The entry into force of the 2001 UNESCO Convention on the Protection of the Underwater Cultural Heritage
On 2 January 2009 the Convention on the Protection of the Underwater Cultural Heritage (CPUCH; Paris, 2001) entered into force for the first 20 States that decided to become parties to it. The CPUCH can be seen as a reasonable defence against the disastrous regime on underwater cultural heritage set forth by the United Nations Convention on the Law of the Sea (UNCLOS; Montego Bay, 1982). In fact, the UNCLOS allows for a “freedom-of-fishing” regime where a State which has a cultural link with the objects cannot prevent the pillage of its historical heritage. The picture is worsened by the reference in the UNCLOS to “the law of salvage and other rules of admiralty” which have been intended by United States courts as meaning the application of a first-come-first-served approach in many cases relating to the underwater cultural heritage. The basic defensive tools included in the CPUCH are the elimination of the undesirable effects of the law of salvage and finds, the exclusion of a first-come-first-served approach for the heritage found on the continental shelf, and the strengthening of regional cooperation.
Archaeological and/or Historic Valuable Shipwrecks in International Waters:Public International Law and What It Offers
Scope Concepts and Definitions.- The Law of the Sea Convention 82: The Legal Regime Concerning Objects of an Archaeological and Historical Nature.- Admiralty Law: The Legal Regime of Admiralty Law as Applied to Archaeological and/or Historic Shipwrecks.- The UNESCO Convention on the Protection of the Underwater Cultural Heritage.- Conclusion.
Broadcasting Freedom: Radio, War, and the Politics of Race, 1938-1948
The World War II era represented the golden age of radio as a broadcast medium in the United States; it also witnessed a rise in African-American activism against racial segregation and discrimination, especially as they were practised by the federal government itself. In this study, the author links these cultural and political forces by showing how African-American activists, public officials, intellectuals, and artists sought to access and use radio to influence a national debate about racial inequality. Drawing on a body of national public affairs programming about African-Americans and race relations, the author uses these radio shows to demonstrate the emergence of a new national discourse about race and ethnicity, racial hatred and injustice, and the contribution of racial and immigrant populations to the development of the United States. These programmes, Savage contends, challenged the nation to reconcile its professed egalitarian ideals with its unjust treatment of black Americans and other minorities. This examination of radio's treatment of race as a national political issue also provides important evidence that the campaigns for racial justice in the 1940s served as an essential, and still overlooked, precursor to the civil rights campaigns of the 1950s and 1960s, Savage argues. The next battleground would be in the South, and on television.