In this paper, we propose a method for ranking fashion images to find the ones which might be liked by more people. We collect two new datasets from image sharing websites (Pinterest and Polyvore). We represent fashion images based on attributes: semantic attributes and data-driven attributes. To learn semantic attributes from limited training data, we use an algorithm on multi-task convolutional neural networks to share visual knowledge among different semantic attribute categories. To discover data-driven attributes unsupervisedly, we propose an algorithm to simultaneously discover visual clusters and learn fashion-specific feature representations. Given attributes as representations, we propose to learn a ranking SPN (sum product networks) to rank pairs of fashion images. The proposed ranking SPN can capture the high-order correlations of the attributes. We show the effectiveness of our method on our two newly collected datasets.
Photos are becoming prominent means of communication online. Despite photos' pervasive presence in social media and online world, we know little about how people interact and engage with their content. Understanding how photo content might signify engagement, can impact both science and design, influencing production and distribution. One common type of photo content that is shared on social media, is the photos of people. From studies of offline behavior, we know that human faces are powerful channels of non-verbal communication. In this paper, we study this behavioral phenomena online. We ask how presence of a face, it's age and gender might impact social engagement on the photo. We use a corpus of 1 million Instagram images and organize our study around two social engagement feedback factors, likes and comments. Our results show that photos with faces are 38 more likely to receive likes and 32 more likely to receive comments, even after controlling for social network reach and activity. We find, however, that the number of faces, their age and gender do not have an effect. This work presents the first results on how photos with human faces relate to engagement on large scale image sharing communities. In addition to contributing to the research around online user behavior, our findings offer a new line of future work using visual analysis.  Artists, advertisers, and photographers are routinely presented with the task of creating an image that a viewer will remember. While it may seem like image memorability is purely subjective, recent work shows that it is not an inexplicable phenomenon: variation in memorability of images is consistent across subjects, suggesting that some images are intrinsically more memorable than others, independent of a subjects' contexts and biases. In this paper, we used the publicly available memorability dataset of [13], and augmented the object and scene annotations with interpretable spatial, content, and aesthetic image properties. We used a feature-selection scheme with desirable explaining-away properties to determine a compact set of attributes that characterizes the memorability of any individual image. We find that images of enclosed spaces containing people with visible faces are memorable, while images of vistas and peaceful scenes are not. Contrary to popular belief, unusual or aesthetically pleasing scenes do not tend to be highly memorable. This work represents one of the first attempts at understanding intrinsic image memorability, and opens a new domain of investigation at the interface between human cognition and computer vision. With the rise in popularity of digital cameras, the amount of visual data available on the web is growing exponentially. Some of these pictures are extremely beautiful and aesthetically pleasing, but the vast majority are uninteresting or of low quality. This paper demonstrates a simple, yet powerful method to automatically select high aesthetic quality images from large image collections. Our aesthetic quality estimation method explicitly predicts some of the possible image cues that a human might use to evaluate an image and then uses them in a discriminative approach. These cues or high level describable image attributes fall into three broad types: 1) compositional attributes related to image layout or configuration, 2) content attributes related to the objects or scene types depicted, and 3) sky-illumination attributes related to the natural lighting conditions. We demonstrate that an aesthetics classifier trained on these describable attributes can provide a significant improvement over baseline methods for predicting human quality judgments. We also demonstrate our method for predicting the “interestingness” of Flickr photos, and introduce a novel problem of estimating query specific “interestingness”.