Modelling human free-hand sketches has become topical recently, driven by practical applications such as fine-grained sketch based image retrieval (FG-SBIR). Sketches are clearly related to photo edge-maps, but a human free-hand sketch of a photo is not simply a clean rendering of that photo's edge map. Instead there is a fundamental process of abstraction and iconic rendering, where overall geometry is warped and salient details are selectively included. In this paper we study this sketching process and attempt to invert it. We model this inversion by translating iconic free-hand sketches to contours that resemble more geometrically realistic projections of object boundaries, and separately factorise out the salient added details. This factorised re-representation makes it easier to match a free-hand sketch to a photo instance of an object. Specifically, we propose a novel unsupervised image style transfer model based on enforcing a cyclic embedding consistency constraint. A deep FG-SBIR model is then formulated to accommodate complementary discriminative detail from each factorised sketch for better matching with the corresponding photo. Our method is evaluated both qualitatively and quantitatively to demonstrate its superiority over a number of state-of-the-art alternatives for style transfer and FG-SBIR.
Neural image synthesis: Recent advances in neural image synthesis have led to a number of practical applications, including image stylisation @cite_34 @cite_8 @cite_36 @cite_0 , single image super-resolution @cite_30 , video frame prediction @cite_16 , image manipulation @cite_35 @cite_45 and conditional image generation @cite_1 @cite_2 @cite_9 @cite_24 @cite_3 . The models most relevant to our style transfer model are deep image-to-image translation models @cite_40 @cite_37 @cite_29 @cite_46 @cite_38 , particularly the unsupervised ones @cite_37 @cite_29 @cite_46 @cite_38 . The goal is to translate an image from one domain to another with a deep encoder-decoder architecture. In order to deal with the large domain gap between a sketch containing both distorted sketch contour and details and a distortion-free contour extracted from photo edges, our model has a novel component, that is, instead of the cyclic visual consistency deployed in @cite_37 @cite_29 @cite_46 @cite_38 , we enforce cyclic embedding constraint, a softer version for better synthesis quality. Both qualitative and quantitative results show that our model outperforms existing models.
@cite_30 @cite_35 @cite_37 @cite_38 @cite_8 @cite_36 @cite_9 @cite_29 @cite_1 @cite_16 @cite_3 @cite_0 @cite_24 @cite_40 @cite_45 @cite_2 @cite_46 @cite_34
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We present a transformation-grounded image generation network for novel 3D view synthesis from a single image. Our approach first explicitly infers the parts of the geometry visible both in the input and novel views and then casts the remaining synthesis problem as image completion. Specifically, we both predict a flow to move the pixels from the input to the novel view along with a novel visibility map that helps deal with occulsion disocculsion. Next, conditioned on those intermediate results, we hallucinate (infer) parts of the object invisible in the input image. In addition to the new network structure, training with a combination of adversarial and perceptual loss results in a reduction in common artifacts of novel view synthesis such as distortions and holes, while successfully generating high frequency details and preserving visual aspects of the input image. We evaluate our approach on a wide range of synthetic and real examples. Both qualitative and quantitative results show our method achieves significantly better results compared to existing methods. We address the problem of novel view synthesis: given an input image, synthesizing new images of the same object or scene observed from arbitrary viewpoints. We approach this as a learning task but, critically, instead of learning to synthesize pixels from scratch, we learn to copy them from the input image. Our approach exploits the observation that the visual appearance of different views of the same instance is highly correlated, and such correlation could be explicitly learned by training a convolutional neural network (CNN) to predict appearance flows -- 2-D coordinate vectors specifying which pixels in the input view could be used to reconstruct the target view. Furthermore, the proposed framework easily generalizes to multiple input views by learning how to optimally combine single-view predictions. We show that for both objects and scenes, our approach is able to synthesize novel views of higher perceptual quality than previous CNN-based techniques. We address the problem of novel view synthesis: given an input image, synthesizing new images of the same object or scene observed from arbitrary viewpoints. We approach this as a learning task but, critically, instead of learning to synthesize pixels from scratch, we learn to copy them from the input image. Our approach exploits the observation that the visual appearance of different views of the same instance is highly correlated, and such correlation could be explicitly learned by training a convolutional neural network (CNN) to predict appearance flows – 2-D coordinate vectors specifying which pixels in the input view could be used to reconstruct the target view. Furthermore, the proposed framework easily generalizes to multiple input views by learning how to optimally combine single-view predictions. We show that for both objects and scenes, our approach is able to synthesize novel views of higher perceptual quality than previous CNN-based techniques. Recently, convolutional neural networks (CNN) have been successfully applied to view synthesis problems. However, such CNN-based methods can suffer from lack of texture details, shape distortions, or high computational complexity. In this paper, we propose a novel CNN architecture for view synthesis called Deep View Morphing that does not suffer from these issues. To synthesize a middle view of two input images, a rectification network first rectifies the two input images. An encoder-decoder network then generates dense correspondences between the rectified images and blending masks to predict the visibility of pixels of the rectified images in the middle view. A view morphing network finally synthesizes the middle view using the dense correspondences and blending masks. We experimentally show the proposed method significantly outperforms the state-of-the-art CNN-based view synthesis method.