Emotional content is a crucial ingredient in user-generated videos. However, the sparsely expressed emotions in the user-generated video cause difficulties to emotions analysis in videos. In this paper, we propose a new neural approach---Bi-stream Emotion Attribution-Classification Network (BEAC-Net) to solve three related emotion analysis tasks: emotion recognition, emotion attribution and emotion-oriented summarization, in an integrated framework. BEAC-Net has two major constituents, an attribution network and a classification network. The attribution network extracts the main emotional segment that classification should focus on in order to mitigate the sparsity problem. The classification network utilizes both the extracted segment and the original video in a bi-stream architecture. We contribute a new dataset for the emotion attribution task with human-annotated ground-truth labels for emotion segments. Experiments on two video datasets demonstrate superior performance of the proposed framework and the complementary nature of the dual classification streams.
Extensive research has been performed on the problem of recognizing emotions from visual information. Most work follow psychological theories that lay out a fixed number of emotion categories, such as Ekman's six pan-cultural basic emotions @cite_60 @cite_2 and Plutchik's wheel of emotion @cite_62 . These emotions are considered to be basic'' because they are associated with prototypical and widely recognized facial expressions, verbal and non-verbal language, and have distinct appraisal, antecedent events, and physiological responses. The emotions constantly affect our expression and perception via appraisal-behavior cycles throughout our daily activities, including video production and consumption.
@cite_62 @cite_2 @cite_60
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This study addresses the question of whether any facial expressions of emotion are universal. Recent studies showing that members of literate cultures associated the same emotion concepts with the same facial behaviors could not demonstrate that at least some facial expressions of emotion are universal; the cultures compared had all been exposed to some of the same mass media presentations of facial expression, and these may have taught the people in each culture to recognize the unique facial expressions of other cultures. To show that members of a preliterate culture who had minimal exposure to literate cultures would associate the same emotion concepts with the same facial behaviors as do members of Western and Eastern literate cultures, data were gathered in New Guinea by telling subjects a story, showing them a set of three faces, and asking them to select the face which showed the emotion appropriate to the story. The results provide evidence in support of the hypothesis that the association between particular facial muscular patterns and discrete emotions is universal. This paper describes an experimental study on the detection of emotion from speech. As computer-based characters such as avatars and virtual chat faces become more common, the use of emotion to drive the expression of the virtual characters becomes more important. This study utilizes a corpus containing emotional speech with 721 short utterances expressing four emotions: anger, happiness, sadness, and the neutral (unemotional) state, which were captured manually from movies and teleplays. We introduce a new concept to evaluate emotions in speech. Emotions are so complex that most speech sentences cannot be precisely assigned to a particular emotion category; however, most emotional states nevertheless can be described as a mixture of multiple emotions. Based on this concept we have trained SVMs (support vector machines) to recognize utterances within these four categories and developed an agent that can recognize and express emotions. Emotions are time varying affective phenomena that are elicited as a result of stimuli. Videos and movies in particular are made to elicit emotions in their audiences. Detecting the viewers’ emotions instantaneously can be used to find the emotional traces of videos. In this paper, we present our approach in instantaneously detecting the emotions of video viewers’ emotions from electroencephalogram (EEG) signals and facial expressions. A set of emotion inducing videos were shown to participants while their facial expressions and physiological responses were recorded. The expressed valence (negative to positive emotions) in the videos of participants’ faces were annotated by five annotators. The stimuli videos were also continuously annotated on valence and arousal dimensions. Long-short-term-memory recurrent neural networks (LSTM-RNN) and continuous conditional random fields (CCRF) were utilized in detecting emotions automatically and continuously. We found the results from facial expressions to be superior to the results from EEG signals. We analyzed the effect of the contamination of facial muscle activities on EEG signals and found that most of the emotionally valuable content in EEG features are as a result of this contamination. However, our statistical analysis showed that EEG signals still carry complementary information in presence of facial expressions. People convey their emotional state in their face and voice. We present an audio-visual dataset uniquely suited for the study of multi-modal emotion expression and perception. The dataset consists of facial and vocal emotional expressions in sentences spoken in a range of basic emotional states (happy, sad, anger, fear, disgust, and neutral). 7,442 clips of 91 actors with diverse ethnicbackgrounds were rated by multiple raters in three modalities: audio, visual, and audio-visual. Categorical emotion labels andreal-value intensity values for the perceived emotion were collected using crowd-sourcing from 2,443 raters. The human recognition of intended emotion for the audio-only, visual-only, and audio-visual data are 40.9, 58.2 and 63.6 percent respectively. Recognition rates are highest for neutral, followed by happy, anger, disgust, fear, and sad. Average intensity levels of emotion are rated highest forvisual-only perception. The accurate recognition of disgust and fear requires simultaneous audio-visual cues, while anger andhappiness can be well recognized based on evidence from a single modality. The large dataset we introduce can be used to probe other questions concerning the audio-visual perception of emotion.