The vast majority of photos taken today are by mobile phones. While their quality is rapidly growing, due to physical limitations and cost constraints, mobile phone cameras struggle to compare in quality with DSLR cameras. This motivates us to computationally enhance these images. We extend upon the results of , where they are able to translate images from compact mobile cameras into images with comparable quality to high-resolution photos taken by DSLR cameras. However, the neural models employed require large amounts of computational resources and are not lightweight enough to run on mobile devices. We build upon the prior work and explore different network architectures targeting an increase in image quality and speed. With an efficient network architecture which does most of its processing in a lower spatial resolution, we achieve a significantly higher mean opinion score (MOS) than the baseline while speeding up the computation by 6.3 times on a consumer-grade CPU. This suggests a promising direction for neural-network-based photo enhancement using the phone hardware of the future.
The DPED dataset @cite_7 consists of photos taken simultaneously by three different cell phone cameras, as well as a Canon 70D DSLR camera. In addition, these photographs are aligned and cut into 100x100 pixel patches, and compared such that patches that differ too much are rejected. In this work, only the iPhone 3GS data is considered. This results in 160k pairs of images.
@cite_7
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Low-end and compact mobile cameras demonstrate limited photo quality mainly due to space, hardware and budget constraints. In this work, we propose a deep learning solution that translates photos taken by cameras with limited capabilities into DSLR-quality photos automatically. We tackle this problem by introducing a weakly supervised photo enhancer (WESPE) - a novel image-to-image Generative Adversarial Network-based architecture. The proposed model is trained by under weak supervision: unlike previous works, there is no need for strong supervision in the form of a large annotated dataset of aligned original enhanced photo pairs. The sole requirement is two distinct datasets: one from the source camera, and one composed of arbitrary high-quality images that can be generally crawled from the Internet - the visual content they exhibit may be unrelated. Hence, our solution is repeatable for any camera: collecting the data and training can be achieved in a couple of hours. In this work, we emphasize on extensive evaluation of obtained results. Besides standard objective metrics and subjective user study, we train a virtual rater in the form of a separate CNN that mimics human raters on Flickr data and use this network to get reference scores for both original and enhanced photos. Our experiments on the DPED, KITTI and Cityscapes datasets as well as pictures from several generations of smartphones demonstrate that WESPE produces comparable or improved qualitative results with state-of-the-art strongly supervised methods. Cell phone cameras have small apertures, which limits the number of photons they can gather, leading to noisy images in low light. They also have small sensor pixels, which limits the number of electrons each pixel can store, leading to limited dynamic range. We describe a computational photography pipeline that captures, aligns, and merges a burst of frames to reduce noise and increase dynamic range. Our system has several key features that help make it robust and efficient. First, we do not use bracketed exposures. Instead, we capture frames of constant exposure, which makes alignment more robust, and we set this exposure low enough to avoid blowing out highlights. The resulting merged image has clean shadows and high bit depth, allowing us to apply standard HDR tone mapping methods. Second, we begin from Bayer raw frames rather than the demosaicked RGB (or YUV) frames produced by hardware Image Signal Processors (ISPs) common on mobile platforms. This gives us more bits per pixel and allows us to circumvent the ISP's unwanted tone mapping and spatial denoising. Third, we use a novel FFT-based alignment algorithm and a hybrid 2D 3D Wiener filter to denoise and merge the frames in a burst. Our implementation is built atop Android's Camera2 API, which provides per-frame camera control and access to raw imagery, and is written in the Halide domain-specific language (DSL). It runs in 4 seconds on device (for a 12 Mpix image), requires no user intervention, and ships on several mass-produced cell phones. Despite a rapid rise in the quality of built-in smartphone cameras, their physical limitations – small sensor size, compact lenses and the lack of specific hardware, – impede them to achieve the quality results of DSLR cameras. In this work we present an end-to-end deep learning approach that bridges this gap by translating ordinary photos into DSLR-quality images. We propose learning the translation function using a residual convolutional neural network that improves both color rendition and image sharpness. Since the standard mean squared loss is not well suited for measuring perceptual image quality, we introduce a composite perceptual error function that combines content, color and texture losses. The first two losses are defined analytically, while the texture loss is learned in an adversarial fashion. We also present DPED, a large-scale dataset that consists of real photos captured from three different phones and one high-end reflex camera. Our quantitative and qualitative assessments reveal that the enhanced image quality is comparable to that of DSLR-taken photos, while the methodology is generalized to any type of digital camera. In this paper we introduce a dataset of uncompressed color images taken with three digital cameras and exhibiting different levels of natural noise due to low-light conditions. For each scene there are on average two low-noise and two high noise images that are aligned at the pixel level both spatially and in intensity. The dataset contains over 100 scenes and more than 400 images, including both RAW formatted images and 8 bit BMP pixel and intensity aligned images. We also introduce a method for estimating the true noise level in each of our images. We use our dataset to analyze three current state of the art denoising algorithms: Active Random Field, BM3D, and Multi-Layer Perceptron. We found that BM3D obtains the best denoising results, however it is the slowest of the three methods with Active Random Field taking only a few seconds and Multi-Later Perceptron and BM3D taking a few minutes to half an hour to denoise a 10 to 18 mega-pixel image.