"J'ayme ces mots . . .": expressions linguistiques de doute dans les Essais de Montaigne, and: Les repentirs de l'Exemplaire de Bordeaux (review)
tions to the Petrarchan tradition. As a close critical reading of the Lyonnais’s poetry, however, the work disappoints. Among the 449 dizains of Délie, very few are ever scrutinized. Disappointing, too, is the neglect of the fifty Délie emblems in a study that supposes to underscore the place of “corps” in Scève’s verses. A discussion about these sensually graphic enhancements would have strengthened the critic’s arguments. ROBERTO E. CAMPO University of North Carolina, Greensboro