We propose an image-based, facial reenactment system that replaces the face of an actor in an existing target video with the face of a user from a source video, while preserving the original target performance. Our system is fully automatic and does not require a database of source expressions. Instead, it is able to produce convincing reenactment results from a short source video captured with an off-the-shelf camera, such as a webcam, where the user performs arbitrary facial gestures. Our reenactment pipeline is conceived as part image retrieval and part face transfer: The image retrieval is based on temporal clustering of target frames and a novel image matching metric that combines appearance and motion to select candidate frames from the source video, while the face transfer uses a 2D warping strategy that preserves the user's identity. Our system excels in simplicity as it does not rely on a 3D face model, it is robust under head motion and does not require the source and target performance to be similar. We show convincing reenactment results for videos that we recorded ourselves and for low-quality footage taken from the Internet.
Face replacement for image and video can be roughly divided into two categories. A first category is @cite_12 @cite_16 @cite_24 @cite_3 @cite_8 @cite_21 , which aims to transfer expressions and emotions of a user (puppeteer) to a virtual character (puppet). Such methods are used to animate digital avatars in games, movies and video conferences. methods @cite_0 @cite_14 @cite_22 @cite_23 @cite_20 @cite_17 , on the other hand, try to exchange two faces in different images or videos such that the replaced result looks sufficiently realistic. Swapping different faces is useful for online identity protection, while swapping the same face (or parts of it) between different videos is interesting for dubbing, retargeting and video montage. At the intersection of both categories lies @cite_17 , which replaces an actor's face by swapping it with that of a user, while at the same time preserving the actor's facial expressions and emotions. Here, the original facial performance needs to be accurately emulated (puppetry), and the new face with different identity needs to be inserted as naturally as possible in the original video (swapping).
@cite_14 @cite_22 @cite_8 @cite_21 @cite_3 @cite_24 @cite_0 @cite_23 @cite_16 @cite_20 @cite_12 @cite_17
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Face Transfer is a method for mapping videorecorded performances of one individual to facial animations of another. It extracts visemes (speech-related mouth articulations), expressions, and three-dimensional (3D) pose from monocular video or film footage. These parameters are then used to generate and drive a detailed 3D textured face mesh for a target identity, which can be seamlessly rendered back into target footage. The underlying face model automatically adjusts for how the target performs facial expressions and visemes. The performance data can be easily edited to change the visemes, expressions, pose, or even the identity of the target---the attributes are separably controllable. This supports a wide variety of video rewrite and puppetry applications.Face Transfer is based on a multilinear model of 3D face meshes that separably parameterizes the space of geometric variations due to different attributes (e.g., identity, expression, and viseme). Separability means that each of these attributes can be independently varied. A multilinear model can be estimated from a Cartesian product of examples (identities × expressions × visemes) with techniques from statistical analysis, but only after careful preprocessing of the geometric data set to secure one-to-one correspondence, to minimize cross-coupling artifacts, and to fill in any missing examples. Face Transfer offers new solutions to these problems and links the estimated model with a face-tracking algorithm to extract pose, expression, and viseme parameters. We present a method for the real-time transfer of facial expressions from an actor in a source video to an actor in a target video, thus enabling the ad-hoc control of the facial expressions of the target actor. The novelty of our approach lies in the transfer and photorealistic re-rendering of facial deformations and detail into the target video in a way that the newly-synthesized expressions are virtually indistinguishable from a real video. To achieve this, we accurately capture the facial performances of the source and target subjects in real-time using a commodity RGB-D sensor. For each frame, we jointly fit a parametric model for identity, expression, and skin reflectance to the input color and depth data, and also reconstruct the scene lighting. For expression transfer, we compute the difference between the source and target expressions in parameter space, and modify the target parameters to match the source expressions. A major challenge is the convincing re-rendering of the synthesized target face into the corresponding video stream. This requires a careful consideration of the lighting and shading design, which both must correspond to the real-world environment. We demonstrate our method in a live setup, where we modify a video conference feed such that the facial expressions of a different person (e.g., translator) are matched in real-time. In this paper, we present a complete system for automatic face replacement in images. Our system uses a large library of face images created automatically by downloading images from the internet, extracting faces using face detection software, and aligning each extracted face to a common coordinate system. This library is constructed off-line, once, and can be efficiently accessed during face replacement. Our replacement algorithm has three main stages. First, given an input image, we detect all faces that are present, align them to the coordinate system used by our face library, and select candidate face images from our face library that are similar to the input face in appearance and pose. Second, we adjust the pose, lighting, and color of the candidate face images to match the appearance of those in the input image, and seamlessly blend in the results. Third, we rank the blended candidate replacements by computing a match distance over the overlap region. Our approach requires no 3D model, is fully automatic, and generates highly plausible results across a wide range of skin tones, lighting conditions, and viewpoints. We show how our approach can be used for a variety of applications including face de-identification and the creation of appealing group photographs from a set of images. We conclude with a user study that validates the high quality of our replacement results, and a discussion on the current limitations of our system. We present a method for replacing facial performances in video. Our approach accounts for differences in identity, visual appearance, speech, and timing between source and target videos. Unlike prior work, it does not require substantial manual operation or complex acquisition hardware, only single-camera video. We use a 3D multilinear model to track the facial performance in both videos. Using the corresponding 3D geometry, we warp the source to the target face and retime the source to match the target performance. We then compute an optimal seam through the video volume that maintains temporal consistency in the final composite. We showcase the use of our method on a variety of examples and present the result of a user study that suggests our results are difficult to distinguish from real video footage.