Background: The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.
Context: In 1987, Ride left her position in Washington, D.C., to work at the Stanford University Center for International Security and Arms Control. In 1989, she became a professor of physics at the University of California, San Diego, and director of the California Space Institute. From the mid-1990s until her death, Ride led two public-outreach programs for NASA--the ISS EarthKAM and GRAIL MoonKAM projects, in cooperation with NASA's Jet Propulsion Laboratory and UCSD. The programs allowed middle school students to request images of the Earth and moon. In 1999, she acted in the season 5 finale of Touched by an Angel, titled "Godspeed". In 2003, she was asked to serve on the Columbia Accident Investigation Board. She was the president and CEO of Sally Ride Science, a company she co-founded in 2001 that creates entertaining science programs and publications for upper elementary and middle school students, with a particular focus on girls. According to Roger Boisjoly, the engineer who warned of the technical problems that led to the Challenger disaster, after the entire workforce of Morton-Thiokol shunned him Ride was the only public figure to show support for him when he went public with his pre-disaster warnings. Sally Ride hugged him publicly to show her support for his efforts. Ride wrote or co-wrote seven books on space aimed at children, with the goal of encouraging children to study science. Ride endorsed Barack Obama for U.S. President in 2008. She was a member of the Review of United States Human Space Flight Plans Committee, an independent review requested by the Office of Science and Technology Policy (OSTP) on May 7, 2009. CANNOTANSWER
Question: What did she do after this?. Whats the answer?


Background: Smash is the third studio album by American punk rock band The Offspring. After touring in support of their previous album, Ignition (1992), The Offspring began recording Smash in January 1994 at Track Record in North Hollywood, California. Recording and production were finished a month later, and the album was released on April 8, 1994 on Epitaph Records.
Context: Punk rock bands like Green Day and Rancid were gaining popularity, and riding on this wave of popularity, Smash's singles became radio rock hits. An example of this was the success of The Offspring's first major single release, "Come Out and Play", which reached #1 on Billboard Modern Rock Tracks chart. The second single released from the album, "Self Esteem", became a radio hit, managing to peak at number 4 on the Billboard Modern Rock Tracks chart, although it didn't hit number 1 like its prior hit, "Self Esteem" was actually more popular and more successful worldwide. The lyrics are about an abusive relationship in which the girl takes advantage of her boyfriend, as he has "no self-esteem" to stand up to her. Contrary to popular belief, the song is not autobiographical. In an interview Dexter revealed that it is about one of his old friends. This song was the most successful and most popular of the album's three singles. The third single, "Gotta Get Away" was another rock radio hit, although it was not as successful as the previous two singles. The song reached number 6 on the Billboard Modern Rock Tracks chart. Being the last song written for the album, the lyrics describe a point in Dexter's life when he was suffering from extreme pressure due to the then-upcoming deadline of the album. "What Happened To You" is driven by a Jamaican ska beat. A fourth song, "Bad Habit", received radio play in some areas, but was never officially released. However, it is often their set opener and is a favorite among fans. The lyrics discuss road rage to the point where the protagonist shoots at the car in front of him. The only cover in the album was "Killboy Powerhead", by The Didjits. CANNOTANSWER
Question: Was the song about the band members?. Whats the answer?


Background: Agnetha Ase Faltskog (Swedish pronunciation: [aNG2ne:ta 2feltsku:g], born 5 April 1950) is a Swedish musician, singer, songwriter, actress, and author. She achieved success in Sweden after the release of her debut album Agnetha Faltskog in 1968, and reached international stardom as a member of the pop group ABBA, which has sold over 380 million albums and singles worldwide, making them one of the best-selling music artists in history. After the break-up of ABBA, Faltskog found some success as a solo artist in the 1980s, though also became more solitary, avoiding outside publicity and settling  on the Stockholm County island of Ekero.
Context: Faltskog worked as a telephonist for a car firm while performing with a local dance band, headed by Bernt Enghardt. The band soon became so popular that she had to make a choice between her job and her musical career. She continued singing with the Bernt Enghardt band for two years. During that time, Faltskog broke up with her boyfriend Bjorn Lilja; this event inspired her to write a song, "Jag var sa kar" ("I Was So in Love"), that soon brought her to media prominence. At that time, Karl Gerhard Lundkvist, a relative of one of the band's members, retired from his successful rock and roll career and began working as a record producer at Cupol Records. Enghardt sent him a demo recording of the band, but Lundkvist only showed interest in Faltskog and her song. She was worried because he was not interested in the band and they were not to be included on the record. However, she decided to accept the offer, and signed a recording contract with Cupol Records. Her self-penned debut single "Jag var sa kar" was released through Cupol Records in 1967, and topped the Swedish Chart on 28 January 1968 and sold more than 80,000 copies. She also submitted the song "Forsonade" ("Reconciled") to Melodifestivalen, the Swedish preliminary for the Eurovision Song Contest, but it was not selected for the final. Faltskog developed a career as one of Sweden's most popular pop music artists, participating in a television special about pilots in 1968. The same year, she released the single "Zigenarvan" ("Gypsy Friend") about a young girl attending a Gypsy wedding and falling in love with the bride's brother. Its release coincided with a heated debate about Gypsies in the Swedish media, and Faltskog was accused of deliberately trying to make money out of the situation by writing the song. Faltskog's success continued throughout the late 1960s. She met German songwriter/producer Dieter Zimmerman, to whom she became engaged. Her albums thus reached the German charts, and Zimmerman promised her she would achieve great success in Germany. However, when she went there and met with record producers, the venture was not productive; Faltskog refused to meet the demands of the producers, describing their chosen material as "horrible". She soon ended her engagement to Zimmerman and returned to Sweden. In 1970, she released "Om tarar vore guld" ("If Tears Were Gold"). A Danish composer claimed that she used 22 bars from his composition "Tema" ("Theme"), even though it was written in the 1950s and had never been recorded. The case dragged on until 1977, when a settlement was reached and Faltskog paid the Danish musician SEK5,000. In 1972, Faltskog portrayed Mary Magdalene in the Swedish production of the international hit musical Jesus Christ Superstar. CANNOTANSWER
Question: What is a major event that occurred sometime between 1966-1971?. Whats the answer?


Background: Anna Vissi (Greek: Anna Bisse (pronounced ['ana 'visi], locally ['an:a 'viS:i]); born 20 December 1957), also known as Anna Vishy, is a Greek Cypriot singer, songwriter, actress, television presenter, radio personality, and businesswoman.
Context: In the early 1990s, she continued performing around Greece with Nikos Karvelas, with appearances at "Diogenis Palace" and then at "Rex". In November 1991, Vissi and Karvelas starred in the first Greek rock opera, Daimones ("Demons"). It was based on a libretto by Stavros Sideras and staged at Attikon Theater in Athens for two years. Roger Williams was the director and Anna Vissi (Queen & Rozanne), Yannis Samsiaris (Daniel), Bessy Malfa (Witch & Loa) and John Modinos (Inquisitor) were the leading actors. Daimones was played on foreign TV stations and attracted the attention of Broadway agents. Vissi described it as an "artistic achievement" in her career; however, the play received mostly negative reviews from professional critics and contributed to the relatively unsuccessful period Vissi faced in the early 1990s. Vissi has defended the play, saying "I did something important and advanced for the Greek music scene!" but admitted that she lost a lot of money from the production. She is considering modernising and relaunching the production in the 2010s. A year later, in October 1993, Vissi landed the leading role of Aphrodite, in the one-act opera Ode to the Gods by Stavros Sideras. It was held only once in Limassol, Cyprus, during the celebrations for the Commonwealth Day. Then-president of the Republic of Cyprus, Glafkos Clerides, and Queen Elizabeth II, were amongst the audience. The following years, Karvelas and Vissi released the albums Lambo (1992), Emeis (1992), Live! (1993), Re! (1994), and O! Kypros (1995), an album with traditional Cypriot songs. In 1994, she was the hostess on the ANT1 weekly TV show Me Agapi, Anna. The show was cancelled and in 2008 the production company filed a lawsuit against Vissi claiming "unprofessional behavior of the singer" because the agreement was for 40 episodes and Vissi dropped out after 10 episodes. The juridical conflict between Vissi and the production company appeared to come to an end when the Court of Appeal of Athens led to the final compromise of the two sides to the sum of EUR400,000. A sum that the singer would supposed to pay in the company against the initial sum of 2.3 million Euros. Ultimately Vissi was vindicated and the decision of Supreme Court ruled that EUR400,000 was a lot more from the amount that Vissi should actually pay and decided to give the half amount of money. One year later she did a concert in Cyprus, supporting the defences of the island. CANNOTANSWER
Question: What plays was she in?. Whats the answer?


Sigmund Freud ( FROYD; German: ['zi:kmUnt 'fRoYt]; born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902.

In the early 1890s, Freud used a form of treatment based on the one that Breuer had described to him, modified by what he called his "pressure technique" and his newly developed analytic technique of interpretation and reconstruction. According to Freud's later accounts of this period, as a result of his use of this procedure most of his patients in the mid-1890s reported early childhood sexual abuse. He believed these stories, which he used as the basis for his seduction theory, but then he came to believe that they were fantasies. He explained these at first as having the function of "fending off" memories of infantile masturbation, but in later years he wrote that they represented Oedipal fantasies, stemming from innate drives that are sexual and destructive in nature. Another version of events focuses on Freud's proposing that unconscious memories of infantile sexual abuse were at the root of the psychoneuroses in letters to Fliess in October 1895, before he reported that he had actually discovered such abuse among his patients. In the first half of 1896, Freud published three papers, which led to his seduction theory, stating that he had uncovered, in all of his current patients, deeply repressed memories of sexual abuse in early childhood. In these papers, Freud recorded that his patients were not consciously aware of these memories, and must therefore be present as unconscious memories if they were to result in hysterical symptoms or obsessional neurosis. The patients were subjected to considerable pressure to "reproduce" infantile sexual abuse "scenes" that Freud was convinced had been repressed into the unconscious. Patients were generally unconvinced that their experiences of Freud's clinical procedure indicated actual sexual abuse. He reported that even after a supposed "reproduction" of sexual scenes the patients assured him emphatically of their disbelief. As well as his pressure technique, Freud's clinical procedures involved analytic inference and the symbolic interpretation of symptoms to trace back to memories of infantile sexual abuse. His claim of one hundred percent confirmation of his theory only served to reinforce previously expressed reservations from his colleagues about the validity of findings obtained through his suggestive techniques. Freud subsequently showed inconsistency as to whether his seduction theory was still compatible with his later findings. In an addendum to The Aetiology of Hysteria he stated: "All this is true [the sexual abuse of children]; but it must be remembered that at the time I wrote it I had not yet freed myself from my overvaluation of reality and my low valuation of phantasy". Some years later Freud explicitly rejected the claim of his colleague Ferenczi that his patients' reports of sexual molestation were actual memories instead of fantasies, and he tried to dissuade Ferenczi from making his views public. Karin Ahbel-Rappe concludes in her study "'I no longer believe': did Freud abandon the seduction theory?'': "Freud marked out and started down a trail of investigation into the nature of the experience of infantile incest and its impact on the human psyche, and then abandoned this direction for the most part." CANNOTANSWER

How were these ideas received?


John Leslie "Jackie" Coogan (October 26, 1914 - March 1, 1984) was an American actor and comedian who began his movie career as a child actor in silent films. Charlie Chaplin's film classic The Kid (1921) made him one of the first child stars in film history. He later sued his mother and stepfather over his squandered film earnings and provoked California to enact the first known legal protection for the earnings of child performers, widely known as the Coogan Act.

He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Answer the following question by taking a quote from the article: did he go into acting then?


Michael Jeffrey Jordan (born February 17, 1963), also known by his initials, MJ, is an American retired professional basketball player. Jordan played 15 seasons in the National Basketball Association (NBA) for the Chicago Bulls and Washington Wizards. His biography on the NBA website states: "By acclamation, Michael Jordan is the greatest basketball player of all time." Jordan was one of the most effectively marketed athletes of his generation and was considered instrumental in popularizing the NBA around the world in the 1980s and 1990s.

During his rookie season in the NBA, Jordan averaged 28.2 ppg on 51.5% shooting. He quickly became a fan favorite even in opposing arenas, and appeared on the cover of Sports Illustrated with the heading "A Star Is Born" just over a month into his professional career. Jordan was also voted in as an All-Star starter by the fans in his rookie season. Controversy arose before the All-Star game when word surfaced that several veteran players--led by Isiah Thomas--were upset by the amount of attention Jordan was receiving. This led to a so-called "freeze-out" on Jordan, where players refused to pass the ball to him throughout the game. The controversy left Jordan relatively unaffected when he returned to regular season play, and he would go on to be voted Rookie of the Year. The Bulls finished the season 38-44 and lost to the Milwaukee Bucks in four games in the first round of the playoffs. Jordan's second season was cut short when he broke his foot in the third game of the year, causing him to miss 64 games. Despite Jordan's injury and a 30-52 record (at the time it was fifth worst record of any team to qualify for the playoffs in NBA history), the Bulls made the playoffs. Jordan recovered in time to participate in the playoffs and performed well upon his return. Against a 1985-86 Boston Celtics team that is often considered one of the greatest in NBA history, Jordan set the still-unbroken record for points in a playoff game with 63 in Game 2. The Celtics, however, managed to sweep the series. Jordan had completely recovered in time for the 1986-87 season, and he had one of the most prolific scoring seasons in NBA history. He joined Wilt Chamberlain as the only two players to score 3,000 points in a season, averaging a league high 37.1 points on 48.2% shooting. In addition, Jordan demonstrated his defensive prowess, as he became the first player in NBA history to record 200 steals and 100 blocked shots in a season. Despite Jordan's success, Magic Johnson won the league's Most Valuable Player Award. The Bulls reached 40 wins, and advanced to the playoffs for the third consecutive year. However, they were again swept by the Celtics. CANNOTANSWER

Using a quote from the above article, answer the following question: what was their scoring average during the playoffs?


William Franklin Graham Jr. was born on November 7, 1918, in the downstairs bedroom of a farmhouse near Charlotte, North Carolina. He was of Scots-Irish descent and was the eldest of four children born to Morrow (nee Coffey) and William Franklin Graham Sr., a dairy farmer. Graham was raised on a family dairy farm with his two younger sisters, Catherine Morrow and Jean and a younger brother, Melvin Thomas. When he was eight years old in 1927, the family moved about 75 yards (69 m) from their white frame house to a newly built red brick home.

While attending college, Graham became pastor of the United Gospel Tabernacle and also had other preaching engagements. From 1943 to 1944, Graham briefly served as pastor of the First Baptist Church in Western Springs, Illinois, which was not far from Wheaton. While there, his friend Torrey Johnson, pastor of the Midwest Bible Church in Chicago, told Graham that his radio program, Songs in the Night, was about to be canceled due to lack of funding. Consulting with the members of his church in Western Springs, Graham decided to take over Johnson's program with financial support from his congregation. Launching the new radio program on January 2, 1944, still called Songs in the Night, Graham recruited the bass-baritone George Beverly Shea as his director of radio ministry. While the radio ministry continued for many years, Graham decided to move on in early 1945. In 1948 at the age of 29, he became president of Northwestern Bible College in Minneapolis and the youngest president of a college or university in the country, from which he resigned in 1952. Graham initially intended to become a chaplain in the Armed Forces, but he contracted mumps shortly after applying for a commission. After a period of recuperation in Florida, he was hired as the first full-time evangelist of the new Youth for Christ (YFC), co-founded by Torrey Johnson and the Canadian evangelist Charles Templeton. Graham traveled throughout both the United States and Europe as a YFCI evangelist. Templeton applied to Princeton Theological Seminary for an advanced theological degree and urged Graham to do so as well, but he declined as he was already serving as the president of Northwestern Bible College. Graham scheduled a series of revival meetings in Los Angeles in 1949, for which he erected circus tents in a parking lot. He attracted national media coverage, especially in the conservative Hearst chain, although Hearst and Graham never met. The crusade event ran for eight weeks - five weeks longer than planned. Graham became a national figure with heavy coverage from the wire services and national magazines. CANNOTANSWER

Using a quote from the above article, answer the following question: What was grahams biggest accomplishment as a minister?


Raven-Symone Christina Pearman (; born December 10, 1985), (sometimes credited as Raven, also known mononymously as Raven-Symone) is an American actress, singer, songwriter, model, television personality, dancer, rapper and producer. She first appeared on television in 1989 on The Cosby Show as Olivia Kendall. She released her debut album, Here's to New Dreams in 1993; the single, "That's What Little Girls Are Made Of" charted number 68 on the US Billboard Hot 100.

In 1993, one year after The Cosby Show ended, she landed the role of Nicole Lee on the show Hangin' with Mr. Cooper. She made her debut in the first episode of the show's second season, and remained until the series finale in 1997. In 1994, during her time on the show Hangin' with Mr. Cooper, she had her first big screen role in the movie The Little Rascals, playing Stymie's girlfriend. The Little Rascals earned $67.3 million worldwide during its theatrical run. In 1996, Raven-Symone and her father founded RayBlaze Records, in which she signed a distribution deal with Crash Records for her second album Undeniable, which was released in May 1999. The album sold over 2,000 in US. The album yielded one single: a cover of Stevie Wonder's "With a Child's Heart". To support the album Undeniable, she went on tour as the opening act for fellow Jive artist 'N Sync's The 'N Sync Tour in 1998/1999. In 1998, she won her first major role in theatrical movie, she was cast in the Eddie Murphy comedy Dr. Dolittle, as Charisse Dolittle, the oldest daughter of Murphy's character. Dr. Dolittle earned $294.5 million worldwide during its theatrical run. In the same year, she also appeared in Zenon: Girl of the 21st Century as Nebula, her first production under Disney. In 2001, she reprised the role of Charisse Dolittle in the sequel Eddie Murphy comedy Dr. Dolittle 2. Dr. Dolittle 2 earned $176.1 million worldwide during its theatrical run. In the same year, she participated in two episodes of the comedy series, My Wife and Kids as Charmaine, Claire's pregnant friend, her first production under ABC. CANNOTANSWER

Using a quote from the above article, answer the following question: What are some of the singles on the album?


Background: Born in Boston, Massachusetts, as the only son of Janice (nee Hare) and Robert Bagwell, Jeff Bagwell and his family moved to Killingworth, Connecticut, when he was one year old. Much of Bagwell's family is from the Greater Boston area, including both his parents, and are avid fans of the Boston Red Sox. His favorite player, Carl Yastrzemski, was a longtime left fielder for the Red Sox. Robert, from Watertown, pitched college baseball at Northwestern University and as a semi-professional.
Context: In February 2005, Bagwell and Biggio were jointly inducted into the Texas Sports Hall of Fame. Shortly after the 2005 season began, the chronic arthritic condition in his shoulder that had begun in 2001 finally sidelined him, rendering him inactive for three-quarters of the season. The former Gold Glove winner was now subjugated into a defensive liability with severely restricted throwing ability, forcing him to "push" the ball instead of throwing it. Teams began taking advantage of his defensive increased weakness. Once possessing great ability to throw out the lead runner at third base ahead on bunt plays, Bagwell found it difficult to practice with the other infielders between innings. Concurrently, Bagwell's offensive production suffered, and pressure mounted on Astros management to bench the perennial All-Star; the club had started the season with a 15-30 won-loss record. He hit his last major league home run against Maddux, now pitching for Chicago, on April 29, tying him for the most against any pitcher with seven. Bagwell continued to play through the pain until, after going 0-for-5 in a loss to the Pirates on May 4, it became so unbearable that he asked manager Phil Garner to remove him from the lineup the following day. He had hit just .250 with three home runs in 88 at bats. The Astros placed him on the disabled list a few days later and shoulder surgery followed. The Astros dramatically improved after the poor start to finish 74-43 over their final 117 games and capture the NL wild card. Rendered unable to throw from the surgery, the club activated Bagwell in September as a pinch hitter, and he played a symbolic role in the successful drive to capture their first-ever National League pennant and World Series appearance. Moreover, the Astros secured the pennant against their division rival St. Louis Cardinals in the NLCS, reversing the outcome from the year prior against the same club. After having played 4,714 games and their entire major league careers together in Houston, Bagwell and Biggio appeared in their first World Series in 2005. Bagwell was the Astros' designated hitter in the first two games against the White Sox at U.S. Cellular Field, and a pinch hitter in the two games played in Houston at Minute Maid Park. His last official major league plate appearance was in the seventh inning of Game 4, when he pinch hit for pitcher Brandon Backe and grounded out. The White Sox won this contest to sweep the Astros and secure the championship. With contributions of only a partially healthy Bagwell, the White Sox outscored the Astros by a combined six runs, the lowest scoring differential in World Series history. Together with Biggio, Bagwell received Baseball America's Lifetime Achievement Award after the 2005 season. CANNOTANSWER
Question: Did he ever return to play?

Answer:


Background: Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (Jiu Shi  Rang , Hisaishi Jo), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.
Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER
Question: What else is interesting about Joe and the Anime film industry?. Whats the answer?


Background: Sherpa are a Tibetic ethnic group native to the most mountainous regions of Nepal, China, Bhutan and India, the Himalayas. The term sherpa or sherwa derives from the Sherpa language words shar ("east") and wa ("people"), a reference to their geographical origin in northeastern Tibet. Most Sherpa people live in eastern regions of Nepal; however, some live farther west in the Rolwaling valley and in the Helambu region north of Kathmandu. Tengboche is the oldest Sherpa village in Nepal.
Context: According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism. CANNOTANSWER
Question: How do shamans deal with the supernatural ?. Whats the answer?


Answer by taking a quote from the following article:

Simon Phillip Cowell was born on 7 October 1959 in Lambeth, London, and raised in Elstree, Hertfordshire. His mother, Julie Brett (nee Josie Dalglish; 1925-2015), was a ballet dancer and socialite, and his father, Eric Selig Phillip Cowell (1918-1999), was an estate agent, property developer, and music industry executive. Cowell's paternal grandmother was a Polish immigrant. His father was from a mostly Jewish family, though he did not discuss his background with his children, and his mother was from a Christian background.

In 2001, Cowell was given the role of judge on the first series of Pop Idol, a show that he and the show creator Simon Fuller successfully pitched to ITV Controller of Entertainment Claudia Rosencrantz. Cowell's S Records signed the top two finishers of the first season of Pop Idol, Will Young and Gareth Gates, both of whom went on to have No 1 UK hits, which were the top 2 best-selling singles of 2002, as well as that of top 2 of the decade of 2000s. He also became a judge on the first season of American Idol in 2002. With his notoriously critical reputation, Cowell has been likened to TV personalities such as Judith Sheindlin, and Anne Robinson of her show. Cowell's prominence grew, fed by his signature phrase, "I don't mean to be rude, but ...", inevitably followed by an unsparingly blunt appraisal of the contestant's talents, personality, or even physical appearance. A lot of these one-liners were the product of coaching that Cowell received from noted publicist Max Clifford (who was sacked by Cowell after being convicted of sex offences as of May 2014). Cowell also appeared on the one-off World Idol programme in 2003, where it became clear that each country's version of the Idol had attempted to come up with its own "Simon Cowell" type personality. In 2003, Cowell placed No 33 on Channel 4's list of the all-time 100 Worst Britons. Cowell formed a new company Syco, which is divided into three units - Syco Music, Syco TV and Syco Film. Cowell returned to music with his latest brainchild signed to Syco, the internationally successful operatic pop group Il Divo, consisting of three opera singers and one pop singer of four different nationalities. Inspired by the success of Il Divo, Simon created a child version, Angelis, beating competition from similar groups emerging at Christmas 2006. On 11 January 2010, Cowell's exit from American Idol was made official. By the time Cowell left American Idol, the show was on its seventh consecutive season in its leadership among all primetime programmes in the United States, even lasting up to 2011 in the longest winning streak in the US overall viewership and demographics in the Nielsen ratings. The 2010 season was Cowell's last on the show. He was replaced by Steven Tyler. It was also announced that FOX had acquired the rights to The X Factor USA, an American version of Cowell's British show, The X Factor, which began in September 2011. Following the success of the Idol and X Factor franchises, Cowell, his company Syco, and its business partners developed a talent show format open to performers of any kind, not only singers, but also dancers, instrumentalists, magicians, comedians, novelty acts, and so on. The origins of the Got Talent format can be traced to the British show Opportunity Knocks. Cowell is the executive producer of America's Got Talent, which debuted in June 2006, along with Fremantle producers of the Idol series, but for some time he did not appear on the show due to the terms of his contract with Fox. The show was a huge success for NBC, drawing around 12 million viewers a week, and beating So You Think You Can Dance on Fox (produced by rival and Idol creator Simon Fuller). Britain's Got Talent debuted on ITV in June 2007. Cowell appeared as a judge alongside Amanda Holden and Piers Morgan. The show was a ratings success and second and third seasons followed in 2008 and 2009. The third series featured a publicity coup when Susan Boyle made a global media impact comparable to that of any previous talent show series winner with her regional audition performance . In 2015, Cowell launched La Banda, his first US show since his stint with X Factor USA. The show, designed to find male singers to form the "ultimate Latino Boy Band," launched on Univision in the US on 13 September 2015. Cowell was announced as the replacement for Howard Stern on America's Got Talent on 22 October 2015. CANNOTANSWER

Who were judges on the show with him?


Ludwig Josef Johann Wittgenstein (; German: ['vItg@n,StaIn]; 26 April 1889 - 29 April 1951) was an Austrian-British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. From 1929 to 1947, Wittgenstein taught at the University of Cambridge. During his lifetime he published just one slim book, the 75-page Tractatus Logico-Philosophicus (1921), one article, one book review and a children's dictionary.

Ray Monk writes that Karl's aim was to turn his sons into captains of industry; they were not sent to school lest they acquire bad habits, but were educated at home to prepare them for work in Karl's industrial empire. Three of the five brothers would later commit suicide. Psychiatrist Michael Fitzgerald argues that Karl was a harsh perfectionist who lacked empathy, and that Wittgenstein's mother was anxious and insecure, unable to stand up to her husband. Johannes Brahms said of the family, whom he visited regularly: "They seemed to act towards one another as if they were at court." The family appeared to have a strong streak of depression running through it. Anthony Gottlieb tells a story about Paul practicing on one of the pianos in the Wittgensteins' main family mansion, when he suddenly shouted at Ludwig in the next room: "I cannot play when you are in the house, as I feel your scepticism seeping towards me from under the door!" The family Palace housed seven grand pianos and each of the siblings pursued music "with an enthusiasm that, at times, bordered on the pathological." The eldest brother, Hans, was hailed as a musical prodigy. At the age of four, writes Alexander Waugh, Hans could identify the Doppler effect in a passing siren as a quarter-tone drop in pitch, and at five started crying "Wrong! Wrong!" when two brass bands in a carnival played the same tune in different keys. But he died in mysterious circumstances in May 1902, when he ran away to America and disappeared from a boat in Chesapeake Bay, most likely having committed suicide. Two years later, aged 22 and studying chemistry at the Berlin Academy, the third eldest brother, Rudi, committed suicide in a Berlin bar. He had asked the pianist to play Thomas Koschat's "Verlassen, verlassen, verlassen bin ich" ("Forsaken, forsaken, forsaken am I"), before mixing himself a drink of milk and potassium cyanide. He had left several suicide notes, one to his parents that said he was grieving over the death of a friend, and another that referred to his "perverted disposition". It was reported at the time that he had sought advice from the Scientific-Humanitarian Committee, an organization that was campaigning against Paragraph 175 of the German Criminal Code, which prohibited homosexual sex. His father forbade the family from ever mentioning his name again. The second eldest brother, Kurt, an officer and company director, shot himself on 27 October 1918 at the end of World War I, when the Austrian troops he was commanding refused to obey his orders and deserted en masse. According to Gottlieb, Hermine had said Kurt seemed to carry "...the germ of disgust for life within himself." Later Wittgenstein wrote: "I ought to have... become a star in the sky. Instead of which I have remained stuck on earth." CANNOTANSWER

Answer the following question by taking a quote from the article: How did Ludwig deal with their deaths?


Background: Josephine Elizabeth Butler (nee Grey; 13 April 1828 - 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage, the right of women to better education, the end of coverture in British law, the abolition of child prostitution, and an end to human trafficking of young women and children into European prostitution. Grey grew up in a well-to-do and politically connected progressive family which helped develop in her a strong social conscience and firmly held religious ideals. She married George Butler, an Anglican divine and schoolmaster, and the couple had four children, the last of whom, Eva, died falling from a banister.
Context: The fall of the Liberal government in 1874, and its replacement with Benjamin Disraeli's Conservative administration meant that the repeal campaign stalled; Butler called it a "year of discouragement" when there was "deep depression in the work". Although the LNA kept up the pressure, progress in persuading Liberal MPs to oppose the Contagious Diseases Acts was slow, and the government was implacable in its support of the measures. At a meeting of regional LNA branches in May, one speech focused on legislation in Europe; the meeting resolved to correspond with sister organisations on the continent. At the start of December 1874 Butler left for Paris and a tour that covered France, Italy and Switzerland, where she met with local pressure groups and civic authorities. She encountered strong support from feminist groups, but hostility from the authorities. She returned from her travels at the end of February 1875. As a result of her experiences, in March 1875 Butler formed the British and Continental Federation for the Abolition of Prostitution (later renamed the International Abolitionist Federation), an organisation that campaigned against state regulation of prostitution and for "the abolition of female slavery and the elevation of public morality among men". The Liberal MP James Stansfeld--who wished to repeal the Acts--became the federation's first general secretary; Butler and her friend, the Liberal MP Henry Wilson, became joint secretaries. In 1878 Josephine wrote a biography of Catherine of Siena, which Glen Petrie--her biographer--thought was probably her best work; Walkowitz considers the work provided a "historical justification for her own political activism". Another biographer, Helen Mathers, believes that "in emphasising that she and Catherine were born to be leaders, of both men and women, ... [Butler] made a profound contribution to feminism". Butler became aware of the slave trade of young women and children from England to mainland Europe in 1879. Young girls were considered "fair game", according to Mathers, as the law allowed them to become prostitutes at the age of 13. After playing a minor role in starting an investigation into an accusation of trafficking, Butler became active in the campaign in May 1880, and wrote to The Shield that "the official houses of prostitution in Brussels are crowded with English minor girls", and that in one house "there are immured little children, English girls of from twelve to fifteen years of age ... stolen, kidnapped, betrayed, got from English country villages by every artifice and sold to these human shambles". She visited Brussels where she met the mayor and local councillors and made allegations against the head of the Belgian Police des Moeurs and his deputy as to their involvement in the trade. After the meeting she was contacted by a detective who confirmed that the senior members of the Police des Moeurs were guilty of collusion with brothel keepers. She returned home and filed a deposition containing a copy of the statement from the detective and sent them to the Procureur du Roi (Chief Prosecutor) and the British Home Secretary. Following an investigation in Belgium, the head of the Police des Moeurs was removed from office, and his deputy was put on trial alongside 12 brothel owners; all were imprisoned for their roles in the trade. CANNOTANSWER
Question: What else did Josephine do?. Whats the answer?


Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWER

Using a quote from the above article, answer the following question: What songs did he release?


Lyttelton was born at Eton College, (then in Buckinghamshire), where his father, George William Lyttelton (second son of the 8th Viscount Cobham), was a house master. (As a male-line descendant of Charles Lyttelton, Lyttelton was in remainder to both the Viscountcy Cobham and the Barony of Lyttelton.) From Sunningdale Preparatory School, Lyttelton duly progressed to Eton College. He was a cousin of the 10th Viscount Cobham and a great-nephew of the politician and sportsman Alfred Lyttelton, the first man to represent England at both football and cricket, both of whom also attended Eton. At Eton, Lyttelton fagged for Lord Carrington and formed his love of jazz. He was inspired by the trumpeters Louis Armstrong (who subsequently referred to Lyttelton as "that cat in England who swings his ass off") and Nat Gonella. He taught himself the instrument, and formed a quartet at the school in 1936 that included the future journalist Ludovic Kennedy on drums. After leaving school, Lyttelton spent some time at the Port Talbot steel plate works in South Wales, an experience which led to him becoming what he termed a "romantic socialist". After being called up for war service, he was commissioned in the Grenadier Guards as a second lieutenant on 29 November 1941 alongside future politician Mark Bonham Carter, and seeing action at Salerno, Italy, during Operation Avalanche when he came ashore with his pistol in one hand, and his trumpet in the other. On VE Day, 8 May 1945, Lyttelton joined in the celebrations by playing his trumpet from a wheelbarrow, inadvertently giving his first broadcast performance; the BBC recording still survives. Following demobilisation after World War II, he attended Camberwell Art College for two years. In 1949, he joined the Daily Mail as a cartoonist, where he remained until 1956. Several of his cartoons have recently been on display in various branches of the Abbey National bank, as part of their new advertising campaign. He was one of the collaborators with Wally Fawkes on the long running cartoon strip Flook. CANNOTANSWER

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Kaine was born at Saint Joseph's Hospital in St. Paul, Minnesota. He is the eldest of three sons born to Mary Kathleen (nee Burns), a home economics teacher, and Albert Alexander Kaine, Jr., a welder and the owner of a small iron-working shop. He was raised Catholic. One of Kaine's great-grandparents was Scottish and the other seven were Irish.

In the 113th Congress (2013-15), Kaine was on the Committee on Armed Services, the Committee on the Budget, and the Committee on Foreign Relations. In the current (114th) Congress, Kaine is on the same three committees, plus the Special Committee on Aging. In July 2013, Kaine was named chairman of the United States Senate Foreign Relations Subcommittee on Near East, South Asia, Central Asia and Counterterrorism. Within the Senate Armed Services Committee, Kaine is a member of the Subcommittee on Emerging Threats and Capabilities, the Subcommittee on Readiness and Management Support (for which he is the ranking member), and the Subcommittee on Seapower. Within the Senate Foreign Affairs Committee, Kaine is a member of the Subcommittee on State Department and USAID Management, International Operations, and Bilateral International Development (for which he is the ranking member), the Subcommittee on Europe and Regional Security Cooperation, the Subcommittee on Near East, South Asia, Central Asia, and Counterterrorism, and the Subcommittee on Western Hemisphere, Transnational Crime, Civilian Security, Democracy, Human Rights and Global Women's Issues. In January 2014, Kaine, with Republican Senator Rob Portman of Ohio, established the bipartisan Senate Career and Technical Education Caucus (CTE Caucus), which focuses on vocational education and technical education. Kaine and Portman co-chair the caucus. In 2014, Kaine and Portman introduced the CTE Excellence and Equity Act to the Senate; the legislation would provide $500 million in federal funding, distributed by competitive grants, to high schools to further CTE programs. The legislation, introduced as an amendment to the omnibus Carl D. Perkins Career and Technical Education Act of 2006, would promote apprenticeships and similar initiatives. Kaine and Portman introduced similar legislation, the Educating Tomorrow's Workforce Act, in 2017. CANNOTANSWER


The Abenaki (Abnaki, Abinaki, Alnobak) are a Native American tribe and First Nation. They are one of the Algonquian-speaking peoples of northeastern North America. The Abenaki live in Quebec and the Maritimes of Canada and in the New England region of the United States, a region called Wabanahkik ("Dawn Land") in the Eastern Algonquian languages. The Abenaki are one of the five members of the Wabanaki Confederacy. "

Lydia Maria Child wrote of the Abenaki in her short story, "The Church in the Wilderness" (1828). Several Abenaki characters and much about their 18th-century culture are featured in the Kenneth Roberts novel Arundel (1930). The film Northwest Passage (1940) is based on a novel of the same name by Roberts. Modern Abenaki writers as well as historical Abenaki-written documents are featured in the anthology Dawnland Voices, edited by Siobhan Senier. The collection features commonly known and less known modern writers as well as historical documents from Abenakis and their ancestors. The collection also includes writings from several other native New England tribes. The Abenaki are featured in Charles McCarry's historical novel Bride of the Wilderness (1988), and James Archibald Houston's novel Ghost Fox (1977), both of which are set in the eighteenth century; and in Jodi Picoult's Second Glance (2003) and Lone Wolf (2012) novels, set in the contemporary world. Books for younger readers both have historical settings: Joseph Bruchac's The Arrow Over the Door (1998) (grades 4-6) is set in 1777; and Beth Kanell's young adult novel, The Darkness Under the Water (2008), concerns a young Abenaki-French Canadian girl during the time of the Vermont Eugenics Project, 1931-1936. The first sentence in Norman Mailer's novel Harlot's Ghost makes reference to the Abenaki: "On a late-winter evening in 1983, while driving through fog along the Maine coast, recollections of old campfires began to drift into the March mist, and I thought of the Abnaki Indians of the Algonquin tribe who dwelt near Bangor a thousand years ago." CANNOTANSWER

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The Abenaki (Abnaki, Abinaki, Alnobak) are a Native American tribe and First Nation. They are one of the Algonquian-speaking peoples of northeastern North America. The Abenaki live in Quebec and the Maritimes of Canada and in the New England region of the United States, a region called Wabanahkik ("Dawn Land") in the Eastern Algonquian languages. The Abenaki are one of the five members of the Wabanaki Confederacy. "

Lydia Maria Child wrote of the Abenaki in her short story, "The Church in the Wilderness" (1828). Several Abenaki characters and much about their 18th-century culture are featured in the Kenneth Roberts novel Arundel (1930). The film Northwest Passage (1940) is based on a novel of the same name by Roberts. Modern Abenaki writers as well as historical Abenaki-written documents are featured in the anthology Dawnland Voices, edited by Siobhan Senier. The collection features commonly known and less known modern writers as well as historical documents from Abenakis and their ancestors. The collection also includes writings from several other native New England tribes. The Abenaki are featured in Charles McCarry's historical novel Bride of the Wilderness (1988), and James Archibald Houston's novel Ghost Fox (1977), both of which are set in the eighteenth century; and in Jodi Picoult's Second Glance (2003) and Lone Wolf (2012) novels, set in the contemporary world. Books for younger readers both have historical settings: Joseph Bruchac's The Arrow Over the Door (1998) (grades 4-6) is set in 1777; and Beth Kanell's young adult novel, The Darkness Under the Water (2008), concerns a young Abenaki-French Canadian girl during the time of the Vermont Eugenics Project, 1931-1936. The first sentence in Norman Mailer's novel Harlot's Ghost makes reference to the Abenaki: "On a late-winter evening in 1983, while driving through fog along the Maine coast, recollections of old campfires began to drift into the March mist, and I thought of the Abnaki Indians of the Algonquin tribe who dwelt near Bangor a thousand years ago." CANNOTANSWERAnswer this question using a quote from the following article:

what was the name of the short story


Paxton was born on October 31, 1937, in Chicago, Illinois, to Burt and Esther Paxton. His father was "a chemist, mostly self-educated", and as his health began to fail him, the family moved to Wickenburg, Arizona. It was here that young Paxton began riding horses at the numerous dude ranches in the area. It was also here that he was first introduced to folk music, discovering the music of Burl Ives and others.

In February 2002, Paxton was honored with the ASCAP Lifetime Achievement Award in Folk Music. A few days later, he received three Wammies (Washington, DC, Area Music Awards); as Best Male Vocalist in the "traditional folk" and "children's music" categories, and for Best Traditional Folk Recording of the Year for "Under American Skies" (2001). Paxton has been nominated four times for Grammy Awards, all since 2002. He was first nominated in 2002 for his children's album, Your Shoes, My Shoes. The following year, Looking for the Moon received a 2003 nomination for "Best Contemporary Folk Album". Live In The UK (2005), received a 2006 Grammy nomination in the "Best Traditional Folk Album" category. Most recently, his 2008 album Comedians and Angels received a 2009 nomination, also in the "Best Traditional Folk Album" category. Paxton was honored with a 2009 Lifetime Achievement Award from the Recording Academy, and the formal announcement was made during the 51st Annual Grammy Awards telecast, which aired on February 8, 2009. In 2004, the Martin Guitar Company introduced the HD-40LSH Tom Paxton Signature Edition acoustic guitar in his honor. In 2005, Paxton received a Lifetime Achievement Award for Songwriting at BBC Radio 2's Folk Awards at London's Brewery Arts Centre. In 2006, Paxton received a Lifetime Achievement Award from the North American Folk Music and Dance Alliance. On January 22, 2007, Paxton was honored with an official Parliamentary tribute at the House of Commons of the United Kingdom at the start of his 2007 UK tour. On May 3, 2008, Paxton was honored with a special lifetime tribute from the World Folk Music Association, and a concert was held at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College, Alexandria Campus, in Alexandria, Virginia. CANNOTANSWER

Answer the following question by taking a quote from the article: What did he receive those awards for?


Schuur was born in Tacoma, Washington, two months premature and weighing less than three pounds. Complications of prematurity resulted in her total loss of vision. Her twin brother, David, had normal vision at birth but some hearing loss. She also has a younger sister.

In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER

Using a quote from the above article, answer the following question: What record label released her album?


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Gregory Stephen Chappell MBE (born 7 August 1948) is a former cricketer who represented Australia at international level in both Tests and One-Day Internationals (ODI). The second of three brothers to play Test cricket, Chappell was the pre-eminent Australian batsman of his time who allied elegant stroke making to fierce concentration. An exceptional all round player who bowled medium pace and, at his retirement, held the world record for the most catches in Test cricket, Chappell's career straddled two eras as the game moved toward a greater level of professionalism after the WSC schism. Since his retirement as a player in 1984, Chappell has pursued various business and media interests as well as maintaining connections to professional cricket; he has been a selector for national and Queensland teams, a member of the Australian Cricket Board, and a coach.

Chappell was happy for brother Ian to captain the WSC Australian team, which allowed him to concentrate on his batting. In the first season of WSC, he returned to type with 661 runs at an average of 60. The Australians struggled against the array of talented players assembled to represent the West Indian and World teams, and the emphasis on fast bowling destroyed the confidence of many batsmen, who took to wearing helmets for safety. Chappell eventually opted for a helmet with temple guards only - he never wore one with a grile. He never missed an opportunity to slip into a cap when facing medium pace or spin. In the final "Supertest" of the first season, Chappell captained the Australian team as his brother had suffered a broken finger. After four losses in five matches, the Australians turned matters around, thanks to a magnificent 246* by Greg Chappell, the highest innings played during the existence of WSC. However, the constant diet of fast bowling got to Chappell in the next season, and he managed to pass fifty in the Supertests just once. With a WSC tour of the West Indies looming, Chappell was diagnosed with Bell's Palsy and one side of his face was paralysed. Doctors and family advised him to miss the trip, but Chappell was determine to go and utilise a modified technique he had devised for facing the relentless fast bowling. After a slow start, Chappell hit the richest vein of form in his career. In quick succession, he peeled off 45 and 90 in Barbados, 7 and 150 in Trinidad, 113 in Guyana and finished his WSC career with 104 and 85 in Antigua, all scored against an attack of Andy Roberts, Michael Holding, Colin Croft and Joel Garner on their home wickets. Unfortunately for Chappell, WSC matches are not included in official statistics as he scored five hundreds in 14 Supertests and a total of 1415 runs at 56.6 average. In all, he missed 24 Test matches during his exile from official cricket. CANNOTANSWER


Schuur was born in Tacoma, Washington, two months premature and weighing less than three pounds. Complications of prematurity resulted in her total loss of vision. Her twin brother, David, had normal vision at birth but some hearing loss. She also has a younger sister.

In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWERAnswer this question using a quote from the following article:

Did she ever record an album?


Background: Jose Arcadio Limon (January 12, 1908 - December 2, 1972) was a dancer and choreographer who developed what is now known as 'Limon technique'. In the 1940s he founded the Jose Limon Dance Company (now the Limon Dance Company), and in 1968 he created the Jose Limon Foundation to carry on his work. In his choreography, Limon spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures -- reaching, bending, pulling, grasping -- to communicate emotion.
Context: In 1930, Limon first performed on Broadway, and later that same year he choreographed his first dance, "Etude in D Minor", a duet with Letitia Ide. Limon recruited Ide and schoolmates Eleanor King and Ernestine Stodelle to form "The Little Group". From 1932 to 1933, Limon made two more Broadway appearances, in the musical revue Americana and in Irving Berlin's As Thousands Cheer, choreographed by Charles Weidman. Limon also tried his hand at choreography at Broadway's New Amsterdam Theatre. Limon made several more appearances throughout the next few years in shows such as Humphrey's New Dance, Theatre Piece, With my Red Fires, and Weidman's Quest. In 1937, Limon was selected as one of the first Bennington Fellows. At the Bennington Festival at Mills College in 1939, Limon created his first major choreographic work, titled Danzas Mexicanas. After five years, however, Limon would return to Broadway to star as a featured dancer in Keep Off the Grass under the choreographer George Balanchine. In 1941, Limon left the Humphrey-Weidman company to work with May O'Donnell. They co-choreographed several pieces together, such as War Lyrics and Curtain Riser. On October 3, 1942 Limon married Pauline Lawrence, a founding member and the manager of the Humphrey-Weidman company. The partnership with O'Donnell dissolved the following year, and Limon created work for a program at Humphrey-Weidman. In 1943, Limon's made his final appearance on Broadway in Balanchine's Rosalinda, a piece he performed with Mary Ellen Moylan. He spent the rest of that year creating dances on American and folk themes at the Studio Theatre before being drafted into the Army in April 1943. During this time, he collaborated with composers Frank Loesser and Alex North, choreographing several works for the U.S. Army Special Services. The most well-known among these is Concerto Grosso. CANNOTANSWER
Question: Did this lead to another choreographing job?. Whats the answer?


The next record, Sparkle in the Rain, was produced by Steve Lillywhite and released in February 1984. It gave rise to successful singles like "Waterfront" (which hit No. 1 in a few European countries) and "Speed Your Love to Me" and "Up on the Catwalk". Sparkle in the Rain topped the charts in the UK and hit the Top 20 in several other countries (including Canada, where it reached No. 13). In 1984, Jim Kerr married Chrissie Hynde from the Pretenders (who renamed herself Christine Kerr). Simple Minds did a North American tour where they played as headliners supported by China Crisis during the Canadian leg and in support of the Pretenders in the US while Hynde was pregnant with Kerr's daughter. The marriage lasted until 1990. Despite the band's new-found popularity in the UK, Europe, Canada and Australia, Simple Minds remained essentially unknown in the US. The band's UK releases on Arista were not picked up by Arista USA who had 'right of first refusal' for their releases. The 1985 film The Breakfast Club broke Simple Minds into the US market, when the band achieved their only No. 1 U.S. pop hit in April 1985 with the film's closing track, "Don't You (Forget About Me)". The song was written by Keith Forsey and Steve Schiff; Forsey offered the song to Billy Idol and Bryan Ferry before Simple Minds agreed to record it. The song soon became a chart-topper in many other countries around the world. At around this point, the camaraderie that had fuelled Simple Minds began to unravel, and over the next ten years the band's line-up underwent frequent changes. Jim Kerr subsequently recalled "We were knackered. We were desensitized. The band started to fracture. We were lads who had grown up together, we were meant to grow together, politically, spiritually and artistically. But we were getting tired with each other. There was an element of the chore creeping in. We were coasting and this whole other thing was a challenge." The first casualty was bassist Derek Forbes, who was beginning to squabble with Kerr. Forbes began failing to turn up for rehearsals, and was dismissed. Forbes remained in touch with the band (and soon reunited with another former Simple Minds bandmate, drummer Brian McGee, in Propaganda). Forbes was replaced by former Brand X bass player John Giblin (who owned the band's rehearsal space and was a session musician who had worked with Peter Gabriel and Kate Bush). Giblin made his debut with Simple Minds at Live Aid in Philadelphia, where the band performed "Don't You (Forget About Me)", a new track called "Ghost Dancing" and "Promised You a Miracle". Simple Minds were the first band to be approached to play the Philadelphia leg of Live Aid. CANNOTANSWER

Answer this question "What was Sparkle in the Rain?" by extracting the answer from the text above.


Background: Jennifer Mulhern Granholm (born February 5, 1959) is a Canadian-born American politician, lawyer, educator, author, political commentator and member of the Democratic Party who served as the Attorney General of Michigan from 1999 to 2003 and as the Governor of Michigan from 2003 to 2011. In January 2017, she became a CNN political contributor. Born in Vancouver, British Columbia, Granholm moved from Canada to California at age four. She graduated from San Carlos High School and briefly attempted an acting career, then held a variety of jobs before attending the University of California, Berkeley.
Context: Granholm was born in Vancouver, British Columbia, Canada, to Shirley Alfreda (nee Dowden) and Victor Ivar Granholm, both bank tellers. Granholm's maternal grandparents came from Ireland and Newfoundland. Her paternal grandmother was an emigrant from Norway and her paternal grandfather, who immigrated to Canada in the 1930s, came from Robertsfors, Sweden, where his father was the mayor. The former Minister for Enterprise and Energy and former Deputy Prime Minister of Sweden, Maud Olofsson, lives in Robertsfors, and when the two met in Sweden, the media revealed that Olofsson's husband is a relative of Granholm. Granholm's family moved to California when she was four years old. She grew up in Anaheim, San Jose, and San Carlos. Granholm graduated from San Carlos High School in 1977 and won the Miss San Carlos beauty pageant. As a young adult she attempted to launch a Hollywood acting career but was unsuccessful and abandoned her efforts at the age of 21. In 1978 she appeared on The Dating Game, and held jobs as a tour guide at Universal Studios and in customer service at the Los Angeles Times and was the first female tour guide at Marine World Africa USA in Redwood City, piloting boats with 25 tourists aboard. In 1980, at the age of 21 years, she became a naturalized U.S. citizen, worked for John B. Anderson's campaign for President of the United States as an Independent in the 1980 election. She then enrolled at the University of California, Berkeley, the first person in her family to do so, joining Phi Beta Kappa and graduating in 1984 with a B.A. in Political Science and French. During a year in France, she helped to smuggle clothes and medical supplies to Jewish people in the Soviet Union and became involved in the Anti-Apartheid Movement. She then earned a Juris Doctor degree at Harvard University, also with honors, in 1987. At Harvard Law School, Granholm served as Editor-in-Chief of the Harvard Civil Rights-Civil Liberties Law Review, the leading progressive law journal in the United States. CANNOTANSWER
Question: Where did she attend school?

Answer:


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The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.

As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWER


The Untouchables is an American crime drama that ran from 1959 to 1963 on the ABC Television Network, produced by Desilu Productions. Based on the memoir of the same name by Eliot Ness and Oscar Fraley, it fictionalized Ness' experiences as a Prohibition agent, fighting crime in Chicago in the 1930s with the help of a special team of agents handpicked for their courage, moral character, and incorruptibility, nicknamed the Untouchables. The book was later made into a film in 1987 (also called The Untouchables) by Brian De Palma, with a script by David Mamet, and a second, less-successful TV series in 1993. The Untouchables won series star Robert Stack an Emmy Award for Best Actor in a Dramatic Series in 1960.

The series originally focused on the efforts of a real-life squad of Prohibition agents employed by the United States Department of the Treasury and led by Eliot Ness (Stack), that helped bring down the bootleg empire of "Scarface" Al Capone, as described in Ness's bestselling 1957 memoir. This squad was nicknamed "The Untouchables", because of their courage and honesty; they could not be bribed or intimidated by the Mob. Eliot Ness himself had died suddenly in May 1957, shortly before his memoir and the subsequent TV adaptation were to bring him fame beyond any he experienced in his lifetime. The pilot for the series was a two-part episode entitled "The Untouchables" originally aired on Westinghouse Desilu Playhouse on April 20 and 27, 1959. Later retitled "The Scarface Mob", these episodes, which featured Neville Brand as Al Capone, were the only episodes in the series to be more-or-less directly based on Ness's memoir, and ended with the conviction and imprisonment of Capone. CBS, which had broadcast most of Desilu's television output since 1951 beginning with I Love Lucy, was offered the new series following the success of the pilot film. Chairman William S. Paley rejected it on the advice of network vice president Hubbell Robinson. ABC agreed to air the series, and The Untouchables premiered on October 15, 1959. In the pilot movie, the mobsters generally spoke with unrealistic pseudo-Italian accents, but this idiosyncratic pronunciation was dropped when the series debuted. The weekly series first followed the premise of a power struggle to establish a new boss in Capone's absence (for the purpose of the TV series, the new boss was Frank Nitti, although this was contrary to fact). As the series continued, there developed a highly fictionalized portrayal of Ness and his crew as all-purpose crime fighters who went up against an array of gangsters and villains of the 1930s, including Ma Barker, Dutch Schultz, Bugs Moran, Vincent "Mad Dog" Coll, Legs Diamond, Lucky Luciano, and in one episode, Nazi agents. The terse narration by gossip columnist Walter Winchell, in his distinctive New York accent, was a stylistic hallmark of the series, along with its melancholy theme music by Nelson Riddle and its shadowy black-and-white photography, influenced by film noir. CANNOTANSWER

Using a quote from the above article, answer the following question: What did you find most interesting about the series?


Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois, to Ivan W. Wing (1907-1987), of Norwegian and Swedish descent, and Virginia (nee Barnett; 1910-1984), a lineal descendant of passengers of the Mayflower. Her parents met while they were both students at the University of Washington, and later married. In 1949, her brother Chris was born. Her father, working in the investment banking sector for Weeden and Company, was transferred several times when she was a child, and in addition to Chicagoland, she lived in Los Angeles and San Francisco, before her family finally settled in the San Francisco suburb of Palo Alto, California in the early 1950s.

Following the Jefferson Airplane reunion, Slick retired from the music business. During a 1998 interview with VH1 on a Behind the Music documentary featuring Jefferson Airplane, Slick, who was never shy about the idea of getting old, said that the main reason she retired from the music business was, "All rock-and-rollers over the age of 50 look stupid and should retire." In a 2007 interview, she repeated her belief that, "You can do jazz, classical, blues, opera, country until you're 150, but rap and rock and roll are really a way for young people to get that anger out", and, "It's silly to perform a song that has no relevance to the present or expresses feelings you no longer have." Despite her retirement, Slick has appeared twice with Kantner's revamped version of Jefferson Starship; the first came in 1995 when the band played at Los Angeles's House of Blues, as documented on the live album Deep Space/Virgin Sky. The second was for a post-9/11 gig in late 2001, during which she came on the stage initially covered in black from head to toe in a makeshift burqa. She then removed the burqa to reveal a covering bearing an American flag and the words "Fuck Fear". Her statement to fans on the outfit was: "The outfit is not about Islam, it's about oppression; this flag is not about politics, it's about liberty." After retiring from music, Slick began painting and drawing. She has done many renditions of her fellow 1960s musicians, such as Janis Joplin, Jerry Garcia, and others. In 2000, she began displaying and selling her artwork. She attends many of her art shows across the United States. She has generally refrained from engaging in the music business, although she did perform on "Knock Me Out", a track from In Flight, the 1996 solo debut from former 4 Non Blondes singer, and friend of daughter China, Linda Perry. The song was also on the soundtrack to the film The Crow: City of Angels. Slick released her autobiography, Somebody to Love? A Rock and Roll Memoir, in 1998 and narrated an abridged version of the book as an audiobook. A biography, Grace Slick, The Biography, by Barbara Rowes, was released in 1980 and is currently out of print. In a 2001 USA Today article, Slick said, "I'm in good health and people want to know what I do to be this way ... I don't eat cheese, I don't eat duck--the point is I'm vegan." However, she admitted she's "not strict vegan, because I'm a hedonist pig. If I see a big chocolate cake that is made with eggs, I'll have it." In 2006, Slick suffered from diverticulitis. After initial surgery, she had a relapse requiring further surgery and a tracheotomy. She was placed in an induced coma for two months and then had to learn to walk again. Also in 2006, Slick gave a speech at the inauguration of the new Virgin America airline, which named their first aircraft Jefferson Airplane. In 2010, Slick co-wrote Edge of Madness with singer Michelle Mangione to raise money for remediation efforts following the BP Oil Spill. Grace also sang background vocals on the song and is clearly audible in the middle of the song singing, "On the edge of madness." CANNOTANSWER

Answer the following question by taking a quote from the article: when did she retire?


Soul Asylum is an American alternative rock band formed in 1981 in Minneapolis, Minnesota. The band began using their official name in 1983. The band originally formed in 1981 under the name Loud Fast Rules, with a lineup consisting of Dave Pirner, Dan Murphy, Karl Mueller, and Pat Morley. Morley was replaced by Grant Young in 1984.

The group signed with A&M Records in 1988. Their first offering on that label was Clam Dip & Other Delights (1989), the title and cover art being a parody of Whipped Cream & Other Delights, by A&M Records co-founder Herb Alpert. Hang Time was released in 1988, followed by And the Horse They Rode In On in 1990 (produced by X-pensive Winos drummer Steve Jordan). Because of poor sales and Pirner's hearing problems, the group considered disbanding. After playing a series of acoustic shows in the early 1990s, they were picked up by Columbia Records. In 1992 they released Grave Dancers Union, which became their most popular album. On January 20, 1993, the group performed at the first inauguration of United States President Bill Clinton. Later that year, the band performed "Sexual Healing" for the AIDS benefit album No Alternative, produced by the Red Hot Organization. The band added keyboard player Joey Huffman in the summer of 1993. He toured with the band until joining Matchbox Twenty in 1998. Huffman played on the albums Let Your Dim Light Shine, After the Flood: Live from the Grand Forks Prom, June 28, 1997, and The Silver Lining. Soul Asylum won the 1994 Grammy Award for Best Rock Song for "Runaway Train". The music video for that song featured photographs and names of missing children, in the style of a public service announcement. At the end of the video, Pirner appeared and said, "If you've seen one of these kids, or you are one of them, please call this number", and then the telephone number of a missing children's help line was shown. For use outside the U.S., the video was edited to include photos and names of missing children from the area where the video would be shown. The video was instrumental in reuniting several children with their families. Before their next studio album, drummer Grant Young was fired and was replaced by Sterling Campbell. Campbell had been credited as providing percussion on Grave Dancers Union (although he had actually done at least half of the drumming on that album). The next release, Let Your Dim Light Shine, included the track "Misery", which reached the Top 20, but the album was not as successful as the band's previous one. In 1997 Soul Asylum performed a benefit concert for North Dakota students whose prom had been cancelled because of the Red River Flood of 1997. Some of the songs played during the prom were later released on After the Flood: Live from the Grand Forks Prom, June 28, 1997 in 2004. The group released Candy from a Stranger the following year. The album was unsuccessful, and the band was dropped by Columbia Records. Pirner said, "It's sort of sad to say, but you could see the whole grunge-rock-band thing getting totally over-saturated and people were looking for something new." The band took a step back; Pirner explained, "We needed to reassess how far we've gone and how much further we're going to go and which way we want to go and what we do right and what we do wrong. It was kind of time to take inventory." CANNOTANSWER

What other albums did the band write?


Background: Clive Campbell (born April 16, 1955), better known by his stage name DJ Kool Herc, is a Jamaican-American DJ who is credited with helping originate hip hop music in the early-1970s in The Bronx, New York City. Known as the "Founder of Hip-Hop" and "Father of Hip-Hop", Campbell began playing hard funk records of the sort typified by James Brown as an alternative both to the violent gang culture of the Bronx and to the nascent popularity of disco in the 1970s. Campbell began to isolate the instrumental portion of the record, which emphasized the drum beat--the "break"--and switch from one break to another. Using the same two turntable set-up of disco DJs, Campbell used two copies of the same record to elongate the break.
Context: DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop. CANNOTANSWER
Question: Did he influence others?

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Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

In the 1990s, the band split up after a disagreement about royalties. Hadley, Norman and Keeble launched an unsuccessful court case against Gary Kemp for a share of Kemp's songwriting royalties from his work with Spandau Ballet. Although they vowed to appeal the verdict, they later decided against this. The three non-Kemp members then continued to tour as a trio, but they had to sell their shares in Spandau Ballet's company to Gary Kemp to pay off legal debts. Because the company owned the rights to the name of Spandau Ballet, the trio had to tour under the moniker "Hadley, Norman and Keeble, ex-Spandau Ballet". In 1990, the Kemp brothers played the lead roles in the film The Krays. Martin Kemp landed an acting role in the UK soap opera EastEnders. Gary Kemp also did more acting, appearing in a supporting role in the Whitney Houston hit The Bodyguard. In 1995 he released his only solo album, Little Bruises. Meanwhile, Tony Hadley tried to establish a solo career but with little success. After leaving EastEnders, Martin Kemp continued acting in various high-profile projects and appeared on TV in other roles. He wrote and directed his first film, Martin Kemp's Stalker. Gary Kemp wrote songs with Paul Stratham, who had written songs for Dido, continued acting on stage, in film and in television, and worked on the musicals Begbug and A Terrible Beauty with Guy Pratt. Steve Norman moved to Ibiza, where he formed a lounge band, Cloudfish, with Rafa Peletey and Shelley Preston in 2001. Hadley released three studio albums, landed the lead role in the musical Chicago and won the ITV reality show Reborn in the USA. In 1999, Hadley appeared as a guest vocalist on the Alan Parsons album The Time Machine, performing lead vocals on the song "Out of the Blue". CANNOTANSWER


Background: Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.
Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER
Question: What happened in Henryk's early years?

Answer:


Joe Diffie was born into a musical family in Tulsa, Oklahoma, in 1958. His first musical performance came at age four, when he performed in his aunt's country music band. Diffie's father, Joe R., played guitar and banjo, and his mother sang. Following in his mother's footsteps, Diffie began to sing at an early age, often listening to the albums in his father's record collection.

In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWERAnswer this question using a quote from the following article:

What year was it released?