Autonomous indoor navigation of Micro Aerial Vehicles (MAVs) possesses many challenges. One main reason is that GPS has limited precision in indoor environments. The additional fact that MAVs are not able to carry heavy weight or power consuming sensors, such as range finders, makes indoor autonomous navigation a challenging task. In this paper, we propose a practical system in which a quadcopter autonomously navigates indoors and finds a specific target, i.e., a book bag, by using a single camera. A deep learning model, Convolutional Neural Network (ConvNet), is used to learn a controller strategy that mimics an expert pilot's choice of action. We show our system's performance through real-time experiments in diverse indoor locations. To understand more about our trained network, we use several visualization techniques.
: Accurate depth estimation and relative position estimation are possible using stereo cameras ( @cite_12 , @cite_11 ). However, stereo vision algorithms suffer when they are used in texture-less regions, as it is hard to match features in one image to the corresponding features in the other image. The additional fact that most of publicly available quadcopters have only one built-in camera makes the solution not practical to a public. Our system shows robust performance in texture-less environments.
@cite_12 @cite_11
2087387266 2098836126
Depth estimation in computer vision and robotics is most commonly done via stereo vision (stereopsis), in which images from two cameras are used to triangulate and estimate distances. However, there are also numerous monocular visual cues--such as texture variations and gradients, defocus, color haze, etc. --that have heretofore been little exploited in such systems. Some of these cues apply even in regions without texture, where stereo would work poorly. In this paper, we apply a Markov Random Field (MRF) learning algorithm to capture some of these monocular cues, and incorporate them into a stereo system. We show that by adding monocular cues to stereo (triangulation) ones, we obtain significantly more accurate depth estimates than is possible using either monocular or stereo cues alone. This holds true for a large variety of environments, including both indoor environments and unstructured outdoor environments containing trees forests, buildings, etc. Our approach is general, and applies to incorporating monocular cues together with any off-the-shelf stereo system. A new method for actively recovering depth information using image defocus is demonstrated and shown to support active stereo vision depth recovery by providing monocular depth estimates to guide the positioning of cameras for stereo processing. This active depth-from-defocus approach employs a spatial frequency model for image defocus which incorporates the optical transfer function of the image acquisition system and a maximum likelihood estimator to determine the amount of defocus present in a sequence of two or more images taken from the same pose. This defocus estimate is translated into a measurement of depth and associated uncertainty that is used to control the positioning of a variable baseline stereo camera system. This cooperative arrangement significantly reduces the matching uncertainty of the stereo correspondence process and increases the depth resolution obtainable with an active stereo vision platform. In this paper, we describe a system that can carry out simultaneous localization and mapping (SLAM) in large indoor and outdoor environments using a stereo pair moving with 6 DOF as the only sensor. Unlike current visual SLAM systems that use either bearing-only monocular information or 3-D stereo information, our system accommodates both monocular and stereo. Textured point features are extracted from the images and stored as 3-D points if seen in both images with sufficient disparity, or stored as inverse depth points otherwise. This allows the system to map both near and far features: the first provide distance and orientation, and the second provide orientation information. Unlike other vision-only SLAM systems, stereo does not suffer from ldquoscale driftrdquo because of unobservability problems, and thus, no other information such as gyroscopes or accelerometers is required in our system. Our SLAM algorithm generates sequences of conditionally independent local maps that can share information related to the camera motion and common features being tracked. The system computes the full map using the novel conditionally independent divide and conquer algorithm, which allows constant time operation most of the time, with linear time updates to compute the full map. To demonstrate the robustness and scalability of our system, we show experimental results in indoor and outdoor urban environments of 210 m and 140 m loop trajectories, with the stereo camera being carried in hand by a person walking at normal walking speeds of 4--5 km h. Most visual odometry algorithm for a monocular camera focuses on points, either by feature matching, or direct alignment of pixel intensity, while ignoring a common but important geometry entity: edges. In this paper, we propose an odometry algorithm that combines points and edges to benefit from the advantages of both direct and feature based methods. It works better in texture-less environments and is also more robust to lighting changes and fast motion by increasing the convergence basin. We maintain a depth map for the keyframe then in the tracking part, the camera pose is recovered by minimizing both the photometric error and geometric error to the matched edge in a probabilistic framework. In the mapping part, edge is used to speed up and increase stereo matching accuracy. On various public datasets, our algorithm achieves better or comparable performance than state-of-the-art monocular odometry methods. In some challenging texture-less environments, our algorithm reduces the state estimation error over 50 . In this paper, we propose a new method that can remove view-disturbing noises from stereo images. One of the thorny problems in outdoor surveillance by a camera is that adherent noises such as waterdrops on the protecting glass surface lens disturb the view from the camera. Therefore, we propose a method for removing adherent noises from stereo images taken with a stereo camera system. Our method is based on the stereo measurement and utilizes disparities between stereo image pair. Positions of noises in images can be detected by comparing disparities measured from stereo images with the distance between the stereo camera system and the glass surface. True disparities of image regions hidden by noises can be estimated from the property that disparities are generally similar with those around noises. Finally, we can remove noises from images by replacing the above regions with textures of corresponding image regions obtained by the disparity referring. Experimental results show the effectiveness of the proposed method. Visual odometry is a popular approach to estimating robot motion using a monocular or stereo camera. This paper proposes a novel visual odometry scheme using a stereo camera for robust estimation of a 6 DOF motion in the dynamic environment. The false results of feature matching and the uncertainty of depth information provided by the camera can generate the outliers which deteriorate the estimation. The outliers are removed by analyzing the magnitude histogram of the motion vector of the corresponding features and the RANSAC algorithm. The features extracted from a dynamic object such as a human also makes the motion estimation inaccurate. To eliminate the effect of a dynamic object, several candidates of dynamic objects are generated by clustering the 3D position of features and each candidate is checked based on the standard deviation of features on whether it is a real dynamic object or not. The accuracy and practicality of the proposed scheme are verified by several experiments and comparisons with both IMU and wheel-based odometry. It is shown that the proposed scheme works well when wheel slip occurs or dynamic objects exist. This paper introduces an algorithm that accurately estimates depth maps using a lenslet light field camera. The proposed algorithm estimates the multi-view stereo correspondences with sub-pixel accuracy using the cost volume. The foundation for constructing accurate costs is threefold. First, the sub-aperture images are displaced using the phase shift theorem. Second, the gradient costs are adaptively aggregated using the angular coordinates of the light field. Third, the feature correspondences between the sub-aperture images are used as additional constraints. With the cost volume, the multi-label optimization propagates and corrects the depth map in the weak texture regions. Finally, the local depth map is iteratively refined through fitting the local quadratic function to estimate a non-discrete depth map. Because micro-lens images contain unexpected distortions, a method is also proposed that corrects this error. The effectiveness of the proposed algorithm is demonstrated through challenging real world examples and including comparisons with the performance of advanced depth estimation algorithms. Robust vision-based grasping is still a hard problem for humanoid robot systems. When being restricted to using the camera system built-in into the robot's head for object localization, the scenarios get often very simplified in order to allow the robot to grasp autonomously. Within the computer vision community, many object recognition and localization systems exist, but in general, they are not tailored to the application on a humanoid robot. In particular, accurate 6D object localization in the camera coordinate system with respect to a 3D rigid model is crucial for a general framework for grasping. While many approaches try to avoid the use of stereo calibration, we will present a system that makes explicit use of the stereo camera system in order to achieve maximum depth accuracy. Our system can deal with textured objects as well as objects that can be segmented globally and are defined by their shape. Thus, it covers the cases of objects with complex texture and complex shape. Our work is directly linked to a grasping framework being implemented on the humanoid robot ARM AR and serves as its perception module for various grasping and manipulation experiments in a kitchen scenario. We propose a novel direct visual-inertial odometry method for stereo cameras. Camera pose, velocity and IMU biases are simultaneously estimated by minimizing a combined photometric and inertial energy functional. This allows us to exploit the complementary nature of vision and inertial data. At the same time, and in contrast to all existing visual-inertial methods, our approach is fully direct: geometry is estimated in the form of semi-dense depth maps instead of manually designed sparse keypoints. Depth information is obtained both from static stereo - relating the fixed-baseline images of the stereo camera - and temporal stereo - relating images from the same camera, taken at different points in time. We show that our method outperforms not only vision-only or loosely coupled approaches, but also can achieve more accurate results than state-of-the-art keypoint-based methods on different datasets, including rapid motion and significant illumination changes. In addition, our method provides high-fidelity semi-dense, metric reconstructions of the environment, and runs in real-time on a CPU. With the advent of real-time dense scene reconstruction from handheld cameras, one key aspect to enable robust operation is the ability to relocalise in a previously mapped environment or after loss of measurement. Tasks such as operating on a workspace, where moving objects and occlusions are likely, require a recovery competence in order to be useful. For RGBD cameras, this must also include the ability to relocalise in areas with reduced visual texture. This paper describes a method for relocalisation of a freely moving RGBD camera in small workspaces. The approach combines both 2D image and 3D depth information to estimate the full 6D camera pose. The method uses a general regression over a set of synthetic views distributed throughout an informed estimate of possible camera viewpoints. The resulting relocalisation is accurate and works faster than framerate and the system’s performance is demonstrated through a comparison against visual and geometric feature matching relocalisation techniques on sequences with moving objects and minimal texture. We present a direct visual odometry algorithm for a fisheye-stereo camera. Our algorithm performs simultaneous camera motion estimation and semi-dense reconstruction. The pipeline consists of two threads: a tracking thread and a mapping thread. In the tracking thread, we estimate the camera pose via semi-dense direct image alignment. To have a wider field of view (FoV) which is important for robotic perception, we use fisheye images directly without converting them to conventional pinhole images which come with a limited FoV. To address the epipolar curve problem, plane-sweeping stereo is used for stereo matching and depth initialization. Multiple depth hypotheses are tracked for selected pixels to better capture the uncertainty characteristics of stereo matching. Temporal motion stereo is then used to refine the depth and remove false positive depth hypotheses. Our implementation runs at an average of 20 Hz on a low-end PC. We run experiments in outdoor environments to validate our algorithm, and discuss the experimental results. We experimentally show that we are able to estimate 6D poses with low drift, and at the same time, do semi-dense 3D reconstruction with high accuracy. To the best of our knowledge, there is no other existing semi-dense direct visual odometry algorithm for a fisheye-stereo camera. The use of a multi-camera system enables a robot to obtain a surround view, and thus, maximize its perceptual awareness of its environment. If vision-based simultaneous localization and mapping (vSLAM) is expected to provide reliable pose estimates for a micro aerial vehicle (MAV) with a multi-camera system, an accurate calibration of the multi-camera system is a necessary prerequisite. We propose a novel vSLAM-based self-calibration method for a multi-camera system that includes at least one calibrated stereo camera, and an arbitrary number of monocular cameras. We assume overlapping fields of view to only exist within stereo cameras. Our self-calibration estimates the inter-camera transforms with metric scale; metric scale is inferred from calibrated stereo. On our MAV, we set up each camera pair in a stereo configuration which facilitates the estimation of the MAV's pose with metric scale. Once the MAV is calibrated, the MAV is able to estimate its global pose via a multi-camera vSLAM implementation based on the generalized camera model. We propose a novel minimal and linear 3-point algorithm that uses relative rotation angle measurements from a 3-axis gyroscope to recover the relative motion of the MAV with metric scale and from 2D-2D feature correspondences. This relative motion estimation does not involve scene point triangulation. Our constant-time vSLAM implementation with loop closures runs on-board the MAV in real-time. To the best of our knowledge, no published work has demonstrated real-time on-board vSLAM with loop closures. We show experimental results from simulation experiments, and real-world experiments in both indoor and outdoor environments. A majority of the existing stereo matching algorithms assume that the corresponding color values are similar to each other. However, it is not so in practice as image color values are often affected by various radiometric factors such as illumination direction, illuminant color, and imaging device changes. For this reason, the raw color recorded by a camera should not be relied on completely, and the assumption of color consistency does not hold good between stereo images in real scenes. Therefore, the performance of most conventional stereo matching algorithms can be severely degraded under the radiometric variations. In this paper, we present a new stereo matching measure that is insensitive to radiometric variations between left and right images. Unlike most stereo matching measures, we use the color formation model explicitly in our framework and propose a new measure, called the Adaptive Normalized Cross-Correlation (ANCC), for a robust and accurate correspondence measure. The advantage of our method is that it is robust to lighting geometry, illuminant color, and camera parameter changes between left and right images, and does not suffer from the fattening effect unlike conventional Normalized Cross-Correlation (NCC). Experimental results show that our method outperforms other state-of-the-art stereo methods under severely different radiometric conditions between stereo images. We propose a novel Large-Scale Direct SLAM algorithm for stereo cameras (Stereo LSD-SLAM) that runs in real-time at high frame rate on standard CPUs. In contrast to sparse interest-point based methods, our approach aligns images directly based on the photoconsistency of all high-contrast pixels, including corners, edges and high texture areas. It concurrently estimates the depth at these pixels from two types of stereo cues: Static stereo through the fixed-baseline stereo camera setup as well as temporal multi-view stereo exploiting the camera motion. By incorporating both disparity sources, our algorithm can even estimate depth of pixels that are under-constrained when only using fixed-baseline stereo. Using a fixed baseline, on the other hand, avoids scale-drift that typically occurs in pure monocular SLAM.We furthermore propose a robust approach to enforce illumination invariance, capable of handling aggressive brightness changes between frames - greatly improving the performance in realistic settings. In experiments, we demonstrate state-of-the-art results on stereo SLAM benchmarks such as Kitti or challenging datasets from the EuRoC Challenge 3 for micro aerial vehicles. Textured surface analysis is essential for many applications. We present a three-dimensional recovery approach for real textured surfaces based on photometric stereo. The aim is to be able to measure the textured surfaces with a high degree of accuracy. For this, we use a color digital sensor and principles of color photometric stereo. This method uses a single color image, instead of a sequence of gray-scale images, to recover the surface of the three dimensions. It can thus be integrated into dynamic systems where there is significant relative motion between the object and the camera. To evaluate the performance of our method, we compare it on real textured surfaces to traditional photometric stereo using three images. We thus show that it is possible to have similar results with just one color image. We propose a novel omnidirectional stereo camera setup that is formed by two ultra-wide field-of-view (FOV) fisheye cameras. The proposed configuration is formed by two 245-degree FOV fisheye cameras, facing opposite directions, that are rigidly mounted on two sides of a rod. The overlapping view in the two fisheye images forms a ring-shaped spatial stereo setup. Our system provides stereo observations with full 360-degree FOV in horizontal directions and 65-degree FOV in the vertical direction. In addition, the two fisheye cameras altogether also provide full spherical monocular coverage of the surrounding environment. We address challenges in camera modeling, fisheye intrinsic calibration, stereo self-calibration, and depth estimation. We develop a lens-specific fisheye camera calibration method that uses manufacturer data for the optical lens to assist with the intrinsic calibration and develop an online self-calibration approach for estimating stereo extrinsic parameters. The overlapping camera views are rectified into stereo image pairs, from which a spatial stereo matching pipeline is developed for depth estimation in all horizontal directions. We show both qualitative and quantitative analysis to validate our approach. Motivated by a Bayesian vision of the 3D multi-view reconstruction from images problem, we propose a dense 3D reconstruction technique that jointly refines the shape and the camera parameters of a scene by minimizing the photometric reprojection error between a generated model and the observed images, hence considering all pixels in the original images. The minimization is performed using a gradient descent scheme coherent with the shape representation (here a triangular mesh), where we derive evolution equations in order to optimize both the shape and the camera parameters. This can be used at a last refinement step in 3D reconstruction pipelines and helps improving the 3D reconstruction's quality by estimating the 3D shape and camera calibration more accurately. Examples are shown for multi-view stereo where the texture is also jointly optimized and improved, but could be used for any generative approaches dealing with multi-view reconstruction settings (ie depth map fusion, multi-view photometric stereo). As simultaneous localization and mapping (SLAM) techniques have flourished with the advent of 3D Light Detection and Ranging (LiDAR) sensors, accurate 3D maps are readily available. Many researchers turn their attention to localization in a previously acquired 3D map. In this paper, we propose a novel and lightweight camera-only visual positioning algorithm that involves localization within prior 3D LiDAR maps. We aim to achieve the consumer level global positioning system (GPS) accuracy using vision within the urban environment, where GPS signal is unreliable. Via exploiting a stereo camera, depth from the stereo disparity map is matched with 3D LiDAR maps. A full six degree of freedom (DOF) camera pose is estimated via minimizing depth residual. Powered by visual tracking that provides a good initial guess for the localization, the proposed depth residual is successfully applied for camera pose estimation. Our method runs online, as the average localization error is comparable to ones resulting from state-of-the-art approaches. We validate the proposed method as a stand-alone localizer using KITTI dataset and as a module in the SLAM framework using our own dataset. State of the art visual SLAM systems have recently been presented which are capable of accurate, large-scale and real-time performance, but most of these require stereo vision. Important application areas in robotics and beyond open up if similar performance can be demonstrated using monocular vision, since a single camera will always be cheaper, more compact and easier to calibrate than a multi-camera rig. With high quality estimation, a single camera moving through a static scene of course effectively provides its own stereo geometry via frames distributed over time. However, a classic issue with monocular visual SLAM is that due to the purely projective nature of a single camera, motion estimates and map structure can only be recovered up to scale. Without the known inter-camera distance of a stereo rig to serve as an anchor, the scale of locally constructed map portions and the corresponding motion estimates is therefore liable to drift over time. In this paper we describe a new near real-time visual SLAM system which adopts the continuous keyframe optimisation approach of the best current stereo systems, but accounts for the additional challenges presented by monocular input. In particular, we present a new pose-graph optimisation technique which allows for the efficient correction of rotation, translation and scale drift at loop closures. Especially, we describe the Lie group of similarity transformations and its relation to the corresponding Lie algebra. We also present in detail the system’s new image processing front-end which is able accurately to track hundreds of features per frame, and a filter-based approach for feature initialisation within keyframe-based SLAM. Our approach is proven via large-scale simulation and real-world experiments where a camera completes large looped trajectories. Passive stereo vision is widely used as a range sensing technology in robots, but suffers from dropouts: areas of low texture where stereo matching fails. By supplementing a stereo system with a strong texture projector, dropouts can be eliminated or reduced. This paper develops a practical stereo projector system, first by finding good patterns to project in the ideal case, then by analyzing the effects of system blur and phase noise on these patterns, and finally by designing a compact projector that is capable of good performance out to 3m in indoor scenes. The system has been implemented and has excellent depth precision and resolution, especially in the range out to 1.5m.