Book covers communicate information to potential readers, but can that same information be learned by computers? We propose using a deep Convolutional Neural Network (CNN) to predict the genre of a book based on the visual clues provided by its cover. The purpose of this research is to investigate whether relationships between books and their covers can be learned. However, determining the genre of a book is a difficult task because covers can be ambiguous and genres can be overarching. Despite this, we show that a CNN can extract features and learn underlying design rules set by the designer to define a genre. Using machine learning, we can bring the large amount of resources available to the book cover design process. In addition, we present a new challenging dataset that can be used for many pattern recognition tasks.
In the field of genre classification, there have been attempts to classify music by genre @cite_25 @cite_13 @cite_23 . It was also done in the fields of paintings @cite_17 @cite_21 and text @cite_14 @cite_24 . However, most of these methods use designed features or features specific to the task. In a more general sense, document classification tackles a similar problem in that it classes documents into architectural categories. In particular, deep CNNs have been successful in document classification @cite_3 @cite_16 . @cite_1 , used a region-based CNNs to guide the document classification.
@cite_14 @cite_21 @cite_1 @cite_3 @cite_24 @cite_23 @cite_16 @cite_13 @cite_25 @cite_17
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This paper presents a system that extracts 109 musical features from symbolic recordings (MIDI, in this case) and uses them to classify the recordings by genre. The features used here are based on instrumentation, texture, rhythm, dynamics, pitch statistics, melody and chords. The classification is performed hierarchically using different sets of features at different levels of the hierarchy. Which features are used at each level, and their relative weightings, are determined using genetic algorithms. Classification is performed using a novel ensemble of feedforward neural networks and k-nearest neighbour classifiers. Arguments are presented emphasizing the importance of using high-level musical features, something that has been largely neglected in automatic classification systems to date in favour of low-level features. The effect on classification performance of varying the number of candidate features is examined in order to empirically demonstrate the importance of using a large variety of musically meaningful features. Two differently sized hierarchies are used in order to test the performance of the system under different conditions. Very encouraging classification success rates of 98 for root genres and 90 for leaf genres are obtained for a hierarchical taxonomy consisting of 9 leaf genres. This paper concerns the development of a music codebook for summarizing local feature descriptors computed over time. Comparing to a holistic representation, this text-like representation better captures the rich and time-varying information of music. We systematically compare a number of existing codebook generation techniques and also propose a new one that incorporates labeled data in the dictionary learning process. Several aspects of the encoding system such as local feature extraction and codeword encoding are also analyzed. Our result demonstrates the superiority of sparsity-enforced dictionary learning over conventional VQ-based or exemplar-based methods. With the new supervised dictionary learning algorithm and the optimal settings inferred from the performance study, we achieve state-of-the-art accuracy of music genre classification using just the log-power spectrogram as the local feature descriptor. The classification accuracies for benchmark datasets GTZAN and IS-MIR2004Genre are 84.7 and 90.8 , respectively. Music auto-tagging is often handled in a similar manner to image classification by regarding the two-dimensional audio spectrogram as image data. However, music auto-tagging is distinguished from image classification in that the tags are highly diverse and have different levels of abstraction. Considering this issue, we propose a convolutional neural networks (CNN)-based architecture that embraces multi-level and multi-scaled features. The architecture is trained in three steps. First, we conduct supervised feature learning to capture local audio features using a set of CNNs with different input sizes. Second, we extract audio features from each layer of the pretrained convolutional networks separately and aggregate them altogether giving a long audio clip. Finally, we put them into fully connected networks and make final predictions of the tags. Our experiments show that using the combination of multi-level and multi-scale features is highly effective in music auto-tagging and the proposed method outperforms the previous state-of-the-art methods on the MagnaTagATune dataset and the Million Song Dataset. We further show that the proposed architecture is useful in transfer learning. We explore multi-scale convolutional neural nets (CNNs) for image classification. Contemporary approaches extract features from a single output layer. By extracting features from multiple layers, one can simultaneously reason about high, mid, and low-level features during classification. The resulting multi-scale architecture can itself be seen as a feed-forward model that is structured as a directed acyclic graph (DAG-CNNs). We use DAG-CNNs to learn a set of multi-scale features that can be effectively shared between coarse and fine-grained classification tasks. While fine-tuning such models helps performance, we show that even "off-the-self" multi-scale features perform quite well. We present extensive analysis and demonstrate state-of-the-art classification performance on three standard scene benchmarks (SUN397, MIT67, and Scene15). In terms of the heavily benchmarked MIT67 and Scene15 datasets, our results reduce the lowest previously-reported error by 23.9 and 9.5 , respectively.