Connecting Instruction and Management in a Student-Centered Classroom
Ms. Thompson's seventh grade stu dents have been studying the solar system and are busily working in cooperative learning groups. Each group has been assigned one planet and their objective is to create a description of a being that could live on "their" planet. Because Ms. Thompson has done a good job of orches trating positive interdependence, students are relying on their groups to achieve their objective while the teacher serves as a facilitator (Johnson, Johnson, Holubec, & Roy, 1988). The noise level here is slightly higher than in the typical classroom as students interact with each other and fulfill their assigned roles. The teacher explained the rules for behavior to the students prior to beginning the project: "Keep hands, feet, and objects to yourself," "Let others have a chance to speak," and "Contribute to your group." She has predetermined consequences for both appropriate and inappropriate behavior and shared those with the class. Ray and Bill have been having trouble getting along together and today does not seem to be an exception as they continue to "pick on" each other. Even though a warning has been issued to both students, there is yet another altercation between them. Ms. Thompson explains, "Boys, this means detention for both of you." Ray turns pale and looks upset. Bill continues poking Ray with his pencil and says, "Detention's no big deal. I don't care." Ms. Thompson explains to Bill that a call to his par ents will be made. The classroom environment promoted by this teacher is typical of many middle school teachers. The instruction was creative and student centered, but the classroom management techniques were expedient and teacher centered. There can be little doubt that an inter
The Junior High School: A Changing View.
the departmentalized program of the high school with its relatively greater emphasis on subjects and specialization. These differ ences are becoming much less sharp, how ever, as subjects are once again being pushed downward, as departmentalization of vari ous sorts is again spreading in the elemen tary grades, and as vertical curriculum plan ning in the major subjects makes more progress. That is, there are the distinct signs, commented on in Professor Broudy's paper and elsewhere, that the differences between the last years of the elementary school and the first ones of the high school—junior, senior, 4-year, or 6-year—are not nearly so severe and distinct as a decade ago, or indeed as many feel they should be. However needed a transition is
Historias de mi barrio: contemporary art in a community at high risk of social exclusion
Abstract Historias de mi barrio is a piece of pedagogic research aimed at highlighting the way art can articulate the relationship between the educational context and a neighbourhood at high risk of social exclusion. The starting point for this study was to ask whether this type of research, centred around the arts, was suitable in complex contexts and whether it might eventually lead to pedagogic improvement. The results gathered, and indeed the work carried out by the artists and university lecturers involved, together with pupils 6–12 years old and their instructors in a state school, provide evidence of a positive answer – and notably of the necessity of knowing about the socio-economic reality of the student cohort when planning learning projects and of the importance of the arts as a crucial element in education.