Recovering the latent photorealistic faces from their artistic portraits aids human perception and facial analysis. However, recovering photorealistic faces from stylized portraits while preserving identity is challenging because the fine details of real faces can be distorted or lost in stylized images. In this paper, we present a new Identity-preserving Face Recovery from Portraits (IFRP) method to recover latent photorealistic faces from unaligned stylized portraits. Our IFRP method consists of two components: Style Removal Network (SRN) and Discriminative Network (DN). The SRN is designed to transfer feature maps of stylized images to the feature maps of the corresponding photorealistic faces. By embedding spatial transformer networks into the SRN, our method can compensate for misalignments of stylized faces automatically and output aligned realistic face images. The DN is used to enforce recovered face images to be similar to authentic faces. To ensure the identity preservation, we promote the recovered and ground-truth faces to share similar visual features via a distance measure which compares features of recovered and ground-truth faces extracted from a pre-trained VGG network. Our approach is evaluated on a large-scale synthesized dataset of real and stylized face pairs and outperforms the state-of-the-art methods. In addition, we demonstrate that our method can also recover photorealistic faces from unseen stylized portraits (unavailable in training) as well as original paintings.
Moreover, there exist several methods to synthesize sketches from photographs (and vice versa) @cite_37 @cite_25 @cite_15 @cite_32 . While sketch-to-face synthesis is a related problem, our unified framework can work with various more complex styles.
@cite_37 @cite_32 @cite_25 @cite_15
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Automatic synthesis of faces from visual attributes is an important problem in computer vision and has wide applications in law enforcement and entertainment. With the advent of deep generative convolutional neural networks (CNNs), attempts have been made to synthesize face images from attributes and text descriptions. In this paper, we take a different approach, where we formulate the original problem as a stage-wise learning problem. We first synthesize the facial sketch corresponding to the visual attributes and then we reconstruct the face image based on the synthesized sketch. The proposed Attribute2Sketch2Face framework, which is based on a combination of deep Conditional Variational Autoencoder (CVAE) and Generative Adversarial Networks (GANs), consists of three stages: (1) Synthesis of facial sketch from attributes using a CVAE architecture, (2) Enhancement of coarse sketches to produce sharper sketches using a GAN-based framework, and (3) Synthesis of face from sketch using another GAN-based network. Extensive experiments and comparison with recent methods are performed to verify the effectiveness of the proposed attribute-based three stage face synthesis method. Heterogeneous image conversion is a critical issue in many computer vision tasks, among which example-based face sketch style synthesis provides a convenient way to make artistic effects for photos. However, existing face sketch style synthesis methods generate stylistic sketches depending on many photo-sketch pairs. This requirement limits the generalization ability of these methods to produce arbitrarily stylistic sketches. To handle such a drawback, we propose a robust face sketch style synthesis method, which can convert photos to arbitrarily stylistic sketches based on only one corresponding template sketch. In the proposed method, a sparse representation-based greedy search strategy is first applied to estimate an initial sketch. Then, multi-scale features and Euclidean distance are employed to select candidate image patches from the initial estimated sketch and the template sketch. In order to further refine the obtained candidate image patches, a multi-feature-based optimization model is introduced. Finally, by assembling the refined candidate image patches, the completed face sketch is obtained. To further enhance the quality of synthesized sketches, a cascaded regression strategy is adopted. Compared with the state-of-the-art face sketch synthesis methods, experimental results on several commonly used face sketch databases and celebrity photos demonstrate the effectiveness of the proposed method. Face sketch–photo synthesis technique has attracted growing attention in many computer vision applications, such as law enforcement and digital entertainment. Existing methods either simply perform the face sketch–photo synthesis on the holistic image or divide the face image into regular rectangular patches ignoring the inherent structure of the face image. In view of such situations, this paper presents a novel superpixel-based face sketch–photo synthesis method by estimating the face structures through image segmentation. In our proposed method, face images are first segmented into superpixels, which are then dilated to enhance the compatibility of neighboring superpixels. Each input face image induces a specific graphical structure modeled by Markov networks. We employ a two-stage synthesis process to learn the face structures through Markov networks constructed from two scales of dilation, respectively. Experiments on several public databases demonstrate that our proposed face sketch–photo synthesis method achieves superior performance compared with the state-of-the-art methods. In this paper, we propose a novel framework based on deep neural networks for face sketch synthesis from a photo. Imitating the process of how artists draw sketches, our framework synthesizes face sketches in a cascaded manner. A content image is first generated that outlines the shape of the face and the key facial features. Textures and shadings are then added to enrich the details of the sketch. We utilize a fully convolutional neural network (FCNN) to create the content image, and propose a style transfer approach to introduce textures and shadings based on a newly proposed pyramid column feature. We demonstrate that our style transfer approach based on the pyramid column feature can not only preserve more sketch details than the common style transfer method, but also surpasses traditional patch based methods. Quantitative and qualitative evaluations suggest that our framework outperforms other state-of-the-arts methods, and can also generalize well to different test images.