William Lloyd Garrison (December 10, 1805 - May 24, 1879) was a prominent American abolitionist, journalist, suffragist, and social reformer. He is best known as the editor of the abolitionist newspaper The Liberator, which he founded with Isaac Knapp in 1831 and published in Massachusetts until slavery was abolished by Constitutional amendment after the American Civil War. He was one of the founders of the American Anti-Slavery Society, and promoted "immediate emancipation" of slaves in the United States. Born in Newburyport, Massachusetts, Garrison began his newspaper career as an apprentice compositor for the Newburyport Herald.

In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWERAnswer this question using a quote from the following article:

What happened after the mobbing in Oct. of 1835?


William Theodore Walton III (born November 5, 1952) is an American retired basketball player and television sportscaster. Walton became known playing for John Wooden's powerhouse UCLA Bruins in the early 1970s, winning three successive College Player of the Year Awards, while leading the Bruins to two Division I national titles. He then went on to have a prominent career in the National Basketball Association (NBA) where he was a league Most Valuable Player (MVP) and won two NBA championships.

On leaving college, Walton was drafted by the San Diego Conquistadors of the American Basketball Association and also taken as the number one overall by the Portland Trail Blazers in the 1974 NBA draft and was hailed as the savior of the Portland franchise. He signed with the Trail Blazers but his first two seasons were marred by injury (at different times he broke his nose, foot, wrist and leg) and the Blazers missed the playoffs both years. It was not until the 1976-77 season that he was healthy enough to play 65 games and, spurred by new head coach Jack Ramsay, the Trail Blazers became the Cinderella team of the NBA. Walton led the NBA in both rebounds per game and blocked shots per game that season, and he was selected to the NBA All-Star Game, but did not participate due to an injury. Walton was named to the NBA's First All-Defensive Team and the All-NBA Second Team for his regular season accomplishments. In the postseason, Walton led Portland to a sweep of the Los Angeles Lakers in the conference finals (arguably holding his own against Kareem Abdul-Jabbar during the series) and went on to help the Trail Blazers to the NBA title over the favored Philadelphia 76ers despite losing the first two games of the series. Walton was named the Finals MVP. The following year, the Blazers won 50 of their first 60 games before Walton suffered a broken foot in what turned out to be the first in a string of foot and ankle injuries that cut short his career. He nonetheless won the league MVP that season (1978) and the Sporting News NBA MVP, as well. He played in his only All-Star Game in 1978 and was named to both the NBA's First All-Defensive Team and the All-NBA First Team. Walton returned to action for the playoffs, but was reinjured in the second game of a series against the Seattle SuperSonics. Without Walton to lead them, Portland lost the series to Seattle in six games. As it turned out, Walton would never play for the Trail Blazers again. During the offseason, Walton demanded to be traded, citing unethical and incompetent treatment of his and other players' injuries by the Blazers' front office. He did not get his wish and sat out the 1978-79 season in protest, signing with the San Diego Clippers when he became a free agent in 1979. CANNOTANSWER

Answer the following question by taking a quote from the article: Did he have any notable wins ?


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Karisma Kapoor (born 25 June 1974) is a Bollywood actress. One of the most popular and highest-paid Indian actresses, Kapoor is particularly known for her work in female-centric films and her roles have been credited as a significant departure from the traditional portrayal of women in Hindi films. Kapoor is often regarded as the nation's most beautiful actress, and is the recipient of several accolades, including a National Film Award and four Filmfare Awards. Born and raised in Mumbai, she is a member of the Kapoor family, where her parents and other relatives are all involved in the Indian film industry.

Kapoor was born on 25 June 1974 in Mumbai, to actors Randhir Kapoor and Babita (nee Shivdasani). Her younger sister, Kareena, is also an actress. Her paternal grandfather was the actor and filmmaker Raj Kapoor, while her maternal grandfather was actor Hari Shivdasani. Her great-grandfather was actor Prithviraj. She is the niece of actors Rishi and Rajiv, and insurance agent Ritu. Actor Ranbir Kapoor and businessman Nikhil Nanda are her first cousins, while actress Sasha Agha is her distant relative. Actress Sadhana was her mother's first cousin. According to Kapoor, the name "Lolo" was derived after her mother made a passing reference to the Italian actress Gina Lollobrigida. Both of her paternal and maternal grandparents were from Peshawar, Lyallpur and Karachi respectively, who moved to Bombay for their film careers before the partition of India. Kapoor is of Hindu Punjabi descent on her father's side, and on her mother's side she is of Sindhi and British descent. She was particularly inspired by the work of actresses Sridevi and Madhuri Dixit. Despite her family background, her father disapproved of women working in films, because he believed it conflicted with the traditional maternal duties and responsibility of women in the family. This led to a conflict between her parents and they separated in 1988. She and her sister Kareena were raised by their mother, who worked several jobs to raise them, until she made her debut in films as an actress. The couple reconciled in 2007, after living separately for several years. Kapoor studied at the Cathedral and John Connon School and later, for a few months at Sophia College. Kapoor made her acting debut in 1991 at the age of seventeen with the romantic drama Prem Qaidi, opposite debutante Harish Kumar. Upon release, the film emerged as a moderate box office success and received mixed reviews from critics, as did Kapoor's performance, with Taran Adarsh of Bollywood Hungama describing it as "mechanical". The following year, Kapoor's first five releases--Police Officer, Jaagruti, Nishchaiy, Sapne Sajan Ke and Deedar--flopped at the box office. Jaagruti and Nishchaiy marked her first two collaborations with Salman Khan, while Deedar marked her first collaboration with Akshay Kumar. She next starred in the action drama Jigar (1992), followed by the romantic drama Anari (1993), both of which emerged as box office hits and among the highest-grossing films of their respective years. Jigar marked Kapoor's first of several collaborations with Ajay Devgn, while Anari featured her in the leading role of Rajnandini, a princess who falls in love with her poor servant (played by Daggubati Venkatesh). Kapoor's next four releases of 1993 were the dramas Muqabla (which marked first of her many collaborations with Govinda), Sangraam, Shaktiman and Dhanwaan. With the exception of Muqabla, none of these films performed well either critically or commercially. In 1994, Kapoor had nine film releases; four of them -- Prem Shakti, Dulaara, Andaz and Aatish--were critical and commercial failures. Her first hit that year was David Dhawan's comedy film Raja Babu, opposite Govinda, in which she played Madhubala, an educated arrogant girl who calls off her engagement upon discovering her fiancee's illiteracy. Kapoor next played the blind wife of Govinda's character in the hit action drama Khuddar, following which she starred with Salman Khan, Aamir Khan and Raveena Tandon in Rajkumar Santoshi's highly acclaimed comedy film Andaz Apna Apna. Kapoor played Raveena Bajaj, the daughter of a London-based business tycoon, who travels to India in search of true love, and falls for Salman Khan's character. Although the film underperformed at the box office, it developed a significant cult following over the years since its release. Kapoor's final two releases of the year were the action drama Suhaag (alongside Ajay Devgn, Akshay Kumar and Nagma) and the comedy-drama Gopi Kishan (alongside Suniel Shetty and Shilpa Shirodkar), both of which were critically and commercially successful. In the former, she starred as a college student and Devgn's love interest, while in the latter, she played a police commissioner's daughter who falls in love with a criminal. In 1995, after appearing in the box office flops Jawab and Maidan-E-Jung, Kapoor starred as Malti, a rich girl who marries a poor coolie (played by Govinda) in David Dhawan's blockbuster comedy film Coolie No. 1. The feature garnered good reviews and emerged as a commercial success, grossing Rs911 million (US$14 million) in India. On her initial career struggle, she later said: When I first entered the industry, things were made tough for me. I am not saying that I was singled out. I think every star kid has to go through this. Everyone was so unfair to me. Other newcomers were praised for every little achievement, but I was not given an iota of acknowledgement. When it came to me, it was always, 'Okay, she has done well, but what's the big deal about her?'. Nobody gave a 17-year-old credit for doing my job reasonably well. In 2003, she starred in Baaz: A Bird in Danger, which was her only release that year. Later in the same year she made her television debut in the Sahara One soap opera Karishma - The Miracles of Destiny, in which she played a dual role of a grandmother and granddaughter. The serial ended after 260 episodes in 2004 and she took a sabbatical from full-time acting for several years. In 2006, Kapoor was seen in Mere Jeevan Saathi; the film had been shot and completed in 2003, but was delayed for three years. In 2007, Kapoor won the Koffee Award for Best Supporting Appearance. In 2008, alongside actor Arjun Rampal and director-choreographer Farah Khan, Kapoor began judging season four of the dance show Nach Baliye, and continued the following year with the comedy show Hans Baliye. In addition, she had a cameo in the song "Deewangi Deewangi" from the 2007 melodrama Om Shanti Om, and in 2008, was as guest on the reality television show Wife Bina Life (2010). Kapoor also ventured into voice acting, voicing for her younger sister Kareena in the role of Chhaya in the 2012 action thriller Bodyguard, which ranks among one of the highest-grossing Bollywood films of all time. Kapoor made her comeback as an actress with a leading role in Vikram Bhatt's supernatural thriller Dangerous Ishhq. Co-starring Rajneesh Duggal, the film spans a period of four centuries and tells four different love stories set in different time periods. Kapoor played four characters, one from each century. A major critical and box office failure, the film generated positive reviews for Kapoor's portrayal. Taran Adarsh of Bollywood Hungama commented: "Karisma Kapoor puts forth her best efforts, getting to deliver lines in varied dialects. She gets the dialects right, especially Urdu and Rajasthani, but there's not much scope for her to display her acting prowess". In 2013, Kapoor made a special appearance along with several other actors in the titular song of the anthology film Bombay Talkies, which was made to honour the Hindi film industry for completing a hundred years. CANNOTANSWER


Jeanine Ferris Pirro (born June 2, 1951) is an American TV personality, former judge, prosecutor, and Republican politician in New York. Pirro is currently the host of Fox News Channel's Justice with Judge Jeanine. She was the first female judge elected to the Westchester County Court prior to her election as the first female District Attorney of Westchester County. As District Attorney, Pirro gained considerable visibility in cases of domestic abuse and crimes against the elderly.

On August 10, 2005, Pirro announced that she would seek the Republican nomination to challenge first-term incumbent senator Hillary Clinton, a Democrat, in the 2006 election for U.S. Senator from New York. Other Republicans who announced campaigns for the nomination were John Spencer, a former mayor of Yonkers, William Brenner, an attorney in Sullivan County, and attorney Edward Cox, the son-in-law of former president Richard Nixon. In a widely publicized moment when she was declaring her candidacy, Pirro misplaced page 10 of her speech and went silent for 32 seconds, something that is widely considered to have damaged her campaign before it even started. During an appearance at the Crime Victims Resource Center, Pirro described herself this way: "I am red on fiscal policy. I am conservative and I support the Bush tax cut." She added, however: "I have broad blue stripes when it comes to social issues... I am a woman who is a moderate in New York." Republican governor George Pataki's endorsement of Pirro caused Cox to withdraw from the race, leaving Pirro as the likely nominee. Donors to Pirro's political campaign included designer Tommy Hilfiger (also a native of Elmira) and Donald Trump, as well as contractors and real estate executives who had done business with her husband. On December 21, 2005, Pirro dropped out of the Senate race after continuing pressure from party chiefs. This decision was reached after a lagging fundraising effort and polls that showed she would be easily defeated by Clinton (a Quinnipiac University poll found Pirro would lose to Clinton 62 percent to 30 percent). In a statement, she said "I have decided that my law enforcement background better qualifies me for a race for New York State attorney general than a race for the United States Senate." Spencer was eventually chosen as the Republican Party's nominee for the U.S. Senate. CANNOTANSWER

Answer the following question by taking a quote from the article: Was she embarrassed?


The Righteous Brothers are an American musical duo of Bill Medley and (formerly) Bobby Hatfield. They began performing together in 1962 in the Los Angeles area as part of a five-member group called the Paramours, but adopted the name "The Righteous Brothers" when they embarked on their recording career as a duo. Their most active recording period was in the 1960s and 70s, and although the duo was inactive for some years, Hatfield and Medley reunited in 1981 and continued to perform until Hatfield's death in 2003. Their emotive vocal style is sometimes dubbed "blue-eyed soul".

The duo split up in February 1968, a breakup that would last for more than six years, when Medley left to pursue a solo career. Medley recorded a few solo recordings on several labels, while Hatfield teamed up with singer Jimmy Walker (from The Knickerbockers) using the Righteous Brothers name on the MGM label. Medley first recorded "I Can't Make It Alone" written by Carole King, but the song failed to make much of an impact. The following single, "Brown Eyed Woman" written by Mann and Weil, performed better. However, neither he nor Hatfield were able to match their previous chart success. Hatfield and Jimmy Walker recorded an album, Re-Birth, as "The Righteous Brothers" before disbanding in 1971. In a 2013 interview, Jimmy Walker said he had wanted to continue, but Hatfield decided to take a break and broke up the act. In 1969, Hatfield appeared in a TV movie, The Ballad of Andy Crocker, and also recorded "Only You". He released a solo album, Messin' In Muscle Shoals in 1971. According to Medley, he was performing three shows a night in Las Vegas, but finding it too much of a strain on his voice singing solo, and under advice he sought out Hatfield to reform The Righteous Brothers; Hatfield at this point was broke and living alone in a small apartment. In 1974, Medley and Hatfield announced their reunion at an appearance on The Sonny & Cher Comedy Hour. They signed with Haven Records, run by producers Dennis Lambert and Brian Potter and distributed by Capitol Records. Within a few weeks of reforming, they recorded Alan O'Day's "Rock and Roll Heaven", a paean to several deceased rock singers which became a hit, peaking at No. 3 on the Billboard Hot 100. Several more minor hits on Haven followed. After 1975, however, the Righteous Brothers would not appear in music charts except for re-releases of older songs and compilation albums, some of which were re-recordings of earlier works. CANNOTANSWER

What was the reason for the split?


Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.

When Pakistan toured the West Indies in 1988, Ambrose played in the One Day International (ODI) series, taking the place of the recently retired Joel Garner. He made his debut during the first match, on 12 March 1988 in Kingston, Jamaica, taking wickets with his third and ninth deliveries; he ended the innings with four for 39 from 10 overs. In the second match, he took four for 35 and followed with another two wickets in the third. West Indies won those first three matches to take the series, and Ambrose did not play in the fourth or fifth game. In the Test series which followed, Ambrose was less effective. In the first Test, he took two for 121 as West Indies lost at home for the first time in 10 years. Wisden noted that his debut was "unimpressive", but that he improved in the subsequent matches. He finished the series with seven wickets at an average of over 50 runs per wicket. Later that year, Ambrose was chosen to tour England. After appearing in early tour games, he was chosen for the first two ODIs, taking three wickets in total, but was omitted from the third. In the Test series, he played in all five matches to take 22 wickets at an average of 20.22; his best figures of four for 58 came in the fourth Test, in which he took seven wickets and was named man of the match. Writing in Wisden, commentator Tony Cozier described Ambrose as "a ready-made replacement for Garner"; the amount of bounce he generated after the ball pitched "made him a constant menace". In 1988-89, West Indies took part in an ODI tournament in Sharjah. Ambrose took 8 wickets, and was man of the match with four for 29 when West Indies defeated Pakistan in the final. From there, West Indies travelled to Australia for a series in which Ambrose was a dominant figure. The West Indies won the Test series 3-1, using controversial short-pitched bowling tactics. Ambrose's height made him difficult to play as he made the ball bounce more than other bowlers. Writing in Wisden, John Woodcock noted: "As in England, earlier in 1988, Ambrose's bowling was a telling factor ... [His] advance compensated for something of a decline in [Malcolm] Marshall's effectiveness". In the first Test, he took seven wickets; in the second, he took five wickets in a Test innings for the first time with five for 72, and finished with eight in the game; and in the third, he took six wickets. His performances earned him man of the match award in the first and third games, and he ended the series with 26 wickets at an average of 21.46. He was West Indies' leading wicket-taker and headed the team bowling averages. In the ODI tournament that took place during the tour, West Indies defeated Australia in the final; Ambrose took 21 wickets in the series and twice took five wickets in an innings. Suffering from fatigue and illness, Ambrose was less successful later in 1989 when India toured the West Indies: he took just five wickets in the four-Test series at an average of 54.60. CANNOTANSWERAnswer this question using a quote from the following article:

What were his first years like?


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Thomas Stearns Eliot,  (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.

In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." CANNOTANSWER


Answer by taking a quote from the following article:

Sun Yat-sen (; 12 November 1866 - 12 March 1925) was a Chinese physician, writer, philosopher, calligrapher and revolutionary, the first president and founding father of the Republic of China. As the foremost pioneer and first leader of a Republican China, Sun is referred to as the "Father of the Nation" in the Republic of China (ROC) and the "forerunner of democratic revolution" in the People's Republic of China (PRC). Sun played an instrumental role in the overthrow of the Qing dynasty (the last imperial dynasty of China) during the years leading up to the Xinhai Revolution.

In the early 1880s, Sun Mei sent his brother to `Iolani School, which was under the supervision of British Anglicans and directed by an Anglican prelate named Alfred Willis. The language of instruction was English. Although Bishop Willis emphasized that no one was forced to accept Christianity, the students were required to attend chapel on Sunday. At Iolani School, young Sun Wen first came in contact with Christianity, and it made a deep impression on him. Schriffin writes that Christianity was to have a great influence on Sun's whole future political life. Sun was later baptized in Hong Kong (on May 4, 1884) by Rev. C. R. Hager an American missionary of the Congregational Church of the United States (ABCFM) to his brother's disdain. The minister would also develop a friendship with Sun. Sun attended To Tsai Church (Dao Ji Hui Tang ), founded by the London Missionary Society in 1888, while he studied Western Medicine in Hong Kong College of Medicine for Chinese. Sun pictured a revolution as similar to the salvation mission of the Christian church. His conversion to Christianity was related to his revolutionary ideals and push for advancement. In 1924 Liao Chongzhen, a prominent and influential government official of the day, arranged a meeting between Sun and Martha Root, a well-known journalist and traveling teacher of the Baha'i Faith in the late 19th and early 20th century. In this meeting Sun came into contact with the Teachings of the Baha'i Faith, expressing his appreciation for the Cause and declaring it "highly relevant to the needs of China." CANNOTANSWER

Was he ever baptized?


Background: Sheryl Suzanne Crow (born February 11, 1962) is an American musician, singer, songwriter and actress. Her music incorporates elements of pop, rock, country and blues. She has released ten studio albums, four compilations, a live album, and has contributed to a number of film soundtracks. Her songs include "All I Wanna Do" and "If It Makes You Happy."
Context: She then began dating Kevin Gilbert and joined him in an ad hoc group of musicians known to themselves as the "Tuesday Music Club." Group members Gilbert, David Baerwald, and David Ricketts (both formerly of David & David), Bill Bottrell, Brian MacLeod, and Dan Schwartz share songwriting credits with Crow on her debut album, Tuesday Night Music Club. The group existed as a casual songwriting collective prior to its association with Crow but rapidly developed into a vehicle for her debut album after her arrival. Her relationship with Gilbert became acrimonious soon after the album was released, and disputes arose about songwriting credits. Crow appeared in the "New Faces" section of Rolling Stone in 1994. Tuesday Night Music Club featured many of the songs written by Crow's friends, including the second single, "Leaving Las Vegas". The album was slow to garner attention, until "All I Wanna Do" became an unexpected smash hit in the fall of 1994. As she later stated in People, she found an old poetry book in a used book store in the L.A. area and used a poem as lyrics in the song. The singles "Strong Enough" and "Can't Cry Anymore" were also released, with the first song ("Strong Enough") charting at No. 5 on Billboard and "Can't Cry Anymore" hitting the Top 40. Tuesday Night Music Club went on to sell more than 7 million copies in the U.S. and U.K. during the 1990s. The album also won Crow three Grammy Awards, in 1995: Record of the Year, Best New Artist and Best Female Vocal Performance. She performed at the 1994 and 1999 Woodstock Festivals, as well as the Another Roadside Attraction in 1997. Crow supplied background vocals to the song "The Garden of Allah" from Don Henley's 1995 album Actual Miles: Henley's Greatest Hits. In 1996, Crow released her self-titled second album. The album had songs about abortion, homelessness and nuclear war. She produced the album herself and also played a variety of instruments, from various guitars, bass or pedal steel to various organs and piano. The debut single, "If It Makes You Happy", became a radio success and netted her two Grammy awards for Best Female Rock Vocal Performance and Best Rock Album. Other singles included "A Change Would Do You Good", "Home", and "Everyday Is a Winding Road". The album was banned from sale at Wal-Mart, because in the lyrics to "Love Is a Good Thing" Crow says that Wal-Mart sells guns to children.  The album also features a protest song called "Redemption Day", which was covered by Johnny Cash on his last album American VI: Ain't No Grave. In 1997, Crow contributed the theme song to the James Bond film Tomorrow Never Dies. Her song "Tomorrow Never Dies" was nominated for a Grammy Award and Best Original Song Golden Globe. Crow collaborated on Scott Weiland's 1998 album, 12 Bar Blues. CANNOTANSWER
Question: What other songs did Crow release during those years?

Answer:


Sarah Louise Palin ( ( listen); nee Heath; born February 11, 1964) is an American politician, commentator, and author who served as the ninth Governor of Alaska from 2006 until her resignation in 2009. As the Republican Party nominee for Vice President of the United States in the 2008 election alongside presidential nominee, Arizona Senator John McCain, she was the first Alaskan on the national ticket of a major political party and the first Republican woman selected as a vice presidential candidate. Her book Going Rogue has sold more than two million copies. She was elected to the Wasilla city council in 1992 and became mayor of Wasilla in 1996.

Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWERAnswer this question using a quote from the following article:

Did she ever say anything that hurt her image?


Background: Ted Shawn (21 October 1891 - 9 January 1972), originally Edwin Myers Shawn, was one of the first notable male pioneers of American modern dance. Along with creating Denishawn with former wife Ruth St. Denis he is also responsible for the creation of the well known all-male company Ted Shawn and His Men Dancers. With his innovative ideas of masculine movement, he is one of the most influential choreographers and dancers of his day. He is also the founder and creator of Jacob's Pillow Dance Festival in Massachusetts, and "was knighted by the King of Denmark for his efforts on behalf of the Royal Danish Ballet".
Context: Due to marital problems of Ruth St. Denis and Ted Shawn and financial difficulties, Denishawn concluded in the early 1930s. Consequently, Shawn went on to form an all-male dance company, made up of athletes he taught at Springfield College in Massachusetts. Shawn's mission in creating this company was to fight for acceptance of the American male dancer and to bring awareness of the art form from a male perspective. The all-male company was based out of a farm that Shawn purchased near his hometown Lee, Massachusetts. On July 14, 1933, Ted Shawn and His Men Dancers had their premier performance at Shawn's farm, which would later be known as Jacob's Pillow Dance Festival. Shawn produced some of his most innovate and controversial choreography to date with this company such as "Ponca Indian Dance", "Sinhalse Devil Dance", "Maori War Haka", "Hopi Indian Eagle Dance", "Dyak Spear Dances", and "Kinetic Molpai". Through these creative works Shawn showcased athletic and masculine movement that soon would gain popularity. The company performed in the United States and Canada, touring more than 750 cities, in addition to international success in London and Havana. Ted Shawn and His Men Dancers concluded at Jacob's Pillow on August 31, 1940 with a homecoming performance. During the years of the company, Shawn's love for the relationships created by the men in his dances soon translated into love between himself and one of his company members, Barton Mumaw (1912-2001), which lasted from 1931 to 1948. One of the leading stars of the company, Barton Mumaw would emerge onto the dance industry and be considered "the American Nijinsky." While with Shawn, Mumaw began a relationship with a John Christian, a stage manager for the company. Mumaw introduced Shawn to Christian. Later, Shawn formed a partnership with John Christian, with whom he stayed from 1949 until his death in 1972. CANNOTANSWER
Question: Did he have a relationship with a student?

Answer:


Joseph Kevin Keegan, OBE (born 14 February 1951) is an English former football player and manager. A forward, he played for several clubs including Liverpool and Hamburger SV. He went on to manage Newcastle United, Fulham and Manchester City, winning promotion as champions in his first full season at all three clubs. He also managed the England national team.

On 10 February 1980, Lawrie McMenemy called a press conference at the Potters Heron hotel, Ampfield to announce that the European Footballer of the Year would be joining Southampton in the forthcoming summer. The news caused surprise throughout the world of football and around the city of Southampton, as Southampton were a relatively small club. The club were beginning to become established in the top division, but this signing showed how persuasive their manager could be, especially when Keegan captained England in the 1980 European Championships in Italy. Keegan had a clause inserted into his contract when he joined Hamburg in 1977, giving Liverpool the option to buy him back. Liverpool, however, opted not to exercise this clause when he returned to England three years later. As late as November 2011, Keegan has stated, "I was with Lawrie [McMenemy] at a charity event the other day, and he said he phoned up Peter Robinson because he wanted me, but Liverpool had a clause. Peter said, 'No, we won't be signing him, definitely, we don't need him.'" It was therefore Southampton boss Lawrie McMenemy who snapped him up for PS420,000, and Keegan made his Southampton debut at Lansdowne Road in a pre-season friendly against Shamrock Rovers on 23 July 1980. Keegan's two seasons at The Dell saw him as part of a flamboyant team also containing Alan Ball, Phil Boyer, Mick Channon and Charlie George and in 1980-81 Saints scored 76 goals, finishing in sixth place, then their highest league finish. In the following season, Keegan was able to produce some of his best form and at the end of January 1982 Southampton sat at the top of the First Division table, but a run of only three wins from the end of February meant a rather disappointing seventh-place finish. Despite this, Keegan was voted the PFA Player of the Year and awarded the OBE for services to Association Football. Keegan had scored 26 of the team's 72 goals and was voted the club's Player of the Year. Keegan had fallen out with McMenemy over the manager's failure to strengthen Southampton's defence (which conceded 67 goals in 1981-82) while the team was at the top of the table. There were also rumours that McMenemy had charged the whole team of cheating after a 3-0 defeat by Aston Villa in April 1982 to which Keegan took great exception. Although Keegan joined Saints' next pre-season tour, he had already decided to move on to seek a new challenge, and a few days before the start of the 1982-83 season he signed for Second Division Newcastle United for a fee of PS100,000. CANNOTANSWER

Answer the following question by taking a quote from the article: Who else did he contract with or join


DeVos was born Elisabeth Prince on January 8, 1958. She grew up in Holland, Michigan, the daughter of Elsa (Zwiep) Prince (later, Broekhuizen) and Edgar Prince, a billionaire industrialist. Both of her parents are of Dutch ancestry, and her family's original surname was "Prins". Edgar was the founder of Prince Corporation, an automobile parts supplier based in Holland, Michigan.

The Dick & Betsy DeVos Family Foundation was launched in 1989. The foundation's giving, according to its website, is motivated by faith, and "is centered in cultivating leadership, accelerating transformation and leveraging support in five areas", namely education, community, arts, justice, and leadership. In 2015, the DeVos Foundation made $11.6 million in charitable contributions, bringing the couple's lifetime charitable giving to $139 million. Forbes ranked the DeVos family No. 24 on its 2015 list of America's top givers. The DeVos Foundation has donated large amounts to hospitals, health research, arts organizations, Christian schools, evangelical missions, and conservative, free-market think tanks. Of the $100 million the foundation donated between 1999 until 2014, half of it went to Christian organizations. Organizations funded by the foundation include: Michigan's Foundation for Traditional Values; Center for Individual Rights; Acton Institute; Institute for Justice; Center for Individual Rights; Michigan's Pregnancy Resource Center; Right to Life Michigan Educational Fund; and Baptists for Life. With respect to educational-focused donations, the foundation from 1999 to 2014 supported private Christian schools (at least $8.6 million), charter schools ($5.2 million), and public schools ($59,750). Specific donations included $2.39 million to the Grand Rapids Christian High School Association, $652,000 to the Ada Christian School, and $458,000 to Holland Christian Schools. In 2016 the Foundation reported $14.3 million in donations to over 100 organizations including the X Prize Foundation, Mars Hill Bible Church, American Enterprise Institute. When DeVos was appointed US Education Secretary, it was revealed that she was an elder at Mars Hill Bible Church. During her tenure, she reportedly donated $431,000 to the church between 2002 and 2004 and $453,349 to Flannel, producer of the NOOMA video series. CANNOTANSWER

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What was the foundation's goal or purpose?


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Gentle Giant were an English progressive rock band active between 1970 and 1980. The band were known for the complexity and sophistication of its music and for the varied musical skills of its members. All of the band members, except Malcolm Mortimore, were multi-instrumentalists. Although not commercially successful, they did achieve a cult following.

Gentle Giant was formed in 1970 when the Shulman brothers teamed up with two other multi-instrumentalists, Gary Green (guitar, mandolin, recorder etc.) and Kerry Minnear (keyboards, vibraphone, cello etc.), plus drummer Martin Smith, who had previously drummed for Simon Dupree and the Big Sound. The classically trained Minnear had recently graduated from the Royal College of Music with a degree in composition, and had played with the band Rust. Green was essentially a blues player and had never worked with a band above the semi-professional level, but adapted readily to the demanding music of the new band. The Shulman brothers, meanwhile, settled into typically multi-instrumental roles of their own: Derek on saxophone and recorder; Ray on bass and violin; Phil on saxophone, trumpet, and clarinet. The new band also featured three lead vocalists. Derek Shulman sang in a tough rhythm-and-blues style and generally handled the more rock-oriented vocals; Phil Shulman handled the more folk-or-jazz-influenced songs; and Kerry Minnear (who had a particularly delicate voice) sang the lighter folk and chamber-classical lead vocals. Minnear did not sing lead vocals at live concerts, because of his inability to support and project his voice at a level suitable for live amplification (Derek and Phil Shulman handled Minnear's lead vocal parts when the band played live). It has been reported that Elton John unsuccessfully auditioned for lead vocalist with the newly formed group. According to a booklet that was included in their first album, the band's name was a reference to a fictional character, a "gentle giant" that happens upon a band of musicians and is enthralled with their music. The character is reminiscent of those from the Renaissance tales of Francois Rabelais. From the start, Gentle Giant was a particularly flexible band because of the exceptionally broad musical skills of its members. One Gentle Giant album would list a total of forty-six instruments in the musician credits -- all of which had been played by group members -- and five of the six members sang, enabling the band to write and perform detailed vocal harmony and counterpoint. The band's approach to songwriting was equally diverse, blending a wide variety of ideas and influences whether they were considered commercial or otherwise. CANNOTANSWER

Did they have a lot of trouble getting started?


Future Islands is an American synthpop band based in Baltimore, Maryland, and signed to 4AD, currently comprising Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars), and Samuel T. Herring (lyrics and vocals). The band was formed in January 2006 by Welmers, Cashion and Herring--the remaining members of the performance art college band Art Lord & the Self-Portraits--and drummer Erick Murillo. Murillo left in November 2007, after which the band relocated to Baltimore, MD, and released the debut album Wave Like Home through British label

Sam Herring and Gerrit Welmers grew up in Morehead City, North Carolina two streets away from each other, and attended the same middle school in Newport, North Carolina. They became friends around 1998, when they were in 8th grade. Herring had started making hip-hop music when he was 13 or 14, while Gerrit was a skater with interests in metal and punk music who bought his first guitar at age 14. Having different musical backgrounds, they did not consider making music together during high-school. William Cashion started playing guitar when he was around 13, having had a couple of bands as a teenager in Raleigh, where he commuted to High School from Wendell, North Carolina. In 2012 he enrolled in the painting and drawing program at ECU and had drawing classes with Sam Herring. The idea to form a band came while Cashion was helping Herring study for an art history exam. They invited local record shop personality Adam Beeby to play rhythmic keyboards and fellow art student Kymia Nawabi for percussion and backing vocals. After a tumultuous debut on Valentine's Day February 14, 2003 at Soccer Moms' House, Herring also invited Welmers to join the band. Only Cashion and Welmers already played a musical instrument--the guitar--but Cashion took the bass and Welmers the keyboards, for a Kraftwerk-inspired sound. Sam Herring played Locke Ernst-Frost an arrogant narcissistic artist from Germany, Ohio, dressed in a 70's-inspired white suit with slicked-back hair, and a heavy German accent. The character's name originally was meant to be Oarlock Ernest Frost but it got shortened as a reference to John Locke the religious poet, Max Ernst, the artist and Robert Frost, the American poet. The band quickly gained a local reputation and started touring the underground venues in the Southwest, playing shows with North Carolina acts like Valient Thorr and Baltimore artists such as Height, Videohippos, OCDJ, Nuclear Power Pants, Santa Dads, Ecstatic Sunshine, Blood Baby, Ponytail and electronic musician Dan Deacon whom they met during a show on May 26, 2004. Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen, left the band to prepare for her graduation project in June-July 2003. When Adam Beeby had to leave Greenville in September 2005, the remaining members dissolved the band. When Art Lord & the Self Portraits disbanded in late 2005, its members forgot they had discussed with alt-country band The Texas Governor the possibility of touring together. Future Islands was formed in early 2006 to keep that commitment, with an original line-up consisting of Cashion, Herring, Welmers and Erick Murillo--bassist for The Kickass --who played an electronic drum kit. Already as Art Lord & the Self-Portraits, the band wanted to change their image and took this opportunity to do so. William Cashion stated: "Me and Gerrit had been talking for a while about how we wanted to get rid of the gimmick. We wanted to be taken seriously. Our songs had outgrown the gimmick that the band was made on. The songs were starting to deal with bigger, personal, universal themes. We wanted to be taken seriously." The band played their first show on February 12, 2006 at an anti-Valentine's Day party in a venue called the Turducken house, opening for about a dozen bands. After writing 6-7 songs in only one week, they had to come up with a new name quickly, narrowing it down to two choices--Future Shoes and Already Islands--and combining them into one. Future Islands self-released the EP Little Advances on April 28, 2006 which they recorded in March 2006. A couple of months later, Herring dropped out college and left Greenville to deal with a substance abuse problem he had acquired: In June, I left town and didn't come back. It was just drug problems, man. I got sucked into the darkness of partying and shit college kids do. I came clean to my parents and said, 'Look, I have a problem and need your help.' I stayed at my parent's for about a month and then moved across the state to Asheville, North Carolina. It took about a year for me to get my act together. The band still continued and on January 6, 2007 they self-released a split CD with Welmers' solo project Moss of Aura, recorded in December 2006. In July 2007, Future Islands recorded their debut album Wave Like Home with Chester Endersby Gwazda at Backdoor Skateshop in Greenville. As Cashion describes: "When we did Wave Like Home, we were working with a really tight schedule. Sam lived in Asheville and could only be in Greenville to record for a week or so, and we had to work very fast. We recorded the whole album in 3 days, and we spent about a month mixing it." After a Halloween party in 2007, Erick Murillo quit the band. Having finished his degree, Cashion moved back to Raleigh: "We were scattered across North Carolina. I was living in Raleigh on friends' couches, Gerrit was in Greenville and Sam was in Asheville, which was five hours away." Between November 2007 and June 2008, Future Islands--encouraged by Dan Deacon and Benny Boeldt from Baltimore band Adventure--relocated to Baltimore. Cashion moved in November, Herring in January and finally Welmers. There, they could have access to cheap rent, be part of a supportive community and be closer to cities like New York and Washington, which allowed them to tour more extensively. During the first half of 2008, the band added another drummer, Sam Ortiz from the Baltimore band Thrust Lab, who left weeks before the start of their first national tour in late July. On August 5, 2008, the band released the track "Follow You (Pangea Version)" as part of a split 7" with Dan Deacon, through the Durham label 307 Knox Records. Future Islands' track on the EP "Follow You (Pangea version)" was recorded in April 2006 at the Bonque house in Greenville, NC during the Pangea sessions: the band's first proper session with Chester Endersby Gwazda. London-based label Upset The Rhythm released Wave Like Home on August 25, 2008 which made sales difficult in the US due to the import costs. The cover art was designed by Kymia Nawabi, a former member of Art Lord & the Self-Portraits. She also designed the cover art of the Feathers and Hallways 7" which was recorded in Oakland, California, on July 21, 2008 during their first U.S. tour. Produced by Chester Endersby Gwazda, it was released on April 15, 2009 by Upset The Rhythm. This single was their first release as a focused three-piece: We have definitely talked about adding a drummer at some point, when the time is right, but right now it just makes sense to be a three piece if, for nothing else, the fact that it is really easy to tour as a three piece. We really have very little gear. We really just have PA speakers for the keyboard and a bass amp. CANNOTANSWER

Using a quote from the above article, answer the following question: who was the producer?


Background: Koufax was born in Brooklyn, New York, to a Jewish family, and raised in Borough Park. His parents, Evelyn (nee Lichtenstein) and Jack Braun, divorced when he was three years old. His mother was remarried when he was nine, to Irving Koufax. Shortly after his mother's remarriage, the family moved to the Long Island suburb of Rockville Centre.
Context: In 1963, Major League Baseball expanded the strike zone. Compared to the previous season, National League walks fell 13 percent, strikeouts increased six percent, the league batting average fell from .261 to .245, and runs fell 15 percent. Koufax, who had reduced his walks allowed per nine innings to 3.4 in 1961 and 2.8 in 1962, reduced his walk rate further to 1.7 in 1963, which ranked fifth in the league. The top pitchers of the era - Don Drysdale, Juan Marichal, Jim Bunning, Bob Gibson, Warren Spahn, and above all Koufax - significantly reduced the walks-given-up-to-batters-faced ratio for 1963, and subsequent years. On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal--himself a no-hit pitcher a month later, on June 15. Koufax carried a perfect game into the eighth inning against the powerful Giants lineup, including future Hall of Famers Willie Mays, Willie McCovey, and Orlando Cepeda. He walked Ed Bailey on a 3-and-2 pitch in the 8th, and pinch-hitter McCovey on four pitches in the 9th, before closing out the game. As the Dodgers won the pennant, Koufax won the pitchers' Triple Crown, leading the league in wins (25), strikeouts (306) and ERA (1.88). Koufax threw 11 shutouts, setting a new post-1900 record for shutouts by a left-handed pitcher that stands to this day (the previous record of 10 shutouts had been held by Carl Hubbell for 30 years). Only Bob Gibson, a right-hander, has thrown more shutouts (13) since, and that was in 1968, "the year of the pitcher." Koufax won the NL MVP Award and the Hickok Belt, and was the first-ever unanimous selection for the Cy Young Award. Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters -- including the first 5, breaking Carl Erskine's decade-old record of 14 (Gibson would break Koufax's record by striking out 17 Detroit Tigers in the 1968 World Series opener). After seeing Koufax's Game 1 performance, Yogi Berra said, "I can see how he won 25 games. What I don't understand is how he lost five," to which Maury Wills responded, "He didn't. We lost them for him." In Game 4, Koufax completed the Dodgers' series sweep with a 2-1 victory over Ford, clinching the Series MVP Award for his performance. CANNOTANSWER
Question: How did the league respond to this change?

Answer:


Background: Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.
Context: Ambrose was born in Swetes, Antigua on 21 September 1963, the fourth of seven children. His father was a carpenter from the village. The family had no background in cricket, but his mother was a fan, and Ambrose played in his youth, primarily as a batsman. At school, he performed well academically, particularly in mathematics and French, and became an apprentice carpenter upon leaving at the age of 17. He briefly considered emigrating to America. At the time, his favourite sport was basketball, although he occasionally umpired cricket matches. Ambrose was not particularly tall until he reached his late teens, when he grew several inches to reach a height of 6 feet 7 inches (2.01 m). Around this time, his mother encouraged him to become more involved in cricket. Success as a fast bowler in a softball cricket match persuaded Ambrose to play in some club matches at the age of 20. He quickly attracted the attention of coaches and progressed to the St John's cricket team. Selected in the Leeward Islands competition, he took seven for 67 (seven wickets for 67 runs) for Antigua against St Kitts. He made his first-class debut for the Leeward Islands in 1985-86 and took four wickets in the game, but failed to retain his place the following year. A Viv Richards scholarship provided funding for him to play club cricket in England for Chester Boughton Hall Cricket Club in the highly rated Liverpool Competition during 1986 where he took 84 wickets at an average of 9.80. The following year, he returned to England to play for Heywood Cricket Club in the Central Lancashire League, for whom he took 115 wickets in the season; these experiences helped to improve his bowling technique. Upon his return to Antigua, Ambrose practised intensely, regained his place in the Leeward Islands team and, in the absence of leading bowlers Winston Benjamin and Eldine Baptiste with the West Indies team, became the main attacking bowler in the side. He was no-balled for throwing in the first match, which Wisden Cricketers' Almanack later attributed to confusion caused by his attribute of flicking his wrist prior to releasing the ball to impart extra pace, and there were no subsequent doubts about the legality of his bowling action. Retaining his place when the international bowlers returned, he took 35 wickets--including 12 in a match against Guyana, of which nine were bowled--in five matches in the competition. Wisden's report on the West Indian season said his performance was "dominant", although few had heard of him previously. Identifying his yorker as his most effective delivery, it noted that he "never lost his pace, his accuracy, or his thirst for wickets". CANNOTANSWER
Question: Who were his parents?. Whats the answer?


David Bruce Vitter (born May 3, 1961) is an American lobbyist, lawyer and politician who served as United States Senator for Louisiana from 2005 to 2017. He was the first Republican elected to the Senate from his state since the Reconstruction Era. Previously, he served in the United States House of Representatives, representing the suburban Louisiana's 1st congressional district. He served as a member of the Louisiana House of Representatives before entering the U.S. House.

In October 2009, the Senate passed Democratic Senator Al Franken's amendment to the 2010 Defense Appropriations bill that would forbid federal contractors from forcing victims of sexual assault, battery and discrimination to submit to binding arbitration (where a third-party typically chosen by the contractor adjudicates) and thereby prohibiting them from going to court. The impetus for the amendment came from the story of Jamie Leigh Jones who alleged that she was drugged and gang-raped by employees of Halliburton/KBR, a federal contractor. The amendment passed 68 to 30 with all opposition coming from Republicans including Vitter (all four female Republicans, six other Republicans and all present Democrats voted for passage). Vitter's 2010 Democratic Senatorial opponent Charlie Melancon criticized Vitter for his vote saying, "David Vitter has refused to explain why he voted to allow taxpayer-funded companies to sweep rape charges under the rug. We can only guess what his reasons were." However, The Washington Post columnist Kathleen Parker argued that the 30 senators were being "unfairly smeared for doing the harder thing, maybe even for the right reasons." Republican senators said they voted against it because it was unenforceable, a position also taken by the Department of Defense (DOD) and the Obama administration. However, the DOD and the White House stated they agreed with the intent of the legislation and suggested it would be better if it was broadened to prohibit the use of arbitration in cases of sexual assault for any business contract, not just federal contractors. Senators explained their vote against the legislation by saying it was a political attack on Halliburton and that the Senate shouldn't regulate contracts. The latter argument is countered with many examples of similar restrictions on contractors such as discrimination, bonuses and health care. Others felt it was unconstitutional and that arbitration is useful in resolving disputes, often faster, privately and cheaper. Later, a Baton Rouge rape survivor confronted Vitter at a town hall meeting saying, "[it] meant everything to me that I was able to put the person who attacked me behind bars ... How can you support a law that tells a rape victim that she does not have the right to defend herself?" Vitter replied, "The language in question did not say that in any way shape or form." CANNOTANSWER

Any other supporters or people against it?


McGrady was born on May 24, 1979 in Bartow, Florida to Melanise Williford. His father was not a part of his everyday life, so Melanise raised McGrady with the help of her mother, Roberta, in Auburndale. As a youth, McGrady played high school basketball and baseball at Auburndale High School for three years before transferring to Mount Zion Christian Academy in Durham, North Carolina for his senior season. A relative unknown coming out of Florida, he made a name for himself after a strong performance at the Adidas ABCD Camp, an experience that helped McGrady recognize his true talent.

Following Toronto's first-round exit, McGrady became a free agent, signing a six-year, $67.5 million contract with the Orlando Magic. He elected to join the Magic in part because he disliked his secondary role playing behind Vince Carter, in part so that he could return home to Florida, and in part to play with their other newly acquired free agent, Grant Hill. Hill would go on to play in only 47 games total throughout his tenure with the team, forcing McGrady into a larger leadership and scoring role than anticipated. During the 2000-01 season, McGrady defied the expectations of many, emerging as one of the best players in the NBA, with Milwaukee Bucks General Manager Ernie Grunfeld going so far as to call him "one of the top five talents in the league". McGrady's play earned him his first All-Star Game appearance and, behind averages of 26.8 points, 7.5 rebounds, and 4.6 assists per game, he was selected to his first All-NBA Team, being named to the All-NBA Second Team. He was also voted the league's Most Improved Player. With a 43-39 record, the Magic entered the playoffs as the East's seventh seed, drawing a matchup with the Bucks. In Game 3 of the series, McGrady notched 42 points, 10 rebounds, and 8 assists in a performance that Bill Simmons later called McGrady's "superstar audition tape". Orlando was eventually eliminated by Milwaukee in four games. For the 2001-02 season, McGrady averaged 25.6 points, 7.9 rebounds, and 5.3 assists per game, earning his second All-NBA Team selection, this time to the All-NBA First Team. During that year's All-Star Game, he completed one of the most memorable highlights of his career, throwing the ball off the backboard to himself and completing an alley-oop in traffic. At season's end, the Magic were again ousted in the first round of the playoffs, losing in four games to the Charlotte Hornets. In 2002-03, McGrady won his first scoring title and, behind averages of 32.1 points, 6.5 rebounds, and 5.5 assists per game, finished a career-best fourth in NBA Most Valuable Player Award voting. ESPN later ranked his season one of the best ever for a perimeter player. In Game 1 of the playoffs, he scored 43 points to help Orlando take an early series lead against the top-seeded Detroit Pistons. The Magic would go on to take a commanding 3-1 lead, and McGrady made headlines when he prematurely assumed that Orlando were guaranteed to advance to the next round, replying in an interview, "It feels good to get in the second round." Despite holding the series lead, the Magic were eliminated in seven games. The 2003-04 season was a tumultuous one for McGrady; Magic coach Doc Rivers was fired after a 1-10 start to the year and there were reports of friction between McGrady and Orlando General Manager John Weisbrod. Throughout the season, Orlando struggled because of a series of injuries, finishing the year with the worst record in the East despite McGrady winning his second consecutive scoring title. Late in the season, McGrady scored a career-high 62 points in a winning effort versus the Washington Wizards. His final averages were 28 points, 6 rebounds, and 5.5 assists per game. CANNOTANSWER

Using a quote from the above article, answer the following question: Why did he leave the Magic?


Background: Corbin Bleu Reivers (; born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the High School Musical film series (2006-2008). Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the Billboard Hot 100.
Context: Bleu was born in Brooklyn, New York, the son of Martha (nee Callari) and David Reivers (born 1958), an actor. His mother is Italian American and his father is Jamaican American. He has three sisters: Jag, Phoenix, and Hunter. As a child, Bleu studied dance for several years, focusing on ballet and jazz. His great-uncle is actor Joseph Callari, who won IndieFEST FIlm awards of Excellence for Best Actor, with his performance in The Julie Stories. Bleu appeared in television commercials starting at the age of two, for products such as Life cereal, Bounty, Hasbro, and Nabisco. He began taking jazz and ballet classes, usually being the only boy in the class. By the age of four he was a model with the Ford Modeling Agency in New York. He appeared in print ads for stores such as Macy's, Gap, Target, and Toys R Us, and appeared in fashion spreads in Child, Parents, and American Baby magazines, as well as having his image on toys and game packaging. At age six Corbin appeared in his first professional theater production off Broadway, at The Town Hall. This three-concert series, created, written, and hosted by Scott Siegel, took place over one weekend and included a tribute to David Merrick. Corbin Bleu played an abandoned homeless mute in the play Tiny Tim is Dead. Bleu graduated from Los Angeles County High School for the Arts. He trained in dancing at the Debbie Allen Dance Academy. He attended the Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York as a theater major, following in his mother's footsteps. Bleu presents an appealing combination of star quality and adolescent normality. He graduated from high school in 2007 and was admitted to Stanford University, but declined to matriculate because of scheduling commitments. As of 2007 he continued to live at home with his parents and three younger sisters. CANNOTANSWER
Question: did any of his siblings act?. Whats the answer?


Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

Jordan was born on July 8, 1908, in Brinkley, Arkansas, where his father, James Aaron Jordan, was a music teacher and bandleader for the Brinkley Brass Band and for the Rabbit Foot Minstrels. His mother, Adell, died when Louis was young. Jordan studied music under his father, starting out on the clarinet. In his youth he played in his father's bands instead of doing farm work when school closed. He also played the piano professionally early in his career, but alto saxophone became his main instrument. However, he became even better known as a songwriter, entertainer and vocalist. Jordan briefly attended Arkansas Baptist College, in Little Rock, and majored in music. After a period with the Rabbit Foot Minstrels (in which one of his colleagues was Leon "Pee Wee" Whittaker) and with local bands, including Bob Alexander's Harmony Kings, he went to Philadelphia and then New York. In 1932, Jordan began performing with the Clarence Williams band, and when he was in Philadelphia he played clarinet in the Charlie Gaines band. In late 1936 he was invited to join the influential Savoy Ballroom orchestra, led by the drummer Chick Webb. Based at New York's Savoy Ballroom, Webb's orchestra was renowned as one of the best big bands of its day and regularly beat all comers at the Savoy's legendary cutting contests. Jordan worked with Webb until 1938, and it proved a vital stepping-stone in his career--Webb (who was physically disabled) was a fine musician but not a great showman. The ebullient Jordan often introduced songs as he began singing lead; he later recalled that many in the audience took him to be the band's leader, which undoubtedly boosted his confidence further. This was the same period when the young Ella Fitzgerald was coming to prominence as the Webb band's lead female vocalist; she and Jordan often sang duets on stage, and they later reprised their partnership on several records, by which time both were major stars. In 1938, Webb fired Jordan for trying to persuade Fitzgerald and others to join his new band. By this time Webb was already seriously ill with tuberculosis of the spine. He died at the age of 34, after spinal surgery on June 16, 1939. Following his death, Fitzgerald took over the band. Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis. The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.) The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs. Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. The prime of Jordan's recording career, 1942-1950, was a period of segregation on the radio. Despite this he had a crossover number 1 single, "G.I. Jive" backed with "Is You Is or Is You Ain't My Baby?" in 1944, thanks in large part to his performance with his orchestra of the song in the all-star wartime musical film Follow the Boys (Universal Pictures, 1944). Two years later, MGM's cartoon cat Tom sang "Is You Is or Is You Ain't My Baby?" in the 1946 Tom and Jerry cartoon short "Solid Serenade". Jordan appeared in the 1946 Monogram Pictures movie Swing Parade of 1946 and starred in the 1947 all-black, full-length Astor Pictures film Reet, Petite and Gone. During this period Jordan again placed more than a dozen songs on the national charts. However, Louis Jordan and His Tympany Five dominated the 1940s R&B charts, or (as they were known at the time) the "race" charts. In this period Jordan had eighteen number 1 singles and fifty-four in the Top Ten. According to Joel Whitburn's points-based analysis of Billboard chart placings, Jordan ranks fifth among the most successful artists over the period 1942-1995. From July 1946 through May 1947, Jordan had five consecutive number 1 songs, holding the top slot for 44 consecutive weeks. Jordan's popularity was boosted not only by his hit Decca records but also by his prolific recordings for Armed Forces Radio and the V-Disc transcription program, which helped to make him as popular with whites as with blacks. He also starred in a series of short musical films and made numerous "soundies" for his hit songs. The ancestor of the modern music video, soundies were short film clips designed for use in audio-visual jukeboxes. These were in addition to his part in Follow the Boys. CANNOTANSWER

What other instruments did he play?


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Donald Francis Shula (born January 4, 1930) is a former professional American football coach and player who is best known as the head coach of the Miami Dolphins, the team he led to two Super Bowl victories, and to the only perfect season in the history of the National Football League (NFL). He was previously the head coach of the Baltimore Colts, with whom he won the 1968 NFL Championship. Shula was drafted out of John Carroll University in the 1951 NFL Draft, and he played professionally as a defensive back for the Cleveland Browns, Baltimore Colts, and Washington Redskins. Shula was named 1993 Sportsman of the Year by Sports Illustrated.

Shula was born in Grand River, Ohio, a small town along the Lake Erie shore in the northeastern part of the state. His parents, Dan and Mary, were of Hungarian origin, having immigrated when they were children. Shula's father Dan worked for $9 a week at a rose nursery and saved up to buy the small house where Shula spent his early childhood. The house was next door to a grocery store in Grand River owned by Mary's parents. Shula played football in his neighborhood as a child, but his parents forbade it after he got a gash on his face when he was 11. As Shula's family expanded--he had six siblings, including a set of triplets born in 1936--his father got a job in the local fishing industry for $15 a week, and later worked at a rayon plant in nearby Painesville, Ohio. Shula attended elementary school at St. Mary's, a private Catholic school in Painesville; his mother was a devout Catholic, and his father converted to the religion when they married. He later attended Thomas W. Harvey in Painesville and played on its football team starting in 1945. He did not try out for the team because of both his mother's prohibition on him playing and he was recovering from a bout of pneumonia, but an assistant football coach noticed him in a gym class and convinced him to join. Shula forged his parents' signatures to sign up. Within weeks of joining Harvey's football team, Shula was a starting left halfback in the school's single-wing offense. He handled a large portion of the team's rushing and passing duties, and helped lead the team to a 7-3 win-loss record in his senior year. It was the first time in 18 years that Harvey had a seven-win season. The team would have won a league title had it not lost an early game to Willoughby. Shula also ran track at Harvey and was an 11-time letterman in his three years there. As Shula prepared to graduate from high school in 1947, many men whose football careers were delayed by service in World War II were returning and competing for athletic scholarships. As a result, Shula was unable to get a scholarship and contemplated working for a year before going to college. That summer, however, he had a chance meeting at a gas station with former Painesville football coach Howard Bauchman, who suggested he ask about a scholarship at John Carroll University. Shula got a one-year scholarship at the private Jesuit school in University Heights, a suburb of Cleveland. It was extended to a full scholarship after Shula performed well in his freshman year, including in a win over Youngstown State in October 1948. He ran for 175 yards and scored two touchdowns substituting for the injured starting halfback. The same year, Shula considered joining the Catholic priesthood after a three-day retreat at John Carroll, but decided against it because of his commitment to football. During his senior year in 1950, he rushed for 125 yards in a win over a heavily favored Syracuse team. CANNOTANSWER

where did he go to school?


Jimmie Hugh Loden (May 1, 1928 - February 22, 2016), known professionally as Sonny James, was an American country music singer and songwriter best known for his 1957 hit, "Young Love". Dubbed the "Southern Gentleman" for his congenial manner, his greatest success came from ballads about the trials of love. James had 72 country and pop charted releases from 1953 to 1983, including an unprecedented five-year streak of 16 straight Billboard #1 singles among his 26 #1 hits. Twenty-one of his albums reached the country top ten from 1964 to 1976.

In late 1956 James released "Young Love", a 45 rpm single for which he would forever be remembered. As the first teenage country crossover single, it topped both the US country and pop music charts in January to February 1957. Record sales could have been higher if Capitol Records had anticipated the exposure on popular-music charts; they had ordered only enough copies of the record to satisfy the anticipated country-music demand, and were therefore unable to supply most of the requests for records. The track peaked at No. 11 in the UK Singles Chart. It sold well over one million copies, and was awarded a gold disc. Dubbed the Southern Gentleman because of his polite demeanor, he gained more exposure with an appearance on the popular Ed Sullivan Show and the Bob Hope Show. Thus began a seven-year search for a sound that gave him a lasting career. Two more years at Capitol Records didn't produce it and they parted ways in 1959. James signed with National Recording Corporation, and then stints with Dot (1960-1961), RCA (1961-1962), his second time with Capitol (1963-1972), and later with Columbia (1972-1979), Monument (1979) and Dimension (1981-1983). In 1962 he returned to his roots and became a member of the Grand Ole Opry and a year later signed again with Capitol Records. From 1964 to 1972 he was a dominant force in country music. James and his Southern Gentlemen appeared on the major TV shows during that period including (Ed Sullivan, Andy Williams, Glen Campbell, Jimmy Dean, Mike Douglas, Merv Griffin, The Joey Bishop Show, was a multi-time guest on Hee Haw, also on the Johnny Cash Show and made minor singing appearances in four motion pictures. CANNOTANSWER

How well did it do on the music charts?


The band left Sovereign Records and joined Miles Copeland's new prog rock stable and label BTM (for British Talent Management). The label's first release was Turn of the Cards in 1974. With a larger budget, the album went from folk-flavoured to a more dark, lush, orchestral rock sound. One of the album's songs, "Things I Don't Understand", which clocked in at 9:30, was Jim McCarty's last co-writing credit with the group (although it was actually in the band's live repertoire for years). A lengthy tribute to Aleksandr Solzhenitsyn, called "Mother Russia", closed out the album, with lyrics inspired by his autobiographical novel, One Day in the Life of Ivan Denisovich. Turn of the Cards was first issued in the United States on Sire Records in August 1974, where it reached No. 94, some months before an official UK release. It remained in the Billboard 200 for 21 weeks. Although Renaissance's fan base was relatively small, its following was heavily concentrated in the large cities of the northeast US. The album was eventually released in the UK in March 1975. It was soon followed by Scheherazade and Other Stories, released on both sides of the Atlantic in September 1975. The album, whose second side was taken up with the epic tone-poem "Song of Scheherazade" based on stories from One Thousand and One Nights, peaked at No. 48 in the United States. There is "no musical connection to the well-known classical work Scheherazade by Nikolai Rimsky-Korsakov." A double live album, Live at Carnegie Hall, followed in 1976. Despite criticisms that much of the album was little more than a note for note reproduction of highlights from their previous four studio albums, the album reached No. 55 in the US. Renaissance were the first British band to sell out three consecutive nights at Carnegie Hall. They were joined on stage by the New York Philharmonic Orchestra. While introducing the song "Ashes Are Burning", Haslam refers to it as the title track from the group's second album, rather than their fourth, suggesting that the Haslam-led lineup by this point considered themselves a distinct band from Keith Relf's incarnation of the group. (This point is further underscored by the band's including an album discography in the gatefold of LP copies of Live at Carnegie Hall, which lists only the four albums from Prologue forward.) Live at Carnegie Hall's follow-up, Novella, saw more chart success in the US, peaking at No. 46 in 1977, although its UK release was delayed by yet another label change. Will Romano in Mountains come out of the sky describes the band: CANNOTANSWER

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Texas are a Scottish pop rock band from Glasgow. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Texas made their performing debut in March 1988 at the University of Dundee. They took their name from the 1984 Wim Wenders movie Paris, Texas.

In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

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Jackie Mason was born Yacov Moshe Maza in Sheboygan, Wisconsin, the fourth and last son (and first one born in the United States) in a family of six children in a strict Orthodox Jewish family. Mason came from a long line of rabbis, which included his father, his grandfather, his great-grandfather, and his great-great grandfather. His father Eli and his mother had both been born in Minsk, and had emigrated to the U.S. in the 1920s with the rest of Mason's family from Minsk; his father died in 1959. A Jewish refugee organization helped his father find a position in Sheboygan, as it needed a rabbi.

On October 18, 1964, in an appearance on The Ed Sullivan Show, Mason allegedly gave host Ed Sullivan the finger on air. Footage of the incident shows Mason in the middle of doing his stand-up comedy act and then looking toward Sullivan, who had placed himself directly behind the camera, commenting that Sullivan was signaling him. Sullivan was reportedly letting Mason know (by holding up two fingers) that he had only two minutes left, and to cut his act short, as the program was about to cut away due to having been partly pre-empted by an impromptu speech by President Lyndon B. Johnson that the show carried. Mason--clearly distracted--began working his own fingers into his act to make fun of the situation, and pointed toward Sullivan with an index finger, a thumb, but not (as Sullivan mistakenly believed) his middle finger. Sullivan was clearly infuriated by this, and banned Mason from future appearances on the show, canceling Mason's $45,000 ($355,000 in current dollar terms), six-appearance contract. Mason denied knowingly giving Sullivan the middle finger; he later said that he had not heard of the middle finger gesture at that time. To clear his name, Mason filed a libel suit on the grounds that Sullivan had defamed him at the New York Supreme Court. That court dismissed most of Mason's complaint. Both Mason and Sullivan appealed to the New York Supreme Court Appellate Division (which reinstated three additional causes of action against Sullivan) in June 1966. He was nevertheless banned from the show for a period of time. Sullivan asserted that Mason was unpredictable and could not be trusted. Because of Sullivan's influence, he was branded as unreliable, volatile, and obscene, and he failed to get substantial TV work for the next two decades. There was no ruling on the merits, merely a determination that Mason's suit could proceed and that he would be given an opportunity to prove his claim. Mason was given a single comeback appearance on Sullivan's TV program two years later, and Sullivan publicly apologized to him, but the damage was done. At that time, Mason opened his monologue by saying, "It is a great thrill ... and a fantastic opportunity to see me in person again." Mason later appeared on the show five times: April 23, 1967; February 25, 1968; November 24, 1968; July 22, 1969; and August 31, 1969. Mason later said: "It took 20 years to overcome what happened in one minute". CANNOTANSWER


As Matchbox 20 prepared to record their sophomore album, band members had heated discussions over song selection. After flirting with the idea of allowing other band members to provide songs, they chose to record only songs that Thomas had written or co-written. They renamed themselves Matchbox Twenty and, in March 2000, released Mad Season. Its first single, Bent, reached number 1 on the Billboard Hot 100 chart. Their tour took them to 87 cities, and they sold out Madison Square Garden in 15 minutes. Thomas was inducted into the South Carolina Music and Entertainment Hall of Fame in 2001. When Santana prepared to record his follow-up to Supernatural, he sought to collaborate with Thomas again. Instead of providing vocals, Thomas wrote two songs for the album, which were recorded by Seal and Musiq Thomas provided songs to other artists as well. Willie Nelson recorded three of Thomas's songs on his 2002 album The Great Divide. One of those, "Recollection Phoenix", had been in contention for the next Matchbox Twenty album before the other band members had decided it wasn't a good fit. The third Matchbox Twenty album, More Than You Think You Are, wasn't complete until four weeks before its release date, November 19, 2002. For the first time, the band recorded a song not written by Thomas. Two other songs were jointly attributed to Thomas, Cook, and Doucette. As part of the promotion for the album, Thomas and his bandmates were featured on VH1's Behind the Music. When the tour for More Than You Think You Are ended, Thomas, Cook, Doucette, Yale, and Gaynor decided to take a break to focus on their families. In June 2004, the Songwriters Hall of Fame gave Thomas the inaugural Hal David Starlight Award, which recognizes a young songwriter who has made an outsized impression on the industry. CANNOTANSWER

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Stephen Joshua Sondheim (; born March 22, 1930) is an American composer and lyricist known for more than a half-century of contributions to musical theater. Sondheim has received an Academy Award, eight Tony Awards (more than any other composer, including a Special Tony Award for Lifetime Achievement in the Theatre), eight Grammy Awards, a Pulitzer Prize, a Laurence Olivier Award, and a 2015 Presidential Medal of Freedom. He has been described by Frank Rich of The New York Times as "now the greatest and perhaps best-known artist in the American musical theater." His best-known works as composer and lyricist include A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, Merrily We Roll

Burt Shevelove invited Sondheim to a party; Sondheim arrived before him, and knew no one else well. He saw a familiar face: Arthur Laurents, who had seen one of the auditions of Saturday Night, and they began talking. Laurents told him he was working on a musical version of Romeo and Juliet with Leonard Bernstein, but they needed a lyricist; Betty Comden and Adolph Green, who were supposed to write the lyrics, were under contract in Hollywood. He said that although he was not a big fan of Sondheim's music, he enjoyed the lyrics from Saturday Night and he could audition for Bernstein. Sondheim met Bernstein the following day, played for him and Bernstein said he would let him know. The composer wanted to write music and lyrics; after consulting with Hammerstein, Bernstein told Sondheim he could write music later. In 1957, West Side Story opened; directed by Jerome Robbins, it ran for 732 performances. Sondheim has expressed dissatisfaction with his lyrics, saying that they do not always fit the characters and are sometimes too consciously poetic. While Bernstein was working on Candide, Sondheim reportedly wrote some of West Side Story's music; Bernstein's co-lyricist credit disappeared from West Side Story during its tryout, possibly as a trade-off. Sondheim insisted that Bernstein told the producers to list him as the sole lyricist. He described the division of the royalties, saying that Bernstein received three percent and he received one percent. Bernstein suggested evening the percentage at two percent each, but Sondheim refused because he wanted the credit. Sondheim later said he wished "someone stuffed a handkerchief in my mouth because it would have been nice to get that extra percentage". After West Side Story opened, Shevelove lamented the lack of "low-brow comedy" on Broadway and mentioned a possible musical based on Plautus' Roman comedies. When Sondheim was interested in the idea he called a friend, Larry Gelbart, to co-write the script. The show went through a number of drafts, and was interrupted briefly by Sondheim's next project. In 1959, Sondheim was approached by Laurents and Robbins for a musical version of Gypsy Rose Lee's memoir after Irving Berlin and Cole Porter turned it down. Sondheim agreed, but Ethel Merman - cast as Mama Rose - had just finished Happy Hunting with an unknown composer (Harold Karr) and lyricist (Matt Dubey). Although Sondheim wanted to write the music and lyrics, Merman refused to let another first-time composer write for her and demanded that Jule Styne write the music. Sondheim, concerned that writing lyrics again would pigeonhole him as a lyricist, called his mentor for advice. Hammerstein told him he should take the job, because writing a vehicle for a star would be a good learning experience. Sondheim agreed; Gypsy opened on May 21, 1959, and ran for 702 performances. CANNOTANSWER


Paul Reubens (ne Rubenfeld; born August 27, 1952) is an American actor, writer, film producer, game show host, and comedian, best known for his character Pee-wee Herman. Reubens joined the Los Angeles troupe The Groundlings in the 1970s and started his career as an improvisational comedian and stage actor. In 1982, Reubens put up a show about a character he had been developing for years.

In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Using a quote from the above article, answer the following question: What happened as a result of him pleading to a lesser charge?


Kaine was born at Saint Joseph's Hospital in St. Paul, Minnesota. He is the eldest of three sons born to Mary Kathleen (nee Burns), a home economics teacher, and Albert Alexander Kaine, Jr., a welder and the owner of a small iron-working shop. He was raised Catholic. One of Kaine's great-grandparents was Scottish and the other seven were Irish.

In the 113th Congress (2013-15), Kaine was on the Committee on Armed Services, the Committee on the Budget, and the Committee on Foreign Relations. In the current (114th) Congress, Kaine is on the same three committees, plus the Special Committee on Aging. In July 2013, Kaine was named chairman of the United States Senate Foreign Relations Subcommittee on Near East, South Asia, Central Asia and Counterterrorism. Within the Senate Armed Services Committee, Kaine is a member of the Subcommittee on Emerging Threats and Capabilities, the Subcommittee on Readiness and Management Support (for which he is the ranking member), and the Subcommittee on Seapower. Within the Senate Foreign Affairs Committee, Kaine is a member of the Subcommittee on State Department and USAID Management, International Operations, and Bilateral International Development (for which he is the ranking member), the Subcommittee on Europe and Regional Security Cooperation, the Subcommittee on Near East, South Asia, Central Asia, and Counterterrorism, and the Subcommittee on Western Hemisphere, Transnational Crime, Civilian Security, Democracy, Human Rights and Global Women's Issues. In January 2014, Kaine, with Republican Senator Rob Portman of Ohio, established the bipartisan Senate Career and Technical Education Caucus (CTE Caucus), which focuses on vocational education and technical education. Kaine and Portman co-chair the caucus. In 2014, Kaine and Portman introduced the CTE Excellence and Equity Act to the Senate; the legislation would provide $500 million in federal funding, distributed by competitive grants, to high schools to further CTE programs. The legislation, introduced as an amendment to the omnibus Carl D. Perkins Career and Technical Education Act of 2006, would promote apprenticeships and similar initiatives. Kaine and Portman introduced similar legislation, the Educating Tomorrow's Workforce Act, in 2017. CANNOTANSWER

Using a quote from the above article, answer the following question: What title did he hold?