The increasing prevalence of Virtual Reality technologies as a platform for gaming and video playback warrants research into how to best apply the current state of the art to challenges in data visualization. Many current VR systems are noncollaborative, while data analysis and visualization is often a multi-person process. Our goal in this paper is to address the technical and user experience challenges that arise when creating VR environments for collaborative data visualization. We focus on the integration of multiple tracking systems and the new interaction paradigms that this integration can enable, along with visual design considerations that apply specifically to collaborative network visualization in virtual reality. We demonstrate a system for collaborative interaction with large 3D layouts of Twitter friend follow networks. The system is built by combining a 'Holojam' architecture (multiple GearVR Headsets within an OptiTrack motion capture stage) and Perception Neuron motion suits, to offer an untethered, full-room multi-person visualization experience.
Work by Donalek et. al. @cite_5 uses uses Unity3D and Oculus VR headsets to visualize astronomical datasets, but has key differences in terms of capabilities and constraints. The rendering in @cite_5 occurs on a personal computer as opposed to a mobile device, and therefore is less resource bound than in our context. Furthermore, the underlying system that we build upon is designed for collaborative full-room VR, allowing users to interact with a social network in much the same way they would a real object.
@cite_5
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Dataset plays an essential role in the training and testing of traffic vision algorithms. However, the collection and annotation of images from the real world is time-consuming, labor-intensive, and error-prone. Therefore, more and more researchers have begun to explore the virtual dataset, to overcome the disadvantages of real datasets. In this paper, we propose a systematic method to construct large-scale artificial scenes and collect a new virtual dataset (named “ParallelEye”) for the traffic vision research. The Unity3D rendering software is used to simulate environmental changes in the artificial scenes and generate ground-truth labels automatically, including semantic instance segmentation, object bounding boxes, and so on. In addition, we utilize ParallelEye in combination with real datasets to conduct experiments. The experimental results show the inclusion of virtual data helps to enhance the per-class accuracy in object detection and semantic segmentation. Meanwhile, it is also illustrated that the virtual data with controllable imaging conditions can be used to design evaluation experiments flexibly. We introduce a novel framework that enables large-scale dense 3D scene reconstruction, data streaming over the network and immersive exploration of the reconstructed environment using virtual reality. The system is operated by two remote entities, where one entity – for instance an autonomous aerial vehicle – captures and reconstructs the environment as well as transmits the data to another entity – such as human observer – that can immersivly explore the 3D scene, decoupled from the view of the capturing entity. The performance evaluation revealed the framework’s capabilities to perform RGB-D data capturing, dense 3D reconstruction, streaming and dynamic scene updating in real time for indoor environments up to a size of 100m2, using either a state-of-the-art mobile computer or a workstation. Thereby, our work provides a foundation for enabling immersive exploration of remotely captured and incrementally reconstructed dense 3D scenes, which has not shown before and opens up new research aspects in future. Background: Digital slides obtained from whole slide imaging (WSI) platforms are typically viewed in two dimensions using desktop personal computer monitors or more recently on mobile devices. To the best of our knowledge, we are not aware of any studies viewing digital pathology slides in a virtual reality (VR) environment. VR technology enables users to be artificially immersed in and interact with a computer-simulated world. Oculus Rift is among the world's first consumer-targeted VR headsets, intended primarily for enhanced gaming. Our aim was to explore the use of the Oculus Rift for examining digital pathology slides in a VR environment. Methods: An Oculus Rift Development Kit 2 (DK2) was connected to a 64-bit computer running Virtual Desktop software. Glass slides from twenty randomly selected lymph node cases (ten with benign and ten malignant diagnoses) were digitized using a WSI scanner. Three pathologists reviewed these digital slides on a 27-inch 5K display and with the Oculus Rift after a 2-week washout period. Recorded endpoints included concordance of final diagnoses and time required to examine slides. The pathologists also rated their ease of navigation, image quality, and diagnostic confidence for both modalities. Results: There was 90 diagnostic concordance when reviewing WSI using a 5K display and Oculus Rift. The time required to examine digital pathology slides on the 5K display averaged 39 s (range 10-120 s), compared to 62 s with the Oculus Rift (range 15-270 s). All pathologists confirmed that digital pathology slides were easily viewable in a VR environment. The ratings for image quality and diagnostic confidence were higher when using the 5K display. Conclusion: Using the Oculus Rift DK2 to view and navigate pathology whole slide images in a virtual environment is feasible for diagnostic purposes. However, image resolution using the Oculus Rift device was limited. Interactive VR technologies such as the Oculus Rift are novel tools that may be of use in digital pathology. This paper addresses the problem of obtaining 3d detailed reconstructions of human faces in real-time and with inexpensive hardware. We present an algorithm based on a monocular multi-spectral photometric-stereo setup. This system is known to capture high-detailed deforming 3d surfaces at high frame rates and without having to use any expensive hardware or synchronized light stage. However, the main challenge of such a setup is the calibration stage, which depends on the lights setup and how they interact with the specific material being captured, in this case, human faces. For this purpose we develop a self-calibration technique where the person being captured is asked to perform a rigid motion in front of the camera, maintaining a neutral expression. Rigidity constrains are then used to compute the head's motion with a structure-from-motion algorithm. Once the motion is obtained, a multi-view stereo algorithm reconstructs a coarse 3d model of the face. This coarse model is then used to estimate the lighting parameters with a stratified approach: In the first step we use a RANSAC search to identify purely diffuse points on the face and to simultaneously estimate this diffuse reflectance model. In the second step we apply non-linear optimization to fit a non-Lambertian reflectance model to the outliers of the previous step. The calibration procedure is validated with synthetic and real data.