The Unfinished Chapel at Bradford on Avon, Wiltshire, and Ecclesiastical Politics in The Early Eleventh Century
An examination of the decorative elements on the structure of the Anglo-Saxon chapel of St Laurence at Bradford on Avon, Wilts., has suggested that the total decorative scheme, comprising different elements, was abandoned before completion. This hypothesis arises from an examination of the carved moulding on some of the internal and external pilasters, the external blind arcading, and the ‘unfinished’ rood on the eastern wall of the nave. A historical context for this is suggested in the abandonment of the nearly completed building on the death of King Æthelred, the sponsor of the construction of the chapel as a cult centre for Edward the Martyr from AD 1001. While his successor King Cnut would probably have been supportive of the continuation of the cult at Shaftesbury, the chapel was arguably soon abandoned because the underlying religious and political rationale for its construction no longer obtained in the circumstances of the new king's regime.
The late tenth-century defences of Oxford and the towers of St George and St Michael
ABSTRACT The hypothesis of the redevelopment of the defences of the earlier burh at Oxford by King Æthelred in the late tenth century is critically analysed in the light of the recently-published excavations at the castle site. It is argued that the rebuilding of the north gate, which involved the creation of a new defended enceinte on its eastern side and the construction of the tower of St Michael’s Northgate, was concurrent with, and as an integral part of, this new defensive initiative. St George’s tower, which sits within the western line of these late tenth-century defences, is also argued from the structural and topographical evidence as belonging to this same phase of the reconstruction of the defences. This is supported by comparisons of the towers’ architectural features with other church towers in England, and reflects similar developments in northern France. The evidence of this new defensive system from Oxford complements and extends the historical and other evidence from the country as a whole, providing a revealing insight into the scale and nature of the strategic response of King Æthelred to the new Viking incursions during his reign.
Mutiny Echoes: India, Britons, and Charles Dickens's A Tale of Two Cities
This essay asks what, if any, import the Indian ““Mutiny”” of 1857 had on A Tale of Two Cities (1859), Charles Dickens�s fictionalized account of the French Revolution. Begun shortly after the Indian uprising started, Dickens�s historical novel appears studiously to avoid any mention of events on the Indian subcontinent, even though these events preoccupied and enraged the author. Few scholars have attended to the question of A Tale of Two Cities and the ““Mutiny,”” but when they have, scholars have looked for analogies between India and Dickens�s account of the French Revolution. In this essay, by contrast, I examine A Tale of Two Cities in a larger context——of Britons9 response to the Uprising, of Dickens9s short stories and essays in Household Words in the years before the ““Mutiny”” and immediately after, of Dickens9s disenchantment with aspects of British culture, and of his need to articulate a national identity grounded in action. I argue that the events in India were the match that ignited Dickens9s already established midcentury interests in national identity, nobility, and masculine heroism. I do not wish to suggest that A Tale of Two Cities is an Indian ““Mutiny”” novel, but rather that it is a novel about the ““Making of Britons,”” an important endeavor for an author who was intensely dissatisfied with the Britain that he saw around him.