text:
How Much Is A Used Trolling Motor Worth?
By Morris October 3, 2022 Trolling Motor
Is a 12 volt or 24 volt trolling motor better?
What size trolling motor do I need for a 16 foot boat?
How long does a 12 volt battery last with a trolling motor?
Do trolling motors have serial numbers?
What size trolling motor do I need?
What does AutoPilot do on a Minn Kota trolling motor?
Does a 24 volt trolling motor need 2 batteries?
What is the strongest trolling motor?
Are brushless trolling motors better?
How can I increase my trolling motor speed?
Do electric trolling motors wear out?
How long should a Minn Kota last?
How long will a 24V trolling motor last?
For use on still waters with little current and moderate winds, a 12v trolly motor is the best. A 24v motor is better for larger boats and can be used in coastal waters with more current and stronger winds.
If your boat is less than 16 feet, a high-thrust 12-volt model will suffice. It's the only way to go for hassle-free boating if your boat is any longer than it used to be.
A 100amp hour rated battery can provide 100 hours of current to a motor. The battery can last up to 25 hours if the motor is running at low speeds. The rating is 100 Amp hour and 4 Amps are 25 hours.
See also Best Trolling Motor For 22 Ft Pontoon
The transom brackets have holes in them where the serial number is engraved.
The thrust needs to be at least 2 lbs. for every 100 lbs. of fully loaded boat weight. If the wind or current is a big factor in where you fish, you'll want to increase your thrust.
A patented, state-of-the-art compass system that locks onto a particular heading and continuously makes adjustments to keep your boat moving in that direction is what AutoPilot uses.
It's best to have a 36v 56′′ shaft with 100 lbs of thrust for larger bass boats. The larger the boat, the more space it has for deep cycle batteries and the more power it has to control it.
Smaller and medium trollers use a single 12v marine battery, larger trollers use larger 24v and 36v systems, and need 2 or 3 marine batteries.
Minn Kota makes the most powerful electric trolly motor and is available in a number of configurations. 112 pounds of thrust is what the motor has.
The next stage of trolling motor evolution is called brushless motor and it provides higher power, more runtime, better safety and more control for all boat owners.
If you want to increase the speed of the boat, you have to duplicate the system. If one goes wrong, you'll still get home.
See also Will A Trolling Motor Push A Jon Boat?
The one on your car will wear out over time, as will the trolly motor. There will be wear and tear on parts. They are going to drag on your motor.
The trolling motor should last at least 8 to 10 hours before it needs to be replaced or recharged.
It's nice to be able to charge up both batteries at the same time, even if you only get a day with a 24V system. I wouldn't go with more than 10 Amps per bank. I charge my board all the way up to 6 hours.
A well- known member. You should be getting a lot more than that. It would be expected to run hard for 14 hours without running out of power.
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With the rising costs in utilities around the country, more and more people are investing in, or at least researching solar panels. Quite simply, these devices collect the natural light from the sun, store it in batteries, which can then be used as you need them for lights, electronic devices, tools, appliances and more. With the advancements in technology as well, consumers are now able to find smaller portable solar panel devices which can provide enough juice to run a laptop, smartphone, GPS or other electronic item.
Most home based solar systems run on 12 volt as lighting, appliances and other devices are specifically made in the boat and recreational vehicle market which can be used perfectly on a home system. A wide number of people who decide to go the solar route debate on which battery is best for their uses. You do end up with a few choices.
Deep cycle valve-regulated batteries are sealed, so there is never a need to add water or any other fluids. This adds to their appeal since they can be installed and safely used in any position.
Flooded lead acid units are similar in size, but should only be used flat as they can leak. The downside to this is the acid may harm skin or corrode other items nearby.
Many homeowners using alternative power systems choose to use the sealed AGM type units as they can last three times longer than traditional deep cycle units. In addition, they can be stored safely indoors as they will not leak nor vent any dangerous fumes when being charged or used.
Finding the right battery for your system will depend on the voltage you are in need of, as 2V, 6V and 12V are most popular. It could also depend on how many units you plan to string together since a battery bank can consist of a dozen or more individual units.
Whether you plan on setting up your own solar system, or are moving into the world of battery powered vehicles, there are thousands of unique items which all require some form of contained power. Finding the right household, electronic, vehicle or electric scooter batteries may seem daunting at first with all of the choices available, but by visiting a website such as Impact Battery you will find a well-organized inventory of most styles, sizes and prices for whatever device you have which needs power.


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Functional programming has been a passion of mine for several years now, increasingly taking a central position in my work since I started building user interfaces with React in 2014.
Sometimes it's hard to articulate why I'm so passionate about this approach. I love learning, so I often wonder if it's purely because it's a massive topic to learn and challenge myself with. Other people think this too, as they struggle to look beyond some of the weird and wonderful terminology (it isn't just arbitrarily made up, I promise!).
Properly reflecting on the reasons I'm passionate about this style of programming reveals some more practical points. Firstly, I'm a huge advocate of testing in professional software development and pure functions make superb fodder for TDD.
Secondly, I find that declaratively building up a program from a kit of well understood, well tested parts is so much better than the spaghetti code so often associated with Object Oriented programming.
When you switch your thinking from "I need an X which can do Y" to "I need a fn that takes an X and returns a Z so I can do Y". Great things happen.
Thirdly (lastly?) I find there's a supreme elegance in the way software can be designed using these techniques. As the title of this post suggests, we can use our data types and functions to ensure that we're handling all the potential problems our code may throw at us. Rarely is it the happy path which causes us issues, but instead it is the failure modes and error branches which we don't consider that trip us up.
Many of the types associated with FP embed this idea of safety into their core. You may have heard of Maybe's, Either's, and Future's (also known as Async) - Algebraic Data Types which help us model disjunction, typically in the form of success or failure.
Their safety comes from forcing us to understand how our computations may fail and providing code to handle those situations. They don't excuse us from understanding the underlying runtime (for example, knowing that JSON.parse will throw an exception but parseInt will fail by returning NaN) but they are often accompanied by many useful library functions which create safer versions of the functions we use daily.
As hinted earlier in the post, this is a big topic with lots of material already available on the internet. I certainly can't do it justice in one post!
I have, however, been giving a talk on this subject (slides below) and created an accompanying workshop. They're both better experience in person, but if you're interested in some of the techniques touched on here, they're definitely worth checking out.
Social Media has proven its longevity and now is starting to demonstrate its ability to change the way we live and work. I look at how it may affect tech businesses in the future.


Behind the Shop's name you will find the owner and founder Gary Zav. Gary hails from the East Coast and has amassed enough experience under his belt in the decades he has worked as a barber to the upscale and elite in society that you will never receive a bad cut. Gary is precise, patient and a perfectionist. In this family owned and operated Shop you will find that you never need to look for another barbershop again! No matter what you ask for you will not leave displeased.
Gary has a life dedicated to helping people as a barber. He wants to offer services that can help you succeed in life. He knows how to pamper you and make you feel like royalty before you've left the establishment. His wide sought-after professional attitude combined with his meticulous style has evolved into a service that can change a person's self-image forever.
Away from the Gary's Barbershop, Gary lives a full life with his wife, also within the beauty industry, and two sons. In his leisure time he travels and loves to take in nature.
Even the pickiest find only positive things to say about Gary!


Some CCWD Customers in Rancho Calaveras and La Contenta experienced discolored water on June 1. First and foremost, all customers should know that the water is completely safe to drink and poses no threat to the public health. The water is discolored due to a build-up of minerals being dislodged from the inner pipe walls when the velocity of water was quickly increased, due to two major factors.
First, temperatures nearing 100 degrees caused water demand to skyrocket over the past few days, which caused a secondary booster pump to kick on in the Rancho Calaveras area. This booster pump doubled the flow of water moving through one of the District's main transmission lines, which caused the build-up of minerals to be scoured off the inner pipe wall. During normal years, CCWD flushes its entire water delivery system annually to remove this mineral build up. However, due to the drought, the State Water Board has not allowed flushing for the past two years. This led to a significant increase in mineral buildup and made this discolored water event much more noticeable. The line that was impacted by increased flow is also undersized for the service area. The District has recognized this problem and added a project to its Capital Renovation and Replacement Program to replace this line with a bigger pipe. The project is called Jenny Lind A to B Transmission Line.
Secondly, there was a wildfire near New Hogan Reservoir in the La Contenta area today. When firefighters accessed CCWD's hydrants to fight fire, the hydrants were opened up quickly. When a hydrant is opened quickly, it causes water in the line to rapidly increase in velocity and that leads to scouring of the inside of the pipes. That scouring dislodges minerals that have built up inside the line and leads to discolored water events. Since this is the beginning of fire season, this is likely to happen again when firefighters access CCWD hydrants throughout the summer and fall.
What to do about discoloredwater?
If you live in the affected area, you may experience brown-colored water. Even if the water is discolored, it is completely safe to drink. If you would like to flush your system of discolored water, turn on an outside faucet at the lowest point on your property and let it run until the water turns clear. CCWD encourages customers to capture the flushed water for later use on trees, shrubs or other landscaping. CCWD crews are doing their best to flush the system but it may take some time until the water color returns to normal.
Those with questions or concerns may call CCWD Customer Service at (209) 754-3543 or email customerservice@ccwd.org.


text:
Home / Valuation
When considering the value of your company, there are basic value drivers. While it is difficult to place a specific value on them, one can take a look and make a "ballpark" judgment on each. How does your company look? Value Driver Low Medium High Business Type Little Demand Some Demand High Demand Business Growth Low Steady High & Steady Market Share Small Steady Growth...
When considering the value of your company, there are basic value drivers. While it is difficult to place a specific value on them, one can take a look and make a "ballpark" judgment on each. How does your company look? Value Driver Low Medium High Business Type Little Demand Some Demand High Demand Business Growth Low Steady High & Steady Market Share Small Steady Growth Large...
Business valuations are almost always difficult and often complex. A valuation is also frequently subject to the judgment of the person conducting it. In addition, the person conducting the valuation must assume that the information furnished to him or her is accurate. Here are some issues that must be considered when arriving at a value for the business: Product Diversity – Firms with just a...
Consider two different companies in virtually the same industry. Both companies have an EBITDA of $6 million – but, they have very different valuations. One is valued at five times EBITDA, pricing it at $30 million. The other is valued at seven times EBITDA, making it $42 million. What's the difference? One can look at the usual checklist for the answer, such as: The Market...
Two businesses for sale could report the same numeric value for "earnings" and yet be far from equal. Three factors of earnings are listed below that tell more about the earnings than just the number. 1. Quality of earnings Quality of earnings measures whether the earnings are padded with a lot of "add backs" or one-time events, such as a sale of real estate, resulting in an...
by BBPJune 4, 2014 Buyer FAQ, Valuation0 comments
What is the Value of Your Business? It All Depends.
The initial response to the question in the title really should be: "Why do you want to know the value of your business?" This response is not intended to be flippant, but is a question that really needs to be answered. Does an owner need to know for estate purposes? Does the bank want to know for lending purposes? Is the owner entertaining bringing in a partner or partners? Is the owner...
by BBPMay 5, 2014 Valuation0 comments
Creating Value in Privately Held Companies
"As shocking as it may sound, I believe that most owners of middle market private companies do not really know the value of their company and what it takes to create greater value in their company … Oh sure, the owner tracks sales and earnings on a regular basis, but there is much more to creating company value than just sales and earnings" Russ Robb, Editor, M&A Today Creating value...
by BBPJuly 1, 2013 Seller Articles, Valuation0 comments
What Would Your Business Sell For?
There is the old anecdote about the immigrant who opened his own business in the United States. Like many small business owners, he had his own bookkeeping system. He kept his accounts payable in a cigar box on the left side of his cash register, his daily receipts – cash and credit card receipts – in the cash register, and his invoices and paid bills in a cigar box on the right side of his...
by BBPJune 27, 2012 Valuation0 comments
Checklist for Valuation
1. Start with the business – Value Drivers: Size, growth rate, management, niche, history – Value Detractors: Customer concentration Poor financials Outdated M&E Few assets Lack of agreements with employees, customers, suppliers Poor exit possibilities Small market Potential technology changes Product or service very price sensitive 2. Financial analysis: Market Value...
Simplifying the Valuation
"There are many reasons for valuing an entity, and those circumstances can lead to different outcomes…For instance, a business's value for sale on a going-concern basis will differ from its value for liquidation purposes. It similarly makes a difference if the valuation is for an orderly liquidation as opposed to a forced one. For example, the value of a company for estate-tax purposes...
by BBP January 21, 2023
When you are looking to sell, always focus on...
No one likes to think about the deals that...
by BBP January 7, 2023
When it comes to reaching a successful...
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Buyer FAQ (18)
Buying a Business (24)
Financing the Deal (7)
General Business Brokerage (9)
Seller Articles (285)
Seller FAQ (33)
Selling a Business (210)
Using a Professional (3)
Valuation (16)

redpajama_set_name: RedPajamaCommonCrawl


Each of these bags is made from one-of-a-kind handmade fabric. The handle is removable so that it can be used as a clutch. The bags are fully lined. Some have a small pocket inside if I remember to put it in.
The fabric is created from bits of yarn and other fibers which are layered over a base of shiny or glitzy fabric. Hey, what can I say, I like bright shiny objects! It takes me several hours to make enough fabric to create one bag. I create the fabric with a specific design and color in mind. It doesn't always turn out the way I imaged, but that's all part of the fun of a hand-created piece.
Here are some of the colors that I have done.
If you want me to create a special bag just for you, send me an email.


In episode two we discuss imaging and how it can affect (or not) your therapy, also we get into Incredibles 2. I miss state the gmail address, it is DIYtherapy206@gmail.com sorry for the confusion.
The goals and mission of the channel is to provide insight into those that wish to learn more about their physical musculoskeletal pain syndrome or their pain problem. We aim to explain common pain and rehab solutions in a simple and easy format for everyone of all education backgrounds to follow.


Captain of Westwood Robotics, Larry Tseng, won the New England Dean's List Finalist Award as a junior. He won this award by showing leadership, demonstrating the values of FIRST, and helping out the community through his team.
Dean's List Award judges selects "outstanding student leaders whose passion for and effectiveness at attaining FIRST ideals is exemplary." Finalists get to compete later on with other Finalists at the World Championships in Houston and Detroit.


text:
Image Source: Aaron Tait
"Devastating news for tourism and hospitality": The UK reacts to post-lockdown restrictions
The government has today set out its plans for the UK's Covid-19 restrictions as the end of the lockdown period approaches.
It said this afternoon that the country is going back to the three tier system that was in place before the second lockdown, which will end on December 2.
The North East, Yorkshire and parts of the Midlands will be in Tier 3, with most other parts of the country in Tier 2.
Leaders from across the country commented on how the restrictions will affect businesses over the Christmas period.
Mary Lanigan, Redcar and Cleveland Borough Council
"We are disappointed that we have been placed in Tier Three by the Government, particularly after four weeks of national lockdown.
"The ongoing restrictions put a huge strain on people's lives and threaten the prosperity of our borough as businesses cannot trade freely or plan with any confidence for the future. This is particularly acute in our brilliant hospitality sector, which cannot prosper at the busiest time of the year.
"However, it has been apparent for a number of weeks that the infection rate in Redcar and Cleveland has been too high and we have seen growing numbers of hospitalisations and people continuing to lose their lives to this terrible virus. We should never forget that for many families, Covid-19 has meant the loss of a loved one.
"Throughout the pandemic, the safety of our residents and visitors has been the priority. We hope everybody has an enjoyable Christmas but does so as safely as possible, particularly when visiting elderly relatives.
"Our fantastic shops will open again next week at the most important time of the year for the sector. Please take the opportunity to support them by shopping locally in a safe way.
"The way we can ease the restrictions is by bringing down the number of infections and reducing the pressure on the NHS. I know you have all made huge sacrifices over the past eight months, but it remains so important that everybody continues to follow the guidelines.
"If we do, we can all look forward to meeting friends and family more regularly and make sure as many jobs as possible are saved in our borough."
Sarah Green, NewcastleGateshead Initiative
"Today's announcement is devastating news for the tourism and hospitality industry and unfortunately will signal the closure of some businesses, with many more now making the decision not to open their doors until Easter.
"Under normal circumstances, hospitality businesses can take up to 30 per cent of their annual turnover in the month of December and this cash is then used to pay wages through the quieter months of January, February and March.
"While we understand that these decisions are not taken lightly, these measures will have a major impact, with long term economic consequences, loss of jobs and the resultant effect on the mental health of residents.
"We need more support for the tourism and hospitality industry to save as many jobs and businesses as possible and ensure that when visitors return to our region they can enjoy everything that makes the North East unique."
Adam Marshall, BCC
"Ongoing restrictions in England will continue to have a devastating impact on businesses across the country.
"To weather a difficult winter ahead, greater support will be needed for the hardest-hit firms, including those in town and city centres that will miss out on trade as employees continue to work from home.
"Chambers have been clear that businesses need to see and understand the evidence behind these decisions.
"While the government has today added some clarity about the rationale for which restrictions apply where, they must waste no time in producing a full impact assessment and engage with businesses on how to mitigate the ongoing economic effect.
"A review of tiers on December 16 will provide hope for a way out of the strongest restrictions, but the process by which areas can move into new tiers should be transparent and include clear triggers and enough time to allow businesses to plan accordingly.
"There is no substitute for a fully functioning economy. Broad-based mass testing still holds the key to getting employees back into offices, suppliers and customers into shops and international travel and trade back up and running.
"Chambers continue to urge the government to redouble their efforts to improve its Test, Trace and Isolate system."
Liam Griffin, Addison Lee
"We welcome today's announcement that London will be placed in Tier 2 once the current national lockdown ends.
"London's businesses require a minimal level of economic activity and connectivity in order to survive.
"This is particularly necessary over Christmas and it's critical that everything is done to support the capital's economy as restrictions continue.
"It is also vital that London's political decision makers and business leaders work together to create a plan that shifts us into Tier 1 and longer-term economic recovery in the safest and most responsible way.
"This means recognising and rewarding businesses which have gone the extra mile to become Covid-secure, as a way to build back consumer confidence and keep Londoners safe.
"As an essential part of London's transport network and the city's most experienced PHV operator, Addison Lee is ready to play its part in supporting businesses and helping London get back on its feet."
Stuart Procter, The Stafford Collection, London & Lancashire
"Across the Stafford Collection we've ended up with sites in both tier 2 and tier 3. Northcote located in the Ribble Valley has been told they cannot open which goes beyond frustrating.
"We've invested tens of thousands of pounds in PPE, thermo-cameras and generally making the venue Covid safe.
"Why are you able to get your hair cut in that same area but not visit arguable some of the safest spaces? It's frustrating.
"Fortunately, we've got an excellent at home box which Lisa and the team have developed to keep them busy but it's not the same as welcoming customers through the door.
"Then looking at London, we have The Stafford and Norma in tier 2. I'm of course delighted that we can open again and will be doing so on the 2 December, but the restrictions will continue to cause issues.
"Still no mixing of households indoors and a maximum table of six seems crazy when thousands of people are now allowed to attend a sporting event together.
"Of course, we keep soldiering on but there's only so long we can keep going like this."
Marcos Fernandez, Iberica Restaurants and Arros QD
"I am of the people that believe that the logical thing to do is to do short circuits during school holidays, when trade is already depressed.
"This way we maximise income and saving jobs. But as always this government is more focused on giving a jolly to the nation. Christmas is a small sacrifice to pay."
Tom Aikens, Muse, Belgravia
"It seems that this time around there seems to have been a bit more thought put into the different tiering systems.
"The statistics show that hospitality is not the cause of the resurgence of the virus - as an industry we are strict with health and safety regulations anyway, and are the safest and most sanitised environments in which to meet.
"We've been used as the scapegoat for too long. We should be allowed to remain open, operating at our full capacity without the curfew - I really do question what that is really going to accomplish limiting last orders to 10pm.
"We should be given our full licence to run our venues and make as much revenue as we can - this year has been hard enough and the job losses catastrophic. This scaremongering has to stop - it's turning customers away.
"Let us operate fully and help build up the economy again. It's tough for small businesses as it is. Pubs and publicans, well they're really not going to have a happy Christmas."
Mohammad Paknejad, Nutshell, Covent Garden
"As expected, most of the country seems to have been placed in Tier 2 and Tier 3.
"What should have been the most prosperous period for hospitality venues across the country with all the festivities, will be another month of struggle for survival.
"We are all doing what we can and taking part in reducing pressure off the NHS and saving lives.
"Now, we need some help from the government in paying all the bills so we can save jobs and livelihoods."
#Industrials #Facing Covid-19 #Government #Hospitality #National #Industrial


text:
Q: muting AVAudioPlayer from SKScene while its playing in ViewController I have an AVAudioPlayer set to loop indefinitely in the ViewController.m.
My question is how would I go about muting the AVAudioPlayer from an SKScene
//ViewController.m

- (void)viewDidLoad
{
    [super viewDidLoad];

    NSURL *url = [NSURL fileURLWithPath:[[NSBundle mainBundle] pathForResource:@"Space theme2"  ofType:@"mp3"]];
    _music = [[AVAudioPlayer alloc] initWithContentsOfURL:url error:nil];
    [_music prepareToPlay];
    [_music setVolume:0.5];
    _music.numberOfLoops = -1;
    [_music play];

so the AVAudioPlayer is playing in ViewController.m and needs to be muted/unmuted in SKScene.
//SKScene.m

if ([node.name isEqualToString:@"Mute"]) {
    //Mute Music "[_music setVolume:0.0]; isn't doing anything"
    self.Mute.position = CGPointMake(-100, self.Mute.position.y);
    self.Unmute.position = CGPointMake(160, self.Unmute.position.y);
}
if ([node.name isEqualToString:@"Unmute"]) {
    //Unmute Music [_music setVolume:0.5]; isn't doing anything"
    self.Mute.position = CGPointMake(160, self.Mute.position.y);
    self.Unmute.position = CGPointMake(-100, self.Unmute.position.y);
}

any help is appreciated

A: By using NSNotificationCenter:
//ViewController.m

- (void)awakeFromNib {
    [[NSNotificationCenter defaultCenter] addObserver:self
                                             selector:@selector(stopMusic:)
                                                 name:@"StopMusic"
                                               object:nil];
    [[NSNotificationCenter defaultCenter] addObserver:self
                                             selector:@selector(playMusic:)
                                                 name:@"PlayMusic"
                                               object:nil];
}

- (void)viewDidLoad
{
    [super viewDidLoad];

    NSURL *url = [NSURL fileURLWithPath:[[NSBundle mainBundle] pathForResource:@"Space theme2"  ofType:@"mp3"]];
    _music = [[AVAudioPlayer alloc] initWithContentsOfURL:url error:nil];
    [_music prepareToPlay];
    [_music setVolume:0.5];
    _music.numberOfLoops = -1;
    [_music play];
}

- (void)stopMusic:(NSNotification*)notification {
    [_music stop];
}

- (void)playMusic:(NSNotification*)notification {
    [_music play];
}

- (void) dealloc
{
    // If you don't remove yourself as an observer, the Notification Center
    // will continue to try and send notification objects to the deallocated
    // object.
    [[NSNotificationCenter defaultCenter] removeObserver:self];
}

.
// Scene.m:

if ([node.name isEqualToString:@"Mute"]) {
    [[NSNotificationCenter defaultCenter]
         postNotificationName:@"StopMusic" object:self];
    self.Mute.position = CGPointMake(-100, self.Mute.position.y);
    self.Unmute.position = CGPointMake(160, self.Unmute.position.y);
}
if ([node.name isEqualToString:@"Unmute"]) {
    [[NSNotificationCenter defaultCenter]
         postNotificationName:@"PlayMusic" object:self];
    self.Mute.position = CGPointMake(160, self.Mute.position.y);
    self.Unmute.position = CGPointMake(-100, self.Unmute.position.y);
}

A: You can make use of NSNotification or delegate methods. You can check them up here and here.

redpajama_set_name: RedPajamaStackExchange


text:
RAE CLÁSSICOS
Participação acionária da administração e valoração no mercado: uma análise empírica
Randall MorckI; Andrei ShleiferII; Robert W. VishnyIII
IAlberta
IIHarvard
IIIChicago-GSB
Investigamos a relação entre a participação acionária dos administradores e a valoração da empresa no mercado, medida pelo Q de Tobin. Em um corte longitudinal de 371 empresas da Fortune 500 em 1980, encontramos evidências de uma relação não-monotônica significativa. O Q de Tobin aumenta, depois diminui e, finalmente, apresenta novo e leve aumento à medida que cresce a participação dos membros do conselho no capital. Para empresas mais antigas, há evidências de que o Q é menor quando a empresa é administrada por um membro da família fundadora do que quando administrada por um executivo sem parentesco com o fundador.
Palavras-chave: Participação acionária, valoração, conselho, governança corporativa, teoria da agência.
We investigate the relationship between management ownership and market valuation of the fi rm, as measured by Tobin's Q. In a 1980 cross-section of 371 Fortune 500 fi rms, we fi nd evidence of a signifi cant nonmonotonic relationship. Tobin's Q fi rst increases, then declines, and fi nally rises slightly as ownership by the board of directors rises. For older fi rms, there is evidence that Q is lower when the fi rm is run by a member of the founding family than when it is run by an offi cer unrelated to the founder.
Key words: Management ownership, market valuation, board of directors, corporate governance, agency theory.
BERLE JR., A. A.; MEANS, G. C. The modern corporation and private property. New York: Macmillan, 1932. [ Links ]
CORPORATE DATA EXCHANGE, INC. Stock ownership directory: Fortune 500. New York: CDE, 1981. [ Links ]
CUMMINS, C.; HALL, B.; LADERMAN, E. The R&D master file: documentation. NBER, 1982. Mimeo. [ Links ]
DEANGELO, H.; DEANGELO, L. Managerial ownership of voting rights: a study of public corporations with dual classes of common stock. Journal of Financial Economics, v. 14, n. 1, p. 33-69, 1985. [ Links ]
DEMSETZ, H. The structure of ownership and the theory of the firm. Journal of Law and Economics, v. 26, n. 2, p. 375-390, 1983. [ Links ]
DEMSETZ, H.; LEHN, K. The structure of corporate ownership: causes and consequences. Journal of Political Economy, v. 93, n. 1, p. 1155-1177, 1985. [ Links ]
FAMA. E. F. Agency problems and the theory of the firm. Journal of Political Economy, v. 88, n. 2, p. 288-307, 1980. [ Links ]
FAMA, E. F.; JENSEN, M. C. Separation of ownership and control. Journal of Law and Economics, v. 26, n. 2, p. 301-325, 1983. [ Links ]
HART, O. D. The market mechanism as an incentive scheme. Bell Journal of Economics, v. 14, n. 2, p. 366-382, 1983. [ Links ]
HERMAN, E. S. Corporate control, corporate power. Cambridge: Cambridge University Press, 1981. [ Links ]
JENSEN, M. C.; MECKLING, W. H. Theory of the firm: managerial behavior, agency costs and ownership structure. Journal of Financial Economics, v. 3, n. 4, p. 305-360, 1976. [ Links ]
JENSEN, M.; RUBACK, R. The market for corporate control: the scientific evidence. Journal of Financial Economics, v. 11, n. 1, p. 5-50, 1983. [ Links ]
JOHNSON, B.; MAGEE, R.; NAGARAJAN, N.; NEWMAN, H. An analysis of the stock price reaction to sudden executive deaths: implications for the managerial labor market. Journal of Accounting and Economics, v. 7, n. 1-3, p. 151-174, 1985. [ Links ]
LELAND, M.; PYLE, D. Information asymmetries, financial structure and financial intermediation. Journal of Finance, v. 32, n. 2, p. 371-387, 1977. [ Links ]
LEWELLYN, W. The ownership income of management. New York: NBER, 1971. [ Links ]
LINDENBERG, E.; ROSS, S. Tobin's Q ratio and industrial organization. Journal of Business, v. 54, n. 1, p. 1-32, 1981. [ Links ]
MORCK, R.; SHLEIFER, A.; VISHNY, R. W. Characteristics of targets of hostile and friendly takeovers. In: AUERBACH, A. J. (Ed). Corporate takeovers: causes and consequences. Chicago: University of Chicago Press, 1988. [ Links ]
MURPHY, K. J. Corporate performance and managerial remuneration: an empirical analysis. Journal of Accounting and Economics, v. 7, n. 2, p. 11-42, 1985. [ Links ]
SHLEIFER, A.; VISHNY, R. W. Large shareholders and corporate control. Journal of Political Economy, v. 94, n. 3, p. 461-488, 1986. [ Links ]
SHLEIFER, A.; VISHNY, R. W. Value maximization and the acquisition process. Journal of Economic Perspectives, v. 2, n. 1, p. 7-20, 1988. [ Links ]
STULZ, R. M. On takeover resistance, managerial discretion, and shareholder wealth. Journal of Financial Economics, v. 20, p. 25-54, 1988. [ Links ]
WALKING, R. A.; LONG, M. S. Agency theory, management welfare, and takeover bid resistance. Rand Journal of Economics, v. 15, n. 1, p. 54-68, 1984. [ Links ]
WESTON, J. F. The tender takeover. Mergers and Acquisitions, v. 14, p. 74-82, 1979. [ Links ]
WHITE, H. A heterokedasticity-consistent covariance matrix estimator and a direct test for heterokedasticity. Econometrica, v. 48, n. 4, p. 817-838, 1980. [ Links ]
Randall Morck
Professor do Department of Finance and Management Science, University of Alberta School of Business
Interesses de pesquisa nas áreas de governança corporativa e estrutura de propriedade
E-mail: randall.morck@ualberta.ca
Endereço: Department of Finance and Management Science, 4-20G School of Business, Edmonton, Alberta, Canada, T6G 2R6
Andrei Shleifer
Professor do Department of Economics, Harvard University
Doutor em Economia pelo Massachusetts Institute of Technology
Interesses de pesquisa nas áreas de economia da informação, teoria dos contratos e fi nanças comportamentais
E-mail: ashleifer@harvard.edu
Endereço: Havard University, Department of Economics, Littauer M-10. Cambridge, MA, 02138
Robert W. Vishny
Professor da Graduate School of Business, University of Chicago
Interesses de pesquisa nas áreas de governança corporativo, fusões e aquisições e mercados de ações.
E-mail visghny@chicagogsb.edu
Endereço: The University of Chicago, 1101 East 58th Street, Chicago, IL, 60637
Artigo convidado.


Children from Year 3/4 delighted us all with their performance of The Trans global Express. Written by our very own Mrs Metcalfe, the show took us on a whirlwind, whistle-stop railway tour of countries around the world; bringing their theme of 'From a railway carriage' to life! Well done Year 3/4 - you were brilliant!


Most businesses today are thinking about digital disruption. Either they are trying to unleash it, or they are seeking ways to avoid being victims of it, rendered irrelevant. Some are involved in both activities.
Most of their employees are on board with all of this. Research that I have been involved in at Ohio State University and the University of California, San Diego, shows that in organizations seeking to disrupt or prevent being disrupted, 89% to 97% of the workforce backs the disrupt/prevent disruption program.
Those are impressive figures. They suggest that just 3% to 11% of the employee population is not fully supportive of digital disruption initiatives. Call them the digital dissidents. But don't let those low numbers mislead you. In today's workplace, the dissidents can carry a disproportionate amount of power — and, ironically, it is to a large extent the digital revolution that has empowered them.
In fact, once you think about the implications of that super-empowerment, you realize that 3% is a very large number. New York Times columnist Thomas Friedman talks about that in his soon-to-be-released book, Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations. We have to come to terms with what he calls the "Power of One." If you think that is an exaggeration, read up on what a low-level contractor named Edward Snowden accomplished at the National Security Agency. Not long ago, it would have taken at the very least the director of the NSA to cause an equal amount of disruption.
For businesses, the important question is what they can do to blunt the power of their digital dissidents. Remarkably, many employers would probably want to find ways to control them, perhaps with threats or negative incentives. I call this remarkable because we have amassed enough economic history over the past couple of centuries to show that this is ultimately a futile strategy.
John W. Merriman, a professor of history at Yale University, sees the Industrial Revolution as an era when industrialists were able to induce workers to work the way they wanted them to work.
Fine-china maker Josiah Wedgwood was an early pioneer in exerting industrial discipline over an extended workforce. Just before 1800, he thought long and hard about how to get all his workers to work the way he wanted all the time. He and his fellow industrialists were very concerned with preventing workers from wandering off and spending time enjoying themselves. Wedgwood's ultimate objective was a pool of workers who would respond "as fingers on two hands" to his commands.
History also shows that employers' attempts to impose control could have tragic consequences, most memorably in the March 25, 1911, inferno at the Triangle Shirtwaist factory in New York City, where 146 garment workers, mostly women, died. The victims had been unable to escape because the doors had been locked to reduce absenteeism, unauthorized breaks and theft.
Today, we might be tempted to congratulate ourselves that the methods of old have been left behind. And indeed, in much of the world the conditions of the workplace are stringently regulated. Employees work in clean, safe environments. But coercion is still a favored response for a lot of people. We live in a world of non-disclosure agreements, where a politician can rise to the top with talk of banning all Muslims from the country. Think about this, though: Firing all of your digital dissenters won't quite advertise your company as a great place to work.
Futurist Thornton A. May is a speaker, educator and adviser and the author of The New Know: Innovation Powered by Analytics. Visit his website at thorntonamay.com, and contact him at thornton@thorntonamay.com.


This well presented spacious one bedroom modern apartment resides on the fourth floor of a secure block with lift access and is located by Regent Canal.
Comprising of a generous double bedroom with a wool carpet, modern kitchen and a semi-open plan dining/living space which leads to a private balcony with partial views of Meath Gardens and Regent Canal. The property is double glazed and is easy to heat in winter and shaded enough to remain cool in summer and has ample storage space. The modern bathroom is a good size, tiled and has a heated hand rail.
Suttons Wharf is surrounded by a number of green spaces with easy access to the popular Victoria Park. Nearby Roman Road provides access to a number of shops and amenities whilst Lauriston Village's selection of designer boutiques, cafes and gift shops are all close by.
Mile End and Bethnal Green underground stations are both within walking distance providing access to Central, District and Hammersmith and City Lines. It is also well connected to night bus routes from central London, Canary Wharf, Dalston etc which stop at a short distance away.
Viewings can be arranged for most evenings between 6.30 pm and 9.30pm and most weekends between 11am and 6pm. If these aren't suitable it may be possible to arrange other times.


A visualisation of how many Mærsk ships are out to sea at any given moment.
Growing up in Merseyside, with a grandfather who was a captain in the merchant navy, I think it's always important to remember the reality of the world, the role of ships and docks in our culture, past and present.
Thanks to Frankie Roberto for spotting it.


Another new defibrillator is set to be installed in Cirencester.
The defibrillator is set to be installed at McDonald's at Kingsmeadow.
Cllr Jenny Hincks (Independent) approved the Cotswold District council grant as a ward member.
"I was grateful that I had the opportunity to be able to find a home for another defibrillator, that has the chance of saving the life of someone from our local community," Cllr Hincks said.
CDC Cllr Stephen Andrews (Conservative) is a volunteer community first responder with the ambulance service in the South Cotswolds.


Enjoy a romantic couple's getaway at the Andover Inn. Escape to the Andover Inn for some romantic time alone. Reconnect during your visit that includes inspired amenities and a romantic meal at our signature restaurant, Samuel's.


*Online registration is closed. Members and guests can register at the door.
Join us at Tanners Bar and Grill for our business social hour. Enjoy the evening on the patio with complimentary appetizers and refreshing drink specials while you connect with other business professionals. Bring your colleagues and plenty of business cards.


about us and about escaping Lotus Notes with your sanity intact.
Email isn't getting things done in business. As you consider moving to the cloud, why replicate email inefficiencies from Lotus Notes® or Microsoft Outlook® mail to a cloud provider? By "starving" your inbox through the adoption of managed communications you can kill two birds with one stone. This article presents a path to escape "emhell".
Q: When can I get rid of my Domino server?
Can't we just turn off Lotus Notes?
Q: Can't we just turn off Lotus Notes?
Welcome to our blog, where we'll share some of the knowledge and experience we've accumulated over 20 years in the Lotus Notes and migrations worlds!


Connect, register or call to get your baking stone by mail at no additional cost. It stone-bakes a large 14"" pizza, seared kabobs or crab cakes right in your oven. The attachment fits interchangeably onto the base pan and heating element and connects to a powered hub in your oven to preheat in half the time of a non-integrated stone 2 and alert you when preheating is complete. Easy-clean, dishwasher safe.
Makes it easier to cook with large or heavy bakeware. Sure-grip handle and smooth roll-out simplify loading and unloading. Upper-oven rack is designed to hold the attachment base pan securely in place during use, yet allows easy pan insertion and removal.
+Baking Stone Attachment Connect, register or call to get your baking stone by mail at no additional cost. It stone-bakes a large 14"" pizza, seared kabobs or crab cakes right in your oven. The attachment fits interchangeably onto the base pan and heating element and connects to a powered hub in your oven to preheat in half the time of a non-integrated stone 2 and alert you when preheating is complete. Easy-clean, dishwasher safe.
SatinGlide Roll-Out Extension Rack for Smart Oven+ Attachments (upper oven) Makes it easier to cook with large or heavy bakeware. Sure-grip handle and smooth roll-out simplify loading and unloading. Upper-oven rack is designed to hold the attachment base pan securely in place during use, yet allows easy pan insertion and removal.
Self Cleaning Cycle Uses high temperature to power through soils in the oven cavity, requiring only a quick wipe-down at the end of the cycle so you can get right back to cooking.


The Qdecoder Z2-8-series can be used to switch (motorized and magnetic driven) turnouts as well as lights that are switched against a common positive or negative return conductor. It has 8 function outputs, which means that e.g. four motorized driven turnouts can be connected an switched. Of course it can also be used for all other purposes like controlling light installations including light signals.
In case of higher current, changeover to pulsed operation (up to 1.5 seconds), afterwards cut-off of the decoder.


A member of the Royal Society of Arts and lecturer at St. Martin's School of Art, Kay Cosserat was vital to the establishment of the London Designer Collections, the forerunner of London Fashion Week. Due to her untimely death in 2003, few of Cosserat's pieces remain in circulation, with most in the permanent collection of the Victoria & Albert Museum in London. This set is a beautiful example of her muted, comfortable aesthetic: sweater dressing at its best.
Matching cocoon pullover top and skirt of open weave knit mohair. Oversized top features dropped bishop sleeves, blousing gathered elastic waistband and 7" sailor collar; pullover construction with no closures of any kind. Matching skirt with gathered elastic waist and slightly flared hemline; pull-on construction with no closures of any kind. Both pieces unlined.


text:
La World Traditional Kickboxing Association (WTKA - full name "World Traditional Karate, Kick Boxing, Kung Fu & All Styles Association") est une fédération qui promeut le kick-boxing au niveau mondial.

La WTKA propose plus d'une dizaine de disciplines martial en compétition : semi-contact, light-contact, full contact, kick-boxing, Thaï-boxing, forms, K1-style,free-fight, MMA, sanda, grappling, etc. En quelques années, la W.K.T.A. est devenue la première organisation mondiale. D'ailleurs en 2009, 138 pays se sont affiliés à cette fédération internationale.

Origine

Le karaté

La Chine

Bien que les origines anciennes du karaté soient très vagues, on sait pourtant qu'il y a 1400 ans Daruma Daishi qui enseignait au Temple Shaolin en Chine, employait des techniques qui sont à la base du karaté. Plus tard, ces techniques se sont développées pour devenir la forme de combat appelée Boxe Shaolin.

Okinawa

Au , la Boxe Shaolin venue de Chine a atteint Okinawa. Elle s'est mélangée aux techniques locales d'Okinawa pour donner plusieurs styles Okinawaiens.

Le Japon

En 1922, alors qu'il avait maîtrise les deux styles principaux d'Okinawa, Maître Gichin Funakoshi, président de l'Association de l'Esprit des Arts Martiaux, fut choisi pour faire une démonstration de karaté à la première Exhibition Athlétique Nationale à Tokyo. Cela permit d'introduire l'ancien art martial dans le reste du Japon. Sollicité par des amis et des instances officielles, il resta à Tokyo pour enseigner.

Les USA

En 1955, Tsutomu Ohshima, un des derniers élèves directs de Maître Funakoshi (1948-1953, Université de Waseda à Tokyo au Japon), vint aux États-Unis et fut la première personne à enseigner le Karaté dans ce pays.

Ce fut cette même année qu'il organisa l'Association de Karaté de Californie du Sud, qui s'est développée au cours des années pour devenir l'association nationale à but non lucratif : Shotokan Karate of America (SKA).

Le kick-boxing

Le Kick Boxing se décrit succinctement par des actions « coups de pied et de poing ».

Le Kick Boxing est née autour de la première moitié des années 1970 aux États-Unis dans le sillage de nombreux films de Kung Fu de l'Extrême-Orient.

Le Kick Boxing s'est fait une place et obtient un succès immédiat. Dans les gymnases, il se transforme rapidement en une vraie mode grâce au nombre important de praticiens.

Le premier combat de Kick Boxing reçoit un réel succès, notamment grâce à Mike Anderson, premier à réaliser une étude codifiée pour faire découvrir une nouvelle discipline et ses règles.

Dans l'histoire du sport, le premier tournoi officiel des Arts Martiaux Full Contact s'est déroulé à Los Angeles en  et est rebaptisé "Contact Karaté". Viendra ensuite la PKA (Professional Karaté Association) pour gérer et organiser la discipline au niveau mondial.On peut considérer la PKA comme une des premières fédérations mondiales de boxes pieds/poings.

IAKSA
Quelques années après la naissance de la PKA, plusieurs fédérations mondiale ont vu le jour. La IAKSA qui est né en Italie et dont le Président actuel se nomme DRUGIN YURY (Russe)s'est voulu réformatrice et œuvrer pour un kick boxing de qualité et professionnel.

Naissance de la WTKA International

La W.T.K.A. a pris naissance en 2003 grâce à cinq pays qui sont l'Italie, l'Angleterre, l'Irlande, l'Allemagne et la Slovaquie et surtout grâce aux dirigeants de la IAKSA.

Ensemble, ces cinq pays ont décidé de développer leurs activités dans le monde entier afin d'attirer de nouveaux adhérents.

La W.T.K.A a voulu se positionner sur la scène mondiale comme la plus grosse organisation de sport de combats amateurs.

Objectifs de la WTKA International

W.T.K.A. a pour objectif de créer un environnement convivial et international où tous ses membres peuvent pratiquer et développer, ensemble, des arts martiaux et des sports de combat dans un climat harmonieux.

Esprit de la WTKA International

La W.T.K.A., par sa structure démocratique, garantit une éthique dans sa gestion, ce qui établit le respect et l'harmonie dans ses relations avec les divers partenaires tels que les hauts fonctionnaires, les directeurs nationaux et les combattants.

La W.T.K.A est une fédération mondiale qui reconnaît à tous, le droit d'exercer une activité sportive martiale.

Pays membres de la WTKA International

En quelques années, la WTKA est devenue la première organisation mondiale. En 2009 la fédération compte plus de 138 pays affiliés.

Staff de la WTKA (en 2009)
Dr. Michele Panfietti: World President WTKA
Dr. Dr. Cristiano Radicchi: Vice President WTKA
 Ruddy RENAUD : Représentant pour la France (Fédération WTKA-France - kickboxing & karaté) – Arts martiaux, Sports de combat, Boxes pieds-poings, combat libre, grappling.
 Halim FERFERA : Représentant pour l'algerie (kick boxing) - (Full contact) - (K1 rules)

Bibliographie
 "A History of Kickboxing" par Mikes Miles historien du kick-boxing américain

Lien externe

Organe dirigeant des boxes pieds-poings
kickboxing
Boxe américaine
Kick-boxing

redpajama_set_name: RedPajamaWikipedia


Yep, enough to give a mama a heart attack...or at least a few more gray hairs.
Okay, you 4: there are no ties to this award at all. If you want to send it on, then do. If not, just hang onto it! Aren't those the best kind of awards to get?
Okay. The cliff hanging? Seriously? Did he want to bury you so early in life?
Ha-pretty sure hubs would like to hang out with your son....That looks like his kind of place! I don't think I'll show him this.
congrats on the award! oh my gosh with your son! I tell you, it made me dizzy just looking at the picture!! one brave young man!
Oh my gosh. That picture almost makes me hyperventilate. I hate heights and I wouldn't get within 20 feet of the edge.
The cliff photo made me gasp.
It might take me all day to get over it.
Congrats on the award and the picture of your son gave me cold chills. Good thing you saw the picture AFTER the fact.
My heart just sunk to my toes! And I think *I* have one more gray hair after looking at that pic!
Congrats on the award and thanks! Speaking of ties to this small town I owe you apologies!
It makes for a great picture - but DANGGGGGGGGG... my heart is beating insanely just looking at those feet dangling!!!
Seriously, that is your son on the edge? OMG Cute award, congratulations!
Whoa! That picture of your son made my chest get all tight - and my feet are safely on the floor of my office!


Take a break from finals and check out one of our new books in the library.
Legends of the Fall is an epic tale of three brothers who live in the mountains with their father (played by Anthony Hopkins) and the woman who comes between them. Set in the early 1900's during and after World War I, Legends of the Fall is a heartbreaking drama and character study of Alfred (Aidan Quinn), the civilized and ambitious older brother, Tristan (Brad Pitt), the wild one and "favorite" child, and Samuel (Henry Thomas), the baby.
All their lives the boys have been secluded in the mountains due to their's father's hatred of a government that persecutes Indians. Alfred and Samuel show yearnings to return to society and serve their country in the military while Tristan's heart remains in the wild. When Samuel brings home his fiancee (played by Julia Ormond), the older brothers cannot help but fall in love with her. This love not only causes a rift between brothers and father and son, but it unintentionally leads to tragic consequences. Can this family unit hold strong at a time when the men are divided by love, grief, and corruption?
If you haven't seen this movie before, do yourself a favor and check it out. It is a bit melodramatic, but enjoyable nonetheless.
New books have arrived! Check them out now at the Gabriele Library.


The Internet – As his girlfriend Nicki Minaj celebrates her December 8 birthday, Meek Mill expressed his affection for her on Instagram with a simple post he captioned, "Happy Birthday to my queen, Nicki Minaj. Stay bad and blessed up!" While it's unclear exactly how long the couple has been together, it's safe to say it's at least been a couple of years. Rumors started swirling in 2014 that they were romantically involved.
HAPPY BIRTHDAY TO MY QUEEN @nickiminaj ?✨⭐???? $tay Bad & Ble$$3d up!
The Sagittarius and her loving boyfriend honored her 34th birthday with a trip to Turks and Caicos, where they were apparently soaking up the sun's rays while they kicked it on the sandy beaches.
On a island wit a pretty lil hitta on her bday ? @nickiminaj ??
Lord, I thank you for another year of life. #TurksAndCaicos Birthday vibes. Thanks for the ?u guys. Right back atcha?
Happy birthday @NICKIMINAJ , pink Friday legendary!


It's getting to be that time of year again! Yep, "THE HOLIDAYS!" Halloween is right around the corner! It's a holiday where those who choose to celebrate have fun either dressing up or decorating. So, I decided to create a little pumpkin using a re-purposed mason jar and Aladine Izink Inks. This project was very easy to create, and for those of you who dare, a perfect opportunity to get the kiddos involved!
I decided to use Aladine Izink Inks for the jar because I know they are permanent and would work great on the glass. However, as you can see in the photo, they are quite transparent when applied to glass alone.
Therefore, I decided to add the Izink Inks to gesso; this gives the ink opacity and more sticking"oomph" when applied to the jar. I decided to mix two colors (Mango and Safran) to achieve a nice pumpkin color; I added more ink as needed to achieve the desired color-mixing between each application. Once I was happy with color, I simply took a sponge brush and applied the "paint" on the inside and outside of the jar. Why? I wanted to cover both surfaces because I knew I wanted to "rough" this little guy up by distressing it a bit, and if I got carried away, the paint was still visible from the inside.
For the top, I did the same process with Izink Ink in "Bamboo" and gesso; I applied the mixture pretty liberally to the top to give it a layered paint effect which adds to the distressed look of the jar. The stem is a piece of cardstock rolled and hot glued onto the top, and the leaves are die-cuts that have been colored with the same "paint" as the top. I hot glued the eyes, ribbon and mouth (inked using ColorBox® Archival Dye Ink in Wicked Black) and this not so scary guy was complete! Thank you for stopping by today! What are your Halloween DIY decorating plans this year?


The body love movement: are you really on board?
"Take care of your body it's the only place you have to live". This quote has appeared on our insta feeds more than pancakes on any given #TreatTuesday and it's caught our attention. More than anything, we are so excited to see this movement: it's miles away from the #thinspo that has caused major physical and psychological damage to many of us. At the same time, as we know that social media can be full of smoke and mirrors, we do wonder… are we actually executing it?
Firstly, what are we putting inside our bodies? We know we feel much better after a wholesome green smoothie and Acai bowl combo rather than a muffin and coffee downed in 3.5 seconds between appointments, but how many of us legitimately are going for option one? Or do we fall victim to the busyness of life and find ourselves winding up with option two? The most important thing here is to be honest with yourself and your behaviours. And, if it needs adjusting - taking action.
The next fundamental in caring for number one comes in the form of sleep. And no, this isn't just when you're curled up in bed after a Saturday night of debauchery. We need 7-8 hours per night to rejuvenate properly and consolidate our learning from that day (students, i'm looking at you!). As much as we like to think we can power through on enthusiasm, caffeine and willpower alone - we actually cant. We function at about a 30-40%, which makes you feel irritated, cranky and flat. No thankyou.
Completing this trio of body love behaviours is exercise. And that means to be active each and every day, not simply when you're training at the gym. Walking instead of getting an Uber, making your catch ups with friends based around an activity (boxing class anyone?!) and embracing opportunities that challenge you physically, like that charity walk, or committing to 6 weeks of bootcamp. We are blessed with bodies that have the capacity to move - let's not take them for granted.
Ultimately, we know that we don't have to be ultra concerned if people are being authentic when they are preaching body love - time will reveal all. That said, we have faith that the progression in body love is real: and you can't wipe the smiles off our faces.


text:
package org.fusesource.fabric.service;

import org.fusesource.fabric.api.FabricException;
import org.fusesource.insight.log.*;

import org.fusesource.insight.log.service.LogQueryCallback;
import org.fusesource.insight.log.service.LogQueryMBean;
import org.slf4j.Logger;
import org.slf4j.LoggerFactory;

import javax.management.JMX;
import javax.management.MalformedObjectNameException;
import javax.management.ObjectName;
import javax.management.remote.JMXConnector;
import java.io.IOException;
import java.util.Arrays;
import java.util.Hashtable;

/**
 * Utility class which contains code related to JMX connectivity.
 *
 * @author ldywicki
 */
public abstract class JmxTemplateSupport {
    private static final Logger LOGGER = LoggerFactory.getLogger(JmxTemplateSupport.class);

    public interface JmxConnectorCallback<T> {

        T doWithJmxConnector(JMXConnector connector) throws Exception;

    }

    public abstract <T> T execute(JmxConnectorCallback<T> callback);

    public <T> T execute(final LogQueryCallback<T> callback) {
        return execute(new JmxTemplateSupport.JmxConnectorCallback<T>() {
            public T doWithJmxConnector(JMXConnector connector) throws Exception {
                String[] bean = new String[]{"type", "LogQuery"};
                return callback.doWithLogQuery(getMBean(connector, LogQueryMBean.class, "org.fusesource.insight", bean));
            }
        });
    }

    // MBean specific callbacks

    public static ObjectName safeObjectName(String domain, String ... args) {
        if ((args.length % 2) != 0) {
             LOGGER.warn("Not all values were defined for arguments %", Arrays.toString(args));
        }
        Hashtable<String, String> table = new Hashtable<String, String>();
        for (int i = 0; i < args.length; i += 2) {
            table.put(args[i], args[i + 1]);
        }
        try {
            return new ObjectName(domain, table);
        } catch (MalformedObjectNameException e) {
            throw new RuntimeException("Object name is invalid", e);
        }
    }

    public <T> T getMBean(JMXConnector connector, Class<T> type, String domain, String ... params) {
        try {
            return JMX.newMBeanProxy(connector.getMBeanServerConnection(), safeObjectName(domain, params), type);
        } catch (IOException e) {
            throw new FabricException(e);
        }
    }

}

redpajama_set_name: RedPajamaGithub


Lukas Haas made his feature film debut at age 4 in Testament, as the youngest son of William Devane and Jane Alexander, before landing the leading role of Samuel, the Amish boy who witnesses a murder, in the critically acclaimed Witness, directed by Peter Weir. He also earned an Emmy nomination in the leading role of Ryan White, the brave real life AIDS victim, in the telefilm, The Ryan White Story.
Haas recently co-starred in such films as Stacy Cochran's Boys opposite Winona Ryder, the indie film Johns with David Arquette, Woody Allen's musical Everyone Says I Love You and Tim Burton's science fiction epic Mars Attacks! with Jack Nicholson and Glenn Close.
Other film credits include playing the role of Jessica Lange's son in The Music Box, Leap of Faith with Steve Martin and Debra Winger and Convicts with Robert Duvall and James Earl Jones. After reteaming with Duvall in Rambling Rose, Haas went on to co-star in Alan and Naomi, Solarbabies, Lady in White, The Wizard of Loneliness and See You in the Morning.
In addition to The Ryan White Story, his television work includes Perfect Tribute, A Place at the Table, Amazing Stories (the Ghost Train episode directed by Steven Spielberg), Twilight Zone, Shattered Spirits, Love Thy Neighbor and My Dissident Man.
On Broadway Haas starred with Steve Martin and F. Murray Abraham in Waiting for Godot, directed by Mike Nichols.
Height 6' 1" (1m85) How tall is Lukas Haas compared to you?


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Q: Removing a border line in Silverlight Border control (kind of like border-style-bottom:none in css)? I'd like the ability to have something that looks like a border but I don't
want the bottom to show. in CSS I could accomplish this by going border-style-bottom:none
I'm wondering if Silverlight has a similar functionality for the Border control.
If not, I'm wondering what other control I can use to accomplish this? thanks

A: It works like this:-
<Border BorderBrush="Black" BorderThickness="2,2,2,0">
...
</Border>

Another form just takes two numbers "lr,tb" which specifies the thickness of the left and right of the border then the top and bottom of the border.


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Rotting Christ premieres new song ''Ветры злые (Vetry Zlye)'' feat. Irina Zybina (GRAI)!
The Greek metal veterans of Rotting Christ are now premiering another song "Ветры злые (Vetry Zlye)" feat. Irina Zybina (GRAI) of their upcoming release "The Heretics". The new offering is slated for release on February 15th, 2019 via Season of Mist Records. The Russian themed track "Ветры злые (Vetry Zlye)", featuring Irina Zybina (GRAI), is now streaming via Satanath here!
Rotting Christ did it again in their own style this song has it uniqueness. Powerful riffs and technical perfection of the drums on this song presented this song in it's full form, powerful, raw and interesting. This song has a great story, and it's in English and Russian language. Irina with her amazing vocals, presented the song in a such a magical and majestic way,, combined with Sakis raw brutal voice, it a alliance of Hellenic and Slavic higher power united together crushing everything around them, with the power of the gods, themselves . This is a true pagan song, and it is spiritual and divine, and with black metal and melodic elements it has that amazing dark vibe. The theme in lyric video presents the song in the right way, they combined the lyric video for the whole story with a theme perfectly. Pagan salvation strikes hard with Rotting Christ and Irina, and it will leave you speechless.
Rotting have previously revealed the album artwork, created by Maximos Manolis, and album details of "The Heretics".
Rotting Christ have reached another peak in their long career that now spans over more than three decades. The Greeks have literally stood the test of time. With a steady core line-up and their well-honed live delivery, Rotting Christ are filling concert halls and reap enthusiastic crowd reactions wherever they go. This demonstration of love from their followers is not just driven by nostalgia as the band has managed to evolve and grow, while staying relevant beyond the classics with their highly acclaimed latest albums such as "Aealo" (2010), "Κατά τον δαίμονα εαυτού" (2013), and "Rituals" (2016).
With the new offering "The Heretics", Rotting Christ are opening a brand new chapter. With confidence and skills derived from experience, each song represents its own sonic universe. Guitarist and vocalist Sakis Tolis in collaboration with his brother Themis on drums achieve a perfect balance of amalgamating their classic and unique style of riffing and rhythm with exciting new elements sprinkled in to keep their material exciting and fresh. The experience is enhanced by Jens Bogren's equally clear and transparent yet also massive as well as sombre mix and mastering at his widely renowned Fascination Street Studios (Amorphis, Borkagnar, Moonspell,Devin Towsend, and many more).
Rotting Christ were founded by Sakis Tolis and his brother Themis in the year 1987. Starting out on a basis of death and grind, the Greeks had already embarked on a darker musical journey by the time their debut full-length "Thy Mighty Contract" (1993) was revealed. On the following seven albums covering a ten-year period from "Non Serviam" (1994) to "Sanctus Diavolos" (2004).
Rotting Christ steadily defined their own distinct style by experimenting with elements from death, heavy, and gothic metal without betraying their black roots. At the same time, the band went from underground heroes to headliner status. With the highly acclaimed ninth album, "Theogonia" (2007), the Greek stalwarts added an unmistakable native element to their sound, which has remained with them as a signature trademark ever since. Exploring the mythical legacy of cultures around the globe let to Rotting Christ's massively successful latest release, "Rituals" (2016). With more than 30 years, 13 studio albums, a dozen EPs, singles and split releases, as well as more than 1.250 shows under their belt, 2018 marked the year of "Their Greatest Spells" (2018), where they musically revisited their exciting legacy to connect their past with the present.
"The Heretics" marks another step in the evolution of the Greek masters. Buckle up for a fascinating musical ride through the woes of religious wars, Zoroastrianism and the eternal war between good and evil. Metal at its best!


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Alzheimer's Disease is an awful malady that I wouldn't wish on my worst enemy.
This is a disease that destroys the mind, often causing its victims to fail to recognize even their closest loved ones, making daily living nearly impossible without round-the-clock supervision.
A study published by the University of South Florida in the Journal of Alzheimer's Disease concludes that if human brains functioned the same as mouse brains, caffeine would be effective at reversing the effects of Alzheimer's Disease.
A study conducted by the University Of Kansas School Of Medicine reveals that Alzheimer's patients who exercise have larger brains than those who are out of shape.
Of the 121 people in the study, all were over 60 years of age, and 57% of them already had Alzheimer's. The actual study itself involved fitness tests and brain scans. Each patient was evaluated using a treadmill to determine a level of physical fitness. Then each patient's brain was scanned to determine a level of brain shrinkage.


text:
Robert Xavier Rodriguez
(Redirected from Robert Xavier Rodríguez)
For the American director, writer, producer, and musician, see Robert Rodriguez.
Robert Xavier Rodríguez (born June 28, 1946) is an American classical composer, best known for his eight operas and his works for children.
(1946-06-28) June 28, 1946 (age 74)
classical composer
1 Life and career
2.1 Opera, theater and dance
2.2 Orchestra
2.3 Chamber
3 Recordings
Life and careerEdit
Rodríguez received his early musical education in his native San Antonio and in Austin (University of Texas at Austin),[1] Los Angeles (University of Southern California),[2] Lenox (Tanglewood), Fontainebleau (Conservatoire Americain) and Paris. His teachers have included Nadia Boulanger, Jacob Druckman, Bruno Maderna and Elliott Carter. Rodríguez first gained international recognition in 1971, when he was awarded the Prix de Composition Musicale Prince Pierre de Monaco by Prince Rainier and Princess Grace at the Palais Princier in Monte Carlo.[3] Other honors include the Prix Lili Boulanger,[4] a Guggenheim Fellowship,[5] and the Goddard Lieberson Award from the American Academy and Institute of Arts and Letters.[6] Rodríguez has served as Composer-in-Residence with the San Antonio Symphony (1996–99) and the Dallas Symphony (1982, Meet the Composer Orchestra Residency Program).[7] He currently holds the Endowed Chair of University Professor of Music at the University of Texas at Dallas.[8] His music is published by G. Schirmer and is recorded on the Newport, Crystal, Orion, Gasparo, Urtext, ACA Digital, CRI, First Edition, Naxos and Albany labels.
Rodríguez' music has been performed by conductors such as Sir Neville Marriner, Antal Dorati, Eduardo Mata, James DePriest, Sir Raymond Leppard, Keith Lockhart and Leonard Slatkin. His work has received orchestral and operatic performances in recent seasons by such organizations as the Vienna Schauspielhaus, The National Opera of Mexico, New York City Opera, Brooklyn Academy of Music, Boston Repertory Theater, American Music Theater Festival (now Prince Music Theater), Dallas Opera, Houston Grand Opera, Pennsylvania Opera Theater, Michigan Opera Theatre, Orlando Opera, Florida Grand Opera, The Aspen Music Festival, The Juilliard Focus Series, The Israel Philharmonic Orchestra, Mexico City Philharmonic, Toronto Radio Orchestra, The Baltimore, Dallas, Houston, San Antonio, Knoxville, Indianapolis, St. Louis, Pittsburgh, Milwaukee, Boston and Chicago Symphonies, The Los Angeles Philharmonic, National Symphony, Los Angeles Chamber Orchestra, Louisville Orchestra and Cleveland Orchestra.
WorksEdit
Opera, theater and danceEdit
La Curandera (2006) - opera (Libretto: Mary Medrick)
A Midsummer Night's Dream (2001) - Incidental Music (Text: Shakespeare)
The Tempest (2000) - Concert Dramatization (Text: Shakespeare)
The Last Night of Don Juan (2000) - Musical Play (Text: Murray Ross, after Rostand, Zorilla)
Meta 4 (1994) - Ballet/String Quartet
Frida (1991, rev. 93) - opera (Libretto: Hillary Blecher, Migdalia Cruz)
The Old Majestic (1988) - opera (Libretto: Mary Medrick)
Monkey See, Monkey Do (1986) - opera for children (Libretto: Mary Medrick)
The Ransom of Red Chief (1986) - opera for children (Libretto: Daniel Dibbern after O. Henry)
Tango (1985) - opera/theater piece (Text: Newsclippings)
The Seven Deadly Sins (1984) - Ballet /Wind Ensemble
Suor Isabella (1982) - opera (Libretto: Daniel Dibbern, after Boccaccio)
Le Diable Amoureux (1978) - opera (Frans Boerlage, after Cazotte)
Favola Concertante (1975, rev. 77) - ballet/ concerto for violin, cello and string orchestra
OrchestraEdit
Fanfarria Son-Risa (2014)
De Rerum Natura (2013)
Canción de los niños (2007) for Children's Chorus and Orchestra
Agnus Dei for Mozart's Mass in C-Minor (2006) for Soloists and Orchestra
Musical Dice Game (2005) for Two String Quartets and Two String Orchestras
Flight (2002) for Narrator and Orchestra (Text: Sukey Smith)
The Tempest (2000) for Actors and Orchestra (Text: Shakespeare)
Bachanale: Concertino for Orchestra (1999)
Las Mañanitas de los Niños (1999)
Praline and Fudge (1998) for Bass and Chamber Orchestra (Texts: Cookbooks)
Forbidden Fire (1998) for Bass, Chorus and Orchestra (Texts: Bible, various sources)
Sinfonia a la Mariachi (1997) for Double Orchestra
Trilogica (Pinata, Tango di Tango, Hot Buttered Rumba) (1996)
Hot Buttered Rumba (1996)
Scrooge (1994) for Bass, Chorus and Orchestra (Text: Dickens)
Adoracion Ambulante/Fanfare/Con Flor y Canto (1994) for Soloists, Chorus and Orchestra (Text: Bible, Popol Vuh)
Mascaras (1993) for Cello and Orchestra
Pinata (1991)
Ursa (1990) for Contrabass and Orchestra
A Gathering of Angels: Bolero for Orchestra (1989)
Invocation of Orpheus (1989) for Trumpet, Harp and Strings
A Colorful Symphony (1987) for Narrator and Orchestra -Text: Norton Juster (The Phantom Tollbooth)
We, the People (original title Jargon) (1987) for Narrator, Chorus and Orchestra (Text: Mary Medrick)
Tango di Tango (1985)
Varmi'ts! (1985) for Narrator, Chorus and Orchestra (Text: Texas Tall Tales)
The Seven Deadly Sins (1984) for orchestra (also version for wind ensemble)
Oktoechos: Concerto Grosso (1983)
Trunks (1983) for Narrator and Orchestra (Text: Composer)
Semi-Suite (1981) for Violin and Chamber Orchestra
Estampie (1981) for Chamber Orchestra
Transfigurationis Mysteria (1980) for Narrator, Soloists, Chorus and Orchestra (Text: Bible)
Favola Boccaccesca (1979)
The Salutation Rag (1978)
Four Advent Chorale-Preludes by J. S. Bach (arr.1978)for Chorus and Orchestra
Favola Concertante (1975, rev. 77) for Violin, Cello and String Orchestra
Sinfonia Concertante (1974) for Soprano Saxophone and Chamber Orchestra
Concerto III for Piano and Orchestra (1974)
Canto (1973) for Soprano, Tenor and Chamber Orchestra (Text: Dante, Anonymous French)
Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (arr.1973)
Concert Suite from 'L'Orfeo' by Claudio Monteverdi (arr. 1973)
Concert Suite from 'L'Incoronazione di Poppea' by Claudio Monteverdi (arr.1972)
Lyric Variations (1971) for Oboe and String Orchestra
Adagio for Small Orchestra (1967)
ChamberEdit
Above All, Women: Four Images of Gustav Klimt for String Quartet (2016)
Alle(...)luia - Variations (1987) for Organ and Chimes
Apache Wedding Blessing (2006) for Voice and Guitar
Arabesque by Robert Schumann (arr. RXR, 2010) for 2 Guitars
As: A Surfeit of Similes for SATB Chorus and Piano Solo (2014)
Aspen Sketches (1992) for Piano
Bachanale (1999) for 2 Pianos
Canto (1982) (It/Fr) for Soprano, Tenor, and Ensemble (Text: Dante and anonymous French)
Capriccio on the Departure of a Beloved Brother by J.S. Bach (arr. RXR, 1976) for 2, 3 or 4 Guitars
Caprichos (2012) for Piano Solo
Chronies (1981) for Bass Clarinet and Percussion
Cinco Poemas de García Lorca (1975) (Sp) for Mezzo-Soprano, Tenor, and Piano
Concert Suite from Frida (1993) (En/Sp) for Mezzo-Soprano and Ensemble or Piano (Text: Hillary Blecher, Migdalia Cruz)
Concert Suite from Suor Isabella (1983) for Soprano and Ensemble (Text: Daniel Dibbern)
El día de los muertos (2006) for 8 percussionists
Dolorosa et Lacrimabilis Es, Virgo Maria (1980) for Mixed Chorus, Soprano, Flute, and Windchimes
The Dot and the Line (2005) for Narrator and Chamber Ensemble (Text: Norton Juster)
Ductia (1980, rev. 83) for Harp, Harp Duo, Flute and Harp, or other combinations
Estampie (1981) for Clarinet, Cello, Percussion, and Piano; version for Piano Solo
Fantasia Lussuriosa (1989) for Piano
Favola Concertante (1977) for Piano Trio
Favola I, Episode from Favola Concertante (1977) for Cello
Favola II, Episodes from Favola Boccaccesca (1980) for Clarinet, Cello, and Piano
Five Etudes from Oktoechos (1983) 1. for Clarinet and Bassoon, 2. for Trumpet and Trombone, 3. for Piano Solo, 4. for Violin and Percussion, 5. for Cello Solo
The Food of Love (2004) for Violin/Actor and Piano (Text: William Shakespeare)
For Piano I and II (1978) for Piano
Four Poems from 'Neue Gedichte' (1971) (Gr) for soprano or tenor and piano (Text: Rainer Maria Rilke)
Frammenti Musicali (1978) for Flute and Piano or for Piano Solo
Gambits, Six Chess Pieces (2001) for Horn and Piano or Tuba and Piano
Improvisation Matrix (1978) for Any Instrument or Combination of Instruments or for Piano Solo or Multiple Pianos
Invocation of Orpheus (1989) for Trumpet, Harp, and String Quartet or for Trumpet and Piano
Il Lamento di Tristano (1997) for Flute and Guitar
Lull-A-Bear from Ursa (1993) for Cello (or Bassoon) and Piano
Máscaras (1993) for Cello and Chamber Ensemble
Medieval Suite (1983) from the ballet Estampie for Horn, Violin, and Piano
Meditation (1981) for Flute, Clarinet, Cello, and Percussion
Menasherie (2015) for SSA Chorus and Piano Solo
Meta 4 (1994) Ballet for String Quartet
A Midsummer Night's Dream (2001) – Incidental Music for the Shakespeare Play
Mirror Sonnets (1989) for One, Two or Three Sopranos and Guitar or Piano (Text: Fred Curchack)
Música, por un tiempo (2008) for B-flat Clarinet, Violin, Cello, and Piano
My Lady Carey's Dompe (1985) Variations on an Elizabethan Melody for Piccolo Trumpet, Descant Horn and Keyboard (Harpsichord or Piano)
Les Niais Amoureux (1989) for Clarinet and Piano Trio
Omaggio al Divino (2009) for Two Guitars
Plaisir d'Amour (1982) - after the song by Padre Martini for Flute, Clarinet, and Bassoon
Praline and Fudge (1979) - Recitative and Aria in Baroque Style for Bass Voice and Piano (Text: from Cookbooks)
Presences (1973) (Fr) for Soprano or Tenor and Piano (Text: Peter Clothier, trans. by Lucile Golson)
Quodlibet on Medieval Tunes (1978) for any number of players on any combination of instruments
The Salutation Rag (1976, rev. 79) for Piano 4-hands
Semi-Suite (1980) for Piano, 4-hands
Semi-Suite (1981) for Violin and Piano (plus Clarinet and Percussion ad lib)
Seven Deadly Sequences (1990) for Piano
Six Episodes from The Ransom of Red Chief (1987) for Piano
Six Maxims de La Rochefoucauld (1991) (Fr) for Voice and Piano
Six Songs of E.E. Cummings (2008) for Soprano and Marimba or Soprano and Piano
Son Risa (2006) for Solo Harp
Sonata in One Movement (1973) for Soprano Saxophone (or Clarinet) and Piano
Sonatina d'Estate (1982) for Flute and Piano
The Song of Songs (Shir Hashirim) (1992) for Soprano, Narrator, and Ensemble (Text: Sholom Aleichem [trans. by Curt Leviant] and the Bible)
Sor(tri)lège: Trio III (2007) for Piano Trio
Tango (1985) for Tenor and Chamber Ensemble (Libretto (En) by the Composer from 1913-14 news clippings)
Tango di Tango (1985) for Violin, Accordion and Piano or for Piano Solo
Tango Sueño (1986), Lullaby for Piano
Tentado por la samba (2007) for Cello and Piano
Three Lullabies (1990) for Piano or Guitar (transcribed for guitar by Enric Madriguera)
Three Songs and A Monologue from As You Like It (1990) for Voice and Piano
Toccata for Guitar Quartet (1976)
Toccata for Guitar Solo (1983) (transcribed by Robert Guthrie)
Toccata for Percussion Quintet (1977)
Trio I (1971) for Piano Trio
Trio II (1970) for Piano Trio
The Versatility Rag (2006) for Piano Solo
Xochiquetzal (2014) for Violin and Percussion Sextet
Xochiquetzal (2015) for Violin and Piano
RecordingsEdit
Remembranzas de mi Guitarra / Tango Amor, Three Lullabies - Enric Madriguera, Guitar; Albany, TROY 1600
Música, por un tiempo: SOLI Chamber Ensemble/Música, por un tiempo - SOLI; Albany, TROY 1505
Robert Xavier Rodríguez: Works for Piano / Caprichos, Fantasia Lussuriosa, Estampie, Seven Deadly Sequences, Semi-Suite, Hot Buttered Rumba - Jeff Lankov, Piano; Albany, TROY 1477
Robert Xavier Rodriguez: Complete Works for Cello and Piano / Tentado por la samba, Máscaras, Ursa, Favola I, Lull-A-Bear - Jesus Castro-Balbi, Cello and Gloria Lin, Piano; Albany, TROY 1355
Chamber Works / Meta 4, Trio III: Sor(tri)lege, Trio II, Trio I - Colorado Quartet, Clavier Trio, Voices of Change. Albany, TROY 1136
American Music for Percussion 1 / El día de los muertos - New England Conservatory Percussion Ensemble; Frank Epstein, Conductor; Naxos 8.559683
Robert Xavier Rodríguez: Works for Chorus & Orchestra / Forbidden Fire, Con Flor y Canto, Scrooge - George Cordes, Baritone; Rodney Nolan, Tenor; University of Miami Symphony Orchestra and Chorus; Miami Children's Chorus; Thomas M. Sleeper, Conductor. Albany, TROY 430
Robert Xavier Rodríguez: Meet the Composer Recording / Oktoechos – Dallas Symphony Orchestra; Eduardo Mata, Conductor / Favola Boccaccesca – Louisville Orchestra; Lawrence Leighton Smith, Conductor / The Song of Songs – Voices of Change, Irene Gubrud, Soprano; Fred Curchack, Actor; Robert Xavier Rodríguez, Conductor. First Edition, FECD-0027
Musical Theater Works/ Tango – Rafael Alvarez, Tenor / Concert Suite from Frida – Angelina Réaux, Soprano; Voices of Change; Robert Xavier Rodríguez, Conductor CRI, CD824
Voces Americanas: Works by Robert Xavier Rodriguez, Mario Lavista, Roberto Sierra, Mario Davidovsky, Tania Leon./ Les Niais Amoureux - Emanuel Borok, Violin; Ross Powell, Clarinet; Christopher Adkins, Cello; Jo Boatright, Piano; Voices of Change. CRI 773. (Nominated for the 1999 Grammy Award for "Best Small Ensemble Performance".)
Celebration Of Flight: Works by William Bolcom, Steven Winteregg, Michael Schelle, and Robert Xavier Rodríguez / Flight - Allison Janney, narrator; Dayton Philharmonic; Neal Gittleman, conductor. Albany, TROY 672
Laugh, Regardless of Creed : Works of Louis Gruenberg, Alla Borzova, Robert Xavier Rodríguez and Larry Alan Smith / Tango – Paul Sperry, Tenor; Members of the San Diego Symphony Orchestra; Robert Xavier Rodríguez, Conductor. Albany, TROY 740
Le Grand Tango: Works of Astor Piazzolla, Alberto Ginastera, Heitor Villa-Lobos, Federico Ibarra, Robert Xavier Rodríguez and Manuel Enríquez / Lull-A-Bear - Carlos Prieto, Cello; Edison Quintana, Piano. Urtext, JBCC014
American Contemporary Chamber Music: Works of William Kraft, Robert Xavier Rodríguez, Larry Alan Smith and Dan Welcher / Chronies, Meditation - Voices of Change. Crystal, CD704
Rachmaninov Suites / Bachanale (version for two pianos) - Miwako Takeda & Nobuhito Nakai, Pianos; Pro Arte Musicae, 2008.9.27
Encantamiento / Son Risa - Elisabeth Remy Johnson, Harp; ACA Digital, CM20103
I Loved Lucy / Il Lamento di Tristano - Susan DeJong, Flute; Jeffrey Van, Guitar; Duologue. Gasparo, GSCD-348
Americans in Paris / Six Maxims de la Rochefoucauld - Hillary Hight Daw, Soprano; Barbara Elfrid, Piano. ACA Digital
Seven World Premieres / Tentado por la samba - Carlos Prieto, Cello; Doris Stephenson, Piano. Urtext, JBCC 183
^ Randel, Don Michael (1996). The Harvard Biographical Dictionary of Music. Harvard University Press. p. 754. ISBN 978-0-674-37299-3.
^ "Outstanding Alumnus Award Recipients | USC Thornton School of Music". music.usc.edu. Retrieved 2017-03-22.
^ "Fondation Prince Pierre de Monaco". Archived from the original on 2017-03-23.
^ "Past Winners - University of Massachusetts Boston". www.umb.edu. Retrieved 2017-03-22.
^ "John Simon Guggenheim Foundation | All Fellows". www.gf.org. Retrieved 2017-03-22.
^ "Awards – American Academy of Arts and Letters". artsandletters.org. Retrieved 2017-03-22.
^ "New Composers' Residency Program". The New York Times. 1982-05-07. ISSN 0362-4331. Retrieved 2017-03-22.
^ "Faculty - School of Arts and Humanities - The University of Texas at Dallas". www.utdallas.edu. Retrieved 2017-03-22.
Linda Navarro, Opera in two tongues: 'Curandera' connects with crowd in Spanish, English, Colorado Gazette, May 18, 2007. Retrieved via subscription 21 February 2008.
Kerri Allen, Extraordinary Composer Robert Xavier Rodríguez at UTD, The Hispanic Outlook in Higher Education, November 6, 2006. Retrieved via subscription 21 February 2008.
Bob Bows, 'La Curandera' (Opera review),Variety, May 29, 2006
Marc Shulgold, Can opera magic conjure new fans? Rocky Mountain News, May 13, 2006. Retrieved 21 February 2008.
Shulman, Laurie (2001). "Rodríguez, Robert (Xavier)". In Root, Deane L. (ed.). The New Grove Dictionary of Music and Musicians. Oxford University Press.
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Retrieved from "https://en.wikipedia.org/w/index.php?title=Robert_Xavier_Rodriguez&oldid=965678323"
Last edited on 2 July 2020, at 19:16
This page was last edited on 2 July 2020, at 19:16 (UTC).


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Q: Find out what changed resources caused a workspace refresh/rebuild in Eclipse with Buildship Is there a way to get more detailed logging output from the Eclipse platform or the Buildship plugin (or even through the Gradle API itself) with regards to what caused a project to be rebuilt?
Context:
We are currently migrating from Eclipse Mars (with Spring Gradle plugin) to Eclipse Photon (with Gradle Buildship plugin). One problem we encounter with the new version is that it ends up rebuilding large parts of the workspace every time we open Eclipse, which may take several minutes in large projects. Refresh workspace on startup is disabled in the Eclipse preferences. Setting Max simultaneous project builds to a higher value and Max iterations when building with cycles to a lower value than the defaults help mitigate the problem a bit by speeding up that initial rebuilt, but in the end it only works around the actual issue.
We did not have these problems in the old version and this behavior seems weird to me. After fully building the workspace, closing Eclipse and reopening it, I would expect that no resources changed and there is no need for a rebuild.
While we do have quite a few custom Gradle plugins and tasks, there are no obvious offenders, like tasks that generate sources. I do not want to fully dismiss the possibility that something we customized is messing with a file while evaluating the Gradle projects, though.
Hence why getting more information about why the IDE/plugin believes that the project requires rebuilding would be really appreciated to get a starting lead.
The only setting I've found so far is eclipse.log.level, but that already defaults to ALL.

A: I ended up adding an .options file with
org.eclipse.jdt.core/debug=true
org.eclipse.jdt.core/debug/javadelta=true

org.eclipse.core.resources/build/delta=true
org.eclipse.core.resources/refresh=true

to the installation directory of Eclipse. Then I launched Eclipse with the -debug -consoleLog arguments. Basically as pointed out in this answer.
The configuration via tracing plugin didn't really work out in my case, since no log output was created. Might have been some problem on my end.

The resulting trace output in the console was enough to indicate a problem where the Gradle output directory for .class files did not match up with what Eclipse expected to be the output directory, so it probably treated the folder as just another bunch of resources.
It also showed that the resolved classpath of each project was marked as changed on each project right after opening Eclipse. Not sure yet if the first issue is the cause of the second.

A: For the topic of unnecessary building when starting Eclipse: you may want to update to Eclipse 2018-09 (see https://www.eclipse.org/downloads/), which contains two fixes related to this:
https://bugs.eclipse.org/bugs/show_bug.cgi?id=536990 which was specific to  Eclipse Photon
https://bugs.eclipse.org/bugs/show_bug.cgi?id=525597 which is an old problem that only appeared in larger workspaces (where it actually hurt the most)


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Replacement lens cover for the Fujifilm AR-X100 Black lens cover. Suitable for Fuji Finepix X100, X100S, X100T. Manufactured in strong aluminum and the inner side has an anti-glare coating to avoid reflections.
This entry was posted in Discount Photography and tagged Adapter, Black, FinePix, Fujifilm, Hood, lens, LHJX100, X100, X100s, X100T by Ball Photo. Bookmark the permalink.