In this paper, we propose a multi-modal search engine for interior design that combines visual and textual queries. The goal of our engine is to retrieve interior objects, e.g. furniture or wall clocks, that share visual and aesthetic similarities with the query. Our search engine allows the user to take a photo of a room and retrieve with a high recall a list of items identical or visually similar to those present in the photo. Additionally, it allows to return other items that aesthetically and stylistically fit well together. To achieve this goal, our system blends the results obtained using textual and visual modalities. Thanks to this blending strategy, we increase the average style similarity score of the retrieved items by 11 . Our work is implemented as a Web-based application and it is planned to be opened to the public.
Comparing the style similarity of two objects or scenes is one of the challenges that has to be answered when training a machine learning model for interior design retrieval application. This problem is far from being solved mainly due to the lack of a clear metric defining how to measure style similarity. Various approaches have been proposed for defining style similarity metric. Some of them focus on evaluating similarity between shapes based on their structures @cite_26 @cite_28 and measuring the differences between scales and orientations of bounding boxes. Other approach propose structure-transcending style similarity measure that accounts for element similarity, element saliency and prevalence @cite_14 . In this work, we follow @cite_1 , and define style as Nevertheless, instead of using hand-crafted features and predefined styles, we take data-driven probabilistic approach to determine stylistic similarity measure that we define in Sec. .
@cite_28 @cite_14 @cite_26 @cite_1
2064723547 1983764898 2057175746 2157364932
The human perception of stylistic similarity transcends structure and function: for instance, a bed and a dresser may share a common style. An algorithmically computed style similarity measure that mimics human perception can benefit a range of computer graphics applications. Previous work in style analysis focused on shapes within the same class, and leveraged structural similarity between these shapes to facilitate analysis. In contrast, we introduce the first structure-transcending style similarity measure and validate it to be well aligned with human perception of stylistic similarity. Our measure is inspired by observations about style similarity in art history literature, which point to the presence of similarly shaped, salient, geometric elements as one of the key indicators of stylistic similarity. We translate these observations into an algorithmic measure by first quantifying the geometric properties that make humans perceive geometric elements as similarly shaped and salient in the context of style, then employing this quantification to detect pairs of matching style related elements on the analyzed models, and finally collating the element-level geometric similarity measurements into an object-level style measure consistent with human perception. To achieve this consistency we employ crowdsourcing to quantify the different components of our measure; we learn the relative perceptual importance of a range of elementary shape distances and other parameters used in our measurement from 50K responses to cross-structure style similarity queries provided by over 2500 participants.We train and validate our method on this dataset, showing it to successfully predict relative style similarity with near 90 accuracy based on 10-fold cross-validation. This paper presents a method for measuring the similarity in style between two pieces of vector art, independent of content. Similarity is measured by the differences between four types of features: color, shading, texture, and stroke. Feature weightings are learned from crowdsourced experiments. This perceptual similarity enables style-based search. Using our style-based search feature, we demonstrate an application that allows users to create stylistically-coherent clip art mash-ups. We present a novel approach to measuring similarity between shapes and exploit it for object recognition. In our framework, the measurement of similarity is preceded by: (1) solving for correspondences between points on the two shapes; (2) using the correspondences to estimate an aligning transform. In order to solve the correspondence problem, we attach a descriptor, the shape context, to each point. The shape context at a reference point captures the distribution of the remaining points relative to it, thus offering a globally discriminative characterization. Corresponding points on two similar shapes will have similar shape contexts, enabling us to solve for correspondences as an optimal assignment problem. Given the point correspondences, we estimate the transformation that best aligns the two shapes; regularized thin-plate splines provide a flexible class of transformation maps for this purpose. The dissimilarity between the two shapes is computed as a sum of matching errors between corresponding points, together with a term measuring the magnitude of the aligning transform. We treat recognition in a nearest-neighbor classification framework as the problem of finding the stored prototype shape that is maximally similar to that in the image. Results are presented for silhouettes, trademarks, handwritten digits, and the COIL data set. We present a method for training a similarity metric from data. The method can be used for recognition or verification applications where the number of categories is very large and not known during training, and where the number of training samples for a single category is very small. The idea is to learn a function that maps input patterns into a target space such that the L sub 1 norm in the target space approximates the "semantic" distance in the input space. The method is applied to a face verification task. The learning process minimizes a discriminative loss function that drives the similarity metric to be small for pairs of faces from the same person, and large for pairs from different persons. The mapping from raw to the target space is a convolutional network whose architecture is designed for robustness to geometric distortions. The system is tested on the Purdue AR face database which has a very high degree of variability in the pose, lighting, expression, position, and artificial occlusions such as dark glasses and obscuring scarves.