(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening in
This article considers the limits, layers and potential of vocal mimesis in the creation and performance of a new musical theatre work. Reflecting on the process and production of All That's Left a musical that performed imagined conversations between pop culture icons from 'The 27 Club' I offer three readings of vocal mimesis as an act that constructs a space of plural and paradoxical possibilities.