Connectionist sequence models (e.g., RNNs) applied to musical sequences suffer from two known problems: First, they have strictly "absolute pitch perception". Therefore, they fail to generalize over musical concepts which are commonly perceived in terms of relative distances between pitches (e.g., melodies, scale types, modes, cadences, or chord types). Second, they fall short of capturing the concepts of repetition and musical form. In this paper we introduce the recurrent gated autoencoder (RGAE), a recurrent neural network which learns and operates on interval representations of musical sequences. The relative pitch modeling increases generalization and reduces sparsity in the input data. Furthermore, it can learn sequences of copy-and-shift operations (i.e. chromatically transposed copies of musical fragments)---a promising capability for learning musical repetition structure. We show that the RGAE improves the state of the art for general connectionist sequence models in learning to predict monophonic melodies, and that ensembles of relative and absolute music processing models improve the results appreciably. Furthermore, we show that the relative pitch processing of the RGAE naturally facilitates the learning and the generation of sequences of copy-and-shift operations, wherefore the RGAE greatly outperforms a common absolute pitch recurrent neural network on this task.
For structured sequence generation, Markov chains together with pre-defined repetition structure schemes were employed in @cite_13 , where specific methods for handling transitions between repeating segments were proposed; in @cite_5 , where an approach to a controlled creation of variations was introduced; in @cite_2 , where chords were generated, obeying a pre-defined repetition structure. In @cite_19 , a convolutional restricted Boltzmann machine was employed, and different structural properties were imposed using differentiable soft-constraints and gradient descent optimization. A constrained variable neighborhood search to generate polyphonic music obeying a tension profile and the repetition structure from a template piece was proposed in @cite_20 . In @cite_23 , Markov chains and evolutionary algorithms were used to generate repetition structure for Electronic Dance Music.
@cite_19 @cite_23 @cite_2 @cite_5 @cite_13 @cite_20
2579406683 2065816243 2476702731 2772281385 1968754505
Chord sequences play a fundamental role in music analysis and generation. This paper considers the task of chord sequence generation for electronic dance music, specifically for pieces in the sub-genre of trance. These pieces contain repetitive harmonic sequences with a specific semiotic structure and coherence. The paper presents a formal representation for the semiotic structure of chord sequences, and describes a method for ranking the instances of a semiotic pattern using a statistical model trained on a corpus. Examples of generated chord sequences for a full trance piece are presented. Automatic music generation systems have gained in popularity and sophistication as advances in cloud computing have enabled large-scale complex computations such as deep models and optimization algorithms on personal devices. Yet, they still face an important challenge, that of long-term structure, which is key to conveying a sense of musical coherence. We present the MorpheuS music generation system designed to tackle this problem. MorpheuS' novel framework has the ability to generate polyphonic pieces with a given tension profile and long- and short-term repeated pattern structures. A mathematical model for tonal tension quantifies the tension profile and state-of-the-art pattern detection algorithms extract repeated patterns in a template piece. An efficient optimization metaheuristic, variable neighborhood search, generates music by assigning pitches that best fit the prescribed tension profile to the template rhythm while hard constraining long-term structure through the detected patterns. This ability to generate affective music with specific tension profile and long-term structure is particularly useful in a game or film music context. Music generated by the MorpheuS system has been performed live in concerts. A new form of document coupling called co-citation is defined as the frequency with which two documents are cited together. The co-citation frequency of two scientific papers can be determined by comparing lists of citing documents in the Science Citation Index and counting identical entries. Networks of co-cited papers can be generated for specific scientific specialties, and an example is drawn from the literature of particle physics. Co-citation patterns are found to differ significantly from bibliographic coupling patterns, but to agree generally with patterns of direct citation. Clusters of co-cited papers provide a new way to study the specialty structure of science. They may provide a new approach to indexing and to the creation of SDI profiles. We introduce a method for imposing higher-level structure on generated, polyphonic music. A Convolutional Restricted Boltzmann Machine (C-RBM) as a generative model is combined with gradient des- cent constraint optimisation to provide further control over the genera- tion process. Among other things, this allows for the use of a “template” piece, from which some structural properties can be extracted, and trans- ferred as constraints to the newly generated material. The sampling pro- cess is guided with Simulated Annealing to avoid local optima, and to find solutions that both satisfy the constraints, and are relatively stable with respect to the C-RBM. Results show that with this approach it is possible to control the higher-level self-similarity structure, the meter, and the tonal properties of the resulting musical piece, while preserving its local musical coherence. Generating music with long-term structure is one of the main challenges in the field of automatic composition. This article describes MorpheuS, a music generation system. MorpheuS uses state-of-the-art pattern detection techniques to find repeated patterns in a template piece. These patterns are then used to constrain the generation process for a new polyphonic composition. The music generation process is guided by an efficient optimization algorithm, variable neighborhood search, which uses a mathematical model of tonal tension to derive its objective function. The ability to generate music according to a tension profile could be useful in a game or film music context. Pieces generated by MorpheuS have been performed in live concerts. Modeling polyphonic music is a particularly challenging task because of the intricate interplay between melody and harmony. A good model should satisfy three requirements: statistical accuracy (capturing faithfully the statistics of correlations at various ranges, horizontally and vertically), flexibility (coping with arbitrary user constraints), and generalization capacity (inventing new material, while staying in the style of the training corpus). Models proposed so far fail on at least one of these requirements. We propose a statistical model of polyphonic music, based on the maximum entropy principle. This model is able to learn and reproduce pairwise statistics between neighboring note events in a given corpus. The model is also able to invent new chords and to harmonize unknown melodies. We evaluate the invention capacity of the model by assessing the amount of cited, re-discovered, and invented chords on a corpus of Bach chorales. We discuss how the model enables the user to specify and enforce user-defined constraints, which makes it useful for style-based, interactive music generation. A citing sentence is one that appears in a scientific article and cites previous work. Citing sentences have been studied and used in many applications. For example, they have been used in scientific paper summarization, automatic survey generation, paraphrase identification, and citation function classification. Citing sentences that cite multiple papers are common in scientific writing. This observation should be taken into consideration when using citing sentences in applications. For instance, when a citing sentence is used in a summary of a scientific paper, only the fragments of the sentence that are relevant to the summarized paper should be included in the summary. In this paper, we present and compare three different approaches for identifying the fragments of a citing sentence that are related to a given target reference. Our methods are: word classification, sequence labeling, and segment classification. Our experiments show that segment classification achieves the best results. Music video (MV) is a short film meant to present a visual representation of a popular music song. In this paper, we present a system that automatically generates MV-like videos from personal home videos based on observations that generally there are obvious repetitive visual and aural patterns in MVs. Based on a set of video and music analysis algorithms, the automatic music video (AMV) generation system automatically extracts temporal structures of the video and music, as well as repetitive patterns in the music. And then, according to the structure and patterns, a set of highlight segments from the raw home video footage are selected, aiming at matching the visual content with the aural structure and pattern. And last, the output music video is rendered by connecting the selected highlight video segments with appropriate transition effects, accompanied with the music. Experiments show that the results are compelling and promising. Many approaches to analyzing the structure of a musical recording involve detecting sequential patterns within a selfsimilarity matrix derived from time-series features. Such patterns ideally capture repeated sequences, which then form the building blocks of large-scale structure. In this work, techniques from spectral graph theory are applied to analyze repeated patterns in musical recordings. The proposed method produces a low-dimensional encoding of repetition structure, and exposes the hierarchical relationships among structural components at differing levels of granularity. Finally, we demonstrate how to apply the proposed method to the task of music segmentation. Purpose – The purpose of this paper is to suggest an alternative to the widely used Times Cited criterion for analysing citation networks. The approach involves taking account of the natures of the papers that cite a given paper, so as to differentiate between papers that attract the same number of citations.Design methodology approach – ArticleRank is an algorithm that has been derived from Google's PageRank algorithm to measure the influence of journal articles. ArticleRank is applied to two datasets – a citation network based on an early paper on webometrics, and a self‐citation network based on the 19 most cited papers in the Journal of Documentation – using citation data taken from the Web of Knowledge database.Findings – ArticleRank values provide a different ranking of a set of papers from that provided by the corresponding Times Cited values, and overcomes the inability of the latter to differentiate between papers with the same numbers of citations. The difference in rankings between Times Cited ... Abstract Documents in computer-readable form can be used to provide information about other documents, i.e. those they cite. To do this efficiently requires procedures for computer recognition of citing statements. This is not easy, especially for multi-sentence citing statements. Computer recognition procedures have been developed which are accurate to the following extent: 73 of the words in statements selected by computer procedures as being citing statements are words which are correctly attributable to the corresponding documents. The retrieval effectiveness of computer-recognized citing statements was tested in the following way. First, for eight retrieval requests in inorganiic chemistry, average recall by search of Chemical Abstracts Service indexing and Chemical Abstracts abstract text words was found to be 50 . Words from citing statements referring to the papers to be retrieved were then added to the index terms and abstract words as additional access points, and searching was repeated. Average recall increased to 70 . Only words from citing statements published within a year of the cited papers were used. The retrieval effect of citing statement words alone (published within a year) without index or abstract terms was the following: average recall was 40 . When just the words of the titles of the cited papers were added to those citing statement words, average recall increased to 50 . In a document network such as a citation network of scientific documents, web-logs, etc., the content produced by authors exhibits their interest in certain topics. In addition some authors influence other authors' interests. In this work, we propose to model the influence of cited authors along with the interests of citing authors. Moreover, we hypothesize that apart from the citations present in documents, the context surrounding the citation mention provides extra topical information about the cited authors. However, associating terms in the context to the cited authors remains an open problem. We propose novel document generation schemes that incorporate the context while simultaneously modeling the interests of citing authors and influence of the cited authors. Our experiments show significant improvements over baseline models for various evaluation criteria such as link prediction between document and cited author, and quantitatively explaining unseen text. Markov chains are a well known tool to model temporal properties of many phenomena, from text structure to fluctuations in economics. Because they are easy to generate, Markovian sequences, i.e. temporal sequences having the Markov property, are also used for content generation applications such as text or music generation that imitate a given style. However, Markov sequences are traditionally generated using greedy, left-to-right algorithms. While this approach is computationally cheap, it is fundamentally unsuited for interactive control. This paper addresses the issue of generating steerable Markovian sequences. We target interactive applications such as games, in which users want to control, through simple input devices, the way the system generates a Markovian sequence, such as a text, a musical sequence or a drawing. To this aim, we propose to revisit Markov sequence generation as a branch and bound constraint satisfaction problem (CSP). We propose a CSP formulation of the basic Markovian hypothesis as elementary Markov Constraints (EMC). We propose algorithms that achieve domain-consistency for the propagators of EMCs, in an event-based implementation of CSP. We show how EMCs can be combined to estimate the global Markovian probability of a whole sequence, and accommodate for different species of Markov generation such as fixed order, variable-order, or smoothing. Such a formulation, although more costly than traditional greedy generation algorithms, yields the immense advantage of being naturally steerable, since control specifications can be represented by arbitrary additional constraints, without any modification of the generation algorithm. We illustrate our approach on simple yet combinatorial chord sequence and melody generation problems and give some performance results. Citation relationship between scientific publications has been successfully used for scholarly bibliometrics, information retrieval and data mining tasks, and citation-based recommendation algorithms are well documented. While previous studies investigated citation relations from various viewpoints, most of them share the same assumption that, if paper1 cites paper2 (or author1 cites author2), they are connected, regardless of citation importance, sentiment, reason, topic, or motivation. However, this assumption is oversimplified. In this study, we employ an innovative "context-rich heterogeneous network" approach, which paves a new way for citation recommendation task. In the network, we characterize 1) the importance of citation relationships between citing and cited papers, and 2) the topical citation motivation. Unlike earlier studies, the citation information, in this paper, is characterized by citation textual contexts extracted from the full-text citing paper. We also propose algorithm to cope with the situation when large portion of full-text missing information exists in the bibliographic repository. Evaluation results show that, context-rich heterogeneous network can significantly enhance the citation recommendation performance. Scholars are increasingly citing electronic “web references” which are not preserved in libraries or full text archives. WebCite is a new standard for citing web references. To “webcite” a document involves archiving the cited Web page through www.webcitation.org and citing the WebCite permalink instead of (or in addition to) the unstable live Web page. This journal has amended its “instructions for authors” accordingly, asking authors to archive cited Web pages before submitting a manuscript. Almost 200 other journals are already using the system. We discuss the rationale for WebCite, its technology, and how scholars, editors, and publishers can benefit from the service. Citing scholars initiate an archiving process of all cited Web references, ideally before they submit a manuscript. Authors of online documents and websites which are expected to be cited by others can ensure that their work is permanently available by creating an archived copy using WebCite and providing the citation information including the WebCite link on their Web document(s). Editors should ask their authors to cache all cited Web addresses (Uniform Resource Locators, or URLs) “prospectively” before submitting their manuscripts to their journal. Editors and publishers should also instruct their copyeditors to cache cited Web material if the author has not done so already. Finally, WebCite can process publisher submitted “citing articles” (submitted for example as eXtensible Markup Language [XML] documents) to automatically archive all cited Web pages shortly before or on publication. Finally, WebCite can act as a focussed crawler, caching retrospectively references of already published articles. Copyright issues are addressed by honouring respective Internet standards (robot exclusion files, no-cache and no-archive tags). Long-term preservation is ensured by agreements with libraries and digital preservation organizations. The resulting WebCite Index may also have applications for research assessment exercises, being able to measure the impact of Web services and published Web documents through access and Web citation metrics. @PARASPLIT [J Med Internet Res 2005;7(5):e60] Aligning lyrics to audio has a wide range of applications such as the automatic generation of karaoke scores, song-browsing by lyrics, and the generation of audio thumbnails. Existing methods are restricted to using only lyrics and match them to phoneme features extracted from the audio (usually mel-frequency cepstral coefficients). Our novel idea is to integrate the textual chord information provided in the paired chords-lyrics format known from song books and Internet sites into the inference procedure. We propose two novel methods that implement this idea: First, assuming that all chords of a song are known, we extend a hidden Markov model (HMM) framework by including chord changes in the Markov chain and an additional audio feature (chroma) in the emission vector; second, for the more realistic case in which some chord information is missing, we present a method that recovers the missing chord information by exploiting repetition in the song. We conducted experiments with five changing parameters and show that with accuracies of 87.5 and 76.7 , respectively, both methods perform better than the baseline with statistical significance. We introduce the new accompaniment interface Song Prompter, which uses the automatically aligned lyrics to guide musicians through a song. It demonstrates that the automatic alignment is accurate enough to be used in a musical performance. Historically, papers have been physically bound to the journal in which they were published; but in the digital age papers are available individually, no longer tied to their respective journals. Hence, papers now can be read and cited based on their own merits, independently of the journal's physical availability, reputation, or impact factor (IF). We compare the strength of the relationship between journals' IFs and the actual citations received by their respective papers from 1902 to 2009. Throughout most of the 20th century, papers' citation rates were increasingly linked to their respective journals' IFs. However, since 1990, the advent of the digital age, the relation between IFs and paper citations has been weakening. This began first in physics, a field that was quick to make the transition into the electronic domain. Furthermore, since 1990 the overall proportion of highly cited papers coming from highly cited journals has been decreasing and, of these highly cited papers, the proportion not coming from highly cited journals has been increasing. Should this pattern continue, it might bring an end to the use of the IF as a way to evaluate the quality of journals, papers, and researchers. © 2012 Wiley Periodicals, Inc. Discovering and exploring the underlying structure of multi-instrumental music using learning-based approaches remains an open problem. We extend the recent MusicVAE model to represent multitrack polyphonic measures as vectors in a latent space. Our approach enables several useful operations such as generating plausible measures from scratch, interpolating between measures in a musically meaningful way, and manipulating specific musical attributes. We also introduce chord conditioning, which allows all of these operations to be performed while keeping harmony fixed, and allows chords to be changed while maintaining musical "style". By generating a sequence of measures over a predefined chord progression, our model can produce music with convincing long-term structure. We demonstrate that our latent space model makes it possible to intuitively control and generate musical sequences with rich instrumentation (see this https URL for generated audio). OpenGM is a C++ template library for defining discrete graphical models and performing inference on these models, using a wide range of state-of-the-art algorithms. No restrictions are imposed on the factor graph to allow for higher-order factors and arbitrary neighborhood structures. Large models with repetitive structure are handled efficiently because (i) functions that occur repeatedly need to be stored only once, and (ii) distinct functions can be implemented differently, using different encodings alongside each other in the same model. Several parametric functions (e.g. metrics), sparse and dense value tables are provided and so is an interface for custom C++ code. Algorithms are separated by design from the representation of graphical models and are easily exchangeable. OpenGM, its algorithms, HDF5 file format and command line tools are modular and extendible. Repetition is a core principle in music. Many musical pieces are characterized by an underlying repeating structure over which varying elements are superimposed. This is especially true for pop songs where a singer often overlays varying vocals on a repeating accompaniment. On this basis, we present the REpeating Pattern Extraction Technique (REPET), a novel and simple approach for separating the repeating “background” from the non-repeating “foreground” in a mixture. The basic idea is to identify the periodically repeating segments in the audio, compare them to a repeating segment model derived from them, and extract the repeating patterns via time-frequency masking. Experiments on data sets of 1,000 song clips and 14 full-track real-world songs showed that this method can be successfully applied for music voice separation, competing with two recent state-of-the-art approaches. Further experiments showed that REPET can also be used as a preprocessor to pitch detection algorithms to improve melody extraction.