Inverse rendering aims to estimate physical attributes of a scene, e.g., reflectance, geometry, and lighting, from image(s). Inverse rendering has been studied primarily for single objects or with methods that solve for only one of the scene attributes. We propose the first learning-based approach that jointly estimates albedo, normals, and lighting of an indoor scene from a single image. Our key contribution is the Residual Appearance Renderer (RAR), which can be trained to synthesize complex appearance effects (e.g., inter-reflection, cast shadows, near-field illumination, and realistic shading), which would be neglected otherwise. This enables us to perform self-supervised learning on real data using a reconstruction loss, based on re-synthesizing the input image from the estimated components. We finetune with real data after pretraining with synthetic data. To this end, we use physically-based rendering to create a large-scale synthetic dataset, named SUNCG-PBR, which is a significant improvement over prior datasets. Experimental results show that our approach outperforms state-of-the-art methods that estimate one or more scene attributes.
Intrinsic image decomposition is a challenging, long-standing computer vision problem for which ground truth data is very difficult to acquire. We explore the use of synthetic data for training CNN-based intrinsic image decomposition models, then applying these learned models to real-world images. To that end, we present CGIntrinsics, a new, large-scale dataset of physically-based rendered images of scenes with full ground truth decompositions. The rendering process we use is carefully designed to yield high-quality, realistic images, which we find to be crucial for this problem domain. We also propose a new end-to-end training method that learns better decompositions by leveraging CGIntrinsics, and optionally IIW and SAW, two recent datasets of sparse annotations on real-world images. Surprisingly, we find that a decomposition network trained solely on our synthetic data outperforms the state-of-the-art on both IIW and SAW, and performance improves even further when IIW and SAW data is added during training. Our work demonstrates the suprising effectiveness of carefully-rendered synthetic data for the intrinsic images task. We present a new deep supervised learning method for intrinsic decomposition of a single image into its albedo and shading components. Our contributions are based on a new fully convolutional neural network that estimates absolute albedo and shading jointly. Our solution relies on a single end-to-end deep sequence of residual blocks and a perceptually-motivated metric formed by two adversarially trained discriminators. As opposed to classical intrinsic image decomposition work, it is fully data-driven, hence does not require any physical priors like shading smoothness or albedo sparsity, nor does it rely on geometric information such as depth. Compared to recent deep learning techniques, we simplify the architecture, making it easier to build and train, and constrain it to generate a valid and reversible decomposition. We rediscuss and augment the set of quantitative metrics so as to account for the more challenging recovery of non scale-invariant quantities. We train and demonstrate our architecture on the publicly available MPI Sintel dataset and its intrinsic image decomposition, show attenuated overfitting issues and discuss generalizability to other data. Results show that our work outperforms the state of the art deep algorithms both on the qualitative and quantitative aspect. Intrinsic image decomposition separates an image into a reflectance layer and a shading layer. Automatic intrinsic image decomposition remains a significant challenge, particularly for real-world scenes. Advances on this longstanding problem have been spurred by public datasets of ground truth data, such as the MIT Intrinsic Images dataset. However, the difficulty of acquiring ground truth data has meant that such datasets cover a small range of materials and objects. In contrast, real-world scenes contain a rich range of shapes and materials, lit by complex illumination. In this paper we introduce Intrinsic Images in the Wild, a large-scale, public dataset for evaluating intrinsic image decompositions of indoor scenes. We create this benchmark through millions of crowdsourced annotations of relative comparisons of material properties at pairs of points in each scene. Crowdsourcing enables a scalable approach to acquiring a large database, and uses the ability of humans to judge material comparisons, despite variations in illumination. Given our database, we develop a dense CRF-based intrinsic image algorithm for images in the wild that outperforms a range of state-of-the-art intrinsic image algorithms. Intrinsic image decomposition remains a challenging problem; we release our code and database publicly to support future research on this problem, available online at http: intrinsic.cs.cornell.edu .  We introduce a new approach to intrinsic image decomposition, the task of decomposing a single image into albedo and shading components. Our strategy, which we term direct intrinsics, is to learn a convolutional neural network (CNN) that directly predicts output albedo and shading channels from an input RGB image patch. Direct intrinsics is a departure from classical techniques for intrinsic image decomposition, which typically rely on physically-motivated priors and graph-based inference algorithms. The large-scale synthetic ground-truth of the MPI Sintel dataset plays the key role in training direct intrinsics. We demonstrate results on both the synthetic images of Sintel and the real images of the classic MIT intrinsic image dataset. On Sintel, direct intrinsics, using only RGB input, outperforms all prior work, including methods that rely on RGB+Depth input. Direct intrinsics also generalizes across modalities, our Sintel-trained CNN produces quite reasonable decompositions on the real images of the MIT dataset. Our results indicate that the marriage of CNNs with synthetic training data may be a powerful new technique for tackling classic problems in computer vision. Separating an image into reflectance and shading layers poses a challenge for learning approaches because no large corpus of precise and realistic ground truth decompositions exists. The Intrinsic Images in the Wild (IIW) dataset provides a sparse set of relative human reflectance judgments, which serves as a standard benchmark for intrinsic images. A number of methods use IIW to learn statistical dependencies between the images and their reflectance layer. Although learning plays an important role for high performance, we show that a standard signal processing technique achieves performance on par with current state-of-the-art. We propose a loss function for CNN learning of dense reflectance predictions. Our results show a simple pixel-wise decision, without any context or prior knowledge, is sufficient to provide a strong baseline on IIW. This sets a competitive baseline which only two other approaches surpass. We then develop a joint bilateral filtering method that implements strong prior knowledge about reflectance constancy. This filtering operation can be applied to any intrinsic image algorithm and we improve several previous results achieving a new state-of-the-art on IIW. Our findings suggest that the effect of learning-based approaches may have been over-estimated so far. Explicit prior knowledge is still at least as important to obtain high performance in intrinsic image decompositions.  Single-view intrinsic image decomposition is a highly ill-posed problem, and so a promising approach is to learn from large amounts of data. However, it is difficult to collect ground truth training data at scale for intrinsic images. In this paper, we explore a different approach to learning intrinsic images: observing image sequences over time depicting the same scene under changing illumination, and learning single-view decompositions that are consistent with these changes. This approach allows us to learn without ground truth decompositions, and to instead exploit information available from multiple images when training. Our trained model can then be applied at test time to single views. We describe a new learning framework based on this idea, including new loss functions that can be efficiently evaluated over entire sequences. While prior learning-based methods achieve good performance on specific benchmarks, we show that our approach generalizes well to several diverse datasets, including MIT intrinsic images, Intrinsic Images in the Wild and Shading Annotations in the Wild.1