Sexualized Collaborations and the Politics of Ghostwriting in Franco-Arab Literature: From Paul Bowles to Tout le monde aime Mohamed
AbstractIn the last few decades, the landscape of Franco-Arab fiction has seen a great many authorship scandals, in which French non-Arab authors have impersonated Arabs and found publishing success. In this essay, I revisit these scandals while focusing on a recent “autobiographical” novel that raised suspicions of ghostwriting: 2011’s Tout le monde aime Mohamed (Everyone Loves Mohamed ) by Malik Kuzman. An impressionistic collage of homo-erotic encounters, its fleeting structure recalls that of Barthes’ Incidents, a series of social vignettes culled from the author’s time in Morocco. I explore the simultaneity of Barthes’ Death of the Author argument and the emergence of these authorship scandals in post-colonial Franco-Arab fiction, and suggest that it is not accidental. In a similar vein, I analyze how the heritage of literary collaborations between Europeans and North Africans, often eroticized, has informed authorship scandals in post-immigration France.
The Cambridge history of Spanish literature
This first comprehensive history of Spanish literature to be published in English since the 1970s brings together experts from the USA, the United Kingdom, and Spain. Together, the essays cover the full range of Spanish poetry, prose, and theatre from the early Middle Ages to the present day. The classics of the canon of eleven centuries of Spanish literature are covered, from Berceo, Cervantes and Calderon to Garcia Lorca and Martin Gaite, but attention is also paid to lesserknown writers and works. The chapters chart a wide range of literary periods and movements. The volume concludes with a consideration of the influences of film and new media on modern Spanish literature. This invaluable book contains an introduction, more than fifty substantial chapters, a chronology (covering key events in history, literature, and art), a bibliography, and a comprehensive index for easy reference.
Role of computer technology in medical illustration.
OBJECTIVE
Recent improvements of computer technology have resulted in a new approach to medical illustration and the scientific research process. The purpose of this manuscript is to define the current state of the art and to review paths of progress.


CONCLUSION
Using examples, we compared the process of time-intensive hand-rendered art with current art created using new computer technology. Specific emphasis was made on the newest technologies and how high-quality lower cost medical art can now be created. These newly available tools and illustration methods have resulted in a new approach to research, creation, and reproduction of medical art.