trained to output denoised audio features from the corresponding features deteriorated by noise. Second, a convolutional neural network (CNN) is utilized to extract visual features from raw mouth area images. By preparing the training data for the CNN as pairs of raw images and the corresponding phoneme label outputs, the network is trained to predict phoneme labels from the corresponding mouth area input images. Finally, a multi-stream HMM (MSHMM) is applied for integrating the acquired audio and visual HMMs independently trained with the respective features. By comparing the cases when normal and denoised mel-frequency cepstral coefficients (MFCCs) are utilized as audio features to the HMM, our unimodal isolated word recognition results demonstrate that approximately 65 word recognition rate gain is attained with denoised MFCCs under 10 dB signal-to-noise-ratio (SNR) for the audio signal input. Moreover, our multimodal isolated word recognition results utilizing MSHMM with denoised MFCCs and acquired visual features demonstrate that an additional word recognition rate gain is attained for the SNR conditions below 10 dB. Deep convolutional neural networks (CNNs) have been actively adopted in the field of music information retrieval, e.g. genre classification, mood detection, and chord recognition. However, the process of learning and prediction is little understood, particularly when it is applied to spectrograms. We introduce auralisation of a CNN to understand its underlying mechanism, which is based on a deconvolution procedure introduced in [2]. Auralisation of a CNN is converting the learned convolutional features that are obtained from deconvolution into audio signals. In the experiments and discussions, we explain trained features of a 5-layer CNN based on the deconvolved spectrograms and auralised signals. The pairwise correlations per layers with varying different musical attributes are also investigated to understand the evolution of the learnt features. It is shown that in the deep layers, the features are learnt to capture textures, the patterns of continuous distributions, rather than shapes of lines.