Giacomo Costa (14 December 1919 - 22 January 2000) was an Italian Australian professional wrestler best known by his ring name, Al Costello. Costello was the first professional wrestler to be nicknamed "The Man of a Thousand Holds" because of his innovative and very technical style. Costello was the creator and original member of the tag team The Fabulous Kangaroos, whose "Ultra Australian" gimmick complete with boomerangs, bush hats and the song "Waltzing Matilda" as their entrance music, existed in various forms from 1957 until 1983. Costello was either an active wrestler, or a manager in all versions of The Fabulous Kangaroos.

For years, Al Costello had been working on an idea for a new tag team; he even knew who he wanted for a partner: a wrestler he had worked with some years ago named Roy Heffernan. Because Costello and Heffernan had lost touch over the years, the idea remained dormant until Costello toured Hawaii in 1956. Costello mentioned his idea of an "Ultra Australian" tag team to fellow wrestler, and future promoter, Joe Blanchard. Blanchard happened to be a good friend of Roy Heffernan and knew he was working in Stampede Wrestling at the time. Blanchard put the two in touch with each other, and Costello was soon off to Calgary, Alberta, Canada to join Heffernan and finally make his tag team a reality. Costello and Heffernan debuted as "The Fabulous Kangaroos" on 3 May 1957 for Stu Hart's Stampede Wrestling promotion in a match against Maurice LaPointe and Tony Baillargeon. Only weeks after that first match, The Kangaroos were working with the top tag teams in the promotion. After working in Stampede for a while, The Fabulous Kangaroos started to travel across the United States, headlining shows wherever they went due to their ability to rile up crowds with their heel (bad guy) tactics. On one occasion in August 1958, The Kangaroos, or "Kangaroo Men" as they were billed, nearly caused a riot in Madison Square Garden during a match against Antonino Rocca and Miguel Perez; the fans began to throw fruit and stones at them. After the match ended without a decisive winner, the promoters stepped in, turned up the arena lights, and played the National Anthem to stop a potential riot. This was a common tactic used at the time by the New York promoters in order to prevent riots and help the heels leave the arena unharmed. Later that year, Costello and Heffernan started working for Dory Funk's NWA Western States promotion based in Amarillo, Texas. Here, The Kangaroos won their first title as a team when they defeated Pepper Gomez and El Medico to win the Texas version of the NWA World Tag Team Championship on 17 November 1958. Their first title reign was short lived, however, as Gomez and Rito Romero defeated them to regain the titles two weeks later. Between 1957 and 1965, The Kangaroos wrestled in the United States, Canada, Asia and select tours of Australia and New Zealand. They worked for such companies as Capitol Wrestling Corporation (the future World Wrestling Entertainment), Championship Wrestling from Florida, NWA Ohio, the Japan Wrestling Association and the World Wrestling Association in Los Angeles, California. The Kangaroos never forgot their roots and continued to work in Canada off and on through the years; in addition to Stampede Wrestling, the team also worked for NWA All-Star Wrestling based in Vancouver, British Columbia. Costello featured in a National Film Board of Canada short subject La Lotta/Wrestling/Le Catch. Their stint in NWA All-Star Wrestling was the last time Costello and Heffernan teamed together. In June 1965, The Kangaroos lost to Don Leo Jonathan and Jim Hardy and then split up. Heffernan had left Australia to tour the world in 1953 and wanted to return to his homeland, while Costello was determined to remain in the United States for a while longer. Heffernan returned to Australia and began working for World Championship Wrestling (the Australian version, not the North American wrestling federation) under booker Jim Barnett as a singles wrestler. Costello was originally supposed to return to Australia as well and work for WCW, but those plans never came through. Instead, Costello remained in the United States and kept working in the tag team division, never seeking a career as a singles wrestler. Costello began wrestling for Georgia Championship Wrestling, where he teamed up with Louis Tillet to form a tag team known as "The Globetrotters"; a name that played off Costello's Australian and Tillet's French heritage. The Globetrotters defeated the Mysterious Medics in the finals of the Georgia NWA World Tag Team Championship but only held the titles for a week before losing them to Kurt and Karl Von Brauner on 4 February 1966. After this, the Globetrotters broke up due to differences in their approach to tag teaming. Costello then moved to the NWA Mid-America territory near Nashville, Tennessee. In Mid-American, Costello teamed with Herb Welch to win the Mid-American version of the NWA World Tag Team Championship, which they held for just over 2 months. While still working in Mid-America, Costello began to team with Karl Von Brauner, who used a "German Nazi" gimmick despite being American. Under the management of "Playboy" Gary Hart, Costello and Von Brauner were billed as "The Internationals"; the team was later managed by George "Crybaby" Cannon. The Internationals worked mainly in Tennessee and Texas for NWA Western States. In Texas, Costello and Von Brauner won the Texas version of the NWA World Tag Team Championship, a title Costello and Heffernan had held in 1958. The team was also billed as the first NWA American Tag Team Champions, titles that were also recognized by World Class Championship Wrestling in addition to the Western States promotion. The Internationals lost the American Tag Team title to Fritz and Waldo Von Erich on 21 February 1967. Kurt then decided to go back to teaming with his storyline brother, Karl Von Brauner. After the Internationals broke up, Costello returned to Australia to visit friends and relatives and to recuperate after many years on the road. On his way back to the United States, Costello had a stop over in Detroit, Michigan, where he met Cleo Williams. The two fell in love and married shortly afterwards, remaining together for the rest of Costello's life. In 1967, Al Costello reformed The Fabulous Kangaroos, this time teaming up with Ray St. Clair. The team had been touring non-stop for about six months when St. Clair was forced to retire due to knee problems. A few months after St. Clair retired, Costello found a new man to don the bush hat: Don Kent. Kent, who was from Michigan, adopted the Ultra-Australian gimmick (but retained his American accent) and the two formed the third overall and second most well-known version of The Fabulous Kangaroos. Costello and Kent teamed together on a regular basis from 1968 until 1974, approximately the same amount of time that Costello spent teaming with his original partner, Roy Heffernan. Costello and Kent continued in a tradition that was reminiscent of the original Kangaroos; when a federation needed a new tag team title, The Kangaroos were brought in and acknowledged as champions upon arrival instead of holding a tournament to determine the champions. In 1967, the Japanese federation "International Wrestling Enterprise" (IWE) brought The Kangaroos in as the first Trans-World Wrestling Alliance World Tag Team Champions. They held this title until 10 January 1968 when IWE mainstays Toyonobori and Thunder Sugiyama beat them for the gold. Over the years, many more title reigns came from various promotions all over the globe. In Canada, The Kangaroos were the first Eastern Sports Association International Tag Team Champions. In the World Wrestling Association of Indianapolis, they held the WWA World Tag Team Championship twice. In addition to winning titles all over North America, Costello and Kent also made appearances for the World Wide Wrestling Federation (now known as WWE). The Kangaroos frequented NWA Detroit, where they held the Detroit version of the NWA World Tag Team Championship for most of 1971. By the end of 1972, The Kangaroos began working for Nick Gulas' NWA Mid-America. In Mid-America, they held the local version of the NWA World Tag Team Championship, the Mid-America version, on three occasions. After a match at Cincinnati Gardens, an enraged fan took a fire extinguisher off the wall and threw it at Costello and Kent from the balcony of the Gardens. The extinguisher hit Costello in the hip, damaging it so much that he needed hip replacement surgery later that year. The fan was arrested, served 15 days in jail, and fined fifty dollars for damaging the fire extinguisher. The hip injury left Costello unable to wrestle, and The Fabulous Kangaroos split up once again. Costello had a full hip replacement and was forced to retire from active competition. CANNOTANSWERAnswer this question using a quote from the following article:

Were these successful ventures?


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Satriani was born in Westbury, New York, the descendant of Italian immigrants. His paternal grandparents were from Piacenza and Bobbio, while his maternal grandparents were from Bari. He was inspired to play guitar at age 14, after hearing of the death of Jimi Hendrix. He has been said to have heard the news during football practice, where he then announced to his coach that he was quitting to become a guitarist.

Satriani started playing in a San Francisco-based band called the Squares, where he continued to network and make musical connections (Squares sound man John Cuniberti co-produced his second album). He was invited to join the Greg Kihn Band, who were on the downside of their career, but whose generosity helped Satriani pay off the overwhelming credit card debt from recording his first album Not of This Earth. In 1987, Satriani's second album Surfing with the Alien produced radio hits and was the first all-instrumental release to chart so highly in many years. The track "Crushing Day" was featured on the soundtrack of a low-budget film titled It Takes Two. Surfing with the Alien is his most acclaimed work, according to aggregator Acclaimed Music. In 1988 Satriani helped produce the EP The Eyes of Horror for the death metal band Possessed. That same year he also released an EP titled Dreaming #11, which featured the song "The Crush of Love". In 1989, Satriani released the album Flying in a Blue Dream. It was said to be inspired by the death of his father, who died in 1989 during the recording of the album. "One Big Rush" featured on the soundtrack to the Cameron Crowe movie Say Anything.... "The Forgotten Part II" was featured on a Labatt Blue commercial in Canada in 1993. "Can't Slow Down" featured in a car-chase sequence in the Don Johnson starring show Nash Bridges. "The Bells of Lal (Part One)" was featured for an eerie scene in the 1996 Billy Bob Thornton movie Sling Blade, while Carl is sharpening a lawnmower blade to kill the menacing Doyle Hargraves played by Dwight Yoakam. Joe Satriani also sang backing vocals on the self-titled Crowded House album. Satriani was a friend of Mitchell Froom. In 1992, Satriani released The Extremist, his most commercially successful album to date. Radio stations across the country picked up "Summer Song," which got a major boost when Sony used it in a major commercial campaign for their Discman portable CD players. "Cryin'," "Friends," and the title track were regional hits on radio. In late 1993, Satriani joined Deep Purple as a temporary replacement for departed guitarist Ritchie Blackmore during the band's Japanese tour. The concerts were a success, and Satriani was asked to join the band permanently but he declined, having just signed a multi-album solo deal with Sony, and Steve Morse took the guitarist slot in Deep Purple. In 1996, Satriani founded the G3, a concert tour intended to feature a trio of guitarists. The original lineup featured Satriani, Vai and Eric Johnson. The G3 tour has continued periodically since its inaugural version, with Satriani the only permanent member. Other guitarists who have performed in G3 include among others: Yngwie Malmsteen, John Petrucci, Kenny Wayne Shepherd, Robert Fripp, Andy Timmons, Uli Jon Roth, Michael Schenker, Adrian Legg, Paul Gilbert, Steve Morse and Steve Lukather. In 1998 Satriani recorded and released Crystal Planet. Crystal Planet was followed up with Engines of Creation, one of his more experimental works featuring the electronica genre. A pair of shows at the Fillmore West in San Francisco were recorded in December 2000 and released as Live in San Francisco, a two-disc live album and DVD. CANNOTANSWER

what year did he start his music career?


Background: Nick Cave and the Bad Seeds are an Australian rock band formed in Melbourne in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and keyboardist Conway Savage (all four from Australia), guitarist George Vjestica (United Kingdom), keyboard/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward". The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria.
Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER
Question: What did they do when they relocated to germany?

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Terence Steven McQueen was born on March 24, 1930, at St. Francis Hospital in Beech Grove, Indiana, a suburb of Indianapolis. His father, William Terence McQueen, was a stunt pilot for a barnstorming flying circus who left McQueen's mother, Julia Ann (a.k.a. Julian; nee Crawford), six months after meeting her. Several biographers have stated that Julia Ann was an alcoholic.

In 1971 McQueen starred in the poorly received auto-racing drama Le Mans. Then came Junior Bonner in 1972, a story of an aging rodeo rider. He worked for director Sam Peckinpah again with the leading role in The Getaway, where he met future wife Ali MacGraw. He followed this with a physically demanding role as a Devil's Island prisoner in 1973's Papillon, featuring Dustin Hoffman as his character's tragic sidekick. In 1973 The Rolling Stones referred to McQueen in the song "Star Star" from the album Goats Head Soup for which an amused McQueen reportedly gave personal permission. The lines were "Star ######, star ######, star ######, star ###### star/ Yes you are, yes you are, yes you are/Yeah, Ali MacGraw got mad with you/For givin' head to Steve McQueen". By the time of The Getaway, McQueen was the world's highest-paid actor, but after 1974's The Towering Inferno, co-starring with his long-time professional rival Paul Newman and reuniting him with Dunaway, became a tremendous box-office success, McQueen all but disappeared from the public eye, to focus on motorcycle racing and traveling around the country in a motor home and on his vintage Indian motorcycles. He did not return to acting until 1978 with An Enemy of the People, playing against type as a bearded, bespectacled 19th-century doctor in this adaptation of a Henrik Ibsen play. The film was never properly released theatrically. His last two films were loosely based on true stories: Tom Horn, a Western adventure about a former Army scout-turned professional gunman who worked for the big cattle ranchers hunting down rustlers, and later hanged for murder in the shooting death of a sheepherder, and The Hunter, an urban action movie about a modern-day bounty hunter, both released in 1980. CANNOTANSWER

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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Wagner's later musical style introduced new ideas in harmony, melodic process (leitmotif) and operatic structure. Notably from Tristan und Isolde onwards, he explored the limits of the traditional tonal system, which gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, which include the so-called Tristan chord. Wagner inspired great devotion. For a long period, many composers were inclined to align themselves with or against Wagner's music. Anton Bruckner and Hugo Wolf were greatly indebted to him, as were Cesar Franck, Henri Duparc, Ernest Chausson, Jules Massenet, Richard Strauss, Alexander von Zemlinsky, Hans Pfitzner and numerous others. Gustav Mahler was devoted to Wagner and his music; aged 15, he sought him out on his 1875 visit to Vienna, became a renowned Wagner conductor, and his compositions are seen by Richard Taruskin as extending Wagner's "maximalization" of "the temporal and the sonorous" in music to the world of the symphony. The harmonic revolutions of Claude Debussy and Arnold Schoenberg (both of whose oeuvres contain examples of tonal and atonal modernism) have often been traced back to Tristan and Parsifal. The Italian form of operatic realism known as verismo owed much to the Wagnerian concept of musical form. Wagner made a major contribution to the principles and practice of conducting. His essay "About Conducting" (1869) advanced Hector Berlioz's technique of conducting and claimed that conducting was a means by which a musical work could be re-interpreted, rather than simply a mechanism for achieving orchestral unison. He exemplified this approach in his own conducting, which was significantly more flexible than the disciplined approach of Felix Mendelssohn; in his view this also justified practices that would today be frowned upon, such as the rewriting of scores. Wilhelm Furtwangler felt that Wagner and Bulow, through their interpretative approach, inspired a whole new generation of conductors (including Furtwangler himself). Amongst those claiming inspiration from Wagner's music are the German band Rammstein, and the electronic composer Klaus Schulze, whose 1975 album Timewind consists of two 30-minute tracks, Bayreuth Return and Wahnfried 1883. Joey DeMaio of the band Manowar has described Wagner as "The father of heavy metal". The Slovenian group Laibach created the 2009 suite VolksWagner, using material from Wagner's operas. Phil Spector's Wall of Sound recording technique was, it has been claimed, heavily influenced by Wagner. CANNOTANSWER

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Franz Ferdinand are a Scottish indie rock band, formed in 2002 and based in Glasgow. The band's original lineup was composed of Alex Kapranos (lead vocals and guitar, keyboard), Nick McCarthy (rhythm guitar, keyboards and backing vocals), Bob Hardy (bass guitar), and Paul Thomson (drums, percussion and backing vocals). Julian Corrie (keyboards, synthesiser, guitar and backing vocals) and Dino Bardot (guitar and backing vocals) joined the band in 2017 after McCarthy left during the previous year. The band has been notable for being one of the more popular post-punk revival bands, garnering multiple UK top 20 hits.

On 26 January 2009, the band released their third studio album, Tonight: Franz Ferdinand, which they had been recording in Glasgow since mid-2007. The band recorded the album in a disused building in Glasgow that had been a town hall in the past. Alex Kapranos has stated that "The last record was...like a teenager having sex. This one's a bit more assured and a bit friendlier for the dance floor." Tonight was mixed by Canadian Mix Engineer Mike Fraser. The song "Ulysses" was chosen to be the first single and was released on 19 January 2009. It was first played by Zane Lowe on 17 November 2008. Shortly afterwards it hit YouTube. It did not see that much success in the UK Top 40, reaching only No. 20, but it fared better in Spain and Japan where it reached No. 2 and No. 3 respectively. It also entered the Top 20 of the US Modern Rock Chart. The album, Tonight was released 26 January 2009 and debuted at No. 2 in the UK Album Chart and No. 9 in the US Billboard 200. The second single, "No You Girls" saw success both in the charts and on the radio prior to release, eventually reaching No. 7 on the US Modern Rock Chart and was performed by Franz Ferdinand on Comic Relief 2009 Top of The Pops special. "Can't Stop Feeling" was released on 6 July as the 3rd single from the album and on 28 August, "What She Came For" was released as the 4th single in the form of a remix single. The band performed "What She Came For" on The Tonight Show with Conan O'Brien on Wednesday, 26 August 2009. The band appeared on Radio 1's live lounge performing their second single No You Girls, and did a cover of Britney Spears' comeback single "Womanizer". In February 2009, Glastonbury Festival announced Franz Ferdinand as the first major band playing at that year's festival. The band also unveiled a 19-date tour of the USA during the spring, in support of the new album. The tour included a set at the Coachella Festival. The band were also one of the main stage acts performing at Radio 1's Big Weekend in Swindon in May. On 6 May 2009, it was announced that Franz Ferdinand would be the 3rd opening act for the Green Day's 21st Century Breakdown World Tour. They played from 8-26 August 2009, and they followed Kaiser Chiefs and The Bravery. On 1 June 2009, the band released Blood, a compilation album that includes dub music versions of songs from Tonight: Franz Ferdinand. The release was timed to coincide with Record Store Day. iTunes Festival: London 2009, iTunes Store exclusive, was released in June as well. Also made for the Record Store Day, on 16 April 2011 Domino released the compilation Covers E.P., which featured songs of Tonight: Franz Ferdinand played by Peaches, LCD Soundsystem, Stephin Merritt, ESG and Debbie Harry (who recorded in duet with the band). The first edition was only vinyl, and on 2 May 2011 it was released on CD. CANNOTANSWER

did any of the singles chart?


John Dee (13 July 1527 - 1608 or 1609) was an English mathematician, astronomer, astrologer, occult philosopher, and advisor to Queen Elizabeth I. He devoted much of his life to the study of alchemy, divination, and Hermetic philosophy. He was also an advocate of England's imperial expansion into a "British Empire", a term he is generally credited with coining. Dee straddled the worlds of modern science and magic just as the former was emerging.

Dee was married three times and had eight children. He first married Katherine Constable in 1565; she died in 1574 and their union resulted in no children. His second (also childless) marriage to an unknown woman lasted only a year until her death in 1576. From 1577 to 1601, Dee kept a sporadic diary (also referred to as his "almanac") from which most of what we know about his life during that time has been gleaned. In 1578 he married the 23-year-old Jane Fromond: Dee was fifty-one at the time. Jane had her own connections to the Elizabethan court: she was a lady in waiting to Elizabeth Clinton, Countess of Lincoln, a position she gave up when she married Dee. When in 1587, Kelley informed Dee of the angel's wish that they share wives, Jane Dee (nee Fromond) was the wife Dee shared with him. Although Dee complied with the angel's supposed request for a while, he was apparently distressed by the arrangement and it was one reason why the two men parted company not long thereafter. Some believe that Dee's son Theodore, born nine months later, could have been Kelley's son, not Dee's. Jane died in Manchester of the bubonic plague and was buried in the Manchester Cathedral burial grounds in March 1604. Michael, born in Prague, died on his father's birthday in 1594. Theodore, born in Trebon, died in Manchester in 1601. His sons Arthur Dee and Rowland survived him, as did his daughter Katherine "who was his companion to the end". No records exist for his youngest daughters Madinia, Frances and Margaret after 1604, so it is widely assumed they died in the same epidemic that took their mother. (Dee had by this time ceased keeping his diary). While Arthur was a student at the Westminster School, Dee wrote a letter to his headmaster that echoes the worries of boarding school parents in every century. Arthur was an apprentice in much of his father's alchemical and scientific work, and was in fact often his scryer until Kelley came along. Arthur went on to become an alchemist and hermetic author, whose works were published by Elias Ashmole. As regards Dee's physical appearance, the antiquary John Aubrey gives the following description: "He was tall and slender. He wore a gown like an artist's gown, with hanging sleeves, and a slit.... A very fair, clear sanguine complexion... a long beard as white as milk. A very handsome man." CANNOTANSWER

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Anthony Kapel "Van" Jones (born September 20, 1968) is an American news commentator, author, and non-practicing attorney. He is a co-founder of several nonprofit organizations, including the Dream Corps, a "social justice accelerator" that operates three advocacy initiatives: #cut50, #Yeswecode and Green for All. He is the author of The Green Collar Economy and Rebuild the Dream, both ranking as New York Times bestselling books. He is a regular CNN contributor and host of The Van Jones Show.

In September 2007, Jones attended the Clinton Global Initiative and announced his plans to launch Green for All, a new national NGO dedicated to creating green pathways out of poverty in America. The plan grew out of his earlier work with the Ella Baker Center. Green for All was intended to make a national program out of the Green-Collar Jobs mission - creating green pathways out of poverty. Green for All formally opened its doors on January 1, 2008. In its first year, Green for All organized "The Dream Reborn", the first national green conference in which the majority of attendees were people of color. With 1Sky and the We Campaign, it co-hosted a national day of action for the new economy called "Green Jobs Now". It launched the Green-Collar Cities Program to help cities build local green economies and started the Green for All Capital Access Program to assist green entrepreneurs. As part of the Clean Energy Corps Working Group, it launched a campaign for a Clean Energy Corps initiative which would create 600,000 'green-collar' jobs while retrofitting and upgrading more than 15 million American buildings. In reflecting on Green for All's first year, Jones wrote, "One year later, Green for All is real - and we have helped put green collar jobs on the map... We have a long way to go. But today we have a strong organization to help get us there." Jones advocates a combination of conservation, regulation and investment as a way of encouraging environmental justice and opposing environmental racism. In an interview for the "EON Deep Democracy Interview Series", Jones spoke of a "third wave of environmentalism": The first wave is sort of the Teddy Roosevelt, conservation era which had its day and then, in 1963, Rachel Carson writes a book, Silent Spring, and she's talking about toxics and the environment, and that really kind of opens up a whole new wave. So it's no longer just conservation but it's conservation, plus regulation, trying to regulate the bad, and that wave kind of continued to be developed and got kind of a 2.5 upgrade because of the environmental justice community who said, "Wait a minute, you're regulating but you're not regulating equally, the white polluters and white environmentalists are essentially steering poison into the people-of-color communities, because they don't have a racial justice frame." ... Now there's something new that's beginning to gather momentum, and it's conservation plus regulation of the bad, plus investment in the good ... beginning to put money into the solutions as well as trying to regulate the problem. CANNOTANSWER

Answer the following question by taking a quote from the article: what were his plans?


Rickey was born in Stockdale, Ohio, the son of Jacob Frank Rickey and Emily (nee Brown). Rickey was a relative of Beth Rickey, a Louisiana political activist. He graduated from Valley High School in Lucasville, Ohio, in 1899, and he was a catcher on the baseball team at Ohio Wesleyan University, where he obtained his B.A. Rickey was a member of the Delta Tau Delta Fraternity. Rickey was a Master Mason in Tuscan Lodge #240 in Saint Louis.

By 1930, Rickey's Cardinals, known as the "Gashouse Gang", were the class of the National League. They won 101 games in 1931 and won the World Series in seven games. The star of the 1931 World Series was rookie Pepper Martin, one of the first Cardinal stars that came from Branch's minor league system. Soon, other minor league graduates joined the team, among them future hall of famers Dizzy Dean and Joe Medwick, nicknamed "Ducky", and Dean's brother Paul "Daffy" Dean. The Deans and Medwick were integral parts of the 1934 Cardinals, who won the franchise's third World Series title. Kenesaw Mountain Landis, the Commissioner of Baseball, was concerned that Rickey's minor league system was going to ruin baseball by destroying existing minor league teams, and he twice released over 70 Cardinal minor leaguers. Despite Landis' efforts, Rickey's minor league system stayed in existence, and similar systems were adopted by every major league team within a few years. Arguably, the farm system saved the minor leagues, by keeping them necessary after the television age began and minor league attendance figures declined. Rickey continued to develop the Cardinals up until the early 1940s. In his final year at St. Louis, 1942, the Cardinals had their best season in franchise history, winning 106 games and the World Series title. The team was led by a new crop of players developed by the Cardinals, two of whom, Enos Slaughter and Stan Musial, became Hall of Famers; and several others, among them future MVP Marty Marion, who were among the best at their position during their eras. Even their manager Billy Southworth was a product of their farm system. CANNOTANSWER

Answer the following question by taking a quote from the article: What brought them that win?


Schuur was born in Tacoma, Washington, two months premature and weighing less than three pounds. Complications of prematurity resulted in her total loss of vision. Her twin brother, David, had normal vision at birth but some hearing loss. She also has a younger sister.

In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER

Was she hired by Ed Shaughnessy?


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The Dead Boys are an American punk rock band from Cleveland, Ohio. The band was among the first wave of early punk bands, and was known as one of the rowdiest and most violent punk groups of the era. The Dead Boys were initially active from 1976 to 1979, briefly reuniting in 1986, and then later again in 2004 and 2005 for the first time without their frontman Stiv Bators, who had died in 1990. In September 2017, founding members Cheetah Chrome and Johnny Blitz reunited the band with a new lineup for a 40th anniversary tour along with a new album, Still Snotty: Young, Loud and Snotty at 40, a re-recording of their debut album.

After the Dead Boys dissolved, Cheetah Chrome played around New York City (mostly at Max's Kansas City) doing shows with The Stilettos, as well as his own band Cheetah Chrome and the Casualties. He recorded a single for ORK Records, "Still Wanna Die" / "Take Me Home", recorded with Atlantic Records co-founder Herb Abramson. Shortly thereafter, he played on Ronnie Spector's debut solo album Siren. He appeared on several recordings during the 1980s, and rejoined the Dead Boys for their ill-fated reunions of the late 1980s. In 2003, after the release of The Day the Earth Met the Rocket from the Tombs, Chrome reformed Rocket From The Tombs with David Thomas, Craig Bell, with Steve Mehlman (Pere Ubu) on drums and Richard Lloyd (Television) replacing the late Peter Laughner. This reincarnation of the group toured in 2003 and 2006. In summer 2003 they entered the studio to record some of the band's old material for the first time. The recordings were released as Rocket Redux (SmogVeil). In 2005, the members of Rocket From The Tombs flew to Germany to headline one night (The Buzzcocks headlined the other) of the International Punk Kongress in Kassel; then, in 2006, they reconvened in Cleveland, Ohio to write material for a new record. This material became the single "I Sell Soul"/"Romeo and Juliet", released in 2010, and the full-length album Barfly, released in 2011. In September 2010 Cheetah Chrome: A Dead Boy's Tale From The Front Lines Of Punk Rock was published. At the end of a week-long Rocket From The Tomb tour in December 2011, Chrome announced to the band that he had decided to stop touring extensively after 2012. He currently works for Plowboy Records in Nashville, TN, mainly in production and promotion. CANNOTANSWER

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Ngo Dinh Diem (Vietnamese: [NGo din ji@m?] ( listen); 3 January 1901 - 2 November 1963) was a South Vietnamese politician. A former mandarin of the Nguyen dynasty, he was named Prime Minister of the State of Vietnam by Head of State Bao Dai in 1954. In October 1955, after winning a heavily rigged referendum, he deposed Bao Dai and established the first Republic of Vietnam (RVN), with himself as president.

During his presidency, Diem imposed programs to reform Saigon society in accordance with Catholic and Confucian values. Brothels and opium dens were closed, divorce and abortion were made illegal, and adultery laws were strengthened. Besides, Diem's government established many schools and universities, such as the National Technical Center at Phu Tho in 1957, the University of Saigon (1956), the University of Hue (1957), and the University of Dalat (1957) Diem also paid attention to the preservation of Vietnamese traditional culture. Diem restored and organized some traditional festivals, such as Hung kings ancestor festival (No, but on the contrary, Ngo Dinh Diem during his nine years in power did not allow any celebration of the Hung kings, the Vietnam National founding fathers ,and), The Trung sisters festival ... According to Diem, the values of traditional culture, along with Catholic and Confucian values were powerful in the fight against Materialism. Regarding economic development, Diem and Nhu, in the political program of the Can Lao party and National Revolutionary Movement, pointed out the key factors of the RVN economy: a developed and independent economy, support for local capitalists, stabilized currency and reduced budget deficits; enhanced building infrastructure to meet military needs and create a prosperous South Vietnam. In 1957, Diem's government suggested the 5-year plan (1957-1961), which aimed at expanding cultivated area to 20 percent and improving agricultural production to 25%, restoring exploitative industry and developing infrastructure. On 31 December 1955, Diem promulgated Decree 48 on RVN independence on currency and banknotes (This is not in accordance with the first sentence of the last paragraph under "Being Prime Minister and consolidation of power" subtitle, with ref 54). Diem's government also encouraged the development of handicrafts, industry, and commerce. In October 1957, Diem established the Center for Technological Development for Investment, Instruction, and Cooperation and supported private technological activities to gradually diminish the role of foreign capitalists, especially French capitalists in industry and to enhance the role of indigenous capitalists in the RVN economy. In 1961, Diem suggested the second 5-year plan (1962-1966) to continue the first 5-year plan. During the first Republic of Vietnam, some indigenous industrial zones or factories were founded, such as the Cogido paper factory in An Hao (1961), Vinatexco and Vimytex textile factories, the Khanh Hoi glassware factory, the Ha Tien and Thu Duc cement factories, the Da Nhim hydroelectric facility (1961), Da Lat nuclear research centre (1963), and the Bien Hoa industrial zone (1963). During 1956-1960, Diem built a relatively stable RVN with a stable economy along with development of infrastructure and people's standards of living due to export of home comforts. Nevertheless, Diem also admitted the dependence of RVN's economy on US assistance: "Today, the country is not self-sufficient. We can say that foreign assistance is a kind of compensation for the services our people have provided to the free world to protect SEA market, and to fight against manipulations of international communism". CANNOTANSWER


Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit "Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female lead vocal with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 70s, and that region remains their strongest fan base.

Although commercial success was limited during this period, Renaissance scored a hit single in Britain with "Northern Lights", which reached No. 10 during the summer of 1978. The single was taken from the album A Song for All Seasons (a No. 58 album in the US), and received significant airplay in the US on both AOR and on radio stations adapting to a new format known as "soft rock", now known as adult contemporary. The band performed on a modestly successful tour of the US east of the Mississippi and drew significant crowds in State College, Pennsylvania and Cleveland in May and June 1979, promoting both A Song For All Seasons and a mix of old and new tracks. Additionally the band was able to get additional exposure via US television; performing "Carpet of the Sun" in 1977 on The Midnight Special (TV series) and being guests on the May 4 1978 edition of the Mike Douglas Show, where they played Northern Lights. These clips can currently be viewed on YouTube. Renaissance floundered following 1979's Azure d'Or, as many fans could not relate to a largely synthesizer-oriented sound. As a result, the band's fan base began to lose interest and the album only reached No. 125. Dunford and Camp assumed most of the band's songwriting. In the 1970s, Renaissance defined their work with folk rock and classical fusions. Their songs include quotations from and allusions to such composers as Alain, Bach, Chopin, Debussy, Giazotto, Maurice Jarre, Rachmaninoff, Rimsky-Korsakov, Prokofiev and Shostakovich. Renaissance records, especially Ashes Are Burning, were frequently played on American progressive rock radio stations such as WNEW-FM, WHFS-FM, WMMR-FM, KSHE 95 and WVBR. CANNOTANSWER

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James "Jimmy" William Buffett (born December 25, 1946) is an American musician, songwriter, author, actor, and businessman. He is best known for his music, which often portrays an "island escapism" lifestyle. Together with his Coral Reefer Band, Buffett has recorded hit songs including "Margaritaville" (ranked 234th on the Recording Industry Association of America's list of "Songs of the Century") and "Come Monday". He has a devoted base of fans known as "Parrotheads".

The earliest controversy with Buffett was his recording of "God's Own Drunk" on the album Living and Dying in 3/4 Time. In 1983, the son of the late entertainer Lord Buckley sued Buffett for $11 million for copyright infringement, claiming that Buffett took parts of the monologue from Buckley's A Tribute to Buckley and claimed it as his own work in "God's Own Drunk". The suit also alleged that Buffett's "blasphemous" rendition presented to the public a distorted impression of Lord Buckley. A court injunction against Buffett prevented him from performing the song until the lawsuit was settled or resolved, so starting in 1983, Buffett would get to the part of his show where he would normally perform "God's Own Drunk", he would say that he was not allowed to play it because of the lawsuit and instead played a song he wrote called "The Lawyer and the Asshole" in which he accuses Buckley's son and lawyers as being greedy and tells them to "kiss his ass." In January 1996, Buffett's Grumman HU-16 airplane named Hemisphere Dancer was shot at by Jamaican police, who believed the craft to be smuggling marijuana. The aircraft sustained minimal damage. The plane had previously been carrying Buffett, as well as U2's Bono, and Island Records producer Chris Blackwell, and co-pilot Bill Dindy, but they were not on board at the time. The Jamaican government acknowledged the mistake and apologized to Buffett, who penned the song "Jamaica Mistaica" for his Banana Wind album based on the experience. The plane from the incident is now at Orlando City Walk's Margaritaville. On February 4, 2001, he was ejected from the American Airlines Arena in Miami during a basketball game between the Miami Heat and the New York Knicks for cursing. After the game, referee Joe Forte said that he ordered him moved during the fourth quarter because "there was a little boy sitting next to him and a lady sitting by him. He used some words he knows he shouldn't have used." Forte apparently did not know who Buffett was, and censured Heat coach Pat Riley because he thought Riley--who was trying to explain to him who Buffett was--was insulting him by asking if he had ever been a "Parrothead", the nickname for Buffett fans. Buffett did not comment immediately after the incident, but discussed it on The Today Show three days later. On October 6, 2006, it was reported that Buffett had been detained by French custom officials in Saint Tropez for allegedly carrying over 100 pills of ecstasy. Buffett's luggage was searched after his Dassault Falcon 900 private jet landed at Toulon-Hyeres International Airport. He paid a fine of $300 and was released. A spokesperson for Buffett stated the pills in question were prescription drugs, but declined to name the drug or the health problem for which he was being treated. Buffett released a statement that the "ecstasy" was in fact a B-vitamin supplement known as Foltx. CANNOTANSWER

What controversy was Jimmy Buffett involved in?


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John Ruskin (8 February 1819 - 20 January 1900) was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. He penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale.

Ruskin was unanimously appointed the first Slade Professor of Fine Art at Oxford University in August 1869, largely through the offices of his friend, Henry Acland. He delivered his inaugural lecture on his 51st birthday in 1870, at the Sheldonian Theatre to a larger-than-expected audience. It was here that he said, "The art of any country is the exponent of its social and political virtues.". Thus, its effect on each man should be visible and moving. Cecil Rhodes cherished a long-hand copy of the lecture, believing that it supported his own view of the British Empire. In 1871, John Ruskin founded his own art school at Oxford, The Ruskin School of Drawing and Fine Art. It was originally accommodated within the Ashmolean Museum but now occupies premises on "the High" (High Street). Ruskin endowed the drawing mastership with PS5000 of his own money. He also established a large collection of drawings, watercolours and other materials (over 800 frames) with which to illustrate his lectures. The School challenged the orthodox, mechanical methodology of the government schools (the "South Kensington System"). His lectures were often so popular that they had to be given twice--once for the students, and again for the public. Most of them were eventually published (see Bibliography). He lectured on a wide range of subjects at Oxford, his interpretation of "Art" encompassing almost every conceivable area of study, including wood and metal engraving (Ariadne Florentina), the relation of science to art (The Eagle's Nest) and sculpture (Aratra Pentelici). His lectures ranged through myth, ornithology, geology, nature-study and literature. "The teaching of Art...," Ruskin wrote, "is the teaching of all things." Ruskin was never careful about offending his employer. When he criticised Michelangelo in a lecture in June 1871 it was seen as an attack on the large collection of that artist's work in the Ashmolean Museum. Most controversial, from the point of view of the University authorities, spectators and the national press, was the digging scheme on Ferry Hinksey Road at North Hinksey, near Oxford, instigated by Ruskin in 1874, and continuing into 1875, which involved undergraduates in a road-mending scheme. Motivated in part by a desire to teach the virtues of wholesome manual labour, some of the diggers, which included Oscar Wilde, Alfred Milner and Ruskin's future secretary and biographer, W. G. Collingwood, were profoundly influenced by the experience--notably Arnold Toynbee, Leonard Montefiore and Alexander Robertson MacEwen. It helped to foster a public service ethic that was later given expression in the university settlements, and was keenly celebrated by the founders of Ruskin Hall, Oxford. In 1879, Ruskin resigned from Oxford, but resumed his Professorship in 1883, resigning again in 1884. He gave his reason as opposition to vivisection, but he had increasingly been in conflict with the University authorities, who refused to expand his Drawing School. He was also suffering increasingly poor health. CANNOTANSWER


Boris Yeltsin died of congestive heart failure on 23 April 2007, aged 76. According to experts quoted by Komsomolskaya Pravda, the onset of Yeltsin's condition was due to his visit to Jordan between 25 March and 2 April. He was buried in the Novodevichy Cemetery on 25 April 2007, following a period during which his body had lain in repose in the Cathedral of Christ the Saviour in Moscow. Yeltsin was the first Russian head of state in 113 years to be buried in a church ceremony, after Emperor Alexander III. He was survived by his wife, Naina Iosifovna Yeltsina, whom he married in 1956, and their two daughters Yelena and Tatyana, born in 1957 and 1959, respectively. President Putin declared the day of his funeral a national day of mourning, with the nation's flags flown at half mast and all entertainment programs suspended for the day. Putin said, upon declaring 25 April 2007 a day of national mourning, that: [Yeltsin's] presidency has inscribed him forever in Russian and in world history. ... A new democratic Russia was born during his time: a free, open and peaceful country. A state in which the power truly does belong to the people. ... the first President of Russia's strength consisted in the mass support of Russian citizens for his ideas and aspirations. Thanks to the will and direct initiative of President Boris Yeltsin a new constitution, one which declared human rights a supreme value, was adopted. It gave people the opportunity to freely express their thoughts, to freely choose power in Russia, to realise their creative and entrepreneurial plans. This Constitution permitted us to begin building a truly effective Federation. ... We knew him as a brave and a warm-hearted, spiritual person. He was an upstanding and courageous national leader. And he was always very honest and frank while defending his position. ... [Yeltsin] assumed full responsibility for everything he called for, for everything he aspired to. For everything he tried to do and did do for the sake of Russia, for the sake of millions of Russians. And he invariably took upon himself, let it in his heart, all the trials and tribulations of Russia, peoples' difficulties and problems. Shortly after the news broke, former Soviet leader Mikhail Gorbachev issued a statement, saying: "I express my profoundest condolences to the family of the deceased, who had major deeds for the good of the country as well as serious mistakes behind him. It was a tragic destiny." CANNOTANSWER

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Carmelo Kyam Anthony (born May 29, 1984) is an American professional basketball player for the Oklahoma City Thunder of the National Basketball Association (NBA). Anthony attended Towson Catholic High School and Oak Hill Academy before playing college basketball at Syracuse. In Anthony's freshman season, he led the Orangemen to their first and only National Championship and was named the NCAA Tournament's Most Outstanding Player. Anthony then entered the 2003 NBA draft where he was selected with the third overall pick by the Denver Nuggets.

On September 25, 2017, Anthony was traded to the Thunder in exchange for Enes Kanter, Doug McDermott and a 2018 second-round pick. On November 9, 2017, with only 12 points needed to move up in the rankings, Anthony passed Allen Iverson on the NBA all-time scoring list and moved to the 24th spot. He finished the game with 28 points. On November 26, 2017, Anthony passed Ray Allen on the NBA all-time scoring list and moved to 23rd place. On December 11, 2017, Anthony passed Vince Carter for 22nd on the NBA all-time scoring list. On January 4, 2018, in Oklahoma City's game against the Los Angeles Clippers as part of their LA back-to-back (on January 3 they beat the LA Lakers 133-96), Anthony scored 22 points moving past the New York Knick's Patrick Ewing into 21st place on the NBA all-time scoring list. On January 27, 2018, Anthony became the 21st NBA player to score 25,000 career points. In addition, he has 1,693 playoff points. On March 6, 2018, in Oklahoma City's game against the Houston Rockets, Anthony scored 23 points to move past NBA legend Jerry West into the Top 20 in the NBA career scoring list as he now has a total of 25,210 as compared to West's 25,192 total points. On March 19, 2018, in a 132-125 victory over the Toronto Raptors, Anthony scored 15 points to up his career total to 25,289 thereby moving past Reggie Miller into 19th place in the NBA career scoring ladder. CANNOTANSWERAnswer this question using a quote from the following article:

What are some of the performance stats of Carmelo on the team?


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Timothy David Minchin (born 7 October 1975) is an Australian comedian, actor, writer, musician and director. He was born in Northampton, England, to Australian parents, but raised in Perth, Western Australia. Minchin is best known for his musical comedy, including six CDs, five DVDs, and live comedy shows that he has performed internationally. He has appeared on television in Australia, Britain, and the United States.

Minchin describes his act as a "funny cabaret show" and sees himself primarily as a musician and songwriter as opposed to a comedian; he has said that his songs "just happen to be funny." His reasoning for combining the disciplines of music and comedy was revealed in one interview when he said: "I'm a good musician for a comedian and I'm a good comedian for a musician but if I had to do any of them in isolation I dunno." He draws on his background in theatre for his distinctive onstage appearance and persona. In his performances, he typically goes barefoot with wild hair and heavy eye makeup, which is juxtaposed with a crisp suit and tails, and a grand piano. According to Minchin, he likes going barefoot in his shows because it makes him feel more comfortable. He considers the eye makeup important because while he is playing the piano he is not able to use his arms and relies on his face for expressions and gestures; the eyeliner makes his features more distinguishable for the audience. He has said that much of his look and persona is about "treading that line between mocking yourself and wanting to be an iconic figure. Mocking the ridiculousness and completely unrealistic dream of being an iconic figure." The shows consist largely of Minchin's comedic songs and poetry, with subjects including social satire, inflatable dolls, sex fetishes, and his own failed rock star ambitions. In between songs, he performs short stand-up routines. Several of his songs deal with religion, a subject with which Minchin--an atheist and a fan of Richard Dawkins--says he is "a bit obsessed". He argues that, as one of the most powerful and influential forces in the world, religion should never be off-limits to satirists. He says that his favourite song to perform is "Peace Anthem for Palestine", which reflects his feelings about religious conflict. In October 2010, he was made a Distinguished Supporter of the British Humanist Association. His comedy also deals with taboos more broadly. A prime example of this is the song "Prejudice", which parodies the power awarded to something as simple as a word. CANNOTANSWER

when was tim born


David Bruce Vitter (born May 3, 1961) is an American lobbyist, lawyer and politician who served as United States Senator for Louisiana from 2005 to 2017. He was the first Republican elected to the Senate from his state since the Reconstruction Era. Previously, he served in the United States House of Representatives, representing the suburban Louisiana's 1st congressional district. He served as a member of the Louisiana House of Representatives before entering the U.S. House.

In October 2009, the Senate passed Democratic Senator Al Franken's amendment to the 2010 Defense Appropriations bill that would forbid federal contractors from forcing victims of sexual assault, battery and discrimination to submit to binding arbitration (where a third-party typically chosen by the contractor adjudicates) and thereby prohibiting them from going to court. The impetus for the amendment came from the story of Jamie Leigh Jones who alleged that she was drugged and gang-raped by employees of Halliburton/KBR, a federal contractor. The amendment passed 68 to 30 with all opposition coming from Republicans including Vitter (all four female Republicans, six other Republicans and all present Democrats voted for passage). Vitter's 2010 Democratic Senatorial opponent Charlie Melancon criticized Vitter for his vote saying, "David Vitter has refused to explain why he voted to allow taxpayer-funded companies to sweep rape charges under the rug. We can only guess what his reasons were." However, The Washington Post columnist Kathleen Parker argued that the 30 senators were being "unfairly smeared for doing the harder thing, maybe even for the right reasons." Republican senators said they voted against it because it was unenforceable, a position also taken by the Department of Defense (DOD) and the Obama administration. However, the DOD and the White House stated they agreed with the intent of the legislation and suggested it would be better if it was broadened to prohibit the use of arbitration in cases of sexual assault for any business contract, not just federal contractors. Senators explained their vote against the legislation by saying it was a political attack on Halliburton and that the Senate shouldn't regulate contracts. The latter argument is countered with many examples of similar restrictions on contractors such as discrimination, bonuses and health care. Others felt it was unconstitutional and that arbitration is useful in resolving disputes, often faster, privately and cheaper. Later, a Baton Rouge rape survivor confronted Vitter at a town hall meeting saying, "[it] meant everything to me that I was able to put the person who attacked me behind bars ... How can you support a law that tells a rape victim that she does not have the right to defend herself?" Vitter replied, "The language in question did not say that in any way shape or form." CANNOTANSWER

Answer the following question by taking a quote from the article: What is the Franken amendment?


Background: His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.
Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER
Question: Where did he do to school?. Whats the answer?


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Ursula Kroeber Le Guin (; October 21, 1929 - January 22, 2018) was an American novelist. She worked mainly in the genres of fantasy and science fiction. She also authored children's books, short stories, poetry, and essays.

Being so thoroughly informed by social science perspectives on identity and society, Le Guin treats race and gender quite deliberately. The majority of her main characters are people of color, a choice made to reflect the non-white majority of humans, and one to which she attributes the frequent lack of character illustrations on her book covers. Her writing often makes use of alien (i.e., human but non-Terran) cultures to examine structural characteristics of human culture and society and their impact on the individual. This prominent theme of cultural interaction is most likely rooted in the fact that Le Guin grew up in a household of anthropologists where she was surrounded by the remarkable case of Ishi - a Native American acclaimed in his time as the "last wild Indian" - and his interaction with the white man's world. Le Guin's father was director of the University of California Museum of Anthropology, where Ishi was studied and worked as a research assistant. Her mother wrote the bestseller Ishi in Two Worlds. Similar elements are echoed through many of Le Guin's stories - from Planet of Exile and City of Illusions to The Word for World Is Forest and The Dispossessed. Le Guin's writing notably employs the ordinary actions and transactions of everyday life, clarifying how these daily activities embed individuals in a context of relation to the physical world and to one another. For example, the engagement of the main characters with the everyday business of looking after animals, tending gardens and doing domestic chores is central to the novel Tehanu. Themes of Jungian psychology also are prominent in her writing. For example Le Guin's Hainish Cycle, a series of novels encompassing a loose collection of societies, of various related human species, that exist largely in isolation from one another, providing the setting for her explorations of intercultural encounter. The Left Hand of Darkness, The Dispossessed and The Telling all consider the consequences of contact between different worlds and cultures. Unlike those in much mainstream science fiction, Hainish Cycle civilization does not possess reliable human faster-than-light travel, but does have technology for instantaneous communication. The social and cultural impact of the arrival of Ekumen envoys (known as "mobiles") on remote planets, and the culture shock that the envoys experience, constitute major themes of The Left Hand of Darkness. Le Guin's concept has been borrowed explicitly by several other well-known authors, to the extent of using the name of the communication device (the "ansible"). The Left Hand of Darkness is particularly noted for the way she explores social, cultural, and personal consequences of sexual identity through a novel involving a human's encounter with an intermittently androgynous race. In addition to androgyny, Le Guin's focus on sexuality breaks down normative gender roles. "Solitude", one of the stories in The Birthday of the World: and Other Stories follows a young girl, more adventurous and daring than her older brother, into a world dominated by strong, territorial women. In Paradises Lost, the people of a spaceship several generations into the voyage to a new colony-world are saved by a female interstellar navigator, an archetypal role typically reserved for men. CANNOTANSWER


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Buckley was born November 24, 1925, in New York City, the son of Aloise Josephine Antonia (Steiner) and William Frank Buckley Sr., a Texas-born lawyer and oil developer. His mother, from New Orleans, was of Swiss-German, German, and Irish descent, while his paternal grandparents, from Hamilton, Ontario, Canada, were of Irish ancestry. The sixth of ten children, Buckley moved as a boy with his family to Mexico, and then to Sharon, Connecticut, before beginning his formal schooling in Paris, where he attended first grade. By age seven, he received his first formal training in English at a day school in London; his first and second languages were Spanish and French.

In 1950, Buckley married Patricia Aldyen Austin "Pat" Taylor (1926-2007), daughter of Canadian industrialist Austin C. Taylor. He met Pat, a Protestant from Vancouver, British Columbia, while she was a student at Vassar College. She later became a prominent fundraiser for such charitable organizations as the Memorial Sloan Kettering Cancer Center, the Institute of Reconstructive Plastic Surgery at New York University Medical Center and the Hospital for Special Surgery. She also raised money for Vietnam War veterans and AIDS patients. On April 15, 2007, she died at age 80 of an infection after a long illness. After her death, Buckley seemed "dejected and rudderless", according to friend Christopher Little. The couple had one son, author Christopher Buckley. William F. Buckley Jr. had nine siblings, including sister Maureen Buckley-O'Reilly (1933-1964) who married Gerald A. O'Reilly, the CEO of Richardson-Vicks drugs; sister Priscilla L. Buckley, author of Living It Up With National Review: A Memoir, for which William wrote the foreword; sister Patricia Buckley Bozell, who was Patricia Taylor's roommate at Vassar before each married; brother Reid Buckley, an author, debate-master, and founder of the Buckley School of Public Speaking; and brother James L. Buckley, who became a U.S. Senator from New York and was later a judge of the United States Court of Appeals for the D.C. Circuit. Buckley co-authored a book, McCarthy and His Enemies, with his brother-in-law, attorney L. Brent Bozell Jr. (Patricia's husband), who worked with Buckley at The American Mercury in the early 1950s when it was edited by William Bradford Huie. Buckley's oldest sister Aloise Buckley Heath was a writer and conservative activist. CANNOTANSWER


Henry Dunant (born Jean-Henri Dunant; 8 May 1828 - 30 October 1910), also known as Henri Dunant, was a Swiss businessman and social activist, the founder of the Red Cross, and the first recipient of the Nobel Peace Prize. The 1864 Geneva Convention was based on Dunant's ideas. In 1901 he received the first Nobel Peace Prize together with Frederic Passy, making Dunant the first Swiss Nobel laureate.

After returning to Geneva early in July, Dunant decided to write a book about his experiences, which he titled Un Souvenir de Solferino (A Memory of Solferino). It was published in 1862 in an edition of 1,600 copies and was printed at Dunant's own expense. Within the book, he described the battle, its costs, and the chaotic circumstances afterwards. He also developed the idea that in the future a neutral organization should exist to provide care to wounded soldiers. He distributed the book to many leading political and military figures in Europe. Dunant also began to travel through Europe to promote his ideas. His book was largely positively received, and the President of the Geneva Society for Public Welfare, jurist Gustave Moynier, made the book and its suggestions the topic of the 9 February 1863 meeting of the organization. Dunant's recommendations were examined and positively assessed by the members. They created a five-person Committee to further pursue the possibility of their implementation and made Dunant one of the members. The others were Moynier, the Swiss army general Henri Dufour, and doctors Louis Appia and Theodore Maunoir. Their first meeting on 17 February 1863 is now considered the founding date of the International Committee of the Red Cross. From early on, Moynier and Dunant had increasing disagreements and conflicts regarding their respective visions and plans. Moynier considered Dunant's idea to establish neutrality protections for care providers unfeasible and advised Dunant not to insist upon this concept. However, Dunant continued to advocate this position in his travels and conversations with high-ranking political and military figures. This intensified the personal conflict between Moynier, who took a rather pragmatic approach to the project, and Dunant, who was the visionary idealist among the five, and led to efforts by Moynier to attack Dunant and his bid for leadership. In October 1863, 14 states took part in a meeting in Geneva organized by the committee to discuss the improvement of care for wounded soldiers. Dunant himself, however, was only a protocol leader because of Moynier's efforts to diminish his role. A year later on 22 August 1864, a diplomatic conference organized by the Swiss Parliament led to the signing of the First Geneva Convention by 12 states. Dunant, again, was only in charge of organizing accommodation for the attendees. CANNOTANSWERAnswer this question using a quote from the following article:

Did Moynier leave the committe?


Perry Como credited Bing Crosby for influencing his voice and style. Perry Como's voice is widely known for its good-natured vocal acrobatics as portrayed in his highly popular novelty songs such as "Hot Diggity (Dog Ziggity Boom)", but there was another side to Perry Como. Music critic Gene Lees describes it in his sleeve note to Como's 1968 album Look To Your Heart: Despite his immense popularity, Como is rarely given credit for what, once you stop and think of it, he so clearly is: one of the great singers and one of the great artists of our time. Perhaps the reason people rarely talk about his formidable attributes as a singer is that he makes so little fuss about them. That celebrated ease of his has been too little understood. Ease in any art is the result of mastery over the details of the craft. You get them together to the point where you can forget about how you do things and concentrate on what you are doing. Como got them together so completely that the muscles don't even show. It seems effortless, but a good deal of effort has gone into making it seem so. Como is known to be meticulous about rehearsal of the material for an album. He tries things out in different keys, gives the song thought, makes suggestions, tries it again, and again, until he is satisfied. The hidden work makes him look like Mr. Casual, and too many people are taken in by it -- but happily so. -Gene Lees-sleeve note, Look To Your Heart From 1989 until his death in 2001, Como co-hosted a weekly syndicated radio show with John Knox, called Weekend With Perry. CANNOTANSWER

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Texas are a Scottish pop rock band from Glasgow. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Texas made their performing debut in March 1988 at the University of Dundee. They took their name from the 1984 Wim Wenders movie Paris, Texas.

In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

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Ellen Naomi Cohen was born in Baltimore, Maryland, the daughter of Philip Cohen (d: 1962) and his wife Bess (nee Levine, 1915-1994). Both her parents were the children of Jewish immigrants from the Russian Empire. Elliot's family was subject to significant financial stresses and uncertainties during her childhood years. Her father, involved in several business ventures throughout his life, ultimately succeeded through the development of a lunch wagon business in Baltimore, providing meals to construction workers.

With two female members, the New Journeymen needed a new name. According to Doherty, Elliot had the inspiration for the band's new name; as written on his website: We're all just lying around vegging out watching TV and discussing names for the group. The New Journeymen was not a handle that was going to hang on this outfit. John was pushing for the Magic Cyrcle. Eech, but none of us could come up with anything better, then we switch the channel and, hey, it's the Hells Angels on the Carson show... And the first thing we hear is: "Now hold on there, Hoss. Some people call our women cheap, but we just call them our Mamas." Cass jumped up: "Yeah! I want to be a Mama." And Michelle is going: "We're the Mamas! We're the Mamas!" OK. I look at John. He's looking at me going: "The Papas?" Problem solved. A toast! To the Mamas and the Papas. Well, after many, many toasts, Cass and John are passed out." Doherty also said that the occasion marked the beginning of his affair with Michelle Phillips. Elliot was in love with Doherty and was displeased when he told her of the affair. Doherty has said that Elliot once proposed to him, but that he was so stoned at the time that he could not even respond. Elliot was known for her sense of humor and optimism, and was considered by some to be the most charismatic member of the group. Her powerful, distinctive voice was a major factor in their success. She is best remembered for her vocals on the group's hits "California Dreamin'", "Monday, Monday", "Words of Love", and the solo "Dream a Little Dream of Me", which the group recorded in 1968 after learning about the death of Fabian Andre, one of the men who co-wrote it, whom Michelle Phillips had met years earlier. Elliot's version is noteworthy for its contemplative pace, whereas almost all earlier recordings of "Dream a Little Dream of Me" (including one by Nat King Cole and another by Ozzie Nelson) had been up-tempo versions--the song having been written in 1931 as a dance tune. The Mamas & the Papas continued to record to meet the terms of their record contract. Their final album was released in 1971. CANNOTANSWER

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Joseph Kevin Keegan, OBE (born 14 February 1951) is an English former football player and manager. A forward, he played for several clubs including Liverpool and Hamburger SV. He went on to manage Newcastle United, Fulham and Manchester City, winning promotion as champions in his first full season at all three clubs. He also managed the England national team.

Keegan's transfer to Hamburg was agreed between the FA Cup final and the European Cup final of 1977, although Keegan had negotiated a maximum transfer fee the season before. On his arrival in Germany, Keegan was the highest paid player in the country, and was built up by the press and club as the "saviour" of Hamburg. He scored in pre-season friendlies against Barcelona and former club Liverpool, but the club suffered defeat in the European Super Cup against the Merseysiders, and Keegan was sent off in a mid-season friendly against VfB Lubeck after knocking out an opposition player with a punch. An unhappy first few months at the club gave way to a more successful season. Although the club finished tenth in the league in 1977-78, Keegan's 12 goals helped him pick up a personal honour, the France Football European Footballer of the Year award for 1978. The 1978-79 season saw a vast improvement on the club's 1978 finish. New manager Branko Zebec imposed a tough training regime, and Keegan's increasing grasp of the German language, coupled with the newly imposed discipline meant that Hamburg finished as league champions for the first time in nineteen years. The club's success also translated into individual recognition for Keegan, who picked up the European Footballer of the Year award for a second consecutive year, as well as the nickname Mighty Mouse from the fans, after the cartoon superhero. Hamburg's European campaign of 1979-80 saw Keegan score two goals to help Hamburg past Dinamo Tbilisi, Soviet champions who had beaten Liverpool to reach the latter stages. The club lost to Nottingham Forest in the final in Madrid, however, and this was coupled domestically with being beaten to the Bundesliga title by Bayern Munich. Having negotiated a maximum transfer fee of PS500,000 in his contract the year before and agreeing a move in February, Keegan left Hamburg for Southampton in the summer of 1980. CANNOTANSWER

Using a quote from the above article, answer the following question: How were his other seasons with the team?


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Robin Cook was born in the County Hospital, Bellshill, Scotland, the only son of Peter and Christina Cook (nee Lynch). His father was a Chemistry teacher who grew up in Fraserburgh, and his grandfather was a miner before being blacklisted for being involved in a strike. Cook was educated at Aberdeen Grammar School and, from 1960, the Royal High School in Edinburgh. At first, Cook intended to become a Church of Scotland minister, but lost his faith as he discovered politics.

With the election of a Labour government led by Tony Blair at the 1997 general election, Cook became Foreign Secretary. He was believed to have coveted the job of Chancellor of the Exchequer, but that job was reportedly promised by Tony Blair to Gordon Brown. He announced, to much scepticism, his intention to add "an ethical dimension" to foreign policy. His term as Foreign Secretary was marked by British interventions in Kosovo and Sierra Leone. Both of these were controversial, the former because it was not sanctioned by the UN Security Council, and the latter because of allegations that the British company Sandline International had supplied arms to supporters of the deposed president in contravention of a United Nations embargo. Cook was also embarrassed when his apparent offer to mediate in the dispute between India and Pakistan over Kashmir was rebuffed. The ethical dimension of his policies was subject to inevitable scrutiny, leading to criticism at times. Cook was responsible for achieving the agreement between Britain and Iran that ended the Iranian death threat against author Salman Rushdie, allowing both nations to normalize diplomatic relations. He is also credited with having helped resolve the eight-year impasse over the Pan Am Flight 103 bombing trial by getting Libya to agree to hand over the two accused (Megrahi and Fhimah) in 1999, for trial in the Netherlands according to Scots law. In March 1998, a diplomatic rift ensued with Israel when Israeli Prime Minister Benjamin Netanyahu cancelled a dinner with Cook, while Cook was visiting Israel and had demonstrated opposition to the expansion of Israeli settlements. Although a republican, he and the Queen were on excellent terms, due to their mutual interest in horses. CANNOTANSWER

was he successful in doing so?


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Future Islands is an American synthpop band based in Baltimore, Maryland, and signed to 4AD, currently comprising Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars), and Samuel T. Herring (lyrics and vocals). The band was formed in January 2006 by Welmers, Cashion and Herring--the remaining members of the performance art college band Art Lord & the Self-Portraits--and drummer Erick Murillo. Murillo left in November 2007, after which the band relocated to Baltimore, MD, and released the debut album Wave Like Home through British label

Sam Herring and Gerrit Welmers grew up in Morehead City, North Carolina two streets away from each other, and attended the same middle school in Newport, North Carolina. They became friends around 1998, when they were in 8th grade. Herring had started making hip-hop music when he was 13 or 14, while Gerrit was a skater with interests in metal and punk music who bought his first guitar at age 14. Having different musical backgrounds, they did not consider making music together during high-school. William Cashion started playing guitar when he was around 13, having had a couple of bands as a teenager in Raleigh, where he commuted to High School from Wendell, North Carolina. In 2012 he enrolled in the painting and drawing program at ECU and had drawing classes with Sam Herring. The idea to form a band came while Cashion was helping Herring study for an art history exam. They invited local record shop personality Adam Beeby to play rhythmic keyboards and fellow art student Kymia Nawabi for percussion and backing vocals. After a tumultuous debut on Valentine's Day February 14, 2003 at Soccer Moms' House, Herring also invited Welmers to join the band. Only Cashion and Welmers already played a musical instrument--the guitar--but Cashion took the bass and Welmers the keyboards, for a Kraftwerk-inspired sound. Sam Herring played Locke Ernst-Frost an arrogant narcissistic artist from Germany, Ohio, dressed in a 70's-inspired white suit with slicked-back hair, and a heavy German accent. The character's name originally was meant to be Oarlock Ernest Frost but it got shortened as a reference to John Locke the religious poet, Max Ernst, the artist and Robert Frost, the American poet. The band quickly gained a local reputation and started touring the underground venues in the Southwest, playing shows with North Carolina acts like Valient Thorr and Baltimore artists such as Height, Videohippos, OCDJ, Nuclear Power Pants, Santa Dads, Ecstatic Sunshine, Blood Baby, Ponytail and electronic musician Dan Deacon whom they met during a show on May 26, 2004. Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen, left the band to prepare for her graduation project in June-July 2003. When Adam Beeby had to leave Greenville in September 2005, the remaining members dissolved the band. When Art Lord & the Self Portraits disbanded in late 2005, its members forgot they had discussed with alt-country band The Texas Governor the possibility of touring together. Future Islands was formed in early 2006 to keep that commitment, with an original line-up consisting of Cashion, Herring, Welmers and Erick Murillo--bassist for The Kickass --who played an electronic drum kit. Already as Art Lord & the Self-Portraits, the band wanted to change their image and took this opportunity to do so. William Cashion stated: "Me and Gerrit had been talking for a while about how we wanted to get rid of the gimmick. We wanted to be taken seriously. Our songs had outgrown the gimmick that the band was made on. The songs were starting to deal with bigger, personal, universal themes. We wanted to be taken seriously." The band played their first show on February 12, 2006 at an anti-Valentine's Day party in a venue called the Turducken house, opening for about a dozen bands. After writing 6-7 songs in only one week, they had to come up with a new name quickly, narrowing it down to two choices--Future Shoes and Already Islands--and combining them into one. Future Islands self-released the EP Little Advances on April 28, 2006 which they recorded in March 2006. A couple of months later, Herring dropped out college and left Greenville to deal with a substance abuse problem he had acquired: In June, I left town and didn't come back. It was just drug problems, man. I got sucked into the darkness of partying and shit college kids do. I came clean to my parents and said, 'Look, I have a problem and need your help.' I stayed at my parent's for about a month and then moved across the state to Asheville, North Carolina. It took about a year for me to get my act together. The band still continued and on January 6, 2007 they self-released a split CD with Welmers' solo project Moss of Aura, recorded in December 2006. In July 2007, Future Islands recorded their debut album Wave Like Home with Chester Endersby Gwazda at Backdoor Skateshop in Greenville. As Cashion describes: "When we did Wave Like Home, we were working with a really tight schedule. Sam lived in Asheville and could only be in Greenville to record for a week or so, and we had to work very fast. We recorded the whole album in 3 days, and we spent about a month mixing it." After a Halloween party in 2007, Erick Murillo quit the band. Having finished his degree, Cashion moved back to Raleigh: "We were scattered across North Carolina. I was living in Raleigh on friends' couches, Gerrit was in Greenville and Sam was in Asheville, which was five hours away." Between November 2007 and June 2008, Future Islands--encouraged by Dan Deacon and Benny Boeldt from Baltimore band Adventure--relocated to Baltimore. Cashion moved in November, Herring in January and finally Welmers. There, they could have access to cheap rent, be part of a supportive community and be closer to cities like New York and Washington, which allowed them to tour more extensively. During the first half of 2008, the band added another drummer, Sam Ortiz from the Baltimore band Thrust Lab, who left weeks before the start of their first national tour in late July. On August 5, 2008, the band released the track "Follow You (Pangea Version)" as part of a split 7" with Dan Deacon, through the Durham label 307 Knox Records. Future Islands' track on the EP "Follow You (Pangea version)" was recorded in April 2006 at the Bonque house in Greenville, NC during the Pangea sessions: the band's first proper session with Chester Endersby Gwazda. London-based label Upset The Rhythm released Wave Like Home on August 25, 2008 which made sales difficult in the US due to the import costs. The cover art was designed by Kymia Nawabi, a former member of Art Lord & the Self-Portraits. She also designed the cover art of the Feathers and Hallways 7" which was recorded in Oakland, California, on July 21, 2008 during their first U.S. tour. Produced by Chester Endersby Gwazda, it was released on April 15, 2009 by Upset The Rhythm. This single was their first release as a focused three-piece: We have definitely talked about adding a drummer at some point, when the time is right, but right now it just makes sense to be a three piece if, for nothing else, the fact that it is really easy to tour as a three piece. We really have very little gear. We really just have PA speakers for the keyboard and a bass amp. CANNOTANSWER

did anyone ever leave the band?


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Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida.

A week after the 2002 WTA Championships, Capriati had eye surgery in order to remove pterygiums (sun spots) from both eyes. Recovery from the surgery hampered Capriati's off-season preparation. In the opening round of the 2003 Australian Open Capriati lost to unseeded and unheralded Marlene Weingartner. Capriati was the first Australian Open title-holder to lose in the first round. She withdrew from the Pan Pacific Open to further recover from her surgery. Capriati rebounded by reaching at least semifinals of the next five tournaments she played. She lost to Lindsay Davenport in the semifinals of the Indian Wells tournament. She then reached the final of the Sony Ericsson Open for the third consecutive year before losing to World No. 1 Serena Williams. Capriati lost in the round of 16 of the French Open to unseeded Nadia Petrova. She reached the quarters of Wimbledon for the sixth time, losing to Serena Williams in three sets, her eighth consecutive loss to her compatriot. Capriati then reached her second final of 2003 in Stanford, losing to Kim Clijsters in three sets. A pectoral strain forced Capriati to retire from her opening match in San Diego and pull out of Montreal. Capriati won her first title of 2003 in New Haven after Davenport retired in the final while trailing. This ended a 28-tournament title drought for Capriati, and was her first tour victory since she won the 2002 Australian Open. Seeded 6th at the U.S. Open, Capriati reached the semifinal where she lost to second-seeded Justine Henin in a tight third-set tiebreak many experts believed she should have won. Capriati served for the match twice and was two points away from victory eleven times, but Henin prevailed in a three-hour marathon, despite of Henin's serve being visibly affected by muscle cramps in her left leg throughout much of the last half hour of the match. Capriati did not play again until the WTA Tour Championships when she lost in the semifinal to Justine Henin again, now the World No. 1. CANNOTANSWER


Background: Prince Philip of Greece and Denmark was born in Mon Repos on the Greek island of Corfu on 10 June 1921, the only son and fifth and final child of Prince Andrew of Greece and Denmark and Princess Alice of Battenberg. Philip's four elder sisters were Margarita, Theodora, Cecilie, and Sophie. He was baptised into the Greek Orthodox Church. His godparents were Queen Olga of Greece (his paternal grandmother) and the Mayor of Corfu.
Context: After leaving Gordonstoun in 1939, Philip joined the Royal Navy, graduating the next year from the Royal Naval College, Dartmouth, as the best cadet in his course. During the Second World War, he continued to serve in the British forces, while two of his brothers-in-law, Prince Christoph of Hesse and Berthold, Margrave of Baden, fought on the opposing German side. Philip was appointed as a midshipman in January 1940. He spent four months on the battleship HMS Ramillies, protecting convoys of the Australian Expeditionary Force in the Indian Ocean, followed by shorter postings on HMS Kent, on HMS Shropshire and in Ceylon (now Sri Lanka). After the invasion of Greece by Italy in October 1940, he was transferred from the Indian Ocean to the battleship HMS Valiant in the Mediterranean Fleet. On 1 February 1941, he was commissioned as a sub-lieutenant after a series of courses at Portsmouth, in which he gained the top grade in four out of five sections of the qualifying examination. Among other engagements, he was involved in the Battle of Crete, and was mentioned in dispatches for his service during the Battle of Cape Matapan, in which he controlled the battleship's searchlights. He was also awarded the Greek War Cross of Valour. Duties of lesser glory included stoking the boilers of the troop transport ship RMS Empress of Russia. In June 1942, he was appointed to the V and W-class destroyer and flotilla leader HMS Wallace, which was involved in convoy escort tasks on the east coast of Britain, as well as the Allied invasion of Sicily. Promotion to lieutenant followed on 16 July 1942. In October of the same year, he became first lieutenant of HMS Wallace, at 21 years old one of the youngest first lieutenants in the Royal Navy. During the invasion of Sicily, in July 1943, as second in command of HMS Wallace, he saved his ship from a night bomber attack. He devised a plan to launch a raft with smoke floats that successfully distracted the bombers, allowing the ship to slip away unnoticed. In 1944, he moved on to the new destroyer, HMS Whelp, where he saw service with the British Pacific Fleet in the 27th Destroyer Flotilla. He was present in Tokyo Bay when the instrument of Japanese surrender was signed. In January 1946, Philip returned to the United Kingdom on the Whelp, and was posted as an instructor at HMS Royal Arthur, the Petty Officers' School in Corsham, Wiltshire. CANNOTANSWER
Question: Did Philip go to college?. Whats the answer?