Inverse rendering aims to estimate physical attributes of a scene, e.g., reflectance, geometry, and lighting, from image(s). Inverse rendering has been studied primarily for single objects or with methods that solve for only one of the scene attributes. We propose the first learning-based approach that jointly estimates albedo, normals, and lighting of an indoor scene from a single image. Our key contribution is the Residual Appearance Renderer (RAR), which can be trained to synthesize complex appearance effects (e.g., inter-reflection, cast shadows, near-field illumination, and realistic shading), which would be neglected otherwise. This enables us to perform self-supervised learning on real data using a reconstruction loss, based on re-synthesizing the input image from the estimated components. We finetune with real data after pretraining with synthetic data. To this end, we use physically-based rendering to create a large-scale synthetic dataset, named SUNCG-PBR, which is a significant improvement over prior datasets. Experimental results show that our approach outperforms state-of-the-art methods that estimate one or more scene attributes.
High-quality synthetic data is essential for learning-based inverse rendering. SUNCG @cite_46 created a large-scale 3D indoor scene dataset. The images of the SUNCG dataset are not photo-realistic as they are rendered with OpenGL using diffuse materials and point source lighting. An extension of this dataset, PBRS @cite_18 , uses physically based rendering to generate photo-realistic images. However, due to the computational bottleneck in ray-tracing, the rendered images are quite noisy and limited to one lighting condition. There also exist a few real-world datasets with partial labels on geometry, reflectance, or lighting. NYUv2 @cite_12 provides surface normals from indoor scenes. OpenSurface @cite_41 provides partial segmentation of objects with their glossiness properties labeled by humans. Relative reflectance judgments from humans are provided in the IIW dataset @cite_21 which are used in many intrinsic image decomposition methods. In contrast to these works, we created a large-scale synthetic dataset with significant image quality improvement.
@cite_18 @cite_41 @cite_21 @cite_46 @cite_12
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Indoor scene understanding is central to applications such as robot navigation and human companion assistance. Over the last years, data-driven deep neural networks have outperformed many traditional approaches thanks to their representation learning capabilities. One of the bottlenecks in training for better representations is the amount of available per-pixel ground truth data that is required for core scene understanding tasks such as semantic segmentation, normal prediction, and object boundary detection. To address this problem, a number of works proposed using synthetic data. However, a systematic study of how such synthetic data is generated is missing. In this work, we introduce a large-scale synthetic dataset with 500K physically-based rendered images from 45K realistic 3D indoor scenes. We study the effects of rendering methods and scene lighting on training for three computer vision tasks: surface normal prediction, semantic segmentation, and object boundary detection. This study provides insights into the best practices for training with synthetic data (more realistic rendering is worth it) and shows that pretraining with our new synthetic dataset can improve results beyond the current state of the art on all three tasks. We introduce SceneNet RGB-D, a dataset providing pixel-perfect ground truth for scene understanding problems such as semantic segmentation, instance segmentation, and object detection. It also provides perfect camera poses and depth data, allowing investigation into geometric computer vision problems such as optical flow, camera pose estimation, and 3D scene labelling tasks. Random sampling permits virtually unlimited scene configurations, and here we provide 5M rendered RGB-D images from 16K randomly generated 3D trajectories in synthetic layouts, with random but physically simulated object configurations. We compare the semantic segmentation performance of network weights produced from pretraining on RGB images from our dataset against generic VGG-16 ImageNet weights. After fine-tuning on the SUN RGB-D and NYUv2 real-world datasets we find in both cases that the synthetically pre-trained network outperforms the VGG-16 weights. When synthetic pre-training includes a depth channel (something ImageNet cannot natively provide) the performance is greater still. This suggests that large-scale high-quality synthetic RGB datasets with task-specific labels can be more useful for pretraining than real-world generic pre-training such as ImageNet. We host the dataset at http: robotvault. bitbucket.io scenenet-rgbd.html. The success of deep learning in computer vision is based on the availability of large annotated datasets. To lower the need for hand labeled images, virtually rendered 3D worlds have recently gained popularity. Unfortunately, creating realistic 3D content is challenging on its own and requires significant human effort. In this work, we propose an alternative paradigm which combines real and synthetic data for learning semantic instance segmentation and object detection models. Exploiting the fact that not all aspects of the scene are equally important for this task, we propose to augment real-world imagery with virtual objects of the target category. Capturing real-world images at large scale is easy and cheap, and directly provides real background appearances without the need for creating complex 3D models of the environment. We present an efficient procedure to augment these images with virtual objects. In contrast to modeling complete 3D environments, our data augmentation approach requires only a few user interactions in combination with 3D models of the target object category. Leveraging our approach, we introduce a novel dataset of augmented urban driving scenes with 360 degree images that are used as environment maps to create realistic lighting and reflections on rendered objects. We analyze the significance of realistic object placement by comparing manual placement by humans to automatic methods based on semantic scene analysis. This allows us to create composite images which exhibit both realistic background appearance as well as a large number of complex object arrangements. Through an extensive set of experiments, we conclude the right set of parameters to produce augmented data which can maximally enhance the performance of instance segmentation models. Further, we demonstrate the utility of the proposed approach on training standard deep models for semantic instance segmentation and object detection of cars in outdoor driving scenarios. We test the models trained on our augmented data on the KITTI 2015 dataset, which we have annotated with pixel-accurate ground truth, and on the Cityscapes dataset. Our experiments demonstrate that the models trained on augmented imagery generalize better than those trained on fully synthetic data or models trained on limited amounts of annotated real data. We present a novel solution to automatic semantic modeling of indoor scenes from a sparse set of low-quality RGB-D images. Such data presents challenges due to noise, low resolution, occlusion and missing depth information. We exploit the knowledge in a scene database containing 100s of indoor scenes with over 10,000 manually segmented and labeled mesh models of objects. In seconds, we output a visually plausible 3D scene, adapting these models and their parts to fit the input scans. Contextual relationships learned from the database are used to constrain reconstruction, ensuring semantic compatibility between both object models and parts. Small objects and objects with incomplete depth information which are difficult to recover reliably are processed with a two-stage approach. Major objects are recognized first, providing a known scene structure. 2D contour-based model retrieval is then used to recover smaller objects. Evaluations using our own data and two public datasets show that our approach can model typical real-world indoor scenes efficiently and robustly.