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Benito "Benny" Cuntapay (born December 29, 1978) is an American professional wrestler better known by his ring name, B-Boy. He is best known for his work in the independent circuit, where he worked in promotions like Combat Zone Wrestling (CZW), Pro Wrestling Guerrilla (PWG), Jersey All Pro Wrestling (JAPW) or Wrestling Society X (WSX). He is a former CZW World Heavyweight Champion, one-time CZW Iron Man Champion and three-times PWG World Tag Team Champion (once with Homicide and twice with Super Dragon).

In Combat Zone Wrestling (CZW), Cuntapay, using the name B-Boy, joined the Hi V faction, with Messiah and The Backseat Boys, managed by Dewey Donovan. On April 12, 2003, B-Boy defeated Deranged, Lil Cholo, Jay Briscoe and Sonjay Dutt to win the Best of the Best tournament. On July 20, Hi V turned on CZW owner John Zandig, leading to the rest of the roster chasing them out of the building. This allowed the Hi V members to take a short hiatus from CZW, and B-Boy returned on the show of October 11, Uprising, defeating Homicide. He continued working regularly throughout the end of 2003 and 2004, gaining numerous title matches, but failing to win them. On July 10, 2004, B-Boy competed in the fourth annual Best of the Best tournament in an attempt to win it for the second consecutive time, but lost to Roderick Strong in the quarter-finals. After another short hiatus from CZW, B-Boy defeated Dan Maff on December 11 to win the Xtreme Strong Style Tournament. This earned him a match that night against the CZW Iron Man Champion, Chris Hero, who he then defeated to win the championship. After successful defenses against Kaos, B-Boy lost the championship to Frankie The Mobster on February 5, 2005 at Only the Strong: Scarred for Life. On April 2, 2005, B-Boy unsuccessfully challenged Ruckus for the CZW World Heavyweight Championship, and on May 14, he competed in the fifth Best of the Best tournament, making it to the finals, where he lost to Mike Quackenbush in a four-way match. On August 13, B-Boy lost a Loser Leaves Town match to Nate Webb, although he returned just under a month later on September 10, at the Chri$ Ca$h Memorial Show. After this, he competed only sporadically for CZW, making an appearance at the 2006 Chri$ Ca$h Memorial Show, and then, later that night, unsuccessfully challenging LuFisto for the CZW Iron Man Championship. He also competed in the seventh Best of the Best tournament on July 14, 2007, defeating Cheech, Ricochet, Brandon Thomaselli and Jigsaw en route to the final, where he lost to Joker. On January 30, 2010, at High Stakes 4 - Sky's the Limit B-Boy won the CZW World Heavyweight Championship, by defeating the previous champion Drake Younger. He held the championship for two weeks, before losing it to Jon Moxley on February 13. B-Boy announced on his Twitter that he would be returning to CZW to face AR Fox. Later, it was announced that B-Boy would be facing Jonathan Gresham at Proving Grounds. CANNOTANSWER


Daniel Armand Lee (Korean: Lee Seon-woong; Hangul: iseonung; born July 22, 1980), known professionally as Tablo (Hangul: tabeulro), is a South Korean-Canadian rapper, songwriter, record producer, author, and entrepreneur; also past actor and radio host. Tablo is best known as the leader and producer of veteran Korean hip-hop group Epik High, and the founder of independent music label HIGHGRND (High Ground), which houses bands Hyukoh and The Black Skirts. Tablo became employed as a lyricist while still in high school.

Tablo met Mithra Jin and DJ Tukutz in the underground hip-hop scene. They formed Epik High and under the tutelage of Movement crew members, especially CB Mass (currently Dynamic Duo), they attempted to record their first record alongside hip-hop duo, and close friends, TBNY (composed of Yankie and TopBob). However, CB Mass member Curbin allegedly embezzled Epik High and TBNY's funds for their first studio album, effectively causing the disbandment of CB Mass (and the creation of Dynamic Duo without Curbin). Tablo and Epik High were finally signed by Woolim Entertainment, which at the time focused on underground hip hop and modern rock. Tablo made his official debut as the leader of the group Epik High in 2003 alongside DJ Tukutz and Mithra Jin. The group's first album, Map of the Human Soul, was released on October 21, 2003. However, due to hip hop's lack of popularity in South Korea at the time, the album was a commercial failure. It wasn't until the release of their second album, High Society, that the group started to become more popular. Epik High's third album, Swan Songs, was originally intended to be their last album; however, upon release, the album became number one on numerous charts, and swept the year-end hip hop awards. One of the lead singles from the album, "Fly", was featured on the soundtrack of the video game FIFA 07. Due to the numerous offers to remake "Fly", as well as "Paris", the second single from the album, a CD sampler, was released in Japan. In 2007, the group released their fourth studio album, Remapping the Human Soul, and managed to push Epik High to the number one spot for best upcoming artist after selling almost 90,000 copies in the first month of release. The album ended up becoming South Korea's third best-selling album of 2007. However, many songs from the album were banned from several channels and the album buying age was restricted to 19+ due to some songs dealing with issues the Ministry of Culture and Tourism in South Korea deemed inappropriate for younger listeners. The group later went on to release their next album, Pieces, Part One, which was also a commercial success. In late 2008, Tablo published a book entitled Pieces of You. Although the stories were originally written in English, the book was first published in Korean. The Korean translation sold 50,000 copies in its first week of release and topped the bestseller's list in Korea. The original English version was released in February 2009 and also met with moderate success. The book garned a positive reception from critics, with Tablo's writing praised for a first-time author. After the group's contract with Woolim Entertainment expired in 2008, Tablo, alongside his group members, founded their own independent label, Map the Soul, and they went on to release an album of the same name. Through their independent label, the group went on to release two more albums; [e] in 2009, and Epilogue in 2010. In November 2013, Tablo revealed the reason of shutting down the label "Map the Soul" in his interview with HiphopLE that one of the executive member of Map The Soul embezzled the label's funds. CANNOTANSWER

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Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

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Born at Canterbury Hospital in Campsie, a suburb in South-Western Sydney on 2 June 1965, Waugh was one of twin boys born to Rodger and Beverley Waugh. He arrived four minutes before Mark, who went on to play cricket for Australia alongside him. Their father was a bank official and his mother was a teacher within the New South Wales Department of Education. The family settled in the South-Western Sydney suburb of Panania.

Mark Taylor retired at the end of the 1998-99 season and Waugh replaced him as Test captain, beginning with a tour of the Caribbean. Australia was expected to win as the West Indies had just been whitewashed 5-0 by South Africa. After easily winning the First Test, Australia was stymied by West Indies skipper Brian Lara, who batted with Jimmy Adams for the entire second day of the Second Test. This led to a victory for the home side, and in the Third Test, Lara batted for the entire final day to secure an unlikely win by one wicket. This result placed Waugh under immense pressure and he made a controversial decision to drop Shane Warne from the team for the final Fourth Test. Australia won the final Test despite a third consecutive century from Lara, and retained the Frank Worrell Trophy 2-2. The subsequent ODI series between the two teams was drawn 3-3. The series was notable for two incidents. In the fifth match at Georgetown, Guyana, Waugh was facing the bowling of Keith Arthurton with his team needing four runs from the final over to win. He struck the last ball of the match into the outfield, and attempted three runs to tie the match. A crowd invasion resulted in all the stumps being removed, with Waugh out of his ground when the ball was returned by the fielder. The match was declared a tie. During the West Indies run-chase in the final match in Barbados, local batsman Sherwin Campbell was run out after he fell over because of a collision with the bowler (Brendon Julian) who was attempting to field the ball. This resulted in a crowd riot and Waugh was nearly struck in the head with a glass bottle. The match continued after Campbell was reinstated, but Waugh criticised the security and questioned the integrity of the match. Waugh struggled in the lead-up to the World Cup, scoring 135 runs at 22.50 and taking two wickets at 33.00. CANNOTANSWER

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Did they win any matches on the Caribbean tour?


Born in Cedarville, Illinois, Jane Addams was the youngest of eight children born into a prosperous northern Illinois family of English-American descent which traced back to colonial New England; her father was politically prominent. Three of her siblings died in infancy, and another died at age 16, leaving only four by the time Addams was age eight. Her mother, Sarah Addams (nee Weber), died when Jane was two years old. Addams spent her childhood playing outdoors, reading indoors, and attending Sunday school.

Meanwhile, Jane Addams gathered inspiration from what she read. Fascinated by the early Christians and Tolstoy's book My Religion, she was baptized a Christian in the Cedarville Presbyterian Church, in the summer of 1886. Reading Giuseppe Mazzini's Duties of Man, she began to be inspired by the idea of democracy as a social ideal. Yet she felt confused about her role as a woman. John Stuart Mill's The Subjection of Women made her question the social pressures on a woman to marry and devote her life to family. In the summer of 1887, Addams read in a magazine about the new idea of starting a settlement house. She decided to visit the world's first, Toynbee Hall, in London. She and several friends, including Ellen Gates Starr, traveled in Europe from December 1887 through the summer of 1888. After watching a bullfight in Madrid, fascinated by what she saw as an exotic tradition, Addams condemned this fascination and her inability to feel outraged at the suffering of the horses and bulls. At first, Addams told no one about her dream to start a settlement house; but, she felt increasingly guilty for not acting on her dream. Believing that sharing her dream might help her to act on it, she told Ellen Gates Starr. Starr loved the idea and agreed to join Addams in starting a settlement house. Addams and another friend traveled to London without Starr, who was busy. Visiting Toynbee Hall, Addams was enchanted. She described it as "a community of University men who live there, have their recreation clubs and society all among the poor people, yet, in the same style in which they would live in their own circle. It is so free of 'professional doing good,' so unaffectedly sincere and so productive of good results in its classes and libraries seems perfectly ideal." Addams's dream of the classes mingling socially to mutual benefit, as they had in early Christian circles seemed embodied in the new type of institution. The settlement house as Addams discovered was a space within which unexpected cultural connections could be made and where the narrow boundaries of culture, class, and education could be expanded. They doubled up as community arts centers and social service facilities. They laid the foundations for American civil society, a neutral space within which different communities and ideologies could learn from each other and seek common grounds for collective action. The role of the settlement house was an "unending effort to make culture and 'the issue of things' go together." The unending effort was the story of her own life, a struggle to reinvigorate her own culture by reconnecting with diversity and conflict of the immigrant communities in America's cities and with the necessities of social reform. CANNOTANSWER

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Train is an American rock band from San Francisco, formed in 1993. The band currently consists of Patrick Monahan (lead vocals), Luis Maldonado (guitar), Hector Maldonado (bass, vocals), Drew Shoals (drums), Jerry Becker (keyboards, guitar), Sakai Smith (backup vocals), and Nikita Houston (backup vocals). With a lineup that included original members Monahan, Rob Hotchkiss, Jimmy Stafford, Scott Underwood, and Charlie Colin, the band achieved mainstream success with their debut album Train, which was released in 1998 with the hit "Meet Virginia". Train's 2001 album, Drops of Jupiter contained the lead single "Drops of Jupiter (Tell Me)", which won two Grammy Awards in 2002.

In 2003, Rob Hotchkiss left the band citing creative differences. According to band interviews, Hotchkiss resented being pushed away as a songwriter and decided to leave. Hotchkiss started pursuing a solo career, after having contributed to six of the 11 songs on the (at the time) upcoming album My Private Nation. His solo album, the critically acclaimed Midnight Ghost, was released in 2004. The band's third album, My Private Nation, was released in June 2003 with "Calling All Angels" as the lead single. "Calling All Angels" became Train's third top 20 hit, and was a major hit on the Billboard Hot Adult Contemporary Tracks chart. "Calling All Angels" has been certified RIAA Gold. In October 2003, bassist Charlie Colin was forced to leave the band because of substance abuse. According to singer Pat Monahan, Colin was "a mess". After a live presentation in Oregon, he called an emergency meeting and told the band that "you can have your bass player, or you can have your singer". In 2004, their non-album song "Ordinary" was featured in the movie Spider-Man 2. In 2007, it was featured again, this time in the NBC series Heroes. The music video for "Ordinary" was in rotation on MTV, but the song only charted on the Adult Top 40 Tracks chart. In July 2005, after the song was featured in an advertising campaign for Cingular, the band released "Get to Me" as the final single from My Private Nation. "Get to Me" (written by Rob Hotchkiss and Pat Monahan) reached number nine on the Billboard Adult Top 40. Paul Buckmaster returned on "My Private Nation" with string arrangements for the tracks "Lincoln Avenue" and "Your Every Color". The album was certified platinum by the RIAA. The band released their first live album, Alive at Last, in 2004, later winning a Radio Music Award for best artist. CANNOTANSWER

Where there any others by chance?


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Dalglish, the son of an engineer, was born in Dalmarnock in the East End of Glasgow, and was brought up in Milton in the north of Glasgow. He moved to the docklands of Govan, near Ibrox, home of Rangers, when he was 15, and he grew up supporting Rangers. Dalglish attended Milton Bank Primary School in Milton and started out as a goalkeeper. He then attended High Possil Senior Secondary School, where he won the inter-schools five-a-side and the inter-year five-a-side competitions.

After the Heysel Stadium disaster in 1985 and Joe Fagan's subsequent resignation as manager, Dalglish became player-manager of Liverpool. In his first season in charge in 1985-86, he guided the club to its first "double". Liverpool achieved this by winning the League Championship by two points over Everton (Dalglish himself scored the winner in a 1-0 victory over Chelsea at Stamford Bridge to secure the title on the final day of the season), and the FA Cup by beating Everton in the final. The 1986-87 season was trophyless for Liverpool. They lost 2-1 to Arsenal in the League Cup final at Wembley. Before the 1987-88 season, Dalglish signed two new players: striker Peter Beardsley from Newcastle and winger John Barnes from Watford. He had already purchased goalscorer John Aldridge from Oxford United (a replacement for Ian Rush, who was moving to Italy) in the spring of 1987 and early into the new campaign, bought Oxford United midfielder Ray Houghton. The new-look Liverpool side shaped by Dalglish topped the league for almost the entire season, and had a run of 37 matches unbeaten in all competitions (including 29 in the league; 22 wins and 7 draws) from the beginning of the season to 21 February 1988, when they lost to Everton in the league. Liverpool were crowned champions with four games left to play, having suffered just two defeats from 40 games. However, Dalglish's side lost the 1988 FA Cup Final to underdogs Wimbledon. In the summer of 1988, Dalglish re-signed Ian Rush. Liverpool beat Everton 3-2 after extra time in the second all-Merseyside FA Cup final in 1989, but was deprived of a second Double in the final game of the season, when Arsenal secured a last-minute goal to take the title from Liverpool. In the 1989-90 season Liverpool won their third league title under Dalglish. They missed out on the Double and a third successive FA Cup final appearance when they lost 4-3 in extra-time to Crystal Palace in an FA Cup semi-final at Villa Park. At the end of the season Dalglish received his third Manager of the Year award. Dalglish resigned as manager of Liverpool on 22 February 1991, two days after a 4-4 draw with rivals Everton in an FA Cup fifth round tie at Goodison Park, in which Liverpool surrendered the lead four times. At the time of his resignation, the club were three points ahead in the league and still in contention for the FA Cup. CANNOTANSWER


Feller was elected the inaugural president of the Major League Baseball Players' Association in 1956. As president, he appeared before Congress to speak about baseball's reserve clause. Feller was the first player to get a franchise to agree to a share of game receipts when he was the starting pitcher for Indians' games. He was also the earliest player to incorporate himself (as Ro-Fel, Inc.). He was also one of the first players to work for the right of a player to enter free agency. Feller and his wife, Virginia Winther, had three sons, Steve, Martin, and Bruce. The couple divorced in 1971; from the divorce settlement, Virginia received the house she and Feller had built. Virginia died on May 6, 1981 in her home in Shaker Heights, Ohio. In retirement, Feller lived with his second wife, Anne Feller, in Gates Mills, a suburb of Cleveland. Feller is credited with being the first baseball star to sign autographs at baseball memorabilia conventions, and was such a frequent guest at such events that one ESPN writer speculated that he may have signed more autographs than any other person. In June 2009, at the age of 90, Feller was one of the starting pitchers at the inaugural Baseball Hall of Fame Classic, which replaced the Hall of Fame Game at Cooperstown, New York. Feller was treated for leukemia in August 2010. By October, Feller was fitted with a pacemaker and was diagnosed with pneumonia and thrush, an infection of the mucous membrane lining the mouth and throat. He was transferred on December 8 from the Cleveland Clinic to hospice care. On December 15, Feller died of complications from leukemia at 92. CANNOTANSWER

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Supergirl is a fictional superhero appearing in American comic books published by DC Comics. The character was created by writer Otto Binder and designed by artist Al Plastino. Supergirl first appeared in a story published in Action Comics #252 (May 1959) titled "The Supergirl from Krypton". Kara Zor-El is the biological cousin of Kal-El (Superman).

Prior to the post-Crisis introduction of Kara Zor-El into mainstream continuity, the pre-Crisis Kara Zor-El made an appearance in Peter David's Supergirl: Many Happy Returns. The then-current Supergirl series, at the time starring Linda Danvers, was in danger of cancellation and Peter David thought a story arc involving Kara Zor-El would be enough to revitalize the series. In an interview with Cliff Biggers of Newsarama, David states: Although it had always been in the back of my mind that doing a Kara-related storyline might be fun, the impetus at this point was, frankly, sales...I was trying to figure out who currently wasn't reading the series, and came up with two groups that we'd have a shot at getting: Those who'd become bored with the current storyline, and those who didn't accept any Supergirl save Kara. By doing 'Many Happy Returns,' I sought to pull in both potential audiences. In the Linda Danvers' Supergirl series issues 48 and 49 in 2001, the original dead Kara appears as Linda's "guardian angel". Then in issues 75 to 80, "Many Happy Returns", a young Kara appears from an earlier time long before the Crisis. The paradox becomes a moral crisis for Linda who tries to take her place as the Crisis sacrifice, living for years in a Silver Age universe where "no one swears, the villains are always easy to defeat, and everything's very, very clean." This run was illustrated by Ed Benes who had also illustrated Gail Simone's Birds of Prey which had a similar whimsical camaraderie between its female leads. Linda's inability to ultimately save Kara is so devastating that it ends her own career as Supergirl. This story arc is usually cited as one of the best Supergirl stories ever written. The series ended with issue 80. CANNOTANSWER

What was the story-line of the show?


Background: Vittorio Giorgio Andre Spinetti was born on 2 September 1929 in Cwm, of Welsh and Italian descent from a grandfather who was said to have 'walked' from Italy to Wales to work as a coal miner, just to earn enough money to buy a plough. His parents, Giuseppe and Lily (nee Watson), owned the chip shop in Cwm, over which premises the family lived and where Spinetti was born. Spinetti was the eldest of six, and his younger brother, Henry (born 1951), is a session drummer. Spinetti was educated at Monmouth School and the Royal Welsh College of Music and Drama in Cardiff, of which he later became a Fellow.
Context: Spinetti's work in Joan Littlewood's Theatre Workshop produced many memorable performances including Fings Ain't Wot They Used T'Be (1959, by Frank Norman, with music by Lionel Bart), and Oh! What a Lovely War (1963), which transferred to New York City and for which he won a Tony Award for his main role as an obnoxious Drill Sergeant. He appeared in the West End in The Odd Couple (as Felix); in Chitty Chitty Bang Bang in the West End; and as Albert Einstein in a critically lauded performance in 2005 in a new play, Albert's Boy at the Finborough Theatre. He launched his own one-man show of witty reminiscences, A Very Private Diary, at the Edinburgh Festival Fringe. One of Spinetti's most challenging theatre roles was as the principal male character in Jane Arden's radical feminist play Vagina Rex and the Gas Oven, which played to packed houses for six weeks at the Arts Lab on Drury Lane in 1969. In 1980 he directed The Biograph Girl, a musical about the silent film era, at the Phoenix Theatre. In 1986 he appeared as Fagin in the musical Oliver!, which was the last professional production to use Sean Kenny's original stage design. He appeared on Broadway in The Hostage and The Philanthropist, and also acted in 1995 with the Royal Shakespeare Company, in such roles as Lord Foppington in The Relapse and the Archbishop in Richard III, at Stratford-upon-Avon, although this was not a happy experience for him. Spinetti co-authored In His Own Write, the play adapted from a book by John Lennon with the Beatle which he also directed at the National Theatre, premiering on 18 June 1968, at the Old Vic. Spinetti and Lennon appeared together in June 1968 on BBC2's Release. During the interview, Spinetti said of the play, that "it's not really John's childhood, it's all of ours really, isn't it John?" to which Lennon replied, assuming a camp voice, "It is, we're all one Victor, we're all one aren't we. I mean 'what's going on?'" Spinetti described the play as being "about the growing up of any of us; the things that helped us to be more aware". He also directed Jesus Christ Superstar and Hair, including productions staged in Europe. His many television appearances on British TV, include Take My Wife in which he played a London-based booking agent and schemer who was forever promising his comedian client that fame was just around the corner, and the sitcom An Actor's Life For Me. In September 2008 Spinetti reprised his one-man show, A Very Private Diary, touring the UK, as A Very Private Diary ... Revisited!, telling his life story. CANNOTANSWER
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A one-man band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical and/or electronic contraptions. One man bands also often sing while they perform. The simplest type of "one-man band" -- a singer accompanying him/herself on acoustic guitar and playing a harmonica mounted in a metal "harp rack" below the mouth -- is often used by buskers and folk music singer-guitarists. More complicated setups may include wind instruments strapped around the neck, a large bass drum mounted on the musician's back with a beater which is connected to a foot pedal, cymbals strapped between the knees or triggered by a pedal mechanism, tambourines and maracas tied to the limbs, and a stringed instrument strapped over the shoulders (e.g., a banjo, ukulele or guitar).

The term "one-man band" is also colloquially used to describe a performer who plays every instrument on a recorded song one at a time, and then mixes them together in a multitrack studio. While this approach to recording is more common in electronica genres such as techno and acid house than traditional rock music, some rock performers such as Joe Hill Louis, Stevie Wonder, Prince, Lenny Kravitz, Paul McCartney, Kabir Suman, Dave Edmunds, John Fogerty, Emitt Rhodes, Todd Rundgren, Steve Winwood, Roy Wood, Nik Kershaw, and Les Fradkin have made records in which they play every instrument (one after the other). Mike Oldfield was noted for using this recording technique during the recording of his 1973 album Tubular Bells. Other examples of a one-man band in the recording studio are Dave Grohl for the first studio album by the Foo Fighters, Trent Reznor for Nine Inch Nails, jazz piano player Keith Jarrett for his album No End, Peter Tagtgren for Pain (musical project), Chris Carrabba for the first two albums released by Dashboard Confessional, Varg Vikernes for Burzum and Billy Corgan for Smashing Pumpkins since 2009. Nash the Slash (1948-2014) played all instruments on his recordings. He also played solo concerts from 1975 to 2012, using synchronized drum machines and synthesizers as he plays either an electric violin or electric mandolin. Some artists record and mixed their music in a multitrack studio and synchronize it with video multitrack video playing on all instruments, creating a one-man band illusion. One-man bands in this context have become more common in extreme metal, especially black metal, where a number of bands apart from Burzum consist of only one member. Such artists include Nargaroth, Xasthur, Falkenbach, Arckanum, Nortt, Horde, and others. While most of these bands do not play live, some such as Nargaroth hire additional musicians for live performances. "One-woman band" is not used very often in the vernacular, but women have increasingly had a presence as musicians in most forms of music. Examples of one-woman bands are Merrill Garbus, who performs as Tune-Yards and plays every instrument on all recordings, and Edith Crash  who creates "dark and haunting, drawn-out melodies". CANNOTANSWER

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Pet Shop Boys are an English synthpop duo, formed in London in 1981 and consisting of Neil Tennant (lead vocals, keyboards, occasional guitar) and Chris Lowe (keyboards, vocals). Pet Shop Boys have sold more than 50 million records worldwide, and are listed as the most successful duo in UK music history by The Guinness Book of Records. Three-time Brit Award winners and six-time Grammy nominees, since 1985 they have achieved 42 Top 30 singles, 22 of them Top 10 hits in the UK Singles Chart, including four UK number ones: "West End Girls" (also number one on the US Billboard Hot 100), "It's a Sin", an acclaimed cover of "Always on My Mind" and "Heart". Other hit songs include a cover of "Go West", "Opportunities (Let's Make Lots of Money)" (satire of yuppiedom) and "What Have I Done to Deserve This?" in a duet with Dusty Springfield.

In March 1985, after long negotiations, Pet Shop Boys cut their contractual ties with Bobby O, with a settlement giving Bobby O significant royalties for future sales. Hiring manager Tom Watkins, they signed with the London-based Parlophone label. In April, Tennant left Smash Hits magazine - where he had progressed to the position of deputy editor - and in July, a new single, "Opportunities (Let's Make Lots of Money)", was released, reaching number 116 in the UK. The B-side to this single, "In the Night", later resurfaced, in a longer remixed version, as the opening track to the duo's first remix album, Disco, in 1986. This version was also used as the theme for the UK television series The Clothes Show. Unperturbed by the low chart position, the band returned to the studio in August to re-record "West End Girls" with producer Stephen Hague. Released in October 1985, this new version initially entered the charts at a similarly low position, but began a slow rise so that, by January 1986, it achieved the top spot. It was subsequently number one in the United States, Canada, Finland, Hong Kong, Lebanon, Israel, New Zealand and Norway and sold an estimated 1.5 million copies worldwide. It remains the most-heard Pet Shop Boys song to date. After the success of "West End Girls", Pet Shop Boys released a follow-up single, "Love Comes Quickly", on 24 February 1986. The single reached number 19 in the UK Singles Chart and was followed by their debut album, Please, on 24 March. In June 1986, the band announced a European tour; however, their plans for a theatrical extravaganza proved to be too expensive and the tour was cancelled. Please started Pet Shop Boys' penchant for choosing one-word album titles, which Neil Tennant has since stated is now a Pet Shop Boys "signature thing", akin to e.e. cummings' use of exclusively lower case letters. New versions of their second single, "Opportunities (Let's Make Lots of Money)", and the album track "Suburbia" were also released in 1986, followed by a remix album, Disco. In September 1986, Pet Shop Boys performed "Love Comes Quickly" and "West End Girls" at the 1986 MTV Video Music Awards in Los Angeles. CANNOTANSWERAnswer this question using a quote from the following article:

When was Please released?


Jean-Martin Charcot (; French: [SaRko]; 29 November 1825 - 16 August 1893) was a French neurologist and professor of anatomical pathology. He is best known today for his work on hypnosis and hysteria, in particular his work with his hysteria patient Louise Augustine Gleizes. He is also known as "the founder of modern neurology", and his name has been associated with at least 15 medical eponyms, including Charcot-Marie-Tooth disease and Charcot disease (better known as amyotrophic lateral sclerosis, motor neurone disease, or Lou Gehrig disease). Charcot has been referred to as "the father of French neurology and one of the world's pioneers of neurology".

Distorted views of Charcot as harsh and tyrannical have arisen from some sources that rely on a fanciful autobiographical novel by Axel Munthe, The Story of San Michele (1929). Munthe claimed to have been Charcot's assistant, but in fact, Munthe was just a medical student among hundreds of others. Munthe's most direct contact with Charcot was when Munthe helped a young female patient "escape" from a ward of the hospital and took her into his home. Charcot threatened to report this to the police, and ordered that Munthe not be allowed on the wards of the hospital again. In a 1931 letter to The New York Times Book Review, Charcot's son Jean-Baptiste Charcot, who had, himself, been a formal student of his father at the Salpetriere, emphatically stated: I can certify that Dr Munthe never was trained by my father"; and, further, that "[although Munthe] may have [incidentally] followed, like hundreds of others, some courses of Charcot, ...he was not trained by him and certainly never had the intimacy of which he boasts [in his recently reviewed work, Memories and Vagaries]. ...I was, myself, a student at the Salpetriere then, and can certify that he was not one of his students and that my father never knew him. Everything he says about professor Charcot is false.... Bengt Jangfeldt, in his 2008 biography, Axel Munthe: The Road to San Michele, states that "Charcot is not mentioned in a single letter of Axel's out of the hundreds that have been preserved from his Paris years" (p. 96). CANNOTANSWER

What did his son state?


The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).

The Living End toured Australia for a year, then in August 1997 they recorded new material to sell at their live shows. Their double A-sided single, "Second Solution" / "Prisoner of Society", was issued in January the following year. Also that month they had supported The Offspring on the Australian leg of their tour. "Second Solution" / "Prisoner of Society" peaked at No. 4 on the ARIA Singles Chart, and was certified double-platinum by ARIA for shipment of 140,000 copies. At the ARIA Music Awards of 1998 it won the Highest Selling Single category; and eventually became the highest selling Australian single of the 1990s. It lasted a record-breaking 47 weeks in the Top 50. In October 1998 it peaked at No. 28 on the New Zealand Singles Chart. It was later featured in the game, Guitar Hero World Tour. "Second Solution" was used in the soundtrack for the 2002 movie, Cheats, which starred Trevor Fehrman, Matthew Lawrence, and Mary Tyler Moore. Early in 1998 "Prisoner of Society" was issued as a separate single in the United Kingdom and, the following year, in the US. The single appeared in the top 200 of the UK Singles Chart, and peaked at No. 23 on the Billboard's Alternative Songs Chart. The band signed with Modular Recordings for the release of their debut self-titled album, which appeared on 12 October 1998, and was co-produced by Gravina with the trio. It peaked at No. 1 on the ARIA Albums Chart, became the then-second highest-selling debut rock album in Australian music history and, by 1999, was certified 4x Platinum for shipment of 280,000 units. Their next Australian single, "Save the Day", was issued in September 1998, a month ahead of the album. It made the top 30 on the ARIA Singles Chart. It became their highest charting hit on the New Zealand Singles Chart, where it reached No. 10. From the album, a total of six singles were released including a live cover version of "Tainted Love", which was issued as a radio-only single on Triple J. At the ARIA Music Awards of 1999, The Living End won two more awards: Best Group and Breakthrough Artist - Album. At the ceremony they were also nominated for Album of the Year and Highest Selling Album. In October 2010 their debut album was listed in the book, 100 Best Australian Albums. CANNOTANSWER

Did the album do well?


Background: Azaria was born in Queens, New York City, the son of Eastern Sephardic Jewish parents, Ruth (Altcheck) and Albert Azaria. His grandparents on both sides hailed from Thessaloniki, from Greece's Spanish Jewish community established there after the 1492 exile from Spain. His family's spoken language at home was the Ladino language, which Azaria has described as "a strange, antiquated Spanish dialect written in Hebrew characters." Azaria's father ran several dress-manufacturing businesses, while his mother raised him and his two older sisters, Stephanie and Elise.
Context: Azaria's friends refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. As a child he believed that everyone could do this, but later realized that it was not a common talent. Azaria can "remember every voice I hear, famous or otherwise ... they kind of remain in the memory banks, so I'm ready to trot them out." Azaria was glad to have found the "ultimate outlet" for this skill, in The Simpsons. He "didn't realize it [when he joined the show], but it became like a lab for a character actor. I had to do so many voices." In the early 2000s, Azaria felt he had reached the maximum number of voices he was capable of: "For the first 10 years of The Simpsons, I would develop a bunch of voices. And then ... I hit a point when I was tapped out. Every noise I can make, I have made. Even characters like Gargamel, I've done. Even if it was only two or three lines, at some point I've done something similar on The Simpsons, at least somewhere along the line." For many of Azaria's characters, much of their humor is derived from a "funny voice", such as The Birdcage and Night at the Museum: Battle of the Smithsonian. He stated that "being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in," although he finds it "much easier to be someone much closer to myself", as it requires "less energy ... than playing characters that are so out there and high strung". The Simpsons creator Matt Groening has stated that Azaria possesses the ability to turn unfunny lines into some of the best in an episode, while former writer Jay Kogen stated: "Just when I think I know [Azaria's] bag of tricks, he's always got a new thing he does to surprise me." Throughout the run of The Simpsons, Azaria has had to sing in character several times, a task which he describes as easier than singing normally. The Smurfs writer David N. Weiss says Azaria "has a beautiful treasure trove of talent", and "became what you wished you were writing". Playwright Jenelle Riley wrote in 2005 that Azaria was "by far" her favorite actor, praising his "versatility" and "tendency to take small roles that would normally fade into the background and to consistently create characters people care about", noting his roles in Shattered Glass, Mystery, Alaska and especially DodgeBall: A True Underdog Story. CANNOTANSWER
Question: What is some other work that he has done?. Whats the answer?


Background: Magi (; singular magus ; from Latin magus) denotes followers of Zoroastrianism or Zoroaster. The earliest known use of the word Magi is in the trilingual inscription written by Darius the Great, known as the Behistun Inscription. Old Persian texts, pre-dating the Hellenistic period, refer to a Magus as a Zurvanic, and presumably Zoroastrian, priest. Pervasive throughout the Eastern Mediterranean and Western Asia until late antiquity and beyond, magos, "magician", was influenced by (and eventually displaced) Greek goes (goes), the older word for a practitioner of magic, to include astrology, alchemy and other forms of esoteric knowledge.
Context: The Avestan word magauno, i.e. the religious caste of the Medes, (see Yasna 33.7: ya sruye pare magauno "so I can be heard beyond Magi"), seems to be the origin of the term. The term only appears twice in Iranian texts from before the 5th century BCE, and only one of these can be dated with precision. This one instance occurs in the trilingual Behistun inscription of Darius the Great, and which can be dated to about 520 BCE. In this trilingual text, certain rebels have 'magian' as an attribute; in the Old Persian portion as magu- (generally assumed to be a loan word from Median). The meaning of the term in this context is uncertain. The other instance appears in the texts of the Avesta, i.e. in the sacred literature of Zoroastrianism. In this instance, which is in the Younger Avestan portion, the term appears in the hapax moghu.tbis, meaning "hostile to the moghu", where moghu does not (as was previously thought) mean "magus", but rather "a member of the tribe" or referred to a particular social class in the proto-Iranian language and then continued to do so in Avestan. An unrelated term, but previously assumed to be related, appears in the older Gathic Avestan language texts. This word, adjectival magavan meaning "possessing maga-", was once the premise that Avestan maga- and Median (i.e. Old Persian) magu- were co-eval (and also that both these were cognates of Vedic Sanskrit magha-). While "in the Gathas the word seems to mean both the teaching of Zoroaster and the community that accepted that teaching", and it seems that Avestan maga- is related to Sanskrit magha-, "there is no reason to suppose that the western Iranian form magu (Magus) has exactly the same meaning" as well. But it "may be, however", that Avestan moghu (which is not the same as Avestan maga-) "and Medean magu were the same word in origin, a common Iranian term for 'member of the tribe' having developed among the Medes the special sense of 'member of the (priestly) tribe', hence a priest."cf CANNOTANSWER
Question: Do we know the names of either of the texts these references are made?. Whats the answer?


Senses Fail is an American post-hardcore band that formed in Ridgewood, New Jersey in 2002. The band has seen many lineup changes; the only founding member still in the band being lead singer James "Buddy" Nielsen. The lineup currently consists of Nielsen, bassist/guitarist Gavin Caswell and drummer Chris Hornbrook.

Senses Fail began on October 17, 2001 after Garrett Zablocki posted an advertisement on the Internet to recruit members for the band. The advertisement attracted attention from Buddy Nielsen, who then began writing with Zablocki. Later Zablocki contacted Dave Miller to join the band who also brought along his friend, James Gill. After a short time with another drummer the band came across Dan Trapp, who was only 14-years-old at the time. Before the band signed to Drive-Thru Records, James Gill was kicked out of the band due to irreconcilable differences; he was replaced by Tokyo Rose ex-drummer Mike Glita. The name Senses Fail, lead singer James "Buddy" Nielsen explains, "In Hinduism, they believe that being alive is hell, and the only way to reach Nirvana is to ultimately have no attachments to anything. So, people go out and live in the middle of the woods and they don't eat and don't drink. They just meditate because they've reached such a high level where they're not attached to love, relationships or anything. And if you want to reach the highest level of being and see God, you have to have all your senses fail." Building a local fan base by playing any gig they could find from skate parks and clubs to churches, they soon entered the studio and started to record. Their first release, From the Depths of Dreams, was a six-track EP that was originally released on ECA Records on August 16, 2002. It originally started as two three-song demo CDs, but was later joined together to make one release by producer John Naclerio. The independent release did very well and caught the attention of some record labels. They signed to Drive-Thru Records, and reissued their EP on April 29, 2003 with two extra tracks, improved mixing and new cover art. The release saw much success, and sold enough copies to peak at No. 144 on the Billboard chart. In support of the EP, Senses Fail toured with such bands as Finch, The Used, Millencolin, and The Starting Line. CANNOTANSWER

Did they tour with this EP?


Ray Washington Traylor Jr. (May 2, 1963 - September 22, 2004)  was an American professional wrestler who was best known for his appearances with the World Wrestling Federation (WWF) under the ring name Big Bossman, as well as for his appearances with World Championship Wrestling (WCW) as The Boss, The Man, The Guardian Angel, and Big Bubba Rogers. During his appearances with the WWF, Big Boss Man held the WWF World Tag Team Championship once and the WWF Hardcore Championship four times. On March 7, 2016, Traylor was confirmed to be inducted into the WWE Hall of Fame Class of 2016.

In the fall of 1990, Boss Man began feuding with Bobby Heenan and The Heenan Family after Heenan continually insulted Boss Man's mother. He won a series of matches against Heenan Family members in 1991, including The Barbarian at the Royal Rumble and Mr. Perfect (via disqualification) at WrestleMania VII in an Intercontinental Championship match, which featured the return of Andre the Giant. At the SummerSlam, he defeated The Mountie in a Jailhouse Match, a match in which the loser must spend a night in jail. This was the only such match ever held by the promotion. Boss Man then briefly feuded with Irwin R. Schyster. In 1992, Boss Man began feuding with Nailz, an ex-convict character who, in a series of promos aired before his debut, claimed Boss Man had been his abusive Officer in prison, and warned he was seeking revenge. On the May 30 episode of WWF Superstars, Nailz -- clad in an orange prison jumpsuit -- ran into the ring and attacked Boss Man, handcuffing him to the top rope and repeatedly choking and beating him with the nightstick. Boss Man took time off TV to sell his (kayfabe) injuries, eventually returning and having a series of matches with Nailz in the latter half of 1992. The feud culminated at Survivor Series, when Boss Man defeated Nailz in a Nightstick on a Pole match. This was the final push for the Boss Man during this run, as he was subsequently used as enhancement talent against Razor Ramon, Bam Bam Bigelow, and Yokozuna on the house show circuit. The Big Boss Man's last pay-per-view match of this run came at the 1993 Royal Rumble, where he lost to Bam Bam Bigelow. He left the WWF shortly after a house show in Gatineau, Quebec on March 14. During the next few months he made appearances in the USWA and SMW. On December 4 he made a one-time return to the WWF as a special guest referee to officiate the main event of a house show in Anaheim, CA between Bret Hart and Jeff Jarrett. Bossman was expected to rejoin the WWF but elected to sign with WCW instead. CANNOTANSWER

Answer the following question by taking a quote from the article: what came of this claim?


Answer by taking a quote from the following article:

Robert Kelly Thomas (born February 14, 1972) is an American singer, songwriter, record producer and multi-instrumentalist, best known as the lead singer of Alternative band Matchbox Twenty. Thomas also records and performs as a solo artist, with "Lonely No More" released in 2005 becoming his biggest solo chart success. Thomas earned three Grammy Awards for co-writing and singing on the three-time Grammy Award Winning 1999 Summer smash hit, "Smooth" by Santana, off the fifteen-time Platinum album Supernatural. He has also lent his songwriting talents to such artists as Willie Nelson, Mick Jagger, Marc Anthony, Pat Green, Taylor Hicks, Travis Tritt and Daughtry.

As Matchbox 20 prepared to record their sophomore album, band members had heated discussions over song selection. After flirting with the idea of allowing other band members to provide songs, they chose to record only songs that Thomas had written or co-written. They renamed themselves Matchbox Twenty and, in March 2000, released Mad Season. Its first single, Bent, reached number 1 on the Billboard Hot 100 chart. Their tour took them to 87 cities, and they sold out Madison Square Garden in 15 minutes. Thomas was inducted into the South Carolina Music and Entertainment Hall of Fame in 2001. When Santana prepared to record his follow-up to Supernatural, he sought to collaborate with Thomas again. Instead of providing vocals, Thomas wrote two songs for the album, which were recorded by Seal and Musiq Thomas provided songs to other artists as well. Willie Nelson recorded three of Thomas's songs on his 2002 album The Great Divide. One of those, "Recollection Phoenix", had been in contention for the next Matchbox Twenty album before the other band members had decided it wasn't a good fit. The third Matchbox Twenty album, More Than You Think You Are, wasn't complete until four weeks before its release date, November 19, 2002. For the first time, the band recorded a song not written by Thomas. Two other songs were jointly attributed to Thomas, Cook, and Doucette. As part of the promotion for the album, Thomas and his bandmates were featured on VH1's Behind the Music. When the tour for More Than You Think You Are ended, Thomas, Cook, Doucette, Yale, and Gaynor decided to take a break to focus on their families. In June 2004, the Songwriters Hall of Fame gave Thomas the inaugural Hal David Starlight Award, which recognizes a young songwriter who has made an outsized impression on the industry. CANNOTANSWER

Did the album have other successful songs on it?


Robert Remus (born August 27, 1948), better known by his ring name of Sgt. Slaughter, is an American retired professional wrestler currently signed with the WWE in the ambassador program. From the late 1970s to the early 1990s, he had success in the National Wrestling Alliance, American Wrestling Association, and the World Wrestling Federation. Slaughter's greatest achievement came with him becoming world champion by winning the WWF World Heavyweight Championship in 1991 as well as headlining WrestleMania VII.

After a hiatus, he returned to WWF television on the August 4, 1997 episode of Raw Is War to assume the role of on-air commissioner by (kayfabe) President Gorilla Monsoon who in reality retired from being on camera due to health issues. Initially popular, he eventually became the target of D-Generation X, who called him "Sgt. Slobber". On an episode of Raw Is War, he put Shawn Michaels and Triple H in a match for Michaels' European Championship. Michaels dropped the belt to Helmsley, by lying down in the ring. Slaughter challenged Triple H to a Boot Camp match at the December pay-per-view, which he lost. His feud with Triple H continued into WrestleMania XIV where he handcuffed himself to Chyna to prevent her from interfering with Helmsley's match against Owen Hart. But Slaughter's efforts ultimately proved futile, as Chyna threw powder into his eyes, interfered with the match anyway, and hurled Slaughter into the front row. In 1998, Slaughter turned heel, joined Vince McMahon along with Gerald Brisco and Pat Patterson, and became the on-screen lackeys of McMahon; running errands for him and dishing out punishment to McMahon's rivals, namely Steve Austin. In late 1998, Slaughter relinquished the role of commissioner to Shawn Michaels and largely disappeared from television. Slaughter still appeared from time to time in the ring, mostly at house shows. He appeared on Raw to put over younger wrestlers, such as Kurt Angle and Randy Orton. Slaughter also made an appearance at WrestleMania X-Seven, in the gimmick Battle Royal, which was won by The Iron Sheik. Slaughter got his revenge after the match by locking the Sheik in the cobra clutch. He also appeared on both Raw and SmackDown on occasion during the Invasion storyline in non-wrestling roles, usually in conjunction with Vince McMahon. CANNOTANSWERAnswer this question using a quote from the following article:

When did he come back?


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Giacomo Costa (14 December 1919 - 22 January 2000) was an Italian Australian professional wrestler best known by his ring name, Al Costello. Costello was the first professional wrestler to be nicknamed "The Man of a Thousand Holds" because of his innovative and very technical style. Costello was the creator and original member of the tag team The Fabulous Kangaroos, whose "Ultra Australian" gimmick complete with boomerangs, bush hats and the song "Waltzing Matilda" as their entrance music, existed in various forms from 1957 until 1983. Costello was either an active wrestler, or a manager in all versions of The Fabulous Kangaroos.

In 1975, Costello surprised everyone by returning to professional wrestling as the manager of the team known as "The Love Brothers" (Hartford and Reggie Love). He actually stepped into the ring on occasion as part of special six-man tag team matches. After recovering from his hip surgery, Costello returned to active competition at age 56. The fact that he was able to recover from such a major injury is credited to his almost-fanatical style of healthy living. As a devout vegan, Costello credited his meat-free diet with his recovery, as well as the remarkable shape he was in for a man of his age. Costello reformed The Fabulous Kangaroos once more, this time teaming up with wrestler Tony Charles. The team defeated Dominic DeNucci and Chris Markoff to win Detroit's version of the NWA World Tag Team title, the same title that Costello and Kent had previously held. The Kangaroos title run was short, however, and they lost their gold to "Crazy" Luke Graham and Ripper Collins. In 1977, Tony Charles was replaced by Don Kent and the two reunited for a tour of Puerto Rico with the World Wrestling Council (WWC). In Puerto Rico, The Kangaroos arrived billed as the WWC World Tag Team Champions, once more to give a newly created title legitimacy. They dropped the titles to Carlos Colon and Jose Rivera on 12 March 1977 and remained in the WWC until 1978 chasing, but never regaining, the WWC World Tag Team Championship. After their tour in Puerto Rico ended, Don Kent returned to singles wrestling, and Costello refocused on managing. CANNOTANSWER


The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).

The Living End toured Australia for a year, then in August 1997 they recorded new material to sell at their live shows. Their double A-sided single, "Second Solution" / "Prisoner of Society", was issued in January the following year. Also that month they had supported The Offspring on the Australian leg of their tour. "Second Solution" / "Prisoner of Society" peaked at No. 4 on the ARIA Singles Chart, and was certified double-platinum by ARIA for shipment of 140,000 copies. At the ARIA Music Awards of 1998 it won the Highest Selling Single category; and eventually became the highest selling Australian single of the 1990s. It lasted a record-breaking 47 weeks in the Top 50. In October 1998 it peaked at No. 28 on the New Zealand Singles Chart. It was later featured in the game, Guitar Hero World Tour. "Second Solution" was used in the soundtrack for the 2002 movie, Cheats, which starred Trevor Fehrman, Matthew Lawrence, and Mary Tyler Moore. Early in 1998 "Prisoner of Society" was issued as a separate single in the United Kingdom and, the following year, in the US. The single appeared in the top 200 of the UK Singles Chart, and peaked at No. 23 on the Billboard's Alternative Songs Chart. The band signed with Modular Recordings for the release of their debut self-titled album, which appeared on 12 October 1998, and was co-produced by Gravina with the trio. It peaked at No. 1 on the ARIA Albums Chart, became the then-second highest-selling debut rock album in Australian music history and, by 1999, was certified 4x Platinum for shipment of 280,000 units. Their next Australian single, "Save the Day", was issued in September 1998, a month ahead of the album. It made the top 30 on the ARIA Singles Chart. It became their highest charting hit on the New Zealand Singles Chart, where it reached No. 10. From the album, a total of six singles were released including a live cover version of "Tainted Love", which was issued as a radio-only single on Triple J. At the ARIA Music Awards of 1999, The Living End won two more awards: Best Group and Breakthrough Artist - Album. At the ceremony they were also nominated for Album of the Year and Highest Selling Album. In October 2010 their debut album was listed in the book, 100 Best Australian Albums. CANNOTANSWER

Answer the following question by taking a quote from the article: Did they go on tour at all?


Which entity is this text about?

The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.

During the filming of the second season, the band became tired of scripts which they deemed monotonous and stale. They had already succeeded in eliminating the laugh track (a then-standard on American sitcoms), with the bulk of Season 2 episodes airing minus the canned chuckles. They proposed switching the format of the series to become more like a variety show, with musical guests and live performances. This desire was partially fulfilled within some second-season episodes, with guest stars like musicians Frank Zappa, Tim Buckley and Charlie Smalls (composer of The Wiz) performing on the show. However, NBC was not interested in eliminating the existing format, and the group (except for Peter) had little desire to continue for a third season. Tork said in DVD commentary that everyone had developed such difficult personalities that the big-name stars invited as guests on the show would invariably leave the experience "hating everybody". Screen Gems and NBC went ahead with the existing format anyway, commissioning Monkees writers Gerald Gardner and Dee Caruso to create a straight-comedy, no-music half-hour in the Monkees mold; a pilot episode was filmed with the then-popular nightclub act the Pickle Brothers. The pilot had the same energy and pace of The Monkees, but never became a series. In June 1968, Music Supervisor Lester Sill chose to release the two non-album tracks "D.W. Washburn" b/w "It's Nice To Be With You" as the Monkees' next single. The Leiber/Stoller-penned A-side would break into the Top 20, peaking at No. 19 on the charts. CANNOTANSWER


Background: Boris Nikolayevich Yeltsin (Russian: Boris Nikolaevich El'tsin, IPA: [ba'rjis njIka'laIvjItc 'jeljtsin] ( listen); 1 February 1931 - 23 April 2007) was a Soviet and Russian politician and the first President of the Russian Federation, serving from 1991 to 1999. Originally a supporter of Mikhail Gorbachev, Yeltsin emerged under the perestroika reforms as one of Gorbachev's most powerful political opponents. During the late 1980s, Yeltsin had been a candidate member of the Politburo, and in late 1987 tendered a letter of resignation in protest. No one had resigned from the Politburo before.
Context: Boris Yeltsin died of congestive heart failure on 23 April 2007, aged 76. According to experts quoted by Komsomolskaya Pravda, the onset of Yeltsin's condition was due to his visit to Jordan between 25 March and 2 April. He was buried in the Novodevichy Cemetery on 25 April 2007, following a period during which his body had lain in repose in the Cathedral of Christ the Saviour in Moscow. Yeltsin was the first Russian head of state in 113 years to be buried in a church ceremony, after Emperor Alexander III. He was survived by his wife, Naina Iosifovna Yeltsina, whom he married in 1956, and their two daughters Yelena and Tatyana, born in 1957 and 1959, respectively. President Putin declared the day of his funeral a national day of mourning, with the nation's flags flown at half mast and all entertainment programs suspended for the day. Putin said, upon declaring 25 April 2007 a day of national mourning, that: [Yeltsin's] presidency has inscribed him forever in Russian and in world history. ... A new democratic Russia was born during his time: a free, open and peaceful country. A state in which the power truly does belong to the people. ... the first President of Russia's strength consisted in the mass support of Russian citizens for his ideas and aspirations. Thanks to the will and direct initiative of President Boris Yeltsin a new constitution, one which declared human rights a supreme value, was adopted. It gave people the opportunity to freely express their thoughts, to freely choose power in Russia, to realise their creative and entrepreneurial plans. This Constitution permitted us to begin building a truly effective Federation. ... We knew him as a brave and a warm-hearted, spiritual person. He was an upstanding and courageous national leader. And he was always very honest and frank while defending his position. ... [Yeltsin] assumed full responsibility for everything he called for, for everything he aspired to. For everything he tried to do and did do for the sake of Russia, for the sake of millions of Russians. And he invariably took upon himself, let it in his heart, all the trials and tribulations of Russia, peoples' difficulties and problems. Shortly after the news broke, former Soviet leader Mikhail Gorbachev issued a statement, saying: "I express my profoundest condolences to the family of the deceased, who had major deeds for the good of the country as well as serious mistakes behind him. It was a tragic destiny." CANNOTANSWER
Question: where was his funeral?

Answer:


George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).

Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman. "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest." The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd. Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday. Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments. In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star. In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio. "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism." That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938. After the theatrical successes of the Mercury Theatre, CBS Radio invited Orson Welles to create a summer show for 13 weeks. The series began July 11, 1938, initially titled First Person Singular, with the formula that Welles would play the lead in each show. Some months later the show was called The Mercury Theatre on the Air. The weekly hour-long show presented radio plays based on classic literary works, with original music composed and conducted by Bernard Herrmann. The Mercury Theatre's radio adaptation of The War of the Worlds by H. G. Wells October 30, 1938, brought Welles instant fame. The combination of the news bulletin form of the performance with the between-breaks dial spinning habits of listeners was later reported to have created widespread confusion among listeners who failed to hear the introduction, although the extent of this confusion has come into question. Panic was reportedly spread among listeners who believed the fictional news reports of a Martian invasion. The myth of the result created by the combination was reported as fact around the world and disparagingly mentioned by Adolf Hitler in a public speech. Welles's growing fame drew Hollywood offers, lures that the independent-minded Welles resisted at first. The Mercury Theatre on the Air, which had been a sustaining show (without sponsorship) was picked up by Campbell Soup and renamed The Campbell Playhouse. The Mercury Theatre on the Air made its last broadcast on December 4, 1938, and The Campbell Playhouse began five days later. Welles began commuting from California to New York for the two Sunday broadcasts of The Campbell Playhouse after signing a film contract with RKO Pictures in August 1939. In November 1939, production of the show moved from New York to Los Angeles. After 20 shows, Campbell began to exercise more creative control and had complete control over story selection. As his contract with Campbell came to an end, Welles chose not to sign on for another season. After the broadcast of March 31, 1940, Welles and Campbell parted amicably. CANNOTANSWER

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Anthony Kapel "Van" Jones (born September 20, 1968) is an American news commentator, author, and non-practicing attorney. He is a co-founder of several nonprofit organizations, including the Dream Corps, a "social justice accelerator" that operates three advocacy initiatives: #cut50, #Yeswecode and Green for All. He is the author of The Green Collar Economy and Rebuild the Dream, both ranking as New York Times bestselling books. He is a regular CNN contributor and host of The Van Jones Show.

In September 2007, Jones attended the Clinton Global Initiative and announced his plans to launch Green for All, a new national NGO dedicated to creating green pathways out of poverty in America. The plan grew out of his earlier work with the Ella Baker Center. Green for All was intended to make a national program out of the Green-Collar Jobs mission - creating green pathways out of poverty. Green for All formally opened its doors on January 1, 2008. In its first year, Green for All organized "The Dream Reborn", the first national green conference in which the majority of attendees were people of color. With 1Sky and the We Campaign, it co-hosted a national day of action for the new economy called "Green Jobs Now". It launched the Green-Collar Cities Program to help cities build local green economies and started the Green for All Capital Access Program to assist green entrepreneurs. As part of the Clean Energy Corps Working Group, it launched a campaign for a Clean Energy Corps initiative which would create 600,000 'green-collar' jobs while retrofitting and upgrading more than 15 million American buildings. In reflecting on Green for All's first year, Jones wrote, "One year later, Green for All is real - and we have helped put green collar jobs on the map... We have a long way to go. But today we have a strong organization to help get us there." Jones advocates a combination of conservation, regulation and investment as a way of encouraging environmental justice and opposing environmental racism. In an interview for the "EON Deep Democracy Interview Series", Jones spoke of a "third wave of environmentalism": The first wave is sort of the Teddy Roosevelt, conservation era which had its day and then, in 1963, Rachel Carson writes a book, Silent Spring, and she's talking about toxics and the environment, and that really kind of opens up a whole new wave. So it's no longer just conservation but it's conservation, plus regulation, trying to regulate the bad, and that wave kind of continued to be developed and got kind of a 2.5 upgrade because of the environmental justice community who said, "Wait a minute, you're regulating but you're not regulating equally, the white polluters and white environmentalists are essentially steering poison into the people-of-color communities, because they don't have a racial justice frame." ... Now there's something new that's beginning to gather momentum, and it's conservation plus regulation of the bad, plus investment in the good ... beginning to put money into the solutions as well as trying to regulate the problem. CANNOTANSWER

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Clarence Eugene "Hank" Snow (May 9, 1914 - December 20, 1999) was a celebrated Canadian-American country music artist. In a career that spanned more than 50 years, he recorded 140 albums and charted more than 85 singles on the Billboard country charts from 1950 until 1980. His number-one hits include the self-penned songs "I'm Moving On", "The Golden Rocket" and The Rhumba Boogie and famous versions of "I Don't Hurt Anymore", "Let Me Go, Lover!", "I've Been Everywhere", "Hello Love", as well as other top 10 hits.

Snow returned to live with his mother and stepfather, again without holding down steady work. Instead, he attempted to get by just peddling fish door-to-door or landing occasional jobs that included transporting passengers and their luggage by horse-drawn buggy to and from the train station in Lunenburg; unloading salt and coal ships; raking scallops and hauling loads of dried cod into a warehouse for processing and shipping. One winter, after being reunited with his father, he cut pulpwood and firewood on his father's farm in the backwoods at Pleasantville, Nova Scotia. At one point, Snow spotted a picture of a guitar for $12.95 in Eaton's catalogue. He figured he could sell his old guitar for five dollars, but - since he still wasn't working - wondered how he would raise the additional $7.95. The answer came when a storeowner in the village of Blue Rocks, Nova Scotia, hired him to paint yellow pinstripes on the wooden spokes of his brand new car. He offered to pay Snow two dollars per wheel. After the new guitar arrived, Snow experimented by playing runs and chord progressions in the style of Jimmie Rodgers. He also sang and played in an old fishhouse where local men stored their gear. Soon, Snow was invited to perform in a minstrel show in Bridgewater to help raise money for charity. "Someone blackened my face with black polish and put white rings around my eyes and lips," Snow recalls. When his turn came in the show, he played a song called "I Went to See My Gal Last Night." "My debut was a big success," Snow writes. "I even got a standing ovation." In March 1933, Snow wrote to Halifax radio station CHNS asking for an audition. The rejection letter he received only made him more determined and later that year he visited the station, was given an audition and hired to do a Saturday evening show that was advertised as "Clarence Snow and his Guitar." After a few months, he adopted the name "The Cowboy Blue Yodeler" in homage to his idol Jimmie Rodgers known as "America's Blue Yodeler." Since Snow's Saturday show had no sponsor, he wasn't paid for his performances, but he did manage to earn money playing halls and clubs in towns where people had heard him on the radio. He also played in Halifax theatres before the movies started and performed, for $10 a week, on a CHNS musical show sponsored by a company that manufactured a popular laxative. At the urging of the station's chief engineer and announcer, he adopted the name Hank because it went well with cowboy songs and once again, influenced by Jimmie Rodgers, he became "Hank, The Yodeling Ranger." Snow also appeared occasionally on the CBC's regional network. On September 2, 1935, he married Minnie Blanche Aalders, a young Halifax woman, born in Kentville, Nova Scotia, who worked in a local chocolate factory. She soon became pregnant and gave birth to their only child, Jimmie Rodgers Snow. CANNOTANSWER

Was the show popular?


Gentle Giant was formed in 1970 when the Shulman brothers teamed up with two other multi-instrumentalists, Gary Green (guitar, mandolin, recorder etc.) and Kerry Minnear (keyboards, vibraphone, cello etc.), plus drummer Martin Smith, who had previously drummed for Simon Dupree and the Big Sound. The classically trained Minnear had recently graduated from the Royal College of Music with a degree in composition, and had played with the band Rust. Green was essentially a blues player and had never worked with a band above the semi-professional level, but adapted readily to the demanding music of the new band. The Shulman brothers, meanwhile, settled into typically multi-instrumental roles of their own: Derek on saxophone and recorder; Ray on bass and violin; Phil on saxophone, trumpet, and clarinet. The new band also featured three lead vocalists. Derek Shulman sang in a tough rhythm-and-blues style and generally handled the more rock-oriented vocals; Phil Shulman handled the more folk-or-jazz-influenced songs; and Kerry Minnear (who had a particularly delicate voice) sang the lighter folk and chamber-classical lead vocals. Minnear did not sing lead vocals at live concerts, because of his inability to support and project his voice at a level suitable for live amplification (Derek and Phil Shulman handled Minnear's lead vocal parts when the band played live). It has been reported that Elton John unsuccessfully auditioned for lead vocalist with the newly formed group. According to a booklet that was included in their first album, the band's name was a reference to a fictional character, a "gentle giant" that happens upon a band of musicians and is enthralled with their music. The character is reminiscent of those from the Renaissance tales of Francois Rabelais. From the start, Gentle Giant was a particularly flexible band because of the exceptionally broad musical skills of its members. One Gentle Giant album would list a total of forty-six instruments in the musician credits -- all of which had been played by group members -- and five of the six members sang, enabling the band to write and perform detailed vocal harmony and counterpoint. The band's approach to songwriting was equally diverse, blending a wide variety of ideas and influences whether they were considered commercial or otherwise. CANNOTANSWER

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Background: Chester William David Brown (born 16 May 1960) is a Canadian cartoonist. Brown has gone through several stylistic and thematic periods. He gained notice in alternative comics circles in the 1980s for the surreal, scatological Ed the Happy Clown serial. After bringing Ed to an abrupt end, he delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists Seth and Joe Matt, and the contemporary autobiographical comics trend.
Context: Chester William David Brown was born on 16 May 1960 at the Royal Victoria Hospital in Montreal, Quebec, Canada. He grew up in Chateauguay, a Montreal suburb with a large English-speaking minority. His grandfather was history professor Chester New, after whom Chester New Hall is named at McMaster University in Hamilton, Ontario. He has a brother, Gordon, who is two years his junior. His mother suffered from schizophrenia, and died in 1976 after falling down the stairs while in the Montreal General Hospital. Though he grew up in a predominantly French-speaking province and had his first mainstream success with his biography of French-speaking Metis rebel leader Louis Riel, Brown says he doesn't speak French. He said he had little contact with francophone culture when he was growing up, and the French speakers he had contact with spoke with him in English. Brown described himself as a "nerdy teeneager" attracted to comic books from a young age, especially ones about superheroes and monsters. He aimed at a career in superhero comics, and after graduating from high school in 1977 headed to New York City, where he had unsuccessful but encouraging interviews with Marvel and DC Comics. He moved to Montreal where he attended Dawson College. The program did not aim at a comics career, and he dropped out after a little more than a year. He tried to find work in New York, but was rejected again. He discovered the alternative comics scene that was developing in the early 1980s, and grasped its feeling freedom to produce what he wanted. At 19 he moved to Toronto, where he got a job in a photography lab and lived frugally in rooming houses. At around twenty, Brown's interests moved away from superhero and monster comic books towards the work of Robert Crumb and other underground cartoonists, Heavy Metal magazine, and Will Eisner's graphic novel A Contract with God (1978). He started drawing in an underground-inspired style, and submitted his work to publishers Fantagraphics Books and Last Gasp; he got an encouraging rejection when he submitted to Art Spiegelman and Francoise Mouly's Raw magazine. He became friends with film archivist Reg Hartt, and the two unsuccessfully planned to put out a comics anthology called Beans and Wieners as a showcase for local Toronto talent. In 1983 Brown's girlfriend Kris Nakamura introduced him to the small-press publisher John W. Curry (or "jwcurry"), whose example inspired the local small-press community. Nakamura convinced Brown that summer to print his unpublished work as minicomics, which he did under his Tortured Canoe imprint. The sporadically self-published Yummy Fur lasted seven issues as a minicomic. Brown soon found himself at the centre of Toronto's small-press scene. While he found it difficult at first, Brown managed to get the title into independent bookstores, the emerging comic shops, and other countercultural retailers, and also sold it through the growing North American zine network. Yummy Fur had respectable sales through several reprintings and repackaging. Brown and a number of other cartoonists featured in a show called Kromalaffing at the Grunwald Art Gallery in early 1984. He had become a part of Toronto's avant-garde community, along with other artists, musicians and writers, centred around Queen Street West. In 1986, at the urging of Brown's future friend Seth, Vortex Comics publisher Bill Marks picked up Yummy Fur as a regular, initially bimonthly comic book. Brown quit his day job to work full-time on Yummy Fur. Starting publication in December 1986, the first three issues of Yummy Fur reprinted the contents of the seven issues of the earlier minicomic, and Brown quit his job at the copy shop. Brown began to weave together some of the earlier unrelated strips into an ongoing surreal black comedy called Ed the Happy Clown. The bizarre misfortunes of the title character include being inundated in the faeces of a man unable to stop defaecating, being chased by cannibalistic pygmies, befriending a vengeful vampire, and having the head of his penis replaced by the head of a miniature Ronald Reagan from another dimension. A counterpoint to the at-times blasphemous Ed serial, Brown also began to run straight adaptation of the Gospels, beginning with the Gospel of Mark in a subdued style. What appeared a natural target of satire for the author of Ed was instead a continuing attempt of Brown's to find what he really believed, having been raised a Christian Baptist. The adaptations later continued with the Gospel of Matthew and the apocryphal "The Twin" from the Gnostic text Pistis Sophia, and Brown went through periods of agnosticism and Gnosticism. The offensive content of Ed caused it to be dropped by one printer, and is suspected to be behind Diamond Comic Distributors' decision to stop distributing Yummy Fur starting with issue #9. After The Comics Journal announced they would be investigating the issue, Diamond started distributing it again. In 1989 the first Ed collection appeared, collecting the Ed stories from the first twelve issues of Yummy Fur with an introduction by American Splendor writer Harvey Pekar and drawn by Brown. At this point, Brown had grown to lose interest in the Ed story as he gravitated toward the autobiographical approach of Pekar, Joe Matt, and Julie Doucet, and the simpler artwork of Seth. He brought Ed to an abrupt end in Yummy Fur #18 to turn to autobiography. CANNOTANSWER
Question: Did Brown collaborate with anyone on the comics?

Answer:


Throbbing Gristle were an English music and visual arts group, officially formed on 3 September 1975 in Kingston upon Hull. With its members Genesis P-Orridge (born Neil Megson), Cosey Fanni Tutti (born Christine Newby), Peter "Sleazy" Christopherson and Chris Carter, they became widely regarded as the pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made its public debut in October 1976 on COUM Transmissions exhibition Prostitution, and, the following year, released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Further throughout its first stint, the band released several studio and live albums--including D.o.

In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

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Joko Widodo (born Mulyono; Javanese: ; 21 June 1961), also known as Jokowi, is the seventh and current President of Indonesia, in office since 2014. Previously he was Mayor of Surakarta from 2005 to 2012 and Governor of Jakarta from 2012 to 2014. He is the first Indonesian president without a high-ranking political or military background.

In the first quarter of 2015, year-on-year GDP grew 4.92 percent. In the second quarter it grew 4.6%, the lowest figure since 2009. Anything less than 6 per cent and Indonesia cannot absorb the new entrants to its labour market each year. Furthermore since most of 2017 economic growth remained above the 5.2 percent mark, the Indonesian government has projected its economic growth in 2018 to be at least at 5.4 percent, which is still .6 percent below what is considered healthy economic growth mark of 6 percent . In combination of many factors such as international trade war initiated between the U.S. and China, U.S. Federal Reserves' tightening of monetary policy and the general elections in Indonesia in 2019, much of the anemic nature of Indonesia's economic growth stems from income inequality. Whereas current government and its robust economic and "overly ambitious" infrastructure policies aim to stimulate economic growth, it hasn't been felt across the board. Only the middle- and upper- socio-economic households have been positively affected by the current government's policies. This is consistent with what the current administration attempts to do by improving infrastructure, transportation and connectivity across the country. By providing infrastructure such as roads, highways, bridges, railroads and airports across the country and into rural Indonesia, this will reduce the costs of goods. As a result, not only will this increase the purchasing power parity and reduce economic inequality, but also improving the quality of living across the board. The rupiah weakened further, with its exchange rate per US dollar, falling to Rp 14,000 in August 2015, the lowest level in the last 17 years. On 24 September 2015, it closed at 14797. The rupiah appreciated by 2.28 percent to Rp13.473/USD on 31 December 2016. The year-on-year inflation in June 2015 was 7.26 percent, higher than in May (7.15 percent) and June the year before (6.7 percent). CANNOTANSWER


Charles Augustus Lindbergh (February 4, 1902 - August 26, 1974), nicknamed Lucky Lindy, The Lone Eagle, and Slim was an American aviator, military officer, author, inventor, explorer, and environmental activist. At age 25 in 1927, he went from obscurity as a U.S. Air Mail pilot to instantaneous world fame by winning the Orteig Prize: making a nonstop flight from Roosevelt Field, Long Island, New York, to Paris, France. He covered the  33 1/2-hour, 3,600 statute miles (5,800 km) alone in a single-engine purpose-built Ryan monoplane, Spirit of St. Louis. This was the first solo transatlantic flight and the first non-stop flight between North America and mainland Europe.

In the early morning of Friday, May 20, 1927, Lindbergh took off from Roosevelt Field across the Atlantic Ocean for Paris, France. His monoplane was loaded with 450 U.S. gallons (1,704 liters) of fuel that was strained repeatedly to avoid fuel line blockage. The aircraft weighed about 2,710 lb (1,230 kg), and takeoff was hampered by a muddy, rain-soaked runway. Lindbergh's monoplane was powered by a J-5C Wright Whirlwind radial engine and gained speed very slowly during its 7:52 a.m. takeoff, but cleared telephone lines at the far end of the field "by about twenty feet [six meters] with a fair reserve of flying speed". Over the next  33 1/2 hours, Lindbergh and the Spirit faced many challenges, which included skimming over storm clouds at 10,000 ft (3,000 m) and wave tops at as low as 10 ft (3.0 m). The aircraft fought icing, flew blind through fog for several hours, and Lindbergh navigated only by dead reckoning. (He was not proficient at navigating by the sun and stars and he rejected radio navigation gear as heavy and unreliable. He was fortunate that the winds over the Atlantic cancelled each other out, giving him zero wind drift - and thus accurate navigation during the long flight over featureless ocean.) He landed at Le Bourget Aerodrome at 10:22 p.m. on Saturday, May 21. The airfield was not marked on his map and Lindbergh knew only that it was some seven miles northeast of the city; he initially mistook it for some large industrial complex because of the bright lights spreading out in all directions--in fact the headlights of tens of thousands of spectators' cars caught in "the largest traffic jam in Paris history" in their attempt to be present for Lindbergh's landing. A crowd estimated at 150,000 stormed the field, dragged Lindbergh out of the cockpit, and literally carried him around above their heads for "nearly half an hour". Some damage was done to the Spirit (especially to the fine linen, silver-painted fabric covering on the fuselage) by souvenir hunters before pilot and plane reached the safety of a nearby hangar with the aid of French military fliers, soldiers, and police. Lindbergh's flight was certified by the National Aeronautic Association based on the readings from a sealed barograph placed in the Spirit. CANNOTANSWER

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Joseph Kevin Keegan, OBE (born 14 February 1951) is an English former football player and manager. A forward, he played for several clubs including Liverpool and Hamburger SV. He went on to manage Newcastle United, Fulham and Manchester City, winning promotion as champions in his first full season at all three clubs. He also managed the England national team.

On 10 February 1980, Lawrie McMenemy called a press conference at the Potters Heron hotel, Ampfield to announce that the European Footballer of the Year would be joining Southampton in the forthcoming summer. The news caused surprise throughout the world of football and around the city of Southampton, as Southampton were a relatively small club. The club were beginning to become established in the top division, but this signing showed how persuasive their manager could be, especially when Keegan captained England in the 1980 European Championships in Italy. Keegan had a clause inserted into his contract when he joined Hamburg in 1977, giving Liverpool the option to buy him back. Liverpool, however, opted not to exercise this clause when he returned to England three years later. As late as November 2011, Keegan has stated, "I was with Lawrie [McMenemy] at a charity event the other day, and he said he phoned up Peter Robinson because he wanted me, but Liverpool had a clause. Peter said, 'No, we won't be signing him, definitely, we don't need him.'" It was therefore Southampton boss Lawrie McMenemy who snapped him up for PS420,000, and Keegan made his Southampton debut at Lansdowne Road in a pre-season friendly against Shamrock Rovers on 23 July 1980. Keegan's two seasons at The Dell saw him as part of a flamboyant team also containing Alan Ball, Phil Boyer, Mick Channon and Charlie George and in 1980-81 Saints scored 76 goals, finishing in sixth place, then their highest league finish. In the following season, Keegan was able to produce some of his best form and at the end of January 1982 Southampton sat at the top of the First Division table, but a run of only three wins from the end of February meant a rather disappointing seventh-place finish. Despite this, Keegan was voted the PFA Player of the Year and awarded the OBE for services to Association Football. Keegan had scored 26 of the team's 72 goals and was voted the club's Player of the Year. Keegan had fallen out with McMenemy over the manager's failure to strengthen Southampton's defence (which conceded 67 goals in 1981-82) while the team was at the top of the table. There were also rumours that McMenemy had charged the whole team of cheating after a 3-0 defeat by Aston Villa in April 1982 to which Keegan took great exception. Although Keegan joined Saints' next pre-season tour, he had already decided to move on to seek a new challenge, and a few days before the start of the 1982-83 season he signed for Second Division Newcastle United for a fee of PS100,000. CANNOTANSWER

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