Everybody’s Business: Film, Food and Victory in the First World War
One month after the outbreak of the Second World War, the ‘Dig for Victory’ campaign was introduced in Britain in an attempt to grow more food to feed a nation in conflict, at which time the government persuaded people on the Home Front to convert their gardens into allotments in order to cultivate vegetables. Correspondingly, strategies were also created to encourage farmers to transform their land as part of the war effort. The campaign for the production of food not only concerned the need to educate in order to provide for the country, but also provided an impetus for community and patriotism. Outlining the need for home-grown products and productive cultivation of the landscape, Dig for Victory in the Second World War was a scheme that was professional from the outset involving the screening of numerous newsreels and documentaries in its implementation. That this plan was mobilised at such short notice owes a debt to the First World War, a period that witnessed the birth of film as official propaganda. However, the main disparity between the two film campaigns lies in their strategies for dealing with the populace. The Second World War was deemed ‘the People’s War,’ using the working class as central protagonists with the aim of disregarding class difference. Alternatively, the First World War deployed upper-and middle-class characters in fiction films in order to educate. These practices were put into operation despite the fact that the cinema audience during this period was predominantly comprised of those fighting starvation, and indeed those actually ‘digging for victory.’ This article analyses the strategies inaugurated in the cinematic food campaign in the First World War in both newsreels and fiction film, and traces a trajectory to the Dig for Victory campaign in the Second World War.
The British At War: Cinema, State and Propaganda, 1939-1945
Part 1 Organisations and policies: the MOI films division a policy for film propaganda the MOI and feature film propaganda the MOI and short film propaganda the crown film Unit the service film units. Part 2 Subjects and themes: the people's war officers and men women and war friend and foe history and heritage. Notes filmography bibliography film index general index.
The German centenary of the First World War
In the run up to the 2014 centenary of the First World War, the German public was gripped by a heated debate on the origins of the war. This article explores the nature of this controversy and its role in shaping national commemoration of the Great War. It also draws parallels between the commemorations of the fiftieth anniversary of the outbreak of the war in 1964 and those of 2014. Through a comparison of Germany’s national memories of the war with those in Britain and France, the article also reveals how different and sometimes conflicting national interpretations of the history of the First World War have affected centenary commemoration. Memories of the First World War are nation-specific, constructed and developed over time to suit a particular view of a country’s past. Moreover, they can be instrumental in influencing that country’s future development and relations with its neighbours.