This paper presents a novel approach for temporal and semantic segmentation of edited videos into meaningful segments, from the point of view of the storytelling structure. The objective is to decompose a long video into more manageable sequences, which can in turn be used to retrieve the most significant parts of it given a textual query and to provide an effective summarization. Previous video decomposition methods mainly employed perceptual cues, tackling the problem either as a story change detection, or as a similarity grouping task, and the lack of semantics limited their ability to identify story boundaries. Our proposal connects together perceptual, audio and semantic cues in a specialized deep network architecture designed with a combination of CNNs which generate an appropriate embedding, and clusters shots into connected sequences of semantic scenes, i.e. stories. A retrieval presentation strategy is also proposed, by selecting the semantically and aesthetically "most valuable" thumbnails to present, considering the query in order to improve the storytelling presentation. Finally, the subjective nature of the task is considered, by conducting experiments with different annotators and by proposing an algorithm to maximize the agreement between automatic results and human annotators.
Lot of work has also been proposed for video retrieval: with the explosive growth of online videos, this has become a hot topic in computer vision. In their seminal work, Sivic al proposed Video Google @cite_27 , a system that retrieves videos from a database via bag-of-words matching. Lew al @cite_16 reviewed earlier efforts in video retrieval, which mostly relied on feature-based relevance feedback or similar methods.
@cite_27 @cite_16
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We describe an approach to object and scene retrieval which searches for and localizes all the occurrences of a user outlined object in a video. The object is represented by a set of viewpoint invariant region descriptors so that recognition can proceed successfully despite changes in viewpoint, illumination and partial occlusion. The temporal continuity of the video within a shot is used to track the regions in order to reject unstable regions and reduce the effects of noise in the descriptors. The analogy with text retrieval is in the implementation where matches on descriptors are pre-computed (using vector quantization), and inverted file systems and document rankings are used. The result is that retrieved is immediate, returning a ranked list of key frames shots in the manner of Google. The method is illustrated for matching in two full length feature films. Extending beyond the boundaries of science, art, and culture, content-based multimedia information retrieval provides new paradigms and methods for searching through the myriad variety of media all over the world. This survey reviews 100p recent articles on content-based multimedia information retrieval and discusses their role in current research directions which include browsing and search paradigms, user studies, affective computing, learning, semantic queries, new features and media types, high performance indexing, and evaluation techniques. Based on the current state of the art, we discuss the major challenges for the future.