Background: Beckham was born at the Princess Alexandra Hospital in Harlow, Essex, United Kingdom, and raised in Goffs Oak, Hertfordshire. She is the eldest of three children of Jacqueline Doreen (nee Cannon), a former insurance clerk and hairdresser, and Anthony William Adams, who worked as an electronics engineer. They founded an electronics wholesale business which allowed a comfortable upbringing for Victoria, her sister, Louise, and her brother, Christian Adams. Beckham's great-great-great-grandfather was German artist and revolutionary Carl Heinrich Pfander.
Context: Beckham made a guest appearance on the catwalk for Maria Grachvogel on 17 February 2000, marking her debut as a model at London Fashion Week. Beckham also acted as a British ambassador for Dolce and Gabbana and was briefly the face of Rocawear in 2003. Beckham designed a limited-edition fashion line for Rock & Republic called VB Rocks in 2004, consisting mainly of jeans for the high end of the market, retailing at approximately $300 in the US. On 16 January 2006, Beckham walked the runway for Roberto Cavalli at Milan Fashion Week, and was for a period exclusively dressed by him for red-carpet and social events. For the March 2006 issue of Harper's Bazaar, Beckham acted as fashion editor when she styled her close friend, Katie Holmes, for a fashion shoot. She has admitted to a personal love of sunglasses, saying "I'm quite obsessed with sunglasses. I collect vintage Guccis and Carreras - they can make virtually any outfit look cool." After Beckham's departure from Rock & Republic, in September 2006, she furthered her fashion ventures by launching her own denim label, dvb Style. Beckham then launched a new official website, dvbstyle.com to promote her fashion work. On 14 June 2007, Beckham launched dvb Denim collection in New York at Saks Fifth Avenue, along with unveiling her eyewear range in the United States for the first time. In the same month, Beckham made her first appearance at London's annual Graduate Fashion Week as a judge alongside Glenda Bailey (editor-in-chief of Harper's Bazaar) and Lanvin's Alber Elbaz, to choose the winner of the River Island Gold Award, worth PS20,000. In August 2007, Intimately Beckham perfume was launched into US stores, one of more than 20 perfumes she and David Beckham have introduced over the years. In September 2007 her cosmetics line V-Sculpt was launched in Tokyo. In a 2007 appearance at an LA Galaxy press conference, Beckham is credited with having popularised Roland Mouret's 'moon dress' and his brand, and Beckham was also the face of Marc Jacobs for his Spring 2008 collection. Beckham has graced countless fashion magazine covers during her career, including I-D in 2004 and W in 2007. Her first Vogue appearance was the April 2008 British edition. This was followed by Vogue India, Vogue Paris as well as the German, Russian, Australian, Turkish, Taiwanese, Chinese and Spanish editions. Beckham has also graced various international editions of Harper's Bazaar and Elle. CANNOTANSWER
Question: was it loved?

Answer:


George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).

Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman. "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest." The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd. Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday. Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments. In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star. In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio. "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism." That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938. After the theatrical successes of the Mercury Theatre, CBS Radio invited Orson Welles to create a summer show for 13 weeks. The series began July 11, 1938, initially titled First Person Singular, with the formula that Welles would play the lead in each show. Some months later the show was called The Mercury Theatre on the Air. The weekly hour-long show presented radio plays based on classic literary works, with original music composed and conducted by Bernard Herrmann. The Mercury Theatre's radio adaptation of The War of the Worlds by H. G. Wells October 30, 1938, brought Welles instant fame. The combination of the news bulletin form of the performance with the between-breaks dial spinning habits of listeners was later reported to have created widespread confusion among listeners who failed to hear the introduction, although the extent of this confusion has come into question. Panic was reportedly spread among listeners who believed the fictional news reports of a Martian invasion. The myth of the result created by the combination was reported as fact around the world and disparagingly mentioned by Adolf Hitler in a public speech. Welles's growing fame drew Hollywood offers, lures that the independent-minded Welles resisted at first. The Mercury Theatre on the Air, which had been a sustaining show (without sponsorship) was picked up by Campbell Soup and renamed The Campbell Playhouse. The Mercury Theatre on the Air made its last broadcast on December 4, 1938, and The Campbell Playhouse began five days later. Welles began commuting from California to New York for the two Sunday broadcasts of The Campbell Playhouse after signing a film contract with RKO Pictures in August 1939. In November 1939, production of the show moved from New York to Los Angeles. After 20 shows, Campbell began to exercise more creative control and had complete control over story selection. As his contract with Campbell came to an end, Welles chose not to sign on for another season. After the broadcast of March 31, 1940, Welles and Campbell parted amicably. CANNOTANSWER

How successful was it?


Which entity is this text about?

Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.

Tan Dun earned more widespread attention after composing the score for Ang Lee's Crouching Tiger, Hidden Dragon (2000), for which he won an Academy Award, a Grammy Award, and a BAFTA Award. Other film credits include the aforementioned Hero (Zhang Yimou, 2002), Gregory Hoblit's Fallen (1998), and Feng Xiaogang's The Banquet (2006). Following the composition of the film score for Crouching Tiger, Hidden Dragon, Tan Dun rearranged the music to create the Crouching Tiger Concerto for cello, video, and chamber orchestra. Containing edited footage from the film, this work reverses the role of music in film by treating video as secondary. This same technique was later applied to his film scores for Hero and The Banquet, resulting in the larger work known as the Martial Arts Cycle. In 2002, Tan Dun continued experimenting with application of video in music The Map, also for cello, video, and orchestra. The Map features documentary footage depicting the lives of China's Tujia, Miao, and Dong ethnic minorities. The musicians onstage, including the cello soloist, interact with the musicians onscreen--a duet of live and recorded performance. The work was premiered and commissioned by the Boston Symphony Orchestra with Yo-Yo Ma. Tan Dun's most recent multimedia work, Nu Shu: The Secret Songs of Women (2013), is a 13-movement work for video, solo harp, and orchestra. Following years of ethnomusicological research in Hunan, the work captures the sounds of Nushu script, a phonetic writing system devised by women speakers of the Shaozhou Tuhua dialect who had been disallowed from receiving formal education. Considered a dying language, Tan Dun's research resulted in a series of short films of women singing songs written in Nushu, which are presented alongside the orchestral performance. As with The Map, the songs in the video are used in counterpoint to the live music. CANNOTANSWER


The Daily Show is an American late-night talk and news satire television program. It airs each Monday through Thursday on Comedy Central. Describing itself as a fake news program, The Daily Show draws its comedy and satire from recent news stories, political figures, media organizations, and often uses self-referential humor as well. The half-hour-long show premiered on July 21, 1996, and was first hosted by Craig Kilborn until December 17, 1998.

In addition to changes in the tone of the show, Noah has also implemented stylistic changes to the show, with an updated set, new graphics and his monologue sometimes taking place while standing in front of a screen as opposed to sitting at the desk. Trevor also increased the usage of more millennial-based references, impersonations and characterizations for his comedy on the show, due to his younger demographic and his ability to speak in multiple accents and eight languages. The debut of The Daily Show with Trevor Noah brought along three new correspondents: Roy Wood Jr., Desi Lydic and Ronny Chieng. Additional correspondents were added in 2017. Michael Kosta became the Senior Constitutional Correspondent and Senior American Correspondent in July 11, 2017. Dulce Sloan became the Senior Fashion Correspondent in September 7, 2017. In January 2016, The Daily Show with Trevor Noah started to use a modified version of the show's previous theme, composed by Timbaland and King Logan. The theme is a remix of the old theme with the addition of rock. Trevor Noah also avoided talking too much about Fox News, as Stewart was previously known for. "The Daily Show was based on an emerging 24 hour news cycle, that's everything it was, that's what inspired The Daily Show. Now you look at news and it's changed. It's no longer predicated around 24 hour news. There are so many different choices. Half of it is online now. Now you've got the 'Gawker's, the 'Buzzfeed's. The way people are drawing their news is soundbites and headlines and click-bait links has changed everything. The biggest challenge is going to be an exciting one I'm sure is how are we going to bring all of that together looking at it from a bigger lens as opposed to just going after one source -- which was historically Fox News" Noah said at a press conference before the show's debut. CANNOTANSWER

Answer the following question by taking a quote from the article: What other stylistic changes were there?


Background: Warren Edward Spahn (April 23, 1921 - November 24, 2003) was a Major League Baseball left-handed pitcher who played his entire 21-year baseball career in the National League. He won 20 games or more in 13 seasons, including a 23-7 record when he was age 42. Spahn was the 1957 Cy Young Award winner, and was the runner-up three times, all during the period when one award was given, covering both leagues. He was elected to the Baseball Hall of Fame in 1973, with 83% of the total vote.(His eligibility was delayed, under the rules of the time, by two years of token minor league play.)
Context: His major league career began in 1942 with the Braves and he spent all but one year with that franchise, first in Boston and then in Milwaukee. He finished his career in 1965 with the New York Mets and the San Francisco Giants. With 363 wins, Spahn is the 6th most winning pitcher in history, trailing only Cy Young (511), Walter Johnson (417), Grover Cleveland Alexander (373), Christy Mathewson (373), and Pud Galvin (364) on MLB's all-time list. He led the league in wins eight times (1949-50, 1953, 1957-61, each season with 20+ wins) and won at least 20 games an additional five times (1947, 1951, 1954, 1956, 1963). Spahn also threw two no-hitters (in 1960 and 1961, at ages 39 and 40), won 3 ERA titles (1947, 1953, and 1961), and four strikeout crowns (1949-52). He appeared in 14 All-Star Games, the most of any pitcher in the 20th century. He won the NL Player of the Month Award in August 1960 (6-0, 2.30 ERA, 32 SO) and August 1961 (6-0, 1.00 ERA, 26 SO) Spahn acquired the nickname "Hooks", not so much because of his pitching, but due to the prominent shape of his nose. He had once been hit in the face by a thrown ball that he was not expecting, and his broken nose settled into a hook-like shape. In Spahn's final season, during his stint with the Mets, Yogi Berra came out of retirement briefly and caught 4 games, one of them with Spahn pitching. Yogi later told reporters, "I don't think we're the oldest battery, but we're certainly the ugliest." Spahn was known for a very high leg kick in his delivery, as was his later Giants teammate Juan Marichal. Photo sequences show that this high kick served a specific purpose. As a left-hander, Spahn was able not only to watch any runner on first base, but also to not telegraph whether he was delivering to the plate or to first base, thereby forcing the runner to stay close to the bag. As his fastball waned, Spahn adapted, and relied more on location, changing speeds and a good screwball. He led or shared the lead in the NL in wins in 1957-61 (age 36 through 40). Spahn was also a good hitter, hitting at least one home run in 17 straight seasons, and finishing with an NL career record for pitchers, with 35 home runs. Wes Ferrell, who spent most of his time in the American League, holds the overall record for pitchers, with 37. CANNOTANSWER
Question: Did he lead the league in any categorizes?. Whats the answer?


Background: Catherine Zeta-Jones, CBE (; born 25 September 1969) is a Welsh actress. Born and raised in Swansea, Zeta-Jones aspired to be an actress from a young age. As a child, she played roles in the West End productions of the musicals Annie and Bugsy Malone. She studied musical theatre at the Arts Educational Schools, London, and made her stage breakthrough with a leading role in a 1987 production of 42nd Street.
Context: Steven Spielberg took notice of Zeta-Jones in Titanic and recommended her to Martin Campbell, who was directing The Mask of Zorro (1998) for Spielberg's production company. Campbell cast her as the leading lady in favour of Izabella Scorupco, who was his original choice for the part. Co-starring Anthony Hopkins and Antonio Banderas, the film tells the story of Zorro (Hopkins), a Mexican warrior who sets out to avenge the death of his wife and find his lost daughter Elena (Zeta-Jones). She found similarities between her "volatile" Celtic personality and her Latin character's temperament, and in preparation she studied dancing, riding and sword-fighting, and took diction lessons in Spanish. Filming the action and dance sequences while wearing heavy corsets in the humid Mexican desert proved to be a challenge for Zeta-Jones, but she found the experience "worth suffering for". The Mask of Zorro was positively received by the critics and earned over US$250 million worldwide. The role proved to be a breakthrough for her and she was nominated for the MTV Movie Award for Best Breakthrough Performance. Zeta-Jones' first release of 1999 was the heist film Entrapment, in which she starred opposite Sean Connery as a seductive insurance agent on the lookout for an art thief. Despite a negative critical reception, the film was a commercial success; Janet Maslin of The New York Times thought that the film provided Zeta-Jones a platform to "show off her slithery skills", and Desson Howe of The Washington Post called on viewers to appreciate the sex appeal she brought to the role. Later that year, Zeta-Jones appeared alongside Liam Neeson and Lili Taylor in The Haunting, a remake of the 1963 film of the same name about a team of paranormal experts who look into strange occurrences in an ill-fated mansion. The horror feature received generally poor reviews but found a significant worldwide audience. In a scathing review, the critic Mick LaSalle wrote that "Zeta-Jones seems less an actress and more a pretty face, and not an interesting one at that". After taking the supporting part of star John Cusack's romantic interest in the comedy-drama High Fidelity (2000), Zeta-Jones starred in Steven Soderbergh's Traffic (2000). In the ensemble thriller on drug abuse starring Michael Douglas and Benicio del Toro, she played Helena Ayala, the pregnant wife of a drug lord who takes over the business when her husband is arrested. Initially written by Soderbergh as a mother of two, he changed the part to that of a pregnant woman on Zeta-Jones' suggestion, to accommodate her own pregnancy. Highly profitable at the box office and critically acclaimed, Traffic was described by the Dallas Observer as "a remarkable achievement in filmmaking, a beautiful and brutal work". Edward Guthman of the San Francisco Chronicle found Zeta-Jones to be a standout among the ensemble and labelled her "sensational" in a scene in which she confronts a Tijuana dealer, adding that "through sheer conviction, she electrifies a moment that could have been absurd". The ensemble of Traffic won the SAG Award for Outstanding Cast and Zeta-Jones was nominated for the Golden Globe Award for Best Supporting Actress. CANNOTANSWER
Question: What happened in 2000?

Answer:


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Marcus Mosiah Garvey Jr. ONH (17 August 1887 - 10 June 1940) was a proponent of Black nationalism in the United States and most importantly Jamaica. He was a leader of a mass movement called Pan-Africanism and he founded the Universal Negro Improvement Association and African Communities League (UNIA-ACL). He also founded the Black Star Line, a shipping and passenger line which promoted the return of the African diaspora to their ancestral lands. Although most American Black leaders condemned his methods and his support for racial segregation, Garvey attracted a large following.

On 4 October 1916, the Daily Gleaner in Kingston published a letter written by Raphael Morgan, a Jamaican-American priest of the Ecumenical Patriarchate, together with over a dozen other like-minded Jamaican Americans, who wrote in to protest against Garvey's lectures. Garvey's views on Jamaica, they felt, were damaging to both the reputation of their homeland and its people, enumerating several objections to Garvey's stated preference for the prejudice of the American whites over that of English whites. Garvey's response was published a month later: he called the letter a conspiratorial fabrication meant to undermine the success and favour he had gained while in Jamaica and in the United States. While W. E. B. Du Bois felt that the Black Star Line was "original and promising", he added that "Marcus Garvey is, without doubt, the most dangerous enemy of the Negro race in America and in the world. He is either a lunatic or a traitor." Du Bois considered Garvey's program of complete separation a capitulation to white supremacy; a tacit admission that Blacks could never be equal to Whites. Noting how popular the idea was with racist thinkers and politicians, Du Bois feared that Garvey threatened the gains made by his own movement. Garvey suspected that Du Bois was prejudiced against him because he was a Caribbean native with darker skin. Du Bois once described Garvey as "a little, fat black man; ugly, but with intelligent eyes and a big head". Garvey called Du Bois "purely and simply a white man's nigger" and "a little Dutch, a little French, a little Negro ... a mulatto ... a monstrosity". This led to an acrimonious relationship between Garvey and the NAACP. In addition, Garvey accused Du Bois of paying conspirators to sabotage the Black Star Line in order to destroy his reputation. Garvey recognized the influence of the Ku Klux Klan and, after the Black Star Line was closed, sought to engage the South in his activism, since the UNIA now lacked a specific program. In early 1922, he went to Atlanta for a conference with KKK imperial giant Edward Young Clarke, seeking to advance his organization in the South. Garvey made a number of incendiary speeches in the months leading up to that meeting; in some, he thanked the whites for Jim Crow. Garvey once stated: "I regard the Klan, the Anglo-Saxon clubs and White American societies, as far as the Negro is concerned, as better friends of the race than all other groups of hypocritical whites put together. I like honesty and fair play. You may call me a Klansman if you will, but, potentially, every white man is a Klansman as far as the Negro in competition with whites socially, economically and politically is concerned, and there is no use lying." After Garvey's entente with the Klan, a number of African-American leaders appealed to U.S. Attorney General Harry M. Daugherty to have Garvey incarcerated. CANNOTANSWER


Background: Angela Yvonne Davis (born January 26, 1944) is an American political activist, academic, and author. She emerged as a prominent counterculture activist and radical in the 1960s as a leader of the Communist Party USA, and had close relations with the Black Panther Party through her involvement in the Civil Rights Movement. As a result of purchasing firearms used in the 1970 armed take-over of a Marin County, California courtroom, in which four persons were killed, she was prosecuted for conspiracy. She was later acquitted of this charge.
Context: Angela Davis was born in Birmingham, Alabama. Her family lived in the "Dynamite Hill" neighborhood, which was marked in the 1950s by the bombings of houses in an attempt to intimidate and drive out middle-class blacks who had moved into the area. Davis occasionally spent time on her uncle's farm and with friends in New York City. Her family included brothers Ben and Reginald and sister Fania. Ben played defensive back for the Cleveland Browns and Detroit Lions in the late 1960s and early 1970s. Davis attended Carrie A. Tuggle School, a segregated black elementary school, and later, Parker Annex, a middle-school branch of Parker High School in Birmingham. During this time, Davis' mother, Sallye Bell Davis, was a national officer and leading organizer of the Southern Negro Youth Congress, an organization influenced by the Communist Party, trying to build alliances among African Americans in the South. Consequently, Davis grew up surrounded by communist organizers and thinkers who significantly influenced her intellectual development. Davis was involved in her church youth group as a child, and attended Sunday school regularly. Davis attributes much of her political involvement to her involvement as a young girl in Birmingham with the Girl Scouts of the United States of America. She also participated in the Girl Scouts 1959 national roundup in Colorado. As a Girl Scout, she marched and picketed to protest racial segregation in Birmingham. By her junior year in high school, Davis had applied to and was accepted at an American Friends Service Committee (Quaker) program that placed black students from the South in integrated schools in the North. She chose Elisabeth Irwin High School in Greenwich Village. There she was introduced to socialism and communism, and recruited by a Communist youth group, Advance. CANNOTANSWER
Question: what was her life?

Answer:


Background: Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.
Context: Tan Dun earned more widespread attention after composing the score for Ang Lee's Crouching Tiger, Hidden Dragon (2000), for which he won an Academy Award, a Grammy Award, and a BAFTA Award. Other film credits include the aforementioned Hero (Zhang Yimou, 2002), Gregory Hoblit's Fallen (1998), and Feng Xiaogang's The Banquet (2006). Following the composition of the film score for Crouching Tiger, Hidden Dragon, Tan Dun rearranged the music to create the Crouching Tiger Concerto for cello, video, and chamber orchestra. Containing edited footage from the film, this work reverses the role of music in film by treating video as secondary. This same technique was later applied to his film scores for Hero and The Banquet, resulting in the larger work known as the Martial Arts Cycle. In 2002, Tan Dun continued experimenting with application of video in music The Map, also for cello, video, and orchestra. The Map features documentary footage depicting the lives of China's Tujia, Miao, and Dong ethnic minorities. The musicians onstage, including the cello soloist, interact with the musicians onscreen--a duet of live and recorded performance. The work was premiered and commissioned by the Boston Symphony Orchestra with Yo-Yo Ma. Tan Dun's most recent multimedia work, Nu Shu: The Secret Songs of Women (2013), is a 13-movement work for video, solo harp, and orchestra. Following years of ethnomusicological research in Hunan, the work captures the sounds of Nushu script, a phonetic writing system devised by women speakers of the Shaozhou Tuhua dialect who had been disallowed from receiving formal education. Considered a dying language, Tan Dun's research resulted in a series of short films of women singing songs written in Nushu, which are presented alongside the orchestral performance. As with The Map, the songs in the video are used in counterpoint to the live music. CANNOTANSWER
Question: What did Tan do with film?. Whats the answer?


Which entity is this text about?

Herman Northrop Frye  (July 14, 1912 - January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, Fearful Symmetry (1947), which led to the reinterpretation of the poetry of William Blake. His lasting reputation rests principally on the theory of literary criticism that he developed in Anatomy of Criticism (1957), one of the most important works of literary theory published in the twentieth century. The American critic Harold Bloom commented at the time of its publication that Anatomy established Frye as "the foremost living student of Western literature."

The recurring primitive formulas Frye noticed in his survey of the "greatest classics" provide literature with an order of words, a "skeleton" which allows the reader "to respond imaginatively to any literary work by seeing it in the larger perspective provided by its literary and social contexts" (Hamilton 20). Frye identifies these formulas as the "conventional myths and metaphors" which he calls "archetypes" (Spiritus Mundi 118). The archetypes of literature exist, Frye argues, as an order of words, providing criticism with a conceptual framework and a body of knowledge derived not from an ideological system but rooted in the imagination itself. Thus, rather than interpreting literary works from some ideological 'position' -- what Frye calls the "superimposed critical attitude" (Anatomy 7) -- criticism instead finds integrity within the literary field itself. Criticism for Frye, then, is not a task of evaluation -- that is, of rejecting or accepting a literary work -- but rather simply of recognizing it for what it is and understanding it in relation to other works within the 'order of words'  (Cotrupi 4). Imposing value judgments on literature belongs, according to Frye, "only to the history of taste, and therefore follows the vacillations of fashionable prejudice" (Anatomy 9). Genuine criticism "progresses toward making the whole of literature intelligible" (Anatomy 9) so that its goal is ultimately knowledge and not evaluation. For the critic in Frye's mode, then, . . . a literary work should be contemplated as a pattern of knowledge, an act that must be distinguished, at least initially, from any direct experience of the work, . . . [Thus] criticism begins when reading ends: no longer imaginatively subjected to a literary work, the critic tries to make sense out of it, not by going to some historical context or by commenting on the immediate experience of reading but by seeing its structure within literature and literature within culture (Hamilton 27). CANNOTANSWER


Answer by taking a quote from the following article:

Roscoe Conkling Arbuckle was born on March 24, 1887 in Smith Center, Kansas, one of nine children of Mary E. "Mollie" Gordon (d. February 19, 1898) and William Goodrich Arbuckle. He weighed in excess of 13 lb (5.9 kg) at birth and, as both parents had slim builds, his father believed the child was not his. Consequently, he named the baby after a politician (and notorious philanderer) whom he despised, Republican senator Roscoe Conkling of New York. The birth was traumatic for Mollie and resulted in chronic health problems that contributed to her death 12 years later.

In 1904, Sid Grauman invited Arbuckle to sing in his new Unique Theater in San Francisco, beginning a long friendship between the two. He then joined the Pantages Theatre Group touring the West Coast of the United States and in 1906 played the Orpheum Theater in Portland, Oregon in a vaudeville troupe organized by Leon Errol. Arbuckle became the main act and the group took their show on tour. On August 6, 1908, Arbuckle married Minta Durfee (1889-1975), the daughter of Charles Warren Durfee and Flora Adkins. Durfee starred in many early comedy films, often with Arbuckle. They made a strange couple, as Minta was short and petite while Arbuckle tipped the scales at 300 lbs. Arbuckle then joined the Morosco Burbank Stock vaudeville company and went on a tour of China and Japan returning in early 1909. Arbuckle began his film career with the Selig Polyscope Company in July 1909 when he appeared in Ben's Kid. Arbuckle appeared sporadically in Selig one-reelers until 1913, moved briefly to Universal Pictures and became a star in producer-director Mack Sennett's Keystone Cops comedies (However, according to the Motion Picture Studio Directory for 1919 and 1921, Arbuckle began his screen career with Keystone in 1913 as an extra for $3 a day (equivalent to approximately $74 in 2017 dollars), working his way up through the acting ranks to become a lead player and director.) Although his large size was undoubtedly part of his comedic appeal Arbuckle was self-conscious about his weight and refused to use it to get "cheap" laughs. For example, he would not allow himself to be stuck in a doorway or chair. Arbuckle was a talented singer. After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "...give up this nonsense you do for a living, with training you could become the second greatest singer in the world." CANNOTANSWER

Did he ever become a lead player and director?


Background: Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.
Context: In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, named for the I Ching (Yi Jing in pinyin). Each numbered work in the series builds upon the original, Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. The first concerto in the series, Yi1: Intercourse of Fire and Water (1994), was written for and premiered by cellist Anssi Karttunen. The second work, Yi2: Concerto for Guitar and Orchestra (1996), combines flamenco and pipa techniques and was premiered by Sharon Isbin. Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Commissioned and premiered by the Berlin Philharmonic, the work is a musical exploration of the Silk Road. To achieve these sounds, the cello soloists employ sitar and pipa techniques. Tan Dun wrote a concerto for Lang Lang titled Piano Concerto: "The Fire" (2008), a commission by the New York Philharmonic. The concerto is reportedly inspired by the composer's love for martial arts, and the soloist is instructed to play certain passages of the music with fists and forearms. Other more tranquil sections evoke ancient Chinese instruments such as the guqin. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. The resultant work, Internet Symphony No. 1 "Eroica", was recorded by the London Symphony Orchestra and uploaded to YouTube in November 2008, thus beginning the open call for video audition submissions. Voted on by members of the YouTube community as well as professional musicians, the YTSO was assembled of 96 musicians from over 30 countries. In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work. CANNOTANSWER
Question: What was another piece that he wrote?. Whats the answer?


The Kentucky Headhunters is an American country rock and Southern rock band. They were founded in 1968 as Itchy Brother, which consisted of brothers Richard Young (rhythm guitar, vocals) and Fred Young (drums) along with Greg Martin (lead guitar, vocals) and Anthony Kenney (bass guitar, vocals). Itchy Brother performed together until 1982, with James Harrison replacing Martin from 1973 to 1976. The Young brothers and Martin began performing as The Kentucky Headhunters in 1986, adding brothers Ricky Lee Phelps (lead vocals, harmonica) and Doug Phelps (bass guitar, backing vocals) to the membership.

In 1991, the band released their second album, Electric Barnyard. Although the album earned a gold certification from the RIAA and a second CMA award for Vocal Group of the Year, its singles received little airplay compared to the band's previous releases, with none of the four singles reaching the top 40 on the U.S. country charts. The album's first single was a cover of "The Ballad of Davy Crockett," which was released on the 155th anniversary of Davy Crockett's death; the single shipped to radio with promotional coonskin caps. It spent eleven weeks on the charts and peaked at 49. "With Body and Soul" was the next single released, peaking at number 30 on the Canadian RPM country charts but reaching number 56 in the United States. The third and fourth singles were the original composition "It's Chitlin' Time" and a rendition of Waylon Jennings's "Only Daddy That'll Walk the Line," at numbers 63 and 60 respectively. Norman Greenbaum's 1969 single "Spirit in the Sky" was covered on this album as well. This album was met with mixed reception from critics. Alanna Nash of Entertainment Weekly gave it an A rating, saying that it "skillfully blends raw wit, the working-class energy of sweat-stained factory workers jamming between shifts, and musical styles as diverse as the corny Tennessee Ernie Ford and the creamy Eric Clapton." Allmusic critic Brian Mansfield, who gave it three-and-a-half stars, called the band a "top-notch Southern rock band with a sense of humor," and said that the covers on Electric Barnyard were highlights, while the originals were "adequate, offbeat filler." Randy Lewis of the Los Angeles Times called the band "ZZ Top lite" and said that most of the songs on the album had a "party-hearty sound." Later in 1991, The Kentucky Headhunters performed with Roy Rogers on the song "That's How the West Was Swung" from his Tribute album, and covered Canned Heat's "Let's Work Together" for the soundtrack to the film Harley Davidson and the Marlboro Man. In addition, Martin played lead guitar for Canadian synthpop band Men Without Hats on its 1991 album Sideways and filled in for Southern rock band Lynyrd Skynyrd guitarist Ed King on that band's 1992 tour, as King was injured at the time. Ricky Lee and Doug departed in June 1992 due to creative differences. According to Richard, Ricky Lee's tenure as lead vocalist was "a bad time" for the band given his opposition to Richard's opinions, although Richard was still surprised to hear of the brothers' departure, and said, "I tried everything I could to get them to stay." Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. CANNOTANSWERAnswer this question using a quote from the following article:

What tour was that


Glenda May Jackson, CBE (born 9 May 1936) is a British actress and former Labour Party politician. As a professional actress from the late 1950s, she spent four years as a member of the Royal Shakespeare Company from 1964, being particularly associated with the work of director Peter Brook. During her film career, she won two Academy Awards for Best Actress: for Women in Love (1970), and A Touch of Class (1973). Other award-winning performances include Alex in the film Sunday Bloody Sunday (1971) and the BBC television serial Elizabeth R (also 1971); for the latter, she received a Primetime Emmy Award.

Jackson's starring role in Ken Russell's film of Women in Love (1969) led to her winning her first Academy Award for Best Actress. Brian McFarlane, the main author of The Encyclopedia of British Film, has written: "Her blazing intelligence, sexual challenge and abrasiveness were at the service of a superbly written role in a film with a passion rare in the annals of British cinema." In the process of gaining funding for The Music Lovers (1970) from United Artists, Russell explained it as "the story of a homosexual who marries a nymphomaniac", the couple being the composer Pyotr Ilyich Tchaikovsky (Richard Chamberlain) and Antonina Miliukova played by Jackson. This film received mixed reviews in the U.S.: the anonymous reviewer in Variety wrote of the two principals "Their performances are more dramatically bombastic than sympathetic, or sometimes even believable". Jackson was initially interested in the role of Sister Jeanne in The Devils (1971), Russell's next film, but turned it down after script rewrites and deciding that she did not wish to play a third neurotic character in a row. In order to play Queen Elizabeth I in the BBC's serial Elizabeth R (1971), Jackson had her head shaved. After the series was shown on PBS in the US, Jackson received two Primetime Emmy Awards for her performance. She also portrayed Queen Elizabeth in the film Mary, Queen of Scots, and gained a BAFTA for her role in John Schlesinger's Sunday Bloody Sunday (both 1971). In that year British exhibitors voted her the 6th most popular star at the British box office, and she appeared in a comedy sketch as Cleopatra for The Morecambe and Wise Show including delivering the line 'All men are fools and what makes them so is having beauty like what I have got.' Filmmaker Melvin Frank saw her comedic potential on the Morecambe and Wise Show and offered her the lead female role in his next project. She gained a second Academy Award for Best Actress for A Touch of Class (1973). She continued to work in the theatre, and returned to the RSC to play the lead role in Ibsen's Hedda Gabler. A later film version directed by Nunn was released as Hedda (1975) for which Jackson was nominated for an Oscar. In 1978, she scored box office success in the United States in the romantic comedy House Calls, which co-starred Walter Matthau. Jackson and Matthau teamed again in the comedy Hopscotch (1980), which was a mild success, but not as popular as expected. For her 1980 appearance on The Muppet Show, she told the producers that she would perform any material they liked; this turned out to be a role where she has a delusion that she is a pirate captain who hijacks the Muppet Theatre as her ship. CANNOTANSWER

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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWERAnswer this question using a quote from the following article:

Who was an opponent of wagner


The Black Dahlia Murder is an American death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. The band currently comprises vocalist Trevor Strnad, guitarists Brian Eschbach and Brandon Ellis, drummer Alan Cassidy, and bassist Max Lavelle. Out of the eight studio albums they have released to date, the last seven have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands.

In early 2013, despite the news of the departure of two band members (drummer Shannon Lucas and bassist Bart Williams), plans were announced for an upcoming album release, to be entitled Everblack. Tentative plans estimated its release to be early summer 2013; likely June. On April 10, 2013, the iTunes Store was updated with official release and availability information, including cover art, a full track listing, and an official U.S. release date of June 11, 2013. The album has 10 tracks in total. On the same day, the band's first single from Everblack was made available for purchase and download, titled "Into The Everblack". The album itself was then released on June 11 and peaked at No. 32 on the U.S. Billboard 200. On November 28, 2014 (the day after Thanksgiving), The Black Dahlia Murder released a 7" EP titled Grind 'Em All featuring 3 short grindcore covers of punk rock songs: a cover of "Ripped Up" by Left for Dead, of "Rebel Without a Car" by Sedition and of "Populous" by Gyga. The covers were originally recorded almost 10 years earlier during the era of Miasma. The EP was released as part of Record Store Day's Black Friday event via A389 Recordings (rather than the band's label, Metal Blade Records), made available for purchase on the band's online merchandise store and also streamed in its entirety via Exclaim!. The album art for Grind 'Em All was designed by Szymon Siech. Lead guitarist Ryan Knight confirmed in early 2015 that the band will deliver a seventh studio release that year, followed by extensive touring, and that he is planning to start working on a solo album afterwards. Vocalist Trevor Strnad stated that the band's new album, titled Abysmal, will be "more raw and natural sounding" and feature "more dynamic and developed songs" than their previous work. "Vlad, Son of the Dragon", the first song from the album, was released online on June 24, followed by "Receipt" on July 22 and "Threat Level No. 3" on August 19. Abysmal was produced by Mark Lewis and Ryan Williams and released worldwide through Metal Blade on September 18. In early February 2016, it was announced that Knight had left the band; Brandon Ellis will replace him as touring lead guitarist. CANNOTANSWER

Had Ellis worked with them before?


Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys (1601-1680), a tailor, and Margaret Pepys (nee Kite; died 1667), daughter of a Whitechapel butcher. His great uncle Talbot Pepys was Recorder and briefly Member of Parliament (MP) for Cambridge in 1625. His father's first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, and appointed Lord Chief Justice of Ireland on 25 September 1655. Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor.

Outbreaks of plague were not particularly unusual events in London; major epidemics had occurred in 1592, 1603, 1625 and 1636. Furthermore, Pepys was not among the group of people who were most at risk. He did not live in cramped housing, he did not routinely mix with the poor, and he was not required to keep his family in London in the event of a crisis. It was not until June 1665 that the unusual seriousness of the plague became apparent, so Pepys's activities in the first five months of 1665 were not significantly affected by it. Indeed, Claire Tomalin writes that "the most notable fact about Pepys's plague year is that to him it was one of the happiest of his life." In 1665, he worked very hard, and the outcome was that he quadrupled his fortune. In his annual summary on 31 December, he wrote, "I have never lived so merrily (besides that I never got so much) as I have done this plague time". Nonetheless, Pepys was certainly concerned about the plague. On 16 August he wrote: But, Lord! how sad a sight it is to see the streets empty of people, and very few upon the 'Change. Jealous of every door that one sees shut up, lest it should be the plague; and about us two shops in three, if not more, generally shut up. He also chewed tobacco as a protection against infection, and worried that wig-makers might be using hair from the corpses as a raw material. Furthermore, it was Pepys who suggested that the Navy Office should evacuate to Greenwich, although he did offer to remain in town himself. He later took great pride in his stoicism. Meanwhile, Elisabeth Pepys was sent to Woolwich. She did not return to Seething Lane until January 1666, and was shocked by the sight of St Olave's churchyard, where 300 people had been buried. CANNOTANSWER

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Background: The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.
Context: In George Perry's book The Life of Python (1999) he comments: "In the Britain of 1950, humour was derived from three main sources: print, film and radio, and despite the advent of television, throughout the 1950s radio remained the dominant source of broadcast comedy. In this period, two radio comedy shows exercised a profound influence. The first was Take It From Here, with its polished professionalism. The other was The Goon Show, with its absurdity, manic surreality and unpredictability." On the influence of The Goons, Eric Sykes wrote that in the post-World War II years, "other shows came along but 'The House of Comedy' needed electricity. Then, out of the blue ... The Goons ...Spike Milligan simply blew the roof off, and lit the whole place with sunshine. At a cursory glance, The Goon Show was merely quick-fire delivery of extremely funny lines mouthed by eccentric characters, but this was only the froth. In The Goon Show, Spike was unknowingly portraying every facet of the British psyche". Sykes and Milligan, along with Ray Galton, Alan Simpson, Frankie Howerd and Stanley ("Scruffy") Dale, co-founded the writers' cooperative Associated London Scripts (ALS), which over time included others such as Larry Stephens. In his book Spike & Co (2006, pp. 344-345), Graham McCann says "the anarchic spirit of the Goon Show...would inspire, directly or indirectly and to varying extents, Monty Python's Flying Circus, The Hitchhiker's Guide to the Galaxy, The Young Ones, Vic Reeves Big Night Out, The League of Gentlemen, Brass Eye and countless other strange and bold new comedies". Other ALS-related comedies such as Sykes and A..., Hancock's Half Hour, Steptoe and Son, Beyond Our Ken, and Round The Horne influenced their own genres of comedy. Eddie Izzard notes that the Goons and Milligan in particular "influenced a new generation of comedians who came to be known as 'alternative'." In Ventham's (2002, p. 151) compilation, John Cleese notes that "In comedy, there are a very small number of defining moments when somebody comes along and genuinely creates a breakthrough, takes us into territory where nobody has been before. The only experiences to which I can compare my own discovery of the Goons are going to see N F Simpson's play One Way Pendulum ... or, later on, hearing Peter Cook for the first time. They were just light years ahead of everyone else." CANNOTANSWER
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Background: Thomas Lawson "Tom" McCall (March 22, 1913 -  January 8, 1983) was an American politician and journalist in the state of Oregon. A Republican, he was the 30th Governor of Oregon from 1967 to 1975. A native of Massachusetts, he grew up there and in Central Oregon before attending the University of Oregon. After college he worked as a journalist including time at Portland's The Oregonian during World War II.
Context: In 1970 McCall was faced with a potential riot in Portland. In May of that year a week-long student protest at Portland State University over the Kent State shootings had ended with charges of excessive police violence. The American Legion had scheduled a convention in Portland later that summer; local antiwar groups were organizing a series of demonstrations at the same time under the name of the "People's Army Jamboree" and expected to draw up to 50,000 protesters. After attempts to convince the People's Army Jamboree to either not carry out their plans or to move the date, McCall decided to hold a rock festival at Milo McIver State Park near Estacada, Oregon called "Vortex I: A Biodegradable Festival of Life," in imitation of the famous Woodstock Festival held the previous year. "I think I just committed political suicide," McCall is reported to have remarked immediately after approving the event. Vortex was the first and so far only state-sponsored rock festival in U.S. history. The festival, nicknamed "The Governor's Pot Party" by Oregonians, was a success, attracting between 50,000 and 100,000 people. Gold, The Portland Zoo, Osceola, Fox, and Chrome Cyrcus were among the bands that played. The media announced that Santana, Jefferson Airplane and the Grateful Dead were on the way but none of them appeared. The feared violent clash between the antiwar groups and the conservative American Legion was avoided, and the city of Portland passed the summer relatively uneventfully. And in the general election that November, McCall was returned to office with 56% of the vote. CANNOTANSWER
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Josephine Elizabeth Butler (nee Grey; 13 April 1828 - 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage, the right of women to better education, the end of coverture in British law, the abolition of child prostitution, and an end to human trafficking of young women and children into European prostitution. Grey grew up in a well-to-do and politically connected progressive family which helped develop in her a strong social conscience and firmly held religious ideals. She married George Butler, an Anglican divine and schoolmaster, and the couple had four children, the last of whom, Eva, died falling from a banister.

Josephine Grey was born on 13 April 1828 at Milfield, Northumberland. She was the fourth daughter and seventh child of Hannah (nee Annett) and John Grey, a land agent and agricultural expert, who was a cousin of the reformist British Prime Minister, Lord Grey. In 1833 John was appointed manager of the Greenwich Hospital Estates in Dilston, near Corbridge, Northumberland, and the family moved to the area, where John acted as Lord Grey's chief political agent in Northumberland. In this role John promoted his cousin's political opinions locally, including support for Catholic emancipation, the abolition of slavery, the repeal of the Corn Laws and reform of the poor laws. Josephine was taught at home before completing her schooling at a boarding school in Newcastle upon Tyne which she attended for two years. John treated his children equally within the home. He educated them in politics and social issues and exposed them to various politically important visitors. John's political work and ideology had a strong influence on his daughter, as did the religious teaching she received from her mother; the family background and the circles in which she moved formed a strong social conscience and a staunch religious faith. At about the age of 17 Grey went through a religious crisis, which probably stemmed from an incident in which she discovered the body of a suicide while out riding. She became disenchanted with her weekly church attendance, describing the local vicar as "an honest man in the pulpit ... [who] taught us loyally all that he probably himself knew about God, but whose words did not even touch the fringe of my soul's deep discontent". Following her crisis, Grey did not identify with any single strand of Christianity, and remained critical of the Anglican church. She later wrote that she "imbibed from childhood the widest ideas of vital Christianity, only it was Christianity. I have not much sympathy with the Church". She began to speak directly to God in her prayers: I spoke to Him in solitude, as a person who could answer. ... Do not imagine that on these occasions I worked myself up into any excitement; there was much pain in such an effort, and dogged determination required. Nor was it a devotional sentiment that urged me on. It was a desire to know God and my relation to Him. In mid-1847 Grey visited her brother in County Laois, Ireland. It was at the height of the Great Famine and the first time she had come into contact with widespread suffering among the poor; she was deeply affected by her experiences and later recalled that "As a young girl, I had no conception of the full meaning of the misery I saw around me, yet it printed itself upon my brain and memory." CANNOTANSWER

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The Seekers are an Australian folk-influenced pop quartet, originally formed in Melbourne in 1962. They were the first Australian pop music group to achieve major chart and sales success in the United Kingdom and the United States. They were popular during the 1960s with their best-known configuration as: Judith Durham on vocals, piano, and tambourine; Athol Guy on double bass and vocals; Keith Potger on twelve-string guitar, banjo, and vocals; and Bruce Woodley on guitar, mandolin, banjo, and vocals. The group had Top 10 hits in the 1960s with "I'll Never Find Another You", "A World of Our Own", "Morningtown Ride", "Someday, One Day" (written by Paul Simon),

The Seekers were offered a twelve-month position as on-board entertainment on the Sitmar Line passenger cruise ship Fairsky in March 1964. In May, they travelled to the U.K. and had intended to return to Australia after staying ten weeks, but upon arrival they were offered work by a London booking agency, the Grade Organisation. They signed there with World Record Club and issued a single, "Myra", co-written by the group. The group regularly appeared on a British TV show series, "Call in on Carroll", hosted by Ronnie Carroll. After filling in on a bill headlined by folk singer Dusty Springfield, they met her brother, songwriter and producer Tom Springfield, who had experience with writing folk-pop material and lyrics/tunes with the siblings' earlier group The Springfields. He penned "I'll Never Find Another You", which they recorded in November 1964. It was released by EMI Records, on their Columbia Graphophone Company (Columbia) label, in December and was championed by the offshore radio station "Radio Caroline" which frequently played and promoted their music. Despite the fact that the group had not signed a contract with EMI, the single reached the U.K. "Top 50" and began selling well. In February 1965, it reached No.1 in the U.K. and Australia, and No.4 in the United States where it was released on EMI's Capitol Records label. "I'll Never Find Another You" was the seventh biggest-selling single in Britain for 1965 though their own "The Carnival Is Over", released later in the year, would eventually eclipse it - and went on to sell 1.75 million copies worldwide. The Seekers were the first Australian pop group to have a "Top 5" hit in all three countries - Australia, U.K. and U.S.A. Australian music historian, Ian McFarlane described their style as "concentrated on a bright, uptempo sound, although they were too pop oriented to be considered strictly folk and too folk to be rock." The distinctive soprano voice of Durham, the group's vocal harmonies and memorable songs encouraged the British media, including the national broadcasting agency on radio and television, the BBC, to give them exposure, allowing them to appeal to a broad cross-section of the young British folk, pop and rock music audience. CANNOTANSWER

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The Rolling Stones are an English rock band formed in London, England in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974.

The group's fortunes changed in 1978, after the band released Some Girls (UK No. 2; US No. 1), which included the hit single "Miss You", the country ballad "Far Away Eyes", "Beast of Burden", and "Shattered". In part as a response to punk, many songs, particularly "Respectable", were fast, basic, guitar-driven rock and roll, and the album's success re-established the Rolling Stones' immense popularity among young people. Following the US Tour 1978, the band guested on the first show of the fourth season of the TV series Saturday Night Live. Following the success of Some Girls, the band released their next album Emotional Rescue (UK 1; US 1) in mid-1980. During the recording sessions of the album, a rift between Jagger and Richards was slowly beginning to form. Richards wanted to tour in summer or autumn of 1980 to promote the new album. Much to his disappointment, Jagger declined. Emotional Rescue hit the top of the charts on both sides of the Atlantic and the title track reached No.3 in the US. In early 1981, the group reconvened and decided to tour the US that year, leaving little time to write and record a new album, as well as rehearse for the tour. That year's resulting album, Tattoo You (UK 2; US 1), featured a number of outtakes, including lead single "Start Me Up", which reached No.2 in the US and ranked No.22 on Billboard's Hot 100 year-end chart. Two songs ("Waiting on a Friend" (US No. 13) and "Tops") featured Mick Taylor's unused rhythm guitar tracks, while jazz saxophonist Sonny Rollins played on "Slave" and "Waiting on a Friend". The Rolling Stones scored one more top 20 hit on the Billboard Hot 100 in 1982, the No. 20 hit "Hang Fire". The Stones' American Tour 1981 was their biggest, longest and most colourful production to date, with the band playing from 25 September through 19 December. It was the highest grossing tour of that year. The tour included a concert at Chicago's Checkerboard Lounge with Muddy Waters, in what would be one of his last performances before his death in 1983. Some shows were recorded, resulting in the 1982 live album Still Life (American Concert 1981) (UK 4; US 5), and the 1983 Hal Ashby concert film Let's Spend the Night Together, which was filmed at Sun Devil Stadium in Tempe, Arizona and the Brendan Byrne Arena in the Meadowlands, New Jersey. In mid-1982, to commemorate their 20th anniversary, the Rolling Stones took their American stage show to Europe. The European Tour 1982 was their first European tour in six years, with a similar format to the American tour. The band were joined by former Allman Brothers Band keyboardist Chuck Leavell, who continues to perform and record with the Rolling Stones. By the end of the year, the band had signed a new four-album recording deal with a new label, CBS Records, for a reported $50 million, then the biggest record deal in history. CANNOTANSWER

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Katrina Kaif (pronounced [k@'tri:na: 'ke:f], born Katrina Turquotte, 16 July 1983) is an English actress who works in Hindi films. Despite receiving mixed reviews from critics for her acting prowess, she has established herself in Bollywood, and is considered among the country's most attractive and highest-paid actresses. Born in Hong Kong, Kaif and her family lived in several countries before she moved to London. She received her first modelling assignment as a teenager and later pursued a career as a fashion model.

Kaif's personal life has been the subject of extensive media attention. She is reluctant to discuss her romantic life: "I have always believed that there is life before marriage and after marriage. Before marriage ... you are termed a single woman and I choose to conduct that part of my life with absolute dignity and discretion". Although rumours of a relationship with Salman Khan first emerged in 2003, it was not until after their 2010 breakup that Kaif spoke of the affair, calling it her first serious relationship. They have remained friends, and the actress credits Khan with giving her confidence and guidance: The reported reason for their breakup was Kaif's increasing closeness to Ranbir Kapoor during the filming of Ajab Prem Ki Ghazab Kahani. Although this was denied by Kaif and Kapoor, the nature of their relationship was scrutinised by the media because they were thought to be involved with others at the time. In August 2013, photographs of Kapoor and Kaif on holiday in Ibiza were leaked by Stardust; the media interpreted this as confirmation of an affair. After the appearance of the photos, Kaif published an open letter to the media saying that she was "upset, distressed and invaded" by the breach of privacy. She later acknowledged Kapoor as "an extremely important part of [her] life". In February 2016, the media reported that they had broken up. Kaif has a close relationship with her family, and the lack of a father figure in her life has given her a sense of responsibility towards them. While Kaif's mother is Christian and her father is Muslim, Kaif was brought up to practise all faiths and says she is a "firm believer in God". The Times of India reported in 2009 that she visits Siddhivinayak Temple, Mount Mary Church and the Sufi shrine Ajmer Sharif Dargah before her films are released. CANNOTANSWER

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Charles Michael Kittridge Thompson IV (born April 6, 1965) is an American singer, songwriter and guitarist. He is best known as the frontman of the influential alternative rock band Pixies, with whom he performs under the stage name Black Francis. Following the band's breakup in 1993, he embarked on a solo career under the name Frank Black. After releasing two albums with record label 4AD and one with American Recordings, he left the label and formed a new band, Frank Black and the Catholics.

Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears," composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed the Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Husker Du and Peter, Paul and Mary." Drummer David Lovering was later hired on recommendation from Deal's husband. In 1987, the Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, loaning $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time." The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son." In 1988, the Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic," which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven," was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh (whom he had met in the band's early days), performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment. The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Thompson's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass," which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" (from Surfer Rosa) and "Silver" (from Doolittle), from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993. CANNOTANSWER


Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.

On 9 November 2009 he scored 73 runs against New Zealand which was a record for a number 10 batsman in ODI history until Ravi Rampaul surpassed that record with scoring 86* when batting at number 10 position in 2011. In that innings, with his batting partner Saeed Ajmal, Amir added 103 runs to Pakistan's chase, only to fall short by 7 runs. He impressed the Pakistan cricket team, including Wasim Akram, who took credit for discovering Amir, although Akram later commented that Amir needed to gain more weight to aid his development. Later in 2009, Pakistan toured Sri Lanka and in the first One Day International match, he shared a 62 run partnership with fast bowler Umar Gul for the tenth wicket but Pakistan lost by 36 runs. He also played a game against New Zealand in 2009-2010. During a match in the third One Day International match, when Pakistan were reduced to 8 wickets for 86 runs, he scored 73 runs not out, making the highest score by a number 10 batsman in One Day International cricket and putting on a 103 runs, 10th wicket partnership with Saeed Ajmal. He was unable to get his side to their victory target of 212 runs, as Ajmal was declare out in the last over and Pakistan lost by just 7 runs. During the Test match series against Australia in 2010, at the Melbourne Cricket Ground, he took his first five wicket haul, taking the wickets of Australian batsmen Ricky Ponting, Michael Hussey and Michael Clarke. On 24 July 2010 he was influential in helping Pakistan win the 2nd Test match against Australia; the first Test match Pakistan had won against them in 15 years, which also drew the series 1-1. During this match he took 7 wickets overall, and was declared man of the match. Overall, in the second series, he was the leading wicket taker of both teams with his 11 scalps. In the summer of 2010, Amir was awarded the man of the match award for becoming the youngest player to ever take a five-wicket haul in England. He also became the youngest player to take 50 test wickets earning praise from several former international cricketers. In that eventful series against England, he took 19 wickets, the highest of the Pakistanis and third highest overall at an outstanding average of 18.3. He also took 2 five-wicket hauls. CANNOTANSWERAnswer this question using a quote from the following article:

Was he written about in the international press?


Background: James Bond Stockdale (December 23, 1923 - July 5, 2005) was a United States Navy vice admiral and aviator awarded the Medal of Honor in the Vietnam War, during which he was a prisoner of war for over seven years. Commander Stockdale was the senior naval officer held captive in Hanoi, North Vietnam. He had led aerial attacks from the carrier USS Ticonderoga (CVA-14) during the 1964 Gulf of Tonkin Incident. On his next deployment, while Commander of Carrier Air Wing Sixteen aboard the carrier USS Oriskany (CV-34), his A-4 Skyhawk jet was shot down in North Vietnam on September 9, 1965.
Context: On June 5, 1946 he graduated with a Bachelor of Science degree from the Naval Academy with the Class of 1947 due to the reduced schedule still in effect from World War II. Academically he ranked 130th among 821 graduates in his class. His first assignment was assistant gunnery officer aboard the destroyer minesweeper USS Carmick (DD-493) from June to October 1946. He next served aboard the USS Thompson (DD-627) from October 1946 to February 1947, the USS Charles H. Roan (DD-853) from February 1947 to July 1948, and the USS Deming (PCS-1392) from July 1948 to June 1949. Stockdale was accepted for flight training in June 1949 and reported to Naval Air Station Pensacola in Florida. He was designated a Naval Aviator at Naval Air Station Corpus Christi in Texas, in September 1950. He was next assigned for additional training at Naval Air Station Norfolk in Virginia from October 1950 to January 1951. In January 1954, he was accepted into the United States Naval Test Pilot School at the Naval Air Station Patuxent River base in Southern Maryland and completed his training in July 1954. There he tutored U.S. Marine Corps aviator John Glenn in math and physics. He was a test pilot until January 1957. In 1959, the U.S. Navy sent Stockdale to Stanford University where he received a Master of Arts degree in international relations and comparative Marxist thought in 1962. Stockdale preferred the life of a fighter pilot over academia, but later credited Stoic philosophy with helping him cope as a prisoner of war. On 2 August 1964, while on a DESOTO patrol in the Tonkin Gulf, the destroyer USS Maddox (DD-731) engaged 3 North Vietnamese Navy P-4 torpedo boats from the 135th Torpedo Squadron. After fighting a running gun and torpedo battle, in which Maddox fired over 280 5-inch (130 mm) shells, and the torpedo boats expended their 6 torpedoes (all misses) and hundreds of rounds of 14.5mm machinegun fire; the combatants broke contact. As the torpedo boats turned for their North Vietnamese coastline, four F-8 Crusader fighter aircraft from USS Ticonderoga (CV-14) arrived, and immediately attacked the retreating torpedo boats. Stockdale (commander VF-51 (Fighter Squadron 51)), with Lieutenant (Junior Grade) Richard Hastings attacked torpedo boats T-333 and T-336, while Commander R. F. Mohrhardt and Lieutenant Commander C. E. Southwick attacked torpedo boat T-339. The four F-8 pilots reported scoring no hits with their Zuni rockets, but reported hits on all three torpedo boats with their 20mm cannon. Two nights later, on 4 August 1964, Stockdale was overhead during the second reported attack in the Tonkin Gulf. Unlike the first event, which was an actual sea battle, no Vietnamese forces were, however, believed to have been involved in the second engagement. In the early 1990s, he recounted: "[I] had the best seat in the house to watch that event, and our destroyers were just shooting at phantom targets--there were no PT boats there.... There was nothing there but black water and American fire power." The next morning, on 5 August 1964, President Johnson ordered bombing raids on North Vietnamese military targets which he announced were retaliation for the alleged incident of 4 August. When Stockdale was awoken in the early morning and was told he was to lead these attacks he responded: "Retaliation for what?" Later, while a prisoner of war, he was concerned that he would be forced to reveal this secret about the Vietnam War. On 9 September 1965, while flying from USS Oriskany on a mission over North Vietnam, Stockdale ejected from his Douglas A-4 Skyhawk, which had been struck by enemy fire and completely disabled. He parachuted into a small village, where he was severely beaten and taken prisoner. Stockdale was held as a prisoner of war in the Hoa Lo prison (the infamous "Hanoi Hilton") for the next seven and a half years. As the senior Naval officer, he was one of the primary organizers of prisoner resistance. Tortured routinely and denied medical attention for the severely damaged leg he suffered during capture, Stockdale created and enforced a code of conduct for all prisoners which governed torture, secret communications, and behavior. In the summer of 1969, he was locked in leg irons in a bath stall and routinely tortured and beaten. When told by his captors that he was to be paraded in public, Stockdale slit his scalp with a razor to purposely disfigure himself so that his captors could not use him as propaganda. When they covered his head with a hat, he beat himself with a stool until his face was swollen beyond recognition. When Stockdale was discovered with information that could implicate his friends' "black activities", he slit his wrists so they could not torture him into confession. Early in Stockdale's captivity, his wife, Sybil Stockdale, organized The League of American Families of POWs and MIAs, with other wives of servicemen who were in similar circumstances. By 1968, she and her organization, which called for the President and the U.S. Congress to publicly acknowledge the mistreatment of the POWs (something that had never been done despite evidence of gross mistreatment), gained the attention of the American press. Sybil Stockdale personally made these demands known at the Paris Peace Talks. Stockdale was one of eleven U.S. military prisoners known as the "Alcatraz Gang": George Thomas Coker, USN; George G. McKnight, USAF; Jeremiah Denton, USN (he graduated with Stockdale from the Naval Academy); Harry Jenkins, USN; Sam Johnson, USAF; James Mulligan, USN; Howard Rutledge, USN; Robert Shumaker, USN (originated the name "Hanoi Hilton"); Ronald Storz, USAF (died in captivity); and Nels Tanner, USN. Because they had been resistance leaders they were separated from other captives and placed in solitary confinement in "Alcatraz", a special facility in a courtyard behind the North Vietnamese Ministry of National Defense, located about one mile away from Hoa Lo Prison. In Alcatraz, each of the prisoners was kept in an individual windowless and concrete cell measuring 3 by 9 feet (0.9 by 2.7 m) with a light bulb kept on around the clock, and locked in leg irons each night. Of the eleven, Storz died in captivity there in 1970. CANNOTANSWER
Question: What happened while he was a POW?

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Background: Frederick William Herschel,  (; German: Friedrich Wilhelm Herschel; 15 November 1738 - 25 August 1822) was a German-born British astronomer, composer and brother of fellow astronomer Caroline Herschel, with whom he worked. Born in the Electorate of Hanover, Herschel followed his father into the Military Band of Hanover, before migrating to Great Britain in 1757 at the age of nineteen. Herschel constructed his first large telescope in 1774, after which he spent nine years carrying out sky surveys to investigate double stars.
Context: In his later career, Herschel discovered two moons of Saturn, Mimas and Enceladus; as well as two moons of Uranus, Titania and Oberon. He did not give these moons their names; they were named by his son John in 1847 and 1852, respectively, after his death. Herschel measured the axial tilt of Mars and discovered that the martian ice caps, first observed by Giovanni Domenico Cassini (1666) and Christiaan Huygens (1672), changed size with that planet's seasons. It has been suggested that Herschel might have discovered rings around Uranus. Herschel introduced but did not create the word "asteroid", meaning star-like (from the Greek asteroeides, aster "star" + -eidos "form, shape"), in 1802 (shortly after Olbers discovered the second minor planet, 2 Pallas, in late March), to describe the star-like appearance of the small moons of the giant planets and of the minor planets; the planets all show discs, by comparison. By the 1850s 'asteroid' became a standard term for describing certain minor planets. From studying the proper motion of stars, the nature and extent of the solar motion was first demonstrated by Herschel in 1783, along with first determining the direction for the solar apex to Lambda Herculis, only 10deg away from today's accepted position. He also studied the structure of the Milky Way and concluded that it was in the shape of a disk. He incorrectly assumed the sun was in the centre of the disc, a theory known as Galactocentrism, which was eventually corrected by the findings of Harlow Shapley in 1918. CANNOTANSWER
Question: Did he teach at a university?

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She was born in Duncan, Oklahoma, the daughter of an oilfield wildcatter, Welcher F. Jordan, and his wife, Leona (nee Kile). She attended Emerson Elementary School there and was known to her classmates as "Duane Jordan." She had a younger sibling, Jerry. At 12, her father moved the family to Mt. Vernon, Illinois, where she graduated from Mt. Vernon Township High School.

Kirkpatrick said, "What takes place in the Security Council more closely resembles a mugging than either a political debate or an effort at problem-solving." Still, she finished her term with a certain respect for the normative power of the United Nations as the "institution whose majorities claim the right to decide--for the world--what is legitimate and what is illegitimate." She noted that the United States had increasingly ignored that significance and became increasingly isolated. That was problematic, because "relative isolation in a body like the United Nations is a sign of impotence," especially given its ability to shape international attitudes. She was ambassador to the UN during the September 1, 1983 Soviet shooting down of Korean Air Lines Flight 007, near Moneron Island. It had carried 269 passengers and crew including a sitting congressman, Larry McDonald (D-GA). She played before the Security Council the audio of the electronic intercept of the interceptor pilot during the attack, and the Soviet Union could no longer deny its responsibility for the shootdown. Kirkpatrick was a Board Member of the American Foundation for Resistance International and the National Council to Support the Democracy Movements, intended to help bring down Soviet and East European Communism. Along with Vladimir Bukovsky, Martin Colman and Richard Perle, she worked to organize democratic revolutions against communism. According to Jay Nordlinger, on a visit with American dignitaries, Soviet human rights activist Andrei Sakharov said, "Kirkpatski, Kirkpatski, which of you is Kirkpatski?" When others pointed to Kirkpatrick, he said, "Your name is known in every cell in the Gulag" because she had named Soviet political prisoners on the floor of the UN. Kirkpatrick said she would serve only one term at the UN and stepped down in April 1985. CANNOTANSWER

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William Lloyd Garrison (December 10, 1805 - May 24, 1879) was a prominent American abolitionist, journalist, suffragist, and social reformer. He is best known as the editor of the abolitionist newspaper The Liberator, which he founded with Isaac Knapp in 1831 and published in Massachusetts until slavery was abolished by Constitutional amendment after the American Civil War. He was one of the founders of the American Anti-Slavery Society, and promoted "immediate emancipation" of slaves in the United States. Born in Newburyport, Massachusetts, Garrison began his newspaper career as an apprentice compositor for the Newburyport Herald.

In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Was garrison also an Orator (Speaker)?


Background: "Purple Haze" is a song written by Jimi Hendrix and released as the second record single by the Jimi Hendrix Experience on March 17, 1967. As a record chart hit in several countries and the opening number on the Experience's debut American album, it was many people's first exposure to Hendrix's psychedelic rock sound. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. "
Context: Music critic William Ruhlmann describes "Purple Haze" as having "relentlessly driving, if relatively slow-paced underlying music, which provides a good platform for some of Hendrix's inventive guitar playing". Beginning with its dissonant opening and heavy use of distortion, Hendrix's techniques "all contributed to the dirty, raw, metallic, [and] angular sounds" heard in the song, according to Shapiro. The intro consists of the melodic interval of a tritone or diminished (sometimes called flattened) fifth. Historically, this dissonant interval has been referred to as diabolus in musica (literally "Devil in music") and was reputedly proscribed by papal bull during the Spanish Inquisition, because "to play it was like ringing Satan's doorbell". It is sounded during the first two measures by Hendrix playing a B on guitar against an E played by Redding on bass, followed by the respective octaves. Mitchell on drums comes in for the third measure, when Hendrix introduces the riff that piqued Chandler's interest, and Redding continues playing the octaves in E. After the riff, the verse sections begin, which Shadwick describe as "simplicity itself, consisting of just three chords": E7#9, G, and A. The E7#9, or dominant seventh sharp ninth chord, has come to be called the "Hendrix chord" by guitarists and was used primarily in rhythm and blues and jazz before Hendrix helped popularize it. He also used an unconventional fingering technique for the G and A chords. Because Hendrix used his thumb to fret the roots of the G and A chords on the sixth string, his fingers were left in a position to create different chord voicings. Instead of the usual G barre chord (G-B-G-B-D-G), a G5 (G-X-G-G-D-G) is sometimes played with the major third (B) being muted on the fifth string and replaced by the open third string (G). Redding follows the chord changes mostly by playing the root with occasional passing notes, while Mitchell heightens the tension with drum flourishes that accentuate Hendrix's vocal and guitar. Biographer David Henderson describes Hendrix's guitar tone as "at the razor edge of distort". However, individual notes are still clear, as well as the harmonically more complex chords, even with the use of extreme overdrive for the time. The tension is maintained until the guitar solo, which "arrives as something of a release rather than a further racking up of the atmosphere." It is also when Hendrix first introduces the Octavia, coupled with a Fuzz Face distortion unit. Whitehill describes the solo as "almost sound[ing] likes he's playing a blues raga. He starts out playing in the Mixolydian mode and then he goes right into the blues side. The Octavia has the effect of a sitar, kind of like Ravi Shankar meets B.B. King." During the song's outro, the guitar part recorded at 7 1/2  inches per second (ips) played back at 15 ips, is combined with the Octavia, further extending the guitar's upper frequency range. Henderson describes it as "an uncanny piercing tone that takes off, Eastern-sounding beyond the range of the guitar" and, according to Shadwick, "gives the impression that the guitar notes are flying off into the ether." CANNOTANSWER
Question: What are some other things about the composition of the song that are noteworthy?

Answer:


Phyllis McAlpin Schlafly (; nee Stewart;

Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Using a quote from the above article, answer the following question: How else did she oppose ERA?