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Augusto Jose Ramon Pinochet Ugarte (; Spanish: [au'gusto pino'(t)Se, -'(t)Set]; 25 November 1915 - 10 December 2006) was a Chilean general, politician and the dictator of Chile between 1973 and 1990 who remained the Commander-in-Chief of the Chilean Army until 1998 and was also President of the Government Junta of Chile between 1973 and 1981. Pinochet assumed power in Chile following a United States-backed coup d'etat on 11 September 1973 that overthrew the democratically elected socialist Unidad Popular government of President Salvador Allende and ended civilian rule.

Pinochet suffered a heart attack on the morning of 3 December 2006, and subsequently the same day he was given the last rites. On 4 December 2006, the Chilean Court of Appeals ordered the suspension of his house arrest. On 10 December 2006 at 13:30 local time (16:30 UTC) he was taken to the intensive care unit. He died of congestive heart failure and pulmonary edema, surrounded by family members, at the Military Hospital at 14:15 local time (17:15 UTC). Massive spontaneous street demonstrations broke out throughout the country upon the news of his death. In Santiago, opponents celebrated his death in Alameda Avenue, while supporters grieved outside the Military Hospital. Pinochet's remains lay in repose on 11 December 2006 at the Military Academy in Las Condes. During this ceremony, Francisco Cuadrado Prats--the grandson of Carlos Prats (a former Commander-in-Chief of the Army in the Allende government who was murdered by Pinochet's secret police)--spat on the coffin, and was quickly surrounded by supporters of Pinochet, who kicked and insulted him. Pinochet's funeral took place the following day at the same venue before a gathering of 60,000 supporters. In a government decision, he was not granted a state funeral (an honor normally bestowed upon past presidents of Chile) but a military funeral as former commander-in-chief of the Army appointed by Allende. The government also refused to declare an official national day of mourning, but it did authorize flags at military barracks to be flown at half staff, and for the Chilean flag to be draped on Pinochet's coffin. Socialist President Michelle Bachelet, whose father Alberto was temporarily imprisoned and tortured after the 1973 coup and died shortly afterwards from heart complications, said that it would be "a violation of [her] conscience" to attend a state funeral for Pinochet. The only government authority present at the public funeral was the Defense Minister, Vivianne Blanlot. In Spain, supporters of late dictator Francisco Franco paid homage to Pinochet. Antonio Tejero, who led the failed coup of 1981, attended a memorial service in Madrid. Pinochet's body was cremated in Parque del Mar Cemetery, Concon on 12 December 2006, on his request to "avoid vandalism of his tomb," according to his son Marco Antonio. His ashes were delivered to his family later that day, and are deposited in Los Boldos, Santo Domingo, Valparaiso, Chile; one of his personal residences. The armed forces refused to allow his ashes to be deposited on military property. CANNOTANSWER

Where did he die?


Background: Harpo was born on November 23, 1888 in Manhattan. He grew up in a neighborhood now known as Carnegie Hill on the Upper East Side of Manhattan, on East 93rd Street off Lexington Avenue. The turn-of-the-century tenement that Harpo later called (in his memoir Harpo Speaks!) "the first real home I can remember" was populated with European immigrants, mostly artisans--which even included a glass blower.
Context: In January 1910, Harpo joined two of his brothers, Julius (later "Groucho") and Milton (later "Gummo"), to form "The Three Nightingales", later changed to simply "The Marx Brothers". Multiple stories--most unsubstantiated--exist to explain Harpo's evolution as the "silent" character in the brothers' act. In his memoir, Groucho wrote that Harpo simply wasn't very good at memorizing dialogue, and thus was ideal for the role of the "dunce who couldn't speak", a common character in vaudeville acts of the time. Harpo gained his stage name during a card game at the Orpheum Theatre in Galesburg, Illinois. The dealer (Art Fisher) called him "Harpo" because he played the harp. He learned how to hold it properly from a picture of an angel playing a harp that he saw in a five-and-dime. No one in town knew how to play the harp, so Harpo tuned it as best he could, starting with one basic note and tuning it from there. Three years later he found out he had tuned it incorrectly, but he could not have tuned it properly; if he had, the strings would have broken each night. Harpo's method placed much less tension on the strings. Although he played this way for the rest of his life, he did try to learn how to play correctly, and he spent considerable money hiring the best teachers. They spent their time listening to him, fascinated by the way he played. The major exception was Mildred Dilling, a professional harpist who did teach Harpo the proper techniques of the instrument and collaborated with him regularly when he had difficulty with various compositions. In the autobiography Harpo Speaks (1961), he recounts how Chico found him jobs playing piano to accompany silent movies. Unlike Chico, Harpo could play only two songs on the piano, "Waltz Me Around Again, Willie" and "Love Me and the World Is Mine," but he adapted this small repertoire in different tempos to suit the action on the screen. He was also seen playing a portion of Rachmaninoff's "Prelude in C# minor" in A Day at the Races and chords on the piano in A Night at the Opera, in such a way that the piano sounded much like a harp, as a prelude to actually playing the harp in that scene. Harpo had changed his name from Adolph to Arthur by 1911. This was due primarily to his dislike for the name Adolph (as a child, he was routinely called "Ahdie" instead). The name change may have also happened because of the similarity between Harpo's name and Adolph Marks, a prominent show business attorney in Chicago. Urban legends stating that the name change came about during World War I due to anti-German sentiment in the US, or during World War II because of the stigma that Adolf Hitler imposed on the name, are groundless. CANNOTANSWER
Question: Did he go on stage with anyone famous?

Answer:


A number of homes are associated with O'Reilly, including his current official main residence, Lissadell, with a beach within private gated community Lyford Cay near Nassau in the Bahamas. For many years his principal residence and later a major base, was Castlemartin, a "big house" dating in current form from the 18th century, at Kilcullen, County Kildare (which has associated stud farm and cattle breeding premises on the large estate lands). O'Reilly purchased Castlemartin in 1972 from the Earl of Gowrie, and spent millions on improvements to the house and on restoration of the 15th century Church of St Mary in the grounds. On 15 February 2008 permission was granted for developments of two ancillary houses on a remote part of the estate, adjoining Kilcullen (Bridge) village's main street, incorporating residential, restaurant and retail space. In October 2007, O'Reilly paid a record EUR125,000 per acre for 60-acre (240,000 m2) Hollyhill Stud in Carnalway near Brannockstown, under 3 kilometres from Kilcullen. The stud farm on the banks of the Liffey, with a 10-room house and a cottage, was thought to have been intended for one of his daughters. In late 1995, he and his wife purchased a former solicitor's office, a four-storey Georgian house on Fitzwilliam Square, Dublin, with a courtyard and coachhouse with separate entrance. The 1 million Irish pound house, formerly owned by railway pioneer William Dargan, was a base when travel to Castlemartin was not feasible, and a place for meetings and his private office. O'Reilly also has a holiday compound, Shorecliffe, comprising several houses, garden areas and two swimming pools, by the sea in Glandore, County Cork. The O'Reillys also owned a chateau "built on the ruins of the castle where William the Conqueror plotted his 1066 invasion of England" at Deauville in France. For many years a key O'Reilly residence was a 34-room mock Tudor house of 8,000 square feet (740 m2) at Fox Chapel, Pittsburgh, with 7 acres (28,000 m2) of grounds. This property, his second home in that area, with eight bedrooms and bathrooms, an "Irish bar" in the basement, tennis courts, Japanese and English themed gardens and swimming and tennis facilities, was sold for around $US2.4 million in 2000 The residential complex in Glandore, the house on Fitzwilliam Square and the Castlemartin Estate have all been placed on the market in recent years. CANNOTANSWER

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Rundgren was born in Philadelphia, Pennsylvania, the son of Ruth (nee Fleck; April 29, 1922 - April 6, 2016) and Harry W. Rundgren (1917-1996). He grew up in Upper Darby. His father was of half Swedish and half Austrian descent, and his mother was mostly of German descent. Todd was a 1966 graduate of Upper Darby High School.

Rundgren's unhappiness with the production on the Nazz recordings prompted him to educate himself in audio engineering and production, and after leaving the Nazz in 1969, he relocated to New York, signed with Albert Grossman and began working as a producer for other groups, as well as recording his own material, which was initially released through the Ampex Records label (a short-lived joint venture between Grossman and the Ampex company). He also apparently considered working as a computer programmer. Subsequently, he became one of the first artists signed to Grossman's Bearsville Records label (distributed through Warner Bros. Records). After signing with Bearsville, Rundgren worked almost constantly on production projects through the early 1970s. His first project for Bearsville was a Philadelphia band called The American Dream, followed by a trip to Nashville to produce Ian and Sylvia Tyson's group Great Speckled Bird, with a backing band featuring guitarist Amos Garrett, pedal steel player Buddy Cage, pianist David Briggs and bassist Norbert Putnam and drummer N. D. Smart, with whom Rundgren worked on several later projects. During this period, Rundgren also made an abortive attempt to record with Janis Joplin and her band for Joplin's next studio album, but the sessions came to nothing and the project was eventually taken over by Paul A. Rothchild; the result was Joplin's final LP Pearl, which Rothchild pieced together from the incomplete session tapes, following the singer's death from a heroin overdose. Grossman recommended Rundgren to Robbie Robertson of The Band as the engineer for an album Robertson was producing, by singer-songwriter Jesse Winchester, who was at the time living in exile in Canada to avoid the draft. This was followed by a live album for the Paul Butterfield Blues Band. Having impressed Robertson with his work on the Winchester LP, Rundgren was then asked to engineer The Band's third album, Stage Fright, which was recorded in a series of sessions at the Woodstock Playhouse. One of these was attended by New York writer Patti Smith, and their chance meeting led to an enduring friendship. Smith wrote several strongly positive reviews of Rundgren's early solo work in the rock press, and in 1979 Rundgren produced the final Patti Smith Group album Wave. His work for The Band was followed by a second album for Winchester (which was then shelved for two years) and the album Taking Care of Business by the James Cotton Blues Band. This project resulted in Rundgren meeting Cotton's keyboard player Mark "Moogy" Klingman, who in turn introduced Rundgren to keyboard player Ralph Schuckett, both of whom worked extensively with Rundgren over the next few years. CANNOTANSWERAnswer this question using a quote from the following article:

What was the name of the album he produced with The American Dream?


Judas Priest were formed in 1969 in industrial West Bromwich, in the Black Country, by vocalist Al Atkins and bassist Brian "Bruno" Stapenhill, with John Perry on guitar and John "Fezza" Partridge on drums. Perry soon died in a road accident, and amongst the replacements the band auditioned were future Judas Priest guitarist Kenny "K. K." Downing; at the time, they turned him down in favour of 17-year-old multi-instrumentalist Ernest Chataway, who had played with Birmingham band Black Sabbath when they were still called Earth. Stapenhill came up with the name Judas Priest from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest" on the album John Wesley Harding. No member of that early lineup lasted long enough to play on the band's recordings, though several songs co-written by Atkins appeared on their first two albums. The band gained a three-album recording contract with the label Immediate in late 1969 after a gig in Walsall, but the label went out of business before an album could be recorded, and the band split in 1970. Late in the year, Atkins found a heavy rock band rehearsing without a singer called Freight, made up of K. K. Downing on guitar, his childhood friend Ian "Skull" Hill on bass, and drummer John Ellis. He joined them, and they took on Atkins' defunct band's name. Their first gig was on 6 March 1971. Ellis quit later that year and was replaced with Alan Moore. Early shows included Hendrix and Quatermass covers, and in 1972 the set list included the originals "Never Satisfied", "Winter", and the show-closer "Caviar and Meths". Moore left and was replaced with Christopher Louis "Congo" Campbell, and the band joined Black Sabbath guitarist Tony Iommi's management agency Iommi Management Agency. Atkins continued to write material for the band--including "Whiskey Woman", which became the base for the Judas Priest staple "Victim of Changes"--but as finances were tight and he had a family to support, he played his last gigs with the band in December 1972. Campbell left soon afterwards, and the band enlisted two members of the band Hiroshima: drummer John Hinch and vocalist Rob Halford, the brother of Hill's girlfriend. Judas Priest made their first tour of continental Europe in early 1974 and returned to England that April to sign a recording deal with the label Gull. Gull suggested adding a fifth member to fill out the band's sound; they took on as a second lead guitarist Glenn Tipton, whose group The Flying Hat Band were also managed by Iommi's agency. Judas Priest went into the studio in June-July 1974 with Black Sabbath producer Rodger Bain. The band released their debut single "Rocka Rolla" that August and followed in September with an album of the same name. The album features a variety of styles--straight-up rock, heavy riffing, and progressive. Technical problems during the recording contributed to the poor sound quality of the record. Producer Rodger Bain, whose resume included Black Sabbath's first three albums as well as Budgie's first album, dominated the production of the album and made decisions with which the band did not agree. Bain also chose to leave fan favourites from the band's live set, such as "Tyrant", "Genocide" and "The Ripper", off the album and he cut the song "Caviar and Meths" from a 10-minute song down to a 2-minute instrumental. The tour for Rocka Rolla was Judas Priest's first international tour with dates in Germany, the Netherlands, Norway and Denmark including one show at Hotel Klubben in Tonsberg, one hour from Oslo, Norway, which scored them a somewhat negative review in the local press. The album flopped upon release, leaving Priest in dire financial straits. Priest attempted to secure a deal with Gull Records to get a monthly pay of 50 pounds, however, because Gull Records were struggling as well, they declined. Rocka Rolla (1974) has been for the most part dismissed by the band and none of its songs were played live after 1976 except for "Never Satisfied", which was revived during the Epitaph Tour in 2011. The band performed "Rocka Rolla" on BBC Two's The Old Grey Whistle Test in 1975, as well as the "Dreamer Deceiver"-"Deceiver" pair the year before the songs appeared on Sad Wings of Destiny. Hinch left the band for reasons that are disputed and was replaced with Alan Moore, who returned to the band in October 1975. Finances were tight: band members restricted themselves to one meal a day--and several took on part-time work--while they recorded their follow-up album on a budget of PS2000. The group intended to make an album mixing straight-ahead rock with a progressive edge. The band recorded Sad Wings of Destiny over two weeks in November and December 1975 at Rockfield Studios in Wales. The band stayed sober during the 12-hour recording sessions. The cover depicts a struggling, grounded angel surrounded by flames and wearing a devil's three-pronged cross, which became the band's symbol. The album was released in March 1976, with "The Ripper" as lead single. The band supported the album with a headlining tour of the UK from April to June 1976. By this time Halford joked that fans should burn their copies of Rocka Rolla. The album had little commercial success at first and had difficulty getting noticed due to critical competition from the rise of punk rock, though it peaked at No. 48 in the UK and had a positive review in Rolling Stone. Fans, critics, and the band have since come to see Sad Wings of Destiny as the album on which Judas Priest consolidated their sound and image. It features heavy riffing and complex song arrangements that Tipton and Downing have said were inspired by the factories of The Black Country. The album's centrepiece "Victim of Changes" evolved from a combination of Atkins' "Whiskey Woman" and Halford's "Red Light Woman", and went on to become a fan favourite. The band grew dissatisfied with Gull; the tight finances led Moore to leave the band a second time--this time permanently. Sad Wings of Destiny caught the attention of CBS Records, and with the help of new manager David Hemmings, the band signed with CBS and received a PS60000 budget for their next album. The signing required breaking their contract with Gull, resulting in the rights to the first two albums and all related recordings--including demos--becoming property of Gull. Gull periodically repackaged and re-released the material from these albums. CANNOTANSWER

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The Kentucky Headhunters is an American country rock and Southern rock band. They were founded in 1968 as Itchy Brother, which consisted of brothers Richard Young (rhythm guitar, vocals) and Fred Young (drums) along with Greg Martin (lead guitar, vocals) and Anthony Kenney (bass guitar, vocals). Itchy Brother performed together until 1982, with James Harrison replacing Martin from 1973 to 1976. The Young brothers and Martin began performing as The Kentucky Headhunters in 1986, adding brothers Ricky Lee Phelps (lead vocals, harmonica) and Doug Phelps (bass guitar, backing vocals) to the membership.

In 1991, the band released their second album, Electric Barnyard. Although the album earned a gold certification from the RIAA and a second CMA award for Vocal Group of the Year, its singles received little airplay compared to the band's previous releases, with none of the four singles reaching the top 40 on the U.S. country charts. The album's first single was a cover of "The Ballad of Davy Crockett," which was released on the 155th anniversary of Davy Crockett's death; the single shipped to radio with promotional coonskin caps. It spent eleven weeks on the charts and peaked at 49. "With Body and Soul" was the next single released, peaking at number 30 on the Canadian RPM country charts but reaching number 56 in the United States. The third and fourth singles were the original composition "It's Chitlin' Time" and a rendition of Waylon Jennings's "Only Daddy That'll Walk the Line," at numbers 63 and 60 respectively. Norman Greenbaum's 1969 single "Spirit in the Sky" was covered on this album as well. This album was met with mixed reception from critics. Alanna Nash of Entertainment Weekly gave it an A rating, saying that it "skillfully blends raw wit, the working-class energy of sweat-stained factory workers jamming between shifts, and musical styles as diverse as the corny Tennessee Ernie Ford and the creamy Eric Clapton." Allmusic critic Brian Mansfield, who gave it three-and-a-half stars, called the band a "top-notch Southern rock band with a sense of humor," and said that the covers on Electric Barnyard were highlights, while the originals were "adequate, offbeat filler." Randy Lewis of the Los Angeles Times called the band "ZZ Top lite" and said that most of the songs on the album had a "party-hearty sound." Later in 1991, The Kentucky Headhunters performed with Roy Rogers on the song "That's How the West Was Swung" from his Tribute album, and covered Canned Heat's "Let's Work Together" for the soundtrack to the film Harley Davidson and the Marlboro Man. In addition, Martin played lead guitar for Canadian synthpop band Men Without Hats on its 1991 album Sideways and filled in for Southern rock band Lynyrd Skynyrd guitarist Ed King on that band's 1992 tour, as King was injured at the time. Ricky Lee and Doug departed in June 1992 due to creative differences. According to Richard, Ricky Lee's tenure as lead vocalist was "a bad time" for the band given his opposition to Richard's opinions, although Richard was still surprised to hear of the brothers' departure, and said, "I tried everything I could to get them to stay." Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. CANNOTANSWER

What happen with the album


Jerry Alan West was born into a poor household in Chelyan, West Virginia. He was the fifth of six children of Cecil Sue West, a housewife, and Howard Stewart West, a coal mine electrician. West was previously an aggressive child in his youth, until his brother's death at the Korean War aged 21 turned him into a shy and introverted boy when Jerry was 12/13. He was so small, frail, and weak that he needed lots of vitamin injections from his doctor and was kept apart from children's sports, to prevent him from getting seriously injured.

West graduated from East Bank High School in 1956, and more than 60 universities showed interest in him. He eventually chose to stay in his home state and attend West Virginia University (WVU), located in Morgantown. In his freshman year (1956-57), West was a member of the WVU freshman squad that achieved a perfect record of 17 wins without a loss over the course of the season; other team members included Jay Jacobs and Willie Akers. In his first varsity year under head coach Fred Schaus, West scored 17.8 points per game and averaged 11.1 rebounds; he also started in all 28 games while shooting 49.6% from the field and 73.2% from the free throw line. These performances earned him a multitude of honors, among them an All-American Third Team call-up; First Team All-Southern Conference; Southern Conference Tournament Most Valuable Player Award and First Team honors; Chuck Taylor-Converse Second-team All-American honors; and Associated Press and United Press International Third-team All-American honors. The Mountaineers went 26-2 that year, ending the season with a loss to Manhattan College in post-season tournament play. During his junior year (1958-59), West scored 26.6 points per game and grabbed 12.3 rebounds per game. He tied the NCAA five-game tournament record of 160 points (32.0 points per game) and led all scorers and rebounders in every West Virginia game, including getting 28 points and 11 rebounds in a 71-70 loss to California in the final. West was named Most Outstanding Player of that year's Final Four. Further awards were All-American, Southern Conference Tournament MVP and Southern Conference Player of the Year and Athlete of the Year. He was also named to be a member of the U.S. Pan American Games basketball team that won the gold medal. West demonstrated his tenacity for the game in a match against the Kentucky Wildcats. He broke his nose during an incident in the game, but he continued to play despite intense pain and having to breathe through his mouth. He scored 19 points in the second-half, leading WVU to an upset victory. In his final collegiate season (1959-60) West enjoyed several career highs, such as scoring 29.3 points per game, a 134 season-assists, 16.5 rebounds per game, and a shooting average of 50.4% from the field, 76.6% from the free throw line. He was honored again with several awards: a call-up to the All-American selection, and being voted Southern Conference MVP. West's best performance was a game against Virginia, in which he grabbed 16 rebounds and scored 40 points. Moreover, during that final year, he had 30 double-doubles and fifteen 30-point games. In his collegiate career, West totaled 2,309 points and 1,240 rebounds. He averaged 24.8 points per game and 13.3 rebounds. As of 2011, West holds 12 WVU all-time records. West and Oscar Robertson co-captained the U.S. men's basketball team that won the gold medal at the 1960 Summer Olympics. CANNOTANSWER

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Leroy Robert "Satchel" Paige (July 7, 1906 - June 8, 1982) was an American Negro league baseball and Major League Baseball (MLB) pitcher who became a legend in his own lifetime by being known as perhaps the best pitcher in baseball history, by his longevity in the game, and by attracting record crowds wherever he pitched. Paige was a right-handed pitcher, and at age 42 in 1948, he was the oldest major league rookie while playing for the Cleveland Indians. He played with the St. Louis Browns until age 47, and represented them in the All-Star Game in 1952 and 1953.

A former friend from the Mobile slums, Alex Herman, was the player/manager for the Chattanooga White Sox of the minor Negro Southern League. In 1926 he discovered Paige and offered to pay him $250 per month, of which Paige would collect $50 with the rest going to his mother. He also agreed to pay Lula Paige a $200 advance, and she agreed to the contract. The local newspapers--the Chattanooga News and Chattanooga Times--recognized from the beginning that Paige was special. In April 1926, shortly after his arrival, he recorded nine strikeouts over six innings against the Atlanta Black Crackers. Part way through the 1927 season, Paige's contract was sold to the Birmingham Black Barons of the major Negro National League (NNL). According to Paige's first memoir, his contract was for $450 per month, but in his second he said it was for $275. Pitching for the Black Barons, Paige threw hard but was wild and awkward. In his first big game in late June 1927, against the St. Louis Stars, Paige incited a brawl when his fastball hit the hand of St. Louis catcher Mitchell Murray. Murray then charged the mound and Paige raced for the dugout, but Murray flung his bat and struck Paige above the hip. The police were summoned, and the headline of the Birmingham Reporter proclaimed a "Near Riot." Paige improved and matured as a pitcher with help from his teammates, Sam Streeter and Harry Salmon, and his manager, Bill Gatewood. He finished the 1927 season 7-1 with 69 strikeouts and 26 walks in 89 1/3 innings. Over the next two seasons, Paige went 12-5 and 10-9 while recording 176 strikeouts in 1929. (Several sources credit his 1929 strikeout total as the all-time single-season record for the Negro leagues, though there is variation among the sources about the exact number of strikeouts.) On April 29 of that season he recorded 17 strikeouts in a game against the Cuban Stars, which exceeded what was then the major league record of 16 held by Noodles Hahn and Rube Waddell. Six days later he struck out 18 Nashville Elite Giants, a number that was tied in the white majors by Bob Feller in 1938. Due to his increased earning potential, Barons owner R. T. Jackson would "rent" Paige out to other ball clubs for a game or two to draw a decent crowd, with both Jackson and Paige taking a cut. CANNOTANSWER

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Donald Francis Shula (born January 4, 1930) is a former professional American football coach and player who is best known as the head coach of the Miami Dolphins, the team he led to two Super Bowl victories, and to the only perfect season in the history of the National Football League (NFL). He was previously the head coach of the Baltimore Colts, with whom he won the 1968 NFL Championship. Shula was drafted out of John Carroll University in the 1951 NFL Draft, and he played professionally as a defensive back for the Cleveland Browns, Baltimore Colts, and Washington Redskins. Shula was named 1993 Sportsman of the Year by Sports Illustrated.

Shula set numerous records in his 33 seasons as a head coach. He is the all-time leader in victories with 347. He is first in most games coached (526), most consecutive seasons coached (33), and Super Bowl losses (four, tied with Bud Grant, Dan Reeves, and Marv Levy). His teams won seven NFL conference titles: 1964, 1968, 1971-73, 1982, and 1984. Shula's teams were consistently among the least penalized in the NFL, and Shula served on the Rules Committee, to help change the game to a more pass-oriented league. He had a winning record against almost every coach he faced, with several exceptions: Levy, against whom he was 5-14 during the regular season and 0-3 in the playoffs; John Madden, against whom he was 2-2 in the regular season and 1-2 in the playoffs for a total of 3-4; and Bill Cowher, against whom Shula was 1-2 late in his career. Don Shula also had losing records against Tom Flores(1-6) Raymond Berry (3-8), Walt Michaels (5-7-1), and Vince Lombardi (5-8). Shula also holds the distinction of having coached five different quarterbacks to Super Bowl appearances (Johnny Unitas and Earl Morrall in 1968, Bob Griese in 1971, 1972, and 1973, David Woodley in 1982, and Dan Marino in 1984), three of them (Unitas, Griese, and Marino) future Hall of Famers. He also coached Johnny Unitas to another World Championship appearance (in the pre-Super Bowl era) in 1964. The only other NFL coach to approach this distinction is Joe Gibbs, who coached four Super Bowls with three different quarterbacks (Joe Theismann, Doug Williams, and Mark Rypien), winning three times. Shula is honored at the Don Shula Stadium at John Carroll University, and the Don Shula Expressway in Miami. An annual college football game between South Florida schools Florida Atlantic University and Florida International University is named the Shula Bowl in his honor. The game's winner receives a traveling trophy named the Don Shula Award. On January 31, 2010, a statue of him was unveiled at Hard Rock Stadium. CANNOTANSWER

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Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.

Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Did he get formal education?


Guns N' Roses, often abbreviated as GNR, is an American hard rock band from Los Angeles, California, formed in 1985. The lineup, when first signed to Geffen Records in 1986, consisted of vocalist Axl Rose, lead guitarist Slash, rhythm guitarist Izzy Stradlin, bassist Duff McKagan, and drummer Steven Adler. Guns N' Roses has released six studio albums, accumulating sales of more than 100 million records worldwide, including 45 million in the United States, making them the 41st best-selling artist of all time. Guns N' Roses' debut album, Appetite for Destruction (1987), reached number one on the Billboard 200 a year after its release, on the strength of "Sweet Child o' Mine", the band's only single to reach number one on the Billboard Hot 100.

In 1984, Hollywood Rose member Izzy Stradlin was living with L.A. Guns member Tracii Guns. When L.A. Guns needed a new vocalist, Stradlin suggested Hollywood Rose singer Axl Rose. Guns N' Roses was formed in March 1985 by Rose and rhythm guitarist Stradlin, along with lead guitarist Tracii Guns, bassist Ole Beich, and drummer Rob Gardner of L.A. Guns. The band coined its name by combining the names of both previous groups. Rejected names for the band included "Heads of Amazon" and "AIDS". After a short time, during which the band reportedly played two or three shows, Beich was fired and replaced by Duff McKagan. Tracii Guns left the band after an argument with Rose leading to his replacement by Rose and Stradlin's one-time Hollywood Rose bandmate, Slash. Gardner quit soon after and was replaced by another former Hollywood Rose member, Steven Adler. Slash had also previously played with McKagan and Adler in Road Crew. The band's "classic" lineup was finalized on June 4, 1985 when Adler and Slash officially joined. After two days of rehearsals, the band played their first show with the lineup on June 6, 1985. Two days later, the band embarked on a short, disorganized tour of the West Coast, from Sacramento, California, to McKagan's hometown of Seattle, Washington. The band drove in a separate van and had to abandon their gear when both vans broke down on the way to Seattle, forcing them to hitch-hike up the coast and back home to LA with only their guitars. The so-called "Hell Tour" settled the band's first stable lineup, with McKagan later commenting, "This trip had set a new benchmark for what we were capable of, what we could and would put ourselves through to achieve our goals as a band." Through the band's increasing presence on the Hollywood club scene - playing famed bars such as The Troubadour and The Roxy - Guns N' Roses drew the attention of major record labels. The group signed with Geffen Records in March 1986, receiving a $75,000 advance. They had turned down an offer from Chrysalis Records that was nearly double Geffen's, due to Chrysalis wanting to change the band's image and sound and Geffen offering full artistic freedom. In December of that year, the group released the four-song EP Live ?!*@ Like a Suicide, designed to keep interest in the band alive while the group withdrew from the club scene to work in the studio. The EP release was designed to sooth over the label, who felt the band didn't have enough songs to record an album. The EP contained covers of Rose Tattoo's "Nice Boys" and Aerosmith's "Mama Kin", along with two original compositions: the punk-influenced "Reckless Life" and the classic rock-inspired "Move to the City." Although billed as a live recording, the four songs were taken from the band's demo tapes and overdubbed with crowd noise. Live ?!*@ Like a Suicide was released on the Geffen subsidiary Uzi Suicide, with production limited to 10,000 vinyl copies. CANNOTANSWER

What happen in 1985


Background: Mr. Bungle was an American experimental rock band from Northern California. Known for a highly eclectic style, the band often cycled through several musical genres within the course of a single song, including heavy metal, avant-garde jazz, ska and disco. Many Mr. Bungle songs had an unconventional structure and utilized a wide array of instruments and samples. Live shows often featured members dressing up (even hiding their identities with masks earlier in the band's career) and an array of cover songs.
Context: During 1990, the band members left Eureka for San Francisco, in search of greater musical opportunities. Trey Spruance said the change in location influenced the band's style, remarking "[we were interested in] Slayer and Mercyful Fate. Later it was The Specials and Fishbone. Then we moved to San Francisco and got all sophisticated. Now we are improv snobs who rule the avant-garde universe by night, and poor, fucked-up hipsters by day." Having established a following in Northern California, Mr. Bungle was signed to Warner Bros. Records in 1990, with the label releasing all three of their studio albums during the 1990s. It has been speculated that Patton's success as frontman of Faith No More was the primary reason Warner Bros. signed the band. The Los Angeles Times stated in a 1991 article that "Under normal circumstances, you'd have to describe Mr. Bungle's chances of landing a major label deal as... a long shot." Their debut album, Mr. Bungle, was produced by jazz experimentalist John Zorn and was released on August 13, 1991. The cover featured artwork by Dan Sweetman, originally published in the story, "A Cotton Candy Autopsy" in the DC Comics/Piranha Press imprint title, Beautiful Stories for Ugly Children. The record mixed metal, funk, ska, carnival music and free jazz, but was normally described as funk metal by music critics. It received mostly positive reviews, with journalist Bill Pahnelas calling it "an incredible musical tour de force". On the style of the album, critic Steve Huey wrote in AllMusic: "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song." The first track was originally titled "Travolta". At Warner Brothers' encouragement, it was renamed Quote Unquote in later pressings, due to fears regarding a potential lawsuit. The band created a music video for the song, directed by Kevin Kerslake. However, MTV refused to air the video because of images of bodies dangling on meat hooks. The album sold well despite MTV refusing to air their video and a lack of radio airplay. Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold. Following the release of the album the band toured North America. CANNOTANSWER
Question: Who worked on the debut album cover?. Whats the answer?


Gerald Joseph Mulligan (April 6, 1927 - January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading jazz baritone saxophonists - playing the instrument with a light and airy tone in the era of cool jazz - he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments.

While arranging for Kenton, Mulligan began performing on off-nights at The Haig, a small jazz club on Wilshire Boulevard at Kenmore Street. During the Monday night jam sessions, a young trumpeter named Chet Baker began sitting in with Mulligan. Mulligan and Baker began recording together, although they were unsatisfied with the results. Around that time, vibraphonist Red Norvo's trio began headlining at The Haig, thus leaving no need to keep the grand piano that had been brought in for Erroll Garner's stay at the club. Faced with a dilemma of what to do for a rhythm section, Mulligan decided to build on earlier experiments and perform as a pianoless quartet with Baker on trumpet, Bob Whitlock on bass and Chico Hamilton on drums (later Mulligan himself would occasionally double on piano). These early live dates were recorded by Dick Bock on a portable reel-to-reel tape deck. Bock along with Roy Harte would soon after, start the Pacific Jazz label and release Mulligan's records. Mulligan's first recording sessions in Los Angeles were produced by Bock for Pacific Jazz. These three informal sessions took place in June, July, and August 1952 at the Hollywood Hills cottage of recording engineer Phil Turetsky. At these sessions, Mulligan, Chet Baker, and others recorded the material that was released as Pacific Jazz PJ LP-1 and later on PJ-8. Baker's melodic style fit well with Mulligan's, leading them to create improvised contrapuntal textures free from the rigid confines of a piano-enforced chordal structure. While novel at the time in sound and style, this ethos of contrapuntal group improvisation hearkened back to the formative days of jazz. Despite their very different backgrounds - Mulligan, a classically trained New Yorker, and Baker, from Oklahoma and a much more instinctive player - they had an almost psychic rapport and Mulligan later remarked that, "I had never experienced anything like that before and not really since." Their dates at the Haig became sell-outs and the recordings they made in the fall of 1952 became major sellers that led to significant acclaim for Mulligan and Baker. The recordings included singles such as "Motel" (1953) labelled as 'The Gerry Mulligan Quartet Featuring Chet Baker'. This fortuitous collaboration came to an abrupt end with Mulligan's arrest on narcotics charges in mid-1953 leading to six months at Sheriff's Honor Farm. Both Mulligan and Baker had, like many of their peers, become heroin addicts. However, while Mulligan was in prison, Baker transformed his lyrical trumpet style, gentle tenor voice and matinee-idol looks into independent stardom. Thus when upon his release Mulligan attempted to rehire Baker, the trumpeter declined the offer for financial reasons. They did briefly reunite at the 1955 Newport Jazz Festival and would occasionally get together for performances and recordings up through a 1974 performance at Carnegie Hall. But in later years their relationship became strained as Mulligan, with considerable effort, would manage to kick his habit, while Baker's addiction bedevilled him professionally and personally almost constantly until his death in 1988. CANNOTANSWER

Answer the following question by taking a quote from the article: What were the reviews like?


Sun Yat-sen (; 12 November 1866 - 12 March 1925) was a Chinese physician, writer, philosopher, calligrapher and revolutionary, the first president and founding father of the Republic of China. As the foremost pioneer and first leader of a Republican China, Sun is referred to as the "Father of the Nation" in the Republic of China (ROC) and the "forerunner of democratic revolution" in the People's Republic of China (PRC). Sun played an instrumental role in the overthrow of the Qing dynasty (the last imperial dynasty of China) during the years leading up to the Xinhai Revolution.

In the early 1880s, Sun Mei sent his brother to `Iolani School, which was under the supervision of British Anglicans and directed by an Anglican prelate named Alfred Willis. The language of instruction was English. Although Bishop Willis emphasized that no one was forced to accept Christianity, the students were required to attend chapel on Sunday. At Iolani School, young Sun Wen first came in contact with Christianity, and it made a deep impression on him. Schriffin writes that Christianity was to have a great influence on Sun's whole future political life. Sun was later baptized in Hong Kong (on May 4, 1884) by Rev. C. R. Hager an American missionary of the Congregational Church of the United States (ABCFM) to his brother's disdain. The minister would also develop a friendship with Sun. Sun attended To Tsai Church (Dao Ji Hui Tang ), founded by the London Missionary Society in 1888, while he studied Western Medicine in Hong Kong College of Medicine for Chinese. Sun pictured a revolution as similar to the salvation mission of the Christian church. His conversion to Christianity was related to his revolutionary ideals and push for advancement. In 1924 Liao Chongzhen, a prominent and influential government official of the day, arranged a meeting between Sun and Martha Root, a well-known journalist and traveling teacher of the Baha'i Faith in the late 19th and early 20th century. In this meeting Sun came into contact with the Teachings of the Baha'i Faith, expressing his appreciation for the Cause and declaring it "highly relevant to the needs of China." CANNOTANSWER

Using a quote from the above article, answer the following question: Is there any other data on his religious views?


Background: Joey Yung (Chinese: Rong Zu Er ; Jyutping: Jung4 Zo2 Ji4; born 16 June 1980) is a Hong Kong singer and actress signed to Emperor Entertainment Group.
Context: At the end of 2006, Yung released the Cantonese album Close Up to commercial success, selling out at stores over Hong Kong as well as online CD stores. A second version of the album was released on 26 January 2007, containing a bonus DVD with music videos for the songs "Splendid Encounter (Hua Li Xie Hou )" and "Elated Heart (Xin Hua Nu Fang )". Around the same time, Yung held a concert organised by Neway with appearances from other artists such as Anthony Wong, at17, Hins Cheung, Yumiko Cheng, Vincent Wong, and Sun Boy'z. In 2007, she became Hong Kong's ambassador of the World Vision 30 Hour Famine campaign and visited Kenya in March. On 5 July, she released her fifth Mandarin album, Insignificant Me, with the title track produced by Jay Chou. Unfortunately, it was one of her worst selling Mandarin album. On 7 July, she performed at the Live Earth concert in Shanghai. On 7 November, she released another album, Glow. In early 2008, Yung released her fourth compilation album Love Joey 4, and held her fifth concert titled StarLight Live over ten days at the Hong Kong Coliseum. During the concert she performed "The Power Medley", a 20-minute intense dance medley of her fast-tempo tracks. The concert's success led to a four-night extension. In February, Yung travelled to New York City with the hope of improving her dancing skills. That year she sang a number of official songs for the 2008 Beijing Olympics and began a world tour shortly afterwards with shows in Malaysia, Canada, the United States, Mainland China, Singapore, and Macau. The year 2009 marked the tenth anniversary of Yung's career with EEG. To celebrate the occasion, two albums (A Time For Us and Very Busy) and a documentary were released and a mini-concert (Perfect Ten Live at the Hong Kong Cultural Centre's Grand Theatre, where Yung won her first major singing contest in 1995) was held on 4 October, with tickets for the two shows selling out within seven minutes. The "Perfect Ten Live Boxset" was released in two versions in December: the normal version included two concert DVDs, the Perfect 10 documentary, and a photo album; while deluxe version contained two more CDs from Perfect Ten Live and more photos. Towards the end of the year, Yung performed at the concert Music Is Live with Mobile Chan, and won the Media Award for the third time (having previously won the award in 2003 and 2004). CANNOTANSWER
Question: Was UP, Insignificant went to top chart hits?. Whats the answer?


Garland was born Frances Ethel Gumm on June 10, 1922, in Grand Rapids, Minnesota. She was the youngest child of Ethel Marion (nee Milne) and Francis Avent "Frank" Gumm. Her parents were vaudevillians who settled in Grand Rapids to run a movie theater that featured vaudeville acts. She was of Irish, English, and Scottish ancestry, named after both of her parents and baptized at a local Episcopal church. "

Garland appeared in a number of television specials beginning in 1955. The first was the 1955 debut episode of Ford Star Jubilee; this was the first full-scale color broadcast ever on CBS and was a ratings triumph, scoring a 34.8 Nielsen rating. She signed a three-year, $300,000 contract with the network. Only one additional special was broadcast in 1956, a live concert-edition of General Electric Theater, before the relationship between the Lufts and CBS broke down in a dispute over the planned format of upcoming specials. In 1956, Garland performed for four weeks at the New Frontier Hotel on the Las Vegas Strip for a salary of $55,000 per week, making her the highest-paid entertainer to work in Las Vegas. Despite a brief bout of laryngitis, her performances there were so successful that her run was extended an extra week. Later that year, she returned to the Palace Theatre, site of her two-a-day triumph. She opened in September, once again to rave reviews and popular acclaim. In November 1959, Garland was hospitalized after she was diagnosed with acute hepatitis. Over the next few weeks, several quarts of fluid were drained from her body until she was released from the hospital in January 1960, still in a weak condition. She was told by doctors that she likely had five years or less to live and that, even if she did survive, she would be a semi-invalid and would never sing again. She initially felt "greatly relieved" at the diagnosis. "The pressure was off me for the first time in my life." However, she recovered over the next several months, and in August of that year, returned to the stage of the Palladium. She felt so warmly embraced by the British that she announced her intention to move permanently to England. Her concert appearance at Carnegie Hall on April 23, 1961, was a considerable highlight, called by many "the greatest night in show business history". The two-record album Judy at Carnegie Hall was certified gold, charting for 95 weeks on Billboard, including 13 weeks at number one. It won four Grammy Awards, including Album of the Year and Best Female Vocal of the Year, and has never been out of print. CANNOTANSWER

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Background: Luis Walter Alvarez was born in San Francisco on June 13, 1911, the second child and oldest son of Walter C. Alvarez, a physician, and his wife Harriet nee Smyth, and a grandson of Luis F. Alvarez, a physician who lived for a time in Spain, then Cuba, and finally the United States, who found a better method for diagnosing macular leprosy. He had an older sister, Gladys, a younger brother, Bob, and a younger sister, Bernice. His aunt, Mabel Alvarez, was a California artist specializing in oil painting. He attended Madison School in San Francisco from 1918 to 1924, and then San Francisco Polytechnic High School.
Context: In 1980 Alvarez and his son, geologist Walter Alvarez, along with nuclear chemists Frank Asaro and Helen Michel, "uncovered a calamity that literally shook the Earth and is one of the great discoveries about Earth's history". During the 1970s, Walter Alvarez was doing geologic research in central Italy. There he had located an outcrop on the walls of a gorge whose limestone layers included strata both above and below the Cretaceous-Paleogene boundary. Exactly at the boundary is a thin layer of clay. Walter told his father that the layer marked where the dinosaurs and much else became extinct and that nobody knew why, or what the clay was about -- it was a big mystery and he intended to solve it. Alvarez had access to the nuclear chemists at the Lawrence Berkeley Laboratory and was able to work with Frank Asaro and Helen Michel, who used the technique of neutron activation analysis. In 1980, Alvarez, Alvarez, Asaro, and Michel published a seminal paper proposing an extraterrestrial cause for the Cretaceous-Paleogene extinction (then called the Cretaceous-Tertiary extinction). In the years following the publication of their article, the clay was also found to contain soot, glassy spherules, shocked quartz crystals, microscopic diamonds, and rare minerals formed only under conditions of great temperature and pressure. Publication of the 1980 paper brought criticism from the geologic community, and an often acrimonious scientific debate ensued. Ten years later, and after Alvarez's death, evidence of a large impact crater called Chicxulub was found off the coast of Mexico, providing support for the theory. Other researchers later found that the end-Cretaceous extinction of the dinosaurs may have occurred rapidly in geologic terms, over thousands of years, rather than millions of years as had previously been supposed. Others continue to study alternative extinction causes such as increased volcanism, particularly the massive Deccan Traps eruptions that occurred around the same time, and climate change, checking against the fossil record. However, on March 4, 2010, a panel of 41 scientists agreed that the Chicxulub asteroid impact triggered the mass extinction. CANNOTANSWER
Question: Did he make any other significant finds in Italy?

Answer:


Background: Editors are an English rock band, formed in 2002 in Birmingham. Previously known as Pilot, The Pride and Snowfield, the band currently consists of Tom Smith (lead vocals, guitar, piano), Russell Leetch (bass guitar, synthesizer, backing vocals), Ed Lay (drums, percussion, backing vocals), Justin Lockey (lead guitar), and Elliott Williams (keys, synthesizers, guitars, and backing vocals). Editors have so far released two platinum studio albums, and six in total, with several million combined sales. Their debut album
Context: The band met while studying Music Technology at Staffordshire University, but living in Birmingham and playing at venues such as the Jug of Ale and the Flapper & Firkin, the former of which bands such as Oasis and Blur played in during their primitive years, helped the band obtain a record deal. Tom Smith Interview in 2015 "Birmingham is very important" he explains. "Looking back further it was where we all lived together in the early years, played all those flapper and jug of ale shows, and then got our record deal". "We've always said although only one of us was brought up there, Birmingham was the band's home". The band was initially known as Pilot and played its first show under this name in 2002. While in college, the band constructed a marketing strategy which involved placing hundreds of promotional stickers across the walls of Stafford asking "Who's the Pilot?". However, they realised the name was already taken by a 1970s Scottish pop group, so they changed their name to The Pride. They made a promo under this name with the tracks "Come Share the View" and "Forest Fire" and then uploaded them onto the internet, making the songs available to listen to on BBC Radio 1's Onemusic Unsigned. A review of the songs reads "The Pride keep things subliminally lo-fi. Refreshingly simple and restrained, "Come Share The View" is a lesson in welding hypnotic soundscapes with white noise while showing allegiance to the school of slo-mo on "Forest Fire"". The band then took its music offline to create mystery and anxiousness and ensure that more "A&R" representatives came to see them perform. They then changed the line-up with Ed Lay replacing Geraint Owen on drums as he began to focus on his Welsh band The Heights. Under this lineup they became known as Snowfield. They played their debut gig under this name at the request of Fused Magazine in March 2003. The following summer the band self-released a demo six-track EP, all of which went on to become future Editors songs. Then, as it was the home of their management and the nearest big city, the band relocated to Birmingham after graduation in the autumn of 2003. For the next year, the different band members then worked part-time jobs along with the rest of their work with the band. After continuous gigging around the Midlands, it wasn't long until word of mouth helped them become a popular unsigned band. The band then sent out a one track demo cd of Bullets, earning them the interest of several British labels, with thirty A&R reps coming to see them play at Birmingham. In October 2004, the group signed to Newcastle based indie label Kitchenware Records. Upon signing to the record label they changed their band name to Editors. After supporting bands such as Puressence and Oceansize, Editors released debut single "Bullets" recorded with producer Gavin Monaghan as a limited edition of 1000 copies on Kitchenware Records on 24 January 2005. The song had previously been played by BBC Radio 1 disc jockey Zane Lowe, where it earned the honour of 'Single of the Week'. The limited run then sold out on the day of its release, with copies famously then sold later in the week for more than PS30 on eBay. The release of "Munich" followed in April of that year and gave the band their first Top 25 hit, another sold out UK tour and a place on MTV's Spanking New Music show in Manchester. At this point, due to the band's increasing popularity, Editors and Kitchenware signed an exclusive distribution deal with Sony BMG. "Blood" was released two months later, reaching number 18 in the UK Singles Chart in its first week, selling 5,286 copies. With these releases their fanbase continued to grow and on 25 July 2005 their debut album The Back Room was released to critical acclaim and commercial success. In its first week, the album entered the charts at number 13, selling 17,627 copies. After re-issuing "Bullets" and achieving another Top 30 hit, Editors gained a high-profile support slot, supporting Franz Ferdinand in arenas across the UK and Europe. Editors then re-issued "Munich" in January 2006, selling one and half thousand more copies than the last time it was released. The song gave Editors their first Top 10 single and an appearance on Top of the Pops. With the single release, The Back Room also rose back up the album charts, peaking at number 2. It sold an additional 40,000 copies in the week of "Munich"'s release and went platinum in the process. A joint North American tour with Stellastarr* coincided with the American release of The Back Room in March 2006. It was released by Fader Label and sold 35,000 albums after 20 weeks. The band went on to play influential American festivals in 2006 such as Coachella and Lollapalooza. Editors proceeded to perform "Munich" on the American television show Late Night with Conan O'Brien. At the end of March, Editors released "All Sparks" as a single in the United Kingdom, achieving a position of 21 in the singles chart. After a European tour which included three successive nights at Brixton Academy, Editors re-issued a limited edition of "Blood". It entered the Top 40, pushing the album up the chart 45 places. Shortly after this, The Back Room hit the million mark in sales worldwide and was also nominated for the 2006 Mercury Prize. After a string of high-profile festival shows across Europe, including slots on T in the Park, V 2006 and the Isle of Wight Festival, Editors began work on their second album. Lead singer Smith revealed that the band will explore a new direction on their next album, pursuing a new, rawer sound. Before January 2009, Editors had written around eighteen new songs for the new album and they have been described as some of the most synthetic, raw and anthemic songs they have written to date. In October the band went to the studio to record some demos. The band spent the first week of April recording the album and on 8 April, they released a short video with information about the recording process. It announced that Mark 'Flood' Ellis would be the producer for the album. Earlier on in the year, the sound of the album was said to have a very electric feel; the band often using the Terminator theme song as a reference. On 2 June 2009, it was announced that the new album title would be In This Light and on This Evening and that they would be the first band to play at the new O2 Academy Birmingham. Through producer Flood's heavy usage of synthesisers, the album provided a synthpop/post-punk sound to Editors' production. Flood, who is famous for collaborating with electronic music influenced bands like U2, Depeche Mode, The Killers and Erasure, helped develop synthetic elements on the album, which resulted in a mixed reception from long-term fans as to the group's new direction. The album was released on 12 October and debuted at number one on the UK Albums Chart. Alongside the album, the band released lead single "Papillon" and it led them to their first taste of number one success outside the UK, with the song hitting the top position in Belgium and being certified Gold in the process. After releasing singles "You Don't Know Love", "Last Day" and "Eat Raw Meat = Blood Drool" to limited chart success, it was announced that their unreleased song "No Sound But the Wind" would appear on the New Moon soundtrack. A live version of the song was later released in continental Europe in September 2010 and again achieved the same success as "Papillon" in Belgium, going to number 1 and being certified Gold. In November 2010 it was confirmed that a boxset called Unedited compiling the first 3 albums, as well as b-sides and previously unreleased songs on 7 12" vinyls, 7 CDs and 7 MP3 albums, alongside a book of photos and words, would be released in early 2011. The boxset included the full band version of "No Sound But The Wind", demos of "Camera" and "These Streets Are Still Home To Me", and an unreleased version of "The Weight of the World", called "Every Little Piece". CANNOTANSWER
Question: What was In This Light?

Answer:


As Matchbox 20 prepared to record their sophomore album, band members had heated discussions over song selection. After flirting with the idea of allowing other band members to provide songs, they chose to record only songs that Thomas had written or co-written. They renamed themselves Matchbox Twenty and, in March 2000, released Mad Season. Its first single, Bent, reached number 1 on the Billboard Hot 100 chart. Their tour took them to 87 cities, and they sold out Madison Square Garden in 15 minutes. Thomas was inducted into the South Carolina Music and Entertainment Hall of Fame in 2001. When Santana prepared to record his follow-up to Supernatural, he sought to collaborate with Thomas again. Instead of providing vocals, Thomas wrote two songs for the album, which were recorded by Seal and Musiq Thomas provided songs to other artists as well. Willie Nelson recorded three of Thomas's songs on his 2002 album The Great Divide. One of those, "Recollection Phoenix", had been in contention for the next Matchbox Twenty album before the other band members had decided it wasn't a good fit. The third Matchbox Twenty album, More Than You Think You Are, wasn't complete until four weeks before its release date, November 19, 2002. For the first time, the band recorded a song not written by Thomas. Two other songs were jointly attributed to Thomas, Cook, and Doucette. As part of the promotion for the album, Thomas and his bandmates were featured on VH1's Behind the Music. When the tour for More Than You Think You Are ended, Thomas, Cook, Doucette, Yale, and Gaynor decided to take a break to focus on their families. In June 2004, the Songwriters Hall of Fame gave Thomas the inaugural Hal David Starlight Award, which recognizes a young songwriter who has made an outsized impression on the industry. CANNOTANSWER

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Background: Smith was born in Jericho, now Bainbridge, Chenango County, New York, on January 6, 1799, to Jedediah, 1st and Sally Strong, both of whom were descended entirely from families that came to New England from England during the Puritan emigration between 1620 and 1640. Smith received an adequate English instruction, learned some Latin, and was taught how to write decently. Around 1810, Smith's father, who owned a general store, was caught up in a legal issue involving counterfeit currency, after which the elder Smith moved his family west to Erie County, Pennsylvania. At the age of 13, Smith worked as a clerk on a Lake Erie freighter, where he learned business practices and probably met traders returning from the far west to Montreal.
Context: As agreed, Ashley had sent provisions for the rendezvous, and his men took back 7,400 pounds (3,400 kg) of Smith, Jackson & Sublette furs and a letter from Smith to William Clark, then in the office of the Superintendent of Indian Affairs for the region west of the Mississippi River, describing what he had observed the previous year. Smith left to rejoin the men he had left in California almost immediately after the rendezvous. He was accompanied by 18 men and two French-Canadian women, following much of the same route as the previous year. However, in the ensuing year, the Mojave along the Colorado River who had been so welcoming the previous year had clashed with trappers from Taos and were set on revenge against the whites. While crossing the river, Smith's party was attacked; 10 men, including Silas Gobel, were killed, and the two women were taken captive. Jedediah and the eight surviving men, one badly wounded from the fighting, prepared to make a desperate stand on the west bank of the Colorado, having made a makeshift breast work out of trees and fashioned lances by attaching butcher knives to light poles. The men still had five guns among them, and as the Mojave began to approach, Jedediah ordered his men to fire on those within range. Two Mojaves were shot and killed, one was wounded, and the remaining attackers ran off. Before the Mojave could regroup, Smith and eight other surviving men retreated on foot across the Mojave Desert on the Mohave Trail to the San Bernardino Valley. Smith and the other survivors were again well received in San Gabriel. The party moved north to meet with the group that had been left in the San Joaquin Valley, reuniting with them on September 19, 1827. Unlike in San Gabriel, they were coolly received by the priests at Mission San Jose, who had already received warning of Smith's renewed presence in the area. Smith's party also visited the settlements at Monterey and Yerba Buena (San Francisco). Governor Echeandia, who was at the time in Monterey (capital of Alta California), once again arrested Smith, this time along with his men. Yet despite the breach of trust, the governor once again released Smith after several English-speaking residents vouched for him, including John B. R. Cooper and William Edward Petty Hartnell in Monterey. After posting a $30,000 bond, Smith received a passport, on the same promise - to leave the province immediately and not to return. Also as before, Smith and his party remained in California hunting in the Sacramento Valley for several months. Upon reaching the northern edge of the valley, the party scouted the route to the northeast afforded by the Pit River, but determined it to be impassable, so veered northwest toward the Pacific coast to find the Columbia River and return to the Rocky Mountain region. Jedediah became the first explorer to reach the Oregon Country over land by traveling up the California coast. CANNOTANSWER
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Soul Asylum is an American alternative rock band formed in 1981 in Minneapolis, Minnesota. The band began using their official name in 1983. The band originally formed in 1981 under the name Loud Fast Rules, with a lineup consisting of Dave Pirner, Dan Murphy, Karl Mueller, and Pat Morley. Morley was replaced by Grant Young in 1984.

The group signed with A&M Records in 1988. Their first offering on that label was Clam Dip & Other Delights (1989), the title and cover art being a parody of Whipped Cream & Other Delights, by A&M Records co-founder Herb Alpert. Hang Time was released in 1988, followed by And the Horse They Rode In On in 1990 (produced by X-pensive Winos drummer Steve Jordan). Because of poor sales and Pirner's hearing problems, the group considered disbanding. After playing a series of acoustic shows in the early 1990s, they were picked up by Columbia Records. In 1992 they released Grave Dancers Union, which became their most popular album. On January 20, 1993, the group performed at the first inauguration of United States President Bill Clinton. Later that year, the band performed "Sexual Healing" for the AIDS benefit album No Alternative, produced by the Red Hot Organization. The band added keyboard player Joey Huffman in the summer of 1993. He toured with the band until joining Matchbox Twenty in 1998. Huffman played on the albums Let Your Dim Light Shine, After the Flood: Live from the Grand Forks Prom, June 28, 1997, and The Silver Lining. Soul Asylum won the 1994 Grammy Award for Best Rock Song for "Runaway Train". The music video for that song featured photographs and names of missing children, in the style of a public service announcement. At the end of the video, Pirner appeared and said, "If you've seen one of these kids, or you are one of them, please call this number", and then the telephone number of a missing children's help line was shown. For use outside the U.S., the video was edited to include photos and names of missing children from the area where the video would be shown. The video was instrumental in reuniting several children with their families. Before their next studio album, drummer Grant Young was fired and was replaced by Sterling Campbell. Campbell had been credited as providing percussion on Grave Dancers Union (although he had actually done at least half of the drumming on that album). The next release, Let Your Dim Light Shine, included the track "Misery", which reached the Top 20, but the album was not as successful as the band's previous one. In 1997 Soul Asylum performed a benefit concert for North Dakota students whose prom had been cancelled because of the Red River Flood of 1997. Some of the songs played during the prom were later released on After the Flood: Live from the Grand Forks Prom, June 28, 1997 in 2004. The group released Candy from a Stranger the following year. The album was unsuccessful, and the band was dropped by Columbia Records. Pirner said, "It's sort of sad to say, but you could see the whole grunge-rock-band thing getting totally over-saturated and people were looking for something new." The band took a step back; Pirner explained, "We needed to reassess how far we've gone and how much further we're going to go and which way we want to go and what we do right and what we do wrong. It was kind of time to take inventory." CANNOTANSWERAnswer this question using a quote from the following article:

What albums did they release?


Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

Eastlake, writing in 1872, noted that the quality of construction in Pugin's buildings was often poor, and believed he was lacking in technical knowledge, his strength lying more in his facility as a designer of architectural detail. Pugin's legacy began to fade immediately after his death. This was partly due to the hostility of John Ruskin. In his appendix to The Stones of Venice (1851), Ruskin wrote of Pugin, "he is not a great architect but one of the smallest possible or conceivable architects". Contemporaries and admirers of Pugin, including Sir Henry Cole, protested at the viciousness of the attack and pointed out that Ruskin's idea on style had much in common with Pugin's. After Pugin's death, Ruskin "outlived and out-talked him by half a century". Sir Kenneth Clark wrote, "If Ruskin had never lived, Pugin would never have been forgotten." Nonetheless, Pugin's architectural ideas were carried forward by two young architects who admired him and had attended his funeral, W. E. Nesfield and Norman Shaw. George Gilbert Scott, William Butterfield and George Edmund Street were influenced by Pugin's designs, and continued to work out the implication of ideas he had sketched in his writings. In Street's office, Philip Webb met William Morris and they went on to become leading members of the English Arts and Crafts Movement. When the German critic Hermann Muthesius published his admiring and influential study of English domestic architecture, Das Englische Haus (1904), Pugin was all but invisible, yet "it was he ... who invented the English House that Muthesius so admired". An armoire that he designed (crafted by frequent collaborator John Gregory Crace) is held at the Victoria and Albert Museum. It was shown at the Great Exhibition of 1851, but was not eligible for a medal, as it was shown under Crace's name and he was a judge for the Furniture Class at the exhibition. On 23 February 2012 the Royal Mail released a first class stamp featuring Pugin as part of its "Britons of Distinction" series. The stamp image depicts an interior view of the Palace of Westminster. CANNOTANSWERAnswer this question using a quote from the following article:

when did he die?


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Martin Gardner (October 21, 1914 - May 22, 2010) was an American popular mathematics and popular science writer, with interests also encompassing scientific skepticism, micromagic, philosophy, religion, and literature--especially the writings of Lewis Carroll, L. Frank Baum, and G. K. Chesterton. He was considered a leading authority on Lewis Carroll. The Annotated Alice, which incorporated the text of Carroll's two Alice books, was his most successful work and sold over a million copies. He had a lifelong interest in magic and illusion and was regarded as one of the most important magicians of the twentieth century.

Gardner believed in a personal God, in an afterlife, and in prayer, but rejected established religion. He considered himself a philosophical theist and a fideist. He had an abiding fascination with religious belief but was critical of organized religion. In his autobiography, he stated: "When many of my fans discovered that I believed in God and even hoped for an afterlife, they were shocked and dismayed... I do not mean the God of the Bible, especially the God of the Old Testament, or any other book that claims to be divinely inspired. For me God is a "Wholly Other" transcendent intelligence, impossible for us to understand. He or she is somehow responsible for our universe and capable of providing, how I have no inkling, an afterlife." Gardner described his own belief as philosophical theism inspired by the works of philosopher Miguel de Unamuno. While eschewing systematic religious doctrine, he retained a belief in God, asserting that this belief cannot be confirmed or disconfirmed by reason or science. At the same time, he was skeptical of claims that any god has communicated with human beings through spoken or telepathic revelation or through miracles in the natural world. Gardner has been quoted as saying that he regarded parapsychology and other research into the paranormal as tantamount to "tempting God" and seeking "signs and wonders". He stated that while he would expect tests on the efficacy of prayers to be negative, he would not rule out a priori the possibility that as yet unknown paranormal forces may allow prayers to influence the physical world. Gardner wrote repeatedly about what public figures such as Robert Maynard Hutchins, Mortimer Adler, and William F. Buckley, Jr. believed and whether their beliefs were logically consistent. In some cases, he attacked prominent religious figures such as Mary Baker Eddy on the grounds that their claims are unsupportable. His semi-autobiographical novel The Flight of Peter Fromm depicts a traditionally Protestant Christian man struggling with his faith, examining 20th century scholarship and intellectual movements and ultimately rejecting Christianity while remaining a theist. Gardner said that he suspected that the fundamental nature of human consciousness may not be knowable or discoverable, unless perhaps a physics more profound than ("underlying") quantum mechanics is some day developed. In this regard, he said, he was an adherent of the "New Mysterianism". CANNOTANSWER

What was the book about?


Cosmo Kramer, usually referred to as simply "Kramer", is a fictional character on the American television sitcom Seinfeld (1989-1998), played by Michael Richards. The character is loosely based on comedian Kenny Kramer, Larry David's ex-neighbor across the hall. Kramer is the friend and neighbor of main character Jerry, residing in Apartment 5B, and is friends with George and Elaine. Of the series' four central characters, only Kramer has no visible means of support; what few jobs he holds seem to be nothing more than larks.

In "The Trip", Kramer admits that a man in a park exposed himself to him when he was a young boy. In "The Big Salad" Kramer reveals to Jerry that he grew up in a strict household where he had to be in bed every night by 9:00PM. In "The Letter", Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden. Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED. Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant. Unlike George and Jerry, Kramer's character does not have a well-developed network of family members shown in the sitcom. He is the only main character on the show whose dad never makes an appearance; however, in "The Chinese Woman", Kramer mentions that he is the last male member of his family, implying that his father had died. He also mentions in "The Lip Reader" that he has or had a deaf cousin, from whom he learned fluent American Sign Language, but when Kramer tries to communicate in ASL, he speaks complete gibberish and cannot correctly translate the ASL he sees others using. He also apparently has no biological children, although he adopted mile 114 of the Arthur Burkhardt Expressway in "The Pothole". During an opening discussion, Kramer reveals to Jerry that in 1979 he was struck on the head by a falling air conditioner while walking on the sidewalk. Jerry asks if that was when Kramer lived in Greenwich Village, to which Kramer replies that he cannot remember. This is discussed in the beginning of "The Little Kicks". In "The Strong Box", it is revealed that Kramer spent a brief time in the Army, although info about this time is "classified". In episode three of season one he says he lived in Los Angeles for three months. The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler." Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on. Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode. A storyline running throughout the fifth season is the development of one of Kramer's few successful ideas. Kramer first thinks of the book in "The Cigar Store Indian", although he later claims that he first had the idea when skiing. Throughout the season, his quest to get the book published becomes a running gag. Although Elaine is shown as disliking the idea, Mr. Lippman, her boss, likes it, which surprises her. Pendant Publishing (where Elaine and Kramer's then-girlfriend work) decides to publish it in "The Fire". In "The Opposite", Kramer starts his "book tour" with an appearance on Regis and Kathie Lee. By accidentally spitting his coffee over Kathie Lee Gifford ("All over my Kathie Lee Casuals!"), his book tour immediately goes down in flames. Also in the episode, as a result of a bizarre chain of events, Elaine inadvertently causes the end of Pendant Publishing and therefore the end of Kramer's book. Nevertheless, the book is mentioned later in the episode "The Wizard" where it is revealed that the book is being made into a movie and the money Kramer makes allows him to briefly retire to Florida and run for president of the condo board at Del Boca Vista, Phase 3. The book itself is full of pictures of celebrities' coffee tables, and even had a pair of foldable wooden legs so that it could itself be turned into a coffee table. He also says that he has plans for a coaster to be built into the cover. CANNOTANSWER

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Jose Arcadio Limon (January 12, 1908 - December 2, 1972) was a dancer and choreographer who developed what is now known as 'Limon technique'. In the 1940s he founded the Jose Limon Dance Company (now the Limon Dance Company), and in 1968 he created the Jose Limon Foundation to carry on his work. In his choreography, Limon spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures -- reaching, bending, pulling, grasping -- to communicate emotion.

In 1930, Limon first performed on Broadway, and later that same year he choreographed his first dance, "Etude in D Minor", a duet with Letitia Ide. Limon recruited Ide and schoolmates Eleanor King and Ernestine Stodelle to form "The Little Group". From 1932 to 1933, Limon made two more Broadway appearances, in the musical revue Americana and in Irving Berlin's As Thousands Cheer, choreographed by Charles Weidman. Limon also tried his hand at choreography at Broadway's New Amsterdam Theatre. Limon made several more appearances throughout the next few years in shows such as Humphrey's New Dance, Theatre Piece, With my Red Fires, and Weidman's Quest. In 1937, Limon was selected as one of the first Bennington Fellows. At the Bennington Festival at Mills College in 1939, Limon created his first major choreographic work, titled Danzas Mexicanas. After five years, however, Limon would return to Broadway to star as a featured dancer in Keep Off the Grass under the choreographer George Balanchine. In 1941, Limon left the Humphrey-Weidman company to work with May O'Donnell. They co-choreographed several pieces together, such as War Lyrics and Curtain Riser. On October 3, 1942 Limon married Pauline Lawrence, a founding member and the manager of the Humphrey-Weidman company. The partnership with O'Donnell dissolved the following year, and Limon created work for a program at Humphrey-Weidman. In 1943, Limon's made his final appearance on Broadway in Balanchine's Rosalinda, a piece he performed with Mary Ellen Moylan. He spent the rest of that year creating dances on American and folk themes at the Studio Theatre before being drafted into the Army in April 1943. During this time, he collaborated with composers Frank Loesser and Alex North, choreographing several works for the U.S. Army Special Services. The most well-known among these is Concerto Grosso. CANNOTANSWER

Answer the following question by taking a quote from the article: Did he achieve some notice in those roles?


Sigmund Freud ( FROYD; German: ['zi:kmUnt 'fRoYt]; born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902.

In the early 1890s, Freud used a form of treatment based on the one that Breuer had described to him, modified by what he called his "pressure technique" and his newly developed analytic technique of interpretation and reconstruction. According to Freud's later accounts of this period, as a result of his use of this procedure most of his patients in the mid-1890s reported early childhood sexual abuse. He believed these stories, which he used as the basis for his seduction theory, but then he came to believe that they were fantasies. He explained these at first as having the function of "fending off" memories of infantile masturbation, but in later years he wrote that they represented Oedipal fantasies, stemming from innate drives that are sexual and destructive in nature. Another version of events focuses on Freud's proposing that unconscious memories of infantile sexual abuse were at the root of the psychoneuroses in letters to Fliess in October 1895, before he reported that he had actually discovered such abuse among his patients. In the first half of 1896, Freud published three papers, which led to his seduction theory, stating that he had uncovered, in all of his current patients, deeply repressed memories of sexual abuse in early childhood. In these papers, Freud recorded that his patients were not consciously aware of these memories, and must therefore be present as unconscious memories if they were to result in hysterical symptoms or obsessional neurosis. The patients were subjected to considerable pressure to "reproduce" infantile sexual abuse "scenes" that Freud was convinced had been repressed into the unconscious. Patients were generally unconvinced that their experiences of Freud's clinical procedure indicated actual sexual abuse. He reported that even after a supposed "reproduction" of sexual scenes the patients assured him emphatically of their disbelief. As well as his pressure technique, Freud's clinical procedures involved analytic inference and the symbolic interpretation of symptoms to trace back to memories of infantile sexual abuse. His claim of one hundred percent confirmation of his theory only served to reinforce previously expressed reservations from his colleagues about the validity of findings obtained through his suggestive techniques. Freud subsequently showed inconsistency as to whether his seduction theory was still compatible with his later findings. In an addendum to The Aetiology of Hysteria he stated: "All this is true [the sexual abuse of children]; but it must be remembered that at the time I wrote it I had not yet freed myself from my overvaluation of reality and my low valuation of phantasy". Some years later Freud explicitly rejected the claim of his colleague Ferenczi that his patients' reports of sexual molestation were actual memories instead of fantasies, and he tried to dissuade Ferenczi from making his views public. Karin Ahbel-Rappe concludes in her study "'I no longer believe': did Freud abandon the seduction theory?'': "Freud marked out and started down a trail of investigation into the nature of the experience of infantile incest and its impact on the human psyche, and then abandoned this direction for the most part." CANNOTANSWER

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When Pakistan toured the West Indies in 1988, Ambrose played in the One Day International (ODI) series, taking the place of the recently retired Joel Garner. He made his debut during the first match, on 12 March 1988 in Kingston, Jamaica, taking wickets with his third and ninth deliveries; he ended the innings with four for 39 from 10 overs. In the second match, he took four for 35 and followed with another two wickets in the third. West Indies won those first three matches to take the series, and Ambrose did not play in the fourth or fifth game. In the Test series which followed, Ambrose was less effective. In the first Test, he took two for 121 as West Indies lost at home for the first time in 10 years. Wisden noted that his debut was "unimpressive", but that he improved in the subsequent matches. He finished the series with seven wickets at an average of over 50 runs per wicket. Later that year, Ambrose was chosen to tour England. After appearing in early tour games, he was chosen for the first two ODIs, taking three wickets in total, but was omitted from the third. In the Test series, he played in all five matches to take 22 wickets at an average of 20.22; his best figures of four for 58 came in the fourth Test, in which he took seven wickets and was named man of the match. Writing in Wisden, commentator Tony Cozier described Ambrose as "a ready-made replacement for Garner"; the amount of bounce he generated after the ball pitched "made him a constant menace". In 1988-89, West Indies took part in an ODI tournament in Sharjah. Ambrose took 8 wickets, and was man of the match with four for 29 when West Indies defeated Pakistan in the final. From there, West Indies travelled to Australia for a series in which Ambrose was a dominant figure. The West Indies won the Test series 3-1, using controversial short-pitched bowling tactics. Ambrose's height made him difficult to play as he made the ball bounce more than other bowlers. Writing in Wisden, John Woodcock noted: "As in England, earlier in 1988, Ambrose's bowling was a telling factor ... [His] advance compensated for something of a decline in [Malcolm] Marshall's effectiveness". In the first Test, he took seven wickets; in the second, he took five wickets in a Test innings for the first time with five for 72, and finished with eight in the game; and in the third, he took six wickets. His performances earned him man of the match award in the first and third games, and he ended the series with 26 wickets at an average of 21.46. He was West Indies' leading wicket-taker and headed the team bowling averages. In the ODI tournament that took place during the tour, West Indies defeated Australia in the final; Ambrose took 21 wickets in the series and twice took five wickets in an innings. Suffering from fatigue and illness, Ambrose was less successful later in 1989 when India toured the West Indies: he took just five wickets in the four-Test series at an average of 54.60. CANNOTANSWER

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Throwdown is an American straight edge heavy metal band from Orange County, California, formed in 1997. They have toured as part of Ozzfest, Sounds of the Underground, Hellfest, and Warped Tour, and with bands such as In Flames, Lamb of God, As I Lay Dying, Killswitch Engage, Korn and Cavalera Conspiracy. The songs "Forever" and "Burn" have been staples on MTV2's Headbanger's Ball and Revolver Magazine called them part of "The Future of Metal" after hearing the album Vendetta. Initially branded a hardcore band, their most recent albums Venom and Tears and Deathless have taken a sharp direction towards metal, with critics likening the band's sound to that of Pantera, Sepultura, and Crowbar.

Throwdown was formed in 1997 by vocalist Keith Barney, who would also be an active member of both Adamantium and Eighteen Visions, guitarists Tommy Love and Javier Van Huss, bassist Dom Macaluso, and drummer Marc Jackson. The group took on the title Throwdown as a "wry irony on their collective stature," at the time no band member being more than 5 feet 8 inches (1.73 m). The band released their debut, self-titled 7-inch single that same year through Prime Directive Records. Van Huss left the band, and was replaced by Brandan Schieppati. After sign a recording contract with Indecision Records, the band released their first studio album Beyond Repair the following year. In 1999, Barney also relinquished his role in Death by Stereo to prioritise Throwdown. Schieppati left the band to concentrate full-time on his other band Bleeding Through, being replaced by Dave Peters. The following year, the new line-up released the Drive Me Dead EP. In 2001, Throwdown released their second studio album, You Don't Have to Be Blood to Be Family. They also recorded a tongue-in-cheek metalcore version of Sir Mix-a-Lot's hit single "Baby Got Back" for Radical Records' Too Legit for the Pit: Hardcore Takes the Rap compilation, which also featured Candiria, Stretch Arm Strong, and The Movielife. Allmusic reviewer Rick Anderson gave the album four and a half out of five stars, stating that Throwdown's version for the song was "absolutely hilarious". The idea of cover a hip hop song, was a collaboration between Macaluso and Love. Originally they wanted to cover House of Pain's "Jump Around". Then the band decided there was too much in the song, as they felt that hip hop songs are hard to cover. Peters said, "Sir Mix-a-Lot was easy and funny, and that's what we're all about, playing easy stuff and trying to be funny." The following year, Barney expressed a desire to switch to guitar (which he played in Eighteen Visions already) because he would often lose his voice on tour. Peters took over on vocals. Fill-in guitarist Matt Mentley would fill in whenever Barney had shows with Eighteen Visions. Lacking a permanent drummer after the departure of Jackson, 18V drummer Ken Floyd regularly filled in around this time as well. After that in 2002 Throwdown made their next cd Face the Mirror EP with no changes except for Ken Floyd on drums. CANNOTANSWER

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Background: Styx  is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s. Styx is best known for the hit songs "Lady",
Context: On the success of "Babe", DeYoung began pushing for a more theatrical direction, while Shaw and Young favored a harder-edged approach. This arguing over musical direction led to a bit of tension in early 1980 after Young and Shaw objected to the ballad "First Time" released as the second single from Cornerstone (1979) album. However, things were quickly smoothed over. Moreover, this song did not chart in the U.S. but became a huge hit single in the Philippines in 1981. In January 1981, Styx released Paradise Theatre, a concept album that became their biggest hit, reaching No. 1 on the Billboard pop albums chart and yielding five singles, including the top ten hits "The Best of Times" by DeYoung (#3) and "Too Much Time on My Hands" by Shaw (#9). Paradise Theatre became the band's fourth consecutive multi-platinum album. The band was accused by a California religious group and later the Parents Music Resource Center of backmasking Satanic messages in their anti-cocaine anthem, "Snowblind". James Young has denied this charge during his introduction for "Snowblind" when played live. Dennis DeYoung has denied the accusation as well, joking on the In the Studio with Redbeard program "we had enough trouble to make the music sound right forward." Also, James Young quotes, "If we were going to put something Satanic in our songs, we would have put it so it was in the song forward. Not so you would have to buy some $400 tape recorder to hear it." Throughout the 1980s, the band would use the Paradise Theatre (1981) album's opening track, "Rockin' the Paradise" (charted at No. 8 on Top Rock Tracks Chart) to open their shows. CANNOTANSWER
Question: What did the band say about the accusations?

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