feat_summary_path: finished_summaries/shmoop/The Comedy of Errors/section_2_part_0.txt
feat_book_id: The Comedy of Errors.act ii.scene i
feat_summary_id: act ii, scene i
feat_summary: {"name": "Act II, Scene i", "url": "https://web.archive.org/web/20201219160210/https://www.shmoop.com/study-guides/literature/comedy-of-errors/summary/act-ii-scene-i", "summary": "E. Antipholus's wife Adriana, and her sister, Luciana, are at E. Antipholus's house waiting for the man to come home for dinner. They have a little philosophical exchange, during which Luciana insists that men are freer than women because their work and responsibilities take them out of the home. She thinks her sister should just wait patiently for his return and understand that she can't control him. Adriana doesn't take this comment so kindly. She says it's this warped view of male-female relations that's keeping Luciana from getting married. Nope, Luciana says. It's because she's not interested in what happens in the marriage bed. . Besides, before she gets married, she has to learn to obey. Adriana again chastises her for preaching patience and servitude when she doesn't really know what it's like to be married. Whatever, says Luciana. Here comes Dromio. That must mean Antipholus will be here shortly. E. Dromio enters the scene, and explains what happened with S. Antipholus at the marketplace--still, of course, thinking S. Antipholus was actually his master, E. Antipholus. Then E. Dromio explains to Adriana that her husband has gone mad, and denies that he has a wife--her. Now Adriana is even more miffed. She sends E. Dromio back to the marketplace to get E. Antipholus again. E. Dromio hesitantly goes again, but only after Adriana threatens to beat him. Adriana now begins to worry that she must be old and ugly, so her husband prefers other company to hers. She blames E. Antipholus for wasting the beauty of her youth. Though Luciana tries to get her sister to pull it together, Adriana continues to complain. Now Adriana's convinced E. Antipholus is out having a snack in some other woman's kitchen. She mentions that her husband was supposed to be bringing her a necklace, but she fears it's not a jewelry store that's detaining him.", "analysis": ""}
text: ACT II. _SCENE I.
  
  The house of _ANTIPHOLUS of Ephesus_._
  
    _Enter ADRIANA and LUCIANA._
  
  _Adr._ Neither my husband nor the slave return'd,
  That in such haste I sent to seek his master!
  Sure, Luciana, it is two o'clock.
  
  _Luc._ Perhaps some merchant hath invited him,
  And from the mart he's somewhere gone to dinner.                     5
  Good sister, let us dine, and never fret:
  A man is master of his liberty:
  Time is their master; and when they see time,
  They'll go or come: if so, be patient, sister.
  
  _Adr._ Why should their liberty than ours be more?                  10
  
  _Luc._ Because their business still lies out o' door.
  
  _Adr._ Look, when I serve him so, he takes it ill.
  
  _Luc._ O, know he is the bridle of your will.
  
  _Adr._ There's none but asses will be bridled so.
  
  _Luc._ Why, headstrong liberty is lash'd with woe.                  15
  There's nothing situate under heaven's eye
  But hath his bound, in earth, in sea, in sky:
  The beasts, the fishes, and the winged fowls,
  Are their males' subjects and at their controls:
  Men, more divine, the masters of all these,                         20
  Lords of the wide world and wild watery seas,
  Indued with intellectual sense and souls,
  Of more pre-eminence than fish and fowls,
  Are masters to their females, and their lords:
  Then let your will attend on their accords.                         25
  
  _Adr._ This servitude makes you to keep unwed.
  
  _Luc._ Not this, but troubles of the marriage-bed.
  
  _Adr._ But, were you wedded, you would bear some sway.
  
  _Luc._ Ere I learn love, I'll practise to obey.
  
  _Adr._ How if your husband start some other where?                  30
  
  _Luc._ Till he come home again, I would forbear.
  
  _Adr._ Patience unmoved! no marvel though she pause;
  They can be meek that have no other cause.
  A wretched soul, bruised with adversity,
  We bid be quiet when we hear it cry;                                35
  But were we burden'd with like weight of pain,
  As much, or more, we should ourselves complain:
  So thou, that hast no unkind mate to grieve thee,
  With urging helpless patience wouldst relieve me;
  But, if thou live to see like right bereft,                         40
  This fool-begg'd patience in thee will be left.
  
  _Luc._ Well, I will marry one day, but to try.
  Here comes your man; now is your husband nigh.
  
    _Enter _DROMIO of Ephesus_._
  
  _Adr._ Say, is your tardy master now at hand?
  
  _Dro. E._ Nay, he's at two hands with me, and that my               45
  two ears can witness.
  
  _Adr._ Say, didst thou speak with him? know'st thou his mind?
  
  _Dro. E._ Ay, ay, he told his mind upon mine ear:
  Beshrew his hand, I scarce could understand it.
  
  _Luc._ Spake he so doubtfully, thou couldst not feel his            50
  meaning?
  
  _Dro. E._ Nay, he struck so plainly, I could too well
  feel his blows; and withal so doubtfully, that I could scarce
  understand them.
  
  _Adr._ But say, I prithee, is he coming home?                       55
  It seems he hath great care to please his wife.
  
  _Dro. E._ Why, mistress, sure my master is horn-mad.
  
  _Adr._ Horn-mad, thou villain!
  
  _Dro. E._                      I mean not cuckold-mad;
  But, sure, he is stark mad.
  When I desired him to come home to dinner,                          60
  He ask'd me for a thousand marks in gold:
  ''Tis dinner-time,' quoth I; 'My gold!' quoth he:
  'Your meat doth burn,' quoth I; 'My gold!' quoth he:
  'Will you come home?' quoth I; 'My gold!' quoth he,
  'Where is the thousand marks I gave thee, villain?'                 65
  'The pig,' quoth I, 'is burn'd;' 'My gold!' quoth he:
  'My mistress, sir,' quoth I; 'Hang up thy mistress!
  I know not thy mistress; out on thy mistress!'
  
  _Luc._ Quoth who?
  
  _Dro. E._ Quoth my master:                                          70
  'I know,' quoth he, 'no house, no wife, no mistress.'
  So that my errand, due unto my tongue,
  I thank him, I bare home upon my shoulders;
  For, in conclusion, he did beat me there.
  
  _Adr._ Go back again, thou slave, and fetch him home.               75
  
  _Dro. E._ Go back again, and be new beaten home?
  For God's sake, send some other messenger.
  
  _Adr._ Back, slave, or I will break thy pate across.
  
  _Dro. E._ And he will bless that cross with other beating:
  Between you I shall have a holy head.                               80
  
  _Adr._ Hence, prating peasant! fetch thy master home.
  
  _Dro. E._ Am I so round with you as you with me,
  That like a football you do spurn me thus?
  You spurn me hence, and he will spurn me hither:
  If I last in this service, you must case me in leather.
      [_Exit._                                               85
  
  _Luc._ Fie, how impatience lowereth in your face!
  
  _Adr._ His company must do his minions grace,
  Whilst I at home starve for a merry look.
  Hath homely age the alluring beauty took
  From my poor cheek? then he hath wasted it:                         90
  Are my discourses dull? barren my wit?
  If voluble and sharp discourse be marr'd,
  Unkindness blunts it more than marble hard:
  Do their gay vestments his affections bait?
  That's not my fault; he's master of my state:                       95
  What ruins are in me that can be found,
  By him not ruin'd? then is he the ground
  Of my defeatures. My decayed fair
  A sunny look of his would soon repair:
  But, too unruly deer, he breaks the pale,                          100
  And feeds from home; poor I am but his stale.
  
  _Luc._ Self-harming jealousy! fie, beat it hence!
  
  _Adr._ Unfeeling fools can with such wrongs dispense.
  I know his eye doth homage otherwhere;
  Or else what lets it but he would be here?                         105
  Sister, you know he promised me a chain;
  Would that alone, alone he would detain,
  So he would keep fair quarter with his bed!
  I see the jewel best enamelled
  Will lose his beauty; yet the gold bides still,                    110
  That others touch, and often touching will
  Wear gold: and no man that hath a name,
  By falsehood and corruption doth it shame.
  Since that my beauty cannot please his eye,
  I'll weep what's left away, and weeping die.                       115
  
  _Luc._ How many fond fools serve mad jealousy!
  
      [_Exeunt._
  
  
  
    NOTES: II, 1.
  
    The house ... Ephesus.] Pope. The same (i.e. A publick place).
      Capell, and passim.
    11: _o' door_] Capell. _adore_ F1 F2 F3. _adoor_ F4.
    12: _ill_] F2 F3 F4. _thus_ F1.
    15: _lash'd_] _leashed_ "a learned lady" conj. ap. Steevens.
      _lach'd_ or _lac'd_ Becket conj.
    17: _bound, ... sky:_] _bound: ... sky,_ Anon. conj.
    19: _subjects_] _subject_ Capell.
    20, 21: _Men ... masters ... Lords_] Hanmer. _Man ... master
      ... Lord_ Ff.
    21: _wild watery_] _wilde watry_ F1. _wide watry_ F2 F3 F4.
    22, 23: _souls ... fowls_] F1. _soul ... fowl_ F2 F3 F4.
    30: _husband start_] _husband's heart's_ Jackson conj.
    _other where_] _other hare_ Johnson conj. See note (III).
    31: _home_] om. Boswell (ed. 1821).
    39: _wouldst_] Rowe. _would_ Ff.
    40: _see_] _be_ Hanmer.
    41: _fool-begg'd_] _fool-egg'd_ Jackson conj. _fool-bagg'd_
      Staunton conj. _fool-badged_ Id. conj.
    44: SCENE II. Pope.
    _now_] _yet_ Capell.
    45: _Nay_] _At hand? Nay_ Capell.
    _and_] om. Capell.
    45, 46: _two ... two_] _too ... two_ F1.
    50-53: _doubtfully_] _doubly_ Collier MS.
    53: _withal_] _therewithal_ Capell.
    _that_] om. Capell, who prints lines 50-54 as four verses ending
      _feel ... I ... therewithal ... them._
    59: _he is_] _he's_ Pope. om. Hanmer.
    61: _a thousand_] F4. _a hundred_ F1 _a 1000_ F2 F3.
    64: _home_] Hanmer. om. Ff.
    68: _I know not thy mistress_] _Thy mistress I know not_ Hanmer.
      _I know not of thy mistress_ Capell. _I know thy mistress not_
      Seymour conj.
    _out on thy mistress_] F1 F4. _out on my mistress_ F2 F3.
      _'out on thy mistress,' Quoth he_ Capell. _I know no mistress;
      out upon thy mistress_ Steevens conj.
    70: _Quoth_] _Why, quoth_ Hanmer.
    71-74: Printed as prose in Ff. Corrected by Pope.
    73: _bare_] _bear_ Steevens.
    _my_] _thy_ F2.
    74: _there_] _thence_ Capell conj.
    85: _I last_] _I'm to last_ Anon. conj.
    [Exit.] F2.
    87: SCENE III. Pope.
    93: _blunts_] F1. _blots_ F2 F3 F4.
    107: _alone, alone_] F2 F3 F4. _alone, a love_ F1.
      _alone, alas!_ Hanmer. _alone, O love,_ Capell conj.
      _alone a lone_ Nicholson conj.
    110: _yet the_] Ff. _and the_ Theobald. _and tho'_ Hanmer.
      _yet though_ Collier.
    111: _That others touch_] _The tester's touch_ Anon. (Fras. Mag.)
      conj. _The triers' touch_ Singer.
    _and_] Ff. _yet_ Theobald. _an_ Collier. _though_ Heath conj.
    111, 112: _will Wear_] Theobald (Warburton). _will, Where_] F1.
    112, 113: F2 F3 F4 omit these two lines. See note (IV).
    112: _and no man_] F1. _and so no man_ Theobald.
      _and e'en so man_ Capell. _and so a man_ Heath conj.
    113: _By_] F1. _But_ Theobald.
    115: _what's left away_] _(what's left away)_ F1.
      _(what's left) away_ F2 F3 F4.
  
  
  
feat_summary_name: Act II, Scene i
target: E. Antipholus's wife Adriana, and her sister, Luciana, are at E. Antipholus's house waiting for the man to come home for dinner. They have a little philosophical exchange, during which Luciana insists that men are freer than women because their work and responsibilities take them out of the home. She thinks her sister should just wait patiently for his return and understand that she can't control him. Adriana doesn't take this comment so kindly. She says it's this warped view of male-female relations that's keeping Luciana from getting married. Nope, Luciana says. It's because she's not interested in what happens in the marriage bed. . Besides, before she gets married, she has to learn to obey. Adriana again chastises her for preaching patience and servitude when she doesn't really know what it's like to be married. Whatever, says Luciana. Here comes Dromio. That must mean Antipholus will be here shortly. E. Dromio enters the scene, and explains what happened with S. Antipholus at the marketplace--still, of course, thinking S. Antipholus was actually his master, E. Antipholus. Then E. Dromio explains to Adriana that her husband has gone mad, and denies that he has a wife--her. Now Adriana is even more miffed. She sends E. Dromio back to the marketplace to get E. Antipholus again. E. Dromio hesitantly goes again, but only after Adriana threatens to beat him. Adriana now begins to worry that she must be old and ugly, so her husband prefers other company to hers. She blames E. Antipholus for wasting the beauty of her youth. Though Luciana tries to get her sister to pull it together, Adriana continues to complain. Now Adriana's convinced E. Antipholus is out having a snack in some other woman's kitchen. She mentions that her husband was supposed to be bringing her a necklace, but she fears it's not a jewelry store that's detaining him.