Automatic photo adjustment is to mimic the photo retouching style of professional photographers and automatically adjust photos to the learned style. There have been many attempts to model the tone and the color adjustment globally with low-level color statistics. Also, spatially varying photo adjustment methods have been studied by exploiting high-level features and semantic label maps. Those methods are semantics-aware since the color mapping is dependent on the high-level semantic context. However, their performance is limited to the pre-computed hand-crafted features and it is hard to reflect user's preference to the adjustment. In this paper, we propose a deep neural network that models the semantics-aware photo adjustment. The proposed network exploits bilinear models that are the multiplicative interaction of the color and the contexual features. As the contextual features we propose the semantic adjustment map, which discovers the inherent photo retouching presets that are applied according to the scene context. The proposed method is trained using a robust loss with a scene parsing task. The experimental results show that the proposed method outperforms the existing method both quantitatively and qualitatively. The proposed method also provides users a way to retouch the photo by their own likings by giving customized adjustment maps.
There has been a number of studies for the automatic photo adjustment. Several methods focus on the global tonal adjustment @cite_23 , the color enhancement @cite_9 , and the personalized enhancement @cite_7 . Those methods are global adjustment approaches based on hand-crafted low-level features such as the color histogram, the scene brightness, and the highlight clipping. @cite_7 , Kapoor al proposed a method that discovers the clusters of users that have similar preferences of image enhancement for the personalized adjustment. While the concept of our method may be similar to those methods, the main difference is that we aim to discover the retouching presets that vary according to the local semantics.
@cite_9 @cite_7 @cite_23
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Adjusting photographs to obtain compelling renditions requires skill and time. Even contrast and brightness adjustments are challenging because they require taking into account the image content. Photographers are also known for having different retouching preferences. As the result of this complexity, rule-based, one-size-fits-all automatic techniques often fail. This problem can greatly benefit from supervised machine learning but the lack of training data has impeded work in this area. Our first contribution is the creation of a high-quality reference dataset. We collected 5,000 photos, manually annotated them, and hired 5 trained photographers to retouch each picture. The result is a collection of 5 sets of 5,000 example input-output pairs that enable supervised learning. We first use this dataset to predict a user's adjustment from a large training set. We then show that our dataset and features enable the accurate adjustment personalization using a carefully chosen set of training photos. Finally, we introduce difference learning: this method models and predicts difference between users. It frees the user from using predetermined photos for training. We show that difference learning enables accurate prediction using only a handful of examples. Photo retouching enables photographers to invoke dramatic visual impressions by artistically enhancing their photos through stylistic color and tone adjustments. However, it is also a time-consuming and challenging task that requires advanced skills beyond the abilities of casual photographers. Using an automated algorithm is an appealing alternative to manual work, but such an algorithm faces many hurdles. Many photographic styles rely on subtle adjustments that depend on the image content and even its semantics. Further, these adjustments are often spatially varying. Existing automatic algorithms are still limited and cover only a subset of these challenges. Recently, deep learning has shown unique abilities to address hard problems. This motivated us to explore the use of deep neural networks (DNNs) in the context of photo editing. In this article, we formulate automatic photo adjustment in a manner suitable for this approach. We also introduce an image descriptor accounting for the local semantics of an image. Our experiments demonstrate that training DNNs using these descriptors successfully capture sophisticated photographic styles. In particular and unlike previous techniques, it can model local adjustments that depend on image semantics. We show that this yields results that are qualitatively and quantitatively better than previous work. We present a machine-learned ranking approach for automatically enhancing the color of a photograph. Unlike previous techniques that train on pairs of images before and after adjustment by a human user, our method takes into account the intermediate steps taken in the enhancement process, which provide detailed information on the person's color preferences. To make use of this data, we formulate the color enhancement task as a learning-to-rank problem in which ordered pairs of images are used for training, and then various color enhancements of a novel input image can be evaluated from their corresponding rank values. From the parallels between the decision tree structures we use for ranking and the decisions made by a human during the editing process, we posit that breaking a full enhancement sequence into individual steps can facilitate training. Our experiments show that this approach compares well to existing methods for automatic color enhancement. Photo retouching enables photographers to invoke dramatic visual impressions by artistically enhancing their photos through stylistic color and tone adjustments. However, it is also a time-consuming and challenging task that requires advanced skills beyond the abilities of casual photographers. Using an automated algorithm is an appealing alternative to manual work but such an algorithm faces many hurdles. Many photographic styles rely on subtle adjustments that depend on the image content and even its semantics. Further, these adjustments are often spatially varying. Because of these characteristics, existing automatic algorithms are still limited and cover only a subset of these challenges. Recently, deep machine learning has shown unique abilities to address hard problems that resisted machine algorithms for long. This motivated us to explore the use of deep learning in the context of photo editing. In this paper, we explain how to formulate the automatic photo adjustment problem in a way suitable for this approach. We also introduce an image descriptor that accounts for the local semantics of an image. Our experiments demonstrate that our deep learning formulation applied using these descriptors successfully capture sophisticated photographic styles. In particular and unlike previous techniques, it can model local adjustments that depend on the image semantics. We show on several examples that this yields results that are qualitatively and quantitatively better than previous work. This paper presents methods for personalization of image enhancement, which could be deployed in photo editing software and also in cloud-based image sharing services. We observe that users do have different preferences for enhancing images and that there are groups of people that share similarities in preferences. Our goal is to predict enhancements for novel images belonging to a particular user based on her specific taste, to facilitate the retouching process on large image collections. To that end, we describe an enhancement framework that can learn user preferences in an individual or collaborative way. The proposed system is based on a novel interactive application that allows to collect user's enhancement preferences. We propose algorithms to predict personalized enhancements by learning a preference model from the provided information. Furthermore, the algorithm improves prediction performance as more enhancement examples are progressively added. We conducted experiments via Amazon Mechanical Turk to collect preferences from a large group of people. Results show that the proposed framework can suggest image enhancements more targeted to individual users than commercial tools with global auto-enhancement functionalities. This paper presents a new efficient method for recovering reliable local sets of dense correspondences between two images with some shared content. Our method is designed for pairs of images depicting similar regions acquired by different cameras and lenses, under non-rigid transformations, under different lighting, and over different backgrounds. We utilize a new coarse-to-fine scheme in which nearest-neighbor field computations using Generalized PatchMatch [ 2010] are interleaved with fitting a global non-linear parametric color model and aggregating consistent matching regions using locally adaptive constraints. Compared to previous correspondence approaches, our method combines the best of two worlds: It is dense, like optical flow and stereo reconstruction methods, and it is also robust to geometric and photometric variations, like sparse feature matching. We demonstrate the usefulness of our method using three applications for automatic example-based photograph enhancement: adjusting the tonal characteristics of a source image to match a reference, transferring a known mask to a new image, and kernel estimation for image deblurring. A luminance based multi scale retinex (LB spl I.bar MSR) algorithm for the enhancement of darker images is proposed in this paper. The new technique consists only the addition of the convolution results of 3 different scales. In this way, the color noise in the shadow dark areas can be suppressed and the convolutions with different scales can be calculated simultaneously to save CPU time. Color saturation adjustment for producing more natural colors is implemented. Each spectral band can be adjusted based on the enhancement of the intensity of the band and by using a color saturation parameter. The color saturation degree can be automatically adjusted according to different types of images by compensating the original color saturation in each band. Luminance control is applied to prevent the unwanted luminance drop at the uniform luminance areas by automatically detecting the luminance drop and keeping the luminance up to certain level that is evaluated from the original image. Down-sized convolution is used for fast processing and then the result is re-sized back to the original size. Performance of the new enhancement algorithm is tested in various images captured at different lighting conditions. It is observed that the new technique outperforms the conventional MSR technique in terms of the quality of the enhanced images and computational speed. The aim of this paper is twofold. First, we propose a new method for enhancing the contrast of gray-value images. We use the difference of the average local contrast measures between the original and the enhanced images within a variational framework. This enables the user to intuitively control the contrast level and the scale of the enhanced details. Moreover, our model avoids large modifications of the original image histogram. Thereby it preserves the global illumination of the scene and it can cope with large areas having similar gray values. The minimizer of the proposed functional is computed by a gradient descent algorithm in connection with a polynomial approximation of the average local contrast measure. The polynomial approximation is computed via Bernstein polynomials. In the second part, the approach is extended to a variational enhancement method for color images. The model approximately preserves the hue of the original image and additionally includes a total variation term to correct the possible noise. The method requires no post- or preprocessing. The minimization problem is solved with a hybrid primal---dual algorithm. Experiments demonstrate the efficiency and the flexibility of the proposed approaches in comparison with state-of-the-art methods. In this paper, we describe a technique to automatically enhance the perceptual quality of an image. Unlike previous techniques, where global statistics of the image are used to determine enhancement operation, our method is local and relies on local scene descriptors and context in addition to high-level image statistics. We cast the problem of image enhancement as searching for the best transformation for each pixel in the given image and then discovering the enhanced image using a formulation based on Gaussian Random Fields. The search is done in a coarse-to-fine manner, namely by finding the best candidate images, followed by pixels. Our experiments indicate that such context-based local enhancement is better than global enhancement schemes. A user study using Mechanical Turk shows that the subjects prefer contextual and local enhancements over the ones provided by existing schemes. Retinex model is an effective tool for low-light image enhancement. It assumes that observed images can be decomposed into the reflectance and illumination. Most existing Retinex-based methods have carefully designed hand-crafted constraints and parameters for this highly ill-posed decomposition, which may be limited by model capacity when applied in various scenes. In this paper, we collect a LOw-Light dataset (LOL) containing low normal-light image pairs and propose a deep Retinex-Net learned on this dataset, including a Decom-Net for decomposition and an Enhance-Net for illumination adjustment. In the training process for Decom-Net, there is no ground truth of decomposed reflectance and illumination. The network is learned with only key constraints including the consistent reflectance shared by paired low normal-light images, and the smoothness of illumination. Based on the decomposition, subsequent lightness enhancement is conducted on illumination by an enhancement network called Enhance-Net, and for joint denoising there is a denoising operation on reflectance. The Retinex-Net is end-to-end trainable, so that the learned decomposition is by nature good for lightness adjustment. Extensive experiments demonstrate that our method not only achieves visually pleasing quality for low-light enhancement but also provides a good representation of image decomposition. Color enhancement is a very important aspect of photo editing. Even when photographers have tens of or hundreds of photographs, they must enhance each photo one by one by manually tweaking sliders in software such as brightness and contrast, because automatic color enhancement is not always satisfactory for them. To support this repetitive manual task, we present self-reinforcing color enhancement, where the system implicitly and progressively learns the user's preferences by training on their photo editing history. The more photos the user enhances, the more effectively the system supports the user. We present a working prototype system called SelPh, and then describe the algorithms used to perform the self-reinforcement. We conduct a user study to investigate how photographers would use a self-reinforcing system to enhance a collection of photos. The results indicate that the participants were satisfied with the proposed system and strongly agreed that the self-reinforcing approach is preferable to the traditional workflow. In this paper, we propose to introduce intrinsic image decomposition priors into decomposition models for contrast enhancement. Since image decomposition is a highly ill-posed problem, we introduce constraints on both reflectance and illumination layers to yield a highly reliable solution. We regularize the reflectance layer to be piecewise constant by introducing a weighted @math norm constraint on neighboring pixels according to the color similarity, so that the decomposed reflectance would not be affected much by the illumination information. The illumination layer is regularized by a piecewise smoothness constraint. The proposed model is effectively solved by the Split Bregman algorithm. Then, by adjusting the illumination layer, we obtain the enhancement result. To avoid potential color artifacts introduced by illumination adjusting and reduce computing complexity, the proposed decomposition model is performed on the value channel in HSV space. Experiment results demonstrate that the proposed method performs well for a wide variety of images, and achieves better or comparable subjective and objective quality compared with the state-of-the-art methods. Retrieving images from large and varied collections using image content as a key is a challenging and important problem. We present a new image representation that provides a transformation from the raw pixel data to a small set of image regions that are coherent in color and texture. This "Blobworld" representation is created by clustering pixels in a joint color-texture-position feature space. The segmentation algorithm is fully automatic and has been run on a collection of 10,000 natural images. We describe a system that uses the Blobworld representation to retrieve images from this collection. An important aspect of the system is that the user is allowed to view the internal representation of the submitted image and the query results. Similar systems do not offer the user this view into the workings of the system; consequently, query results from these systems can be inexplicable, despite the availability of knobs for adjusting the similarity metrics. By finding image regions that roughly correspond to objects, we allow querying at the level of objects rather than global image properties. We present results indicating that querying for images using Blobworld produces higher precision than does querying using color and texture histograms of the entire image in cases where the image contains distinctive objects. We propose a straightforward and efficient fusion-based method for enhancing weakly illumination images that uses several mature image processing techniques. First, we employ an illumination estimating algorithm based on morphological closing to decompose an observed image into a reflectance image and an illumination image. We then derive two inputs that represent luminance-improved and contrast-enhanced versions of the first decomposed illumination using the sigmoid function and adaptive histogram equalization. Designing two weights based on these inputs, we produce an adjusted illumination by fusing the derived inputs with the corresponding weights in a multi-scale fashion. Through a proper weighting and fusion strategy, we blend the advantages of different techniques to produce the adjusted illumination. The final enhanced image is obtained by compensating the adjusted illumination back to the reflectance. Through this synthesis, the enhanced image represents a trade-off among detail enhancement, local contrast improvement and preserving the natural feel of the image. In the proposed fusion-based framework, images under different weak illumination conditions such as backlighting, non-uniform illumination and nighttime can be enhanced. HighlightsA fusion-based method for enhancing various weakly illuminated images is proposed.The proposed method requires only one input to obtain the enhanced image.Different mature image processing techniques can be blended in our framework.Our method has an efficient computation time for practical applications. A citing sentence is one that appears in a scientific article and cites previous work. Citing sentences have been studied and used in many applications. For example, they have been used in scientific paper summarization, automatic survey generation, paraphrase identification, and citation function classification. Citing sentences that cite multiple papers are common in scientific writing. This observation should be taken into consideration when using citing sentences in applications. For instance, when a citing sentence is used in a summary of a scientific paper, only the fragments of the sentence that are relevant to the summarized paper should be included in the summary. In this paper, we present and compare three different approaches for identifying the fragments of a citing sentence that are related to a given target reference. Our methods are: word classification, sequence labeling, and segment classification. Our experiments show that segment classification achieves the best results. Citation relationship between scientific publications has been successfully used for scholarly bibliometrics, information retrieval and data mining tasks, and citation-based recommendation algorithms are well documented. While previous studies investigated citation relations from various viewpoints, most of them share the same assumption that, if paper1 cites paper2 (or author1 cites author2), they are connected, regardless of citation importance, sentiment, reason, topic, or motivation. However, this assumption is oversimplified. In this study, we employ an innovative "context-rich heterogeneous network" approach, which paves a new way for citation recommendation task. In the network, we characterize 1) the importance of citation relationships between citing and cited papers, and 2) the topical citation motivation. Unlike earlier studies, the citation information, in this paper, is characterized by citation textual contexts extracted from the full-text citing paper. We also propose algorithm to cope with the situation when large portion of full-text missing information exists in the bibliographic repository. Evaluation results show that, context-rich heterogeneous network can significantly enhance the citation recommendation performance. A new form of document coupling called co-citation is defined as the frequency with which two documents are cited together. The co-citation frequency of two scientific papers can be determined by comparing lists of citing documents in the Science Citation Index and counting identical entries. Networks of co-cited papers can be generated for specific scientific specialties, and an example is drawn from the literature of particle physics. Co-citation patterns are found to differ significantly from bibliographic coupling patterns, but to agree generally with patterns of direct citation. Clusters of co-cited papers provide a new way to study the specialty structure of science. They may provide a new approach to indexing and to the creation of SDI profiles. The old Asian legend about the blind men and the elephant comes to mind when looking at how different authors of scientific papers describe a piece of related prior work. It turns out that different citations to the same paper often focus on different aspects of that paper and that neither provides a full description of its full set of contributions. In this article, we will describe our investigation of this phenomenon. We studied citation summaries in the context of research papers in the biomedical domain. A citation summary is the set of citing sentences for a given article and can be used as a surrogate for the actual article in a variety of scenarios. It contains information that was deemed by peers to be important. Our study shows that citation summaries overlap to some extent with the abstracts of the papers and that they also differ from them in that they focus on different aspects of these papers than do the abstracts. In addition to this, co-cited articles (which are pairs of articles cited by another article) tend to be similar. We show results based on a lexical similarity metric called cohesion to justify our claims. © 2008 Wiley Periodicals, Inc. This paper presents a novel image feature representation method, namely color difference histograms (CDH), for image retrieval. This method is entirely different from the existing histograms; most of the existing histogram techniques merely count the number or frequency of pixels. However, the unique characteristic of CDHs is that they count the perceptually uniform color difference between two points under different backgrounds with regard to colors and edge orientations in L*a*b* color space. This method pays more attention to color, edge orientation and perceptually uniform color differences, and encodes color, orientation and perceptually uniform color difference via feature representation in a similar manner to the human visual system. The method can be considered as a novel visual attribute descriptor combining edge orientation, color and perceptually uniform color difference, as well as taking the spatial layout into account without any image segmentation, learning processes or clustering implementation. Experimental results demonstrate that it is much more efficient than the existing image feature descriptors that were originally developed for content-based image retrieval, such as MPEG-7 edge histogram descriptors, color autocorrelograms and multi-texton histograms. It has a strong discriminative power using the color, texture and shape features while accounting for spatial layout. Images captured under water are usually degraded due to the effects of absorption and scattering. Degraded underwater images show some limitations when they are used for display and analysis. For example, underwater images with low contrast and color cast decrease the accuracy rate of underwater object detection and marine biology recognition. To overcome those limitations, a systematic underwater image enhancement method, which includes an underwater image dehazing algorithm and a contrast enhancement algorithm, is proposed. Built on a minimum information loss principle, an effective underwater image dehazing algorithm is proposed to restore the visibility, color, and natural appearance of underwater images. A simple yet effective contrast enhancement algorithm is proposed based on a kind of histogram distribution prior, which increases the contrast and brightness of underwater images. The proposed method can yield two versions of enhanced output. One version with relatively genuine color and natural appearance is suitable for display. The other version with high contrast and brightness can be used for extracting more valuable information and unveiling more details. Simulation experiment, qualitative and quantitative comparisons, as well as color accuracy and application tests are conducted to evaluate the performance of the proposed method. Extensive experiments demonstrate that the proposed method achieves better visual quality, more valuable information, and more accurate color restoration than several state-of-the-art methods, even for underwater images taken under several challenging scenes.