Hanson is an American pop rock band from Tulsa, Oklahoma, United States, formed by brothers Isaac (guitar, bass, piano, vocals), Taylor (keyboards, piano, guitar, drums, vocals), and Zac (drums, piano, guitar, vocals). Supporting members include Dimitrius Collins (keyboards, guitar), and Andrew Perusi (bass) who have toured and performed live with the band since 2007. They are best known for the 1997 hit song "MMMBop" from their debut album released through Mercury, Polygram, Middle of Nowhere, which earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band suffered from the merger that eliminated their label, Mercury Records .

In the early to mid-1990s, Isaac, Taylor and Zac sang a cappella and recorded such classic songs as "Rockin' Robin", "Splish Splash" and "Johnny B. Goode", as well as their own material. Their first performance as a professional group took place in 1992 at the Mayfest Arts Festival in Tulsa. They were known as the Hanson Brothers, before shortening the name to Hanson in 1993. Hanson also appeared on Carman's Yo! Kidz: The Vidz, which cast Taylor as a young Biblical David facing Goliath, Isaac as an event announcer, and Zac and other members of the family in the stands cheering on this "sporting event". All three boys started their musical careers as pianists, but Isaac eventually started playing guitar and Zac started playing drums, while Taylor continued as the keyboard player. The band recorded two independent albums in their hometown of Tulsa, Boomerang (recorded in autumn 1994, released in 1995) and MMMBop (released in 1996). The latter featured the original version of the song "MMMBop", which would later become the runaway single on their debut commercial record Middle of Nowhere. The boys then found themselves at the South By Southwest (aka SXSW) music festival in Austin, Texas. There, they were promptly signed by manager Christopher Sabec. He shopped them to several record companies, most of which dismissed the band as either a novelty or fraud before Steve Greenberg, an A&R representative for Mercury Records, heard them play a set at the Wisconsin State Fair. After this performance, they were signed almost immediately by Mercury. They soon became a worldwide sensation with the release of their first major-label album, Middle of Nowhere, which was produced by Stephen Lironi and the Dust Brothers. Middle of Nowhere was released in the US on May 6, 1997, selling 10 million copies worldwide. May 6 was declared 'Hanson Day' in Tulsa by Oklahoma's then-governor Frank Keating. Although 'Hanson Day' was originally intended to be a one-time occurrence, many Hanson fans all over the world still recognize May 6 as Hanson Day every year. Hanson's popularity exploded during the summer of 1997, and Mercury Records released Hanson's first documentary Tulsa, Tokyo, and the Middle of Nowhere and their Christmas album Snowed In in the wake of their success. Hanson also launched MOE (which stood for Middle of Everywhere), a fan club magazine that ran for 12 issues. After numerous unauthorized biographies of each of the brothers were published, Hanson turned to their close friend, Jarrod Gollihare of Admiral Twin, to write their authorized biography. Hanson: The Official Book reached number 9 on the New York Times Best Sellers List (nonfiction) on February 1, 1998. The band was nominated for three Grammy Awards in 1998: Record of the Year, Best New Artist, and Best Pop Performance by a Duo or Group with Vocal. During the summer of 1998, Hanson began a highly successful concert tour, the Albertane Tour. They performed a string of shows throughout stadiums and arenas in the US, targeting young audiences with a playful and energetic style. A live album, titled Live From Albertane, was released the following fall, as well as their second documentary The Road to Albertane. In response to the demand for their earlier work, Hanson re-released MMMBop as 3 Car Garage, minus four tracks, in May 1998. To date, the tracks from Boomerang have not been re-released. Three tracks from Boomerang ("Boomerang", "More Than Anything", and "Rain (Falling Down)") and two of the remaining tracks from MMMBop ("Incredible" and "Baby (You're So Fine)") were released on the first MOE CD sent to fan club members. During the Albertane Tour, Hanson wrote and demoed what would later become the songs for their second major studio album, This Time Around. During this time period, Mercury Records, the band's label, had been merged with Island Def Jam. Almost immediately following the changeover in May 2000, Hanson released their second album, This Time Around, but due to lack of promotional funding, sales were low and the label eventually pulled funding for their tour. The band toured through the summer and fall of 2000 on their own funds. After a three-year struggle, the brothers left Island Def Jam Records to seek more creative freedom. Label executives had refused over 80 songs from the band, believing new material lacked marketability. The documentary film Strong Enough to Break follows these events. Hanson now records for their own independent label, 3CG Records. The label has distribution deals through Alternative Distribution Alliance in the United States, Cooking Vinyl in Europe, Sony Music in Asia and with various other distributors throughout the world. During the dispute with their former label, Hanson signed with the management company, 10th Street Entertainment, which also manages artists such as Meat Loaf and Blondie. The band's Underneath Acoustic tour occurred during the Summer and Fall of 2003. Music included acoustic versions of songs from the then-forthcoming release, Underneath. The tour ended November 5, 2003 with a performance at Carnegie Hall. Released on April 20, 2004, Underneath sold 37,500 copies in the first week of release in the US alone. The album debuted at No. 1 on Billboard Top Independent Albums chart and No. 25 on the Billboard 200 album chart, making Underneath one of the most successful self-released albums of all time. In autumn 2005, Hanson toured in the US and Canada to support The Best of Hanson: Live & Electric. They also visited colleges to showcase Strong Enough to Break, the documentary chronicling difficulties with and departure from Island Def Jam. During college visits, the band held question-and-answer sessions about independent artists' role in the music industry. CANNOTANSWER

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Winfrey's first name was spelled "Orpah" on her birth certificate after the biblical figure in the Book of Ruth, but people mispronounced it regularly and "Oprah" stuck. She was born in Kosciusko, Mississippi, to an unmarried teenage mother. She later said that her conception was due to a single sexual encounter and the couple broke up not long after. Her mother, Vernita Lee (born c. 1935), was a housemaid.

In 1993, Winfrey hosted a rare prime-time interview with Michael Jackson, which became the fourth most-watched event in American television history as well as the most watched interview ever, with an audience of 36.5 million. On December 1, 2005, Winfrey appeared on the Late Show with David Letterman to promote the new Broadway musical The Color Purple, of which she was a producer, joining the host for the first time in 16 years. The episode was hailed by some as the "television event of the decade" and helped Letterman attract his largest audience in more than 11 years: 13.45 million viewers. Although a much-rumored feud was said to have been the cause of the rift, both Winfrey and Letterman balked at such talk. "I want you to know, it's really over, whatever you thought was happening", said Winfrey. On September 10, 2007, Letterman made his first appearance on The Oprah Winfrey Show, as its season premiere was filmed in New York City. In 2006, rappers Ludacris, 50 Cent and Ice Cube criticized Winfrey for what they perceived as an anti-hip hop bias. In an interview with GQ magazine, Ludacris said that Winfrey gave him a "hard time" about his lyrics, and edited comments he made during an appearance on her show with the cast of the film Crash. He also said that he wasn't initially invited on the show with the rest of the cast. Winfrey responded by saying that she is opposed to rap lyrics that "marginalize women", but enjoys some artists, including Kanye West, who appeared on her show. She said she spoke with Ludacris backstage after his appearance to explain her position and said she understood that his music was for entertainment purposes, but that some of his listeners might take it literally. In September 2008, Winfrey received criticism after Matt Drudge of the Drudge Report reported that Winfrey refused to have Sarah Palin on her show, allegedly because of Winfrey's support for Barack Obama. Winfrey denied the report, maintaining that there never was a discussion regarding Palin's appearing on her show. She said that after she made public her support for Obama, she decided that she would not let her show be used as a platform for any of the candidates. Although Obama appeared twice on her show, those appearances were prior to his declaring himself a candidate. Winfrey added that Palin would make a fantastic guest and that she would love to have her on the show after the election, which she did on November 18, 2009. In 2009, Winfrey was criticized for allowing actress Suzanne Somers to appear on her show to discuss hormone treatments that are not accepted by mainstream medicine. Critics have also suggested that Winfrey is not tough enough when questioning celebrity guests or politicians whom she appears to like. Lisa de Moraes, a media columnist for The Washington Post, stated: "Oprah doesn't do follow-up questions unless you're an author who's embarrassed her by fabricating portions of a supposed memoir she's plugged for her book club." In 1985, Winfrey co-starred in Steven Spielberg's The Color Purple as distraught housewife Sofia. She was nominated for an Academy Award for Best Supporting Actress for her performance. The Alice Walker novel went on to become a Broadway musical which opened in late 2005, with Winfrey credited as a producer. In October 1998, Winfrey produced and starred in the film Beloved, based on Toni Morrison's Pulitzer Prize-winning novel of the same name. To prepare for her role as Sethe, the protagonist and former slave, Winfrey experienced a 24-hour simulation of the experience of slavery, which included being tied up and blindfolded and left alone in the woods. Despite major advertising, including two episodes of her talk show dedicated solely to the film, and moderate to good critical reviews, Beloved opened to poor box-office results, losing approximately $30 million. While promoting the movie, co-star Thandie Newton described Winfrey as "a very strong technical actress and it's because she's so smart. She's acute. She's got a mind like a razor blade." In 2005, Harpo Productions released a film adaptation of Zora Neale Hurston's 1937 novel Their Eyes Were Watching God. The made-for-television film was based upon a teleplay by Suzan-Lori Parks and starred Halle Berry in the lead female role. In late 2008, Winfrey's company Harpo Films signed an exclusive output pact to develop and produce scripted series, documentaries, and movies for HBO. Oprah voiced Gussie the goose in Charlotte's Web (2006) and voiced Judge Bumbleton in Bee Movie (2007), co-starring the voices of Jerry Seinfeld and Renee Zellweger. In 2009, Winfrey provided the voice for the character of Eudora, the mother of Princess Tiana, in Disney's The Princess and the Frog and in 2010, narrated the US version of the BBC nature program Life for Discovery. In 2018, Winfrey starred as Mrs. Which in the film adaptation of Madeleine L'Engle's novel A Wrinkle in Time. The Wall Street Journal coined the term "Oprahfication", meaning public confession as a form of therapy. By confessing intimate details about her weight problems, tumultuous love life, and sexual abuse, and crying alongside her guests, Time magazine credits Winfrey with creating a new form of media communication known as "rapport talk" as distinguished from the "report talk" of Phil Donahue: "Winfrey saw television's power to blend public and private; while it links strangers and conveys information over public airwaves, TV is most often viewed in the privacy of our homes. Like a family member, it sits down to meals with us and talks to us in the lonely afternoons. Grasping this paradox, ... She makes people care because she cares. That is Winfrey's genius, and will be her legacy, as the changes she has wrought in the talk show continue to permeate our culture and shape our lives." Observers have also noted the "Oprahfication" of politics such as "Oprah-style debates" and Bill Clinton being described as "the man who brought Oprah-style psychobabble and misty confessions to politics." Newsweek stated: "Every time a politician lets his lip quiver or a cable anchor 'emotes' on TV, they nod to the cult of confession that Oprah helped create. The November 1988 Ms. observed that "in a society where fat is taboo, she made it in a medium that worships thin and celebrates a bland, white-bread prettiness of body and personality [...] But Winfrey made fat sexy, elegant - damned near gorgeous - with her drop-dead wardrobe, easy body language, and cheerful sensuality." CANNOTANSWERAnswer this question using a quote from the following article:

what do the critics think about her style?


Background: Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.
Context: Ambrose was born in Swetes, Antigua on 21 September 1963, the fourth of seven children. His father was a carpenter from the village. The family had no background in cricket, but his mother was a fan, and Ambrose played in his youth, primarily as a batsman. At school, he performed well academically, particularly in mathematics and French, and became an apprentice carpenter upon leaving at the age of 17. He briefly considered emigrating to America. At the time, his favourite sport was basketball, although he occasionally umpired cricket matches. Ambrose was not particularly tall until he reached his late teens, when he grew several inches to reach a height of 6 feet 7 inches (2.01 m). Around this time, his mother encouraged him to become more involved in cricket. Success as a fast bowler in a softball cricket match persuaded Ambrose to play in some club matches at the age of 20. He quickly attracted the attention of coaches and progressed to the St John's cricket team. Selected in the Leeward Islands competition, he took seven for 67 (seven wickets for 67 runs) for Antigua against St Kitts. He made his first-class debut for the Leeward Islands in 1985-86 and took four wickets in the game, but failed to retain his place the following year. A Viv Richards scholarship provided funding for him to play club cricket in England for Chester Boughton Hall Cricket Club in the highly rated Liverpool Competition during 1986 where he took 84 wickets at an average of 9.80. The following year, he returned to England to play for Heywood Cricket Club in the Central Lancashire League, for whom he took 115 wickets in the season; these experiences helped to improve his bowling technique. Upon his return to Antigua, Ambrose practised intensely, regained his place in the Leeward Islands team and, in the absence of leading bowlers Winston Benjamin and Eldine Baptiste with the West Indies team, became the main attacking bowler in the side. He was no-balled for throwing in the first match, which Wisden Cricketers' Almanack later attributed to confusion caused by his attribute of flicking his wrist prior to releasing the ball to impart extra pace, and there were no subsequent doubts about the legality of his bowling action. Retaining his place when the international bowlers returned, he took 35 wickets--including 12 in a match against Guyana, of which nine were bowled--in five matches in the competition. Wisden's report on the West Indian season said his performance was "dominant", although few had heard of him previously. Identifying his yorker as his most effective delivery, it noted that he "never lost his pace, his accuracy, or his thirst for wickets". CANNOTANSWER
Question: Who was his mother?

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Simple Minds are a Scottish rock band, formed in Glasgow in 1977. They are one of most commercially successful Scottish bands ever, having achieved five UK number one albums during their career and sold over 60 million records worldwide. Despite various personnel changes, they continue to record and tour. The band scored a string of hit singles, becoming best known internationally for their 1985 hit "Don't You (Forget About Me)" (UK #7, US #1, CAN #1), from the soundtrack of the film The Breakfast Club.

The next record, Sparkle in the Rain, was produced by Steve Lillywhite and released in February 1984. It gave rise to successful singles like "Waterfront" (which hit No. 1 in a few European countries) and "Speed Your Love to Me" and "Up on the Catwalk". Sparkle in the Rain topped the charts in the UK and hit the Top 20 in several other countries (including Canada, where it reached No. 13). In 1984, Jim Kerr married Chrissie Hynde from the Pretenders (who renamed herself Christine Kerr). Simple Minds did a North American tour where they played as headliners supported by China Crisis during the Canadian leg and in support of the Pretenders in the US while Hynde was pregnant with Kerr's daughter. The marriage lasted until 1990. Despite the band's new-found popularity in the UK, Europe, Canada and Australia, Simple Minds remained essentially unknown in the US. The band's UK releases on Arista were not picked up by Arista USA who had 'right of first refusal' for their releases. The 1985 film The Breakfast Club broke Simple Minds into the US market, when the band achieved their only No. 1 U.S. pop hit in April 1985 with the film's closing track, "Don't You (Forget About Me)". The song was written by Keith Forsey and Steve Schiff; Forsey offered the song to Billy Idol and Bryan Ferry before Simple Minds agreed to record it. The song soon became a chart-topper in many other countries around the world. At around this point, the camaraderie that had fuelled Simple Minds began to unravel, and over the next ten years the band's line-up underwent frequent changes. Jim Kerr subsequently recalled "We were knackered. We were desensitized. The band started to fracture. We were lads who had grown up together, we were meant to grow together, politically, spiritually and artistically. But we were getting tired with each other. There was an element of the chore creeping in. We were coasting and this whole other thing was a challenge." The first casualty was bassist Derek Forbes, who was beginning to squabble with Kerr. Forbes began failing to turn up for rehearsals, and was dismissed. Forbes remained in touch with the band (and soon reunited with another former Simple Minds bandmate, drummer Brian McGee, in Propaganda). Forbes was replaced by former Brand X bass player John Giblin (who owned the band's rehearsal space and was a session musician who had worked with Peter Gabriel and Kate Bush). Giblin made his debut with Simple Minds at Live Aid in Philadelphia, where the band performed "Don't You (Forget About Me)", a new track called "Ghost Dancing" and "Promised You a Miracle". Simple Minds were the first band to be approached to play the Philadelphia leg of Live Aid. CANNOTANSWER

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The Untouchables is an American crime drama that ran from 1959 to 1963 on the ABC Television Network, produced by Desilu Productions. Based on the memoir of the same name by Eliot Ness and Oscar Fraley, it fictionalized Ness' experiences as a Prohibition agent, fighting crime in Chicago in the 1930s with the help of a special team of agents handpicked for their courage, moral character, and incorruptibility, nicknamed the Untouchables. The book was later made into a film in 1987 (also called The Untouchables) by Brian De Palma, with a script by David Mamet, and a second, less-successful TV series in 1993. The Untouchables won series star Robert Stack an Emmy Award for Best Actor in a Dramatic Series in 1960.

The series originally focused on the efforts of a real-life squad of Prohibition agents employed by the United States Department of the Treasury and led by Eliot Ness (Stack), that helped bring down the bootleg empire of "Scarface" Al Capone, as described in Ness's bestselling 1957 memoir. This squad was nicknamed "The Untouchables", because of their courage and honesty; they could not be bribed or intimidated by the Mob. Eliot Ness himself had died suddenly in May 1957, shortly before his memoir and the subsequent TV adaptation were to bring him fame beyond any he experienced in his lifetime. The pilot for the series was a two-part episode entitled "The Untouchables" originally aired on Westinghouse Desilu Playhouse on April 20 and 27, 1959. Later retitled "The Scarface Mob", these episodes, which featured Neville Brand as Al Capone, were the only episodes in the series to be more-or-less directly based on Ness's memoir, and ended with the conviction and imprisonment of Capone. CBS, which had broadcast most of Desilu's television output since 1951 beginning with I Love Lucy, was offered the new series following the success of the pilot film. Chairman William S. Paley rejected it on the advice of network vice president Hubbell Robinson. ABC agreed to air the series, and The Untouchables premiered on October 15, 1959. In the pilot movie, the mobsters generally spoke with unrealistic pseudo-Italian accents, but this idiosyncratic pronunciation was dropped when the series debuted. The weekly series first followed the premise of a power struggle to establish a new boss in Capone's absence (for the purpose of the TV series, the new boss was Frank Nitti, although this was contrary to fact). As the series continued, there developed a highly fictionalized portrayal of Ness and his crew as all-purpose crime fighters who went up against an array of gangsters and villains of the 1930s, including Ma Barker, Dutch Schultz, Bugs Moran, Vincent "Mad Dog" Coll, Legs Diamond, Lucky Luciano, and in one episode, Nazi agents. The terse narration by gossip columnist Walter Winchell, in his distinctive New York accent, was a stylistic hallmark of the series, along with its melancholy theme music by Nelson Riddle and its shadowy black-and-white photography, influenced by film noir. CANNOTANSWER

Who were some of the other actors that starred in the series


Anne Inez McCaffrey (1 April 1926 - 21 November 2011) was an American-born writer who emigrated to Ireland and was best known for the Dragonriders of Pern fantasy series. Early in McCaffrey's 46-year career as a writer, she became the first woman to win a Hugo Award for fiction and the first to win a Nebula Award. Her 1978 novel The White Dragon became one of the first science-fiction books to appear on the New York Times Best Seller list.

Anne Inez McCaffrey was born in Cambridge, Massachusetts, the second of three children of Anne Dorothy (nee McElroy) and Col. George Herbert McCaffrey. She had two brothers: Hugh ("Mac", died 1988) and Kevin Richard McCaffrey ("Kevie"). Her father had Irish and English ancestry, and her mother was of Irish descent. She attended Stuart Hall (a girls' boarding school in Staunton, Virginia), and graduated from Montclair High School in Montclair, New Jersey. In 1947 she graduated cum laude from Radcliffe College with a degree in Slavonic languages and Literature. In 1950 she married Horace Wright Johnson (died 2009), who shared her interests in music, opera and ballet. They had three children: Alec Anthony, born 1952; Todd, born 1956; and Georgeanne ("Gigi", Georgeanne Kennedy), born 1959. Except for a short time in Dusseldorf, the family lived for most of a decade in Wilmington, Delaware. They moved to Sea Cliff, Long Island in 1965, and McCaffrey became a full-time writer. McCaffrey served a term as secretary-treasurer of the Science Fiction Writers of America from 1968 to 1970. In addition to handcrafting the Nebula Award trophies, her responsibilities included production of two monthly newsletters and their distribution by mail to the membership. McCaffrey emigrated to Ireland with her two younger children in 1970, weeks after filing for divorce. Ireland had recently exempted resident artists from income taxes, an opportunity that fellow science-fiction author Harry Harrison had promptly taken and helped to promote. McCaffrey's mother soon joined the family in Dublin. The following spring, McCaffrey was guest of honour at her first British science-fiction convention (Eastercon 22, 1971). There she met British reproductive biologist Jack Cohen, who would be a consultant on the science of Pern. CANNOTANSWER

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The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.

In 1958, Desmond Briscoe was appointed the Senior Studio Manager with Dick Mills employed as a technical assistant. Much of The Radiophonic Workshop's early work was in effects for radio, in particular experimental drama and "radiophonic poems". Their significant early output included creating effects for the popular science-fiction serial Quatermass and the Pit and memorable comedy sounds for The Goon Show. In 1959, Daphne Oram left the workshop to set up her own studio, the Oramics Studios for Electronic Composition, where she eventually developed her "Oramics" technique of electronic sound creation. That year Maddalena Fagandini joined the workshop from the BBC's Italian Service. From the early sixties the Workshop began creating television theme tunes and jingles, particularly for low budget schools programmes. The shift from the experimental nature of the late 50s dramas to theme tunes was noticeable enough for one radio presenter to have to remind listeners that the purpose of the Workshop was not pop music. In fact, in 1962 one of Fagandini's interval signals "Time Beat" was reworked with assistance from George Martin (in his pre-Beatles days) and commercially released as a single using the pseudonym Ray Cathode. During this early period the innovative electronic approaches to music in the Workshop began to attract some significant young talent including Delia Derbyshire, Brian Hodgson and John Baker, who was in fact a jazz pianist with an interest in reverse tape effects. Later, in 1967. they were joined by David Cain, a jazz bass player and mathematician. In these early days, one criticism the Workshop attracted was its policy of not allowing musicians from outside the BBC to use its equipment, which was some of the most advanced in the country at that time not only because of its nature, but also because of the unique combinations and workflows which the Workshop afforded its composers. In later years this would become less important as more electronic equipment became readily available to a wider audience. CANNOTANSWER

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Mystique (Raven Darkholme) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by artist David Cockrum and writer Chris Claremont, she first appeared in the comic book Ms. Marvel #16, published in 1978. Mystique is a member of a subspecies of humanity known as mutants, who are born with superhuman abilities. Mystique is a shapeshifter who can mimic the appearance and voice of any person with exquisite precision, and her natural appearance includes blue skin and yellow eyes.

After the Hecatomb battle on Providence, Rogue's team returns to Rogue's childhood home in Caldecott County, Mississippi, which Mystique owns for some downtime. Mystique alerts the X-Men, who come to treat Rogue's illness, that there are intruders in the area. Only after Lady Mastermind drops her illusions do the X-Men realize that it is an all-out attack, and that both Lady Mastermind and Omega Sentinel (the latter being possessed by Malice) have defected sides. During the Marauders' initial ambush, Mystique prevents Scalphunter from shooting Rogue. She then reveals herself as a traitor as well, shoots her adopted daughter, and orders the remaining Marauders to kill the X-Men. Mystique remains with the Marauders during the hunt for the first new mutant baby, but is revealed to have murdered Mister Sinister in a plot involving the baby and Rogue's killing touch. She also appears to be working with Gambit, who, like her, has ulterior motives to want to betray Mister Sinister. When Sinister approaches Mystique as she is with the comatose Rogue, Mystique shoves Sinister onto Rogue, killing him through fatal skin-to-skin contact. Then, in keeping with the words of the Destiny Diaries, she touches the baby's face to Rogue's. The baby's touch purges her of the Strain 88 virus and all the residual psyches she had absorbed over her life, including Hecatomb. Rogue is sickened by Mystique's manipulations, and leaves. Wolverine tracks Mystique to the Middle East and then into Afghanistan. It is hinted at that Mystique's recent betrayal is not the only reason Logan is out to kill her, as they have a common history of friendship, love, and ultimately, betrayal. After a heated fight, Wolverine wounds Mystique, but denies her the Coup de grace. CANNOTANSWER

did they kill the xmen


Background: Raven is a fictional superheroine appearing in American comic books published by DC Comics. The character first appeared in a special insert in DC Comics Presents #26 (October 1980), and was created by writer Marv Wolfman and artist George Perez. The daughter of a demon father (Trigon) and human mother (Arella), Raven is an empath who can teleport and control her "soul-self", which can fight physically, as well as act as Raven's eyes and ears away from her physical body. She is a prominent member of the superhero team Teen Titans.
Context: Raven is half human/half demon daughter of interdimensional demon Trigon and Gotham City-born human Angela Roth (known as Arella). Raven was conceived as the result of Trigon's marriage to Arella. Raven grew up in an alternate dimension called Azarath, with pacifistic inhabitants whose spiritual leader was the mystic Azar (Pagon). She was taught to "control her emotions" by Azar, in order to suppress her inherited demonic powers. Initially, it was feared that if Raven were ever to feel any strong emotion, she could then become possessed by her father's evil demonic energy inside of her. During this time, Raven rarely saw her mother and grew detached from her. Upon Azar's death, Arella began the task of raising and teaching Raven. Around this same time, she met her father face to face for the first time. Soon after her 18th birthday, Raven learned that Trigon planned to come to her dimension; she vowed to stop him. Raven initially approached the Justice League for help, but they refused her on the advice of Zatanna, who sensed her demonic parentage. In desperation, she reformed the Titans as the New Teen Titans to fight her father. The team consisted of Robin, Kid Flash, Wonder Girl, Starfire, Cyborg, and Beast Boy. Raven and her new friends later came to think of one another as family. Trigon soon took Raven to his home dimension. The team defeated Trigon and sealed him in an interdimensional prison with the help of Arella, who stayed at the interdimensional door as Trigon's Guardian. However, Raven continued to fight her father's influence, as he was not completely destroyed. For a period of time, Raven lost control several times in stressful situations, but managed to regain control before Trigon could assert himself. Eventually, Trigon escaped his prison, came to Earth, and took control of Raven, destroying Azarath in the process. The Titans were manipulated to kill Raven, thereby allowing the souls of Azarath contained inside the ring of Azar to possess her and use her as a channel to kill Trigon. After this battle, Raven rose from the ashes, purged of Trigon's evil, and vanished. CANNOTANSWER
Question: What was Azarath like?

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Russell Edward Brand was born in Orsett Hospital in Grays, Essex, England. He is the only child of Barbara Elizabeth (nee Nichols) and photographer Ronald Henry Brand. Brand's parents split up when he was six months old, and he was raised by his mother. He had a difficult childhood.

While still a teenager, Brand appeared in 1994 episodes of The Bill and the children's adventure series Mud. In 2002, Brand appeared on the TV shows Cruise of the Gods and White Teeth. In 2005, he played Tommy in the BBC sitcom Blessed, which was written and directed by Young Ones co-writer Ben Elton. Brand auditioned for the part of Super Hans in the Channel 4 sitcom Peep Show; the role eventually went to Matt King. In 2007, Brand appeared in Cold Blood for ITV, playing an ex-con called Ally. Brand played a recovering crack addict named Terry in the pilot for the ITV comedy The Abbey, written by Morwenna Banks. He voiced an Earth Guardian in Robbie the Reindeer in Close Encounters of the Herd Kind. Brand appeared in a small role in the 2006 movie Penelope; although his first major film role was as Flash Harry in the 2007 film St Trinian's. Brand achieved American fame when he starred in the 2008 film Forgetting Sarah Marshall, in which he played rock star Aldous Snow, the boyfriend of the title character (played by Kristen Bell). Brand received rave reviews for his performance as Snow, and he revealed the character was changed from an author to a rock star because of his audition. Brand starred alongside Adam Sandler in the Disney film Bedtime Stories, which was released on 25 December 2008. He reprised the role of Aldous Snow for a buddy comedy titled Get Him to the Greek, co-starring Jonah Hill. He reunited with Forgetting Sarah Marshall director Nicholas Stoller and producer Judd Apatow for the film. Brand starred in Julie Taymor's 2010 version of William Shakespeare's The Tempest, as Trinculo. In 2010, Brand voiced Dr. Nefario in the Universal movie Despicable Me, and reprised the role in the 2013 sequel. Brand also guest starred in The Simpsons episode "Angry Dad: The Movie" as himself. Brand also starred in the April 2011 live action/CGI animated film Hop with James Marsden, voicing the film's protagonist E.B. Hop opened at number one at the Friday box office in the US, earning $11.4 million. The same month, he played the title character in a remake of Arthur, written by Peter Baynham, which was a box office disappointment. Brand starred as Lonny in a film adaptation of the 1980s-set musical Rock Of Ages, released in cinemas in June 2012. In 2016, Brand voiced Creek in the DreamWorks film Trolls. He also appears in the comedy Army of One with Nicolas Cage. Other projects Brand has been tied to include a remake of Drop Dead Fred, an Adam Sandler-produced film about a con-man posing as a priest tentatively entitled Bad Father, co-written by Brand and Matt Morgan; and a film adaptation of the children's television programme Rentaghost a project that was picked up by Fox Studios in 2011 with Ben Stiller attached. CANNOTANSWERAnswer this question using a quote from the following article:

Wow, so many titles. What else was he in?


Background: Branson was born in Blackheath, London, the eldest of three children of Eve Branson (nee Evette Huntley Flindt; born 1924), a former ballet dancer and air hostess, and Edward James Branson (1918-2011), a barrister. He has two younger sisters. His grandfather, the Right Honourable Sir George Arthur Harwin Branson, was a judge of the High Court of Justice and a Privy Councillor. Branson was educated at Scaitcliffe School, a prep school in Surrey, before briefly attending Cliff View House School in Sussex.
Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER
Question: when did his record business start?

Answer:


Background: Corbin Bleu Reivers (; born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the High School Musical film series (2006-2008). Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the Billboard Hot 100.
Context: Bleu's first professionally recorded song was titled "Circles" or "Circles in My Mind" for his then TV show, Flight 29 Down. Bleu signed a contract with Hollywood Records, a Disney-owned label. His debut album Another Side, was released in May 2007. The album debuted at No. 36 on the Billboard 200 album charts, selling 18,000 in its first week. The album fuses rhythm and blues with hip-hop and other pop genres in an upbeat, wholesome commercial blend. Bleu, who admires Prince, Michael Jackson, and Justin Timberlake, cowrote five songs on the album. In 2007 he toured in support of Another Side with the teen sister duo Aly & AJ. Blue worked with Ne-Yo on "I Get Lonely," and with other performers such as Matthew Gerrard and Eric Hudson. A music video for his first single, "Push It to the Limit", premiered on the Disney Channel, and was used to promote the movie Jump In! "Push It to the Limit" reached the Top 20 on the Billboard Hot 100, and his second single, "Deal With It", was originally written and sung by Jay Sean. He later gave it to Corbin Bleu, whose version of the song features background vocals by Jay Sean. The song earned Jay Sean a BMI Songwriter Award. peaking at No. 15. He sings the duet "Still There For Me" with Vanessa Hudgens for him debut album. Bleu toured with fellow High School Musical cast members from late November 2006 to late January 2007 in High School Musical: The Concert, and with Drake Bell and Aly & AJ performing in about 40 different cities. To promote his debut album, Bleu performed at the Nextfest tour with the teen sister duo Aly & AJ and Drake Bell with Special Guest Bianca Ryan. On Another Side, he wrote or co-wrote five of the album's twelve songs. He wrote two songs that appear as bonus tracks on the European version. One of those tracks was titled "Shake It Off", an ode to the musician Prince. His debut single "Run It Back Again", The song has been featured in movie Minutemen, on January 22, 2008. The song is also featured on Radio Disney Jams, Vol. 10. CANNOTANSWER
Question: Is that currently?

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DeVos was born Elisabeth Prince on January 8, 1958. She grew up in Holland, Michigan, the daughter of Elsa (Zwiep) Prince (later, Broekhuizen) and Edgar Prince, a billionaire industrialist. Both of her parents are of Dutch ancestry, and her family's original surname was "Prins". Edgar was the founder of Prince Corporation, an automobile parts supplier based in Holland, Michigan.

The Dick & Betsy DeVos Family Foundation was launched in 1989. The foundation's giving, according to its website, is motivated by faith, and "is centered in cultivating leadership, accelerating transformation and leveraging support in five areas", namely education, community, arts, justice, and leadership. In 2015, the DeVos Foundation made $11.6 million in charitable contributions, bringing the couple's lifetime charitable giving to $139 million. Forbes ranked the DeVos family No. 24 on its 2015 list of America's top givers. The DeVos Foundation has donated large amounts to hospitals, health research, arts organizations, Christian schools, evangelical missions, and conservative, free-market think tanks. Of the $100 million the foundation donated between 1999 until 2014, half of it went to Christian organizations. Organizations funded by the foundation include: Michigan's Foundation for Traditional Values; Center for Individual Rights; Acton Institute; Institute for Justice; Center for Individual Rights; Michigan's Pregnancy Resource Center; Right to Life Michigan Educational Fund; and Baptists for Life. With respect to educational-focused donations, the foundation from 1999 to 2014 supported private Christian schools (at least $8.6 million), charter schools ($5.2 million), and public schools ($59,750). Specific donations included $2.39 million to the Grand Rapids Christian High School Association, $652,000 to the Ada Christian School, and $458,000 to Holland Christian Schools. In 2016 the Foundation reported $14.3 million in donations to over 100 organizations including the X Prize Foundation, Mars Hill Bible Church, American Enterprise Institute. When DeVos was appointed US Education Secretary, it was revealed that she was an elder at Mars Hill Bible Church. During her tenure, she reportedly donated $431,000 to the church between 2002 and 2004 and $453,349 to Flannel, producer of the NOOMA video series. CANNOTANSWER

Answer the following question by taking a quote from the article: What were the biggest donations that the foundation made?


Ray Washington Traylor Jr. (May 2, 1963 - September 22, 2004)  was an American professional wrestler who was best known for his appearances with the World Wrestling Federation (WWF) under the ring name Big Bossman, as well as for his appearances with World Championship Wrestling (WCW) as The Boss, The Man, The Guardian Angel, and Big Bubba Rogers. During his appearances with the WWF, Big Boss Man held the WWF World Tag Team Championship once and the WWF Hardcore Championship four times. On March 7, 2016, Traylor was confirmed to be inducted into the WWE Hall of Fame Class of 2016.

In June 1988, Traylor joined the WWF as "Big Boss Man", a Corrections Officer character. Wrestling as a heel and managed by Slick, Boss Man's post-match routine often included handcuffing his defeated opponents to the ring rope and beating them with a nightstick or ball and chain. After defeating Koko B. Ware at the inaugural SummerSlam, Boss Man began his first major WWF angle by attacking Hulk Hogan on "The Brother Love Show". During this feud, he also challenged Randy Savage for the WWF Championship, and formed a team with Akeem (formerly billed as One Man Gang, his UWF opponent) to form The Twin Towers. They feuded with Hogan and Savage (who had formed The Mega Powers), and were a key part in the top storyline of Savage turning on Hogan, leading to the WrestleMania V main event; in the later part of a tag match between the four on Saturday Night's Main Event, Hogan abandoned Savage to attend to the hurt Miss Elizabeth and went backstage. After being double-teamed for a while, Savage eventually rallied and defeated The Twin Towers on his own. This led to The Mega Powers demise as Savage beat Hulk in the backstage medical room where fellow wrestlers, managers and staff had to break them up. At WrestleMania V, The Twin Towers defeated The Rockers (Shawn Michaels and Marty Jannetty) and then, for most of spring and early summer 1989, feuded with Demolition (Ax and Smash) over the Tag Team Championship. Meanwhile, Boss Man concluded his feud with Hogan in a series of steel cage matches; one of the most memorable aired on the May 27 episode of Saturday Night's Main Event, with Hogan's WWF Championship on the line. During the match, Hogan superplexed Boss Man off the top of the cage. The Big Boss Man turned face on the February 24, 1990 episode of Superstars, when Ted DiBiase had paid Slick to have Boss Man retrieve the Million Dollar Championship belt from Jake Roberts, who had stolen it. Boss Man retrieved a bag containing both the belt and Roberts' pet python, Damien. On The Brother Love Show, he refused to accept DiBiase's money for the bag, and returned it to Roberts. Boss Man then feuded with former partner Akeem, defeating him in less than two minutes at WrestleMania VI. As part of his face turn, he later stopped handcuffing and beating jobbers after matches. He made peace with Hogan, appearing in his corner in his match against Earthquake at Summerslam 1990, and teaming with him at the 1990 Survivor Series, along with "Hacksaw" Jim Duggan and Tugboat, to defeat Earthquake's team. CANNOTANSWER

Answer the following question by taking a quote from the article: What happened after the feud?


Jacob Taio Cruz (born Adetayo Ayowale Onile-Ere; 23 April) is an English singer, songwriter, rapper and record producer. In 2008, he released his debut album Departure, which he wrote, arranged and produced. The album achieved certified gold status in the United Kingdom and earned him a MOBO Music of Black Origin Awards nomination. In October 2009, Cruz released his follow-up album Rokstarr, which includes the number one singles "Break Your Heart" and "Dynamite".

Cruz was featured on Tinchy Stryder's breakout single "Take Me Back" which peaked at No. 3 in the UK Singles Chart. According to Cruz's official Myspace blog, as of 1 January 2009, Rokstarr Music London changed its name to Rokstarr Entertainment Division, abbreviated to R.E.D Inc. During 2009, he worked on his follow-up album entitled Rokstarr. It was released on 12 October through R.E.D Inc./Island Records and is written and produced by Cruz, with co-writes and co-productions predominantly with UK producer Fraser T Smith. The album's lead single "Break Your Heart" was released on 14 September and reached number one in the UK, where it stayed for three weeks. In the US it went directly from number 53 to number one, breaking the record for the largest leap of a debut single. At the 2010 Brit Awards, "Break Your Heart" was nominated for Best British Single. The success of the song attracted the attention of David Massey and Daniel Werner from Mercury/Island Def Jam who were excited and aggressive about releasing "Break Your Heart" in the United States on their label. According to Cruz's manager Jamie Binns, the relationship with Monte Lipman at Universal Republic had "gone a bit quiet" by this point and as Taio wanted to be with the label that was most enthusiastic about his music, a move from Universal Republic to Mercury/Island Def Jam was engineered. The single reached the top spot in the United States for one week on the Billboard Hot 100. In an interview with The Guardian, it was stated that "Cruz was clever to have hooked up with a US rapper Ludacris on his breakthrough hit". In order to introduce Cruz into the U.S. market, David Massey had suggested that the single feature an American rapper with chart credibility. The album spawned two other UK singles, "No Other One", and the top-ten hit "Dirty Picture" featuring American electropop singer Kesha. The album's fourth single (second in the United States) titled "Dynamite" debuted at 26 and peaked at number two on the U.S. Billboard Hot 100. At the 2011 Brit Awards, "Dynamite" was nominated for Best British Single, and at the 2011 Billboard Music Awards the song won three Billboard Awards, including Top Hot 100 Song. Rokstarr was followed by the compilation album The Rokstarr Collection which includes songs both from Departure and the international version of Rokstarr. Cruz later released four versions of his single "Higher"--one featuring Kylie Minogue, one featuring Travie McCoy, one featuring both, and one with just himself. Cruz has also been featured on the soundtrack of American reality TV series Jersey Shore. CANNOTANSWER

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Jose Arcadio Limon (January 12, 1908 - December 2, 1972) was a dancer and choreographer who developed what is now known as 'Limon technique'. In the 1940s he founded the Jose Limon Dance Company (now the Limon Dance Company), and in 1968 he created the Jose Limon Foundation to carry on his work. In his choreography, Limon spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures -- reaching, bending, pulling, grasping -- to communicate emotion.

In 1930, Limon first performed on Broadway, and later that same year he choreographed his first dance, "Etude in D Minor", a duet with Letitia Ide. Limon recruited Ide and schoolmates Eleanor King and Ernestine Stodelle to form "The Little Group". From 1932 to 1933, Limon made two more Broadway appearances, in the musical revue Americana and in Irving Berlin's As Thousands Cheer, choreographed by Charles Weidman. Limon also tried his hand at choreography at Broadway's New Amsterdam Theatre. Limon made several more appearances throughout the next few years in shows such as Humphrey's New Dance, Theatre Piece, With my Red Fires, and Weidman's Quest. In 1937, Limon was selected as one of the first Bennington Fellows. At the Bennington Festival at Mills College in 1939, Limon created his first major choreographic work, titled Danzas Mexicanas. After five years, however, Limon would return to Broadway to star as a featured dancer in Keep Off the Grass under the choreographer George Balanchine. In 1941, Limon left the Humphrey-Weidman company to work with May O'Donnell. They co-choreographed several pieces together, such as War Lyrics and Curtain Riser. On October 3, 1942 Limon married Pauline Lawrence, a founding member and the manager of the Humphrey-Weidman company. The partnership with O'Donnell dissolved the following year, and Limon created work for a program at Humphrey-Weidman. In 1943, Limon's made his final appearance on Broadway in Balanchine's Rosalinda, a piece he performed with Mary Ellen Moylan. He spent the rest of that year creating dances on American and folk themes at the Studio Theatre before being drafted into the Army in April 1943. During this time, he collaborated with composers Frank Loesser and Alex North, choreographing several works for the U.S. Army Special Services. The most well-known among these is Concerto Grosso. CANNOTANSWERAnswer this question using a quote from the following article:

What play was he in when he returned to Broadway?


Background: Marvin Lee Aday was born in Dallas, Texas, the only child of Wilma Artie (nee Hukel), a school teacher and a member of the Vo-di-o-do Girls gospel quartet, and Orvis Wesley Aday, a police officer. His father was an alcoholic who would go on drinking binges for days at a time. Aday and his mother would drive around to all the bars in Dallas, looking for Orvis to take him home.
Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER
Question: Did he join the band

Answer:


Ray Washington Traylor Jr. (May 2, 1963 - September 22, 2004)  was an American professional wrestler who was best known for his appearances with the World Wrestling Federation (WWF) under the ring name Big Bossman, as well as for his appearances with World Championship Wrestling (WCW) as The Boss, The Man, The Guardian Angel, and Big Bubba Rogers. During his appearances with the WWF, Big Boss Man held the WWF World Tag Team Championship once and the WWF Hardcore Championship four times. On March 7, 2016, Traylor was confirmed to be inducted into the WWE Hall of Fame Class of 2016.

In the fall of 1990, Boss Man began feuding with Bobby Heenan and The Heenan Family after Heenan continually insulted Boss Man's mother. He won a series of matches against Heenan Family members in 1991, including The Barbarian at the Royal Rumble and Mr. Perfect (via disqualification) at WrestleMania VII in an Intercontinental Championship match, which featured the return of Andre the Giant. At the SummerSlam, he defeated The Mountie in a Jailhouse Match, a match in which the loser must spend a night in jail. This was the only such match ever held by the promotion. Boss Man then briefly feuded with Irwin R. Schyster. In 1992, Boss Man began feuding with Nailz, an ex-convict character who, in a series of promos aired before his debut, claimed Boss Man had been his abusive Officer in prison, and warned he was seeking revenge. On the May 30 episode of WWF Superstars, Nailz -- clad in an orange prison jumpsuit -- ran into the ring and attacked Boss Man, handcuffing him to the top rope and repeatedly choking and beating him with the nightstick. Boss Man took time off TV to sell his (kayfabe) injuries, eventually returning and having a series of matches with Nailz in the latter half of 1992. The feud culminated at Survivor Series, when Boss Man defeated Nailz in a Nightstick on a Pole match. This was the final push for the Boss Man during this run, as he was subsequently used as enhancement talent against Razor Ramon, Bam Bam Bigelow, and Yokozuna on the house show circuit. The Big Boss Man's last pay-per-view match of this run came at the 1993 Royal Rumble, where he lost to Bam Bam Bigelow. He left the WWF shortly after a house show in Gatineau, Quebec on March 14. During the next few months he made appearances in the USWA and SMW. On December 4 he made a one-time return to the WWF as a special guest referee to officiate the main event of a house show in Anaheim, CA between Bret Hart and Jeff Jarrett. Bossman was expected to rejoin the WWF but elected to sign with WCW instead. CANNOTANSWERAnswer this question using a quote from the following article:

what is the most important fact mentioned in the article?


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Ghulam Ishaq Khan (Urdu: Glm sHq khn; January 20, 1915 - 27 October 2006), was a Pakistani bureaucrat who served as the seventh President of Pakistan, elected in 1988 until his resignation in 1993. Raised in Bannu, Ghulam Ishaq graduated from Peshawar University and entered the Indian Civil Service, opting for Pakistan after the independence in 1947. Appointed the first chairman of the Water and Power Development Authority by President Ayub Khan in 1961, Ghulam Ishaq also served as Finance Secretary from 1966 to 1970. A year later, he was appointed Governor of the State Bank by President Zulfikar Ali Bhutto, before being made Defence Secretary in 1975, assisting with Pakistan's atomic bomb programme.

In 1975, Prime Minister Bhutto subsequently removed him from the State Bank, instead posting him at the Ministry of Defence (MoD). Khan was appointed Defence Secretary, which was fortuitous in that it brought him into close contact with the Pakistani military establishment. Though an unusual assignment for a financial expert, this appointment made him a powerful bureaucrat in the country. During that time, Khan became closer to General Zia-ul-Haq and had later coveted for General Zia-ul-Haq's appointment as the chief of army staff. As Defence Secretary, he helped manage Pakistan's large but integrated atomic bomb project and had been directly associated with the program. Khan was a vehement support of the program and saw it as a "national priory". He backed the advocacy of theorist Dr.Abdul Qadeer Khan and helped establishing the Engineering Research Laboratories in Kahuta. He headed the Uranium Coordination Board (UCB) which consisted of AGN Kazi, Munir Ahmad, and Agha Shahi; he later helped consolidate the efforts at ERL under Lt. Gen. Zahid Ali Akbar as its first military director. After approving the survey by General Akbar, he helped secure the funds for the ERL works and lobbying for General Akbar's promotion as the Engineer-in-Chief. Khan cemented close relations with Dr. Abdul Qadeer Khan and Munir Ahmad Khan, and remained Qadeer Khan's staunch loyal. His involvement and support earned him the nickname as "Mr. Nuke" by the U.S. diplomats, while the new media dubbed him as "Baba Atom Bomb ". On the contrary, Ishaq Khan did not have the directorial role in the atomic bomb program until Munir Ahmad Khan retired. After Munir Ahmad Khan took retirement from Pakistan Atomic Energy Commission (PAEC), President Ghulam Ishaq Khan eventually consolidated the entire program under the civic-military control, and supervised the classified projects of the program. CANNOTANSWER


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Rachel Anne Summers (also known as Rachel Grey) is a fictional superheroine appearing in American comic books published by Marvel Comics. Rachel was created by writer Chris Claremont and artist/co-writer John Byrne. In her first appearance, the character's surname was not revealed; later publications and retcons further expanded her backstory to involve central characters of mainstream continuity. She is the daughter of the alternate future counterparts to Cyclops (Scott Summers) and Jean Grey-Summers from a harsh dystopia, the sister of Nate Grey and half sister of Cable, a niece of Havok and Vulcan, and a powerful mutant in her own right.

After Rachel was kidnapped, along with Cyclops, by her paternal uncle Vulcan, he freed Darwin from inside him. Later, Professor X recruited Rachel, along with Havok, Nightcrawler, Warpath, Darwin, and Polaris, for a space mission to stop Vulcan from laying waste to the Shi'ar empire. Xavier, who recently was stripped of his powers, recruited Rachel to serve as his telepathic "eyes and ears" during their mission. Aware of Rachel's vendetta against the Shi'ar, Xavier agreed to use their trip into space to find out who in the Shi'ar Empire gave the order to wipe out all members of the Grey family, and he warned Rachel that they will deal with the people responsible for her recent losses Xavier's way. While in space, the team was attacked by Korvus, a Shi'ar warrior sent to kill Rachel. Korvus' ancestor, Rook'shir, was a previous host of the Phoenix Force, and a small portion of the Phoenix's power was left behind in his sword, the Blade of the Phoenix. With this power, Korvus made short work of the other X-Men, but when Rachel blocked the sword, their minds were involuntarily linked. Through this link, Rachel learned that Korvus' family was also murdered by the Shi'ar government because of their connection to the Phoenix. The remaining echo of the Phoenix power from the sword was then transferred to Rachel. Rachel claimed that rather than having taken the power, the power chose to go to her, saying, "The Phoenix knows me, remember? It likes me." When this happened, Rachel's normally gold energy aura turned blue, the same color as the Blade of the Phoenix. She then telekinetically disabled an explosive implant that the Shi'ar chancellor was using to force Korvus' obedience. Due to Rachel's connection to Korvus through the sword, she discovers the Phoenix Force formerly in the blade is just an echo, a "blue shadow", of the Force. The shadow of the Phoenix begins influencing Rachel's behavior, causing her to design a new darker uniform and begin a romance with Korvus. She soon breaks off the relationship after she realizes their bond is only because of the residual Phoenix Force. Leading up to the fight with Vulcan, Rachel is shown using her powers to kill the guards who stand in her way. Havok warns her not to, but Rachel tells him that they deserve to die after what they did to her family. When it comes to the big fight, Rachel shows just how powerful she is by protecting Korvus from one of Vulcan's blasts. Rachel is one of the X-Men stranded in Shi'ar space when their ship is sent back to Earth. After the death of her other grandfather, Corsair, at the hands of Vulcan, she, along with Havok, Polaris, Korvus, Ch'od, and Raza, become the new Starjammers. They elect to remain in Shi'ar space and restore Lilandra to the throne or die trying. As her uncle states, "If they fail, he has no doubt that Vulcan will head for Earth." CANNOTANSWER

How was she freed?


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William Theodore Walton III (born November 5, 1952) is an American retired basketball player and television sportscaster. Walton became known playing for John Wooden's powerhouse UCLA Bruins in the early 1970s, winning three successive College Player of the Year Awards, while leading the Bruins to two Division I national titles. He then went on to have a prominent career in the National Basketball Association (NBA) where he was a league Most Valuable Player (MVP) and won two NBA championships.

Walton was born in La Mesa, California, the son of Gloria Anne (nee Hickey) and William Theodore "Ted" Walton. His listed adult playing height was 6 feet 11 inches; it has been reported that Walton is actually taller (7 feet 2 inches, or more) but does not like being categorized as a seven-footer. He played high school basketball at Helix High School. At age 17, Walton played for the United States men's national basketball team at the 1970 FIBA World Championship. He played college basketball for John Wooden at the University of California, Los Angeles (UCLA) from 1971 to 1974, winning the national title in 1972 over Florida State and again in 1973 with an 87-66 win over Memphis State in which Walton made 21 of 22 field goal attempts and scored 44 points, representing more than half his team's total. The Walton-led 1971-72 UCLA basketball team had a record of 30-0, in the process winning its games by an average margin of more than 30 points. He was the backbone of two consecutive 30-0 seasons and was also part of UCLA's NCAA men's basketball record 88-game winning streak. The UCLA streak contributed to a personal winning streak that lasted almost five years, in which Walton's high school, UCLA freshman (freshmen were ineligible for the varsity at that time) and UCLA varsity teams did not lose a game from the middle of his junior year of high school to the middle of his senior year in college. Walton was the 1973 recipient of the James E. Sullivan Award as the top amateur athlete in the United States. Walton also received the USBWA College Player of the Year and Naismith College Player of the Year as the top college basketball player in the country three years in a row while attending UCLA, at the same time earning Academic All-American honors three times. Some college basketball historians rate Walton as the greatest who ever played the game at the college level. In Walton's senior year during the 1973-74 season, the school's 88-game winning streak ended with a 71-70 loss to Notre Dame. During the same season, UCLA's record seven consecutive national titles was broken when North Carolina State defeated the Bruins 80-77 in double overtime in the NCAA semi-finals. With Walton's graduation in 1974 and Bruin coach John Wooden's retirement after UCLA's 1975 national title, the UCLA dynasty came to an end. Prior to joining the varsity team, Walton (18.1, 68.6 percent), along with Greg Lee (17.9 ppg) and Keith Wilkes (20.0 ppg), was a member of the 20-0 UCLA Freshman team. CANNOTANSWER

What other awards did he win?


Background: Body Count is an American crossover thrash band formed in Los Angeles, California, in 1990. The group is fronted by Ice-T, who co-founded the group with lead guitarist Ernie C out of their interest in heavy metal music. Ice-T took on the role of vocalist and writing the lyrics for most of the group's songs. Lead guitarist Ernie C has been responsible for writing the group's music.
Context: The song "Cop Killer", intended to criticize corrupt police officers, encountered controversy, as it was seen as an attack against the entire police force. According to Ice-T, "I thought I was safe. I thought within the world of rock'n'roll, you could be free to write what you want. Hell, I was listening to Talking Heads singin' 'Psycho Killer.' Fuck it, I'll make 'Cop Killer'! But, that was the cross of metal with something that was real. Now we're not just killing your family, we're killing somebody so real that everybody just went, 'oh shit.'" The Dallas Police Association and the Combined Law Enforcement Association of Texas launched a campaign to force Warner Bros. Records to withdraw the album. Within a week, they were joined by police organizations across the United States. Some critics argued that the song could cause crime and violence. Many defended the song on the basis of the group's right to freedom of speech. In The Ice Opinion: Who Gives a Fuck, Ice-T wrote that "The people who did have a platform were way off backing me on the First Amendment. That's not where all the anger should have been directed. The anger should have been generated back at the police. [...] Because people jumped on the wrong issue they were able to drive this thing totally through Warner Brothers." Over the next month, controversy against the band grew. Vice President Dan Quayle branded "Cop Killer" as being "obscene," and President George H.W. Bush publicly denounced any record company that would release such a product. At a Time-Warner shareholders' meeting, actor Charlton Heston stood and read lyrics from the song "KKK Bitch" to an astonished audience and demanded that the company take action. The criticism escalated to the point where death threats were sent to Time-Warner executives, and shareholders threatened to pull out of the company. Finally, Ice-T decided to remove "Cop Killer" from the album of his own volition. In an interview, Ice-T stated that "I didn't want my band to get pigeon-holed as that's the only reason that record sold. It just got outta hand and I was just tired of hearing it. I said, 'fuck it,' I mean they're saying we did it for money, and we didn't. I'd gave the record away, ya know, let's move on, let's get back to real issues, not a record but the cops that are out there killing people." "Cop Killer" was replaced by a new version of "Freedom of Speech," a song from Ice-T's 1989 solo album The Iceberg/Freedom of Speech...Just Watch What You Say. The song was re-edited and remixed to give it a more rock-oriented sound. Ice-T left Warner Bros. Records the following year because of disputes over the Ice-T solo album Home Invasion, taking Body Count with him. Despite the controversy, the album received some praise, including A- reviews from Entertainment Weekly and The Village Voice, who later ranked the album among their list of The 40 Best Albums of 1992. Variety reported that the album had sold 480,000 copies by January 29, 1993. CANNOTANSWER
Question: What was the presidents reason for denouncing this type of music?. Whats the answer?


Background: Anquetil was the son of a builder in Mont-Saint-Aignan, in the hills above Rouen in Normandy, north-west France. He lived there with his parents, Ernest and Marie, and his brother Philippe and then at Boisguillaume in a two-storey house, "one of those houses with exposed beams that tourists think are pretty but those who live there find uncomfortable." In 1941, his father refused contracts to work on military installations for the German occupiers and his work dried up. Other members of the family worked in strawberry farming and Anquetil's father followed them, moving to the hamlet of Bourguet, near Quincampoix.
Context: Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular. Divisions between their fans became marked, which two sociologists studying the impact of the Tour on French society say became emblematic of France old and new. The extent of those divisions is shown in a story, perhaps apocryphal, told by Pierre Chany, who was close to Anquetil: The Tour de France has the major fault of dividing the country, right down to the smallest hamlet, even families, into two rival camps. I know a man who grabbed his wife and held her on the grill of a heated stove, seated and with her skirts held up, for favouring Jacques Anquetil when he preferred Raymond Poulidor. The following year, the woman became a Poulidor-iste. But it was too late. The husband had switched his allegiance to Gimondi. The last I heard they were digging in their heels and the neighbours were complaining. Jean-Luc Boeuf and Yves Leonard, in their study, wrote: Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode. Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him. Humble people saw themselves in Raymond Poulidor, whose face - lined with effort - represented the life they led on land they worked without rest or respite. His declarations, full of good sense, delighted the crowds: a race, even a difficult one, lasts less time than a day bringing in the harvest. A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up, an image that was far from true for Poulidor, whose record was particularly rich. Even today, the expression of the eternal second and of a Poulidor Complex is associated with a hard life, as an article by Jacques Marseille showed in Le Figaro when it was headlined "This country is suffering from a Poulidor Complex". Anquetil's most humiliating race was the Trofeo Baracchi in Italy in 1962, when he had to be pushed by his partner, Rudi Altig, and was so exhausted that he hit a pillar before reaching the track on which the race finished. The Trofeo Baracchi was a 111 km race for two-man teams. Anquetil, the world's best time-triallist, and Altig, a powerful rider with a strong sprint, were favourites. But things soon went wrong. The writer Rene de Latour wrote: I got my stopwatch going again to check the length of each man's turn at the front. Generally in a race of the Baracchi type, the changes are very rapid, with stints of no more than 300 yards. Altig was at the front when I started the check -- and he was still there a minute later. Something must be wrong. Altig wasn't even swinging aside to invite Anquetil through... Suddenly, on a flat road, Anquetil lost contact and a gap of three lengths appeared between the two partners. There followed one of the most sensational things I have ever seen in any form of cycle racing during my 35 years' association with the sport -- something which I consider as great a physical performance as a world hour record or a classic road race win. Altig was riding at 30mph at the front -- and had been doing so for 15 minutes. When Anquetil lost contact, he had to ease the pace, wait for his partner to go by, push him powerfully in the back, sprint to the front again after losing 10 yards in the process, and again settle down to a 30mph stint at the front. Altig did this not just once but dozens of times. The pair reached the track on which the race finished. The timekeeper was at the entrance to the stadium, so Anquetil finished. But instead of turning on to the velodrome, he rode straight on and hit a pole. He was helped away with staring eyes and with blood streaming from a cut to his head. The pairing nevertheless won by nine seconds. Raphael Geminiani had been Anquetil's rival as a rider; he became his strongest asset as his manager. The historian Dick Yates wrote: Raphael embarked on a policy of trying to convince Jacques of the need to win more races as he certainly had the ability to do so... Anquetil had a very strong personality so he was not easily dominated but Geminiani had an even stronger one. He never gave up the task of trying to convince Jacques of the need for more panache, how a man of his talent should have an even bigger list of important wins. As a partnership they won four Tours de France, two Giro d'Italia, the Dauphine-Libere and then next day, Bordeaux-Paris. Geminiani said of him: Today, everybody pays him homage. I nearly blow my top. I can still hear the way he was whistled when he rode. I think of the organisers of the Tour, who shortened the time trial to make him lose. His home town of Rouen organises commemorations but, me, I haven't forgotten that it was in Antwerp that he made his farewell appearance. More than once, I saw him crying in his hotel room after suffering the spitting and insults of spectators. People said he was cold, a calculator, a dilettante. The truth is that Jacques was a monster of courage. In the mountains, he suffered as though he was damned. He wasn't a climber. But with bluffing, with guts, he tore them to shreds (il les a tous couillonnes). CANNOTANSWER
Question: Who is Raphael Geminiani?

Answer:


Rouvas was born on 5 January 1972 in the village of Mandoukion, near Corfu City on the island of Corfu, the eldest of four sons of Konstantinos "Kostas" Rouvas (an ambulance driver) and the teenaged Anna-Maria Panaretou (a duty-free shop clerk at the local airport). He has three brothers: Billy (b. Vasilios), Tolis (b. Apostolos, 1975) and Nikos (b. Nikolaos, 1991). The family was poor, and Rouvas began taking care of his brothers at age five. At age four, he exhibited athletic ability and took ballet classes as a child.

Rouvas had no vocal lessons as a boy and taught himself primarily by ear, so during the recording of his first album he had to learn music theory in a short time. His voice developed significantly since his early teenaged performances. Rouvas' detractors have criticized his voice as average, or limited, contending that his appeal is based on image. Whatever the assessment of his voice, it has often been overshadowed by showmanship and appearance in the media; many preferred to watch him perform than to listen to him. These criticisms diminished by the second decade of Rouvas' career; his technical skills (range, power and versatility in particular) and expression are better appreciated. Rouvas has a tenor vocal range; although he can also sing low, in the F-clef range, he prefers to sing higher and can reach notes beyond the typical tenor high without falsetto, varying his dynamics from whispers to belts. His vocal power was evident in early recordings, notably on "Mia Fora" from Aima, Dakrya & Idrotas (the first album to showcase his vocal ability). During his 1997-98 hiatus, Rouvas received voice lessons from American coach Raz Kennedy focusing on rock and blues techniques. His subsequent sixth album, Kati Apo Mena, was a milestone in Rouvas' vocal development; he exhibited a consistent depth and dimension which previously appeared only sporadically on his first five albums. He won the Pop Corn Music Award for Best Male Vocal Performance twice in a row: for 1999's "Den Ehei Sidera I Kardia Sou" and 2000's "Se Thelo San Trelos" (the latter from 21os Akatallilos). By Live Ballads in 2006, Pavlos Zervas of Music Corner considered that Rouvas' voice had reached its most-mature form. Critic Tasos P. Karantis of Orfeas conceded that Rouvas sang with competence and technical precision, and his voice was easily recognizable. Ilias Malasidis of Athens 24 noted that Rouvas' voice was initially more intriguing than his material. His voice is best-suited to power ballads, his signature style due to his sensual tone. Reviewers have praised Rouvas' live performances, particularly his ability to execute "especially difficult and demanding songs", hold long, high notes and dance while singing. Down Town commended him for never using a playback track, common among Greek artists, but Billboard noted that an ability to sing well in English would increase his international appeal. During his career, Rouvas has perform in a number of genres, contemporary and traditional; in some songs (such as "O Iroas" from Iparhi Agapi Edo), he delivers spoken verses which have been described as a "light rap." He has also performed as a crooner styles and a classical tenor. Rouvas' defining characteristic as a vocalist has been his emotional expression. He maintains his voice with a strict organic food diet and avoiding alcohol and smoking, banning smoking in his dressing room. Singer-songwriter Stelios Rokkos, who collaborated with him for three seasons, described him as "probably the most disciplined singer I have ever met--in fact, to the point of insanity." CANNOTANSWER

Are there any influences to his vocal style?


Background: Alberto Moravia (Italian pronunciation: [al'berto mo'ra:vja]; November 28, 1907 - September 26, 1990), born Alberto Pincherle, was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel Gli indifferenti (1929) and for the anti-fascist novel Il Conformista (The Conformist), the basis for the film The Conformist (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are Agostino, filmed with the same title by Mauro Bolognini in 1962; Il disprezzo (A Ghost at Noon or Contempt), filmed by Jean-Luc Godard as Le Mepris (Contempt 1963); La Noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 and La ciociara, filmed by Vittorio de Sica as Two Women (1960).
Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER
Question: What did Moravia do in later life?. Whats the answer?


Answer by taking a quote from the following article:

The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

Ride was one of 8,000 people who answered an advertisement in the Stanford student newspaper seeking applicants for the space program. She was chosen to join NASA in 1978. During her career, Ride served as the ground-based capsule communicator (CapCom) for the second and third space shuttle flights (STS-2 and STS-3) and helped develop the space shuttle's "Canadarm" robot arm. Prior to her first space flight, she was subject to media attention due to her gender. During a press conference, she was asked questions such as, "Will the flight affect your reproductive organs?" and "Do you weep when things go wrong on the job?" Despite this and the historical significance of the mission, Ride insisted that she saw herself in only one way--as an astronaut. On June 18, 1983, she became the first American woman in space as a crew member on space shuttle Challenger for STS-7. She was preceded by two Soviet women, Valentina Tereshkova in 1963 and Svetlana Savitskaya in 1982. The five-person crew of the STS-7 mission deployed two communications satellites and conducted pharmaceutical experiments. Ride was the first woman to use the robot arm in space and the first to use the arm to retrieve a satellite. Her second space flight was in 1984, also on board the Challenger. She spent a total of more than 343 hours in space. Ride had completed eight months of training for her third flight (STS-61-M, a TDRS deployment mission) when the space shuttle Challenger disaster occurred. She was named to the Rogers Commission (the presidential commission investigating the accident) and headed its subcommittee on operations. Following the investigation, Ride was assigned to NASA headquarters in Washington, D.C., where she led NASA's first strategic planning effort, authored a report titled "NASA Leadership and America's Future in Space" and founded NASA's Office of Exploration. After Sally Ride's death in 2012, General Donald Kutyna revealed that she had discreetly provided him with key information about O-rings (namely, that they become stiff at low temperatures) that eventually led to identification of the cause of the explosion. CANNOTANSWER

Was she connected with the Challenger in anyway?


Payable on Death (abbreviated P.O.D.) is a Christian nu metal band formed in 1992 and based in San Diego, California. The band's line-up consists of vocalist Sonny Sandoval, drummer and rhythm guitarist Wuv Bernardo, lead guitarist Marcos Curiel, and bassist Traa Daniels. They have sold over 12 million records worldwide. Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally.

P.O.D.'s third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits "Southtown" and "Rock the Party (Off the Hook)", which was their first video to reach No. 1 on MTV's Total Request Live. The song "School of Hard Knocks" was featured on the soundtrack for Little Nicky while both "Southtown" and "Rock the Party" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite. The album's first single, "Alive", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song "America" to Santana's album Shaman. The album's second single, "Youth of the Nation", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, "Boom" and "Satellite", also became quite popular. In addition, the concluding track of the album, "Portrait," was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as "One of the biggest success stories in recent Christian music." CANNOTANSWER

Any other awards or recognition?


The Latins (Latin: Latini), sometimes known as the Latians, were an Italic tribe which included the early inhabitants of the city of Rome. From about 1000 BC, the Latins inhabited the small region known to the Romans as Old Latium (Latium Vetus), that is, the area between the river Tiber and the promontory of Mount Circeo 100 kilometres (62 mi) SE of Rome. The Latins were an Indo-European people who probably migrated into the Italian peninsula during the late Bronze Age (1200-900 BC). Their language, Latin, belonged to the Italic branch of Indo-European.

Romulus himself was the subject of the famous legend of the suckling she-wolf (lupa) that kept Romulus and his twin Remus alive in a cave on the Palatine Hill (the Lupercal) after they had been thrown into the river Tiber on the orders of their wicked uncle, Amulius. The latter had usurped the throne of Alba from the twins' grandfather, king Numitor, and then confined their mother, Rhea Silvia, to the Vestal convent. They were washed ashore by the river, and after a few days with the wolf, were rescued by shepherds. Mainstream scholarly opinion regards Romulus as an entirely mythical character, and the legend fictitious. On this view, Romulus was a name fabricated to provide Rome with an eponymous founding hero, a common feature of classical foundation-myths; it is possible that Romulus was named after Rome instead of vice versa. The name contains the Latin diminutive -ulus, so it means simply "Roman" or "little Roman". It has been suggested that the name "Roma" was of Etruscan origin, or that it was derived from the Latin word ruma ("teat"), presumably because the shape of the Palatine Hill and/or Capitoline Hill resembled a woman's teats. If Romulus was named after the city, it is more likely that he was historical. Nevertheless, Cornell argues that "Romulus probably never existed... His biography is a complex mixture of legend and folk-tale, interspersed with antiquarian speculation and political propaganda". In contrast, Andrea Carandini, an archaeologist who has spent most of his career excavating central Rome, advanced the theory that Romulus was a historical figure who indeed founded the city in c. 753 BC, as related by the ancient chroniclers, by ploughing a symbolic sacred furrow to define the city's boundary. But Carandini's views have received scant support among fellow-scholars. In contrast to the legend of Aeneas, which was clearly imported into the Latin world from an extraneous culture, it appears that the Romulus legend of the suckling she-wolf is a genuine indigenous Latin myth. The wolf was an emblem widespread among the Italic peoples. Aside from Rome, the wolf was also the ethnic emblem of the Samnites, the fierce pastoralists of the mountains of southern Italy. CANNOTANSWER

Ask a question about this article.

is there anything significant that Romulus did during his time?


Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

In 1951, Jordan assembled a short-lived big band that included Pee Wee Moore and others, at a time when big bands were declining in popularity. This is considered the beginning of his commercial decline, even though he reverted to the Tympany Five format within a year. By the mid-1950s, Jordan's records were not selling as well as before, and he left Decca Records. The next label to sign Jordan was Aladdin Records, for which Jordan recorded 21 songs in early 1954. Nine singles were released from these sessions; three of the songs were not released. In 1955, Jordan recorded with RCA's "independent" subsidiary "X" Records, which changed its name to Vik Records while Jordan was with them. Three singles were released under the "X" imprint and one under the Vik imprint; four tracks were not released. In these sessions Jordan intensified his sound to compete with rock and roll. In 1956, Mercury Records signed Jordan and released two LPs and a handful of singles. Jordan's first LP for Mercury, Somebody Up There Digs Me (1956), showcased updated rock-and-roll versions of previous hits such as "Ain't Nobody Here but Us Chickens", "Caldonia", "Choo Choo Ch'Boogie", "Salt Pork, West Virginia", and "Beware!" Its follow-up, Man, We're Wailin' (1957), featured a more laid-back, "late-night" sound. Mercury intended this to be a comeback for Jordan, but it was not commercially successful, and the label let him go in 1958. He recorded sporadically in the 1960s for Warwick (1960), Black Lion (1962), Tangerine (1962-1965), and Pzazz (1968) and in the early 1970s for Black and Blue (1973), Blues Spectrum (1973), and JSP (1974). In 1962 he appeared on the album Louis Jordan Sings, by the British trumpeter and bandleader Chris Barber. Speaking in 2012, Barber recalled seeing Jordan in the early 1960s at the Apollo Theater in New York, with the intention of bringing him to the UK to record There for the first time: "playing with him was just frightening. It's a bit like an amateur guitar player from a back street who has just bought a Spanish guitar, working with Segovia. He didn't make you feel small, but he was just so perfect in what he did. ... I still remember watching him singing, but he would accompany himself on the alto, and you were convinced he was playing the alto while he was singing. ... the breath hadn't gone from his last word before he was playing his alto and it seemed to be simultaneous. ... He got a very raw deal from history... In the Chick Webb band there were two regular singers - Ella [Fitzgerald] and Louis Jordan. And yet really history has consigned him to just being a comedy vocal thing with a bit of rock and roll, and the first alto ... but he was such a consumately good singer that it's sad that he wasn't known more for it." CANNOTANSWER

Answer the following question by taking a quote from the article: Did he have any other success?


William Seward Burroughs II (; February 5, 1914 - August 2, 1997) was an American writer and visual artist. Burroughs was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences.

Burroughs finished high school at Taylor School in Clayton, Missouri, and in 1932, left home to pursue an arts degree at Harvard University, where he was affiliated with Adams House. During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket. He disliked the work, and refused to cover some events, like the death of a drowned child. He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized. While at Harvard, Burroughs made trips to New York City and was introduced to the gay subculture there. He visited lesbian dives, piano bars, and the Harlem and Greenwich Village homosexual underground with Richard Stern, a wealthy friend from Kansas City. They would drive from Boston to New York in a reckless fashion. Once, Stern scared Burroughs so badly that he asked to be let out of the vehicle. Burroughs graduated from Harvard in 1936. According to Ted Morgan's Literary Outlaw, His parents, upon his graduation, had decided to give him a monthly allowance of $200 out of their earnings from Cobblestone Gardens, a substantial sum in those days. It was enough to keep him going, and indeed it guaranteed his survival for the next twenty-five years, arriving with welcome regularity. The allowance was a ticket to freedom; it allowed him to live where he wanted to and to forgo employment. Burroughs' parents sold the rights to his grandfather's invention and had no share in the Burroughs Corporation. Shortly before the 1929 stock market crash, they sold their stock for $200,000 (equivalent to approximately $2,850,388 in today's funds). CANNOTANSWERAnswer this question using a quote from the following article:

Is there anything information about Burroughs during this period?