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Humphrey Richard Adeane Lyttelton (23 May 1921 - 25 April 2008), also known as Humph, was an English jazz musician and broadcaster from the aristocratic Lyttelton family. Having taught himself the trumpet at school, Lyttelton became a popular figure of the trad jazz revival, leading his own eight-piece band, which recorded a hit single, "Bad Penny Blues", in 1956. As a broadcaster, he presented BBC Radio 2's The Best of Jazz for forty years, and hosted the comedy panel game I'm

Lyttelton was born at Eton College, (then in Buckinghamshire), where his father, George William Lyttelton (second son of the 8th Viscount Cobham), was a house master. (As a male-line descendant of Charles Lyttelton, Lyttelton was in remainder to both the Viscountcy Cobham and the Barony of Lyttelton.) From Sunningdale Preparatory School, Lyttelton duly progressed to Eton College. He was a cousin of the 10th Viscount Cobham and a great-nephew of the politician and sportsman Alfred Lyttelton, the first man to represent England at both football and cricket, both of whom also attended Eton. At Eton, Lyttelton fagged for Lord Carrington and formed his love of jazz. He was inspired by the trumpeters Louis Armstrong (who subsequently referred to Lyttelton as "that cat in England who swings his ass off") and Nat Gonella. He taught himself the instrument, and formed a quartet at the school in 1936 that included the future journalist Ludovic Kennedy on drums. After leaving school, Lyttelton spent some time at the Port Talbot steel plate works in South Wales, an experience which led to him becoming what he termed a "romantic socialist". After being called up for war service, he was commissioned in the Grenadier Guards as a second lieutenant on 29 November 1941 alongside future politician Mark Bonham Carter, and seeing action at Salerno, Italy, during Operation Avalanche when he came ashore with his pistol in one hand, and his trumpet in the other. On VE Day, 8 May 1945, Lyttelton joined in the celebrations by playing his trumpet from a wheelbarrow, inadvertently giving his first broadcast performance; the BBC recording still survives. Following demobilisation after World War II, he attended Camberwell Art College for two years. In 1949, he joined the Daily Mail as a cartoonist, where he remained until 1956. Several of his cartoons have recently been on display in various branches of the Abbey National bank, as part of their new advertising campaign. He was one of the collaborators with Wally Fawkes on the long running cartoon strip Flook. CANNOTANSWER

did he play any other insturments


Seth Woodbury MacFarlane (; born October 26, 1973) is an American actor, animator, writer, producer, director, and singer, working primarily in animation and comedy, as well as live-action and other genres. MacFarlane is the creator of the TV series Family Guy (1999-2003, 2005-present) and The Orville (2017-present), and co-creator of the TV series American Dad! (2005-present) and The Cleveland Show (2009-2013).

MacFarlane was born and raised in Kent, Connecticut. His parents, Ronald Milton MacFarlane (born 1946) and Ann Perry (nee Sager; 1947-2010), were born in Newburyport, Massachusetts. His sister is voice actress Rachael Ann MacFarlane (born 1976). He has roots in New England going back to the 1600s, and is a descendant of Mayflower passenger William Brewster. MacFarlane's parents met in 1970, when they both lived and worked in Boston, Massachusetts, and married later that year. The couple moved to Kent in 1972, where Ann began working in the Admissions Office at South Kent School. She later worked in the College Guidance and Admissions Offices at the Kent School, a selective college preparatory school, where Ronald was a teacher. During his childhood, MacFarlane developed an interest in illustration and began drawing cartoon characters Fred Flintstone and Woody Woodpecker, as early as two years old. By the age of five, MacFarlane knew that he would want to pursue a career in animation, and began by creating flip books, after his parents found a book on the subject for him. Four years later, aged nine, MacFarlane began publishing a weekly comic strip titled "Walter Crouton" for The Kent Good Times Dispatch, the local newspaper in Kent, Connecticut, which paid him five dollars per week. In one anecdote from the time, MacFarlane said in an October 2011 interview that as a child he was always "weirdly fascinated by the Communion ceremony". He created a strip with a character kneeling at the altar taking Communion and asking "Can I have fries with that?" The paper printed it and he got an "angry letter" from the local priest; it led to "sort of a little mini-controversy" in the town. MacFarlane received his high school diploma in 1991 from the Kent School. While there, he continued experimenting with animation, and his parents gave him an 8 mm camera. MacFarlane went on to study film, video and animation at the Rhode Island School of Design (RISD), where he earned a Bachelor of Fine Arts degree. As a student, he had originally intended to work for Disney, but changed his mind upon graduating. At RISD MacFarlane created a series of independent films, eventually meeting future Family Guy cast member Mike Henry, whose brother Patrick was MacFarlane's classmate. During his time at RISD, MacFarlane performed stand-up comedy. In his senior year at RISD MacFarlane created a thesis film titled The Life of Larry, which eventually would become the inspiration for Family Guy. MacFarlane's professor submitted his film to the animation studio Hanna-Barbera, where he was later hired. CANNOTANSWER

Using a quote from the above article, answer the following question: Where did he go to school?


Angelina Jolie ( joh-LEE; born Angelina Jolie Voight, June 4, 1975) is an American actress, filmmaker, and humanitarian. She has received an Academy Award, two Screen Actors Guild Awards, and three Golden Globe Awards, and has been cited as Hollywood's highest-paid actress. Jolie made her screen debut as a child alongside her father, Jon Voight, in Lookin' to Get Out (1982). Her film career began in earnest a decade later with the low-budget production Cyborg 2 (1993), followed by her first leading role in a major film, Hackers (1995).

Jolie first witnessed the effects of a humanitarian crisis while filming Lara Croft: Tomb Raider (2001) in war-torn Cambodia, an experience she later credited with having brought her a greater understanding of the world. Upon her return home, Jolie contacted the United Nations High Commissioner for Refugees (UNHCR) for information on international trouble spots. To learn more about the conditions in these areas, she began visiting refugee camps around the world. In February 2001, she went on her first field visit, an 18-day mission to Sierra Leone and Tanzania; she later expressed her shock at what she had witnessed. In the following months, Jolie returned to Cambodia for two weeks and met with Afghan refugees in Pakistan, where she donated $1 million in response to an international UNHCR emergency appeal, the largest donation UNHCR had ever received from a private individual. She covered all costs related to her missions and shared the same rudimentary working and living conditions as UNHCR field staff on all of her visits. Jolie was named a UNHCR Goodwill Ambassador at UNHCR headquarters in Geneva on August 27, 2001. Over the next decade, she went on more than 40 field missions, meeting with refugees and internally displaced persons in over 30 countries. In 2002, when asked what she hoped to accomplish, she stated, "Awareness of the plight of these people. I think they should be commended for what they have survived, not looked down upon." To that end, her 2001-02 field visits were chronicled in her book Notes from My Travels, which was published in October 2003 in conjunction with the release of her humanitarian drama Beyond Borders. Jolie aimed to visit what she termed "forgotten emergencies," crises that media attention had shifted away from. She became noted for travelling to war zones, such as Sudan's Darfur region during the Darfur conflict, the Syrian-Iraqi border during the Second Gulf War, where she met privately with U.S. troops and other multi-national forces, and the Afghan capital Kabul during the war in Afghanistan, where three aid workers were murdered in the midst of her first visit. To aid her travels, she began taking flying lessons in 2004 with the aim of ferrying aid workers and food supplies around the world; she now holds a private pilot license with instrument rating and owns a Cirrus SR22 and Cessna 208 Caravan single-engine aircraft. On April 17, 2012, after more than a decade of service as a UNHCR Goodwill Ambassador, Jolie was promoted to the rank of Special Envoy to High Commissioner Antonio Guterres, the first to take on such a position within the organization. In her expanded role, she was given authority to represent Guterres and UNHCR at the diplomatic level, with a focus on major refugee crises. In the months following her promotion, she made her first visit as Special Envoy--her third over all--to Ecuador, where she met with Colombian refugees, and she accompanied Guterres on a week-long tour of Jordan, Lebanon, Turkey, and Iraq, to assess the situation of refugees from neighboring Syria. Since then, Jolie has gone on over a dozen field missions around the world to meet with refugees and undertake advocacy on their behalf. CANNOTANSWER

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His first book, La Mediterranee et le Monde Mediterraneen a l'Epoque de Philippe II (1949) (The Mediterranean and the Mediterranean World in the Age of Philip II) was his most influential. For Braudel there is no single Mediterranean Sea. There are many seas--indeed a "vast, complex expanse" within which men operate. Life is conducted on the Mediterranean: people travel, fish, fight wars, and drown in its various contexts. And the sea articulates with the plains and islands. Life on the plains is diverse and complex; the poorer south is affected by religious diversity (Catholicism and Islam), as well as by intrusions - both cultural and economic - from the wealthier north. In other words, the Mediterranean cannot be understood independently from what is exterior to it. Any rigid adherence to boundaries falsifies the situation. The first level of time, geographical time, is that of the environment, with its slow, almost imperceptible change, its repetition and cycles. Such change may be slow, but it is irresistible. The second level of time comprises long-term social, economic, and cultural history, where Braudel discusses the Mediterranean economy, social groupings, empires and civilizations. Change at this level is much more rapid than that of the environment; Braudel looks at two or three centuries in order to spot a particular pattern, such as the rise and fall of various aristocracies. The third level of time is that of events (histoire evenementielle). This is the history of individuals with names. This, for Braudel, is the time of surfaces and deceptive effects. It is the time of the "courte duree" proper and it is the focus of Part 3 of The Mediterranean which treats of "events, politics and people." Braudel's Mediterranean is centered on the sea, but just as important, it is also the desert and the mountains. The desert creates a nomadic form of social organization where the whole community moves; mountain life is sedentary. Transhumance -- that is, the movement from the mountain to the plain, or vice versa in a given season -- is also a persistent part of Mediterranean existence. Braudel's vast, panoramic view used insights from other social sciences, employed the concept of the longue duree, and downplayed the importance of specific events. It was widely admired, but most historians did not try to replicate it and instead focused on their specialized monographs. The book firmly launched the study of the Mediterranean and dramatically raised the worldwide profile of the Annales School. CANNOTANSWER

Answer this question "is there a third level of time?" by extracting the answer from the text above.


Background: Anna Vissi (Greek: Anna Bisse (pronounced ['ana 'visi], locally ['an:a 'viS:i]); born 20 December 1957), also known as Anna Vishy, is a Greek Cypriot singer, songwriter, actress, television presenter, radio personality, and businesswoman.
Context: In May 1983, she married Nikos Karvelas, a composer, with whom she collaborated in 1975 and in November she gave birth to her daughter Sofia. After their marriage, she started a close collaboration with Karvelas. Since 1975, all her releases have become gold or platinum and have included songs by Karvelas. In 1986, she participated at the Cypriot National Final for Eurovision Song Contest with the song Thelo Na Gino Star ("I Want To Be A Star"), taking second place. This song is still unreleased up to date. In 1984, Vissi left her record company EMI Greece and signed with CBS Records Greece, which later became Sony Music Greece, a collaboration that lasted until 2013. In March 1984, she released Na 'Hes Kardia ("If You Had a Heart"). The album was certified gold. The following year her seventh album Kati Simveni ("Something Is Happening") was released which included one of her most famous songs, titled "Dodeka" ["Twelve (O'Clock)"] and reached gold status selling 80.000 units. In 1986 I Epomeni Kinisi ("The Next Move") was released. The album included the hit Pragmata ("Things") and went platinum, becoming the best selling record of the year. In February 1988 she released her ninth album Tora ("Now") and in December the album Empnefsi! ("Inspiration!") which went gold. In 1988, she made her debut as a radio producer on ANT1 Radio. Her radio program was titled after one of her songs Ta Koritsia Einai Atakta ("Girls Are Naughty") and was aired every weekend. In the same year, she participated with the song Klaio ("I'm Crying") at the Greek National Final for Eurovision Song Contest, finishing third. In 1989, she released the highly successful studio album Fotia (Fire), being one of the first albums to feature western sounds. The lead single Pseftika ("Fake") became a big hit and the album reached platinum status, selling 180.000 copies and becoming the second best selling record of 1990. She performed at "Diogenis Palace" in that same year, Athens's biggest nightclub/music hall at the time. CANNOTANSWER
Question: what influences does he have in her music?

Answer:


Background: Humphrey Richard Adeane Lyttelton (23 May 1921 - 25 April 2008), also known as Humph, was an English jazz musician and broadcaster from the aristocratic Lyttelton family. Having taught himself the trumpet at school, Lyttelton became a popular figure of the trad jazz revival, leading his own eight-piece band, which recorded a hit single, "Bad Penny Blues", in 1956. As a broadcaster, he presented BBC Radio 2's The Best of Jazz for forty years, and hosted the comedy panel game I'm
Context: Lyttelton was born at Eton College, (then in Buckinghamshire), where his father, George William Lyttelton (second son of the 8th Viscount Cobham), was a house master. (As a male-line descendant of Charles Lyttelton, Lyttelton was in remainder to both the Viscountcy Cobham and the Barony of Lyttelton.) From Sunningdale Preparatory School, Lyttelton duly progressed to Eton College. He was a cousin of the 10th Viscount Cobham and a great-nephew of the politician and sportsman Alfred Lyttelton, the first man to represent England at both football and cricket, both of whom also attended Eton. At Eton, Lyttelton fagged for Lord Carrington and formed his love of jazz. He was inspired by the trumpeters Louis Armstrong (who subsequently referred to Lyttelton as "that cat in England who swings his ass off") and Nat Gonella. He taught himself the instrument, and formed a quartet at the school in 1936 that included the future journalist Ludovic Kennedy on drums. After leaving school, Lyttelton spent some time at the Port Talbot steel plate works in South Wales, an experience which led to him becoming what he termed a "romantic socialist". After being called up for war service, he was commissioned in the Grenadier Guards as a second lieutenant on 29 November 1941 alongside future politician Mark Bonham Carter, and seeing action at Salerno, Italy, during Operation Avalanche when he came ashore with his pistol in one hand, and his trumpet in the other. On VE Day, 8 May 1945, Lyttelton joined in the celebrations by playing his trumpet from a wheelbarrow, inadvertently giving his first broadcast performance; the BBC recording still survives. Following demobilisation after World War II, he attended Camberwell Art College for two years. In 1949, he joined the Daily Mail as a cartoonist, where he remained until 1956. Several of his cartoons have recently been on display in various branches of the Abbey National bank, as part of their new advertising campaign. He was one of the collaborators with Wally Fawkes on the long running cartoon strip Flook. CANNOTANSWER
Question: what year did the jazz love  begin

Answer:


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Jean-Charles Lapierre, PC (May 7, 1956 - March 29, 2016) was a Canadian politician and television and radio broadcaster. After retiring from the government in 2007, he served as a political analyst in a variety of venues. He was Paul Martin's Quebec lieutenant during the period of the Martin government. He was first elected to the House of Commons in 1978, serving from 1979 to 1993, and representing the riding of Shefford.

As Minister of Transport, Lapierre initiated the Pacific Gateway Strategy, signing air transport agreements with China and India and completed a formal Canada-US Open Skies Agreement. He also spearheaded a large federal investment in the Prince Rupert container terminal, saying that it improved ties to Asian markets, while enhancing economic development in northern British Columbia and Alberta. Lapierre reduced the amount paid by airports to the federal government by some $5 billion over the remaining life of the leases. He announced the implementation of a No Fly List to increase security for airline passengers. As Transport Minister, his predecessor Tony Valeri had dismissed VIA Rail chairman Jean Pelletier, who filed a lawsuit against the government charging it had failed to use due process. A federal court ruled in his favor in November 2005 after the change in administrations, ordering Pelletier to be reinstated. The government appealed the court ruling and kept the former chair off the payroll. Lapierre ensured that due process was followed in dismissing Pelletier a second time. But in March 2007, Justice Francois Lemieux ruled that the Martin government acted improperly in 2005 when it fired Pelletier a second time, immediately after a court had overturned his first dismissal, stating that Lapierre was biased and failed to follow proper procedures. On November 22, 2007, Judge Helene Langlois of Quebec Superior Court ruled that government of then-Prime Minister Paul Martin had acted in a "cavalier and precipitous" fashion when it fired Pelletier. The court awarded Pelletier $235,000 in lost income, and a further $100,000 in damages. Lapierre and his department were criticised for their handling of the collapse of the carrier Jetsgo. Critics said that he should have seen warning signs after unsuccessful attempts to lower the carrier's costs. They also said that he had failed to warn the public or intervene, making him indirectly responsible when thousands of travelers were stranded when the carrier stopped operations. Lapierre rejected calls to resign, and denied that he had any knowledge of the collapse. He pointed out that most of the passengers had booked flights with credit cards and would be eligible for refunds. CANNOTANSWER

Was the agreement approved or did he meet with opposition?


Katherine Murray Millett (September 14, 1934 - September 6, 2017) was an American feminist writer, educator, artist, and activist. She attended Oxford University and was the first American woman to be awarded a degree with first-class honors after studying at St Hilda's College, Oxford. She has been described as "a seminal influence on second-wave feminism", and is best known for her book Sexual Politics (1970), which was based on her doctoral dissertation at Columbia University. Journalist Liza Featherstone attributes previously unimaginable "legal abortion, greater professional equality between the sexes, and a sexual freedom" being made possible partially due to Millett's efforts.

Sexual Politics originated as Millett's PhD dissertation and was published in 1970, the same year that she was awarded her doctorate from Columbia University. The bestselling book, a critique of patriarchy in Western society and literature, addressed the sexism and heterosexism of the modern novelists D. H. Lawrence, Henry Miller, and Norman Mailer and contrasted their perspectives with the dissenting viewpoint of the homosexual author Jean Genet. Millett questioned the origins of patriarchy, argued that sex-based oppression was both political and cultural, and posited that undoing the traditional family was the key to true sexual revolution. In its first year on the market, the book sold 80,000 copies and went through seven printings and is considered to be the movement's manifesto. As a symbol of the women's liberation movement, Millett was featured in a Time magazine cover story, "The Politics of Sex", which called Sexual Politics a "remarkable book" that provided a coherent theory about the feminist movement. Alice Neel created the depiction of Millett for the August 31, 1970 cover. According to biographer Peter Manso, The Prisoner of Sex was written by Norman Mailer in response to Millett's Sexual Politics. "The Prisoner of Sex is structured as a contest. His rhetoric against her prose, his charm against her earnestness, his polemic rage against her vitriolic charges. The aim is to convert the larger audience, the stronger presence as the sustaining truth. The Prisoner of Sex combines self parody and satire...", said Andrew Wilson, author of Norman Mailer: An American Aesthetic. CANNOTANSWER

Was she concerned a feminist?


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Michael Denzil Xavier Portillo (born 26 May 1953) is a British journalist, broadcaster, and former Member of Parliament and Cabinet Minister of the Conservative Party. He was first elected to the House of Commons in a by-election in 1984. A strong admirer of Margaret Thatcher, and a Eurosceptic, Portillo served as a junior minister under both Thatcher and John Major, before entering the cabinet in 1992. A "darling of the right", he was seen as a likely challenger to Major during the 1995 Conservative leadership election, but stayed loyal.

In 1987, Portillo was given his first ministerial post, as Parliamentary Under-Secretary of State for Social Security; the following year, he was promoted to Minister of State for Transport. Portillo has stated that he considers "saving the Settle to Carlisle railway" was his greatest achievement. In 1990, Portillo was appointed Minister of State for Local Government, in which post he argued in favour of the ultimately highly unpopular Community Charge system (popularly known as "the Poll Tax"). He demonstrated a consistently right-of-centre line (exemplified by his insistence, in a well-publicised speech, of placing "clear blue water" between the policies of the Conservatives and other parties) and was favoured by Norman Tebbit and Margaret Thatcher, who said of him "[W]e expect great things of you, do not disappoint us". His rise continued under John Major; he was made a Cabinet Minister in 1992 as Chief Secretary to the Treasury and was admitted to the Privy Council the same year. He subsequently became Secretary of State for Employment (1994-95), and then Secretary of State for Defence (1995-1997). As Defence Secretary, Portillo became the object of criticism when he invoked the motto of the SAS, "Who Dares, Wins", at a speech at the 1995 Conservative Party annual conference. His high profile led to constant attention from the media, including Private Eye, which mockingly referred to him as "Portaloo". He was accused of vanity when the Alexandra Palace was hired to celebrate his ten years in politics. Some saw the Defence Secretary post as a reward for Portillo's cautious loyalty to Major during the 1995 leadership challenge of John Redwood, following Major's "back me or sack me" resignation as party leader. Many urged Portillo, the "darling of the right", to run against Major. He declined to enter the first round, but planned to challenge Major if the contest went to a second round. To this end, he set up a potential campaign headquarters, with banks of telephone lines. He later admitted that this had been an error: "I did not want to oppose [Major], but neither did I want to close the possibility of entering a second ballot if it came to that." Portillo acknowledged that "ambiguity is unattractive" and his opponents within the party later used Portillo's apparent equivocation as an example of his indecisiveness; "I appeared happy to wound but afraid to strike: a dishonourable position." CANNOTANSWER

What kinds of issues was he involved in?


The Chipmunks' voices were recorded at half the normal tape speed onto audiotape by voice talent (on the 60's records, generally Ross Bagdasarian Sr.'s own voice overdubbed three times, on the post-80's records, studio singers) talking or singing at half the normal speaking rate. When the tape was played back at normal speed, they would sound a full octave higher in pitch, at normal tempo. The technique was by no means new to the Chipmunks. For example, the high and low pitched characters in The Wizard of Oz were achieved by speeding up and slowing down vocal recordings. Also, Mel Blanc's voice characterization for Daffy Duck was sped up to some extent. Now, the same effect is created digitally and in real time with a pitch shift. However, the extensive use of this technique with the Chipmunks, coupled with their popularity, linked this technique to them. The term "chipmunk-voiced" has entered the American vernacular to describe any artificially high-pitched voice. A similar effect could be obtained in playback by merely taking an LP recorded at 33 1/3 RPM and playing it back at 45 or 78 RPM, a trick sometimes tried out by ordinary record listeners. The instrumental portions of the song are sped up as well, however, making it obvious that the music is being played at the wrong speed. Bagdasarian recorded vocals and music at different speeds to combine properly on his recording. Guitarist Les Paul said he visited Bagdasarian's studio in 1958 and helped with the recording. The technique was used extensively in the British puppet show Pinky and Perky, which pre-dated the Chipmunks. The sound was frequently imitated in comedy records, notably "Transistor Radio" by Benny Hill, "Bridget the Midget" by Ray Stevens, "The Laughing Gnome" by David Bowie, and on several tracks on Joe Meek and the Blue Men's album I Hear a New World. The technique also appears in the "Yeah! You!" line of The Coasters' "Charlie Brown". Prince used the technique on several of his songs, as well as Frank Zappa on We're Only In It For The Money and on the instrumental album Hot Rats, among others. The early production style of hip-hop artist Kanye West involved sped-up, high-pitch vocal samples from classic soul records incorporated with his own (additional) instrumentation. Due in part to the acclaim of his debut album The College Dropout, such sampling techniques subsequently became much copied by a myriad of other hip-hop producers. In the early '90s rave scene, many breakbeat hardcore productions would utilize the same studio tricks, often taking a cappella from house records and speeding them up to fit the faster tempo. Vocals in songs that used this method would typically be referred to as "chipmunk vocals". CANNOTANSWER

Answer this question "Did they use different people for each of the chipmunks?" by extracting the answer from the text above.


Background: Daniel Pipes (born September 9, 1949) is an American historian, writer, and commentator. He is the president of the Middle East Forum, and publisher of its Middle East Quarterly journal. His writing focuses on the American foreign policy and the Middle East. He is also an Expert at Wikistrat.
Context: Pipes largely left academia after 1986, though in 2007 he taught a course titled "International Relations: Islam and Politics" as a visiting professor at Pepperdine University's School of Public Policy. Pipes told an interviewer from Harvard Magazine that he has "the simple politics of a truck driver, not the complex ones of an academic. My viewpoint is not congenial with institutions of higher learning." From 1986 on, Pipes worked for various think tanks. From 1986 to 1993 he was director of the Philadelphia-based Foreign Policy Research Institute (FPRI) and editor of its journal, Orbis. In 1990 he organized the Middle East Forum as a unit of FPRI; it became an independent organization with himself as head in January 1994. Pipes edited its journal, the Middle East Quarterly, until 2001. He established Campus Watch as a project of the Middle East Forum in 2002, followed by the Legal Project in 2005, Islamist Watch in 2006, and the Washington Project in 2009. In 2003, President George W. Bush nominated Pipes for the board of the United States Institute of Peace. A filibuster was launched by Democratic Senators in the United States Senate against Pipes' nomination. Senator Tom Harkin said that he was "offended" by Pipes' comments on Islam, and that while "some people call [Pipes] a scholar... this is not the kind of person you want on the USIP." While defending Pipes' nomination, White House spokesman Ari Fleischer distanced Bush from Pipes's views, saying that Bush "disagrees with Pipes about whether Islam is a peaceful religion". Pipes obtained the position by recess appointment and served on the board until early 2005. His nomination was protested by Muslim groups in the U.S., and Democratic leaders, who cited his oft-stated belief that victory is the most effective way to terminate conflict. The Los Angeles Times wrote that "in trying to prevent Middle East scholar Daniel Pipes from joining the board of the U.S. Institute of Peace, Sens. Edward M. Kennedy (D-Mass.), Christopher J. Dodd (D-Conn.) and Tom Harkin (D-Iowa) are abusing their privilege." CANNOTANSWER
Question: What did Daniel Pipes do after college?

Answer:


She was born in Duncan, Oklahoma, the daughter of an oilfield wildcatter, Welcher F. Jordan, and his wife, Leona (nee Kile). She attended Emerson Elementary School there and was known to her classmates as "Duane Jordan." She had a younger sibling, Jerry. At 12, her father moved the family to Mt. Vernon, Illinois, where she graduated from Mt. Vernon Township High School.

Kirkpatrick said, "What takes place in the Security Council more closely resembles a mugging than either a political debate or an effort at problem-solving." Still, she finished her term with a certain respect for the normative power of the United Nations as the "institution whose majorities claim the right to decide--for the world--what is legitimate and what is illegitimate." She noted that the United States had increasingly ignored that significance and became increasingly isolated. That was problematic, because "relative isolation in a body like the United Nations is a sign of impotence," especially given its ability to shape international attitudes. She was ambassador to the UN during the September 1, 1983 Soviet shooting down of Korean Air Lines Flight 007, near Moneron Island. It had carried 269 passengers and crew including a sitting congressman, Larry McDonald (D-GA). She played before the Security Council the audio of the electronic intercept of the interceptor pilot during the attack, and the Soviet Union could no longer deny its responsibility for the shootdown. Kirkpatrick was a Board Member of the American Foundation for Resistance International and the National Council to Support the Democracy Movements, intended to help bring down Soviet and East European Communism. Along with Vladimir Bukovsky, Martin Colman and Richard Perle, she worked to organize democratic revolutions against communism. According to Jay Nordlinger, on a visit with American dignitaries, Soviet human rights activist Andrei Sakharov said, "Kirkpatski, Kirkpatski, which of you is Kirkpatski?" When others pointed to Kirkpatrick, he said, "Your name is known in every cell in the Gulag" because she had named Soviet political prisoners on the floor of the UN. Kirkpatrick said she would serve only one term at the UN and stepped down in April 1985. CANNOTANSWER

Using a quote from the above article, answer the following question: What else was she known for


Academically, Rose graduated from University of Michigan in Mass Communications. Rose got his first broadcasting experience as a courtside reporter for TNT during the 2006 playoffs after the Knicks were eliminated. Upon the Suns' elimination from the 2007 NBA Playoffs, he became a consistent commentator for ESPN giving regular insider perspective on the remaining playoff games from both a player's and analyst's perspective. Since 2007, Rose has worked at ABC/ESPN, first as an analyst on SportsCenter and in 2012 he became one of the hosts for NBA Countdown. Rose has also worked on ESPN's Grantland. He currently co-hosts Jalen and Jacoby, a national, US, sports radio show on ESPN Radio, with David Jacoby that started in September 2015. Rose is the owner of Three Tier Entertainment, an independent, Los Angeles based management and production company. Created in 2007, Three Tier Entertainment develops television and film projects and also manages talent including directors, actors and screenplay writers. The March 13, 2011 airing of the documentary The Fab Five, which Rose produced, sparked controversy that led to a series of media exchanges between members of the press, Michigan Wolverines men's basketball players and Duke Blue Devils men's basketball players in forums such as The New York Times, The Wall Street Journal and The Washington Post. The Fab Five earned a 2.1 rating to become ESPN's highest rated documentary, according to the Nielsen Company. Rose released his first book Got to Give the People What They Want about his personal life story in October 2015. It is a New York Times Bestseller and made the list of Michigan Notable Books from 2016. CANNOTANSWER

Answer this question "Is he still a media figure or retired?" by extracting the answer from the text above.


Barrowman was born in 1967 in Glasgow, the youngest of three children. He lived in Glasgow for the first eight years of his life. Barrowman's mother was a singer and worked as a clerk in a record shop while his father was employed by the Caterpillar heavy machinery company in Uddingston. In 1975, his father's company relocated the family to the United States, where his father managed the Caterpillar tractor factory in Aurora, Illinois.

Barrowman's professional acting career began in London's West End in 1989, playing the role of Billy Crocker in Cole Porter's Anything Goes at the Prince Edward Theatre, alongside Elaine Paige as Reno Sweeney and Bernard Cribbins as Moonface Martin. He continued to appear in West End productions for the next decade, taking the title role of Domingo Hernandez in Matador at the Queen's Theatre in 1991; as Raoul in The Phantom of the Opera at Her Majesty's Theatre in 1992; as Claude in Hair at the Old Vic Theatre in 1993; as Chris in Miss Saigon at the Theatre Royal, Drury Lane in 1993; as Joe Gillis in Sunset Boulevard at the Adelphi Theatre from 1994-1995; and as Beast in Beauty and the Beast at the Dominion Theatre in 1999. Barrowman was part of the musical Godspell in 1994, and was a soloist in two songs, "We Beseech Thee" and "On The Willows". He was lead vocalist on a rendition of Strike Up the Band in Who Could Ask for Anything More? A Celebration of Ira Gershwin at the Royal Albert Hall in 1996, and he was nominated for an Olivier Award for Best Actor in a Musical in 1998 for originating the role of Cal Chandler in The Fix, a performance he repeated in Cameron Mackintosh's 1998 gala concert Hey, Mr Producer!. Barrowman played Joe Gillis in Sunset Boulevard in the West End and, briefly, on Broadway. His only other Broadway credit is in the role of Barry in the Stephen Sondheim revue Putting It Together (1999-2000) at the Ethel Barrymore Theatre opposite Carol Burnett and George Hearn. In a review of Putting It Together, theatre critic Tom Samiljan noted Barrowman's "fine baritone voice and suave looks". In 2002, Barrowman appeared as Bobby in Sondheim's Company in the Kennedy Center's Stephen Sondheim Celebration. Barrowman returned to the role of Billy Crocker in Trevor Nunn's 2003 West End revival of Anything Goes, and appeared in West End non-musical dramas, such as his role as Wyndham Brandon in Rope at the Minerva Theatre, Chichester in 1993, and he starred as Lieutenant Jack Ross opposite Rob Lowe in the 2005 production of A Few Good Men. Barrowman starred in pantomime productions of Cinderella at the New Wimbledon Theatre (Christmas, 2005-06) and in Jack and the Beanstalk at Cardiff's New Theatre (Christmas, 2006-07). He played the title role in Aladdin at the Birmingham Hippodrome over Christmas 2007-8 and as a guest act for the Royal Variety Performance at the London Palladium in 2008. Barrowman played the lead in the Robin Hood pantomime at the Birmingham Hippodrome for the 2008-09 season. He presented Andrew Lloyd Webber's 60th birthday party in London's Hyde Park on 14 September 2008. Exactly one year later, Barrowman succeeded Roger Allam as Zaza/Albin in the West End revival of La Cage aux Folles, at the Playhouse Theatre. In Melbourne, Australia on the 16th of January 2018, Barrowman performed his first and only show to a packed audience at the Melbourne Arts Centre Hamer Hall. The audience was thrilled with the singer and many hope that he will keep his promise to return with "all the bells and whistles". CANNOTANSWER

Has he done any musicals?


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Tim and Eric Awesome Show, Great Job! is an American sketch comedy series created by and starring Tim Heidecker and Eric Wareheim, which premiered February 11, 2007 on Adult Swim and ran until May 2010. The show features surreal and often satirical humor (at points anti-humor and cringe comedy), public-access television-style musical acts, bizarre faux-commercials with a unique editing and special effects style by Doug Lussenhop to make the show appear camp. The program featured a wide range of actors like Will Ferrell, John C. Reilly, Jeff Goldblum, Zach Galifianakis, Will Forte, Patton Oswalt, Bob Odenkirk, David Cross, Fred Willard, Rainn Wilson, Fred Armisen, Paul Rudd, and Ben Stiller, alternative comedians like Neil Hamburger, former television stars like Alan Thicke, porn stars, celebrity look-alikes, impressionists, and amateur actors found through Craigslist. The creators of the show have described it as "the nightmare version of television".

Halfway through the broadcasting of the first season, Adult Swim picked up Tim and Eric Awesome Show, Great Job! for another season ordering as many as 30 new episodes. The second season began airing on November 18, 2007. Season one was released on DVD in April, 2008. The third season began on July 27, 2008 and ended on September 28, 2008. Eric posted a MySpace bulletin Oct 1, 2008, announcing that as a "holiday surprise" season four would be airing in January 2009. The show was later renewed for a fifth season. Speaking with Vanity Fair in July 2009, Wareheim said that season five (or "Season Cinco") would represent "a very dark side of the Awesome Show series. I think people are going to be very scared and very disturbed by it." He also noted that the pair draw equal humor from the awkwardness of The Office as they do from the awkwardness of David Lynch's films. The duo went on to state that they had begun an unconscious tradition by starting the first episode of seasons two, three, and four each with fecal-related fake commercials; they plan to "outdo" themselves on season five with a "diarrhea disease"-based commercial. The fifth season premiered on February 28, 2010. The series finale aired on May 2, 2010. On May 16, 2010 the spin-off Check it Out! premiered. Tim and Eric acquired funding to shoot and air a one-hour special that aired on December 5, 2010, called The Tim and Eric Awesome Show, Great Job Chrimbus Special. Simultaneous to this announcement, the duo also released a list of dates and cities for their upcoming 2010 tour. Tim and Eric also announced plans for a movie, entitled Tim and Eric's Billion Dollar Movie; in the film, released online and on pay-per-view on January 27, 2012, the pair try to revitalize a run-down mall in order to pay a billion-dollar debt. The duo's Abso Lutely Productions signoff bumper features a video clip of Heidecker's father during a family vacation in 1991; when asked to sum the trip up in two words, he responded "Abso-lutely." The full clip can be found on their website, DVD, and also on YouTube. CANNOTANSWER


Constantin G. Stere or Constantin Sterea (Romanian; Russian: Konstantin Egorovich Stere, Konstantin Yegorovich Stere or Konstantin Georgievich Stere, Konstantin Georgiyevich Stere; also known under his pen name Sarcaleanu; June 1, 1865 - June 26, 1936) was a Romanian writer, jurist, politician, ideologue of the Poporanist trend, and, in March 1906, co-founder (together with Garabet Ibraileanu and Paul Bujor -- the latter was afterwards replaced by the physician Ioan Cantacuzino) of the literary magazine Viata Romaneasca.

In 1885, he was deported to Siberia, serving a three-year term. Briefly kept in Tyumen prison awaiting transport further east, he was sent to Kurgan in the custody of two gendarmes (October). He was joined there by Maria, who gave birth to their son Roman in 1886. Moving to Turinsk, the Steres joined a group of revolutionaries in internal exile; Constantin Stere agreed to print copies of a Narodnik magazine, using a hectograph, and was exposed during a raid by authorities. He was swiftly taken to Tobolsk, then shipped down the Irtysh to the place where it met the Ob; he traveled to the village of Sharkala (the northernmost part of Siberia he ever reached) in a Khanty canoe, and was then settled in Beryozovsky District, only to be arrested again and sent back to Tobolsk in the autumn of 1888. He was tried for his activities in Turinsk, based on evidence collected by the Okhrana. While in prison, Stere, who was beginning to distance himself from socialism and proletarian internationalism, argued in front of authorities that mention of his change in attitude was supposed to be kept by the court when passing the verdict. At the time, a physician who examined him noted that he had suffered a nervous breakdown, and had him moved to a prison hospital. According to most accounts, he had attempted suicide (a gesture caused by either the death of one of his brothers, who had himself committed suicide, or by news that the Narodnik leader Lev Tikhomirov had become a supporter of the political establishment). In hospital, Stere stated that: "Quite a while ago have I begun to remove myself from the influence of political exiles and their tradition. Recent times, filled with major hardships for me, I have decided firmly and sincerely to break with these traditions, as well as with all things <<illegal>> in my past." Instead, he became familiar with Neo-Kantian philosophy, expanding on his interest in Immanuel Kant's Critique of Pure Reason (which he was reading in Beryozovsky District). It was at this time that Stere began writing. In March 1889, the court decided to extend his term of exile by three more years, and relocated him to the village of Serginsk, near Minusinsk. He much later claimed that, while passing through the prison of Krasnoyarsk, he met Vladimir Lenin, the future Bolshevik leader -- this is unlikely, as Lenin passed through the city several years after Stere. His other claim to have met and befriended Jozef Pilsudski, future head of state of Poland (and, at the time, a prominent member of the Polish Socialist Party), was confirmed by Pilsudski himself in 1927 (Stere's novel, In preajma revolutiei, included Pilsudski as a character, under the name Stadnicki). CANNOTANSWER

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The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the "second wave" of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records.

The Get Up Kids have had a lasting impact on the music scene, having been cited as inspirations to several prominent bands and artists. Blink-182 bassist and singer Mark Hoppus is a vocal fan, having proposed to his wife to The Get Up Kids song "I'll Catch You." They were also a major influence on the rest of the band, even at their peak popularity around the release of Take Off Your Pants and Jacket. The members of Fall Out Boy cite The Get Up Kids' influence, particularly their album Four Minute Mile. In a 2005 interview with Alternative Press, Fall Out Boy bassist Pete Wentz stated that the band had a huge influence on him and the other members of Fall Out Boy. "There should be a How To Be a Pop-Punk Kid starter kit with bands like Get Up Kids, so kids would know whose shoulders bands like us are standing on. Fall Out Boy would not be a band if it were not for The Get Up Kids." New Jersey based act Midtown has stated in interviews that they were heavily influenced by The Get Up Kids, among other groups. The Early November band members were all fans of, and influenced by, The Get Up Kids. The Early November song "Baby Blue" includes the line "I don't want you to love me anymore", a direct reference to the Get Up Kids song "No Love" both lyrically and melodically. The band Hellogoodbye have been vocal fans of the band and while on tour with Reggie and the Full Effect in 2007, two years after the breakup of The Get Up Kids, Hellogoodbye invited James Dewees and Matt Pryor onstage with them, and proceeded to back them in a cover of The Get Up Kids' song "Action & Action". The Canadian post-hardcore band Silverstein has cited the Get Up Kids as a major influence, and covered their song Coming Clean for a split 7" with August Burns Red in 2013. Claudio Sanchez of Coheed and Cambria cited Something to Write Home About as one of the albums that the band listened to and during the recording of their breakout album In Keeping Secrets of Silent Earth: 3. Despite their lasting influence on modern music, the band has attempted to disassociate themselves with many of the bands they inspired. Following the band's reformation, guitarist Jim Suptic undertook an interview with website Drowned in Sound, in which he said, "The punk scene we came out of and the punk scene now are completely different. It's like glam rock now. We played the Bamboozle fests this year and we felt really out of place... If this is the world we helped create, then I apologise." He went on to say they were grateful for the acknowledgements they have received, though explaining "the problem is most of [the bands they inspired] aren't very good." CANNOTANSWER

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Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

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Marc Zakharovich Chagall ( sh@-GAHL; born Moishe Zakharovich Shagal; 6 July [O.S. 24 June] 1887 - 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists".

In 1923, Chagall left Moscow to return to France. On his way he stopped in Berlin to recover the many pictures he had left there on exhibit ten years earlier, before the war began, but was unable to find or recover any of them. Nonetheless, after returning to Paris he again "rediscovered the free expansion and fulfillment which were so essential to him", writes Lewis. With all his early works now lost, he began trying to paint from his memories of his earliest years in Vitebsk with sketches and oil paintings. He formed a business relationship with French art dealer Ambroise Vollard. This inspired him to begin creating etchings for a series of illustrated books, including Gogol's Dead Souls, the Bible, and the La Fontaine's Fables. These illustrations would eventually come to represent his finest printmaking efforts. In 1924, he travelled to Brittany and painted La fenetre sur l'Ile-de-Brehat. By 1926 he had his first exhibition in the United States at the Reinhardt gallery of New York which included about 100 works, although he did not travel to the opening. He instead stayed in France, "painting ceaselessly", notes Baal-Teshuva. It was not until 1927 that Chagall made his name in the French art world, when art critic and historian Maurice Raynal awarded him a place in his book Modern French Painters. However, Raynal was still at a loss to accurately describe Chagall to his readers: Chagall interrogates life in the light of a refined, anxious, childlike sensibility, a slightly romantic temperament ... a blend of sadness and gaiety characteristic of a grave view of life. His imagination, his temperament, no doubt forbid a Latin severity of composition. During this period he traveled throughout France and the Cote d'Azur, where he enjoyed the landscapes, colorful vegetation, the blue Mediterranean Sea, and the mild weather. He made repeated trips to the countryside, taking his sketchbook. He also visited nearby countries and later wrote about the impressions some of those travels left on him: I should like to recall how advantageous my travels outside France have been for me in an artistic sense--in Holland or in Spain, Italy, Egypt, Palestine, or simply in the south of France. There, in the south, for the first time in my life, I saw that rich greenness--the like of which I had never seen in my own country. In Holland I thought I discovered that familiar and throbbing light, like the light between the late afternoon and dusk. In Italy I found that peace of the museums which the sunlight brought to life. In Spain I was happy to find the inspiration of a mystical, if sometimes cruel, past, to find the song of its sky and of its people. And in the East [Palestine] I found unexpectedly the Bible and a part of my very being. CANNOTANSWER

What other books did he illustrate?


Sandra Day O'Connor (born March 26, 1930) is a retired Associate Justice of the Supreme Court of the United States, serving from her appointment in 1981 by Ronald Reagan to 2006. She is the first woman to serve on the Court. Prior to O'Connor's tenure on the Court, she was an elected official and judge in Arizona serving as the first female Majority Leader of a state senate as the Republican leader in the Arizona Senate. Upon her nomination to the Court, O'Connor was confirmed unanimously by the Senate.

O'Connor was a vigorous defender of the citing of foreign laws in judicial decisions. In a well-publicized October 28, 2003, speech at the Southern Center for International Studies, O'Connor said: The impressions we create in this world are important and can leave their mark ... [T]here is talk today about the "internationalization of legal relations". We are already seeing this in American courts, and should see it increasingly in the future. This does not mean, of course, that our courts can or should abandon their character as domestic institutions. But conclusions reached by other countries and by the international community, although not formally binding upon our decisions, should at times constitute persuasive authority in American courts--what is sometimes called "transjudicialism". In the speech she noted the 2002 Court case, Atkins v. Virginia, in which the majority decision (which included her) cited disapproval of the death penalty in Europe as part of its argument. This speech, and the general concept of relying on foreign law and opinion, was widely criticized by conservatives. In May 2004, the U.S. House of Representatives responded by passing a non-binding resolution, the "Reaffirmation of American Independence Resolution", stating that "U.S. judicial decisions should not be based on any foreign laws, court decisions, or pronouncements of foreign governments unless they are relevant to determining the meaning of American constitutional and statutory law." O'Connor once quoted the constitution of the Middle Eastern nation of Bahrain, which states that "[n]o authority shall prevail over the judgement of a judge, and under no circumstances may the course of justice be interfered with." Further, "[i]t is in everyone's interest to foster the rule-of-law evolution." O'Connor proposed that such ideas be taught in American law schools, high schools and universities. Critics contend that such thinking is contrary to the U.S. Constitution and establishes a rule of man, rather than law. In her retirement, she has continued to speak and organize conferences on the issue of judicial independence. CANNOTANSWER

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Boutwell attended the Peace Conference of 1861 in Washington, D.C. which attempted to prevent the impending Civil War, and served as a liaison between the federal government and Massachusetts Governor John Albion Andrew in April 1861. In the peace conference, he angrily rejected Southern proposals favoring the extension of slavery and its enforcement in northern states, arguing that "the Union is not worth preserving" if such measures are needed to do so. In June and July 1862, Boutwell served on a military commission in the Department of War, investigating irregularities in the quartermaster's department of General John C. Fremont, who commanded the Union Army's Department of the West. Assistant Quartermaster Reuben Hatch, whose brother was a political supporter of President Abraham Lincoln, had been defrauding the department, and the commission was established on Lincoln's order to forestall a court martial. Boutwell spent two months in the army camp at Cairo, Illinois, under conditions he described as "disagreeable to an extent that cannot be realized easily" because of flooding and unsanitary conditions. The commission cleared Hatch. In July 1862, while he was still in Cairo, Boutwell was appointed the first Commissioner of Internal Revenue by President Lincoln. He spent his eight months in that post organizing the new Internal Revenue Bureau. He was described by Secretary of the Treasury Salmon P. Chase as having the "highest obtainable ability and integrity", and oversaw the growth of the bureau to some 4,000 employees; it was the largest single office department in the government. Boutwell decided in 1862 to run for the United States Congress. The campaign was dominated by the issue of emancipation, which Boutwell strongly advocated. He won a comfortable (55%-40%) victory over Charles R. Train, a conservative former Republican. He resigned as internal revenue commissioner early in 1863. CANNOTANSWER

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The Sweet (also known as Sweet) is a British glam rock band that rose to worldwide fame in the 1970s. Their best known line-up consisted of lead vocalist Brian Connolly, bass player Steve Priest, guitarist Andy Scott, and drummer Mick Tucker. The group was originally called Sweetshop. The band was formed in London in 1968 and achieved their first hit, "Funny Funny", in 1971 after teaming up with songwriters Nicky Chinn and Mike Chapman and record producer Phil Wainman.

Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates. The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar. The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later. The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. The Sweet made their UK television debut in December 1970 on a pop show called Lift Off, performing the song "Funny Funny". A management deal was signed with the aforementioned songwriting team of Nicky Chinn and Mike Chapman. Phil Wainman resumed his collaboration with Sweet, as executive producer. This management deal also included a worldwide (the U.S. excepted) record contract with RCA Records (in the United States and Canada Bell Records issued the group's music until late 1973; followed by Capitol Records). In March 1971 RCA issued "Funny Funny", written by Chinn and Chapman, which became the group's first international hit, climbing to the Top 20 on many of the world's charts. EMI reissued their 1970 single "All You'll Ever Get from Me" (May 1971) and it again failed to chart. Their next RCA release "Co-Co" (June 1971) went to number two in the U.K. and their follow up single, "Alexander Graham Bell" (October 1971), only went to #33. These tracks still featured session musicians on the instruments with the quartet providing only the vocals. The Sweet's first full LP album, Funny How Sweet Co-Co Can Be, was released in November 1971. A collection of the band's recent singles supplemented by some new Chinn/Chapman tunes (including "Chop Chop" and "Tom Tom Turnaround") and pop covers (such as the Lovin' Spoonful's "Daydream" and the Supremes' "Reflections"), the album, recorded at Nova Studios in London, was produced by Phil Wainman and engineered by Richard Dodd and Eric Holland. It was not a serious contender on the charts. Their albums' failure to match the success of their singles was a problem that would plague the band throughout their career. February 1972 saw the release of "Poppa Joe", which reached number 1 in Finland and peaked at number 11 in the UK Singles Chart. The next two singles of that year, "Little Willy" and "Wig-Wam Bam", both reached No. 4 in the UK, and "Little Willy" peaked at No. 3 on the U.S. Billboard Hot 100 after a re-issue in 1973, thus becoming the group's biggest American hit. Although "Wig-Wam Bam" remained largely true to the style of the Sweet's previous recordings, the vocals and guitars had a harder, more rock-oriented sound, largely because it was the first Chinn-Chapman single on which only members of Sweet played. In January 1973 "Block Buster!" became the Sweet's first single to reach number 1 on the UK chart, remaining there for five consecutive weeks. After their next single "Hell Raiser" was released in May and reached number 2 in the U.K., the Sweet's U.S. label, Bell, released the group's first American album The Sweet in July 1973. To promote their singles, the Sweet made numerous appearances on U.K. and European TV shows such as Top of the Pops and Supersonic. In one performance of "Block Buster!" on Top of the Pops, Priest aroused complaints after he appeared wearing a German uniform and displaying a swastika armband. The band also capitalised on the glam rock explosion, rivalling Gary Glitter, T. Rex, Queen, Slade, and Wizzard for outrageous stage clothing. Despite the Sweet's success, the relationship with their management was becoming increasingly tense. While they had developed a large fan-base among teenagers, the Sweet were not happy with their 'bubblegum' image. The Sweet had always composed their own heavy-rock songs on the B-sides of their singles to contrast with the bubblegum A-sides which were composed by Chinn and Chapman. During this time, Sweet's live performances consisted of B-sides, album tracks, and various medleys of rock and roll classics; they avoided older 'novelty' hits like "Funny Funny" and "Poppa Joe". A 1973 performance at the Palace Theatre and Grand Hall in Kilmarnock ended in the Sweet being bottled off stage; the disorder was attributed by some (including Steve Priest) to the Sweet's lipstick and eye-shadow look, and by others to the audience being unfamiliar with the concert set (the 1999 CD release Live at the Rainbow 1973 documents a live show from this period). The incident would be immortalised in the hit "The Ballroom Blitz" (September 1973). In the meantime, the Sweet's chart success continued, showing particular strength in the UK, Denmark, Germany, Sweden and Australia. At the end of 1973, the band's name evolved from "The Sweet" to "Sweet". The change would be reflected in all of their releases from 1974 onward. CANNOTANSWER


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Bocelli was born to Alessandro and Edi Bocelli. Doctors had advised Bocelli's parents to abort Bocelli before birth as they predicted, based on studies, that Bocelli would be born with a disability. It was evident at birth that Bocelli had numerous problems with his sight, and after visits to many doctors, he was diagnosed with congenital glaucoma. Bocelli has stated that his mother's decision to give birth to him and overrule the doctor's advice was the inspiration for him to oppose abortion.

As winner of the newcomers section at the 1994 Sanremo Festival, Bocelli was invited to return the following year. He entered the main competition with "Con te partiro" and finished in fourth place. The song was included on his second album, Bocelli, produced by Mauro Malavasi and released in November 1995. In Belgium, "Con te partiro" became the best-selling single of all time. His third album, Viaggio Italiano, was released in Italy in 1996. He was invited to sing a duet with English soprano Sarah Brightman at the final bout of German boxer Henry Maske. Brightman had approached Bocelli after she heard him singing "Con te partiro" whilst she was dining in a restaurant. Changing the title lyric of the song to "Time to Say Goodbye", they re-recorded it as a duet with members of the London Symphony Orchestra and sang it as a farewell for Maske. The single debuted atop the German charts, where it stayed for fourteen weeks. With sales nearing three million copies, and a sextuple platinum award, "Time to Say Goodbye" eclipsed the previous best-selling single by more than one million copies. He topped the Spanish singles chart in 1996 with a duet with Marta Sanchez, "Vivo Por Ella", the Spanish version of "Vivo per lei", recorded with Giorgia for his 1997 compilation album, Romanza. He also recorded a Portuguese version of the song with Brazilian singer Sandy. The same year, Bocelli recorded "Je vis pour elle", the French version of "Vivo per lei", as a duet with French singer Helene Segara. Released in December 1997, the song became a hit in Belgium (Wallonia) and France, where it reached No. 1 on the charts. To date, it is the best-selling single for Segara, and the second for Bocelli after "Time to Say Goodbye". On 3 March, he appeared in Hamburg, Germany, with Sarah Brightman to receive the ECHO music award for "Best Single of the Year". In the summer of 1997 he gave 22 open-air concerts in Germany, and an indoor concert in Oberhausen on 31 August. In September, he performed in concert at the Piazza dei Cavalieri in Pisa for the home video A Night in Tuscany (Italian: una notte nella Toscana) with guests Nuccia Focile, Sarah Brightman and Zucchero. The concert was also Bocelli's first concert to air on PBS part of the In The Spotlight series. It also marked as Bocelli's debut to the American audiences. On 14 September, in Munich, Germany, he received an ECHO Klassik Best Seller of the Year award for his album, Viaggio Italiano. Back in Italy in Bologna on 27 September, he sang at the International Eucharistic Congress. On 19 October, he sang at the TeleFood benefit concert held in the Vatican City to raise awareness about world hunger. On 25 October, he received a Bambi Award in the Klassik category in Cologne, Germany. CANNOTANSWER


In 1904, Sid Grauman invited Arbuckle to sing in his new Unique Theater in San Francisco, beginning a long friendship between the two. He then joined the Pantages Theatre Group touring the West Coast of the United States and in 1906 played the Orpheum Theater in Portland, Oregon in a vaudeville troupe organized by Leon Errol. Arbuckle became the main act and the group took their show on tour. On August 6, 1908, Arbuckle married Minta Durfee (1889-1975), the daughter of Charles Warren Durfee and Flora Adkins. Durfee starred in many early comedy films, often with Arbuckle. They made a strange couple, as Minta was short and petite while Arbuckle tipped the scales at 300 lbs. Arbuckle then joined the Morosco Burbank Stock vaudeville company and went on a tour of China and Japan returning in early 1909. Arbuckle began his film career with the Selig Polyscope Company in July 1909 when he appeared in Ben's Kid. Arbuckle appeared sporadically in Selig one-reelers until 1913, moved briefly to Universal Pictures and became a star in producer-director Mack Sennett's Keystone Cops comedies (However, according to the Motion Picture Studio Directory for 1919 and 1921, Arbuckle began his screen career with Keystone in 1913 as an extra for $3 a day (equivalent to approximately $74 in 2017 dollars), working his way up through the acting ranks to become a lead player and director.) Although his large size was undoubtedly part of his comedic appeal Arbuckle was self-conscious about his weight and refused to use it to get "cheap" laughs. For example, he would not allow himself to be stuck in a doorway or chair. Arbuckle was a talented singer. After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "...give up this nonsense you do for a living, with training you could become the second greatest singer in the world." CANNOTANSWER

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The band were one of the acts opening for Green Day, alongside Taking Back Sunday and Jimmy Eat World on their two-day residency of the Milton Keynes Bowl in June 2005. Simple Plan were initially booked though cancelled only a few weeks before the show, and Hard-Fi were made as a last minute booking and opened on both days. Their debut album's launch party was scheduled to be 7 July 2005 at Cheekees nightclub in Staines, however this was cancelled due to the ill health of Richard's mother, and the London bombings also occurring that day. Her death resulted in the band pulling out of the Glastonbury festival. The launch party was rescheduled for 13 July 2005 and the venue changed to Ladbroke Grove, London. The Stars of CCTV album re-entered the official UK album chart at No. 4 on 1 January 2006. Two places higher than it originally went in on the week of its release, the album climbed from No. 33. Stars of CCTV finally got to No. 1 on 22 January. The band's re-release of "Cash Machine" entered the official Top 40 singles chart at No. 14 on 1 January. The album has reached sales of 1.2 million copies worldwide and sales of over 600,000 in the UK alone. Hard-Fi gained increased prominence in the UK when Stars of CCTV was nominated for the 2005 Mercury Music Prize. Stars of CCTV scored 74 out of 100 on Metacritic. In February 2006, the band were nominated for two BRIT Awards, Best British Group and Best British Rock Act, alongside international superstars such as Gorillaz, Franz Ferdinand and Oasis. Richard spoke about the nominations, "I don't think we'll win it, especially best group when you've got Coldplay, Franz Ferdinand and Gorillaz in there, they're kind of big hitters, but you never know, Burton drew with Man United". "Last week I would have probably said 'nah it's all rubbish', but now I'm nominated it's great but what is good is that there's a real wide spread of stuff there, but there's no Best Dance award and the urban category is more pop than what's quality." CANNOTANSWER

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Background: Corbin Bleu Reivers (; born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the High School Musical film series (2006-2008). Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the Billboard Hot 100.
Context: Bleu was born in Brooklyn, New York, the son of Martha (nee Callari) and David Reivers (born 1958), an actor. His mother is Italian American and his father is Jamaican American. He has three sisters: Jag, Phoenix, and Hunter. As a child, Bleu studied dance for several years, focusing on ballet and jazz. His great-uncle is actor Joseph Callari, who won IndieFEST FIlm awards of Excellence for Best Actor, with his performance in The Julie Stories. Bleu appeared in television commercials starting at the age of two, for products such as Life cereal, Bounty, Hasbro, and Nabisco. He began taking jazz and ballet classes, usually being the only boy in the class. By the age of four he was a model with the Ford Modeling Agency in New York. He appeared in print ads for stores such as Macy's, Gap, Target, and Toys R Us, and appeared in fashion spreads in Child, Parents, and American Baby magazines, as well as having his image on toys and game packaging. At age six Corbin appeared in his first professional theater production off Broadway, at The Town Hall. This three-concert series, created, written, and hosted by Scott Siegel, took place over one weekend and included a tribute to David Merrick. Corbin Bleu played an abandoned homeless mute in the play Tiny Tim is Dead. Bleu graduated from Los Angeles County High School for the Arts. He trained in dancing at the Debbie Allen Dance Academy. He attended the Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York as a theater major, following in his mother's footsteps. Bleu presents an appealing combination of star quality and adolescent normality. He graduated from high school in 2007 and was admitted to Stanford University, but declined to matriculate because of scheduling commitments. As of 2007 he continued to live at home with his parents and three younger sisters. CANNOTANSWER
Question: where was he born?

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Lakers owner Jack Kent Cooke was known for having a keen eye identifying leadership and teaching qualities (he also gave Hall of Famers Sparky Anderson and Joe Gibbs their first managerial/head coaching positions), and asked West to coach and participate in player personnel decisions. In the 1976-77 season, West became coach of the Los Angeles Lakers. In three years, he led the Lakers and star center Kareem Abdul-Jabbar to a 145-101 record, making the playoffs in all 3 seasons and reaching the Western Conference Finals once in 1977. After his coaching stint, he worked as a scout for three years before becoming general manager of the Lakers prior to the 1982-83 season. NBA.com credits West in creating the great 1980s Lakers dynasty, which brought five championship rings (1980, 1982, 1985, 1987 and 1988) to Los Angeles. After a slump in the early 1990s, West rebuilt the team of coach Del Harris around center Vlade Divac, forward Cedric Ceballos, and guard Nick Van Exel, which won 48 games, and went to the Western Conference Semifinals; for turning the team around, West received his first Executive of the Year Award. By trading Vlade Divac for Kobe Bryant, signing free agent center Shaquille O'Neal, and signing six-time NBA champion Phil Jackson as a coach, West laid down the fundaments of the Lakers three-peat which saw L.A. win three NBA titles from 2000 to 2002. In 2002, West became general manager of the Memphis Grizzlies. He explained his decision with the desire for exploring something new: "After being a part of the Lakers success for so many years, I have always wondered how it would be to build a winning franchise that has not experienced much success. I want to help make a difference." West's Memphis stint was not as spectacular as his Los Angeles stint, but he turned a franchise which was about to be sold into a reliable playoffs team, practically making no trades but getting the maximum from the players he had available (e.g. Pau Gasol, James Posey and Jason Williams) and signing coach Hubie Brown, who became Coach of the Year in 2004. West himself won his second NBA Executive of the Year Award in the same year. At age 69, West retired as a Grizzlies general manager in 2007 and turned over managing duties to Chris Wallace, from Buckhannon, West Virginia. On May 19, 2011, West joined the Golden State Warriors as an executive board member, reporting directly to new owners Joe Lacob and Peter Guber. This role also came with an undisclosed minority ownership stake in the team. In 2015, the Warriors won their first championship in 40 years; the championship was the seventh earned by West while serving as a team executive. He earned his eighth in the 2016-2017 season. On June 14, 2017, West announced that he would go to the Los Angeles Clippers as an executive board member. CANNOTANSWER

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Faith Renee Evans (born June 10, 1973) is an American singer-songwriter, record producer, and actress. Born in Lakeland, Florida and raised in New Jersey, Evans relocated to Los Angeles in 1993 for a career in the music business. After working as a backing vocalist for Al B. Sure and Christopher Williams, she became the first female artist to contract with Sean "Puff Daddy" Combs' Bad Boy Entertainment recording company in 1994, for which she collaborated with several label mates such as Mary J. Blige and Carl Thomas and released three platinum-certified studio albums between 1995 and 2001, including Faith (1995), Keep the Faith (1998) and Faithfully (2001). In 2003, she ended her relationship with the company to sign with Capitol Records.

Newly contracted to Bad Boy Records, Evans was consulted by executive producer Combs to contribute backing vocals and writing skills to Mary J. Blige's My Life (1994) and Usher's self-titled debut album (1994) prior to starting work on her debut studio album Faith. Released on August 29, 1995, in North America, the album was a main collaboration with Bad Boy's main producers, The Hitmen, including Chucky Thompson and Combs, but it also resulted in recordings with Poke & Tone and Herb Middleton. Faith became a success based on the singles "You Used to Love Me" and "Soon as I Get Home". The album was eventually certified platinum with 1.5 million copies sold, according to RIAA. A year before, on August 4, 1994, Evans married rapper and label mate Christopher "The Notorious B.I.G." Wallace, after having met him at a Bad Boy photo shoot. The couple had one child together, Christopher Jordan Wallace, born October 29, 1996, but the marriage was turbulent as Wallace reportedly had several affairs during their union, including relationships with fellow rappers Lil' Kim and Charli Baltimore. Additionally, it led to Evans' involvement in the East Coast-West Coast hip hop rivalry which dominated the rap music news at the time and ended with Wallace's murder in a yet-to-be-solved drive-by shooting in Los Angeles, California in March 1997. During early 1997, after her separation from Wallace, but before his death, Evans' friend Missy Elliott introduced her to record company executive Todd Russaw. Faith began dating Russaw during her and Wallace's separation and after Wallace died, Evans became pregnant by Russaw. The couple had their first son Joshua on June 8, 1998. During the summer of 1998, Evans and Russaw were married, and on March 22, 2007, they had their second son Ryder Evan Russaw. After Biggie's murder on March 9, 1997, Combs helped Evans produce her tribute song named "I'll Be Missing You", based on the melody of The Police's 1983 single "Every Breath You Take". The song, which featured Combs, Evans, and all-male group 112, became a worldwide number-one success and debuted at number one on the US Billboard Hot 100 chart during 1997, scoring that for eleven weeks. It eventually won Puffy and Evans the 1998 Grammy Award for Best Rap Performance by a Duo or Group. The next year, she received another two Grammy nominations for "Heartbreak Hotel", a collaboration with singers Whitney Houston and Kelly Price, that scored number two on the Billboard Hot 100 chart. Two years in the making, Evans' second studio album, Keep the Faith, was released in October 1998. Almost entirely written and produced by her, Evans considered the album difficult to complete as she had initially felt discouraged about the progress at first. Upon its release, however, the album earned generally positive reviews by music critics, with Allmusic noting it "without a doubt a highlight of 1990s soul-pop music". Also enjoying commercial success, it eventually went platinum and produced the top ten singles "Love Like This" and "All Night Long" (released March 30, 1999) prompting Evans to start an 18-city theater tour with Dru Hill and Total the following year. CANNOTANSWER

Did they have more than one child together?


Background: Soul Asylum is an American alternative rock band formed in 1981 in Minneapolis, Minnesota. The band began using their official name in 1983. The band originally formed in 1981 under the name Loud Fast Rules, with a lineup consisting of Dave Pirner, Dan Murphy, Karl Mueller, and Pat Morley. Morley was replaced by Grant Young in 1984.
Context: The group was an outgrowth of a previous band, Loud Fast Rules, formed in 1981 by drummer and lead vocalist Dave Pirner, guitarist and backing vocalist Dan Murphy, and bassist Karl Mueller. Pirner was moved to rhythm guitar, and Pat Morley took over on drums. As Loud Fast Rules, two of their songs were released on the 1982 Reflex Records cassette compilation Barefoot and Pregnant. On the following Reflex compilation, Kitten (recorded live at Goofy's Upper Deck), they were billed as Proud Crass Fools. Soul Asylum began performing around the Minneapolis-St. Paul area (including the nightclub First Avenue) and quickly developed a core following while becoming known for their powerful, dynamic stage shows. Their 1984 debut album, Say What You Will... Everything Can Happen was originally released on LP and cassette by local record label Twin/Tone as a nine-song EP. It is out of print but was re-released on CD as Say What You Will, Clarence...Karl Sold the Truck, which includes five additional tracks that were cut from the original album. Between the release of Say What You Will and their second album, Grant Young joined the group, taking over the drums from Morley. In 1986, Soul Asylum released three albums, Made to Be Broken, Time's Incinerator (on cassette only) and While You Were Out. The band toured relentlessly in its early years, opening for other American touring bands and later performing as a headliner act after gaining exposure on the "Flip Your Wig" tour with the Minneapolis band Husker Du in early 1986. Contrasted with some of the popular underground and alternative styles at the time, audiences were struck by the band's onstage swagger, scruffy Midwestern appearance and extremely loud, frenetic sound, mixing tuneful but unrestrained punk, hardcore, 1970s rock, country and self-effacing kitsch. One early review described their sound as "some unholy mix of Kiss and Hank Williams thrown under the wheels of a runaway train." All elements contributed to the band's being described as a "grunge precursor", a claim often recited in comparisons between pre-Nirvana Minneapolis and Seattle bands. Despite critical acclaim locally and internationally, they remained unknown to a larger U.S. audience and radio market. CANNOTANSWER
Question: Did they open for anyone important

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Background: Richard "Red" Skelton (July 18, 1913 - September 17, 1997) was an American comedy entertainer. He was best known for his national radio and television acts between 1937 and 1971, and as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show.
Context: Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the "Doughnut Dunkers" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the "Doughnut Dunkers" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, "Careful what you drink, Mr. President. I got rolled in a place like this once." His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. Skelton's voice pattern for Clem was similar to the later cartoon character, Bullwinkle; there was enough similarity to cause Skelton to contemplate filing a lawsuit against Bill Scott, who voiced the cartoon moose. The second character, The Mean Widdle Kid, or "Junior", was a young boy full of mischief, who typically did things he was told not to do. "Junior" would say things like, "If I dood it, I gets a whipping.", followed moments later by the statement, "I dood it!" Skelton performed the character at home with Edna, giving him the nickname "Junior" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play "Junior" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber "We Dood It!" In 1986 the Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928. Originally called "Mellow Cigars", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine "Guzzler's Gin", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's guests were treated to a post-program performance. He would then perform his "Guzzler's Gin" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; there were times where up to 300 people needed to be turned away for lack of seats. CANNOTANSWER
Question: What else can be said about Red Skeleton and his material

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Jacqueline Lee "Jackie" Kennedy Onassis (nee Bouvier ; July 28, 1929 - May 19, 1994) was the wife of the 35th President of the United States, John F. Kennedy, and First Lady of the United States from 1961 until his assassination in 1963. Bouvier was the elder daughter of Wall Street stockbroker John Vernou Bouvier III and socialite Janet Lee Bouvier. In 1951, she graduated with a Bachelor of Arts degree in French literature from George Washington University and went on to work for the Washington Times-Herald as an inquiring photographer. Bouvier met Congressman John F. Kennedy at a 1952 dinner party.

On January 3, 1960, John F. Kennedy announced his candidacy for the presidency and launched his campaign nationwide. In the early months of the election year, Jacqueline Kennedy accompanied her husband to campaign events such as whistle-stops and dinners. Shortly after the campaign began, she became pregnant and decided to stay at home in Georgetown due to her previous high-risk pregnancies. Kennedy subsequently participated in the campaign by writing a weekly syndicated newspaper column, Campaign Wife, answering correspondence, and giving interviews to the media. Despite not participating on the campaign trail, Jacqueline became subject of intense media attention with her fashion choices. On one hand, she was admired for her personal style; she was frequently featured in women's magazines alongside film stars and named as one of the 12 best-dressed women of the world. On the other hand, her preference for French designers and her spending on her wardrobe brought her negative press. In order to downplay her wealthy background, Jacqueline stressed the amount of work she was doing for the campaign and declined to publicly discuss her clothing choices. On July 13 at the 1960 Democratic National Convention in Los Angeles, the Democratic Party nominated John Kennedy for President of the United States. Jacqueline did not attend the nomination due to her pregnancy, which had been publicly announced ten days earlier. From Hyannis Port, she watched the September 26, 1960 debate--which was the nation's first televised presidential debate--between her husband and Republican candidate Richard Nixon, who was the incumbent Vice President. Marian Cannon, the wife of Arthur Schlesinger, watched the debate with her. Days after the debates, Jacqueline contacted Schlesinger and informed him that Jack wanted his aid along with that of John Kenneth Galbraith in preparing for the third debate on October 13; she wished for them to give her husband new ideas and speeches. On September 29, 1960, the Kennedys appeared together for a joint interview on Person to Person, interviewed by Charles Collingwood. CANNOTANSWER

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Did the magazines about her help out the candidacy of John?


Background: The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).
Context: The Living End toured Australia for a year, then in August 1997 they recorded new material to sell at their live shows. Their double A-sided single, "Second Solution" / "Prisoner of Society", was issued in January the following year. Also that month they had supported The Offspring on the Australian leg of their tour. "Second Solution" / "Prisoner of Society" peaked at No. 4 on the ARIA Singles Chart, and was certified double-platinum by ARIA for shipment of 140,000 copies. At the ARIA Music Awards of 1998 it won the Highest Selling Single category; and eventually became the highest selling Australian single of the 1990s. It lasted a record-breaking 47 weeks in the Top 50. In October 1998 it peaked at No. 28 on the New Zealand Singles Chart. It was later featured in the game, Guitar Hero World Tour. "Second Solution" was used in the soundtrack for the 2002 movie, Cheats, which starred Trevor Fehrman, Matthew Lawrence, and Mary Tyler Moore. Early in 1998 "Prisoner of Society" was issued as a separate single in the United Kingdom and, the following year, in the US. The single appeared in the top 200 of the UK Singles Chart, and peaked at No. 23 on the Billboard's Alternative Songs Chart. The band signed with Modular Recordings for the release of their debut self-titled album, which appeared on 12 October 1998, and was co-produced by Gravina with the trio. It peaked at No. 1 on the ARIA Albums Chart, became the then-second highest-selling debut rock album in Australian music history and, by 1999, was certified 4x Platinum for shipment of 280,000 units. Their next Australian single, "Save the Day", was issued in September 1998, a month ahead of the album. It made the top 30 on the ARIA Singles Chart. It became their highest charting hit on the New Zealand Singles Chart, where it reached No. 10. From the album, a total of six singles were released including a live cover version of "Tainted Love", which was issued as a radio-only single on Triple J. At the ARIA Music Awards of 1999, The Living End won two more awards: Best Group and Breakthrough Artist - Album. At the ceremony they were also nominated for Album of the Year and Highest Selling Album. In October 2010 their debut album was listed in the book, 100 Best Australian Albums. CANNOTANSWER
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