Background: Alexander Bell was born in Edinburgh, Scotland, on March 3, 1847. The family home was at 16 South Charlotte Street, and has a stone inscription marking it as Alexander Graham Bell's birthplace. He had two brothers: Melville James Bell (1845-70) and Edward Charles Bell (1848-67), both of whom would die of tuberculosis. His father was Professor Alexander Melville Bell, a phonetician, and his mother was Eliza Grace (nee Symonds).
Context: Bell's father was invited by Sarah Fuller, principal of the Boston School for Deaf Mutes (which continues today as the public Horace Mann School for the Deaf), in Boston, Massachusetts, United States, to introduce the Visible Speech System by providing training for Fuller's instructors, but he declined the post in favour of his son. Travelling to Boston in April 1871, Bell proved successful in training the school's instructors. He was subsequently asked to repeat the programme at the American Asylum for Deaf-mutes in Hartford, Connecticut, and the Clarke School for the Deaf in Northampton, Massachusetts. Returning home to Brantford after six months abroad, Bell continued his experiments with his "harmonic telegraph". The basic concept behind his device was that messages could be sent through a single wire if each message was transmitted at a different pitch, but work on both the transmitter and receiver was needed. Unsure of his future, he first contemplated returning to London to complete his studies, but decided to return to Boston as a teacher. His father helped him set up his private practice by contacting Gardiner Greene Hubbard, the president of the Clarke School for the Deaf for a recommendation. Teaching his father's system, in October 1872, Alexander Bell opened his "School of Vocal Physiology and Mechanics of Speech" in Boston, which attracted a large number of deaf pupils, with his first class numbering 30 students. While he was working as a private tutor, one of his pupils was Helen Keller, who came to him as a young child unable to see, hear, or speak. She was later to say that Bell dedicated his life to the penetration of that "inhuman silence which separates and estranges". In 1893, Keller performed the sod-breaking ceremony for the construction of Bell's new Volta Bureau, dedicated to "the increase and diffusion of knowledge relating to the deaf". Several influential people of the time, including Bell, viewed deafness as something that should be eradicated, and also believed that with resources and effort, they could teach the deaf to speak and avoid the use of sign language, thus enabling their integration within the wider society from which many were often being excluded. Owing to his efforts to suppress the teaching of sign language, Bell is often viewed negatively by those embracing Deaf culture. CANNOTANSWER
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Background: Hard-Fi were an English rock band from Staines-upon-Thames, England, formed in 2003. The band's final lineup consisted of Richard Archer (lead vocals and guitar), Kai Stephens (bass guitar and backing vocals) and Steve Kemp (drums and backing vocals). Founding member Ross Phillips (guitar and backing vocals) left the band on 6 May 2013 but returned in 2014 to promote the release of their greatest hits album, Best of 2004 - 2014, and the one-off gig on 13 February 2014. They achieved chart success with their third single, "Hard to Beat" and then followed by other successful singles such as "Living for the Weekend" and "Cash Machine", which all reached the top 15 of the UK Singles Chart.
Context: The band were one of the acts opening for Green Day, alongside Taking Back Sunday and Jimmy Eat World on their two-day residency of the Milton Keynes Bowl in June 2005. Simple Plan were initially booked though cancelled only a few weeks before the show, and Hard-Fi were made as a last minute booking and opened on both days. Their debut album's launch party was scheduled to be 7 July 2005 at Cheekees nightclub in Staines, however this was cancelled due to the ill health of Richard's mother, and the London bombings also occurring that day. Her death resulted in the band pulling out of the Glastonbury festival. The launch party was rescheduled for 13 July 2005 and the venue changed to Ladbroke Grove, London. The Stars of CCTV album re-entered the official UK album chart at No. 4 on 1 January 2006. Two places higher than it originally went in on the week of its release, the album climbed from No. 33. Stars of CCTV finally got to No. 1 on 22 January. The band's re-release of "Cash Machine" entered the official Top 40 singles chart at No. 14 on 1 January. The album has reached sales of 1.2 million copies worldwide and sales of over 600,000 in the UK alone. Hard-Fi gained increased prominence in the UK when Stars of CCTV was nominated for the 2005 Mercury Music Prize. Stars of CCTV scored 74 out of 100 on Metacritic. In February 2006, the band were nominated for two BRIT Awards, Best British Group and Best British Rock Act, alongside international superstars such as Gorillaz, Franz Ferdinand and Oasis. Richard spoke about the nominations, "I don't think we'll win it, especially best group when you've got Coldplay, Franz Ferdinand and Gorillaz in there, they're kind of big hitters, but you never know, Burton drew with Man United". "Last week I would have probably said 'nah it's all rubbish', but now I'm nominated it's great but what is good is that there's a real wide spread of stuff there, but there's no Best Dance award and the urban category is more pop than what's quality." CANNOTANSWER
Question: What did they do in 2005?

Answer:


Timothy David Minchin (born 7 October 1975) is an Australian comedian, actor, writer, musician and director. He was born in Northampton, England, to Australian parents, but raised in Perth, Western Australia. Minchin is best known for his musical comedy, including six CDs, five DVDs, and live comedy shows that he has performed internationally. He has appeared on television in Australia, Britain, and the United States.

Minchin describes his act as a "funny cabaret show" and sees himself primarily as a musician and songwriter as opposed to a comedian; he has said that his songs "just happen to be funny." His reasoning for combining the disciplines of music and comedy was revealed in one interview when he said: "I'm a good musician for a comedian and I'm a good comedian for a musician but if I had to do any of them in isolation I dunno." He draws on his background in theatre for his distinctive onstage appearance and persona. In his performances, he typically goes barefoot with wild hair and heavy eye makeup, which is juxtaposed with a crisp suit and tails, and a grand piano. According to Minchin, he likes going barefoot in his shows because it makes him feel more comfortable. He considers the eye makeup important because while he is playing the piano he is not able to use his arms and relies on his face for expressions and gestures; the eyeliner makes his features more distinguishable for the audience. He has said that much of his look and persona is about "treading that line between mocking yourself and wanting to be an iconic figure. Mocking the ridiculousness and completely unrealistic dream of being an iconic figure." The shows consist largely of Minchin's comedic songs and poetry, with subjects including social satire, inflatable dolls, sex fetishes, and his own failed rock star ambitions. In between songs, he performs short stand-up routines. Several of his songs deal with religion, a subject with which Minchin--an atheist and a fan of Richard Dawkins--says he is "a bit obsessed". He argues that, as one of the most powerful and influential forces in the world, religion should never be off-limits to satirists. He says that his favourite song to perform is "Peace Anthem for Palestine", which reflects his feelings about religious conflict. In October 2010, he was made a Distinguished Supporter of the British Humanist Association. His comedy also deals with taboos more broadly. A prime example of this is the song "Prejudice", which parodies the power awarded to something as simple as a word. CANNOTANSWER

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Andy Irvine was born in St John's Wood, northwest London on 14 June 1942 to an Irish mother from Lisburn, County Antrim, and a Scottish father from Glasgow. His mother, Felice Lascelles, had been a musical comedy actress and Irvine would later say that "she may have given up the stage, but she never stopped acting!". As a child, Irvine was given opportunities to appear on stage, TV and in films. In the summer holidays of 1950, when he was eight years old, his first role was to play Jimmy in the film A Tale of Five Cities. At thirteen, he starred as Nokie (short for Pinocchio) in the ITV children's series Round at the Redways and joined a school for child actors. He made his stage debut in the Grand Theatre in Wolverhampton and, at fourteen, received rave reviews for his performance as Morgan in the ITV Television Playhouse drama The Magpies, adapted from a Henry James short story. The same year, he was Eric Brandt in Escape to Happiness, for the Armchair Theatre programme and also played John Logie Baird as a boy in the film A Voice in Vision. In early 1958, Irvine featured as Archie Almond in five episodes of Run to Earth. Aged fifteen, he played Lord Heybrook in French Without Tears, for the Saturday Playhouse TV series and, soon after, was one of the 'Pygmies' in Brouhaha, with Peter Sellers as the Sultan. Irvine then played Raymond opposite Laurence Harvey in Room at the Top and, although his scene was cut from the final release, he still appears briefly in the film, handing a bottle of champagne to Harvey during a wedding scene. In late 1959, he featured as Lanky Graham in Ask for King Billy and, in early 1960, he played a schoolboy in A Holiday Abroad for ITV Television Playhouse. Later that year, at eighteen, Irvine performed as Dan in three episodes of Sheep's Clothing, after which he was offered a two-year contract with the BBC's Repertory company ('The Rep'), where he befriended the poet Louis MacNeice who worked there as a writer for over twenty years. As Irvine recalled much later: However, Irvine would give up acting in his early twenties, after moving to Dublin at the end of his time with the 'Rep'. CANNOTANSWER

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Pierre Louis Joseph Boulez CBE (French: [pjeR bu.le:z]; 26 March 1925 - 5 January 2016) was a French composer, conductor, writer and founder of institutions. He was one of the dominant figures of the post-war classical music world. Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andree Vaurabourg and Rene Leibowitz. He began his professional career in the late 1940s as Music Director of the Renaud-Barrault theatre company in Paris.

Pierre Boulez was born on 26 March 1925, in Montbrison, a small town in the Loire department of east-central France, to Leon and Marcelle (nee Calabre) Boulez. He was the third of four children: an older sister, Jeanne (b. 1922) and younger brother, Roger (b. 1936) were preceded by a first child, also called Pierre (b. 1920), who died in infancy. Leon (1891-1969), an engineer and technical director of a steel factory, is described by biographers as an authoritarian figure, but with a strong sense of fairness; Marcelle (1897-1985) as an outgoing, good-humoured woman, who deferred to her husband's strict Catholic beliefs whilst not necessarily sharing them. The family prospered, moving in 1929 from the apartment above a pharmacy at 29 rue Tupinerie, where Boulez was born, to a comfortable detached house at 46 avenue d'Alsace-Lorraine, where he spent most of his childhood. From the age of seven he went to school at the Institut Victor de Laprade, a Catholic seminary where the thirteen-hour school day was filled with study and prayer. By the age of fifteen he was sceptical about religion ("what struck me most was that it was so mechanical: there was a total absence of genuine conviction behind it") and by eighteen he had repudiated Catholicism, although later in life he described himself as an agnostic. As a child he took piano lessons, played chamber music with local amateurs and sang in the school choir. After completing the first part of his baccalaureate a year early he spent the academic year of 1940-41 at the Pensionnat St. Louis, a boarding school in nearby St. Etienne. The following year he took classes in advanced mathematics at the University of Lyon with a view to gaining admission to the Ecole Polytechnique in Paris. His father hoped this would lead to a career in engineering. He was in Lyon when the Vichy government fell and the Germans took over. The city became a centre of the resistance and Boulez later recalled the terrible reprisals: "when there was a bomb in a cafe where the military had been drinking next day there was a poster saying hostages had been shot. It was not a gentle time, and nothing to eat, and terribly cold." It was in Lyon that he first heard an orchestra, saw his first operas (Boris Godunov and Die Meistersinger von Nurnberg) and met the well-known soprano Ninon Vallin, who asked him to accompany her in arias from Aida and La Damnation de Faust. Impressed by his ability, she persuaded Leon to allow his son to apply to the Conservatoire in Lyon, but the selection board rejected him. Boulez was determined to pursue a career in music. The following year, with his sister's support in the face of opposition from his father, he studied the piano and harmony privately with Lionel de Pachmann (son of the pianist Vladimir). "Our parents were strong, but finally we were stronger than they," Boulez would later say. In fact, when he moved to Paris in the autumn of 1943, hoping to enrol at the Paris Conservatoire, Leon accompanied him, helped him to find a room (at 14 rue Oudinot, near the Invalides) and subsidised him until he could earn a living. In October 1943 he auditioned unsuccessfully for the advanced piano class at the Conservatoire, but he was admitted in January 1944 to the preparatory harmony class of Georges Dandelot. His progress was so rapid that by May 1944, Dandelot's report describes him as "the best of the class". Around the same time he was introduced to Andree Vaurabourg, wife of the composer Arthur Honegger, and between April 1944 and May 1946 he studied counterpoint privately with her. He greatly enjoyed working with her and she remembered him as an exceptional student, using his exercises as models in advanced counterpoint until the end of her teaching career. On 26 August 1944, the day of de Gaulle's return to Paris, Boulez was among the crowd in the Place de la Concorde, which came under sniper fire from the few remaining Germans and collaborators. In the autumn he joined Olivier Messiaen's advanced harmony class at the Conservatoire and attended the private seminars which Messiaen gave to chosen students, where key works of the early twentieth-century, including Stravinsky's Rite of Spring, were subjected to intensive analysis. In January 1945 Boulez moved to two small attic rooms at 4 rue Beautreillis in the Marais district of Paris, where he lived for the next fourteen years. The following month he attended a private performance of Schoenberg's Wind Quintet, conducted by Rene Leibowitz, a follower of Schoenberg. The piece was a revelation to him and he organised a group of fellow students to take private lessons with Leibowitz. It was here that he first studied twelve-tone technique and discovered the music of Webern. Around this time he was one of a number of Conservatoire students (organised, it was said, by Leibowitz) who booed a performance of Stravinsky's Danses concertantes, a work whose neo-classicism represented the pre-war culture he was determined to reject. Eventually he also found Leibowitz's approach too doctrinaire and he broke angrily with him in 1946 when Leibowitz tried to criticise one of his early works. In June 1945 he was one of four Conservatoire students awarded premier prix, the only member of Messiaen's class to achieve this distinction. He was described in the examiner's report as "the most gifted--a composer". Although nominally still registered as a student of the Conservatoire for the academic year 1945-46, his only attendance was at Simone Ple-Caussade's counterpoint and fugue class, which he joined in January 1946. He was so infuriated by what he described as her "lack of imagination" that he boycotted the class and organized a petition that Messiaen be given a full professorship in composition. Over the winter of 1945-46 he immersed himself in Balinese and Japanese music and African drumming at the Musee Guimet and the Musee de l'Homme in Paris: "I almost chose the career of an ethnomusicologist because I was so fascinated by that music. It gives a different feeling of time." A planned field trip to Cambodia was prevented only by the outbreak of the First Indochina War. CANNOTANSWER


Born in Dallas, Texas, to Noel and Freida Bosh, Chris Bosh grew up in Hutchins, Texas. A family-oriented person, Bosh often played basketball in the house with his younger brother, Joel. By four years of age, he began learning how to dribble a basketball in the gym, where his dad played pick-up games.

Bosh's national team career began in 2002 when he was selected as a member of the 2002 USA Basketball Junior World Championship Qualifying Team that finished with a 4-1 record and the bronze medal. After his NBA career began, Bosh was named in March 2006 to the 2006-2008 United States men's national basketball team program, and helped lead the team to a 5-0 record during its pre-World Championship tour. In August 2006, Bosh was named as a member of the 2006 USA World Championship Team. Together with fellow 2003 draftees Dwyane Wade, LeBron James, Carmelo Anthony, and Kirk Hinrich, this team competed in the 2006 FIBA World Championship. The team won the bronze medal, defeating former 2004 Olympic champion Argentina. Bosh was ranked sixth in field goal percentage. Following the 2006-07 season, Bosh was named to the team that would compete in the 2007 FIBA Americas Championship. However, he sustained a foot injury and withdrew from the squad. On June 23, 2008, he was named to the team that would compete in the 2008 Olympic Games in Beijing. During the tournament itself, Bosh operated as the main backup to center Dwight Howard as Team USA went unbeaten in all eight games en route to the gold medal, defeating Spain in the final. He averaged 9.1 points per game, and led the team in rebounds with 6.1 a game. In June 2012, Bosh withdrew his name from consideration for the 2012 Olympics in London to recover from a lower abdominal strain that kept him out of some playoff games. CANNOTANSWER

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In 1993 Warp released their debut album, Incunabula, which became a surprise success, reaching the top of the UK Indie Chart. The album had a cool, calculated feel, with clear techno and electro roots, but also showed hints of the rhythmic flourishes and tuned percussion that would later become an important feature of their work. An EP of remixes of Incunabula's "Basscadet" was released in 1994, with animated computer graphics for the Bcdtmx version created by Jess Scott-Hunter. This music video featured on MTV Europe's Party Zone when Autechre were interviewed during the show in September that year. 1994 also saw the release of Amber, an album featuring a more ambient, less percussive approach than their debut. The Anti EP was released shortly before Amber and is, as of yet, the only Autechre release to have an explicit purpose: it was a protest against the Criminal Justice and Public Order Act 1994, which would prohibit raves, defined as any gathering of nine or more people where rave music is played. Rave music was defined as music which "includes sounds wholly or predominantly characterized by the emission of a succession of repetitive beats". The record came wrapped in a seal, on which was printed a legal warning: "Flutter has been programmed in such a way that no bars contain identical beats and can therefore be played at both forty five and thirty three revolutions under the proposed new law. However we advise DJs to have a lawyer and musicologist present at all times to confirm the non repetitive nature of the music in the event of police harassment." In a 2008 interview with Pitchfork Media, Rob Brown mentioned that Incunabula and Amber retrospectively sounded "cheesy". Brown later clarified that "they were perhaps more simple, but not in a shit way." CANNOTANSWER

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Catherine Zeta-Jones, CBE (; born 25 September 1969) is a Welsh actress. Born and raised in Swansea, Zeta-Jones aspired to be an actress from a young age. As a child, she played roles in the West End productions of the musicals Annie and Bugsy Malone. She studied musical theatre at the Arts Educational Schools, London, and made her stage breakthrough with a leading role in a 1987 production of 42nd Street.

Zeta-Jones was born in Swansea, Wales, on 25 September 1969 to David Jones, the owner of a sweet factory, and his wife Patricia (nee Fair), a seamstress. Her father is Welsh and her mother is of Irish Catholic descent. She was named after her grandmothers, Zeta Jones and Catherine Fair. She has an older brother, David, and a younger brother, Lyndon, who worked as a sales representative before venturing into film production. Zeta-Jones was raised in the suburban area of Mumbles. Because Zeta-Jones was a hyperactive child, her mother sent her to the Hazel Johnson School of Dance when she was four years old. She was educated at the Dumbarton House School, a private school in Swansea. The family came from a modest background, but their fortunes improved when they won PS100,000 in a bingo competition, allowing them to pay for Zeta-Jones' dance and ballet lessons. Zeta-Jones participated in school stage shows from a young age and gained local media attention when her rendition of a Shirley Bassey song won a Junior Star Trail talent competition. As part of a dance troupe, she routinely took trips to London, where she auditioned for roles in the theatre. At the age of nine, she was selected to play one of the orphan girls in a West End production of the musical Annie, and in her early teens, she became a national tap-dancing champion. In 1981 she played the lead role of Annie in a Swansea production of the musical, which was staged at the Swansea Grand Theatre. Two years later, she played the lead role of Tallulah in a West End production of Bugsy Malone. When she was 15, Zeta-Jones dropped out of school without obtaining O-levels and decided to live in London to pursue a full-time acting career; she was also engaged to perform in a touring production of The Pajama Game. Describing her teenage years in London, Zeta-Jones said, "I would queue up for auditions and then change my costume or put on a different leotard and audition again. It might take me two tries, but I always got the job. I figured out what they wanted". She went on to attend the independent Arts Educational Schools in Chiswick, London, for a three-year course in musical theatre. In 1987, when she was 17 years old, Zeta-Jones was picked as the second understudy to the lead actress in a West End production of 42nd Street. During one of the performances, both the star and the first understudy were unavailable, and Zeta-Jones was asked to play the role of Peggy Sawyer--a chorus girl who becomes a star. The producer was impressed by her acting ability and allowed her to play the role for the next two years. Her next stage appearance was with the English National Opera at the London Coliseum in 1989 where she played Mae Jones in Kurt Weill's Street Scene. CANNOTANSWER

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Lindsay McAllister M "The Doctor" McDougall (born 3 March 1978) is an Australian rock guitarist and radio presenter. Since 1996, he has been the lead guitarist in punk rock band, Frenzal Rhomb alongside lead singer Jay Whalley. He has co-written songs with fellow band members including their highest charting single, "You Are Not My Friend".

In August 1996 Lindsay McDougall joined Australian punk rock band Frenzal Rhomb after original guitarist Ben Costello left to attend university and become an animal rights activist. Frenzal Rhomb had formed in Sydney in 1992 with mainstay Jason Whalley on lead vocals. In November 1996 the group issued a CD EP, Punch in the Face and, in January 1997, performed at Big Day Out. Late that year they toured the United States supporting less than jake with Blink-182 opening. In September 1997, the band released their third album, Meet the Family. It was their first to be certified gold by Australian Recording Industry Association (ARIA). The next Frenzal Rhomb LP, A Man's Not a Camel was released in March 1999 and was supported by a nationwide tour. It remains their highest placed album to date, reaching No. 11 on the ARIA Albums Chart. It spawned their highest charting single, "You Are Not My Friend", which reached No. 48. The song was co-written by McDougall with fellow band members Whalley, Lex Feltham and Gordy Forman. In April 2003 the band released Sans Souci, followed by Forever Malcolm Young in 2006. During 2003 McDougall organised Rock Against Howard, a compilation album, by various Australian musicians as a protest against incumbent Prime Minister, John Howard's government. It was released in August 2004, before the October federal election, when Howard's coalition was re-elected. Also that year, McDougall and Whalley formed a side-project, Self Righteous Brothers, as an alternative rock group and issued the album, Love Songs for the Wrong at Heart on Shock Records. A track, "There's No Town Like Snowtown" referenced the Snowtown murders and was labelled "insensitive" by the Adelaide Tourism Commission after being played on radio. For the album, McDougall provided lead vocals, acoustic and electric guitars, banjo, piano, violin, viola, cello, pan flute, glockenspiel, zither, timbales, and cymbals. In March 2009 Frenzal Rhomb undertook The Boys are Back in Brown Tour, the following year they toured Japan and played a number of festivals in Australia, including Come Together and Rollercoaster. In December 2010, they joined the No Sleep Til Festival Tour with punk and metal bands: Megadeth, Descendents, NOFX, Gwar and Dropkick Murphys. In August 2011 Frenzal Rhomb issued their next album Smoko at the Pet Food Factory. CANNOTANSWER


Background: Marco Simoncelli (Italian pronunciation: ['marko simon'tSelli]; 20 January 1987 - 23 October 2011) was an Italian professional motorcycle racer. He competed in the MotoGP World Championship for 10 years from 2002 to 2011. He started in the 125cc class before moving up to the 250cc class in 2006. He won the 250cc World Championship with Gilera in 2008.
Context: After a successful European 125cc campaign, in August 2002, Simoncelli made his first Grand Prix appearance with Matteoni Racing, replacing Czech rider Jaroslav Hules who stepped up to the 250cc class. Simoncelli, riding an Aprilia bike with the number 37, managed to finish in 27th place in his first race at Brno. In the following race at Estoril, he scored his first championship points by finishing in 13th place. However, he failed to score any points in the next four races and finished the season with three points from six races. He continued with the Matteoni Racing Team for his first full season in 2003. That season, he also started to use the iconic number 58 on his bike. He managed to score points in six races with a best result of fourth at Valencia, the last race of the season. Overall, he scored 31 points and ranked 21st in the final championship standings. In the 2004 season, Simoncelli switched to WorldwideRace team under the name of Rauch Bravo, which also run an Aprilia bike. In the second race of the season at Jerez, Simoncelli recorded his first pole position. In the race, which was held in wet conditions, Simoncelli was in second place when race leader Casey Stoner crashed out with three laps remaining, handing Simoncelli his first victory. However, the victory was his only podium finish for the season. He managed to score points in seven other races with a best result of sixth. He ended in 11th place in the final standings with 79 points. Simoncelli continued to ride for WorldwideRace in 2005, this time under the Nocable.it Race banner. In the opening race at Jerez, he qualified first and then won the race for his second successive win at Jerez. Despite failing to add another win that season, Simoncelli finished on the podium on five other occasions. His consistency earned him 177 points and a fifth place in the final standings. CANNOTANSWER
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Woodes Rogers was the eldest son and heir of Woods Rogers, a successful merchant captain. Woodes Rogers spent part of his childhood in Poole, England, where he likely attended the local school; his father, who owned shares in many ships, was often away nine months of the year with the Newfoundland fishing fleet. Sometime between 1690 and 1696, Captain Rogers moved his family to Bristol. In November 1697, Woodes Rogers was apprenticed to Bristol mariner John Yeamans, to learn the profession of a sailor.

The War of the Spanish Succession started in 1702, during which England's main maritime foes were France and Spain, and a number of Bristol ships were given letters of marque, allowing them to strike against enemy shipping. At least four vessels in which Rogers had an ownership interest were granted the letters. One, Whetstone Galley, named for Rogers' father in law, received the letters before being sent to Africa to begin a voyage in the slave trade. It did not reach Africa, but was captured by the French. Rogers suffered other losses against the French, although he does not record their extent in his book. He turned to privateering as a means of recouping these losses. In late 1707, Rogers was approached by William Dampier, a navigator and friend of Rogers' father, who proposed a privateering expedition against the Spanish. This was a desperate move on the part of Captain Dampier to save his career. Dampier had recently returned from leading a two-ship privateering expedition into the Pacific, which culminated in a series of mutinies before both ships finally sank due to Dampier's error in not having the hulls properly protected against worms before leaving port. Unaware of this, Rogers agreed. Financing was provided by many in the Bristol community, including Thomas Goldney II of the Quaker Goldney family and Thomas Dover, who would become president of the voyage council and Rogers' father in law. Commanding two frigates, Duke and Duchess, and captaining the first, Rogers spent three years circumnavigating the globe. The ships departed Bristol on 1 August 1708. Dampier was aboard as Rogers' sailing master. Rogers encountered various problems along the way. Forty of the Bristol crew deserted or were dismissed, and he spent a month in Ireland recruiting replacements and having the vessels prepared for sea. Many crew members were Dutch, Danish, or other foreigners. Some of the crew mutinied after Rogers refused to let them plunder a neutral Swedish vessel. When the mutiny was put down, he had the leader flogged, put in irons, and sent to England aboard another ship. The less culpable mutineers were given lighter punishments, such as reduced rations. The ships intended to force the chilly Drake Passage off the tip of South America, but expedition leaders soon realised that they were short of warm clothing and alcohol, which was then believed to warm those exposed to cold. Considering the latter the more important problem, the expedition made a stop at Tenerife to stock up on the local wine, and later sewed the ships' blankets into cold weather gear. The ships experienced a difficult inter-oceanic passage; they were forced to almost 62deg South latitude, which, according to Rogers, "for ought we know is the furthest that any one has yet been to the southward". At their furthest south, they were closer to as-yet-undiscovered Antarctica than to South America. CANNOTANSWER


Background: George Galloway (born 16 August 1954) is a British politician, broadcaster, and writer. Between 1987 and 2015, with a gap in 2010-12, he represented four constituencies as a Member of Parliament, elected as a candidate for the Labour Party and later the Respect Party. After becoming the youngest ever Chairman of the Scottish Labour Party in 1981, he became General Secretary of the London-based charity War on Want in 1983, remaining in the post until elected as MP for Glasgow Hillhead (later Glasgow Kelvin) at the 1987 general election. In 2003, Galloway was expelled from the Labour Party, having been found guilty by the party's national constitutional committee of four of the five charges of bringing the party into disrepute, including having called on Arabs to fight British troops.
Context: On 22 April 2003, The Daily Telegraph published news articles and comment describing documents found by its reporter David Blair in the ruins of the Iraqi Foreign Ministry. The documents purported to be records of meetings between Galloway and Iraqi intelligence agents, and they stated that he had received PS375,000 per year from the proceeds of the Oil-for-Food Programme. Galloway completely denied the claims, and pointed to the nature of the discovery within an unguarded, bombed-out building as being questionable. He instigated legal action against the newspaper, which was heard in the High Court on 14 November 2004. On 2 December, Justice David Eady ruled that the story had been "seriously defamatory", and that The Daily Telegraph was "obliged to compensate Mr Galloway ... and to make an award for the purposes of restoring his reputation." Galloway was awarded damages of PS150,000 plus, after a failed appeal in 2006, legal costs of about PS2 million. The libel case was regarded by both sides as an important test of the Reynolds qualified-privilege defence. The Daily Telegraph did not attempt to claim justification (where the defendant seeks to prove the truth of the defamatory reports): "It has never been the Telegraph's case to suggest that the allegations contained in these documents are true". The newspaper argued that it acted responsibly as the allegations it reported were of sufficient public interest to outweigh the damage caused to Galloway's reputation. The trial judge did not accept this defence, noting that comments such as Galloway being guilty of "treason", "in Saddam's pay", and being "Saddam's little helper" caused him [the judge] to conclude that "the newspaper was not neutral but both embraced the allegations with relish and fervour and went on to embellish them"; additionally, the judge ruled, Galloway had not been given a fair or reasonable opportunity to make inquiries or meaningful comment upon the documents before they were published. The issue of whether or not the documents were genuine was likewise not at issue at the trial. Oliver Thorne, a forensic expert who had been earlier hired by Galloway's lawyers, later stated "In my opinion the evidence found fully supports that the vast majority of the submitted documents are authentic". He added "It should be noted that I am unable to comment on the veracity of the information within the disputed Telegraph documents, whether or not they are authentic." CANNOTANSWER
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Art Spiegelman (; born Itzhak Avraham ben Zeev on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker, where he made several high-profile and sometimes controversial covers. He is married to designer and editor

"All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

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Christopher James Christie (born September 6, 1962) is an American politician, former federal prosecutor, and political commentator who served as the 55th Governor of New Jersey from 2010 to 2018. During his governorship, he chaired the Opioid and Drug Abuse Commission in 2017. Christie became an ABC News contributor in 2018 after leaving office. Christie was born in Newark and raised in Livingston.

In December 2010, Christie commuted the seven-year sentence of Brian Aitken, who had been convicted of transporting three guns within the state; as a result, Aitken was released from prison. Christie has said that each state has the right to determine firearms laws without federal interference. When announcing his candidacy in 2009 he said he supported aggressive enforcement of the state's current gun laws. In 2013, he chose not to defend a legal challenge to a New Jersey law requiring individuals to prove an urgent threat of violence before getting permits to carry handguns. In July 2014, Christie vetoed legislation that would have reduced the allowed legal size of ammunition magazines. Instead he re-wrote it, proposing a new standard for involuntary commitment of people who are not necessarily deemed dangerous "but whose mental illness, if untreated, could deteriorate to the point of harm" as well as other forms of involuntary mental health treatments. Christie had previously vetoed proposed legislation that would bar the state pension fund from investing in companies that manufacture or sell assault firearms for civilian use and a bill to prohibit the sale of .50-caliber rifles to civilians. In July 2015, Christie vetoed a bill passed the Assembly by a 74-0 (six abstentions) and the Senate by a 38-0 (2 abstentions) which would require anyone seeking to have their mental health records expunged to purchase a firearm to notify the State Police, their county prosecutor and their local police department when petitioning the court. In October 2015, the New Jersey Senate voted to override Christie's veto. In January 2018, during his final days as Governor of New Jersey, Christie signed legislation making bump stocks illegal in the state. CANNOTANSWERAnswer this question using a quote from the following article:

Why did he veto the legislation?


Background: Phelps was born in Baltimore, Maryland, and raised in the Rodgers Forge neighborhood of nearby Towson. He attended Rodgers Forge Elementary, Dumbarton Middle School, and Towson High School. Phelps is the youngest of three children. His mother, Deborah Sue "Debbie" Phelps (nee Davisson), is a middle school principal.
Context: On July 28, 2012, Phelps placed eighth in the morning prelims for the 400-meter individual medley. Phelps, the two-time defending Olympic champion, won his heat in 4 minutes, 13.33 seconds with a time that was well off his world record of 4:03.84 set four years ago in Beijing, when Phelps won a record eight gold medals. He out-touched Laszlo Cseh by 0.07 seconds in his heat to qualify last for the final, locking out Cseh. In his first finals of the Summer Olympics, Phelps placed fourth behind fellow American Ryan Lochte, Thiago Pereira of Brazil, and Kosuke Hagino of Japan in the 400-meter individual medley. It was the first time Phelps failed to medal in an Olympic event since 2000. The next night, in his second event of the Games, he got a silver as a member of the 4x100-meter free relay. Phelps swam the fastest leg of the US relay team and the second-fastest of anyone in the race. On July 31, 2012, Phelps won a silver medal in the 200-meter butterfly behind South African Chad le Clos by 5/100ths of a second, and a gold medal in the 4x200-meter freestyle relay, thereby equaling and then surpassing Larisa Latynina to become the all-time record holder for most Olympic medals won. Latynina was present at the race and asked to be the presenter of Phelps's medal, but was told that Olympic rules would not allow it. She called Phelps deserving of the record. On August 2, 2012, Phelps won his 16th Olympic gold medal when he edged out Ryan Lochte to win the 200-meter individual medley with a time of 1:54.27, and by that victory also became the first male swimmer to win the same event in three consecutive Olympics. Rebecca Soni and Phelps (twice) are the only swimmers to successfully defend an individual title from the 2008 Games. This win also marked Phelps's fifth Olympic title in the individual medley, breaking the record of four shared by Hungarian Tamas Darnyi and Ukrainian Yana Klochkova. He repeated the achievement of winning the same event at three Olympics the following evening, winning the Olympic gold medal in the 100 m butterfly, his last individual event. After two very close victories in the 100 m butterfly at the 2004 and 2008 Olympics (by 0.04 and 0.01 sec, respectively), in this race Phelps beat Le Clos and Yevgeny Korotyshkin, who tied for silver, by 0.23 sec. Phelps's final event was the 4x100-meter medley relay in which he went on to win his 18th career gold medal and his 22nd overall. By winning 4 gold and 2 silver medals, Phelps concluded the 2012 Olympics as the most successful swimmer of the meet for the third Olympics in a row. After his last event, the international swimming federation FINA honored Phelps with an award commemorating his standing as the most decorated Olympian ever. CANNOTANSWER
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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

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Augusto Jose Ramon Pinochet Ugarte (; Spanish: [au'gusto pino'(t)Se, -'(t)Set]; 25 November 1915 - 10 December 2006) was a Chilean general, politician and the dictator of Chile between 1973 and 1990 who remained the Commander-in-Chief of the Chilean Army until 1998 and was also President of the Government Junta of Chile between 1973 and 1981. Pinochet assumed power in Chile following a United States-backed coup d'etat on 11 September 1973 that overthrew the democratically elected socialist Unidad Popular government of President Salvador Allende and ended civilian rule.

Pinochet suffered a heart attack on the morning of 3 December 2006, and subsequently the same day he was given the last rites. On 4 December 2006, the Chilean Court of Appeals ordered the suspension of his house arrest. On 10 December 2006 at 13:30 local time (16:30 UTC) he was taken to the intensive care unit. He died of congestive heart failure and pulmonary edema, surrounded by family members, at the Military Hospital at 14:15 local time (17:15 UTC). Massive spontaneous street demonstrations broke out throughout the country upon the news of his death. In Santiago, opponents celebrated his death in Alameda Avenue, while supporters grieved outside the Military Hospital. Pinochet's remains lay in repose on 11 December 2006 at the Military Academy in Las Condes. During this ceremony, Francisco Cuadrado Prats--the grandson of Carlos Prats (a former Commander-in-Chief of the Army in the Allende government who was murdered by Pinochet's secret police)--spat on the coffin, and was quickly surrounded by supporters of Pinochet, who kicked and insulted him. Pinochet's funeral took place the following day at the same venue before a gathering of 60,000 supporters. In a government decision, he was not granted a state funeral (an honor normally bestowed upon past presidents of Chile) but a military funeral as former commander-in-chief of the Army appointed by Allende. The government also refused to declare an official national day of mourning, but it did authorize flags at military barracks to be flown at half staff, and for the Chilean flag to be draped on Pinochet's coffin. Socialist President Michelle Bachelet, whose father Alberto was temporarily imprisoned and tortured after the 1973 coup and died shortly afterwards from heart complications, said that it would be "a violation of [her] conscience" to attend a state funeral for Pinochet. The only government authority present at the public funeral was the Defense Minister, Vivianne Blanlot. In Spain, supporters of late dictator Francisco Franco paid homage to Pinochet. Antonio Tejero, who led the failed coup of 1981, attended a memorial service in Madrid. Pinochet's body was cremated in Parque del Mar Cemetery, Concon on 12 December 2006, on his request to "avoid vandalism of his tomb," according to his son Marco Antonio. His ashes were delivered to his family later that day, and are deposited in Los Boldos, Santo Domingo, Valparaiso, Chile; one of his personal residences. The armed forces refused to allow his ashes to be deposited on military property. CANNOTANSWER

How press and people saw all these?


Harold Eugene "Gene" Clark (November 17, 1944 - May 24, 1991) was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country.

Clark was invited to join an established regional folk group, the Surf Riders, working out of Kansas City at the Castaways Lounge, owned by Hal Harbaum. On August 12, 1963, he was performing with them when he was discovered by the New Christy Minstrels. They hired him, and he recorded two albums with the ensemble before leaving in early 1964. After hearing the Beatles, Clark quit the New Christy Minstrels and moved to Los Angeles, where he met fellow folkie and Beatles convert Jim (later Roger) McGuinn at the Troubadour Club. In early 1964 they began to assemble a band that would become the Byrds. Clark wrote or co-wrote many of the Byrds' best-known originals from their first three albums, including "I'll Feel a Whole Lot Better", "Set You Free This Time", "Here Without You", "You Won't Have to Cry", "If You're Gone", "The World Turns All Around Her", "She Don't Care About Time" and "Eight Miles High". He initially played rhythm guitar in the band, but relinquished that position to David Crosby and became the tambourine and harmonica player. Bassist Chris Hillman noted years later in an interview remembering Clark, "At one time, he was the power in the Byrds, not McGuinn, not Crosby--it was Gene who would burst through the stage curtain banging on a tambourine, coming on like a young Prince Valiant. A hero, our savior. Few in the audience could take their eyes off this presence. He was the songwriter. He had the 'gift' that none of the rest of us had developed yet.... What deep inner part of his soul conjured up songs like 'Set You Free This Time,' 'I'll Feel A Whole Lot Better,' 'I'm Feelin' Higher,' 'Eight Miles High'? So many great songs! We learned a lot of songwriting from him and in the process learned a little bit about ourselves." A management decision gave McGuinn the lead vocals for their major singles and Bob Dylan songs. This disappointment, combined with Clark's dislike of traveling (including a chronic fear of flying) and resentment by other band members about the extra income he derived from his songwriting, led to internal squabbling, and he left the group in early 1966. He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Group with Chip Douglas, Joel Larson, and Bill Rhinehart. CANNOTANSWER

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Kimberly Denise Jones (born July 11, 1975 or 1976), known professionally by her stage name Lil' Kim, is an American rapper, songwriter, record producer, model, and actress. She was born and raised in Brooklyn, New York, living much of her adolescent life on the streets after being expelled from home. In her teens, Jones would freestyle rap, heavily influenced by fellow female hip-hop artists like MC Lyte and The Lady of Rage.

Lil' Kim released her fourth album, The Naked Truth, on September 27, 2005, while serving a federal prison sentence. It earned her a 5 mic rating from The Source, making her the only female rapper to ever receive a 5 mic rating. The album debuted at number 6 on the Billboard 200 chart, selling 109,000 copies in its first week of release, giving Lil' Kim her third top 10 debut on the chart. The Naked Truth did not sell as well as her previous works, it only managed to reach a gold certification by RIAA. She said that her prison sentence left her with no time to promote the project. The music video for The Naked Truth's first single, "Lighters Up", was number one on BET's 106 & Park for two weeks. "Lighters Up" was a Top Ten hit on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart. The single also reached number. 67 on the German Single Chart, number 12 on the UK Top 75 and number 4 on the Finland Single Chart. The second single, "Whoa" was released on February 17, 2006. It reached number 22 on Airplay. On March 9, 2006, BET premiered the show Lil' Kim: Countdown to Lockdown, which was filmed before Lil' Kim headed to prison. The show became the highest rated premiere in BET history, averaging 1.9 million viewers. In May 2006, Debbie Harry released a song in tribute to Lil' Kim called "Dirty and Deep" in protest of her conviction. The song was available for free from her official website. The Dance Remixes, her first compilation album was released on June 6, 2006. The album featured remixes of songs from The Naked Truth and Hard Core. A limited pressing released only in the US, it received no promotion, due to Lil' Kim being in prison at the time of release, and failed to chart. On August 31, 2006, Lil' Kim presented the award for Best Male Video at the 2006 MTV Video Music Awards, it marked her first televised appearance since being released from prison. She also made appearances on the show The Pussycat Dolls Present: The Search for the Next Doll and Pussycat Dolls Present: Girlicious in 2007 and 2008 as a judge. In January 2008, Lil' Kim announced that she had parted ways with Atlantic Records, choosing to release future projects independently. She stated she had no hard feelings towards Atlantic but felt more comfortable in her knowledge of the music business to do it alone. Lil' Kim released her first mixtape, Ms. G.O.A.T., an acronym for "Greatest of All Time", on June 3, 2008. It was produced by New York City DJs Mister Cee and DJ Whoo Kid. Among critics, the mixtape received generally positive reviews. It has been called a representation of Lil' Kim's return to the streets. Tito Salinas of All Hip Hop says "Lil' Kim shows that her time behind bars did not rust all of her swag away" on Ms. G.O.A.T. On the other hand, Ehren Gresehover of New York Mag says that although one of the tracks "The Miseducation of Lil' Kim" is not bad, he wished that it was Lauryn Hill who was making a comeback instead. CANNOTANSWER


The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.

As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWERAnswer this question using a quote from the following article:

What there other shows that were popular as well?


Background: Keith Lionel Urban was born on 26 October 1967, in Whangarei, New Zealand, He is the youngest son of Marienne and Robert "Bob" Urban. At the age of 13, he attended Sir Edmund Hillary College in Otara, South Auckland, New Zealand and by the age of 17, he lived with his parents in Caboolture, Queensland, Australia. His father, who owned a convenience store, put an advertisement for a guitar teacher in his shop window. Urban took lessons from his teacher, Sue McCarthy and began entering local competitions, in addition to acting in a local theater company.
Context: In June 2015, Urban released "John Cougar, John Deere, John 3:16", as the lead single to his eighth American studio album, Ripcord. In October 2015, Urban teased a new song called "Break on Me"; it was released to the public on 23 October. It reached number one on the Country Airplay chart. On 22 September 2015, Urban celebrated the 10th anniversary of his third studio album Golden Road being certified triple platinum, for sales of three million copies of his record. "Wasted Time" was released as the album's third single and it went on to reach the number one spot on the Country Airplay chart. "Blue Ain't Your Color" was released as the album's fourth single and became a huge hit for Urban. It topped the Hot Country Songs chart as well as the Country Airplay Chart, spending twelve weeks at number one on the former chart. "The Fighter", a duet with Carrie Underwood, was released as the fifth single from the album. In 2016, Urban was selected as one of thirty artists to perform on "Forever Country", a medley of "Take Me Home, Country Roads", "On the Road Again", and "I Will Always Love You" which celebrates 50 years of the CMA Awards. On 8 November 2017, Urban released "Female", which has been described as "an empowerment anthem partially inspired by the Harvey Weinstein scandal." Urban said of the song that "as a husband and a father of two young girls, it affects me in a lot of ways. And as a son -- my mother is alive. It just speaks to all of the females in my life, particularly. For a guy who grew up with no sisters in a house of boys, it's incredible how now I'm surrounded by girls. But not only in my house; I employ a huge amount of women in my team. The song just hit me for so many reasons." Kidman provided background vocals on the song, which was slated to be the lead single for Urban's upcoming studio album. CANNOTANSWER
Question: What is ripcord?

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Nick Cave and the Bad Seeds are an Australian rock band formed in Melbourne in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and keyboardist Conway Savage (all four from Australia), guitarist George Vjestica (United Kingdom), keyboard/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward". The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria.

The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER


The Mashantucket Pequot Tribal Nation is a federally recognized Native American nation in the state of Connecticut. They are descended from the Pequot people, an Algonquian-language tribe that dominated the southern New England coastal areas. Within their reservation in Ledyard, New London County, the Mashantucket Pequot own and operate Foxwoods Resort Casino. As of 2012, it is the world's largest resort casino in terms of gambling space and number of slot machines.

By the time of the 1910 US Census, only 13 tribal members lived on the reservation. By the early 20th century, the reservation of 214 acres had a total population of 20 or 30 persons. In 1973, with the death of Elizabeth George (1894-1973), the last Pequot living on the reservation, the federal government started planning to take back the land. But in this period, the number of tribal members had increased, and they had maintained some continuity of culture. They began to organize politically and planned to assert their sovereignty and try to reclaim some of the land they had lost in the 19th-century Connecticut sale. In 1976, under the leadership of newly appointed tribal council chairman, Richard "Skip" Hayward, son of Elizabeth George, the Mashantucket Pequot filed a federal land claim against the state. They challenged the state's illegal sale of more than 800 acres of reservation lands in 1855. The US Department of Justice entered the suit, as it dealt with federal issues and constitutionality of the state action. The suit's settlement was documented by federal legislation in 1983: the Mashantucket Pequot Indian Land Claims Settlement Act included the tribe's federal recognition, and was signed into law by President Ronald Reagan. also filing a federal land claims suit against the state of Connecticut for its sale of land in 1855. The tribe achieved political success by persuading Congressmen and appropriate committees in making the case for recognition and land claims. In this period, some tribes based in New York filed land claim suits against its state government, winning in court. On October 18, 1983, President Ronald Reagan signed the Connecticut Indian Land Claims Settlement Act, which included federal recognition of the Mashantucket Pequot. They were the eighth American Indian tribe to gain federal recognition through an act of Congress rather than through the administrative process of the Bureau of Indian Affairs (BIA) and Department of Interior. At least one other case of recognition had also been tied to the settlement of a tribe's legitimate land claim. The Mashantucket Pequot have since added to their reservation by purchase and placed the additional lands into trust with the Bureau of Indian Affairs (BIA) on behalf of the tribe. As of the 2000 census, their total land area was 2.17 square miles (5.6 km2). CANNOTANSWER

Was the government successful in taking back the land?


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Lonnie Rashid Lynn, Jr. was born on March 13, 1972 at the Chicago Osteopathic Hospital in Chicago's Hyde Park neighborhood, the son of educator Dr. Mahalia Ann Hines and former ABA basketball player turned youth counselor Lonnie Lynn Sr. He was raised in the Calumet Heights neighborhood. Lynn's parents divorced when he was six years old, resulting in his father moving to Denver, Colorado. This left Lynn to be raised by his mother; however, his father remained active in his life, and was able to get Lynn a job with the Chicago Bulls as a teenager.

With the 1994 release of Resurrection, Common Sense achieved a much larger degree of critical acclaim, which extended beyond Chicago natives. The album sold relatively well and received a strong positive reaction among alternative and underground hip hop fans at the time. Resurrection was Common Sense's last album produced almost entirely by his long-time production partner, No I.D., who would later become a mentor to a young Kanye West. In 1996, Common Sense appeared on the Red Hot Organization's compilation CD, America Is Dying Slowly (A.I.D.S.), alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. He would later also contribute to the Red Hot Organization's Fela Kuti tribute album, Red Hot and Riot in 2002. He collaborated with Djelimady Tounkara on a remake of Kuti's track, "Years of Tears and Sorrow". The song "I Used to Love H.E.R." from Resurrection ignited a feud with West Coast rap group Westside Connection. The lyrics of the song criticized the path hip hop music was taking, and were interpreted by some as directing blame towards the popularity of West Coast gangsta rap. Westside Connection first responded with the 1995 song "Westside Slaughterhouse," with the lyrics "Used to love H.E.R., mad cause I fucked her". "Westside Slaughterhouse" also mentioned Common Sense by name, prompting the rapper to respond with the scathing Pete Rock-produced attack song "The Bitch in Yoo". Common Sense and Westside Connection continued to insult each other back and forth before finally meeting with Louis Farrakhan and setting aside their dispute. Following the popularity of Resurrection, Common Sense was sued by an Orange County-based reggae band with the same name, and was forced to shorten his moniker to simply Common. CANNOTANSWER


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Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.

Ronald Ross was noted to be eccentric and egocentric, described as an "impulsive man". His professional life appeared to be in constant feud with his students, colleagues and fellow scientists. His personal vendetta with G.B. Grassi became a legendary tale in science. He was openly envious of his mentor Patrick Manson's affluence from private practices. This was largely due to his own ineptitude to compete with other physicians. His Memories of Sir Patrick Manson (1930) was a direct attempt to belittle Manson's influences on his works on malaria. He hardly had good ties with the administration of Liverpool School of Tropical Medicine, complaining of being underpaid. He resigned twice, and was eventually discharged without any pension. Ross was frequently embittered by lack of government support (what he called "administrative barbarism") for scientists in medical research. In 1928 he advertised his papers for sale in Science Progress, with a statement that the money was for financial support of his wife and family. Lady Houston bought them for PS2000, and offered them to the British Museum, which turned her down for various reasons. The papers are now preserved by the London School of Hygiene and Tropical Medicine and the Royal College of Physicians and Surgeons of Glasgow. In 1889 Ross married Rosa Bessie Bloxam (d.1931). They had two daughters, Dorothy (1891-1947) and Sylvia (1893-1925), and two sons, Ronald Campbell (1895-1914) and Charles Claye (1901-1966). His wife died in 1931. Ronald and Sylvia pre-deceased him too: Ronald was killed at the Battle of Le Cateau on 26 August 1914. Ross died at the hospital of his namesake after a long illness and asthma attack. He was buried at the nearby Putney Vale Cemetery, next to his wife. CANNOTANSWER


Background: His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.
Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER
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Lombardo was born in London, Ontario, to Italian immigrants, Gaetano Sr. and Lena Lombardo. His father, who had worked as a tailor, was an amateur singer with a baritone voice and had four of his five sons learn to play instruments so they could accompany him. Lombardo and his brothers formed their first orchestra while still in grammar school and rehearsed in the back of their father's tailor shop. Lombardo first performed in public with his brother Carmen at a church lawn party in London in 1914.

Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER


Walk Among Us was released in March 1982 through Ruby and Slash Records. It was the first full-length Misfits album to be properly released, and the only album to be released while the early incarnation of the band was still active. A national tour in support of the album followed, and the band's performances began to grow more intense and violent. Danzig and Googy clashed frequently during the tour, and after a heated argument at a McDonald's restaurant Danzig kicked Googy out of the band, delaying their plans to record their next EP. They offered the vacant drummer position to their friend Eerie Von, who had served as their occasional roadie and photographer, but he had already committed to drumming for Rosemary's Babies. Henry Rollins recommended former Black Flag drummer Robo, who flew to New Jersey to join the Misfits in July 1982. Doyle graduated from high school and he and Only began working full-time at their father's machine shop, earning money to purchase new instruments, fund the band's tours, and press records, while Danzig ran the Fiend Club and continued writing new songs. In September 1982 the Misfits embarked on a national tour, with the Necros as their opening act. During the tour they stopped at a studio to record the instrumental tracks for their next EP. They were arrested in New Orleans on charges of grave robbing while attempting to locate the grave of voodoo practitioner Marie Laveau, but bailed themselves out of jail and skipped their court date in order to drive to their next performance in Florida. Following the tour they released seven songs from the November 1981 performance in San Francisco in limited numbers only to members of the Fiend Club as the Evilive EP. By this time Danzig was growing increasingly dissatisfied with the Misfits and had begun writings songs for a new band project. In June 1983 he confided to Henry Rollins that he planned to quit the group. In July 1983 the Misfits finished recording their EP, and Danzig decided to record two more songs that he had intended for his new project, turning it into a full album. Earth A.D./Wolfs Blood demonstrated the increased influence of hardcore punk and heavy metal on the band, though they would break up just two months before it was released. After a series of arguments with Danzig, Robo left the band in August and Danzig became further disenchanted, beginning to audition musicians for his next project. On October 29, 1983, the Misfits played their annual Halloween performance at Greystone Hall in Detroit with the Necros. Danzig had selected Brian Damage, formerly of Genocide and Verbal Abuse, as the band's new drummer. However, Damage became drunk before the show and could not play properly. After several songs Doyle escorted him off the stage and Todd Swalla of the Necros filled in for the remainder of the performance. Tensions came to a head and Danzig announced to the audience that it would be the band's final show. Upon returning to Lodi the band members went their separate ways. CANNOTANSWER

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Denis Clive "Denny" Hulme,  (18 June 1936 - 4 October 1992) was a New Zealand racing driver who won the 1967 Formula One World Drivers' Championship for the Brabham team. Between his debut at Monaco in 1965 and his final race in the 1974 US Grand Prix, he started 112 Grand Prix, resulting eight victories and 33 trips to the podium. He also finished third in the overall standing in 1968 and 1972. Hulme showed versatility by dominating the Canadian-American Challenge Cup (Can-Am) for Group 7 sports cars.

He was born on a tobacco farm belonging to his parents in Motueka in the South Island of New Zealand. His father Clive Hulme was awarded a Victoria Cross, as a sniper, while fighting in the Battle of Crete in 1941. Whilst growing up on his family's farm in Pongakawa (near Te Puke), Hulme learned to drive a truck while sitting on his father's lap, and by the age of six, he was driving solo. He left school and went to work in a garage. He saved up enough money to buy an MG TF, promptly entering this in hillclimbing events. After that his father brought a MGA for him. After making impressive progress he purchased a F2 Cooper-Climax, subsequently being chosen for the New Zealand Driver to Europe program, along with fellow Kiwi, George Lawton. The pair of young New Zealander began competing in Formula Junior and Formula Two across Europe, in a Cooper-BMC and Cooper-Ford respectively. Hulme won the 1960 Gran Premio di Pescara for Formula Juniors, but the newspapers back in New Zealand made no mention of this, as they wrote only about Bruce McLaren. However, the year, 1960 ended in disaster, when Lawton crashed during a race at Roskilde (Denmark) dying in Hulme's arms. As the New Zealand press were ignoring Hulme, he hired a 2 1/2  litre Cooper from Reg Parnell and entered it in the 1961 New Zealand Gold Star Championship. He won the title straight away. He appeared at Le Mans for the Abarth team, taking a class win in S850 the class (partnered by fellow Kiwi Angus Hyslop), before Ken Tyrrell invited the likable (but sometimes gruff) New Zealander to race in his Formula Junior and Formula Two team, in 1962, when Tony Maggs was unavailable due to his Formula One commitments. Once there, basing himself in London, he worked as a mechanic in Jack Brabham's garage in Chessington and began to pave his way on his motor-racing path. It was Brabham who gave him drives in his Brabham sportscars and single seaters. During the 1963 season, he won seven International Formula Junior and after some impressive performances there, it was his old boss Jack Brabham who gave Hulme the call and he joined the Australian legend's F2 team. In 1964, the pair set about dominating the Championship that year, resulting in a one-two finish in the FFSA Trophees de France series. The pair also finished one-two in the 1966 series . During this spell in F2 between 1964-1966, Hulme won a total of three races in the series, plus two non-championship events (the 1964 Grote Prijs van Limborg and the 1965 Spring Trophy). Hulme was rewarded with some non-championship Formula One races. Away from single seaters, Hulme also raced the occasional saloon car. In appalling conditions, on 6 July 1963, Hulme won his first major saloon car race. The second Motor-sponsored Six-Hour, a round of the European Touring Car Championship, saw the pre-race favourite, a 7-litre Ford Galaxie driven by Dan Gurney and Jack Brabham flounder in the wet and the Jaguars dominated the race. Hulme would win, partnered by Roy Salvadori, after the winners on the road were disqualified for engine irregularities. CANNOTANSWER

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"Purple Haze" is a song written by Jimi Hendrix and released as the second record single by the Jimi Hendrix Experience on March 17, 1967. As a record chart hit in several countries and the opening number on the Experience's debut American album, it was many people's first exposure to Hendrix's psychedelic rock sound. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. "

Music critic William Ruhlmann describes "Purple Haze" as having "relentlessly driving, if relatively slow-paced underlying music, which provides a good platform for some of Hendrix's inventive guitar playing". Beginning with its dissonant opening and heavy use of distortion, Hendrix's techniques "all contributed to the dirty, raw, metallic, [and] angular sounds" heard in the song, according to Shapiro. The intro consists of the melodic interval of a tritone or diminished (sometimes called flattened) fifth. Historically, this dissonant interval has been referred to as diabolus in musica (literally "Devil in music") and was reputedly proscribed by papal bull during the Spanish Inquisition, because "to play it was like ringing Satan's doorbell". It is sounded during the first two measures by Hendrix playing a B on guitar against an E played by Redding on bass, followed by the respective octaves. Mitchell on drums comes in for the third measure, when Hendrix introduces the riff that piqued Chandler's interest, and Redding continues playing the octaves in E. After the riff, the verse sections begin, which Shadwick describe as "simplicity itself, consisting of just three chords": E7#9, G, and A. The E7#9, or dominant seventh sharp ninth chord, has come to be called the "Hendrix chord" by guitarists and was used primarily in rhythm and blues and jazz before Hendrix helped popularize it. He also used an unconventional fingering technique for the G and A chords. Because Hendrix used his thumb to fret the roots of the G and A chords on the sixth string, his fingers were left in a position to create different chord voicings. Instead of the usual G barre chord (G-B-G-B-D-G), a G5 (G-X-G-G-D-G) is sometimes played with the major third (B) being muted on the fifth string and replaced by the open third string (G). Redding follows the chord changes mostly by playing the root with occasional passing notes, while Mitchell heightens the tension with drum flourishes that accentuate Hendrix's vocal and guitar. Biographer David Henderson describes Hendrix's guitar tone as "at the razor edge of distort". However, individual notes are still clear, as well as the harmonically more complex chords, even with the use of extreme overdrive for the time. The tension is maintained until the guitar solo, which "arrives as something of a release rather than a further racking up of the atmosphere." It is also when Hendrix first introduces the Octavia, coupled with a Fuzz Face distortion unit. Whitehill describes the solo as "almost sound[ing] likes he's playing a blues raga. He starts out playing in the Mixolydian mode and then he goes right into the blues side. The Octavia has the effect of a sitar, kind of like Ravi Shankar meets B.B. King." During the song's outro, the guitar part recorded at 7 1/2  inches per second (ips) played back at 15 ips, is combined with the Octavia, further extending the guitar's upper frequency range. Henderson describes it as "an uncanny piercing tone that takes off, Eastern-sounding beyond the range of the guitar" and, according to Shadwick, "gives the impression that the guitar notes are flying off into the ether." CANNOTANSWER

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Koufax was born in Brooklyn, New York, to a Jewish family, and raised in Borough Park. His parents, Evelyn (nee Lichtenstein) and Jack Braun, divorced when he was three years old. His mother was remarried when he was nine, to Irving Koufax. Shortly after his mother's remarriage, the family moved to the Long Island suburb of Rockville Centre.

In 1963, Major League Baseball expanded the strike zone. Compared to the previous season, National League walks fell 13 percent, strikeouts increased six percent, the league batting average fell from .261 to .245, and runs fell 15 percent. Koufax, who had reduced his walks allowed per nine innings to 3.4 in 1961 and 2.8 in 1962, reduced his walk rate further to 1.7 in 1963, which ranked fifth in the league. The top pitchers of the era - Don Drysdale, Juan Marichal, Jim Bunning, Bob Gibson, Warren Spahn, and above all Koufax - significantly reduced the walks-given-up-to-batters-faced ratio for 1963, and subsequent years. On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal--himself a no-hit pitcher a month later, on June 15. Koufax carried a perfect game into the eighth inning against the powerful Giants lineup, including future Hall of Famers Willie Mays, Willie McCovey, and Orlando Cepeda. He walked Ed Bailey on a 3-and-2 pitch in the 8th, and pinch-hitter McCovey on four pitches in the 9th, before closing out the game. As the Dodgers won the pennant, Koufax won the pitchers' Triple Crown, leading the league in wins (25), strikeouts (306) and ERA (1.88). Koufax threw 11 shutouts, setting a new post-1900 record for shutouts by a left-handed pitcher that stands to this day (the previous record of 10 shutouts had been held by Carl Hubbell for 30 years). Only Bob Gibson, a right-hander, has thrown more shutouts (13) since, and that was in 1968, "the year of the pitcher." Koufax won the NL MVP Award and the Hickok Belt, and was the first-ever unanimous selection for the Cy Young Award. Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters -- including the first 5, breaking Carl Erskine's decade-old record of 14 (Gibson would break Koufax's record by striking out 17 Detroit Tigers in the 1968 World Series opener). After seeing Koufax's Game 1 performance, Yogi Berra said, "I can see how he won 25 games. What I don't understand is how he lost five," to which Maury Wills responded, "He didn't. We lost them for him." In Game 4, Koufax completed the Dodgers' series sweep with a 2-1 victory over Ford, clinching the Series MVP Award for his performance. CANNOTANSWER

How did Koufax perform in the post-season?


Jennifer Mulhern Granholm (born February 5, 1959) is a Canadian-born American politician, lawyer, educator, author, political commentator and member of the Democratic Party who served as the Attorney General of Michigan from 1999 to 2003 and as the Governor of Michigan from 2003 to 2011. In January 2017, she became a CNN political contributor. Born in Vancouver, British Columbia, Granholm moved from Canada to California at age four. She graduated from San Carlos High School and briefly attempted an acting career, then held a variety of jobs before attending the University of California, Berkeley.

Thirty-seven year Democratic Attorney General Frank J. Kelley chose not to run for a 10th term in 1998 and Granholm entered the race to succeed him. Unopposed for the Democratic nomination, she faced Republican John Smietanka, the 1994 nominee and former U.S. Attorney for the Western District of Michigan, in the general election. The campaign began as a relatively friendly one, with both agreeing that they wanted to expand the Internet Crimes Unit, start neighbourhood-based crime-fighting programmes and continue working as a consumer advocate, as Kelley had done. However, the race turned bitter in mid-September, when Smietanka ran television ads that called Granholm an "inexperienced" and "dangerous" liberal. He also tried to link Granholm to Democratic gubernatorial nominee Geoffrey Fieger's crime plan, which called for greater emphasis on rehabilitation for non-violent criminals and shortening their prison terms. Granholm, who had disavowed Fieger's crime plan the day it was released, said that the claim was "a lie, just a lie" and that as Attorney General, "you are the person who is to protect the consumer from deceitful ads." Asked what separated her from Smietanka, Granholm replied, "besides honesty?" Kelley also came to Granholm's defence, starring in an advertisement where he called Smietanka's ads "garbage" and a "con" and accused him of running a "dishonest campaign". For his part, Smietanka was angered by Democratic advertisements that referred to late child support payments he had made and claimed that he had lied about how much of his own money he donated to his campaign. After a close race, with polls showing the two candidates with virtually identical votes, Granholm defeated Smietanka by 1,557,310 votes (52.09%) to 1,432,604 (47.91%). After Granholm was elected Governor in 2002, arguments broke about between Smietanka and then-Republican Governor John Engler about who was most responsible for Granholm's meteoric rise in Michigan politics. Smietanka blamed Engler for trying to force him out of the 1998 race in favour of G. Scott Romney, for dredging up the issue of his missed child support payments and for not supporting him more fully after he defeated Romney at the Republican convention. Engler contested that Smietanka was a weak candidate who should have stepped aside for Romney, who would have beaten the inexperienced Granholm; she would then not have had a launch pad for her gubernatorial campaign in 2002. CANNOTANSWER

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Sir John Major  (born 29 March 1943) is a British politician who served as Prime Minister of the United Kingdom and Leader of the Conservative Party from 1990 to 1997. He served as Foreign Secretary and then Chancellor of the Exchequer in the Thatcher Government from 1989 to 1990, and was the Member of Parliament (MP) for Huntingdon from 1979 until his retirement in 2001. Since the death of Margaret Thatcher in 2013, Major has been the oldest living former Prime Minister. Born in St Helier, Surrey, Major grew up in Brixton.

Major's second honeymoon as Prime Minister following his election victory did not last long. On 16 September 1992, the UK was forced to exit the Exchange Rate Mechanism (ERM) in difficult circumstances, in a day which would come to be known as "Black Wednesday", with billions of pounds wasted in a futile attempt to defend the value of sterling. The upheaval caused by the day's events was such that Major came close to resigning as Prime Minister, preparing an unsent letter of resignation addressed to the Queen. Although Major continued to defend Britain's membership of the ERM, stating that "the ERM was the medicine to cure the ailment, but it was not the ailment", the disaster of Black Wednesday left the Government's economic credibility irreparably damaged. Major kept his economic team unchanged for seven months after Black Wednesday before eventually sacking Norman Lamont as Chancellor of the Exchequer, replacing him with Kenneth Clarke. This came after months of press criticism of Lamont and a heavy defeat at a by-election in Newbury. His delay in sacking Lamont was exploited by Major's critics both inside and outside of his party, who used it to claim Major was too indecisive. Immediately after Black Wednesday, the Conservatives fell far behind Labour in the opinion polls and Major would never be able to regain the lead for the rest of his time as Prime Minister, being trounced in local council elections and the European parliament elections on the way, as well as suffering a string of by-election defeats which gradually wiped out the Conservative majority. Within a year of his triumphant election victory, public opinion on Major plummeted, with Black Wednesday, mine closures, the Maastricht dispute and high unemployment being cited as four key areas of dissatisfaction with the Prime Minister. Newspapers which traditionally supported the Conservatives and had championed Major at the election were now being severely critical of him almost daily. The UK's forced withdrawal from the ERM was succeeded by a partial economic recovery with a new policy of flexible exchange rates, allowing lower interest rates and devaluation, thereby increasing demand for UK goods in export markets. The recession that had started shortly before Major became Prime Minister was declared over in April 1993, when the economy grew by 0.2%. Unemployment also started to fall; it had stood at nearly 3 million by the end of 1992, but the spring of 1997 it had fallen to 1.7 million. CANNOTANSWER

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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

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