flan/quac_10templates/dev.jsonl

{"inputs": "Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter, musician and actor. With 38 songs in the Top 10 on the Billboard Adult Contemporary charts, Diamond has sold more than 100 million records worldwide, making him one of the best-selling musicians of all time. Neil Diamond has been touring around the world consecutively for 50 years. Neil Diamond 50 - 50th Anniversary Collection Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011.\n\nDiamond was born in Brooklyn, New York, to a Jewish family descended from Russian and Polish immigrants. His parents were Rose (nee Rapaport) and Akeeba \"Kieve\" Diamond, a dry-goods merchant. He grew up in several homes in Brooklyn, having also spent four years in Cheyenne, Wyoming, where his father was stationed in the army. In Brooklyn he attended Erasmus Hall High School and was a member of the Freshman Chorus and Choral Club, along with classmate Barbra Streisand. They were not close friends at the time, Diamond recalls: \"We were two poor kids in Brooklyn. We hung out in the front of Erasmus High and smoked cigarettes.\" After his family moved he then attended Abraham Lincoln High School, and was a member of the fencing team. Also on the team was his best friend, future Olympic fencer Herb Cohen.  For his 16th birthday, he received his first guitar. When he was 16, and still in high school, Diamond spent a number of weeks at Surprise Lake Camp, a camp for Jewish children in upstate New York, when folk singer Pete Seeger performed a small concert. Seeing the widely recognized singer perform, and watching other children singing songs for Seeger that they wrote themselves, had an immediate effect on Diamond, who then became aware of the possibility of writing his own songs. \"And the next thing, I got a guitar when we got back to Brooklyn, started to take lessons and almost immediately began to write songs,\" he said. He adds that his attraction to songwriting was the \"first real interest\" he had growing up, besides helping him release his youthful \"frustrations\".  Diamond also used his newly developing skill to write poetry. By writing poems for girls he was attracted to in school, he soon learned it often won their hearts. His male classmates took note and began asking him to write poems for them which they would sing and use with equal success. He spent the summer following his graduation as a waiter in the Catskills resort area. There he first met Jaye Posner, who would years later become his wife.  Diamond next attended New York University as a pre-med major on a fencing scholarship, again on the fencing team with Herb Cohen. He was a member of the 1960 NCAA men's championship fencing team. Often bored in class, he found writing song lyrics more to his liking. He began cutting classes and taking the train up to Tin Pan Alley, where he tried to get some of his songs heard by local music publishers. In his senior year, when he was just 10 units short of graduation, Sunbeam Music Publishing offered him a 16-week job writing songs for $50 a week (equivalent to about US$405 per week, in 2017 dollars), and he dropped out of college to accept it. CANNOTANSWERAnswer this question using a quote from the following article:\n\nWhat other achievements did he have?", "targets": "short of graduation, Sunbeam Music Publishing offered him a 16-week job writing songs"}
{"inputs": "Abu al-'Ala` al-Ma'arri (Arabic 'bw l`l lm`ry Abu al-'Ala` al-Ma'arri, full name 'bw l`l 'Hmd bn `bd llh bn slymn ltnwkhy lm`ry Abu al-'Ala` Ahmad ibn 'Abd Allah ibn Sulaiman al-Tanuhi al-Ma'arri; December 973 - May 1057) was a blind Arab philosopher, poet, and writer. Al-Ma'arri held and expressed an irreligious world view which was met with controversy, but in spite of it, he is regarded as one of the greatest classical Arabic poets.\n\nAbu al-'Ala` was born in Ma'arra, modern Maarrat al-Nu'man, Syria, near the city of Aleppo, in December 973. At his time, the city was part of the Abbasid Caliphate, the third Islamic caliphate, and was during the Golden Age of Islam. He was a member of the Banu Sulayman, a notable family of Ma'arra, belonging to the larger Tanukh tribe. One of his ancestors was probably the first qadi of Ma'arra. The Tanukh tribe had formed part of the aristocracy in Syria for hundreds of years and some members of the Banu Sulayman had also been noted as good poets.  He lost his eyesight at the age of four due to smallpox. His later pessimism may be explained by his virtual blindness. Later in his life, he regarded himself as \"a double prisoner\" which referred to both this blindness and the general isolation that he felt during his life.  He started his career as a poet at an early age, at about 11 or 12 years old. He was educated at first in Ma'arra and Aleppo, later also in Antioch and other Syrian cities. Among his teachers in Aleppo were companions from the circle of Ibn Khalawayh. This grammarian and Islamic scholar had died in 980 CE when al-Ma'arri was still a child. Al-Ma'arri nevertheless laments the loss of Ibn Khalawayh in strong terms in a poem of his Risalat al-ghufran. Al-Qifti reports that when on his way to Tripoli, al-Ma'arri visited a Christian monastery near Latakia where he listened to debates about Hellenistic philosophy, which planted in him the seeds of his later scepticism and irreligiosity; but other historians such as Ibn al-Adim deny that he had been exposed to any theology other than Islamic doctrine.  In 1004-5 al-Ma'arri learned that his father had died and, in reaction, wrote an elegy where he praised his father. Years later he would travel to Baghdad where he became well received in the literary salons of the time, though he was a controversial figure. After the eighteen months in Baghdad, al-Ma'arri returned home for unknown reasons. He may have returned because his mother was ill, or he may have run out of money in Baghdad, as he refused to sell his works. He returned to his native town of Ma'arra in about 1010 and learned that his mother had died before his arrival.  He remained in Ma'arra for the rest of his life, where he opted for an ascetic lifestyle, refusing to sell his poems, living in seclusion and observing a strict vegetarian diet. His personal confinement to his house was only broken one time when violence had struck his town. Though he was confined, he lived out his later years continuing his work and collaborating with others. He enjoyed great respect and attracted many students locally, as well as actively holding correspondence with scholars abroad. Despite his intentions of living a secluded lifestyle, in his seventies, he became rich and was the most revered person in his area. Al-Ma'arri never married and died in May 1057 in his home town. CANNOTANSWERAnswer this question using a quote from the following article:\n\nHow old was he?", "targets": "He started his career as a poet at an early age, at about 11 or 12 years old."}
{"inputs": "Which entity is this text about?\n\nHardy Rodenstock (born December 7, 1941 in Marienwerder (Kwidzyn), legal name Meinhard Gorke ) is a former publisher and manager of pop and Schlager music in Germany and is a prominent wine collector, connoisseur, and trader, with a special interest in old and rare wines. He became famous for his allegedly uncanny ability to track down old and very rare wines, and for arranging extravagant wine tastings featuring these wines. It has been alleged that Rodenstock is the perpetrator of an elaborate wine fraud. In 1992, a German court found that Rodenstock had \"knowingly offered adulterated wine\" for sale.\n\nIn May 2008, a book about the controversy was published under the title The Billionaire's Vinegar, written by Benjamin Wallace. In the book a tritium test and two carbon-14 tests date the wine circa 1962. Later, a cesium-137 test gave similar results. Rodenstock was not available for comments on the publication of the book. Auctioneer Michael Broadbent, on the other hand, was unhappy with how his relationship to Rodenstock was portrayed in the book.  In July 2009 it was announced that Michael Broadbent would sue Random House, the publishers of The Billionaire's Vinegar, for libel and defamation of character, on claims that the book made allegations that suggested that Broadbent had behaved in an unprofessional manner in the way in which he had auctioned some of these bottles and that his relationship and dealings with Hardy Rodenstock was suspected of being improper. The suit was filed in the United Kingdom, whose libel laws are favorable to the plaintiff. Unlike U.S. law, in English defamation law even true allegations can be defamatory. Random House initially stated it did not believe it had defamed Broadbent and would defend the lawsuit.  In October 2009, Random House, avoiding trial, entered into a settlement agreement with Broadbent. In a statement read out in open court, Random House apologised unreservedly for making the allegations, and accepted that they were untrue. It gave an undertaking not to repeat the allegations and paid Broadbent undisclosed damages. It removed the book from sale in the United Kingdom. It also was reported that Wallace was not a party to the lawsuit or settlement, that Random House would be making no changes to the book, and that it would continue to publish the book in all territories except the UK.  The film rights to The Billionaire's Vinegar have been purchased by a Hollywood consortium, while HBO simultaneously had bought the film rights to the corresponding The New Yorker article. CANNOTANSWER", "targets": "Hardy Rodenstock"}
{"inputs": "The Shadow is the name of a collection of serialized dramas, originally in 1930s pulp novels, and then in a wide variety of media, and it is also used to refer to the character featured in The Shadow media. One of the most famous adventure heroes of the 20th century United States, the Shadow has been featured on the radio, in a long-running pulp magazine series, in American comic books, comic strips, television, serials, video games, and at least five films. The radio drama included episodes voiced by Orson Welles. Originally simply a mysterious radio narrator who hosted a program designed to promote magazine sales for Street and Smith Publications, The Shadow was developed into a distinctive literary character, later to become a pop culture icon, by writer Walter B. Gibson in 1931.\n\nIn print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias the Black Eagle, according to The Shadow's Shadow (1933), although later stories revised this alias as the Dark Eagle, beginning with The Shadow Unmasks (1937). After the war, Allard finds a new challenge in waging war on criminals. Allard falsifies his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.  One of the identities Allard assumes--indeed, the best known--is that of Lamont Cranston, a \"wealthy young man-about-town.\" In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity (The Shadow Laughs, 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard, as The Shadow, threatens Cranston, saying he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Although alarmed at first, Cranston is amused by the irony of the situation and agrees. The two men sometimes meet in order to impersonate each other (Crime over Miami, 1940). The disguise works well because Allard and Cranston resemble each other (Dictator of Crime, 1941).  His other disguises include businessman Henry Arnaud, who first appeared in The Black Master (March 1, 1932), which revealed that like Cranston, there is a real Henry Arnaud; elderly Isaac Twambley, who first appeared in No Time For Murder; and Fritz, who first appeared in The Living Shadow (April 1931); in this last disguise, he sometimes takes the place of the doddering old slow-witted, uncommunicative janitor who works at Police Headquarters in order to listen in on conversations and to look at evidence.  For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous. In The Living Shadow, a thug claims to have seen the Shadow's face, and thought he saw \"a piece of white that looked like a bandage.\" In The Black Master and The Shadow's Shadow, the villains both see The Shadow's true face and remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, The Shadow Unmasks, that The Shadow's real name is revealed.  In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises. CANNOTANSWER\n\nAnswer the following question by taking a quote from the article: Who was the main character?", "targets": "Cranston is"}
{"inputs": "Hasek started playing hockey at the age of six in his native Czechoslovakia. As he explains: They held a tryout for 5-year-old boys and my father took me there. I didn't even have real skates. I had those blades that you screwed onto the soles of your shoes, but I was tall, and the 9-year-olds didn't have a goalie, so they put me in with them and thats where I fell in love with the game of hockey.\n\nBefore the start of the next season, Hasek was traded to the Detroit Red Wings in an attempt to lower the Sabres' payroll and to send Hasek to a more competitive team. He was dealt for Vyacheslav Kozlov, a first round selection in the 2002 NHL Entry Draft and future considerations, which eventually became the draft pick of Jim Slater. During his first season with Detroit, Hasek posted a career high 41 wins with just 15 losses, helping the Red Wings earn the President's Trophy with the league's best record. In the playoffs, he led the Wings past the Vancouver Canucks, the St. Louis Blues, the Colorado Avalanche and eventually the Carolina Hurricanes in the finals to win the Stanley Cup. During the conference finals against Colorado, he became the first goalie to be awarded an assist on an overtime game-winning goal in the post-season after passing the puck to Wings captain Steve Yzerman, who then assisted Fredrik Olausson in scoring the final goal of the third game of that series. He also set a record for most shutouts in a post-season with six, broken the year after by Martin Brodeur with seven.  That summer, Hasek officially announced his retirement so that he could spend time with his family and other hobbies. However, after Detroit's first round loss to the Mighty Ducks of Anaheim in the following season, he expressed his desire to play again. This created a difficult situation for the Red Wings, who had two years left on Curtis Joseph's three-year $24 million contract, which had a no-trade clause. Detroit was also under pressure knowing that the rival Avalanche would be looking for a goalie to replace Patrick Roy after his retirement. With Manny Legace also on the Wings' roster, Detroit now had three potential starting goalies.  In the 2003-04 season Hasek injured his groin after playing just 14 games. On January 9, he and the team agreed he should rest his injury for two to four weeks. Hasek privately told general manager Ken Holland that he would not accept any pay while he was injured. On February 10, he announced that he was not going to continue to play that season, surprising the Red Wings management. He eventually revealed that he refused about $3 million of his $6 million salary. In April 2004, he underwent groin surgery in Prague, and returned to his hometown of Pardubice to recuperate. CANNOTANSWER\n\nAsk a question about this article.", "targets": "what happened in 2001?"}
{"inputs": "Background: Cuban was born in Pittsburgh, Pennsylvania. His father, Norton Cuban, was an automobile upholsterer, while Cuban has described his mother, Shirley, as someone with \"a different job or different career goal every other week.\" He grew up in the suburb of Mount Lebanon, in a Jewish working-class family. His paternal grandfather changed the family name from \"Chabenisky\" to \"Cuban\" after his family emigrated from Russia through Ellis Island.\nContext: On November 17, 2008, it was reported that the U.S. Securities and Exchange Commission (SEC) filed a civil suit against Cuban relating to alleged insider trading in the shares of Mamma.com, now known as Copernic. A stock dilution occurred shortly after a trade in June 2004, giving hints of inside knowledge at the time of the trade, and Cuban allegedly was saved from a loss of $750,000. The SEC claimed that Cuban ordered the sale of his holdings in Mamma.com after he had been confidentially approached by the company to participate in a transaction likely to dilute shares of current shareholders. Cuban disputed the charges, saying he had not agreed to keep the information secret. On his blog, Cuban contended the facts were false and that the investigation was \"a product of gross abuse of prosecutorial discretion\". DealBook, a section of The New York Times, reported through an anonymous source that Cuban believed the investigation was motivated by an SEC employee having taken offense to his interest in possibly distributing the film Loose Change.  In July 2009, the U.S. District Court dismissed the charges against Cuban, and the SEC appealed. In September 2010, an appeals court said that the district court had erred and that further proceedings would be necessary to address the merits of the suit.  A federal jury in Texas found in favor of Cuban on October 16, 2013. The nine-member jury issued the verdict after deliberating 3 hours and 35 minutes.  In March 2014, Cuban was on air at CNBC criticizing high-frequency trading (HFT). Those against HFT, such as Cuban, believe the technology is equivalent to automated insider trading. CANNOTANSWER\nQuestion: Did Cuban successfully defend himself against these allegations?. Whats the answer?", "targets": "A federal jury in Texas found in favor of Cuban on October 16, 2013."}
{"inputs": "James Watt  (30 January 1736 (19 January 1736 OS) - 25 August 1819) was a Scottish inventor, mechanical engineer, and chemist who improved on Thomas Newcomen's 1712 Newcomen steam engine with his Watt steam engine in 1781, which was fundamental to the changes brought by the Industrial Revolution in both his native Great Britain and the rest of the world. While working as an instrument maker at the University of Glasgow, Watt became interested in the technology of steam engines. He realised that contemporary engine designs wasted a great deal of energy by repeatedly cooling and reheating the cylinder. Watt introduced a design enhancement, the separate condenser, which avoided this waste of energy and radically improved the power, efficiency, and cost-effectiveness of steam engines.\n\nFrom an early age Watt was very interested in chemistry. In late 1786, while in Paris, he witnessed an experiment by Berthollet in which he reacted hydrochloric acid with manganese dioxide to produce chlorine. He had already found that an aqueous solution of chlorine could bleach textiles, and had published his findings, which aroused great interest among many potential rivals. When Watt returned to Britain, he began experiments along these lines with hopes of finding a commercially viable process. He discovered that a mixture of salt, manganese dioxide and sulphuric acid could produce chlorine, which Watt believed might be a cheaper method. He passed the chlorine into a weak solution of alkali, and obtained a turbid solution that appeared to have good bleaching properties. He soon communicated these results to James McGrigor, his father-in-law, who was a bleacher in Glasgow. Otherwise he tried to keep his method a secret.  With McGrigor and his wife Annie, he started to scale up the process, and in March 1788, McGrigor was able to bleach 1500 yards of cloth to his satisfaction. About this time Berthollet discovered the salt and sulphuric acid process, and published it so it became public knowledge. Many others began to experiment with improving the process, which still had many shortcomings, not the least of which was the problem of transporting the liquid product. Watt's rivals soon overtook him in developing the process, and he dropped out of the race. It was not until 1799, when Charles Tennant patented a process for producing solid bleaching powder (calcium hypochlorite) that it became a commercial success.  By 1794 Watt had been chosen by Thomas Beddoes to manufacture apparatus to produce, clean and store gases for use in the new Pneumatic Institution at Hotwells in Bristol. Watt continued to experiment with various gases for several years, but by 1797 the medical uses for the \"factitious airs\" had come to a dead end. CANNOTANSWER\n\nUsing a quote from the above article, answer the following question: Did he use this mixture to power his engines?", "targets": "CANNOTANSWER"}
{"inputs": "Background: Plains Indians, Interior Plains Indians or Indigenous people of the Great Plains and Canadian Prairies are the Native American tribes and First Nation band governments who have traditionally lived on the greater Interior Plains (i.e. the Great Plains and the Canadian Prairies) in North America. Their historic nomadic culture and development of equestrian culture and resistance to domination by the government and military forces of Canada and the United States have made the Plains Indian culture groups an archetype in literature and art for American Indians everywhere. Plains Indians are usually divided into two broad classifications which overlap to some degree. The first group became a fully nomadic horse culture during the 18th and 19th centuries, following the vast herds of buffalo, although some tribes occasionally engaged in agriculture.\nContext: The earliest Spanish explorers in the 16th century did not find the Plains Indians especially warlike. The Wichita in Kansas and Oklahoma lived in dispersed settlements with no defensive works. The Spanish initially had friendly contacts with the Apache (Querechos) in the Texas Panhandle.  Three factors led to a growing importance of warfare in Plains Indian culture. First, was the Spanish colonization of New Mexico which stimulated raids and counter-raids by Spaniards and Indians for goods and slaves. Second, was the contact of the Indians with French fur traders which increased rivalry among Indian tribes to control trade and trade routes. Third, was the acquisition of the horse and the greater mobility it afforded the Plains Indians. What evolved among the Plains Indians from the 17th to the late 19th century was warfare as both a means of livelihood and a sport.  The Plains Indians raided each other, the Spanish colonies, and, increasingly, the encroaching frontier of the Anglos for horses, and other property. They acquired guns and other European goods primarily by trade. Their principal trading products were buffalo hides and beaver pelts.  Although they could be tenacious in defense, Plains Indians warriors took the offensive mostly for material gain and individual prestige. The highest military honors were for \"counting coup\"--touching a live enemy. Battles between Indians often consisted of opposing warriors demonstrating their bravery rather than attempting to achieve concrete military objectives. The emphasis was on ambush and hit and run actions rather than closing with an enemy. Success was often counted by the number of horses or property obtained in the raid. Casualties were usually light. \"Indians consider it foolhardiness to make an attack where it is certain some of them will be killed.\"  Due to their mobility, endurance, horsemanship, and knowledge of the vast plains that were their domain, the Plains Indians were often victors in their battles against the U.S. army in the American era from 1803 to about 1890. However, although Indians won many battles, they could not undertake lengthy campaigns. Indian armies could only be assembled for brief periods of time as warriors also had to hunt for food for their families. The exception to that was raids into Mexico by the Comanche and their allies in which the raiders often subsisted for months off the riches of Mexican haciendas and settlements. The basic weapon of the Indian warrior was the short, stout bow, designed for use on horseback and deadly, but only at short range. Guns were usually in short supply and ammunition scarce for Native warriors. CANNOTANSWER\nQuestion: were they able to avoid warfare due to their horses. Whats the answer?", "targets": "The Plains Indians raided each other, the Spanish colonies, and, increasingly, the encroaching frontier of the Anglos for horses,"}
{"inputs": "Background: Johann Christian Friedrich Holderlin (German: ['jo:han 'kRIsti.a:n 'fRi:\nContext: After obtaining his magister degree in 1793, his mother expected him to enter the ministry. However, Holderlin found no satisfaction in the prevailing Protestant theology, and worked instead as a private tutor. In 1794, he met Friedrich Schiller and Johann Wolfgang Goethe and began writing his epistolary novel Hyperion. In 1795 he enrolled for a while at the University of Jena where he attended Johann Gottlieb Fichte's classes and met Novalis.  There is a seminal manuscript, dated 1797, now known as the Das alteste Systemprogramm des deutschen Idealismus (\"The Oldest Systematic Program of German Idealism\"). Although the document is in Hegel's handwriting, it is thought to have been written by either Hegel, Schelling, Holderlin, or an unknown fourth person.  As a tutor in Frankfurt am Main from 1796 to 1798 he fell in love with Susette Gontard, the wife of his employer, the banker Jakob Gontard. The feeling was mutual, and this relationship became the most important in Holderlin's life. After a while, their affair was discovered, and Holderlin was harshly dismissed. He then lived in Homburg from 1798 to 1800, meeting Susette in secret once a month and attempting to establish himself as a poet, but his life was plagued by financed worries and had to accept a small allowance from his mother. His mandated separation from Susette Gontard also worsened Holderlin's doubts about himself and his value as a poet; he wished to transform German culture but did not have the influence he needed. From 1797 to 1800, he produced three versions--all unfinished--of a tragedy in the Greek manner, The Death of Empedocles, and composed odes in the vein of the Ancient Greeks Alcaeus and Asclepiades of Samos. CANNOTANSWER\nQuestion: When did his career begin?. Whats the answer?", "targets": "1793,"}
{"inputs": "Background: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, \"Rock Island Line\", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and \"beat boom\" of the 1960s.\nContext: Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became \"The Chris Barber Band\".  In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's \"Petite Fleur\", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where \"Petite Fleur\" charted at #5).  In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popular: in January 1963 the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George Melly, Diz Disley, Acker Bilk, Alex Welsh, Kenny Ball, Ken Colyer, Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Barber.  Barber stunned traditionalists in 1964 by introducing blues guitarist John Slaughter into the line up who, apart from a break between April 1978 and August 1986, when Roger Hill took over the spot, played in the band until shortly before his death in 2010. Barber next added a second clarinet/saxophone and this line-up continued until 1999. Then Barber added fellow trombonist/arranger Bob Hunt and another clarinet and trumpet. This eleven-man \"Big Chris Barber Band\" offered a broader range of music while reserving a spot in the programme for the traditional six-man New Orleans line-up.  A recording of the Lennon-McCartney composition \"Catswalk\" can be heard, retitled \"Cat Call\", on The Songs Lennon and McCartney Gave Away. Written by Paul McCartney the song was recorded in late July 1967 and released as a single in the UK on 20 October 1967. CANNOTANSWER\nQuestion: What started Barber's musical career?. Whats the answer?", "targets": "Barber and Monty Sunshine (clarinet) formed a band in 1953,"}
{"inputs": "Background: Dion Francis DiMucci (born July 18, 1939), better known mononymously as Dion, is an American singer, songwriter whose work has incorporated elements of doo-wop, rock and R&B styles--and, most recently, straight blues. He was one of the most popular American rock and roll performers of the pre-British Invasion era. He had 39 Top 40 hits in the late 1950s and early 1960s as a solo performer, with the Belmonts or with the Del Satins. He is best remembered for the singles \"Runaround Sue\", \"The Wanderer\", \"Ruby Baby\" and \"Lovers Who Wander\", among his other hits.\nContext: Bob and Gene Schwartz also signed Dion's friends, the Belmonts, (Carlo Mastrangelo, Fred Milano, and Angelo D'Aleo), a vocal group named for nearby Belmont Avenue, and teamed them, with Dion singing lead. The new group's breakthrough came in early 1958, when \"I Wonder Why\" (on their newly formed \"Laurie\" label) made No. 22 on the U.S. charts. Dion said of the Belmonts; \"I'd give 'em sounds. I'd give 'em parts and stuff. That's what 'I Wonder Why' was about. We kind of invented this percussive rhythmic sound. If you listen to that song, everybody was doing something different. There's four guys, one guy was doing bass, I was singing lead, one guy's going 'ooh wah ooh,' and another guy's doing tenor. It was totally amazing. When I listen to it today, oftentimes I think, 'man, those kids are talented.'\"  Their initial hit was followed by \"No One Knows\" and \"Don't Pity Me,\" which also charted the Billboard Top 100. This success won a place for Dion and the Belmonts on the ill-fated \"The Winter Dance Party\" tour with Buddy Holly, Ritchie Valens, the Big Bopper (J.P. Richardson), Frankie Sardo, and other performers. On February 3, 1959, after a concert stop in Clear Lake, Iowa, Holly and others decided to charter a flight to the next venue rather than travel on the tour bus. Dion was invited to accompany the group but decided that he did not want to spend $36 for the flight, as it was the same monthly rent his parents paid for his childhood apartment and he couldn't justify the indulgence. The plane crashed, killing all on board; Holly, Valens, Richardson, and the pilot Roger Peterson. Dion and the Belmonts continued on the tour, along with Frankie Sardo, while Bobby Vee, then an unknown artist, performed in Holly's place at the very next concert. Later, Jimmy Clanton, Frankie Avalon, and Fabian were added to replace the other now-deceased headliners.  Dion and the Belmonts' next single, \"A Teenager in Love,\" was released in March 1959, eventually hitting No. 5 on the U.S. pop charts and No. 28 in the UK. The group's biggest hit, \"Where or When,\" was released in November of that year, and reached No. 3 on the U.S. charts. However, in early 1960, Dion checked into hospital for heroin addiction, a problem he had had since his mid-teens. Further single releases for the group that year were less successful. There were musical, personal and financial differences between Dion and members of the Belmonts, and in October 1960, Dion decided to quit for a solo career. By the time of their breakup, all eight Laurie releases had charted on the Hot 100. CANNOTANSWER\nQuestion: what is the most interesting thing about the group?\n\nAnswer:", "targets": "Holly and others decided to charter a flight to the next venue rather than travel on the tour bus."}
{"inputs": "Alice Paul was born on January 11, 1885, at Paulsdale in Mount Laurel Township, New Jersey. She was the eldest of four children of William Mickle Paul I (1850-1902) and Tacie Paul (nee Parry), and a descendant of William Penn, the Quaker founder of Pennsylvania. Her siblings were Willam, Helen, and Parry. She grew up in the Quaker tradition of public service; her ancestors included participants in the New Jersey Committee of Correspondence in the Revolutionary era and a state legislative leader in the 19th century.\n\nIn the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the \"Silent Sentinels,\" held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of \"obstructing traffic.\" Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, \"The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation.\"  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as \"Mr. President, How Long Must Women Wait For Liberty?\". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER\n\nAnswer the following question by taking a quote from the article: What year was this?", "targets": "January 1917,"}
{"inputs": "Sir Richard Starkey  (born 7 July 1940), known professionally as Ringo Starr, is an English musician, songwriter, singer, and actor who gained worldwide fame as the drummer for the Beatles. He occasionally sang lead vocals, usually for one song on an album, including \"With a Little Help from My Friends\", \"Yellow Submarine\", \"Good Night\", and their cover of \"Act Naturally\". He also wrote the Beatles' songs \"Don't Pass Me By\" and \"Octopus's Garden\", and is credited as a co-writer of others, including \"What Goes On\" and \"Flying\". Starr was twice afflicted by life-threatening illnesses during childhood, and he fell behind in school as a result of prolonged hospitalisations.\n\nWhen Starr married Maureen Cox in 1965, Beatles manager Brian Epstein served as best man, with Starr's stepfather Harry Graves and fellow Beatle George Harrison as witnesses. Soon afterwards, the couple's matrimony became the subject of a US novelty song, \"Treat Him Tender, Maureen\", by the Chicklettes. Starr and Maureen had three children together: Zak (born 13 September 1965), Jason (born 19 August 1967) and Lee (born 11 November 1970). In 1971, Starr purchased Lennon's former home, Tittenhurst Park at Sunninghill in Berkshire and moved his family there. Following Starr's repeated infidelities, the couple divorced in 1975. Maureen died from leukaemia at age 48 in 1994.  In 1980, while on the set of the film Caveman, Starr met actress Barbara Bach; they were married on 27 April 1981. In 1985, he was the first of the Beatles to become a grandfather upon the birth of Zak's daughter, Tatia Jayne Starkey. Zak Starkey is also a drummer, and during his father's regular absences, he spent time with The Who's Keith Moon. Zak has performed with his father during some All-Starr Band tours. In total, Ringo Starr has eight grandchildren - one from Zak, four from Jason and three from Lee. In 2016, he was the first Beatle to become a great-grandfather.  Starr and Bach split their time between homes in Cranleigh, Surrey; Los Angeles; and Monte Carlo. In the Sunday Times Rich List 2011, Starr was listed at number 56 in the UK with an estimated personal wealth of PS150 million. In 2012, Starr was estimated to be the wealthiest drummer in the world. In 2014 Starr announced that his 200-acre Surrey estate at Rydinghurst, with its Grade II-listed Jacobean house, was for sale. However, he retains a property in the London district of Chelsea off King's Road, and he and Bach continue to divide their time between London and Los Angeles.  In December 2015, Starr and Bach auctioned some of their personal and professional items to the public via Julien's Auctions in Los Angeles. Highlights of the collection included Starr's first Ludwig Black Oyster Pearl drum kit; instruments given to him by Harrison, Lennon and Marc Bolan; and a first-pressing copy of the Beatles' White Album numbered \"0000001\". The auction raised over $9 million, a portion of which was set aside for the Lotus Foundation, a charity founded by Starr and Bach.  In 2016, Starr expressed his support for the United Kingdom's withdrawal from the European Union, explaining: \"I thought the European Union was a great idea, but I didn't see it going anywhere lately.\" In 2017 he described his impatience for Britain to \"get on with\" Brexit, declaring that \"to be in control of your country is a good move.\" CANNOTANSWER\n\nwhere was the former home?", "targets": "Tittenhurst Park at Sunninghill in Berkshire"}
{"inputs": "Gifford was born in Santa Monica, California, the son of Lola Mae (nee Hawkins) and Weldon Gifford, an oil driller. He graduated from Bakersfield High School. Following Gifford's death in 2015, his wife Kathie Lee Gifford said that her late husband grew up in a poverty-stricken home and that he and his family sometimes ate dog food. She said they lived in 29 places even before Gifford attended high school because his father could not find work during the Depression.\n\nGifford married his college sweetheart, USC's homecoming queen Maxine Avis Ewart, on January 13, 1952, after she became pregnant while they were students at USC. They had three children, Jeff (b. 1952), Kyle and Victoria, and five grandchildren. Victoria married Michael LeMoyne Kennedy, son of Robert F. Kennedy. Gifford was then married to fitness trainer Astrid Lindley from 1978 to 1986. The first two marriages ended in divorce. Gifford married television presenter and singer Kathie Lee Johnson, who was 23 years his junior, on October 18, 1986. The couple settled in Greenwich, Connecticut, with their son, Cody Newton Gifford, and daughter, Cassidy Erin Gifford. Gifford and his third wife Kathie Lee both shared the same birthday, which was August 16. The couple co-hosted ABC's coverage of the 1988 Winter Olympics in Calgary.  Gifford had an older sister and younger brother, Winona and Waine.  In 1997, the tabloid magazine Globe arranged to have Gifford secretly videotaped being seduced by former flight attendant Suzen Johnson in a New York City hotel room. They published photos and stories. ESPN reported that the tabloid paid Johnson $75,000 to lure Gifford to the room, while The Atlantic said it was $125,000. National Enquirer Editor Steve Coz observed, \"There's a difference between reporting the news and creating the news ... [w]ithout The Globe, there would be no story here. I'm in the tabloid industry, and this is way over the top. It's downright cruel.\"  According to the former lawyer of Johnny Carson, Henry Bushkin, Gifford had an affair with Carson's second wife Joanne in 1970. CANNOTANSWER\n\nAsk a question about this article.", "targets": "Was Gifford married?"}
{"inputs": "Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles \"Bud\" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.\n\nLittle Richard's family had deep evangelical (Baptist and African Methodist Episcopal Church (AME)) Christian roots, including two uncles and a grandfather who were preachers. Little Richard also took part in Macon's Pentecostal churches, which were his favorites mainly due to their music, charismatic praise, dancing in the Holy Spirit and speaking in tongues. At age 10, influenced by Pentecostalism, Little Richard would go around saying he was a faith healer, singing gospel music to people who were feeling sick and touching them. He later recalled that they would often indicate that they felt better after he prayed for them and would sometimes give him money. Little Richard had aspirations of being a preacher due to the influence of singing evangelist Brother Joe May.  After he was born again in 1957, Little Richard enrolled at Oakwood College in Huntsville, Alabama, a mostly black Seventh-day Adventist college, to study theology. Little Richard returned to secular music in the early 1960s. He was eventually ordained a minister in 1970, and again resumed evangelical activities in 1977. Little Richard represented Memorial Bibles International and sold their Black Heritage Bible, which highlighted the Book's many black characters. As a preacher, Little Richard evangelized in small churches and packed auditoriums of 20,000 or more. His preaching focused on uniting the races and bringing lost souls to repentance through God's love. In 1984, Little Richard's mother, Leva Mae, died following a period of illness. Only a few months prior to her death, Little Richard promised her that he would remain a Christian.  During the 1980s and 1990s, Little Richard officiated at celebrity weddings. In 2006, Little Richard wedded twenty couples who won a contest in one ceremony. The musician used his experience and knowledge as a minister and elder statesman of rock and roll to preach at funerals of musical friends such as Wilson Pickett and Ike Turner. At a benefit concert in 2009 to raise funds to help rebuild children's playgrounds destroyed by Hurricane Katrina, Little Richard asked guest of honor Fats Domino to pray with him and others. His assistants handed out inspirational booklets at the concert--a common practice at Little Richard's shows. He somberly told a Howard Theatre, Washington, D.C. audience in June 2012, \"I know this is not Church, but get close to the Lord. The world is getting close to the end. Get close to the Lord.\" In 2013, Little Richard elaborated on his spiritual philosophies, stating \"God talked to me the other night. He said He's getting ready to come. The world's getting ready to end and He's coming, wrapped in flames of fire with a rainbow around his throne.\" Rolling Stone reported his apocalyptic prophesies generated snickers from some audience members as well as cheers of support. Little Richard responded by stating: \"When I talk to you about [Jesus], I'm not playing. I'm almost 81 years old. Without God, I wouldn't be here.\" In 2017, he came back to the Seventh-day Adventist Church, been rebaptized and 3ABN had an interview with Little Richard, and later he shared his personal testimony at 3ABN Fall Camp Meeting 2017. CANNOTANSWER\n\nAnswer the following question by taking a quote from the article: Are there any other interesting aspects about this article?", "targets": "His assistants handed out inspirational booklets at the concert--a common practice at Little Richard's shows."}
{"inputs": "Allen was born Allan Stewart Konigsberg in the Brooklyn borough of New York City, New York. He and his sister, Letty (b. 1943), were raised in Midwood, Brooklyn. He is the son of Nettie (nee Cherry; November 8, 1906 - January 27, 2002), a bookkeeper at her family's delicatessen, and Martin Konigsberg (December 25, 1900 - January 8, 2001), a jewelry engraver and waiter. His family was Jewish, and his grandparents immigrated to the US from Russia and Austria and spoke Yiddish, Hebrew, and German.\n\nAllen is a passionate fan of jazz, featured prominently in the soundtracks to his films. He began playing the clarinet as a child and took his stage name from clarinetist Woody Herman. He has performed publicly at least since the late 1960s, notably with the Preservation Hall Jazz Band on the soundtrack of Sleeper. One of his earliest televised performances was on The Dick Cavett Show on October 20, 1971.  Woody Allen and his New Orleans Jazz Band have been playing each Monday evening at Manhattan's Carlyle Hotel for many years (as of 2011, specializing in classic New Orleans jazz from the early twentieth century). He plays songs by Sidney Bechet, George Lewis, Johnny Dodds, Jimmie Noone and Louis Armstrong. The documentary film Wild Man Blues (directed by Barbara Kopple) documents a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band has released two CDs: The Bunk Project (1993) and the soundtrack of Wild Man Blues (1997). In a 2011 review of a concert by Allen's jazz band, critic Kirk Silsbee of the L.A. Times suggested that Allen should be regarded as a competent musical hobbyist with a sincere appreciation for early jazz: \"Allen's clarinet won't make anyone forget Sidney Bechet, Barney Bigard or Evan Christopher. His piping tone and strings of staccato notes can't approximate melodic or lyrical phrasing. Still his earnestness and the obvious regard he has for traditional jazz counts for something.\"  Allen and his band played the Montreal International Jazz Festival on two consecutive nights in June 2008. For many years, Allen wanted to make a film about the origins of jazz in New Orleans. The film, tentatively titled American Blues, would follow the vastly different careers of Louis Armstrong and Sidney Bechet. Allen stated that the film would cost between $80 and $100 million and is therefore unlikely to be made. CANNOTANSWER\n\nAsk a question about this article.", "targets": "When did Allen start playing music?"}
{"inputs": "Answer by taking a quote from the following article:\n\nSean John Combs was born on November 4, 1969 in Manhattan's Harlem neighborhood in New York City, and was raised in Mount Vernon, New York. His mother, Janice (Smalls), was a model and teacher's assistant, and his father, Melvin Earl Combs, served in the U.S. Air Force and was an associate of convicted New York drug dealer Frank Lucas. At age 33, Melvin was shot to death while sitting in his car on Central Park West, when Combs was 2 years old. Combs graduated from the Roman Catholic Mount Saint Michael Academy in 1987.\n\nIn 1998, Combs started a clothing line, Sean John. It was nominated for the Council of Fashion Designers of America (CFDA) award for Menswear Designer of the Year in 2000, and won in 2004. California billionaire Ronald Burkle invested $100 million into the company in 2003.  Also in 2003, the National Labor Committee revealed that factories producing the clothing in Honduras were violating Honduran labor laws. Among the accusations were that workers were subjected to body searches and involuntary pregnancy tests. Bathrooms were locked and access tightly controlled. Employees were forced to work overtime and were paid sweatshop wages. Charles Kernaghan of the National Labor Committee told The New York Times that \"Sean Puff Daddy obviously has a lot of clout, he can literally do a lot overnight to help these workers.\"  Combs responded with an extensive investigation, telling reporters \"I'm as pro-worker as they get\". On February 14, 2004, Kernaghan announced that improvements had been implemented at the factory, including adding air conditioning and water purification systems, firing the most abusive supervisors, and allowing the formation of a labor union. In late 2006, the department store Macy's removed Sean John jackets from their shelves when they discovered that the clothing was made using raccoon dog fur. Combs had not known the jackets were made with dog fur, but as soon as he was alerted, he had production stopped.  In November 2008, Combs added a men's perfume called \"I Am King\" to the Sean John brand. The fragrance, dedicated to Barack Obama, Muhammad Ali, and Martin Luther King, featured model Bar Refaeli in its advertisements. In early 2016, Sean John introduced the brand's GIRLS collection. CANNOTANSWER\n\nWas that collection successful?", "targets": "CANNOTANSWER"}
{"inputs": "Michael Bloomberg was born at St. Elizabeth's Hospital, in the Brighton neighborhood of Boston, on February 14, 1942. Bloomberg's family is Jewish. Bloomberg's father, William Henry Bloomberg (1906-1963), was born in Chelsea, Massachusetts and worked as an accountant for a dairy company. He was the son of Alexander \"Elick\" Bloomberg, an immigrant from Russia.\n\nIn March 2010, Bloomberg's top political strategist Kevin Sheekey resigned from his mayoral advisory position and returned to Bloomberg LP, Bloomberg's company. It was speculated that the move would allow Sheekey to begin preliminary efforts for a Bloomberg presidential campaign in the 2012 election. An individual close to Bloomberg said, \"the idea of continuing onward is not far from his [Bloomberg's] mind\".  In October 2010, The Committee to Draft Michael Bloomberg - which had attempted to recruit Bloomberg to run for the presidency in 2008 - announced it was relaunching its effort to persuade Bloomberg to wage a presidential campaign in 2012. The committee members insisted that they would persist in the effort in spite of Bloomberg's repeated denials of interest in seeking the presidency.  While on the December 12, 2010, episode of Meet the Press, Bloomberg ruled out a run for the presidency in 2012, stating: \"I'm not going to run for president,\" further adding \"I'm not looking at the possibility of running ... no way, no how.\" On July 24, 2011, in the midst of Democrats' and Republicans' inability to agree on a budget plan and thus an increase in the federal debt limit, the Washington Post published a blog post about groups organizing third party approaches. It focused on Bloomberg as the best hope for a serious third-party presidential candidacy in 2012.  During an appearance on The Daily Show in June 2012, London Mayor Boris Johnson told host Jon Stewart that he did not know why Bloomberg had ruled out a bid for the presidency in the upcoming election, declaring that he would be \"a great candidate\".  Bloomberg had privately indicated he believed Mitt Romney would be better at running the country, but could not publicly support him because of Romney's positions on social issues such as abortion and gun control. In the immediate aftermath of Hurricane Sandy in November 2012, Bloomberg penned an op-ed officially endorsing Barack Obama for president, citing Obama's policies on climate change. CANNOTANSWERAnswer this question using a quote from the following article:\n\nWhat was significant about this?", "targets": "Bloomberg's top political strategist Kevin Sheekey resigned from his mayoral advisory position and returned to Bloomberg LP, Bloomberg's company."}
{"inputs": "Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos Gonzalez. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzon, they recruited a dozen veteran musicians, many of whom had been retired for years.\n\nThe Buenavista Social Club was a members-only club originally located in Buenavista (literally good view), a quarter in the current neighbourhood of Playa (before 1976 part of Marianao), one of the 15 municipalities in Cuba's capital, Havana. The original club was founded in 1932 in a small wooden venue at calle Consulado y paisaje \"A\" (currently calle 29, n. 6007). In 1939, due to lack of space the club relocated to number 4610 on Avenue 31, between calles 46 and 48, in Almendares, Marianao. This location is recalled by Juan Cruz, former director of the Marianao Social Club and master of ceremonies at the Salon Rosado de la Tropical (other nightclubs in Havana). As seen in the Buena Vista Social Club documentary, when musicians Ry Cooder, Compay Segundo and a film crew attempted to identify the location of the club in the 1990s, local people could not agree on where it had stood.  At the time, clubs in Cuba were segregated; there were sociedades del blancos (white societies), sociedades de negros (black societies), etc. The Buenavista Social Club operated as a black society, which was rooted in a cabildo. Cabildos were fraternities organized during the 19th century by African slaves. The existence of many other black societies such as Marianao Social Club, Union Fraternal, Club Atenas (whose members included doctors and engineers), and Buenavista Social Club, exemplified the remnants of institutionalized racial discrimination against Afro-Cubans. These societies operated as recreational centers were workers went to drink, play games, dance and listen to music. In the words of Ry Cooder,  Society in Cuba and in the Caribbean including New Orleans, as far as I know, was organized around these fraternal social clubs. There were clubs of cigar wrappers, clubs for baseball players and they'd play sports and cards--whatever it is they did in their club--and they had mascots, like dogs. At the Buena Vista Social Club, musicians went there to hang out with each other, like they used to do at musicians' unions in the U.S., and they'd have dances and activities.  As a music venue, the Buenavista Social Club experienced the peak of Havana's nightclub life, when charangas and conjuntos, played several sets every night, going from club to club over the course of a week. Often, bands would dedicate songs to the clubs were the played. In the case of the Buenavista Social Club, an eponymous danzon was composed by Israel Lopez \"Cachao\" in 1938, and performed with Arcano y sus Maravillas. In addition, Arsenio Rodriguez dedicated \"Buenavista en guaguanco\" to the same place. Together with Orquesta Melodias del 40, the Maravillas and Arsenio's conjunto were known as Los Tres Grandes (The Big Three), drawing the largest audiences wherever they played. These vibrant times in Havana were described by pianist Ruben Gonzalez, who played in Arsenio's conjunto, as \"an era of real musical life in Cuba, when there was very little money to earn, but everyone played because they really wanted to\". CANNOTANSWER\n\nWas there anything else you found interesting?", "targets": "There were clubs of cigar wrappers, clubs for baseball players and they'd play sports and cards--whatever it is they did in their club--and they had mascots, like dogs."}
{"inputs": "Background: \"Hit 'Em Up\" is a diss song by rap artist 2Pac featuring his group the Outlawz. It is the B-side to the single \"How Do U Want It\", released on June 4, 1996. The song's lyrics contain vicious insults to several East Coast rappers, chief among them, Shakur's former friend turned rival, The Notorious B.I.G., also known as Biggie Smalls.\nContext: \"Hit 'Em Up\" was written and recorded in Buena Vista Studios in Buena Vista, Virginia in May 1996. For the song, Shakur recruited the members of the former group Dramacydal whom he had worked with previously, and was eager to work with again. Together, the rappers (along with other associates) formed the original lineup of the Outlawz. The first and third verses are performed by Shakur, while the second verse is performed by Hussein Fatal, the fourth by Kadafi and the fifth by E.D.I. Mean.  The ferocity of Shakur's raging vocals, as said by long-time collaborator and producer of \"Hit 'Em Up\" Johnny \"J\", was entirely authentic. He explained that Shakur was initially fueled by his anger against Biggie and Bad Boy Records for the belief that they had a role in the November 30, 1994 ambush and attack on Shakur. He claimed that Biggie and his crew knew of his shooting and wanted him dead. Shakur used this fury, which Johnny \"J\" described as \"superhuman\", to attack Biggie and other East Coast rappers. Johnny \"J\" also stated that he had never seen Shakur so angry and that the words he rapped were in no way an act, describing the recording process as the most \"hard-core he had ever done.\" Although he was very happy with the work he had put into it and the resulting song, Johnny \"J\" went on to say that he had no desire to work on anything of that magnitude again.  Shakur was also enraged by Biggie's release of \"Who Shot Ya?\" provocatively only months after the shooting incident, and although it did not directly involve Shakur's name, he believed it was directed towards him, but it was not. Shakur admitted to releasing \"Hit 'Em Up\" as a response to \"Who Shot Ya?\" In a Vibe interview, the rapper called out Sean \"Puffy\" Combs and Biggie Smalls and accused both of them for setting him up, or obtaining knowledge of the attack, and not cautioning him. He also singled out business men James Rosemond (\"Jimmy Henchman\"), and Jacques Agnant (\"Haitian Jack\") of orchestrating the assault. Shakur announced the names of his ostensible conspirators to Kevin Powell, a journalist for Vibe; however, to mask their true identities, Vibe referred to Henchman as \"Booker,\" and Jack as \"Nigel\" in the published interview. Persons familiar with the interview say they used different names after the magazine received threats from Henchman. A former Vibe editor denied receiving threats, but neglected to explain why the magazine substituted aliases for Henchman and Haitian Jack.  Henchman promised Shakur $7,000 to duo with Lil Shawn, a rapper whom the business man represented at that time. In a 2008 article by Philips, Henchman was implicated in organizing the assault, and in 2012 by his long-time friend Dexter Isaac, who confessed to attacking Shakur on Henchman's orders. He was confirmed as a source for Philip's earlier story and in Henchman's own confession according to prosecutors at his 2012 trial. CANNOTANSWER\nQuestion: was it popular?. Whats the answer?", "targets": "Henchman promised Shakur $7,000"}
{"inputs": "Chong was born at the University of Alberta Hospital in Edmonton, Alberta, on May 24, 1938, and given the name Thomas B. Kin Chong at birth. His mother was Lorna Jean (nee Gilchrist), a waitress of Scots-Irish ancestry, and his father was Stanley Chong, a Chinese truck driver who emigrated to Canada from China in the 1920s. The senior Chong had first lived with an aunt in Vancouver after arriving in Canada. As a youth, Tommy Chong moved with his family to Calgary, settling in a conservative neighbourhood Chong has referred to as \"Dog Patch\".\n\nIn 2003 Chong became caught up in two American investigations, code-named Operation Pipe Dreams and Operation Headhunter, which tried to trace drug traffic and users through businesses selling drug paraphernalia, mostly bongs. Operation Pipe Dream was run from Pittsburgh. US Attorney for Western Pennsylvania Mary Beth Buchanan oversaw the case. The estimated cost of Operation Pipe Dream was over $12 million and included the resources of 2,000 law enforcement officers. Fifty-five companies that sold drug paraphernalia over the Internet were the subject of the investigation, and Nice Dreams was one of them.  Chong was charged for his part in financing and promoting Chong Glass/Nice Dreams, a company started by his son Paris. His case never went to trial, as his attorney negotiated a plea agreement with the US Attorney for the Western District of Pennsylvania's Office. He admitted to distributing 7,500 bongs and water pipes on the Internet through Nice Dreams, a family company. Chong agreed to plead guilty to one count of conspiracy to distribute drug paraphernalia in exchange for non-prosecution of his wife, Shelby, and his son, Paris. Chong cooperated with the government and was the first of the Operation Pipe Dreams defendants to plead guilty.  At Chong's sentencing, Assistant U.S. Attorney for Western Pennsylvania Mary McKeen Houghton said in her arguments that Tommy Chong \"used his public image to promote this crime\" and marketed his products to children. U.S. Attorney Mary Beth Buchanan also was present at the sentencing in Pittsburgh and released a statement to the press stating, \"there are consequences for violating the law, even if the violator is a well-known entertainer like Thomas Chong.\"  While Chong argued for community service and home detention at his sentencing, the district judge, Arthur J. Schwab, denied his requests and sentenced him to 9 months in federal prison, a fine of $20,000, forfeiture of $103,514, and the loss of all merchandise seized during the raid of his business. Chong served his sentence at the Taft Correctional Institution from October 8, 2003 to July 7, 2004. He was a cellmate--or \"cubie\"--with \"The Wolf of Wall Street\" Jordan Belfort, and is given credit for encouraging Belfort to write his memoirs. They have remained friends ever since.  These events were among those chronicled in a/k/a Tommy Chong (2006), a documentary by Josh Gilbert. It premiered theatrically at the New York Film Forum in New York City and won awards. His time in prison was also a main point in his book, \"The I Chong\". CANNOTANSWER\n\nwas he given a sentence?", "targets": "sentenced him to 9 months in federal prison, a fine of $20,000, forfeiture of $103,514, and the loss of all merchandise seized during the raid of his business."}
{"inputs": "In 1577, El Greco migrated to Madrid, then to Toledo, where he produced his mature works. At the time, Toledo was the religious capital of Spain and a populous city with \"an illustrious past, a prosperous present and an uncertain future\". In Rome, El Greco had earned the respect of some intellectuals, but was also facing the hostility of certain art critics. During the 1570s the huge monastery-palace of El Escorial was still under construction and Philip II of Spain was experiencing difficulties in finding good artists for the many large paintings required to decorate it. Titian was dead, and Tintoretto, Veronese and Anthonis Mor all refused to come to Spain. Philip had to rely on the lesser talent of Juan Fernandez de Navarrete, of whose gravedad y decoro (\"seriousness and decorum\") the king approved. However, Fernandez died in 1579; the moment should have been ideal for El Greco.  Through Clovio and Orsini, El Greco met Benito Arias Montano, a Spanish humanist and agent of Philip; Pedro Chacon, a clergyman; and Luis de Castilla, son of Diego de Castilla, the dean of the Cathedral of Toledo. El Greco's friendship with Castilla would secure his first large commissions in Toledo. He arrived in Toledo by July 1577, and signed contracts for a group of paintings that was to adorn the church of Santo Domingo el Antiguo in Toledo and for the renowned El Espolio. By September 1579 he had completed nine paintings for Santo Domingo, including The Trinity and The Assumption of the Virgin. These works would establish the painter's reputation in Toledo.  El Greco did not plan to settle permanently in Toledo, since his final aim was to win the favor of Philip and make his mark in his court. Indeed, he did manage to secure two important commissions from the monarch: Allegory of the Holy League and Martyrdom of St. Maurice. However, the king did not like these works and placed the St Maurice altarpiece in the chapter-house rather than the intended chapel. He gave no further commissions to El Greco. The exact reasons for the king's dissatisfaction remain unclear. Some scholars have suggested that Philip did not like the inclusion of living persons in a religious scene; some others that El Greco's works violated a basic rule of the Counter-Reformation, namely that in the image the content was paramount rather than the style. Philip took a close interest in his artistic commissions, and had very decided tastes; a long sought-after sculpted Crucifixion by Benvenuto Cellini also failed to please when it arrived, and was likewise exiled to a less prominent place. Philip's next experiment, with Federico Zuccari was even less successful. In any case, Philip's dissatisfaction ended any hopes of royal patronage El Greco may have had. CANNOTANSWER\n\nAnswer this question \"was to adorn what?\" by extracting the answer from the text above.", "targets": "the church of Santo Domingo el Antiguo in Toledo and for the renowned El Espolio."}
{"inputs": "Background: The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential music band. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as \"Beatlemania\"; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s.\nContext: In Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever, Scott Schinder and Andy Schwartz describe the Beatles' musical evolution:  In their initial incarnation as cheerful, wisecracking moptops, the Fab Four revolutionised the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts. Their initial impact would have been enough to establish the Beatles as one of their era's most influential cultural forces, but they didn't stop there. Although their initial style was a highly original, irresistibly catchy synthesis of early American rock and roll and R&B, the Beatles spent the rest of the 1960s expanding rock's stylistic frontiers, consistently staking out new musical territory on each release. The band's increasingly sophisticated experimentation encompassed a variety of genres, including folk-rock, country, psychedelia, and baroque pop, without sacrificing the effortless mass appeal of their early work.  In The Beatles as Musicians, Walter Everett describes Lennon and McCartney's contrasting motivations and approaches to composition: \"McCartney may be said to have constantly developed - as a means to entertain - a focused musical talent with an ear for counterpoint and other aspects of craft in the demonstration of a universally agreed-upon common language that he did much to enrich. Conversely, Lennon's mature music is best appreciated as the daring product of a largely unconscious, searching but undisciplined artistic sensibility.\"  Ian MacDonald describes McCartney as \"a natural melodist - a creator of tunes capable of existing apart from their harmony\". His melody lines are characterised as primarily \"vertical\", employing wide, consonant intervals which express his \"extrovert energy and optimism\". Conversely, Lennon's \"sedentary, ironic personality\" is reflected in a \"horizontal\" approach featuring minimal, dissonant intervals and repetitive melodies which rely on their harmonic accompaniment for interest: \"Basically a realist, he instinctively kept his melodies close to the rhythms and cadences of speech, colouring his lyrics with bluesy tone and harmony rather than creating tunes that made striking shapes of their own.\" MacDonald praises Harrison's lead guitar work for the role his \"characterful lines and textural colourings\" play in supporting Lennon and McCartney's parts, and describes Starr as \"the father of modern pop/rock drumming\". CANNOTANSWER\nQuestion: What did they say\n\nAnswer:", "targets": "Their initial impact would have been enough to establish the Beatles as one of their era's most influential cultural forces,"}
{"inputs": "Aimee Semple McPherson (Aimee, in the original French; October 9, 1890 - September 27, 1944), also known as Sister Aimee or simply Sister, was a Canadian-American Pentecostal evangelist and media celebrity in the 1920s and 1930s, famous for founding the Foursquare Church. McPherson has been noted as a pioneer in the use of modern media, because she used radio to draw on the growing appeal of popular entertainment in North America and incorporated other forms into her weekly sermons at Angelus Temple, one of the first megachurches. In her time she was the most publicized Christian evangelist, surpassing Billy Sunday and her other predecessors. She conducted public faith healing demonstrations before large crowds; testimonies conveyed tens of thousands of people healed.\n\nBy early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, \"without apparently compromising their souls.\"  According to Carey McWilliams, she had become \"more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous.\" She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools.  McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution \"is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation.\" She sent Bryan a telegram saying, \"Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you.\" She organized \"an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles.\" CANNOTANSWERAnswer this question using a quote from the following article:\n\nWhat influenced Mcphersons career?", "targets": "McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial,"}
{"inputs": "Phillips was born in Albany, Georgia, to Sheryl (Jacks) and Phillip LaDon \"Donnie\" Phillips, Sr., and moved to Leesburg, Georgia when he was 12. He has two older sisters, LaDonna, the eldest, and Lacey. Phillips grew up in Sasser and Leesburg, and attended Lee County High School. He graduated from Albany Technical College with a major in Industrial Systems Technology, but missed the graduation ceremony due to his obligations to American Idol.\n\nPhillips auditioned in Savannah, Georgia. He sang \"Superstition\" by Stevie Wonder. The judges then asked him to perform a second song with his guitar, and he performed Michael Jackson's \"Thriller.\" He advanced to the Hollywood rounds, and later to the Las Vegas round. On February 23, 2012, Phillips was chosen as one of the Top 25 semi-finalists, and was then voted into the Top 13.  His performance style on the show has been compared to Dave Matthews, and he covered one of his songs, \"The Stone,\" in the competition. When asked about Phillips' imitation of his style, Dave Matthews said: \"More power to him, I don't mind,\" and added \"He should kick my ass, [then] maybe I can retire and he can take over my band.\" Mentor Stevie Nicks said Phillips would have been good enough to join Fleetwood Mac back in 1975, after his performance of Jonny Lang's Still Rainin, which he received a standing ovation from the judges.  After the Top 13 performance night, Phillips was taken to a doctor for possible kidney stones. He had eight procedures while he was on Idol, and considered quitting the show due to the pain.  For his Top 3 performance, Phillips sang Bob Seger's \"We've Got Tonight.\" For Top 4, he did a cover of Damien Rice's Volcano - which has been heralded as one of the best American Idol performances of all time. As the sole contestant who was never in jeopardy of elimination in any week of the competition, Phillips became the winner on the finale against Jessica Sanchez after a record-breaking 132 million votes were cast. His coronation song, \"Home,\" was released after his performance, and had the biggest digital sales week for any Idol winner's coronation song.  ^Note 1 Due to the judges using their one save on Jessica Sanchez, the Top 7 remained intact for another week. CANNOTANSWER\n\nUsing a quote from the above article, answer the following question: What year did he win Idol?", "targets": "2012,"}
{"inputs": "Which entity is this text about?\n\nJavier Pedro Saviola Fernandez (Spanish pronunciation: [xa'bjer 'pedro sa'bjola fer'nandes]; born 11 December 1981) is a retired Argentine professional footballer who played as a forward. Known for his speed, dribbling and ability to score from almost any attacking position on the field, he represented both Barcelona and Real Madrid and was named as the youngest player on Pele's FIFA 100 list of the 125 greatest living footballers in 2004. Due to his ancestry he also holds Spanish nationality since 2004, and he amassed La Liga totals of 196 games and 70 goals over the course of eight seasons; he started and finished his career at River Plate. An Argentine international for seven years, Saviola represented his country at the 2006 World Cup and the 2004 Copa America, where his team reached the final.\n\nIn 2001, aged 19, Saviola moved abroad to play for FC Barcelona in a PS15 million transfer. He obtained Spanish citizenship shortly after, thereby not being restricted by the Spanish league maximum on the number of non-European Union citizens allowed in each club. Under coach Carles Rexach, he scored 17 goals in his first season, finishing joint-fourth top scorer in La Liga.  Saviola's second year at the club did not start well, as he only scored two goals in the first half of the season. When Van Gaal was fired and Radomir Antic became the new Barcelona manager, he went on to net 11 goals in the latter half of the campaign; at the start of the following season Frank Rijkaard was appointed as new manager, and the player scored 14 times in the league alone, but was deemed surplus at the club as longtime offensive partner Patrick Kluivert.  Saviola was sent on loan in the summer of 2004, moving to AS Monaco FC in Ligue 1. As he did not fit into Rijkaard's plans he was again loaned out the following year, this time to Spanish club Sevilla FC, in order to replace Real Madrid-bound Julio Baptista; with his new club he won his first title in Europe, conquering the UEFA Cup -- he also scored nine times in the league, good enough for fifth.  Saviola returned to Barcelona for the 2006-07 season, playing in 18 league games, six as a starter, and netting five goals. He benefited greatly from injuries to teammates, most notably to Samuel Eto'o, and added five in as many matches in that season's Copa del Rey, notably a hat-trick against Deportivo Alaves (3-2 win at home, 5-2 aggregate). CANNOTANSWER", "targets": "Javier Saviola"}
{"inputs": "Wladyslaw Gomulka (Polish: [vwa'diswaf go'muwka]; 6 February 1905 - 1 September 1982) was a Polish communist politician. He was the de facto leader of post-war Poland until 1948. Following the Polish October he became leader again from 1956 to 1970. Gomulka was initially very popular for his reforms; his seeking a \"Polish way to socialism\"; and giving rise to the period known as \"Gomulka's thaw\".\n\nIn the fall of 1943, the PPR leadership began discussing the creation of a Polish quasi-parliamentary, communist-led body, to be named the State National Council (Krajowa Rada Narodowa, KRN). After the Battle of Kursk the expectation was of a Soviet victory and liberation of Poland and the PPR wanted to be ready to assume power. Gomulka came up with the idea of a national council and imposed his point of view on the rest of the leadership. The PPR intended to obtain consent from the Cominterm leader and their Soviet contact Georgi Dimitrov. However, in November the Gestapo arrested Finder and Malgorzata Fornalska, who possessed the secret codes for communication with Moscow and the Soviet response remained unknown. In the absence of Finder, on 23 November Gomulka was elected general secretary (chief) of the PPR and Bierut joined the three-person inner leadership.  The founding meeting of the State National Council took place in the late evening of 31 December 1943. The new body's chairman Bierut was becoming Gomulka's main rival. In mid-January 1944 Dimitrov was finally informed of the KRN's existence, which surprised both him and the Polish communist leaders in Moscow, increasingly led by Jakub Berman, who had other, competing ideas concerning the establishment of a Polish communist ruling party and government.  Gomulka felt that the Polish communists in occupied Poland had a better understanding of Polish realities than their brethren in Moscow and that the State National Council should determine the shape of the future executive government of Poland. Nevertheless, to gain a Soviet approval and to clear any misunderstandings a KRN delegation left Warsaw in mid-March heading for Moscow, where it arrived two months later. By that time Stalin concluded that the existence of the KRN was a positive development and the Poles arriving from Warsaw were received and greeted by him and other Soviet dignitaries. The Union of Polish Patriots and the Central Bureau of Polish Communists in Moscow were now under pressure to recognize the primacy of the PPR, the KRN and Wladyslaw Gomulka, which they ultimately did only in mid-July.  On 20 July, the Soviet forces under Marshal Konstantin Rokossovsky forced their way across the Bug River and on that same day the combined meeting of Polish communists from the Moscow and Warsaw factions finalized the arrangements regarding the establishment (on 21 July) of the Polish Committee of National Liberation (PKWN), a temporary government headed by Edward Osobka-Morawski, a socialist allied with the communists. Gomulka and other PPR leaders left Warsaw and headed for the Soviet-controlled territory, arriving in Lublin on 1 August, the day the Warsaw Uprising erupted in the Polish capital. CANNOTANSWER\n\nAnswer the following question by taking a quote from the article: when was Polish Committee of National Liberation formed?", "targets": "the establishment (on 21 July) of the Polish Committee of National Liberation (PKWN),"}
{"inputs": "Background: Matthew Staton Bomer (born October 11, 1977) is an American actor, producer and director. He made his television debut with Guiding Light in 2001, and gained recognition with his recurring role in the NBC television series Chuck. He played the lead role of con-artist and thief Neal Caffrey in the USA Network series White Collar from 2009 to 2014. Bomer won a Golden Globe Award and received a Primetime Emmy Award nomination for his supporting role as Felix Turner, opposite Mark Ruffalo, in the HBO television film The Normal Heart (2014).\nContext: Matthew Staton Bomer was born on October 11, 1977 in Webster Groves, Missouri, to Elizabeth Macy (nee Staton) and John O'Neill Bomer IV, a Dallas Cowboys draft pick. His father, John Bomer, played for the Dallas Cowboys from 1972 to 1974. He has a sister Megan Bomer and a brother Neill Bomer, who is an engineer. Bomer credits his own parents for being understanding when they sensed their young child was a little different from other kids. \"I've always had an active imagination,\" says Bomer. He is a distant cousin to American singer Justin Timberlake, with whom he starred in the movie In Time in 2011. Timberlake and Bomer share common descent from Edward Bomer, who was born in 1690. Bomer's ancestry includes English, as well as Welsh, Scots-Irish, Scottish, Irish, Swiss-German, and German.  In 1995, at age 17, Bomer made his professional stage debut as Young Collector in a production of Tennessee Williams A Streetcar Named Desire (1947) staged by Alley Theatre, a company in the Downtown, Houston, at the Texas. A few years later he returned to the stage in 1998 in a re-presentation of the play Joseph and the Amazing Technicolor Dreamcoat by Andrew Lloyd Webber and Tim Rice in the play he lived Issachar - who was represented at the Utah Shakespeare Festival in Cedar City, Utah. Speaking about his first role in a production, Bomer said:  I started acting professionally when I was 17. I quit the team and did a production of A Streetcar Named Desire at the Alley Theatre in Houston. I used to drive down at the end of the school day, do the show, do my homework during intermission and drive an hour back to Spring to go to school the next day.  He grew up in Spring, Texas, a suburb of Houston, and attended its Klein High School in 1996, where he was a classmate of future actor Lee Pace and actress Lynn Collins. Pace and Bomer both acted at Houston's Alley Theatre, a non-profit theatre company. Bomer was nurtured throughout middle school by a theater arts teacher who taught him to improvise and give life to the characters he had created in his mind. His senior year, Bomer received a scholarship for some of his monologue performances, which led to his acceptance at Carnegie Mellon University in Pittsburgh, Pennsylvania. Where he graduated in 2001, with a Bachelor of Fine Arts degree, along with his friend and also actor Joe Manganiello. CANNOTANSWER\nQuestion: Are there any other interesting aspects about this article?. Whats the answer?", "targets": "In 1995, at age 17, Bomer made his professional stage debut as Young Collector in a production of Tennessee Williams A Streetcar Named Desire"}
{"inputs": "Answer by taking a quote from the following article:\n\nBorn in Scotland on 15 June 1792, he was son of John Mitchell of Carron Works and was brought up from childhood by his uncle, Thomas Livingstone of Parkhall, Stirlingshire. On the death of his uncle, he joined the British army in Portugal as a volunteer, at the age of sixteen. On 24 June 1811, at the age of nineteen, he received his first commission as 2nd Lieutenant in the 1st Battalion 95th Rifles (later the Rifle Brigade / Royal Green Jackets). Utilising his skills as a draughtsman of outstanding ability, he was occasionally employed in the Quartermaster-General's department under Sir George Murray.\n\nMitchell's fourth expedition was into Queensland in 1845-46. He was convinced that a significant river must flow north-west into the Gulf of Carpentaria, this being the main thrust of the endeavour.  On 15 December 1845 Mitchell started from Boree (Buree in Mitchell's journal) with a large party including Edmund Kennedy as second in command (later speared to death at Escape River near Cape York). He struck the Darling River above Fort Bourke then continued to the Narran River, the Balonne, and the Culgoa. On 12 April 1846 he came to a natural bridge of rocks on the main branch of the Balonne which he called St.George Bridge, now the site of the town of St George. Kennedy was left in charge of the main body here, and was instructed to follow on slowly while Mitchell pushed ahead with a few men. Mitchell followed the Balonne to the Maranoa, and the Cogoon (now called Muckadilla Creek, near Roma). This rivulet led him to a magnificent pastoral district in the midst of which stood a solitary hill that he named Mount Abundance. He then crossed a low watershed to the Maranoa and awaited Kennedy's arrival. Kennedy rejoined Mitchell on 1 June 1846.  Leaving Kennedy for a second time, he set out on an extensive excursion of more than four months. Mitchell traversed the country at the head of the Maranoa and discovered the Warrago River. Keeping north over the watershed, he traversed the Claude and Nogoa rivers, then reached the Belyando River, an upper reach of the Burdekin River. This had already been discovered by Ludwig Leichhardt on his expedition to Port Essington on 2 April 1845. Intensely mortified to find that he was on a tributary of the Burdekin River, and approaching the ground already trodden by Leichhardt, he returned to the head of the Nogoa and struck west, after dividing his party and forming a stationary camp. He continued west, making a new discovery which he was certain was the fabled north-west river. In honour of the sovereign of the time he decided to call it Victoria River. Having run out of time, he turned back towards the main party. It was here that Mitchell first noticed the well known grass that bears his name. On the homeward journey he trekked along the Maranoa River to St.George Bridge, arriving in Sydney 20 January 1847. Later that year, Kennedy proved beyond doubt that the Victoria did not continue north-west, but turned south-west and joined Cooper Creek. He renamed the watercourse the Barcoo River from a name mentioned by local Aborigines. CANNOTANSWER\n\nWas he correct?", "targets": "Later that year, Kennedy proved beyond doubt that the Victoria did not continue north-west, but turned south-west and joined Cooper Creek."}
{"inputs": "Answer by taking a quote from the following article:\n\nCheri Honkala was born in Minneapolis, Minnesota, in 1963. Her father, Maynard Duane Honkala, was of Finnish ancestry, and her mother had Cheyenne Native American ancestry. She grew up watching her mother suffer from domestic violence. Honkala's mother quietly endured this abuse for fear of losing her kids.\n\nHonkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, \"helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters.\"  She was the subject of Chapter 6, \"Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign\" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation. CANNOTANSWER\n\nWho else photographed Honkala ?", "targets": "Honkala has been extensively documented by photographer Harvey Finkle."}
{"inputs": "Which entity is this text about?\n\nKoenig was born in New York City, and is the son of Bobby Bass, a psychotherapist, and Robin Koenig, a set dresser on film and TV productions. His parents lived on the Upper West Side of Manhattan before moving to Glen Ridge, New Jersey. He is Jewish, and his family came to the U.S. from Europe (including Romania and Hungary). He grew up in Northern New Jersey and attended Glen Ridge High School.\n\nFollowing a hiatus from Vampire Weekend, Koenig wrote and produced an animated comedy-adventure series about a depressive, demon-slaying playboy voiced by Jaden Smith. The series, titled Neo Yokio, debuted on Netflix in September 2017.The show was written and produced in 2015, with the final sound mix being completed in January 2016, however, due to issues with Fox, the show was postponed until finally being picked up by Netflix.  Yokio is presented in the style of a Japanese anime series. However, in an interview with Rolling Stone magazine, he stated that he believes the show is not a traditional anime, \"First of all, out of respect for true anime, I've always called Neo Yokio \"anime-inspired\" - it's a hybrid. But I've always been a fan of anime, and I always wanted to do something that was kind of an homage to it. Maybe a loving parody. Initially the people I was working with thought I should be the voice of the main character, but I was, like, 'I just spent seven years being the frontman of something, using my voice all the time. What I need right now is to slip into the background of something.'\"  Upon release, the show's first season received mixed reviews from critics, earning a 36% score on Rotten Tomatoes. Writer, Shannon Liao of The Verge criticised the show's story and voice-acting, citing, \"the initial glamor of the backdrops and talent involved wears off fast. It has awful voice acting, and a pointless, predictable story that's only surprising because it's so willing to hit the bottom of the barrel.\" Contrastingly, The New York Times gave the show a more optimistic review, stating, \"if a defensive reading of the line, \"Yes, my girlfriend broke up with me to take a finance job in San Francisco,\" makes you chuckle, \"Neo Yokio\" may be for you.\"  On an episode of Time Crisis in early 2018, Koenig spoke about the future of Yokio, hinting that \"Neo's not dead.\" CANNOTANSWER", "targets": "Ezra Koenig"}
{"inputs": "Stephen Joshua Sondheim (; born March 22, 1930) is an American composer and lyricist known for more than a half-century of contributions to musical theater. Sondheim has received an Academy Award, eight Tony Awards (more than any other composer, including a Special Tony Award for Lifetime Achievement in the Theatre), eight Grammy Awards, a Pulitzer Prize, a Laurence Olivier Award, and a 2015 Presidential Medal of Freedom. He has been described by Frank Rich of The New York Times as \"now the greatest and perhaps best-known artist in the American musical theater.\" His best-known works as composer and lyricist include A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, Merrily We Roll\n\nSondheim was born into a Jewish family in New York City, the son of Etta Janet (\"Foxy,\" nee Fox; 1897-1992) and Herbert Sondheim (1895-1966). His father manufactured dresses designed by his mother. The composer grew up on the Upper West Side of Manhattan and, after his parents divorced, on a farm near Doylestown, Pennsylvania. As the only child of well-to-do parents living in the San Remo on Central Park West, he was described in Meryle Secrest's biography (Stephen Sondheim: A Life) as an isolated, emotionally-neglected child. When he lived in New York, Sondheim attended ECFS, the Ethical Culture Fieldston School known simply as \"Fieldston.\" He later attended the New York Military Academy and George School, a private Quaker preparatory school in Bucks County, Pennsylvania where he wrote his first musical, By George, and from which he graduated in 1946. Sondheim spent several summers at Camp Androscoggin. He later matriculated to Williams College and graduated in 1950.  He traces his interest in theatre to Very Warm for May, a Broadway musical he saw when he was nine. \"The curtain went up and revealed a piano,\" Sondheim recalled. \"A butler took a duster and brushed it up, tinkling the keys. I thought that was thrilling.\"  When Sondheim was ten, his father (already a distant figure) left his mother for another woman (Alicia, with whom he had two sons). Herbert sought custody of Stephen but was unsuccessful. Sondheim explained to biographer Secrest that he was \"what they call an institutionalized child, meaning one who has no contact with any kind of family. You're in, though it's luxurious, you're in an environment that supplies you with everything but human contact. No brothers and sisters, no parents, and yet plenty to eat, and friends to play with and a warm bed, you know?\"  Sondheim detested his mother, who was said to be psychologically abusive and projected her anger from her failed marriage on her son: \"When my father left her, she substituted me for him. And she used me the way she used him, to come on to and to berate, beat up on, you see. What she did for five years was treat me like dirt, but come on to me at the same time.\" She once wrote him a letter saying that the \"only regret [she] ever had was giving him birth.\" When his mother died in the spring of 1992, Sondheim did not attend her funeral and had already been estranged from her for nearly 20 years at that point.  Burt Shevelove invited Sondheim to a party; Sondheim arrived before him, and knew no one else well. He saw a familiar face: Arthur Laurents, who had seen one of the auditions of Saturday Night, and they began talking. Laurents told him he was working on a musical version of Romeo and Juliet with Leonard Bernstein, but they needed a lyricist; Betty Comden and Adolph Green, who were supposed to write the lyrics, were under contract in Hollywood. He said that although he was not a big fan of Sondheim's music, he enjoyed the lyrics from Saturday Night and he could audition for Bernstein. Sondheim met Bernstein the following day, played for him and Bernstein said he would let him know. The composer wanted to write music and lyrics; after consulting with Hammerstein, Bernstein told Sondheim he could write music later. In 1957, West Side Story opened; directed by Jerome Robbins, it ran for 732 performances. Sondheim has expressed dissatisfaction with his lyrics, saying that they do not always fit the characters and are sometimes too consciously poetic. While Bernstein was working on Candide, Sondheim reportedly wrote some of West Side Story's music; Bernstein's co-lyricist credit disappeared from West Side Story during its tryout, possibly as a trade-off. Sondheim insisted that Bernstein told the producers to list him as the sole lyricist. He described the division of the royalties, saying that Bernstein received three percent and he received one percent. Bernstein suggested evening the percentage at two percent each, but Sondheim refused because he wanted the credit. Sondheim later said he wished \"someone stuffed a handkerchief in my mouth because it would have been nice to get that extra percentage\".  After West Side Story opened, Shevelove lamented the lack of \"low-brow comedy\" on Broadway and mentioned a possible musical based on Plautus' Roman comedies. When Sondheim was interested in the idea he called a friend, Larry Gelbart, to co-write the script. The show went through a number of drafts, and was interrupted briefly by Sondheim's next project.  In 1959, Sondheim was approached by Laurents and Robbins for a musical version of Gypsy Rose Lee's memoir after Irving Berlin and Cole Porter turned it down. Sondheim agreed, but Ethel Merman - cast as Mama Rose - had just finished Happy Hunting with an unknown composer (Harold Karr) and lyricist (Matt Dubey). Although Sondheim wanted to write the music and lyrics, Merman refused to let another first-time composer write for her and demanded that Jule Styne write the music. Sondheim, concerned that writing lyrics again would pigeonhole him as a lyricist, called his mentor for advice. Hammerstein told him he should take the job, because writing a vehicle for a star would be a good learning experience. Sondheim agreed; Gypsy opened on May 21, 1959, and ran for 702 performances.  Merrily's failure greatly affected Sondheim; he was ready to quit theatre and do movies, create video games or write mysteries: \"I wanted to find something to satisfy myself that does not involve Broadway and dealing with all those people who hate me and hate Hal.\" Sondheim and Prince's collaboration was suspended from Merrily to the 2003 production of Bounce, another failure.  However, Sondheim decided \"that there are better places to start a show\" and found a new collaborator in James Lapine after he saw Lapine's Twelve Dreams off-Broadway in 1981: \"I was discouraged, and I don't know what would have happened if I hadn't discovered Twelve Dreams at the Public Theatre\"; Lapine has a taste \"for the avant-garde and for visually-oriented theatre in particular\". Their first collaboration was Sunday in the Park with George (1984), with Sondheim's music evoking Georges Seurat's pointillism. Sondheim and Lapine won the 1985 Pulitzer Prize for Drama for the play, and it was revived on Broadway in 2008, and again in a limited run in 2017.  They collaborated on Into the Woods (1987), a musical based on several Brothers Grimm fairy tales. Although Sondheim has been called the first composer to bring rap music to Broadway (with the Witch in the opening number of \"Into the Woods\"), he attributes the first rap in theatre to Meredith Willson's \"Rock Island\" from The Music Man. The show was revived on Broadway in 2002.  Sondheim and Lapine's last work together was the rhapsodic Passion (1994), adapted from Ettore Scola's Italian film Passione D'Amore. With a run of 280 performances, Passion was the shortest-running show to win a Tony Award for Best Musical. CANNOTANSWER\n\nUsing a quote from the above article, answer the following question: Howw did Stephen collaborate with James?", "targets": "Their first collaboration was Sunday in the Park with George (1984),"}
{"inputs": "Clemens was born in Dayton, Ohio, the fifth child of Bill and Bess (Lee) Clemens. He is of German descent, his great-grandfather Joseph Clemens having immigrated in the 1880s. Clemens's parents separated when he was an infant. His mother soon married Woody Booher, whom Clemens considers his father.\n\nClemens unexpectedly appeared in the owner's box at Yankee Stadium on May 6, 2007, during the seventh-inning stretch of a game against the Seattle Mariners, and made a brief statement: \"Thank y'all. Well they came and got me out of Texas, and uhh, I can tell you it's a privilege to be back. I'll be talkin' to y'all soon.\" It was simultaneously announced that Clemens had rejoined the Yankees roster, agreeing to a pro-rated one-year deal worth $28,000,022, or about $4.7 million per month. Over the contract life, he would make $18.7 million. This equated to just over $1 million per start that season.  Clemens made his 2007 return on June 9, defeating the Pittsburgh Pirates by pitching six innings with seven strikeouts and 3 runs allowed. On June 21, with a single in the 5th inning against the Colorado Rockies, Clemens became the oldest New York Yankee to record a hit (44 years, 321 days). On June 24, Clemens pitched an inning in relief against the San Francisco Giants. It had been 22 years and 341 days since his previous regular-season relief appearance, the longest such gap in major league history.  On July 2, Clemens collected his 350th win against the Minnesota Twins at Yankee Stadium, giving up just two hits and one run over eight innings. Clemens is one of only three pitchers to pitch his entire career in the live-ball era and reach 350 wins. The other two are Warren Spahn (whose catcher for his 350th win was Joe Torre, Clemens's manager for his 350th), and Greg Maddux, who earned his 350th win in 2008. His final regular season appearance was a start against the Red Sox at Fenway Park, in which he allowed 2 hits and 1 unearned run in 6 innings, and received a no-decision. Clemens finished the 2007 regular season with a record of 6-6 and a 4.18 ERA.  Clemens was forced to leave Game 3 of the 2007 ALDS in the third inning after aggravating a hamstring injury. He struck out Victor Martinez of the Cleveland Indians with his final pitch, and was replaced by right-hander Phil Hughes. Yankees manager Joe Torre removed Clemens from the roster due to his injury, and replaced him with left-hander Ron Villone. CANNOTANSWER\n\nWhat other games were notable?", "targets": "On June 21, with a single in the 5th inning against the Colorado Rockies, Clemens became the oldest New York Yankee to record a hit (44 years, 321 days)."}
{"inputs": "Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.\n\nHenry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment.  Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed.  After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them.  The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio.  He died on December 2, 2008. CANNOTANSWER\n\nUsing a quote from the above article, answer the following question: Where was Molaison born?", "targets": "CANNOTANSWER"}
{"inputs": "Which entity is this text about?\n\nBrett Favre was born in Gulfport, Mississippi, the son of Bonita Ann (nee French) and Irvin Ernest Favre, and raised in the small town of Kiln. Both of his parents were schoolteachers in the Hancock County School District. He is of part French ancestry. One of his ancestors is Simon Favre, a Creole, was an influential figure in Spanish West Florida in the late 18th and early 19th centuries; Brett descends from Simon's Choctaw Native American mistress, Pistikiokonay, and thus his grandfather was affiliated with the Choctaw.\n\nAfter high school, Southern Mississippi offered Favre a football scholarship, which was the only one he received. Southern Miss wanted him to play defensive back, but Favre wanted to play quarterback instead. Favre began his freshman year as the seventh-string quarterback and took over the starting position in the second half of the third game of the year against Tulane on September 19, 1987. Favre, despite suffering a hangover from the night before and vomiting during warm-ups, led the Golden Eagles to a come-from-behind victory with two touchdown passes. Favre started ten games during his freshman year and won six of them.  In his junior season, Favre led the Golden Eagles to an upset of #6 Florida State on September 2, 1989. Favre capped a six-and-a-half-minute drive with the game-winning touchdown pass with 23 seconds remaining.  On July 14, 1990, before the start of Favre's senior year at Southern Miss, he was involved in a near-fatal car accident. When going around a bend a few tenths of a mile from his parents' house, Favre lost control of his car, which flipped three times and came to rest against a tree. It was only after one of his brothers smashed a car window with a golf club that Favre could be evacuated and rushed to the hospital. In the ambulance, his mother was sitting with him. \"All I kept asking [her] was 'Will I be able to play football again?'\" Favre recalled later. Doctors would later remove 30 inches (76 cm) of Favre's small intestine. Six weeks after this incident, on September 8, Favre led Southern Miss to a comeback victory over Alabama. Alabama coach Gene Stallings said, \"You can call it a miracle or a legend or whatever you want to. I just know that on that day, Brett Favre was larger than life.\"  Favre formerly held several Southern Miss football records until most were surpassed by Austin Davis by the end of the 2011 season. Favre had 15 games over his career where he compiled more than 200 passing yards, making him fourth in school history on the all-time list in that category. Of those 15 games, five were 300-yard games, the most compiled by any of the school's quarterbacks. Additionally, he was the seasonal leader in total passing and total offense in all four of his seasons at Southern Miss. CANNOTANSWER", "targets": "Brett Favre"}
{"inputs": "Born in Drouin to Alfred and Colleen Ablett, Gary Ablett grew up in the Latrobe Valley in Victoria's Gippsland region alongside his four elder brothers and three sisters. Ablett displayed a love for sport at an early age, winning the state school high jump at 10 years of age. He was also awarded both club and competition best and fairest awards for Drouin at the under-11s, under-12s and under-14s levels. After citing waning interest in school, Ablett dropped out of high school at the age of 15 years to become a bricklayer's labourer.\n\nAblett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, \"like a lot of artists\". Ablett is the subject of the song \"Kicking the Footy with God\", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER\n\nAre there any other interesting aspects about this article?", "targets": "In 1996, Ablett was named in the AFL Team of the Century on the interchange bench,"}
{"inputs": "David \"Davy\" Crockett (August 17, 1786 - March 6, 1836) was a 19th-century American folk hero, frontiersman, soldier, and politician. He is commonly referred to in popular culture by the epithet \"King of the Wild Frontier\". He represented Tennessee in the U.S. House of Representatives and served in the Texas Revolution. Crockett grew up in East Tennessee, where he gained a reputation for hunting and storytelling.\n\nCrockett fell in love with John Canady's niece Amy Summer, who was engaged to Canady's son Robert. While serving as part of the wedding party, Crockett met Margaret Elder. He persuaded her to marry him, and a marriage contract was drawn up on October 21, 1805. Margaret had also become engaged to another young man at the same time and married him instead.  He met Polly Finley and her mother Jean at a harvest festival. Although friendly towards him in the beginning, Jean Finley eventually felt Crockett was not the man for her daughter. Crockett declared his intentions to marry Polly, regardless of whether the ceremony was allowed to take place in her parents' home or had to be performed elsewhere. He arranged for a justice of the peace and took out a marriage license on August 12, 1806. On August 16, he rode to Polly's house with family and friends, determined to ride off with Polly to be married elsewhere. Polly's father pleaded with Crockett to have the wedding in the Finley home. Crockett agreed only after Jean apologized for her past treatment of him.  The newlyweds settled on land near Polly's parents, and their first child, John Wesley Crockett, who became a United States Congressman, was born July 10, 1807. Their second child, William Finley Crockett, was born November 25, 1808. In October 1811, the family relocated to Lincoln County. Their third child Margaret Finley (Polly) Crockett was born on November 25, 1812. The Crocketts then moved to Franklin County in 1813. He named the new home on Beans Creek \"Kentuck\".  His wife died in March 1815, and Crockett asked his brother John and his sister-in-law to move in with him to help care for the children. That same year, he married the widow Elizabeth Patton, who had a daughter, Margaret Ann, and a son, George. David and Elizabeth's son, Robert Patton, was born September 16, 1816. Daughter Rebecca Elvira was born December 25, 1818. Daughter Matilda was born August 2, 1821. CANNOTANSWER\n\nAsk a question about this article.", "targets": "Was there anything noteworthy about any of his children?"}
{"inputs": "Sir Julian Sorell Huxley FRS (22 June 1887 - 14 February 1975) was a British evolutionary biologist, eugenicist, and internationalist. He was a proponent of natural selection, and a leading figure in the mid-twentieth century modern synthesis. He was secretary of the Zoological Society of London (1935-1942), the first Director of UNESCO, a founding member of the World Wildlife Fund and the first President of the British Humanist Association. Huxley was well known for his presentation of science in books and articles, and on radio and television.\n\nIn the early 20th century he was one of the minority of biologists who believed that natural selection was the main driving force of evolution, and that evolution occurred by small steps and not by saltation (jumps). These opinions are now standard.  Though his time as an academic was quite brief, he taught and encouraged a number of evolutionary biologists at the University of Oxford in the 1920s. Charles Elton (ecology), Alister Hardy (marine biology) and John Baker (cytology) all became highly successful, and Baker eventually wrote Huxley's Royal Society obituary memoir.  Perhaps the most significant was Edmund Brisco Ford, who founded a field of research called ecological genetics, which played a role in the evolutionary synthesis. Another important disciple was Gavin de Beer, who wrote on evolution and development, and became Director of the Natural History Museum. Both these fine scholars had attended Huxley's lectures on genetics, experimental zoology (including embryology) and ethology. Later, they became his collaborators, and then leaders in their own right.  In an era when scientists did not travel so frequently as today, Huxley was an exception, for he travelled widely in Europe, Africa and the United States. He was therefore able to learn from and influence other scientists, naturalists and administrators. In the US he was able to meet other evolutionists at a critical time in the reassessment of natural selection. In Africa he was able to influence colonial administrators about education and wild-life conservation. In Europe, through UNESCO, he was at the centre of the post-World War II revival of education. In Russia, however, his experiences were mixed. His initially favourable view was changed by his growing awareness of Stalin's murderous repression, and the Lysenko affair. There seems little evidence that he had any effect on the Soviet Union, and the same could be said for some other Western scientists.  \"Marxist-Leninism had become a dogmatic religion... and like all dogmatic religions, it had turned from reform to persecution.\" CANNOTANSWERAnswer this question using a quote from the following article:\n\nDid Huxley teach his beliefs?", "targets": "In Africa he was able to influence colonial administrators about education and wild-life conservation."}
{"inputs": "Which entity is this text about?\n\nAt the Drive-In is an American post-hardcore band from El Paso, Texas, formed in 1994. The band currently consists of Cedric Bixler (vocals), Omar Rodriguez (guitar, vocals), Paul Hinojos (bass), Tony Hajjar (drums) and Keeley Davis (guitar, vocals). After several early line-up changes, the band solidified into a five-piece, consisting of Bixler, Rodriguez, Jim Ward, Hinojos and Hajjar. At the Drive-In released three studio albums and five EPs before breaking up in 2001.\n\nAt the Drive-In's style is usually described as post-hardcore. Their sound has also been called punk rock, emo and art punk. Some of the group's influences are Indian Summer, Swing Kids, Fugazi, Sunny Day Real Estate (referred to by Ward as \"Fugazi beyond Fugazi\"), Bad Brains, and the Gravity Records-led post-hardcore sound of the 1990s that featured acts such as Antioch Arrow and Heroin. In their last period before their initial breakup, the biggest influences of At the Drive-In included bands such as Drive Like Jehu and The Nation of Ulysses, with frontman Bixler-Zavala going on to say that \"there would be no Relationship of Command without Drive Like Jehu.\" The band also performed cover versions of songs such as \"This Night Has Opened My Eyes\" by The Smiths and \"Take Up Thy Stethoscope and Walk\" by Pink Floyd, both included in the 2004 compilation This Station Is Non-Operational. Their name was taken from the fact that Bad Brains took their name from the Ramones' song \"Bad Brain\" (from Road to Ruin), and Bixler liked the Bad Brains' song title \"At the Movies\" (track featured in Rock for Light); while Ward liked \"at the drive-in\", and his suggestion would eventually win out.  Though In/Casino/Out was recorded live, \"Relationship of Command may very well be the first record to harness the chaotic balance of adrenaline and intellect of ATDI's live performance.\" \"Ross was instrumental in bringing out a lot of feeling from us,\" Bixler recalls. \"We channeled a lot of emotion into this record. He pushed us farther than we thought we could go. I learned to cut loose the way we do live and not to be afraid to break something or whatever.\" While capturing the essence of ATDI's live shows in a way never before seen, the record also featured some of the band's most experimental songs, including \"Rolodex Propaganda,\" \"Non-Zero Possibility,\" and \"Invalid Litter Dept.\"  The band's guitar-playing, in the majority of their songs, is characterized by unusual chords, a fast tempo, and a quiet-loud-quiet song structure. While Jim and Paul provided the rhythmic structure of the song, Omar often played more experimental riffs and melodies over the top. Effects were heavily used by Omar, especially on Relationship of Command, while Jim used the keyboard to create melody, often switching between the guitar and keyboard such as in \"Invalid Litter Department.\" CANNOTANSWER", "targets": "At the Drive-In"}
{"inputs": "Prior to the November 2012 election, 238 of 242 House Republicans and 41 out of 47 Senate Republicans had signed ATR's \"Taxpayer Protection Pledge\", in which the pledger promises to \"oppose any and all efforts to increase the marginal income tax rate for individuals and business; and to oppose any net reduction or elimination of deductions and credits, unless matched dollar for dollar by further reducing tax rates.\"  The November 6, 2012 elections resulted in a decline in the number of Taxpayer Protection Pledge signatories in both the upper and lower houses of the 113th Congress: from 41 to 39 in the Senate, and from 238 to \"fewer than ... 218\" in the House of Representatives. According to journalist Alex Seitz-Wald, losses in the election by Norquist supporters and the \"fiscal cliff\" have emboldened and made more vocal critics of Norquist.  In November 2011, Senate Majority leader Harry Reid (D-NV) blamed Norquist's influence for the Joint Select Committee on Deficit Reduction's lack of progress, claiming that Congressional Republicans \"are being led like puppets by Grover Norquist. They're giving speeches that we should compromise on our deficit, but never do they compromise on Grover Norquist. He is their leader.\" Since Norquist's pledge binds signatories to opposing deficit reduction agreements that include any element of increased tax revenue, some Republican deficit hawks now retired from office have stated that Norquist has become an obstacle to deficit reduction. Former Republican Senator Alan Simpson (R-WY), co-chairman of the National Commission on Fiscal Responsibility and Reform, has been particularly critical, describing Norquist's position as \"[n]o taxes, under any situation, even if your country goes to hell.\" CANNOTANSWER\n\nAnswer this question \"What did Norquist have to do with the Taxpayer Protection Pledge?\" by extracting the answer from the text above.", "targets": "losses in the election by Norquist supporters and the \"fiscal cliff\" have emboldened and made more vocal critics of Norquist."}
{"inputs": "Expose is an American Latin freestyle vocal group. Primarily consisting of lead vocalists Jeanette Jurado, Ann Curless, and Gioia Bruno, the group achieved much of their success between 1984 and 1993, becoming the first group to have four top ten hits on the Billboard Hot 100 chart from its debut album, including the 1988 #1 hit \"Seasons Change\". In March 2015, Billboard magazine named the group the eighth most-successful girl group of all-time. The group was popular in dance clubs, mainstream Top 40 and adult contemporary charts in the United States.\n\nIn March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit \"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of \"Point of No Return\" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. \"Let Me Be the One\", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad \"Seasons Change\". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song \"Who's Getting Serious?\".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER\n\nAnswer the following question by taking a quote from the article: How did it do on the charts?", "targets": "led by the pop/dance hit \"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart."}
{"inputs": "Nelson was born March 20, 1906 in Jersey City, New Jersey. He was the second son of Ethel Irene (nee Orr) and George Waldemar Nelson. His paternal grandparents were Swedish and his mother was of English descent. Nelson was raised in Ridgefield Park where he was active in Scouting, earning the rank of Eagle Scout at age 13.\n\nNelson started his entertainment career as a band leader. He formed and led the Ozzie Nelson Band, and had some initial limited success. He made his own \"big break\" in 1930. The New York Daily Mirror ran a poll of its readers to determine their favorite band. He knew that news vendors got credit from the newspaper for unsold copies by returning the front page and discarding the rest of the issue. Gathering hundreds of discarded newspapers, the band filled out ballots in their favor. They edged out Paul Whiteman and were pronounced the winners.  From 1930 through the 1940s, Nelson's band recorded prolifically--first on Brunswick (1930-1933), then Vocalion (1933-1934), then back to Brunswick (1934-1936), Bluebird (1937-1941), Victor (1941) and finally back to Bluebird (1941-through the 1940s). Nelson's records were consistently popular and in 1934 Nelson enjoyed success with his hit song, \"Over Somebody Else's Shoulder\" which he introduced. Nelson was their primary vocalist and (from August 1932) featured in duets with his other star vocalist, Harriet Hilliard. Nelson's calm, easy vocal style was popular on records and radio and quite similar to son Rick's voice, and Harriet's perky vocals added to the band's popularity.  In 1935, Ozzie Nelson and His Orchestra had a number one hit with \"And Then Some\", which was number one for one week on the U.S. pop singles chart. Ozzie Nelson composed several songs, including \"Wave the Stick Blues\", \"Subway\", \"Jersey Jive\", \"Swingin' on the Golden Gate\", and \"Central Avenue Shuffle\".  In October 1935 he married the band's vocalist Hilliard. The couple had two children. David (1936-2011), became an actor and director. Eric (\"Ricky\") (1940-1985), became an actor and singer. CANNOTANSWER\n\nAsk a question about this article.", "targets": "What was one of the names of his songs?"}
{"inputs": "Which entity is this text about?\n\nMigration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.\n\nThe study of Northern European, or \"Germanic\", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the \"barbarian\" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into \"ribbons\" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry (\"confronted\"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER", "targets": "Migration Period art"}
{"inputs": "Background: Born in Dallas, Texas, into a family of Mexican ancestry, Trevino was raised by his mother, Juanita Trevino, and his grandfather, Joe Trevino, a gravedigger. Trevino never knew his father, Joseph Trevino, who left when his son was small. Trevino's childhood consisted of attending school occasionally and working to earn money for the family. At age 5, he started working in the cotton fields.\nContext: Throughout his career, Trevino was seen as approachable and humorous, and was frequently quoted by the press. Late in his career, he remarked, \"I played the tour in 1967 and told jokes and nobody laughed. Then I won the Open the next year, told the same jokes, and everybody laughed like hell.\"  At the beginning of Trevino's 1971 U.S. Open playoff against Jack Nicklaus, he threw a rubber snake that his daughter had put in his bag as a joke, at Nicklaus, who later admitted that he asked Trevino to throw it to him so he could see it. Trevino grabbed the rubbery object and playfully tossed it at Nicklaus, getting a scream from a nearby woman and a hearty laugh from Nicklaus. Trevino shot a 68 to defeat Nicklaus by three strokes.  During one tournament, Tony Jacklin, paired with Trevino, said: \"Lee, I don't want to talk today.\" Trevino retorted: \"I don't want you to talk. I just want you to listen.\"  After he was struck by lightning at the 1975 Western Open, Trevino was asked by a reporter what he would do if he were out on the course and it began to storm again. Trevino answered he would take out his 1 iron and point it to the sky, \"because not even God can hit the 1-iron.\" Trevino said later in an interview with David Feherty that he must have tempted God the week before by staying outside during a lightning delay to entertain the crowds, saying \"I deserved to get hit...God can hit a 1-iron.\"  Trevino said: \"I've been hit by lightning and been in the Marine Corps for four years. I've traveled the world and been about everywhere you can imagine. There's not anything I'm scared of except my wife.\" CANNOTANSWER\nQuestion: Did people find this funny?. Whats the answer?", "targets": "Trevino grabbed the rubbery object and playfully tossed it at Nicklaus, getting a scream from a nearby woman and a hearty laugh from Nicklaus."}
{"inputs": "Ayaan was born in 1969 in Mogadishu, Somalia. Her father, Hirsi Magan Isse, was a prominent member of the Somali Salvation Democratic Front and a leading figure in the Somalian Revolution. Shortly after she was born, her father was imprisoned due to his opposition to the Siad Barre government. Hirsi Ali's father had studied abroad and was opposed to female genital mutilation, but while he was imprisoned, Hirsi Ali's grandmother had a man perform the procedure on her, when Hirsi Ali was five years old. According to Hirsi Ali, she was fortunate that her grandmother could not find a woman to do the procedure, as the mutilation was \"much milder\" when performed by men.  After her father escaped from prison, he and the family left Somalia in 1977, going to Saudi Arabia and then to Ethiopia, before settling in Nairobi, Kenya by 1980. There he established a comfortable upper-class life for them. Hirsi Ali attended the English-language Muslim Girls' Secondary School. By the time she reached her teens, Saudi Arabia was funding religious education in numerous countries and its religious views were becoming influential among many Muslims. A charismatic religious teacher, trained under this aegis, joined Hirsi Ali's school. She inspired the teenaged Ayaan, as well as some fellow students, to adopt the more rigorous Saudi Arabian interpretations of Islam, as opposed to the more relaxed versions then current in Somalia and Kenya. Hirsi Ali said later that she had long been impressed by the Qur'an and had lived \"by the Book, for the Book\" throughout her childhood.  She sympathised with the views of the Islamist Muslim Brotherhood, and wore a hijab with her school uniform. This was unusual at the time but has become more common among some young Muslim women. At the time, she agreed with the fatwa proclaimed against British Indian writer Salman Rushdie in reaction to the portrayal of the Islamic prophet Muhammad in his novel The Satanic Verses. After completing secondary school, Hirsi Ali attended a secretarial course at Valley Secretarial College in Nairobi for one year. As she was growing up, she also read English-language adventure stories, such as the Nancy Drew series, with modern heroine archetypes who pushed the limits of society. Also, remembering her grandmother refusing soldiers entry into her house, Hirsi Ali associated with Somalia \"the picture of strong women: the one who smuggles in the food, and the one who stands there with a knife against the army and says, 'You cannot come into the house.' And I became like that. And my parents and my grandmother don't appreciate that now - because of what I've said about the Qur'an. I have become them, just in a different way.\" CANNOTANSWER\n\nAnswer this question \"What did her father do for a job?\" by extracting the answer from the text above.", "targets": "a prominent member of the Somali Salvation Democratic Front and a leading figure in the Somalian Revolution."}
{"inputs": "Answer by taking a quote from the following article:\n\nMusial was born in Donora, Pennsylvania, the fifth of the six children (four girls and two boys) of Lukasz and Mary (Lancos) Musial (, MOO-show). His mother was of Carpatho-Rusyn descent and his father was a Polish immigrant who chose the name Stanislaw Franciszek for his first son, though his father always referred to Musial using the Polish nickname Stasiu, pronounced \"Stashu\". Musial frequently played baseball with his brother Ed and other friends during his childhood, and considered Lefty Grove his favorite ballplayer. Musial also had the benefit of learning about baseball from his neighbor Joe Barbao, a former minor league pitcher.\n\nMusial began the 1950s by posting a .350 batting average before participating in the 1950 All-Star Game, where in fan balloting he was the NL's number two choice. He had the longest hitting streak of his career during the 1950 season--a 30-game stretch that ended on July 27. With the Cardinals falling 14 games out of first place by September, manager Dyer used him at first base and all three outfield positions. New Cardinals manager Marty Marion led the team to a third-place finish in 1951, while Musial was named The Sporting News Major League Player of the Year.  National media attention inadvertently turned to Musial a month before the 1952 season began, after Ty Cobb wrote an article regarding modern baseball players that was published in Life magazine. Cobb singled out Musial and Phil Rizzuto as the only players \"who can be mentioned in the same breath with the oldtime greats\". Cobb went on to refer to Musial as \"a better player than Joe DiMaggio was in his prime.\" In response, Musial displayed his characteristic modesty, saying, \"Cobb is baseball's greatest. I don't want to contradict him, but I can't say that I was ever as good as Joe DiMaggio.\"  The only major league pitching appearance of Musial's career occurred as a publicity stunt during the last Cardinals home game of the 1952 season. Manager Eddie Stanky had a reluctant Musial pitch to Frank Baumholtz, the runner-up to Musial for the best batting average in the NL that season. With Baumholtz batting right-handed for the first time in his career, Musial's first pitch was hit so hard it ricocheted off the shin of third baseman Solly Hemus and into the left field corner. The play was ruled an error, and Musial was embarrassed enough by his complicity in the gimmick to avoid pitching again for the remainder of his career.  The Cardinals franchise was up for sale in early 1953, and Musial and Schoendienst advised their friend and fellow duck-hunter Gussie Busch to consider buying the team. Busch used the resources of the Anheuser-Busch company to purchase the Cardinals, keeping Musial in St. Louis by averting the possibility of a move by the team to another city. The 1953 season marked Musial's 10th NL All-Star selection, and the 12th consecutive time he finished a major league season with a batting average above .300.  Musial accomplished another historical feat on May 2, 1954, in a doubleheader in St. Louis against the New York Giants: he hit three home runs in the first contest, then added two more in the second to become the first major leaguer to hit five home runs in a doubleheader. In addition to his five home runs, he also hit a single in the first game, setting a new record of 21 total bases for a doubleheader. The only player besides Musial to hit five home runs in a doubleheader is Nate Colbert, who achieved the feat in 1972. CANNOTANSWER\n\ndid he set any other records?", "targets": "CANNOTANSWER"}
{"inputs": "Background: Isaac Hayes, Jr. was born in Covington, Tennessee, in Tipton County. He was the second child of Eula (nee Wade) and Isaac Hayes, Sr. After his mother died young and his father abandoned his family, Isaac, Jr., was raised by his maternal grandparents, Mr. and Mrs. Willie Wade, Sr. The child of a sharecropper family, he grew up working on farms in Shelby County, Tennessee, and in Tipton County.\nContext: In 1995, Hayes appeared as a Las Vegas minister impersonating himself in the comedy series The Fresh Prince of Bel-Air. He launched a comeback on the Virgin label in May 1995 with Branded, an album of new material that earned impressive sales figures as well as positive reviews from critics who proclaimed it a return to form. A companion album released around the same time, Raw and Refined, featured a collection of previously unreleased instrumentals, both old and new. Hayes worked on the theme for the 1996 theatrical release 'Beavis and Butt-Head Do America', producing a piece which was essentially a hybrid of 'The Theme From Shaft' and the theme from the original 'Beavis and Butt-Head' TV show.  Soon after, Hayes joined the founding cast of Comedy Central's animated TV series, South Park. Hayes provided the voice for the character of \"Chef\", the amorous elementary-school lunchroom cook, from the show's debut on August 13, 1997 (one week shy of his 55th birthday), through the end of its ninth season in 2006. The role of Chef drew on Hayes's talents both as an actor and as a singer, thanks to the character's penchant for making conversational points in the form of crudely suggestive soul songs. An album of songs from the series appeared in 1998 with the title Chef Aid: The South Park Album reflecting Chef's popularity with the show's fans, and the Chef song \"Chocolate Salty Balls\" became a number-one U.K. hit. However, when the South Park movie South Park: Bigger, Longer & Uncut was released the following year, Chef was the only major character who did not perform a showcase song in the film; his lone musical contribution was \"Good Love,\" a track on the soundtrack album which originally appeared on Black Moses in 1971 and is not heard in the movie  In 2000, he appeared on the soundtrack of the French movie The Magnet on the song \"Is It Really Home\" written and composed by rapper Akhenaton (IAM) and composer Bruno Coulais. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame. After he played a set at the Glastonbury Festival, the same year a documentary highlighting Isaac's career and his impact on many of the Memphis artists in the 1960s onwards was produced, \"Only The Strong Survive\". In 2004, Hayes appeared in a recurring minor role as the Jaffa Tolok on the television series Stargate SG-1. The following year, he appeared in the critically acclaimed independent film Hustle & Flow. He also had a brief recurring role in UPN/The CW's Girlfriends as Eugene Childs (father of Toni). CANNOTANSWER\nQuestion: Was he on any other shows?\n\nAnswer:", "targets": "Soon after, Hayes joined the founding cast of Comedy Central's animated TV series, South Park."}
{"inputs": "Fred McFeely Rogers (March 20, 1928 - February 27, 2003) was an American television personality, musician, puppeteer, writer, producer, and Presbyterian minister. Rogers was famous for creating, hosting and composing the theme music for the educational preschool television series Mister Rogers' Neighborhood (1968-2001), which featured his kind-hearted grandfatherly personality, and direct connection to his audiences. Originally trained and ordained as a minister, Rogers was displeased with the way television addressed children at the time, and made an effort to change this when he began to write for and perform on local Pittsburgh-area shows dedicated to youth. Rogers developed his own show on WQED in 1968, and it was distributed nationwide by Eastern Educational Television Network.\n\nRogers was born in Latrobe, Pennsylvania, 40 miles (65 km) southeast of Pittsburgh, to James and Nancy Rogers; he had one sister, Elaine. Early in life, he spent much of his free time with his maternal grandfather, Fred McFeely, who had an interest in music. He would often sing along as his mother would play the piano, and he himself began playing at five. He obtained a pilot's license while still in high school.  Rogers graduated from Latrobe High School (1946). He studied at Dartmouth College (1946-48), then transferred to Rollins College in Winter Park, Florida, where he earned a B.A. in Music Composition in 1951. Rogers was also a trained general aviation pilot.  At Rollins, he met Sara Joanne Byrd (born c. 1928), an Oakland, Florida, native; they married on June 9, 1952. They had two sons, James (b. 1959) and John (b. 1961). In 1963, Rogers graduated from Pittsburgh Theological Seminary and was ordained a minister in the United Presbyterian Church in the U.S.A.  Rogers had an apartment in New York City and a summer home on Nantucket island in Massachusetts. Rogers was red-green color blind, swam every morning, and neither smoked nor drank. He was a vegetarian on ethical grounds, stating \"I don't want to eat anything that has a mother.\" Despite recurring rumors, he never served in the military.  His office at WQED Pittsburgh famously did not have a desk, only a sofa and armchairs, because Rogers thought a desk was \"too much of a barrier\". CANNOTANSWERAnswer this question using a quote from the following article:\n\nWhere did he go to high school?", "targets": "Rogers graduated from Latrobe High School (1946)."}
{"inputs": "Pete Maravich was born to Petar \"Press\" Maravich (1915-1987) and Helen Gravor Maravich (1925-1974) in Aliquippa, a steel town in Beaver County in western Pennsylvania, near Pittsburgh. Maravich amazed his family and friends with his basketball abilities from an early age. He enjoyed a close but demanding father-son relationship that motivated him toward achievement and fame in the sport. Maravich's father was the son of Serbian immigrants and a former professional player-turned-coach.\n\nMaravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, \"My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing.\"  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWERAnswer this question using a quote from the following article:\n\nwho is pete maravich", "targets": "CANNOTANSWER"}
{"inputs": "Sanders was born on September 8, 1941, in Brooklyn, New York City. His father, Elias Ben Yehuda Sanders, was born on September 14, 1904, in Slopnice, Poland (then the Austro-Hungarian province of Galicia), to a Jewish family; in 1921, the 17-year-old Elias immigrated to the United States, where he became a paint salesman. His mother, Dorothy \"Dora\" Sanders (nee Glassberg), was born in New York City on October 2, 1912, to Jewish immigrant parents from Poland and Russia. Sanders became interested in politics at an early age: \"A guy named Adolf Hitler won an election in 1932.\n\nSanders was a consistent critic of the Patriot Act. As a member of Congress, he voted against the original Patriot Act legislation. After its 357-to-66 passage in the House, Sanders sponsored and voted for several subsequent amendments and acts attempting to curtail its effects, and voted against each re-authorization. In June 2005, Sanders proposed an amendment to limit Patriot Act provisions that allow the government to obtain individuals' library and book-buying records. The amendment passed the House by a bipartisan majority, but was removed on November 4 of that year in House-Senate negotiations and never became law.  In March 2006, after a series of resolutions passed in various Vermont towns calling for him to bring articles of impeachment against George W. Bush, Sanders stated that it would be \"impractical to talk about impeachment\" with Republicans in control of the House and Senate. Still, Sanders made no secret of his opposition to the Bush Administration, which he regularly criticized for its cuts to social programs.  Sanders was a vocal critic of Federal Reserve Chair Alan Greenspan; in June 2003, during a question-and-answer discussion with the then-Chairman, Sanders told Greenspan that he was concerned that Greenspan was \"way out of touch\" and \"that you see your major function in your position as the need to represent the wealthy and large corporations\". In October 2008, after Sanders had been elected to the Senate, Greenspan admitted to Congress that his economic ideology regarding risky mortgage loans was flawed. In 1998, Sanders voted and advocated against rolling back the Glass-Steagall Legislation provisions that kept investment banks and commercial banks separate entities. CANNOTANSWER\n\nUsing a quote from the above article, answer the following question: what did he accomplish?", "targets": "he voted against the original Patriot Act legislation."}