We present an approach to accurately estimate high fidelity markerless 3D pose and volumetric reconstruction of human performance using only a small set of camera views ( @math ). Our method utilises a dual loss in a generative adversarial network that can yield improved performance in both reconstruction and pose estimate error. We use a deep prior implicitly learnt by the network trained over a dataset of view-ablated multi-view video footage of a wide range of subjects and actions. Uniquely we use a multi-channel symmetric 3D convolutional encoder-decoder with a dual loss to enforce the learning of a latent embedding that enforces skelet al joint positions and a deep volumetric reconstruction of the performer. An extensive evaluation is performed with state of the art performance reported on three datasets; Human 3.6M, TotalCapture and TotalCaptureOutdoor. The method opens the possibility of high-end volumetric and pose performance capture in on-set and prosumer scenarios where time or cost prohibit a high witness camera count.
More recently given the success and accuracy of 2D joint estimation @cite_53 , several works lift 2D detections to 3D using learning or geometric reasoning, aiming to recover the missing depth dimension in the images. Sanzari @cite_7 estimates the location of 2D joints, before predicting 3D pose using appearance and probable 3D pose of the discovered parts with a hierarchical Bayesian model. While Zhou @cite_2 integrates 2D, 3D and temporal information to account for uncertainties in the data. The challenge of estimating 3D human pose from MVV is currently less explored, generally casting 3D pose estimation as a coordinate regression task, with the target output being the spatial @math coordinates of a joint with respect to a known root node such as the pelvis. Trumble @cite_43 used a flattened MVV based spherical histogram with a 2D convnet to estimate pose. While Pavlakos @cite_5 used a simple volumetric representation in a 3D convnet for pose estimation and Wei @cite_18 performed related work in aligning pairs of joints to estimate 3D human pose. Differently, Huang @cite_51 constructed a 4-D mesh of the subject from video reconstruction to estimate the 3D pose.
@cite_18 @cite_7 @cite_53 @cite_43 @cite_2 @cite_5 @cite_51
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We introduce a 3D human pose estimation method from single image, based on a hierarchical Bayesian non-parametric model. The proposed model relies on a representation of the idiosyncratic motion of human body parts, which is captured by a subdivision of the human skeleton joints into groups. A dictionary of motion snapshots for each group is generated. The hierarchy ensures to integrate the visual features within the pose dictionary. Given a query image, the learned dictionary is used to estimate the likelihood of the group pose based on its visual features. The full-body pose is reconstructed taking into account the consistency of the connected group poses. The results show that the proposed approach is able to accurately reconstruct the 3D pose of previously unseen subjects. We propose a human performance capture system employing convolutional neural networks (CNN) to estimate human pose from a volumetric representation of a performer derived from multiple view-point video (MVV).We compare direct CNN pose regression to the performance of an affine invariant pose descriptor learned by a CNN through a classification task. A non-linear manifold embedding is learned between the descriptor and articulated pose spaces, enabling regression of pose from the source MVV. The results are evaluated against ground truth pose data captured using a Vicon marker-based system and demonstrate good generalisation over a range of human poses, providing a system that requires no special suit to be worn by the performer. This paper addresses the challenge of 3D full-body human pose estimation from a monocular image sequence. Here, two cases are considered: (i) the image locations of the human joints are provided and (ii) the image locations of joints are unknown. In the former case, a novel approach is introduced that integrates a sparsity-driven 3D geometric prior and temporal smoothness. In the latter case, the former case is extended by treating the image locations of the joints as latent variables to take into account considerable uncertainties in 2D joint locations. A deep fully convolutional network is trained to predict the uncertainty maps of the 2D joint locations. The 3D pose estimates are realized via an Expectation-Maximization algorithm over the entire sequence, where it is shown that the 2D joint location uncertainties can be conveniently marginalized out during inference. Empirical evaluation on the Human3.6M dataset shows that the proposed approaches achieve greater 3D pose estimation accuracy over state-of-the-art baselines. Further, the proposed approach outperforms a publicly available 2D pose estimation baseline on the challenging PennAction dataset. This paper addresses the challenge of 3D human pose estimation from a single color image. Despite the general success of the end-to-end learning paradigm, top performing approaches employ a two-step solution consisting of a Convolutional Network (ConvNet) for 2D joint localization and a subsequent optimization step to recover 3D pose. In this paper, we identify the representation of 3D pose as a critical issue with current ConvNet approaches and make two important contributions towards validating the value of end-to-end learning for this task. First, we propose a fine discretization of the 3D space around the subject and train a ConvNet to predict per voxel likelihoods for each joint. This creates a natural representation for 3D pose and greatly improves performance over the direct regression of joint coordinates. Second, to further improve upon initial estimates, we employ a coarse-to-fine prediction scheme. This step addresses the large dimensionality increase and enables iterative refinement and repeated processing of the image features. The proposed approach outperforms all state-of-the-art methods on standard benchmarks achieving a relative error reduction greater than 30 on average. Additionally, we investigate using our volumetric representation in a related architecture which is suboptimal compared to our end-to-end approach, but is of practical interest, since it enables training when no image with corresponding 3D groundtruth is available, and allows us to present compelling results for in-the-wild images. We present a novel hybrid representation for character animation from 4D Performance Capture (4DPC) data which combines skelet al control with surface motion graphs. 4DPC data are temporally aligned 3D mesh sequence reconstructions of the dynamic surface shape and associated appearance from multiple-view video. The hybrid representation supports the production of novel surface sequences which satisfy constraints from user-specified key-frames or a target skelet al motion. Motion graph path optimisation concatenates fragments of 4DPC data to satisfy the constraints while maintaining plausible surface motion at transitions between sequences. Space-time editing of the mesh sequence using a learned part-based Laplacian surface deformation model is performed to match the target skelet al motion and transition between sequences. The approach is quantitatively evaluated for three 4DPC datasets with a variety of clothing styles. Results for key-frame animation demonstrate production of novel sequences that satisfy constraints on timing and position of less than 1p of the sequence duration and path length. Evaluation of motion-capture-driven animation over a corpus of 130 sequences shows that the synthesised motion accurately matches the target skelet al motion. The combination of skelet al control with the surface motion graph extends the range and style of motion which can be produced while maintaining the natural dynamics of shape and appearance from the captured performance.