Background: John Anthony Burgess Wilson,  (25 February 1917 - 22 November 1993) - who published under the pen name Anthony Burgess - was an English writer and composer. From relatively modest beginnings in a Catholic family in Manchester, he eventually became one of the best known English literary figures of the latter half of the twentieth century. Although Burgess was predominantly a comic writer, his dystopian satire A Clockwork Orange remains his best known novel. In 1971 it was adapted into a highly controversial film by Stanley Kubrick, which Burgess said was chiefly responsible for the popularity of the book.
Context: In 1954, Burgess joined the British Colonial Service as a teacher and education officer in Malaya, initially stationed at Kuala Kangsar in Perak, in what were then known as the Federated Malay States. Here he taught at the Malay College (now Malay College Kuala Kangsar - MCKK), modeled on English public school lines. In addition to his teaching duties, he was a housemaster in charge of students of the preparatory school, who were housed at a Victorian mansion known as "King's Pavilion". A variety of the music he wrote there was influenced by the country, notably Sinfoni Melayu for orchestra and brass band, which included cries of Merdeka (independence) from the audience. No score, however, is extant. Burgess and his wife had occupied a noisy apartment where privacy was minimal, and this caused resentment. Following a dispute with the Malay College's principal about this, Burgess was reposted to the Malay Teachers' Training College at Kota Bharu, Kelantan. Burgess attained fluency in Malay, spoken and written, achieving distinction in the examinations in the language set by the Colonial Office. He was rewarded with a salary increase for his proficiency in the language. He devoted some of his free time in Malaya to creative writing "as a sort of gentlemanly hobby, because I knew there wasn't any money in it," and published his first novels: Time for a Tiger, The Enemy in the Blanket and Beds in the East. These became known as The Malayan Trilogy and were later published in one volume as The Long Day Wanes. After a brief period of leave in Britain during 1958, Burgess took up a further Eastern post, this time at the Sultan Omar Ali Saifuddin College in Bandar Seri Begawan, Brunei. Brunei had been a British protectorate since 1888, and was not to achieve independence until 1984. In the sultanate, Burgess sketched the novel that, when it was published in 1961, was to be entitled Devil of a State and, although it dealt with Brunei, for libel reasons the action had to be transposed to an imaginary East African territory similar to Zanzibar, named Dunia. In his autobiography Little Wilson and Big God (1987) Burgess wrote: "This novel was, is, about Brunei, which was renamed Naraka, Malay-Sanskrit for 'hell.' Little invention was needed to contrive a large cast of unbelievable characters and a number of interwoven plots. Though completed in 1958, the work was not published until 1961, for what it was worth it was made a choice of the book society. Heinemann, my publisher, was doubtful about publishing it: it might be libellous. I had to change the setting from Brunei to an East African one. Heinemann was right to be timorous. In early 1958, The Enemy in the Blanket appeared and at once provoked a libel suit." About this time Burgess collapsed in a Brunei classroom while teaching history and was diagnosed as having an inoperable brain tumour. Burgess was given just a year to live, prompting him to write several novels to get money to provide for his widow. He gave a different account, however, to Jeremy Isaacs in a Face to Face interview on the BBC The Late Show (21 March 1989). He said "Looking back now I see that I was driven out of the Colonial Service. I think possibly for political reasons that were disguised as clinical reasons." He alluded to this in an interview with Don Swaim, explaining that his wife Lynne had said something "obscene" to the British Queen's consort, the Duke of Edinburgh, during an official visit, and the colonial authorities turned against him. He had already earned their displeasure, he told Swaim, by writing articles in the newspaper in support of the revolutionary opposition party the Parti Rakyat Brunei, and for his friendship with its leader Dr. Azahari. Burgess' biographers attribute the incident to the author's notorious mythomania. Geoffrey Grigson writes, He was, however, suffering from the effects of prolonged heavy drinking (and associated poor nutrition), of the often oppressive south-east Asian climate, of chronic constipation, and of overwork and professional disappointment. As he put it, the scions of the sultans and of the elite in Brunei "did not wish to be taught", because the free-flowing abundance of oil guaranteed their income and privileged status. He may also have wished for a pretext to abandon teaching and get going full-time as a writer, having made a late start. Burgess was invalided home in 1959 and relieved of his position in Brunei. He spent some time in the neurological ward of a London hospital (see The Doctor is Sick) where he underwent cerebral tests that found no illness. On discharge, benefiting from a sum of money which Lynne Burgess had inherited from her father, together with their savings built up over six years in the East, he decided to become a full-time writer. The couple lived first in an apartment in Hove, near Brighton. They later moved to a semi-detached house called "Applegarth" in Etchingham, approximately a mile from the Jacobean house where Rudyard Kipling had lived in Burwash, and one mile from the Robertsbridge home of Malcolm Muggeridge. Upon the death of Burgess's father-in-law, the couple used their inheritance to decamp to a terraced town house in Chiswick. This provided convenient access to the White City BBC television studios where he later became a frequent guest. During these years Burgess became a regular drinking partner of the novelist William S. Burroughs. Their meetings took place in London and Tangiers. A sea voyage the couple took with the Baltic Line from Tilbury to Leningrad in June 1961 resulted in the novel Honey for the Bears. He wrote in his autobiographical You've Had Your Time (1990), that in re-learning Russian at this time, he found inspiration for the Russian-based slang Nadsat that he created for A Clockwork Orange, going on to note "I would resist to the limit any publisher's demand that a glossary be provided." Liliana Macellari, an Italian translator twelve years younger than Burgess, came across his novels Inside Mr. Enderby and A Clockwork Orange, while writing about English fiction. The two first met in 1963 over lunch in Chiswick and began an affair. In 1964, Liana gave birth to Burgess' son, Paolo Andrea. The affair was hidden from Burgess's now-alcoholic wife, whom he refused to leave for fear of offending his cousin (by Burgess's stepmother, Margaret Dwyer Wilson), George Dwyer, then the Roman Catholic Bishop of Leeds. Lynne Burgess died from cirrhosis of the liver, on 20 March 1968. Six months later, in September 1968, Burgess married Liana, acknowledging her four-year-old boy as his own, although the birth certificate listed Roy Halliday, Liana's former partner, as the father. Paolo Andrea (also known as Andrew Burgess Wilson) died in London in 2002, aged 37. Liana died in 2007. CANNOTANSWER
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The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).

The Living End were formed in 1994 by Chris Cheney and Scott Owen, who had met years earlier in primary school through their older sisters and began performing together from 1990 while attending Wheelers Hill Secondary College in Melbourne. Cheney and Owen had their first public gig at The Rob Roy in Melbourne in 1991. Cheney was a fan of rockabilly group Stray Cats and this prompted Owen, who originally played piano, to switch to double bass. The pair formed a cover band, The Runaway Boys, which performed Stray Cats and The Clash material. That group were named after a track, of the same name, from the Stray Cats self-titled debut album (February 1981). The Runaway Boys initially played in the local rockabilly music scene but expanded their audience by performing in regional towns. Cheney later recalled "[w]e played to all the jivers and rock 'n' rollers ... And we slowly drifted into Melbourne's rockabilly scene". As Cheney and Owen persevered, the band went through several drummers, while they were still attending school. By 1994 Cheney and Owen were writing their own material and decided to change the band's name to The Living End - a reference to the film, Rock Around the Clock (1956). According to Cheney "It's an old '50s term, meaning 'far out', 'the greatest' ... We were still into the whole '50s thing, but we wanted a neutral name, one that didn't suggest any one style of music". With Cheney on lead guitar and lead vocals, and Owen on double bass and backing vocals, the group settled on Joe Piripitzi as their drummer. Cheney considered Piripitzi to be ideal due to his charismatic appearance. During that year they recorded a track, "Headlines", which had been co-written by Cheney and Owen. The group sent a T-shirt and demo tape to Green Day guitarist and lead vocalist, Billie Joe Armstrong, and landed a support slot for the 1995 Australian tour by his band, Green Day. After that tour, The Living End recorded additional tracks for their debut extended play, Hellbound, which received moderate support from community radio stations. It was produced by the group and included "Headlines" from the previous year. Ed Nimmervoll, an Australian musicologist, described the EP's sound: "they turned their back on '50s rock revivalism and adapted that instrumentation to original songs steeped in UK punk". In November 1995, the trio recorded their second EP, It's for Your Own Good, which appeared in the following June. The six-track EP was co-produced by Lindsay Gravina (Underground Lovers, Cosmic Psychos), Mike Alonso (Jericho) and The Living End for the Rapido label. It included their first radio airplay hit, "From Here on In", which was placed on high rotation by national youth radio network, Triple J. Shortly after, Piripitzi was fired as his lifestyle choices were holding back the band. He was replaced on drums by Travis Demsey (later in The Knockout Drops). With Demsey the group appeared at major festivals: Pushover and the Falls Festival. Demsey's drum style was compared with The Who's Keith Moon. "From Here on In" was used on the soundtrack for the 1998 film, Occasional Course Language. CANNOTANSWER

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Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American record producer, musician, and songwriter who developed the Wall of Sound, a music production formula he described as a "Wagnerian" approach to rock and roll. Spector is considered the first auteur among musical artists for the unprecedented freedom and control he had over every phase of the recording process. Additionally, he helped engender the idea of the studio as its own distinct instrument. For these contributions, he is acknowledged as one of the most influential figures in pop music history.

Having learned to play guitar, Spector performed "Rock Island Line" in a talent show at Fairfax High School, where he was a student. While at Fairfax, he joined a loose-knit community of aspiring musicians, including Lou Adler, Bruce Johnston, Steve Douglas, and Sandy Nelson, the last of whom played drums on Spector's first record release, "To Know Him Is to Love Him". With three friends from high school, Marshall Leib, Sandy Nelson, and Annette Kleinbard, Spector formed a group, the Teddy Bears. During this period, record producer Stan Ross -- co-owner of Gold Star Studios in Hollywood -- began to tutor Spector in record production and exerted a major influence on Spector's production style. In 1958, the Teddy Bears recorded the Spector-penned "Don't You Worry My Little Pet", which helped them secure a deal with Era Records. At their next session, they recorded another song Spector had written--this one inspired by the epitaph on Spector's father's tombstone. Released on Era's subsidiary label, Dore Records, "To Know Him Is to Love Him" reached number one on Billboard Hot 100 singles chart on December 1, 1958, selling over a million copies by year's end. It was the seventh number-one single on the newly formed chart. Following the success of their debut, the group signed with Imperial Records. Their next single, "I Don't Need You Anymore", reached number 91. They released several more recordings, including an album, The Teddy Bears Sing!, but failed to reach the top 100 in US sales. The group disbanded in 1959. CANNOTANSWER

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Percy Mahendra Rajapaksa, MP (Sinhalese: prsi mheendr raajpkss; born 18 November 1945), more commonly known as Mahinda Rajapaksa (Sinhalese: mhind raajpkss, Tamil: mhint raajpkss) pronounced [ma'hind@ 'ra:j@,paks@] is a Sri Lankan politician who served as the sixth President of Sri Lanka from 19 November 2005 to 9 January 2015. A lawyer by profession, Rajapaksa was first elected to the Parliament of Sri Lanka in 1970, and he served as prime minister from 6 April 2004 until his victory in the 2005 presidential election. He was sworn in for his first six-year term as president on 19 November 2005.

Although styling himself as a man of peace and a willing negotiator, Rajapaksa signaled his intention to end the peace process once in power by forging an alliance with the Sinhalese nationalist Janatha Vimukthi Peramuna and the Jathika Hela Urumaya. The JVP had opposed the original 2002 peace process as treasonous. The agreement made with Rajapaksa included provisions which called for a revision of the ceasefire agreement to give the military broader powers against the LTTE, as well as ruling out of any devolution of power to the Tamil people. Furthermore, the cessation of aid to the tsunami struck LTTE occupied areas, and the sidelining of the Norwegian facilitators due to their alleged bias were included. Immediately following his election victory, a series of mine blasts blamed on the LTTE in the country claimed the lives of many off-duty servicemen and civilians, pushing the country back to the brink of war. Following the closure by the LTTE of a reservoir supplying water to 15,000 people named "Mavil Aru" in government controlled areas on 21 July 2006, the Sri Lankan military launched an offensive against the LTTE, bringing the entire reservoir under government control. Further military engagements have led to the LTTE been driven out of the entire Eastern Province of Sri Lanka and loss of 95% of the territory they controlled. The Sri Lanka government declared total victory on 18 May 2009. on 19 May 2009 President Mahinda Rajapaksa delivered a victory address to the Parliament and declared that Sri Lanka is liberated from terrorism. CANNOTANSWER

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The Backstreet Boys (often abbreviated as BSB) are an American vocal group, formed in Orlando, Florida in 1993. The group consists of AJ McLean, Howie D., Nick Carter, Kevin Richardson and Brian Littrell. The group rose to fame with their debut international album, Backstreet Boys (1996). In the following year they released their second international album Backstreet's Back (1997), and their U.S. debut album which continued the group's success worldwide.

In June 1995, the group flew to Sweden to record some songs with Max Martin and Denniz PoP, including "We've Got It Goin' On", which ended up being their very first single. "We've Got It Goin' On" was sent to radio in August 1995 and released as a physical single on September 5, 1995. In North America, Mix 96 in Montreal broke the group after the programmers heard it on the radio in Europe. The song was a minor success in the U.S., peaking at only No. 69 by December 1995, but it entered the top 5 in Germany, Switzerland, Austria, France, and the Netherlands. European success sent them there on a summer tour and shifted their promotion being mostly done in Europe. They finished recording their first album Backstreet Boys in April 1996 and it was released internationally on May 6, 1996, excluding U.S. and Canada; however, it was later released in Canada in October 1996. Their popularity grew in Europe. "I'll Never Break Your Heart" reached a Gold status in Germany for selling 250,000 copies and they were voted the No. 1 international group there in 1996. They also earned their first platinum record in Germany in 1996 for selling 500,000 copies of their debut album and shortly thereafter they began touring Asia and Canada. They also became one of the most successful debut artists in the world, collecting awards such as Durchstarter (Best Newcomers) in Germany's Viva Comet Awards in 1996. "Anywhere for You" was released as the last single from their international debut album on February 17, 1997. "Quit Playing Games (with My Heart)", which was originally released in Europe as their fourth single in October 1996, was released in the U.S. in May 1997 for their upcoming U.S. debut album. It managed to climb as high as No. 2 on Billboard Hot 100, eventually earning them a platinum-award for selling over one million copies. The group began working on their second album, Backstreet's Back, in 1996. They also recorded the song "If You Stay" for the Booty Call soundtrack in the same year, which was released in February 1997. Backstreet's Back was released internationally (except in the U.S.) on August 11, 1997. Their self-titled U.S. debut album, which consisted of songs from their 1996 international debut album and Backstreet's Back, was released in the U.S. a day later, August 12, 1997. The U.S. self-titled debut peaked at No. 4 on the U.S. album chart and eventually sold 14 million copies. Meanwhile, the second international release, Backstreet's Back, peaked at No. 1 in Germany, Norway, Switzerland, Finland, the Netherlands, Belgium, and Austria, selling well over five million copies in Europe alone. The two self-titled albums, the international debut and the U.S. debut, sold more than 28 million copies worldwide. In 1998, Littrell brought a lawsuit against Lou Pearlman and Trans Continental claiming that Pearlman had not been truthful about the earnings made by the group. From 1993 to 1997, Pearlman and his company took about $10 million in revenue while the band only got $300,000. In the following year, McLean, Richardson, and Dorough joined the lawsuit which eventually resulted in a number of settlements. CANNOTANSWER

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Richard "Red" Skelton (July 18, 1913 - September 17, 1997) was an American comedy entertainer. He was best known for his national radio and television acts between 1937 and 1971, and as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show.

Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the "Doughnut Dunkers" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the "Doughnut Dunkers" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, "Careful what you drink, Mr. President. I got rolled in a place like this once." His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. Skelton's voice pattern for Clem was similar to the later cartoon character, Bullwinkle; there was enough similarity to cause Skelton to contemplate filing a lawsuit against Bill Scott, who voiced the cartoon moose. The second character, The Mean Widdle Kid, or "Junior", was a young boy full of mischief, who typically did things he was told not to do. "Junior" would say things like, "If I dood it, I gets a whipping.", followed moments later by the statement, "I dood it!" Skelton performed the character at home with Edna, giving him the nickname "Junior" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play "Junior" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber "We Dood It!" In 1986 the Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928. Originally called "Mellow Cigars", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine "Guzzler's Gin", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's guests were treated to a post-program performance. He would then perform his "Guzzler's Gin" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; there were times where up to 300 people needed to be turned away for lack of seats. CANNOTANSWERAnswer this question using a quote from the following article:

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Blackburn was born in Guildford, Surrey, but in 1946 his family moved to Bournemouth, then in Hampshire, where his sister, Jacqueline, was born. His sister was born suffering from polio and has been unable to walk since birth. Blackburn's mother, Pauline Cubitt (nee Stone), was a nurse, and his father, Kenneth Fleming Blackburn, was a GP. He was educated at Castle Court School in Parkstone, Poole, Dorset.

Blackburn began presenting the Breakfast show for Classic Gold Digital, a station based in Bedfordshire, in 2003. He was suspended in late June 2004 for featuring too many Cliff Richard records. The singer was not on the station's playlist. Noel Edmonds, whose company owned a majority shareholding, thought Blackburn would soon return to broadcasting for the station. The suspension was short lived. Blackburn won his dispute with management over the playlist a few days later, and Cliff Richard was added to it. "We should be playing him as much as The Beatles", said the station head. "I'm still a part of the disco generation", Blackburn told The Times in December 2004. "There is no pretence there and it never seems to date. I think disco did much more as a contribution to music than Bob Dylan or Neil Young. People get snobbish about music. Disco never takes itself too seriously." On Saturday 6 November 2010, Blackburn replaced Dale Winton as the regular host of BBC Radio 2's Pick of the Pops programme. One of his remaining ambitions was to present a programme on Radio 2. "I was 37 when I left Radio 1, and 2 seemed a natural progression. So it's only taken 30 years", Blackburn said in 2010. Blackburn presented the show every Saturday from 1 pm to 3 pm. He also presented shows on BBC Three Counties Radio and BBC Radio Berkshire from 9 to 11 am on Sundays, BBC London 94.9 on Sundays from 12 to 3 pm. Commencing 2 July 2016, Blackburn presents a weekly four-hour soul music show, Soul and Motown Show, every Saturday from 6 pm to 10 pm, on London's DAB station Thames Radio on 2 July 2016. He also presents a weekly three-hour show, Tony's Blackburn's Playlist every Sunday from 4 pm to 7 pm on KMFM Radio, Kent. Blackburn has won two lifetime achievement awards from the Radio Academy, the second of which was to mark his fifty years of broadcasting. CANNOTANSWER


Julius Marx was born on October 2, 1890, in the Manhattan borough, of New York City, New York. Marx stated that he was born in a room above a butcher's shop on East 78th Street, "Between Lexington & 3rd", as told to Dick Cavett in a 1969 television interview. The Marx children grew up on East 93rd Street off Lexington Avenue in a neighborhood now known as Carnegie Hill on the Upper East Side of the borough of Manhattan. The turn-of-the-century building that his brother Harpo called "the first real home they ever knew" (in his memoir Harpo Speaks) was populated with European immigrants, mostly artisans.

In public and off-camera, Harpo and Chico were hard to recognize, without their wigs and costumes, and it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache. The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows. Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team. He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song "Mister Gallagher and Mister Shean," co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger film Skidoo. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!" The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s. Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. (Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.) Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s. CANNOTANSWER

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Background: Nick Cave and the Bad Seeds are an Australian rock band formed in Melbourne in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and keyboardist Conway Savage (all four from Australia), guitarist George Vjestica (United Kingdom), keyboard/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward". The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria.
Context: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER
Question: How did the band get started?

Answer:


Clarence Leonidas "Leo" Fender (August 10, 1909 - March 21, 1991) was an American inventor who founded Fender Electric Instrument Manufacturing Company, or "Fender" for short. In January 1965, he sold the company to CBS and later founded two other musical instrument companies, Music Man and G&L Musical Instruments. The guitars, bass guitars, and amplifiers he designed from the 1940s on are still widely used: the Fender Telecaster (1950) was the first mass-produced solid-body electric guitar; the Fender Stratocaster (1954) is among the world's most iconic electric guitars; the Fender Precision Bass (1951) set the standard for electric bass guitars, and the Fender Bassman amplifier, popular enough in its own right, became the basis for later amplifiers (notably by Marshall and Mesa Boogie) that dominated rock and roll music. Leo Fender was inducted into the Rock and Roll Hall of Fame in 1992--a unique achievement given that he never learned to play the instruments that he made a career of building.

Clarence Leonidas Fender ("Leo") was born on August 10, 1909, to Clarence Monte Fender and Harriet Elvira Wood, owners of a successful orange grove located between Anaheim and Fullerton, California. From an early age, Fender showed an interest in tinkering with electronics. When he was 13 years old, his uncle, who ran an automotive-electric shop, sent him a box filled with discarded car radio parts, and a battery. The following year, Leo visited his uncle's shop in Santa Maria, California, and was fascinated by a radio his uncle had built from spare parts and placed on display in the front of the shop. Leo later claimed that the loud music coming from the speaker of that radio made a lasting impression on him. Soon thereafter, Leo began repairing radios in a small shop in his parents' home. In the spring of 1928, Fender graduated from Fullerton Union High School, and entered Fullerton Junior College that fall, as an accounting major. While he was studying to be an accountant, he continued to teach himself electronics, and tinker with radios and other electrical items but never took any kind of electronics course. After college, Fender took a job as a delivery man for Consolidated Ice and Cold Storage Company in Anaheim, where he was later made the bookkeeper. It was around this time that a local band leader approached Leo, asking him if he could build a public address system for use by the band at dances in Hollywood. Fender was contracted to build six of these PA systems. In 1933, Fender met Esther Klosky, and they were married in 1934. About that time, he took a job as an accountant for the California Highway Department in San Luis Obispo. In a depression government change, his job was eliminated, and he then took a job in the accounting department of a tire company. After working there for six months, Leo lost his job along with the other accountants in the company. CANNOTANSWER

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Freaks is a 1932 American MGM pre-Code horror film produced and directed by Tod Browning. The original version of the film, running 90 minutes, was considered too shocking to be released, so several scenes were cut, resulting in an abridged runtime of 64 minutes. The original version no longer exists. The film is based on elements from the short story "Spurs" by Tod Robbins.

Despite the extensive cuts, the film was still negatively received by audiences, recording a loss of $164,000, and remained an object of extreme controversy. Today, the scenes that were removed are considered lost. Browning, famed at the time for his collaborations with Lon Chaney and for directing Bela Lugosi in Dracula (1931), had trouble finding work afterward and this effectively brought his career to an early close. "Freaks" became the only MGM film ever to be pulled from release before completing its domestic engagements. Because the film was thought to be overly exploitative, it was banned in the United Kingdom for 30 years. A number of contemporary reviews were not only highly critical of the film, but expressed outrage and revulsion. Harrison's Reports wrote that "Any one who considers this entertainment should be placed in the pathological ward in some hospital." In The Kansas City Star, John C. Moffitt wrote, "There is no excuse for this picture. It took a weak mind to produce it and it takes a strong stomach to look at it." The Hollywood Reporter called it an "outrageous onslaught upon the feelings, the senses, the brains and the stomachs of an audience." Variety also published a negative review, writing that the film was "sumptuously produced, admirably directed, and no cost was spared, but Metro heads failed to realize that even with a different sort of offering the story is still important. Here the story is not sufficiently strong to get and hold the interest, partly because interest cannot easily be gained for too fantastic a romance." The review went on to state that the story "does not thrill and at the same time does not please, since it is impossible for the normal man or woman to sympathize with the aspiring midget. And only in such a case will the story appeal." Not all reviews were as harsh. The New York Times called it "excellent at times and horrible, in the strict meaning of the word, at others" as well as "a picture not to be easily forgotten." The New York Herald Tribune wrote that it was "obviously an unhealthy and generally disagreeable work," but that "in some strange way, the picture is not only exciting, but even occasionally touching." John Mosher of The New Yorker wrote a positive review, calling it "a little gem" that "stands in a class by itself, and probably won't be forgotten in a hurry by those who see it." He found its "perfectly plausible story" a key to the effectiveness of its horror, writing that "It's a chilling notion to imagine these weird beings, with their own lives and vanities and passions, all allied in a bitter enmity against us." Addressing the controversial subject matter, Mosher stated: "if the poor things themselves can be displayed in the basement of Madison Square Garden, pictures of them might as well be shown in the Rialto. They may hereafter even be regarded in the flesh with a new dread bordering on respect." CANNOTANSWER

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George Galloway (born 16 August 1954) is a British politician, broadcaster, and writer. Between 1987 and 2015, with a gap in 2010-12, he represented four constituencies as a Member of Parliament, elected as a candidate for the Labour Party and later the Respect Party. After becoming the youngest ever Chairman of the Scottish Labour Party in 1981, he became General Secretary of the London-based charity War on Want in 1983, remaining in the post until elected as MP for Glasgow Hillhead (later Glasgow Kelvin) at the 1987 general election. In 2003, Galloway was expelled from the Labour Party, having been found guilty by the party's national constitutional committee of four of the five charges of bringing the party into disrepute, including having called on Arabs to fight British troops.

On 22 April 2003, The Daily Telegraph published news articles and comment describing documents found by its reporter David Blair in the ruins of the Iraqi Foreign Ministry. The documents purported to be records of meetings between Galloway and Iraqi intelligence agents, and they stated that he had received PS375,000 per year from the proceeds of the Oil-for-Food Programme. Galloway completely denied the claims, and pointed to the nature of the discovery within an unguarded, bombed-out building as being questionable. He instigated legal action against the newspaper, which was heard in the High Court on 14 November 2004. On 2 December, Justice David Eady ruled that the story had been "seriously defamatory", and that The Daily Telegraph was "obliged to compensate Mr Galloway ... and to make an award for the purposes of restoring his reputation." Galloway was awarded damages of PS150,000 plus, after a failed appeal in 2006, legal costs of about PS2 million. The libel case was regarded by both sides as an important test of the Reynolds qualified-privilege defence. The Daily Telegraph did not attempt to claim justification (where the defendant seeks to prove the truth of the defamatory reports): "It has never been the Telegraph's case to suggest that the allegations contained in these documents are true". The newspaper argued that it acted responsibly as the allegations it reported were of sufficient public interest to outweigh the damage caused to Galloway's reputation. The trial judge did not accept this defence, noting that comments such as Galloway being guilty of "treason", "in Saddam's pay", and being "Saddam's little helper" caused him [the judge] to conclude that "the newspaper was not neutral but both embraced the allegations with relish and fervour and went on to embellish them"; additionally, the judge ruled, Galloway had not been given a fair or reasonable opportunity to make inquiries or meaningful comment upon the documents before they were published. The issue of whether or not the documents were genuine was likewise not at issue at the trial. Oliver Thorne, a forensic expert who had been earlier hired by Galloway's lawyers, later stated "In my opinion the evidence found fully supports that the vast majority of the submitted documents are authentic". He added "It should be noted that I am unable to comment on the veracity of the information within the disputed Telegraph documents, whether or not they are authentic." CANNOTANSWER

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John Hartson was born on 5 April 1975 in Swansea, as the third of four children to Cyril and Diana Hartson. Cyril had also played football for local team Afan Lido. Hartson grew up in Talycoppa, Swansea, alongside his elder brother James, elder sister Hayley and younger sister Victoria. As a youngster Hartson represented Lonlas Boys' Club in Skewen, playing his first match aged six.

Hartson turned professional in 1992 and made his Luton Town first team debut as a substitute in a 1-0 League Cup defeat to Cambridge United on 24 August 1993. In January 1995, at 19, he joined Arsenal for PS2.5 million, a British record fee for a teenage player at the time. Along with Chris Kiwomya, Hartson was one of George Graham's last signings before the manager's sacking in February 1995. He made his Arsenal debut on 14 January 1995, a 1-1 home draw with Everton, and scored his first goal for the club the following week, the only goal in a 1-0 away win at Coventry City. He was a regular for the remainder of his first season, a highlight of which was scoring Arsenal's 75th-minute equaliser in the 1995 UEFA Cup Winners' Cup Final against Real Zaragoza; however a last-minute goal from 40 yards by Nayim over David Seaman meant Arsenal lost the game 2-1. He was strike-partner to Ian Wright, being favoured ahead of Kevin Campbell to fill the gap left by the injured Alan Smith, who would retire at the end of the season. Following the signing of Dennis Bergkamp, who was preferred up front to partner Wright, Hartson went on to feature under Graham's successors Bruce Rioch and Arsene Wenger. With Wenger wanting him to stay at the club, Hartson though in February 1997 linked up with West Ham United in a PS3.2 million deal. At the time, he was the most expensive player to be signed by West Ham.The deal was initially reported to be worth PS5 million. In total, Hartson played 53 times for Arsenal, scoring 14 goals. CANNOTANSWER

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Did Arsenal win a championship while Hartson was at Arsenal?


George S. Boutwell was born on January 28, 1818 in Brookline, Massachusetts. According to his autobiographical memoir, Boutwell was raised on his family's farm in Lunenburg and attended public schools until the age of seventeen. During the summer months he worked barefooted, tending oxen and picking chestnuts. Boutwell was educated in arithmetic, algebra, geometry, and Latin grammar.

Boutwell attended the Peace Conference of 1861 in Washington, D.C. which attempted to prevent the impending Civil War, and served as a liaison between the federal government and Massachusetts Governor John Albion Andrew in April 1861. In the peace conference, he angrily rejected Southern proposals favoring the extension of slavery and its enforcement in northern states, arguing that "the Union is not worth preserving" if such measures are needed to do so. In June and July 1862, Boutwell served on a military commission in the Department of War, investigating irregularities in the quartermaster's department of General John C. Fremont, who commanded the Union Army's Department of the West. Assistant Quartermaster Reuben Hatch, whose brother was a political supporter of President Abraham Lincoln, had been defrauding the department, and the commission was established on Lincoln's order to forestall a court martial. Boutwell spent two months in the army camp at Cairo, Illinois, under conditions he described as "disagreeable to an extent that cannot be realized easily" because of flooding and unsanitary conditions. The commission cleared Hatch. In July 1862, while he was still in Cairo, Boutwell was appointed the first Commissioner of Internal Revenue by President Lincoln. He spent his eight months in that post organizing the new Internal Revenue Bureau. He was described by Secretary of the Treasury Salmon P. Chase as having the "highest obtainable ability and integrity", and oversaw the growth of the bureau to some 4,000 employees; it was the largest single office department in the government. Boutwell decided in 1862 to run for the United States Congress. The campaign was dominated by the issue of emancipation, which Boutwell strongly advocated. He won a comfortable (55%-40%) victory over Charles R. Train, a conservative former Republican. He resigned as internal revenue commissioner early in 1863. CANNOTANSWER

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Background: The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
Context: The first live performance of the Ray Davies Quartet, the band that would become the Kinks, was at a dance for their school, William Grimshaw, in 1962. The band performed under several names between 1962 and 1963--the Pete Quaife Band, the Bo-Weevils, the Ramrods, and the Ravens--before settling on the Kinks in early 1964. The Kinks made their first tour of Australia and New Zealand in January 1965 as part of a "package" bill that included Manfred Mann and the Honeycombs. They performed and toured relentlessly, headlining package tours throughout 1965 with performers such as the Yardbirds and Mickey Finn. Tensions began to emerge within the band, expressed in incidents such as the on-stage fight between drummer Mick Avory and Dave Davies at The Capitol Theatre, Cardiff, Wales on 19 May. After finishing the first song, "You Really Got Me", Davies insulted Avory and kicked over his drum set. Avory responded by hitting Davies with his hi-hat stand, rendering him unconscious, before fleeing from the scene, fearing that he had killed his bandmate. Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to his head. To placate police, Avory later claimed that it was part of a new act in which the band members would hurl their instruments at each other. Following their summer 1965 American tour, the American Federation of Musicians refused permits for the group to appear in concerts in the United States for the next four years, possibly due to their rowdy on-stage behaviour. In April 1969 Davies helped negotiate an end to the American Federation of Musician ban on the group, which allowed plans for a North American tour. Davies went into a state of depression, culminating in his onstage announcement that he was "sick of it all" at a gig in White City Stadium. A review of the concert published in Melody Maker stated: "Davies swore on stage. He stood at The White City and swore that he was 'F...... [sic] sick of the whole thing' ... He was 'Sick up to here with it' ... and those that heard shook their heads. Mick just ventured a disbelieving smile, and drummer [sic] on through 'Waterloo Sunset.'" Davies proceeded to try to announce that the Kinks were breaking up, but this attempt was foiled by the group's publicity management, who pulled the plug on the microphone system. CANNOTANSWER
Question: Where did The Kinks perform after their first performance?. Whats the answer?


Maroon 5 is an American pop rock band from Los Angeles, California. It currently consists of lead vocalist Adam Levine, keyboardist and rhythm guitarist Jesse Carmichael, bassist Mickey Madden, lead guitarist James Valentine, drummer Matt Flynn, keyboardist PJ Morton and multi-instrumentalist Sam Farrar. Original members Adam Levine, Jesse Carmichael, Mickey Madden and drummer Ryan Dusick first came together as Kara's Flowers in 1994, while they were still in high school. The band self-released an album called We Like Digging?, then signed to Reprise Records and released the album The Fourth World in 1997.

Maroon 5's musical style has generally been regarded as pop rock, funk rock, dance-pop, blue-eyed soul, neo soul, and soft rock. Adam Levine has stated: "[E]verything that's written and performed and put together pretty much comes from us. I just think people would be surprised to know that we're a self-contained unit. We're a band that does their own thing. There's no puppet master." However, in an article about the songwriter and producer Benny Blanco, it is revealed that at least some of the band's songs, such as "Moves like Jagger," are the product of efforts by, or collaborations with, professional songwriters and producers. In the same article, Levine says, "It's almost as if [Benny Blanco] has the Midas touch in putting the right people together at the right time to create a musical moment. He's about the collaboration. And he's so good at nailing down who does everything best." The band has cited Elita 5, Michael Jackson, The Police, the Bee Gees, Justin Timberlake, Stevie Wonder, Tonic, Prince, Tupac Shakur and Marvin Gaye as influences. Adam Levine has also cited Billy Joel as an influence. Furthermore, guitarist James Valentine said he was influenced by guitarists like Pat Metheny, Bill Frisell and John Scofield, as well as the rock band Queens of the Stone Age. The band's songs tend to be very guitar-heavy, often accompanied by piano or synthesizer. The theme in most of their songs is love, frequently lost love; songs like "This Love", "Makes Me Wonder" and "Misery" have a very cynical tone, often expressing dissatisfaction with a relationship, while their more heartfelt and emotional songs such as "She Will Be Loved" and "Never Gonna Leave This Bed" express a longing for a romantic relationship. "Makes Me Wonder" has a secondary theme, in which Levine expresses his disillusionment and frustration with the state of American politics and the Iraq War. The band's style changes from album to album. Songs About Jane consists of songs about Levine's ex-girlfriend Jane Herman. On It Won't Be Soon Before Long, however, the songs are less personal and are more electric with more use of synthesizers, creating a retro feel. Hands All Over continues the band's lost love theme, along with songs about infatuation and was re-released in 2011, with the hit single "Moves like Jagger", an electropop song which represents a drastic change in the band's sound, with more of a dance feel to it. "It was one of those songs that was definitely a risk," Levine said. "It's a bold statement. We've never really released a song like that. But it's exciting to do something different, do something new. I'm just glad that everyone likes it." James Valentine called Overexposed "our most 'pop' record ever and we weren't shy about really going for it." They also have experimented with new wave and disco sounds on several albums. CANNOTANSWER

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Katrina Kaif (pronounced [k@'tri:na: 'ke:f], born Katrina Turquotte, 16 July 1983) is an English actress who works in Hindi films. Despite receiving mixed reviews from critics for her acting prowess, she has established herself in Bollywood, and is considered among the country's most attractive and highest-paid actresses. Born in Hong Kong, Kaif and her family lived in several countries before she moved to London. She received her first modelling assignment as a teenager and later pursued a career as a fashion model.

Kaif's personal life has been the subject of extensive media attention. She is reluctant to discuss her romantic life: "I have always believed that there is life before marriage and after marriage. Before marriage ... you are termed a single woman and I choose to conduct that part of my life with absolute dignity and discretion". Although rumours of a relationship with Salman Khan first emerged in 2003, it was not until after their 2010 breakup that Kaif spoke of the affair, calling it her first serious relationship. They have remained friends, and the actress credits Khan with giving her confidence and guidance: The reported reason for their breakup was Kaif's increasing closeness to Ranbir Kapoor during the filming of Ajab Prem Ki Ghazab Kahani. Although this was denied by Kaif and Kapoor, the nature of their relationship was scrutinised by the media because they were thought to be involved with others at the time. In August 2013, photographs of Kapoor and Kaif on holiday in Ibiza were leaked by Stardust; the media interpreted this as confirmation of an affair. After the appearance of the photos, Kaif published an open letter to the media saying that she was "upset, distressed and invaded" by the breach of privacy. She later acknowledged Kapoor as "an extremely important part of [her] life". In February 2016, the media reported that they had broken up. Kaif has a close relationship with her family, and the lack of a father figure in her life has given her a sense of responsibility towards them. While Kaif's mother is Christian and her father is Muslim, Kaif was brought up to practise all faiths and says she is a "firm believer in God". The Times of India reported in 2009 that she visits Siddhivinayak Temple, Mount Mary Church and the Sufi shrine Ajmer Sharif Dargah before her films are released. CANNOTANSWER

How is Kaif close to her mother?


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Hanson is an American pop rock band from Tulsa, Oklahoma, United States, formed by brothers Isaac (guitar, bass, piano, vocals), Taylor (keyboards, piano, guitar, drums, vocals), and Zac (drums, piano, guitar, vocals). Supporting members include Dimitrius Collins (keyboards, guitar), and Andrew Perusi (bass) who have toured and performed live with the band since 2007. They are best known for the 1997 hit song "MMMBop" from their debut album released through Mercury, Polygram, Middle of Nowhere, which earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band suffered from the merger that eliminated their label, Mercury Records .

On January 15, 2007, Hanson released on iTunes the first episode of their documentary podcast "Taking the Walk", detailing production of the studio album. The first episode of the band's documentary Strong Enough to Break was also released on iTunes. The program is edited into 13 episodes for release by podcast. In March 2007, Hanson began a "preview tour" to promote The Walk and give fans a taste of recent work. Over six days, Hanson performed at the Starland Ballroom in Sayreville, New Jersey, Toad's Place in New Haven, Connecticut, The Crocodile Rock in Allentown, Pennsylvania, and The Supper Club in New York City. On March 30, Taylor and Zac appeared in Dallas, TX to screen their documentary at the AFI Film Festival. Afterward, the brothers held a Q&A session along with director Ashley Greyson. Hanson performed in the UK during April 2007, playing songs from The Walk. They also promoted the release of the single "Go" and the UK release of the album. The Walk, Hanson's second studio album with 3CG Records (Fourth overall), was released in the US, Mexico and Canada on July 24. It was released in Japan on February 21 and in the UK on April 30. On May 6, 2007, the 10th anniversary of Hanson Day, the band re-recorded their first major label album, Middle Of Nowhere, at The Blank Slate bar in their hometown of Tulsa, Oklahoma. The band invited fan club members, causing hundreds to fly to Oklahoma for the acoustic event. Hanson played concerts in the summer of 2007, supporting release of The Walk. The band appeared in Providence, Boston, New York City, Toronto, and Los Angeles. The record Middle of Nowhere Acoustic was released at the end of that year, exclusively on Hanson.net. The record included all but three songs of those originally in Middle of Nowhere ("Speechless", "Thinking of You" and "With You in Your Dreams") and featured the song Yearbook, never performed live before. CANNOTANSWER

Did they go on tour?


Background: Pierre Louis Joseph Boulez CBE (French: [pjeR bu.le:z]; 26 March 1925 - 5 January 2016) was a French composer, conductor, writer and founder of institutions. He was one of the dominant figures of the post-war classical music world. Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andree Vaurabourg and Rene Leibowitz. He began his professional career in the late 1940s as Music Director of the Renaud-Barrault theatre company in Paris.
Context: Pierre Boulez was born on 26 March 1925, in Montbrison, a small town in the Loire department of east-central France, to Leon and Marcelle (nee Calabre) Boulez. He was the third of four children: an older sister, Jeanne (b. 1922) and younger brother, Roger (b. 1936) were preceded by a first child, also called Pierre (b. 1920), who died in infancy. Leon (1891-1969), an engineer and technical director of a steel factory, is described by biographers as an authoritarian figure, but with a strong sense of fairness; Marcelle (1897-1985) as an outgoing, good-humoured woman, who deferred to her husband's strict Catholic beliefs whilst not necessarily sharing them. The family prospered, moving in 1929 from the apartment above a pharmacy at 29 rue Tupinerie, where Boulez was born, to a comfortable detached house at 46 avenue d'Alsace-Lorraine, where he spent most of his childhood. From the age of seven he went to school at the Institut Victor de Laprade, a Catholic seminary where the thirteen-hour school day was filled with study and prayer. By the age of fifteen he was sceptical about religion ("what struck me most was that it was so mechanical: there was a total absence of genuine conviction behind it") and by eighteen he had repudiated Catholicism, although later in life he described himself as an agnostic. As a child he took piano lessons, played chamber music with local amateurs and sang in the school choir. After completing the first part of his baccalaureate a year early he spent the academic year of 1940-41 at the Pensionnat St. Louis, a boarding school in nearby St. Etienne. The following year he took classes in advanced mathematics at the University of Lyon with a view to gaining admission to the Ecole Polytechnique in Paris. His father hoped this would lead to a career in engineering. He was in Lyon when the Vichy government fell and the Germans took over. The city became a centre of the resistance and Boulez later recalled the terrible reprisals: "when there was a bomb in a cafe where the military had been drinking next day there was a poster saying hostages had been shot. It was not a gentle time, and nothing to eat, and terribly cold." It was in Lyon that he first heard an orchestra, saw his first operas (Boris Godunov and Die Meistersinger von Nurnberg) and met the well-known soprano Ninon Vallin, who asked him to accompany her in arias from Aida and La Damnation de Faust. Impressed by his ability, she persuaded Leon to allow his son to apply to the Conservatoire in Lyon, but the selection board rejected him. Boulez was determined to pursue a career in music. The following year, with his sister's support in the face of opposition from his father, he studied the piano and harmony privately with Lionel de Pachmann (son of the pianist Vladimir). "Our parents were strong, but finally we were stronger than they," Boulez would later say. In fact, when he moved to Paris in the autumn of 1943, hoping to enrol at the Paris Conservatoire, Leon accompanied him, helped him to find a room (at 14 rue Oudinot, near the Invalides) and subsidised him until he could earn a living. In October 1943 he auditioned unsuccessfully for the advanced piano class at the Conservatoire, but he was admitted in January 1944 to the preparatory harmony class of Georges Dandelot. His progress was so rapid that by May 1944, Dandelot's report describes him as "the best of the class". Around the same time he was introduced to Andree Vaurabourg, wife of the composer Arthur Honegger, and between April 1944 and May 1946 he studied counterpoint privately with her. He greatly enjoyed working with her and she remembered him as an exceptional student, using his exercises as models in advanced counterpoint until the end of her teaching career. On 26 August 1944, the day of de Gaulle's return to Paris, Boulez was among the crowd in the Place de la Concorde, which came under sniper fire from the few remaining Germans and collaborators. In the autumn he joined Olivier Messiaen's advanced harmony class at the Conservatoire and attended the private seminars which Messiaen gave to chosen students, where key works of the early twentieth-century, including Stravinsky's Rite of Spring, were subjected to intensive analysis. In January 1945 Boulez moved to two small attic rooms at 4 rue Beautreillis in the Marais district of Paris, where he lived for the next fourteen years. The following month he attended a private performance of Schoenberg's Wind Quintet, conducted by Rene Leibowitz, a follower of Schoenberg. The piece was a revelation to him and he organised a group of fellow students to take private lessons with Leibowitz. It was here that he first studied twelve-tone technique and discovered the music of Webern. Around this time he was one of a number of Conservatoire students (organised, it was said, by Leibowitz) who booed a performance of Stravinsky's Danses concertantes, a work whose neo-classicism represented the pre-war culture he was determined to reject. Eventually he also found Leibowitz's approach too doctrinaire and he broke angrily with him in 1946 when Leibowitz tried to criticise one of his early works. In June 1945 he was one of four Conservatoire students awarded premier prix, the only member of Messiaen's class to achieve this distinction. He was described in the examiner's report as "the most gifted--a composer". Although nominally still registered as a student of the Conservatoire for the academic year 1945-46, his only attendance was at Simone Ple-Caussade's counterpoint and fugue class, which he joined in January 1946. He was so infuriated by what he described as her "lack of imagination" that he boycotted the class and organized a petition that Messiaen be given a full professorship in composition. Over the winter of 1945-46 he immersed himself in Balinese and Japanese music and African drumming at the Musee Guimet and the Musee de l'Homme in Paris: "I almost chose the career of an ethnomusicologist because I was so fascinated by that music. It gives a different feeling of time." A planned field trip to Cambodia was prevented only by the outbreak of the First Indochina War. CANNOTANSWER
Question: What did he do after winning that award?. Whats the answer?


Robert Emerson Clampett was born in San Diego, California on May 8, 1913. Clampett was displaying extraordinary art skills by the age of five. From the beginning, Clampett was intrigued with and influenced by Douglas Fairbanks, Lon Chaney, Charlie Chaplin, Buster Keaton and Harold Lloyd, and he began making film short-subjects in his garage beginning when he was twelve. While living in Hollywood as a young boy, Clampett and his mother Joan lived next door to Charlie Chaplin and his brother Syd.

In 1946 after Warner Bros. bought out Leon Schlesinger, his key executives Henry Binder and Ray Katz went to Screen Gems and took Clampett with them. Clampett worked for a time at Screen Gems, then the cartoon division of Columbia Pictures, as a screenwriter and gag writer. In 1947 Republic Pictures incorporated animation (by Walter Lantz) into its Gene Autry feature film Sioux City Sue. It turned out well enough for Republic to dabble in animated cartoons; Bob Clampett directed a single cartoon, It's a Grand Old Nag, featuring the equine character Charlie Horse. Republic management, however, had second thoughts due to dwindling profits, and discontinued the series. Clampett took his direction credit under the name "Kilroy". In 1949, Clampett turned his attentions to television, where he created the famous puppet show Time for Beany. The show, featuring the talents of voice artists Stan Freberg and Daws Butler, would earn Clampett three Emmys. Groucho Marx and Albert Einstein were both fans of the series. In 1952, he created the Thunderbolt the Wondercolt television series and the 3D prologue to Bwana Devil featuring Beany and Cecil. In 1954, he directed Willy the Wolf (the first puppet variety show on television), as well as creating and voicing the lead in the Buffalo Billy television show. In the late 1950s, Clampett was hired by Associated Artists Productions to catalog the pre-August 1948 Warner cartoons it had just acquired. He also created an animated version of the puppet show called Beany and Cecil, whose 26 half-hour episodes were first broadcast on ABC in 1962 and were rerun on the network for five years. In his later years, Bob Clampett toured college campuses and animation festivals as a lecturer on the history of animation. In 1975 he was the focus of a documentary entitled Bugs Bunny: Superstar, the first documentary to examine the history of the Warner Bros. cartoons. Clampett, whose collection of drawings, films, and memorabilia from the golden days of Termite Terrace was legendary, provided nearly all of the behind-the-scenes drawings and home-movie footage for the film; furthermore, his wife, Sody Clampett, is credited as the film's production co-ordinator. In an audio commentary recorded for Bugs Bunny: Superstar, director Larry Jackson claimed that in order to secure Clampett's participation, and access to Clampett's collection of Warners history, he had to sign a contract that stipulated Clampett would host the documentary and also have approval over the final cut. Jackson also claimed that Clampett was very reluctant speaking about the other directors and their contributions. Clampett died of a heart attack on May 2, 1984 in Detroit, Michigan, six days before his 71st birthday, while touring the country to promote the home video release of Beany & Cecil cartoons. He is buried in Forest Lawn Hollywood Hills. CANNOTANSWER

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Background: Buckley was born November 24, 1925, in New York City, the son of Aloise Josephine Antonia (Steiner) and William Frank Buckley Sr., a Texas-born lawyer and oil developer. His mother, from New Orleans, was of Swiss-German, German, and Irish descent, while his paternal grandparents, from Hamilton, Ontario, Canada, were of Irish ancestry. The sixth of ten children, Buckley moved as a boy with his family to Mexico, and then to Sharon, Connecticut, before beginning his formal schooling in Paris, where he attended first grade. By age seven, he received his first formal training in English at a day school in London; his first and second languages were Spanish and French.
Context: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum. Buckley attended the National Autonomous University of Mexico (or UNAM) in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army. In his book, Miles Gone By, he briefly recounts being a member of Franklin Roosevelt's honor guard upon the President's death. He served stateside throughout the war at Fort Benning, Georgia; Fort Gordon, Georgia; and Fort Sam Houston, Texas. With the end of World War II in 1945, he enrolled in Yale University, where he became a member of the secret Skull and Bones society and was a masterful debater. He was an active member of the Independent Party of the Yale Political Union, and also served as Chairman of the Yale Daily News and as an informer for the FBI. Buckley studied political science, history, and economics at Yale, graduating with honors in 1950. He excelled on the Yale Debate Team, and under the tutelage of Yale professor Rollin G. Osterweis, Buckley honed his acerbic style. In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA); he served for two years including one year in Mexico City working on political action for E. Howard Hunt, who was later jailed for his part in The Watergate affair.These two officers remained lifelong friends. In a November 1, 2005, column for National Review, Buckley recounted that while he worked for the CIA, the only employee of the organization that he knew was Hunt, his immediate boss. While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines. CANNOTANSWER
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Donald Francis Shula (born January 4, 1930) is a former professional American football coach and player who is best known as the head coach of the Miami Dolphins, the team he led to two Super Bowl victories, and to the only perfect season in the history of the National Football League (NFL). He was previously the head coach of the Baltimore Colts, with whom he won the 1968 NFL Championship. Shula was drafted out of John Carroll University in the 1951 NFL Draft, and he played professionally as a defensive back for the Cleveland Browns, Baltimore Colts, and Washington Redskins. Shula was named 1993 Sportsman of the Year by Sports Illustrated.

Shula was born in Grand River, Ohio, a small town along the Lake Erie shore in the northeastern part of the state. His parents, Dan and Mary, were of Hungarian origin, having immigrated when they were children. Shula's father Dan worked for $9 a week at a rose nursery and saved up to buy the small house where Shula spent his early childhood. The house was next door to a grocery store in Grand River owned by Mary's parents. Shula played football in his neighborhood as a child, but his parents forbade it after he got a gash on his face when he was 11. As Shula's family expanded--he had six siblings, including a set of triplets born in 1936--his father got a job in the local fishing industry for $15 a week, and later worked at a rayon plant in nearby Painesville, Ohio. Shula attended elementary school at St. Mary's, a private Catholic school in Painesville; his mother was a devout Catholic, and his father converted to the religion when they married. He later attended Thomas W. Harvey in Painesville and played on its football team starting in 1945. He did not try out for the team because of both his mother's prohibition on him playing and he was recovering from a bout of pneumonia, but an assistant football coach noticed him in a gym class and convinced him to join. Shula forged his parents' signatures to sign up. Within weeks of joining Harvey's football team, Shula was a starting left halfback in the school's single-wing offense. He handled a large portion of the team's rushing and passing duties, and helped lead the team to a 7-3 win-loss record in his senior year. It was the first time in 18 years that Harvey had a seven-win season. The team would have won a league title had it not lost an early game to Willoughby. Shula also ran track at Harvey and was an 11-time letterman in his three years there. As Shula prepared to graduate from high school in 1947, many men whose football careers were delayed by service in World War II were returning and competing for athletic scholarships. As a result, Shula was unable to get a scholarship and contemplated working for a year before going to college. That summer, however, he had a chance meeting at a gas station with former Painesville football coach Howard Bauchman, who suggested he ask about a scholarship at John Carroll University. Shula got a one-year scholarship at the private Jesuit school in University Heights, a suburb of Cleveland. It was extended to a full scholarship after Shula performed well in his freshman year, including in a win over Youngstown State in October 1948. He ran for 175 yards and scored two touchdowns substituting for the injured starting halfback. The same year, Shula considered joining the Catholic priesthood after a three-day retreat at John Carroll, but decided against it because of his commitment to football. During his senior year in 1950, he rushed for 125 yards in a win over a heavily favored Syracuse team. CANNOTANSWER

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The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.

In George Perry's book The Life of Python (1999) he comments: "In the Britain of 1950, humour was derived from three main sources: print, film and radio, and despite the advent of television, throughout the 1950s radio remained the dominant source of broadcast comedy. In this period, two radio comedy shows exercised a profound influence. The first was Take It From Here, with its polished professionalism. The other was The Goon Show, with its absurdity, manic surreality and unpredictability." On the influence of The Goons, Eric Sykes wrote that in the post-World War II years, "other shows came along but 'The House of Comedy' needed electricity. Then, out of the blue ... The Goons ...Spike Milligan simply blew the roof off, and lit the whole place with sunshine. At a cursory glance, The Goon Show was merely quick-fire delivery of extremely funny lines mouthed by eccentric characters, but this was only the froth. In The Goon Show, Spike was unknowingly portraying every facet of the British psyche". Sykes and Milligan, along with Ray Galton, Alan Simpson, Frankie Howerd and Stanley ("Scruffy") Dale, co-founded the writers' cooperative Associated London Scripts (ALS), which over time included others such as Larry Stephens. In his book Spike & Co (2006, pp. 344-345), Graham McCann says "the anarchic spirit of the Goon Show...would inspire, directly or indirectly and to varying extents, Monty Python's Flying Circus, The Hitchhiker's Guide to the Galaxy, The Young Ones, Vic Reeves Big Night Out, The League of Gentlemen, Brass Eye and countless other strange and bold new comedies". Other ALS-related comedies such as Sykes and A..., Hancock's Half Hour, Steptoe and Son, Beyond Our Ken, and Round The Horne influenced their own genres of comedy. Eddie Izzard notes that the Goons and Milligan in particular "influenced a new generation of comedians who came to be known as 'alternative'." In Ventham's (2002, p. 151) compilation, John Cleese notes that "In comedy, there are a very small number of defining moments when somebody comes along and genuinely creates a breakthrough, takes us into territory where nobody has been before. The only experiences to which I can compare my own discovery of the Goons are going to see N F Simpson's play One Way Pendulum ... or, later on, hearing Peter Cook for the first time. They were just light years ahead of everyone else." CANNOTANSWER


Background: Christopher Eric Hitchens (13 April 1949 - 15 December 2011) was an Anglo-American author, columnist, essayist, orator, religious and literary critic, social critic, and journalist. Hitchens was the author, co-author, editor or co-editor of over 30 books, including five collections of essays on culture, politics and literature. A staple of public discourse, his confrontational style of debate made him both a lauded intellectual and a controversial public figure. He contributed to New Statesman, The Nation, The Weekly Standard, The Atlantic, London Review of Books, The Times Literary Supplement, Slate, Free Inquiry and Vanity Fair.
Context: Former British prime minister Tony Blair said, "Christopher Hitchens was a complete one-off, an amazing mixture of writer, journalist, polemicist, and unique character. He was fearless in the pursuit of truth and any cause in which he believed. And there was no belief he held that he did not advocate with passion, commitment, and brilliance. He was an extraordinary, compelling, and colourful human being whom it was a privilege to know." Richard Dawkins, a friend of Hitchens, said, "I think he was one of the greatest orators of all time. He was a polymath, a wit, immensely knowledgeable, and a valiant fighter against all tyrants, including imaginary supernatural ones." American theoretical physicist and cosmologist Lawrence Krauss said, "Christopher was a beacon of knowledge and light in a world that constantly threatens to extinguish both. He had the courage to accept the world for just what it is and not what he wanted it to be. That's the highest praise, I believe, one can give to any intellect. He understood that the universe doesn't care about our existence or welfare and he epitomized the realization that our lives have meaning only to the extent that we give them meaning." Bill Maher paid tribute to Hitchens on his show Real Time with Bill Maher, saying, "We lost a hero of mine, a friend, and one of the great talk show guests of all time." Salman Rushdie and English comedian Stephen Fry paid tribute at the Christopher Hitchens Vanity Fair Memorial 2012. Three weeks before Hitchens's death, George Eaton of the New Statesman wrote, "He is determined to ensure that he is not remembered simply as a 'lefty who turned right' or as a contrarian and provocateur. Throughout his career, he has retained a commitment to the Enlightenment values of reason, secularism and pluralism. His targets--Mother Teresa, Bill Clinton, Henry Kissinger, God--are chosen not at random, but rather because they have offended one or more of these principles. The tragedy of Hitchens' illness is that it came at a time when he enjoyed a larger audience than ever. The great polemicist is certain to be remembered, but, as he is increasingly aware, perhaps not as he would like." The Chronicle of Higher Education asked if Hitchens was the last public intellectual. In 2015, an annual prize of $50,000 was established in his honour for "an author or journalist whose work reflects a commitment to free expression and inquiry, a range and depth of intellect, and a willingness to pursue the truth without regard to personal or professional consequence." CANNOTANSWER
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Background: Born at Canterbury Hospital in Campsie, a suburb in South-Western Sydney on 2 June 1965, Waugh was one of twin boys born to Rodger and Beverley Waugh. He arrived four minutes before Mark, who went on to play cricket for Australia alongside him. Their father was a bank official and his mother was a teacher within the New South Wales Department of Education. The family settled in the South-Western Sydney suburb of Panania.
Context: Mark Taylor retired at the end of the 1998-99 season and Waugh replaced him as Test captain, beginning with a tour of the Caribbean. Australia was expected to win as the West Indies had just been whitewashed 5-0 by South Africa. After easily winning the First Test, Australia was stymied by West Indies skipper Brian Lara, who batted with Jimmy Adams for the entire second day of the Second Test. This led to a victory for the home side, and in the Third Test, Lara batted for the entire final day to secure an unlikely win by one wicket. This result placed Waugh under immense pressure and he made a controversial decision to drop Shane Warne from the team for the final Fourth Test. Australia won the final Test despite a third consecutive century from Lara, and retained the Frank Worrell Trophy 2-2. The subsequent ODI series between the two teams was drawn 3-3. The series was notable for two incidents. In the fifth match at Georgetown, Guyana, Waugh was facing the bowling of Keith Arthurton with his team needing four runs from the final over to win. He struck the last ball of the match into the outfield, and attempted three runs to tie the match. A crowd invasion resulted in all the stumps being removed, with Waugh out of his ground when the ball was returned by the fielder. The match was declared a tie. During the West Indies run-chase in the final match in Barbados, local batsman Sherwin Campbell was run out after he fell over because of a collision with the bowler (Brendon Julian) who was attempting to field the ball. This resulted in a crowd riot and Waugh was nearly struck in the head with a glass bottle. The match continued after Campbell was reinstated, but Waugh criticised the security and questioned the integrity of the match. Waugh struggled in the lead-up to the World Cup, scoring 135 runs at 22.50 and taking two wickets at 33.00. CANNOTANSWER
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Richie was born in Berkeley, California, and has English, Mexican and Creole African-American ancestry. Her biological father, Peter Michael Escovedo, is the brother of Sheila E, and her biological mother is Karen Moss. When she was three years old, her biological parents agreed to let her move in with Lionel Richie because they could not afford to provide for her. "My parents were friends with Lionel," she told People in 2003.

In 2003, Richie and her then-best friend Paris Hilton starred in the reality series The Simple Life, in which they lived for a month with a family in the rural community of Altus, Arkansas. The series premiere debuted on Fox on December 2, 2003, to 13 million viewers, increasing Fox's reach among viewers 18-49. The series continued for a second and third season. Fox subsequently canceled the show after a dispute between Hilton and Richie, but it was aired by E! Entertainment Television for its fourth season, drawing nearly one million viewers and was followed by a relatively unsuccessful fifth season. Complications arose during production of the fifth season, with both Richie and Hilton facing major charges for DUI, and at risk of serving jail time. Hilton was sentenced to 23 days in jail, though this was after production of the season had finished. Richie accepted a plea agreement and was sentenced to four days in jail, again after production had wrapped. Despite talks of a sixth season, the series finished its run at the end of the moderately unsuccessful fifth season. In 2005, Richie made her acting debut in the comedic drama Kids in America. Richie has guest starred in television series including Eve, Six Feet Under and American Dreams, 8 Simple Rules for Dating My Teenage Daughter, and playing the recurring character Heather Chandler on Chuck. In July 2008, plans were announced to turn Richie's 2005 novel, The Truth About Diamonds, into a television series. On January 1, 2010, it was announced that Richie would appear as a guest judge on Project Runway. In early 2016, Richie auditioned for a role in the NBC sitcom, Great News, created by Tracey Wigfield and produced by Wigfield and Tina Fey, which is set in the world of television news. Although Richie's audition was not successful, she was later brought in to replace Kimrie Lewis-Davis in the supporting role of Portia, an anchorwoman at the news channel depicted in the series. The show's producers had initially cast Lewis-Davis as Portia, but decided to go in a different direction with the character after seeing the results of the pilot episode. When speaking about casting Richie in her first scripted series-regular television role, Fey explained: "She's a really funny person and has an instant likability. Those are instincts you can't teach. People have it or not. She has good timing without really pushing it." CANNOTANSWERAnswer this question using a quote from the following article:

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Chester William David Brown (born 16 May 1960) is a Canadian cartoonist. Brown has gone through several stylistic and thematic periods. He gained notice in alternative comics circles in the 1980s for the surreal, scatological Ed the Happy Clown serial. After bringing Ed to an abrupt end, he delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists Seth and Joe Matt, and the contemporary autobiographical comics trend.

The 19th issue of Yummy Fur began his Brown's autobiographical period. First came the strip "Helder", about a violent tenant in Brown's boarding house; then "Showing 'Helder'", about the creation of "Helder" and the reactions of Brown's friends to the work-in-progress. With "Showing 'Helder'" Brown breaks from his earlier syle by giving the panels no borders and arranging them organically on the page--a style that was to characterize his work of this period. He found his friends were uncomfortable with his writing about their lives, and soon turned to his adolescence for source material. Brown began the first installment of what was to become the graphic novel The Playboy in Yummy Fur #21, under the title Disgust. The revealing, confessional story tells of the teenage Brown's feelings of guilt over his obsessive masturbating over the Playmates of Playboy magazine, and the difficulties he had relating to women even into adulthood. Critical and fan reception was strong, though it drew some criticism from those who saw it glorifying pornography. Playboy's publisher Hugh Hefner wrote Brown a letter of concern that Brown could feel such guilt in a post-sexual revolution world. It appeared in a collected edition titled The Playboy in 1992. Around this time, Brown had become friends with the cartoonists Seth and Joe Matt. The three became noted for doing confessional autobio comics in the early 1990s, and for depicting each other in their works. In 1993, they did an interview together in The Comics Journal's autobiographical comics issue. Seth had joined the new Montreal-based comics publisher Drawn and Quarterly, which had also started publishing Julie Doucet. D&Q's Chris Oliveros had been courting Brown to join as well, but Brown had felt loyal to Bill Marks for giving him his first break. When his contract came up in 1991, however, Oliveros offered Brown nearly double the royalty he was getting from Vortex. Brown moved to D&Q starting with Yummy Fur #25. CANNOTANSWER

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Background: Nick Cave and the Bad Seeds are an Australian rock band formed in Melbourne in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and keyboardist Conway Savage (all four from Australia), guitarist George Vjestica (United Kingdom), keyboard/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward". The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria.
Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER
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Willie Lee McCovey (born January 10, 1938), nicknamed "Mac", "Big Mac", and "Stretch", is an American former Major League Baseball first baseman. He played nineteen seasons for the San Francisco Giants, and three more for the San Diego Padres and Oakland Athletics, between 1959 and 1980. He batted and threw left-handed and was inducted into the Baseball Hall of Fame in 1986. One of the most intimidating power hitters of his era, McCovey was called "the scariest hitter in baseball" by pitcher Bob Gibson, an assessment with which Reggie Jackson concurred.

McCovey returned to the Giants in 1977. With Hank Aaron and Frank Robinson having retired at the end of the 1976 season with 755 and 586 home runs respectively, McCovey began 1977 as the active home run leader with 465. That year, during a June 27 game against the Cincinnati Reds, he became the first player to hit two home runs in one inning twice in his career (the first was on April 12, 1973), a feat since accomplished by only Andre Dawson and Jeff King. One was a grand slam and he became the first National Leaguer to hit seventeen. At age 39, he had 28 home runs and 86 RBI and was named the Comeback Player of the Year. On June 30, 1978, at Atlanta's Fulton County Stadium, McCovey hit his 500th home run, and two years later, on May 3, 1980, at Montreal's Olympic Stadium, McCovey hit his 521st and last home run, off Scott Sanderson of the Montreal Expos. This home run gave McCovey the distinction, along with Ted Williams (with whom he was tied in home runs), Rickey Henderson, and Omar Vizquel of homering in four different decades: the 1950s, 60s, 70s, and 80s. McCovey is one of only 29 players in baseball history to date to have appeared in Major League baseball games in four decades. In his 22-year career, McCovey batted .270, with 521 home runs and 1,555 RBI, 1,229 runs scored, 2,211 hits, 353 doubles, 46 triples, a .374 on-base percentage and a .515 slugging percentage. He also hit 18 grand slam home runs in his career, which is still a National League record. CANNOTANSWER

Why did Willie McCovey return to san francisco?