Re-envisioning the Chinese revolution : the politics and poetics of collective memories in reform China
Popular memories of the revolutionary past have become a political and cultural force in China. Traumatic memory and active criticism make up part of this wave, but so does nostalgia for collective responsibility and for feelings of freedom and progress. Re-envisioning the Chinese Revolution is the first comprehensive study of contemporary memories of China's revolutionary epoch, from the time of Japanese imperialism through the Cultural Revolution. Path-breaking in its scope, the research in this volume carefully examines the memories of a wide range of social groups, including disenfranchised workers and rural women, who have often been neglected in scholarship. Looking at a variety of embodiments of memories-interviews, films, photo exhibits, museums, and websites-the authors, ranging from anthropologists to film studies specialists, present original research on the idea of "memories as a cultural and political phenomenon." The result is an unprecedented and illuminating reexamination of the memory of, and occasionally nostalgia for, the Chinese Revolution. Contributors include: Anita Chan, Robert Chi, David J. Davies, Kirk A. Denton, Gail Hershatter, Ching Kwan Lee, Kimberley Ens Manning, Erik Mueggler, Paul G. Pickowicz, Jonathan Unger, Ban Wang, and Guobin Yang.
“Marxism” as Tradition in CCP Discourse
Abstract This study discusses how the Chinese Communist Party has fashioned “Marxism” as a tradition during the last three decades. I argue that its leaders have invented the tradition of Sinicised Marxism by means of a ritualised repetition that emphasises a largely factitious continuity with the purpose of legitimising the Party, justifying policy changes and winning factional struggles. The point is corroborated by an analysis of the invocation of “Marxism” during key political phases in the reform era when the pretence of continuity became crucial for the CCP, including 1978–1985, 1992–1995 and the Eighteenth Party Congress of 2012. The article shows how, in the debates on “the criterion of truth” and “Marxist humanism”, the reformists endorsed a re-definition of Marxism that aimed at saving communism from radical Maoism and legitimising the new policies. Next, I examine texts from the beginning of the second reform period, when official propaganda strove to justify the roll-out of a market economy by portraying “pragmatism” as the essence of Marxism. Finally, I analyse how Party-state leaders have invoked Marxism around the time of the last leadership transition. The article suggests that such a use of “Marxism” in contemporary official discourse originates from Mao Zedong Thought as well as in a gradual hollowing out of the concept. As a result it sheds light on the ideological undertows of China’s contemporary socio-political history and on the chances of future political change.
Using Skills from Art in Surgical Practice and Research-Surgery and Art
Many aspects of surgery and the arts are inexorably linked together, and the use of artistic techniques or ideas to improve surgical practice is present throughout the history of medicine. In all forms of surgery, throughout the ages, artists have been used to illustrate new ideas, new techniques and to document surgical practice. Some of the most successful art originated from surgeons who were also artists; perhaps due to their innate understanding of what they were portraying. Studying art and developing creative skills can enhance modern surgical practice in many different ways.