Digital music has become prolific in the web in recent decades. Automated recommendation systems are essential for users to discover music they love and for artists to reach appropriate audience. When manual annotations and user preference data is lacking (e.g. for new artists) these systems must rely on content based methods. Besides powerful machine learning tools for classification and retrieval, a key component for successful recommendation is the audio content representation. Good representations should capture informative musical patterns in the audio signal of songs. These representations should be concise, to enable efficient (low storage, easy indexing, fast search) management of huge music repositories, and should also be easy and fast to compute, to enable real-time interaction with a user supplying new songs to the system. Before designing new audio features, we explore the usage of traditional local features, while adding a stage of encoding with a pre-computed codebook and a stage of pooling to get compact vectorial representations. We experiment with different encoding methods, namely the LASSO, vector quantization (VQ) and cosine similarity (CS). We evaluate the representations' quality in two music information retrieval applications: query-by-tag and query-by-example. Our results show that concise representations can be used for successful performance in both applications. We recommend using top-τ VQ encoding, which consistently performs well in both applications, and requires much less computation time than the LASSO.
Heterogeneous and multi-layer systems have been proposed. The bag of systems approach combined various generative models as codewords ( @cite_44 ). Multi-modal signals (audio and image) were combined in a single framework ( @cite_28 ). Even the codebook training scheme, which was usually unsupervised, was combined with supervision to get a boosted representation for a specific application ( @cite_28 @cite_1 ). Deep belief networks were used in @cite_6 , also combining unsupervised network weights training with supervised fine tuning. @cite_11 audio features were processed in two layers of encoding with codebooks.
@cite_28 @cite_1 @cite_6 @cite_44 @cite_11
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In this paper, we present methods in deep multimodal learning for fusing speech and visual modalities for Audio-Visual Automatic Speech Recognition (AV-ASR). First, we study an approach where uni-modal deep networks are trained separately and their final hidden layers fused to obtain a joint feature space in which another deep network is built. While the audio network alone achieves a phone error rate (PER) of 41 under clean condition on the IBM large vocabulary audio-visual studio dataset, this fusion model achieves a PER of 35.83 demonstrating the tremendous value of the visual channel in phone classification even in audio with high signal to noise ratio. Second, we present a new deep network architecture that uses a bilinear softmax layer to account for class specific correlations between modalities. We show that combining the posteriors from the bilinear networks with those from the fused model mentioned above results in a further significant phone error rate reduction, yielding a final PER of 34.03 . In this paper, we present methods in deep multimodal learning for fusing speech and visual modalities for Audio-Visual Automatic Speech Recognition (AV-ASR). First, we study an approach where uni-modal deep networks are trained separately and their final hidden layers fused to obtain a joint feature space in which another deep network is built. While the audio network alone achieves a phone error rate (PER) of @math under clean condition on the IBM large vocabulary audio-visual studio dataset, this fusion model achieves a PER of @math demonstrating the tremendous value of the visual channel in phone classification even in audio with high signal to noise ratio. Second, we present a new deep network architecture that uses a bilinear softmax layer to account for class specific correlations between modalities. We show that combining the posteriors from the bilinear networks with those from the fused model mentioned above results in a further significant phone error rate reduction, yielding a final PER of @math . We propose an unsupervised method for learning multi-stage hierarchies of sparse convolutional features. While sparse coding has become an increasingly popular method for learning visual features, it is most often trained at the patch level. Applying the resulting filters convolutionally results in highly redundant codes because overlapping patches are encoded in isolation. By training convolutionally over large image windows, our method reduces the redudancy between feature vectors at neighboring locations and improves the efficiency of the overall representation. In addition to a linear decoder that reconstructs the image from sparse features, our method trains an efficient feed-forward encoder that predicts quasi-sparse features from the input. While patch-based training rarely produces anything but oriented edge detectors, we show that convolutional training produces highly diverse filters, including center-surround filters, corner detectors, cross detectors, and oriented grating detectors. We show that using these filters in multistage convolutional network architecture improves performance on a number of visual recognition and detection tasks. This paper presents a novel framework to combine multiple layers and modalities of deep neural networks for video classification. We first propose a multilayer strategy to simultaneously capture a variety of levels of abstraction and invariance in a network, where the convolutional and fully connected layers are effectively represented by our proposed feature aggregation methods. We further introduce a multimodal scheme that includes four highly complementary modalities to extract diverse static and dynamic cues at multiple temporal scales. In particular, for modeling the long-term temporal information, we propose a new structure, FC-RNN, to effectively transform pre-trained fully connected layers into recurrent layers. A robust boosting model is then introduced to optimize the fusion of multiple layers and modalities in a unified way. In the extensive experiments, we achieve state-of-the-art results on two public benchmark datasets: UCF101 and HMDB51.