This paper presents the first attempt at stereoscopic neural style transfer, which responds to the emerging demand for 3D movies or AR VR. We start with a careful examination of applying existing monocular style transfer methods to left and right views of stereoscopic images separately. This reveals that the original disparity consistency cannot be well preserved in the final stylization results, which causes 3D fatigue to the viewers. To address this issue, we incorporate a new disparity loss into the widely adopted style loss function by enforcing the bidirectional disparity constraint in non-occluded regions. For a practical real-time solution, we propose the first feed-forward network by jointly training a stylization sub-network and a disparity sub-network, and integrate them in a feature level middle domain. Our disparity sub-network is also the first end-to-end network for simultaneous bidirectional disparity and occlusion mask estimation. Finally, our network is effectively extended to stereoscopic videos, by considering both temporal coherence and disparity consistency. We will show that the proposed method clearly outperforms the baseline algorithms both quantitatively and qualitatively.
To further improve the quality, many domain priors or schemes are used, including face constraints @cite_22 , MRF priors @cite_5 , or user guidances @cite_42 . To accelerate the rendering process, a feed-forward generative network @cite_26 @cite_6 @cite_27 @cite_2 can be directly learnt instead, which were successfully deployed popular apps ( , Prisma @cite_10 , Microsoft Pix @cite_38 ). However, the algorithms described above are designed only for monocular images. When they are independently applied to stereoscopic views, they inevitably introduce spatial inconsistency, causing visual discomfort (3D fatigue).
@cite_38 @cite_26 @cite_22 @cite_42 @cite_6 @cite_27 @cite_2 @cite_5 @cite_10
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We consider image transformation problems, where an input image is transformed into an output image. Recent methods for such problems typically train feed-forward convolutional neural networks using a loss between the output and ground-truth images. Parallel work has shown that high-quality images can be generated by defining and optimizing loss functions based on high-level features extracted from pretrained networks. We combine the benefits of both approaches, and propose the use of perceptual loss functions for training feed-forward networks for image transformation tasks. We show results on image style transfer, where a feed-forward network is trained to solve the optimization problem proposed by in real-time. Compared to the optimization-based method, our network gives similar qualitative results but is three orders of magnitude faster. We also experiment with single-image super-resolution, where replacing a per-pixel loss with a perceptual loss gives visually pleasing results. Head portraits are popular in traditional painting. Automating portrait painting is challenging as the human visual system is sensitive to the slightest irregularities in human faces. Applying generic painting techniques often deforms facial structures. On the other hand portrait painting techniques are mainly designed for the graphite style and or are based on image analogies; an example painting as well as its original unpainted version are required. This limits their domain of applicability. We present a new technique for transferring the painting from a head portrait onto another. Unlike previous work our technique only requires the example painting and is not restricted to a specific style. We impose novel spatial constraints by locally transferring the color distributions of the example painting. This better captures the painting texture and maintains the integrity of facial structures. We generate a solution through Convolutional Neural Networks and we present an extension to video. Here motion is exploited in a way to reduce temporal inconsistencies and the shower-door effect. Our approach transfers the painting style while maintaining the input photograph identity. In addition it significantly reduces facial deformations over state of the art. Convolutional neural networks (CNNs) have proven highly effective at image synthesis and style transfer. For most users, however, using them as tools can be a challenging task due to their unpredictable behavior that goes against common intuitions. This paper introduces a novel concept to augment such generative architectures with semantic annotations, either by manually authoring pixel labels or using existing solutions for semantic segmentation. The result is a content-aware generative algorithm that offers meaningful control over the outcome. Thus, we increase the quality of images generated by avoiding common glitches, make the results look significantly more plausible, and extend the functional range of these algorithms---whether for portraits or landscapes, etc. Applications include semantic style transfer and turning doodles with few colors into masterful paintings! recently demonstrated that deep networks can generate beautiful textures and stylized images from a single texture example. However, their methods requires a slow and memory-consuming optimization process. We propose here an alternative approach that moves the computational burden to a learning stage. Given a single example of a texture, our approach trains compact feed-forward convolutional networks to generate multiple samples of the same texture of arbitrary size and to transfer artistic style from a given image to any other image. The resulting networks are remarkably light-weight and can generate textures of quality comparable to Gatys et al., but hundreds of times faster. More generally, our approach highlights the power and flexibility of generative feed-forward models trained with complex and expressive loss functions. The diversity of painting styles represents a rich visual vocabulary for the construction of an image. The degree to which one may learn and parsimoniously capture this visual vocabulary measures our understanding of the higher level features of paintings, if not images in general. In this work we investigate the construction of a single, scalable deep network that can parsimoniously capture the artistic style of a diversity of paintings. We demonstrate that such a network generalizes across a diversity of artistic styles by reducing a painting to a point in an embedding space. Importantly, this model permits a user to explore new painting styles by arbitrarily combining the styles learned from individual paintings. We hope that this work provides a useful step towards building rich models of paintings and offers a window on to the structure of the learned representation of artistic style. We propose StyleBank, which is composed of multiple convolution filter banks and each filter bank explicitly represents one style, for neural image style transfer. To transfer an image to a specific style, the corresponding filter bank is operated on top of the intermediate feature embedding produced by a single auto-encoder. The StyleBank and the auto-encoder are jointly learnt, where the learning is conducted in such a way that the auto-encoder does not encode any style information thanks to the flexibility introduced by the explicit filter bank representation. It also enables us to conduct incremental learning to add a new image style by learning a new filter bank while holding the auto-encoder fixed. The explicit style representation along with the flexible network design enables us to fuse styles at not only the image level, but also the region level. Our method is the first style transfer network that links back to traditional texton mapping methods, and hence provides new understanding on neural style transfer. Our method is easy to train, runs in real-time, and produces results that qualitatively better or at least comparable to existing methods. This paper studies a combination of generative Markov random field (MRF) models and discriminatively trained deep convolutional neural networks (dCNNs) for synthesizing 2D images. The generative MRF acts on higher-levels of a dCNN feature pyramid, controling the image layout at an abstract level. We apply the method to both photographic and non-photo-realistic (artwork) synthesis tasks. The MRF regularizer prevents over-excitation artifacts and reduces implausible feature mixtures common to previous dCNN inversion approaches, permitting synthezing photographic content with increased visual plausibility. Unlike standard MRF-based texture synthesis, the combined system can both match and adapt local features with considerable variability, yielding results far out of reach of classic generative MRF methods.