Representations of Governance in Sixteenth-and Seventeenth-Century Europe: The Iconography and Dramatic Presentation of the Sovereign Ruler
in accordance with the prophecies in Virgil, the renewed empire would bring in, like that of augustus, a time of peace, and would usher in a new golden age. it is extraordinary how powerful and widespread was this political fantasy in sixteenthand seventeenth-century europe: it was sustained by poets in many nations who considered it as a dream that might at any moment be translated into actuality, and virtually all new rulers in the West were regarded as potential realisers of the new age.
Selections from Cultural Writings
Though he died as Benito Mussolini's prisoner, leaving only newspaper articles and fragmentary notes, Antonio Gramsci is now seen as the most significant Marxist thinker since Lenin. This volume is the first English translation of his writings on culture, organically and coherently edited from his journalism and his Prison Notebooks, Gramsci writes about the popular and the great artists from Jules Verne to Dante, but not as so many timeless monuments. He sees artworks in the context of their reception and their absorption in particular cultures and histories. He is sensitive to the politics of culture as well as to the demands of philological scholarship, as his superb work on Dante in this volume shows. We have in this book Gramsci's changing views on particular literary movements and authors, as well as his ideas on the nature of proletarian and popular cultural criticism. Throughout he is concerned with cultural analysis and strategy rather than literary criticism by itself. The headnotes and footnotes prepared by Forgacs and Nowell-Smith address themselves both to the circumstances surrounding the composition of each segment and to the central problems of contemporary Gramsci scholarship. Antonio Gramsci is the twentieth-century writer who has most brilliantly and suggestively explored the ties that bind culture and politics. The publication of this collection is an event of major significance for theorists of all sorts.
The Provincial Centre at Camulodunum: Towards an Historical Context
Present assessment of the provincial enclosure at Camulodunum, more particularly how far it can be compared to the standard picture of similar centres elsewhere, is inevitably constrained by the limited evidence at our disposal. With no numismatic sources to draw on and in the absence of a single record of the provincial priesthood — a striking void that calls for comment — documentary testimony is restricted to what can be made of two passages in the literary authorities. The first, a notorious sneer in Seneca's Apocolocyntosis (VIII.3), tells only that a temple of some sort was associated somehow with the emperor Claudius. The second text, an obscure allusion in Tacitus, is at first sight no more enlightening but, on closer analysis, the phrase templum Divo Claudio constitutum (Ann. xiv.31) yields the invaluable inference that the temple was to the deified, not the living Claudius; in which case construction must have been begun in a.d. 54 or later. Archaeological data throw no light on the origins of the temple or of the precinct in which it stood but exploration has steadily enlarged our knowledge of the site itself, and understanding of the remains has now reached the stage at which, for all its puzzling lacunae, the centre is as well known in some ways as the triple-tiered complex at Tarraco, the provincial enclave of Hispania Citerior. We have arrived at the point where the British sanctuary and its counterparts on the Continent can be mutually illuminating.