Detecting manipulated images has become a significant emerging challenge. The advent of image sharing platforms and the easy availability of advanced photo editing software have resulted in a large quantities of manipulated images being shared on the internet. While the intent behind such manipulations varies widely, concerns on the spread of fake news and misinformation is growing. Current state of the art methods for detecting these manipulated images suffers from the lack of training data due to the laborious labeling process. We address this problem in this paper, for which we introduce a manipulated image generation process that creates true positives using currently available datasets. Drawing from traditional work on image blending, we propose a novel generator for creating such examples. In addition, we also propose to further create examples that force the algorithm to focus on boundary artifacts during training. Strong experimental results validate our proposal.
. GAN based image editing approaches have witnessed a rapid emergence and impressive results recently @cite_12 @cite_18 @cite_38 @cite_29 . Prior and concurrent works force the output of GAN to be conditioned on input images through extra regression losses ( ., @math loss) or discrete labels. In particular, Tsai al. @cite_12 generate natural composite images using both scene parsing and harmonized ground truth. Pathak al. @cite_38 present a context encoder trained with reconstruction plus an adversarial loss to inpaint missing image contents. In contrast to these methods, we generate manipulated images for better generalization ability of a manipulation segmentation network.
@cite_38 @cite_18 @cite_29 @cite_12
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We present an unsupervised visual feature learning algorithm driven by context-based pixel prediction. By analogy with auto-encoders, we propose Context Encoders -- a convolutional neural network trained to generate the contents of an arbitrary image region conditioned on its surroundings. In order to succeed at this task, context encoders need to both understand the content of the entire image, as well as produce a plausible hypothesis for the missing part(s). When training context encoders, we have experimented with both a standard pixel-wise reconstruction loss, as well as a reconstruction plus an adversarial loss. The latter produces much sharper results because it can better handle multiple modes in the output. We found that a context encoder learns a representation that captures not just appearance but also the semantics of visual structures. We quantitatively demonstrate the effectiveness of our learned features for CNN pre-training on classification, detection, and segmentation tasks. Furthermore, context encoders can be used for semantic inpainting tasks, either stand-alone or as initialization for non-parametric methods. Why does placing an object from one photograph into another often make the colors of that object suddenly look wrong? One possibility is that humans prefer distributions of colors that are often found in nature; that is, we find pleasing these color combinations that we see often. Another possibility is that humans simply prefer colors to be consistent within an image, regardless of what they are. In this paper, we explore some of these issues by studying the color statistics of a large dataset of natural images, and by looking at differences in color distribution in realistic and unrealistic images. We apply our findings to two problems: 1) classifying composite images into realistic vs. non- realistic, and 2) recoloring image regions for realistic compositing. We present a new method for synthesizing high-resolution photo-realistic images from semantic label maps using conditional generative adversarial networks (conditional GANs). Conditional GANs have enabled a variety of applications, but the results are often limited to low-resolution and still far from realistic. In this work, we generate 2048 A— 1024 visually appealing results with a novel adversarial loss, as well as new multi-scale generator and discriminator architectures. Furthermore, we extend our framework to interactive visual manipulation with two additional features. First, we incorporate object instance segmentation information, which enables object manipulations such as removing adding objects and changing the object category. Second, we propose a method to generate diverse results given the same input, allowing users to edit the object appearance interactively. Human opinion studies demonstrate that our method significantly outperforms existing methods, advancing both the quality and the resolution of deep image synthesis and editing. Compositing is one of the most common operations in photo editing. To generate realistic composites, the appearances of foreground and background need to be adjusted to make them compatible. Previous approaches to harmonize composites have focused on learning statistical relationships between hand-crafted appearance features of the foreground and background, which is unreliable especially when the contents in the two layers are vastly different. In this work, we propose an end-to-end deep convolutional neural network for image harmonization, which can capture both the context and semantic information of the composite images during harmonization. We also introduce an efficient way to collect large-scale and high-quality training data that can facilitate the training process. Experiments on the synthesized dataset and real composite images show that the proposed network outperforms previous state-of-the-art methods.