Online writers and journalism media are increasingly combining visualization (and other multimedia content) with narrative text to create narrative visualizations. Often, however, the two elements are presented independently of one another. We propose an approach to automatically integrate text and visualization elements. We begin with a writer»s narrative that presumably can be supported with visual data evidence. We leverage natural language processing, quantitative narrative analysis, and information visualization to (1) automatically extract narrative components (who, what, when, where) from data-rich stories, and (2) integrate the supporting data evidence with the text to develop a narrative visualization. We also employ bidirectional interaction from text to visualization and visualization to text to support reader exploration in both directions. We demonstrate the approach with a case study in the data-rich field of sports journalism.
Narrative visualizations are data visualizations with embedded stories'' presenting particular perspectives using various embedding mechanisms @cite_13 . @cite_13 discuss the utility of textual messaging''and how author-driven approaches typically include heavy messaging while reader-driven approaches involve more interaction. Kosara and Mackinlay @cite_6 and @cite_1 , on the other hand, adopt a view of storytelling in visualization as primarily consisting of communication separate from exploratory analysis. This view matches the way journalists use various data sources including videos and notes to create compelling stories @cite_6 .
@cite_1 @cite_13 @cite_6
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Narrative visualizations combine conventions of communicative and exploratory information visualization to convey an intended story. We demonstrate visualization rhetoric as an analytical framework for understanding how design techniques that prioritize particular interpretations in visualizations that "tell a story" can significantly affect end-user interpretation. We draw a parallel between narrative visualization interpretation and evidence from framing studies in political messaging, decision-making, and literary studies. Devices for understanding the rhetorical nature of narrative information visualizations are presented, informed by the rigorous application of concepts from critical theory, semiotics, journalism, and political theory. We draw attention to how design tactics represent additions or omissions of information at various levels-the data, visual representation, textual annotations, and interactivity-and how visualizations denote and connote phenomena with reference to unstated viewing conventions and codes. Classes of rhetorical techniques identified via a systematic analysis of recent narrative visualizations are presented, and characterized according to their rhetorical contribution to the visualization. We describe how designers and researchers can benefit from the potentially positive aspects of visualization rhetoric in designing engaging, layered narrative visualizations and how our framework can shed light on how a visualization design prioritizes specific interpretations. We identify areas where future inquiry into visualization rhetoric can improve understanding of visualization interpretation. Data visualization is regularly promoted for its ability to reveal stories within data, yet these “data stories” differ in important ways from traditional forms of storytelling. Storytellers, especially online journalists, have increasingly been integrating visualizations into their narratives, in some cases allowing the visualization to function in place of a written story. In this paper, we systematically review the design space of this emerging class of visualizations. Drawing on case studies from news media to visualization research, we identify distinct genres of narrative visualization. We characterize these design differences, together with interactivity and messaging, in terms of the balance between the narrative flow intended by the author (imposed by graphical elements and the interface) and story discovery on the part of the reader (often through interactive exploration). Our framework suggests design strategies for narrative visualization, including promising under-explored approaches to journalistic storytelling and educational media. Data visualization is now a popular medium for journalistic storytelling. However, current visualization tools either lack support for storytelling or require significant technical expertise. Informed by interviews with journalists, we introduce a model of storytelling abstractions that includes state-based scene structure, dynamic annotations and decoupled coordination of multiple visualization components. We instantiate our model in Ellipsis: a system that combines a domain-specific language DSL for storytelling with a graphical interface for story authoring. User interactions are automatically translated into statements in the Ellipsis DSL. By enabling storytelling without programming, the Ellipsis interface lowers the threshold for authoring narrative visualizations. We evaluate Ellipsis through example applications and user studies with award-winning journalists. Study participants find Ellipsis to be a valuable prototyping tool that can empower journalists in the creation of interactive narratives. Visualization has recently begun to extend its role into a communication medium for presentation and storytelling. With the advancement in web-based visualization technology (e.g., D3), we increasingly encounter an integration of interactive visualizations into data stories in news media, blog posts, etc. However, these stories usually do not provide enough guidance on how to interpret and manipulate the accompanied visualizations. Therefore, readers are often on their own in finding the right state and area of visualization authors intended to show to support their arguments. We introduce VisJockey, a technique that enables readers to easily access authors’ intended view through orchestrated visualization. To offload readers’ burden in making connections between the text and the visualization, VisJockey augments the visualization through highlight, annotation, and animation. We describe the main concept of VisJockey and present three example stories.