Background: Petty was born October 20, 1950, in Gainesville, Florida, the first of two sons of Kitty (nee Avery), a local tax office worker, and Earl Petty, who worked in a grocery store. He had a brother, Bruce, who was seven years younger. His interest in rock and roll music began at age ten when he met Elvis Presley. In the summer of 1961, his uncle was working on the set of Presley's film Follow That Dream, in nearby Ocala, and invited Petty to watch the shoot.
Context: Petty was found unconscious at his home, not breathing and in full cardiac arrest, early in the morning of October 2, 2017. He was taken to the UCLA Medical Center in Santa Monica, California, where he died at 8:40 pm PDT that evening. After reports of Petty's hospitalization, premature reports of his death spread quickly and widely, and without official denial or confirmation, continued throughout the day until the band's management issued official confirmation shortly after Petty's actual death Monday evening. While the official announcement said Petty collapsed early Monday morning, original reports claimed the incident happened Sunday night. Petty's funeral took place at Westwood Village Memorial Park Cemetery on October 16, 2017. On January 19, 2018, the Los Angeles County Department of Medical Examiner-Coroner announced that Petty had died from an accidental overdose of prescription pain medication, and that the autopsy had found a number of drugs in his system: fentanyl, oxycodone, acetylfentanyl and despropionyl fentanyl (all opioids, two illegal fentanyl analogs); temazepam and alprazolam (both sedatives); and citalopram (an antidepressant). In a statement on his official website, Petty's family revealed that he had suffered from multiple medical problems; those medical problems included emphysema, knee difficulties, and a hip fracture that occurred on Petty's final tour. Petty was prescribed pain medication for these issues. The statement, which was signed by Petty's wife Dana and daughter Adria, noted that Petty was informed on the day of his death that his fractured hip had graduated to a full break; the statement read, in part, that "[it] is our feeling that the pain was simply unbearable and was the cause for his over use of medication.[..] We feel confident that this was, as the coroner found, an unfortunate accident." CANNOTANSWER
Question: were they debunked?

Answer:


Which entity is this text about?

William McKinley (January 29, 1843 - September 14, 1901) was the 25th President of the United States, serving from March 4, 1897 until his assassination in September 1901, six months into his second term. McKinley led the nation to victory in the Spanish-American War, raised protective tariffs to promote American industry, and maintained the nation on the gold standard in a rejection of free silver (effectively, expansionary monetary policy). McKinley was the last president to have served in the American Civil War, and the only one to have started the war as an enlisted soldier, beginning as a private in the Union Army and ending as a brevet major.

McKinley was sworn in as president on March 4, 1897, as his wife and mother looked on. The new President gave a lengthy inaugural address; he urged tariff reform, and stated that the currency issue would have to await tariff legislation. He warned against foreign interventions, "We want no wars of conquest. We must avoid the temptation of territorial aggression." McKinley's most controversial Cabinet appointment was that of John Sherman as Secretary of State. Sherman had an outstanding reputation but old age was fast reducing his abilities. McKinley needed to have Hanna appointed to the Senate so Senator Sherman was moved up.  Sherman's mental faculties were decaying even in 1896; this was widely spoken of in political circles, but McKinley did not believe the rumors. Nevertheless, McKinley sent his cousin, William McKinley Osborne, to have dinner with the 73-year-old senator; he reported back that Sherman seemed as lucid as ever. McKinley wrote once the appointment was announced, "the stories regarding Senator Sherman's 'mental decay' are without foundation ... When I saw him last I was convinced both of his perfect health, physically and mentally, and that the prospects of life were remarkably good." Maine Representative Nelson Dingley Jr. was McKinley's choice for Secretary of the Treasury; he declined it, preferring to remain as chairman of the Ways and Means Committee. Charles Dawes, who had been Hanna's lieutenant in Chicago during the campaign, was considered for the Treasury post but by some accounts Dawes considered himself too young. Dawes eventually became Comptroller of the Currency; he recorded in his published diary that he had strongly urged McKinley to appoint as secretary the successful candidate, Lyman J. Gage, president of the First National Bank of Chicago and a Gold Democrat. The Navy Department was offered to former Massachusetts Congressman John Davis Long, an old friend from the House, on January 30, 1897. Although McKinley was initially inclined to allow Long to choose his own assistant, there was considerable pressure on the President-elect to appoint Theodore Roosevelt, head of the New York City Police Commission and a published naval historian. McKinley was reluctant, stating to one Roosevelt booster, "I want peace and I am told that your friend Theodore is always getting into rows with everybody." Nevertheless, he made the appointment. In addition to Sherman, McKinley made one other ill-advised Cabinet appointment, that of Secretary of War, which fell to Russell A. Alger, former general and Michigan governor. Competent enough in peacetime, Alger proved inadequate once the conflict with Spain began. With the War Department plagued by scandal, Alger resigned at McKinley's request in mid-1899. Vice President Hobart, as was customary at the time, was not invited to Cabinet meetings. However, he proved a valuable adviser both for McKinley and for his Cabinet members. The wealthy Vice President leased a residence close to the White House; the two families visited each other without formality, and the Vice President's wife, Jennie Tuttle Hobart, sometimes substituted as Executive Mansion hostess when Ida McKinley was unwell. For most of McKinley's administration, George B. Cortelyou served as his personal secretary. Cortelyou, who served in three Cabinet positions under Theodore Roosevelt, became a combination press secretary and chief of staff to McKinley. CANNOTANSWER


On 6 June 1992, the Fantoft Stave Church, dating from the 12th century and considered architecturally significant, was burned to the ground by arson. By January 1993, arson attacks had occurred on at least seven other major stave churches, including one on Christmas Eve of 1992. Vikernes was found guilty of several of these cases: the arson and attempted arson of Asane Church and Storetveit Church, respectively, in Bergen, the arson of Skjold Church in Vindafjord, and the arson of Holmenkollen Chapel in Oslo. He was also charged with the arson of Fantoft Stave Church, although the jurors found him not guilty. The judges called this an error but did not overthrow the whole case. At the time, claims were made by media outlets that Vikernes was associated with theistic Satanism. However, in an interview with Michael Moynihan, Vikernes made a statement about the church burnings that hints at a heathen rather than a Satanist motivation: I am not going to say that I burnt any churches. But let me put it this way: There was one person who started it. I was not found guilty of burning the Fantoft stave church, but anyway, that was what triggered the whole thing. That was the 6th of June and everyone linked it to Satanism ... What everyone overlooked was that on the 6th June, 793, in Lindesfarne in Britain was the site of the first known Viking raid in history, with Vikings from Hordaland, which is my county ... They [the Christians] desecrated our graves, our burial mounds, so it's revenge. Echoing this sentiment, he writes in Vargsmal: "For each devastated graveyard, one heathen grave is avenged, for each ten churches burnt to ashes, one heathen hof is avenged, for each ten priests or freemasons assassinated, one heathen is avenged." When asked whether the church burnings were linked to Odinism or Germanic neopaganism he replied: "The point is that all these churches [i.e. church burnings] are linked to one person ... who was not Oystein obviously. All the church burnings, with the exception of Stavanger, because that was another group--who, by the way, have also turned into nationalistic pagans." CANNOTANSWER

Answer this question "Was he accused in any of these other cases?" by extracting the answer from the text above.


Background: Stephen Alan Wynn (ne Weinberg; born January 27, 1942) is an American real estate businessman and art collector. He is known for his involvement in the American luxury casino and hotel industry. Early in his career he oversaw the construction and operation of several notable Las Vegas and Atlantic City hotels, including the Golden Nugget, the Golden Nugget Atlantic City, The Mirage, Treasure Island, the Bellagio, and Beau Rivage in Mississippi, and he played a pivotal role in the resurgence and expansion of the Las Vegas Strip in the 1990s. In 2000, Wynn sold his company, Mirage Resorts, to MGM Grand Inc., resulting in the formation of MGM Mirage (now MGM Resorts International).
Context: Wynn and his young family moved in 1967 to Las Vegas where his success with his family's business allowed him to purchase a small stake in the Frontier Hotel and Casino. That year he met E. Parry Thomas, dubbed by Vanity Fair as "the most influential banker in Las Vegas." Thomas was the president of the Bank of Las Vegas, which was the only bank at the time willing to extend loans to Las Vegas casinos, and Thomas helped finance several of Wynn's early land deals. Starting in 1968, Wynn also spent four years operating a wine and liquor importing company he had purchased. In 1971, Wynn managed to parlay his profits from a land deal involving Howard Hughes and Caesars Palace into a controlling interest in the Golden Nugget Las Vegas, a landmark downtown casino and one of the oldest casinos in the city. Wynn renovated, revamped and expanded the Golden Nugget from a gambling hall to a resort hotel and casino with enormous success, in the process attracting a new upscale clientele to downtown Las Vegas. His company stake increased so that, in 1973, he became the majority shareholder, and the youngest casino owner in Las Vegas. In 1977 he opened the Golden Nugget's first hotel tower, followed by several others. Frank Sinatra was a periodic headliner at the Golden Nugget, and Wynn has since maintained a relationship with the Sinatra family, even naming a restaurant at Encore "Sinatra". In 1980, Wynn began construction on the Golden Nugget Atlantic City in Atlantic City, New Jersey. It was Atlantic City's first casino "built from scratch," first and only "locals casino", and the city's sixth casino after the city legalized gambling in 1976. Joel Bergman, who designed Wynn's other resorts, designed the Golden Nugget. Though at its opening it was the second smallest casino in the city, by 1983 it was the city's top earning casino. The Atlantic City Golden Nugget was sold by Wynn in 1987 for $440 million. In 1989, the company acquired the Nevada Club casino in Laughlin, Nevada, and re-branded it as the Golden Nugget Laughlin. CANNOTANSWER
Question: Is the Frontier a property?

Answer:


Answer by taking a quote from the following article:

Robert McNair Price (born July 7, 1954) is an American theologian and writer, known for arguing against the existence of a historical Jesus (the Christ myth theory). He taught philosophy and religion at the Johnnie Colemon Theological Seminary. He is a professor of biblical criticism at the Center for Inquiry Institute, and the author of a number of books on theology and the historicity of Jesus. A former Baptist minister, he was the editor of the Journal of Higher Criticism from 1994 until it ceased publication in 2003.

He views Jesus of Nazareth as an invented figure conforming to the Rank-Raglan mythotype.  In the documentary The God Who Wasn't There, Price supports a version of the Christ myth theory, suggesting that the early Christians adopted the model for the figure of Jesus from the popular Mediterranean dying-rising saviour myths of the time, such as that of Dionysus. He argues that the comparisons were known at the time, as early church father Justin Martyr had admitted the similarities. Price suggests that Christianity simply adopted themes from the dying-rising god stories of the day and supplemented them with themes (escaping crosses, empty tombs, children being persecuted by tyrants, etc.) from the popular stories of the day in order to come up with the narratives about Christ. [Per the Kyrios Christos Cult] The ancient Mediterranean world was hip-deep in religions centering on the death and resurrection of a savior god. [...] It is very hard not to see extensive and basic similarities between these religions and the Christian religion. But somehow Christian scholars have managed not to see it, and this, one must suspect, for dogmatic reasons. [...] But it seems to me that the definitive proof that the resurrection of the Mystery Religion saviors preceded Christianity is the fact that ancient Christian apologists did not deny it! [...] A Christ religion modeled after a Mystery cult is a Mystery cult, [and against Mack's Christ cult] a Christ cult worthy of the name. This is what we expect Burton Mack to be talking about when he talks about Christ cults. Price notes that historians of classical antiquity approached mythical figures such as Heracles by rejecting supernatural tales while doggedly assuming that "a genuine historical figure" could be identified at the root of the legend. He describes this general approach as Euhemerism, and argues that most historical Jesus research today is also Euhemerist. Price argues that Jesus is like other ancient mythic figures, in that no mundane, secular information seems to have survived. Accordingly, Jesus also should be regarded as a mythic figure. But, Price admits to some uncertainty in this regard. He writes at the conclusion of his 2000 book Deconstructing Jesus: "There may have been a real figure there, but there is simply no longer any way of being sure." CANNOTANSWER

why was he a hero?


Jalen Anthony Rose (born January 30, 1973) is a former American professional basketball player, current sports analyst for ESPN, and cofounder of the Jalen Rose Leadership Academy. In college, he was a member of the University of Michigan Wolverines' "Fab Five" (along with Chris Webber, Juwan Howard, Jimmy King, and Ray Jackson) that reached the 1992 and 1993 NCAA Men's Division I Basketball Championship games as both freshmen and sophomores. Rose played in the National Basketball Association (NBA) for six teams, most notably alongside Reggie Miller on the Indiana Pacers teams that made three consecutive Eastern Conference finals, including the 2000 NBA Finals. Rose was primarily a small forward; however, he sometimes played the role of a shooting guard.

Academically, Rose graduated from University of Michigan in Mass Communications. Rose got his first broadcasting experience as a courtside reporter for TNT during the 2006 playoffs after the Knicks were eliminated. Upon the Suns' elimination from the 2007 NBA Playoffs, he became a consistent commentator for ESPN giving regular insider perspective on the remaining playoff games from both a player's and analyst's perspective. Since 2007, Rose has worked at ABC/ESPN, first as an analyst on SportsCenter and in 2012 he became one of the hosts for NBA Countdown. Rose has also worked on ESPN's Grantland. He currently co-hosts Jalen and Jacoby, a national, US, sports radio show on ESPN Radio, with David Jacoby that started in September 2015. Rose is the owner of Three Tier Entertainment, an independent, Los Angeles based management and production company. Created in 2007, Three Tier Entertainment develops television and film projects and also manages talent including directors, actors and screenplay writers. The March 13, 2011 airing of the documentary The Fab Five, which Rose produced, sparked controversy that led to a series of media exchanges between members of the press, Michigan Wolverines men's basketball players and Duke Blue Devils men's basketball players in forums such as The New York Times, The Wall Street Journal and The Washington Post. The Fab Five earned a 2.1 rating to become ESPN's highest rated documentary, according to the Nielsen Company. Rose released his first book Got to Give the People What They Want about his personal life story in October 2015. It is a New York Times Bestseller and made the list of Michigan Notable Books from 2016. CANNOTANSWER

What year did he start his business?


On June 22, 1969, Deans found Garland dead in the bathroom of their rented mews house in Chelsea, London; she was 47 years old. At the inquest, Coroner Gavin Thurston stated that the cause of death was "an incautious self-overdosage" of barbiturates; her blood contained the equivalent of 10 1.5-grain (97 mg) Seconal capsules. Thurston stressed that the overdose had been unintentional and that no evidence suggested she had committed suicide. Garland's autopsy showed no inflammation of her stomach lining and no drug residue in her stomach, which indicated that the drug had been ingested over a long period of time, rather than in a single dose. Her death certificate stated that her death had been "accidental". Supporting the accidental cause, her doctor noted that a prescription of 25 barbiturate pills was found by her bedside half-empty and another bottle of 100 was still unopened. A British specialist who had attended her autopsy said she had nevertheless been living on borrowed time owing to cirrhosis, although a later autopsy showed no evidence of alcoholism or cirrhosis. She died twelve days after her forty-seventh birthday. Her Wizard of Oz co-star Ray Bolger commented at her funeral, "She just plain wore out." Forensic pathologist Dr. Michael Hunter believed that Garland had an eating disorder, which contributed to her death. After her body had been embalmed by Desmond Henley, Deans took Garland's remains to New York City on June 26, where an estimated 20,000 people lined up to pay their respects at the Frank E. Campbell Funeral Chapel in Manhattan, which remained open all night long to accommodate the overflow crowd. On June 27, James Mason gave a eulogy at the funeral, an Episcopal service led by the Rev. Peter A. Delaney of St Marylebone Parish Church, London, who had officiated at her marriage to Deans, three months prior. The public and press were barred. She was interred in a crypt in the community mausoleum at Ferncliff Cemetery in Hartsdale, New York, a small town 24 miles north of midtown Manhattan. At the insistence of her children, Garland's remains were disinterred from Ferncliff Cemetery in January 2017 and re-interred 2,800 miles across the country at the Hollywood Forever Cemetery in Los Angeles. CANNOTANSWER

Answer this question "How long was taking barbiturates?" by extracting the answer from the text above.


A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

During this period, Lenglen's only defeat in singles (not counting pre-match withdrawals) occurred in an unscheduled appearance at the 1921 US Championships. To raise reconstruction funds for the regions of France that had been devastated by the battles of World War I, she went to the United States to play several exhibition matches against the Norwegian-born US champion, Molla Bjurstedt Mallory. Lenglen arrived in New York City the day before the tournament after a stormy and delayed sea voyage, during which she was ill the whole time. Upon arrival, Lenglen learned that, without her permission, tournament officials had announced her participation in the US Championships. Because of immense public pressure, she agreed to play in the tournament despite suffering from what was diagnosed later as whooping cough. As a concession, she was given a day to recover. To her surprise, there was no seeding for the event and her name had been drawn to play Eleanor Goss, a leading American player. Goss immediately defaulted, leaving Lenglen to face Mallory in the second round as her first opponent. In their match, Lenglen lost the first set 6-2 and just as the second set got underway, she began coughing and burst into tears, unable to continue. The crowd jeered her as she walked off the court, and the American press severely criticised her. This worsened when, under doctor's orders after it was confirmed that she was afflicted with whooping cough, she cancelled her exhibition match. Unaccustomed to such treatment, a devastated Lenglen went home. Once healthy, she set about preparing herself for redemption. In the singles final at Wimbledon the following year, she defeated Mallory in only 26 minutes, winning 6-2, 6-0, reputedly the fastest Ladies' major tournament match on record. The two met again later that year at a tournament in Nice where, with Lenglen showing her complete mastery of the sport, Mallory failed to win even one game. Mary K. Browne relates that she asked Lenglen how she greeted Mallory at the net after the game when they met to shake hands. She said that Lenglen told her that after shaking hands she emitted a couple of gentle 'coughs'. CANNOTANSWER

Answer the following question by taking a quote from the article: Did she win?


Micheal Ray Stevenson was born in Compton, California, on November 19, 1989, and raised there until he "was about 11, 12," before moving to Gardena, California. He is of Vietnamese and Jamaican descent. He grew up listening to Fabolous, Lil Wayne, Cam'ron and Eminem among others. On December 3, 2012, debate arose concerning Tyga's upbringing.

Careless World: Rise of the Last King was his second studio album. The album was released on February 21, 2012 on Young Money Entertainment, Cash Money Records, and Universal Republic Records. Careless World: Rise of the Last King is a move to the rapping style he featured in the collaboration album We Are Young Money rather me than the poppy dance element shown on No Introduction. Tyga stated that the album shows he has grown up but still relates to the kids. Tyga released a new mixtape #BitchImTheShit in preparation for the album. The first official single, "Far Away", was released on May 17, 2011 and peaked at 86 on the Billboard Hot 100. The second official single, "Still Got It", was released on October 4, 2011 and peaked at 89 on the Billboard Hot 100. The third official single, "Rack City", was released on December 6, 2011. It was originally listed on Tyga's Well Done 2 mixtape, and was added to the album after it gained commercial success. It debuted at number 94 on the Billboard Hot 100, and has peaked at number 8 since then. The fourth official single, "Faded", was released on January 13, 2012. It peaked on the Hot 100 at #33. Tyga's sixth single, "Do My Dance" which features 2 Chainz was released on October 2, 2012 and peaked at #79 on the Billboard Hot 100. He has released various mixtapes such as well-acclaimed #BitchImTheShit and Well Done 3. That year Tyga also produced and co-directed (with Justice Young) a multi-AVN award-nominated crossover adult film, Rack City: The XXX Movie, which starred Skin Diamond, Jada Fire, Ice La Fox, Sophie Dee, Lexington Steele, Kristina Rose, London Keyes and Daisy Marie. He also signed the soundtrack, which includes the hits "Rack City" and "Faded" together with several original songs, and he appeared in the film in a non-sex role. CANNOTANSWERAnswer this question using a quote from the following article:

What was Careless world: Rise of the Last King?


Which entity is this text about?

The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.

As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWER


Background: Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida.
Context: Injuries plagued Capriati's 2004 season. A back injury suffered during the 2003 WTA Tour Championships forced Capriati to withdraw from the 2004 Australian Open and the Toray Pan Pacific Open in Tokyo. Capriati advanced beyond the quarterfinals just once in her first four events of the year in Doha, losing to Anastasia Myskina in the semifinals. Her back continued to be an issue, forcing her out of Indian Wells and Miami. Her ranking dropped to No. 10 as a result of her injuries. Capriati produced her best results of the year during the European clay-court season. She reached the semis of Berlin, defeating world No. 5 Myskina in the quarters for her first top 5 win of the season, before losing to Mauresmo in the semifinals. At the Italian Open, Capriati defeated top seed Serena Williams in the quarterfinals, her first win over the American since Wimbledon 2001. Capriati moved on to the final, where she lost to Mauresmo in a 3-hour struggle. Seeded 7th at the French Open, Capriati went on to the semifinals, before losing to sixth seeded and eventual champion Myskina in straight sets. At Wimbledon, Capriati reached the quarters for the fourth straight year, where she lost to Serena Williams in 45 minutes, the most lopsided result of their 17-match rivalry. A hamstring injury forced her to withdraw from Los Angeles and San Diego, but she reached the quarterfinals of both Montreal and New Haven. Seeded 8th at the US Open, Capriati defeated Williams in a controversial line call quarterfinal match to reach her fourth US Open semifinal. Capriati then lost to fifth seed Elena Dementieva in the last four in yet another, her third, tight US Open semifinal tiebreak, replicating the result in the tournament from the year before. Capriati had reached the semifinals of the US Open four times in her career (1991, 2001, 2003 and 2004), losing to a different opponent each time. Three of those times (1991, 2003 and 2004), she had lost in tough third-set tiebreaks, and two of those three opponents (Monica Seles in 1991, and Justine Henin in 2003) had then gone on to win the final and US Open championships easily in straight sets thereafter. Following the US Open, Capriati lost in the quarterfinals of Philadelphia to World No. 11 Vera Zvonareva, her worst loss since 1999 (where she won only one game against Graf in Miami). Capriati failed to qualify for the season-ending championships for the first time since 1999 and finished the year World No. 10. CANNOTANSWER
Question: Did she have any other injuries that year?

Answer:


The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

Ride was one of 8,000 people who answered an advertisement in the Stanford student newspaper seeking applicants for the space program. She was chosen to join NASA in 1978. During her career, Ride served as the ground-based capsule communicator (CapCom) for the second and third space shuttle flights (STS-2 and STS-3) and helped develop the space shuttle's "Canadarm" robot arm. Prior to her first space flight, she was subject to media attention due to her gender. During a press conference, she was asked questions such as, "Will the flight affect your reproductive organs?" and "Do you weep when things go wrong on the job?" Despite this and the historical significance of the mission, Ride insisted that she saw herself in only one way--as an astronaut. On June 18, 1983, she became the first American woman in space as a crew member on space shuttle Challenger for STS-7. She was preceded by two Soviet women, Valentina Tereshkova in 1963 and Svetlana Savitskaya in 1982. The five-person crew of the STS-7 mission deployed two communications satellites and conducted pharmaceutical experiments. Ride was the first woman to use the robot arm in space and the first to use the arm to retrieve a satellite. Her second space flight was in 1984, also on board the Challenger. She spent a total of more than 343 hours in space. Ride had completed eight months of training for her third flight (STS-61-M, a TDRS deployment mission) when the space shuttle Challenger disaster occurred. She was named to the Rogers Commission (the presidential commission investigating the accident) and headed its subcommittee on operations. Following the investigation, Ride was assigned to NASA headquarters in Washington, D.C., where she led NASA's first strategic planning effort, authored a report titled "NASA Leadership and America's Future in Space" and founded NASA's Office of Exploration. After Sally Ride's death in 2012, General Donald Kutyna revealed that she had discreetly provided him with key information about O-rings (namely, that they become stiff at low temperatures) that eventually led to identification of the cause of the explosion. CANNOTANSWER

Answer the following question by taking a quote from the article: What did she do at NASA?


The oldest surviving Greek reference to the magi - from Greek magos (magos, plural: magoi) - might be from 6th century BCE Heraclitus (apud Clemens Protrepticus 12), who curses the magi for their "impious" rites and rituals. A description of the rituals that Heraclitus refers to has not survived, and there is nothing to suggest that Heraclitus was referring to foreigners. Better preserved are the descriptions of the mid-5th century BCE Herodotus, who in his portrayal of the Iranian expatriates living in Asia minor uses the term "magi" in two different senses. In the first sense (Histories 1.101), Herodotus speaks of the magi as one of the tribes/peoples (ethnous) of the Medes. In another sense (1.132), Herodotus uses the term "magi" to generically refer to a "sacerdotal caste", but "whose ethnic origin is never again so much as mentioned." According to Robert Charles Zaehner, in other accounts, "we hear of Magi not only in Persia, Parthia, Bactria, Chorasmia, Aria, Media, and among the Sakas, but also in non-Iranian lands like Samaria, Ethiopia, and Egypt. Their influence was also widespread throughout Asia Minor. It is, therefore, quite likely that the sacerdotal caste of the Magi was distinct from the Median tribe of the same name." Other Greek sources from before the Hellenistic period include the gentleman-soldier Xenophon, who had first-hand experience at the Persian Achaemenid court. In his early 4th century BCE Cyropaedia, Xenophon depicts the magians as authorities for all religious matters (8.3.11), and imagines the magians to be responsible for the education of the emperor-to-be. CANNOTANSWER

Answer this question "What was more sources" by extracting the answer from the text above.


Background: Born in Dallas, Texas, to Noel and Freida Bosh, Chris Bosh grew up in Hutchins, Texas. A family-oriented person, Bosh often played basketball in the house with his younger brother, Joel. By four years of age, he began learning how to dribble a basketball in the gym, where his dad played pick-up games.
Context: On July 30, 2014, Bosh re-signed with the Heat after LeBron James announced he was leaving Miami to return to the Cleveland Cavaliers. After averaging 21.6 points, 8.2 rebounds, 2.1 assists and 1.1 steals over the first 23 games of the 2014-15 season, Bosh was ruled out indefinitely on December 15 with a strained calf. He went on to miss eight games before returning on December 29 against the Orlando Magic. After playing in the 2015 All-Star Game, Bosh was admitted to a Miami hospital for lung tests during the All-Star break. On February 21, 2015, he was ruled out for the remainder of the season due to a blood clot in one of his lungs. On October 28, 2015, Bosh made his return to the court in the Heat's season opener against the Charlotte Hornets, recording 21 points and 10 rebounds in a 104-94 win. On November 10, 2015, he scored a then season-high 30 points in a 101-88 win over the Los Angeles Lakers. On December 28, 2015, he recorded 24 points and 12 rebounds against the Brooklyn Nets, and hit a career-best 5-of-5 from three-point range. On January 4, 2016, he recorded a season-high 31 points and 11 rebounds in a 103-100 overtime win over the Indiana Pacers. Though he was voted to play in the 2016 NBA All-Star Game, and selected to compete in the Three-Point Contest, due to a calf injury, Bosh was forced to withdraw from both. A blood clot in his leg again forced Bosh to miss time following the All-Star break. He faced increasing pressure from physicians and the Heat organization to sit out the rest of the season because of the potential dangers of the recurring medical condition. In September 2016, Bosh failed his physical exam with the Heat and was not cleared by the team to participate in training camp. Bosh was initially optimistic in a return to the Heat for the 2016-17 season, and the organization had become increasingly hopeful that he would be cleared for camp. That quickly changed, however, due to numerous setbacks accredited to continued blood clotting. On September 26, 2016, Heat president Pat Riley said that the team viewed Bosh's career with the team as over, and noted that the team was no longer working toward his return. On May 24, 2017, Bosh and the Heat reportedly reached a unique parting agreement in which he would leave the Heat without taking up their salary cap for the 2017-18 season. On June 2, 2017, the NBA ruled that Bosh's blood clotting issues were a career-ending illness, meaning the Miami Heat were able to remove his contract from their salary cap once they officially release him. On July 4, 2017, the Heat announced that they had waived Bosh, ending a seven-year stint with the organization. Out of respect, Heat president Pat Riley said following Bosh's release, "The number '1' will never be worn by another player and we can't wait to someday hang his jersey in the rafters". In November 2017, Bosh noted that he planned to "keep [his] options open as a player", and in February 2018, he declared himself on the comeback trail, having refused to rule out a return to the NBA. CANNOTANSWER
Question: What happened in 2014?. Whats the answer?


Nadia Elena Comaneci was born on November 12, 1961, in Onesti, which is a small town in the Carpathian Mountains, in Bacau County, Romania, in the historical region of Western Moldavia. Comaneci was born to Gheorghe and Stefania Comaneci, and has a younger brother. Her parents separated in the 1970s, and her father (1936-2012) later moved to Bucharest. She and her younger brother Adrian were raised in the faith of the Romanian Orthodox Church.

Comaneci began gymnastics in kindergarten with a local team called Flacara ("The Flame"), with coaches Duncan and Munteanu. At age 6, she was chosen to attend Bela Karolyi's experimental gymnastics school after Karolyi spotted a friend and her turning cartwheels in a schoolyard. Karolyi was looking for gymnasts he could train from a young age and saw the two girls during recess. When recess ended, the girls ran inside. Karolyi went around the classrooms trying to find them, and eventually spotted Comaneci. (The other girl, Viorica Dumitru, went on to be one of Romania's top ballerinas.) Comaneci was training with Karolyi by the time she was seven years old, in 1968. She was one of the first students at the gymnastics school established in Onesti by Bela and his wife, Marta. Unlike many of the other students at the Karolyi school, Comaneci was able to commute from home for many years because she lived in the town. In 1970, she began competing as a member of her hometown team, and became the youngest gymnast ever to win the Romanian Nationals. In 1971, she participated in her first international competition, a dual junior meet between Romania and Yugoslavia, winning her first all-around title and contributing to the team gold. For the next few years, she competed as a junior in numerous national contests in Romania and dual meets with countries such as Hungary, Italy, and Poland. At the age of 11, in 1973, she won the all-around gold, as well as the vault and uneven bars titles, at the Junior Friendship Tournament (Druzhba), an important international meet for junior gymnasts. Comaneci's first major international success came at the age of 13, when she nearly swept the 1975 European Women's Artistic Gymnastics Championships in Skien, Norway, winning the all-around and gold medals on every event but the floor exercise, in which she placed second. She continued to enjoy success that year, winning the all-around at the "Champions All" competition and placing first in the all-around, vault, beam, and bars at the Romanian National Championships. In the pre-Olympic test event in Montreal, Comaneci won the all-around and the balance beam golds, as well as silvers in the vault, floor, and bars behind accomplished Soviet gymnast Nellie Kim, who was one of her greatest rivals over the next five years. CANNOTANSWER

Ask a question about this article.

How many perfect 10.0's did Nadia Comaneci receive?


Pierino Ronald "Perry" Como (May 18, 1912 - May 12, 2001) was an American singer and television personality. During a career spanning more than half a century he recorded exclusively for the RCA Victor label after signing with it in 1943. "Mr. C.", as he was nicknamed, sold millions of records for Radio Corporation of America (RCA) and pioneered a weekly musical variety television show, which set the standards for the genre and proved to be one of the most successful in television history.

Perry Como credited Bing Crosby for influencing his voice and style. Perry Como's voice is widely known for its good-natured vocal acrobatics as portrayed in his highly popular novelty songs such as "Hot Diggity (Dog Ziggity Boom)", but there was another side to Perry Como. Music critic Gene Lees describes it in his sleeve note to Como's 1968 album Look To Your Heart: Despite his immense popularity, Como is rarely given credit for what, once you stop and think of it, he so clearly is: one of the great singers and one of the great artists of our time. Perhaps the reason people rarely talk about his formidable attributes as a singer is that he makes so little fuss about them. That celebrated ease of his has been too little understood. Ease in any art is the result of mastery over the details of the craft. You get them together to the point where you can forget about how you do things and concentrate on what you are doing. Como got them together so completely that the muscles don't even show. It seems effortless, but a good deal of effort has gone into making it seem so. Como is known to be meticulous about rehearsal of the material for an album. He tries things out in different keys, gives the song thought, makes suggestions, tries it again, and again, until he is satisfied. The hidden work makes him look like Mr. Casual, and too many people are taken in by it -- but happily so. -Gene Lees-sleeve note, Look To Your Heart From 1989 until his death in 2001, Como co-hosted a weekly syndicated radio show with John Knox, called Weekend With Perry. CANNOTANSWER

Using a quote from the above article, answer the following question: he died?


Background: Franz Ferdinand are a Scottish indie rock band, formed in 2002 and based in Glasgow. The band's original lineup was composed of Alex Kapranos (lead vocals and guitar, keyboard), Nick McCarthy (rhythm guitar, keyboards and backing vocals), Bob Hardy (bass guitar), and Paul Thomson (drums, percussion and backing vocals). Julian Corrie (keyboards, synthesiser, guitar and backing vocals) and Dino Bardot (guitar and backing vocals) joined the band in 2017 after McCarthy left during the previous year. The band has been notable for being one of the more popular post-punk revival bands, garnering multiple UK top 20 hits.
Context: The name of the band was originally inspired by a racehorse called Archduke Ferdinand. After seeing the horse win the Northumberland Plate in 2001, the band began to discuss Archduke Franz Ferdinand and thought it would be a good band name because of the alliteration of the name and the implications of the Archduke's death (his assassination was a significant factor in the lead-up to World War I). "Mainly we just liked the way it sounded," says Bob. "We liked the alliteration." "He was an incredible figure as well," continues Alex. "His life, or at least the ending of it, was the catalyst for the complete transformation of the world and that is what we want our music to be. But I don't want to over-intellectualize the name thing. Basically a name should just sound good ... like music." Paul offered, "I like the idea that, if we become popular, maybe the words Franz Ferdinand will make people think of the band instead of the historical figure" - talking to is this music?. The song "Take Me Out", on the band's first album, was the second single to be released by the band. The single release of "Take Me Out" came with the B-side, "All for You, Sophia", based on the assassination of Archduke Ferdinand and his wife, whose name was Sophie, not Sophia. The band chose the name Sophia rather than Sophie to give the song a better ring. The song mentions the assassin Gavrilo Princip, the Black Hand, the location of the Appel Quay and "Urban" (Franz Urban), the name often mistakenly given to Leopold Lojka, the driver of the car. In addition to this, in 2004 the band played a number of "secret" gigs under the pseudonym "The Black Hands", alluding to the secret society that was held responsible for the assassination of Franz Ferdinand. CANNOTANSWER
Question: Whose idea was it?

Answer:


Background: Anquetil was the son of a builder in Mont-Saint-Aignan, in the hills above Rouen in Normandy, north-west France. He lived there with his parents, Ernest and Marie, and his brother Philippe and then at Boisguillaume in a two-storey house, "one of those houses with exposed beams that tourists think are pretty but those who live there find uncomfortable." In 1941, his father refused contracts to work on military installations for the German occupiers and his work dried up. Other members of the family worked in strawberry farming and Anquetil's father followed them, moving to the hamlet of Bourguet, near Quincampoix.
Context: Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular. Divisions between their fans became marked, which two sociologists studying the impact of the Tour on French society say became emblematic of France old and new. The extent of those divisions is shown in a story, perhaps apocryphal, told by Pierre Chany, who was close to Anquetil: The Tour de France has the major fault of dividing the country, right down to the smallest hamlet, even families, into two rival camps. I know a man who grabbed his wife and held her on the grill of a heated stove, seated and with her skirts held up, for favouring Jacques Anquetil when he preferred Raymond Poulidor. The following year, the woman became a Poulidor-iste. But it was too late. The husband had switched his allegiance to Gimondi. The last I heard they were digging in their heels and the neighbours were complaining. Jean-Luc Boeuf and Yves Leonard, in their study, wrote: Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode. Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him. Humble people saw themselves in Raymond Poulidor, whose face - lined with effort - represented the life they led on land they worked without rest or respite. His declarations, full of good sense, delighted the crowds: a race, even a difficult one, lasts less time than a day bringing in the harvest. A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up, an image that was far from true for Poulidor, whose record was particularly rich. Even today, the expression of the eternal second and of a Poulidor Complex is associated with a hard life, as an article by Jacques Marseille showed in Le Figaro when it was headlined "This country is suffering from a Poulidor Complex". Anquetil's most humiliating race was the Trofeo Baracchi in Italy in 1962, when he had to be pushed by his partner, Rudi Altig, and was so exhausted that he hit a pillar before reaching the track on which the race finished. The Trofeo Baracchi was a 111 km race for two-man teams. Anquetil, the world's best time-triallist, and Altig, a powerful rider with a strong sprint, were favourites. But things soon went wrong. The writer Rene de Latour wrote: I got my stopwatch going again to check the length of each man's turn at the front. Generally in a race of the Baracchi type, the changes are very rapid, with stints of no more than 300 yards. Altig was at the front when I started the check -- and he was still there a minute later. Something must be wrong. Altig wasn't even swinging aside to invite Anquetil through... Suddenly, on a flat road, Anquetil lost contact and a gap of three lengths appeared between the two partners. There followed one of the most sensational things I have ever seen in any form of cycle racing during my 35 years' association with the sport -- something which I consider as great a physical performance as a world hour record or a classic road race win. Altig was riding at 30mph at the front -- and had been doing so for 15 minutes. When Anquetil lost contact, he had to ease the pace, wait for his partner to go by, push him powerfully in the back, sprint to the front again after losing 10 yards in the process, and again settle down to a 30mph stint at the front. Altig did this not just once but dozens of times. The pair reached the track on which the race finished. The timekeeper was at the entrance to the stadium, so Anquetil finished. But instead of turning on to the velodrome, he rode straight on and hit a pole. He was helped away with staring eyes and with blood streaming from a cut to his head. The pairing nevertheless won by nine seconds. Raphael Geminiani had been Anquetil's rival as a rider; he became his strongest asset as his manager. The historian Dick Yates wrote: Raphael embarked on a policy of trying to convince Jacques of the need to win more races as he certainly had the ability to do so... Anquetil had a very strong personality so he was not easily dominated but Geminiani had an even stronger one. He never gave up the task of trying to convince Jacques of the need for more panache, how a man of his talent should have an even bigger list of important wins. As a partnership they won four Tours de France, two Giro d'Italia, the Dauphine-Libere and then next day, Bordeaux-Paris. Geminiani said of him: Today, everybody pays him homage. I nearly blow my top. I can still hear the way he was whistled when he rode. I think of the organisers of the Tour, who shortened the time trial to make him lose. His home town of Rouen organises commemorations but, me, I haven't forgotten that it was in Antwerp that he made his farewell appearance. More than once, I saw him crying in his hotel room after suffering the spitting and insults of spectators. People said he was cold, a calculator, a dilettante. The truth is that Jacques was a monster of courage. In the mountains, he suffered as though he was damned. He wasn't a climber. But with bluffing, with guts, he tore them to shreds (il les a tous couillonnes). CANNOTANSWER
Question: Why does it have such an effect?

Answer:


Ayumi Hamasaki (Bang Qi  ayumi, Hamasaki Ayumi, born October 2, 1978) is a Japanese recording artist, record producer, actress, model, spokesperson and entrepreneur. Through her entire career, she has written all her lyrical content, produced her own music, and has sometimes co-composed her music. Born and raised in Fukuoka, Hamasaki moved to Tokyo at fourteen in 1993 to pursue a career in singing and acting. In 1998, under the tutelage of Avex CEO Max Matsuura, Hamasaki released her debut single "Poker Face" and debut major-label album A Song for XX.

Born in Fukuoka Prefecture, Hamasaki was raised as an only child by her mother and grandmother. Her father had left the family when she was three and never again came into contact with her. Hamasaki's mother worked to support the family, so Hamasaki was primarily taken care of by her grandmother. She described herself as a "tomboy" when she was a teenager, and as a "strange kid" who "liked to be alone". At age seven, Hamasaki began modeling for local institutions, such as banks, in order to supplement the family's income. She continued this career path by leaving her family at fourteen and moving to Tokyo as a model under SOS, a talent agency. Her modeling career did not last long; SOS eventually deemed her too short for a model and transferred her to Sun Music, a musicians' agency. Under the name of "Ayumi", Hamasaki released a rap EP, Nothing from Nothing, on the Nippon Columbia label in 1995. She was dismissed from the label when the album failed to chart on the Oricon. After this failure, Hamasaki took up acting and starred in B-movies such as Ladys Ladys!! Socho Saigo no Hi and television dramas such as Miseinen, which were poorly received by the public. From August 1995 to March 1996, Hamasaki also co-hosted the SoundLink "magazine" Hokago no Osama (After-school King) for the Nintendo Satellaview once a week with Shigeru Izumiya. Growing dissatisfied with her job, Hamasaki quit acting and moved in with her mother, who had recently moved to Tokyo. Hamasaki was initially a good student, earning good grades in junior high school. Eventually, she lost faith in the curriculum, thinking that the subjects taught were of no use to her. Her grades worsened as she refused to put her mind to her studies. While living in Tokyo, she attempted to further her studies at Horikoshi Gakuen, a high school for the arts, but dropped out in the first year. Hamasaki did not attend school or have a job, so she spent much of her time shopping at Shibuya boutiques and dancing at Velfarre, an Avex-owned disco club. At Velfarre, she was introduced to her future producer, Max Matsuura, through a friend. After hearing Hamasaki sing karaoke, Matsuura offered her a recording deal, but Hamasaki suspected ulterior motives and turned the offer down. He persisted and succeeded in recruiting her for the Avex label in the following year. Hamasaki started vocal training, but skipped most of her classes after finding her instructors to be too rigid and the classes dull. When she confessed this to Matsuura, he sent her to New York to train her vocals under another method. During her foreign sojourn, Hamasaki frequently corresponded with Matsuura and impressed him with her style of writing. On her return to Japan, he suggested that she try writing her own lyrics. CANNOTANSWER

What did she do in her childhood that's of importance?


Answer by taking a quote from the following article:

Raven-Symone Christina Pearman (; born December 10, 1985), (sometimes credited as Raven, also known mononymously as Raven-Symone) is an American actress, singer, songwriter, model, television personality, dancer, rapper and producer. She first appeared on television in 1989 on The Cosby Show as Olivia Kendall. She released her debut album, Here's to New Dreams in 1993; the single, "That's What Little Girls Are Made Of" charted number 68 on the US Billboard Hot 100.

In 1993, one year after The Cosby Show ended, she landed the role of Nicole Lee on the show Hangin' with Mr. Cooper. She made her debut in the first episode of the show's second season, and remained until the series finale in 1997. In 1994, during her time on the show Hangin' with Mr. Cooper, she had her first big screen role in the movie The Little Rascals, playing Stymie's girlfriend. The Little Rascals earned $67.3 million worldwide during its theatrical run. In 1996, Raven-Symone and her father founded RayBlaze Records, in which she signed a distribution deal with Crash Records for her second album Undeniable, which was released in May 1999. The album sold over 2,000 in US. The album yielded one single: a cover of Stevie Wonder's "With a Child's Heart". To support the album Undeniable, she went on tour as the opening act for fellow Jive artist 'N Sync's The 'N Sync Tour in 1998/1999. In 1998, she won her first major role in theatrical movie, she was cast in the Eddie Murphy comedy Dr. Dolittle, as Charisse Dolittle, the oldest daughter of Murphy's character. Dr. Dolittle earned $294.5 million worldwide during its theatrical run. In the same year, she also appeared in Zenon: Girl of the 21st Century as Nebula, her first production under Disney. In 2001, she reprised the role of Charisse Dolittle in the sequel Eddie Murphy comedy Dr. Dolittle 2. Dr. Dolittle 2 earned $176.1 million worldwide during its theatrical run. In the same year, she participated in two episodes of the comedy series, My Wife and Kids as Charmaine, Claire's pregnant friend, her first production under ABC. CANNOTANSWER

Did it make the charts?


Which entity is this text about?

Azaria was born in Queens, New York City, the son of Eastern Sephardic Jewish parents, Ruth (Altcheck) and Albert Azaria. His grandparents on both sides hailed from Thessaloniki, from Greece's Spanish Jewish community established there after the 1492 exile from Spain. His family's spoken language at home was the Ladino language, which Azaria has described as "a strange, antiquated Spanish dialect written in Hebrew characters." Azaria's father ran several dress-manufacturing businesses, while his mother raised him and his two older sisters, Stephanie and Elise.

Azaria wrote and directed the 2004 short film Nobody's Perfect, which won the Film Discovery Jury Award for Best Short at the US Comedy Arts Festival. In January 2007, he was confirmed to be directing Outsourced, a film about two American workers who journey to get their jobs back, after their factory is moved to Mexico. In 2009, Azaria told Empire he was instead focusing on making a documentary about fatherhood. Two years later he told the Los Angeles Times that this project was "half-complete" and was "forever looking for financing to finish it." It eventually began in 2014, airing on AOL as an online series titled Fatherhood. According to AOL, the series of short episodes documents Azaria's "touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad." He has periodically returned to theatrical work, appearing in several productions. In 2003, he appeared as Bernard in a run of David Mamet's play Sexual Perversity in Chicago, along with Matthew Perry and Minnie Driver, in London's West End. Azaria made his first appearance as Sir Lancelot, the French Taunter, and four other characters in Spamalot, the musical version of Monty Python and the Holy Grail, which opened in Chicago in December 2004, before moving to the Shubert Theatre on Broadway. The show met with critical acclaim, receiving fourteen Tony Award nominations in 2005, with Azaria being nominated for Best Performance by a Leading Actor in a Musical. Reuniting with The Birdcage director Mike Nichols, and being a huge Monty Python fan, he saw it as an opportunity he could not pass up, describing it as "so much fun that I haven't realized how tiring it is", and "the most fun that I've ever had in my entire life". He took a break from the show in June 2005, with Alan Tudyk filling in for him, to work on Huff, but returned in December 2005. In late 2007 he starred in Aaron Sorkin's The Farnsworth Invention, playing RCA head David Sarnoff. In 2016, he starred in the world premiere of Dry Powder opposite Claire Danes, John Krasinski, and Sanjit De Silva, directed by Thomas Kail, at the off-Broadway Public Theater in New York City. Azaria starred in and co-wrote the third episode of the Funny or Die web-series Gamechangers, entitled "A Legend in the Booth". He played Jim Brockmire, a legendary baseball announcer, fired for a profanity-filled breakdown live on air after discovering his wife was having an affair. Azaria based the voice and style of Brockmire on several veteran sportscasters, including Bob Murphy and Phil Rizzuto. He has since appeared as Brockmire on the NFL Network's The Rich Eisen Podcast to discuss the National Football League. In November 2012, Azaria sued actor Craig Bierko over the ownership of the Brockmire voice. The case was ruled in Azaria's favour in 2014. Both actors had been using a baseball announcer voice before and since meeting at a party in 1990, but US district judge Gary Allen Feess ruled that only Azaria's voice was, as Brockmire, a defined, "tangible" character and thus subject to copyright. CANNOTANSWER


Which entity is this text about?

Mr. Bungle was an American experimental rock band from Northern California. Known for a highly eclectic style, the band often cycled through several musical genres within the course of a single song, including heavy metal, avant-garde jazz, ska and disco. Many Mr. Bungle songs had an unconventional structure and utilized a wide array of instruments and samples. Live shows often featured members dressing up (even hiding their identities with masks earlier in the band's career) and an array of cover songs.

During 1990, the band members left Eureka for San Francisco, in search of greater musical opportunities. Trey Spruance said the change in location influenced the band's style, remarking "[we were interested in] Slayer and Mercyful Fate. Later it was The Specials and Fishbone. Then we moved to San Francisco and got all sophisticated. Now we are improv snobs who rule the avant-garde universe by night, and poor, fucked-up hipsters by day." Having established a following in Northern California, Mr. Bungle was signed to Warner Bros. Records in 1990, with the label releasing all three of their studio albums during the 1990s. It has been speculated that Patton's success as frontman of Faith No More was the primary reason Warner Bros. signed the band. The Los Angeles Times stated in a 1991 article that "Under normal circumstances, you'd have to describe Mr. Bungle's chances of landing a major label deal as... a long shot." Their debut album, Mr. Bungle, was produced by jazz experimentalist John Zorn and was released on August 13, 1991. The cover featured artwork by Dan Sweetman, originally published in the story, "A Cotton Candy Autopsy" in the DC Comics/Piranha Press imprint title, Beautiful Stories for Ugly Children. The record mixed metal, funk, ska, carnival music and free jazz, but was normally described as funk metal by music critics. It received mostly positive reviews, with journalist Bill Pahnelas calling it "an incredible musical tour de force". On the style of the album, critic Steve Huey wrote in AllMusic: "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song." The first track was originally titled "Travolta". At Warner Brothers' encouragement, it was renamed Quote Unquote in later pressings, due to fears regarding a potential lawsuit. The band created a music video for the song, directed by Kevin Kerslake. However, MTV refused to air the video because of images of bodies dangling on meat hooks. The album sold well despite MTV refusing to air their video and a lack of radio airplay. Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold. Following the release of the album the band toured North America. CANNOTANSWER


Catherine Zeta-Jones, CBE (; born 25 September 1969) is a Welsh actress. Born and raised in Swansea, Zeta-Jones aspired to be an actress from a young age. As a child, she played roles in the West End productions of the musicals Annie and Bugsy Malone. She studied musical theatre at the Arts Educational Schools, London, and made her stage breakthrough with a leading role in a 1987 production of 42nd Street.

Steven Spielberg took notice of Zeta-Jones in Titanic and recommended her to Martin Campbell, who was directing The Mask of Zorro (1998) for Spielberg's production company. Campbell cast her as the leading lady in favour of Izabella Scorupco, who was his original choice for the part. Co-starring Anthony Hopkins and Antonio Banderas, the film tells the story of Zorro (Hopkins), a Mexican warrior who sets out to avenge the death of his wife and find his lost daughter Elena (Zeta-Jones). She found similarities between her "volatile" Celtic personality and her Latin character's temperament, and in preparation she studied dancing, riding and sword-fighting, and took diction lessons in Spanish. Filming the action and dance sequences while wearing heavy corsets in the humid Mexican desert proved to be a challenge for Zeta-Jones, but she found the experience "worth suffering for". The Mask of Zorro was positively received by the critics and earned over US$250 million worldwide. The role proved to be a breakthrough for her and she was nominated for the MTV Movie Award for Best Breakthrough Performance. Zeta-Jones' first release of 1999 was the heist film Entrapment, in which she starred opposite Sean Connery as a seductive insurance agent on the lookout for an art thief. Despite a negative critical reception, the film was a commercial success; Janet Maslin of The New York Times thought that the film provided Zeta-Jones a platform to "show off her slithery skills", and Desson Howe of The Washington Post called on viewers to appreciate the sex appeal she brought to the role. Later that year, Zeta-Jones appeared alongside Liam Neeson and Lili Taylor in The Haunting, a remake of the 1963 film of the same name about a team of paranormal experts who look into strange occurrences in an ill-fated mansion. The horror feature received generally poor reviews but found a significant worldwide audience. In a scathing review, the critic Mick LaSalle wrote that "Zeta-Jones seems less an actress and more a pretty face, and not an interesting one at that". After taking the supporting part of star John Cusack's romantic interest in the comedy-drama High Fidelity (2000), Zeta-Jones starred in Steven Soderbergh's Traffic (2000). In the ensemble thriller on drug abuse starring Michael Douglas and Benicio del Toro, she played Helena Ayala, the pregnant wife of a drug lord who takes over the business when her husband is arrested. Initially written by Soderbergh as a mother of two, he changed the part to that of a pregnant woman on Zeta-Jones' suggestion, to accommodate her own pregnancy. Highly profitable at the box office and critically acclaimed, Traffic was described by the Dallas Observer as "a remarkable achievement in filmmaking, a beautiful and brutal work". Edward Guthman of the San Francisco Chronicle found Zeta-Jones to be a standout among the ensemble and labelled her "sensational" in a scene in which she confronts a Tijuana dealer, adding that "through sheer conviction, she electrifies a moment that could have been absurd". The ensemble of Traffic won the SAG Award for Outstanding Cast and Zeta-Jones was nominated for the Golden Globe Award for Best Supporting Actress. CANNOTANSWER

Answer the following question by taking a quote from the article: What happened after he recommended her?


Background: Douglas Mark Rushkoff (born 18 February 1961) is an American media theorist, writer, columnist, lecturer, graphic novelist, and documentarian. He is best known for his association with the early cyberpunk culture, and his advocacy of open source solutions to social problems. Rushkoff is most frequently regarded as a media theorist and is known for coining terms and concepts including viral media (or media virus), digital native, and social currency. He has written ten books on media, technology and culture.
Context: Up to the late-1990s, Douglas Rushkoff's philosophy towards technology could be characterized as media-deterministic. Cyberculture and new media were supposed to promote democracy and allow people to transcend the ordinary. In Cyberia, Rushkoff states the essence of mid-1990s culture as being the fusion of rave psychedelia, chaos theory and early computer networks. The promise of the resulting "counter culture" was that media would change from being passive to active, that we would embrace the social over content, and that empowers the masses to create and react. This idea also comes up in the concept of the media virus, which Rushkoff details in the 1994 publication of Media Virus: Hidden Agendas in Popular Culture. This significant work adopts organic metaphors to show that media, like viruses, are mobile, easily duplicated and presented as non-threatening. Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media. Unfortunately, people often stay one step behind our media capabilities. Ideally, emerging media and technologies have the potential to enlighten, to aid grassroots movements, to offer an alternative to the traditional "top-down" media, to connect diverse groups and to promote the sharing of information. Rushkoff does not limit his writings to the effect of technology on adults, and in Playing the Future turns his attention to the generation of people growing up who understand the language of media like natives, guarded against coercion. These "screenagers", a term originated by Rushkoff, have the chance to mediate the changing landscape more effectively than digital immigrants. With Coercion (1999), Rushkoff realistically examines the potential benefits and dangers inherent in cyberculture and analyzes market strategies that work to make people act on instinct (and buy!) rather than reflect rationally. The book wants readers to learn to "read" the media they consume and interpret what is really being communicated. CANNOTANSWER
Question: Are there any other interesting aspects about this article?. Whats the answer?


Enrique Martin Morales (born December 24, 1971), commonly known as Ricky Martin, is a Puerto Rican singer, actor and author. Martin began his career at age 12 with the all-boy pop group Menudo. After five years with the group, he released several Spanish-language solo albums throughout the 1990s. He also acted on stage and on TV in Mexico, where he achieved modest stardom.

Martin was in an on-off relationship with Mexican TV host Rebecca de Alba for more than 14 years. The pair had spoken of starting a family together, and Martin had at one point considered proposing to her. In August 2008, Martin became the father of twin boys, Matteo and Valentino, born by a surrogate mother. After the success of "Livin' la Vida Loca," Martin's personal life became a subject of interest due to his large gay following, and he was questioned about his sexual orientation. In a December 2000 interview with The Mirror, Martin was asked to comment on the rumors surrounding his sexuality. He replied: "I don't think I should have to tell anyone if I am gay or not, or who I've slept with or not." On March 29, 2010, Martin publicly acknowledged his homosexuality in a post on his official website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Martin said that "these years in silence and reflection made me stronger and reminded me that acceptance has to come from within, and that this kind of truth gives me the power to conquer emotions I didn't even know existed." In 2010, prior to Martin coming out, Barbara Walters expressed some regret for pushing Martin in a 2000 interview to admit if he was gay. The Toronto Star quoted her as saying, "When I think back on it now, I feel it was an inappropriate question." Martin announced on The Oprah Winfrey Show that he was in a relationship. In 2011, during his acceptance speech of the Vito Russo Award at the 22nd GLAAD Media Awards, Martin publicly thanked his boyfriend, Carlos Gonzalez Abella, an economist. His relationship with Gonzalez Abella ended in January 2014. Martin has also expressed support for same-sex marriage in an interview on Larry King Live. Ricky Martin delivered a speech at the United Nations Homophobia Conference on November 12, 2012. Beginning April 2016, he started dating Syrian Swedish painter Jwan Yosef. The two announced their engagement on 16 November 2016, while on the Ellen DeGeneres Show. In January 2018, Martin announced that he and Yosef are married. CANNOTANSWER

Who did he date before Jwan Yosef?


The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the "second wave" of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records.

After signing to Doghouse, the band drove to Chicago to record their debut full-length album with producer Bob Weston of Shellac. The album was recorded in only two days, with the band leaving on Friday after Ryan Pope got out of school and finishing in the early hours of Sunday morning. Two months after recording the album, the band embarked on their first national tour with Braid and Ethel Meserve with the first date of the tour taking place the day after Ryan's high school graduation. It was on that tour that the band met James Dewees, the new drummer for Coalesce while the bands were playing together in Wilkes-Barre, Pennsylvania. After the show, the members of the two bands became close friends, eventually leading them to record a split 7-inch produced by Ed Rose entitled "The Get Up Kids / Coalesce". For the split, each band covered one of the other's songs in their own style. Coalesce did a post-hardcore cover of "Second Place", and The Get Up Kids recorded a power-pop rendition of "Harvest of Maturity". A few months later, the band released their debut full-length record Four Minute Mile, bringing a great deal of attention from critics, fans and labels alike. The band was invited to join Braid on their 1998 tour of Europe and the band rapidly created an overseas fanbase. While the band was receiving rapidly increasing national and international attention, they became unhappy with Doghouse Records' ability to keep up with the increasing popularity of the band. The Get Up Kids' announcement to leave Doghouse Records brought interest from prominent record labels including Sub Pop, Geffen and Mojo Records. The band made a decision to sign to Mojo, but before the contracts were signed, they began to have second thoughts. The main issue was over the label's insistence on owning merchandising rights, a large source of the band's income. Moreover, the band was insulted the label requested they re-record "Don't Hate Me" from Four Minute Mile for their next record, feeling that the label believed it was "the best that [they could] write". Before the deal with Mojo was official, the band met Rich Egan, founder of Los Angeles-based Vagrant Records. He convinced the band to sign to Vagrant instead, offering them $50,000 to record a second album, as well as their own imprint, Heroes & Villains Records. In 1998, James Dewees recorded his first solo album under the pseudonym Reggie and the Full Effect. While Dewees wrote the songs himself, he asked Matt Pryor and Rob Pope to help record some of the instrumentals. The resulting album, Greatest Hits 1984-1987 leaned heavily on the use of synthesizer keyboards for its sound. Their work together on the Reggie and the Full Effect album led Pryor to invite Dewees to collaborate with The Get Up Kids on Red Letter Day, a five-track EP produced by Ed Rose to fulfill their two-record deal with Doghouse. The cleaner, more focused sound of the EP provided the chance to experiment with the inclusion of keyboards and acts as a sonic bridge between the raw sound of Four Minute Mile and the more dynamic, produced style of their next studio album. After the release of Red Letter Day, Dewees became a full-time member as the band began recording their second studio album in Los Angeles in June 1999 with producer Alex Brahl. Before the album went into production, Vagrant Records co-owner John Cohen borrowed money from his parents, who had mortgaged their house in order to fund the production of the album. On September 21, 1999, the band released Something to Write Home About on Vagrant Records. The album's lyrics reflected the record label strife the band had experienced and their distance between friends and family back home after their move to Los Angeles. Something to Write Home About has been singled out as the band's only 'true' emo album, as the album's aesthetic fit more into the contemporary definition of the genre. Furthermore, the album single-handedly turned the struggling Vagrant label into one of the top indie labels in the country, selling over 140,000 copies after its release. Not only did the album make The Get Up Kids the poster children for emo, but it also launched the genre into a public consciousness broader than the scattered local scenes that had previously embraced it. The album gave Vagrant Records the financial backing to grow and sign a string of other bands. At the same time, the addition of keyboards alienated some fans who thought it moved the band away from the contemporary punk scene's DIY ethic. The Get Up Kids toured relentlessly for almost three years in promotion of the record. As well as touring Europe, Japan, and Australia, they shared bills with acts such as Green Day, The Anniversary, Koufax, Hot Rod Circuit, Jebediah, Weezer and Ozma. Their 2000 tour with The Anniversary and Koufax was sponsored by Napster. Their fanbase kept expanding through word of mouth. Venues booked months in advance could no longer hold the demand by the time the band arrived in town and fans were forced to stand outside to see them perform. To capitalize on anticipation for the band's next album, Vagrant Records released a rarities compilation Eudora in 2001. Eudora consisted of alternate takes, covers, and B-sides since the band's formation. Likewise, Doghouse released a re-mastered edition of Four Minute Mile and a compilation entitled The EPs: Woodson and Red Letter Day, combining the two Doghouse-owned EPs on one compact disc. In 2003 the band began recording their fourth studio album. The album would be the first recorded in Black Lodge Studios in Eudora, Kansas, a studio renovated and owned by the Pope brothers and producer Ed Rose. The writing process for the album was different from their past efforts, as most of the songs were written by only three of the band members. In the early stages of writing, Jim Suptic was on his honeymoon. James Dewees was involved in a difficult divorce, and much of his creative efforts inspired by those events went into the fourth Reggie and the Full Effect album Songs Not to Get Married To. While this led to a less collaborative effort than in the past, it gave the Pope brothers a more substantial role in writing than ever before. In an interview with Alternative Press, Pryor confirmed the song "Never Be Alone" was written by Rob Pope about his 2003 divorce from The Anniversary keyboardist Adrianne Verhoeven. This fractured approach to the writing process began to strain relationships in the band, at one point leading Suptic to consider quitting the band. Pryor drew lyrical inspiration from the lives of friends and people he knew, extracting stories of abuse, betrayal and guilt. The album's lyrics also delve into incidents of adultery ("Wouldn't Believe It", "How Long Is Too Long") and the album's first single "The One You Want" is said to be about a woman who Pryor says "Sucks the soul out of people". In March 2004, the band released their fourth studio album Guilt Show, produced by Ed Rose. Sonically, the album combined the more measured, sophisticated sound of On a Wire with the frenetic style of their earlier work. Guilt Show, which was titled after a misreading of a flier saying "Quilt show", was very well received both critically and commercially. The more pop-driven tone of the album reunited the band with many fans who were disenchanted after On a Wire, while also staying close enough to the evolution of the last album to interest newer fans and critics. However, their return was overshadowed by the booming popularity of other contemporary emo bands such as Dashboard Confessional, who invited the band to open for them on the 2004 Honda Civic Tour. CANNOTANSWER

Using a quote from the above article, answer the following question: How was this album taken by the public?


Background: The Mamas & the Papas were an American folk rock vocal group who recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971 to record the album People Like Us but did not perform outside their recording studio at that time. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips nee Gilliam. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.
Context: After completing their brief East coast tour, the group started work immediately on its third album, The Mamas & The Papas Deliver, which was recorded in the autumn of 1966. The first single from the album, "Look Through My Window", was released in September 1966 (before the last single from The Mamas and the Papas). It reached number twenty-four in the US, but did not chart in the UK. The second single, "Dedicated to the One I Love" (February 1967), did much better, peaking at number two in both the US and the UK. That success helped the album, also released in February 1967, reach number two in the US and number four in the UK. The third single, "Creeque Alley" (April 1967), chronicled the band's early history. It peaked at number five in the US and number nine in the UK. The strain on the group was apparent when they performed indifferently at the first Monterey International Pop Festival in June 1967, as can be heard on Historic Performances Recorded at the Monterey International Pop Festival (1970). The band was badly under-rehearsed - partly because John and Michelle Phillips and Lou Adler were preoccupied with organizing the festival, partly because Doherty arrived at the last minute from another sojourn in the Virgin Islands, and partly, it is said, because he was drinking heavily in the aftermath of his affair with Michelle Phillips. They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener), which both John and Michelle Phillips would remember as the apex of the band's career: "There would never be anything quite like it again." Deliver was followed in October 1967 by the non-album single "Glad to Be Unhappy", which reached number twenty-six in the US. "Dancing Bear" from the group's second album was released as a single in November. It peaked at number fifty-one in the US. Neither of these singles charted in the UK. CANNOTANSWER
Question: Did the album do well?. Whats the answer?


Which entity is this text about?

Jack William Nicklaus (born January 21, 1940), nicknamed The Golden Bear, is an American retired professional golfer. He is widely regarded as the greatest golfer of all time, winning a record 18 career major championships, while producing 19 second-place and 9 third-place finishes, over a span of 25 years. Nicklaus focused on the major championships--Masters Tournament, U.S. Open, Open Championship and PGA Championship--and played a selective schedule of regular PGA Tour events, yet still finished with 73 victories, third on the all-time list behind Sam Snead (82) and Tiger Woods (79).

In 1980, Nicklaus recorded only four top-10 finishes in 14 events, but two of these were record-setting victories in majors (the U.S. Open and the PGA Championship); the other two were a tie for fourth in The Open Championship and a runner-up finish in the Doral-Eastern Open to Raymond Floyd via his chip-in birdie on the second hole of a sudden-death playoff. These victories and placements more than justified the work Nicklaus put in toward his game during the off-season. Nicklaus set a new scoring record for the 1980 U.S. Open with an aggregate of 272, eclipsing his earlier record of 275 from 1967 over the same golf course. That record, while since having been tied by three other players, stood until Rory McIlroy's 268 in winning the 2011 US Open. This was Nicklaus's second major win at Baltusrol Golf Club. Nicklaus opened with a record-tying 63 in round one and fought off his playing partner of all four rounds, 1978 Colgate World Match Play Championship winner, Isao Aoki. Entering the final round, Aoki had caught Nicklaus after three consecutive rounds of 68, but over the course of the last day, Nicklaus pulled away by two shots. Each player birdied the final two holes for a dramatic finish. Aoki's aggregate of 274 was the lowest score for a U.S. Open runner-up. Nicklaus' win was his fourth and final victory in the championship, tying him with Willie Anderson, Bobby Jones, and Ben Hogan. Nicklaus referred to this win as "by far the most emotional and warmest reaction to any of my wins in my own country". In the 1980 PGA Championship, Nicklaus set another record in winning the championship by seven shots over Andy Bean at the Oak Hill Country Club, largely due to exceptional putting. Nicklaus shot an even-par 70 in the first round followed by three successive rounds in the 60s over the difficult course, and was the only player to break par for the 72 holes. For the week, the field averaged 74.60 strokes while Nicklaus averaged 68.50. This was Nicklaus' fifth and final victory in the PGA Championship, which elevated him to record-holder for the most wins in the stroke-play era, and which tied him with Walter Hagen for the most wins overall, since Hagen's victories were all during the match-play era. Nicklaus' seven-shot winning margin remained the largest for the stroke-play version of the championship until Rory's McIroy's 2012 victory. This victory also made Nicklaus the only player since Gene Sarazen in 1922 and Ben Hogan in 1948 to win the U.S. Open and PGA Championship the same year (subsequently equaled by Tiger Woods in 2000). Between 1981 and 1985, Nicklaus accumulated seven more top-10 placements in major championships, including three runner-up performances. He won only twice on the PGA Tour during this period, the Colonial National Invitation in 1982 and his own Memorial Tournament in 1984 for the second time, defeating Andy Bean in a sudden-death playoff to become the tournament's first repeat champion. In 1983, Nicklaus closed out the PGA Championship and World Series of Golf with brilliant final rounds in the mid-60's, and passed many players to move into contention, but finished runner-up in each to Player of the Year Hal Sutton and Nick Price, respectively, who dominated the tournaments from start to finish. Despite not winning a PGA Tour event in 1983, Nicklaus finished 10th on the PGA Tour money list, and passed a significant milestone by becoming the first player to eclipse the $4 million level in career earnings. In 1985, Nicklaus finished second to Curtis Strange in the Canadian Open, which marked his seventh and final second-place finish in that tournament; this is a record for that event. These seven runner-up finishes came over the course of 21 events--or one second-place finish for every three tournaments played--and does not include a third-place finish in 1983, one shot out of the playoff between John Cook and Johnny Miller. During the five-year period between 1981 and 1985, the Ryder Cup matches provided Nicklaus with two bright spots. He completed his competition as a player in style by contributing a perfect 4-0-0 record (inclusive of a 5 & 3 anchor singles match win over Eamonn Darcy) in 1981, and captained the United States team in 1983 to a one-point win over Europe. Nicklaus became eligible to join the Senior PGA Tour, now known as PGA Tour Champions, when he turned 50 in January 1990, at which point he declared, "I'm never satisfied. Trouble is, I want to play like me--and I can't play like me anymore." He then quickly won in his first start on the Tour, The Tradition, also a Senior Tour major championship. Nicklaus would go on to win another three Traditions--the final two in succession--while the most anyone else has won is two. Later in the year, Nicklaus won the Senior Players Championship by six shots over Lee Trevino for his second win of the year, and also his second major of the year by shooting a record 27-under par 261. The next year, in 1991, Nicklaus won three of the five events he started in, those being the U.S. Senior Open at Oakland Hills by firing a 65 in a playoff against Chi-Chi Rodriguez and his fine round of 69, the PGA Seniors Championship and The Tradition for the second year straight. These, again, were all majors on the senior circuit. Nicklaus has won all the senior majors with the exception of the Senior Open Championship (also known as the Senior British Open). However, he never played in that event until after he turned 60, and it was only elevated to a major in 2003. After a winless year in 1992, Nicklaus came back to win the U.S. Senior Open for the second time in 1993 by one shot over Tom Weiskopf. Also in that year he teamed up with Chi-Chi Rodriguez and Raymond Floyd to win the Wendy's 3-Tour Challenge for the Senior PGA Tour team. In 1994, Nicklaus won the Senior PGA Tour's version of the Mercedes Championship for his only win of the year. The Tradition was his again in 1995, in a year where he made the top 10 in all of the seven tournaments he entered in. His 100th career win came the next year, when he won the Tradition for the fourth time, and second time in succession. He made a double eagle in the final round. Nicklaus closed the final 36 holes with back-to-back seven-under par rounds of 65 to shoot a 16-under par 272 and win by three shots over Hale Irwin. This was to be his last win on the Senior PGA Tour, and the last official win of his career. CANNOTANSWER


Background: Corbin Bleu Reivers (; born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the High School Musical film series (2006-2008). Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the Billboard Hot 100.
Context: Bleu's first professionally recorded song was titled "Circles" or "Circles in My Mind" for his then TV show, Flight 29 Down. Bleu signed a contract with Hollywood Records, a Disney-owned label. His debut album Another Side, was released in May 2007. The album debuted at No. 36 on the Billboard 200 album charts, selling 18,000 in its first week. The album fuses rhythm and blues with hip-hop and other pop genres in an upbeat, wholesome commercial blend. Bleu, who admires Prince, Michael Jackson, and Justin Timberlake, cowrote five songs on the album. In 2007 he toured in support of Another Side with the teen sister duo Aly & AJ. Blue worked with Ne-Yo on "I Get Lonely," and with other performers such as Matthew Gerrard and Eric Hudson. A music video for his first single, "Push It to the Limit", premiered on the Disney Channel, and was used to promote the movie Jump In! "Push It to the Limit" reached the Top 20 on the Billboard Hot 100, and his second single, "Deal With It", was originally written and sung by Jay Sean. He later gave it to Corbin Bleu, whose version of the song features background vocals by Jay Sean. The song earned Jay Sean a BMI Songwriter Award. peaking at No. 15. He sings the duet "Still There For Me" with Vanessa Hudgens for him debut album. Bleu toured with fellow High School Musical cast members from late November 2006 to late January 2007 in High School Musical: The Concert, and with Drake Bell and Aly & AJ performing in about 40 different cities. To promote his debut album, Bleu performed at the Nextfest tour with the teen sister duo Aly & AJ and Drake Bell with Special Guest Bianca Ryan. On Another Side, he wrote or co-wrote five of the album's twelve songs. He wrote two songs that appear as bonus tracks on the European version. One of those tracks was titled "Shake It Off", an ode to the musician Prince. His debut single "Run It Back Again", The song has been featured in movie Minutemen, on January 22, 2008. The song is also featured on Radio Disney Jams, Vol. 10. CANNOTANSWER
Question: Is the song featured on anything else?

Answer:


Background: Ludwig Josef Johann Wittgenstein (; German: ['vItg@n,StaIn]; 26 April 1889 - 29 April 1951) was an Austrian-British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. From 1929 to 1947, Wittgenstein taught at the University of Cambridge. During his lifetime he published just one slim book, the 75-page Tractatus Logico-Philosophicus (1921), one article, one book review and a children's dictionary.
Context: Ray Monk writes that Karl's aim was to turn his sons into captains of industry; they were not sent to school lest they acquire bad habits, but were educated at home to prepare them for work in Karl's industrial empire. Three of the five brothers would later commit suicide. Psychiatrist Michael Fitzgerald argues that Karl was a harsh perfectionist who lacked empathy, and that Wittgenstein's mother was anxious and insecure, unable to stand up to her husband. Johannes Brahms said of the family, whom he visited regularly: "They seemed to act towards one another as if they were at court." The family appeared to have a strong streak of depression running through it. Anthony Gottlieb tells a story about Paul practicing on one of the pianos in the Wittgensteins' main family mansion, when he suddenly shouted at Ludwig in the next room: "I cannot play when you are in the house, as I feel your scepticism seeping towards me from under the door!" The family Palace housed seven grand pianos and each of the siblings pursued music "with an enthusiasm that, at times, bordered on the pathological." The eldest brother, Hans, was hailed as a musical prodigy. At the age of four, writes Alexander Waugh, Hans could identify the Doppler effect in a passing siren as a quarter-tone drop in pitch, and at five started crying "Wrong! Wrong!" when two brass bands in a carnival played the same tune in different keys. But he died in mysterious circumstances in May 1902, when he ran away to America and disappeared from a boat in Chesapeake Bay, most likely having committed suicide. Two years later, aged 22 and studying chemistry at the Berlin Academy, the third eldest brother, Rudi, committed suicide in a Berlin bar. He had asked the pianist to play Thomas Koschat's "Verlassen, verlassen, verlassen bin ich" ("Forsaken, forsaken, forsaken am I"), before mixing himself a drink of milk and potassium cyanide. He had left several suicide notes, one to his parents that said he was grieving over the death of a friend, and another that referred to his "perverted disposition". It was reported at the time that he had sought advice from the Scientific-Humanitarian Committee, an organization that was campaigning against Paragraph 175 of the German Criminal Code, which prohibited homosexual sex. His father forbade the family from ever mentioning his name again. The second eldest brother, Kurt, an officer and company director, shot himself on 27 October 1918 at the end of World War I, when the Austrian troops he was commanding refused to obey his orders and deserted en masse. According to Gottlieb, Hermine had said Kurt seemed to carry "...the germ of disgust for life within himself." Later Wittgenstein wrote: "I ought to have... become a star in the sky. Instead of which I have remained stuck on earth." CANNOTANSWER
Question: Did their deaths influence Wittgenstein's work?. Whats the answer?


In Greek mythology, the Minotaur (, ; Ancient Greek: Minotauros [mi:no:tauros], Latin: Minotaurus, Etruscan: Thevrumines) is a mythical creature portrayed in Classical times with the head of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". The Minotaur dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, on the command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus.

After he ascended the throne of the island of Crete, Minos competed with his brothers to rule. Minos prayed to Poseidon, the sea god, to send him a snow-white bull, as a sign of support (the Cretan Bull). He was to kill the bull to show honor to the deity, but decided to keep it instead because of its beauty. He thought Poseidon would not care if he kept the white bull and sacrificed one of his own. To punish Minos, Poseidon made Pasiphae, Minos's wife, fall deeply in love with the bull. Pasiphae had craftsman Daedalus make a hollow wooden cow, and climbed inside it in order to mate with the white bull. The offspring was the monstrous Minotaur. Pasiphae nursed him, but he grew and became ferocious, being the unnatural offspring of a woman and a beast; he had no natural source of nourishment and thus devoured humans for sustenance. Minos, after getting advice from the oracle at Delphi, had Daedalus construct a gigantic labyrinth to hold the Minotaur. Its location was near Minos' palace in Knossos. The Minotaur is commonly represented in Classical art with the body of a man and the head and tail of a bull. One of the figurations assumed by the river spirit Achelous in seducing Deianira is as a man with the head of a bull, according to Sophocles' Trachiniai. From Classical times through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's Mythology (1942). CANNOTANSWERAnswer this question using a quote from the following article:

did he beat them and become ruler?