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Katrina Kaif (pronounced [k@'tri:na: 'ke:f], born Katrina Turquotte, 16 July 1983) is an English actress who works in Hindi films. Despite receiving mixed reviews from critics for her acting prowess, she has established herself in Bollywood, and is considered among the country's most attractive and highest-paid actresses. Born in Hong Kong, Kaif and her family lived in several countries before she moved to London. She received her first modelling assignment as a teenager and later pursued a career as a fashion model.

Katrina Kaif was born in Hong Kong with her mother's surname Turquotte (also spelt Turcotte), on 16 July 1983. According to the actress, her father (Mohammed Kaif) is a British businessman of Kashmiri Indian descent and her mother (Suzanne, also spelt Susanna) is an English lawyer and charity worker. She has seven siblings: three elder sisters (Stephanie, Christine, and Natasha), three younger sisters (Melissa, Sonia, and Isabel) and an elder brother, Michael. Isabelle Kaif is also a model and actress. Kaif's parents divorced when she was a child, and her father moved to the United States. She said her father had no influence on Kaif or her siblings while they were growing up, and they were raised by their mother. On her father's absence in her life, Kaif stated: "When I see friends who have wonderful fathers who are like pillars of support for their families, I say, if only I had that. But instead of complaining, I should be grateful for all the other things I have". In a 2009 interview with The Indian Express, she said she was not in touch with her father. Kaif says that her mother decided to "dedicate her life to social causes", which led to the family's relocation to a number of countries for varying lengths of time: Our transitions in growing up were--from Hong Kong where I was born, to China, then to Japan, and from Japan by boat to France ... After France, Switzerland--and I'm cutting out many East European countries where we were for only a few months each--then Poland in Krakow ... After that we went to Belgium, then to Hawaii, which was a short time, and then came to London. Due to their frequent relocation, Kaif and her siblings were home-schooled by a series of tutors. Although she is thought to have grown up in London, she lived there for only three years before moving to India. According to Kaif, she then changed her surname to her father's because she thought it would be easier to pronounce. Kaif's paternal parentage has been questioned by some members of the film industry. In a 2011 interview with Mumbai Mirror, Boom producer Ayesha Shroff accused Kaif of fabricating her history: "We created an identity for her. She was this pretty young English girl, and we gave her the Kashmiri father and thought of calling her Katrina Kazi. We thought we'd give her some kind of Indian ancestry, to connect with the audience ... But then we thought that Kazi sounded too ... religious? ... Mohammad Kaif was at the top, and so we said, Katrina Kaif sounds really great". Kaif called Shroff's comments "hurtful". In 2012, Kaif appeared in "Chikni Chameli", an item number in Agneepath that incorporated dance steps from the Lavani genre (a Maharashtrian folk dance). The song was filmed over a ten-day period and, according to the actress, "It was hard work. It was very fast and it was not a style I was used to, but I took it as a challenge". Kaif appeared next in Kabir Khan's espionage thriller Ek Tha Tiger as a Pakistani ISI agent who falls in love with an Indian RAW agent. Shubhra Gupta of The Indian Express wrote about her performance: "Katrina is an able, animated foil to Salman, her long legs making her leaps and kicks credible". The film received predominantly positive reviews, with Aniruddha Guha of Daily News and Analysis calling it "smart and stylish". With worldwide earnings of Rs3.1 billion (US$47 million), Ek Tha Tiger was the highest-grossing Bollywood film of the year. That year Kaif also appeared with Shah Rukh Khan and Anushka Sharma in Yash Chopra's swan song, the romance Jab Tak Hai Jaan. About working with Chopra, she remarked that he "undoubtedly is the king of romance and I have always admired the way he presents his heroines. It was always a dream to work with him and the reality is even better". She played Meera, a woman who promises God to end her affair with her comatose lover if he survives. Although the film received mostly positive reviews, Kaif's performance had a mixed reception. CNN-IBN wrote: "Meera's role was a difficult one and Katrina falls short in emotional scenes. It seems Katrina still doesn't feel very easy in front of the camera and has difficulty with complex expressions". Commercially, the film proved a box-office hit with revenues of Rs2.11 billion (US$32 million) worldwide. In 2013, she appeared briefly with Aamir Khan in Vijay Krishna Acharya's action thriller Dhoom 3. To prepare for her role as a circus performer, she undertook a year-long regimen of Pilates, functional training and aerial straps. The film received ambivalent reviews and Kaif was criticised for taking on an insubstantial part. Earning Rs5.42 billion (US$83 million) in box-office receipts, Dhoom 3 went on to become the highest-grossing Bollywood film of all time until it was surpassed by PK in 2014. Kaif's next appearance was in Siddharth Anand's Bang Bang! (2014), a remake of the 2010 action comedy Knight and Day. She played a bank receptionist who unwittingly gets caught up with a secret agent (Hrithik Roshan). Raja Sen of Rediff.com was disappointed with her performance, describing it as "insufferable". Although the film was commercially successful, financial analysts observed that it failed to meet box-office expectations. Ek Tha Tiger, Dhoom 3 and Bang Bang! still rank in the list of highest-grossing Indian films, while Jab Tak Hai Jaan still rank in the list of highest-grossing Indian films in overseas markets Kaif's sole appearance of 2015 was with Saif Ali Khan in Kabir Khan's post 26/11 counter-terrorism drama Phantom. In 2016, Kaif appeared in two films. In Abhishek Kapoor's Fitoor, an adaptation of Charles Dickens' Great Expectations, Kaif played a role based on Estella Havisham along with Aditya Roy Kapur and Tabu. Later that year she featured in Nitya Mehra's love story Baar Baar Dekho with Sidharth Malhotra. Both films were critical and commercial failures. In a review for the former, Namrata Joshi wrote: "Katrina is good so long as she has to just be herself. So she dances, smiles and flirts well, but the minute a dramatic scene comes up, her utter inadequacy as a performer shows." Next year, Kaif appeared alongside Ranbir Kapoor in Anurag Basu's comedy-adventure film Jagga Jasoos, which was released in 2017 after multiple delays. The film opened to mixed critical response and was a commercial disappointment. In the end of year, Kaif re-united with Salman Khan and reprised the role of Zoya in the Ali Abbas Zafar's action thriller film Tiger Zinda Hai, sequel to the 2012 film Ek Tha Tiger. The film released on Christmas weekend and opened to strong box office collections, collecting over Rs1.1 billion within three days of release. The film opened with positive to mixed reviews. Critics praised her action sequences but criticised her lack of dialogues. Rachit Gupta of Filmfare said, "The screenplay goes easy on [Kaif] by not giving her stand and dialogue. Instead, she does the bulk of the hand to hand combat and gun fights and she looks the part. It's invigorating to see a lady kick-ass with so much elan and pull all the punches like they're real." As of 2018, Kaif has filmed for the supportive role in the period action-adventure film Thugs of Hindostan, marking her second collaboration with Aamir Khan and director Vijay Krishna Acharya, also starring Amitabh Bachchan and Fatima Sana Shaikh. Kaif has also committed to star as an actress in Anand L Rai's Zero, marking her second collaboration with Shah Rukh Khan and Anushka Sharma, set to be released on 21 December 2018 during Christmas weekend. She has also been roped in for dance film ABCD 3, opposite Varun Dhawan. CANNOTANSWER

what films?


Background: Gregory Stephen Chappell MBE (born 7 August 1948) is a former cricketer who represented Australia at international level in both Tests and One-Day Internationals (ODI). The second of three brothers to play Test cricket, Chappell was the pre-eminent Australian batsman of his time who allied elegant stroke making to fierce concentration. An exceptional all round player who bowled medium pace and, at his retirement, held the world record for the most catches in Test cricket, Chappell's career straddled two eras as the game moved toward a greater level of professionalism after the WSC schism. Since his retirement as a player in 1984, Chappell has pursued various business and media interests as well as maintaining connections to professional cricket; he has been a selector for national and Queensland teams, a member of the Australian Cricket Board, and a coach.
Context: Chappell was happy for brother Ian to captain the WSC Australian team, which allowed him to concentrate on his batting. In the first season of WSC, he returned to type with 661 runs at an average of 60. The Australians struggled against the array of talented players assembled to represent the West Indian and World teams, and the emphasis on fast bowling destroyed the confidence of many batsmen, who took to wearing helmets for safety. Chappell eventually opted for a helmet with temple guards only - he never wore one with a grile. He never missed an opportunity to slip into a cap when facing medium pace or spin. In the final "Supertest" of the first season, Chappell captained the Australian team as his brother had suffered a broken finger. After four losses in five matches, the Australians turned matters around, thanks to a magnificent 246* by Greg Chappell, the highest innings played during the existence of WSC. However, the constant diet of fast bowling got to Chappell in the next season, and he managed to pass fifty in the Supertests just once. With a WSC tour of the West Indies looming, Chappell was diagnosed with Bell's Palsy and one side of his face was paralysed. Doctors and family advised him to miss the trip, but Chappell was determine to go and utilise a modified technique he had devised for facing the relentless fast bowling. After a slow start, Chappell hit the richest vein of form in his career. In quick succession, he peeled off 45 and 90 in Barbados, 7 and 150 in Trinidad, 113 in Guyana and finished his WSC career with 104 and 85 in Antigua, all scored against an attack of Andy Roberts, Michael Holding, Colin Croft and Joel Garner on their home wickets. Unfortunately for Chappell, WSC matches are not included in official statistics as he scored five hundreds in 14 Supertests and a total of 1415 runs at 56.6 average. In all, he missed 24 Test matches during his exile from official cricket. CANNOTANSWER
Question: What was the name of one of the  opposing teams he played against?

Answer:


Field was born in Kellyville, New South Wales. He is the youngest of seven children, and grew up in north western Sydney. He came from a long line of musicians, especially the women in his family. His great-great aunt was "Queenie Paul", known for performing at the Tivoli Theatre in Sydney, and his grandmother Kathleen accompanied silent movies in the mining town of Cobar. Field's mother, Marie, made sure that all of her seven children learned how to play at least one musical instrument. He attended the all-boys boarding school St. Joseph's College, which his great-grandfather Paddy Condon, an Italian immigrant and master stonemason, helped build. In 1979, while they were students at St. Joseph's, he and his brothers Paul and John formed the pop group The Cockroaches. He was inspired by his sister Colleen to study Early Childhood Education, and became convinced that teaching preschool children "was my calling". He was also attracted to the field's freedom, artistic nature, and lack of discipline, which was different from his experience in boarding school. Field put off university when The Cockroaches became successful, but he was dissatisfied with touring and plagued by "perhaps irrational, but very real, feelings of inadequacy and depression". By his mid-twenties, he decided that he did not want to tour any longer, so he took two breaks. His first break was as an infantry soldier, medic, and rifleman in the 5th/7th Battalion, Royal Australian Regiment, Australia's regular army from 1982 to 1985. He played the bagpipes in parades and on training missions, but ended his military service in July 1985 and suffered from a bad back as a result of his training. He also went backpacking in the U.K., listening to roots music, to children's music by artists like Raffi, and to recordings of children's books. When The Cockroaches disbanded in the early 1990s, Field enrolled at Macquarie University. While at university, he decided to record an album of children's music, enlisting the assistance of fellow student and guitarist Murray Cook, former Cockroaches roadie and vocalist Greg Page, former bandmate and keyboardist Jeff Fatt, and Macquarie instructor and composer Phillip Wilcher, who later left the group. CANNOTANSWER

Answer this question "What was the name of his parents?" by extracting the answer from the text above.


Wayne Coleman was born into a working-class family in Phoenix, Arizona on June 07, 1943. His father was from Mississippi, and his mother, of Cherokee ancestry, was from Arkansas. Coleman was attracted to weight lifting in the fifth grade. As a teenager he was an avid reader of bodybuilding magazines, his idols being Steve Reeves and John Grimek.

Graham returned to the WWWF in April 1977 after an agreement with promoter Vincent J. McMahon (Senior). Graham defeated Bruno Sammartino for the WWWF Heavyweight Championship on April 30, 1977, in Baltimore, Maryland. Graham held the title for nine and a half months. During his reign, he wrestled across America and in Japan (February 1978), facing challengers such as former champion Bruno Sammartino, Jack Brisco, Dusty Rhodes, Pedro Morales, Don Muraco, Mil Mascaras, Strong Kobayashi and Riki Choshu. On 25 January 1978 in Miami, Florida at the Orange Bowl football stadium, Graham wrestled against then-NWA World Heavyweight Champion Harley Race in a WWWF World Heavyweight Championship vs. NWA World Heavyweight Championship unification match which ended in a one-hour time-limit draw. Although a defeat by Bob Backlund, who was to embody the virtuous junior "all-American" wrestler, had been written into Graham's current contract with the WWWF, Graham suggested another outcome to McMahon: that Ivan Koloff should turn on him, thus starting a feud that would make Graham a fan favorite. McMahon refused because of the handshake deal to make Backlund the new fan favorite champion and he did not want to go back on his word. It was also unheard of for a counter-cultural character like Graham to be a fan favorite, because McMahon and many old promoters saw Graham as a confirmed heel and therefore a negative role model. Graham eventually "lost" the title to Backlund on February 20, 1978. Another feud Graham had as champion was with Dusty Rhodes, which culminated in a Texas Bullrope match. His confrontations with Rhodes continued after Graham had been forced to drop the belt to Backlund. Rhodes himself, a long-time friend of Graham's, recalled these matches with Graham in 1978 as among the most exciting and memorable of his career. Disillusioned by the premature loss of his belt, Graham left the WWWF in December 1978 and accepted an offer to join Paul Boesch's promotion in Houston, Texas, lending himself out for other NWA events in California and Florida as well. In April 1979 he embarked on his third IWA tour of Japan, where he wrestled the same men he had worked with in 1974. In March 1979, the new Continental Wrestling Association (CWA) named Graham as their World Champion. On November 8th, 1979 Graham lost the belt to Jerry Lawler in Lexington, Kentucky. His following NWA engagements in Kentucky, Tennessee, Georgia and Texas became fewer and rarer until he stopped wrestling in April 1980. Graham wrestled only two matches (one in Canada and one in Los Angeles) in the whole of 1981. He spent some time competing in Japan, where he added some martial arts techniques to his repertoire. CANNOTANSWER

What was his agreement with McMahon?


Gates was born in Seattle, Washington on October 28, 1955. He is the son of William H. Gates Sr. (b. 1925) and Mary Maxwell Gates (1929-1994). His ancestry includes English, German, Irish, and Scots-Irish.

After Gates read the January 1975 issue of Popular Electronics, which demonstrated the Altair 8800, he contacted Micro Instrumentation and Telemetry Systems (MITS), the creators of the new microcomputer, to inform them that he and others were working on a BASIC interpreter for the platform. In reality, Gates and Allen did not have an Altair and had not written code for it; they merely wanted to gauge MITS's interest. MITS president Ed Roberts agreed to meet them for a demo, and over the course of a few weeks they developed an Altair emulator that ran on a minicomputer, and then the BASIC interpreter. The demonstration, held at MITS's offices in Albuquerque, was a success and resulted in a deal with MITS to distribute the interpreter as Altair BASIC. Paul Allen was hired into MITS, and Gates took a leave of absence from Harvard to work with Allen at MITS in Albuquerque in November 1975. They named their partnership "Micro-Soft" and had their first office located in Albuquerque. Within a year, the hyphen was dropped, and on November 26, 1976, the trade name "Microsoft" was registered with the Office of the Secretary of the State of New Mexico. Gates never returned to Harvard to complete his studies. Microsoft's Altair BASIC was popular with computer hobbyists, but Gates discovered that a pre-market copy had leaked into the community and was being widely copied and distributed. In February 1976, Gates wrote an Open Letter to Hobbyists in the MITS newsletter in which he asserted that more than 90 percent of the users of Microsoft Altair BASIC had not paid Microsoft for it and by doing so the Altair "hobby market" was in danger of eliminating the incentive for any professional developers to produce, distribute, and maintain high-quality software. This letter was unpopular with many computer hobbyists, but Gates persisted in his belief that software developers should be able to demand payment. Microsoft became independent of MITS in late 1976, and it continued to develop programming language software for various systems. The company moved from Albuquerque to its new home in Bellevue, Washington, on January 1, 1979. During Microsoft's early years, all employees had broad responsibility for the company's business. Gates oversaw the business details, but continued to write code as well. In the first five years, according to Bill Gates' own claims, he personally reviewed every line of code the company shipped, and often rewrote parts of it as he saw fit. CANNOTANSWER

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was he able to secure a job because of inventing BASIC?


The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity, fueled by unprecedented sales of LP records, and helped to alter the direction of popular music in the U.S. The Kingston Trio was one of the most prominent groups of the era's pop-folk boom that started in 1958 with the release of their first album and its hit recording of "Tom Dooley", which sold over three million copies as a single.

Following the Hungry i engagement, Reynolds moved to Port Orford, Oregon and pursued interests in ranching, business, and race cars for the next twenty years. Stewart commenced a long and distinguished career as a singer-songwriter, composing hit songs like "Daydream Believer" for The Monkees and "Runaway Train" for Rosanne Cash. He recorded more than 40 albums of his own, most notably the landmark California Bloodlines, and found chart success in the top forty with "Midnight Wind", "Lost Her in the Sun", and "Gold", the latter reaching number 5 in 1979. Bob Shane decided to stay in entertainment, and he experimented with solo work. He recorded several singles, including a well-received but under-marketed version of the song "Honey" that later became a million-seller for Bobby Goldsboro, and with different configurations with other folk-oriented performers. Though finances were not an immediate concern--the Kingston Trio partners Werber, Shane and Reynolds still owned an office building, a restaurant, other commercial real estate, and a variety of other lucrative investments--Shane wanted to return to a group environment and in 1969 secured permission from his partners to use the mutually owned group name for another band, with Reynolds and Werber insisting only that Shane's group be musically as accomplished as its predecessors and that Shane append "new" to the band's title. Shane agreed and organized two troupes under the name of "The New Kingston Trio". The first consisted of guitarist Pat Horine and banjoist Jim Connor in addition to Shane and lasted from 1969 to 1973, the second including guitarist Roger Gambill and banjoist Bill Zorn from 1973 until 1976. Shane tried to create a repertoire for these groups that included both the older and expected Kingston Trio standards like "Tom Dooley" and "M.T.A." but that would also feature more contemporary songs as well, including country and novelty tunes. The attempt did not meet with any significant success. The only full-length album released by either group was The World Needs a Melody in 1973 (though 25 years later FolkEra Records issued The Lost Masters 1969-1972, a compilation of previously unreleased tracks from the Shane-Horine-Connor years), and its sales were negligible. Though both troupes of the New Kingston Trio made a limited number of other recordings and several television appearances, neither generated very much interest from fans or the public at large. CANNOTANSWER

Answer the following question by taking a quote from the article: What happened at the Hungry I engagement?


Samuel Dale Brownback (born September 12, 1956) is an American lawyer, politician, diplomat and the current United States Ambassador-at-Large for International Religious Freedom since 2018. Brownback previously served as the 46th Governor of Kansas, as a U.S. Senator from Kansas, as a member of the U.S. House of Representatives, and as the Secretary of Agriculture of Kansas. A member of the Republican Party, he was elected to the U.S. House of Representatives during the Republican Revolution of 1994, representing Kansas's 2nd congressional district for a single term, before running in a 1996 special election for the U.S. Senate seat previously held by Bob Dole. He won the special election and the following two regular elections, serving until 2011.

Brownback opposes a single-payer, government-run health-care system. He supports increased health insurance portability, eliminating insurance rejection due to pre-existing medical conditions, a cap on frivolous malpractice lawsuits, the implementation of an electronic medical records system, an emphasis on preventative care, and tax benefits aimed at making health-care insurance more affordable for the uninsured and targeted to promote universal access. He opposes government-funded elective abortions in accordance with the Hyde Amendment. He has been a strong supporter of legislation to establish a national childhood cancer database and an increase in funding for autism research. Brownback supports negotiating bulk discounts on Medicare drug benefits to reduce prices. In 2007, Senators Brownback and Sherrod Brown (D-OH) sponsored an amendment to the Food and Drug Administration Amendments Act of 2007. The amendment created a prize as an incentive for companies to invest in new drugs and vaccines for neglected tropical diseases. It awards a transferable "Priority Review Voucher" to any company that obtains approval for a treatment for a neglected tropical disease. This provision adds to the market-based incentives available for the development of new medicines for developing world diseases such as malaria, tuberculosis and African sleeping sickness. The prize was initially proposed by Duke University faculty Henry Grabowski, Jeffrey Moe, and David Ridley in their 2006 Health Affairs paper: "Developing Drugs for Developing Countries." Brownback supports a bill that would introduce price transparency to the U.S. health care industry, as well as a bill which would require the disclosure of Medicare payment rate information. On December 16, 2006, Brownback gave an interview to the Christian Post, stating: "We can get to this goal of eliminating deaths by cancer in ten years." CANNOTANSWERAnswer this question using a quote from the following article:

has he worked to pass any laws relating to healthcare?


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John Sherman Cooper was born August 23, 1901, in Somerset, Kentucky. He was the second child and first son of seven children born to John Sherman and Helen Gertrude (Tartar) Cooper. The Cooper family had been prominent in the Somerset area since brothers Malachi and Edward Cooper migrated from South Carolina along the Wilderness Trail and through the Cumberland Gap around 1790, shortly after Daniel Boone.

After being urged into politics by his uncle, Judge Roscoe Tartar, Cooper ran unopposed for a seat in the Kentucky House of Representatives as a Republican in 1927. As a member of the House, he was one of only three Republicans to oppose Republican Governor Flem D. Sampson's unsuccessful attempt to politicize the state department of health; the measure failed by a single vote. Cooper supported the governor's plan to provide free textbooks for the state's school children and sponsored legislation to prohibit judges from issuing injunctions to end labor strikes, although the latter bill did not pass. In 1929, Cooper declared his candidacy for county judge of Pulaski County. His opponent, the incumbent, was the president of Somerset Bank and the former law partner of Cooper's father. Cooper won the election, however, beginning the first of his eight years as county judge. During his service, he was required by law to enforce eviction notices, but often helped those he evicted find other housing or gave them money himself, earning him the nickname "the poor man's judge". He reportedly became so depressed by the poverty and suffering of his constituents during the Great Depression that he had a nervous breakdown and took a leave of absence to seek psychiatric treatment. Cooper served on the board of trustees for the University of Kentucky from 1935 to 1946. In 1939, he sought the Republican gubernatorial nomination. As a result of a mandatory primary election law passed in 1935, the Republican nominee would not be chosen by a nominating convention, as was typical for the party. Cooper garnered only 36% of the vote in the primary, losing the nomination to King Swope, a Lexington circuit court judge and former congressman. CANNOTANSWER

Is there any other interesting information?


Background: Gwar, often styled as GWAR, is an American heavy metal band formed in Richmond, Virginia in 1984, composed of and operated by a frequently rotating line-up of musicians, artists and filmmakers collectively known as Slave Pit Inc.. Following the death of frontman and lead singer Dave Brockie in 2014, the group has continued without any original members, although Don Drakulich, a non-instrument-performing member of the collective, has been with the band since 1985. Easily identified by their distinctively grotesque costumes, Gwar's core thematic and visual concept revolves around an elaborate science fiction-themed mythology which portrays the band members as barbaric interplanetary warriors, a narrative which serves as the basis for all of the band's albums, videos, live shows and other media. Rife with over-the-top violent, sexual, and scatological humour typically incorporating social and political satire, Gwar have attracted both acclaim and controversy for their music and stage shows, the latter of which notoriously showcase enactments of graphic violence that result in the audience being sprayed with copious amounts of fake blood, urine, and semen.
Context: With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material. In August 1990, Michael Derks had a daughter leading him to take a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning home, Gwar filmed their first cameo in a mainstream film, Mystery Date. Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group killed their audition when they showed up in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation. The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" codpiece, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis. This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe. CANNOTANSWER
Question: How many songs were on the album?. Whats the answer?


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After graduating DeLand High School, Nancy got a job answering phones at State Farm Insurance. When George Napolitano needed a beautiful young girl for the cover of the June 1984 edition of the pro-wrestling magazine Wrestling All Stars, fellow photographer Bill Otten suggested the 20-year-old Nancy Toffoloni Daus for the role. Nancy, who had worked as a model, often sat alongside her then-husband Jim.

After being dumped by Sandman and Scorpio in ECW, she once again resurfaced in WCW, first appearing on the January 22, 1996 episode of WCW Monday Nitro as one of many women who stood in the aisle and waved as Hulk Hogan and Randy Savage came to the ring. On the February 5 episode of Nitro she turned on Savage during his match with Chris Benoit and rejoined Flair, Arn Anderson, Brian Pillman, and Benoit in the then-current incarnation of the Four Horsemen. Miss Elizabeth also managed the stable. In 1996, Pillman had left the Horsemen, but they added Steve McMichael and his wife Debra in June, which didn't sit well with Woman. In her next angle, the two bickered, not getting along in general. The Four Horsemen were often given interview time on Nitro and when it came time for Debra to speak on the mic, she'd often go into a soliloquy regarding Woman's looks and fashion sense -- usually when the two weren't within the vicinity of each other. Despite the heavy tension, the two managers never had a physical altercation. At the same time, she started an on-screen relationship with Benoit, who at the time was involved in a feud with her real-life husband, Kevin Sullivan. On December 7, on WCW Saturday Night, during a post-match interview with Sullivan, a home movie of the couple canoodling in a kitchen was played in front of him. Woman taunted Sullivan by saying, "You can't find me" and "I'm my own woman," while Benoit added: "You consider yourself the master of human chess. Well, my bishop just took your queen". After the video, Sullivan stood there speechless, and his manager Jimmy Hart led him off stage. This feud between Benoit and Sullivan saw Woman clashing with Sullivan's then-valet Jacquelyn at ringside. In one match, the two ladies were strapped together, took shots at each other, and used the strap connecting them as a weapon against the men. Eventually, the Benoit-Nancy on-screen relationship developed into a real-life affair off-screen. Because of this, it is often joked that 'Kevin Sullivan booked his own divorce.' The two were indeed divorced in 1997. What's more, Sullivan lost a retirement match to Benoit. His intent had been to retire from in-ring action and focus on booking. Nancy's final WCW appearance (and professional wrestling appearance as Woman) took place on May 26, 1997 on Monday Nitro as she accompanied Benoit to the ring for a confrontation with Jimmy Hart regarding the whereabouts of Sullivan, who wasn't in the arena. On the following week's show, Benoit came alone to ringside without her by his side. After managing him for a little over half a year, no reason was given for Woman's sudden disappearance, and she was never mentioned on WCW programming again. CANNOTANSWER

Did she wrestle or just wave?


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Judas Priest are an English heavy metal band formed in West Bromwich in 1969. The band have sold over 50 million copies of their albums to date. They are frequently ranked as one of the greatest metal bands of all time. Despite an innovative and pioneering body of work in the latter half of the 1970s, the band struggled with indifferent record production, repeated changes of drummer, and lack of major commercial success or attention until 1980, when they adopted a more simplified sound on the album British Steel, which helped shoot them to rock superstar status.

Judas Priest were formed in 1969 in industrial West Bromwich, in the Black Country, by vocalist Al Atkins and bassist Brian "Bruno" Stapenhill, with John Perry on guitar and John "Fezza" Partridge on drums. Perry soon died in a road accident, and amongst the replacements the band auditioned were future Judas Priest guitarist Kenny "K. K." Downing; at the time, they turned him down in favour of 17-year-old multi-instrumentalist Ernest Chataway, who had played with Birmingham band Black Sabbath when they were still called Earth. Stapenhill came up with the name Judas Priest from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest" on the album John Wesley Harding. No member of that early lineup lasted long enough to play on the band's recordings, though several songs co-written by Atkins appeared on their first two albums. The band gained a three-album recording contract with the label Immediate in late 1969 after a gig in Walsall, but the label went out of business before an album could be recorded, and the band split in 1970. Late in the year, Atkins found a heavy rock band rehearsing without a singer called Freight, made up of K. K. Downing on guitar, his childhood friend Ian "Skull" Hill on bass, and drummer John Ellis. He joined them, and they took on Atkins' defunct band's name. Their first gig was on 6 March 1971. Ellis quit later that year and was replaced with Alan Moore. Early shows included Hendrix and Quatermass covers, and in 1972 the set list included the originals "Never Satisfied", "Winter", and the show-closer "Caviar and Meths". Moore left and was replaced with Christopher Louis "Congo" Campbell, and the band joined Black Sabbath guitarist Tony Iommi's management agency Iommi Management Agency. Atkins continued to write material for the band--including "Whiskey Woman", which became the base for the Judas Priest staple "Victim of Changes"--but as finances were tight and he had a family to support, he played his last gigs with the band in December 1972. Campbell left soon afterwards, and the band enlisted two members of the band Hiroshima: drummer John Hinch and vocalist Rob Halford, the brother of Hill's girlfriend. Judas Priest made their first tour of continental Europe in early 1974 and returned to England that April to sign a recording deal with the label Gull. Gull suggested adding a fifth member to fill out the band's sound; they took on as a second lead guitarist Glenn Tipton, whose group The Flying Hat Band were also managed by Iommi's agency. Judas Priest went into the studio in June-July 1974 with Black Sabbath producer Rodger Bain. The band released their debut single "Rocka Rolla" that August and followed in September with an album of the same name. The album features a variety of styles--straight-up rock, heavy riffing, and progressive. Technical problems during the recording contributed to the poor sound quality of the record. Producer Rodger Bain, whose resume included Black Sabbath's first three albums as well as Budgie's first album, dominated the production of the album and made decisions with which the band did not agree. Bain also chose to leave fan favourites from the band's live set, such as "Tyrant", "Genocide" and "The Ripper", off the album and he cut the song "Caviar and Meths" from a 10-minute song down to a 2-minute instrumental. The tour for Rocka Rolla was Judas Priest's first international tour with dates in Germany, the Netherlands, Norway and Denmark including one show at Hotel Klubben in Tonsberg, one hour from Oslo, Norway, which scored them a somewhat negative review in the local press. The album flopped upon release, leaving Priest in dire financial straits. Priest attempted to secure a deal with Gull Records to get a monthly pay of 50 pounds, however, because Gull Records were struggling as well, they declined. Rocka Rolla (1974) has been for the most part dismissed by the band and none of its songs were played live after 1976 except for "Never Satisfied", which was revived during the Epitaph Tour in 2011. The band performed "Rocka Rolla" on BBC Two's The Old Grey Whistle Test in 1975, as well as the "Dreamer Deceiver"-"Deceiver" pair the year before the songs appeared on Sad Wings of Destiny. Hinch left the band for reasons that are disputed and was replaced with Alan Moore, who returned to the band in October 1975. Finances were tight: band members restricted themselves to one meal a day--and several took on part-time work--while they recorded their follow-up album on a budget of PS2000. The group intended to make an album mixing straight-ahead rock with a progressive edge. The band recorded Sad Wings of Destiny over two weeks in November and December 1975 at Rockfield Studios in Wales. The band stayed sober during the 12-hour recording sessions. The cover depicts a struggling, grounded angel surrounded by flames and wearing a devil's three-pronged cross, which became the band's symbol. The album was released in March 1976, with "The Ripper" as lead single. The band supported the album with a headlining tour of the UK from April to June 1976. By this time Halford joked that fans should burn their copies of Rocka Rolla. The album had little commercial success at first and had difficulty getting noticed due to critical competition from the rise of punk rock, though it peaked at No. 48 in the UK and had a positive review in Rolling Stone. Fans, critics, and the band have since come to see Sad Wings of Destiny as the album on which Judas Priest consolidated their sound and image. It features heavy riffing and complex song arrangements that Tipton and Downing have said were inspired by the factories of The Black Country. The album's centrepiece "Victim of Changes" evolved from a combination of Atkins' "Whiskey Woman" and Halford's "Red Light Woman", and went on to become a fan favourite. The band grew dissatisfied with Gull; the tight finances led Moore to leave the band a second time--this time permanently. Sad Wings of Destiny caught the attention of CBS Records, and with the help of new manager David Hemmings, the band signed with CBS and received a PS60000 budget for their next album. The signing required breaking their contract with Gull, resulting in the rights to the first two albums and all related recordings--including demos--becoming property of Gull. Gull periodically repackaged and re-released the material from these albums. CANNOTANSWER

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Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. Since its inception, Testament has had numerous lineup changes, leaving Peterson as the only constant member. Billy replaced original singer Steve "Zetro" Souza (who left the band to join Exodus as the replacement of Paul Baloff) in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

In a March 2017 interview with Japan's Roppongi Rocks, frontman Chuck Billy revealed that Testament had begun working on new material for their twelfth studio album, and planned to continue writing in the summer after their U.S. and European tours. Billy also expressed hope that the album would be released in 2018, stating, "We thought we'd have a record out after two years; it just ended up being four, because the process just... I don't know what happened, but it took forever. So this time, like, you know what? I don't wanna do that again. I told Eric exactly when we were done recording. I said, 'You know what? It's a great record now, but I don't wanna go through what I had to go through to do this again. So why don't we start writing now?' So we decided that when we're not on the road, let's get together and just jam and maybe come up and at least get to that point where we were with this record -- a bunch of ideas and riffs and lyrics." In a December 2017 interview with Metal Messiah Radio, Billy stated that Testament will start working on their new album after they finish touring in support of Brotherhood of the Snake in August 2018, hoping not to repeat the four year gaps between their last three albums. He explained, "If we can get a head start on riffs and ideas, and then hopefully after that, you know, really dig in to put out a record in 2019, sometime." Peterson confirmed in a February 2018 interview with RockSverige that he has begun the songwriting process of the album, and added, "Our plan was to end in August 2018 and maybe get into the studio by the end of 2018 and put the record out in 2019. But, you know, Slayer's announced [their farewell tour] and they want us to be a part of it. I would imagine, if that stuff happens, then things will get pushed back a little bit, but the initial plan is to have it out in 2019. [We're] ready for summer to do all the A markets for festivals and stuff. This summer we're not doing a lot of festivals; we're actually talking about bowing out of a couple to make other things happen with the Slayer farewell thing." In support of their twelfth studio album, Testament will reportedly embark on a revamped version of the Clash of the Titans tour with Megadeth, Slayer and Sepultura. CANNOTANSWER


Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American record producer, musician, and songwriter who developed the Wall of Sound, a music production formula he described as a "Wagnerian" approach to rock and roll. Spector is considered the first auteur among musical artists for the unprecedented freedom and control he had over every phase of the recording process. Additionally, he helped engender the idea of the studio as its own distinct instrument. For these contributions, he is acknowledged as one of the most influential figures in pop music history.

Spector began to reemerge in the late 1970s, producing and co-writing a controversial 1977 album by Leonard Cohen, entitled Death of a Ladies' Man. This angered many devout Cohen fans who preferred his stark acoustic sound to the orchestral and choral wall of sound that the album contains. The recording was fraught with difficulty. After Cohen had laid down practice vocal tracks, Spector mixed the album in studio sessions, rather than allowing Cohen to take a role in the mixing, as Cohen had previously done. Cohen remarked that the end result is "grotesque", but also "semi-virtuous"--for many years, he included a reworked version of the track "Memories" in live concerts. Bob Dylan and Allen Ginsberg also participated in the background vocals on "Don't Go Home with Your Hard-On", which is the second time Spector indirectly "produced" Dylan--the first being Dylan's live recordings on The Concert for Bangladesh. Spector also produced the much-publicized Ramones album End of the Century in 1979. As with his work with Leonard Cohen, End of the Century received criticism from Ramones fans who were angered over its radio-friendly sound. However, it contains some of the best known and most successful Ramones singles, such as "Rock 'n' Roll High School", "Do You Remember Rock 'n' Roll Radio?" and their cover of a previously released Spector song for the Ronettes, "Baby, I Love You." Guitarist Johnny Ramone later commented on working with Spector on the recording of the album, "It really worked when he got to a slower song like 'Danny Says'--the production really worked tremendously. For the harder stuff, it didn't work as well." Rumors circulated for years that Spector had threatened members of the Ramones with a gun during the sessions. Dee Dee claimed that Spector once pulled a gun on him when he tried to leave a session. Drummer Marky Ramone recalled in 2008, "They [guns] were there but he had a license to carry. He never held us hostage. We could have left at any time". CANNOTANSWERAnswer this question using a quote from the following article:

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Prince Philip of Greece and Denmark was born in Mon Repos on the Greek island of Corfu on 10 June 1921, the only son and fifth and final child of Prince Andrew of Greece and Denmark and Princess Alice of Battenberg. Philip's four elder sisters were Margarita, Theodora, Cecilie, and Sophie. He was baptised into the Greek Orthodox Church. His godparents were Queen Olga of Greece (his paternal grandmother) and the Mayor of Corfu.

After leaving Gordonstoun in 1939, Philip joined the Royal Navy, graduating the next year from the Royal Naval College, Dartmouth, as the best cadet in his course. During the Second World War, he continued to serve in the British forces, while two of his brothers-in-law, Prince Christoph of Hesse and Berthold, Margrave of Baden, fought on the opposing German side. Philip was appointed as a midshipman in January 1940. He spent four months on the battleship HMS Ramillies, protecting convoys of the Australian Expeditionary Force in the Indian Ocean, followed by shorter postings on HMS Kent, on HMS Shropshire and in Ceylon (now Sri Lanka). After the invasion of Greece by Italy in October 1940, he was transferred from the Indian Ocean to the battleship HMS Valiant in the Mediterranean Fleet. On 1 February 1941, he was commissioned as a sub-lieutenant after a series of courses at Portsmouth, in which he gained the top grade in four out of five sections of the qualifying examination. Among other engagements, he was involved in the Battle of Crete, and was mentioned in dispatches for his service during the Battle of Cape Matapan, in which he controlled the battleship's searchlights. He was also awarded the Greek War Cross of Valour. Duties of lesser glory included stoking the boilers of the troop transport ship RMS Empress of Russia. In June 1942, he was appointed to the V and W-class destroyer and flotilla leader HMS Wallace, which was involved in convoy escort tasks on the east coast of Britain, as well as the Allied invasion of Sicily. Promotion to lieutenant followed on 16 July 1942. In October of the same year, he became first lieutenant of HMS Wallace, at 21 years old one of the youngest first lieutenants in the Royal Navy. During the invasion of Sicily, in July 1943, as second in command of HMS Wallace, he saved his ship from a night bomber attack. He devised a plan to launch a raft with smoke floats that successfully distracted the bombers, allowing the ship to slip away unnoticed. In 1944, he moved on to the new destroyer, HMS Whelp, where he saw service with the British Pacific Fleet in the 27th Destroyer Flotilla. He was present in Tokyo Bay when the instrument of Japanese surrender was signed. In January 1946, Philip returned to the United Kingdom on the Whelp, and was posted as an instructor at HMS Royal Arthur, the Petty Officers' School in Corsham, Wiltshire. CANNOTANSWER

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Roy Claxton Acuff (September 15, 1903 - November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the "King of Country Music," Acuff is often credited with moving the genre from its early string band and "hoedown" format to the singer-based format that helped make it internationally successful. In 1952 Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds.

Acuff was born on September 15, 1903 in Maynardville, Tennessee, to Ida (nee Carr) and Simon E. Neill Acuff, the third of their five children. The Acuffs were a fairly prominent family in Union County. Roy's paternal grandfather, Coram Acuff, had been a Tennessee state senator, and his maternal grandfather was a local physician. Roy's father was an accomplished fiddler and a Baptist preacher, his mother was proficient on the piano, and during Roy's early years the Acuff house was a popular place for local gatherings. At such gatherings, Roy would often amuse people by balancing farm tools on his chin. He also learned to play the harmonica and jaw harp at an early age. In 1919, the Acuff family relocated to Fountain City (now a suburb of Knoxville), a few miles south of Maynardville. Roy attended Central High School, where he sang in the school chapel's choir and performed in "every play they had." His primary passion, however, was athletics. He was a three-sport standout at Central and, after graduating in 1925, was offered a scholarship to Carson-Newman University but turned it down. He played with several small baseball clubs around Knoxville, worked at odd jobs, and occasionally boxed. In 1929, Acuff tried out for the Knoxville Smokies, a minor-league baseball team then affiliated with the New York Giants (now the San Francisco Giants). A series of collapses in spring training following a sunstroke, however, ended his baseball career. The effects left him ill for several years, and he suffered a nervous breakdown in 1930. "I couldn't stand any sunshine at all," he later recalled. While recovering, Acuff began to hone his fiddle skills, often playing on the family's front porch after the sun went down. His father gave him several records of regionally renowned fiddlers, such as Fiddlin' John Carson and Gid Tanner, which were important influences on his early style. CANNOTANSWER

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Joko Widodo (born Mulyono; Javanese: ; 21 June 1961), also known as Jokowi, is the seventh and current President of Indonesia, in office since 2014. Previously he was Mayor of Surakarta from 2005 to 2012 and Governor of Jakarta from 2012 to 2014. He is the first Indonesian president without a high-ranking political or military background.

In the first quarter of 2015, year-on-year GDP grew 4.92 percent. In the second quarter it grew 4.6%, the lowest figure since 2009. Anything less than 6 per cent and Indonesia cannot absorb the new entrants to its labour market each year. Furthermore since most of 2017 economic growth remained above the 5.2 percent mark, the Indonesian government has projected its economic growth in 2018 to be at least at 5.4 percent, which is still .6 percent below what is considered healthy economic growth mark of 6 percent . In combination of many factors such as international trade war initiated between the U.S. and China, U.S. Federal Reserves' tightening of monetary policy and the general elections in Indonesia in 2019, much of the anemic nature of Indonesia's economic growth stems from income inequality. Whereas current government and its robust economic and "overly ambitious" infrastructure policies aim to stimulate economic growth, it hasn't been felt across the board. Only the middle- and upper- socio-economic households have been positively affected by the current government's policies. This is consistent with what the current administration attempts to do by improving infrastructure, transportation and connectivity across the country. By providing infrastructure such as roads, highways, bridges, railroads and airports across the country and into rural Indonesia, this will reduce the costs of goods. As a result, not only will this increase the purchasing power parity and reduce economic inequality, but also improving the quality of living across the board. The rupiah weakened further, with its exchange rate per US dollar, falling to Rp 14,000 in August 2015, the lowest level in the last 17 years. On 24 September 2015, it closed at 14797. The rupiah appreciated by 2.28 percent to Rp13.473/USD on 31 December 2016. The year-on-year inflation in June 2015 was 7.26 percent, higher than in May (7.15 percent) and June the year before (6.7 percent). CANNOTANSWER

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Background: Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (Jiu Shi  Rang , Hisaishi Jo), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.
Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER
Question: Who is listed as his family?. Whats the answer?


Background: Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.
Context: In 1899, Ross resigned from Indian Medical Service and went to England to join the faculty of the Liverpool School of Tropical Medicine as lecturer. He continued to work on prevention of malaria in different parts of the world, including West Africa, the Suez Canal zone, Greece, Mauritius, Cyprus, and in the areas affected by the First World War. He also initiated organisations, which proved to be well established, for fighting malaria in India and Sri Lanka. He was appointed as Professor and Chair of Tropical Medicine of the Liverpool School of Tropical Medicine in 1902, which he held up to 1912. In 1912 he was appointed Physician for Tropical Diseases at King's College Hospital in London, and simultaneously hold the Chair of Tropical Sanitation in Liverpool. He remained in these posts until 1917 when he became (honorary) Consultant in Malariology in British War Office. He travelled to Thessaloniki and Italy in November to advise and on the way, "in a landlocked bay close to the Leucadian Rock (where Sappho is supposed to have drowned hers)", his ship escaped a torpedo attack. Between 1918 and 1926 he worked as Consultant in Malaria in the Ministry of Pensions and National Insurance. Ross developed mathematical models for the study of malaria epidemiology, which he initiated in his report on Mauritius in 1908. He elaborated the concept in his book The Prevention of malaria in 1910 (2nd edition in 1911) and further elaborated in a more generalised form in scientific papers published by the Royal Society in 1915 and 1916. These papers represented a profound mathematical interest which was not confined to epidemiology, but led him to make material contributions to both pure and applied mathematics. Ross was one of the supporters of Sir William Osler in the founding of the History of Medicine Society in 1912, and in 1913 was the history of medicines's sections vice-president. CANNOTANSWER
Question: Did he publish any studies?

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Hull was born August 9, 1964, in Belleville, Ontario. His father, Bobby, was a long-time professional hockey player in both the National Hockey League (NHL) and World Hockey Association (WHA). His mother, Joanne (McKay), was an American professional figure skater and taught him how to skate. He has three brothers: Bobby Jr., Blake and Bart, and a younger sister: Michelle.

Admitting that he was viewed as a "pudgy, fun-loving, music-crazed bum" in his youth, Hull stated in his autobiography that he was not surprised when he failed to attract the attention of a junior team. He was first eligible for the NHL Entry Draft in 1982, but as he was still playing in a juvenile league, was passed over without interest. He joined the Penticton Knights of the tier-II British Columbia Junior Hockey League (BCJHL) in the 1982-83 season where he scored 48 goals in 50 games. He was again passed over at the 1983 Entry Draft as teams remained unconvinced of his commitment to the game and his conditioning. NHL teams finally took notice of Hull following his 1983-84 season in which he scored 105 goals in 56 games and broke the BCJHL scoring record with 188 points. The Calgary Flames selected him in the sixth round of the 1984 NHL Entry Draft, 117th overall. Hull accepted a scholarship to play for the University of Minnesota-Duluth (UMD), and in 1984-85, scored 32 goals as a freshman. The power of his shot terrorized opposition goaltenders. He was awarded the Jerry Chumola Award as the school's rookie of the year and received similar honors from the Western Collegiate Hockey Association (WCHA). His coaches at Minnesota-Duluth impressed on Hull the need to improve his skating, and in 1985-86, he broke the school record of 49 goals in one season, reaching 52 for the campaign. Hull was named the WCHA first team all-star at right wing and was a finalist for the Hobey Baker Award as the top player in the National Collegiate Athletic Association (NCAA). In his two seasons at UMD, Hull set numerous school scoring records. He holds the records for most goals by a rookie (32) and most goals in one season (52). His 20 power play goals, seven hat tricks and 13 multiple-goal games in 1985-86 are all records, and he shares the school's single-game playoff record of four goals. The school retired his jersey number 29 in 2006. Choosing to turn professional following his sophomore season, Hull signed a contract with the Calgary Flames and joined the team during the 1986 Stanley Cup Playoffs. He made his NHL debut on May 20, 1986, in game three of the Stanley Cup Finals against the Montreal Canadiens. His best scoring opportunity came when he hit the post in his first shift of the game. He appeared in two games of the Flames' five-game series loss to Montreal. The Flames assigned Hull to their American Hockey League (AHL) affiliate, the Moncton Golden Flames, for the majority of the 1986-87 season. He scored 50 goals, tying an AHL rookie record, and his 93 points was third best in the league. He won the Dudley "Red" Garrett Memorial Award as the league's rookie of the year and was named to the first all-star team. He earned a brief recall to Calgary during the season. He made his regular season debut on November 13, 1986, against the Hartford Whalers and scored his first NHL goal against Steve Weeks on a breakaway. It was the game-winning goal in a 4-3 victory. Hull appeared in five regular season games for the Flames and played in four playoff games where he scored two goals and added an assist. Hull earned a spot on the Flames for the 1987-88 NHL season, though the team continued to work with him on his conditioning. He appeared in 52 games for the Flames, scoring 26 goals and 50 points. He did not finish the season in Calgary however. On March 7, 1988, Hull was traded, along with Steve Bozek, to the St. Louis Blues in exchange for defenseman Rob Ramage and goaltender Rick Wamsley. Hull led the St. Louis Blues with 41 goals in 1988-89, but his poor skating and inattention to his defensive responsibilities concerned the club. Head coach Brian Sutter convinced Hull to improve his conditioning over the summer. He arrived to begin the 1989-90 in much better shape and showed a marked improvement in his skating. Center Adam Oates, acquired over the summer, joined Hull on the top line. The pair, dubbed "Hull and Oates" as a play on the band Hall and Oates, were prolific scorers. Hull scored 228 goals between 1989-90 and 1991-92, the second-highest three-season total of any player in NHL history, behind only Wayne Gretzky's 250 tallies between 1981-82 and 1983-84. He became the fifth player in NHL history to score 50 goals in 50 games in 1990-91,--joining Maurice Richard, Mike Bossy, Gretzky, and Mario Lemieux--then repeated the feat in 1991-92. He led the league in goal scoring all three seasons and was named to the First All-Star Team each year. He collected numerous league awards, winning the Lady Byng Memorial Trophy in 1990 as the league's most sportsmanlike player, then in 1991, won the Hart Memorial Trophy and Lester B. Pearson Award as the NHL's most valuable player as selected by the league and his fellow players respectively. His total of 86 goals in 1990-91 is the third highest for a single season in NHL history, after Gretzky's 92 goals in 1981-82 and 87 in 1983-84. Oates left the Blues midway through the 1991-92 season, and while Hull's offensive production dropped, he remained the Blues' top offensive threat. He recorded his fourth and fifth consecutive 50-goal seasons, scoring 54 in 1992-93 and 57 in 1993-94. Hull clashed with head coach Mike Keenan, who joined the team in 1994-95, primarily over the latter's changes to team personnel. Hull, who had been named team captain in 1992, was stripped of the captaincy. By early 1996, the two were publicly criticizing each other in the media. Forced to choose between the player and coach, the Blues fired Keenan on December 19, 1996. Hull responded three nights later with a hat trick against the Los Angeles Kings to reach 500 goals for his NHL career. He and Bobby are the only father-son pair to both reach that total. After 43- and 42-goal seasons in 1995-96 and 1996-97, Hull scored only 27 in 1997-98. He became an unrestricted free agent following the season after rejecting a three-year, $15 million offer from the Blues because the team refused to include a no-trade clause. He left St. Louis, signing a three-year, $17 million contract with the Dallas Stars on July 2, 1998. CANNOTANSWER

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Background: Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.
Context: In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day. Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style. In 1937, Parker played at a jam session at the Reno Club in Kansas City. His attempt to improvise failed when he lost track of the chord changes. This prompted Jo Jones, the drummer for Count Basie's Orchestra, to contemptuously throw a cymbal at his feet as a signal to leave the stage. However, rather than discouraging Parker, the incident caused him to vow to practice harder, and turned out to be a seminal moment in the young musician's career when he returned as a new man a year later. In 1938 Parker joined pianist Jay McShann's territory band. The band toured nightclubs and other venues of the southwest, as well as Chicago and New York City. Parker made his professional recording debut with McShann's band. As a teenager, Parker developed a morphine addiction while hospitalized after an automobile accident, and subsequently became addicted to heroin. He continued using heroin throughout his life, and it ultimately contributed to his death. CANNOTANSWER
Question: What did he do in his early career?. Whats the answer?


Background: Born in Kansas City, Missouri, to novelist Ernest Hemingway and his second wife, Pauline Pfeiffer, he was in childhood called Gigi or Gig and was, according to a close observer, "a tremendous athlete" and a "crack shot." As an adult, he preferred the name Greg. Hemingway attended the Canterbury School, a Catholic prep school in Connecticut, graduating in 1949. He dropped out of St. John's College, Annapolis, after one year and worked for a time as an aircraft mechanic before moving to California in 1951.
Context: In the course of his first four marriages, Gregory Hemingway had eight children: Patrick, Edward, Sean, Brendan, Vanessa, Maria, John, and Lorian. One of his marriages, to Valerie Danby-Smith, Ernest Hemingway's secretary, lasted almost 20 years. Gregory's fourth marriage, to Ida Mae Galliher, ended in divorce in 1995 after three years, though they continued to live together and remarried in 1997. In 1972, Maia Rodman, Hemingway's childhood tennis coach and a family friend who had fallen in love with him, dedicated her book The Life and Death of a Brave Bull to Gregory. He practiced medicine in the 1970s and 1980s, first in New York and then as a rural family doctor in Montana, first in Fort Benton and later as the medical officer for Garfield County, based in Jordan, Montana. Interviewed there, he said: "When I smell the sagebrush or see the mountains, or a vast clean stream, I love those things. Some of my happiest memories of childhood were associated with the West." In 1988, authorities in Montana declined to renew Hemingway's medical license because of his alcoholism. Hemingway battled bipolar disorder, alcoholism, and drug abuse for many years. Hemingway and his brothers tried to protect their father's name and their inheritance by taking legal action to stop the popular local celebrations called "Hemingway Days" in Key West, Florida. In 1999, they collaborated in creating a business venture, Hemingway Ltd., to market the family name as "an up-scale lifestyle accessory brand". Their first venture created controversy by putting the Hemingway name on a line of shotguns. CANNOTANSWER
Question: Why did that happen?

Answer:


Joko Widodo's administration has vowed to develop and upgrade Indonesia's infrastructure, with a focus on road and railway expansion, seaports and airports development, and irrigation. In 2016, the state budget allocated Rp 290 trillion (US$22 billion) for infrastructure, the biggest infrastructure allocation in Indonesian history. There has been confusion and a start-stop approach on establishing a high-speed train between Jakarta and Bandung using either Japanese or Chinese sponsorship. In late September 2015, Indonesia awarded this multibillion-dollar railway project to China, to Japan's expressed disappointment. Indonesia's transportation ministry laid out a litany of shortcomings in plans for a $5.5 billion China-funded high-speed railway, casting doubt on the project and spotlighting Joko Widodo's limits in turning mega-projects into reality as he tries to draw foreign investors to Southeast Asia's largest economy. In early 2018 in his controversial statement, former presidential contender who lost the presidential election in 2014 and current Gerindra Party chairman Prabowo Subianto contended that if Indonesia continues to build its infrastructure at its rate under President Joko Widodo's administration, Indonesia would disintegrate by the year 2030.  The unproven remarks were neither scientifically backed, nor had any merits. It clearly lacked empirical evidence as speculation pointed to his public fear-mongering to counter President Joko Widodo's successful policies, as Subianto attempted for his second run for the presidency in the 2019 presidential election. Moreover, to add to the negativity the media also inflamed the public's concern about the government's aggressive infrastructure projects, fearing out-of-control public/national debt.  Although as of early 2018 the national debt climbed to over Rp. 4000 trillion, this figure was often taken out of context by the media as it was not compared to the gross-domestic-product (GDP) figure as nation debt-to-GDP ration, what economists and most experts use to determine the level of economic health and sustainability.  When the same national debt figure of Rp. 4.038 trillion compared to the consistently growing GDP, the national debt-to-GDP ratio itself remained at 27% of GDP as of early 2018, which was well below the 30% of GDP indicator for a sustainable economic growth and far below the 60% of GDP indicator allowed by the Constitution. The media was mainly to blame for this miscommunication to the public as most often information dissemination in Indonesia is taken out of context and media sensationalization. CANNOTANSWER

Answer this question "did he draw any foreign investors?" by extracting the answer from the text above.


Marco Simoncelli (Italian pronunciation: ['marko simon'tSelli]; 20 January 1987 - 23 October 2011) was an Italian professional motorcycle racer. He competed in the MotoGP World Championship for 10 years from 2002 to 2011. He started in the 125cc class before moving up to the 250cc class in 2006. He won the 250cc World Championship with Gilera in 2008.

After a successful European 125cc campaign, in August 2002, Simoncelli made his first Grand Prix appearance with Matteoni Racing, replacing Czech rider Jaroslav Hules who stepped up to the 250cc class. Simoncelli, riding an Aprilia bike with the number 37, managed to finish in 27th place in his first race at Brno. In the following race at Estoril, he scored his first championship points by finishing in 13th place. However, he failed to score any points in the next four races and finished the season with three points from six races. He continued with the Matteoni Racing Team for his first full season in 2003. That season, he also started to use the iconic number 58 on his bike. He managed to score points in six races with a best result of fourth at Valencia, the last race of the season. Overall, he scored 31 points and ranked 21st in the final championship standings. In the 2004 season, Simoncelli switched to WorldwideRace team under the name of Rauch Bravo, which also run an Aprilia bike. In the second race of the season at Jerez, Simoncelli recorded his first pole position. In the race, which was held in wet conditions, Simoncelli was in second place when race leader Casey Stoner crashed out with three laps remaining, handing Simoncelli his first victory. However, the victory was his only podium finish for the season. He managed to score points in seven other races with a best result of sixth. He ended in 11th place in the final standings with 79 points. Simoncelli continued to ride for WorldwideRace in 2005, this time under the Nocable.it Race banner. In the opening race at Jerez, he qualified first and then won the race for his second successive win at Jerez. Despite failing to add another win that season, Simoncelli finished on the podium on five other occasions. His consistency earned him 177 points and a fifth place in the final standings. CANNOTANSWER

Using a quote from the above article, answer the following question: What was 125cc?


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Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.

Tan Dun earned more widespread attention after composing the score for Ang Lee's Crouching Tiger, Hidden Dragon (2000), for which he won an Academy Award, a Grammy Award, and a BAFTA Award. Other film credits include the aforementioned Hero (Zhang Yimou, 2002), Gregory Hoblit's Fallen (1998), and Feng Xiaogang's The Banquet (2006). Following the composition of the film score for Crouching Tiger, Hidden Dragon, Tan Dun rearranged the music to create the Crouching Tiger Concerto for cello, video, and chamber orchestra. Containing edited footage from the film, this work reverses the role of music in film by treating video as secondary. This same technique was later applied to his film scores for Hero and The Banquet, resulting in the larger work known as the Martial Arts Cycle. In 2002, Tan Dun continued experimenting with application of video in music The Map, also for cello, video, and orchestra. The Map features documentary footage depicting the lives of China's Tujia, Miao, and Dong ethnic minorities. The musicians onstage, including the cello soloist, interact with the musicians onscreen--a duet of live and recorded performance. The work was premiered and commissioned by the Boston Symphony Orchestra with Yo-Yo Ma. Tan Dun's most recent multimedia work, Nu Shu: The Secret Songs of Women (2013), is a 13-movement work for video, solo harp, and orchestra. Following years of ethnomusicological research in Hunan, the work captures the sounds of Nushu script, a phonetic writing system devised by women speakers of the Shaozhou Tuhua dialect who had been disallowed from receiving formal education. Considered a dying language, Tan Dun's research resulted in a series of short films of women singing songs written in Nushu, which are presented alongside the orchestral performance. As with The Map, the songs in the video are used in counterpoint to the live music. CANNOTANSWER


Miyamoto Musashi (Gong Ben  Wu Zang , c. 1584 - June 13, 1645), also known as Shinmen Takezo, Miyamoto Bennosuke or, by his Buddhist name, Niten Doraku, was a Japanese swordsman, philosopher, writer and ronin. Musashi, as he was often simply known, became renowned through stories of his excellent and unique double-bladed swordsmanship and undefeated record in his 61 duels (next is 33 by Ito Ittosai).

Regardless of the truth about Musashi's ancestry, when Musashi was seven years old, the boy was raised by his uncle, Dorinbo (or Dorin), in Shoreian temple, three kilometers (~1.8 mi.) from Hirafuku. Both Dorin and Tasumi, Musashi's uncle by marriage, educated him in Buddhism and basic skills such as writing and reading. This education is possibly the basis for Yoshikawa Eiji's fictional education of Musashi by the historical Zen monk Takuan. He was apparently trained by Munisai in the sword, and in the family art of the jutte. This training did not last for a very long time, as in 1589, Munisai was ordered by Shinmen Sokan to kill Munisai's student, Honiden Gekinosuke. The Honiden family was displeased, and so Munisai was forced to move four kilometers (~2.5 mi.) away to the village of Kawakami. In 1592, Munisai died, although Tokitsu believes that the person who died at this time was really Hirata Takehito. Musashi contracted eczema in his infancy, and this adversely affected his appearance. Another story claims that he never took a bath because he did not want to be surprised unarmed. While the former claim may or may not have some basis in reality, the latter seems improbable. An unwashed member of the warrior caste would not have been received as a guest by such houses as Honda, Ogasawara, and Hosokawa. These and many other details are likely embellishments that were added to his legend, or misinterpretations of literature describing him. His father's fate is uncertain, but it is thought that he died at the hands of one of Musashi's later adversaries, who was punished or even killed for treating Musashi's father badly. However, there are no exact details of Musashi's life, since Musashi's only writings are those related to strategy and technique. CANNOTANSWER

Using a quote from the above article, answer the following question: When was his first duel?


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John Bruce "Jack" Thompson (born July 25, 1951) is an American activist and disbarred attorney, based in Coral Gables, Florida. Thompson is known for his role as an anti-video-game activist, particularly against violence and sex in video games. During his time as an attorney, Thompson focused his legal efforts against what he perceives as obscenity in modern culture. This included rap music, broadcasts by shock jock Howard Stern, the content of computer and video games and their alleged effects on children.

During the aftermath of the murder of Stefan Pakeerah, by his friend Warren Leblanc in Leicestershire, England, the game Manhunt was linked after the media wrongfully claimed police found a copy in Leblanc's room. The police officially denied any link, citing drug-related robbery as the motive and revealing that the game had been found in Pakeerah's bedroom, not Leblanc's. Thompson, who had heard of the murder, claimed that he had written to Rockstar after the game was released, warning them that the nature of the game could inspire copycat killings: "I wrote warning them that somebody was going to copycat the Manhunt game and kill somebody. We have had dozens of killings in the U.S. by children who had played these types of games. This is not an isolated incident. These types of games are basically murder simulators. There are people being killed over here almost on a daily basis." Soon thereafter, the Pakeerah family hired Thompson with the aim of suing Sony and Rockstar for PS50 million in a wrongful death claim. Jack Thompson would later vow to permanently ban the game during the release of the sequel Manhunt 2. Thompson said he planned to sue Take-Two/Rockstar in an effort to have both Manhunt 2 and Grand Theft Auto IV banned as "public nuisances", saying "killings have been specifically linked to Take-Two's Manhunt and Grand Theft Auto games. [I have] asked Take-Two and retailers to stop selling Take-Two's 'Mature' murder simulation games to kids. They all refuse. They are about to be told by a court of law that they must adhere to the logic of their own 'Mature' labels. The suits were eradicated when Take-Two petitioned U.S. District Court, SD FL to block the impending lawsuit, on the grounds that video games purchased for private entertainment could not be considered public nuisances. The following day, Thompson wrote on his website "I have been praying, literally, that Take-Two and its lawyers would do something so stupid, that such a misstep would enable me to destroy Take-Two. The pit Take-Two has dug for itself will be patently clear next week when I strike back." CANNOTANSWER

What was Jack Thompson's reaction to the matter?


Bantu Stephen Biko (18 December 1946 - 12 September 1977) was a South African anti-apartheid activist. Ideologically an African nationalist and African socialist, he was at the forefront of a grassroots anti-apartheid campaign known as the Black Consciousness Movement during the late 1960s and 1970s. His ideas were articulated in a series of articles published under the pseudonym Frank Talk. Raised in a poor Xhosa family, Biko grew up in Ginsberg township in the Eastern Cape.

Biko was initially interested in studying law at university, but many of those around him discouraged this, believing that law was too closely intertwined with political activism. Instead they convinced him to choose medicine, a subject thought to have better career prospects. He secured a scholarship, and in 1966 entered the "non-European" section of the University of Natal Medical School in Wentworth, a township of Durban. There, he joined what his biographer Xolela Mangcu called "a peculiarly sophisticated and cosmopolitan group of students" from across South Africa; many of them later held prominent roles in the post-apartheid era. The late 1960s was the heyday of radical student politics across the world, as reflected in the protests of 1968, and Biko was eager to involve himself in this environment. Soon after he arrived at the university, he was elected to the Students' Representative Council (SRC). The university's SRC was affiliated with the National Union of South African Students (NUSAS). NUSAS had taken pains to cultivate a multi-racial membership but remained white-dominated because the majority of South Africa's students were from the country's white minority. As Clive Nettleton, a white NUSAS leader, put it: "the essence of the matter is that NUSAS was founded on white initiative, is financed by white money and reflects the opinions of the majority of its members who are white". NUSAS officially opposed apartheid, but it moderated its opposition in order to maintain the support of conservative white students. Biko and several other black African NUSAS members were frustrated when it organised parties in white dormitories, which black Africans were forbidden to enter. In July 1967, a NUSAS conference was held at Rhodes University in Grahamstown; after the students arrived, they found that dormitory accommodation had been arranged for the white and Indian delegates but not the black Africans, who were told that they could sleep in a local church. Biko and other black African delegates walked out of the conference in anger. Biko later related that this event forced him to rethink his belief in the multi-racial approach to political activism: I realized that for a long time I had been holding onto this whole dogma of nonracism almost like a religion ... But in the course of that debate I began to feel there was a lot lacking in the proponents of the nonracist idea ... they had this problem, you know, of superiority, and they tended to take us for granted and wanted us to accept things that were second-class. They could not see why we could not consider staying in that church, and I began to feel that our understanding of our own situation in this country was not coincidental with that of these liberal whites. CANNOTANSWERAnswer this question using a quote from the following article:

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Background: Samuel Dale Brownback (born September 12, 1956) is an American lawyer, politician, diplomat and the current United States Ambassador-at-Large for International Religious Freedom since 2018. Brownback previously served as the 46th Governor of Kansas, as a U.S. Senator from Kansas, as a member of the U.S. House of Representatives, and as the Secretary of Agriculture of Kansas. A member of the Republican Party, he was elected to the U.S. House of Representatives during the Republican Revolution of 1994, representing Kansas's 2nd congressional district for a single term, before running in a 1996 special election for the U.S. Senate seat previously held by Bob Dole. He won the special election and the following two regular elections, serving until 2011.
Context: Brownback opposes a single-payer, government-run health-care system. He supports increased health insurance portability, eliminating insurance rejection due to pre-existing medical conditions, a cap on frivolous malpractice lawsuits, the implementation of an electronic medical records system, an emphasis on preventative care, and tax benefits aimed at making health-care insurance more affordable for the uninsured and targeted to promote universal access. He opposes government-funded elective abortions in accordance with the Hyde Amendment. He has been a strong supporter of legislation to establish a national childhood cancer database and an increase in funding for autism research. Brownback supports negotiating bulk discounts on Medicare drug benefits to reduce prices. In 2007, Senators Brownback and Sherrod Brown (D-OH) sponsored an amendment to the Food and Drug Administration Amendments Act of 2007. The amendment created a prize as an incentive for companies to invest in new drugs and vaccines for neglected tropical diseases. It awards a transferable "Priority Review Voucher" to any company that obtains approval for a treatment for a neglected tropical disease. This provision adds to the market-based incentives available for the development of new medicines for developing world diseases such as malaria, tuberculosis and African sleeping sickness. The prize was initially proposed by Duke University faculty Henry Grabowski, Jeffrey Moe, and David Ridley in their 2006 Health Affairs paper: "Developing Drugs for Developing Countries." Brownback supports a bill that would introduce price transparency to the U.S. health care industry, as well as a bill which would require the disclosure of Medicare payment rate information. On December 16, 2006, Brownback gave an interview to the Christian Post, stating: "We can get to this goal of eliminating deaths by cancer in ten years." CANNOTANSWER
Question: Does he suggest any alternatives to  single-payer government-run healthcare?

Answer:


Background: Jackie Mason was born Yacov Moshe Maza in Sheboygan, Wisconsin, the fourth and last son (and first one born in the United States) in a family of six children in a strict Orthodox Jewish family. Mason came from a long line of rabbis, which included his father, his grandfather, his great-grandfather, and his great-great grandfather. His father Eli and his mother had both been born in Minsk, and had emigrated to the U.S. in the 1920s with the rest of Mason's family from Minsk; his father died in 1959. A Jewish refugee organization helped his father find a position in Sheboygan, as it needed a rabbi.
Context: On October 18, 1964, in an appearance on The Ed Sullivan Show, Mason allegedly gave host Ed Sullivan the finger on air. Footage of the incident shows Mason in the middle of doing his stand-up comedy act and then looking toward Sullivan, who had placed himself directly behind the camera, commenting that Sullivan was signaling him. Sullivan was reportedly letting Mason know (by holding up two fingers) that he had only two minutes left, and to cut his act short, as the program was about to cut away due to having been partly pre-empted by an impromptu speech by President Lyndon B. Johnson that the show carried. Mason--clearly distracted--began working his own fingers into his act to make fun of the situation, and pointed toward Sullivan with an index finger, a thumb, but not (as Sullivan mistakenly believed) his middle finger. Sullivan was clearly infuriated by this, and banned Mason from future appearances on the show, canceling Mason's $45,000 ($355,000 in current dollar terms), six-appearance contract. Mason denied knowingly giving Sullivan the middle finger; he later said that he had not heard of the middle finger gesture at that time. To clear his name, Mason filed a libel suit on the grounds that Sullivan had defamed him at the New York Supreme Court. That court dismissed most of Mason's complaint. Both Mason and Sullivan appealed to the New York Supreme Court Appellate Division (which reinstated three additional causes of action against Sullivan) in June 1966. He was nevertheless banned from the show for a period of time. Sullivan asserted that Mason was unpredictable and could not be trusted. Because of Sullivan's influence, he was branded as unreliable, volatile, and obscene, and he failed to get substantial TV work for the next two decades. There was no ruling on the merits, merely a determination that Mason's suit could proceed and that he would be given an opportunity to prove his claim. Mason was given a single comeback appearance on Sullivan's TV program two years later, and Sullivan publicly apologized to him, but the damage was done. At that time, Mason opened his monologue by saying, "It is a great thrill ... and a fantastic opportunity to see me in person again." Mason later appeared on the show five times: April 23, 1967; February 25, 1968; November 24, 1968; July 22, 1969; and August 31, 1969. Mason later said: "It took 20 years to overcome what happened in one minute". CANNOTANSWER
Question: Are there any other interesting aspects about this article?. Whats the answer?


Background: The Screen Actors Guild (SAG) was an American labor union which represented over 100,000 film and television principal and background performers worldwide. On March 30, 2012, the union leadership announced that the SAG membership voted to merge with the American Federation of Television and Radio Artists (AFTRA) to create SAG-AFTRA. According to SAG's Mission Statement, the Guild sought to: negotiate and enforce collective bargaining agreements that establish equitable levels of compensation, benefits, and working conditions for its performers; collect compensation for exploitation of recorded performances by its members, and provide protection against unauthorized use of those performances; and preserve and expand work opportunities for its members. The Guild was founded in 1933 in an effort to eliminate exploitation of Hollywood actors who were being forced into oppressive multi-year contracts with the major movie studios that did not include restrictions on work hours or minimum rest periods, and often had clauses that automatically renewed at the studios' discretion.
Context: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER
Question: Who was Frank Morgan?

Answer:


The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.

The Goon Show has been variously described as "avant-garde", "surrealist", "abstract", and "four dimensional". The show paved the way for surreal and alternative humour, as acknowledged by comedians such as Eddie Izzard. The surreality was part of the attraction for Sellers, and this exacerbated his mental instability especially during the third series. Many of the sequences have been cited as being visionary in the way that they challenged the traditional conventions of comedy. In the Pythons' autobiography, Terry Jones states "The Goons of course were my favourite. It was the surreality of the imagery and the speed of the comedy that I loved - the way they broke up the conventions of radio and played with the very nature of the medium." This is reiterated by Michael Palin and John Cleese in their contributions to Ventham's (2002) book. Cleese recalls listening to The Goon Show as a teenager in the mid-1950s "and being absolutely amazed by its surreal humour. It came at a key stage in my own development and I never missed a show". Additionally, Milligan played games with the medium itself. Whole scenes were written in which characters would leave, close the door behind themselves, yet still be inside the room. Further to this, characters would announce their departure, slam a door, but it would be another character who had left the room. That character would then beat on the door for re-admittance, the door would open and close and again the wrong character would be locked out. CANNOTANSWER

Using a quote from the above article, answer the following question: What was surrealist about The Goon Show?