We propose a novel crowd counting model that maps a given crowd scene to its density. Crowd analysis is compounded by myriad of factors like inter-occlusion between people due to extreme crowding, high similarity of appearance between people and background elements, and large variability of camera view-points. Current state-of-the art approaches tackle these factors by using multi-scale CNN architectures, recurrent networks and late fusion of features from multi-column CNN with different receptive fields. We propose switching convolutional neural network that leverages variation of crowd density within an image to improve the accuracy and localization of the predicted crowd count. Patches from a grid within a crowd scene are relayed to independent CNN regressors based on crowd count prediction quality of the CNN established during training. The independent CNN regressors are designed to have different receptive fields and a switch classifier is trained to relay the crowd scene patch to the best CNN regressor. We perform extensive experiments on all major crowd counting datasets and evidence better performance compared to current state-of-the-art methods. We provide interpretable representations of the multichotomy of space of crowd scene patches inferred from the switch. It is observed that the switch relays an image patch to a particular CNN column based on density of crowd.
While switching architectures have not been used for counting, expert classifiers have been used by @cite_13 to improve single object image classification across depiction styles using a deep switching mechanism based on depiction style. However unlike @cite_13 , we do not have labels (For eg: Depiction styles like "art" and "photo") to train the switch classifier. To overcome this challenge, we propose a training regime that exploits CNN regressor's architectural differences (See Section )
@cite_13
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Current state of the art object recognition architectures achieve impressive performance but are typically specialized for a single depictive style (e.g. photos only, sketches only). In this paper, we present SwiDeN : our Convolutional Neural Network (CNN) architecture which recognizes objects regardless of how they are visually depicted (line drawing, realistic shaded drawing, photograph etc.). In SwiDeN, we utilize a novel deep' depictive style-based switching mechanism which appropriately addresses the depiction-specific and depiction-invariant aspects of the problem. We compare SwiDeN with alternative architectures and prior work on a 50-category Photo-Art dataset containing objects depicted in multiple styles. Experimental results show that SwiDeN outperforms other approaches for the depiction-invariant object recognition problem. We propose a novel crowd counting model that maps a given crowd scene to its density. Crowd analysis is compounded by myriad of factors like inter-occlusion between people due to extreme crowding, high similarity of appearance between people and background elements, and large variability of camera view-points. Current state-of-the art approaches tackle these factors by using multi-scale CNN architectures, recurrent networks and late fusion of features from multi-column CNN with different receptive fields. We propose switching convolutional neural network that leverages variation of crowd density within an image to improve the accuracy and localization of the predicted crowd count. Patches from a grid within a crowd scene are relayed to independent CNN regressors based on crowd count prediction quality of the CNN established during training. The independent CNN regressors are designed to have different receptive fields and a switch classifier is trained to relay the crowd scene patch to the best CNN regressor. We perform extensive experiments on all major crowd counting datasets and evidence better performance compared to current state-of-the-art methods. We provide interpretable representations of the multichotomy of space of crowd scene patches inferred from the switch. It is observed that the switch relays an image patch to a particular CNN column based on density of crowd. Visual object classification and detection are major problems in contemporary computer vision. State-of-art algorithms allow thousands of visual objects to be learned and recognized, under a wide range of variations including lighting changes, occlusion, point of view and different object instances. Only a small fraction of the literature addresses the problem of variation in depictive styles (photographs, drawings, paintings etc.). This is a challenging gap but the ability to process images of all depictive styles and not just photographs has potential value across many applications. In this paper we model visual classes using a graph with multiple labels on each node; weights on arcs and nodes indicate relative importance (salience) to the object description. Visual class models can be learned from examples from a database that contains photographs, drawings, paintings etc. Experiments show that our representation is able to improve upon Deformable Part Models for detection and Bag of Words models for classification. We introduce an approach that leverages surface normal predictions, along with appearance cues, to retrieve 3D models for objects depicted in 2D still images from a large CAD object library. Critical to the success of our approach is the ability to recover accurate surface normals for objects in the depicted scene. We introduce a skip-network model built on the pre-trained Oxford VGG convolutional neural network (CNN) for surface normal prediction. Our model achieves state-of-the-art accuracy on the NYUv2 RGB-D dataset for surface normal prediction, and recovers fine object detail compared to previous methods. Furthermore, we develop a two-stream network over the input image and predicted surface normals that jointly learns pose and style for CAD model retrieval. When using the predicted surface normals, our two-stream network matches prior work using surface normals computed from RGB-D images on the task of pose prediction, and achieves state of the art when using RGB-D input. Finally, our two-stream network allows us to retrieve CAD models that better match the style and pose of a depicted object compared with baseline approaches. We propose a new technique for visual attribute transfer across images that may have very different appearance but have perceptually similar semantic structure. By visual attribute transfer, we mean transfer of visual information (such as color, tone, texture, and style) from one image to another. For example, one image could be that of a painting or a sketch while the other is a photo of a real scene, and both depict the same type of scene. Our technique finds semantically-meaningful dense correspondences between two input images. To accomplish this, it adapts the notion of "image analogy" with features extracted from a Deep Convolutional Neutral Network for matching; we call our technique Deep Image Analogy. A coarse-to-fine strategy is used to compute the nearest-neighbor field for generating the results. We validate the effectiveness of our proposed method in a variety of cases, including style texture transfer, color style swap, sketch painting to photo, and time lapse. We propose a new technique for visual attribute transfer across images that may have very different appearance but have perceptually similar semantic structure. By visual attribute transfer, we mean transfer of visual information (such as color, tone, texture, and style) from one image to another. For example, one image could be that of a painting or a sketch while the other is a photo of a real scene, and both depict the same type of scene. Our technique finds semantically-meaningful dense correspondences between two input images. To accomplish this, it adapts the notion of "image analogy" [ 2001] with features extracted from a Deep Convolutional Neutral Network for matching; we call our technique deep image analogy. A coarse-to-fine strategy is used to compute the nearest-neighbor field for generating the results. We validate the effectiveness of our proposed method in a variety of cases, including style texture transfer, color style swap, sketch painting to photo, and time lapse. This paper introduces a visual sentiment concept classification method based on deep convolutional neural networks (CNNs). The visual sentiment concepts are adjective noun pairs (ANPs) automatically discovered from the tags of web photos, and can be utilized as effective statistical cues for detecting emotions depicted in the images. Nearly one million Flickr images tagged with these ANPs are downloaded to train the classifiers of the concepts. We adopt the popular model of deep convolutional neural networks which recently shows great performance improvement on classifying large-scale web-based image dataset such as ImageNet. Our deep CNNs model is trained based on Caffe, a newly developed deep learning framework. To deal with the biased training data which only contains images with strong sentiment and to prevent overfitting, we initialize the model with the model weights trained from ImageNet. Performance evaluation shows the newly trained deep CNNs model SentiBank 2.0 (or called DeepSentiBank) is significantly improved in both annotation accuracy and retrieval performance, compared to its predecessors which mainly use binary SVM classification models. In several natural language tasks, labeled sequences are available in separate domains (say, languages), but the goal is to label sequences with mixed domain (such as code-switched text). Or, we may have available models for labeling whole passages (say, with sentiments), which we would like to exploit toward better position-specific label inference (say, target-dependent sentiment annotation). A key characteristic shared across such tasks is that different positions in a primary instance can benefit from different experts' trained from auxiliary data, but labeled primary instances are scarce, and labeling the best expert for each position entails unacceptable cognitive burden. We propose GITNet, a unified position-sensitive multi-task recurrent neural network (RNN) architecture for such applications. Auxiliary and primary tasks need not share training instances. Auxiliary RNNs are trained over auxiliary instances. A primary instance is also submitted to each auxiliary RNN, but their state sequences are gated and merged into a novel composite state sequence tailored to the primary inference task. Our approach is in sharp contrast to recent multi-task networks like the cross-stitch and sluice network, which do not control state transfer at such fine granularity. We demonstrate the superiority of GIRNet using three applications: sentiment classification of code-switched passages, part-of-speech tagging of code-switched text, and target position-sensitive annotation of sentiment in monolingual passages. In all cases, we establish new state-of-the-art performance beyond recent competitive baselines. Most of the recent successful methods in accurate object detection and localization used some variants of R-CNN style two stage Convolutional Neural Networks (CNN) where plausible regions were proposed in the first stage then followed by a second stage for decision refinement. Despite the simplicity of training and the efficiency in deployment, the single stage detection methods have not been as competitive when evaluated in benchmarks consider mAP for high IoU thresholds. In this paper, we proposed a novel single stage end-to-end trainable object detection network to overcome this limitation. We achieved this by introducing Recurrent Rolling Convolution (RRC) architecture over multi-scale feature maps to construct object classifiers and bounding box regressors which are "deep in context". We evaluated our method in the challenging KITTI dataset which measures methods under IoU threshold of 0.7. We showed that with RRC, a single reduced VGG-16 based model already significantly outperformed all the previously published results. At the time this paper was written our models ranked the first in KITTI car detection (the hard level), the first in cyclist detection and the second in pedestrian detection. These results were not reached by the previous single stage methods. The code is publicly available. The cross-depiction problem is that of recognising visual objects regardless of whether they are photographed, painted, drawn, etc. It introduces great challenge as the variance across photo and art domains is much larger than either alone. We extensively evaluate classification, domain adaptation and detection benchmarks for leading techniques, demonstrating that none perform consistently well given the cross-depiction problem. Finally we refine the DPM model, based on query expansion, enabling it to bridge the gap across depiction boundaries to some extent. Coarse features, such as scene composition and subject together with fine details, such as strokes and line styles, are useful clues for painter and style categorization. In this work, to automatically predict painting’s artist and style, we propose a novel deep multibranch neural network, where the different branches process the input image at different scales to jointly model the fine and coarse features of the painting. Experiments for both artist and style classification tasks are performed on the challenging Painting-91 dataset, that includes 91 different painters and 13 diverse painting styles. Our method outperforms the best method in the state of the art by 14.0 and 9.6 on artist and style classification respectively. CNNs have massively improved performance in object detection in photographs. However research into object detection in artwork remains limited. We show state-of-the-art performance on a challenging dataset, People-Art, which contains people from photos, cartoons and 41 different artwork movements. We achieve this high performance by fine-tuning a CNN for this task, thus also demonstrating that training CNNs on photos results in overfitting for photos: only the first three or four layers transfer from photos to artwork. Although the CNN’s performance is the highest yet, it remains less than 60 AP, suggesting further work is needed for the cross-depiction problem. Real-world image recognition is often challenged by the variability of visual styles including object textures, lighting conditions, filter effects, etc. Although these variations have been deemed to be implicitly handled by more training data and deeper networks, recent advances in image style transfer suggest that it is also possible to explicitly manipulate the style information. Extending this idea to general visual recognition problems, we present Batch-Instance Normalization (BIN) to explicitly normalize unnecessary styles from images. Considering certain style features play an essential role in discriminative tasks, BIN learns to selectively normalize only disturbing styles while preserving useful styles. The proposed normalization module is easily incorporated into existing network architectures such as Residual Networks, and surprisingly improves the recognition performance in various scenarios. Furthermore, experiments verify that BIN effectively adapts to completely different tasks like object classification and style transfer, by controlling the trade-off between preserving and removing style variations. Domain Adaptation (DA) exploits labeled data and models from similar domains in order to alleviate the annotation burden when learning a model in a new domain. Our contribution to the field is three-fold. First, we propose a new dataset, LandMarkDA, to study the adaptation between landmark place recognition models trained with different artistic image styles, such as photos, paintings and drawings. The new LandMarkDA proposes new adaptation challenges, where current deep architectures show their limits. Second, we propose an experimental study of recent shallow and deep adaptation networks, based on using Maximum Mean Discrepancy to bridge the domain gap. We study different design choices for these models by varying the network architectures and evaluate them on OFF31 and the new LandMarkDA collections. We show that shallow networks can still be competitive under an appropriate feature extraction. Finally, we also benchmark a new DA method that successfully combines the artistic image style-transfer with deep discrepancy-based networks. We present a study which investigated how and why users of Mozilla Firefox use multiple tabs and windows during web browsing. The detailed web browsing usage of 21 participants was logged over a period of 13 to 21 days each, and was supplemented by qualitative data from diary entries and interviews. Through an examination of several measures of their tab usage, we show that our participants had a strong preference for the use of tabs rather than multiple windows. We report the reasons they cited for using tabs, and the advantages over multiple windows. We identify several common tab usage patterns which browsers could explicitly support. Finally, we look at how tab usage affects web page revisitation. Most of our participants switched tabs more often than they used the back button, making tab switching the second most important navigation mechanism in the browser, after link clicking. Recently, style transfer has received a lot of attention. While much of this research has aimed at speeding up processing, the approaches are still lacking from a principled, art historical standpoint: a style is more than just a single image or an artist, but previous work is limited to only a single instance of a style or shows no benefit from more images. Moreover, previous work has relied on a direct comparison of art in the domain of RGB images or on CNNs pre-trained on ImageNet, which requires millions of labeled object bounding boxes and can introduce an extra bias, since it has been assembled without artistic consideration. To circumvent these issues, we propose a style-aware content loss, which is trained jointly with a deep encoder-decoder network for real-time, high-resolution stylization of images and videos. We propose a quantitative measure for evaluating the quality of a stylized image and also have art historians rank patches from our approach against those from previous work. These and our qualitative results ranging from small image patches to megapixel stylistic images and videos show that our approach better captures the subtle nature in which a style affects content. We present a weakly-supervised visual data mining approach that discovers connections between recurring mid-level visual elements in historic (temporal) and geographic (spatial) image collections, and attempts to capture the underlying visual style. In contrast to existing discovery methods that mine for patterns that remain visually consistent throughout the dataset, our goal is to discover visual elements whose appearance changes due to change in time or location; i.e., exhibit consistent stylistic variations across the label space (date or geo-location). To discover these elements, we first identify groups of patches that are style-sensitive. We then incrementally build correspondences to find the same element across the entire dataset. Finally, we train style-aware regressors that model each element's range of stylistic differences. We apply our approach to date and geo-location prediction and show substantial improvement over several baselines that do not model visual style. We also demonstrate the method's effectiveness on the related task of fine-grained classification. The style of an image plays a significant role in how it is viewed, but style has received little attention in computer vision research. We describe an approach to predicting style of images, and perform a thorough evaluation of different image features for these tasks. We find that features learned in a multi-layer network generally perform best -- even when trained with object class (not style) labels. Our large-scale learning methods results in the best published performance on an existing dataset of aesthetic ratings and photographic style annotations. We present two novel datasets: 80K Flickr photographs annotated with 20 curated style labels, and 85K paintings annotated with 25 style genre labels. Our approach shows excellent classification performance on both datasets. We use the learned classifiers to extend traditional tag-based image search to consider stylistic constraints, and demonstrate cross-dataset understanding of style. We propose a method for inferring human attributes (such as gender, hair style, clothes style, expression, action) from images of people under large variation of viewpoint, pose, appearance, articulation and occlusion. Convolutional Neural Nets (CNN) have been shown to perform very well on large scale object recognition problems. In the context of attribute classification, however, the signal is often subtle and it may cover only a small part of the image, while the image is dominated by the effects of pose and viewpoint. Discounting for pose variation would require training on very large labeled datasets which are not presently available. Part-based models, such as poselets [4] and DPM [12] have been shown to perform well for this problem but they are limited by shallow low-level features. We propose a new method which combines part-based models and deep learning by training pose-normalized CNNs. We show substantial improvement vs. state-of-the-art methods on challenging attribute classification tasks in unconstrained settings. Experiments confirm that our method outperforms both the best part-based methods on this problem and conventional CNNs trained on the full bounding box of the person. In many practical data mining applications, such as Web page classification, unlabeled training examples are readily available, but labeled ones are fairly expensive to obtain. Therefore, semi-supervised learning algorithms such as co-training have attracted much attention. In this paper, a new co-training style semi-supervised learning algorithm, named tri-training, is proposed. This algorithm generates three classifiers from the original labeled example set. These classifiers are then refined using unlabeled examples in the tri-training process. In detail, in each round of tri-training, an unlabeled example is labeled for a classifier if the other two classifiers agree on the labeling, under certain conditions. Since tri-training neither requires the instance space to be described with sufficient and redundant views nor does it put any constraints on the supervised learning algorithm, its applicability is broader than that of previous co-training style algorithms. Experiments on UCI data sets and application to the Web page classification task indicate that tri-training can effectively exploit unlabeled data to enhance the learning performance.