Normanising the North: The Evidence of Anglo-Saxon and Anglo-Scandinavian Sculpture
Abstract This Study Probes the destruction of material culture to illuminate the introduction of Norman political authority into northern England. A brief overview of Norman destruction of churches provides the background to a review of the potential relationship of Anglo-Saxon monuments with memory and identity, in the context of recent discussions of monument reuse. Durham and York, the Anglo-Saxon monastic sites at Wearmouth/Jarrow, Lindisfarne and Jedburgh, and a selection of local churchyards provide case studies. It argues that some monuments seem to have been deliberately targeted, but a wider range of factors, all ultimately derived from changing political circumstances, can be identified that explain why sculpture was removed and reused. The paper serves as a platform for further debate about the significance of monuments in the Middle Ages, and as a contribution to the broader discourse within archaeology about their social meanings.
A fourth supplement to Hand-List of Anglo-Saxon Non-Runic Inscriptions
Abstract This fourth supplement brings up to date my Hand-List of Anglo-Saxon Non-Runic Inscriptions (Cambridge, 1971), and the three supplements which appeared in Anglo-Saxon England 11 (1983), 21 (1992) and 33 (2004). This fourth supplement contains twenty-two entries and includes all the Anglo-Saxon non-runic inscriptions that have come to my notice between 2004 and 2017. Wherever possible I have personally examined all the existing inscriptions contained in this supplement. For ease of reference, this supplement follows the same pattern as before: the Entries appear first, with the same layout as before, followed by the Bibliography and Addenda.
Kitchen Conversations: Democracy in Action at the Lower East Side Tenement Museum
Abstract This article describes the Lower East Side Tenement Museum9s ongoing public dialogue on immigration, the first in the United States. As she joins facilitators in reflecting on the importance of dialogue in a democracy, museum president Ruth J. Abram explains how and why the program was initiated, the obstacles that had to be overcome, and the public reaction to it. Kitchen Conversations represents the museum9s commitment to the proposition that historic sites must function as places of civic engagement, using the history they interpret as a starting place for dialogue on related contemporary issues.