Generative adversarial networks (GANs) are one of the most popular methods for generating images today. While impressive results have been validated by visual inspection, a number of quantitative criteria have emerged only recently. We argue here that the existing ones are insufficient and need to be in adequation with the task at hand. In this paper we introduce two measures based on image classification---GAN-train and GAN-test, which approximate the recall (diversity) and precision (quality of the image) of GANs respectively. We evaluate a number of recent GAN approaches based on these two measures and demonstrate a clear difference in performance. Furthermore, we observe that the increasing difficulty of the dataset, from CIFAR10 over CIFAR100 to ImageNet, shows an inverse correlation with the quality of the GANs, as clearly evident from our measures.
In summary, evaluation of generative models is not a easy task @cite_47 , especially for models like GANs. We bring a new dimension to this problem with our GAN-train and GAN-test performance-based measures, and show through our extensive analysis that they are complementary to all the above schemes.
@cite_47
2962879692
Generative Adversarial Networks (GANs) are powerful generative models, but suffer from training instability. The recently proposed Wasserstein GAN (WGAN) makes progress toward stable training of GANs, but sometimes can still generate only poor samples or fail to converge. We find that these problems are often due to the use of weight clipping in WGAN to enforce a Lipschitz constraint on the critic, which can lead to undesired behavior. We propose an alternative to clipping weights: penalize the norm of gradient of the critic with respect to its input. Our proposed method performs better than standard WGAN and enables stable training of a wide variety of GAN architectures with almost no hyperparameter tuning, including 101-layer ResNets and language models with continuous generators. We also achieve high quality generations on CIFAR-10 and LSUN bedrooms.