Canned Heat is an American rock band formed in Los Angeles in 1965. The group has been noted for its interpretations of blues material and for its efforts to promote interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat" (from the original 1914 product name Sterno Canned Heat), After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup consisting of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

With Taylor and Mandel gone, Vestine returned on guitar, accompanied by bassist Antonio de la Barreda who had played with de la Parra for five years in Mexico City and was previously a member of the groups Jerome and Sam & the Goodtimers. This lineup went into the studio to record with John Lee Hooker the tracks that would yield the double album, Hooker 'n Heat. The band had originally met Hooker at the airport in Portland, Oregon, and discovered they were fans of each other's work. Hooker and Canned Heat became good friends and Hooker had stated that Wilson was "the greatest harmonica player ever". The planned format for the sessions called for Hooker to perform a few songs by himself, followed by some duets with Wilson playing piano or guitar. The rest of the album featured Hooker with some backing by the group (sans Bob Hite, who co-produced the album along with Skip Taylor). The album was finished after Wilson's passing and became the first album in Hooker's career to make the charts, topping out at #73 in February 1971. Hooker 'n Heat would unite again in 1978 and record a live album at the Fox Venice Theatre in Los Angeles, released in 1981 as, Hooker 'n Heat, Live at the Fox Venice Theatre, under Rhino Records. Also in 1989, Canned Heat (and many others) guested on John Lee Hooker's album The Healer. Shortly after the original Hooker 'n Heat sessions, Wilson, who had always suffered from depression, was said by some to have attempted suicide by driving his van off the road near Hite's home in Topanga Canyon. Unlike other members of the band, Wilson did not have much success with women and was deeply upset and frustrated by this. His depression also worsened over time. On September 3, 1970, just prior to leaving for a festival in Berlin, the band learned of Wilson's death by barbiturate overdose; his body was found on a hillside behind Hite's home. De la Parra and other members of the band believed that his death was a suicide. Wilson died at the age of 27, just weeks before Janis Joplin and Jimi Hendrix. CANNOTANSWER

how did he die


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Dame Edna Everage is a character created and performed by Australian comedian Barry Humphries, known for her lilac-coloured or "wisteria hue" hair and cat eye glasses or "face furniture", her favourite flower, the gladiolus ("gladdies") and her boisterous greeting: "Hello, Possums!" As Dame Edna, Humphries has written several books including an autobiography, My Gorgeous Life, appeared in several films and hosted several television shows (on which Humphries has also appeared as himself and other alter-egos). Humphries has regularly updated Edna, originally a drab Melbourne housewife satirising Australian suburbia; then he caused the Edna character to adopt an increasingly outlandish wardrobe after performances in London in the 1960s through which his Edna character grew in stature and popularity. Following film appearances and an elevation to damehood in the 1970s, the character evolved to "Housewife and Superstar", then "Megastar" and finally "Gigastar".

Barry Humphries was invited to join the fledgling Union Theatre Repertory Company early in 1955 and toured Victorian country towns performing Twelfth Night, directed by Ray Lawler. On tour, Humphries invented Edna gradually as part of the entertainment for the actors during commutes between country towns. Humphries gradually developed a falsetto impersonation of a Melbourne housewife, imitating the Country Women's Association representatives who welcomed the troupe in each town. At Lawler's suggestion, Mrs Everage (later named Edna after Humphries' nanny) made her first appearance in a Melbourne University's UTRC revue at the end of 1955, as the city prepared for the 1956 Olympic Games. The sketch involved a houseproud "average housewife" offering her Moonee Ponds home as an Olympic billet, spruiking her home as possessing "burgundy wall-to-wall carpets, lamington cakes and reindeers frosted on glass dining-room doors". At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal'") and had none of the characteristic flamboyant wardrobe of later years. His mother (whom the interviewer William Cook said "sounds like a frightful snob") was a major inspiration for Edna, although he denied it when she was alive to protect her feelings. Her first monologue in 1955 was about her "lovely home", reflecting young Barry's own site visits accompanying his builder father. Originally she was a "mousy" character and too quiet to please the raucous crowd at The Establishment club in London. According to one author, Edna came into her own during the 1980s when the policies of Thatcherism--and what he described as the "vindictive style of the times"--allowed Dame Edna to sharpen her observations accordingly. Lahr wrote that Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head, Edna became the voice of Humphries' outrage. CANNOTANSWER

Are there any other interesting aspects about this article?


She was born in Duncan, Oklahoma, the daughter of an oilfield wildcatter, Welcher F. Jordan, and his wife, Leona (nee Kile). She attended Emerson Elementary School there and was known to her classmates as "Duane Jordan." She had a younger sibling, Jerry. At 12, her father moved the family to Mt. Vernon, Illinois, where she graduated from Mt. Vernon Township High School.

Kirkpatrick said, "What takes place in the Security Council more closely resembles a mugging than either a political debate or an effort at problem-solving." Still, she finished her term with a certain respect for the normative power of the United Nations as the "institution whose majorities claim the right to decide--for the world--what is legitimate and what is illegitimate." She noted that the United States had increasingly ignored that significance and became increasingly isolated. That was problematic, because "relative isolation in a body like the United Nations is a sign of impotence," especially given its ability to shape international attitudes. She was ambassador to the UN during the September 1, 1983 Soviet shooting down of Korean Air Lines Flight 007, near Moneron Island. It had carried 269 passengers and crew including a sitting congressman, Larry McDonald (D-GA). She played before the Security Council the audio of the electronic intercept of the interceptor pilot during the attack, and the Soviet Union could no longer deny its responsibility for the shootdown. Kirkpatrick was a Board Member of the American Foundation for Resistance International and the National Council to Support the Democracy Movements, intended to help bring down Soviet and East European Communism. Along with Vladimir Bukovsky, Martin Colman and Richard Perle, she worked to organize democratic revolutions against communism. According to Jay Nordlinger, on a visit with American dignitaries, Soviet human rights activist Andrei Sakharov said, "Kirkpatski, Kirkpatski, which of you is Kirkpatski?" When others pointed to Kirkpatrick, he said, "Your name is known in every cell in the Gulag" because she had named Soviet political prisoners on the floor of the UN. Kirkpatrick said she would serve only one term at the UN and stepped down in April 1985. CANNOTANSWER

Using a quote from the above article, answer the following question: What else was important


The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.

In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings. Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards). The Monkees decided that they no longer needed Chip Douglas as a producer, and starting in November 1967, they largely produced their own sessions. Although credited to the whole band, the songs were mostly solo efforts. In a couple of cases, Boyce and Hart had returned from the first two albums to produce, but credit was given to the Monkees. It was also during this time that Michael Nesmith recorded his first solo album, The Wichita Train Whistle Sings, a big band jazz instrumental collection of interpretations of Nesmith's compositions, arranged by the jazz musician Shorty Rogers. Praised in The Los Angeles Times by the author of The Encyclopedia of Jazz, jazz critic Leonard Feather wrote "Verbally and musically, Mike Nesmith is one of the most articulate spokesmen for the new and literate breed of pop musicians who have spring from the loins of primitive rock. [The album] with its carriage trade of symphony, rock, country, western, and swing, and with jazz riding in the caboose, may well indicate where contemporary popular music will be situated in the early 1970s." Considered by some to be the Monkees' "White Album" period (for example, Sandoval mentions this in the liner notes of Rhino Handmade's 2010 Deluxe reissue of the album), each of the Monkees contributions reflected his own musical tastes, which resulted in an eclectic album. Micky sang the pop songs (e.g., "I'll Be Back Upon My Feet"), and performed a double-vocal with Mike on the Nesmith/Allison composed "Auntie's Municipal Court". Davy sang the ballads (e.g., "Daydream Believer" and "We Were Made for Each Other") and Nesmith contributed some experimental songs, like the progressive "Writing Wrongs", the unusual hit song "Tapioca Tundra", and the lo-fi 1920s sound of "Magnolia Simms". This last song is notable for added effects to make it sound like an old record (even including a "record skipping" simulation) made before the Beatles "Honey Pie", which used a similar effect. Propelled by the hit singles "Daydream Believer" and "Valleri", along with Nesmith's self-penned top 40 hit "Tapioca Tundra", The Birds, The Bees & The Monkees reached No. 3 on the Billboard charts shortly after it was released in April 1968. It was the first album released after NBC announced they were not renewing The Monkees for a third season. The album cover--a quaint collage of items looking like a display in a jumble shop or toy store--was chosen over the Monkees' objections. It was the last Monkees' album to be released in separate, dedicated mono and stereo mixes. During the 1986 reunion, it would return to the Billboard charts for 11 weeks. CANNOTANSWER

when was that album released?


Throbbing Gristle were an English music and visual arts group, officially formed on 3 September 1975 in Kingston upon Hull. With its members Genesis P-Orridge (born Neil Megson), Cosey Fanni Tutti (born Christine Newby), Peter "Sleazy" Christopherson and Chris Carter, they became widely regarded as the pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made its public debut in October 1976 on COUM Transmissions exhibition Prostitution, and, the following year, released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Further throughout its first stint, the band released several studio and live albums--including D.o.

Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The last known performance of COUM Transmissions--Prostitution, an exhibition which was held in October 1976 at the Institute of Contemporary Arts--was also the public debut of Throbbing Gristle. Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However, the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle made extensive use of pre-recorded tape-based samples and special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They appeared in the fanzine Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News. In 1977, they released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Although pressed in a limited initial run of 786 copies on the band's own Industrial Records label, it was later re-released on Mute Records due to high demand; however, this later release was reversed with all tracks playing backwards and in reverse order. This was followed by a series of albums, singles and live performances over a four-year period. On 29 May 1981, Throbbing Gristle performed at the Kezar Pavilion in San Francisco, California, United States. This concert marked the end of the group and its mission. As Cosey succinctly put it, "TG broke up because me and Gen broke up". In 1981 Michael Sheppard, concert promoter and founder of Transparency Record label brought Throbbing Gristle to Los Angeles. Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Cosey Fanni Tutti and Carter continued to record together under the names of Chris and Cosey, Carter Tutti and Creative Technology Institute. Christopherson had paricipated in Psyshic TV's first releases, and had later joined John Balance in the latter project Coil. Meanwhile, Gen (now known as Genesis Breyer P-Orridge) subsequently formed Thee Majesty and PTV3 with the help of their wife, Jacqueline "Jaye" Breyer. CANNOTANSWER

Answer the following question by taking a quote from the article: Was there any other exhibitions?


Background: Ashkenazi Jews, also known as Ashkenazic Jews or simply Ashkenazim (Hebrew: ash@k@'nazi'ym, Ashkenazi Hebrew pronunciation: [,aSk@'nazim], singular: [,aSk@'nazi], Modern Hebrew: [aSkena'zim, aSkena'zi]; also y@hv'dey ash@k@'naz Y'hudey Ashkenaz), are a Jewish diaspora population who coalesced as a distinct community in the Holy Roman Empire around the end of the first millennium. The traditional diaspora language of Ashkenazi Jews is Yiddish (a Germanic language which incorporates several dialects), with Hebrew used only as a sacred language until relatively recently. Throughout their time in Europe, Ashkenazim have made many important contributions to philosophy, scholarship, literature, art, music and science. Ashkenazim originate from the Jews who settled along the Rhine River, in Western Germany and in Northern France.
Context: Historical records show evidence of Jewish communities north of the Alps and Pyrenees as early as the 8th and 9th century. By the 11th century Jewish settlers, moving from southern European and Middle Eastern centers, appear to have begun to settle in the north, especially along the Rhine, often in response to new economic opportunities and at the invitation of local Christian rulers. Thus Baldwin V, Count of Flanders, invited Jacob ben Yekutiel and his fellow Jews to settle in his lands; and soon after the Norman Conquest of England, William the Conqueror likewise extended a welcome to continental Jews to take up residence there. Bishop Rudiger Huzmann called on the Jews of Mainz to relocate to Speyer. In all of these decisions, the idea that Jews had the know-how and capacity to jump-start the economy, improve revenues, and enlarge trade seems to have played a prominent role. Typically Jews relocated close to the markets and churches in town centres, where, though they came under the authority of both royal and ecclesiastical powers, they were accorded administrative autonomy. In the 11th century, both Rabbinic Judaism and the culture of the Babylonian Talmud that underlies it became established in southern Italy and then spread north to Ashkenaz. Numerous massacres of Jews occurred throughout Europe during the Christian Crusades. Inspired by the preaching of a First Crusade, crusader mobs in France and Germany perpetrated the Rhineland massacres of 1096, devastating Jewish communities along the Rhine River, including the SHuM cities of Speyer, Worms, and Mainz. The cluster of cities contain the earliest Jewish settlements north of the Alps, and played a major role in the formation of Ashkenazi Jewish religious tradition, along with Troyes and Sens in France. Nonetheless Jewish life in Germany persisted, while some Ashkenazi Jews joined Sephardic Jewry in Spain. Expulsions from England (1290), France (1394), and parts of Germany (15th century), gradually pushed Ashkenazi Jewry eastward, to Poland (10th century), Lithuania (10th century), and Russia (12th century). Over this period of several hundred years, some have suggested, Jewish economic activity was focused on trade, business management, and financial services, due to several presumed factors: Christian European prohibitions restricting certain activities by Jews, preventing certain financial activities (such as "usurious" loans) between Christians, high rates of literacy, near universal male education, and ability of merchants to rely upon and trust family members living in different regions and countries. By the 15th century, the Ashkenazi Jewish communities in Poland were the largest Jewish communities of the Diaspora. This area, which eventually fell under the domination of Russia, Austria, and Prussia (Germany), would remain the main center of Ashkenazi Jewry until the Holocaust. The answer to why there was so little assimilation of Jews in central and eastern Europe for so long would seem to lie in part in the probability that the alien surroundings in central and eastern Europe were not conducive, though contempt did not prevent some assimilation. Furthermore, Jews lived almost exclusively in shtetls, maintained a strong system of education for males, heeded rabbinic leadership, and scorned the lifestyle of their neighbors; and all of these tendencies increased with every outbreak of antisemitism. CANNOTANSWER
Question: Did they stay there or migrate more?

Answer:


As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWER

Answer this question "Did musicians begin to like snythesisers?" by extracting the answer from the text above.


Michael Brant Shermer was born on September 8, 1954 in Los Angeles. An only child, he was raised in Southern California, primarily in the La Canada Flintridge area. His parents divorced when he was four and later remarried, his mother to a man with three children, who became Shermer's step-sister and two step-brothers, and his father to a woman with whom he had two daughters, Shermer's half-sisters. His father died of a heart attack in 1986, and his mother of brain cancer in 2000.

As of 2007, Shermer lives in Altadena, California. He married Jennifer Graf, a native of Koln, Germany, on June 25, 2014. The ceremony was performed by Shermer's sister, Tina, who was ordained online for the occasion. Politically, Shermer has described himself as a lifelong libertarian. In a 2015 interview, Shermer stated that he prefers to talk about individual issues, lamenting that, in the past, people would refuse to even listen to him because of his self-description as a libertarian. In this same interview, he also mentioned that his research into gun control lead him to believe that some measures to reduce gun-related violence would be beneficial. The first president he voted for was Richard Nixon in 1972, which, in light of the Watergate scandal, he calls his "most embarrassing vote". In 2000, he voted for Harry Browne to "vote his conscience", on the assumption that the winner of the Al Gore - George W. Bush contest would be irrelevant. He later regretted this decision, believing that Bush's foreign policy made the world more dangerous, and he voted for John Kerry in 2004. Shermer has named Thomas Jefferson as his favorite president, for his championing of liberty and his application of scientific thinking to the political, economic, and social spheres. He says of Jefferson, "When he dined alone at the White House there was more intelligence in that room than when John F. Kennedy hosted a dinner there for a roomful of Nobel laureates." Shermer once opposed most gun control measures, primarily because of his beliefs in the principle of increasing individual freedom and decreased government intervention, and also because he has owned guns for most of his life. As an adult, he owned a .357 Magnum pistol for a quarter of a century for protection, although he eventually took it out of the house, and then got rid of it entirely. Though he no longer owns guns, he continues to support the right to own guns to protect one's family. However, by 2013, the data on gun homicides, suicides, and accidental shootings convinced him that some modest gun control measures might be necessary. Shermer also previously favored capital punishment, primarily in sympathy for victims' families, but later he came to oppose the death penalty, partially out of a resistance to giving the government too much power - in light of the hundreds of executed individuals who were later revealed to be innocent - and partially from his view that retributive justice is driven by humanity's baser instincts, and it does not effect restorative justice. He later changed his mind about the issue during research for The Moral Arc, reasoning that "[Capital punishment] is one of these barbaric practices that we need to get rid of. [The United States of] America is really the last of the 19 industrialized democracies to have the death penalty. (...) The Italian enlightenment philosopher Cesare Beccaria, on his book On Crimes and Punishments, put forward the idea that the punishment should fit the crime and that the criteria should be whether it keeps people from committing crimes, and the Death Penalty does not do that." CANNOTANSWER

Using a quote from the above article, answer the following question: Is Michael married?


Joseph Raymond McCarthy (November 14, 1908 - May 2, 1957) was an American politician who served as U.S. Senator from the state of Wisconsin from 1947 until his death in 1957. Beginning in 1950, McCarthy became the most visible public face of a period in the United States in which Cold War tensions fueled fears of widespread Communist subversion. He is known for alleging that numerous Communists and Soviet spies and sympathizers had infiltrated the United States federal government, universities, film industry, and elsewhere. Ultimately, the smear tactics that he used led him to be censured by the U.S. Senate.

One of the strongest bases of anti-Communist sentiment in the United States was the Catholic community, which constituted over 20% of the national vote. McCarthy identified himself as Catholic, and although the great majority of Catholics were Democrats, as his fame as a leading anti-Communist grew, he became popular in Catholic communities across the country, with strong support from many leading Catholics, diocesan newspapers, and Catholic journals. At the same time, some Catholics did oppose McCarthy, notably the anti-Communist author Father John Francis Cronin and the influential journal Commonweal. McCarthy established a bond with the powerful Kennedy family, which had high visibility among Catholics. McCarthy became a close friend of Joseph P. Kennedy Sr., himself a fervent anti-Communist, and was a frequent guest at the Kennedy compound in Hyannis Port. He dated two of Kennedy's daughters, Patricia and Eunice. It has been stated that McCarthy was godfather to Robert F. Kennedy's first child, Kathleen Kennedy. This claim has been acknowledged by Robert's wife and Kathleen's mother Ethel, though Kathleen later claimed that she looked at her christening certificate and that her actual godfather was Manhattanville College of the Sacred Heart professor Daniel Walsh. Robert Kennedy was chosen by McCarthy as a counsel for his investigatory committee, but resigned after six months due to disagreements with McCarthy and Committee Counsel Roy Marcus Cohn. Joseph Kennedy had a national network of contacts and became a vocal supporter, building McCarthy's popularity among Catholics and making sizable contributions to McCarthy's campaigns. The Kennedy patriarch hoped that one of his sons would be president. Mindful of the anti-Catholic prejudice Al Smith faced during his 1928 campaign for that office, Joseph Kennedy supported McCarthy as a national Catholic politician who might pave the way for a younger Kennedy's presidential candidacy. Unlike many Democrats, John F. Kennedy, who served in the Senate with McCarthy from 1953 until the latter's death in 1957, never attacked McCarthy. McCarthy had refused to campaign for Kennedy's 1952 opponent, Republican incumbent Henry Cabot Lodge Jr., due to his friendship with the Kennedys. When a speaker at a February 1952 final club dinner stated that he was glad McCarthy had not attended Harvard College, an angry Kennedy jumped up, denounced the speaker, and left the event. Asked by Arthur M. Schlesinger Jr. why he avoided criticism of McCarthy, Kennedy said, "Hell, half my voters in Massachusetts look on McCarthy as a hero." CANNOTANSWER

What was his involvement with that group?


Answer by taking a quote from the following article:

Branson was born in Blackheath, London, the eldest of three children of Eve Branson (nee Evette Huntley Flindt; born 1924), a former ballet dancer and air hostess, and Edward James Branson (1918-2011), a barrister. He has two younger sisters. His grandfather, the Right Honourable Sir George Arthur Harwin Branson, was a judge of the High Court of Justice and a Privy Councillor. Branson was educated at Scaitcliffe School, a prep school in Surrey, before briefly attending Cliff View House School in Sussex.

Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

does he still have Virgin records?


Background: The Thrills are an Irish rock band, formed in 2001 in Dublin, Ireland. The band was founded by lead vocalist Conor Deasy and guitarist Daniel Ryan, guitarist and bass player Padraic McMahon, pianist Kevin Horan and drummer Ben Carrigan. Their big break came with their debut album, So Much for the City, which became an Irish number one and charted at number 3 in the UK. The band's sound has been described as "inspired by classic American pop of the late '60s and early '70s" by Rovi and "an ocean-soaked, harmony-heavy homage to California's dreamy dreams, shaking ground, and unrelenting sunshine" by Pitchfork Media.
Context: The band took an extended break after their second album, in an effort to evolve their sound. New material was written, and recording sessions took place in New York during 2006. Failing to meet the band's standards, many of these new songs were ultimately discarded, and remain unreleased. "We were definitely striving for a new standard," Deasy said in 2007. "We were willing to scrap months of work on songs, which is one of the reasons it took so long. We recorded maybe 30 songs." During an interview with indie music magazine Under The Radar in October 2007, Deasy stated: "We wrote about 30 songs for this album, and a lot of the songs we discarded. They weren't poor songs. They were perfectly good songs, but they were songs that could have fit on the first or the second album a little too easily." More new material was written, including "Midnight Choir" which became the opening track for Teenager and was also released as a single. At the suggestion of R.E.M., the five relocated to a renovated morgue (owned by Canadian musician Bryan Adams) in inner-city Vancouver to record their third album with Tony Hoffer, who had previously produced their debut album. Teenager was released in Ireland on 22 July 2007 and Central Europe on 25 July 2007. It failed to light up the British and Irish charts, but received mixed reviews, getting a Metacritic score of 71%, positive reviews from the BBC, 7/10 from the NME, a 6.9/10 from Pitchfork and a 2/5 review from The Guardian. A special CD/DVD edition of Teenager - which contained a film-length documentary about the band entitled The Thrills: The End of Innocence - was given limited release in the UK only. CANNOTANSWER
Question: Did the album have any hits at all?

Answer:


"Layla" is a song written by Eric Clapton and Jim Gordon, originally released by their blues rock band Derek and the Dominos, as the thirteenth track from their album Layla and Other Assorted Love Songs (November 1970). Its famously contrasting movements were composed separately by Clapton and Gordon. The song was inspired by a love story that originated in 7th-century Arabia and later formed the basis of The Story of Layla and Majnun by the 12th-century Persian poet Nizami Ganjavi, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, because it was the tale of a young man who fell hopelessly in love with a beautiful, young girl and went crazy and so could not marry her.

The album Layla and Other Assorted Love Songs opened to lacklustre sales as the album never actually reached the music charts in the United Kingdom, possibly in part because Clapton's name was found only on the back cover. In addition, the song's length proved prohibitive for radio airplay. As a result, an edited version of the song, trimmed to 2:43, was released as a single in March 1971 by Atco Records in the United States. The version peaked at #51 on the Billboard Hot 100 singles chart. When "Layla" was re-released on the 1972 compilations The History of Eric Clapton and Duane Allman's An Anthology and then released the full 7:10 version as a single, it charted at number seven in the United Kingdom and reached number 10 in the United States. With good sales figures, the Billboard magazine was able to rank the Rock single as the 60th best-selling song in 1972. In 1982, "Layla" was re-released as a single in the United Kingdom, and peaked at number four. This time the whole seven-minute single charted, containing the trailing two-thirds which is instrumental only. Critical opinion since has been overwhelmingly positive. Dave Marsh, in The Rolling Stone Illustrated History of Rock and Roll, wrote that "there are few moments in the repertoire of recorded rock where a singer or writer has reached so deeply into himself that the effect of hearing them is akin to witnessing a murder or a suicide... to me 'Layla' is the greatest of them." Marsh listed "Layla" at number 156 in his The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. In May 1980, "Layla" was covered by the London Symphony Orchestra, but without the lyrics, being recorded at EMI Studio One, Abbey Road, London. A similar version has been performed by the Royal Philharmonic Orchestra. On 20 September 1983, a benefit show called the ARMS Charity Concert for Multiple Sclerosis at the Royal Albert Hall in London featured a jam with Eric Clapton, Jeff Beck, and Jimmy Page performing "Layla". Clapton, Beck, and Page were the Yardbirds' successive lead guitarists from 1963 to 1968. In 2003, the Allman Brothers Band began playing the song in concert. Warren Haynes sang the vocal, Gregg Allman played the piano part, and Derek Trucks played Duane Allman's guitar parts during the coda. The performances were seen as a tribute not only to Allman, but also to producer Tom Dowd, who had died the previous year. Eric Clapton recorded yet a third version. "Layla" appears as track seven on Play the Blues: Live from Jazz at Lincoln Center. Personnel on this version include Wynton Marsalis (vocals, trumpet), Eric Clapton (vocals, guitar), Victor Goines (clarinet), Marcus Printup (trumpet), Chris Crenshaw (trombone, vocals), Don Vappie (banjo), Chris Stainton (keyboards), Dan Nimmer (piano), Carlos Henriquez (bass), and Ali Jackson (drums). CANNOTANSWER

Answer the following question by taking a quote from the article: Did it win any awards?


Hitchens opposed the Kosovo and 2003 Iraq War, on the grounds that neither was in the interests of either Britain or the United States, and opposes the British military presence in Afghanistan, arguing that it has no achievable aim. He believes in upholding the principle of Westphalian sovereignty, which he described as that "you didn't interfere in foreign countries because you didn't like the way they were governed". He urges better relations between the West and Russia, viewing conflict as unnecessary, and, while condemning the old Soviet Union as an "evil empire" and Vladimir Putin as corrupt, he states his "strong affection for post-communist Russia." Also, he endorsed the 2014 Crimea referendum. On Europe, Hitchens argues that the United Kingdom should negotiate an amicable departure from the European Union, whose laws and traditions he regards as incompatible with the laws and liberties of Britain, and with the national independence of the United Kingdom as a whole. Likewise, he opposes the Human Rights Act (which incorporates the European Convention on Human Rights into UK law) and the European Court of Human Rights. Hitchens has described London as "the fifth state in the United Kingdom" and as having "an explicitly republican form of government." He views the Good Friday Agreement as a "surrender" of the British state to the IRA, and its referendum as "manifestly unfair", arguing that the Protestant community was "browbeaten" into voting for it, and that the British government was put "under huge duress, both from IRA violence and from the White House." He opposes Scottish independence, because of his affection for Scotland and because he believes that independence within the EU would not be independence at all, but he also said in 2014 that, having itself ceded power to the EU, the British government cannot argue against Scottish independence. However, he supports devolution for Scotland, having changed his mind, but he is ambivalent about devolution for Wales, and still "completely against" it for Northern Ireland, while predicting that the province will eventually be absorbed as a "special autonomous zone" of the Republic of Ireland. Hitchens has stated his "love" for the United States and his support for the US's being the successor to Britain as the world's leading power, but he has denounced "sentimental" attitudes towards the alleged "Special Relationship", arguing that the US rightly follows its own self-interest to the detriment of Britain. Hitchens supports Israel and denies the notion of occupied Palestinian territory, viewing the British exit from Mandatory Palestine as having left a legal vacuum. He also praises Israel's "European" culture, which he says makes Israel "the permanent ally, in the Middle East, of the world's lawful and free countries", and which he suspects is the main reason for the perceived hostility of the Arab governments. However, he condemns past Jewish terrorism and some Israeli military actions. CANNOTANSWER

Answer this question "how does Peter gain national sovereignty?" by extracting the answer from the text above.


Background: The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
Context: The first live performance of the Ray Davies Quartet, the band that would become the Kinks, was at a dance for their school, William Grimshaw, in 1962. The band performed under several names between 1962 and 1963--the Pete Quaife Band, the Bo-Weevils, the Ramrods, and the Ravens--before settling on the Kinks in early 1964. The Kinks made their first tour of Australia and New Zealand in January 1965 as part of a "package" bill that included Manfred Mann and the Honeycombs. They performed and toured relentlessly, headlining package tours throughout 1965 with performers such as the Yardbirds and Mickey Finn. Tensions began to emerge within the band, expressed in incidents such as the on-stage fight between drummer Mick Avory and Dave Davies at The Capitol Theatre, Cardiff, Wales on 19 May. After finishing the first song, "You Really Got Me", Davies insulted Avory and kicked over his drum set. Avory responded by hitting Davies with his hi-hat stand, rendering him unconscious, before fleeing from the scene, fearing that he had killed his bandmate. Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to his head. To placate police, Avory later claimed that it was part of a new act in which the band members would hurl their instruments at each other. Following their summer 1965 American tour, the American Federation of Musicians refused permits for the group to appear in concerts in the United States for the next four years, possibly due to their rowdy on-stage behaviour. In April 1969 Davies helped negotiate an end to the American Federation of Musician ban on the group, which allowed plans for a North American tour. Davies went into a state of depression, culminating in his onstage announcement that he was "sick of it all" at a gig in White City Stadium. A review of the concert published in Melody Maker stated: "Davies swore on stage. He stood at The White City and swore that he was 'F...... [sic] sick of the whole thing' ... He was 'Sick up to here with it' ... and those that heard shook their heads. Mick just ventured a disbelieving smile, and drummer [sic] on through 'Waterloo Sunset.'" Davies proceeded to try to announce that the Kinks were breaking up, but this attempt was foiled by the group's publicity management, who pulled the plug on the microphone system. CANNOTANSWER
Question: What projects did The Kinks have after their first tour?. Whats the answer?


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Sir John Major  (born 29 March 1943) is a British politician who served as Prime Minister of the United Kingdom and Leader of the Conservative Party from 1990 to 1997. He served as Foreign Secretary and then Chancellor of the Exchequer in the Thatcher Government from 1989 to 1990, and was the Member of Parliament (MP) for Huntingdon from 1979 until his retirement in 2001. Since the death of Margaret Thatcher in 2013, Major has been the oldest living former Prime Minister. Born in St Helier, Surrey, Major grew up in Brixton.

Major's second honeymoon as Prime Minister following his election victory did not last long. On 16 September 1992, the UK was forced to exit the Exchange Rate Mechanism (ERM) in difficult circumstances, in a day which would come to be known as "Black Wednesday", with billions of pounds wasted in a futile attempt to defend the value of sterling. The upheaval caused by the day's events was such that Major came close to resigning as Prime Minister, preparing an unsent letter of resignation addressed to the Queen. Although Major continued to defend Britain's membership of the ERM, stating that "the ERM was the medicine to cure the ailment, but it was not the ailment", the disaster of Black Wednesday left the Government's economic credibility irreparably damaged. Major kept his economic team unchanged for seven months after Black Wednesday before eventually sacking Norman Lamont as Chancellor of the Exchequer, replacing him with Kenneth Clarke. This came after months of press criticism of Lamont and a heavy defeat at a by-election in Newbury. His delay in sacking Lamont was exploited by Major's critics both inside and outside of his party, who used it to claim Major was too indecisive. Immediately after Black Wednesday, the Conservatives fell far behind Labour in the opinion polls and Major would never be able to regain the lead for the rest of his time as Prime Minister, being trounced in local council elections and the European parliament elections on the way, as well as suffering a string of by-election defeats which gradually wiped out the Conservative majority. Within a year of his triumphant election victory, public opinion on Major plummeted, with Black Wednesday, mine closures, the Maastricht dispute and high unemployment being cited as four key areas of dissatisfaction with the Prime Minister. Newspapers which traditionally supported the Conservatives and had championed Major at the election were now being severely critical of him almost daily. The UK's forced withdrawal from the ERM was succeeded by a partial economic recovery with a new policy of flexible exchange rates, allowing lower interest rates and devaluation, thereby increasing demand for UK goods in export markets. The recession that had started shortly before Major became Prime Minister was declared over in April 1993, when the economy grew by 0.2%. Unemployment also started to fall; it had stood at nearly 3 million by the end of 1992, but the spring of 1997 it had fallen to 1.7 million. CANNOTANSWER


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Fredua Koranteng "Freddy" Adu (born June 2, 1989) is an American soccer player who plays for Las Vegas Lights FC in the United Soccer League. Adu plays primarily as an attacking midfielder, but he is also used as a winger or forward. At the age of 14, he became the youngest athlete ever to sign a professional contract in the United States, after he was selected by D.C. United in the 2004 MLS SuperDraft on January 16, 2004. Three months later, on April 3, 2004, he became the youngest player to appear in a Major League Soccer (MLS) game when he came on as a substitute in a game against the San Jose Earthquakes.

Adu played for the United States in five international youth tournaments: the 2003 FIFA U-17 World Championship in Finland, the 2003 FIFA World Youth Championship in the United Arab Emirates, the 2005 FIFA World Youth Championship in the Netherlands, the 2007 FIFA U-20 World Cup in Canada, and the 2008 Summer Olympics. Adu captained the United States U-20 men's national team in January 2007 as it qualified for the 2007 FIFA U-20 World Cup in Canada. By playing in the 2007 tournament finals, held from June to July, Adu became only the second player in the world to play in three FIFA U-20 World Cups. On July 3, 2007, Adu scored a hat-trick in U.S.'s 6-1 victory over Poland in the group stage of the tournament. This accomplishment made him the first player to ever score a hat trick in both the U-20 and U-17 World Cups. In the following 2-1 victory over Brazil Adu assisted on both USA goals by Jozy Altidore. Adu helped lead the U-23 men's national team in its campaign to qualify for the 2008 Summer Olympics in Beijing, China. He scored two goals from free kicks in the U.S.'s 3-0 win over Canada in the semifinals of the tournament, which ultimately qualified them for the Olympics along with Honduras. He scored four goals in total in the three games in which he played, leading all players in scoring, and was selected to the tournament Best XI. Adu was named to the 18-man squad that represented the United States in the 2008 Summer Olympics in Beijing. Adu played in the first two games of group play against Japan and Netherlands. He assisted on a Sacha Kljestan goal in the Netherlands match, but he, as well as teammate Michael Bradley, was then suspended for the final game of group play against Nigeria after each player earned his second yellow card of group play late in the Netherlands match. The US team was eliminated from the Olympics after falling to Nigeria. CANNOTANSWER


His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.

During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

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Did Baldwin come from a religious family?


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Lonnie Rashid Lynn, Jr. was born on March 13, 1972 at the Chicago Osteopathic Hospital in Chicago's Hyde Park neighborhood, the son of educator Dr. Mahalia Ann Hines and former ABA basketball player turned youth counselor Lonnie Lynn Sr. He was raised in the Calumet Heights neighborhood. Lynn's parents divorced when he was six years old, resulting in his father moving to Denver, Colorado. This left Lynn to be raised by his mother; however, his father remained active in his life, and was able to get Lynn a job with the Chicago Bulls as a teenager.

Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

what else is known of family ethics?


Roy Claxton Acuff (September 15, 1903 - November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the "King of Country Music," Acuff is often credited with moving the genre from its early string band and "hoedown" format to the singer-based format that helped make it internationally successful. In 1952 Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds.

Acuff was born on September 15, 1903 in Maynardville, Tennessee, to Ida (nee Carr) and Simon E. Neill Acuff, the third of their five children. The Acuffs were a fairly prominent family in Union County. Roy's paternal grandfather, Coram Acuff, had been a Tennessee state senator, and his maternal grandfather was a local physician. Roy's father was an accomplished fiddler and a Baptist preacher, his mother was proficient on the piano, and during Roy's early years the Acuff house was a popular place for local gatherings. At such gatherings, Roy would often amuse people by balancing farm tools on his chin. He also learned to play the harmonica and jaw harp at an early age. In 1919, the Acuff family relocated to Fountain City (now a suburb of Knoxville), a few miles south of Maynardville. Roy attended Central High School, where he sang in the school chapel's choir and performed in "every play they had." His primary passion, however, was athletics. He was a three-sport standout at Central and, after graduating in 1925, was offered a scholarship to Carson-Newman University but turned it down. He played with several small baseball clubs around Knoxville, worked at odd jobs, and occasionally boxed. In 1929, Acuff tried out for the Knoxville Smokies, a minor-league baseball team then affiliated with the New York Giants (now the San Francisco Giants). A series of collapses in spring training following a sunstroke, however, ended his baseball career. The effects left him ill for several years, and he suffered a nervous breakdown in 1930. "I couldn't stand any sunshine at all," he later recalled. While recovering, Acuff began to hone his fiddle skills, often playing on the family's front porch after the sun went down. His father gave him several records of regionally renowned fiddlers, such as Fiddlin' John Carson and Gid Tanner, which were important influences on his early style. CANNOTANSWER

where was he born?


Oldman was born in New Cross, London, the son of Leonard Bertram Oldman (1921-1985), a former sailor who also worked as a welder, and Kathleen (nee Cheriton; born 1919). He has stated that Leonard was an alcoholic who left the family when Oldman was seven years old. Oldman attended West Greenwich School in Deptford, leaving school at the age of 16 to work in a sports shop. He was a pianist as a child, and later a singer, but gave up his musical aspirations to pursue an acting career after seeing Malcolm McDowell's performance in the 1971 film The Raging Moon.

In 1991, Oldman starred in his first US blockbuster, playing Lee Harvey Oswald in Oliver Stone's JFK. According to Oldman, very little was written about Oswald in the script. Stone gave him several plane tickets, a list of contacts and told him to do his own research. Oldman met with Oswald's wife, Marina, and her two daughters to prepare for the role. The following year, he starred as Count Dracula in Francis Ford Coppola's romance-horror Bram Stoker's Dracula. A commercially successful film adaptation of Bram Stoker's 1897 novel, it was a box office success worldwide. Oldman's performance was recognised as the best male performance of 1992 by the Academy of Science Fiction, Fantasy & Horror Films, which awarded Oldman its Best Actor award. Oldman later became a popular portrayer of villains: He played violent pimp Drexl Spivey in the Tony Scott-directed, Quentin Tarantino-written True Romance (1993), a role which MSN Movies described as "one of cinema's most memorable villains"; a sadistic prison warden in Murder in the First (1995); futuristic corporate tyrant Jean-Baptiste Emanuel Zorg in The Fifth Element (1997); and Dr. Zachary Smith/Spider Smith in the commercially successful but critically panned Lost in Space (1998). He was considered for two roles in Quentin Tarantino's Pulp Fiction (1994), but neither were realised. Tarantino contemplated Oldman as gangster Jules Winnfield (played by Samuel L. Jackson), while TriStar executives recommended him for drug dealer Lance (portrayed by Eric Stoltz). In 1994's Leon: The Professional, he played corrupt DEA officer Norman Stansfield, which has since been named by multiple publications as one of the best villains in cinema. Oldman also portrayed various accents; along with the Transylvanian Count Dracula, he gave a critically acclaimed reading of German-born Viennese composer Ludwig van Beethoven in Immortal Beloved, and played Russian terrorist Egor Korshunov in the 1997 blockbuster Air Force One. He portrayed another historical figure, Pontius Pilate, in Jesus (1999). Oldman was considered for the role of Morpheus in The Matrix. He served as a member of the Jury at the 1993 Cannes Film Festival. In 1998, MTV's Celebrity Deathmatch aired a match between claymation representations of Oldman and Christopher Walken to determine the greatest cinematic villain. Oldman appeared opposite Jeff Bridges as zealous Republican congressman Sheldon Runyon in The Contender (2000), in which he was also credited as a producer. Oldman received a Screen Actors Guild Award nomination for his performance. In 2001, he starred opposite Anthony Hopkins in Hannibal, as Mason Verger, the only surviving victim of Hannibal Lecter. He reportedly spent six hours per day in the make-up room to achieve the character's hideously disfigured appearance. It marked the second time that Oldman had appeared opposite Hopkins, a personal friend who was part of the supporting cast of Bram Stoker's Dracula. Oldman is uncredited in the film, reportedly over a dispute regarding top billing, which was going to co-star Anthony Hopkins and Julianne Moore. He received an Emmy Award nomination for two guest appearances in Friends in May 2001, appearing in the two-part episode "The One With Chandler and Monica's Wedding" as Richard Crosby, a pedantic actor who insists that "real" actors spit on one another when they enunciate, leading to tension, then friendship, with Joey Tribbiani (Matt LeBlanc). Oldman had previously worked with LeBlanc on Lost in Space. CANNOTANSWERAnswer this question using a quote from the following article:

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Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit "Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female lead vocal with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 70s, and that region remains their strongest fan base.

The band left Sovereign Records and joined Miles Copeland's new prog rock stable and label BTM (for British Talent Management). The label's first release was Turn of the Cards in 1974. With a larger budget, the album went from folk-flavoured to a more dark, lush, orchestral rock sound. One of the album's songs, "Things I Don't Understand", which clocked in at 9:30, was Jim McCarty's last co-writing credit with the group (although it was actually in the band's live repertoire for years). A lengthy tribute to Aleksandr Solzhenitsyn, called "Mother Russia", closed out the album, with lyrics inspired by his autobiographical novel, One Day in the Life of Ivan Denisovich. Turn of the Cards was first issued in the United States on Sire Records in August 1974, where it reached No. 94, some months before an official UK release. It remained in the Billboard 200 for 21 weeks. Although Renaissance's fan base was relatively small, its following was heavily concentrated in the large cities of the northeast US. The album was eventually released in the UK in March 1975. It was soon followed by Scheherazade and Other Stories, released on both sides of the Atlantic in September 1975. The album, whose second side was taken up with the epic tone-poem "Song of Scheherazade" based on stories from One Thousand and One Nights, peaked at No. 48 in the United States. There is "no musical connection to the well-known classical work Scheherazade by Nikolai Rimsky-Korsakov." A double live album, Live at Carnegie Hall, followed in 1976. Despite criticisms that much of the album was little more than a note for note reproduction of highlights from their previous four studio albums, the album reached No. 55 in the US. Renaissance were the first British band to sell out three consecutive nights at Carnegie Hall. They were joined on stage by the New York Philharmonic Orchestra. While introducing the song "Ashes Are Burning", Haslam refers to it as the title track from the group's second album, rather than their fourth, suggesting that the Haslam-led lineup by this point considered themselves a distinct band from Keith Relf's incarnation of the group. (This point is further underscored by the band's including an album discography in the gatefold of LP copies of Live at Carnegie Hall, which lists only the four albums from Prologue forward.) Live at Carnegie Hall's follow-up, Novella, saw more chart success in the US, peaking at No. 46 in 1977, although its UK release was delayed by yet another label change. Will Romano in Mountains come out of the sky describes the band: CANNOTANSWER


From his early to late twenties, Barber wrote a flurry of successful compositions, launching him into the spotlight of the classical music world. His first orchestral work, an overture to The School for Scandal, was composed in 1931 when he was 21 years old. It premiered successfully two years later in a performance given by the Philadelphia Orchestra under conductor Alexander Smallens. Many of his compositions were commissioned or first performed by such famous artists as Vladimir Horowitz, Eleanor Steber, Raya Garbousova, John Browning, Leontyne Price, Pierre Bernac, Francis Poulenc, and Dietrich Fischer-Dieskau. In 1935, at the age of 25, he was awarded the American Prix de Rome and was the recipient of a Pulitzer traveling scholarship which allowed him to study abroad in 1935-1936. He was later awarded a Guggenheim Fellowship in 1946. When Barber was 28, his Adagio for Strings was performed by the NBC Symphony Orchestra under the direction of Arturo Toscanini in 1938, along with his first Essay for Orchestra. The Adagio had been arranged from the slow movement of Barber's String Quartet, Op. 11. Toscanini had only rarely performed music by American composers before (an exception was Howard Hanson's Second Symphony, which he conducted in 1933). At the end of the first rehearsal of the piece, Toscanini remarked, "Semplice e bella" (simple and beautiful). In 1942, Barber joined the Army Air Corps; there, he was commissioned to write his Second Symphony, a work he later suppressed. (It was released in a Vox recording by the New Zealand Symphony Orchestra conducted by Andrew Schenck.) Composed in 1943, the symphony was originally titled Symphony Dedicated to the Air Forces and was premiered in early 1944 by Serge Koussevitsky and the Boston Symphony Orchestra. Barber revised the symphony in 1947; it was published by G. Schirmer, and recorded the following year by the New Symphony Orchestra of London conducted by the composer, but in 1964 Barber destroyed the score. It was reconstructed from the instrumental parts. According to another source, however, it was precisely the parts to the symphony that Barber had torn up. Hans Heinsheimer was an eyewitness, and reported that he accompanied Barber to the publisher's office where they collected all the music from the library and Barber "tore up all these beautifully and expensively copied materials with his own hands" Doubt has been cast on this story, however, on grounds that Heinsheimer, as an executive at G. Schirmer, would have been unlikely to have allowed Barber into the Schirmer offices to watch him "rip apart the music that his company had invested money in publishing". In 1943, Barber and Menotti purchased a house in Mount Kisco, New York. Barber won the Pulitzer Prize twice: in 1958 for his first opera Vanessa, and in 1963 for his Concerto for Piano and Orchestra. CANNOTANSWER

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Epica is a Dutch symphonic metal band, founded by guitarist and vocalist Mark Jansen after his departure from After Forever. Born as a symphonic metal band with gothic tendencies, later Epica have incorporated into their sound strong death metal influences. Starting from the third album, even progressive metal attitudes have become evident. In addition, the band often uses thrash metal and groove metal riffs, black metal passages (mostly in the drum technique), power metal moments and references to Arabic music.

Their second release, entitled Consign to Oblivion, was influenced by the culture of the Maya civilization, which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to 2012, and makes no reference of what may happen past said year. Consign to Oblivion was composed with film scores as a basis, with Hans Zimmer and Danny Elfman cited as major inspirations. The album features guest singing by Roy Khan (from Kamelot) on the song "Trois Vierges". Epica also joined Kamelot as a support band on parts of their tour for promotion of The Black Halo album, to which Simons had contributed her vocals on the track "The Haunting (Somewhere in Time)". Two singles were released from the album, "Solitary Ground" and "Quietus". Epica's non-metal album The Score - An Epic Journey was released in September 2005 and is the soundtrack for a Dutch movie called Joyride, though it could also be considered to be their third album. Mark Jansen describes the album as typical Epica, "only without the singing, without the guitars, no bass and no drums". In 2005 and 2006 Epica went on their first tour throughout North America with Kamelot. After the tour, drummer Jeroen Simons left the band because of his wish to pursue other musical interests. In Fall 2006, Simone once again contributed vocals to an album of Kamelot, this time on the tracks "Blucher" and "Season's End" on the album Ghost Opera. In December, Arien van Weesenbeek from God Dethroned was announced via Epica's official website as the guest drummer for their new album, but not as a permanent band member. CANNOTANSWER

were there any other singers?


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Tatchell was born in Melbourne, Australia. His father was a lathe operator and his mother worked in a biscuit factory. His parents divorced when he was four and his mother remarried soon afterwards. Since the family finances were strained by medical bills, he had to leave school at 16 in 1968.

To avoid conscription into the Australian Army, Tatchell moved to London in 1971. He had accepted being gay in 1969, and in London became a leading member of the Gay Liberation Front (GLF) until its 1974 collapse. During this time Tatchell was prominent in organising sit-ins at pubs that refused to serve "poofs" and protests against police harassment and the medical classification of homosexuality as an illness. With others he helped organise Britain's first Gay Pride march in 1972. In 1973, he attended the 10th World Youth Festival in East Berlin on GLF's behalf. His actions triggered opposition within and between different groups of national delegates including the Communist Party of Great Britain and National Union of Students. He was banned from conferences, had his leaflets confiscated and burned, was interrogated by the secret police (the Stasi) and threatened and assaulted by other delegates, mostly communists. Tatchell later claimed that this was the first time gay liberation politics were publicly disseminated and discussed in a communist country, although he noted that, in terms of decriminalisation and the age of consent, gay men had greater rights in East Germany at the time than in Britain and much of the West. Describing his time in the Gay Liberation Front, he wrote in The Guardian that: [The] GLF was a glorious, enthusiastic and often chaotic mix of anarchists, hippies, leftwingers, feminists, liberals and counter-culturalists. Despite our differences, we shared a radical idealism - a dream of what the world could and should be - free from not just homophobia but the whole sex-shame culture, which oppressed straights as much as LGBTs. We were sexual liberationists and social revolutionaries, out to turn the world upside down. [...] GLF's main aim was never equality within the status quo. [...] GLF's strategy for queer emancipation was to change society's values and norms, rather than adapt to them. We sought a cultural revolution to overturn centuries of male heterosexual domination and thereby free both queers and women. [...] Forty years on, GLF's gender agenda has been partly won. [...] Girlish boys and boyish girls don't get victimised as much as in times past. LGBT kids often now come out at the age of 12 or 14. While many are bullied, many others are not. The acceptance of sexual and gender diversity is increasing. In 1978, Tatchell joined the Labour Party and moved to a council flat in Bermondsey, south-east London. From October 1979, he became a leading member in a group of left-wingers planning to depose the right-wing caucus of Southwark councillors that controlled the Bermondsey Constituency Labour Party (CLP). At the CLP's AGM in February 1980, the left group won control and Tatchell was elected Secretary. When the sitting Labour MP, Bob Mellish, announced his retirement in 1981, Tatchell was selected as his successor. The selection was a surprise, as Arthur Latham, a former MP and former Chairman of the Tribune Group, was the favourite. Later, the Militant group was cited as the reason for Tatchell's selection, but he has said that it had only a handful of members at that time in the constituency; he had never been a member and Militant did not support his selection. Tatchell ascribed his selection to the support of the "older, 'born and bred' working class; the younger professional and intellectual members swung behind Latham". Due to Tatchell's support for direct action in the London Labour Briefing newsletter, Tatchell was denounced by party leader Michael Foot for allegedly supporting extra-parliamentary action against the Thatcher government; according to Tony Benn, Foot lied about Tatchell's alleged extremism in order to allow the Social Democratic Party to rejoin the Labour Party. Neil Kinnock stated that the whole affair was a matter of political judgement, asking "the question is: are we talking of extra-parliamentary or anti-parliamentary behaviour?" The fact that Tatchell was a gay man was also considered by some as a factor as to why Tatchell should not be supported. Labour subsequently allowed him to stand in the Bermondsey by-election, held in February 1983. In an article for a left-wing magazine, Tatchell urged the Labour Party to support direct action campaigning to challenge the Margaret Thatcher-led Tory government. Social Democratic Party MP James Wellbeloved, arguing the article was anti-Parliamentary, quoted it at Prime Minister's Questions in November 1981 to embarrass Labour leader Michael Foot. Unexpectedly, Foot denounced Tatchell, stating that he would not be endorsed as a candidate. Foot narrowly won a vote at the Labour Party National Executive Committee to deny Tatchell's endorsement. However, the Bermondsey Labour Party continued to support him and he worked on convincing Foot that his article was in the tradition of the Chartists and the Suffragettes and had been misinterpreted by his political opponents. It was eventually agreed that when the selection was rerun, Tatchell would be eligible, and he duly won. When Mellish resigned from Parliament and triggered a by-election, Tatchell's candidacy was endorsed. The divisions in the Labour Party, which Tatchell's far left views had exposed, and his homosexuality (which he refused to confirm or deny in media appearances), were used against him, in an election campaign widely regarded as one of the dirtiest and most violent in modern British history. Tatchell was assaulted in the street, had his flat attacked, and had a death threat and a live bullet put through his letterbox in the night. Although the Bermondsey seat had long been a Labour stronghold, the Liberal candidate, Simon Hughes, won the election. During the campaign, allegations were made that some Liberal canvassers stirred up xenophobia and homophobia on the doorsteps, playing up the fact that Tatchell was born in Australia and making an issue of his homosexuality. Members of the Liberal Gay Action Group campaigned wearing lapel badges emblazoned with the words, "I've been kissed by Peter Tatchell" to rebut the view held by some that he was attempting to hide his sexuality (see Bermondsey by-election, 1983). One of Hughes' campaign leaflets was condemned for claiming the election was "a straight choice" between Liberal and Labour, but this phrase is regularly used by many parties within the UK, and Hughes has since apologised for what may have been seen as an inadvertent slur. Hughes later came out as bisexual in 2006. In the mid- and late 1980s, Tatchell wrote books including The Battle for Bermondsey (the story of the by-election), Democratic Defence and a ground-breaking guide to surviving with HIV and AIDS, AIDS: A Guide to Survival. His book Europe in the Pink described the varying laws on homosexuality through the European Union. In 1990 Tatchell sought (unsuccessfully) the Labour nomination for Hampstead and Highgate, but was defeated by actress Glenda Jackson. CANNOTANSWER


Robert Emerson Clampett was born in San Diego, California on May 8, 1913. Clampett was displaying extraordinary art skills by the age of five. From the beginning, Clampett was intrigued with and influenced by Douglas Fairbanks, Lon Chaney, Charlie Chaplin, Buster Keaton and Harold Lloyd, and he began making film short-subjects in his garage beginning when he was twelve. While living in Hollywood as a young boy, Clampett and his mother Joan lived next door to Charlie Chaplin and his brother Syd.

Since 1984, The Bob Clampett Humanitarian Award is given each year at the Eisner Awards. Recipients of the award include June Foray, Jack Kirby, Sergio Aragones, Patrick McDonnell, Maggie Thompson, Ray Bradbury and Mark Evanier. Clampett's Tin Pan Alley Cats (1943) was chosen by the Library of Congress as a "prime example of the music and mores of our times" and a print was buried in a time capsule in Washington, D.C. so future generations might see it. Porky in Wackyland (1938) was inducted into the National Film Registry of the Library of Congress in 2000, deemed "culturally, historically, or aesthetically significant." John Kricfalusi, best known as the creator of The Ren & Stimpy Show, got to know Clampett in his later years and has reflected on those times as inspirational. Kricfalusi calls Clampett his favorite cartoon director and calls The Great Piggy Bank Robbery (1946) his favorite cartoon: "I saw this thing and it completely changed my life, I thought it was the greatest thing I'd ever seen, and I still think it is." Animation historian Leonard Maltin has called Clampett's cartoons "unmistakable." Milton Gray believes that Schlesinger put Clampett in charge of the black and white cartoon division in order to save it, and many historians have singled out a scene in Porky's Duck Hunt in which Daffy exits as a defining Clampett moment. Maltin called it "a level of wackiness few moviegoers had ever seen." Historian Charles Solomon noted a rubbery, flexible animation quality visible in all Clampett's shorts, and Maltin noted an "energetic, comic anarchy." While Clampett's cartoons were not as well known in the latter half of the 20th century because television syndicators only had the rights to the post-1948 Warner cartoons, his creations have increased in notoriety and acclaim in recent decades. CANNOTANSWER

When will the capsule be opened?


Background: Atomic Kitten are a British pop girl group formed in Liverpool in 1998 whose current members are Natasha Hamilton and Liz McClarnon. The band was founded by Colin Pulse, who served as principal songwriter during Atomic Kitten's early years. The group's debut album Right
Context: In April 2003, the album Atomic Kitten was released in the United States, which consisted of tracks from their first two albums. The album was unsuccessful, although "The Tide Is High (Get the Feeling)" appeared on the soundtrack for the Disney Channel Original Movie The Lizzie McGuire Movie. Following this, the group opted to focus solely on the European, Oceanian, South African and Asian markets. Before recording their third album, Kool & the Gang approached the group about a collaboration for their album of duets, Odyssey. Kool & the Gang wanted to record an updated version of their hit "Ladies Night" and were looking for a girl group to sing the lyrics. Atomic Kitten liked the idea and inquired whether they could use it for their next album which was subsequently named Ladies Night in honour of this collaboration. Atomic Kitten spent late 2002 and early 2003 in the studio recording their third and final studio album. Up until the recording of Ladies Night, the group mainly relied on songwriters, though they had occasionally co-written songs featured on their albums. While recording Ladies Night, they decided to be directly involved in the creation of eight of the fifteen songs. Ladies Night was released on 10 November 2003 and peaked at number five in the UK album chart. It was certified Platinum for sales in excess of 300,000 copies. The album released the group including "Be With You", "Ladies Night" and "If You Come To Me" (which peaked at number three on the UK top 40). A deluxe edition of her third album was released with extra tracks including remixes of Be With You, Ladies Night and Someone Like Me. In early 2004, a tour to support the Ladies Night album and the upcoming release of their Greatest Hits album was planned. Shortly before the tour kicked off, the group announced they would be taking an extended break after the completion of the tour. After the group's 2012 reunion, it was revealed during The Big Reunion that Hamilton had quit the group under the pressure of being a new mom and touring, which later led to the band splitting because they didn't want to replace Hamilton. CANNOTANSWER
Question: is the band still broken up?. Whats the answer?


Sanctus Real is an American Christian rock band formed in Toledo, Ohio, in 1996. The group is composed of Chris Rohman (lead guitar), Mark Graalman (drums), and Dustin Lolli (lead vocals). The band is best known for their number one singles "Lead Me", "Forgiven", "Whatever You're Doing", "I'm Not Alright", "Don't Give Up", "We Need Each Other", "

In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

What was one of their first songs?


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The Black Dahlia Murder is an American death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. The band currently comprises vocalist Trevor Strnad, guitarists Brian Eschbach and Brandon Ellis, drummer Alan Cassidy, and bassist Max Lavelle. Out of the eight studio albums they have released to date, the last seven have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands.

In early 2013, despite the news of the departure of two band members (drummer Shannon Lucas and bassist Bart Williams), plans were announced for an upcoming album release, to be entitled Everblack. Tentative plans estimated its release to be early summer 2013; likely June. On April 10, 2013, the iTunes Store was updated with official release and availability information, including cover art, a full track listing, and an official U.S. release date of June 11, 2013. The album has 10 tracks in total. On the same day, the band's first single from Everblack was made available for purchase and download, titled "Into The Everblack". The album itself was then released on June 11 and peaked at No. 32 on the U.S. Billboard 200. On November 28, 2014 (the day after Thanksgiving), The Black Dahlia Murder released a 7" EP titled Grind 'Em All featuring 3 short grindcore covers of punk rock songs: a cover of "Ripped Up" by Left for Dead, of "Rebel Without a Car" by Sedition and of "Populous" by Gyga. The covers were originally recorded almost 10 years earlier during the era of Miasma. The EP was released as part of Record Store Day's Black Friday event via A389 Recordings (rather than the band's label, Metal Blade Records), made available for purchase on the band's online merchandise store and also streamed in its entirety via Exclaim!. The album art for Grind 'Em All was designed by Szymon Siech. Lead guitarist Ryan Knight confirmed in early 2015 that the band will deliver a seventh studio release that year, followed by extensive touring, and that he is planning to start working on a solo album afterwards. Vocalist Trevor Strnad stated that the band's new album, titled Abysmal, will be "more raw and natural sounding" and feature "more dynamic and developed songs" than their previous work. "Vlad, Son of the Dragon", the first song from the album, was released online on June 24, followed by "Receipt" on July 22 and "Threat Level No. 3" on August 19. Abysmal was produced by Mark Lewis and Ryan Williams and released worldwide through Metal Blade on September 18. In early February 2016, it was announced that Knight had left the band; Brandon Ellis will replace him as touring lead guitarist. CANNOTANSWER


Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

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On 9 April 1960, Verwoerd opened the Union Exposition in Milner Park, Johannesburg, to mark the jubilee of the Union of South Africa. After Verwoerd delivered his opening address, David Pratt, a rich English businessman and farmer from the Magaliesberg, near Pretoria, attempted to assassinate Verwoerd, firing two shots from a .22 pistol at point-blank range, one bullet perforating Verwoerd's right cheek and the second his right ear. Colonel G. M. Harrison, president of the Witwatersrand Agricultural Society, leapt up and knocked the pistol from the gunman's hand. After the pistol fell to the floor, Harrison, with the help of Major Carl Richter, the Prime Minister's personal bodyguard, civilians and another policeman overpowered the gunman. He was taken to the Marshall Square police station and later transferred to the Forensic Medical Laboratory due to his peculiar behaviour. Within minutes of the assassination attempt, Verwoerd--still conscious and blood gushing from his face--was rushed to the nearby Johannesburg Hospital. Two days later, the hospital issued a statement which described his condition as 'indeed satisfactory--further examinations were carried out today and they confirm good expectations. Dr. Verwoerd at present is restful. There is no need for any immediate operation.' Once his condition stabilised, Verwoerd was transferred to a Pretoria Hospital. The neurologists who treated Verwoerd later stated that his escape had been 'absolutely miraculous'. Specialist surgeons were called in to remove the bullets. At first, there was speculation that Verwoerd would lose his hearing and sense of balance, but this was to prove groundless. He returned to public life on 29 May, less than two months after the shooting. David Pratt was initially held under the emergency regulations, declared on 30 March 1960, nine days after the Sharpeville massacre and shortly after Verwoerd received a death threat with a red note reading, "Today we kill Verwoerd". Pratt appeared for a preliminary hearing in the Johannesburg Magistrates' Court on 20 and 21 July 1960, once it was clear that the attempt was not fatal. Pratt claimed he had been shooting 'the epitome of apartheid'. However, in his defence, he stated he only wanted to injure, not kill, Verwoerd. The court accepted the medical reports submitted to it by five different psychiatrists, all of which confirmed that Pratt lacked legal capacity and could not be held criminally liable for having shot the prime minister. On 26 September 1960, he was committed to a mental hospital in Bloemfontein. On 1 October 1961, his 53rd birthday, he committed suicide, shortly before parole was to be considered. CANNOTANSWER

Answer this question "Why did he want to hurt him in any capacity?" by extracting the answer from the text above.


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Kasabian ( k@-SAY-bee-@n) are an English rock band formed in Leicester in 1997. The band's original members consisted of vocalist Tom Meighan, guitarist and vocalist Sergio Pizzorno, guitarist Chris Karloff, and bassist Chris Edwards. The band's line-up was completed by drummer Ian Matthews in 2004 after a string of session drummers. Karloff left the band in 2006 and founded a new band called Black Onassis.

The band released an EP titled Fast Fuse in late 2007 which featured the songs "Fast Fuse" and "Thick as Thieves". Both tracks are featured in their third album. Kasabian started work on their third album in late 2007 with producer Dan the Automator. On 5 March 2009, it was revealed that the album title would be West Ryder Pauper Lunatic Asylum, with a release date of 8 June 2009. The song "Vlad the Impaler" was released as a free download for a period of 4 days, as a preview for the album. The promo video for "Vlad the Impaler" stars Noel Fielding of The Mighty Boosh. Fielding is a fan of Kasabian, and appeared in an NME cover with the band. The album's first single was the track "Fire", which was released on 1 June 2009, used as the theme song for the English Premier League from the 2010-11 season onward, and the song "Where Did All the Love Go?" was released as the second single. The third single "Underdog" was used in the movie Takers (2010). On 14 June 2009, West Ryder Pauper Lunatic Asylum reached No. 1 in the UK Albums Chart, spending two weeks there. West Ryder Pauper Lunatic Asylum was shortlisted for the 2009 Mercury Prize, and was named 'Best Album' at the 2009 Q Awards. The band won "Best Group" at the 2010 Brit Awards. At the 2010 Q Awards the band won the "Best Act in the World Today". The first three albums were released as a box-set called The Albums in 2010. CANNOTANSWER