Political Autobiography and the Art of the Plausible: R. A. Butler at the Foreign Office, 1938–1939
R. A. Butler has been one of the outstanding figures in twentieth-century British politics. After his death The Times described him as ‘the creator of the modern educational system, the key-figure in the revival of post-war Conservatism, arguably the most successful chancellor since the war and un-questionably a Home Secretary of reforming zeal’. His record of achievement was unequalled by his rivals in the contests for the party leadership in 1957 and in 1963, but on both occasions the leadership eluded him. How and why this happened was understandably of the greatest interest to those who reviewed Rab's memoirs, The art of the possible, which were published in 1971. These memoirs won unanimous praise for their literary excellence, but otherwise met with a rather mixed reception. Enoch Powell, one of Rab's supporters in 1963, described them as ‘a work of astonishing self-revelation [belonging] with the classic Confessions. Augustine and Rousseau were not more unsparing of themselves than Rab…’ The ‘large episodes’ of Rab's career, Powell went on, ‘are treated with a generous vision (including, it need not be added, a generosity to Rab) which leaves the reader with improved understanding and perspective’. Powell's comments were echoed by others on the Right, but the Left was more critical. Anthony Howard noted that ‘what tend…to get wholly left out are the mistakes and blunders’ – the now infamous Villacoublay meeting during the Suez crisis; and Rab's astonishing admission to the journalist George Gale during the 1964 campaign that the election was slipping Labour's way. Harold Wilson, who had offered Rab the mastership of Trinity, was perhaps the least charitable of all. He found The art of the possible disappointing because, he claimed, Rab underwrote the great occasions. Rab's reticence about Suez, however, upset Wilson less than the description of his tribulations at the hands of Labour MPs as government spokesman for the policy of non-intervention during the Spanish Civil War. Here was an issue which could excite the older soldiers of the British Left, and if Wilson was alone among Rab's reviewers in making more than passing reference to Rab's association with appeasement this was why.
New Perspectives on Appeasement: Some Implications for International Relations
Abstract Historical research since the opening of the British archives in the late 1960s has brought about a substantial revision of the image of appeasement that had generally been accepted after World War II. Yet the traditional image has scarcely been questioned in contemporary writing on international relations. This article examines some of the central themes in recent studies relating to appeasement: the “structural” approach, which offers a new overall interpretation; the economic, military, and intelligence “dimensions” of British foreign policy in the 1930s; and the breaking down of traditional stereotypes of the roles of Chamberlain and Churchill. This reappraisal has important implications for the discipline of international relations, its view of the origins of World War II, and theories of international structural change.
The Origins of the Foundation Stories Genre in the Hebrew Bible and Ancient Eastern Mediterranean
This article examines two types of foundation narrative prevalent in the biblical literature in light of as-yet-undiscussed parallels from ancient Greek and Mediterranean texts. The first type, embodied in the Genesis narratives and Greek genealogical traditions, portrays the founders as leaving a distant land to settle peacefully in a new land. The second is exemplified by the central hexateuchal theme of the Israelites’ migration to Canaan by dispossessing the native population as well as the Dorian migration traditions. Several factors indicate that the foundation story genre also became central and foundational in other small kingdoms around the Mediterranean—as indicated, for example, by the Phoenician–Luwian inscriptions referring to bt Mpš/Mopsus and related classical sources. The popularity of the genre in the ancient Mediterranean is striking in light of the fact that, while experiencing tribal migrations and wanderings, the great Mesopotamian and Egyptian kingdoms never represented themselves as “immigrants.” It is suggested that this genre may have emerged with the rise of the new, small-scale kingdoms in the Mediterranean basin toward the end of the second millennium b.c.e. The Phoenician and Greek colonization enterprises of the first third of the first millennium b.c.e. in particular increased awareness of the newly emerging states and focused attention on ethnic identity.