The Clancy Brothers were an influential Irish folk group, which initially developed as a part of the American folk music revival. Most popular in the 1960s, they were famed for their trademark Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, paving the way for an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers, Patrick "Paddy" Clancy, Tom Clancy, and Liam Clancy, are best known for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership.

In March 1956, Tommy Makem was unemployed. He had recently moved to Dover, New Hampshire, where many of his family members had emigrated to work in the local cotton mills. He had found a job there making printing presses but had an accident when a two-ton steel press that he was guiding with his hand broke from its chain. The falling press tore the tendons from the bone in three of the fingers of his left hand. His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album. Little thought was given to continuing as a singing group. They all were busy establishing theatrical careers for themselves, in addition to their work at Tradition Records. But the album was a local success and requests were often demanded for the brothers and Tommy Makem to sing some of their songs at parties and informal pub settings. Slowly, the singing gigs began to outweigh the acting gigs and by 1959, serious thought was given to a new album. Liam had developed some guitar skills, Tommy's hand had healed enough he was again able to play tin whistle and bagpipes, and the times spent singing together had improved their style. No longer were they the rough, mostly unaccompanied group of actors singing for an album to jumpstart a record label; they were becoming a professional singing group. The release of their second album, this one of Irish drinking songs called Come Fill Your Glass with Us, solidified their new careers as singers. The album was a success, and they made many appearances on the pub circuit in New York, Chicago, and Boston. It was at their first official gig after Come Fill Your Glass With Us that the group finally found a name for themselves. The nightclub owner asked for a name to put on the marquee, but they had not decided on one yet. Unable to agree on a name (which included suggestions like The Beggermen, The Tinkers and even The Chieftains) the owner decided for them, simply billing them as "The Clancy Brothers and Tommy Makem". The name stuck. They decided to try singing full-time for six months. If their singing was successful, they would continue with it; if not, then they would return to acting. The Clancy brothers and Tommy Makem proved successful as a singing group and in early 1961, they attracted the attention of scouts from The Ed Sullivan Show. The Clancy Brothers' mother read news of the terrible ice and snow storms in New York City and sent Aran sweaters for her sons and Tommy Makem to keep them warm. They wore the sweaters for the first time at the Blue Angel nightclub in Manhattan, simply as part of their regular winter clothes. When the group's manager Marty Erlichman, who had been searching for a special "look" for the group, saw the sweaters, he exclaimed, "That's it! That's it! That's what you're going to wear." Ehrlichman requested that the group wear the sweaters on their upcoming television appearance on The Ed Sullivan Show. After they did, the sales of Aran sweaters rose by 700% according to Liam Clancy, and they soon became the Clancy Brothers and Tommy Makem's trademark costume. On 12 March 1961, the Clancy Brothers and Tommy Makem performed for around fifteen minutes in front of a television audience of forty million people for the first time on The Ed Sullivan Show. A previously scheduled artist did not appear that night, and the Clancy Brothers and Tommy Makem were given the newly available time slot on the show, in addition to the two songs they had initially planned to do. The televised performance and the success of the Clancys' and Makem's nightclub performances attracted the attention of John Hammond of Columbia Records. The group was offered a five-year contract with an advance of $100,000, a huge sum in 1961. For their first album with Columbia, A Spontaneous Performance Recording, they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player. The record included songs that would soon become classics for the group, such as "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner". The album was nominated for a Grammy Award in 1962. Around the same time that they recorded A Spontaneous Performance, the Clancy Brothers and Tommy Makem cut their final, eponymous album with Tradition Records. By the end of 1962, they released a second album with Columbia, Hearty and Hellish! A Live Nightclub Performance, and they played an acclaimed concert at Carnegie Hall. Additionally, they were making appearances on major radio and television talk-shows in America. Meanwhile, after taking the rest of 1976 off, Paddy and Tom made plans to bring back the Clancy Brothers. They asked Bobby Clancy to return to the group. Tom was at the height of his new career in Hollywood and Paddy was busy with his farm, so it was ultimately decided to tour on a part-time basis and only in the United States. Their recently deceased sister Cait's son, Robbie O'Connell, was an up-and-coming musician in the US and in Ireland; he was also helping manage, along with Bobby, the inn that Cait had opened up years before. They asked him to take on the role Liam had vacated in the group. He played the guitar and occasionally the mandolin, while Bobby played the banjo, guitar, harmonica, and bodhran. Paddy continued to play the lead harmonica. Beginning in 1977, the Clancy Brothers and Robbie O'Connell toured three months a year in March, August, and November. Tom would fly over a few days before each tour and rehearse material, mostly oldies from their 1960s albums but some new ones as well. Robbie was a songwriter, composing several numbers the group sang regularly, such as "Bobby's Britches", "Ferrybank Piper", "There Were Roses" and "You're Not Irish". He also included songs written by others, such as "Dear Boss", "Sister Josephine", "John O'Dreams", and what is possibly his signature song, "Killkelly". Bobby also sang numbers new to the group, including "Love of the North", "Song for Ireland", and "Anne Boleyn". In America, the Clancy Brothers continued where they had left off the previous year, still packing Carnegie Hall. Reviews cited Robbie as a fresh addition to the group with his original compositions. Over the next several years, Paddy and Tom brought in some new material too. "The Green Fields of France", also known as "Willie McBride", by Eric Bogle had become a hit with a recording by the Clancys' old back-up musicians, the Furey Brothers, in the early 1980s. Soon numerous Irish groups were singing it, including the Clancy Brothers and Makem and Clancy. It became a staple in Tom's repertoire. He also sang "Logger Lover". The group added new lyrics to the old Irish ballad, "She Didn't Dance", and reworked old classics, such as "As I Roved Out", "Beer, Beer, Beer", and "Rebellion 1916 Medley". Some of these songs appeared on the Clancy Brothers' first album in nine years, The Clancy Brothers with Robbie O'Connell Live! (1982). In the summer of 1983, the group travelled to their hometown in Ireland to film a 20-minute special on sea songs, sung on location on the fishing ships in the area. It was called Songs of the Sea. Directed by Irish filmmaker David Donaghy, it was broadcast on the BBC Northern Ireland. Tom tried on many occasions to put it on videocassette but the plans fell through. CANNOTANSWER

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Background: Kerry Gene Adkisson (February 3, 1960 - February 18, 1993) was an American professional wrestler under the ring names Kerry Von Erich, The Modern Day Warrior and The Texas Tornado. He was part of the Von Erich family of professional wrestlers. He is best known for his time with his father's promotion World Class Championship Wrestling (WCCW), where he spent eleven years of his career, and his time in World Wrestling Federation (WWF). Adkisson held forty championships in various promotions during his career.
Context: On June 17, 1983, he teamed with Bruiser Brody to defeat the Fabulous Freebirds for the NWA American Tag Team Championship. On July 4, Kerry and his elder brothers Kevin and David defeated the Fabulous Freebirds in a two out of three falls match to win the NWA Texas Six-Man Tag Team Championship. They lost the titles back to the Freebirds on August 12. On September 5, the brothers took on the Fabulous Freebirds in a rematch for the titles; the Freebirds retained their titles by pinning Kerry. On November 24, Kerry defeated Michael Hayes in a loser leaves Texas steel cage match. On December 2, the Von Erichs defeated the Freebirds for their second NWA Six-Man Tag Team Championship. On December 25, Kerry defeated Kamala by disqualification. On January 30, 1984, he teamed up with his brothers Mike and David against the Fabulous Freebirds in a six-man tag team match, which the Von Erichs lost by disqualification. Kerry's biggest career highlight was on May 6, 1984, when he beat "Nature Boy" Ric Flair in a historic match, in front of over 45,000 fans at Texas Stadium to win the NWA World Heavyweight Championship. Kerry's victory was a tribute to his brother David, who had died three months earlier and for whom the event, the David Von Erich Memorial Parade of Champions, was named. He lost the belt 18 days later in Yokosuka, Japan, back to Flair in a bout that was marred by controversy: Von Erich's feet were on the bottom rope following a reversed rollup, but the referee ignored this and made the count. Kerry has the 12th shortest NWA World title reign in history. In reality, the NWA only allowed Kerry a short reign, and was told to drop the belt to Flair before the Night of Champions encounter on May 29 between Flair and Ricky Steamboat. On July 4, the Von Erichs lost the six man tag title to the Fabulous Freebirds. The title was held up due to the Freebirds winning after interference by Killer Khan. On September 3, they defeated the Freebirds in a handicap steel cage Loser Leaves Texas match for his fourth six man tag title reign. CANNOTANSWER
Question: When did he receive the heavyweight championship title?

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Edward "Ned" Kelly (December 1854 - 11 November 1880) was an Australian bushranger, outlaw, gang leader and convicted police murderer. One of the last bushrangers, and by far the most famous, he is best known for wearing a suit of bulletproof armour during his final shootout with the police. Kelly was born in the British colony of Victoria as the third of eight children to Irish parents. His father, a transported convict, died shortly after serving a six-month prison sentence, leaving Kelly, then aged 12, as the eldest male of the household.

On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". CANNOTANSWER


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Ursula Kroeber Le Guin (; October 21, 1929 - January 22, 2018) was an American novelist. She worked mainly in the genres of fantasy and science fiction. She also authored children's books, short stories, poetry, and essays.

Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

what was her biggest influence?


Background: Queensryche  is an American heavy metal band. It formed in 1982 in Bellevue, Washington out of the local band the Mob. The band has released 15 studio albums, one EP, several DVDs, and continues to tour and record. The original lineup consisted of guitarists Michael Wilton and Chris DeGarmo, drummer Scott Rockenfield, bassist Eddie Jackson, and lead vocalist Geoff Tate.
Context: In 1988, Queensryche released Operation: Mindcrime, a narrative concept album that proved a massive critical and commercial success. The album's story revolved around a junkie named Nikki, who is brainwashed into performing assassinations for an underground movement. Nikki is torn over his misplaced loyalty to the cause and his love for Mary, a reformed hooker-turned-nun (vocals by Pamela Moore), who gets in the way. The band's progressive metal style was fully developed on this album. The band toured through much of 1988 and 1989 with several bands, including Def Leppard, Guns N' Roses and Metallica. The album gained critical acclaim and achieved gold status. The release of Empire (1990) brought Queensryche to the height of their commercial popularity. It peaked at No. 7 and sold more than three million copies in the United States, more than their previous four releases combined (it was also certified silver in the UK). The power ballad "Silent Lucidity", which featured an orchestra, became the band's first Top 10 single. The arrangements on Empire were more straightforward than the band's previous efforts. The subsequent "Building Empires" tour was the first full-fledged tour to feature Queensryche as a headlining act (the band had previously headlined a tour in Japan in support of Operation: Mindcrime, and had headlined a handful of club and theater shows in the U.S. between 1984 and 1988, and the UK in 1988). The group used its headlining status to perform Operation: Mindcrime in its entirety, as well as songs from Empire. The tour lasted 18 months, longer than any tour the band had undertaken before or has since. The tour also added a black page to the band's history, when during a show in a sports hall in Ichtegem, Belgium on November 20, 1990, a scuffle in the audience resulted in an American fan getting fatally stabbed in the chest. Tour manager Howard Ungerleider immediately stopped the show as the band was only playing the seventh song on the set list, "Roads to Madness". A live album, recorded May 10-12, 1991, was released later that year as Operation: Livecrime. The tour also included an MTV Unplugged appearance at Warner Hollywood Studios in Los Angeles on April 27, 1992. CANNOTANSWER
Question: Was this a successful album?

Answer:


Charles Krauthammer (; born March 13, 1950) is an American syndicated columnist, author, political commentator, and former physician whose weekly column is syndicated to more than 400 publications worldwide. While in his first year studying at Harvard Medical School, Krauthammer became permanently paralyzed from the neck down after a diving accident, severing the spinal cord at C5. After spending 14 months recovering in a hospital, he returned to medical school, graduating to become a psychiatrist involved in the creation of the Diagnostic and Statistical Manual of Mental Disorders III, and later developing a career as a Pulitzer Prize-winning writer. He was a weekly panelist on PBS news program Inside Washington from 1990 until it ceased production in December 2013.

Krauthammer strongly opposed the Oslo accords and predicted that Palestinian Liberation Organization leader Yasir Arafat would use the foothold it gave him in the West Bank and the Gaza Strip to continue the war against Israel that he had ostensibly renounced in the Israel-Palestine Liberation Organization letters of recognition. In a July 2006 essay in Time, Krauthammer asserted that the Israeli-Palestinian conflict was fundamentally defined by the Palestinians' unwillingness to accept compromise. During the 2006 Lebanon War, Krauthammer wrote a column, "Let Israel Win the War": "What other country, when attacked in an unprovoked aggression across a recognized international frontier, is then put on a countdown clock by the world, given a limited time window in which to fight back, regardless of whether it has restored its own security?" He later criticized Israeli prime minister Ehud Olmert's conduct, arguing that Olmert "has provided unsteady and uncertain leadership. Foolishly relying on air power alone, he denied his generals the ground offensive they wanted, only to reverse himself later." Krauthammer supports a two-state solution to the conflict. Unlike many conservatives, he supported Israel's Gaza withdrawal as a step toward rationalizing the frontiers between Israel and a future Palestinian state. He believes a security barrier between the two states' final borders will be an important element of any lasting peace. When Richard Goldstone retracted the claim in the UN report on the 2008 Gaza war that Israel intentionally killed Palestinian civilians, including children, Krauthammer strongly criticized Goldstone, saying that "this weasel-y excuse-laden retraction is too little and too late" and called "the original report a blood libel ranking with the libels of the 19th century in which Jews were accused of ritually slaughtering children in order to use the blood in rituals." Krauthammer thought that Goldstone "should spend the rest of his life undoing the damage and changing and retracting that report." CANNOTANSWER

Did the conflict get resolved?


Indigenous peoples in Brazil (Portuguese: povos indigenas no Brasil), or Indigenous Brazilians (Portuguese: indigenas brasileiros), comprise a large number of distinct ethnic groups who have inhabited what is now the country of Brazil since prior to the European contact around 1500. Unlike Christopher Columbus, who thought he had reached the East Indies, the Portuguese, most notably Vasco da Gama, had already reached India via the Indian Ocean route when they reached Brazil.

After Rondon's pioneering work, the SPI was turned over to bureaucrats and military officers and its work declined after 1957. The new officials did not share Rondon's deep commitment to the Indians. SPI sought to address tribal issues by transforming the tribes into mainstream Brazilian society. The lure of reservation riches enticed cattle ranchers and settlers to continue their assault on Indians lands - and the SPI eased the way. Between 1900 and 1967, an estimated 98 indigenous tribes were wiped out. Mostly due to the efforts of the Villas-Boas brothers, Brazil's first Indian reserve, the Xingu National Park, was established by the Federal Government in 1961. During the social and political upheaval in the 1960s, reports of mistreatment of Indians increasingly reached Brazil's urban centers and began to affect Brazilian thinking. In 1967, following the publication of the Figueiredo Report, commissioned by the Ministry of the Interior, the military government launched an investigation into SPI. It soon came to light that the SPI was corrupt and failing to protect natives, their lands, and, culture. The 5,000-page report catalogued atrocities including slavery, sexual abuse, torture, and mass murder. It has been charged that agency officials, in collaboration with land speculators, were systematically slaughtering the Indians by intentionally circulating disease-laced clothes. Criminal prosecutions followed, and the SPI was disbanded. The same year the government established Fundacao Nacional do Indio (National Indian Foundation), known as FUNAI which is responsible for protecting the interests, cultures, and rights of the Brazilian indigenous populations. Some tribes have become significantly integrated into Brazilian society. The unacculturated tribes which have been contacted by FUNAI, are supposed to be protected and accommodated within Brazilian society in varying degrees. By 1987 it was recognized that unessential contact with the tribes was causing illness and social disintegration. The uncontacted tribes are now supposed to be protected from intrusion and interference in their life style and territory. However, the exploitation of rubber and other Amazonic natural resources has led to a new cycle of invasion, expulsion, massacres and death, which continues to this day. CANNOTANSWER

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The Manhattan Transfer is a jazz vocal group founded in 1969 that has explored a capella, vocalese, swing, standards, Brazilian jazz, rhythm and blues, and pop music. There have been two editions of the Manhattan Transfer, with Tim Hauser the only person to be part of both. The first group consisted of Hauser, Erin Dickins, Marty Nelson, Pat Rosalia, and Gene Pistilli. The second version of the group, formed in 1972, consisted of Hauser, Alan Paul, Janis Siegel, and Laurel Masse.

The group signed to the Telarc label in 2003 to release Couldn't Be Hotter, a live performance capturing many of the songs from The Spirit of St. Louis. In 2004, the group released Vibrate, another one of their "pastiche" albums, blending original tunes with older ones, pop, jazz and funk. Vibrate featured notable musicians such as bassist Will Lee and Steve Hass on drums. They also released, first in Japan, their second holiday album, An Acapella Christmas, in 2005. The album was released in the U.S. in 2006. During 2006, the group released The Symphony Sessions, a collection of some of their best known songs re-recorded with an orchestra, and also The Definitive Pop Collection, a two-disc collection of the group's material from their time with Atlantic Records. They also recorded their first original title song for a movie, "Trail of the Screaming Forehead"; and, in late 2006, the group released a new concert DVD, The Christmas Concert, and was broadcast by PBS. The Chick Corea Songbook, a tribute to the works of American jazz musician Chick Corea, was released in September 2009. The album features an appearance by Corea himself on the track "Free Samba". Other prominent musicians on this recording are Airto Moreira, Scott Kinsey, Steve Hass, Alex Acuna, Jimmy Earl, John Benitez, and Christian McBride. In 2011, The Manhattan Transfer worked on an album of previously recorded, but never finished, songs to honor their 40th anniversary. "We are working on a project now that is called The Vaults. Over the years, there are a lot of different songs that we recorded but never finished. We pull out from the archives a lot of these songs and are finishing them," said Alan Paul in an interview for Jazz FM radio in Bulgaria. One of the highlights of the album was a vocalese version of George and Ira Gershwin's The Man I Love, based on an Artie Shaw and his orchestra performance of the composition, which had been slated for the Swing album. CANNOTANSWER

What is the name of a song that was on that album?


In 1984, Johnson was hired by the University of Miami to replace former coach Howard Schnellenberger, who had won Miami's first national championship in 1983 and departed for the recently formed United States Football League. Johnson's hiring was met with an initial response of "Jimmy who?" by the fans and media. Johnson started with a shaky 8-5 record his first season, which included a game in which Johnson's Hurricanes blew a 31-0 halftime lead in a loss to Maryland with Frank Reich as its QB, and also included a 47-45 loss to Boston College immortalized by Doug Flutie's "Hail Mary" touchdown pass on the game's final play. But Johnson developed the Hurricanes into a football program that came to be known as "the Decade of Dominance". In his five years at Miami, Johnson compiled a 52-9 record, appeared in five New Year's Day bowl games, winning one national championship (1987) and losing one to the Penn State Nittany Lions (1986). Johnson created a free-wheeling atmosphere where he allowed, and at times encouraged, his players to showboat, trash-talk, and run up the score. He also brought the modern 4-3 defense predicated on athletic upfield linemen to the forefront. The criticism they received from other teams caused the media to deem them the "Bad Boys of College Football", a moniker Johnson openly accepted. Johnson's Hurricanes posted the school's first undefeated regular season in 1986, only to lose the Fiesta Bowl and the national championship to #2-ranked Penn State. The loss, along with losses in Miami's prior two bowl games, began to raise questions about whether Johnson was capable of winning major games. In the ensuing 1987 season, however, the Hurricanes went undefeated in the regular season yet again, and won the school's second national title by defeating Oklahoma for the third season in a row. Johnson also created controversy by allowing the University of Miami to retire Vinny Testaverde's football jersey number #14, but refusing to retire Bernie Kosar's number #20, though Kosar played one season for Johnson and led the Hurricanes to the national title (though that did not come under Johnson). Johnson's reason for not retiring Kosar's number was, "Bernie didn't finish the program here (at Miami)." Kosar graduated with honors a year ahead of his freshman class in 1985 with a dual major in finance and economics and subsequently entered the NFL's supplemental draft. Testaverde won the school's first Heisman Trophy award in December 1986 and was the first player selected in the 1987 NFL Draft. However, Johnson later reached out and signed Kosar, who was thrown out by the Cleveland Browns during the 1993 NFL season, to be the Cowboys backup to Troy Aikman, playing during the Cowboys 1993 Super Bowl run and clinched the NFC Championship game, earning a Super Bowl ring. Johnson was inducted into the University of Miami Sports Hall of Fame in 1996. In May 2012, Johnson was inducted into the College Football Hall of Fame. CANNOTANSWER

Answer this question "Did any players get into trouble?" by extracting the answer from the text above.


Background: Thrice is an American rock band from Irvine, California, formed in 1998. The group was founded by guitarist/vocalist Dustin Kensrue and guitarist Teppei Teranishi while they were in high school. They have been recognized as one of the greatest and most influential bands of the post-hardcore genre. Early in their career, the band was known for fast, hard music based in heavily distorted guitars, prominent lead guitar lines, and frequent changes in complex time signatures.
Context: In September 2006, the band announced plans for a new album (later titled The Alchemy Index) on their official website. The album was conceived as a series of 4 EPs, each of which represents an element of nature: fire, water, air, and earth. The band maintained a studio blog titled "Alchemy Index" throughout the recording process. During the recording process, the band announced that they were leaving Island Records, citing a difference of opinion on the band's future direction as the reason for the split. The band joined Vagrant Records on August 9, 2007. On October 12, 2007, Thrice released the first two songs from the Alchemy Index in their entirety through the band's MySpace page. The Alchemy Index Vols. I & II was released on October 16, 2007 and sold 28,000 copies in its first week. It debuted at number 24 on the Billboard 200 chart, and it topped at number five on the iTunes top-selling albums. To promote the new album, Thrice toured with the bands MewithoutYou and Brand New, and followed with a series of Canadian shows with bands Say Anything and Attack in Black. The second half of the project, The Alchemy Index Vols. III & IV - Earth & Air, was released on April 15, 2008. The final song on each disc is written in the form of a sonnet, depicting the relationship of man with each of the particular elements. Each of these songs is in iambic pentameter, with a concluding rhyming couplet. These final couplets also contain the same vocal melody and chord progression as each other, although they are in different keys. Thrice toured with Circa Survive and Pelican in spring 2008 to support The Alchemy Index, which had now been released in full. The third-to-last show of this tour--the May 28, 2008, show at the House of Blues in Anaheim--was filmed for a live CD/DVD titled Live at the House of Blues. The live album spans 2 CDs and a DVD with live footage and an exclusive interview in which the band answers fan-submitted questions. In fall 2008, they embarked on a tour supporting Rise Against, along with Alkaline Trio and The Gaslight Anthem. CANNOTANSWER
Question: What is the alchemy index?

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Background: John Rogers Searle (; born 31 July 1932) is an American philosopher. He is currently Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley. Widely noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959.
Context: While an undergraduate at the University of Wisconsin, Searle was the secretary of "Students against Joseph McCarthy". McCarthy was then the junior senator from Wisconsin. In 1959 Searle began teaching at Berkeley, and he was the first tenured professor to join the 1964-65 Free Speech Movement. In 1969, while serving as chairman of the Academic Freedom Committee of the Academic Senate of the University of California, he supported the university in its dispute with students over the People's Park. In The Campus War: A Sympathetic Look at the University in Agony (1971), Searle investigates the causes behind the campus protests of the era. In it he declares that: "I have been attacked by both the House Un-American Activities Committee and ... several radical polemicists ... Stylistically, the attacks are interestingly similar. Both rely heavily on insinuation and innuendo, and both display a hatred - one might almost say terror - of close analysis and dissection of argument." He asserts that "My wife was threatened that I (and other members of the administration) would be assassinated or violently attacked." In the late 1980s, Searle, along with other landlords, petitioned Berkeley's rental board to raise the limits on how much he could charge tenants under the city's 1980 rent stabilization ordinance. The rental board refused to consider Searle's petition and Searle filed suit, charging a violation of due process. In 1990, in what came to be known as the "Searle Decision", the California Supreme Court upheld Searle's argument in part and Berkeley changed its rent control policy, leading to large rent increases between 1991 and 1994. Searle was reported to see the issue as one of fundamental rights, being quoted as saying "The treatment of landlords in Berkeley is comparable to the treatment of blacks in the South...our rights have been massively violated and we are here to correct that injustice." The court described the debate as a "morass of political invective, ad hominem attack, and policy argument". Shortly after the September 11 attacks, Searle wrote an article arguing that the attacks were a particular event in a long-term struggle against forces that are intractably opposed to the United States, and signaled support for a more aggressive neoconservative interventionist foreign policy. He called for the realization that the United States is in a more-or-less permanent state of war with these forces. Moreover, a probable course of action would be to deny terrorists the use of foreign territory from which to stage their attacks. Finally, he alluded to the long-term nature of the conflict and blamed the attacks on the lack of American resolve to deal forcefully with America's enemies over the past several decades. CANNOTANSWER
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Northern Dancer (May 27, 1961 - November 16, 1990) was a Canadian-bred Thoroughbred racehorse that won the 1964 Kentucky Derby and Preakness Stakes and then became one of the most successful sires of the 20th century. He is considered a Canadian icon, and was inducted into the Canadian Sports Hall of Fame in 1965. Induction into the Racing Hall of Fame in both Canada and the United States followed in 1976.

Because of the prevalence of Northern Dancer's bloodline, a certain degree of inbreeding to him is becoming common, especially in Europe and Australia. Whenever this happens, there is a concern that the inbreeding will weaken the breed, making horses more prone to injury and potentially leading to inbreeding depression. Statistical studies have shown that inbreeding has increased by a small but significant amount in the last 50 years, partly because of the larger number of foals that a successful stallion will now sire each year compared to in the past. To illustrate this last point, Northern Dancer produced 645 foals in 20 years at stud, whereas his grandson Danehill sired 2,499 foals in 14 years at stud. Statistical analysis has shown that inbreeding to Northern Dancer is on average slightly less effective than when stallions of his line are bred to mares who do not have Northern Dancer in their pedigree (referred to as an outcross). However, many successful stallions are inbred, in part because this can make it easier to pass on dominant characteristics. Notable sires that are inbred to Northern Dancer (within four generations) include Oasis Dream, Rock of Gibraltar, Hernando, Spinning World, and Redoute's Choice. The undefeated Frankel is also inbred to Northern Dancer, but it is too early to evaluate his success as a stallion as his first crop just reached racing age in 2016. Analysis of inbreeding to Northern Dancer has shown that best practice is inbreeding "through" the best, which means to use horses that have demonstrated their fitness on the racecourse. In contrast, inbreeding to a descendant such as Danzig is viewed as potentially problematic because he was retired from racing due to unsoundness after only three starts. However, Danzig line horses have been crossed successfully with other Northern Dancer line horses, especially Sadlers' Wells. Outcross bloodlines can still be found, most notably via the German-bred stallion Monsun. Northern Dancer lines were originally outcrossed on descendants of Mr. Prospector or Nasrullah, but this had been done to such as extent that it is increasingly difficult to find horses from these lines without some trace of Northern Dancer breeding. In North America, Northern Dancer often appears further back in the pedigree of major stallions, which reduces the risks associated with inbreeding. For example, Tapit, the leading sire in North America for 2014-2015, is inbred to Nijinsky 3 x 5 (thus only 4 x 6 to Northern Dancer) and has crossed well with mares from other Northern Dancer lines. CANNOTANSWER

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Joko Widodo (born Mulyono; Javanese: ; 21 June 1961), also known as Jokowi, is the seventh and current President of Indonesia, in office since 2014. Previously he was Mayor of Surakarta from 2005 to 2012 and Governor of Jakarta from 2012 to 2014. He is the first Indonesian president without a high-ranking political or military background.

In the first quarter of 2015, year-on-year GDP grew 4.92 percent. In the second quarter it grew 4.6%, the lowest figure since 2009. Anything less than 6 per cent and Indonesia cannot absorb the new entrants to its labour market each year. Furthermore since most of 2017 economic growth remained above the 5.2 percent mark, the Indonesian government has projected its economic growth in 2018 to be at least at 5.4 percent, which is still .6 percent below what is considered healthy economic growth mark of 6 percent . In combination of many factors such as international trade war initiated between the U.S. and China, U.S. Federal Reserves' tightening of monetary policy and the general elections in Indonesia in 2019, much of the anemic nature of Indonesia's economic growth stems from income inequality. Whereas current government and its robust economic and "overly ambitious" infrastructure policies aim to stimulate economic growth, it hasn't been felt across the board. Only the middle- and upper- socio-economic households have been positively affected by the current government's policies. This is consistent with what the current administration attempts to do by improving infrastructure, transportation and connectivity across the country. By providing infrastructure such as roads, highways, bridges, railroads and airports across the country and into rural Indonesia, this will reduce the costs of goods. As a result, not only will this increase the purchasing power parity and reduce economic inequality, but also improving the quality of living across the board. The rupiah weakened further, with its exchange rate per US dollar, falling to Rp 14,000 in August 2015, the lowest level in the last 17 years. On 24 September 2015, it closed at 14797. The rupiah appreciated by 2.28 percent to Rp13.473/USD on 31 December 2016. The year-on-year inflation in June 2015 was 7.26 percent, higher than in May (7.15 percent) and June the year before (6.7 percent). CANNOTANSWER

What legacy did Joko leave behind to the economy?


Galifianakis played Alan Garner in the hit comedy The Hangover and earned the MTV Movie Award for the Best Comedic Performance. He was also prominently advertised in subsequent films that featured him in supporting roles, such as G-Force, Youth in Revolt and the Oscar-nominated film Up in the Air. Galifianakis also starred in the HBO series Bored to Death and hosted Saturday Night Live on March 6, 2010 during the show's 35th season, during which he shaved his beard mid-show for a sketch, and then closed the show wearing a fake beard. He hosted again on March 12, 2011 and shaved his head this time, in a Mr. T-like hairstyle, which was allegedly supposed to be used for a sketch that never aired due to time constraints. In 2010, he starred in several films, including Dinner for Schmucks, It's Kind of a Funny Story, and Due Date. On October 29, 2010, while debating marijuana legalization on the show HBO's Real Time with Bill Maher, Galifianakis appeared to have smoked marijuana on live television; host Bill Maher denied that it was real marijuana in an interview with Wolf Blitzer during an episode of The Situation Room. In 2011, he reprised his role for The Hangover Part II, which was set in Thailand and voiced Humpty Dumpty in Puss in Boots. Galifianakis starred alongside Will Ferrell in Jay Roach's 2012 political comedy The Campaign. He received critical praise for his performance in the 2014 film Birdman or (The Unexpected Virtue of Ignorance), in which he starred with Michael Keaton, Emma Stone and Edward Norton. In 2017, Galifianakis voiced The Joker in The Lego Batman Movie. In January 2014, it was announced that Galifianakis and Louis C.K. were developing a comedy pilot for FX. CANNOTANSWER

Answer this question "Did he do any TV roles?" by extracting the answer from the text above.


Born in Hoxton (an area in the East End of London), Bradlaugh was the son of a solicitor's clerk. He left school at the age of eleven and then worked as an office errand-boy and later as a clerk to a coal merchant. After a brief spell as a Sunday school teacher, he became disturbed by discrepancies between the Thirty-nine Articles of the Anglican Church and the Bible. When he expressed his concerns, the local vicar, John Graham Packer, accused him of atheism and suspended him from teaching.

The Select Committee began deliberating on 1 June 1880, when it considered a paper put in by Sir Thomas Erskine May, the Clerk of the House. Sir Thomas found several precedents for Members disabled to sit for refusing to take the Oath, together with Quaker MP Joseph Pease who was permitted to affirm, and Jewish MPs Baron Lionel de Rothschild and David Salomons who were eventually allowed to take the Oath while omitting the words "on the true faith of a Christian." On the following day, Erskine May and Bradlaugh himself were questioned by the Committee, with Bradlaugh arguing that, should the Committee decide he had no right to affirm, he would take the oath and regard it as binding on his conscience. When the Committee decided its report, it agreed by one vote an amendment declaring that the House could "and, in the opinion of your Committee, ought to" prevent Bradlaugh taking the Oath. It also added (by 12 votes to 9) that it would be possible for an action in the High Court of Justice to test whether an affirmation was genuinely legal, and therefore recommended that if Bradlaugh sought to affirm, he should be allowed to do so in order that such an action be brought to clarify the law. The second Select Committee had effectively reversed the outcome of the first. When it was known that this was the likely outcome of the Select Committee, Bradlaugh's fellow Northampton MP Henry Labouchere initiated a debate on a motion to allow Bradlaugh to affirm. Sir Hardinge Giffard moved an amendment that Bradlaugh be not permitted to take either the Oath or make an affirmation. After two days of debate, Giffard's amendment was carried by 275 to 230, a defeat which surprised Gladstone. The majority comprised 210 Conservatives, 34 Liberals and 31 Irish Home Rulers; supporting Bradlaugh were 218 Liberals, 10 Home Rulers and 2 Conservatives. On the next day, Bradlaugh came to the Table claiming to take the Oath; in consequence of the previous night's vote the Speaker ordered him to withdraw. Bradlaugh was permitted to address the House from behind the Bar (which was technically outside the Chamber), and treated the occasion as his maiden speech. He based his argument on law, contending that he was not legally disqualified, and asking "as one man against six hundred" for the same justice he would receive in the Courts. Although well received, the speech was too late to reverse the decision, and Henry Labouchere was forced to withdraw a motion to rescind it. CANNOTANSWER

Was it the government questioning him?


Massive Attack are an English trip hop group formed in 1988 in Bristol, consisting of Robert "3D" Del Naja, Grant "Daddy G" Marshall and formerly Andy "Mushroom" Vowles ("Mush"). Their debut album Blue Lines was released in 1991, with the single "Unfinished Sympathy" reaching the charts and later being voted the 63rd greatest song of all time in a poll by NME. 1998's Mezzanine, containing "Teardrop", and 2003's 100th Window charted in the UK at number one. Both Blue Lines and Mezzanine feature in Rolling Stone's list of the 500 Greatest Albums of All Time.

DJs Daddy G and Andrew Vowles and graffiti artist-turned-rapper Robert Del Naja met as members of partying collective The Wild Bunch. One of the first homegrown soundsystems in the UK, The Wild Bunch became dominant on the Bristol club scene in the mid-1980s. Massive Attack started as a spin-off production trio in 1988, with the independently released song, "Any Love", sung by falsetto-voiced singer-songwriter Carlton McCarthy, and then, with considerable backing from Neneh Cherry, they signed to Circa Records in 1990 - committing to deliver six studio albums and a "best of" compilation. Circa became a subsidiary of, and was later subsumed into, Virgin Records, which in turn was acquired by EMI. Blue Lines (1991), was co-produced by Jonny Dollar and Cameron McVey, who also became their first manager. Geoff Barrow, who went on to form Portishead, was an intern and trainee tape operator at Bristol's Coach House studio when the album was recorded. McVey (credited at the time as 'Booga Bear') and his wife, Neneh Cherry, provided crucial financial support and in-kind assistance to the early careers of Massive Attack, Portishead and Tricky during this period, even paying regular wages to them through their Cherry Bear Organisation. Massive Attack used guest vocalists, interspersed with Del Naja and Marshall's (initially Tricky's) own sprechgesang stylings, on top of what became regarded as an essentially British creative sampling production; a trademark sound that fused down-tempo hip hop, soul, reggae and other eclectic references, musical and lyrical. In the nineties, the trio became known for often not being able to easily get along with one another and working increasingly separately. Andy Vowles (Mushroom), who had once thought of himself as the trio's musical director, acrimoniously left Massive Attack in late 1999, after an ultimatum from the other two members to end the group immediately if he did not. Despite having taken Del Naja's side in the effective firing of Vowles and then participating in a show-of-unity webcast as a duo the following year, Grant Marshall (G) had also effectively left by 2001 in that he abandoned the studio altogether. Marshall returned to a studio role in 2005, having joined the touring line-up in 2003 and 2004. CANNOTANSWER

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Enrique Martin Morales (born December 24, 1971), commonly known as Ricky Martin, is a Puerto Rican singer, actor and author. Martin began his career at age 12 with the all-boy pop group Menudo. After five years with the group, he released several Spanish-language solo albums throughout the 1990s. He also acted on stage and on TV in Mexico, where he achieved modest stardom.

Ricky Martin's autobiography, Me, was published on November 2, 2010. The book became part of The New York Times Best Seller list, debuting at number five on the Hardcover Nonfiction list. A Spanish-language edition entitled Yo was published simultaneously. Martin's single, "The Best Thing About Me Is You" featuring Joss Stone also premiered on November 2, 2010 and peaked at number seventy-four on the Billboard Hot 100. The Spanish version, "Lo Mejor de Mi Vida Eres Tu" topped the Hot Latin Songs for two weeks. It was followed by a new studio album, Musica + Alma + Sexo released on January 31, 2011. It debuted at number three on the Billboard 200 and became the highest charting, primarily-Spanish language album in the United States, since Dreaming of You by Selena. Musica + Alma + Sexo also represents the highest ever chart debut on the Billboard 200 for a Sony Music Latin release. It spent two weeks at number one on the Billboard Top Latin Albums. On March 25, 2011, Martin started his Musica + Alma + Sexo World Tour, which ended on November 12, 2011. The second single from the album, "Mas" was released on April 5, 2011 and peaked at number seven on the Hot Dance Club Songs. "Frio" featuring Wisin & Yandel was chosen as the third single. 17: Greatest Hits was released on July 11, 2011 exclusively in the United Kingdom. Ricky Martin was playing Che in the Broadway revival of the show Evita, scheduled to begin previews on Broadway in March 2012, ahead of an opening in April 2012. He received mixed reviews. Martin guest-starred as a Spanish teacher on the Fox TV show Glee episode "The Spanish Teacher" on February 7, 2012. Martin premiered his "Ricky's Lip Conditioner" lip balm in April 2012 as part of the M.A.C Cosmetics "Ricky and Nicki for Viva Glam" campaign. The advertisements for the range paired him with rapper Nicki Minaj. Martin's signature is featured on the lip balm packaging. CANNOTANSWER

Can you share any other songs?


Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

In the mid-1980s Chicago's interests "shifted beyond 'issues of female identity' to an exploration of masculine power and powerlessness in the context of the Holocaust." Chicago's The Holocaust Project: From Darkness into Light (1985-93) is a collaboration with her husband, photographer Donald Woodman, whom she married on New Year's Eve 1985. Although Chicago's previous husbands were both Jewish, it wasn't until she met Woodman that she began to explore her own Jewish heritage. Chicago met poet Harvey Mudd, who had written an epic poem about the Holocaust. Chicago was interested in illustrating the poem, but decided to create her own work instead, using her own art, visual and written. Chicago worked alongside her husband to complete the piece, which took eight years to finish. The piece, which documents victims of the Holocaust, was created during a time of personal loss in Chicago's life: the death of her brother Ben, from Lou Gehrig's disease, and the death of her mother from cancer. Chicago used the tragic event of the Holocaust as a prism through which to explore victimization, oppression, injustice, and human cruelty. To seek inspiration for the project, Chicago and Woodman watched the documentary Shoah, which comprises interviews with Holocaust survivors at Nazi concentration camps and other relevant Holocaust sites. They also explored photo archives and written pieces about the Holocaust. They spent several months touring concentration camps and visited Israel. Chicago brought other issues into the work, such as environmentalism, Native American genocide, and the Vietnam War. With these subjects Chicago sought to relate contemporary issues to the moral dilemma behind the Holocaust. This aspect of the work caused controversy within the Jewish community, due to the comparison of the Holocaust to these other historical and contemporary concerns. The Holocaust Project: From Darkness into Light consists of sixteen large scale works made of a variety of mediums including: tapestry, stained glass, metal work, wood work, photography, painting, and the sewing of Audrey Cowan. The exhibit ends with a piece that displays a Jewish couple at Sabbath. The piece comprises 3000 square feet, providing a full exhibition experience for the viewer. The Holocaust Project: From Darkness into Light was exhibited for the first time in October 1993 at the Spertus Museum in Chicago. Most of the work from the piece is held at the Holocaust Center in Pittsburgh, Pennsylvania. Over the next six years, Chicago created works that explored the experiences of concentration camp victims. Galit Mana of Jewish Renaissance magazine notes, "This shift in focus led Chicago to work on other projects with an emphasis on Jewish tradition", including Voices from the Song of Songs (1997), where Chicago "introduces feminism and female sexuality into her representation of strong biblical female characters." CANNOTANSWER

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Seinfeld is an American television sitcom that ran for nine seasons on NBC, from 1989 to 1998. It was created by Larry David and Jerry Seinfeld, with the latter starring as a fictionalized version of himself. Set predominantly in an apartment building in Manhattan's Upper West Side in New York City, the show features a handful of Jerry's friends and acquaintances, particularly best friend George Costanza (Jason Alexander), former girlfriend Elaine Benes (Julia Louis-Dreyfus), and neighbor across the hall Cosmo Kramer (Michael Richards). It is often described as being "a show about nothing", as many of its episodes are about the minutiae of daily life.

The series was often described as "a show about nothing". However, Seinfeld in 2014 stated "the pitch for the show, the real pitch, when Larry and I went to NBC in 1988, was we want to show how a comedian gets his material. The show about nothing was just a joke in an episode many years later, and Larry and I to this day are surprised that it caught on as a way that people describe the show, because to us it's the opposite of that." Seinfeld broke several conventions of mainstream television. The show offers no growth or reconciliation to its characters. It eschews sentimentality. An episode is typically driven by humor interspersed with the superficial conflicts of characters with peculiar dispositions. Many episodes revolve around the characters' involvement in the lives of others with typically disastrous results. On the set, the notion that the characters should not develop or improve throughout the series was expressed as the "no hugging, no learning" rule. Also unlike most sitcoms, there are no moments of pathos; the audience is never made to feel sorry for any of the characters. Even Susan's death elicits no genuine emotions from anybody in the show. The characters are "thirty-something singles with vague identities, no roots, and conscious indifference to morals". Usual conventions, like isolating the characters from the actors playing them and separating the characters' world from that of the actors and audience, were broken. One such example is the story arc where the characters promote a TV sitcom series named Jerry. The show within a show, Jerry, was much like Seinfeld in that it was "about nothing" and Seinfeld played himself. The fictional Jerry was launched in the season four finale, but unlike Seinfeld, it wasn't picked up as a series. Jerry is one of many examples of metafiction in the show. There are no fewer than twenty-two fictional movies featured, like Rochelle, Rochelle. Because of these several elements, Seinfeld became the first TV series since Monty Python's Flying Circus to be widely described as postmodern. Jerry Seinfeld is an avid Abbott and Costello fan, and has cited the Abbott and Costello Show as an influence on Seinfeld. "Everybody on the show knows I'm a fan. We're always joking about how we do stuff from their show. George and I will often get into a riff that has the rhythm from the old Abbott and Costello shows. And sometimes I'll hit George in the chest the way Abbott would hit Costello." The series includes numerous references to the team. George Costanza's middle name is "Louis," after Costello. "The Old Man" episode featured a cantankerous character named "Sid Fields" as a tribute to the landlord on the team's TV show. Kramer's friend is named Mickey Abbott. A copywriter for the J. Peterman catalog is named Eddie Sherman, after the team's longtime agent. In Episode 30, Kramer hears the famous Abbott and Costello line, "His father was a mudder. His mother was a mudder." CANNOTANSWER


Background: Lindsay McAllister M "The Doctor" McDougall (born 3 March 1978) is an Australian rock guitarist and radio presenter. Since 1996, he has been the lead guitarist in punk rock band, Frenzal Rhomb alongside lead singer Jay Whalley. He has co-written songs with fellow band members including their highest charting single, "You Are Not My Friend".
Context: In August 1996 Lindsay McDougall joined Australian punk rock band Frenzal Rhomb after original guitarist Ben Costello left to attend university and become an animal rights activist. Frenzal Rhomb had formed in Sydney in 1992 with mainstay Jason Whalley on lead vocals. In November 1996 the group issued a CD EP, Punch in the Face and, in January 1997, performed at Big Day Out. Late that year they toured the United States supporting less than jake with Blink-182 opening. In September 1997, the band released their third album, Meet the Family. It was their first to be certified gold by Australian Recording Industry Association (ARIA). The next Frenzal Rhomb LP, A Man's Not a Camel was released in March 1999 and was supported by a nationwide tour. It remains their highest placed album to date, reaching No. 11 on the ARIA Albums Chart. It spawned their highest charting single, "You Are Not My Friend", which reached No. 48. The song was co-written by McDougall with fellow band members Whalley, Lex Feltham and Gordy Forman. In April 2003 the band released Sans Souci, followed by Forever Malcolm Young in 2006. During 2003 McDougall organised Rock Against Howard, a compilation album, by various Australian musicians as a protest against incumbent Prime Minister, John Howard's government. It was released in August 2004, before the October federal election, when Howard's coalition was re-elected. Also that year, McDougall and Whalley formed a side-project, Self Righteous Brothers, as an alternative rock group and issued the album, Love Songs for the Wrong at Heart on Shock Records. A track, "There's No Town Like Snowtown" referenced the Snowtown murders and was labelled "insensitive" by the Adelaide Tourism Commission after being played on radio. For the album, McDougall provided lead vocals, acoustic and electric guitars, banjo, piano, violin, viola, cello, pan flute, glockenspiel, zither, timbales, and cymbals. In March 2009 Frenzal Rhomb undertook The Boys are Back in Brown Tour, the following year they toured Japan and played a number of festivals in Australia, including Come Together and Rollercoaster. In December 2010, they joined the No Sleep Til Festival Tour with punk and metal bands: Megadeth, Descendents, NOFX, Gwar and Dropkick Murphys. In August 2011 Frenzal Rhomb issued their next album Smoko at the Pet Food Factory. CANNOTANSWER
Question: What was their first song?. Whats the answer?


Moyet was born in the Essex town of Billericay to a French father and English mother. She grew up in the nearby town of Basildon, where she attended Janet Duke Junior School and then Nicholas Comprehensive at secondary level. After leaving school at 16, she worked as a shop assistant and trained as a piano tuner. She was involved in a number of punk rock, pub rock and blues bands in the South East Essex area during the late 1970s and early 1980s, including the Vandals, the Screamin' Ab Dabs, the Vicars and the Little Roosters (the latter featuring Garrie Lammin, formerly of Cock Sparrer).

Following a period of personal and career evaluation, Hoodoo was released in 1991. The album sold respectably in the UK, and Moyet was nominated for a Grammy for the single "It Won't Be Long". However, the release of Hoodoo marked the beginning of an eight-year fight for Moyet to secure complete control of her artistic direction. Like many similar artists (including Aimee Mann and the late Kirsty MacColl), Moyet was reluctant to record a radio-friendly "pop" album simply for the sake of creating chart hits. Moyet's next album, Essex (1994), was also a source of controversy for her; in order for the album to be released, her label (now Sony) insisted that certain Essex tracks be re-recorded and re-produced, and that there be additional material remixed to create a more 'commercial' package. The video for the single "Whispering Your Name" again featured Dawn French. Following the release of Essex, Sony released a greatest hits compilation of Moyet's work. Singles entered the UK charts at No. 1 and, following a UK tour, was re-issued as a double CD set which included "Live (No Overdubs)", a bonus live CD. Upon re-issue, Singles charted again, this time in the Top 20. Due to prolonged litigation with Sony, Moyet did not record or release a new studio album for over eight years after the release of Essex. During this time, however, she recorded vocals for Tricky, Sylk-130, Ocean Colour Scene, The Lightning Seeds, and King Britt, and was featured on the British leg of the Lilith Fair tour. 2001 saw the release of The Essential Alison Moyet CD, and in 2002 The Essential Alison Moyet DVD. In 1995, she sang back-up vocals with Sinead O'Connor for one of Dusty Springfield's last television appearances, singing "Where Is a Woman to Go?" on the music show Later With Jools Holland. CANNOTANSWER

Answer the following question by taking a quote from the article: Did he reach bill board charts?


Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

In the 1990s, the band split up after a disagreement about royalties. Hadley, Norman and Keeble launched an unsuccessful court case against Gary Kemp for a share of Kemp's songwriting royalties from his work with Spandau Ballet. Although they vowed to appeal the verdict, they later decided against this. The three non-Kemp members then continued to tour as a trio, but they had to sell their shares in Spandau Ballet's company to Gary Kemp to pay off legal debts. Because the company owned the rights to the name of Spandau Ballet, the trio had to tour under the moniker "Hadley, Norman and Keeble, ex-Spandau Ballet". In 1990, the Kemp brothers played the lead roles in the film The Krays. Martin Kemp landed an acting role in the UK soap opera EastEnders. Gary Kemp also did more acting, appearing in a supporting role in the Whitney Houston hit The Bodyguard. In 1995 he released his only solo album, Little Bruises. Meanwhile, Tony Hadley tried to establish a solo career but with little success. After leaving EastEnders, Martin Kemp continued acting in various high-profile projects and appeared on TV in other roles. He wrote and directed his first film, Martin Kemp's Stalker. Gary Kemp wrote songs with Paul Stratham, who had written songs for Dido, continued acting on stage, in film and in television, and worked on the musicals Begbug and A Terrible Beauty with Guy Pratt. Steve Norman moved to Ibiza, where he formed a lounge band, Cloudfish, with Rafa Peletey and Shelley Preston in 2001. Hadley released three studio albums, landed the lead role in the musical Chicago and won the ITV reality show Reborn in the USA. In 1999, Hadley appeared as a guest vocalist on the Alan Parsons album The Time Machine, performing lead vocals on the song "Out of the Blue". CANNOTANSWERAnswer this question using a quote from the following article:

what about the kemp members?


Background: Woodes Rogers was the eldest son and heir of Woods Rogers, a successful merchant captain. Woodes Rogers spent part of his childhood in Poole, England, where he likely attended the local school; his father, who owned shares in many ships, was often away nine months of the year with the Newfoundland fishing fleet. Sometime between 1690 and 1696, Captain Rogers moved his family to Bristol. In November 1697, Woodes Rogers was apprenticed to Bristol mariner John Yeamans, to learn the profession of a sailor.
Context: The War of the Spanish Succession started in 1702, during which England's main maritime foes were France and Spain, and a number of Bristol ships were given letters of marque, allowing them to strike against enemy shipping. At least four vessels in which Rogers had an ownership interest were granted the letters. One, Whetstone Galley, named for Rogers' father in law, received the letters before being sent to Africa to begin a voyage in the slave trade. It did not reach Africa, but was captured by the French. Rogers suffered other losses against the French, although he does not record their extent in his book. He turned to privateering as a means of recouping these losses. In late 1707, Rogers was approached by William Dampier, a navigator and friend of Rogers' father, who proposed a privateering expedition against the Spanish. This was a desperate move on the part of Captain Dampier to save his career. Dampier had recently returned from leading a two-ship privateering expedition into the Pacific, which culminated in a series of mutinies before both ships finally sank due to Dampier's error in not having the hulls properly protected against worms before leaving port. Unaware of this, Rogers agreed. Financing was provided by many in the Bristol community, including Thomas Goldney II of the Quaker Goldney family and Thomas Dover, who would become president of the voyage council and Rogers' father in law. Commanding two frigates, Duke and Duchess, and captaining the first, Rogers spent three years circumnavigating the globe. The ships departed Bristol on 1 August 1708. Dampier was aboard as Rogers' sailing master. Rogers encountered various problems along the way. Forty of the Bristol crew deserted or were dismissed, and he spent a month in Ireland recruiting replacements and having the vessels prepared for sea. Many crew members were Dutch, Danish, or other foreigners. Some of the crew mutinied after Rogers refused to let them plunder a neutral Swedish vessel. When the mutiny was put down, he had the leader flogged, put in irons, and sent to England aboard another ship. The less culpable mutineers were given lighter punishments, such as reduced rations. The ships intended to force the chilly Drake Passage off the tip of South America, but expedition leaders soon realised that they were short of warm clothing and alcohol, which was then believed to warm those exposed to cold. Considering the latter the more important problem, the expedition made a stop at Tenerife to stock up on the local wine, and later sewed the ships' blankets into cold weather gear. The ships experienced a difficult inter-oceanic passage; they were forced to almost 62deg South latitude, which, according to Rogers, "for ought we know is the furthest that any one has yet been to the southward". At their furthest south, they were closer to as-yet-undiscovered Antarctica than to South America. CANNOTANSWER
Question: why did he approach rogers?

Answer:


Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. Since its inception, Testament has had numerous lineup changes, leaving Peterson as the only constant member. Billy replaced original singer Steve "Zetro" Souza (who left the band to join Exodus as the replacement of Paul Baloff) in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

Testament's second album, The New Order, was released in May 1988, and found the band continuing in a similar vein. The album was a minor success, peaking at number 136 on the Billboard 200, and managed to sell over 250,000 copies. In support of The New Order, Testament opened for Megadeth on their So Far, So Good... So What! tour in Europe, and toured the United States with the likes of Death Angel, Vio-Lence and Raven. After touring in support of The New Order, the band headed back into the studio to record their third studio album Practice What You Preach. Released in August 1989, the album minimized the occult and gothic themes found in the lyrical content of their first two albums, instead focusing on real-life issues such as politics and corruption. Practice What You Preach performed better on the charts than The New Order, reaching at number 77 on the Billboard 200, and included the hit single, the title track, which saw extensive airplay on Headbangers Ball. Testament toured for nearly a year behind Practice What You Preach with several bands, including Annihilator, Wrathchild America, Mortal Sin, Nuclear Assault and Savatage. By 1990, the album had sold over 450,000 copies. In October 1990, Testament released their fourth studio album Souls of Black. Although reviews were mixed, the album managed to sell respectably, in no doubt largely off the strength of the single title track, and saw the band perform on arena tours, including the European Clash of the Titans tour with Megadeth, Slayer and Suicidal Tendencies. They also opened for Judas Priest on their Painkiller tour from October to December 1990, and Slayer on their Seasons in the Abyss tour from January to March 1991. Attempting to reconnect with an audience distracted by the growing grunge movement, Testament released The Ritual in 1992. The Ritual saw a stylistic move away from thrash to a slower, slightly more traditional heavy metal sound. The Ritual peaked at 55 on the Billboard Hot 100, the band's highest chart position at the time, and the power ballad "Return to Serenity" managed to receive radio airplay, peaking at number 22. In support of the album, Testament toured Europe and North America, headlining their own tours, as well as opening for Iron Maiden on their Fear of the Dark tour, and Black Sabbath on their Dehumanizer tour. However, the success of The Ritual did not put an end to the tensions within the band. As early as 2009, Testament commenced writing new material for their tenth album. In an interview with Metalheadz, guitarist Eric Peterson stated that there were about four songs written and that "there's other guys in the band who like to play the more rock melodic style but the next one is gonna be a bit heavier." In a January 2011 interview during the 70000 Tons of Metal cruise, frontman Chuck Billy revealed that Testament had been working on six new songs, with four or five "maybe left to write," and would begin recording their new album by early March. On 18 May 2011, guitarist Alex Skolnick posted an update on his Twitter, saying, "Another tune done! My riffs from last week [plus] some of [fellow Testament guitarist Eric Peterson's plus] new ones we wrote today. Planning one more, then we've got more than we need." Testament began recording their tenth studio album on June 20, 2011. Drummer Paul Bostaph was unable to take part in the recording due to a "serious injury", although he was expected to rejoin when the band tours to support the album. Gene Hoglan, who played drums on the band's 1997 album Demonic, filled in for Bostaph. It was also reported that Lamb of God drummer Chris Adler would make a special guest appearance on a couple of bonus tracks. Testament appeared at the California dates of the summer 2011 Rockstar Energy Drink Mayhem Festival, replacing In Flames. On 14 July 2011, it was announced that the tenth Testament studio album would be called Dark Roots of Earth, which, after many delays, was released on July 27, 2012. Dark Roots of Earth debuted at No. 12 on Billboard 200, the band's highest chart position to date. Prior to the album's release, the band toured in the fall of 2011 with Anthrax and Death Angel. Overkill was invited to the tour, but due to the pre-production of their sixteenth studio album The Electric Age, they did not participate. It was announced on 1 December 2011 that Paul Bostaph had left Testament. Gene Hoglan recorded the drum tracks for Dark Roots of Earth and continues to play live with the band. In interviews, Testament have expressed pleasure in Hoglan's playing, and hope that he would continue playing with the band for the foreseeable future. In August 2012, guitarist Eric Peterson stated that Testament would record an eleventh studio album if Dark Roots of Earth did well. A week prior to the release of Dark Roots of Earth, Billy promised that Testament would not take "huge gaps" between albums anymore, and would "work hard and tour for two years or so," and try to release another album when they could. Hoglan has also said that he would "absolutely dig" to be a part of the writing of the next Testament album. On 13 September 2013, Billy told Rock Overdose that from January to April 2014, Testament would be writing and recording their eleventh studio album for a 2014 release. Testament released a live DVD/double album Dark Roots of Thrash on 15 October 2013. The release documents the band's sold-out headlining performance at the Paramount in Huntington, New York, in February 2013. On 13 January 2014, it was announced that bassist Greg Christian had left Testament again, and Steve Di Giorgio returned to the band as his replacement; it was also announced that he would be involved in the making of the band's next album. Christian has explained that the reasons he had left Testament for the second time were because of money disputes and differences with the band. Asked about in an April 2015 interview about Testament's plans to begin recording their new album, Peterson said that his "main goal" was to "get home [from tour] in June, finish it up and get in the studio by September." Billy also said that the band's goal was to have the album finished by Thanksgiving. Slovenian bassist Tilen Hudrap (Pestilence, Vicious Rumors, Paradox, Thraw) and Bay Area drummer Alex Bent (Arkaik, Dragonlord, Decrepit Birth, Battlecross) filled in for Di Giorgio and Hoglan in August at the prestigious Canadian open air festival Heavy Montreal, attended by more than 70 000 spectators. In May 2016, Billy confirmed the album would be entitled Brotherhood of the Snake. Of the album's lyrical content, he commented, "The Brotherhood of the Snake was actually a society about 6,000 years ago that debarred all religions. It was just a fascinating topic that caught our eye and attention and spawned a lot of songs. We're going with that vibe. There will be some songs that deviate, but the majority will be around that and aliens and religion. Then I'll probably tap into my native heritage and write some songs about that. It's not just going to be one concept, but there is some interesting stuff that we're finding to write about." Brotherhood of the Snake was released on October 28, 2016, and received generally positive reviews from critics, and scored Testament their second-highest chart position on the Billboard 200, reaching at number twenty. Shortly after its release, Testament embarked on an international tour with Amon Amarth, and toured North America in April-May 2017 with Sepultura, Prong, Infernal Tenebra and Dying Gorgeous Lies. The band also toured Europe with Annihilator and Death Angel in November and December 2017, and again in March and April 2018, with Annihilator and Vader supporting. Along with Anthrax, Lamb of God, Behemoth and Napalm Death, Testament will open for Slayer on their final North American tour, which will take place in the spring and summer of 2018. CANNOTANSWER

Answer the following question by taking a quote from the article: What happened following this change in crew?


Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

Answer this question "what happened to the band in 1998?" by extracting the answer from the text above.


In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWER

Answer this question "Why did andy move to dublin?" by extracting the answer from the text above.


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Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

Jordan was born on July 8, 1908, in Brinkley, Arkansas, where his father, James Aaron Jordan, was a music teacher and bandleader for the Brinkley Brass Band and for the Rabbit Foot Minstrels. His mother, Adell, died when Louis was young. Jordan studied music under his father, starting out on the clarinet. In his youth he played in his father's bands instead of doing farm work when school closed. He also played the piano professionally early in his career, but alto saxophone became his main instrument. However, he became even better known as a songwriter, entertainer and vocalist. Jordan briefly attended Arkansas Baptist College, in Little Rock, and majored in music. After a period with the Rabbit Foot Minstrels (in which one of his colleagues was Leon "Pee Wee" Whittaker) and with local bands, including Bob Alexander's Harmony Kings, he went to Philadelphia and then New York. In 1932, Jordan began performing with the Clarence Williams band, and when he was in Philadelphia he played clarinet in the Charlie Gaines band. In late 1936 he was invited to join the influential Savoy Ballroom orchestra, led by the drummer Chick Webb. Based at New York's Savoy Ballroom, Webb's orchestra was renowned as one of the best big bands of its day and regularly beat all comers at the Savoy's legendary cutting contests. Jordan worked with Webb until 1938, and it proved a vital stepping-stone in his career--Webb (who was physically disabled) was a fine musician but not a great showman. The ebullient Jordan often introduced songs as he began singing lead; he later recalled that many in the audience took him to be the band's leader, which undoubtedly boosted his confidence further. This was the same period when the young Ella Fitzgerald was coming to prominence as the Webb band's lead female vocalist; she and Jordan often sang duets on stage, and they later reprised their partnership on several records, by which time both were major stars. In 1938, Webb fired Jordan for trying to persuade Fitzgerald and others to join his new band. By this time Webb was already seriously ill with tuberculosis of the spine. He died at the age of 34, after spinal surgery on June 16, 1939. Following his death, Fitzgerald took over the band. Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis. The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.) The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs. Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. The prime of Jordan's recording career, 1942-1950, was a period of segregation on the radio. Despite this he had a crossover number 1 single, "G.I. Jive" backed with "Is You Is or Is You Ain't My Baby?" in 1944, thanks in large part to his performance with his orchestra of the song in the all-star wartime musical film Follow the Boys (Universal Pictures, 1944). Two years later, MGM's cartoon cat Tom sang "Is You Is or Is You Ain't My Baby?" in the 1946 Tom and Jerry cartoon short "Solid Serenade". Jordan appeared in the 1946 Monogram Pictures movie Swing Parade of 1946 and starred in the 1947 all-black, full-length Astor Pictures film Reet, Petite and Gone. During this period Jordan again placed more than a dozen songs on the national charts. However, Louis Jordan and His Tympany Five dominated the 1940s R&B charts, or (as they were known at the time) the "race" charts. In this period Jordan had eighteen number 1 singles and fifty-four in the Top Ten. According to Joel Whitburn's points-based analysis of Billboard chart placings, Jordan ranks fifth among the most successful artists over the period 1942-1995. From July 1946 through May 1947, Jordan had five consecutive number 1 songs, holding the top slot for 44 consecutive weeks. Jordan's popularity was boosted not only by his hit Decca records but also by his prolific recordings for Armed Forces Radio and the V-Disc transcription program, which helped to make him as popular with whites as with blacks. He also starred in a series of short musical films and made numerous "soundies" for his hit songs. The ancestor of the modern music video, soundies were short film clips designed for use in audio-visual jukeboxes. These were in addition to his part in Follow the Boys. CANNOTANSWER


Nelson Aldrich Rockefeller (July 8, 1908 - January 26, 1979) was an American businessman and politician who served as the 41st Vice President of the United States from 1974 to 1977, and previously as the 49th Governor of New York (1959-1973). He also served as Assistant Secretary of State for American Republic Affairs for Presidents Franklin D. Roosevelt and Harry S. Truman (1944-1945) as well as Under-Secretary of Health, Education and Welfare under Dwight D. Eisenhower (1953-1954). A member of the wealthy Rockefeller family, he was a noted art collector and served as administrator of Rockefeller Center in Manhattan, New York. Rockefeller was a Republican who was often considered to be liberal, progressive, or moderate.

Because the perception was that the Alliance for Progress was a failure, shortly after taking office, on February 17, 1969, President Richard Nixon commissioned a study to assess the state of Latin America. Nixon appointed his most powerful political rival, New York Governor Nelson Rockefeller to direct the study. The poor relationship between the two politicians suggested that Nixon would not be that interested in the results of the study. There was a lack of interest for the region in the late 1960s to early 1970s. In April and May 1969, at the request of President Nixon, Rockefeller and a team of 23 advisors visited 20 American republics during four trips to solicit opinions of U.S. inter-American policies and to determine the needs and conditions of each country. Most of the trips turned out to be an embarrassment. Among the recommendations in Rockefeller's report to the President were preferential trade agreements with Latin American countries, refinancing the region's foreign debt, and removing bureaucratic impediments that prevented the efficient use of U.S. aid. The Nixon administration did little to implement the report's recommendations. Rockefeller wrote in his report preface that, There is general frustration over the failure to achieve a more rapid improvement in standards of living. The United States, because of its identification with the failure of the Alliance for Progress to live up to expectations, is blamed. People in the countries concerned also used our visit as an opportunity to demonstrate their frustrations with the failure of their own governments to meet their needs...demonstrations that began over grievances were taken over and exacerbated by anti-US and subversive elements which sought to weaken the United States, and their own governments in the process. The major part of the Rockefeller report suggested a reduction of U.S. involvement, "we, in the United States, cannot determine the internal political structure of any other nation". Because there was little the United States should or could do toward changing the political atmosphere in other countries, there was no reason to attempt to use economic aid as a political tool. This was the justification to reduce economic aid in Latin America. The Rockefeller report called for some aid to continue, but the report recommended creating more effective aid programs. CANNOTANSWER

Did the report result in any lasting change?


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Sandra Day O'Connor (born March 26, 1930) is a retired Associate Justice of the Supreme Court of the United States, serving from her appointment in 1981 by Ronald Reagan to 2006. She is the first woman to serve on the Court. Prior to O'Connor's tenure on the Court, she was an elected official and judge in Arizona serving as the first female Majority Leader of a state senate as the Republican leader in the Arizona Senate. Upon her nomination to the Court, O'Connor was confirmed unanimously by the Senate.

O'Connor was a vigorous defender of the citing of foreign laws in judicial decisions. In a well-publicized October 28, 2003, speech at the Southern Center for International Studies, O'Connor said: The impressions we create in this world are important and can leave their mark ... [T]here is talk today about the "internationalization of legal relations". We are already seeing this in American courts, and should see it increasingly in the future. This does not mean, of course, that our courts can or should abandon their character as domestic institutions. But conclusions reached by other countries and by the international community, although not formally binding upon our decisions, should at times constitute persuasive authority in American courts--what is sometimes called "transjudicialism". In the speech she noted the 2002 Court case, Atkins v. Virginia, in which the majority decision (which included her) cited disapproval of the death penalty in Europe as part of its argument. This speech, and the general concept of relying on foreign law and opinion, was widely criticized by conservatives. In May 2004, the U.S. House of Representatives responded by passing a non-binding resolution, the "Reaffirmation of American Independence Resolution", stating that "U.S. judicial decisions should not be based on any foreign laws, court decisions, or pronouncements of foreign governments unless they are relevant to determining the meaning of American constitutional and statutory law." O'Connor once quoted the constitution of the Middle Eastern nation of Bahrain, which states that "[n]o authority shall prevail over the judgement of a judge, and under no circumstances may the course of justice be interfered with." Further, "[i]t is in everyone's interest to foster the rule-of-law evolution." O'Connor proposed that such ideas be taught in American law schools, high schools and universities. Critics contend that such thinking is contrary to the U.S. Constitution and establishes a rule of man, rather than law. In her retirement, she has continued to speak and organize conferences on the issue of judicial independence. CANNOTANSWER

what did she do with foreign law?


Buckley was born November 24, 1925, in New York City, the son of Aloise Josephine Antonia (Steiner) and William Frank Buckley Sr., a Texas-born lawyer and oil developer. His mother, from New Orleans, was of Swiss-German, German, and Irish descent, while his paternal grandparents, from Hamilton, Ontario, Canada, were of Irish ancestry. The sixth of ten children, Buckley moved as a boy with his family to Mexico, and then to Sharon, Connecticut, before beginning his formal schooling in Paris, where he attended first grade. By age seven, he received his first formal training in English at a day school in London; his first and second languages were Spanish and French.

In 1950, Buckley married Patricia Aldyen Austin "Pat" Taylor (1926-2007), daughter of Canadian industrialist Austin C. Taylor. He met Pat, a Protestant from Vancouver, British Columbia, while she was a student at Vassar College. She later became a prominent fundraiser for such charitable organizations as the Memorial Sloan Kettering Cancer Center, the Institute of Reconstructive Plastic Surgery at New York University Medical Center and the Hospital for Special Surgery. She also raised money for Vietnam War veterans and AIDS patients. On April 15, 2007, she died at age 80 of an infection after a long illness. After her death, Buckley seemed "dejected and rudderless", according to friend Christopher Little. The couple had one son, author Christopher Buckley. William F. Buckley Jr. had nine siblings, including sister Maureen Buckley-O'Reilly (1933-1964) who married Gerald A. O'Reilly, the CEO of Richardson-Vicks drugs; sister Priscilla L. Buckley, author of Living It Up With National Review: A Memoir, for which William wrote the foreword; sister Patricia Buckley Bozell, who was Patricia Taylor's roommate at Vassar before each married; brother Reid Buckley, an author, debate-master, and founder of the Buckley School of Public Speaking; and brother James L. Buckley, who became a U.S. Senator from New York and was later a judge of the United States Court of Appeals for the D.C. Circuit. Buckley co-authored a book, McCarthy and His Enemies, with his brother-in-law, attorney L. Brent Bozell Jr. (Patricia's husband), who worked with Buckley at The American Mercury in the early 1950s when it was edited by William Bradford Huie. Buckley's oldest sister Aloise Buckley Heath was a writer and conservative activist. CANNOTANSWERAnswer this question using a quote from the following article:

Did they have any children?