As processing power has become more available, more human-like artificial intelligences are created to solve image processing tasks that we are inherently good at. As such we propose a model that estimates depth from a monocular image. Our approach utilizes a combination of structure from motion and stereo disparity. We estimate a pose between the source image and a different viewpoint and a dense depth map and use a simple transformation to reconstruct the image seen from said viewpoint. We can then use the real image at that viewpoint to act as supervision to train out model. The metric chosen for image comparison employs standard L1 and structural similarity and a consistency constraint between depth maps as well as smoothness constraint. We show that similar to human perception utilizing the correlation within the provided data by two different approaches increases the accuracy and outperforms the individual components.
Synthesizing a scene from a novel camera viewpoint is the counterpart to SfM. First the underlying structure has to be understood, e.g. by pixel correspondences from different input views, then a new viewpoint can be synthesized by composing image patches from the input @cite_22 , @cite_11 . To be effectively used in neural networks, the transformation has to be differentiable, giving rise to spatial transformer networks @cite_19 .
@cite_19 @cite_22 @cite_11
2951005624 2098362450 2066763472
Convolutional Neural Networks define an exceptionally powerful class of models, but are still limited by the lack of ability to be spatially invariant to the input data in a computationally and parameter efficient manner. In this work we introduce a new learnable module, the Spatial Transformer, which explicitly allows the spatial manipulation of data within the network. This differentiable module can be inserted into existing convolutional architectures, giving neural networks the ability to actively spatially transform feature maps, conditional on the feature map itself, without any extra training supervision or modification to the optimisation process. We show that the use of spatial transformers results in models which learn invariance to translation, scale, rotation and more generic warping, resulting in state-of-the-art performance on several benchmarks, and for a number of classes of transformations. Image-space simplifications have been used to accelerate the calculation of computer graphic images since the dawn of visual simulation. Texture mapping has been used to provide a means by which images may themselves be used as display primitives. The work reported by this paper endeavors to carry this concept to its logical extreme by using interpolated images to portray three-dimensional scenes. The special-effects technique of morphing, which combines interpolation of texture maps and their shape, is applied to computing arbitrary intermediate frames from an array of prestored images. If the images are a structured set of views of a 3D object or scene, intermediate frames derived by morphing can be used to approximate intermediate 3D transformations of the object or scene. Using the view interpolation approach to synthesize 3D scenes has two main advantages. First, the 3D representation of the scene may be replaced with images. Second, the image synthesis time is independent of the scene complexity. The correspondence between images, required for the morphing method, can be predetermined automatically using the range data associated with the images. The method is further accelerated by a quadtree decomposition and a view-independent visible priority. Our experiments have shown that the morphing can be performed at interactive rates on today’s high-end personal computers. Potential applications of the method include virtual holograms, a walkthrough in a virtual environment, image-based primitives and incremental rendering. The method also can be used to greatly accelerate the computation of motion blur and soft shadows cast by area light sources. CR Categories and Subject Descriptors: I.3.3 [Computer Graphics]: Picture Image Generation; I.3.7 [Computer Graphics]: Three-Dimensional Graphics and Realism. Additional Keywords: image morphing, interpolation, virtual reality, motion blur, shadow, incremental rendering, real-time display, virtual holography, motion compensation. Given a set of images acquired from known viewpoints, we describe a method for synthesizing the image which would be seen from a new viewpoint. In contrast to existing techniques, which explicitly reconstruct the 3D geometry of the scene, we transform the problem to the reconstruction of colour rather than depth. This retains the benefits of geometric constraints, but projects out the ambiguities in depth estimation which occur in textureless regions. On the other hand, regularization is still needed in order to generate high-quality images. The paper's second contribution is to constrain the generated views to lie in the space of images whose texture statistics are those of the input images. This amounts to an image-based prior on the reconstruction which regularizes the solution, yielding realistic synthetic views. Examples are given of new view generation for cameras interpolated between the acquisition viewpoints - which enables synthetic steadicam stabilization of a sequence with a high level of realism.