In this paper, we address the problem of unsupervised video summarization that automatically extracts key-shots from an input video. Specifically, we tackle two critical issues based on our empirical observations: (i) Ineffective feature learning due to flat distributions of output importance scores for each frame, and (ii) training difficulty when dealing with long-length video inputs. To alleviate the first problem, we propose a simple yet effective regularization loss term called variance loss. The proposed variance loss allows a network to predict output scores for each frame with high discrepancy which enables effective feature learning and significantly improves model performance. For the second problem, we design a novel two-stream network named Chunk and Stride Network (CSNet) that utilizes local (chunk) and global (stride) temporal view on the video features. Our CSNet gives better summarization results for long-length videos compared to the existing methods. In addition, we introduce an attention mechanism to handle the dynamic information in videos. We demonstrate the effectiveness of the proposed methods by conducting extensive ablation studies and show that our final model achieves new state-of-the-art results on two benchmark datasets.
Given an input video, video summarization aims to produce a shortened version that highlights the representative video frames. Various prior work has proposed solutions to this problem, including video time-lapse @cite_11 @cite_22 @cite_2 , synopsis @cite_32 , montage @cite_3 @cite_6 and storyboards @cite_23 @cite_1 @cite_27 @cite_31 @cite_24 @cite_28 @cite_23 . Our work is most closely related to storyboards, selecting some important pieces of information to summarize key events present in the entire video.
@cite_22 @cite_28 @cite_1 @cite_32 @cite_3 @cite_6 @cite_24 @cite_27 @cite_23 @cite_2 @cite_31 @cite_11
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With the growing popularity of short-form video sharing platforms such as Instagram and Vine , there has been an increasing need for techniques that automatically extract highlights from video. Whereas prior works have approached this problem with heuristic rules or supervised learning, we present an unsupervised learning approach that takes advantage of the abundance of user-edited videos on social media websites such as YouTube. Based on the idea that the most significant sub-events within a video class are commonly present among edited videos while less interesting ones appear less frequently, we identify the significant sub-events via a robust recurrent auto-encoder trained on a collection of user-edited videos queried for each particular class of interest. The auto-encoder is trained using a proposed shrinking exponential loss function that makes it robust to noise in the web-crawled training data, and is configured with bidirectional long short term memory (LSTM) LSTM:97 cells to better model the temporal structure of highlight segments. Different from supervised techniques, our method can infer highlights using only a set of downloaded edited videos, without also needing their pre-edited counterparts which are rarely available online. Extensive experiments indicate the promise of our proposed solution in this challenging unsupervised settin This paper proposes a novel approach and a new benchmark for video summarization. Thereby we focus on user videos, which are raw videos containing a set of interesting events. Our method starts by segmenting the video by using a novel “superframe” segmentation, tailored to raw videos. Then, we estimate visual interestingness per superframe using a set of low-, mid- and high-level features. Based on this scoring, we select an optimal subset of superframes to create an informative and interesting summary. The introduced benchmark comes with multiple human created summaries, which were acquired in a controlled psychological experiment. This data paves the way to evaluate summarization methods objectively and to get new insights in video summarization. When evaluating our method, we find that it generates high-quality results, comparable to manual, human-created summaries. The amount of captured video is growing with the increased numbers of video cameras, especially the increase of millions of surveillance cameras that operate 24 hours a day. Since video browsing and retrieval is time consuming, most captured video is never watched or examined. Video synopsis is an effective tool for browsing and indexing of such a video. It provides a short video representation, while preserving the essential activities of the original video. The activity in the video is condensed into a shorter period by simultaneously showing multiple activities, even when they originally occurred at different times. The synopsis video is also an index into the original video by pointing to the original time of each activity. Video synopsis can be applied to create a synopsis of an endless video streams, as generated by Webcams and by surveillance cameras. It can address queries like "show in one minute the synopsis of this camera broadcast during the past day''. This process includes two major phases: (i) an online conversion of the endless video stream into a database of objects and activities (rather than frames). (ii) A response phase, generating the video synopsis as a response to the user's query. We present a novel method to generate salient montages from unconstrained videos, by finding “montageable moments” and identifying the salient people and actions to depict in each montage. Our method addresses the need for generating concise visualizations from the increasingly large number of videos being captured from portable devices. Our main contributions are (1) the process of finding salient people and moments to form a montage, and (2) the application of this method to videos taken “in the wild” where the camera moves freely. As such, we demonstrate results on head-mounted cameras, where the camera moves constantly, as well as on videos downloaded from YouTube. Our approach can operate on videos of any length; some will contain many montageable moments, while others may have none. We demonstrate that a novel “montageability” score can be used to retrieve results with relatively high precision which allows us to present high quality montages to users. We propose a novel method for removing irrelevant frames from a video given user-provided frame-level labeling for a very small number of frames. We first hypothesize a number of windows which possibly contain the object of interest, and then determine which window(s) truly contain the object of interest. Our method enjoys several favorable properties. First, compared to approaches where a single descriptor is used to describe a whole frame, each window's feature descriptor has the chance of genuinely describing the object of interest; hence it is less affected by background clutter. Second, by considering the temporal continuity of a video instead of treating frames as independent, we can hypothesize the location of the windows more accurately. Third, by infusing prior knowledge into the patch-level model, we can precisely follow the trajectory of the object of interest. This allows us to largely reduce the number of windows and hence reduce the chance of overfitting the data during learning. We demonstrate the effectiveness of the method by comparing it to several other semi-supervised learning approaches on challenging video clips. We present a novel method for summarizing raw, casually captured videos. The objective is to create a short summary that still conveys the story. It should thus be both, interesting and representative for the input video. Previous methods often used simplified assumptions and only optimized for one of these goals. Alternatively, they used handdefined objectives that were optimized sequentially by making consecutive hard decisions. This limits their use to a particular setting. Instead, we introduce a new method that (i) uses a supervised approach in order to learn the importance of global characteristics of a summary and (ii) jointly optimizes for multiple objectives and thus creates summaries that posses multiple properties of a good summary. Experiments on two challenging and very diverse datasets demonstrate the effectiveness of our method, where we outperform or match current state-of-the-art. Video summarization is a challenging problem with great application potential. Whereas prior approaches, largely unsupervised in nature, focus on sampling useful frames and assembling them as summaries, we consider video summarization as a supervised subset selection problem. Our idea is to teach the system to learn from human-created summaries how to select informative and diverse subsets, so as to best meet evaluation metrics derived from human-perceived quality. To this end, we propose the sequential determinantal point process (seqDPP), a probabilistic model for diverse sequential subset selection. Our novel seqDPP heeds the inherent sequential structures in video data, thus overcoming the deficiency of the standard DPP, which treats video frames as randomly permutable items. Meanwhile, seqDPP retains the power of modeling diverse subsets, essential for summarization. Our extensive results of summarizing videos from 3 datasets demonstrate the superior performance of our method, compared to not only existing unsupervised methods but also naive applications of the standard DPP model. While egocentric cameras like GoPro are gaining popularity, the videos they capture are long, boring, and difficult to watch from start to end. Fast forwarding (i.e. frame sampling) is a natural choice for faster video browsing. However, this accentuates the shake caused by natural head motion, making the fast forwarded video useless. We present a video summarization approach for egocentric or “wearable” camera data. Given hours of video, the proposed method produces a compact storyboard summary of the camera wearer's day. In contrast to traditional keyframe selection techniques, the resulting summary focuses on the most important objects and people with which the camera wearer interacts. To accomplish this, we develop region cues indicative of high-level saliency in egocentric video — such as the nearness to hands, gaze, and frequency of occurrence — and learn a regressor to predict the relative importance of any new region based on these cues. Using these predictions and a simple form of temporal event detection, our method selects frames for the storyboard that reflect the key object-driven happenings. Critically, the approach is neither camera-wearer-specific nor object-specific; that means the learned importance metric need not be trained for a given user or context, and it can predict the importance of objects and people that have never been seen previously. Our results with 17 hours of egocentric data show the method's promise relative to existing techniques for saliency and summarization. Long videos can be played much faster than real-time by recording only one frame per second or by dropping all but one frame each second, i.e., by creating a timelapse. Unstable hand-held moving videos can be stabilized with a number of recently described methods. Unfortunately, creating a stabilized timelapse, or hyperlapse, cannot be achieved through a simple combination of these two methods. Two hyperlapse methods have been previously demonstrated: one with high computational complexity and one requiring special sensors. We present an algorithm for creating hyperlapse videos that can handle significant high-frequency camera motion and runs in real-time on HD video. Our approach does not require sensor data, thus can be run on videos captured on any camera. We optimally select frames from the input video that best match a desired target speed-up while also resulting in the smoothest possible camera motion. We evaluate our approach using several input videos from a range of cameras and compare these results to existing methods.