Reflections of Society and Era in Hard-Boiled Detective Fiction
The thesis focuses on popular literature, detective fiction and hard-boiled detective fiction in particular. It includes an outline of detective fiction, American hard-boiled mode and its representatives, mainly Raymond Chandler and Dashiell Hammett. The aim is to highlight modernistic literary features in their novels. The thesis also includes analysis of real cases from the 1920s and 1930s in America and their reflection in hard-boiled novels. The thesis proves that hard-boiled detective fiction reflects the twentieth-century American society and era and that it is political.
THE ADAPTATION OF A STUDY IN SCARLET AND THE FINAL PROBLEM IN BBC\'S FILM SERIES SHERLOCK AS SEEN FROM STRUCTURALISM APPROACH
THE ADAPTATION OF A STUDY IN SCARLET AND THE FINAL PROBLEM IN BBC\'S FILM SERIES SHERLOCK AS SEEN FROM STRUCTURALISM APPROACH -
Anatomy of Murder: Mystery, Detective, and Crime Fiction
This text identifies three basic fictional forms dealing with murder and detection - mystery, detective and crime fiction. It attempts to express their interrelations, to define their differences, and to explain why these subgenres take the forms they do. Parts One and Two distinguish between mystery and detective in terms of their narrative worlds and their treatment of the sign. Mystery fiction takes place in a centered world, one whose most distinctive characteristic is motivation (of behaviour and signs). Built in a faith of foundations, it insists upon the solidity of social life, the validity of social conventions and the sanctity of signs. Mystery assures us that motives exist for both words and deeds. Covering the forms that murder fiction takes, this study includes analyses of texts by Doyle; Christie; Sayers; Hammett; Chandler; Highsmith; Jim Thompson; Thomas Harris; and others. It demonstrates that various permutations of murder fiction make for very different narrative texture and reading experiences.