Contested Triumphs: Politics, Pageantry, and Performance in Livy’s Republican Rome by Miriam R. Pelikan Pittenger (review)
459 apart the components of a sentence to understand its meaning. It is difficult to recommend Stroup’s work wholeheartedly, since it does have some major omissions in its approach, which limits its value for the social and cultural historian. And curiously, at first glance this seems to be the market at which the book is primarily aimed. Nonetheless, I suspect Stroup’s monograph would better serve the interests of philologists working on Cicero (and to a more limited extent Catullus) and students of literary history of the Late Republic. For these, Stroup does have some valuable insights and interpretations that are well worth further consideration.
Spectacle and Society in Livy's History
Public spectacle--from the morning rituals of the Roman noble to triumphs and the shows of the Arena--formed a crucial component of the language of power in ancient Rome. The historian Livy (c. 60 B.C.E.-17 C.E.), who provides our fullest description of Rome's early history, presents his account of the growth of the Roman state itself as something to be seen--a visual monument and public spectacle. Through analysis of several episodes in Livy's History, Andrew Feldherr demonstrates the ways in which Livy uses specific visual imagery to make the reader not only an observer of certain key events in Roman history but also a participant in those events. This innovative study incorporates recent literary and cultural theory with detailed historical analysis to put an ancient text into dialogue with contemporary discussions of visual culture. In Spectacle and Society in Livy's History, Feldherr shows how Livy uses the literary representation of spectacles from the Roman past to construct a new sense of civic identity among his readers. He offers a new way of understanding how Livy's technique addressed the political and cultural needs of Roman citizens in Livy's day. In addition to renewing our understanding of Livy through modern scholarship, Feldherr provides a new assessment of the historian's aims and methods by asking what it means for the historian to make readers spectators of history.
The lights that failed: European international history, 1919-1933
PART I: THE RECONSTRUCTION OF EUROPE, 1918-1929 1. The Hall of Mirrors: Peacemaking in the West 2. Distant Frontiers: Peacemaking in the East 3. Revolution from the Left: The Soviet Union and the Post-War Settlement 4. The Primacy of Economics: Reconstruction in Western Europe, 1919-1924 5. The Primacy of Nationalism: Reconstruction in Eastern and Central Europe 6. Revolution from the Right: Italy, 1919-25 7. The Geneva Dream: The League of Nations and Post-War Internationalism 8. New Dawn? Stabilisation in Western Europe after Locarno 9. Faltering Reconstruction: Cracks in the Locarno Facade 10. Troubled Waters: Uncertainties in Italy, Eastern Europe and the Soviet Union 11. Faltering Internationalism: Disarmament and Security after Locarno Conclusion: Europe Reconstructed? PART II: THE HINGE YEARS, 1930-1933 12. The Diplomacy of the Depression: Economics and Foreign Policy 13. Beyond Europe: The Manchurian Crisis 14. The Poisoned Chalice: The Pursuit of Disarmament Conclusion: The Hinge Years Appendices Select Bibliography