"Por Andarmos Todos Casy Mesturados": The Politics of Intermingling in Caminha's Carta and Colonial American Anthologies
According to the chronicler of Pedro Álvares Cabral’s arrival on the coast of what is now Brazil in April of 1500, less than a week after their first contact with the Portuguese crew, the natives ‘‘poucos a poucos mesturaranse cõ nosco, e abracauãnos e folgauam’’ (96) [‘‘little by little mingled with us. And they embraced us and had a good time’’] (24). The scribe later portrays the Portuguese as equally engaged in the ‘‘mingling,’’ while also suggesting that their motivation extends beyond ‘‘having a good time’’: ‘‘este dia os uimos de mais perto e mais aanosa vontade por andarmos todos casy mesturados’’ (96, my emphasis) [‘‘On that day we saw them closer and more as we wished, for all of us were almost intermingled’’] (24).1 Such scenes of peaceful intermingling and ‘‘merrymaking’’ (96; 24) between Europeans and Amerindians have earned Pero Vaz deCaminha’s letter toKingManuel a foundational position in the Brazilian literary canon and contributed to notions of the distinctive benevolence of Portuguese colonization. Historians and literary critics alike have interpreted the letter as not only the nation’s ‘‘birth certificate’’ but one that attests to a painless delivery.2 The Carta [Letter] may also earn a place in the early ‘‘American’’ canon, if the trend toward more expansive and inclusive anthologies of colonial American literatures prevails. Susan Castillo and Ivy Schweitzer’s The Literatures of Colonial America (2001) includes an extract of Caminha’s letter, along with selections from both North and South America that are translated from Spanish, Italian, German, Dutch, and various Native American languages. The preface to Carla Mulford’s Early AmericanWritings (2002) claims a similar comprehensiveness, stating that ‘‘texts included represent the cultures of Portuguese, Spanish, French, Dutch, Swedish, German, and English speakers’’ (xviii), although no Portuguese-language texts are in
Early American writings
Early American Writings brings together a wide range of writings from the era of colonization of the Americas through the period of confederation in North America and the formation of the new United States of America. The anthology includes materials representing cultures indigenous to the Americas as well as writings by British, Spanish, Portuguese, Dutch, French, Swedish, German, African, and African American peoples in America during the fifteenth through the eighteenth centuries. With more than 170 writers included, the collection represents the works known and admired in the writers' own day, illustrates the diversity of interests and peoples depicted in those writings, and demonstrates the range of cross-cultural references early American readers experienced. The breadth of the collection provides readers with a fuller understanding of the backdrop for what is known as "American" culture today, in all its diversity. Early American Writings includes several original translations and features more poetry than any other anthology in the field. Each section covers a different period of colonization and is introduced by extensive commentary. All selections have been carefully annotated to help students place the writings in their cultural and regional contexts. Ideal for courses in early/colonial American literature and culture, colonial American studies, American studies, and American history, Early American Writings gives students an unprecedented look into the diverse and fascinating culture of early America.
French film theory and criticism : a history/anthology, 1907-1939
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.