In this paper, we aim to solve the automatic playlist continuation (APC) problem by modeling complex interactions among users, playlists, and songs using only their interaction data. Prior methods mainly rely on dot product to account for similarities, which is not ideal as dot product is not metric learning, so it does not convey the important inequality property. Based on this observation, we propose three novel deep learning approaches that utilize Mahalanobis distance. Our first approach uses user-playlist-song interactions, and combines Mahalanobis distance scores between (i) a target user and a target song, and (ii) between a target playlist and the target song to account for both the user's preference and the playlist's theme. Our second approach measures song-song similarities by considering Mahalanobis distance scores between the target song and each member song (i.e., existing song) in the target playlist. The contribution of each distance score is measured by our proposed memory metric-based attention mechanism. In the third approach, we fuse the two previous models into a unified model to further enhance their performance. In addition, we adopt and customize Adversarial Personalized Ranking (APR) for our three approaches to further improve their robustness and predictive capabilities. Through extensive experiments, we show that our proposed models outperform eight state-of-the-art models in two large-scale real-world datasets.
Music recommendation literature has frequently made use of available metadata such as: lyrics @cite_32 , tags @cite_32 @cite_9 @cite_33 @cite_38 @cite_47 , audio features @cite_32 @cite_61 @cite_9 @cite_38 @cite_47 , audio spectrograms @cite_24 @cite_1 @cite_45 , song artist playlist names @cite_41 @cite_51 @cite_30 @cite_10 @cite_42 , and Twitter data @cite_33 . Deep learning and hybrid approaches have made significant progress against traditional collaborative filtering music recommenders @cite_45 @cite_38 @cite_47 @cite_24 . @cite_61 uses multi-arm bandit reinforcement learning for interactive music recommendation by leveraging novelty and music audio content. @cite_9 and @cite_1 perform weighted matrix factorization using latent features pre-trained on a CNN, with song tags and Mel-frequency cepstral coefficients (MFCCs) as input, respectively. Unlike these works, our proposed approaches do not require or incorporate side information.
@cite_61 @cite_38 @cite_30 @cite_33 @cite_41 @cite_10 @cite_9 @cite_42 @cite_1 @cite_32 @cite_24 @cite_45 @cite_47 @cite_51
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In the Internet music scene, where recommendation technology is key for navigating huge collections, large market players enjoy a considerable advantage. Accessing a wider pool of user feedback leads to an increasingly more accurate analysis of user tastes, effectively creating a "rich get richer" effect. This work aims at significantly lowering the entry barrier for creating music recommenders, through a paradigm coupling a public data source and a new collaborative filtering (CF) model. We claim that Internet radio stations form a readily available resource of abundant fresh human signals on music through their playlists, which are essentially cohesive sets of related tracks. In a way, our models rely on the knowledge of a diverse group of experts in lieu of the commonly used wisdom of crowds. Over several weeks, we aggregated publicly available playlists of thousands of Internet radio stations, resulting in a dataset encompassing millions of plays, and hundreds of thousands of tracks and artists. This provides the large scale ground data necessary to mitigate the cold start problem of new items at both mature and emerging services. Furthermore, we developed a new probabilistic CF model, tailored to the Internet radio resource. The success of the model was empirically validated on the collected dataset. Moreover, we tested the model at a cross-source transfer learning manner -- the same model trained on the Internet radio data was used to predict behavior of Yahoo! Music users. This demonstrates the ability to tap the Internet radio signals in other music recommendation setups. Based on encouraging empirical results, our hope is that the proposed paradigm will make quality music recommendation accessible to all interested parties in the community. Existing content-based music recommendation systems typically employ a approach. They first extract traditional audio content features such as Mel-frequency cepstral coefficients and then predict user preferences. However, these traditional features, originally not created for music recommendation, cannot capture all relevant information in the audio and thus put a cap on recommendation performance. Using a novel model based on deep belief network and probabilistic graphical model, we unify the two stages into an automated process that simultaneously learns features from audio content and makes personalized recommendations. Compared with existing deep learning based models, our model outperforms them in both the warm-start and cold-start stages without relying on collaborative filtering (CF). We then present an efficient hybrid method to seamlessly integrate the automatically learnt features and CF. Our hybrid method not only significantly improves the performance of CF but also outperforms the traditional feature mbased hybrid method. Automatic music recommendation has become an increasingly relevant problem in recent years, since a lot of music is now sold and consumed digitally. Most recommender systems rely on collaborative filtering. However, this approach suffers from the cold start problem: it fails when no usage data is available, so it is not effective for recommending new and unpopular songs. In this paper, we propose to use a latent factor model for recommendation, and predict the latent factors from music audio when they cannot be obtained from usage data. We compare a traditional approach using a bag-of-words representation of the audio signals with deep convolutional neural networks, and evaluate the predictions quantitatively and qualitatively on the Million Song Dataset. We show that using predicted latent factors produces sensible recommendations, despite the fact that there is a large semantic gap between the characteristics of a song that affect user preference and the corresponding audio signal. We also show that recent advances in deep learning translate very well to the music recommendation setting, with deep convolutional neural networks significantly outperforming the traditional approach. Many tasks in music information retrieval, such as recommendation, and playlist generation for online radio, fall naturally into the query-by-example setting, wherein a user queries the system by providing a song, and the system responds with a list of relevant or similar song recommendations. Such applications ultimately depend on the notion of similarity between items to produce high-quality results. Current state-of-the-art systems employ collaborative filter methods to represent musical items, effectively comparing items in terms of their constituent users. While collaborative filter techniques perform well when historical data is available for each item, their reliance on historical data impedes performance on novel or unpopular items. To combat this problem, practitioners rely on content-based similarity, which naturally extends to novel items, but is typically outperformed by collaborative filter methods. In this paper, we propose a method for optimizing content-based similarity by learning from a sample of collaborative filter data. The optimized content-based similarity metric can then be applied to answer queries on novel and unpopular items, while still maintaining high recommendation accuracy. The proposed system yields accurate and efficient representations of audio content, and experimental results show significant improvements in accuracy over competing content-based recommendation techniques.