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Abu Bakr as-Siddiq 'Abdallah bin Abi Quhafah (Arabic: 'bw bkr lSdyq `bd llh bn 'by qHf@; c. 573 CE - 22 August 634 CE), popularly known as Abu Bakr ('bw bkr), was a senior companion (Sahabi) and--through his daughter Aisha--the father-in-law of the Islamic prophet Muhammad. Abu Bakr became the first openly declared Muslim outside Muhammad's family. Abu Bakr served as a trusted advisor to Muhammad.

In 630 he was part of Battle of Hunayn and Siege of Ta'if. In the Battle of Hunayn as the Muslim army passed through the valley of Hunayn some eleven miles north east of Mecca a rain of arrows fell on it let loose by a group of archers of the hostile tribes that lay hid in the mountain pass. Taken unaware the advance guard of the Muslim army fled in panic. There was considerable confusion, and the camels, horses and men ran into one another in the attempt to seek cover. Muhammad stood firm. There were only nine companions around him including Abu Bakr. All the rest had fled. Under the instructions of Muhammad, Abbas shouted at the top of his voice "O Muslims come to the Prophet of Allah". The call was heard by the Muslim soldiers and they gathered beside Muhammad. When the Muslim had gathered in sufficient number, Muhammad ordered a charge against the enemy. In the hand-to-hand fight that followed the tribes were routed and they fled to Autas. Muhammad posted a contingent to guard the Hunayn pass and led the main army to Autas. In the confrontation at Autas the tribes could not withstand the Muslim onslaught. Finding the resistance useless the tribes broke the camp and retired to Ta'if. Abu Bakr was commissioned by Muhammad to lead the attack against Ta'if. From Autas the Muslim forces set out for Ta'if. The tribes shut themselves in the fort and refused to come out in the open. The Muslim employed catapults to throw stones in the town, but this did not lead to any tangible results. The Muslim tried the testudo device whereunder a group of soldiers shielded by a cover of cowhide advanced to set fire to the gate. The enemy threw red hot scraps of iron on the testudo which made it ineffective. The siege dragged on for two weeks, and still there was no sign of the fall of the fort. Muhammad held a council of war. Abu Bakr advised that the siege might be raised and that God would Himself make arrangements for the fall of the fort. The advice was accepted, and in February 630, the siege of Ta'if was raised and the Muslim army returned to Mecca. A few days later Malik bin Auf the commander, came to Mecca and became a Muslim. Thus the forecast of Abu Bakr came to be fulfilled, and the God Himself arranged for the surrender of Ta'if. CANNOTANSWER


Lillian Evelyn Moller Gilbreth (May 24, 1878 - January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.

Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university. Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair. Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a "model of inefficiency." Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and "sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home." The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the "work triangle" and linear-kitchen layouts that are often used today. She is als credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she "interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 CANNOTANSWER

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Background: Lillian Evelyn Moller Gilbreth (May 24, 1878 - January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.
Context: Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on efficient teaching methods. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague on July 1924. Her first course began in January 1925. Gilbreth's classes offered to "prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization." Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of "work simplification". Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. CANNOTANSWER
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The Black Dahlia Murder is an American death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. The band currently comprises vocalist Trevor Strnad, guitarists Brian Eschbach and Brandon Ellis, drummer Alan Cassidy, and bassist Max Lavelle. Out of the eight studio albums they have released to date, the last seven have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands.

In early 2013, despite the news of the departure of two band members (drummer Shannon Lucas and bassist Bart Williams), plans were announced for an upcoming album release, to be entitled Everblack. Tentative plans estimated its release to be early summer 2013; likely June. On April 10, 2013, the iTunes Store was updated with official release and availability information, including cover art, a full track listing, and an official U.S. release date of June 11, 2013. The album has 10 tracks in total. On the same day, the band's first single from Everblack was made available for purchase and download, titled "Into The Everblack". The album itself was then released on June 11 and peaked at No. 32 on the U.S. Billboard 200. On November 28, 2014 (the day after Thanksgiving), The Black Dahlia Murder released a 7" EP titled Grind 'Em All featuring 3 short grindcore covers of punk rock songs: a cover of "Ripped Up" by Left for Dead, of "Rebel Without a Car" by Sedition and of "Populous" by Gyga. The covers were originally recorded almost 10 years earlier during the era of Miasma. The EP was released as part of Record Store Day's Black Friday event via A389 Recordings (rather than the band's label, Metal Blade Records), made available for purchase on the band's online merchandise store and also streamed in its entirety via Exclaim!. The album art for Grind 'Em All was designed by Szymon Siech. Lead guitarist Ryan Knight confirmed in early 2015 that the band will deliver a seventh studio release that year, followed by extensive touring, and that he is planning to start working on a solo album afterwards. Vocalist Trevor Strnad stated that the band's new album, titled Abysmal, will be "more raw and natural sounding" and feature "more dynamic and developed songs" than their previous work. "Vlad, Son of the Dragon", the first song from the album, was released online on June 24, followed by "Receipt" on July 22 and "Threat Level No. 3" on August 19. Abysmal was produced by Mark Lewis and Ryan Williams and released worldwide through Metal Blade on September 18. In early February 2016, it was announced that Knight had left the band; Brandon Ellis will replace him as touring lead guitarist. CANNOTANSWER

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The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the "second wave" of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records.

After signing to Doghouse, the band drove to Chicago to record their debut full-length album with producer Bob Weston of Shellac. The album was recorded in only two days, with the band leaving on Friday after Ryan Pope got out of school and finishing in the early hours of Sunday morning. Two months after recording the album, the band embarked on their first national tour with Braid and Ethel Meserve with the first date of the tour taking place the day after Ryan's high school graduation. It was on that tour that the band met James Dewees, the new drummer for Coalesce while the bands were playing together in Wilkes-Barre, Pennsylvania. After the show, the members of the two bands became close friends, eventually leading them to record a split 7-inch produced by Ed Rose entitled "The Get Up Kids / Coalesce". For the split, each band covered one of the other's songs in their own style. Coalesce did a post-hardcore cover of "Second Place", and The Get Up Kids recorded a power-pop rendition of "Harvest of Maturity". A few months later, the band released their debut full-length record Four Minute Mile, bringing a great deal of attention from critics, fans and labels alike. The band was invited to join Braid on their 1998 tour of Europe and the band rapidly created an overseas fanbase. While the band was receiving rapidly increasing national and international attention, they became unhappy with Doghouse Records' ability to keep up with the increasing popularity of the band. The Get Up Kids' announcement to leave Doghouse Records brought interest from prominent record labels including Sub Pop, Geffen and Mojo Records. The band made a decision to sign to Mojo, but before the contracts were signed, they began to have second thoughts. The main issue was over the label's insistence on owning merchandising rights, a large source of the band's income. Moreover, the band was insulted the label requested they re-record "Don't Hate Me" from Four Minute Mile for their next record, feeling that the label believed it was "the best that [they could] write". Before the deal with Mojo was official, the band met Rich Egan, founder of Los Angeles-based Vagrant Records. He convinced the band to sign to Vagrant instead, offering them $50,000 to record a second album, as well as their own imprint, Heroes & Villains Records. In 1998, James Dewees recorded his first solo album under the pseudonym Reggie and the Full Effect. While Dewees wrote the songs himself, he asked Matt Pryor and Rob Pope to help record some of the instrumentals. The resulting album, Greatest Hits 1984-1987 leaned heavily on the use of synthesizer keyboards for its sound. Their work together on the Reggie and the Full Effect album led Pryor to invite Dewees to collaborate with The Get Up Kids on Red Letter Day, a five-track EP produced by Ed Rose to fulfill their two-record deal with Doghouse. The cleaner, more focused sound of the EP provided the chance to experiment with the inclusion of keyboards and acts as a sonic bridge between the raw sound of Four Minute Mile and the more dynamic, produced style of their next studio album. After the release of Red Letter Day, Dewees became a full-time member as the band began recording their second studio album in Los Angeles in June 1999 with producer Alex Brahl. Before the album went into production, Vagrant Records co-owner John Cohen borrowed money from his parents, who had mortgaged their house in order to fund the production of the album. On September 21, 1999, the band released Something to Write Home About on Vagrant Records. The album's lyrics reflected the record label strife the band had experienced and their distance between friends and family back home after their move to Los Angeles. Something to Write Home About has been singled out as the band's only 'true' emo album, as the album's aesthetic fit more into the contemporary definition of the genre. Furthermore, the album single-handedly turned the struggling Vagrant label into one of the top indie labels in the country, selling over 140,000 copies after its release. Not only did the album make The Get Up Kids the poster children for emo, but it also launched the genre into a public consciousness broader than the scattered local scenes that had previously embraced it. The album gave Vagrant Records the financial backing to grow and sign a string of other bands. At the same time, the addition of keyboards alienated some fans who thought it moved the band away from the contemporary punk scene's DIY ethic. The Get Up Kids toured relentlessly for almost three years in promotion of the record. As well as touring Europe, Japan, and Australia, they shared bills with acts such as Green Day, The Anniversary, Koufax, Hot Rod Circuit, Jebediah, Weezer and Ozma. Their 2000 tour with The Anniversary and Koufax was sponsored by Napster. Their fanbase kept expanding through word of mouth. Venues booked months in advance could no longer hold the demand by the time the band arrived in town and fans were forced to stand outside to see them perform. To capitalize on anticipation for the band's next album, Vagrant Records released a rarities compilation Eudora in 2001. Eudora consisted of alternate takes, covers, and B-sides since the band's formation. Likewise, Doghouse released a re-mastered edition of Four Minute Mile and a compilation entitled The EPs: Woodson and Red Letter Day, combining the two Doghouse-owned EPs on one compact disc. In 2003 the band began recording their fourth studio album. The album would be the first recorded in Black Lodge Studios in Eudora, Kansas, a studio renovated and owned by the Pope brothers and producer Ed Rose. The writing process for the album was different from their past efforts, as most of the songs were written by only three of the band members. In the early stages of writing, Jim Suptic was on his honeymoon. James Dewees was involved in a difficult divorce, and much of his creative efforts inspired by those events went into the fourth Reggie and the Full Effect album Songs Not to Get Married To. While this led to a less collaborative effort than in the past, it gave the Pope brothers a more substantial role in writing than ever before. In an interview with Alternative Press, Pryor confirmed the song "Never Be Alone" was written by Rob Pope about his 2003 divorce from The Anniversary keyboardist Adrianne Verhoeven. This fractured approach to the writing process began to strain relationships in the band, at one point leading Suptic to consider quitting the band. Pryor drew lyrical inspiration from the lives of friends and people he knew, extracting stories of abuse, betrayal and guilt. The album's lyrics also delve into incidents of adultery ("Wouldn't Believe It", "How Long Is Too Long") and the album's first single "The One You Want" is said to be about a woman who Pryor says "Sucks the soul out of people". In March 2004, the band released their fourth studio album Guilt Show, produced by Ed Rose. Sonically, the album combined the more measured, sophisticated sound of On a Wire with the frenetic style of their earlier work. Guilt Show, which was titled after a misreading of a flier saying "Quilt show", was very well received both critically and commercially. The more pop-driven tone of the album reunited the band with many fans who were disenchanted after On a Wire, while also staying close enough to the evolution of the last album to interest newer fans and critics. However, their return was overshadowed by the booming popularity of other contemporary emo bands such as Dashboard Confessional, who invited the band to open for them on the 2004 Honda Civic Tour. CANNOTANSWER


Milton Ernest "Robert" Rauschenberg (October 22, 1925 - May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, papermaking, and performance.

In 1951 Rauschenberg had his first one-man show at the Betty Parsons Gallery and in 1954 had a second one-man show at the Charles Egan Gallery. In 1955, at the Charles Egan Gallery, Rauschenberg showed Bed (1955), one of his first and certainly most famous Combines. Rauschenberg had his first career retrospective, organized by the Jewish Museum, New York, in 1963, and in 1964 he was the first American artist to win the Grand Prize at the Venice Biennale (Mark Tobey and James Whistler had previously won the Painting Prize). After that time, he enjoyed a rare degree of institutional support. A retrospective organized by the National Collection of Fine Arts (now the Smithsonian American Art Museum), Washington, D.C., traveled throughout the United States in 1976 and 1978. A retrospective at the Solomon R. Guggenheim Museum, New York (1997), traveled to Houston, Cologne, and Bilbao (through 1999). Recent exhibitions were presented at the Metropolitan Museum of Art, New York (2005; traveled to Museum of Contemporary Art, Los Angeles, Centre Georges Pompidou, Paris, and Moderna Museet, Stockholm, through 2007); at the Peggy Guggenheim Collection, Venice (2009; traveled to the Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese, through 2010); and Botanical Vaudeville at Inverleith House, Royal Botanic Garden Edinburgh (2011). A memorial exhibition of Rauschenberg's photographs opened October 22, 2008, (on the occasion of what would have been his 83rd birthday) at the Guggenheim Museum. Further exhibitions include: 5 Decades of Printmaking, Leslie Sacks Contemporary (2012); Robert Rauschenberg: Jammers, Gagosian Gallery, London (2013); Robert Rauschenberg: Hoarfrost Editions, Gemini G.E.L. at Joni Moisant Weyl (2014); Robert Rauschenberg: The Fulton Street Studio, 1953-54, Craig F. Starr Associates (2014); Collecting and Connecting, Nasher Museum of Art at Duke University (2014); A Visual Lexicon, Leo Castelli Gallery (2014); Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills (2014).; Robert Rauschenberg, de Sarthe Gallery, Hong Kong (2016), and Museum of Modern Art retrospective (2017). On June 4, 2004 the Gallery of Fine Art at Florida SouthWestern State College was renamed the Bob Rauschenberg Gallery, celebrating a long-time friendship with the artist. The gallery has been host to many of Rauschenberg's exhibitions since 1980. CANNOTANSWER

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Jerry Alan West was born into a poor household in Chelyan, West Virginia. He was the fifth of six children of Cecil Sue West, a housewife, and Howard Stewart West, a coal mine electrician. West was previously an aggressive child in his youth, until his brother's death at the Korean War aged 21 turned him into a shy and introverted boy when Jerry was 12/13. He was so small, frail, and weak that he needed lots of vitamin injections from his doctor and was kept apart from children's sports, to prevent him from getting seriously injured.

West graduated from East Bank High School in 1956, and more than 60 universities showed interest in him. He eventually chose to stay in his home state and attend West Virginia University (WVU), located in Morgantown. In his freshman year (1956-57), West was a member of the WVU freshman squad that achieved a perfect record of 17 wins without a loss over the course of the season; other team members included Jay Jacobs and Willie Akers. In his first varsity year under head coach Fred Schaus, West scored 17.8 points per game and averaged 11.1 rebounds; he also started in all 28 games while shooting 49.6% from the field and 73.2% from the free throw line. These performances earned him a multitude of honors, among them an All-American Third Team call-up; First Team All-Southern Conference; Southern Conference Tournament Most Valuable Player Award and First Team honors; Chuck Taylor-Converse Second-team All-American honors; and Associated Press and United Press International Third-team All-American honors. The Mountaineers went 26-2 that year, ending the season with a loss to Manhattan College in post-season tournament play. During his junior year (1958-59), West scored 26.6 points per game and grabbed 12.3 rebounds per game. He tied the NCAA five-game tournament record of 160 points (32.0 points per game) and led all scorers and rebounders in every West Virginia game, including getting 28 points and 11 rebounds in a 71-70 loss to California in the final. West was named Most Outstanding Player of that year's Final Four. Further awards were All-American, Southern Conference Tournament MVP and Southern Conference Player of the Year and Athlete of the Year. He was also named to be a member of the U.S. Pan American Games basketball team that won the gold medal. West demonstrated his tenacity for the game in a match against the Kentucky Wildcats. He broke his nose during an incident in the game, but he continued to play despite intense pain and having to breathe through his mouth. He scored 19 points in the second-half, leading WVU to an upset victory. In his final collegiate season (1959-60) West enjoyed several career highs, such as scoring 29.3 points per game, a 134 season-assists, 16.5 rebounds per game, and a shooting average of 50.4% from the field, 76.6% from the free throw line. He was honored again with several awards: a call-up to the All-American selection, and being voted Southern Conference MVP. West's best performance was a game against Virginia, in which he grabbed 16 rebounds and scored 40 points. Moreover, during that final year, he had 30 double-doubles and fifteen 30-point games. In his collegiate career, West totaled 2,309 points and 1,240 rebounds. He averaged 24.8 points per game and 13.3 rebounds. As of 2011, West holds 12 WVU all-time records. West and Oscar Robertson co-captained the U.S. men's basketball team that won the gold medal at the 1960 Summer Olympics. CANNOTANSWER

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Colbert was born in Washington, D.C., the youngest of 11 children in a Catholic family. He spent his early years in Bethesda, Maryland. He grew up on James Island, South Carolina. Colbert and his siblings, in descending order by age, are James III, Edward, Mary, William, Margo, Thomas, Jay, Elizabeth, Paul, Peter, and Stephen.

While at Northwestern, Colbert studied with the intent of becoming a dramatic actor; mostly he performed in experimental plays and was uninterested in comedy. He began performing improvisation while in college, both in the campus improv team No Fun Mud Piranhas and at the Annoyance Theatre in Chicago as a part of Del Close's ImprovOlympic at a time when the project was focused on competitive, long-form improvisation, rather than improvisational comedy. "I wasn't gonna do Second City", Colbert later recalled, "because those Annoyance people looked down on Second City because they thought it wasn't pure improv - there was a slightly snobby, mystical quality to the Annoyance people". After Colbert graduated in 1986, however, he was in need of a job. A friend who was employed at Second City's box office offered him work answering phones and selling souvenirs. Colbert accepted and discovered that Second City employees were entitled to take classes at their training center for free. Despite his earlier aversion to the comedy group, he signed up for improvisation classes and enjoyed the experience greatly. Shortly thereafter, he was hired to perform with Second City's touring company, initially as an understudy for Steve Carell. It was there he met Amy Sedaris and Paul Dinello, with whom he often collaborated later in his career. By their retelling, the three comedians did not get along at first - Dinello thought Colbert was uptight, pretentious and cold, while Colbert thought of Dinello as "an illiterate thug" - but the trio became close friends while touring together, discovering that they shared a similar comic sensibility. When Sedaris and Dinello were offered the opportunity to create a television series for HBO Downtown Productions, Colbert left The Second City and relocated to New York to work with them on the sketch comedy show Exit 57. The series debuted on Comedy Central in 1995 and aired through 1996. Although it lasted for only 12 episodes, the show received favorable reviews and was nominated for five CableACE Awards in 1995, in categories including best writing, performance, and comedy series. Following the cancelation of Exit 57, Colbert worked for six months as a cast member and writer on The Dana Carvey Show, alongside former Second City castmate Steve Carell, and also Robert Smigel, Charlie Kaufman, Louis C.K., and Dino Stamatopoulos, among others. The series, described by one reviewer as "kamikaze satire" in "borderline-questionable taste", had sponsors pull out after its first episode aired and was cancelled after seven episodes. Colbert then worked briefly as a freelance writer for Saturday Night Live with Robert Smigel. Smigel brought his animated sketch, The Ambiguously Gay Duo, to SNL from The Dana Carvey Show; Colbert provided the voice of Ace on both series, opposite Steve Carell as Gary. Needing money, he also worked as a script consultant for VH1 and MTV, before taking a job filming humorous correspondent segments for Good Morning America. Only two of the segments he proposed were ever produced and only one aired, but the job led his agent to refer him to The Daily Show's then-producer, Madeline Smithberg, who hired Colbert on a trial basis in 1997. During the same period, Colbert worked again with Sedaris and Dinello to develop a new comedy series for Comedy Central, Strangers with Candy. Comedy Central picked up the series in 1998 after Colbert had already begun working on The Daily Show. As a result, he accepted a reduced role, filming only around 20 Daily Show segments a year while he worked on the new series. Strangers with Candy was conceived of as a parody of after school specials, following the life of Jerri Blank, a 46-year-old dropout who returns to finish high school after 32 years of life on the street. Most noted by critics for its use of offensive humor, it concluded each episode by delivering to the audience a skewed, politically incorrect moral lesson. Colbert served as a main writer alongside Sedaris and Dinello, and portrayed Jerri's strict but uninformed history teacher, Chuck Noblet, seen throughout the series dispensing inaccurate information to his classes. Colbert has likened this to the character he played on The Daily Show and later The Colbert Report, claiming that he has a very specific niche in portraying "poorly informed, high-status idiot" characters. Another running joke throughout the series was that Noblet, a closeted homosexual, was having a "secret" affair with fellow teacher Geoffrey Jellineck, despite the fact that their relationship was apparent to everyone around them. This obliviousness also appears in Colbert's Daily Show and Colbert Report character. Thirty episodes of Strangers with Candy were made, which aired on Comedy Central in 1999 and 2000. Though its ratings were not remarkable during its initial run, it has been characterized as a cult show with a small but dedicated audience. Colbert reprised his role for a film adaptation, which premiered at the Sundance Film Festival in 2005 and had a limited release in 2006. The film received mixed reviews. Colbert also co-wrote the screenplay with Sedaris and Dinello. Colbert hosted his own television show, The Colbert Report, from October 17, 2005, through December 18, 2014. The Colbert Report was a Daily Show spin-off that parodied the conventions of television news broadcasting, particularly cable-personality political talk shows like The O'Reilly Factor, Hannity, and Glenn Beck. Colbert hosted the show in-character as a blustery right-wing pundit, generally considered to be an extension of his character on The Daily Show. Conceived by co-creators Stewart, Colbert, and Ben Karlin in part as an opportunity to explore "the character-driven news", the series focused less on the day-to-day news style of the Daily Show, instead frequently concentrating on the foibles of the host-character himself. The concept for The Report was first seen in a series of Daily Show segments which advertised the then-fictional series as a joke. It was later developed by Stewart's Busboy Productions and pitched to Comedy Central, which green-lighted the program; Comedy Central had already been searching for a way to extend the successful Daily Show franchise beyond a half-hour. The series opened to strong ratings, averaging 1.2 million viewers nightly during its first week on the air. Comedy Central signed a long-term contract for The Colbert Report within its first month on the air, when it immediately established itself among the network's highest-rated shows. Much of Colbert's personal life was reflected in his character on The Colbert Report. With the extended exposure of the character on the show, he often referenced his interest in and knowledge of Catholicism, science fiction, and The Lord of the Rings, as well as using real facts to create his character's history. His alternate persona was also raised in South Carolina, is the youngest of 11 siblings and is married. The actual Colbert's career history in acting and comedy, however, was often downplayed or even denied outright, and he frequently referred to having attended Dartmouth College (which was at the forefront of the conservative campus movement in the 1980s) rather than his actual alma mater, Northwestern. In July 2012, Colbert added two years to his contract with Comedy Central, extending the run of The Colbert Report until the end of 2014. The final episode on December 18, 2014, featured a rendition of "We'll Meet Again" and appearances from former guests of the show, including Jon Stewart, Randy Newman, Bryan Cranston, Willie Nelson, Yo-Yo Ma, Mandy Patinkin, Neil deGrasse Tyson, Tom Brokaw, David Gregory, J. J. Abrams, Big Bird, Gloria Steinem, Ken Burns, James Franco, Barry Manilow, Bob Costas, Jeff Daniels, Sam Waterston, Bill de Blasio, Katie Couric, Patrick Stewart, George Lucas, Henry Kissinger, Cookie Monster, Alan Alda, Eliot Spitzer, Vince Gilligan, Paul Krugman, and a text from Bill Clinton, and appearances by Alex Trebek, U.S. and coalition Afghanistan forces, and further characters (a space station astronaut, Santa, Abraham Lincoln, etc.). CANNOTANSWER

what did the colbert report contain?


John Hartson was born on 5 April 1975 in Swansea, as the third of four children to Cyril and Diana Hartson. Cyril had also played football for local team Afan Lido. Hartson grew up in Talycoppa, Swansea, alongside his elder brother James, elder sister Hayley and younger sister Victoria. As a youngster Hartson represented Lonlas Boys' Club in Skewen, playing his first match aged six.

Hartson turned professional in 1992 and made his Luton Town first team debut as a substitute in a 1-0 League Cup defeat to Cambridge United on 24 August 1993. In January 1995, at 19, he joined Arsenal for PS2.5 million, a British record fee for a teenage player at the time. Along with Chris Kiwomya, Hartson was one of George Graham's last signings before the manager's sacking in February 1995. He made his Arsenal debut on 14 January 1995, a 1-1 home draw with Everton, and scored his first goal for the club the following week, the only goal in a 1-0 away win at Coventry City. He was a regular for the remainder of his first season, a highlight of which was scoring Arsenal's 75th-minute equaliser in the 1995 UEFA Cup Winners' Cup Final against Real Zaragoza; however a last-minute goal from 40 yards by Nayim over David Seaman meant Arsenal lost the game 2-1. He was strike-partner to Ian Wright, being favoured ahead of Kevin Campbell to fill the gap left by the injured Alan Smith, who would retire at the end of the season. Following the signing of Dennis Bergkamp, who was preferred up front to partner Wright, Hartson went on to feature under Graham's successors Bruce Rioch and Arsene Wenger. With Wenger wanting him to stay at the club, Hartson though in February 1997 linked up with West Ham United in a PS3.2 million deal. At the time, he was the most expensive player to be signed by West Ham.The deal was initially reported to be worth PS5 million. In total, Hartson played 53 times for Arsenal, scoring 14 goals. CANNOTANSWERAnswer this question using a quote from the following article:

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Bure was born in Moscow in 1971 to Vladimir and Tatiana Bure. At age 12, his parents separated, and he remained with his mother. Vladimir Bure, a Russian swimming legend, had dreams of Pavel becoming a professional swimmer, but he aspired to play hockey at an early age. He attended his first tryout with the CSKA Moscow hockey school at the age of six, despite his limited skating ability.

Prior to joining the NHL in 1991, Bure competed for the Soviet Union in several junior, international tournaments. The first was the 1988 Quebec Esso Cup, an under-17 tournament (now known as the World U-17 Hockey Challenge) held in Quebec City, where he earned a gold medal. That same year, he competed in his first of two consecutive European Junior Championships, winning a bronze medal. The following year, Bure debuted at the world under-20 level as a 17-year-old at the 1989 World Junior Championships in Anchorage, Alaska. The top line of CSKA Moscow teammates Bure, Alexander Mogilny and Sergei Fedorov led the Soviet Union to a gold medal. Bure's eight goals tied him for the tournament lead with Jeremy Roenick of the United States; he led the Soviet team with 14 points. He was named to the Tournament All-Star Team, and earned Best Forward honours. He again participated in the 1989 European Junior Championship, helping the Soviet Union win the gold medal. Bure competed in his second World Juniors in 1990, winning a silver medal in Helsinki, Finland, and scoring seven goals in seven games. Later that year, he made his senior debut with the Soviet national team as a 19-year-old at the 1990 World Championships in Switzerland. He scored two goals and four assists in ten games to help the Soviets to a gold medal finish. The Soviet team also won silver in the European Championship, which was decided from games played among the European teams at the tournament. Several months later, in July, Bure took part in his third international tournament of the year at the 1990 Goodwill Games in Seattle. Bure scored four goals and an assist in five games, and the Soviets won the gold medal. In 1991, Bure appeared in his third and final World Junior Championships. Bure finished the tournament as the leading scorer with 12 goals in 7 games and the Soviets won the silver medal. He finished his three-year World Junior career with a tournament-record 27 goals, to go with 39 points, in 21 games. Bure later competed in the 1991 World Championships, his second international appearance of the year. He improved on his previous year's total with 11 points in 11 games, tied for the team lead with Valeri Kamensky, and helped the Soviets to a bronze medal finish. Bure was named to the tournament's Second All-Star Team. The 1991 team marked the last World Championships for the USSR, as the country was dissolved later that year. CANNOTANSWER

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Sir Edward German (17 February 1862 - 11 November 1936) was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. Some of his light operas, especially Merrie England, are still performed. As a youth, German played the violin and led the town orchestra of Whitchurch, Shropshire. He also began to compose music.

At the age of 18, he studied privately with Walter Cecil Hay, the conductor of the Whitchurch choral society and director of music at St. Chad's of Shrewsbury. German entered the Royal Academy of Music, where he eventually changed his name to J. E. German (and later simply Edward German) to avoid confusion with another student named Edward Jones. He continued his studies of violin and organ, also beginning a more formal study of composition under Ebenezer Prout. Many of German's student works were played at Academy concerts. In 1884, the Academy appointed German a sub-professor of the violin. During his time as an instructor, he was well regarded and won several medals and prizes, such as the Tubbs Bow for his skill with the violin. In 1885, he won the Charles Lucas Medal for his Te Deum for soloists, choir and organ, leading him to change his focus from violin to composition. He soon wrote a light opera, The Two Poets (for four soloists and piano), in 1886, which was produced at the Academy and then performed at St. George's Hall. In 1887, his first symphony, in E Minor, was also performed at the Academy. In 1890 he conducted a revised version of this symphony at the Crystal Palace, while The Two Poets toured successfully in England. During his time at the Royal Academy, German taught at Wimbledon School and played the violin in theatre orchestras, including the Savoy Theatre. He visited Germany in 1886 and 1888-89 and was impressed by its opera, particularly at Bayreuth. His circle of close friends at the Academy included Dora Bright and Ethel Mary Boyce (1863-1936) from Chertsey, Surrey. He and Boyce became engaged. She was also a promising composition student and won the Lady Goldsmid scholarship in 1885, the Sterndale Bennett Prize in 1886 and the Charles Lucas Medal in 1889. Although the engagement was broken off, they remained friends. German never married. CANNOTANSWER

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Moyet was born in the Essex town of Billericay to a French father and English mother. She grew up in the nearby town of Basildon, where she attended Janet Duke Junior School and then Nicholas Comprehensive at secondary level. After leaving school at 16, she worked as a shop assistant and trained as a piano tuner. She was involved in a number of punk rock, pub rock and blues bands in the South East Essex area during the late 1970s and early 1980s, including the Vandals, the Screamin' Ab Dabs, the Vicars and the Little Roosters (the latter featuring Garrie Lammin, formerly of Cock Sparrer).

Following a period of personal and career evaluation, Hoodoo was released in 1991. The album sold respectably in the UK, and Moyet was nominated for a Grammy for the single "It Won't Be Long". However, the release of Hoodoo marked the beginning of an eight-year fight for Moyet to secure complete control of her artistic direction. Like many similar artists (including Aimee Mann and the late Kirsty MacColl), Moyet was reluctant to record a radio-friendly "pop" album simply for the sake of creating chart hits. Moyet's next album, Essex (1994), was also a source of controversy for her; in order for the album to be released, her label (now Sony) insisted that certain Essex tracks be re-recorded and re-produced, and that there be additional material remixed to create a more 'commercial' package. The video for the single "Whispering Your Name" again featured Dawn French. Following the release of Essex, Sony released a greatest hits compilation of Moyet's work. Singles entered the UK charts at No. 1 and, following a UK tour, was re-issued as a double CD set which included "Live (No Overdubs)", a bonus live CD. Upon re-issue, Singles charted again, this time in the Top 20. Due to prolonged litigation with Sony, Moyet did not record or release a new studio album for over eight years after the release of Essex. During this time, however, she recorded vocals for Tricky, Sylk-130, Ocean Colour Scene, The Lightning Seeds, and King Britt, and was featured on the British leg of the Lilith Fair tour. 2001 saw the release of The Essential Alison Moyet CD, and in 2002 The Essential Alison Moyet DVD. In 1995, she sang back-up vocals with Sinead O'Connor for one of Dusty Springfield's last television appearances, singing "Where Is a Woman to Go?" on the music show Later With Jools Holland. CANNOTANSWER

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Michael Kiske (born January 24, 1968) is a German singer best known as the lead vocalist for the German power metal band Helloween. After his departure from the band, Kiske recorded four solo albums, participated on various metal and rock related projects, such as Avantasia, Place Vendome and Kiske/Somerville, while he also performed with numerous bands as a guest vocalist. In late 2009, he formed the hard rock / heavy metal band Unisonic and began touring again after 17 years of absence. On October 2017 Kiske joined Helloween and Kai Hansen for the "Pumpkins United World Tour" that will continue throughout 2018.

On August 16, 1996, three years after leaving Helloween, Kiske released his first solo album, Instant Clarity. The album featured guest appearances by Adrian Smith of Iron Maiden, Kai Hansen and Ciriaco Taraxes and contained songs in a wide variety of styles. A music video for the ballad "Always", dedicated to deceased Helloween drummer Ingo Schwichtenberg, was filmed and produced in New York City. Instant Clarity was reissued in 2006 with the addition of 4 bonus tracks. During the same year he also wrote a book, 'Kunst Und Materialismus', which is only available in German. His second solo album, Readiness to Sacrificeincluded sings by Ciriaco Taraxes, it was released in Korea and Japan in 1999, and in Europe in 2001. The music on the album featured Michael moving completely away from his heavy metal roots and even contained two symphonic songs. In 2003, out of desire to make rock music again, Kiske formed a project, named SupaRed. They released a self-titled album in January 2003. This album had a modern rock sound and a song structure, distinct from both his solo albums and the heavy metal sound of Helloween. The project was under promoted and unsuccessful and he dissolved the band. In 2006, Michael Kiske released his third full-length solo album under the name of Kiske. The album contained songs in a mellow, acoustic singer-songwriter style and was a step away from the sound of his previous solo albums. According to Michael "It's a healthy-careless and musically free album. I am very proud of this record because it is a true statement from myself". In 2008, Kiske released his fourth solo work, entitled Past in Different Ways. The album contained acoustic re-arrangements of his old Helloween material and one new song. According to Kiske the album "on one hand shows that I don't reject my past just because I'm a different person today, and on the other hand it can maybe give people who were part of that past a different view at those songs". CANNOTANSWER

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Background: Leno was born in New Rochelle, New York. His homemaker mother, Catherine (nee Muir; 1911-1993), was born in Greenock, Scotland, and came to the United States at age 11. His father, Angelo (1910-1994), was an insurance salesman who was born in New York, to immigrants from Flumeri, Italy. Leno grew up in Andover, Massachusetts, and graduated from Andover High School.
Context: In their new roles, neither O'Brien nor Leno succeeded in delivering the viewing audiences the network anticipated. On January 7, 2010, multiple media outlets reported that beginning March 1, 2010, Jay Leno would move from his 10 p.m. weeknight time slot to 11:35 p.m., due to a combination of pressure from local affiliates whose newscasts were suffering, and both Leno's and O'Brien's poor ratings. Leno's show would be shortened from an hour to 30 minutes. All NBC late night programming would be preempted by the 2010 Winter Olympics between February 15 and 26. This would move The Tonight Show to 12:05 a.m., a post-midnight timeslot for the first time in its history. O'Brien's contract stipulated that NBC could move the show back to 12:05 a.m. without penalty (a clause put in primarily to accommodate sports preemptions). On January 10, NBC confirmed that they would move Jay Leno out of primetime as of February 12 and intended to move him to late night as soon as possible. TMZ reported that O'Brien was given no advance notice of this change, and that NBC offered him two choices: an hour-long 12:05am time slot, or the option to leave the network. On January 12, O'Brien issued a press release that stated he would not continue with Tonight if it moved to a 12:05 a.m. time slot, saying, "I believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, it was announced that NBC had struck a deal with O'Brien. It was decided that O'Brien would leave The Tonight Show. The deal was made that O'Brien would receive a $33 million payout and that his staff of almost 200 would receive $12 million in the departure. O'Brien's final episode aired on Friday, January 22, 2010. Leno returned as host of The Tonight Show following the 2010 Winter Olympics on March 1, 2010. On July 1, 2010, Variety reported that total viewership for Jay Leno's Tonight Show had dropped from 5 million to 4 million for the second quarter of 2010, compared to the same period in 2009. Although this represented the lowest second-quarter ratings for the show since 1992, Tonight was still the most-watched late night program, ahead of ABC's Nightline (3.7 million) and Late Show with David Letterman (3.3 million). CANNOTANSWER
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Background: Marc Zakharovich Chagall ( sh@-GAHL; born Moishe Zakharovich Shagal; 6 July [O.S. 24 June] 1887 - 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists".
Context: In 1923, Chagall left Moscow to return to France. On his way he stopped in Berlin to recover the many pictures he had left there on exhibit ten years earlier, before the war began, but was unable to find or recover any of them. Nonetheless, after returning to Paris he again "rediscovered the free expansion and fulfillment which were so essential to him", writes Lewis. With all his early works now lost, he began trying to paint from his memories of his earliest years in Vitebsk with sketches and oil paintings. He formed a business relationship with French art dealer Ambroise Vollard. This inspired him to begin creating etchings for a series of illustrated books, including Gogol's Dead Souls, the Bible, and the La Fontaine's Fables. These illustrations would eventually come to represent his finest printmaking efforts. In 1924, he travelled to Brittany and painted La fenetre sur l'Ile-de-Brehat. By 1926 he had his first exhibition in the United States at the Reinhardt gallery of New York which included about 100 works, although he did not travel to the opening. He instead stayed in France, "painting ceaselessly", notes Baal-Teshuva. It was not until 1927 that Chagall made his name in the French art world, when art critic and historian Maurice Raynal awarded him a place in his book Modern French Painters. However, Raynal was still at a loss to accurately describe Chagall to his readers: Chagall interrogates life in the light of a refined, anxious, childlike sensibility, a slightly romantic temperament ... a blend of sadness and gaiety characteristic of a grave view of life. His imagination, his temperament, no doubt forbid a Latin severity of composition. During this period he traveled throughout France and the Cote d'Azur, where he enjoyed the landscapes, colorful vegetation, the blue Mediterranean Sea, and the mild weather. He made repeated trips to the countryside, taking his sketchbook. He also visited nearby countries and later wrote about the impressions some of those travels left on him: I should like to recall how advantageous my travels outside France have been for me in an artistic sense--in Holland or in Spain, Italy, Egypt, Palestine, or simply in the south of France. There, in the south, for the first time in my life, I saw that rich greenness--the like of which I had never seen in my own country. In Holland I thought I discovered that familiar and throbbing light, like the light between the late afternoon and dusk. In Italy I found that peace of the museums which the sunlight brought to life. In Spain I was happy to find the inspiration of a mystical, if sometimes cruel, past, to find the song of its sky and of its people. And in the East [Palestine] I found unexpectedly the Bible and a part of my very being. CANNOTANSWER
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Marvin Lee Aday was born in Dallas, Texas, the only child of Wilma Artie (nee Hukel), a school teacher and a member of the Vo-di-o-do Girls gospel quartet, and Orvis Wesley Aday, a police officer. His father was an alcoholic who would go on drinking binges for days at a time. Aday and his mother would drive around to all the bars in Dallas, looking for Orvis to take him home.

During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER

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Gisele Caroline Bundchen (; Portuguese pronunciation: [Zi'zeli karo'lini 'bitSej], German pronunciation: [gi'zel@ kaRo'li:n@ 'bYntcn]; born 20 July 1980) is a Brazilian supermodel and actress. Since 2004, Bundchen has been among the highest-paid models in the world, and as of 2007 was the 16th richest woman in the entertainment industry. In 2012, she placed first on the Forbes top-earning models list.

Forbes estimated Bundchen's 2016 income at $30.5 million. In August 2011, Bundchen ranked 60th on the Forbes list of The World's 100 Most Powerful Women. She ranked third on The 20 Youngest Power Women of 2011 List at age 31. In 2011 Forbes named Bundchen and Brady as the World's Highest Paid Celebrity couple, beating Brad Pitt and Angelina Jolie as well as Beyonce and Jay-Z. In August 2012 she was one of four people in the fashion industry and the only model to be ranked on the Forbes list of "The World's Most Powerful Women" at No. 83. She ranked in the top 10 of the Forbes list of "Entertainment's Highest-Paid Women" in 2012, at No. 8. In July 2007 Forbes named her the world's top-earning model. By 2008, she continued to dominate the Forbes list of the world's highest-earning models, and appeared on the magazine's list of the Top 20 Richest Women in Entertainment. During 2009-2010, she was the top earning supermodel. In 2010, she retained the top spot as Forbes's highest-earning model. In May 2011, Forbes ranked her as the world's top-earning model for the fifth consecutive time. Her earnings climbed over the previous year, thanks to an economic boom in Brazil, coupled with a 10 per cent surge in the value of the Brazilian real against the dollar. Also in 2013 she ranked No. 3 on the 16 most successful female entrepreneurs list by Forbes. Bundchen, however, disputes the number, telling WSJ. magazine in November 2013, "Who are they speaking to when they come up with these numbers? Not my accountant, that's for sure." CANNOTANSWER

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Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.

MacGruber was shot on a tight schedule of 28 days in Albuquerque, New Mexico, during the summer of 2009. It was written while simultaneously producing the weekly episode of SNL, and the show's production process left the trio deprived of sleep. Forte was positive regarding the film, saying, "What you see with this movie is exactly what we wanted to do. It's the three of us having a bunch of fun writing it, then having fun making it with a bunch of our friends--old friends and new friends. I think that fun comes across when you watch it. It's rare that you get that kind of creative freedom." The film was released in May 2010 and received mixed reviews. It fared worse at the box office, where it failed to recoup its budget and was pulled from theaters after its third week. Forte found the failure tolerable, commenting, "When you make something that you're really proud of and it doesn't do well, you can live with it." The film has since seen more positive reception and has been dubbed a cult classic. Forte left Saturday Night Live, shortly before the beginning of the show's thirty-sixth season in 2010. He felt it the "right time to go," considering his eight-year tenure there, his expansion into film with MacGruber, and his age. In addition, his sister had just had kids and he wanted to move to the West Coast to be closer to them. He soon regretted the decision, calling the following year an "emotionally trying period," as he felt "devastated" that he would no longer be on the program. He assumed his shot at a film career was ruined, and he imagined that if acting did not work out, he would return to writing primarily. Following this, he entered what he has called a "lost period" and had small supporting roles, such as Rock of Ages, That's My Boy and The Watch, all of which were not successful. The only commercial successful film he worked on was Grown Ups 2, where he made a cameo as a male cheerleader. He also took a role as Paul L'Astname, the cross-dressing boyfriend of Jenna Maroney on the critically acclaimed sitcom 30 Rock. Forte took his first dramatic role for the 2013 film Run & Jump. Director Steph Green offered him the part, and Forte imagined it a "fun thing to try," though he noted that she had more confidence in him than he had himself. Later, he sent an audition tape to director Alexander Payne for a role in his next film, Nebraska. He equated his casting in the film to his fear of joining SNL a decade prior, noting that he was "terrified" to begin working on it. He felt hard initially, but followed co-star Bruce Dern's acting advice to "look for the truth" in each scene--in other words, "In every scene, you're just trying to play it as honestly and as real as you can." CANNOTANSWER

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Ban Ki-moon (; Hangul: bangimun; Hanja: Pan Ji Wen ; Korean pronunciation: [pan.gi.mun]; born 13 June 1944) is a South Korean diplomat who was the eighth Secretary-General of the United Nations from January 2007 to December 2016. Before becoming Secretary-General, Ban was a career diplomat in South Korea's Ministry of Foreign Affairs and in the United Nations. He entered diplomatic service the year he graduated from university, accepting his first post in New Delhi, India.

The aftermath of the Libyan Civil War and other events of the Arab Spring continued to command Ban's attention with the start of his second term. He focused in 2012 on what he termed "intolerance" in the Arab world. After travelling to Vienna to participate in the opening of the KAICIID Dialogue Centre to foster interreligious dialogue, Ban commented, "Many countries in the Arab world including Saudi Arabia are changing. Since the Arab Spring, the leaders have begun to listen to the voice of their people." He was however criticised in the Austrian press for associating himself with a project of Saudi King Abdullah, Saudi Arabia being a location of perceived religious intolerance. Throughout 2012, Ban expressed his concern about the continuing Israeli-Palestinian conflict, in particular the condition of the Palestinian hunger strikers in Israeli prisons and the movement restrictions imposed on Gaza Strip residents. On 30 August 2012 Ban criticized the Iranian leadership due to their statements regarding Israel's destruction and denying the Holocaust. On 16 August 2013, Ban Ki-moon admitted that the UN was biased against Israel, stating in a meeting with Israeli students that there was a biased attitude towards the Israeli people and Israeli government at the UN. He described this as "an unfortunate situation." A few days later, he backtracked on the utterance. During an interview on 16 December 2016, Ban said that the UN has issued a "disproportionate volume of resolutions, reports and conferences criticizing Israel." On 26 January 2016, Ban made a statement in relation to the attacks by Palestinians against Israelis. Ban Ki-moon said that "as oppressed peoples have demonstrated throughout the ages, it is human nature to react to occupation, which often serves as a potent incubator of hate and extremism". In rebuking Ban's statement, the Israeli PM Benjamin Netanyahu stated that "there is no justification for terror". Ban has criticized Saudi Arabian-led intervention in Yemen, saying: "Grave violations against children increased dramatically as a result of the escalating conflict". In June 2016, Ban Ki-moon removed a Saudi-led coalition from a list of children's rights violators. He later admitted that Saudi Arabia threatened to cut Palestinian aid and funds to other UN programs if coalition was not removed from blacklist for killing children in Yemen. According to one source, there was also a threat of "clerics in Riyadh meeting to issue a fatwa against the UN, declaring it anti-Muslim, which would mean no contacts of OIC members, no relations, contributions, support, to any UN projects, programs". CANNOTANSWER

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Charles Edward Anderson Berry (October 18, 1926 - March 18, 2017) was an American singer, songwriter, musician, and one of the pioneers of rock and roll music. With songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive. Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music. Born into a middle-class African-American family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School.

Berry returned to Chess from 1970 to 1973. There were no hit singles from the 1970 album Back Home, but in 1972 Chess released a live recording of "My Ding-a-Ling", a novelty song which he had recorded in a different version as "My Tambourine" on his 1968 LP From St. Louie to Frisco. The track became his only number-one single. A live recording of "Reelin' and Rockin'", issued as a follow-up single in the same year, was his last Top 40 hit in both the US and the UK. Both singles were included on the part-live, part-studio album The London Chuck Berry Sessions (other albums of London sessions were recorded by Chess's mainstay artists Muddy Waters and Howlin' Wolf). Berry's second tenure with Chess ended with the 1975 album Chuck Berry, after which he did not make a studio record until Rock It for Atco Records in 1979, which would be his last studio album for 38 years. In the 1970s Berry toured on the strength of his earlier successes. He was on the road for many years, carrying only his Gibson guitar, confident that he could hire a band that already knew his music no matter where he went. AllMusic said that in this period his "live performances became increasingly erratic, ... working with terrible backup bands and turning in sloppy, out-of-tune performances" which "tarnished his reputation with younger fans and oldtimers" alike. In March 1972 he was filmed, at the BBC Television Theatre in Shepherds Bush, for Chuck Berry in Concert, part of a 60-date tour backed by the band Rocking Horse. Among the many bandleaders performing a backup role with Berry in the 1970s were Bruce Springsteen and Steve Miller when each was just starting his career. Springsteen related in the documentary film Hail! Hail! Rock 'n' Roll that Berry did not give the band a set list and expected the musicians to follow his lead after each guitar intro. Berry neither spoke to nor thanked the band after the show. Nevertheless, Springsteen backed Berry again when he appeared at the concert for the Rock and Roll Hall of Fame in 1995. At the request of Jimmy Carter, Berry performed at the White House on June 1, 1979. Berry's touring style, traveling the "oldies" circuit in the 1970s (often being paid in cash by local promoters) added ammunition to the Internal Revenue Service's accusations that Berry had evaded paying income taxes. Facing criminal sanction for the third time, Berry pleaded guilty to tax evasion and was sentenced to four months in prison and 1,000 hours of community service--performing benefit concerts--in 1979. CANNOTANSWER

When did he quit chess?


Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (Jiu Shi  Rang , Hisaishi Jo), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.

In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

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Pauline Curuenavuli was born in Suva, Fiji on 15 October 1982 to parents Isireli, a former choir conductor, and Miliana, a nurse. Her mother Miliana lived and worked alone in Sydney, Australia for two years. Paulini, her five siblings and their father Isireli moved from Fiji to Sydney in 1986, when she was four years old, to join Miliana. Their first home in Australia was a two-bedroom apartment in Randwick, New South Wales, where Paulini attended Coogee Public School.

In 2014, Paulini signed a joint record deal with Ambition Records and Decca Records Australia. She became the first artist signed to the reactivated Decca Records label in Australia. Paulini released "Air It All Out" as the lead single from her third studio album Come Alive on 17 October 2014. Co-written by Paulini in New York, she explained that "the song is about letting go of negativity, doubt and fear - breathing in and exhaling positivity and purpose." "By My Side" was released as the second and final single from Come Alive on 15 May 2015. Co-written in Sydney by Paulini and producer Adam Reily, "By My Side" was dedicated to Paulini's older sister Litia who battled and overcame breast cancer. Paulini stated that the song is lyrically "about my journey over the past few years and coming into my skin after a struggle to find my voice, my artistry and above all, loving myself with the help of loved ones by my side." Both "Air It All Out" and "By My Side" failed to make any significant impact on the ARIA charts. Paulini's third album Come Alive was released on 29 May 2015, almost nine years after the release of her second album Superwoman (2006). Come Alive marked a departure from Paulini's previous R&B releases, with a more commercial adult contemporary pop sound. She worked on the album for five years in Berlin, London, Los Angeles, New York City and Paris with several writers and producers, including Chris Rosa, Erik "Blue2th" Griggs and Philippe-Marc Anquetil. Paulini stated that she wanted to take her time with the album to concentrate on improving her songwriting, having co-written all but two tracks on Come Alive. Come Alive debuted at number 25 on the ARIA Albums Chart and surpassed Superwoman's peak position of number 72. Paulini's fourth studio album Merry Christmas was released on 6 November 2015. It was Paulini's first Christmas album and second overall Christmas release, following her 2004 EP, Amazing Grace: Songs for Christmas. Paulini stated that the release was her "way of saying 'thank you'" to the fans for allowing her to perform and share the spirit of Christmas at "communities all around Australia" every year. Featuring cover versions of popular Christmas tunes, Merry Christmas failed to impact the ARIA charts. Paulini promoted the album with an eight-date tour at various Christmas carols events on the East Coast. Paulini collaborated with The Wiggles on the song "Do the Pretzel" for their 2017 album Duets, and appeared in the music video included on the DVD of the same name. In April 2017, she made her musical theatre debut in the Australian production of The Bodyguard, which is based on Whitney Houston's 1992 film of the same name. Paulini played the lead role of Rachel Marron--originally portrayed by Houston in the film--a fictional pop superstar who is stalked by a fan and falls in love with her bodyguard. Paulini took acting lessons and increased her fitness to prepare for the role, which included singing and running on the treadmill at the same time. The Bodyguard musical played shows in Sydney, Brisbane and Melbourne from April until October 2017. Paulini's performance in the musical was well-received by critics and audiences. CANNOTANSWER

Who produce the album?


Steven Siro Vai (; born June 6, 1960) is an American guitarist, composer, singer, songwriter, and producer. He was voted the "10th Greatest Guitarist" by Guitar World magazine, and has sold over 15 million records. A three-time Grammy Award winner and fifteen-time nominee, Vai started his music career in 1978 at the age of 18 as a transcriptionist for Frank Zappa, and joined his band from 1980 to 1983. He embarked on a solo career in 1983 and has released eight solo albums to date.

Vai designed the Ibanez JEM guitar, a unique instrument that incorporated a series of groundbreaking designs that have since become staples in feature throughout the guitar industry, in 1985. In speaking of the development of the guitar, Vai says, "Stratocasters had whammy bars--which were fantastic--but they were very limited, were always going out of tune, and had single-coil pickups. Les Pauls had humbuckers--which gave you that real scream in the bridge position--but no whammy bar, and I didn't like the way they sat. Neither guitar had twenty-four frets. So I went to a guitar shop in Hollywood, where I had these elements implemented into a guitar (what would have been considered a Superstrat at the time). The guitar was designed with a sharper body shape, a large cutaway around the neck, twenty-four frets, a fully floating tremolo system, a specially wired five-way pickup selector switch, and an output jack angled on the side of the body (so that when you step on the cable, it doesn't pull out of your guitar). I knew of course that these features would eventually be taken and used in other guitars, so I did something completely preposterous: I said, 'Put a handle in it!' That way, during videos and photoshoots I could swing the guitar around." Vai had several custom prototypes of these guitars built (which were used on the Eat 'Em and Smile tour) by Joe "Jem" Despagni, a custom guitar luthier and friend of Vai's. Due to Vai's highly coveted position in Roth's band, many guitar companies were eager to propose endorsement opportunities. In response to these offers, Vai sent out the specifications of the JEM guitar, detailing that the company that returned the best guitar would be given the endorsement. Dissatisfied with the guitars returned and unwilling to compromise, Vai held out on a guitar endorsement until Ibanez approached him, sending him an instrument superior to that of the other companies and willing to follow his instructions. After the pre-production prototypes were perfected, the first production Ibanez JEM 777 guitars were unveiled at the NAMM Show in 1987. Since its original 1987 release, the JEM has become one of the longest-running and most successful signature series guitars in history, with its sister guitar, the Ibanez RG, being the second highest-selling guitar (behind the Fender Stratocaster) on the market. Another design by Vai was the Ibanez Universe, the first production seven-string guitar, which was released in 1989. The Universe incorporated many of the aspects that made the JEM a unique instrument (24 frets, full floating tremolo, special pickup configuration, angled output jack, and deeper body cutaway), with an added low 'B' string, allowing for new low-range sonic possibilities. Used by Vai on much of Passion and Warfare and all of Whitesnake's Slip of the Tongue, the Universe was a large stepping stone for the burgeoning Nu-metal genre (with bands such as Korn having adopted the instrument and incorporating it into their signature sound). CANNOTANSWERAnswer this question using a quote from the following article:

What is JEM


Background: Pierino Ronald "Perry" Como (May 18, 1912 - May 12, 2001) was an American singer and television personality. During a career spanning more than half a century he recorded exclusively for the RCA Victor label after signing with it in 1943. "Mr. C.", as he was nicknamed, sold millions of records for Radio Corporation of America (RCA) and pioneered a weekly musical variety television show, which set the standards for the genre and proved to be one of the most successful in television history.
Context: Perry Como credited Bing Crosby for influencing his voice and style. Perry Como's voice is widely known for its good-natured vocal acrobatics as portrayed in his highly popular novelty songs such as "Hot Diggity (Dog Ziggity Boom)", but there was another side to Perry Como. Music critic Gene Lees describes it in his sleeve note to Como's 1968 album Look To Your Heart: Despite his immense popularity, Como is rarely given credit for what, once you stop and think of it, he so clearly is: one of the great singers and one of the great artists of our time. Perhaps the reason people rarely talk about his formidable attributes as a singer is that he makes so little fuss about them. That celebrated ease of his has been too little understood. Ease in any art is the result of mastery over the details of the craft. You get them together to the point where you can forget about how you do things and concentrate on what you are doing. Como got them together so completely that the muscles don't even show. It seems effortless, but a good deal of effort has gone into making it seem so. Como is known to be meticulous about rehearsal of the material for an album. He tries things out in different keys, gives the song thought, makes suggestions, tries it again, and again, until he is satisfied. The hidden work makes him look like Mr. Casual, and too many people are taken in by it -- but happily so. -Gene Lees-sleeve note, Look To Your Heart From 1989 until his death in 2001, Como co-hosted a weekly syndicated radio show with John Knox, called Weekend With Perry. CANNOTANSWER
Question: was he married?. Whats the answer?


Background: Selena Marie Gomez (born July 22, 1992) is an American singer and actress. After appearing on the children's television series Barney & Friends, she received wider recognition for her portrayal of Alex Russo on the Disney Channel television series Wizards of Waverly Place, which aired for four seasons from 2007 until 2012. With her former band Selena Gomez & the Scene, she attained the top-ten on the US Billboard 200 with her albums Kiss & Tell (2009), A Year
Context: In 2009, Gomez was part of Sears's back-to-school fashion campaign and was featured in television commercials. She hosted the "Sears Arrive Air Band Casting Call" to select five winners for the first-ever "Sears Air Band" to perform at the 2009 MTV Video Music Awards. She also became the spokesperson for Borden Milk and was featured in campaign's print ads and television commercials. From 2010 to 2014, Gomez released her own clothing line, Dream Out Loud by Selena Gomez, through retailer Kmart. In 2012, she released a self-titled fragrance, Selena Gomez by Selena Gomez. It was also announced that she would partner with the cellphone brand, Case-Mate, as part of its upcoming "Right Case, Right Occasion" marketing campaign. In 2013, she released her second fragrance, Vivamore by Selena Gomez. She also created her own collection of nail polish colors for Nicole by OPI. From 2013 to 2015, Gomez was a spokesperson and partner for Neo by Adidas. In 2015, Gomez signed $3 million endorsement deal with Pantene. In 2016, Gomez appeared in a fashion campaign for luxury brand Louis Vuitton. Gomez also appeared in ads for Coca-Cola's "Share a Coke" campaign, and she appeared in advertisements for the campaign and lyrics from two of her songs will be featured on packages of Coca-Cola products nationwide. In 2017, Gomez confirmed that she was partnering with Coach, Inc, beginning with their fall line. She has a limited-edition collection of handbags called the "Selena Grace" that she designed in collaboration with luxury brand Coach, Inc. She also partnered with the athletic brand, Puma, appearing in campaigns. CANNOTANSWER
Question: What other brands did she advertise?

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Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.

Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER


Shakur was born on June 16, 1971, into an African-American family in the East Harlem section of Manhattan in New York City. His birth name was Lesane Parish Crooks. The following year, he was renamed after Tupac Amaru II, the 18th-century Peruvian revolutionary who was executed after leading an indigenous uprising against Spanish rule. His parents, Afeni Shakur (born Alice Faye Williams in North Carolina) and Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s.

In October 1995, Shakur was released from prison after serving nine months of a sentence for sexual assault and formed a new group called Outlaw Immortalz. Shakur joined the Death Row label, under which he released the single "California Love". On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold more than nine million copies. The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as in-house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album, One Nation, with the New York-based Boot Camp Clik and their label Duck Down Records. On June 4, 1996, he and Outlawz released the diss track "Hit 'Em Up", a scathing lyrical assault on The Notorious B.I.G. and others associated with him. In the track, Shakur claimed to have had sexual intercourse with Faith Evans, the wife of Wallace, Shakur's former friend and rival, and attacked Bad Boy's street credibility. Shakur was convinced that some members associated with Bad Boy had known about the 1994 attack on him due to their behavior that night and the information that his sources gave to him. According to a 2005 interview with Jimmy Henchman, in Vibe magazine, after the attack, Shakur immediately accused Henchman, an associate of Bad Boy CEO Sean Combs, of orchestrating the attack. Shakur, therefore, aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Jake Robles, the friend and bodyguard of Suge Knight; Knight was adamant in voicing his suspicions about Combs' involvement. In the years following their killings, associates of both Shakur and The Notorious B.I.G. made comments indicating the pair, were it not for their deaths, would have reconciled. Collaborator Buckshot claimed in 2015 that Shakur defended him against Suge Knight, who had insisted that the East Coast rapper could not come with him to Las Vegas on the grounds of the ongoing hip hop rivalry. Shakur asserted that he would not board the plane unless accompanied by Buckshot and was described by the fellow rapper as looking "discomforted" while they recorded a song together in a studio after Shakur "tore up the plane tickets". During an August 15, 1996, appearance at the Brotherhood Crusade Rally, which featured several artists discussing the importance of voting, Shakur compared the sales of Death Row records to voters in the U.S. and the influence he and other artists had over an adoring fanbase. CANNOTANSWER

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