Punning in Punglish, Sounding ‘Poreign’
This essay explores Daljit Nagra's poetry – Look We Have Coming To Dover! (2007) and Tippoo Sultan's Incredible White-Man-Eating Tiger-Toy Machine!!! (2011) – in the context of contemporary British language politics. It argues that Nagra's approach to language – combining heteroglot, multivoiced experimentalism with an etymological attention to the historical constructedness of language – offers a riposte to monolingual ideologies, which also resituates English as a product and residue of colonial history. While Nagra's poems sometimes come close to regarding the histories enfolded within English as a linguistic and poetic impasse, they continue to invest in the notion of resistance and individual agency in language; and specifically, they revel in poetic dramatization of the accommodations and convivialities of everyday multilingual language practice.
The Waste Land And Other Poems
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The rhetoric of empire : colonial discourse in journalism, travel writing, and imperial administration
The white man's burden, darkest Africa, the seduction of the primitive: such phrases were widespread in the language Western empires used to talk about their colonial enterprises. How this language itself served imperial purposes--and how it survives today in writing about the Third World--are the subject of David Spurr's book, a revealing account of the rhetorical strategies that have defined Western thinking about the non-Western world.

Despite historical differences among British, French, and American versions of colonialism, their rhetoric had much in common. The Rhetoric of Empire identifies these shared features—images, figures of speech, and characteristic lines of argument—and explores them in a wide variety of sources. A former correspondent for the United Press International, the author is equally at home with journalism or critical theory, travel writing or official documents, and his discussion is remarkably comprehensive. Ranging from T. E. Lawrence and Isak Dineson to Hemingway and Naipaul, from Time and the New Yorker to the National Geographic and Le Monde , from journalists such as Didion and Sontag to colonial administrators such as Frederick Lugard and Albert Sarraut, this analysis suggests the degree to which certain rhetorical tactics penetrate the popular as well as official colonial and postcolonial discourse. 

Finally, Spurr considers the question: Can the language itself—and with it, Western forms of interpretation--be freed of the exercise of colonial power? This ambitious book is an answer of sorts. By exposing the rhetoric of empire, Spurr begins to loosen its hold over discourse about—and between—different cultures.