Convolutional Neural Network (CNN) has been successful in image recognition tasks, and recent works shed lights on how CNN separates different classes with the learned inter-class knowledge through visualization. In this work, we instead visualize the intra-class knowledge inside CNN to better understand how an object class is represented in the fully-connected layers. To invert the intra-class knowledge into more interpretable images, we propose a non-parametric patch prior upon previous CNN visualization models. With it, we show how different "styles" of templates for an object class are organized by CNN in terms of location and content, and represented in a hierarchical and ensemble way. Moreover, such intra-class knowledge can be used in many interesting applications, e.g. style-based image retrieval and style-based object completion.
Understanding image collections is a relatively unexplored task, although there is growing interest in this area. Several methods attempt to represent the continuous variaation in an image class using sub-spaces or manifolds. Unlike this work, we investigate discrete, name- able transformations, like crinkling, rather than working in a hard-to-interpret parameter space. Photo collections have also been mined for storylines as well as spatial and temporal trends, and systems have been proposed for more general knowledge discovery from big visual data. @cite_9 focuses on physical state transformations, and in addition to discovering states it also studies state pairs that define a transformation.
@cite_9
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Automatic organization of large, unordered image collections is an extremely challenging problem with many potential applications. Often, what is required is that images taken in the same place, of the same thing, or of the same person be conceptually grouped together. This work focuses on grouping images containing the same object, despite significant changes in scale, viewpoint and partial occlusions, in very large (1M+) image collections automatically gathered from Flicker. The scale of the data and the extreme variation in imaging conditions makes the problem very challenging. We describe a scalable method that first computes a matching graph over all the images. Image groups can then be mined from this graph using standard clustering techniques. The novelty we bring is that both the matching graph and the clustering methods are able to use the spatial consistency between the images arising from the common object (if there is one). We demonstrate our methods on a publicly available dataset of 5 K images of Oxford, a 37 K image dataset containing images of the Statue of Liberty, and a much larger 1M image dataset of Rome. This is, to our knowledge, the largest dataset to which image-based data mining has been applied. Objects in visual scenes come in a rich variety of transformed states. A few classes of transformation have been heavily studied in computer vision: mostly simple, parametric changes in color and geometry. However, transformations in the physical world occur in many more flavors, and they come with semantic meaning: e.g., bending, folding, aging, etc. The transformations an object can undergo tell us about its physical and functional properties. In this paper, we introduce a dataset of objects, scenes, and materials, each of which is found in a variety of transformed states. Given a novel collection of images, we show how to explain the collection in terms of the states and transformations it depicts. Our system works by generalizing across object classes: states and transformations learned on one set of objects are used to interpret the image collection for an entirely new object class. State of the art data mining and image retrieval in community photo collections typically focus on popular subsets, e.g. images containing landmarks or associated to Wikipedia articles. We propose an image clustering scheme that, seen as vector quantization compresses a large corpus of images by grouping visually consistent ones while providing a guaranteed distortion bound. This allows us, for instance, to represent the visual content of all thousands of images depicting the Parthenon in just a few dozens of scene maps and still be able to retrieve any single, isolated, non-landmark image like a house or graffiti on a wall. Starting from a geo-tagged dataset, we first group images geographically and then visually, where each visual cluster is assumed to depict different views of the the same scene. We align all views to one reference image and construct a 2D scene map by preserving details from all images while discarding repeating visual features. Our indexing, retrieval and spatial matching scheme then operates directly on scene maps. We evaluate the precision of the proposed method on a challenging one-million urban image dataset. In this paper, we propose a novel method for image inpainting based on a Deep Convolutional Generative Adversarial Network (DCGAN). We define a loss function consisting of two parts: (1) a contextual loss that preserves similarity between the input corrupted image and the recovered image, and (2) a perceptual loss that ensures a perceptually realistic output image. Given a corrupted image with missing values, we use back-propagation on this loss to map the corrupted image to a smaller latent space. The mapped vector is then passed through the generative model to predict the missing content. The proposed framework is evaluated on the CelebA and SVHN datasets for two challenging inpainting tasks with random 80 corruption and large blocky corruption. Experiments show that our method can successfully predict semantic information in the missing region and achieve pixel-level photorealism, which is impossible by almost all existing methods.