Faith Renee Evans (born June 10, 1973) is an American singer-songwriter, record producer, and actress. Born in Lakeland, Florida and raised in New Jersey, Evans relocated to Los Angeles in 1993 for a career in the music business. After working as a backing vocalist for Al B. Sure and Christopher Williams, she became the first female artist to contract with Sean "Puff Daddy" Combs' Bad Boy Entertainment recording company in 1994, for which she collaborated with several label mates such as Mary J. Blige and Carl Thomas and released three platinum-certified studio albums between 1995 and 2001, including Faith (1995), Keep the Faith (1998) and Faithfully (2001). In 2003, she ended her relationship with the company to sign with Capitol Records.

Newly contracted to Bad Boy Records, Evans was consulted by executive producer Combs to contribute backing vocals and writing skills to Mary J. Blige's My Life (1994) and Usher's self-titled debut album (1994) prior to starting work on her debut studio album Faith. Released on August 29, 1995, in North America, the album was a main collaboration with Bad Boy's main producers, The Hitmen, including Chucky Thompson and Combs, but it also resulted in recordings with Poke & Tone and Herb Middleton. Faith became a success based on the singles "You Used to Love Me" and "Soon as I Get Home". The album was eventually certified platinum with 1.5 million copies sold, according to RIAA. A year before, on August 4, 1994, Evans married rapper and label mate Christopher "The Notorious B.I.G." Wallace, after having met him at a Bad Boy photo shoot. The couple had one child together, Christopher Jordan Wallace, born October 29, 1996, but the marriage was turbulent as Wallace reportedly had several affairs during their union, including relationships with fellow rappers Lil' Kim and Charli Baltimore. Additionally, it led to Evans' involvement in the East Coast-West Coast hip hop rivalry which dominated the rap music news at the time and ended with Wallace's murder in a yet-to-be-solved drive-by shooting in Los Angeles, California in March 1997. During early 1997, after her separation from Wallace, but before his death, Evans' friend Missy Elliott introduced her to record company executive Todd Russaw. Faith began dating Russaw during her and Wallace's separation and after Wallace died, Evans became pregnant by Russaw. The couple had their first son Joshua on June 8, 1998. During the summer of 1998, Evans and Russaw were married, and on March 22, 2007, they had their second son Ryder Evan Russaw. After Biggie's murder on March 9, 1997, Combs helped Evans produce her tribute song named "I'll Be Missing You", based on the melody of The Police's 1983 single "Every Breath You Take". The song, which featured Combs, Evans, and all-male group 112, became a worldwide number-one success and debuted at number one on the US Billboard Hot 100 chart during 1997, scoring that for eleven weeks. It eventually won Puffy and Evans the 1998 Grammy Award for Best Rap Performance by a Duo or Group. The next year, she received another two Grammy nominations for "Heartbreak Hotel", a collaboration with singers Whitney Houston and Kelly Price, that scored number two on the Billboard Hot 100 chart. Two years in the making, Evans' second studio album, Keep the Faith, was released in October 1998. Almost entirely written and produced by her, Evans considered the album difficult to complete as she had initially felt discouraged about the progress at first. Upon its release, however, the album earned generally positive reviews by music critics, with Allmusic noting it "without a doubt a highlight of 1990s soul-pop music". Also enjoying commercial success, it eventually went platinum and produced the top ten singles "Love Like This" and "All Night Long" (released March 30, 1999) prompting Evans to start an 18-city theater tour with Dru Hill and Total the following year. CANNOTANSWER

Did she have any children with Russaw?


Background: The Orb are an English electronic music group known for being the pioneers of ambient house. Founded in 1988 by Alex Paterson and The KLF member Jimmy Cauty, the Orb began as ambient and dub DJs in London. Their early performances were inspired by ambient and electronic artists of the 1970s and 1980s, most notably Brian Eno and Kraftwerk. Because of their trippy sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs.
Context: In 2001, Alex Paterson formed the record label Badorb.com as an outlet for Orb members' side projects. To promote both Badorb.com and Cydonia, the Orb toured internationally, including their first visit to the United States in four years. NME described the Orb's tour as "charming" and that they were "freed from the Floydian pretensions that dogged the band throughout the mid-'90s". The Orb, now composed of Paterson, Phillips, and Fehlmann, with guest John Roome, accepted an invitation to join the Area:One concert tour with Moby, Paul Oakenfold, New Order and other alternative and electronic artists. Though the Orb were paired with more mainstream artists during the tour such as Incubus, Paterson and Fehlmann made their next releases a series of several low-key EPs for German label Kompakt in 2002. The Orb found critical success on Kompakt; but Badorb.com collapsed soon after releasing the compilation Bless You. Badorb.com had released fourteen records over the course of fourteen months from artists including Guy Pratt (Conduit), Ayumi Hamasaki, and Takayuki Shiraishi, as well as the Orb's three-track Daleth of Elphame EP. Though Badorb.com was an internet-based record label, they only sold vinyl releases (with one exception, the Orb EP), which Paterson later remarked was a poor idea because "not many people... have record players". Though their musical style had changed somewhat since the 1990s, the Orb continued to use their odd synthetic sounds on 2004's Bicycles & Tricycles, to mixed reviews. The Daily Telegraph praised Bicycles & Tricycles as being "inclusive, exploratory, and an enjoyable journey"; other publications dismissed it as "stoner dub" and irrelevant to current electronic music. Like Cydonia, Bicycles & Tricycles featured vocals, including female rapper MC Soom-T who added a hip hop contribution to the album. The Orb left Island Records and released the album on Cooking Vinyl and Sanctuary Records. To promote the album, the band began a UK tour with dub artist Mad Professor. Though the Orb still pulled in large crowds, The Guardian noted that they lacked the intensity found in their earlier performances. CANNOTANSWER
Question: Did they release any other hits?

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Robert Fripp (born 16 May 1946) is an English guitarist, composer and record producer. As a guitarist for the progressive rock band King Crimson, Fripp has been the only member to have played in all of King Crimson's line-ups from their inception in the late 1960s to the present. He has also worked extensively as a studio musician, notably with singer David Bowie on the albums "Heroes" and Scary Monsters (And Super Creeps), Brian Eno, David Sylvian and contributed sounds to the Windows Vista operating system. His complete discography lists more than seven hundred releases over four decades.

The son of an estate agent from a working-class background, Robert Fripp was born in Wimborne Minster, Dorset, England. On Christmas Day 1957, aged 11, he got a "very cheap" guitar from his parents, saying "almost immediately I knew that this guitar was going to be my life". Fripp took guitar lessons with teachers Kathleen Gartell and Don Strike, which quickly advanced his skills: at 11 years of age, he was playing rock, moving on to traditional jazz at 13 and modern jazz at 15. At this time he was influenced by such modern jazz players and composers as Charlie Parker and Charlie Mingus. Despite his jazz inclinations, Fripp's first band was a rock band called The Ravens, formed in 1961 when he was 15 and also featuring schoolmates Graham Wale (drums, subsequently replaced by Chris 'Fergy' Ferguson), Gordon Haskell (bass guitar), and Tino Licinio (vocals/guitar). In 1962 The Ravens split as Fripp concentrated on his O-level studies and joined his father's firm as a junior negotiator, at this point planning to study estate management in a South Kensington university and eventually take over his father's business. By 1964, aged 17, Fripp made the decision to become a professional musician. For a while, Fripp played guitar in the Chewton Glen Hotel with a jazz band called The Douglas Ward Trio. Soon afterwards, he formed a rock and roll band called The League of Gentlemen (a name he would resurrect in 1980 for an entirely different band). In addition to Fripp on guitar, the lineup of the 1964 League of Gentlemen included his former Ravens bandmates Gordon Haskell and Tino Licinio, plus Stan Levy (drums) and Reg Matthews (vocals). Still keeping his options open, Fripp left The League of Gentlemen in 1965 in order to study for A-levels at Bournemouth College, where he studied economics, economic history and political history, writing a special paper on social conditions of the mid-to-late 19th century; it was there where he met future musical colleagues John Wetton, Richard Palmer-James and Greg Lake. He subsequently spent three further years playing light jazz in the Majestic Dance Orchestra at the Bournemouth Majestic Hotel (replacing future The Police guitarist Andy Summers, who had gone off to London with Zoot Money). At age 21, going back home from college late at night, Fripp tuned on to Radio Luxemburg where he heard the last moments of "A Day in the Life". "Galvanized" by the experience, he went on to listen to Sgt. Pepper's Lonely Hearts Club Band, Bela Bartok's string quartets, Antonin Dvorak's New World Symphony, Are You Experienced and John Mayall & the Bluesbreakers. Many years later, Fripp would recall that "although all the dialects are different, the voice was the same... I knew I couldn't say no". CANNOTANSWER

Who is Robert Fripp?


Ricardo Alonso Gonzalez (May 9, 1928 - July 3, 1995), usually known as Pancho Gonzales, and sometimes as Richard Gonzales, was an American tennis player who has been rated one of the greatest in the history of the sport. He won 14 major singles titles (12 Pro Slam, 2 Grand Slam) and was the dominant professional of the 1950s; he still holds the men's all-time record of being ranked world No. 1 for eight years. Gonzales was a ruthless competitor with a fierce temper. Many of his peers on the professional circuit were intimidated by him, and he was often at odds with officials and promoters.

Most of Gonzales's career as a professional took place before the start of the open era of tennis in April 1968, and he was therefore ineligible to compete at the Grand Slam events between the end of 1949 (when he turned pro) and the start of the open era in April 1968. As has been observed about other great players such as Rod Laver, Gonzales almost certainly would have won a number of additional Grand Slam titles had he been permitted to compete in those tournaments during that 18-year period. Jack Kramer, for instance, has speculated in an article about the theoretical champions of Forest Hills and Wimbledon that Gonzales would have won an additional 11 titles in those two tournaments alone. In May 1968, he was the first professional to lose to an amateur, the British player Mark Cox. The then-24-year-old Cox beat Gonzales at the British Hard Court Championships at Bournemouth, 0-6, 6-2, 4-6, 6-3, 6-3, in two and a quarter hours. The first major open tournament was the 1968 French Open, when Gonzales had just turned 40. In spite of the fact that he had been semi-retired for a number of years and that the tournament was held on slow clay courts that penalize serve-and-volley players, Gonzales beat the 1967 defending champion Roy Emerson in the quarterfinals. He then lost in the semifinals to Rod Laver. He lost in the third round of 1968 Wimbledon but later beat the second-seeded Tony Roche in the fourth round of the 1968 US Open, before losing an epic match to the Netherlands' Tom Okker. CANNOTANSWER

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The name Christopher Columbus is the Anglicisation of the Latin Christophorus Columbus. His name in Ligurian is Cristoffa Conbo, in Italian Cristoforo Colombo and in Spanish Cristobal Colon. He was born before 31 October 1451 in the territory of the Republic of Genoa (now part of modern Italy), though the exact location remains disputed. His father was Domenico Colombo, a middle-class wool weaver who worked both in Genoa and Savona and who also owned a cheese stand at which young Christopher worked as a helper.

Though Columbus was wrong about the number of degrees of longitude that separated Europe from the Far East and about the distance that each degree represented, he did possess valuable knowledge about the trade winds, which would prove to be the key to his successful navigation of the Atlantic Ocean. During his first voyage in 1492, the brisk trade winds from the east, commonly called "easterlies", propelled Columbus's fleet for five weeks, from the Canary Islands to The Bahamas. The precise first land sighting and landing point was San Salvador Island. To return to Spain against this prevailing wind would have required several months of an arduous sailing technique, called beating, during which food and drinkable water would probably have been exhausted. Instead, Columbus returned home by following the curving trade winds northeastward to the middle latitudes of the North Atlantic, where he was able to catch the "westerlies" that blow eastward to the coast of Western Europe. There, in turn, the winds curve southward towards the Iberian Peninsula. It is unclear whether Columbus learned about the winds from his own sailing experience or if he had heard about them from others. The corresponding technique for efficient travel in the Atlantic appears to have been exploited first by the Portuguese, who referred to it as the Volta do mar ("turn of the sea"). Columbus's knowledge of the Atlantic wind patterns was, however, imperfect at the time of his first voyage. By sailing directly due west from the Canary Islands during hurricane season, skirting the so-called horse latitudes of the mid-Atlantic, Columbus risked either being becalmed or running into a tropical cyclone, both of which, by chance, he avoided. CANNOTANSWER


Lindsay McAllister M "The Doctor" McDougall (born 3 March 1978) is an Australian rock guitarist and radio presenter. Since 1996, he has been the lead guitarist in punk rock band, Frenzal Rhomb alongside lead singer Jay Whalley. He has co-written songs with fellow band members including their highest charting single, "You Are Not My Friend".

In August 1996 Lindsay McDougall joined Australian punk rock band Frenzal Rhomb after original guitarist Ben Costello left to attend university and become an animal rights activist. Frenzal Rhomb had formed in Sydney in 1992 with mainstay Jason Whalley on lead vocals. In November 1996 the group issued a CD EP, Punch in the Face and, in January 1997, performed at Big Day Out. Late that year they toured the United States supporting less than jake with Blink-182 opening. In September 1997, the band released their third album, Meet the Family. It was their first to be certified gold by Australian Recording Industry Association (ARIA). The next Frenzal Rhomb LP, A Man's Not a Camel was released in March 1999 and was supported by a nationwide tour. It remains their highest placed album to date, reaching No. 11 on the ARIA Albums Chart. It spawned their highest charting single, "You Are Not My Friend", which reached No. 48. The song was co-written by McDougall with fellow band members Whalley, Lex Feltham and Gordy Forman. In April 2003 the band released Sans Souci, followed by Forever Malcolm Young in 2006. During 2003 McDougall organised Rock Against Howard, a compilation album, by various Australian musicians as a protest against incumbent Prime Minister, John Howard's government. It was released in August 2004, before the October federal election, when Howard's coalition was re-elected. Also that year, McDougall and Whalley formed a side-project, Self Righteous Brothers, as an alternative rock group and issued the album, Love Songs for the Wrong at Heart on Shock Records. A track, "There's No Town Like Snowtown" referenced the Snowtown murders and was labelled "insensitive" by the Adelaide Tourism Commission after being played on radio. For the album, McDougall provided lead vocals, acoustic and electric guitars, banjo, piano, violin, viola, cello, pan flute, glockenspiel, zither, timbales, and cymbals. In March 2009 Frenzal Rhomb undertook The Boys are Back in Brown Tour, the following year they toured Japan and played a number of festivals in Australia, including Come Together and Rollercoaster. In December 2010, they joined the No Sleep Til Festival Tour with punk and metal bands: Megadeth, Descendents, NOFX, Gwar and Dropkick Murphys. In August 2011 Frenzal Rhomb issued their next album Smoko at the Pet Food Factory. CANNOTANSWER

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Background: Joseph Vincent McCarthy (April 21, 1887 - January 13, 1978) was a manager in Major League Baseball, most renowned for his leadership of the "Bronx Bombers" teams of the New York Yankees from 1931 to 1946. The first manager to win pennants with both National and American League teams, he won nine league titles overall and seven World Series championships - a record tied only by Casey Stengel. McCarthy was elected to the Baseball Hall of Fame in 1957. McCarthy's career winning percentages in both the regular season (.615) and postseason (.698, all in the World Series) are the highest in major league history.
Context: Despite his teams' great performance, McCarthy was not without his detractors, who believed he was simply fortunate enough to be provided with great talent and was not a strong game tactician. During his peak period from 1936 to 1943, when the Yankees won seven pennants in eight seasons, White Sox manager Jimmy Dykes described McCarthy as a "push-button" manager. Yet McCarthy was an outstanding teacher and developer of talent, and was particularly adept at handling temperamental players such as Babe Ruth, who had hoped to become New York's manager and resented a team "outsider" being hired. Ruth and McCarthy's relationship was lukewarm at best, and chilled considerably in 1934 when Ruth began openly campaigning to become manager. Partly due to this, Ruth was traded to the lowly Boston Braves after the season. While managing, McCarthy utilized a low-key approach, never going to the mound to remove a pitcher or arguing with an umpire except on a point of the rules, preferring to stay at his seat in the center of the dugout. He also declined to wear a numbered uniform with the Yankees and Red Sox. In order to draw attention to his presumed masterful leadership of the Yankees, McCarthy was given the nickname of "Marse Joe" by sportswriters. "Marse" is a Southern English rendition of the word "master". McCarthy's success throughout his career was such that in 32 years of managing, his 1922 Louisville club was the only team which finished either with a losing record or below fourth place. McCarthy was named Major League Manager of the Year by The Sporting News in 1936 - the first year the award was given - and again in 1938 and 1943. CANNOTANSWER
Question: what was mccarthy's coaching style like?. Whats the answer?


Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

In the 1990s, the band split up after a disagreement about royalties. Hadley, Norman and Keeble launched an unsuccessful court case against Gary Kemp for a share of Kemp's songwriting royalties from his work with Spandau Ballet. Although they vowed to appeal the verdict, they later decided against this. The three non-Kemp members then continued to tour as a trio, but they had to sell their shares in Spandau Ballet's company to Gary Kemp to pay off legal debts. Because the company owned the rights to the name of Spandau Ballet, the trio had to tour under the moniker "Hadley, Norman and Keeble, ex-Spandau Ballet". In 1990, the Kemp brothers played the lead roles in the film The Krays. Martin Kemp landed an acting role in the UK soap opera EastEnders. Gary Kemp also did more acting, appearing in a supporting role in the Whitney Houston hit The Bodyguard. In 1995 he released his only solo album, Little Bruises. Meanwhile, Tony Hadley tried to establish a solo career but with little success. After leaving EastEnders, Martin Kemp continued acting in various high-profile projects and appeared on TV in other roles. He wrote and directed his first film, Martin Kemp's Stalker. Gary Kemp wrote songs with Paul Stratham, who had written songs for Dido, continued acting on stage, in film and in television, and worked on the musicals Begbug and A Terrible Beauty with Guy Pratt. Steve Norman moved to Ibiza, where he formed a lounge band, Cloudfish, with Rafa Peletey and Shelley Preston in 2001. Hadley released three studio albums, landed the lead role in the musical Chicago and won the ITV reality show Reborn in the USA. In 1999, Hadley appeared as a guest vocalist on the Alan Parsons album The Time Machine, performing lead vocals on the song "Out of the Blue". CANNOTANSWER

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Angelo Fausto Coppi, (Italian pronunciation: ['fausto 'koppi]; 15 September 1919 - 2 January 1960), was an Italian cyclist, the dominant international cyclist of the years each side of the Second World War. His successes earned him the title Il Campionissimo, or champion of champions. He was an all-round racing cyclist: he excelled in both climbing and time trialing, and was also a great sprinter. He won the Giro d'Italia five times (1940, 1947, 1949, 1952, 1953), the Tour de France twice (1949 and 1952), and the World Championship in 1953.

Coppi joined the army as soldier 7,375 of the 38th Infantry when Italy entered World War II. Officers favoured him at first to keep him riding his bike, but in March 1943 they sent him to North Africa. There he was taken prisoner by the British between Mateur and Medjez-el-Bab on 13 April 1943. He was kept in a prisoner of war camp, where he shared plates with the father of Claudio Chiappucci, who rode the Tour in the 1990s. He was given odd jobs to do. The British cyclist Len Levesley said he was astonished to find Coppi giving him a haircut. Levesley, who was on a stretcher with polio, said: "I should think it took me all of a full second to realise who it was. He looked fine, he looked slim, and having been in the desert, he looked tanned. I'd only seen him in cycling magazines but I knew instantly who he was. So he cut away at my hair and I tried to have a conversation with him, but he didn't speak English and I don't speak Italian. But we managed one or two words and I got over to him that I did some club racing. And I gave him a bar of chocolate that I had with me and he was grateful for that and that was the end of it". The British moved Coppi to an RAF base at Caserta in Italy in 1945. There he worked for an officer who had never heard of him. Coppi was allowed liberal terms, the war being as good as over. On release he cycled and hitched lifts home. On Sunday 8 July 1945 he won the Circuit of the Aces in Milan after four years away from racing. The following season he won Milan-San Remo (about these years see also "Viva Coppi!", a historical novel written by Filippo Timo). CANNOTANSWERAnswer this question using a quote from the following article:

What happened while at the base?


Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.

Tan Dun earned more widespread attention after composing the score for Ang Lee's Crouching Tiger, Hidden Dragon (2000), for which he won an Academy Award, a Grammy Award, and a BAFTA Award. Other film credits include the aforementioned Hero (Zhang Yimou, 2002), Gregory Hoblit's Fallen (1998), and Feng Xiaogang's The Banquet (2006). Following the composition of the film score for Crouching Tiger, Hidden Dragon, Tan Dun rearranged the music to create the Crouching Tiger Concerto for cello, video, and chamber orchestra. Containing edited footage from the film, this work reverses the role of music in film by treating video as secondary. This same technique was later applied to his film scores for Hero and The Banquet, resulting in the larger work known as the Martial Arts Cycle. In 2002, Tan Dun continued experimenting with application of video in music The Map, also for cello, video, and orchestra. The Map features documentary footage depicting the lives of China's Tujia, Miao, and Dong ethnic minorities. The musicians onstage, including the cello soloist, interact with the musicians onscreen--a duet of live and recorded performance. The work was premiered and commissioned by the Boston Symphony Orchestra with Yo-Yo Ma. Tan Dun's most recent multimedia work, Nu Shu: The Secret Songs of Women (2013), is a 13-movement work for video, solo harp, and orchestra. Following years of ethnomusicological research in Hunan, the work captures the sounds of Nushu script, a phonetic writing system devised by women speakers of the Shaozhou Tuhua dialect who had been disallowed from receiving formal education. Considered a dying language, Tan Dun's research resulted in a series of short films of women singing songs written in Nushu, which are presented alongside the orchestral performance. As with The Map, the songs in the video are used in counterpoint to the live music. CANNOTANSWER

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Background: John Maynard Keynes, 1st Baron Keynes  ( KAYNZ; 5 June 1883 - 21 April 1946), was a British economist whose ideas fundamentally changed the theory and practice of macroeconomics and the economic policies of governments. He built on and greatly refined earlier work on the causes of business cycles, and was one of the most influential economists of the 20th century and the founder of modern macroeconomics theory. His ideas are the basis for the school of thought known as Keynesian economics, and its various offshoots. During the Great Depression of the 1930s, Keynes spearheaded a revolution in economic thinking, challenging the ideas of neoclassical economics that held that free markets would, in the short to medium term, automatically provide full employment, as long as workers were flexible in their wage demands.
Context: The British Government called on Keynes's expertise during the First World War. While he did not formally re-join the civil service in 1914, Keynes travelled to London at the government's request a few days before hostilities started. Bankers had been pushing for the suspension of specie payments - the convertibility of banknotes into gold - but with Keynes's help the Chancellor of the Exchequer (then Lloyd George) was persuaded that this would be a bad idea, as it would hurt the future reputation of the city if payments were suspended before it was absolutely necessary. In January 1915, Keynes took up an official government position at the Treasury. Among his responsibilities were the design of terms of credit between Britain and its continental allies during the war, and the acquisition of scarce currencies. According to economist Robert Lekachman, Keynes's "nerve and mastery became legendary" because of his performance of these duties, as in the case where he managed to assemble - with difficulty - a small supply of Spanish pesetas. The secretary of the Treasury was delighted to hear Keynes had amassed enough to provide a temporary solution for the British Government. But Keynes did not hand the pesetas over, choosing instead to sell them all to break the market: his boldness paid off, as pesetas then became much less scarce and expensive. On the introduction of military conscription in 1916 he applied for exemption as a conscientious objector, which was effectively granted conditional upon continuing his government work. In the 1917 King's Birthday Honours, Keynes was appointed Companion of the Order of the Bath for his wartime work, and his success led to the appointment that would have a huge effect on Keynes's life and career; Keynes was appointed financial representative for the Treasury to the 1919 Versailles peace conference. He was also appointed Officer of the Belgian Order of Leopold. CANNOTANSWER
Question: Did he win any award or recognition?

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Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (Jiu Shi  Rang , Hisaishi Jo), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.

In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

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Green Day is an American punk rock band formed in 1986 by lead vocalist and guitarist Billie Joe Armstrong and bassist Mike Dirnt. For much of the band's career, they have been a trio with drummer Tre Cool, who replaced John Kiffmeyer in 1990 prior to the recording of the band's second studio album, Kerplunk (1991). Guitarist Jason White, who has been a touring member since 1999, was an official member from 2012 to 2016. Green Day was originally part of the punk scene at the DIY 924 Gilman Street club in Berkeley, California.

Kerplunk's underground success led to a number of major record labels being interested in signing Green Day, and the band eventually left Lookout! and signed to Reprise Records after attracting the attention of producer Rob Cavallo. The group was impressed by his work with fellow Californian band The Muffs, and later remarked that Cavallo "was the only person we could really talk to and connect with". Reflecting on the period, Armstrong told Spin magazine in 1999, "I couldn't go back to the punk scene, whether we were the biggest success in the world or the biggest failure ... The only thing I could do was get on my bike and go forward." After signing with Reprise, the band went to work on recording its major label debut, Dookie. Recorded in three weeks, and released in February 1994, Dookie became a commercial success, helped by extensive MTV airplay for the videos of the songs "Longview", "Basket Case", and "When I Come Around", all of which reached the number one position on the Modern Rock Tracks charts. The album went on to sell over 10 million copies in the US. At a performance on September 9, 1994 at Hatch Memorial Shell in Boston, mayhem broke out during the band's set (cut short to seven songs) and by the end of the rampage, 100 people were injured and 45 arrested. The band also joined the lineups of both the Lollapalooza festival and Woodstock '94, where the group started an infamous mud fight. During the concert, a security guard mistook bassist Mike Dirnt for a stage-invading fan and punched out some of his teeth. Viewed by millions by pay-per-view television, the Woodstock 1994 performance further aided Green Day's growing publicity and recognition, and helped push its album to eventual diamond status. In 1995, Dookie won the Grammy Award for Best Alternative Album and the band was nominated for nine MTV Video Music Awards including Video of the Year. In 1995, a new single for the Angus soundtrack was released, entitled "J.A.R.". The single debuted at number one on the Billboard Modern Rock Tracks chart. The song was followed by the band's fourth studio album, Insomniac, which was released in the fall of 1995. Insomniac was a much darker and heavier response to the band's newfound popularity, compared to the more melodic Dookie. The album opened to a warm critical reception, earning 4 out of 5 stars from Rolling Stone, which said "In punk, the good stuff actually unfolds and gains meaning as you listen without sacrificing any of its electric, haywire immediacy. And Green Day are as good as this stuff gets." The singles released from Insomniac were "Geek Stink Breath", "Stuck with Me", "Brain Stew/Jaded", and "Walking Contradiction". Though the album did not approach the success of Dookie, it sold two million copies in the United States. In addition, the album won the band award nominations for Favorite Artist, Favorite Hard Rock Artist, and Favorite Alternative Artist at the 1996 American Music Awards, and the video for "Walking Contradiction" got the band a Grammy nomination for Best Video, Short Form, in addition to a Best Special Effects nomination at the MTV Video Music Awards. After that, the band abruptly cancelled a European tour, citing exhaustion. CANNOTANSWER

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Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.

Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

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Abu 'Abd ar-Rahman al-Khalil ibn Ahmad ibn 'Amr ibn Tammam al-Farahidi al-Azdi al-Yahmadi (Arabic: 'bw `bdlrHmn lkhlyl bn 'Hmd lfrhydy; 718 - 786 CE), known as Al-Farahidi, or simply Al-Khalil, famously compiled the first known dictionary of the Arabic language, and one of the first in any language, Kitab al-'Ayn (Arabic: ktb l`yn).. He was one of the earliest Arab lexicographer philologists, and is accredited for introducing the Harakat (vowel marks in Arabic script) system now in standard use, and the study of al-'arud (Arabic prosody), musicology and metre. His linguistic theories formed the basis for the development of prosody studies in the Persian, Turkish and Urdu languages.

Al-Farahidi's eschewing of material wealth has been noted by a number of biographers. In his old age, the son of Habib ibn al-Muhallab and reigning governor of the Muhallabids offered al-Farahidi a pension and requested that the latter tutor the former's son. Al-Farahidi declined, stating that he was wealthy though possessing no money, as true poverty lay not in a lack of money, but in the soul. The governor reacted by rescinding the pension, an act to which al-Farahidi responded with the following lines of poetry: "He, Who formed me with a mouth, engaged to give me nourishment till such a time as He takes me to Himself. Thou hast refused me a trifling sum, but that refusal will not increase thy wealth." Embarrassed, the governor then responded with an offer to renew the pension and double the rate, which al-Farahidi still greeted with a lukewarm reception. Al-Farahidi's apathy about material wealth was demonstrated in his habit of quoting Akhtal's famous stanza: "If thou wantest treasures, thou wilt find none equal to a virtuous conduct." Al-Farahidi distinguished himself via his philosophical views as well. He reasoned that a man's intelligence peaked at the age of forty - the age when the Islamic prophet Muhammad began his call - and began to diminuish after sixty, the point at which Muhammad died. He also believed that a person was at their peak intelligence at the clearest part of dawn. In regard to the field of grammar, al-Farahidi held the realist views common among early Arab linguists yet rare among both later and modern times. Rather than holding the rules of grammar as he and his students described them to be absolute rules, al-Farahidi saw the Arabic language as the natural, instinctual speaking habits of the Bedouin; if the descriptions of scholars such as himself differed from how the Arabs of the desert naturally spoke, then the cause was a lack of knowledge on the scholar's part as the unspoken, unwritten natural speech of pure Arabs was the final determiner. Al-Farahidi was distinguished, however, in his view that the Arabic alphabet included 29 letters rather than 28 and that each letter represented a fundamental characteristic of people or animals. His classification of 29 letters was due to his consideration of the combination of Lamedh and Aleph as a separate third letter from the two individual parts. CANNOTANSWER

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Edward "Ned" Kelly (December 1854 - 11 November 1880) was an Australian bushranger, outlaw, gang leader and convicted police murderer. One of the last bushrangers, and by far the most famous, he is best known for wearing a suit of bulletproof armour during his final shootout with the police. Kelly was born in the British colony of Victoria as the third of eight children to Irish parents. His father, a transported convict, died shortly after serving a six-month prison sentence, leaving Kelly, then aged 12, as the eldest male of the household.

On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". CANNOTANSWER


Warren Edward Spahn (April 23, 1921 - November 24, 2003) was a Major League Baseball left-handed pitcher who played his entire 21-year baseball career in the National League. He won 20 games or more in 13 seasons, including a 23-7 record when he was age 42. Spahn was the 1957 Cy Young Award winner, and was the runner-up three times, all during the period when one award was given, covering both leagues. He was elected to the Baseball Hall of Fame in 1973, with 83% of the total vote.(His eligibility was delayed, under the rules of the time, by two years of token minor league play.)

His major league career began in 1942 with the Braves and he spent all but one year with that franchise, first in Boston and then in Milwaukee. He finished his career in 1965 with the New York Mets and the San Francisco Giants. With 363 wins, Spahn is the 6th most winning pitcher in history, trailing only Cy Young (511), Walter Johnson (417), Grover Cleveland Alexander (373), Christy Mathewson (373), and Pud Galvin (364) on MLB's all-time list. He led the league in wins eight times (1949-50, 1953, 1957-61, each season with 20+ wins) and won at least 20 games an additional five times (1947, 1951, 1954, 1956, 1963). Spahn also threw two no-hitters (in 1960 and 1961, at ages 39 and 40), won 3 ERA titles (1947, 1953, and 1961), and four strikeout crowns (1949-52). He appeared in 14 All-Star Games, the most of any pitcher in the 20th century. He won the NL Player of the Month Award in August 1960 (6-0, 2.30 ERA, 32 SO) and August 1961 (6-0, 1.00 ERA, 26 SO) Spahn acquired the nickname "Hooks", not so much because of his pitching, but due to the prominent shape of his nose. He had once been hit in the face by a thrown ball that he was not expecting, and his broken nose settled into a hook-like shape. In Spahn's final season, during his stint with the Mets, Yogi Berra came out of retirement briefly and caught 4 games, one of them with Spahn pitching. Yogi later told reporters, "I don't think we're the oldest battery, but we're certainly the ugliest." Spahn was known for a very high leg kick in his delivery, as was his later Giants teammate Juan Marichal. Photo sequences show that this high kick served a specific purpose. As a left-hander, Spahn was able not only to watch any runner on first base, but also to not telegraph whether he was delivering to the plate or to first base, thereby forcing the runner to stay close to the bag. As his fastball waned, Spahn adapted, and relied more on location, changing speeds and a good screwball. He led or shared the lead in the NL in wins in 1957-61 (age 36 through 40). Spahn was also a good hitter, hitting at least one home run in 17 straight seasons, and finishing with an NL career record for pitchers, with 35 home runs. Wes Ferrell, who spent most of his time in the American League, holds the overall record for pitchers, with 37. CANNOTANSWER

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The Norte Chico civilization (also Caral or Caral-Supe civilization) was a complex pre-Columbian era society that included as many as 30 major population centers in what is now the Norte Chico region of north-central coastal Peru. The civilization flourished between the fourth and second millennia BC, with the formation of the first city generally dated to around 3500 BC, at Huaricanga, in the Fortaleza area. It is from 3100 BC onward that large-scale human settlement and communal construction become clearly apparent, which lasted until a period of decline around 1800 BC. Since the early 21st century, it has been established as the oldest known civilization in the Americas.

Cotton (of the species Gossypium barbadense) likely provided the basis of the dominance of inland over coast (whether development was earlier, later, or contemporaneous). Though not edible, it was the most important product of irrigation in the Norte Chico, vital to the production of fishing nets (that in turn provided maritime resources) as well as to textiles and textile technology. Haas notes that "control over cotton allows a ruling elite to provide the benefit of cloth for clothing, bags, wraps, and adornment". He is willing to admit to a mutual dependency dilemma: "The prehistoric residents of the Norte Chico needed the fish resources for their protein and the fishermen needed the cotton to make the nets to catch the fish." Thus, identifying cotton as a vital resource produced in the inland does not by itself resolve the issue of whether the inland centers were a progenitor for the coast, or vice versa. Moseley argues that successful maritime centers would have moved inland to find cotton. The exact relationship between food resources and political organization remains unresolved. Norte Chico's development is particularly remarkable for the apparent absence of a staple food. However, recent studies increasingly dispute this and point to maize as a dietary backbone of this and later pre-Columbian civilizations. Moseley found a small number of maize cobs in 1973 at Aspero (also seen in site work in the 1940s and 50s) but has since called the find "problematic". However, increasing evidence has emerged about the importance of maize in this period: Archaeological testing at a number of sites in the Norte Chico region of the north central coast provides a broad range of empirical data on the production, processing, and consumption of maize. New data drawn from coprolites, pollen records, and stone tool residues, combined with 126 radiocarbon dates, demonstrate that maize was widely grown, intensively processed, and constituted a primary component of the diet throughout the period from 3000 to 1800 B.C. CANNOTANSWER

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Background: Windham Thomas Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl, KP PC (12 February 1841 - 14 June 1926), styled Viscount Adare between 1850 and 1871, was an Anglo-Irish journalist, landowner, entrepreneur, sportsman and Conservative politician. He served as Under-Secretary of State for the Colonies under Lord Salisbury from 1885 to 1886 and 1886 to 1887. He also successfully presided over the 1902 Land Conference and was the founder of the Irish Reform Association. He recruited two regiments of sharpshooters, leading them in the Boer War and later establishing a unit in Ireland.
Context: During the early stages of the South African War 1899-1902, the British Army suffered defeats at the hands of the Boer Commandos, composed of men who were first-class shots and good horsemen. The effect in the United Kingdom was to inspire a rush of volunteers. The Earl of Dunraven formed a committee in Dec 1899 to raise a squadron of 'Sharpshooters' from those volunteers who could both ride and shoot well. By March 1900, a full battalion (18th Bn Imperial Yeomanry) had been raised. On 6 April 1900, Dunraven's Sharpshooters started for South Africa. Lord Dunraven at the last moment decided to accompany the force and was posted as a supernumerary captain on the battalion staff. He was gazetted on 17 April 1900 to be Captain (Supernumerary) of the 18th Battalion of the Imperial Yeomanry, with the temporary rank of Captain in the Army, from 18 April 1900, which he relinquished in July 1901. He was mentioned in despatches (29 November 1900) by Lord Roberts, Commander-in-Chief during the early part of the war. In January 1901, the government made a further call for yeomanry and between February and March, another 1,200 men were recruited by the Sharpshooters Committee. They were formed into two battalions, the 21st and 23rd. The Sharpshooters fought many small-scale actions against the Boers, with increasing skill, and showed the value of mobile, well-armed and resourceful troops. Following their success, Lord Dunraven was given permission to raise a regiment for service at home. On 23 July 1901, the 3rd County of London (Sharpshooters) Imperial Yeomanry was formally organized. On 25 March 1902 Dunraven resigned his commission and received a new commission, subject to the provisions of the Militia and Yeomanry Act, 1901, retaining his rank and seniority as Lieutenant-Colonel (Honorary Captain in the Army). On 22 November 1903, Major-General Baden-Powell, Inspector of Cavalry, unveiled a memorial in the Church of St Martin's in the Fields. About 400 men of all ranks of 3CLY under the command of Colonel Lord Dunraven attended the ceremony. On 6 August 1904 he was appointed to the Honorary Colonelcy of the Regiment. In 1904 the Regiment's first battle honour South Africa 1900-02 was awarded. CANNOTANSWER
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Background: Rouvas was born on 5 January 1972 in the village of Mandoukion, near Corfu City on the island of Corfu, the eldest of four sons of Konstantinos "Kostas" Rouvas (an ambulance driver) and the teenaged Anna-Maria Panaretou (a duty-free shop clerk at the local airport). He has three brothers: Billy (b. Vasilios), Tolis (b. Apostolos, 1975) and Nikos (b. Nikolaos, 1991). The family was poor, and Rouvas began taking care of his brothers at age five. At age four, he exhibited athletic ability and took ballet classes as a child.
Context: After his 2005 move to Los Angeles Rouvas studied acting and received some training from his friend, Tom Hanks. He was interested in film since childhood, and a year and a half later he received an offer from Village Roadshow. In Rouvas' first feature film, Alter Ego (of which he was also associate producer), he played a role similar to himself. Before that, he dubbed English-language animated films in Greek. When comparisons between Rouvas and the character Stefanos in Alter Ego arose (with speculation that the character was autobiographical), he replied that despite similarities Stefanos was a "much more aggressive person." Rouvas adopted a new look for the film, credited by Nitro as reflecting the emo movement emerging among Greek youth. While Rouvas was attracted some critical praise for his foray into acting, others felt that it was too early to evaluate his acting talent. Rouvas' second film (the indie Duress) was a Hollywood psychological thriller in which he played a serial killer, against type for Greek audiences, and said the film was the most difficult thing he had done in his career until that point. Giannis Zoumboulakis of To Vima found Rouvas convincing in the film's cat-and-mouse plot: "You accept the proposal from the first moments, forgetting completely that the 'bad' guy in the story is the host of X-Factor", concluding that "Going against his own image, Rouvas creates a very exceptional psycho killer. With his gray-beige, old wool coat and grimy, parted hair and without his bright smile he creates from scratch a hero that is all his." Panagiotis Timogiannakis contended that Rouvas began showing a different side of himself in Alter Ego, noting that the lighting in both films did not flatter him. Timogiannakis wondered if Rouvas had deglamourized himself to receive serious roles: "He needs to clear up whether he wants to have a career of a star or of a role player. A born role player he does not seem to be. A born star he is." The 2006 Eurovision Song Contest was a springboard for glib host roles, such as for The X Factor. Producer Giannis Latsios said that Rouvas' presence contributed significantly to the show's success, calling his first-season performance "great" and adding: "We had a program that had to do with music and Sakis, on a collective level, is an icon that the generation which participates in this show has as an idol. He is a glowing character with much higher capabilities of expression and, if he decides to continue this path, will improve. He has immediacy, critique and most of all he gave to a program a luster, which was not standard from the beginning." CANNOTANSWER
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Jon Miller was born on Hamilton Air Force Base and grew up in Hayward, California, listening to Giants announcers Russ Hodges and Lon Simmons on the radio. He attended his first baseball game in 1962, a 19-8 Giants' victory over the Los Angeles Dodgers at Candlestick Park. As a teenager, Miller played Strat-O-Matic and recorded his own play-by-play into a tape recorder, adding his own crowd noise, vendors, and commercials. After graduating from Hayward High School in 1969, Miller commuted across the bay to take broadcasting classes at the College of San Mateo.

Since 1997, Miller has been the primary play-by-play voice of the San Francisco Giants (replacing Hank Greenwald), calling games on KNBR radio as well as KTVU (1997-2007) and KNTV (2008-present) television. In February 2007, he signed a six-year extension to remain the voice of the Giants through the 2012 season. On July 16, 2010, the Giants organization, including fellow broadcaster Dave Flemming, honored Miller at AT&T Park in a pregame ceremony about one week before Miller received the Ford C. Frick Award. Before the game started, Miller threw out the ceremonial first pitch. On September 4, 2010, Miller called his first game for CSN Bay Area as a substitute for Dave Flemming, who was broadcasting a Stanford football game on the radio. On May 27, 2003, during a game between the Giants and Arizona Diamondbacks, Miller called a play involving two defensive errors by the Diamondbacks and at least three separate baserunning mistakes by Giants outfielder Ruben Rivera. When Rivera was finally thrown out at home plate trying to score what would have been the winning run, Miller declared, The phrase was repeated numerous times on sports radio and highlight shows such as SportsCenter, and quickly became one of the most famous calls of Miller's long career. He did a similar call on the radio during Game 3 of the 2004 World Series, when Jeff Suppan made a baserunning mistake. On April 7, 2016, Miller accidentally called a grand slam by Hunter Pence for Buster Posey, but corrected himself mid-sentence: Both Pence and Posey later referenced the call on their social media accounts, and Miller himself used the phrase intentionally a week later when Pence hit another home run. CANNOTANSWER

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Background: X Japan (Japanese: etsukusuziyapan, Hepburn: Ekkusu Japan) is a Japanese heavy metal band from Chiba, formed in 1982 by drummer Yoshiki and lead vocalist Toshi. Predominantly a power/speed metal band with heavy symphonic elements, they later gravitated towards a progressive sound with an emphasis on ballads. Besides being one of the first Japanese acts to achieve mainstream success while on an independent label, the group is widely credited as one of the pioneers of visual kei, a movement among Japanese musicians comparable to Western glam. Originally named X (etsukusu, Ekkusu), they released their debut album Vanishing Vision (1988) on Yoshiki's own Extasy Records a year after finalizing their line-up including bassist Taiji, lead guitarist hide and rhythm guitarist Pata.
Context: Art of Life was released on August 25, 1993, by Atlantic Records, and consists solely of the 29-minute, heavily orchestrated title track. It debuted at number one, however the band only performed two concerts that year, as each member began solo careers. Aptly titled X Japan Returns, the concerts were held at the Tokyo Dome on December 30 and 31, marking the beginning of a New Year's Eve tradition that would last until the group's disbandment. The solo careers continued into the following year, with X Japan only performing four shows. The first two were the last two days of The Great Music Experience, and the others were December 30-31 at the Tokyo Dome, titled Aoi Yoru (Qing iYe , Blue Night) and Shiroi Yoru (Bai iYe , White Night) respectively. 1995 was also quiet, until November 19 when the band began the tour for their next album, Dahlia Tour 1995-1996. Around this time, the group dropped most of its original visual kei aesthetics in favor of a more casual look. While it wasn't released until November 4, 1996, singles from the album had been released as early as a few months after Art of Life. Though this caused Dahlia to contain relatively little new material, the album reached number one on the charts. The tour was originally scheduled to end on March 31, 1996, however, it was cut short when Yoshiki herniated cervical vertebrae after the March 13 show. They did however perform their tradition of two Tokyo Dome concerts on December 30-31, titled Resurrection Night (Fu Huo noYe , Fukkatsu no yoru) and Reckless Night (Wu Mou naYe , Mubona yoru). On September 22, 1997, at 1 pm, Yoshiki, hide, Pata and Heath held a press conference where they announced that X Japan would disband. Vocalist Toshi decided to leave the band as the glamorous, success-oriented life of a rock star failed to satisfy him emotionally, as opposed to a simpler life and career. He stated that he had made the decision back in April 1996, though it was not publicly disclosed. However, around twelve years later he confirmed what was long-reported in the media; that he was "brainwashed" via violence and abuse and conned out of money, leading to bankruptcy. X Japan performed their farewell show, titled The Last Live ~Last Night~, at the Tokyo Dome on December 31, 1997, making it the last of five consecutive New Year's Eves the group performed at the stadium. Although later that same day they played "Forever Love" at that year's Kohaku Uta Gassen, marking their true last performance. CANNOTANSWER
Question: What happened in 1993?

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Michael Kiske (born January 24, 1968) is a German singer best known as the lead vocalist for the German power metal band Helloween. After his departure from the band, Kiske recorded four solo albums, participated on various metal and rock related projects, such as Avantasia, Place Vendome and Kiske/Somerville, while he also performed with numerous bands as a guest vocalist. In late 2009, he formed the hard rock / heavy metal band Unisonic and began touring again after 17 years of absence. On October 2017 Kiske joined Helloween and Kai Hansen for the "Pumpkins United World Tour" that will continue throughout 2018.

At the age of eighteen, Kiske was asked to join the German power metal band Helloween, which was fronted by singer/guitarist Kai Hansen. Hansen had some difficulties being both the lead guitarist and lead vocalist, and it was decided that a new vocalist would be needed. Kiske rejected Helloween's first offer, because he disliked the sound of the band's Walls of Jericho album, but accepted the second and joined Helloween in late 1986. Michael's first album with the band was 1987's Keeper of the Seven Keys: Part I, widely considered to be one of Helloween's best albums and a milestone in the creation of the power metal genre. The album's worldwide success enabled the band to embark on an extensive world tour and perform at famous festivals such as Monsters of Rock. Helloween went on to release Keeper of the Seven Keys Part II in 1988, which went gold in Germany and brought even more success than its predecessor. The Keeper of the Seven Keys albums proved to be highly influential and aided in the formation of a new wave of European power metal bands, such as Blind Guardian, Stratovarius, HammerFall and Edguy. After the completion of the band's 1988 headlining tour, the album Live in the UK was released, while Kai Hansen left the band and was replaced by guitarist Roland Grapow. Legal disputes with their record company, prevented Helloween from releasing new material until 1991's Pink Bubbles Go Ape, which was followed by 1993's Chameleon. These two albums saw the band moving away from their power metal roots and experimenting with different sounds. Both Pink Bubbles Go Ape and Chameleon were commercial failures and resulted in Kiske leaving Helloween. Kiske was fired from the band in 1993, reportedly for personal reasons. He was replaced by Pink Cream 69's Andi Deris, who has remained with Helloween ever since. Kiske was rumored to be Bruce Dickinson's replacement, after he departed from Iron Maiden in 1993, but the position was filled by Blaze Bayley. In 2016, it was announced that Michael Kiske would join Helloween, together with Kai Hansen, for a reunion tour that would take place during 2017 and 2018. The "Pumpkins United World Tour" started on October 2017 in South America and continued in Europe with concerts lasting close to three hours. On December 8, 2017 the single Pumpkins United, featuring the reunited line-up, was released. CANNOTANSWER


MacFarlane was born and raised in Kent, Connecticut. His parents, Ronald Milton MacFarlane (born 1946) and Ann Perry (nee Sager; 1947-2010), were born in Newburyport, Massachusetts. His sister is voice actress Rachael Ann MacFarlane (born 1976). He has roots in New England going back to the 1600s, and is a descendant of Mayflower passenger William Brewster. MacFarlane's parents met in 1970, when they both lived and worked in Boston, Massachusetts, and married later that year. The couple moved to Kent in 1972, where Ann began working in the Admissions Office at South Kent School. She later worked in the College Guidance and Admissions Offices at the Kent School, a selective college preparatory school, where Ronald was a teacher. During his childhood, MacFarlane developed an interest in illustration and began drawing cartoon characters Fred Flintstone and Woody Woodpecker, as early as two years old. By the age of five, MacFarlane knew that he would want to pursue a career in animation, and began by creating flip books, after his parents found a book on the subject for him. Four years later, aged nine, MacFarlane began publishing a weekly comic strip titled "Walter Crouton" for The Kent Good Times Dispatch, the local newspaper in Kent, Connecticut, which paid him five dollars per week. In one anecdote from the time, MacFarlane said in an October 2011 interview that as a child he was always "weirdly fascinated by the Communion ceremony". He created a strip with a character kneeling at the altar taking Communion and asking "Can I have fries with that?" The paper printed it and he got an "angry letter" from the local priest; it led to "sort of a little mini-controversy" in the town. MacFarlane received his high school diploma in 1991 from the Kent School. While there, he continued experimenting with animation, and his parents gave him an 8 mm camera. MacFarlane went on to study film, video and animation at the Rhode Island School of Design (RISD), where he earned a Bachelor of Fine Arts degree. As a student, he had originally intended to work for Disney, but changed his mind upon graduating. At RISD MacFarlane created a series of independent films, eventually meeting future Family Guy cast member Mike Henry, whose brother Patrick was MacFarlane's classmate. During his time at RISD, MacFarlane performed stand-up comedy. In his senior year at RISD MacFarlane created a thesis film titled The Life of Larry, which eventually would become the inspiration for Family Guy. MacFarlane's professor submitted his film to the animation studio Hanna-Barbera, where he was later hired. CANNOTANSWER

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Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit "Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female lead vocal with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 70s, and that region remains their strongest fan base.

Although commercial success was limited during this period, Renaissance scored a hit single in Britain with "Northern Lights", which reached No. 10 during the summer of 1978. The single was taken from the album A Song for All Seasons (a No. 58 album in the US), and received significant airplay in the US on both AOR and on radio stations adapting to a new format known as "soft rock", now known as adult contemporary. The band performed on a modestly successful tour of the US east of the Mississippi and drew significant crowds in State College, Pennsylvania and Cleveland in May and June 1979, promoting both A Song For All Seasons and a mix of old and new tracks. Additionally the band was able to get additional exposure via US television; performing "Carpet of the Sun" in 1977 on The Midnight Special (TV series) and being guests on the May 4 1978 edition of the Mike Douglas Show, where they played Northern Lights. These clips can currently be viewed on YouTube. Renaissance floundered following 1979's Azure d'Or, as many fans could not relate to a largely synthesizer-oriented sound. As a result, the band's fan base began to lose interest and the album only reached No. 125. Dunford and Camp assumed most of the band's songwriting. In the 1970s, Renaissance defined their work with folk rock and classical fusions. Their songs include quotations from and allusions to such composers as Alain, Bach, Chopin, Debussy, Giazotto, Maurice Jarre, Rachmaninoff, Rimsky-Korsakov, Prokofiev and Shostakovich. Renaissance records, especially Ashes Are Burning, were frequently played on American progressive rock radio stations such as WNEW-FM, WHFS-FM, WMMR-FM, KSHE 95 and WVBR. CANNOTANSWER


Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida.

Injuries plagued Capriati's 2004 season. A back injury suffered during the 2003 WTA Tour Championships forced Capriati to withdraw from the 2004 Australian Open and the Toray Pan Pacific Open in Tokyo. Capriati advanced beyond the quarterfinals just once in her first four events of the year in Doha, losing to Anastasia Myskina in the semifinals. Her back continued to be an issue, forcing her out of Indian Wells and Miami. Her ranking dropped to No. 10 as a result of her injuries. Capriati produced her best results of the year during the European clay-court season. She reached the semis of Berlin, defeating world No. 5 Myskina in the quarters for her first top 5 win of the season, before losing to Mauresmo in the semifinals. At the Italian Open, Capriati defeated top seed Serena Williams in the quarterfinals, her first win over the American since Wimbledon 2001. Capriati moved on to the final, where she lost to Mauresmo in a 3-hour struggle. Seeded 7th at the French Open, Capriati went on to the semifinals, before losing to sixth seeded and eventual champion Myskina in straight sets. At Wimbledon, Capriati reached the quarters for the fourth straight year, where she lost to Serena Williams in 45 minutes, the most lopsided result of their 17-match rivalry. A hamstring injury forced her to withdraw from Los Angeles and San Diego, but she reached the quarterfinals of both Montreal and New Haven. Seeded 8th at the US Open, Capriati defeated Williams in a controversial line call quarterfinal match to reach her fourth US Open semifinal. Capriati then lost to fifth seed Elena Dementieva in the last four in yet another, her third, tight US Open semifinal tiebreak, replicating the result in the tournament from the year before. Capriati had reached the semifinals of the US Open four times in her career (1991, 2001, 2003 and 2004), losing to a different opponent each time. Three of those times (1991, 2003 and 2004), she had lost in tough third-set tiebreaks, and two of those three opponents (Monica Seles in 1991, and Justine Henin in 2003) had then gone on to win the final and US Open championships easily in straight sets thereafter. Following the US Open, Capriati lost in the quarterfinals of Philadelphia to World No. 11 Vera Zvonareva, her worst loss since 1999 (where she won only one game against Graf in Miami). Capriati failed to qualify for the season-ending championships for the first time since 1999 and finished the year World No. 10. CANNOTANSWER

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Juan Esteban Aristizabal Vasquez (born August 9, 1972), known professionally as Juanes, is a Colombian musician who was a member of the rock band Ekhymosis and is now a solo artist. In 2000, his solo debut album Fijate Bien won three Latin Grammy Awards. According to his record label, Juanes has sold more than 15 million albums worldwide. Raised in Colombia, Juanes began playing guitar at age seven.

In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

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Background: Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.
Context: When Pakistan toured the West Indies in 1988, Ambrose played in the One Day International (ODI) series, taking the place of the recently retired Joel Garner. He made his debut during the first match, on 12 March 1988 in Kingston, Jamaica, taking wickets with his third and ninth deliveries; he ended the innings with four for 39 from 10 overs. In the second match, he took four for 35 and followed with another two wickets in the third. West Indies won those first three matches to take the series, and Ambrose did not play in the fourth or fifth game. In the Test series which followed, Ambrose was less effective. In the first Test, he took two for 121 as West Indies lost at home for the first time in 10 years. Wisden noted that his debut was "unimpressive", but that he improved in the subsequent matches. He finished the series with seven wickets at an average of over 50 runs per wicket. Later that year, Ambrose was chosen to tour England. After appearing in early tour games, he was chosen for the first two ODIs, taking three wickets in total, but was omitted from the third. In the Test series, he played in all five matches to take 22 wickets at an average of 20.22; his best figures of four for 58 came in the fourth Test, in which he took seven wickets and was named man of the match. Writing in Wisden, commentator Tony Cozier described Ambrose as "a ready-made replacement for Garner"; the amount of bounce he generated after the ball pitched "made him a constant menace". In 1988-89, West Indies took part in an ODI tournament in Sharjah. Ambrose took 8 wickets, and was man of the match with four for 29 when West Indies defeated Pakistan in the final. From there, West Indies travelled to Australia for a series in which Ambrose was a dominant figure. The West Indies won the Test series 3-1, using controversial short-pitched bowling tactics. Ambrose's height made him difficult to play as he made the ball bounce more than other bowlers. Writing in Wisden, John Woodcock noted: "As in England, earlier in 1988, Ambrose's bowling was a telling factor ... [His] advance compensated for something of a decline in [Malcolm] Marshall's effectiveness". In the first Test, he took seven wickets; in the second, he took five wickets in a Test innings for the first time with five for 72, and finished with eight in the game; and in the third, he took six wickets. His performances earned him man of the match award in the first and third games, and he ended the series with 26 wickets at an average of 21.46. He was West Indies' leading wicket-taker and headed the team bowling averages. In the ODI tournament that took place during the tour, West Indies defeated Australia in the final; Ambrose took 21 wickets in the series and twice took five wickets in an innings. Suffering from fatigue and illness, Ambrose was less successful later in 1989 when India toured the West Indies: he took just five wickets in the four-Test series at an average of 54.60. CANNOTANSWER
Question: Did he win the match?. Whats the answer?


Background: William James "Count" Basie (August 21, 1904 - April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. His mother taught him to play the piano and he started performing in his teens. Dropping out of school, he learned to operate lights for vaudeville and to improvise accompaniment for silent films at a local movie theater in his home town of Red Bank, New Jersey. By age 16, he increasingly played jazz piano at parties, resorts and other venues.
Context: Around 1920, Basie went to Harlem, a hotbed of jazz, where he lived down the block from the Alhambra Theater. Early after his arrival, he bumped into Sonny Greer, who was by then the drummer for the Washingtonians, Duke Ellington's early band. Soon, Basie met many of the Harlem musicians who were "making the scene," including Willie "the Lion" Smith and James P. Johnson. Basie toured in several acts between 1925 and 1927, including Katie Krippen and Her Kiddies as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, and the Theater Owners Bookers Association (T.O.B.A.) vaudeville circuits; and as a soloist and accompanist to blues singers Katie Krippen and Gonzelle White. His touring took him to Kansas City, St. Louis, New Orleans, and Chicago. Throughout his tours, Basie met many jazz musicians, including Louis Armstrong. Before he was 20 years old, he toured extensively on the Keith and TOBA vaudeville circuits as a solo pianist, accompanist, and music director for blues singers, dancers, and comedians. This provided an early training that was to prove significant in his later career. Back in Harlem in 1925, Basie gained his first steady job at Leroy's, a place known for its piano players and its "cutting contests." The place catered to "uptown celebrities," and typically the band winged every number without sheet music using "head arrangements." He met Fats Waller, who was playing organ at the Lincoln Theater accompanying silent movies, and Waller taught him how to play that instrument. (Basie later played organ at the Eblon Theater in Kansas City). As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the lean times by arranging gigs at "house-rent parties," introducing him to other leading musicians, and teaching him some piano technique. In 1928, Basie was in Tulsa and heard Walter Page and his Famous Blue Devils, one of the first big bands, which featured Jimmy Rushing on vocals. A few months later, he was invited to join the band, which played mostly in Texas and Oklahoma. It was at this time that he began to be known as "Count" Basie (see Jazz royalty). CANNOTANSWER
Question: Who else did Basie tour with?

Answer:


The Black Dahlia Murder is an American death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. The band currently comprises vocalist Trevor Strnad, guitarists Brian Eschbach and Brandon Ellis, drummer Alan Cassidy, and bassist Max Lavelle. Out of the eight studio albums they have released to date, the last seven have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands.

In early 2013, despite the news of the departure of two band members (drummer Shannon Lucas and bassist Bart Williams), plans were announced for an upcoming album release, to be entitled Everblack. Tentative plans estimated its release to be early summer 2013; likely June. On April 10, 2013, the iTunes Store was updated with official release and availability information, including cover art, a full track listing, and an official U.S. release date of June 11, 2013. The album has 10 tracks in total. On the same day, the band's first single from Everblack was made available for purchase and download, titled "Into The Everblack". The album itself was then released on June 11 and peaked at No. 32 on the U.S. Billboard 200. On November 28, 2014 (the day after Thanksgiving), The Black Dahlia Murder released a 7" EP titled Grind 'Em All featuring 3 short grindcore covers of punk rock songs: a cover of "Ripped Up" by Left for Dead, of "Rebel Without a Car" by Sedition and of "Populous" by Gyga. The covers were originally recorded almost 10 years earlier during the era of Miasma. The EP was released as part of Record Store Day's Black Friday event via A389 Recordings (rather than the band's label, Metal Blade Records), made available for purchase on the band's online merchandise store and also streamed in its entirety via Exclaim!. The album art for Grind 'Em All was designed by Szymon Siech. Lead guitarist Ryan Knight confirmed in early 2015 that the band will deliver a seventh studio release that year, followed by extensive touring, and that he is planning to start working on a solo album afterwards. Vocalist Trevor Strnad stated that the band's new album, titled Abysmal, will be "more raw and natural sounding" and feature "more dynamic and developed songs" than their previous work. "Vlad, Son of the Dragon", the first song from the album, was released online on June 24, followed by "Receipt" on July 22 and "Threat Level No. 3" on August 19. Abysmal was produced by Mark Lewis and Ryan Williams and released worldwide through Metal Blade on September 18. In early February 2016, it was announced that Knight had left the band; Brandon Ellis will replace him as touring lead guitarist. CANNOTANSWER

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Winchell was born in New York City, the son of Jennie (Bakst) and Jacob Winchell, a salesman; they were Russian Jewish immigrants. He left school in the sixth grade and started performing in Gus Edwards's vaudeville troupe known as the "Newsboys Sextet", which also included George Jessel. He began his career in journalism by posting notes about his acting troupe on backstage bulletin boards. He joined the Vaudeville News in 1920, then left the paper for the Evening Graphic in 1924, where his column was named Mainly About Mainstreeters. He was hired on June 10, 1929, by the New York Daily Mirror, where he finally became the author of the first syndicated gossip column, entitled On-Broadway. The column was syndicated by King Features Syndicate. He used connections in the entertainment, social, and governmental realms to expose exciting or embarrassing information about celebrities in those industries. This caused him to become very feared as a journalist because he routinely would affect the lives of famous or powerful people, exposing alleged information and rumors about them, using this as ammunition to attack his enemies and to blackmail influential people. He used this power, trading positive mention in his column (and later, his radio show) for more rumors and secrets. He made his radio debut over WABC in New York, a CBS affiliate, on May 12, 1930. The show, entitled Saks on Broadway, was a 15-minute feature that provided business news about Broadway. He switched to WJZ (later renamed WABC) and the NBC Blue (later ABC Radio) in 1932 for the Jergens Journal. CANNOTANSWER

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Bernard Lewis, FBA (born 31 May 1916) is a British American historian specializing in oriental studies. He is also known as a public intellectual and political commentator. Lewis is the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis' expertise is in the history of Islam and the interaction between Islam and the West.

In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the "Diplome des Etudes Semitiques" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940-41 before being seconded to the Foreign Office. After the war, he returned to SOAS. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as "dominated by academics who have been critical of Israel and of America's role in the Middle East." The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled "Western Civilization: A View from the East", was revised and reprinted in The Atlantic Monthly under the title "The Roots of Muslim Rage." His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam. Lewis' influence extends beyond academia to the general public. He is a pioneer of the social and economic history of the Middle East and is famous for his extensive research of the Ottoman archives. He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in the Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics. Lewis argues that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that "Crusader successes were due in no small part to Muslim weakness." Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like "cultural arrogance," which was a barrier to creative borrowing, rather than external pressures like the Crusades. In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian civil war (1992-98), and the Iran-Iraq War (1980-88). In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the September 11, 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People. In the mid-1960s, Lewis emerged as a commentator on the issues of the modern Middle East and his analysis of the Israeli-Palestinian conflict and the rise of militant Islam brought him publicity and aroused significant controversy. American historian Joel Beinin has called him "perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community". Lewis's policy advice has particular weight thanks to this scholarly authority. U.S. Vice President Dick Cheney remarked "in this new century, his wisdom is sought daily by policymakers, diplomats, fellow academics, and the news media." A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies. Although his early Marxist views had a bearing on his first book The Origins of Ismailism, Lewis subsequently discarded Marxism. His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies. Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East. Modern Turkey holds a special place in Lewis's view of the region due to the country's efforts to become a part of the West. He is an Honorary Fellow of the Institute of Turkish Studies, an honor which is given "on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies." Lewis views Christendom and Islam as civilizations that have been in perpetual collision since the advent of Islam in the 7th century. In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength. According to one source, this essay (and Lewis' 1990 Jefferson Lecture on which the article was based) first introduced the term "Islamic fundamentalism" to North America. This essay has been credited with coining the phrase "clash of civilizations", which received prominence in the eponymous book by Samuel Huntington. However, another source indicates that Lewis first used the phrase "clash of civilizations" at a 1957 meeting in Washington where it was recorded in the transcript. In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden. In his essay "A License to Kill", Lewis indicated he considered bin Laden's language as the "ideology of jihad" and warned that bin Laden would be a danger to the West. The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan. CANNOTANSWER

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