In this work, we introduce pose interpreter networks for 6-DoF object pose estimation. In contrast to other CNN-based approaches to pose estimation that require expensively annotated object pose data, our pose interpreter network is trained entirely on synthetic pose data. We use object masks as an intermediate representation to bridge real and synthetic. We show that when combined with a segmentation model trained on RGB images, our synthetically trained pose interpreter network is able to generalize to real data. Our end-to-end system for object pose estimation runs in real-time (20 Hz) on live RGB data, without using depth information or ICP refinement.
Our work, which use CNNs for regression, is also related to @cite_10 and @cite_25 , known for successfully demonstrating camera pose regression with CNNs. Additionally, the use of rendering software to cheaply acquire large quantities of synthetic training images for training deep networks has been proposed by several previous works @cite_0 @cite_45 @cite_50 . In particular, @cite_45 also uses an intermediate representation to bridge synthetic data and real data for 3D object structure recovery.
@cite_0 @cite_45 @cite_50 @cite_10 @cite_25
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This paper addresses the problem of 3D human pose estimation in the wild. A significant challenge is the lack of training data, i.e., 2D images of humans annotated with 3D poses. Such data is necessary to train state-of-the-art CNN architectures. Here, we propose a solution to generate a large set of photorealistic synthetic images of humans with 3D pose annotations. We introduce an image-based synthesis engine that artificially augments a dataset of real images with 2D human pose annotations using 3D Motion Capture (MoCap) data. Given a candidate 3D pose our algorithm selects for each joint an image whose 2D pose locally matches the projected 3D pose. The selected images are then combined to generate a new synthetic image by stitching local image patches in a kinematically constrained manner. The resulting images are used to train an end-to-end CNN for full-body 3D pose estimation. We cluster the training data into a large number of pose classes and tackle pose estimation as a K-way classification problem. Such an approach is viable only with large training sets such as ours. Our method outperforms the state of the art in terms of 3D pose estimation in controlled environments (Human3.6M) and shows promising results for in-the-wild images (LSP). This demonstrates that CNNs trained on artificial images generalize well to real images. Convolutional Neural Networks (CNNs) have been applied to camera relocalization, which is to infer the pose of the camera given a single monocular image. However, there are still many open problems for camera relocalization with CNNs. We delve into the CNNs for camera relocalization. First, a variant of Euler angles named Euler6 is proposed to represent orientation. Then a data augmentation method named pose synthesis is designed to reduce spsarsity of poses in the whole pose space to cope with overfitting in training. Third, a multi-task CNN named BranchNet is proposed to deal with the complex coupling of orientation and translation. The network consists of several shared convolutional layers and splits into two branches which predict orientation and translation, respectively. Experiments on the 7Scenes dataset show that incorporating these techniques one by one into an existing model PoseNet always leads to better results. Together these techniques reduce the orientation error by 15.9 and the translation error by 38.3 compared to the state-of-the-art model Bayesian PoseNet. We implement BranchNet on an Intel NUC mobile platform and reach a speed of 43 fps, which meets the real-time requirement of many robotic applications. The purpose of this study is to determine whether current video datasets have sufficient data for training very deep convolutional neural networks (CNNs) with spatio-temporal three-dimensional (3D) kernels. Recently, the performance levels of 3D CNNs in the field of action recognition have improved significantly. However, to date, conventional research has only explored relatively shallow3Darchitectures. We examine the architectures of various 3D CNNs from relatively shallow to very deep ones on current video datasets. Based on the results of those experiments, the following conclusions could be obtained: (i) ResNet-18 training resulted in significant overfitting for UCF-101, HMDB-51, and ActivityNet but not for Kinetics. (ii) The Kinetics dataset has sufficient data for training of deep 3D CNNs, and enables training of up to 152 ResNets layers, interestingly similar to 2D ResNets on ImageNet. (iii) Kinetics pretrained simple 3D architectures outperforms complex2D architectures, and the pretrained ResNeXt-101 achieved 94.5 and 70.2 on UCF-101 and HMDB-51, respectively. The use of 2D CNNs trained on ImageNet has produced significant progress in various tasks in image. We believe that using deep 3D CNNs together with Kinetics will retrace the successful history of 2D CNNs and ImageNet, and stimulate advances in computer vision for videos. The codes and pretrained models used in this study are publicly available. We introduce a novel method for 3D object detection and pose estimation from color images only. We first use segmentation to detect the objects of interest in 2D even in presence of partial occlusions and cluttered background. By contrast with recent patch-based methods, we rely on a “holistic” approach: We apply to the detected objects a Convolutional Neural Network (CNN) trained to predict their 3D poses in the form of 2D projections of the corners of their 3D bounding boxes. This, however, is not sufficient for handling objects from the recent T-LESS dataset: These objects exhibit an axis of rotational symmetry, and the similarity of two images of such an object under two different poses makes training the CNN challenging. We solve this problem by restricting the range of poses used for training, and by introducing a classifier to identify the range of a pose at run-time before estimating it. We also use an optional additional step that refines the predicted poses. We improve the state-of-the-art on the LINEMOD dataset from 73.7 [2] to 89.3 of correctly registered RGB frames. We are also the first to report results on the Occlusion dataset [1 ] using color images only. We obtain 54 of frames passing the Pose 6D criterion on average on several sequences of the T-LESS dataset, compared to the 67 of the state-of-the-art [10] on the same sequences which uses both color and depth. The full approach is also scalable, as a single network can be trained for multiple objects simultaneously.