Stability Maintenance and Chinese Media: Beyond Political Communication?
Introduction to Journal of Current Chinese Affairs 2/2015: Stability Maintenance and Chinese Media
Between international student mobility and work migration: experiences of students from EU’s newer member states in Denmark
ABSTRACT Since 2009, there has been a noticeable increase in the number of students from EU’s newer member states, who enrol as full-degree students at Danish universities. Attracted by the fee-free access to highly ranked universities, these students often arrive with dreams of creating better lives for themselves, and of accumulating Western educational capital. Students from the EU’s newer member states are usually reliant on jobs to sustain themselves in Denmark. However, many find it hard to get regular jobs, and some of them become trapped in semi-legal employment or in low-status, low-paid jobs. Drawing on empirical material collected during a long-term ethnographic fieldwork among full-degree students attending English-medium MA-programmes at a Danish university, this article explores how students from the EU’s newer member states make sense of their lives as students and workers in Denmark, and how they respond to experiences of unequal access to student jobs.
New Television, Globalisation, and the East Asian Cultural Imagination
Challenging assumptions that have underpinned critiques of globalization and combining cultural theory with media industry analysis, Keane, Fung and Moran give a groundbreaking account of the evolution of television in the post-broadcasting era, and how programming ideas are creatively redeveloped and franchised in East Asia. In this first comprehensive study of television program adaptation across cultures, the authors argue that adaptation, transfer, and recycling of content are multiplying to the point of marginalising other economic and cultural practices. This is happening in television, but also in many other media and related areas of cultural production. Looking at China, Hong Kong, Japan, Korea and Taiwan, this study details practices that are variously referred to as formatting, franchising, imitation, adaptation, hybridity, bricolage, and even emulation. The authors show that significant re-modelling of local TV production practices occur when adaptation is genuinely responsive to local values. Examples of East Asian format adaptations include Survivor, Who Wants to be a Millionaire?, The Weakest Link, Coronation Street, and Idol. The book offers alternatives models of media flow that demonstrate how Hollywood is losing its global grip. It deals with the history of the TV format trade, a movement that has coincided with the rise of alternative centres of television production and distribution outside the US.