The Harmonious Beauty of Pastoral Poem From Jin and Song Dynasty to Tang Dynasty in Its Ideology
The pastoral poems from Jin and Song dynasty to Tang dynasty bears profound connotation of ancient harmonious aesthetic culture, embodying intensively the beauty of harmony in its ideology. The origin of the theory that man is an integral part of nature is harmony oriented; the natural-property, say the personalization of nature, of the pastoral poems can not depart from the personality position of harmony. Advocating the interpenetration of the views of the nature and landscape of Confucianism, Taoism and Buddhism manifests the aesthetic standard of nature and harmony.