Recovering the latent photorealistic faces from their artistic portraits aids human perception and facial analysis. However, recovering photorealistic faces from stylized portraits while preserving identity is challenging because the fine details of real faces can be distorted or lost in stylized images. In this paper, we present a new Identity-preserving Face Recovery from Portraits (IFRP) method to recover latent photorealistic faces from unaligned stylized portraits. Our IFRP method consists of two components: Style Removal Network (SRN) and Discriminative Network (DN). The SRN is designed to transfer feature maps of stylized images to the feature maps of the corresponding photorealistic faces. By embedding spatial transformer networks into the SRN, our method can compensate for misalignments of stylized faces automatically and output aligned realistic face images. The DN is used to enforce recovered face images to be similar to authentic faces. To ensure the identity preservation, we promote the recovered and ground-truth faces to share similar visual features via a distance measure which compares features of recovered and ground-truth faces extracted from a pre-trained VGG network. Our approach is evaluated on a large-scale synthesized dataset of real and stylized face pairs and outperforms the state-of-the-art methods. In addition, we demonstrate that our method can also recover photorealistic faces from unseen stylized portraits (unavailable in training) as well as original paintings.
Gatys @cite_52 decompose styles into perceptual factors and then manipulate them for the style transfer. Selim @cite_18 modify the content loss through a gain map for the head portrait painting transfer. Wilmot @cite_50 use histogram-based losses in their objective and build on the Gatys 's algorithm @cite_34 . Although the above optimization-based methods further improve the quality of style transfer, they are computationally expensive due to the iterative optimization procedure, thus limiting their practical use.
@cite_18 @cite_34 @cite_52 @cite_50
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Recently, methods have been proposed that perform texture synthesis and style transfer by using convolutional neural networks (e.g. [2015,2016]). These methods are exciting because they can in some cases create results with state-of-the-art quality. However, in this paper, we show these methods also have limitations in texture quality, stability, requisite parameter tuning, and lack of user controls. This paper presents a multiscale synthesis pipeline based on convolutional neural networks that ameliorates these issues. We first give a mathematical explanation of the source of instabilities in many previous approaches. We then improve these instabilities by using histogram losses to synthesize textures that better statistically match the exemplar. We also show how to integrate localized style losses in our multiscale framework. These losses can improve the quality of large features, improve the separation of content and style, and offer artistic controls such as paint by numbers. We demonstrate that our approach offers improved quality, convergence in fewer iterations, and more stability over the optimization. Recently, the community of style transfer is trying to incorporate semantic information into traditional system. This practice achieves better perceptual results by transferring the style between semantically-corresponding regions. Yet, few efforts are invested to address the computation bottleneck of back-propagation. In this paper, we propose a new framework for fast semantic style transfer. Our method decomposes the semantic style transfer problem into feature reconstruction part and feature decoder part. The reconstruction part tactfully solves the optimization problem of content loss and style loss in feature space by particularly reconstructed feature. This significantly reduces the computation of propagating the loss through the whole network. The decoder part transforms the reconstructed feature into the stylized image. Through a careful bridging of the two modules, the proposed approach not only achieves competitive results as backward optimization methods but also is about two orders of magnitude faster. Artistic style transfer is an image synthesis problem where the content of an image is reproduced with the style of another. Recent works show that a visually appealing style transfer can be achieved by using the hidden activations of a pretrained convolutional neural network. However, existing methods either apply (i) an optimization procedure that works for any style image but is very expensive, or (ii) an efficient feedforward network that only allows a limited number of trained styles. In this work we propose a simpler optimization objective based on local matching that combines the content structure and style textures in a single layer of the pretrained network. We show that our objective has desirable properties such as a simpler optimization landscape, intuitive parameter tuning, and consistent frame-by-frame performance on video. Furthermore, we use 80,000 natural images and 80,000 paintings to train an inverse network that approximates the result of the optimization. This results in a procedure for artistic style transfer that is efficient but also allows arbitrary content and style images. Facial makeup transfer aims to translate the makeup style from a given reference makeup face image to another non-makeup one while preserving face identity. Such an instance-level transfer problem is more challenging than conventional domain-level transfer tasks, especially when paired data is unavailable. Makeup style is also different from global styles (e.g., paintings) in that it consists of several local styles cosmetics, including eye shadow, lipstick, foundation, and so on. Extracting and transferring such local and delicate makeup information is infeasible for existing style transfer methods. We address the issue by incorporating both global domain-level loss and local instance-level loss in an dual input output Generative Adversarial Network, called BeautyGAN. Specifically, the domain-level transfer is ensured by discriminators that distinguish generated images from domains' real samples. The instance-level loss is calculated by pixel-level histogram loss on separate local facial regions. We further introduce perceptual loss and cycle consistency loss to generate high quality faces and preserve identity. The overall objective function enables the network to learn translation on instance-level through unsupervised adversarial learning. We also build up a new makeup dataset that consists of 3834 high-resolution face images. Extensive experiments show that BeautyGAN could generate visually pleasant makeup faces and accurate transferring results. Data and code are available at http: liusi-group.com projects BeautyGAN. We explore the method of style transfer presented in the article "A Neural Algorithm of Artistic Style" by Leon A. Gatys, Alexander S. Ecker and Matthias Bethge (arXiv:1508.06576). We first demonstrate the power of the suggested style space on a few examples. We then vary different hyper-parameters and program properties that were not discussed in the original paper, among which are the recognition network used, starting point of the gradient descent and different ways to partition style and content layers. We also give a brief comparison of some of the existing algorithm implementations and deep learning frameworks used. To study the style space further we attempt to generate synthetic images by maximizing a single entry in one of the Gram matrices @math and some interesting results are observed. Next, we try to mimic the sparsity and intensity distribution of Gram matrices obtained from a real painting and generate more complex textures. Finally, we propose two new style representations built on top of network's features and discuss how one could be used to achieve local and potentially content-aware style transfer. Head portraits are popular in traditional painting. Automating portrait painting is challenging as the human visual system is sensitive to the slightest irregularities in human faces. Applying generic painting techniques often deforms facial structures. On the other hand portrait painting techniques are mainly designed for the graphite style and or are based on image analogies; an example painting as well as its original unpainted version are required. This limits their domain of applicability. We present a new technique for transferring the painting from a head portrait onto another. Unlike previous work our technique only requires the example painting and is not restricted to a specific style. We impose novel spatial constraints by locally transferring the color distributions of the example painting. This better captures the painting texture and maintains the integrity of facial structures. We generate a solution through Convolutional Neural Networks and we present an extension to video. Here motion is exploited in a way to reduce temporal inconsistencies and the shower-door effect. Our approach transfers the painting style while maintaining the input photograph identity. In addition it significantly reduces facial deformations over state of the art. There has been fascinating work on creating artistic transformations of images by Gatys. This was revolutionary in how we can in some sense alter the 'style' of an image while generally preserving its 'content'. In our work, we present a method for creating new sounds using a similar approach, treating it as a style-transfer problem, starting from a random-noise input signal and iteratively using back-propagation to optimize the sound to conform to filter-outputs from a pre-trained neural architecture of interest. For demonstration, we investigate two different tasks, resulting in bandwidth expansion compression, and timbral transfer from singing voice to musical instruments. A feature of our method is that a single architecture can generate these different audio-style-transfer types using the same set of parameters which otherwise require different complex hand-tuned diverse signal processing pipelines. Collecting a large-scale and well-annotated dataset for image processing has become a common practice in computer vision. However, in the ancient painting area, this task is not practical as the number of paintings is limited and their style is greatly diverse. We, therefore, propose a novel solution for the problems that come with ancient painting processing. This is to use domain transfer to convert ancient paintings to photo-realistic natural images. By doing so, the "ancient painting processing problems" become "natural image processing problems" and models trained on natural images can be directly applied to the transferred paintings. Specifically, we focus on Chinese ancient flower, bird and landscape paintings in this work. A novel Domain Style Transfer Network (DSTN) is proposed to transfer ancient paintings to natural images which employ a compound loss to ensure that the transferred paintings still maintain the color composition and content of the input paintings. The experiment results show that the transferred paintings generated by the DSTN have a better performance in both the human perceptual test and other image processing tasks than other state-of-arts methods, indicating the authenticity of the transferred paintings and the superiority of the proposed method. Neural style transfer has recently received significant attention and demonstrated amazing results. An efficient solution proposed by trains feed-forward convolutional neural networks by defining and optimizing perceptual loss functions. Such methods are typically based on high-level features extracted from pre-trained neural networks, where the loss functions contain two components: style loss and content loss. However, such pre-trained networks are originally designed for object recognition, and hence the high-level features often focus on the primary target and neglect other details. As a result, when input images contain multiple objects potentially at different depths, the resulting images are often unsatisfactory because image layout is destroyed and the boundary between the foreground and background as well as different objects becomes obscured. We observe that the depth map effectively reflects the spatial distribution in an image and preserving the depth map of the content image after stylization helps produce an image that preserves its semantic content. In this paper, we introduce a novel approach for neural style transfer that integrates depth preservation as additional loss, preserving overall image layout while performing style transfer. This paper introduces a novel method by reshuffling deep features (i.e., permuting the spacial locations of a feature map) of the style image for arbitrary style transfer. We theoretically prove that our new style loss based on reshuffle connects both global and local style losses respectively used by most parametric and non-parametric neural style transfer methods. This simple idea can effectively address the challenging issues in existing style transfer methods. On one hand, it can avoid distortions in local style patterns, and allow semantic-level transfer, compared with neural parametric methods. On the other hand, it can preserve globally similar appearance to the style image, and avoid wash-out artifacts, compared with neural non-parametric methods. Based on the proposed loss, we also present a progressive feature-domain optimization approach. The experiments show that our method is widely applicable to various styles, and produces better quality than existing methods. Example-based stylization provides an easy way of making artistic effects for images and videos. However, most existing methods do not consider the content and style separately. In this paper, we propose a style transfer algorithm via a novel component analysis approach, based on various image processing techniques. First, inspired by the steps of drawing a picture, an image is decomposed into three components: draft, paint and edge, which describe the content, main style, and strengthened strokes along the boundaries. Then the style is transferred from the template image to the source image in the paint and edge components. Style transfer is formulated as a global optimization problem by using Markov random fields, and a coarse-to-fine belief propagation algorithm is used to solve the optimization problem. To combine the draft component and the obtained style information, the final artistic result can be achieved via a reconstruction step. Compared to other algorithms, our method not only synthesizes the style, but also preserves the image content well. We also extend our algorithm from single image stylization to video personalization, by maintaining the temporal coherence and identifying faces in video sequences. The results indicate that our approach performs excellently in stylization and personalization for images and videos. Neural Style Transfer has shown very exciting results enabling new forms of image manipulation. Here we extend the existing method to introduce control over spatial location, colour information and across spatial scale. We demonstrate how this enhances the method by allowing high-resolution controlled stylisation and helps to alleviate common failure cases such as applying ground textures to sky regions. Furthermore, by decomposing style into these perceptual factors we enable the combination of style information from multiple sources to generate new, perceptually appealing styles from existing ones. We also describe how these methods can be used to more efficiently produce large size, high-quality stylisation. Finally we show how the introduced control measures can be applied in recent methods for Fast Neural Style Transfer. “Style transfer” among images has recently emerged as a very active research topic, fuelled by the power of convolution neural networks (CNNs), and has become fast a very popular technology in social media. This paper investigates the analogous problem in the audio domain: How to transfer the style of a reference audio signal to a target audio content? We propose a flexible framework for the task, which uses a sound texture model to extract statistics characterizing the reference audio style, followed by an optimization-based audio texture synthesis to modify the target content. In contrast to mainstream optimization-based visual transfer method, the proposed process is initialized by the target content instead of random noise and the optimized loss is only about texture, not structure. These differences proved key for audio style transfer in our experiments. In order to extract features of interest, we investigate different architectures, whether pre-trained on other tasks, as done in image style transfer, or engineered based on the human auditory system. Experimental results on different types of audio signal confirm the potential of the proposed approach. recently demonstrated that deep networks can generate beautiful textures and stylized images from a single texture example. However, their methods requires a slow and memory-consuming optimization process. We propose here an alternative approach that moves the computational burden to a learning stage. Given a single example of a texture, our approach trains compact feed-forward convolutional networks to generate multiple samples of the same texture of arbitrary size and to transfer artistic style from a given image to any other image. The resulting networks are remarkably light-weight and can generate textures of quality comparable to Gatys et al., but hundreds of times faster. More generally, our approach highlights the power and flexibility of generative feed-forward models trained with complex and expressive loss functions. recently introduced a neural algorithm that renders a content image in the style of another image, achieving so-called style transfer. However, their framework requires a slow iterative optimization process, which limits its practical application. Fast approximations with feed-forward neural networks have been proposed to speed up neural style transfer. Unfortunately, the speed improvement comes at a cost: the network is usually tied to a fixed set of styles and cannot adapt to arbitrary new styles. In this paper, we present a simple yet effective approach that for the first time enables arbitrary style transfer in real-time. At the heart of our method is a novel adaptive instance normalization (AdaIN) layer that aligns the mean and variance of the content features with those of the style features. Our method achieves speed comparable to the fastest existing approach, without the restriction to a pre-defined set of styles. In addition, our approach allows flexible user controls such as content-style trade-off, style interpolation, color & spatial controls, all using a single feed-forward neural network. Convolutional neural networks (CNNs) have proven highly effective at image synthesis and style transfer. For most users, however, using them as tools can be a challenging task due to their unpredictable behavior that goes against common intuitions. This paper introduces a novel concept to augment such generative architectures with semantic annotations, either by manually authoring pixel labels or using existing solutions for semantic segmentation. The result is a content-aware generative algorithm that offers meaningful control over the outcome. Thus, we increase the quality of images generated by avoiding common glitches, make the results look significantly more plausible, and extend the functional range of these algorithms---whether for portraits or landscapes, etc. Applications include semantic style transfer and turning doodles with few colors into masterful paintings! Given a random pair of images, an arbitrary style transfer method extracts the feel from the reference image to synthesize an output based on the look of the other content image. Recent arbitrary style transfer methods transfer second order statistics from reference image onto content image via a multiplication between content image features and a transformation matrix, which is computed from features with a pre-determined algorithm. These algorithms either require computationally expensive operations, or fail to model the feature covariance and produce artifacts in synthesized images. Generalized from these methods, in this work, we derive the form of transformation matrix theoretically and present an arbitrary style transfer approach that learns the transformation matrix with a feed-forward network. Our algorithm is highly efficient yet allows a flexible combination of multi-level styles while preserving content affinity during style transfer process. We demonstrate the effectiveness of our approach on four tasks: artistic style transfer, video and photo-realistic style transfer as well as domain adaptation, including comparisons with the state-of-the-art methods. Abstract Documents in computer-readable form can be used to provide information about other documents, i.e. those they cite. To do this efficiently requires procedures for computer recognition of citing statements. This is not easy, especially for multi-sentence citing statements. Computer recognition procedures have been developed which are accurate to the following extent: 73 of the words in statements selected by computer procedures as being citing statements are words which are correctly attributable to the corresponding documents. The retrieval effectiveness of computer-recognized citing statements was tested in the following way. First, for eight retrieval requests in inorganiic chemistry, average recall by search of Chemical Abstracts Service indexing and Chemical Abstracts abstract text words was found to be 50 . Words from citing statements referring to the papers to be retrieved were then added to the index terms and abstract words as additional access points, and searching was repeated. Average recall increased to 70 . Only words from citing statements published within a year of the cited papers were used. The retrieval effect of citing statement words alone (published within a year) without index or abstract terms was the following: average recall was 40 . When just the words of the titles of the cited papers were added to those citing statement words, average recall increased to 50 . In this paper, we present a method which combines the flexibility of the neural algorithm of artistic style with the speed of fast style transfer networks to allow real-time stylization using any content style image pair. We build upon recent work leveraging conditional instance normalization for multi-style transfer networks by learning to predict the conditional instance normalization parameters directly from a style image. The model is successfully trained on a corpus of roughly 80,000 paintings and is able to generalize to paintings previously unobserved. We demonstrate that the learned embedding space is smooth and contains a rich structure and organizes semantic information associated with paintings in an entirely unsupervised manner. Recently, with the revolutionary neural style transferring methods, creditable paintings can be synthesized automatically from content images and style images. However, when it comes to the task of applying a painting's style to an anime sketch, these methods will just randomly colorize sketch lines as outputs and fail in the main task: specific style transfer. In this paper, we integrated residual U-net to apply the style to the gray-scale sketch with auxiliary classifier generative adversarial network (AC-GAN). The whole process is automatic and fast. Generated results are creditable in the quality of art style as well as colorization.