Background: Jackie Mason was born Yacov Moshe Maza in Sheboygan, Wisconsin, the fourth and last son (and first one born in the United States) in a family of six children in a strict Orthodox Jewish family. Mason came from a long line of rabbis, which included his father, his grandfather, his great-grandfather, and his great-great grandfather. His father Eli and his mother had both been born in Minsk, and had emigrated to the U.S. in the 1920s with the rest of Mason's family from Minsk; his father died in 1959. A Jewish refugee organization helped his father find a position in Sheboygan, as it needed a rabbi.
Context: On October 18, 1964, in an appearance on The Ed Sullivan Show, Mason allegedly gave host Ed Sullivan the finger on air. Footage of the incident shows Mason in the middle of doing his stand-up comedy act and then looking toward Sullivan, who had placed himself directly behind the camera, commenting that Sullivan was signaling him. Sullivan was reportedly letting Mason know (by holding up two fingers) that he had only two minutes left, and to cut his act short, as the program was about to cut away due to having been partly pre-empted by an impromptu speech by President Lyndon B. Johnson that the show carried. Mason--clearly distracted--began working his own fingers into his act to make fun of the situation, and pointed toward Sullivan with an index finger, a thumb, but not (as Sullivan mistakenly believed) his middle finger. Sullivan was clearly infuriated by this, and banned Mason from future appearances on the show, canceling Mason's $45,000 ($355,000 in current dollar terms), six-appearance contract. Mason denied knowingly giving Sullivan the middle finger; he later said that he had not heard of the middle finger gesture at that time. To clear his name, Mason filed a libel suit on the grounds that Sullivan had defamed him at the New York Supreme Court. That court dismissed most of Mason's complaint. Both Mason and Sullivan appealed to the New York Supreme Court Appellate Division (which reinstated three additional causes of action against Sullivan) in June 1966. He was nevertheless banned from the show for a period of time. Sullivan asserted that Mason was unpredictable and could not be trusted. Because of Sullivan's influence, he was branded as unreliable, volatile, and obscene, and he failed to get substantial TV work for the next two decades. There was no ruling on the merits, merely a determination that Mason's suit could proceed and that he would be given an opportunity to prove his claim. Mason was given a single comeback appearance on Sullivan's TV program two years later, and Sullivan publicly apologized to him, but the damage was done. At that time, Mason opened his monologue by saying, "It is a great thrill ... and a fantastic opportunity to see me in person again." Mason later appeared on the show five times: April 23, 1967; February 25, 1968; November 24, 1968; July 22, 1969; and August 31, 1969. Mason later said: "It took 20 years to overcome what happened in one minute". CANNOTANSWER
Question: Was he able to work elsewhere?

Answer:


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Michael Jeffrey Jordan (born February 17, 1963), also known by his initials, MJ, is an American retired professional basketball player. Jordan played 15 seasons in the National Basketball Association (NBA) for the Chicago Bulls and Washington Wizards. His biography on the NBA website states: "By acclamation, Michael Jordan is the greatest basketball player of all time." Jordan was one of the most effectively marketed athletes of his generation and was considered instrumental in popularizing the NBA around the world in the 1980s and 1990s.

During his rookie season in the NBA, Jordan averaged 28.2 ppg on 51.5% shooting. He quickly became a fan favorite even in opposing arenas, and appeared on the cover of Sports Illustrated with the heading "A Star Is Born" just over a month into his professional career. Jordan was also voted in as an All-Star starter by the fans in his rookie season. Controversy arose before the All-Star game when word surfaced that several veteran players--led by Isiah Thomas--were upset by the amount of attention Jordan was receiving. This led to a so-called "freeze-out" on Jordan, where players refused to pass the ball to him throughout the game. The controversy left Jordan relatively unaffected when he returned to regular season play, and he would go on to be voted Rookie of the Year. The Bulls finished the season 38-44 and lost to the Milwaukee Bucks in four games in the first round of the playoffs. Jordan's second season was cut short when he broke his foot in the third game of the year, causing him to miss 64 games. Despite Jordan's injury and a 30-52 record (at the time it was fifth worst record of any team to qualify for the playoffs in NBA history), the Bulls made the playoffs. Jordan recovered in time to participate in the playoffs and performed well upon his return. Against a 1985-86 Boston Celtics team that is often considered one of the greatest in NBA history, Jordan set the still-unbroken record for points in a playoff game with 63 in Game 2. The Celtics, however, managed to sweep the series. Jordan had completely recovered in time for the 1986-87 season, and he had one of the most prolific scoring seasons in NBA history. He joined Wilt Chamberlain as the only two players to score 3,000 points in a season, averaging a league high 37.1 points on 48.2% shooting. In addition, Jordan demonstrated his defensive prowess, as he became the first player in NBA history to record 200 steals and 100 blocked shots in a season. Despite Jordan's success, Magic Johnson won the league's Most Valuable Player Award. The Bulls reached 40 wins, and advanced to the playoffs for the third consecutive year. However, they were again swept by the Celtics. CANNOTANSWER

what happened next?


Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys (1601-1680), a tailor, and Margaret Pepys (nee Kite; died 1667), daughter of a Whitechapel butcher. His great uncle Talbot Pepys was Recorder and briefly Member of Parliament (MP) for Cambridge in 1625. His father's first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, and appointed Lord Chief Justice of Ireland on 25 September 1655. Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor.

Outbreaks of plague were not particularly unusual events in London; major epidemics had occurred in 1592, 1603, 1625 and 1636. Furthermore, Pepys was not among the group of people who were most at risk. He did not live in cramped housing, he did not routinely mix with the poor, and he was not required to keep his family in London in the event of a crisis. It was not until June 1665 that the unusual seriousness of the plague became apparent, so Pepys's activities in the first five months of 1665 were not significantly affected by it. Indeed, Claire Tomalin writes that "the most notable fact about Pepys's plague year is that to him it was one of the happiest of his life." In 1665, he worked very hard, and the outcome was that he quadrupled his fortune. In his annual summary on 31 December, he wrote, "I have never lived so merrily (besides that I never got so much) as I have done this plague time". Nonetheless, Pepys was certainly concerned about the plague. On 16 August he wrote: But, Lord! how sad a sight it is to see the streets empty of people, and very few upon the 'Change. Jealous of every door that one sees shut up, lest it should be the plague; and about us two shops in three, if not more, generally shut up. He also chewed tobacco as a protection against infection, and worried that wig-makers might be using hair from the corpses as a raw material. Furthermore, it was Pepys who suggested that the Navy Office should evacuate to Greenwich, although he did offer to remain in town himself. He later took great pride in his stoicism. Meanwhile, Elisabeth Pepys was sent to Woolwich. She did not return to Seething Lane until January 1666, and was shocked by the sight of St Olave's churchyard, where 300 people had been buried. CANNOTANSWER

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Pinhead is a fictional character from the Hellraiser series, first appearing as an unnamed figure in the Clive Barker novella The Hellbound Heart. The name "Pinhead" is derived from a sobriquet given to him by the crew of the first Hellraiser film; he is first credited as such in Hellbound: Hellraiser II. Nearly thirty years after The Hellbound Heart was published, the character was given the designations the Hell Priest and the Cold Man in the sequels that followed, The Scarlet Gospels and Hellraiser: The Toll. Pinhead is one of the leaders of the Cenobites, formerly humans but transformed into creatures which reside in an extradimensional realm, who travel to Earth through a puzzle box called the Lament Configuration in order to harvest human souls.

Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser. After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 'super-butchers' while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader. The upcoming Hellraiser: Judgment will update Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan. CANNOTANSWER

Answer the following question by taking a quote from the article: what is the significance of design?


Francisco Pizarro was born in Trujillo, Caceres, Spain (then in the Crown of Castile) in modern-day Extremadura, Spain. He was the illegitimate son of infantry colonel Gonzalo Pizarro (1446-1522) and Francisca Gonzalez, a woman of poor means. His date of birth is uncertain, but it is believed to be sometime in the 1470s, probably 1474. Little attention was paid to his education and he grew up illiterate.

On 10 November 1509, Pizarro sailed from Spain to the New World with Alonso de Ojeda on an expedition to Uraba. He sailed to Cartagena and joined the fleet of Martin Fernandez de Enciso and, in 1513, accompanied Balboa to the Pacific. In 1514, he found a supporter in Pedro Arias Davila, the Governor of Castilla de Oro and was rewarded for his role in the arrest of Balboa with the positions of mayor and magistrate in Panama City, serving from 1519 to 1523. Reports of Peru's riches and Cortes's success in Mexico tantalized Pizarro. He undertook two expeditions to conquer the Incan Empire in 1524 and in 1526. Both failed as a result of native hostilities, bad weather and lack of provisions. Pedro de los Rios, the Governor of Panama, made an effort to recall Pizarro, but the conquistador resisted and remained in the south. In April 1528, he reached northern Peru and found the natives rich with precious metals. This discovery gave Pizarro the motivation to plan a third expedition to conquer the area. He returned to Panama to make arrangements, but the Governor refused to grant permission for the project. Pizarro returned to Spain to appeal directly to King Charles I. His plea was successful and he received not only a license for the proposed expedition, but also authority over any lands conquered during the venture. He was joined by family and friends and the expedition left Panama in 1530. When hostile natives along the coast threatened the expedition, Pizarro moved inland and founded the first Spanish settlement in Peru, San Miguel de Piura. Atahualpa refused to tolerate a Spanish presence in his lands, but was captured by Pizarro during the Battle of Cajamarca on 16 November 1532. A ransom for the emperor's release was demanded and Atahualpa filled a room with gold, but Pizarro charged him with various crimes and executed him on 26 July 1533, overriding his associates who thought he was overstepping his authority. The same year, Pizarro entered the Inca capital of Cuzco and completed his conquest of Peru. In January 1535, Pizarro founded the city of Lima, a project he considered his greatest achievement. Quarrels between Pizarro and his longtime comrade-in-arms Diego Almagro culminated in the Battle of Las Salinas. Almagro was captured and executed and, on 26 June 1541, his embittered son, Diego de Almagro "el mozo", assassinated Pizarro in Lima. The conquistador of Peru was laid to rest in the Lima Cathedral. Two years later Pizarro, Almagro and Luque started the arrangements for a second expedition with permission from Pedrarias Davila. The governor, who himself was preparing an expedition north to Nicaragua, was reluctant to permit another expedition, having lost confidence in Pizarro. The three associates eventually won his trust and he acquiesced. By this time, a new governor was to arrive and succeed Davila. Pedro de los Rios took charge in July 1526 and initially approved Pizarro's expeditions (he would join him several years later in Peru). On 10 March 1526 Pizarro left Panama with two ships with 160 men and several horses, reaching as far as the Colombian San Juan River. Soon after arriving the party separated, with Pizarro staying to explore the new and often perilous territory off the swampy Colombian coasts, while the expedition's co-commander, Almagro, returned to Panama for reinforcements. Pizarro's Piloto Mayor (main pilot), Bartolome Ruiz, continued sailing south and, after crossing the equator, found and captured a balsa (raft) under sail, with natives from Tumbes. To everyone's surprise, these carried textiles, ceramic objects and some pieces of gold, silver and emeralds, making Ruiz's findings the central focus of this second expedition. Some natives were taken aboard Ruiz's ship to serve as interpreters. He then set sail north for the San Juan River, arriving to find Pizarro and his men exhausted from the difficulties they had faced exploring the new territory. Soon Almagro sailed into the port laden with supplies and a reinforcement of at least eighty recruits who had arrived at Panama from Spain with an expeditionary spirit. The findings and excellent news from Ruiz along with Almagro's new reinforcements cheered Pizarro and his tired followers. They decided to sail back to the territory already explored by Ruiz and, after a difficult voyage due to strong winds and currents, reached Atacames on the Ecuadorian coast. Here, they found a large native population recently brought under Inca rule. Unfortunately for the conquistadores, the warlike spirit of the people they encountered seemed so defiant and dangerous in numbers that the Spanish decided not to enter the land. When the new governor of Panama, Pedro de los Rios, refused to allow for a third expedition to the south, the associates resolved for Pizarro to leave for Spain and appeal to the sovereign in person. Pizarro sailed from Panama for Spain in the spring of 1528, accompanied by Pedro de Candia, some natives and llamas, plus samples of fabric, gold and silver. Pizzaro reached Seville in early summer. King Charles I, who was at Toledo, had an interview with Pizarro and heard of his expeditions in South America. The conquistador described the territory as rich in gold and silver that he and his followers had bravely explored "to extend the empire of Castile". The king, who was soon to leave for Italy, was impressed at his accounts and promised his support for the conquest of Peru. Queen Isabel, though, in the absence of the king, signed the Capitulacion de Toledo on 6 July 1529, a license document that authorized Pizarro to proceed with the conquest of Peru. Pizarro was officially named the Governor, Captain general, Adelantado and Alguacil Mayor, of New Castile for the distance of 200 leagues along the newly discovered coast and invested with all authority and prerogatives, leaving his associates in secondary positions (a fact that later incensed Almagro and would lead to eventual discord). One of the grant conditions was that within six months, Pizarro should raise a sufficiently equipped force of 250 men, of whom 100 might be drawn from the colonies. This gave Pizarro time to leave for his native Trujillo and convince his brother Hernando Pizarro and other close friends to join him on his third expedition. Francisco de Orellana joined the group and would later discover and explore the length of the Amazon River. Two more of his brothers from his father, Juan Pizarro and Gonzalo Pizarro, and a brother from his mother, Francisco Martin de Alcantara, later decided to join him, as well as his cousin Pedro Pizarro, who served as his page. When the expedition left the following year, it numbered three ships, 180 men and 27 horses. Pizarro could not raise the number of men the Capitulacion required and sailed clandestinely from the port of Sanlucar de Barrameda for the Canary Island of La Gomera in January 1530. He was there joined by his brother Hernando and the remaining men in two vessels that would sail back to Panama. Pizarro's third and final expedition left Panama for Peru on 27 December 1530. CANNOTANSWER

How did the locals react to that?


The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity, fueled by unprecedented sales of LP records, and helped to alter the direction of popular music in the U.S. The Kingston Trio was one of the most prominent groups of the era's pop-folk boom that started in 1958 with the release of their first album and its hit recording of "Tom Dooley", which sold over three million copies as a single.

Following the Hungry i engagement, Reynolds moved to Port Orford, Oregon and pursued interests in ranching, business, and race cars for the next twenty years. Stewart commenced a long and distinguished career as a singer-songwriter, composing hit songs like "Daydream Believer" for The Monkees and "Runaway Train" for Rosanne Cash. He recorded more than 40 albums of his own, most notably the landmark California Bloodlines, and found chart success in the top forty with "Midnight Wind", "Lost Her in the Sun", and "Gold", the latter reaching number 5 in 1979. Bob Shane decided to stay in entertainment, and he experimented with solo work. He recorded several singles, including a well-received but under-marketed version of the song "Honey" that later became a million-seller for Bobby Goldsboro, and with different configurations with other folk-oriented performers. Though finances were not an immediate concern--the Kingston Trio partners Werber, Shane and Reynolds still owned an office building, a restaurant, other commercial real estate, and a variety of other lucrative investments--Shane wanted to return to a group environment and in 1969 secured permission from his partners to use the mutually owned group name for another band, with Reynolds and Werber insisting only that Shane's group be musically as accomplished as its predecessors and that Shane append "new" to the band's title. Shane agreed and organized two troupes under the name of "The New Kingston Trio". The first consisted of guitarist Pat Horine and banjoist Jim Connor in addition to Shane and lasted from 1969 to 1973, the second including guitarist Roger Gambill and banjoist Bill Zorn from 1973 until 1976. Shane tried to create a repertoire for these groups that included both the older and expected Kingston Trio standards like "Tom Dooley" and "M.T.A." but that would also feature more contemporary songs as well, including country and novelty tunes. The attempt did not meet with any significant success. The only full-length album released by either group was The World Needs a Melody in 1973 (though 25 years later FolkEra Records issued The Lost Masters 1969-1972, a compilation of previously unreleased tracks from the Shane-Horine-Connor years), and its sales were negligible. Though both troupes of the New Kingston Trio made a limited number of other recordings and several television appearances, neither generated very much interest from fans or the public at large. CANNOTANSWER

Answer the following question by taking a quote from the article: Who started the new trio?


Pynchon attended Oyster Bay High School in Oyster Bay, where he was awarded "student of the year" and contributed short fictional pieces to his school newspaper. These juvenilia incorporated some of the literary motifs and recurring subject matter he would use throughout his career: oddball names, sophomoric humor, illicit drug use, and paranoia. After graduating from high school in 1953 at the age of 16, Pynchon studied engineering physics at Cornell University, but left at the end of his second year to serve in the U.S. Navy. In 1957, he returned to Cornell to pursue a degree in English. His first published story, "The Small Rain", appeared in the Cornell Writer in March 1959, and narrates an actual experience of a friend who had served in the Army; subsequently, however, episodes and characters throughout Pynchon's fiction draw freely upon his own experiences in the Navy. While at Cornell, Pynchon started his friendships with Richard Farina and David Shetzline; Pynchon would go on to dedicate Gravity's Rainbow to Farina, as well as serve as his best man and as his pallbearer. Together the two briefly led what Pynchon has called a "micro-cult" around Oakley Hall's 1958 novel Warlock. Pynchon later reminisced about his college days in the introduction he wrote in 1983 for Farina's novel Been Down So Long It Looks Like Up to Me, first published in 1966. He reportedly attended lectures given by Vladimir Nabokov, who then taught literature at Cornell. Although Nabokov later said that he had no memory of Pynchon, Nabokov's wife Vera, who graded her husband's class papers, commented that she remembered his distinctive handwriting as a mixture of printed and cursive letters, "half printing, half script." In 1958, Pynchon and classmate Kirkpatrick Sale wrote part or all of a science-fiction musical, Minstrel Island, which portrayed a dystopian future in which IBM rules the world. Pynchon received his BA in June 1959. CANNOTANSWER

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Simon Phillip Cowell was born on 7 October 1959 in Lambeth, London, and raised in Elstree, Hertfordshire. His mother, Julie Brett (nee Josie Dalglish; 1925-2015), was a ballet dancer and socialite, and his father, Eric Selig Phillip Cowell (1918-1999), was an estate agent, property developer, and music industry executive. Cowell's paternal grandmother was a Polish immigrant. His father was from a mostly Jewish family, though he did not discuss his background with his children, and his mother was from a Christian background.

In 2001, Cowell was given the role of judge on the first series of Pop Idol, a show that he and the show creator Simon Fuller successfully pitched to ITV Controller of Entertainment Claudia Rosencrantz. Cowell's S Records signed the top two finishers of the first season of Pop Idol, Will Young and Gareth Gates, both of whom went on to have No 1 UK hits, which were the top 2 best-selling singles of 2002, as well as that of top 2 of the decade of 2000s. He also became a judge on the first season of American Idol in 2002. With his notoriously critical reputation, Cowell has been likened to TV personalities such as Judith Sheindlin, and Anne Robinson of her show. Cowell's prominence grew, fed by his signature phrase, "I don't mean to be rude, but ...", inevitably followed by an unsparingly blunt appraisal of the contestant's talents, personality, or even physical appearance. A lot of these one-liners were the product of coaching that Cowell received from noted publicist Max Clifford (who was sacked by Cowell after being convicted of sex offences as of May 2014). Cowell also appeared on the one-off World Idol programme in 2003, where it became clear that each country's version of the Idol had attempted to come up with its own "Simon Cowell" type personality. In 2003, Cowell placed No 33 on Channel 4's list of the all-time 100 Worst Britons. Cowell formed a new company Syco, which is divided into three units - Syco Music, Syco TV and Syco Film. Cowell returned to music with his latest brainchild signed to Syco, the internationally successful operatic pop group Il Divo, consisting of three opera singers and one pop singer of four different nationalities. Inspired by the success of Il Divo, Simon created a child version, Angelis, beating competition from similar groups emerging at Christmas 2006. On 11 January 2010, Cowell's exit from American Idol was made official. By the time Cowell left American Idol, the show was on its seventh consecutive season in its leadership among all primetime programmes in the United States, even lasting up to 2011 in the longest winning streak in the US overall viewership and demographics in the Nielsen ratings. The 2010 season was Cowell's last on the show. He was replaced by Steven Tyler. It was also announced that FOX had acquired the rights to The X Factor USA, an American version of Cowell's British show, The X Factor, which began in September 2011. Following the success of the Idol and X Factor franchises, Cowell, his company Syco, and its business partners developed a talent show format open to performers of any kind, not only singers, but also dancers, instrumentalists, magicians, comedians, novelty acts, and so on. The origins of the Got Talent format can be traced to the British show Opportunity Knocks. Cowell is the executive producer of America's Got Talent, which debuted in June 2006, along with Fremantle producers of the Idol series, but for some time he did not appear on the show due to the terms of his contract with Fox. The show was a huge success for NBC, drawing around 12 million viewers a week, and beating So You Think You Can Dance on Fox (produced by rival and Idol creator Simon Fuller). Britain's Got Talent debuted on ITV in June 2007. Cowell appeared as a judge alongside Amanda Holden and Piers Morgan. The show was a ratings success and second and third seasons followed in 2008 and 2009. The third series featured a publicity coup when Susan Boyle made a global media impact comparable to that of any previous talent show series winner with her regional audition performance . In 2015, Cowell launched La Banda, his first US show since his stint with X Factor USA. The show, designed to find male singers to form the "ultimate Latino Boy Band," launched on Univision in the US on 13 September 2015. Cowell was announced as the replacement for Howard Stern on America's Got Talent on 22 October 2015. CANNOTANSWER

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Background: Sheryl Suzanne Crow (born February 11, 1962) is an American musician, singer, songwriter and actress. Her music incorporates elements of pop, rock, country and blues. She has released ten studio albums, four compilations, a live album, and has contributed to a number of film soundtracks. Her songs include "All I Wanna Do" and "If It Makes You Happy."
Context: She then began dating Kevin Gilbert and joined him in an ad hoc group of musicians known to themselves as the "Tuesday Music Club." Group members Gilbert, David Baerwald, and David Ricketts (both formerly of David & David), Bill Bottrell, Brian MacLeod, and Dan Schwartz share songwriting credits with Crow on her debut album, Tuesday Night Music Club. The group existed as a casual songwriting collective prior to its association with Crow but rapidly developed into a vehicle for her debut album after her arrival. Her relationship with Gilbert became acrimonious soon after the album was released, and disputes arose about songwriting credits. Crow appeared in the "New Faces" section of Rolling Stone in 1994. Tuesday Night Music Club featured many of the songs written by Crow's friends, including the second single, "Leaving Las Vegas". The album was slow to garner attention, until "All I Wanna Do" became an unexpected smash hit in the fall of 1994. As she later stated in People, she found an old poetry book in a used book store in the L.A. area and used a poem as lyrics in the song. The singles "Strong Enough" and "Can't Cry Anymore" were also released, with the first song ("Strong Enough") charting at No. 5 on Billboard and "Can't Cry Anymore" hitting the Top 40. Tuesday Night Music Club went on to sell more than 7 million copies in the U.S. and U.K. during the 1990s. The album also won Crow three Grammy Awards, in 1995: Record of the Year, Best New Artist and Best Female Vocal Performance. She performed at the 1994 and 1999 Woodstock Festivals, as well as the Another Roadside Attraction in 1997. Crow supplied background vocals to the song "The Garden of Allah" from Don Henley's 1995 album Actual Miles: Henley's Greatest Hits. In 1996, Crow released her self-titled second album. The album had songs about abortion, homelessness and nuclear war. She produced the album herself and also played a variety of instruments, from various guitars, bass or pedal steel to various organs and piano. The debut single, "If It Makes You Happy", became a radio success and netted her two Grammy awards for Best Female Rock Vocal Performance and Best Rock Album. Other singles included "A Change Would Do You Good", "Home", and "Everyday Is a Winding Road". The album was banned from sale at Wal-Mart, because in the lyrics to "Love Is a Good Thing" Crow says that Wal-Mart sells guns to children.  The album also features a protest song called "Redemption Day", which was covered by Johnny Cash on his last album American VI: Ain't No Grave. In 1997, Crow contributed the theme song to the James Bond film Tomorrow Never Dies. Her song "Tomorrow Never Dies" was nominated for a Grammy Award and Best Original Song Golden Globe. Crow collaborated on Scott Weiland's 1998 album, 12 Bar Blues. CANNOTANSWER
Question: How high did the song go?

Answer:


Springer was born in the London Underground station of Highgate while the station was in use as a shelter from German bombing during World War II, and grew up on Chandos Road, East Finchley. His parents, Margot (nee Kallmann; a bank clerk) and Richard Springer (owner of a shoe shop), were Jewish refugees who escaped from Landsberg an der Warthe, Germany (now Gorzow Wielkopolski, Poland). His maternal grandmother Marie Kallmann, who was left behind, died in the gas trucks of Chelmno extermination camp (German occupied Poland). His paternal grandmother, Selma Springer (nee Elkeles), died at the hospital in the Theresienstadt concentration camp (German occupied Czechoslovakia).

Springer's broadcast career started while he was an undergraduate at Tulane University, on WTUL New Orleans FM, a progressive format college radio station. It continued while he was still mayor of Cincinnati, with album-oriented rock radio station WEBN-FM, which was noted for its laid-back and irreverent radio format. The station featured commentaries by Springer under the banner "The Springer Memorandum." The popularity of these commentaries launched his broadcasting career. Springer was hired as a political reporter and commentator on Cincinnati's NBC affiliate, WLWT, which had, at the time, the lowest-rated news program. Later, having been named primary news anchor and Managing Editor, he needed a broadcast catchphrase in the model of other great newsmen. With the help of some others at WLWT, he created his signature line: "Take care of yourself, and each other." Within two years he was Cincinnati's number-one news anchor, along with partner Norma Rashid. For five years, he was the most popular one in the city, garnering ten local Emmy Awards for his nightly commentaries, which were frequently satirized by Cincinnati radio personality Gary Burbank. Those commentaries would eventually become his "Final Thought" on Springer. Springer would remain commentator at WLWT until January 1993. He resided in Loveland, Ohio, during this time. In 1997, the Chicago-based NBC-owned station WMAQ-TV hired Springer to serve as a news commentator. However, this proved to be unpopular among viewers, as it resulted in the resignation of long-time news anchors Ron Magers and Carol Marin. After performing only two commentaries, Springer resigned as commentator. CANNOTANSWERAnswer this question using a quote from the following article:

Was Jerry a journalist?


Sir Thomas Malory (c. 1415 - 14 March 1471) was an English writer, the author or compiler of Le Morte d'Arthur (originally titled, The Whole Book of King Arthur and His Noble Knights of the Round table). Since the late nineteenth century, he has generally been identified as Sir Thomas Malory of Newbold Revel in Warwickshire, a knight, land-owner, and Member of Parliament. Previously, it was suggested by antiquary John Leland and John Bale that he was Welsh (identifying "Malory" with "Maelor"). The name could also be rooted in Irish & Scottish Gaelic and mean "follower of the king," as in "maol" ("follower") and "ry" or "ree" ("king"). "

A second candidate was presented by A.T. Martin, another antiquarian, in an article in the Athenaeum in September 1897, who proposed that the author was Thomas Malory of Papworth St Agnes in Huntingdonshire. Martin's argument was based on a will made at Papworth on 16 September 1469 and proved at Lambeth on 27 October the same year. This identification was taken seriously for some time by editors of Malory, including Alfred W. Pollard, the noted bibliographer, who included it in his edition of Malory published in 1903. This Thomas Malory was born on 6 December 1425 at Moreton Corbet Castle, Shropshire, the eldest son of Sir William Mallory, member of Parliament for Cambridgeshire, who had married Margaret, the widow of Robert Corbet (died 1420) of Moreton Corbet. Thomas inherited his father's estates in 1425 and was placed in the wardship of the King, initially as a minor, but later (for reasons unknown) remaining there until within four months of his death in 1469. Nothing else is known of him, apart from one peculiar incident discovered by William Matthews. A collection of Chancery proceedings includes a petition brought against Malory by Richard Kyd, parson of Papworth, claiming that Malory ambushed him on a November evening and took him from Papworth to Huntingdon, and then to Bedford and on to Northampton, all the while threatening his life and demanding that he either forfeit his church to Malory or give him 100 pounds. The outcome of this case is unknown, but it seems to indicate that this Malory was something other than an ordinary country gentleman. However, there is no evidence that this Malory was ever actually knighted and the very specific use of the word "knight" in respect of the author Malory tells against him. CANNOTANSWER

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Garland was born Frances Ethel Gumm on June 10, 1922, in Grand Rapids, Minnesota. She was the youngest child of Ethel Marion (nee Milne) and Francis Avent "Frank" Gumm. Her parents were vaudevillians who settled in Grand Rapids to run a movie theater that featured vaudeville acts. She was of Irish, English, and Scottish ancestry, named after both of her parents and baptized at a local Episcopal church. "

Garland appeared in a number of television specials beginning in 1955. The first was the 1955 debut episode of Ford Star Jubilee; this was the first full-scale color broadcast ever on CBS and was a ratings triumph, scoring a 34.8 Nielsen rating. She signed a three-year, $300,000 contract with the network. Only one additional special was broadcast in 1956, a live concert-edition of General Electric Theater, before the relationship between the Lufts and CBS broke down in a dispute over the planned format of upcoming specials. In 1956, Garland performed for four weeks at the New Frontier Hotel on the Las Vegas Strip for a salary of $55,000 per week, making her the highest-paid entertainer to work in Las Vegas. Despite a brief bout of laryngitis, her performances there were so successful that her run was extended an extra week. Later that year, she returned to the Palace Theatre, site of her two-a-day triumph. She opened in September, once again to rave reviews and popular acclaim. In November 1959, Garland was hospitalized after she was diagnosed with acute hepatitis. Over the next few weeks, several quarts of fluid were drained from her body until she was released from the hospital in January 1960, still in a weak condition. She was told by doctors that she likely had five years or less to live and that, even if she did survive, she would be a semi-invalid and would never sing again. She initially felt "greatly relieved" at the diagnosis. "The pressure was off me for the first time in my life." However, she recovered over the next several months, and in August of that year, returned to the stage of the Palladium. She felt so warmly embraced by the British that she announced her intention to move permanently to England. Her concert appearance at Carnegie Hall on April 23, 1961, was a considerable highlight, called by many "the greatest night in show business history". The two-record album Judy at Carnegie Hall was certified gold, charting for 95 weeks on Billboard, including 13 weeks at number one. It won four Grammy Awards, including Album of the Year and Best Female Vocal of the Year, and has never been out of print. CANNOTANSWER

In what way does television deal with Judy Garland as a student?


Background: White Lion was a Danish/American rock band that was formed in New York City in 1983 by Danish vocalist/guitarist Mike Tramp and American guitarist Vito Bratta. Mainly active in the 1980s and early 1990s, releasing their debut album Fight to Survive in 1985. The band achieved success with their No. 8 hit "Wait" and No. 3 hit "When the Children Cry" from their second album, the double platinum selling Pride. The band continued their success with their third album, Big Game which achieved Gold status and their fourth album Mane Attraction which included a supporting tour.
Context: In August 1989, White Lion released their third album, Big Game, a musically eclectic follow-up to Pride that featured the single "Little Fighter" (which peaked at No. 52), in Memory of The Rainbow Warrior, a Greenpeace boat which was destroyed by the French. A cover of Golden Earring's "Radar Love" (which peaked at No. 59) was released as the second single and "Cry for Freedom" was released as the third single. "Going Home Tonight" was released as the album's final single. The album quickly went gold, with a peak of No. 19 on the album charts. The band's success continued with more constant touring. After two years of writing and recording, White Lion released their fourth album Mane Attraction in the spring of 1991. More of a "back to basics" album, centering on strong hooks and melodic hard rock, the album was received well by the fans. Tramp also changed his singing style on this disc, as he was no longer comfortable singing high. Unfortunately, the album failed to reach the top 20 like the last two albums, charting at No. 61 on The Billboard 200. It received little or no airplay due to the recent Grunge explosion. The album featured the singles "Love Don't Come Easy" which peaked at number 24 on The Mainstream Rock Charts, "Lights and Thunder" and a re-recorded version of the band's debut single "Broken Heart", all of which featured music videos. "Out with the Boys" was released as a rare promo single and "Farewell to You" featured a music video montage. The album also contained White Lion's only instrumental song, "Blue Monday", a tribute to Stevie Ray Vaughan, who had died while the band was writing for the album. "Till Death Do Us Part" has become popular in the Philippines, where most radio stations are playing that song. Greg D'Angelo and James LoMenzo left the band soon after the album's release, citing "musical differences," but White Lion carried on with bassist Tommy T-Bone Caradonna and drummer Jimmy DeGrasso (Megadeth, Alice Cooper, Suicidal Tendencies, Y&T, Fiona). CANNOTANSWER
Question: Were there any other notable ones?

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The Hohokam () were an ancient Native American culture centered in the present US state of Arizona. The Hohokam are one of the four major cultures of the American Southwest and northern Mexico in Southwestern archaeology. Considered part of the Oasisamerica tradition, the Hohokam established significant trading centers such as at Snaketown, and are considered to be the builders of the original canal system around the Phoenix metropolitan area, which the Mormon pioneers rebuilt when they settled the Lehi area of Mesa near Red Mountain. Variant spellings in current, official usage include Hobokam, Huhugam, and Huhukam.

Cultural labels such as Hohokam, Ancient Pueblo (Anasazi), Mogollon, or Patayan are used by archaeologists to define cultural differences among prehistoric peoples. Culture names and divisions have been assigned by individuals separated from the cultures by both time and space. Cultural divisions are by nature arbitrary, and are based solely on data available at the time of scholarly analysis and publication. They are subject to change, not only on the basis of new information and discoveries, but also as attitudes and perspectives change within the scientific community. An archaeological division cannot be assumed to correspond to a particular language group or to a political entity such as a "tribe". When making use of modern cultural divisions in the Southwest, three specific limitations in the current conventions exist: Archaeological research focuses on physical remains, the items left behind during people's activities. Scientists are able to examine fragments of pottery vessels, human remains, stone tools. or evidence left from the construction of buildings, but many other aspects of the cultures of prehistoric peoples are not tangible. Languages spoken by these people and their beliefs and behavior are difficult to decipher from the physical materials. Cultural divisions are tools of the modern scientist, so should not be considered similar to divisions or relationships the ancient residents may have recognized. Modern cultures in this region, many of whom claim some of these ancient people as ancestors, contain a striking range of diversity in lifestyle, language, and religious belief. This suggests the ancient people were also more diverse than their material remains may suggest. The modern term "style" has a bearing on how material items such as pottery or architecture can be interpreted. Within a people, different ways to accomplish the same goal can be adopted by subsets of the larger group. For example, in modern Western cultures, alternative styles of clothing characterize older and younger generations. Some cultural differences may be based on linear traditions, on teaching from one generation or "school" to another. Varieties in style may define arbitrary groups within a culture, perhaps identifying social status, gender, clan or guild affiliation, religious belief, or cultural alliances. Variations may also simply reflect the different resources available in given time or area. Designating culture groups, such as the Hohokam, tends to create an image of group territories separated by clear-cut boundaries, like modern nation states. These simply did not exist. "Prehistoric people traded, worshipped, and collaborated most often with other nearby groups. Cultural differences should therefore be understood as 'clinal', 'increasing gradually as the distance separating groups also increases.'"  Departures from the expected pattern may occur because of unidentifiable social or political situations or because of geographical barriers. In the Southwest, mountain ranges, rivers, and most obviously, the Grand Canyon, can be significant geographic barriers for human communities, likely reducing the frequency of contact with other groups. Current opinion holds that the closer cultural similarity between the Mogollon and Anasazi and their greater differences from the Hohokam culture is due to both the geography and the variety of climate zones in the Southwest. CANNOTANSWER

What were their cultural divisions?


Background: The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.
Context: Ride was one of 8,000 people who answered an advertisement in the Stanford student newspaper seeking applicants for the space program. She was chosen to join NASA in 1978. During her career, Ride served as the ground-based capsule communicator (CapCom) for the second and third space shuttle flights (STS-2 and STS-3) and helped develop the space shuttle's "Canadarm" robot arm. Prior to her first space flight, she was subject to media attention due to her gender. During a press conference, she was asked questions such as, "Will the flight affect your reproductive organs?" and "Do you weep when things go wrong on the job?" Despite this and the historical significance of the mission, Ride insisted that she saw herself in only one way--as an astronaut. On June 18, 1983, she became the first American woman in space as a crew member on space shuttle Challenger for STS-7. She was preceded by two Soviet women, Valentina Tereshkova in 1963 and Svetlana Savitskaya in 1982. The five-person crew of the STS-7 mission deployed two communications satellites and conducted pharmaceutical experiments. Ride was the first woman to use the robot arm in space and the first to use the arm to retrieve a satellite. Her second space flight was in 1984, also on board the Challenger. She spent a total of more than 343 hours in space. Ride had completed eight months of training for her third flight (STS-61-M, a TDRS deployment mission) when the space shuttle Challenger disaster occurred. She was named to the Rogers Commission (the presidential commission investigating the accident) and headed its subcommittee on operations. Following the investigation, Ride was assigned to NASA headquarters in Washington, D.C., where she led NASA's first strategic planning effort, authored a report titled "NASA Leadership and America's Future in Space" and founded NASA's Office of Exploration. After Sally Ride's death in 2012, General Donald Kutyna revealed that she had discreetly provided him with key information about O-rings (namely, that they become stiff at low temperatures) that eventually led to identification of the cause of the explosion. CANNOTANSWER
Question: Was she ever in Space again after this?. Whats the answer?


Art Spiegelman (; born Itzhak Avraham ben Zeev on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker, where he made several high-profile and sometimes controversial covers. He is married to designer and editor

"All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

When was his first comic published?


The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".

On 29 May 2007, the band signed a deal with major metal label Roadrunner Records. Their 8th studio album, titled Born into This was released on 16 October, and was produced by Martin "Youth" Glover, bass player for Killing Joke. Born into This was released as regular single disc and limited edition double disc, the second disk being a bonus 5-track CD holding the following tracks: "Stand Alone", "War Pony Destroyer", "I Assassin (Demo)", "Sound of Destruction (Demo)" and "Savages (Extended Version)". Prior to the album's release, the band played festival and headline dates, and supported the Who in Europe through summer 2007, with a US headline tour to follow. The band's appearance at Irving Plaza in New York City in early November 2006 was filmed and was released in 2007. The Cult New York City, issued by Fontana North and is the Cult's first high definition DVD release. Meanwhile, Astbury lent vocals on two tracks of the 2007 Unkle album "War Stories", one of them being the first single from the album, "Burn My Shadow". The band performed a UK and European tour in late-February and early-March 2008. On 24 March, they began their North American tour including a major 13-city tour in Canada. During September 2008, the Cult did a brief series of dates in the northeast United States, and they toured in Brazil as part of the South American tour in October 2008. As of May 2008, according to The Gauntlet, the Cult are currently unsigned and no longer under contract with Roadrunner Records. In October 2008, it was announced that the Cult would headline the inaugural Rock 'n' Roll Marathon in San Antonio, to be run 16 November 2008. The Cult announced plans for a tour showcasing their 1985 Love album across the USA and then the UK in October where they will play at the Royal Albert Hall. Coinciding with the remastered Love album and 4 disc Omnibus boxed set, the Cult kicked off the long-awaited Love Live Tour in late summer. Performing their classic Love album in its entirety, each show was played with the Love tracks opening with "Nirvana" to "Black Angel". A quick intermission followed, then other Cult hits were played (varying by venue): "Sun King", "Dirty Little Rock Star", "Electric Ocean", "Illuminated". Then followed the favorites "Fire Woman", "Lil Devil", "Wild Flower", and lastly "Love Removal Machine". In the evening of 10 October 2009 at the Royal Albert Hall in London, the band performed a second encore with original Cult bassist Jamie Stewart and drummer Mark Brzezicki, who played drums with the band during the Love album recording sessions in July and August 1985. The band sold Love Live USB flash drives for each show during the tour. CANNOTANSWER

Answer the following question by taking a quote from the article: Did they release another album?


Joseph Raymond McCarthy (November 14, 1908 - May 2, 1957) was an American politician who served as U.S. Senator from the state of Wisconsin from 1947 until his death in 1957. Beginning in 1950, McCarthy became the most visible public face of a period in the United States in which Cold War tensions fueled fears of widespread Communist subversion. He is known for alleging that numerous Communists and Soviet spies and sympathizers had infiltrated the United States federal government, universities, film industry, and elsewhere. Ultimately, the smear tactics that he used led him to be censured by the U.S. Senate.

One of the strongest bases of anti-Communist sentiment in the United States was the Catholic community, which constituted over 20% of the national vote. McCarthy identified himself as Catholic, and although the great majority of Catholics were Democrats, as his fame as a leading anti-Communist grew, he became popular in Catholic communities across the country, with strong support from many leading Catholics, diocesan newspapers, and Catholic journals. At the same time, some Catholics did oppose McCarthy, notably the anti-Communist author Father John Francis Cronin and the influential journal Commonweal. McCarthy established a bond with the powerful Kennedy family, which had high visibility among Catholics. McCarthy became a close friend of Joseph P. Kennedy Sr., himself a fervent anti-Communist, and was a frequent guest at the Kennedy compound in Hyannis Port. He dated two of Kennedy's daughters, Patricia and Eunice. It has been stated that McCarthy was godfather to Robert F. Kennedy's first child, Kathleen Kennedy. This claim has been acknowledged by Robert's wife and Kathleen's mother Ethel, though Kathleen later claimed that she looked at her christening certificate and that her actual godfather was Manhattanville College of the Sacred Heart professor Daniel Walsh. Robert Kennedy was chosen by McCarthy as a counsel for his investigatory committee, but resigned after six months due to disagreements with McCarthy and Committee Counsel Roy Marcus Cohn. Joseph Kennedy had a national network of contacts and became a vocal supporter, building McCarthy's popularity among Catholics and making sizable contributions to McCarthy's campaigns. The Kennedy patriarch hoped that one of his sons would be president. Mindful of the anti-Catholic prejudice Al Smith faced during his 1928 campaign for that office, Joseph Kennedy supported McCarthy as a national Catholic politician who might pave the way for a younger Kennedy's presidential candidacy. Unlike many Democrats, John F. Kennedy, who served in the Senate with McCarthy from 1953 until the latter's death in 1957, never attacked McCarthy. McCarthy had refused to campaign for Kennedy's 1952 opponent, Republican incumbent Henry Cabot Lodge Jr., due to his friendship with the Kennedys. When a speaker at a February 1952 final club dinner stated that he was glad McCarthy had not attended Harvard College, an angry Kennedy jumped up, denounced the speaker, and left the event. Asked by Arthur M. Schlesinger Jr. why he avoided criticism of McCarthy, Kennedy said, "Hell, half my voters in Massachusetts look on McCarthy as a hero." CANNOTANSWERAnswer this question using a quote from the following article:

How was he involved with the Kennedys?


Clarice Lispector (December 10, 1920 - December 9, 1977) was a Brazilian writer acclaimed internationally for her innovative novels and short stories. Born to a Jewish family in Podolia in Western Ukraine, as an infant she moved to Brazil with her family, amidst the disasters engulfing her native land following the First World War. She grew up in Recife, the capital of the northeastern state of Pernambuco, where her mother died when she was nine. The family moved to Rio de Janeiro when she was in her teens.

In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

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Saint Peter (Syriac/Aramaic: shem`won kE`'p'A', Shemayon Keppa, Hebrew: shm`vn br yvnh Shim'on bar Yona, Greek: Petros Petros, Coptic: , translit.

In a dialogue between Jesus and his disciples (Matthew 16:13-19), Jesus asks, "Who do people say that the Son of Man is?" The disciples give various answers. When he asks, "Who do you say that I am?" Simon Peter answers, "You are the Messiah, the Son of the living God." Jesus then declares: Blessed are you, Simon son of Jonah, for this was not revealed to you by flesh and blood, but by my Father in heaven. And I tell you that you are Cephas (Peter) (Petros), and on this rock (petra) I will build my church, and the gates of Hades will not overcome it. I will give you the keys of the kingdom of heaven; whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven. A common view of Peter is provided by Jesuit Father Daniel J. Harrington, who suggests that Peter was an unlikely symbol of stability. While he was one of the first disciples called and was the spokesman for the group, Peter is also the exemplar of "little faith". In Matthew 14, Peter will soon have Jesus say to him, "O you of little faith, why did you doubt?", and he will eventually deny Jesus three times. Thus, in light of the Easter event, Peter became an exemplar of the forgiven sinner. Outside the Catholic Church, opinions vary as to the interpretation of this passage with respect to what authority and responsibility, if any, Jesus was giving to Peter. In the Eastern Orthodox Church this passage is interpreted as not implying a special prominence to the person of Peter, but to Peter's position as representative of the Apostles. The word used for "rock" (petra) grammatically refers to "a small detachment of the massive ledge", not to a massive boulder. Thus, Orthodox Sacred Tradition understands Jesus' words as referring to the apostolic faith. Petros had not previously been used as a name, but in the Greek-speaking world it became a popular Christian name, after the tradition of Peter's prominence in the early Christian church had been established. CANNOTANSWER

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The Carpenters were an American vocal and instrumental duo of Karen (1950-1983) and Richard Carpenter (b. 1946).  They produced a distinct soft musical style, combining Karen's contralto vocals with Richard's arranging and composition skills. During their 14-year career, the Carpenters recorded ten albums, along with numerous singles and several television specials. The siblings were born in New Haven, Connecticut, and moved to Downey, California, in 1963.

The Carpenter siblings were both born at Grace-New Haven Hospital (now called Yale-New Haven Hospital) in New Haven, Connecticut, to Harold Bertram (November 8, 1908 - October 15, 1988) and Agnes Reuwer (nee Tatum, March 5, 1915 - November 10, 1996). Harold was born in Wuzhou, China, moving to Britain in 1917, and the US in 1921, while Agnes was born and grew up in Baltimore, Maryland. They married on April 9, 1935; their first child, Richard Lynn, was born on October 15, 1946, while Karen Anne followed on March 2, 1950. Richard was a quiet child who spent most of his time at home listening to Rachmaninoff, Tchaikovsky, Red Nichols and Spike Jones, and playing the piano. Karen was friendly and outgoing; she liked to play sports, including softball with the neighborhood kids, but still spent a lot of time listening to music. She enjoyed dancing and began ballet and tap classes aged four. Karen and Richard were close, and shared a common interest in music. In particular, they became fans of Les Paul and Mary Ford, whose music featured multiple overdubbed voices and instruments. Richard began piano lessons aged eight, but quickly grew frustrated with the formal direction of the lessons and quit after a year. He had begun to teach himself how to play by ear by 11, and resumed studying with a different teacher. He took a greater interest in playing this time, and would frequently practice at home. By age 14, he was interested in performing professionally, and started lessons at Yale School of Music. In June 1963, the Carpenter family moved to the Los Angeles suburb of Downey. hoping that it would mean better musical opportunities for Richard. He was asked to be the organist for weddings and services at the local Methodist church; instead of playing traditional hymns, he would sometimes rearrange contemporary Beatles songs in a "church" style. In fall 1964, Richard enrolled at California State College at Long Beach where he met future songwriting partner John Bettis, Wesley Jacobs, a friend who played the bass and tuba for the Richard Carpenter Trio, and Frank Pooler, with whom Richard would collaborate to create the Christmas standard "Merry Christmas Darling" in 1966. That same fall, Karen enrolled at Downey High School, where she found she had a knack for playing the drums. She had initially tried playing the glockenspiel, but had been inspired by her friend Frankie Chavez, who had been drumming since he was three. She became enthusiastic about the drums, and began to learn complex pieces, such as Dave Brubeck's "Take Five". Chavez persuaded her parents to buy a Ludwig drum kit in late 1964, and she began lessons with local jazz players, including how to read concert music. She quickly replaced the entry-level kit with a large Ludwig set that was a similar set-up to Brubeck's drummer, Joe Morello. Richard and Karen gave their first public performance together in 1965, as part of the pit band for a local production of Guys and Dolls. CANNOTANSWER

who were their parents?


After Gates read the January 1975 issue of Popular Electronics, which demonstrated the Altair 8800, he contacted Micro Instrumentation and Telemetry Systems (MITS), the creators of the new microcomputer, to inform them that he and others were working on a BASIC interpreter for the platform. In reality, Gates and Allen did not have an Altair and had not written code for it; they merely wanted to gauge MITS's interest. MITS president Ed Roberts agreed to meet them for a demo, and over the course of a few weeks they developed an Altair emulator that ran on a minicomputer, and then the BASIC interpreter. The demonstration, held at MITS's offices in Albuquerque, was a success and resulted in a deal with MITS to distribute the interpreter as Altair BASIC. Paul Allen was hired into MITS, and Gates took a leave of absence from Harvard to work with Allen at MITS in Albuquerque in November 1975. They named their partnership "Micro-Soft" and had their first office located in Albuquerque. Within a year, the hyphen was dropped, and on November 26, 1976, the trade name "Microsoft" was registered with the Office of the Secretary of the State of New Mexico. Gates never returned to Harvard to complete his studies. Microsoft's Altair BASIC was popular with computer hobbyists, but Gates discovered that a pre-market copy had leaked into the community and was being widely copied and distributed. In February 1976, Gates wrote an Open Letter to Hobbyists in the MITS newsletter in which he asserted that more than 90 percent of the users of Microsoft Altair BASIC had not paid Microsoft for it and by doing so the Altair "hobby market" was in danger of eliminating the incentive for any professional developers to produce, distribute, and maintain high-quality software. This letter was unpopular with many computer hobbyists, but Gates persisted in his belief that software developers should be able to demand payment. Microsoft became independent of MITS in late 1976, and it continued to develop programming language software for various systems. The company moved from Albuquerque to its new home in Bellevue, Washington, on January 1, 1979. During Microsoft's early years, all employees had broad responsibility for the company's business. Gates oversaw the business details, but continued to write code as well. In the first five years, according to Bill Gates' own claims, he personally reviewed every line of code the company shipped, and often rewrote parts of it as he saw fit. CANNOTANSWER

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Louis Cachet (French pronunciation:  [lwi kaSe]) (born Kristian Vikernes [Norwegian: [vi:k@ne:s]], 11 February 1973), more popularly known as Varg Vikernes, is a Norwegian musician and writer. In 1991, he founded the one-man music project Burzum, which is considered one of the most influential black metal acts. Three years later, he was convicted of murder and arson, and subsequently served over 14 years in prison.

In January 1993, an article in one of Norway's biggest newspapers, Bergens Tidende (BT), brought the black metal scene into the media spotlight. Two friends of Vikernes interviewed him and brought the interview to the newspaper, hoping they would print it. In the anonymous interview, 'Count Grishnackh' (Vikernes) claimed to have burnt the churches and killed a man in Lillehammer. BT journalist Finn Bjorn Tonder set up a meeting with 'Count Grishnackh', with help from the friends. The journalists were summoned to an apartment and reportedly warned that they would be shot if the police were called. There, Vikernes and his companions told the journalists that they had burnt the churches, or knew who had done it, and said that the attacks would continue. They claimed to be Devil worshippers and said: "Our intention is to spread fear and devilry [...] that is why we are telling this to Bergens Tidende." They gave the journalists details about the arsons that hadn't been released to the press and so BT spoke with the police before publishing it, who confirmed these details. The article was published on 20 January as the front page of the BT. It was headlined "We Lit The Fires" and included a photo of Vikernes, his face mostly hidden, holding two large knives. However, by the time the article was printed, Vikernes had already been arrested. The police allegedly found him by going to an address printed on a Burzum flyer, although Vikernes believes that Tonder "snitched" on him. According to Vikernes, the anonymous interview was planned by himself and Euronymous. The goal, he says, was to scare people, promote black metal and get more customers for Helvete. At the time, Burzum was about to release the Aske mini-album. Vikernes said of the interview: "I exaggerated a lot and when the journalist left we [...] had a good laugh, because he didn't seem to understand that I was pulling his leg". He added that the interview revealed nothing that could prove his involvement in any crime. Vikernes claims that, after he was arrested, "the journalist edited the interview and [...] published an insane version of it the following day, without even letting me read through it." Some of the other scene members were also arrested and questioned, but all were released for lack of evidence. Jorn Inge Tunsberg of Hades said that the interview had "grave consequences" for the rest of the scene and that they did not know he was going to talk to the press, as "he had said nothing". He added that they became "bloody angry" and he, Tunsberg, was "pissed off". Norwegian magazine Rock Furore published an interview with Vikernes in February 1993. In it, he said of the prison system: "It's much too nice here. It's not hell at all. In this country prisoners get a bed, toilet and shower. It's completely ridiculous. I asked the police to throw me in a real dungeon, and also encouraged them to use violence". He was released in March for lack of evidence. CANNOTANSWERAnswer this question using a quote from the following article:

did he say more about it?


Satriani was born in Westbury, New York, the descendant of Italian immigrants. His paternal grandparents were from Piacenza and Bobbio, while his maternal grandparents were from Bari. He was inspired to play guitar at age 14, after hearing of the death of Jimi Hendrix. He has been said to have heard the news during football practice, where he then announced to his coach that he was quitting to become a guitarist.

Satriani started playing in a San Francisco-based band called the Squares, where he continued to network and make musical connections (Squares sound man John Cuniberti co-produced his second album). He was invited to join the Greg Kihn Band, who were on the downside of their career, but whose generosity helped Satriani pay off the overwhelming credit card debt from recording his first album Not of This Earth. In 1987, Satriani's second album Surfing with the Alien produced radio hits and was the first all-instrumental release to chart so highly in many years. The track "Crushing Day" was featured on the soundtrack of a low-budget film titled It Takes Two. Surfing with the Alien is his most acclaimed work, according to aggregator Acclaimed Music. In 1988 Satriani helped produce the EP The Eyes of Horror for the death metal band Possessed. That same year he also released an EP titled Dreaming #11, which featured the song "The Crush of Love". In 1989, Satriani released the album Flying in a Blue Dream. It was said to be inspired by the death of his father, who died in 1989 during the recording of the album. "One Big Rush" featured on the soundtrack to the Cameron Crowe movie Say Anything.... "The Forgotten Part II" was featured on a Labatt Blue commercial in Canada in 1993. "Can't Slow Down" featured in a car-chase sequence in the Don Johnson starring show Nash Bridges. "The Bells of Lal (Part One)" was featured for an eerie scene in the 1996 Billy Bob Thornton movie Sling Blade, while Carl is sharpening a lawnmower blade to kill the menacing Doyle Hargraves played by Dwight Yoakam. Joe Satriani also sang backing vocals on the self-titled Crowded House album. Satriani was a friend of Mitchell Froom. In 1992, Satriani released The Extremist, his most commercially successful album to date. Radio stations across the country picked up "Summer Song," which got a major boost when Sony used it in a major commercial campaign for their Discman portable CD players. "Cryin'," "Friends," and the title track were regional hits on radio. In late 1993, Satriani joined Deep Purple as a temporary replacement for departed guitarist Ritchie Blackmore during the band's Japanese tour. The concerts were a success, and Satriani was asked to join the band permanently but he declined, having just signed a multi-album solo deal with Sony, and Steve Morse took the guitarist slot in Deep Purple. In 1996, Satriani founded the G3, a concert tour intended to feature a trio of guitarists. The original lineup featured Satriani, Vai and Eric Johnson. The G3 tour has continued periodically since its inaugural version, with Satriani the only permanent member. Other guitarists who have performed in G3 include among others: Yngwie Malmsteen, John Petrucci, Kenny Wayne Shepherd, Robert Fripp, Andy Timmons, Uli Jon Roth, Michael Schenker, Adrian Legg, Paul Gilbert, Steve Morse and Steve Lukather. In 1998 Satriani recorded and released Crystal Planet. Crystal Planet was followed up with Engines of Creation, one of his more experimental works featuring the electronica genre. A pair of shows at the Fillmore West in San Francisco were recorded in December 2000 and released as Live in San Francisco, a two-disc live album and DVD. CANNOTANSWER

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Charles Lutwidge Dodgson (; 27 January 1832 - 14 January 1898), better known by his pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon, and photographer. His most famous writings are Alice's Adventures in Wonderland, its sequel Through the Looking-Glass, which includes the poem "Jabberwocky", and the poem The Hunting of the Snark - all examples of the genre of literary nonsense.

Dodgson's family was predominantly northern English, with Irish connections, conservative and High Church Anglican. Most of Dodgson's male ancestors were army officers or Church of England clergy. His great-grandfather, also named Charles Dodgson, had risen through the ranks of the church to become the Bishop of Elphin. His paternal grandfather, another Charles, had been an army captain, killed in action in Ireland in 1803 when his two sons were hardly more than babies. The older of these sons - yet another Charles Dodgson - was Carroll's father. He went to Westminster School and then to Christ Church, Oxford. He reverted to the other family tradition and took holy orders. He was mathematically gifted and won a double first degree, which could have been the prelude to a brilliant academic career. Instead, he married his first cousin Frances Jane Lutwidge in 1827 and became a country parson. Dodgson was born in the small parsonage at Daresbury in Cheshire near the towns of Warrington and Runcorn, the eldest boy but already the third child of the four-and-a-half-year-old marriage. Eight more children followed. When Charles was 11, his father was given the living of Croft-on-Tees in North Yorkshire, and the whole family moved to the spacious rectory. This remained their home for the next 25 years. Charles's father was an active and highly conservative cleric of the Church of England who later became the Archdeacon of Richmond and involved himself, sometimes influentially, in the intense religious disputes that were dividing the church. He was high church, inclining to Anglo-Catholicism, an admirer of John Henry Newman and the Tractarian movement, and did his best to instil such views in his children. Young Charles was to develop an ambiguous relationship with his father's values and with the Church of England as a whole. CANNOTANSWER

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Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWER


The Blob (Frederick J. "Fred" Dukes) is a fictional supervillain appearing in American comic books published by Marvel Comics. The character is usually depicted as an adversary of the X-Men. A mutant originally depicted as an obese circus freak, the Blob claims to be immovable when he so desires. He possesses an extreme amount of pliable body mass, which grants him superhuman strength.

Blob appears briefly in the Age of Apocalypse as a test subject that Henry McCoy was toying with in the Breeding Pens in a direct violation of the Kelly Pact that Apocalypse signed in order to keep the Human High Council occupied and at bay while he rallied his forces. McCoy considered Blob's mutation useless which enraged Blob. Dukes freed himself, and attacked his experimenter. Havok came to McCoy's rescue, but Dukes proved to be even too much for the Prelate to handle. His pseudo freedom was fleeting for moments later the head of the pens, Havok's older brother Cyclops, showed up to deliver a searing optic blast that would put him back in his place. When the Age of Apocalypse was revisited in the 10th anniversary, Blob was a member of Sinister's team known as Sinister Six. It appears that McCoy or Sinister himself had his powers altered in a manner that allowed Blob to project his gravitational field outward. When the Sinister Six met the X-Men in battle, Dukes' new powers were used to sweep the X-Men off their feet with the Silver Samurai receiving a double dose. Quicksilver attempted to fell the behemoth with multiple punches, but Dukes remained standing regardless of how many hits he got in. It was not until Rogue stepped in with a punch that had the power necessary to overtake him that the mammoth would topple over. Following the Sinister Six's defeat, Blob managed to escape. Later he's seen as a member of the Black Legion, a group of psychotic altered mutants under the supervision of a now insane Weapon X. It is also revealed that he left the Age of Apocalypse timeline and joined Archangel's quest to become the new heir of Apocalypse. He's seen in Akkaba Metropolis under the North Pole and he was the one to prevent the escape of Psylocke. In the "Final Execution Saga" story line in Uncanny X-Force, Fredrick is part of a new Brotherhood of Evil Mutants led by Daken with the aim of taking down X-Force and turning Evan Sabahnur into a new Apocalypse. During the saga the X-Force team is captured and tortured after Nightcrawler from the Age of Apocalypse universe betrays the team, to get his revenge on Fredrick due to him eating his wife Linda. Kurt seemingly succeeds in his goal of revenge by teleporting a live shark into Fredrick's stomach during a fight with him, causing him to be devoured from within. CANNOTANSWER

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Background: Josephine Elizabeth Butler (nee Grey; 13 April 1828 - 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage, the right of women to better education, the end of coverture in British law, the abolition of child prostitution, and an end to human trafficking of young women and children into European prostitution. Grey grew up in a well-to-do and politically connected progressive family which helped develop in her a strong social conscience and firmly held religious ideals. She married George Butler, an Anglican divine and schoolmaster, and the couple had four children, the last of whom, Eva, died falling from a banister.
Context: The fall of the Liberal government in 1874, and its replacement with Benjamin Disraeli's Conservative administration meant that the repeal campaign stalled; Butler called it a "year of discouragement" when there was "deep depression in the work". Although the LNA kept up the pressure, progress in persuading Liberal MPs to oppose the Contagious Diseases Acts was slow, and the government was implacable in its support of the measures. At a meeting of regional LNA branches in May, one speech focused on legislation in Europe; the meeting resolved to correspond with sister organisations on the continent. At the start of December 1874 Butler left for Paris and a tour that covered France, Italy and Switzerland, where she met with local pressure groups and civic authorities. She encountered strong support from feminist groups, but hostility from the authorities. She returned from her travels at the end of February 1875. As a result of her experiences, in March 1875 Butler formed the British and Continental Federation for the Abolition of Prostitution (later renamed the International Abolitionist Federation), an organisation that campaigned against state regulation of prostitution and for "the abolition of female slavery and the elevation of public morality among men". The Liberal MP James Stansfeld--who wished to repeal the Acts--became the federation's first general secretary; Butler and her friend, the Liberal MP Henry Wilson, became joint secretaries. In 1878 Josephine wrote a biography of Catherine of Siena, which Glen Petrie--her biographer--thought was probably her best work; Walkowitz considers the work provided a "historical justification for her own political activism". Another biographer, Helen Mathers, believes that "in emphasising that she and Catherine were born to be leaders, of both men and women, ... [Butler] made a profound contribution to feminism". Butler became aware of the slave trade of young women and children from England to mainland Europe in 1879. Young girls were considered "fair game", according to Mathers, as the law allowed them to become prostitutes at the age of 13. After playing a minor role in starting an investigation into an accusation of trafficking, Butler became active in the campaign in May 1880, and wrote to The Shield that "the official houses of prostitution in Brussels are crowded with English minor girls", and that in one house "there are immured little children, English girls of from twelve to fifteen years of age ... stolen, kidnapped, betrayed, got from English country villages by every artifice and sold to these human shambles". She visited Brussels where she met the mayor and local councillors and made allegations against the head of the Belgian Police des Moeurs and his deputy as to their involvement in the trade. After the meeting she was contacted by a detective who confirmed that the senior members of the Police des Moeurs were guilty of collusion with brothel keepers. She returned home and filed a deposition containing a copy of the statement from the detective and sent them to the Procureur du Roi (Chief Prosecutor) and the British Home Secretary. Following an investigation in Belgium, the head of the Police des Moeurs was removed from office, and his deputy was put on trial alongside 12 brothel owners; all were imprisoned for their roles in the trade. CANNOTANSWER
Question: When did the pressures come?

Answer:


Ross Carl "Rocky" Anderson (born September 9, 1951) is an American attorney and politician. He served two terms as the 33rd mayor of Salt Lake City, Utah from 2000-08. He is the Executive Director of High Road for Human Rights and a founding member of the Justice Party. Prior to serving as Mayor, he practiced law for 21 years in Salt Lake City, during which time he was listed in Best Lawyers in America, was rated A-V (highest rating) by Martindale-Hubbell, served as Chair of the Utah State Bar Litigation Section and was Editor-in-Chief of, and a contributor to, Voir Dire legal journal.

Anderson was a member of the Mayors Against Illegal Guns Coalition, a bi-partisan group with the stated goal of "making the public safer by getting illegal guns off the streets". The Coalition was co-chaired by Boston Mayor Thomas Menino and New York City Mayor Michael Bloomberg. Anderson restructured Salt Lake City's criminal justice system and, after reviewing the peer-reviewed literature indicating that DARE is ineffective in reducing drug use, discontinued the DARE program in Salt Lake City schools. Instead, he supported the implementation of other programs -- ATLAS and ATHENA -- that have demonstrated some success. He called for an end to the failed "war on drugs" and for better drug prevention education, the implementation of harm reduction policies, and the availability of substance abuse treatment on demand. He successfully lobbied President Clinton to grant a commutation of a lengthy prison sentence imposed on a Salt Lake City man who had already served several years in a federal penitentiary for his first and only conviction for violating drug laws. In 2000, Anderson asked the Salt Lake City Police Department to end its participation in the DARE program. He told DARE officials: "I think your organization has been an absolute fraud on the people of this country... For you to continue taking precious drug-prevention dollars when we have such a serious and, in some instances, growing addiction problem is unconscionable." Instead of pushing for more minor offenders to be sent to jail or prison, Anderson constructed innovative restorative justice programs, which earned him a nomination for a second World Leadership Award. He implemented reforms to ensure that mental health courts would channel mentally ill criminals into mandatory treatment programs rather than putting them behind bars. People arrested on drug charges, or for prostitution or the solicitation of prostitutes (as well as several other types of offenses), were sent through a comprehensive course of counselling rather than automatically being handed criminal convictions and custodial sentences. The results were better, and the costs far lower, than with the traditional retributive approach. CANNOTANSWER

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Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentine president Juan Peron. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976.

In Buenos Aires on July 26, 1952, an audience is watching a film ("A Cinema in Buenos Aires, July 26, 1952"). The film is interrupted when news breaks of the death of Eva Peron, Argentina's First Lady, at the age of 33. The nation goes into public mourning as they sing "Requiem for Evita" (in Latin, which is modelled on a Catholic requiem). Che, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus"). In 1934, 15-year-old Eva Duarte (later Eva Duarte de Peron) lives in the provincial town of Junin, and longs to seek a better life in Buenos Aires. Eva falls in love with a tango singer, Agustin Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts ("Eva, Beware of the City"). Upon her arrival at the city, Eva sings about her hopes and ambitions of glory as an actress ("Buenos Aires"). After Magaldi leaves her, and Che relates the story of how Eva goes through several relationships with increasingly influential men, becoming a model, actress and radio personality ("Goodnight and Thank You"). He then tells of both a right-wing coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Peron, an ambitious military colonel who was making his way up the Argentine political ladder ("The Lady's Got Potential"). In a game of musical chairs that represents the rise of political figures, Peron and other military figures compete for power and exhibit their political strategy ("The Art of the Possible"). After the 1944 San Juan earthquake, Peron organises a charity concert at Luna Park to provide aid to the victims. Eva attends and briefly reunites with Magaldi, who spurns her for her past actions. Peron addresses the crowd with words of encouragement and leaps off the stage, meeting Eva as soon as he exits ("Charity Concert"). Eva and Peron share a secret rendezvous following the charity concert, where Eva hints that she could help Peron rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Peron's Mistress (the character is known only by that title), who ponders the rejection ("Another Suitcase in Another Hall"). After moving in with Peron, Eva is introduced to high society, but she is met with disdain from the upper classes and the Argentine Army ("Peron's Latest Flame"). In 1946, Peron launches his presidential bid after being promoted to general in the army, and while in bed with Eva, he discusses his chances of winning the election. Eva reassures him and soon they organise rallies where the people show their support and hope for a better future, while on the sidelines Peron and his allies plot to dispose of anyone who stands in their way ("A New Argentina"). In 1972, Robert Stigwood proposed that Andrew Lloyd Webber and Tim Rice develop a new musical version of Peter Pan, but they abandoned the project. Travelling late to a meal one night in 1973, though, Rice heard the end of a radio show about Eva Peron which intrigued him. As a child stamp collector, he had been fascinated by her image on the Argentine stamps, but was unaware of her significance in Argentina's history. He began research and was introduced by a Cinema International Corporation executive to the Argentine film director Carlos Pasini Hansen who had produced the TV film Queen of Hearts, which had aired in the UK on 24 October 1972. The executive also arranged for Rice to see the film at Thames Television which he did "at least twenty times" saying also that "by that time I had seen Pasini's superbly researched film, I was hooked." The more Rice investigated Eva Peron, going so far as to travel to Buenos Aires to research her life with many documents and contacts that Pasini had supplied, the more fascinated he became by the woman; he even named his first daughter after her. Rice suggested the idea of a musical based on the subject to Lloyd Webber, but although the idea of writing a score including tangos, pasos dobles, and similar Latin flavours intrigued him, Lloyd Webber ultimately rejected the idea. He decided instead to collaborate with Alan Ayckbourn on Jeeves, a traditional Rodgers and Hart-style musical based on the P. G. Wodehouse character, which proved to be a critical and commercial failure. After Jeeves, Lloyd Webber returned to Rice, and they began developing Rice's proposed musical. The authors of the 1996 book Evita: The Real Life of Eva Peron claim the musical was based on Mary Main's biography The Woman with the Whip, which was extremely critical of Eva Peron. Though Rice praised the Main biography, it was never officially credited as source material. Rice created a character, Che, to serve as a narrator and Greek chorus. Although he had recently discovered Che Guevara was Argentine, he did not necessarily intend that the character be based upon him, despite inserting specific biographical details into the lyrics that clearly apply to Guevara. When Harold Prince later became involved with the project, he insisted that the actors portraying Che should use Guevara as a role model. In the 1996 film adaptation, the character returned to his more anonymous roots. This was also the case for the 2006 London revival. Lloyd Webber and the conductor Anthony Bowles presented the musical at the second Sydmonton Festival before making the recording with the London Philharmonic Orchestra. As they had previously done with Jesus Christ Superstar, the songwriting team decided to record Evita as an album musical and selected actress and singer Julie Covington to sing the title role, after having caught an episode of Rock Follies and remembered her from the original London production of Godspell. The recording, which was released by MCA Records who had previously marketed Jesus Christ Superstar, commenced in April 1976 and was produced by Lloyd Webber and Rice. The recording was engineered by David Hamilton Smith, whose work Rice later acknowledged was effectively that of a third producer. He also delivered the line, "Statesmanship is more than entertaining peasants," a rebuttal to Eva's balcony speech on the album. Released in 1976, the two-record set included Paul Jones as Juan Peron, Colm Wilkinson as Che, Barbara Dickson as Peron's mistress, and Tony Christie as Agustin Magaldi. The writers had originally considered Steve Marriott and John Fogerty but neither was interested. Murray Head, who had enormous success with the Superstar album, recorded some demos but Rice later admitted they "didn't really reproduce the magic that his portrayal of Judas had." Colm Wilkinson had recently played Judas in the London production of Superstar and agreed to audition: "It only took a couple of verses to know he was our man." Mike d'Abo, who had succeeded Paul Jones as lead singer of Manfred Mann, had a minor role on the album which was notable as the first one which both had appeared. Mike Smith, former lead vocalist with the Dave Clark Five and d'Abo's then working partner, also appeared. Pasini wrote the dialogue in Spanish of the first scene, "A Cinema in Buenos Aires, 26 July 1952". On this recording, he played the part of the actor in the soundtrack of a movie that grinds to a halt and also read the official communique of Eva's death. When the album was presented to the press at Lloyd Webber's country home Sydmonton, Pasini organised a photographic presentation with his colleague Anton Furst to accompany it. His contribution to the development of the project was recognised as Rice and Lloyd Webber acknowledged him first in a thank you speech afterwards. In Britain, Australia, South Africa, South America, and various parts of Europe, sales of the concept album exceeded those of Jesus Christ Superstar; in the United States, however, it never achieved the same level of success. Covington's recording of "Don't Cry for Me Argentina" (originally titled "It's Only Your Lover Returning") was released in October 1976. It reached #1 on the UK Singles Chart and enjoyed similar success internationally. Dickson's "Another Suitcase in Another Hall" also became a hit. In the US and UK, respectively, Karen Carpenter, Olivia Newton-John, and Petula Clark released cover versions of "Don't Cry for Me, Argentina". CANNOTANSWER

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