El "exilio del libro": una perspectiva desde la literatura erótica
The destiny suffered by Renaissance and Golden Age erotic works is an excellent example that shows the ways in which written thought has managed to survive the attempts directed at its destruction. The different forms of evasion in order to hide the delicate erotic contents can be compared to a form of exile, from where erotic literature has only recently come back. But the return from oblivion was a slow and not linear one. The attitude of society and investigation has been variable and has played a considerable role in the recovery of writings that had been sent away to exile ages ago by censorship.
Aretino y Quevedo: Perfiles de la poesía pictórica
En el amplio marco de las relaciones hispano-italianas, este trabajo pretende explorar las similitudes entre Aretino y Quevedo: luego de un trazado de las similitudes que presentan en el perfil autorial (gusto por la autofiguración, carácter polémico, afán crítico, ingeniosos renovadores, etc.) y un repaso de la serie de relaciones intertextuales enlazan sus obras (el antipetrarquismo, la vuelta paródica de la tradición épica, los pronósticos burlescos y algunas imágenes), se pasa al examen comparado de las galerías de poemas pictóricos de ambos ingenios, comentando los puntos de contacto especialmente en el manejo de la écfrasis y en las ideas pictóricas, a partir de las respectivas presentaciones de un parnaso de artistas ilustres con Tiziano en el centro.
The "Comedieta" of the Satira : Dom Pedro de Portugal's Monkeys in the Margins
The little-studied Sátira de infelice e felice vida, by Dom Pedro, Constable of Portugal (c. 1429–1466), unjustly neglected by Hispanomedievalists, offers its readers an ideal opportunity to consider the ambiguous status of the margins of a late medieval text.1 Originally composed in Portuguese at mid-century (a version now lost) and translated soon thereafter into Spanish by Dom Pedro himself while exiled in Castile, the Sátira presents an amusingly ironic view of the process of authoring, staged most strikingly in the voluminous glosses