Optical Music Recognition (OMR) is an important and challenging area within music information retrieval, the accurate detection of music symbols in digital images is a core functionality of any OMR pipeline. In this paper, we introduce a novel object detection method, based on synthetic energy maps and the watershed transform, called Deep Watershed Detector (DWD). Our method is specifically tailored to deal with high resolution images that contain a large number of very small objects and is therefore able to process full pages of written music. We present state-of-the-art detection results of common music symbols and show DWD's ability to work with synthetic scores equally well as on handwritten music.
In response to the above mentioned issues some deep learning based, data driven approaches have been developed. Hajic and Pecina @cite_31 proposed an adaptation of Faster R-CNN with a custom region proposal mechanism based on the morphological skeleton to accurately detect noteheads, while @cite_13 were able to detect accidentals in dense piano scores with high accuracy, given previously detected noteheads, that are being used as input-features to the network. A big limitation of both approaches is that the experiments have been done only on a tiny vocabulary of the musical symbols, and therefore their scalability remains an open question.
@cite_31 @cite_13
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We consider the problem of transcribing polyphonic piano music with an emphasis on generalizing to unseen instruments. We use deep neural networks and propose a novel approach that predicts onsets and frames using both CNNs and LSTMs. This model predicts pitch onset events and then uses those predictions to condition framewise pitch predictions. During inference, we restrict the predictions from the framewise detector by not allowing a new note to start unless the onset detector also agrees that an onset for that pitch is present in the frame. We focus on improving onsets and offsets together instead of either in isolation as we believe it correlates better with human musical perception. This technique results in over a 100 relative improvement in note with offset score on the MAPS dataset. State-of-the-art Optical Music Recognition system often fails to process dense and damaged music scores, where many symbols can present complex segmentation problems. We propose to resolve these segmentation problems by using a CNN-based detector trained with few manually annotated data. A data augmentation bootstrapping method is used to accurately train a deep learning model to do the localization and classification of an accidental symbol associated with a note head, or the note head if there is no accidental. Using 5-fold cross-validation, we obtain an average of 98.5 localization with an IoU score over 0.5 and a classification accuracy of 99.2 . Action recognition with 3D skeleton sequences became popular due to its speed and robustness. The recently proposed convolutional neural networks (CNNs)-based methods show a good performance in learning spatio–temporal representations for skeleton sequences. Despite the good recognition accuracy achieved by previous CNN-based methods, there existed two problems that potentially limit the performance. First, previous skeleton representations were generated by chaining joints with a fixed order. The corresponding semantic meaning was unclear and the structural information among the joints was lost. Second, previous models did not have an ability to focus on informative joints. The attention mechanism was important for skeleton-based action recognition because different joints contributed unequally toward the correct recognition. To solve these two problems, we proposed a novel CNN-based method for skeleton-based action recognition. We first redesigned the skeleton representations with a depth-first tree traversal order, which enhanced the semantic meaning of skeleton images and better preserved the associated structural information. We then proposed the general two-branch attention architecture that automatically focused on spatio–temporal key stages and filtered out unreliable joint predictions. Based on the proposed general architecture, we designed a global long-sequence attention network with refined branch structures. Furthermore, in order to adjust the kernel’s spatio–temporal aspect ratios and better capture long-term dependencies, we proposed a sub-sequence attention network (SSAN) that took sub-image sequences as inputs. We showed that the two-branch attention architecture could be combined with the SSAN to further improve the performance. Our experiment results on the NTU RGB+D data set and the SBU kinetic interaction data set outperformed the state of the art. The model was further validated on noisy estimated poses from the subsets of the UCF101 data set and the kinetics data set. In present object detection systems, the deep convolutional neural networks (CNNs) are utilized to predict bounding boxes of object candidates, and have gained performance advantages over the traditional region proposal methods. However, existing deep CNN methods assume the object bounds to be four independent variables, which could be regressed by the l2 loss separately. Such an oversimplified assumption is contrary to the well-received observation, that those variables are correlated, resulting to less accurate localization. To address the issue, we firstly introduce a novel Intersection over Union (IoU) loss function for bounding box prediction, which regresses the four bounds of a predicted box as a whole unit. By taking the advantages of IoU loss and deep fully convolutional networks, the UnitBox is introduced, which performs accurate and efficient localization, shows robust to objects of varied shapes and scales, and converges fast. We apply UnitBox on face detection task and achieve the best performance among all published methods on the FDDB benchmark.