Global days of action, global public transcripts and democracy: a reply
This is a reply to:Gregoratti, Catia. 2014. “Global days of action, global public transcripts and democracy.” Global Discourse. 4 (2–3): 353–366. http://dx.doi.org/10.1080/23269995.2014.914367.
The Occupy Movement in Žižek's hometown: Direct democracy and a politics of becoming
In an otherwise sympathetic speech to Occupy Wall Street, Slavoj Žižek dismissed protesters’ pursuit of direct democracy as a “dream.” In no small part responding to a perceived crisis of representative politics, however, the popular movements that swept through northern Africa, Europe, and North America during 2011 have been distinguished by their adoption of direct democratic forms. This initial ethnography—collaboratively researched and written by a Slovene activist–theorist and a U.S. anthropologist—considers the significance of the Occupy Movement's democratic practices in Žižek's own hometown. We trace the development of decidedly minoritarian forms of decision making—the “democracy of direct action,” as it is known locally—to activists’ experiences of organizing for migrant and minority rights in the face of ethnonationalism. We compare the democracy of direct action to Occupy Wall Street's consensus-based model. In conclusion, we ask how ethnographic attention to the varieties of emergent political forms within the current global cycle of protest might extend recent theorizing of radical politics and contribute to broader efforts to reimagine democracy. [Slovenia, Occupy Movement, direct democracy, direct action, activism, becoming, coauthorship]
‘There is no race so wretched that there is not something out there that cares for them’: Multiculturalism, understanding, empathy and prejudice in Discworld
Multiculturalism is at the heart of Mel Gibson’s chapter. Arguing that stories situated in Ankh-Morpork, Discworld’s major capital and the focal point of many Discworld stories, in particular deal with the opportunities, problems and, sometimes, sheer craziness associated with multi- and cross-cultural debates and realities, Gibson draws on European models of multiculturalism. She analyses how, alongside debating the nature of prejudice and oppression, the City Watch stories in particular explore ways in which a multicultural space may work.