Which entity is this text about?

Vittorio Giorgio Andre Spinetti was born on 2 September 1929 in Cwm, of Welsh and Italian descent from a grandfather who was said to have 'walked' from Italy to Wales to work as a coal miner, just to earn enough money to buy a plough. His parents, Giuseppe and Lily (nee Watson), owned the chip shop in Cwm, over which premises the family lived and where Spinetti was born. Spinetti was the eldest of six, and his younger brother, Henry (born 1951), is a session drummer. Spinetti was educated at Monmouth School and the Royal Welsh College of Music and Drama in Cardiff, of which he later became a Fellow.

Spinetti's work in Joan Littlewood's Theatre Workshop produced many memorable performances including Fings Ain't Wot They Used T'Be (1959, by Frank Norman, with music by Lionel Bart), and Oh! What a Lovely War (1963), which transferred to New York City and for which he won a Tony Award for his main role as an obnoxious Drill Sergeant. He appeared in the West End in The Odd Couple (as Felix); in Chitty Chitty Bang Bang in the West End; and as Albert Einstein in a critically lauded performance in 2005 in a new play, Albert's Boy at the Finborough Theatre. He launched his own one-man show of witty reminiscences, A Very Private Diary, at the Edinburgh Festival Fringe. One of Spinetti's most challenging theatre roles was as the principal male character in Jane Arden's radical feminist play Vagina Rex and the Gas Oven, which played to packed houses for six weeks at the Arts Lab on Drury Lane in 1969. In 1980 he directed The Biograph Girl, a musical about the silent film era, at the Phoenix Theatre. In 1986 he appeared as Fagin in the musical Oliver!, which was the last professional production to use Sean Kenny's original stage design. He appeared on Broadway in The Hostage and The Philanthropist, and also acted in 1995 with the Royal Shakespeare Company, in such roles as Lord Foppington in The Relapse and the Archbishop in Richard III, at Stratford-upon-Avon, although this was not a happy experience for him. Spinetti co-authored In His Own Write, the play adapted from a book by John Lennon with the Beatle which he also directed at the National Theatre, premiering on 18 June 1968, at the Old Vic. Spinetti and Lennon appeared together in June 1968 on BBC2's Release. During the interview, Spinetti said of the play, that "it's not really John's childhood, it's all of ours really, isn't it John?" to which Lennon replied, assuming a camp voice, "It is, we're all one Victor, we're all one aren't we. I mean 'what's going on?'" Spinetti described the play as being "about the growing up of any of us; the things that helped us to be more aware". He also directed Jesus Christ Superstar and Hair, including productions staged in Europe. His many television appearances on British TV, include Take My Wife in which he played a London-based booking agent and schemer who was forever promising his comedian client that fame was just around the corner, and the sitcom An Actor's Life For Me. In September 2008 Spinetti reprised his one-man show, A Very Private Diary, touring the UK, as A Very Private Diary ... Revisited!, telling his life story. CANNOTANSWER


Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.

In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, named for the I Ching (Yi Jing in pinyin). Each numbered work in the series builds upon the original, Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. The first concerto in the series, Yi1: Intercourse of Fire and Water (1994), was written for and premiered by cellist Anssi Karttunen. The second work, Yi2: Concerto for Guitar and Orchestra (1996), combines flamenco and pipa techniques and was premiered by Sharon Isbin. Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Commissioned and premiered by the Berlin Philharmonic, the work is a musical exploration of the Silk Road. To achieve these sounds, the cello soloists employ sitar and pipa techniques. Tan Dun wrote a concerto for Lang Lang titled Piano Concerto: "The Fire" (2008), a commission by the New York Philharmonic. The concerto is reportedly inspired by the composer's love for martial arts, and the soloist is instructed to play certain passages of the music with fists and forearms. Other more tranquil sections evoke ancient Chinese instruments such as the guqin. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. The resultant work, Internet Symphony No. 1 "Eroica", was recorded by the London Symphony Orchestra and uploaded to YouTube in November 2008, thus beginning the open call for video audition submissions. Voted on by members of the YouTube community as well as professional musicians, the YTSO was assembled of 96 musicians from over 30 countries. In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work. CANNOTANSWER

Using a quote from the above article, answer the following question: Does the article disclose how much they paid him for that?


Background: Henry Alfred Kissinger (; German: ['kIsINGa]; born Heinz Alfred Kissinger, May 27, 1923) is an American political scientist, diplomat and geopolitical consultant who served as the United States Secretary of State and National Security Advisor under the presidential administrations of Richard Nixon and Gerald Ford. A Jewish refugee who fled Nazi Germany with his family in 1938, he became National Security Advisor in 1969 and United States Secretary of State in 1973.
Context: Kissinger underwent basic training at Camp Croft in Spartanburg, South Carolina. On June 19, 1943, while stationed in South Carolina, at the age of 20 years, he became a naturalized U.S. citizen. The army sent him to study engineering at Lafayette College, Pennsylvania, but the program was canceled, and Kissinger was reassigned to the 84th Infantry Division. There, he made the acquaintance of Fritz Kraemer, a fellow Jewish immigrant from Germany who noted Kissinger's fluency in German and his intellect, and arranged for him to be assigned to the military intelligence section of the division. Kissinger saw combat with the division, and volunteered for hazardous intelligence duties during the Battle of the Bulge. During the American advance into Germany, Kissinger, only a private, was put in charge of the administration of the city of Krefeld, owing to a lack of German speakers on the division's intelligence staff. Within eight days he had established a civilian administration. Kissinger was then reassigned to the Counter Intelligence Corps (CIC), where he became a CIC Special Agent holding the enlisted rank of sergeant. He was given charge of a team in Hanover assigned to tracking down Gestapo officers and other saboteurs, for which he was awarded the Bronze Star. In June 1945, Kissinger was made commandant of the Bensheim metro CIC detachment, Bergstrasse district of Hesse, with responsibility for de-Nazification of the district. Although he possessed absolute authority and powers of arrest, Kissinger took care to avoid abuses against the local population by his command. In 1946, Kissinger was reassigned to teach at the European Command Intelligence School at Camp King and, as a civilian employee following his separation from the army, continued to serve in this role. CANNOTANSWER
Question: When was Henry Kissinger born?

Answer:


Answer by taking a quote from the following article:

Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (Jiu Shi  Rang , Hisaishi Jo), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.

Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Where was joe born?


Gottfried Wilhelm (von) Leibniz (; German: ['gotfRi:t 'vIlhelm fon 'laIbnIts] or ['laIpnIts]; French:

Leibniz's philosophical thinking appears fragmented, because his philosophical writings consist mainly of a multitude of short pieces: journal articles, manuscripts published long after his death, and many letters to many correspondents. He wrote only two book-length philosophical treatises, of which only the Theodicee of 1710 was published in his lifetime. Leibniz dated his beginning as a philosopher to his Discourse on Metaphysics, which he composed in 1686 as a commentary on a running dispute between Nicolas Malebranche and Antoine Arnauld. This led to an extensive and valuable correspondence with Arnauld; it and the Discourse were not published until the 19th century. In 1695, Leibniz made his public entree into European philosophy with a journal article titled "New System of the Nature and Communication of Substances". Between 1695 and 1705, he composed his New Essays on Human Understanding, a lengthy commentary on John Locke's 1690 An Essay Concerning Human Understanding, but upon learning of Locke's 1704 death, lost the desire to publish it, so that the New Essays were not published until 1765. The Monadologie, composed in 1714 and published posthumously, consists of 90 aphorisms. Leibniz met Spinoza in 1676, read some of his unpublished writings, and has since been suspected of appropriating some of Spinoza's ideas. While Leibniz admired Spinoza's powerful intellect, he was also forthrightly dismayed by Spinoza's conclusions, especially when these were inconsistent with Christian orthodoxy. Unlike Descartes and Spinoza, Leibniz had a thorough university education in philosophy. He was influenced by his Leipzig professor Jakob Thomasius, who also supervised his BA thesis in philosophy. Leibniz also eagerly read Francisco Suarez, a Spanish Jesuit respected even in Lutheran universities. Leibniz was deeply interested in the new methods and conclusions of Descartes, Huygens, Newton, and Boyle, but viewed their work through a lens heavily tinted by scholastic notions. Yet it remains the case that Leibniz's methods and concerns often anticipate the logic, and analytic and linguistic philosophy of the 20th century. CANNOTANSWER

Were the essays well received?


In the 113th Congress (2013-15), Kaine was on the Committee on Armed Services, the Committee on the Budget, and the Committee on Foreign Relations. In the current (114th) Congress, Kaine is on the same three committees, plus the Special Committee on Aging. In July 2013, Kaine was named chairman of the United States Senate Foreign Relations Subcommittee on Near East, South Asia, Central Asia and Counterterrorism. Within the Senate Armed Services Committee, Kaine is a member of the Subcommittee on Emerging Threats and Capabilities, the Subcommittee on Readiness and Management Support (for which he is the ranking member), and the Subcommittee on Seapower. Within the Senate Foreign Affairs Committee, Kaine is a member of the Subcommittee on State Department and USAID Management, International Operations, and Bilateral International Development (for which he is the ranking member), the Subcommittee on Europe and Regional Security Cooperation, the Subcommittee on Near East, South Asia, Central Asia, and Counterterrorism, and the Subcommittee on Western Hemisphere, Transnational Crime, Civilian Security, Democracy, Human Rights and Global Women's Issues. In January 2014, Kaine, with Republican Senator Rob Portman of Ohio, established the bipartisan Senate Career and Technical Education Caucus (CTE Caucus), which focuses on vocational education and technical education. Kaine and Portman co-chair the caucus. In 2014, Kaine and Portman introduced the CTE Excellence and Equity Act to the Senate; the legislation would provide $500 million in federal funding, distributed by competitive grants, to high schools to further CTE programs. The legislation, introduced as an amendment to the omnibus Carl D. Perkins Career and Technical Education Act of 2006, would promote apprenticeships and similar initiatives. Kaine and Portman introduced similar legislation, the Educating Tomorrow's Workforce Act, in 2017. CANNOTANSWER

Answer this question "Are there any other interesting aspects about this article?" by extracting the answer from the text above.


Barrowman's professional acting career began in London's West End in 1989, playing the role of Billy Crocker in Cole Porter's Anything Goes at the Prince Edward Theatre, alongside Elaine Paige as Reno Sweeney and Bernard Cribbins as Moonface Martin. He continued to appear in West End productions for the next decade, taking the title role of Domingo Hernandez in Matador at the Queen's Theatre in 1991; as Raoul in The Phantom of the Opera at Her Majesty's Theatre in 1992; as Claude in Hair at the Old Vic Theatre in 1993; as Chris in Miss Saigon at the Theatre Royal, Drury Lane in 1993; as Joe Gillis in Sunset Boulevard at the Adelphi Theatre from 1994-1995; and as Beast in Beauty and the Beast at the Dominion Theatre in 1999. Barrowman was part of the musical Godspell in 1994, and was a soloist in two songs, "We Beseech Thee" and "On The Willows". He was lead vocalist on a rendition of Strike Up the Band in Who Could Ask for Anything More? A Celebration of Ira Gershwin at the Royal Albert Hall in 1996, and he was nominated for an Olivier Award for Best Actor in a Musical in 1998 for originating the role of Cal Chandler in The Fix, a performance he repeated in Cameron Mackintosh's 1998 gala concert Hey, Mr Producer!. Barrowman played Joe Gillis in Sunset Boulevard in the West End and, briefly, on Broadway. His only other Broadway credit is in the role of Barry in the Stephen Sondheim revue Putting It Together (1999-2000) at the Ethel Barrymore Theatre opposite Carol Burnett and George Hearn. In a review of Putting It Together, theatre critic Tom Samiljan noted Barrowman's "fine baritone voice and suave looks". In 2002, Barrowman appeared as Bobby in Sondheim's Company in the Kennedy Center's Stephen Sondheim Celebration. Barrowman returned to the role of Billy Crocker in Trevor Nunn's 2003 West End revival of Anything Goes, and appeared in West End non-musical dramas, such as his role as Wyndham Brandon in Rope at the Minerva Theatre, Chichester in 1993, and he starred as Lieutenant Jack Ross opposite Rob Lowe in the 2005 production of A Few Good Men. Barrowman starred in pantomime productions of Cinderella at the New Wimbledon Theatre (Christmas, 2005-06) and in Jack and the Beanstalk at Cardiff's New Theatre (Christmas, 2006-07). He played the title role in Aladdin at the Birmingham Hippodrome over Christmas 2007-8 and as a guest act for the Royal Variety Performance at the London Palladium in 2008. Barrowman played the lead in the Robin Hood pantomime at the Birmingham Hippodrome for the 2008-09 season. He presented Andrew Lloyd Webber's 60th birthday party in London's Hyde Park on 14 September 2008. Exactly one year later, Barrowman succeeded Roger Allam as Zaza/Albin in the West End revival of La Cage aux Folles, at the Playhouse Theatre. In Melbourne, Australia on the 16th of January 2018, Barrowman performed his first and only show to a packed audience at the Melbourne Arts Centre Hamer Hall. The audience was thrilled with the singer and many hope that he will keep his promise to return with "all the bells and whistles". CANNOTANSWER

Answer this question "Are there any other interesting aspects about this article?" by extracting the answer from the text above.


Luis Walter Alvarez was born in San Francisco on June 13, 1911, the second child and oldest son of Walter C. Alvarez, a physician, and his wife Harriet nee Smyth, and a grandson of Luis F. Alvarez, a physician who lived for a time in Spain, then Cuba, and finally the United States, who found a better method for diagnosing macular leprosy. He had an older sister, Gladys, a younger brother, Bob, and a younger sister, Bernice. His aunt, Mabel Alvarez, was a California artist specializing in oil painting. He attended Madison School in San Francisco from 1918 to 1924, and then San Francisco Polytechnic High School.

Alvarez's sister, Gladys, worked for Ernest Lawrence as a part-time secretary, and mentioned Alvarez to Lawrence. Lawrence then invited Alvarez to tour the Century of Progress exhibition in Chicago with him. After he completed his oral exams in 1936, Alvarez, now engaged to be married to Geraldine Smithwick, asked his sister to see if Lawrence had any jobs available at the Radiation Laboratory. A telegram soon arrived from Gladys with a job offer from Lawrence. This started a long association with the University of California, Berkeley. Alvarez and Smithwick were married in one of the chapels at the University of Chicago and then headed for California. They had two children, Walter and Jean. They were divorced in 1957. On December 28, 1958, he married Janet L. Landis, and had two more children, Donald and Helen. At the Radiation Laboratory he worked with Lawrence's experimental team, which was supported by a group of theoretical physicists headed by Robert Oppenheimer. Alvarez devised a set of experiments to observe K-electron capture in radioactive nuclei, predicted by the beta decay theory but never observed. Using magnets to sweep aside the positrons and electrons emanating from his radioactive sources, he designed a special purpose Geiger counter to detect only the "soft" X-rays coming from K capture. He published his results in the Physical Review in 1937. When deuterium (hydrogen-2) is bombarded with deuterium, the fusion reaction yields either tritium (hydrogen-3) plus a proton or helium-3 plus a neutron (2H + 2H - 3H + p or 3He + n). This is one of the most basic fusion reactions, and the foundation of the thermonuclear weapon and the current research on controlled nuclear fusion. At that time the stability of these two reaction products was unknown, but based on existing theories Hans Bethe thought that tritium would be stable and helium-3 unstable. Alvarez proved the reverse by using his knowledge of the details of the 60-inch cyclotron operation. He tuned the machine to accelerate doubly ionized helium-3 nuclei and was able to get a beam of accelerated ions, thus using the cyclotron as a kind of super mass spectrometer. As the accelerated helium came from deep gas wells where it had been for millions of years, the helium-3 component had to be stable. Afterwards Alvarez produced the radioactive tritium using the cyclotron and the 2H + 2H reaction and measured its lifetime. In 1938, again using his knowledge of the cyclotron and inventing what are now known as time-of-flight techniques, Alvarez created a mono-energetic beam of thermal neutrons. With this he began a long series of experiments, collaborating with Felix Bloch, to measure the magnetic moment of the neutron. Their result of m0 = 1.93+-0.02 mN, published in 1940, was a major advance over earlier work. CANNOTANSWER

Ask a question about this article.

What was the result of those experienment?


Diego Armando Maradona Franco (Spanish pronunciation: ['djego mara'dona], born 30 October 1960) is an Argentine retired professional footballer and manager. Many in the sport, including football writers, players, and fans, regard Maradona as the greatest football player of all time. Maradona was joint FIFA Player of the 20th Century with Pele. An advanced playmaker who operated in the classic number 10 position, Maradona is the first player in football history to set the world record transfer fee twice, first when he transferred to Barcelona for a then world record PS5 million, and second, when he transferred to Napoli for another record fee PS6.9 million.

After the resignation of Argentina national team coach Alfio Basile in 2008, Maradona immediately proposed his candidacy for the vacant role. According to several press sources, his major challengers included Diego Simeone, Carlos Bianchi, Miguel Angel Russo and Sergio Batista. On 29 October 2008, AFA chairman Julio Grondona confirmed that Maradona would be the head coach of the national team from December 2008. On 19 November 2008, Maradona managed Argentina for the first time when Argentina played against Scotland at Hampden Park in Glasgow, which Argentina won 1-0. After winning his first three matches in charge of the national team, he oversaw a 6-1 defeat to Bolivia, equalling the team's worst ever margin of defeat. With two matches remaining in the qualification tournament for the 2010 World Cup, Argentina was in fifth place and faced the possibility of failing to qualify, but victory in the last two matches secured qualification for the finals. After Argentina's qualification, Maradona used abusive language at the live post-game press conference, telling members of the media to "suck it and keep on sucking it". FIFA responded with a two-month ban on all footballing activity, which expired on 15 January 2010, and a CHF 25,000 fine, with a warning as to his future conduct. The friendly match scheduled to take place at home to the Czech Republic on 15 December, during the period of the ban, was cancelled. The only match Argentina played during Maradona's ban was a friendly away to Catalonia, which they lost 4-2. At the World Cup finals in June 2010, Argentina started by winning 1-0 against Nigeria, followed by a 4-1 victory over South Korea on the strength of a Gonzalo Higuain hat-trick. In the final match of the group stage, Argentina won 2-0 against Greece to win the group and advance to a second round, meeting Mexico. After defeating Mexico 3-1, however, Argentina was routed by Germany 4-0 in the quarter-finals to go out of the competition. Argentina was ranked fifth in the tournament. After the defeat to Germany, Maradona admitted that he was considering his future as Argentina coach, stating, "I may leave tomorrow." On 15 July 2010, the AFA said that he would be offered a new four-year deal that would keep him in charge through to the summer of 2014 when Brazil stages the World Cup. On 27 July, however, the AFA announced that its board had unanimously decided not to renew his contract. Afterwards, on 29 July, Maradona claimed that AFA president Julio Grondona and director of national teams (as well as his former Argentine national team and Sevilla coach) Carlos Bilardo had "lied to", "betrayed" and effectively sacked him from the role. He said, "They wanted me to continue, but seven of my staff should not go on, if he told me that, it meant he did not want me to keep working." CANNOTANSWER

Using a quote from the above article, answer the following question: How long was Maradona the team coach for Argentina?


Mohanlal Viswanathan was born in the village of Elanthoor in the Pathanamthitta district on 21 May 1960. He is the youngest child of Viswanathan Nair, a former bureaucrat and law secretary with the Kerala Government, and Santhakumari. He grew up at Mudavanmugal, Poojappura, at his paternal house in Thiruvananthapuram. Mohanlal studied at Government Model Boys Higher Secondary School, Thiruvananthapuram and graduated with a Bachelor of Commerce degree from Mahatma Gandhi College in Thiruvananthapuram.

Mohanlal made his acting debut in 1978 with the film Thiranottam, which was produced and made by Mohanlal and his friends--Maniyan Pilla Raju, Suresh Kumar, Unni, Priyadarshan, Ravi Kumar and a few others. Mohanlal played Kuttappan, a mentally disabled servant. Due to some issues with censorship, the film was not released on time. It took 25 years to release the film. In 1980, Mohanlal was cast in the lead antagonist role in Manjil Virinja Pookkal - the directorial debut of Fazil. The film became a major success. Mohanlal's friends had sent his application in response to an advertisement released by Navodaya Studio. He auditioned for the role in front of a panel that included professional directors. Displeased with his appearance, two of them gave him poor marks, but Fazil and Jijo Appachan gave him 90 and 95 marks out of 100. In an interview with Reader's Digest in 2004, Mohanlal said that his looks as a young man might have fit the villain's image. By 1983, Mohanlal was credited in more than 25 feature films, most of them had him playing negative (villain) roles. Films such as Ente Mohangal Poovaninju, Iniyengilum, Visa, Attakkalasham, Kaliyil Alpam Karyam, Ente Mamattukkuttiyammakku, Engane Nee Marakkum, Unaru and Sreekrishna Parunthu changed his image. Through Sasikumar's Ivide Thudangunnu, he became a successful hero with a "good heart". Mohanlal played his first comic lead role in an ensemble cast in the 1984 comedy Poochakkoru Mookkuthi, directed by Priyadarshan, as a young man in love with a girl whom he mistakenly believes to be rich. It also marked the beginning of the Mohanlal-Priyadarshan duo, who as of 2016, have worked together in 44 films. In 1985, he recorded a song for the film Onnanam Kunnil Oradi Kunnil. Uyarangalil, Nokketha Doorathu Kannum Nattu, Boeing Boeing and Aram + Aram = Kinnaram were some of his films in this period. Mohanlal had acted in several amateur plays before entering into films. In 2001, he debuted in professional drama playing Karna (a character from the Indian epic Mahabharata) in Karnabharam, a Sanskrit-language play directed by Kavalam Narayana Panicker. It premiered at the Siri Fort Auditorium in New Delhi on 29 March 2001 as part of the National Theatre Festival of the National School of Drama. The play depicts Karna's mental agony a day before the Kurukshetra War, as he thinks about his past and his faith. Mohanlal said: "You cannot compare Kavalam's play with the amateur plays I did. Though there are other characters in the play, the theme revolves around Karna. It is almost like a solo performance. Some of the scenes are really touching and challenging". He acted without payment, saying: "I performed for the joy of it ... for my love of our history". Kadhayattam was a presentation enacted by Mohanlal, performing ten classic characters and situations from Malayalam literature, selected from ten Malayalam novels written by O. Chandu Menon, C. V. Raman Pillai, S. K. Pottekkatt, Thakazhi Sivasankara Pillai, P. Kesavadev, Vaikom Muhammad Basheer, Uroob, O. V. Vijayan, M. Mukundan, and M. T. Vasudevan Nair over a 100-year period. The play, directed by T. K. Rajeev Kumar premiered at the Senate Hall of University of Kerala on 1 November 2003, and later was staged in Kozhikode, Bangalore, Chennai and Delhi. In 2008, Mohanlal along with Mukesh performed in Chayamukhi, written and directed by Prasanth Narayanan. Mohanlal and Mukesh portrayed Bheeman and Keechakan respectively, the characters from Mahabharata. It had a play within a play narrative style. It premiered at the Lulu International Convention Centre in Thrissur on 12 March 2008, and later was staged in Thiruvananthapuram, Bangalore, Kollam, Kochi, and Kozhikode. A critic from The Hindu wrote: "Chayamukhi is, arguably, the finest work on Malayalam stage in recent times". In the same year, Mohanlal voiced Hanuman in the English ballet Maya Ravan, directed by Shobana. In 2014, Mohanlal and musician Ratheesh Vegha formed the music band Lalisom - The Lal Effect. Its maiden show was at the 2015 National Games of India. The band drew flak from social media initially for charging an amount of Rs1.63 crore and later for lip-syncing. Following the criticism, Mohanlal returned the amount to the government, which they refused stating that the government's morality would not allow to take back the money and Mohanlal had not personally benefited from the amount which he received, since it was meant to meet the stage expenses and remuneration for the artistes. Despite that, Mohanlal did not take back the money he dispatched. In 2015, he collaborated once again with Mukesh for Naga, but this time as the narrator. The play, based on Girish Karnad's Kannada play Nagamandala, was directed by Suveeran. Naga was a combination of myth, superstition, fact, and fantasy. It was premiered at the Parish Hall of St. George Church, Kalady on 9 August 2015. Mohanlal has been a goodwill ambassador for the government and other nonprofit organisations, mainly for public service ads and humanitarian causes. In March 2007, he was made the goodwill ambassador of the AIDS awareness campaign by Kerala AIDS Control Society, for which he acted in short awareness videos. In October 2009, Mohanlal was appointed as the goodwill ambassador of Kerala State Athletics by the Kerala State Athletics Association. In March 2010, Mohanlal accepted the plea of the Department of Industries and Commerce of the Government of Kerala to be designated as the goodwill ambassador of Kerala's handloom industries. In July 2015, the Government of Kerala made him the Goodwill ambassador of "Subhayatra 2015", a project developed to create awareness about traffic rules. He was appointed as the Goodwill ambassador of "Mrithasanjeevani" in September 2016, another project by the Government of Kerala aimed at promoting organ donation in the state. He has also appeared in several television commercials and advertisements for Malabar Gold and Diamonds, Oceanus etc. Mohanlal was the first movie star in India to endorse the ubiquitous dhoti after he was made the brand ambassador of MCR in 2001. MCR manufactured 30,000 coloured dhotis which had been featured in the film Narasimham (2000), which was a market success. He still continues to be the chief brand ambassador of MCR. Mohanlal signed as the brand ambassador of Kanan Devan in 2002, a tea brand owned by the Tata Global Beverages. His contract was renewed after its rebranding in 2014. In July 2010, LG Electronics India enlisted Mohanlal for the endorsement of the brand's Onam festival offers for Kerala customers lasting till September 2010. In the same year, he was signed as the brand ambassador in the state for Manappuram Finance Ltd., a non-banking financial company. Mohanlal endorsed the coconut oil brand KLF Coconad in 2013. In September 2013, the direct-broadcast satellite television provider Tata Sky announced Mohanlal as its brand endorser for its Kerala market. Mohanlal, along with Milkha Singh and P. T. Usha were the brand ambassadors of the event Kochi International Half Marathon in 2013, a half marathon organised by Kochi Municipal Corporation and Push Integrated Communication Pvt Ltd., He continued in its second edition in 2014, along with cricketer Harbhajan Singh. In May 2016, as part of expanding its market to the South Indian audience, the entertainment company Hotstar, which is a platform for streaming media and video on demand, announced Mohanlal as its brand ambassador for its Malayalam contents. He endorsed its six-week multimedia campaign on television, print, outdoor and digital medias. CANNOTANSWER

Ask a question about this article.

How successful was the short awareness videos?


Leroy Robert "Satchel" Paige (July 7, 1906 - June 8, 1982) was an American Negro league baseball and Major League Baseball (MLB) pitcher who became a legend in his own lifetime by being known as perhaps the best pitcher in baseball history, by his longevity in the game, and by attracting record crowds wherever he pitched. Paige was a right-handed pitcher, and at age 42 in 1948, he was the oldest major league rookie while playing for the Cleveland Indians. He played with the St. Louis Browns until age 47, and represented them in the All-Star Game in 1952 and 1953.

A former friend from the Mobile slums, Alex Herman, was the player/manager for the Chattanooga White Sox of the minor Negro Southern League. In 1926 he discovered Paige and offered to pay him $250 per month, of which Paige would collect $50 with the rest going to his mother. He also agreed to pay Lula Paige a $200 advance, and she agreed to the contract. The local newspapers--the Chattanooga News and Chattanooga Times--recognized from the beginning that Paige was special. In April 1926, shortly after his arrival, he recorded nine strikeouts over six innings against the Atlanta Black Crackers. Part way through the 1927 season, Paige's contract was sold to the Birmingham Black Barons of the major Negro National League (NNL). According to Paige's first memoir, his contract was for $450 per month, but in his second he said it was for $275. Pitching for the Black Barons, Paige threw hard but was wild and awkward. In his first big game in late June 1927, against the St. Louis Stars, Paige incited a brawl when his fastball hit the hand of St. Louis catcher Mitchell Murray. Murray then charged the mound and Paige raced for the dugout, but Murray flung his bat and struck Paige above the hip. The police were summoned, and the headline of the Birmingham Reporter proclaimed a "Near Riot." Paige improved and matured as a pitcher with help from his teammates, Sam Streeter and Harry Salmon, and his manager, Bill Gatewood. He finished the 1927 season 7-1 with 69 strikeouts and 26 walks in 89 1/3 innings. Over the next two seasons, Paige went 12-5 and 10-9 while recording 176 strikeouts in 1929. (Several sources credit his 1929 strikeout total as the all-time single-season record for the Negro leagues, though there is variation among the sources about the exact number of strikeouts.) On April 29 of that season he recorded 17 strikeouts in a game against the Cuban Stars, which exceeded what was then the major league record of 16 held by Noodles Hahn and Rube Waddell. Six days later he struck out 18 Nashville Elite Giants, a number that was tied in the white majors by Bob Feller in 1938. Due to his increased earning potential, Barons owner R. T. Jackson would "rent" Paige out to other ball clubs for a game or two to draw a decent crowd, with both Jackson and Paige taking a cut. CANNOTANSWER

Ask a question about this article.


Background: Therapy? are an alternative metal band from Northern Ireland. The band was formed in 1989 by guitarist-vocalist Andy Cairns from Ballyclare and drummer-vocalist Fyfe Ewing from Larne, Northern Ireland. The band initially recorded their first demo with Cairns filling in on bass guitar. To complete the lineup, the band recruited Larne bassist Michael McKeegan.
Context: On 18 February 2014, the band began pre-production on studio album number 14 with producer Tom Dalgety in their now usual surroundings of Blast Studios in Newcastle. The session finished on 28 February with 18 tracks laid down in demo form. Having chosen 11 songs, the band began recording the album proper on 17 April 2014 and it was completed on 30 April 2014. The album, entitled Disquiet, was released on the bands' new record label on 23 March 2015. Pre-orders of the album were announced on 23 February 2015 and included an instant download of two album tracks and an exclusive pre-order track called We Kill People. A digital only single called Still Hurts, featuring two more non-album tracks, was released on 9 March 2015. The band began the first leg of their Disquiet Tour in the UK in March, before taking in the Netherlands, Belgium and Germany, and returning to the UK throughout April. Their performance in Utrecht was filmed by 'Quantum VR Media' for a future 360 VR release. In early May, Therapy? recorded a session for XFM, their 4th overall following previous sessions in 2001, 2004 and 2012. Deathstimate was released as a download only single on 30 October 2015. The single Tides was released on 15 April 2016, although it was available in early March to purchase on limited edition CD at the bands' UK tour performing the Infernal Love album in its entirety. Summer festivals on the European circuit followed, including a date at the Wacken Open Air in Germany. Therapy? performed a fully acoustic "Wood & Wire" tour through Belgium, Holland, Austria, Germany and the UK from 14 November until 1 December 2016. A newly recorded 11 track acoustic album entitled Wood & Wire was available for purchase on CD at these shows. A six date Irish Wood & Wire tour took place in April 2017. On 21 July 2017 the band announced a double live acoustic album, Communion: Live at the Union Chapel, for release on 21 August 2017. The album was recorded in London on 1 December 2016 during the "Wood & Wire" European tour. CANNOTANSWER
Question: How did the album sell?. Whats the answer?


Background: Edward "Ned" Kelly (December 1854 - 11 November 1880) was an Australian bushranger, outlaw, gang leader and convicted police murderer. One of the last bushrangers, and by far the most famous, he is best known for wearing a suit of bulletproof armour during his final shootout with the police. Kelly was born in the British colony of Victoria as the third of eight children to Irish parents. His father, a transported convict, died shortly after serving a six-month prison sentence, leaving Kelly, then aged 12, as the eldest male of the household.
Context: Kelly's first documented brush with the law was on 15 October 1869 at the age of 14 when he was charged with the assault and robbery of Ah Fook, a pig and fowl trader of Chinese descent from Bright. According to Fook, as he was passing Kelly's house, Kelly approached him with a long bamboo stick, announcing that he was a bushranger and would kill him if he did not hand over his money. Kelly then allegedly took him into the bush, beat him with the stick and stole 10 shillings. According to Kelly, his sister Annie and two witnesses, Bill Skilling and Bill Grey, Annie was sitting outside the house sewing when Fook walked up and asked for a drink of water. Given creek water, he abused Annie for not giving him rain water, and Kelly came outside and pushed him. Fook then hit Kelly three times with the bamboo stick, causing him to run away. The visitor then walked away, threatening to return and burn the house down, and Kelly did not return until sundown. Historians find neither account convincing and believe that Kelly's account is likely true up to being hit by Fook but then Kelly probably took the stick from him and beat him with it. Kelly was arrested the following day for highway robbery and locked up overnight in Benalla. He appeared in court the following morning, but Sergeant Whelan, despite using an interpreter to translate Fook's account, requested a remand to allow time to find another interpreter. Kelly was held for four days and appearing in court on 20 October, was again remanded after the police failed to produce an interpreter. The charge was dismissed on 26 October and he was released. Sergeant Whelan disliked Kelly. Three months earlier when he had prosecuted Yeaman Gunn for possession of stolen mutton, Kelly testified that he had sold several sheep to Gunn that same day. The magistrate found Gunn guilty and fined him PS10. Furious that Kelly was not convicted for the robbery, Whelan kept a careful watch on the Kelly family and, according to fellow officers, became "a perfect encyclopedia of knowledge about them" through his "diligence". Following his court appearance, the Benalla Ensign reported, "The cunning of himself [Kelly] and his mates got him off", the Beechworth Advertiser on the other hand reported that "the charge of robbery has been trumped up by the Chinaman to be revenged on Kelly, who had obviously assaulted him". Fook described 14-year-old Kelly as being aged around 20 years. The following year, a reporter wrote that Kelly "gives his age as 15 but is probably between 18 and 20". Kelly, 5 ft 8 in (1.73 m) in height, was still physically imposing. When arrested, a 224-pound (102 kg) trooper was purportedly unable to subdue the then-15-year-old until several labourers ran to assist him and even then Kelly had to be knocked unconscious. CANNOTANSWER
Question: What was his early life like?

Answer:


Gerald Joseph Mulligan (April 6, 1927 - January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading jazz baritone saxophonists - playing the instrument with a light and airy tone in the era of cool jazz - he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments.

Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Ask a question about this article.


A troubadour (English: , French: [tRubaduR]; Occitan: trobador, IPA: [truba'du]) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100-1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to Italy and Spain. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, trovadorismo in Galicia and Portugal, and that of the trouveres in northern France.

The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWERAnswer this question using a quote from the following article:

were they paid?


William Franklin Graham Jr. was born on November 7, 1918, in the downstairs bedroom of a farmhouse near Charlotte, North Carolina. He was of Scots-Irish descent and was the eldest of four children born to Morrow (nee Coffey) and William Franklin Graham Sr., a dairy farmer. Graham was raised on a family dairy farm with his two younger sisters, Catherine Morrow and Jean and a younger brother, Melvin Thomas. When he was eight years old in 1927, the family moved about 75 yards (69 m) from their white frame house to a newly built red brick home.

During the Watergate affair, there were suggestions that Graham had agreed with many of President Richard Nixon's antisemitic opinions, but he denied them and stressed his efforts to build bridges to the Jewish community. In 2002, the controversy was renewed when declassified "Richard Nixon tapes" confirmed remarks made by Graham to Nixon three decades earlier. Captured on the tapes, Graham agreed with Nixon that Jews control the American media, calling it a "stranglehold" during a 1972 conversation with Nixon, and suggesting that if Nixon was re-elected, they might be able to do something about it. When the tapes were made public, Graham apologized and said, "Although I have no memory of the occasion, I deeply regret comments I apparently made in an Oval Office conversation with President Nixon ... some 30 years ago. ... They do not reflect my views and I sincerely apologize for any offense caused by the remarks." According to Newsweek magazine, "[T]he shock of the revelation was magnified because of Graham's longtime support of Israel and his refusal to join in calls for conversion of the Jews." In 2009, more Nixon tapes were released, in which Graham is heard in a 1973 conversation with Nixon referring to Jews and "the synagogue of Satan". A spokesman for Graham said that Graham has never been an antisemite and that the comparison (in accord with the context of the quotation in the Book of Revelation) was directed specifically at those claiming to be Jews, but not holding to traditional Jewish values. CANNOTANSWER

Ask a question about this article.

What did Nixon try to do about the media and the Jews?


Erode Venkata Ramasamy (17 September 1879 - 24 December 1973), was commonly known as Periyar also referred to as Thanthai Periyar, was an Indian social activist, and politician who started the Self-Respect Movement and Dravidar Kazhagam. E.V. Ramasamy was born in Erode, Madras Presidency to Venkata Naicker and Chinnathayee. From childhood, Ramasamy was known for his controversial comments on religious beliefs and on brahmins. Being the son of a wealthy person, everyone was fond of him.

Erode Venkata Ramasamy was born on 17 September 1879, in Erode, then a part of the Coimbatore district of the Madras Presidency. E.V. Ramasamy's father, a rich Balija businessman, was Venkatappa Naicker (or Venkata), and his mother was Chinnathyee, Muthammal. He had one elder brother named Krishnaswamy and two sisters named Kannamma and Ponnuthoy. He later came to be known as "Periyar" meaning 'respected one' or 'elder' in Tamil. E.V. Ramasamy married when he was 19, and had a daughter who lived for only 5 months. His first wife, Nagammai, died in 1933. E.V. Ramasamy married for a second time in July 1948. His second wife, Maniammai, continued E.V. Ramasamy's social work after his death in 1973, but his thoughts and ideas then were advocated by Dravidar Kazhagam. In 1929, E.V. Ramasamy announced the deletion of his caste title Naicker from his name at the First Provincial Self-Respect Conference of Chengalpattu. He could speak three Dravidian languages: Kannada, Telugu and Tamil.  Periyar attended school for five years after which he joined his father's trade at the age of 12. He used to listen to Tamil Vaishnavite gurus who gave discourses in his house enjoying his father's hospitality. At a young age, he began questioning the apparent contradictions in the Hindu mythological stories. As Periyar grew, he felt that people used religion only as a mask to deceive innocent people and therefore took it as one of his duties in life to warn people against superstitions and priests. E.V. Ramasamy's father arranged for his wedding when he was nineteen. The bride, Nagammai, was only thirteen. Despite having an arranged marriage, Periyar and Nagammai were already in love with each other. Nagammai actively supported her husband in his later public activities and agitations. Two years after their marriage, a daughter was born to them. However, their daughter died when she was five months old. The couple had no more children. CANNOTANSWER

Answer the following question by taking a quote from the article: What did he do at his father's trade?


The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

In 1987, Ride left her position in Washington, D.C., to work at the Stanford University Center for International Security and Arms Control. In 1989, she became a professor of physics at the University of California, San Diego, and director of the California Space Institute. From the mid-1990s until her death, Ride led two public-outreach programs for NASA--the ISS EarthKAM and GRAIL MoonKAM projects, in cooperation with NASA's Jet Propulsion Laboratory and UCSD. The programs allowed middle school students to request images of the Earth and moon. In 1999, she acted in the season 5 finale of Touched by an Angel, titled "Godspeed". In 2003, she was asked to serve on the Columbia Accident Investigation Board. She was the president and CEO of Sally Ride Science, a company she co-founded in 2001 that creates entertaining science programs and publications for upper elementary and middle school students, with a particular focus on girls. According to Roger Boisjoly, the engineer who warned of the technical problems that led to the Challenger disaster, after the entire workforce of Morton-Thiokol shunned him Ride was the only public figure to show support for him when he went public with his pre-disaster warnings. Sally Ride hugged him publicly to show her support for his efforts. Ride wrote or co-wrote seven books on space aimed at children, with the goal of encouraging children to study science. Ride endorsed Barack Obama for U.S. President in 2008. She was a member of the Review of United States Human Space Flight Plans Committee, an independent review requested by the Office of Science and Technology Policy (OSTP) on May 7, 2009. CANNOTANSWERAnswer this question using a quote from the following article:

What was involved in the programs?


Glenda May Jackson, CBE (born 9 May 1936) is a British actress and former Labour Party politician. As a professional actress from the late 1950s, she spent four years as a member of the Royal Shakespeare Company from 1964, being particularly associated with the work of director Peter Brook. During her film career, she won two Academy Awards for Best Actress: for Women in Love (1970), and A Touch of Class (1973). Other award-winning performances include Alex in the film Sunday Bloody Sunday (1971) and the BBC television serial Elizabeth R (also 1971); for the latter, she received a Primetime Emmy Award.

Jackson's starring role in Ken Russell's film of Women in Love (1969) led to her winning her first Academy Award for Best Actress. Brian McFarlane, the main author of The Encyclopedia of British Film, has written: "Her blazing intelligence, sexual challenge and abrasiveness were at the service of a superbly written role in a film with a passion rare in the annals of British cinema." In the process of gaining funding for The Music Lovers (1970) from United Artists, Russell explained it as "the story of a homosexual who marries a nymphomaniac", the couple being the composer Pyotr Ilyich Tchaikovsky (Richard Chamberlain) and Antonina Miliukova played by Jackson. This film received mixed reviews in the U.S.: the anonymous reviewer in Variety wrote of the two principals "Their performances are more dramatically bombastic than sympathetic, or sometimes even believable". Jackson was initially interested in the role of Sister Jeanne in The Devils (1971), Russell's next film, but turned it down after script rewrites and deciding that she did not wish to play a third neurotic character in a row. In order to play Queen Elizabeth I in the BBC's serial Elizabeth R (1971), Jackson had her head shaved. After the series was shown on PBS in the US, Jackson received two Primetime Emmy Awards for her performance. She also portrayed Queen Elizabeth in the film Mary, Queen of Scots, and gained a BAFTA for her role in John Schlesinger's Sunday Bloody Sunday (both 1971). In that year British exhibitors voted her the 6th most popular star at the British box office, and she appeared in a comedy sketch as Cleopatra for The Morecambe and Wise Show including delivering the line 'All men are fools and what makes them so is having beauty like what I have got.' Filmmaker Melvin Frank saw her comedic potential on the Morecambe and Wise Show and offered her the lead female role in his next project. She gained a second Academy Award for Best Actress for A Touch of Class (1973). She continued to work in the theatre, and returned to the RSC to play the lead role in Ibsen's Hedda Gabler. A later film version directed by Nunn was released as Hedda (1975) for which Jackson was nominated for an Oscar. In 1978, she scored box office success in the United States in the romantic comedy House Calls, which co-starred Walter Matthau. Jackson and Matthau teamed again in the comedy Hopscotch (1980), which was a mild success, but not as popular as expected. For her 1980 appearance on The Muppet Show, she told the producers that she would perform any material they liked; this turned out to be a role where she has a delusion that she is a pirate captain who hijacks the Muppet Theatre as her ship. CANNOTANSWER

Did she win any other awards?


Born c. 1146 at Manorbier Castle in Pembrokeshire, Wales, he was of mixed Norman and Welsh descent. Gerald was the youngest son of William FitzOdo de Barry or Barri, the common ancestor of the Barry family in Ireland, a retainer of Arnulf de Montgomery and Gerald FitzWalter of Windsor, and one of the most powerful Anglo-Norman barons in Wales. His mother was Angharad FitzGerald, a daughter of Gerald FitzWalter of Windsor, Constable of Pembroke Castle, and his wife Nest ferch Rhys, daughter of Rhys ap Tewdwr, the last King of South Wales. Through his mother Angharad, Gerald was a nephew of David fitzGerald, Bishop of St David's, as well as a great-nephew of Gruffydd ap Rhys, the son and heir of Rhys ap Tewdwr, and a cousin of Rhys ap Gruffydd, the famous Arglwydd Rhys and his family. Gerald received his initial education at the Benedictine house of Gloucester, followed by a period of study in Paris from c. 1165-74, where he studied the trivium. He was employed by Richard of Dover, the Archbishop of Canterbury, on various ecclesiastical missions in Wales, wherein he distinguished himself for his efforts to remove supposed abuses of consanguinity and tax laws flourishing in the Welsh church at the time. He was appointed in 1174 archdeacon of Brecon, to which was attached a residence at Llanddew. He obtained this position by reporting the existence of the previous archdeacon's mistress; the man was promptly sacked. While administrating this post, Gerald collected tithes of wool and cheese from the populace; the income from the archdeaconry supported him for many years. Upon the death of his uncle, the Bishop of St David's, in 1176, the chapter nominated Gerald as his successor. St David's had the long-term aim of becoming independent of Canterbury, and the chapter may have thought that Gerald was the man to take up its cause. Henry II of England, fresh from his struggle with Thomas Becket, promptly rejected Gerald, possibly because his Welsh blood and ties to the ruling family of Deheubarth made him seem like a troublesome prospect, in favour of one of his Norman retainers Peter de Leia. According to Gerald, the king said at the time: "It is neither necessary or expedient for king or archbishop that a man of great honesty or vigour should become Bishop of St. David's, for fear that the Crown and Canterbury should suffer thereby. Such an appointment would only give strength to the Welsh and increase their pride". The chapter acquiesced in the decision; and Gerald, disappointed with the result, withdrew to the University of Paris. From c. 1179-8, he studied and taught canon law and theology. He returned to England and spent an additional five years studying theology. In 1180, he received a minor appointment from the Bishop of St. David's, which he soon resigned. CANNOTANSWER

Answer this question "Where was Gerald of Wales born?" by extracting the answer from the text above.


Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit "Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female lead vocal with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 70s, and that region remains their strongest fan base.

The band left Sovereign Records and joined Miles Copeland's new prog rock stable and label BTM (for British Talent Management). The label's first release was Turn of the Cards in 1974. With a larger budget, the album went from folk-flavoured to a more dark, lush, orchestral rock sound. One of the album's songs, "Things I Don't Understand", which clocked in at 9:30, was Jim McCarty's last co-writing credit with the group (although it was actually in the band's live repertoire for years). A lengthy tribute to Aleksandr Solzhenitsyn, called "Mother Russia", closed out the album, with lyrics inspired by his autobiographical novel, One Day in the Life of Ivan Denisovich. Turn of the Cards was first issued in the United States on Sire Records in August 1974, where it reached No. 94, some months before an official UK release. It remained in the Billboard 200 for 21 weeks. Although Renaissance's fan base was relatively small, its following was heavily concentrated in the large cities of the northeast US. The album was eventually released in the UK in March 1975. It was soon followed by Scheherazade and Other Stories, released on both sides of the Atlantic in September 1975. The album, whose second side was taken up with the epic tone-poem "Song of Scheherazade" based on stories from One Thousand and One Nights, peaked at No. 48 in the United States. There is "no musical connection to the well-known classical work Scheherazade by Nikolai Rimsky-Korsakov." A double live album, Live at Carnegie Hall, followed in 1976. Despite criticisms that much of the album was little more than a note for note reproduction of highlights from their previous four studio albums, the album reached No. 55 in the US. Renaissance were the first British band to sell out three consecutive nights at Carnegie Hall. They were joined on stage by the New York Philharmonic Orchestra. While introducing the song "Ashes Are Burning", Haslam refers to it as the title track from the group's second album, rather than their fourth, suggesting that the Haslam-led lineup by this point considered themselves a distinct band from Keith Relf's incarnation of the group. (This point is further underscored by the band's including an album discography in the gatefold of LP copies of Live at Carnegie Hall, which lists only the four albums from Prologue forward.) Live at Carnegie Hall's follow-up, Novella, saw more chart success in the US, peaking at No. 46 in 1977, although its UK release was delayed by yet another label change. Will Romano in Mountains come out of the sky describes the band: CANNOTANSWER

Are there any other interesting aspects about this article?


Background: The Prodigy are an English electronic dance music group from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The first line-up of the band also included Maxim (MC and vocalist), Keith Flint (dancer and vocalist), Leeroy Thornhill (dancer and live keyboardist), and female dancer and vocalist Sharky. Along with the Chemical Brothers, Fatboy Slim, and other acts, the Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s. The Prodigy first emerged in the underground rave scene in the early 1990s and have since achieved popularity and worldwide recognition.
Context: The Prodigy were founded in Braintree, Essex, in 1990 by keyboardist and songwriter Liam Howlett. He had taken piano lessons in his youth and gained the ability to play difficult passages in just a few run-throughs. After he decided to pursue a music career, Howlett met dancer and vocalist Keith Flint in mid-1989 during an outdoor night party at which Howlett was spinning records. After Flint requested Howlett make a mix tape for him, Howlett obliged, returning a cassette several days later with a collection of his own songs on the other side. Howlett had scratched the word "Prodigy" onto the cassette, the same name as the Moog Prodigy analogue synthesizer, and Howlett's moniker. The tape was well-received by Flint and keyboardist Leeroy Thornhill who developed new dance sequences to the music and suggested to Howlett they begin a group together. They were soon joined by MC and vocalist Maxim, then known as Maxim Reality, and female dancer and vocalist Sharky, a friend of Flint's. Together they became the first line-up of the Prodigy. The group's first live gig occurred at Four Aces in Dalston, London. With a group secured, Howlett wrote, produced, and mixed a 10-track demo tape on a Roland W-30 sampling workstation keyboard, and approached Tam Tam Records with the hope of securing a record deal, but they declined. He then turned to XL Recordings, headed by Nick Halkes and Tim Palmer, who agreed to a meeting and subsequently picked up the demo. In February 1991, the band released the extended play What Evil Lurks on 12-inch vinyl, containing four songs that Howlett had produced on the demo. In August 1991, the Prodigy released their debut single "Charly", which samples dialogue from the Charley Says series of animated films produced by the Central Office of Information. It became a hit in the rave scene at the time, and reached number 3 on the UK Singles Chart, thus catapulting the band into the wider public attention. The success of "Charly" began a trend of mixing dance and "hardcore rave" tracks with cartoon samples, such as "A Trip to Trumpton" by Urban Hype and "Sesame's Treet" by Smart E's, which were a hit with speed and ecstasy-fuelled clubbers, but not to reviewers and critics, who dismissed the music as "kiddie rave" or "toytown techno". CANNOTANSWER
Question: Did Charly get nominated for any awards?

Answer:


White has long been a proponent of analog equipment and the associated working methods. Beginning in the fifth grade, he and his childhood friend, Dominic Suchyta, would listen to records in White's attic on weekends and began to record cover songs on an old four-track reel to reel tape machine. The White Stripes' first album was largely recorded in the attic of his parents' home. As their fame grew beyond Detroit, the Stripes became known for their affected innocence and stripped-down playing style. In particular, White became distinguished for his nasal vocal delivery and loose, explosive guitar delivery. In an early New York Times concert review from 2001, Ann Powers said that, while White's playing was "ingenious," he "created more challenges by playing an acoustic guitar with paper taped over the hole and a less-than-high-quality solid body electric." His home studio in Nashville contains two rooms ("I want everyone close, focused, feeling like we're in it together.") with two pieces of equipment: a Neve mixing console, and two Studer A800 2-inch 8-track tape recorders. In his introduction in the documentary film, It Might Get Loud, White showcases his minimalist style by constructing a guitar built out of a plank of wood, three nails, a glass Coke bottle, a guitar string, and a pickup. He ends the demonstration by saying, "Who says you need to buy a guitar?" In a 2012 episode of the show, Portlandia, White made a cameo in a sketch spoofing home studio enthusiasts who prefer antique recording equipment. CANNOTANSWER

Answer this question "What does it mean to him?" by extracting the answer from the text above.


In the first quarter of 2015, year-on-year GDP grew 4.92 percent. In the second quarter it grew 4.6%, the lowest figure since 2009. Anything less than 6 per cent and Indonesia cannot absorb the new entrants to its labour market each year. Furthermore since most of 2017 economic growth remained above the 5.2 percent mark, the Indonesian government has projected its economic growth in 2018 to be at least at 5.4 percent, which is still .6 percent below what is considered healthy economic growth mark of 6 percent . In combination of many factors such as international trade war initiated between the U.S. and China, U.S. Federal Reserves' tightening of monetary policy and the general elections in Indonesia in 2019, much of the anemic nature of Indonesia's economic growth stems from income inequality. Whereas current government and its robust economic and "overly ambitious" infrastructure policies aim to stimulate economic growth, it hasn't been felt across the board. Only the middle- and upper- socio-economic households have been positively affected by the current government's policies. This is consistent with what the current administration attempts to do by improving infrastructure, transportation and connectivity across the country. By providing infrastructure such as roads, highways, bridges, railroads and airports across the country and into rural Indonesia, this will reduce the costs of goods. As a result, not only will this increase the purchasing power parity and reduce economic inequality, but also improving the quality of living across the board. The rupiah weakened further, with its exchange rate per US dollar, falling to Rp 14,000 in August 2015, the lowest level in the last 17 years. On 24 September 2015, it closed at 14797. The rupiah appreciated by 2.28 percent to Rp13.473/USD on 31 December 2016. The year-on-year inflation in June 2015 was 7.26 percent, higher than in May (7.15 percent) and June the year before (6.7 percent). CANNOTANSWER

Answer this question "How did the economy perform during other periods?" by extracting the answer from the text above.


His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.

During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Using a quote from the above article, answer the following question: Is there anything else interesting?


Background: Fernand Braudel (French: [bRodel]; 24 August 1902 - 27 November 1985) was a French historian and a leader of the Annales School. His scholarship focused on three main projects: The Mediterranean (1923-49, then 1949-66), Civilization and Capitalism (1955-79), and the unfinished Identity of France (1970-85). His reputation stems in part from his writings, but even more from his success in making the Annales School the most important engine of historical research in France and much of the world after 1950. As the dominant leader of the Annales School of historiography in the 1950s and 1960s, he exerted enormous influence on historical writing in France and other countries.
Context: His first book, La Mediterranee et le Monde Mediterraneen a l'Epoque de Philippe II (1949) (The Mediterranean and the Mediterranean World in the Age of Philip II) was his most influential. For Braudel there is no single Mediterranean Sea. There are many seas--indeed a "vast, complex expanse" within which men operate. Life is conducted on the Mediterranean: people travel, fish, fight wars, and drown in its various contexts. And the sea articulates with the plains and islands. Life on the plains is diverse and complex; the poorer south is affected by religious diversity (Catholicism and Islam), as well as by intrusions - both cultural and economic - from the wealthier north. In other words, the Mediterranean cannot be understood independently from what is exterior to it. Any rigid adherence to boundaries falsifies the situation. The first level of time, geographical time, is that of the environment, with its slow, almost imperceptible change, its repetition and cycles. Such change may be slow, but it is irresistible. The second level of time comprises long-term social, economic, and cultural history, where Braudel discusses the Mediterranean economy, social groupings, empires and civilizations. Change at this level is much more rapid than that of the environment; Braudel looks at two or three centuries in order to spot a particular pattern, such as the rise and fall of various aristocracies. The third level of time is that of events (histoire evenementielle). This is the history of individuals with names. This, for Braudel, is the time of surfaces and deceptive effects. It is the time of the "courte duree" proper and it is the focus of Part 3 of The Mediterranean which treats of "events, politics and people." Braudel's Mediterranean is centered on the sea, but just as important, it is also the desert and the mountains. The desert creates a nomadic form of social organization where the whole community moves; mountain life is sedentary. Transhumance -- that is, the movement from the mountain to the plain, or vice versa in a given season -- is also a persistent part of Mediterranean existence. Braudel's vast, panoramic view used insights from other social sciences, employed the concept of the longue duree, and downplayed the importance of specific events. It was widely admired, but most historians did not try to replicate it and instead focused on their specialized monographs. The book firmly launched the study of the Mediterranean and dramatically raised the worldwide profile of the Annales School. CANNOTANSWER
Question: What is La Mediteranee?

Answer:


Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.

On 9 November 2009 he scored 73 runs against New Zealand which was a record for a number 10 batsman in ODI history until Ravi Rampaul surpassed that record with scoring 86* when batting at number 10 position in 2011. In that innings, with his batting partner Saeed Ajmal, Amir added 103 runs to Pakistan's chase, only to fall short by 7 runs. He impressed the Pakistan cricket team, including Wasim Akram, who took credit for discovering Amir, although Akram later commented that Amir needed to gain more weight to aid his development. Later in 2009, Pakistan toured Sri Lanka and in the first One Day International match, he shared a 62 run partnership with fast bowler Umar Gul for the tenth wicket but Pakistan lost by 36 runs. He also played a game against New Zealand in 2009-2010. During a match in the third One Day International match, when Pakistan were reduced to 8 wickets for 86 runs, he scored 73 runs not out, making the highest score by a number 10 batsman in One Day International cricket and putting on a 103 runs, 10th wicket partnership with Saeed Ajmal. He was unable to get his side to their victory target of 212 runs, as Ajmal was declare out in the last over and Pakistan lost by just 7 runs. During the Test match series against Australia in 2010, at the Melbourne Cricket Ground, he took his first five wicket haul, taking the wickets of Australian batsmen Ricky Ponting, Michael Hussey and Michael Clarke. On 24 July 2010 he was influential in helping Pakistan win the 2nd Test match against Australia; the first Test match Pakistan had won against them in 15 years, which also drew the series 1-1. During this match he took 7 wickets overall, and was declared man of the match. Overall, in the second series, he was the leading wicket taker of both teams with his 11 scalps. In the summer of 2010, Amir was awarded the man of the match award for becoming the youngest player to ever take a five-wicket haul in England. He also became the youngest player to take 50 test wickets earning praise from several former international cricketers. In that eventful series against England, he took 19 wickets, the highest of the Pakistanis and third highest overall at an outstanding average of 18.3. He also took 2 five-wicket hauls. CANNOTANSWERAnswer this question using a quote from the following article:

How did Amir come to international attention?


Limbaugh was born in Cape Girardeau, Missouri, the son of Mildred Carolyn "Millie" (nee Armstrong) and Rush Hudson Limbaugh, Jr. His father was a lawyer and a U.S. fighter pilot who served in the China Burma India Theater of World War II. His mother was a native of Searcy, Arkansas. The name "Rush" was originally chosen for his grandfather to honor the maiden name of family member Edna Rush.

Some groups and individuals have criticized Limbaugh's accuracy. The July-August 1994 issue of Extra!, a publication of Fairness and Accuracy in Reporting (FAIR), alleges 50 different inaccuracies and distortions in Limbaugh's commentary. Others have since joined FAIR in questioning Limbaugh's facts. Comedian Al Franken, who later became a Senator, wrote a satirical book (Rush Limbaugh Is a Big Fat Idiot and Other Observations) in which he accused Limbaugh of distorting facts to serve his own political biases. Of Limbaugh's controversial statements and allegations they have investigated, Politifact has rated 84% as ranging from "Mostly False" to "Pants-On-Fire" (a signification for extremely false), with 5% of Limbaugh's contested statements rising to the level of "Mostly True" and 0% rated "True." These debunked allegations by Limbaugh include suggestions that the existence of gorillas disproves the theory of evolution, that Ted Kennedy sent a letter to Soviet Leader Yuri Andropov seeking to undercut President Reagan, that a recent lack of hurricanes disproves climate change, and that President Obama wanted to mandate circumcision. Limbaugh has been criticized for inaccuracies by the Environmental Defense Fund. A defense fund report authored by Princeton University endowed geoscience professor Michael Oppenheimer and professor of biology David Wilcove lists 14 significant scientific facts that, the authors allege, Limbaugh misrepresented in his book The Way Things Ought to Be. The authors conclude that "Rush Limbaugh ... allows his political bias to distort the truth about a whole range of important scientific issues." On October 14, 2011, Limbaugh questioned the U.S. military initiative against Joseph Kony and his Lord's Resistance Army (LRA), based on the assumption that they were Christians. "They are fighting the Muslims in Sudan. And Obama has sent troops, United States troops to remove them from the battlefield, which means kill them." Upon learning about the accusations leveled against Kony, which included kidnapping whole schools of young children for use as child soldiers, Limbaugh stated that he would research the group. The show's written transcript on his website was not changed. CANNOTANSWER

Using a quote from the above article, answer the following question: Were there any run in with the law?


Koufax was born in Brooklyn, New York, to a Jewish family, and raised in Borough Park. His parents, Evelyn (nee Lichtenstein) and Jack Braun, divorced when he was three years old. His mother was remarried when he was nine, to Irving Koufax. Shortly after his mother's remarriage, the family moved to the Long Island suburb of Rockville Centre.

In 1963, Major League Baseball expanded the strike zone. Compared to the previous season, National League walks fell 13 percent, strikeouts increased six percent, the league batting average fell from .261 to .245, and runs fell 15 percent. Koufax, who had reduced his walks allowed per nine innings to 3.4 in 1961 and 2.8 in 1962, reduced his walk rate further to 1.7 in 1963, which ranked fifth in the league. The top pitchers of the era - Don Drysdale, Juan Marichal, Jim Bunning, Bob Gibson, Warren Spahn, and above all Koufax - significantly reduced the walks-given-up-to-batters-faced ratio for 1963, and subsequent years. On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal--himself a no-hit pitcher a month later, on June 15. Koufax carried a perfect game into the eighth inning against the powerful Giants lineup, including future Hall of Famers Willie Mays, Willie McCovey, and Orlando Cepeda. He walked Ed Bailey on a 3-and-2 pitch in the 8th, and pinch-hitter McCovey on four pitches in the 9th, before closing out the game. As the Dodgers won the pennant, Koufax won the pitchers' Triple Crown, leading the league in wins (25), strikeouts (306) and ERA (1.88). Koufax threw 11 shutouts, setting a new post-1900 record for shutouts by a left-handed pitcher that stands to this day (the previous record of 10 shutouts had been held by Carl Hubbell for 30 years). Only Bob Gibson, a right-hander, has thrown more shutouts (13) since, and that was in 1968, "the year of the pitcher." Koufax won the NL MVP Award and the Hickok Belt, and was the first-ever unanimous selection for the Cy Young Award. Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters -- including the first 5, breaking Carl Erskine's decade-old record of 14 (Gibson would break Koufax's record by striking out 17 Detroit Tigers in the 1968 World Series opener). After seeing Koufax's Game 1 performance, Yogi Berra said, "I can see how he won 25 games. What I don't understand is how he lost five," to which Maury Wills responded, "He didn't. We lost them for him." In Game 4, Koufax completed the Dodgers' series sweep with a 2-1 victory over Ford, clinching the Series MVP Award for his performance. CANNOTANSWERAnswer this question using a quote from the following article:

How did the 1963 season start for Sandy Koufax?


Answer by taking a quote from the following article:

Harold Eugene "Gene" Clark (November 17, 1944 - May 24, 1991) was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country.

Clark was invited to join an established regional folk group, the Surf Riders, working out of Kansas City at the Castaways Lounge, owned by Hal Harbaum. On August 12, 1963, he was performing with them when he was discovered by the New Christy Minstrels. They hired him, and he recorded two albums with the ensemble before leaving in early 1964. After hearing the Beatles, Clark quit the New Christy Minstrels and moved to Los Angeles, where he met fellow folkie and Beatles convert Jim (later Roger) McGuinn at the Troubadour Club. In early 1964 they began to assemble a band that would become the Byrds. Clark wrote or co-wrote many of the Byrds' best-known originals from their first three albums, including "I'll Feel a Whole Lot Better", "Set You Free This Time", "Here Without You", "You Won't Have to Cry", "If You're Gone", "The World Turns All Around Her", "She Don't Care About Time" and "Eight Miles High". He initially played rhythm guitar in the band, but relinquished that position to David Crosby and became the tambourine and harmonica player. Bassist Chris Hillman noted years later in an interview remembering Clark, "At one time, he was the power in the Byrds, not McGuinn, not Crosby--it was Gene who would burst through the stage curtain banging on a tambourine, coming on like a young Prince Valiant. A hero, our savior. Few in the audience could take their eyes off this presence. He was the songwriter. He had the 'gift' that none of the rest of us had developed yet.... What deep inner part of his soul conjured up songs like 'Set You Free This Time,' 'I'll Feel A Whole Lot Better,' 'I'm Feelin' Higher,' 'Eight Miles High'? So many great songs! We learned a lot of songwriting from him and in the process learned a little bit about ourselves." A management decision gave McGuinn the lead vocals for their major singles and Bob Dylan songs. This disappointment, combined with Clark's dislike of traveling (including a chronic fear of flying) and resentment by other band members about the extra income he derived from his songwriting, led to internal squabbling, and he left the group in early 1966. He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Group with Chip Douglas, Joel Larson, and Bill Rhinehart. CANNOTANSWER

What songs were those?


The Righteous Brothers are an American musical duo of Bill Medley and (formerly) Bobby Hatfield. They began performing together in 1962 in the Los Angeles area as part of a five-member group called the Paramours, but adopted the name "The Righteous Brothers" when they embarked on their recording career as a duo. Their most active recording period was in the 1960s and 70s, and although the duo was inactive for some years, Hatfield and Medley reunited in 1981 and continued to perform until Hatfield's death in 2003. Their emotive vocal style is sometimes dubbed "blue-eyed soul".

The duo split up in February 1968, a breakup that would last for more than six years, when Medley left to pursue a solo career. Medley recorded a few solo recordings on several labels, while Hatfield teamed up with singer Jimmy Walker (from The Knickerbockers) using the Righteous Brothers name on the MGM label. Medley first recorded "I Can't Make It Alone" written by Carole King, but the song failed to make much of an impact. The following single, "Brown Eyed Woman" written by Mann and Weil, performed better. However, neither he nor Hatfield were able to match their previous chart success. Hatfield and Jimmy Walker recorded an album, Re-Birth, as "The Righteous Brothers" before disbanding in 1971. In a 2013 interview, Jimmy Walker said he had wanted to continue, but Hatfield decided to take a break and broke up the act. In 1969, Hatfield appeared in a TV movie, The Ballad of Andy Crocker, and also recorded "Only You". He released a solo album, Messin' In Muscle Shoals in 1971. According to Medley, he was performing three shows a night in Las Vegas, but finding it too much of a strain on his voice singing solo, and under advice he sought out Hatfield to reform The Righteous Brothers; Hatfield at this point was broke and living alone in a small apartment. In 1974, Medley and Hatfield announced their reunion at an appearance on The Sonny & Cher Comedy Hour. They signed with Haven Records, run by producers Dennis Lambert and Brian Potter and distributed by Capitol Records. Within a few weeks of reforming, they recorded Alan O'Day's "Rock and Roll Heaven", a paean to several deceased rock singers which became a hit, peaking at No. 3 on the Billboard Hot 100. Several more minor hits on Haven followed. After 1975, however, the Righteous Brothers would not appear in music charts except for re-releases of older songs and compilation albums, some of which were re-recordings of earlier works. CANNOTANSWERAnswer this question using a quote from the following article:

Did Medley release any albums during this time?


Which entity is this text about?

Cheap Trick is an American rock band from Rockford, Illinois, formed in 1974. The band currently consists of vocalist Robin Zander, guitarist Rick Nielsen, bassist Tom Petersson, and touring drummer Daxx Nielsen. Original drummer Bun E. Carlos stopped touring with the band in 2010 but remains a partner in their business organization. Cheap Trick released their debut album in 1977 and first found success in Japan with the release of their second album, In Color, later that year.

With Robin Zander now on vocals, the band recorded a demo in 1975 and played in warehouses, bowling alleys, and various other venues around the midwestern United States. The band was signed to Epic Records in early 1976 by A&R man Tom Werman, at the insistence of producer Jack Douglas who had seen the band perform in Wisconsin. The songs they had written, such as "I Want You To Want Me", were performed throughout 1975-1976 but would not be released until a couple of years later. The band released their first album, Cheap Trick, in early 1977, produced by Jack Douglas. While favored by critics, the album was not successful in terms of sales. The album's lone single "Oh Candy" failed to chart as did the album. However, the band began to develop a fan base in Japan and "ELO Kiddies" was a hit single in Europe. Their second album In Color was released later that year and was produced by Tom Werman, who brought out their lighter and more pop-oriented side, producing an album much more polished than their first. However, the band bemoaned In Color's production and would re-record it many years later. Moreover, the album was largely unsuccessful. The singles "I Want You To Want Me" and "Southern Girls" failed to chart. However, "I Want You To Want Me" and "Clock Strikes Ten" were hit singles in Japan, with the latter going to No. 1 on the charts. In Color ultimately was ranked No. 443 on Rolling Stone magazine's list of the 500 greatest albums of all time. The band's third album, Heaven Tonight, released in May 1978 and again produced by Tom Werman, combined elements of the first two albums. Regarded by many fans and critics as their best album, the lead-off track "Surrender" was Cheap Trick's first single to chart in the United States, peaking at No. 62. It has gone on to become one of the band's signature songs. Heaven Tonight is also noteworthy as the first album recorded with a 12-string electric bass. CANNOTANSWER