Multimodal Imagery in Music: Active Ingredients and Mechanisms Underlying Musical Engagement
Clinicians and researchers have provided strong evidence for the efficacy of Guided Imagery and Music (GIM) and similar therapies across a wide range of clinical conditions. What is still lacking is a theoretical framework that would allow for the identification of the 'active ingredients' in this process. This paper seeks to introduce a new systemic framework for investigating such therapies by examining the biological roots as well as the role of music in the regulation of individual and social life to maintain homeostasis via multimodality by means of arousal, imagery, attentional engagement, emotion, memory and analogous processes. Taking the work of Edelman, Damasio and other leaders of modern neuroscience as a point of departure, homeostasis and multimodality are presented as essential not only to the human life process in terms of our active mental life but also to the fullness of Edelman's "primary consciousness" and Damasio's "core self." The implications of these intricate cross connections are considered as well as the unique propensity for music to spontaneously and multimodally engage these connections. Proposals are also made to evaluate these ideas and stimulate further research in both basic science and clinical practice. Keywords: multimodality, self, reentrant, signaling, homeostasis, consciousness, music therapy Spanish Imagineria Multimodal en musica: Ingredientes activos y los mecanismos que subyacen la participacion musical Harry Ballan Anna Abraham Resumen: Clinicos e investigadores han provisto de solida evidencia sobre la eficacia de la Imagineria Guiada y Musica (GIM) y de terapias similares en un amplio rango de condiciones clinicas. Lo que aun falta es un marco teorico que permitiria identificar los "ingredientes activos" en este proceso. Este trabajo busca introducir un nuevo marco sistematico para la investigacion de dichas terapias examinando los marcadores biologicos asi como el rol de la musica en la regulacion del individuo y su vida social para mantener la homeostasis de manera multimodal por medio del alerta, la imagineria, el compromiso atencional, la emocion, la memoria y otros procesos analogos. Tomando el trabajo de Edelman, Damasio y otros lideres de la neurociencia moderna como punto de partida, la homeostasis y la multimodalidad son presentadas como esenciales no solo en los procesos de la vida humana en terminos de nuestra vida activa mental sino tambien en la plenitud de la "conciencia primaria" de Edelman y del "core self" de Damasio. Las implicancias de estas intrincadas conexiones entrecruzadas son consideradas tambien como la propension espontanea y multimodal de la musica para enlazar estas conexiones. Se propone evaluar estas ideas y estimular nuevas investigaciones basadas tanto en la ciencia como en la practica clinica Palabras clave: msica, multimodal, imagineria, homeostasis, conciencia, musicoterapia German Multimodale Imagery in Music: Aktive Bestandteile und Mechanismen die musikalischem Handeln zugrunde liegen Harry Ballan, Anna Abraham Kliniker und Forscher haben uberzeugende Evidenz fur die Wirkung von Guided Imagery and Music (GIM) und ahnlicher Therapien uber ein weites Spektrum klinischer Zustande geliefert. Was noch fehlt, ist ein theoretischer Rahmen, der erlauben wurde, die aktiven Bestandteile in diesem Prozess zu identifizieren. Dieser Beitrag versucht, einen neuen systemischen Rahmen fur solche Therapien vorzustellen, indem die biologischen Wurzeln und die Rolle der Musik zur Regulation individuellen und sozialen Lebens untersucht werden, die uber Multimodalitaten von Arousal, Imagery, attentionales Engagement, Emotionen, Erinnerung und analogen Prozessen Homoostase zu erhalten suchen. Wenn man die Arbeiten von Edelmann, Damasio und anderen fuhrenden Personen der modernen Neurowissenschaften als Ausgangpunkt nimmt, werden Homoostase und Multimodalitat als wesentlich nicht nur fur den menschlichen Prozess unseres aktiven mentalen Lebens als auch als Fulle von Edelmans ,primary consciousnes" und Damasios ,core self" prasentiert. Die Verflechtungen dieser schwierigen Kreuz Verbindungen werden sowohl als einzigartige Neigung fur Musik bis zur spontanen und multimodalen Beteiligung dieser Verbindung angesehen. Es wurden bereits Vorschlage gemacht, diese Ideen zu evaluieren und weitere Forschung fur Grundlagenwissenschaft und klinischer Praxis anzuregen Keywords: Musik, Multimodalitat, Imagery, Homoostase, Bewusstsein, Musiktherapie. Italian Harry Ballan, Anna Abraham Medici e ricercatori hanno forito una forte evidenza dell'efficacia della Guided Imagery and Music (GIM) e di terapie simili, applicate ad una vasta gamma di condizioni cliniche. Cio che ancora manca e un quadro teorico che permetterebbe l'identificazione dei "principi attivi" in questo processo. Il presente documento si propone di introdurre un nuovo quadro sistematico per indagare tali terapia esaminando le radici biologiche, nonche il ruolo della musica nella regolazione della vita individuale e sociale mantenendo l'omeostasi per mezzo dell'eccitazione, l'immaginario, l'impegno dell'attenzione, emozione, memoria e altri processi analoghi. Prendendo il lavoro di Edelman, Damasio ed altri leader delle neuroscienze moderne come punto di partenza, l'omeostasi e la multimodalita sono essenzialmente presenti non solo per il processo della vita umana I termini di nostra vita mentale attiva, ma anche per la pienezza della "coscenza primadria di Edelman e il cuore di se stesso di Damasio. Le implicazioni di questi intricati collegamenti trasversali sono considerati come anche l'unica propensita per la musica di impegnare spontaneamente e multimodalmente quest connessioni. Le proposte per valutare queste idee e stimolare ultiriori ricerche sia nella scienza di base che nella pratica clinica sono fatte. Parole Chiave: musica, multimodalita, immaginario, omeostasi, musicoterapia Chinese Yin Le Zhong De Duo Yuan Xing Shi Lian Xiang :Tou Ru Yin Le Dai Lai De Huo Hua Yuan Su Yu Ji Zhi Dui Yu Yin Le Yin Dao Yi Xiang (GIM)De Guang Fan Ying Yong Ji Lin Chuang Shang Lei Si De Zhi Liao Fa Zhi Xiao Yong ,Lin Chuang Gong Zuo Zhe Yu Yan Jiu Zhe Yi Ti Chu Xu Duo You Li De Zheng Ju Ran Er ,Neng Yong Lai Ding Yi Zai Guo Cheng Zhong De [Huo Hua Yuan Su Zhi Li Lun Jia Gou Ze Shang Wei Wan Bei Ben Wen Shi Yi Yi Zhong Xin De Jia Gou Lai Yan Jiu Zhe Xie Zhi Liao ,Tou Guo Sheng Li Ji Chu Yi Ji Yin Le De Duo Yuan Xing Shi Yu Fang Fa ,Ru Huan Qi Xiang Xiang Ji Zhong Zhu Yi Li Jiang Qing Xu He Ji Yi Lei Bi De Guo Cheng ,Diao Jie She Jiao Sheng Huo Bing Wei Chi Zi Wo Ping Heng Wen Zhong Yi Edelman, DamasioHe Qi Ta Xian Dai Shen Jing Ke Xue Ling Dao Zhe De Guan Dian Chu Fa ,Yi Zi Wo Ping Heng Ji Duo Yuan Xing Shi Wei Ji Chu ,Bu Zhi Shi Ren Lei Sheng Huo Zhong De Xin Zhi Huo Dong Guo Cheng ,Ye Jiang EdelmanSuo Ti De [Shou Yao Yi Shi Yi Ji DamasioSuo Wei De [He Xin Zi Wo Zuo Wei Gen Ji ,Jiang Zhe Xie Fu Za Er Jiao Cuo Lian Jie De Yi Yi Jia Yi Kao Lu ,Yi Yin Le Du You De Te Xing Jiang Zhe Xie Duo Yuan De Mo Shi Zi Fa Xing De Lian Jie Zuo Zhe Jian Yi Wei Lai Yao Jin Yi Bu Ping Gu Zhe Xie Xiang Fa ,Bing Ji Li Geng Duo Zhe Fang Mian De Ji Chu Ke Xue Yan Jiu Yu Lin Chuang Shi Jian Japanese Yin Le niokerumaruchimodaruimezi: Yin Le De engezimentonoJi Chu De naYou Xiao Cheng Fen toShi Zu mi Harry Ballan, Anna Abraham Lin Chuang Jia toYan Jiu Zhe haGIMBing biniGuang Fan Wei denoLin Chuang Tiao Jian niokeruLei Si shitaLiao Fa noXiao Neng nitsuiteQiang iebidensuwoTi Gong shitekita. Li Lun Gou Cheng Shang Wei daniBu Zu shiteirunohakonopurosesuniokeru"You Xiao Cheng Fen "noZheng Ming woKao Lu niRu rerukotodearu. Ben Yan Jiu ha, Sheng Wu Xue rutsunoJian Zheng niyotsutekoreranoLiao Fa noDiao Cha notamenoXin shiishisutemunoWaku Zu mi, Tong Shi ni, Jue Xing Xin Xiang Zhu Yi noDiao He Gan Qing Ji Yi soshiteXiang Wei shitapurosesuwoJing tamaruchimodaruwoTong ziteHeng Chang Xing woBao Chi surutamenoGe Ren toShe Hui Sheng Huo noDiao Zheng nioitenoYin Le noYi Ge noShao Jie niNu meru. Chu Fa Dian toshite, Damasios EdelmanShi noYan Jiu soshiteTa noXian Dai noShen Jing Xue noXian Qu Zhe nitsuite, mata, Heng Chang Xing tomaruchimodarunoHuo Dong De naJing Shen De Sheng Huo noJian Di karanoRen Lei noSheng Huo nopurosesu, soshiteEdelmanShi no"Zhu Yi Shi "toDamasioShi no "Zhong He De Zi Ji " noChong Man Du nitsuiteYan Ji suru. koreranoFu Za naXiang Hu Guan Xi noBao Han nitsuite, mata, Zi Fa Xing tomaruchimodaruwokoreranoGuan Xi toNie miHe waserutamenoYin Le Du Te noXing Zhi gaKao Cha sareru. Ji Chu De Ke Xue toLin Chuang nioitekoreranoJian Jie woPing Jia shiJiang Lai noYan Jiu woCu sutamenoTi An ganasareta. kiwado: Yin Le maruchimodaru, imezi, Heng Chang Xing Yi Shi Yin Le Liao Fa Korean eumagyi dajung simsang eumagjeog gaeibyi gicoreul iruneun yuhyo yosowa jangcideul Harry Ballan, Anna Abraham imsangyideulgwa yeongujadeuleun dayanghan imsang sanghwangeseo simsang yudo eumag(GIM)gwa yusahan ciryobeobdeulyi hyoneunge daehan gangryeoghan jeunggeodeuleul jesihaewassda. geureona i gwajeongeseo hyogwajeogin yosodeuleul sigbyeolhal su issneun ironjeog todaeneun yeojeonhi bujoghada. bon yeonguneun biyu gwajeong(analogous processes) gieog, jeongseo, juyi gaeib(attentional engagement) gagseong(arousal) simsang(imagery) gateun dajung jeobgeunbeob(multimodality)eul tonghae hangsangseong(homeostasis)eul yujihagi wihaeseo gaein saenghwal mic sahoesaenghwalyi gyujeeseo eumagi haneun yeoghal bbunman anira saengmulhagjeog geungeoreul josahameurosseo haedang ciryobeobdeule daehan saeroun cegyejeog todaereul doibharyeogo handa. Edelman, Damasio, geurigo hyeondae singyeong gwahagyi jidojadeulyi yeongureul culbaljeomeuro, hangsangseonggwa dajungjeobgeunbeob(multimodality)eul uriyi hwalbalhan jeongsinsaenghwalgwa gwanryeondoen inganyi ilsang gwajeongbbun man anira Edelmanyi ilcayisig(primary consciousness)gwa Damasioyi haegsim jaa(core self)edo ggog pilyohan geoseuro natanassda. eumagi dayanghan ceugmyeoneseo ireon yeongwangwangyee gaeibhal su issneun dogteughan gyeonghyangseongi issdaneun geos bbun man anira ddohan bogjabhan gyocajeog yeongwangwangyega gajneun yiyido goryeohaeya handa. bon yeonguneun gico gwahaggwa imsanghyeonjang du yeongyeogeseo irueo jil su issneun cuga yeongue daehan jean mic pyeonggae daehae jeanhanda. kiweodeu: eumag, dajungyi(multimodal) simsang, hangsangseong, yisig, eumag ciryo