Sir Noel Peirce Coward (16 December 1899 - 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise". Born in Teddington, south-west London, Coward attended a dance academy in London as a child, making his professional stage debut at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards.

By the end of the 1960s, Coward suffered from arteriosclerosis and, during the run of Suite in Three Keys, he struggled with bouts of memory loss. This also affected his work in The Italian Job, and he retired from acting immediately afterwards. Coward was knighted in 1969 and was elected a fellow of the Royal Society of Literature. He received a Tony Award for lifetime achievement. In 1972, he was awarded an honorary Doctor of Letters degree by the University of Sussex. Coward died at his home, Firefly Estate, in Jamaica on 26 March 1973 of heart failure and was buried three days later on the brow of Firefly Hill, overlooking the north coast of the island. A memorial service was held in St Martin-in-the-Fields in London on 29 May 1973, for which the Poet Laureate, John Betjeman, wrote and delivered a poem in Coward's honour,  John Gielgud and Laurence Olivier read verse and Yehudi Menuhin played Bach. On 28 March 1984 a memorial stone was unveiled by the Queen Mother in Poets' Corner, Westminster Abbey. Thanked by Coward's partner, Graham Payn, for attending, the Queen Mother replied, "I came because he was my friend." The Noel Coward Theatre in St. Martin's Lane, originally opened in 1903 as the New Theatre and later called the Albery, was renamed in his honour after extensive refurbishment, re-opening on 1 June 2006. A statue of Coward by Angela Conner was unveiled by the Queen Mother in the foyer of the Theatre Royal, Drury Lane in 1998. There are also sculptures of Coward displayed in New York and Jamaica, and a bust of him in the library in Teddington, near where he was born. In 2008 an exhibition devoted to Coward was mounted at the National Theatre in London. The exhibition was later hosted by the Museum of Performance & Design in San Francisco and the Academy of Motion Picture Arts and Sciences in Beverly Hills, California. CANNOTANSWERAnswer this question using a quote from the following article:

What was his honours


Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American record producer, musician, and songwriter who developed the Wall of Sound, a music production formula he described as a "Wagnerian" approach to rock and roll. Spector is considered the first auteur among musical artists for the unprecedented freedom and control he had over every phase of the recording process. Additionally, he helped engender the idea of the studio as its own distinct instrument. For these contributions, he is acknowledged as one of the most influential figures in pop music history.

On February 3, 2003 actress Lana Clarkson died in Spector's mansion (the Pyrenees Castle) in Alhambra, California. Her body was found slumped in a chair with a single gunshot wound to her mouth with broken teeth scattered over the carpet. Spector told Esquire magazine in July 2003 that Clarkson's death was an "accidental suicide" and that she "kissed the gun". The emergency call from Spector's home, made by Spector's driver, Adriano de Souza, quotes Spector as saying, "I think I've killed someone". De Souza added that he saw Spector come out the back door of the house with a gun in his hand. Spector remained free on $1 million bail while awaiting trial, which began on March 19, 2007. Presiding Judge Larry Paul Fidler allowed the proceedings in Los Angeles Superior Court to be televised. On September 26, 2007, Judge Fidler declared a mistrial because of a hung jury (ten to two for conviction). The retrial of Spector for murder in the second degree began on October 20, 2008, with Judge Fidler again presiding; this time it was not televised. Spector was once again represented by attorney Jennifer Lee Barringer. The case went to the jury on March 26, 2009, and 19 days later, on April 13, the jury returned a guilty verdict. Additionally, Spector was found guilty of using a firearm in the commission of a crime, which added four years to the sentence. He was immediately taken into custody and, on May 29, 2009, was sentenced to 19 years to life in the California state prison system. CANNOTANSWER

Answer the following question by taking a quote from the article: how long was the trial


The Blob (Frederick J. "Fred" Dukes) is a fictional supervillain appearing in American comic books published by Marvel Comics. The character is usually depicted as an adversary of the X-Men. A mutant originally depicted as an obese circus freak, the Blob claims to be immovable when he so desires. He possesses an extreme amount of pliable body mass, which grants him superhuman strength.

Blob appears briefly in the Age of Apocalypse as a test subject that Henry McCoy was toying with in the Breeding Pens in a direct violation of the Kelly Pact that Apocalypse signed in order to keep the Human High Council occupied and at bay while he rallied his forces. McCoy considered Blob's mutation useless which enraged Blob. Dukes freed himself, and attacked his experimenter. Havok came to McCoy's rescue, but Dukes proved to be even too much for the Prelate to handle. His pseudo freedom was fleeting for moments later the head of the pens, Havok's older brother Cyclops, showed up to deliver a searing optic blast that would put him back in his place. When the Age of Apocalypse was revisited in the 10th anniversary, Blob was a member of Sinister's team known as Sinister Six. It appears that McCoy or Sinister himself had his powers altered in a manner that allowed Blob to project his gravitational field outward. When the Sinister Six met the X-Men in battle, Dukes' new powers were used to sweep the X-Men off their feet with the Silver Samurai receiving a double dose. Quicksilver attempted to fell the behemoth with multiple punches, but Dukes remained standing regardless of how many hits he got in. It was not until Rogue stepped in with a punch that had the power necessary to overtake him that the mammoth would topple over. Following the Sinister Six's defeat, Blob managed to escape. Later he's seen as a member of the Black Legion, a group of psychotic altered mutants under the supervision of a now insane Weapon X. It is also revealed that he left the Age of Apocalypse timeline and joined Archangel's quest to become the new heir of Apocalypse. He's seen in Akkaba Metropolis under the North Pole and he was the one to prevent the escape of Psylocke. In the "Final Execution Saga" story line in Uncanny X-Force, Fredrick is part of a new Brotherhood of Evil Mutants led by Daken with the aim of taking down X-Force and turning Evan Sabahnur into a new Apocalypse. During the saga the X-Force team is captured and tortured after Nightcrawler from the Age of Apocalypse universe betrays the team, to get his revenge on Fredrick due to him eating his wife Linda. Kurt seemingly succeeds in his goal of revenge by teleporting a live shark into Fredrick's stomach during a fight with him, causing him to be devoured from within. CANNOTANSWER

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Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

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Harry Forster Chapin (December 7, 1942 - July 16, 1981) was an American singer-songwriter, humanitarian, and producer best known for his folk rock and pop rock songs, who achieved worldwide success in the 1970s and became one of the most popular artists and highest paid performers. He is also one of the best charting musical artists in the United States. Chapin, a Grammy Award winning artist and Grammy Hall of Fame inductee, has sold over 19 million records worldwide. Chapin, a dedicated humanitarian, fought to end world hunger; he was a key participant in the creation of the Presidential Commission on World Hunger in 1977.

Chapin was born in New York City, the second of four children, who also included future musicians Tom and Steve. His parents were Jeanne Elspeth (nee Burke) and Jim Chapin, a legendary percussionist. He had English ancestry. The earliest Chapin to come to America was Samuel Chapin, who was the first deacon of Springfield, Massachusetts in 1636. His other great-grandparents on his mothers side had immigrated in the late 19th century. His parents divorced in 1950, with his mother retaining custody of their four sons, as Jim spent much of his time on the road as a drummer for Big Band-era acts such as Woody Herman. Chapin's mother married Films in Review magazine editor Henry Hart a few years later. His maternal grandfather was literary critic Kenneth Burke. Chapin's first formal introduction to music were trumpet lessons at The Greenwich House Music School under Mr. Karrasic (sic). Harry's younger brothers Tom and Steve were choirboys at Grace Episcopal Church in Brooklyn Heights, and through them Chapin met "Big" John Wallace, a baritone with a five-octave range, who later became his bassist, backing vocalist, and straight man onstage. Chapin began performing with his brothers while a teenager, with their father occasionally joining them on drums. Chapin graduated from Brooklyn Technical High School in 1960 and was among the five inductees in the school's Alumni Hall Of Fame for the year 2000. He briefly attended the United States Air Force Academy in Colorado Springs, Colorado and was then an intermittent student at Cornell University in New York State, but did not complete a degree. He originally intended to be a documentary film-maker and directed Legendary Champions in 1968, which was nominated for a documentary Academy Award. In 1971, he began focusing on music. With John Wallace, Tim Scott, and Ron Palmer, Chapin started playing in various nightclubs in New York City. CANNOTANSWER

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Joey Yung (Chinese: Rong Zu Er ; Jyutping: Jung4 Zo2 Ji4; born 16 June 1980) is a Hong Kong singer and actress signed to Emperor Entertainment Group.

In 2004, Yung released her the studio album Nin9 2 5ive and her first photo album The Real Joey, Glamour in London. The photo album was well received by the public and sold out shortly after its release. Her second album in 2004, Give Love a Break, was also a commercial success, breaking the platinum mark with pre-orders alone. At the end of the year, Yung released a Cantonese cover of "Chihuahua" (a song previously released in English by DJ BoBo) as part of a Coca-Cola advertising campaign in Hong Kong. At the year-end music awards, she won over 20 awards and received the highest honour award again, the Media Award. It was estimated that for 2004, her income was HK$60 million, including her income from endorsements alone amounting to HK$10 million. In 2005, Yung released her third compilation album, Love Joey 3, as well as a new Cantonese studio album, Bi-Heart. Her fourth major concert, Reflection of Joey's Live Concert, spanned eight days in October and November. The concert's theme song, "Hao Shi Duo Wei ", was mixed and re-arranged in South Korea, resulting in the "Hao Shi Duo Wei  Reflection Mix". EEG was sponsored by Sony Ericsson for the theme song's music video. Following the success of the concert, its CD/VCD/DVD was certified triple platinum, selling 120,000 copies, and Yung's album sales surpassed five million worldwide, an impressive feat in the Cantopop industry (in which an average album will sell around 100,000 copies). However, Yung suffered from strained vocal cords and had to work for several days without talking in an effort to relax her vocal cords. She also spent several days receiving remedial acupuncture treatment in Nanjing, and took singing lessons under vocal coach Christine Samson, known for teaching corrective singing techniques to many Cantopop singers. That year, she purchased two connecting flats named "The Legend" at Jardine's Lookout, Hong Kong, for HK$40 million. On 27 February 2006, Yung released her tenth Cantonese studio album, Ten Most Wanted. According to Yung, the album was more experimental and had higher production values than her previous albums. She worked with Mavis Fan for two songs on the album; "Get Fit with Jane Fonda" and "Torn Tongue", both of which had lyrics by Yiu Fai Chow. On 21 July, she released a Mandarin album, Jump Up - 9492. CANNOTANSWER

what was bi-heart?


Ashkenazi Jews, also known as Ashkenazic Jews or simply Ashkenazim (Hebrew: ash@k@'nazi'ym, Ashkenazi Hebrew pronunciation: [,aSk@'nazim], singular: [,aSk@'nazi], Modern Hebrew: [aSkena'zim, aSkena'zi]; also y@hv'dey ash@k@'naz Y'hudey Ashkenaz), are a Jewish diaspora population who coalesced as a distinct community in the Holy Roman Empire around the end of the first millennium. The traditional diaspora language of Ashkenazi Jews is Yiddish (a Germanic language which incorporates several dialects), with Hebrew used only as a sacred language until relatively recently. Throughout their time in Europe, Ashkenazim have made many important contributions to philosophy, scholarship, literature, art, music and science. Ashkenazim originate from the Jews who settled along the Rhine River, in Western Germany and in Northern France.

Historical records show evidence of Jewish communities north of the Alps and Pyrenees as early as the 8th and 9th century. By the 11th century Jewish settlers, moving from southern European and Middle Eastern centers, appear to have begun to settle in the north, especially along the Rhine, often in response to new economic opportunities and at the invitation of local Christian rulers. Thus Baldwin V, Count of Flanders, invited Jacob ben Yekutiel and his fellow Jews to settle in his lands; and soon after the Norman Conquest of England, William the Conqueror likewise extended a welcome to continental Jews to take up residence there. Bishop Rudiger Huzmann called on the Jews of Mainz to relocate to Speyer. In all of these decisions, the idea that Jews had the know-how and capacity to jump-start the economy, improve revenues, and enlarge trade seems to have played a prominent role. Typically Jews relocated close to the markets and churches in town centres, where, though they came under the authority of both royal and ecclesiastical powers, they were accorded administrative autonomy. In the 11th century, both Rabbinic Judaism and the culture of the Babylonian Talmud that underlies it became established in southern Italy and then spread north to Ashkenaz. Numerous massacres of Jews occurred throughout Europe during the Christian Crusades. Inspired by the preaching of a First Crusade, crusader mobs in France and Germany perpetrated the Rhineland massacres of 1096, devastating Jewish communities along the Rhine River, including the SHuM cities of Speyer, Worms, and Mainz. The cluster of cities contain the earliest Jewish settlements north of the Alps, and played a major role in the formation of Ashkenazi Jewish religious tradition, along with Troyes and Sens in France. Nonetheless Jewish life in Germany persisted, while some Ashkenazi Jews joined Sephardic Jewry in Spain. Expulsions from England (1290), France (1394), and parts of Germany (15th century), gradually pushed Ashkenazi Jewry eastward, to Poland (10th century), Lithuania (10th century), and Russia (12th century). Over this period of several hundred years, some have suggested, Jewish economic activity was focused on trade, business management, and financial services, due to several presumed factors: Christian European prohibitions restricting certain activities by Jews, preventing certain financial activities (such as "usurious" loans) between Christians, high rates of literacy, near universal male education, and ability of merchants to rely upon and trust family members living in different regions and countries. By the 15th century, the Ashkenazi Jewish communities in Poland were the largest Jewish communities of the Diaspora. This area, which eventually fell under the domination of Russia, Austria, and Prussia (Germany), would remain the main center of Ashkenazi Jewry until the Holocaust. The answer to why there was so little assimilation of Jews in central and eastern Europe for so long would seem to lie in part in the probability that the alien surroundings in central and eastern Europe were not conducive, though contempt did not prevent some assimilation. Furthermore, Jews lived almost exclusively in shtetls, maintained a strong system of education for males, heeded rabbinic leadership, and scorned the lifestyle of their neighbors; and all of these tendencies increased with every outbreak of antisemitism. CANNOTANSWER

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Beckham was born at the Princess Alexandra Hospital in Harlow, Essex, United Kingdom, and raised in Goffs Oak, Hertfordshire. She is the eldest of three children of Jacqueline Doreen (nee Cannon), a former insurance clerk and hairdresser, and Anthony William Adams, who worked as an electronics engineer. They founded an electronics wholesale business which allowed a comfortable upbringing for Victoria, her sister, Louise, and her brother, Christian Adams. Beckham's great-great-great-grandfather was German artist and revolutionary Carl Heinrich Pfander.

Beckham made a guest appearance on the catwalk for Maria Grachvogel on 17 February 2000, marking her debut as a model at London Fashion Week. Beckham also acted as a British ambassador for Dolce and Gabbana and was briefly the face of Rocawear in 2003. Beckham designed a limited-edition fashion line for Rock & Republic called VB Rocks in 2004, consisting mainly of jeans for the high end of the market, retailing at approximately $300 in the US. On 16 January 2006, Beckham walked the runway for Roberto Cavalli at Milan Fashion Week, and was for a period exclusively dressed by him for red-carpet and social events. For the March 2006 issue of Harper's Bazaar, Beckham acted as fashion editor when she styled her close friend, Katie Holmes, for a fashion shoot. She has admitted to a personal love of sunglasses, saying "I'm quite obsessed with sunglasses. I collect vintage Guccis and Carreras - they can make virtually any outfit look cool." After Beckham's departure from Rock & Republic, in September 2006, she furthered her fashion ventures by launching her own denim label, dvb Style. Beckham then launched a new official website, dvbstyle.com to promote her fashion work. On 14 June 2007, Beckham launched dvb Denim collection in New York at Saks Fifth Avenue, along with unveiling her eyewear range in the United States for the first time. In the same month, Beckham made her first appearance at London's annual Graduate Fashion Week as a judge alongside Glenda Bailey (editor-in-chief of Harper's Bazaar) and Lanvin's Alber Elbaz, to choose the winner of the River Island Gold Award, worth PS20,000. In August 2007, Intimately Beckham perfume was launched into US stores, one of more than 20 perfumes she and David Beckham have introduced over the years. In September 2007 her cosmetics line V-Sculpt was launched in Tokyo. In a 2007 appearance at an LA Galaxy press conference, Beckham is credited with having popularised Roland Mouret's 'moon dress' and his brand, and Beckham was also the face of Marc Jacobs for his Spring 2008 collection. Beckham has graced countless fashion magazine covers during her career, including I-D in 2004 and W in 2007. Her first Vogue appearance was the April 2008 British edition. This was followed by Vogue India, Vogue Paris as well as the German, Russian, Australian, Turkish, Taiwanese, Chinese and Spanish editions. Beckham has also graced various international editions of Harper's Bazaar and Elle. CANNOTANSWER

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Background: Victor Davis Hanson (born September 5, 1953) is an American classicist, military historian, columnist, and farmer. He has been a commentator on modern and ancient warfare and contemporary politics for National Review, The Washington Times and other media outlets. He is a professor emeritus of classics at California State University, Fresno, and is currently the Martin and Illie Anderson Senior Fellow in classics and military history at Stanford University's Hoover Institution. He chairs the Hoover working group on Military History and Contemporary Conflict as well as being the general editor of the Hoover online journal, Strategika.
Context: Hanson, who is of Swedish and Welsh descent, grew up on a family farm outside of Selma, California in the San Joaquin Valley and has worked there most of his life. His mother, Pauline Davis Hanson, was a lawyer and a California superior court and state appeals court justice, his father was a farmer, educator and junior college administrator. Along with his older brother Nels, a writer, and fraternal twin Alfred, a farmer and biologist, Hanson attended public schools and graduated from Selma High School. Hanson received his BA with highest honors in classics and general college honors, Cowell College, from the University of California, Santa Cruz, in 1975 and his PhD in classics from Stanford University in 1980. He is a Protestant Christian. He also won the Raphael Demos scholarship at the College Year in Athens (1973-74) and was a regular member of the American School of Classical Studies, Athens, 1978-79. Hanson is currently a Senior Fellow at the Hoover Institution and professor emeritus at California State University, Fresno, where he began teaching in 1984, having created the classical studies program at that institution. In 1991, Hanson was awarded an American Philological Association's Excellence in Teaching Award, which is given annually to the nation's top undergraduate teachers of Greek and Latin, and he was named distinguished alumnus of the year (2006) at University of California, Santa Cruz. He has been a visiting professor of classics at Stanford University (1991-92), a National Endowment for the Humanities fellow at the Center for Advanced Studies in the Behavioral Sciences, Stanford, California (1992-93), an Alexander Onassis traveling fellowship to Greece (1999), as well as Nimitz Fellow at UC Berkeley (2006) and held the visiting Shifrin Chair of Military History at the U.S. Naval Academy, Annapolis, Maryland (2002-03), and often the William Simon visiting professorship at the School of Public Policy at Pepperdine University (2009-15), and was awarded in 2015 an Honorary Doctorate of Laws from the graduate school at Pepperdine. He gave the Wriston Lecture in 2004 for the Manhattan Institute. He has been a board member of the Bradley Foundation since 2015, and served on the HF Guggenheim Foundation board for over a decade. Since 2004, Hanson has written a weekly column syndicated by Tribune Media Services, as well as a weekly column for National Review Online since 2001, and has not missed a weekly column for either venue since he began. He has been published in The New York Times, Wall Street Journal, The Times Literary Supplement, The Daily Telegraph, American Heritage, and The New Criterion, among other publications. He was awarded the National Humanities Medal (2007) by President George W. Bush, as well as the Eric Breindel Prize for opinion journalism (2002), and the William F. Buckley Prize (2015). Hanson was also awarded the Claremont Institute's Statesmanship Award at its annual Churchill Dinner, and the Bradley Prize from the Lynde and Harry Bradley Foundation in 2008. CANNOTANSWER
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Maasai are a Nilotic ethnic group inhabiting central and southern Kenya and northern Tanzania. They are among the best known local populations due to their residence near the many game parks of the African Great Lakes, and their distinctive customs and dress.The Maasai speak the Maa language (ol Maa), a member of the Nilo-Saharan family that is related to Dinka and Nuer languages. Some have become educated in the official languages of Kenya and Tanzania, Swahili and English.

Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves. CANNOTANSWER


Background: Train is an American rock band from San Francisco, formed in 1993. The band currently consists of Patrick Monahan (lead vocals), Luis Maldonado (guitar), Hector Maldonado (bass, vocals), Drew Shoals (drums), Jerry Becker (keyboards, guitar), Sakai Smith (backup vocals), and Nikita Houston (backup vocals). With a lineup that included original members Monahan, Rob Hotchkiss, Jimmy Stafford, Scott Underwood, and Charlie Colin, the band achieved mainstream success with their debut album Train, which was released in 1998 with the hit "Meet Virginia". Train's 2001 album, Drops of Jupiter contained the lead single "Drops of Jupiter (Tell Me)", which won two Grammy Awards in 2002.
Context: Drops of Jupiter, the band's second album, was produced by Brendan O' Brien, who has also worked with artists such as Pearl Jam, King's X, Bob Dylan, Bruce Springsteen & The E-Street Band and Neil Young. Before the release of the second album, the band released the single "Drops of Jupiter (Tell Me)". The song was a massive hit; it entered the Hot 100 on March 10, 2001, and spent over a year on the chart (54 weeks) before being relegated to the recurrents chart. The song won a Grammy Award for Best Rock Song, as well as a Grammy Award for Best Arrangement, which was written by Paul Buckmaster, known for his string arrangements for Elton John. (The band reportedly hired Buckmaster expressly to create a sound similar to his arrangement for John's "Burn Down The Mission".) The album Drops of Jupiter was released on March 27, 2001, and became Train's first multi-platinum album, with the success of the lead single. The album was Train's first top ten album, peaking at number six on the Billboard 200. The album was also a top ten hit in the United Kingdom, where it peaked at number eight. "She's on Fire", the second single from Drops of Jupiter was a modest success and was featured in the 2001 comedy The Animal and the 2003 animated comedy Rugrats Go Wild. The album was eventually certified double platinum in the United States and in Canada. It was also certified gold in Australia. During the Drops of Jupiter tour, the band released a live DVD of a sold out concert in the band's hometown of San Francisco at The Warfield. The DVD was titled "Midnight Moon" and featured Train's hits from the first two albums among others. The concert was recorded on May 26, 2001. CANNOTANSWER
Question: Did they have any major hits released during this time period from the album?. Whats the answer?


Jose Julio Sarria also known as The Grand Mere, Absolute Empress I de San Francisco, and the Widow Norton (December 13, 1922 - August 19, 2013) was an American political activist from San Francisco, California, who in 1961 became the first openly gay candidate for public office in the United States. He is also remembered for performing as a drag queen at the Black Cat Bar and as the founder of the Imperial Court System. Jose Sarria was born to Julio Sarria and Maria Dolores Maldonado.

With the demise of the Black Cat, Sarria helped found the Society for Individual Rights (SIR) in 1963. SIR grew out of a split between Sarria and Strait over the direction that LCE was heading. Strait and his supporters wanted to focus more on publishing the group's newsletter, while Sarria and his backers wanted to maintain focus on street-level organizing. SIR sponsored both social and political functions, including bowling leagues, bridge clubs, voter registration drives and "Candidates' Nights" and published its own magazine, Vector. In association with the Tavern Guild, SIR printed and distributed "Pocket Lawyers". These pocket-sized guides offered advice on what to do if arrested or harassed by police. SIR lasted for 17 years. Crowned Queen of the Beaux Arts Ball in 1964 by the Tavern Guild, Sarria, stating that he was "already a queen", proclaimed himself "Her Royal Majesty, Empress of San Francisco, Jose I, The Widow Norton". Sarria devised the name "Widow Norton" as a reference to the much-celebrated citizen of 19th century San Francisco, Joshua Norton, who had declared himself Emperor of the United States and Protector of Mexico in 1859. Sarria organized elaborate annual pilgrimages to lay flowers on Norton's grave in the Woodlawn Cemetery in Colma, California. He purchased a plot adjacent to Norton's where he is now interred. Sarria's assumption of the title of Empress led to the establishment of the Imperial Court System, a network of non-profit charitable organizations throughout the United States, Canada, and Mexico that raises money for various beneficiaries. Sarria is much revered within the hierarchy of the Imperial Court System and is affectionately and informally known as "Mama" or "Mama Jose" among Imperial Court members. The "Jose Honors Awards" are presented to Imperial Court dignitaries and others in a bi-annual banquet held in Sarria's honor. CANNOTANSWER

Answer the following question by taking a quote from the article: What was it about Norton that Jose admired?


A phonograph record (also known as a gramophone record, especially in British English, or record) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac; starting in the 1950s polyvinyl chloride became common. In recent decades, records have sometimes been called vinyl records, or simply vinyl, although this would exclude most records made until after World War II.

ELPJ, a Japanese-based company, sells a laser turntable that uses a laser to read vinyl discs optically, without physical contact. The laser turntable eliminates record wear and the possibility of accidental scratches, which degrade the sound, but its expense limits use primarily to digital archiving of analog records, and the laser does not play back colored vinyl or picture discs. Various other laser-based turntables were tried during the 1990s, but while a laser reads the groove very accurately, since it does not touch the record, the dust that vinyl attracts due to static electric charge is not mechanically pushed out of the groove, worsening sound quality in casual use compared to conventional stylus playback. In some ways similar to the laser turntable is the IRENE scanning machine for disc records, which images with microphotography in two dimensions, invented by a team of physicists at Lawrence Berkeley Laboratories. IRENE will retrieve the information from a laterally modulated monaural grooved sound source without touching the medium itself, but cannot read vertically modulated information. This excludes grooved recordings such as cylinders and some radio transcriptions that feature a hill-and-dale format of recording, and stereophonic or quadraphonic grooved recordings, which utilize a combination of the two as well as supersonic encoding for quadraphonic. An offshoot of IRENE, the Confocal Microscope Cylinder Project, can capture a high-resolution three-dimensional image of the surface, down to 200 um. In order to convert to a digital sound file, this is then played by a version of the same 'virtual stylus' program developed by the research team in real-time, converted to digital and, if desired, processed through sound-restoration programs. CANNOTANSWERAnswer this question using a quote from the following article:

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In 2012, Reddy decided to return to performing after being buoyed by the warm reception she received when she sang at her sister's 80th birthday party. "I hadn't heard my voice in 10 years, and when I heard it coming over the speaker, it was like: 'Oh, that's not bad. Maybe I should do that again,'" Reddy explained in 2013. On 12 July 2012, Reddy returned to the musical stage at Croce's Jazz Bar in San Diego and for a benefit concert for the arts at St. Genevieve High School in Panorama City, a neighborhood of Los Angeles. Reddy also sang a duet ("You're Just in Love") with senior choir member Rosalind Smith. Being more in control of her performances also appeals to Reddy, who said, "I have more leeway in the songs that I choose to sing. I'm not locked into what the record company wants." She explained, "One of the reasons that I'm coming back to singing is because I'm not doing the greatest hits. I'm doing the songs that I always loved. So many are album cuts that never got any airplay, and they're gorgeous songs." She also does perform many of her best-known songs, including, "Angie Baby," "You and Me Against the World", a medley of "Delta Dawn"/"Ain't No Way to Treat a Lady," and "I Am Woman," reasoning on the latter that it's her signature song and one that the audience "comes to hear." She maintains, however, that she still refuses to sing "Leave Me Alone (Ruby Red Dress)" because she dislikes the monotony of the repeated chorus. "They used to have a contest on the radio that you could get two free tickets to Helen Reddy's show if you could tell us how many times she sang 'leave me alone.' I think it was like 42 times," she said. Reddy performed at the Paramount nightclub at The Crown & Anchor in Provincetown on 13 October 2013. She performed two nights at Catalina Supper Club, Los Angeles in November 2014, shortly after her 73rd birthday. The following January 2015, Reddy performed two nights at Orleans Hotel Showroom in Las Vegas. Reddy appeared in downtown Los Angeles at the 2017 Women's March on January 21. The march for women's rights and unity following the inauguration of Donald Trump brought out 750,000 people. Reddy was introduced by actress Jamie Lee Curtis and sang an a cappella version of her song, "I Am Woman". CANNOTANSWER

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Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American record producer, musician, and songwriter who developed the Wall of Sound, a music production formula he described as a "Wagnerian" approach to rock and roll. Spector is considered the first auteur among musical artists for the unprecedented freedom and control he had over every phase of the recording process. Additionally, he helped engender the idea of the studio as its own distinct instrument. For these contributions, he is acknowledged as one of the most influential figures in pop music history.

Spector began to reemerge in the late 1970s, producing and co-writing a controversial 1977 album by Leonard Cohen, entitled Death of a Ladies' Man. This angered many devout Cohen fans who preferred his stark acoustic sound to the orchestral and choral wall of sound that the album contains. The recording was fraught with difficulty. After Cohen had laid down practice vocal tracks, Spector mixed the album in studio sessions, rather than allowing Cohen to take a role in the mixing, as Cohen had previously done. Cohen remarked that the end result is "grotesque", but also "semi-virtuous"--for many years, he included a reworked version of the track "Memories" in live concerts. Bob Dylan and Allen Ginsberg also participated in the background vocals on "Don't Go Home with Your Hard-On", which is the second time Spector indirectly "produced" Dylan--the first being Dylan's live recordings on The Concert for Bangladesh. Spector also produced the much-publicized Ramones album End of the Century in 1979. As with his work with Leonard Cohen, End of the Century received criticism from Ramones fans who were angered over its radio-friendly sound. However, it contains some of the best known and most successful Ramones singles, such as "Rock 'n' Roll High School", "Do You Remember Rock 'n' Roll Radio?" and their cover of a previously released Spector song for the Ronettes, "Baby, I Love You." Guitarist Johnny Ramone later commented on working with Spector on the recording of the album, "It really worked when he got to a slower song like 'Danny Says'--the production really worked tremendously. For the harder stuff, it didn't work as well." Rumors circulated for years that Spector had threatened members of the Ramones with a gun during the sessions. Dee Dee claimed that Spector once pulled a gun on him when he tried to leave a session. Drummer Marky Ramone recalled in 2008, "They [guns] were there but he had a license to carry. He never held us hostage. We could have left at any time". CANNOTANSWERAnswer this question using a quote from the following article:

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Sun Yat-sen (; 12 November 1866 - 12 March 1925) was a Chinese physician, writer, philosopher, calligrapher and revolutionary, the first president and founding father of the Republic of China. As the foremost pioneer and first leader of a Republican China, Sun is referred to as the "Father of the Nation" in the Republic of China (ROC) and the "forerunner of democratic revolution" in the People's Republic of China (PRC). Sun played an instrumental role in the overthrow of the Qing dynasty (the last imperial dynasty of China) during the years leading up to the Xinhai Revolution.

At the age of 10, Sun Yat-sen began seeking schooling. It is also at this point where he met childhood friend Lu Haodong. By age 13 in 1878 after receiving a few years of local schooling, Sun went to live with his elder brother, Sun Mei (Sun Mei ) in Honolulu. Sun Mei financed Sun Yat-sen's education and would later be a major contributor for the overthrow of the Manchus. During his stay in Honolulu, Sun Yat-sen went to `Iolani School where he studied English, British history, mathematics, science, and Christianity. While he was originally unable to speak English, Sun Yat-sen quickly picked up the language and received a prize for academic achievement from King David Kalakaua before graduating in 1882. He then attended Oahu College (now known as Punahou School) for one semester. In 1883 he was soon sent home to China as his brother was becoming worried that Sun Yat-sen was beginning to embrace Christianity. When he returned to China in 1883 at age 17, Sun met up with his childhood friend Lu Haodong again at Beijidian (Bei Ji Dian ), a temple in Cuiheng Village. They saw many villagers worshipping the Beiji (literally North Pole) Emperor-God in the temple, and were dissatisfied with their ancient healing methods. They broke the statue, incurring the wrath of fellow villagers, and escaped to Hong Kong. While in Hong Kong in 1883 he studied at the Diocesan Boys' School, and from 1884 to 1886 he was at The Government Central School. In 1886 Sun studied medicine at the Guangzhou Boji Hospital under the Christian missionary John G. Kerr. Ultimately, he earned the license of Christian practice as a medical doctor from the Hong Kong College of Medicine for Chinese (the forerunner of The University of Hong Kong) in 1892. Notably, of his class of 12 students, Sun was one of only two who graduated. CANNOTANSWER

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The Mamas & the Papas were an American folk rock vocal group who recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971 to record the album People Like Us but did not perform outside their recording studio at that time. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips nee Gilliam. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.

After completing their brief East coast tour, the group started work immediately on its third album, The Mamas & The Papas Deliver, which was recorded in the autumn of 1966. The first single from the album, "Look Through My Window", was released in September 1966 (before the last single from The Mamas and the Papas). It reached number twenty-four in the US, but did not chart in the UK. The second single, "Dedicated to the One I Love" (February 1967), did much better, peaking at number two in both the US and the UK. That success helped the album, also released in February 1967, reach number two in the US and number four in the UK. The third single, "Creeque Alley" (April 1967), chronicled the band's early history. It peaked at number five in the US and number nine in the UK. The strain on the group was apparent when they performed indifferently at the first Monterey International Pop Festival in June 1967, as can be heard on Historic Performances Recorded at the Monterey International Pop Festival (1970). The band was badly under-rehearsed - partly because John and Michelle Phillips and Lou Adler were preoccupied with organizing the festival, partly because Doherty arrived at the last minute from another sojourn in the Virgin Islands, and partly, it is said, because he was drinking heavily in the aftermath of his affair with Michelle Phillips. They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener), which both John and Michelle Phillips would remember as the apex of the band's career: "There would never be anything quite like it again." Deliver was followed in October 1967 by the non-album single "Glad to Be Unhappy", which reached number twenty-six in the US. "Dancing Bear" from the group's second album was released as a single in November. It peaked at number fifty-one in the US. Neither of these singles charted in the UK. CANNOTANSWER


William Seward Burroughs II (; February 5, 1914 - August 2, 1997) was an American writer and visual artist. Burroughs was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences.

Burroughs finished high school at Taylor School in Clayton, Missouri, and in 1932, left home to pursue an arts degree at Harvard University, where he was affiliated with Adams House. During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket. He disliked the work, and refused to cover some events, like the death of a drowned child. He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized. While at Harvard, Burroughs made trips to New York City and was introduced to the gay subculture there. He visited lesbian dives, piano bars, and the Harlem and Greenwich Village homosexual underground with Richard Stern, a wealthy friend from Kansas City. They would drive from Boston to New York in a reckless fashion. Once, Stern scared Burroughs so badly that he asked to be let out of the vehicle. Burroughs graduated from Harvard in 1936. According to Ted Morgan's Literary Outlaw, His parents, upon his graduation, had decided to give him a monthly allowance of $200 out of their earnings from Cobblestone Gardens, a substantial sum in those days. It was enough to keep him going, and indeed it guaranteed his survival for the next twenty-five years, arriving with welcome regularity. The allowance was a ticket to freedom; it allowed him to live where he wanted to and to forgo employment. Burroughs' parents sold the rights to his grandfather's invention and had no share in the Burroughs Corporation. Shortly before the 1929 stock market crash, they sold their stock for $200,000 (equivalent to approximately $2,850,388 in today's funds). CANNOTANSWER

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"'03 Bonnie & Clyde" is a song recorded by American rapper Jay-Z featuring his then-girlfriend, American singer Beyonce. It was composed by Shawn Carter, Kanye West, Prince Nelson, Tupac Shakur, Darryl Harper, Ricky Rouse and Tyrone Wrice for Jay-Z's seventh studio album The Blueprint 2: The Gift & The Curse (2002).

"'03 Bonnie & Clyde" marked the first collaboration between rapper Jay-Z and R&B singer Beyonce. While listening to Shakur's The Don Killuminati: The 7 Day Theory, producer Kanye West suggested that American rapper Tupac Shakur's song "Me and My Girlfriend" would make a good sample to use on Jay-Z's duet with Beyonce. West told MTV News that Jay-Z had asked him on the telephone for a duet for him and Beyonce: "We got this joint, it has to be the best beat you ever made." He continued: So I went home and called my dog, E Base, who plays a lot of instruments up at Baseline [studio] for me and [producer] Just Blaze. [E] came through. I programmed the drums in 10 minutes, and then he played all the different parts. This version is all live bass, live guitars, [live] chords on it. I brought it to Hov that night, he heard it, he thought of the video treatment before he thought of the rap. He just knew it was gonna be the one. Tensions arose during the conception of "'03 Bonnie & Clyde" over the sampling of "Me and My Girlfriend. Senior Vice President of A&R Tina Davis commented on the issue, "We only had one day to clear the [Tupac Shakur] sample [from 'Me and my Girlfriend'] that was used on ''03 Bonnie and Clyde' last year with Jay-Z and Beyonce [Beyonce]. We were back and forth with Afeni Shakur all day until we got the clearance. And then it's a hit." "'03 Bonnie & Clyde" was released on October 10, 2002, as the lead single from Jay-Z's album The Blueprint2: The Gift & the Curse. Beyonce later included the song as a bonus track on international editions of her 2003 debut solo album Dangerously in Love. In 2003, Now That's What I Call Music! included "'03 Bonnie & Clyde" as the opening track of the 12th volume of the US release and the fifteenth track of the 54th volume of the UK release. The song's release was the first indication of Jay-Z's and Beyonce's romantic status, spawning rumors about a burgeoning relationship. Their relationship was not made public until Jay-Z featured on Beyonce's songs "Crazy In Love" (2003) and "Deja Vu" (2006). It was later announced that they had been dating since recording "'03 Bonnie & Clyde". The latter's release also marked the debut of the solo career of Beyonce, leaving Destiny's Child on hiatus. CANNOTANSWER

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Robert Emerson Clampett was born in San Diego, California on May 8, 1913. Clampett was displaying extraordinary art skills by the age of five. From the beginning, Clampett was intrigued with and influenced by Douglas Fairbanks, Lon Chaney, Charlie Chaplin, Buster Keaton and Harold Lloyd, and he began making film short-subjects in his garage beginning when he was twelve. While living in Hollywood as a young boy, Clampett and his mother Joan lived next door to Charlie Chaplin and his brother Syd.

Since 1984, The Bob Clampett Humanitarian Award is given each year at the Eisner Awards. Recipients of the award include June Foray, Jack Kirby, Sergio Aragones, Patrick McDonnell, Maggie Thompson, Ray Bradbury and Mark Evanier. Clampett's Tin Pan Alley Cats (1943) was chosen by the Library of Congress as a "prime example of the music and mores of our times" and a print was buried in a time capsule in Washington, D.C. so future generations might see it. Porky in Wackyland (1938) was inducted into the National Film Registry of the Library of Congress in 2000, deemed "culturally, historically, or aesthetically significant." John Kricfalusi, best known as the creator of The Ren & Stimpy Show, got to know Clampett in his later years and has reflected on those times as inspirational. Kricfalusi calls Clampett his favorite cartoon director and calls The Great Piggy Bank Robbery (1946) his favorite cartoon: "I saw this thing and it completely changed my life, I thought it was the greatest thing I'd ever seen, and I still think it is." Animation historian Leonard Maltin has called Clampett's cartoons "unmistakable." Milton Gray believes that Schlesinger put Clampett in charge of the black and white cartoon division in order to save it, and many historians have singled out a scene in Porky's Duck Hunt in which Daffy exits as a defining Clampett moment. Maltin called it "a level of wackiness few moviegoers had ever seen." Historian Charles Solomon noted a rubbery, flexible animation quality visible in all Clampett's shorts, and Maltin noted an "energetic, comic anarchy." While Clampett's cartoons were not as well known in the latter half of the 20th century because television syndicators only had the rights to the post-1948 Warner cartoons, his creations have increased in notoriety and acclaim in recent decades. CANNOTANSWER

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Kazushi Sakuraba (Ying Ting  He Zhi , Sakuraba Kazushi, born July 14, 1969) is a Japanese mixed martial artist and professional wrestler, currently signed to Rizin Fighting Federation. He has competed in traditional puroresu for New Japan Pro Wrestling and shoot-style competition for UWFi and Kingdom Pro Wrestling. He has fought in MMA competition in the Ultimate Fighting Championship, Pride Fighting Championships, Hero's and Dream.

In an attempt to gain attention for the embattled Kingdom Pro Wrestling league, Hiromitsu Kanehara and Yoji Anjoh signed on to compete in the Ultimate Fighting Championship's Ultimate Japan tournament. Kanehara was injured in his training for the tournament, and Sakuraba wound up as his late-hour substitute. The tournament was intended for heavyweights, but Sakuraba who weighed 183 pounds (middleweight by modern standards), was nearly twenty pounds beneath the UFC's 200 pound designation for the weight class. Having reporting himself as 203 pounds (Light heavyweight by modern standards) in order to gain entry, Sakuraba was paired off against the 240 pound Brazilian jiu-jitsu blackbelt and former Extreme Fighting champion, Marcus Silveira. The match saw the two grapplers exchanging leglocks without any decisive movement. Following a barrage of light blows by Silveira Sakuraba dropped for a low single leg takedown, but referee John McCarthy stopped the fight before Sakuraba could complete it, believing he had been knocked out by the punches. A loud protest followed from the crowd and an angry Sakuraba attempted unsuccessfully to take the microphone and address the Japanese audience. However, after reviewing tape, McCarthy changed his decision to a no-contest. As Tank Abbott, who had earlier defeated Anjoh, had dropped from the tournament due to an injured hand, it was ruled that Sakuraba and Silveira faced off once more that night in what would be the championship bout of the tournament. Silveira opened their second match taking Sakuraba's back, which the Japanese wrestler answered by attempting to apply a Kimura lock. After freeing his arm, Silveira capitalized on another Kimura attempt by Saku to try to twist it into an armbar from his guard, only for the Japanese to escape to his knees. Silveira then tried his own Kimura, but at that moment Sakuraba reversed it in the same way and locked the armbar, making the Brazilian submit. Afterwards, Sakuraba famously stated, "In fact, professional wrestling is strong". With the victory Sakuraba remains one of the last UFC tournament champions to date. With Nobuhiko Takada having left Kingdom to challenge Rickson Gracie in an event called Pride Fighting Championships, the still struggling promotion capitalized on Sakuraba's newly found popularity establishing him as Kingdom's top talent. He embarked on a winning streak against several foreign mixed martial arts competitors including Paul Herrera, Rene Rooze, Mark Hall and Orlando Weit. However, Kingdom continued to flounder and finally folded in March 1998. CANNOTANSWER

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Blish was born on 23 May 1921 at East Orange, New Jersey. While in high school, Blish self-published a fanzine using a hectograph, called The Planeteer. The fanzine ran for six issues. Blish attended meetings of the Futurian Science Fiction Society in New York City, during this period.

Blish was among the first literary critics of science fiction, and he judged works in the genre by the standards applied to "serious" literature. He took to task his fellow authors for deficiencies, such as bad grammar and a misunderstanding of scientific concepts, and the magazine editors, who accepted and published such material without editorial intervention. His critiques were published in "fanzines" in the 1950s under the pseudonym William Atheling, Jr. The essays were collected in The Issue at Hand (1964) and More Issues at Hand (1970). Reviewing The Issue at Hand, Algis Budrys said that Atheling had, along with Damon Knight, "transformed the reviewer's trade in this field". He described the persona of Atheling as "acidulous, assertive, categorical, conscientious and occasionally idiosyncratic". Blish was a fan of the works of James Branch Cabell, and for a time edited Kalki, the journal of the Cabell Society. In his works of science fiction, James Blish developed many ideas and terms which have influenced other writers and on occasion have been adopted more widely, such as faster than light communication via the dirac computer, introduced in the short story "Beep" (1954). The dirac is comparable to Ursula K. Le Guin's ansible. Blish is also credited with coining the term gas giant, in the story "Solar Plexus" as it appeared in the anthology Beyond Human Ken, edited by Judith Merril. The story was originally published in 1941, but did not contain the term. Blish reworked the story, change the description of a large magnetic field to "a magnetic field of some strength nearby, one that didn't belong to the invisible gas giant revolving half a million miles away". CANNOTANSWER

Answer the following question by taking a quote from the article: What is the greatest legacy of James Blish?


Background: RuPaul Andre Charles (born November 17, 1960) is an American drag queen, actor, model, singer, songwriter, television personality, and author. Since 2009, he has produced and hosted the reality competition series RuPaul's Drag Race, for which he received two Primetime Emmy Awards in 2016 and 2017. RuPaul is considered to be the most commercially successful drag queen in the United States. In 2017, he was included in the annual Time 100 list of the most influential people in the world.
Context: In April 2011, coinciding with the finale of season 3 of RuPaul's Drag Race, RuPaul released his sixth studio album Glamazon, produced by Revolucian, who previously worked with RuPaul on his album Champion. The album charted on the Billboard Dance/Electronic Albums chart and the Billboard Top Heatseekers chart at number 11 and 8 respectively. In July 2011, RuPaul released another remix EP entitled SuperGlam DQ, which features remixes of tracks from Glamazon, remixes of the "Drag U Theme Song", and a new song, "Sexy Drag Queen". Starting in June 2011, the second season of RuPaul's Drag U aired. In late 2011, promotions for season 4 of Drag Race began. RuPaul made appearances on The Rosie Show and The Chew, and also attended a Drag Race NY Premiere party at Patricia Field's store in New York. Season 4 of RuPaul's Drag Race premiered on Logo on January 30, 2012, with RuPaul returning as the main host and judge. After season 4 ended, TV.com declared that it was the best reality TV show on television. In the fall of 2012, the spin-off RuPaul's Drag Race: All Stars premiered after a large fan demand. The show featured past contestants of the previous four seasons to compete. Season 5 of RuPaul's Drag Race premiered on January 28, 2013, with a 90-minute special and RuPaul returning as the main host and judge. On April 30, 2013, RuPaul released a single "Lick It Lollipop" featuring Lady Bunny, who RuPaul previously collaborated with on Champion. On October 25, 2013 RuPaul reported via Twitter that the new album would be released in January 2014. In fall of 2013, RuPaul joined forces with cosmetic manufacturers Colorevolution to launch his debut make-up line featuring ultra-rich pigment cosmetics and a beauty collection. Released alongside the line was a unisex perfume entitled "Glamazon". Talking to World of Wonder, RuPaul said: "Glamazon is for women and men of all ages and preferences who share one thing in common: They are not afraid to be fierce. For me, glamour should be accessible to all, and I am committed to helping the world look and smell more beautiful." The line was exclusively sold on the Colorevolution website in various gift sets. CANNOTANSWER
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The Black Eyed Peas (originally simply Black Eyed Peas) are an American musical group, consisting of rappers will.i.am, apl.de.ap, and Taboo, and formerly Fergie. Originally an alternative hip hop group, they subsequently changed their musical sound to pop and dance-pop music. Although the group was founded in Los Angeles in 1995, it was not until the release of their third album, Elephunk, in 2003, that they achieved high record sales. Since that time, the group has sold an estimated 76 million records (35 million albums and 41 million singles), making them one of the world's best-selling groups of all time.

During an interview with NRJ, will.i.am in talking about his solo album also confirmed that the Black Eyed Peas would start recording sessions for their seventh studio album in 2015. In an interview on Capital Breakfast, will.i.am said that the Peas will reform in 2015 for their 20th anniversary. The Peas premiered a new song titled "Awesome" that was included in commercials for the 2015 NBA playoffs. The song did not include Fergie, with people questioning if she would be a part of the upcoming album. On the 20th anniversary of their debut, the Peas premiered a new song titled "Yesterday" through Apple Music, though the song also does not feature Fergie. On August 31, 2016, the Black Eyed Peas released a new version of their song "Where Is the Love?". The song is titled #WHERESTHELOVE and is credited to "The Black Eyed Peas featuring The World". The song as well as the accompanying video feature many other popular artists and all four members of the group, will.i.am, Fergie, apl.de.ap & Taboo. On June 3, 2017, they performed at the opening ceremony of the 2017 UEFA Champions League Final in Millennium Stadium, Cardiff. The performance, which included a pyrotechnic display, ran over time and forced the kick-off to be delayed by several minutes. On June 2, 2017, a Billboard article rumored that Fergie was departing from the band. will.i.am dismissed this, but they did announce that she was taking a break from the group to work on her sophomore solo album Double Dutchess while the remaining members were working on the graphic novel Masters of the Sun. On January 9, 2018, Black Eyed Peas released their first single in seven years, without Fergie, titled "Street Livin'". On February 18, 2018, will.i.am confirmed Fergie's departure from the band, in an interview with the Daily Star. CANNOTANSWER

Answer the following question by taking a quote from the article: Did they record a new album in 2015?


Background: Yanni was born November 14, 1954 in Kalamata, Greece, the son of Sotiri Chryssomallis, a banker, and Triandafili Chryssomallis (Felitsa Chryssomallis), a homemaker (Felitsa is short for Triandafili, which means "rose"). He displayed musical talent at a young age, playing the piano at the age of 6. His parents encouraged him to learn at his own pace and in his own way, without formal music training. The self-taught musician continues to use the "musical shorthand" that he developed as a child, rather than employing traditional musical notation.
Context: In 2000, after the two-year hiatus, Yanni released If I Could Tell You, his first studio album in seven years. The album sold 55,000 copies in its first week and landed at No. 20 on the Billboard charts, his highest debut to date. Yanni described the album as more of an even-tempered "listening" album, less dramatic than the live concert albums Live at the Acropolis or Tribute. He explained that he himself created all of the album's sounds, including apparent vocalizations, through the manipulation of sound in his studio. The music in Yanni's 2003 album Ethnicity represented many of the world's cultures, Yanni saying it uses ethnicity to reflect the color and beauty of a multicultural society. The album was released near the publication date of Yanni's autobiography, Yanni in Words. On October 23, 2003, Yanni performed a keyboard instrumental version of The Star-Spangled Banner before Game 5 of the 2003 World Series. For the first time in his career, Yanni brought vocalists to the forefront in the Ric Wake collaboration Yanni Voices, the artist's first studio album in six years. PBS broadcast video of a November 2008 Voices Acapulco concert weeks before the album's March 24, 2009 release by Walt Disney Records' Disney Pearl Imprint, the album release preceding a tour produced by Pearl's Buena Vista Concerts division. The album Mexicanisimo, released in November of Mexico's bicentennial year 2010, was a tribute to that country through Yanni's collaborative interpretation of its folk music. It involved collaboration with singer-songwriter Pepe Aguilar and singer-actress Lucero. CANNOTANSWER
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Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937-1988). Sam & Dave are members of the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and are Grammy Award and multiple gold record award-winning artists.

Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians. It took eight months to issue "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. It was not a very good record, by Sam's own admission, and it represented the first time in four years that a Sam & Dave single failed to chart. Two more singles followed in 1970, "Baby, Baby, Don't Stop Now," and "One Part Love, Two Parts Pain." The first was a leftover Hayes-Porter recording from Stax; the second was produced by Wexler and Dowd in New York, and was written by Stax executive Al Bell and Allen Jones. Both failed to chart. According to Wexler, "We just made some shit-ass records with them. I never really got into their sensibilities as a producer." Wexler then sent the duo south to Muscle Shoals and Miami to work with producers Brad Shapiro and Dave Crawford for their next single "Knock It Out The Park," which also failed to chart. Sam & Dave split in June 1970, according to Moore as a result of Moore's dissatisfaction with the duo and his desire to pursue a career solo. According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own." Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, which was shelved after Curtis was stabbed to death in 1971. Prater recorded a single for Alston. Neither was commercially successful as a solo act, and they reunited in August 1971. In October 1971, their last Atlantic single, "Don't Pull Your Love," was a cover of a hit by Hamilton, Joe Frank & Reynolds. This Shapiro/Crawford production was a minor hit (R&B #36/Pop #102), but not a substantial enough commercial success to keep the duo signed to the label. Sam & Dave recorded four final songs for Atlantic in August, 1972, none of which was released by the label. Their contract with Atlantic expired shortly thereafter. CANNOTANSWER

What else did Sam do ?


The culture of Turkey combines a heavily diverse and heterogeneous set of elements that have been derived from the various cultures of the Eastern Mediterranean (West Asian) and Central Asian region and to a lesser degree, Eastern European, and Caucasian traditions. Many of these traditions were initially brought together by the Ottoman Empire, a multi-ethnic and multi-religious state. During the early years of the republic, the government invested a large amount of resources into fine arts such as paintings, sculpture and architecture. This was done as both a process of modernization and of creating a cultural identity.

The style of the current novelists can be traced back to the "Young Pens" (Genc Kalemler) journal in the Ottoman period. Young Pens was published in Selanik under Omer Seyfettin, Ziya Gokalp and Ali Canip Yontem. They covered the social and political concepts of their time with the nationalistic perspective. They were the core of a movement which became known as the "national literature." With the declaration of the Turkish Republic in 1923, Turkish literature became interested in folkloric styles. This was also the first time since the 19th century that Turkish literature was escaping from Western influence and began to mix Western forms with other forms. During the 1930s, Yakup Kadri Karaosmanoglu and Vedat Nedim Tor published Kadro, which was revolutionary in its view of life. Stylistically, the early prose of the Republic of Turkey was essentially a continuation of the National Literature movement, with Realism and Naturalism predominating. This trend culminated in the 1932 novel Yaban (The Wilds) by Yakup Kadri Karaosmanoglu. This novel can be seen as the precursor to two trends that would soon develop: social realism, and the "village novel" (koy romani). The social realist movement was led by the short-story writer Sait Faik Abasiyanik. The major writers of the "village novel" tradition were Kemal Tahir, Orhan Kemal, and Yasar Kemal. In a very different tradition, but evincing a similar strong political viewpoint, was the satirical short-story writer Aziz Nesin. Other important novelists of this period were Ahmet Hamdi Tanpinar and Oguz Atay. Orhan Pamuk, winner of the 2006 Nobel Prize in Literature, is among the innovative novelists, whose works show the influence of postmodernism and magic realism. Important poets of the Republic of Turkey period include Ahmet Hasim, Yahya Kemal Beyatli and Nazim Hikmet (who introduced the free verse style). Orhan Veli Kanik, Melih Cevdet Anday and Oktay Rifat led the Garip movement; while Turgut Uyar, Edip Cansever and Cemal Sureya led the Ikinci Yeni movement. Outside of the Garip and Ikinci Yeni movements, a number of other significant poets such as Fazil Husnu Daglarca, Behcet Necatigil and Can Yucel also flourished. Orhan Pamuk is a leading Turkish novelist of post-modern literature. His works have been translated into more than twenty languages. He is the recipient of major Turkish and international literary awards, such as the 2006 Nobel Prize in Literature. CANNOTANSWER

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During the first year following the election defeat, Romney generally kept a low profile, with his ordinary daily activities around San Diego being captured via social media glimpses. In December 2012, he joined the board of Marriott International for a third stint as a director. In March 2013, Romney gave a reflective interview on Fox News Sunday, stating, "It kills me not to be there, not to be in the White House doing what needs to be done." He again expressed regret at the "47 percent" remark, saying "There's no question that hurt and did real damage to my campaign." (He was still echoing both of these sentiments a year later.) Romney began working as executive partner group chairman for Solamere Capital, a private capital firm in Boston owned by his son Tagg. He was also involved in supporting several charitable causes. The Romneys bought a home again in the Deer Valley area of Park City, Utah, followed by a property in Holladay, Utah, where they plan to tear down an existing house and build a new one. They also gained long-sought permission to replace their La Jolla home with a much bigger one, including a car elevator that had brought some derision during the 2012 campaign. In addition, Romney and his siblings continue to own a cottage in the gated community called Beach O' Pines located south of Grand Bend, Ontario, which has been in the family for more than sixty years. With the new acquisitions the couple briefly had five homes, located near each of their five sons and respective families, and the couple continued to spend considerable time with their grandchildren, who by 2013 numbered 22. They then sold the condominium in Belmont and decided to make their main residence in Utah, including switching voter registration. The 2014 documentary film Mitt showed a behind-the-scenes, family-based perspective on both of Romney's presidential campaigns and received positive notices for humanizing the candidate and illustrating the toll that campaigning takes. Romney himself thought he might be branded a "loser for life" and fade into an obscurity like Michael Dukakis (a similar figure with no obvious base of political support who had lost what his party considered a winnable presidential election) but, to the surprise of many political observers, that did not happen. Romney re-emerged onto the political scene in the run-up to the 2014 U.S. midterm elections, endorsing, campaigning, and fundraising for a number of Republican candidates, especially those running for the U.S. Senate. CANNOTANSWER

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Jennifer Lynn Lopez was born on July 24, 1969, in the Castle Hill neighborhood of The Bronx, New York, to Puerto Rican parents Guadalupe Rodriguez and David Lopez. She has an older sister, Leslie, and a younger sister, Lynda, a journalist. David worked the night shift at the Guardian Insurance Company before becoming a computer technician at the firm, while Guadalupe was a homemaker. When Lopez was born, the family was living in a small apartment.

Considered one of dance's "greatest success stories", Lopez felt an emotional connection to dance since her youth, when she specialized in ballet, jazz and flamenco. Her career commenced on the variety television sketch comedy series In Living Color, where she was a part of an ethnically diverse dance group known as The Fly Girls. Janet Jackson, whom she briefly served as a backup dancer for, has been credited by Lopez as an inspiration for her own dance and videos. Since beginning her own recording career, Lopez has become known for her body-emphasizing music videos, which often include dance routines. Some of them have been the subject of controversy, including "Jenny from the Block", "Dance Again" and "Booty". Her provocatively choreographed music video for "If You Had My Love" allowed Lopez to become a dominant figure on MTV networks worldwide, while the accompanying video for "Waiting for Tonight" established her as a "dance princess" according to MTV. On stage, Lopez is recognized for her showmanship and sex appeal, and often includes costumes such as bodysuits as part of her performance. Author Priscilla Pena Ovalle stated in Dance and the Hollywood Latina: Race, Sex and Stardom (2011) that Lopez was one of the Latin stars who "used dance to gain agency as working performers with mainstream careers, yet many of their roles paradoxically racialized and sexualized their bodies". Troy Patterson of Entertainment Weekly also observed that she used her body for emphasis on stage, "She turned herself out as the fly girl hyperversion of postfeminist power, flaunting her control by toying with the threat of excess. In consequence, her star went supernova." Her signature movements include "clock-wise pivoting with salsa hip circles and sequential torso undulations". While being noted to lip sync in the early stages of career, Lopez's Dance Again World Tour was praised for showcasing live vocals and choreography synchronously. In a review of her Las Vegas residency All I Have, Los Angeles Times writer Nolan Feeney called her "Queen of the Strip" and remarked that her dancing is "undoubtedly the centerpiece of the show". Lopez's provocative stage performances have also drawn scrutiny at times. In May 2013, her performance on the finale of the television series Britain's Got Talent was deemed inappropriate for family-friendly television, and drew viewer complaints to Ofcom. Following her controversial performance at the musical festival Mawazine in 2015, Moroccan Prime Minister Abdelilah Benkirane called it "indecent" and "disgraceful", while an education group claimed that she "disturbed public order and tarnished women's honor and respect". CANNOTANSWER

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Background: "Purple Haze" is a song written by Jimi Hendrix and released as the second record single by the Jimi Hendrix Experience on March 17, 1967. As a record chart hit in several countries and the opening number on the Experience's debut American album, it was many people's first exposure to Hendrix's psychedelic rock sound. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. "
Context: On March 17, 1967, "Purple Haze" was released in the UK as the first single on Track Records. Another Hendrix composition, the R&B-influenced "51st Anniversary" was included as the B-side. Paul McCartney, who was an early Hendrix supporter, gave the record an enthusiastic pre-release review in Melody Maker. The single entered the charts at number 39 on Record Mirror and at number 43 on Melody Maker. It peaked at number three and spent 14 weeks on the chart. During March 1967, several performances of "Purple Haze" were filmed to promote the song and used for television programs, such as Beat-Club, Dee Time, and Top of the Pops. Live performances were also broadcast on German NDR and BBC Radio's Saturday Club. For the American single, Reprise Records paired the song with "The Wind Cries Mary". It was released on June 19, 1967, the day following the Experience's performance at the Monterey Pop Festival. The single entered the Billboard Hot 100 pop chart on August 26, where it spent eight weeks and reached number 65. "Purple Haze" was included as the opening track on the American release of Are You Experienced on August 23, 1967. Because of the song's airplay on underground FM radio, the album became more popular than Hendrix's singles. One of Hendrix's most popular songs, "Purple Haze" appears on numerous compilation albums. Some of these include Smash Hits, The Essential Jimi Hendrix, The Singles Album, Kiss the Sky, Cornerstones: 1967-1970, The Ultimate Experience, Experience Hendrix: The Best of Jimi Hendrix, Voodoo Child: The Jimi Hendrix Collection, and The Singles Collection. An alternative version recorded at the same time, but with different vocal and guitar overdubs, is the first song on The Jimi Hendrix Experience 2000 box set. Live recordings of "Purple Haze" as performed by each of the different Hendrix lineups have been released. These include Live at Monterey (the Experience), Live at Woodstock (Gypsy Sun and Rainbows), Live at the Fillmore East (Band of Gypsys), and Live at Berkeley (the Cry of Love touring group). Additional live recordings with the Experience appear on Winterland (2011 Billboard number 49 album) and Miami Pop Festival (2013 Billboard number 39 album). CANNOTANSWER
Question: Was the song released with his album?. Whats the answer?


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Josh Groban was born in Los Angeles, California, to Lindy (nee Johnston), a school teacher, and Jack Groban, a businessman. Josh's younger brother, Chris, was born on Josh's fourth birthday. Josh's father is a descendant of Jewish immigrants from Poland and Ukraine, and converted from Judaism to Christianity upon marrying Josh's mother. Josh's mother's ancestry includes English, German, and Norwegian.

In June 2007, Groban recorded a Christmas album in London with the London Symphony Orchestra and the Magdalen College Choir, which he discussed on the DVD from "The Making of Noel". It was released on October 9, 2007, and is titled Noel. The album has been highly successful in the U.S., breaking numerous records for a Christmas album, as well as becoming the best selling album of 2007 in only its tenth week of release, at sales of 3.6 million. On July 1, 2007, Groban performed with Sarah Brightman at the Concert for Diana at Wembley Stadium; it was broadcast to over 500 million homes in 140 countries. On February 10, 2008, Groban performed at the 2008 Grammy Awards with Andrea Bocelli in a tribute to Luciano Pavarotti. On April 14, 2008, Groban joined Idina Menzel for a PBS Soundstage taping. The next day, he held his own taping for the same PBS TV series at Lincoln Center's Rose Hall at Jazz in Manhattan. On May 12 and 13, 2008 At Royal Albert Hall, London, Groban performed as "The Russian" Anatoly Sergievsky; joining with Broadway stars Idina Menzel and Adam Pascal in "Chess in Concert" a live concert version of the musical Chess composed by Benny Andersson and Bjorn Ulvaeus of ABBA fame. This performance has since been made into a DVD and CD recording. On September 21, 2008, Groban performed a comical medley of well-known TV theme songs at the 60th Annual Primetime Emmy Awards. In December 2008, Groban appeared on Never Mind the Buzzcocks. He performed a duet with Only Men Aloud! at the Royal Variety Show at the London Palladium for the Prince of Wales and Duchess of Cornwall. On January 18, 2009, Groban performed as part of the Presidential Inauguration ceremonies, performing "My Country 'Tis of Thee" in duet with Heather Headley. On January, 19. 2009, Groban performed with Herbie Hancock as part of Feeding America's Rally Against Hunger in Washington DC. The event was also attended by Martin Luther King III and actor Ben Affleck. At the 2010 BCS National Championship Game, he performed the Star Spangled Banner on Jan. 7, 2010, with Red Hot Chili Peppers bassist Flea, at the historic Rose Bowl in Pasadena, California. CANNOTANSWER


Background: Phair was born in New Haven, Connecticut on April 17, 1967, but raised in Cincinnati, and later Winnetka, Illinois, by upper middle-class adoptive parents, Nancy, a historian, and John Phair. Her father was an AIDS researcher and head of infectious diseases at Northwestern Memorial Hospital; her mother, a docent who worked at the Art Institute of Chicago. She graduated from New Trier High School in 1985. During high school, Phair was involved in student government, yearbook, and the cross country team, and took AP Studio Art her senior year, among many other advanced-level classes.
Context: In 2003, her self-titled fourth album was released on her new label, Capitol Records. Phair had not released an album in several years; she had been working on her record, as well as making guest appearances on other tracks (she lent backing vocals to the Sheryl Crow hit "Soak Up the Sun"). Initially, Phair worked on several album tracks with songwriter Michael Penn as the producer. When she submitted the finished Penn-produced album to Capitol, the label gave it a lukewarm reception and was unwilling to release it as submitted. Having already exhausted her recording budget, label president Andy Slater offered Phair more money to record only if Phair agreed to work with the production team known as The Matrix (best known as songwriters for Britney Spears and Avril Lavigne) to come up with some singles for the album. Phair's collaboration with the Matrix resulted in only four songs, but much of the media attention focused solely on the Matrix-produced tracks, which were a departure from her earlier work. The album received many negative reviews, especially from the independent music press, who accused Phair of "selling out" by making the record very pop-oriented. Liz Phair provoked a strong backlash from critics and disappointed fans of her earlier work. Many decried her for "selling out", and she became a "pinata for critics." The New York Times' Meghan O'Rourke's review, titled "Liz Phair's Exile in Avril-ville", said that Phair "gushes like a teenager" and had "committed an embarrassing form of career suicide." Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released on October 4, 2005. The album returned to a more traditional rock sound, mixing the mood of Phair's earlier work with a more mellow sound. The album received mixed reviews and was not a chart success. CANNOTANSWER
Question: what other album did she released. Whats the answer?


Background: Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.
Context: MacGruber was shot on a tight schedule of 28 days in Albuquerque, New Mexico, during the summer of 2009. It was written while simultaneously producing the weekly episode of SNL, and the show's production process left the trio deprived of sleep. Forte was positive regarding the film, saying, "What you see with this movie is exactly what we wanted to do. It's the three of us having a bunch of fun writing it, then having fun making it with a bunch of our friends--old friends and new friends. I think that fun comes across when you watch it. It's rare that you get that kind of creative freedom." The film was released in May 2010 and received mixed reviews. It fared worse at the box office, where it failed to recoup its budget and was pulled from theaters after its third week. Forte found the failure tolerable, commenting, "When you make something that you're really proud of and it doesn't do well, you can live with it." The film has since seen more positive reception and has been dubbed a cult classic. Forte left Saturday Night Live, shortly before the beginning of the show's thirty-sixth season in 2010. He felt it the "right time to go," considering his eight-year tenure there, his expansion into film with MacGruber, and his age. In addition, his sister had just had kids and he wanted to move to the West Coast to be closer to them. He soon regretted the decision, calling the following year an "emotionally trying period," as he felt "devastated" that he would no longer be on the program. He assumed his shot at a film career was ruined, and he imagined that if acting did not work out, he would return to writing primarily. Following this, he entered what he has called a "lost period" and had small supporting roles, such as Rock of Ages, That's My Boy and The Watch, all of which were not successful. The only commercial successful film he worked on was Grown Ups 2, where he made a cameo as a male cheerleader. He also took a role as Paul L'Astname, the cross-dressing boyfriend of Jenna Maroney on the critically acclaimed sitcom 30 Rock. Forte took his first dramatic role for the 2013 film Run & Jump. Director Steph Green offered him the part, and Forte imagined it a "fun thing to try," though he noted that she had more confidence in him than he had himself. Later, he sent an audition tape to director Alexander Payne for a role in his next film, Nebraska. He equated his casting in the film to his fear of joining SNL a decade prior, noting that he was "terrified" to begin working on it. He felt hard initially, but followed co-star Bruce Dern's acting advice to "look for the truth" in each scene--in other words, "In every scene, you're just trying to play it as honestly and as real as you can." CANNOTANSWER
Question: Did he win any award or recognition?. Whats the answer?


Born as Lance Taylor (falsey assumed as Kevin Donovan) to Jamaican and Barbadian immigrants, Bambaataa grew up in The Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement, and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement. He was exposed to his mother's extensive and eclectic record collection. Gangs in the area became the law, clearing their turf of drug dealers, assisting with community health programs and both fighting and partying to keep members and turf.

Inspired by DJ Kool Herc and Kool DJ Dee, Bambaataa began hosting hip-hop parties beginning in 1976. He vowed to use hip-hop to draw angry kids out of gangs and form the Universal Zulu Nation. Robert Keith Wiggins, a.k.a. "Cowboy" of Grandmaster Flash and the Furious Five, is credited with naming hip-hop; the term became a common phrase used by MCs as part of a scat-inspired style of rhyming. In the documentary film Just to Get a Rep, the writer Steven Hager claims that the first time "hip-hop" was used in print was in his Village Voice article where he was quoting Bambaataa who had called the culture "hip-hop" in an interview. In 1982, Bambaataa and his followers, a group of dancers, artists, and DJs, went outside the United States on the first hip hop tour. He saw that the hip hop tours would be the key to help expand hip hop and his Universal Zulu Nation. In addition it would help promote the values of hip hop that he believed are based on peace, unity, love, and having fun. He brought peace to the gangs; many artists and gang members say that "hip hop saved a lot of lives." His influence inspired many overseas artists like the French rapper MC Solaar. He was a popular DJ in The South Bronx rap scene and became known not only as Afrika Bambaataa but also as the "Master of Records." He established two rap crews: the Jazzy 5 including MCs Master Ice, Mr. Freeze, Master Bee, Master D.E.E, and AJ Les, and the second crew referred to as Soulsonic Force including Mr. Biggs, Pow Wow and Emcee G.L.O.B.E. In 1982, Taylor, who was inspired by Kraftwerk's futuristic electronic music, debuted at The Roxy a test cassette of EBN-OZN's ground breaking, 12-inch white rap/spoken word "AEIOU Sometimes Y," the first commercially released American single ever made on a computer, a Fairlight CMI, ushering in the era of music computer sampling. In that same year Bambaataa and Soulsonic Force dropped the live band to go high-tech. Bambaataa credited the pioneering Japanese electropop group Yellow Magic Orchestra, whose work he sampled, as an inspiration. He also borrowed an eerie keyboard hook from German electronic pioneers Kraftwerk and was provided the electronic Roland TR-808 "beat-box" by producer Arthur Baker and synthesizer player John Robie. That resulted in "Planet Rock," which went to gold status and generated an entire school of "electro-boogie" rap and dance music. Bambaataa formed his own label to release the Time Zone Compilation. He created "turntablism" as its own subgenre and the ratification of "electronica" as an industry-certified trend in the late 1990s. CANNOTANSWERAnswer this question using a quote from the following article:

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Burnham was born on May 11, 1861 on a Dakota Sioux Indian reservation in Minnesota, to a missionary family living near the small pioneer town of Tivoli (now gone), about 20 miles (32 km) from Mankato. His father, the Reverend Edwin Otway Burnham, was a Presbyterian minister educated and ordained in New York; he was born in Ghent, Kentucky. His mother Rebecca Russell Burnham had spent most of her childhood in Iowa, having emigrated with her family from Westminster, England at the age of three. In the Dakota War of 1862, Chief Little Crow and his Sioux warriors attacked the nearby town New Ulm, Minnesota; Burnham's father was in Mankato buying ammunition at the time, so when Burnham's mother saw Sioux approaching her cabin dressed in war paint, she knew she had to leave and could never escape carrying her baby.

During this period, Burnham was one of the 18 officers selected by former U.S. president Theodore Roosevelt to raise a volunteer infantry division for service in France in 1917 shortly after the United States entered the war. A plan to raise volunteer soldiers from the Western U.S. came out of a meeting of the New York-based Rocky Mountain Club and Burnham was put in charge of both the general organization and recruitment. Congress gave Roosevelt the authority to raise up to four divisions similar to the Rough Riders of 1st United States Volunteer Cavalry Regiment and to the British Army 25th (Frontiersmen) Battalion, Royal Fusiliers; however, as Commander-in-chief, President Woodrow Wilson refused to make use of Roosevelt's volunteers. Roosevelt had been an outspoken critic of Wilson's neutrality policies, so even though Roosevelt had made several attempts to come to an agreement with Wilson, the President was unwilling to accept any compromise. In an astute political maneuver, Wilson announced to the press that he would not send Roosevelt and his volunteers to France, but instead would send an American Expeditionary Force under the command of General John Pershing. Roosevelt was left with no option except to disband the volunteers. He never forgave Wilson, and quickly published The Foes Of Our Own Household, a harsh indictment of the sitting president. These relentless attacks helped the Republicans win control of Congress in 1918. Roosevelt might have been a serious candidate for president in 1920 had he not died in 1919. During World War I, Burnham was living in California and was active in counterespionage for Britain. Much of it involved a famous Boer spy, Captain Fritz Joubert Duquesne, who became a German spy in both World Wars and claimed to have killed Field Marshal Kitchener while en route to meet with the Russians. During the Second Boer War, Burnham and Duquesne were each under orders to assassinate the other, but it was not until 1910 that the two men first met while both were in Washington, D.C., separately lobbying Congress to pass a bill in favor of the importation of African game animals into the United States (H.R. 23621). Duquesne was twice arrested by the FBI and in 1942 he and 32 other Nazi agents (the Duquesne Spy Ring) were jailed for espionage in the largest spy ring conviction in U.S. history. CANNOTANSWER


Background: Koufax was born in Brooklyn, New York, to a Jewish family, and raised in Borough Park. His parents, Evelyn (nee Lichtenstein) and Jack Braun, divorced when he was three years old. His mother was remarried when he was nine, to Irving Koufax. Shortly after his mother's remarriage, the family moved to the Long Island suburb of Rockville Centre.
Context: In 1962, the Dodgers moved from the Los Angeles Coliseum, which had a 250-foot left field line, to pitcher-friendly Dodger Stadium. The new park had a large foul territory and a comparatively poor hitting background. Koufax was an immediate beneficiary of the change, lowering his home ERA from 4.29 to 1.75. On June 30 against the expansion New York Mets, Koufax threw his first no-hitter. In the first inning of that game, Koufax struck out three batters on nine pitches to become the sixth National League pitcher and the 11th pitcher in Major League history to accomplish a nine-pitch/three-strikeout half-inning. With the no-hitter, a 4-2 record, 73 strikeouts, and a 1.23 ERA for June, he was named Major League Baseball Player of the Month Award. It would be the only time in his career he earned this distinction. Koufax had his strong season despite an injured pitching hand. While batting in April, Koufax had been jammed by a pitch from Earl Francis. A numbness developed in Koufax's index finger on his left hand, and the finger became cold and white. Koufax was pitching better than ever, however, so he ignored the problem, hoping that the condition would clear up. By July, though, his entire hand was becoming numb and he was unable to complete some games. In a start in Cincinnati, his finger split open after one inning. A vascular specialist determined that Koufax had a crushed artery in his palm. Ten days of experimental medicine successfully reopened the artery. Koufax finally was able to pitch again in September, when the team was locked in a tight pennant race with the Giants. But after the long layoff, Koufax was ineffective in three appearances as the Giants caught the Dodgers at the end of the regular season, forcing a three-game playoff. The night before the National League playoffs began, Manager Walter Alston asked Koufax if he could start the first game the next day. With an overworked pitching staff, there was no one else, as Don Drysdale and Johnny Podres had pitched the prior two days. Koufax obliged. Koufax later said, "I had nothing at all." He was knocked out in the second inning, after giving up home runs to Hall of Famer Willie Mays and Jim Davenport. After winning the second game of the series, the Dodgers blew a 4-2 lead in the ninth inning of the deciding third game, losing the pennant. CANNOTANSWER
Question: Why did his finger become numb?. Whats the answer?