We present the Moments in Time Dataset, a large-scale human-annotated collection of one million short videos corresponding to dynamic events unfolding within three seconds. Modeling the spatial-audio-temporal dynamics even for actions occurring in 3 second videos poses many challenges: meaningful events do not include only people, but also objects, animals, and natural phenomena; visual and auditory events can be symmetrical or not in time ("opening" means "closing" in reverse order), and transient or sustained. We describe the annotation process of our dataset (each video is tagged with one action or activity label among 339 different classes), analyze its scale and diversity in comparison to other large-scale video datasets for action recognition, and report results of several baseline models addressing separately and jointly three modalities: spatial, temporal and auditory. The Moments in Time dataset designed to have a large coverage and diversity of events in both visual and auditory modalities, can serve as a new challenge to develop models that scale to the level of complexity and abstract reasoning that a human processes on a daily basis.
Environmental and ambient sound recognition is a rapidly growing area of research. @cite_23 collected an early dataset and assembled a challenge for sound classification, Piczak @cite_39 collected a dataset of fifty sound categories and enough to train deep convolutional models, @cite_2 released a dataset of urban sounds, and @cite_11 use web videos for sound dataset collection. Recent work is now developing models for sound classification with deep neural networks. For example, Piczack @cite_39 pioneered early work for convolutional networks for sound classification, @cite_8 transfer visual models into sound for auditory analysis, and @cite_4 develop large-scale convolutional models for sound classification, and Arandjelovi 'c and Zisserman @cite_24 train sound and vision representations jointly. In Moments in Time dataset, many videos have both visual and auditory signals, enabling for multi-modal video recognition.
@cite_4 @cite_8 @cite_39 @cite_24 @cite_23 @cite_2 @cite_11
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Abstract Automatic classification of environmental sounds, such as dog barking and glass breaking, is becoming increasingly interesting, especially for mobile devices. Most mobile devices contain both cameras and microphones, and companies that develop mobile devices would like to provide functionality for classifying both videos images and sounds. In order to reduce the development costs one would like to use the same technology for both of these classification tasks. One way of achieving this is to represent environmental sounds as images, and use an image classification neural network when classifying images as well as sounds. In this paper we consider the classification accuracy for different image representations (Spectrogram, MFCC, and CRP) of environmental sounds. We evaluate the accuracy for environmental sounds in three publicly available datasets, using two well-known convolutional deep neural networks for image recognition (AlexNet and GoogLeNet). Our experiments show that we obtain good classification accuracy for the three datasets. We learn rich natural sound representations by capitalizing on large amounts of unlabeled sound data collected in the wild. We leverage the natural synchronization between vision and sound to learn an acoustic representation using two-million unlabeled videos. Unlabeled video has the advantage that it can be economically acquired at massive scales, yet contains useful signals about natural sound. We propose a student-teacher training procedure which transfers discriminative visual knowledge from well established visual recognition models into the sound modality using unlabeled video as a bridge. Our sound representation yields significant performance improvements over the state-of-the-art results on standard benchmarks for acoustic scene object classification. Visualizations suggest some high-level semantics automatically emerge in the sound network, even though it is trained without ground truth labels. The sound of crashing waves, the roar of fast-moving cars  sound conveys important information about the objects in our surroundings. In this work, we show that ambient sounds can be used as a supervisory signal for learning visual models. To demonstrate this, we train a convolutional neural network to predict a statistical summary of the sound associated with a video frame. We show that, through this process, the network learns a representation that conveys information about objects and scenes. We evaluate this representation on several recognition tasks, finding that its performance is comparable to that of other state-of-the-art unsupervised learning methods. Finally, we show through visualizations that the network learns units that are selective to objects that are often associated with characteristic sounds. The sound of crashing waves, the roar of fast-moving cars -- sound conveys important information about the objects in our surroundings. In this work, we show that ambient sounds can be used as a supervisory signal for learning visual models. To demonstrate this, we train a convolutional neural network to predict a statistical summary of the sound associated with a video frame. We show that, through this process, the network learns a representation that conveys information about objects and scenes. We evaluate this representation on several recognition tasks, finding that its performance is comparable to that of other state-of-the-art unsupervised learning methods. Finally, we show through visualizations that the network learns units that are selective to objects that are often associated with characteristic sounds. We introduce PixelPlayer, a system that, by leveraging large amounts of unlabeled videos, learns to locate image regions which produce sounds and separate the input sounds into a set of components that represents the sound from each pixel. Our approach capitalizes on the natural synchronization of the visual and audio modalities to learn models that jointly parse sounds and images, without requiring additional manual supervision. Experimental results on a newly collected MUSIC dataset show that our proposed Mix-and-Separate framework outperforms several baselines on source separation. Qualitative results suggest our model learns to ground sounds in vision, enabling applications such as independently adjusting the volume of sound sources. As two of the five traditional human senses (sight, hearing, taste, smell, and touch), vision and sound are basic sources through which humans understand the world. Often correlated during natural events, these two modalities combine to jointly affect human perception. In this paper, we pose the task of generating sound given visual input. Such capabilities could help enable applications in virtual reality (generating sound for virtual scenes automatically) or provide additional accessibility to images or videos for people with visual impairments. As a first step in this direction, we apply learning-based methods to generate raw waveform samples given input video frames. We evaluate our models on a dataset of videos containing a variety of sounds (such as ambient sounds and sounds from people animals). Our experiments show that the generated sounds are fairly realistic and have good temporal synchronization with the visual inputs. Automatic classification of sound commands is becoming increasingly important, especially for mobile and embedded devices. Many of these devices contain both cameras and microphones, and companies that develop them would like to use the same technology for both of these classification tasks. One way of achieving this is to represent sound commands as images, and use convolutional neural networks when classifying images as well as sounds. In this paper we consider several approaches to the problem of sound classification that we applied in TensorFlow Speech Recognition Challenge organized by Google Brain team on the Kaggle platform. Here we show different representation of sounds (Wave frames, Spectrograms, Mel-Spectrograms, MFCCs) and apply several 1D and 2D convolutional neural networks in order to get the best performance. Our experiments show that we found appropriate sound representation and corresponding convolutional neural networks. As a result we achieved good classification accuracy that allowed us to finish the challenge on 8-th place among 1315 teams.