Humans share a strong tendency to memorize forget some of the visual information they encounter. This paper focuses on providing computational models for the prediction of the intrinsic memorability of visual content. To address this new challenge, we introduce a large scale dataset (VideoMem) composed of 10,000 videos annotated with memorability scores. In contrast to previous work on image memorability -- where memorability was measured a few minutes after memorization -- memory performance is measured twice: a few minutes after memorization and again 24-72 hours later. Hence, the dataset comes with short-term and long-term memorability annotations. After an in-depth analysis of the dataset, we investigate several deep neural network based models for the prediction of video memorability. Our best model using a ranking loss achieves a Spearman's rank correlation of 0.494 for short-term memorability prediction, while our proposed model with attention mechanism provides insights of what makes a content memorable. The VideoMem dataset with pre-extracted features is publicly available.
Focusing on the work on IM in computer vision, most studies made use of one of the two available large datasets, specifically designed for IM prediction, where IM was measured a few minutes after memorization @cite_30 @cite_9 , and consequently focused on predicting a so-called short-term IM @cite_21 @cite_22 @cite_6 @cite_9 @cite_31 @cite_3 @cite_0 @cite_13 . The pioneering work of @cite_30 focused primarily on building computational models to predict IM from low-level visual features @cite_30 , and showed that IM can be predicted to a certain extent. Several characteristics have also been found to be relevant for predicting memorability in subsequent work, for example saliency @cite_21 , interestingness and aesthetics @cite_12 , or emotions @cite_9 . The best results were finally obtained by using fine-tuned or pre-extracted deep features, which outperformed all other features @cite_9 @cite_31 @cite_0 @cite_13 , with models achieving a Spearman's rank correlation near human consistency ( @math ) when measured for the ground truth collected in @cite_30 @cite_9 .
@cite_30 @cite_22 @cite_9 @cite_21 @cite_6 @cite_3 @cite_0 @cite_31 @cite_13 @cite_12
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Recently, data-driven deep saliency models have achieved high performance and have outperformed classical saliency models, as demonstrated by results on datasets such as the MIT300 and SALICON. Yet, there remains a large gap between the performance of these models and the inter-human baseline. Some outstanding questions include what have these models learned, how and where they fail, and how they can be improved. This article attempts to answer these questions by analyzing the representations learned by individual neurons located at the intermediate layers of deep saliency models. To this end, we follow the steps of existing deep saliency models, that is borrowing a pre-trained model of object recognition to encode the visual features and learning a decoder to infer the saliency. We consider two cases when the encoder is used as a fixed feature extractor and when it is fine-tuned, and compare the inner representations of the network. To study how the learned representations depend on the task, we fine-tune the same network using the same image set but for two different tasks: saliency prediction versus scene classification. Our analyses reveal that: 1) some visual regions (e.g. head, text, symbol, vehicle) are already encoded within various layers of the network pre-trained for object recognition, 2) using modern datasets, we find that fine-tuning pre-trained models for saliency prediction makes them favor some categories (e.g. head) over some others (e.g. text), 3) although deep models of saliency outperform classical models on natural images, the converse is true for synthetic stimuli (e.g. pop-out search arrays), an evidence of significant difference between human and data-driven saliency models, and 4) we confirm that, after-fine tuning, the change in inner-representations is mostly due to the task and not the domain shift in the data. Abstract For the last decades, computer-based visual attention models aiming at automatically predicting human gaze on images or videos have exponentially increased. Even if several families of methods have been proposed and a lot of words like centre-surround difference, contrast, rarity, novelty, redundancy, irregularity, surprise or compressibility have been used to define those models, they are all based on the same and unique idea of information innovation in a given context . In this paper, we propose a novel saliency prediction model, called RARE2012, which selects information worthy of attention based on multi-scale spatial rarity. RARE2012 is then evaluated using two complementary metrics, the Normalized Scanpath Saliency (NSS) and the Area Under the Receiver Operating Characteristic (AUROC) against 13 recently published saliency models. It is shown to be the best for NSS metric and second best for AUROC metric on three publicly available datasets (Toronto, Koostra and Jian Li). Finally, based on an additional comparative statistical analysis and the effect-size Hedge' g ⁎ measure, RARE2012 outperforms, at least slightly, the other models while considering both metrics on the three databases as a whole. The ability to rank the images based on their appearance finds many real-world applications, such as image retrieval or image album creation. Despite the recent dominance of deep learning methods in computer vision which often result in superior performance, they are not always the methods of choice because they lack interpretability. In this paper, we investigate the possibility of improving the image aesthetic inference of the convolutional neural networks with hand-designed features that rely on domain expertise in various fields. We perform a comparison of hand-crafted feature sets in their ability to predict fine-grained aesthetics scores on two image aesthetics data sets. We observe that even feature sets published earlier are able to compete with more recently published algorithms and, by combining the algorithms, a significant improvement in predicting image aesthetics is possible. By using a tree-based learner, we perform the feature elimination to understand the best performing features overall and across different image categories. Only roughly 15 and 8 of the features are needed to achieve full performance in predicting a fine-grained aesthetic score and binary classification, respectively. By combining the hand-crafted features with metafeatures that predict the quality of an image based on convolutional neural network features, the model performs better than a baseline VGG16 model. One can, however, achieve more significant improvement in both aesthetics score prediction and binary classification by fusing the hand-crafted features and the penultimate layer activations. Our experiments indicate an improvement up to 2.2 achieving current state-of-the-art binary classification accuracy on the aesthetic visual analysis data set when the hand-designed features are fused with activations from VGG16 and ResNet50 networks. In many computer vision tasks, the relevant information to solve the problem at hand is mixed to irrelevant, distracting information. This has motivated researchers to design attentional models that can dynamically focus on parts of images or videos that are salient, e.g., by down-weighting irrelevant pixels. In this work, we propose a spatiotemporal attentional model that learns where to look in a video directly from human fixation data. We model visual attention with a mixture of Gaussians at each frame. This distribution is used to express the probability of saliency for each pixel. Time consistency in videos is modeled hierarchically by: 1) deep 3D convolutional features to represent spatial and short-term time relations and 2) a long short-term memory network on top that aggregates the clip-level representation of sequential clips and therefore expands the temporal domain from few frames to seconds. The parameters of the proposed model are optimized via maximum likelihood estimation using human fixations as training data, without knowledge of the action in each video. Our experiments on Hollywood2 show state-of-the-art performance on saliency prediction for video. We also show that our attentional model trained on Hollywood2 generalizes well to UCF101 and it can be leveraged to improve action classification accuracy on both datasets.