Political Crimes and Liberty, or Why Would Schubert Eat a Peacock?
In an influential and original article published in this journal in 1989,' Maynard Solomon put forward a provocative interpretation of the cryptic, by now infamous, entry in the playwright Eduard von Bauernfeld's diary from August 1826: "I am to translate Shakespeare's poems and sonnets for Sollinger. So be it! Schubert out of sorts (he requires 'young peacocks' like Benv. Cellini). Schwind morose, Schober idle, as usual. I am till full of travel-fever and vigor!"2 In sharp contrast to earlier interpretations of this diary passage by Otto Erich Deutsch and Eric Sams, Solomon rejected the association of the young peacocks with Cellini's (and by extension Schubert's) syphilis, proposing instead that th diary entry was an oblique reference to Schubert's probable homosexuality. Solomon arg ed that the many hunts for peacocks and other wild birds recounted in Cellini's Vita are
Babrius and Phaedrus
Babrius is the reputed author of a collection (discovered in the 19th century) of more than 125 fables based on those called Aesop's, in Greek verse. He may have been a hellenised Roman living in Asia Minor during the late 1st century of our era. The fables are all in one metre and in very good style, humorous and pointed. Some are original. Phaedrus, born in Macedonia, flourished in the early half of the 1st century of our era. Apparently a slave set free by the emperor Augustus, he lived in Italy and began to write Aesopian fables. When he offended Sejanus, a powerful official of the emperor Tiberius, he was punished but not silenced. The fables, in five books, are in lively terse and simple Latin verse not lacking in dignity. They not only amuse and teach but also satirise social and political life in Rome. This edition includes a comprehensive analytical Survey of Greek and Latin fables in the Aesopic tradition, as well as a historical introduction.
An Historical Dictionary of German Figurative Usage
Fasicle 51. Fasicle 52. Fasicle 53. Fasicle 54. Fasicle 55. Fasicle 56. Fasicle 57. Fasicle 58. Fasicle 59. Fasicle 60.