Western Europe's America Problem
When my father and I arrived in the United States as immigrants from Romania — by way of Vienna — in the summer of 1960, we spent a number of weeks living with American families in the greater New York area. Some were Jews, like us; most were not. But all spoke some German because our English was virtually nonexistent at the time. What impressed me no end, and will always remain with me, was how all those people adored my Viennese-accented German, how they reveled in it, found it elegant, charming, and above all oh-so-cultured. For business and family reasons, my father had to return to Vienna, where I attended the Theresianische Akademie, one of Austria's leading gymnasia. The welcome accorded to me in that environment was much colder and more distant than it had been in the United States, not by dint of my being a Tschusch and a Zuagraster, an interloper from the disdained eastern areas of Europe, but by virtue of having become a quasi American.
Uncouth Nation: Why Europe Dislikes America
Foreword vii Preface xi Introduction 1 Chapter 1: Anti-Americanism as a European Lingua Franca 11 Chapter 2: European Anti-Americanism: A Brief Historical Overview 38 Chapter 3: The Perceived "Americanization" of All Aspects of European Lives: A Discourse of Irritation and Condescension 81 Chapter 4: The Massive Waning of America's Image in the Eyes of Europe and the World 135 Chapter 5: "Twin Brothers": European Anti-Semitism and Anti-Americanism 150 Chapter 6: Anti-Americanism: A Necessary and Welcomed Spark to Jump-start a European Identity? 201 Notes 225 Index 265
PLEASURE, POWER, AND THE PURSUIT OF COMMUNISM: SOVIET YOUTH AND STATE-SPONSORED POPULAR CULTURE DURING THE EARLY COLD WAR, 1945-1968
art, with certain students accused of “showing political immaturity, failing to understand the Party’s positions on art.” This episode constituted part of a broader crackdown on abstract art by the Khrushchev administration from late 1962, precipitated the the Soviet leader’s derision of such art forms in December 1962 at the Manege exhibit. Such instances demonstrate the limitations of the top-level promotion of youth grassroots initiative, as the Khrushchev leadership reigned in youth autonomy when it threatened to go beyond the boundaries of the permissible. The dates cited above have particular resonance, since both 1957-58 and 1962-63 represent two periods when those at the top of the Party hierarchy moved away from pursuing a more pluralistic, tolerant policy course, due to anxiety inspired by both sharpening Cold War hostilities and domestic developments. In these periods, official rhetoric censured what it labeled as 639 TsAOPIM, f. 635, op. 13, d. 546, ll. 56-57. This is likely related to criticism of the Party associated with the fallout from the Secret Speech and the Hungary invasion. For more, see Polly Jones, “From the Secret Speech to the Burial of Stalin: Real and Ideal Responses to De-Stalinization,” in Jones ed., The Dilemmas, 41-63. 640 TsAOPIM, f. 6083, op. 1, d. 52, ll. 166-67. 641 Susan E. Reid, “In the Name of the People: The Manege Affair Revisited,” Kritika 6.4 (Fall 2005): 673716. 642 On these anxieties, see Dobson, Khrushchev’s Cold Summer, 156-88.