Train is an American rock band from San Francisco, formed in 1993. The band currently consists of Patrick Monahan (lead vocals), Luis Maldonado (guitar), Hector Maldonado (bass, vocals), Drew Shoals (drums), Jerry Becker (keyboards, guitar), Sakai Smith (backup vocals), and Nikita Houston (backup vocals). With a lineup that included original members Monahan, Rob Hotchkiss, Jimmy Stafford, Scott Underwood, and Charlie Colin, the band achieved mainstream success with their debut album Train, which was released in 1998 with the hit "Meet Virginia". Train's 2001 album, Drops of Jupiter contained the lead single "Drops of Jupiter (Tell Me)", which won two Grammy Awards in 2002.

Drops of Jupiter, the band's second album, was produced by Brendan O' Brien, who has also worked with artists such as Pearl Jam, King's X, Bob Dylan, Bruce Springsteen & The E-Street Band and Neil Young. Before the release of the second album, the band released the single "Drops of Jupiter (Tell Me)". The song was a massive hit; it entered the Hot 100 on March 10, 2001, and spent over a year on the chart (54 weeks) before being relegated to the recurrents chart. The song won a Grammy Award for Best Rock Song, as well as a Grammy Award for Best Arrangement, which was written by Paul Buckmaster, known for his string arrangements for Elton John. (The band reportedly hired Buckmaster expressly to create a sound similar to his arrangement for John's "Burn Down The Mission".) The album Drops of Jupiter was released on March 27, 2001, and became Train's first multi-platinum album, with the success of the lead single. The album was Train's first top ten album, peaking at number six on the Billboard 200. The album was also a top ten hit in the United Kingdom, where it peaked at number eight. "She's on Fire", the second single from Drops of Jupiter was a modest success and was featured in the 2001 comedy The Animal and the 2003 animated comedy Rugrats Go Wild. The album was eventually certified double platinum in the United States and in Canada. It was also certified gold in Australia. During the Drops of Jupiter tour, the band released a live DVD of a sold out concert in the band's hometown of San Francisco at The Warfield. The DVD was titled "Midnight Moon" and featured Train's hits from the first two albums among others. The concert was recorded on May 26, 2001. CANNOTANSWER

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Welch was born in Los Angeles, California, into a show business family. Welch's father was movie producer and screenwriter Robert L. Welch, who worked at Paramount Pictures in the 1940s and 1950s, producing films starring Paramount's top box office stars, Bob Hope and Bing Crosby (solo, not as a duo). He also worked as a TV producer, responsible for the 25th Annual Academy Awards TV special in 1953 and The Thin Man TV series in 1958-59. Bob's mother, Templeton Fox, had been a singer and actress who worked with Orson Welles' Mercury Theatre in Chicago, Illinois and appeared on TV and in movies from 1962 to 1979.

Welch struggled with a variety of marginal bands until 1971, when he was invited to join Fleetwood Mac, a British blues band that had lost two of its three front-line members, Peter Green and Jeremy Spencer, within a few months, and which was moving away from the blues genre. Along with fellow newcomer Christine McVie, a keyboardist/singer-songwriter (formerly of the British blues band Chicken Shack, and newly married to Fleetwood Mac founding bassist John McVie), Welch helped to steer the band in a more melodic direction, particularly after lead guitarist/singer-songwriter Danny Kirwan was fired from the band in 1972 after an argument with Welch. In the summer of 1971, the remaining members of Fleetwood Mac held auditions at their retreat in England, Kiln House, while seeking a guitarist to replace Spencer. Judy Wong, a friend of the band who served at times as their secretary (Kirwan's song "Jewel-Eyed Judy" was dedicated to her), recommended her high school friend Welch to the band. Welch (who has sometimes been described as Wong's high school boyfriend) was living in Paris at the time. The band had a few meetings with Welch and decided to hire him without actually playing with him or listening to any of his recordings. Welch was given the role of rhythm guitar, backing up lead guitarist Kirwan. It was felt that having an American in the band might extend Fleetwood Mac's appeal in the States. Welch eventually went to live in the band's communal home, a mansion called Benifold, which was located in Hampshire. Using mobile equipment borrowed from The Rolling Stones, the band recorded material for three albums at Benifold: Bare Trees, Penguin and Mystery to Me. The band's first album to feature Welch and McVie, Future Games, was recorded, however, at Advision Studios in London (as is cited on the back of the album jacket) and Bare Trees was mostly recorded at De Lane Lea Studios in Wembley. In September 1971, the band released Future Games, with the title song written by Welch. This album was different from anything the band had done up to that point. In 1972, six months after the release of Future Games, the band released Bare Trees, which featured Welch's song "Sentimental Lady". The song went on to become a much bigger hit for him five years later when he re-recorded it for his solo album French Kiss. Christine McVie also sang on the remake and was a producer of the song. CANNOTANSWER

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Robert Fripp (born 16 May 1946) is an English guitarist, composer and record producer. As a guitarist for the progressive rock band King Crimson, Fripp has been the only member to have played in all of King Crimson's line-ups from their inception in the late 1960s to the present. He has also worked extensively as a studio musician, notably with singer David Bowie on the albums "Heroes" and Scary Monsters (And Super Creeps), Brian Eno, David Sylvian and contributed sounds to the Windows Vista operating system. His complete discography lists more than seven hundred releases over four decades.

The son of an estate agent from a working-class background, Robert Fripp was born in Wimborne Minster, Dorset, England. On Christmas Day 1957, aged 11, he got a "very cheap" guitar from his parents, saying "almost immediately I knew that this guitar was going to be my life". Fripp took guitar lessons with teachers Kathleen Gartell and Don Strike, which quickly advanced his skills: at 11 years of age, he was playing rock, moving on to traditional jazz at 13 and modern jazz at 15. At this time he was influenced by such modern jazz players and composers as Charlie Parker and Charlie Mingus. Despite his jazz inclinations, Fripp's first band was a rock band called The Ravens, formed in 1961 when he was 15 and also featuring schoolmates Graham Wale (drums, subsequently replaced by Chris 'Fergy' Ferguson), Gordon Haskell (bass guitar), and Tino Licinio (vocals/guitar). In 1962 The Ravens split as Fripp concentrated on his O-level studies and joined his father's firm as a junior negotiator, at this point planning to study estate management in a South Kensington university and eventually take over his father's business. By 1964, aged 17, Fripp made the decision to become a professional musician. For a while, Fripp played guitar in the Chewton Glen Hotel with a jazz band called The Douglas Ward Trio. Soon afterwards, he formed a rock and roll band called The League of Gentlemen (a name he would resurrect in 1980 for an entirely different band). In addition to Fripp on guitar, the lineup of the 1964 League of Gentlemen included his former Ravens bandmates Gordon Haskell and Tino Licinio, plus Stan Levy (drums) and Reg Matthews (vocals). Still keeping his options open, Fripp left The League of Gentlemen in 1965 in order to study for A-levels at Bournemouth College, where he studied economics, economic history and political history, writing a special paper on social conditions of the mid-to-late 19th century; it was there where he met future musical colleagues John Wetton, Richard Palmer-James and Greg Lake. He subsequently spent three further years playing light jazz in the Majestic Dance Orchestra at the Bournemouth Majestic Hotel (replacing future The Police guitarist Andy Summers, who had gone off to London with Zoot Money). At age 21, going back home from college late at night, Fripp tuned on to Radio Luxemburg where he heard the last moments of "A Day in the Life". "Galvanized" by the experience, he went on to listen to Sgt. Pepper's Lonely Hearts Club Band, Bela Bartok's string quartets, Antonin Dvorak's New World Symphony, Are You Experienced and John Mayall & the Bluesbreakers. Many years later, Fripp would recall that "although all the dialects are different, the voice was the same... I knew I couldn't say no". CANNOTANSWER

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Background: Bernard Joseph Francis Lonergan  (17 December 1904 - 26 November 1984) was a Canadian Jesuit priest, philosopher, and theologian, regarded by many as one of the most important thinkers of the 20th century. Lonergan's works include Insight: A Study of Human Understanding (1957) and Method in Theology (1972), as well as two studies of Thomas Aquinas, several theological textbooks, and numerous essays, including two posthumously published essays on macroeconomics. A projected 25-volume Collected Works is underway with the University of Toronto Press. He held appointments at the Pontifical Gregorian University, Regis College, Toronto, as Distinguished Visiting Professor at Boston College, and as Stillman Professor of Divinity at Harvard University.
Context: While at the Gregorian University, Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964). It has recently appeared in the Collected Works together with an interleaf English translation under the title The Triune God: Doctrines (2009) and The Triune God: Systematics (2007). In The Triune God: Doctrines, Lonergan begins with an examination of the dialectical process by which the dogma of the Trinity developed in the first four centuries. This section was previously published in English as The Way to Nicea. The second section of the work advances dogmatic theses on (1) the consubstantiality of the Son with the Father, (2) the divinity of the Holy Spirit, (3) the distinction of the divine persons by relations of origin, and (4) the procession of the Holy Spirit from the Father and the Son (the Filioque). The fifth and final thesis is that the Trinity is a theological mystery in the strict sense and can only be understood analogically. A concluding scholion presents New Testament evidence in favor of the "psychological" analogy of the Trinity. In The Triune God: Systematics, Lonergan develops the theory of intelligible (or spiritual) emanations in God as propounded by Thomas Aquinas. The volume begins with a discussion of the method of systematic theology which seeks an imperfect but highly fruitful understanding of the mysteries of faith by means of analogies. The following chapters develop an analogical conception of the divine processions (as intelligible emanations), relations, persons, and the two missions of the Word and Spirit. CANNOTANSWER
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Wilson was born to a Scots-Irish American family in Staunton, Virginia, on December 28, 1856, at 18-24 North Coalter Street (now the Woodrow Wilson Presidential Library). He was the third of four children of Joseph Ruggles Wilson and Jessie Janet Woodrow. Wilson's paternal grandparents immigrated to the United States from Strabane, County Tyrone, Ireland (present-day Northern Ireland), in 1807. His mother was born in Carlisle, England, the daughter of Rev. Dr. Thomas Woodrow from Paisley, Scotland, and Marion Williamson from Glasgow.

Wilson worked as a lecturer at Cornell University in 1886-87, where he joined the Irving Literary Society. He next taught at Bryn Mawr College from 1885 until 1888, teaching ancient Greek and Roman history; while there, he refused offers from the universities of Michigan and Indiana. When Ellen was pregnant with their first child in 1886, the couple decided that Ellen should go to her Aunt Louisa Brown's residence in Gainesville, Georgia, to have their first child; she arrived just one day before the baby, Margaret, was born in April 1886. Their second child, Jessie, was born in August 1887. In 1888, Wilson left Bryn Mawr for Wesleyan University; it was a controversial move, as he had signed a three-year contract with Bryn Mawr in 1887. Both parties claimed contract violations and the matter subsided. At Wesleyan, was inducted into Phi Beta Kappa and coached the football team and founded the debate team, which bears his name. In February 1890, with the help of friends, Wilson was elected by the Princeton University board to the Chair of Jurisprudence and Political Economy, at an annual salary of $3,000. He continued a previous practice of reserving time for a six-week course in administration at Johns Hopkins. He was also a faculty member of the short-lived coordinate college, Evelyn College for Women. Additionally, Wilson became the first lecturer of Constitutional Law at New York Law School, where he taught with Charles Evans Hughes. Representing the American Whig Society, Wilson delivered an oration at Princeton's sesquicentennial celebration (1896) entitled "Princeton in the Nation's Service," which was the origin for the school's motto. Wilson became annoyed that Princeton was not living up to its potential, complaining, "There's a little college down in Kentucky which in 60 years has graduated more men who have acquired prominence and fame than has Princeton in her 150 years." CANNOTANSWER

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The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.

In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings. Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards). The Monkees decided that they no longer needed Chip Douglas as a producer, and starting in November 1967, they largely produced their own sessions. Although credited to the whole band, the songs were mostly solo efforts. In a couple of cases, Boyce and Hart had returned from the first two albums to produce, but credit was given to the Monkees. It was also during this time that Michael Nesmith recorded his first solo album, The Wichita Train Whistle Sings, a big band jazz instrumental collection of interpretations of Nesmith's compositions, arranged by the jazz musician Shorty Rogers. Praised in The Los Angeles Times by the author of The Encyclopedia of Jazz, jazz critic Leonard Feather wrote "Verbally and musically, Mike Nesmith is one of the most articulate spokesmen for the new and literate breed of pop musicians who have spring from the loins of primitive rock. [The album] with its carriage trade of symphony, rock, country, western, and swing, and with jazz riding in the caboose, may well indicate where contemporary popular music will be situated in the early 1970s." Considered by some to be the Monkees' "White Album" period (for example, Sandoval mentions this in the liner notes of Rhino Handmade's 2010 Deluxe reissue of the album), each of the Monkees contributions reflected his own musical tastes, which resulted in an eclectic album. Micky sang the pop songs (e.g., "I'll Be Back Upon My Feet"), and performed a double-vocal with Mike on the Nesmith/Allison composed "Auntie's Municipal Court". Davy sang the ballads (e.g., "Daydream Believer" and "We Were Made for Each Other") and Nesmith contributed some experimental songs, like the progressive "Writing Wrongs", the unusual hit song "Tapioca Tundra", and the lo-fi 1920s sound of "Magnolia Simms". This last song is notable for added effects to make it sound like an old record (even including a "record skipping" simulation) made before the Beatles "Honey Pie", which used a similar effect. Propelled by the hit singles "Daydream Believer" and "Valleri", along with Nesmith's self-penned top 40 hit "Tapioca Tundra", The Birds, The Bees & The Monkees reached No. 3 on the Billboard charts shortly after it was released in April 1968. It was the first album released after NBC announced they were not renewing The Monkees for a third season. The album cover--a quaint collage of items looking like a display in a jumble shop or toy store--was chosen over the Monkees' objections. It was the last Monkees' album to be released in separate, dedicated mono and stereo mixes. During the 1986 reunion, it would return to the Billboard charts for 11 weeks. CANNOTANSWER

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Born in Dallas, Texas, to Noel and Freida Bosh, Chris Bosh grew up in Hutchins, Texas. A family-oriented person, Bosh often played basketball in the house with his younger brother, Joel. By four years of age, he began learning how to dribble a basketball in the gym, where his dad played pick-up games.

On July 30, 2014, Bosh re-signed with the Heat after LeBron James announced he was leaving Miami to return to the Cleveland Cavaliers. After averaging 21.6 points, 8.2 rebounds, 2.1 assists and 1.1 steals over the first 23 games of the 2014-15 season, Bosh was ruled out indefinitely on December 15 with a strained calf. He went on to miss eight games before returning on December 29 against the Orlando Magic. After playing in the 2015 All-Star Game, Bosh was admitted to a Miami hospital for lung tests during the All-Star break. On February 21, 2015, he was ruled out for the remainder of the season due to a blood clot in one of his lungs. On October 28, 2015, Bosh made his return to the court in the Heat's season opener against the Charlotte Hornets, recording 21 points and 10 rebounds in a 104-94 win. On November 10, 2015, he scored a then season-high 30 points in a 101-88 win over the Los Angeles Lakers. On December 28, 2015, he recorded 24 points and 12 rebounds against the Brooklyn Nets, and hit a career-best 5-of-5 from three-point range. On January 4, 2016, he recorded a season-high 31 points and 11 rebounds in a 103-100 overtime win over the Indiana Pacers. Though he was voted to play in the 2016 NBA All-Star Game, and selected to compete in the Three-Point Contest, due to a calf injury, Bosh was forced to withdraw from both. A blood clot in his leg again forced Bosh to miss time following the All-Star break. He faced increasing pressure from physicians and the Heat organization to sit out the rest of the season because of the potential dangers of the recurring medical condition. In September 2016, Bosh failed his physical exam with the Heat and was not cleared by the team to participate in training camp. Bosh was initially optimistic in a return to the Heat for the 2016-17 season, and the organization had become increasingly hopeful that he would be cleared for camp. That quickly changed, however, due to numerous setbacks accredited to continued blood clotting. On September 26, 2016, Heat president Pat Riley said that the team viewed Bosh's career with the team as over, and noted that the team was no longer working toward his return. On May 24, 2017, Bosh and the Heat reportedly reached a unique parting agreement in which he would leave the Heat without taking up their salary cap for the 2017-18 season. On June 2, 2017, the NBA ruled that Bosh's blood clotting issues were a career-ending illness, meaning the Miami Heat were able to remove his contract from their salary cap once they officially release him. On July 4, 2017, the Heat announced that they had waived Bosh, ending a seven-year stint with the organization. Out of respect, Heat president Pat Riley said following Bosh's release, "The number '1' will never be worn by another player and we can't wait to someday hang his jersey in the rafters". In November 2017, Bosh noted that he planned to "keep [his] options open as a player", and in February 2018, he declared himself on the comeback trail, having refused to rule out a return to the NBA. CANNOTANSWERAnswer this question using a quote from the following article:

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John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

Jack and Meg married on September 21, 1996 and divorced on March 24, 2000. In 2003, he had a brief relationship with actress Renee Zellweger, whom he met during the filming of Cold Mountain. That summer, the couple were in a car accident in which White broke his left index finger and was forced to reschedule much of the summer tour. He posted the footage of his finger surgery on the web for fans. White and Zellweger's breakup became public in December 2004. White met British model Karen Elson when she appeared in The White Stripes music video for "Blue Orchid". The video's director, Floria Sigismondi, noted "you sensed an energy between them". They married on June 1, 2005, in Manaus, Brazil. The wedding took place in a canoe on the Amazon River and was officiated by a shaman. A Roman Catholic priest later convalidated their marriage. Manager Ian Montone was the best man and Meg White was the maid of honor. Official wedding announcements stated that "it was the first marriage" for both. In 2006, the couple had a daughter Scarlett Teresa. Their second child, son Henry Lee, was born in 2007. The family resided in Brentwood, a suburb south of Nashville, where Elson managed a vintage clothing store called Venus & Mars. Elson provided vocals on White's first solo record. The couple announced their intention to divorce in June 2011, throwing "a positive swing bang humdinger" party to commemorate the split. On July 22, 2013, a Nashville judge barred White from having "any contact with Karen Elson whatsoever except as it relates to parenting time with the parties' minor children." A counter-motion was filed on August 2, 2013, stating that "The reason for filing this response is that Mr. White does not want to be portrayed as something he is not, violent toward his wife and children." The divorce was finalized on November 26, 2013. Elson later recanted the charges, attributing the "aggressive" proceedings to her divorce attorneys, and saying "those who gain of a marriage ending helped to create a downward spiral at my most vulnerable." White agreed, saying, "When shitty lawyers are in a situation like divorce, their goal is to villainize." The former couple reportedly remain on good terms. CANNOTANSWER


A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

During this period, Lenglen's only defeat in singles (not counting pre-match withdrawals) occurred in an unscheduled appearance at the 1921 US Championships. To raise reconstruction funds for the regions of France that had been devastated by the battles of World War I, she went to the United States to play several exhibition matches against the Norwegian-born US champion, Molla Bjurstedt Mallory. Lenglen arrived in New York City the day before the tournament after a stormy and delayed sea voyage, during which she was ill the whole time. Upon arrival, Lenglen learned that, without her permission, tournament officials had announced her participation in the US Championships. Because of immense public pressure, she agreed to play in the tournament despite suffering from what was diagnosed later as whooping cough. As a concession, she was given a day to recover. To her surprise, there was no seeding for the event and her name had been drawn to play Eleanor Goss, a leading American player. Goss immediately defaulted, leaving Lenglen to face Mallory in the second round as her first opponent. In their match, Lenglen lost the first set 6-2 and just as the second set got underway, she began coughing and burst into tears, unable to continue. The crowd jeered her as she walked off the court, and the American press severely criticised her. This worsened when, under doctor's orders after it was confirmed that she was afflicted with whooping cough, she cancelled her exhibition match. Unaccustomed to such treatment, a devastated Lenglen went home. Once healthy, she set about preparing herself for redemption. In the singles final at Wimbledon the following year, she defeated Mallory in only 26 minutes, winning 6-2, 6-0, reputedly the fastest Ladies' major tournament match on record. The two met again later that year at a tournament in Nice where, with Lenglen showing her complete mastery of the sport, Mallory failed to win even one game. Mary K. Browne relates that she asked Lenglen how she greeted Mallory at the net after the game when they met to shake hands. She said that Lenglen told her that after shaking hands she emitted a couple of gentle 'coughs'. CANNOTANSWERAnswer this question using a quote from the following article:

How did she play against Mall?


Jennifer Mulhern Granholm (born February 5, 1959) is a Canadian-born American politician, lawyer, educator, author, political commentator and member of the Democratic Party who served as the Attorney General of Michigan from 1999 to 2003 and as the Governor of Michigan from 2003 to 2011. In January 2017, she became a CNN political contributor. Born in Vancouver, British Columbia, Granholm moved from Canada to California at age four. She graduated from San Carlos High School and briefly attempted an acting career, then held a variety of jobs before attending the University of California, Berkeley.

Granholm was born in Vancouver, British Columbia, Canada, to Shirley Alfreda (nee Dowden) and Victor Ivar Granholm, both bank tellers. Granholm's maternal grandparents came from Ireland and Newfoundland. Her paternal grandmother was an emigrant from Norway and her paternal grandfather, who immigrated to Canada in the 1930s, came from Robertsfors, Sweden, where his father was the mayor. The former Minister for Enterprise and Energy and former Deputy Prime Minister of Sweden, Maud Olofsson, lives in Robertsfors, and when the two met in Sweden, the media revealed that Olofsson's husband is a relative of Granholm. Granholm's family moved to California when she was four years old. She grew up in Anaheim, San Jose, and San Carlos. Granholm graduated from San Carlos High School in 1977 and won the Miss San Carlos beauty pageant. As a young adult she attempted to launch a Hollywood acting career but was unsuccessful and abandoned her efforts at the age of 21. In 1978 she appeared on The Dating Game, and held jobs as a tour guide at Universal Studios and in customer service at the Los Angeles Times and was the first female tour guide at Marine World Africa USA in Redwood City, piloting boats with 25 tourists aboard. In 1980, at the age of 21 years, she became a naturalized U.S. citizen, worked for John B. Anderson's campaign for President of the United States as an Independent in the 1980 election. She then enrolled at the University of California, Berkeley, the first person in her family to do so, joining Phi Beta Kappa and graduating in 1984 with a B.A. in Political Science and French. During a year in France, she helped to smuggle clothes and medical supplies to Jewish people in the Soviet Union and became involved in the Anti-Apartheid Movement. She then earned a Juris Doctor degree at Harvard University, also with honors, in 1987. At Harvard Law School, Granholm served as Editor-in-Chief of the Harvard Civil Rights-Civil Liberties Law Review, the leading progressive law journal in the United States. CANNOTANSWER

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Hanson is an American pop rock band from Tulsa, Oklahoma, United States, formed by brothers Isaac (guitar, bass, piano, vocals), Taylor (keyboards, piano, guitar, drums, vocals), and Zac (drums, piano, guitar, vocals). Supporting members include Dimitrius Collins (keyboards, guitar), and Andrew Perusi (bass) who have toured and performed live with the band since 2007. They are best known for the 1997 hit song "MMMBop" from their debut album released through Mercury, Polygram, Middle of Nowhere, which earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band suffered from the merger that eliminated their label, Mercury Records .

On January 15, 2007, Hanson released on iTunes the first episode of their documentary podcast "Taking the Walk", detailing production of the studio album. The first episode of the band's documentary Strong Enough to Break was also released on iTunes. The program is edited into 13 episodes for release by podcast. In March 2007, Hanson began a "preview tour" to promote The Walk and give fans a taste of recent work. Over six days, Hanson performed at the Starland Ballroom in Sayreville, New Jersey, Toad's Place in New Haven, Connecticut, The Crocodile Rock in Allentown, Pennsylvania, and The Supper Club in New York City. On March 30, Taylor and Zac appeared in Dallas, TX to screen their documentary at the AFI Film Festival. Afterward, the brothers held a Q&A session along with director Ashley Greyson. Hanson performed in the UK during April 2007, playing songs from The Walk. They also promoted the release of the single "Go" and the UK release of the album. The Walk, Hanson's second studio album with 3CG Records (Fourth overall), was released in the US, Mexico and Canada on July 24. It was released in Japan on February 21 and in the UK on April 30. On May 6, 2007, the 10th anniversary of Hanson Day, the band re-recorded their first major label album, Middle Of Nowhere, at The Blank Slate bar in their hometown of Tulsa, Oklahoma. The band invited fan club members, causing hundreds to fly to Oklahoma for the acoustic event. Hanson played concerts in the summer of 2007, supporting release of The Walk. The band appeared in Providence, Boston, New York City, Toronto, and Los Angeles. The record Middle of Nowhere Acoustic was released at the end of that year, exclusively on Hanson.net. The record included all but three songs of those originally in Middle of Nowhere ("Speechless", "Thinking of You" and "With You in Your Dreams") and featured the song Yearbook, never performed live before. CANNOTANSWER

Are they planning to do this yearly on their anniversary?


On the return journey from England, the Australians toured India and Pakistan for the first time, with mixed results. On a matting pitch, unfamiliar to the Australians, Johnson's team lost the inaugural Test against Pakistan at Karachi. Responding to the loss, a cartoon drawn by Norman Mitchell of the Adelaide News newspaper suggested island planters might be able to scrape together a team that would be a match for the Australians. Returning to turf pitches in India, the Australians restored some pride. Johnson was the highest scorer in the Australian team's victory by an innings and five runs in the First Test at Nehru Stadium in Madras. Due to injury, both Johnson and Miller missed the drawn Second Test at Brabourne Stadium at Bombay; Lindwall skippered the side. Johnson returned for the Third Test at Eden Gardens, Calcutta for what would ultimately prove to be his final Test. The Australians won the match by 94 runs, giving them a 2-0 series win. S. K. Gurunathan, summing up in the Indian Cricket Almanack, wrote: "The Australians showed themselves to be a superior side even when their batting failed". When the team finally arrived home, Johnson announced his retirement from all cricket at the age of 39. In all, he played 45 Tests, capturing 109 wickets at an average of 29.19, including three five-wicket hauls. He scored exactly 1,000 runs, making him one of only fourteen Australians to achieve the double of 1,000 runs and 100 wickets in Test cricket. In all first-class cricket, Johnson had taken 619 wickets and scored 4,905 runs. His record as the Australian captain was mixed; he had captained Australia in 17 Tests, winning seven and losing five. However, he was better known as the first captain to lead Australia to successive Ashes defeats in the 20th century. Reviewing Johnson's time as captain, Wisden said, "Unfortunately for him, he took over in the mid-1950s, when Australian cricket was decidedly inferior to England's for the first time since before the Bradman era" but "he was a fine cricketer and, in some respects, a visionary". CANNOTANSWER

Answer this question "when did they have kids" by extracting the answer from the text above.


Howard Zinn (August 24, 1922 - January 27, 2010) was an American historian, playwright, and social activist. He was chair of the history and social sciences department at Spelman College, and a political science professor at Boston University. Zinn wrote more than twenty books, including his best-selling and influential A People's History of the United States. In 2007, he published a version of it for younger readers, A Young People's History of the United States.

Zinn was born to a Jewish immigrant family in Brooklyn on August 24, 1922. His father, Eddie Zinn, born in Austria-Hungary, immigrated to the U.S. with his brother Samuel before the outbreak of World War I. Howard's mother, Jenny (Rabinowitz) Zinn, emigrated from the Eastern Siberian city of Irkutsk. His parents first became acquainted as workers at the same factory. His father worked as a ditch digger and window cleaner during the Great Depression. His father and mother ran a neighborhood candy store for a brief time, barely getting by. For many years his father was in the waiters' union and worked as a waiter for weddings and bar mitzvahs. Both parents were factory workers with limited education when they met and married, and there were no books or magazines in the series of apartments where they raised their children. Zinn's parents introduced him to literature by sending ten cents plus a coupon to the New York Post for each of the 20 volumes of Charles Dickens' collected works. As a young man, Zinn made the acquaintance of several young Communists from his Brooklyn neighborhood. They invited him to a political rally being held in Times Square. Despite it being a peaceful rally, mounted police charged the marchers. Zinn was hit and knocked unconscious. This would have a profound effect on his political and social outlook. He also studied creative writing at Thomas Jefferson High School in a special program established by principal and poet Elias Lieberman. After graduating from high school in 1940, Zinn became an apprentice shipfitter in the New York Navy Yard at the age of 18. Concerns about low wages and hazardous working conditions compelled Zinn and several other apprentices to form the Apprentice Association. At the time, apprentices were excluded from trade unions and thus had little bargaining power, to which the Apprentice Association was their answer. The head organizers of the association, which included Zinn himself, would meet once a week outside of work to discuss strategy and read books that at the time were considered radical. Zinn was the Activities Director for the group. His time in this group would tremendously influence his political views and created for him an appreciation for unions. CANNOTANSWER

Answer the following question by taking a quote from the article: Where is Howard Zinn from


Background: Payable on Death (abbreviated P.O.D.) is a Christian nu metal band formed in 1992 and based in San Diego, California. The band's line-up consists of vocalist Sonny Sandoval, drummer and rhythm guitarist Wuv Bernardo, lead guitarist Marcos Curiel, and bassist Traa Daniels. They have sold over 12 million records worldwide. Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally.
Context: P.O.D.'s third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits "Southtown" and "Rock the Party (Off the Hook)", which was their first video to reach No. 1 on MTV's Total Request Live. The song "School of Hard Knocks" was featured on the soundtrack for Little Nicky while both "Southtown" and "Rock the Party" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite. The album's first single, "Alive", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song "America" to Santana's album Shaman. The album's second single, "Youth of the Nation", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, "Boom" and "Satellite", also became quite popular. In addition, the concluding track of the album, "Portrait," was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as "One of the biggest success stories in recent Christian music." CANNOTANSWER
Question: Was it successful?

Answer:


Jennie Jerome was born in the Cobble Hill section of Brooklyn in 1854, the second of four daughters (one died in childhood) of financier, sportsman, and speculator Leonard Jerome and his wife Clarissa (always called Clara), daughter of Ambrose Hall, a landowner. She was raised in Brooklyn, Paris, and New York City. She had two surviving sisters, Clarita (1851-1935) and Leonie (born 1859). Another sister, Camille (1855-1863) died when Jennie was nine.

Lord Randolph died in 1895, aged 45. His death freed Jennie to move effortlessly in spite of her impecuniosity; she mixed in the highest London society circles, and was much-admired by the Prince of Wales. Attending a party hosted by Daisy Warwick, Jennie was introduced to George Cornwallis-West, who was just 26 days older than Winston; he was instantly smitten, and they spent much time together. A captain in the Scots Guards, George had two sisters: Constance (known as Shelagh) was the first wife of the 2nd Duke of Westminster; Daisy was married to the Prince of Pless. George and Jennie were married on 28 July 1900 at St Paul's Church, Knightsbridge. Around this time, Jennie became well-known for chartering the hospital ship RFA Maine to care for those wounded in the Second Boer War, for which she received the decoration of the Royal Red Cross (RRC) in the South Africa Honours list published on 26 June 1902. In 1908, she wrote her memoirs The Reminiscences of Lady Randolph Churchill. George doted on Jennie, amorously nicknaming her "pussycat". However, they drifted apart. The Churchills were becoming a dedicated-literary family, and George, who was a financial failure in the City, slowly fell out of love with his wife, who was old enough to be his mother. Short of money, Jennie contemplated selling the family home in Hertfordshire to move into the Ritz Hotel in Piccadilly. George was in fragile health when he recuperated at the royal skiing resort of St Moritz. Jennie took to writing plays for the West End, in many of which the star was Mrs. Patrick Campbell. Jennie separated from George in 1912, and they were divorced in April 1914, whereupon, in a bit of irony, Cornwallis-West married Mrs. Campbell. Jennie dropped the surname Cornwallis-West, and resumed, by deed poll, the name Lady Randolph Churchill. Her third marriage, on 1 June 1918, was to Montagu Phippen Porch (1877-1964), a member of the British Civil Service in Nigeria, who was younger than Winston by three years. At the end of World War I, Porch resigned from the colonial service. After Jennie's death, he returned to West Africa, where his business investments had proven successful. CANNOTANSWER

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Belinda Jo Carlisle was born in Hollywood, Los Angeles, California on August 17, 1958 to Harold Carlisle, a gas station employee, and his wife, Joanne (nee Thompson), a homemaker. Her mother met her father, who was twenty years her senior, at age eighteen, and Carlisle was born nine months later. She was named after her mother's favorite film, Johnny Belinda (1948). Carlisle was the first of seven siblings, with three brothers and three sisters.

Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger. She was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Thousand Oaks High School. However, her time in the band was short due to her contracting mononucleosis, and she never recorded or performed live with the Germs. According to Pat Smear, upon quitting, she introduced her friend, Donna Rhia, who became her replacement. Carlisle does appear on one recording introducing the band at a 1977 performance at the Whisky a Go Go, heard on the live album Germicide (1977). Around this time Carlisle did some back-up singing for Black Randy and the Metrosquad. Soon after leaving the Germs, she co-founded The Go-Go's (originally named the Misfits), with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. All five women were largely untrained musicians, and Carlisle recalls having to use tape as fret markers during their initial songwriting: "[Charlotte] had to show us how to plug in our amps," she said. The Go-Go's would go on to become one of the most successful American bands of the 1980s, helping usher new wave music into popular American radio, and becoming the first all-female band who wrote their own music and played their own instruments to ever achieve a No. 1 album, Beauty and the Beat, which featured the hits "We Got the Beat" and "Our Lips Are Sealed". The Go-Go's recorded two more studio albums on I.R.S. Records, including 1982's Vacation, which went gold. "Head over Heels", from their 1984 album Talk Show, made it to No. 11. In 1984, Carlisle made a foray into acting in the movie Swing Shift, starring alongside Goldie Hawn and Kurt Russell. In 2001, The Go-Go's reunited again and released an album of new material, God Bless The Go-Go's. Green Day's lead singer Billie Joe Armstrong co-wrote the only released single "Unforgiven". God Bless The Go-Go's received mixed reviews from critics. Peter Fawthrop of AllMusic wrote "Every bit as Go-Go's, that is, as their non-hits and less remarkable material. While The Go-Go's sound is intact, there is not a "We Got the Beat" or a "Head Over Heels" to be found. It is feasible that in this age of pop rebirth, The Go-Go's decided it was now or never ... The album doesn't attempt to update the band's sound with hip-hop moves or electronic frippery, for which God should bless 'em, indeed. The girls' hold on the current pop world remains so strong that Green Day's Billie Joe Armstrong co-writes a song ("Unforgiven") in impeccable Go-Go's drag". In spite of the mixed reviews, the album charted in the US Billboard 200, peaking at number No. 57. Around the time of The Go-Go's definitive reunion tour, Carlisle appeared nude for the cover feature and a full pictorial of the August 2001 edition of Playboy. In 2007, Carlisle released her seventh album, Voila, which was her first full-length solo studio album in more than ten years. The album was produced by John Reynolds and included Brian Eno on keyboards. Consisting of a mix of French pop tunes and chanson standards, including covers of Francoise Hardy and Edith Piaf classics, Voila was released via Rykodisc in the UK on February 5 and in the United States the following day, February 6, 2007. In early 2009, Carlisle was on the eighth season of Dancing with the Stars, paired with Jonathan Roberts. She was the first star to be eliminated from the competition, on March 17. In October 2009, Carlisle took over the role of Velma Von Tussle in London's West End production of Hairspray at the Shaftesbury Theatre. She remained with the show till late January 2010 and was replaced by Siobhan McCarthy. Between 2011 and 2012, Carlisle embarked on a United States tour with The Go-Go's, which included concerts at the Greek Theatre in Los Angeles in August 2011 and the Hollywood Bowl in September 2012. In March 2013, Carlisle released her first U.S. single in 17 years titled "Sun", an up-tempo pop song, which was included on "ICON", a new greatest hits compilation album. The single was also released in the United Kingdom. The song was written by Carlisle, Jane Wiedlin of The Go-Go's and singer-songwriter Gabe Lopez. Lopez also produced the song. While the track did not chart, it received positive reviews. In August 2013, Edsel Records released remastered, three-disc versions of Heaven on Earth, Runaway Horses, Live Your Life Be Free and Real. Each album comprised a remastered version of the original LP followed by the 7-inch or radio edits of each single from that album, a second disc of remixes and 12-inch versions of all the singles, and a DVD comprising the promotional videos for the singles. Some of singles and remixes had never previously been released on CD. In March 2014, a new Greatest Hits titled The Collection was released containing 18 hits and one new song, "Goodbye Just Go", along with a DVD of 18 videos. The album reached number 24 in the UK albums chart. Also in March 2014, another digitally remastered, five-disc retrospective collection titled Anthology was released. The anthology included "Dancing in the City", which had previously only been available on the Japanese LP/CD for the soundtrack to the 1987 movie Burglar, and "I Won't Say I'm in Love" which had previously only been released in 1997 as a CD single in France. It also included all three singles from her first album and all four singles from A Woman and a Man. Later in 2014, Carlisle's three other studio albums, Belinda, A Woman and a Man and Voila were re-issued by Edsel on CD, although there were a number of issues with their production. Carlisle confirmed in a radio interview in August 2015 that she has completed work on a new album, tentatively earmarked for release in January 2016. She commented that the music on the album will be partly inspired by Kundalini yoga, which she had taken up while pregnant in 1991/1992 and of which she had qualified as a teacher since becoming sober in 2005. Also in August 2015, Edsel released a box set of all the commercially released singles from Carlisle's studio albums, plus a bonus disc featuring a previously-unreleased recording of "In My Wildest Dreams", which had featured in the 1987 film Mannequin. In late 2016, the Go-Go's completed an international tour with Best Coast as a supporting act, which Carlisle stated would likely be their last tour together. Carlisle's eighth studio album, a selection of Gurmukhi chants titled Wilder Shores, was released in September 2017. CANNOTANSWER

Any other albums?


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George Herbert Leigh Mallory (18 June 1886 - 8 or 9 June 1924) was an English mountaineer who took part in the first three British expeditions to Mount Everest, in the early 1920s. During the 1924 British Mount Everest expedition, Mallory and his climbing partner, Andrew "Sandy" Irvine, disappeared on the North-East ridge during their attempt to make the first ascent of the world's highest mountain. The pair were last seen when they were about 800 vertical feet (245 m) from the summit. Mallory's ultimate fate was unknown for 75 years, until his body was discovered on 1 May 1999 by an expedition that had set out to search for the climbers' remains.

Mallory participated in the initial 1921 British Reconnaissance Expedition, organised and financed by the Mount Everest Committee, that explored routes up to the North Col of Mount Everest. The expedition produced the first accurate maps of the region around the mountain, as Mallory, his climbing partner Guy Bullock and E. O. Wheeler of the Survey of India explored in depth several approaches to its peak. Under Mallory's leadership, and with the assistance of around a dozen Sherpas, the group climbed several lower peaks near Everest. His party were almost certainly the first Westerners to view the Western Cwm at the foot of the Lhotse face, as well as charting the course of the Rongbuk Glacier up to the base of the North Face. After circling the mountain from the south side, his party finally discovered the East Rongbuk Glacier--the highway to the summit now used by nearly all climbers on the Tibetan side of the mountain. By climbing up to the saddle of the North Ridge (the 23,030 ft (7,020 m) North Col), they spied a route to the summit via the North-East Ridge over the obstacle of the Second Step. In 1922 Mallory returned to the Himalayas as part of the party led by Brigadier-General Charles Bruce and climbing leader Edward Strutt, with a view to making a serious attempt on the summit. Eschewing their bottled oxygen, which was at the time seen as going against the spirit of mountaineering, Mallory, along with Howard Somervell and Edward Norton almost reached the crest of the North-East Ridge. Despite being hampered and slowed by the thin air, they achieved a record altitude of 26,980 ft (8,225 m) before weather conditions and the late hour forced them to retreat. A second party led by George Finch reached an elevation of approximately 27,300 ft (8,321 m) using bottled oxygen both for climbing and--a first--for sleeping. The party climbed at record speeds, a fact that Mallory seized upon during the next expedition. Mallory organised a third unsuccessful attempt on the summit, departing as the monsoon season arrived. While Mallory was leading a group of porters down the lower slopes of the North Col of Everest in fresh, waist-deep snow, an avalanche swept over the group, killing seven Sherpas. The attempt was immediately abandoned, and Mallory was subsequently accused of poor judgement, including by expedition participants such as Dr. Longstaff. Mallory is famously quoted as having replied to the question "Why did you want to climb Mount Everest?" with the retort "Because it's there", which has been called "the most famous three words in mountaineering". There have been questions over the authenticity of the quote, and whether Mallory actually said it. Some have suggested that it was a paraphrase by a newspaper reporter, but scrutiny of the original report in The New York Times leaves this unresolved. The phrase was certainly consistent with the direct quotes cited in The New York Times report, so it appears not to misrepresent Mallory's attitude. CANNOTANSWER

What year(s) was Mallory in Asia?


Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

Following the destruction by fire of the Palace of Westminster in Westminster, London in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for the entry of James Gillespie Graham. This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to the Roman Catholic Church in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout England. Other works include St. Chad's Cathedral, Erdington Abbey, and Oscott College, all in Birmingham, England. He also designed the collegiate buildings of St. Patrick and St. Mary in St. Patrick's College, Maynooth, Ireland; though not the collegiate chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J. J. McCarthy. Also in Ireland, Pugin designed St. Mary's Cathedral in Killarney, St. Aidan's Cathedral in Enniscorthy (renovated in 1996), and the Dominican Church of the Holy Cross in Tralee. He revised the plans for St. Michael Church in Ballinasloe, Galway, Ireland. Bishop Wareing also invited Pugin to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin. Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy. CANNOTANSWER

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Gaynor was born Laura Augusta Gainor (some sources stated Gainer) in Germantown, Philadelphia. Nicknamed "Lolly" as a child, she was the youngest of two daughters born to Laura (Buhl) and Frank De Witt Gainor. Frank Gainor worked as a theatrical painter and paperhanger. When Gaynor was a toddler, her father began teaching her how to sing, dance, and perform acrobatics.

Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband. Choosing to keep their relationship out of the public eye, Gaynor and Farrell were often assisted by mutual friend Douglas Fairbanks Jr. in maintaining the ruse. Looking back, Fairbanks would later recall, "We three were so chummy that I became their 'beard,' the cover-up for their secret romance. I would drive them out to a little rundown, wooden house well south of Los Angeles, near the sea. I'd leave them there and go sailing or swimming until [it was] time to collect them and then we'd all have a bit of dinner." According to Gaynor's biographer Sarah Baker, Farrell proposed marriage during the filming of Lucky Star (1929 film), but the two never followed through with it. In her later years, Gaynor would hold their different personalities accountable for their eventual separation. Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. Gaynor's attorney announced the couple's separation in late December 1932. She was granted a divorce on April 7, 1933. On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona. This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual. The couple had one son, Robin Gaynor Adrian, born in 1940. Those rumors were never hinted at in newspapers or magazines. Gaynor and Adrian remained married until Adrian's death from a stroke on September 13, 1959. On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death. The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasilia. CANNOTANSWERAnswer this question using a quote from the following article:

Who did Janet Gaynor marry the first time?


The Clancy Brothers were an influential Irish folk group, which initially developed as a part of the American folk music revival. Most popular in the 1960s, they were famed for their trademark Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, paving the way for an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers, Patrick "Paddy" Clancy, Tom Clancy, and Liam Clancy, are best known for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership.

The Clancy Brothers' mother read news of the terrible ice and snow storms in New York City and sent Aran sweaters for her sons and Tommy Makem to keep them warm. They wore the sweaters for the first time at the Blue Angel nightclub in Manhattan, simply as part of their regular winter clothes. When the group's manager Marty Erlichman, who had been searching for a special "look" for the group, saw the sweaters, he exclaimed, "That's it! That's it! That's what you're going to wear." Ehrlichman requested that the group wear the sweaters on their upcoming television appearance on The Ed Sullivan Show. After they did, the sales of Aran sweaters rose by 700% according to Liam Clancy, and they soon became the Clancy Brothers and Tommy Makem's trademark costume. On 12 March 1961, the Clancy Brothers and Tommy Makem performed for around fifteen minutes in front of a television audience of forty million people for the first time on The Ed Sullivan Show. A previously scheduled artist did not appear that night, and the Clancy Brothers and Tommy Makem were given the newly available time slot on the show, in addition to the two songs they had initially planned to do. The televised performance and the success of the Clancys' and Makem's nightclub performances attracted the attention of John Hammond of Columbia Records. The group was offered a five-year contract with an advance of $100,000, a huge sum in 1961. For their first album with Columbia, A Spontaneous Performance Recording, they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player. The record included songs that would soon become classics for the group, such as "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner". The album was nominated for a Grammy Award in 1962. Around the same time that they recorded A Spontaneous Performance, the Clancy Brothers and Tommy Makem cut their final, eponymous album with Tradition Records. By the end of 1962, they released a second album with Columbia, Hearty and Hellish! A Live Nightclub Performance, and they played an acclaimed concert at Carnegie Hall. Additionally, they were making appearances on major radio and television talk-shows in America. CANNOTANSWER

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The culture of Turkey combines a heavily diverse and heterogeneous set of elements that have been derived from the various cultures of the Eastern Mediterranean (West Asian) and Central Asian region and to a lesser degree, Eastern European, and Caucasian traditions. Many of these traditions were initially brought together by the Ottoman Empire, a multi-ethnic and multi-religious state. During the early years of the republic, the government invested a large amount of resources into fine arts such as paintings, sculpture and architecture. This was done as both a process of modernization and of creating a cultural identity.

Turkish literature is the collection of written and oral texts composed in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. Traditional examples for Turkish folk literature include stories of Karagoz and Hacivat, Keloglan, Incili Cavus and Nasreddin Hoca, as well as the works of folk poets such as Yunus Emre and Asik Veysel. The Book of Dede Korkut and the Epic of Koroglu have been the main elements of the Turkish epic tradition in Anatolia for several centuries. The two primary streams of Ottoman literature were poetry and prose. Of the two, the Ottoman Divan poetry, a highly ritualized and symbolic art form, was the dominant stream. The vast majority of Divan poetry was lyric in nature: either ghazals or qasidas. There were, however, other common genres, most particularly the mathnawi (also known as mesnevi), a kind of verse romance and thus a variety of narrative poetry. The tradition of Ottoman prose was exclusively non-fictional in nature; as the fiction tradition was limited to narrative poetry. The Tanzimat reforms of 1839-1876 brought changes to the language of Ottoman written literature, and introduced previously unknown Western genres, primarily the novel and the short story. Many of the writers in the Tanzimat period wrote in several different genres simultaneously: for instance, the poet Namik Kemal also wrote the important 1876 novel Intibah (Awakening), while the journalist Ibrahim Sinasi is noted for writing, in 1860, the first modern Turkish play, the one-act comedy "Sair Evlenmesi" (The Poet's Marriage). Most of the roots of modern Turkish literature were formed between the years 1896 and 1923. Broadly, there were three primary literary movements during this period: the Edebiyyat-i Cedide (New Literature) movement; the Fecr-i Ati (Dawn of the Future) movement; and the Milli Edebiyyat (National Literature) movement. The Edebiyyat-i Cedide (New Literature) movement began with the founding in 1891 of the magazine Servet-i Funun (Scientific Wealth), which was largely devoted to progress (both intellectual and scientific) along the Western model. Accordingly, the magazine's literary ventures, under the direction of the poet Tevfik Fikret, were geared towards creating a Western-style "high art" in Turkey. CANNOTANSWER

what were these movements?


Background: "Layla" is a song written by Eric Clapton and Jim Gordon, originally released by their blues rock band Derek and the Dominos, as the thirteenth track from their album Layla and Other Assorted Love Songs (November 1970). Its famously contrasting movements were composed separately by Clapton and Gordon. The song was inspired by a love story that originated in 7th-century Arabia and later formed the basis of The Story of Layla and Majnun by the 12th-century Persian poet Nizami Ganjavi, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, because it was the tale of a young man who fell hopelessly in love with a beautiful, young girl and went crazy and so could not marry her.
Context: The album Layla and Other Assorted Love Songs opened to lacklustre sales as the album never actually reached the music charts in the United Kingdom, possibly in part because Clapton's name was found only on the back cover. In addition, the song's length proved prohibitive for radio airplay. As a result, an edited version of the song, trimmed to 2:43, was released as a single in March 1971 by Atco Records in the United States. The version peaked at #51 on the Billboard Hot 100 singles chart. When "Layla" was re-released on the 1972 compilations The History of Eric Clapton and Duane Allman's An Anthology and then released the full 7:10 version as a single, it charted at number seven in the United Kingdom and reached number 10 in the United States. With good sales figures, the Billboard magazine was able to rank the Rock single as the 60th best-selling song in 1972. In 1982, "Layla" was re-released as a single in the United Kingdom, and peaked at number four. This time the whole seven-minute single charted, containing the trailing two-thirds which is instrumental only. Critical opinion since has been overwhelmingly positive. Dave Marsh, in The Rolling Stone Illustrated History of Rock and Roll, wrote that "there are few moments in the repertoire of recorded rock where a singer or writer has reached so deeply into himself that the effect of hearing them is akin to witnessing a murder or a suicide... to me 'Layla' is the greatest of them." Marsh listed "Layla" at number 156 in his The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. In May 1980, "Layla" was covered by the London Symphony Orchestra, but without the lyrics, being recorded at EMI Studio One, Abbey Road, London. A similar version has been performed by the Royal Philharmonic Orchestra. On 20 September 1983, a benefit show called the ARMS Charity Concert for Multiple Sclerosis at the Royal Albert Hall in London featured a jam with Eric Clapton, Jeff Beck, and Jimmy Page performing "Layla". Clapton, Beck, and Page were the Yardbirds' successive lead guitarists from 1963 to 1968. In 2003, the Allman Brothers Band began playing the song in concert. Warren Haynes sang the vocal, Gregg Allman played the piano part, and Derek Trucks played Duane Allman's guitar parts during the coda. The performances were seen as a tribute not only to Allman, but also to producer Tom Dowd, who had died the previous year. Eric Clapton recorded yet a third version. "Layla" appears as track seven on Play the Blues: Live from Jazz at Lincoln Center. Personnel on this version include Wynton Marsalis (vocals, trumpet), Eric Clapton (vocals, guitar), Victor Goines (clarinet), Marcus Printup (trumpet), Chris Crenshaw (trombone, vocals), Don Vappie (banjo), Chris Stainton (keyboards), Dan Nimmer (piano), Carlos Henriquez (bass), and Ali Jackson (drums). CANNOTANSWER
Question: Is there anything else notable about it?

Answer:


In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Answer this question "What was the end result?" by extracting the answer from the text above.


Throbbing Gristle were an English music and visual arts group, officially formed on 3 September 1975 in Kingston upon Hull. With its members Genesis P-Orridge (born Neil Megson), Cosey Fanni Tutti (born Christine Newby), Peter "Sleazy" Christopherson and Chris Carter, they became widely regarded as the pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made its public debut in October 1976 on COUM Transmissions exhibition Prostitution, and, the following year, released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Further throughout its first stint, the band released several studio and live albums--including D.o.

Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The last known performance of COUM Transmissions--Prostitution, an exhibition which was held in October 1976 at the Institute of Contemporary Arts--was also the public debut of Throbbing Gristle. Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However, the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle made extensive use of pre-recorded tape-based samples and special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They appeared in the fanzine Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News. In 1977, they released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Although pressed in a limited initial run of 786 copies on the band's own Industrial Records label, it was later re-released on Mute Records due to high demand; however, this later release was reversed with all tracks playing backwards and in reverse order. This was followed by a series of albums, singles and live performances over a four-year period. On 29 May 1981, Throbbing Gristle performed at the Kezar Pavilion in San Francisco, California, United States. This concert marked the end of the group and its mission. As Cosey succinctly put it, "TG broke up because me and Gen broke up". In 1981 Michael Sheppard, concert promoter and founder of Transparency Record label brought Throbbing Gristle to Los Angeles. Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Cosey Fanni Tutti and Carter continued to record together under the names of Chris and Cosey, Carter Tutti and Creative Technology Institute. Christopherson had paricipated in Psyshic TV's first releases, and had later joined John Balance in the latter project Coil. Meanwhile, Gen (now known as Genesis Breyer P-Orridge) subsequently formed Thee Majesty and PTV3 with the help of their wife, Jacqueline "Jaye" Breyer. CANNOTANSWERAnswer this question using a quote from the following article:

What about the first era 1976-1981?


Answer by taking a quote from the following article:

Wayne Coleman was born into a working-class family in Phoenix, Arizona on June 07, 1943. His father was from Mississippi, and his mother, of Cherokee ancestry, was from Arkansas. Coleman was attracted to weight lifting in the fifth grade. As a teenager he was an avid reader of bodybuilding magazines, his idols being Steve Reeves and John Grimek.

In the early 1990s US federal agents were investigating Dr. George Zahorian, a Harrisburg, Pennsylvania physician who had been dispensing anabolic steroids and other drugs to World Wrestling Federation (WWF) wrestlers at WWF events. In 1991 Dr. Zahorian was convicted under the US federal Anti-Drug Abuse Act of 1988 which prohibited the prescription of steroids for non-therapeutic purposes. This led to WWF owner Vince McMahon Jr., who admitted to being a steroid user himself, being put on trial on charges of steroid distribution in 1994. The trial concluded with McMahon's acquittal. During this time Graham personally sued Zahorian and the WWF, claiming that they had forced him to take steroids to maintain his position in the company. His lawsuit was unsuccessful, partly because he had been using steroids for a decade preceding his WWF debut. Recalling the lawsuit on a 2003 episode of WWE Confidential, he attributed the litigation to his bitterness and claimed that he was an innovator of steroid use in the organization. Graham went on a public awareness campaign regarding the dangers of steroids during this time, including an appearance with McMahon on The Phil Donahue Show in 1992. During the Donahue taping Graham claimed to have witnessed WWF officials sexually abuse children. McMahon claimed the abuse had never taken place, and Graham later admitted that he made up the allegations, hoping to extort "hush money" out of the WWF. In his autobiography, Graham describes making the allegations as being "my most shameful moment, not only in the wrestling profession, but in my life". Graham wrote an apology to McMahon but received no response until his 2002 liver transplant. Five years after being inducted into the WWE Hall of Fame, Graham was released from his consultancy position in World Wrestling Entertainment. He sold his Hall of Fame ring on eBay to help pay for medical bills and requested that he be entirely removed from the Hall of Fame after Abdullah The Butcher was inducted. Graham complained that Abdullah had never wrestled in the promotion. Graham spoke out against Linda McMahon during her 2010 Senate campaign, claiming that she was distancing herself from the racy programming that she profited from while acting as CEO for WWE. Upon learning that his liver condition had worsened, Graham reached out to apologize to the McMahons, even offering to be a spokesman for Linda McMahon's campaign. In July 2015, Graham sent a letter to Vince McMahon requesting to take the position of Dusty Rhodes, who had recently died, at NXT. Graham received criticism from fans due to his timing and opportunism. He defended himself, calling his critics "evil, sub humans", and compared a possible reconciliation with McMahon to that of long-time WWE critic Bruno Sammartino, who reconciled with McMahon and was inducted into the WWE Hall of Fame class of 2013. CANNOTANSWER

how did the campaign do?


Esther Jane Williams (August 8, 1921 - June 6, 2013) was an American competitive swimmer and actress. Williams set multiple national and regional swimming records in her late teens as part of the Los Angeles Athletic Club swim team. Unable to compete in the 1940 Summer Olympics because of the outbreak of World War II, she joined Billy Rose's Aquacade, where she took on the role vacated by Eleanor Holm after the show's move from New York City to San Francisco. While in the city, she spent five months swimming alongside Olympic gold medal winner and Tarzan star, Johnny Weissmuller.

Williams retired from acting in the early 1960s and later turned down the role of Belle Rosen, a character with a crucial swimming scene, in The Poseidon Adventure. (The role eventually went to Shelley Winters.) She continued to lend her name to a line of retro women's swimwear. "Women worldwide are fighting a thing called gravity," said Williams. "I say to women when I talk to them, 'You girls of 18 have until about 25, 30 at the most, and then you have to report to me. My suits are quality fabric.'" She went on: "I put you in a suit that contains you and you will swim in. I don't want you to be in two Dixie cups and a fish line." She was also the namesake of a company that manufactures swimming pools and swimming pool accessories. She came out with a line of Swim, Baby, Swim videos, which helped parents teach their children how to swim. She also appeared as a commentator for synchronized swimming at the 1984 Summer Olympics. Williams met her fourth husband as a result of his calling her to coordinate her appearance. She co-wrote her autobiography, The Million Dollar Mermaid (New York: Simon & Schuster, 1999), with popular media critic and author Digby Diehl. In a 2007 interview with Diane Sawyer, Williams admitted that she had recently suffered a stroke. "I opened my eyes and I could see, but I couldn't remember anything from the past," she said. In June 2008, Williams attended Cyd Charisse's funeral, which she did while seated in a wheelchair. In April 2010, Williams appeared at the first Turner Classic Movies Classic Film Festival in Hollywood, California, alongside two-time co-star Betty Garrett. Their film Neptune's Daughter (1949) was screened at the pool of the Roosevelt Hotel, along with a performance of the Williams-inspired synchronized swimming troupe, The Waterlilies. South Beach Miami's 2010 Mercedes Benz Fashion Week Swim, a showcase of designer swimwear, included a Williams suite, complete with a beach summer theme and sand palette with aqua accents. In 2000 an account of Williams's life and career appeared in the Swedish book Esther Williams -- Skenbiografin (Esther Williams -- The Fake Biography) written by Jane Magnusson, in which the author shares with readers her own fascination for art swimming as a genre and, here, in particular, Williams as -- to the author -- both a bewildering and mesmerizing front figure and icon in this field. CANNOTANSWER

why was it called "the fake biography"?


Benito "Benny" Cuntapay (born December 29, 1978) is an American professional wrestler better known by his ring name, B-Boy. He is best known for his work in the independent circuit, where he worked in promotions like Combat Zone Wrestling (CZW), Pro Wrestling Guerrilla (PWG), Jersey All Pro Wrestling (JAPW) or Wrestling Society X (WSX). He is a former CZW World Heavyweight Champion, one-time CZW Iron Man Champion and three-times PWG World Tag Team Champion (once with Homicide and twice with Super Dragon).

In Combat Zone Wrestling (CZW), Cuntapay, using the name B-Boy, joined the Hi V faction, with Messiah and The Backseat Boys, managed by Dewey Donovan. On April 12, 2003, B-Boy defeated Deranged, Lil Cholo, Jay Briscoe and Sonjay Dutt to win the Best of the Best tournament. On July 20, Hi V turned on CZW owner John Zandig, leading to the rest of the roster chasing them out of the building. This allowed the Hi V members to take a short hiatus from CZW, and B-Boy returned on the show of October 11, Uprising, defeating Homicide. He continued working regularly throughout the end of 2003 and 2004, gaining numerous title matches, but failing to win them. On July 10, 2004, B-Boy competed in the fourth annual Best of the Best tournament in an attempt to win it for the second consecutive time, but lost to Roderick Strong in the quarter-finals. After another short hiatus from CZW, B-Boy defeated Dan Maff on December 11 to win the Xtreme Strong Style Tournament. This earned him a match that night against the CZW Iron Man Champion, Chris Hero, who he then defeated to win the championship. After successful defenses against Kaos, B-Boy lost the championship to Frankie The Mobster on February 5, 2005 at Only the Strong: Scarred for Life. On April 2, 2005, B-Boy unsuccessfully challenged Ruckus for the CZW World Heavyweight Championship, and on May 14, he competed in the fifth Best of the Best tournament, making it to the finals, where he lost to Mike Quackenbush in a four-way match. On August 13, B-Boy lost a Loser Leaves Town match to Nate Webb, although he returned just under a month later on September 10, at the Chri$ Ca$h Memorial Show. After this, he competed only sporadically for CZW, making an appearance at the 2006 Chri$ Ca$h Memorial Show, and then, later that night, unsuccessfully challenging LuFisto for the CZW Iron Man Championship. He also competed in the seventh Best of the Best tournament on July 14, 2007, defeating Cheech, Ricochet, Brandon Thomaselli and Jigsaw en route to the final, where he lost to Joker. On January 30, 2010, at High Stakes 4 - Sky's the Limit B-Boy won the CZW World Heavyweight Championship, by defeating the previous champion Drake Younger. He held the championship for two weeks, before losing it to Jon Moxley on February 13. B-Boy announced on his Twitter that he would be returning to CZW to face AR Fox. Later, it was announced that B-Boy would be facing Jonathan Gresham at Proving Grounds. CANNOTANSWER

What was his involvement with Combat Zone Wrestling?


Background: Melanie "Kyla" Alvarez (born Melanie Hernandez Calumpad on 5 January 1981), better known by her stage name Kyla, is a Filipino R&B singer-songwriter, occasional actress and presenter. Kyla began her career in 2000 under OctoArts EMI Philippines and rose to prominence with the release of her second single "Hanggang Ngayon" (English translation: "Until Now"). The song won the MTV Viewers' Choice for Southeast Asia at the 2001 MTV Video Music Awards making her the first East Asian female artist to win at the MTV Video Music Awards Known in the Philippines as "the Queen of R&B", her work has earned her several achievements, including a star on the Walk of Fame in the Philippines, an MTV Video Music Award, twelve Awit Awards, four MTV Philippines Music Award, and six MYX Music Awards. She was honored by the Philippines Society of Composers, Singers, and Publishers for her contributions to music as one of the first pioneers of R&B music in the country.
Context: Shortly after her return to variety show Sunday All Stars in late 2013, Kyla began recording a new album. In March 2014, Kyla renewed her contract with EMI Philippines/PolyEast Records. She performed her new single "Kunwa-Kunwari Lang" on the 8 April episode of Myx Philippines's Myx VJ Search. On 10 April, PolyEast Records released a lyric video of the single. On 24 April, PolyEast announced that Journey was released 10 May 2014. Kyla performed on MYX Live! on 21 May. During a guest appearance at DZMM the following day, she revealed the already popular track "Dito Na Lang" as the follow-up single of the album. On 29 May, it was announced that she would be taking part on the third Philippine Popular Music Festival as the interpreter for composer Jungee Marcelo's song entry entitled "Salbabida". The festival took place on 26 July, where Kyla and the other interpreters performed the song live in Meralco Theater (there was a delayed telecast though), in front of the panel of judges. The song eventually took home the grand prize winner. The day after her victory on Philpop 2014 (27 July 2014), Kyla had a mini-concert in Zirkoh Tomas Morato entitled "Kyla: A Beautiful Journey" which gave her a Best Performance in Concert (Female Category) nomination in the 27th Aliw Awards to be announced on 1 December 2014 in Newport Performing Arts Theater in Resorts World Manila. While Kyla still regularly performs at Sunday noon-time variety show Sunday All Stars, she is no longer an exclusive artist for GMA Network. On 21-22 July, she made a guest appearance at Kris TV. Aside from Myx, this was her first guest appearance at the ABS-CBN network since Morning Girls with Kris and Korina in 2004. She was invited back to Kris TV on August 1 and performed "Dance with My Father" and "Because You Loved Me" in the show's tribute to the late Corazon Aquino and Benigno Aquino, Jr. as well as its 20-21 August episode. Kyla made a guest appearance at ABS-CBN's Umagang Kay Ganda on 4 August. She performed Sheena Easton's "It's Christmas (All Over The World)" and Gary Valenciano's "Pasko Na, Sinta Ko". Kyla was invited to perform at the 11th Asia Song Festival on November 2 at the Asiad Main Stadium in South Korea She sang her songs "Don't Tie Me Down" and "My Heart". KBS aired the event on November 8. Kyla performed her single "Dito Na Lang" and "Huling Sayaw" (English translation: "Last Dance") with rock band Kamikazee at Myx Mo! 2014 at the Araneta Coliseum on 11 November. CANNOTANSWER
Question: What else stood out in this article

Answer:


Gottfried Wilhelm (von) Leibniz (; German: ['gotfRi:t 'vIlhelm fon 'laIbnIts] or ['laIpnIts]; French:

The Theodicy tries to justify the apparent imperfections of the world by claiming that it is optimal among all possible worlds. It must be the best possible and most balanced world, because it was created by an all powerful and all knowing God, who would not choose to create an imperfect world if a better world could be known to him or possible to exist. In effect, apparent flaws that can be identified in this world must exist in every possible world, because otherwise God would have chosen to create the world that excluded those flaws. Leibniz asserted that the truths of theology (religion) and philosophy cannot contradict each other, since reason and faith are both "gifts of God" so that their conflict would imply God contending against himself. The Theodicy is Leibniz's attempt to reconcile his personal philosophical system with his interpretation of the tenets of Christianity. This project was motivated in part by Leibniz's belief, shared by many conservative philosophers and theologians during the Enlightenment, in the rational and enlightened nature of the Christian religion as compared to its purportedly less advanced non-Western counterparts. It was also shaped by Leibniz's belief in the perfectibility of human nature (if humanity relied on correct philosophy and religion as a guide), and by his belief that metaphysical necessity must have a rational or logical foundation, even if this metaphysical causality seemed inexplicable in terms of physical necessity (the natural laws identified by science). Because reason and faith must be entirely reconciled, any tenet of faith which could not be defended by reason must be rejected. Leibniz then approached one of the central criticisms of Christian theism: if God is all good, all wise and all powerful, how did evil come into the world? The answer (according to Leibniz) is that, while God is indeed unlimited in wisdom and power, his human creations, as creations, are limited both in their wisdom and in their will (power to act). This predisposes humans to false beliefs, wrong decisions and ineffective actions in the exercise of their free will. God does not arbitrarily inflict pain and suffering on humans; rather he permits both moral evil (sin) and physical evil (pain and suffering) as the necessary consequences of metaphysical evil (imperfection), as a means by which humans can identify and correct their erroneous decisions, and as a contrast to true good. Further, although human actions flow from prior causes that ultimately arise in God, and therefore are known as a metaphysical certainty to God, an individual's free will is exercised within natural laws, where choices are merely contingently necessary, to be decided in the event by a "wonderful spontaneity" that provides individuals an escape from rigorous predestination. CANNOTANSWERAnswer this question using a quote from the following article:

What were his ideas about?


Answer by taking a quote from the following article:

Joe Diffie was born into a musical family in Tulsa, Oklahoma, in 1958. His first musical performance came at age four, when he performed in his aunt's country music band. Diffie's father, Joe R., played guitar and banjo, and his mother sang. Following in his mother's footsteps, Diffie began to sing at an early age, often listening to the albums in his father's record collection.

In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Did the album top any charts?