We present an approach for identifying picturesque highlights from large amounts of egocentric video data. Given a set of egocentric videos captured over the course of a vacation, our method analyzes the videos and looks for images that have good picturesque and artistic properties. We introduce novel techniques to automatically determine aesthetic features such as composition, symmetry and color vibrancy in egocentric videos and rank the video frames based on their photographic qualities to generate highlights. Our approach also uses contextual information such as GPS, when available, to assess the relative importance of each geographic location where the vacation videos were shot. Furthermore, we specifically leverage the properties of egocentric videos to improve our highlight detection. We demonstrate results on a new egocentric vacation dataset which includes 26.5 hours of videos taken over a 14 day vacation that spans many famous tourist destinations and also provide results from a user-study to access our results.
In recent years, summarization efforts have started focussing on leveraging objects and activities within the scene. Features such as informative poses" @cite_33 and object of interest", based on labels provided by the user for a small number of frames @cite_44 , have helped in activity visualization, video summarization, and generating video synopsis from web-cam videos @cite_24 .
@cite_44 @cite_33 @cite_24
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We propose a novel method for removing irrelevant frames from a video given user-provided frame-level labeling for a very small number of frames. We first hypothesize a number of windows which possibly contain the object of interest, and then determine which window(s) truly contain the object of interest. Our method enjoys several favorable properties. First, compared to approaches where a single descriptor is used to describe a whole frame, each window's feature descriptor has the chance of genuinely describing the object of interest; hence it is less affected by background clutter. Second, by considering the temporal continuity of a video instead of treating frames as independent, we can hypothesize the location of the windows more accurately. Third, by infusing prior knowledge into the patch-level model, we can precisely follow the trajectory of the object of interest. This allows us to largely reduce the number of windows and hence reduce the chance of overfitting the data during learning. We demonstrate the effectiveness of the method by comparing it to several other semi-supervised learning approaches on challenging video clips. We propose a method for generating visual summaries of video. It reduces browsing time, minimizes screen-space utilization, while preserving the crux of the video content and the sensation of motion. The outputs are images or short clips, denoted as dynamic stills or clip trailers, respectively. The method selects informative poses out of extracted video objects. Optimal rotations and transparency supports visualization of an increased number of poses, leading to concise activity visualization. Our method addresses previously avoided scenarios, e.g., activities occurring in one place, or scenes with non-static background. We demonstrate and evaluate the method for various types of videos. The world is covered with millions of Webcams, many transmit everything in their field of view over the Internet 24 hours a day. A Web search finds public webcams in airports, intersections, classrooms, parks, shops, ski resorts, and more. Even more private surveillance cameras cover many private and public facilities. Webcams are an endless resource, but most of the video broadcast will be of little interest due to lack of activity. We propose to generate a short video that will be a synopsis of an endless video streams, generated by webcams or surveillance cameras. We would like to address queries like "I would like to watch in one minute the highlights of this camera broadcast during the past day". The process includes two major phases: (i) An online conversion of the video stream into a database of objects and activities (rather than frames), (ii) A response phase, generating the video synopsis as a response to the user's query. To include maximum information in a short synopsis we simultaneously show activities that may have happened at different times. The synopsis video can also be used as an index into the original video stream.