Noteheads are the interface between the written score and music. Each notehead on the page signifies one note to be played, and detecting noteheads is thus an unavoidable step for Optical Music Recognition. Noteheads are clearly distinct objects, however, the variety of music notation handwriting makes noteheads harder to identify, and while handwritten music notation symbol classification is a well-studied task, symbol detection has usually been limited to heuristics and rule-based systems instead of machine learning methods better suited to deal with the uncertainties in handwriting. We present ongoing work on a simple notehead detector using convolutional neural networks for pixel classification and bounding box regression that achieves a detection f-score of 0.97 on binary score images in the MUSCIMA++ dataset, does not require staff removal, and is applicable to a variety of handwriting styles and levels of musical complexity.
Convolutional neural networks have been previously successfully applied to music scores by Calvo-, for segmentation into staffline, notation, and text regions @cite_12 or binarization @cite_10 , with convincing results that generalize over various input modes.
@cite_10 @cite_12
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We introduce a convolutional recurrent neural network (CRNN) for music tagging. CRNNs take advantage of convolutional neural networks (CNNs) for local feature extraction and recurrent neural networks for temporal summarisation of the extracted features. We compare CRNN with three CNN structures that have been used for music tagging while controlling the number of parameters with respect to their performance and training time per sample. Overall, we found that CRNNs show a strong performance with respect to the number of parameter and training time, indicating the effectiveness of its hybrid structure in music feature extraction and feature summarisation. Deep convolutional neural networks (CNNs) have been actively adopted in the field of music information retrieval, e.g. genre classification, mood detection, and chord recognition. However, the process of learning and prediction is little understood, particularly when it is applied to spectrograms. We introduce auralisation of a CNN to understand its underlying mechanism, which is based on a deconvolution procedure introduced in [2]. Auralisation of a CNN is converting the learned convolutional features that are obtained from deconvolution into audio signals. In the experiments and discussions, we explain trained features of a 5-layer CNN based on the deconvolved spectrograms and auralised signals. The pairwise correlations per layers with varying different musical attributes are also investigated to understand the evolution of the learnt features. It is shown that in the deep layers, the features are learnt to capture textures, the patterns of continuous distributions, rather than shapes of lines. This paper evaluates the potential of convolutional neural networks in classifying short audio clips of environmental sounds. A deep model consisting of 2 convolutional layers with max-pooling and 2 fully connected layers is trained on a low level representation of audio data (segmented spectrograms) with deltas. The accuracy of the network is evaluated on 3 public datasets of environmental and urban recordings. The model outperforms baseline implementations relying on mel-frequency cepstral coefficients and achieves results comparable to other state-of-the-art approaches. Convolutional neural networks (CNNs) have been applied to various automatic image segmentation tasks in medical image analysis, including brain MRI segmentation. Generative adversarial networks have recently gained popularity because of their power in generating images that are difficult to distinguish from real images.