With the advent of perceptual loss functions, new possibilities in super-resolution have emerged, and we currently have models that successfully generate near-photorealistic high-resolution images from their low-resolution observations. Up to now, however, such approaches have been exclusively limited to single image super-resolution. The application of perceptual loss functions on video processing still entails several challenges, mostly related to the lack of temporal consistency of the generated images, i.e., flickering artifacts. In this work, we present a novel adversarial recurrent network for video upscaling that is able to produce realistic textures in a temporally consistent way. The proposed architecture naturally leverages information from previous frames due to its recurrent architecture, i.e. the input to the generator is composed of the low-resolution image and, additionally, the warped output of the network at the previous step. Together with a video discriminator, we also propose additional loss functions to further reinforce temporal consistency in the generated sequences. The experimental validation of our algorithm shows the effectiveness of our approach which obtains images with high perceptual quality and improved temporal consistency.
Amongst classical video SR methods, @cite_20 have achieved notable image quality using Bayesian optimization methods, but the computational complexity of the approach prohibits use in real-time applications. Neural network based approaches include @cite_25 who use a bidirectional recurrent architecture with comparably shallow networks without explicit motion compensation. More recently, neural network based methods operate on a sliding window of input frames. The main idea of @cite_34 is to align and warp neighboring frames to the current frame before all images are fed into a SR network which combines details from all frames into a single image. Inspired by this idea, @cite_29 take a similar approach but employ a flow estimation network for the frame alignment. Similarly, @cite_14 use a sliding window approach but they combine the frame alignment and SR steps. @cite_30 also propose a method which operates on a stack of video frames. They estimate the motion in the frames and subsequently map them into high-resolution space before another SR network combines the information from all frames. @cite_41 operate on varying numbers of frames at the same time to generate different high-resolution images and then condense the results into a single image in a final step.
@cite_30 @cite_14 @cite_41 @cite_29 @cite_34 @cite_25 @cite_20
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Super resolving a low-resolution video is usually handled by either single-image super-resolution (SR) or multi-frame SR. Single-Image SR deals with each video frame independently, and ignores intrinsic temporal dependency of video frames which actually plays a very important role in video super-resolution. Multi-Frame SR generally extracts motion information, e.g., optical flow, to model the temporal dependency, which often shows high computational cost. Considering that recurrent neural networks (RNNs) can model long-term contextual information of temporal sequences well, we propose a bidirectional recurrent convolutional network for efficient multi-frame SR. Different from vanilla RNNs, 1) the commonly-used recurrent full connections are replaced with weight-sharing convolutional connections and 2) conditional convolutional connections from previous input layers to the current hidden layer are added for enhancing visual-temporal dependency modelling. With the powerful temporal dependency modelling, our model can super resolve videos with complex motions and achieve state-of-the-art performance. Due to the cheap convolution operations, our model has a low computational complexity and runs orders of magnitude faster than other multi-frame methods. Recent advances in video super-resolution have shown that convolutional neural networks combined with motion compensation are able to merge information from multiple low-resolution (LR) frames to generate high-quality images. Current state-of-the-art methods process a batch of LR frames to generate a single high-resolution (HR) frame and run this scheme in a sliding window fashion over the entire video, effectively treating the problem as a large number of separate multi-frame super-resolution tasks. This approach has two main weaknesses: 1) Each input frame is processed and warped multiple times, increasing the computational cost, and 2) each output frame is estimated independently conditioned on the input frames, limiting the system's ability to produce temporally consistent results. In this work, we propose an end-to-end trainable frame-recurrent video super-resolution framework that uses the previously inferred HR estimate to super-resolve the subsequent frame. This naturally encourages temporally consistent results and reduces the computational cost by warping only one image in each step. Furthermore, due to its recurrent nature, the proposed method has the ability to assimilate a large number of previous frames without increased computational demands. Extensive evaluations and comparisons with previous methods validate the strengths of our approach and demonstrate that the proposed framework is able to significantly outperform the current state of the art. Video super-resolution (SR) aims to generate a highresolution (HR) frame from multiple low-resolution (LR) frames in a local temporal window. The inter-frame temporal relation is as crucial as the intra-frame spatial relation for tackling this problem. However, how to utilize temporal information efficiently and effectively remains challenging since complex motion is difficult to model and can introduce adverse effects if not handled properly. We address this problem from two aspects. First, we propose a temporal adaptive neural network that can adaptively determine the optimal scale of temporal dependency. Filters on various temporal scales are applied to the input LR sequence before their responses are adaptively aggregated. Second, we reduce the complexity of motion between neighboring frames using a spatial alignment network which is much more robust and efficient than competing alignment methods and can be jointly trained with the temporal adaptive network in an end-to-end manner. Our proposed models with learned temporal dynamics are systematically evaluated on public video datasets and achieve state-of-the-art SR results compared with other recent video SR approaches. Both of the temporal adaptation and the spatial alignment modules are demonstrated to considerably improve SR quality over their plain counterparts. Video superresolution (SR) techniques are of essential usages for high-resolution display devices due to the current lack of high-resolution videos. Although many algorithms have been proposed, video SR still remains a very challenging inverse problem under different conditions. In this paper, we propose a new method for video SR named motion compensation and residual net (MCResNet). We use optical flow algorithm for motion estimation and motion compensation as a preprocessing step. Then, we employ a novel deep residual convolutional neural network (CNN) to predict a high-resolution image using multiple motion compensated observations. The new residual CNN model preserves the low-frequency contents and facilitates the restoration of high-frequency details. Our method is able to handle large and complex motions adaptively. Extensive experimental results validate that our proposed method outperforms state-of-the-art single-image-based and multi-frame-based algorithms for video SR quantitatively and qualitatively. Convolutional neural networks (CNN) are a special type of deep neural networks (DNN). They have so far been successfully applied to image super-resolution (SR) as well as other image restoration tasks. In this paper, we consider the problem of video super-resolution. We propose a CNN that is trained on both the spatial and the temporal dimensions of videos to enhance their spatial resolution. Consecutive frames are motion compensated and used as input to a CNN that provides super-resolved video frames as output. We investigate different options of combining the video frames within one CNN architecture. While large image databases are available to train deep neural networks, it is more challenging to create a large video database of sufficient quality to train neural nets for video restoration. We show that by using images to pretrain our model, a relatively small video database is sufficient for the training of our model to achieve and even improve upon the current state-of-the-art. We compare our proposed approach to current video as well as image SR algorithms. Previous CNN-based video super-resolution approaches need to align multiple frames to the reference. In this paper, we show that proper frame alignment and motion compensation is crucial for achieving high quality results. We accordingly propose a sub-pixel motion compensation' (SPMC) layer in a CNN framework. Analysis and experiments show the suitability of this layer in video SR. The final end-to-end, scalable CNN framework effectively incorporates the SPMC layer and fuses multiple frames to reveal image details. Our implementation can generate visually and quantitatively high-quality results, superior to current state-of-the-arts, without the need of parameter tuning. This paper addresses the problem of hallucinating the missing high-resolution (HR) details of a low-resolution (LR) video while maintaining the temporal coherence of the reconstructed HR details using dynamic texture synthesis (DTS). Most existing multiframe-based video superresolution (SR) methods suffer from the problem of limited reconstructed visual quality due to inaccurate subpixel motion estimation between frames in an LR video. To achieve high-quality reconstruction of HR details for an LR video, we propose a texture-synthesis (TS)-based video SR method, in which a novel DTS scheme is proposed to render the reconstructed HR details in a temporally coherent way, which effectively addresses the temporal incoherence problem caused by traditional TS-based image SR methods. To further reduce the complexity of the proposed method, our method only performs the TS-based SR on a set of key frames, while the HR details of the remaining nonkey frames are simply predicted using the bidirectional overlapped block motion compensation. After all frames are upscaled, the proposed DTS-SR is applied to maintain the temporal coherence in the HR video. Experimental results demonstrate that the proposed method achieves significant subjective and objective visual quality improvement over state-of-the-art video SR methods. Given two consecutive frames, video interpolation aims at generating intermediate frame(s) to form both spatially and temporally coherent video sequences. While most existing methods focus on single-frame interpolation, we propose an end-to-end convolutional neural network for variable-length multi-frame video interpolation, where the motion interpretation and occlusion reasoning are jointly modeled. We start by computing bi-directional optical flow between the input images using a U-Net architecture. These flows are then linearly combined at each time step to approximate the intermediate bi-directional optical flows. These approximate flows, however, only work well in locally smooth regions and produce artifacts around motion boundaries. To address this shortcoming, we employ another U-Net to refine the approximated flow and also predict soft visibility maps. Finally, the two input images are warped and linearly fused to form each intermediate frame. By applying the visibility maps to the warped images before fusion, we exclude the contribution of occluded pixels to the interpolated intermediate frame to avoid artifacts. Since none of our learned network parameters are time-dependent, our approach is able to produce as many intermediate frames as needed. We use 1,132 video clips with 240-fps, containing 300K individual video frames, to train our network. Experimental results on several datasets, predicting different numbers of interpolated frames, demonstrate that our approach performs consistently better than existing methods. Given two consecutive frames, video interpolation aims at generating intermediate frame(s) to form both spatially and temporally coherent video sequences. While most existing methods focus on single-frame interpolation, we propose an end-to-end convolutional neural network for variable-length multi-frame video interpolation, where the motion interpretation and occlusion reasoning are jointly modeled. We start by computing bi-directional optical flow between the input images using a U-Net architecture. These flows are then linearly combined at each time step to approximate the intermediate bi-directional optical flows. These approximate flows, however, only work well in locally smooth regions and produce artifacts around motion boundaries. To address this shortcoming, we employ another U-Net to refine the approximated flow and also predict soft visibility maps. Finally, the two input images are warped and linearly fused to form each intermediate frame. By applying the visibility maps to the warped images before fusion, we exclude the contribution of occluded pixels to the interpolated intermediate frame to avoid artifacts. Since none of our learned network parameters are time-dependent, our approach is able to produce as many intermediate frames as needed. To train our network, we use 1,132 240-fps video clips, containing 300K individual video frames. Experimental results on several datasets, predicting different numbers of interpolated frames, demonstrate that our approach performs consistently better than existing methods. Video frame interpolation algorithms typically estimate optical flow or its variations and then use it to guide the synthesis of an intermediate frame between two consecutive original frames. To handle challenges like occlusion, bidirectional flow between the two input frames is often estimated and used to warp and blend the input frames. However, how to effectively blend the two warped frames still remains a challenging problem. This paper presents a context-aware synthesis approach that warps not only the input frames but also their pixel-wise contextual information and uses them to interpolate a high-quality intermediate frame. Specifically, we first use a pre-trained neural network to extract per-pixel contextual information for input frames. We then employ a state-of-the-art optical flow algorithm to estimate bidirectional flow between them and pre-warp both input frames and their context maps. Finally, unlike common approaches that blend the pre-warped frames, our method feeds them and their context maps to a video frame synthesis neural network to produce the interpolated frame in a context-aware fashion. Our neural network is fully convolutional and is trained end to end. Our experiments show that our method can handle challenging scenarios such as occlusion and large motion and outperforms representative state-of-the-art approaches. Video frame interpolation typically involves two steps: motion estimation and pixel synthesis. Such a two-step approach heavily depends on the quality of motion estimation. This paper presents a robust video frame interpolation method that combines these two steps into a single process. Specifically, our method considers pixel synthesis for the interpolated frame as local convolution over two input frames. The convolution kernel captures both the local motion between the input frames and the coefficients for pixel synthesis. Our method employs a deep fully convolutional neural network to estimate a spatially-adaptive convolution kernel for each pixel. This deep neural network can be directly trained end to end using widely available video data without any difficult-to-obtain ground-truth data like optical flow. Our experiments show that the formulation of video interpolation as a single convolution process allows our method to gracefully handle challenges like occlusion, blur, and abrupt brightness change and enables high-quality video frame interpolation. Motion blur from camera shake is a major problem in videos captured by hand-held devices. Unlike single-image deblurring, video-based approaches can take advantage of the abundant information that exists across neighboring frames. As a result the best performing methods rely on the alignment of nearby frames. However, aligning images is a computationally expensive and fragile procedure, and methods that aggregate information must therefore be able to identify which regions have been accurately aligned and which have not, a task that requires high level scene understanding. In this work, we introduce a deep learning solution to video deblurring, where a CNN is trained end-to-end to learn how to accumulate information across frames. To train this network, we collected a dataset of real videos recorded with a high frame rate camera, which we use to generate synthetic motion blur for supervision. We show that the features learned from this dataset extend to deblurring motion blur that arises due to camera shake in a wide range of videos, and compare the quality of results to a number of other baselines. We describe a novel approach to reduce spatially varying motion blur in video and images using a hybrid camera system. A hybrid camera is a standard video camera that is coupled with an auxiliary low-resolution camera sharing the same optical path but capturing at a significantly higher frame rate. The auxiliary video is temporally sharper but at a lower resolution, while the lower frame-rate video has higher spatial resolution but is susceptible to motion blur. Our deblurring approach uses the data from these two video streams to reduce spatially varying motion blur in the high-resolution camera with a technique that combines both deconvolution and super-resolution. Our algorithm also incorporates a refinement of the spatially varying blur kernels to further improve results. Our approach can reduce motion blur from the high-resolution video as well as estimate new high-resolution frames at a higher frame rate. Experimental results on a variety of inputs demonstrate notable improvement over current state-of-the-art methods in image video deblurring. Recently, several models based on deep neural networks have achieved great success in terms of both reconstruction accuracy and computational performance for single image super-resolution. In these methods, the low resolution (LR) input image is upscaled to the high resolution (HR) space using a single filter, commonly bicubic interpolation, before reconstruction. This means that the super-resolution (SR) operation is performed in HR space. We demonstrate that this is sub-optimal and adds computational complexity. In this paper, we present the first convolutional neural network (CNN) capable of real-time SR of 1080p videos on a single K2 GPU. To achieve this, we propose a novel CNN architecture where the feature maps are extracted in the LR space. In addition, we introduce an efficient sub-pixel convolution layer which learns an array of upscaling filters to upscale the final LR feature maps into the HR output. By doing so, we effectively replace the handcrafted bicubic filter in the SR pipeline with more complex upscaling filters specifically trained for each feature map, whilst also reducing the computational complexity of the overall SR operation. We evaluate the proposed approach using images and videos from publicly available datasets and show that it performs significantly better (+0.15dB on Images and +0.39dB on Videos) and is an order of magnitude faster than previous CNN-based methods. Standard video frame interpolation methods first estimate optical flow between input frames and then synthesize an intermediate frame guided by motion. Recent approaches merge these two steps into a single convolution process by convolving input frames with spatially adaptive kernels that account for motion and re-sampling simultaneously. These methods require large kernels to handle large motion, which limits the number of pixels whose kernels can be estimated at once due to the large memory demand. To address this problem, this paper formulates frame interpolation as local separable convolution over input frames using pairs of 1D kernels. Compared to regular 2D kernels, the 1D kernels require significantly fewer parameters to be estimated. Our method develops a deep fully convolutional neural network that takes two input frames and estimates pairs of 1D kernels for all pixels simultaneously. Since our method is able to estimate kernels and synthesizes the whole video frame at once, it allows for the incorporation of perceptual loss to train the neural network to produce visually pleasing frames. This deep neural network is trained end-to-end using widely available video data without any human annotation. Both qualitative and quantitative experiments show that our method provides a practical solution to high-quality video frame interpolation. Motion blur from camera shake is a major problem in videos captured by hand-held devices. Unlike single-image deblurring, video-based approaches can take advantage of the abundant information that exists across neighboring frames. As a result the best performing methods rely on aligning nearby frames. However, aligning images is a computationally expensive and fragile procedure, and methods that aggregate information must therefore be able to identify which regions have been accurately aligned and which have not, a task which requires high level scene understanding. In this work, we introduce a deep learning solution to video deblurring, where a CNN is trained end-to-end to learn how to accumulate information across frames. To train this network, we collected a dataset of real videos recorded with a high framerate camera, which we use to generate synthetic motion blur for supervision. We show that the features learned from this dataset extend to deblurring motion blur that arises due to camera shake in a wide range of videos, and compare the quality of results to a number of other baselines. Image segmentation is an important step in most visual tasks. While convolutional neural networks have shown to perform well on single image segmentation, to our knowledge, no study has been been done on leveraging recurrent gated architectures for video segmentation. Accordingly, we propose a novel method for online segmentation of video sequences that incorporates temporal data. The network is built from fully convolutional element and recurrent unit that works on a sliding window over the temporal data. We also introduce a novel convolutional gated recurrent unit that preserves the spatial information and reduces the parameters learned. Our method has the advantage that it can work in an online fashion instead of operating over the whole input batch of video frames. The network is tested on the change detection dataset, and proved to have 5.5 improvement in F-measure over a plain fully convolutional network for per frame segmentation. It was also shown to have improvement of 1.4 for the F-measure compared to our baseline network that we call FCN 12s. The objective of this work is human pose estimation in videos, where multiple frames are available. We investigate a ConvNet architecture that is able to benefit from temporal context by combining information across the multiple frames using optical flow. To this end we propose a network architecture with the following novelties: (i) a deeper network than previously investigated for regressing heatmaps, (ii) spatial fusion layers that learn an implicit spatial model, (iii) optical flow is used to align heatmap predictions from neighbouring frames, and (iv) a final parametric pooling layer which learns to combine the aligned heatmaps into a pooled confidence map. We show that this architecture outperforms a number of others, including one that uses optical flow solely at the input layers, one that regresses joint coordinates directly, and one that predicts heatmaps without spatial fusion. The new architecture outperforms the state of the art by a large margin on three video pose estimation datasets, including the very challenging Poses in the Wild dataset, and outperforms other deep methods that don't use a graphical model on the single-image FLIC benchmark (and also [5, 35] in the high precision region). In this paper, we propose a new video inpainting method which applies to both static or free-moving camera videos. The method can be used for object removal, error concealment, and background reconstruction applications. To limit the computational time, a frame is inpainted by considering a small number of neighboring pictures which are grouped into a group of pictures (GoP). More specifically, to inpaint a frame, the method starts by aligning all the frames of the GoP. This is achieved by a region-based homography computation method which allows us to strengthen the spatial consistency of aligned frames. Then, from the stack of aligned frames, an energy function based on both spatial and temporal coherency terms is globally minimized. This energy function is efficient enough to provide high quality results even when the number of pictures in the GoP is rather small, e.g. 20 neighboring frames. This drastically reduces the algorithm complexity and makes the approach well suited for near real-time video editing applications as well as for loss concealment applications. Experiments with several challenging video sequences show that the proposed method provides visually pleasing results for object removal, error concealment, and background reconstruction context. Video stabilization is an important video enhancement technology which aims at removing annoying shaky motion from videos. We propose a practical and robust approach of video stabilization that produces full-frame stabilized videos with good visual quality. While most previous methods end up with producing low resolution stabilized videos, our completion method can produce full-frame videos by naturally filling in missing image parts by locally aligning image data of neighboring frames. To achieve this, motion inpainting is proposed to enforce spatial and temporal consistency of the completion in both static and dynamic image areas. In addition, image quality in the stabilized video is enhanced with a new practical deblurring algorithm. Instead of estimating point spread functions, our method transfers and interpolates sharper image pixels of neighbouring frames to increase the sharpness of the frame. The proposed video completion and deblurring methods enabled us to develop a complete video stabilizer which can naturally keep the original image quality in the stabilized videos. The effectiveness of our method is confirmed by extensive experiments over a wide variety of videos.