The Construction of the Image /Myth of a Martyr in the Cultural Revolution: An Interpretation/Demythicization of The Song of Ouyang Hai
Jin Jingmai’s novel The Song of Ouyang Hai was published in 1965 and became extremely popular in 1966 right before the launch of the Cultural Revolution. It can be regarded as a prelude to Cultural Revolution literature. The novel epitomizes the transition from the politically inclined “seventeen-year literature” (1949–66) to the highly politicalized “Cultural Revolution literature” (1966–76). It is also the perfect embodiment of the creation of the myth of a socialist martyr. In this article, I attempt to examine the features of socialist martyrs and decode the construction of the myth of such martyrs by exploring motifs such as diaries, letters, and the performative bodies in The Song of Ouyang Hai as well as related works and posters that feature revolutionary and socialist martyrs from the 1960s. The article also examines how the constant revisions of the novel driven by the political power struggles during and after the Cultural Revolution complicate and adumbrate the myth of the socialist martyr.
Creating the New Man: From Enlightenment Ideals to Socialist Realities
The idea of eliminating undesirable elements from human nature to create a "new man" has been part of moral and political thinking worldwide for millennia. During the Enlightenment, European philosophers sought to construct an ideological framework for reshaping human nature. But it was only among the communist regimes of the twentieth century that such ideas were actually put into practice on a nationwide scale. In this book Yinghong Cheng examines three culturally diverse socio-political experiments - the Soviet Union under Lenin and Stalin, China under Mao, and Cuba under Castro - in an attempt to better understand the origins and development of the "new man."The book's fundamental concerns are how these communist revolutions strove to create a new, morally and psychologically superior, human being and how this task paralleled efforts to create a superior society. Cheng begins by exploring the origins of the idea of human perfectibility during the Enlightenment. His discussion moves to other European intellectual movements, and then to the creation of the Soviet Man, the first communist new man in world history. Subsequent chapters examine China's experiment with human nature, starting with the nationalistic debate about a new national character at the turn of the twentieth century; and Cuban perceptions of the new man and his role in propelling the revolution from a nationalist, to a socialist, and finally a communist movement. The last chapter considers the global influence of the Soviet, Chinese, and Cuban experiments.
Transmission of Oropouche virus from man to hamster by the midge Culicoides paraensis.
Oropouche virus (arbovirus family Bunyaviridae, Simbu serological group) was experimentally transmitted from man to hamster by the bite of the midge Culicoides paraensis. Infection rates and transmission rates were determined after the midge had engorged on patients with viremia. The threshold titer necessary to enable infection or transmission by the midges was approximately 5.3 log10 of the median lethal dose of the virus in suckling mice per milliliter of blood. Transmission was achieved 6 to 12 days after C. paraensis had taken the infective blood meal. This represents conclusive evidence of transmission of an arbovirus of public health importance to man by a member of the Ceratopogonidae family.