The vast majority of photos taken today are by mobile phones. While their quality is rapidly growing, due to physical limitations and cost constraints, mobile phone cameras struggle to compare in quality with DSLR cameras. This motivates us to computationally enhance these images. We extend upon the results of , where they are able to translate images from compact mobile cameras into images with comparable quality to high-resolution photos taken by DSLR cameras. However, the neural models employed require large amounts of computational resources and are not lightweight enough to run on mobile devices. We build upon the prior work and explore different network architectures targeting an increase in image quality and speed. With an efficient network architecture which does most of its processing in a lower spatial resolution, we achieve a significantly higher mean opinion score (MOS) than the baseline while speeding up the computation by 6.3 times on a consumer-grade CPU. This suggests a promising direction for neural-network-based photo enhancement using the phone hardware of the future.
A considerable body of work is dedicated to automatic photo enhancement. However, it traditionally only focused on a specific subproblem, such as super-resolution, denoising, deblurring, or colorization. All of these subproblems are tackled simultaneously when we generate plausible high-quality photos from low-end ones. Furthermore, these older works commonly train with artifacts that have been artificially applied to the target image dataset. Recreating and simulating all the flaws in one camera given a picture from another is close to impossible, therefore in order to achieve real-world photo enhancement we use the photos simultaneously captured by a capture rig from Ignatov @cite_7 . Despite their limitations, the related works contain many useful ideas, which we briefly review in this section.
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Low-end and compact mobile cameras demonstrate limited photo quality mainly due to space, hardware and budget constraints. In this work, we propose a deep learning solution that translates photos taken by cameras with limited capabilities into DSLR-quality photos automatically. We tackle this problem by introducing a weakly supervised photo enhancer (WESPE) - a novel image-to-image Generative Adversarial Network-based architecture. The proposed model is trained by under weak supervision: unlike previous works, there is no need for strong supervision in the form of a large annotated dataset of aligned original enhanced photo pairs. The sole requirement is two distinct datasets: one from the source camera, and one composed of arbitrary high-quality images that can be generally crawled from the Internet - the visual content they exhibit may be unrelated. Hence, our solution is repeatable for any camera: collecting the data and training can be achieved in a couple of hours. In this work, we emphasize on extensive evaluation of obtained results. Besides standard objective metrics and subjective user study, we train a virtual rater in the form of a separate CNN that mimics human raters on Flickr data and use this network to get reference scores for both original and enhanced photos. Our experiments on the DPED, KITTI and Cityscapes datasets as well as pictures from several generations of smartphones demonstrate that WESPE produces comparable or improved qualitative results with state-of-the-art strongly supervised methods. This paper reviews the first challenge on efficient perceptual image enhancement with the focus on deploying deep learning models on smartphones. The challenge consisted of two tracks. In the first one, participants were solving the classical image super-resolution problem with a bicubic downscaling factor of 4. The second track was aimed at real-world photo enhancement, and the goal was to map low-quality photos from the iPhone 3GS device to the same photos captured with a DSLR camera. The target metric used in this challenge combined the runtime, PSNR scores and solutions’ perceptual results measured in the user study. To ensure the efficiency of the submitted models, we additionally measured their runtime and memory requirements on Android smartphones. The proposed solutions significantly improved baseline results defining the state-of-the-art for image enhancement on smartphones. Despite a rapid rise in the quality of built-in smartphone cameras, their physical limitations – small sensor size, compact lenses and the lack of specific hardware, – impede them to achieve the quality results of DSLR cameras. In this work we present an end-to-end deep learning approach that bridges this gap by translating ordinary photos into DSLR-quality images. We propose learning the translation function using a residual convolutional neural network that improves both color rendition and image sharpness. Since the standard mean squared loss is not well suited for measuring perceptual image quality, we introduce a composite perceptual error function that combines content, color and texture losses. The first two losses are defined analytically, while the texture loss is learned in an adversarial fashion. We also present DPED, a large-scale dataset that consists of real photos captured from three different phones and one high-end reflex camera. Our quantitative and qualitative assessments reveal that the enhanced image quality is comparable to that of DSLR-taken photos, while the methodology is generalized to any type of digital camera. Automatic photo cropping is an important tool for improving visual quality of digital photos without resorting to tedious manual selection. Traditionally, photo cropping is accomplished by determining the best proposal window through visual quality assessment or saliency detection. In essence, the performance of an image cropper highly depends on the ability to correctly rank a number of visually similar proposal windows. Despite the ranking nature of automatic photo cropping, little attention has been paid to learning-to-rank algorithms in tackling such a problem. In this work, we conduct an extensive study on traditional approaches as well as ranking-based croppers trained on various image features. In addition, a new dataset consisting of high quality cropping and pairwise ranking annotations is presented to evaluate the performance of various baselines. The experimental results on the new dataset provide useful insights into the design of better photo cropping algorithms. Computer vision and human-powered services can provide blind people access to visual information in the world around them, but their efficacy is dependent on high-quality photo inputs. Blind people often have difficulty capturing the information necessary for these applications to work because they cannot see what they are taking a picture of. In this paper, we present Scan Search, a mobile application that offers a new way for blind people to take high-quality photos to support recognition tasks. To support realtime scanning of objects, we developed a key frame extraction algorithm that automatically retrieves high-quality frames from continuous camera video stream of mobile phones. Those key frames are streamed to a cloud-based recognition engine that identifies the most significant object inside the picture. This way, blind users can scan for objects of interest and hear potential results in real time. We also present a study exploring the tradeoffs in how many photos are sent, and conduct a user study with 8 blind participants that compares Scan Search with a standard photo-snapping interface. Our results show that Scan Search allows users to capture objects of interest more efficiently and is preferred by users to the standard interface. Aesthetic quality classification plays an important role in how people organize large photo collections. In particular, color harmony is a key factor in the various aspects that determine the perceived quality of a photo, and it should be taken into account to improve the performance of automatic aesthetic quality classification. However, the existing models of color harmony take only simple color patterns into consideration–e.g., patches consisting of a few colors–and thus cannot be used to assess photos with complicated color arrangements. In this work, we tackle the challenging problem of evaluating the color harmony of photos with a particular focus on aesthetic quality classification. A key point is that a photograph can be seen as a collection of local regions with color variations that are relatively simple. This led us to develop a method for assessing the aesthetic quality of a photo based on the photo's color harmony. We term the method ‘bags-of-color-patterns.’ Results of experiments on a large photo collection with user-provided aesthetic quality scores show that our aesthetic quality classification method, which explicitly takes into account the color harmony of a photo, outperforms the existing methods. Results also show that the classification performance is improved by combining our color harmony feature with blur, edges, and saliency features that reflect the aesthetics of the photos. Photo retouching enables photographers to invoke dramatic visual impressions by artistically enhancing their photos through stylistic color and tone adjustments. However, it is also a time-consuming and challenging task that requires advanced skills beyond the abilities of casual photographers. Using an automated algorithm is an appealing alternative to manual work, but such an algorithm faces many hurdles. Many photographic styles rely on subtle adjustments that depend on the image content and even its semantics. Further, these adjustments are often spatially varying. Existing automatic algorithms are still limited and cover only a subset of these challenges. Recently, deep learning has shown unique abilities to address hard problems. This motivated us to explore the use of deep neural networks (DNNs) in the context of photo editing. In this article, we formulate automatic photo adjustment in a manner suitable for this approach. We also introduce an image descriptor accounting for the local semantics of an image. Our experiments demonstrate that training DNNs using these descriptors successfully capture sophisticated photographic styles. In particular and unlike previous techniques, it can model local adjustments that depend on image semantics. We show that this yields results that are qualitatively and quantitatively better than previous work. Color enhancement is a very important aspect of photo editing. Even when photographers have tens of or hundreds of photographs, they must enhance each photo one by one by manually tweaking sliders in software such as brightness and contrast, because automatic color enhancement is not always satisfactory for them. To support this repetitive manual task, we present self-reinforcing color enhancement, where the system implicitly and progressively learns the user's preferences by training on their photo editing history. The more photos the user enhances, the more effectively the system supports the user. We present a working prototype system called SelPh, and then describe the algorithms used to perform the self-reinforcement. We conduct a user study to investigate how photographers would use a self-reinforcing system to enhance a collection of photos. The results indicate that the participants were satisfied with the proposed system and strongly agreed that the self-reinforcing approach is preferable to the traditional workflow. Photo retouching enables photographers to invoke dramatic visual impressions by artistically enhancing their photos through stylistic color and tone adjustments. However, it is also a time-consuming and challenging task that requires advanced skills beyond the abilities of casual photographers. Using an automated algorithm is an appealing alternative to manual work but such an algorithm faces many hurdles. Many photographic styles rely on subtle adjustments that depend on the image content and even its semantics. Further, these adjustments are often spatially varying. Because of these characteristics, existing automatic algorithms are still limited and cover only a subset of these challenges. Recently, deep machine learning has shown unique abilities to address hard problems that resisted machine algorithms for long. This motivated us to explore the use of deep learning in the context of photo editing. In this paper, we explain how to formulate the automatic photo adjustment problem in a way suitable for this approach. We also introduce an image descriptor that accounts for the local semantics of an image. Our experiments demonstrate that our deep learning formulation applied using these descriptors successfully capture sophisticated photographic styles. In particular and unlike previous techniques, it can model local adjustments that depend on the image semantics. We show on several examples that this yields results that are qualitatively and quantitatively better than previous work. Sketch-photo synthesis plays an important role in sketch-based face photo retrieval and photo-based face sketch retrieval systems. In this paper, we propose an automatic sketch-photo synthesis and retrieval algorithm based on sparse representation. The proposed sketch-photo synthesis method works at patch level and is composed of two steps: sparse neighbor selection (SNS) for an initial estimate of the pseudoimage (pseudosketch or pseudophoto) and sparse-representation-based enhancement (SRE) for further improving the quality of the synthesized image. SNS can find closely related neighbors adaptively and then generate an initial estimate for the pseudoimage. In SRE, a coupled sparse representation model is first constructed to learn the mapping between sketch patches and photo patches, and a patch-derivative-based sparse representation method is subsequently applied to enhance the quality of the synthesized photos and sketches. Finally, four retrieval modes, namely, sketch-based, photo-based, pseudosketch-based, and pseudophoto-based retrieval are proposed, and a retrieval algorithm is developed by using sparse representation. Extensive experimental results illustrate the effectiveness of the proposed face sketch-photo synthesis and retrieval algorithms. We propose an automatic method to infer high dynamic range illumination from a single, limited field-of-view, low dynamic range photograph of an indoor scene. In contrast to previous work that relies on specialized image capture, user input, and or simple scene models, we train an end-to-end deep neural network that directly regresses a limited field-of-view photo to HDR illumination, without strong assumptions on scene geometry, material properties, or lighting. We show that this can be accomplished in a three step process: 1) we train a robust lighting classifier to automatically annotate the location of light sources in a large dataset of LDR environment maps, 2) we use these annotations to train a deep neural network that predicts the location of lights in a scene from a single limited field-of-view photo, and 3) we fine-tune this network using a small dataset of HDR environment maps to predict light intensities. This allows us to automatically recover high-quality HDR illumination estimates that significantly outperform previous state-of-the-art methods. Consequently, using our illumination estimates for applications like 3D object insertion, produces photo-realistic results that we validate via a perceptual user study. Given a collection of "in-the-wild" face images captured under a variety of unknown pose, expression, and illumination conditions, this paper presents a method for reconstructing a 3D face surface model of an individual along with albedo information. Motivated by the success of recent face reconstruction techniques on large photo collections, we extend prior work to adapt to low quality photo collections with fewer images. We achieve this by fitting a 3D Morphable Model to form a personalized template and developing a novel photometric stereo formulation, under a coarse-to-fine scheme. Superior experimental results are reported on synthetic and real-world photo collections. In various computer vision applications, often we need to convert an image in one style into another style for better visualization, interpretation and recognition; for examples, up-convert a low resolution image to a high resolution one, and convert a face sketch into a photo for matching, etc. A semi-coupled dictionary learning (SCDL) model is proposed in this paper to solve such cross-style image synthesis problems. Under SCDL, a pair of dictionaries and a mapping function will be simultaneously learned. The dictionary pair can well characterize the structural domains of the two styles of images, while the mapping function can reveal the intrinsic relationship between the two styles' domains. In SCDL, the two dictionaries will not be fully coupled, and hence much flexibility can be given to the mapping function for an accurate conversion across styles. Moreover, clustering and image nonlocal redundancy are introduced to enhance the robustness of SCDL. The proposed SCDL model is applied to image super-resolution and photo-sketch synthesis, and the experimental results validated its generality and effectiveness in cross-style image synthesis. Real-world applications could benefit from the ability to automatically generate a fine-grained ranking of photo aesthetics. However, previous methods for image aesthetics analysis have primarily focused on the coarse, binary categorization of images into high- or low-aesthetic categories. In this work, we propose to learn a deep convolutional neural network to rank photo aesthetics in which the relative ranking of photo aesthetics are directly modeled in the loss function. Our model incorporates joint learning of meaningful photographic attributes and image content information which can help regularize the complicated photo aesthetics rating problem. Automatically assessing the subjective quality of a photo is a challenging area in visual computing. Previous works study the aesthetic quality assessment on a general set of photos regardless of the photo's content and mainly use features extracted from the entire image. In this work, we focus on a specific genre of photos: consumer photos with faces. This group of photos constitutes an important part of consumer photo collections. We first conduct an online study on Mechanical Turk to collect ground-truth and subjective opinions for a database of consumer photos with faces. We then extract technical features, perceptual features, and social relationship features to represent the aesthetic quality of a photo, by focusing on face-related regions. Experiments show that our features perform well for categorizing or predicting the aesthetic quality. Reconstruction- and example-based super-resolution (SR) methods are promising for restoring a high-resolution (HR) image from low-resolution (LR) image(s). Under large magnification, reconstruction-based methods usually fail to hallucinate visual details while example-based methods sometimes introduce unexpected details. Given a generic LR image, to reconstruct a photo-realistic SR image and to suppress artifacts in the reconstructed SR image, we introduce a multi-scale dictionary to a novel SR method that simultaneously integrates local and non-local priors. The local prior suppresses artifacts by using steering kernel regression to predict the target pixel from a small local area. The non-local prior enriches visual details by taking a weighted average of a large neighborhood as an estimate of the target pixel. Essentially, these two priors are complementary to each other. Experimental results demonstrate that the proposed method can produce high quality SR recovery both quantitatively and perceptually. Image cropping is a common operation used to improve the visual quality of photographs. In this paper, we present an automatic cropping technique that accounts for the two primary considerations of people when they crop: removal of distracting content, and enhancement of overall composition. Our approach utilizes a large training set consisting of photos before and after cropping by expert photographers to learn how to evaluate these two factors in a crop. In contrast to the many methods that exist for general assessment of image quality, ours specifically examines differences between the original and cropped photo in solving for the crop parameters. To this end, several novel image features are proposed to model the changes in image content and composition when a crop is applied. Our experiments demonstrate improvements of our method over recent cropping algorithms on a broad range of images. Simulation systems have become an essential component in the development and validation of autonomous driving technologies. The prevailing state-of-the-art approach for simulation is to use game engines or high-fidelity computer graphics (CG) models to create driving scenarios. However, creating CG models and vehicle movements (e.g., the assets for simulation) remains a manual task that can be costly and time-consuming. In addition, the fidelity of CG images still lacks the richness and authenticity of real-world images and using these images for training leads to degraded performance. In this paper we present a novel approach to address these issues: Augmented Autonomous Driving Simulation (AADS). Our formulation augments real-world pictures with a simulated traffic flow to create photo-realistic simulation images and renderings. More specifically, we use LiDAR and cameras to scan street scenes. From the acquired trajectory data, we generate highly plausible traffic flows for cars and pedestrians and compose them into the background. The composite images can be re-synthesized with different viewpoints and sensor models. The resulting images are photo-realistic, fully annotated, and ready for end-to-end training and testing of autonomous driving systems from perception to planning. We explain our system design and validate our algorithms with a number of autonomous driving tasks from detection to segmentation and predictions. Compared to traditional approaches, our method offers unmatched scalability and realism. Scalability is particularly important for AD simulation and we believe the complexity and diversity of the real world cannot be realistically captured in a virtual environment. Our augmented approach combines the flexibility in a virtual environment (e.g., vehicle movements) with the richness of the real world to allow effective simulation of anywhere on earth. Due to the widespread use of cameras, it is very common to collect thousands of personal photos. A proper organization is needed to make the collection usable and to enable an easy photo retrieval. In this paper, we present a method to organize personal photo collections based on ''who'' is in the picture. Our method consists in detecting the faces in the photo sequence and arranging them in groups corresponding to the probable identities. This problem can be conveniently modeled as a multi-target visual tracking where a set of on-line trained classifiers is used to represent the identity models. In contrast to other works where clustering methods are used, our method relies on a probabilistic framework; it does not require any prior information about the number of different identities in the photo album. To enable future comparison, we present experimental results on a public dataset and on a photo collection generated from a public face dataset. We introduce a novel framework for automatic detection of repeated patterns in real images. The novelty of our work is to formulate the extraction of an underlying deformed lattice as a spatial, multi-target tracking problem using a new and efficient Mean-Shift Belief Propagation (MSBP) method. Compared to existing work, our approach has multiple advantages, including: 1) incorporating higher order constraints early-on to propose highly plausible lattice points; 2) growing a lattice in multiple directions simultaneously instead of one at a time sequentially; and 3) achieving more efficient and more accurate performance than state-of-the-art algorithms. These advantages are demonstrated by quantitative experimental results on a diverse set of real world photos.