He was born on December 13, 1902 in Colorado Springs. He was the son of Edward Smith Parsons (1863-1943) and Mary Augusta Ingersoll (1863-1949). His father had attended Yale Divinity School, was ordained as a Congregationalist minister, and served first as a minister for a pioneer community in Greeley, Colorado. At the time of Parsons' birth, his father was a professor in English and vice-president at Colorado College.

As an undergraduate, Parsons studied biology, sociology and philosophy at Amherst College and received his B.A. in 1924. Amherst College had become the Parsons' family college by tradition; his father and his uncle Frank had attended it, as had his elder brother, Charles Edward. Initially, Parsons was attracted to a career in medicine, as he was inspired by his elder brother so he studied a great deal of biology and spent a summer working at the Oceanographic Institution at Woods Hole, Massachusetts. Parsons' biology professors at Amherst were Otto C. Glaser and Henry Plough. Gently mocked as "Little Talcott, the gilded cherub," Parsons became one of the student leaders at Amherst. Parsons also took courses with Walton Hamilton and the philosopher Clarence Edwin Ayres, both known as "institutional economists." They exposed him to literature by authors such as Thorstein Veblen, John Dewey, and William Graham Sumner. Parsons also took a course with George Brown in the philosophy of Immanuel Kant and a course in modern German philosophy with Otto Manthey-Zorn, who was a great interpreter of Kant. Parsons showed from early on, a great interest in the topic of philosophy, which most likely was an echo of his father's great interest in theology in which tradition he had been profoundly socialized, a position unlike with his professors'. Two term papers that Parsons wrote as a student for Clarence E. Ayres's class in Philosophy III at Amherst have survived. They are referred to as the Amherst Papers and have been of strong interest to Parsons scholars. The first was written on December 19, 1922, "The Theory of Human Behavior in its Individual and Social Aspects." The second was written on March 27, 1923, "A Behavioristic Conception of the Nature of Morals." The papers reveal Parsons' early interest in social evolution. The Amherst Papers also reveal that Parsons did not agree with his professors since he wrote in his Amherst papers that technological development and moral progress are two structurally-independent empirical processes. CANNOTANSWER

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She was born in Duncan, Oklahoma, the daughter of an oilfield wildcatter, Welcher F. Jordan, and his wife, Leona (nee Kile). She attended Emerson Elementary School there and was known to her classmates as "Duane Jordan." She had a younger sibling, Jerry. At 12, her father moved the family to Mt. Vernon, Illinois, where she graduated from Mt. Vernon Township High School.

Kirkpatrick said, "What takes place in the Security Council more closely resembles a mugging than either a political debate or an effort at problem-solving." Still, she finished her term with a certain respect for the normative power of the United Nations as the "institution whose majorities claim the right to decide--for the world--what is legitimate and what is illegitimate." She noted that the United States had increasingly ignored that significance and became increasingly isolated. That was problematic, because "relative isolation in a body like the United Nations is a sign of impotence," especially given its ability to shape international attitudes. She was ambassador to the UN during the September 1, 1983 Soviet shooting down of Korean Air Lines Flight 007, near Moneron Island. It had carried 269 passengers and crew including a sitting congressman, Larry McDonald (D-GA). She played before the Security Council the audio of the electronic intercept of the interceptor pilot during the attack, and the Soviet Union could no longer deny its responsibility for the shootdown. Kirkpatrick was a Board Member of the American Foundation for Resistance International and the National Council to Support the Democracy Movements, intended to help bring down Soviet and East European Communism. Along with Vladimir Bukovsky, Martin Colman and Richard Perle, she worked to organize democratic revolutions against communism. According to Jay Nordlinger, on a visit with American dignitaries, Soviet human rights activist Andrei Sakharov said, "Kirkpatski, Kirkpatski, which of you is Kirkpatski?" When others pointed to Kirkpatrick, he said, "Your name is known in every cell in the Gulag" because she had named Soviet political prisoners on the floor of the UN. Kirkpatrick said she would serve only one term at the UN and stepped down in April 1985. CANNOTANSWER

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Background: James "Jimmy" William Buffett (born December 25, 1946) is an American musician, songwriter, author, actor, and businessman. He is best known for his music, which often portrays an "island escapism" lifestyle. Together with his Coral Reefer Band, Buffett has recorded hit songs including "Margaritaville" (ranked 234th on the Recording Industry Association of America's list of "Songs of the Century") and "Come Monday". He has a devoted base of fans known as "Parrotheads".
Context: The earliest controversy with Buffett was his recording of "God's Own Drunk" on the album Living and Dying in 3/4 Time. In 1983, the son of the late entertainer Lord Buckley sued Buffett for $11 million for copyright infringement, claiming that Buffett took parts of the monologue from Buckley's A Tribute to Buckley and claimed it as his own work in "God's Own Drunk". The suit also alleged that Buffett's "blasphemous" rendition presented to the public a distorted impression of Lord Buckley. A court injunction against Buffett prevented him from performing the song until the lawsuit was settled or resolved, so starting in 1983, Buffett would get to the part of his show where he would normally perform "God's Own Drunk", he would say that he was not allowed to play it because of the lawsuit and instead played a song he wrote called "The Lawyer and the Asshole" in which he accuses Buckley's son and lawyers as being greedy and tells them to "kiss his ass." In January 1996, Buffett's Grumman HU-16 airplane named Hemisphere Dancer was shot at by Jamaican police, who believed the craft to be smuggling marijuana. The aircraft sustained minimal damage. The plane had previously been carrying Buffett, as well as U2's Bono, and Island Records producer Chris Blackwell, and co-pilot Bill Dindy, but they were not on board at the time. The Jamaican government acknowledged the mistake and apologized to Buffett, who penned the song "Jamaica Mistaica" for his Banana Wind album based on the experience. The plane from the incident is now at Orlando City Walk's Margaritaville. On February 4, 2001, he was ejected from the American Airlines Arena in Miami during a basketball game between the Miami Heat and the New York Knicks for cursing. After the game, referee Joe Forte said that he ordered him moved during the fourth quarter because "there was a little boy sitting next to him and a lady sitting by him. He used some words he knows he shouldn't have used." Forte apparently did not know who Buffett was, and censured Heat coach Pat Riley because he thought Riley--who was trying to explain to him who Buffett was--was insulting him by asking if he had ever been a "Parrothead", the nickname for Buffett fans. Buffett did not comment immediately after the incident, but discussed it on The Today Show three days later. On October 6, 2006, it was reported that Buffett had been detained by French custom officials in Saint Tropez for allegedly carrying over 100 pills of ecstasy. Buffett's luggage was searched after his Dassault Falcon 900 private jet landed at Toulon-Hyeres International Airport. He paid a fine of $300 and was released. A spokesperson for Buffett stated the pills in question were prescription drugs, but declined to name the drug or the health problem for which he was being treated. Buffett released a statement that the "ecstasy" was in fact a B-vitamin supplement known as Foltx. CANNOTANSWER
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Background: Gentle Giant were an English progressive rock band active between 1970 and 1980. The band were known for the complexity and sophistication of its music and for the varied musical skills of its members. All of the band members, except Malcolm Mortimore, were multi-instrumentalists. Although not commercially successful, they did achieve a cult following.
Context: Gentle Giant was formed in 1970 when the Shulman brothers teamed up with two other multi-instrumentalists, Gary Green (guitar, mandolin, recorder etc.) and Kerry Minnear (keyboards, vibraphone, cello etc.), plus drummer Martin Smith, who had previously drummed for Simon Dupree and the Big Sound. The classically trained Minnear had recently graduated from the Royal College of Music with a degree in composition, and had played with the band Rust. Green was essentially a blues player and had never worked with a band above the semi-professional level, but adapted readily to the demanding music of the new band. The Shulman brothers, meanwhile, settled into typically multi-instrumental roles of their own: Derek on saxophone and recorder; Ray on bass and violin; Phil on saxophone, trumpet, and clarinet. The new band also featured three lead vocalists. Derek Shulman sang in a tough rhythm-and-blues style and generally handled the more rock-oriented vocals; Phil Shulman handled the more folk-or-jazz-influenced songs; and Kerry Minnear (who had a particularly delicate voice) sang the lighter folk and chamber-classical lead vocals. Minnear did not sing lead vocals at live concerts, because of his inability to support and project his voice at a level suitable for live amplification (Derek and Phil Shulman handled Minnear's lead vocal parts when the band played live). It has been reported that Elton John unsuccessfully auditioned for lead vocalist with the newly formed group. According to a booklet that was included in their first album, the band's name was a reference to a fictional character, a "gentle giant" that happens upon a band of musicians and is enthralled with their music. The character is reminiscent of those from the Renaissance tales of Francois Rabelais. From the start, Gentle Giant was a particularly flexible band because of the exceptionally broad musical skills of its members. One Gentle Giant album would list a total of forty-six instruments in the musician credits -- all of which had been played by group members -- and five of the six members sang, enabling the band to write and perform detailed vocal harmony and counterpoint. The band's approach to songwriting was equally diverse, blending a wide variety of ideas and influences whether they were considered commercial or otherwise. CANNOTANSWER
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Paul Weston (born Paul Wetstein, March 12, 1912 - September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", "Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses. Born Paul Wetstein in Springfield, Massachusetts, Weston had a keen interest in music from an early age and learned to play the piano.

Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER

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Charles Edward Greene (born September 24, 1946), better known as "Mean" Joe Greene, is a former American football defensive tackle who played for the Pittsburgh Steelers of the National Football League (NFL) from 1969 to 1981. A recipient of two NFL Defensive Player of the Year awards, six first-team All-Pro selections, and ten Pro Bowl appearances, Greene is widely considered one of the greatest defensive linemen to play in the NFL. He was noted for his leadership, fierce competitiveness, and intimidating style of play for which he earned his nickname. Born and raised in Temple, Texas, Greene attended North Texas State University (now University of North Texas), where he earned consensus All-America honors as a senior playing for the North Texas State Mean Green football team.

Charles Edward Greene was born September 24, 1946, in Temple, Texas. He played high school football at Dunbar High School in Temple. Despite Greene's talents, the Dunbar Panthers had a mediocre record, and he was not heavily recruited by colleges. His options were limited further due to segregation of the Southwest Conference. He was eventually offered a scholarship to play college football at North Texas State University (now University of North Texas), where he played on the varsity team from 1966 to 1968. He led the team to a 23-5-1 record during his three seasons. In his 29 games at defensive tackle, North Texas State held the opposition to 2,507 yards gained on 1,276 rushes, a per-carry average of less than two yards. Greene was a three-time All-Missouri Valley Conference selection. In his junior season Greene married Agnes Craft, also a student at North Texas State and the daughter of a Dallas businessman. Tight on money, they were wed at Craft's sister's house in Dallas. Chuck Beatty, Greene's teammate at North Texas and later again in the NFL with the Steelers, served as best man. As a senior, Greene was a consensus pick as a defensive tackle for the 1968 All-America team, earning first-team honors from United Press International (UPI), the Newspaper Enterprise Association, and The Sporting News, among others. His college coach, Rod Rust, said of Greene: "There are two factors behind Joe's success. First, he has the ability to make the big defensive play and turn the tempo of a game around. Second, he has the speed to be an excellent pursuit player." A pro scout said, "He's tough and mean and comes to hit people. He has good killer instincts. He's mobile and hostile." CANNOTANSWER

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Ebtekar was the first woman to serve as Vice-President of Iran when the reformists came to power. Along with Zahra Shojaei, she participated in the first cabinet since the Islamic Revolution to include women. She has been described as a leftist in Mohammad Khatami's alliance. Ebtekar headed the Department of Environment for eight years, introducing major structural, organizational and directional changes enabling a re-engineering of the government body. During her tenure environmental awareness and support for civil society activism in this area was enhanced. Ebtekar's appointment led to the revelation of her past, and in the US questions were raised about whether President Khatami was aware of "how deeply" the hostage-taking and holding, and anger towards its foremost public defender, "affected both the American government and the American people." Many academics and literary critiques have written and expressed their views on her published memoirs. Following this, "some ambassadors" in Tehran reportedly stated they would no "longer meet with her" and would "discourage official contract with her office." In her memoirs published as the "Grapes of Shahrivar", Ebtekar repeatedly refers to her cordial and official contacts with not only Western Ambassadors, but also many European Ministers and Presidents as well.( chapters 8-16-23-26-30-32-33) On International Women's Day in 1998, as vice-president of environmental affairs, she made a speech condemning the oppression of women by the Taliban Movement in Afghanistan. Her performance caused comment by members of the Western news media in attendance as she herself was wearing a chador, a reminder of compulsory hijab in Iran which many in the West view as a violation of women's rights. In May 1999, the WorldNetDaily claimed that she and President Mohammad Khatami had been in the guest list of the 1999 Bilderberg conference held in Sintra, Portugal on June 3-6. This allegation was repeatedly denied by Ebtekar citing the fact that President Khatami had taken part in memorial ceremonies for Imam Khomeini on those days(3-6 of June) and on World Environment Day June 6 he had inaugurated the Provincial Center for Environment Research in Tehran. In March 2002, Ebtekar was a keynote speaker at the Meeting of Women Leaders on the Environment in Helsinki, sponsored by the Finnish Ministry of the Environment. In September 2002, Ebtekar participated in the World Summit on Sustainable Development, held in Johannesburg, South Africa. In May 2005, she chaired the International Conference on Environment, Peace, and the Dialogue Among Civilizations and Cultures, held in Tehran. This event was organized by Ebtekar's Department of the Environment and also by the United Nations Environment Programme. CANNOTANSWER

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Tablo was born in Seoul, South Korea on July 22, 1980. After he was born, his parents moved with him to Jakarta, Indonesia, due to his father's work. He then spent around 3 years living in Jakarta before his family relocated again several times to Switzerland and Hong Kong for his father's career until Tablo was six, when they returned to South Korea briefly. His family moved again to Canada when he was eight. Tablo attended St. George's School in Vancouver, British Columbia. He then transferred to Seoul International School. As a coterminal student at Stanford University, Tablo simultaneously attained a Bachelor's Degree in English literature and a Master's Degree in creative writing in three years. Tablo has an older sister and an older brother, who graduated from Cornell University and Columbia University respectively. Tablo started playing piano at the age of six but later switched to violin, which he played for 10 years. His music teacher, who had been a pupil of Isaac Stern, used to lecture him saying: "Music is communism, but you're playing democracy". Tablo wrote the lyrics to legendary singer Kim Gun-mo's song "Rainy Christmas" when he was sixteen years old, as Kim took an interest in Tablo after reading a poem of his. During his early life, Tablo suffered from bouts of depression. Whenever he faced hardship, hip hop music served as an outlet. However, Tablo's father disapproved of his career choice, so as a teenager, he frequently ran away from home. Ostensibly, Tablo asked a friend to live out his dream, but when that friend died of cancer, it became an impetus for him to re-enter the music industry. Tablo later admitted his family forced him to enroll in Stanford, and even after the release of his second album, was still persuading him to return to the United States to attend Law School. While he was at Stanford, Tablo associated with an underground hip hop group, 4n Objectz. CANNOTANSWER

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Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.

Key in Unger's thinking is the need to re-imagine social institutions before attempting to revise them. This calls for a program, or programmatic thought. In building this program, however, we must not entertain complete revolutionary overhaul, lest we be plagued by three false assumptions: Typological Fallacy: the fallacy that there is closed list of institutional alternatives in history, such as "feudalism" or "capitalism". There is not a natural form of society, only the specific result of the piecemeal institutional changes, political movements, and cultural reforms (as well as the accidents and coincidences of history) that came before it. Indivisibility Fallacy: most subscribers to revolutionary Leftism wrongly believe that institutional structures must stand and fall together. However, structures can be reformed piecemeal. Determinism Fallacy: the fallacy that uncontrollable and little understood law-like forces drive the historical succession of institutional systems. However, there is no natural flow of history. We make ourselves and our world, and can do so in any way we choose. To think about social transformation programmatically, one must first mark the direction one wants society to move in, and then identify the first steps with which we can move in that direction. In this way we can formulate proposals at points along the trajectory, be they relatively close to how things are now or relatively far away. This provides a third way between revolution and reform. It is revolutionary reform, where one has a revolutionary vision, but acts on that vision in a sequence of piecemeal reforms. As Unger puts it, transformative politics is "not about blueprints; it is about pathways. It is not architecture; it is music". CANNOTANSWER


Sir Noel Peirce Coward (16 December 1899 - 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise". Born in Teddington, south-west London, Coward attended a dance academy in London as a child, making his professional stage debut at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards.

By the end of the 1960s, Coward suffered from arteriosclerosis and, during the run of Suite in Three Keys, he struggled with bouts of memory loss. This also affected his work in The Italian Job, and he retired from acting immediately afterwards. Coward was knighted in 1969 and was elected a fellow of the Royal Society of Literature. He received a Tony Award for lifetime achievement. In 1972, he was awarded an honorary Doctor of Letters degree by the University of Sussex. Coward died at his home, Firefly Estate, in Jamaica on 26 March 1973 of heart failure and was buried three days later on the brow of Firefly Hill, overlooking the north coast of the island. A memorial service was held in St Martin-in-the-Fields in London on 29 May 1973, for which the Poet Laureate, John Betjeman, wrote and delivered a poem in Coward's honour,  John Gielgud and Laurence Olivier read verse and Yehudi Menuhin played Bach. On 28 March 1984 a memorial stone was unveiled by the Queen Mother in Poets' Corner, Westminster Abbey. Thanked by Coward's partner, Graham Payn, for attending, the Queen Mother replied, "I came because he was my friend." The Noel Coward Theatre in St. Martin's Lane, originally opened in 1903 as the New Theatre and later called the Albery, was renamed in his honour after extensive refurbishment, re-opening on 1 June 2006. A statue of Coward by Angela Conner was unveiled by the Queen Mother in the foyer of the Theatre Royal, Drury Lane in 1998. There are also sculptures of Coward displayed in New York and Jamaica, and a bust of him in the library in Teddington, near where he was born. In 2008 an exhibition devoted to Coward was mounted at the National Theatre in London. The exhibition was later hosted by the Museum of Performance & Design in San Francisco and the Academy of Motion Picture Arts and Sciences in Beverly Hills, California. CANNOTANSWER

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Dominick Argento (born October 27, 1927) is an American composer known for his lyric operatic and choral music. Among his best known pieces are the operas Postcard from Morocco, Miss Havisham's Fire, The Masque of Angels, and The Aspern Papers. He also is known for the song cycles Six Elizabethan Songs and From the Diary of Virginia Woolf; the latter earned him the Pulitzer Prize for Music in 1975. In a predominantly tonal context, his music freely combines tonality, atonality and a lyrical use of twelve-tone writing, though none of Argento's music approaches the experimental avant garde fashions of the post-World War II era.

Argento, the son of Sicilian immigrants, grew up in York, Pennsylvania. He found his music classes in elementary school to be "fifty minute sessions of excruciating boredom" but would develop as an acclaimed composer. Upon graduating from high school, he was drafted into the Army and spent some time as a cryptographer. Following the war and using funding from the G.I. Bill, he began studying piano performance at the Peabody Conservatory in Baltimore. He quickly decided to switch to composition. He earned bachelor's (1951) and master's (1953) degrees from Peabody, where his teachers included Nicolas Nabokov, Henry Cowell, and Hugo Weisgall. While there, he was briefly the music director of Weisgall's Hilltop Musical Company, which the composer founded as a sort of answer to Benjamin Britten's festival at Aldeburgh--a venue for local composers (particularly Weisgall) to present new work. This experience gave Argento broad exposure to and experience in the world of new opera. Hilltop's stage director was writer John Olon-Scrymgeour, with whom Argento would later collaborate on many operas. During this time period he also spent a year in Florence on a scholarship of the U.S.-Italy Fulbright Commission. He has called the experience "life-altering;" while there, he studied briefly with Luigi Dallapiccola. Argento continued graduate studies and received his Ph.D. from the Eastman School of Music, where he studied with composers Alan Hovhaness, Bernard Rogers and Howard Hanson. Following completion of this degree, he received a Guggenheim Fellowship to study/work for another year in Florence. He established a tradition of spending long periods of time in that city. CANNOTANSWERAnswer this question using a quote from the following article:

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During an interview for Pacific Northwest periodical "The Rocket" in 1996, he said that he drove a combine harvester. He came from a dysfunctional family that he tried to avoid, and was using drugs heavily by the age of 18, having already been arrested and sentenced to one year's imprisonment for drug-related crimes. He got out of jail by taking a year-long rehabilitation course. Around this time he met and befriended Van Conner with whom he would eventually form the Screaming Trees.

In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways. CANNOTANSWER

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Ross Carl "Rocky" Anderson (born September 9, 1951) is an American attorney and politician. He served two terms as the 33rd mayor of Salt Lake City, Utah from 2000-08. He is the Executive Director of High Road for Human Rights and a founding member of the Justice Party. Prior to serving as Mayor, he practiced law for 21 years in Salt Lake City, during which time he was listed in Best Lawyers in America, was rated A-V (highest rating) by Martindale-Hubbell, served as Chair of the Utah State Bar Litigation Section and was Editor-in-Chief of, and a contributor to, Voir Dire legal journal.

Anderson was a member of the Mayors Against Illegal Guns Coalition, a bi-partisan group with the stated goal of "making the public safer by getting illegal guns off the streets". The Coalition was co-chaired by Boston Mayor Thomas Menino and New York City Mayor Michael Bloomberg. Anderson restructured Salt Lake City's criminal justice system and, after reviewing the peer-reviewed literature indicating that DARE is ineffective in reducing drug use, discontinued the DARE program in Salt Lake City schools. Instead, he supported the implementation of other programs -- ATLAS and ATHENA -- that have demonstrated some success. He called for an end to the failed "war on drugs" and for better drug prevention education, the implementation of harm reduction policies, and the availability of substance abuse treatment on demand. He successfully lobbied President Clinton to grant a commutation of a lengthy prison sentence imposed on a Salt Lake City man who had already served several years in a federal penitentiary for his first and only conviction for violating drug laws. In 2000, Anderson asked the Salt Lake City Police Department to end its participation in the DARE program. He told DARE officials: "I think your organization has been an absolute fraud on the people of this country... For you to continue taking precious drug-prevention dollars when we have such a serious and, in some instances, growing addiction problem is unconscionable." Instead of pushing for more minor offenders to be sent to jail or prison, Anderson constructed innovative restorative justice programs, which earned him a nomination for a second World Leadership Award. He implemented reforms to ensure that mental health courts would channel mentally ill criminals into mandatory treatment programs rather than putting them behind bars. People arrested on drug charges, or for prostitution or the solicitation of prostitutes (as well as several other types of offenses), were sent through a comprehensive course of counselling rather than automatically being handed criminal convictions and custodial sentences. The results were better, and the costs far lower, than with the traditional retributive approach. CANNOTANSWER


Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

was brahms one of his competitors


Belinda Jo Carlisle was born in Hollywood, Los Angeles, California on August 17, 1958 to Harold Carlisle, a gas station employee, and his wife, Joanne (nee Thompson), a homemaker. Her mother met her father, who was twenty years her senior, at age eighteen, and Carlisle was born nine months later. She was named after her mother's favorite film, Johnny Belinda (1948). Carlisle was the first of seven siblings, with three brothers and three sisters.

Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger. She was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Thousand Oaks High School. However, her time in the band was short due to her contracting mononucleosis, and she never recorded or performed live with the Germs. According to Pat Smear, upon quitting, she introduced her friend, Donna Rhia, who became her replacement. Carlisle does appear on one recording introducing the band at a 1977 performance at the Whisky a Go Go, heard on the live album Germicide (1977). Around this time Carlisle did some back-up singing for Black Randy and the Metrosquad. Soon after leaving the Germs, she co-founded The Go-Go's (originally named the Misfits), with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. All five women were largely untrained musicians, and Carlisle recalls having to use tape as fret markers during their initial songwriting: "[Charlotte] had to show us how to plug in our amps," she said. The Go-Go's would go on to become one of the most successful American bands of the 1980s, helping usher new wave music into popular American radio, and becoming the first all-female band who wrote their own music and played their own instruments to ever achieve a No. 1 album, Beauty and the Beat, which featured the hits "We Got the Beat" and "Our Lips Are Sealed". The Go-Go's recorded two more studio albums on I.R.S. Records, including 1982's Vacation, which went gold. "Head over Heels", from their 1984 album Talk Show, made it to No. 11. In 1984, Carlisle made a foray into acting in the movie Swing Shift, starring alongside Goldie Hawn and Kurt Russell. In 2001, The Go-Go's reunited again and released an album of new material, God Bless The Go-Go's. Green Day's lead singer Billie Joe Armstrong co-wrote the only released single "Unforgiven". God Bless The Go-Go's received mixed reviews from critics. Peter Fawthrop of AllMusic wrote "Every bit as Go-Go's, that is, as their non-hits and less remarkable material. While The Go-Go's sound is intact, there is not a "We Got the Beat" or a "Head Over Heels" to be found. It is feasible that in this age of pop rebirth, The Go-Go's decided it was now or never ... The album doesn't attempt to update the band's sound with hip-hop moves or electronic frippery, for which God should bless 'em, indeed. The girls' hold on the current pop world remains so strong that Green Day's Billie Joe Armstrong co-writes a song ("Unforgiven") in impeccable Go-Go's drag". In spite of the mixed reviews, the album charted in the US Billboard 200, peaking at number No. 57. Around the time of The Go-Go's definitive reunion tour, Carlisle appeared nude for the cover feature and a full pictorial of the August 2001 edition of Playboy. In 2007, Carlisle released her seventh album, Voila, which was her first full-length solo studio album in more than ten years. The album was produced by John Reynolds and included Brian Eno on keyboards. Consisting of a mix of French pop tunes and chanson standards, including covers of Francoise Hardy and Edith Piaf classics, Voila was released via Rykodisc in the UK on February 5 and in the United States the following day, February 6, 2007. In early 2009, Carlisle was on the eighth season of Dancing with the Stars, paired with Jonathan Roberts. She was the first star to be eliminated from the competition, on March 17. In October 2009, Carlisle took over the role of Velma Von Tussle in London's West End production of Hairspray at the Shaftesbury Theatre. She remained with the show till late January 2010 and was replaced by Siobhan McCarthy. Between 2011 and 2012, Carlisle embarked on a United States tour with The Go-Go's, which included concerts at the Greek Theatre in Los Angeles in August 2011 and the Hollywood Bowl in September 2012. In March 2013, Carlisle released her first U.S. single in 17 years titled "Sun", an up-tempo pop song, which was included on "ICON", a new greatest hits compilation album. The single was also released in the United Kingdom. The song was written by Carlisle, Jane Wiedlin of The Go-Go's and singer-songwriter Gabe Lopez. Lopez also produced the song. While the track did not chart, it received positive reviews. In August 2013, Edsel Records released remastered, three-disc versions of Heaven on Earth, Runaway Horses, Live Your Life Be Free and Real. Each album comprised a remastered version of the original LP followed by the 7-inch or radio edits of each single from that album, a second disc of remixes and 12-inch versions of all the singles, and a DVD comprising the promotional videos for the singles. Some of singles and remixes had never previously been released on CD. In March 2014, a new Greatest Hits titled The Collection was released containing 18 hits and one new song, "Goodbye Just Go", along with a DVD of 18 videos. The album reached number 24 in the UK albums chart. Also in March 2014, another digitally remastered, five-disc retrospective collection titled Anthology was released. The anthology included "Dancing in the City", which had previously only been available on the Japanese LP/CD for the soundtrack to the 1987 movie Burglar, and "I Won't Say I'm in Love" which had previously only been released in 1997 as a CD single in France. It also included all three singles from her first album and all four singles from A Woman and a Man. Later in 2014, Carlisle's three other studio albums, Belinda, A Woman and a Man and Voila were re-issued by Edsel on CD, although there were a number of issues with their production. Carlisle confirmed in a radio interview in August 2015 that she has completed work on a new album, tentatively earmarked for release in January 2016. She commented that the music on the album will be partly inspired by Kundalini yoga, which she had taken up while pregnant in 1991/1992 and of which she had qualified as a teacher since becoming sober in 2005. Also in August 2015, Edsel released a box set of all the commercially released singles from Carlisle's studio albums, plus a bonus disc featuring a previously-unreleased recording of "In My Wildest Dreams", which had featured in the 1987 film Mannequin. In late 2016, the Go-Go's completed an international tour with Best Coast as a supporting act, which Carlisle stated would likely be their last tour together. Carlisle's eighth studio album, a selection of Gurmukhi chants titled Wilder Shores, was released in September 2017. CANNOTANSWER

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Cecil John Rhodes PC (5 July 1853 - 26 March 1902) was a British businessman, mining magnate and politician in southern Africa who served as Prime Minister of the Cape Colony from 1890 to 1896. An ardent believer in British imperialism, Rhodes and his British South Africa Company founded the southern African territory of Rhodesia (now Zimbabwe and Zambia), which the company named after him in 1895. South Africa's Rhodes University is also named after him. Rhodes set up the provisions of the Rhodes Scholarship, which is funded by his estate, and put much effort towards his vision of a Cape to Cairo Railway through British territory.

The BSAC had its own police force, the British South Africa Police, which was used to control Matabeleland and Mashonaland, in present-day Zimbabwe. The company had hoped to start a "new Rand" from the ancient gold mines of the Shona. Because the gold deposits were on a much smaller scale, many of the white settlers who accompanied the BSAC to Mashonaland became farmers rather than miners. When the Ndebele and the Shona--the two main, but rival, peoples--separately rebelled against the coming of the European settlers, the BSAC defeated them in the First Matabele War and Second Matabele War. Shortly after learning of the assassination of the Ndebele spiritual leader, Mlimo, by the American scout Frederick Russell Burnham, Rhodes walked unarmed into the Ndebele stronghold in Matobo Hills. He persuaded the Impi to lay down their arms, thus ending the Second Matabele War. By the end of 1894, the territories over which the BSAC had concessions or treaties, collectively called "Zambesia" after the Zambezi River flowing through the middle, comprised an area of 1,143,000 km2 between the Limpopo River and Lake Tanganyika. In May 1895, its name was officially changed to "Rhodesia", reflecting Rhodes' popularity among settlers who had been using the name informally since 1891. The designation Southern Rhodesia was officially adopted in 1898 for the part south of the Zambezi, which later became Zimbabwe; and the designations North-Western and North-Eastern Rhodesia were used from 1895 for the territory which later became Northern Rhodesia, then Zambia. Rhodes decreed in his will that he was to be buried in Matobo Hills. After his death in the Cape in 1902, his body was transported by train to Bulawayo. His burial was attended by Ndebele chiefs, who asked that the firing party should not discharge their rifles as this would disturb the spirits. Then, for the first time, they gave a white man the Matabele royal salute, Bayete. Rhodes is buried alongside Leander Starr Jameson and 34 British soldiers killed in the Shangani Patrol. Despite occasional efforts to return his body to the United Kingdom, his grave remains there still, "part and parcel of the history of Zimbabwe" and attracts thousands of visitors each year. CANNOTANSWER


Background: Christopher Eric Hitchens (13 April 1949 - 15 December 2011) was an Anglo-American author, columnist, essayist, orator, religious and literary critic, social critic, and journalist. Hitchens was the author, co-author, editor or co-editor of over 30 books, including five collections of essays on culture, politics and literature. A staple of public discourse, his confrontational style of debate made him both a lauded intellectual and a controversial public figure. He contributed to New Statesman, The Nation, The Weekly Standard, The Atlantic, London Review of Books, The Times Literary Supplement, Slate, Free Inquiry and Vanity Fair.
Context: Hitchens wrote book-length biographical essays about Thomas Jefferson (Thomas Jefferson: Author of America), Thomas Paine (Thomas Paine's "Rights of Man": A Biography) and George Orwell (Why Orwell Matters). He became known for his critiques of public contemporary figures including Mother Teresa, Bill Clinton and Henry Kissinger-- the subjects of three separate full length texts, The Missionary Position: Mother Teresa in Theory and Practice, No One Left to Lie To: The Triangulations of William Jefferson Clinton, and The Trial of Henry Kissinger. In 2007, while promoting his book God Is Not Great: How Religion Poisons Everything, Hitchens described the Christian evangelist Billy Graham as "a self-conscious fraud" and "a disgustingly evil man". Hitchens claimed that the evangelist, who had recently been hospitalized for intestinal bleeding, made a living by "going around spouting lies to young people. What a horrible career. I gather it's soon to be over. I certainly hope so." In response to the comments, writers Nancy Gibbs and Michael Duffy published an article in Time Magazine in which, among other things, they refuted Hitchens's suggestion that Graham went into ministry to make money. They argued that during his career Graham 'turn[ed] down million-dollar television and Hollywood offers'. They also pointed out that having established the Billy Graham Evangelistic Association in 1950, Graham drew a straight salary, comparable to that of a senior minister, irrespective of the money raised by his meetings. Other of Hitchens's critiques took the form of opinion pieces or lengthy lectures, including his critiques of Jerry Falwell, George Galloway, Slobodan Milosevic, Mel Gibson, the 14th Dalai Lama, Michael Moore, Daniel Pipes, Ronald Reagan, Jesse Helms, and Cindy Sheehan. CANNOTANSWER
Question: was there any bad critiques?

Answer:


Gottfried Wilhelm (von) Leibniz (; German: ['gotfRi:t 'vIlhelm fon 'laIbnIts] or ['laIpnIts]; French:

The Theodicy tries to justify the apparent imperfections of the world by claiming that it is optimal among all possible worlds. It must be the best possible and most balanced world, because it was created by an all powerful and all knowing God, who would not choose to create an imperfect world if a better world could be known to him or possible to exist. In effect, apparent flaws that can be identified in this world must exist in every possible world, because otherwise God would have chosen to create the world that excluded those flaws. Leibniz asserted that the truths of theology (religion) and philosophy cannot contradict each other, since reason and faith are both "gifts of God" so that their conflict would imply God contending against himself. The Theodicy is Leibniz's attempt to reconcile his personal philosophical system with his interpretation of the tenets of Christianity. This project was motivated in part by Leibniz's belief, shared by many conservative philosophers and theologians during the Enlightenment, in the rational and enlightened nature of the Christian religion as compared to its purportedly less advanced non-Western counterparts. It was also shaped by Leibniz's belief in the perfectibility of human nature (if humanity relied on correct philosophy and religion as a guide), and by his belief that metaphysical necessity must have a rational or logical foundation, even if this metaphysical causality seemed inexplicable in terms of physical necessity (the natural laws identified by science). Because reason and faith must be entirely reconciled, any tenet of faith which could not be defended by reason must be rejected. Leibniz then approached one of the central criticisms of Christian theism: if God is all good, all wise and all powerful, how did evil come into the world? The answer (according to Leibniz) is that, while God is indeed unlimited in wisdom and power, his human creations, as creations, are limited both in their wisdom and in their will (power to act). This predisposes humans to false beliefs, wrong decisions and ineffective actions in the exercise of their free will. God does not arbitrarily inflict pain and suffering on humans; rather he permits both moral evil (sin) and physical evil (pain and suffering) as the necessary consequences of metaphysical evil (imperfection), as a means by which humans can identify and correct their erroneous decisions, and as a contrast to true good. Further, although human actions flow from prior causes that ultimately arise in God, and therefore are known as a metaphysical certainty to God, an individual's free will is exercised within natural laws, where choices are merely contingently necessary, to be decided in the event by a "wonderful spontaneity" that provides individuals an escape from rigorous predestination. CANNOTANSWER

Was he spiritual or religious?


Born in Hoxton (an area in the East End of London), Bradlaugh was the son of a solicitor's clerk. He left school at the age of eleven and then worked as an office errand-boy and later as a clerk to a coal merchant. After a brief spell as a Sunday school teacher, he became disturbed by discrepancies between the Thirty-nine Articles of the Anglican Church and the Bible. When he expressed his concerns, the local vicar, John Graham Packer, accused him of atheism and suspended him from teaching.

Bradlaugh returned to London in 1853 and took a post as a solicitor's clerk. By this time he was a convinced freethinker and in his free time he became a pamphleteer and writer about "secularist" ideas, adopting the pseudonym "Iconoclast" to protect his employer's reputation. He gradually attained prominence in a number of liberal or radical political groups or societies, including the Reform League, Land Law Reformers, and Secularists. He was President of the London Secular Society from 1858. In 1860 he became editor of the secularist newspaper, the National Reformer, and in 1866 co-founded the National Secular Society, in which Annie Besant became his close associate. In 1868, the Reformer was prosecuted by the British Government for blasphemy and sedition. Bradlaugh was eventually acquitted on all charges, but fierce controversy continued both in the courts and in the press. A decade later (1876), Bradlaugh and Besant decided to republish the American Charles Knowlton's pamphlet advocating birth control, The Fruits of Philosophy, or the Private Companion of Young Married People, whose previous British publisher had already been successfully prosecuted for obscenity. The two activists were both tried in 1877, and Charles Darwin refused to give evidence in their defence, pleading ill-health, but at the time writing to Bradlaugh that his testimony would have been of little use to them because he opposed birth control. They were sentenced to heavy fines and six months' imprisonment, but their conviction was overturned by the Court of Appeal on the basis that the prosecution had not set out the precise words which were alleged to be obscene in the indictment. The Malthusian League was founded as a result of the trial to promote birth control. He was a member of a Masonic lodge in Bolton, although he was later to resign due to the nomination of the Prince of Wales as Grand Master. On 6 March 1881 he spoke at the opening of Leicester Secular Society's new Secular Hall in Humberstone Gate, Leicester. The other speakers were George Jacob Holyoake, Annie Besant and Harriet Law. CANNOTANSWER

Answer the following question by taking a quote from the article: Why did he become an activist?


Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.

MacGruber was shot on a tight schedule of 28 days in Albuquerque, New Mexico, during the summer of 2009. It was written while simultaneously producing the weekly episode of SNL, and the show's production process left the trio deprived of sleep. Forte was positive regarding the film, saying, "What you see with this movie is exactly what we wanted to do. It's the three of us having a bunch of fun writing it, then having fun making it with a bunch of our friends--old friends and new friends. I think that fun comes across when you watch it. It's rare that you get that kind of creative freedom." The film was released in May 2010 and received mixed reviews. It fared worse at the box office, where it failed to recoup its budget and was pulled from theaters after its third week. Forte found the failure tolerable, commenting, "When you make something that you're really proud of and it doesn't do well, you can live with it." The film has since seen more positive reception and has been dubbed a cult classic. Forte left Saturday Night Live, shortly before the beginning of the show's thirty-sixth season in 2010. He felt it the "right time to go," considering his eight-year tenure there, his expansion into film with MacGruber, and his age. In addition, his sister had just had kids and he wanted to move to the West Coast to be closer to them. He soon regretted the decision, calling the following year an "emotionally trying period," as he felt "devastated" that he would no longer be on the program. He assumed his shot at a film career was ruined, and he imagined that if acting did not work out, he would return to writing primarily. Following this, he entered what he has called a "lost period" and had small supporting roles, such as Rock of Ages, That's My Boy and The Watch, all of which were not successful. The only commercial successful film he worked on was Grown Ups 2, where he made a cameo as a male cheerleader. He also took a role as Paul L'Astname, the cross-dressing boyfriend of Jenna Maroney on the critically acclaimed sitcom 30 Rock. Forte took his first dramatic role for the 2013 film Run & Jump. Director Steph Green offered him the part, and Forte imagined it a "fun thing to try," though he noted that she had more confidence in him than he had himself. Later, he sent an audition tape to director Alexander Payne for a role in his next film, Nebraska. He equated his casting in the film to his fear of joining SNL a decade prior, noting that he was "terrified" to begin working on it. He felt hard initially, but followed co-star Bruce Dern's acting advice to "look for the truth" in each scene--in other words, "In every scene, you're just trying to play it as honestly and as real as you can." CANNOTANSWER

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The Carpenters were an American vocal and instrumental duo of Karen (1950-1983) and Richard Carpenter (b. 1946).  They produced a distinct soft musical style, combining Karen's contralto vocals with Richard's arranging and composition skills. During their 14-year career, the Carpenters recorded ten albums, along with numerous singles and several television specials. The siblings were born in New Haven, Connecticut, and moved to Downey, California, in 1963.

The Carpenter siblings were both born at Grace-New Haven Hospital (now called Yale-New Haven Hospital) in New Haven, Connecticut, to Harold Bertram (November 8, 1908 - October 15, 1988) and Agnes Reuwer (nee Tatum, March 5, 1915 - November 10, 1996). Harold was born in Wuzhou, China, moving to Britain in 1917, and the US in 1921, while Agnes was born and grew up in Baltimore, Maryland. They married on April 9, 1935; their first child, Richard Lynn, was born on October 15, 1946, while Karen Anne followed on March 2, 1950. Richard was a quiet child who spent most of his time at home listening to Rachmaninoff, Tchaikovsky, Red Nichols and Spike Jones, and playing the piano. Karen was friendly and outgoing; she liked to play sports, including softball with the neighborhood kids, but still spent a lot of time listening to music. She enjoyed dancing and began ballet and tap classes aged four. Karen and Richard were close, and shared a common interest in music. In particular, they became fans of Les Paul and Mary Ford, whose music featured multiple overdubbed voices and instruments. Richard began piano lessons aged eight, but quickly grew frustrated with the formal direction of the lessons and quit after a year. He had begun to teach himself how to play by ear by 11, and resumed studying with a different teacher. He took a greater interest in playing this time, and would frequently practice at home. By age 14, he was interested in performing professionally, and started lessons at Yale School of Music. In June 1963, the Carpenter family moved to the Los Angeles suburb of Downey. hoping that it would mean better musical opportunities for Richard. He was asked to be the organist for weddings and services at the local Methodist church; instead of playing traditional hymns, he would sometimes rearrange contemporary Beatles songs in a "church" style. In fall 1964, Richard enrolled at California State College at Long Beach where he met future songwriting partner John Bettis, Wesley Jacobs, a friend who played the bass and tuba for the Richard Carpenter Trio, and Frank Pooler, with whom Richard would collaborate to create the Christmas standard "Merry Christmas Darling" in 1966. That same fall, Karen enrolled at Downey High School, where she found she had a knack for playing the drums. She had initially tried playing the glockenspiel, but had been inspired by her friend Frankie Chavez, who had been drumming since he was three. She became enthusiastic about the drums, and began to learn complex pieces, such as Dave Brubeck's "Take Five". Chavez persuaded her parents to buy a Ludwig drum kit in late 1964, and she began lessons with local jazz players, including how to read concert music. She quickly replaced the entry-level kit with a large Ludwig set that was a similar set-up to Brubeck's drummer, Joe Morello. Richard and Karen gave their first public performance together in 1965, as part of the pit band for a local production of Guys and Dolls. Richard and Karen Carpenter signed to A&M Records on April 22, 1969. Since Karen was 19 and underage, her parents had to co-sign. The duo had decided to sign as "Carpenters", without the definite article, which was influenced by names such as Buffalo Springfield or Jefferson Airplane, which they considered "hip". When the Carpenters signed to A&M Records, they were given free rein in the studio to create an album in their own style. The label recommended that Jack Daugherty should produce it, though those present have since suggested that Richard was the de facto producer. Most of the album's material had already been written for and performed with Spectrum; "Your Wonderful Parade" and "All I Can Do" both came from demos recorded with Osborn. Richard rearranged the Beatles' "Ticket to Ride" in a melancholic ballad style. Osborn played bass on the album, and would continue to do so throughout the Carpenters' career. Karen also played bass on "All of My Life" and "Eve", after being taught the relevant parts by Osborn. The album, entitled Offering, was released on October 9, 1969, to a positive critical reception; one review in Billboard said "With radio programming support, Carpenters should have a big hit on their hands." "Ticket to Ride" was released as a single on November 5, and became a minor hit for the Carpenters, peaking at No. 54 on the Billboard Hot 100 and the Top 20 of the Adult Contemporary chart. The album only sold 18,000 copies on its initial run, at a loss for A&M, but after the Carpenters' subsequent breakthrough the album was repackaged and reissued internationally under the name Ticket to Ride and sold 250,000 copies. The Carpenters did not record a new album in 1974. They had been touring extensively and were exhausted; Richard later said, "there was simply no time to make one. Nor was I in the mood." Tensions had erupted in the family unit; Richard had started dating the group's hairdresser but neither Agnes or Karen took kindly to her and she ultimately ended the relationship and quit the band's services. Agnes had always considered Richard to be her favorite child, which did not sit well with Karen. The duo ultimately moved out of their parents' house, at first the siblings shared a home. In May, the Carpenters undertook their first tour of Japan, playing to 85,000 fans. They later likened the scenes when they first touched down at Tokyo Airport to Beatlemania. During this period, the pair released just one single, "I Won't Last a Day Without You" from A Song for You. The Carpenters finally decided to release their original two years after its original album release and some months after Maureen McGovern's 1973 cover. In March 1974, the single version became the fifth and final selection from the album to chart in the Top 20, reaching No. 11 on the Hot 100 in May. In place of a new album, their first greatest hits package was released, featuring new remixes of their singles, and newly recorded leads and bridges that allowed each side of the album to play through with no breaks. Richard later regretted this decision. This compilation was entitled The Singles: 1969-1973, and topped the charts in the US for one week, on January 5, 1974. It also topped the UK chart for 17 weeks (non-consecutive) and became one of the best-selling albums of the decade, ultimately selling more than seven million copies in the US alone. CANNOTANSWER


Simon Phillip Cowell was born on 7 October 1959 in Lambeth, London, and raised in Elstree, Hertfordshire. His mother, Julie Brett (nee Josie Dalglish; 1925-2015), was a ballet dancer and socialite, and his father, Eric Selig Phillip Cowell (1918-1999), was an estate agent, property developer, and music industry executive. Cowell's paternal grandmother was a Polish immigrant. His father was from a mostly Jewish family, though he did not discuss his background with his children, and his mother was from a Christian background.

In 2001, Cowell was given the role of judge on the first series of Pop Idol, a show that he and the show creator Simon Fuller successfully pitched to ITV Controller of Entertainment Claudia Rosencrantz. Cowell's S Records signed the top two finishers of the first season of Pop Idol, Will Young and Gareth Gates, both of whom went on to have No 1 UK hits, which were the top 2 best-selling singles of 2002, as well as that of top 2 of the decade of 2000s. He also became a judge on the first season of American Idol in 2002. With his notoriously critical reputation, Cowell has been likened to TV personalities such as Judith Sheindlin, and Anne Robinson of her show. Cowell's prominence grew, fed by his signature phrase, "I don't mean to be rude, but ...", inevitably followed by an unsparingly blunt appraisal of the contestant's talents, personality, or even physical appearance. A lot of these one-liners were the product of coaching that Cowell received from noted publicist Max Clifford (who was sacked by Cowell after being convicted of sex offences as of May 2014). Cowell also appeared on the one-off World Idol programme in 2003, where it became clear that each country's version of the Idol had attempted to come up with its own "Simon Cowell" type personality. In 2003, Cowell placed No 33 on Channel 4's list of the all-time 100 Worst Britons. Cowell formed a new company Syco, which is divided into three units - Syco Music, Syco TV and Syco Film. Cowell returned to music with his latest brainchild signed to Syco, the internationally successful operatic pop group Il Divo, consisting of three opera singers and one pop singer of four different nationalities. Inspired by the success of Il Divo, Simon created a child version, Angelis, beating competition from similar groups emerging at Christmas 2006. On 11 January 2010, Cowell's exit from American Idol was made official. By the time Cowell left American Idol, the show was on its seventh consecutive season in its leadership among all primetime programmes in the United States, even lasting up to 2011 in the longest winning streak in the US overall viewership and demographics in the Nielsen ratings. The 2010 season was Cowell's last on the show. He was replaced by Steven Tyler. It was also announced that FOX had acquired the rights to The X Factor USA, an American version of Cowell's British show, The X Factor, which began in September 2011. Following the success of the Idol and X Factor franchises, Cowell, his company Syco, and its business partners developed a talent show format open to performers of any kind, not only singers, but also dancers, instrumentalists, magicians, comedians, novelty acts, and so on. The origins of the Got Talent format can be traced to the British show Opportunity Knocks. Cowell is the executive producer of America's Got Talent, which debuted in June 2006, along with Fremantle producers of the Idol series, but for some time he did not appear on the show due to the terms of his contract with Fox. The show was a huge success for NBC, drawing around 12 million viewers a week, and beating So You Think You Can Dance on Fox (produced by rival and Idol creator Simon Fuller). Britain's Got Talent debuted on ITV in June 2007. Cowell appeared as a judge alongside Amanda Holden and Piers Morgan. The show was a ratings success and second and third seasons followed in 2008 and 2009. The third series featured a publicity coup when Susan Boyle made a global media impact comparable to that of any previous talent show series winner with her regional audition performance . In 2015, Cowell launched La Banda, his first US show since his stint with X Factor USA. The show, designed to find male singers to form the "ultimate Latino Boy Band," launched on Univision in the US on 13 September 2015. Cowell was announced as the replacement for Howard Stern on America's Got Talent on 22 October 2015. CANNOTANSWERAnswer this question using a quote from the following article:

Was that the end of the show in 2009


Background: Josephine Elizabeth Butler (nee Grey; 13 April 1828 - 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage, the right of women to better education, the end of coverture in British law, the abolition of child prostitution, and an end to human trafficking of young women and children into European prostitution. Grey grew up in a well-to-do and politically connected progressive family which helped develop in her a strong social conscience and firmly held religious ideals. She married George Butler, an Anglican divine and schoolmaster, and the couple had four children, the last of whom, Eva, died falling from a banister.
Context: The fall of the Liberal government in 1874, and its replacement with Benjamin Disraeli's Conservative administration meant that the repeal campaign stalled; Butler called it a "year of discouragement" when there was "deep depression in the work". Although the LNA kept up the pressure, progress in persuading Liberal MPs to oppose the Contagious Diseases Acts was slow, and the government was implacable in its support of the measures. At a meeting of regional LNA branches in May, one speech focused on legislation in Europe; the meeting resolved to correspond with sister organisations on the continent. At the start of December 1874 Butler left for Paris and a tour that covered France, Italy and Switzerland, where she met with local pressure groups and civic authorities. She encountered strong support from feminist groups, but hostility from the authorities. She returned from her travels at the end of February 1875. As a result of her experiences, in March 1875 Butler formed the British and Continental Federation for the Abolition of Prostitution (later renamed the International Abolitionist Federation), an organisation that campaigned against state regulation of prostitution and for "the abolition of female slavery and the elevation of public morality among men". The Liberal MP James Stansfeld--who wished to repeal the Acts--became the federation's first general secretary; Butler and her friend, the Liberal MP Henry Wilson, became joint secretaries. In 1878 Josephine wrote a biography of Catherine of Siena, which Glen Petrie--her biographer--thought was probably her best work; Walkowitz considers the work provided a "historical justification for her own political activism". Another biographer, Helen Mathers, believes that "in emphasising that she and Catherine were born to be leaders, of both men and women, ... [Butler] made a profound contribution to feminism". Butler became aware of the slave trade of young women and children from England to mainland Europe in 1879. Young girls were considered "fair game", according to Mathers, as the law allowed them to become prostitutes at the age of 13. After playing a minor role in starting an investigation into an accusation of trafficking, Butler became active in the campaign in May 1880, and wrote to The Shield that "the official houses of prostitution in Brussels are crowded with English minor girls", and that in one house "there are immured little children, English girls of from twelve to fifteen years of age ... stolen, kidnapped, betrayed, got from English country villages by every artifice and sold to these human shambles". She visited Brussels where she met the mayor and local councillors and made allegations against the head of the Belgian Police des Moeurs and his deputy as to their involvement in the trade. After the meeting she was contacted by a detective who confirmed that the senior members of the Police des Moeurs were guilty of collusion with brothel keepers. She returned home and filed a deposition containing a copy of the statement from the detective and sent them to the Procureur du Roi (Chief Prosecutor) and the British Home Secretary. Following an investigation in Belgium, the head of the Police des Moeurs was removed from office, and his deputy was put on trial alongside 12 brothel owners; all were imprisoned for their roles in the trade. CANNOTANSWER
Question: What was the white slave trade?. Whats the answer?


Kelly's first documented brush with the law was on 15 October 1869 at the age of 14 when he was charged with the assault and robbery of Ah Fook, a pig and fowl trader of Chinese descent from Bright. According to Fook, as he was passing Kelly's house, Kelly approached him with a long bamboo stick, announcing that he was a bushranger and would kill him if he did not hand over his money. Kelly then allegedly took him into the bush, beat him with the stick and stole 10 shillings. According to Kelly, his sister Annie and two witnesses, Bill Skilling and Bill Grey, Annie was sitting outside the house sewing when Fook walked up and asked for a drink of water. Given creek water, he abused Annie for not giving him rain water, and Kelly came outside and pushed him. Fook then hit Kelly three times with the bamboo stick, causing him to run away. The visitor then walked away, threatening to return and burn the house down, and Kelly did not return until sundown. Historians find neither account convincing and believe that Kelly's account is likely true up to being hit by Fook but then Kelly probably took the stick from him and beat him with it. Kelly was arrested the following day for highway robbery and locked up overnight in Benalla. He appeared in court the following morning, but Sergeant Whelan, despite using an interpreter to translate Fook's account, requested a remand to allow time to find another interpreter. Kelly was held for four days and appearing in court on 20 October, was again remanded after the police failed to produce an interpreter. The charge was dismissed on 26 October and he was released. Sergeant Whelan disliked Kelly. Three months earlier when he had prosecuted Yeaman Gunn for possession of stolen mutton, Kelly testified that he had sold several sheep to Gunn that same day. The magistrate found Gunn guilty and fined him PS10. Furious that Kelly was not convicted for the robbery, Whelan kept a careful watch on the Kelly family and, according to fellow officers, became "a perfect encyclopedia of knowledge about them" through his "diligence". Following his court appearance, the Benalla Ensign reported, "The cunning of himself [Kelly] and his mates got him off", the Beechworth Advertiser on the other hand reported that "the charge of robbery has been trumped up by the Chinaman to be revenged on Kelly, who had obviously assaulted him". Fook described 14-year-old Kelly as being aged around 20 years. The following year, a reporter wrote that Kelly "gives his age as 15 but is probably between 18 and 20". Kelly, 5 ft 8 in (1.73 m) in height, was still physically imposing. When arrested, a 224-pound (102 kg) trooper was purportedly unable to subdue the then-15-year-old until several labourers ran to assist him and even then Kelly had to be knocked unconscious. CANNOTANSWER

Answer this question "Are there any other interesting aspects about this article?" by extracting the answer from the text above.


After spending all but 14 games of the 1907 season in the minor leagues, he played in 102 games in 1908 and by 1909 was a full-time player. That season, he registered a .347 batting average and 67 steals. He would also be named the A's starting second baseman in 1909, a position he would play for the rest of his career, after seeing time at second, third, short, and the outfield the previous two seasons. In 1910, Collins stole a career-high 81 bases, the first American League player to steal 80+ bases in a season, and played on the first of his six World Series championship teams. Collins was renowned for his intelligence, confidence, batting prowess and speed. He is one of only five players to steal six bases in a game, and the only person to do so twice, with both occurrences happening within eleven days, on September 11 and September 22, 1912 respectively. He was part of the Athletics' "$100,000 infield" (and the highest-paid of the quartet) which propelled the team to four American League (AL) pennants and three World Series titles between 1910 and 1914. He earned the league's Chalmers Award (early Most Valuable Player recognition) in 1914. In 1914, the newly formed Federal League disrupted major league contract stability by luring away established stars from the AL and NL with inflated salaries. To retain Collins, Athletics manager Connie Mack offered his second baseman the longest guaranteed contract (five years) that had ever been offered to a player. Collins declined, and after the 1914 season Mack sold Collins to the White Sox for $50,000, the highest price ever paid for a player up to that point and the first of only three times that a reigning MVP was sold or traded (the others being Alex Rodriguez in 2003, and Giancarlo Stanton in 2017 both to the New York Yankees). The Sox paid Collins $15,000 for 1915, making him the third highest paid player in the league, behind Ty Cobb and Tris Speaker. CANNOTANSWER

Answer this question "What did he rejoin as?" by extracting the answer from the text above.


Irwin was born on his mother's birthday to Lyn and Bob Irwin in Essendon, a suburb of Melbourne, Victoria. He was of Irish descent on his father's side. He moved with his parents as a child to Queensland in 1970, where he attended Landsborough State School and Caloundra State High School. Irwin described his father as a wildlife expert interested in herpetology, while his mother Lyn was a wildlife rehabilitator.

A controversial incident occurred during a public show on 2 January 2004, when Irwin carried his one-month-old son, Bob, in his arm while hand-feeding a chicken carcass to Murray, a 3.8-metre (12 ft 6 in) saltwater crocodile. The infant was close to the crocodile, and comparisons were made in the press to Michael Jackson's dangling his son outside a German hotel window. In addition, some child welfare groups, animal rights groups, and some of Irwin's television viewers criticised his actions as irresponsible and tantamount to child abuse. Irwin apologised on the US NBC show Today. Both he and his wife publicly stated that Irwin was in complete control of the situation, as he had dealt with crocodiles since he was a small child, and based on his lifetime of experience neither he nor his son was in any danger. He also showed footage of the event shot from a different angle, demonstrating that they were much farther from the crocodile than they had appeared in the publicised clip. Terri Irwin said their child was in no more danger than one being taught to swim. No charges were filed; according to one journalist, Irwin told officials he would not repeat the action. The incident prompted the Queensland government to change its crocodile-handling laws, banning children and untrained adults from entering crocodile enclosures. In June 2004, allegations were made that he disturbed wildlife (namely whales, seals and penguins) while filming a documentary, Ice Breaker, in Antarctica. The matter was subsequently closed without charges being laid. After questions arose in 2003 about Irwin being paid $175,000 worth of taxpayers' money to appear in a television advertisement and his possible political ties, Irwin told the Australian Broadcasting Corporation (ABC) that he was a conservationist and did not choose sides in politics. His comments describing Australian Prime Minister John Howard as the "greatest leader in the world" earned him scorn in the media. Irwin was criticised for having an unsophisticated view of conservation in Australia that seemed more linked to tourism than to the problems Australia faces as a continent. In response to questions of Australia's problems with overgrazing, salinity, and erosion, Irwin responded, "Cows have been on our land for so long that Australia has evolved to handle those big animals." The Sydney Morning Herald concluded with the opinion that his message was confusing and amounted to "eating roos and crocs is bad for tourism, and therefore more cruel than eating other animals". CANNOTANSWERAnswer this question using a quote from the following article:

What kind of controversies was he involved with?


Which entity is this text about?

Gerald Joseph Mulligan (April 6, 1927 - January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading jazz baritone saxophonists - playing the instrument with a light and airy tone in the era of cool jazz - he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments.

While arranging for Kenton, Mulligan began performing on off-nights at The Haig, a small jazz club on Wilshire Boulevard at Kenmore Street. During the Monday night jam sessions, a young trumpeter named Chet Baker began sitting in with Mulligan. Mulligan and Baker began recording together, although they were unsatisfied with the results. Around that time, vibraphonist Red Norvo's trio began headlining at The Haig, thus leaving no need to keep the grand piano that had been brought in for Erroll Garner's stay at the club. Faced with a dilemma of what to do for a rhythm section, Mulligan decided to build on earlier experiments and perform as a pianoless quartet with Baker on trumpet, Bob Whitlock on bass and Chico Hamilton on drums (later Mulligan himself would occasionally double on piano). These early live dates were recorded by Dick Bock on a portable reel-to-reel tape deck. Bock along with Roy Harte would soon after, start the Pacific Jazz label and release Mulligan's records. Mulligan's first recording sessions in Los Angeles were produced by Bock for Pacific Jazz. These three informal sessions took place in June, July, and August 1952 at the Hollywood Hills cottage of recording engineer Phil Turetsky. At these sessions, Mulligan, Chet Baker, and others recorded the material that was released as Pacific Jazz PJ LP-1 and later on PJ-8. Baker's melodic style fit well with Mulligan's, leading them to create improvised contrapuntal textures free from the rigid confines of a piano-enforced chordal structure. While novel at the time in sound and style, this ethos of contrapuntal group improvisation hearkened back to the formative days of jazz. Despite their very different backgrounds - Mulligan, a classically trained New Yorker, and Baker, from Oklahoma and a much more instinctive player - they had an almost psychic rapport and Mulligan later remarked that, "I had never experienced anything like that before and not really since." Their dates at the Haig became sell-outs and the recordings they made in the fall of 1952 became major sellers that led to significant acclaim for Mulligan and Baker. The recordings included singles such as "Motel" (1953) labelled as 'The Gerry Mulligan Quartet Featuring Chet Baker'. This fortuitous collaboration came to an abrupt end with Mulligan's arrest on narcotics charges in mid-1953 leading to six months at Sheriff's Honor Farm. Both Mulligan and Baker had, like many of their peers, become heroin addicts. However, while Mulligan was in prison, Baker transformed his lyrical trumpet style, gentle tenor voice and matinee-idol looks into independent stardom. Thus when upon his release Mulligan attempted to rehire Baker, the trumpeter declined the offer for financial reasons. They did briefly reunite at the 1955 Newport Jazz Festival and would occasionally get together for performances and recordings up through a 1974 performance at Carnegie Hall. But in later years their relationship became strained as Mulligan, with considerable effort, would manage to kick his habit, while Baker's addiction bedevilled him professionally and personally almost constantly until his death in 1988. CANNOTANSWER


Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit "Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female lead vocal with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 70s, and that region remains their strongest fan base.

The band left Sovereign Records and joined Miles Copeland's new prog rock stable and label BTM (for British Talent Management). The label's first release was Turn of the Cards in 1974. With a larger budget, the album went from folk-flavoured to a more dark, lush, orchestral rock sound. One of the album's songs, "Things I Don't Understand", which clocked in at 9:30, was Jim McCarty's last co-writing credit with the group (although it was actually in the band's live repertoire for years). A lengthy tribute to Aleksandr Solzhenitsyn, called "Mother Russia", closed out the album, with lyrics inspired by his autobiographical novel, One Day in the Life of Ivan Denisovich. Turn of the Cards was first issued in the United States on Sire Records in August 1974, where it reached No. 94, some months before an official UK release. It remained in the Billboard 200 for 21 weeks. Although Renaissance's fan base was relatively small, its following was heavily concentrated in the large cities of the northeast US. The album was eventually released in the UK in March 1975. It was soon followed by Scheherazade and Other Stories, released on both sides of the Atlantic in September 1975. The album, whose second side was taken up with the epic tone-poem "Song of Scheherazade" based on stories from One Thousand and One Nights, peaked at No. 48 in the United States. There is "no musical connection to the well-known classical work Scheherazade by Nikolai Rimsky-Korsakov." A double live album, Live at Carnegie Hall, followed in 1976. Despite criticisms that much of the album was little more than a note for note reproduction of highlights from their previous four studio albums, the album reached No. 55 in the US. Renaissance were the first British band to sell out three consecutive nights at Carnegie Hall. They were joined on stage by the New York Philharmonic Orchestra. While introducing the song "Ashes Are Burning", Haslam refers to it as the title track from the group's second album, rather than their fourth, suggesting that the Haslam-led lineup by this point considered themselves a distinct band from Keith Relf's incarnation of the group. (This point is further underscored by the band's including an album discography in the gatefold of LP copies of Live at Carnegie Hall, which lists only the four albums from Prologue forward.) Live at Carnegie Hall's follow-up, Novella, saw more chart success in the US, peaking at No. 46 in 1977, although its UK release was delayed by yet another label change. Will Romano in Mountains come out of the sky describes the band: CANNOTANSWERAnswer this question using a quote from the following article:

Did they go on tour?


Jean-Charles Lapierre, PC (May 7, 1956 - March 29, 2016) was a Canadian politician and television and radio broadcaster. After retiring from the government in 2007, he served as a political analyst in a variety of venues. He was Paul Martin's Quebec lieutenant during the period of the Martin government. He was first elected to the House of Commons in 1978, serving from 1979 to 1993, and representing the riding of Shefford.

As Minister of Transport, Lapierre initiated the Pacific Gateway Strategy, signing air transport agreements with China and India and completed a formal Canada-US Open Skies Agreement. He also spearheaded a large federal investment in the Prince Rupert container terminal, saying that it improved ties to Asian markets, while enhancing economic development in northern British Columbia and Alberta. Lapierre reduced the amount paid by airports to the federal government by some $5 billion over the remaining life of the leases. He announced the implementation of a No Fly List to increase security for airline passengers. As Transport Minister, his predecessor Tony Valeri had dismissed VIA Rail chairman Jean Pelletier, who filed a lawsuit against the government charging it had failed to use due process. A federal court ruled in his favor in November 2005 after the change in administrations, ordering Pelletier to be reinstated. The government appealed the court ruling and kept the former chair off the payroll. Lapierre ensured that due process was followed in dismissing Pelletier a second time. But in March 2007, Justice Francois Lemieux ruled that the Martin government acted improperly in 2005 when it fired Pelletier a second time, immediately after a court had overturned his first dismissal, stating that Lapierre was biased and failed to follow proper procedures. On November 22, 2007, Judge Helene Langlois of Quebec Superior Court ruled that government of then-Prime Minister Paul Martin had acted in a "cavalier and precipitous" fashion when it fired Pelletier. The court awarded Pelletier $235,000 in lost income, and a further $100,000 in damages. Lapierre and his department were criticised for their handling of the collapse of the carrier Jetsgo. Critics said that he should have seen warning signs after unsuccessful attempts to lower the carrier's costs. They also said that he had failed to warn the public or intervene, making him indirectly responsible when thousands of travelers were stranded when the carrier stopped operations. Lapierre rejected calls to resign, and denied that he had any knowledge of the collapse. He pointed out that most of the passengers had booked flights with credit cards and would be eligible for refunds. CANNOTANSWERAnswer this question using a quote from the following article:

What did he do as the Minister of Transport ?


Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida.

Injuries plagued Capriati's 2004 season. A back injury suffered during the 2003 WTA Tour Championships forced Capriati to withdraw from the 2004 Australian Open and the Toray Pan Pacific Open in Tokyo. Capriati advanced beyond the quarterfinals just once in her first four events of the year in Doha, losing to Anastasia Myskina in the semifinals. Her back continued to be an issue, forcing her out of Indian Wells and Miami. Her ranking dropped to No. 10 as a result of her injuries. Capriati produced her best results of the year during the European clay-court season. She reached the semis of Berlin, defeating world No. 5 Myskina in the quarters for her first top 5 win of the season, before losing to Mauresmo in the semifinals. At the Italian Open, Capriati defeated top seed Serena Williams in the quarterfinals, her first win over the American since Wimbledon 2001. Capriati moved on to the final, where she lost to Mauresmo in a 3-hour struggle. Seeded 7th at the French Open, Capriati went on to the semifinals, before losing to sixth seeded and eventual champion Myskina in straight sets. At Wimbledon, Capriati reached the quarters for the fourth straight year, where she lost to Serena Williams in 45 minutes, the most lopsided result of their 17-match rivalry. A hamstring injury forced her to withdraw from Los Angeles and San Diego, but she reached the quarterfinals of both Montreal and New Haven. Seeded 8th at the US Open, Capriati defeated Williams in a controversial line call quarterfinal match to reach her fourth US Open semifinal. Capriati then lost to fifth seed Elena Dementieva in the last four in yet another, her third, tight US Open semifinal tiebreak, replicating the result in the tournament from the year before. Capriati had reached the semifinals of the US Open four times in her career (1991, 2001, 2003 and 2004), losing to a different opponent each time. Three of those times (1991, 2003 and 2004), she had lost in tough third-set tiebreaks, and two of those three opponents (Monica Seles in 1991, and Justine Henin in 2003) had then gone on to win the final and US Open championships easily in straight sets thereafter. Following the US Open, Capriati lost in the quarterfinals of Philadelphia to World No. 11 Vera Zvonareva, her worst loss since 1999 (where she won only one game against Graf in Miami). Capriati failed to qualify for the season-ending championships for the first time since 1999 and finished the year World No. 10. CANNOTANSWER

what happened following the US open?


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Springer was born in the London Underground station of Highgate while the station was in use as a shelter from German bombing during World War II, and grew up on Chandos Road, East Finchley. His parents, Margot (nee Kallmann; a bank clerk) and Richard Springer (owner of a shoe shop), were Jewish refugees who escaped from Landsberg an der Warthe, Germany (now Gorzow Wielkopolski, Poland). His maternal grandmother Marie Kallmann, who was left behind, died in the gas trucks of Chelmno extermination camp (German occupied Poland). His paternal grandmother, Selma Springer (nee Elkeles), died at the hospital in the Theresienstadt concentration camp (German occupied Czechoslovakia).

Springer's broadcast career started while he was an undergraduate at Tulane University, on WTUL New Orleans FM, a progressive format college radio station. It continued while he was still mayor of Cincinnati, with album-oriented rock radio station WEBN-FM, which was noted for its laid-back and irreverent radio format. The station featured commentaries by Springer under the banner "The Springer Memorandum." The popularity of these commentaries launched his broadcasting career. Springer was hired as a political reporter and commentator on Cincinnati's NBC affiliate, WLWT, which had, at the time, the lowest-rated news program. Later, having been named primary news anchor and Managing Editor, he needed a broadcast catchphrase in the model of other great newsmen. With the help of some others at WLWT, he created his signature line: "Take care of yourself, and each other." Within two years he was Cincinnati's number-one news anchor, along with partner Norma Rashid. For five years, he was the most popular one in the city, garnering ten local Emmy Awards for his nightly commentaries, which were frequently satirized by Cincinnati radio personality Gary Burbank. Those commentaries would eventually become his "Final Thought" on Springer. Springer would remain commentator at WLWT until January 1993. He resided in Loveland, Ohio, during this time. In 1997, the Chicago-based NBC-owned station WMAQ-TV hired Springer to serve as a news commentator. However, this proved to be unpopular among viewers, as it resulted in the resignation of long-time news anchors Ron Magers and Carol Marin. After performing only two commentaries, Springer resigned as commentator. CANNOTANSWER

What was his signature line?