Artistic style transfer can be thought as a process to generate different versions of abstraction of the original image. However, most of the artistic style transfer operators are not optimized for human faces thus mainly suffers from two undesirable features when applying them to selfies. First, the edges of human faces may unpleasantly deviate from the ones in the original image. Second, the skin color is far from faithful to the original one which is usually problematic in producing quality selfies. In this paper, we take a different approach and formulate this abstraction process as a gradient domain learning problem. We aim to learn a type of abstraction which not only achieves the specified artistic style but also circumvents the two aforementioned drawbacks thus highly applicable to selfie photography. We also show that our method can be directly generalized to videos with high inter-frame consistency. Our method is also robust to non-selfie images, and the generalization to various kinds of real-life scenes is discussed. We will make our code publicly available.
The most proximate work to our goal is @cite_11 @cite_13 . The algorithm proposed by Slim aimed to reduce the distortion and increase visual fidelity by adding an example-driven spatial constraint for each facial image. One limitation of the example-based method is that it requires similar portrait images as the reference, which is hard to find. Their model also lacked global consideration for skin color consistency. Unlike @cite_11 , our method can be generalized to other relevant scenes and exhibits overall concern for multi-aspect naturalness preservation in the universal light-weighted framework.
@cite_13 @cite_11
2106395586 2461455396
Headshot portraits are a popular subject in photography but to achieve a compelling visual style requires advanced skills that a casual photographer will not have. Further, algorithms that automate or assist the stylization of generic photographs do not perform well on headshots due to the feature-specific, local retouching that a professional photographer typically applies to generate such portraits. We introduce a technique to transfer the style of an example headshot photo onto a new one. This can allow one to easily reproduce the look of renowned artists. At the core of our approach is a new multiscale technique to robustly transfer the local statistics of an example portrait onto a new one. This technique matches properties such as the local contrast and the overall lighting direction while being tolerant to the unavoidable differences between the faces of two different people. Additionally, because artists sometimes produce entire headshot collections in a common style, we show how to automatically find a good example to use as a reference for a given portrait, enabling style transfer without the user having to search for a suitable example for each input. We demonstrate our approach on data taken in a controlled environment as well as on a large set of photos downloaded from the Internet. We show that we can successfully handle styles by a variety of different artists. Head portraits are popular in traditional painting. Automating portrait painting is challenging as the human visual system is sensitive to the slightest irregularities in human faces. Applying generic painting techniques often deforms facial structures. On the other hand portrait painting techniques are mainly designed for the graphite style and or are based on image analogies; an example painting as well as its original unpainted version are required. This limits their domain of applicability. We present a new technique for transferring the painting from a head portrait onto another. Unlike previous work our technique only requires the example painting and is not restricted to a specific style. We impose novel spatial constraints by locally transferring the color distributions of the example painting. This better captures the painting texture and maintains the integrity of facial structures. We generate a solution through Convolutional Neural Networks and we present an extension to video. Here motion is exploited in a way to reduce temporal inconsistencies and the shower-door effect. Our approach transfers the painting style while maintaining the input photograph identity. In addition it significantly reduces facial deformations over state of the art.