Social Roles / Political Responsibilities: Jean Renoir's Search for Artistic Integrity, 1928-1939
Throughout his life, Jean Renoir-the son of a renowned painter, a onetime potter, and filmmaker -was preoccupied with the role of the artist in society. What was the artist's place in, and his/her responsibilities to, the world (but particularly to France)? Under what conditions could an artist function and do meaningful work-not only meaningful for society but for him/herself? These were ethical, moral, and political questions with which Renoir wrestled, finding no easy answers, no simple verities. Rather he was often troubled by the relationship between artist and society which he understood as a dynamic one in need of constant reconsideration.
The Genesis and Effect of the Popular Front in France
Harr's study casts new light on the evolution and significance of the Soviet tactic of the popular front; thereby deepening our historical understanding and our political sophistication.
Communist History: An Annual Bibliography (2005)
The subject of this bibliography is the scholarly literature of communist history. For the USA coverage is extensive. For the rest of the Anglophone world coverage is selective, while coverage for the rest of the world is more selective still. Coverage of the former and presently communist countries is largely limited to works dealing with the Communist parties of those countries. Anti-communism is covered selectively, with somewhat more emphasis on its interaction with communism than its nature as a movement/ideology per se. Coverage of related topics, i.e. the labor movement, Marxism, other strains of radicalism, etc., is highly selective and limited to items directly relevant to communism. For coverage of current reportage (newspapers, news weeklies, journals of opinion, Internet/WWW discussion lists, etc.) see the Newsletter of the Historians of American Communism and the Historians of American Communism Discussion List (h-hoac@h-net.msu.edu). The Bibliography is organized into seven sections, listed below. Sections 1–5 are form and genre based (monographs, serials, etc.), while sections 6 and 7 are format based (sound and visual, electronic). Entries are arranged alphabetically within each section. Where the number of entries warrants it, a section is divided into USA and Other. There is no index. Please be aware that most citations for items in electronic format are listed under their appropriate form/genre, i.e. articles in electronic serials are listed under serials. Section 7 (Internet, WWW, etc.) only contains citations for items in forms and genres irreducibly unique to the electronic environment, i.e. discussion lists (and postings and threads therein) and for those web sites and other electronic resources not subsumed under categories 1–7. Items cited are from the calendar year in the title of the Bibliography, with two exceptions, Internet/WWW items, where publication/creation date information is often unavailable or indeterminate, and older items not cited