A main challenge in applying deep learning to music processing is the availability of training data. One potential solution is Multi-task Learning, in which the model also learns to solve related auxiliary tasks on additional datasets to exploit their correlation. While intuitive in principle, it can be challenging to identify related tasks and construct the model to optimally share information between tasks. In this paper, we explore vocal activity detection as an additional task to stabilise and improve the performance of vocal separation. Further, we identify problematic biases specific to each dataset that could limit the generalisation capability of separation and detection models, to which our proposed approach is robust. Experiments show improved performance in separation as well as vocal detection compared to single-task baselines. However, we find that the commonly used Signal-to-Distortion Ratio (SDR) metrics did not capture the improvement on non-vocal sections, indicating the need for improved evaluation methodologies.
To our knowledge, Chan @cite_19 provide the only work combining in particular, with . Vocal activity labels are used to construct a mask, which forces the corresponding parts of the mixture spectrogram to be modelled individually in a method based on robust principal component analysis (RPCA). For an increase in separation quality however, vocal activity labels are required during prediction. The labels also have to be quite precise as a false negative label would force the vocal estimate to be zero for vocal sections.
@cite_19
2021196544 2787211894 2953311167 2805288670
This paper addresses the problem of sound source separation from a multichannel microphone array capture via estimation of source spatial covariance matrix (SCM) of a short-time Fourier transformed mixture signal. In many conventional audio separation algorithms the source mixing parameter estimation is done separately for each frequency thus making them prone to errors and leading to suboptimal source estimates. In this paper we propose a SCM model which consists of a weighted sum of direction of arrival (DoA) kernels and estimate only the weights dependent on the source directions. In the proposed algorithm, the spatial properties of the sources become jointly optimized over all frequencies, leading to more coherent source estimates and mitigating the effect of spatial aliasing at high frequencies. The proposed SCM model is combined with a linear model for magnitudes and the parameter estimation is formulated in a complex-valued non-negative matrix factorization (CNMF) framework. Simulations consist of recordings done with a hand-held device sized array having multiple microphones embedded inside the device casing. Separation quality of the proposed algorithm is shown to exceed the performance of existing state of the art separation methods with two sources when evaluated by objective separation quality metrics. This paper presents new statistical methods of multichannel audio source separation based on unified source and spatial models that, respectively, represent the generative process of latent source spectrograms and that of observed mixture spectrograms. One possibility of the source model is a factor model based on nonnegative matrix factorization that represents each time-frequency (TF) bin as the weighted sum of basis spectra. Another possibility is a mixture model inspired by latent Dirichlet allocation that exclusively classifies each TF bin into one of basis spectra. Similarly, the spatial model can either be a factor model that represents each TF bin as the weighted sum of source spectra or a mixture model that classifies each bin into one of those spectra. To unify these models in a principled manner and incorporate prior knowledge of a microphone array, we propose hierarchical Bayesian models of all the source–spatial combinations (factor–factor, mixture–factor, factor–mixture, and mixture–mixture models) and derive efficient Gibbs sampling algorithms for posterior inference. Experimental results showed that the proposed unified models outperformed the state-of-the-art method using only the spatial mixture model. Among the four unified models, the spatial factor model tended to work better than the spatial mixture model in exchange for larger computational cost, and the choice of source models had a little impact on the performance and computational cost. Identification and extraction of singing voice from within musical mixtures is a key challenge in source separation and machine audition. Recently, deep neural networks (DNN) have been used to estimate 'ideal' binary masks for carefully controlled cocktail party speech separation problems. However, it is not yet known whether these methods are capable of generalizing to the discrimination of voice and non-voice in the context of musical mixtures. Here, we trained a convolutional DNN (of around a billion parameters) to provide probabilistic estimates of the ideal binary mask for separation of vocal sounds from real-world musical mixtures. We contrast our DNN results with more traditional linear methods. Our approach may be useful for automatic removal of vocal sounds from musical mixtures for 'karaoke' type applications. Models for audio source separation usually operate on the magnitude spectrum, which ignores phase information and makes separation performance dependant on hyper-parameters for the spectral front-end. Therefore, we investigate end-to-end source separation in the time-domain, which allows modelling phase information and avoids fixed spectral transformations. Due to high sampling rates for audio, employing a long temporal input context on the sample level is difficult, but required for high quality separation results because of long-range temporal correlations. In this context, we propose the Wave-U-Net, an adaptation of the U-Net to the one-dimensional time domain, which repeatedly resamples feature maps to compute and combine features at different time scales. We introduce further architectural improvements, including an output layer that enforces source additivity, an upsampling technique and a context-aware prediction framework to reduce output artifacts. Experiments for singing voice separation indicate that our architecture yields a performance comparable to a state-of-the-art spectrogram-based U-Net architecture, given the same data. Finally, we reveal a problem with outliers in the currently used SDR evaluation metrics and suggest reporting rank-based statistics to alleviate this problem.