Anatomy of the 1936––39 Revolt: Images of the Body in Political Cartoons of Mandatory Palestine
This article analyzes body images in political cartoons during the 1936––1939 Arab Revolt. By deciphering the visual messages in the political cartoons of two newspapers——the Arabic Filastin and the Hebrew Davar ——the article examines how body representations portray stereotypes of rivals and reveal assumptions about and relations between conflicting parties. Visual imagery maintained its impact by illustrating nationalist attitudes, critiques, and goals. In addition to being referents to a period not well documented in images, cartoons are also potent historical sources for reconstructing a sociopolitical history of Palestine.
Protracted Social Conflict: A Reconceptualization and Case Analysis
What are the necessary components of protracted social conflict (PSC)? The works of Edward Azar have laid the theoretical foundation of how PSC is approached in modern scholarship by identifying four necessary components: effective participation, security, distinctive identity, and social recognition of identity. However, do these components account for all of the descriptive and sustaining aspects of PSC? How are these components measured? Furthermore, testing and verification of these theoretically necessary components has been limited. Of specific interest to this project, then, is how the theory of PSC is organized and what its theoretically necessary components truly are. This dissertation reconceptualizes and tests the theoretic components of PSC using a historical-comparative approach with Boolean and confirmatory factor methods of analysis. A new theoretical framework is applied to the critical cases of the Arab-Israeli and Northern Ireland conflicts. The purpose of this research project, therefore, is to present, test, and justify a theoretical reconceptualization of the necessary components of PSC.
Negotiating the cultural and economic outcomes of sport heritage attractions: the case of the National Baseball Hall of Fame
ABSTRACT Contemporary museums must balance their roles as commercial entities and repositories of various, and often dissonant, heritages and histories. Sports museums in particular often have clear commercial and nostalgic aims, particularly through tourist visitation, though the extent to which they represent more challenging narratives remains unclear. This paper examines how one of the most famous sports museums in the world, the National Baseball Hall of Fame (NBHF) in Cooperstown, New York, balances its dual role as tourist attraction and repository of baseball's sometimes checkered past. It was found that different sections of the museum provide greater or lesser degrees of engagement with more controversial issues, although the commercial outputs and appeal of the museum remains clear throughout. Utlimately, the NBHF demonstrates that balancing veneration and critique in collections can be commercially prosperous, and can provide a template for other sport and popular culture museums who may be wary of incorporating more challenging narratives in their exhibits. Furthermore, the symbiotic relationship between the Hall of Fame and the village of Cooperstown, particularly in creating and maintaining cultural and economic outputs, requires further exploration.