The Specials, also known as The Special AKA, are an English 2 Tone and ska revival band formed in 1977 in Coventry. Their music combines a "danceable ska and rocksteady beat with punk's energy and attitude". Lyrically they present a "more focused and informed political and social stance". The band wore mod-style "1960s period rude boy outfits (pork pie hats, tonic and mohair suits and loafers)".

For the next few years, the group was in a seemingly constant state of flux. Adding Dakar to the permanent line-up, the group recorded "The Boiler" with Dakar on vocals, Dammers on keyboard, Bradbury on drums, John Shipley from the Swinging Cats on guitar, Cuthell on brass and Nicky Summers on bass. The single was credited to "Rhoda with the Special AKA". The controversial track described an incident of date rape, and its frank and harrowing depiction of the matter meant that airplay was severely limited. Nevertheless, it managed to reach No. 35 on the UK charts, and American writer Dave Marsh later identified "The Boiler" as one of the 1,001 best "rock and soul" singles of all time in his book The Heart of Rock & Soul. After going on tour with Rodriguez, the band (without Dakar, and as "Rico and the Special AKA") also recorded the non-charting (and non-album) single "Jungle Music". The line-up for the single was Rodriguez (vocal, trombone), Cuthell (cornets), Dammers (keyboards), Bradbury (drums), Shipley (guitar), returning bassist Panter, and new additions Satch Dickson and Groco (percussion) and Anthony Wymshurst (guitar). Rodriguez and the three newcomers were all dropped for the next single, "War Crimes", which brought back Dakar and added new co-vocalists Edgio Newton and Stan Campbell, as well as violinist Nick Parker. Follow-up single "Racist Friend" was a minor hit (UK No. 60), with the band establishing themselves as a septet: Dakar, Newton, Campbell, Bradbury, Cuthell, Dammers and Shipley. The new line-up (still known as the Special AKA) finally issued a new full-length album In the Studio in 1984. Officially, the band was now a sextet: Dakar, Campbell, Bradbury, Dammers, Shipley and new bassist Gary McManus. Cuthell, Newton, Panter and Radiation all appeared on the album as guests; as did saxophonist Nigel Reeve, and Claudia Fontaine and Caron Wheeler of the vocal trio Afrodiziak. Both critically and commercially, In The Studio was less successful than previous efforts, although the 1984 single "Free Nelson Mandela" was a No. 9 UK hit. The latter contributed to making Mandela's imprisonment a cause celebre in the UK, and became popular with anti-apartheid activists in South Africa. Dammers then dissolved the band and pursued political activism. CANNOTANSWER

Using a quote from the above article, answer the following question: Were there any live performances as the Special AKA?


Mae Carol Jemison was born in Decatur, Alabama, on October 17, 1956, the youngest child of Charlie Jemison and Dorothy Green. Her father was a maintenance supervisor for a charity organization, and her mother worked most of her career as an elementary school teacher of English and math at the Beethoven School in Chicago. The family moved to Chicago, Illinois, when Jemison was three years old, to take advantage of the better educational and employment opportunities there. Jemison says that as a young girl growing up in Chicago she always assumed she would get into space.

Jemison is a Professor-at-Large at Cornell University and was a professor of Environmental Studies at Dartmouth College from 1995 to 2002. Jemison continues to advocate strongly in favor of science education and getting minority students interested in science. She sees science and technology as being very much a part of society, and African-Americans as having been deeply involved in U.S. science and technology from the beginning. She has been a member of various scientific organizations, such as the American Medical Association, the American Chemical Society, the Association for Space Explorers and the American Association for the Advancement of Science. Additionally, she served on the board of directors of the World Sickle Cell Foundation from 1990 to 1992. In 1993 Jemison founded her own company, the Jemison Group that researches, markets, and develops science and technology for daily life. Jemison founded the Dorothy Jemison Foundation for Excellence and named the foundation in honor of her mother. "My parents were the best scientists I knew," Jemison said, "because they were always asking questions." One of the projects of Jemison's foundation is The Earth We Share (TEWS), an international science camp where students, ages 12 to 16, work to solve current global problems, like "How Many People Can the Earth Hold" and "Predict the Hot Public Stocks of The Year 2030." The four-week residential program helps students build critical thinking and problem solving skills through an experiential curriculum. Camps have been held at Dartmouth College, Colorado School of Mines, Choate Rosemary Hall and other sites around the United States. TEWS was introduced internationally to high school students in day programs in South Africa and Tunisia. In 1999, TEWS was expanded overseas to adults at the Zermatt Creativity and Leadership Symposium held in Switzerland. In 1999, Jemison founded BioSentient Corp and has been working to develop a portable device that allows mobile monitoring of the involuntary nervous system. BioSentient has obtained the license to commercialize NASA's space-age technology known as Autogenic Feedback Training Exercise (AFTE), a patented technique that uses biofeedback and autogenic therapy to allow patients to monitor and control their physiology as a possible treatment for anxiety and stress-related disorders. BioSentient is examining AFTE as a treatment for anxiety, nausea, migraine and tension headaches, chronic pain, hypertension and hypotension, and stress-related disorders." In 2012, Jemison made the winning bid for the DARPA 100 Year Starship project through the Dorothy Jemison Foundation for Excellence. The Dorothy Jemison Foundation for Excellence was awarded a $500,000 grant for further work. The new organization maintained the organizational name 100 Year Starship. Jemison is the current principal of the 100 Year Starship. CANNOTANSWER

Answer the following question by taking a quote from the article: What other organizations has she been a member of?


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Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.

Key in Unger's thinking is the need to re-imagine social institutions before attempting to revise them. This calls for a program, or programmatic thought. In building this program, however, we must not entertain complete revolutionary overhaul, lest we be plagued by three false assumptions: Typological Fallacy: the fallacy that there is closed list of institutional alternatives in history, such as "feudalism" or "capitalism". There is not a natural form of society, only the specific result of the piecemeal institutional changes, political movements, and cultural reforms (as well as the accidents and coincidences of history) that came before it. Indivisibility Fallacy: most subscribers to revolutionary Leftism wrongly believe that institutional structures must stand and fall together. However, structures can be reformed piecemeal. Determinism Fallacy: the fallacy that uncontrollable and little understood law-like forces drive the historical succession of institutional systems. However, there is no natural flow of history. We make ourselves and our world, and can do so in any way we choose. To think about social transformation programmatically, one must first mark the direction one wants society to move in, and then identify the first steps with which we can move in that direction. In this way we can formulate proposals at points along the trajectory, be they relatively close to how things are now or relatively far away. This provides a third way between revolution and reform. It is revolutionary reform, where one has a revolutionary vision, but acts on that vision in a sequence of piecemeal reforms. As Unger puts it, transformative politics is "not about blueprints; it is about pathways. It is not architecture; it is music". CANNOTANSWER


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- Sahibzada Iskander Ali Mirza (Urdu: skhndr mrz;Bengali: iskaandaar mirjaa); 13 November 1899 - 13 November 1969), CIE, OSS, OBE, was the first President of Pakistan, elected in this capacity in 1956 until being dismissed by dictator Ayub Khan in 1958. The great grandson of Siraj ud-Daulah, Mirza was educated at the University of Mumbai before attending the military academy in Sandhurst in the United Kingdom. After a brief military service in the British Indian Army, he joined the Indian Political Service and spent the majority of his career as a political agent in the Western region of the British India until elevated as joint secretary at the Ministry of Defence in 1946. After the independence of Pakistan as result of the Partition of India, Mirza was appointed as first Defence Secretary by Prime Minister Liaquat Ali Khan, only to oversee the military efforts in first war with India in 1947, followed by failed secessionism in Balochistan in 1948.

Mirza grew up and completed his schooling in Bombay, attending the Elphinstone College of the University of Bombay, but left the university to attend the Royal Military Academy in Sandhurst when he was selected by the British Governor-General for the King's Commission. Mirza was the first Indian graduate of the military academy, and gained his commission in the British Indian Army as 2nd Lt. on 16 July 1920. As was customary for newly commissioned British Indian Army officers, he was initially attached for a year to the second battalion of the Cameronians (Scottish Rifles). On 16 July 1921, he was promoted to lieutenant and was assigned to command a platoon on 30 December 1921. His military career was spent in the Military Police. In spite of hailing from Bengal, his military career was mostly spent in the violent Western region of India, participating in the Waziristan war in 1920. After the campaign, he was transferred to the 17th Poona Horse (Queen Victoria's Own), as an army inspector but left active service to join the Indian Political Service (IPS) on August 1926. His first assignment was posted in Aligarh in Uttar Pradesh as an assistant commissioner before posting as political agent in Hazara in the North West Frontier Province. He received promotion to army captain on 17 October 1927. From 1928-33, Mirza spent time as political agent in the troubled Tribal belt, having served as an assistant commissioner in the districts of Dera Ismail Khan on April 1928, Tonk on May 1928, Bannu on April 1930, and Nowshera on April 1931. In 1931, Captain Mirza was appointed a district officer and later posted as deputy commissioner at Hazara in May 1933, where he served for three years until a posting to Mardan as assistant commissioner from October 1936 (deputy commissioner from January 1937). Promoted to major on 16 July 1938, he became the political agent of the Tribal Belt in April 1938, stationed at Khyber. He remained there until 1945. Mirza was appointed and served as the political agent of Odisha and North West Frontier Province from 1945 until 1946. He was promoted to Lieutenant-Colonel on 16 July 1946. His ability to run the colonial administrative units had brought him to a prominence that prompted the British Indian Government to appoint him as the Joint Defence Secretary of India in 1946. In this position, he was responsible for dividing the British Indian Army into the future armies of Pakistan and India. Around this time, he became closer to Liaquat Ali Khan and began formatting political relations with the politicians of the Muslim League. After the legislative elections held in 1954, the Awami League had been successfully negotiating with the Muslim League for a power-sharing to form the national government against the Republican Party. By 1958, I.I. Chundrigar and A.Q. Khan had successfully reorganized the Muslim League that was threatening the reelection and political endorsement for Mirza for the second term of his presidency. Furthermore, the Republican Party presided by Prime Minister Sir Feroze Khan had been under pressured over the electoral reforms issue at the National Assembly. Upon witnessing these developments, President Mirza ordered the mass mobilization of the military and imposed emergency in the country after declaring the martial law against his own party's administration led by Prime Minister Feroze Khan by abrogating the writ of the Constitution and dissolving the national and provisional assemblies on the midnight of 7/8 October 1958. In morning of 8 October 1958, President Mizra announced via national radio that he was introducing a new constitution "more suited to the genius of the Pakistan nation", as he believed democracy was unsuited to Pakistan "with its 15% literacy rate". Upon abdicating, Mirza took the nation into confidence, saying that: Three weeks ago, I (Iskander Mirza) imposed martial law in Pakistan and appointed General Ayub Khan as Supreme Commander of the [Armed Forces] and also as Chief Martial Law Administrator.... By the grace of God... This measure which I had adopted in the interest of our beloved country has been extremely well received by our people and by our friends and well wishers abroad... I have done best to administer in the difficult task of arresting further deterioration and bringing order out of chaos... In our efforts to evolve an effective structure for future administration of this country... Pakistan Zindabad, Pakistan Zindabad! This martial law imposed by country's first Bengali president was the first example of martial law in Pakistan, which would continue until the dissolution of East Pakistan in 1971. Iskander Mirza appointed then-Army Commander of the Pakistan Army, General Ayub Khan, as the Chief Martial Law Administrator (CMLA), which proved his undoing within three weeks. The two-man rule political regime was evolved under President Mirza and his appointed chief martial law administration and then-army chief General Ayub Khan. However, the two men had very different point of view on running the government with the new situation, even though they were responsible for bringing about the change. President Mirza had not envisaged any change in his previous powers; he wanted to retain the ability to maneuver things in keeping with his own whims. Judging from the situation, the things however had changed as the time and situation both were demanding the complete solution. General Ayub Khan came to an understanding that the real political power rested with the support from the military, and within a week of enforcing the martial law, President Mirza realized the delicate position he got himself into. In an interview with Dawn, President Mirza regretted his decision saying: "I did not mean to do it" while offering assurances that the martial law would be for the shortest possible duration. In 1959, President Mirza accepted the resignation of Vice-Admiral M.S. Choudhri, replacing with Vice-Admiral A.R. Khan as the new naval chief but the civil-military relations continued to be a dominant factor between President Mirza and General Ayub Khan. In an attempt to consolidate the powers under his control, President Mirza appointed a new administration cabinet that consisted of bureaucrats and technocrats and unsuccessfully tried by role of the CMLA General Ayub Khan as the Prime Minister on 24 October 1958 but such actions could not implemented due to General Ayub Khan's strong protest and briefly lodged a complain to President Mirza about his "high hand" method. The new administration did not satisfy CMLA Ayub Khan who had more control in the administration than President Mirza. Ayub dispatched the military unit to enter in presidential palace on the midnight of 26-27 October 1958 and placed him in an airplane to exile in England. Subsequently, Admiral A. R. Khan and four army and air force generals: Azam, Amir, Wajid, and Asghar Khan were instrumental in the demise of President Mirza. CANNOTANSWER

What happened regarding the dismissal and end of presidency?


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Robert Remus (born August 27, 1948), better known by his ring name of Sgt. Slaughter, is an American retired professional wrestler currently signed with the WWE in the ambassador program. From the late 1970s to the early 1990s, he had success in the National Wrestling Alliance, American Wrestling Association, and the World Wrestling Federation. Slaughter's greatest achievement came with him becoming world champion by winning the WWF World Heavyweight Championship in 1991 as well as headlining WrestleMania VII.

After WrestleMania VI, Slaughter sent a letter to Vince McMahon saying he loved the program and was interested in returning. McMahon told Slaughter he wanted a heel, and his new gimmick would be that Slaughter turned on the United States due to its acceptance of the Russian Nikolai Volkoff. According to Slaughter, he found it difficult to do the anti-American promos associated with this gimmick. The August 1990 invasion of Kuwait by Ba'athist Iraq triggered a political crisis that would lead to the 1991 Gulf War, in which Kuwait was freed by a U.S.-led military coalition. A decision was made to have Slaughter support the Iraqi cause, not for the actual political reasons, but more for the fact that Slaughter liked "brutality" and the Iraqi government was "brutal" while the US regime was said by Slaughter to have become "soft" and "weak". Slaughter aligned himself with a kayfabe Iraqi military general, General Adnan (his old rival who left the AWA shortly after Slaughter did), and entered a feud with Volkoff (which saw Slaughter win the majority of their encounters at house shows), leading to a match at that year's Survivor Series which saw The Alliance (Volkoff, Tito Santana, and The Bushwhackers) defeat The Mercenaries (Slaughter, Boris Zhukov, and The Orient Express). As part of his character change, Slaughter began wearing Arab headdresses to the ring, adopted the Camel Clutch as one of his finishers, and was (kayfabe) photographed meeting with Saddam Hussein. Slaughter also infamously adopted a move where he would grind the tip of one of his knuckles into his opponent's temple (the childhood noogie). It was reported that while Slaughter was portraying a turncoat, he had received numerous death threats and could not go anywhere in public without wearing a bullet-proof vest and had to be surrounded with security personnel at all times. According to Slaughter, Vince asked him to burn the American flag, but Slaughter refused to, so Slaughter suggested he burn Hulk Hogan's shirt. As 1990 ended, Slaughter began challenging for the WWF World Heavyweight Championship that had been held by The Ultimate Warrior since WrestleMania VI. Slaughter got his chance at the Royal Rumble in January 1991, days after the Gulf War air campaign had begun. He defeated the Warrior when "Macho King" Randy Savage, who had also been feuding with the Warrior at the time, struck the champion in the head with his royal scepter. Slaughter thus became the thirteenth WWF World Heavyweight Champion and was immediately challenged by Royal Rumble winner Hulk Hogan, who was furious that Slaughter had (kayfabe) desecrated the American flag (off-screen) as part of his victory celebration. Hogan demanded a match against Slaughter at WrestleMania VII in Los Angeles, California, and Slaughter accepted. Slaughter was defeated by Hogan, thus losing his championship. After WrestleMania Slaughter introduced his newest ally, Colonel Mustafa (The Iron Sheik, Slaughter's old nemesis). Slaughter and company went on to feud with Hogan for months, including having a three-on-two handicap match at SummerSlam 1991, which saw the team of Hulk Hogan and the Ultimate Warrior prevail over Slaughter, Adnan, and Mustafa. CANNOTANSWER


Michael Alan Weiner (born March 31, 1942), better known by his professional name Michael Savage, is an American radio host, author, activist, nutritionist, and conservative political commentator. He is the host of The Savage Nation, a nationally syndicated talk show that aired on Talk Radio Network across the United States until 2012, and in 2009 was the second most listened-to radio talk show in the country with an audience of over 20 million listeners on 400 stations across the United States. Since October 23, 2012, Michael Savage has been syndicated by Cumulus Media Networks. He holds master's degrees from the University of Hawaii in medical botany and medical anthropology, and a Ph.D. from the University of California, Berkeley in nutritional ethnomedicine.

Michael Savage calls himself an "independent-minded individualist" and says that he "fits no stereotype." He has also cited Barry Goldwater as an influence. Savage criticizes big government as well as liberalism and liberal activism, and accuses the mainstream news media of liberal bias. He considers the three aspects that define a nation as borders, language, and culture; those aspects inspired the motto of the Paul Revere Society. In 2003, Savage said that he voted in 2000 for George W. Bush "quite reluctantly, incidentally." In 2004, Savage and the Revere Society hosted a party at Schroeder's Cafe in San Francisco celebrating the re-election of Bush. Savage donated $5,600 to the campaign of Democratic candidate Jerry Brown in the 2006 California Attorney General election. Regarding candidates for the 2012 Republican primaries, Savage said that Ron Paul had "great ideas" but expressed hope that Rick Perry would be the nominee. On December 12, 2011, he offered Newt Gingrich "1 million dollars" to withdraw from the United States Presidential contest. He stated that only Mitt Romney had a chance to beat Barack Obama, a man he had previously described as a "quasi-pseudo-crypto Marxist" and a possible foreign usurper, in the 2012 election. Savage strongly supported Donald Trump, a regular guest on his talk show, since Trump's June 2015 announcement of his candidacy in the United States 2016 presidential election. Trump has claimed to be a listener and a fan of Savage's show, and an April 2016 Salon article described Savage as having been a major influence on Trump's campaign. Over Christmas of 2017, Michael Savage and his family met several times with President Trump. During a dinner, Savage strongly urged the President to support the cause of wildlife preservation. This followed a series of pleas on his radio show for the President to support legislation that protected wildlife. CANNOTANSWERAnswer this question using a quote from the following article:

Did he publicly endorse any political figures?


Background: Green Day is an American punk rock band formed in 1986 by lead vocalist and guitarist Billie Joe Armstrong and bassist Mike Dirnt. For much of the band's career, they have been a trio with drummer Tre Cool, who replaced John Kiffmeyer in 1990 prior to the recording of the band's second studio album, Kerplunk (1991). Guitarist Jason White, who has been a touring member since 1999, was an official member from 2012 to 2016. Green Day was originally part of the punk scene at the DIY 924 Gilman Street club in Berkeley, California.
Context: Kerplunk's underground success led to a number of major record labels being interested in signing Green Day, and the band eventually left Lookout! and signed to Reprise Records after attracting the attention of producer Rob Cavallo. The group was impressed by his work with fellow Californian band The Muffs, and later remarked that Cavallo "was the only person we could really talk to and connect with". Reflecting on the period, Armstrong told Spin magazine in 1999, "I couldn't go back to the punk scene, whether we were the biggest success in the world or the biggest failure ... The only thing I could do was get on my bike and go forward." After signing with Reprise, the band went to work on recording its major label debut, Dookie. Recorded in three weeks, and released in February 1994, Dookie became a commercial success, helped by extensive MTV airplay for the videos of the songs "Longview", "Basket Case", and "When I Come Around", all of which reached the number one position on the Modern Rock Tracks charts. The album went on to sell over 10 million copies in the US. At a performance on September 9, 1994 at Hatch Memorial Shell in Boston, mayhem broke out during the band's set (cut short to seven songs) and by the end of the rampage, 100 people were injured and 45 arrested. The band also joined the lineups of both the Lollapalooza festival and Woodstock '94, where the group started an infamous mud fight. During the concert, a security guard mistook bassist Mike Dirnt for a stage-invading fan and punched out some of his teeth. Viewed by millions by pay-per-view television, the Woodstock 1994 performance further aided Green Day's growing publicity and recognition, and helped push its album to eventual diamond status. In 1995, Dookie won the Grammy Award for Best Alternative Album and the band was nominated for nine MTV Video Music Awards including Video of the Year. In 1995, a new single for the Angus soundtrack was released, entitled "J.A.R.". The single debuted at number one on the Billboard Modern Rock Tracks chart. The song was followed by the band's fourth studio album, Insomniac, which was released in the fall of 1995. Insomniac was a much darker and heavier response to the band's newfound popularity, compared to the more melodic Dookie. The album opened to a warm critical reception, earning 4 out of 5 stars from Rolling Stone, which said "In punk, the good stuff actually unfolds and gains meaning as you listen without sacrificing any of its electric, haywire immediacy. And Green Day are as good as this stuff gets." The singles released from Insomniac were "Geek Stink Breath", "Stuck with Me", "Brain Stew/Jaded", and "Walking Contradiction". Though the album did not approach the success of Dookie, it sold two million copies in the United States. In addition, the album won the band award nominations for Favorite Artist, Favorite Hard Rock Artist, and Favorite Alternative Artist at the 1996 American Music Awards, and the video for "Walking Contradiction" got the band a Grammy nomination for Best Video, Short Form, in addition to a Best Special Effects nomination at the MTV Video Music Awards. After that, the band abruptly cancelled a European tour, citing exhaustion. CANNOTANSWER
Question: Is Dookie a good name for a record?

Answer:


Background: Rush was a Canadian rock band composed of Geddy Lee (bass, vocals, keyboards), Alex Lifeson (guitars) and Neil Peart (drums, percussion, lyrics). Forming in 1968, the band went through several configurations until arriving at its longest and most popular line-up when Peart replaced original drummer John Rutsey in July 1974, two weeks before the group's first United States tour. Rush is known for its musicianship, complex compositions, and eclectic lyrical motifs drawing heavily on science fiction, fantasy, and philosophy. The band's musical style has changed several times over the years, from a blues-inspired hard rock beginning, later moving into progressive rock, and including a period marked by heavy use of synthesizers.
Context: Rush started to deviate from its 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of its keyboard-saturated sound. Beginning with Presto (1989), the band opted for arrangements notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centrepiece of Rush's compositions. Continuing this trend, Roll the Bones (1991) extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for example exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components. This return to three-piece instrumentation helped pave the way for future albums, which would adopt a more streamlined rock formula. The transition from synthesizers to more guitar-oriented and organic instrumentation continued with Counterparts (1993) and its follow-up, Test for Echo (1996), again both produced in collaboration with Peter Collins. Up to this point, Counterparts and Test For Echo were two of Rush's most guitar-driven albums. The latter album also includes elements of jazz and swing-style drumming by Peart, which he had learned from Freddie Gruber during the interim between Counterparts and Test For Echo. In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997. After the conclusion of the Test for Echo tour in 1997, the band entered a five-year hiatus primarily due to personal tragedies in Peart's life. Peart's daughter Selena died in a car accident in August 1997, followed by the death of his wife Jacqueline from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which he travelled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 mi). At some point in his journey, Peart decided to return to the band. Peart's book Ghost Rider: Travels on the Healing Road is a chronicle of his journey. In the book, he writes of how he had told his bandmates at Selena's funeral, "consider me retired". On November 10, 1998, a three-disc live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it features recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the band's fourth live album. After a time of grief and recovery, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his bandmates he was ready to once again enter the studio and get back into the business of making music. CANNOTANSWER
Question: Was there a reason behind the hiatus?

Answer:


Background: Schuur was born in Tacoma, Washington, two months premature and weighing less than three pounds. Complications of prematurity resulted in her total loss of vision. Her twin brother, David, had normal vision at birth but some hearing loss. She also has a younger sister.
Context: In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER
Question: Was her album successful?. Whats the answer?


As a Liberal military hero, Diaz had ambitions for national political power. He challenged the civilian president Benito Juarez, who was running for what Diaz considered an illegal subsequent term as president. In 1870, Diaz ran against President Juarez and Vice President Sebastian Lerdo de Tejada. In 1871, he made claims of fraud in the July elections won by Juarez, who was confirmed as president by the Congress in October. In response, Diaz launched the Plan de la Noria on 8 November 1871, supported by a number of rebellions across the nation, including one by Manuel Gonzalez of Tamaulipas, but this rebellion failed. Following the death of Juarez of natural causes in 1872, Lerdo became president. Lerdo offered amnesty to rebels, which Diaz accepted and took up residency in Veracruz. In 1874, Diaz served in the legislature, representing Veracruz. Opposition to the presidency of Lerdo grew, particularly as anti-clericalism increased, labor unrest grew, and a major rebellion of the Yaqui in northwest Mexico under the leadership of Cajeme challenged central government rule there. Diaz saw an opportunity to plot a more successful rebellion, leaving Mexico in 1875 for New Orleans and Brownsville, Texas with his political ally Manuel Gonzalez. When Lerdo declared he was running for re-election in 1876, Diaz once again had the pretext of the principle of no-reelection to support his opposition. He issued the Plan of Tuxtepec (a town in Oaxaca) as a call to arms against Lerdo. When Lerdo was re-elected in July 1876, rebellion and unrest both before and after the election forced Lerdo from office. In November 1876, Diaz occupied Mexico City, Lerdo left Mexico for exile in New York. Diaz did not take formal control of the presidency until the beginning of 1877, putting General Juan N. Mendez as provisional president, followed by new presidential elections in 1877 that gave Diaz the presidency. Ironically, one of his government's first amendments to the 1857 liberal constitution was to prevent re-election. Although the liberals had defeated the conservatives in the War of the Reform, the conservatives had been powerful enough still in the early 1860s to aid the imperial project of France that put Maximilian Habsburg as emperor of Mexico. With the fall of Maximilian, Mexican conservatives were cast as collaborators with foreign imperialists. With the return of the liberals under Benito Juarez, and following his death, liberals held power, but basic liberal goals of democracy, rule of law, and economic development were not reached. Diaz saw his task in his term as president to create internal order so that economic development could be possible. As a military hero and astute politician, Diaz's eventual successful establishment of that peace (Pax Porfiriana) became "one of [Diaz's] principal achievements, and it became the main justification for successive re-elections after 1884." CANNOTANSWER

Answer this question "What is the campaigns of no-reelection?" by extracting the answer from the text above.


Charles Michael Kittridge Thompson IV (born April 6, 1965) is an American singer, songwriter and guitarist. He is best known as the frontman of the influential alternative rock band Pixies, with whom he performs under the stage name Black Francis. Following the band's breakup in 1993, he embarked on a solo career under the name Frank Black. After releasing two albums with record label 4AD and one with American Recordings, he left the label and formed a new band, Frank Black and the Catholics.

Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears," composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed the Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Husker Du and Peter, Paul and Mary." Drummer David Lovering was later hired on recommendation from Deal's husband. In 1987, the Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, loaning $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time." The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son." In 1988, the Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic," which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven," was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh (whom he had met in the band's early days), performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment. The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Thompson's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass," which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" (from Surfer Rosa) and "Silver" (from Doolittle), from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993. CANNOTANSWER

Using a quote from the above article, answer the following question: What was their first album?


James Earl Carter Jr. was born on October 1, 1924, at the Wise Sanitarium (now the Lillian G. Carter Nursing Center) in Plains, Georgia, a hospital where his mother was employed as a registered nurse. Carter was the first U.S. president to be born in a hospital. He was the eldest son of Bessie Lillian (nee Gordy) and James Earl Carter Sr.. Carter Sr. was a descendant of English immigrant Thomas Carter, who settled in Virginia in 1635. Numerous generations of Carters lived as cotton farmers in Georgia.

On April 18, 1977, Carter delivered a televised speech declaring that the U.S. energy crisis during the 1970s was the moral equivalent of war. He encouraged energy conservation by all U.S. citizens and installed solar water heating panels on the White House. He wore sweaters to offset turning up the heat in the White House. On August 4, 1977, Carter signed the Department of Energy Organization Act of 1977, forming the Department of Energy, the first new cabinet position in eleven years. During the signing ceremony, Carter cited the "impending crisis of energy shortages" with causing the necessity of the legislation. At the start of a September 29, 1977 news conference, under the impression he had not come across well in addressing energy during his prior press session, Carter stated that the House of Representatives had "adopted almost all" of the energy proposal he had made five months prior and called the compromise "a turning point in establishing a comprehensive energy program." The following month, on October 13, Carter stated he believed in the Senate's ability to pass the energy reform bill and identified energy as "the most important domestic issue that we will face while I am in office." On January 12, 1978, during a press conference, Carter said the continued discussions about his energy reform proposal had "been long and divisive and arduous" as well as hindering to national issues that needed to be addressed with the implementation of the law. In an April 11, 1978 news conference, Carter said his biggest surprise "in the nature of a disappointment" since becoming president was the difficulty Congress had in passing legislation, citing the energy reform bill in particular: "I never dreamed a year ago in April when I proposed this matter to the Congress that a year later it still would not be resolved." On March 1, 1979, Carter submitted a standby gasoline rationing plan per the request of Congress. Carter delivered an address stressing the urgency of energy conservation on April 5. During an April 30 news conference, Carter said it was "imperative" that the House commerce committee approve the standby gasoline rationing plan and called on Congress to pass the several other standby energy conservation plans he had proposed. On July 15, 1979, Carter delivered a nationally televised address in which he identified what he believed to be a "crisis of confidence" among the American people, under the advisement of pollster Pat Caddell who believed Americans faced a crisis in confidence from events of the 1960s and 1970s prior to Carter taking office. The address would be cited as Carter's "malaise" speech, memorable for mixed reactions and his use of rhetoric. The speech's negative reception came from a view that Carter did not state efforts on his own part to address the energy crisis and was too reliant on Americans. CANNOTANSWERAnswer this question using a quote from the following article:

What caused the energy crisis?


Priyanka Chopra was born on 18 July 1982 in Jamshedpur, Bihar (now in Jharkhand), to Ashok and Madhu Chopra, both physicians in the Indian Army. Her father was a Punjabi from Ambala. Her mother, from Jharkhand, is the eldest daughter of Ms. Madhu Jyotsna Akhouri, a former member of Bihar Legislative Assembly, and Dr. Manohar Kishan Akhouri, a former Congress veteran. Chopra has a brother, Siddharth, who is seven years her junior and actresses Parineeti Chopra, Meera Chopra and Mannara Chopra are her cousins.

In 2007, Chopra was on the judges' panel of the Miss India pageant. She stated, "Miss India will always remain special. That's where it all started for me. And maybe that's where it would've ended if I hadn't won the crown." She also served as a judge at Miss World 2009. She visited Jawan troops in Tenga, in eastern India, for a special episode of the NDTV show Jai Jawan celebrating the 60th anniversary of India's independence. In 2010, she hosted the third season of the reality show Fear Factor: Khatron Ke Khiladi on the Colors channel, taking over from previous host Akshay Kumar. According to contestants, in hosting the series, Chopra had "transformed into quite a whip-wielding dictator", relentlessly pushing the contestants to work. She performed most of her own stunts, adamant to prove that she could rival Akshay Kumar, who had hosted the previous two seasons. The opening ratings of the show topped those of the two previous seasons. The show was praised by critics, and earned her the Indian Telly Award for Most Impactful Debut on Television. In February 2016, Chopra presented the award for Best Film Editing at the 88th Academy Awards. Chopra has participated in a number of world tours and concerts. She took part in a world concert tour, "Temptations 2004", and performed with other Bollywood actors (including Shah Rukh Khan, Saif Ali Khan, Rani Mukerji, Preity Zinta and Arjun Rampal) in 19 stage shows. In 2011, she participated (with Shahid Kapoor and Shah Rukh Khan) in a concert in Durban, South Africa celebrating 150 years of India-South Africa friendship. In 2012, she performed at M. A. Chidambaram Stadium, Chennai in the opening ceremony of the fifth season of cricket's Indian Premier League with Amitabh Bachchan, Salman Khan, Kareena Kapoor and Katy Perry. The same year, she performed at Dubai Festival City's Ahlan Bollywood Concert with other Bollywood stars such as Salman Khan and Sophie Choudry. CANNOTANSWERAnswer this question using a quote from the following article:

Are there any other interesting aspects about this article?


Background: Native women in Hong Kong used to be situated within the context of Chinese family and society, in which they were treated the same as Mainland women or Taiwanese women. Under the traditional Chinese patriarchy structure, the society was male-dominated, and women had a relatively subordinate familial role. However, there are cultural differences between Mainland Chinese citizens and citizens of Hong Kong. During the British colonial period the emergence of Western culture (i.e. "Westernization") created a mix of traditional Chinese culture and Western values.
Context: In gender division of labor, women are expected to be the homemaker even though some of them are the breadwinner at the same time. It is difficult for them to strike a balance between family and work. However, getting promoted is accompanied by more time devoted to workplace, which place women in disadvantage since they need to fulfill household responsibility as well. The situation might be even worse in finance and business industry where require longer working hours to handle fierce competition.Therefore, many women would give up senior positions to stay balance between family and workplace. Besides, a lot of people in Hong Kong still uphold the traditional gender ideology that men's status should always be superior than women's. According to the survey conducted by Women's Commission in 2010, 36.8% of female and 32.8% of male reported that patriarchal supremacy still exist in their family. In this case, the role of being female leader might possibly threaten their spouses' power in the relationship. In addition, there are also 46.1% of male and 32.3% of female agreed that male political leader would do much better than female. This gendered perception might possibly discourage women from competing higher positions with men. Moreover, glass ceiling also hinders women from reaching the top position. The job segregation by sex restrict women in certain types of job like clerical, which limit their work experience and thus making them harder to get promoted. Even though some women are capable enough to move upward, the old-boy network exclude women from decision-making. CANNOTANSWER
Question: What is the most interesting statistic in the article?

Answer:


Which entity is this text about?

Gypsy is a 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc.

In January 2011, the New York Post reported that Barbra Streisand was in negotiations to produce, direct and star in a new film version of Gypsy. In an interview with the New York Post, Arthur Laurents said, "We've talked about it a lot, and she knows what she's doing. She has my approval." He said that he would not write the screenplay. In a clarifying statement and report, The New York Times wrote that Streisand would star, but would not produce or direct. Streisand's spokesperson confirmed that "there have been conversations". However, Frank Rizzo of courant.com reported on March 12, 2011 that the film with Streisand "is not going to happen, according to playwright-director Arthur Laurents, one of the rights holders to the work." But that was contradicted by an August 2011 report by USA TODAY that the plans for a film adaptation of Gypsy were still intact. "Before writer and director Arthur Laurents died at age 93 last May, there had been much talk about a movie version of Gypsy starring Streisand as Rose. 'We just have to find our team and a writer,' said Streisand. 'It's too bad, because I was looking forward to working with Arthur,' who directed Streisand in her Broadway debut. 'I had seen him a few months before that, and he seemed so strong and healthy.'" In March 2012, reports stated that Universal Pictures was pressing on with the new film. Streisand was still attached to produce and play Rose, with Joel Silver co-producing and Julian Fellowes scripting. Playbill reported in October 2015 that "Universal, which had been working with Streisand on the project, formally put Gypsy in turnaround, meaning it has decided not to develop the film any further. Streisand reportedly has been working with producer Joel Silver on the project, and they are now free to shop their Gypsy around to other studios." In April 2016, it was reported that Streisand was in advanced negotiations to star in and produce the film, which will be directed by Barry Levinson and distributed by STX Entertainment. In July 2016, it was reported that Richard LaGravenese had finished writing the script for the film and that production for the film is aiming to begin in early 2017. However, on August 3, 2016, it was reported that STX Entertainment "was withdrawing as distributor and co-financier of the film." CANNOTANSWER


Rickey was born in Stockdale, Ohio, the son of Jacob Frank Rickey and Emily (nee Brown). Rickey was a relative of Beth Rickey, a Louisiana political activist. He graduated from Valley High School in Lucasville, Ohio, in 1899, and he was a catcher on the baseball team at Ohio Wesleyan University, where he obtained his B.A. Rickey was a member of the Delta Tau Delta Fraternity. Rickey was a Master Mason in Tuscan Lodge #240 in Saint Louis.

By 1930, Rickey's Cardinals, known as the "Gashouse Gang", were the class of the National League. They won 101 games in 1931 and won the World Series in seven games. The star of the 1931 World Series was rookie Pepper Martin, one of the first Cardinal stars that came from Branch's minor league system. Soon, other minor league graduates joined the team, among them future hall of famers Dizzy Dean and Joe Medwick, nicknamed "Ducky", and Dean's brother Paul "Daffy" Dean. The Deans and Medwick were integral parts of the 1934 Cardinals, who won the franchise's third World Series title. Kenesaw Mountain Landis, the Commissioner of Baseball, was concerned that Rickey's minor league system was going to ruin baseball by destroying existing minor league teams, and he twice released over 70 Cardinal minor leaguers. Despite Landis' efforts, Rickey's minor league system stayed in existence, and similar systems were adopted by every major league team within a few years. Arguably, the farm system saved the minor leagues, by keeping them necessary after the television age began and minor league attendance figures declined. Rickey continued to develop the Cardinals up until the early 1940s. In his final year at St. Louis, 1942, the Cardinals had their best season in franchise history, winning 106 games and the World Series title. The team was led by a new crop of players developed by the Cardinals, two of whom, Enos Slaughter and Stan Musial, became Hall of Famers; and several others, among them future MVP Marty Marion, who were among the best at their position during their eras. Even their manager Billy Southworth was a product of their farm system. CANNOTANSWERAnswer this question using a quote from the following article:

What other records do they hold?


Answer by taking a quote from the following article:

The Smashing Pumpkins (or Smashing Pumpkins) are an American alternative rock band from Chicago, Illinois. Formed in 1988 by frontman Billy Corgan (lead vocals, guitar) and James Iha (guitar), the band included D'arcy Wretzky (bass guitar) and Jimmy Chamberlin (drums) in its original incarnation. It has undergone many line-up changes over the course of its existence, with the current lineup being Corgan, Chamberlin, Iha and guitarist Jeff Schroeder. Disavowing the punk rock roots of many of their alt-rock contemporaries, they have a diverse, densely layered, and guitar-heavy sound, containing elements of gothic rock, heavy metal, dream pop, psychedelic rock,progressive rock, shoegazing, and electronica in later recordings.

After the breakup of his gothic rock band the Marked, singer and guitarist Billy Corgan left St. Petersburg, Florida, to return to his native city of Chicago, where he took a job in a record store and formed the idea of a new band to be called the Smashing Pumpkins. While working there, he met guitarist James Iha. Adorning themselves with paisley and other psychedelic trappings, the two began writing songs together (with the aid of a drum machine) that were heavily influenced by The Cure and New Order. The duo performed live for the first time on July 9, 1988 at the Polish bar Chicago 21. This performance included only Corgan on bass and Iha on guitar with a drum machine. Shortly thereafter, Corgan met D'arcy Wretzky after a show by the Dan Reed Network where they argued the merits of the band. After finding out Wretzky played bass guitar, Corgan recruited her into the lineup and the now-trio played a show at the Avalon Nightclub. After this show, Cabaret Metro owner Joe Shanahan agreed to book the band on the condition that they replace the drum machine with a live drummer. Jazz drummer Jimmy Chamberlin was recommended by a friend of Corgan's. Chamberlin knew little of alternative music and immediately changed the sound of the nascent band. As Corgan recalled of the period, "We were completely into the sad-rock, Cure kind of thing. It took about two or three practices before I realized that the power in his playing was something that enabled us to rock harder than we could ever have imagined." On October 5, 1988, the complete band took the stage for the first time at the Cabaret Metro. In 1989 the Smashing Pumpkins made their first appearance on record with the compilation album Light Into Dark, which featured several Chicago alternative bands. The group released its first single, "I Am One", in 1990 on local Chicago label Limited Potential. The single sold out and they released a follow-up, "Tristessa", on Sub Pop, after which they signed to Caroline Records. The band recorded their 1991 debut studio album Gish with producer Butch Vig at his Smart Studios in Madison, Wisconsin for $20,000. In order to gain the consistency he desired, Corgan often played all instruments excluding drums, which created tension in the band. The music fused heavy metal guitars, psychedelia, and dream pop, garnering them comparisons to Jane's Addiction. Gish became a minor success, with the single "Rhinoceros" receiving some airplay on modern rock radio. After releasing the Lull EP in October 1991 on Caroline Records, the band formally signed with Virgin Records, which was affiliated with Caroline. The band supported the album with a tour that included opening for bands such as the Red Hot Chili Peppers, Jane's Addiction, and Guns N' Roses. During the tour, Iha and Wretzky went through a messy breakup, Chamberlin became addicted to narcotics and alcohol, and Corgan entered a deep depression, writing some songs for the upcoming album in the parking garage where he lived at the time. With the breakthrough of alternative rock into the American mainstream due to the popularity of grunge bands such as Nirvana and Pearl Jam, the Smashing Pumpkins were poised for major commercial success. At this time, the Smashing Pumpkins were routinely lumped in with the grunge movement, with Corgan protesting, "We've graduated now from 'the next Jane's Addiction' to 'the next Nirvana', now we're 'the next Pearl Jam'." Amid this environment of intense internal pressure for the band to break through to widespread popularity, the band relocated to Marietta, Georgia in late 1992 to begin work on their second album, with Butch Vig returning as producer. The decision to record so far away from their hometown was motivated partly by the band's desire to avoid friends and distractions during the recording, but largely as a desperate attempt to cut Chamberlin off from his known drug connections. The recording environment for Siamese Dream was quickly marred by discord within the band. As was the case with Gish, Corgan and Vig decided that Corgan should play nearly all of the guitar and bass parts on the album, contributing to an air of resentment. The contemporary music press began to portray Corgan as a tyrant. Corgan's depression, meanwhile, had deepened to the point where he contemplated suicide, and he compensated by practically living in the studio. Meanwhile, Chamberlin quickly managed to find new connections and was often absent without any contact for days at a time. In all, it took over four months to complete the record, with the budget exceeding $250,000. Despite all the problems in its recording, Siamese Dream debuted at number ten on the Billboard 200 chart, and sold over four million copies in the U.S. alone. Alongside the band's mounting mainstream recognition, the band's reputation as careerists among their former peers in the independent music community was worsened. Indie rock band Pavement's 1994 song "Range Life" directly mocks the band in its lyrics, although Stephen Malkmus, lead singer of Pavement, has stated, "I never dissed their music. I just dissed their status." Former Husker Du frontman Bob Mould called them "the grunge Monkees", and fellow Chicago musician/producer Steve Albini wrote a scathing letter in response to an article praising the band, derisively comparing them to REO Speedwagon ("by, of and for the mainstream") and concluding their ultimate insignificance. The opening track and lead single of Siamese Dream, "Cherub Rock", directly addresses Corgan's feud with the "indie-world". In 1994 Virgin released the B-sides/rarities compilation Pisces Iscariot which charted higher than Siamese Dream by reaching number four on the Billboard 200. Also released was a VHS cassette titled Vieuphoria featuring a mix of live performances and behind-the-scenes footage. Following relentless touring to support the recordings, including headline slots on the 1994 Lollapalooza tour and at Reading Festival in 1995, the band took time off to write the follow-up album. In 2001 the compilation Rotten Apples was released. The double-disc version of the album, released as a limited edition, included a collection of B-sides and rarities called Judas O. The Greatest Hits Video Collection DVD was also released at the same time. This was a compilation of all of the Pumpkins promo videos from Gish to Machina along with unreleased material. Vieuphoria was released on DVD in 2002, as was the soundtrack album Earphoria, previously released solely to radio stations in 1994. Billy Corgan and Jimmy Chamberlin reunited in 2001 as members of Corgan's next project, the short-lived supergroup Zwan. The group's only album, Mary Star of the Sea, was released in 2003. After cancelling a few festival appearances, Corgan announced the demise of the band in 2003. During 2001 Corgan also toured as part of New Order and provided vocals on their comeback album Get Ready. In October 2004 Corgan released his first book, Blinking with Fists, a collection of poetry. In June 2005, he released a solo album, TheFutureEmbrace, which he described as "(picking) up the thread of the as-of-yet-unfinished work of the Smashing Pumpkins". Despite this, it was greeted with generally mixed reviews and lackluster sales. Only one single, "Walking Shade", was released in support of the album. In addition to drumming with Zwan, Jimmy Chamberlin also formed an alternative rock/jazz fusion project band called The Jimmy Chamberlin Complex. The group released an album in 2005 titled Life Begins Again. Corgan provided guest vocals on the track "Lokicat". James Iha served as a guitarist in A Perfect Circle, appearing on their Thirteenth Step club tour and 2004 album, eMOTIVe. He has also been involved with other acts such as Chino Moreno's Team Sleep and Vanessa and the O's. He continues to work with Scratchie Records, his own record label, as well. D'arcy Wretzky has, aside from one radio interview in 2009, not made any public statements or appearances nor given any interviews since leaving the band in 1999. On January 25, 2000, she was arrested after she allegedly purchased three bags of crack cocaine, but after successfully completing a court-ordered drug education program, the charges were dropped. Corgan insisted during this period that the band would not reform, although when Zwan broke up he announced, "I think my heart was in Smashing Pumpkins [...] I think it was naive of me to think that I could find something that would mean as much to me." Corgan said in 2005, "I never wanted to leave the Smashing Pumpkins. That was never the plan." On February 17, 2004, Corgan posted a message on his personal blog calling Wretzky a "mean-spirited drug addict" and blaming Iha for the breakup of the Smashing Pumpkins. On June 3, 2004, he added that "the depth of my hurt [from Iha] is only matched with the depth of my gratitude". Iha responded to Corgan's claims in 2005, saying, "No, I didn't break up the band. The only person who could have done that is Billy." CANNOTANSWER

what songs did they write?


Since 1983, Shearer has been the host of the public radio comedy/music program Le Show. The program is a hodgepodge of satirical news commentary, music, and sketch comedy that takes aim at the "mega morons of the mighty media". It is carried on many National Public Radio and other public radio stations throughout the United States. Since the merger of SIRIUS and XM satellite radio services the program is no longer available on either. The show has also been made available as a podcast on iTunes and by WWNO. On the weekly program Shearer alternates between DJing, reading and commenting on the news of the day after the manner of Mort Sahl, and performing original (mostly political) comedy sketches and songs. In 2008, Shearer released a music CD called Songs of the Bushmen, consisting of his satirical numbers about former President George W. Bush on Le Show. Shearer says he criticizes both Republicans and Democrats equally, and also says that "the iron law of doing comedy about politics is you make fun of whoever is running the place" and that "everyone else is just running around talking. They are the ones who are actually doing something, changing people's lives for better or for worse. Other people the media calls 'satirists' don't work that way." Since encountering satellite news feeds when he worked on Saturday Night Live, Shearer has been fascinated with the contents of the video that does not air. Shearer refers to these clips as found objects. "I thought, wow, there is just an unending supply of this material, and it's wonderful and fascinating and funny and sometimes haunting - but it's always good," said Shearer. He collects this material and uses it on Le Show and on his website. In 2008, he assembled video clips of newsmakers from this collection into an art installation titled "The Silent Echo Chamber" which was exhibited at The Aldrich Contemporary Art Museum in Ridgefield, Connecticut. The exhibit was also displayed in 2009 at Institut Valencia d'Art Modern (IVAM) in Valencia, Spain and in 2010 at the New Orleans Contemporary Arts Center. In 2006 Shearer appeared with Brian Hayes in four episodes of the BBC Radio 4 sitcom Not Today, Thank You, playing Nostrils, a man so ugly he cannot stand to be in his own presence. He was originally scheduled to appear in all six episodes but had to withdraw from recording two due to a problem with his work permit. On June 19, 2008, it was announced that Shearer would receive a star on the Hollywood Walk of Fame in the radio category. The date of the ceremony where his star will be put in place has yet to be announced. CANNOTANSWER

Answer this question "When did he start Le Show?" by extracting the answer from the text above.


Background: Stanley Donen ( DAWN-@n; born April 13, 1924) is an American film director and choreographer whose most celebrated works are Singin' in the Rain and On the Town, both of which he co-directed with actor and dancer Gene Kelly. Other noteworthy films include Royal Wedding, Seven Brides for Seven Brothers, Funny Face, Indiscreet, Damn Yankees!, Charade, and Two for the Road. He began his career in the chorus line on Broadway for director George Abbott, where he befriended Kelly.
Context: Stanley Donen was born in Columbia, South Carolina to Mordecai Moses Donen, a dress-shop manager, and Helen (Cohen), the daughter of a jewelry salesman. His younger sister Carla Donen Davis was born in August 1937. Although born to Jewish parents, he became an atheist in his youth. Donen described his childhood as lonely and unhappy as one of the few Jews in Columbia, and he was occasionally bullied by anti-semitic classmates at school. To help cope with his isolation, he spent much of his youth in local movie theaters and was especially fond of Westerns, comedies and thrillers. The film that had the strongest impact on him was the 1933 Fred Astaire and Ginger Rogers musical Flying Down to Rio. Donen said that he "must have seen the picture thirty or forty times. I was transported into some sort of fantasy world where everything seemed to be happy, comfortable, easy and supported. A sense of well-being filled me." He shot and screened home movies with an 8 mm camera and projector that his father bought for him. Inspired by Astaire, Donen took dance lessons in Columbia and performed at the local Town Theater. His family often traveled to New York City during summer vacations where he saw Broadway musicals and took further dance lessons. One of his early instructors in New York was Ned Wayburn, who had taught eleven-year-old Astaire in 1910. After graduating from high school at sixteen, Donen attended the University of South Carolina for one summer semester, studying psychology. Encouraged by his mother, he moved to New York City to pursue dancing on stage in the fall of 1940. After two auditions he was cast as a chorus dancer in the original Broadway production of Rodgers and Hart's Pal Joey, directed by the legendary George Abbott. The titular Pal Joey was played by the young up-and-comer Gene Kelly, who became a Broadway star in the role. Abbott cast Donen in the chorus of his next Broadway show Best Foot Forward. He became the show's assistant stage manager, and Kelly asked him to be his assistant choreographer. Eventually Donen was fired from Best Foot Forward, but in 1942 was the stage manager and assistant choreographer for Abbott's next show Beat the Band. In 1946, Donen briefly returned to Broadway to help choreograph dance numbers for Call Me Mister. After the success of Take Me Out to the Ball Game, Freed gave Donen and Kelly the chance to direct On the Town, released in 1949. The film was an adaptation of the Betty Comden and Adolph Green Broadway musical about sailors on leave in New York City and was the first musical to be filmed on location. Donen and Kelly had wanted to shoot the entire film in New York, but Freed would only allow them to spend one week away from the studio. That week produced the film's famous opening number New York, New York. Away from both studio interference and sound stage constrictions, Donen and cinematographer Harold Rosson shot a scene on the streets of New York City that pioneered many cinematic techniques that would not be used again until they were popularized by the French New Wave ten years later. These techniques included spatial jump cuts, 360-degree pans, hidden cameras, abrupt changes of screen direction and non-professional actors. Donen's biographer Joseph A. Casper stated that the scene avoids being gratuitous or amateurish, while still "developing plot, describing the setting while conveying its galvanizing atmosphere and manic mood, introducing and delineating character." Casper also said that "Today the film is regarded as a turning point: the first bona fide musical that moved dance, as well as the musical genre, out of the theater and captured it with and for film rather than on film; the first to make the city an important character; and the first to abandon the chorus." On the Town starred Kelly, Sinatra and Munshin as three sailors on a 24-hour shore leave in New York whose romantic pursuits lead them to Ann Miller, Betty Garrett and Vera-Ellen. The film was a success both financially and critically. It won the Academy Award for Best Music, Scoring of a Musical Picture and screenwriters Comden and Green won the Writers Guild of America Award for Best Written American Musical. Like Orson Welles, Donen made his directorial debut at 25. Donen stated that Kelly was "responsible for most of the dance movements. I was behind the camera in the dramatic and musical sequences." Kelly believed that he and Donen "were a good team. I thought we complemented each other very well." After the success of On the Town, Donen signed a seven-year contract with MGM as a director. His next two films were for Freed, but without Kelly. After being replaced as director on Pagan Love Song over personal differences with star Esther Williams, Donen was given the chance to direct his boyhood idol Fred Astaire. Royal Wedding starred Astaire and Jane Powell as a brother-sister American dancing team performing in England during the royal wedding of Elizabeth and Philip in 1947. Judy Garland was originally cast in the lead role, but was fired for absenteeism due to illness and replaced by Powell. In the film, Powell's love affair with a wealthy Englishman (Peter Lawford) threatens to ruin the brother-sister act, while Astaire finds his own romance with (Sarah Churchill). The film is loosely based on Astaire's real-life career with his sister and early dancing partner Adele Astaire, who retired after marrying an English lord in 1932 and includes one of Astaire's most famous dance sequences: the "You're All the World to Me" number where he defies gravity by dancing first on the walls and then on the ceiling. The shot was achieved by building the set inside a rotating reinforced-steel cylindrical chamber with the camera attached to the cylinder. Both Astaire and the film's lyricist Alan Jay Lerner claimed that they thought of the idea. The film included music by Lerner and Burton Lane and was released in 1951. Later in 1951 Donen made Love Is Better Than Ever. The film stars Larry Parks as a streetwise show business agent who is compelled to marry an innocent young dance teacher (Elizabeth Taylor). Donen and Kelly appear in cameo roles. The film remained unreleased for over a year after Parks admitted to the House Un-American Activities Committee that he had been a member of the Communist Party and named other members and was unsuccessful at the box office. CANNOTANSWER
Question: Did he become an MGM contract director

Answer:


Thomas Stearns Eliot,  (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.

In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." CANNOTANSWER

When did Eliot get married?


The Screen Actors Guild (SAG) was an American labor union which represented over 100,000 film and television principal and background performers worldwide. On March 30, 2012, the union leadership announced that the SAG membership voted to merge with the American Federation of Television and Radio Artists (AFTRA) to create SAG-AFTRA. According to SAG's Mission Statement, the Guild sought to: negotiate and enforce collective bargaining agreements that establish equitable levels of compensation, benefits, and working conditions for its performers; collect compensation for exploitation of recorded performances by its members, and provide protection against unauthorized use of those performances; and preserve and expand work opportunities for its members. The Guild was founded in 1933 in an effort to eliminate exploitation of Hollywood actors who were being forced into oppressive multi-year contracts with the major movie studios that did not include restrictions on work hours or minimum rest periods, and often had clauses that automatically renewed at the studios' discretion.

In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

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Keith Lionel Urban was born on 26 October 1967, in Whangarei, New Zealand, He is the youngest son of Marienne and Robert "Bob" Urban. At the age of 13, he attended Sir Edmund Hillary College in Otara, South Auckland, New Zealand and by the age of 17, he lived with his parents in Caboolture, Queensland, Australia. His father, who owned a convenience store, put an advertisement for a guitar teacher in his shop window. Urban took lessons from his teacher, Sue McCarthy and began entering local competitions, in addition to acting in a local theater company.

In June 2015, Urban released "John Cougar, John Deere, John 3:16", as the lead single to his eighth American studio album, Ripcord. In October 2015, Urban teased a new song called "Break on Me"; it was released to the public on 23 October. It reached number one on the Country Airplay chart. On 22 September 2015, Urban celebrated the 10th anniversary of his third studio album Golden Road being certified triple platinum, for sales of three million copies of his record. "Wasted Time" was released as the album's third single and it went on to reach the number one spot on the Country Airplay chart. "Blue Ain't Your Color" was released as the album's fourth single and became a huge hit for Urban. It topped the Hot Country Songs chart as well as the Country Airplay Chart, spending twelve weeks at number one on the former chart. "The Fighter", a duet with Carrie Underwood, was released as the fifth single from the album. In 2016, Urban was selected as one of thirty artists to perform on "Forever Country", a medley of "Take Me Home, Country Roads", "On the Road Again", and "I Will Always Love You" which celebrates 50 years of the CMA Awards. On 8 November 2017, Urban released "Female", which has been described as "an empowerment anthem partially inspired by the Harvey Weinstein scandal." Urban said of the song that "as a husband and a father of two young girls, it affects me in a lot of ways. And as a son -- my mother is alive. It just speaks to all of the females in my life, particularly. For a guy who grew up with no sisters in a house of boys, it's incredible how now I'm surrounded by girls. But not only in my house; I employ a huge amount of women in my team. The song just hit me for so many reasons." Kidman provided background vocals on the song, which was slated to be the lead single for Urban's upcoming studio album. CANNOTANSWER

What other artists are on Ripcord?


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Anberlin was an American alternative rock band formed in Winter Haven, Florida in 1998 and disbanded in 2014. Since the beginning of 2007, the band consisted of lead vocalist Stephen Christian, guitarists Joseph Milligan and Christian McAlhaney, bassist Deon Rexroat, and drummer Nathan Young. Members of Anberlin originally formed a band under the name SaGoh 24/7 in 1998, releasing two studio albums before disbanding, with the members having a change in musical direction and name. Anberlin was formed in 2002; within a year of forming, they had signed with semi-independent record label Tooth & Nail Records and released their debut album, Blueprints for the Black Market.

In an interview with the South Florida Sun-Sentinel in December 2009, it was revealed by lead singer Stephen Christian that the band were tentatively due to enter the studio in the beginning of 2010, with a release probable later in the year. He said "it looks like we are going to go to the studio in January, February or March, right around that time". Drummer Nathan Young stated that the album would be "less poppy" and "darker". Christian posted on his Twitter account in December 2009, that his choice for an album name was "a go" but did not reveal the name. The band entered Blackbird Studios, Nashville, to begin recording the album in March 2010. It was announced on March 3 that the band would be working with Grammy Award-winning producer, Brendan O'Brien. The tracking of the album was completed on April 9, with mixing commencing on April 13, 2010. In an April 2010 interview with MyMag, Christian stated that the album's release date is "looking like late July or early August" 2010. However, in a May 2010 interview with Spin Magazine, McAlhaney stated that the album would be released in September 2010. In early June 2010, the album's release date was confirmed to be September 21, 2010. The band also began exposing their new music, with videos of live performances of the album's songs appearing online. A press release revealed on June 17 that Anberlin's fifth studio album would be titled Dark Is the Way, Light Is a Place, taking its title from a line in Dylan Thomas' "Poem on His Birthday". Along with the disclosure of a track listing, the press release also announced the album's lead single, "Impossible", which went to radio play on July 12, 2010. When asked about the possible impact of the new album, Stephen replied 'I feel like we're on the brink of something... either world domination or destruction, but either way we're on the brink'. Anberlin supported Thirty Seconds to Mars on their Closer to the Edge Tour with CB7 during April and May 2011. CANNOTANSWER

did they record any other music during this time?


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Jennifer Mulhern Granholm (born February 5, 1959) is a Canadian-born American politician, lawyer, educator, author, political commentator and member of the Democratic Party who served as the Attorney General of Michigan from 1999 to 2003 and as the Governor of Michigan from 2003 to 2011. In January 2017, she became a CNN political contributor. Born in Vancouver, British Columbia, Granholm moved from Canada to California at age four. She graduated from San Carlos High School and briefly attempted an acting career, then held a variety of jobs before attending the University of California, Berkeley.

Thirty-seven year Democratic Attorney General Frank J. Kelley chose not to run for a 10th term in 1998 and Granholm entered the race to succeed him. Unopposed for the Democratic nomination, she faced Republican John Smietanka, the 1994 nominee and former U.S. Attorney for the Western District of Michigan, in the general election. The campaign began as a relatively friendly one, with both agreeing that they wanted to expand the Internet Crimes Unit, start neighbourhood-based crime-fighting programmes and continue working as a consumer advocate, as Kelley had done. However, the race turned bitter in mid-September, when Smietanka ran television ads that called Granholm an "inexperienced" and "dangerous" liberal. He also tried to link Granholm to Democratic gubernatorial nominee Geoffrey Fieger's crime plan, which called for greater emphasis on rehabilitation for non-violent criminals and shortening their prison terms. Granholm, who had disavowed Fieger's crime plan the day it was released, said that the claim was "a lie, just a lie" and that as Attorney General, "you are the person who is to protect the consumer from deceitful ads." Asked what separated her from Smietanka, Granholm replied, "besides honesty?" Kelley also came to Granholm's defence, starring in an advertisement where he called Smietanka's ads "garbage" and a "con" and accused him of running a "dishonest campaign". For his part, Smietanka was angered by Democratic advertisements that referred to late child support payments he had made and claimed that he had lied about how much of his own money he donated to his campaign. After a close race, with polls showing the two candidates with virtually identical votes, Granholm defeated Smietanka by 1,557,310 votes (52.09%) to 1,432,604 (47.91%). After Granholm was elected Governor in 2002, arguments broke about between Smietanka and then-Republican Governor John Engler about who was most responsible for Granholm's meteoric rise in Michigan politics. Smietanka blamed Engler for trying to force him out of the 1998 race in favour of G. Scott Romney, for dredging up the issue of his missed child support payments and for not supporting him more fully after he defeated Romney at the Republican convention. Engler contested that Smietanka was a weak candidate who should have stepped aside for Romney, who would have beaten the inexperienced Granholm; she would then not have had a launch pad for her gubernatorial campaign in 2002. CANNOTANSWER


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Heifetz was born into a Russian-Jewish family in Vilna, Lithuania then part of the Russian Empire. His father, Reuven Heifetz, son of Elie, was a local violin teacher and served as the concertmaster of the Vilnius Theatre Orchestra for one season before the theatre closed down. While Jascha was an infant, his father did a series of tests, observing how his son responded to his fiddling. This convinced him that Jascha had great potential, and before Jascha was two years old, his father bought him a small violin, and taught him bowing and simple fingering.

Heifetz and his family left Russia in 1917, traveling by rail to the Russian far east and then by ship to the United States, arriving in San Francisco. On 27 October 1917, Heifetz played for the first time in the United States, at Carnegie Hall in New York, and became an immediate sensation. Fellow violinist Mischa Elman in the audience asked "Do you think it's hot in here?", whereupon the pianist Leopold Godowsky, in the next seat, replied, "Not for pianists." In 1917, Heifetz was elected as an honorary member of Phi Mu Alpha Sinfonia, the national fraternity for men in music, by the fraternity's Alpha chapter at the New England Conservatory of Music in Boston. As he was aged 16 at the time, he was perhaps the youngest person ever elected to membership in the organization. Heifetz remained in the country and became an American citizen in 1925. A possibly apocryphal story circulates that tells of an interaction with one of the Marx brothers: when he told the brother (usually Groucho or Harpo) that he had been earning his living as a musician since the age of seven, he received the reply, "Before that, I suppose, you were just a bum." In 1954, Heifetz began working with pianist Brooks Smith, who would serve as Heifetz's accompanist for many years until he chose Dr. Ayke Agus as his accompanist. He was also accompanied in concert for more than 20 years by Emmanuel Bay, another immigrant from Russia and a personal friend. Heifetz's musicianship was such that he would demonstrate to his accompanist how he wanted passages to sound on the piano, and would even suggest which fingerings to use. After the seasons of 1955-56, Heifetz announced that he would sharply curtail his concert activity, saying "I have been playing for a very long time". In 1958, he tripped in his kitchen and fractured his right hip, resulting in hospitalisation at Cedars of Lebanon Hospital, and a near fatal staphylococcus infection. He was invited to play Beethoven at the United Nations General Assembly, and entered leaning on a cane. By 1967, Heifetz had considerably curtailed his concert performances. CANNOTANSWER


Drops of Jupiter, the band's second album, was produced by Brendan O' Brien, who has also worked with artists such as Pearl Jam, King's X, Bob Dylan, Bruce Springsteen & The E-Street Band and Neil Young. Before the release of the second album, the band released the single "Drops of Jupiter (Tell Me)". The song was a massive hit; it entered the Hot 100 on March 10, 2001, and spent over a year on the chart (54 weeks) before being relegated to the recurrents chart. The song won a Grammy Award for Best Rock Song, as well as a Grammy Award for Best Arrangement, which was written by Paul Buckmaster, known for his string arrangements for Elton John. (The band reportedly hired Buckmaster expressly to create a sound similar to his arrangement for John's "Burn Down The Mission".) The album Drops of Jupiter was released on March 27, 2001, and became Train's first multi-platinum album, with the success of the lead single. The album was Train's first top ten album, peaking at number six on the Billboard 200. The album was also a top ten hit in the United Kingdom, where it peaked at number eight. "She's on Fire", the second single from Drops of Jupiter was a modest success and was featured in the 2001 comedy The Animal and the 2003 animated comedy Rugrats Go Wild. The album was eventually certified double platinum in the United States and in Canada. It was also certified gold in Australia. During the Drops of Jupiter tour, the band released a live DVD of a sold out concert in the band's hometown of San Francisco at The Warfield. The DVD was titled "Midnight Moon" and featured Train's hits from the first two albums among others. The concert was recorded on May 26, 2001. CANNOTANSWER

Answer this question "Was the album a top charter by any chance?" by extracting the answer from the text above.


Girls' Generation (Hangul: sonyeosidae; RR: Sonyeo Sidae), also known as SNSD, is a South Korean girl group formed by S.M. Entertainment. The group is composed of eight members: Taeyeon, Sunny, Tiffany, Hyoyeon, Yuri, Sooyoung, Yoona and Seohyun. Originally a nine-piece group, Jessica later departed from the group in September 2014. Girls' Generation debuted in 2007 with their Korean eponymous debut album.

Although most Girls' Generation's releases are written by songwriters for S.M. Entertainment, some members occasionally participated in songwriting. Member Yuri wrote the lyrics for "Mistake" from their 2010 EP Hoot. Sooyoung penned the lyrics to "How Great Is Your Love" on the group's 2011 studio album The Boys. Members Sooyoung, Yuri, and Seohyun wrote the lyrics for "Baby Maybe" and "XYZ" on the group's 2013 studio album I Got a Boy. The group's main lyrical themes as characterized by Chris True from AllMusic are "dance party" and "girls night out." Girls' Generation's songs have been criticized by Western media outlets for not portraying female empowerment but promoting the opposite. Ceejay Lee from feminist magazine Fem criticized the "generic" themes of Korean girl groups like Wonder Girls or Girls' Generation as "sexist": "[They] infantilize themselves to emasculate males by pandering childlike, puritanical innocence [...] It only reinforces that females are weak beings that serve to gratify males and that males need to be 'man' enough to 'protect' them." Stephen Epstein from the Victoria University of Wellington and James Turnbull from Dongseo University expressed concern that the lyrics of K-pop girl groups may raise considerable questions about the empowering nature of "Girl Group Fever"--particularly with singles "Gee" and "Oh!" Writing for The Harvard Crimson, Soyoung Kim wrote that "the representation of females in K-pop has been problematic" and singled out Girls' Generation's "Gee" as an embodiment; its repetitive lyrics "What should I do?" (eoddeohge?), "fool" (babo), or "I don't know" (molra) suggest that the girls are "utterly clueless children" who "dumb [themselves] down" just to attract a partner. He further cited the single "I Got a Boy" as an epitome of the group's non-empowering lyrics, with lines such as "I got a boy, he's awesome / I got a boy, he's kind / I got a boy, handsome boy, my heart's been taken away [...] My prince! / When will you rescue me?" Kim came to the conclusion that "female K-pop artists orient themselves around men in order to gain attention." Despite the criticism, several of Girls' Generation's songs, such as "Run Devil Run", "Hoot", and "Bad Girl" (from their 2011 eponymous Japanese album) are noted for portraying "confident young women with their own opinion", which is a departure from their early singles. The group's 2011 single "The Boys" was noted for conveying a feminist theme and was compared to Beyonce's 2011 single "Run the World (Girls)" for the same "women-powered" content; Eun-Young Jun in the book The Korean Wave: Korean Media Go Global (2013) noted its lyrics for depicting "sexually daring women" who are confident in their sexuality. CANNOTANSWER

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Who was some of the girls who did the songwriting?


Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

Following the destruction by fire of the Palace of Westminster in Westminster, London in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for the entry of James Gillespie Graham. This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to the Roman Catholic Church in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout England. Other works include St. Chad's Cathedral, Erdington Abbey, and Oscott College, all in Birmingham, England. He also designed the collegiate buildings of St. Patrick and St. Mary in St. Patrick's College, Maynooth, Ireland; though not the collegiate chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J. J. McCarthy. Also in Ireland, Pugin designed St. Mary's Cathedral in Killarney, St. Aidan's Cathedral in Enniscorthy (renovated in 1996), and the Dominican Church of the Holy Cross in Tralee. He revised the plans for St. Michael Church in Ballinasloe, Galway, Ireland. Bishop Wareing also invited Pugin to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin. Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy. CANNOTANSWER

Using a quote from the above article, answer the following question: What happened after the fire?