The boost of available digital media has led to a significant increase in derivative work. With tools for manipulating objects becoming more and more mature, it can be very difficult to determine whether one piece of media was derived from another one or tampered with. As derivations can be done with malicious intent, there is an urgent need for reliable and easily usable tampering detection methods. However, even media considered semantically untampered by humans might have already undergone compression steps or light post-processing, making automated detection of tampering susceptible to false positives. In this paper, we present the PS-Battles dataset which is gathered from a large community of image manipulation enthusiasts and provides a basis for media derivation and manipulation detection in the visual domain. The dataset consists of 102'028 images grouped into 11'142 subsets, each containing the original image as well as a varying number of manipulated derivatives.
Prior art has shown it is possible to estimate, through image processing and computer vision techniques, the types and parameters of transformations that have been applied to the content of individual images to obtain new images. Given a large corpus of images and a query image, an interesting further step is to retrieve the set of original images whose content is present in the query image, as well as the detailed sequences of transformations that yield the query image given the original images. This is a problem that recently has received the name of image provenance analysis. In these times of public media manipulation ( e.g., fake news and meme sharing), obtaining the history of image transformations is relevant for fact checking and authorship verification, among many other applications. This article presents an end-to-end processing pipeline for image provenance analysis, which works at real-world scale. It employs a cutting-edge image filtering solution that is custom-tailored for the problem at hand, as well as novel techniques for obtaining the provenance graph that expresses how the images, as nodes, are ancestrally connected. A comprehensive set of experiments for each stage of the pipeline is provided, comparing the proposed solution with state-of-the-art results, employing previously published datasets. In addition, this work introduces a new dataset of real-world provenance cases from the social media site Reddit, along with baseline results. Digital forensics is a relatively new research area which aims at authenticating digital media by detecting possible digital forgeries. Indeed, the ever increasing availability of multimedia data on the web, coupled with the great advances reached by computer graphical tools, makes the modification of an image and the creation of visually compelling forgeries an easy task for any user. This in turns creates the need of reliable tools to validate the trustworthiness of the represented information. In such a context, we present here RAISE, a large dataset of 8156 high-resolution raw images, depicting various subjects and scenarios, properly annotated and available together with accompanying metadata. Such a wide collection of untouched and diverse data is intended to become a powerful resource for, but not limited to, forensic researchers by providing a common benchmark for a fair comparison, testing and evaluation of existing and next generation forensic algorithms. In this paper we describe how RAISE has been collected and organized, discuss how digital image forensics and many other multimedia research areas may benefit of this new publicly available benchmark dataset and test a very recent forensic technique for JPEG compression detection.