Making Mary Male: the Categories ‘Male’ and ‘Female’ in the Gospel of Thomas
The Coptic Gospel of Thomas is one of the most spectacular of the fifty-two tractates filling the thirteen codices of the Nag Hammadi library. Discovered in December 1945 by several Egyptian fellahin, the Nag Hammadi tractates were subjected to a variety of political and scholarly ploys, and were not made available in their entirety until the very end of 1977, when the last of the volumes of manuscript pages in the Facsimile Edition and the one-volume edition of The Nag Hammadi Library in English finally appeared.1 One of the very first of the documents to be published was the Gospel of Thomas, and its appearance has already stimulated the production of numerous articles and monographs by the scholars who have recognized its significance for our knowledge of Christian origins and early church history. Since the time of its initial publication scholars have suggested a variety of interpretations of the Gospel, and to date no consensus has been reached. Yet, in my estimation, a reasonably strong case can be made that the Gospel of Thomas, in its present form, belongs at least on the periphery of Christian Gnosticism, and to that extent the Coptic text may be termed a gnosticizing gospel.2
Using stories to assist storytelling in a pastoral setting : four female pastors in dialogue with Mary Magdalene
Sometimes we need a source of encouragement for restoring our own lives, to help us re-create ourselves. Using text as narrative texts opens up a multitude of possibilities in the work with clients in therapy. The story of Mary Magdalene told in John 20:11–18 is considered to be a healing story. This article aims to retell the story of her encounter with the resurrected Jesus, using the Gospel of Mary as an enlightening intertext. Because the story of Mary Magdalene’s encounter with Jesus is used as a healing story, the basic principles of transformative narrative theory are considered to be useful in the analysis of this text. Mary Magdalene’s story is then discussed with three female pastors of the Netherdutch Reformed Church of Africa. The research opened up a discussion about spirituality. This article would be incomplete without reflecting on the spirituality stories of the group of co-researchers.
PLEASURE, POWER, AND THE PURSUIT OF COMMUNISM: SOVIET YOUTH AND STATE-SPONSORED POPULAR CULTURE DURING THE EARLY COLD WAR, 1945-1968
art, with certain students accused of “showing political immaturity, failing to understand the Party’s positions on art.” This episode constituted part of a broader crackdown on abstract art by the Khrushchev administration from late 1962, precipitated the the Soviet leader’s derision of such art forms in December 1962 at the Manege exhibit. Such instances demonstrate the limitations of the top-level promotion of youth grassroots initiative, as the Khrushchev leadership reigned in youth autonomy when it threatened to go beyond the boundaries of the permissible. The dates cited above have particular resonance, since both 1957-58 and 1962-63 represent two periods when those at the top of the Party hierarchy moved away from pursuing a more pluralistic, tolerant policy course, due to anxiety inspired by both sharpening Cold War hostilities and domestic developments. In these periods, official rhetoric censured what it labeled as 639 TsAOPIM, f. 635, op. 13, d. 546, ll. 56-57. This is likely related to criticism of the Party associated with the fallout from the Secret Speech and the Hungary invasion. For more, see Polly Jones, “From the Secret Speech to the Burial of Stalin: Real and Ideal Responses to De-Stalinization,” in Jones ed., The Dilemmas, 41-63. 640 TsAOPIM, f. 6083, op. 1, d. 52, ll. 166-67. 641 Susan E. Reid, “In the Name of the People: The Manege Affair Revisited,” Kritika 6.4 (Fall 2005): 673716. 642 On these anxieties, see Dobson, Khrushchev’s Cold Summer, 156-88.