Background: Kazushi Sakuraba (Ying Ting  He Zhi , Sakuraba Kazushi, born July 14, 1969) is a Japanese mixed martial artist and professional wrestler, currently signed to Rizin Fighting Federation. He has competed in traditional puroresu for New Japan Pro Wrestling and shoot-style competition for UWFi and Kingdom Pro Wrestling. He has fought in MMA competition in the Ultimate Fighting Championship, Pride Fighting Championships, Hero's and Dream.
Context: In an attempt to gain attention for the embattled Kingdom Pro Wrestling league, Hiromitsu Kanehara and Yoji Anjoh signed on to compete in the Ultimate Fighting Championship's Ultimate Japan tournament. Kanehara was injured in his training for the tournament, and Sakuraba wound up as his late-hour substitute. The tournament was intended for heavyweights, but Sakuraba who weighed 183 pounds (middleweight by modern standards), was nearly twenty pounds beneath the UFC's 200 pound designation for the weight class. Having reporting himself as 203 pounds (Light heavyweight by modern standards) in order to gain entry, Sakuraba was paired off against the 240 pound Brazilian jiu-jitsu blackbelt and former Extreme Fighting champion, Marcus Silveira. The match saw the two grapplers exchanging leglocks without any decisive movement. Following a barrage of light blows by Silveira Sakuraba dropped for a low single leg takedown, but referee John McCarthy stopped the fight before Sakuraba could complete it, believing he had been knocked out by the punches. A loud protest followed from the crowd and an angry Sakuraba attempted unsuccessfully to take the microphone and address the Japanese audience. However, after reviewing tape, McCarthy changed his decision to a no-contest. As Tank Abbott, who had earlier defeated Anjoh, had dropped from the tournament due to an injured hand, it was ruled that Sakuraba and Silveira faced off once more that night in what would be the championship bout of the tournament. Silveira opened their second match taking Sakuraba's back, which the Japanese wrestler answered by attempting to apply a Kimura lock. After freeing his arm, Silveira capitalized on another Kimura attempt by Saku to try to twist it into an armbar from his guard, only for the Japanese to escape to his knees. Silveira then tried his own Kimura, but at that moment Sakuraba reversed it in the same way and locked the armbar, making the Brazilian submit. Afterwards, Sakuraba famously stated, "In fact, professional wrestling is strong". With the victory Sakuraba remains one of the last UFC tournament champions to date. With Nobuhiko Takada having left Kingdom to challenge Rickson Gracie in an event called Pride Fighting Championships, the still struggling promotion capitalized on Sakuraba's newly found popularity establishing him as Kingdom's top talent. He embarked on a winning streak against several foreign mixed martial arts competitors including Paul Herrera, Rene Rooze, Mark Hall and Orlando Weit. However, Kingdom continued to flounder and finally folded in March 1998. CANNOTANSWER
Question: What happen with the fight. Whats the answer?


Bernard Joseph Francis Lonergan  (17 December 1904 - 26 November 1984) was a Canadian Jesuit priest, philosopher, and theologian, regarded by many as one of the most important thinkers of the 20th century. Lonergan's works include Insight: A Study of Human Understanding (1957) and Method in Theology (1972), as well as two studies of Thomas Aquinas, several theological textbooks, and numerous essays, including two posthumously published essays on macroeconomics. A projected 25-volume Collected Works is underway with the University of Toronto Press. He held appointments at the Pontifical Gregorian University, Regis College, Toronto, as Distinguished Visiting Professor at Boston College, and as Stillman Professor of Divinity at Harvard University.

While at the Gregorian University, Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964). It has recently appeared in the Collected Works together with an interleaf English translation under the title The Triune God: Doctrines (2009) and The Triune God: Systematics (2007). In The Triune God: Doctrines, Lonergan begins with an examination of the dialectical process by which the dogma of the Trinity developed in the first four centuries. This section was previously published in English as The Way to Nicea. The second section of the work advances dogmatic theses on (1) the consubstantiality of the Son with the Father, (2) the divinity of the Holy Spirit, (3) the distinction of the divine persons by relations of origin, and (4) the procession of the Holy Spirit from the Father and the Son (the Filioque). The fifth and final thesis is that the Trinity is a theological mystery in the strict sense and can only be understood analogically. A concluding scholion presents New Testament evidence in favor of the "psychological" analogy of the Trinity. In The Triune God: Systematics, Lonergan develops the theory of intelligible (or spiritual) emanations in God as propounded by Thomas Aquinas. The volume begins with a discussion of the method of systematic theology which seeks an imperfect but highly fruitful understanding of the mysteries of faith by means of analogies. The following chapters develop an analogical conception of the divine processions (as intelligible emanations), relations, persons, and the two missions of the Word and Spirit. CANNOTANSWER

Answer the following question by taking a quote from the article: Did he believe in a certain theory?


Background: The Master is a recurring character in the British science fiction television series Doctor Who and its associated spin-off works. The character is a renegade alien Time Lord and the archenemy of the title character the Doctor. The Master has been played by multiple actors since the character's introduction in 1971.
Context: The Master appeared as a main character of the 1996 Doctor Who television movie, played by American actor Eric Roberts. In the prologue, the Master (portrayed briefly by Gordon Tipple) is executed by the Daleks as a punishment for his "evil crimes". But before his apparent death, the Master requests his remains to be brought back to Gallifrey by the Seventh Doctor. However, as posited in the novelisation of the television movie by Gary Russell, the Master's self-alterations to extend his lifespan allow him to survive his execution by transferring his mind into a snake-like entity called a "morphant". This interpretation is made explicit in the first of the Eighth Doctor Adventures novels, The Eight Doctors by Terrance Dicks, and also used in the Doctor Who Magazine comic strip story The Fallen, which states that the morphant was a shape-shifting animal native to Skaro. Using his morphant body to break free from the container holding his remains, the Master sabotages the TARDIS console to force the vessel to crash land in San Francisco at the start of Earth's new millennium. From there, the Master has the morphant enter the body of a paramedic named Bruce to take control of him. However, the Master finds his human host to be unsustainable as the body slowly begins to degenerate, although the Master has the added abilities to spit an acid-like bile, both as a weapon and to mentally control victims as an alternative to his usual hypnotic abilities. The Master attempts to access the Eye of Harmony to steal the remaining regenerations of the Eighth Doctor (Paul McGann), but instead is sucked into it and supposedly killed. CANNOTANSWER
Question: Why is the Master executed?

Answer:


Dennis Keith Rodman (born May 13, 1961) is an American retired professional basketball player, who played for the Detroit Pistons, San Antonio Spurs, Chicago Bulls, Los Angeles Lakers, and Dallas Mavericks in the National Basketball Association (NBA). He was nicknamed "The Worm" and was known for his fierce defensive and rebounding abilities. Rodman played at the small forward position in his early years before becoming a power forward. He earned NBA All-Defensive First Team honors seven times and won the NBA Defensive Player of the Year Award twice.

After his NBA career, Rodman took a long break from basketball and concentrated on his film career and on wrestling. After a longer hiatus, Rodman returned to play basketball for the Long Beach Jam of the newly formed American Basketball Association during the 2003-04 season, with hopes of being called up to the NBA midseason. While he did not get that wish that season, he did help the Jam win the ABA championship in their inaugural season. He also played in Mexico, with Fuerza Regia in 2004. In the following 2004-05 season, he signed with the ABA's Orange County Crush and the following season with the league's Tijuana Dragons. In November 2005, he played one match for Torpan Pojat of the Finland's basketball league, Korisliiga. The return to the NBA never materialized, but on January 26, 2006, it was announced that Rodman had signed a one-game "experiment" deal for the UK basketball team Brighton Bears of the British Basketball League to play Guildford Heat on January 28, and went on to play three games for the Bears. In spring 2006, he played two exhibition games in the Philippines along with NBA ex-stars Darryl Dawkins, Kevin Willis, Calvin Murphy, Otis Birdsong and Alex English. On April 27, they defeated a team of former Philippine Basketball Association stars in Mandaue City, Cebu and Rodman scored five points and grabbed 18 rebounds. On May 1, 2006, Rodman's team played their second game and lost to the Philippine national basketball team 110-102 at the Araneta Coliseum, where he scored three points and recorded 16 rebounds. On April 4, 2011, it was announced that Rodman would be inducted into the Naismith Memorial Basketball Hall of Fame. CANNOTANSWER

Answer the following question by taking a quote from the article: did they win


Porgy and Bess is an English-language opera by the American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel of the same name. Porgy and Bess was first performed in Boston on September 30, 1935, before it moved to Broadway in New York City. It featured a cast of classically trained African-American singers--a daring artistic choice at the time.

Blevins Davis and Robert Breen produced a revival in 1952 which restored much of the music cut in the Crawford version, including many of the recitatives. It divided the opera into two acts, with the intermission occurring after Crown forces Bess to stay on Kittiwah Island. This version restored the work to a more operatic form, though not all of the recitatives were retained. In this version, Porgy and Bess was warmly received throughout Europe. The London premiere took place on October 9, 1952 at the Stoll Theatre, where the opera continued until February 10, 1953. This production's original cast featured Americans Leontyne Price as Bess, William Warfield as Porgy, and Cab Calloway as Sportin' Life, a role that Gershwin had composed with him in mind. The role of Clara was played by a young Maya Angelou. Price and Warfield met and wed while on the tour. The role of Porgy was the first for Warfield after his appearance as Joe, singing "Ol' Man River" in the popular 1951 MGM film of Show Boat. After a tour of Europe financed by the United States Department of State, the production came to Broadway's Ziegfeld Theatre in March 1953. It later toured North America. After completing its North American run in Montreal, the company embarked on an international tour, with LeVern Hutcherson as Porgy and Gloria Davy as Bess. The production first performed in Venice, Paris, and London, and in other cities in Belgium, Germany, Greece, Italy, Switzerland, and Yugoslavia. The company also made a stop at the Cairo Opera House in Egypt in January 1955. In 1955-1956 the company toured in cities in the Middle East, Africa, Russia, and Latin America. During this tour, Porgy and Bess was presented for the first time at La Scala in Milan in February 1955. A historic yet tense premiere took place in Moscow in December 1955; it was during the Cold War and the first time an American theater group had been to the Soviet capital since the Bolshevik Revolution. Author Truman Capote traveled with the cast and crew, and wrote an account included in his book The Muses Are Heard. CANNOTANSWER

was it a hit?


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"Layla" is a song written by Eric Clapton and Jim Gordon, originally released by their blues rock band Derek and the Dominos, as the thirteenth track from their album Layla and Other Assorted Love Songs (November 1970). Its famously contrasting movements were composed separately by Clapton and Gordon. The song was inspired by a love story that originated in 7th-century Arabia and later formed the basis of The Story of Layla and Majnun by the 12th-century Persian poet Nizami Ganjavi, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, because it was the tale of a young man who fell hopelessly in love with a beautiful, young girl and went crazy and so could not marry her.

The album Layla and Other Assorted Love Songs opened to lacklustre sales as the album never actually reached the music charts in the United Kingdom, possibly in part because Clapton's name was found only on the back cover. In addition, the song's length proved prohibitive for radio airplay. As a result, an edited version of the song, trimmed to 2:43, was released as a single in March 1971 by Atco Records in the United States. The version peaked at #51 on the Billboard Hot 100 singles chart. When "Layla" was re-released on the 1972 compilations The History of Eric Clapton and Duane Allman's An Anthology and then released the full 7:10 version as a single, it charted at number seven in the United Kingdom and reached number 10 in the United States. With good sales figures, the Billboard magazine was able to rank the Rock single as the 60th best-selling song in 1972. In 1982, "Layla" was re-released as a single in the United Kingdom, and peaked at number four. This time the whole seven-minute single charted, containing the trailing two-thirds which is instrumental only. Critical opinion since has been overwhelmingly positive. Dave Marsh, in The Rolling Stone Illustrated History of Rock and Roll, wrote that "there are few moments in the repertoire of recorded rock where a singer or writer has reached so deeply into himself that the effect of hearing them is akin to witnessing a murder or a suicide... to me 'Layla' is the greatest of them." Marsh listed "Layla" at number 156 in his The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. In May 1980, "Layla" was covered by the London Symphony Orchestra, but without the lyrics, being recorded at EMI Studio One, Abbey Road, London. A similar version has been performed by the Royal Philharmonic Orchestra. On 20 September 1983, a benefit show called the ARMS Charity Concert for Multiple Sclerosis at the Royal Albert Hall in London featured a jam with Eric Clapton, Jeff Beck, and Jimmy Page performing "Layla". Clapton, Beck, and Page were the Yardbirds' successive lead guitarists from 1963 to 1968. In 2003, the Allman Brothers Band began playing the song in concert. Warren Haynes sang the vocal, Gregg Allman played the piano part, and Derek Trucks played Duane Allman's guitar parts during the coda. The performances were seen as a tribute not only to Allman, but also to producer Tom Dowd, who had died the previous year. Eric Clapton recorded yet a third version. "Layla" appears as track seven on Play the Blues: Live from Jazz at Lincoln Center. Personnel on this version include Wynton Marsalis (vocals, trumpet), Eric Clapton (vocals, guitar), Victor Goines (clarinet), Marcus Printup (trumpet), Chris Crenshaw (trombone, vocals), Don Vappie (banjo), Chris Stainton (keyboards), Dan Nimmer (piano), Carlos Henriquez (bass), and Ali Jackson (drums). CANNOTANSWER


During the filming of the second season, the band became tired of scripts which they deemed monotonous and stale. They had already succeeded in eliminating the laugh track (a then-standard on American sitcoms), with the bulk of Season 2 episodes airing minus the canned chuckles. They proposed switching the format of the series to become more like a variety show, with musical guests and live performances. This desire was partially fulfilled within some second-season episodes, with guest stars like musicians Frank Zappa, Tim Buckley and Charlie Smalls (composer of The Wiz) performing on the show. However, NBC was not interested in eliminating the existing format, and the group (except for Peter) had little desire to continue for a third season. Tork said in DVD commentary that everyone had developed such difficult personalities that the big-name stars invited as guests on the show would invariably leave the experience "hating everybody". Screen Gems and NBC went ahead with the existing format anyway, commissioning Monkees writers Gerald Gardner and Dee Caruso to create a straight-comedy, no-music half-hour in the Monkees mold; a pilot episode was filmed with the then-popular nightclub act the Pickle Brothers. The pilot had the same energy and pace of The Monkees, but never became a series. In June 1968, Music Supervisor Lester Sill chose to release the two non-album tracks "D.W. Washburn" b/w "It's Nice To Be With You" as the Monkees' next single. The Leiber/Stoller-penned A-side would break into the Top 20, peaking at No. 19 on the charts. CANNOTANSWER

Answer this question "Why did they get rid of the laugh tracks?" by extracting the answer from the text above.


Georg Brandes (4 February 1842 - 19 February 1927), born Morris Cohen, was a Danish critic and scholar who greatly influenced Scandinavian and European literature from the 1870s through the turn of the 20th century. He is seen as the theorist behind the "Modern Breakthrough" of Scandinavian culture. At the age of 30, Brandes formulated the principles of a new realism and naturalism, condemning hyper-aesthetic writing and also fantasy in literature. His literary goals were shared by some other authors, among them the Norwegian "realist" playwright Henrik Ibsen.

Brandes now took his place as the leading northern European critic, applying to local conditions and habits of thought the methods of Taine. He became Docent or reader in Aesthetics at the University of Copenhagen, where his lectures were a great success and gathered huge audiences. His famous opening lecture on 3 November 1871, Hovedstromninger i det 19de Aarhundredes Litteratur (English: Main Currents in the Literature of the Nineteenth Century), signalled the beginning of his lifelong struggle to modernize Danish literature. After the professorship of aesthetics became vacant in 1872, it was taken as a matter of course that Brandes would fill it. But the young critic had offended many sensibilities by his ardent advocacy of modern ideas; he was seen as a Jew (which he did not consider himself to be), his convictions were Radical, he was suspected of being an atheist. The authorities refused to appoint him, but his fitness for the post was so obvious that the chair of Aesthetics remained vacant for years, since no one else daring to place himself in comparison with Brandes. In the middle of these polemics, Brandes began to issue volumes of the most ambitious of his works, Main Currents in the Literature of the Nineteenth Century, of which four volumes appeared between 1872 and 1875 (English translation, 1901-1905). The brilliant novelty of this criticism of the literature of major European countries at the beginning of the 19th century, and his description of the general revolt against the pseudo-classicism of the 18th century, at once attracted attention outside Denmark. The tumult which gathered round the person of the critic increased the success of the work, and the reputation of Brandes grew apace, especially in Germany and Russia. In 1877 Brandes left Copenhagen and settled in Berlin, taking a considerable part in the aesthetic life of that city. His political views, however, made Prussia uncomfortable with him, and he returned in 1883 to Copenhagen, where he found a whole new school of writers and thinkers eager to receive him as their leader. He headed the group "Det moderne Gjennembruds Maend" (The Men of the Modern Breakthrough), composed of J.P. Jacobsen, Holger Drachmann, Edvard Brandes, Erik Skram, Sophus Schandorph, and Norwegians Henrik Ibsen and Bjornstjerne Bjornson, but a conservative reaction against his "realistic" doctrines began around 1883, headed by Holger Drachmann. CANNOTANSWER

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Born Mario Brown, he is the son of gospel recording artist Vickie Winans (nee Bowman) and her first husband, Bishop Ronald Brown. He is also the stepson of his mother's second husband, gospel singer, Pastor Marvin Winans whom she married in 1978. Marvin and Vickie Winans had twos sons, Josiah Winans, and Marvin Winans Jr. Vickie and Marvin Winans divorced in 1995 and she has since remarried.

In the mid-1990s, Mario was signed to a production deal with Dallas Austin's Rowdy Records thru producers Tim & Bob. He lived with the duo at their house studio until his breakthrough came as a Christian songwriter, musician and co-producer on R. Kelly's "I Can't Sleep Baby" and "You Remind Me of Something" (plus three more songs) from the R. Kelly album in 1995. He also worked with Pebbles and 98 Degrees. Winans eventually released his debut album Story of My Heart on Motown in 1997. While the song "Don't Know" reached the US R&B top 50, the album failed to chart. Soon after, Winans teamed up with Sean Combs, then known as Puff Daddy and his Bad Boy roster, playing drums on "Come with Me" by Puff Daddy and Jimmy Page, based on the classic Led Zeppelin song "Kashmir" from their 1975 album Physical Graffiti, and featured on the soundtrack to the 1998 remake of Godzilla. Over the next several years Winans produced songs for Bad Boy artists including Diddy, The Notorious B.I.G., Lil' Kim, Faith Evans, Loon, Black Rob, and 112. He has also worked with notable artists outside Bad Boy including Destiny's Child, Mary J. Blige, Whitney Houston, Jennifer Lopez, Ice Cube, Tamia, Eminem and Brian McKnight. Winans co-wrote the two-part song "I Need a Girl" with P. Diddy and appeared on "Pt. 2" along with Loon, Ginuwine, and Diddy, which became a hit recording in 2002. He also produced the Bad Boy remix compilation We Invented the Remix in 2002. CANNOTANSWER

What was the theme of the songs on the album?


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Saint Thomas Aquinas  (; Italian: Tommaso d'Aquino, lit. 'Thomas of Aquino'; 1225 - 7 March 1274) was an Italian Dominican friar, Catholic priest, and Doctor of the Church. He was an immensely influential philosopher, theologian, and jurist in the tradition of scholasticism, within which he is also known as the Doctor Angelicus and the Doctor Communis.

In 1245 Thomas was sent to study at the Faculty of the Arts at the University of Paris, where he most likely met Dominican scholar Albertus Magnus, then the holder of the Chair of Theology at the College of St. James in Paris. When Albertus was sent by his superiors to teach at the new studium generale at Cologne in 1248, Thomas followed him, declining Pope Innocent IV's offer to appoint him abbot of Monte Cassino as a Dominican. Albertus then appointed the reluctant Thomas magister studentium. Because Thomas was quiet and didn't speak much, some of his fellow students thought he was slow. But Albertus prophetically exclaimed: "You call him the dumb ox, but in his teaching he will one day produce such a bellowing that it will be heard throughout the world." Thomas taught in Cologne as an apprentice professor (baccalaureus biblicus), instructing students on the books of the Old Testament and writing Expositio super Isaiam ad litteram (Literal Commentary on Isaiah), Postilla super Ieremiam (Commentary on Jeremiah) and Postilla super Threnos (Commentary on Lamentations). Then in 1252 he returned to Paris to study for the master's degree in theology. He lectured on the Bible as an apprentice professor, and upon becoming a baccalaureus Sententiarum (bachelor of the Sentences) devoted his final three years of study to commenting on Peter Lombard's Sentences. In the first of his four theological syntheses, Thomas composed a massive commentary on the Sentences titled Scriptum super libros Sententiarium (Commentary on the Sentences). Aside from his masters writings, he wrote De ente et essentia (On Being and Essence) for his fellow Dominicans in Paris. In the spring of 1256 Thomas was appointed regent master in theology at Paris and one of his first works upon assuming this office was Contra impugnantes Dei cultum et religionem (Against Those Who Assail the Worship of God and Religion), defending the mendicant orders, which had come under attack by William of Saint-Amour. During his tenure from 1256 to 1259, Thomas wrote numerous works, including: Questiones disputatae de veritate (Disputed Questions on Truth), a collection of twenty-nine disputed questions on aspects of faith and the human condition prepared for the public university debates he presided over on Lent and Advent; Quaestiones quodlibetales (Quodlibetal Questions), a collection of his responses to questions posed to him by the academic audience; and both Expositio super librum Boethii De trinitate (Commentary on Boethius's De trinitate) and Expositio super librum Boethii De hebdomadibus (Commentary on Boethius's De hebdomadibus), commentaries on the works of 6th-century Roman philosopher Boethius. By the end of his regency, Thomas was working on one of his most famous works, Summa contra Gentiles. CANNOTANSWER

What did he write?


Background: Welch was born in Los Angeles, California, into a show business family. Welch's father was movie producer and screenwriter Robert L. Welch, who worked at Paramount Pictures in the 1940s and 1950s, producing films starring Paramount's top box office stars, Bob Hope and Bing Crosby (solo, not as a duo). He also worked as a TV producer, responsible for the 25th Annual Academy Awards TV special in 1953 and The Thin Man TV series in 1958-59. Bob's mother, Templeton Fox, had been a singer and actress who worked with Orson Welles' Mercury Theatre in Chicago, Illinois and appeared on TV and in movies from 1962 to 1979.
Context: The band did well in the studio, but their tours were more problematic. Kirwan developed an alcohol dependency and became alienated from Welch and the McVies. Welch held contradictory attitudes towards Kirwan in the 18 months they were bandmates in Fleetwood Mac: On the one hand, their personal relationship was difficult as Welch felt that Kirwan was playing mind games with the band; and on the other hand, Welch had enormous respect for Kirwan's musicianship. In 1999, Welch stated: "He was a talented, gifted musician, almost equal to Peter Green in his beautiful guitar playing and faultless string bends." In a later interview, Welch said: "Danny wasn't a very lighthearted person, to say the least. He probably shouldn't have been drinking as much as he did, even at his young age. He was always very intense about his work, as I was, but he didn't seem to ever be able to distance himself from it... and laugh about it. Danny was the definition of 'deadly serious'." The end for Kirwan came in August 1972, during an American tour, when he stormed off stage in a violent rage after arguing with Welch. Before a concert on that year's US tour, Kirwan and Welch fought over tuning and Kirwan flew into a rage, smashing his guitar and refusing to go onstage. He reportedly smashed his head bloody on a wall in back of the stage, then moved into the sound booth to watch the show, where the band struggled without him as Welch tried to cover his guitar parts. After the fiasco of a show, he criticized the band. Fleetwood subsequently fired Kirwan, partly on the recommendation of Welch. The artistic direction of Fleetwood Mac essentially was left in the hands of Welch and Christine McVie. CANNOTANSWER
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Beckham was born at the Princess Alexandra Hospital in Harlow, Essex, United Kingdom, and raised in Goffs Oak, Hertfordshire. She is the eldest of three children of Jacqueline Doreen (nee Cannon), a former insurance clerk and hairdresser, and Anthony William Adams, who worked as an electronics engineer. They founded an electronics wholesale business which allowed a comfortable upbringing for Victoria, her sister, Louise, and her brother, Christian Adams. Beckham's great-great-great-grandfather was German artist and revolutionary Carl Heinrich Pfander.

In 2007, it was reported that Beckham was the 52nd richest woman in Britain and the 19th richest person in Britain with husband David, with an estimated joint wealth of PS112 million ($225 million). According to The Guardian, Beckham Ventures, a company linked to the Victoria Beckham fashion business, was the best performing brand in the family's three businesses in 2012, coming close to matching turnover in a sister company that promotes the David Beckham brand. In 2010, Beckhams's charity work with Save the Children earned her a nomination for the Do Something With Style Award, an awards show, produced by VH1. She is a patron of the Elton John AIDS Foundation. Beckham promotes faux/synthetic furs. Her stand against the fur industry generated praise from animal rights organisations, including PETA. Beckham has stated that she is "supportive of its [PETA's] high-profile anti-fur campaigns," and pledged "never to work with fur in any of her own fashion collections". In February 2013, she was assessed as one of the 100 most powerful women in the UK in the fashion category by Woman's Hour on BBC Radio 4. In 2014, Beckham joined the Ban Bossy campaign as a spokesperson advocating leadership roles for girls. Beckham was appointed Officer of the Order of the British Empire (OBE) in the 2017 New Year Honours for services to the fashion industry. She stated she "delighted and humbled for the recognition," which her husband also received in 2003. However, as recipients of honours are sworn to secrecy, and Beckham had announced her honour before the 2017 New Year Honours' official publication, she was criticised for the "betrayal of etiquette" by the Conservative MP Peter Bone. CANNOTANSWER

Using a quote from the above article, answer the following question: How much was she worth?


Katherine Murray Millett (September 14, 1934 - September 6, 2017) was an American feminist writer, educator, artist, and activist. She attended Oxford University and was the first American woman to be awarded a degree with first-class honors after studying at St Hilda's College, Oxford. She has been described as "a seminal influence on second-wave feminism", and is best known for her book Sexual Politics (1970), which was based on her doctoral dissertation at Columbia University. Journalist Liza Featherstone attributes previously unimaginable "legal abortion, greater professional equality between the sexes, and a sexual freedom" being made possible partially due to Millett's efforts.

Sexual Politics originated as Millett's PhD dissertation and was published in 1970, the same year that she was awarded her doctorate from Columbia University. The bestselling book, a critique of patriarchy in Western society and literature, addressed the sexism and heterosexism of the modern novelists D. H. Lawrence, Henry Miller, and Norman Mailer and contrasted their perspectives with the dissenting viewpoint of the homosexual author Jean Genet. Millett questioned the origins of patriarchy, argued that sex-based oppression was both political and cultural, and posited that undoing the traditional family was the key to true sexual revolution. In its first year on the market, the book sold 80,000 copies and went through seven printings and is considered to be the movement's manifesto. As a symbol of the women's liberation movement, Millett was featured in a Time magazine cover story, "The Politics of Sex", which called Sexual Politics a "remarkable book" that provided a coherent theory about the feminist movement. Alice Neel created the depiction of Millett for the August 31, 1970 cover. According to biographer Peter Manso, The Prisoner of Sex was written by Norman Mailer in response to Millett's Sexual Politics. "The Prisoner of Sex is structured as a contest. His rhetoric against her prose, his charm against her earnestness, his polemic rage against her vitriolic charges. The aim is to convert the larger audience, the stronger presence as the sustaining truth. The Prisoner of Sex combines self parody and satire...", said Andrew Wilson, author of Norman Mailer: An American Aesthetic. CANNOTANSWER

Did she ever do any tv interviews?


After the war and college, Price rethought his decision to continue schooling to be a veterinarian. For one thing he was considered too small to work with large cattle and horses, the backbone of a Texas veterinarian's practice. While helping around his father's ranch he also began singing at various functions around the Abilene, Texas area. This eventually led him to begin singing on the radio program Hillbilly Circus broadcast on Abilene's KRBC in 1948. He joined the Big D Jamboree on Dallas radio station KRLD-AM in 1949, and when the show was picked up for broadcast on the CBS radio network soon afterward Price had his first taste of national exposure. It was around this time Ray Price became friends with Lefty Frizzell. The two first met at Beck Recording Studio in Dallas, and Price ended up writing the song "Give Me More, More, More Of Your Kisses" for Frizzell's use. A few demos recorded by Price at Beck's caught the attention of Bullet Records in Nashville, Tennessee and he was signed to his first recording contract. However, his first single released on Bullet, "Jealous Lies" failed to become a chart hit. He relocated to Nashville in the early 1950s, rooming for a brief time with Hank Williams. When Williams died, Price managed his band, the Drifting Cowboys, and had minor success. He was the first artist to have a success with the song "Release Me" (1954), a top five popular music hit for Engelbert Humperdinck in 1967. In 1953, Price formed his band, the Cherokee Cowboys. Among its members during the late 1950s and early 1960s were; Roger Miller, Willie Nelson, Darrell McCall, Van Howard, Johnny Paycheck, Johnny Bush, Buddy Emmons, Pete Wade, Jan Kurtis, Shorty Lavender and Buddy Spicher. Miller wrote one of Ray Price's classics in 1958, "Invitation to the Blues", and sang harmony on the recording. Additionally, Nelson composed the Ray Price song "Night Life". Price became one of the stalwarts of 1950s honky tonk music, with hit songs such as "Talk To Your Heart" (1952) and "Release Me". He later developed the famous "Ray Price Shuffle," a 4/4 arrangement of honky tonk music with a walking bassline, which can be heard on "Crazy Arms" (1956) and many of his other recordings from the late 1950s. CANNOTANSWER

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Background: Charles Augustus Lindbergh (February 4, 1902 - August 26, 1974), nicknamed Lucky Lindy, The Lone Eagle, and Slim was an American aviator, military officer, author, inventor, explorer, and environmental activist. At age 25 in 1927, he went from obscurity as a U.S. Air Mail pilot to instantaneous world fame by winning the Orteig Prize: making a nonstop flight from Roosevelt Field, Long Island, New York, to Paris, France. He covered the  33 1/2-hour, 3,600 statute miles (5,800 km) alone in a single-engine purpose-built Ryan monoplane, Spirit of St. Louis. This was the first solo transatlantic flight and the first non-stop flight between North America and mainland Europe.
Context: In the early morning of Friday, May 20, 1927, Lindbergh took off from Roosevelt Field across the Atlantic Ocean for Paris, France. His monoplane was loaded with 450 U.S. gallons (1,704 liters) of fuel that was strained repeatedly to avoid fuel line blockage. The aircraft weighed about 2,710 lb (1,230 kg), and takeoff was hampered by a muddy, rain-soaked runway. Lindbergh's monoplane was powered by a J-5C Wright Whirlwind radial engine and gained speed very slowly during its 7:52 a.m. takeoff, but cleared telephone lines at the far end of the field "by about twenty feet [six meters] with a fair reserve of flying speed". Over the next  33 1/2 hours, Lindbergh and the Spirit faced many challenges, which included skimming over storm clouds at 10,000 ft (3,000 m) and wave tops at as low as 10 ft (3.0 m). The aircraft fought icing, flew blind through fog for several hours, and Lindbergh navigated only by dead reckoning. (He was not proficient at navigating by the sun and stars and he rejected radio navigation gear as heavy and unreliable. He was fortunate that the winds over the Atlantic cancelled each other out, giving him zero wind drift - and thus accurate navigation during the long flight over featureless ocean.) He landed at Le Bourget Aerodrome at 10:22 p.m. on Saturday, May 21. The airfield was not marked on his map and Lindbergh knew only that it was some seven miles northeast of the city; he initially mistook it for some large industrial complex because of the bright lights spreading out in all directions--in fact the headlights of tens of thousands of spectators' cars caught in "the largest traffic jam in Paris history" in their attempt to be present for Lindbergh's landing. A crowd estimated at 150,000 stormed the field, dragged Lindbergh out of the cockpit, and literally carried him around above their heads for "nearly half an hour". Some damage was done to the Spirit (especially to the fine linen, silver-painted fabric covering on the fuselage) by souvenir hunters before pilot and plane reached the safety of a nearby hangar with the aid of French military fliers, soldiers, and police. Lindbergh's flight was certified by the National Aeronautic Association based on the readings from a sealed barograph placed in the Spirit. CANNOTANSWER
Question: What did he do after he landed?

Answer:


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RuPaul Andre Charles (born November 17, 1960) is an American drag queen, actor, model, singer, songwriter, television personality, and author. Since 2009, he has produced and hosted the reality competition series RuPaul's Drag Race, for which he received two Primetime Emmy Awards in 2016 and 2017. RuPaul is considered to be the most commercially successful drag queen in the United States. In 2017, he was included in the annual Time 100 list of the most influential people in the world.

In April 2011, coinciding with the finale of season 3 of RuPaul's Drag Race, RuPaul released his sixth studio album Glamazon, produced by Revolucian, who previously worked with RuPaul on his album Champion. The album charted on the Billboard Dance/Electronic Albums chart and the Billboard Top Heatseekers chart at number 11 and 8 respectively. In July 2011, RuPaul released another remix EP entitled SuperGlam DQ, which features remixes of tracks from Glamazon, remixes of the "Drag U Theme Song", and a new song, "Sexy Drag Queen". Starting in June 2011, the second season of RuPaul's Drag U aired. In late 2011, promotions for season 4 of Drag Race began. RuPaul made appearances on The Rosie Show and The Chew, and also attended a Drag Race NY Premiere party at Patricia Field's store in New York. Season 4 of RuPaul's Drag Race premiered on Logo on January 30, 2012, with RuPaul returning as the main host and judge. After season 4 ended, TV.com declared that it was the best reality TV show on television. In the fall of 2012, the spin-off RuPaul's Drag Race: All Stars premiered after a large fan demand. The show featured past contestants of the previous four seasons to compete. Season 5 of RuPaul's Drag Race premiered on January 28, 2013, with a 90-minute special and RuPaul returning as the main host and judge. On April 30, 2013, RuPaul released a single "Lick It Lollipop" featuring Lady Bunny, who RuPaul previously collaborated with on Champion. On October 25, 2013 RuPaul reported via Twitter that the new album would be released in January 2014. In fall of 2013, RuPaul joined forces with cosmetic manufacturers Colorevolution to launch his debut make-up line featuring ultra-rich pigment cosmetics and a beauty collection. Released alongside the line was a unisex perfume entitled "Glamazon". Talking to World of Wonder, RuPaul said: "Glamazon is for women and men of all ages and preferences who share one thing in common: They are not afraid to be fierce. For me, glamour should be accessible to all, and I am committed to helping the world look and smell more beautiful." The line was exclusively sold on the Colorevolution website in various gift sets. CANNOTANSWER


The Kentucky Headhunters is an American country rock and Southern rock band. They were founded in 1968 as Itchy Brother, which consisted of brothers Richard Young (rhythm guitar, vocals) and Fred Young (drums) along with Greg Martin (lead guitar, vocals) and Anthony Kenney (bass guitar, vocals). Itchy Brother performed together until 1982, with James Harrison replacing Martin from 1973 to 1976. The Young brothers and Martin began performing as The Kentucky Headhunters in 1986, adding brothers Ricky Lee Phelps (lead vocals, harmonica) and Doug Phelps (bass guitar, backing vocals) to the membership.

In 1991, the band released their second album, Electric Barnyard. Although the album earned a gold certification from the RIAA and a second CMA award for Vocal Group of the Year, its singles received little airplay compared to the band's previous releases, with none of the four singles reaching the top 40 on the U.S. country charts. The album's first single was a cover of "The Ballad of Davy Crockett," which was released on the 155th anniversary of Davy Crockett's death; the single shipped to radio with promotional coonskin caps. It spent eleven weeks on the charts and peaked at 49. "With Body and Soul" was the next single released, peaking at number 30 on the Canadian RPM country charts but reaching number 56 in the United States. The third and fourth singles were the original composition "It's Chitlin' Time" and a rendition of Waylon Jennings's "Only Daddy That'll Walk the Line," at numbers 63 and 60 respectively. Norman Greenbaum's 1969 single "Spirit in the Sky" was covered on this album as well. This album was met with mixed reception from critics. Alanna Nash of Entertainment Weekly gave it an A rating, saying that it "skillfully blends raw wit, the working-class energy of sweat-stained factory workers jamming between shifts, and musical styles as diverse as the corny Tennessee Ernie Ford and the creamy Eric Clapton." Allmusic critic Brian Mansfield, who gave it three-and-a-half stars, called the band a "top-notch Southern rock band with a sense of humor," and said that the covers on Electric Barnyard were highlights, while the originals were "adequate, offbeat filler." Randy Lewis of the Los Angeles Times called the band "ZZ Top lite" and said that most of the songs on the album had a "party-hearty sound." Later in 1991, The Kentucky Headhunters performed with Roy Rogers on the song "That's How the West Was Swung" from his Tribute album, and covered Canned Heat's "Let's Work Together" for the soundtrack to the film Harley Davidson and the Marlboro Man. In addition, Martin played lead guitar for Canadian synthpop band Men Without Hats on its 1991 album Sideways and filled in for Southern rock band Lynyrd Skynyrd guitarist Ed King on that band's 1992 tour, as King was injured at the time. Ricky Lee and Doug departed in June 1992 due to creative differences. According to Richard, Ricky Lee's tenure as lead vocalist was "a bad time" for the band given his opposition to Richard's opinions, although Richard was still surprised to hear of the brothers' departure, and said, "I tried everything I could to get them to stay." Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. CANNOTANSWERAnswer this question using a quote from the following article:

Did they go solo


White Lion was a Danish/American rock band that was formed in New York City in 1983 by Danish vocalist/guitarist Mike Tramp and American guitarist Vito Bratta. Mainly active in the 1980s and early 1990s, releasing their debut album Fight to Survive in 1985. The band achieved success with their No. 8 hit "Wait" and No. 3 hit "When the Children Cry" from their second album, the double platinum selling Pride. The band continued their success with their third album, Big Game which achieved Gold status and their fourth album Mane Attraction which included a supporting tour.

In August 1989, White Lion released their third album, Big Game, a musically eclectic follow-up to Pride that featured the single "Little Fighter" (which peaked at No. 52), in Memory of The Rainbow Warrior, a Greenpeace boat which was destroyed by the French. A cover of Golden Earring's "Radar Love" (which peaked at No. 59) was released as the second single and "Cry for Freedom" was released as the third single. "Going Home Tonight" was released as the album's final single. The album quickly went gold, with a peak of No. 19 on the album charts. The band's success continued with more constant touring. After two years of writing and recording, White Lion released their fourth album Mane Attraction in the spring of 1991. More of a "back to basics" album, centering on strong hooks and melodic hard rock, the album was received well by the fans. Tramp also changed his singing style on this disc, as he was no longer comfortable singing high. Unfortunately, the album failed to reach the top 20 like the last two albums, charting at No. 61 on The Billboard 200. It received little or no airplay due to the recent Grunge explosion. The album featured the singles "Love Don't Come Easy" which peaked at number 24 on The Mainstream Rock Charts, "Lights and Thunder" and a re-recorded version of the band's debut single "Broken Heart", all of which featured music videos. "Out with the Boys" was released as a rare promo single and "Farewell to You" featured a music video montage. The album also contained White Lion's only instrumental song, "Blue Monday", a tribute to Stevie Ray Vaughan, who had died while the band was writing for the album. "Till Death Do Us Part" has become popular in the Philippines, where most radio stations are playing that song. Greg D'Angelo and James LoMenzo left the band soon after the album's release, citing "musical differences," but White Lion carried on with bassist Tommy T-Bone Caradonna and drummer Jimmy DeGrasso (Megadeth, Alice Cooper, Suicidal Tendencies, Y&T, Fiona). CANNOTANSWERAnswer this question using a quote from the following article:

What was Big Game?


Yui (born March 26, 1987), stylized as YUI or yui, is a Japanese singer-songwriter, multi-instrumentalist, and actress. Born and raised in Fukuoka prefecture, she played live at various locations in her hometown before being noticed by Sony Music Japan when she was 17 years old, and released her debut single months later. Her singles, however, were only met with moderate success until the breakout "Good-bye Days", which charted for 44 weeks on Oricon and marked her as one of the Japanese music industry's rising stars. Since Yui's debut album, From Me to You, each of her soloist album releases has topped the charts, with at least one single reaching number one on the Oricon charts from 2007 until her second hiatus in 2012, including five straight from mid-2008 to late 2010.

Yui was born in Fukuoka, Japan. The Associated Press has reported that her full name is Yui Yoshioka. She grew up in a single-parent family, her father leaving her mother when she was three. Growing up, Yui asserted that she had always been close to music, as she would remember the beats from music she heard on the radio, and would be able to sing it. During elementary school, Yui thought she would like to become a singer. Self-described as shy and horrible at talking to others as a child, she would play outside by herself in mountains, rivers, by the sea and in rice paddies. During her third year in primary school, she was influenced by her mother to begin writing a journal of her feelings and tried to compose them into poems. By the time Yui attended high school, she began to write songs, thinking of that as being able to express herself little by little. While in high school, she worked part-time at a Chinese restaurant to help pay for tuition. Between music, school and work, however, she only had one or two hours of sleep, and believed she no longer had the time to realize her dreams of a music career. She subsequently became ill; however, it was at the hospital that she was overwhelmed with the desire to make music, and finally decided that school and music could not coexist. Soon after leaving the hospital, she got a chance to see her first live street performance. She expressed a desire to pursue a musical career to the band, Bianco Nero, at the end of the concert. The band advised Yui to join a private music school, juku. Despite the social norm of finishing school in Japan and discouragement from her teachers, Yui did not hesitate to drop out of high school and began to study guitar and songwriting at the music cram school "Voice" in her hometown of Fukuoka. Aspiring to become a professional, she took to street performing at Fukuoka's Tenjin Station. These street performances helped Yui to overcome her shyness. CANNOTANSWER

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Gerald Joseph Mulligan (April 6, 1927 - January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading jazz baritone saxophonists - playing the instrument with a light and airy tone in the era of cool jazz - he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments.

While arranging for Kenton, Mulligan began performing on off-nights at The Haig, a small jazz club on Wilshire Boulevard at Kenmore Street. During the Monday night jam sessions, a young trumpeter named Chet Baker began sitting in with Mulligan. Mulligan and Baker began recording together, although they were unsatisfied with the results. Around that time, vibraphonist Red Norvo's trio began headlining at The Haig, thus leaving no need to keep the grand piano that had been brought in for Erroll Garner's stay at the club. Faced with a dilemma of what to do for a rhythm section, Mulligan decided to build on earlier experiments and perform as a pianoless quartet with Baker on trumpet, Bob Whitlock on bass and Chico Hamilton on drums (later Mulligan himself would occasionally double on piano). These early live dates were recorded by Dick Bock on a portable reel-to-reel tape deck. Bock along with Roy Harte would soon after, start the Pacific Jazz label and release Mulligan's records. Mulligan's first recording sessions in Los Angeles were produced by Bock for Pacific Jazz. These three informal sessions took place in June, July, and August 1952 at the Hollywood Hills cottage of recording engineer Phil Turetsky. At these sessions, Mulligan, Chet Baker, and others recorded the material that was released as Pacific Jazz PJ LP-1 and later on PJ-8. Baker's melodic style fit well with Mulligan's, leading them to create improvised contrapuntal textures free from the rigid confines of a piano-enforced chordal structure. While novel at the time in sound and style, this ethos of contrapuntal group improvisation hearkened back to the formative days of jazz. Despite their very different backgrounds - Mulligan, a classically trained New Yorker, and Baker, from Oklahoma and a much more instinctive player - they had an almost psychic rapport and Mulligan later remarked that, "I had never experienced anything like that before and not really since." Their dates at the Haig became sell-outs and the recordings they made in the fall of 1952 became major sellers that led to significant acclaim for Mulligan and Baker. The recordings included singles such as "Motel" (1953) labelled as 'The Gerry Mulligan Quartet Featuring Chet Baker'. This fortuitous collaboration came to an abrupt end with Mulligan's arrest on narcotics charges in mid-1953 leading to six months at Sheriff's Honor Farm. Both Mulligan and Baker had, like many of their peers, become heroin addicts. However, while Mulligan was in prison, Baker transformed his lyrical trumpet style, gentle tenor voice and matinee-idol looks into independent stardom. Thus when upon his release Mulligan attempted to rehire Baker, the trumpeter declined the offer for financial reasons. They did briefly reunite at the 1955 Newport Jazz Festival and would occasionally get together for performances and recordings up through a 1974 performance at Carnegie Hall. But in later years their relationship became strained as Mulligan, with considerable effort, would manage to kick his habit, while Baker's addiction bedevilled him professionally and personally almost constantly until his death in 1988. CANNOTANSWER


Background: Bhindranwale was born in the village of Rode, in Moga District located in the region of Malwa. The grandson of Sardar Harnam Singh Uppal, His father, Joginder Singh Uppal was a farmer and a local Sikh leader and his mother was Nihal Kaur. Jarnail Singh was the seventh of seven brothers and one sister. He was brought up as a strict vegetarian.
Context: The law and order situation started to deteriorate. While the Akalis pressed on with their two-pronged strategy of negotiations and massive campaigns of civil disobedience directed at the Central Government, others were not so enamoured of nonviolence. Communists known as "Naxalites", armed Sikh groups - the "Babbar Khalsa" and "Dal Khalsa", and the police clashed, and sometimes worked hand in hand. A covert government group known as the Third Agency was also engaged in dividing and destabilising the Sikh movement through the use of undercover officers, paid informants and agents provocateurs. Bhindranwale himself always kept a revolver and wore a cartridge belt; he encouraged his followers to be armed. In July 1982, Longowal invited Jarnail Singh Bindranwale to take up residence at the Golden Temple compound. He called Bhindrawale "our stave to beat the government." Bhindranwale subsequently took shelter with a large group of his armed followers, in the Guru Nanak Niwas (Guest house), in the precincts of the Golden Temple. In late July 1983, finding an increasing number of his followers arrested day by day, Bhindranwale left his base in Chowk Mehta for the Golden Temple to start a campaign for their release there. Also from there, he joined his campaign to the Akali campaign for their political, economic, cultural, and religious demands. In the chaos of Punjab, Bhindranwale developed a reputation as a man of principle who could settle people's problems about land, property or any other matter without needless formality or delay. The judgement would be accepted by both parties and carried out. This added to his popularity. On 15 December 1983, Jarnail Singh and his entourage moved to the holy Akal Takhat over the objections of Giani Kirpal Singh, the head priest of the place. However, the facts reveal that Bhindranwale used his political connection with Gurcharan Singh Tohra, president of the Gurdwara committee and the man responsible for keeping the peace in the Golden Temple complex, to overrule the head priest. He fortified the temple with heavy machine-guns and sophisticated self-loading rifles were brought in. Mark Tully and Satish Jacob wrote, "All terrorists were known by name to the shopkeepers and the householders who live in the narrow alleys surrounding the Golden Temple... the Punjab police must have known who they were also, but they made no attempt to arrest them. By this time Bhindranwale and his men were above the law." However, Ranbhir Sandhu states that Bhindranwale presented himself, along with over 50 of his supporters, at the Deputy Commissioner's residence on the day he moved to the Darbar Sahib complex: therefore, his purpose in moving there was not hide from the law. Gurdev Singh, District Magistrate at Amritsar till shortly before the invasion is on record as having assured the Governor of the state that he could arrest anyone in Darbar Sahib at any time. CANNOTANSWER
Question: How long was Bindranwale at the temple?

Answer:


Arvydas Romas Sabonis (born December 19, 1964) is a Lithuanian retired professional basketball player and businessman. Recognized as one of the best European players of all time, he won the Euroscar six times, and the Mr. Europa Award twice. He played in a variety of leagues, and spent seven seasons in the National Basketball Association (NBA), in the United States. Playing the center position, Sabonis won a gold medal at the 1988 Summer Olympics, in South Korea, for the Soviet Union, and later earned bronze medals at the 1992 Olympic Games and 1996 Olympic Games, while representing Lithuania.

Sabonis is married to Ingrida Mikelionyte, the first Miss Lithuania, a fashion model, and a movie actress. They have a daughter named Ausrine, and three sons: Zygimantas, Tautvydas, and Domantas - the last two being born in the cities his father was playing, Valladolid and Portland. Once Sabonis left the NBA, the family moved to the Spanish coastal city of Malaga. Tautvydas played for the Unicaja Malaga junior team, and was a member of the Lithuania under-19 national team that won the 2011 FIBA Under-19 World Cup. He later played in Mallorca. The other two sons have also represented Lithuanian national teams, in FIBA youth tournaments of their age groups; in August 2011, Domantas was touted as Lithuania's top under-15 player. During the 2012 FIBA Europe Under-16 Championship, Domantas averaged 14.1 points and 14.4 rebounds per game. Domantas went on to play at Unicaja, but did not play under a professional contract; which enabled him to sign to play college basketball at Gonzaga, beginning in the 2014-15 season. After playing two seasons at Gonzaga, Domantas declared for the 2016 NBA draft, and was selected 11th overall by the Orlando Magic. He was immediately sent to the Oklahoma City Thunder, in a trade that involved three other players. Zygimantas chose not to follow Domantas to the U.S., and is currently a free agent, after spending his last season with Pozuelo. In September 2011, Sabonis suffered a heart attack, while playing basketball in Lithuania. Doctors said that the heart attack was not life-threatening. According to his son, Domantas, Arvydas is a huge fan of the Boston Celtics, his favorite basketball player is Larry Bird, and his favorite color is green. CANNOTANSWER

Does he have any hobbies?


The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.

In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings. Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards). The Monkees decided that they no longer needed Chip Douglas as a producer, and starting in November 1967, they largely produced their own sessions. Although credited to the whole band, the songs were mostly solo efforts. In a couple of cases, Boyce and Hart had returned from the first two albums to produce, but credit was given to the Monkees. It was also during this time that Michael Nesmith recorded his first solo album, The Wichita Train Whistle Sings, a big band jazz instrumental collection of interpretations of Nesmith's compositions, arranged by the jazz musician Shorty Rogers. Praised in The Los Angeles Times by the author of The Encyclopedia of Jazz, jazz critic Leonard Feather wrote "Verbally and musically, Mike Nesmith is one of the most articulate spokesmen for the new and literate breed of pop musicians who have spring from the loins of primitive rock. [The album] with its carriage trade of symphony, rock, country, western, and swing, and with jazz riding in the caboose, may well indicate where contemporary popular music will be situated in the early 1970s." Considered by some to be the Monkees' "White Album" period (for example, Sandoval mentions this in the liner notes of Rhino Handmade's 2010 Deluxe reissue of the album), each of the Monkees contributions reflected his own musical tastes, which resulted in an eclectic album. Micky sang the pop songs (e.g., "I'll Be Back Upon My Feet"), and performed a double-vocal with Mike on the Nesmith/Allison composed "Auntie's Municipal Court". Davy sang the ballads (e.g., "Daydream Believer" and "We Were Made for Each Other") and Nesmith contributed some experimental songs, like the progressive "Writing Wrongs", the unusual hit song "Tapioca Tundra", and the lo-fi 1920s sound of "Magnolia Simms". This last song is notable for added effects to make it sound like an old record (even including a "record skipping" simulation) made before the Beatles "Honey Pie", which used a similar effect. Propelled by the hit singles "Daydream Believer" and "Valleri", along with Nesmith's self-penned top 40 hit "Tapioca Tundra", The Birds, The Bees & The Monkees reached No. 3 on the Billboard charts shortly after it was released in April 1968. It was the first album released after NBC announced they were not renewing The Monkees for a third season. The album cover--a quaint collage of items looking like a display in a jumble shop or toy store--was chosen over the Monkees' objections. It was the last Monkees' album to be released in separate, dedicated mono and stereo mixes. During the 1986 reunion, it would return to the Billboard charts for 11 weeks. CANNOTANSWERAnswer this question using a quote from the following article:

what did critics think of the band?


Harold Adams Innis (; November 5, 1894 - November 8, 1952) was a Canadian professor of political economy at the University of Toronto and the author of seminal works on media, communication theory, and Canadian economic history. Despite his dense and difficult prose, Innis was one of Canada's most original thinkers. He helped develop the staples thesis, which holds that Canada's culture, political history, and economy have been decisively influenced by the exploitation and export of a series of "staples" such as fur, fishing, lumber, wheat, mined metals, and coal.

Aside from his work on The Cod Fisheries, Innis wrote extensively in the 1930s about other staple products such as minerals and wheat as well as Canada's immense economic problems in the Great Depression. During the summers of 1932 and 1933, he travelled to the West to see the effects of the Depression for himself. The next year, in an essay entitled, The Canadian Economy and the Depression, Innis outlined the plight of "a country susceptible to the slightest ground-swell of international disturbance", yet beset by regional differences that made it difficult to devise effective solutions. He described a Prairie economy dependent on the export of wheat, yet afflicted by severe drought, on the one hand, and the increased political power of Canada's growing cities, sheltered from direct reliance on the staples trade, on the other. The result was political conflict and a breakdown in federal-provincial relations. "We lack vital information on which to base prospective policies to meet this situation", Innis warned, because of "the weak position of the social sciences in Canada". Innis's reputation as a "public intellectual" was growing steadily and, in 1934, Premier Angus L. Macdonald invited him to serve on a Royal Commission to examine Nova Scotia's economic problems. The next year, he helped establish The Canadian Journal of Economics and Political Science. In 1936, he was appointed a full University of Toronto professor and a year later, became the head of the university's Department of Political Economy. Innis was appointed president of the Canadian Political Science Association in 1938. His inaugural address, entitled The Penetrative Powers of the Price System, must have baffled his listeners as he ranged over centuries of economic history jumping abruptly from one topic to the next linking monetary developments to patterns of trade and settlement. The address was an ambitious attempt to show the disruptive effects of new technologies culminating in the modern shift from an industrial system based on coal and iron to the newest sources of industrial power, electricity, oil and steel. Innis also tried to show the commercial effects of mass circulation newspapers, made possible by expanded newsprint production, and of the new medium of radio, which "threatens to circumvent the walls imposed by tariffs and to reach across boundaries frequently denied to other media of communication". Both media, Innis argued, stimulated the demand for consumer goods and both promoted nationalism. Innis was also a central participant in an international project that produced 25 scholarly volumes between 1936 and 1945. It was a series called The Relations of Canada and the United States overseen by James T. Shotwell, director of the Carnegie Endowment for International Peace. Innis edited and wrote prefaces for the volumes contributed by Canadian scholars. His own study of the cod fisheries also appeared as part of the series. His work with Shotwell enabled Innis to gain access to Carnegie money to further Canadian academic research. As John Watson points out, "the project offered one of the few sources of research funds in rather lean times". CANNOTANSWER

Using a quote from the above article, answer the following question: What did Innis do that was so important in the 1930s?


The Prodigy are an English electronic dance music group from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The first line-up of the band also included Maxim (MC and vocalist), Keith Flint (dancer and vocalist), Leeroy Thornhill (dancer and live keyboardist), and female dancer and vocalist Sharky. Along with the Chemical Brothers, Fatboy Slim, and other acts, the Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s. The Prodigy first emerged in the underground rave scene in the early 1990s and have since achieved popularity and worldwide recognition.

In 1993, Howlett released an anonymous white label, bearing only the title "Earthbound I". Its hypnotic, hard-edged sound won wide underground approval. It was officially released as "One Love" later that year, and went on to chart at number 8 in the UK. The following year, the Prodigy's second album, Music for the Jilted Generation, debuted in the UK Albums Chart at number one, and jettisoned into positive reactions from album critics. Adding elements of big beat and electro-industrial to the mix, the album expressed a wider spectrum of musical styles, with heavy breakbeat-based tracks complemented by the concept sequence The Narcotic Suite and a rock-oriented inclination, "Their Law", featuring Pop Will Eat Itself. The album was later described as a "complex, powerful record that propelled dance music into stadiums with rock'n'roll swagger". The album was nominated for a Mercury Music Prize, although Howlett had reaffirmed his dedication to making the Prodigy a 'hard dance band', commercially successful but without compromise. The band managed to continue to prevent over-exposure in the media by refusing to appear on Top of the Pops or other television shows in the UK. To date, their only studio appearance on British television came when they appeared on the BBC2 series Dance Energy in 1991, performing "Everybody in the Place". In the ensuing years, their videos received a strong level of support by MTV Europe, which boosted their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995. Following the international success of Music for the Jilted Generation, the band augmented their line-up with guitarist Jim Davies (a live band member who later joined the group Pitchshifter) in 1995 for tracks such as "Their Law", "Break and Enter 95", and various live-only interludes and versions. He was soon to be replaced by Gizz Butt of the band Janus Stark, who remained with the band for the next three years. CANNOTANSWERAnswer this question using a quote from the following article:

did they make any other albums?


Jeanine Ferris Pirro (born June 2, 1951) is an American TV personality, former judge, prosecutor, and Republican politician in New York. Pirro is currently the host of Fox News Channel's Justice with Judge Jeanine. She was the first female judge elected to the Westchester County Court prior to her election as the first female District Attorney of Westchester County. As District Attorney, Pirro gained considerable visibility in cases of domestic abuse and crimes against the elderly.

In 1975, Carl Vergari appointed Pirro to the position of Assistant District Attorney of Westchester County, where she began her career by writing appeals and handling minor cases. In 1977, Pirro approached Vergari and requested that he apply for a federal grant for local district attorney's offices to establish bureaus that specialized in domestic violence. She hoped that Vergari would take advantage of potential funding as well as a 1977 change in New York law that moved many domestic violence cases from family court to criminal court. Vergari agreed to apply, and his office became one of four in the nation to win the grant. In 1978, he appointed Pirro to be the first chief of the new Domestic Violence and Child Abuse Bureau. Pirro was known to be an aggressive bureau chief. Due to possible coercion, she had a strict policy against dropping cases at a victim's request. Many people praised Pirro for her passion as Domestic Violence Bureau Chief, but she attracted increasing criticism from colleagues due her attention-grabbing behavior and violations of tradition. On multiple occasions, Chief District Attorney Vergari spoke to Pirro concerning her violation of office policy. She had issued press releases with her own name--and not Vergari's--on top. The relationship between Pirro and Vergari disintegrated in the late 1980s, after Pirro claimed sole responsibility for the establishment of the Domestic Violence and Child Abuse Bureau. On June 1, 1990, just five months prior to Pirro's first appearance on the ballot for County Court Judge, she attracted widespread attention and some criticism for rushing to conduct a bedside arraignment of Maria Amaya at the Intensive Care Unit of United Hospital in Port Chester. Amaya had been charged with four counts of second-degree murder for the deaths of her four children. She was a 36-year-old immigrant from El Salvador who had a history of being hospitalized for mental issues. Amaya had killed the four children and attempted suicide after believing that they were being corrupted by drugs and sex. Vergari had served as district attorney for Pirro's entire tenure as an assistant district attorney and her time on the bench. In 1999, he critiqued Pirro as "bright and capable" and someone who "plays hardball seeking publicity" but is also "very self-centered in everything she does". During a 1986 abortive campaign for lieutenant governor, Pirro claimed to have never lost a case in "about 50 trials". This number was disputed when presented in 2005 to colleagues, who said that the real number of trials personally handled by Pirro "wasn't more than 10". Pirro's then-spokesman, Anne Marie Corbalis, contended only that Pirro had a "100% felony conviction rate" as an Assistant District Attorney. In November 1993, Pirro was elected Westchester County District Attorney; she was the first woman to hold that position. She was re-elected in 1997 and 2001. On May 23, 2005, Pirro announced that she would not seek re-election to a fourth term as Westchester County District Attorney. On December 31, 1993--within hours of Pirro's midnight inauguration as District Attorney--Scripps newspaper heiress Anne Scripps Douglas was savagely bludgeoned in the head with a skull hammer by her estranged husband, Scott Douglas (who subsequently committed suicide by jumping off the Tappan Zee Bridge), as she slept in their Bronxville home. By the time police arrived, Scott Douglas had fled the scene, and Anne Scripps Douglas died in hospital on January 6. Pirro, already known as a passionate prosecutor of domestic violence cases, was a frequent presence in the media during the period between the murder and when Scott Douglas's body washed ashore in Riverdale in early March 1994. This increase in Pirro's national profile led to her surfacing as a frequent guest on network and cable television news in June 1994, when O.J. Simpson was arrested for the murder of his ex-wife, appearing frequently as a talking head for Nightline, Larry King Live, and Geraldo. Within months of taking office, Pirro undertook a costly renovation to the district attorney's facilities and expanded to an additional floor of the county courthouse. The largest expenses were a new kitchenette and a media room, costing $20,000, to assist Pirro's growing profile; additional expenditures also came to remodel her personal office with mahogany. Pirro was the first female president of the New York State District Attorneys Association. Also while district attorney, she was appointed by then Governor George Pataki to chair the New York State Commission on Domestic Violence Fatality Review Board. Its report and recommendations resulted in legislation passing that enhanced protections of, and safeguards for, the victims of domestic abuse. Pirro made her biggest procedural mistake as district attorney when she repeatedly refused to reopen the murder case of Jeffrey Deskovic. In 1990, Deskovic was falsely convicted of killing a 15-year-old girl and spent 16 years in prison before he was exonerated by DNA evidence. On May 26, 1986, Pirro, then an assistant district attorney, was announced as the running mate of Westchester County Executive and presumptive Republican gubernatorial nominee Andrew O'Rourke at a press conference in Manhattan's Roosevelt Hotel. Pirro was selected by O'Rourke and New York State Republican Committee Chairman Anthony J. Colavita after nearly a dozen individuals declined the position, including Erie County Executive Ed Rutkowski, Hempstead Presiding Supervisor Thomas Gulotta, and the Executives of Broome and Oneida Counties. Colavita, who said at the press conference that he "had so many say 'no' to me (during the lieutenant governor search), it doesn't hurt anymore", pointed to Pirro's prosecutorial experience, ability to effectively use crime as an issue, Italian married name, youth, and status as a woman when asked about her strengths as a candidate. Pirro's selection frustrated many New York Republicans, with Assembly Minority Leader Clarence D. Rappleyea Jr. traveling on May 27 from Albany to the first night of the State Republican Committee's Nominating Convention in Syracuse, to tell O'Rourke and Cloavita that his conference was concerned by Pirro's lack of political experience or statewide stature. Many Republicans also worried that if Pirro were nominated, their ticket would be too geographically dominated by downstate and the suburbs, with O'Rourke, like Pirro, being from Westchester, and the presumptive nominees for attorney general, Peter King and United States Senate, Alfonse D'Amato both hailing from Nassau County. On May 28, just one day prior to the scheduled vote for the lieutenant gubernatorial nomination at the state party convention in Syracuse, Pirro announced her withdrawal from the race, saying that her husband could not disclose his legal clients or the couple's business interests (later revealed to have been her husband's partial ownership of a Connecticut carting company with alleged mafia connections), and that many of his clients did business with the state, which would make it "virtually impossible" for her to serve as Lieutenant Governor. Pirro had privately informed O'Rourke and Cloavita of her decision during the evening of May 27, and the two were generally supportive, telling the press that her departure had nothing to do with Rappleyea's intervention. Pirro was replaced just six hours after her announcement by Michael Kavanagh, the District Attorney of Ulster County. CANNOTANSWER

Using a quote from the above article, answer the following question: How long did she hold that office?


Background: Samuel Osborne Barber II (March 9, 1910 - January 23, 1981) was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century: music critic Donal Henahan stated that "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras.
Context: Barber was born in West Chester, Pennsylvania, the son of Marguerite McLeod (nee Beatty) and Samuel Le Roy Barber. He was born into a comfortable, educated, social, and distinguished American family. His father was a physician; his mother, called Daisy, was a pianist of English-Scottish-Irish descent whose family had lived in the United States since the time of the American Revolutionary War. His aunt, Louise Homer, was a leading contralto at the Metropolitan Opera; his uncle, Sidney Homer, was a composer of American art songs. Louise Homer is known to have influenced Barber's interest in voice. Through his aunt, Barber had access to many great singers and songs. At a very early age, Barber became profoundly interested in music, and it was apparent that he had great musical talent and ability. He began studying the piano at the age of 6 and at age 7 composed his first work, Sadness, a 23-measure solo piano piece in C minor. At the age of nine he wrote to his mother: Dear Mother: I have written this to tell you my worrying secret. Now don't cry when you read it because it is neither yours nor my fault. I suppose I will have to tell it now without any nonsense. To begin with I was not meant to be an athlet  [sic]. I was meant to be a composer, and will be I'm sure. I'll ask you one more thing.--Don't ask me to try to forget this unpleasant thing and go play football.--Please--Sometimes I've been worrying about this so much that it makes me mad (not very). Barber attempted to write his first opera, entitled The Rose Tree, at the age of 10. At the age of 12, he became an organist at a local church. When he was 14, he entered the Curtis Institute of Music in Philadelphia, where he studied piano with Isabelle Vengerova, composition with Rosario Scalero and George Frederick Boyle, and voice with Emilio de Gogorza. He began composing seriously in his late teenage years. Around the same time, he met fellow Curtis schoolmate Gian Carlo Menotti, who became his partner in life as well as in their shared profession. At the Curtis Institute, Barber was a triple prodigy in composition, voice, and piano. He soon became a favorite of the conservatory's founder, Mary Louise Curtis Bok. It was through Mrs. Bok that Barber was introduced to his lifelong publishers, the Schirmer family. At the age of 18, Barber won the Joseph H. Bearns Prize from Columbia University for his violin sonata (now lost or destroyed by the composer). CANNOTANSWER
Question: What happened when he was enroled in the institute?

Answer:


Petty was found unconscious at his home, not breathing and in full cardiac arrest, early in the morning of October 2, 2017. He was taken to the UCLA Medical Center in Santa Monica, California, where he died at 8:40 pm PDT that evening. After reports of Petty's hospitalization, premature reports of his death spread quickly and widely, and without official denial or confirmation, continued throughout the day until the band's management issued official confirmation shortly after Petty's actual death Monday evening. While the official announcement said Petty collapsed early Monday morning, original reports claimed the incident happened Sunday night. Petty's funeral took place at Westwood Village Memorial Park Cemetery on October 16, 2017. On January 19, 2018, the Los Angeles County Department of Medical Examiner-Coroner announced that Petty had died from an accidental overdose of prescription pain medication, and that the autopsy had found a number of drugs in his system: fentanyl, oxycodone, acetylfentanyl and despropionyl fentanyl (all opioids, two illegal fentanyl analogs); temazepam and alprazolam (both sedatives); and citalopram (an antidepressant). In a statement on his official website, Petty's family revealed that he had suffered from multiple medical problems; those medical problems included emphysema, knee difficulties, and a hip fracture that occurred on Petty's final tour. Petty was prescribed pain medication for these issues. The statement, which was signed by Petty's wife Dana and daughter Adria, noted that Petty was informed on the day of his death that his fractured hip had graduated to a full break; the statement read, in part, that "[it] is our feeling that the pain was simply unbearable and was the cause for his over use of medication.[..] We feel confident that this was, as the coroner found, an unfortunate accident." CANNOTANSWER

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Enrique Martin Morales (born December 24, 1971), commonly known as Ricky Martin, is a Puerto Rican singer, actor and author. Martin began his career at age 12 with the all-boy pop group Menudo. After five years with the group, he released several Spanish-language solo albums throughout the 1990s. He also acted on stage and on TV in Mexico, where he achieved modest stardom.

Martin was in an on-off relationship with Mexican TV host Rebecca de Alba for more than 14 years. The pair had spoken of starting a family together, and Martin had at one point considered proposing to her. In August 2008, Martin became the father of twin boys, Matteo and Valentino, born by a surrogate mother. After the success of "Livin' la Vida Loca," Martin's personal life became a subject of interest due to his large gay following, and he was questioned about his sexual orientation. In a December 2000 interview with The Mirror, Martin was asked to comment on the rumors surrounding his sexuality. He replied: "I don't think I should have to tell anyone if I am gay or not, or who I've slept with or not." On March 29, 2010, Martin publicly acknowledged his homosexuality in a post on his official website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Martin said that "these years in silence and reflection made me stronger and reminded me that acceptance has to come from within, and that this kind of truth gives me the power to conquer emotions I didn't even know existed." In 2010, prior to Martin coming out, Barbara Walters expressed some regret for pushing Martin in a 2000 interview to admit if he was gay. The Toronto Star quoted her as saying, "When I think back on it now, I feel it was an inappropriate question." Martin announced on The Oprah Winfrey Show that he was in a relationship. In 2011, during his acceptance speech of the Vito Russo Award at the 22nd GLAAD Media Awards, Martin publicly thanked his boyfriend, Carlos Gonzalez Abella, an economist. His relationship with Gonzalez Abella ended in January 2014. Martin has also expressed support for same-sex marriage in an interview on Larry King Live. Ricky Martin delivered a speech at the United Nations Homophobia Conference on November 12, 2012. Beginning April 2016, he started dating Syrian Swedish painter Jwan Yosef. The two announced their engagement on 16 November 2016, while on the Ellen DeGeneres Show. In January 2018, Martin announced that he and Yosef are married. CANNOTANSWER

Has Ricky Martin ever dated a woman?


Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (Jiu Shi  Rang , Hisaishi Jo), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.

Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

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Background: A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album.
Context: In September 2004 Dhani Lennevald released "Girl Talk", his first single as a solo artist, in Sweden. There it peaked at number twenty-nine, ensuring Gold status after nine weeks on the charts. Dhani and Universal Music parted ways in 2005, now he's preparing the release of his first solo album. In 2005, Marie Serneholt signed with SonyBMG and in early 2006, she released her first single as a solo artist titled "That's The Way My Heart Goes". It reached number two in Sweden in February, and was later released in Europe and certified Gold. This was followed by the album Enjoy the Ride which peaked at number nine in her homeland. According to her personal MySpace page she is recording her second album. She participated in Melodifestivalen 2009 with the track 'Disconnect Me'. In 2011 she was the host for Melodifestivalen in Sweden. She also participated in Melodifestivalen 2012 with the single 'Salt and Pepper.' Serneholt was a judge on X Factor in Sweden where she was the mentor for the groups. Serneholt has also been working as a model and TV-host. Currently working as a TV-host for shows like Bingolotto and other game shows. Marie is counted to be the most successful member of the A-Teens. Amit Sebastian Paul made his debut as well. "Songs In a Key of Mine" is a mini-album with eight demos. Amit Paul has released his first Solo album "Songs In A Key Of Mine" which features 12 songs in April 2008, with the first single "Judge You" was released soon after. Amit Paul has also a future career in business, and finished his Masters at the prestigious Stockholm School of Economics, where he did an internship at the management consultancy Bain & Company. Sara Lumholdt released a cover of Olivia Newton-John's song "Physical" for a compilation album. She released the song under the name of Sara Love, and according to her official MySpace page she was working with producers from the United States and Europe to release more music. She released "Glamour Bitch" to her MySpace page and is said to be her debut single. She then switched to another project with Josh Skinner and Ted Perlman. The release of her debut solo album, tentatively titled "My Saranade", has been postponed as of now. The first single from that album, "First", became available on iTunes in July 2008. CANNOTANSWER
Question: Anybody else have a solo career?. Whats the answer?


The Rolling Stones are an English rock band formed in London, England in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974.

The group's fortunes changed in 1978, after the band released Some Girls (UK No. 2; US No. 1), which included the hit single "Miss You", the country ballad "Far Away Eyes", "Beast of Burden", and "Shattered". In part as a response to punk, many songs, particularly "Respectable", were fast, basic, guitar-driven rock and roll, and the album's success re-established the Rolling Stones' immense popularity among young people. Following the US Tour 1978, the band guested on the first show of the fourth season of the TV series Saturday Night Live. Following the success of Some Girls, the band released their next album Emotional Rescue (UK 1; US 1) in mid-1980. During the recording sessions of the album, a rift between Jagger and Richards was slowly beginning to form. Richards wanted to tour in summer or autumn of 1980 to promote the new album. Much to his disappointment, Jagger declined. Emotional Rescue hit the top of the charts on both sides of the Atlantic and the title track reached No.3 in the US. In early 1981, the group reconvened and decided to tour the US that year, leaving little time to write and record a new album, as well as rehearse for the tour. That year's resulting album, Tattoo You (UK 2; US 1), featured a number of outtakes, including lead single "Start Me Up", which reached No.2 in the US and ranked No.22 on Billboard's Hot 100 year-end chart. Two songs ("Waiting on a Friend" (US No. 13) and "Tops") featured Mick Taylor's unused rhythm guitar tracks, while jazz saxophonist Sonny Rollins played on "Slave" and "Waiting on a Friend". The Rolling Stones scored one more top 20 hit on the Billboard Hot 100 in 1982, the No. 20 hit "Hang Fire". The Stones' American Tour 1981 was their biggest, longest and most colourful production to date, with the band playing from 25 September through 19 December. It was the highest grossing tour of that year. The tour included a concert at Chicago's Checkerboard Lounge with Muddy Waters, in what would be one of his last performances before his death in 1983. Some shows were recorded, resulting in the 1982 live album Still Life (American Concert 1981) (UK 4; US 5), and the 1983 Hal Ashby concert film Let's Spend the Night Together, which was filmed at Sun Devil Stadium in Tempe, Arizona and the Brendan Byrne Arena in the Meadowlands, New Jersey. In mid-1982, to commemorate their 20th anniversary, the Rolling Stones took their American stage show to Europe. The European Tour 1982 was their first European tour in six years, with a similar format to the American tour. The band were joined by former Allman Brothers Band keyboardist Chuck Leavell, who continues to perform and record with the Rolling Stones. By the end of the year, the band had signed a new four-album recording deal with a new label, CBS Records, for a reported $50 million, then the biggest record deal in history. CANNOTANSWER

Using a quote from the above article, answer the following question: What music did they make