PYTHIA status report
Recent improvements in the PYTHIA event generator are summarized: new hard subprocesses, γ*γ* physics, QCD final-state showers, and more.
The Lund Model
Preface 1. Relativistic kinematics, electromagnetic fields and the method of virtual quanta 2. The harmonic oscillator and the quantum field 3. The vacuum as a dielectric medium and renormalisation 4. Deep inelastic scattering and the parton model 5. The classical motion of the massless relativistic string 6. The decay kinematics of the massless relativistic string 7. A stochastic process for string decay 8. The properties of the Lund model fragmentation formulae: external part formulas 9. The internal part fragmentation formulae and their relations to the unitarity equations of Regge theory 10. The dynamical analogues of the Lund model fragmentation formulae 11. Flavour and transverse momentum generation, and the vector to pseudoscalar meson ratio 12. Heavy quark fragmentation and Baryon production 13. The Hanbury-Brown-Twiss-effect and polarisation in the Lund model 14. The Lund gluon model, the kinematics and the decay properties 15. Gluon emission via the Bremsstrahlung process 16. Multigluon emission, the dipole moment and parton coherence cascade models 17. The lambda measure in the leading log, and the modified lead log approximation of perturbative QCD 18. The parton model and QCD 19. Inelastic lepto-production in the Lund model, the soft radiation model and heretical structure functions 20. Hadronic interaction models References Index.
Unity Identity Text Self
Abstract Understanding the receptivity of literature, how one work admits many readers, begins with an analogy: unity is to text as identity is to self. Unity here means the way all a text’s features can be related through one central theme. Identity describes a person’s sameness within different behaviors as variations on one identity theme (Lichtenstein). To find unity or identity, however, the interpreter himself plays a behavioral variation on his identity theme. In interpreting, his identity re-creates itself as he shapes the text to match his characteristic defenses, fantasies, and coherences. Thus, what a poet says about fictional, political, or scientific texts expresses the same identity theme as the poems he writes. To understand reading, criticism, and any knowing or making in symbols, then, we need to let go the Cartesian craving for objectivity and accept the themes in ourselves with which we construe the world—including literary works.