Abstract We address the problem of transferring the style of a headshot photo to face images. Existing methods using a single exemplar lead to inaccurate results when the exemplar does not contain sufficient stylized facial components for a given photo. In this work, we propose an algorithm to stylize face images using multiple exemplars containing different subjects in the same style. Patch correspondences between an input photo and multiple exemplars are established using a Markov Random Field (MRF), which enables accurate local energy transfer via Laplacian stacks. As image patches from multiple exemplars are used, the boundaries of facial components on the target image are inevitably inconsistent. The artifacts are removed by a post-processing step using an edge-preserving filter. Experimental results show that the proposed algorithm consistently produces visually pleasing results.
: These methods transfer the color and tone based on the distributions on the exemplars. In @cite_9 , a local method is proposed for regional color transfer between two natural images by probabilistic segmentation, and a scheme based on expectation maximization is proposed to impose spatial and color smoothness. An exemplar-based style transfer method is proposed in @cite_5 where local affine color transformation model is developed to render natural images during different time of the day. In addition to color or tone transfer, numerous face photo decomposition methods based on edge-preserving filters @cite_14 @cite_8 @cite_16 are developed for makeup transfer @cite_2 and relighting @cite_18 . From an identity-specific collection of face images, an algorithm is developed to enhance low-quality photos based on high-quality ones by exploiting holistic and face-specific regions (e.g., deblurring, light transfer, and super resolution) @cite_3 . The training and input photos used in @cite_3 are from the same subject, and their goal is for image enhancement.
@cite_18 @cite_14 @cite_8 @cite_9 @cite_3 @cite_2 @cite_5 @cite_16
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This article proposes a novel image-based method to transfer illumination from a reference face image to a target face image through edge-preserving filters. According to our method, only a single reference image, without any knowledge of the 3D geometry or material information of the target face, is needed. We first decompose the lightness layers of the reference and the target images into large-scale and detail layers through weighted least square (WLS) filter after face alignment. The large-scale layer of the reference image is filtered with the guidance of the target image. Adaptive parameter selection schemes for the edge-preserving filters is proposed in the above two filtering steps. The final relit result is obtained by replacing the large-scale layer of the target image with that of the reference image. We acquire convincing relit result on numerous target and reference face images with different lighting effects and genders. Comparisons with previous work show that our method is less affected by geometry differences and can preserve better the identification structure and skin color of the target face. Many recent computational photography techniques decompose an image into a piecewise smooth base layer, containing large scale variations in intensity, and a residual detail layer capturing the smaller scale details in the image. In many of these applications, it is important to control the spatial scale of the extracted details, and it is often desirable to manipulate details at multiple scales, while avoiding visual artifacts. In this paper we introduce a new way to construct edge-preserving multi-scale image decompositions. We show that current basedetail decomposition techniques, based on the bilateral filter, are limited in their ability to extract detail at arbitrary scales. Instead, we advocate the use of an alternative edge-preserving smoothing operator, based on the weighted least squares optimization framework, which is particularly well suited for progressive coarsening of images and for multi-scale detail extraction. After describing this operator, we show how to use it to construct edge-preserving multi-scale decompositions, and compare it to the bilateral filter, as well as to other schemes. Finally, we demonstrate the effectiveness of our edge-preserving decompositions in the context of LDR and HDR tone mapping, detail enhancement, and other applications. This paper formulates both the median filter and bilateral filter as a cost volume aggregation problem whose computational complexity is independent of the filter kernel size. Unlike most of the previous works, the proposed framework results in a general bilateral filter that can have arbitrary spatial @math 1 and arbitrary range filter kernels. This bilateral filter takes about 3.5 s to exactly filter a one megapixel 8-bit grayscale image on a 3.2 GHz Intel Core i7 CPU. In practice, the intensity range and spatial domain can be downsampled to improve the efficiency. This compression can maintain very high accuracy (e.g., 40 dB) but over @math 100× faster. We address the problem of regional color transfer between two natural images by probabilistic segmentation. We use a new expectation-maximization (EM) scheme to impose both spatial and color smoothness to infer natural connectivity among pixels. Unlike previous work, our method takes local color information into consideration, and segment image with soft region boundaries for seamless color transfer and compositing. Our modified EM method has two advantages in color manipulation: first, subject to different levels of color smoothness in image space, our algorithm produces an optimal number of regions upon convergence, where the color statistics in each region can be adequately characterized by a component of a Gaussian mixture model (GMM). Second, we allow a pixel to fall in several regions according to our estimated probability distribution in the EM step, resulting in a transparency-like ratio for compositing different regions seamlessly. Hence, natural color transition across regions can be achieved, where the necessary intra-region and inter-region smoothness are enforced without losing original details. We demonstrate results on a variety of applications including image deblurring, enhanced color transfer, and colorizing gray scale images. Comparisons with previous methods are also presented. We describe a framework for improving the quality of personal photos by using a person's favorite photographs as examples. We observe that the majority of a person's photographs include the faces of a photographer's family and friends and often the errors in these photographs are the most disconcerting. We focus on correcting these types of images and use common faces across images to automatically perform both global and face-specific corrections. Our system achieves this by using face detection to align faces between “good” and “bad” photos such that properties of the good examples can be used to correct a bad photo. These “personal” photos provide strong guidance for a number of operations and, as a result, enable a number of high-quality image processing operations. We illustrate the power and generality of our approach by presenting a novel deblurring algorithm, and we show corrections that perform sharpening, superresolution, in-painting of over- and underexposured regions, and white-balancing. This paper introduces an approach of creating face makeup upon a face image with another image as the style example. Our approach is analogous to physical makeup, as we modify the color and skin detail while preserving the face structure. More precisely, we first decompose the two images into three layers: face structure layer, skin detail layer, and color layer. Thereafter, we transfer information from each layer of one image to corresponding layer of the other image. One major advantage of the proposed method lies in that only one example image is required. This renders face makeup by example very convenient and practical. Equally, this enables some additional interesting applications, such as applying makeup by a portraiture. The experiment results demonstrate the effectiveness of the proposed approach in faithfully transferring makeup. We introduce "time hallucination": synthesizing a plausible image at a different time of day from an input image. This challenging task often requires dramatically altering the color appearance of the picture. In this paper, we introduce the first data-driven approach to automatically creating a plausible-looking photo that appears as though it were taken at a different time of day. The time of day is specified by a semantic time label, such as "night". Our approach relies on a database of time-lapse videos of various scenes. These videos provide rich information about the variations in color appearance of a scene throughout the day. Our method transfers the color appearance from videos with a similar scene as the input photo. We propose a locally affine model learned from the video for the transfer, allowing our model to synthesize new color data while retaining image details. We show that this model can hallucinate a wide range of different times of day. The model generates a large sparse linear system, which can be solved by off-the-shelf solvers. We validate our methods by synthesizing transforming photos of various outdoor scenes to four times of interest: daytime, the golden hour, the blue hour, and nighttime. In this paper, we propose a novel explicit image filter called guided filter. Derived from a local linear model, the guided filter computes the filtering output by considering the content of a guidance image, which can be the input image itself or another different image. The guided filter can be used as an edge-preserving smoothing operator like the popular bilateral filter [1], but it has better behaviors near edges. The guided filter is also a more generic concept beyond smoothing: It can transfer the structures of the guidance image to the filtering output, enabling new filtering applications like dehazing and guided feathering. Moreover, the guided filter naturally has a fast and nonapproximate linear time algorithm, regardless of the kernel size and the intensity range. Currently, it is one of the fastest edge-preserving filters. Experiments show that the guided filter is both effective and efficient in a great variety of computer vision and computer graphics applications, including edge-aware smoothing, detail enhancement, HDR compression, image matting feathering, dehazing, joint upsampling, etc.