We propose a new model for speaker naming in movies that leverages visual, textual, and acoustic modalities in an unified optimization framework. To evaluate the performance of our model, we introduce a new dataset consisting of six episodes of the Big Bang Theory TV show and eighteen full movies covering different genres. Our experiments show that our multimodal model significantly outperforms several competitive baselines on the average weighted F-score metric. To demonstrate the effectiveness of our framework, we design an end-to-end memory network model that leverages our speaker naming model and achieves state-of-the-art results on the subtitles task of the MovieQA 2017 Challenge.
In @cite_20 @cite_11 , the authors proposed a weakly supervised model depending on subtitles and a character list. They extracted textual cues from the dialog: first, second, and third person references, such as I'm Jack'', Hey, Jack!'', and Jack left''. Using a character list from IMDB, they mapped these references onto true names using minimum edit distance, and then they ascribed the references to face tracks. Other work removed the dependency on a true character list by determining all names through coreference resolution. However, this work also depended on the availability of scripts @cite_2 . In our model, we removed the dependency on both the true cast list and the script, which makes it easier to apply our model to other movies and TV shows.
@cite_2 @cite_20 @cite_11
2170665590 2119031011 2605585413 2055251102
We address the character identification problem in movies and television videos: assigning names to faces on the screen. Most prior work on person recognition in video assumes some supervised data such as screenplay or handlabeled faces. In this paper, our only source of ‘supervision’ are the dialog cues: first, second and third person references (such as “I'm Jack”, “Hey, Jack!” and “Jack left”). While this kind of supervision is sparse and indirect, we exploit multiple modalities and their interactions (appearance, dialog, mouth movement, synchrony, continuity-editing cues) to effectively resolve identities through local temporal grouping followed by global weakly supervised recognition. We propose a novel temporal grouping model that partitions face tracks across multiple shots while respecting appearance, geometric and film-editing cues and constraints. In this model, states represent partitions of the k most recent face tracks, and transitions represent compatibility of consecutive partitions. We present dynamic programming inference and discriminative learning for the model. The individual face tracks are subsequently assigned a name by learning a classifier from partial label constraints. The weakly supervised classifier incorporates multiple-instance constraints from dialog cues as well as soft grouping constraints from our temporal grouping. We evaluate both the temporal grouping and final character naming on several hours of TV and movies. We address the problem of learning a joint model of actors and actions in movies using weak supervision provided by scripts. Specifically, we extract actor action pairs from the script and use them as constraints in a discriminative clustering framework. The corresponding optimization problem is formulated as a quadratic program under linear constraints. People in video are represented by automatically extracted and tracked faces together with corresponding motion features. First, we apply the proposed framework to the task of learning names of characters in the movie and demonstrate significant improvements over previous methods used for this task. Second, we explore the joint actor action constraint and show its advantage for weakly supervised action learning. We validate our method in the challenging setting of localizing and recognizing characters and their actions in feature length movies Casablanca and American Beauty. Learning how to generate descriptions of images or videos received major interest both in the Computer Vision and Natural Language Processing communities. While a few works have proposed to learn a grounding during the generation process in an unsupervised way (via an attention mechanism), it remains unclear how good the quality of the grounding is and whether it benefits the description quality. In this work we propose a movie description model which learns to generate description and jointly ground (localize) the mentioned characters as well as do visual co-reference resolution between pairs of consecutive sentences clips. We also propose to use weak localization supervision through character mentions provided in movie descriptions to learn the character grounding. At training time, we first learn how to localize characters by relating their visual appearance to mentions in the descriptions via a semi-supervised approach. We then provide this (noisy) supervision into our description model which greatly improves its performance. Our proposed description model improves over prior work w.r.t. generated description quality and additionally provides grounding and local co-reference resolution. We evaluate it on the MPII Movie Description dataset using automatic and human evaluation measures and using our newly collected grounding and co-reference data for characters. We describe a probabilistic method for identifying characters in TV series or movies. We aim at labeling every character appearance, and not only those where a face can be detected. Consequently, our basic unit of appearance is a person track (as opposed to a face track). We model each TV series episode as a Markov Random Field, integrating face recognition, clothing appearance, speaker recognition and contextual constraints in a probabilistic manner. The identification task is then formulated as an energy minimization problem. In order to identify tracks without faces, we learn clothing models by adapting available face recognition results. Within a scene, as indicated by prior analysis of the temporal structure of the TV series, clothing features are combined by agglomerative clustering. We evaluate our approach on the first 6 episodes of The Big Bang Theory and achieve an absolute improvement of 20 for person identification and 12 for face recognition.