Form, Reflection, Disclosure: Literary Aesthetics and Contemporary Criticism
What is the relation between philosophy and poetry; or, rather, how might the relations in which the two continually find themselves be thought productively through aesthetics? Schlegel’s fragment frames the argument I want to develop here, not just by its insistence on a contrast between the two, but in its refusal of a ‘kingdom of barbarity beyond the boundaries of culture’: it is not a question of protecting the boundaries of culture by defending established notions of poetry and philosophy, but, instead, of exploring the ways in which both continually test the limits that tradition has erected. This, I want to claim, might productively be done by evoking once again the categories of philosophical aesthetics to rethink the ways in which poetry, literature and art have been figured in recent theoreticalwork, and to reactivate their potentials to transform experience, thought and critical practice.
Aesthetics : lectures on fine art
VOLUME II. PART III: THE SYSTEM OF THE INDIVIDUAL ARTS SECTION I: ARCHITECTURE SECTION II: SCULPTURE SECTION III: THE ROMANTIC ARTS INDEX.
Body sculpturing.
Significant improvements in body contour can be accomplished by surgical procedures having reliable, predictable results. Similar to the modern sculptor of inanimate art forms, plastic surgeons have utilized new materials and devised new techniques to achieve aesthetic improvement of the face, trunk, and extremities. The goals of the surgical sculptor are perhaps more challenging than those of the pure artistic sculptor, not only because they must result in improved appearance but also because the surgeon is limited at all times by considerations of regional anatomy, the availability of viable tissue materials, and the safety of his patient.