We address the problem of novel view synthesis: given an input image, synthesizing new images of the same object or scene observed from arbitrary viewpoints. We approach this as a learning task but, critically, instead of learning to synthesize pixels from scratch, we learn to copy them from the input image. Our approach exploits the observation that the visual appearance of different views of the same instance is highly correlated, and such correlation could be explicitly learned by training a convolutional neural network (CNN) to predict appearance flows -- 2-D coordinate vectors specifying which pixels in the input view could be used to reconstruct the target view. Furthermore, the proposed framework easily generalizes to multiple input views by learning how to optimally combine single-view predictions. We show that for both objects and scenes, our approach is able to synthesize novel views of higher perceptual quality than previous CNN-based techniques.
A recent interest in learning to synthesize views for more challenging objects under diverse view variations has been driven by the ability of Convolutional Neural Networks (CNNs) @cite_13 @cite_25 to function as image decoders. Dosovitiskiy al @cite_17 learned a CNN capable of functioning as a renderer: given an input graphics code containing identity, pose, lighting their model could render the corresponding image of a chair. Yang al @cite_32 and Tatarchenko al @cite_33 built on this work using the insight that the graphics code, instead of being presented explicitly, can be implicitly captured by an example source image along with the desired transformation. Yang al @cite_32 learned a decoder to obtain implicit pose and identity units from the input source image, applied the desired transformation to the pose units, and used a decoder CNN to render the desired view. Concurrently, Tatarchenko al @cite_33 followed a similar approach without the explicit decoupling of identity and pose to obtain similar results. A common module in these approaches is the use of a decoder CNN to generate the pixels corresponding to the transformed view from an implicit explicit graphics code. Our work demonstrates that predicting appearance flows instead of pixels leads to significant improvements.
@cite_33 @cite_32 @cite_13 @cite_25 @cite_17
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An important problem for both graphics and vision is to synthesize novel views of a 3D object from a single image. This is particularly challenging due to the partial observability inherent in projecting a 3D object onto the image space, and the ill-posedness of inferring object shape and pose. However, we can train a neural network to address the problem if we restrict our attention to specific object categories (in our case faces and chairs) for which we can gather ample training data. In this paper, we propose a novel recurrent convolutional encoder-decoder network that is trained end-to-end on the task of rendering rotated objects starting from a single image. The recurrent structure allows our model to capture long-term dependencies along a sequence of transformations. We demonstrate the quality of its predictions for human faces on the Multi-PIE dataset and for a dataset of 3D chair models, and also show its ability to disentangle latent factors of variation (e.g., identity and pose) without using full supervision. This paper presents the Deep Convolution Inverse Graphics Network (DC-IGN), a model that aims to learn an interpretable representation of images, disentangled with respect to three-dimensional scene structure and viewing transformations such as depth rotations and lighting variations. The DC-IGN model is composed of multiple layers of convolution and de-convolution operators and is trained using the Stochastic Gradient Variational Bayes (SGVB) algorithm [10]. We propose a training procedure to encourage neurons in the graphics code layer to represent a specific transformation (e.g. pose or light). Given a single input image, our model can generate new images of the same object with variations in pose and lighting. We present qualitative and quantitative tests of the model's efficacy at learning a 3D rendering engine for varied object classes including faces and chairs. We introduce a convolutional neural network for inferring a compact disentangled graphical description of objects from 2D images that can be used for volumetric reconstruction. The network comprises an encoder and a twin-tailed decoder. The encoder generates a disentangled graphics code. The first decoder generates a volume, and the second decoder reconstructs the input image using a novel training regime that allows the graphics code to learn a separate representation of the 3D object and a description of its lighting and pose conditions. We demonstrate this method by generating volumes and disentangled graphical descriptions from images and videos of faces and chairs. This paper presents the Deep Convolution Inverse Graphics Network (DC-IGN), a model that learns an interpretable representation of images. This representation is disentangled with respect to transformations such as out-of-plane rotations and lighting variations. The DC-IGN model is composed of multiple layers of convolution and de-convolution operators and is trained using the Stochastic Gradient Variational Bayes (SGVB) algorithm. We propose a training procedure to encourage neurons in the graphics code layer to represent a specific transformation (e.g. pose or light). Given a single input image, our model can generate new images of the same object with variations in pose and lighting. We present qualitative and quantitative results of the model's efficacy at learning a 3D rendering engine. We present a novel approach for synthesizing photo-realistic images of people in arbitrary poses using generative adversarial learning. Given an input image of a person and a desired pose represented by a 2D skeleton, our model renders the image of the same person under the new pose, synthesizing novel views of the parts visible in the input image and hallucinating those that are not seen. This problem has recently been addressed in a supervised manner, i.e., during training the ground truth images under the new poses are given to the network. We go beyond these approaches by proposing a fully unsupervised strategy. We tackle this challenging scenario by splitting the problem into two principal subtasks. First, we consider a pose conditioned bidirectional generator that maps back the initially rendered image to the original pose, hence being directly comparable to the input image without the need to resort to any training image. Second, we devise a novel loss function that incorporates content and style terms, and aims at producing images of high perceptual quality. Extensive experiments conducted on the DeepFashion dataset demonstrate that the images rendered by our model are very close in appearance to those obtained by fully supervised approaches. Recently, convolutional neural networks (CNN) have been successfully applied to view synthesis problems. However, such CNN-based methods can suffer from lack of texture details, shape distortions, or high computational complexity. In this paper, we propose a novel CNN architecture for view synthesis called Deep View Morphing that does not suffer from these issues. To synthesize a middle view of two input images, a rectification network first rectifies the two input images. An encoder-decoder network then generates dense correspondences between the rectified images and blending masks to predict the visibility of pixels of the rectified images in the middle view. A view morphing network finally synthesizes the middle view using the dense correspondences and blending masks. We experimentally show the proposed method significantly outperforms the state-of-the-art CNN-based view synthesis method. Deep feature spaces have the capacity to encode complex transformations of their input data. However, understanding the relative feature-space relationship between two transformed encoded images is difficult. For instance, what is the relative feature space relationship between two rotated images? What is decoded when we interpolate in feature space? Ideally, we want to disentangle confounding factors, such as pose, appearance, and illumination, from object identity. Disentangling these is difficult because they interact in very nonlinear ways. We propose a simple method to construct a deep feature space, with explicitly disentangled representations of several known transformations. A person or algorithm can then manipulate the disentangled representation, for example, to re-render an image with explicit control over parameterized degrees of freedom. The feature space is constructed using a transforming encoder-decoder network with a custom feature transform layer, acting on the hidden representations. We demonstrate the advantages of explicit disentangling on a variety of datasets and transformations, and as an aid for traditional tasks, such as classification. We address the problem of novel view synthesis: given an input image, synthesizing new images of the same object or scene observed from arbitrary viewpoints. We approach this as a learning task but, critically, instead of learning to synthesize pixels from scratch, we learn to copy them from the input image. Our approach exploits the observation that the visual appearance of different views of the same instance is highly correlated, and such correlation could be explicitly learned by training a convolutional neural network (CNN) to predict appearance flows -- 2-D coordinate vectors specifying which pixels in the input view could be used to reconstruct the target view. Furthermore, the proposed framework easily generalizes to multiple input views by learning how to optimally combine single-view predictions. We show that for both objects and scenes, our approach is able to synthesize novel views of higher perceptual quality than previous CNN-based techniques. We address the problem of novel view synthesis: given an input image, synthesizing new images of the same object or scene observed from arbitrary viewpoints. We approach this as a learning task but, critically, instead of learning to synthesize pixels from scratch, we learn to copy them from the input image. Our approach exploits the observation that the visual appearance of different views of the same instance is highly correlated, and such correlation could be explicitly learned by training a convolutional neural network (CNN) to predict appearance flows – 2-D coordinate vectors specifying which pixels in the input view could be used to reconstruct the target view. Furthermore, the proposed framework easily generalizes to multiple input views by learning how to optimally combine single-view predictions. We show that for both objects and scenes, our approach is able to synthesize novel views of higher perceptual quality than previous CNN-based techniques. We propose a new learning-based method for estimating 2D human pose from a single image, using Dual-Source Deep Convolutional Neural Networks (DS-CNN). Recently, many methods have been developed to estimate human pose by using pose priors that are estimated from physiologically inspired graphical models or learned from a holistic perspective. In this paper, we propose to integrate both the local (body) part appearance and the holistic view of each local part for more accurate human pose estimation. Specifically, the proposed DS-CNN takes a set of image patches (category-independent object proposals for training and multi-scale sliding windows for testing) as the input and then learns the appearance of each local part by considering their holistic views in the full body. Using DS-CNN, we achieve both joint detection, which determines whether an image patch contains a body joint, and joint localization, which finds the exact location of the joint in the image patch. Finally, we develop an algorithm to combine these joint detection localization results from all the image patches for estimating the human pose. The experimental results show the effectiveness of the proposed method by comparing to the state-of-the-art human-pose estimation methods based on pose priors that are estimated from physiologically inspired graphical models or learned from a holistic perspective. In this work we propose a novel model-based deep convolutional autoencoder that addresses the highly challenging problem of reconstructing a 3D human face from a single in-the-wild color image. To this end, we combine a convolutional encoder network with an expert-designed generative model that serves as decoder. The core innovation is the differentiable parametric decoder that encapsulates image formation analytically based on a generative model. Our decoder takes as input a code vector with exactly defined semantic meaning that encodes detailed face pose, shape, expression, skin reflectance and scene illumination. Due to this new way of combining CNN-based with model-based face reconstruction, the CNN-based encoder learns to extract semantically meaningful parameters from a single monocular input image. For the first time, a CNN encoder and an expert-designed generative model can be trained end-to-end in an unsupervised manner, which renders training on very large (unlabeled) real world data feasible. The obtained reconstructions compare favorably to current state-of-the-art approaches in terms of quality and richness of representation. In this work we propose a novel model-based deep convolutional autoencoder that addresses the highly challenging problem of reconstructing a 3D human face from a single in-the-wild color image. To this end, we combine a convolutional encoder network with an expert-designed generative model that serves as decoder. The core innovation is our new differentiable parametric decoder that encapsulates image formation analytically based on a generative model. Our decoder takes as input a code vector with exactly defined semantic meaning that encodes detailed face pose, shape, expression, skin reflectance and scene illumination. Due to this new way of combining CNN-based with model-based face reconstruction, the CNN-based encoder learns to extract semantically meaningful parameters from a single monocular input image. For the first time, a CNN encoder and an expert-designed generative model can be trained end-to-end in an unsupervised manner, which renders training on very large (unlabeled) real world data feasible. The obtained reconstructions compare favorably to current state-of-the-art approaches in terms of quality and richness of representation. We consider the problem of face swapping in images, where an input identity is transformed into a target identity while preserving pose, facial expression, and lighting. To perform this mapping, we use convolutional neural networks trained to capture the appearance of the target identity from an unstructured collection of his her photographs.This approach is enabled by framing the face swapping problem in terms of style transfer, where the goal is to render an image in the style of another one. Building on recent advances in this area, we devise a new loss function that enables the network to produce highly photorealistic results. By combining neural networks with simple pre- and post-processing steps, we aim at making face swap work in real-time with no input from the user. This paper focuses on the challenging problem of 3D pose estimation of a diverse spectrum of articulated objects from single depth images. A novel structured prediction approach is considered, where 3D poses are represented as skelet al models that naturally operate on manifolds. Given an input depth image, the problem of predicting the most proper articulation of underlying skelet al model is thus formulated as sequentially searching for the optimal skelet al configuration. This is subsequently addressed by convolutional neural nets trained end-to-end to render sequential prediction of the joint locations as regressing a set of tangent vectors of the underlying manifolds. Our approach is examined on various articulated objects including human hand, mouse, and fish benchmark datasets. Empirically it is shown to deliver highly competitive performance with respect to the state-of-the-arts, while operating in real-time (over 30 FPS). We present a descriptor, called fully convolutional self-similarity (FCSS), for dense semantic correspondence. Unlike traditional dense correspondence approaches for estimating depth or optical flow, semantic correspondence estimation poses additional challenges due to intra-class appearance and shape variations among different instances within the same object or scene category. To robustly match points across semantically similar images, we formulate FCSS using local self-similarity (LSS), which is inherently insensitive to intra-class appearance variations. LSS is incorporated through a proposed convolutional self-similarity (CSS) layer, where the sampling patterns and the self-similarity measure are jointly learned in an end-to-end and multi-scale manner. Furthermore, to address shape variations among different object instances, we propose a convolutional affine transformer (CAT) layer that estimates explicit affine transformation fields at each pixel to transform the sampling patterns and corresponding receptive fields. As training data for semantic correspondence is rather limited, we propose to leverage object candidate priors provided in most existing datasets and also correspondence consistency between object pairs to enable weakly-supervised learning. Experiments demonstrate that FCSS significantly outperforms conventional handcrafted descriptors and CNN-based descriptors on various benchmarks. The goal of this work is to represent objects in an RGB-D scene with corresponding 3D models from a library. We approach this problem by first detecting and segmenting object instances in the scene and then using a convolutional neural network (CNN) to predict the pose of the object. This CNN is trained using pixel surface normals in images containing renderings of synthetic objects. When tested on real data, our method outperforms alternative algorithms trained on real data. We then use this coarse pose estimate along with the inferred pixel support to align a small number of prototypical models to the data, and place into the scene the model that fits best. We observe a 48 relative improvement in performance at the task of 3D detection over the current state-of-the-art [34], while being an order of magnitude faster. This paper presents an end-to-end convolutional neural network (CNN) for 2D-3D exemplar detection. We demonstrate that the ability to adapt the features of natural images to better align with those of CAD rendered views is critical to the success of our technique. We show that the adaptation can be learned by compositing rendered views of textured object models on natural images. Our approach can be naturally incorporated into a CNN detection pipeline and extends the accuracy and speed benefits from recent advances in deep learning to 2D-3D exemplar detection. We applied our method to two tasks: instance detection, where we evaluated on the IKEA dataset, and object category detection, where we out-perform for "chair" detection on a subset of the Pascal VOC dataset. A citing sentence is one that appears in a scientific article and cites previous work. Citing sentences have been studied and used in many applications. For example, they have been used in scientific paper summarization, automatic survey generation, paraphrase identification, and citation function classification. Citing sentences that cite multiple papers are common in scientific writing. This observation should be taken into consideration when using citing sentences in applications. For instance, when a citing sentence is used in a summary of a scientific paper, only the fragments of the sentence that are relevant to the summarized paper should be included in the summary. In this paper, we present and compare three different approaches for identifying the fragments of a citing sentence that are related to a given target reference. Our methods are: word classification, sequence labeling, and segment classification. Our experiments show that segment classification achieves the best results. Analysis-by-synthesis has been a successful approach for many tasks in computer vision, such as 6D pose estimation of an object in an RGB-D image which is the topic of this work. The idea is to compare the observation with the output of a forward process, such as a rendered image of the object of interest in a particular pose. Due to occlusion or complicated sensor noise, it can be difficult to perform this comparison in a meaningful way. We propose an approach that "learns to compare", while taking these difficulties into account. This is done by describing the posterior density of a particular object pose with a convolutional neural network (CNN) that compares an observed and rendered image. The network is trained with the maximum likelihood paradigm. We observe empirically that the CNN does not specialize to the geometry or appearance of specific objects, and it can be used with objects of vastly different shapes and appearances, and in different backgrounds. Compared to state-of-the-art, we demonstrate a significant improvement on two different datasets which include a total of eleven objects, cluttered background, and heavy occlusion. In this paper, we present a new hashing method to learn compact binary codes for highly efficient image retrieval on large-scale datasets. While the complex image appearance variations still pose a great challenge to reliable retrieval, in light of the recent progress of Convolutional Neural Networks (CNNs) in learning robust image representation on various vision tasks, this paper proposes a novel Deep Supervised Hashing (DSH) method to learn compact similarity-preserving binary code for the huge body of image data. Specifically, we devise a CNN architecture that takes pairs of images (similar dissimilar) as training inputs and encourages the output of each image to approximate discrete values (e.g. +1 -1). To this end, a loss function is elaborately designed to maximize the discriminability of the output space by encoding the supervised information from the input image pairs, and simultaneously imposing regularization on the real-valued outputs to approximate the desired discrete values. For image retrieval, new-coming query images can be easily encoded by propagating through the network and then quantizing the network outputs to binary codes representation. Extensive experiments on two large scale datasets CIFAR-10 and NUS-WIDE show the promising performance of our method compared with the state-of-the-arts.