The British Band was a mixed-nation group of Native Americans commanded by the Sauk leader Black Hawk, which fought against Illinois and Michigan Territory militias during the 1832 Black Hawk War. The band was composed of about 1,500 men, women, and children from the Sauk, Meskwaki, Fox, Kickapoo, Potawatomi, Ho-Chunk, and Ottawa nations; about 500 of that number were warriors. Black Hawk had an alliance with the British that dated from the War of 1812, giving them their colloquial name. The band crossed the Mississippi River from Iowa into Illinois in an attempt to reclaim their homeland and in violation of several treaties.

Sauk warrior Black Hawk, the leader of a band of Sauks near Rock Island at Saukenuk, was always in opposition to ceding Native American lands to white settlers and their governments. Black Hawk supported the invalidity of the Treaty of St. Louis (1804) of both the Sauk and Fox nations negotiated with the then Indiana Territory Governor William Henry Harrison. The treaty ceded territory, including Black Hawk's birthplace Saukenuk, to the United States. The Sauk are a consensus decision making society. Their representatives exceeded the authorization of merely taking under consideration what terms the United States government might put forth, bring them back to reach a consensus and then return with their treaty terms. The lack of the tribe discussing the treaty prior to being made official made it invalid by Black Hawk and other members of the tribe. The representatives never had the tribal authorization to unilaterally cede its lands. During the War of 1812 between the United Kingdom and the United States, Colonel Robert Dickson, an English fur trader, amassed a sizable force of Native Americans at Green Bay to assist the British in operations around the Great Lakes. Most of the warriors Dickson assembled were from the Potawatomi, Ho-Chunk, Kickapoo and Ottawa tribes. Dickson bestowed the rank of brevet Brigadier General on Black Hawk. He was given command of all Native Americans gathered at Green Bay, including the 200 Sauk warriors under Black Hawk's control. Black Hawk was then presented with a silk flag, a medal, and a written certificate of good behavior and alliance with the British. The certificate would be found 20 years later, after the Battle of Bad Axe, carefully preserved along with a flag similar to the one Dickson gave to Black Hawk. During the 1812 war, Black Hawk and his warriors fought in several engagements with Henry Procter on the borders of Lake Erie. He returned home to Saukenuk to find his rival Keokuk had become the tribe's war chief. After the war ended, Black Hawk signed a peace treaty in May 1816 that re-affirmed the treaty of 1804, a provision Black Hawk later protested ignorance of. Despite opposition by Keokuk and the US authorities, Black Hawk's band returned to Saukenuk in 1830 following their winter hunt. A year later they returned again, and Illinois Governor John Reynolds proclaimed it an "invasion of the state." Responding to Illinois Governor John Reynolds' call, General Edmund Pendleton Gaines brought his federal troops from St. Louis, Missouri to Saukenuk to insist on Black Hawk's immediate departure. Black Hawk left but soon returned to the west side of the Mississippi, threatened by Gaines' troops and an additional 1,400 militia called up by Reynolds on 25 June 1831. On 30 June, Black Hawk and the chiefs of the British Band were forced to sign a surrender agreement in which they promised to remain west of the Mississippi. At the end of 1831, stories spread throughout the settlements of the Upper Mississippi River Valley that the British planned to aid Black Hawk in the event of a war with the white settlers. According to U.S. Indian Agent Felix St. Vrain, a known ne'er-do-well named Billy Caldwell had delivered a message to the Sauk which reported the alleged British intentions. The New Galenian of Galena reported that Black Hawk's band would receive aid and ammunition from the British, and the tale was widely believed. The militia commander at Fort Armstrong, Major John Bliss, informed General Henry Atkinson of the rumor, and said a follower of Keokuk had reported to him that Black Hawk and Neapope were holding talks with bands of Potawatomi, Kickapoo, and Ho-Chunk. The talks mentioned the promises of the British, as well as word that the French Canadians intended to assist them. These events, combined with Black Hawk's 1812 alliance with the British, and occasional visits to Canada, attributed to his 1832 band becoming known by the moniker British Band. The term British Band was used frequently by American, Sauk, and Fox observers alike and served to distinguish Black Hawk's group from the rest of the tribes. When Black Hawk's Band crossed the Mississippi River from Iowa in April 1832 to return to their homeland in the Rock River Valley, it was under a British flag. Potawatomi Chief Shabbona stated it was the same flag that had been given on a visit to the British in Malden, Ontario, Canada. Observers at the time, from George Davenport, to St. Vrain, were certain that Black Hawk's intentions were to wage war against the United States. Historians generally believe that a more decisive action by General Atkinson, charged with prosecuting the war, in stopping Black Hawk's Band from moving up the Rock River may have prevented the war. Zachary Taylor made similar observations shortly after the war ended. In response to Black Hawk and his band's movements, Governor Reynolds issued a proclamation on 16 April, mustering five brigades of volunteers to form at Beardstown and to head north to force Black Hawk out of Illinois. Although one-third of all federal troops from the United States Army were eventually involved in the conflict, the 9,000 soldiers from the Illinois Militia provided the majority of U.S. combatants. The first named confrontation of the Black Hawk War occurred on 14 May 1832 and resulted in an unexpected victory for Black Hawk's band of Sauk and Fox warriors over the disorganized militia under the command of Isaiah Stillman. Soon after the Battle of Stillman's Run, at present-day Stillman Valley, the exaggerated claim that 2,000 "bloodthirsty warriors ... sweeping all northern Illinois with the bosom of destruction" sent shock waves of terror through the region. After this initial skirmish, Black Hawk led many of the civilians in his band to the Michigan Territory. On 19 May, the militia traveled up the Rock River trailing and searching for Black Hawk and his band. Several small skirmishes and massacres ensued over the next month in northern Illinois and present-day southern Wisconsin before the militia was able to regain public confidence in battles at Horseshoe Bend and Waddams Grove. CANNOTANSWERAnswer this question using a quote from the following article:

Why did black hawk support teh invalidity  of the treaty of St. Louis?


Saint Thomas Aquinas  (; Italian: Tommaso d'Aquino, lit. 'Thomas of Aquino'; 1225 - 7 March 1274) was an Italian Dominican friar, Catholic priest, and Doctor of the Church. He was an immensely influential philosopher, theologian, and jurist in the tradition of scholasticism, within which he is also known as the Doctor Angelicus and the Doctor Communis.

In 1245 Thomas was sent to study at the Faculty of the Arts at the University of Paris, where he most likely met Dominican scholar Albertus Magnus, then the holder of the Chair of Theology at the College of St. James in Paris. When Albertus was sent by his superiors to teach at the new studium generale at Cologne in 1248, Thomas followed him, declining Pope Innocent IV's offer to appoint him abbot of Monte Cassino as a Dominican. Albertus then appointed the reluctant Thomas magister studentium. Because Thomas was quiet and didn't speak much, some of his fellow students thought he was slow. But Albertus prophetically exclaimed: "You call him the dumb ox, but in his teaching he will one day produce such a bellowing that it will be heard throughout the world." Thomas taught in Cologne as an apprentice professor (baccalaureus biblicus), instructing students on the books of the Old Testament and writing Expositio super Isaiam ad litteram (Literal Commentary on Isaiah), Postilla super Ieremiam (Commentary on Jeremiah) and Postilla super Threnos (Commentary on Lamentations). Then in 1252 he returned to Paris to study for the master's degree in theology. He lectured on the Bible as an apprentice professor, and upon becoming a baccalaureus Sententiarum (bachelor of the Sentences) devoted his final three years of study to commenting on Peter Lombard's Sentences. In the first of his four theological syntheses, Thomas composed a massive commentary on the Sentences titled Scriptum super libros Sententiarium (Commentary on the Sentences). Aside from his masters writings, he wrote De ente et essentia (On Being and Essence) for his fellow Dominicans in Paris. In the spring of 1256 Thomas was appointed regent master in theology at Paris and one of his first works upon assuming this office was Contra impugnantes Dei cultum et religionem (Against Those Who Assail the Worship of God and Religion), defending the mendicant orders, which had come under attack by William of Saint-Amour. During his tenure from 1256 to 1259, Thomas wrote numerous works, including: Questiones disputatae de veritate (Disputed Questions on Truth), a collection of twenty-nine disputed questions on aspects of faith and the human condition prepared for the public university debates he presided over on Lent and Advent; Quaestiones quodlibetales (Quodlibetal Questions), a collection of his responses to questions posed to him by the academic audience; and both Expositio super librum Boethii De trinitate (Commentary on Boethius's De trinitate) and Expositio super librum Boethii De hebdomadibus (Commentary on Boethius's De hebdomadibus), commentaries on the works of 6th-century Roman philosopher Boethius. By the end of his regency, Thomas was working on one of his most famous works, Summa contra Gentiles. CANNOTANSWER

When did he go to Paris?


Atomic Kitten are a British pop girl group formed in Liverpool in 1998 whose current members are Natasha Hamilton and Liz McClarnon. The band was founded by Colin Pulse, who served as principal songwriter during Atomic Kitten's early years. The group's debut album Right

Following the success of Right Now, a new album, Feels So Good, was recorded. The songwriting and production agreement with Andy McCluskey and Stuart Kershaw was an increasing source of tension within the group, and the pair departed during the recording of the album. McCluskey spoke of dissension between himself and the record company, whose "formula" demanded "'Whole Again', 'Whole Again' and more fucking 'Whole Again'"; he was essentially dismissed and legally prohibited from contacting the band, before exiting the "very dirty" business of "manufactured pop". Released tracks from Feels So Good were "It's OK", "The Tide Is High (Get the Feeling)", "The Last Goodbye","Love Doesn't Have to Hurt", and "Be With You". The unreleased single was "Feels So Good" sung by Kylie Minogue and Atomic Kitten. "The Last Goodbye" was the 3rd single from their second studio album, Feels So Good and "Be With You" was from their third album, Ladies Night. The first single, "It's OK", peaked at number three in the United Kingdom. The next single was "The Tide Is High (Get the Feeling)", a remake of the 1965 song by The Paragons that Blondie covered in 1980, which gave the group their third number-one single in the UK and New Zealand. In April 2002 Hamilton announced that she was pregnant but opted to continue with the scheduled 2002 tour, appear in the "Tide is High (Get the Feeling)" video, and appear at Party in the Park before going on maternity leave. the single "(I Wanna Be Like) Other Girls" was from the Disney movie Mulan II. There was also a Feels So Good Medley live at Party in the Park including "Be With You", "The Tide Is High (Get The Feeling)", It's OK", "Feels So Good", "The Moment You Leave Me", "Walking on the Water", and "The Last Goodbye". During January and February 2003, Atomic Kitten toured Southeast Asia, visiting Singapore, Thailand, and Korea. Hamilton, who had given birth to her son Josh on 24 August 2002, brought him on the tour. In 2002 the band sponsored a team in the British Touring Car Championship. CANNOTANSWER

Ask a question about this article.


Although Casa Grande red-on-buff continued to be produced, the pottery type that characterized this phase was Salado polychrome, primarily Gila polychrome. This ceramic type was either manufactured locally or procured as a trade ware. This phase also had the introduction the comal, similar to examples found in northern Mexico, and the production of bird-shaped effigy vessels. Examples of exotic stone and shell artifacts associated with high-status individuals - such as nose plugs, pendants, ear rings, bracelets, necklaces, and sophisticated shell inlays - indicate that the design and manufacture of jewelry reached its zenith during this phase. Other important developments were the significant increased procurement and manufacture of red ware, and the near-universal use of inhumation burial in the area north of the Gila River, both similar to the practices and traditions used by the historic O'odham. Immediately after AD 1300, Hohokam villages were reorganized along the lines experienced in the Lower Verde, Tonto Basin, and Safford Basin, in the 13th century. These compounds were composed of a large, rectangular exterior wall that either completely or more typically partially enclosed a series of contiguous courtyards and plazas delineated by interior partition walls. In turn, each courtyard may have contained one to as many as four large, rectangular, adobe-walled pitrooms, possibly associated with several utility structures. Overall, these communities were characterized by relatively compact clusters of between five and 25 adobe-walled compounds, which tended to be grouped around a single very large and well-built compound that often had some form of large community structure, such as a platform mound or great house. Great house structures, as with the one preserved at Casa Grande Ruins National Monument, were built only at the largest communities. These stone or adobe buildings had up to four stories, and were probably used by the managerial or religious elites. They may have also been constructed to align with astronomical observations. Trade with Mexico appears to have declined, but an increased number of trade goods arrived from Pueblo peoples in the north and the east. Between AD 1350 and 1375, the Hohokam tradition lost vitality and stability, and many of the largest settlements were abandoned. Rapidly changing climatic conditions apparently substantially affected the Hohokam agricultural base and subsequently prevented the cohesion of their large communities. Repeated floods in the middle 14th century significantly deepened the Salt River bed while destroying canal heads, which required their continuous extension upstream. Soon, additional flooding removed irreplaceable segments of these extensions, which effectively rendered hundreds of miles of canals virtually useless. Because of differences in hydrology and geomorphology, these processes had a lesser impact on the irrigation systems used by the Hohokam in the Gila River basin, yet these were abandoned, as well. CANNOTANSWER

Answer this question "Did they have any particular dressing style?" by extracting the answer from the text above.


Bambang Yudhoyono is of Javanese descent. He was born in Tremas, a village in Arjosari, Pacitan Regency, East Java, to a lower-middle-class family and is the son of Raden Soekotjo and Siti Habibah. His name is Javanese, with Sanskrit roots. Susilo comes from the words su-, meaning good and -sila, meaning behaviour, conduct or moral.

The name Yudhoyono is not an inherited surname; most Javanese do not have surnames. Rather, he chose it for his military name-tag, and it is how he is referred to abroad. His children and grandchildren go by the name Yudhoyono, and in formal meetings and functions he is addressed as Dr. Yudhoyono. In Indonesia, he is referred to in some media as "Susilo" and is widely known as "SBY". Yudhoyono lives both in the Presidential Merdeka Palace in Jakarta and his family residence in Cikeas, Bogor with his wife, Ani Bambang Yudhoyono. First Lady Ani Yudhoyono holds a political science degree from Merdeka University, and was the first vice-chairman of her husband's Democratic Party. She is the eldest child of General (Ret.) Sarwo Edhie Wibowo, one of Indonesia's high-profile generals. The family's eldest son, Major Agus Harimurti Yudhoyono (born 1978), graduated from Taruna Nusantara High School in 1997 and the Indonesian Military Academy in 2000 and is a holder of the Adhi Makayasa Medal like his father, continuing family tradition as the best graduate of the Military Academy. In July 2006, Agus graduated from the Institute of Defense and Strategic Studies, Singapore with a master's degree in strategic studies, and is currently studying at Harvard University. Yudhoyono gave a speech at Harvard Kennedy School in September 2009 and joked that his son became "another Harvard student working for" him - some of Yudhoyono's ministers and military generals also went to Harvard. He is married to Annisa Pohan , a fashion model and the daughter of a former Bank Indonesia vice-president. The couple's daughter, Almira Tunggadewi Yudhoyono, was born on 17 August 2008. He is currently assigned as Operations Officer of 17th Airborne Infantry Battalion. The family's younger son, Edhie Baskoro Yudhoyono (born 1982), received his bachelor's degree in Economics from the Curtin University of Technology, in Perth, Western Australia and his master's degree from the Institute of Defense and Strategic Studies, Singapore. In the 2009 general election, Edhie was elected as member of Parliament from the Democratic Party and currently sits as a member of Parliament's Commission 1 dealing with international affairs. He is married to Siti Aliya Radjasa, daughter of Hatta Rajasa, one of his father's prominent Cabinet Ministers. They have two sons, Airlangga Satriadhi Yudhoyono and Pancasakti Maharajasa Yudhoyono. CANNOTANSWER

Using a quote from the above article, answer the following question: does his family live with him in the presidential residence


Answer by taking a quote from the following article:

A troubadour (English: , French: [tRubaduR]; Occitan: trobador, IPA: [truba'du]) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100-1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to Italy and Spain. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, trovadorismo in Galicia and Portugal, and that of the trouveres in northern France.

The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

What were they know to compose?


Catherine Zeta-Jones, CBE (; born 25 September 1969) is a Welsh actress. Born and raised in Swansea, Zeta-Jones aspired to be an actress from a young age. As a child, she played roles in the West End productions of the musicals Annie and Bugsy Malone. She studied musical theatre at the Arts Educational Schools, London, and made her stage breakthrough with a leading role in a 1987 production of 42nd Street.

Zeta-Jones was born in Swansea, Wales, on 25 September 1969 to David Jones, the owner of a sweet factory, and his wife Patricia (nee Fair), a seamstress. Her father is Welsh and her mother is of Irish Catholic descent. She was named after her grandmothers, Zeta Jones and Catherine Fair. She has an older brother, David, and a younger brother, Lyndon, who worked as a sales representative before venturing into film production. Zeta-Jones was raised in the suburban area of Mumbles. Because Zeta-Jones was a hyperactive child, her mother sent her to the Hazel Johnson School of Dance when she was four years old. She was educated at the Dumbarton House School, a private school in Swansea. The family came from a modest background, but their fortunes improved when they won PS100,000 in a bingo competition, allowing them to pay for Zeta-Jones' dance and ballet lessons. Zeta-Jones participated in school stage shows from a young age and gained local media attention when her rendition of a Shirley Bassey song won a Junior Star Trail talent competition. As part of a dance troupe, she routinely took trips to London, where she auditioned for roles in the theatre. At the age of nine, she was selected to play one of the orphan girls in a West End production of the musical Annie, and in her early teens, she became a national tap-dancing champion. In 1981 she played the lead role of Annie in a Swansea production of the musical, which was staged at the Swansea Grand Theatre. Two years later, she played the lead role of Tallulah in a West End production of Bugsy Malone. When she was 15, Zeta-Jones dropped out of school without obtaining O-levels and decided to live in London to pursue a full-time acting career; she was also engaged to perform in a touring production of The Pajama Game. Describing her teenage years in London, Zeta-Jones said, "I would queue up for auditions and then change my costume or put on a different leotard and audition again. It might take me two tries, but I always got the job. I figured out what they wanted". She went on to attend the independent Arts Educational Schools in Chiswick, London, for a three-year course in musical theatre. In 1987, when she was 17 years old, Zeta-Jones was picked as the second understudy to the lead actress in a West End production of 42nd Street. During one of the performances, both the star and the first understudy were unavailable, and Zeta-Jones was asked to play the role of Peggy Sawyer--a chorus girl who becomes a star. The producer was impressed by her acting ability and allowed her to play the role for the next two years. Her next stage appearance was with the English National Opera at the London Coliseum in 1989 where she played Mae Jones in Kurt Weill's Street Scene. CANNOTANSWER

Ask a question about this article.


Jan and Dean were an American rock duo consisting of William Jan Berry (April 3, 1941 - March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. Among their most successful songs was 1963's "Surf City", the first surf song to top the Hot 100. Their other charting top 10 singles were "Drag City" (1963), "The Little Old Lady from Pasadena" (1964), and "Dead Man's Curve" (1964); the last was inducted into the Grammy Hall of Fame in 2008.

Jan and Dean's career together ended with Jan Berry's death on March 26, 2004, after he suffered a seizure eight days before his 63rd birthday. Berry was an organ donor, and his body was cremated. On April 18, 2004, a "Celebration of Life" was held in Berry's memory at the Roxy Theatre on the Sunset Strip in West Hollywood, California. Attendees included Torrence, Lou Adler, Jill Gibson, and Nancy Sinatra, along with many family members, friends, and musicians associated with Jan and Dean and the Beach Boys, including the original members of Papa Doo Run Run. In February 2010, the Jan & Dean album Carnival of Sound was released on the Rhino Handmade label. The album cover was designed by Torrence. Along with the CD, there was a limited edition (1500 copies), which included a 10-track LP. The album was released in Europe in April 2010 in its original US form. In 2012, Torrence reunited with Bruce Davison, who portrayed him in the 1978 film Deadman's Curve to perform with the Bamboo Trading Company on their From Kitty Hawk To Surf City album. The songs were "Shrewd Awakening" and "Tonga Hut", which was featured on the film Return of the Killer Shrews, a sequel to the 1959 film The Killer Shrews and also "Tweet (Don't Talk Anymore)", "Drinkin' In the Sunshine", and "Star Of The Beach". The album also feature Dean's two daughters, Jillian and Katie Torrence. Torrence and his two daughters were featured in the music video of "Shrewd Awakening". Torrence now tours occasionally with the Surf City All-Stars. He serves as a spokesman for the City of Huntington Beach, California, which, thanks in part to his efforts, is nationally recognized as "Surf City USA." Dean's website, features--among other things--rare images, a complete Jan & Dean discography, a biography, and a timeline of his career with cohort Jan Berry. He currently resides in Huntington Beach, California, with his wife and two daughters. CANNOTANSWER

Answer the following question by taking a quote from the article: who attended the celebration of life?


Background: Milton Ernest "Robert" Rauschenberg (October 22, 1925 - May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, papermaking, and performance.
Context: Rauschenberg picked up trash and found objects that interested him on the streets of New York City and brought these back to his studio where they could become integrated into his work. He claimed he "wanted something other than what I could make myself and I wanted to use the surprise and the collectiveness and the generosity of finding surprises. And if it wasn't a surprise at first, by the time I got through with it, it was. So the object itself was changed by its context and therefore it became a new thing." Rauschenberg's comment concerning the gap between art and life can be seen as a statement which provides the departure point for an understanding of his contributions as an artist. In particular his series of works which he called Combines served as instances in which the delineated boundaries between art and sculpture were broken down so that both were present in a single work of art. Technically "Combines" refers to Rauschenberg's work from 1954 to 1962, but the artist had begun collaging newsprint and photographic materials in his work and the impetus to combine both painting materials and everyday objects such as clothing, urban debris, and taxidermied animals such as in Monogram continued throughout his artistic life. His transitional pieces that led to the creation of Combines were Charlene (1954) and Collection (1954) where he combined collage technique and started to incorporate objects such as scarves, comic strips, and faux architectural cornice pieces. Considered one of the first of the Combines, Bed (1955) was created by dripping red paint across a quilt. The quilt was later stretched and displayed as a work of art. Some critics according to The Daily Telegraph considered the work to be a symbol for violence and rape. Critics originally viewed the Combines in terms of the formal aspects of art, shape, color, texture, and the composition and arrangement of these. This 1960s view has changed over time so that more recently critics and art historians see the Combines as carrying coded messages difficult to decipher because there is no apparent order to the presentation of the objects. Canyon (1959) features a stuffed bald eagle which drew government ire due to the 1940 Bald and Golden Eagle Protection Act, but the stuffed angora goat with paint applied to its snout in his Monogram (1955-1959) was without controversy. CANNOTANSWER
Question: Was there a certain time period that he did combines?. Whats the answer?


Which entity is this text about?

Rush was a Canadian rock band composed of Geddy Lee (bass, vocals, keyboards), Alex Lifeson (guitars) and Neil Peart (drums, percussion, lyrics). Forming in 1968, the band went through several configurations until arriving at its longest and most popular line-up when Peart replaced original drummer John Rutsey in July 1974, two weeks before the group's first United States tour. Rush is known for its musicianship, complex compositions, and eclectic lyrical motifs drawing heavily on science fiction, fantasy, and philosophy. The band's musical style has changed several times over the years, from a blues-inspired hard rock beginning, later moving into progressive rock, and including a period marked by heavy use of synthesizers.

Rush started to deviate from its 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of its keyboard-saturated sound. Beginning with Presto (1989), the band opted for arrangements notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centrepiece of Rush's compositions. Continuing this trend, Roll the Bones (1991) extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for example exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components. This return to three-piece instrumentation helped pave the way for future albums, which would adopt a more streamlined rock formula. The transition from synthesizers to more guitar-oriented and organic instrumentation continued with Counterparts (1993) and its follow-up, Test for Echo (1996), again both produced in collaboration with Peter Collins. Up to this point, Counterparts and Test For Echo were two of Rush's most guitar-driven albums. The latter album also includes elements of jazz and swing-style drumming by Peart, which he had learned from Freddie Gruber during the interim between Counterparts and Test For Echo. In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997. After the conclusion of the Test for Echo tour in 1997, the band entered a five-year hiatus primarily due to personal tragedies in Peart's life. Peart's daughter Selena died in a car accident in August 1997, followed by the death of his wife Jacqueline from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which he travelled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 mi). At some point in his journey, Peart decided to return to the band. Peart's book Ghost Rider: Travels on the Healing Road is a chronicle of his journey. In the book, he writes of how he had told his bandmates at Selena's funeral, "consider me retired". On November 10, 1998, a three-disc live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it features recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the band's fourth live album. After a time of grief and recovery, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his bandmates he was ready to once again enter the studio and get back into the business of making music. CANNOTANSWER


Which entity is this text about?

Thomas Pynchon was born in 1937 in Glen Cove, Long Island, New York, one of three children of Thomas Ruggles Pynchon, Sr. (1907-1995) and Katherine Frances Bennett (1909-1996). His earliest American ancestor, William Pynchon, emigrated to the Massachusetts Bay Colony with the Winthrop Fleet in 1630, then became the founder of Springfield, Massachusetts in 1636, and thereafter a long line of Pynchon descendants found wealth and repute on American soil. Aspects of Pynchon's ancestry and family background have partially inspired his fiction writing, particularly in the Slothrop family histories related in the short story "The Secret Integration" (1964) and Gravity's Rainbow (1973).

Pynchon attended Oyster Bay High School in Oyster Bay, where he was awarded "student of the year" and contributed short fictional pieces to his school newspaper. These juvenilia incorporated some of the literary motifs and recurring subject matter he would use throughout his career: oddball names, sophomoric humor, illicit drug use, and paranoia. After graduating from high school in 1953 at the age of 16, Pynchon studied engineering physics at Cornell University, but left at the end of his second year to serve in the U.S. Navy. In 1957, he returned to Cornell to pursue a degree in English. His first published story, "The Small Rain", appeared in the Cornell Writer in March 1959, and narrates an actual experience of a friend who had served in the Army; subsequently, however, episodes and characters throughout Pynchon's fiction draw freely upon his own experiences in the Navy. While at Cornell, Pynchon started his friendships with Richard Farina and David Shetzline; Pynchon would go on to dedicate Gravity's Rainbow to Farina, as well as serve as his best man and as his pallbearer. Together the two briefly led what Pynchon has called a "micro-cult" around Oakley Hall's 1958 novel Warlock. Pynchon later reminisced about his college days in the introduction he wrote in 1983 for Farina's novel Been Down So Long It Looks Like Up to Me, first published in 1966. He reportedly attended lectures given by Vladimir Nabokov, who then taught literature at Cornell. Although Nabokov later said that he had no memory of Pynchon, Nabokov's wife Vera, who graded her husband's class papers, commented that she remembered his distinctive handwriting as a mixture of printed and cursive letters, "half printing, half script." In 1958, Pynchon and classmate Kirkpatrick Sale wrote part or all of a science-fiction musical, Minstrel Island, which portrayed a dystopian future in which IBM rules the world. Pynchon received his BA in June 1959. CANNOTANSWER


Cornelius Vanderbilt (May 27, 1794 - January 4, 1877), also known informally as "Commodore Vanderbilt", was an American business magnate and philanthropist who built his wealth in railroads and shipping. Born poor and having only a mediocre education, Vanderbilt used perseverance, intelligence, and luck to work his way into leadership positions in the inland water trade and invest in the rapidly growing railroad industry. He is known for owning the New York Central Railroad. As one of the richest Americans in history and wealthiest figures overall, Vanderbilt was the patriarch of a wealthy, influential family.

After Thomas Gibbons died in 1826, Vanderbilt worked for Gibbons' son William until 1829. Though he had always run his own businesses on the side, he now worked entirely for himself. Step by step, he started lines between New York and the surrounding region. First he took over Gibbons' ferry to New Jersey, then switched to western Long Island Sound. In 1831, he took over his brother Jacob's line to Peekskill, New York, on the lower Hudson River. That year he faced opposition by a steamboat operated by Daniel Drew, who forced Vanderbilt to buy him out. Impressed, Vanderbilt became a secret partner with Drew for the next thirty years, so that the two men would have an incentive to avoid competing with each other. On November 8, 1833, Vanderbilt was nearly killed in the Hightstown rail accident on the Camden and Amboy Railroad in New Jersey. Also on the train was former president John Quincy Adams. In 1834, Vanderbilt competed on the Hudson River against the Hudson River Steamboat Association, a steamboat monopoly between New York City and Albany. Using the name "The People's Line," he used the populist language associated with Democratic president Andrew Jackson to get popular support for his business. At the end of the year, the monopoly paid him a large amount to stop competing, and he switched his operations to Long Island Sound. During the 1830s, textile mills were built in large numbers in New England as the United States developed its manufacturing base. They processed cotton from the Deep South, so were directly tied to the slave societies. Some of the first railroads in the United States were built from Boston to Long Island Sound, to connect with steamboats that ran to New York. By the end of the decade, Vanderbilt dominated the steamboat business on the Sound, and began to take over management of the connecting railroads. In the 1840s, he launched a campaign to take over the most attractive of these lines, the New York, Providence and Boston Railroad, popularly known as the Stonington. By cutting fares on competing lines, Vanderbilt drove down the Stonington stock price, and took over the presidency of the company in 1847. It was the first of the many railroads he would head. During these years, Vanderbilt also operated many other businesses. He bought large amounts of real estate in Manhattan and Staten Island, and took over the Staten Island Ferry in 1838. It was in the 1830s when he was first referred to as "commodore," then the highest rank in the United States Navy. A common nickname for important steamboat entrepreneurs, by the end of the 1840s, only Vanderbilt was referred to by this nickname. CANNOTANSWERAnswer this question using a quote from the following article:

How come he focussed on steamboats?


Which entity is this text about?

The Smashing Pumpkins (or Smashing Pumpkins) are an American alternative rock band from Chicago, Illinois. Formed in 1988 by frontman Billy Corgan (lead vocals, guitar) and James Iha (guitar), the band included D'arcy Wretzky (bass guitar) and Jimmy Chamberlin (drums) in its original incarnation. It has undergone many line-up changes over the course of its existence, with the current lineup being Corgan, Chamberlin, Iha and guitarist Jeff Schroeder. Disavowing the punk rock roots of many of their alt-rock contemporaries, they have a diverse, densely layered, and guitar-heavy sound, containing elements of gothic rock, heavy metal, dream pop, psychedelic rock,progressive rock, shoegazing, and electronica in later recordings.

On June 21, 2005, the day of the release of his album TheFutureEmbrace, Corgan took out full-page advertisements in the Chicago Tribune and Chicago Sun-Times to announce that he planned to reunite the band. "For a year now", Corgan wrote, "I have walked around with a secret, a secret I chose to keep. But now I want you to be among the first to know that I have made plans to renew and revive the Smashing Pumpkins. I want my band back, and my songs, and my dreams". Corgan and Chamberlin were verified as participants in the reunion, but there was question as to whether other former members of the band would participate. In April 2007 Iha and Auf der Maur separately confirmed that they were not taking part in the reunion. Chamberlin would later state that Iha and Wretzky "didn't want to be a part of" the reunion. The Smashing Pumpkins performed live for the first time since 2000 on May 22, 2007, in Paris, France. There, the band unveiled new touring members: guitarist Jeff Schroeder, bassist Ginger Reyes, and keyboardist Lisa Harriton. That same month, "Tarantula" was released as the first single from the band's forthcoming album. On July 7, the band performed at the Live Earth concert in New Jersey. The band's new album, Zeitgeist, was released that same month on Reprise Records, entering the Billboard charts at number two and selling 145,000 copies in its first week. Zeitgeist received mixed reviews, with much of the criticism targeted at the absence of half of the original lineup. The album divided the Pumpkins' fanbase. Corgan would later admit, "I know a lot of our fans are puzzled by Zeitgeist. I think they wanted this massive, grandiose work, but you don't just roll out of bed after seven years without a functioning band and go back to doing that". Corgan and Chamberlin continued to record as a duo, releasing the four-song EP American Gothic in January 2008 and the singles "Superchrist" and "G.L.O.W." later that year. That November, the group released the DVD If All Goes Wrong, which chronicled the group's 2007 concert residences in Asheville, North Carolina and San Francisco, California. In late 2008, the band commenced on a controversy-riddled 20th Anniversary Tour. Around this time, Corgan said the group will make no more full-length records in order to focus exclusively on singles, explaining, "The listening patterns have changed, so why are we killing ourselves to do albums, to create balance, and do the arty track to set up the single? It's done." CANNOTANSWER


Small Faces were an English rock band from East London. The group was founded in 1965 by members Steve Marriott, Ronnie Lane, Kenney Jones, and Jimmy Winston, although by 1966 Winston was replaced by Ian McLagan as the band's keyboardist. The band is remembered as one of the most acclaimed and influential mod groups of the 1960s  with memorable hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing", and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They later evolved into one of the UK's most successful psychedelic acts before disbanding in 1969.

After Small Faces split, Lane, Jones and McLagan floundered briefly before joining forces with two former members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. This line-up dropped the "Small" tag and became Faces. However, hoping to capitalize on Small Faces' earlier success, record company executives wanted the band to keep their old name. The band objected, arguing the personnel changes resulted in a group altogether different from Small Faces. As a compromise, the new line-up's first album in the UK was credited as First Step by Faces, while in the US the same album was released as First Step by Small Faces. The album was only a mild commercial success, and the record companies perceived no further need to market this new line-up as "Small Faces". Accordingly, all subsequent albums by this incarnation of the band appeared under the new name Faces, on both sides of the Atlantic. However, all North American LP, cassette and CD reissues of First Step still credit the band as Small Faces. Jones and McLagan stayed with the 'sequel' group Faces until their breakup in 1975. Lane exited Faces slightly earlier, in 1973. With his backing band Slim Chance, Lane then released several singles and albums from 1973-1976, including the 1974 UK hit "How Come". Marriott's first post-Small Faces venture was with the rock group Humble Pie, formed with the former Herd member Peter Frampton. Initially, the group was a huge hit in the U.S. and the UK, but Humble Pie split in 1975 due to lack of later chart success, and Marriott went solo. CANNOTANSWER

Using a quote from the above article, answer the following question: How well did it do?


Background: Warren Edward Spahn (April 23, 1921 - November 24, 2003) was a Major League Baseball left-handed pitcher who played his entire 21-year baseball career in the National League. He won 20 games or more in 13 seasons, including a 23-7 record when he was age 42. Spahn was the 1957 Cy Young Award winner, and was the runner-up three times, all during the period when one award was given, covering both leagues. He was elected to the Baseball Hall of Fame in 1973, with 83% of the total vote.(His eligibility was delayed, under the rules of the time, by two years of token minor league play.)
Context: In 1957, Spahn was the ace of the champion Milwaukee Braves. Spahn pitched on two other Braves pennant winners, in 1948 and 1958. He had 2,583 strikeouts, which at the time of his retirement was the highest total for a left-handed pitcher in baseball history. Spahn led the NL in strikeouts for four consecutive seasons, from 1949 to 1952 (tied with Don Newcombe in 1951), which includes a single game high of 18 strike outs (then the NL record) in a 15-inning appearance on June 14, 1952. For several decades, Spahn's Hall of Fame plaque contained a typographical error, crediting him with 2,853 strikeouts. Spahn maintained that "A pitcher needs two pitches -- one they're looking for, and one to cross 'em up." He was thus able to maintain his position as one of the game's top pitchers until his 19th season in the sport. This was exemplified by his start on July 2, 1963. Facing the San Francisco Giants, the 42-year-old Spahn became locked into a storied pitchers' duel with 25-year-old Juan Marichal. The score was still 0-0 after more than four hours when Willie Mays hit a game-winning solo home run off Spahn with one out in the bottom of the 16th inning. Marichal's manager, Alvin Dark, visited the mound in the 9th, 10th, 11th, 13th, and 14th innings, and was talked out of removing Marichal each time. During the 14th-inning visit, Marichal told Dark, "Do you see that man pitching for the other side? Do you know that man is 42 years old? I'm only 25. If that man is on the mound, nobody is going to take me out of here." Marichal ended up throwing 227 pitches in the complete game 1-0 win, while Spahn threw 201 in the loss, allowing nine hits and one walk. Hall of Famer Carl Hubbell, who was in attendance that night, said of Spahn, "He ought to will his body to medical science." Spahn threw his first no-hitter against the Phillies 16 September 1960, when he was 39. He pitched his second no-hitter the following year, 28 April 1961, against the Giants. By the last two seasons of his career, Spahn was the oldest active player in baseball. He lost this distinction for a single day: September 25, 1965, when 58-year-old Satchel Paige pitched three innings. Spahn's seemingly ageless ability caused Stan Musial famously to quip, "[Spahn] will never get into the Hall of Fame. He won't stop pitching." CANNOTANSWER
Question: what is interesting about this section?. Whats the answer?


Answer by taking a quote from the following article:

Gottfried Wilhelm (von) Leibniz (; German: ['gotfRi:t 'vIlhelm fon 'laIbnIts] or ['laIpnIts]; French:

Leibniz's philosophical thinking appears fragmented, because his philosophical writings consist mainly of a multitude of short pieces: journal articles, manuscripts published long after his death, and many letters to many correspondents. He wrote only two book-length philosophical treatises, of which only the Theodicee of 1710 was published in his lifetime. Leibniz dated his beginning as a philosopher to his Discourse on Metaphysics, which he composed in 1686 as a commentary on a running dispute between Nicolas Malebranche and Antoine Arnauld. This led to an extensive and valuable correspondence with Arnauld; it and the Discourse were not published until the 19th century. In 1695, Leibniz made his public entree into European philosophy with a journal article titled "New System of the Nature and Communication of Substances". Between 1695 and 1705, he composed his New Essays on Human Understanding, a lengthy commentary on John Locke's 1690 An Essay Concerning Human Understanding, but upon learning of Locke's 1704 death, lost the desire to publish it, so that the New Essays were not published until 1765. The Monadologie, composed in 1714 and published posthumously, consists of 90 aphorisms. Leibniz met Spinoza in 1676, read some of his unpublished writings, and has since been suspected of appropriating some of Spinoza's ideas. While Leibniz admired Spinoza's powerful intellect, he was also forthrightly dismayed by Spinoza's conclusions, especially when these were inconsistent with Christian orthodoxy. Unlike Descartes and Spinoza, Leibniz had a thorough university education in philosophy. He was influenced by his Leipzig professor Jakob Thomasius, who also supervised his BA thesis in philosophy. Leibniz also eagerly read Francisco Suarez, a Spanish Jesuit respected even in Lutheran universities. Leibniz was deeply interested in the new methods and conclusions of Descartes, Huygens, Newton, and Boyle, but viewed their work through a lens heavily tinted by scholastic notions. Yet it remains the case that Leibniz's methods and concerns often anticipate the logic, and analytic and linguistic philosophy of the 20th century. CANNOTANSWER

What happened next with him?


Christopher James Christie (born September 6, 1962) is an American politician, former federal prosecutor, and political commentator who served as the 55th Governor of New Jersey from 2010 to 2018. During his governorship, he chaired the Opioid and Drug Abuse Commission in 2017. Christie became an ABC News contributor in 2018 after leaving office. Christie was born in Newark and raised in Livingston.

Despite having criticized Donald Trump prior to leaving the race, he endorsed Trump on February 26, 2016. On May 9, 2016, Trump named Christie to head up a transition team in the event of a Trump presidency. He soon emerged as a major power with the Trump campaign. Trump considered Christie as a potential vice-presidential running mate, and was on the shortlist alongside former Speaker of the House Newt Gingrich and Indiana Governor Mike Pence. Trump passed over Christie and selected Pence. In September 2016, Christie acknowledged that the Fort Lee lane closure scandal, also known as Bridgegate, was a factor in his being denied the nomination. Trump had said earlier that Christie knew about the closures, which Christie denies. Following the release of Trump's tape-recorded comments on an Access Hollywood bus, Christie called Trump's comments "completely indefensible", but also added "I don't think it's the only way you should make a judgment." After calls for his impeachment as Governor and felony convictions in U.S. federal court for high-ranking members of his staff in the Bridgegate scandal, Christie was dropped by Trump as leader of the transition team, in favor of Pence. On the same day, Christie's close associates Richard Bagger and Bill Palatucci were both removed by Trump from the transition team. Former Congressman Mike Rogers, a national security expert on the Trump transition team, was additionally another close associate of Chris Christie who was also removed a few days after Christie's departure. Christie was being considered for a role in the Trump administration, but has said he will serve out his term as governor, which ended in January 2018. On December 11, it was reported that Christie turned down offers to become Secretary of Homeland Security and Secretary of Veterans Affairs, because he wanted to be Attorney General. In February 2017, it was reported that Christie turned down an offer to act as Secretary of Labor, saying he would finish his term as governor after which he would move to the private sector. CANNOTANSWER

what were his responsibiliites?


Answer by taking a quote from the following article:

William Jennings Bryan (March 19, 1860 - July 26, 1925) was an American orator and politician from Nebraska. Beginning in 1896, he emerged as a dominant force in the Democratic Party, standing three times as the party's nominee for President of the United States. He also served in the United States House of Representatives and as the United States Secretary of State under Woodrow Wilson. Because of his faith in the wisdom of the common people, he was often called "The Great Commoner".

L. Frank Baum satirized Bryan as the Cowardly Lion in The Wonderful Wizard of Oz, published in 1900. Baum had been a Republican activist in 1896 and wrote on McKinley's behalf. Inherit the Wind, a 1955 play by Jerome Lawrence and Robert Edwin Lee, is a highly fictionalized account of the Scopes Trial written in response to McCarthyism. A populist thrice-defeated Presidential candidate from Nebraska named Matthew Harrison Brady comes to a small town named Hillsboro in Tennessee to help prosecute a young teacher for teaching evolution to his schoolchildren. He is opposed by a famous trial lawyer, Henry Drummond (based on Darrow), and mocked by a cynical newspaperman (based on H.L. Mencken) as the trial assumes a national profile. A 1960 Hollywood film adaptation, written by the playwrights, was directed by Stanley Kramer and stars Spencer Tracy as lawyer Henry Drummond and Fredric March as his friend and rival Matthew Harrison Brady. Bryan also appears as a character in Douglas Moore's 1956 opera The Ballad of Baby Doe and is briefly mentioned in John Steinbeck's East of Eden. In addition, he is a (very) minor character in Thomas Wolfe's Look Homeward, Angel. His death is referred to in Ernest Hemingway's The Sun Also Rises. In Robert A. Heinlein's Job: A Comedy of Justice, Bryan's unsuccessful or successful runs for the presidency are seen as the "splitting off" events of the alternate histories through which the protagonists travel. He also has a biographical part in "The 42nd Parallel" in John Dos Passos' USA Trilogy. Vachel Lindsay's "singing poem" "Bryan, Bryan, Bryan, Bryan" is a lengthy tribute to the idol of the poet's youth. CANNOTANSWER

What did bryan mean to Vachel?


Background: Porgy and Bess is an English-language opera by the American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel of the same name. Porgy and Bess was first performed in Boston on September 30, 1935, before it moved to Broadway in New York City. It featured a cast of classically trained African-American singers--a daring artistic choice at the time.
Context: Gershwin's first version of the opera, running four hours (counting the two intermissions), was performed privately in a concert version in Carnegie Hall, in the fall of 1935. He chose as his choral director Eva Jessye, who also directed her own renowned choir. The world premiere performance took place at the Colonial Theatre in Boston on September 30, 1935--the try-out for a work intended initially for Broadway where the opening took place at the Alvin Theatre in New York City on October 10, 1935. During rehearsals and in Boston, Gershwin made many cuts and refinements to shorten the running time and tighten the dramatic action. The run on Broadway lasted 124 performances. The production and direction were entrusted to Rouben Mamoulian, who had previously directed the Broadway productions of Heyward's play Porgy. The music director was Alexander Smallens. The leading roles were played by Todd Duncan and Anne Brown. The influential vaudeville artist John W. Bubbles created the role of Sportin' Life; the role of Serena was created by Ruby Elzy. After the Broadway run, a tour started on January 27, 1936, in Philadelphia and traveled to Pittsburgh and Chicago before ending in Washington, D.C., on March 21, 1936. During the Washington run, the cast--as led by Todd Duncan--protested segregation at the National Theatre. Eventually management gave in to the demands, resulting in the first integrated audience for a performance of any show at that venue. Around 1938, much of the original cast reunited for a West Coast revival; Avon Long took on the role of Sportin' Life. Long continued to reprise his role in several of the following productions. Blevins Davis and Robert Breen produced a revival in 1952 which restored much of the music cut in the Crawford version, including many of the recitatives. It divided the opera into two acts, with the intermission occurring after Crown forces Bess to stay on Kittiwah Island. This version restored the work to a more operatic form, though not all of the recitatives were retained. In this version, Porgy and Bess was warmly received throughout Europe. The London premiere took place on October 9, 1952 at the Stoll Theatre, where the opera continued until February 10, 1953. This production's original cast featured Americans Leontyne Price as Bess, William Warfield as Porgy, and Cab Calloway as Sportin' Life, a role that Gershwin had composed with him in mind. The role of Clara was played by a young Maya Angelou. Price and Warfield met and wed while on the tour. The role of Porgy was the first for Warfield after his appearance as Joe, singing "Ol' Man River" in the popular 1951 MGM film of Show Boat. After a tour of Europe financed by the United States Department of State, the production came to Broadway's Ziegfeld Theatre in March 1953. It later toured North America. After completing its North American run in Montreal, the company embarked on an international tour, with LeVern Hutcherson as Porgy and Gloria Davy as Bess. The production first performed in Venice, Paris, and London, and in other cities in Belgium, Germany, Greece, Italy, Switzerland, and Yugoslavia. The company also made a stop at the Cairo Opera House in Egypt in January 1955. In 1955-1956 the company toured in cities in the Middle East, Africa, Russia, and Latin America. During this tour, Porgy and Bess was presented for the first time at La Scala in Milan in February 1955. A historic yet tense premiere took place in Moscow in December 1955; it was during the Cold War and the first time an American theater group had been to the Soviet capital since the Bolshevik Revolution. Author Truman Capote traveled with the cast and crew, and wrote an account included in his book The Muses Are Heard. During the 1960s and early 1970s, Porgy and Bess mostly languished on the shelves, a victim of its perceived racism. Though new productions took place in 1961 and 1964, along with a Vienna Volksoper premiere in 1965 (again with William Warfield as Porgy), these did little to change many African Americans' opinions of the work. Many music critics still had not accepted it as a true opera. A new staging of Porgy and Bess was produced by the Houston Grand Opera in 1976 under music director John DeMain; it restored the complete original score for the first time. Following its debut in Houston, the production opened on Broadway at the Uris Theatre on September 25, 1976 and was recorded complete by RCA Records. This version was very influential in turning the tide of opinion about the work. For the first time, an American opera company, not a Broadway production company, had tackled the opera. This production was based on Gershwin's original full score. It did not incorporate the cuts and other changes which Gershwin had made before the New York premiere, nor the ones made for the 1942 Cheryl Crawford revival or the 1959 film version. It allowed the public to take in the operatic whole as first envisioned by the composer. In this light, Porgy and Bess was accepted as an opera. Donnie Ray Albert and Robert Mosley alternated performances in the role of Porgy. Clamma Dale and Larry Marshall starred, respectively, as Bess and Sportin' Life. This production won the Houston Grand Opera a Tony Award--the only opera ever to receive one--and a Grammy Award. The conductor was John DeMain. CANNOTANSWER
Question: who else was in the cast?. Whats the answer?


My Bloody Valentine are a rock band formed in Dublin in 1983. Since 1987, the band's lineup has consisted of founding members Kevin Shields (vocals, guitar, sampler) and Colm O Ciosoig (drums, sampler), with Bilinda Butcher (vocals, guitar) and Debbie Googe (bass). Their music is best known for its merging of dissonant guitar textures with ethereal melody and unorthodox production techniques, and helped to pioneer the alternative rock subgenre known as shoegazing during the late 1980s and early 1990s. Following several unsuccessful early releases and membership changes, My Bloody Valentine signed to Creation Records in 1988.

In January 1988, My Bloody Valentine performed in Canterbury, opening for Biff Bang Pow!, a band that featured Creation Records founder Alan McGee. After "blowing [Biff Bang Pow!] off the stage", My Bloody Valentine were described as "the Irish equivalent to Husker Du" by McGee, who approached the band after the show and offered them an opportunity to record and release a single on Creation. The band recorded five songs at a studio in Walthamstow, East London in less than a week and in August 1988, released You Made Me Realise. The EP was well received by the independent music press and according to AllMusic's Nitsuh Abebe, the release that "made critics stand up and take notice of the brilliant things My Bloody Valentine were up to", adding "it developed some of the stunning guitar sounds that would become the band's trademark". It debuted at number 2 on the UK Indie Chart. Following the success of You Made Me Realise, My Bloody Valentine released their debut full-length studio album, Isn't Anything, in November 1988. Recorded in rural Wales, the album was a major success, receiving widespread critical acclaim, peaking at number 1 on the UK Indie Chart and influencing a number of "shoegazing" bands, who according to Allmusic, "worked off the template My Bloody Valentine established with [the album]". In February 1989, My Bloody Valentine began recording their second studio album at Blackwing Studios in Southwark, London. Creation Records believed that the album could be recorded "in five days". However, it soon "became clear that wasn't going to happen". Following several unproductive months, during which Shields assumed main duties on the musical and technical aspects of the sessions, the band relocated to a total of nineteen other studios and hired a number of engineers, including Alan Moulder, Anjali Dutt and Guy Fixsen. Due to the extensive recording time, Shields and Alan McGee agreed to release another EP and subsequently the band released Glider in April 1990. Containing the lead single "Soon", which featured the first recorded use of Shields' "glide guitar" technique, the EP peaked at number 2 on the UK Indie Chart and the band toured in summer 1990 to support its release. In February 1991, while still recording their second album, My Bloody Valentine released Tremolo, which was another critical success and topped the UK Indie Chart. Released in November 1991, Loveless was rumoured to have cost over PS250,000 and bankrupted Creation Records, claims which Shields has denied. Critical reception to Loveless was almost unanimous with praise although the album was not a commercial success. It peaked at number 24 on the UK Albums Chart but failed to chart elsewhere internationally. McGee dropped My Bloody Valentine from Creation Records soon after the release of Loveless, due to the album's extensive recording period and interpersonal problems with Shields. My Bloody Valentine signed with Island Records in October 1992 for a reported PS250,000 contract. The band's advance went towards the construction of a home studio in Streatham, South London, which was completed in April 1993. Several technical problems with the studio sent the band into "semi-meltdown", according to Shields, who was rumoured to have been suffering from writer's block. The band remained largely inactive, but they recorded and released two cover songs from 1993 to 1996--a rendering of "We Have All the Time in the World" by Louis Armstrong for Peace Together and a cover of "Map Ref. 41degN 93degW" by Wire for the tribute album Whore: Tribute to Wire. In 1995, Debbie Googe and Colm O Ciosoig left My Bloody Valentine. Googe, who briefly worked as a taxi driver following her departure, formed the indie rock supergroup Snowpony with Katharine Gifford, who also performed with Stereolab and Moonshake, and O Ciosoig relocated to the United States, forming Hope Sandoval & the Warm Inventions with Hope Sandoval of Mazzy Star. Shields and Butcher attempted to record a third studio album, which Shields claimed would be released in 1998. However, Butcher departed the band in 1997. Unable to finalise a third album, Shields isolated himself, and in his own words "went crazy", drawing comparisons in the music press to the eccentric behavior of other musicians, including Brian Wilson of The Beach Boys and Syd Barrett of Pink Floyd. Shields later became a touring member of Primal Scream, collaborated with a number of artists including Yo La Tengo, Dinosaur Jr., and Le Volume Courbe and recorded songs for the soundtrack to the 2003 film Lost in Translation. Rumours had spread amongst fans that albums worth of material had been recorded and shelved prior to the band's break up. In 1999, it was reported that Shields had delivered 60 hours of material to Island Records, and Butcher confirmed that there existed "probably enough songs to fill two albums." Shields later admitted that at least one full album of "half-finished" material was abandoned, stating "it was dead. It hadn't got that spirit, that life in it." CANNOTANSWERAnswer this question using a quote from the following article:

Did the members ever record together again after the breakup?


Background: Wayne Coleman was born into a working-class family in Phoenix, Arizona on June 07, 1943. His father was from Mississippi, and his mother, of Cherokee ancestry, was from Arkansas. Coleman was attracted to weight lifting in the fifth grade. As a teenager he was an avid reader of bodybuilding magazines, his idols being Steve Reeves and John Grimek.
Context: Graham returned to the WWWF in April 1977 after an agreement with promoter Vincent J. McMahon (Senior). Graham defeated Bruno Sammartino for the WWWF Heavyweight Championship on April 30, 1977, in Baltimore, Maryland. Graham held the title for nine and a half months. During his reign, he wrestled across America and in Japan (February 1978), facing challengers such as former champion Bruno Sammartino, Jack Brisco, Dusty Rhodes, Pedro Morales, Don Muraco, Mil Mascaras, Strong Kobayashi and Riki Choshu. On 25 January 1978 in Miami, Florida at the Orange Bowl football stadium, Graham wrestled against then-NWA World Heavyweight Champion Harley Race in a WWWF World Heavyweight Championship vs. NWA World Heavyweight Championship unification match which ended in a one-hour time-limit draw. Although a defeat by Bob Backlund, who was to embody the virtuous junior "all-American" wrestler, had been written into Graham's current contract with the WWWF, Graham suggested another outcome to McMahon: that Ivan Koloff should turn on him, thus starting a feud that would make Graham a fan favorite. McMahon refused because of the handshake deal to make Backlund the new fan favorite champion and he did not want to go back on his word. It was also unheard of for a counter-cultural character like Graham to be a fan favorite, because McMahon and many old promoters saw Graham as a confirmed heel and therefore a negative role model. Graham eventually "lost" the title to Backlund on February 20, 1978. Another feud Graham had as champion was with Dusty Rhodes, which culminated in a Texas Bullrope match. His confrontations with Rhodes continued after Graham had been forced to drop the belt to Backlund. Rhodes himself, a long-time friend of Graham's, recalled these matches with Graham in 1978 as among the most exciting and memorable of his career. Disillusioned by the premature loss of his belt, Graham left the WWWF in December 1978 and accepted an offer to join Paul Boesch's promotion in Houston, Texas, lending himself out for other NWA events in California and Florida as well. In April 1979 he embarked on his third IWA tour of Japan, where he wrestled the same men he had worked with in 1974. In March 1979, the new Continental Wrestling Association (CWA) named Graham as their World Champion. On November 8th, 1979 Graham lost the belt to Jerry Lawler in Lexington, Kentucky. His following NWA engagements in Kentucky, Tennessee, Georgia and Texas became fewer and rarer until he stopped wrestling in April 1980. Graham wrestled only two matches (one in Canada and one in Los Angeles) in the whole of 1981. He spent some time competing in Japan, where he added some martial arts techniques to his repertoire. CANNOTANSWER
Question: What happened after he defeated Bruno?. Whats the answer?


Charles Krauthammer (; born March 13, 1950) is an American syndicated columnist, author, political commentator, and former physician whose weekly column is syndicated to more than 400 publications worldwide. While in his first year studying at Harvard Medical School, Krauthammer became permanently paralyzed from the neck down after a diving accident, severing the spinal cord at C5. After spending 14 months recovering in a hospital, he returned to medical school, graduating to become a psychiatrist involved in the creation of the Diagnostic and Statistical Manual of Mental Disorders III, and later developing a career as a Pulitzer Prize-winning writer. He was a weekly panelist on PBS news program Inside Washington from 1990 until it ceased production in December 2013.

Krauthammer strongly opposed the Oslo accords and predicted that Palestinian Liberation Organization leader Yasir Arafat would use the foothold it gave him in the West Bank and the Gaza Strip to continue the war against Israel that he had ostensibly renounced in the Israel-Palestine Liberation Organization letters of recognition. In a July 2006 essay in Time, Krauthammer asserted that the Israeli-Palestinian conflict was fundamentally defined by the Palestinians' unwillingness to accept compromise. During the 2006 Lebanon War, Krauthammer wrote a column, "Let Israel Win the War": "What other country, when attacked in an unprovoked aggression across a recognized international frontier, is then put on a countdown clock by the world, given a limited time window in which to fight back, regardless of whether it has restored its own security?" He later criticized Israeli prime minister Ehud Olmert's conduct, arguing that Olmert "has provided unsteady and uncertain leadership. Foolishly relying on air power alone, he denied his generals the ground offensive they wanted, only to reverse himself later." Krauthammer supports a two-state solution to the conflict. Unlike many conservatives, he supported Israel's Gaza withdrawal as a step toward rationalizing the frontiers between Israel and a future Palestinian state. He believes a security barrier between the two states' final borders will be an important element of any lasting peace. When Richard Goldstone retracted the claim in the UN report on the 2008 Gaza war that Israel intentionally killed Palestinian civilians, including children, Krauthammer strongly criticized Goldstone, saying that "this weasel-y excuse-laden retraction is too little and too late" and called "the original report a blood libel ranking with the libels of the 19th century in which Jews were accused of ritually slaughtering children in order to use the blood in rituals." Krauthammer thought that Goldstone "should spend the rest of his life undoing the damage and changing and retracting that report." CANNOTANSWER

Ask a question about this article.


Edward "Ned" Kelly (December 1854 - 11 November 1880) was an Australian bushranger, outlaw, gang leader and convicted police murderer. One of the last bushrangers, and by far the most famous, he is best known for wearing a suit of bulletproof armour during his final shootout with the police. Kelly was born in the British colony of Victoria as the third of eight children to Irish parents. His father, a transported convict, died shortly after serving a six-month prison sentence, leaving Kelly, then aged 12, as the eldest male of the household.

Kelly's first documented brush with the law was on 15 October 1869 at the age of 14 when he was charged with the assault and robbery of Ah Fook, a pig and fowl trader of Chinese descent from Bright. According to Fook, as he was passing Kelly's house, Kelly approached him with a long bamboo stick, announcing that he was a bushranger and would kill him if he did not hand over his money. Kelly then allegedly took him into the bush, beat him with the stick and stole 10 shillings. According to Kelly, his sister Annie and two witnesses, Bill Skilling and Bill Grey, Annie was sitting outside the house sewing when Fook walked up and asked for a drink of water. Given creek water, he abused Annie for not giving him rain water, and Kelly came outside and pushed him. Fook then hit Kelly three times with the bamboo stick, causing him to run away. The visitor then walked away, threatening to return and burn the house down, and Kelly did not return until sundown. Historians find neither account convincing and believe that Kelly's account is likely true up to being hit by Fook but then Kelly probably took the stick from him and beat him with it. Kelly was arrested the following day for highway robbery and locked up overnight in Benalla. He appeared in court the following morning, but Sergeant Whelan, despite using an interpreter to translate Fook's account, requested a remand to allow time to find another interpreter. Kelly was held for four days and appearing in court on 20 October, was again remanded after the police failed to produce an interpreter. The charge was dismissed on 26 October and he was released. Sergeant Whelan disliked Kelly. Three months earlier when he had prosecuted Yeaman Gunn for possession of stolen mutton, Kelly testified that he had sold several sheep to Gunn that same day. The magistrate found Gunn guilty and fined him PS10. Furious that Kelly was not convicted for the robbery, Whelan kept a careful watch on the Kelly family and, according to fellow officers, became "a perfect encyclopedia of knowledge about them" through his "diligence". Following his court appearance, the Benalla Ensign reported, "The cunning of himself [Kelly] and his mates got him off", the Beechworth Advertiser on the other hand reported that "the charge of robbery has been trumped up by the Chinaman to be revenged on Kelly, who had obviously assaulted him". Fook described 14-year-old Kelly as being aged around 20 years. The following year, a reporter wrote that Kelly "gives his age as 15 but is probably between 18 and 20". Kelly, 5 ft 8 in (1.73 m) in height, was still physically imposing. When arrested, a 224-pound (102 kg) trooper was purportedly unable to subdue the then-15-year-old until several labourers ran to assist him and even then Kelly had to be knocked unconscious. On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". New South Wales issued rewards totalling PS4,000 for the gang, dead or alive. The Victorian Government matched that amount, making the total reward for the Kelly gang PS8,000. The Board of Officers, which included Captain Standish, Supts Hare and Sadleir, centralized all decisions about any search for the Kelly gang. The reward money had a demoralizing effect on them: "The capture of the Kellys was desired by these officers, but they were very jealous as to where they themselves would come in when the reward money would be allotted. This led to very serious quarrels among the heads...". From early March 1879 to June 1880 nothing was heard of the gang's whereabouts. As Thomas Aubrey wrote in his 1953 Mirror article, In the months after Jerilderie, public opinion turned sharply against Commissioner Standish and the 300 officers and men of the police and artillery corps who crowded into the towns of North-Eastern Victoria. Critics were quick to point out that the brave constables took good care to remain in the towns leaving the outlaws almost complete freedom of the bush, their natural home. Constable Devine felt so humiliated by being locked up in his own jail cell that he disliked mention of the Kelly gang's visit to his town. He moved to Western Australia, and became a racecourse detective, a position he held until his death in 1927. Kenneally wrote of him, "He was a high spirited man and was generally regarded as a man who would rather fight than run. It was because the Kellys recognised his courage that they did not take him out of the cell to patrol the town [as they did with Constable Richards]". CANNOTANSWER

Ask a question about this article.

Did he ever get in trouble with the law again?


Gypsy is a 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc.

In January 2011, the New York Post reported that Barbra Streisand was in negotiations to produce, direct and star in a new film version of Gypsy. In an interview with the New York Post, Arthur Laurents said, "We've talked about it a lot, and she knows what she's doing. She has my approval." He said that he would not write the screenplay. In a clarifying statement and report, The New York Times wrote that Streisand would star, but would not produce or direct. Streisand's spokesperson confirmed that "there have been conversations". However, Frank Rizzo of courant.com reported on March 12, 2011 that the film with Streisand "is not going to happen, according to playwright-director Arthur Laurents, one of the rights holders to the work." But that was contradicted by an August 2011 report by USA TODAY that the plans for a film adaptation of Gypsy were still intact. "Before writer and director Arthur Laurents died at age 93 last May, there had been much talk about a movie version of Gypsy starring Streisand as Rose. 'We just have to find our team and a writer,' said Streisand. 'It's too bad, because I was looking forward to working with Arthur,' who directed Streisand in her Broadway debut. 'I had seen him a few months before that, and he seemed so strong and healthy.'" In March 2012, reports stated that Universal Pictures was pressing on with the new film. Streisand was still attached to produce and play Rose, with Joel Silver co-producing and Julian Fellowes scripting. Playbill reported in October 2015 that "Universal, which had been working with Streisand on the project, formally put Gypsy in turnaround, meaning it has decided not to develop the film any further. Streisand reportedly has been working with producer Joel Silver on the project, and they are now free to shop their Gypsy around to other studios." In April 2016, it was reported that Streisand was in advanced negotiations to star in and produce the film, which will be directed by Barry Levinson and distributed by STX Entertainment. In July 2016, it was reported that Richard LaGravenese had finished writing the script for the film and that production for the film is aiming to begin in early 2017. However, on August 3, 2016, it was reported that STX Entertainment "was withdrawing as distributor and co-financier of the film." CANNOTANSWER

Using a quote from the above article, answer the following question: Did she want this role?


Anna Carroll was born in 1815 on the Eastern Shore of Maryland into a prominent upper-class, religiously mixed Catholic-Protestant family. Her father was Thomas King Carroll, a planter who served as Maryland governor in 1830; he owned a 2,000-acre (8.1 km2) tobacco plantation in Somerset County. The eldest of eight children, Anna was educated and trained by her father to be his aide. She was likely tutored in the law by him.

Carroll entered the national political arena in the 1850s, following her father's appointment as Naval Officer for the District of Baltimore by Whig President Zachary Taylor. Shortly thereafter, Taylor died and Carroll's commission was signed by Millard Fillmore. In 1854, Carroll joined the American Party (the Know Nothing Party) following the demise of the Whigs. At the time much political realignment was going on nationwide. The same year the Republican Party was formed. The Southern pro-slavery Democrats took over control of their party's leadership in Congress due to the defeat of many Northern Democrats following the passage of the unpopular Kansas-Nebraska Act in May. In Maryland, large numbers of immigrants, largely Irish and German Catholics, had flooded into Baltimore during the Great Famine in Ireland and the 1848 Revolutions in Germany. They took work in the port and railroad yards. Due to this rapid increase in population density, there was competition with free people of color for housing and jobs; street crime became a problem and relief rolls rose. At the same time, planters were a strong force in the state; many Catholic and Episcopalian planters resided on the Eastern Shore, which continued as primarily agricultural. In 1853, the Maryland Know Nothing party was formed, initially from three nativist groups. Yet beginning in February, it took in large numbers of striking laborers from the ironwork's factory in Baltimore, whom the Democratic Party had refused to support. In opposing the pro-slavery Democrats, the Know Nothings became a powerful, but divisive, party in the state. They were pro-Union, pro-labor, anti-Catholic, and anti-immigrant. Along with other reformers, Anna Carroll campaigned by writing against urban machine corruption, crime, and what was perceived as the political threat of the power of the Catholic Church. In Maryland the Catholic planter/urban vote could combine to establish a pro-slavery state government. In 1856, the Whig Party split nationally into Northern and Southern factions due to the slavery issue. During the 1856 presidential election, Carroll supported and campaigned on behalf of Fillmore, the Know Nothing candidate. Carroll wrote many articles and pamphlets and she toured the Northeast on his behalf. Considered a moderate, Fillmore carried the state of Maryland, his only victory in the election. For the 1856 campaign, Anna Carroll published two party books that greatly extended her political and press contacts: The Great American Battle, or, The Contest Between Christianity and Political Roman-ism and The Star of the West, and influential pamphlets such as "The Union of the States". The former book was a virulent criticism of the political influence of the Roman Catholic Church under the papacy of Pius IX (see anti-clericalism). In 1857 Carroll was the chief publicist for Governor Thomas H. Hicks of Maryland; he credited his victory to her writings. In 1858, she took up the cause of former Congressman John Minor Botts, a Unionist from Virginia, in his presidential bid. She published a series of articles in the New York Evening Express newspaper on the 1860 candidates under the pseudonym "Hancock." Others over time appeared in the influential National Intelligencer, among other venues. CANNOTANSWERAnswer this question using a quote from the following article:

What else did she do in her political years?


Background: Angelo Fausto Coppi, (Italian pronunciation: ['fausto 'koppi]; 15 September 1919 - 2 January 1960), was an Italian cyclist, the dominant international cyclist of the years each side of the Second World War. His successes earned him the title Il Campionissimo, or champion of champions. He was an all-round racing cyclist: he excelled in both climbing and time trialing, and was also a great sprinter. He won the Giro d'Italia five times (1940, 1947, 1949, 1952, 1953), the Tour de France twice (1949 and 1952), and the World Championship in 1953.
Context: Coppi's racing days are generally referred to as the beginning of the golden years of cycle racing. A factor is the competition between Coppi and Gino Bartali. Italian tifosi (fans) divided into coppiani and bartaliani. Bartali's rivalry with Coppi divided Italy. Bartali, conservative, religious, was venerated in the rural, agrarian south, while Coppi, more worldly, secular, innovative in diet and training, was hero of the industrial north. The writer Curzio Malaparte said: "Bartali belongs to those who believe in tradition... he is a metaphysical man protected by the saints. Coppi has nobody in heaven to take care of him. His manager, his masseur, have no wings. He is alone, alone on a bicycle... Bartali prays while he is pedalling: the rational Cartesian and sceptical Coppi is filled with doubts, believes only in his body, his motor". Their lives came together on 7 January 1940 when Eberardo Pavesi, head of the Legnano team, took on Coppi to ride for Bartali. Their rivalry started when Coppi, the helping hand, won the Giro and Bartali, the star, marshalled the team to chase. By the 1948 world championship at Valkenburg, Limburg in the Netherlands, both climbed off rather than help the other. The Italian cycling association said: "They have forgotten to honour the Italian prestige they represent. Thinking only of their personal rivalry, they abandoned the race, to the approbation of all sportsmen". They were suspended for three months. The thaw partly broke when the pair shared a bottle on the Col d'Izoard in the 1952 Tour but the two fell out over who had offered it. "I did", Bartali insisted. "He never gave me anything". Their rivalry was the subject of intense coverage and resulted in epic races. CANNOTANSWER
Question: Is there anything else of note about the rivalry?. Whats the answer?


Which entity is this text about?

Paul Weston (born Paul Wetstein, March 12, 1912 - September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", "Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses. Born Paul Wetstein in Springfield, Massachusetts, Weston had a keen interest in music from an early age and learned to play the piano.

Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER


El Gran Combo de Puerto Rico, commonly known as El Gran Combo, is a Puerto Rican salsa orchestra based in San Juan, Puerto Rico. Celebrating its 50th anniversary in 2012, it is Puerto Rico's most successful musical group, and is considered "the most popular Salsa group that has ever existed". The group received the moniker La Universidad de la Salsa (The University of Salsa) in Colombia, due to the sheer number of famous salsa musicians and singers who developed their careers with it, who started with the group (particularly Andy Montanez), or who were occasionally backed up by the band (including Celia Cruz, Hector Lavoe and La India). The salsa orchestra was founded in May 1962, by Rafael Ithier.

In 1970, El Gran Combo's contract with Gema Records was not renewed. Despite offers from other record companies including the Motown label, the group decided to self-release recordings under their own newly created independent label, Combo Records (alternatively known as EGC Records). The first album released on the label was the 1970 album entitled Estamos Primeros. On February 15, 1970, the members of El Gran Combo shared a near death experience. They were at Venezuela, and scheduled to fly the following day to Las Americas International Airport in Santo Domingo. After landing they were told about the Dominicana Airlines DC-9 that crashed off the Caribbean coast which occurred the night before. Therefore, the tale about a group member having a bad feeling regarding that flight while stranded at the Santo Domingo airport is not entirely true, since they did not arrive there until the day after the crash. In 1971, El Gran Combo introduced the trombone to their instrument mix. The trombone was played by Fanny Ceballos. Soon after, their production named De Punta a Punta was released. In 1972, they released the album "Por el Libro", which marks the 10th anniversary of the orchestra. Pellin Rodriguez left the group to embark on a solo career. Rodriguez was replaced by Charlie Aponte at the recommendation of Jerry Concepcion and the well known sportscaster Rafael Bracero, both friends of Ithier. In 1973, El Gran Combo sang in front of 50,000 fans at the famous Yankee Stadium in New York City as the opening act for the Fania All-Stars' sold out concert. Montanez left the band in early 1977 and went to live in Venezuela where he replaced Oscar D'Leon in another orchestra, Dimension Latina. Jerry Rivas was then chosen to join the orchestra. Both Rivas and Aponte are still members of the orchestra to this day. The success of this new duo was proved with their 1977 album International and 1978's En Las Vegas which reached gold record status. In 1966, En Navidad, a Christmas album, was released, with Martin Quinones appearing as Santa Claus in the album's cover. After an automobile accident in early 1977, Quinones was replaced in the band by his son, Martin Quinones Jr. He stayed until 1979, being replaced by Luis Diaz. CANNOTANSWER

Using a quote from the above article, answer the following question: Did they release any other albums?


Background: Yanni was born November 14, 1954 in Kalamata, Greece, the son of Sotiri Chryssomallis, a banker, and Triandafili Chryssomallis (Felitsa Chryssomallis), a homemaker (Felitsa is short for Triandafili, which means "rose"). He displayed musical talent at a young age, playing the piano at the age of 6. His parents encouraged him to learn at his own pace and in his own way, without formal music training. The self-taught musician continues to use the "musical shorthand" that he developed as a child, rather than employing traditional musical notation.
Context: In 2000, after the two-year hiatus, Yanni released If I Could Tell You, his first studio album in seven years. The album sold 55,000 copies in its first week and landed at No. 20 on the Billboard charts, his highest debut to date. Yanni described the album as more of an even-tempered "listening" album, less dramatic than the live concert albums Live at the Acropolis or Tribute. He explained that he himself created all of the album's sounds, including apparent vocalizations, through the manipulation of sound in his studio. The music in Yanni's 2003 album Ethnicity represented many of the world's cultures, Yanni saying it uses ethnicity to reflect the color and beauty of a multicultural society. The album was released near the publication date of Yanni's autobiography, Yanni in Words. On October 23, 2003, Yanni performed a keyboard instrumental version of The Star-Spangled Banner before Game 5 of the 2003 World Series. For the first time in his career, Yanni brought vocalists to the forefront in the Ric Wake collaboration Yanni Voices, the artist's first studio album in six years. PBS broadcast video of a November 2008 Voices Acapulco concert weeks before the album's March 24, 2009 release by Walt Disney Records' Disney Pearl Imprint, the album release preceding a tour produced by Pearl's Buena Vista Concerts division. The album Mexicanisimo, released in November of Mexico's bicentennial year 2010, was a tribute to that country through Yanni's collaborative interpretation of its folk music. It involved collaboration with singer-songwriter Pepe Aguilar and singer-actress Lucero. CANNOTANSWER
Question: Did he have further insight on his style?

Answer: