Revival: Southern Writers in the Modern City, and: The Idea of Florida in the American Literary Imagination, and: Walker Percy: A Southern Wayfarer (review)
The south and its writers have probably captured the imaginations of Americans in a way that no other region and regional literature have. Writing about southern literature appears to pose a special problem, though, for everyone who comes to this task seems compelled to a kind of comprehensive analysis, one that tries to account for the great variety, power, and influence of this region and its literary outpouring. Ted Spivey's Revival: Southern Writers in the Modern City is one such ambitious book. Its aims, he admits, are multiple and complex. He sets out to produce simultaneously "an essay on culture," an examination of die image of "the city in its various aspects," and a study of the major modern southern writers as they have responded to a changing world. In effect, the book examines what the author terms a literary "soudiern urban renewal." That multiplicity of focus is almost the work's undoing, though, for with so many tasks to carry out, it never manages to stick to any one of them long enough to explore it properly or tellingly. The book's strength is its lengthy introduction that is itself an ambitious and insightful "essay on culture." In it, Spivey examines a number of "southern pseudo-myths," such as "the great white mansion," "happy slaves," "resplendent lords and ladies" of the old South, and "slave-driving fanatics." Although he admits that such pseudo-myths have their correspondents in other parts of America, he argues that the southern ones "have a far more ridiculous quality about them" than those of other regions and suggests that such tales invariably tend to drive truth "from the intellectual and the cultural marketplace." As he dismisses various of those pseudo-myths that have skewed much thought about the south and its literature, Spivey begins outlining a view of southern culture grounded in "the continuing power of two forces," "community and hierarchy," and he establishes the southern urban center as a touchstone for these cultural concerns.