Background: Victor Davis Hanson (born September 5, 1953) is an American classicist, military historian, columnist, and farmer. He has been a commentator on modern and ancient warfare and contemporary politics for National Review, The Washington Times and other media outlets. He is a professor emeritus of classics at California State University, Fresno, and is currently the Martin and Illie Anderson Senior Fellow in classics and military history at Stanford University's Hoover Institution. He chairs the Hoover working group on Military History and Contemporary Conflict as well as being the general editor of the Hoover online journal, Strategika.
Context: Hanson, who is of Swedish and Welsh descent, grew up on a family farm outside of Selma, California in the San Joaquin Valley and has worked there most of his life. His mother, Pauline Davis Hanson, was a lawyer and a California superior court and state appeals court justice, his father was a farmer, educator and junior college administrator. Along with his older brother Nels, a writer, and fraternal twin Alfred, a farmer and biologist, Hanson attended public schools and graduated from Selma High School. Hanson received his BA with highest honors in classics and general college honors, Cowell College, from the University of California, Santa Cruz, in 1975 and his PhD in classics from Stanford University in 1980. He is a Protestant Christian. He also won the Raphael Demos scholarship at the College Year in Athens (1973-74) and was a regular member of the American School of Classical Studies, Athens, 1978-79. Hanson is currently a Senior Fellow at the Hoover Institution and professor emeritus at California State University, Fresno, where he began teaching in 1984, having created the classical studies program at that institution. In 1991, Hanson was awarded an American Philological Association's Excellence in Teaching Award, which is given annually to the nation's top undergraduate teachers of Greek and Latin, and he was named distinguished alumnus of the year (2006) at University of California, Santa Cruz. He has been a visiting professor of classics at Stanford University (1991-92), a National Endowment for the Humanities fellow at the Center for Advanced Studies in the Behavioral Sciences, Stanford, California (1992-93), an Alexander Onassis traveling fellowship to Greece (1999), as well as Nimitz Fellow at UC Berkeley (2006) and held the visiting Shifrin Chair of Military History at the U.S. Naval Academy, Annapolis, Maryland (2002-03), and often the William Simon visiting professorship at the School of Public Policy at Pepperdine University (2009-15), and was awarded in 2015 an Honorary Doctorate of Laws from the graduate school at Pepperdine. He gave the Wriston Lecture in 2004 for the Manhattan Institute. He has been a board member of the Bradley Foundation since 2015, and served on the HF Guggenheim Foundation board for over a decade. Since 2004, Hanson has written a weekly column syndicated by Tribune Media Services, as well as a weekly column for National Review Online since 2001, and has not missed a weekly column for either venue since he began. He has been published in The New York Times, Wall Street Journal, The Times Literary Supplement, The Daily Telegraph, American Heritage, and The New Criterion, among other publications. He was awarded the National Humanities Medal (2007) by President George W. Bush, as well as the Eric Breindel Prize for opinion journalism (2002), and the William F. Buckley Prize (2015). Hanson was also awarded the Claremont Institute's Statesmanship Award at its annual Churchill Dinner, and the Bradley Prize from the Lynde and Harry Bradley Foundation in 2008. CANNOTANSWER
Question: What is the name of an article that he published?

Answer:


Answer by taking a quote from the following article:

A marching band is a group in which instrumental musicians perform while marching, often for entertainment or competition. Instrumentation typically includes brass, woodwind, and percussion instruments. Most marching bands wear a uniform, often of a military style, that includes an associated school or organization's colors, name or symbol. Most high school marching bands, and some college marching bands, are accompanied by a color guard, a group of performers who add a visual interpretation to the music through the use of props, most often flags and rifles.

Traditional Style bands, also known as Show Bands, are marching bands geared primarily towards crowd entertainment and perform on football fields. Typically, they perform a routine before the game, another at halftime, and sometimes after the game as well. Competitive show bands perform only one show that is continually refined throughout a season, while bands that focus on entertainment rather than competition usually perform a unique show for each game. These shows normally consists of three to five musical pieces accompanied by formations rooted in origin from Patterns in Motion, a book penned by band director William C. "Bill" Moffit, bandmaster of Purdue University All-American Marching Band and University of Houston Spirit of Houston. A recognizable style of show band is the one fielded by historically black colleges and universities (HBCUs). HBCU bands utilize the traditional "ankle-knee" high step and music selections are largely based on R&B, hip-hop, and contemporary popular music. In addition to traditional drill formations, HBCU bands feature heavily choreographed dance routines as part of their performances. Many of these bands may have a twirler line and/or a dancer line, but not necessarily flag twirlers. One of the most notable depictions of HBCU bands is the film Drumline. HBCU bands are a significant part of African-American musical culture and HBCU bands often surpass their associated football teams in popularity, a phenomenon that is uncommon among collegiate and high school marching bands. In 1989, as part of the celebrations for the bicentennial of the French Revolution, the Florida A&M University Marching 100, one of the most prolific HBCU bands in the country, was selected as the official representative of the United States in the bicentennial parade. Another style of show band is that used by many of the Big Ten Conference marching bands, a semi-military and semi-corps style. These bands perform a show that is designed to entertain the audience, but feature more traditional symphonic styles of music (marches, film scores, jazz, or older pop music) as well as some contemporary music. Big Ten style show bands have been influential in creating some of the earliest marching band innovations, and the style is used in high schools throughout much of the United States. Most show bands of either type include the traditional military band instrumentation of woodwinds, brass, and battery percussion. Some also include the front ensemble keyboard percussion, and may also incorporate the use of a color guard for flag, and rifle routines as well as a dance line. Many bands have auxiliaries that add a visual component to the performance. For ceremonial bands, this could be a traditional color guard or honor guard. For drum & bugle corps and corps-style field bands, this could include Dance lines, majorettes, Auxiliary units may be collectively referred to as color guard or visual ensemble. Auxiliaries may perform as independent groups. In the early 1970s, color guards began to hold their own competitions in the winter (after the American football season, and before the beginning of the summer drum and bugle corps season). These became known as winter guard. There are also numerous dance competitions in the off-season. The color guard of a marching band or drum and bugle corps may contain sabers, mock rifles, and tall flags. In modern bands, other props are often used: flags of all sizes, horizontal banners, vertical banners, streamers, pom-poms, even tires, balls, and hula hoops or custom built props. The color guard may also employ stage dressing such as backdrops, portable flats, or other structures. These can be used simply as static scenery or moved to emphasize block drill, and are often used to create a "backstage" area to store equipment and hide personnel. While military color guards were typically male, band color guards tend to be primarily female, though it is becoming more common for men to join as well. A few independent units are all-male. Guard members nearly always wear a special uniform or costume that is distinctive from that of the band, not necessarily matching in design or color. The men's and women's guard uniforms are usually designed in one of two ways: nearly identically, but with gender-specific parts (i.e. skirts) adapted for the use of the opposite sex; or complimentarily, with the two uniforms designed similarly but with variations in color or form. The color guard uniform, especially in a high school marching band, need not be in school colors; in fact, they rarely are. These uniforms are designed to represent a certain aspect of the halftime show, characterize the guard members through costumes, or tell some sort of story, and can thus be in any design or color (a surprisingly common complaint among the high school audience is that guard uniforms and equipment "aren't school colors"). Indoor color guards have become popular within high schools and universities throughout the United States. These groups perform a theme-based show in competitions after the outdoor marching band season ends. Indoor color guard shows are typically performed in school gymnasiums and are adjudicated. High step is a style of marching used by many colleges and universities, including most bands of HBCUs and the Big Ten. Three primary sub-variants of the high are used: The ankle-knee step involves bringing the foot up to the inside of the leg to the knee before coming down and forward. This is the style used by most bands from HBCUs. The chair step involves lifting the knee until the thighs are parallel to the ground, and with toes pointed downward. When the leg is elevated to its maximum height, a ninety-degree angle exists between the torso and the thigh, as well as between the thigh and shin. The leg is then lowered, and this is repeated in an alternating fashion between the legs. The style is used by many schools in the Big Ten. The extended high step, similarly to the chair step, involves the thigh being parallel to the ground and perpendicular to the body, but instead with the shin extended outward at a forty five-degree angle from the body and with toes pointed downward. The leg is then driven quickly back to the ground while the other leg repeats in this fashion. An integral part of this style of marching is known as stop action, meaning that all movement ceases momentarily at the apex of each step. This requires a band to have a great deal of stamina, though is effective visually. High step marching is often accompanied by a horizontal swing of the player's body and/or instrument. CANNOTANSWER

What is some things they do in their performances?


Romulus himself was the subject of the famous legend of the suckling she-wolf (lupa) that kept Romulus and his twin Remus alive in a cave on the Palatine Hill (the Lupercal) after they had been thrown into the river Tiber on the orders of their wicked uncle, Amulius. The latter had usurped the throne of Alba from the twins' grandfather, king Numitor, and then confined their mother, Rhea Silvia, to the Vestal convent. They were washed ashore by the river, and after a few days with the wolf, were rescued by shepherds. Mainstream scholarly opinion regards Romulus as an entirely mythical character, and the legend fictitious. On this view, Romulus was a name fabricated to provide Rome with an eponymous founding hero, a common feature of classical foundation-myths; it is possible that Romulus was named after Rome instead of vice versa. The name contains the Latin diminutive -ulus, so it means simply "Roman" or "little Roman". It has been suggested that the name "Roma" was of Etruscan origin, or that it was derived from the Latin word ruma ("teat"), presumably because the shape of the Palatine Hill and/or Capitoline Hill resembled a woman's teats. If Romulus was named after the city, it is more likely that he was historical. Nevertheless, Cornell argues that "Romulus probably never existed... His biography is a complex mixture of legend and folk-tale, interspersed with antiquarian speculation and political propaganda". In contrast, Andrea Carandini, an archaeologist who has spent most of his career excavating central Rome, advanced the theory that Romulus was a historical figure who indeed founded the city in c. 753 BC, as related by the ancient chroniclers, by ploughing a symbolic sacred furrow to define the city's boundary. But Carandini's views have received scant support among fellow-scholars. In contrast to the legend of Aeneas, which was clearly imported into the Latin world from an extraneous culture, it appears that the Romulus legend of the suckling she-wolf is a genuine indigenous Latin myth. The wolf was an emblem widespread among the Italic peoples. Aside from Rome, the wolf was also the ethnic emblem of the Samnites, the fierce pastoralists of the mountains of southern Italy. CANNOTANSWER

Answer this question "When did Romulus pass away?" by extracting the answer from the text above.


The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.

During the filming of the second season, the band became tired of scripts which they deemed monotonous and stale. They had already succeeded in eliminating the laugh track (a then-standard on American sitcoms), with the bulk of Season 2 episodes airing minus the canned chuckles. They proposed switching the format of the series to become more like a variety show, with musical guests and live performances. This desire was partially fulfilled within some second-season episodes, with guest stars like musicians Frank Zappa, Tim Buckley and Charlie Smalls (composer of The Wiz) performing on the show. However, NBC was not interested in eliminating the existing format, and the group (except for Peter) had little desire to continue for a third season. Tork said in DVD commentary that everyone had developed such difficult personalities that the big-name stars invited as guests on the show would invariably leave the experience "hating everybody". Screen Gems and NBC went ahead with the existing format anyway, commissioning Monkees writers Gerald Gardner and Dee Caruso to create a straight-comedy, no-music half-hour in the Monkees mold; a pilot episode was filmed with the then-popular nightclub act the Pickle Brothers. The pilot had the same energy and pace of The Monkees, but never became a series. In June 1968, Music Supervisor Lester Sill chose to release the two non-album tracks "D.W. Washburn" b/w "It's Nice To Be With You" as the Monkees' next single. The Leiber/Stoller-penned A-side would break into the Top 20, peaking at No. 19 on the charts. CANNOTANSWER

When were these songs released?


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Heifetz was born into a Russian-Jewish family in Vilna, Lithuania then part of the Russian Empire. His father, Reuven Heifetz, son of Elie, was a local violin teacher and served as the concertmaster of the Vilnius Theatre Orchestra for one season before the theatre closed down. While Jascha was an infant, his father did a series of tests, observing how his son responded to his fiddling. This convinced him that Jascha had great potential, and before Jascha was two years old, his father bought him a small violin, and taught him bowing and simple fingering.

Heifetz was "regarded as the greatest violin virtuoso since Paganini," wrote Lois Timnick of the Los Angeles Times. "He set all standards for 20th-century violin playing...everything about him conspired to create a sense of awe," wrote music critic Harold Schonberg of the New York Times. "The goals he set still remain, and for violinists today it's rather depressing that they may never really be attained again," wrote violinist Itzhak Perlman. Virgil Thomson, possibly referencing Richard Wagner's reputed taste for silk next to his skin, called Heifetz's style of playing "silk underwear music", a term he did not intend as a compliment. Other critics argue that he infused his playing with feeling and reverence for the composer's intentions. His style of playing was highly influential in defining the way modern violinists approach the instrument. His use of rapid vibrato, emotionally charged portamento, fast tempi, and superb bow control coalesced to create a highly distinctive sound that makes Heifetz's playing instantly recognizable to aficionados. The violinist Itzhak Perlman, who himself is noted for his rich warm tone and expressive use of portamento, describes Heifetz's tone as like "a tornado" because of its emotional intensity. Perlman said that Heifetz preferred to be recorded relatively close to the microphone; as a result, one would perceive a somewhat different tone quality when listening to Heifetz during a concert hall performance. Heifetz was very particular about his choice of strings. He used a silver wound Tricolore gut G string, plain gut unvarnished D and A strings, and a Goldbrokat steel E string medium including clear Hill brand rosin sparingly. Heifetz believed that playing on gut strings was important in rendering an individual sound. CANNOTANSWER


Background: Kimberly Denise Jones (born July 11, 1975 or 1976), known professionally by her stage name Lil' Kim, is an American rapper, songwriter, record producer, model, and actress. She was born and raised in Brooklyn, New York, living much of her adolescent life on the streets after being expelled from home. In her teens, Jones would freestyle rap, heavily influenced by fellow female hip-hop artists like MC Lyte and The Lady of Rage.
Context: Lil' Kim released her fourth album, The Naked Truth, on September 27, 2005, while serving a federal prison sentence. It earned her a 5 mic rating from The Source, making her the only female rapper to ever receive a 5 mic rating. The album debuted at number 6 on the Billboard 200 chart, selling 109,000 copies in its first week of release, giving Lil' Kim her third top 10 debut on the chart. The Naked Truth did not sell as well as her previous works, it only managed to reach a gold certification by RIAA. She said that her prison sentence left her with no time to promote the project. The music video for The Naked Truth's first single, "Lighters Up", was number one on BET's 106 & Park for two weeks. "Lighters Up" was a Top Ten hit on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart. The single also reached number. 67 on the German Single Chart, number 12 on the UK Top 75 and number 4 on the Finland Single Chart. The second single, "Whoa" was released on February 17, 2006. It reached number 22 on Airplay. On March 9, 2006, BET premiered the show Lil' Kim: Countdown to Lockdown, which was filmed before Lil' Kim headed to prison. The show became the highest rated premiere in BET history, averaging 1.9 million viewers. In May 2006, Debbie Harry released a song in tribute to Lil' Kim called "Dirty and Deep" in protest of her conviction. The song was available for free from her official website. The Dance Remixes, her first compilation album was released on June 6, 2006. The album featured remixes of songs from The Naked Truth and Hard Core. A limited pressing released only in the US, it received no promotion, due to Lil' Kim being in prison at the time of release, and failed to chart. On August 31, 2006, Lil' Kim presented the award for Best Male Video at the 2006 MTV Video Music Awards, it marked her first televised appearance since being released from prison. She also made appearances on the show The Pussycat Dolls Present: The Search for the Next Doll and Pussycat Dolls Present: Girlicious in 2007 and 2008 as a judge. In January 2008, Lil' Kim announced that she had parted ways with Atlantic Records, choosing to release future projects independently. She stated she had no hard feelings towards Atlantic but felt more comfortable in her knowledge of the music business to do it alone. Lil' Kim released her first mixtape, Ms. G.O.A.T., an acronym for "Greatest of All Time", on June 3, 2008. It was produced by New York City DJs Mister Cee and DJ Whoo Kid. Among critics, the mixtape received generally positive reviews. It has been called a representation of Lil' Kim's return to the streets. Tito Salinas of All Hip Hop says "Lil' Kim shows that her time behind bars did not rust all of her swag away" on Ms. G.O.A.T. On the other hand, Ehren Gresehover of New York Mag says that although one of the tracks "The Miseducation of Lil' Kim" is not bad, he wished that it was Lauryn Hill who was making a comeback instead. CANNOTANSWER
Question: How was the album received by the reviewers ?. Whats the answer?


Throughout the series, her Catholic faith served as a cornerstone, although a contradiction to her otherwise rigid skepticism of the paranormal. Due to her career in science and medicine, she drifted from her Catholic Christian upbringing but remained somewhat entrenched in her religious beliefs. Scully almost always wears a gold cross necklace, given to her by her mother as a Christmas present when she was fifteen. When she was abducted by Duane Barry, a self-proclaimed alien abductee, it was the only item left behind in Barry's getaway car. Mulder wore it as a talisman of her until Scully miraculously reappeared in a Washington, D.C. hospital. After she recovered from the trauma of her abduction, he returned the cross to her. The abduction visibly tested the limits of her faith -- Mulder believes that Scully was taken aboard an alien spaceship and was subjected to tests. However, because of Scully's skepticism, she believes she was kidnapped by men and subjected to tests, not aliens. She believes she could have been brought there by Barry, and she began to exhibit symptoms of post-traumatic stress disorder on a case involving a murdering fetishist named Donnie Pfaster. This psychological re-victimization continued after Pfaster escaped from prison five years later and again attempted to kill her in her home, ending only after she fatally shot him. She struggled with what motivated her actions to kill Pfaster, and questioned whether it was God compelling her to kill him, or "something else." Sometime after her recovery from cancer, Scully began to regularly attend Mass again. At the request of Father McCue, Scully got involved in a case concerning a paraplegic girl who was found dead in a kneeling position with her palms outstretched and eye sockets charred. After Scully discovered the girl was part of a set of quadruplets and two more were murdered, Father McCue shared with her the story of the seraphim and the nephilim, which Scully interpreted as a possible explanation for the deformations and deaths of the girls. Scully continued to have visions of Emily, and when the last girl died, Scully believed she was returning the girl to God. Upon her return to Washington D.C., she went to confession to gain peace of mind and acceptance for Emily's death. In confession she regretted her decision of letting the girl go. This suggests Scully had doubts about her faith. In the sixth season episode "Milagro", Agent Scully's vulnerability is exposed. In this episode, the murderer takes the victim's heart out. The suspect, a writer named Phillip Padgett, has a particular interest in Scully and is fascinated by her beauty and personality. When she goes to a church to observe a painting, the writer is there and talks to her about the Sacred Heart of Jesus. During the conversation he says she visits the church because she likes art, but not as place of worship. Scully doesn't say otherwise and later she says to Agent Mulder the writer told her her life story. All this suggests that Scully isn't a devout Roman Catholic, although she attempted to approach again the Catholic community and the Catholic faith to which she was devout in her youth, after handling the strange case presented in "Revelations" and also after dealing with life-threatening cancer during the fourth season. CANNOTANSWER

Answer this question "Anything else about her personality?" by extracting the answer from the text above.


Background: Antonie Philips van Leeuwenhoek (; Dutch: [an'to:ni van 'le:u@(n),huk] ( listen); 24 October 1632 - 26 August 1723) was a Dutch businessman and scientist in the Golden Age of Dutch science and technology. A largely self-taught man in science, he is commonly known as "the Father of Microbiology", and one of the first microscopists and microbiologists. Van Leeuwenhoek is best known for his pioneering work in microscopy and for his contributions toward the establishment of microbiology as a scientific discipline.
Context: Antonie van Leeuwenhoek was born in Delft, Dutch Republic, on 24 October 1632. On 4 November, he was baptized as Thonis. His father, Philips Antonisz van Leeuwenhoek, was a basket maker who died when Antonie was only five years old. His mother, Margaretha (Bel van den Berch), came from a well-to-do brewer's family. She remarried Jacob Jansz Molijn, a painter. Antonie had four older sisters, Margriet, Geertruyt, Neeltje, and Catharina. When he was around ten years old his step-father died. He attended school in Warmond for a short time before being sent to live in Benthuizen with his uncle, an attorney. At the age of 16 he became a bookkeeper's apprentice at a linen-draper's shop in Amsterdam, which was owned by the Scot William Davidson. Van Leeuwenhoek left there after six years. Van Leeuwenhoek married Barbara de Mey in July 1654, with whom he fathered one surviving daughter, Maria (four other children died in infancy). That same year he returned to Delft, where he would live and study for the rest of his life. He opened a draper's shop, which he ran throughout the 1650s. His wife died in 1666, and in 1671, Van Leeuwenhoek remarried to Cornelia Swalmius with whom he had no children. His status in Delft had grown throughout the years. In 1660 he received a lucrative job as chamberlain for the assembly chamber of the Delft sheriffs in the city hall, a position which he would hold for almost 40 years. In 1669 he was appointed as a land surveyor by the court of Holland; at some time he combined it with another municipal job, being the official "wine-gauger" of Delft and in charge of the city wine imports and taxation. Van Leeuwenhoek was a contemporary of another famous Delft citizen, the painter Johannes Vermeer, who was baptized just four days earlier. It has been suggested that he is the man portrayed in two Vermeer paintings of the late 1660s, The Astronomer and The Geographer, but others argue that there appears to be little physical similarity. Because they were both relatively important men in a city with only 24,000 inhabitants, it is likely that they were at least acquaintances; Van Leeuwenhoek acted as the executor of Vermeer's will after the painter died in 1675. CANNOTANSWER
Question: Court of what. Whats the answer?


According to Beatles biographer John T. Marck, "Real Love" originated as part of an unfinished stage play that Lennon was working on at the time, titled The Ballad of John and Yoko. The song was first recorded in 1977 with a handheld tape recorder on his piano at home. Eventually the work evolved under the title "Real Life", a song which Lennon would record at least six times in 1979 and 1980, and then abandoned. The song was eventually combined with elements of another Lennon demo, "Baby Make Love to You". In June 1978, Lennon and his wife Yoko Ono told the press that they were working on a musical, The Ballad of John and Yoko, which had been planned during the previous year. Songs proposed to be included up to this point were "Real Love" and "Every Man Has a Woman Who Loves Him". In later versions, Lennon altered portions of the song; for example, "no need to be alone / it's real love / yes, it's real love" became "why must it be alone / it's real / well it's real life." Some takes included an acoustic guitar, while the eventual Beatles release features Lennon on piano, with rudimentary double-tracked vocals, and a tambourine. The version released in 1996 most closely reflected the lyrical structure of the early demo takes of the song. Lennon appears to have considered recording "Real Love" for his and Ono's 1980 album Double Fantasy. A handwritten draft of the album's running order places it as the possible opening track on side two. The song remained largely forgotten until 1988, when the take 6 of "Real Love" appeared on the Imagine: John Lennon soundtrack album. The song was also released on the Acoustic album in 2004. The demo with just Lennon on piano was issued in 1998 on John Lennon Anthology and then later on Working Class Hero: The Definitive Lennon. CANNOTANSWER

Answer this question "Did anyone else play on the early version of the song besides Lennon?" by extracting the answer from the text above.


Joseph Vincent McCarthy (April 21, 1887 - January 13, 1978) was a manager in Major League Baseball, most renowned for his leadership of the "Bronx Bombers" teams of the New York Yankees from 1931 to 1946. The first manager to win pennants with both National and American League teams, he won nine league titles overall and seven World Series championships - a record tied only by Casey Stengel. McCarthy was elected to the Baseball Hall of Fame in 1957. McCarthy's career winning percentages in both the regular season (.615) and postseason (.698, all in the World Series) are the highest in major league history.

Despite his teams' great performance, McCarthy was not without his detractors, who believed he was simply fortunate enough to be provided with great talent and was not a strong game tactician. During his peak period from 1936 to 1943, when the Yankees won seven pennants in eight seasons, White Sox manager Jimmy Dykes described McCarthy as a "push-button" manager. Yet McCarthy was an outstanding teacher and developer of talent, and was particularly adept at handling temperamental players such as Babe Ruth, who had hoped to become New York's manager and resented a team "outsider" being hired. Ruth and McCarthy's relationship was lukewarm at best, and chilled considerably in 1934 when Ruth began openly campaigning to become manager. Partly due to this, Ruth was traded to the lowly Boston Braves after the season. While managing, McCarthy utilized a low-key approach, never going to the mound to remove a pitcher or arguing with an umpire except on a point of the rules, preferring to stay at his seat in the center of the dugout. He also declined to wear a numbered uniform with the Yankees and Red Sox. In order to draw attention to his presumed masterful leadership of the Yankees, McCarthy was given the nickname of "Marse Joe" by sportswriters. "Marse" is a Southern English rendition of the word "master". McCarthy's success throughout his career was such that in 32 years of managing, his 1922 Louisville club was the only team which finished either with a losing record or below fourth place. McCarthy was named Major League Manager of the Year by The Sporting News in 1936 - the first year the award was given - and again in 1938 and 1943. CANNOTANSWER

Using a quote from the above article, answer the following question: did he have any troubles or conflicts?


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Robin Cook was born in the County Hospital, Bellshill, Scotland, the only son of Peter and Christina Cook (nee Lynch). His father was a Chemistry teacher who grew up in Fraserburgh, and his grandfather was a miner before being blacklisted for being involved in a strike. Cook was educated at Aberdeen Grammar School and, from 1960, the Royal High School in Edinburgh. At first, Cook intended to become a Church of Scotland minister, but lost his faith as he discovered politics.

With the election of a Labour government led by Tony Blair at the 1997 general election, Cook became Foreign Secretary. He was believed to have coveted the job of Chancellor of the Exchequer, but that job was reportedly promised by Tony Blair to Gordon Brown. He announced, to much scepticism, his intention to add "an ethical dimension" to foreign policy. His term as Foreign Secretary was marked by British interventions in Kosovo and Sierra Leone. Both of these were controversial, the former because it was not sanctioned by the UN Security Council, and the latter because of allegations that the British company Sandline International had supplied arms to supporters of the deposed president in contravention of a United Nations embargo. Cook was also embarrassed when his apparent offer to mediate in the dispute between India and Pakistan over Kashmir was rebuffed. The ethical dimension of his policies was subject to inevitable scrutiny, leading to criticism at times. Cook was responsible for achieving the agreement between Britain and Iran that ended the Iranian death threat against author Salman Rushdie, allowing both nations to normalize diplomatic relations. He is also credited with having helped resolve the eight-year impasse over the Pan Am Flight 103 bombing trial by getting Libya to agree to hand over the two accused (Megrahi and Fhimah) in 1999, for trial in the Netherlands according to Scots law. In March 1998, a diplomatic rift ensued with Israel when Israeli Prime Minister Benjamin Netanyahu cancelled a dinner with Cook, while Cook was visiting Israel and had demonstrated opposition to the expansion of Israeli settlements. Although a republican, he and the Queen were on excellent terms, due to their mutual interest in horses. CANNOTANSWER

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The Prince of Wales, Albert Edward ("Bertie", later Edward VII), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877. (Lillie's husband Edward was seated at the other end of the table.) Although the Prince was married to Princess Alexandra of Denmark and had six children, he was a well-known philanderer. He became infatuated with Langtry, and she soon became his de facto mistress. She was presented to the Prince's mother, Queen Victoria. Princess Alexandra was generous in never displaying any jealousy about her husband's infidelities and accepted and acknowledged Lillie. Lillie's liaison with the Prince lasted from late 1877 to June 1880. Although remaining friends with the Prince, Lillie Langtry's physical relationship with him ended when she became pregnant, probably by her old friend Arthur Jones with whom she went to Paris for the birth of the child, Jeanne Marie, in March 1881. In July 1879, Langtry began an affair with the Earl of Shrewsbury; in January 1880, Langtry and the earl were planning to run away together. In the autumn of 1879, rumours were published in Town Talk that her husband would divorce her and cite, among others, the Prince of Wales as co-respondent. Adolphus Rosenberg was the journalist. He wrote separately about Mrs Cornwallis-West, which resulted in her husband suing him for libel. At this point, the Prince of Wales instructed his solicitor George Lewis to sue. Rosenburg pleaded guilty to both of the charges brought against him and was sentenced to 2 years in prison. For some time, the Prince saw little of Langtry. He remained fond of her and spoke well of her in her later career as a theatre actress; he used his influence to help and encourage her. With the withdrawal of royal favour, creditors closed in. The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts, allowing Edward Langtry to avoid a declaration of bankruptcy. CANNOTANSWER

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Background: Jerry Alan West was born into a poor household in Chelyan, West Virginia. He was the fifth of six children of Cecil Sue West, a housewife, and Howard Stewart West, a coal mine electrician. West was previously an aggressive child in his youth, until his brother's death at the Korean War aged 21 turned him into a shy and introverted boy when Jerry was 12/13. He was so small, frail, and weak that he needed lots of vitamin injections from his doctor and was kept apart from children's sports, to prevent him from getting seriously injured.
Context: West graduated from East Bank High School in 1956, and more than 60 universities showed interest in him. He eventually chose to stay in his home state and attend West Virginia University (WVU), located in Morgantown. In his freshman year (1956-57), West was a member of the WVU freshman squad that achieved a perfect record of 17 wins without a loss over the course of the season; other team members included Jay Jacobs and Willie Akers. In his first varsity year under head coach Fred Schaus, West scored 17.8 points per game and averaged 11.1 rebounds; he also started in all 28 games while shooting 49.6% from the field and 73.2% from the free throw line. These performances earned him a multitude of honors, among them an All-American Third Team call-up; First Team All-Southern Conference; Southern Conference Tournament Most Valuable Player Award and First Team honors; Chuck Taylor-Converse Second-team All-American honors; and Associated Press and United Press International Third-team All-American honors. The Mountaineers went 26-2 that year, ending the season with a loss to Manhattan College in post-season tournament play. During his junior year (1958-59), West scored 26.6 points per game and grabbed 12.3 rebounds per game. He tied the NCAA five-game tournament record of 160 points (32.0 points per game) and led all scorers and rebounders in every West Virginia game, including getting 28 points and 11 rebounds in a 71-70 loss to California in the final. West was named Most Outstanding Player of that year's Final Four. Further awards were All-American, Southern Conference Tournament MVP and Southern Conference Player of the Year and Athlete of the Year. He was also named to be a member of the U.S. Pan American Games basketball team that won the gold medal. West demonstrated his tenacity for the game in a match against the Kentucky Wildcats. He broke his nose during an incident in the game, but he continued to play despite intense pain and having to breathe through his mouth. He scored 19 points in the second-half, leading WVU to an upset victory. In his final collegiate season (1959-60) West enjoyed several career highs, such as scoring 29.3 points per game, a 134 season-assists, 16.5 rebounds per game, and a shooting average of 50.4% from the field, 76.6% from the free throw line. He was honored again with several awards: a call-up to the All-American selection, and being voted Southern Conference MVP. West's best performance was a game against Virginia, in which he grabbed 16 rebounds and scored 40 points. Moreover, during that final year, he had 30 double-doubles and fifteen 30-point games. In his collegiate career, West totaled 2,309 points and 1,240 rebounds. He averaged 24.8 points per game and 13.3 rebounds. As of 2011, West holds 12 WVU all-time records. West and Oscar Robertson co-captained the U.S. men's basketball team that won the gold medal at the 1960 Summer Olympics. CANNOTANSWER
Question: which university did he go to?. Whats the answer?


Background: Charles Dillon Stengel was born on July 30, 1890, in Kansas City, Missouri. His ancestry involves German and Irish; his parents--Louis Stengel and Jennie (Wolff) Stengel--were from the Quad Cities area of Illinois and Iowa, and had moved to Kansas City soon after their 1886 wedding so Louis could take an insurance job. "Charlie" was the youngest of three children, and the second son. Charlie Stengel played sandlot baseball as a child, and also played baseball, football and basketball at Kansas City's Central High School.
Context: Stengel thought the 1943 season would be his last in baseball; Edna urged him to look after the family business interests full-time, and Casey, who had always been an athlete, was reluctant to show himself at a baseball stadium with the imperfectly-healed injury. But early in the 1944 season, the minor-league Milwaukee Brewers had a managing vacancy to fill, as the Chicago Cubs had hired away the Brewer manager, Charlie Grimm, who had played with Stengel on the 1919 Pirates. Grimm told the Cubs he was obliged to see the Brewers had a competent replacement, and urged the Brewers to hire Stengel. The team owner, Bill Veeck, stationed with the Marines on Guadalcanal, thought ill of Stengel as a manager, and was very reluctant in his consent when reached by cable. Stengel was adept at fostering good relations with reporters, and the very talented team continued to win; by the end of May, Veeck had withdrawn his objections. The team won the American Association pennant, but lost in the playoffs to Louisville. Veeck, having returned to the United States, offered to rehire Stengel for 1945, but Stengel preferred another offer he received. This was from George Weiss of the New York Yankees, to manage the team Stengel had begun with, the Kansas City Blues, by then a Yankee farm club. Kansas City had finished last in the American Association as Milwaukee won the pennant, making it something of a comedown for Stengel, who hoped to return to the major leagues. Nevertheless, it was in his old home town, allowing him to see friends and relations, and he took the job. The Blues finished seventh in the eight-team league in 1945. Although there was no major league managing vacancy Stengel could aspire to, the Oakland Oaks of the Pacific Coast League had fired their manager, and approached Stengel. The baseball played in the PCL was close to major league level, and the league featured many aging big leaguers finishing their careers. Also attractive to Stengel was that the league had three teams in Southern California, allowing him to spend more time at his home in Glendale. To that time, the club had won only one pennant, and was something of a weak sister to its crossbay rivals, the San Francisco Seals, but owner Brick Laws believed Stengel could mold the players into a winning team. The Oaks finished second in the league behind the Seals in 1946, winning the first round of the playoffs against Los Angeles before losing to San Francisco in the finals. They finished fourth in 1947, beating San Francisco in the first round before losing to Los Angeles. Stengel managed the Oaks for a third year in 1948, with the roster heavy with former major leaguers. Among the younger players on the team was 20-year-old shortstop Billy Martin. Stengel was impressed by Martin's fielding, baseball acuity, and, when there were brawls on the field, fighting ability. The Oaks clinched the pennant on September 26, and defeated Los Angeles and the Seattle Rainiers to win the Governors' Cup. The Sporting News named Stengel the Minor League Manager of the Year. CANNOTANSWER
Question: was he a manager or player?. Whats the answer?


Background: Paul Weston (born Paul Wetstein, March 12, 1912 - September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", "Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses. Born Paul Wetstein in Springfield, Massachusetts, Weston had a keen interest in music from an early age and learned to play the piano.
Context: Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER
Question: Why did he change his name?

Answer:


Jan and Dean were an American rock duo consisting of William Jan Berry (April 3, 1941 - March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. Among their most successful songs was 1963's "Surf City", the first surf song to top the Hot 100. Their other charting top 10 singles were "Drag City" (1963), "The Little Old Lady from Pasadena" (1964), and "Dead Man's Curve" (1964); the last was inducted into the Grammy Hall of Fame in 2008.

Jan and Dean's career together ended with Jan Berry's death on March 26, 2004, after he suffered a seizure eight days before his 63rd birthday. Berry was an organ donor, and his body was cremated. On April 18, 2004, a "Celebration of Life" was held in Berry's memory at the Roxy Theatre on the Sunset Strip in West Hollywood, California. Attendees included Torrence, Lou Adler, Jill Gibson, and Nancy Sinatra, along with many family members, friends, and musicians associated with Jan and Dean and the Beach Boys, including the original members of Papa Doo Run Run. In February 2010, the Jan & Dean album Carnival of Sound was released on the Rhino Handmade label. The album cover was designed by Torrence. Along with the CD, there was a limited edition (1500 copies), which included a 10-track LP. The album was released in Europe in April 2010 in its original US form. In 2012, Torrence reunited with Bruce Davison, who portrayed him in the 1978 film Deadman's Curve to perform with the Bamboo Trading Company on their From Kitty Hawk To Surf City album. The songs were "Shrewd Awakening" and "Tonga Hut", which was featured on the film Return of the Killer Shrews, a sequel to the 1959 film The Killer Shrews and also "Tweet (Don't Talk Anymore)", "Drinkin' In the Sunshine", and "Star Of The Beach". The album also feature Dean's two daughters, Jillian and Katie Torrence. Torrence and his two daughters were featured in the music video of "Shrewd Awakening". Torrence now tours occasionally with the Surf City All-Stars. He serves as a spokesman for the City of Huntington Beach, California, which, thanks in part to his efforts, is nationally recognized as "Surf City USA." Dean's website, features--among other things--rare images, a complete Jan & Dean discography, a biography, and a timeline of his career with cohort Jan Berry. He currently resides in Huntington Beach, California, with his wife and two daughters. CANNOTANSWER

Using a quote from the above article, answer the following question: what else does he have in rememberance of his partner?


Pierino Ronald "Perry" Como (May 18, 1912 - May 12, 2001) was an American singer and television personality. During a career spanning more than half a century he recorded exclusively for the RCA Victor label after signing with it in 1943. "Mr. C.", as he was nicknamed, sold millions of records for Radio Corporation of America (RCA) and pioneered a weekly musical variety television show, which set the standards for the genre and proved to be one of the most successful in television history.

Perry Como credited Bing Crosby for influencing his voice and style. Perry Como's voice is widely known for its good-natured vocal acrobatics as portrayed in his highly popular novelty songs such as "Hot Diggity (Dog Ziggity Boom)", but there was another side to Perry Como. Music critic Gene Lees describes it in his sleeve note to Como's 1968 album Look To Your Heart: Despite his immense popularity, Como is rarely given credit for what, once you stop and think of it, he so clearly is: one of the great singers and one of the great artists of our time. Perhaps the reason people rarely talk about his formidable attributes as a singer is that he makes so little fuss about them. That celebrated ease of his has been too little understood. Ease in any art is the result of mastery over the details of the craft. You get them together to the point where you can forget about how you do things and concentrate on what you are doing. Como got them together so completely that the muscles don't even show. It seems effortless, but a good deal of effort has gone into making it seem so. Como is known to be meticulous about rehearsal of the material for an album. He tries things out in different keys, gives the song thought, makes suggestions, tries it again, and again, until he is satisfied. The hidden work makes him look like Mr. Casual, and too many people are taken in by it -- but happily so. -Gene Lees-sleeve note, Look To Your Heart From 1989 until his death in 2001, Como co-hosted a weekly syndicated radio show with John Knox, called Weekend With Perry. CANNOTANSWER

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Maria Corazon "Cory" Cojuangco Aquino (born Sumulong; January 25, 1933 - August 1, 2009) was a Filipina politician who served as the 11th President of the Philippines and the first woman to hold that office. She is widely accredited as the Mother of Asian Democracy. The first female president in the Philippines, Aquino was the most prominent figure of the 1986 People Power Revolution, which toppled the 21-year authoritarian rule of President Ferdinand E. Marcos and restored democracy to the Philippines.

Upon learning of Aquino's death, then incumbent President Gloria Macapagal Arroyo, who was then on a state visit to the United States, announced a 10-day mourning period for the former President and issued Administrative Order No. 269 detailing the necessary arrangements for a state funeral. Aquino's children, however, declined the government's offer of a state funeral for their mother. All churches in the Philippines celebrated requiem masses simultaneously throughout the country and all government offices flew the Philippine flag at half mast. Hours after her death, Aquino's body lay in repose for public viewing at the La Salle Green Hills campus in Mandaluyong City. On August 3, 2009, Aquino's body was transferred from La Salle Greenhills to Manila Cathedral in Intramuros, during which hundreds of thousands of Filipinos lined the streets to view and escort the former leader's body. On the way to the Cathedral, Aquino's funeral cortege passed along Ayala Avenue in Makati, stopping in front of the monument to her husband Ninoy, where throngs of mourners gathered and sang the patriotic protest anthem "Bayan Ko". Aquino's casket was solemnly brought inside the Cathedral by mid-afternoon that day. Following her death, all Roman Catholic dioceses in the country held requiem Masses. On August 4, 2009, Ferdinand "Bongbong" Marcos, Jr., and Imee Marcos--children of the late former President Ferdinand Marcos--paid their last respects to Aquino despite the two family's fierce political rivalry; the Aquinos have been blaming the late dictator for the assassination of Ninoy Aquino Jr. in 1983. The Marcos siblings were received by Aquino's daughters Maria Elena, Aurora Corazon, and Victoria Elisa. Early the next day, President Arroyo, who had cut short her trip in the United States, briefly paid her last respects to her erstwhile ally President Aquino. A final requiem Mass was held on the morning of August 5, 2009, with then-Archbishop of Manila Cardinal Gaudencio Rosales, then-Bishop of Balanga Socrates B. Villegas, and other high-ranking clergymen concelebrating. Aquino's daughter Kris spoke on behalf of her family towards the end of the Mass. Aquino's flag-draped casket was escorted from the Cathedral to Manila Memorial Park in Paranaque, where she was interred beside her husband in the family mausoleum. Aquino's funeral procession took more than eight hours to reach the burial site, as tens of thousands of civilians lined the route to pay their respects. Philippine Air Force UH-1 helicopters showered the procession with yellow confetti and ships docked at Manila's harbour blared their sirens, all to salute the late President, . CANNOTANSWERAnswer this question using a quote from the following article:

what other significant findings can you tell me about Aquino?


Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida.

A week after the 2002 WTA Championships, Capriati had eye surgery in order to remove pterygiums (sun spots) from both eyes. Recovery from the surgery hampered Capriati's off-season preparation. In the opening round of the 2003 Australian Open Capriati lost to unseeded and unheralded Marlene Weingartner. Capriati was the first Australian Open title-holder to lose in the first round. She withdrew from the Pan Pacific Open to further recover from her surgery. Capriati rebounded by reaching at least semifinals of the next five tournaments she played. She lost to Lindsay Davenport in the semifinals of the Indian Wells tournament. She then reached the final of the Sony Ericsson Open for the third consecutive year before losing to World No. 1 Serena Williams. Capriati lost in the round of 16 of the French Open to unseeded Nadia Petrova. She reached the quarters of Wimbledon for the sixth time, losing to Serena Williams in three sets, her eighth consecutive loss to her compatriot. Capriati then reached her second final of 2003 in Stanford, losing to Kim Clijsters in three sets. A pectoral strain forced Capriati to retire from her opening match in San Diego and pull out of Montreal. Capriati won her first title of 2003 in New Haven after Davenport retired in the final while trailing. This ended a 28-tournament title drought for Capriati, and was her first tour victory since she won the 2002 Australian Open. Seeded 6th at the U.S. Open, Capriati reached the semifinal where she lost to second-seeded Justine Henin in a tight third-set tiebreak many experts believed she should have won. Capriati served for the match twice and was two points away from victory eleven times, but Henin prevailed in a three-hour marathon, despite of Henin's serve being visibly affected by muscle cramps in her left leg throughout much of the last half hour of the match. Capriati did not play again until the WTA Tour Championships when she lost in the semifinal to Justine Henin again, now the World No. 1. CANNOTANSWER

Who did she play next?


Esther Jane Williams (August 8, 1921 - June 6, 2013) was an American competitive swimmer and actress. Williams set multiple national and regional swimming records in her late teens as part of the Los Angeles Athletic Club swim team. Unable to compete in the 1940 Summer Olympics because of the outbreak of World War II, she joined Billy Rose's Aquacade, where she took on the role vacated by Eleanor Holm after the show's move from New York City to San Francisco. While in the city, she spent five months swimming alongside Olympic gold medal winner and Tarzan star, Johnny Weissmuller.

Williams retired from acting in the early 1960s and later turned down the role of Belle Rosen, a character with a crucial swimming scene, in The Poseidon Adventure. (The role eventually went to Shelley Winters.) She continued to lend her name to a line of retro women's swimwear. "Women worldwide are fighting a thing called gravity," said Williams. "I say to women when I talk to them, 'You girls of 18 have until about 25, 30 at the most, and then you have to report to me. My suits are quality fabric.'" She went on: "I put you in a suit that contains you and you will swim in. I don't want you to be in two Dixie cups and a fish line." She was also the namesake of a company that manufactures swimming pools and swimming pool accessories. She came out with a line of Swim, Baby, Swim videos, which helped parents teach their children how to swim. She also appeared as a commentator for synchronized swimming at the 1984 Summer Olympics. Williams met her fourth husband as a result of his calling her to coordinate her appearance. She co-wrote her autobiography, The Million Dollar Mermaid (New York: Simon & Schuster, 1999), with popular media critic and author Digby Diehl. In a 2007 interview with Diane Sawyer, Williams admitted that she had recently suffered a stroke. "I opened my eyes and I could see, but I couldn't remember anything from the past," she said. In June 2008, Williams attended Cyd Charisse's funeral, which she did while seated in a wheelchair. In April 2010, Williams appeared at the first Turner Classic Movies Classic Film Festival in Hollywood, California, alongside two-time co-star Betty Garrett. Their film Neptune's Daughter (1949) was screened at the pool of the Roosevelt Hotel, along with a performance of the Williams-inspired synchronized swimming troupe, The Waterlilies. South Beach Miami's 2010 Mercedes Benz Fashion Week Swim, a showcase of designer swimwear, included a Williams suite, complete with a beach summer theme and sand palette with aqua accents. In 2000 an account of Williams's life and career appeared in the Swedish book Esther Williams -- Skenbiografin (Esther Williams -- The Fake Biography) written by Jane Magnusson, in which the author shares with readers her own fascination for art swimming as a genre and, here, in particular, Williams as -- to the author -- both a bewildering and mesmerizing front figure and icon in this field. CANNOTANSWERAnswer this question using a quote from the following article:

anything else interesting about her later years


James "Jimmy" William Buffett (born December 25, 1946) is an American musician, songwriter, author, actor, and businessman. He is best known for his music, which often portrays an "island escapism" lifestyle. Together with his Coral Reefer Band, Buffett has recorded hit songs including "Margaritaville" (ranked 234th on the Recording Industry Association of America's list of "Songs of the Century") and "Come Monday". He has a devoted base of fans known as "Parrotheads".

The earliest controversy with Buffett was his recording of "God's Own Drunk" on the album Living and Dying in 3/4 Time. In 1983, the son of the late entertainer Lord Buckley sued Buffett for $11 million for copyright infringement, claiming that Buffett took parts of the monologue from Buckley's A Tribute to Buckley and claimed it as his own work in "God's Own Drunk". The suit also alleged that Buffett's "blasphemous" rendition presented to the public a distorted impression of Lord Buckley. A court injunction against Buffett prevented him from performing the song until the lawsuit was settled or resolved, so starting in 1983, Buffett would get to the part of his show where he would normally perform "God's Own Drunk", he would say that he was not allowed to play it because of the lawsuit and instead played a song he wrote called "The Lawyer and the Asshole" in which he accuses Buckley's son and lawyers as being greedy and tells them to "kiss his ass." In January 1996, Buffett's Grumman HU-16 airplane named Hemisphere Dancer was shot at by Jamaican police, who believed the craft to be smuggling marijuana. The aircraft sustained minimal damage. The plane had previously been carrying Buffett, as well as U2's Bono, and Island Records producer Chris Blackwell, and co-pilot Bill Dindy, but they were not on board at the time. The Jamaican government acknowledged the mistake and apologized to Buffett, who penned the song "Jamaica Mistaica" for his Banana Wind album based on the experience. The plane from the incident is now at Orlando City Walk's Margaritaville. On February 4, 2001, he was ejected from the American Airlines Arena in Miami during a basketball game between the Miami Heat and the New York Knicks for cursing. After the game, referee Joe Forte said that he ordered him moved during the fourth quarter because "there was a little boy sitting next to him and a lady sitting by him. He used some words he knows he shouldn't have used." Forte apparently did not know who Buffett was, and censured Heat coach Pat Riley because he thought Riley--who was trying to explain to him who Buffett was--was insulting him by asking if he had ever been a "Parrothead", the nickname for Buffett fans. Buffett did not comment immediately after the incident, but discussed it on The Today Show three days later. On October 6, 2006, it was reported that Buffett had been detained by French custom officials in Saint Tropez for allegedly carrying over 100 pills of ecstasy. Buffett's luggage was searched after his Dassault Falcon 900 private jet landed at Toulon-Hyeres International Airport. He paid a fine of $300 and was released. A spokesperson for Buffett stated the pills in question were prescription drugs, but declined to name the drug or the health problem for which he was being treated. Buffett released a statement that the "ecstasy" was in fact a B-vitamin supplement known as Foltx. CANNOTANSWER

Using a quote from the above article, answer the following question: What is another controversy that Jimmy was involved in?


Background: The Specials, also known as The Special AKA, are an English 2 Tone and ska revival band formed in 1977 in Coventry. Their music combines a "danceable ska and rocksteady beat with punk's energy and attitude". Lyrically they present a "more focused and informed political and social stance". The band wore mod-style "1960s period rude boy outfits (pork pie hats, tonic and mohair suits and loafers)".
Context: For the next few years, the group was in a seemingly constant state of flux. Adding Dakar to the permanent line-up, the group recorded "The Boiler" with Dakar on vocals, Dammers on keyboard, Bradbury on drums, John Shipley from the Swinging Cats on guitar, Cuthell on brass and Nicky Summers on bass. The single was credited to "Rhoda with the Special AKA". The controversial track described an incident of date rape, and its frank and harrowing depiction of the matter meant that airplay was severely limited. Nevertheless, it managed to reach No. 35 on the UK charts, and American writer Dave Marsh later identified "The Boiler" as one of the 1,001 best "rock and soul" singles of all time in his book The Heart of Rock & Soul. After going on tour with Rodriguez, the band (without Dakar, and as "Rico and the Special AKA") also recorded the non-charting (and non-album) single "Jungle Music". The line-up for the single was Rodriguez (vocal, trombone), Cuthell (cornets), Dammers (keyboards), Bradbury (drums), Shipley (guitar), returning bassist Panter, and new additions Satch Dickson and Groco (percussion) and Anthony Wymshurst (guitar). Rodriguez and the three newcomers were all dropped for the next single, "War Crimes", which brought back Dakar and added new co-vocalists Edgio Newton and Stan Campbell, as well as violinist Nick Parker. Follow-up single "Racist Friend" was a minor hit (UK No. 60), with the band establishing themselves as a septet: Dakar, Newton, Campbell, Bradbury, Cuthell, Dammers and Shipley. The new line-up (still known as the Special AKA) finally issued a new full-length album In the Studio in 1984. Officially, the band was now a sextet: Dakar, Campbell, Bradbury, Dammers, Shipley and new bassist Gary McManus. Cuthell, Newton, Panter and Radiation all appeared on the album as guests; as did saxophonist Nigel Reeve, and Claudia Fontaine and Caron Wheeler of the vocal trio Afrodiziak. Both critically and commercially, In The Studio was less successful than previous efforts, although the 1984 single "Free Nelson Mandela" was a No. 9 UK hit. The latter contributed to making Mandela's imprisonment a cause celebre in the UK, and became popular with anti-apartheid activists in South Africa. Dammers then dissolved the band and pursued political activism. CANNOTANSWER
Question: Was anyone in the band involved in any legal troubles?. Whats the answer?


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Asif Ali Zardari (Urdu: aSf `ly zrdry; Sindhi: aSf `ly zrdry; born 26 July 1955) is a Pakistani politician and the former co-chairperson of Pakistan People's Party. He served as the 11th President of Pakistan from 2008 to 2013, the first president born after Partition. The son of Hakim Ali Zardari, a landowner from Sindh, Zardari rose to prominence after his marriage to Benazir Bhutto in 1987, becoming the First Gentleman after his wife was elected Prime Minister in 1988. When Bhutto's government was dismissed by President Ghulam Ishaq Khan in 1990, Zardari was widely criticized for involvement in corruption scandals that led to its collapse.

He generally stayed out of his wife's first administration, but he and his associates became entangled in corruption cases linked to the government. He was largely blamed for the collapse of the Bhutto administration. After the dismissal of Bhutto's government in August 1990, Benazir Bhutto and Zardari were prohibited from leaving the country by security forces under the direction of the Pakistan Army. During the interim government between August and October, caretaker Prime Minister Ghulam Mustafa Jatoi, a Bhutto rival, initiated investigations of corruption by the Bhutto administration. Jatoi accused Zardari of using his wife's political position to charge a ten percent commission for obtaining permission to set up any project or to receive loans. He was tagged with the nickname "Mr. Ten Percent". He was arrested on 10 October 1990 on charges relating to kidnapping and extortion. The charges alleged an extortion scheme that involved tying a supposed bomb to a British businessman's leg. The Bhutto family considered the indictment politically motivated and fabricated. In the October 1990 elections, he was elected to the National Assembly while in jail. Bhutto and the PPP staged a walkout from the inaugural session of the National Assembly to protest Zardari's incarceration. He posted $20,000 bail, but his release was blocked by a government ordinance that removed a court's power to release suspects being tried in the terrorist court, which fast-track trials for alleged terrorists. The ordinance was later revoked and a special court acquitted him of bank fraud and conspiracy to murder political opponents. He was freed in February 1993. In March 1994, Zardari was acquitted of bank fraud charges. All other corruption charges relating to Bhutto's first term were dropped or thrown out of the courts. On March 25, 1991, the hijackers aboard Singapore Airlines Flight 117 demanded Zardari's release among other demands. The hijackers were killed by Singapore Commandos. In April 1993, he became one of the 18 cabinet ministers in the caretaker government that succeeded Nawaz Sharif's first abridged premiership. The caretaker government lasted until the July elections. After Bhutto's election, he served as her Investment Minister, chief of the intelligence bureau, and the head of the Federal Investigation Agency. In February 1994, Benazir sent Zardari to meet with Saddam Hussein in Iraq to deliver medicine in exchange for three detained Pakistanis arrested on the ambiguous Kuwait-Iraq border. In April 1994, Zardari denied allegations that he was wielding unregulated influence as a spouse and acting as "de-facto Prime Minister". In March 1995, he was appointed chairman of the new Environment Protection Council. During the beginning of the second Bhutto Administration, a Bhutto family feud between Benazir and her mother, Nusrat Bhutto, surfaced over the political future of Murtaza Bhutto, Nusrat's son and Benazir's younger brother. Benazir thanked Zardari for his support. In September 1996, Murtaza and seven others died in a shootout with police in Karachi, while the city was undergoing a three-year civil war. At Murtaza's funeral, Nusrat accused Benazir and Zardari of being responsible and vowed to pursue prosecution. Ghinwa Bhutto, Murtaza's widow, also accused Zardari of being behind his killing. President Farooq Leghari, who would dismiss the Bhutto government seven weeks after Murtaza's death, also suspected Benazir and Zardari's involvement. Several of Pakistan's leading newspapers alleged that Zardari wanted his brother-in-law out of the way because of Murtaza's activities as head of a breakaway faction of the PPP. In November 1996, Bhutto's government was dismissed by Leghari primarily because of corruption and Murtaza's death. Zardari was arrested in Lahore while attempting to flee the country to Dubai. Zardari called for no delays to the 8 January parliamentary elections and for the participation of all opposition parties. Other major political parties quickly agreed to participate, ending any chance of a boycott. Because of the turmoil after the Bhutto assassination, the elections were postponed six weeks to 18 February. In January 2008, he suggested that if his party did win a majority, it might form a coalition with Musharraf's Pakistan Muslim League-Q (PML-Q). He and Nawaz Sharif, leader of the Pakistan Muslim League (N) party (PML-N), threatened national protests if any vote-rigging was attempted. He himself could not run for Parliament because he had not filed election papers in November 2008, back when he had no foreseeable political ambition while Bhutto was alive. The PPP and the PML-N won the largest and second largest number of seats respectively in the February elections. He and Sharif agreed to form a coalition government, ending American hopes of a power-sharing deal between him and Musharraf. They agreed to restore the judiciary, but Zardari took a less stringent stance than Sharif. He met with U.S. ambassador Anne W. Patterson, who pushed for a pact with Musharraf. To strengthen the new coalition, he reached out to Awami National Party, the Muttahida Qaumi Movement, and Baloch nationalist leaders, who had all boycotted the elections. After weeks of speculation and party infighting, he said he did not want to become Prime Minister. In mid-March 2008, he chose Yousaf Raza Gillani for Prime Minister in a snub to the more politically powerful Makhdoom Amin Fahim. CANNOTANSWER


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Dennis Keith Rodman (born May 13, 1961) is an American retired professional basketball player, who played for the Detroit Pistons, San Antonio Spurs, Chicago Bulls, Los Angeles Lakers, and Dallas Mavericks in the National Basketball Association (NBA). He was nicknamed "The Worm" and was known for his fierce defensive and rebounding abilities. Rodman played at the small forward position in his early years before becoming a power forward. He earned NBA All-Defensive First Team honors seven times and won the NBA Defensive Player of the Year Award twice.

After his NBA career, Rodman took a long break from basketball and concentrated on his film career and on wrestling. After a longer hiatus, Rodman returned to play basketball for the Long Beach Jam of the newly formed American Basketball Association during the 2003-04 season, with hopes of being called up to the NBA midseason. While he did not get that wish that season, he did help the Jam win the ABA championship in their inaugural season. He also played in Mexico, with Fuerza Regia in 2004. In the following 2004-05 season, he signed with the ABA's Orange County Crush and the following season with the league's Tijuana Dragons. In November 2005, he played one match for Torpan Pojat of the Finland's basketball league, Korisliiga. The return to the NBA never materialized, but on January 26, 2006, it was announced that Rodman had signed a one-game "experiment" deal for the UK basketball team Brighton Bears of the British Basketball League to play Guildford Heat on January 28, and went on to play three games for the Bears. In spring 2006, he played two exhibition games in the Philippines along with NBA ex-stars Darryl Dawkins, Kevin Willis, Calvin Murphy, Otis Birdsong and Alex English. On April 27, they defeated a team of former Philippine Basketball Association stars in Mandaue City, Cebu and Rodman scored five points and grabbed 18 rebounds. On May 1, 2006, Rodman's team played their second game and lost to the Philippine national basketball team 110-102 at the Araneta Coliseum, where he scored three points and recorded 16 rebounds. On April 4, 2011, it was announced that Rodman would be inducted into the Naismith Memorial Basketball Hall of Fame. CANNOTANSWER

What films has he been in


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Yoko Ono (born February 18, 1933) is a Japanese multimedia artist, singer, songwriter, and peace activist who is also known for her work in performance art and filmmaking. She performs in both English and Japanese. She is known for being the second wife and widow of singer-songwriter John Lennon of the Beatles. Ono grew up in Tokyo and also spent several formative years in New York City.

Ono was born on February 18, 1933, in Tokyo, Japan, to Isoko Ono (Xiao Ye  Ji Zi , Ono Isoko) and Eisuke Ono (Xiao Ye  Ying Fu , Ono Eisuke), a wealthy banker and former classical pianist. Isoko's father was ennobled in 1915. Isoko's maternal grandfather Zenjiro Yasuda (An Tian  Shan Ci Lang , Yasuda Zenjiro) was an affiliate of the Yasuda clan and zaibatsu. Eisuke came from a long line of samurai warrior-scholars. The kanji translation of Yoko (Yang Zi ) means "ocean child." Two weeks before Ono's birth, Eisuke was transferred to San Francisco by his employer, the Yokohama Specie Bank. The rest of the family followed soon after, with Ono meeting her father when she was two. Her younger brother Keisuke was born in December 1936. Ono was enrolled in piano lessons from the age of 4. In 1937, the family was transferred back to Japan and Ono enrolled at Tokyo's elite Gakushuin (also known as the Peers School), one of the most exclusive schools in Japan. The family moved to New York City in 1940. The next year, Eisuke was transferred from New York City to Hanoi, and the family returned to Japan. Ono was enrolled in Keimei Gakuen, an exclusive Christian primary school run by the Mitsui family. She remained in Tokyo throughout World War II and the great fire-bombing of March 9, 1945, during which she was sheltered with other family members in a special bunker in Tokyo's Azabu district, far from the heavy bombing. Ono later went to the Karuizawa mountain resort with members of her family. Starvation was rampant in the destruction that followed the Tokyo bombings; the Ono family were forced to beg for food while pulling their belongings with them in a wheelchair. Ono said it was during this period in her life that she developed her "aggressive" attitude and understanding of "outsider" status when children--who were once well-to-do--taunted her and her brother. Other stories tell of her mother bringing a large number of goods with them to the countryside, where they were bartered for food. In one anecdote, her mother traded a German-made sewing machine for 60 kilograms (130 lb) of rice to feed the family. During this time, Ono's father, who had been in Hanoi, was believed to be in a prisoner of war camp in China. However, unbeknownst the them, he remained in the city. Ono told Amy Goodman of Democracy Now on October 16, 2007, that "He was in French Indochina, which is Vietnam actually.... in Saigon. He was in a concentration camp." By April 1946, Gakushuin was reopened and Ono re-enrolled. The school, located near the Tokyo Imperial Palace, had not been damaged by the war, and Ono found herself a classmate of Prince Akihito, the future emperor of Japan. She graduated in 1951 and was accepted into the philosophy program of Gakushuin University as the first woman to enter the department. However, she left the school after two semesters. During the last two years that the Beatles performed, Lennon and Ono created and attended their own public protests against the Vietnam War. On March 20, 1969, they were married at the registry office in Gibraltar and spent their honeymoon in Amsterdam, campaigning with a week-long Bed-In for Peace. They planned another Bed-In in the US, but were denied entry to the country. They held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance". Lennon later stated his regrets about feeling "guilty enough to give McCartney credit as co-writer on my first independent single instead of giving it to Yoko, who had actually written it with me." The famous couple often combined advocacy with performance art, such as in "bagism", first introduced during a Vienna press conference, where they satirised prejudice and stereotyping by wearing a bag over their entire bodies. Lennon detailed this period in the Beatles' song "The Ballad of John and Yoko". Lennon changed his name by deed poll on April 22, 1969, switching out Winston for Ono as a middle name. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth. The couple settled at Tittenhurst Park at Sunninghill, Berkshire, in southeast England. When Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on the Beatles' last recorded album, Abbey Road. The two artists collaborated on many albums, beginning in 1968 when Lennon was still a Beatle, with Unfinished Music No.1: Two Virgins, an album of experimental musique concrete. The same year, the couple contributed an experimental piece to The White Album called "Revolution 9". Also on The White Album, Ono contributed backing vocals on "Birthday", and one line of lead vocals on "The Continuing Story of Bungalow Bill." The latter marked the only occasion in a Beatles recording in which a woman sings lead vocals. Ono released her first solo album, Yoko Ono/Plastic Ono Band, in 1970 as a companion piece to Lennon's better-known John Lennon/Plastic Ono Band. The two albums also had companion covers: Ono's featured a photo of her leaning on Lennon, and Lennon's a photo of him leaning on Ono. Her album included raw, harsh vocals, which bore a similarity with sounds in nature (especially those made by animals) and free jazz techniques used by wind and brass players. Performers included Ornette Coleman, other renowned free jazz performers, and Ringo Starr. Some songs on the album consisted of wordless vocalizations, in a style that would influence Meredith Monk and other musical artists who have used screams and vocal noise in lieu of words. The album reached No. 182 on the US charts. When Lennon was invited to play with Frank Zappa at the Fillmore (then the Filmore West) on June 5, 1971, Ono joined them. Later that year, she released Fly, a double album. In it, she explored slightly more conventional psychedelic rock with tracks including "Midsummer New York" and "Mind Train", in addition to a number of Fluxus experiments. She also received minor airplay with the ballad "Mrs. Lennon". The track "Don't Worry, Kyoko (Mummy's Only Looking for Her Hand in the Snow)" was an ode to Ono's missing daughter, and featured Eric Clapton on guitar. In the late 1960s, while studying with Maharishi Mahesh Yogi in Majorca, Spain, Ono's ex-husband Anthony Cox accused Ono of abducting their daughter Kyoko from his hotel. Accusations flew between the two, as well as the matter of custody. Cox eventually moved away with Kyoko; Ono would not see her daughter until 1998. It was during this time that she wrote "Don't Worry Kyoko", which also appears on Lennon and Ono's album Live Peace in Toronto 1969, in addition to Fly. Kyoko is also referenced in the first line of "Happy Christmas (War Is Over)" when Yoko whispers "Happy Christmas, Kyoko", followed by Lennon whispering, "Happy Christmas, Julian." The song reached No. 4 in the UK, where its release was delayed until 1972, and has periodically reemerged on the UK Singles Chart. Originally a protest song about the Vietnam War, "Happy Xmas (War Is Over)" has since become a Christmas standard. That August the couple appeared together at a benefit in Madison Square Garden with Roberta Flack, Stevie Wonder, and Sha Na Na for mentally handicapped children organized by WABC-TV's Geraldo Rivera. In a 2018 issue of Portland Magazine, editor Colin W. Sargent writes of interviewing Yoko while she was visiting Portland, Maine in 2005. She spoke of driving along the coast with Lennon and dreamed of buying a house in Maine. "We talked excitedly in the car. We were looking for a house on the water... We did examine the place! We kept driving north along the water until I don't really remember the name of the town. We went quite a ways up, actually, because it was so beautiful." CANNOTANSWER

Was Fly the name of another album?


Pauline Curuenavuli was born in Suva, Fiji on 15 October 1982 to parents Isireli, a former choir conductor, and Miliana, a nurse. Her mother Miliana lived and worked alone in Sydney, Australia for two years. Paulini, her five siblings and their father Isireli moved from Fiji to Sydney in 1986, when she was four years old, to join Miliana. Their first home in Australia was a two-bedroom apartment in Randwick, New South Wales, where Paulini attended Coogee Public School.

In 2014, Paulini signed a joint record deal with Ambition Records and Decca Records Australia. She became the first artist signed to the reactivated Decca Records label in Australia. Paulini released "Air It All Out" as the lead single from her third studio album Come Alive on 17 October 2014. Co-written by Paulini in New York, she explained that "the song is about letting go of negativity, doubt and fear - breathing in and exhaling positivity and purpose." "By My Side" was released as the second and final single from Come Alive on 15 May 2015. Co-written in Sydney by Paulini and producer Adam Reily, "By My Side" was dedicated to Paulini's older sister Litia who battled and overcame breast cancer. Paulini stated that the song is lyrically "about my journey over the past few years and coming into my skin after a struggle to find my voice, my artistry and above all, loving myself with the help of loved ones by my side." Both "Air It All Out" and "By My Side" failed to make any significant impact on the ARIA charts. Paulini's third album Come Alive was released on 29 May 2015, almost nine years after the release of her second album Superwoman (2006). Come Alive marked a departure from Paulini's previous R&B releases, with a more commercial adult contemporary pop sound. She worked on the album for five years in Berlin, London, Los Angeles, New York City and Paris with several writers and producers, including Chris Rosa, Erik "Blue2th" Griggs and Philippe-Marc Anquetil. Paulini stated that she wanted to take her time with the album to concentrate on improving her songwriting, having co-written all but two tracks on Come Alive. Come Alive debuted at number 25 on the ARIA Albums Chart and surpassed Superwoman's peak position of number 72. Paulini's fourth studio album Merry Christmas was released on 6 November 2015. It was Paulini's first Christmas album and second overall Christmas release, following her 2004 EP, Amazing Grace: Songs for Christmas. Paulini stated that the release was her "way of saying 'thank you'" to the fans for allowing her to perform and share the spirit of Christmas at "communities all around Australia" every year. Featuring cover versions of popular Christmas tunes, Merry Christmas failed to impact the ARIA charts. Paulini promoted the album with an eight-date tour at various Christmas carols events on the East Coast. Paulini collaborated with The Wiggles on the song "Do the Pretzel" for their 2017 album Duets, and appeared in the music video included on the DVD of the same name. In April 2017, she made her musical theatre debut in the Australian production of The Bodyguard, which is based on Whitney Houston's 1992 film of the same name. Paulini played the lead role of Rachel Marron--originally portrayed by Houston in the film--a fictional pop superstar who is stalked by a fan and falls in love with her bodyguard. Paulini took acting lessons and increased her fitness to prepare for the role, which included singing and running on the treadmill at the same time. The Bodyguard musical played shows in Sydney, Brisbane and Melbourne from April until October 2017. Paulini's performance in the musical was well-received by critics and audiences. CANNOTANSWER

Answer the following question by taking a quote from the article: What was the relationship between Paulini and the Come Alive, Merry


The accession of Elizabeth to the throne brought up the question of the name of the royal house. The Duke's uncle, Louis Mountbatten, 1st Earl Mountbatten of Burma, advocated the name House of Mountbatten, as Elizabeth would typically have taken Philip's last name on marriage; however, when Queen Mary, Elizabeth's grandmother, heard of this suggestion, she informed the British Prime Minister Winston Churchill, who himself later advised the Queen to issue a royal proclamation declaring that the royal house was to remain known as the House of Windsor. Churchill's strong personal antipathy to Lord Mountbatten, whom he considered a dangerous and subversive rival who had lost India, may have contributed to this. Prince Philip privately complained, "I am nothing but a bloody amoeba. I am the only man in the country not allowed to give his name to his own children." On 8 February 1960, several years after the death of Queen Mary and the resignation of Churchill, the Queen issued an Order in Council declaring that Mountbatten-Windsor would be the surname of her and her husband's male-line descendants who are not styled as Royal Highness or titled as Prince or Princess. While it seems the Queen had "absolutely set her heart" on such a change and had it in mind for some time, it occurred only eleven days before the birth of Prince Andrew (19 February), and only after three months of protracted correspondence between constitutional expert Edward Iwi (who averred that, without such a change, the royal child would be born with "the Badge of Bastardy") and Prime Minister Harold Macmillan who had attempted to rebuff Iwi. After her accession to the throne, the Queen also announced that the Duke was to have "place, pre-eminence and precedence" next to her "on all occasions and in all meetings, except where otherwise provided by Act of Parliament". This meant the Duke took precedence over his son, the Prince of Wales, except, officially, in the British parliament. In fact, however, he attends Parliament only when escorting the Queen for the annual State Opening of Parliament, where he walks and sits beside her. Contrary to rumours over the years, the Queen and Duke are said by insiders to have had a strong relationship throughout their marriage, despite the challenges of Elizabeth's reign. The Queen referred to Prince Philip in a speech on the occasion of her Diamond Jubilee in 2012 as her "constant strength and guide". CANNOTANSWER

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Background: Sherpa are a Tibetic ethnic group native to the most mountainous regions of Nepal, China, Bhutan and India, the Himalayas. The term sherpa or sherwa derives from the Sherpa language words shar ("east") and wa ("people"), a reference to their geographical origin in northeastern Tibet. Most Sherpa people live in eastern regions of Nepal; however, some live farther west in the Rolwaling valley and in the Helambu region north of Kathmandu. Tengboche is the oldest Sherpa village in Nepal.
Context: According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism. CANNOTANSWER
Question: Do Sherpa People have holy men ?

Answer:


On May 10, 2012, Cook performed a new song entitled "The Last Song I'll Write for You" on the eleventh season of American Idol. Before the performance, Cook confirmed to Shirley Halperin of the Hollywood Reporter that he is without a recording contract, having departed from RCA, and is self-releasing "The Last Song I'll Write for You". On April 30, 2013, Cook released a new single, "Laying Me Low", through XIX Recordings, the record label of American Idol creator Simon Fuller, although Cook shortly departed from Fuller's label. Cook co-penned country music singer David Nail's 2014 single, "Kiss You Tonight" from his album I'm a Fire. On November 17, 2014, a new single, "Wait For Me", was released. On March 24, 2015, it was announced that Cook had signed a publishing deal with Warner/Chappell Music. Cook's move to Nashville saw his newfound role as producer of his fourth album, often citing his move as the source of creativity. He worked with previous songwriters like Zac Maloy, Kevin Griffin, David Hodges, and Andy Skib (who also contributed as engineer). Cook also collaborated with Jerry Flowers (Keith Urban's bass guitarist), Earth to Andy members Andy Waldeck and Chris Reardon (with Reardon also serving as co-producer on one track - Laying Me Low), local Nashville writers Blair Daly and Chad Carlson, former bandmate Devin Bronson, and Steven Miller. The album's title Digital Vein and track listing was announced on June 23, 2015, with "Criminals" being the first official single from the album released on July 31, 2015. Digital Vein was released on September 18, 2015 through Cook's own independent label, Analog Heart Music. Cook promoted the album on the Digital Vein Tour throughout late 2015 and early 2016. The first half of the tour, with opening act Andrew Ripp, consisted of 33 shows in 24 states, beginning on September 30, 2015 in Phoenix, Arizona and ending on November 21, 2015 in Tulsa, Oklahoma. In this tour, Daniel Damico replaced Andy Skib and Devin Bronson as the lead guitarist and keyboardist, drummer Adam Reidelbach replaced Nick Adams, and Andy Wildrick replaced Monty Anderson as the bass guitarist. His second single "Broken Windows" was released on February 22, 2016 and coincided with the second half of the tour. Featuring opening act Tony Lucca, the run consisted of 18 shows in 14 states, beginning on February 23, 2016 in Chattanooga, Tennessee and ending on March 19, 2016 in Oklahoma City, Oklahoma. CANNOTANSWER

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Catherine Zeta-Jones, CBE (; born 25 September 1969) is a Welsh actress. Born and raised in Swansea, Zeta-Jones aspired to be an actress from a young age. As a child, she played roles in the West End productions of the musicals Annie and Bugsy Malone. She studied musical theatre at the Arts Educational Schools, London, and made her stage breakthrough with a leading role in a 1987 production of 42nd Street.

Zeta-Jones was born in Swansea, Wales, on 25 September 1969 to David Jones, the owner of a sweet factory, and his wife Patricia (nee Fair), a seamstress. Her father is Welsh and her mother is of Irish Catholic descent. She was named after her grandmothers, Zeta Jones and Catherine Fair. She has an older brother, David, and a younger brother, Lyndon, who worked as a sales representative before venturing into film production. Zeta-Jones was raised in the suburban area of Mumbles. Because Zeta-Jones was a hyperactive child, her mother sent her to the Hazel Johnson School of Dance when she was four years old. She was educated at the Dumbarton House School, a private school in Swansea. The family came from a modest background, but their fortunes improved when they won PS100,000 in a bingo competition, allowing them to pay for Zeta-Jones' dance and ballet lessons. Zeta-Jones participated in school stage shows from a young age and gained local media attention when her rendition of a Shirley Bassey song won a Junior Star Trail talent competition. As part of a dance troupe, she routinely took trips to London, where she auditioned for roles in the theatre. At the age of nine, she was selected to play one of the orphan girls in a West End production of the musical Annie, and in her early teens, she became a national tap-dancing champion. In 1981 she played the lead role of Annie in a Swansea production of the musical, which was staged at the Swansea Grand Theatre. Two years later, she played the lead role of Tallulah in a West End production of Bugsy Malone. When she was 15, Zeta-Jones dropped out of school without obtaining O-levels and decided to live in London to pursue a full-time acting career; she was also engaged to perform in a touring production of The Pajama Game. Describing her teenage years in London, Zeta-Jones said, "I would queue up for auditions and then change my costume or put on a different leotard and audition again. It might take me two tries, but I always got the job. I figured out what they wanted". She went on to attend the independent Arts Educational Schools in Chiswick, London, for a three-year course in musical theatre. In 1987, when she was 17 years old, Zeta-Jones was picked as the second understudy to the lead actress in a West End production of 42nd Street. During one of the performances, both the star and the first understudy were unavailable, and Zeta-Jones was asked to play the role of Peggy Sawyer--a chorus girl who becomes a star. The producer was impressed by her acting ability and allowed her to play the role for the next two years. Her next stage appearance was with the English National Opera at the London Coliseum in 1989 where she played Mae Jones in Kurt Weill's Street Scene. CANNOTANSWER

Answer the following question by taking a quote from the article: Does she have any siblings?