The Catholic nobility in Utrecht and Guelders, c. 1580-1702
This thesis examines the Catholic nobility in the provinces of Utrecht and Guelders in the late sixteenth and seventeenth centuries, focusing on topics including the religious diversity within noble families, interconfessional interaction, religious tolerance and intolerance, the religiosity of the Catholic nobility and their support of the Holland Mission. The Catholic nobility as a socio-religious group is studied against the backdrops of Dutch society and of the Holland Mission, and their behaviour is understood in the context of the changing political, social and religious circumstances in the seventeenth-century Dutch Republic.
From Monopoly to Minority: Catholicism in Early Modern England
Robert Parsons, the Jesuit, compiled his account of the transition of English Catholicism from monopoly to minority status in 1599–1600, and called it ‘A story of domestical difficulties which the Catholic cause and promoters thereof hath had in defending the same, not only against the violence and persecution of the heretics but also by sundry other impediments among themselves, of faction, emulation, sedition and division, since the change of religion in England’. This version of Tudor ecclesiastical history supplements Nicholas Sander's attention to evil Protestants and politicians by an examination of the Catholic response to the Reformation. The Parsons story has two groups of villains, the bishops and the parish clergy, who betrayed their faith to hold on to their livings; it has two groups of heroes, who rescued the faith by their self-sacrifice, the Jesuits and the seminary priests they inspired, and the Elizabethan Catholic gentry; and it goes something like this. The early Tudor monopolistic Church was weakened by spiritual decadence and mere conformism, and its leadership divided by ambition and faction, so it could not resist the challenge of heresy.
French film theory and criticism : a history/anthology, 1907-1939
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.