In this paper, we aim to improve the state-of-the-art video generative adversarial networks (GANs) with a view towards multi-functional applications. Our improved video GAN model does not separate foreground from background nor dynamic from static patterns, but learns to generate the entire video clip conjointly. Our model can thus be trained to generate - and learn from - a broad set of videos with no restriction. This is achieved by designing a robust one-stream video generation architecture with an extension of the state-of-the-art Wasserstein GAN framework that allows for better convergence. The experimental results show that our improved video GAN model outperforms state-of-theart video generative models on multiple challenging datasets. Furthermore, we demonstrate the superiority of our model by successfully extending it to three challenging problems: video colorization, video inpainting, and future prediction. To the best of our knowledge, this is the first work using GANs to colorize and inpaint video clips.
Given a grayscale photograph as input, this paper attacks the problem of hallucinating a plausible color version of the photograph. This problem is clearly underconstrained, so previous approaches have either relied on significant user interaction or resulted in desaturated colorizations. We propose a fully automatic approach that produces vibrant and realistic colorizations. We embrace the underlying uncertainty of the problem by posing it as a classification task and use class-rebalancing at training time to increase the diversity of colors in the result. The system is implemented as a feed-forward pass in a CNN at test time and is trained on over a million color images. We evaluate our algorithm using a “colorization Turing test,” asking human participants to choose between a generated and ground truth color image. Our method successfully fools humans on 32 of the trials, significantly higher than previous methods. Moreover, we show that colorization can be a powerful pretext task for self-supervised feature learning, acting as a cross-channel encoder. This approach results in state-of-the-art performance on several feature learning benchmarks. In this paper, we present a color transfer algorithm to colorize a broad range of gray images without any user intervention. The algorithm uses a machine learning-based approach to automatically colorize grayscale images. The algorithm uses the superpixel representation of the reference color images to learn the relationship between different image features and their corresponding color values. We use this learned information to predict the color value of each grayscale image superpixel. As compared to processing individual image pixels, our use of superpixels helps us to achieve a much higher degree of spatial consistency as well as speeds up the colorization process. The predicted color values of the gray-scale image superpixels are used to provide a 'micro-scribble' at the centroid of the superpixels. These color scribbles are refined by using a voting based approach. To generate the final colorization result, we use an optimization-based approach to smoothly spread the color scribble across all pixels within a superpixel. Experimental results on a broad range of images and the comparison with existing state-of-the-art colorization methods demonstrate the greater effectiveness of the proposed algorithm.   Colorization of a grayscale photograph often requires considerable effort from the user, either by placing numerous color scribbles over the image to initialize a color propagation algorithm, or by looking for a suitable reference image from which color information can be transferred. Even with this user supplied data, colorized images may appear unnatural as a result of limited user skill or inaccurate transfer of colors. To address these problems, we propose a colorization system that leverages the rich image content on the internet. As input, the user needs only to provide a semantic text label and segmentation cues for major foreground objects in the scene. With this information, images are downloaded from photo sharing websites and filtered to obtain suitable reference images that are reliable for color transfer to the given grayscale photo. Different image colorizations are generated from the various reference images, and a graphical user interface is provided to easily select the desired result. Our experiments and user study demonstrate the greater effectiveness of this system in comparison to previous techniques.   We introduce a general technique for "colorizing" greyscale images by transferring color between a source, color image and a destination, greyscale image. Although the general problem of adding chromatic values to a greyscale image has no exact, objective solution, the current approach attempts to provide a method to help minimize the amount of human labor required for this task. Rather than choosing RGB colors from a palette to color individual components, we transfer the entire color "mood" of the source to the target image by matching luminance and texture information between the images. We choose to transfer only chromatic information and retain the original luminance values of the target image. Further, the procedure is enhanced by allowing the user to match areas of the two images with rectangular swatches. We show that this simple technique can be successfully applied to a variety of images and video, provided that texture and luminance are sufficiently distinct. The images generated demonstrate the potential and utility of our technique in a diverse set of application domains. In this paper, we present an interactive system for users to easily colorize the natural images of complex scenes. In our system, colorization procedure is explicitly separated into two stages: Color labeling and Color mapping. Pixels that should roughly share similar colors are grouped into coherent regions in the color labeling stage, and the color mapping stage is then introduced to further fine-tune the colors in each coherent region. To handle textures commonly seen in natural images, we propose a new color labeling scheme that groups not only neighboring pixels with similar intensity but also remote pixels with similar texture. Motivated by the insight into the complementary nature possessed by the highly contrastive locations and the smooth locations, we employ a smoothness map to guide the incorporation of intensity-continuity and texture-similarity constraints in the design of our labeling algorithm. Within each coherent region obtained from the color labeling stage, the color mapping is applied to generate vivid colorization effect by assigning colors to a few pixels in the region. A set of intuitive interface tools is designed for labeling, coloring and modifying the result. We demonstrate compelling results of colorizing natural images using our system, with only a modest amount of user input.  Colorization, the task of coloring a grayscale image or video, involves assigning from the single dimension of intensity or luminance a quantity that varies in three dimensions, such as red, green, and blue channels. Mapping between intensity and color is, therefore, not unique, and colorization is ambiguous in nature and requires some amount of human interaction or external information. A computationally simple, yet effective, approach of colorization is presented in this paper. The method is fast and it can be conveniently used "on the fly," permitting the user to interactively get the desired results promptly after providing a reduced set of chrominance scribbles. Based on the concepts of luminance-weighted chrominance blending and fast intrinsic distance computations, high-quality colorization results for still images and video are obtained at a fraction of the complexity and computational cost of previously reported techniques. Possible extensions of the algorithm introduced here included the capability of changing the colors of an existing color image or video, as well as changing the underlying luminance, and many other special effects demonstrated here. Colorization is a computer-assisted process for adding colors to grayscale images or movies. It can be viewed as a process for assigning a three-dimensional color vector (YUV or RGB) to each pixel of a grayscale image. In previous works, with some color hints the resultant chrominance value varies linearly with that of the luminance. However, it is easy to find that existing methods may introduce obvious color bleeding, especially, around region boundaries. It then needs extra human-assistance to fix these artifacts, which limits its practicability. Facing such a challenging issue, we introduce a general and fast colorization methodology with the aid of an adaptive edge detection scheme. By extracting reliable edge information, the proposed approach may prevent the colorization process from bleeding over object boundaries. Next, integration of the proposed fast colorization scheme to a scribble-based colorization system, a modified color transferring system and a novel chrominance coding approach are investigated. In our experiments, each system exhibits obvious improvement as compared to those corresponding previous works. Colorization is a computer-assisted process of adding color to a monochrome image or movie. The process typically involves segmenting images into regions and tracking these regions across image sequences. Neither of these tasks can be performed reliably in practice; consequently, colorization requires considerable user intervention and remains a tedious, time-consuming, and expensive task.In this paper we present a simple colorization method that requires neither precise image segmentation, nor accurate region tracking. Our method is based on a simple premise; neighboring pixels in space-time that have similar intensities should have similar colors. We formalize this premise using a quadratic cost function and obtain an optimization problem that can be solved efficiently using standard techniques. In our approach an artist only needs to annotate the image with a few color scribbles, and the indicated colors are automatically propagated in both space and time to produce a fully colorized image or sequence. We demonstrate that high quality colorizations of stills and movie clips may be obtained from a relatively modest amount of user input.