Missionary positions: reading the Bible in Forster's "The life to come".
E. M. Forster's short story "The Life to Come" intersects the concerns of both his colonial fiction (A Passage to India) and his homosexual fiction (Maurice). The confrontation in the story between a native chief and a missionary serves initially to explore the differences between permissive and prohibitional readings of the Bible, which reflects Forster's dislike of restrictive English morals. However, contextualizing the story within the project of translating Vedic scripture that attended British imperialism near the turn of the century demonstrates that Forster, like his contemporary and mentor Edward Carpenter, found within colonialism access to a mode of thinking that ultimately questioned the validity of either permission or prohibition as foundations for political argumentation.
Voices form the margins : an analysis of the cultural politics of E.M. Forster's fiction.
This thesis seeks to offer an explicitly political reading of E.M. Forster's fiction, focusing on three of his novels (A Room with a View, Howards End and Maurice) and \ two of his short stories ("The Life to Come" and "The Other Boat"). Throughout I have used a combination of close reading techniques and elements of critical theory to show how Forster's fiction is characterised by a prolonged and ongoing analysis of the political notion of the intersection of mainstream and marginal cultures. In this regard, I argue that the majority of Forster's novels and short stories are concerned with issues surrounding characters who are somehow marginalised from mainstream power structures and who then have to rebel against the cultural centre in their personal quests for political autonomy. It is this cultural issue, I argue, that gives Forster's novels and short stories their thematic unity and continuity. In probing this theme, I hope to move beyond restrictive (and often reductive) liberal humanist styles of criticism, which tend to downplay the political implications of Forster's fiction by fore grounding only the metaphysical questions posed by his writing. However, this thesis is also informed by certain deconstructive theoretical concepts, which I have loosely drawn upon in tracing the development of this theme. In particular, I argue throughout that the oppositional quality of the novels and short stories identified by the liberal humanist critics is only truly evident in the early novels, such as A Room with a View. In the later novels, I argue, it is evident that Forster had significantly re-evaluated his understanding of the relationship between the dominant culture and its dissident, subordinate subcultural strands, and that he had begun to conceive of the interaction between the two in a vastly more fluid and pluralistic manner than has been acknowledged by earlier critics. In particular, Forster seems to apprehend in the later works the manner in which a subject can be simultaneously both at the centre and the margins of hislher respective cultural system. It is for this reason that I stress that Forster sees the relationship between mainstream and marginal cultures as an intersection rather than an opposition. I also stress throughout this thesis the fact that the mainstream/marginal theme extends beyond issues raised in the novels and short stories and includes the author himself. As a male homosexual living in a sexually repressive society, Forster was himself a marginalised member of society, and this cultural positioning must therefore be seen to infonn the themes raised in his writings. However, as a middle-class male, Forster was himself also an empowered subject, and his writing thus also reflects his own complicity in the power structures he was seeking to subvert. This is particularly evident when one considers the recurrent misogyny his novels and short stories display. In addition, Forster's particular historical positioning as an early twentieth century writer means that his novels resonate with several of the non-literary discourses so prominent in the period, such as feminism and sexology. It is when one considers the manner in which the novels actively engage with these non-literary discourses that the considerable political invective of Forster's writing becomes apparent. In the light of the issues outlined above, I interpret Forster' s novels as an attempt on the author's part to vocalise the feelings, hopes and aspirations of those groups somehow marginalised from the dominant culture.
Glycogen phosphorylase in lobster hepatopancreas: action of proteases on the enzyme
Abstract 1. 1. In lobster hepatopancreas, extracellular protreases cause the inactivation of glycogen phosphorylase. 2. 2. The proteolysis of glycogen phosphorylase purified from rabbit muscle by these proteases has been shown by SDS-polyacrylamide gel electrophoresis. 3. 3. A cell isolation technique has allowed us to remove proteases of extracellular digestion and to measure glycogen phosphorylase activity in lobster hepatopancreas. 4. 4. The glycogen phosphorylase activity seems to be mainly associated with R cells while it could not be detected in B cells.