Ottaviano Petrucci: A Catalogue Raisonné (review)
two-page vita of Saint Eugene). This inconsistency will make it unnecessarily difficult for some readers. Finally, although there is some discussion of the music, I found myself wanting a much fuller discussion of this aspect of the books. What, for example, was the result of the liturgical reforms of 1310, and the subsequent shift from local to Roman practice, on the music? Furthermore, much of her discussion of polyphony and tropes is derived from earlier work by Agostino Ziino and Giulio Cattin. Despite these reservations, this book represents a significant step forward in our understanding of cathedral and civic ritual in one of the most important cities of Western Europe. MURRAY STEIB Ball State University