Recognizing Musical Entities is important for Music Information Retrieval (MIR) since it can improve the performance of several tasks such as music recommendation, genre classification or artist similarity. However, most entity recognition systems in the music domain have concentrated on formal texts (e.g. artists' biographies, encyclopedic articles, etc.), ignoring rich and noisy user-generated content. In this work, we present a novel method to recognize musical entities in Twitter content generated by users following a classical music radio channel. Our approach takes advantage of both formal radio schedule and users' tweets to improve entity recognition. We instantiate several machine learning algorithms to perform entity recognition combining task-specific and corpus-based features. We also show how to improve recognition results by jointly considering formal and user-generated content
Music Information Retrieval (MIR) is an interdisciplinary field which borrows tools of several disciplines, such as signal processing, musicology, machine learning, psychology and many others, for extracting knowledge from musical objects (be them audio, texts, etc.) @cite_0 . In the last decade, several MIR tasks have benefited from NLP, such as sound and music recommendation @cite_23 , automatic summary of song review @cite_2 , artist similarity @cite_14 and genre classification @cite_6 .
@cite_14 @cite_6 @cite_0 @cite_23 @cite_2
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Music information retrieval (MIR) is an emerging research area that receives growing attention from both the research community and music industry. It addresses the problem of querying and retrieving certain types of music from large music data set. Classification is a fundamental problem in MIR. Many tasks in MIR can be naturally cast in a classification setting, such as genre classification, mood classification, artist recognition, instrument recognition, etc. Music annotation, a new research area in MIR that has attracted much attention in recent years, is also a classification problem in the general sense. Due to the importance of music classification in MIR research, rapid development of new methods, and lack of review papers on recent progress of the field, we provide a comprehensive review on audio-based classification in this paper and systematically summarize the state-of-the-art techniques for music classification. Specifically, we have stressed the difference in the features and the types of classifiers used for different classification tasks. This survey emphasizes on recent development of the techniques and discusses several open issues for future research. We introduce a dataset for facilitating audio-visual analysis of music performances. The dataset comprises 44 simple multi-instrument classical music pieces assembled from coordinated but separately recorded performances of individual tracks. For each piece, we provide the musical score in MIDI format, the audio recordings of the individual tracks, the audio and video recording of the assembled mixture, and ground-truth annotation files including frame-level and note-level transcriptions. We describe our methodology for the creation of the dataset, particularly highlighting our approaches to address the challenges involved in maintaining synchronization and expressiveness. We demonstrate the high quality of synchronization achieved with our proposed approach by comparing the dataset with existing widely used music audio datasets. We anticipate that the dataset will be useful for the development and evaluation of existing music information retrieval (MIR) tasks, as well as for novel multimodal tasks. We benchmark two existing MIR tasks (multipitch analysis and score-informed source separation) on the dataset and compare them with other existing music audio datasets. In addition, we consider two novel multimodal MIR tasks (visually informed multipitch analysis and polyphonic vibrato analysis) enabled by the dataset and provide evaluation measurements and baseline systems for future comparisons (from our recent work). Finally, we propose several emerging research directions that the dataset enables. This paper aims at leveraging microblogs to address two challenges in music information retrieval (MIR), similarity estimation between music artists and inferring typical listening patterns at different granularity levels (city, country, global). From two collections of several million microblogs, which we gathered over ten months, music-related information is extracted and statistically analyzed. We propose and evaluate four co-occurrence-based methods to compute artist similarity scores. Moreover, we derive and analyze culture-specific music listening patterns to investigate the diversity of listening behavior around the world. Advances in the science and technology of Music Information Retrieval (MIR) systems and algorithms are dependent on the development of rigorous measures of accuracy and performance such that meaningful comparisons among current and novel approaches can be made. This is the motivating principle driving the efforts of the International Music Information Retrieval Systems Evaluation Laboratory (IMIRSEL) and the annual Music Information Retrieval Evaluation eXchange (MIREX). Since it started in 2005, MIREX has fostered great advancements not only in many specific areas of MIR, but also in our general understanding of how MIR systems and algorithms are to be evaluated. This chapter outlines some of the major highlights of the past four years of MIREX evaluations, including its organizing principles, the selection of evaluation metrics, and the evolution of evaluation tasks. The chapter concludes with a brief introduction of how MIREX plans to expand into the future using a suite of Web 2.0 technologies to automated MIREX evaluations.