New Perspectives on Race and Slavery in America: Essays in Honor of Kenneth M. Stampp
Slavery in Virginia, 1619-1660 / Robert McColley -- Denmark Vesey's peculiar reality / William W. Freehling -- The Republican Party and the slave power / William E. Gienapp -- Race and politics in the northern democracy, 1854-1860 / Stephen E. Maizlish -- The creation of Confederate loyalties / Reid Mitchell -- Blues falling down like hail / Leon F. Litwack -- Grant and the freedman / Arthur Zilversmit -- The present becomes the past / James Oakes -- Firm flexibility / John G. Sproat -- The soul is fled / Joel Williamson.
The Colours and Dresses of Racism in America
The monograph argues that American racism has two colours (white and black), not one; and that each racism dresses itself not in one clothing, but in four: (1) “Minimal” negative, when one race considers another race inferior to itself in degree, but not in nature; (2) “Maximal” negative, when one race regards another as inherently inferior; (3) “Minimal” positive, when one race elevates another race to a superior status in degree, but not in nature; and (4) “Maximal” positive, when one race believes that the other race is genetically superior. The monograph maintains that the needs of capitalism created black slavery; that black slavery produced white racism as a justification for black slavery; and that black racism is a backlash of white racism. The monograph concludes that the abolition of black slavery and the civil rights movement destroyed the social and political ground for white and black racism, while the modern development of capitalism is demolishing their economic and intellectual ground.
Music and Ethical Responsibility
Introduction 1. Meaning and ethics in music 2. Experiencing music 3. Framing elements of musical experience 4. Improvisation and ethical responsibility 5. Musical improvisation as festival 6. Music, proximity, ethics 7. Ethical responsibility and other people's music Conclusion: ethical responsibility in musical experience.