As a fundamental technique that concerns several vision tasks such as image parsing, action recognition and clothing retrieval, human pose estimation (HPE) has been extensively investigated in recent years. To achieve accurate and reliable estimation of the human pose, it is well-recognized that the clothing attributes are useful and should be utilized properly. Most previous approaches, however, require to manually annotate the clothing attributes and are therefore very costly. In this paper, we shall propose and explore a clothing attribute approach for HPE. Unlike previous approaches, our approach models the clothing attributes as latent variables and thus requires no explicit labeling for the clothing attributes. The inference of the latent variables are accomplished by utilizing the framework of latent structured support vector machines (LSSVM). We employ the strategy of to train the LSSVM model: In each iteration, one kind of variables (e.g., human pose or clothing attribute) are fixed and the others are optimized. Our extensive experiments on two real-world benchmarks show the state-of-the-art performance of our proposed approach.
We address the problem of articulated human pose estimation by learning a coarse-to-fine cascade of pictorial structure models. While the fine-level state-space of poses of individual parts is too large to permit the use of rich appearance models, most possibilities can be ruled out by efficient structured models at a coarser scale. We propose to learn a sequence of structured models at different pose resolutions, where coarse models filter the pose space for the next level via their max-marginals. The cascade is trained to prune as much as possible while preserving true poses for the final level pictorial structure model. The final level uses much more expensive segmentation, contour and shape features in the model for the remaining filtered set of candidates. We evaluate our framework on the challenging Buffy and PASCAL human pose datasets, improving the state-of-the-art. In this paper, we present a method for estimating articulated human poses in videos. We cast this as an optimization problem defined on body parts with spatio-temporal links between them. The resulting formulation is unfortunately intractable and previous approaches only provide approximate solutions. Although such methods perform well on certain body parts, e.g., head, their performance on lower arms, i.e., elbows and wrists, remains poor. We present a new approximate scheme with two steps dedicated to pose estimation. First, our approach takes into account temporal links with subsequent frames for the less-certain parts, namely elbows and wrists. Second, our method decomposes poses into limbs, generates limb sequences across time, and recomposes poses by mixing these body part sequences. We introduce a new dataset "Poses in the Wild", which is more challenging than the existing ones, with sequences containing background clutter, occlusions, and severe camera motion. We experimentally compare our method with recent approaches on this new dataset as well as on two other benchmark datasets, and show significant improvement. In this paper we present a compositional and-or graph grammar model for human pose estimation. Our model has three distinguishing features: (i) large appearance differences between people are handled compositionally by allowing parts or collections of parts to be substituted with alternative variants, (ii) each variant is a sub-model that can define its own articulated geometry and context-sensitive compatibility with neighboring part variants, and (iii) background region segmentation is incorporated into the part appearance models to better estimate the contrast of a part region from its surroundings, and improve resilience to background clutter. The resulting integrated framework is trained discriminatively in a max-margin framework using an efficient and exact inference algorithm. We present experimental evaluation of our model on two popular datasets, and show performance improvements over the state-of-art on both benchmarks.