From which French philosopher's work did John Maus derive the title of the album whose positive response caused him to grow more widely accepted as an outsider artist?
We Must Become the Pitiless Censors of Ourselves: We Must Become the Pitiless Censors of Ourselves is the third album from the American electronic musician John Maus, released in 2011, on Ribbon Music in the United States and Upset the Rhythm in the UK. We Must Become the Pitiless Censors of Ourselves:  The title is derived from French philosopher Alain Badiou's "Fifteen Theses on Contemporary Art". John Maus:  After the positive response to 2011's "We Must Become the Pitiless Censors of Ourselves", Maus grew more widely accepted as an outsider artist, and there was a critical reevaluation of his earlier work.
Alain Badiou