The Rhine Crisis of 1840 and German Nationalism: Chauvinism, Skepticism, and Regional Reception*
The Rhine Crisis began with French imperialism. Aiming to expand its influence to Egypt and the Levant, France lent its support in 1839 to Mehmet Ali, Egypt’s pasha, whose ambition to seek hereditary rule in Egypt and Syria challenged Ottoman suzerainty. After Egyptian-led troops pushed theOttoman army beyond Syria’s border in April 1839, Adolphe Thiers, the French president, envisioned a new sphere of influence in the Orient. He thus played with the fragile equilibrium of the Eastern Question, Western diplomacy’s contest to fill the power vacuum of a reduced Ottoman Empire. The démarche stalled, however, during the opening months of 1840, culminating in dramatic failure on July 15with the London Convention: a four-power treaty ðwithout the consultation of FranceÞ that supported the sultan’s retention of his imperial territories. Isolated and humiliated by this diplomatic loss, Thiers’s government and the Chamber of Deputies sought an honorable retreat through compensation elsewhere and therefore reasserted the claim that France’s frontier extended to the Rhine. The French state thus compounded a diplomatic setback with a political dispute over “natural borders.” In
Laborers and voyagers: From the text to the reader
Farfrom being writers-founders of their own place, heirs to the peasants of earlier ages now working on the soil of language, diggers of wells and builders of houses-readers are voyagers; they move across lands belonging to someone else, like nomads poaching their way acrossfields they did not write, despoiling the wealth of Egypt to enjoy it themselves. Writing accumulates, stocks up, resists time by the establishment of a place and multiplies its production through the expansionism of reproduction. Reading takes no measures against the erosion of time (one forgets oneself and also forgets), reading does not keep what it acquires, or it does so poorly, and each of the places through which it passes is a repetition of the lost paradise. -Michel de Certeau, The Practice of Everyday Life
HOW DO BUILDINGS MEAN? SOME ISSUES OF INTERPRETATION IN THE HISTORY OF ARCHITECTURE1
Architectural history as we know it has been written tacitly adhering to the crudest version of the paradigm of communication: all the attention has been focussed on the design of the new forms, none on their interpretation. It is time to realize, that even within the limits of the paradigm of communication, there should be a history of meaning, not only a history of forms.2 
 
—Juan Pablo Bonta 
 
You think philosophy is difficult enough, but I can tell you it is nothing to the difficulty of being a good architect.3 
 
—Ludwig Wittgenstein 
 
ABSTRACT 
Despite growing interest from historians in the built environment, the use of architecture as evidence remains remarkably under-theorized. Where this issue has been discussed, the interpretation of buildings has often been likened to the process of reading, in which architecture can be understood by analogy to language: either as a code capable of use in communicating the architect's intentions or more literally as a spoken or written language in its own right. After a historiographical survey, this essay, by contrast, proposes that the appropriate metaphor is one of translation. More particularly, it draws on the work of Mikhail Bakhtin to suggest that architecture—and the interpretation of architecture— comprises a series of transpositions. As a building is planned, built, inhabited, and interpreted, so its meaning changes. The underlying logic of each medium shapes the way in which its message is created and understood. This suggests that the proper role of the historian is to trace these transpositions. Buildings, then, can be used as a historical source, but only if the historian takes account of the particular problems that they present. In short, architecture should not be studied for its meaning, but for its meanings. As historians we are always translating architecture: not reading its message, but exploring its multiple transpositions.