Archaeology, Merriment, and Murder: The First Cortile of the Palazzo Vecchio and its Transformations in the Late Florentine Republic
The relationship between trecento and quattrocento architecture is usually seen as a simplistic paragone of stylistic antithesis generally derogatory to the former period. A reconstruction of the original cortile wing of the Palazzo Vecchio, which was remodeled in the Renaissance, permits the deconstruction of this view, at least with respect to key aspects of one major building. New archaeological evidence, together with historical data and the analysis of two picaresque literary texts, yields a detailed picture of the complex early project. The builders' remarkably precise and imaginative planning procedure is rediscovered, along with the exceptionally high functionalism of the original fabric. Life in the palace, real and symbolic, is reviewed, and the changing form of the cortile in the Renaissance is found to have been motivated principally not by aesthetics, but by Medicean politics.
Kenneth Burke's Dramatist Pentad as an Alternative Approach to Art Criticism in the Classroom
s International, 48/04A, p. 892. Early, P. (1985). The arts: A critical examination of their status in contemporary society. (Doctoral dissertation, Texas Woman's University, 1985). Dissertation Abstracts International, 46/06A, Working Papers in Art Education 1989 1990
Leonardo da Vinci: The Royal Palace at Romorantin
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