From Mary Queen of Scots to the Scottish Capuchins: Scotland as a symbol of Protestant persecution in seventeenth-century Italian literature
Italian authors of the seventeenth century produced a myriad of historical texts, tragedies, oratorios and poems that dealt with the events of Mary Stuart's life. The tremendous outcry that her story caused all over Europe made Scotland one of the most powerful symbols of persecution of Catholics by Protestants. It was the image of Scotland as a land of martyrdom that possibly prompted the publication of two seventeenth-century Italian ‘biographies’, narrating the vicissitudes of the lives of two Scottish capuchins, and which ran to multiple editions down to the eighteenth century. This article explores the literary reception of Mary Queen of Scots in seventeenth-century Italian literature and, in so doing, opens up religious, cultural, and political implications, pointing to links between Scottish Catholic and European intellectuals, and the publishing networks of sympathetic Marian writing.
VII. The Earl of Essex on the Stage
The romantic career of that unhappy favorite of Queen Elizabeth, Robert Devereux, second Earl of Essex, like the histories of Mary Stuart and of the Maréchal de Biron, has been often used as a subject for tragedy in Spanish, French, Italian, German, and English. Several of these plays have been studied more or less carefully at different times, so that I shall not do more than summarize those versions briefly before passing on to my main subject, the relation between Niccolo Biancolelli's Regina Statista d'Inghilterra and its commedia dell'Arte variants, of which the one presented here is hitherto unpublished.
Reid on Hypotheses and the Ether; A Reassessment
In recent years historians of science have come to see that Thomas Reid’s Essays on the Intellectual Powers of Man had a profound impact on the development of British methodological thought in the late-eighteenth and early-nineteenth centuries. Larry Laudan has argued that Reid was “the first major British philosopher to take Newton’s opinions on induction, causality, and hypotheses seriously”; and that Reid was thereby instrumental in changing the character of British methodological discourse in the Enlightenment.(1) Geoffrey Cantor has examined in detail the influence of Reid’s critique of ether theories and hypotheses in the Essays on leading protagonists in the nineteenth-century debates surrounding the wave theory of light,(2) and Richard Olson has traced the origins of the scientific style of British physics in the Victorian period to the writings of Reid and other Common Sense philosophers. (3) As well as delineating Reid’s influence, Laudan, Cantor, and Olson have attempted to identify the problems to which he addressed himself in articulating his methodology, and they have analysed with some care the internal structure of his methodological views. Thanks to the work of these historians, therefore, we have a fairly comprehensive picture of Reid’s methodology and its fortunes in the nineteenth century.