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Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWER


Tatchell was born in Melbourne, Australia. His father was a lathe operator and his mother worked in a biscuit factory. His parents divorced when he was four and his mother remarried soon afterwards. Since the family finances were strained by medical bills, he had to leave school at 16 in 1968.

Tatchell's book Democratic Defence was published in 1985. This outlined how defence of the United Kingdom might be assured after the nuclear disarmament that he and the Labour Party were then committed to. (Labour has since abandoned this policy.) Tatchell argued that the British military was still organised on an imperialist strategy of basing troops abroad rather than on a strategy of defending the UK itself against foreign attacks. Citing the problems that the British army was facing in Northern Ireland, he argued that their long-established methods were ineffective against guerilla warfare. He argued for a range of methods to liberalise the regime in the armed forces so that troops could be allowed to join trade unions and political parties, and to end [what he referred to as] the "bull" of "petty regulations" and harsh punishments for violating them. He upheld the British Home Guard as an example of a citizens' army that had been effective in fighting Nazi Germany, and also upheld the armed forces of Sweden, Switzerland and Yugoslavia as effective in deterring foreign aggression. Tatchell argued for withdrawal from NATO and for the establishment of a European Self-Defence Organisation, independent of both the United States and the Soviet Union. Regarding the United States, he felt that Europe had become too dependent on their military protection and that this was inappropriate given the differing interests of many European countries. He condemned the Soviet Union's invasions of Czechoslovakia and of Afghanistan, as well as condemning its internal repression. He wrote, "It is quite evident that the Soviet system today represents the complete opposite of everything that the left in the West is striving for..." He quoted with approval Enoch Powell's argument that the threat from the Soviet Union to the UK was exaggerated. CANNOTANSWER

Answer the following question by taking a quote from the article: What was his views on the Soviet Union?


Fairport Convention are a British folk rock band. Formed in 1967, they are widely regarded as a key group in the English folk rock movement. Their seminal album Liege & Lief is considered to have launched the British folk rock movement, which provided a distinctively English identity to rock music and helped awaken much wider interest in traditional music in general. The band have drawn heavily on the Child Ballads, songs of the British Isles from the later medieval period until the 19th century.

On 12 May 1969, on the way home from a gig at Mothers, a club in Birmingham, Fairport's van crashed on the M1 motorway. Martin Lamble, aged only nineteen, and Jeannie Franklyn, Richard Thompson's girlfriend, were killed. The rest of the band suffered injuries of varying severity. They nearly decided to disband. However, they reconvened with Dave Mattacks taking over drumming duties and Dave Swarbrick, having made contribution to Unhalfbricking, now joined as a full member. Boyd set the band up in a rented house in Farley Chamberlayne near Winchester in Hampshire, where they recuperated and worked on the integration of British folk music into rock and roll that would result in the fourth album Liege & Lief. Usually considered the highpoint of the band's long career, Liege & Lief was a huge leap forward in concept and musicality. The album consisted of six traditional tracks and three original compositions in a similar style. The traditional tracks included two sustained epics: "Tam Lin", which was over seven minutes in length, and "Matty Groves", at over eight. There was a medley of four traditional tunes, arranged, and, like many of the tracks, enlivened, by Swarbrick's energetic fiddle playing. The first side was bracketed by original compositions "Come all ye" and "Farewell, Farewell", which, in addition to information on the inside of the gatefold cover on Hutchings' research, explaining English folk traditions, helped give the record the feel of a concept album. "Farewell, Farewell" and the final track "Crazy Man Michael", also saw the full emergence of the distinctive song writing talent of Thompson that was to characterize his contributions to the band and later solo career. The distinctive sound of the album came from the use of electric instruments and Mattacks' disciplined drumming with Swarbrick's fiddle accompaniment in a surprising and powerful combination of rock with the traditional. The entire band had reached new levels of musicality, with the fluid guitar playing of Thompson and the 'ethereal' vocal of Denny particularly characteristic of the sound of the album. As the reviewer from AllMusic put it, the album was characterized by the 'fusing [of] time-worn folk with electric instruments while honoring both'. A few British bands had earlier experimented with playing traditional English songs on electric instruments, (including Strawbs and Pentangle), but Fairport Convention was the first English band to do this in a concerted and focused way. Fairport Convention's achievement was not to invent folk rock, but to create a distinctly English branch of the genre, which would develop alongside, and interact with, American inspired music, but which can also be seen as a distinctively national reaction in opposition to it. Liege & Lief was launched with a sell-out concert in London's Royal Festival Hall late in 1969. It reached number 17 in the UK album chart, where it spent fifteen weeks. CANNOTANSWER

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Ayumi Hamasaki (Bang Qi  ayumi, Hamasaki Ayumi, born October 2, 1978) is a Japanese recording artist, record producer, actress, model, spokesperson and entrepreneur. Through her entire career, she has written all her lyrical content, produced her own music, and has sometimes co-composed her music. Born and raised in Fukuoka, Hamasaki moved to Tokyo at fourteen in 1993 to pursue a career in singing and acting. In 1998, under the tutelage of Avex CEO Max Matsuura, Hamasaki released her debut single "Poker Face" and debut major-label album A Song for XX.

Born in Fukuoka Prefecture, Hamasaki was raised as an only child by her mother and grandmother. Her father had left the family when she was three and never again came into contact with her. Hamasaki's mother worked to support the family, so Hamasaki was primarily taken care of by her grandmother. She described herself as a "tomboy" when she was a teenager, and as a "strange kid" who "liked to be alone". At age seven, Hamasaki began modeling for local institutions, such as banks, in order to supplement the family's income. She continued this career path by leaving her family at fourteen and moving to Tokyo as a model under SOS, a talent agency. Her modeling career did not last long; SOS eventually deemed her too short for a model and transferred her to Sun Music, a musicians' agency. Under the name of "Ayumi", Hamasaki released a rap EP, Nothing from Nothing, on the Nippon Columbia label in 1995. She was dismissed from the label when the album failed to chart on the Oricon. After this failure, Hamasaki took up acting and starred in B-movies such as Ladys Ladys!! Socho Saigo no Hi and television dramas such as Miseinen, which were poorly received by the public. From August 1995 to March 1996, Hamasaki also co-hosted the SoundLink "magazine" Hokago no Osama (After-school King) for the Nintendo Satellaview once a week with Shigeru Izumiya. Growing dissatisfied with her job, Hamasaki quit acting and moved in with her mother, who had recently moved to Tokyo. Hamasaki was initially a good student, earning good grades in junior high school. Eventually, she lost faith in the curriculum, thinking that the subjects taught were of no use to her. Her grades worsened as she refused to put her mind to her studies. While living in Tokyo, she attempted to further her studies at Horikoshi Gakuen, a high school for the arts, but dropped out in the first year. Hamasaki did not attend school or have a job, so she spent much of her time shopping at Shibuya boutiques and dancing at Velfarre, an Avex-owned disco club. At Velfarre, she was introduced to her future producer, Max Matsuura, through a friend. After hearing Hamasaki sing karaoke, Matsuura offered her a recording deal, but Hamasaki suspected ulterior motives and turned the offer down. He persisted and succeeded in recruiting her for the Avex label in the following year. Hamasaki started vocal training, but skipped most of her classes after finding her instructors to be too rigid and the classes dull. When she confessed this to Matsuura, he sent her to New York to train her vocals under another method. During her foreign sojourn, Hamasaki frequently corresponded with Matsuura and impressed him with her style of writing. On her return to Japan, he suggested that she try writing her own lyrics. CANNOTANSWER

Using a quote from the above article, answer the following question: Was she successful?


Edward "Ned" Kelly (December 1854 - 11 November 1880) was an Australian bushranger, outlaw, gang leader and convicted police murderer. One of the last bushrangers, and by far the most famous, he is best known for wearing a suit of bulletproof armour during his final shootout with the police. Kelly was born in the British colony of Victoria as the third of eight children to Irish parents. His father, a transported convict, died shortly after serving a six-month prison sentence, leaving Kelly, then aged 12, as the eldest male of the household.

On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". CANNOTANSWERAnswer this question using a quote from the following article:

Did it say what happened in the shoemakers shop?


Background: John Bruce "Jack" Thompson (born July 25, 1951) is an American activist and disbarred attorney, based in Coral Gables, Florida. Thompson is known for his role as an anti-video-game activist, particularly against violence and sex in video games. During his time as an attorney, Thompson focused his legal efforts against what he perceives as obscenity in modern culture. This included rap music, broadcasts by shock jock Howard Stern, the content of computer and video games and their alleged effects on children.
Context: During the aftermath of the murder of Stefan Pakeerah, by his friend Warren Leblanc in Leicestershire, England, the game Manhunt was linked after the media wrongfully claimed police found a copy in Leblanc's room. The police officially denied any link, citing drug-related robbery as the motive and revealing that the game had been found in Pakeerah's bedroom, not Leblanc's. Thompson, who had heard of the murder, claimed that he had written to Rockstar after the game was released, warning them that the nature of the game could inspire copycat killings: "I wrote warning them that somebody was going to copycat the Manhunt game and kill somebody. We have had dozens of killings in the U.S. by children who had played these types of games. This is not an isolated incident. These types of games are basically murder simulators. There are people being killed over here almost on a daily basis." Soon thereafter, the Pakeerah family hired Thompson with the aim of suing Sony and Rockstar for PS50 million in a wrongful death claim. Jack Thompson would later vow to permanently ban the game during the release of the sequel Manhunt 2. Thompson said he planned to sue Take-Two/Rockstar in an effort to have both Manhunt 2 and Grand Theft Auto IV banned as "public nuisances", saying "killings have been specifically linked to Take-Two's Manhunt and Grand Theft Auto games. [I have] asked Take-Two and retailers to stop selling Take-Two's 'Mature' murder simulation games to kids. They all refuse. They are about to be told by a court of law that they must adhere to the logic of their own 'Mature' labels. The suits were eradicated when Take-Two petitioned U.S. District Court, SD FL to block the impending lawsuit, on the grounds that video games purchased for private entertainment could not be considered public nuisances. The following day, Thompson wrote on his website "I have been praying, literally, that Take-Two and its lawyers would do something so stupid, that such a misstep would enable me to destroy Take-Two. The pit Take-Two has dug for itself will be patently clear next week when I strike back." CANNOTANSWER
Question: What did the media claim?

Answer:


Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharan is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation - to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means "spiritual liberation". This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. CANNOTANSWERAnswer this question using a quote from the following article:

What is the invocation?


Irwin was born on his mother's birthday to Lyn and Bob Irwin in Essendon, a suburb of Melbourne, Victoria. He was of Irish descent on his father's side. He moved with his parents as a child to Queensland in 1970, where he attended Landsborough State School and Caloundra State High School. Irwin described his father as a wildlife expert interested in herpetology, while his mother Lyn was a wildlife rehabilitator.

Irwin loved mixed martial arts competitions and trained with Greg Jackson in the fighting/grappling system of Gaidojutsu. Like many Australians, he was an avid cricket fan. This was seen during his visit to Sri Lanka where he played cricket with some local children and said "I love cricket" and "It's a shame we have to go catch some snakes now". This was seen during the Crocodile Hunter episode "Island of the Snakes". Having grown up in Essendon, Irwin was a fan of the Essendon Bombers, an Australian rules football club in the Australian Football League. Irwin took part in an Australian Rules football promotion in Los Angeles as part of "Australia Week" in early 2006. After his death, a picture of Irwin wearing a Bombers Guernsey was shown by ESPN.com in their Bottom 10 ranking of the worst Division I FBS college football teams after Week 1 of the season in tribute to him. Having lived in Queensland most of his life, Irwin was also a fan of rugby league. As a teenager, he played for the Caloundra Sharks as a second-rower, and as an adult he was known to be a passionate Brisbane Broncos fan and was involved with the club on several occasions. On one occasion after turning up to training he asked if he could tackle the largest player, Shane Webcke. Despite being thrown to the ground and looking like he'd been crushed he was jovial about the experience. Irwin laughingly shared the experience with the Queensland State of Origin squad before the 2006 series. Irwin also supported rugby union, being a fan of the national team, the Wallabies. He once wore a Wallaby jersey during a demonstration at the zoo. A behind-the-scenes episode of The Crocodile Hunter showed Irwin and the crew finding a petrol station in a remote part of Namibia to watch the Wallabies defeat France in the 1999 Rugby World Cup Final. Irwin was also a talented surfer. CANNOTANSWERAnswer this question using a quote from the following article:

What kind of sports did Steve Irwin engage in?


Martin Gardner (October 21, 1914 - May 22, 2010) was an American popular mathematics and popular science writer, with interests also encompassing scientific skepticism, micromagic, philosophy, religion, and literature--especially the writings of Lewis Carroll, L. Frank Baum, and G. K. Chesterton. He was considered a leading authority on Lewis Carroll. The Annotated Alice, which incorporated the text of Carroll's two Alice books, was his most successful work and sold over a million copies. He had a lifelong interest in magic and illusion and was regarded as one of the most important magicians of the twentieth century.

Gardner believed in a personal God, in an afterlife, and in prayer, but rejected established religion. He considered himself a philosophical theist and a fideist. He had an abiding fascination with religious belief but was critical of organized religion. In his autobiography, he stated: "When many of my fans discovered that I believed in God and even hoped for an afterlife, they were shocked and dismayed... I do not mean the God of the Bible, especially the God of the Old Testament, or any other book that claims to be divinely inspired. For me God is a "Wholly Other" transcendent intelligence, impossible for us to understand. He or she is somehow responsible for our universe and capable of providing, how I have no inkling, an afterlife." Gardner described his own belief as philosophical theism inspired by the works of philosopher Miguel de Unamuno. While eschewing systematic religious doctrine, he retained a belief in God, asserting that this belief cannot be confirmed or disconfirmed by reason or science. At the same time, he was skeptical of claims that any god has communicated with human beings through spoken or telepathic revelation or through miracles in the natural world. Gardner has been quoted as saying that he regarded parapsychology and other research into the paranormal as tantamount to "tempting God" and seeking "signs and wonders". He stated that while he would expect tests on the efficacy of prayers to be negative, he would not rule out a priori the possibility that as yet unknown paranormal forces may allow prayers to influence the physical world. Gardner wrote repeatedly about what public figures such as Robert Maynard Hutchins, Mortimer Adler, and William F. Buckley, Jr. believed and whether their beliefs were logically consistent. In some cases, he attacked prominent religious figures such as Mary Baker Eddy on the grounds that their claims are unsupportable. His semi-autobiographical novel The Flight of Peter Fromm depicts a traditionally Protestant Christian man struggling with his faith, examining 20th century scholarship and intellectual movements and ultimately rejecting Christianity while remaining a theist. Gardner said that he suspected that the fundamental nature of human consciousness may not be knowable or discoverable, unless perhaps a physics more profound than ("underlying") quantum mechanics is some day developed. In this regard, he said, he was an adherent of the "New Mysterianism". CANNOTANSWERAnswer this question using a quote from the following article:

What is his relation with Theism and religion?


Background: Anberlin was an American alternative rock band formed in Winter Haven, Florida in 1998 and disbanded in 2014. Since the beginning of 2007, the band consisted of lead vocalist Stephen Christian, guitarists Joseph Milligan and Christian McAlhaney, bassist Deon Rexroat, and drummer Nathan Young. Members of Anberlin originally formed a band under the name SaGoh 24/7 in 1998, releasing two studio albums before disbanding, with the members having a change in musical direction and name. Anberlin was formed in 2002; within a year of forming, they had signed with semi-independent record label Tooth & Nail Records and released their debut album, Blueprints for the Black Market.
Context: In an interview with the South Florida Sun-Sentinel in December 2009, it was revealed by lead singer Stephen Christian that the band were tentatively due to enter the studio in the beginning of 2010, with a release probable later in the year. He said "it looks like we are going to go to the studio in January, February or March, right around that time". Drummer Nathan Young stated that the album would be "less poppy" and "darker". Christian posted on his Twitter account in December 2009, that his choice for an album name was "a go" but did not reveal the name. The band entered Blackbird Studios, Nashville, to begin recording the album in March 2010. It was announced on March 3 that the band would be working with Grammy Award-winning producer, Brendan O'Brien. The tracking of the album was completed on April 9, with mixing commencing on April 13, 2010. In an April 2010 interview with MyMag, Christian stated that the album's release date is "looking like late July or early August" 2010. However, in a May 2010 interview with Spin Magazine, McAlhaney stated that the album would be released in September 2010. In early June 2010, the album's release date was confirmed to be September 21, 2010. The band also began exposing their new music, with videos of live performances of the album's songs appearing online. A press release revealed on June 17 that Anberlin's fifth studio album would be titled Dark Is the Way, Light Is a Place, taking its title from a line in Dylan Thomas' "Poem on His Birthday". Along with the disclosure of a track listing, the press release also announced the album's lead single, "Impossible", which went to radio play on July 12, 2010. When asked about the possible impact of the new album, Stephen replied 'I feel like we're on the brink of something... either world domination or destruction, but either way we're on the brink'. Anberlin supported Thirty Seconds to Mars on their Closer to the Edge Tour with CB7 during April and May 2011. CANNOTANSWER
Question: did they enter the studio then?. Whats the answer?


Background: Tatchell was born in Melbourne, Australia. His father was a lathe operator and his mother worked in a biscuit factory. His parents divorced when he was four and his mother remarried soon afterwards. Since the family finances were strained by medical bills, he had to leave school at 16 in 1968.
Context: Tatchell's book Democratic Defence was published in 1985. This outlined how defence of the United Kingdom might be assured after the nuclear disarmament that he and the Labour Party were then committed to. (Labour has since abandoned this policy.) Tatchell argued that the British military was still organised on an imperialist strategy of basing troops abroad rather than on a strategy of defending the UK itself against foreign attacks. Citing the problems that the British army was facing in Northern Ireland, he argued that their long-established methods were ineffective against guerilla warfare. He argued for a range of methods to liberalise the regime in the armed forces so that troops could be allowed to join trade unions and political parties, and to end [what he referred to as] the "bull" of "petty regulations" and harsh punishments for violating them. He upheld the British Home Guard as an example of a citizens' army that had been effective in fighting Nazi Germany, and also upheld the armed forces of Sweden, Switzerland and Yugoslavia as effective in deterring foreign aggression. Tatchell argued for withdrawal from NATO and for the establishment of a European Self-Defence Organisation, independent of both the United States and the Soviet Union. Regarding the United States, he felt that Europe had become too dependent on their military protection and that this was inappropriate given the differing interests of many European countries. He condemned the Soviet Union's invasions of Czechoslovakia and of Afghanistan, as well as condemning its internal repression. He wrote, "It is quite evident that the Soviet system today represents the complete opposite of everything that the left in the West is striving for..." He quoted with approval Enoch Powell's argument that the threat from the Soviet Union to the UK was exaggerated. CANNOTANSWER
Question: What other things did he argue about?. Whats the answer?


Background: Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.
Context: Gorecki's music covers a variety of styles, but tends towards relative harmonic and rhythmical simplicity. He is considered to be a founder of the so-called New Polish School. Described by Terry Teachout, he said Gorecki has "more conventional array of compositional techniques includes both elaborate counterpoint and the ritualistic repetition of melodic fragments and harmonic patterns." His first works, dating from the last half of the 1950s, were in the avant-garde style of Webern and other serialists of that time. Some of these twelve-tone and serial pieces include Epitaph (1958), First Symphony (1959), and Scontri (1960) (Mirka 2004, p. 305). At that time, Gorecki's reputation was not lagging behind that of his near-exact contemporary and his status was confirmed in 1960s when "Monologhi" won first prize. Even until 1962, he was firmly ensconced in the minds of the Warsaw Autumn public as a leader of the Polish Modern School, alongside Penderecki. Danuta Mirka has shown that Gorecki's compositional techniques in the 1960s were often based on geometry, including axes, figures, one- and two-dimensional patterns, and especially symmetry. Thus, she proposes the term "geometrical period" to refer to Gorecki's works between 1962 and 1970. Building on Krzysztof Droba's classifications, she further divides this period into two phases: (1962-63) "the phase of sonoristic means"; and (1964-70) "the phase of reductive constructicism" (Mirka 2004, p. 329). During the middle 1960s and early 1970s, Gorecki progressively moved away from his early career as radical modernist, and began to compose with a more traditional, romantic mode of expression. His change of style was viewed as an affront to the then avant-garde establishment, and though he continued to receive commissions from various Polish agencies, by the mid-1970s Gorecki was no longer regarded as a composer that mattered. In the words of one critic, his "new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues". CANNOTANSWER
Question: What else was going on with Henryk

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Sanctus Real is an American Christian rock band formed in Toledo, Ohio, in 1996. The group is composed of Chris Rohman (lead guitar), Mark Graalman (drums), and Dustin Lolli (lead vocals). The band is best known for their number one singles "Lead Me", "Forgiven", "Whatever You're Doing", "I'm Not Alright", "Don't Give Up", "We Need Each Other", "

In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

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Background: Colbert was born in Washington, D.C., the youngest of 11 children in a Catholic family. He spent his early years in Bethesda, Maryland. He grew up on James Island, South Carolina. Colbert and his siblings, in descending order by age, are James III, Edward, Mary, William, Margo, Thomas, Jay, Elizabeth, Paul, Peter, and Stephen.
Context: While at Northwestern, Colbert studied with the intent of becoming a dramatic actor; mostly he performed in experimental plays and was uninterested in comedy. He began performing improvisation while in college, both in the campus improv team No Fun Mud Piranhas and at the Annoyance Theatre in Chicago as a part of Del Close's ImprovOlympic at a time when the project was focused on competitive, long-form improvisation, rather than improvisational comedy. "I wasn't gonna do Second City", Colbert later recalled, "because those Annoyance people looked down on Second City because they thought it wasn't pure improv - there was a slightly snobby, mystical quality to the Annoyance people". After Colbert graduated in 1986, however, he was in need of a job. A friend who was employed at Second City's box office offered him work answering phones and selling souvenirs. Colbert accepted and discovered that Second City employees were entitled to take classes at their training center for free. Despite his earlier aversion to the comedy group, he signed up for improvisation classes and enjoyed the experience greatly. Shortly thereafter, he was hired to perform with Second City's touring company, initially as an understudy for Steve Carell. It was there he met Amy Sedaris and Paul Dinello, with whom he often collaborated later in his career. By their retelling, the three comedians did not get along at first - Dinello thought Colbert was uptight, pretentious and cold, while Colbert thought of Dinello as "an illiterate thug" - but the trio became close friends while touring together, discovering that they shared a similar comic sensibility. When Sedaris and Dinello were offered the opportunity to create a television series for HBO Downtown Productions, Colbert left The Second City and relocated to New York to work with them on the sketch comedy show Exit 57. The series debuted on Comedy Central in 1995 and aired through 1996. Although it lasted for only 12 episodes, the show received favorable reviews and was nominated for five CableACE Awards in 1995, in categories including best writing, performance, and comedy series. Following the cancelation of Exit 57, Colbert worked for six months as a cast member and writer on The Dana Carvey Show, alongside former Second City castmate Steve Carell, and also Robert Smigel, Charlie Kaufman, Louis C.K., and Dino Stamatopoulos, among others. The series, described by one reviewer as "kamikaze satire" in "borderline-questionable taste", had sponsors pull out after its first episode aired and was cancelled after seven episodes. Colbert then worked briefly as a freelance writer for Saturday Night Live with Robert Smigel. Smigel brought his animated sketch, The Ambiguously Gay Duo, to SNL from The Dana Carvey Show; Colbert provided the voice of Ace on both series, opposite Steve Carell as Gary. Needing money, he also worked as a script consultant for VH1 and MTV, before taking a job filming humorous correspondent segments for Good Morning America. Only two of the segments he proposed were ever produced and only one aired, but the job led his agent to refer him to The Daily Show's then-producer, Madeline Smithberg, who hired Colbert on a trial basis in 1997. During the same period, Colbert worked again with Sedaris and Dinello to develop a new comedy series for Comedy Central, Strangers with Candy. Comedy Central picked up the series in 1998 after Colbert had already begun working on The Daily Show. As a result, he accepted a reduced role, filming only around 20 Daily Show segments a year while he worked on the new series. Strangers with Candy was conceived of as a parody of after school specials, following the life of Jerri Blank, a 46-year-old dropout who returns to finish high school after 32 years of life on the street. Most noted by critics for its use of offensive humor, it concluded each episode by delivering to the audience a skewed, politically incorrect moral lesson. Colbert served as a main writer alongside Sedaris and Dinello, and portrayed Jerri's strict but uninformed history teacher, Chuck Noblet, seen throughout the series dispensing inaccurate information to his classes. Colbert has likened this to the character he played on The Daily Show and later The Colbert Report, claiming that he has a very specific niche in portraying "poorly informed, high-status idiot" characters. Another running joke throughout the series was that Noblet, a closeted homosexual, was having a "secret" affair with fellow teacher Geoffrey Jellineck, despite the fact that their relationship was apparent to everyone around them. This obliviousness also appears in Colbert's Daily Show and Colbert Report character. Thirty episodes of Strangers with Candy were made, which aired on Comedy Central in 1999 and 2000. Though its ratings were not remarkable during its initial run, it has been characterized as a cult show with a small but dedicated audience. Colbert reprised his role for a film adaptation, which premiered at the Sundance Film Festival in 2005 and had a limited release in 2006. The film received mixed reviews. Colbert also co-wrote the screenplay with Sedaris and Dinello. Colbert hosted his own television show, The Colbert Report, from October 17, 2005, through December 18, 2014. The Colbert Report was a Daily Show spin-off that parodied the conventions of television news broadcasting, particularly cable-personality political talk shows like The O'Reilly Factor, Hannity, and Glenn Beck. Colbert hosted the show in-character as a blustery right-wing pundit, generally considered to be an extension of his character on The Daily Show. Conceived by co-creators Stewart, Colbert, and Ben Karlin in part as an opportunity to explore "the character-driven news", the series focused less on the day-to-day news style of the Daily Show, instead frequently concentrating on the foibles of the host-character himself. The concept for The Report was first seen in a series of Daily Show segments which advertised the then-fictional series as a joke. It was later developed by Stewart's Busboy Productions and pitched to Comedy Central, which green-lighted the program; Comedy Central had already been searching for a way to extend the successful Daily Show franchise beyond a half-hour. The series opened to strong ratings, averaging 1.2 million viewers nightly during its first week on the air. Comedy Central signed a long-term contract for The Colbert Report within its first month on the air, when it immediately established itself among the network's highest-rated shows. Much of Colbert's personal life was reflected in his character on The Colbert Report. With the extended exposure of the character on the show, he often referenced his interest in and knowledge of Catholicism, science fiction, and The Lord of the Rings, as well as using real facts to create his character's history. His alternate persona was also raised in South Carolina, is the youngest of 11 siblings and is married. The actual Colbert's career history in acting and comedy, however, was often downplayed or even denied outright, and he frequently referred to having attended Dartmouth College (which was at the forefront of the conservative campus movement in the 1980s) rather than his actual alma mater, Northwestern. In July 2012, Colbert added two years to his contract with Comedy Central, extending the run of The Colbert Report until the end of 2014. The final episode on December 18, 2014, featured a rendition of "We'll Meet Again" and appearances from former guests of the show, including Jon Stewart, Randy Newman, Bryan Cranston, Willie Nelson, Yo-Yo Ma, Mandy Patinkin, Neil deGrasse Tyson, Tom Brokaw, David Gregory, J. J. Abrams, Big Bird, Gloria Steinem, Ken Burns, James Franco, Barry Manilow, Bob Costas, Jeff Daniels, Sam Waterston, Bill de Blasio, Katie Couric, Patrick Stewart, George Lucas, Henry Kissinger, Cookie Monster, Alan Alda, Eliot Spitzer, Vince Gilligan, Paul Krugman, and a text from Bill Clinton, and appearances by Alex Trebek, U.S. and coalition Afghanistan forces, and further characters (a space station astronaut, Santa, Abraham Lincoln, etc.). CANNOTANSWER
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Background: William Lloyd Garrison (December 10, 1805 - May 24, 1879) was a prominent American abolitionist, journalist, suffragist, and social reformer. He is best known as the editor of the abolitionist newspaper The Liberator, which he founded with Isaac Knapp in 1831 and published in Massachusetts until slavery was abolished by Constitutional amendment after the American Civil War. He was one of the founders of the American Anti-Slavery Society, and promoted "immediate emancipation" of slaves in the United States. Born in Newburyport, Massachusetts, Garrison began his newspaper career as an apprentice compositor for the Newburyport Herald.
Context: In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER
Question: Who did Garrison work with?. Whats the answer?


Nick Cave and the Bad Seeds are an Australian rock band formed in Melbourne in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and keyboardist Conway Savage (all four from Australia), guitarist George Vjestica (United Kingdom), keyboard/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward". The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria.

The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER

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Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. Since its inception, Testament has had numerous lineup changes, leaving Peterson as the only constant member. Billy replaced original singer Steve "Zetro" Souza (who left the band to join Exodus as the replacement of Paul Baloff) in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

In a March 2017 interview with Japan's Roppongi Rocks, frontman Chuck Billy revealed that Testament had begun working on new material for their twelfth studio album, and planned to continue writing in the summer after their U.S. and European tours. Billy also expressed hope that the album would be released in 2018, stating, "We thought we'd have a record out after two years; it just ended up being four, because the process just... I don't know what happened, but it took forever. So this time, like, you know what? I don't wanna do that again. I told Eric exactly when we were done recording. I said, 'You know what? It's a great record now, but I don't wanna go through what I had to go through to do this again. So why don't we start writing now?' So we decided that when we're not on the road, let's get together and just jam and maybe come up and at least get to that point where we were with this record -- a bunch of ideas and riffs and lyrics." In a December 2017 interview with Metal Messiah Radio, Billy stated that Testament will start working on their new album after they finish touring in support of Brotherhood of the Snake in August 2018, hoping not to repeat the four year gaps between their last three albums. He explained, "If we can get a head start on riffs and ideas, and then hopefully after that, you know, really dig in to put out a record in 2019, sometime." Peterson confirmed in a February 2018 interview with RockSverige that he has begun the songwriting process of the album, and added, "Our plan was to end in August 2018 and maybe get into the studio by the end of 2018 and put the record out in 2019. But, you know, Slayer's announced [their farewell tour] and they want us to be a part of it. I would imagine, if that stuff happens, then things will get pushed back a little bit, but the initial plan is to have it out in 2019. [We're] ready for summer to do all the A markets for festivals and stuff. This summer we're not doing a lot of festivals; we're actually talking about bowing out of a couple to make other things happen with the Slayer farewell thing." In support of their twelfth studio album, Testament will reportedly embark on a revamped version of the Clash of the Titans tour with Megadeth, Slayer and Sepultura. CANNOTANSWER

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Soul Asylum is an American alternative rock band formed in 1981 in Minneapolis, Minnesota. The band began using their official name in 1983. The band originally formed in 1981 under the name Loud Fast Rules, with a lineup consisting of Dave Pirner, Dan Murphy, Karl Mueller, and Pat Morley. Morley was replaced by Grant Young in 1984.

The group was an outgrowth of a previous band, Loud Fast Rules, formed in 1981 by drummer and lead vocalist Dave Pirner, guitarist and backing vocalist Dan Murphy, and bassist Karl Mueller. Pirner was moved to rhythm guitar, and Pat Morley took over on drums. As Loud Fast Rules, two of their songs were released on the 1982 Reflex Records cassette compilation Barefoot and Pregnant. On the following Reflex compilation, Kitten (recorded live at Goofy's Upper Deck), they were billed as Proud Crass Fools. Soul Asylum began performing around the Minneapolis-St. Paul area (including the nightclub First Avenue) and quickly developed a core following while becoming known for their powerful, dynamic stage shows. Their 1984 debut album, Say What You Will... Everything Can Happen was originally released on LP and cassette by local record label Twin/Tone as a nine-song EP. It is out of print but was re-released on CD as Say What You Will, Clarence...Karl Sold the Truck, which includes five additional tracks that were cut from the original album. Between the release of Say What You Will and their second album, Grant Young joined the group, taking over the drums from Morley. In 1986, Soul Asylum released three albums, Made to Be Broken, Time's Incinerator (on cassette only) and While You Were Out. The band toured relentlessly in its early years, opening for other American touring bands and later performing as a headliner act after gaining exposure on the "Flip Your Wig" tour with the Minneapolis band Husker Du in early 1986. Contrasted with some of the popular underground and alternative styles at the time, audiences were struck by the band's onstage swagger, scruffy Midwestern appearance and extremely loud, frenetic sound, mixing tuneful but unrestrained punk, hardcore, 1970s rock, country and self-effacing kitsch. One early review described their sound as "some unholy mix of Kiss and Hank Williams thrown under the wheels of a runaway train." All elements contributed to the band's being described as a "grunge precursor", a claim often recited in comparisons between pre-Nirvana Minneapolis and Seattle bands. Despite critical acclaim locally and internationally, they remained unknown to a larger U.S. audience and radio market. CANNOTANSWERAnswer this question using a quote from the following article:

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Chinua Achebe (, born Albert Chinualumogu Achebe; (16 November 1930 - 21 March 2013) was a Nigerian novelist, poet, professor, and critic. His first novel Things Fall Apart (1958), often considered his best, is the most widely read book in modern African literature. He won the Man Booker International Prize in 2007. Raised by his parents in the Igbo town of Ogidi in southeastern Nigeria, Achebe excelled at school and won a scholarship to study medicine, but changed his studies to English literature at University College (now the University of Ibadan).

In 1948, in preparation for independence, Nigeria's first university opened. Known as University College (now the University of Ibadan), it was an associate college of the University of London. Achebe obtained such high marks in the entrance examination that he was admitted as a Major Scholar in the university's first intake and given a bursary to study medicine. It was during his studies at Ibadan that Achebe began to become critical of European literature about Africa. After reading Joyce Cary's 1939 work Mister Johnson about a cheerful Nigerian man who (among other things) works for an abusive British storeowner, he was so disturbed by the book's portrayal of its Nigerian characters as either savages or buffoons that he decided to become a writer. Achebe recognised his dislike for the African protagonist as a sign of the author's cultural ignorance. One of his classmates announced to the professor that the only enjoyable moment in the book is when Johnson is shot. He abandoned the study of medicine and changed to English, history, and theology. Because he switched his field, however, he lost his scholarship and had to pay tuition fees. He received a government bursary, and his family also donated money - his older brother Augustine gave up money for a trip home from his job as a civil servant so Chinua could continue his studies. From its inception, the university had a strong Arts faculty; it includes many famous writers amongst its alumni. These include Nobel Laureate Wole Soyinka, poet and playwright John Pepper Clark, and poet Christopher Okigbo. Elechi Amadi is also another famous writer who studied at the university in the 1950s, although he was in the faculty of sciences. In 1950 Achebe wrote a piece for the University Herald entitled "Polar Undergraduate", his debut as an author. It used irony and humour to celebrate the intellectual vigour of his classmates. He followed this with other essays and letters about philosophy and freedom in academia, some of which were published in another campus magazine, The Bug. He served as the Herald's editor during the 1951-52 school year. While at the university, Achebe wrote his first short story, "In a Village Church", which combines details of life in rural Nigeria with Christian institutions and icons, a style which appears in many of his later works. Other short stories he wrote during his time at Ibadan (including "The Old Order in Conflict with the New" and "Dead Men's Path") examine conflicts between tradition and modernity, with an eye toward dialogue and understanding on both sides. When a professor named Geoffrey Parrinder arrived at the university to teach comparative religion, Achebe began to explore the fields of Christian history and African traditional religions. After the final examinations at Ibadan in 1953, Achebe was awarded a second-class degree. Rattled by not receiving the highest level, he was uncertain how to proceed after graduation. He returned to his hometown of Ogidi to sort through his options. CANNOTANSWER


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Harriet Tubman (born Araminta Ross, c. 1822 - March 10, 1913) was an American abolitionist. Born into slavery, Tubman escaped and subsequently made some thirteen missions to rescue approximately seventy enslaved people, family and friends, using the network of antislavery activists and safe houses known as the Underground Railroad. She later helped abolitionist John Brown recruit men for his raid on Harpers Ferry.

Tubman was born Araminta "Minty" Ross to slave parents, Harriet ("Rit") Green and Ben Ross. Rit was owned by Mary Pattison Brodess (and later her son Edward). Ben was held by Anthony Thompson, who became Mary's second husband, and who ran a large plantation near Blackwater River in Madison, Maryland. As with many slaves in the United States, neither the exact year nor place of Araminta's birth is known, and historians differ as to the best estimate. Kate Larson records the year as 1822, based on a midwife payment and several other historical documents, including her runaway advertisement, while Jean Humez says "the best current evidence suggests that Tubman was born in 1820, but it might have been a year or two later." Catherine Clinton notes that Tubman reported the year of her birth as 1825, while her death certificate lists 1815 and her gravestone lists 1820. In her Civil War widow's pension records, Tubman claimed she was born in 1820, 1822, and 1825, an indication, perhaps, that she had only a general idea of when she was born. Modesty, Tubman's maternal grandmother, arrived in the United States on a slave ship from Africa; no information is available about her other ancestors. As a child, Tubman was told that she seemed like an Ashanti person due to her character traits, though no evidence exists to confirm this lineage. Her mother Rit (who may have had a white father) was a cook for the Brodess family. Her father Ben was a skilled woodsman who managed the timber work on Thompson's plantation. They married around 1808 and, according to court records, they had nine children together: Linah, Mariah Ritty, Soph, Robert, Minty (Harriet), Ben, Rachel, Henry, and Moses. Rit struggled to keep her family together as slavery threatened to tear it apart. Edward Brodess sold three of her daughters (Linah, Mariah Ritty, and Soph), separating them from the family forever. When a trader from Georgia approached Brodess about buying Rit's youngest son, Moses, she hid him for a month, aided by other slaves and free blacks in the community. At one point she confronted her owner about the sale. Finally, Brodess and "the Georgia man" came toward the slave quarters to seize the child, where Rit told them, "You are after my son; but the first man that comes into my house, I will split his head open." Brodess backed away and abandoned the sale. Tubman's biographers agree that stories told about this event within the family influenced her belief in the possibilities of resistance. By 1840, Tubman's father, Ben, was manumitted from slavery at the age of 45, as stipulated in a former owner's will, though his actual age was closer to 55. He continued working as a timber estimator and foreman for the Thompson family, who had held him as a slave. Several years later, Tubman contacted a white attorney and paid him five dollars to investigate her mother's legal status. The lawyer discovered that a former owner had issued instructions that Rit, like her husband, would be manumitted at the age of 45. The record showed that a similar provision would apply to Rit's children, and that any children born after she reached 45 years of age were legally free, but the Pattison and Brodess families had ignored this stipulation when they inherited the slaves. Challenging it legally was an impossible task for Tubman. Around 1844, she married a free black man named John Tubman. Although little is known about him or their time together, the union was complicated because of her slave status. Since the mother's status dictated that of children, any children born to Harriet and John would be enslaved. Such blended marriages - free people of color marrying enslaved people - were not uncommon on the Eastern Shore of Maryland, where by this time, half the black population was free. Most African-American families had both free and enslaved members. Larson suggests that they might have planned to buy Tubman's freedom. Tubman changed her name from Araminta to Harriet soon after her marriage, though the exact timing is unclear. Larson suggests this happened right after the wedding, and Clinton suggests that it coincided with Tubman's plans to escape from slavery. She adopted her mother's name, possibly as part of a religious conversion, or to honor another relative. In April 1858, Tubman was introduced to the abolitionist John Brown, an insurgent who advocated the use of violence to destroy slavery in the United States. Although she never advocated violence against whites, she agreed with his course of direct action and supported his goals. Like Tubman, he spoke of being called by God, and trusted the divine to protect him from the wrath of slaveholders. She, meanwhile, claimed to have had a prophetic vision of meeting Brown before their encounter. Thus, as he began recruiting supporters for an attack on slaveholders, Brown was joined by "General Tubman", as he called her. Her knowledge of support networks and resources in the border states of Pennsylvania, Maryland and Delaware was invaluable to Brown and his planners. Although other abolitionists like Frederick Douglass and William Lloyd Garrison did not endorse his tactics, Brown dreamed of fighting to create a new state for freed slaves, and made preparations for military action. After he began the first battle, he believed, slaves would rise up and carry out a rebellion across the south. He asked Tubman to gather former slaves then living in present-day Southern Ontario who might be willing to join his fighting force, which she did. On May 8, 1858, Brown held a meeting in Chatham, Ontario, where he unveiled his plan for a raid on Harpers Ferry, Virginia. When word of the plan was leaked to the government, Brown put the scheme on hold and began raising funds for its eventual resumption. Tubman aided him in this effort, and with more detailed plans for the assault. Tubman was busy during this time, giving talks to abolitionist audiences and tending to her relatives. In the autumn of 1859, as Brown and his men prepared to launch the attack, Tubman could not be contacted. When the raid on Harpers Ferry took place on October 16, Tubman was not present. Some historians believe she was in New York at the time, ill with fever related to her childhood head injury. Others propose she may have been recruiting more escaped slaves in Ontario, and Kate Clifford Larson suggests she may have been in Maryland, recruiting for Brown's raid or attempting to rescue more family members. Larson also notes that Tubman may have begun sharing Frederick Douglass's doubts about the viability of the plan. The raid failed; Brown was convicted of treason and hanged in December. His actions were seen by abolitionists as a symbol of proud resistance, carried out by a noble martyr. Tubman herself was effusive with praise. She later told a friend: "[H]e done more in dying, than 100 men would in living." CANNOTANSWER

Was Tubman involved with John Brown?


Background: Bocelli was born to Alessandro and Edi Bocelli. Doctors had advised Bocelli's parents to abort Bocelli before birth as they predicted, based on studies, that Bocelli would be born with a disability. It was evident at birth that Bocelli had numerous problems with his sight, and after visits to many doctors, he was diagnosed with congenital glaucoma. Bocelli has stated that his mother's decision to give birth to him and overrule the doctor's advice was the inspiration for him to oppose abortion.
Context: As winner of the newcomers section at the 1994 Sanremo Festival, Bocelli was invited to return the following year. He entered the main competition with "Con te partiro" and finished in fourth place. The song was included on his second album, Bocelli, produced by Mauro Malavasi and released in November 1995. In Belgium, "Con te partiro" became the best-selling single of all time. His third album, Viaggio Italiano, was released in Italy in 1996. He was invited to sing a duet with English soprano Sarah Brightman at the final bout of German boxer Henry Maske. Brightman had approached Bocelli after she heard him singing "Con te partiro" whilst she was dining in a restaurant. Changing the title lyric of the song to "Time to Say Goodbye", they re-recorded it as a duet with members of the London Symphony Orchestra and sang it as a farewell for Maske. The single debuted atop the German charts, where it stayed for fourteen weeks. With sales nearing three million copies, and a sextuple platinum award, "Time to Say Goodbye" eclipsed the previous best-selling single by more than one million copies. He topped the Spanish singles chart in 1996 with a duet with Marta Sanchez, "Vivo Por Ella", the Spanish version of "Vivo per lei", recorded with Giorgia for his 1997 compilation album, Romanza. He also recorded a Portuguese version of the song with Brazilian singer Sandy. The same year, Bocelli recorded "Je vis pour elle", the French version of "Vivo per lei", as a duet with French singer Helene Segara. Released in December 1997, the song became a hit in Belgium (Wallonia) and France, where it reached No. 1 on the charts. To date, it is the best-selling single for Segara, and the second for Bocelli after "Time to Say Goodbye". On 3 March, he appeared in Hamburg, Germany, with Sarah Brightman to receive the ECHO music award for "Best Single of the Year". In the summer of 1997 he gave 22 open-air concerts in Germany, and an indoor concert in Oberhausen on 31 August. In September, he performed in concert at the Piazza dei Cavalieri in Pisa for the home video A Night in Tuscany (Italian: una notte nella Toscana) with guests Nuccia Focile, Sarah Brightman and Zucchero. The concert was also Bocelli's first concert to air on PBS part of the In The Spotlight series. It also marked as Bocelli's debut to the American audiences. On 14 September, in Munich, Germany, he received an ECHO Klassik Best Seller of the Year award for his album, Viaggio Italiano. Back in Italy in Bologna on 27 September, he sang at the International Eucharistic Congress. On 19 October, he sang at the TeleFood benefit concert held in the Vatican City to raise awareness about world hunger. On 25 October, he received a Bambi Award in the Klassik category in Cologne, Germany. CANNOTANSWER
Question: did he perform well there?. Whats the answer?


Background: Rachel Anne Summers (also known as Rachel Grey) is a fictional superheroine appearing in American comic books published by Marvel Comics. Rachel was created by writer Chris Claremont and artist/co-writer John Byrne. In her first appearance, the character's surname was not revealed; later publications and retcons further expanded her backstory to involve central characters of mainstream continuity. She is the daughter of the alternate future counterparts to Cyclops (Scott Summers) and Jean Grey-Summers from a harsh dystopia, the sister of Nate Grey and half sister of Cable, a niece of Havok and Vulcan, and a powerful mutant in her own right.
Context: After Rachel was kidnapped, along with Cyclops, by her paternal uncle Vulcan, he freed Darwin from inside him. Later, Professor X recruited Rachel, along with Havok, Nightcrawler, Warpath, Darwin, and Polaris, for a space mission to stop Vulcan from laying waste to the Shi'ar empire. Xavier, who recently was stripped of his powers, recruited Rachel to serve as his telepathic "eyes and ears" during their mission. Aware of Rachel's vendetta against the Shi'ar, Xavier agreed to use their trip into space to find out who in the Shi'ar Empire gave the order to wipe out all members of the Grey family, and he warned Rachel that they will deal with the people responsible for her recent losses Xavier's way. While in space, the team was attacked by Korvus, a Shi'ar warrior sent to kill Rachel. Korvus' ancestor, Rook'shir, was a previous host of the Phoenix Force, and a small portion of the Phoenix's power was left behind in his sword, the Blade of the Phoenix. With this power, Korvus made short work of the other X-Men, but when Rachel blocked the sword, their minds were involuntarily linked. Through this link, Rachel learned that Korvus' family was also murdered by the Shi'ar government because of their connection to the Phoenix. The remaining echo of the Phoenix power from the sword was then transferred to Rachel. Rachel claimed that rather than having taken the power, the power chose to go to her, saying, "The Phoenix knows me, remember? It likes me." When this happened, Rachel's normally gold energy aura turned blue, the same color as the Blade of the Phoenix. She then telekinetically disabled an explosive implant that the Shi'ar chancellor was using to force Korvus' obedience. Due to Rachel's connection to Korvus through the sword, she discovers the Phoenix Force formerly in the blade is just an echo, a "blue shadow", of the Force. The shadow of the Phoenix begins influencing Rachel's behavior, causing her to design a new darker uniform and begin a romance with Korvus. She soon breaks off the relationship after she realizes their bond is only because of the residual Phoenix Force. Leading up to the fight with Vulcan, Rachel is shown using her powers to kill the guards who stand in her way. Havok warns her not to, but Rachel tells him that they deserve to die after what they did to her family. When it comes to the big fight, Rachel shows just how powerful she is by protecting Korvus from one of Vulcan's blasts. Rachel is one of the X-Men stranded in Shi'ar space when their ship is sent back to Earth. After the death of her other grandfather, Corsair, at the hands of Vulcan, she, along with Havok, Polaris, Korvus, Ch'od, and Raza, become the new Starjammers. They elect to remain in Shi'ar space and restore Lilandra to the throne or die trying. As her uncle states, "If they fail, he has no doubt that Vulcan will head for Earth." CANNOTANSWER
Question: Are there any other interesting aspects about this article?

Answer:


Background: Rachel Anne Summers (also known as Rachel Grey) is a fictional superheroine appearing in American comic books published by Marvel Comics. Rachel was created by writer Chris Claremont and artist/co-writer John Byrne. In her first appearance, the character's surname was not revealed; later publications and retcons further expanded her backstory to involve central characters of mainstream continuity. She is the daughter of the alternate future counterparts to Cyclops (Scott Summers) and Jean Grey-Summers from a harsh dystopia, the sister of Nate Grey and half sister of Cable, a niece of Havok and Vulcan, and a powerful mutant in her own right.
Context: After Rachel was kidnapped, along with Cyclops, by her paternal uncle Vulcan, he freed Darwin from inside him. Later, Professor X recruited Rachel, along with Havok, Nightcrawler, Warpath, Darwin, and Polaris, for a space mission to stop Vulcan from laying waste to the Shi'ar empire. Xavier, who recently was stripped of his powers, recruited Rachel to serve as his telepathic "eyes and ears" during their mission. Aware of Rachel's vendetta against the Shi'ar, Xavier agreed to use their trip into space to find out who in the Shi'ar Empire gave the order to wipe out all members of the Grey family, and he warned Rachel that they will deal with the people responsible for her recent losses Xavier's way. While in space, the team was attacked by Korvus, a Shi'ar warrior sent to kill Rachel. Korvus' ancestor, Rook'shir, was a previous host of the Phoenix Force, and a small portion of the Phoenix's power was left behind in his sword, the Blade of the Phoenix. With this power, Korvus made short work of the other X-Men, but when Rachel blocked the sword, their minds were involuntarily linked. Through this link, Rachel learned that Korvus' family was also murdered by the Shi'ar government because of their connection to the Phoenix. The remaining echo of the Phoenix power from the sword was then transferred to Rachel. Rachel claimed that rather than having taken the power, the power chose to go to her, saying, "The Phoenix knows me, remember? It likes me." When this happened, Rachel's normally gold energy aura turned blue, the same color as the Blade of the Phoenix. She then telekinetically disabled an explosive implant that the Shi'ar chancellor was using to force Korvus' obedience. Due to Rachel's connection to Korvus through the sword, she discovers the Phoenix Force formerly in the blade is just an echo, a "blue shadow", of the Force. The shadow of the Phoenix begins influencing Rachel's behavior, causing her to design a new darker uniform and begin a romance with Korvus. She soon breaks off the relationship after she realizes their bond is only because of the residual Phoenix Force. Leading up to the fight with Vulcan, Rachel is shown using her powers to kill the guards who stand in her way. Havok warns her not to, but Rachel tells him that they deserve to die after what they did to her family. When it comes to the big fight, Rachel shows just how powerful she is by protecting Korvus from one of Vulcan's blasts. Rachel is one of the X-Men stranded in Shi'ar space when their ship is sent back to Earth. After the death of her other grandfather, Corsair, at the hands of Vulcan, she, along with Havok, Polaris, Korvus, Ch'od, and Raza, become the new Starjammers. They elect to remain in Shi'ar space and restore Lilandra to the throne or die trying. As her uncle states, "If they fail, he has no doubt that Vulcan will head for Earth." CANNOTANSWER
Question: When did it rise?

Answer:


Background: Stephen John Fry (born 24 August 1957) is an English comedian, actor, writer, presenter, and activist. He is well known as half of the comic double act Fry and Laurie, with collaborator Hugh Laurie, with whom he co-starred in A Bit of Fry & Laurie and Jeeves and Wooster. Fry's acting roles include a Golden Globe Award-nominated lead performance in the film Wilde, Melchett in the BBC television series Blackadder, the title character in the television series Kingdom, a recurring guest role as Dr Gordon Wyatt on the crime series Bones, and as Gordon Deitrich in the dystopian thriller V for Vendetta. He has also written and presented several documentary series, including the Emmy Award-winning Stephen Fry: The Secret Life of the Manic Depressive, which saw him explore his bipolar disorder, and the travel series Stephen Fry in America.
Context: Fry was born in Hampstead, London, on 24 August 1957 to Marianne Eve Fry (nee Newman) and Alan John Fry, a British physicist and inventor. Fry's father is English, and his paternal grandmother had roots in Kent and Cheshire. The Fry family originates in Dorset, at Shillingstone and Blandford; in the early 1800s, Samuel Fry (second son of James Fry, of Shillingstone and Blandford) settled in Surrey, with his descendants residing in Middlesex. Fry's mother is Jewish, but he was not brought up in a religious family. His maternal grandparents, Martin and Rosa Neumann, were Hungarian Jews, who emigrated from Surany (now Slovakia) to Britain in 1927. Rosa Neumann's parents, who originally lived in Vienna, were sent to a concentration camp in Riga, Latvia, where they were murdered. His mother's aunt and cousins were sent to Auschwitz and Stutthof and never seen again. Fry grew up in the village of Booton near Reepham, Norfolk, having moved from Chesham, Buckinghamshire, at an early age. He has an elder brother, Roger, and a younger sister, Joanna. Fry briefly attended Cawston Primary School in Cawston, Norfolk, before going on to Stouts Hill Preparatory School in Uley, Gloucestershire, at the age of seven, and then to Uppingham School, Rutland, where he joined Fircroft house, and was described as a "near-asthmatic genius". He was expelled from Uppingham when he was 15 and subsequently from the Paston School. At 17, after leaving Norfolk College of Arts and Technology, Fry absconded with a credit card stolen from a family friend. He had taken a coat when leaving a pub, planning to spend the night sleeping rough, but had then discovered the card in a pocket. He was arrested in Swindon, and, as a result, spent three months in Pucklechurch Prison on remand. While Fry was in Pucklechurch, his mother had cut out the crossword from every copy of The Times since he had been away, something which Fry said was "a wonderful act of kindness". Fry later stated that these crosswords were the only thing that got him through the ordeal. Following his release, he resumed his education at City College Norwich, promising administrators that he would study rigorously to sit the Cambridge entrance exams. He scored well enough to gain a scholarship to Queens' College, Cambridge. At Cambridge, Fry joined the Footlights, appeared on University Challenge, and read for a degree in English literature, graduating with upper second-class honours. Fry also met his future comedy collaborator Hugh Laurie at Cambridge and starred alongside him in the Footlights. CANNOTANSWER
Question: Where was Fry born?. Whats the answer?


Background: Chaldea () or Chaldaea was a Semitic-speaking nation which existed between the late 10th or early 9th and mid-6th centuries BC, after which it and its people were absorbed and assimilated into Babylonia. It was located in the marshy land of the far southeastern corner of Mesopotamia and briefly came to rule Babylon. During a period of weakness in the East Semitic speaking kingdom of Babylonia, new tribes of West Semitic-speaking migrants arrived in the region from the Levant between the 11th and 9th centuries BC. The earliest waves consisted of Suteans and Arameans, followed a century or so later by the Kaldu, a group who became known later as the Chaldeans or the Chaldees.
Context: Chaldea describes two separate territories. In the early period, between the early 9th century and late 7th century BC, it was the name of a small sporadically independent migrant-founded territory under the domination of the Neo-Assyrian Empire (911-605 BC) in southeastern Babylonia, extending to the western shores of the Persian Gulf. At some point after the Chaldean tribes settled in the region it eventually became called mat Kaldi "land of Chaldeans" by the native Mesopotamians, the Assyrians and Babylonians. The expression mat Bit Yakin is also used, apparently synonymously. Bit Yakin was likely the chief or capital city of the land. The king of Chaldea was also called the king of Bit Yakin, just as the kings of Babylonia and Assyria were regularly styled simply king of Babylon or Assur, the capital city in each case. In the same way, what is now known as the Persian Gulf was sometimes called "the Sea of Bit Yakin", and sometimes "the Sea of the Land of Chaldea". The boundaries of the early lands settled by Chaldeans in the early 800s BC have not been identified with precision by historians. Chaldea generally referred to the low, marshy, alluvial land around the estuaries of the Tigris and Euphrates, which in ancient times discharged their waters through separate mouths into the sea. From the tenth to late seventh centuries BC, Chaldea, like the rest of Mesopotamia and much of the ancient Near East, Anatolia, Caucasus and North Africa came to be dominated by the Neo-Assyrian Empire (911-608 BC), which was based in northern Mesopotamia. Between 608 BC and 557 BC, when the Chaldean tribe had burst their narrow bonds and obtained their short lived period of ascendency over all of Babylonia, they briefly gave their name to the whole land, which was then called Chaldea by some peoples, particularly the Jews, although this term eventually fell out of use. The Old Testament book of the prophet Habakkuk describes the Chaldeans as "a bitter and swift nation". CANNOTANSWER
Question: When did describe the territories?. Whats the answer?


Answer by taking a quote from the following article:

John Anthony Burgess Wilson,  (25 February 1917 - 22 November 1993) - who published under the pen name Anthony Burgess - was an English writer and composer. From relatively modest beginnings in a Catholic family in Manchester, he eventually became one of the best known English literary figures of the latter half of the twentieth century. Although Burgess was predominantly a comic writer, his dystopian satire A Clockwork Orange remains his best known novel. In 1971 it was adapted into a highly controversial film by Stanley Kubrick, which Burgess said was chiefly responsible for the popularity of the book.

In 1954, Burgess joined the British Colonial Service as a teacher and education officer in Malaya, initially stationed at Kuala Kangsar in Perak, in what were then known as the Federated Malay States. Here he taught at the Malay College (now Malay College Kuala Kangsar - MCKK), modeled on English public school lines. In addition to his teaching duties, he was a housemaster in charge of students of the preparatory school, who were housed at a Victorian mansion known as "King's Pavilion". A variety of the music he wrote there was influenced by the country, notably Sinfoni Melayu for orchestra and brass band, which included cries of Merdeka (independence) from the audience. No score, however, is extant. Burgess and his wife had occupied a noisy apartment where privacy was minimal, and this caused resentment. Following a dispute with the Malay College's principal about this, Burgess was reposted to the Malay Teachers' Training College at Kota Bharu, Kelantan. Burgess attained fluency in Malay, spoken and written, achieving distinction in the examinations in the language set by the Colonial Office. He was rewarded with a salary increase for his proficiency in the language. He devoted some of his free time in Malaya to creative writing "as a sort of gentlemanly hobby, because I knew there wasn't any money in it," and published his first novels: Time for a Tiger, The Enemy in the Blanket and Beds in the East. These became known as The Malayan Trilogy and were later published in one volume as The Long Day Wanes. After a brief period of leave in Britain during 1958, Burgess took up a further Eastern post, this time at the Sultan Omar Ali Saifuddin College in Bandar Seri Begawan, Brunei. Brunei had been a British protectorate since 1888, and was not to achieve independence until 1984. In the sultanate, Burgess sketched the novel that, when it was published in 1961, was to be entitled Devil of a State and, although it dealt with Brunei, for libel reasons the action had to be transposed to an imaginary East African territory similar to Zanzibar, named Dunia. In his autobiography Little Wilson and Big God (1987) Burgess wrote: "This novel was, is, about Brunei, which was renamed Naraka, Malay-Sanskrit for 'hell.' Little invention was needed to contrive a large cast of unbelievable characters and a number of interwoven plots. Though completed in 1958, the work was not published until 1961, for what it was worth it was made a choice of the book society. Heinemann, my publisher, was doubtful about publishing it: it might be libellous. I had to change the setting from Brunei to an East African one. Heinemann was right to be timorous. In early 1958, The Enemy in the Blanket appeared and at once provoked a libel suit." About this time Burgess collapsed in a Brunei classroom while teaching history and was diagnosed as having an inoperable brain tumour. Burgess was given just a year to live, prompting him to write several novels to get money to provide for his widow. He gave a different account, however, to Jeremy Isaacs in a Face to Face interview on the BBC The Late Show (21 March 1989). He said "Looking back now I see that I was driven out of the Colonial Service. I think possibly for political reasons that were disguised as clinical reasons." He alluded to this in an interview with Don Swaim, explaining that his wife Lynne had said something "obscene" to the British Queen's consort, the Duke of Edinburgh, during an official visit, and the colonial authorities turned against him. He had already earned their displeasure, he told Swaim, by writing articles in the newspaper in support of the revolutionary opposition party the Parti Rakyat Brunei, and for his friendship with its leader Dr. Azahari. Burgess' biographers attribute the incident to the author's notorious mythomania. Geoffrey Grigson writes, He was, however, suffering from the effects of prolonged heavy drinking (and associated poor nutrition), of the often oppressive south-east Asian climate, of chronic constipation, and of overwork and professional disappointment. As he put it, the scions of the sultans and of the elite in Brunei "did not wish to be taught", because the free-flowing abundance of oil guaranteed their income and privileged status. He may also have wished for a pretext to abandon teaching and get going full-time as a writer, having made a late start. Burgess was invalided home in 1959 and relieved of his position in Brunei. He spent some time in the neurological ward of a London hospital (see The Doctor is Sick) where he underwent cerebral tests that found no illness. On discharge, benefiting from a sum of money which Lynne Burgess had inherited from her father, together with their savings built up over six years in the East, he decided to become a full-time writer. The couple lived first in an apartment in Hove, near Brighton. They later moved to a semi-detached house called "Applegarth" in Etchingham, approximately a mile from the Jacobean house where Rudyard Kipling had lived in Burwash, and one mile from the Robertsbridge home of Malcolm Muggeridge. Upon the death of Burgess's father-in-law, the couple used their inheritance to decamp to a terraced town house in Chiswick. This provided convenient access to the White City BBC television studios where he later became a frequent guest. During these years Burgess became a regular drinking partner of the novelist William S. Burroughs. Their meetings took place in London and Tangiers. A sea voyage the couple took with the Baltic Line from Tilbury to Leningrad in June 1961 resulted in the novel Honey for the Bears. He wrote in his autobiographical You've Had Your Time (1990), that in re-learning Russian at this time, he found inspiration for the Russian-based slang Nadsat that he created for A Clockwork Orange, going on to note "I would resist to the limit any publisher's demand that a glossary be provided." Liliana Macellari, an Italian translator twelve years younger than Burgess, came across his novels Inside Mr. Enderby and A Clockwork Orange, while writing about English fiction. The two first met in 1963 over lunch in Chiswick and began an affair. In 1964, Liana gave birth to Burgess' son, Paolo Andrea. The affair was hidden from Burgess's now-alcoholic wife, whom he refused to leave for fear of offending his cousin (by Burgess's stepmother, Margaret Dwyer Wilson), George Dwyer, then the Roman Catholic Bishop of Leeds. Lynne Burgess died from cirrhosis of the liver, on 20 March 1968. Six months later, in September 1968, Burgess married Liana, acknowledging her four-year-old boy as his own, although the birth certificate listed Roy Halliday, Liana's former partner, as the father. Paolo Andrea (also known as Andrew Burgess Wilson) died in London in 2002, aged 37. Liana died in 2007. CANNOTANSWER

What school did he teach at while he was there?


During his years at Oxford, Rhodes continued to prosper in Kimberley. Before his departure for Oxford, he and C.D. Rudd had moved from the Kimberley Mine to invest in the more costly claims of what was known as old De Beers (Vooruitzicht). It was named after Johannes Nicolaas de Beer and his brother, Diederik Arnoldus, who occupied the farm. After purchasing the land in 1839 from David Danser, a Koranna chief in the area, David Stephanus Fourie, Claudine Fourie-Grosvenor's forebearer, had allowed the de Beers and various other Afrikaner families to cultivate the land. The region extended from the Modder River via the Vet River up to the Vaal River. In 1874 and 1875, the diamond fields were in the grip of depression, but Rhodes and Rudd were among those who stayed to consolidate their interests. They believed that diamonds would be numerous in the hard blue ground that had been exposed after the softer, yellow layer near the surface had been worked out. During this time, the technical problem of clearing out the water that was flooding the mines became serious. Rhodes and Rudd obtained the contract for pumping water out of the three main mines. After Rhodes returned from his first term at Oxford he lived with Robert Dundas Graham, who later became a mining partner with Rudd and Rhodes. On 13 March 1888, Rhodes and Rudd launched De Beers Consolidated Mines after the amalgamation of a number of individual claims. With PS200,000 of capital, the company, of which Rhodes was secretary, owned the largest interest in the mine (PS200,000 in 1880 = PS12.9m in 2004 = $22.5m USD). Rhodes was named the chairman of De Beers at the company's founding in 1888. De Beers was established with funding from N M Rothschild & Sons Limited in 1887. CANNOTANSWER

Answer this question "When was De Beers established?" by extracting the answer from the text above.