Soviet Women on the Frontline in the Second World War
Introduction The Making of the Frontovichki 'War is not women's business' Sisters of Mercy 'Falcons' and 'Witches' Behind Enemy Lines Mass Mobilization Women's Volunteer Rifle Brigade The Sniper Movement Epilogue: Half-hidden from History Bibliography & Sources
The Legacy of the Civil War
"Warren brings to this task his critical acuteness as a historian . . ., his verbal sensitivity as a novelist, and his insight as a poet."-David Donald, New York Times Book Review. "Here is a perfect gem of a book. . . . Here is something sound and meaty about the place of the Civil War in American history and its place in American thinking."-Chicago Sunday Tribune. "A brilliant piece of work, quick and sharp with insight, yet compassionate. A stimulating book."-New Yorker. "A thoughtful discussion . . . stimulating to any reader conscious of the American heritage."-Library Journal. In this elegant book, the Pulitzer Prize-winning writer explores the manifold ways in which the Civil War changed the United States forever. He confronts its costs, not only human (six hundred thousand men killed) and economic (beyond reckoning) but social and psychological. He touches on popular misconceptions, including some concerning Abraham Lincoln and the issue of slavery. The war in all its facets "grows in our consciousness, " arousing complex emotions and leaving "a gallery of great human images for our contemplation." A distinguished poet, novelist, and historian, Robert Penn Warren wrote The Legacy of the Civil War for the centennial in 1961. Introducing this edition is Howard Jones, University Research Professor and chair of the History Department at the University of Alabama. His works include Union in Peril: The Crisis over British Intervention in the Civil War, also available as a Bison Book.
The Origins of the Foundation Stories Genre in the Hebrew Bible and Ancient Eastern Mediterranean
This article examines two types of foundation narrative prevalent in the biblical literature in light of as-yet-undiscussed parallels from ancient Greek and Mediterranean texts. The first type, embodied in the Genesis narratives and Greek genealogical traditions, portrays the founders as leaving a distant land to settle peacefully in a new land. The second is exemplified by the central hexateuchal theme of the Israelites’ migration to Canaan by dispossessing the native population as well as the Dorian migration traditions. Several factors indicate that the foundation story genre also became central and foundational in other small kingdoms around the Mediterranean—as indicated, for example, by the Phoenician–Luwian inscriptions referring to bt Mpš/Mopsus and related classical sources. The popularity of the genre in the ancient Mediterranean is striking in light of the fact that, while experiencing tribal migrations and wanderings, the great Mesopotamian and Egyptian kingdoms never represented themselves as “immigrants.” It is suggested that this genre may have emerged with the rise of the new, small-scale kingdoms in the Mediterranean basin toward the end of the second millennium b.c.e. The Phoenician and Greek colonization enterprises of the first third of the first millennium b.c.e. in particular increased awareness of the newly emerging states and focused attention on ethnic identity.