Artistic style transfer is an image synthesis problem where the content of an image is reproduced with the style of another. Recent works show that a visually appealing style transfer can be achieved by using the hidden activations of a pretrained convolutional neural network. However, existing methods either apply (i) an optimization procedure that works for any style image but is very expensive, or (ii) an efficient feedforward network that only allows a limited number of trained styles. In this work we propose a simpler optimization objective based on local matching that combines the content structure and style textures in a single layer of the pretrained network. We show that our objective has desirable properties such as a simpler optimization landscape, intuitive parameter tuning, and consistent frame-by-frame performance on video. Furthermore, we use 80,000 natural images and 80,000 paintings to train an inverse network that approximates the result of the optimization. This results in a procedure for artistic style transfer that is efficient but also allows arbitrary content and style images.
Ruder al @cite_10 introduces a temporal loss function that, when used additively with Gatys al's loss functions, can perform style transfer for videos with temporal consistency. Their loss function relies on optical flow algorithms for gluing the style in place across nearby frames. This results in an order of maginitude slowdown compared to frame-by-frame application of style transfer.
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Recent research endeavors have shown the potential of using feed-forward convolutional neural networks to accomplish fast style transfer for images. In this work, we take one step further to explore the possibility of exploiting a feed-forward network to perform style transfer for videos and simultaneously maintain temporal consistency among stylized video frames. Our feed-forward network is trained by enforcing the outputs of consecutive frames to be both well stylized and temporally consistent. More specifically, a hybrid loss is proposed to capitalize on the content information of input frames, the style information of a given style image, and the temporal information of consecutive frames. To calculate the temporal loss during the training stage, a novel two-frame synergic training mechanism is proposed. Compared with directly applying an existing image style transfer method to videos, our proposed method employs the trained network to yield temporally consistent stylized videos which are much more visually pleasant. In contrast to the prior video style transfer method which relies on time-consuming optimization on the fly, our method runs in real time while generating competitive visual results. Recent progress in style transfer on images has focused on improving the quality of stylized images and speed of methods. However, real-time methods are highly unstable resulting in visible flickering when applied to videos. In this work we characterize the instability of these methods by examining the solution set of the style transfer objective. We show that the trace of the Gram matrix representing style is inversely related to the stability of the method. Then, we present a recurrent convolutional network for real-time video style transfer which incorporates a temporal consistency loss and overcomes the instability of prior methods. Our networks can be applied at any resolution, do not require optical flow at test time, and produce high quality, temporally consistent stylized videos in real-time. Recent progress in style transfer on images has focused on improving the quality of stylized images and speed of methods. However, real-time methods are highly unstable resulting in visible flickering when applied to videos. In this work we characterize the instability of these methods by examining the solution set of the style transfer objective. We show that the trace of the Gram matrix representing style is inversely related to the stability of the method. Then, we present a recurrent convolutional network for real-time video style transfer which incorporates a temporal consistency loss and overcomes the instability of prior methods. Our networks can be applied at any resolution, do not re- quire optical flow at test time, and produce high quality, temporally consistent stylized videos in real-time. A recent paper by describes a method for rendering an image in the style of another image. First, they use convolutional neural network features to build a statistical model for the style of an image. Then they create a new image with the content of one image but the style statistics of another image. Here, we extend this method to render a movie in a given artistic style. The naive solution that independently renders each frame produces poor results because the features of the style move substantially from one frame to the next. The other naive method that initializes the optimization for the next frame using the rendered version of the previous frame also produces poor results because the features of the texture stay fixed relative to the frame of the movie instead of moving with objects in the scene. The main contribution of this paper is to use optical flow to initialize the style transfer optimization so that the texture features move with the objects in the video. Finally, we suggest a method to incorporate optical flow explicitly into the cost function. Training a feed-forward network for fast neural style transfer of images is proven to be successful. However, the naive extension to process video frame by frame is prone to producing flickering results. We propose the first end-to-end network for online video style transfer, which generates temporally coherent stylized video sequences in near real-time. Two key ideas include an efficient network by incorporating short-term coherence, and propagating short-term coherence to long-term, which ensures the consistency over larger period of time. Our network can incorporate different image stylization networks. We show that the proposed method clearly outperforms the per-frame baseline both qualitatively and quantitatively. Moreover, it can achieve visually comparable coherence to optimization-based video style transfer, but is three orders of magnitudes faster in runtime. recently demonstrated that deep networks can generate beautiful textures and stylized images from a single texture example. However, their methods requires a slow and memory-consuming optimization process. We propose here an alternative approach that moves the computational burden to a learning stage. Given a single example of a texture, our approach trains compact feed-forward convolutional networks to generate multiple samples of the same texture of arbitrary size and to transfer artistic style from a given image to any other image. The resulting networks are remarkably light-weight and can generate textures of quality comparable to Gatys et al., but hundreds of times faster. More generally, our approach highlights the power and flexibility of generative feed-forward models trained with complex and expressive loss functions. Neural style transfer has recently received significant attention and demonstrated amazing results. An efficient solution proposed by trains feed-forward convolutional neural networks by defining and optimizing perceptual loss functions. Such methods are typically based on high-level features extracted from pre-trained neural networks, where the loss functions contain two components: style loss and content loss. However, such pre-trained networks are originally designed for object recognition, and hence the high-level features often focus on the primary target and neglect other details. As a result, when input images contain multiple objects potentially at different depths, the resulting images are often unsatisfactory because image layout is destroyed and the boundary between the foreground and background as well as different objects becomes obscured. We observe that the depth map effectively reflects the spatial distribution in an image and preserving the depth map of the content image after stylization helps produce an image that preserves its semantic content. In this paper, we introduce a novel approach for neural style transfer that integrates depth preservation as additional loss, preserving overall image layout while performing style transfer. In the past, manually re-drawing an image in a certain artistic style required a professional artist and a long time. Doing this for a video sequence single-handed was beyond imagination. Nowadays computers provide new possibilities. We present an approach that transfers the style from one image (for example, a painting) to a whole video sequence. We make use of recent advances in style transfer in still images and propose new initializations and loss functions applicable to videos. This allows us to generate consistent and stable stylized video sequences, even in cases with large motion and strong occlusion. We show that the proposed method clearly outperforms simpler baselines both qualitatively and quantitatively. Facial makeup transfer aims to translate the makeup style from a given reference makeup face image to another non-makeup one while preserving face identity. Such an instance-level transfer problem is more challenging than conventional domain-level transfer tasks, especially when paired data is unavailable. Makeup style is also different from global styles (e.g., paintings) in that it consists of several local styles cosmetics, including eye shadow, lipstick, foundation, and so on. Extracting and transferring such local and delicate makeup information is infeasible for existing style transfer methods. We address the issue by incorporating both global domain-level loss and local instance-level loss in an dual input output Generative Adversarial Network, called BeautyGAN. Specifically, the domain-level transfer is ensured by discriminators that distinguish generated images from domains' real samples. The instance-level loss is calculated by pixel-level histogram loss on separate local facial regions. We further introduce perceptual loss and cycle consistency loss to generate high quality faces and preserve identity. The overall objective function enables the network to learn translation on instance-level through unsupervised adversarial learning. We also build up a new makeup dataset that consists of 3834 high-resolution face images. Extensive experiments show that BeautyGAN could generate visually pleasant makeup faces and accurate transferring results. Data and code are available at http: liusi-group.com projects BeautyGAN. This paper presents the first attempt at stereoscopic neural style transfer, which responds to the emerging demand for 3D movies or AR VR. We start with a careful examination of applying existing monocular style transfer methods to left and right views of stereoscopic images separately. This reveals that the original disparity consistency cannot be well preserved in the final stylization results, which causes 3D fatigue to the viewers. To address this issue, we incorporate a new disparity loss into the widely adopted style loss function by enforcing the bidirectional disparity constraint in non-occluded regions. For a practical real-time solution, we propose the first feed-forward network by jointly training a stylization sub-network and a disparity sub-network, and integrate them in a feature level middle domain. Our disparity sub-network is also the first end-to-end network for simultaneous bidirectional disparity and occlusion mask estimation. Finally, our network is effectively extended to stereoscopic videos, by considering both temporal coherence and disparity consistency. We will show that the proposed method clearly outperforms the baseline algorithms both quantitatively and qualitatively. This paper introduces a novel method by reshuffling deep features (i.e., permuting the spacial locations of a feature map) of the style image for arbitrary style transfer. We theoretically prove that our new style loss based on reshuffle connects both global and local style losses respectively used by most parametric and non-parametric neural style transfer methods. This simple idea can effectively address the challenging issues in existing style transfer methods. On one hand, it can avoid distortions in local style patterns, and allow semantic-level transfer, compared with neural parametric methods. On the other hand, it can preserve globally similar appearance to the style image, and avoid wash-out artifacts, compared with neural non-parametric methods. Based on the proposed loss, we also present a progressive feature-domain optimization approach. The experiments show that our method is widely applicable to various styles, and produces better quality than existing methods. This paper deals with the reality gap from a novel perspective, targeting transferring Deep Reinforcement Learning (DRL) policies learned in simulated environments to the real-world domain for visual control tasks. Instead of adopting the common solutions to the problem by increasing the visual fidelity of synthetic images output from simulators during the training phase, this paper seeks to tackle the problem by translating the real-world image streams back to the synthetic domain during the deployment phase, to make the robot feel at home. We propose this as a lightweight, flexible, and efficient solution for visual control, as 1) no extra transfer steps are required during the expensive training of DRL agents in simulation; 2) the trained DRL agents will not be constrained to being deployable in only one specific real-world environment; 3) the policy training and the transfer operations are decoupled, and can be conducted in parallel. Besides this, we propose a conceptually simple yet very effective shift loss to constrain the consistency between subsequent frames, eliminating the need for optical flow. We validate the shift loss for artistic style transfer for videos and domain adaptation, and validate our visual control approach in real-world robot experiments. A video of our results is available at: this https URL This paper introduces an automatic method for editing a portrait photo so that the subject appears to be wearing makeup in the style of another person in a reference photo. Our unsupervised learning approach relies on a new framework of cycle-consistent generative adversarial networks. Different from the image domain transfer problem, our style transfer problem involves two asymmetric functions: a forward function encodes example-based style transfer, whereas a backward function removes the style. We construct two coupled networks to implement these functions - one that transfers makeup style and a second that can remove makeup - such that the output of their successive application to an input photo will match the input. The learned style network can then quickly apply an arbitrary makeup style to an arbitrary photo. We demonstrate the effectiveness on a broad range of portraits and styles. Artistic style transfer is an image synthesis problem where the content of an image is reproduced with the style of another. Recent works show that a visually appealing style transfer can be achieved by using the hidden activations of a pretrained convolutional neural network. However, existing methods either apply (i) an optimization procedure that works for any style image but is very expensive, or (ii) an efficient feedforward network that only allows a limited number of trained styles. In this work we propose a simpler optimization objective based on local matching that combines the content structure and style textures in a single layer of the pretrained network. We show that our objective has desirable properties such as a simpler optimization landscape, intuitive parameter tuning, and consistent frame-by-frame performance on video. Furthermore, we use 80,000 natural images and 80,000 paintings to train an inverse network that approximates the result of the optimization. This results in a procedure for artistic style transfer that is efficient but also allows arbitrary content and style images. In this paper, we present supervision-by-registration, an unsupervised approach to improve the precision of facial landmark detectors on both images and video. Our key observation is that the detections of the same landmark in adjacent frames should be coherent with registration, i.e., optical flow. Interestingly, coherency of optical flow is a source of supervision that does not require manual labeling, and can be leveraged during detector training. For example, we can enforce in the training loss function that a detected landmark at framet-1 followed by optical flow tracking from framet-1 to framet should coincide with the location of the detection at framet. Essentially, supervision-by-registration augments the training loss function with a registration loss, thus training the detector to have output that is not only close to the annotations in labeled images, but also consistent with registration on large amounts of unlabeled videos. End-to-end training with the registration loss is made possible by a differentiable Lucas-Kanade operation, which computes optical flow registration in the forward pass, and back-propagates gradients that encourage temporal coherency in the detector. The output of our method is a more precise image-based facial landmark detector, which can be applied to single images or video. With supervision-by-registration, we demonstrate (1) improvements in facial landmark detection on both images (300W, ALFW) and video (300VW, Youtube-Celebrities), and (2) significant reduction of jittering in video detections. We consider the problem of face swapping in images, where an input identity is transformed into a target identity while preserving pose, facial expression, and lighting. To perform this mapping, we use convolutional neural networks trained to capture the appearance of the target identity from an unstructured collection of his her photographs.This approach is enabled by framing the face swapping problem in terms of style transfer, where the goal is to render an image in the style of another one. Building on recent advances in this area, we devise a new loss function that enables the network to produce highly photorealistic results. By combining neural networks with simple pre- and post-processing steps, we aim at making face swap work in real-time with no input from the user. Manually re-drawing an image in a certain artistic style takes a professional artist a long time. Doing this for a video sequence single-handedly is beyond imagination. We present two computational approaches that transfer the style from one image (for example, a painting) to a whole video sequence. In our first approach, we adapt to videos the original image style transfer technique by based on energy minimization. We introduce new ways of initialization and new loss functions to generate consistent and stable stylized video sequences even in cases with large motion and strong occlusion. Our second approach formulates video stylization as a learning problem. We propose a deep network architecture and training procedures that allow us to stylize arbitrary-length videos in a consistent and stable way, and nearly in real time. We show that the proposed methods clearly outperform simpler baselines both qualitatively and quantitatively. Finally, we propose a way to adapt these approaches also to 360 (^ ) images and videos as they emerge with recent virtual reality hardware. Learning to predict future images from a video sequence involves the construction of an internal representation that models the image evolution accurately, and therefore, to some degree, its content and dynamics. This is why pixel-space video prediction may be viewed as a promising avenue for unsupervised feature learning. In addition, while optical flow has been a very studied problem in computer vision for a long time, future frame prediction is rarely approached. Still, many vision applications could benefit from the knowledge of the next frames of videos, that does not require the complexity of tracking every pixel trajectories. In this work, we train a convolutional network to generate future frames given an input sequence. To deal with the inherently blurry predictions obtained from the standard Mean Squared Error (MSE) loss function, we propose three different and complementary feature learning strategies: a multi-scale architecture, an adversarial training method, and an image gradient difference loss function. We compare our predictions to different published results based on recurrent neural networks on the UCF101 dataset Abstract: Learning to predict future images from a video sequence involves the construction of an internal representation that models the image evolution accurately, and therefore, to some degree, its content and dynamics. This is why pixel-space video prediction may be viewed as a promising avenue for unsupervised feature learning. In addition, while optical flow has been a very studied problem in computer vision for a long time, future frame prediction is rarely approached. Still, many vision applications could benefit from the knowledge of the next frames of videos, that does not require the complexity of tracking every pixel trajectories. In this work, we train a convolutional network to generate future frames given an input sequence. To deal with the inherently blurry predictions obtained from the standard Mean Squared Error (MSE) loss function, we propose three different and complementary feature learning strategies: a multi-scale architecture, an adversarial training method, and an image gradient difference loss function. We compare our predictions to different published results based on recurrent neural networks on the UCF101 dataset Feed-forward CNNs trained for image transformation problems rely on loss functions that measure the similarity between the generated image and a target image. Most of the common loss functions assume that these images are spatially aligned and compare pixels at corresponding locations. However, for many tasks, aligned training pairs of images will not be available. We present an alternative loss function that does not require alignment, thus providing an effective and simple solution for a new space of problems. Our loss is based on both context and semantics – it compares regions with similar semantic meaning, while considering the context of the entire image. Hence, for example, when transferring the style of one face to another, it will translate eyes-to-eyes and mouth-to-mouth. Our code can be found at https: www.github.com roimehrez contextualLoss.