William Webb Ellis and the Origins of Rugby Football: The Life and Death of a Victorian Myth
In the sense that myth is a reordering of various random elements into an intelligible, useful pattern, a structuring of the past in terms of present priorities, nineteenth-century Englishmen were inveterate myth-makers. As liberal and scientific thought shook the foundations of belief, the Victorians erected gothic spires as monuments to a medieval order of supposedly simple, strong faith. While their industrial masses languished, they extolled the virtues of self-made men. Confronted with foreign competitors and rebellious colonials, they instinctively asserted the superiority of the Anglo-Saxon race. In classic myth-making style, the Victorians set about “reorganizing traditional components in the face of new circumstances or, correlatively, in reorganizing new, imported components in the light of tradition.” Myth not only serves self-validating ends; it also provides a cohesive rationale, a fulcrum propelling people towards great achievements. If the Victorians were confident and self-congratulatory, they had cause to be: their material, intellectual, and political accomplishments were many. Not the least of their successes was in the sphere of sports and games, a subject often ignored by historians. Especially in the development of ball games—Association and Rugby football, cricket, lawn tennis, and golf—the Victorians modernized old games, created new ones, and exported them all to the four corners of the earth. Stereotyped as overly-serious folk, they in fact “taught the world to play.” Since sport, more than most forms of human activity, lends itself to myth-making, it is not surprising to find a myth emerging among the late-Victorians having to do with the origins of Rugby football. Like baseball's Doubleday myth, the tale of William Webb Ellis inspiring the distinctive game of rugby is a period piece, reflecting more of the era which gave it birth than of the event to which it referred.
Barbarians, Gentlemen and Players : A Sociological Study of the Development of Rugby Football
Part I: Folk Antecedents and Transitional Forms of Football in the Public Schools 1. The folk antecedents of modern rugby and their decline 2. Football in the early 19th century public schools Part II: The Modernisation of Rugby Football 3. The preconditions for modernization: embourgeoisement and public school reform 4. The incipient modernization of rugby football 5. The 'civilising process' and the formation of the RFU. 6. The democratization of rugby football. 7. Professionalisation and the amateur response. 8. The split. 9. The class structure and the professionalisation of British sport. Part III: The Development of Rugby Football as a Modern Sport 10. The professionalisation of rugby league. 11. Rugby union as a modern sport: bureaucracy, gate-taking clubs and the swansong of amateurism. Conclusion: Sociological Reflections on the Crisis in Modern Sport
French film theory and criticism : a history/anthology, 1907-1939
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.