Recent work has shown that optical flow estimation can be formulated as a supervised learning task and can be successfully solved with convolutional networks. Training of the so-called FlowNet was enabled by a large synthetically generated dataset. The present paper extends the concept of optical flow estimation via convolutional networks to disparity and scene flow estimation. To this end, we propose three synthetic stereo video datasets with sufficient realism, variation, and size to successfully train large networks. Our datasets are the first large-scale datasets to enable training and evaluation of scene flow methods. Besides the datasets, we present a convolutional network for real-time disparity estimation that provides state-of-the-art results. By combining a flow and disparity estimation network and training it jointly, we demonstrate the first scene flow estimation with a convolutional network.
The first significant efforts to create standard datasets were the Middlebury datasets for stereo disparity estimation @cite_23 and optical flow estimation @cite_12 . While the stereo dataset consists of real scenes, the optical flow dataset is a mixture of real scenes and rendered scenes. Both datasets are very small in today's terms. Especially the small test sets have led to heavy manual overfitting. An advantage of the stereo dataset is the availability of relevant real scenes, especially in the latest high-resolution version from 2014 @cite_2 .
@cite_12 @cite_23 @cite_2
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The quantitative evaluation of optical flow algorithms by (1994) led to significant advances in performance. The challenges for optical flow algorithms today go beyond the datasets and evaluation methods proposed in that paper. Instead, they center on problems associated with complex natural scenes, including nonrigid motion, real sensor noise, and motion discontinuities. We propose a new set of benchmarks and evaluation methods for the next generation of optical flow algorithms. To that end, we contribute four types of data to test different aspects of optical flow algorithms: (1) sequences with nonrigid motion where the ground-truth flow is determined by tracking hidden fluorescent texture, (2) realistic synthetic sequences, (3) high frame-rate video used to study interpolation error, and (4) modified stereo sequences of static scenes. In addition to the average angular error used by , we compute the absolute flow endpoint error, measures for frame interpolation error, improved statistics, and results at motion discontinuities and in textureless regions. In October 2007, we published the performance of several well-known methods on a preliminary version of our data to establish the current state of the art. We also made the data freely available on the web at http: vision.middlebury.edu flow . Subsequently a number of researchers have uploaded their results to our website and published papers using the data. A significant improvement in performance has already been achieved. In this paper we analyze the results obtained to date and draw a large number of conclusions from them. Stereo matching is one of the most active research areas in computer vision. While a large number of algorithms for stereo correspondence have been developed, relatively little work has been done on characterizing their performance. In this paper, we present a taxonomy of dense, two-frame stereo methods designed to assess the different components and design decisions made in individual stereo algorithms. Using this taxonomy, we compare existing stereo methods and present experiments evaluating the performance of many different variants. In order to establish a common software platform and a collection of data sets for easy evaluation, we have designed a stand-alone, flexible C++ implementation that enables the evaluation of individual components and that can be easily extended to include new algorithms. We have also produced several new multiframe stereo data sets with ground truth, and are making both the code and data sets available on the Web. We present a structured lighting system for creating high-resolution stereo datasets of static indoor scenes with highly accurate ground-truth disparities. The system includes novel techniques for efficient 2D subpixel correspondence search and self-calibration of cameras and projectors with modeling of lens distortion. Combining disparity estimates from multiple projector positions we are able to achieve a disparity accuracy of 0.2 pixels on most observed surfaces, including in half-occluded regions. We contribute 33 new 6-megapixel datasets obtained with our system and demonstrate that they present new challenges for the next generation of stereo algorithms.