‘Lett none our Lombard author rudely blame for's righteous paine’: An Annotated Copy of Sir William Davenant's Gondibert (1651)
The article focuses on hostile annotations on a copy of the 1651 quarto edition of Sir William Davenant’s epic poem ‘Gondibert’, now held at the National Library of Scotland. It describes the problems of interpreting the annotations; their likely date, social context, and political stance; the secondary reading used alongside ‘Gondibert’; and their literary-critical responses to the text. The annotations can be related to the satires on ‘Gondibert’ written by the circle around Sir John Denham; one of the annotators may indeed have been Denham himself. The annotators were employing traditional humanist collaborative reading practices in a manner designed to make nonsense of Davenant’s poem, objecting to Davenant’s departures from the humanist tradition.
Cavaliers, Clubs, and Literary Culture: Sir John Mennes, James Smith, and the Order of the Fancy
Centered around the lives and poetry of Mennes and Smith, this work explores the largely uncharted territory between the official culture of the court and the often oppositional culture of the city by examining the clubs of city wits (such as the Order of the Fancy), stage actors, and would-be courtiers that flourished during the early and middle years of the seventeenth century.
Code switching in Ahdaf Soueif's The Map of Love
This article examines the phenomenon of code switching in The Map of Love (1999) by the Egyptian—British writer Ahdaf Soueif. Though she chooses English as a medium for her creative expression, Soueif deploys Arabic in her narrative to represent different aspects of the linguistic and cultural norms of Egyptian society. The article's methodology is informed by Kachru's framework on contact literature and his categorization of the occurrence of literary code switching or bilingual creativity into different strategies that encompass cultural and linguistic processes. The results indicate the predominance in The Map of Love of the discourse strategies of employing lexical borrowing, culture-bound references and translational transfer. Finally, the article analyzes the functional motivation of code switching in the postcolonial context of the novel and how the use of certain creative strategies might enhance or diminish the narrative's effectiveness and readability.