Manipulating video content is easier than ever. Due to the misuse potential of manipulated content, multiple detection techniques that analyze the pixel data from the videos have been proposed. However, clever manipulators should also carefully forge the metadata and auxiliary header information, which is harder to do for videos than images. In this paper, we propose to identify forged videos by analyzing their multimedia stream descriptors with simple binary classifiers, completely avoiding the pixel space. Using well-known datasets, our results show that this scalable approach can achieve a high manipulation detection score if the manipulators have not done a careful data sanitization of the multimedia stream descriptors.
As covered by @cite_34 , image-based forensics techniques that leverage camera noise residuals @cite_16 , image compression artifacts @cite_1 , or geometric and physics inconsistencies in the scene @cite_37 can also be used in videos when applied frame by frame. @cite_6 and @cite_21 , Exif image metadata is used to detect either image brightness and contrast adjustments, and splicing manipulations in images, respectively. Finally, @cite_5 use video file container metadata for video integrity verification and source device identification. To the best of our knowledge, video manipulation detection techniques that exploit the multimedia stream descriptors have not been previously proposed.
@cite_37 @cite_21 @cite_1 @cite_6 @cite_16 @cite_5 @cite_34
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In this paper, we propose a forensic algorithm to discriminate between original and forged regions in JPEG images, under the hypothesis that the tampered image presents a double JPEG compression, either aligned (A-DJPG) or nonaligned (NA-DJPG). Unlike previous approaches, the proposed algorithm does not need to manually select a suspect region in order to test the presence or the absence of double compression artifacts. Based on an improved and unified statistical model characterizing the artifacts that appear in the presence of both A-DJPG or NA-DJPG, the proposed algorithm automatically computes a likelihood map indicating the probability for each 8 × 8 discrete cosine transform block of being doubly compressed. The validity of the proposed approach has been assessed by evaluating the performance of a detector based on thresholding the likelihood map, considering different forensic scenarios. The effectiveness of the proposed method is also confirmed by tests carried on realistic tampered images. An interesting property of the proposed Bayesian approach is that it can be easily extended to work with traces left by other kinds of processing. EXchangeable Image File format (EXIF) is a metadata header containing shot-related camera settings such as aperture, exposure time, ISO speed etc. These settings can affect the photo content in many ways. In this paper, we investigate the underlying EXIF-Image correlation and propose a novel model, which correlates image statistical noise features with several commonly used EXIF features. By formulating each EXIF feature as a weighted combination of different image statistical noise features, we first select a compact image statistical noise feature set using sequential floating forward selection. The underlying correlation as a set of regression weights is then solved using a least squares solution. When applying our learned correlation to detect image manipulation, we achieve average test accuracies of 94.6 , 94.1 and 94.9 in three different cameras to detect the presence of common image brightness and contrast adjustment. Digital images can be captured or generated by a variety of sources including digital cameras, scanners and computer graphics softwares. In many cases it is important to be able to determine the source of a digital image such as for criminal and forensic investigation. This paper presents methods for distinguishing between an image captured using a digital camera, a computer generated image and an image captured using a scanner. The method proposed here is based on the differences in the image generation processes used in these devices and is independent of the image content. The method is based on using features of the residual pattern noise that exist in images obtained from digital cameras and scanners. The residual noise present in computer generated images does not have structures similar to the pattern noise of cameras and scanners. The experiments show that a feature based approach using an SVM classifier gives high accuracy. Video forensics keeps developing new technologies to verify the authenticity and the integrity of digital videos. While most of the existing methods rely on the analysis of the video data stream, recently, a new line of research was introduced to investigate video life cycle based on the analysis of the video container. Anyway, existing contributions in this field are based on manual comparison of video container structure and content, which is time demanding and error-prone. In this paper, we introduce a method for unsupervised analysis of video file containers, and present two main forensic applications of such method: the first one deals with video integrity verification, based on the dissimilarity between a reference and a query file container; the second one focuses on the identification and classification of the source device brand, based on the analysis of containers structure and content. Noticeably, the latter application relies on the likelihood-ratio framework, which is more and more approved by the forensic community as the appropriate way to exhibit findings in court. We tested and proved the effectiveness of both applications on a dataset composed by 578 videos taken with modern smartphones from major brands and models. The proposed approaches are proved to be valuable also for requiring an extremely small computational cost as opposed to all available techniques based on the video stream analysis or manual inspection of file containers. Validating a given multimedia content is nowadays quite a hard task because of the huge amount of possible alterations that could have been operated on it. In order to face this problem, image and video experts have proposed a wide set of solutions to reconstruct the processing history of a given multimedia signal. These strategies rely on the fact that non-reversible operations applied to a signal leave some traces ("footprints") that can be identified and classified in order to reconstruct the possible alterations that have been operated on the original source. These solutions permit also to identify which source generated a specific image or video content given some device-related peculiarities. The paper aims at providing an overview of the existing video processing techniques, considering all the possible alterations that can be operated on a single signal and also the possibility of identifying the traces that could reveal important information about its origin and use.