Sexualized Collaborations and the Politics of Ghostwriting in Franco-Arab Literature: From Paul Bowles to Tout le monde aime Mohamed
AbstractIn the last few decades, the landscape of Franco-Arab fiction has seen a great many authorship scandals, in which French non-Arab authors have impersonated Arabs and found publishing success. In this essay, I revisit these scandals while focusing on a recent “autobiographical” novel that raised suspicions of ghostwriting: 2011’s Tout le monde aime Mohamed (Everyone Loves Mohamed ) by Malik Kuzman. An impressionistic collage of homo-erotic encounters, its fleeting structure recalls that of Barthes’ Incidents, a series of social vignettes culled from the author’s time in Morocco. I explore the simultaneity of Barthes’ Death of the Author argument and the emergence of these authorship scandals in post-colonial Franco-Arab fiction, and suggest that it is not accidental. In a similar vein, I analyze how the heritage of literary collaborations between Europeans and North Africans, often eroticized, has informed authorship scandals in post-immigration France.
Vacation Cruises; or, The Homoerotics of Orientalism
This essay theorizes an aspect of colonial discourse omitted from most critiques of orientalism by focusing on an array of Western male writers whose representations of an eroticized Arabic Orient cannot be disentangled from their imagined and real encounters abroad with male homosexuality. Suggesting that the historical possibility of sexual contact with and between Near Eastern men has often covertly underwritten the appeal of orientalism as a Western mode of perception and control. I examine three homoeroticizing strands of colonialist discourse: depictions of Egypt as a symbol of polymorphous desire, accounts of masquerading as the foreign other, and narratives of the colonial trade in boys. The contingency of Western conceptions of “homosexuality”—as identity category, sexual practice, and site of theoretical speculation—becomes apparent when they are brought into contact with the sexual epistemologies of non-Western cultures and crossed by issues of colonialism, race, nation, and class.
FlowBrush: optical flow art
The depiction of motion in static representations has a long tradition in art and science alike. Often, motion is depicted by spatio-temporal summarizations that try to preserve as much information of the original dynamic content as possible. In our approach to depicting motion, we remove the spatial constraints and generate new content steered by the temporal changes in motion. Applying particle steering in combination with the dynamic color palette of the video content, we can create a wide range of different image styles. With recorded videos, or by live interaction with a webcam, one can influence the resulting image. We provide a set of intuitive parameters to affect the style of the result, the final image content depends on the video input. Based on a collection of results gathered from test users, we discuss example styles that can be achieved with FlowBrush. In general, our approach provides an open sandbox for creative people to generate aesthetic images from any video content they apply.