We introduce Code Park, a novel tool for visualizing codebases in a 3D game-like environment. Code Park aims to improve a programmer's understanding of an existing codebase in a manner that is both engaging and intuitive, appealing to novice users such as students. It achieves these goals by laying out the codebase in a 3D park-like environment. Each class in the codebase is represented as a 3D room-like structure. Constituent parts of the class (variable, member functions, etc.) are laid out on the walls, resembling a syntax-aware "wallpaper". The users can interact with the codebase using an overview, and a first-person viewer mode. We conducted two user studies to evaluate Code Park's usability and suitability for organizing an existing project. Our results indicate that Code Park is easy to get familiar with and significantly helps in code understanding compared to a traditional IDE. Further, the users unanimously believed that Code Park was a fun tool to work with.
Recently, there have been more work focusing on 2D visualization. Code Bubbles @cite_8 suggested a collection of editable fragments that represent functions in a class. Code Gestalt @cite_33 used tag overlay and thematic releations. Lanza and Ducasse @cite_30 proposed categorizing classes and their internal objects into blocks called Blue Prints. Gutwenger @cite_10 proposed an approach for improved aesthetic properties of UML diagrams when visualizing hierarchical and non-hierarchical relations. Balzer @cite_13 introduced hierarchy-based visualization for software metrics using Voroni Treemaps. Additionally, Holten @cite_5 used both hierarchical and non-hierarchical data to visualize adjacency relation in software. The common observation among these efforts is that they are all based on 2D environments and were mostly suitable for expert users.
@cite_30 @cite_13 @cite_33 @cite_8 @cite_5 @cite_10
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We address the problems of contour detection, bottom-up grouping and semantic segmentation using RGB-D data. We focus on the challenging setting of cluttered indoor scenes, and evaluate our approach on the recently introduced NYU-Depth V2 (NYUD2) dataset [27]. We propose algorithms for object boundary detection and hierarchical segmentation that generalize the gPb-ucm approach of [2] by making effective use of depth information. We show that our system can label each contour with its type (depth, normal or albedo). We also propose a generic method for long-range amodal completion of surfaces and show its effectiveness in grouping. We then turn to the problem of semantic segmentation and propose a simple approach that classifies super pixels into the 40 dominant object categories in NYUD2. We use both generic and class-specific features to encode the appearance and geometry of objects. We also show how our approach can be used for scene classification, and how this contextual information in turn improves object recognition. In all of these tasks, we report significant improvements over the state-of-the-art. This paper presents work in progress on a new technique for visu- alising and manipulating large hierarchies. The information slices approach compactly visualises hierarchical structures using a series of semi-circular discs. The technique is described in the context of our early experience with a prototype file system visualiser based on information slices. Over the last few years, the emerging field of information visuali- sation has resulted in a numerous techniques for helping visualise and make sense of large information spaces (10). Among these are several techniques for visualising and interacting with large hierar- chies which go beyond the traditional approach taken in 2d scrolling browsers such as the Windows Explorer. Treemaps (6, 9) are space-filling visualisations of hierarchies based on successive horizontal and vertical subdivision of screen rectangles. The area of each rectangle is proportional to some at- tribute of the underlying hierarchy such as the (total) size of each subtree. Xdu (4) is a utility for the X window system which displays a graphical disk usage for Unix file systems. Rectangles are stacked from left to right as the directory tree is descended. The current di- rectory is represented by the leftmost rectangle, which is the entire height of the window. Subdirectories are represented by neighbour- ing rectangles in the next column, whose height are proportional to the size of each subdirectory. The hyperbolic browser (7) uses a focus and context technique based on hyperbolic geometry. A hierarchy is laid out uniformly on the hyperbolic plane and then mapped to the unit disc for display on screen. Nodes in the centre of the disc are largest and nodes are assigned progressively less space towards the perimeter of the disc. Cheops (3) is based on multiple re-use of overlaid triangles in the display. Working top-down, the selection of a node (triangle) at a particular level designates that node's children are to be represented Inexpensive RGB-D cameras that give an RGB image together with depth data have become widely available. In this paper, we use this data to build 3D point clouds of full indoor scenes such as an office and address the task of semantic labeling of these 3D point clouds. We propose a graphical model that captures various features and contextual relations, including the local visual appearance and shape cues, object co-occurence relationships and geometric relationships. With a large number of object classes and relations, the model's parsimony becomes important and we address that by using multiple types of edge potentials. The model admits efficient approximate inference, and we train it using a maximum-margin learning approach. In our experiments over a total of 52 3D scenes of homes and offices (composed from about 550 views, having 2495 segments labeled with 27 object classes), we get a performance of 84.06 in labeling 17 object classes for offices, and 73.38 in labeling 17 object classes for home scenes. Finally, we applied these algorithms successfully on a mobile robot for the task of finding objects in large cluttered rooms. We introduce a novel method for 3D object detection and pose estimation from color images only. We first use segmentation to detect the objects of interest in 2D even in presence of partial occlusions and cluttered background. By contrast with recent patch-based methods, we rely on a “holistic” approach: We apply to the detected objects a Convolutional Neural Network (CNN) trained to predict their 3D poses in the form of 2D projections of the corners of their 3D bounding boxes. This, however, is not sufficient for handling objects from the recent T-LESS dataset: These objects exhibit an axis of rotational symmetry, and the similarity of two images of such an object under two different poses makes training the CNN challenging. We solve this problem by restricting the range of poses used for training, and by introducing a classifier to identify the range of a pose at run-time before estimating it. We also use an optional additional step that refines the predicted poses. We improve the state-of-the-art on the LINEMOD dataset from 73.7 [2] to 89.3 of correctly registered RGB frames. We are also the first to report results on the Occlusion dataset [1 ] using color images only. We obtain 54 of frames passing the Pose 6D criterion on average on several sequences of the T-LESS dataset, compared to the 67 of the state-of-the-art [10] on the same sequences which uses both color and depth. The full approach is also scalable, as a single network can be trained for multiple objects simultaneously.