Eclipsed Autonomy: Celestial Images and the Free Will Debate in Antonio Mira de Amescua’s Álvaro de Luna Plays
Antonio Mira de Amescua’s two-part Próspera fortuna and Adversa fortuna de don Álvaro de Luna chronicles the rise and fall of Spain’s most iconic privado, Álvaro de Luna. Suspected by medieval chroniclers of controlling Juan II with magic, Luna’s appearance on stage speaks to growing concerns in seventeenth-century Spain over the king’s ability to resist manipulation by powerful courtiers. Rather than using the plays as political commentary, however, Mira frames the institution of privanza within contemporary debates regarding free will, and, in doing so, offers a dramatic rendering of the nature of human autonomy and spiritual bondage.
Iustitia Dei: A History of the Christian Doctrine of Justification
Preface Acknowledgements 1. Prolegomena 2. The fountainhead: Augustine of Hippo 3. The development of the doctrine in the medieval period 4. The medieval schools of thought on justification 5. The transition from the medieval to the modern period 6. The development of the doctrine in the Reformation period 7. The Tridentine decree of justification 8. The legacy of the English Reformation 9. The modern period Appendix: a glossary of medieval soteriological terms Abbreviations Notes Bibliography Index.
The camel in Somali oral traditions
The relationship between the camel and the Somali people has traditionally been reflected in Somalia's oral literary forms: Poems, proverbs, work songs, metaphores and tales of wisdom. The author h ...