Tracing and Placing Women Trade Union Leaders: A Study of the Female Confectioners Union
Studies of union leadership commonly examine full-time officials and workplace delegates. Less attention has been given to those union activists who hold honorary elected roles, on executive or management committees and as office bearers. Women can actively access these positions as a strategy of separate organizing for increasing women’s participation, representation and voice in their union. Separate organizing in the form of a women’s union creates a broader canvas for women workers’ collective activity. Addressing a gap both in the historical literature on women’s union strategies and the contribution of honorary officials, this analysis focuses on the rank-and-file women who emerged as the core leadership group in the Australian women-only union, the Female Confectioners’ Union, in the 1920s. By drawing together analysis of archival records with genealogical sources, the women’s biographical profiles were created and, through the use of thematic analysis, insights were gained into the intersections of the individual women’s industrial and political activism and their domestic experiences. For the next 20 or more years, these women formed the backbone of the union (until an amalgamation with the men’s union in the confectionery trade in 1945) and were instrumental in shaping female collectivism.
No Handmaidens Here: women, volunteering and gender dynamics in the Sydney New Theatre
ABSTRACT This paper considers the role of women in the Sydney branch of the New Theatre, from 1936 to 1969. In contrast to other gendered spaces found in the theatrical, industrial and political spheres, women held together the New Theatre. Not only did the theatre give opportunities to women as performers, but women embraced roles as directors, stage managers, writers, designers as well as holding elected offices. Drawing on oral histories and archival research, this study presents new scholarship on Australian women’s leadership in the theatre, arguing that their pattern of involvement was shaped by the voluntary nature of the work, the longevity of involvement, their political commitment and the theatre’s democratic structure. The blending of organisational and creative leadership created spaces for women’s voices in ways that were crucial to the long-term success of the Theatre, at a time when women were generally expected to focus on the domestic sphere.
Professor Penck's Bluff: Geography, Espionage and Hysteria in World War I
Abstract This article considers the image of geography during World War I through a discussion of newspaper controversies about the pre‐war activities of German and British geographers. Early in the war, Sven Hedin and Albrecht Penck, renowned geographers whose achievements had been widely celebrated by the British geographical establishment, were named in the media as enemy spies whose supposedly disinterested scientific inquiries in Britain and the Empire had masked their real intention to pass sensitive information to the German High Command. British geography stood accused of collusion with enemy ‘super spies’. This article examines how Britain's geographical community, represented by the Royal Geographical Society, sought to defend the discipline's patriotic virtue and head off a full‐scale media witch‐hunt. In so doing, the article comments on the media's role in shaping the image of geography and on geography's place in public debates about the sanctity of the national space.