Video frame synthesis is an active computer vision problem which has applications in video compression, streaming, editing, and understanding. In this work, we present a computational high speed video synthesis framework. Our framework takes as inputs two types of data streams: an intensity frame stream and a neuromorphic event stream, which consists of asynchronous bipolar "events" which encode brightness variations over time at over 1000 fps. We introduce an algorithm to recover a space-time video from these two modes of observations. We factor the reconstruction into a physical model-based reconstruction (PBR) process and a residual denoising process. We use a differentiable model to approximate the physical sensing process, which enables stochastic gradient descent optimization using automatic differentiation. Residual errors in PBR reconstruction are further reduced by training a residual denoiser to remove reconstruction artifacts. The video output from our reconstruction algorithm has both high frame rate and well-recovered spatial features. Our framework is capable of handling challenging scenes that include fast motion and strong occlusions.
Computational high speed cameras. High speed cameras have appications in sports activity recording and broadcasting, biophysical process detection and analysis, and aerospace exploration. While some consumer grade high speed cameras exist, it remains a significant challenge to simultaneously capture high temporal resolution (TR) and high spatial resolution (SR) videos. To bridge the gap between still cameras (high SR, low TR) and video cameras (low SR, high TR), several methods @cite_49 @cite_14 @cite_48 have been proposed that utilize inter-frame correspondences via optical flow and or space-time regularization @cite_0 @cite_51 . In addition, methods have been proposed for flexible @cite_36 , adaptive @cite_34 , and compressive @cite_47 sampling and reconstruction @cite_41 of high speed videos. Gupta al @cite_36 proposed multi-level SR-TR sampling and post-processing schemes enabled motion-aware videography. Tarvainen al @cite_43 leveraged spatial-temporal information as camera parameters for super resolution. A number of compressive video sensing @cite_28 , prototypes @cite_25 @cite_44 have been devised with additional spatial-temporal encoders and compressive sensing algorithms for data recovery and inference. A recent work demonstrated single-shot 3D video recovery by incorporating active illumination @cite_12 .
@cite_14 @cite_36 @cite_48 @cite_41 @cite_28 @cite_0 @cite_43 @cite_44 @cite_49 @cite_47 @cite_34 @cite_51 @cite_25 @cite_12
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Video cameras are invariably bandwidth limited and this results in a trade-off between spatial and temporal resolution. Advances in sensor manufacturing technology have tremendously increased the available spatial resolution of modern cameras while simultaneously lowering the costs of these sensors. In stark contrast, hardware improvements in temporal resolution have been modest. One solution to enhance temporal resolution is to use high bandwidth imaging devices such as high speed sensors and camera arrays. Unfortunately, these solutions are expensive. An alternate solution is motivated by recent advances in computational imaging and compressive sensing. Camera designs based on these principles, typically, modulate the incoming video using spatio-temporal light modulators and capture the modulated video at a lower bandwidth. Reconstruction algorithms, motivated by compressive sensing, are subsequently used to recover the high bandwidth video at high fidelity. Though promising, these methods have been limited since they require complex and expensive light modulators that make the techniques difficult to realize in practice. In this paper, we show that a simple coded exposure modulation is sufficient to reconstruct high speed videos. We propose the Flutter Shutter Video Camera (FSVC) in which each exposure of the sensor is temporally coded using an independent pseudo-random sequence. Such exposure coding is easily achieved in modern sensors and is already a feature of several machine vision cameras. We also develop two algorithms for reconstructing the high speed video; the first based on minimizing the total variation of the spatio-temporal slices of the video and the second based on a data driven dictionary based approximation. We perform evaluation on simulated videos and real data to illustrate the robustness of our system. We describe an imaging architecture for compressive video sensing termed programmable pixel compressive camera (P2C2). P2C2 allows us to capture fast phenomena at frame rates higher than the camera sensor. In P2C2, each pixel has an independent shutter that is modulated at a rate higher than the camera frame-rate. The observed intensity at a pixel is an integration of the incoming light modulated by its specific shutter. We propose a reconstruction algorithm that uses the data from P2C2 along with additional priors about videos to perform temporal super-resolution. We model the spatial redundancy of videos using sparse representations and the temporal redundancy using brightness constancy constraints inferred via optical flow. We show that by modeling such spatio-temporal redundancies in a video volume, one can faithfully recover the underlying high-speed video frames from the observed low speed coded video. The imaging architecture and the reconstruction algorithm allows us to achieve temporal super-resolution without loss in spatial resolution. We implement a prototype of P2C2 using an LCOS modulator and recover several videos at 200 fps using a 25 fps camera. We show that, via temporal modulation, one can observe and capture a high-speed periodic video well beyond the abilities of a low-frame-rate camera. By strobing the exposure with unique sequences within the integration time of each frame, we take coded projections of dynamic events. From a sequence of such frames, we reconstruct a high-speed video of the high-frequency periodic process. Strobing is used in entertainment, medical imaging, and industrial inspection to generate lower beat frequencies. But this is limited to scenes with a detectable single dominant frequency and requires high-intensity lighting. In this paper, we address the problem of sub-Nyquist sampling of periodic signals and show designs to capture and reconstruct such signals. The key result is that for such signals, the Nyquist rate constraint can be imposed on the strobe rate rather than the sensor rate. The technique is based on intentional aliasing of the frequency components of the periodic signal while the reconstruction algorithm exploits recent advances in sparse representations and compressive sensing. We exploit the sparsity of periodic signals in the Fourier domain to develop reconstruction algorithms that are inspired by compressive sensing. This paper addresses the problem of hallucinating the missing high-resolution (HR) details of a low-resolution (LR) video while maintaining the temporal coherence of the reconstructed HR details using dynamic texture synthesis (DTS). Most existing multiframe-based video superresolution (SR) methods suffer from the problem of limited reconstructed visual quality due to inaccurate subpixel motion estimation between frames in an LR video. To achieve high-quality reconstruction of HR details for an LR video, we propose a texture-synthesis (TS)-based video SR method, in which a novel DTS scheme is proposed to render the reconstructed HR details in a temporally coherent way, which effectively addresses the temporal incoherence problem caused by traditional TS-based image SR methods. To further reduce the complexity of the proposed method, our method only performs the TS-based SR on a set of key frames, while the HR details of the remaining nonkey frames are simply predicted using the bidirectional overlapped block motion compensation. After all frames are upscaled, the proposed DTS-SR is applied to maintain the temporal coherence in the HR video. Experimental results demonstrate that the proposed method achieves significant subjective and objective visual quality improvement over state-of-the-art video SR methods.