Automatically generating a natural language sentence to describe the content of an input video is a very challenging problem. It is an essential multimodal task in which auditory and visual contents are equally important. Although audio information has been exploited to improve video captioning in previous works, it is usually regarded as an additional feature fed into a black box fusion machine. How are the words in the generated sentences associated with the auditory and visual modalities? The problem is still not investigated. In this paper, we make the first attempt to design an interpretable audio-visual video captioning network to discover the association between words in sentences and audio-visual sequences. To achieve this, we propose a multimodal convolutional neural network-based audio-visual video captioning framework and introduce a modality-aware module for exploring modality selection during sentence generation. Besides, we collect new audio captioning and visual captioning datasets for further exploring the interactions between auditory and visual modalities for high-level video understanding. Extensive experiments demonstrate that the modality-aware module makes our model interpretable on modality selection during sentence generation. Even with the added interpretability, our video captioning network can still achieve comparable performance with recent state-of-the-art methods.
Recently, research topics about vision and sound have attracted a lot of attentions. Aytar al @cite_5 propose a SoundNet to learn audio features using a visual teacher network from massive unlabeled videos. Owens al @cite_50 adopt ambient sounds as a supervisory signal for learning visual models. To learn both a joint embeding for audio and visual content, Arandjelovic and Zisserman introduce a audio-visual corresponding prediction task. To learn audio and spatio-temporal visual representions, Owens and Efros @cite_33 , and Korbar al @cite_22 utilize the audio-visual temporal synchronization task as a proxy. Excepting representation learning, some works on sound source separation @cite_35 @cite_43 , sound source localization @cite_23 @cite_8 , and audio-visual event localization @cite_2 have also been studied. Unlike the previous works, in this paper, we will investigate audio-visual video captioning task and explore whether the audio modality can infer high-level semantics of visual modality and vice versa with the captioning problem as a proxy.
@cite_35 @cite_22 @cite_33 @cite_8 @cite_2 @cite_43 @cite_50 @cite_23 @cite_5
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In this paper, we introduce a novel problem of audio-visual event localization in unconstrained videos. We define an audio-visual event as an event that is both visible and audible in a video segment. We collect an Audio-Visual Event(AVE) dataset to systemically investigate three temporal localization tasks: supervised and weakly-supervised audio-visual event localization, and cross-modality localization. We develop an audio-guided visual attention mechanism to explore audio-visual correlations, propose a dual multimodal residual network (DMRN) to fuse information over the two modalities, and introduce an audio-visual distance learning network to handle the cross-modality localization. Our experiments support the following findings: joint modeling of auditory and visual modalities outperforms independent modeling, the learned attention can capture semantics of sounding objects, temporal alignment is important for audio-visual fusion, the proposed DMRN is effective in fusing audio-visual features, and strong correlations between the two modalities enable cross-modality localization. Perceiving a scene most fully requires all the senses. Yet modeling how objects look and sound is challenging: most natural scenes and events contain multiple objects, and the audio track mixes all the sound sources together. We propose to learn audio-visual object models from unlabeled video, then exploit the visual context to perform audio source separation in novel videos. Our approach relies on a deep multi-instance multi-label learning framework to disentangle the audio frequency bases that map to individual visual objects, even without observing hearing those objects in isolation. We show how the recovered disentangled bases can be used to guide audio source separation to obtain better-separated, object-level sounds. Our work is the first to learn audio source separation from large-scale “in the wild” videos containing multiple audio sources per video. We obtain state-of-the-art results on visually-aided audio source separation and audio denoising. Our video results: http: vision.cs.utexas.edu projects separating_object_sounds . Visual events are usually accompanied by sounds in our daily lives. We pose the question: Can the machine learn the correspondence between visual scene and the sound, and localize the sound source only by observing sound and visual scene pairs like human? In this paper, we propose a novel unsupervised algorithm to address the problem of localizing the sound source in visual scenes. A two-stream network structure which handles each modality, with attention mechanism is developed for sound source localization. Moreover, although our network is formulated within the unsupervised learning framework, it can be extended to a unified architecture with a simple modification for the supervised and semi-supervised learning settings as well. Meanwhile, a new sound source dataset is developed for performance evaluation. Our empirical evaluation shows that the unsupervised method eventually go through false conclusion in some cases. We show that even with a few supervision, false conclusion is able to be corrected and the source of sound in a visual scene can be localized effectively. Psychophysical and physiological evidence shows that sound localization of acoustic signals is strongly influenced by their synchrony with visual signals. This effect, known as ventriloquism, is at work when sound coming from the side of a TV set feels as if it were coming from the mouth of the actors. The ventriloquism effect suggests that there is important information about sound location encoded in the synchrony between the audio and video signals. In spite of this evidence, audiovisual synchrony is rarely used as a source of information in computer vision tasks. In this paper we explore the use of audio visual synchrony to locate sound sources. We developed a system that searches for regions of the visual landscape that correlate highly with the acoustic signals and tags them as likely to contain an acoustic source. We discuss our experience implementing the system, present results on a speaker localization task and discuss potential applications of the approach. In this paper our objectives are, first, networks that can embed audio and visual inputs into a common space that is suitable for cross-modal retrieval; and second, a network that can localize the object that sounds in an image, given the audio signal. We achieve both these objectives by training from unlabelled video using only audio-visual correspondence (AVC) as the objective function. This is a form of cross-modal self-supervision from video. To this end, we design new network architectures that can be trained using the AVC task for these functionalities: for cross-modal retrieval, and for localizing the source of a sound in an image. We make the following contributions: (i) show that audio and visual embedding can be learnt that enable both within-mode (e.g. audio-to-audio) and between-mode retrieval; (ii) explore various architectures for the AVC task, including those for the visual stream that ingest a single image, or multiple images, or a single image and multi-frame optical flow; (iii) show that the semantic object that sounds within an image can be localized (using only the sound, no motion or flow information); and (iv) give a cautionary tale in how to avoid undesirable shortcuts in the data preparation. Cross-modal analysis offers information beyond that extracted from individual modalities. Consider a camcorder having a single microphone in a cocktail-party: it captures several moving visual objects which emit sounds. A task for audio-visual analysis is to identify the number of independent audio-associated visual objects (AVOs), pinpoint the AVOs' spatial locations in the video and isolate each corresponding audio component. Part of these problems were considered by prior studies, which were limited to simple cases, e.g., a single AVO or stationary sounds. We describe an approach that seeks to overcome these challenges. It acknowledges the importance of temporal features that are based on significant changes in each modality. A probabilistic formalism identifies temporal coincidences between these features, yielding cross-modal association and visual localization. This association is of particular benefit in harmonic sounds, as it enables subsequent isolation of each audio source. We demonstrate this in challenging experiments, having multiple, simultaneous highly nonstationary AVOs. Video caption refers to generating a descriptive sentence for a specific short video clip automatically, which has achieved remarkable success recently. However, most of the existing methods focus more on visual information while ignoring the synchronized audio cues. We propose three multimodal deep fusion strategies to maximize the benefits of visual-audio resonance information. The first one explores the impact on cross-modalities feature fusion from low to high order. The second establishes the visual-audio short-term dependency by sharing weights of corresponding front-end networks. The third extends the temporal dependency to long-term through sharing multimodal memory across visual and audio modalities. Extensive experiments have validated the effectiveness of our three cross-modalities fusion strategies on two benchmark datasets, including Microsoft Research Video to Text (MSRVTT) and Microsoft Video Description (MSVD). It is worth mentioning that sharing weight can coordinate visual-audio feature fusion effectively and achieve the state-of-art performance on both BELU and METEOR metrics. Furthermore, we first propose a dynamic multimodal feature fusion framework to deal with the part modalities missing case. Experimental results demonstrate that even in the audio absence mode, we can still obtain comparable results with the aid of the additional audio modality inference module. Detecting complex events in videos is intrinsically a multimodal problem since both audio and visual channels provide important clues. While conventional methods fuse both modalities at a superficial level, in this paper we propose a new representation--called bi-modal words--to explore representative joint audio---visual patterns. We first build a bipartite graph to model relation across the quantized words extracted from the visual and audio modalities. Partitioning over the bipartite graph is then applied to produce the bi-modal words that reveal the joint patterns across modalities. Different pooling strategies are then employed to re-quantize the visual and audio words into the bi-modal words and form bi-modal Bag-of-Words representations. Since it is difficult to predict the suitable number of bi-modal words, we generate bi-modal words at different levels (i.e., codebooks with different sizes), and use multiple kernel learning to combine the resulting multiple representations during event classifier learning. Experimental results on three popular datasets show that the proposed method achieves statistically significant performance gains over methods using individual visual and audio feature alone and existing popular multi-modal fusion methods. We also find that average pooling is particularly suitable for bi-modal representation, and using multiple kernel learning to combine multi-modal representations at various granularities is helpful. People and animals fuse auditory and visual information to obtain robust perception. A particular benefit of such cross-modal analysis is the ability to localize visual events associated with sound sources. We aim to achieve this using computer-vision aided by a single microphone. Past efforts encountered problems stemming from the huge gap between the dimensions involved and the available data. This has led to solutions suffering from low spatio-temporal resolutions. We present a rigorous analysis of the fundamental problems associated with this task. Then, we present a stable and robust algorithm which overcomes past deficiencies. It grasps dynamic audio-visual events with high spatial resolution, and derives a unique solution. The algorithm effectively detects pixels that are associated with the sound, while filtering out other dynamic pixels. It is based on canonical correlation analysis (CCA), where we remove inherent ill-posedness by exploiting the typical spatial sparsity of audio-visual events. The algorithm is simple and efficient thanks to its reliance on linear programming and is free of user-defined parameters. To quantitatively assess the performance, we devise a localization criterion. The algorithm capabilities were demonstrated in experiments, where it overcame substantial visual distractions and audio noise.