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Anna Benkendorff (* 4. Dezember 1855 in Karthaus, Provinz Preußen; † nach 1931) war eine deutsche Malerin der Düsseldorfer Schule.

Leben
Benkendorff studierte Malerei, zunächst in Kassel, außerdem bei Karl Gussow in Berlin. 1881 war sie Privatschülerin von Carl Irmer in Düsseldorf. 1898 wohnte sie in Weimar, Kurthstraße 16. 1896 hielt sie sich zu Studien in Rom auf. Sie ließ sich in Dresden nieder, wo sie 1904 in der Schnorrstraße 23, 1907 in der Altstadt, Lindenaustraße 16 wohnte. Benkendorff malte Stillleben, Blumen und Landschaften, etwa mit Motiven aus Hamburg und Umgebung, und stellte unter anderen in Berlin, Dresden und Leipzig aus.

Werke und Ausstellungen (Auswahl)
 "Stilleben – Anemonen"; ausgestellt: Große Berliner Kunstausstellung, Berlin 1893, (Whg: Berlin) Nr. 102
 "Stilleben – Kürbis und Mais"; ausgestellt: Große Berliner Kunstausstellung, Berlin 1893, (Whg: Berlin) Nr. 103
 "Früchtestilleben mit Blick auf Rom", 1896; Öl/Lwd., 80 × 98 cm
 "Azaleen", 1897; Öl, 62 × 76,5 cm
 "Asiatische Vase und Schale auf weissem Tuch", 1899; Öl/Lwd., 62 × 72 cm
 "Astern"; ausgestellt: Große Berliner Kunstausstellung 1901, (Whg.: Dresden) Nr. 5
 "Weiße Azaleen"; ausgestellt: Große Berliner Kunstausstellung 1902, (Whg.: Dresden) Nr. 70
 ausgestellt: Leipziger Kunstgewerbemuseum 1903
 ausgestellt: Sächsische Kunstausstellung Dresden, Ausstellungsgebäude auf der Brühlschen Terrasse, Mai – Oktober 1906
 ausgestellt: Große Berliner Kunstausstellung 1907, (Whg.: Dresden-Altstadt, Lindenaustr. 16)
 "Stilleben mit Chrysanthemen und Brotkorb", 1915; Öl/Lwd., 66,2 × 91,2 cm
 "Blücherstraße, Altona" 1931; Öl/Malpappe, 37 × 34,5 cm
 "Rosen, Souvenir de Malmaison", Öl/Lwd., 46 × 78 cm
 "Früher Abend", Öl/Malpappe, 26,5 × 34,5 cm

Literatur
 Dresslers Kunsthandbuch 1907, 1930.
 Benkendorff, Anna. In: Hans Wolfgang Singer (Hrsg.): Allgemeines Künstler-Lexikon. Leben und Werke der berühmtesten bildenden Künstler. 5. Auflage, Rütten & Loening, Frankfurt am Main 1921, S. 20 (Digitalisat).
 Hans Paffrath / Kunstmuseum Düsseldorf (Hrsg.): Lexikon der Düsseldorfer Malerschule. Bd. 1, F. Bruckmann, München 1997, ISBN 3-7654-3009-9, Anhang, S. 439.

Weblinks
 Anna Benkendorff, Auktionsresultate im Portal artnet.de

Einzelnachweise

Maler (Düsseldorfer Malerschule)
Stilllebenmaler
Landschaftsmaler
Deutscher
Geboren 1855
Gestorben im 20. Jahrhundert
Frau


factor),37 npy (neuropeptide Y),39 and sirt1 and sirt2 (two subtypes of sirtuins), among many other genes,38 were found to be upregulated after chronic cocaine administration and their gene promoters hyperacetylated, Inhibitors,research,lifescience,medical while egr-1 (early growth response 1) was found to be downregulated and hypoacetylated after cocaine withdrawal.39 Moreover, altered expression of each of these genes has been shown to contribute to the addiction behavioral phenotype. These findings suggest a role of histone acetylation in the maintenance of gene expression Anacetrapib involved in drug addiction, including drug withdrawal and relapse. Figure 2. Regulation of chromatin structure by drugs of abuse. Drug-induced signaling events are depicted for psychostimulants such as cocaine and amphetamine. These drugs increase cAMP levels in striatum, which activates protein kinase A (PKA) and leads to phosphorylation … Cocaine-induced alterations in chromatin structure in the nucleus accumbens (NAc), the ventral portion of striatum heavily implicated as a brain reward region, have been shown to regulate behavioral responses to drugs of abuse.
what we know about its etiology, recommended treatments. Parents shall be taught about effective communication, behavior management, and problem-resolution strategies. While being validated regarding how much the situation is worrisome and frustrating, Inhibitors,research,lifescience,medical they can also be told that they can remain optimistic since something can be done. The therapist also has to be clear from the beginning Drug_discovery with the patient and his or her family about confidentiality issues. Confidentiality shall be broken if the patient's safety is at stake, if there is a suicidal plan with an intent to act it out, a plan to seriously hurt oneself or someone else, or if there is a situation of physical or sexual abuse or neglect. Regarding self-mutilation, the DBT model proposes that we validate the parents' worry while telling them that we won't figure 1 disclose every gesture unless it threatens life, or there is an uncontrollable escalation of the behavior. This will allow the adolescent to feel more comfortable to discuss his or her behaviors.
vial Inhibitors,research,lifescience,medical intramuscularly per day for 10 days postoperatively. After 3 days, a soft food diet without bones was started for them for 7 days. Then, they were given normal food up to the end of the study. The samples were kept in the same condition for 8 weeks. Afterwards, the volume of the neorectum was measured and recorded. Furthermore, the neorectum was removed for selleck screening library Pathological and radiographic evaluations. Statistical Analysis A non-parametric Inhibitors,research,lifescience,medical Mann-Whitney U test with SPSS (version 18) was used Entinostat for data analysis. Significance level was considered as 0.05. Results All the dogs were alive until the end of the study with a good condition. According to the pathological reports, the healing of the proximal anastomosis was acceptable in all the three groups under study. tables 1 and and22 show the basis for pathological grading. Table 1 Pathological characteristics of the samples Table 2 Basis for pathological grading Inflammation and ulceration was detected in the samples taken from the pouch (read FAQ figure 1A). Repair of the connective tissue was also seen at the site of anastomosis (figure 1B) and on the mucosal surface (figure 1C) in the suture line of the pouch. Deep biopsy of the pouch showed that repair included both epithelialization and dense fibroblast tissue (figure 1D).
of pharmacogenetics in determining the optimal dose for a subgroup of patients, discussed below, may have to be explored and justified in the regulatory submission. Pharmacogenetic influences on drug response The two components of a dose-response curve – pharmacokinetics and pharmacodynamics – are both subject to high interindividual variability. Although a number of factors such as age, gender, presence of comorbidity, and administration of comedications may modulate these two components, they are under powerful Brefeldin_A genetic influences. These genetic influences act by regulating the expression of drug-metabolizing enzymes (pharmacokinetic variability) or the function of various pharmacological targets (pharmacodynamic variability). The presence of variant alleles often exerts influences that far exceed those due to the other factors. It is therefore not surprising that the safety and efficacy of some drugs in an individual patient are often determined largely by the genetic profile (genotype) of the patient.
eliminated Inhibitors,research,lifescience,medical leaving the final total of 977 patients. Among patients that met the first nine criteria, patients that met all criteria (n=977) vs. those that were excluded due to missing survival information, missing radiation dose, or incorrect dose were compared. Differences were assessed using www.selleckchem.com/products/GDC-0449.html chi-square test or analysis of variance. Covariates included age, gender, race, facility type, facility volume, radiation dose, radiation duration, stage, tumor size, and grade. Facility volume was calculated as the total Carfilzomib number of PAC cases in a given facility during the years 1998-2002. Facility types were designated as Community Cancer Programs (CCP), Comprehensive Community Cancer Programs (CCCP), or Academic/Research Programs (ARCP). The primary outcome was OS, and if a patient survived beyond 60 months, OS was censored at 61 months. Initially dose was examined as a continuous variable and also dichotomized based on the median dose.
to everyone as almost all of us experience Inhibitors,research,lifescience,medical pain throughout our lives. Since the birth of humanity, medical science has strived to alleviate pain. Chronic pain is significantly different to acute pain not only in its physiological characteristics but also in the emotional and social consequences that are associated with it, such as mood disturbances, Inhibitors,research,lifescience,medical decreased quality of life, loss of productivity, and increased utilization of medical resources. 2 – 8 The high prevalence of chronic pain adds an additional burden to the bio-psycho-social aspect of the phenomenon. According to a study by Breivik published in 2006, 17% of the adult Israeli population suffers from chronic pain. 9 Other authors Drug_discovery have reported an even higher prevalence of pain. 10 With such a high prevalence rate and its serious consequences, it should come as no surprise that pain in general, and especially chronic pain, leads to high visitation rates with physicians. It is well documented that pain is second only to respiratory symptoms as the primary reason for patients to visit their doctor. 11 Patients suffering from chronic pain are often referred to various specialists and some to pain clinics. These clinics, in Israel and throughout the world, may have LY-3009104 waiting lists of many months.
/ allele is associated with Inhibitors,research,lifescience,medical better or more rapid SSRI response. Two recent, studies also implicate the 5-HTTLPR s allele in SSRT-emergent adverse effects.33,34 Other genes that have been the target of similar investigations include serotonin2A receptor (5-HT2A), 35-38 dopamine transporter (DAT1), 39-46 dopamine D2, D3, D4 receptor (DRD2, DRD3, DRD4), norepinephrine transporter (NET), adrenalin2A receptor (ADRA2A), 47-50 beta adrenalin receptor (betaARs),51 Catechol-O-methyltransferase (COMT),52 monoamine oxidase (MAO),53-55 tryptophan hydroxylase Anacetrapib (TPH),27,56,57 G-protein beta3-subunit (Gbeta3),58 apolipoprotcin E epsilon459 and brain-derived neurotrophic factor (BDNF).60 (Table II) Table II. Candidate genes and corresponding single nucleotide polymorphism (SNP) densities (pharmacodynamics/signaling). 5-HT, serotonin; NE, norepinephrine; DA, dopamine From pharmacogenomics to individualized medicine The remarkable advances as described above notwithstanding, the goal of achieving "individualized medicine" remains elusive.
The development of adhesive systems has enabled clinician to change the most extensive conventional cavity designs to downsized cavity preparation and thus preserving more tooth structure. However, even the most recently evolved adhesive systems are not capable of totally prohibiting the gap formation between the cavity and restorative Entinostat material because of the polymerization shrinkage of composite resin. Gap between restorations and cavity walls may be colonized by oral microorganisms from saliva. This may result in secondary caries and thereby pulpal inflammation.1 One possible solution for this serious problem is to use dental materials with antibacterial properties. The use of filling materials with an inhibitory action on microbial growth may be able to help in preventing post-operative discomfort and extend the longevity of restorations. As a consequence, until now many attempts have been made to produce dental materials that may inhibit bacterial growth.
. Blocking Inhibitors,research,lifescience,medical of DC-STAMP decreased the number of binuclear cells, suggesting that the DC-STAMP is responsible for the immunosuppresive effects of binucleated DCs . Thus, targeting antigens to DC-STAMP tolerize antigen specific T-cell responses in vivo. Conversely, using DC-STAMP promoter driven construct linked Cilengitide to OVA, resulted in strong OVA-specific CD4+ and CD8+ T-cell responses in vitro and in vivo and protected mice against OVA+ tumor challenge . Thus, DC-STAMP shows promise as a target for cancer vaccine antigen targeting approach. 7. Fc Receptor Fc receptors (FcR) for immunoglobulins link humoral and cellular immune responses . They also link the innate immune response to the adaptive immune response by binding to pathogens and immune complexes and stimulating T cells. There is a different FcR for each class of immunoglobulin FcαlphaR (IgA), FcεpsilonR (IgE), FcγammaR (IgG), and Fcαlpha/μegaR (IgA and IgM). There are 4 types of FcγammaR: FcγammaRI (CD64), FcγammaRII (CD32), FcγammaRIII (CD16), and FcγammaRIV.
The coefficient matrices C, ��, and e denote the stiffness, the dielectric constant, and the piezoelectric constant, respectively. Piezoelectric materials are anisotropic. Under mechanical deformations, an open-circuit output voltage is generated by :VOC=g3nxnt????????(n=1,2,3)(3)where g3n, t, and xn are the piezoelectric coefficient, the film thickness, and the stress applied in direction n, respectively. From Equation (3), we can see that applied stresses from mutually orthogonal directions would all contribute to the overall output voltage. Due to their internal resistance, PVDF film sensors are not suitable for static measurements.When a PVDF film sensor is directly connected to an selleck oscilloscope to record the transient strain responses, the voltage on the oscilloscope VL can be expressed as:VL=VOCRLRL+ZC(4)where RL is the input resistance of the oscilloscope and ZC is the resistance of the PVDF film sensor. ZC equals to 1/j��C0, where �� is the angular velocity measured in rad/s and C0 indicates the equivalent capacitance, expressed as:C0=��At(5)where A is the electrode-covered area. To reduce the loading effect of the oscilloscope, a charge amplifier can be employed. When the PVDF film sensor is connected to the charge amplifier with a feedback capacitance Cf, a feedback resistance Rf, and a gain AC between the absolute value of the output voltage VO and the input voltage Vi of the charge amplifier, the current i flowing through Cf and Rf can be expressed as :i=(Vi?Vo)(j��Cf+1Rf)???=Vi(j��(AC+1)Cf+(AC+1)1Rf)(6)After applying the Kirchhoff��s current law, the output voltage can be obtained as:VO=?j��ACVSC0j��[(AC+1)Cf+C0+CC]+1Ra+(AC+1)1Rf(7)where Ra is the output impedance of the PVDF film sensor, CC is the equivalent capacitance of electric wire, and VS is the voltage generated by the PVDF film sensor [13,14].The PVDF films employed in this paper are manufactured by Measurement Specialties, Inc. (Part number: 1-1004346-0, Hampton, VA, USA). Only the piezo constant along the drawn (n = 1) and thickness (n = 3) directions are provided by the manufacturer. The piezo stress constant of the PVDF film is g31 = 216 �� 10?3 mV/N and g33 = ?330 �� 10?3 mV/N . In the next section, based on modal testing on a cantilever beam, we will first investigate the cross-sensitivity of mutually orthogonal directions of PVDF film sensor. Then, we will discuss the size effect of the PVDF film sensor.3.?Natural Frequencies of the Cantilever Beam3.1. Bending ModeIn this section, natural frequencies of the bending modes of a cantilever beam, in which the length of the beam is ten times larger than the width of the beam, are derived according to the Bernoulli-Euler beam theory .


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Hilda Catherine Shilliday
In loving memory ~
Hilda Catherine Shilliday (Pletsch), age 93, passed away in Campbell River on January 14, 2023, after a short illness and a long life well-lived. Hilda's life was guided by her faith, her love of family and friends, her service to others, and a strong sense of humour and adventure!
She was predeceased by her adoring husband of fifty years, Reverend Canon Errol Shilliday, her eldest son Bryn and his infant son Marshall, her parents Herb and Annie, and her 11 siblings. She is survived and will be lovingly remembered by her daughter Mary Catherine (Joedy), son Erin (Maura), grandchildren Andria, Brenna (Bradley), Hannah (Ellis), Georgia (Eric), Henry, Rebecca and Ryan, and great-grandchildren Tristan, Jonah, Jordyn, Shayla Bryn, Ezra, and Freya. Hilda also has many close family members whom she remained connected to including her nieces, nephews, and their families, and her dear friends here and in Uganda.
Hilda's family is profoundly grateful to the staff and residents at Berwick, who made the last seven years of her life so joyful and comfortable. She often said it was the most wonderful place to be! She always enjoyed visits with her dear friends and family from near and far! Her Church Family at St. Peters, especially the ACW, were so caring and provided much enjoyment to her, as did the amazing Grandmother to Grandmothers whose work she greatly admired. Thank you to Dr. Penhall for his care, and especially to the paramedics and ER team at Campbell River Hospital for their kindness and care. Nurse Camille's kindness, professional care, and support for Hilda and her family will never be forgotten.
A Celebration of Hilda's life will be held in February at St. Peters Anglican Church, Campbell River with an interment later that weekend at St. Stephens Anglican Church, Saanich. Times and dates are to be confirmed shortly. Check for updates at Hilda Shilliday Obituary – Campbell River, B.C. (dignitymemorial.com)
In lieu of flowers, if so desired, donations may be made to the Anglican Primate's World Relief and Development Fund or an award in Hilda's name at the University of Victoria School of Nursing.
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Upon return, Celtics fans offer Doc Rivers a warm welcome, and feelings are mutual
Posted by Chad Finn, Globe Staff December 12, 2013 12:28 AM
E-mail story
By Chad Finn, Boston.com Columnist
As usual, the thousands of words and breaths spent on the will-they-boo-or-cheer debate -- and I'm among the convicted, this time -- dwelled entirely on the wrong point.
It's not about how and why someone departed. It's about what that person accomplished and meant while they were here.
Celtics fans, I'm happy to report from the ninth floor of TD Garden, recognized as much Wednesday night, and in a vast and vocal majority.
Doc Rivers coached the Boston Celtics for nine years, winning one championship, playing a significant role in the overall rebirth of the franchise, melding extraordinary talents with egos to match.
He conducted himself with friendliness, intelligence, candor and class. Occasional hints of disingenuous motives did show up when at the end when he had a change of heart about staying through another rebuilding process of undetermined length.
That's not an indictment of his personality. It's a confirmation that he's human.
So it was reassuring that Rivers's formal reintroduction to Celtics fans during pregame festivities before last night's 96-88 loss to his Clippers was a warm standing ovation by an incomplete crowd that was either late-arriving or, based on a surprising number of empty gold seats, never-arriving.
But boos? There were a speckled few, noticeable only if you were listening for them in confirmation of your misguided opinion.
The greeting was ... it was pleasant, that's what it was.
"It didn't surprise me,'' said Rivers afterward, a blue Clippers backdrop clashing with the Celtic green podium during his press conference. "You've got to live here to understand that. That's just the way they are. It's an amazing fan base. It really is. I just want everything to go well for them.
Little did we know it then, but that wasn't the final salute, nor the best. The most genuine emotions -- the real feelings Doc Rivers, and Doc Rivers's real feelings about you, would arrive 12 minutes of basketball into the reunion.
During the break between the first and second quarters, a tribute to Rivers played on the video board above center court. It was set to one of the modern go-to standards for such occasions, Dierks Bentley's "Home," and damned if the whole thing wasn't mesmerizing, heartfelt and perfect.
There he is, playing against Danny Ainge during their Celtics-Hawks heyday ... and there they are with their arms draped around each others' shoulders during their time as the Celtics' brain trust ... and there's a shot of him walking to center court, a beaming Paul Pierce a step behind to claim the championship trophy ... and what the heck is Wally Szczerbiak doing in this thing? ... the Gatorade bath! ... and shh, here's a brief clip with audio of him saying "this five" -- and you know exactly the five he means -- "never lost a series together" ... and then, as the cheers reach a crescendo, seemingly unanimous and in full unison now, one more image: Doc, with his arm raised as if saluting the crowd, with the words "Thank you, Doc" on the screen in accompaniment.
Mesmerizing. Heartfelt. Perfect. And that was before the kicker:
The Garden spotlight settled on Rivers on the Clippers' sideline, where it found the coach clearly touched, raising his arm in homage one more time. Then the camera darted to the rafters, settling on the 2007-08 championship banner Rivers helped secure.
That's how you condense Doc's considerable legacy to a two-minute clip, a clip that reminded us that his legacy -- he coached nearly as many games as Bill Fitch and K.C. Jones combined -- deserves every last roar.
Man, you know we've all got our memories. But sometimes you require the visual as a refresher, that reminder of just how good even the most recent of good old days were.
Afterward, Rivers was told he looked like his emotions were briefly getting the best of him while the video tribute played.
"Yeah, I'm still emotional,'' he said. "I thought the fans were ..."
And then he paused, fighting back tears.
Nearly 10 seconds of silence passed. Then he continued.
"It was just ... a really nice day. It's just such a classy place. Here. It was really nice when I walked out [before the game]. I'm not used to walking out that side, and all those [familiar] guys lined up, and I was basically useless for the first 18 minutes.
"I told my coaches I needed halftime far more than the players. And I think they sensed that. At halftime, CP [Chris Paul] kept saying, 'We got it, we got it.' I think they sensed how it was for me."
Among those standing and applauding Rivers during the video montage was the talented rookie NBA coach who replaced him.
"I respect a good coach,'' said Brad Stevens. "And I'm appreciative of the opportunity that I have. And I'm appreciative of the time that he spent here. I'm appreciative of the good times he had, and I'm appreciative of the tough times he had that built toward those good times. I don't know him very well. Obviously I admire what he accomplished. Everybody else was up, and I should be up too."
As Rivers was departing his postgame press conference, he passed the podium-bound Stevens in the hallway. Rivers offered words of encouragement to Stevens, whose remarkable knack for getting the best out a makeshift roster has the Celtics winning more often than anyone could have expected, enjoyable in the moment even if it's counterproductive in the long run.
"[I told him] just to do what he does,'' said Rivers. "He's coached as long as me, just not in the NBA. He's going to be terrific. He's going to be a terrific coach. He's solid. Does his job every night. Brad's going to be a terrific coach. He's going to be here a long time."
Seeing the bright coach of recent past there with the bright coach of the present and future offered one more reminder why Doc deserved his salute: It all worked out for the best.
Rivers has a fine team in the stacked Western Conference, one that has one virtuoso player (Paul, who had 22 points, 9 assists and 7 rebounds Wednesday), a very good one in Blake Griffin (18 points), and genuine depth (the Celtics were done in by back-to-back dagger threes by Jamal Crawford, who finished with 21 points off the bench). He deserves to coach a team like this at this stage of his career.
It worked out for the best for the Celtics as well. They got a first-round pick in return, for one thing, and they found a fine successor as well. Stevens is still learning his way around the NBA, and yet the suggestion that he's getting more out of these lovable misfit Celtics than Rivers would is a fair one. (I just can't see Doc giving Jordan Crawford time at the point.)
And let's not even imagine what it would be like if Rivers, Kevin Garnett, and Paul Pierce had all remained. If the two admirable champions are going to crumble, at least the sad decline is happening out of our sight.
It was time for the new Big Three to break up. It was time for Rivers to go. Maybe he just knew it before we did.
But that doesn't mean he didn't love his time here. To hear him speak of Boston Wednesday night ... well, let's let him tell you with his words.
"I tell people all the team, people don't get Boston,'' he said. "They don't. They don't understand. I think you have to be part of it to get it. I think you really do. I don't think you can get it from the outside. It's just a special, different place. People were born here, raised here, and they cheer for their teams. They love their athletes, and it just a great place to be."
It's funny, so much of the talk this week was about his departure from Boston, and how that would influence his greeting upon return.
But it's another arrival, another decision, that Rivers suggested never strays far from his mind.
"The best decision I ever made was 10 years ago when I decided to come to Boston. That was the best decision I ever made."
Doc Rivers gets Boston. He gets you. How wonderful it is that Celtics fans told him with their cheers that he's always welcome, that they get him, too.
If expectations are reasonable, central role should suit Jackie Bradley Jr. just fine
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About Touching All The Bases
Irreverence and insight from Chad Finn, a Globe/Boston.com sports writer and media columnist. A winner of several national and regional writing awards, he is the founder and sole contributor to the TATB blog, which launched in December 2004. Yes, he realizes how lucky he is.
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Personally I've never had an issue with the speed of the device but I did previously have a Windows Mobile device which really crawled at times. I have read that the speed of the SD card can make a difference where the slower cards produce a lag.
And they've fixed the clock because I found it annoying putting the clock back so it could flip forwards even though you only left the screen two seconds earlier.


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Victoria Miro
Vortic Installation Vortic Installation
Isaac Julien: Photographic works from Lessons of the Hour – Frederick Douglass
'One reason for making the work is reviewing what America is today, where it comes from.' — Isaac Julien
Isaac Julien's Lessons of the Hour is a poetic meditation on the life and times of Frederick Douglass (1818–1895), a visionary African American writer, abolitionist and a freed slave, who was also the most photographed man of the nineteenth century.
Conceived of as a ten-screen installation (excerpted above is the newly made single screen), which premiered at the Memorial Art Gallery in Rochester, New York, in 2019, and a number of related photographic artworks, a selection of which are on view in this exhibition, Lessons of the Hour reflects on issues of social justice that shaped Douglass' life's work. It is informed by some of Douglass' most important speeches, such as Lessons of the Hour (in which he addressed the shocking phenomenon of lynching in the post-Civil War American South), What to the Slave Is the 4th of July? and Lecture on Pictures, a text that connects picture-making and photography to his vision of how technology could influence human relations. For Douglass, photography was envisaged as a way of achieving autonomy over the way in which African Americans could be represented. It signalled not only truth but also empowerment. Julien's work gives expression to the zeitgeist of Douglass' era, his legacy and the ways in which his story may be viewed through a contemporary lens. It is a forceful suggestion that the lessons of the abolitionist's hour have yet to be learned.
Created in consultation with Douglass scholar Celeste-Marie Bernier of the University of Edinburgh, and based on original archival sources, letters and writings, the work imagines the person of Frederick Douglass through a series of tableaux vivants. It gives life to Douglass' relationships with other cultural icons of the time. These characters were chosen by the artist for being representatives of ideals of equality and pioneers in the history of civil rights, and include African American photographer JP Ball; Douglass' wives Anna Murray and Helen Pitts; and Anna and Ellen Richardson, the English Quakers who enabled Douglass to return to the United States as a free man.
The exhibition is also available to view via the App Store on Vortic Collect
Framed photograph on matt archival paper mounted on aluminium
Edition of 6 plus 1 artist's proof
View Work Enquire
Isaac Julien, Lessons of the Hour (Lessons of the Hour), 2019
'Rightly viewed, the whole soul of man is a sort of picture gallery, a grand panorama, in which all the great facts of the universe, in tracing things of time and things of eternity, are painted.' — Frederick Douglass
Born in 1818, Frederick Douglass was a visionary African American abolitionist, a prominent orator and a freed slave who became a fierce social reformer and the most photographed man of the nineteenth century. Douglass developed his oratorical skills as a preacher before embarking on anti-slavery campaigns across the northern United States and the United Kingdom. Shot at sites in the US and UK that hold historical significance to the abolitionist's life, Lessons of the Hour places Douglass (portrayed by Ray Fearon, a member of the Royal Shakespeare Company) within settings alternately pastoral, domestic, and public, from sublime natural landscapes to meticulous recreations of nineteenth century interiors. Its resonating scenes retell and reconstruct aspects of the history of abolitionism, the suffrage movement and the invention of film itself.
Lessons of the Hour is the title of Douglass' final delivered speech, in which he addressed lynching, suffrage and legacies of colonisation in the post-Civil War American South.
Vortic installation view
40 7/8 x 54 1/2 in
Isaac Julien, A Star to Seer (Lessons of the Hour), 2019
Framed photograph on matt structured paper mounted on aluminium
Isaac Julien, Rapture, 1846 (Lessons of the Hour), 2019
Speaking to the Guardian in 2019, Julien said 'There is a certain timeliness to the piece. One reason for making the work is reviewing what America is today, where it comes from.'
Framed photograph on gloss inkjet paper mounted on aluminium
Edition of 4 plus 2 artist's proofs
Isaac Julien, North Star (Lessons of the Hour), 2019
Isaac Julien, The Lady of the Lake (Lessons of the Hour), 2019
'I pay great attention to set décor, lighting, performance, mise-en-scène, as well as editing, sonic, and visual effects to create a space for meditation on political and cultural questions.' — Isaac Julien
In 1838, at the age of 20, Douglass escaped to freedom via the Underground Railroad, a network of secret routes and safe houses established during the nineteenth century and used by enslaved African Americans to escape into free states and Canada. That year, he married Anna Murray and the couple took Douglass as their married name, inspired by the main character in Sir Walter Scott's poem The Lady of the Lake. They remained married for 44 years until Anna's death in 1882.
North Star refers to the newspaper The North Star, which Douglass established on his return to the US in 1847. Its motto was 'Right is of no Sex – Truth is of no Color – God is the Father of us all, and we are all brethren.' It was used not only to denounce slavery but to fight for the emancipation of women and other oppressed groups.
Historical visual research and the use of archival sources form the backdrop of Julien's filmmaking, photographic and cinematic processes. The visual research is then further expanded not only while on the film set but also during the post-production stage. His works, flowing along poetic narratives, do not adhere to linearity but evolve in a musical notational choreography. He says, 'I pay great attention to set décor, lighting, performance, mise-en-scène, as well as editing, sonic, and visual effects to create a space for meditation on political and cultural questions.'
Isaac Julien, Helen Pitts, Class of 1859 (Lessons of the Hour), 2019
Born in Honeoye, New York, in 1838, Helen Pitts was a white suffragist whose parents were also activists in the abolitionist and suffragist movements. She married Douglass in 1884. While the marriage generally drew scorn from both the white and Black communities, the Douglasses were firm in their convictions. 'Love came to me, and I was not afraid to marry the man I loved because of his color,' Helen said.
Isaac Julien, J.P. Ball Studio, 1867 Douglass (Lessons of the Hour), 2019
Isaac Julien, J.P. Ball Studio, 1867 (Lessons of the Hour), 2019
'He was interested in photography because of the role of autonomy it gave him over his own self-representation, as opposed to the ones that were being captured and stereotyped.' — Isaac Julien
Frederick Douglass had a passion for photography and publicly lectured on the subject. He was a prominent proponent of the medium as a means by which Black people could control their likenesses beyond caricature. Some of his ideas were precursors to those of the influential German philosopher and critic Walter Benjamin, whose book, The Work of Art in the Age of Mechanical Reproduction, was published 75 years later. JP Ball was one of the first African American prominent photographers, a friend of Douglass and a campaigner for anti-lynching.
Isaac Julien, J.P. Ball Salon, 1867 (Lessons of the Hour), 2019
Isaac Julien, Autoportrait Parlour (Lessons of the Hour), 2019
Isaac Julien, Serenade (Lessons of the Hour), 2019
In Lessons of the Hour, JP Ball's photographic salon and studio are restaged and reimagined as expressions of the utopian values and ideas that Douglass and his contemporaries shared.
Speaking to the Guardian in 2019, Julien commented, 'Douglass was interested in photography because of the role of autonomy it gave him over his own self-representation, as opposed to the ones that were being captured and stereotyped; Black men and women were being presented in derogatory imagery. He saw photography as a saviour of representing a regime of truth or person.'
110 x 73.3 cm
Isaac Julien, A Chattel Becomes A Man (Lessons of the Hour), 2019
'I breathe, and lo! the chattel becomes a man.' — Frederick Douglass
The title A Chattel Becomes A Man is derived from a letter written by Douglass from the Victory Hotel, Belfast, to William Lloyd Garrison on 1 January 1846. Douglass spent several months in Ireland as part of his first visit to the UK, travelling to England and Scotland, where he remained to escape being re-enslaved. During this time he delivered more than 300 lectures. In the letter he wrote:
'Instead of the bright blue sky of America, I am covered with the soft grey fog of the Emerald Isle. I breathe, and lo! the chattel becomes a man. I gaze around in vain for one who will question my equal humanity, claim me as his slave, or offer me an insult. I employ a cab—I am seated beside white people—I reach the hotel—I enter the same door—I am shown into the same parlor—I dine at the same table—and no one is offended.'
At this point Douglass was still a fugitive enslaved man until, in December 1846, abolitionists and Quakers Ellen and Anna Richardson bought Douglass' manumission for £150, allowing him to return home as a free man.
Lessons of the Hour, ten-screen installation, 2019
Ten-screen installation:
35mm film and 4K digital, colour, 7.1 surround sound
duration: 28'46''
Isaac Julien, Lessons of the Hour, ten-screen installation, 2019
Commissioned by the Memorial Art Gallery, University of Rochester, New York, with the partnership of the Virginia Museum of Fine Arts, Richmond, the ten-screen Lessons of the Hour is an immersive installation, hung salon-style to create what Julien describes as a 'moving image montage'. The work's presentation not only echoes the picture-hanging conventions of the era but allows the artist to draw connections between many images at once without relegating any particular detail to the background. It was shot with 35mm film and 4k digital technology at sites in the United States and United Kingdom, including Washington, DC, at The Frederick Douglass National Historic Site, where Douglass lived late in life, and where his house in Cedar Hill has been kept conserved as it was during the abolitionist's time. In Scotland, where Douglass was an active member of the 'Send Back the Money' movement, and where he delivered a number of anti-slavery speeches, Julien has reconstructed scenes of Douglass' life. His speeches have been restaged inside London's Royal Academy of Arts to an audience which includes both nineteenth century characters, and also contemporary, real-life characters such as scholars and Royal Academicians. Douglass delivered more than 300 lectures in England, Scotland and Ireland as he sought to affirm his struggle for equality as a global citizen, who was very much ahead of his time.
Following its premier at Memorial Art Gallery in 2019, Lessons of the Hour has been shown at venues including SCAD Museum of Art, Savannah, Georgia. Its West Coast debut will take place at McEvoy Foundation for the Arts, San Francisco, California, 14 October 2020–13 March 2021.
Lessons of the Hour, London 1983 (Who Killed Colin Roach?), 1983
Photographic assemblage of 32 Black and White Ilford Classic FB silver gelatin prints
Each: 45 x 64 cm
Isaac Julien, Lessons of the Hour, London 1983 (Who Killed Colin Roach?), 1983
'It continues the quest for equality that was Douglass' lifelong ambition.' — Isaac Julien
Who Killed Colin Roach? is Isaac Julien's first film, which reflects upon the death of Colin Roach, a 23 year-old who was shot dead at the entrance of a police station in East London, in 1982. Even though the police claimed Roach had committed suicide, evidence showed otherwise. These black-and-white photographs, presented as a single work, were rediscovered by the artist in 2018. In an article published by the Royal Academy in June 2020, Julien comments, 'Whenever I see the photographs I slightly gulp; I think "Oh my god, it could be my mother," because they were all ordinary, working class Black people. There was no political agenda; they were just trying to find out what had happened to their son. I was so moved by this demonstration that I decided it would be important to document it, and at least try to make a work which could be used by his family. That was my main intention, anyway.'
Commenting in the Guardian in 2019, Julien explained that this early work meditates on the continued 'quest for equality that was Douglass' life-long ambition, while also evoking the current Black Lives Matter movement.'
Isaac Julien, CBE RA (born 1960) is a critically acclaimed British artist and filmmaker. In 2018, Julien joined UC Santa Cruz where he is the distinguished professor of the arts and leads the IJ Lab together with Arts Professor Mark Nash. Recent international solo exhibitions include: Isaac Julien: Western Union: Small Boats, Neuberger Museum, New York (2020); Isaac Julien: Frederick Douglass: Lessons of the Hour, SCAD Museum of Art, Savannah (2019); Looking for Langston at Tate Britain (2019); and Playtime at LACMA (2019). Julien has previously exhibited at venues including Museum of Modern Art, New York (2013), Art Institute of Chicago (2013), Museum of Contemporary Art, San Diego (2012), and Pompidou Centre Paris (2005).
Vortic Installation
XR installation view, Isaac Julien, Photographic works from Lessons of the Hour – Frederick Douglass, Victoria Miro on Vortic, 21 July–29 August 2020. All works © Isaac Julien, courtesy the artist, Victoria Miro and Metro Pictures
Victoria Miro worked with the virtual art platform Vortic to capture these works – as well as their physical gallery spaces in London – photogrammetrically with the latest high-resolution 3D scanning technology.
Vortic's software and rendering techniques, which have never before been used in the industry, enable Victoria Miro to present exhibitions of 2D and 3D works in the very highest quality. These works can be experienced in Virtual Reality via the Vortic Collect app.
Learn more about Vortic here.
For enquiries regarding featured works and other matters, please contact the below:
Victoria Miro: salesinfo@victoria-miro.com
To learn more about this artwork, please provide your contact information.
By sharing your email you agree to Victoria Miro's Privacy Policy.


"There is no STEM without G & M". This one day workshop will help leaders better relate between the Geometry and Measurement Strands of The West Australian Mathematics Curriculum to STEM. Many students can 'play' with robots without the links to Geometry and Measurement becoming apparent. Explicit Links between tasks need to be made clear. Note this course is NOT about coding or Robotics although both will be referred to during the course.
Participants will be provided with a range of planning tools – many linked to First Steps materials that will assist in planning for a consistent approach across the school.
Links to Science Technology and Engineering from a Mathematics perspective (METS) will be shared.
Examine the Geometry and Measurement programs being offered in the schools to determine whether they are superficial or rigorous.


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Ah, so much musical excitement round these parts lately! After already seeing Neil Young, Dinosaur Jr, Wilco, The Beasts Of Bourbon, AND Iggy And The Stooges so far this year, the last couple of weeks have added even more excellent shows to the calender.
First up tonight we are super excited to see Aussie band You Am I for the first time, despite (typically) loving their music for twenty years. They are playing two of their best albums in full, and I am looking forward to it A LOT.
Also playing a legendary album in full is U.K. band The Cult, who are touring their 1987 album "Electric". Falling just two days before my birthday later this year, this is another one I can not wait for. I do have to say upfront that I will not be able to stop myself dancing.
But far and away the most exciting news for me personally came when my favourite artist Adalita announced just three small shows to preview new songs from her forthcoming album! So being the die-hard tragic I am, we are also going to the Melbourne show. So two shows in two days, an interstate flight and back, and figuring out what to do with the two younger kids: all sorted. Locked and loaded. Here is the link for the first song from the new album, "All Day Venus".
PLUS, we are also the very ecstatic owners of a new turntable. Finally. Which has meant we have been listening to all the old records for the first time in twenty years. And in the interest of full disclosure, by "old records" I mean my husband's collection, which is impressive and contains some very valuable treasures. My own collection consists of two soundtracks: Grease and Dirty Dancing, Country Ladies, 1984 Shakin' Hits, Abba's Mama Mia, and one each from George Michael and The Stones. Which I may or may not have "borrowed" from my sister and father, respectively. I have been all over the internet to remedy that though, and have so far picked up Bikini Kill, Patti Smith, Adalita, and Magic Dirt to add to the collection. And husband came home with Gram Parsons the other day which he says he bought for me.
And this morning, on finding myself all alone in a quiet house, I put on Guns N Roses.
And that's what's so magical about music: the places it takes you. So to my younger self: this one's for you.
My ex and our partners are taking our 15yo to see You Am I tonight. I have seen more You Am I than any I've seen of any other band, thanks to not missing a show from approx 1993 to 1997! Even saw them in the US and Canada 🙂 So it's only fitting that we introduce our music-loving teen to one of the most under-rated Australian bands ever. I still haven't gotten over that they weren't included in the ABC series It's a Long Way to the Top. See you there!
That's awesome, for me it's Magic Dirt that I have seen the most. Or the Beasts of Bourbon. Though believe it or not, it is now looking like I will give my ticket to my 17 yr old. Crazy change of plans st the last minute and that's what happens!


CAA Niagara has been serving Members in the Niagara Region for over 100 years. They have been a user of the AXIS system and all three of its major components (Member Relationship Management (MRM), Travel, and Road Service) for the past 21 years.
Until now, CAA Niagara's business leaders have relied on pre-defined reports within AXIS and their IT department to generate new reports. It would take time for IT to deliver a new report and they would often need to explain outlying results before the report could be fully utilized.
To deliver information more effectively, Kevin Ruthven, Director of IT, decided to invest resources into putting in place a new and improved reporting solution. The solution would provide the business a self-serve environment where they could slice and dice the information to provide broader and deeper insights into their operations.
CAA Niagara's first step was to create a data warehouse. They signed up for the AXIS BI Support service, which provided them with an easy way to populate their SQL data warehouse with over 8,000 fields of AXIS data that they had collected over several years.
Using AXIS data and other sources, CAA Niagara has accumulated a considerable amount of information. They needed to choose the right tools to bring it to life. The club decided on Microsoft Power BI® and hired a consultant to help them kickstart the process and set up the infrastructure, train users, and impart best practices.
High-level dashboards with KPIs that management can access from their desktop or mobile devices, allowing them to take the pulse of the company at a glance. This includes actual versus target goals for a variety of KPIs, including financial information, renewal rates, membership counts, etc.
Multi-dimensional reports by business line. These reports are meant to display information within different business lines in ways that allow the club to measure and analyze what they are doing.
Membership Rewards and Road Service were the first areas of the business to embark on this process. When Dave Moreno, the associate director of Road Service at CAA Niagara, started at the club in 2018, he was pleased to learn that the club had so much data he could delve into and analyze. With his analysis, he set out a goal of reducing costs and improving operations in Road Service. To get a working set of reports for analysis, Dave met with Richard Johnson (the Power BI reporting analyst) every other week and presented him with a list of questions he wanted answered. Richard would then build the report and pass it back to Dave which often sparked a new round of questions and additional visualization requests. This process has resulted in a suite of Power BI reports that Dave can filter and slice to provide business insights.
Significant time savings – using Power BI with the data in their Microsoft SQL Server ® database, they were able to build in weeks something that would have taken them months to build previously.
A self-serve environment – admin staff, supervisors, managers, and senior leaders can all access appropriate reports easily at the office, from home, and even on their mobile devices. They can leverage Power BI visualizations to find anomalies in the data and can then dig deeper to understand the cause without having to make additional requests for data from the IT Department.
Data Consolidation – previously the club had over 100 separate static reports available to management using SQL reports. A single Power BI report often consolidates the information from a dozen SQL reports into one Power BI report. This makes the information easier to find and manage.
Ease of use, transparency, and trust in the data – create reports that are easy to read and understand. Power BI allows users to easily drill down to view the information that make up the reports. They can see the data themselves, instead of relying on summary / detail reports that others have built. This transparency increases trust in the data and empowers management to make informed decisions.
Prove or disprove theories that employees have by removing guesswork.
Identify where processes are inconsistent; by making processes consistent, the data also becomes more meaningful.
Look at the operations from different angles and find inefficiencies.
Employee Renewal Rate. A new metric that CAA Niagara has defined measures the renewal rates of members who have had an interaction with an employee the previous year. This KPI reinforces the notion that every interaction the employees have with members has an impact on their likelihood to renew.
Obtain executive buy-in. Significant time and financial resources are required.
Communication and collaboration. Meet with Strategic Business Unit (SBU) leaders regularly throughout the process. Have them review the reports throughout the creation process and make sure they have a good understanding of their data. These regular meetings ensure efficiency and accuracy in the reports.
Ensure the BI Report maker has strong SQL and programming skills, or that they have access to people who do have these skills.
Throughout this process, CAA Niagara realized it is necessary to understand what events may have affected the data. A sudden spike or dip in a report may not indicate great success or failure; sometimes it represents a change in the data itself. For example, the addition of pre-existing products and services to Lifetime Value and Product Index.
Stay focused. Prioritize your data collection efforts and reporting needs. Implementing a BI solution requires commitment and dedicated resources. Keep the momentum going. You can't afford to be distracted and come back to this later; if you do, you'll have lost valuable time and precious knowledge.
BI is not an IT responsibility, though at first it will feel like it. The collection, secure storage, and accessibility of data is certainly within IT's scope, but when it comes to data interpretation, action and associated results, this requires leadership from the business units themselves. They are accountable for leveraging the insights gained from BI and driving change to produce results.
What's Next for CAA Niagara?
Based on their analysis, operational changes were implemented in the Road Service department, and they are now able to begin evaluating the impact of these changes (e.g. cost savings & member satisfaction) and adjust as needed. They have recently hired a business analyst to ensure continued focus on BI. The club plans to create a BI Governance committee to help provide structure and clarity to the entire BI process.


text:
Matthew O'Connor
Technical Director, Cloud Office of the CTO
Matthew O'Connor is a Technical Director in the Cloud Office of the CTO based in Sunnyvale, CA. He specializes in Security, Compliance, Privacy, Policy, and large scale software services.Prior to joining the Office of the CTO, Matthew was responsible for Security and Compliance products on Google Cloud Platform. He established the key foundations for Cloud Compliance Program and many of the early Cloud Platform security products. Matthew also built products for Google Enterprise, having joined Google via the acquisition of Postini in 2007.Before Google, Matthew held product management and engineering roles building scaled services at Postini, Tellme Networks, AOL, Netscape, Inflow, and Hewlett-Packard. His career started as a US Air Force officer on the MILSTAR satellite program. Matthew has an executive MBA from the University of California and earned a bachelor's degree in Computer Science Engineering from Santa Clara University.
Email: matthew-oconnor@evessio.com
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London Fashion Week kicked off on February 15 and over 150 designers showcased their incredible work throughout the week until February 19. Since it is seemingly impossible to look through the thousands of images from the week, I compiled some looks from five of my favorite shows.
David Koma, a London based designer from the country of Georgia, produced a collection that screams power. A color story consisting of black, white, red and silver are the base to bold silhouettes, striking textures and carefully placed cut-outs.
Military inspiration mixes with the classic concept of a women's pantsuit in this belted blazer moment. The white stitching and the use of leather for the belt and strap are subtle but crucial choices in making this look as pleasing as it is.
Using the natural form of the snake, Koma creates a unique and eye-catching top that pairs perfectly with a slim cigarette pant making the drama of the top still feel wearable.
Passing as a modern day remake of armor, this set uses sparkle in a way that still communicates strength and control.
Having only graduated from the University of Westminster in 2016, Katie Ann McGuigan is already on the rise with innovative designs and specialties in print design. Her colorful collection is full of geometric prints, bold type and trendy silhouettes. This collection fits right in with the high-end streetwear constantly seen on models and celebrities.
Mixing a western inspired skirt with an argyle sweater vest sounds like a cringe-worthy moment on paper, but somehow, McGuigan has made it look incredibly trendy, chic and modern.
This relaxed longline jacket uses the perfect green and mix of patterns, that even when paired with sweatpants, creates a show stopper look.
A belted waist is everywhere on the runways this season and here McGuigan uses the trend beautifully, giving a more feminine cut to an otherwise oversized top. Plus, the pink, red and blue color combination is amazing.
In the second show since relocating from New York to London Fashion Week, Victoria Beckham sent a beautiful collection down the runway. It has been eleven years since the start of her brand, and this season Beckham focused on mixed patterns and incorporated hints of bright colors through accessories, all while staying true to the chic image of her label.
Blazer's aren't going anywhere anytime soon and this look proves it. The large lapels give the jacket an edge and pairing the pattern with a mismatched shirt keeps it feeling new and fresh.
An oversized and scarf-like look created in this simply patterned top pairs wonderfully with the straight leg pant and the theme of a bright shoe is shown in this outfit.
A bold collar and unexpected color combinations make this look original and unique. The wide leg of the pant adds a fun flare paired with the fitted sweater.
Alexa Chung has yet again created a show full of edgy looks that also keep in mind the idea of Parisian chic and the style of London. Since the start of her own line in 2016, Chung has continued to stay true to her style while also pushing the envelope with each season.
Once again a powerful all-black belted number makes an appearance on the runway, but this one adds the element of mixed textures with a leather jacket and satin pants. There is also a splash of fun British style with the gingham platform loafer.
Mixing patterns is clearly a popular trend for the season, and Chung incorporates it wonderfully in this look while also using the yellow that seems to be taking over runways all throughout the fashion weeks.
Seemingly an ode to Clueless, this co-ord is a modern take on the 90's outfit that continues to be popular today. The structure and silhouette give it a European twist.
Margaret Howell proved this season that her experience as a part of the British fashion scene for four decades is the result of well made and simple, yet beautiful, designs. Her line features men and women's clothing and the line between the two is blurry in the best way possible.
Though it is casual, this look is still full of style. The baker boy hat, pointed collar, rolled hem and leather belt each adds an element that makes this outfit perfectly cultivated.
The sheerness of this top makes it delicate and feminine which contrasts perfectly with the all together masculine look. The structure of the pieces is meticulous.
Black and white may seem safe, but the mix of feminine and masculine in this look are not. Careful styling was crucial in making these pieces work together.
Each of these images, as well as the rest of the images from the shows, can be found by clicking the names of the designers. Give the full collections a look to see the designer's entire collection stories. Overall, London Fashion Week seems to have been a massive success. Fashion mimics the climate of the world, and it is clear that so many designers took that to heart with their creations.


text:
Moneyball and Steroids
The other possible reason for why the Oakland A's were so successful during the first-half of the last decade.
by Lance Williams
Wikimedia Commons Jason Giambi admitted to taking steroids while he played for the A's.
California Watch is a project of the nonprofit Center for Investigative Reporting. Contact the author LWilliams@CaliforniaWatch.org. For more, visit CaliforniaWatch.org.
From 2000 to 2004, the Oakland Athletics were the greatest baseball team that never won the pennant. Film fans can get that idea from Moneyball, the new Brad Pitt movie about Billy Beane, the club's computer-genius general manager.
In that stretch, the A's won 98 games per year — 20 in a row at one point. First baseman Jason Giambi and shortstop Miguel Tejada both were named the American League's Most Valuable Player, and pitcher Barry Zito won the Cy Young Award. Oakland was in the playoffs four straight years — and lost in the first round every time.
There's another idea fans might not get from the movie: The Moneyball A's were loaded with steroid users. Nine men who played for the A's between 2000 and 2004 used banned drugs, according to the Mitchell Report, former US Senator George Mitchell's official investigation of baseball's steroid era.
Three were customers of the Bay Area Laboratory Cooperative steroid mill. They said they bought drugs from Greg Anderson, who was a weight trainer for San Francisco Giants slugger Barry Bonds. All three also testified for the prosecution in Bonds' perjury trial earlier this year.
Five more were customers of Kirk Radomski, a former New York Mets bat boy who became a major steroid supplier for major league players. Another Athletics player had an online pharmacy express-mail steroids to him at the ballpark.
Of course, Oakland had a rich tradition of steroid use, according to 1980s-era slugger Jose Canseco. In his memoir, Juiced, Canseco described how he and fellow slugger Mark McGwire used to go into the men's room before games at the Oakland Coliseum and inject each other with steroids.
Here's the Moneyball lineup:
Jason Giambi, first baseman (1995-2001 and 2009; MVP, 2000): As Mark Fainaru-Wada and I reported in our book Game of Shadows, Giambi was an experienced steroid user even before he got caught up in BALCO. Giambi has testified that he switched from bodybuilders' steroids to designer drugs in 2002, after he left the A's for the New York Yankees.
Bonds and Giambi were among the stars who went to Japan for an off-season baseball tour, and Bonds brought trainer Anderson along. From Bonds' trainer, Giambi got BALCO's undetectable steroids, the cream and the clear. Giambi cooperated with the federal probe of BALCO, at one point demonstrating to a federal grand jury how he injected himself in the belly with human growth hormone. He also testified about Anderson's steroid-dealing at Bonds' perjury trial.
Jeremy Giambi, outfielder, designated hitter (2000-02): Jason's brother also was a steroid user before encountering BALCO, he testified at Bonds' trial. Jeremy Giambi said his brother introduced him to Anderson. The trainer said he could beat baseball's steroid testing program with BALCO drugs, Jeremy Giambi testified. Jeremy Giambi told the BALCO grand jury that he believed the drugs were safe, saying, "I didn't think the guy would send me something that was, you know, Drano."
Randy Velarde, infielder (2000 and 2002): At Bonds' trial, Velarde testified that he met Anderson in 2001 through former Giants catcher Bobby Estalella, another admitted steroid user who had encountered Bonds' trainer in the San Francisco clubhouse. Velarde said he bought growth hormone and steroids from Anderson. On about ten occasions during the 2002 season, Velarde said he met Anderson in parking lots. There, the trainer would inject him with banned drugs, he said.
F.P. Santangelo, infielder (2001): Radomski, the former Mets bat boy, said he began selling steroids to Santangelo around 1997, when the infielder was with the old Montreal Expos. Radomski also sold drugs to Santangelo while the player was on the A's, according to the Mitchell Report. Santangelo wouldn't talk to Mitchell. But after the report was published, Santangelo, who by then was a sports broadcaster, admitted to using banned drugs.
Adam Piatt, outfielder (2000-03): In 2002, when the A's had demoted both Santangelo and Piatt to the minor league Sacramento River Cats, Santangelo introduced Piatt to Radomski. Piatt said he continued to buy steroids and growth hormone from Radomski after he rejoined the major league club. For a time, Piatt's locker was next to that of shortstop Tejada. Tejada asked about steroids, and Piatt said he bought the substances from Radomski for the shortstop, according to the Mitchell Report.
Miguel Tejada, shortstop (1997-2003; MVP, 2002): After he left the A's for Baltimore, Tejada was dragged into the steroid scandal by Orioles teammate Rafael Palmeiro. In 2005, Palmeiro told a televised congressional hearing that he had never used banned drugs. When Palmeiro later tested positive for steroids, he blamed a contaminated vitamin injection he said he got from Tejada. Tejada denied it, telling congressional investigators he had never used banned drugs.
But then the Mitchell Report quoted Piatt about buying drugs for Tejada. The report included copies of Tejada's canceled checks. Tejada was charged with lying to Congress. He pleaded guilty and was put on probation.
David Justice, designated hitter (2002): Radomski told Mitchell that he sold growth hormone to Justice after the 2000 season, when Justice played for the Yankees. Brian McNamee, the trainer who claimed he provided banned drugs to Yankees pitching star Roger Clemens, said he had heard from Radomski about drug sales to Justice, according to the Mitchell Report. Justice denied the allegations.
Cody McKay, catcher (2002): His name and phone number appeared in Radomski's address book. The former bat boy said he couldn't remember how they met, but he said he sold banned drugs to McKay when the catcher played for the minor league team in Indianapolis in 2001 and again in 2002, when he was with the A's. McKay wouldn't talk to Mitchell.
Jose Guillen, outfielder (2003): In September 2003, Guillen paid an online pharmacy in Florida $2,083 for growth hormone, steroids, and syringes, billing records show. He had the drugs sent to him at the Oakland Coliseum, according to the records.
News Oakland Athletics Moneyball Brad Pitt Billy Beane Jason Giambi Miguel Tejada Barry Zito Mitchell Report George Mitchell Bay Area Laboratory Cooperative Greg Anderson Barry Bonds Kirk Radomski Jose Canseco Juiced Mark Fainaru-Wada Game of Shadows BALCO Randy Velarde Bobby Estalella F.P. Santangelo Adam Piatt Miguel Tejada Rafael Palmeiro David Justice Brian McNamee Roger Clemens Cody McKay Jose Guillen Oakland Coliseum


Dyngja is a new style inspired by a puffy down jacket we designed 10 years ago. The fabric has a little shine to it giving it an appealing character. This style is available as a jacket, coat and a vest in several colours. All perfect for city life and outdoor adventures during cold winters.
Dyngja Down jacket is super warm and comfortable down jacket, perfect for cold winter days in the city. Two zipped pockets at front, high collar and a detachable hood with draw cord for adjustment.
Filled with white German VET certified duck down (90/10).
Two zipped hand warming pockets.
A detachable hood with drawn cord for adjustment.
After about an hour in the dryer, it's best to turn it over.


Following the punch with rounded corners, as the second of the series: Easy image editing software, will guide you through Doroppushadouin. Doroppushadouin is not only easy to drag and drop photos, image editing software can produce shaded pictures. In addition to the 1.1 version of shadows has been added to the usual mirror effect. The mirror effect in iPhone and Mac in a familiar effects and give effect as reflected by the polished table. Just like when a little three-dimensional look up auctions and blogs, and texture to your photos with natural and Wanrankuappu presence! Like this app punch really well rounded, LNSOFT popular "DropShadowIn" The Mac version has become.
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- not seen in any other image editing software so Mirror Effect!
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- Shadow: Put a shadow on the bottom right of the picture stronger.
- Glow: Yutaka Shime Put a shadow around the whole picture.
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(3) Drag the image and please drop where you want to save. The Save or Save button.
- The destination is the same location as the original file "DropShadow ~ original filename"to save the form.
- JPEG / JPG / GIF, the background is white shadow.


My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973. My murderer was a man from our neighborhood. My mother liked his border flowers, and my father talked to him once about fertilizer.