Research on automated image enhancement has gained momentum in recent years, partially due to the need for easy-to-use tools for enhancing pictures captured by ubiquitous cameras on mobile devices. Many of the existing leading methods employ machine-learning-based techniques, by which some enhancement parameters for a given image are found by relating the image to the training images with known enhancement parameters. While knowing the structure of the parameter space can facilitate search for the optimal solution, none of the existing methods has explicitly modeled and learned that structure. This paper presents an end-to-end, novel joint regression and ranking approach to model the interaction between desired enhancement parameters and images to be processed, employing a Gaussian process (GP). GP allows searching for ideal parameters using only the image features. The model naturally leads to a ranking technique for comparing images in the induced feature space. Comparative evaluation using the ground-truth based on the MIT-Adobe FiveK dataset plus subjective tests on an additional data-set were used to demonstrate the effectiveness of the proposed approach.
Adjusting photographs to obtain compelling renditions requires skill and time. Even contrast and brightness adjustments are challenging because they require taking into account the image content. Photographers are also known for having different retouching preferences. As the result of this complexity, rule-based, one-size-fits-all automatic techniques often fail. This problem can greatly benefit from supervised machine learning but the lack of training data has impeded work in this area. Our first contribution is the creation of a high-quality reference dataset. We collected 5,000 photos, manually annotated them, and hired 5 trained photographers to retouch each picture. The result is a collection of 5 sets of 5,000 example input-output pairs that enable supervised learning. We first use this dataset to predict a user's adjustment from a large training set. We then show that our dataset and features enable the accurate adjustment personalization using a carefully chosen set of training photos. Finally, we introduce difference learning: this method models and predicts difference between users. It frees the user from using predetermined photos for training. We show that difference learning enables accurate prediction using only a handful of examples. A classic photographic task is the mapping of the potentially high dynamic range of real world luminances to the low dynamic range of the photographic print. This tone reproduction problem is also faced by computer graphics practitioners who map digital images to a low dynamic range print or screen. The work presented in this paper leverages the time-tested techniques of photographic practice to develop a new tone reproduction operator. In particular, we use and extend the techniques developed by Ansel Adams to deal with digital images. The resulting algorithm is simple and produces good results for a wide variety of images. We describe a framework for improving the quality of personal photos by using a person's favorite photographs as examples. We observe that the majority of a person's photographs include the faces of a photographer's family and friends and often the errors in these photographs are the most disconcerting. We focus on correcting these types of images and use common faces across images to automatically perform both global and face-specific corrections. Our system achieves this by using face detection to align faces between “good” and “bad” photos such that properties of the good examples can be used to correct a bad photo. These “personal” photos provide strong guidance for a number of operations and, as a result, enable a number of high-quality image processing operations. We illustrate the power and generality of our approach by presenting a novel deblurring algorithm, and we show corrections that perform sharpening, superresolution, in-painting of over- and underexposured regions, and white-balancing.