Sounds originate from object motions and vibrations of surrounding air. Inspired by the fact that humans is capable of interpreting sound sources from how objects move visually, we propose a novel system that explicitly captures such motion cues for the task of sound localization and separation. Our system is composed of an end-to-end learnable model called Deep Dense Trajectory (DDT), and a curriculum learning scheme. It exploits the inherent coherence of audio-visual signals from a large quantities of unlabeled videos. Quantitative and qualitative evaluations show that comparing to previous models that rely on visual appearance cues, our motion based system improves performance in separating musical instrument sounds. Furthermore, it separates sound components from duets of the same category of instruments, a challenging problem that has not been addressed before.
Lip motion is a useful cue in the speech processing domain, Gabbay al @cite_20 used it for speech denoising; Chung al @cite_32 demonstrated lip reading from face videos. Ephrat al @cite_15 and Owens al @cite_38 demonstrated speech separation and enhancement from videos.
@cite_38 @cite_15 @cite_32 @cite_20
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Lip synchronization is the determination of the motion of the mouth and tongue during speech. It can be deduced from the speech signal without phonemic analysis, and irrespective of the content of the speech. Our method is based on the observation that the position of the mouth over a short interval of time can be correlated with the basic shape of the spectrum of the speech over that same interval. The spectrum is obtained from a Fast Fourier Transform (FFT) and treated like a discrete probability density function. Statistical measures called moments are used to describe the shape. For several canonical utterances, video measurements of a speaker's mouth are combined with the corresponding moments to produce continuous predictor surfaces for each of three mouth parameters: jaw position, horizontal opening between the lips and vertical opening between the lips. The method involves smoothing so it is independent of the local behavior of the spectrum. Lipreading is the task of decoding text from the movement of a speaker's mouth. Traditional approaches separated the problem into two stages: designing or learning visual features, and prediction. More recent deep lipreading approaches are end-to-end trainable (, 2016; Chung & Zisserman, 2016a). However, existing work on models trained end-to-end perform only word classification, rather than sentence-level sequence prediction. Studies have shown that human lipreading performance increases for longer words (Easton & Basala, 1982), indicating the importance of features capturing temporal context in an ambiguous communication channel. Motivated by this observation, we present LipNet, a model that maps a variable-length sequence of video frames to text, making use of spatiotemporal convolutions, a recurrent network, and the connectionist temporal classification loss, trained entirely end-to-end. To the best of our knowledge, LipNet is the first end-to-end sentence-level lipreading model that simultaneously learns spatiotemporal visual features and a sequence model. On the GRID corpus, LipNet achieves 95.2 accuracy in sentence-level, overlapped speaker split task, outperforming experienced human lipreaders and the previous 86.4 word-level state-of-the-art accuracy (, 2016). Given an arbitrary face image and an arbitrary speech clip, the proposed work attempts to generating the talking face video with accurate lip synchronization while maintaining smooth transition of both lip and facial movement over the entire video clip. Existing works either do not consider temporal dependency on face images across different video frames thus easily yielding noticeable abrupt facial and lip movement or are only limited to the generation of talking face video for a specific person thus lacking generalization capacity. We propose a novel conditional video generation network where the audio input is treated as a condition for the recurrent adversarial network such that temporal dependency is incorporated to realize smooth transition for the lip and facial movement. In addition, we deploy a multi-task adversarial training scheme in the context of video generation to improve both photo-realism and the accuracy for lip synchronization. Finally, based on the phoneme distribution information extracted from the audio clip, we develop a sample selection method that effectively reduces the size of the training dataset without sacrificing the quality of the generated video. Extensive experiments on both controlled and uncontrolled datasets demonstrate the superiority of the proposed approach in terms of visual quality, lip sync accuracy, and smooth transition of lip and facial movement, as compared to the state-of-the-art. In this paper, we consider the task: given an arbitrary audio speech and one lip image of arbitrary target identity, generate synthesized lip movements of the target identity saying the speech. To perform well, a model needs to not only consider the retention of target identity, photo-realistic of synthesized images, consistency and smoothness of lip images in a sequence, but more importantly, learn the correlations between audio speech and lip movements. To solve the collective problems, we devise a network to synthesize lip movements and propose a novel correlation loss to synchronize lip changes and speech changes. Our full model utilizes four losses for a comprehensive consideration; it is trained end-to-end and is robust to lip shapes, view angles and different facial characteristics. Thoughtful experiments on three datasets ranging from lab-recorded to lips in-the-wild show that our model significantly outperforms other state-of-the-art methods extended to this task.