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Leonardo di ser Piero da Vinci (Italian: [leo'nardo di ,ser 'pje:ro da (v)'vintSi] ( listen); 15 April 1452 - 2 May 1519), more commonly Leonardo da Vinci or simply Leonardo, was an Italian Renaissance polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, he epitomised the Renaissance humanist ideal.

Leonardo was born on 15 April 1452 (Old Style) "at the third hour of the night" in the Tuscan hill town of Vinci, in the lower valley of the Arno river in the territory of the Medici-ruled Republic of Florence. He was the out-of-wedlock son of the wealthy Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary, and Caterina, a peasant. Leonardo had no surname in the modern sense - "da Vinci" simply meaning "of Vinci"; his full birth name was "Lionardo di ser Piero da Vinci", meaning "Leonardo, (son) of (Mes)ser Piero from Vinci". The inclusion of the title "ser" indicated that Leonardo's father was a gentleman. Little is known about Leonardo's early life. He spent his first five years in the hamlet of Anchiano in the home of his mother, and from 1457 lived in the household of his father, grandparents and uncle in the small town of Vinci. His father had married a sixteen-year-old girl named Albiera Amadori, who loved Leonardo but died young in 1465 without children. When Leonardo was sixteen (1468), his father married again to twenty-year-old Francesca Lanfredini, who also died without children. Piero's legitimate heirs were born from his third wife Margherita di Guglielmo (who gave birth to six children: Antonio, Giulian, Maddalena, Lorenzo, Violante and Domenico) and his fourth and final wife, Lucrezia Cortigiani (who bore him another six children: Margherita, Benedetto, Pandolfo, Guglielmo, Bartolomeo and Giovanni). In all, Leonardo had twelve half-siblings, who were much younger than him (the last was born when Leonardo was forty years old) and with whom he had very few contacts, but they caused him difficulty after his father's death in the dispute over the inheritance. Leonardo received an informal education in Latin, geometry and mathematics. In later life, Leonardo recorded only two childhood incidents. One, which he regarded as an omen, was when a kite dropped from the sky and hovered over his cradle, its tail feathers brushing his face. The second occurred while he was exploring in the mountains: he discovered a cave and was both terrified that some great monster might lurk there and driven by curiosity to find out what was inside. Leonardo's early life has been the subject of historical conjecture. Vasari, the 16th-century biographer of Renaissance painters, tells a story of Leonardo as a very young man: A local peasant made himself a round shield and requested that Ser Piero have it painted for him. Leonardo responded with a painting of a monster spitting fire that was so terrifying that Ser Piero sold it to a Florentine art dealer, who sold it to the Duke of Milan. Meanwhile, having made a profit, Ser Piero bought a shield decorated with a heart pierced by an arrow, which he gave to the peasant. In 1466, at the age of fourteen, Leonardo was apprenticed to the artist Andrea di Cione, known as Verrocchio, whose bottega (workshop) was "one of the finest in Florence". He apprenticed as a garzone (studio boy) to Andrea del Verrocchio, the leading Florentine painter and sculptor of his day (and would do so for 7 years). Other famous painters apprenticed or associated with the workshop include Domenico Ghirlandaio, Perugino, Botticelli, and Lorenzo di Credi. Leonardo would have been exposed to both theoretical training and a vast range of technical skills, including drafting, chemistry, metallurgy, metal working, plaster casting, leather working, mechanics and carpentry as well as the artistic skills of drawing, painting, sculpting and modelling. Much of the painted production of Verrocchio's workshop was done by his employees. According to Vasari, Leonardo collaborated with Verrocchio on his The Baptism of Christ, painting the young angel holding Jesus' robe in a manner that was so far superior to his master's that Verrocchio put down his brush and never painted again, although this is believed to be apocryphal. Close examination reveals areas that have been painted or touched-up over the tempera using the new technique of oil paint; the landscape, the rocks seen through the brown mountain stream and much of the figure of Jesus bearing witness to the hand of Leonardo. Leonardo may have been the model for two works by Verrocchio: the bronze statue of David in the Bargello and the Archangel Raphael in Tobias and the Angel. By 1472, at the age of twenty, Leonardo qualified as a master in the Guild of Saint Luke, the guild of artists and doctors of medicine, but even after his father set him up in his own workshop, his attachment to Verrocchio was such that he continued to collaborate with him. Leonardo's earliest known dated work is a drawing in pen and ink of the Arno valley, drawn on 5 August 1473. From September 1513 to 1516, under Pope Leo X, Leonardo spent much of his time living in the Belvedere in the Vatican in Rome, where Raphael and Michelangelo were both active at the time. In October 1515, King Francis I of France recaptured Milan. On 19 December, Leonardo was present at the meeting of Francis I and Pope Leo X, which took place in Bologna. Leonardo was commissioned to make for Francis a mechanical lion that could walk forward then open its chest to reveal a cluster of lilies. In 1516, he entered Francis' service, being given the use of the manor house Clos Luce, now a public museum, near the king's residence at the royal Chateau d'Amboise. He spent the last three years of his life here, accompanied by his friend and apprentice, Count Francesco Melzi, and supported by a pension totalling 10,000 scudi. Leonardo died at Clos Luce, on 2 May 1519 at the age of 67. The cause is generally stated to be recurrent stroke; this diagnosis is consistent with accounts of the state of Leonardo's alleged remains as described in 1863.  Francis I had become a close friend. Vasari records that the king held Leonardo's head in his arms as he died, although this story, beloved by the French and portrayed in romantic paintings by Ingres, Menageot and other French artists, as well as by Angelica Kauffman, may be legend rather than fact. Vasari states that in his last days, Leonardo sent for a priest to make his confession and to receive the Holy Sacrament. In accordance with his will, sixty beggars followed his casket. Melzi was the principal heir and executor, receiving, as well as money, Leonardo's paintings, tools, library and personal effects. Leonardo also remembered his other long-time pupil and companion, Salai, and his servant Battista di Vilussis, who each received half of Leonardo's vineyards. His brothers received land, and his serving woman received a black cloak "of good stuff" with a fur edge. Leonardo da Vinci was buried in the Chapel of Saint-Hubert in Chateau d'Amboise in France. Some 20 years after Leonardo's death, Francis was reported by the goldsmith and sculptor Benvenuto Cellini as saying: "There had never been another man born in the world who knew as much as Leonardo, not so much about painting, sculpture and architecture, as that he was a very great philosopher." CANNOTANSWER


In 1970, El Gran Combo's contract with Gema Records was not renewed. Despite offers from other record companies including the Motown label, the group decided to self-release recordings under their own newly created independent label, Combo Records (alternatively known as EGC Records). The first album released on the label was the 1970 album entitled Estamos Primeros. On February 15, 1970, the members of El Gran Combo shared a near death experience. They were at Venezuela, and scheduled to fly the following day to Las Americas International Airport in Santo Domingo. After landing they were told about the Dominicana Airlines DC-9 that crashed off the Caribbean coast which occurred the night before. Therefore, the tale about a group member having a bad feeling regarding that flight while stranded at the Santo Domingo airport is not entirely true, since they did not arrive there until the day after the crash. In 1971, El Gran Combo introduced the trombone to their instrument mix. The trombone was played by Fanny Ceballos. Soon after, their production named De Punta a Punta was released. In 1972, they released the album "Por el Libro", which marks the 10th anniversary of the orchestra. Pellin Rodriguez left the group to embark on a solo career. Rodriguez was replaced by Charlie Aponte at the recommendation of Jerry Concepcion and the well known sportscaster Rafael Bracero, both friends of Ithier. In 1973, El Gran Combo sang in front of 50,000 fans at the famous Yankee Stadium in New York City as the opening act for the Fania All-Stars' sold out concert. Montanez left the band in early 1977 and went to live in Venezuela where he replaced Oscar D'Leon in another orchestra, Dimension Latina. Jerry Rivas was then chosen to join the orchestra. Both Rivas and Aponte are still members of the orchestra to this day. The success of this new duo was proved with their 1977 album International and 1978's En Las Vegas which reached gold record status. In 1966, En Navidad, a Christmas album, was released, with Martin Quinones appearing as Santa Claus in the album's cover. After an automobile accident in early 1977, Quinones was replaced in the band by his son, Martin Quinones Jr. He stayed until 1979, being replaced by Luis Diaz. CANNOTANSWER

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Background: Maasai are a Nilotic ethnic group inhabiting central and southern Kenya and northern Tanzania. They are among the best known local populations due to their residence near the many game parks of the African Great Lakes, and their distinctive customs and dress.The Maasai speak the Maa language (ol Maa), a member of the Nilo-Saharan family that is related to Dinka and Nuer languages. Some have become educated in the official languages of Kenya and Tanzania, Swahili and English.
Context: Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves. CANNOTANSWER
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Born on the Victorian Goldfields at Chinaman's Flat (now in the locality of Snake Valley near Maryborough, Worrall was the seventh child of Irish-born parents, Joseph and Ann. He attended state school in Maryborough, but moved to Ballarat in his early twenties. There, he came under notice playing cricket against the touring English team, which led to his selection for Victoria in 1883. Joining the South Ballarat Football Club, Worrall showed excellent potential and he was persuaded to move to Melbourne and play for the fledging Fitzroy club in 1884.

Worrall's football showed more consistency than his cricket. Already captain of the team, Worrall played as a rover. He was skilled, fearless, could kick with either foot and was an excellent overhead mark for his size. Regularly selected for the Victorian team, he is one of very few men to have represented Victoria at both sports. Football was put on hold the following winter when he was chosen to tour England with the Australian cricket team. Along with most of his teammates, Worrall struggled during the wet English summer and failed to enhance his reputation. On his return to Melbourne, he was named The Argus Player of the Year in 1890, and Fitzroy's key player during these years. Injury got the better of him in 1892, and he retired from football, which allowed him to concentrate on the summer game. The next year, he married Agnes McCullum in Fitzroy. He switched allegiance to the Carlton Cricket Club and in 1896 scored an Australian- record 417 not out for the Blues in a match with University. He reorganised his style, becoming a more aggressive batsman who often opened but no longer bowled. In addition, he was inspirational in the field and his leadership qualities were recognised with the Victorian captaincy sixteen times. A number of big innings for the state kept him in contention for higher honours. This late blooming of his talent culminated in selection for the 1899 tour of England, during which he turned 38. Partnering the legendary Victor Trumper at the top of the order for all five tests, Worrall had his greatest day in the Headingley test match when he scored 76 on a sticky wicket to set up an Australian victory. However, his advanced age meant that this was his last test series, although he continued with Victoria until 1902, when he was 40. In 140 first class matches, he scored 4660 runs at 20.99, took 105 wickets at 23.10, held 101 catches and scored seven centuries. CANNOTANSWER

Answer the following question by taking a quote from the article: Did Worrall play football and cricket?


While an undergraduate at the University of Wisconsin, Searle was the secretary of "Students against Joseph McCarthy". McCarthy was then the junior senator from Wisconsin. In 1959 Searle began teaching at Berkeley, and he was the first tenured professor to join the 1964-65 Free Speech Movement. In 1969, while serving as chairman of the Academic Freedom Committee of the Academic Senate of the University of California, he supported the university in its dispute with students over the People's Park. In The Campus War: A Sympathetic Look at the University in Agony (1971), Searle investigates the causes behind the campus protests of the era. In it he declares that: "I have been attacked by both the House Un-American Activities Committee and ... several radical polemicists ... Stylistically, the attacks are interestingly similar. Both rely heavily on insinuation and innuendo, and both display a hatred - one might almost say terror - of close analysis and dissection of argument." He asserts that "My wife was threatened that I (and other members of the administration) would be assassinated or violently attacked." In the late 1980s, Searle, along with other landlords, petitioned Berkeley's rental board to raise the limits on how much he could charge tenants under the city's 1980 rent stabilization ordinance. The rental board refused to consider Searle's petition and Searle filed suit, charging a violation of due process. In 1990, in what came to be known as the "Searle Decision", the California Supreme Court upheld Searle's argument in part and Berkeley changed its rent control policy, leading to large rent increases between 1991 and 1994. Searle was reported to see the issue as one of fundamental rights, being quoted as saying "The treatment of landlords in Berkeley is comparable to the treatment of blacks in the South...our rights have been massively violated and we are here to correct that injustice." The court described the debate as a "morass of political invective, ad hominem attack, and policy argument". Shortly after the September 11 attacks, Searle wrote an article arguing that the attacks were a particular event in a long-term struggle against forces that are intractably opposed to the United States, and signaled support for a more aggressive neoconservative interventionist foreign policy. He called for the realization that the United States is in a more-or-less permanent state of war with these forces. Moreover, a probable course of action would be to deny terrorists the use of foreign territory from which to stage their attacks. Finally, he alluded to the long-term nature of the conflict and blamed the attacks on the lack of American resolve to deal forcefully with America's enemies over the past several decades. CANNOTANSWER

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Shearer was born December 23, 1943 in Los Angeles, the son of Dora Warren (nee Kohn; d. 2008), a bookkeeper, and Mack Shearer. His parents were Jewish emigrants from Austria and Poland. Starting when Shearer was four years old, he had a piano teacher whose daughter worked as a child actress. The piano teacher later decided to make a career change and become a children's agent, as she knew people in the business through her daughter's work.

Since 1983, Shearer has been the host of the public radio comedy/music program Le Show. The program is a hodgepodge of satirical news commentary, music, and sketch comedy that takes aim at the "mega morons of the mighty media". It is carried on many National Public Radio and other public radio stations throughout the United States. Since the merger of SIRIUS and XM satellite radio services the program is no longer available on either. The show has also been made available as a podcast on iTunes and by WWNO. On the weekly program Shearer alternates between DJing, reading and commenting on the news of the day after the manner of Mort Sahl, and performing original (mostly political) comedy sketches and songs. In 2008, Shearer released a music CD called Songs of the Bushmen, consisting of his satirical numbers about former President George W. Bush on Le Show. Shearer says he criticizes both Republicans and Democrats equally, and also says that "the iron law of doing comedy about politics is you make fun of whoever is running the place" and that "everyone else is just running around talking. They are the ones who are actually doing something, changing people's lives for better or for worse. Other people the media calls 'satirists' don't work that way." Since encountering satellite news feeds when he worked on Saturday Night Live, Shearer has been fascinated with the contents of the video that does not air. Shearer refers to these clips as found objects. "I thought, wow, there is just an unending supply of this material, and it's wonderful and fascinating and funny and sometimes haunting - but it's always good," said Shearer. He collects this material and uses it on Le Show and on his website. In 2008, he assembled video clips of newsmakers from this collection into an art installation titled "The Silent Echo Chamber" which was exhibited at The Aldrich Contemporary Art Museum in Ridgefield, Connecticut. The exhibit was also displayed in 2009 at Institut Valencia d'Art Modern (IVAM) in Valencia, Spain and in 2010 at the New Orleans Contemporary Arts Center. In 2006 Shearer appeared with Brian Hayes in four episodes of the BBC Radio 4 sitcom Not Today, Thank You, playing Nostrils, a man so ugly he cannot stand to be in his own presence. He was originally scheduled to appear in all six episodes but had to withdraw from recording two due to a problem with his work permit. On June 19, 2008, it was announced that Shearer would receive a star on the Hollywood Walk of Fame in the radio category. The date of the ceremony where his star will be put in place has yet to be announced. CANNOTANSWER

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When he first came to Africa, Rhodes lived on money lent by his aunt Sophia. After a brief stay with the Surveyor-General of Natal, Dr. P.C. Sutherland, in Pietermaritzburg, Rhodes took an interest in agriculture. He joined his brother Herbert on his cotton farm in the Umkomazi valley in Natal. The land was unsuitable for cotton, and the venture failed. In October 1871, 18-year-old Rhodes and his brother Herbert left the colony for the diamond fields of Kimberley. Financed by N M Rothschild & Sons, Rhodes succeeded over the next 17 years in buying up all the smaller diamond mining operations in the Kimberley area. In 1873, he returned to Britain to study at Oxford, but stayed there for only one term after which he went back to South Africa. His monopoly of the world's diamond supply was sealed in 1890 through a strategic partnership with the London-based Diamond Syndicate. They agreed to control world supply to maintain high prices. Rhodes supervised the working of his brother's claim and speculated on his behalf. Among his associates in the early days were John X. Merriman and Charles Rudd, who later became his partner in the De Beers Mining Company and the Niger Oil Company. During the 1880s, Cape vineyards had been devastated by a phylloxera epidemic. The diseased vineyards were dug up and replanted, and farmers were looking for alternatives to wine. In 1892, Rhodes financed The Pioneer Fruit Growing Company at Nooitgedacht, a venture created by Harry Pickstone, an Englishman who had experience with fruit-growing in California. The shipping magnate Percy Molteno had just undertaken the first successful refrigerated export to Europe and in 1896, after consulting with Molteno, Rhodes began to pay more attention to export fruit farming and bought farms in Groot Drakenstein, Wellington and Stellenbosch. A year later, he bought Rhone and Boschendal and commissioned Sir Herbert Baker to build him a cottage there. The successful operation soon expanded into Rhodes Fruit Farms, and formed a cornerstone of the modern-day Cape fruit industry. During his years at Oxford, Rhodes continued to prosper in Kimberley. Before his departure for Oxford, he and C.D. Rudd had moved from the Kimberley Mine to invest in the more costly claims of what was known as old De Beers (Vooruitzicht). It was named after Johannes Nicolaas de Beer and his brother, Diederik Arnoldus, who occupied the farm. After purchasing the land in 1839 from David Danser, a Koranna chief in the area, David Stephanus Fourie, Claudine Fourie-Grosvenor's forebearer, had allowed the de Beers and various other Afrikaner families to cultivate the land. The region extended from the Modder River via the Vet River up to the Vaal River. In 1874 and 1875, the diamond fields were in the grip of depression, but Rhodes and Rudd were among those who stayed to consolidate their interests. They believed that diamonds would be numerous in the hard blue ground that had been exposed after the softer, yellow layer near the surface had been worked out. During this time, the technical problem of clearing out the water that was flooding the mines became serious. Rhodes and Rudd obtained the contract for pumping water out of the three main mines. After Rhodes returned from his first term at Oxford he lived with Robert Dundas Graham, who later became a mining partner with Rudd and Rhodes. On 13 March 1888, Rhodes and Rudd launched De Beers Consolidated Mines after the amalgamation of a number of individual claims. With PS200,000 of capital, the company, of which Rhodes was secretary, owned the largest interest in the mine (PS200,000 in 1880 = PS12.9m in 2004 = $22.5m USD). Rhodes was named the chairman of De Beers at the company's founding in 1888. De Beers was established with funding from N M Rothschild & Sons Limited in 1887. Rhodes had already tried and failed to get a mining concession from Lobengula, king of the Ndebele of Matabeleland. In 1888 he tried again. He sent John Moffat, son of the missionary Robert Moffat, who was trusted by Lobengula, to persuade the latter to sign a treaty of friendship with Britain, and to look favourably on Rhodes' proposals. His associate Charles Rudd, together with Francis Thompson and Rochfort Maguire, assured Lobengula that no more than ten white men would mine in Matabeleland. This limitation was left out of the document, known as the Rudd Concession, which Lobengula signed. Furthermore, it stated that the mining companies could do anything necessary to their operations. When Lobengula discovered later the true effects of the concession, he tried to renounce it, but the British Government ignored him. During the Company's early days, Rhodes and his associates set themselves up to make millions (hundreds of millions in current pounds) over the coming years through what has been described as a "suppressio veri ... which must be regarded as one of Rhodes's least creditable actions". Contrary to what the British government and the public had been allowed to think, the Rudd Concession was not vested in the British South Africa Company, but in a short-lived ancillary concern of Rhodes, Rudd and a few others called the Central Search Association, which was quietly formed in London in 1889. This entity renamed itself the United Concessions Company in 1890, and soon after sold the Rudd Concession to the Chartered Company for 1,000,000 shares. When Colonial Office functionaries discovered this chicanery in 1891, they advised Secretary of State for the Colonies Knutsford to consider revoking the concession, but no action was taken. Armed with the Rudd Concession, in 1889 Rhodes obtained a charter from the British Government for his British South Africa Company (BSAC) to rule, police, and make new treaties and concessions from the Limpopo River to the great lakes of Central Africa. He obtained further concessions and treaties north of the Zambezi, such as those in Barotseland (the Lochner Concession with King Lewanika in 1890, which was similar to the Rudd Concession); and in the Lake Mweru area (Alfred Sharpe's 1890 Kazembe concession). Rhodes also sent Sharpe to get a concession over mineral-rich Katanga, but met his match in ruthlessness: when Sharpe was rebuffed by its ruler Msiri, King Leopold II of Belgium obtained a concession over Msiri's dead body for his Congo Free State. Rhodes also wanted Bechuanaland Protectorate (now Botswana) incorporated in the BSAC charter. But three Tswana kings, including Khama III, travelled to Britain and won over British public opinion for it to remain governed by the British Colonial Office in London. Rhodes commented: "It is humiliating to be utterly beaten by these niggers." The British Colonial Office also decided to administer British Central Africa (Nyasaland, today's Malawi) owing to the activism of Scots missionaries trying to end the slave trade. Rhodes paid much of the cost so that the British Central Africa Commissioner Sir Harry Johnston, and his successor Alfred Sharpe, would assist with security for Rhodes in the BSAC's north-eastern territories. Johnston shared Rhodes' expansionist views, but he and his successors were not as pro-settler as Rhodes, and disagreed on dealings with Africans. CANNOTANSWER

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Bernard Joseph Francis Lonergan  (17 December 1904 - 26 November 1984) was a Canadian Jesuit priest, philosopher, and theologian, regarded by many as one of the most important thinkers of the 20th century. Lonergan's works include Insight: A Study of Human Understanding (1957) and Method in Theology (1972), as well as two studies of Thomas Aquinas, several theological textbooks, and numerous essays, including two posthumously published essays on macroeconomics. A projected 25-volume Collected Works is underway with the University of Toronto Press. He held appointments at the Pontifical Gregorian University, Regis College, Toronto, as Distinguished Visiting Professor at Boston College, and as Stillman Professor of Divinity at Harvard University.

While at the Gregorian University, Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964). It has recently appeared in the Collected Works together with an interleaf English translation under the title The Triune God: Doctrines (2009) and The Triune God: Systematics (2007). In The Triune God: Doctrines, Lonergan begins with an examination of the dialectical process by which the dogma of the Trinity developed in the first four centuries. This section was previously published in English as The Way to Nicea. The second section of the work advances dogmatic theses on (1) the consubstantiality of the Son with the Father, (2) the divinity of the Holy Spirit, (3) the distinction of the divine persons by relations of origin, and (4) the procession of the Holy Spirit from the Father and the Son (the Filioque). The fifth and final thesis is that the Trinity is a theological mystery in the strict sense and can only be understood analogically. A concluding scholion presents New Testament evidence in favor of the "psychological" analogy of the Trinity. In The Triune God: Systematics, Lonergan develops the theory of intelligible (or spiritual) emanations in God as propounded by Thomas Aquinas. The volume begins with a discussion of the method of systematic theology which seeks an imperfect but highly fruitful understanding of the mysteries of faith by means of analogies. The following chapters develop an analogical conception of the divine processions (as intelligible emanations), relations, persons, and the two missions of the Word and Spirit. CANNOTANSWER

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Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American record producer, musician, and songwriter who developed the Wall of Sound, a music production formula he described as a "Wagnerian" approach to rock and roll. Spector is considered the first auteur among musical artists for the unprecedented freedom and control he had over every phase of the recording process. Additionally, he helped engender the idea of the studio as its own distinct instrument. For these contributions, he is acknowledged as one of the most influential figures in pop music history.

Spector began to reemerge in the late 1970s, producing and co-writing a controversial 1977 album by Leonard Cohen, entitled Death of a Ladies' Man. This angered many devout Cohen fans who preferred his stark acoustic sound to the orchestral and choral wall of sound that the album contains. The recording was fraught with difficulty. After Cohen had laid down practice vocal tracks, Spector mixed the album in studio sessions, rather than allowing Cohen to take a role in the mixing, as Cohen had previously done. Cohen remarked that the end result is "grotesque", but also "semi-virtuous"--for many years, he included a reworked version of the track "Memories" in live concerts. Bob Dylan and Allen Ginsberg also participated in the background vocals on "Don't Go Home with Your Hard-On", which is the second time Spector indirectly "produced" Dylan--the first being Dylan's live recordings on The Concert for Bangladesh. Spector also produced the much-publicized Ramones album End of the Century in 1979. As with his work with Leonard Cohen, End of the Century received criticism from Ramones fans who were angered over its radio-friendly sound. However, it contains some of the best known and most successful Ramones singles, such as "Rock 'n' Roll High School", "Do You Remember Rock 'n' Roll Radio?" and their cover of a previously released Spector song for the Ronettes, "Baby, I Love You." Guitarist Johnny Ramone later commented on working with Spector on the recording of the album, "It really worked when he got to a slower song like 'Danny Says'--the production really worked tremendously. For the harder stuff, it didn't work as well." Rumors circulated for years that Spector had threatened members of the Ramones with a gun during the sessions. Dee Dee claimed that Spector once pulled a gun on him when he tried to leave a session. Drummer Marky Ramone recalled in 2008, "They [guns] were there but he had a license to carry. He never held us hostage. We could have left at any time". CANNOTANSWERAnswer this question using a quote from the following article:

What this album successful?


A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

During this period, Lenglen's only defeat in singles (not counting pre-match withdrawals) occurred in an unscheduled appearance at the 1921 US Championships. To raise reconstruction funds for the regions of France that had been devastated by the battles of World War I, she went to the United States to play several exhibition matches against the Norwegian-born US champion, Molla Bjurstedt Mallory. Lenglen arrived in New York City the day before the tournament after a stormy and delayed sea voyage, during which she was ill the whole time. Upon arrival, Lenglen learned that, without her permission, tournament officials had announced her participation in the US Championships. Because of immense public pressure, she agreed to play in the tournament despite suffering from what was diagnosed later as whooping cough. As a concession, she was given a day to recover. To her surprise, there was no seeding for the event and her name had been drawn to play Eleanor Goss, a leading American player. Goss immediately defaulted, leaving Lenglen to face Mallory in the second round as her first opponent. In their match, Lenglen lost the first set 6-2 and just as the second set got underway, she began coughing and burst into tears, unable to continue. The crowd jeered her as she walked off the court, and the American press severely criticised her. This worsened when, under doctor's orders after it was confirmed that she was afflicted with whooping cough, she cancelled her exhibition match. Unaccustomed to such treatment, a devastated Lenglen went home. Once healthy, she set about preparing herself for redemption. In the singles final at Wimbledon the following year, she defeated Mallory in only 26 minutes, winning 6-2, 6-0, reputedly the fastest Ladies' major tournament match on record. The two met again later that year at a tournament in Nice where, with Lenglen showing her complete mastery of the sport, Mallory failed to win even one game. Mary K. Browne relates that she asked Lenglen how she greeted Mallory at the net after the game when they met to shake hands. She said that Lenglen told her that after shaking hands she emitted a couple of gentle 'coughs'. CANNOTANSWER

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Jean-Martin Charcot (; French: [SaRko]; 29 November 1825 - 16 August 1893) was a French neurologist and professor of anatomical pathology. He is best known today for his work on hypnosis and hysteria, in particular his work with his hysteria patient Louise Augustine Gleizes. He is also known as "the founder of modern neurology", and his name has been associated with at least 15 medical eponyms, including Charcot-Marie-Tooth disease and Charcot disease (better known as amyotrophic lateral sclerosis, motor neurone disease, or Lou Gehrig disease). Charcot has been referred to as "the father of French neurology and one of the world's pioneers of neurology".

Distorted views of Charcot as harsh and tyrannical have arisen from some sources that rely on a fanciful autobiographical novel by Axel Munthe, The Story of San Michele (1929). Munthe claimed to have been Charcot's assistant, but in fact, Munthe was just a medical student among hundreds of others. Munthe's most direct contact with Charcot was when Munthe helped a young female patient "escape" from a ward of the hospital and took her into his home. Charcot threatened to report this to the police, and ordered that Munthe not be allowed on the wards of the hospital again. In a 1931 letter to The New York Times Book Review, Charcot's son Jean-Baptiste Charcot, who had, himself, been a formal student of his father at the Salpetriere, emphatically stated: I can certify that Dr Munthe never was trained by my father"; and, further, that "[although Munthe] may have [incidentally] followed, like hundreds of others, some courses of Charcot, ...he was not trained by him and certainly never had the intimacy of which he boasts [in his recently reviewed work, Memories and Vagaries]. ...I was, myself, a student at the Salpetriere then, and can certify that he was not one of his students and that my father never knew him. Everything he says about professor Charcot is false.... Bengt Jangfeldt, in his 2008 biography, Axel Munthe: The Road to San Michele, states that "Charcot is not mentioned in a single letter of Axel's out of the hundreds that have been preserved from his Paris years" (p. 96). CANNOTANSWER

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Sean Michael Leonard Anderson (born March 25, 1988), known professionally as Big Sean, is an American rapper. Sean signed with Kanye West's GOOD Music in 2007, Def Jam Recordings in 2008 and Roc Nation in 2014. After releasing a number of mixtapes, Sean released his debut studio album, Finally Famous, in 2011. He released his second studio album, Hall of Fame, in 2013.

Big Sean pushed back the release date of his second studio album Hall of Fame, and was eventually released on August 27, 2013. The album has skits to give it a "classic feel", and includes features from multiple artists, including Lil Wayne, Miguel, and Nas. The album's production was primarily handled by No I.D., and Key Wane along with additional production from Hit-Boy, and Da Internz, Mike Dean, Travis Scott, Xaphoon Jones and Young Chop among others. Big Sean also stated in an interview that he was in the studio with fellow Detroit native Eminem. Sean went on to say they made a "Detroit classic" but he is unsure if it will be on Hall of Fame because of "timing issues". Hall of Fame had spawned five singles, "Guap", "Switch Up" featuring Common, "Beware" featuring Jhene Aiko and Lil Wayne, "Fire", and "Ashley" featuring Miguel. A month prior to the release of Hall of Fame, Big Sean told Complex that he had already begun work on his third album due to the inspiration from his new relationship. On September 12, 2014 Big Sean announced that he had signed with Roc Nation. Later that same day he released four new songs titled, "I Don't Fuck with You", "Paradise", "4th Quarter" and "Jit/Juke". Producers for these songs include, Mike Will Made It, DJ Mustard, Kanye West, DJ Dahi, Nate Fox, Da Internz, L&F, and Key Wane. "I Don't Fuck with You" was released to iTunes on September 19, 2014. In an interview with Sway Calloway, Sean confirmed that Lil Wayne will be featured on the album. On January 25, 2015 various artists who worked on Big Sean's upcoming third studio album such as Kanye West, Ty Dolla Sign, DJ Mustard, Drake, Travis Scott and Ariana Grande posted the album cover to Twitter or Instagram. The next day, Big Sean posted a trailer to his new album which revealed the album's release date as February 24, 2015. The album, Dark Sky Paradise debuted atop the Billboard 200 making it his first No. 1 album. He would lead with Video singles for songs entitled "IDFWU", "Blessings", "I Know", "One Man Can Change The World", and "Play No Games." As of February 1, 2016, Dark Sky Paradise was certified platinum. On December 31, 2015, Big Sean released a track recapping 2015, "What A Year (Ft. Pharrell Williams & Detail)". CANNOTANSWER


Saint Thomas Aquinas  (; Italian: Tommaso d'Aquino, lit. 'Thomas of Aquino'; 1225 - 7 March 1274) was an Italian Dominican friar, Catholic priest, and Doctor of the Church. He was an immensely influential philosopher, theologian, and jurist in the tradition of scholasticism, within which he is also known as the Doctor Angelicus and the Doctor Communis.

Thomas was most probably born in the castle of Roccasecca, located in Aquino, old county of the Kingdom of Sicily (present-day Lazio region, Italy), c. 1225, According to some authors, he was born in the castle of his father, Landulf of Aquino. Though he did not belong to the most powerful branch of the family, Landulf of Aquino was a man of means. As a knight in the service of King Roger II, he held the title miles. Thomas's mother, Theodora, belonged to the Rossi branch of the Neapolitan Caracciolo family. Landulf's brother Sinibald was abbot of the first Benedictine monastery at Monte Cassino. While the rest of the family's sons pursued military careers, the family intended for Thomas to follow his uncle into the abbacy; this would have been a normal career path for a younger son of southern Italian nobility. At the age of five Thomas began his early education at Monte Cassino but after the military conflict between the Emperor Frederick II and Pope Gregory IX spilled into the abbey in early 1239, Landulf and Theodora had Thomas enrolled at the studium generale (university) recently established by Frederick in Naples. It was here that Thomas was probably introduced to Aristotle, Averroes and Maimonides, all of whom would influence his theological philosophy. It was also during his study at Naples that Thomas came under the influence of John of St. Julian, a Dominican preacher in Naples, who was part of the active effort by the Dominican order to recruit devout followers. There his teacher in arithmetic, geometry, astronomy, and music was Petrus de Ibernia. At the age of nineteen Thomas resolved to join the recently founded Dominican Order. Thomas's change of heart did not please his family. In an attempt to prevent Theodora's interference in Thomas's choice, the Dominicans arranged to move Thomas to Rome, and from Rome, to Paris. However, while on his journey to Rome, per Theodora's instructions, his brothers seized him as he was drinking from a spring and took him back to his parents at the castle of Monte San Giovanni Campano. Thomas was held prisoner for almost one year in the family castles at Monte San Giovanni and Roccasecca in an attempt to prevent him from assuming the Dominican habit and to push him into renouncing his new aspiration. Political concerns prevented the Pope from ordering Thomas's release, which had the effect of extending Thomas's detention. Thomas passed this time of trial tutoring his sisters and communicating with members of the Dominican Order. Family members became desperate to dissuade Thomas, who remained determined to join the Dominicans. At one point, two of his brothers resorted to the measure of hiring a prostitute to seduce him. According to legend, Thomas drove her away wielding a fire iron. That night two angels appeared to him as he slept and strengthened his determination to remain celibate. By 1244, seeing that all of her attempts to dissuade Thomas had failed, Theodora sought to save the family's dignity, arranging for Thomas to escape at night through his window. In her mind, a secret escape from detention was less damaging than an open surrender to the Dominicans. Thomas was sent first to Naples and then to Rome to meet Johannes von Wildeshausen, the Master General of the Dominican Order. CANNOTANSWERAnswer this question using a quote from the following article:

what was he like in early life?


Zola Pieterse (nee Budd; born 26 May 1966) is a middle-distance and long-distance runner. She competed at the 1984 Olympic Games for Great Britain and the 1992 Olympic Games for South Africa, both times in the 3000 metres. In 1984 (unratified) and 1985, she broke the world record in the women's 5000 metres. She was also a two-time winner at the World Cross Country Championships (1985-1986).

The Daily Mail, a British tabloid newspaper, persuaded Budd's father to encourage her to apply for British citizenship, on the grounds that her grandfather was British, to circumvent the international sporting boycott of South Africa, so that she could compete in the 1984 Summer Olympics in Los Angeles. With a strong push from the Daily Mail, British citizenship was granted in short order and she moved to Guildford. Her application and arrival was controversial due to her acquiring a passport under preferential circumstances. Groups supporting the abolition of apartheid campaigned vociferously and effectively to highlight the special treatment she received; other applicants had to wait sometimes years to be granted citizenship, if at all. Shortly afterwards, Budd was forced to pull out of a 1500 metres race in Crawley, Sussex, when the town council withdrew their invitation at short notice. The race was part of the inaugural event for the town's new Bewbush Leisure Centre and Mayor Alf Pegler said members of the council had expressed misgivings that the local significance of the event would be overshadowed by "political connotations and anti-apartheid demonstrators". She ran her first competitive race on the cinder track at Central Park in Dartford, Kent, covering 3000m in 9 mins. 2.6 seconds in a race shown live on the BBC's Grandstand programme. She ran in further races in Britain, including the UK Championships 1500m (won in 4 mins. 4 secs.) and the 3000m in the UK Olympic trials, which she won in 8 mins. 40 secs., earning a place on the British Olympic team. In the 2000m at Crystal Palace in July 1984 she set a new world record of 5 mins. 33.15 secs. Commenting during the race for the BBC, David Coleman exclaimed, "The message will now be flashed around the world - Zola Budd is no myth." In Britain, Budd trained at Aldershot, Farnham and District Athletics Club. CANNOTANSWER

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what did she do once she became a british citizen?


Although styling himself as a man of peace and a willing negotiator, Rajapaksa signaled his intention to end the peace process once in power by forging an alliance with the Sinhalese nationalist Janatha Vimukthi Peramuna and the Jathika Hela Urumaya. The JVP had opposed the original 2002 peace process as treasonous. The agreement made with Rajapaksa included provisions which called for a revision of the ceasefire agreement to give the military broader powers against the LTTE, as well as ruling out of any devolution of power to the Tamil people. Furthermore, the cessation of aid to the tsunami struck LTTE occupied areas, and the sidelining of the Norwegian facilitators due to their alleged bias were included. Immediately following his election victory, a series of mine blasts blamed on the LTTE in the country claimed the lives of many off-duty servicemen and civilians, pushing the country back to the brink of war. Following the closure by the LTTE of a reservoir supplying water to 15,000 people named "Mavil Aru" in government controlled areas on 21 July 2006, the Sri Lankan military launched an offensive against the LTTE, bringing the entire reservoir under government control. Further military engagements have led to the LTTE been driven out of the entire Eastern Province of Sri Lanka and loss of 95% of the territory they controlled. The Sri Lanka government declared total victory on 18 May 2009. on 19 May 2009 President Mahinda Rajapaksa delivered a victory address to the Parliament and declared that Sri Lanka is liberated from terrorism. CANNOTANSWER

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Background: William Theodore Walton III (born November 5, 1952) is an American retired basketball player and television sportscaster. Walton became known playing for John Wooden's powerhouse UCLA Bruins in the early 1970s, winning three successive College Player of the Year Awards, while leading the Bruins to two Division I national titles. He then went on to have a prominent career in the National Basketball Association (NBA) where he was a league Most Valuable Player (MVP) and won two NBA championships.
Context: Walton was born in La Mesa, California, the son of Gloria Anne (nee Hickey) and William Theodore "Ted" Walton. His listed adult playing height was 6 feet 11 inches; it has been reported that Walton is actually taller (7 feet 2 inches, or more) but does not like being categorized as a seven-footer. He played high school basketball at Helix High School. At age 17, Walton played for the United States men's national basketball team at the 1970 FIBA World Championship. He played college basketball for John Wooden at the University of California, Los Angeles (UCLA) from 1971 to 1974, winning the national title in 1972 over Florida State and again in 1973 with an 87-66 win over Memphis State in which Walton made 21 of 22 field goal attempts and scored 44 points, representing more than half his team's total. The Walton-led 1971-72 UCLA basketball team had a record of 30-0, in the process winning its games by an average margin of more than 30 points. He was the backbone of two consecutive 30-0 seasons and was also part of UCLA's NCAA men's basketball record 88-game winning streak. The UCLA streak contributed to a personal winning streak that lasted almost five years, in which Walton's high school, UCLA freshman (freshmen were ineligible for the varsity at that time) and UCLA varsity teams did not lose a game from the middle of his junior year of high school to the middle of his senior year in college. Walton was the 1973 recipient of the James E. Sullivan Award as the top amateur athlete in the United States. Walton also received the USBWA College Player of the Year and Naismith College Player of the Year as the top college basketball player in the country three years in a row while attending UCLA, at the same time earning Academic All-American honors three times. Some college basketball historians rate Walton as the greatest who ever played the game at the college level. In Walton's senior year during the 1973-74 season, the school's 88-game winning streak ended with a 71-70 loss to Notre Dame. During the same season, UCLA's record seven consecutive national titles was broken when North Carolina State defeated the Bruins 80-77 in double overtime in the NCAA semi-finals. With Walton's graduation in 1974 and Bruin coach John Wooden's retirement after UCLA's 1975 national title, the UCLA dynasty came to an end. Prior to joining the varsity team, Walton (18.1, 68.6 percent), along with Greg Lee (17.9 ppg) and Keith Wilkes (20.0 ppg), was a member of the 20-0 UCLA Freshman team. CANNOTANSWER
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Modern Talking was a German duo consisting of Thomas Anders and Dieter Bohlen. They have been referred to as Germany's most successful pop duo, and have had a number of hit singles, reaching the top five in many countries. Some of their most popular and widely known singles are "You're My Heart

In 1984, Bohlen cited the hit single "Precious Little Diamond" (by Fox the Fox), as his inspiration for using falsetto choruses. The studio vocal line up of Rolf Kohler, Michael Scholz, Detlef Wiedeke and (on early albums) Birger Corleis, in addition to Bohlen and Anders, produced the high choruses characteristic of Modern Talking. Kohler, Scholz and Wiedeke later went on to work with Bohlen in Blue System, before joining with songwriter Thomas Widrat to form Systems in Blue. Kohler, Scholz and Wiedeke were never credited on the Modern Talking albums, and eventually went to court over the matter. They received an out of court settlement and Bohlen published a sleeve note for his next release (Obsession, by Blue System), acknowledging the trio's contribution. Further influences include German-language schlager music, disco pop (the Bee Gees) and romantic English-language songs of Italian and French origin, like Gazebo's "I Like Chopin". After the 1998 reunion, Bohlen produced Eurodance as well as American-style MOR ballads. Global sales of Modern Talking, after the duo's second and final break-up in 2003, had reached 120 million singles and albums combined, making them the biggest-selling German music act in history. Dieter Bohlen also composed for other artists while still in Modern Talking, such as for Chris Norman and Smokie, whose song "Midnight Lady" (1986) remains Bohlen's most popular composition. He also composed a large number of tracks for C. C. Catch, using an accelerated, less-romantic sound. Some English Bohlen songs such as "You're My Heart, You're My Soul" were also recorded with German lyrics by Mary Roos, using the same playback tracks. When Modern Talking split up in 1987, a number of tracks written for the last album were re-arranged and then transferred onto Bohlen's first solo album by Blue System. Modern Talking's sixth album was released about the same time as the first single from Blue System, "Sorry Little Sarah", where Bohlen competed on the charts against Modern Talking's "In 100 Years" hit song. CANNOTANSWERAnswer this question using a quote from the following article:

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In 1964, music producer Phil Spector came across the Righteous Brothers when they performed in a show at the Cow Palace in Daly City, where one of Spector's acts, The Ronettes, was also appearing. Spector was impressed enough to arrange a deal with Moonglow in early October 1964 which allowed Spector to record and release songs by the Righteous Brothers in the US, Canada and UK under his own label, Philles Records. Prior to this, all the songs Spector produced for Philles Records featured black singers; the Righteous Brothers would be his first white vocal group for the label, but they had a black vocal style, termed "blue-eyed soul", that suited Spector. Spector commissioned Barry Mann and Cynthia Weil to write a song for them, which turned out to be "You've Lost That Lovin' Feelin'". The song, released in late 1964, became their first major hit single and reached No. 1 in February 1965. Produced by Phil Spector, the record is often cited as one of the peak expressions of Spector's Wall of Sound production techniques. It is one of the most successful pop singles of its time, despite exceeding the then-standard length for radio play. Indeed, according to BMI, "You've Lost That Lovin' Feelin'" is the most-played song on American radio and television of the 20th century, with more than eight million airplays by the end of 1999. The Righteous Brothers had several other hit singles with Philles Records in 1965, including "Just Once in My Life" and "Unchained Melody" (originally the B-side of "Hung on You"), both reaching the Billboard Top 10. "Unchained Melody" was produced by Medley; according to Medley, it was originally intended only as an album track, and Spector had asked him to produce the albums so Spector could spend time and money on producing singles. Later copies of the original 45 release credited Spector as producer when it became a hit. After the success of "Unchained Melody", Spector started recording older songs with the Righteous Brothers, including "Ebb Tide", which reached No. 5. Hatfield was the only vocal on "Unchained Melody" and "Ebb Tide", and both were songs Bobby Hatfield had performed with his first group, the Variations. According to Medley, both the early singles "You've Lost That Lovin' Feelin'" and "Just Once in My Life" featured Medley's vocal strongly, which caused some friction between the duo, and the Hatfield solos in later singles restored some balance between the two. The last single released that they recorded with Philles Records was "The White Cliffs of Dover". Although Spector focused his attention in producing singles, a number of albums by the Righteous Brothers released with Philles Records sold well. In 1965, they had a couple of guest appearances in the films A Swingin' Summer and Beach Ball. They also became the first rock and roll act to play the Strip in Las Vegas (at The Sands). CANNOTANSWER

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Soul Asylum is an American alternative rock band formed in 1981 in Minneapolis, Minnesota. The band began using their official name in 1983. The band originally formed in 1981 under the name Loud Fast Rules, with a lineup consisting of Dave Pirner, Dan Murphy, Karl Mueller, and Pat Morley. Morley was replaced by Grant Young in 1984.

The group signed with A&M Records in 1988. Their first offering on that label was Clam Dip & Other Delights (1989), the title and cover art being a parody of Whipped Cream & Other Delights, by A&M Records co-founder Herb Alpert. Hang Time was released in 1988, followed by And the Horse They Rode In On in 1990 (produced by X-pensive Winos drummer Steve Jordan). Because of poor sales and Pirner's hearing problems, the group considered disbanding. After playing a series of acoustic shows in the early 1990s, they were picked up by Columbia Records. In 1992 they released Grave Dancers Union, which became their most popular album. On January 20, 1993, the group performed at the first inauguration of United States President Bill Clinton. Later that year, the band performed "Sexual Healing" for the AIDS benefit album No Alternative, produced by the Red Hot Organization. The band added keyboard player Joey Huffman in the summer of 1993. He toured with the band until joining Matchbox Twenty in 1998. Huffman played on the albums Let Your Dim Light Shine, After the Flood: Live from the Grand Forks Prom, June 28, 1997, and The Silver Lining. Soul Asylum won the 1994 Grammy Award for Best Rock Song for "Runaway Train". The music video for that song featured photographs and names of missing children, in the style of a public service announcement. At the end of the video, Pirner appeared and said, "If you've seen one of these kids, or you are one of them, please call this number", and then the telephone number of a missing children's help line was shown. For use outside the U.S., the video was edited to include photos and names of missing children from the area where the video would be shown. The video was instrumental in reuniting several children with their families. Before their next studio album, drummer Grant Young was fired and was replaced by Sterling Campbell. Campbell had been credited as providing percussion on Grave Dancers Union (although he had actually done at least half of the drumming on that album). The next release, Let Your Dim Light Shine, included the track "Misery", which reached the Top 20, but the album was not as successful as the band's previous one. In 1997 Soul Asylum performed a benefit concert for North Dakota students whose prom had been cancelled because of the Red River Flood of 1997. Some of the songs played during the prom were later released on After the Flood: Live from the Grand Forks Prom, June 28, 1997 in 2004. The group released Candy from a Stranger the following year. The album was unsuccessful, and the band was dropped by Columbia Records. Pirner said, "It's sort of sad to say, but you could see the whole grunge-rock-band thing getting totally over-saturated and people were looking for something new." The band took a step back; Pirner explained, "We needed to reassess how far we've gone and how much further we're going to go and which way we want to go and what we do right and what we do wrong. It was kind of time to take inventory." CANNOTANSWER


O'Neal maintained a high level of interest in the workings of police departments and became personally involved in law enforcement. O'Neal went through the Los Angeles County Sheriff's Reserve Academy and became a reserve officer with the Los Angeles Port Police. He appeared in a commercial for ESPN in Miami Police garb climbing a tree to rescue LSU's costumed mascot Mike the Tiger. On March 2, 2005, O'Neal was given an honorary U.S. Deputy Marshal title and named the spokesman for the Safe Surfin' Foundation; he served an honorary role on the task force of the same name, which tracks down sexual predators who target children on the Internet. Upon his trade to Miami, O'Neal began training to become a Miami Beach reserve officer. On December 8, 2005, he was sworn in, but elected for a private ceremony to avoid distracting attention from the other officers. He assumed a $1 per year salary in this capacity. Shortly thereafter, in Miami, O'Neal witnessed a hate crime (assaulting a man while calling out homophobic slurs) and called Miami-Dade police, describing the suspect and helping police, over his cell phone, track the offender. O'Neal's actions resulted in the arrest of two suspects on charges of aggravated battery, assault, and a hate crime. In September 2006, O'Neal took part in a raid on a home in rural Bedford County, Virginia. O'Neal had been made an "honorary deputy" by the local sheriff's department. O'Neal was not qualified as a SWAT officer. In December 2016, O'Neal was sworn in as a sheriff's deputy in Jonesboro, Georgia as part of Clayton County, Georgia Sheriff's Department. O'Neal holds the county record of Tallest Sheriff's Deputy. CANNOTANSWER

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Isabella Augusta, Lady Gregory (nee Persse; 15 March 1852 - 22 May 1932) was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology.

Edward Martyn was a neighbour of Lady Gregory, and it was during a visit to his home, Tullira Castle, in 1896 that she first met W. B. Yeats. Discussions between the three of them, over the following year or so, led to the founding of the Irish Literary Theatre in 1899. Lady Gregory undertook fundraising, and the first programme consisted of Martyn's The Heather Field and Yeats's The Countess Cathleen. The Irish Literary Theatre project lasted until 1901, when it collapsed owing to lack of funding. In 1904, Lady Gregory, Martyn, Yeats, John Millington Synge, AE, Annie Horniman and William and Frank Fay came together to form the Irish National Theatre Society. The first performances staged by the society took place in a building called the Molesworth Hall. When the Hibernian Theatre of Varieties in Lower Abbey Street and an adjacent building in Marlborough Street became available, Horniman and William Fay agreed to their purchase and refitting to meet the needs of the society. On 11 May 1904, the society formally accepted Horniman's offer of the use of the building. As Horniman was not normally resident in Ireland, the Royal Letters Patent required were paid for by her but granted in the name of Lady Gregory. One of her own plays, Spreading the News, was performed on the opening night, 27 December 1904. At the opening of Synge's The Playboy of the Western World in January 1907, a significant portion of the crowd rioted, causing the remainder of the performances to be acted out in dumbshow. Lady Gregory did not think as highly of the play as Yeats did, but she defended Synge as a matter of principle. Her view of the affair is summed up in a letter to Yeats where she wrote of the riots: "It is the old battle, between those who use a toothbrush and those who don't." CANNOTANSWER

Was it successful?


The Master, played by Roger Delgado, makes his first appearance in Terror of the Autons (1971), where he allies with the Nestene Consciousness to help them invade Earth. The Third Doctor (Jon Pertwee) convinces the Master to stop this plan at the last minute, and the Master subsequently escapes, albeit with his TARDIS, a space-time ship, left non-functioning after the Doctor confiscates the ship's dematerialisation circuit. Having become a main character in the show's eighth season, the Master reappears in The Mind of Evil, where he regains his TARDIS' circuit from the Doctor after attempting to launch a nerve gas missile that would initiate World War III. After another incursion on Earth in The Claws of Axos, and failing to hold the galaxy to ransom using a doomsday weapon on the planet Uxarieus in the year 2472 in Colony in Space, in The Daemons the Master is finally captured on Earth by the organisation UNIT after Jo Grant (Katy Manning) prevents the alien Azal (Stephen Thorne) from gifting the Master his powers. In The Sea Devils (1972), the Master is shown to be imprisoned on an island prison off the coast of England. He convinces the governor of the prison, Colonel Trenchard (Clive Morton), to help him steal electronics from HMS Seaspite, the nearby naval base, which helps the Master contact the reptilian Sea Devils, the former rulers of Earth, so he can help them retake the planet from humanity. The Master convinces the Doctor to help him build machinery that would bring the Sea Devils out of their millions of years of hibernation, but the Doctor sabotages the device by overloading it, destroying the Sea Devil base and preventing war between humanity and reptiles. The Master subsequently escapes in a hovercraft. The Doctor reveals in this serial that the Master was once a "very good friend" of his. Delgado's last appearance as the Master is in Frontier in Space (1973), where he works alongside the Dalek and Ogron races to provoke a war between the Human and Draconian Empires. The scheme fails, and the Master escapes after he shoots at the Doctor. Delgado was slated to return in a serial called The Final Game, which would have been the season 11 finale. However, he died in a car crash in June 1973 and the story was never filmed. CANNOTANSWER

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The Arapaho (; in French: Arapahos, Gens de Vache) are a tribe of Native Americans historically living on the plains of Colorado and Wyoming. They were close allies of the Cheyenne tribe and loosely aligned with the Lakota and Dakota. The Arapaho language, Heenetiit, is an Algonquian language closely related to Gros Ventre (Ahe/A'ananin), whose people are considered to have separated from the Arapaho at an early time. The Blackfeet and Cheyenne also speak Algonquian languages, but theirs are quite different from Arapaho.

Around 3,000 years ago, the ancestral Arapaho-speaking people (Heeteinono'eino' ) lived in the western Great Lakes region along the Red River Valley in what is classified as present-day Manitoba, Canada and Minnesota, United States. There the Arapaho were an agricultural people who grew crops, including maize. Following European colonization in eastern Canada, together with the early Cheyenne people (Hitesiino'), the Arapaho were pushed westward onto the eastern Great Plains by the Ojibwe. They were numerous and powerful, having obtained guns from their French trading allies. The ancestors of the Arapaho people entered the Great Plains from the western Great Lakes region sometime before 1700. During their early history on the plains, the Arapaho lived on the northern plains from the South Saskatchewan River in Canada south to Montana, Wyoming, and western South Dakota. Before the Arapaho acquired horses, they used domestic dogs as pack animals to pull their travois. The Arapaho acquired horses in the early 1700s from other tribes, which changed their way of life. They became a nomadic people, using the horses as pack and riding animals. They could transport greater loads, and travel more easily by horseback to hunt more easily and widely, increasing their success in hunting on the Plains. Gradually, the Arapaho moved farther south, split into the closely allied Northern and Southern Arapaho, and established a large joint territory spanning land in southern Montana, most of Wyoming, the Nebraska Panhandle, central and eastern Colorado, western Oklahoma, and extreme western Kansas. A large group of Arapaho split from the main tribe and became an independent people, commonly known as the Gros Ventre (as named by the French) or Atsina. The name Gros Ventre, meaning "Big Bellies" in French, was a misinterpretation of sign language between an Indian guide and French explorers. The Gros Ventre spoke an Algonquian language similar to Arapaho after the division; they identified as A'aninin meaning ''White Clay people''. The Arapaho often viewed the Gros Ventre as inferior and referred to them as Hitunena or Hitouuteen, meaning "beggars". CANNOTANSWER


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Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.

Gorecki's music covers a variety of styles, but tends towards relative harmonic and rhythmical simplicity. He is considered to be a founder of the so-called New Polish School. Described by Terry Teachout, he said Gorecki has "more conventional array of compositional techniques includes both elaborate counterpoint and the ritualistic repetition of melodic fragments and harmonic patterns." His first works, dating from the last half of the 1950s, were in the avant-garde style of Webern and other serialists of that time. Some of these twelve-tone and serial pieces include Epitaph (1958), First Symphony (1959), and Scontri (1960) (Mirka 2004, p. 305). At that time, Gorecki's reputation was not lagging behind that of his near-exact contemporary and his status was confirmed in 1960s when "Monologhi" won first prize. Even until 1962, he was firmly ensconced in the minds of the Warsaw Autumn public as a leader of the Polish Modern School, alongside Penderecki. Danuta Mirka has shown that Gorecki's compositional techniques in the 1960s were often based on geometry, including axes, figures, one- and two-dimensional patterns, and especially symmetry. Thus, she proposes the term "geometrical period" to refer to Gorecki's works between 1962 and 1970. Building on Krzysztof Droba's classifications, she further divides this period into two phases: (1962-63) "the phase of sonoristic means"; and (1964-70) "the phase of reductive constructicism" (Mirka 2004, p. 329). During the middle 1960s and early 1970s, Gorecki progressively moved away from his early career as radical modernist, and began to compose with a more traditional, romantic mode of expression. His change of style was viewed as an affront to the then avant-garde establishment, and though he continued to receive commissions from various Polish agencies, by the mid-1970s Gorecki was no longer regarded as a composer that mattered. In the words of one critic, his "new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues". CANNOTANSWER


The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in motion pictures from 1905 to 1949. Five of the Marx Brothers' thirteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them (Duck Soup and A Night at the Opera) in the top twelve. They are widely considered by critics, scholars, and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years...

The Marx Brothers' stage shows became popular just as motion pictures were evolving to "talkies". They signed a contract with Paramount Pictures and embarked on their film career at Paramount's studios in New York City's Astoria section. Their first two released films (after an unreleased short silent film titled Humor Risk) were adaptations of the Broadway shows The Cocoanuts (1929) and Animal Crackers (1930). Both were written by George S. Kaufman and Morrie Ryskind. Production then shifted to Hollywood, beginning with a short film that was included in Paramount's twentieth anniversary documentary, The House That Shadows Built (1931), in which they adapted a scene from I'll Say She Is. Their third feature-length film, Monkey Business (1931), was their first movie not based on a stage production. Horse Feathers (1932), in which the brothers satirized the American college system and Prohibition, was their most popular film yet, and won them the cover of Time magazine. It included a running gag from their stage work, in which Harpo produces a ludicrous array of props from inside his coat, including a wooden mallet, a fish, a coiled rope, a tie, a poster of a woman in her underwear, a cup of hot coffee, a sword; and, just after Groucho warns him that he "can't burn the candle at both ends," a candle burning at both ends. During this period Chico and Groucho starred in a radio comedy series, Flywheel, Shyster and Flywheel. Though the series was short lived, much of the material developed for it was used in subsequent films. The show's scripts and recordings were believed lost until copies of the scripts were found in the Library of Congress in the 1980s. After publication in a book they were performed with Marx Brothers impersonators for BBC Radio. Their last Paramount film, Duck Soup (1933), directed by the highly regarded Leo McCarey, is the highest rated of the five Marx Brothers films on the American Film Institute's "100 years ... 100 Movies" list. It did not do as well financially as Horse Feathers, but was the sixth-highest grosser of 1933. The film sparked a dispute between the Marxes and the village of Fredonia, New York. "Freedonia" was the name of a fictional country in the script, and the city fathers wrote to Paramount and asked the studio to remove all references to Freedonia because "it is hurting our town's image". Groucho fired back a sarcastic retort asking them to change the name of their town, because "it's hurting our picture." CANNOTANSWER

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Background: Jonah Tali Lomu  (12 May 1975 - 18 November 2015) was a New Zealand rugby union player. He became the youngest ever All Black when he played his first international in 1994 at the age of 19 years and 45 days. Playing on the wing Lomu finished his international career with 63 caps and 37 tries. He is regarded as the first true global superstar of rugby and consequently had a huge impact on the game.
Context: Following the World Cup New Zealand played Australia home and away for the Bledisloe Cup with Lomu scoring tries in both matches. Lomu's scoring for New Zealand continued later that year when he scored two tries in the All Blacks victory over Italy in Bologna. Lomu played in a losing effort against France in Toulouse, where New Zealand failed to score any tries. He scored a try in the second test in Paris, helping his team to victory. Lomu played for the All Blacks in matches against the touring Samoa and Scotland teams in June 1996, scoring in one of the Scottish matches. Just before the World Cup final a deal was struck between South Africa, New Zealand and Australia (SANZAR) to create the Tri-Nations, an annual round robin competition between the three nations launched with the advent of professionalism in rugby. New Zealand won all their games to become the first Tri-Nations winners. Lomu scored a try in a 43-6 victory over Australia in the inaugural match, which has been described by New Zealand Herald journalist David Leggat as "the perfect wet-weather game". At the end of 1996, he was diagnosed with a rare and serious kidney disorder, which saw him take time off from the sport. As a result, he did not play in the 1997 Tri Nations Series, but he was included in the All Blacks tour of the northern hemisphere at the end of the year. Lomu played in the two warm up matches, scoring tries against Wales 'A' and Emerging England. He played the first test against England at Old Trafford, as well as the test against Wales at Wembley Stadium, and the second match against England--he did not score in any of the three games. At the 1998 Commonwealth Games in Kuala Lumpur, he won a gold medal representing New Zealand in the Sevens Rugby event. The English rugby team came to New Zealand the following year for a two test series. Lomu played in both of the matches, scoring in the first, which was a 64-22 win in Dunedin, but not in the second test won 40-10 by the All Blacks. CANNOTANSWER
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Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

Andy Irvine was born in St John's Wood, northwest London on 14 June 1942 to an Irish mother from Lisburn, County Antrim, and a Scottish father from Glasgow. His mother, Felice Lascelles, had been a musical comedy actress and Irvine would later say that "she may have given up the stage, but she never stopped acting!". As a child, Irvine was given opportunities to appear on stage, TV and in films. In the summer holidays of 1950, when he was eight years old, his first role was to play Jimmy in the film A Tale of Five Cities. At thirteen, he starred as Nokie (short for Pinocchio) in the ITV children's series Round at the Redways and joined a school for child actors. He made his stage debut in the Grand Theatre in Wolverhampton and, at fourteen, received rave reviews for his performance as Morgan in the ITV Television Playhouse drama The Magpies, adapted from a Henry James short story. The same year, he was Eric Brandt in Escape to Happiness, for the Armchair Theatre programme and also played John Logie Baird as a boy in the film A Voice in Vision. In early 1958, Irvine featured as Archie Almond in five episodes of Run to Earth. Aged fifteen, he played Lord Heybrook in French Without Tears, for the Saturday Playhouse TV series and, soon after, was one of the 'Pygmies' in Brouhaha, with Peter Sellers as the Sultan. Irvine then played Raymond opposite Laurence Harvey in Room at the Top and, although his scene was cut from the final release, he still appears briefly in the film, handing a bottle of champagne to Harvey during a wedding scene. In late 1959, he featured as Lanky Graham in Ask for King Billy and, in early 1960, he played a schoolboy in A Holiday Abroad for ITV Television Playhouse. Later that year, at eighteen, Irvine performed as Dan in three episodes of Sheep's Clothing, after which he was offered a two-year contract with the BBC's Repertory company ('The Rep'), where he befriended the poet Louis MacNeice who worked there as a writer for over twenty years. As Irvine recalled much later: However, Irvine would give up acting in his early twenties, after moving to Dublin at the end of his time with the 'Rep'. CANNOTANSWER

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Stephen John Fry (born 24 August 1957) is an English comedian, actor, writer, presenter, and activist. He is well known as half of the comic double act Fry and Laurie, with collaborator Hugh Laurie, with whom he co-starred in A Bit of Fry & Laurie and Jeeves and Wooster. Fry's acting roles include a Golden Globe Award-nominated lead performance in the film Wilde, Melchett in the BBC television series Blackadder, the title character in the television series Kingdom, a recurring guest role as Dr Gordon Wyatt on the crime series Bones, and as Gordon Deitrich in the dystopian thriller V for Vendetta. He has also written and presented several documentary series, including the Emmy Award-winning Stephen Fry: The Secret Life of the Manic Depressive, which saw him explore his bipolar disorder, and the travel series Stephen Fry in America.

Fry was born in Hampstead, London, on 24 August 1957 to Marianne Eve Fry (nee Newman) and Alan John Fry, a British physicist and inventor. Fry's father is English, and his paternal grandmother had roots in Kent and Cheshire. The Fry family originates in Dorset, at Shillingstone and Blandford; in the early 1800s, Samuel Fry (second son of James Fry, of Shillingstone and Blandford) settled in Surrey, with his descendants residing in Middlesex. Fry's mother is Jewish, but he was not brought up in a religious family. His maternal grandparents, Martin and Rosa Neumann, were Hungarian Jews, who emigrated from Surany (now Slovakia) to Britain in 1927. Rosa Neumann's parents, who originally lived in Vienna, were sent to a concentration camp in Riga, Latvia, where they were murdered. His mother's aunt and cousins were sent to Auschwitz and Stutthof and never seen again. Fry grew up in the village of Booton near Reepham, Norfolk, having moved from Chesham, Buckinghamshire, at an early age. He has an elder brother, Roger, and a younger sister, Joanna. Fry briefly attended Cawston Primary School in Cawston, Norfolk, before going on to Stouts Hill Preparatory School in Uley, Gloucestershire, at the age of seven, and then to Uppingham School, Rutland, where he joined Fircroft house, and was described as a "near-asthmatic genius". He was expelled from Uppingham when he was 15 and subsequently from the Paston School. At 17, after leaving Norfolk College of Arts and Technology, Fry absconded with a credit card stolen from a family friend. He had taken a coat when leaving a pub, planning to spend the night sleeping rough, but had then discovered the card in a pocket. He was arrested in Swindon, and, as a result, spent three months in Pucklechurch Prison on remand. While Fry was in Pucklechurch, his mother had cut out the crossword from every copy of The Times since he had been away, something which Fry said was "a wonderful act of kindness". Fry later stated that these crosswords were the only thing that got him through the ordeal. Following his release, he resumed his education at City College Norwich, promising administrators that he would study rigorously to sit the Cambridge entrance exams. He scored well enough to gain a scholarship to Queens' College, Cambridge. At Cambridge, Fry joined the Footlights, appeared on University Challenge, and read for a degree in English literature, graduating with upper second-class honours. Fry also met his future comedy collaborator Hugh Laurie at Cambridge and starred alongside him in the Footlights. CANNOTANSWER

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Background: Jose Julio Sarria also known as The Grand Mere, Absolute Empress I de San Francisco, and the Widow Norton (December 13, 1922 - August 19, 2013) was an American political activist from San Francisco, California, who in 1961 became the first openly gay candidate for public office in the United States. He is also remembered for performing as a drag queen at the Black Cat Bar and as the founder of the Imperial Court System. Jose Sarria was born to Julio Sarria and Maria Dolores Maldonado.
Context: With the demise of the Black Cat, Sarria helped found the Society for Individual Rights (SIR) in 1963. SIR grew out of a split between Sarria and Strait over the direction that LCE was heading. Strait and his supporters wanted to focus more on publishing the group's newsletter, while Sarria and his backers wanted to maintain focus on street-level organizing. SIR sponsored both social and political functions, including bowling leagues, bridge clubs, voter registration drives and "Candidates' Nights" and published its own magazine, Vector. In association with the Tavern Guild, SIR printed and distributed "Pocket Lawyers". These pocket-sized guides offered advice on what to do if arrested or harassed by police. SIR lasted for 17 years. Crowned Queen of the Beaux Arts Ball in 1964 by the Tavern Guild, Sarria, stating that he was "already a queen", proclaimed himself "Her Royal Majesty, Empress of San Francisco, Jose I, The Widow Norton". Sarria devised the name "Widow Norton" as a reference to the much-celebrated citizen of 19th century San Francisco, Joshua Norton, who had declared himself Emperor of the United States and Protector of Mexico in 1859. Sarria organized elaborate annual pilgrimages to lay flowers on Norton's grave in the Woodlawn Cemetery in Colma, California. He purchased a plot adjacent to Norton's where he is now interred. Sarria's assumption of the title of Empress led to the establishment of the Imperial Court System, a network of non-profit charitable organizations throughout the United States, Canada, and Mexico that raises money for various beneficiaries. Sarria is much revered within the hierarchy of the Imperial Court System and is affectionately and informally known as "Mama" or "Mama Jose" among Imperial Court members. The "Jose Honors Awards" are presented to Imperial Court dignitaries and others in a bi-annual banquet held in Sarria's honor. CANNOTANSWER
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Denis Clive "Denny" Hulme,  (18 June 1936 - 4 October 1992) was a New Zealand racing driver who won the 1967 Formula One World Drivers' Championship for the Brabham team. Between his debut at Monaco in 1965 and his final race in the 1974 US Grand Prix, he started 112 Grand Prix, resulting eight victories and 33 trips to the podium. He also finished third in the overall standing in 1968 and 1972. Hulme showed versatility by dominating the Canadian-American Challenge Cup (Can-Am) for Group 7 sports cars.

He was born on a tobacco farm belonging to his parents in Motueka in the South Island of New Zealand. His father Clive Hulme was awarded a Victoria Cross, as a sniper, while fighting in the Battle of Crete in 1941. Whilst growing up on his family's farm in Pongakawa (near Te Puke), Hulme learned to drive a truck while sitting on his father's lap, and by the age of six, he was driving solo. He left school and went to work in a garage. He saved up enough money to buy an MG TF, promptly entering this in hillclimbing events. After that his father brought a MGA for him. After making impressive progress he purchased a F2 Cooper-Climax, subsequently being chosen for the New Zealand Driver to Europe program, along with fellow Kiwi, George Lawton. The pair of young New Zealander began competing in Formula Junior and Formula Two across Europe, in a Cooper-BMC and Cooper-Ford respectively. Hulme won the 1960 Gran Premio di Pescara for Formula Juniors, but the newspapers back in New Zealand made no mention of this, as they wrote only about Bruce McLaren. However, the year, 1960 ended in disaster, when Lawton crashed during a race at Roskilde (Denmark) dying in Hulme's arms. As the New Zealand press were ignoring Hulme, he hired a 2 1/2  litre Cooper from Reg Parnell and entered it in the 1961 New Zealand Gold Star Championship. He won the title straight away. He appeared at Le Mans for the Abarth team, taking a class win in S850 the class (partnered by fellow Kiwi Angus Hyslop), before Ken Tyrrell invited the likable (but sometimes gruff) New Zealander to race in his Formula Junior and Formula Two team, in 1962, when Tony Maggs was unavailable due to his Formula One commitments. Once there, basing himself in London, he worked as a mechanic in Jack Brabham's garage in Chessington and began to pave his way on his motor-racing path. It was Brabham who gave him drives in his Brabham sportscars and single seaters. During the 1963 season, he won seven International Formula Junior and after some impressive performances there, it was his old boss Jack Brabham who gave Hulme the call and he joined the Australian legend's F2 team. In 1964, the pair set about dominating the Championship that year, resulting in a one-two finish in the FFSA Trophees de France series. The pair also finished one-two in the 1966 series . During this spell in F2 between 1964-1966, Hulme won a total of three races in the series, plus two non-championship events (the 1964 Grote Prijs van Limborg and the 1965 Spring Trophy). Hulme was rewarded with some non-championship Formula One races. Away from single seaters, Hulme also raced the occasional saloon car. In appalling conditions, on 6 July 1963, Hulme won his first major saloon car race. The second Motor-sponsored Six-Hour, a round of the European Touring Car Championship, saw the pre-race favourite, a 7-litre Ford Galaxie driven by Dan Gurney and Jack Brabham flounder in the wet and the Jaguars dominated the race. Hulme would win, partnered by Roy Salvadori, after the winners on the road were disqualified for engine irregularities. CANNOTANSWER

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The culture of Turkey combines a heavily diverse and heterogeneous set of elements that have been derived from the various cultures of the Eastern Mediterranean (West Asian) and Central Asian region and to a lesser degree, Eastern European, and Caucasian traditions. Many of these traditions were initially brought together by the Ottoman Empire, a multi-ethnic and multi-religious state. During the early years of the republic, the government invested a large amount of resources into fine arts such as paintings, sculpture and architecture. This was done as both a process of modernization and of creating a cultural identity.

Turkish literature is the collection of written and oral texts composed in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. Traditional examples for Turkish folk literature include stories of Karagoz and Hacivat, Keloglan, Incili Cavus and Nasreddin Hoca, as well as the works of folk poets such as Yunus Emre and Asik Veysel. The Book of Dede Korkut and the Epic of Koroglu have been the main elements of the Turkish epic tradition in Anatolia for several centuries. The two primary streams of Ottoman literature were poetry and prose. Of the two, the Ottoman Divan poetry, a highly ritualized and symbolic art form, was the dominant stream. The vast majority of Divan poetry was lyric in nature: either ghazals or qasidas. There were, however, other common genres, most particularly the mathnawi (also known as mesnevi), a kind of verse romance and thus a variety of narrative poetry. The tradition of Ottoman prose was exclusively non-fictional in nature; as the fiction tradition was limited to narrative poetry. The Tanzimat reforms of 1839-1876 brought changes to the language of Ottoman written literature, and introduced previously unknown Western genres, primarily the novel and the short story. Many of the writers in the Tanzimat period wrote in several different genres simultaneously: for instance, the poet Namik Kemal also wrote the important 1876 novel Intibah (Awakening), while the journalist Ibrahim Sinasi is noted for writing, in 1860, the first modern Turkish play, the one-act comedy "Sair Evlenmesi" (The Poet's Marriage). Most of the roots of modern Turkish literature were formed between the years 1896 and 1923. Broadly, there were three primary literary movements during this period: the Edebiyyat-i Cedide (New Literature) movement; the Fecr-i Ati (Dawn of the Future) movement; and the Milli Edebiyyat (National Literature) movement. The Edebiyyat-i Cedide (New Literature) movement began with the founding in 1891 of the magazine Servet-i Funun (Scientific Wealth), which was largely devoted to progress (both intellectual and scientific) along the Western model. Accordingly, the magazine's literary ventures, under the direction of the poet Tevfik Fikret, were geared towards creating a Western-style "high art" in Turkey. CANNOTANSWER

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Background: The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.
Context: As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWER
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