Disordering the Border: Harryette Mullen’s Transaborder Poetics in Muse & Drudge
This essay reads Harryette Mullen’s epic poem Muse & Drudge as an innovative text of the US-Mexico borderlands by focusing on Mullen’s literal and figurative transactions between multiple discourses, including Spanish, and the corresponding sets of material conditions these discourses conjure to understand how Muse & Drudge reveals the ongoing racialization and exploitation of African American women and Latinas. I identify a transaborder politics in Muse & Drudge in which shared colonial histories unite Afro-Caribbean diasporic and borderlands subjects. In Mullen’s poetics, themes of separation, definition, and regulation are racialized concepts, deeply embedded in the violent histories of racial mixing and mestizaje that are both named outright and alluded to metaphorically by her hybridized language.
The feminist avant-garde in American poetry
The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s. Elisabeth Frost focuses on a diverse group of poets - Gertrude Stein, Mina Loy, Sonia Sanchez, Susan Howe, and Harryette Mullen - who make language the site of feminist politics. Her study captures the range of aesthetics and politics in the work of avant-garde women poets; challenges the ways in which avant-garde writing has been defined and categorized; expands traditional conceptions of feminism and feminist poetics; and addresses issues of gender and race, allowing for discussion of a rich range of feminist and linguistic concerns.
Bodies Politic : Disease , Death and Doctors in Britain , 1650-1900
In spite of its intellectual, literary and comic brilliance, this book contains a dark and disturbing, but revealing, message. In some ways, my melancholy reading of Bodies Politic has inevitably been shaped by Roy's recent untimely death. Roy Porter was without doubt the finest social historian of medicine this country, or indeed the world, has produced. Expansive, humorous, intelligent, and incisive, his broad range of historical works has excited and educated several generations of students of history over the past thirty years. His death leaves an unfillable void within the global history of medicine. At the same time, however, this book itself, completed well before his death, is haunted by elements of despair and uncertainty that should make us carefully reconsider not only the purpose and direction of our professional inquiries but also our own mortality.