Three-dimensional human body models are widely used in the analysis of human pose and motion. Existing models, however, are learned from minimally-clothed humans and thus do not capture the complexity of dressed humans in common images and videos. To address this, we learn a generative 3D mesh model of clothing from 3D scans of people with varying pose. Going beyond previous work, our generative model is conditioned on different clothing types, giving the ability to dress different body shapes in a variety of clothing. To do so, we train a conditional Mesh-VAE-GAN on clothing displacements from a 3D SMPL body model. This generative clothing model enables us to sample various types of clothing, in novel poses, on top of SMPL. With a focus on clothing geometry, the model captures both global shape and local structure, effectively extending the SMPL model to add clothing. To our knowledge, this is the first conditional VAE-GAN that works on 3D meshes. For clothing specifically, it is the first such model that directly dresses 3D human body meshes and generalizes to different poses.
The first problem with real scans is to estimate the shape and pose clothing, which is required to model how garments deviate from the body. Typically, a single shape is optimized over multiple poses to fit inside multiple clothing silhouettes @cite_5 , or a sequence of 3D scans @cite_65 @cite_31 . Here, we use a similar approach @cite_65 to factor a scan into the minimally clothed shape and a clothing layer. Pons-Moll al @cite_40 proposed ClothCap, a method to capture a sequence of dynamic scans, encoding clothing as displacement from the SMPL body, and retargeting it to new body shapes. Similar to ClothCap, Alldieck al @cite_73 @cite_41 represent clothing as an offset from the SMPL to reconstruct people in clothing from images. Combining dynamic fusion ideas @cite_48 with SMPL, cloth capture and retargeting has been demonstrated from a single depth camera @cite_55 @cite_63 . Still other work captures garments in isolation from multi-view @cite_42 or single images using a CNN @cite_21 . These are essentially and can not generate novel clothing. While a model of clothing is implicitly learned in @cite_26 from scans, it requires images as input.
@cite_26 @cite_41 @cite_48 @cite_55 @cite_42 @cite_65 @cite_21 @cite_40 @cite_63 @cite_5 @cite_31 @cite_73
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Designing and simulating realistic clothing is challenging. Previous methods addressing the capture of clothing from 3D scans have been limited to single garments and simple motions, lack detail, or require specialized texture patterns. Here we address the problem of capturing regular clothing on fully dressed people in motion. People typically wear multiple pieces of clothing at a time. To estimate the shape of such clothing, track it over time, and render it believably, each garment must be segmented from the others and the body. Our ClothCap approach uses a new multi-part 3D model of clothed bodies, automatically segments each piece of clothing, estimates the minimally clothed body shape and pose under the clothing, and tracks the 3D deformations of the clothing over time. We estimate the garments and their motion from 4D scans; that is, high-resolution 3D scans of the subject in motion at 60 fps. ClothCap is able to capture a clothed person in motion, extract their clothing, and retarget the clothing to new body shapes; this provides a step towards virtual try-on. Image-based virtual try-on systems for fitting a new in-shop clothes into a person image have attracted increasing research attention, yet is still challenging. A desirable pipeline should not only transform the target clothes into the most fitting shape seamlessly but also preserve well the clothes identity in the generated image, that is, the key characteristics (e.g. texture, logo, embroidery) that depict the original clothes. However, previous image-conditioned generation works fail to meet these critical requirements towards the plausible virtual try-on performance since they fail to handle large spatial misalignment between the input image and target clothes. Prior work explicitly tackled spatial deformation using shape context matching, but failed to preserve clothing details due to its coarse-to-fine strategy. In this work, we propose a new fully-learnable Characteristic-Preserving Virtual Try-On Network (CP-VTON) for addressing all real-world challenges in this task. First, CP-VTON learns a thin-plate spline transformation for transforming the in-shop clothes into fitting the body shape of the target person via a new Geometric Matching Module (GMM) rather than computing correspondences of interest points as prior works did. Second, to alleviate boundary artifacts of warped clothes and make the results more realistic, we employ a Try-On Module that learns a composition mask to integrate the warped clothes and the rendered image to ensure smoothness. Extensive experiments on a fashion dataset demonstrate our CP-VTON achieves the state-of-the-art virtual try-on performance both qualitatively and quantitatively. We present a new performance capture approach that incorporates a physically-based cloth model to reconstruct a rigged fully-animatable virtual double of a real person in loose apparel from multi-view video recordings. Our algorithm only requires a minimum of manual interaction. Without the use of optical markers in the scene, our algorithm first reconstructs skeleton motion and detailed time-varying surface geometry of a real person from a reference video sequence. These captured reference performance data are then analyzed to automatically identify non-rigidly deforming pieces of apparel on the animated geometry. For each piece of apparel, parameters of a physically-based real-time cloth simulation model are estimated, and surface geometry of occluded body regions is approximated. The reconstructed character model comprises a skeleton-based representation for the actual body parts and a physically-based simulation model for the apparel. In contrast to previous performance capture methods, we can now also create new real-time animations of actors captured in general apparel. 3D garment capture is an important component for various applications such as free-view point video, virtual avatars, online shopping, and virtual cloth fitting. Due to the complexity of the deformations, capturing 3D garment shapes requires controlled and specialized setups. A viable alternative is image-based garment capture. Capturing 3D garment shapes from a single image, however, is a challenging problem and the current solutions come with assumptions on the lighting, camera calibration, complexity of human or mannequin poses considered, and more importantly a stable physical state for the garment and the underlying human body. In addition, most of the works require manual interaction and exhibit high run-times. We propose a new technique that overcomes these limitations, making garment shape estimation from an image a practical approach for dynamic garment capture. Starting from synthetic garment shape data generated through physically based simulations from various human bodies in complex poses obtained through Mocap sequences, and rendered under varying camera positions and lighting conditions, our novel method learns a mapping from rendered garment images to the underlying 3D garment model. This is achieved by training Convolutional Neural Networks CNN-s to estimate 3D vertex displacements from a template mesh with a specialized loss function. We illustrate that this technique is able to recover the global shape of dynamic 3D garments from a single image under varying factors such as challenging human poses, self occlusions, various camera poses and lighting conditions, at interactive rates. Improvement is shown if more than one view is integrated. Additionally, we show applications of our method to videos.