Payable on Death (abbreviated P.O.D.) is a Christian nu metal band formed in 1992 and based in San Diego, California. The band's line-up consists of vocalist Sonny Sandoval, drummer and rhythm guitarist Wuv Bernardo, lead guitarist Marcos Curiel, and bassist Traa Daniels. They have sold over 12 million records worldwide. Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally.

P.O.D.'s third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits "Southtown" and "Rock the Party (Off the Hook)", which was their first video to reach No. 1 on MTV's Total Request Live. The song "School of Hard Knocks" was featured on the soundtrack for Little Nicky while both "Southtown" and "Rock the Party" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite. The album's first single, "Alive", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song "America" to Santana's album Shaman. The album's second single, "Youth of the Nation", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, "Boom" and "Satellite", also became quite popular. In addition, the concluding track of the album, "Portrait," was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as "One of the biggest success stories in recent Christian music." CANNOTANSWER

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Benjamin Todd Roethlisberger Sr. (; born March 2, 1982), nicknamed Big Ben, is an American football quarterback for the Pittsburgh Steelers of the National Football League (NFL). He played college football at Miami University (Ohio), and was drafted by the Steelers in the first round (11th overall) of the 2004 NFL Draft. Roethlisberger earned the AP NFL Offensive Rookie of the Year Award in 2004 and his first Pro Bowl selection in 2007.

On October 26, 2014 against the Indianapolis Colts, Roethlisberger completed 40 of 49 passes for 522 yards and 6 touchdowns as the Steelers defeated the Indianapolis Colts 51-34. With the win, Roethlisberger became just the fourth quarterback in NFL history to get 100 wins in his first 150 starts. He also became the first NFL quarterback to pass for over 500 yards twice in a career. He earned AFC Offensive Player of the Week for his effort against the Colts. In the next game, a 43-23 victory over the Baltimore Ravens, he had 340 passing yards and six passing touchdowns to earn AFC Offensive Player of the Week for the second consecutive week. In the Steelers Week 15 matchup against the Atlanta Falcons, Roethlisberger completed 27 of 35 passes for 360 yards in a 27-20 victory. The victory made Roethlisberger only the sixth quarterback in NFL history to have defeated at least 31 different teams, joining Tom Brady, Drew Brees, Kerry Collins, Brett Favre, and Peyton Manning; like Brady, Roethlisberger has only played with one team and thus hasn't played against the Steelers. The Steelers lost 41-38 in Roethlisberger's only other matchup against Atlanta in 2006, and he was suspended for the Steelers 15-9 overtime victory against the Falcons in 2010. During 2014, Roethlisberger passed for career highs in yards with 4,952, completion percentage with 67.1, completions with 408, and attempts with 608. Roethlisberger also matched his career high in passing touchdowns with 32, as well as posting a passer rating of 103.3, the second highest of his career. His 4,952 yards were tied for most on the season with Drew Brees, but Roethlisberger reached the mark with fewer completions. The Steelers had a 11-5 record and finished first in the AFC North. They then lost in the Wild Card round of the playoffs against the Baltimore Ravens by a score of 30-17. He was named to his third career Pro Bowl for the 2014 season. He was ranked 26th by his fellow players on the NFL Top 100 Players of 2015. On March 13, Roethlisberger signed a five-year contract extension with the Steelers. Roethlisberger went 26 for 38 for 351 yards, one touchdown pass and one interception during a 28-21 loss against the Patriots to kick off the 2015 NFL season. However, Roethlisberger and the Steelers would bounce back to win their next two games against the San Francisco 49ers and the St. Louis Rams. In the 43-18 victory over the 49ers, he had 369 passing yards and three touchdowns to earn AFC Offensive Player of the Week. During the September 27 game against the St. Louis Rams, Roethlisberger suffered a sprained MCL and a bone bruise. Roethlisberger missed the Steelers' next four games, during which Michael Vick and Landry Jones combined to go 2-2. Roethlisberger sustained another injury against the Oakland Raiders on November 8, 2015, suffering a left mid-foot sprain. Due to this injury, he did not start the following week against the Cleveland Browns, although he was listed as active for the game. However, early in the first quarter, Landry Jones sprained his left ankle, resulting in Roethlisberger entering the game in relief for only the second time in his career. Roethlisberger threw for 379 yards and 3 touchdowns on the way to a Steelers win and an AFC Offensive Player of the Week award; his 379 passing yards were the most by a quarterback in relief since Don Strock threw for 403 yards in the Epic in Miami. On November 29, Roethlisberger threw for 456 yards against the Seattle Seahawks, but he also threw 2 interceptions, and the Seahawks took a 39-30 win. The Steelers clinched a playoff spot with a 10-6 record, finishing second in the AFC North behind the Cincinnati Bengals. They then defeated the Bengals by a score of 18-16 in the Wild Card round, but lost to the eventual Super Bowl champion Denver Broncos in the Divisional round by a score of 23-16. Roethlisberger was named to his fourth career Pro Bowl and was ranked 21st by his fellow players on the NFL Top 100 Players of 2016. On October 8, 2017, against the Jacksonville Jaguars, Roethlisberger threw a career-high five interceptions as the Steelers lost by a score of 30-9. On November 16 against the Tennessee Titans, he completed 30 of 45 passes for 299 yards and four touchdowns as the Steelers won 40-17. In that game, Roethlisburger recorded his 4,000th career completion on a 3-yard pass to tight end Jesse James. On December 4, Roethlisberger became the 8th quarterback to reach 50,000 career passing yards in a game against the Cincinnati Bengals. During Sunday Night Football against the Baltimore Ravens in Week 14, he completed 44 of 66 passes for 506 yards and 2 touchdowns in a 39-38 win, becoming the first player in NFL history with three career 500-yard passing games. With the win, the Steelers clinched a playoff berth for the AFC North pennant. He also set single-game career highs in both completions and attempts. His 44 completions set an NFL record for the most completions in a non-overtime game and were the second most in NFL history behind Drew Bledsoe's 45 completions in 1994. His performance in Week 14 earned him AFC Offensive Player of the Week. During Week 15 against the Patriots, Roethlisberger finished with 281 passing yards, 2 touchdowns, and an interception. In the closing seconds of the fourth quarter, two controversial moments occurred; Roethlisberger threw a potential game-winning touchdown to tight end Jesse James, but was overturned after James seemingly lost control when the ball touched the ground. Two plays later, Roethlisberger faked a spike to pass, which was intercepted by Duron Harmon, resulting in the Steelers losing 24-27, and allowing the Patriots to clinch the AFC East. On December 19, 2017, Roethlisberger was named to his fourth consecutive and sixth career Pro Bowl along with his star receiver Antonio Brown and three of his starting offensive lineman among others. The Steelers finished the 2017 season with a 13-3 record, clinching the AFC North division. In the AFC Divisional Round, the Steelers faced the Jaguars. Although the Jaguars had the #1 passing defense in 2017, Roethlisberger finished with 469 passing yards, 5 touchdowns, and an interception, but the Steelers lost 42-45. CANNOTANSWER


Background: Joseph Franz Schacht (born in Ratibor, 15 March 1902, died in Englewood, 1 August 1969) was a British-German professor of Arabic and Islam at Columbia University in New York. He was the leading Western scholar on Islamic law, whose Origins of Muhammadan Jurisprudence (1950) is still considered a centrally important work on the subject. The author of many articles in the first and second editions of the Encyclopaedia of Islam, Schacht also edited the second edition of The Legacy of Islam for the Legacy series of Oxford University Press and authored a textbook under the title An Introduction to Islamic Law (1964).
Context: Schacht locates the origins of 'ilm al-hadith in the eight and ninth centuries CE, a moment in the development of Islamic legal reasoning coinciding with the professionalization of the traditionalist (muhaddith) and jurist (faqih) classes in the urban centers of the Middle East. According to Schacht the rules and standards of Islamic law are derived from four primary sources: from the Qur`an, from the hadith comprising the sunna of the Prophet Muhammad and his Companions, from the consensus or ijma' of the Muslim community and from analogical reasoning or qiyas. The essentials of this fourfold methodology were initially and perhaps most clearly articulated by Imam al-Shafi`i, a noted legal scholar of the eighth and ninth centuries CE and founder of an eponymous school of Islamic jurisprudence. Following the work of Goldziher before him, Schacht argues that it was al-Shafi`i who first elevated the sunna and its constituent traditions to great legal prominence. The material importance of the Qur`an and hadith thereafter enjoyed a status comparable to that of juristic consensus, though for al-Shafi`i traditions credibly attributed to the Prophet were to be considered more authoritative than those of his Companions, and indeed could supersede all other sources of legal authority. Moreover, an already-existing legal standard based on such a tradition could be overturned only upon the emergence of a hadith that could be more credibly attributable to the Prophet. Al-Shafi`i goes as far as to claim that such well-established traditions invite no debate as to their validity; their truth simply imposes itself upon the human mind, leaving no room for doubt or speculation. Schacht points out, however, that al-Shafi`i inconsistently applies this rule in his own work, alleging that in some cases the jurist favored 'ahadith transmitted from Companions that openly contradicted those attributable to the Prophet. These traditions usually included those which validated ritual practices that were either universally agreed upon or else independently verifiable (such as daily prayer), and those which disputed the legal positions of al-Shafi`i's opponents. Building on this lattermost point, Schacht contends that far from constructing the standards of a legitimate epistemic enterprise al-Shafi`i's science of hadith amounts to little more than an uncritical acceptance of Prophetic traditions which justified his own legal preferences. These same traditions, claims Schacht, could not survive a stronger program of investigation. Although the technical evaluation of traditions would continue to evolve across many generations of Muslim scholars, it seems to have largely proceeded along the lines of the deficient form of 'isnad criticism first articulated here by al-Shafi`i. Later in Origins Schacht presents evidence which in his estimation suggests that there was in fact a large scale fabrication of Prophetic 'isnads in the generation preceding the life of al-Shafi`i's own teacher, Malik ibn 'Anas (d. 795 CE). Even in Malik's esteemed golden narrative chain there are suspicious gaps and obvious substitutions, sowing significant doubts as to credibility of the relationships he was said to have had with certain key transmitters. For these reasons modern scholars cannot be nearly as optimistic about the historical-analytic value of hadith literature as were their medieval Muslim counterparts. CANNOTANSWER
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Dominick Argento (born October 27, 1927) is an American composer known for his lyric operatic and choral music. Among his best known pieces are the operas Postcard from Morocco, Miss Havisham's Fire, The Masque of Angels, and The Aspern Papers. He also is known for the song cycles Six Elizabethan Songs and From the Diary of Virginia Woolf; the latter earned him the Pulitzer Prize for Music in 1975. In a predominantly tonal context, his music freely combines tonality, atonality and a lyrical use of twelve-tone writing, though none of Argento's music approaches the experimental avant garde fashions of the post-World War II era.

Argento, the son of Sicilian immigrants, grew up in York, Pennsylvania. He found his music classes in elementary school to be "fifty minute sessions of excruciating boredom" but would develop as an acclaimed composer. Upon graduating from high school, he was drafted into the Army and spent some time as a cryptographer. Following the war and using funding from the G.I. Bill, he began studying piano performance at the Peabody Conservatory in Baltimore. He quickly decided to switch to composition. He earned bachelor's (1951) and master's (1953) degrees from Peabody, where his teachers included Nicolas Nabokov, Henry Cowell, and Hugo Weisgall. While there, he was briefly the music director of Weisgall's Hilltop Musical Company, which the composer founded as a sort of answer to Benjamin Britten's festival at Aldeburgh--a venue for local composers (particularly Weisgall) to present new work. This experience gave Argento broad exposure to and experience in the world of new opera. Hilltop's stage director was writer John Olon-Scrymgeour, with whom Argento would later collaborate on many operas. During this time period he also spent a year in Florence on a scholarship of the U.S.-Italy Fulbright Commission. He has called the experience "life-altering;" while there, he studied briefly with Luigi Dallapiccola. Argento continued graduate studies and received his Ph.D. from the Eastman School of Music, where he studied with composers Alan Hovhaness, Bernard Rogers and Howard Hanson. Following completion of this degree, he received a Guggenheim Fellowship to study/work for another year in Florence. He established a tradition of spending long periods of time in that city. CANNOTANSWER


Dame Edna Everage is a character created and performed by Australian comedian Barry Humphries, known for her lilac-coloured or "wisteria hue" hair and cat eye glasses or "face furniture", her favourite flower, the gladiolus ("gladdies") and her boisterous greeting: "Hello, Possums!" As Dame Edna, Humphries has written several books including an autobiography, My Gorgeous Life, appeared in several films and hosted several television shows (on which Humphries has also appeared as himself and other alter-egos). Humphries has regularly updated Edna, originally a drab Melbourne housewife satirising Australian suburbia; then he caused the Edna character to adopt an increasingly outlandish wardrobe after performances in London in the 1960s through which his Edna character grew in stature and popularity. Following film appearances and an elevation to damehood in the 1970s, the character evolved to "Housewife and Superstar", then "Megastar" and finally "Gigastar".

Barry Humphries was invited to join the fledgling Union Theatre Repertory Company early in 1955 and toured Victorian country towns performing Twelfth Night, directed by Ray Lawler. On tour, Humphries invented Edna gradually as part of the entertainment for the actors during commutes between country towns. Humphries gradually developed a falsetto impersonation of a Melbourne housewife, imitating the Country Women's Association representatives who welcomed the troupe in each town. At Lawler's suggestion, Mrs Everage (later named Edna after Humphries' nanny) made her first appearance in a Melbourne University's UTRC revue at the end of 1955, as the city prepared for the 1956 Olympic Games. The sketch involved a houseproud "average housewife" offering her Moonee Ponds home as an Olympic billet, spruiking her home as possessing "burgundy wall-to-wall carpets, lamington cakes and reindeers frosted on glass dining-room doors". At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal'") and had none of the characteristic flamboyant wardrobe of later years. His mother (whom the interviewer William Cook said "sounds like a frightful snob") was a major inspiration for Edna, although he denied it when she was alive to protect her feelings. Her first monologue in 1955 was about her "lovely home", reflecting young Barry's own site visits accompanying his builder father. Originally she was a "mousy" character and too quiet to please the raucous crowd at The Establishment club in London. According to one author, Edna came into her own during the 1980s when the policies of Thatcherism--and what he described as the "vindictive style of the times"--allowed Dame Edna to sharpen her observations accordingly. Lahr wrote that Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head, Edna became the voice of Humphries' outrage. CANNOTANSWER

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Raised in Tuscaloosa, Alabama, Marshall became a track-runner, cheerleader, and Homecoming Queen in high school before attending the Lee Strasberg Theatre Institute in New York City. She then became a flight attendant. Before her involvement in wrestling, she competed and won the title of 1987 Mrs. Illinois America in Elgin, Illinois and went on to compete in the Mrs. America pageant that same year in Las Vegas, Nevada. She later competed and won in the 1992 Mrs. Texas USA pageant held in Houston, Texas and went on to compete in the National Mrs. USA pageant.

In 1998, Marshall rejoined Jarrett in the WWF. At the beginning of her WWF career, known simply as Debra, she played the part of a shrewd businesswoman, wearing business suits. She also played the part of Jarrett's girlfriend. In late 1998, Jarrett began a feud with Goldust that culminated in December at Rock Bottom: In Your House in a "Striptease match". During the match, Debra hit Goldust over the head with Jarrett's trademark guitar, enabling Jarrett to win. WWF Commissioner Shawn Michaels, however, disqualified Jarrett, and Debra had to strip due to the match's stipulations. As she stripped, The Blue Blazer and Jarrett covered her up. Debra, however, began utilizing a new strategy during matches, distracting Jarrett's opponents by unbuttoning her blouse. She would willingly take off her blouse to show the crowd her "puppies", a nickname originally bestowed upon her chest by wrestler Road Dogg and later utilized by commentator Jerry Lawler. The strategy helped Jarrett and partner Hart defeat The Big Boss Man and Ken Shamrock to become World Tag Team Champions in January 1999. In February, Debra feuded with female professional wrestler Ivory, and Jarrett and Hart retained the tag title in a tag match against Ivory's associates Mark Henry and D'Lo Brown at St. Valentine's Day Massacre. In March, the team lost their tag title to the team of Kane and X-Pac. As Debra continued to manage Jarrett and Hart, a potential storyline developed where Hart and Debra would have an affair, but the creative team vetoed the idea before it played out on-screen. A team name was also in the works--Debra favoring "Talent and Attitude" (T&A)--but Hart died in May 1999 at Over the Edge. Later in the event, Debra and Jarrett lost a mixed tag team match against Nicole Bass and Val Venis. Debra and Jarrett were interviewed moments after Hart's fall from the rafters at Kemper Arena, where Debra was noticeably shaken and fighting back tears of concern for her friend, and was unable to stay in her persona. On May 10, 1999, Debra won the Women's Championship from Sable in an Evening Gown match. Usually, in an Evening Gown match, the woman who forcibly removes her opponent's dress wins. Because Sable removed Debra's dress, she therefore should have been the winner. Commissioner Shawn Michaels, however, ruled that he considered the woman who had lost her dress the winner, crowning Debra the new Women's Champion. Debra lost the Women's Title to Ivory on June 14, due to interference from Nicole Bass. At SummerSlam in 1999 Jarrett faced D'Lo Brown. During the match, Debra and Brown's former tag-team partner Mark Henry interfered on Jarrett's behalf, allowing him to win both the European Championship and the Intercontinental Championship. The following night, Jarrett awarded Henry the European title and gave Debra an assistant, Miss Kitty. At Unforgiven on September 26, Debra turned on Jarrett and hit him over the head with a guitar in the middle of his match against Chyna for the Intercontinental Championship. Chyna pinned Jarrett, but referee Tom Prichard overturned the decision due to Debra's involvement. CANNOTANSWER

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Background: Luis Walter Alvarez was born in San Francisco on June 13, 1911, the second child and oldest son of Walter C. Alvarez, a physician, and his wife Harriet nee Smyth, and a grandson of Luis F. Alvarez, a physician who lived for a time in Spain, then Cuba, and finally the United States, who found a better method for diagnosing macular leprosy. He had an older sister, Gladys, a younger brother, Bob, and a younger sister, Bernice. His aunt, Mabel Alvarez, was a California artist specializing in oil painting. He attended Madison School in San Francisco from 1918 to 1924, and then San Francisco Polytechnic High School.
Context: Alvarez's sister, Gladys, worked for Ernest Lawrence as a part-time secretary, and mentioned Alvarez to Lawrence. Lawrence then invited Alvarez to tour the Century of Progress exhibition in Chicago with him. After he completed his oral exams in 1936, Alvarez, now engaged to be married to Geraldine Smithwick, asked his sister to see if Lawrence had any jobs available at the Radiation Laboratory. A telegram soon arrived from Gladys with a job offer from Lawrence. This started a long association with the University of California, Berkeley. Alvarez and Smithwick were married in one of the chapels at the University of Chicago and then headed for California. They had two children, Walter and Jean. They were divorced in 1957. On December 28, 1958, he married Janet L. Landis, and had two more children, Donald and Helen. At the Radiation Laboratory he worked with Lawrence's experimental team, which was supported by a group of theoretical physicists headed by Robert Oppenheimer. Alvarez devised a set of experiments to observe K-electron capture in radioactive nuclei, predicted by the beta decay theory but never observed. Using magnets to sweep aside the positrons and electrons emanating from his radioactive sources, he designed a special purpose Geiger counter to detect only the "soft" X-rays coming from K capture. He published his results in the Physical Review in 1937. When deuterium (hydrogen-2) is bombarded with deuterium, the fusion reaction yields either tritium (hydrogen-3) plus a proton or helium-3 plus a neutron (2H + 2H - 3H + p or 3He + n). This is one of the most basic fusion reactions, and the foundation of the thermonuclear weapon and the current research on controlled nuclear fusion. At that time the stability of these two reaction products was unknown, but based on existing theories Hans Bethe thought that tritium would be stable and helium-3 unstable. Alvarez proved the reverse by using his knowledge of the details of the 60-inch cyclotron operation. He tuned the machine to accelerate doubly ionized helium-3 nuclei and was able to get a beam of accelerated ions, thus using the cyclotron as a kind of super mass spectrometer. As the accelerated helium came from deep gas wells where it had been for millions of years, the helium-3 component had to be stable. Afterwards Alvarez produced the radioactive tritium using the cyclotron and the 2H + 2H reaction and measured its lifetime. In 1938, again using his knowledge of the cyclotron and inventing what are now known as time-of-flight techniques, Alvarez created a mono-energetic beam of thermal neutrons. With this he began a long series of experiments, collaborating with Felix Bloch, to measure the magnetic moment of the neutron. Their result of m0 = 1.93+-0.02 mN, published in 1940, was a major advance over earlier work. CANNOTANSWER
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John Rogers Searle (; born 31 July 1932) is an American philosopher. He is currently Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley. Widely noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959.

A consequence of biological naturalism is that if we want to create a conscious being, we will have to duplicate whatever physical processes the brain goes through to cause consciousness. Searle thereby means to contradict what he calls "Strong AI", defined by the assumption that as soon as a certain kind of software is running on a computer, a conscious being is thereby created. In 1980, Searle presented the "Chinese room" argument, which purports to prove the falsity of strong AI. Assume you do not speak Chinese and imagine yourself in a room with two slits, a book, and some scratch paper. Someone slides you some Chinese characters through the first slit, you follow the instructions in the book, transcribing characters as instructed onto the scratch paper, and slide the resulting sheet out the second slit. To people on the outside world, it appears the room speaks Chinese--they slide Chinese statements in one slit and get valid responses in return--yet you do not understand a word of Chinese. This suggests, according to Searle, that no computer can ever understand Chinese or English, because, as the thought experiment suggests, being able to 'translate' Chinese into English does not entail 'understanding' either Chinese or English: all which the person in the thought experiment, and hence a computer, is able to do is to execute certain syntactic manipulations. Stevan Harnad argues that Searle's "Strong AI" is really just another name for functionalism and computationalism, and that these positions are the real targets of his critique. Functionalists argue that consciousness can be defined as a set of informational processes inside the brain. It follows that anything that carries out the same informational processes as a human is also conscious. Thus, if we wrote a computer program that was conscious, we could run that computer program on, say, a system of ping-pong balls and beer cups and the system would be equally conscious, because it was running the same information processes. Searle argues that this is impossible, since consciousness is a physical property, like digestion or fire. No matter how good a simulation of digestion you build on the computer, it will not digest anything; no matter how well you simulate fire, nothing will get burnt. By contrast, informational processes are observer-relative: observers pick out certain patterns in the world and consider them information processes, but information processes are not things-in-the-world themselves. Since they do not exist at a physical level, Searle argues, they cannot have causal efficacy and thus cannot cause consciousness. There is no physical law, Searle insists, that can see the equivalence between a personal computer, a series of ping-pong balls and beer cans, and a pipe-and-water system all implementing the same program. CANNOTANSWER


The Mamas & the Papas were an American folk rock vocal group who recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971 to record the album People Like Us but did not perform outside their recording studio at that time. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips nee Gilliam. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.

After completing their brief East coast tour, the group started work immediately on its third album, The Mamas & The Papas Deliver, which was recorded in the autumn of 1966. The first single from the album, "Look Through My Window", was released in September 1966 (before the last single from The Mamas and the Papas). It reached number twenty-four in the US, but did not chart in the UK. The second single, "Dedicated to the One I Love" (February 1967), did much better, peaking at number two in both the US and the UK. That success helped the album, also released in February 1967, reach number two in the US and number four in the UK. The third single, "Creeque Alley" (April 1967), chronicled the band's early history. It peaked at number five in the US and number nine in the UK. The strain on the group was apparent when they performed indifferently at the first Monterey International Pop Festival in June 1967, as can be heard on Historic Performances Recorded at the Monterey International Pop Festival (1970). The band was badly under-rehearsed - partly because John and Michelle Phillips and Lou Adler were preoccupied with organizing the festival, partly because Doherty arrived at the last minute from another sojourn in the Virgin Islands, and partly, it is said, because he was drinking heavily in the aftermath of his affair with Michelle Phillips. They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener), which both John and Michelle Phillips would remember as the apex of the band's career: "There would never be anything quite like it again." Deliver was followed in October 1967 by the non-album single "Glad to Be Unhappy", which reached number twenty-six in the US. "Dancing Bear" from the group's second album was released as a single in November. It peaked at number fifty-one in the US. Neither of these singles charted in the UK. CANNOTANSWER

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The Living End toured Australia for a year, then in August 1997 they recorded new material to sell at their live shows. Their double A-sided single, "Second Solution" / "Prisoner of Society", was issued in January the following year. Also that month they had supported The Offspring on the Australian leg of their tour. "Second Solution" / "Prisoner of Society" peaked at No. 4 on the ARIA Singles Chart, and was certified double-platinum by ARIA for shipment of 140,000 copies. At the ARIA Music Awards of 1998 it won the Highest Selling Single category; and eventually became the highest selling Australian single of the 1990s. It lasted a record-breaking 47 weeks in the Top 50. In October 1998 it peaked at No. 28 on the New Zealand Singles Chart. It was later featured in the game, Guitar Hero World Tour. "Second Solution" was used in the soundtrack for the 2002 movie, Cheats, which starred Trevor Fehrman, Matthew Lawrence, and Mary Tyler Moore. Early in 1998 "Prisoner of Society" was issued as a separate single in the United Kingdom and, the following year, in the US. The single appeared in the top 200 of the UK Singles Chart, and peaked at No. 23 on the Billboard's Alternative Songs Chart. The band signed with Modular Recordings for the release of their debut self-titled album, which appeared on 12 October 1998, and was co-produced by Gravina with the trio. It peaked at No. 1 on the ARIA Albums Chart, became the then-second highest-selling debut rock album in Australian music history and, by 1999, was certified 4x Platinum for shipment of 280,000 units. Their next Australian single, "Save the Day", was issued in September 1998, a month ahead of the album. It made the top 30 on the ARIA Singles Chart. It became their highest charting hit on the New Zealand Singles Chart, where it reached No. 10. From the album, a total of six singles were released including a live cover version of "Tainted Love", which was issued as a radio-only single on Triple J. At the ARIA Music Awards of 1999, The Living End won two more awards: Best Group and Breakthrough Artist - Album. At the ceremony they were also nominated for Album of the Year and Highest Selling Album. In October 2010 their debut album was listed in the book, 100 Best Australian Albums. CANNOTANSWER

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Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys (1601-1680), a tailor, and Margaret Pepys (nee Kite; died 1667), daughter of a Whitechapel butcher. His great uncle Talbot Pepys was Recorder and briefly Member of Parliament (MP) for Cambridge in 1625. His father's first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, and appointed Lord Chief Justice of Ireland on 25 September 1655. Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor.

Outbreaks of plague were not particularly unusual events in London; major epidemics had occurred in 1592, 1603, 1625 and 1636. Furthermore, Pepys was not among the group of people who were most at risk. He did not live in cramped housing, he did not routinely mix with the poor, and he was not required to keep his family in London in the event of a crisis. It was not until June 1665 that the unusual seriousness of the plague became apparent, so Pepys's activities in the first five months of 1665 were not significantly affected by it. Indeed, Claire Tomalin writes that "the most notable fact about Pepys's plague year is that to him it was one of the happiest of his life." In 1665, he worked very hard, and the outcome was that he quadrupled his fortune. In his annual summary on 31 December, he wrote, "I have never lived so merrily (besides that I never got so much) as I have done this plague time". Nonetheless, Pepys was certainly concerned about the plague. On 16 August he wrote: But, Lord! how sad a sight it is to see the streets empty of people, and very few upon the 'Change. Jealous of every door that one sees shut up, lest it should be the plague; and about us two shops in three, if not more, generally shut up. He also chewed tobacco as a protection against infection, and worried that wig-makers might be using hair from the corpses as a raw material. Furthermore, it was Pepys who suggested that the Navy Office should evacuate to Greenwich, although he did offer to remain in town himself. He later took great pride in his stoicism. Meanwhile, Elisabeth Pepys was sent to Woolwich. She did not return to Seething Lane until January 1666, and was shocked by the sight of St Olave's churchyard, where 300 people had been buried. CANNOTANSWER

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Jan and Dean were an American rock duo consisting of William Jan Berry (April 3, 1941 - March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. Among their most successful songs was 1963's "Surf City", the first surf song to top the Hot 100. Their other charting top 10 singles were "Drag City" (1963), "The Little Old Lady from Pasadena" (1964), and "Dead Man's Curve" (1964); the last was inducted into the Grammy Hall of Fame in 2008.

Jan and Dean's career together ended with Jan Berry's death on March 26, 2004, after he suffered a seizure eight days before his 63rd birthday. Berry was an organ donor, and his body was cremated. On April 18, 2004, a "Celebration of Life" was held in Berry's memory at the Roxy Theatre on the Sunset Strip in West Hollywood, California. Attendees included Torrence, Lou Adler, Jill Gibson, and Nancy Sinatra, along with many family members, friends, and musicians associated with Jan and Dean and the Beach Boys, including the original members of Papa Doo Run Run. In February 2010, the Jan & Dean album Carnival of Sound was released on the Rhino Handmade label. The album cover was designed by Torrence. Along with the CD, there was a limited edition (1500 copies), which included a 10-track LP. The album was released in Europe in April 2010 in its original US form. In 2012, Torrence reunited with Bruce Davison, who portrayed him in the 1978 film Deadman's Curve to perform with the Bamboo Trading Company on their From Kitty Hawk To Surf City album. The songs were "Shrewd Awakening" and "Tonga Hut", which was featured on the film Return of the Killer Shrews, a sequel to the 1959 film The Killer Shrews and also "Tweet (Don't Talk Anymore)", "Drinkin' In the Sunshine", and "Star Of The Beach". The album also feature Dean's two daughters, Jillian and Katie Torrence. Torrence and his two daughters were featured in the music video of "Shrewd Awakening". Torrence now tours occasionally with the Surf City All-Stars. He serves as a spokesman for the City of Huntington Beach, California, which, thanks in part to his efforts, is nationally recognized as "Surf City USA." Dean's website, features--among other things--rare images, a complete Jan & Dean discography, a biography, and a timeline of his career with cohort Jan Berry. He currently resides in Huntington Beach, California, with his wife and two daughters. CANNOTANSWERAnswer this question using a quote from the following article:

what was special about any of these movies or songs?


Background: The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the "second wave" of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records.
Context: The Get Up Kids have had a lasting impact on the music scene, having been cited as inspirations to several prominent bands and artists. Blink-182 bassist and singer Mark Hoppus is a vocal fan, having proposed to his wife to The Get Up Kids song "I'll Catch You." They were also a major influence on the rest of the band, even at their peak popularity around the release of Take Off Your Pants and Jacket. The members of Fall Out Boy cite The Get Up Kids' influence, particularly their album Four Minute Mile. In a 2005 interview with Alternative Press, Fall Out Boy bassist Pete Wentz stated that the band had a huge influence on him and the other members of Fall Out Boy. "There should be a How To Be a Pop-Punk Kid starter kit with bands like Get Up Kids, so kids would know whose shoulders bands like us are standing on. Fall Out Boy would not be a band if it were not for The Get Up Kids." New Jersey based act Midtown has stated in interviews that they were heavily influenced by The Get Up Kids, among other groups. The Early November band members were all fans of, and influenced by, The Get Up Kids. The Early November song "Baby Blue" includes the line "I don't want you to love me anymore", a direct reference to the Get Up Kids song "No Love" both lyrically and melodically. The band Hellogoodbye have been vocal fans of the band and while on tour with Reggie and the Full Effect in 2007, two years after the breakup of The Get Up Kids, Hellogoodbye invited James Dewees and Matt Pryor onstage with them, and proceeded to back them in a cover of The Get Up Kids' song "Action & Action". The Canadian post-hardcore band Silverstein has cited the Get Up Kids as a major influence, and covered their song Coming Clean for a split 7" with August Burns Red in 2013. Claudio Sanchez of Coheed and Cambria cited Something to Write Home About as one of the albums that the band listened to and during the recording of their breakout album In Keeping Secrets of Silent Earth: 3. Despite their lasting influence on modern music, the band has attempted to disassociate themselves with many of the bands they inspired. Following the band's reformation, guitarist Jim Suptic undertook an interview with website Drowned in Sound, in which he said, "The punk scene we came out of and the punk scene now are completely different. It's like glam rock now. We played the Bamboozle fests this year and we felt really out of place... If this is the world we helped create, then I apologise." He went on to say they were grateful for the acknowledgements they have received, though explaining "the problem is most of [the bands they inspired] aren't very good." CANNOTANSWER
Question: Which bands did they influence?. Whats the answer?


The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).

The Living End toured Australia for a year, then in August 1997 they recorded new material to sell at their live shows. Their double A-sided single, "Second Solution" / "Prisoner of Society", was issued in January the following year. Also that month they had supported The Offspring on the Australian leg of their tour. "Second Solution" / "Prisoner of Society" peaked at No. 4 on the ARIA Singles Chart, and was certified double-platinum by ARIA for shipment of 140,000 copies. At the ARIA Music Awards of 1998 it won the Highest Selling Single category; and eventually became the highest selling Australian single of the 1990s. It lasted a record-breaking 47 weeks in the Top 50. In October 1998 it peaked at No. 28 on the New Zealand Singles Chart. It was later featured in the game, Guitar Hero World Tour. "Second Solution" was used in the soundtrack for the 2002 movie, Cheats, which starred Trevor Fehrman, Matthew Lawrence, and Mary Tyler Moore. Early in 1998 "Prisoner of Society" was issued as a separate single in the United Kingdom and, the following year, in the US. The single appeared in the top 200 of the UK Singles Chart, and peaked at No. 23 on the Billboard's Alternative Songs Chart. The band signed with Modular Recordings for the release of their debut self-titled album, which appeared on 12 October 1998, and was co-produced by Gravina with the trio. It peaked at No. 1 on the ARIA Albums Chart, became the then-second highest-selling debut rock album in Australian music history and, by 1999, was certified 4x Platinum for shipment of 280,000 units. Their next Australian single, "Save the Day", was issued in September 1998, a month ahead of the album. It made the top 30 on the ARIA Singles Chart. It became their highest charting hit on the New Zealand Singles Chart, where it reached No. 10. From the album, a total of six singles were released including a live cover version of "Tainted Love", which was issued as a radio-only single on Triple J. At the ARIA Music Awards of 1999, The Living End won two more awards: Best Group and Breakthrough Artist - Album. At the ceremony they were also nominated for Album of the Year and Highest Selling Album. In October 2010 their debut album was listed in the book, 100 Best Australian Albums. CANNOTANSWER

Answer the following question by taking a quote from the article: Did it win any awards?


The Screen Actors Guild (SAG) was an American labor union which represented over 100,000 film and television principal and background performers worldwide. On March 30, 2012, the union leadership announced that the SAG membership voted to merge with the American Federation of Television and Radio Artists (AFTRA) to create SAG-AFTRA. According to SAG's Mission Statement, the Guild sought to: negotiate and enforce collective bargaining agreements that establish equitable levels of compensation, benefits, and working conditions for its performers; collect compensation for exploitation of recorded performances by its members, and provide protection against unauthorized use of those performances; and preserve and expand work opportunities for its members. The Guild was founded in 1933 in an effort to eliminate exploitation of Hollywood actors who were being forced into oppressive multi-year contracts with the major movie studios that did not include restrictions on work hours or minimum rest periods, and often had clauses that automatically renewed at the studios' discretion.

In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

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Alan Irwin Menken was born on July 22, 1949, at French Hospital in New York City, to Judith and Norman Menken. His father was a boogie-woogie piano-playing dentist, and his mother was an actress, dancer and playwright. His family was Jewish. Menken developed an interest in music at an early age, taking piano and violin lessons.

After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWERAnswer this question using a quote from the following article:

Did he follow that plan?


Harold Eugene "Gene" Clark (November 17, 1944 - May 24, 1991) was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country.

Clark was invited to join an established regional folk group, the Surf Riders, working out of Kansas City at the Castaways Lounge, owned by Hal Harbaum. On August 12, 1963, he was performing with them when he was discovered by the New Christy Minstrels. They hired him, and he recorded two albums with the ensemble before leaving in early 1964. After hearing the Beatles, Clark quit the New Christy Minstrels and moved to Los Angeles, where he met fellow folkie and Beatles convert Jim (later Roger) McGuinn at the Troubadour Club. In early 1964 they began to assemble a band that would become the Byrds. Clark wrote or co-wrote many of the Byrds' best-known originals from their first three albums, including "I'll Feel a Whole Lot Better", "Set You Free This Time", "Here Without You", "You Won't Have to Cry", "If You're Gone", "The World Turns All Around Her", "She Don't Care About Time" and "Eight Miles High". He initially played rhythm guitar in the band, but relinquished that position to David Crosby and became the tambourine and harmonica player. Bassist Chris Hillman noted years later in an interview remembering Clark, "At one time, he was the power in the Byrds, not McGuinn, not Crosby--it was Gene who would burst through the stage curtain banging on a tambourine, coming on like a young Prince Valiant. A hero, our savior. Few in the audience could take their eyes off this presence. He was the songwriter. He had the 'gift' that none of the rest of us had developed yet.... What deep inner part of his soul conjured up songs like 'Set You Free This Time,' 'I'll Feel A Whole Lot Better,' 'I'm Feelin' Higher,' 'Eight Miles High'? So many great songs! We learned a lot of songwriting from him and in the process learned a little bit about ourselves." A management decision gave McGuinn the lead vocals for their major singles and Bob Dylan songs. This disappointment, combined with Clark's dislike of traveling (including a chronic fear of flying) and resentment by other band members about the extra income he derived from his songwriting, led to internal squabbling, and he left the group in early 1966. He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Group with Chip Douglas, Joel Larson, and Bill Rhinehart. CANNOTANSWER

Using a quote from the above article, answer the following question: Were there more songs he wrote during this time?


Oldman was born in New Cross, London, the son of Leonard Bertram Oldman (1921-1985), a former sailor who also worked as a welder, and Kathleen (nee Cheriton; born 1919). He has stated that Leonard was an alcoholic who left the family when Oldman was seven years old. Oldman attended West Greenwich School in Deptford, leaving school at the age of 16 to work in a sports shop. He was a pianist as a child, and later a singer, but gave up his musical aspirations to pursue an acting career after seeing Malcolm McDowell's performance in the 1971 film The Raging Moon.

In 1991, Oldman starred in his first US blockbuster, playing Lee Harvey Oswald in Oliver Stone's JFK. According to Oldman, very little was written about Oswald in the script. Stone gave him several plane tickets, a list of contacts and told him to do his own research. Oldman met with Oswald's wife, Marina, and her two daughters to prepare for the role. The following year, he starred as Count Dracula in Francis Ford Coppola's romance-horror Bram Stoker's Dracula. A commercially successful film adaptation of Bram Stoker's 1897 novel, it was a box office success worldwide. Oldman's performance was recognised as the best male performance of 1992 by the Academy of Science Fiction, Fantasy & Horror Films, which awarded Oldman its Best Actor award. Oldman later became a popular portrayer of villains: He played violent pimp Drexl Spivey in the Tony Scott-directed, Quentin Tarantino-written True Romance (1993), a role which MSN Movies described as "one of cinema's most memorable villains"; a sadistic prison warden in Murder in the First (1995); futuristic corporate tyrant Jean-Baptiste Emanuel Zorg in The Fifth Element (1997); and Dr. Zachary Smith/Spider Smith in the commercially successful but critically panned Lost in Space (1998). He was considered for two roles in Quentin Tarantino's Pulp Fiction (1994), but neither were realised. Tarantino contemplated Oldman as gangster Jules Winnfield (played by Samuel L. Jackson), while TriStar executives recommended him for drug dealer Lance (portrayed by Eric Stoltz). In 1994's Leon: The Professional, he played corrupt DEA officer Norman Stansfield, which has since been named by multiple publications as one of the best villains in cinema. Oldman also portrayed various accents; along with the Transylvanian Count Dracula, he gave a critically acclaimed reading of German-born Viennese composer Ludwig van Beethoven in Immortal Beloved, and played Russian terrorist Egor Korshunov in the 1997 blockbuster Air Force One. He portrayed another historical figure, Pontius Pilate, in Jesus (1999). Oldman was considered for the role of Morpheus in The Matrix. He served as a member of the Jury at the 1993 Cannes Film Festival. In 1998, MTV's Celebrity Deathmatch aired a match between claymation representations of Oldman and Christopher Walken to determine the greatest cinematic villain. Oldman appeared opposite Jeff Bridges as zealous Republican congressman Sheldon Runyon in The Contender (2000), in which he was also credited as a producer. Oldman received a Screen Actors Guild Award nomination for his performance. In 2001, he starred opposite Anthony Hopkins in Hannibal, as Mason Verger, the only surviving victim of Hannibal Lecter. He reportedly spent six hours per day in the make-up room to achieve the character's hideously disfigured appearance. It marked the second time that Oldman had appeared opposite Hopkins, a personal friend who was part of the supporting cast of Bram Stoker's Dracula. Oldman is uncredited in the film, reportedly over a dispute regarding top billing, which was going to co-star Anthony Hopkins and Julianne Moore. He received an Emmy Award nomination for two guest appearances in Friends in May 2001, appearing in the two-part episode "The One With Chandler and Monica's Wedding" as Richard Crosby, a pedantic actor who insists that "real" actors spit on one another when they enunciate, leading to tension, then friendship, with Joey Tribbiani (Matt LeBlanc). Oldman had previously worked with LeBlanc on Lost in Space. CANNOTANSWERAnswer this question using a quote from the following article:

Did he receive any recognition for this?


Bertrand Arthur William Russell, 3rd Earl Russell,  (; 18 May 1872 - 2 February 1970) was a British philosopher, logician, mathematician, historian, writer, social critic, political activist and Nobel laureate. At various points in his life, Russell considered himself a liberal, a socialist and a pacifist, but he also admitted that he had "never been any of these things, in any profound sense". Russell was born in Monmouthshire into one of the most prominent aristocratic families in the United Kingdom. In the early 20th century, Russell led the British "revolt against idealism".

Russell had two siblings: brother Frank (nearly seven years older than Bertrand), and sister Rachel (four years older). In June 1874 Russell's mother died of diphtheria, followed shortly by Rachel's death. In January 1876, his father died of bronchitis following a long period of depression. Frank and Bertrand were placed in the care of their staunchly Victorian paternal grandparents, who lived at Pembroke Lodge in Richmond Park. His grandfather, former Prime Minister Earl Russell, died in 1878, and was remembered by Russell as a kindly old man in a wheelchair. His grandmother, the Countess Russell (nee Lady Frances Elliot), was the dominant family figure for the rest of Russell's childhood and youth. The countess was from a Scottish Presbyterian family, and successfully petitioned the Court of Chancery to set aside a provision in Amberley's will requiring the children to be raised as agnostics. Despite her religious conservatism, she held progressive views in other areas (accepting Darwinism and supporting Irish Home Rule), and her influence on Bertrand Russell's outlook on social justice and standing up for principle remained with him throughout his life. (One could challenge the view that Bertrand stood up for his principles, based on his own well-known quotation: "I would never die for my beliefs because I might be wrong".) Her favourite Bible verse, 'Thou shalt not follow a multitude to do evil' (Exodus 23:2), became his motto. The atmosphere at Pembroke Lodge was one of frequent prayer, emotional repression, and formality; Frank reacted to this with open rebellion, but the young Bertrand learned to hide his feelings. Russell's adolescence was very lonely, and he often contemplated suicide. He remarked in his autobiography that his keenest interests were in religion and mathematics, and that only his wish to know more mathematics kept him from suicide. He was educated at home by a series of tutors. When Russell was eleven years old, his brother Frank introduced him to the work of Euclid, which transformed his life. During these formative years he also discovered the works of Percy Bysshe Shelley. In his autobiography, he writes: "I spent all my spare time reading him, and learning him by heart, knowing no one to whom I could speak of what I thought or felt, I used to reflect how wonderful it would have been to know Shelley, and to wonder whether I should meet any live human being with whom I should feel so much sympathy". Russell claimed that beginning at age 15, he spent considerable time thinking about the validity of Christian religious dogma, which he found very unconvincing. At this age, he came to the conclusion that there is no free will and, two years later, that there is no life after death. Finally, at the age of 18, after reading Mill's "Autobiography", he abandoned the "First Cause" argument and became an atheist. Russell won a scholarship to read for the Mathematical Tripos at Trinity College, Cambridge, and commenced his studies there in 1890, taking as coach Robert Rumsey Webb. He became acquainted with the younger George Edward Moore and came under the influence of Alfred North Whitehead, who recommended him to the Cambridge Apostles. He quickly distinguished himself in mathematics and philosophy, graduating as seventh Wrangler in the former in 1893 and becoming a Fellow in the latter in 1895. Russell first met the American Quaker Alys Pearsall Smith when he was 17 years old. He became a friend of the Pearsall Smith family - they knew him primarily as "Lord John's grandson" and enjoyed showing him off. He traveled with them to the continent; it was in their company that Russell visited the Paris Exhibition of 1889 and was able to climb the Eiffel Tower soon after it was completed. He soon fell in love with the puritanical, high-minded Alys, who was a graduate of Bryn Mawr College near Philadelphia, and, contrary to his grandmother's wishes, married her on 13 December 1894. Their marriage began to fall apart in 1901 when it occurred to Russell, while he was cycling, that he no longer loved her. She asked him if he loved her and he replied that he did not. Russell also disliked Alys's mother, finding her controlling and cruel. It was to be a hollow shell of a marriage and they finally divorced in 1921, after a lengthy period of separation. During this period, Russell had passionate (and often simultaneous) affairs with a number of women, including Lady Ottoline Morrell and the actress Lady Constance Malleson. Some have suggested that at this point he had an affair with Vivienne Haigh-Wood, the English governess and writer, and first wife of T. S. Eliot. Russell began his published work in 1896 with German Social Democracy, a study in politics that was an early indication of a lifelong interest in political and social theory. In 1896 he taught German social democracy at the London School of Economics. He was a member of the Coefficients dining club of social reformers set up in 1902 by the Fabian campaigners Sidney and Beatrice Webb. He now started an intensive study of the foundations of mathematics at Trinity. In 1898 he wrote An Essay on the Foundations of Geometry which discussed the Cayley-Klein metrics used for non-Euclidean geometry. He attended the International Congress of Philosophy in Paris in 1900 where he met Giuseppe Peano and Alessandro Padoa. The Italians had responded to Georg Cantor, making a science of set theory; they gave Russell their literature including the Formulario mathematico. Russell was impressed by the precision of Peano's arguments at the Congress, read the literature upon returning to England, and came upon Russell's paradox. In 1903 he published The Principles of Mathematics, a work on foundations of mathematics. It advanced a thesis of logicism, that mathematics and logic are one and the same. At the age of 29, in February 1901, Russell underwent what he called a "sort of mystic illumination", after witnessing Whitehead's wife's acute suffering in an angina attack. "I found myself filled with semi-mystical feelings about beauty ... and with a desire almost as profound as that of the Buddha to find some philosophy which should make human life endurable", Russell would later recall. "At the end of those five minutes, I had become a completely different person." In 1905 he wrote the essay "On Denoting", which was published in the philosophical journal Mind. Russell was elected a Fellow of the Royal Society (FRS) in 1908. The three-volume Principia Mathematica, written with Whitehead, was published between 1910 and 1913. This, along with the earlier The Principles of Mathematics, soon made Russell world-famous in his field. In 1910 he became a University of Cambridge lecturer at Trinity College where he studied. He was considered for a Fellowship, which would give him a vote in the college government and protect him from being fired for his opinions, but was passed over because he was "anti-clerical", essentially because he was agnostic. He was approached by the Austrian engineering student Ludwig Wittgenstein, who became his PhD student. Russell viewed Wittgenstein as a genius and a successor who would continue his work on logic. He spent hours dealing with Wittgenstein's various phobias and his frequent bouts of despair. This was often a drain on Russell's energy, but Russell continued to be fascinated by him and encouraged his academic development, including the publication of Wittgenstein's Tractatus Logico-Philosophicus in 1922. Russell delivered his lectures on Logical Atomism, his version of these ideas, in 1918, before the end of World War I. Wittgenstein was, at that time, serving in the Austrian Army and subsequently spent nine months in an Italian prisoner of war camp at the end of the conflict. CANNOTANSWER

Using a quote from the above article, answer the following question: Did he graduate?


Revolver is the seventh studio album by the English rock band the Beatles. Released on 5 August 1966, it was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology up to that time, building on the advances of their 1965 release Rubber Soul. The album's diverse sounds include tape loops and backwards recordings on the psychedelic "Tomorrow Never Knows", a classical string octet on "Eleanor Rigby", and Indian-music backing on "Love You To".

In December 1965, the Beatles' Rubber Soul album was released to wide critical acclaim. According to author David Howard, the limits of pop music "had been raised into the stratosphere" by the release, resulting in a shift in focus away from singles to creating albums of consistently high quality. The following January, the Beatles carried out overdubs on live recordings taken from their 1965 US tour, for inclusion in the concert film The Beatles at Shea Stadium. The group's manager, Brian Epstein, had intended that 1966 would then follow the pattern of the previous two years, in terms of the band making a feature film and an accompanying album, followed by concert tours during the summer months. After the Beatles vetoed the proposed film project, the time allocated for filming became a three-month period free of professional engagements. This was the longest period the band members had experienced outside the group collective since 1962, and gave them an unprecedented amount of time to prepare for a new album. Writing in The Beatles Forever, Nicholas Schaffner cites 1966 as the start of the band's "'psychedelic' period" and adds: "That adjective implies not only the influence of certain mind-altering chemicals, but also the freewheeling spectrum of wide-ranging colors that their new music seemed to evoke." Music journalist Carol Clerk describes Revolver as having been "decisively informed by acid", following John Lennon and George Harrison's continued experimentation with the drug LSD since the spring of 1965. Through these shared experiences, the two musicians developed a fascination for Eastern philosophical concepts, particularly regarding the illusory nature of human existence. Despite his bandmates' urging, after Ringo Starr had also partaken of the drug, Paul McCartney refused to try LSD. As reflected in the more conventional subject matter of his lyrics on Revolver, relative to those of Lennon and Harrison, McCartney drew his inspiration from the intellectual stimulation he experienced among London's arts scene, particularly its thriving avant-garde community. While arranging dates for the band's world tour, Epstein agreed to a proposal by journalist Maureen Cleave for the Beatles to be interviewed separately for a series of articles that would run in London's Evening Standard newspaper in March 1966. Cleave's observations reflected the band members' more sophisticated personalities beyond the simplistic portrayals that were commonplace at the time. Of the two principal songwriters, she found Lennon to be intuitive, lazy and dissatisfied with fame and his surroundings in the Surrey countryside, while McCartney conveyed confidence and a hunger for knowledge and new creative possibilities. In his book Revolver: How the Beatles Reimagined Rock 'n' Roll, Robert Rodriguez writes that, whereas Lennon had been the Beatles' dominant creative force before Revolver, McCartney now attained an approximately equal position with him. In a further development, Harrison's interest in the music and culture of India, and his study of the Indian sitar, had inspired him as a composer. According to author Ian Inglis, Revolver is widely viewed as "the album on which Harrison came of age as a songwriter". CANNOTANSWERAnswer this question using a quote from the following article:

what was the albums best award?


Editors are an English rock band, formed in 2002 in Birmingham. Previously known as Pilot, The Pride and Snowfield, the band currently consists of Tom Smith (lead vocals, guitar, piano), Russell Leetch (bass guitar, synthesizer, backing vocals), Ed Lay (drums, percussion, backing vocals), Justin Lockey (lead guitar), and Elliott Williams (keys, synthesizers, guitars, and backing vocals). Editors have so far released two platinum studio albums, and six in total, with several million combined sales. Their debut album

The band met while studying Music Technology at Staffordshire University, but living in Birmingham and playing at venues such as the Jug of Ale and the Flapper & Firkin, the former of which bands such as Oasis and Blur played in during their primitive years, helped the band obtain a record deal. Tom Smith Interview in 2015 "Birmingham is very important" he explains. "Looking back further it was where we all lived together in the early years, played all those flapper and jug of ale shows, and then got our record deal". "We've always said although only one of us was brought up there, Birmingham was the band's home". The band was initially known as Pilot and played its first show under this name in 2002. While in college, the band constructed a marketing strategy which involved placing hundreds of promotional stickers across the walls of Stafford asking "Who's the Pilot?". However, they realised the name was already taken by a 1970s Scottish pop group, so they changed their name to The Pride. They made a promo under this name with the tracks "Come Share the View" and "Forest Fire" and then uploaded them onto the internet, making the songs available to listen to on BBC Radio 1's Onemusic Unsigned. A review of the songs reads "The Pride keep things subliminally lo-fi. Refreshingly simple and restrained, "Come Share The View" is a lesson in welding hypnotic soundscapes with white noise while showing allegiance to the school of slo-mo on "Forest Fire"". The band then took its music offline to create mystery and anxiousness and ensure that more "A&R" representatives came to see them perform. They then changed the line-up with Ed Lay replacing Geraint Owen on drums as he began to focus on his Welsh band The Heights. Under this lineup they became known as Snowfield. They played their debut gig under this name at the request of Fused Magazine in March 2003. The following summer the band self-released a demo six-track EP, all of which went on to become future Editors songs. Then, as it was the home of their management and the nearest big city, the band relocated to Birmingham after graduation in the autumn of 2003. For the next year, the different band members then worked part-time jobs along with the rest of their work with the band. After continuous gigging around the Midlands, it wasn't long until word of mouth helped them become a popular unsigned band. The band then sent out a one track demo cd of Bullets, earning them the interest of several British labels, with thirty A&R reps coming to see them play at Birmingham. In October 2004, the group signed to Newcastle based indie label Kitchenware Records. Upon signing to the record label they changed their band name to Editors. After supporting bands such as Puressence and Oceansize, Editors released debut single "Bullets" recorded with producer Gavin Monaghan as a limited edition of 1000 copies on Kitchenware Records on 24 January 2005. The song had previously been played by BBC Radio 1 disc jockey Zane Lowe, where it earned the honour of 'Single of the Week'. The limited run then sold out on the day of its release, with copies famously then sold later in the week for more than PS30 on eBay. The release of "Munich" followed in April of that year and gave the band their first Top 25 hit, another sold out UK tour and a place on MTV's Spanking New Music show in Manchester. At this point, due to the band's increasing popularity, Editors and Kitchenware signed an exclusive distribution deal with Sony BMG. "Blood" was released two months later, reaching number 18 in the UK Singles Chart in its first week, selling 5,286 copies. With these releases their fanbase continued to grow and on 25 July 2005 their debut album The Back Room was released to critical acclaim and commercial success. In its first week, the album entered the charts at number 13, selling 17,627 copies. After re-issuing "Bullets" and achieving another Top 30 hit, Editors gained a high-profile support slot, supporting Franz Ferdinand in arenas across the UK and Europe. Editors then re-issued "Munich" in January 2006, selling one and half thousand more copies than the last time it was released. The song gave Editors their first Top 10 single and an appearance on Top of the Pops. With the single release, The Back Room also rose back up the album charts, peaking at number 2. It sold an additional 40,000 copies in the week of "Munich"'s release and went platinum in the process. A joint North American tour with Stellastarr* coincided with the American release of The Back Room in March 2006. It was released by Fader Label and sold 35,000 albums after 20 weeks. The band went on to play influential American festivals in 2006 such as Coachella and Lollapalooza. Editors proceeded to perform "Munich" on the American television show Late Night with Conan O'Brien. At the end of March, Editors released "All Sparks" as a single in the United Kingdom, achieving a position of 21 in the singles chart. After a European tour which included three successive nights at Brixton Academy, Editors re-issued a limited edition of "Blood". It entered the Top 40, pushing the album up the chart 45 places. Shortly after this, The Back Room hit the million mark in sales worldwide and was also nominated for the 2006 Mercury Prize. After a string of high-profile festival shows across Europe, including slots on T in the Park, V 2006 and the Isle of Wight Festival, Editors began work on their second album. Lead singer Smith revealed that the band will explore a new direction on their next album, pursuing a new, rawer sound. Before January 2009, Editors had written around eighteen new songs for the new album and they have been described as some of the most synthetic, raw and anthemic songs they have written to date. In October the band went to the studio to record some demos. The band spent the first week of April recording the album and on 8 April, they released a short video with information about the recording process. It announced that Mark 'Flood' Ellis would be the producer for the album. Earlier on in the year, the sound of the album was said to have a very electric feel; the band often using the Terminator theme song as a reference. On 2 June 2009, it was announced that the new album title would be In This Light and on This Evening and that they would be the first band to play at the new O2 Academy Birmingham. Through producer Flood's heavy usage of synthesisers, the album provided a synthpop/post-punk sound to Editors' production. Flood, who is famous for collaborating with electronic music influenced bands like U2, Depeche Mode, The Killers and Erasure, helped develop synthetic elements on the album, which resulted in a mixed reception from long-term fans as to the group's new direction. The album was released on 12 October and debuted at number one on the UK Albums Chart. Alongside the album, the band released lead single "Papillon" and it led them to their first taste of number one success outside the UK, with the song hitting the top position in Belgium and being certified Gold in the process. After releasing singles "You Don't Know Love", "Last Day" and "Eat Raw Meat = Blood Drool" to limited chart success, it was announced that their unreleased song "No Sound But the Wind" would appear on the New Moon soundtrack. A live version of the song was later released in continental Europe in September 2010 and again achieved the same success as "Papillon" in Belgium, going to number 1 and being certified Gold. In November 2010 it was confirmed that a boxset called Unedited compiling the first 3 albums, as well as b-sides and previously unreleased songs on 7 12" vinyls, 7 CDs and 7 MP3 albums, alongside a book of photos and words, would be released in early 2011. The boxset included the full band version of "No Sound But The Wind", demos of "Camera" and "These Streets Are Still Home To Me", and an unreleased version of "The Weight of the World", called "Every Little Piece". CANNOTANSWER

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Robert Brydon Jones,  (born 3 May 1965), known professionally as Rob Brydon, is a Welsh actor, comedian, radio and television presenter, singer, and impressionist. He played Dr Paul Hamilton in the Australian/British comedy series Supernova, Bryn West in the sitcom Gavin & Stacey and Keith Barret in the BBC comedy series Marion and Geoff and its spin-off The Keith Barret Show. He has appeared in a number of shows for the BBC with Steve Coogan, including The Trip series in 2010, released as a feature film later that year; and The Trip to Italy in 2014 and The Trip to Spain in 2017, also edited and released as feature films. Since 2009, Brydon has presented the BBC One comedy panel show Would I Lie to You?

For a brief period in the early 1990s Brydon was a presenter for the Home Shopping Network. He began to find small roles in several successful films and television series. In 2000 he made his mark in television comedy, with two series which he co-wrote and performed for the BBC: Human Remains, co-written by Julia Davis; and the commercially successful Marion and Geoff. Since these series Brydon has developed a career path as a character actor, in both comedic and serious roles. He portrayed controversial theatre critic Kenneth Tynan in the BBC Four film Kenneth Tynan: In Praise of Hardcore (2005), opposite Julian Sands as Laurence Olivier. His character Bryn West in Gavin & Stacey, written by Ruth Jones and James Corden, allowed him to return to his South Wales roots. In this role Brydon performed the 2009 Comic Relief charity single, "(Barry) Islands in the Stream", with Ruth Jones (both actors appearing as their characters from Gavin & Stacey) and singer Tom Jones. It reached No.1 in the UK singles chart on 15 March 2009. In 2010 Brydon starred alongside Steve Coogan in Michael Winterbottom's partially improvised BBC Two sitcom series The Trip, in which both actors played fictionalized versions of their public personas (Brydon, optimistic and always eager to do an impression; and Coogan, misanthropic and bitter that he's not the major international star he believes he should be). Brydon's book Small Man in a Book (the title a play on his "small-man-in-a-box" impression) was published in November 2011. CANNOTANSWER


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Bertram "Bertie" Wilberforce Wooster is a recurring fictional character in the comedic Jeeves stories of British author P. G. Wodehouse. A young English gentleman, one of the "idle rich", Bertie appears alongside his valet, Jeeves, whose intelligence manages to save Bertie or one of his friends from numerous awkward situations. As the first-person narrator of ten novels and over 30 short stories, Bertie Wooster ranks as one of the most vivid comic creations in popular literature. Bertie Wooster is the central figure in all but one of Wodehouse's Jeeves short stories and novels, which were published between 1915 and 1974.

Bertie Wooster and his friend Bingo Little were born in the same village only a few days apart. Bertie's middle name, "Wilberforce", is the doing of his father, who won money on a horse named Wilberforce in the Grand National the day before Bertie's christening and insisted on his son carrying that name. The only other piece of information given about Bertie's father, aside from the fact that he had numerous relatives, is that he was a great friend of Lord Wickhammersley of Twing Hall. Bertie refers to his father as his "guv'nor". When he was around seven years of age, Bertie was sometimes compelled to recite "The Charge of the Light Brigade" for guests by his mother; she proclaimed that he recited nicely, but Bertie disagrees, and says that he and others found the experience unpleasant. Bertie also mentions reciting other poems as a child, including "Ben Battle" and works by poet Walter Scott. Like Jeeves, Bertie says that his mother thought him intelligent. Bertie makes no other mention of his mother, though he makes a remark about motherhood after being astounded by a friend telling a blatant lie: "And this, mark you, a man who had had a good upbringing and had, no doubt, spent years at his mother's knee being taught to tell the truth". When Bertie was eight years old, he took dancing lessons (alongside Corky Potter-Pirbright, sister of Bertie's friend Catsmeat Potter-Pirbright). It is established throughout the series that Bertie is an orphan who inherited a large fortune at some point, although the exact details and timing of his parents' deaths are never made clear. CANNOTANSWER

Was Bertie Wooster a character of a fictional biography


Samuel Dale Brownback (born September 12, 1956) is an American lawyer, politician, diplomat and the current United States Ambassador-at-Large for International Religious Freedom since 2018. Brownback previously served as the 46th Governor of Kansas, as a U.S. Senator from Kansas, as a member of the U.S. House of Representatives, and as the Secretary of Agriculture of Kansas. A member of the Republican Party, he was elected to the U.S. House of Representatives during the Republican Revolution of 1994, representing Kansas's 2nd congressional district for a single term, before running in a 1996 special election for the U.S. Senate seat previously held by Bob Dole. He won the special election and the following two regular elections, serving until 2011.

Brownback opposes a single-payer, government-run health-care system. He supports increased health insurance portability, eliminating insurance rejection due to pre-existing medical conditions, a cap on frivolous malpractice lawsuits, the implementation of an electronic medical records system, an emphasis on preventative care, and tax benefits aimed at making health-care insurance more affordable for the uninsured and targeted to promote universal access. He opposes government-funded elective abortions in accordance with the Hyde Amendment. He has been a strong supporter of legislation to establish a national childhood cancer database and an increase in funding for autism research. Brownback supports negotiating bulk discounts on Medicare drug benefits to reduce prices. In 2007, Senators Brownback and Sherrod Brown (D-OH) sponsored an amendment to the Food and Drug Administration Amendments Act of 2007. The amendment created a prize as an incentive for companies to invest in new drugs and vaccines for neglected tropical diseases. It awards a transferable "Priority Review Voucher" to any company that obtains approval for a treatment for a neglected tropical disease. This provision adds to the market-based incentives available for the development of new medicines for developing world diseases such as malaria, tuberculosis and African sleeping sickness. The prize was initially proposed by Duke University faculty Henry Grabowski, Jeffrey Moe, and David Ridley in their 2006 Health Affairs paper: "Developing Drugs for Developing Countries." Brownback supports a bill that would introduce price transparency to the U.S. health care industry, as well as a bill which would require the disclosure of Medicare payment rate information. On December 16, 2006, Brownback gave an interview to the Christian Post, stating: "We can get to this goal of eliminating deaths by cancer in ten years." CANNOTANSWER

What else has he done in government that shows his views on healthcare?


Louis Cachet (French pronunciation:  [lwi kaSe]) (born Kristian Vikernes [Norwegian: [vi:k@ne:s]], 11 February 1973), more popularly known as Varg Vikernes, is a Norwegian musician and writer. In 1991, he founded the one-man music project Burzum, which is considered one of the most influential black metal acts. Three years later, he was convicted of murder and arson, and subsequently served over 14 years in prison.

In January 1993, an article in one of Norway's biggest newspapers, Bergens Tidende (BT), brought the black metal scene into the media spotlight. Two friends of Vikernes interviewed him and brought the interview to the newspaper, hoping they would print it. In the anonymous interview, 'Count Grishnackh' (Vikernes) claimed to have burnt the churches and killed a man in Lillehammer. BT journalist Finn Bjorn Tonder set up a meeting with 'Count Grishnackh', with help from the friends. The journalists were summoned to an apartment and reportedly warned that they would be shot if the police were called. There, Vikernes and his companions told the journalists that they had burnt the churches, or knew who had done it, and said that the attacks would continue. They claimed to be Devil worshippers and said: "Our intention is to spread fear and devilry [...] that is why we are telling this to Bergens Tidende." They gave the journalists details about the arsons that hadn't been released to the press and so BT spoke with the police before publishing it, who confirmed these details. The article was published on 20 January as the front page of the BT. It was headlined "We Lit The Fires" and included a photo of Vikernes, his face mostly hidden, holding two large knives. However, by the time the article was printed, Vikernes had already been arrested. The police allegedly found him by going to an address printed on a Burzum flyer, although Vikernes believes that Tonder "snitched" on him. According to Vikernes, the anonymous interview was planned by himself and Euronymous. The goal, he says, was to scare people, promote black metal and get more customers for Helvete. At the time, Burzum was about to release the Aske mini-album. Vikernes said of the interview: "I exaggerated a lot and when the journalist left we [...] had a good laugh, because he didn't seem to understand that I was pulling his leg". He added that the interview revealed nothing that could prove his involvement in any crime. Vikernes claims that, after he was arrested, "the journalist edited the interview and [...] published an insane version of it the following day, without even letting me read through it." Some of the other scene members were also arrested and questioned, but all were released for lack of evidence. Jorn Inge Tunsberg of Hades said that the interview had "grave consequences" for the rest of the scene and that they did not know he was going to talk to the press, as "he had said nothing". He added that they became "bloody angry" and he, Tunsberg, was "pissed off". Norwegian magazine Rock Furore published an interview with Vikernes in February 1993. In it, he said of the prison system: "It's much too nice here. It's not hell at all. In this country prisoners get a bed, toilet and shower. It's completely ridiculous. I asked the police to throw me in a real dungeon, and also encouraged them to use violence". He was released in March for lack of evidence. CANNOTANSWER

Answer the following question by taking a quote from the article: did the attacks continue?


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Senses Fail is an American post-hardcore band that formed in Ridgewood, New Jersey in 2002. The band has seen many lineup changes; the only founding member still in the band being lead singer James "Buddy" Nielsen. The lineup currently consists of Nielsen, bassist/guitarist Gavin Caswell and drummer Chris Hornbrook.

In 2014, on their tumblr blog the band announced they signed to Pure Noise Records. Senses Fail would enter the studio in November to start recording their next full-length album which was scheduled to be released in summer 2015. It was later announced that the album would be titled Pull the Thorns from Your Heart. On February 2, 2015, the band released a tease of their split EP on their Facebook. The EP was released on March 3, 2015. Pull the Thorns from Your Heart was released on June 30, 2015. The touring cycle for the record kicked off by playing the entirety of the 2015 Vans Warped Tour. The band then embarked on a winter co-headlining tour with Silverstein. On this tour, guitarist Matt Smith was absent due to the birth of his first child. Greg Styliades, who had previously toured with the band after Zack Roach returned home for the birth of his child, performed with the band on this tour. At this time, the band was classified by AbsolutePunk as screamo and "alternative". On May 17, 2016, frontman Buddy Nielsen announced that he had formed a new band called Speak The Truth... Even If Your Voice shakes. The band also includes drummer Alex Pappas and guitarists Alex "Grizz" Linares and Daniel Wonacott, all formerly of the band Finch. They released their debut, self-titled 7" on November 4, 2016 via Bad Timing Records. The release features the songs Crash My Car and Go For The Throat. Senses Fail bassist Gavin Caswell was later recruited to play bass at the outfits first ever live performance. In 2016, the band performed at the recently revived Taste of Chaos festival in San Bernardino, California. After returning as a single day festival in 2015, Taste of Chaos returned as a full United States tour in 2016, culminating in the festival date. The festival took place on July 16, and also featured performances from The Starting Line, The Get Up Kids, and Quicksand, as well as 2016 Taste of Chaos full tour acts Saosin, Taking Back Sunday, and Dashboard Confessional. The future of the band was left uncertain after it was revealed that guitarists Zack Roach and Matt Smith would no longer be touring with the band, with both choosing to focus on their families after the recent births of their children. Despite almost breaking up, the band took the rest of the summer of 2016 off to regroup. In late 2016, the band supported Sum 41 on their "Don't Call it a Sum Back" full United States tour. Bassist Gavin Caswell took over rhythm guitar duties live, with Styliades returning on bass guitar, and Jason Millbank filling the role of lead guitarist. CANNOTANSWER


Kasabian started work on their fourth album, Velociraptor!, in November 2010 with Dan the Automator as producer. It was revealed in a number of interviews that some songs were already written. One track, titled "Green Fairy", which featured on the London Boulevard soundtrack, is present on the record under the name "La Fee Verte", but the album version is different from the soundtrack version. In June 2011, Kasabian closed the Isle of Wight Festival. They also headlined Rockness festival and played at Rock Werchter in July 2011. The band confirmed that the album would be released on 19 September 2011. "Switchblade Smiles", the first song to be heard from Velociraptor!, was exclusively played on UK radio on 7 June 2011 during Zane Lowe's show on BBC Radio 1. The title and release date of the fourth album was also confirmed on the show. This first single from the album was available for visitors to listen to on the Kasabian website, and was available as a download for people who pre-order the album. Two tracks from the album ("Velociraptor" and "Switchblade Smiles") were premiered throughout the four-date warm-up tour including playing at the Leeds O2 Academy before the RockNess and Isle of Wight festivals in June 2011. A track from the album "Days Are Forgotten" was due for radio release on 22 July 2011. However, it surfaced online the night before. The album failed to crack the Billboard Top 200 chart upon its first week of release in the United States. On 27 November 2011, Kasabian performed "Goodbye Kiss" during the BBC's Formula 1 2011 closing season montage. In the same month, the band went on a full tour of the UK, including two sold out gigs at the Capital FM Arena in Nottingham, supported at the shows by Miles Kane and Australian band ME. On 31 December 2011, Kasabian played a New Year's Eve concert entitled 'NYE:Rewired' at the O2 Arena, London. The event was streamed live on YouTube. Following early 2012 dates in Japan, Australia, and Europe, Kasabian launched their North American leg in Dallas on 12 March, with 19 dates in U.S. and Canada until late April. It was announced on 16 May on the Kasabian website that their show of 15 December 2011, that was filmed at the O2 in London, would be screened in over 60 cinemas in the UK and Ireland on 30 May 2012. The film, titled Kasabian Live! Live at the O2 is distributed by Altive Media and Eagle Vision. On 29 June 2012, Kasabian performed at the Main Square festival in Arras France. At the end of the set, Tom Meighan returned to the stage without the band and performed The Beatles "She Loves You" unaccompanied, something that he had also done three days earlier in Athens, Greece, and on 16 June in Denmark at the NorthSide Festival. On 8 July 2012, the band headlined the UK festival T in the Park. Kasabian also headlined the Reading and Leeds Festivals on 24 and 25 August 2012. CANNOTANSWER

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Grammer was born February 21, 1955, in Charlotte Amalie, Saint Thomas, U.S. Virgin Islands, the son of Sally (nee Cranmer; 1928-2008), a singer and actress, and Frank Allen Grammer, Jr. (d, 1968), a musician and owner of a coffee shop and a bar and grill called Greer's Place. He had one younger sister. Grammer was two years old when his parents divorced. Grammer and his sister Karen were subsequently raised by their mother and grandparents in New Jersey.

In 2005, Grammer returned to television. He produced and appeared in an American adaptation of the British show The Sketch Show, which aired on Fox. The main cast consisted of Malcolm Barrett, Kaitlin Olson, Mary Lynn Rajskub and Paul F. Tompkins, as well as Lee Mack from the British version of the show. Grammer appeared in only short opening and closing segments in each episode. Many of the sketches from the British version were re-created, such as the "California Dreamin'", "English Course", and "Sign Language" sketches. Only six episodes of the show were made, and it was canceled after only four of them had aired. In 2007, Grammer starred with Patricia Heaton in the American sitcom Back to You. It was canceled by Fox after its first season. His next attempt, ABC's Hank, fared even worse. It was canceled after only five episodes had aired. Grammer later commented, "Honestly, it just wasn't very funny." In 2011 and 2012, Grammer starred in the Starz drama series Boss as a fictional mayor of Chicago in the mold of Richard J. Daley which premiered in October 2011. It was his first dramatic TV series. At the 2012 Golden Globe Awards Kelsey Grammer won the award for Best Actor in a Television Series Drama for his role on Boss. The show ran for 18 episodes over two seasons. Grammer played a villain in the Paramount's Transformers movies' fourth installment, Transformers: Age of Extinction, starring Mark Wahlberg. Grammer paired up with comedian/actor Martin Lawrence to star in the comedy Partners for Lionsgate TV. The Lionsgate-produced show would be written and executive produced by Robert L. Boyett and Robert Horn, known for writing hit shows like Family Matters, Living Single, Full House, Designing Women, and Perfect Strangers. CANNOTANSWER

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