Recent fast style transfer methods use a pre-trained convolutional neural network as a feature encoder and a perceptual loss network. Although the pre-trained network is used to generate responses of receptive fields effective for representing style and content of image, it is not optimized for image style transfer but rather for image classification. Furthermore, it also requires a time-consuming and correlation-considering feature alignment process for image style transfer because of its inter-channel correlation. In this paper, we propose an end-to-end learning method which optimizes an encoder decoder network for the purpose of style transfer as well as relieves the feature alignment complexity from considering inter-channel correlation. We used uncorrelation loss, i.e., the total correlation coefficient between the responses of different encoder channels, with style and content losses for training style transfer network. This makes the encoder network to be trained to generate inter-channel uncorrelated features and to be optimized for the task of image style transfer which maintained the quality of image style only with a light-weighted and correlation-unaware feature alignment process. Moreover, our method drastically reduced redundant channels of the encoded feature and this resulted in the efficient size of structure of network and faster forward processing speed. Our method can also be applied to cascade network scheme for multiple scaled style transferring and allows user-control of style strength by using a content-style trade-off parameter.
Several methods have been proposed to deal with diverse tasks such as spatial-color control @cite_13 , multiple style interpolation @cite_12 @cite_11 @cite_7 and photorealism @cite_15 in style transfer.
@cite_7 @cite_15 @cite_13 @cite_12 @cite_11
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recently introduced a neural algorithm that renders a content image in the style of another image, achieving so-called style transfer. However, their framework requires a slow iterative optimization process, which limits its practical application. Fast approximations with feed-forward neural networks have been proposed to speed up neural style transfer. Unfortunately, the speed improvement comes at a cost: the network is usually tied to a fixed set of styles and cannot adapt to arbitrary new styles. In this paper, we present a simple yet effective approach that for the first time enables arbitrary style transfer in real-time. At the heart of our method is a novel adaptive instance normalization (AdaIN) layer that aligns the mean and variance of the content features with those of the style features. Our method achieves speed comparable to the fastest existing approach, without the restriction to a pre-defined set of styles. In addition, our approach allows flexible user controls such as content-style trade-off, style interpolation, color & spatial controls, all using a single feed-forward neural network. This paper introduces a deep-learning approach to photographic style transfer that handles a large variety of image content while faithfully transferring the reference style. Our approach builds upon the recent work on painterly transfer that separates style from the content of an image by considering different layers of a neural network. However, as is, this approach is not suitable for photorealistic style transfer. Even when both the input and reference images are photographs, the output still exhibits distortions reminiscent of a painting. Our contribution is to constrain the transformation from the input to the output to be locally affine in colorspace, and to express this constraint as a custom fully differentiable energy term. We show that this approach successfully suppresses distortion and yields satisfying photorealistic style transfers in a broad variety of scenarios, including transfer of the time of day, weather, season, and artistic edits. Neural Style Transfer has shown very exciting results enabling new forms of image manipulation. Here we extend the existing method to introduce control over spatial location, colour information and across spatial scale. We demonstrate how this enhances the method by allowing high-resolution controlled stylisation and helps to alleviate common failure cases such as applying ground textures to sky regions. Furthermore, by decomposing style into these perceptual factors we enable the combination of style information from multiple sources to generate new, perceptually appealing styles from existing ones. We also describe how these methods can be used to more efficiently produce large size, high-quality stylisation. Finally we show how the introduced control measures can be applied in recent methods for Fast Neural Style Transfer. The diversity of painting styles represents a rich visual vocabulary for the construction of an image. The degree to which one may learn and parsimoniously capture this visual vocabulary measures our understanding of the higher level features of paintings, if not images in general. In this work we investigate the construction of a single, scalable deep network that can parsimoniously capture the artistic style of a diversity of paintings. We demonstrate that such a network generalizes across a diversity of artistic styles by reducing a painting to a point in an embedding space. Importantly, this model permits a user to explore new painting styles by arbitrarily combining the styles learned from individual paintings. We hope that this work provides a useful step towards building rich models of paintings and offers a window on to the structure of the learned representation of artistic style. In this paper, we present a method which combines the flexibility of the neural algorithm of artistic style with the speed of fast style transfer networks to allow real-time stylization using any content style image pair. We build upon recent work leveraging conditional instance normalization for multi-style transfer networks by learning to predict the conditional instance normalization parameters directly from a style image. The model is successfully trained on a corpus of roughly 80,000 paintings and is able to generalize to paintings previously unobserved. We demonstrate that the learned embedding space is smooth and contains a rich structure and organizes semantic information associated with paintings in an entirely unsupervised manner.