Much of the appeal of music lies in its power to convey emotions moods and to evoke them in listeners. In consequence, the past decade witnessed a growing interest in modeling emotions from musical signals in the music information retrieval (MIR) community. In this article, we present a novel generative approach to music emotion modeling, with a specific focus on the valence-arousal (VA) dimension model of emotion. The presented generative model, called (AEG), better accounts for the subjectivity of emotion perception by the use of probability distributions. Specifically, it learns from the emotion annotations of multiple subjects a Gaussian mixture model in the VA space with prior constraints on the corresponding acoustic features of the training music pieces. Such a computational framework is technically sound, capable of learning in an online fashion, and thus applicable to a variety of applications, including user-independent (general) and user-dependent (personalized) emotion recognition and emotion-based music retrieval. We report evaluations of the aforementioned applications of AEG on a larger-scale emotion-annotated corpora, AMG1608, to demonstrate the effectiveness of AEG and to showcase how evaluations are conducted for research on emotion-based MIR. Directions of future work are also discussed.
A different methodology to address the subjectivity is to call for a user-dependent model trained on annotations of a specific user to personalize the emotion prediction @cite_42 @cite_9 @cite_65 . In @cite_9 , two personalization methods are proposed; the first trains a MER system for each individual specifically, whereas the second groups users according to some personal factors (e.g. gender, music experience, and personality) and then trains MER system for each user group. Another personalization scheme has also been studied @cite_61 : the first stage estimates the general perception of a music piece, whereas the second one predicts the difference between the general perception and the personal one of the target user.
@cite_61 @cite_9 @cite_42 @cite_65
2017114040 2171848217 2414752589 2154022775
It has been realized in the music emotion recognition (MER) community that personal difference, or individuality, has significant impact on the success of an MER system in practice. However, no previous work has explicitly taken individuality into consideration in an MER system. In this paper, the group-wise MER approach (GWMER) and personalized MER approach (PMER) are proposed to study the role of individuality. GWMER evaluates the importance of each individual factor such as sex, personality, and music experience, whereas PMER evaluates whether the prediction accuracy for a user is significantly improved if the MER system is personalized for the user. Experimental results demonstrate the effect of personalization and suggest the need for a better representation of individuality and for better prediction accuracy. Content-based retrieval has emerged in the face of content explosion as a promising approach to information access. In this paper, we focus on the challenging issue of recognizing the emotion content of music signals, or music emotion recognition (MER). Specifically, we formulate MER as a regression problem to predict the arousal and valence values (AV values) of each music sample directly. Associated with the AV values, each music sample becomes a point in the arousal-valence plane, so the users can efficiently retrieve the music sample by specifying a desired point in the emotion plane. Because no categorical taxonomy is used, the regression approach is free of the ambiguity inherent to conventional categorical approaches. To improve the performance, we apply principal component analysis to reduce the correlation between arousal and valence, and RReliefF to select important features. An extensive performance study is conducted to evaluate the accuracy of the regression approach for predicting AV values. The best performance evaluated in terms of the R 2 statistics reaches 58.3 for arousal and 28.1 for valence by employing support vector machine as the regressor. We also apply the regression approach to detect the emotion variation within a music selection and find the prediction accuracy superior to existing works. A group-wise MER scheme is also developed to address the subjectivity issue of emotion perception. Music emotion recognition (MER) is an important topic in music understanding, recommendation, retrieval and human computer interaction. Great success has been achieved by machine learning methods in estimating human emotional response to music. However, few of them pay much attention in semantic interpret for emotion response. In our work, we first train an interpretable model between acoustic audio and emotion. Filter, wrapper and shrinkage methods are applied to select important features. We then apply statistical models to build and explain the emotion model. Extensive experimental results reveal that the shrinkage methods outperform the wrapper methods and the filter methods in arousal emotion. In addition, we observed that only a small set of the extracted features have the key effects to arousal. While, most of our extracted features have small contribution to valence music perception. Ultimately, we obtain a higher average accuracy rate in arousal, compared to that in valence. Personalization techniques can be applied to address the subjectivity issue of music emotion recognition, which is important for music information retrieval. However, achieving satisfactory accuracy in personalized music emotion recognition for a user is difficult because it requires an impractically huge amount of annotations from the user. In this paper, we adopt a probabilistic framework for valence-arousal music emotion modeling and propose an adaptation method based on linear regression to personalize a background model in an online learning fashion. We also incorporate a componenttying strategy to enhance the model flexibility. Comprehensive experiments are conducted to test the performance of the proposed method on three datasets, including a new one created specifically in this work for personalized music emotion recognition. Our results demonstrate the effectiveness of the proposed method.