Recent progress in using recurrent neural networks (RNNs) for image description has motivated the exploration of their application for video description. However, while images are static, working with videos requires modeling their dynamic temporal structure and then properly integrating that information into a natural language description. In this context, we propose an approach that successfully takes into account both the local and global temporal structure of videos to produce descriptions. First, our approach incorporates a spatial temporal 3-D convolutional neural network (3-D CNN) representation of the short temporal dynamics. The 3-D CNN representation is trained on video action recognition tasks, so as to produce a representation that is tuned to human motion and behavior. Second we propose a temporal attention mechanism that allows to go beyond local temporal modeling and learns to automatically select the most relevant temporal segments given the text-generating RNN. Our approach exceeds the current state-of-art for both BLEU and METEOR metrics on the Youtube2Text dataset. We also present results on a new, larger and more challenging dataset of paired video and natural language descriptions.
Video description generation has been investigated and studied in other work, such as @cite_20 @cite_22 @cite_33 . Most of these examples have, however, constrained the domain of videos as well as the activities and objects embedded in the video clips. Furthermore, they tend to rely on hand-crafted visual representations of the video, to which template-based or shallow statistical machine translation approaches were applied. In contrast, the approach we take and propose in this paper aims at open-domain video description generation with deep trainable models starting from low-level video representations, including raw pixel intensities (see Sec. ) and local motion features (see Sec. ).
@cite_33 @cite_22 @cite_20
2110933980 2963811219 1601567445
This paper proposes a new video representation for few-example event recognition and translation. Different from existing representations, which rely on either low-level features, or pre-specified attributes, we propose to learn an embedding from videos and their descriptions. In our embedding, which we call VideoStory, correlated term labels are combined if their combination improves the video classifier prediction. Our proposed algorithm prevents the combination of correlated terms which are visually dissimilar by optimizing a joint-objective balancing descriptiveness and predictability. The algorithm learns from textual descriptions of video content, which we obtain for free from the web by a simple spidering procedure. We use our VideoStory representation for few-example recognition of events on more than 65K challenging web videos from the NIST TRECVID event detection task and the Columbia Consumer Video collection. Our experiments establish that i) VideoStory outperforms an embedding without joint-objective and alternatives without any embedding, ii) The varying quality of input video descriptions from the web is compensated by harvesting more data, iii) VideoStory sets a new state-of-the-art for few-example event recognition, outperforming very recent attribute and low-level motion encodings. What is more, VideoStory translates a previously unseen video to its most likely description from visual content only. Abstract : For most people, watching a brief video and describing what happened (inwords) is an easy task. For machines, extracting the meaning from video pixelsand generating a sentence description is a very complex problem. The goal of myresearch is to develop models that can automatically generate natural language(NL) descriptions for events in videos. As a first step, this proposal presentsdeep recurrent neural network models for video to text generation. I build onrecent deep machine learning approaches to develop video description modelsusing a unified deep neural network with both convolutional and recurrentstructure. This technique treats the video domain as another language andtakes a machine translation approach using the deep network to translate videosto text. In my initial approach, I adapt a model that can learn on images andcaptions to transfer knowledge from this auxiliary task to generate descriptionsfor short video clips. Next, I present an end-to-end deep network that can jointlymodel a sequence of video frames and a sequence of words. The second part ofthe proposal outlines a set of models to significantly extend work in this area.Specifically, I propose techniques to integrate linguistic knowledge from plaintext corpora; and attention methods to focus on objects and track their interactionsto generate more diverse and accurate descriptions. To move beyondshort video clips, I also outline models to process multi-activity movie videos,learning to jointly segment and describe coherent event sequences. I proposefurther extensions to take advantage of movie scripts and subtitle informationto generate richer descriptions. Humans use rich natural language to describe and communicate visual perceptions. In order to provide natural language descriptions for visual content, this paper combines two important ingredients. First, we generate a rich semantic representation of the visual content including e.g. object and activity labels. To predict the semantic representation we learn a CRF to model the relationships between different components of the visual input. And second, we propose to formulate the generation of natural language as a machine translation problem using the semantic representation as source language and the generated sentences as target language. For this we exploit the power of a parallel corpus of videos and textual descriptions and adapt statistical machine translation to translate between our two languages. We evaluate our video descriptions on the TACoS dataset, which contains video snippets aligned with sentence descriptions. Using automatic evaluation and human judgments we show significant improvements over several baseline approaches, motivated by prior work. Our translation approach also shows improvements over related work on an image description task. This paper presents a general trainable framework for object detection in static images of cluttered scenes. The detection technique we develop is based on a wavelet representation of an object class derived from a statistical analysis of the class instances. By learning an object class in terms of a subset of an overcomplete dictionary of wavelet basis functions, we derive a compact representation of an object class which is used as an input to a support vector machine classifier. This representation overcomes both the problem of in-class variability and provides a low false detection rate in unconstrained environments. We demonstrate the capabilities of the technique in two domains whose inherent information content differs significantly. The first system is face detection and the second is the domain of people which, in contrast to faces, vary greatly in color, texture, and patterns. Unlike previous approaches, this system learns from examples and does not rely on any a priori (hand-crafted) models or motion-based segmentation. The paper also presents a motion-based extension to enhance the performance of the detection algorithm over video sequences. The results presented here suggest that this architecture may well be quite general. Imagining a scene described in natural language with realistic layout and appearance of entities is the ultimate test of spatial, visual, and semantic world knowledge. Towards this goal, we present the Composition, Retrieval and Fusion Network (Craft), a model capable of learning this knowledge from video-caption data and applying it while generating videos from novel captions. Craft explicitly predicts a temporal-layout of mentioned entities (characters and objects), retrieves spatio-temporal entity segments from a video database and fuses them to generate scene videos. Our contributions include sequential training of components of Craft while jointly modeling layout and appearances, and losses that encourage learning compositional representations for retrieval. We evaluate Craft on semantic fidelity to caption, composition consistency, and visual quality. Craft outperforms direct pixel generation approaches and generalizes well to unseen captions and to unseen video databases with no text annotations. We demonstrate Craft on Flintstones (Flintstones is available at https: prior.allenai.org projects craft), a new richly annotated video-caption dataset with over 25000 videos. For a glimpse of videos generated by Craft, see https: youtu.be 688Vv86n0z8. Real-world videos often contain dynamic backgrounds and evolving people activities, especially for those web videos generated by users in unconstrained scenarios. This paper proposes a new visual representation, namely scene aligned pooling, for the task of event recognition in complex videos. Based on the observation that a video clip is often composed with shots of different scenes, the key idea of scene aligned pooling is to decompose any video features into concurrent scene components, and to construct classification models adaptive to different scenes. The experiments on two large scale real-world datasets including the TRECVID Multimedia Event Detection 2011 and the Human Motion Recognition Databases (HMDB) show that our new visual representation can consistently improve various kinds of visual features such as different low-level color and texture features, or middle-level histogram of local descriptors such as SIFT, or space-time interest points, and high level semantic model features, by a significant margin. For example, we improve the-state-of-the-art accuracy on HMDB dataset by 20 in terms of accuracy. Video summarization helps users obtain quick comprehension of video content. Recently, some studies have utilized local features to represent each video frame and formulate video summarization as a coverage problem of local features. However, the importance of individual local features has not been exploited. In this paper, we propose a novel Bag-of-Importance (BoI) model for static video summarization by identifying the frames with important local features as keyframes, which is one of the first studies formulating video summarization at local feature level, instead of at global feature level. That is, by representing each frame with local features, a video is characterized with a bag of local features weighted with individual importance scores and the frames with more important local features are more representative, where the representativeness of each frame is the aggregation of the weighted importance of the local features contained in the frame. In addition, we propose to learn a transformation from a raw local feature to a more powerful sparse nonlinear representation for deriving the importance score of each local feature, rather than directly utilize the hand-crafted visual features like most of the existing approaches. Specifically, we first employ locality-constrained linear coding (LCC) to project each local feature into a sparse transformed space. LCC is able to take advantage of the manifold geometric structure of the high dimensional feature space and form the manifold of the low dimensional transformed space with the coordinates of a set of anchor points. Then we calculate the l2 norm of each anchor point as the importance score of each local feature which is projected to the anchor point. Finally, the distribution of the importance scores of all the local features in a video is obtained as the BoI representation of the video. We further differentiate the importance of local features with a spatial weighting template by taking the perceptual difference among spatial regions of a frame into account. As a result, our proposed video summarization approach is able to exploit both the inter-frame and intra-frame properties of feature representations and identify keyframes capturing both the dominant content and discriminative details within a video. Experimental results on three video datasets across various genres demonstrate that the proposed approach clearly outperforms several state-of-the-art methods. Advances in video technology and data storage have made large scale video data collections of complex activities readily accessible. An increasingly popular approach for automatically inferring the details of a video is to associate the spatio-temporal segments in a video with its natural language descriptions. Most algorithms for connecting natural language with video rely on pre-aligned supervised training data. Recently, several models have been shown to be effective for unsupervised alignment of objects in video with language. However, it remains difficult to generate good spatio-temporal video segments for actions that align well with language. This paper presents a framework that extracts higher level representations of low-level action features through hyperfeature coding from video and aligns them with language. We propose a two-step process that creates a high-level action feature codebook with temporally consistent motions, and then applies an unsupervised alignment algorithm over the action codewords and verbs in the language to identify individual activities. We show an improvement over previous alignment models of objects and nouns on videos of biological experiments, and also evaluate our system on a larger scale collection of videos involving kitchen activities. While there has been increasing interest in the task of describing video with natural language, current computer vision algorithms are still severely limited in terms of the variability and complexity of the videos and their associated language that they can recognize. This is in part due to the simplicity of current benchmarks, which mostly focus on specific fine-grained domains with limited videos and simple descriptions. While researchers have provided several benchmark datasets for image captioning, we are not aware of any large-scale video description dataset with comprehensive categories yet diverse video content. In this paper we present MSR-VTT (standing for "MSRVideo to Text") which is a new large-scale video benchmark for video understanding, especially the emerging task of translating video to text. This is achieved by collecting 257 popular queries from a commercial video search engine, with 118 videos for each query. In its current version, MSR-VTT provides 10K web video clips with 41.2 hours and 200K clip-sentence pairs in total, covering the most comprehensive categories and diverse visual content, and representing the largest dataset in terms of sentence and vocabulary. Each clip is annotated with about 20 natural sentences by 1,327 AMT workers. We present a detailed analysis of MSR-VTT in comparison to a complete set of existing datasets, together with a summarization of different state-of-the-art video-to-text approaches. We also provide an extensive evaluation of these approaches on this dataset, showing that the hybrid Recurrent Neural Networkbased approach, which combines single-frame and motion representations with soft-attention pooling strategy, yields the best generalization capability on MSR-VTT. Understanding human actions in visual data is tied to advances in complementary research areas including object recognition, human dynamics, domain adaptation and semantic segmentation. Over the last decade, human action analysis evolved from earlier schemes that are often limited to controlled environments to nowadays advanced solutions that can learn from millions of videos and apply to almost all daily activities. Given the broad range of applications from video surveillance to humancomputer interaction, scientific milestones in action recognition are achieved more rapidly, eventually leading to the demise of what used to be good in a short time. This motivated us to provide a comprehensive review of the notable steps taken towards recognizing human actions. To this end, we start our discussion with the pioneering methods that use handcrafted representations, and then, navigate into the realm of deep learning based approaches. We aim to remain objective throughout this survey, touching upon encouraging improvements as well as inevitable fallbacks, in the hope of raising fresh questions and motivating new research directions for the reader. We provide a detailed review of the work on human action recognition over the past decade.We refer to actions as meaningful human motions.Including Hand-crafted representations methods, we review the impact of Deep-nets on action recognition.We follow a systematic taxonomy to highlight the essence of both Hand-crafted and Deep-net solutions.We present a comparison of methods at their algorithmic level and performance. In today's society where audio-visual content such as professionally edited and user-generated videos is ubiquitous, automatic analysis of this content is a decisive functionality. Within this context, there is an extensive ongoing research about understanding the semantics (i.e., facts) such as objects or events in videos. However, little research has been devoted to understanding the emotional content of the videos. In this paper, we address this issue and introduce a system that performs emotional content analysis of professionally edited and user-generated videos. We concentrate both on the representation and modeling aspects. Videos are represented using mid-level audio-visual features. More specifically, audio and static visual representations are automatically learned from raw data using convolutional neural networks (CNNs). In addition, dense trajectory based motion and SentiBank domain-specific features are incorporated. By means of ensemble learning and fusion mechanisms, videos are classified into one of predefined emotion categories. Results obtained on the VideoEmotion dataset and a subset of the DEAP dataset show that (1) higher level representations perform better than low-level features, (2) among audio features, mid-level learned representations perform better than mid-level handcrafted ones, (3) incorporating motion and domain-specific information leads to a notable performance gain, and (4) ensemble learning is superior to multi-class support vector machines (SVMs) for video affective content analysis. Despite a recent push towards large-scale object recognition, activity recognition remains limited to narrow domains and small vocabularies of actions. In this paper, we tackle the challenge of recognizing and describing activities in-the-wild''. We present a solution that takes a short video clip and outputs a brief sentence that sums up the main activity in the video, such as the actor, the action and its object. Unlike previous work, our approach works on out-of-domain actions: it does not require training videos of the exact activity. If it cannot find an accurate prediction for a pre-trained model, it finds a less specific answer that is also plausible from a pragmatic standpoint. We use semantic hierarchies learned from the data to help to choose an appropriate level of generalization, and priors learned from Web-scale natural language corpora to penalize unlikely combinations of actors actions objects, we also use a Web-scale language model to fill in'' novel verbs, i.e. when the verb does not appear in the training set. We evaluate our method on a large YouTube corpus and demonstrate it is able to generate short sentence descriptions of video clips better than baseline approaches. Humans can easily describe what they see in a coherent way and at varying level of detail. However, existing approaches for automatic video description focus on generating only single sentences and are not able to vary the descriptions’ level of detail. In this paper, we address both of these limitations: for a variable level of detail we produce coherent multi-sentence descriptions of complex videos. To understand the difference between detailed and short descriptions, we collect and analyze a video description corpus of three levels of detail. We follow a two-step approach where we first learn to predict a semantic representation (SR) from video and then generate natural language descriptions from it. For our multi-sentence descriptions we model across-sentence consistency at the level of the SR by enforcing a consistent topic. Human judges rate our descriptions as more readable, correct, and relevant than related work. In this paper, we propose a novel two-stream framework based on combinational deep neural networks. The framework is mainly composed of two components: one is a parallel two-stream encoding component which learns video encoding from multiple sources using 3D convolutional neural networks and the other is a long-short-term-memory (LSTM)-based decoding language model which transfers the input encoded video representations to text descriptions. The merits of our proposed model are: 1) It extracts both temporal and spatial features by exploring the usage of 3D convolutional networks on both raw RGB frames and motion history images. 2) Our model can dynamically tune the weights of different feature channels since the network is trained end-to-end from learning combinational encoding of multiple features to LSTM-based language model. Our model is evaluated on three public video description datasets: one YouTube clips dataset (Microsoft Video Description Corpus) and two large movie description datasets (MPII Corpus and Montreal Video Annotation Dataset) and achieves comparable or better performance than the state-of-the-art approaches in video caption generation. Real-world videos often have complex dynamics; and methods for generating open-domain video descriptions should be sensitive to temporal structure and allow both input (sequence of frames) and output (sequence of words) of variable length. To approach this problem, we propose a novel end-to-end sequence-to-sequence model to generate captions for videos. For this we exploit recurrent neural networks, specifically LSTMs, which have demonstrated state-of-the-art performance in image caption generation. Our LSTM model is trained on video-sentence pairs and learns to associate a sequence of video frames to a sequence of words in order to generate a description of the event in the video clip. Our model naturally is able to learn the temporal structure of the sequence of frames as well as the sequence model of the generated sentences, i.e. a language model. We evaluate several variants of our model that exploit different visual features on a standard set of YouTube videos and two movie description datasets (M-VAD and MPII-MD). Real-world videos often have complex dynamics, methods for generating open-domain video descriptions should be senstive to temporal structure and allow both input (sequence of frames) and output (sequence of words) of variable length. To approach this problem we propose a novel end-to-end sequence-to-sequence model to generate captions for videos. For this we exploit recurrent neural networks, specifically LSTMs, which have demonstrated state-of-the-art performance in image caption generation. Our LSTM model is trained on video-sentence pairs and learns to associate a sequence of video frames to a sequence of words in order to generate a description of the event in the video clip. Our model naturally is able to learn the temporal structure of the sequence of frames as well as the sequence model of the generated sentences, i.e. a language model. We evaluate several variants of our model that exploit different visual features on a standard set of YouTube videos and two movie description datasets (M-VAD and MPII-MD). There is a large variety of trackers, which have been proposed in the literature during the last two decades with some mixed success. Object tracking in realistic scenarios is a difficult problem, therefore, it remains a most active area of research in computer vision. A good tracker should perform well in a large number of videos involving illumination changes, occlusion, clutter, camera motion, low contrast, specularities, and at least six more aspects. However, the performance of proposed trackers have been evaluated typically on less than ten videos, or on the special purpose datasets. In this paper, we aim to evaluate trackers systematically and experimentally on 315 video fragments covering above aspects. We selected a set of nineteen trackers to include a wide variety of algorithms often cited in literature, supplemented with trackers appearing in 2010 and 2011 for which the code was publicly available. We demonstrate that trackers can be evaluated objectively by survival curves, Kaplan Meier statistics, and Grubs testing. We find that in the evaluation practice the F-score is as effective as the object tracking accuracy (OTA) score. The analysis under a large variety of circumstances provides objective insight into the strengths and weaknesses of trackers. To detect violence in a video, a common video description method is to apply local spatio-temporal description on the query video. Then, the low-level description is further summarized onto the high-level feature based on Bag-of-Words (BoW) model. However, traditional spatio-temporal descriptors are not discriminative enough. Moreover, BoW model roughly assigns each feature vector to only one visual word, therefore inevitably causing quantization error. To tackle the constrains, this paper employs Motion SIFT (MoSIFT) algorithm to extract the low-level description of a query video. To eliminate the feature noise, Kernel Density Estimation (KDE) is exploited for feature selection on the MoSIFT descriptor. In order to obtain the highly discriminative video feature, this paper adopts sparse coding scheme to further process the selected MoSIFTs. Encouraging experimental results are obtained based on two challenging datasets which record both crowded scenes and non-crowded scenes. In many computer vision tasks, the relevant information to solve the problem at hand is mixed to irrelevant, distracting information. This has motivated researchers to design attentional models that can dynamically focus on parts of images or videos that are salient, e.g., by down-weighting irrelevant pixels. In this work, we propose a spatiotemporal attentional model that learns where to look in a video directly from human fixation data. We model visual attention with a mixture of Gaussians at each frame. This distribution is used to express the probability of saliency for each pixel. Time consistency in videos is modeled hierarchically by: 1) deep 3D convolutional features to represent spatial and short-term time relations and 2) a long short-term memory network on top that aggregates the clip-level representation of sequential clips and therefore expands the temporal domain from few frames to seconds. The parameters of the proposed model are optimized via maximum likelihood estimation using human fixations as training data, without knowledge of the action in each video. Our experiments on Hollywood2 show state-of-the-art performance on saliency prediction for video. We also show that our attentional model trained on Hollywood2 generalizes well to UCF101 and it can be leveraged to improve action classification accuracy on both datasets. Recent progress in using long short-term memory (LSTM) for image captioning has motivated the exploration of their applications for video captioning. By taking a video as a sequence of features, an LSTM model is trained on video-sentence pairs and learns to associate a video to a sentence. However, most existing methods compress an entire video shot or frame into a static representation, without considering attention mechanism which allows for selecting salient features. Furthermore, existing approaches usually model the translating error, but ignore the correlations between sentence semantics and visual content. To tackle these issues, we propose a novel end-to-end framework named aLSTMs, an attention-based LSTM model with semantic consistency, to transfer videos to natural sentences. This framework integrates attention mechanism with LSTM to capture salient structures of video, and explores the correlation between multimodal representations (i.e., words and visual content) for generating sentences with rich semantic content. Specifically, we first propose an attention mechanism that uses the dynamic weighted sum of local two-dimensional convolutional neural network representations. Then, an LSTM decoder takes these visual features at time @math and the word-embedding feature at time @math @math 1 to generate important words. Finally, we use multimodal embedding to map the visual and sentence features into a joint space to guarantee the semantic consistence of the sentence description and the video visual content. Experiments on the benchmark datasets demonstrate that our method using single feature can achieve competitive or even better results than the state-of-the-art baselines for video captioning in both BLEU and METEOR.