Artistic style transfer can be thought as a process to generate different versions of abstraction of the original image. However, most of the artistic style transfer operators are not optimized for human faces thus mainly suffers from two undesirable features when applying them to selfies. First, the edges of human faces may unpleasantly deviate from the ones in the original image. Second, the skin color is far from faithful to the original one which is usually problematic in producing quality selfies. In this paper, we take a different approach and formulate this abstraction process as a gradient domain learning problem. We aim to learn a type of abstraction which not only achieves the specified artistic style but also circumvents the two aforementioned drawbacks thus highly applicable to selfie photography. We also show that our method can be directly generalized to videos with high inter-frame consistency. Our method is also robust to non-selfie images, and the generalization to various kinds of real-life scenes is discussed. We will make our code publicly available.
We introduce a real-time system that converts images, video, or 3D animation sequences to artistic renderings in various painterly styles. The algorithm, which is entirely executed on the GPU, can efficiently process 512 resolution frames containing 60,000 individual strokes at over 30 fps. In order to exploit the parallel nature of GPUs, our algorithm determines the placement of strokes entirely from local pixel neighborhood information. The strokes are rendered as point sprites with textures. Temporal coherence is achieved by treating the brush strokes as particles and moving them based on optical flow. Our system renders high quality results while allowing the user interactive control over many stylistic parameters such as stroke size, texture and density. This note presents an extension to the neural artistic style transfer algorithm (). The original algorithm transforms an image to have the style of another given image. For example, a photograph can be transformed to have the style of a famous painting. Here we address a potential shortcoming of the original method: the algorithm transfers the colors of the original painting, which can alter the appearance of the scene in undesirable ways. We describe simple linear methods for transferring style while preserving colors. We propose a new technique for visual attribute transfer across images that may have very different appearance but have perceptually similar semantic structure. By visual attribute transfer, we mean transfer of visual information (such as color, tone, texture, and style) from one image to another. For example, one image could be that of a painting or a sketch while the other is a photo of a real scene, and both depict the same type of scene. Our technique finds semantically-meaningful dense correspondences between two input images. To accomplish this, it adapts the notion of "image analogy" [ 2001] with features extracted from a Deep Convolutional Neutral Network for matching; we call our technique deep image analogy. A coarse-to-fine strategy is used to compute the nearest-neighbor field for generating the results. We validate the effectiveness of our proposed method in a variety of cases, including style texture transfer, color style swap, sketch painting to photo, and time lapse. We propose StyleBank, which is composed of multiple convolution filter banks and each filter bank explicitly represents one style, for neural image style transfer. To transfer an image to a specific style, the corresponding filter bank is operated on top of the intermediate feature embedding produced by a single auto-encoder. The StyleBank and the auto-encoder are jointly learnt, where the learning is conducted in such a way that the auto-encoder does not encode any style information thanks to the flexibility introduced by the explicit filter bank representation. It also enables us to conduct incremental learning to add a new image style by learning a new filter bank while holding the auto-encoder fixed. The explicit style representation along with the flexible network design enables us to fuse styles at not only the image level, but also the region level. Our method is the first style transfer network that links back to traditional texton mapping methods, and hence provides new understanding on neural style transfer. Our method is easy to train, runs in real-time, and produces results that qualitatively better or at least comparable to existing methods. This paper presents a method to render artistic paper-cut of human portraits. Rendering paper-cut images from photographs can be considered as an inhomogeneous image binarization problem, to which ideal solutions should reproduce vivid image details with sparse cuts. Especially for portrait paper-cut, good artworks should capture impressive facial features. To achieve this goal, our approach integrates bottom-up and top-down cues to better determine the binary values. In the bottom-up phase, facial components are localized on the input photograph, and their draft binary versions are proposed. In the top-down phase, we use pre-collected representative paper-cut templates, with which we synthesize the final paper-cut image by matching them with the bottom-up proposals. Experimental results show that our approach can produce visually satisfactory results. In fine art, especially painting, humans have mastered the skill to create unique visual experiences through composing a complex interplay between the content and style of an image. Thus far the algorithmic basis of this process is unknown and there exists no artificial system with similar capabilities. However, in other key areas of visual perception such as object and face recognition near-human performance was recently demonstrated by a class of biologically inspired vision models called Deep Neural Networks. Here we introduce an artificial system based on a Deep Neural Network that creates artistic images of high perceptual quality. The system uses neural representations to separate and recombine content and style of arbitrary images, providing a neural algorithm for the creation of artistic images. Moreover, in light of the striking similarities between performance-optimised artificial neural networks and biological vision, our work offers a path forward to an algorithmic understanding of how humans create and perceive artistic imagery. This paper presents the first attempt at stereoscopic neural style transfer, which responds to the emerging demand for 3D movies or AR VR. We start with a careful examination of applying existing monocular style transfer methods to left and right views of stereoscopic images separately. This reveals that the original disparity consistency cannot be well preserved in the final stylization results, which causes 3D fatigue to the viewers. To address this issue, we incorporate a new disparity loss into the widely adopted style loss function by enforcing the bidirectional disparity constraint in non-occluded regions. For a practical real-time solution, we propose the first feed-forward network by jointly training a stylization sub-network and a disparity sub-network, and integrate them in a feature level middle domain. Our disparity sub-network is also the first end-to-end network for simultaneous bidirectional disparity and occlusion mask estimation. Finally, our network is effectively extended to stereoscopic videos, by considering both temporal coherence and disparity consistency. We will show that the proposed method clearly outperforms the baseline algorithms both quantitatively and qualitatively. We consider image transformation problems, where an input image is transformed into an output image. Recent methods for such problems typically train feed-forward convolutional neural networks using a loss between the output and ground-truth images. Parallel work has shown that high-quality images can be generated by defining and optimizing loss functions based on high-level features extracted from pretrained networks. We combine the benefits of both approaches, and propose the use of perceptual loss functions for training feed-forward networks for image transformation tasks. We show results on image style transfer, where a feed-forward network is trained to solve the optimization problem proposed by in real-time. Compared to the optimization-based method, our network gives similar qualitative results but is three orders of magnitude faster. We also experiment with single-image super-resolution, where replacing a per-pixel loss with a perceptual loss gives visually pleasing results. We present a simple image-based method of generating novel visual appearance in which a new image is synthesized by stitching together small patches of existing images. We call this process image quilting. First, we use quilting as a fast and very simple texture synthesis algorithm which produces surprisingly good results for a wide range of textures. Second, we extend the algorithm to perform texture transfer — rendering an object with a texture taken from a different object. More generally, we demonstrate how an image can be re-rendered in the style of a different image. The method works directly on the images and does not require 3D information.