"Try and fall sick .."-the composer, chemist, and surgeon Aleksandr Borodin.
Although Aleksandr Porfir’evič Borodin is considered one of the outstanding Russian composers of the 19th century, he left only a very small volume of musical work. He is particularly renowned for the world-famous “Polovtsian Dances” from the opera “Prince Igor” and for his membership in “The Mighty Handful”. Also noteworthy, aside from the forementioned opera “Prince Igor”, are his three symphonies, two string quartets, and a symphonic poem “In the Steppes of Central Asia”. The reason for his small œuvre is that he considered himself a sunday composer, composing for fun and only in his rare spare time or when he was ill. In fact, he was a professor of chemistry, and chemistry was avowedly his first passion. There were also other fields, besides chemistry, to which he was more committed than composition. Despite this declared priority for chemistry, Aleksandr Borodin is mostly unknown as a chemist to chemists of today, and—much to my regret—even as composer. This surely is not justified, since he is the discoverer of outstanding reactions, although unfortunately at a time when it was uncommon to name reactions after their inventors. This Essay is intended to shed light on all the various facets of Borodin, with a special focus on his chemical work.
The life and death of Professor Alexander P. Borodin: surgeon, chemist, and great musician.
Abstract Music is one of the most effective and most beautiful means of communication between peoples. However characteristically national the music may be, it will penetrate to the hearts of all receptive listeners regardless of outlook, provided that it has real beauty. 1
The structure of Ibibio death prevention names
This paper examines death prevention names among the Ibibio in South-eastern Nigeria, from their structural perspectives. Ibibio death prevention names can generate and maintain some level of assurance and security that is vital for a child’s survival, given the implicit assumption that spiritual forces of some kind are at work. These names are believed to link their bearers to their past, ancestors and spirituality. This paper argues that these names represent enriching morphosyntactic properties that provide a window to the grammatical description of the Ibibio language. Their syntax is not constrained to a limited set of structures, thus they are structurally versatile and open ended, representing the various types and functions of sentences in the Ibibio language. The paper concludes with the claim that, in addition to the referential contents and metaphysical presuppositions of these names, they have other formal structural properties that distinguish them from ordinary Ibibio names.