We present an approach to accurately estimate high fidelity markerless 3D pose and volumetric reconstruction of human performance using only a small set of camera views ( @math ). Our method utilises a dual loss in a generative adversarial network that can yield improved performance in both reconstruction and pose estimate error. We use a deep prior implicitly learnt by the network trained over a dataset of view-ablated multi-view video footage of a wide range of subjects and actions. Uniquely we use a multi-channel symmetric 3D convolutional encoder-decoder with a dual loss to enforce the learning of a latent embedding that enforces skelet al joint positions and a deep volumetric reconstruction of the performer. An extensive evaluation is performed with state of the art performance reported on three datasets; Human 3.6M, TotalCapture and TotalCaptureOutdoor. The method opens the possibility of high-end volumetric and pose performance capture in on-set and prosumer scenarios where time or cost prohibit a high witness camera count.
Bottom-up pose estimation is driven by image parsing to isolate components, Srinivasan @cite_42 used graph-cuts to parse a subset of salient shapes from an image and group these into a model of a person. Ren @cite_39 recursively splits Canny edge contours into segments, classifying each as a putative body part using cues such as parallelism. Ren @cite_1 also used Bag of Visual Words for implicit pose estimation as part of a pose similarity system for dance video retrieval. More recently studies have begun to leverage the power of convolutional neural networks, following in the wake of the eye-opening results of Krizhevsky @cite_15 on image recognition. In DeepPose, Toshev @cite_24 used a cascade of convolutional neural networks to estimate 2D pose in images. Descriptors learnt by a CNN have also been used in 2D pose estimation from very low-resolution images @cite_52 . Elhayek @cite_50 used MVV with a Convnet to produce 2D pose estimations while Rhodin @cite_55 minimised the edge energy inspired by volume ray casting to deduce the 3D pose.
@cite_55 @cite_42 @cite_1 @cite_52 @cite_39 @cite_24 @cite_50 @cite_15
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Markerless motion capture algorithms require a 3D body with properly personalized skeleton dimension and or body shape and appearance to successfully track a person. Unfortunately, many tracking methods consider model personalization a different problem and use manual or semi-automatic model initialization, which greatly reduces applicability. In this paper, we propose a fully automatic algorithm that jointly creates a rigged actor model commonly used for animation – skeleton, volumetric shape, appearance, and optionally a body surface – and estimates the actor’s motion from multi-view video input only. The approach is rigorously designed to work on footage of general outdoor scenes recorded with very few cameras and without background subtraction. Our method uses a new image formation model with analytic visibility and analytically differentiable alignment energy. For reconstruction, 3D body shape is approximated as a Gaussian density field. For pose and shape estimation, we minimize a new edge-based alignment energy inspired by volume ray casting in an absorbing medium. We further propose a new statistical human body model that represents the body surface, volumetric Gaussian density, and variability in skeleton shape. Given any multi-view sequence, our method jointly optimizes the pose and shape parameters of this model fully automatically in a spatiotemporal way. Recognizing humans, estimating their pose and segmenting their body parts are key to high-level image understanding. Because humans are highly articulated, the range of deformations they undergo makes this task extremely challenging. Previous methods have focused largely on heuristics or pairwise part models in approaching this problem. We propose a bottom-up parsing of increasingly more complete partial body masks guided by a parse tree. At each level of the parsing process, we evaluate the partial body masks directly via shape matching with exemplars, without regard to how the parses are formed. The body is evaluated as a whole, not the sum of its constituent parses, unlike previous approaches. Multiple image segmentations are included at each of the levels of the parsing, to augment existing parses or to introduce ones. Our method yields both a pose estimate as well as a segmentation of the human. We demonstrate competitive results on this challenging task with relatively few training examples on a dataset of baseball players with wide pose variation. Our method is comparatively simple and could be easily extended to other objects. We describe a system for matching human posture (pose) across a large cross-media archive of dance footage spanning nearly 100 years, comprising digitized photographs and videos of rehearsals and performances. This footage presents unique challenges due to its age, quality and diversity. We propose a forest-like pose representation combining visual structure (self-similarity) descriptors over multiple scales, without explicitly detecting limb positions which would be infeasible for our data. We explore two complementary multi-scale representations, applying passage retrieval and latent Dirichlet allocation (LDA) techniques inspired by the text retrieval domain, to the problem of pose matching. The result is a robust system capable of quickly searching large cross-media collections for similarity to a visually specified query pose. We evaluate over a cross-section of the UK National Research Centre for Dance's (UK-NRCD), and the Siobhan Davies Replay's (SDR) digital dance archives, using visual queries supplied by dance professionals. We demonstrate significant performance improvements over two base-lines: classical single and multi-scale bag of visual words (BoVW) and spatial pyramid kernel (SPK) matching . We address the task of articulated pose estimation from video sequences. We consider an interactive setting where the initial pose is annotated in the first frame. Our system synthesizes a large number of hypothetical scenes with different poses and camera positions by applying geometric deformations to the first frame. We use these synthetic images to generate a custom labeled training set for the video in question. This training data is then used to learn a regressor (for future frames) that predicts joint locations from image data. Notably, our training set is so accurate that nearest-neighbor (NN) matching on low-resolution pixel features works well. As such, we name our underlying representation “tiny synthetic videos”. We present quantitative results the Friends benchmark dataset that suggests our simple approach matches or exceed state-of-the-art. The goal of this work is to recover human body configurations from static images. Without assuming a priori knowledge of scale, pose or appearance, this problem is extremely challenging and demands the use of all possible sources of information. We develop a framework which can incorporate arbitrary pairwise constraints between body parts, such as scale compatibility, relative position, symmetry of clothing and smooth contour connections between parts. We detect candidate body parts from bottom-up using parallelism, and use various pairwise configuration constraints to assemble them together into body configurations. To find the most probable configuration, we solve an integer quadratic programming problem with a standard technique using linear approximations. Approximate IQP allows us to incorporate much more information than the traditional dynamic programming and remains computationally efficient. 15 hand-labeled images are used to train the low-level part detector and learn the pairwise constraints. We show test results on a variety of images. We present a novel method for accurate marker-less capture of articulated skeleton motion of several subjects in general scenes, indoors and outdoors, even from input filmed with as few as two cameras. Our approach unites a discriminative image-based joint detection method with a model-based generative motion tracking algorithm through a combined pose optimization energy. The discriminative part-based pose detection method, implemented using Convolutional Networks (ConvNet), estimates unary potentials for each joint of a kinematic skeleton model. These unary potentials are used to probabilistically extract pose constraints for tracking by using weighted sampling from a pose posterior guided by the model. In the final energy, these constraints are combined with an appearance-based model-to-image similarity term. Poses can be computed very efficiently using iterative local optimization, as ConvNet detection is fast, and our formulation yields a combined pose estimation energy with analytic derivatives. In combination, this enables to track full articulated joint angles at state-of-the-art accuracy and temporal stability with a very low number of cameras. We trained a large, deep convolutional neural network to classify the 1.2 million high-resolution images in the ImageNet LSVRC-2010 contest into the 1000 different classes. On the test data, we achieved top-1 and top-5 error rates of 37.5 and 17.0 which is considerably better than the previous state-of-the-art. The neural network, which has 60 million parameters and 650,000 neurons, consists of five convolutional layers, some of which are followed by max-pooling layers, and three fully-connected layers with a final 1000-way softmax. To make training faster, we used non-saturating neurons and a very efficient GPU implementation of the convolution operation. To reduce overriding in the fully-connected layers we employed a recently-developed regularization method called "dropout" that proved to be very effective. We also entered a variant of this model in the ILSVRC-2012 competition and achieved a winning top-5 test error rate of 15.3 , compared to 26.2 achieved by the second-best entry.