Transformation of Shangai at the beginning of the New China. Observations from two sino soviet coproductions: La transformacion de Shanghai al inicio de la nueva China: observaciones de dos coproducciones sino sovieticas
Since the Second Opium War, Shanghai was designated as a trading port, and because of its coastal location, the city became an isolated island. Its different from the backwardness of China's semi colonial and semi feudal society. Shanghai's <capitalization> is more serious, and social culture is very special. It is a difficult point for a new regime to be supported in the early days of the founding of the People's Republic of China. This article examines the publicity screenings of the two documentaries in 1950, <The Victory of the Chinese People> (Zhong Guo Ren Min De Sheng Li and <The Liberated China> (Jie Fang Liao De Zhong Guo and analyzes how the two Sino Soviet documentaries have attracted widespread attention. How did the new regime deploy the film industry's work, talks about the direction of the <film maker> and the <imager> identification mechanism, from the expression of the phenomenon level viewing to explore Shanghai people's political identity facing the new China. 1 Yang Xi es graduada de la Academia de Cine de Shanghai en la Universidad de Shanghai. Estudia la maestria en Estudios Cinematograficos. Su principal campo de investigacion es la historia del cine y la comunicacion chinos. En su etapa actual de investigacion, se centra en la revivificacion a traves del analisis historico detallado del desarrollo de las peliculas chinas. Desde el Sur Volumen 10, numero 2, Lima; pp. 363 376 DOI: 10.21142/DES 1002 2018 363 376