Bridging Race Divides: Black Nationalism, Feminism, and Integration in the United States, 1896-1935
African American women in the early-twentieth century made significant contributions toward the development of a black feminist tradition, were at the forefront of black nationalism, and challenged the apparent dichotomy between black nationalism and integrationism. Kate Dossett examines the political thought and cultural production of prominent black women leaders in the years between the founding of the National Association of Colored Women in 1896 and the National Council of Negro Women in 1935.By featuring the contributions of women like the pioneering black hairdresser, Madam C. J. Walker, and her daughter, as well as club woman Mary McLeod Bethune and United Negro Improvement Association activist Amy Jacques Garvey, Dossett also makes a distinctive contribution to the field of women's history by challenging the reverse class bias that has meant that middle-class women have been deemed less worthy of study, or worse, dubbed assimilationist and accused of lacking race pride.While revealing the depth and complexity of black women's thought in the early twentieth century and highlighting their contribution to a black feminist tradition of activism, "Bridging Race Divides" positions black women at the forefront of both intellectual and practical endeavors in the struggle for black autonomy.
Configuring Modernities: New Negro Womanhood in the Nation's Capital, 1890-1940
Configuring Modernities: New Negro Womanhood in the Nation’s Capital, 1890-1940 by Treva Blaine Lindsey Department of History Duke University Date: ________________________ Approved: _____________________________ Laura Edwards, Supervisor ________________________________ Mark Anthony Neal ________________________________ Adriane Lentz-Smith ________________________________ Davarian Baldwin An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of History in the Graduate School of Duke University
The Colours and Dresses of Racism in America
The monograph argues that American racism has two colours (white and black), not one; and that each racism dresses itself not in one clothing, but in four: (1) “Minimal” negative, when one race considers another race inferior to itself in degree, but not in nature; (2) “Maximal” negative, when one race regards another as inherently inferior; (3) “Minimal” positive, when one race elevates another race to a superior status in degree, but not in nature; and (4) “Maximal” positive, when one race believes that the other race is genetically superior. The monograph maintains that the needs of capitalism created black slavery; that black slavery produced white racism as a justification for black slavery; and that black racism is a backlash of white racism. The monograph concludes that the abolition of black slavery and the civil rights movement destroyed the social and political ground for white and black racism, while the modern development of capitalism is demolishing their economic and intellectual ground.