Artistic style transfer can be thought as a process to generate different versions of abstraction of the original image. However, most of the artistic style transfer operators are not optimized for human faces thus mainly suffers from two undesirable features when applying them to selfies. First, the edges of human faces may unpleasantly deviate from the ones in the original image. Second, the skin color is far from faithful to the original one which is usually problematic in producing quality selfies. In this paper, we take a different approach and formulate this abstraction process as a gradient domain learning problem. We aim to learn a type of abstraction which not only achieves the specified artistic style but also circumvents the two aforementioned drawbacks thus highly applicable to selfie photography. We also show that our method can be directly generalized to videos with high inter-frame consistency. Our method is also robust to non-selfie images, and the generalization to various kinds of real-life scenes is discussed. We will make our code publicly available.
Training a feed-forward network for fast neural style transfer of images is proven to be successful. However, the naive extension to process video frame by frame is prone to producing flickering results. We propose the first end-to-end network for online video style transfer, which generates temporally coherent stylized video sequences in near real-time. Two key ideas include an efficient network by incorporating short-term coherence, and propagating short-term coherence to long-term, which ensures the consistency over larger period of time. Our network can incorporate different image stylization networks. We show that the proposed method clearly outperforms the per-frame baseline both qualitatively and quantitatively. Moreover, it can achieve visually comparable coherence to optimization-based video style transfer, but is three orders of magnitudes faster in runtime. This paper presents a new non-photorealistic stroke-based rendering (NPR SBR) framework for the stylization of videos featuring head shots of people, such as home videos, movies, and camera mobile phone clips. Spatiotemporal skin and edge detection are used to locate and emphasize the semantic content in the stylization process. The SBR portion of the algorithm features novel techniques for motion expression with elliptical brush strokes, brush stroke anchor point distribution, spatio-temporal color-sampling, and brush stroke animation with regard to state-of-the-art issues such as object occlusion and uncovering in the source video. A wide user-accessible parameter space and finishing touches such as cartoon-like edge decoration and other quirky effects empowers a variety of artistic outputs. The resulting stylized sequences are fun and interesting with regard to compression, summarization, motion visualization, story-boarding and art. Both the semantic content, and underlying video motion is highlighted and summarized on every frame of the stylized output sequence. This note presents an extension to the neural artistic style transfer algorithm (). The original algorithm transforms an image to have the style of another given image. For example, a photograph can be transformed to have the style of a famous painting. Here we address a potential shortcoming of the original method: the algorithm transfers the colors of the original painting, which can alter the appearance of the scene in undesirable ways. We describe simple linear methods for transferring style while preserving colors. This paper introduces a deep-learning approach to photographic style transfer that handles a large variety of image content while faithfully transferring the reference style. Our approach builds upon the recent work on painterly transfer that separates style from the content of an image by considering different layers of a neural network. However, as is, this approach is not suitable for photorealistic style transfer. Even when both the input and reference images are photographs, the output still exhibits distortions reminiscent of a painting. Our contribution is to constrain the transformation from the input to the output to be locally affine in colorspace, and to express this constraint as a custom fully differentiable energy term. We show that this approach successfully suppresses distortion and yields satisfying photorealistic style transfers in a broad variety of scenarios, including transfer of the time of day, weather, season, and artistic edits. In this paper, we present an example-based facial sketch system. Our system automatically generates a sketch from an input image, by learning from example sketches drawn with a particular style by an artist. There are two key elements in our system: a non-parametric sampling method and a flexible sketch model. Given an input image pixel and its neighborhood, the conditional distribution of a sketch point is computed by querying the examples and finding all similar neighborhoods. An "expected sketch image" is then drawn from the distribution to reflect the drawing style. Finally, facial sketches are obtained by incorporating the sketch model. Experimental results demonstrate the effectiveness of our techniques. Neural Style Transfer has shown very exciting results enabling new forms of image manipulation. Here we extend the existing method to introduce control over spatial location, colour information and across spatial scale. We demonstrate how this enhances the method by allowing high-resolution controlled stylisation and helps to alleviate common failure cases such as applying ground textures to sky regions. Furthermore, by decomposing style into these perceptual factors we enable the combination of style information from multiple sources to generate new, perceptually appealing styles from existing ones. We also describe how these methods can be used to more efficiently produce large size, high-quality stylisation. Finally we show how the introduced control measures can be applied in recent methods for Fast Neural Style Transfer. Manually re-drawing an image in a certain artistic style takes a professional artist a long time. Doing this for a video sequence single-handedly is beyond imagination. We present two computational approaches that transfer the style from one image (for example, a painting) to a whole video sequence. In our first approach, we adapt to videos the original image style transfer technique by based on energy minimization. We introduce new ways of initialization and new loss functions to generate consistent and stable stylized video sequences even in cases with large motion and strong occlusion. Our second approach formulates video stylization as a learning problem. We propose a deep network architecture and training procedures that allow us to stylize arbitrary-length videos in a consistent and stable way, and nearly in real time. We show that the proposed methods clearly outperform simpler baselines both qualitatively and quantitatively. Finally, we propose a way to adapt these approaches also to 360 (^ ) images and videos as they emerge with recent virtual reality hardware. This paper describes a 3D face modeling technique that automatically transforms a normal human face to an artistic face. Starting from any 3D human face, the selected 3D artistic-style is gradually added to the face to transform it toward the plausible artistic face. In the transformation process, the human facial identity will remain recognizable while the artistic-style is slowly visible. The main contribution of this work is in the identity preservation algorithm that can prevent the human identity to be altered by the added artistic-style. Our numerical evaluations illustrate that our technique can significantly maintain the facial identity in the transformation process better than other transformation techniques. Recent research endeavors have shown the potential of using feed-forward convolutional neural networks to accomplish fast style transfer for images. In this work, we take one step further to explore the possibility of exploiting a feed-forward network to perform style transfer for videos and simultaneously maintain temporal consistency among stylized video frames. Our feed-forward network is trained by enforcing the outputs of consecutive frames to be both well stylized and temporally consistent. More specifically, a hybrid loss is proposed to capitalize on the content information of input frames, the style information of a given style image, and the temporal information of consecutive frames. To calculate the temporal loss during the training stage, a novel two-frame synergic training mechanism is proposed. Compared with directly applying an existing image style transfer method to videos, our proposed method employs the trained network to yield temporally consistent stylized videos which are much more visually pleasant. In contrast to the prior video style transfer method which relies on time-consuming optimization on the fly, our method runs in real time while generating competitive visual results. Head portraits are popular in traditional painting. Automating portrait painting is challenging as the human visual system is sensitive to the slightest irregularities in human faces. Applying generic painting techniques often deforms facial structures. On the other hand portrait painting techniques are mainly designed for the graphite style and or are based on image analogies; an example painting as well as its original unpainted version are required. This limits their domain of applicability. We present a new technique for transferring the painting from a head portrait onto another. Unlike previous work our technique only requires the example painting and is not restricted to a specific style. We impose novel spatial constraints by locally transferring the color distributions of the example painting. This better captures the painting texture and maintains the integrity of facial structures. We generate a solution through Convolutional Neural Networks and we present an extension to video. Here motion is exploited in a way to reduce temporal inconsistencies and the shower-door effect. Our approach transfers the painting style while maintaining the input photograph identity. In addition it significantly reduces facial deformations over state of the art.