We introduce PixelPlayer, a system that, by leveraging large amounts of unlabeled videos, learns to locate image regions which produce sounds and separate the input sounds into a set of components that represents the sound from each pixel. Our approach capitalizes on the natural synchronization of the visual and audio modalities to learn models that jointly parse sounds and images, without requiring additional manual supervision. Experimental results on a newly collected MUSIC dataset show that our proposed Mix-and-Separate framework outperforms baseline approaches for grounding sounds into images. Several qualitative results suggest our model learns to ground sounds in vision, enabling applications such as independently adjusting the volume of sound sources.
Sound source separation, also known as the cocktail party problem" @cite_6 @cite_31 , is a classic problem in engineering and perception. Classical approaches include signal processing methods such as Non-negative Matrix Factorization (NMF) @cite_8 @cite_11 @cite_43 . More recently, deep learning methods have gained popularity @cite_17 @cite_28 . Sound source separation methods enable applications ranging from music vocal separation @cite_21 , to speech separation and enhancement @cite_19 @cite_15 @cite_16 . Our problem differs from classic sound source separation problems because we want to separate sounds into visually and spatially grounded components.
@cite_8 @cite_28 @cite_15 @cite_21 @cite_17 @cite_6 @cite_43 @cite_19 @cite_31 @cite_16 @cite_11
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Source separation of musical signals is an appealing but difficult problem, especially in the single-channel case. In this paper, an unsupervised single-channel music source separation algorithm based on average harmonic structure modeling is proposed. Under the assumption of playing in narrow pitch ranges, different harmonic instrumental sources in a piece of music often have different but stable harmonic structures; thus, sources can be characterized uniquely by harmonic structure models. Given the number of instrumental sources, the proposed algorithm learns these models directly from the mixed signal by clustering the harmonic structures extracted from different frames. The corresponding sources are then extracted from the mixed signal using the models. Experiments on several mixed signals, including synthesized instrumental sources, real instrumental sources, and singing voices, show that this algorithm outperforms the general nonnegative matrix factorization (NMF)-based source separation algorithm, and yields good subjective listening quality. As a side effect, this algorithm estimates the pitches of the harmonic instrumental sources. The number of concurrent sounds in each frame is also computed, which is a difficult task for general multipitch estimation (MPE) algorithms. This paper addresses the problem of sound source separation from a multichannel microphone array capture via estimation of source spatial covariance matrix (SCM) of a short-time Fourier transformed mixture signal. In many conventional audio separation algorithms the source mixing parameter estimation is done separately for each frequency thus making them prone to errors and leading to suboptimal source estimates. In this paper we propose a SCM model which consists of a weighted sum of direction of arrival (DoA) kernels and estimate only the weights dependent on the source directions. In the proposed algorithm, the spatial properties of the sources become jointly optimized over all frequencies, leading to more coherent source estimates and mitigating the effect of spatial aliasing at high frequencies. The proposed SCM model is combined with a linear model for magnitudes and the parameter estimation is formulated in a complex-valued non-negative matrix factorization (CNMF) framework. Simulations consist of recordings done with a hand-held device sized array having multiple microphones embedded inside the device casing. Separation quality of the proposed algorithm is shown to exceed the performance of existing state of the art separation methods with two sources when evaluated by objective separation quality metrics. We address the problem of blind audio source separation in the under-determined and convolutive case. The contribution of each source to the mixture channels in the time-frequency domain is modeled by a zero-mean Gaussian random vector with a full rank covariance matrix composed of two terms: a variance which represents the spectral properties of the source and which is modeled by a nonnegative matrix factorization (NMF) model and another full rank covariance matrix which encodes the spatial properties of the source contribution in the mixture. We address the estimation of these parameters by maximizing the likelihood of the mixture using an expectation-maximization (EM) algorithm. Theoretical propositions are corroborated by experimental studies on stereo reverberant music mixtures. Non-negative Matrix Factorisation (NMF) based algorithms have found application in monaural audio source separation due to their ability to factorize audio spectrogram into additive part-based basis functions, which typically corresponds to individual notes or chords in music. These separated basis functions are usually greater in number than the active sources, hence clustering is needed for individual source signal synthesis. Although, many attempts have been made to improve the clustering of the basis functions to sources, much research is still required in this area. Recently, Shifted NMF based methods have been proposed as a means to avoid clustering these pitched basis functions to sources. However, the Shifted NMF algorithm uses a log-frequency spectrogram with a xed number of frequency bins per octave which compromises the quality of separated sources.We show that by replacing the method used to calculate the log-frequency spectrogram with a recently proposed invertible Constant Q Transform (CQT), we can considerably improve the separation quality of the individual sound signals.