The Empire of the Self: Self-Command and Political Speech in Seneca and Petronius
In "The Empire of the Self", Christopher Star studies the question of how political reality affects the concepts of body, soul, and self. Star argues that during the early Roman Empire the establishment of autocracy and the development of a universal ideal of individual autonomy were mutually enhancing phenomena. The Stoic ideal of individual empire or complete self-command is a major theme of Seneca's philosophical works. The problematic consequences of this ideal are explored in Seneca's dramatic and satirical works, as well as in the novel of his contemporary, Petronius. Star examines the rhetorical links between these diverse texts. He also demonstrates a significant point of contact between two writers generally thought to be antagonists - the idea that imperial speech structures reveal the self.
Seneca and the Modernity of Hamlet
This essay reassesses Shakespeare’s engagement with Senecan tragedy, arguing both that Hamlet’s use of the Senecan dramatic tradition is more robust and sophisticated than has hitherto been accepted and also that it is best understood as part of a larger cultural conversation about agency and action in revenge tragedy. The essay therefore offers a revisionary account of the reception of Senecan tragedy in early modern England. In doing so, it also suggests that recovering Shakespeare’s engagement with Seneca may require rethinking Hamlet’s own reception history, since Shakespeare’s play is so often discussed as a key text of emergent modernity.
Poetic Garlands: Hellenistic Epigrams in Context
Epigrams, the briefest of Greek poetic forms, had a strong appeal for readers of the Hellenistic period (323-31 B.C.). One of the most characteristic literary forms of the era, the epigram, unlike any other ancient or classical form of poetry, was not only composed for public recitation but was also collected in books intended for private reading. Brief and concise, concerned with the personal and the particular, the epigram emerged in the Hellenistic period as a sophisticated literary form that evinces the period's aesthetic preference for the miniature, the intricate, and the fragmented. Kathryn Gutzwiller offers the first full-length literary study of these important poems by studying the epigrams within the context of the poetry books in which they were originally collected. Drawing upon ancient sources as well as recent papyrological discoveries, Gutzwiller reconstructs the nature of Hellenistic epigram books and interprets individual poems as if they remained part of their original collections. This approach results in illuminating and original readings of many major poets, and demonstrates that individual epigrammatists were differentiated by gender, ethnicity, class status, and philosophical views. In an important final chapter, Gutzwiller reconstructs much of the poetic structure of Meleager's Garland, an ancient anthology of Hellenistic epigrams.