Rhyme’s Crimes
This article shows how rhyme came to be devalued critically. It argues that formalist methodologies alone cannot explain why rhyme once dominated and then fell in importance. Nor can formalism save rhyme by pointing to the reasons why humans enjoy it or by showing how it adds to poetry’s value. Instead, in historicist fashion, I focus on how political factors have determined the meaning of rhyme in the last three hundred years. I link rhyme’s fall to a series of ideological disavowals that tied the technique to subject positions deemed unfree. From political conservatism and aristocracy to femininity, childishness, and popular vulgarity, rhyme was positioned in aesthetic discourse as a device not fit for liberal professors of poetry. The case of rhyme illustrates that literary form can never be abstracted from the political contests by which culture is riven.
Byron: Augustan and Romantic
The impact of Byron's writings - an evaluative approach, William St Clair "My brain is feminine" - Byron and the poetry of deception, Jerome J. McGann Byron and the romantic heroine, Malcolm Kelsall Byron and the Empire in the East, Marilyn Butler Byron Augustan - mutations of mock-heroic in "Don Juan" and Shelley's "Peter Bell the Third", Claude Rawson continuities and discontinuities of language and voice in Dryden, Pope, and Byron, Bernard Beatty Augustan satires and Panegyrics on London and Byron's image of the city, Michael Gassermeier Byron, Pope, and the Grand Tour, Michael G. Cooke Byron in Italy - the return of Augustus, Donald H. Reiman "Don Juan" transformed, Anne Barton Byron's "Wrong Revolutionary System" and romanticism, Hermann Fischer the quintessential Byron, Leslie A. Marchand.
FlowBrush: optical flow art
The depiction of motion in static representations has a long tradition in art and science alike. Often, motion is depicted by spatio-temporal summarizations that try to preserve as much information of the original dynamic content as possible. In our approach to depicting motion, we remove the spatial constraints and generate new content steered by the temporal changes in motion. Applying particle steering in combination with the dynamic color palette of the video content, we can create a wide range of different image styles. With recorded videos, or by live interaction with a webcam, one can influence the resulting image. We provide a set of intuitive parameters to affect the style of the result, the final image content depends on the video input. Based on a collection of results gathered from test users, we discuss example styles that can be achieved with FlowBrush. In general, our approach provides an open sandbox for creative people to generate aesthetic images from any video content they apply.