Previous monocular depth estimation methods take a single view and directly regress the expected results. Though recent advances are made by applying geometrically inspired loss functions during training, the inference procedure does not explicitly impose any geometrical constraint. Therefore these models purely rely on the quality of data and the effectiveness of learning to generalize. This either leads to suboptimal results or the demand of huge amount of expensive ground truth labelled data to generate reasonable results. In this paper, we show for the first time that the monocular depth estimation problem can be reformulated as two sub-problems, a view synthesis procedure followed by stereo matching, with two intriguing properties, namely i) geometrical constraints can be explicitly imposed during inference; ii) demand on labelled depth data can be greatly alleviated. We show that the whole pipeline can still be trained in an end-to-end fashion and this new formulation plays a critical role in advancing the performance. The resulting model outperforms all the previous monocular depth estimation methods as well as the stereo block matching method in the challenging KITTI dataset by only using a small number of real training data. The model also generalizes well to other monocular depth estimation benchmarks. We also discuss the implications and the advantages of solving monocular depth estimation using stereo methods.
To synthesize a novel view, DeepStereo @cite_37 first proposes to render an unseen view by taking pixels from other views, and @cite_7 predicts the appearance flow to reconstruct the target view. The Deep3D network of Xie al @cite_39 addresses the problem of generating the corresponding right view from an input left image. Their method produces a distribution over all the possible disparities for each pixel, which is used to generate the right image.
@cite_37 @cite_7 @cite_39
2952809312 2336968928
Deep networks have recently enjoyed enormous success when applied to recognition and classification problems in computer vision, but their use in graphics problems has been limited. In this work, we present a novel deep architecture that performs new view synthesis directly from pixels, trained from a large number of posed image sets. In contrast to traditional approaches which consist of multiple complex stages of processing, each of which require careful tuning and can fail in unexpected ways, our system is trained end-to-end. The pixels from neighboring views of a scene are presented to the network which then directly produces the pixels of the unseen view. The benefits of our approach include generality (we only require posed image sets and can easily apply our method to different domains), and high quality results on traditionally difficult scenes. We believe this is due to the end-to-end nature of our system which is able to plausibly generate pixels according to color, depth, and texture priors learnt automatically from the training data. To verify our method we show that it can convincingly reproduce known test views from nearby imagery. Additionally we show images rendered from novel viewpoints. To our knowledge, our work is the first to apply deep learning to the problem of new view synthesis from sets of real-world, natural imagery. As 3D movie viewing becomes mainstream and the Virtual Reality (VR) market emerges, the demand for 3D contents is growing rapidly. Producing 3D videos, however, remains challenging. In this paper we propose to use deep neural networks to automatically convert 2D videos and images to a stereoscopic 3D format. In contrast to previous automatic 2D-to-3D conversion algorithms, which have separate stages and need ground truth depth map as supervision, our approach is trained end-to-end directly on stereo pairs extracted from existing 3D movies. This novel training scheme makes it possible to exploit orders of magnitude more data and significantly increases performance. Indeed, Deep3D outperforms baselines in both quantitative and human subject evaluations.