Automatic segmentation of objects from a single image is a challenging problem which generally requires training on large number of images. We consider the problem of automatically segmenting only the dynamic objects from a given pair of images of a scene captured from different positions. We exploit dense correspondences along with saliency measures in order to first localize the interest points on the dynamic objects from the two images. We propose a novel approach based on techniques from computational geometry in order to automatically segment the dynamic objects from both the images using a top-down segmentation strategy. We discuss how the proposed approach is unique in novelty compared to other state-of-the-art segmentation algorithms. We show that the proposed approach for segmentation is efficient in handling large motions and is able to achieve very good segmentation of the objects for different scenes. We analyse the results with respect to the manually marked ground truth segmentation masks created using our own dataset and provide key observations in order to improve the work in future.
We propose a principled approach to summarization of visual data (images or video) based on optimization of a well-defined similarity measure. The problem we consider is re-targeting (or summarization) of image video data into smaller sizes. A good ldquovisual summaryrdquo should satisfy two properties: (1) it should contain as much as possible visual information from the input data; (2) it should introduce as few as possible new visual artifacts that were not in the input data (i.e., preserve visual coherence). We propose a bi-directional similarity measure which quantitatively captures these two requirements: Two signals S and T are considered visually similar if all patches of S (at multiple scales) are contained in T, and vice versa. The problem of summarization re-targeting is posed as an optimization problem of this bi-directional similarity measure. We show summarization results for image and video data. We further show that the same approach can be used to address a variety of other problems, including automatic cropping, completion and synthesis of visual data, image collage, object removal, photo reshuffling and more. High dynamic range (HDR) imaging from a set of sequential exposures is an easy way to capture high-quality images of static scenes, but suffers from artifacts for scenes with significant motion. In this paper, we propose a new approach to HDR reconstruction that draws information from all the exposures but is more robust to camera scene motion than previous techniques. Our algorithm is based on a novel patch-based energy-minimization formulation that integrates alignment and reconstruction in a joint optimization through an equation we call the HDR image synthesis equation. This allows us to produce an HDR result that is aligned to one of the exposures yet contains information from all of them. We present results that show considerable improvement over previous approaches. Current methods for combining two different images produce visible artifacts when the sources have very different textures and structures. We present a new method for synthesizing a transition region between two source images, such that inconsistent color, texture, and structural properties all change gradually from one source to the other. We call this process image melding. Our method builds upon a patch-based optimization foundation with three key generalizations: First, we enrich the patch search space with additional geometric and photometric transformations. Second, we integrate image gradients into the patch representation and replace the usual color averaging with a screened Poisson equation solver. And third, we propose a new energy based on mixed L2 L0 norms for colors and gradients that produces a gradual transition between sources without sacrificing texture sharpness. Together, all three generalizations enable patch-based solutions to a broad class of image melding problems involving inconsistent sources: object cloning, stitching challenging panoramas, hole filling from multiple photos, and image harmonization. In several cases, our unified method outperforms previous state-of-the-art methods specifically designed for those applications.   We introduce a fast deformable spatial pyramid (DSP) matching algorithm for computing dense pixel correspondences. Dense matching methods typically enforce both appearance agreement between matched pixels as well as geometric smoothness between neighboring pixels. Whereas the prevailing approaches operate at the pixel level, we propose a pyramid graph model that simultaneously regularizes match consistency at multiple spatial extents-ranging from an entire image, to coarse grid cells, to every single pixel. This novel regularization substantially improves pixel-level matching in the face of challenging image variations, while the "deformable" aspect of our model overcomes the strict rigidity of traditional spatial pyramids. Results on Label Me and Caltech show our approach outperforms state-of-the-art methods (SIFT Flow [15] and Patch-Match [2]), both in terms of accuracy and run time. This paper presents a new efficient method for recovering reliable local sets of dense correspondences between two images with some shared content. Our method is designed for pairs of images depicting similar regions acquired by different cameras and lenses, under non-rigid transformations, under different lighting, and over different backgrounds. We utilize a new coarse-to-fine scheme in which nearest-neighbor field computations using Generalized PatchMatch [ 2010] are interleaved with fitting a global non-linear parametric color model and aggregating consistent matching regions using locally adaptive constraints. Compared to previous correspondence approaches, our method combines the best of two worlds: It is dense, like optical flow and stereo reconstruction methods, and it is also robust to geometric and photometric variations, like sparse feature matching. We demonstrate the usefulness of our method using three applications for automatic example-based photograph enhancement: adjusting the tonal characteristics of a source image to match a reference, transferring a known mask to a new image, and kernel estimation for image deblurring. We present a novel method for aligning images in an HDR (high-dynamic-range) image stack to produce a new exposure stack where all the images are aligned and appear as if they were taken simultaneously, even in the case of highly dynamic scenes. Our method produces plausible results even where the image used as a reference is either too dark or bright to allow for an accurate registration.