Playboy Interview: Gary Oldman
PLAYBOY: What’s your view of the future? Are you optimistic about where society is heading?

OLDMAN: [Pauses] You’re asking Gary?

PLAYBOY: Yes.

OLDMAN: I think we’re up shit creek without a paddle or a compass.

PLAYBOY: How so?

OLDMAN: Culturally, politically, everywhere you look. I look at the world, I look at our leadership and I look at every aspect of our culture and wonder what will make it better. I have no idea. Any night of the week you only need to turn on one of these news channels and watch for half an hour. Read the newspaper. Go online. Our world has gone to hell. I listen to the radio and hear about these lawsuits and about people like this high school volleyball coach who took it upon herself to get two students to go undercover to do a marijuana bust. You’re a fucking volleyball coach! This is not 21 Jump Street.

Or these helicopter parents who overschedule their children. There’s never any unsupervised play to develop skills or learn about hierarchy in a group or how to share. The kids honestly believe they are the center of the fucking universe. But then they get out into the real world and it’s like, “Shit, maybe it’s not all about me,” and that leads to narcissism, depression and anxiety. These are just tiny examples, grains of sand in a vast desert of what’s fucked-up in our world right now. As for the people who pass for heroes in entertainment today, don’t even get me started.

PLAYBOY: You’ve been married four times, including, as you mentioned, to Uma Thurman. What have you learned in the process?

OLDMAN: [Groans] Look, relationships are very, very hard. They just are. I mean, four times! I’m not proud to say it. One of them was for 10 minutes. I don’t think it meant very much to either of us. What can I say about marriage? I don’t know. It’s all been a bit of a disaster in that area. I have very good artistic instincts, often right on the money. Love, not so successful. But you know, if someone says, “Here’s a script. Now you’re Beethoven,” that I can do.

PLAYBOY: What do you think about what he’s gone through these past few years?

OLDMAN: [Fidgets in his seat] I just think political correctness is crap. That’s what I think about it. I think it’s like, take a fucking joke. Get over it. I heard about a science teacher who was teaching that God made the earth and God made everything and that if you believe anything else you’re stupid. A Buddhist kid in the class got very upset about this, so the parents went in and are suing the school! The school is changing its curriculum! I thought, All right, go to the school and complain about it and then that’s the end of it. But they’re going to sue! No one can take a joke anymore.
I don’t know about Mel. He got drunk and said a few things, but we’ve all said those things. We’re all fucking hypocrites. That’s what I think about it. The policeman who arrested him has never used the word nigger or that fucking Jew? I’m being brutally honest here. It’s the hypocrisy of it that drives me crazy. Or maybe I should strike that and say “the N word” and “the F word,” though there are two F words now.

PLAYBOY: The three-letter one?

OLDMAN: Alec calling someone an F-A-G in the street while he’s pissed off coming out of his building because they won’t leave him alone. I don’t blame him. So they persecute. Mel Gibson is in a town that’s run by Jews and he said the wrong thing because he’s actually bitten the hand that I guess has fed him—and doesn’t need to feed him anymore because he’s got enough dough. He’s like an outcast, a leper, you know? But some Jewish guy in his office somewhere hasn’t turned and said, “That fucking kraut” or “Fuck those Germans,” whatever it is? We all hide and try to be so politically correct. That’s what gets me. It’s just the sheer hypocrisy of everyone, that we all stand on this thing going, “Isn’t that shocking?” [smiles wryly] All right. Shall I stop talking now? What else can we discuss?

PLAYBOY: What do you think of the pope?

OLDMAN: Oh, fuck the pope! [laughs and puts head in hands] So this interview has gone very badly. You have to edit and cut half of what I’ve said, because it’s going to make me sound like a bigot.

PLAYBOY: You’re not a bigot?

OLDMAN: No, but I’m defending all the wrong people. I’m saying Mel’s all right, Alec’s a good guy. So how do I come across? Angry?

PLAYBOY: Passionate, certainly. Readers will have to form their own opinions.

OLDMAN: It’s dishonesty that frustrates me most. I can’t bear double standards. It gets under my skin more than anything.

PLAYBOY: Who speaks the truth in this culture, in your opinion?

OLDMAN: There are a number of people. A voice I particularly like is Charles Krauthammer. I think he’s incredibly smart. I think he’s fair, very savvy and politically insightful, so I enjoy watching him. There are artists as well, like David Bowie, where there’s an autonomy. He recorded his most recent album and didn’t even announce he was doing it. He was in a position where he thought, Listen, I haven’t produced anything for 10 years. If this is no good, then I can just put it in a cupboard and no one need ever know. But he wrote the songs, picked the cover. I’ve always admired David. I’ve known him about 30 years. We’re friends. And David can constantly reinvent himself because he’s so talented. He has a point of view.

One of my sons wants to be a photographer. I said to him, “Why do you want to rob the bank when it’s already been burgled?” There’s no livelihood there. I know great photographers who are still going around with their portfolios. So I said to him, “Look, I don’t know how you would earn a living, but if you’re passionate and this is what you want to do, boy oh boy, you’ve got to have a point of view. Are you going to be a fashion photographer? Are you going to be a journalistic photographer?” It’s great to just sit there and go, “I just want to take pictures, man,” and fuck off to college for two years that I’ll pay for. Wedding photographer? You need a singular purpose. Can I tell you what else I get frustrated about?

PLAYBOY: Go for it. You’re on a roll.
OLDMAN: More and more, people in this culture are able to hide behind comedy and satire to say things we can’t ordinarily say, because it’s all too politically correct.

PLAYBOY: Do you have something in mind?

OLDMAN: Well, if I called Nancy Pelosi a cunt—and I’ll go one better, a fucking useless cunt—I can’t really say that. But Bill Maher and Jon Stewart can, and nobody’s going to stop them from working because of it. Bill Maher could call someone a fag and get away with it. He said to Seth MacFarlane this year, “I thought you were going to do the Oscars again. Instead they got a lesbian.” He can say something like that. Is that more or less offensive than Alec Baldwin saying to someone in the street, “You fag”? I don’t get it.

PLAYBOY: You see it as a double standard.

OLDMAN: It’s our culture now, absolutely. At the Oscars, if you didn’t vote for 12 Years a Slave you were a racist. You have to be very careful about what you say. I do have particular views and opinions that most of this town doesn’t share, but it’s not like I’m a fascist or a racist. There’s nothing like that in my history.

PLAYBOY: How would you describe your politics?

OLDMAN: I would say that I’m probably a libertarian if I had to put myself in any category. But you don’t come out and talk about these things, for obvious reasons.