Background: Anthony Donald Joseph Field, AM (born 8 May 1963) is an Australian musician, actor, songwriter and producer. He is best known as a member of the children's group The Wiggles and the 1980s and 1990s pop band The Cockroaches.
Context: Field was born in Kellyville, New South Wales. He is the youngest of seven children, and grew up in north western Sydney. He came from a long line of musicians, especially the women in his family. His great-great aunt was "Queenie Paul", known for performing at the Tivoli Theatre in Sydney, and his grandmother Kathleen accompanied silent movies in the mining town of Cobar. Field's mother, Marie, made sure that all of her seven children learned how to play at least one musical instrument. He attended the all-boys boarding school St. Joseph's College, which his great-grandfather Paddy Condon, an Italian immigrant and master stonemason, helped build. In 1979, while they were students at St. Joseph's, he and his brothers Paul and John formed the pop group The Cockroaches. He was inspired by his sister Colleen to study Early Childhood Education, and became convinced that teaching preschool children "was my calling". He was also attracted to the field's freedom, artistic nature, and lack of discipline, which was different from his experience in boarding school. Field put off university when The Cockroaches became successful, but he was dissatisfied with touring and plagued by "perhaps irrational, but very real, feelings of inadequacy and depression". By his mid-twenties, he decided that he did not want to tour any longer, so he took two breaks. His first break was as an infantry soldier, medic, and rifleman in the 5th/7th Battalion, Royal Australian Regiment, Australia's regular army from 1982 to 1985. He played the bagpipes in parades and on training missions, but ended his military service in July 1985 and suffered from a bad back as a result of his training. He also went backpacking in the U.K., listening to roots music, to children's music by artists like Raffi, and to recordings of children's books. When The Cockroaches disbanded in the early 1990s, Field enrolled at Macquarie University. While at university, he decided to record an album of children's music, enlisting the assistance of fellow student and guitarist Murray Cook, former Cockroaches roadie and vocalist Greg Page, former bandmate and keyboardist Jeff Fatt, and Macquarie instructor and composer Phillip Wilcher, who later left the group. CANNOTANSWER
Question: Where did he go to school?. Whats the answer?


During an interview for Pacific Northwest periodical "The Rocket" in 1996, he said that he drove a combine harvester. He came from a dysfunctional family that he tried to avoid, and was using drugs heavily by the age of 18, having already been arrested and sentenced to one year's imprisonment for drug-related crimes. He got out of jail by taking a year-long rehabilitation course. Around this time he met and befriended Van Conner with whom he would eventually form the Screaming Trees.

In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways. CANNOTANSWERAnswer this question using a quote from the following article:

Who is Isobel Campbell?


Background: Charles Edward Greene (born September 24, 1946), better known as "Mean" Joe Greene, is a former American football defensive tackle who played for the Pittsburgh Steelers of the National Football League (NFL) from 1969 to 1981. A recipient of two NFL Defensive Player of the Year awards, six first-team All-Pro selections, and ten Pro Bowl appearances, Greene is widely considered one of the greatest defensive linemen to play in the NFL. He was noted for his leadership, fierce competitiveness, and intimidating style of play for which he earned his nickname. Born and raised in Temple, Texas, Greene attended North Texas State University (now University of North Texas), where he earned consensus All-America honors as a senior playing for the North Texas State Mean Green football team.
Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER
Question: Did his teams do well. Whats the answer?


Robert Brydon Jones,  (born 3 May 1965), known professionally as Rob Brydon, is a Welsh actor, comedian, radio and television presenter, singer, and impressionist. He played Dr Paul Hamilton in the Australian/British comedy series Supernova, Bryn West in the sitcom Gavin & Stacey and Keith Barret in the BBC comedy series Marion and Geoff and its spin-off The Keith Barret Show. He has appeared in a number of shows for the BBC with Steve Coogan, including The Trip series in 2010, released as a feature film later that year; and The Trip to Italy in 2014 and The Trip to Spain in 2017, also edited and released as feature films. Since 2009, Brydon has presented the BBC One comedy panel show Would I Lie to You?

For a brief period in the early 1990s Brydon was a presenter for the Home Shopping Network. He began to find small roles in several successful films and television series. In 2000 he made his mark in television comedy, with two series which he co-wrote and performed for the BBC: Human Remains, co-written by Julia Davis; and the commercially successful Marion and Geoff. Since these series Brydon has developed a career path as a character actor, in both comedic and serious roles. He portrayed controversial theatre critic Kenneth Tynan in the BBC Four film Kenneth Tynan: In Praise of Hardcore (2005), opposite Julian Sands as Laurence Olivier. His character Bryn West in Gavin & Stacey, written by Ruth Jones and James Corden, allowed him to return to his South Wales roots. In this role Brydon performed the 2009 Comic Relief charity single, "(Barry) Islands in the Stream", with Ruth Jones (both actors appearing as their characters from Gavin & Stacey) and singer Tom Jones. It reached No.1 in the UK singles chart on 15 March 2009. In 2010 Brydon starred alongside Steve Coogan in Michael Winterbottom's partially improvised BBC Two sitcom series The Trip, in which both actors played fictionalized versions of their public personas (Brydon, optimistic and always eager to do an impression; and Coogan, misanthropic and bitter that he's not the major international star he believes he should be). Brydon's book Small Man in a Book (the title a play on his "small-man-in-a-box" impression) was published in November 2011. CANNOTANSWERAnswer this question using a quote from the following article:

did he act in anything else?


Mary Lillian Ellison was born in 1923 in Kershaw County, South Carolina, and grew up in Tookiedoo, 12 miles from Columbia. The youngest of five children, Ellison was the only daughter of a part Cherokee father and an Irish mother. Her parents owned a farm, a grocery store, and a service station. When her mother died of cancer, eight-year-old Ellison went to live with her paternal grandmother and worked on her cousin's cotton farm to make money.

Ellison's first husband was Walter Carroll, who became the father of her daughter Mary. Mary wrestled briefly but decided against pursuing the profession. Ellison had six grandchildren. Ellison and Carroll divorced shortly after their daughter's birth. Later, Ellison married wrestler Johnny Long. Marital conflicts developed when Long wanted Ellison to be a housewife instead of a career woman. In addition, Ellison accused Long of being a "womanizer". Ellison and Long divorced. Ellison also says that she dated country singer Hank Williams for four months in 1952. According to Ellison, Williams proposed to her, but Williams's drinking and heroin abuse forced the couple to go separate ways. She further claimed that he wanted Ellison to quit her wrestling career, which she did not want to do. Two months after the breakup, Williams died due to an overdose. Later, Ellison met a wrestler named Buddy Lee, whom she regarded as the "love of her life." They were eventually married, and after divorcing in 1970 after nine years of marriage, they remained friends until Lee's death in 1999. The divorce was attributed to Lee's affair with Rita Cortez, one of the wrestlers the duo was training. In the early 1980s, Ellison opened Moolah's Hideaway, a bar and grill which was operated by her daughter Mary and frequented by Andre the Giant. Beginning in 1991, Ellison lived with Mae Young in a house in Columbia, South Carolina. Her estate was located on a road named Moolah Drive. A midget professional wrestler named Katie Glass also lived with Moolah for over 40 years. Another wrestler, Donna Christanello, also lived with Ellison on-and-off for 40 years, ending in May 1999. During her return to the ring in 1999, Ellison began experiencing occasional dizziness, and as a result, her doctor requested that she begin to wear a heart monitor. A few days later, Ellison was admitted to the hospital for what turned out to be two clogged arteries and viral pneumonia. She stayed at the intensive-care unit of the hospital for 24 days, during which she was unconscious for fifteen days. After leaving the hospital, she again slipped into unconsciousness in the bathroom at her home, crushing several vertebrae. She underwent successful back surgery in mid-December. CANNOTANSWER

Did she ever have any kids?


The Mamas & the Papas were an American folk rock vocal group who recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971 to record the album People Like Us but did not perform outside their recording studio at that time. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips nee Gilliam. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.

After completing their brief East coast tour, the group started work immediately on its third album, The Mamas & The Papas Deliver, which was recorded in the autumn of 1966. The first single from the album, "Look Through My Window", was released in September 1966 (before the last single from The Mamas and the Papas). It reached number twenty-four in the US, but did not chart in the UK. The second single, "Dedicated to the One I Love" (February 1967), did much better, peaking at number two in both the US and the UK. That success helped the album, also released in February 1967, reach number two in the US and number four in the UK. The third single, "Creeque Alley" (April 1967), chronicled the band's early history. It peaked at number five in the US and number nine in the UK. The strain on the group was apparent when they performed indifferently at the first Monterey International Pop Festival in June 1967, as can be heard on Historic Performances Recorded at the Monterey International Pop Festival (1970). The band was badly under-rehearsed - partly because John and Michelle Phillips and Lou Adler were preoccupied with organizing the festival, partly because Doherty arrived at the last minute from another sojourn in the Virgin Islands, and partly, it is said, because he was drinking heavily in the aftermath of his affair with Michelle Phillips. They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener), which both John and Michelle Phillips would remember as the apex of the band's career: "There would never be anything quite like it again." Deliver was followed in October 1967 by the non-album single "Glad to Be Unhappy", which reached number twenty-six in the US. "Dancing Bear" from the group's second album was released as a single in November. It peaked at number fifty-one in the US. Neither of these singles charted in the UK. CANNOTANSWER

Answer the following question by taking a quote from the article: What happened in 1967?


The Kentucky Headhunters is an American country rock and Southern rock band. They were founded in 1968 as Itchy Brother, which consisted of brothers Richard Young (rhythm guitar, vocals) and Fred Young (drums) along with Greg Martin (lead guitar, vocals) and Anthony Kenney (bass guitar, vocals). Itchy Brother performed together until 1982, with James Harrison replacing Martin from 1973 to 1976. The Young brothers and Martin began performing as The Kentucky Headhunters in 1986, adding brothers Ricky Lee Phelps (lead vocals, harmonica) and Doug Phelps (bass guitar, backing vocals) to the membership.

The Kentucky Headhunters borrowed $4,500 to record a demo album, which included seven original songs, plus covers of Bill Monroe's "Walk Softly on This Heart of Mine," Henson Cargill's "Skip a Rope" and Don Gibson's "Oh Lonesome Me." Originally intended to be sold at the band's live shows, the demo tape came to the attention of the Nashville music community. Although Martin said that the band had not seriously considered signing a record deal, the band pursued one through the suggestion of its manager, Mitchell Fox. Harold Shedd, a record producer who was then the head of Mercury Records, helped sign The Kentucky Headhunters to the label in 1989. Mercury released the demo in 1989 as The Kentucky Headhunters' debut album, Pickin' on Nashville. The album produced four singles, all of which reached top 40 on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) chart. The first of these, the "Walk Softly on This Heart of Mine" cover, peaked at number 25 in December 1989. After it came "Dumas Walker," about a then-74-year-old marbles player who owned a liquor store that the band frequented. According to Doug, Mercury Records was initially reluctant to release the song as a single: "[The label] thought it was too regional, and that no one outside the area would get it, but what they didn't see, was the reaction we got to it every night that we played it in front of a crowd, and it didn't matter where we were playing either." The single peaked at number 15 on the Billboard chart. Following "Dumas Walker" was the "Oh Lonesome Me" cover; peaking at number eight, this was the band's only Top Ten hit. Finishing off the single releases was the number 23 "Rock 'n' Roll Angel", which Richard wrote. Pickin' on Nashville also earned the band a Grammy Award for Best Country Performance by a Duo or Group with Vocal, Best New Vocal Group award from the Academy of Country Music (ACM), and Album of the Year and Vocal Group of the Year awards from the Country Music Association (CMA). In addition, it earned a double-platinum certification from the Recording Industry Association of America (RIAA) for shipping two million copies in the United States. William Ruhlmann of Allmusic gave the album a four-and-a-half star rating out of five, saying that the band was "all the better" for having a sound closer to rock than country. After the success of their debut album, The Kentucky Headhunters began touring with Hank Williams, Jr. and Delbert McClinton. CANNOTANSWER

Did any of these songs reach the charts?


Answer by taking a quote from the following article:

Albrecht Durer (; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. Durer is commemorated by both the Lutheran and Episcopal Churches.

On his return to Nuremberg, Durer worked on a number of grand projects with religious themes, including a crucifixion scene and a Sacra Conversazione, though neither was completed. This may have been due in part to his declining health, but perhaps also because of the time he gave to the preparation of his theoretical works on geometry and perspective, the proportions of men and horses, and fortification. However, one consequence of this shift in emphasis was that during the last years of his life, Durer produced comparatively little as an artist. In painting, there was only a portrait of Hieronymus Holtzschuher, a Madonna and Child (1526), Salvator Mundi (1526), and two panels showing St. John with St. Peter in background and St. Paul with St. Mark in the background. This last great work, the Four Apostles, was given by Durer to the City of Nuremberg--although he was given 100 guilders in return. As for engravings, Durer's work was restricted to portraits and illustrations for his treatise. The portraits include Cardinal-Elector Albert of Mainz; Frederick the Wise, elector of Saxony; the humanist scholar Willibald Pirckheimer; Philipp Melanchthon, and Erasmus of Rotterdam. For those of the Cardinal, Melanchthon, and Durer's final major work, a drawn portrait of the Nuremberg patrician Ulrich Starck, Durer depicted the sitters in profile, perhaps reflecting a more mathematical approach. Despite complaining of his lack of a formal classical education, Durer was greatly interested in intellectual matters and learned much from his boyhood friend Willibald Pirckheimer, whom he no doubt consulted on the content of many of his images. He also derived great satisfaction from his friendships and correspondence with Erasmus and other scholars. Durer succeeded in producing two books during his lifetime. "The Four Books on Measurement" were published at Nuremberg in 1525 and was the first book for adults on mathematics in German, as well as being cited later by Galileo and Kepler. The other, a work on city fortifications, was published in 1527. "The Four Books on Human Proportion" were published posthumously, shortly after his death in 1528. Durer died in Nuremberg at the age of 56, leaving an estate valued at 6,874 florins -- a considerable sum. He is buried in the Johannisfriedhof cemetery. His large house (purchased in 1509 from the heirs of the astronomer Bernhard Walther), where his workshop was located and where his widow lived until her death in 1539, remains a prominent Nuremberg landmark. It is now a museum. CANNOTANSWER

Wat happened in 52?


Background: Milton Ernest "Robert" Rauschenberg (October 22, 1925 - May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, papermaking, and performance.
Context: In 1951 Rauschenberg had his first one-man show at the Betty Parsons Gallery and in 1954 had a second one-man show at the Charles Egan Gallery. In 1955, at the Charles Egan Gallery, Rauschenberg showed Bed (1955), one of his first and certainly most famous Combines. Rauschenberg had his first career retrospective, organized by the Jewish Museum, New York, in 1963, and in 1964 he was the first American artist to win the Grand Prize at the Venice Biennale (Mark Tobey and James Whistler had previously won the Painting Prize). After that time, he enjoyed a rare degree of institutional support. A retrospective organized by the National Collection of Fine Arts (now the Smithsonian American Art Museum), Washington, D.C., traveled throughout the United States in 1976 and 1978. A retrospective at the Solomon R. Guggenheim Museum, New York (1997), traveled to Houston, Cologne, and Bilbao (through 1999). Recent exhibitions were presented at the Metropolitan Museum of Art, New York (2005; traveled to Museum of Contemporary Art, Los Angeles, Centre Georges Pompidou, Paris, and Moderna Museet, Stockholm, through 2007); at the Peggy Guggenheim Collection, Venice (2009; traveled to the Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese, through 2010); and Botanical Vaudeville at Inverleith House, Royal Botanic Garden Edinburgh (2011). A memorial exhibition of Rauschenberg's photographs opened October 22, 2008, (on the occasion of what would have been his 83rd birthday) at the Guggenheim Museum. Further exhibitions include: 5 Decades of Printmaking, Leslie Sacks Contemporary (2012); Robert Rauschenberg: Jammers, Gagosian Gallery, London (2013); Robert Rauschenberg: Hoarfrost Editions, Gemini G.E.L. at Joni Moisant Weyl (2014); Robert Rauschenberg: The Fulton Street Studio, 1953-54, Craig F. Starr Associates (2014); Collecting and Connecting, Nasher Museum of Art at Duke University (2014); A Visual Lexicon, Leo Castelli Gallery (2014); Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills (2014).; Robert Rauschenberg, de Sarthe Gallery, Hong Kong (2016), and Museum of Modern Art retrospective (2017). On June 4, 2004 the Gallery of Fine Art at Florida SouthWestern State College was renamed the Bob Rauschenberg Gallery, celebrating a long-time friendship with the artist. The gallery has been host to many of Rauschenberg's exhibitions since 1980. CANNOTANSWER
Question: Any other important information reguarding his first show?

Answer:


A modern drum and bugle corps, is a musical marching ensemble consisting of brass instruments, percussion instruments, synthesizers, and color guard. Typically operating as independent non-profit organizations, drum corps perform in competitions, parades, festivals, and other civic functions. Participants of all ages are represented within the band activity, but the majority are between the ages of 13 and 22 and are members of corps within Drum Corps International or Drum Corps Associates. Competitive drum corps participate in summer touring circuits, such as Drum Corps International (DCI) and Drum Corps Associates (DCA).

As visual programs have increased in complexity, corps have developed and formalized various movement techniques, the goal of each being the achievement of fluid, consistent movements that allow for precise musical technique at all tempos, step sizes, and directions. Given that instrument-wielding members most often face toward the audience (for maximum sound projection), marching technique must not affect the rigidity of members' upper torsos. Horn players may twist their lower bodies in their direction of movement, but members of the battery, due to the nature of their equipment, must keep their entire bodies facing forward at all times. This has led to the invention of the "crab walk" or oblique, where the legs cross over one another to facilitate sideways motion; the technique is used mostly by battery, but in rare instances by the hornline. Being visually oriented, guard members are not as bound to facing the front sideline, and may face any direction at any time as dictated by choreography. The most common backward marching technique requires balancing on one's platform (visually seen as the 'toes' and keeping the heels off the ground), which is especially effective at faster tempos. The reverse the heel-toe roll step, allowing for heel-ground contact is another technique used, most often at slower tempos. As an alternative, there are three major groups which utilize a bent leg technique (Santa Clara Vanguard, Madison Scouts, and The Cavaliers), in which the feet come off of the ground and move in a bicycle type motion. Marching technique programs have largely been inspired by dance technique. Terminology from ballet is used to describe foot placement and positioning, and members of the color guard and hornline often jazz run in order to maintain upper body stability when marching at fast tempos with large step sizes. In addition, choreography has permeated all sections of the contemporary drum corps. CANNOTANSWERAnswer this question using a quote from the following article:

Does the whole group do the crab walk?


Background: Yoda is a fictional character in the Star Wars franchise created by George Lucas, first appearing in the 1980 film The Empire Strikes Back. In the original films, he trains Luke Skywalker to fight against the Galactic Empire. In the prequel films, he serves as the Grand Master of the Jedi Order and as a high-ranking general of Clone Troopers in the Clone Wars. Before his death in Return of the Jedi at the age of 900, Yoda was the oldest living character in the Star Wars franchise in canon, until the introduction of Maz Kanata in Star Wars: The Force Awakens.
Context: In Revenge of the Sith, Yoda leads the Jedi Council in pursuing the mysterious Sith Lord Darth Sidious. Palpatine has by now amassed near-dictatorial emergency powers, and begins interfering in Jedi affairs by appointing Anakin as his personal representative on the Council. The Council grants Anakin a Council seat, but denies him the rank of Master, feeling that doing so would amount to giving Palpatine a vote in the Council. Additionally, they order him to spy on Palpatine, whom Anakin considers a friend and mentor. Confused and angered by the perceived snub and the instructions to commit what he believes to be treason, Anakin continues to lose faith in the Jedi Order. Anakin seeks Yoda's counsel about his prophetic visions that someone close to him will die. Yoda, unaware of the person Anakin speaks of is Padme, or that she is Anakin's wife and pregnant with his child, tells him to "train himself to let go of everything that he fears to lose". Unsatisfied, Anakin turns to Palpatine, who then reveals himself as Darth Sidious. Palpatine manipulates the young Jedi into becoming his Sith apprentice, Darth Vader, with the promise that the dark side holds the power to save Padme from dying in childbirth. Palpatine later transforms the Republic into the tyrannical Galactic Empire, proclaiming himself emperor for life, and orders the clone troopers to kill their Jedi generals. At this time, Yoda is on Kashyyyk, overseeing the battle between the Separatist forces and a combined command of clone troopers and Wookiees. Through the Force, Yoda feels the deaths of each of the Jedi as they are assassinated by their own troops. After swiftly killing the clone troopers instructed to kill him, he escapes with Wookiee leaders Tarfful and Chewbacca (Peter Mayhew), and returns to Coruscant, where he and Obi-Wan fight their way into the Jedi Temple to stop a trap for all surviving Jedi. Inside, they discover that all the Jedi inside, younglings included, have been slaughtered. They then discover a holographic recording, revealing Vader as the assassin. Yoda decides to face Palpatine, sending Obi-Wan to kill Vader. When Obi-Wan protests, Yoda tells him that the Anakin he knew no longer exists, having been "consumed by Darth Vader". Subsequently, Yoda battles Palpatine in a lightsaber duel that wrecks the Senate Rotunda. In the end, neither is able to overcome the other and Yoda is forced to retreat. He goes into exile on Dagobah so that he may hide from the Empire and wait for another opportunity to destroy the Sith. At the end of the film, it was revealed that Yoda has been in contact with Qui-Gon's spirit, learning the secret of immortality from him and passing it on to Obi-Wan. Yoda is also instrumental in deciding the fate of the Skywalker children after Padme dies in childbirth, recommending that Luke and Leia be hidden from Vader and Palpatine in remote locations. Other than the ancient Jedi Master, only the Organas, the Lars family, R2-D2 and Obi-Wan know of their true identities. CANNOTANSWER
Question: why did they spy on Palpatine

Answer:


Walter Winchell (April 7, 1897 - February 20, 1972) was an American newspaper and radio gossip commentator. Winchell showed a particular talent for finding embarrassing stories about famous people by exploiting his exceptionally wide circle of contacts, and trading gossip, sometimes in return for his silence. His uniquely outspoken style made him both feared and admired, and his column was syndicated worldwide. In the 1930s, he attacked the appeasers of Nazism, and later aligned with Joseph McCarthy in his campaign against communists.

Many other columnists began to write gossip soon after Winchell's initial success, such as Ed Sullivan in New York and Louella Parsons in Los Angeles. He wrote in a style filled with slang and incomplete sentences. Winchell's casual writing style famously earned him the ire of mobster Dutch Schultz, who confronted him at New York's Cotton Club and publicly lambasted him for using the phrase "pushover" to describe Schultz's penchant for blonde women. Some notable Winchell quotations are: "Nothing recedes like success", and "I usually get my stuff from people who promised somebody else that they would keep it a secret". Herman Klurfeld, a ghostwriter for Winchell for almost three decades, started writing to four newspaper columns per week for Winchell in 1936 and worked for him for 29 years. He also wrote many of the signature one-liners, called "lasties", that Mr. Winchell used at the end of his Sunday evening radio broadcasts. One of Klurfeld's quips was "She's been on more laps than a napkin". In 1952, the New York Post revealed Mr. Klurfeld as Mr. Winchell's ghostwriter.  (Klurfeld also wrote a biography of Winchell entitled Walter Winchell: His Life and Times, which was the basis for the 1998 movie Winchell.) Winchell opened his radio broadcasts by pressing randomly on a telegraph key, a sound that created a sense of urgency and importance, and using the catchphrase "Good evening, Mr. and Mrs. America from border to border and coast to coast and all the ships at sea. Let's go to press." He would then read each of his stories with a staccato delivery (up to a rate of 197 words per minute, though he claimed a speed of well over 200 words per minute in an interview in 1967), noticeably faster than the typical pace of American speech. His diction also can be heard in his breathless narration of the Untouchables television series as well as in several Hollywood films. CANNOTANSWERAnswer this question using a quote from the following article:

What was important about Walter's style?


James William Johnson (born July 16, 1943) is an American football broadcaster and former player, coach, and executive. He served as the head football coach at Oklahoma State University-Stillwater from 1979 to 1983 and the University of Miami from 1984 to 1988. Johnson then moved to the National Football League (NFL), serving as head coach of the Dallas Cowboys from 1989 to 1993, winning two Super Bowls with the team (both against the Buffalo Bills), and finally serving as head coach of the Miami Dolphins from 1996 to 1999. As of 2016, he is an analyst for Fox NFL Sunday, the Fox network's NFL pregame show for the NFL games.

In 1984, Johnson was hired by the University of Miami to replace former coach Howard Schnellenberger, who had won Miami's first national championship in 1983 and departed for the recently formed United States Football League. Johnson's hiring was met with an initial response of "Jimmy who?" by the fans and media. Johnson started with a shaky 8-5 record his first season, which included a game in which Johnson's Hurricanes blew a 31-0 halftime lead in a loss to Maryland with Frank Reich as its QB, and also included a 47-45 loss to Boston College immortalized by Doug Flutie's "Hail Mary" touchdown pass on the game's final play. But Johnson developed the Hurricanes into a football program that came to be known as "the Decade of Dominance". In his five years at Miami, Johnson compiled a 52-9 record, appeared in five New Year's Day bowl games, winning one national championship (1987) and losing one to the Penn State Nittany Lions (1986). Johnson created a free-wheeling atmosphere where he allowed, and at times encouraged, his players to showboat, trash-talk, and run up the score. He also brought the modern 4-3 defense predicated on athletic upfield linemen to the forefront. The criticism they received from other teams caused the media to deem them the "Bad Boys of College Football", a moniker Johnson openly accepted. Johnson's Hurricanes posted the school's first undefeated regular season in 1986, only to lose the Fiesta Bowl and the national championship to #2-ranked Penn State. The loss, along with losses in Miami's prior two bowl games, began to raise questions about whether Johnson was capable of winning major games. In the ensuing 1987 season, however, the Hurricanes went undefeated in the regular season yet again, and won the school's second national title by defeating Oklahoma for the third season in a row. Johnson also created controversy by allowing the University of Miami to retire Vinny Testaverde's football jersey number #14, but refusing to retire Bernie Kosar's number #20, though Kosar played one season for Johnson and led the Hurricanes to the national title (though that did not come under Johnson). Johnson's reason for not retiring Kosar's number was, "Bernie didn't finish the program here (at Miami)." Kosar graduated with honors a year ahead of his freshman class in 1985 with a dual major in finance and economics and subsequently entered the NFL's supplemental draft. Testaverde won the school's first Heisman Trophy award in December 1986 and was the first player selected in the 1987 NFL Draft. However, Johnson later reached out and signed Kosar, who was thrown out by the Cleveland Browns during the 1993 NFL season, to be the Cowboys backup to Troy Aikman, playing during the Cowboys 1993 Super Bowl run and clinched the NFC Championship game, earning a Super Bowl ring. Johnson was inducted into the University of Miami Sports Hall of Fame in 1996. In May 2012, Johnson was inducted into the College Football Hall of Fame. CANNOTANSWER

Using a quote from the above article, answer the following question: How long did he stay at Miami


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Irwin was born on his mother's birthday to Lyn and Bob Irwin in Essendon, a suburb of Melbourne, Victoria. He was of Irish descent on his father's side. He moved with his parents as a child to Queensland in 1970, where he attended Landsborough State School and Caloundra State High School. Irwin described his father as a wildlife expert interested in herpetology, while his mother Lyn was a wildlife rehabilitator.

Irwin loved mixed martial arts competitions and trained with Greg Jackson in the fighting/grappling system of Gaidojutsu. Like many Australians, he was an avid cricket fan. This was seen during his visit to Sri Lanka where he played cricket with some local children and said "I love cricket" and "It's a shame we have to go catch some snakes now". This was seen during the Crocodile Hunter episode "Island of the Snakes". Having grown up in Essendon, Irwin was a fan of the Essendon Bombers, an Australian rules football club in the Australian Football League. Irwin took part in an Australian Rules football promotion in Los Angeles as part of "Australia Week" in early 2006. After his death, a picture of Irwin wearing a Bombers Guernsey was shown by ESPN.com in their Bottom 10 ranking of the worst Division I FBS college football teams after Week 1 of the season in tribute to him. Having lived in Queensland most of his life, Irwin was also a fan of rugby league. As a teenager, he played for the Caloundra Sharks as a second-rower, and as an adult he was known to be a passionate Brisbane Broncos fan and was involved with the club on several occasions. On one occasion after turning up to training he asked if he could tackle the largest player, Shane Webcke. Despite being thrown to the ground and looking like he'd been crushed he was jovial about the experience. Irwin laughingly shared the experience with the Queensland State of Origin squad before the 2006 series. Irwin also supported rugby union, being a fan of the national team, the Wallabies. He once wore a Wallaby jersey during a demonstration at the zoo. A behind-the-scenes episode of The Crocodile Hunter showed Irwin and the crew finding a petrol station in a remote part of Namibia to watch the Wallabies defeat France in the 1999 Rugby World Cup Final. Irwin was also a talented surfer. CANNOTANSWER


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Josephine Elizabeth Butler (nee Grey; 13 April 1828 - 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage, the right of women to better education, the end of coverture in British law, the abolition of child prostitution, and an end to human trafficking of young women and children into European prostitution. Grey grew up in a well-to-do and politically connected progressive family which helped develop in her a strong social conscience and firmly held religious ideals. She married George Butler, an Anglican divine and schoolmaster, and the couple had four children, the last of whom, Eva, died falling from a banister.

Josephine Grey was born on 13 April 1828 at Milfield, Northumberland. She was the fourth daughter and seventh child of Hannah (nee Annett) and John Grey, a land agent and agricultural expert, who was a cousin of the reformist British Prime Minister, Lord Grey. In 1833 John was appointed manager of the Greenwich Hospital Estates in Dilston, near Corbridge, Northumberland, and the family moved to the area, where John acted as Lord Grey's chief political agent in Northumberland. In this role John promoted his cousin's political opinions locally, including support for Catholic emancipation, the abolition of slavery, the repeal of the Corn Laws and reform of the poor laws. Josephine was taught at home before completing her schooling at a boarding school in Newcastle upon Tyne which she attended for two years. John treated his children equally within the home. He educated them in politics and social issues and exposed them to various politically important visitors. John's political work and ideology had a strong influence on his daughter, as did the religious teaching she received from her mother; the family background and the circles in which she moved formed a strong social conscience and a staunch religious faith. At about the age of 17 Grey went through a religious crisis, which probably stemmed from an incident in which she discovered the body of a suicide while out riding. She became disenchanted with her weekly church attendance, describing the local vicar as "an honest man in the pulpit ... [who] taught us loyally all that he probably himself knew about God, but whose words did not even touch the fringe of my soul's deep discontent". Following her crisis, Grey did not identify with any single strand of Christianity, and remained critical of the Anglican church. She later wrote that she "imbibed from childhood the widest ideas of vital Christianity, only it was Christianity. I have not much sympathy with the Church". She began to speak directly to God in her prayers: I spoke to Him in solitude, as a person who could answer. ... Do not imagine that on these occasions I worked myself up into any excitement; there was much pain in such an effort, and dogged determination required. Nor was it a devotional sentiment that urged me on. It was a desire to know God and my relation to Him. In mid-1847 Grey visited her brother in County Laois, Ireland. It was at the height of the Great Famine and the first time she had come into contact with widespread suffering among the poor; she was deeply affected by her experiences and later recalled that "As a young girl, I had no conception of the full meaning of the misery I saw around me, yet it printed itself upon my brain and memory." CANNOTANSWER

What was her youth like?


Katrina Kaif (pronounced [k@'tri:na: 'ke:f], born Katrina Turquotte, 16 July 1983) is an English actress who works in Hindi films. Despite receiving mixed reviews from critics for her acting prowess, she has established herself in Bollywood, and is considered among the country's most attractive and highest-paid actresses. Born in Hong Kong, Kaif and her family lived in several countries before she moved to London. She received her first modelling assignment as a teenager and later pursued a career as a fashion model.

Kaif's personal life has been the subject of extensive media attention. She is reluctant to discuss her romantic life: "I have always believed that there is life before marriage and after marriage. Before marriage ... you are termed a single woman and I choose to conduct that part of my life with absolute dignity and discretion". Although rumours of a relationship with Salman Khan first emerged in 2003, it was not until after their 2010 breakup that Kaif spoke of the affair, calling it her first serious relationship. They have remained friends, and the actress credits Khan with giving her confidence and guidance: The reported reason for their breakup was Kaif's increasing closeness to Ranbir Kapoor during the filming of Ajab Prem Ki Ghazab Kahani. Although this was denied by Kaif and Kapoor, the nature of their relationship was scrutinised by the media because they were thought to be involved with others at the time. In August 2013, photographs of Kapoor and Kaif on holiday in Ibiza were leaked by Stardust; the media interpreted this as confirmation of an affair. After the appearance of the photos, Kaif published an open letter to the media saying that she was "upset, distressed and invaded" by the breach of privacy. She later acknowledged Kapoor as "an extremely important part of [her] life". In February 2016, the media reported that they had broken up. Kaif has a close relationship with her family, and the lack of a father figure in her life has given her a sense of responsibility towards them. While Kaif's mother is Christian and her father is Muslim, Kaif was brought up to practise all faiths and says she is a "firm believer in God". The Times of India reported in 2009 that she visits Siddhivinayak Temple, Mount Mary Church and the Sufi shrine Ajmer Sharif Dargah before her films are released. CANNOTANSWER

Answer the following question by taking a quote from the article: Was she married to Salman Khan?


Background: Sandman (Wesley Dodds) is a fictional character, a superhero who appears in American comic books published by DC Comics. The first of several DC characters to bear the name Sandman, he was created by writer Gardner Fox and artist Bert Christman. Attired in a green business suit, fedora, and gas mask, the Sandman used a gun emitting a sleeping gas to sedate criminals. He was originally one of the mystery men to appear in comic books and other types of adventure fiction in the 1930s but later was outfitted with a unitard/cowl costume and developed into a proper superhero, acquiring sidekick Sandy, and founding the Justice Society of America.
Context: Reintroduced in the Silver Age in Justice League of America No. 46 (July 1966), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA. In 1981 DC began publishing All-Star Squadron, a retelling of the Earth-Two mystery-men during WWII. Although not a main character, Sandman does appear in its pages. Of note is issue No. 18 which gives an explanation of why Dodds changed costumes from the cloak and gas mask to the yellow-and-purple outfit; Dian wore his costume while he was fighting elsewhere and she was killed in a fray. Dodds decided to wear the new costume, of Dian's design, until he could bring himself to wear the original in which she had died. Later, this explanation would be changed again when Dian Belmont was retconned to have never died, and a new explanation was given: Sandy convinced Dodds to switch to the more colorful costume to gain the support of regular people, who preferred the more traditional superhero look to his older, pulp-themed costume. An acclaimed film noir-inspired retelling of the original Sandman's adventures, Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint. Although as a whole its continuity within the DC Universe is debatable, several elements of the series - the more nuanced relationship between Dodds and Dian Belmont; the Sandman's appearance, (wearing a trench coat and World War I gas mask instead of the cape and the custom-made gas mask); and Dodds' pudgier appearance and wearing of glasses - have been adopted into regular continuity. The series ran for 70 issues and 1 annual. In Sandman Midnight Theatre (1995) a one-shot special by Neil Gaiman (author of the Modern Age supernatural series The Sandman), Matt Wagner (co-author of Sandman Mystery Theatre), and Teddy Kristiansen, depicts an interaction between the two characters, with the original visiting Great Britain and encountering the imprisoned Dream, the protagonist of Gaiman's series. A minor retcon by Gaiman suggested that Dodds' chosen identity was a result of Dream's absence from the realm the Dreaming, and that Dodds carries an aspect of that mystical realm. This explains Dodds' prophetic dreams. CANNOTANSWER
Question: Does his character appear in any movies?

Answer:


After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991. During this time, he recorded an album of new versions of some of his best-known Sun and Columbia hits, as well as Water from the Wells of Home, a duets album that paired him with, among others, his children Rosanne Cash and John Carter Cash, as well as Paul McCartney. A one-off Christmas album recorded for Delta Records followed his Mercury contract. His career was rejuvenated in the 1990s, leading to popularity with an audience which was not traditionally considered interested in country music. In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album I Scream Sunday. In 1993, he sang "The Wanderer" on U2's album Zooropa which was the closing track. According to Rolling Stone writer, Adam Gold,"The Wanderer" - written for Cash by Bono, "defies both the U2 and Cash canons, combining rhythmic and textural elements of Nineties synth-pop with a Countrypolitan lament fit for the closing credits of a Seventies western.". Although no longer sought after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, which had recently been rebranded from Def American, under which name it was better known for rap and hard rock. Under Rubin's supervision, he recorded American Recordings (1994) in his living room, accompanied only by his Martin Dreadnought guitar - one of many Cash played throughout his career. The album featured covers of contemporary artists selected by Rubin including "Down There by the Train" by Tom Waits. The album had a great deal of critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. He teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. On the same album, he performed the Bob Dylan favorite "Forever Young." Cash and his wife appeared on a number of episodes of the television series Dr. Quinn, Medicine Woman. He also lent his voice for a cameo role in The Simpsons episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)", as the "Space Coyote" that guides Homer Simpson on a spiritual quest. In 1996, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers and released Unchained (also known as American Recordings II), which won the Best Country Album Grammy in 1998. The album was produced by Rick Rubin with Sylvia Massy engineering and mixing. A majority of "Unchained" was recorded at Sound City Studios and featured guest appearances by Lindsay Buckingham, Mick Fleetwood, and Marty Stuart. Believing he did not explain enough of himself in his 1975 autobiography Man in Black, he wrote Cash: The Autobiography in 1997. CANNOTANSWER

Answer this question "HOW WAS HIS CAREER REJUVENATED?" by extracting the answer from the text above.


Background: Galifianakis was born in Wilkesboro, North Carolina. His mother, Mary Frances (nee Cashion), is a community arts center owner, and his father, Harry, is a heating oil vendor. His mother has Scottish ancestry, while his paternal grandparents, Mike Galifianakis and Sophia Kastrinakis, were emigrants from Crete, Greece, and Galifianakis was baptized in his father's Greek Orthodox church. He has a younger sister named Merritt and an older brother named Greg.
Context: Galifianakis played Alan Garner in the hit comedy The Hangover and earned the MTV Movie Award for the Best Comedic Performance. He was also prominently advertised in subsequent films that featured him in supporting roles, such as G-Force, Youth in Revolt and the Oscar-nominated film Up in the Air. Galifianakis also starred in the HBO series Bored to Death and hosted Saturday Night Live on March 6, 2010 during the show's 35th season, during which he shaved his beard mid-show for a sketch, and then closed the show wearing a fake beard. He hosted again on March 12, 2011 and shaved his head this time, in a Mr. T-like hairstyle, which was allegedly supposed to be used for a sketch that never aired due to time constraints. In 2010, he starred in several films, including Dinner for Schmucks, It's Kind of a Funny Story, and Due Date. On October 29, 2010, while debating marijuana legalization on the show HBO's Real Time with Bill Maher, Galifianakis appeared to have smoked marijuana on live television; host Bill Maher denied that it was real marijuana in an interview with Wolf Blitzer during an episode of The Situation Room. In 2011, he reprised his role for The Hangover Part II, which was set in Thailand and voiced Humpty Dumpty in Puss in Boots. Galifianakis starred alongside Will Ferrell in Jay Roach's 2012 political comedy The Campaign. He received critical praise for his performance in the 2014 film Birdman or (The Unexpected Virtue of Ignorance), in which he starred with Michael Keaton, Emma Stone and Edward Norton. In 2017, Galifianakis voiced The Joker in The Lego Batman Movie. In January 2014, it was announced that Galifianakis and Louis C.K. were developing a comedy pilot for FX. CANNOTANSWER
Question: What role did he play in Up in the Air?. Whats the answer?


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Sheryl Suzanne Crow (born February 11, 1962) is an American musician, singer, songwriter and actress. Her music incorporates elements of pop, rock, country and blues. She has released ten studio albums, four compilations, a live album, and has contributed to a number of film soundtracks. Her songs include "All I Wanna Do" and "If It Makes You Happy."

After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

What happened in 1992?


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The Righteous Brothers are an American musical duo of Bill Medley and (formerly) Bobby Hatfield. They began performing together in 1962 in the Los Angeles area as part of a five-member group called the Paramours, but adopted the name "The Righteous Brothers" when they embarked on their recording career as a duo. Their most active recording period was in the 1960s and 70s, and although the duo was inactive for some years, Hatfield and Medley reunited in 1981 and continued to perform until Hatfield's death in 2003. Their emotive vocal style is sometimes dubbed "blue-eyed soul".

The duo split up in February 1968, a breakup that would last for more than six years, when Medley left to pursue a solo career. Medley recorded a few solo recordings on several labels, while Hatfield teamed up with singer Jimmy Walker (from The Knickerbockers) using the Righteous Brothers name on the MGM label. Medley first recorded "I Can't Make It Alone" written by Carole King, but the song failed to make much of an impact. The following single, "Brown Eyed Woman" written by Mann and Weil, performed better. However, neither he nor Hatfield were able to match their previous chart success. Hatfield and Jimmy Walker recorded an album, Re-Birth, as "The Righteous Brothers" before disbanding in 1971. In a 2013 interview, Jimmy Walker said he had wanted to continue, but Hatfield decided to take a break and broke up the act. In 1969, Hatfield appeared in a TV movie, The Ballad of Andy Crocker, and also recorded "Only You". He released a solo album, Messin' In Muscle Shoals in 1971. According to Medley, he was performing three shows a night in Las Vegas, but finding it too much of a strain on his voice singing solo, and under advice he sought out Hatfield to reform The Righteous Brothers; Hatfield at this point was broke and living alone in a small apartment. In 1974, Medley and Hatfield announced their reunion at an appearance on The Sonny & Cher Comedy Hour. They signed with Haven Records, run by producers Dennis Lambert and Brian Potter and distributed by Capitol Records. Within a few weeks of reforming, they recorded Alan O'Day's "Rock and Roll Heaven", a paean to several deceased rock singers which became a hit, peaking at No. 3 on the Billboard Hot 100. Several more minor hits on Haven followed. After 1975, however, the Righteous Brothers would not appear in music charts except for re-releases of older songs and compilation albums, some of which were re-recordings of earlier works. CANNOTANSWER


Jon Miller was born on Hamilton Air Force Base and grew up in Hayward, California, listening to Giants announcers Russ Hodges and Lon Simmons on the radio. He attended his first baseball game in 1962, a 19-8 Giants' victory over the Los Angeles Dodgers at Candlestick Park. As a teenager, Miller played Strat-O-Matic and recorded his own play-by-play into a tape recorder, adding his own crowd noise, vendors, and commercials. After graduating from Hayward High School in 1969, Miller commuted across the bay to take broadcasting classes at the College of San Mateo.

Miller's delivery is notable for his easygoing, sometimes humorous manner and measured use of hyperbole, particularly in banter with his partner sportscasters. He livens up many broadcasts with a few Hawaiian and Japanese phrases spoken with impeccable pronunciation, and has been known to announce a half inning totally in Spanish. It is notable that Miller generally pronounces foreign language names with the source language pronunciation, in contrast with broadcasters who "Americanize" foreign-named players. Miller is also known for his meticulous scorekeeping, having scored over 5,500 games since he started broadcasting. Miller will occasionally quote lines from Shakespeare plays during radio broadcasts. He is well known for his foul ball call, "That ball is fooooul", and his emphatic cries of "Safe!" on close plays and "Two!" for a successful double play. He is also known for his unique pronunciation of the word safe, which sounds more like an umpire's call "tafe!", on plays where a baserunner attempts to slide into a base prior to being tagged out. Early in his career, Miller would punctuate home runs with the signature call, "Tell it goodbye!" (in emulation of longtime Giants announcer Lon Simmons), although he has eschewed this in recent years (although he continues to refer to a home run as a "big fly"). His home run call for Hispanic batters is now punctuated, "Adios, pelota!" Miller is noted in baseball circles for his impersonation of Los Angeles Dodgers announcer Vin Scully. Miller also imitates Harry Caray, Chuck Thompson, Jack Buck, Al Michaels, Babe Ruth, Bob Sheppard, and Harry Kalas, among others. Asked how he got into broadcasting play by play of baseball games, he recalled being in stands at Candlestick Park as a child and looking into the broadcast booth. In the middle of the at-bat, he watched as the broadcaster consumed a handful of fries and a drink between pitches, thinking, "That is the life for me." While calling games on the radio for the Giants, Miller occasionally introduces himself and his fellow broadcaster(s), followed by the phrase, "your Giants broadcasters". The same is repeated when Miller is on TV, except he replaces the word "broadcasters" with "telecasters." (Miller is referred to by fellow Giants broadcaster Mike Krukow as "The Big Kahuna".) He would use similar terminology for his Sunday Night Baseball telecasts on ESPN ("your Sunday night telecasters") and his World Series broadcasts for ESPN Radio ("your World Series broadcasters"). CANNOTANSWERAnswer this question using a quote from the following article:

Any intresting thing about the article


Background: Leno was born in New Rochelle, New York. His homemaker mother, Catherine (nee Muir; 1911-1993), was born in Greenock, Scotland, and came to the United States at age 11. His father, Angelo (1910-1994), was an insurance salesman who was born in New York, to immigrants from Flumeri, Italy. Leno grew up in Andover, Massachusetts, and graduated from Andover High School.
Context: In their new roles, neither O'Brien nor Leno succeeded in delivering the viewing audiences the network anticipated. On January 7, 2010, multiple media outlets reported that beginning March 1, 2010, Jay Leno would move from his 10 p.m. weeknight time slot to 11:35 p.m., due to a combination of pressure from local affiliates whose newscasts were suffering, and both Leno's and O'Brien's poor ratings. Leno's show would be shortened from an hour to 30 minutes. All NBC late night programming would be preempted by the 2010 Winter Olympics between February 15 and 26. This would move The Tonight Show to 12:05 a.m., a post-midnight timeslot for the first time in its history. O'Brien's contract stipulated that NBC could move the show back to 12:05 a.m. without penalty (a clause put in primarily to accommodate sports preemptions). On January 10, NBC confirmed that they would move Jay Leno out of primetime as of February 12 and intended to move him to late night as soon as possible. TMZ reported that O'Brien was given no advance notice of this change, and that NBC offered him two choices: an hour-long 12:05am time slot, or the option to leave the network. On January 12, O'Brien issued a press release that stated he would not continue with Tonight if it moved to a 12:05 a.m. time slot, saying, "I believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, it was announced that NBC had struck a deal with O'Brien. It was decided that O'Brien would leave The Tonight Show. The deal was made that O'Brien would receive a $33 million payout and that his staff of almost 200 would receive $12 million in the departure. O'Brien's final episode aired on Friday, January 22, 2010. Leno returned as host of The Tonight Show following the 2010 Winter Olympics on March 1, 2010. On July 1, 2010, Variety reported that total viewership for Jay Leno's Tonight Show had dropped from 5 million to 4 million for the second quarter of 2010, compared to the same period in 2009. Although this represented the lowest second-quarter ratings for the show since 1992, Tonight was still the most-watched late night program, ahead of ABC's Nightline (3.7 million) and Late Show with David Letterman (3.3 million). CANNOTANSWER
Question: Did the timeslot change help or hurt ratings?. Whats the answer?


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The Angels are an Australian rock band which formed in Adelaide in 1974 as The Keystone Angels by John Brewster on rhythm guitar and vocals, his brother Rick Brewster on lead guitar and vocals, and Bernard "Doc" Neeson on lead vocals and guitar. They were later joined by Graham "Buzz" Bidstrup on drums and vocals, and Chris Bailey on bass guitar and vocals. In 1981 Bidstrup was replaced on drums by Brent Eccles. Their studio albums on the Kent Music Report Albums

In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Was the album well-received?


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Steven William Moffat  (; born 18 November 1961) is a Scottish television writer and producer, best known for his work as showrunner, writer and executive producer of British television series Doctor Who and Sherlock. Moffat's first television work was the teen drama series Press Gang. His first sitcom, Joking Apart, was inspired by the breakdown of his first marriage; conversely, his later sitcom Coupling was based upon the development of his relationship with television producer Sue Vertue.

By 1990, Moffat had written two series of Press Gang, but the programme's high cost along with organisational changes at backers Central Independent Television cast its future in doubt. As Moffat wondered what to do next and worried about his future employment, Bob Spiers, Press Gang's primary director, suggested that he meet with producer Andre Ptaszynski to discuss writing a sitcom. Inspired by his experience working in education, Moffat's initial proposal was a programme similar to what would become Chalk, a sitcom set in a school that eventually aired in 1997. During the pitch meeting at the Groucho Club, Ptaszynski realised that Moffat was talking passionately about his impending divorce and suggested that he write about that instead of a school sitcom. Taking Ptaszynski's advice, Moffat's new idea was about "a sitcom writer whose wife leaves him". Moffat wrote two series of Joking Apart, which was directed by Bob Spiers, and starred Robert Bathurst and Fiona Gillies. The show won the Bronze Rose of Montreux and was entered for the Emmys. In an interview with Richard Herring, Moffat says that "The sit-com actually lasted slightly longer than my marriage." Fiona Gillies, who played the adulteress Becky, says that she was aware that some of her dialogue was based on what had been said to Moffat during his own separation. Moffat recycled his own dialogue: when he had learned that his wife's lover was a fan of Press Gang, he replied, "Well, did he have to fuck my wife? Most people just write in!". The line, with the expletive replaced by "shagged", was used in the first episode of Joking Apart. Speaking about the autobiographical elements of the show, the writer jokes that he has to remember that his wife didn't leave him for an estate agent; his wife was an estate agent. Conversely, his later sitcom Coupling was based on his relationship with his second wife, TV producer Sue Vertue. Moffat reused the surname "Taylor", which is Mark's surname in Joking Apart, for Jack Davenport's character Steve in Coupling. He wrote three episodes of Murder Most Horrid, an anthology series of comedic tales starring Dawn French. The first ("Overkill", directed by Bob Spiers) was identified by the BBC as a "highlight" of the series. His other two episodes were "Dying Live" (dir. Dewi Humphreys) and "Elvis, Jesus and Zack" (dir. Tony Dow). CANNOTANSWER


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Yune Sugihara (Shan Yuan  You Yin , Sugihara Yune), born Yasuhiro Sugihara (Shan Yuan  Kang Hong , Sugihara Yasuhiro, on July 8, 1969 in Hadano, Kanagawa, Japan), known exclusively by his stage name Sugizo, is a Japanese musician, singer, songwriter, composer, and record producer. He is best known as lead guitarist and violinist of the rock band Luna Sea.

Upon returning to Japan, on January 27 Sugizo released two digital singles, "Fatima" and "Do-Funk Dance", another on February 24 entitled "Prana", which also topped the iTunes electronic charts, and one more on March 31 named "Dear Spiritual Life". Sugizo was the music director and composer of the soundtrack for jidaigeki theatre stage play Nemuri Kyoshiro Buraihikae, featuring Gackt in the main role, which ran for 120 performances across Japan. In April he performed at the Nagisa Music Festival. On July 8, Sugizo announced that he would help his friend Mick Karn, who was diagnosed with cancer, by remixing his song "Missing". The song was renamed "Missing Link" and was available for download in return for a donation on Mick's official website to help fund the expensive medical treatment. Mick Karn died on January 4, 2011. On August 29, he held a fan club only event called "Soul's Mate Day IV". The show featured an acoustic set which was given the name "Soul's Mate Quintet". On August 31, he and Luna Sea attended a press conference in Hong Kong, where they announced that they would be touring worldwide after 10 years of inactivity. From November 5 to 8, Sugizo teamed up with drummers Budgie, Leonard Eto and Mabi, and multi-instrumentalist Knox Chandler in Hong Kong, to participate in a project called "The Butterfly Effect: East-West Percussive Parade", as part of the "New Vision Arts Festival". On April 13, 2011, Sugizo released two singles, "No More Nukes Play the Guitar" and "The Edge". On June 29, he released the single "Miranda", followed by "Neo Cosmoscape" on July 27, which was remixed by System 7, "Enola Gay" on August 15, and "Pray for Mother Earth" on September 9, a song he wrote with Toshinori Kondo for Earth Day 2006. On December 14, Sugizo released two albums, Flower of Life and Tree of Life. The first is completely instrumental with psychedelic and electronica songs, while the second includes remixed songs and those done in collaboration with other artists. In December, a four-date tour titled "Stairway to the Flower of Life" was held, with a concert in Taipei and Hong Kong. CANNOTANSWER

Did he have any other performances?


William Jennings Bryan (March 19, 1860 - July 26, 1925) was an American orator and politician from Nebraska. Beginning in 1896, he emerged as a dominant force in the Democratic Party, standing three times as the party's nominee for President of the United States. He also served in the United States House of Representatives and as the United States Secretary of State under Woodrow Wilson. Because of his faith in the wisdom of the common people, he was often called "The Great Commoner".

L. Frank Baum satirized Bryan as the Cowardly Lion in The Wonderful Wizard of Oz, published in 1900. Baum had been a Republican activist in 1896 and wrote on McKinley's behalf. Inherit the Wind, a 1955 play by Jerome Lawrence and Robert Edwin Lee, is a highly fictionalized account of the Scopes Trial written in response to McCarthyism. A populist thrice-defeated Presidential candidate from Nebraska named Matthew Harrison Brady comes to a small town named Hillsboro in Tennessee to help prosecute a young teacher for teaching evolution to his schoolchildren. He is opposed by a famous trial lawyer, Henry Drummond (based on Darrow), and mocked by a cynical newspaperman (based on H.L. Mencken) as the trial assumes a national profile. A 1960 Hollywood film adaptation, written by the playwrights, was directed by Stanley Kramer and stars Spencer Tracy as lawyer Henry Drummond and Fredric March as his friend and rival Matthew Harrison Brady. Bryan also appears as a character in Douglas Moore's 1956 opera The Ballad of Baby Doe and is briefly mentioned in John Steinbeck's East of Eden. In addition, he is a (very) minor character in Thomas Wolfe's Look Homeward, Angel. His death is referred to in Ernest Hemingway's The Sun Also Rises. In Robert A. Heinlein's Job: A Comedy of Justice, Bryan's unsuccessful or successful runs for the presidency are seen as the "splitting off" events of the alternate histories through which the protagonists travel. He also has a biographical part in "The 42nd Parallel" in John Dos Passos' USA Trilogy. Vachel Lindsay's "singing poem" "Bryan, Bryan, Bryan, Bryan" is a lengthy tribute to the idol of the poet's youth. CANNOTANSWER

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The Kentucky Headhunters is an American country rock and Southern rock band. They were founded in 1968 as Itchy Brother, which consisted of brothers Richard Young (rhythm guitar, vocals) and Fred Young (drums) along with Greg Martin (lead guitar, vocals) and Anthony Kenney (bass guitar, vocals). Itchy Brother performed together until 1982, with James Harrison replacing Martin from 1973 to 1976. The Young brothers and Martin began performing as The Kentucky Headhunters in 1986, adding brothers Ricky Lee Phelps (lead vocals, harmonica) and Doug Phelps (bass guitar, backing vocals) to the membership.

In 1991, the band released their second album, Electric Barnyard. Although the album earned a gold certification from the RIAA and a second CMA award for Vocal Group of the Year, its singles received little airplay compared to the band's previous releases, with none of the four singles reaching the top 40 on the U.S. country charts. The album's first single was a cover of "The Ballad of Davy Crockett," which was released on the 155th anniversary of Davy Crockett's death; the single shipped to radio with promotional coonskin caps. It spent eleven weeks on the charts and peaked at 49. "With Body and Soul" was the next single released, peaking at number 30 on the Canadian RPM country charts but reaching number 56 in the United States. The third and fourth singles were the original composition "It's Chitlin' Time" and a rendition of Waylon Jennings's "Only Daddy That'll Walk the Line," at numbers 63 and 60 respectively. Norman Greenbaum's 1969 single "Spirit in the Sky" was covered on this album as well. This album was met with mixed reception from critics. Alanna Nash of Entertainment Weekly gave it an A rating, saying that it "skillfully blends raw wit, the working-class energy of sweat-stained factory workers jamming between shifts, and musical styles as diverse as the corny Tennessee Ernie Ford and the creamy Eric Clapton." Allmusic critic Brian Mansfield, who gave it three-and-a-half stars, called the band a "top-notch Southern rock band with a sense of humor," and said that the covers on Electric Barnyard were highlights, while the originals were "adequate, offbeat filler." Randy Lewis of the Los Angeles Times called the band "ZZ Top lite" and said that most of the songs on the album had a "party-hearty sound." Later in 1991, The Kentucky Headhunters performed with Roy Rogers on the song "That's How the West Was Swung" from his Tribute album, and covered Canned Heat's "Let's Work Together" for the soundtrack to the film Harley Davidson and the Marlboro Man. In addition, Martin played lead guitar for Canadian synthpop band Men Without Hats on its 1991 album Sideways and filled in for Southern rock band Lynyrd Skynyrd guitarist Ed King on that band's 1992 tour, as King was injured at the time. Ricky Lee and Doug departed in June 1992 due to creative differences. According to Richard, Ricky Lee's tenure as lead vocalist was "a bad time" for the band given his opposition to Richard's opinions, although Richard was still surprised to hear of the brothers' departure, and said, "I tried everything I could to get them to stay." Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. CANNOTANSWERAnswer this question using a quote from the following article:

What happen in 1992


Herschel Shmoikel Pinchas Yerucham Krustofsky, better known as Krusty the Clown (sometimes spelled as Krusty the Klown), is a cartoon character in the animated television series The Simpsons. He is voiced by Dan Castellaneta. He is the long-time clown host of Bart and Lisa's favorite TV show, a combination of kiddie variety television hijinks and cartoons including The Itchy & Scratchy Show. Krusty is often portrayed as a cynical, burnt-out, addiction-riddled smoker who is made miserable by show business but continues on anyway.

Krusty first appeared in "The Krusty the Clown Show", one of The Simpsons shorts from The Tracey Ullman Show that first aired on January 15, 1989. The character was partially inspired by TV clown "Rusty Nails" whom The Simpsons creator Matt Groening and director Brad Bird watched as children while growing up in Portland, Oregon. Groening describes Rusty Nails as being a sweet clown whose show sometimes had a Christian message, but whose name scared Groening. Dan Castellaneta based his voice characterization on Chicago television's Bob Bell who had a very raspy voice and portrayed WGN-TV's Bozo the Clown from 1960 to 1984. Many events in Krusty's life parallel those of comedian Jerry Lewis, including his Jewish background, addiction to Percodan, and hosting of telethons. When asked, Groening has simply noted that "[Simpsons] characters are collaborations between the writers, animators, and actors" without specifically confirming or denying the association. Krusty's appearance and design is essentially that of Homer Simpson with clown makeup. Groening said that "The satirical conceit that I was going for at the time was that The Simpsons was about a kid who had no respect for his father, but worshipped a clown who looked exactly like his father", a theme which became less important as the show developed. One concept initially saw Krusty being revealed as Homer's secret identity but the idea was dropped for being too complex and because the writers were too busy developing the series. There are two instances of the one assuming the identity of the other. In a (non-canonical) Butterfinger commercial, pertaining to a contest for $50,000 to find out who stole Bart's Butterfinger, a captured Homer appears to be the culprit until Maggie pulls off a mask, revealing Krusty. In the episode "Homie the Clown", Homer goes to Clown College and dresses up as and is confused with Krusty. Krusty was originally just a normal man wearing clown makeup, but David Silverman noted that "at some point, we decided he looked [like a clown] all the time." The producers had long discussions about whether or not Krusty would always remain in his clown makeup but eventually decided that it did not matter. The writers had tried showing Krusty's real face a few times in early episodes, but decided that it did not look right, although his real face was seen in "Krusty Gets Busted" and "Like Father, Like Clown". Later episodes made jokes about Krusty's face. In "Homer's Triple Bypass", Krusty reveals that his "grotesque appearance" is the result of multiple heart attacks. Homer remarks that he seems fine, and Krusty replies, "This ain't makeup." In "Bart the Fink", he abandons an idea to sail away with a new identity and swims towards shore, leaving a trail of yellow makeup in his wake and his natural white face underneath. On shore, he shakes off his black hair, revealing his natural green clown hair, and removes his normal-looking fake nose to reveal his natural red bulbous clown nose underneath. CANNOTANSWERAnswer this question using a quote from the following article:

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Woodes Rogers was the eldest son and heir of Woods Rogers, a successful merchant captain. Woodes Rogers spent part of his childhood in Poole, England, where he likely attended the local school; his father, who owned shares in many ships, was often away nine months of the year with the Newfoundland fishing fleet. Sometime between 1690 and 1696, Captain Rogers moved his family to Bristol. In November 1697, Woodes Rogers was apprenticed to Bristol mariner John Yeamans, to learn the profession of a sailor.

The War of the Spanish Succession started in 1702, during which England's main maritime foes were France and Spain, and a number of Bristol ships were given letters of marque, allowing them to strike against enemy shipping. At least four vessels in which Rogers had an ownership interest were granted the letters. One, Whetstone Galley, named for Rogers' father in law, received the letters before being sent to Africa to begin a voyage in the slave trade. It did not reach Africa, but was captured by the French. Rogers suffered other losses against the French, although he does not record their extent in his book. He turned to privateering as a means of recouping these losses. In late 1707, Rogers was approached by William Dampier, a navigator and friend of Rogers' father, who proposed a privateering expedition against the Spanish. This was a desperate move on the part of Captain Dampier to save his career. Dampier had recently returned from leading a two-ship privateering expedition into the Pacific, which culminated in a series of mutinies before both ships finally sank due to Dampier's error in not having the hulls properly protected against worms before leaving port. Unaware of this, Rogers agreed. Financing was provided by many in the Bristol community, including Thomas Goldney II of the Quaker Goldney family and Thomas Dover, who would become president of the voyage council and Rogers' father in law. Commanding two frigates, Duke and Duchess, and captaining the first, Rogers spent three years circumnavigating the globe. The ships departed Bristol on 1 August 1708. Dampier was aboard as Rogers' sailing master. Rogers encountered various problems along the way. Forty of the Bristol crew deserted or were dismissed, and he spent a month in Ireland recruiting replacements and having the vessels prepared for sea. Many crew members were Dutch, Danish, or other foreigners. Some of the crew mutinied after Rogers refused to let them plunder a neutral Swedish vessel. When the mutiny was put down, he had the leader flogged, put in irons, and sent to England aboard another ship. The less culpable mutineers were given lighter punishments, such as reduced rations. The ships intended to force the chilly Drake Passage off the tip of South America, but expedition leaders soon realised that they were short of warm clothing and alcohol, which was then believed to warm those exposed to cold. Considering the latter the more important problem, the expedition made a stop at Tenerife to stock up on the local wine, and later sewed the ships' blankets into cold weather gear. The ships experienced a difficult inter-oceanic passage; they were forced to almost 62deg South latitude, which, according to Rogers, "for ought we know is the furthest that any one has yet been to the southward". At their furthest south, they were closer to as-yet-undiscovered Antarctica than to South America. CANNOTANSWER

did they have any problems on this voyage?


Supergirl is a fictional superhero appearing in American comic books published by DC Comics. The character was created by writer Otto Binder and designed by artist Al Plastino. Supergirl first appeared in a story published in Action Comics #252 (May 1959) titled "The Supergirl from Krypton". Kara Zor-El is the biological cousin of Kal-El (Superman).

Prior to the post-Crisis introduction of Kara Zor-El into mainstream continuity, the pre-Crisis Kara Zor-El made an appearance in Peter David's Supergirl: Many Happy Returns. The then-current Supergirl series, at the time starring Linda Danvers, was in danger of cancellation and Peter David thought a story arc involving Kara Zor-El would be enough to revitalize the series. In an interview with Cliff Biggers of Newsarama, David states: Although it had always been in the back of my mind that doing a Kara-related storyline might be fun, the impetus at this point was, frankly, sales...I was trying to figure out who currently wasn't reading the series, and came up with two groups that we'd have a shot at getting: Those who'd become bored with the current storyline, and those who didn't accept any Supergirl save Kara. By doing 'Many Happy Returns,' I sought to pull in both potential audiences. In the Linda Danvers' Supergirl series issues 48 and 49 in 2001, the original dead Kara appears as Linda's "guardian angel". Then in issues 75 to 80, "Many Happy Returns", a young Kara appears from an earlier time long before the Crisis. The paradox becomes a moral crisis for Linda who tries to take her place as the Crisis sacrifice, living for years in a Silver Age universe where "no one swears, the villains are always easy to defeat, and everything's very, very clean." This run was illustrated by Ed Benes who had also illustrated Gail Simone's Birds of Prey which had a similar whimsical camaraderie between its female leads. Linda's inability to ultimately save Kara is so devastating that it ends her own career as Supergirl. This story arc is usually cited as one of the best Supergirl stories ever written. The series ended with issue 80. CANNOTANSWERAnswer this question using a quote from the following article:

What other things happened during this series with Super-girls?


Epica is a Dutch symphonic metal band, founded by guitarist and vocalist Mark Jansen after his departure from After Forever. Born as a symphonic metal band with gothic tendencies, later Epica have incorporated into their sound strong death metal influences. Starting from the third album, even progressive metal attitudes have become evident. In addition, the band often uses thrash metal and groove metal riffs, black metal passages (mostly in the drum technique), power metal moments and references to Arabic music.

In an interview in November 2010, Simone stated that the band was going to start writing music around February 2011 after their Latin American tour is over. She also stated that they were hoping for a release in the first quarter of 2012. 14 tracks were written without lyrics by May 2011. The band entered the studio later that year, with Sascha Paeth once again as the producer. On December 1, the band announced that the name of the album would be Requiem for the Indifferent, and would be inspired by such factors as the enormous tension between different religions and cultures, wars, natural disasters and the financial crisis. The album was released on March 9, 2012 in Europe, and on March 13, 2012 in the United States. On March 25, 2012, Epica announced on their website that original bassist Yves Huts and Epica had parted ways, to be replaced by Rob van der Loo (ex-Delain, MaYaN). On April 24, the music video of Storm the Sorrow was officially released, earning 128,000 views on YouTube on the release day. General response to Requiem for the Indifferent was positive. Allmusic stated that the album "is a typically elaborate and ambitious affair, incorporating copious amounts of choral work and classical arrangements into the band's neatly established blend of goth, progressive, power, and symphonic metal." Natalie Zed of About.com staff considered Requiem for the Indifferent "a transitional album for the band", which tries to expand their musical range experimenting with "weird" riffing and new combination of vocals, while "losing none of the richness that has gained them fans." On 16 September 2012, the band made a guest appearance on the Dutch TV show Niks te gek (translation: "Nothing [is] too crazy"), where mentally disabled people (18 years or older) can get their wishes granted. In the episode, they recorded, together with the mildly autistic Ruurd Woltring, one of his own compositions, "Forevermore". The single was released through Nuclear Blast on 25 September 2012. The band announced on their official website that on March 23, 2013, they would celebrate the 10th anniversary of Epica in Eindhoven, Netherlands. The concert which would be called Retrospect, would be held in Klokgebouw with a 70-piece orchestra, choirs, international guests and many special effects. The band invited the Hungarian Remenyi Ede Chamber Orchestra and the Choir of Miskolc National Theatre to this show as they were the same orchestra that accompanied Epica in the recording of the live album The Classical Conspiracy. The concert consisted of a 70-piece orchestra, special effects, acrobats, guest vocalist Floor Jansen and former band members Ad Sluijter, Yves Huts and Jeroen Simons. Finnish singer Tarja Turunen was also invited to the show, but had to decline due to scheduling problems. In the show the band introduced a new song titled "Retrospect" and played "Twin Flames" from Requiem for the Indifferent for the first time. They also played for the second time their longest song "The Divine Conspiracy", however a shorter version of this song was played. During the concert, Coen Janssen announced that Retrospect would be filmed for release as a DVD. CANNOTANSWERAnswer this question using a quote from the following article:

what is Requiem for Indifferent and Retrospect in regard to Epica?


Background: Ayumi Hamasaki (Bang Qi  ayumi, Hamasaki Ayumi, born October 2, 1978) is a Japanese recording artist, record producer, actress, model, spokesperson and entrepreneur. Through her entire career, she has written all her lyrical content, produced her own music, and has sometimes co-composed her music. Born and raised in Fukuoka, Hamasaki moved to Tokyo at fourteen in 1993 to pursue a career in singing and acting. In 1998, under the tutelage of Avex CEO Max Matsuura, Hamasaki released her debut single "Poker Face" and debut major-label album A Song for XX.
Context: Born in Fukuoka Prefecture, Hamasaki was raised as an only child by her mother and grandmother. Her father had left the family when she was three and never again came into contact with her. Hamasaki's mother worked to support the family, so Hamasaki was primarily taken care of by her grandmother. She described herself as a "tomboy" when she was a teenager, and as a "strange kid" who "liked to be alone". At age seven, Hamasaki began modeling for local institutions, such as banks, in order to supplement the family's income. She continued this career path by leaving her family at fourteen and moving to Tokyo as a model under SOS, a talent agency. Her modeling career did not last long; SOS eventually deemed her too short for a model and transferred her to Sun Music, a musicians' agency. Under the name of "Ayumi", Hamasaki released a rap EP, Nothing from Nothing, on the Nippon Columbia label in 1995. She was dismissed from the label when the album failed to chart on the Oricon. After this failure, Hamasaki took up acting and starred in B-movies such as Ladys Ladys!! Socho Saigo no Hi and television dramas such as Miseinen, which were poorly received by the public. From August 1995 to March 1996, Hamasaki also co-hosted the SoundLink "magazine" Hokago no Osama (After-school King) for the Nintendo Satellaview once a week with Shigeru Izumiya. Growing dissatisfied with her job, Hamasaki quit acting and moved in with her mother, who had recently moved to Tokyo. Hamasaki was initially a good student, earning good grades in junior high school. Eventually, she lost faith in the curriculum, thinking that the subjects taught were of no use to her. Her grades worsened as she refused to put her mind to her studies. While living in Tokyo, she attempted to further her studies at Horikoshi Gakuen, a high school for the arts, but dropped out in the first year. Hamasaki did not attend school or have a job, so she spent much of her time shopping at Shibuya boutiques and dancing at Velfarre, an Avex-owned disco club. At Velfarre, she was introduced to her future producer, Max Matsuura, through a friend. After hearing Hamasaki sing karaoke, Matsuura offered her a recording deal, but Hamasaki suspected ulterior motives and turned the offer down. He persisted and succeeded in recruiting her for the Avex label in the following year. Hamasaki started vocal training, but skipped most of her classes after finding her instructors to be too rigid and the classes dull. When she confessed this to Matsuura, he sent her to New York to train her vocals under another method. During her foreign sojourn, Hamasaki frequently corresponded with Matsuura and impressed him with her style of writing. On her return to Japan, he suggested that she try writing her own lyrics. CANNOTANSWER
Question: Why didn't it last?. Whats the answer?


Following a period of personal and career evaluation, Hoodoo was released in 1991. The album sold respectably in the UK, and Moyet was nominated for a Grammy for the single "It Won't Be Long". However, the release of Hoodoo marked the beginning of an eight-year fight for Moyet to secure complete control of her artistic direction. Like many similar artists (including Aimee Mann and the late Kirsty MacColl), Moyet was reluctant to record a radio-friendly "pop" album simply for the sake of creating chart hits. Moyet's next album, Essex (1994), was also a source of controversy for her; in order for the album to be released, her label (now Sony) insisted that certain Essex tracks be re-recorded and re-produced, and that there be additional material remixed to create a more 'commercial' package. The video for the single "Whispering Your Name" again featured Dawn French. Following the release of Essex, Sony released a greatest hits compilation of Moyet's work. Singles entered the UK charts at No. 1 and, following a UK tour, was re-issued as a double CD set which included "Live (No Overdubs)", a bonus live CD. Upon re-issue, Singles charted again, this time in the Top 20. Due to prolonged litigation with Sony, Moyet did not record or release a new studio album for over eight years after the release of Essex. During this time, however, she recorded vocals for Tricky, Sylk-130, Ocean Colour Scene, The Lightning Seeds, and King Britt, and was featured on the British leg of the Lilith Fair tour. 2001 saw the release of The Essential Alison Moyet CD, and in 2002 The Essential Alison Moyet DVD. In 1995, she sang back-up vocals with Sinead O'Connor for one of Dusty Springfield's last television appearances, singing "Where Is a Woman to Go?" on the music show Later With Jools Holland. CANNOTANSWER

Answer this question "Did she decide to embrace Pop?" by extracting the answer from the text above.