As an intuitive way of expression emotion, the animated Graphical Interchange Format (GIF) images have been widely used on social media. Most previous studies on automated GIF emotion recognition fail to effectively utilize GIF's unique properties, and this potentially limits the recognition performance. In this study, we demonstrate the importance of human related information in GIFs and conduct human-centered GIF emotion recognition with a proposed Keypoint Attended Visual Attention Network (KAVAN). The framework consists of a facial attention module and a hierarchical segment temporal module. The facial attention module exploits the strong relationship between GIF contents and human characters, and extracts frame-level visual feature with a focus on human faces. The Hierarchical Segment LSTM (HS-LSTM) module is then proposed to better learn global GIF representations. Our proposed framework outperforms the state-of-the-art on the MIT GIFGIF dataset. Furthermore, the facial attention module provides reliable facial region mask predictions, which improves the model's interpretability.
Emotion Recognition. Emotion recognition @cite_0 @cite_6 has been an interesting topic for decades. On a large scale dataset @cite_23 , Rao @cite_8 propose a multi-level deep representations for emotion recognition. Multi-modal feature fusion @cite_22 is also proved to be effective. Instead of modeling emotion recognition as a classification task @cite_8 @cite_23 , Zhao @cite_22 propose to learn emotion distributions instead, which alleviates the perception uncertainty problem that different people under different context may perceive different emotions from the same content. Regressing emotion intensity scores @cite_24 is another effective approach. Han @cite_14 propose a soft prediction framework for the perception uncertainty problem.
@cite_14 @cite_22 @cite_8 @cite_6 @cite_0 @cite_24 @cite_23
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Over the last decade, automatic emotion recognition has become well established. The gold standard target is thereby usually calculated based on multiple annotations from different raters. All related efforts assume that the emotional state of a human subject can be identified by a 'hard' category or a unique value. This assumption tries to ease the human observer's subjectivity when observing patterns such as the emotional state of others. However, as the number of annotators cannot be infinite, uncertainty remains in the emotion target even if calculated from several, yet few human annotators. The common procedure to use this same emotion target in the learning process thus inevitably introduces noise in terms of an uncertain learning target. In this light, we propose a 'soft' prediction framework to provide a more human-like and comprehensive prediction of emotion. In our novel framework, we provide an additional target to indicate the uncertainty of human perception based on the inter-rater disagreement level, in contrast to the traditional framework which is merely producing one single prediction (category or value). To exploit the dependency between the emotional state and the newly introduced perception uncertainty, we implement a multi-task learning strategy. To evaluate the feasibility and effectiveness of the proposed soft prediction framework, we perform extensive experiments on a time- and value-continuous spontaneous audiovisual emotion database including late fusion results. We show that the soft prediction framework with multi-task learning of the emotional state and its perception uncertainty significantly outperforms the individual tasks in both the arousal and valence dimensions. Current image emotion recognition works mainly classified the images into one dominant emotion category, or regressed the images with average dimension values by assuming that the emotions perceived among different viewers highly accord with each other. However, due to the influence of various personal and situational factors, such as culture background and social interactions, different viewers may react totally different from the emotional perspective to the same image. In this paper, we propose to formulate the image emotion recognition task as a probability distribution learning problem. Motivated by the fact that image emotions can be conveyed through different visual features, such as aesthetics and semantics, we present a novel framework by fusing multi-modal features to tackle this problem. In detail, weighted multi-modal conditional probability neural network (WMMCPNN) is designed as the learning model to associate the visual features with emotion probabilities. By jointly exploring the complementarity and learning the optimal combination coefficients of different modality features, WMMCPNN could effectively utilize the representation ability of each uni-modal feature. We conduct extensive experiments on three publicly available benchmarks and the results demonstrate that the proposed method significantly outperforms the state-of-the-art approaches for emotion distribution prediction. In this paper, we propose a new deep network that learns multi-level deep representations for image emotion classification (MldrNet). Image emotion can be recognized through image semantics, image aesthetics and low-level visual features from both global and local views. Existing image emotion classification works using hand-crafted features or deep features mainly focus on either low-level visual features or semantic-level image representations without taking all factors into consideration. The proposed MldrNet combines deep representations of different levels, i.e. image semantics, image aesthetics, and low-level visual features to effectively classify the emotion types of different kinds of images, such as abstract paintings and web images. Extensive experiments on both Internet images and abstract paintings demonstrate the proposed method outperforms the state-of-the-art methods using deep features or hand-crafted features. The proposed approach also outperforms the state-of-the-art methods with at least 6 performance improvement in terms of overall classification accuracy. Previous works on image emotion analysis mainly focused on predicting the dominant emotion category or the average dimension values of an image for affective image classification and regression. However, this is often insufficient in various real-world applications, as the emotions that are evoked in viewers by an image are highly subjective and different. In this paper, we propose to predict the continuous probability distribution of image emotions which are represented in dimensional valence-arousal space. We carried out large-scale statistical analysis on the constructed Image-Emotion-Social-Net dataset, on which we observed that the emotion distribution can be well-modeled by a Gaussian mixture model. This model is estimated by an expectation-maximization algorithm with specified initializations. Then, we extract commonly used emotion features at different levels for each image. Finally, we formalize the emotion distribution prediction task as a shared sparse regression (SSR) problem and extend it to multitask settings, named multitask shared sparse regression (MTSSR), to explore the latent information between different prediction tasks. SSR and MTSSR are optimized by iteratively reweighted least squares. Experiments are conducted on the Image-Emotion-Social-Net dataset with comparisons to three alternative baselines. The quantitative results demonstrate the superiority of the proposed method. Emotions can be evoked in humans by images. Most previous works on image emotion analysis mainly used the elements-of-art-based low-level visual features. However, these features are vulnerable and not invariant to the different arrangements of elements. In this paper, we investigate the concept of principles-of-art and its influence on image emotions. Principles-of-art-based emotion features (PAEF) are extracted to classify and score image emotions for understanding the relationship between artistic principles and emotions. PAEF are the unified combination of representation features derived from different principles, including balance, emphasis, harmony, variety, gradation, and movement. Experiments on the International Affective Picture System (IAPS), a set of artistic photography and a set of peer rated abstract paintings, demonstrate the superiority of PAEF for affective image classification and regression (with about 5 improvement on classification accuracy and 0.2 decrease in mean squared error), as compared to the state-of-the-art approaches. We then utilize PAEF to analyze the emotions of master paintings, with promising results. Animated GIFs are everywhere on the Web. Our work focuses on the computational prediction of emotions perceived by viewers after they are shown animated GIF images. We evaluate our results on a dataset of over 3,800 animated GIFs gathered from MIT's GIFGIF platform, each with scores for 17 discrete emotions aggregated from over 2.5M user annotations - the first computational evaluation of its kind for content-based prediction on animated GIFs to our knowledge. In addition, we advocate a conceptual paradigm in emotion prediction that shows delineating distinct types of emotion is important and is useful to be concrete about the emotion target. One of our objectives is to systematically compare different types of content features for emotion prediction, including low-level, aesthetics, semantic and face features. We also formulate a multi-task regression problem to evaluate whether viewer perceived emotion prediction can benefit from jointly learning across emotion classes compared to disjoint, independent learning. Psychological research results have confirmed that people can have different emotional reactions to different visual stimuli. Several papers have been published on the problem of visual emotion analysis. In particular, attempts have been made to analyze and predict people's emotional reaction towards images. To this end, different kinds of hand-tuned features are proposed. The results reported on several carefully selected and labeled small image data sets have confirmed the promise of such features. While the recent successes of many computer vision related tasks are due to the adoption of Convolutional Neural Networks (CNNs), visual emotion analysis has not achieved the same level of success. This may be primarily due to the unavailability of confidently labeled and relatively large image data sets for visual emotion analysis. In this work, we introduce a new data set, which started from 3+ million weakly labeled images of different emotions and ended up 30 times as large as the current largest publicly available visual emotion data set. We hope that this data set encourages further research on visual emotion analysis. We also perform extensive benchmarking analyses on this large data set using the state of the art methods including CNNs.