In this work we propose a simple unsupervised approach for next frame prediction in video. Instead of directly predicting the pixels in a frame given past frames, we predict the transformations needed for generating the next frame in a sequence, given the transformations of the past frames. This leads to sharper results, while using a smaller prediction model. @PARASPLIT In order to enable a fair comparison between different video frame prediction models, we also propose a new evaluation protocol. We use generated frames as input to a classifier trained with ground truth sequences. This criterion guarantees that models scoring high are those producing sequences which preserve discrim- inative features, as opposed to merely penalizing any deviation, plausible or not, from the ground truth. Our proposed approach compares favourably against more sophisticated ones on the UCF-101 data set, while also being more efficient in terms of the number of parameters and computational cost.
@cite_7 , and similarly @cite_8 for Robot tasks and @cite_2 for 3D objects, frames of a video game are predicted given an action (transformation) taken by an agent. While the papers show great results, the movement in a natural video cannot be described by a simple action and these methods are therefore not widely applicable.
@cite_2 @cite_7 @cite_8
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We show that setting a reasonable frame skip can be critical to the performance of agents learning to play Atari 2600 games. In all of the six games in our experiments, frame skip is a strong determinant of success. For two of these games, setting a large frame skip leads to state-of-the-art performance. The rate at which an agent interacts with its environment may be critical to its success. In the Arcade Learning Environment (ALE) ( 2013) games run at sixty frames per second, and agents can submit an action at every frame. Frame skip is the number of frames an action is repeated before a new action is selected. Existing reinforcement learning (RL) approaches use static frame skip: HNEAT ( 2013) uses a frame skip of 0; DQN ( 2013) uses a frame skip of 2-3; SARSA and planning approaches ( 2013) use a frame skip of 4. When action selection is computationally intensive, setting a higher frame skip can significantly decrease the time it takes to simulate an episode, at the cost of missing opportunities that only exist at a finer resolution. A large frame skip can also prevent degenerate super-human-reflex strategies, such as those described by for Bowling, Kung Fu Master, Video Pinball and Beam Rider. We show that in addition to these advantages agents that act with high frame skip can actually learn faster with respect to the number of training episodes than those that skip no frames. We present results for six of the seven games covered by : three (Beam Rider, Breakout and Pong) for which DQN was able to achieve near- or superhuman performance, and three (Q*Bert, Space Invaders and Seaquest) for which all RL approaches are far from human performance. These latter games were understood to be difficult because they require ‘strategy that extends over long time scales.’ In our experiments, setting a large frame skip was critical to achieving state-of-the-art performance in two of these games: Space Invaders and Q*Bert. More generally, the frame skip parameter was a strong determinant of performance in all six games. Our learning framework is a variant of Enforced Subpopulations (ESP) (Gomez and Miikkulainen 1997), a neuroevolution approach that has been successfully imple Existing approaches to nonrigid structure from motion assume that the instantaneous 3D shape of a deforming object is a linear combination of basis shapes. These bases are object dependent and therefore have to be estimated anew for each video sequence. In contrast, we propose a dual approach to describe the evolving 3D structure in trajectory space by a linear combination of basis trajectories. We describe the dual relationship between the two approaches, showing that they both have equal power for representing 3D structure. We further show that the temporal smoothness in 3D trajectories alone can be used for recovering nonrigid structure from a moving camera. The principal advantage of expressing deforming 3D structure in trajectory space is that we can define an object independent basis. This results in a significant reduction in unknowns and corresponding stability in estimation. We propose the use of the Discrete Cosine Transform (DCT) as the object independent basis and empirically demonstrate that it approaches Principal Component Analysis (PCA) for natural motions. We report the performance of the proposed method, quantitatively using motion capture data, and qualitatively on several video sequences exhibiting nonrigid motions, including piecewise rigid motion, partially nonrigid motion (such as a facial expressions), and highly nonrigid motion (such as a person walking or dancing). This paper presents two approaches for the representation and recognition of human action in video, aiming for view-point invariance. The paper first presents new results using a 2D approach presented earlier. Inherent limitations of the 2D approach are discussed and a new 3D approach that builds on recent work on 3D model-based invariants, is presented. Each action is represented as a unique curve in a 3D invariance space, surrounded by an acceptance volume ('action volume'). Given a video sequence, 2D quantities from the image are calculated and matched against candidate action volumes in a probabilistic framework. The theory is presented followed by results on arbitrary projections of motion-capture data which demonstrate a high degree of tolerance to viewpoint change. Action parsing in videos with complex scenes is an interesting but challenging task in computer vision. In this paper, we propose a generic 3D convolutional neural network in a multi-task learning manner for effective Deep Action Parsing (DAP3D-Net) in videos. Particularly, in the training phase, action localization, classification and attributes learning can be jointly optimized on our appearancemotion data via DAP3D-Net. For an upcoming test video, we can describe each individual action in the video simultaneously as: Where the action occurs, What the action is and How the action is performed. To well demonstrate the effectiveness of the proposed DAP3D-Net, we also contribute a new Numerous-category Aligned Synthetic Action dataset, i.e., NASA, which consists of 200; 000 action clips of more than 300 categories and with 33 pre-defined action attributes in two hierarchical levels (i.e., low-level attributes of basic body part movements and high-level attributes related to action motion). We learn DAP3D-Net using the NASA dataset and then evaluate it on our collected Human Action Understanding (HAU) dataset. Experimental results show that our approach can accurately localize, categorize and describe multiple actions in realistic videos.