EVEN ORPHEUS NEEDS A SYNTHI
Abstract In recent years there has been an increase in the quantity, if not necessarily the quality, of scholarly and popular writing on the histories of electronic music in Britain. In this literature, the contributions of Peter Zinovieff (b. 1933) and his computer equipped electronic music studio to those histories have been variously exaggerated, underestimated and misreported. This article attempts to correct this misinformation, investigating Zinovieff's solo work and his collaborations with Harrison Birtwistle, Hans Werner Henze and others, through a critical discussion of two recent contributions to the discourse surrounding the compositions realised at Zinovieff's EMS studio in the 1960s and 70s.
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