A physical stagnation of earthly objects, commonplace animals disconnected from mundane elements: a fusion of William Eggleston’s informal color harmony, Nan Goldin’s raw emotional expression, Martin Parr’s overtly saturated reality, and Dorothea Lange’s posed humanity: a palette of bright oranges and greens for the natural elements, juxtaposed with mellow browns and blacks for the ordinary animals and raw effects: distant from the styles of the aforementioned artists: a stark foreground of still lakes and nearby woodland, highlighted by shadows that cast a palpable darkness on the scene.