We introduce a new system for automatic image content removal and inpainting. Unlike traditional inpainting algorithms, which require advance knowledge of the region to be filled in, our system automatically detects the area to be removed and infilled. Region segmentation and inpainting are performed jointly in a single pass. In this way, potential segmentation errors are more naturally alleviated by the inpainting module. The system is implemented as an encoder-decoder architecture, with two decoder branches, one tasked with segmentation of the foreground region, the other with inpainting. The encoder and the two decoder branches are linked via neglect nodes, which guide the inpainting process in selecting which areas need reconstruction. The whole model is trained using a conditional GAN strategy. Comparative experiments show that our algorithm outperforms state-of-the-art inpainting techniques (which, unlike our system, do not segment the input image and thus must be aided by an external segmentation module.)
Image inpainting @cite_31 has a long history. The goal of inpainting is to fill in a missing region with realistic image content. A variety of inpainting methods have been proposed, including those based on prior image statistics @cite_23 @cite_0 , and those based on CNNs @cite_21 @cite_4 . More recently, outstanding results have been demonstrated with the use of GANs to inpaint even large missing areas @cite_8 @cite_2 @cite_15 @cite_35 . While appropriate for certain domains ( face inpainting), methods in this category often suffer from serious limitations, including the requirement that the missing region have fixed size and shape. All of the inpainting methods mentioned above assume that the corrupted region mask is known (typically as provided by the user). This limits their scope of application, as in most cases, this mask is unavailable. This shortcoming is addressed by blind inpainting algorithms @cite_17 @cite_30 , which do not need access to the foreground mask. However, prior blind inpainting work has been demonstrated only for very simple cases, with constant-valued foreground occupying a small area of the image.
@cite_30 @cite_35 @cite_4 @cite_8 @cite_15 @cite_21 @cite_0 @cite_23 @cite_2 @cite_31 @cite_17
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Most inpainting approaches require a good image model to infer the unknown pixels. In this work, we directly learn a mapping from image patches, corrupted by missing pixels, onto complete image patches. This mapping is represented as a deep neural network that is automatically trained on a large image data set. In particular, we are interested in the question whether it is helpful to exploit the shape information of the missing regions, i.e. the masks, which is something commonly ignored by other approaches. In comprehensive experiments on various images, we demonstrate that our learning-based approach is able to use this extra information and can achieve state-of-the-art inpainting results. Furthermore, we show that training with such extra information is useful for blind inpainting, where the exact shape of the missing region might be uncertain, for instance due to aliasing effects. Given an image where a specified region is unknown, image inpainting or image completion is the problem of inferring the image content in this region. Traditional retouching or inpainting is the practice of restoring aged artwork, where damaged or missing portions are repainted based on the surrounding content to approximate the original appearance. In the context of digital images, inpainting is used to restore regions of an image that are corrupted by noise or where the data is missing. Inpainting is also used to solve disocclusion, to estimate the scene behind an obscuring foreground object. A popular use of digital inpainting is object removal, for example, to remove a trashcan that disrupts a scene of otherwise natural beauty. Inpainting is an interpolation problem, filling the unknown region with a condition to agree with the known image on the boundary. A classical solution for such an interpolation is to solve Laplace’s equation. However, Laplace’s equation is usually unsatisfactory for images since it is overly smooth. It cannot recover a step edge passing through the region. Total variation (TV) regularization is an effective inpainting technique which is capable of recovering sharp edges under some conditions (these conditions will be explained). The use of TV regularization was originally developed for image denoising by Rudin, Osher, and Fatemi [3] and then applied to inpainting by Chan and Shen [13]. TV-regularized inpainting does not create texture, the method is limited to inpainting the geometric structure. A framework for inpainting missing parts of a video sequence recorded with a moving or stationary camera is presented in this work. The region to be inpainted is general: It may be still or moving, in the background or in the foreground, it may occlude one object and be occluded by some other object. The algorithm consists of a simple preprocessing stage and two steps of video inpainting. In the preprocessing stage, we roughly segment each frame into foreground and background. We use this segmentation to build three image mosaics that help to produce time consistent results and also improve the performance of the algorithm by reducing the search space. In the first video inpainting step, we reconstruct moving objects in the foreground that are "occluded" by the region to be inpainted. To this end, we fill the gap as much as possible by copying information from the moving foreground in other frames, using a priority-based scheme. In the second step, we inpaint the remaining hole with the background. To accomplish this, we first align the frames and directly copy when possible. The remaining pixels are filled in by extending spatial texture synthesis techniques to the spatiotemporal domain. The proposed framework has several advantages over state-of-the-art algorithms that deal with similar types of data and constraints. It permits some camera motion, is simple to implement, fast, does not require statistical models of background nor foreground, works well in the presence of rich and cluttered backgrounds, and the results show that there is no visible blurring or motion artifacts. A number of real examples taken with a consumer hand-held camera are shown supporting these findings Semantic image inpainting is a challenging task where large missing regions have to be filled based on the available visual data. Existing methods which extract information from only a single image generally produce unsatisfactory results due to the lack of high level context. In this paper, we propose a novel method for semantic image inpainting, which generates the missing content by conditioning on the available data. Given a trained generative model, we search for the closest encoding of the corrupted image in the latent image manifold using our context and prior losses. This encoding is then passed through the generative model to infer the missing content. In our method, inference is possible irrespective of how the missing content is structured, while the state-of-the-art learning based method requires specific information about the holes in the training phase. Experiments on three datasets show that our method successfully predicts information in large missing regions and achieves pixel-level photorealism, significantly outperforming the state-of-the-art methods. We present a novel approach to low-level vision problems that combines sparse coding and deep networks pre-trained with denoising auto-encoder (DA). We propose an alternative training scheme that successfully adapts DA, originally designed for unsupervised feature learning, to the tasks of image denoising and blind inpainting. Our method's performance in the image denoising task is comparable to that of KSVD which is a widely used sparse coding technique. More importantly, in blind image inpainting task, the proposed method provides solutions to some complex problems that have not been tackled before. Specifically, we can automatically remove complex patterns like superimposed text from an image, rather than simple patterns like pixels missing at random. Moreover, the proposed method does not need the information regarding the region that requires inpainting to be given a priori. Experimental results demonstrate the effectiveness of the proposed method in the tasks of image denoising and blind inpainting. We also show that our new training scheme for DA is more effective and can improve the performance of unsupervised feature learning. In this paper, we focus on image inpainting task, aiming at recovering the missing area of an incomplete image given the context information. Recent development in deep generative models enables an efficient end-to-end framework for image synthesis and inpainting tasks, but existing methods based on generative models don't exploit the segmentation information to constrain the object shapes, which usually lead to blurry results on the boundary. To tackle this problem, we propose to introduce the semantic segmentation information, which disentangles the inter-class difference and intra-class variation for image inpainting. This leads to much clearer recovered boundary between semantically different regions and better texture within semantically consistent segments. Our model factorizes the image inpainting process into segmentation prediction (SP-Net) and segmentation guidance (SG-Net) as two steps, which predict the segmentation labels in the missing area first, and then generate segmentation guided inpainting results. Experiments on multiple public datasets show that our approach outperforms existing methods in optimizing the image inpainting quality, and the interactive segmentation guidance provides possibilities for multi-modal predictions of image inpainting. Image inpainting has been widely used in practice to repair damaged missing pixels of given images. Most of the existing inpainting techniques require knowing beforehand where those damaged pixels are, either given as a priori or detected by some pre-processing. However, in certain applications, such information neither is available nor can be reliably pre-detected, e.g. removing random-valued impulse noise from images or removing certain scratches from archived photographs. This paper introduces a blind inpainting model to solve this type of problems, i.e., a model of simultaneously identifying and recovering damaged pixels of the given image. A tight frame based regularization approach is developed in this paper for such blind inpainting problems, and the resulted minimization problem is solved by the split Bregman algorithm rst proposed by [1]. The proposed blind inpainting method is applied to various challenging image restoration tasks, including recovering images that are blurry and damaged by scratches and removing image noise mixed with both Gaussian and random-valued impulse noise. The experiments show that our method is compared favorably against many available two-staged methods in these applications. A citing sentence is one that appears in a scientific article and cites previous work. Citing sentences have been studied and used in many applications. For example, they have been used in scientific paper summarization, automatic survey generation, paraphrase identification, and citation function classification. Citing sentences that cite multiple papers are common in scientific writing. This observation should be taken into consideration when using citing sentences in applications. For instance, when a citing sentence is used in a summary of a scientific paper, only the fragments of the sentence that are relevant to the summarized paper should be included in the summary. In this paper, we present and compare three different approaches for identifying the fragments of a citing sentence that are related to a given target reference. Our methods are: word classification, sequence labeling, and segment classification. Our experiments show that segment classification achieves the best results. We present a basic technique to fill-in missing parts of a video sequence taken from a static camera. Two important cases are considered. The first case is concerned with the removal of non-stationary objects that occlude stationary background. We use a priority based spatio-temporal synthesis scheme for inpainting the stationary background. The second and more difficult case involves filling-in moving objects when they are partially occluded. For this, we propose a priority scheme to first inpaint the occluded moving objects and then fill-in the remaining area with stationary background using the method proposed for the first case. We use as input an optical-flow based mask, which tells if an undamaged pixel is moving or is stationary. The moving object is inpainted by copying patches from undamaged frames, and this copying is independent of the background of the moving object in either frame. This work has applications in a variety of different areas, including video special effects and restoration and enhancement of damaged videos. The examples shown in the paper illustrate these ideas. In a document network such as a citation network of scientific documents, web-logs, etc., the content produced by authors exhibits their interest in certain topics. In addition some authors influence other authors' interests. In this work, we propose to model the influence of cited authors along with the interests of citing authors. Moreover, we hypothesize that apart from the citations present in documents, the context surrounding the citation mention provides extra topical information about the cited authors. However, associating terms in the context to the cited authors remains an open problem. We propose novel document generation schemes that incorporate the context while simultaneously modeling the interests of citing authors and influence of the cited authors. Our experiments show significant improvements over baseline models for various evaluation criteria such as link prediction between document and cited author, and quantitatively explaining unseen text. In this paper, we propose a novel method for image inpainting based on a Deep Convolutional Generative Adversarial Network (DCGAN). We define a loss function consisting of two parts: (1) a contextual loss that preserves similarity between the input corrupted image and the recovered image, and (2) a perceptual loss that ensures a perceptually realistic output image. Given a corrupted image with missing values, we use back-propagation on this loss to map the corrupted image to a smaller latent space. The mapped vector is then passed through the generative model to predict the missing content. The proposed framework is evaluated on the CelebA and SVHN datasets for two challenging inpainting tasks with random 80 corruption and large blocky corruption. Experiments show that our method can successfully predict semantic information in the missing region and achieve pixel-level photorealism, which is impossible by almost all existing methods. We present a novel deep learning based image inpainting system to complete images with free-form masks and inputs. The system is based on gated convolutions learned from millions of images without additional labelling efforts. The proposed gated convolution solves the issue of vanilla convolution that treats all input pixels as valid ones, generalizes partial convolution by providing a learnable dynamic feature selection mechanism for each channel at each spatial location across all layers. Moreover, as free-form masks may appear anywhere in images with any shapes, global and local GANs designed for a single rectangular mask are not suitable. To this end, we also present a novel GAN loss, named SN-PatchGAN, by applying spectral-normalized discriminators on dense image patches. It is simple in formulation, fast and stable in training. Results on automatic image inpainting and user-guided extension demonstrate that our system generates higher-quality and more flexible results than previous methods. We show that our system helps users quickly remove distracting objects, modify image layouts, clear watermarks, edit faces and interactively create novel objects in images. Furthermore, visualization of learned feature representations reveals the effectiveness of gated convolution and provides an interpretation of how the proposed neural network fills in missing regions. More high-resolution results and video materials are available at this http URL Area of image inpainting over relatively large missing regions recently advanced substantially through adaptation of dedicated deep neural networks. However, current network solutions still introduce undesired artifacts and noise to the repaired regions. We present an image inpainting method that is based on the celebrated generative adversarial network (GAN) framework. The proposed PGGAN method includes a discriminator network that combines a global GAN (G-GAN) architecture with a patchGAN approach. PGGAN first shares network layers between G-GAN and patchGAN, then splits paths to produce two adversarial losses that feed the generator network in order to capture both local continuity of image texture and pervasive global features in images. The proposed framework is evaluated extensively, and the results including comparison to recent state-of-the-art demonstrate that it achieves considerable improvements on both visual and quantitative evaluations. Scholars are increasingly citing electronic “web references” which are not preserved in libraries or full text archives. WebCite is a new standard for citing web references. To “webcite” a document involves archiving the cited Web page through www.webcitation.org and citing the WebCite permalink instead of (or in addition to) the unstable live Web page. This journal has amended its “instructions for authors” accordingly, asking authors to archive cited Web pages before submitting a manuscript. Almost 200 other journals are already using the system. We discuss the rationale for WebCite, its technology, and how scholars, editors, and publishers can benefit from the service. Citing scholars initiate an archiving process of all cited Web references, ideally before they submit a manuscript. Authors of online documents and websites which are expected to be cited by others can ensure that their work is permanently available by creating an archived copy using WebCite and providing the citation information including the WebCite link on their Web document(s). Editors should ask their authors to cache all cited Web addresses (Uniform Resource Locators, or URLs) “prospectively” before submitting their manuscripts to their journal. Editors and publishers should also instruct their copyeditors to cache cited Web material if the author has not done so already. Finally, WebCite can process publisher submitted “citing articles” (submitted for example as eXtensible Markup Language [XML] documents) to automatically archive all cited Web pages shortly before or on publication. Finally, WebCite can act as a focussed crawler, caching retrospectively references of already published articles. Copyright issues are addressed by honouring respective Internet standards (robot exclusion files, no-cache and no-archive tags). Long-term preservation is ensured by agreements with libraries and digital preservation organizations. The resulting WebCite Index may also have applications for research assessment exercises, being able to measure the impact of Web services and published Web documents through access and Web citation metrics. @PARASPLIT [J Med Internet Res 2005;7(5):e60] Abstract Documents in computer-readable form can be used to provide information about other documents, i.e. those they cite. To do this efficiently requires procedures for computer recognition of citing statements. This is not easy, especially for multi-sentence citing statements. Computer recognition procedures have been developed which are accurate to the following extent: 73 of the words in statements selected by computer procedures as being citing statements are words which are correctly attributable to the corresponding documents. The retrieval effectiveness of computer-recognized citing statements was tested in the following way. First, for eight retrieval requests in inorganiic chemistry, average recall by search of Chemical Abstracts Service indexing and Chemical Abstracts abstract text words was found to be 50 . Words from citing statements referring to the papers to be retrieved were then added to the index terms and abstract words as additional access points, and searching was repeated. Average recall increased to 70 . Only words from citing statements published within a year of the cited papers were used. The retrieval effect of citing statement words alone (published within a year) without index or abstract terms was the following: average recall was 40 . When just the words of the titles of the cited papers were added to those citing statement words, average recall increased to 50 . Citation relationship between scientific publications has been successfully used for scholarly bibliometrics, information retrieval and data mining tasks, and citation-based recommendation algorithms are well documented. While previous studies investigated citation relations from various viewpoints, most of them share the same assumption that, if paper1 cites paper2 (or author1 cites author2), they are connected, regardless of citation importance, sentiment, reason, topic, or motivation. However, this assumption is oversimplified. In this study, we employ an innovative "context-rich heterogeneous network" approach, which paves a new way for citation recommendation task. In the network, we characterize 1) the importance of citation relationships between citing and cited papers, and 2) the topical citation motivation. Unlike earlier studies, the citation information, in this paper, is characterized by citation textual contexts extracted from the full-text citing paper. We also propose algorithm to cope with the situation when large portion of full-text missing information exists in the bibliographic repository. Evaluation results show that, context-rich heterogeneous network can significantly enhance the citation recommendation performance. Image inpainting involves filling in part of an image or video using information from the surrounding area. Applications include the restoration of damaged photographs and movies and the removal of selected objects. We introduce a class of automated methods for digital inpainting. The approach uses ideas from classical fluid dynamics to propagate isophote lines continuously from the exterior into the region to be inpainted. The main idea is to think of the image intensity as a 'stream function for a two-dimensional incompressible flow. The Laplacian of the image intensity plays the role of the vorticity of the fluid; it is transported into the region to be inpainted by a vector field defined by the stream function. The resulting algorithm is designed to continue isophotes while matching gradient vectors at the boundary of the inpainting region. The method is directly based on the Navier-Stokes equations for fluid dynamics, which has the immediate advantage of well-developed theoretical and numerical results. This is a new approach for introducing ideas from computational fluid dynamics into problems in computer vision and image analysis. Recent deep learning based approaches have shown promising results for the challenging task of inpainting large missing regions in an image. These methods can generate visually plausible image structures and textures, but often create distorted structures or blurry textures inconsistent with surrounding areas. This is mainly due to ineffectiveness of convolutional neural networks in explicitly borrowing or copying information from distant spatial locations. On the other hand, traditional texture and patch synthesis approaches are particularly suitable when it needs to borrow textures from the surrounding regions. Motivated by these observations, we propose a new deep generative model-based approach which can not only synthesize novel image structures but also explicitly utilize surrounding image features as references during network training to make better predictions. The model is a feedforward, fully convolutional neural network which can process images with multiple holes at arbitrary locations and with variable sizes during the test time. Experiments on multiple datasets including faces (CelebA, CelebA-HQ), textures (DTD) and natural images (ImageNet, Places2) demonstrate that our proposed approach generates higher-quality inpainting results than existing ones. Code, demo and models are available at: https: github.com JiahuiYu generative_inpainting. The old Asian legend about the blind men and the elephant comes to mind when looking at how different authors of scientific papers describe a piece of related prior work. It turns out that different citations to the same paper often focus on different aspects of that paper and that neither provides a full description of its full set of contributions. In this article, we will describe our investigation of this phenomenon. We studied citation summaries in the context of research papers in the biomedical domain. A citation summary is the set of citing sentences for a given article and can be used as a surrogate for the actual article in a variety of scenarios. It contains information that was deemed by peers to be important. Our study shows that citation summaries overlap to some extent with the abstracts of the papers and that they also differ from them in that they focus on different aspects of these papers than do the abstracts. In addition to this, co-cited articles (which are pairs of articles cited by another article) tend to be similar. We show results based on a lexical similarity metric called cohesion to justify our claims. © 2008 Wiley Periodicals, Inc. We propose a total variation based model for simultaneous image inpainting and blind deconvolution. We demonstrate that the tasks are inherently coupled together and that solving them individually will lead to poor results. The main advantages of our model are that (i) boundary conditions for deconvolution required near the interface between observed and occluded regions are naturally generated through inpainting; (ii) inpainting results are enhanced through deconvolution (as opposed to inpainting blurry images). As a result, ringing effects due to imposing improper boundary conditions and errors due to imperfection of inpainting blurry images are reduced. Moreover, our model can also be used to generate boundary conditions for regular deconvolution problems that yields better results than previous methods.© 2005 Wiley Periodicals, Inc. © 2005 Wiley Periodicals, Inc. Int J Imaging Syst Technol, 15, 92–102, 2005; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002 ima.20041