Understanding Gauge
I consider two usages of the expression “gauge theory.” On one, a gauge theory is a theory with excess structure; on the other, a gauge theory is any theory appropriately related to classical electromagnetism. I make precise one sense in which one formulation of electromagnetism, the paradigmatic gauge theory on both usages, may be understood to have excess structure and then argue that gauge theories on the second usage, including Yang-Mills theory and general relativity, do not generally have excess structure in this sense.
Why Gauge?
The world appears to be well described by gauge theories; why? I suggest that gauge is more than mathematical redundancy. Gauge-dependent quantities can not be predicted, but there is a sense in which they can be measured. They describe “handles” though which systems couple: they represent real relational structures to which the experimentalist has access in measurement by supplying one of the relata in the measurement procedure itself. This observation leads to a physical interpretation for the ubiquity of gauge: it is a consequence of a relational structure of physical quantities.
The Millennial of Castile (1943): the historical culture of Spanish Fascism
Abstract The creation of new symbols and historical myths were common practices of nationalist politics, especially in Fascist regimes. In 1943 the Franco regime organized the most impressive historical commemoration celebrated in post-war Spain: the Milenario of Castile. With its heterogeneous mixture of history and spectacle, the Milenario of Castile was by far the greatest historical commemoration promoted by the State during the 1940s. Taking the commemoration of the Milenario as a case study, this article examines the historical culture of Spanish Fascism, as well as the attempts of the Falangist intellectual elite to impose a concrete national narrative in post-war Spain. At the same time, the article analyses the historical discourses and aesthetics displayed throughout the commemoration, underlining its Fascist character, and consequently the transnational dimension of the Fascist politics of the past. Finally, the article reflects on the scope and limits of the process of Fascistisation in Franco's dictatorship, especially in its commemorative culture.