Background: Saparmurat Atayevich Niyazov (Turkmen: Saparmyrat Ataievich Nyiazov, translit. Saparmyrat Atayewic Nyyazow, [thaparm@'rat a'tajebitS n@'jad@f], spelled Saparmxrat Atayewic Nxyazow between 1992 and 1993 and Saparmyrat Atayewic Nyyazow between 1993 and 1995); 19 February 1940 - 21 December 2006) was a Turkmen politician who served as the leader of Turkmenistan from 1985 until his death in 2006. He was First Secretary of the Turkmen Communist Party from 1985 until 1991 and continued to lead Turkmenistan for 15 years after independence from the Soviet Union in 1991. Turkmen media referred to him using the title "His Excellency Saparmurat Turkmenbasy, President of Turkmenistan and Chairman of the Cabinet of Ministers".
Context: Niyazov became president at the transition of Turkmenistan from a Soviet republic to an independent state. His presidency was characterised by an initial crumbling of the centralised Soviet model that in many respects was unsuited to function as a separate entity; also, there were large amounts of foreign income from gas and petroleum reserves (approximately $2-4 billion as of 2005). There was outside concern about press freedom and to a lesser extent religious rights of minority religious groups. Niyazov made a personal attempt to create a cultural background for the new state of Turkmenistan by writing and promoting the Ruhnama, an autobiography meant to guide the people of Turkmenistan with his ideas and promote native culture (and by extension prohibiting foreign culture). He also took part in creating new holidays with a specific Turkmen nature and introduced a new Latin-based Turkmen alphabet to replace Russian Cyrillic. The Latin Turkmen alphabet consists of: Aa, Bb, Cc, Dd, Ee, Aa, Ff, Gg, Hh, Ii, Jj, Zz, Kk, Ll, Mm, Nn, Nn, Oo, Oo, Pp, Rr, Ss, Ss, Tt, Uu, Uu, Ww, Yy, Yy, Zz. Niyazov became a substitute for the vacuum left by the downfall of the communist system, with his image replacing those of Marx and Lenin. He renamed the town of Krasnovodsk "Turkmenbashi" after himself, and renamed schools, airports and even a meteorite after himself and members of his family. His many, sometimes erratic decrees, and the doting actions of the official Turkmen media gave rise to the clear appearance of a cult of personality. The eccentric nature of some of his decrees, and the vast number of images of the president led to the perception, especially in western countries, of a despotic leader, rich on oil wealth glorifying himself whilst the population gained no benefit. Despite emphasizing a need to move from central planning to a market economy and to a full democracy during his reign, neither plan progressed. Yearly plans set forth by the government and a centralised economy gave little indication of moving away from state-dominated economics, and the dictatorial nature of many of his decrees and his declaring himself "President for Life" gave little hope as to much progress in these two areas. CANNOTANSWER
Question: What years what his presidency in?. Whats the answer?


Answer by taking a quote from the following article:

Zulfikar Ali Bhutto belonged to a Sindhi family ( Bhutto family), He was born in Sindh to Sir Shah Nawaz Bhutto and Khursheed Begum (nee Lakhi Bai) near Larkana. Zulfikar was their third child--their first one, Sikandar Ali, had died from pneumonia at age seven in 1914, and the second, Imdad Ali, died of cirrhosis at age 39 in 1953. His father was the dewan of the princely state of Junagadh, and enjoyed an influential relationship with the officials of the British Raj. As a young boy, Bhutto moved to Worli Seaface in Bombay to study at the Cathedral and John Connon School.

The labour policy was among one of the most important cornerstone of Bhutto's government and a comprehensive labour reforms initiated by the Bhutto government. Shortly after assuming control, Bhutto's government imposed some conditions on the dismissal of workers. In 1973, the government instituted Labour Courts for the speedy redress of workers' grievances and the government also introduced a scheme for workers' participation in management, through the nationalisation policy. This scheme provided for 20% participation by workers in management committees set up at factory level. The Government abolished the workers' contribution to the Social Security Fund; instead, the employers were made to increase their contribution from 4 to 6%. The government enhanced compensation rates under the Worker's Compensation Act. In 1972 the Bhutto government initially provided for some old age benefits for workers through group insurance, increased rates of compensation and higher rates of gratuity. However, the policy did not benefited immediately, therefore, the government introduced a pension scheme of old age benefits which would provide a payment of Rs.75 a month to workers after retirement at the age of 55 for men and 50 for women, on condition that the worker had completed a minimum of 15 years insurable employment. This applied to all factories, industries, and establishments employing ten or more workers drawing monthly wages up to Rs. 1,000. Skilled workers who become invalid after five years of insurable employment were also made entitled to benefits under this scheme. Bhutto did not want to go for the western model where workers generally contribute along with the employers towards their old age benefits. In view of Pakistan's conditions, Bhutto's government did not wish the financial burden of this scheme to fall even partly on the worker. It was decided that the scheme be founded through a contribution from employers to the extent of 5% of the wage bill. After assuming power, Bhutto sought to diversify Pakistan's relations away from the United States and, soon Pakistan left CENTO and SEATO. Bhutto developed close and strengthened the Arab relations, and Sino-Pak relations. Bhutto in believed an independent Foreign Policy which had hitherto been the hand maiden of the Western Power, particularly independent from the United States' sphere of influence. With Bhutto as Foreign minister, and Prime minister, Pakistan and Iran had cemented a special relationship, as Iran had provided military assistance to Pakistan. The Sino-Pak relations were immensely improved, and Pakistan, under Bhutto, had built a strategic relationship with People's Republic of China, when PRC was isolated. In 1974, Bhutto hosted the second Organisation of the Islamic Conference (OIC) in 1974 where he delegated and invited leaders from the Muslim world to Lahore, Punjab Province of Pakistan. Bhutto was a strong advocate of Afro-Asian Solidarity and had cemented ties with Afro-Asian and Islamic countries and by 1976 had emerged as the Leader of the Third World . Bhutto sought a peace agreement--Simla Agreement--with Indira Gandhi, Premier of India, and brought back 93,000 P.O.Ws to Pakistan and secured 5,000 sq mi (13,000 km2) held by India with out compromising on Kashmir stance or recognising Bangladesh which were the key Indian demands. Negotiating with a power that has dismembered the country was an open-challenge to Bhutto who smoothly convinced India to return the territory and the POWs back to Pakistan. Before this conference, Bhutto and his colleagues did the comprehensive homework as Bhutto had realised that Arabs had still not succeeded in regaining territory lost in the 1967 war with Israel. Therefore, capturing of land does not cry out for international attention the same way as the prisoners do. According to Benazir Bhutto, Bhutto demanded the control of the territory in the first stage of the Agreement which surprised and shocked the Indian delegation. In Bhutto's point of view, the POW problem was more of a humanitarian problem that could be tackled at any time, but the territorial problem was something that could be integrated in India as time elapses. Indian Premier Gandhi was stunned and astonished at Bhutto's demand and reacted immediately by refusing Bhutto's demand. However, Bhutto calmed her and negotiated with economic packages dealt with Gandhi. Bhutto's knowledge and his intellectualism impressed Gandhi personally that Gandhi agreed to give the territory back to Bhutto in a first stage of the agreement. Signing of this agreement with Pakistan paying small price is still considered Bhutto's one of the huge diplomatic success. His vast knowledge, intelligence, and keen awareness of post-World War II, and the nuclear history, enabled him to craft the foreign policy which brought unmatched undivideds in Pakistan's foreign policy history. Elements of his policy were continued by the successive governments to play a vital role in world's politics. In 1974, Bhutto and his Foreign minister Aziz Ahmed brought a U.N. resolution, recommending and calling for the establishment of nuclear-weapon free zone in South Asia, whilst he and Aziz Ahmed aggressively attacked the Indian nuclear programme. While Abdul Qadeer Khan was tasked with bringing the gas-centrifuge technology through the means of atomic proliferation, the goal of the resolution was achieved when Bhutto put India on the defensive position and promoted Pakistan as a non-proliferationist. CANNOTANSWER

What did the public think of these reforms?


Jose de la Cruz Porfirio Diaz Mori (Spanish pronunciation: [por'firjo di.as]; 15 September 1830 - 2 July 1915) was a Mexican general and politician who served seven terms as President of Mexico, a total of three and a half decades, from 1876 to 1880 and from 1884 to 1911. A veteran of the War of the Reform (1858-60) and the French intervention in Mexico (1862-67), Diaz rose to the rank of General, leading republican troops against the French-imposed rule of Emperor Maximilian. Seizing power in a coup in 1876, Diaz and his allies, a group of technocrats known as "Cientificos", ruled Mexico for the next thirty-five years, a period known as the Porfiriato. Diaz has always been a controversial figure in Mexican history; while the Porfirian regime brought stability after decades of conflict, it grew unpopular due to civil repression and political stagnation.

As a Liberal military hero, Diaz had ambitions for national political power. He challenged the civilian president Benito Juarez, who was running for what Diaz considered an illegal subsequent term as president. In 1870, Diaz ran against President Juarez and Vice President Sebastian Lerdo de Tejada. In 1871, he made claims of fraud in the July elections won by Juarez, who was confirmed as president by the Congress in October. In response, Diaz launched the Plan de la Noria on 8 November 1871, supported by a number of rebellions across the nation, including one by Manuel Gonzalez of Tamaulipas, but this rebellion failed. Following the death of Juarez of natural causes in 1872, Lerdo became president. Lerdo offered amnesty to rebels, which Diaz accepted and took up residency in Veracruz. In 1874, Diaz served in the legislature, representing Veracruz. Opposition to the presidency of Lerdo grew, particularly as anti-clericalism increased, labor unrest grew, and a major rebellion of the Yaqui in northwest Mexico under the leadership of Cajeme challenged central government rule there. Diaz saw an opportunity to plot a more successful rebellion, leaving Mexico in 1875 for New Orleans and Brownsville, Texas with his political ally Manuel Gonzalez. When Lerdo declared he was running for re-election in 1876, Diaz once again had the pretext of the principle of no-reelection to support his opposition. He issued the Plan of Tuxtepec (a town in Oaxaca) as a call to arms against Lerdo. When Lerdo was re-elected in July 1876, rebellion and unrest both before and after the election forced Lerdo from office. In November 1876, Diaz occupied Mexico City, Lerdo left Mexico for exile in New York. Diaz did not take formal control of the presidency until the beginning of 1877, putting General Juan N. Mendez as provisional president, followed by new presidential elections in 1877 that gave Diaz the presidency. Ironically, one of his government's first amendments to the 1857 liberal constitution was to prevent re-election. Although the liberals had defeated the conservatives in the War of the Reform, the conservatives had been powerful enough still in the early 1860s to aid the imperial project of France that put Maximilian Habsburg as emperor of Mexico. With the fall of Maximilian, Mexican conservatives were cast as collaborators with foreign imperialists. With the return of the liberals under Benito Juarez, and following his death, liberals held power, but basic liberal goals of democracy, rule of law, and economic development were not reached. Diaz saw his task in his term as president to create internal order so that economic development could be possible. As a military hero and astute politician, Diaz's eventual successful establishment of that peace (Pax Porfiriana) became "one of [Diaz's] principal achievements, and it became the main justification for successive re-elections after 1884." CANNOTANSWERAnswer this question using a quote from the following article:

How did he come back from that?


Answer by taking a quote from the following article:

Augusto Jose Ramon Pinochet Ugarte (; Spanish: [au'gusto pino'(t)Se, -'(t)Set]; 25 November 1915 - 10 December 2006) was a Chilean general, politician and the dictator of Chile between 1973 and 1990 who remained the Commander-in-Chief of the Chilean Army until 1998 and was also President of the Government Junta of Chile between 1973 and 1981. Pinochet assumed power in Chile following a United States-backed coup d'etat on 11 September 1973 that overthrew the democratically elected socialist Unidad Popular government of President Salvador Allende and ended civilian rule.

Pinochet suffered a heart attack on the morning of 3 December 2006, and subsequently the same day he was given the last rites. On 4 December 2006, the Chilean Court of Appeals ordered the suspension of his house arrest. On 10 December 2006 at 13:30 local time (16:30 UTC) he was taken to the intensive care unit. He died of congestive heart failure and pulmonary edema, surrounded by family members, at the Military Hospital at 14:15 local time (17:15 UTC). Massive spontaneous street demonstrations broke out throughout the country upon the news of his death. In Santiago, opponents celebrated his death in Alameda Avenue, while supporters grieved outside the Military Hospital. Pinochet's remains lay in repose on 11 December 2006 at the Military Academy in Las Condes. During this ceremony, Francisco Cuadrado Prats--the grandson of Carlos Prats (a former Commander-in-Chief of the Army in the Allende government who was murdered by Pinochet's secret police)--spat on the coffin, and was quickly surrounded by supporters of Pinochet, who kicked and insulted him. Pinochet's funeral took place the following day at the same venue before a gathering of 60,000 supporters. In a government decision, he was not granted a state funeral (an honor normally bestowed upon past presidents of Chile) but a military funeral as former commander-in-chief of the Army appointed by Allende. The government also refused to declare an official national day of mourning, but it did authorize flags at military barracks to be flown at half staff, and for the Chilean flag to be draped on Pinochet's coffin. Socialist President Michelle Bachelet, whose father Alberto was temporarily imprisoned and tortured after the 1973 coup and died shortly afterwards from heart complications, said that it would be "a violation of [her] conscience" to attend a state funeral for Pinochet. The only government authority present at the public funeral was the Defense Minister, Vivianne Blanlot. In Spain, supporters of late dictator Francisco Franco paid homage to Pinochet. Antonio Tejero, who led the failed coup of 1981, attended a memorial service in Madrid. Pinochet's body was cremated in Parque del Mar Cemetery, Concon on 12 December 2006, on his request to "avoid vandalism of his tomb," according to his son Marco Antonio. His ashes were delivered to his family later that day, and are deposited in Los Boldos, Santo Domingo, Valparaiso, Chile; one of his personal residences. The armed forces refused to allow his ashes to be deposited on military property. CANNOTANSWER

Did his death cause other issues?


Background: Wayne Norviel Aspinall (April 3, 1896 - October 9, 1983) was a lawyer and politician from Colorado. He is largely known for his tenure in the United States House of Representatives, serving as a Democrat from 1949-1973 from Colorado's Fourth District. Aspinall became known for his direction of the House Interior and Insular Affairs Committee, of which he was the chairman from 1959-1973. Aspinall focused the majority of his efforts on western land and water issues.
Context: Aspinall favored dams and water reclamation projects for several reasons: (1) the power they generated; (2) general recreational use; and (3) he felt the key to Western economic prosperity lay in obtaining permanent stored supply of water for economic purposes. In Aspinall's mind, Americans had many opportunities to enjoy scenic areas, so damming a few of them would not hurt the country. After his career, he boasted that he had brought over $1 billion worth of water projects to his district. According to his observers, he "never met a dam he didn't like." The Colorado River Storage Project (CRSP) came before Congress in the early to mid-1950s. The bill, sponsored by Wayne Aspinall and several western allies, called for damming several areas in the Upper Basin of the Colorado River. It included the Echo Park Dam proposal, located within Dinosaur National Monument. This became a volatile issue between environmentalists and water project advocates. Located just below the Green and Yampa Rivers, the proposed 525-foot (160 m) high dam would have created a 43,000 acre (170 km2) lake, flooding the Green River Canyon for 63 miles (101 km) and the Yampa River Canyon for 44 miles (71 km). However, because of increased environmental awareness around the country, the majority of the public opposed the project. In 1954 alone, the Department of the Interior received 20,000 pieces of mail about the plan, and one insider estimated the letters ran 80 to 1 in opposition of the project. In 1954 and 1955, environmentalists defeated the controversial aspects of the CRSP. In '55, Aspinall conceded that for the bill to pass, he needed to sacrifice the Echo Park plan. Several more compromises between the two sides gave way to the Colorado River Storage Act of 1956 (Public Law 485, in chapter 203), which called for the creation of other irrigation projects and several large dams, including the Glen Canyon Dam in Utah, which created Lake Powell. Other projects created from the CRSP included the Flaming Gorge, Navajo, and Curecanti reservoirs. For his compromise, Aspinall gained five other reclamation projects and three hydroelectric dams for the Fourth District. The bill passed the House 256-136 in March 1956 and then-President Dwight Eisenhower signed it into law soon thereafter. CANNOTANSWER
Question: Was the bill easy to pass?

Answer:


Josephine Elizabeth Butler (nee Grey; 13 April 1828 - 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage, the right of women to better education, the end of coverture in British law, the abolition of child prostitution, and an end to human trafficking of young women and children into European prostitution. Grey grew up in a well-to-do and politically connected progressive family which helped develop in her a strong social conscience and firmly held religious ideals. She married George Butler, an Anglican divine and schoolmaster, and the couple had four children, the last of whom, Eva, died falling from a banister.

Josephine Grey was born on 13 April 1828 at Milfield, Northumberland. She was the fourth daughter and seventh child of Hannah (nee Annett) and John Grey, a land agent and agricultural expert, who was a cousin of the reformist British Prime Minister, Lord Grey. In 1833 John was appointed manager of the Greenwich Hospital Estates in Dilston, near Corbridge, Northumberland, and the family moved to the area, where John acted as Lord Grey's chief political agent in Northumberland. In this role John promoted his cousin's political opinions locally, including support for Catholic emancipation, the abolition of slavery, the repeal of the Corn Laws and reform of the poor laws. Josephine was taught at home before completing her schooling at a boarding school in Newcastle upon Tyne which she attended for two years. John treated his children equally within the home. He educated them in politics and social issues and exposed them to various politically important visitors. John's political work and ideology had a strong influence on his daughter, as did the religious teaching she received from her mother; the family background and the circles in which she moved formed a strong social conscience and a staunch religious faith. At about the age of 17 Grey went through a religious crisis, which probably stemmed from an incident in which she discovered the body of a suicide while out riding. She became disenchanted with her weekly church attendance, describing the local vicar as "an honest man in the pulpit ... [who] taught us loyally all that he probably himself knew about God, but whose words did not even touch the fringe of my soul's deep discontent". Following her crisis, Grey did not identify with any single strand of Christianity, and remained critical of the Anglican church. She later wrote that she "imbibed from childhood the widest ideas of vital Christianity, only it was Christianity. I have not much sympathy with the Church". She began to speak directly to God in her prayers: I spoke to Him in solitude, as a person who could answer. ... Do not imagine that on these occasions I worked myself up into any excitement; there was much pain in such an effort, and dogged determination required. Nor was it a devotional sentiment that urged me on. It was a desire to know God and my relation to Him. In mid-1847 Grey visited her brother in County Laois, Ireland. It was at the height of the Great Famine and the first time she had come into contact with widespread suffering among the poor; she was deeply affected by her experiences and later recalled that "As a young girl, I had no conception of the full meaning of the misery I saw around me, yet it printed itself upon my brain and memory." CANNOTANSWERAnswer this question using a quote from the following article:

Did she benefit from boarding school?


Background: Herschel Shmoikel Pinchas Yerucham Krustofsky, better known as Krusty the Clown (sometimes spelled as Krusty the Klown), is a cartoon character in the animated television series The Simpsons. He is voiced by Dan Castellaneta. He is the long-time clown host of Bart and Lisa's favorite TV show, a combination of kiddie variety television hijinks and cartoons including The Itchy & Scratchy Show. Krusty is often portrayed as a cynical, burnt-out, addiction-riddled smoker who is made miserable by show business but continues on anyway.
Context: The third season episode "Like Father, Like Clown" is the first to establish that Krusty is Jewish. Krusty's religion had not been part of the original concept, and the idea came from Jay Kogen. The episode is a parody of The Jazz Singer, which is about a son with a strict religious upbringing who defies his father to become an entertainer. In order to make "Like Father, Like Clown" a full parody of The Jazz Singer, the decision was made to make Krusty Jewish and have his father be a Rabbi. Krusty's real last name, Krustofsky, was pitched by Al Jean. Krusty's father, Rabbi Hyman Krustofsky was played by Jackie Mason, who won a Primetime Emmy Award for Outstanding Voice-Over Performance for the episode. It was established in "Krusty Gets Busted" that Krusty is illiterate. This was shown in subsequent episodes like "Itchy & Scratchy & Marge" but the trait was dropped after the first few seasons because it was hard for the writers to write for an illiterate character. Krusty's design has undergone several subtle changes since the early years. For the episode "Homie the Clown", Krusty's design was permanently enhanced and he was given a different shaped mouth muzzle and permanent bags under his eyes in order to distinguish him from Homer. In the episode "Lisa's Wedding", which is set fifteen years in the future, Krusty's design was significantly altered to make him look considerably older and was based on Groucho Marx. Krusty is a favorite character of several of the original writers, many of whom related themselves to him and wanted to write the Krusty-focused episodes. Krusty was used as a chance for show business jokes and thus many of Krusty's experiences and anecdotes are based on real experiences and stories heard by the writers. He was a particular favorite of Brad Bird, who directed the first two Krusty episodes and always tried to animate a scene in every Krusty episode. In 1992, Matt Groening and James L. Brooks began planning a live-action spin-off from The Simpsons that revolved around Krusty and would star Dan Castellaneta as Krusty. They pitched the series in 1994. Groening and Michael Weithorn wrote a pilot script where Krusty moved to Los Angeles and got his own talk show. A recurring joke throughout the script was that Krusty lived in a house on wooden stilts which were continuously being gnawed by beavers. Eventually, the contract negotiations fell apart and Groening decided to stop work on the project. CANNOTANSWER
Question: When did the development of Krusty start

Answer:


Queensryche  is an American heavy metal band. It formed in 1982 in Bellevue, Washington out of the local band the Mob. The band has released 15 studio albums, one EP, several DVDs, and continues to tour and record. The original lineup consisted of guitarists Michael Wilton and Chris DeGarmo, drummer Scott Rockenfield, bassist Eddie Jackson, and lead vocalist Geoff Tate.

DeGarmo was replaced by guitarist and producer Kelly Gray. Gray's connections with Queensryche went back to the early '80s, when he was the guitarist for Myth, which was also the band Tate fronted prior to joining Queensryche. Gray had previously worked as a producer for bands such as Dokken and Candlebox. Queensryche recorded one studio album with Gray, Q2K from 1999, which was also the first album for their new label, Atlantic Records. Musically, Q2K bore little resemblance to the progressive metal of the band's past, and also displayed a similar stripped-down sound as Hear in the Now Frontier. Tate has described Q2K as a continuation of the experimentation of Hear in the Now Frontier. Declining popularity forced the band to tour in clubs and theaters, rather than in the larger arenas and outdoor amphitheaters where they played before. Following the Q2K tour, Rockenfield and Gray formed the side project Slave to the System with band members from Brother Cane and recorded a self-titled album. After the release of a greatest hits collection in 2000, Queensryche embarked on another tour, this time in support of Iron Maiden. This enabled the band to play Madison Square Garden for the first time. Unhappy with the lack of support they felt they received from Atlantic Records, Queensryche moved to Sanctuary Records in 2001. In July of that year, the band performed a handful of dates at the Moore Theatre in Seattle, Washington. The shows were recorded and released in September 2001 as Live Evolution, the band's second live album. In 2001 and 2002, Tate worked on his self-titled first solo album, which was released on June 25, 2002. Gray was fired from the band in May 2002, which according to Rockenfield was "because of [his] personal abuse habits and ongoing problems". CANNOTANSWER

Was this album a success?


Rebel Melanie Elizabeth Wilson (born 2 March 1980) is an Australian actress, writer, and producer. After graduating from the Australian Theatre for Young People in 2003, she began appearing as Toula on the Special Broadcasting Service (SBS) comedy series Pizza and the sketch comedy series The Wedge. In 2008, Wilson wrote, produced and starred in the musical comedy series Bogan Pride. The following year, she won the Tropfest best actress award for her role in Bargain and made a guest appearance in City Homicide.

Wilson studied at the Australian Theatre for Young People (ATYP). In 2003 she moved to New York after winning the ATYP International scholarship, which was funded by Nicole Kidman. While she was in New York, Wilson trained with The Second City. She appeared with the Sydney Theatre Company and performed at the Melbourne International Comedy Festival. She first came to the public's attention in 2002 with her stage musical The Westie Monologues, which she wrote, starred in and produced in Sydney. Her follow-up stage productions, which she wrote, produced and starred in include Spunks and Confessions of an Exchange Student. In Australia, Wilson is most known for her roles as Toula on the SBS comedy series Pizza and as various characters including Lucy, Fat Mandi and Karla Bangs on the sketch comedy series The Wedge. She played an Australian Idol mad schoolgirl in a series of Telstra advertisements shown during Australian Idol from 2004 to 2005. She also had roles in the feature films Fat Pizza and Ghost Rider. In 2008, Wilson created, wrote, produced and starred in the musical comedy series Bogan Pride on SBS One and also starred in the improvisational Nine Network series Monster House. In 2009 Wilson won the Tropfest Best Actress award for her role in the film Bargain. She has made appearances on the improvisational comedy show Thank God You're Here and the comedy game show Talkin' 'Bout Your Generation. She performed stand-up on the television special The Breast Darn Show In Town and guest starred in the Seven Network drama City Homicide and performed improv at the Upright Citizens Brigade in Los Angeles. CANNOTANSWER

Did she win any awards during this time?


Jennifer Lynn Lopez was born on July 24, 1969, in the Castle Hill neighborhood of The Bronx, New York, to Puerto Rican parents Guadalupe Rodriguez and David Lopez. She has an older sister, Leslie, and a younger sister, Lynda, a journalist. David worked the night shift at the Guardian Insurance Company before becoming a computer technician at the firm, while Guadalupe was a homemaker. When Lopez was born, the family was living in a small apartment.

In August 2003, Lopez starred opposite Affleck in the romantic comedy Gigli. The film was a box office bomb, and is considered one of the worst films of all time. The film's poor reception was attributed to negative press preceding its release, as well as the media attention surrounding Lopez and Affleck's engagement which largely overshadowed the film. Lopez would later describe this as the lowest point of her career, saying "[It] was very tough", "the tabloid press had just come into existence at the time, so I was like a poster child for that moment." In October of that year, she released her next fragrance, Still Jennifer Lopez. Lopez also launched her next fashion label, Sweetface. It was described by Andy Hilfiger as a "more intellectual, more inspirational collection than J-Lo by Jennifer Lopez. Less sporty, more suede." Lopez's clothing lines and two fragrances generated over $300 million in revenue throughout 2004, which made her the 19th richest person under 40. In March 2004, Lopez had a minor role in the film Jersey Girl, alongside Affleck. Her character, Gertrude Steiney, dies during childbirth within the first 15 minutes of the film. From the intense media scrutiny following the couple's break-up, it was noted that "they may need to put Lopez in a coffin on the poster if they want anyone to come". In October, Lopez co-starred alongside Richard Gere in the drama Shall We Dance?, a re-make of the 1996 Japanese film of the same title. The film was successful at the box office, and was considered a rebound for Lopez following Gigli. After placing her career on hiatus, Lopez released her fourth studio album, Rebirth, in February 2005. According to Lopez, Rebirth "came about because I was on such a roller-coaster ride, that was my career from my first album to my last album, and I did a bunch of movie projects in between. I finally took some time just for myself, and [when] I came back, this was the first project I did. I felt like it was a new beginning for me, like I was, in a way, reborn." Tracy Hopkins of NBC's Today Music noted that after "fawning" over Affleck on This Is Me... Then", Lopez "wisely keeps her love life out of the spotlight" on Rebirth and only references her relationship with Anthony on a few tracks. The album produced the single "Get Right", which peaked at number one in the United Kingdom. In May, she starred alongside Jane Fonda in the romantic comedy Monster-in-Law, for which she received a salary of $15 million. The film's marketing played up Lopez's "Gigli-and-tabloid tarnished image", and it became a box office success. In August, Lopez starred alongside Robert Redford and Morgan Freeman in An Unfinished Life, a drama film based on the novel of the same name. CANNOTANSWER

Answer the following question by taking a quote from the article: How did that movie perform?


Alberto Moravia (Italian pronunciation: [al'berto mo'ra:vja]; November 28, 1907 - September 26, 1990), born Alberto Pincherle, was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel Gli indifferenti (1929) and for the anti-fascist novel Il Conformista (The Conformist), the basis for the film The Conformist (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are Agostino, filmed with the same title by Mauro Bolognini in 1962; Il disprezzo (A Ghost at Noon or Contempt), filmed by Jean-Luc Godard as Le Mepris (Contempt 1963); La Noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 and La ciociara, filmed by Vittorio de Sica as Two Women (1960).

In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Are there any other interesting aspects about this article?


Medley was born on September 19, 1940 in Santa Ana, California, USA to Arnol and Irma Medley. He attended Santa Ana High School and graduated in 1958. Medley was raised as a Presbyterian and started singing in a church choir. His parents had a swing band.

Medley also had a moderately successful solo career. In 1968, Medley first recorded "I Can't Make It Alone" written by Carole King, but the song failed to make much of an impact. The following singles, "Brown Eyed Woman" written by Mann and Weil, and "Peace, Brother, Peace", both performed better and were Top 40 Pop hits. In 1969, he won 2nd place at the Festival Internacional da Cancao (FIC) in Rio de Janeiro, with the song "Evie", by Jimmy Webb. Medley performed "Hey Jude" at the 1969 Grammy Awards, and was then signed to A&M Records which released a number of his records. One of his recordings, "Freedom and Fear" from Michel Colombier's album Wings, was nominated for a Grammy in 1972. Medley released several solo albums during the 1970s and 1980s, and enjoyed a resurgence in his career in the 1980s. He released an album, Sweet Thunder in 1980, containing a version of Don't Know Much, which was originally written and performed by Barry Mann the same year. He signed with Planet Records in 1982 and later with RCA Records. In 1984 and 1985, he charted 5 singles on the country charts with the biggest of these being the Top 20 country hit, "I Still Do," which also crossed over to the adult contemporary charts and later became a "cult" hit with the Carolina Beach/Shag dance club circuit. One of Medley's minor entries, "All I Need to Know" was later recorded as "Don't Know Much" by Grammy-winning duet Linda Ronstadt and Aaron Neville was a long running No. 2 Hot 100 and No. 1 Adult Contemporary in 1989-90. In 1987 his duet with Jennifer Warnes, "(I've Had) The Time of My Life", was included on the Dirty Dancing soundtrack album, and the single reached number one on the Billboard Hot 100. The song won Medley and Warnes a 1988 Grammy Award for Best Pop Performance by a Duo or Group with Vocal and an Academy Award for Best Original Song for the composers. "(I've Had) The Time of My Life" is now seen and heard ubiquitously on TV and radio commercials -- covered by singers other than Medley and Warnes -- usually connected with vacation, cruise, resort, and other such holiday-themed advertisers. Among his other notable songs are "Most of All You", the closing theme to the movie Major League; "Friday Night's A Great Night For Football" from Tony Scott's movie, The Last Boy Scout; and the theme song for the Growing Pains spinoff, Just The Ten of Us. He also collaborated with Giorgio Moroder and scored a moderate UK hit in 1988 with a version of "He Ain't Heavy, He's My Brother." Medley recorded a video for the song which was also used as the end credit theme for Rambo III. Bill Medley continues to perform solo after Bobby Hatfield's death in 2003. CANNOTANSWER

Ask a question about this article.

Are there any other interesting aspects about this article?


Prince Philip of Greece and Denmark was born in Mon Repos on the Greek island of Corfu on 10 June 1921, the only son and fifth and final child of Prince Andrew of Greece and Denmark and Princess Alice of Battenberg. Philip's four elder sisters were Margarita, Theodora, Cecilie, and Sophie. He was baptised into the Greek Orthodox Church. His godparents were Queen Olga of Greece (his paternal grandmother) and the Mayor of Corfu.

After leaving Gordonstoun in 1939, Philip joined the Royal Navy, graduating the next year from the Royal Naval College, Dartmouth, as the best cadet in his course. During the Second World War, he continued to serve in the British forces, while two of his brothers-in-law, Prince Christoph of Hesse and Berthold, Margrave of Baden, fought on the opposing German side. Philip was appointed as a midshipman in January 1940. He spent four months on the battleship HMS Ramillies, protecting convoys of the Australian Expeditionary Force in the Indian Ocean, followed by shorter postings on HMS Kent, on HMS Shropshire and in Ceylon (now Sri Lanka). After the invasion of Greece by Italy in October 1940, he was transferred from the Indian Ocean to the battleship HMS Valiant in the Mediterranean Fleet. On 1 February 1941, he was commissioned as a sub-lieutenant after a series of courses at Portsmouth, in which he gained the top grade in four out of five sections of the qualifying examination. Among other engagements, he was involved in the Battle of Crete, and was mentioned in dispatches for his service during the Battle of Cape Matapan, in which he controlled the battleship's searchlights. He was also awarded the Greek War Cross of Valour. Duties of lesser glory included stoking the boilers of the troop transport ship RMS Empress of Russia. In June 1942, he was appointed to the V and W-class destroyer and flotilla leader HMS Wallace, which was involved in convoy escort tasks on the east coast of Britain, as well as the Allied invasion of Sicily. Promotion to lieutenant followed on 16 July 1942. In October of the same year, he became first lieutenant of HMS Wallace, at 21 years old one of the youngest first lieutenants in the Royal Navy. During the invasion of Sicily, in July 1943, as second in command of HMS Wallace, he saved his ship from a night bomber attack. He devised a plan to launch a raft with smoke floats that successfully distracted the bombers, allowing the ship to slip away unnoticed. In 1944, he moved on to the new destroyer, HMS Whelp, where he saw service with the British Pacific Fleet in the 27th Destroyer Flotilla. He was present in Tokyo Bay when the instrument of Japanese surrender was signed. In January 1946, Philip returned to the United Kingdom on the Whelp, and was posted as an instructor at HMS Royal Arthur, the Petty Officers' School in Corsham, Wiltshire. CANNOTANSWER

Ask a question about this article.


Parsons went on to the University of Heidelberg, where he received his Ph.D. in sociology and economics in 1927. At Heidelberg, he worked with Alfred Weber, Max Weber's brother; Edgar Salin, his dissertation adviser; Emil Lederer; and Karl Mannheim. He was examined on Kant's "Critique of Pure Reason" by the philosopher Karl Jaspers. At Heidelberg, Parsons was also examed by Willy Andreas on the French Revolution. Parsons wrote his Dr. Phil. thesis on The Concept of Capitalism in the Recent German Literature, with his main focus on the work of Werner Sombart and Weber. It was clear from his discussion that he rejected Sombart's quasi-idealistic views and was supported Weber's attempt to strike a balance between historicism, idealism and Neo-Kantism. The most crucial encounter for Parsons at Heidelberg was his encounter with the work of Max Weber about whom he had never heard before. Weber became tremendously important for Parsons because his upbringing with a liberal but strongly-religious father had made the question of the role of culture and religion in the basic processes of world history a persistent puzzle in his mind. Weber was the first scholar who truly provided Parsons with a compelling theoretical "answer" to the question so Parsons became totally absorbed in reading of Weber. Parsons decided to translate Weber's work into English and approached Marianne Weber, Weber's widow. Parsons would eventually translate several of Weber's works to English. His time in Heidelberg had him invited by Marianne Weber to "sociological teas," which were study group meetings that she held in the library room of her and Max's old apartment. One scholar that Parsons met at Heidelberg who shared his enthusiasm for Weber was Alexander von Schelting. Parsons later wrote a review article on von Schelting's book on Weber. Generally, Parsons read extensively in religious literature, especially works focusing on the sociology of religion. One scholar who became especially important for Parsons was Ernst D. Troeltsch (1865-1923). Parsons also read widely on Calvinism. His reading included the work of Emile Doumerque, Eugene Choisy, and Henri Hauser. CANNOTANSWER

Answer this question "Why was sociology of religion so important?" by extracting the answer from the text above.


Which entity is this text about?

Duterte was born on March 28, 1945, in Maasin. His maternal grandfather was a Chinese immigrant from Xiamen, Fujian. His father was Vicente G. Duterte (1911-1968), a Cebuano lawyer, and his mother, Soledad Duterte (nee Roa; 1916-2012), was a school teacher from Cabadbaran, Agusan and a civic leader of Maranao descent. Duterte's father was mayor of Danao, Cebu, and subsequently the provincial governor of (the then-undivided) Davao province.

After the 1986 People Power Revolution, Duterte was appointed officer-in-charge vice mayor by president Corazon Aquino. In 1988, he ran for mayor and won, serving until 1998. He set a precedent by designating deputy mayors that represented the Lumad and Moro peoples in the city government, which was later copied in other parts of the Philippines. In 1998, because he was term-limited to run again for mayor, he ran for the House of Representatives and won as Congressman of the 1st District of Davao City (under the Laban ng Makabayang Masang Pilipino coalition). In 2001, he ran again for mayor in Davao and was again elected for his fourth term. He was re-elected in 2004 and in 2007. In 2013, Davao City sent rescue and medical teams to Tacloban to give aid to the victims of Typhoon Haiyan, locally known in the country as Typhoon Yolanda. Financial assistance was also given to Bohol and Cebu for the earthquake victims. In 2010, he was elected vice mayor, succeeding his daughter, Sara Duterte-Carpio, who was elected as mayor. He has been offered the Interior Secretary post 4 times, by presidents Fidel V. Ramos, Joseph Ejercito Estrada, Gloria Macapagal-Arroyo, and Benigno S. Aquino III but rejected all of them. Duterte also passed the city's Women Development Code, which aims "to uphold the rights of women and the belief in their worth and dignity as human beings". Duterte banned swimsuit competitions in beauty pageants in Davao City. Duterte also gained prominence for supporting the first-ever Gawad Kalinga Village inside a jail facility which is only located in Davao City. It is a home-type jail with ten cottages built inside the compound, which now serve as home for women inmates. Davao has the highest murder rate, the second highest rape rate, and the fourth highest number of index crimes in the country, according to official police data for the years 2010 to 2015. Nevertheless, Duterte claims that the city is one of the world's safest, a narrative that gained currency in the national media, creating a widespread public perception that has been a significant factor in establishing support for his nationwide drug policy. Prostitution in the Philippines is illegal. In Davao, by city ordinance, police ensure that prostitutes have a valid health card, but do not arrest them. In 2010, the Philippine Child Protection Unit stated that Davao was one of the top five areas for child prostitution and sex tourism in the Philippines. Jeanette Ampog, the executive director of Talikala, a Davao-based NGO that helps prostitutes, said in October 2016 that child prostitution had sharply increased over the past two years. She said that children were cheaper and more marketable. Through the support of Duterte, the City Council amended ordinance No. 1627, Series of 1994, to impose a prohibition on selling, serving, drinking, and consuming alcoholic beverages from 01:00 until 08:00 each morning. Executive Order No. 39 was signed by Duterte, reducing the speed limits for all kinds of motor vehicles within the territorial jurisdiction of Davao City in the interest of public safety and order. Duterte also signed Executive Order No. 04, Series of 2013 to impose an order creating the implementing of rules and regulations for the new comprehensive anti-smoking ordinance no. 0367-12, Series of 2012. Davao City's Firecracker Ban was also implemented with ordinance No. 060-02/1406-02, Series of 2002 by the City Council through the support of Duterte. Another known accomplishment was that the City Government of Davao was able to acquire 10 more ambulances for central 911 intended for medical emergencies and 42 new mobile patrol vehicles and motorcycles for the Davao City Police Office (the first and only 9-1-1 emergency telephone number in Asia which is also free of charge). Duterte, through Executive Order No. 24, ordered all shopping malls and commercial centers to install, operate and maintain high end and high definition closed circuit television (CCTV) cameras at all entrance and exit points of their premises. We're the ninth safest city. How do you think I did it? How did I reach that title among the world's safest cities? Kill them all [criminals]. Duterte, who has been dubbed "The Punisher" by Time magazine, has been linked by human rights groups such as Amnesty International and Human Rights Watch to extrajudicial killings of over 1,400 alleged criminals and street children by vigilante death squads. In the April 2009 UN General Assembly of the Human Rights Council, the UN report (Eleventh Session Agenda item 3, par 21) said, "The Mayor of Davao City has done nothing to prevent these killings, and his public comments suggest that he is, in fact, supportive." Human Rights Watch reported that in 2001-2002, Duterte appeared on local television and radio and announced the names of "criminals", some of whom were later executed. In July 2005 at a crime summit at the Manila Hotel, Duterte said, "Summary execution of criminals remains the most effective way to crush kidnapping and illegal drugs". Duterte has denied responsibility for the extrajudicial killings. He has also frequently announced his support for them. According to Reuters, "Duterte's loud approval for hundreds of execution-style killings of drug users and criminals over nearly two decades helped propel him to the highest office of a crime-weary land." In 2009 Duterte said: "If you are doing an illegal activity in my city, if you are a criminal or part of a syndicate that preys on the innocent people of the city, for as long as I am the mayor, you are a legitimate target of assassination." In 2015, Duterte confirmed his links to extrajudicial killings in Davao, and warned that, if elected president, he may kill up to 100,000 criminals. After the said confirmation, Duterte challenged human rights officials to file a case against him if they could provide evidence to his links with vigilante groups. CANNOTANSWER


Fairport Convention are a British folk rock band. Formed in 1967, they are widely regarded as a key group in the English folk rock movement. Their seminal album Liege & Lief is considered to have launched the British folk rock movement, which provided a distinctively English identity to rock music and helped awaken much wider interest in traditional music in general. The band have drawn heavily on the Child Ballads, songs of the British Isles from the later medieval period until the 19th century.

Fairport Convention were soon playing regularly at underground venues such as UFO and The Electric Garden, which later became the Middle Earth club. After only a few months, they caught the attention of manager Joe Boyd who secured them a contract with Polydor Records. Boyd suggested they augment the line-up with another male vocalist. Singer Iain Matthews (then known as Ian MacDonald) joined the band and their first album, Fairport Convention, was recorded in late 1967 and released in June 1968. At this early stage Fairport looked to North American folk and folk rock acts such as Joni Mitchell, Bob Dylan, and The Byrds for material and inspiration. The name "Fairport Convention" and the use of two lead vocalists led many new listeners to believe that they were an American act, earning them the nickname 'the British Jefferson Airplane' during this period. Fairport Convention played alongside Jefferson Airplane at the First Isle of Wight Festival, 1968. After disappointing album sales they signed a new contract with Island Records. Before their next recording Judy Dyble was replaced by the band with Sandy Denny, a folk singer who had previously recorded as a soloist and with Strawbs. Denny's distinctive voice, described by Clive James as 'open space, low-volume, high-intensity', is one of the characteristics of two albums released in 1969: What We Did on Our Holidays and Unhalfbricking. These recordings marked the growth of much greater musicality and song-writing ability among the band. The first of these featured the Thompson-penned "Meet on the Ledge", which became their second single and eventually the band's unofficial anthem. During the recording of Unhalfbricking, Matthews left after having sung on only one song, eventually to form Matthews Southern Comfort. He was not replaced; the other male members covered his vocal parts. The album featured a guest appearance by Birmingham folk fiddler Dave Swarbrick on a recording of "A Sailor's Life", a traditional song brought to the band by Denny from her folk club days. The recording of this track marked an important turning point for the band, sparking an interest in traditional music in Ashley Hutchings that led him to detailed research in the English Folk Dance and Song Society Library at Cecil Sharp House; this theme would become the basis for their next, much more ambitious, recording project. These two albums began to gain the band wider recognition. Radio DJ John Peel championed their music, playing their albums on his influential BBC shows. Peel also recorded a number of sessions which were later released as the album Heyday (1987). They enjoyed some mainstream success when they entered the singles charts with "Si Tu Dois Partir", a French-language version of Bob Dylan's "If You Gotta Go, Go Now". The record just missed the top twenty, but secured the band a slot on Top of the Pops, Britain's most popular television pop music programme at the time. In 1969 four members of the band, one uncredited and three with pseudonyms, featured as backing musicians on the album Love Chronicles by Scottish folk artist Al Stewart. CANNOTANSWER

Ask a question about this article.


Background: The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.
Context: As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWER
Question: Did he stay retired?

Answer:


Background: Wayne Coleman was born into a working-class family in Phoenix, Arizona on June 07, 1943. His father was from Mississippi, and his mother, of Cherokee ancestry, was from Arkansas. Coleman was attracted to weight lifting in the fifth grade. As a teenager he was an avid reader of bodybuilding magazines, his idols being Steve Reeves and John Grimek.
Context: Graham returned to the WWWF in April 1977 after an agreement with promoter Vincent J. McMahon (Senior). Graham defeated Bruno Sammartino for the WWWF Heavyweight Championship on April 30, 1977, in Baltimore, Maryland. Graham held the title for nine and a half months. During his reign, he wrestled across America and in Japan (February 1978), facing challengers such as former champion Bruno Sammartino, Jack Brisco, Dusty Rhodes, Pedro Morales, Don Muraco, Mil Mascaras, Strong Kobayashi and Riki Choshu. On 25 January 1978 in Miami, Florida at the Orange Bowl football stadium, Graham wrestled against then-NWA World Heavyweight Champion Harley Race in a WWWF World Heavyweight Championship vs. NWA World Heavyweight Championship unification match which ended in a one-hour time-limit draw. Although a defeat by Bob Backlund, who was to embody the virtuous junior "all-American" wrestler, had been written into Graham's current contract with the WWWF, Graham suggested another outcome to McMahon: that Ivan Koloff should turn on him, thus starting a feud that would make Graham a fan favorite. McMahon refused because of the handshake deal to make Backlund the new fan favorite champion and he did not want to go back on his word. It was also unheard of for a counter-cultural character like Graham to be a fan favorite, because McMahon and many old promoters saw Graham as a confirmed heel and therefore a negative role model. Graham eventually "lost" the title to Backlund on February 20, 1978. Another feud Graham had as champion was with Dusty Rhodes, which culminated in a Texas Bullrope match. His confrontations with Rhodes continued after Graham had been forced to drop the belt to Backlund. Rhodes himself, a long-time friend of Graham's, recalled these matches with Graham in 1978 as among the most exciting and memorable of his career. Disillusioned by the premature loss of his belt, Graham left the WWWF in December 1978 and accepted an offer to join Paul Boesch's promotion in Houston, Texas, lending himself out for other NWA events in California and Florida as well. In April 1979 he embarked on his third IWA tour of Japan, where he wrestled the same men he had worked with in 1974. In March 1979, the new Continental Wrestling Association (CWA) named Graham as their World Champion. On November 8th, 1979 Graham lost the belt to Jerry Lawler in Lexington, Kentucky. His following NWA engagements in Kentucky, Tennessee, Georgia and Texas became fewer and rarer until he stopped wrestling in April 1980. Graham wrestled only two matches (one in Canada and one in Los Angeles) in the whole of 1981. He spent some time competing in Japan, where he added some martial arts techniques to his repertoire. CANNOTANSWER
Question: What else happened during 1977-1981?

Answer:


As Minister of Transport, Lapierre initiated the Pacific Gateway Strategy, signing air transport agreements with China and India and completed a formal Canada-US Open Skies Agreement. He also spearheaded a large federal investment in the Prince Rupert container terminal, saying that it improved ties to Asian markets, while enhancing economic development in northern British Columbia and Alberta. Lapierre reduced the amount paid by airports to the federal government by some $5 billion over the remaining life of the leases. He announced the implementation of a No Fly List to increase security for airline passengers. As Transport Minister, his predecessor Tony Valeri had dismissed VIA Rail chairman Jean Pelletier, who filed a lawsuit against the government charging it had failed to use due process. A federal court ruled in his favor in November 2005 after the change in administrations, ordering Pelletier to be reinstated. The government appealed the court ruling and kept the former chair off the payroll. Lapierre ensured that due process was followed in dismissing Pelletier a second time. But in March 2007, Justice Francois Lemieux ruled that the Martin government acted improperly in 2005 when it fired Pelletier a second time, immediately after a court had overturned his first dismissal, stating that Lapierre was biased and failed to follow proper procedures. On November 22, 2007, Judge Helene Langlois of Quebec Superior Court ruled that government of then-Prime Minister Paul Martin had acted in a "cavalier and precipitous" fashion when it fired Pelletier. The court awarded Pelletier $235,000 in lost income, and a further $100,000 in damages. Lapierre and his department were criticised for their handling of the collapse of the carrier Jetsgo. Critics said that he should have seen warning signs after unsuccessful attempts to lower the carrier's costs. They also said that he had failed to warn the public or intervene, making him indirectly responsible when thousands of travelers were stranded when the carrier stopped operations. Lapierre rejected calls to resign, and denied that he had any knowledge of the collapse. He pointed out that most of the passengers had booked flights with credit cards and would be eligible for refunds. CANNOTANSWER

Answer this question "When did Lapierre become the Minister of Transport?" by extracting the answer from the text above.


Ian William Geddes Johnson CBE (8 December 1917 - 9 October 1998) was an Australian cricketer who played 45 Test matches as a slow off-break bowler between 1946 and 1956. Johnson captured 109 Test wickets at an average of 29.19 runs per wicket and as a lower order batsman made 1,000 runs at an average of 22.92 runs per dismissal. He captained the Australian team in 17 Tests, winning seven and losing five, with a further five drawn. Despite this record, he is better known as the captain who lost consecutive Ashes series against England.

On the return journey from England, the Australians toured India and Pakistan for the first time, with mixed results. On a matting pitch, unfamiliar to the Australians, Johnson's team lost the inaugural Test against Pakistan at Karachi. Responding to the loss, a cartoon drawn by Norman Mitchell of the Adelaide News newspaper suggested island planters might be able to scrape together a team that would be a match for the Australians. Returning to turf pitches in India, the Australians restored some pride. Johnson was the highest scorer in the Australian team's victory by an innings and five runs in the First Test at Nehru Stadium in Madras. Due to injury, both Johnson and Miller missed the drawn Second Test at Brabourne Stadium at Bombay; Lindwall skippered the side. Johnson returned for the Third Test at Eden Gardens, Calcutta for what would ultimately prove to be his final Test. The Australians won the match by 94 runs, giving them a 2-0 series win. S. K. Gurunathan, summing up in the Indian Cricket Almanack, wrote: "The Australians showed themselves to be a superior side even when their batting failed". When the team finally arrived home, Johnson announced his retirement from all cricket at the age of 39. In all, he played 45 Tests, capturing 109 wickets at an average of 29.19, including three five-wicket hauls. He scored exactly 1,000 runs, making him one of only fourteen Australians to achieve the double of 1,000 runs and 100 wickets in Test cricket. In all first-class cricket, Johnson had taken 619 wickets and scored 4,905 runs. His record as the Australian captain was mixed; he had captained Australia in 17 Tests, winning seven and losing five. However, he was better known as the first captain to lead Australia to successive Ashes defeats in the 20th century. Reviewing Johnson's time as captain, Wisden said, "Unfortunately for him, he took over in the mid-1950s, when Australian cricket was decidedly inferior to England's for the first time since before the Bradman era" but "he was a fine cricketer and, in some respects, a visionary". CANNOTANSWER

Using a quote from the above article, answer the following question: where is home at?


Background: Peter Senercia (born October 11, 1967), better known by the ring names Taz or Tazz, is an American radio presenter, former color commentator and professional wrestler. He is known for his work in Extreme Championship Wrestling (ECW), where he was a two time World Heavyweight Champion, a two time World Television Champion, a three time World Tag Team Champion,  a two time (and the inaugural) FTW Heavyweight Champion, and the fourth (and final) ECW Triple Crown Champion. His World Wrestling Federation/Entertainment (WWF/E) career as an in-ring performer came to an early end in 2002 and subsequently saw him transition into a color-commentary role, which he continued to do until his contract with WWE expired in April 2009. Two months later, Senerchia debuted in Total Nonstop Action Wrestling at their Victory Road pay-per-view under his previous Taz ring name and eventually reprised his role as a color commentator for TNA's broadcasts, replacing Don West.
Context: After being contacted by the World Wrestling Federation (WWF) and World Championship Wrestling (WCW) in 1999, Taz debuted for the WWF, with the slightly modified ring name Tazz, at the 2000 Royal Rumble with a win over the previously undefeated Kurt Angle at Madison Square Garden. Just a few months after Tazz arrived in the WWF, Mike Awesome, the man he had lost the ECW World Heavyweight Championship to at Anarchy Rulz, secretly signed with WCW. Legal wrangling by Paul Heyman prevented Awesome from taking the championship belt with him, and in a bizarre piece of professional wrestling history, ECW and WWF officials agreed to have Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship. Tazz held the title for ten days before losing it to Tommy Dreamer, during which time he wore it on various WWF shows, including an episode of SmackDown! where he lost to the WWF Champion Triple H. However, Vince McMahon later expressed some regret over booking Tazz to lose to Triple H. After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title. In the summer, after taking time off for an arm injury, he was turned into a villainous character and placed into a feud with color commentator Jerry Lawler. The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven, who had returned to the company. Afterwards, the duo formed a tag team that lasted until November. When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance", sticking up for them and speaking on their behalf whenever possible. He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon. CANNOTANSWER
Question: What is The Alliance about?

Answer:


Roxette are a Swedish pop rock duo, consisting of Marie Fredriksson (vocals and keyboards) and Per Gessle (vocals and guitar). Formed in 1986, the duo became an international act in the late 1980s, when they released their breakthrough album Look Sharp! Their third album Joyride, which was released in 1991, became just as successful as its predecessor.

Per Gessle and Marie Fredriksson first met in Halmstad, Sweden, in the late 1970s. Gessle performed in Gyllene Tider, one of Sweden's most popular bands at the time, and Fredriksson in the less successful Strul and MaMas Barn (Mama's Children) before both embarked on solo careers. In 1981, Fredriksson sang for the first time with Gyllene Tider on stage and was featured as a background vocalist for a Swedish-language album the band released in 1982. Gessle also worked with ex-ABBA singer Frida, for a song that appeared on her 1982 album Something's Going On, setting music to a Dorothy Parker poem. While working on her first solo album, Het vind (Hot Wind), Fredriksson performed more background vocals for Gyllene Tider's only album in English, The Heartland Cafe. The 11-track album was released in February 1984 and sold 45,000 copies in Sweden. According to Gessle, the group's first English-language release was in response to interest expressed by EMI's American label Capitol Records. Capitol took six of the tracks and released an extended play (EP) record in the US with an abridged title, Heartland, but the company insisted on a different name for the band. Gessle and the other members of Gyllene Tider (Swedish for "Golden Times" or "Golden Age") chose the title of a 1975 Dr. Feelgood song, "Roxette". The newly named Roxette issued one near-invisible release in the US, "Teaser Japanese", whose video reached MTV's studio but received no rotation to speak of. It, and subsequent singles, fared better in Sweden, and Gyllene Tider briefly toured the country to support the album. However, "the album died soon enough and the international career died before it even started", Gessle wrote. "We decided to put Gyllene Tider to rest... until further notice." Gessle then turned solo work, recording his second Swedish-language solo album, Scener, released in 1985 and again featuring Fredriksson on background vocals. While Fredriksson recorded her second solo album, Den sjunde vagen (The Seventh Wave). It was then that the Managing Director of EMI, Rolf Nygren, suggested that Gessle and Fredriksson should sing together. Gessle translated a song called "Svarta glas" ("Black glasses") into English, which became their first single, "Neverending Love". It was released in the summer of 1986 under the name "Roxette" and reached the Swedish top 10, selling 50,000 copies. CANNOTANSWER

What was the outcome of Roxette's first release?


Katrina Kaif (pronounced [k@'tri:na: 'ke:f], born Katrina Turquotte, 16 July 1983) is an English actress who works in Hindi films. Despite receiving mixed reviews from critics for her acting prowess, she has established herself in Bollywood, and is considered among the country's most attractive and highest-paid actresses. Born in Hong Kong, Kaif and her family lived in several countries before she moved to London. She received her first modelling assignment as a teenager and later pursued a career as a fashion model.

Katrina Kaif was born in Hong Kong with her mother's surname Turquotte (also spelt Turcotte), on 16 July 1983. According to the actress, her father (Mohammed Kaif) is a British businessman of Kashmiri Indian descent and her mother (Suzanne, also spelt Susanna) is an English lawyer and charity worker. She has seven siblings: three elder sisters (Stephanie, Christine, and Natasha), three younger sisters (Melissa, Sonia, and Isabel) and an elder brother, Michael. Isabelle Kaif is also a model and actress. Kaif's parents divorced when she was a child, and her father moved to the United States. She said her father had no influence on Kaif or her siblings while they were growing up, and they were raised by their mother. On her father's absence in her life, Kaif stated: "When I see friends who have wonderful fathers who are like pillars of support for their families, I say, if only I had that. But instead of complaining, I should be grateful for all the other things I have". In a 2009 interview with The Indian Express, she said she was not in touch with her father. Kaif says that her mother decided to "dedicate her life to social causes", which led to the family's relocation to a number of countries for varying lengths of time: Our transitions in growing up were--from Hong Kong where I was born, to China, then to Japan, and from Japan by boat to France ... After France, Switzerland--and I'm cutting out many East European countries where we were for only a few months each--then Poland in Krakow ... After that we went to Belgium, then to Hawaii, which was a short time, and then came to London. Due to their frequent relocation, Kaif and her siblings were home-schooled by a series of tutors. Although she is thought to have grown up in London, she lived there for only three years before moving to India. According to Kaif, she then changed her surname to her father's because she thought it would be easier to pronounce. Kaif's paternal parentage has been questioned by some members of the film industry. In a 2011 interview with Mumbai Mirror, Boom producer Ayesha Shroff accused Kaif of fabricating her history: "We created an identity for her. She was this pretty young English girl, and we gave her the Kashmiri father and thought of calling her Katrina Kazi. We thought we'd give her some kind of Indian ancestry, to connect with the audience ... But then we thought that Kazi sounded too ... religious? ... Mohammad Kaif was at the top, and so we said, Katrina Kaif sounds really great". Kaif called Shroff's comments "hurtful". In 2012, Kaif appeared in "Chikni Chameli", an item number in Agneepath that incorporated dance steps from the Lavani genre (a Maharashtrian folk dance). The song was filmed over a ten-day period and, according to the actress, "It was hard work. It was very fast and it was not a style I was used to, but I took it as a challenge". Kaif appeared next in Kabir Khan's espionage thriller Ek Tha Tiger as a Pakistani ISI agent who falls in love with an Indian RAW agent. Shubhra Gupta of The Indian Express wrote about her performance: "Katrina is an able, animated foil to Salman, her long legs making her leaps and kicks credible". The film received predominantly positive reviews, with Aniruddha Guha of Daily News and Analysis calling it "smart and stylish". With worldwide earnings of Rs3.1 billion (US$47 million), Ek Tha Tiger was the highest-grossing Bollywood film of the year. That year Kaif also appeared with Shah Rukh Khan and Anushka Sharma in Yash Chopra's swan song, the romance Jab Tak Hai Jaan. About working with Chopra, she remarked that he "undoubtedly is the king of romance and I have always admired the way he presents his heroines. It was always a dream to work with him and the reality is even better". She played Meera, a woman who promises God to end her affair with her comatose lover if he survives. Although the film received mostly positive reviews, Kaif's performance had a mixed reception. CNN-IBN wrote: "Meera's role was a difficult one and Katrina falls short in emotional scenes. It seems Katrina still doesn't feel very easy in front of the camera and has difficulty with complex expressions". Commercially, the film proved a box-office hit with revenues of Rs2.11 billion (US$32 million) worldwide. In 2013, she appeared briefly with Aamir Khan in Vijay Krishna Acharya's action thriller Dhoom 3. To prepare for her role as a circus performer, she undertook a year-long regimen of Pilates, functional training and aerial straps. The film received ambivalent reviews and Kaif was criticised for taking on an insubstantial part. Earning Rs5.42 billion (US$83 million) in box-office receipts, Dhoom 3 went on to become the highest-grossing Bollywood film of all time until it was surpassed by PK in 2014. Kaif's next appearance was in Siddharth Anand's Bang Bang! (2014), a remake of the 2010 action comedy Knight and Day. She played a bank receptionist who unwittingly gets caught up with a secret agent (Hrithik Roshan). Raja Sen of Rediff.com was disappointed with her performance, describing it as "insufferable". Although the film was commercially successful, financial analysts observed that it failed to meet box-office expectations. Ek Tha Tiger, Dhoom 3 and Bang Bang! still rank in the list of highest-grossing Indian films, while Jab Tak Hai Jaan still rank in the list of highest-grossing Indian films in overseas markets Kaif's sole appearance of 2015 was with Saif Ali Khan in Kabir Khan's post 26/11 counter-terrorism drama Phantom. In 2016, Kaif appeared in two films. In Abhishek Kapoor's Fitoor, an adaptation of Charles Dickens' Great Expectations, Kaif played a role based on Estella Havisham along with Aditya Roy Kapur and Tabu. Later that year she featured in Nitya Mehra's love story Baar Baar Dekho with Sidharth Malhotra. Both films were critical and commercial failures. In a review for the former, Namrata Joshi wrote: "Katrina is good so long as she has to just be herself. So she dances, smiles and flirts well, but the minute a dramatic scene comes up, her utter inadequacy as a performer shows." Next year, Kaif appeared alongside Ranbir Kapoor in Anurag Basu's comedy-adventure film Jagga Jasoos, which was released in 2017 after multiple delays. The film opened to mixed critical response and was a commercial disappointment. In the end of year, Kaif re-united with Salman Khan and reprised the role of Zoya in the Ali Abbas Zafar's action thriller film Tiger Zinda Hai, sequel to the 2012 film Ek Tha Tiger. The film released on Christmas weekend and opened to strong box office collections, collecting over Rs1.1 billion within three days of release. The film opened with positive to mixed reviews. Critics praised her action sequences but criticised her lack of dialogues. Rachit Gupta of Filmfare said, "The screenplay goes easy on [Kaif] by not giving her stand and dialogue. Instead, she does the bulk of the hand to hand combat and gun fights and she looks the part. It's invigorating to see a lady kick-ass with so much elan and pull all the punches like they're real." As of 2018, Kaif has filmed for the supportive role in the period action-adventure film Thugs of Hindostan, marking her second collaboration with Aamir Khan and director Vijay Krishna Acharya, also starring Amitabh Bachchan and Fatima Sana Shaikh. Kaif has also committed to star as an actress in Anand L Rai's Zero, marking her second collaboration with Shah Rukh Khan and Anushka Sharma, set to be released on 21 December 2018 during Christmas weekend. She has also been roped in for dance film ABCD 3, opposite Varun Dhawan. CANNOTANSWER

Ask a question about this article.


Background: His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.
Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER
Question: Was he happy with his feelings on religion?. Whats the answer?


The Chipmunks' voices were recorded at half the normal tape speed onto audiotape by voice talent (on the 60's records, generally Ross Bagdasarian Sr.'s own voice overdubbed three times, on the post-80's records, studio singers) talking or singing at half the normal speaking rate. When the tape was played back at normal speed, they would sound a full octave higher in pitch, at normal tempo. The technique was by no means new to the Chipmunks. For example, the high and low pitched characters in The Wizard of Oz were achieved by speeding up and slowing down vocal recordings. Also, Mel Blanc's voice characterization for Daffy Duck was sped up to some extent. Now, the same effect is created digitally and in real time with a pitch shift. However, the extensive use of this technique with the Chipmunks, coupled with their popularity, linked this technique to them. The term "chipmunk-voiced" has entered the American vernacular to describe any artificially high-pitched voice. A similar effect could be obtained in playback by merely taking an LP recorded at 33 1/3 RPM and playing it back at 45 or 78 RPM, a trick sometimes tried out by ordinary record listeners. The instrumental portions of the song are sped up as well, however, making it obvious that the music is being played at the wrong speed. Bagdasarian recorded vocals and music at different speeds to combine properly on his recording. Guitarist Les Paul said he visited Bagdasarian's studio in 1958 and helped with the recording. The technique was used extensively in the British puppet show Pinky and Perky, which pre-dated the Chipmunks. The sound was frequently imitated in comedy records, notably "Transistor Radio" by Benny Hill, "Bridget the Midget" by Ray Stevens, "The Laughing Gnome" by David Bowie, and on several tracks on Joe Meek and the Blue Men's album I Hear a New World. The technique also appears in the "Yeah! You!" line of The Coasters' "Charlie Brown". Prince used the technique on several of his songs, as well as Frank Zappa on We're Only In It For The Money and on the instrumental album Hot Rats, among others. The early production style of hip-hop artist Kanye West involved sped-up, high-pitch vocal samples from classic soul records incorporated with his own (additional) instrumentation. Due in part to the acclaim of his debut album The College Dropout, such sampling techniques subsequently became much copied by a myriad of other hip-hop producers. In the early '90s rave scene, many breakbeat hardcore productions would utilize the same studio tricks, often taking a cappella from house records and speeding them up to fit the faster tempo. Vocals in songs that used this method would typically be referred to as "chipmunk vocals". CANNOTANSWER

Answer this question "Did he do this technique with any other characters he came up with?" by extracting the answer from the text above.


Background: Nikolaos Georgalis (Greek: Nikolaos Georgales; born July 23, 1957), commonly known as either Nikos Galis (Greek: Nikos Gkales), or Nick Galis, is a retired Greek American professional basketball player. He was named one of FIBA's 50 Greatest Players in 1991, is an inaugural member of the FIBA Hall of Fame and was chosen as one of the 50 Greatest EuroLeague Contributors in 2008. Galis is widely regarded as one of Europe's greatest scorers to ever play the game, as well as one of the all-time greatest players in FIBA international basketball history. In 2017, he was inducted into the Naismith Memorial Basketball Hall of Fame.
Context: Galis made the move across the Atlantic, and signed to play with Aris of Thessaloniki, Greece, in 1979. Panathinaikos and Olympiacos had also shown some interest in signing the newcomer, but it was Aris' interest that was the most persuasive. His move to the country helped Greek basketball reach heights never before imagined. In 1983, while playing in a game with the Greek national team against the North Carolina Tar Heels at Chapel Hill, Greece's shooting guard Galis, while being guarded by North Carolina's shooting guard Michael Jordan, scored 50 points during the game. He played in the 1986 FIBA World Championship, where he led all players in scoring average, with 33.5 points per game. In that tournament, he had a 53-point outburst against the Panamanian national basketball team. Galis next led the Greek national basketball team to the EuroBasket 1987 gold medal. Averaging 37.0 points per game during the tournament, he was named the MVP of the tournament, after scoring 40 points in the final against the Soviet Union national basketball team and its legendary player, Sarunas Marciulionis, for a 103-101 victory. Galis also led Greece to the second place at the EuroBasket 1989, averaging 35.6 points per game. Galis is most remembered from that tournament, for a stunning effort against the Soviet team led by Marciulionis, and its other star player, Arvydas Sabonis, in the semifinal game. He scored 45 out of his team's 81 total points in a dramatic, last-gasp 81-80 victory. The Greek team then settled for a second-place finish, after losing against the ever-dominant Yugoslavian national basketball team in the tournament's final. CANNOTANSWER
Question: was he successful on that team?. Whats the answer?


Senses Fail is an American post-hardcore band that formed in Ridgewood, New Jersey in 2002. The band has seen many lineup changes; the only founding member still in the band being lead singer James "Buddy" Nielsen. The lineup currently consists of Nielsen, bassist/guitarist Gavin Caswell and drummer Chris Hornbrook.

On November 15, 2016, the band announced that in celebration of its upcoming fifteenth year anniversary, they would be embarking on the Quince Anos Tour in March and April 2017, with support from Counterparts, Movements, and Like Pacific. To commemorate the event, the band performed it's 2006 album Still Searching in full, alongside a collection of career spanning songs. On the same day, the band announced the release of their long teased acoustic EP, "In Your Absence". It features 3 brand new songs, alongside acoustic renditions of "Lost and Found" from Still Searching, and "Family Tradition" from Life Is Not A Waiting Room. A music video was released for the lead single, "Jets to Peru", on January 26, 2017. The EP released on March 3, 2017 alongside the beginning of the Quince Anos Tour. The band entered the studio with Saosin guitarist Beau Burchell, who also handled recording duties on In Your Absence, to begin recording their seventh full-length album on June 27, 2017, to be titled If There Is Light, It Will Find You. Nielsen commented that the album would feature a style more akin to earlier releases, such as Let It Enfold You. The album will be written entirely by Nielsen. On August 2, it was revealed that former drummer Dan Trapp would be performing drums on the album, although current drummer Chris Hornbrook would still be performing and touring with the band. However on January 8, 2018, Hornbrook announced his departure from the band. Hornbrook had been touring with Dhani Harrison during the recording sessions. On February 1, 2018, Steve Carey of The Color Morale was announced as the bands new drummer, following the announcement that The Color Morale would be entering a hiatus. On November 30, the lead single "Double Cross" was released. A second single, "Gold Jacket, Green Jacket..." was released on January 11, 2018. On February 1, 2018, a third single, "New Jersey Makes, the World Takes" was released. The album was released on February 16th, 2018. CANNOTANSWER

Ask a question about this article.


Background: Ellen Naomi Cohen was born in Baltimore, Maryland, the daughter of Philip Cohen (d: 1962) and his wife Bess (nee Levine, 1915-1994). Both her parents were the children of Jewish immigrants from the Russian Empire. Elliot's family was subject to significant financial stresses and uncertainties during her childhood years. Her father, involved in several business ventures throughout his life, ultimately succeeded through the development of a lunch wagon business in Baltimore, providing meals to construction workers.
Context: With two female members, the New Journeymen needed a new name. According to Doherty, Elliot had the inspiration for the band's new name; as written on his website: We're all just lying around vegging out watching TV and discussing names for the group. The New Journeymen was not a handle that was going to hang on this outfit. John was pushing for the Magic Cyrcle. Eech, but none of us could come up with anything better, then we switch the channel and, hey, it's the Hells Angels on the Carson show... And the first thing we hear is: "Now hold on there, Hoss. Some people call our women cheap, but we just call them our Mamas." Cass jumped up: "Yeah! I want to be a Mama." And Michelle is going: "We're the Mamas! We're the Mamas!" OK. I look at John. He's looking at me going: "The Papas?" Problem solved. A toast! To the Mamas and the Papas. Well, after many, many toasts, Cass and John are passed out." Doherty also said that the occasion marked the beginning of his affair with Michelle Phillips. Elliot was in love with Doherty and was displeased when he told her of the affair. Doherty has said that Elliot once proposed to him, but that he was so stoned at the time that he could not even respond. Elliot was known for her sense of humor and optimism, and was considered by some to be the most charismatic member of the group. Her powerful, distinctive voice was a major factor in their success. She is best remembered for her vocals on the group's hits "California Dreamin'", "Monday, Monday", "Words of Love", and the solo "Dream a Little Dream of Me", which the group recorded in 1968 after learning about the death of Fabian Andre, one of the men who co-wrote it, whom Michelle Phillips had met years earlier. Elliot's version is noteworthy for its contemplative pace, whereas almost all earlier recordings of "Dream a Little Dream of Me" (including one by Nat King Cole and another by Ozzie Nelson) had been up-tempo versions--the song having been written in 1931 as a dance tune. The Mamas & the Papas continued to record to meet the terms of their record contract. Their final album was released in 1971. CANNOTANSWER
Question: How was the group formed?. Whats the answer?


Background: They Might Be Giants (often abbreviated as TMBG) is an American alternative rock band formed in 1982 by John Flansburgh and John Linnell. During TMBG's early years, Flansburgh and Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo's current backing band consists of Marty Beller, Dan Miller, and Danny Weinkauf.
Context: At their first concert, They Might Be Giants performed under the name El Grupo De Rock and Roll (Spanglish for "Rock and Roll Group"), because the show was a Sandinista rally in Central Park, and a majority of the audience members spoke Spanish. Soon discarding this title, the band assumed the name of a 1971 film They Might Be Giants (starring George C. Scott and Joanne Woodward), which is in turn taken from a Don Quixote passage about how Quixote mistook windmills for evil giants, which itself was taken from Dante's Inferno Canto 34. According to Dave Wilson, in his book Rock Formations, the name They Might Be Giants had been used and subsequently discarded by a friend of the band who had a ventriloquism act. The name was then adopted by the band, who had been searching for a suitable name. A common misconception is that the name of the band is a reference to themselves and an allusion to future success. In an interview, John Flansburgh said that the words "they might be giants" are just a very outward-looking forward thing which they liked. He clarified this in the documentary movie Gigantic (A Tale of Two Johns) by explaining that the name refers to the outside world of possibilities that they saw as a fledgling band. In an earlier radio interview, John Linnell described the phrase as "something very paranoid sounding". The duo began performing their own music in and around New York City - Flansburgh on guitar, Linnell on accordion and saxophone and accompanied by a drum machine or prerecorded backing track on audio cassette. Their atypical instrumentation, along with their songs which featured unusual subject matter and clever wordplay, soon attracted a strong local following. Their performances also featured absurdly comical stage props such as oversized fezzes and large cardboard cutout heads of newspaper editor William Allen White. Many of these props would later turn up in their first music videos. From 1984-87, They Might Be Giants were the house-band at Darinka, a Lower East Side performance club. One weekend a month they played on the stage there and by the end of their three-year stint sold out every performance. On March 30, 1985, TMBG released their 7" flexi-disc, dubbed "Wiggle Diskette" at Darinka. The disc included demos of the songs "Everything Right Is Wrong" and "You'll Miss Me". CANNOTANSWER
Question: What are some other songs they released in their early years?

Answer: