Teatralidades y carnaval: danzantes y color en Puebla de los Angeles (review)
This is an outstanding contribution to the unavoidable and unresolved issue of the “indigenous” in Latin American cultural history that has occupied critics of the stature of Luis Villoro, Ángel Rama, Antonio Cornejo Polar, Amaryll Chanady, Jorge Klor de Alva, and Gordon Brotherston. Sá’s study brings a significant cultural area and a neglected group of texts to this debate. Sá has written a superb book: erudite, sophisticated, and informative. Furthermore, this is a study with a refreshing political and ethical position, against all the common reactionary disenchantment of our times.