Time-aligned lyrics can enrich the music listening experience by enabling karaoke, text-based song retrieval and intra-song navigation, and other applications. Compared to text-to-speech alignment, lyrics alignment remains highly challenging, despite many attempts to combine numerous sub-modules including vocal separation and detection in an effort to break down the problem. Furthermore, training required fine-grained annotations to be available in some form. Here, we present a novel system based on a modified Wave-U-Net architecture, which predicts character probabilities directly from raw audio using learnt multi-scale representations of the various signal components. There are no sub-modules whose interdependencies need to be optimized. Our training procedure is designed to work with weak, line-level annotations available in the real world. With a mean alignment error of 0.35s on a standard dataset our system outperforms the state-of-the-art by an order of magnitude.
Several approaches make additional assumptions to further simplify the problem. For example, the method presented in @cite_18 assumes that chord labels are attached to the lyrics and exploits them during the alignment process. Other approaches assume that the lyrics are pre-aligned at a line or phrase level so that the method only needs to refine the alignment within these sections @cite_25 @cite_11 @cite_10 . Since music often contains repeated segments, some methods additionally analyze and compare the musical structure in a recording and in corresponding lyrics @cite_3 @cite_27 .
@cite_18 @cite_3 @cite_27 @cite_10 @cite_25 @cite_11
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Transcribing lyrics from musical audio is a challenging research problem which has not benefited from many advances made in the related field of automatic speech recognition, owing to the prevalent musical accompaniment and differences between the spoken and sung voice. However, one aspect of this problem which has yet to be exploited by researchers is that significant portions of the lyrics will be repeated throughout the song. In this paper we investigate how this information can be leveraged to form a consensus transcription with improved consistency and accuracy. Our results show that improvements can be gained using a variety of techniques, and that relative gains are largest under the most challenging and realistic experimental conditions. The massive amount of digital music data available necessitates automated methods for processing, classifying and organizing large volumes of songs. As music discovery and interactive music applications become commonplace, the ability to synchronize lyric text information with an audio recording has gained interest. This paper presents an approach for lyric-audio alignment by comparing synthesized speech with a vocal track removed from an instrument mixture using source separation. We take a hierarchical approach to solve the problem, assuming a set of paragraph-music segment pairs is given and focus on within-segment lyric alignment at the word level. A synthesized speech signal is generated to reflect the properties of the music signal by controlling the speech rate and gender. Dynamic time warping finds the shortest path between the synthesized speech and separated vocal. The resulting path is used to calculate the timestamps of words in the original signal. The system results in approximately half a second of misalignment error on average. Finally, we discuss the challenges and suggest improvements to the method. The paper considers the task of recognizing phonemes and words from a singing input by using a phonetic hidden Markov model recognizer. The system is targeted to both monophonic singing and singing in polyphonic music. A vocal separation algorithm is applied to separate the singing from polyphonic music. Due to the lack of annotated singing databases, the recognizer is trained using speech and linearly adapted to singing. Global adaptation to singing is found to improve singing recognition performance. Further improvement is obtained by gender-specific adaptation. We also study adaptation with multiple base classes defined by either phonetic or acoustic similarity. We test phoneme-level and word-level n-gram language models. The phoneme language models are trained on the speech database text. The large-vocabulary word-level language model is trained on a database of textual lyrics. Two applications are presented. The recognizer is used to align textual lyrics to vocals in polyphonic music, obtaining an average error of 0.94 seconds for line-level alignment. A query-by-singing retrieval application based on the recognized words is also constructed; in 57 of the cases, the first retrieved song is the correct one. This study addresses the task of aligning lyrics with accompanied singing recordings. With a vowel-only representation of lyric syllables, our approach evaluates likelihood scores of vowel types with glottal pulse shapes and formant frequencies extracted from a small set of singing examples. The proposed vowel likelihood model is used in conjunction with a prior model of frame-wise syllable sequence in determining an optimal evolution of syllabic position. In lyrics alignment experiments, we optimized numerical parameters on two independent development sets and then tested the optimized system on two other datasets. New objective performance measures are introduced in the evaluation to provide further insight into the quality of alignment. Use of glottal pulse shapes and formant frequencies is shown by a controlled experiment to account for a 0.07 difference in average normalized alignment error. Another controlled experiment demonstrates that, with a difference of 0.03, F0-invariant glottal pulse shape gives a lower average normalized alignment error than does F0-invariant spectrum envelope, the latter being assumed by MFCC-based timbre models.