Background: Daniel Armand Lee (Korean: Lee Seon-woong; Hangul: iseonung; born July 22, 1980), known professionally as Tablo (Hangul: tabeulro), is a South Korean-Canadian rapper, songwriter, record producer, author, and entrepreneur; also past actor and radio host. Tablo is best known as the leader and producer of veteran Korean hip-hop group Epik High, and the founder of independent music label HIGHGRND (High Ground), which houses bands Hyukoh and The Black Skirts. Tablo became employed as a lyricist while still in high school.
Context: Tablo met Mithra Jin and DJ Tukutz in the underground hip-hop scene. They formed Epik High and under the tutelage of Movement crew members, especially CB Mass (currently Dynamic Duo), they attempted to record their first record alongside hip-hop duo, and close friends, TBNY (composed of Yankie and TopBob). However, CB Mass member Curbin allegedly embezzled Epik High and TBNY's funds for their first studio album, effectively causing the disbandment of CB Mass (and the creation of Dynamic Duo without Curbin). Tablo and Epik High were finally signed by Woolim Entertainment, which at the time focused on underground hip hop and modern rock. Tablo made his official debut as the leader of the group Epik High in 2003 alongside DJ Tukutz and Mithra Jin. The group's first album, Map of the Human Soul, was released on October 21, 2003. However, due to hip hop's lack of popularity in South Korea at the time, the album was a commercial failure. It wasn't until the release of their second album, High Society, that the group started to become more popular. Epik High's third album, Swan Songs, was originally intended to be their last album; however, upon release, the album became number one on numerous charts, and swept the year-end hip hop awards. One of the lead singles from the album, "Fly", was featured on the soundtrack of the video game FIFA 07. Due to the numerous offers to remake "Fly", as well as "Paris", the second single from the album, a CD sampler, was released in Japan. In 2007, the group released their fourth studio album, Remapping the Human Soul, and managed to push Epik High to the number one spot for best upcoming artist after selling almost 90,000 copies in the first month of release. The album ended up becoming South Korea's third best-selling album of 2007. However, many songs from the album were banned from several channels and the album buying age was restricted to 19+ due to some songs dealing with issues the Ministry of Culture and Tourism in South Korea deemed inappropriate for younger listeners. The group later went on to release their next album, Pieces, Part One, which was also a commercial success. In late 2008, Tablo published a book entitled Pieces of You. Although the stories were originally written in English, the book was first published in Korean. The Korean translation sold 50,000 copies in its first week of release and topped the bestseller's list in Korea. The original English version was released in February 2009 and also met with moderate success. The book garned a positive reception from critics, with Tablo's writing praised for a first-time author. After the group's contract with Woolim Entertainment expired in 2008, Tablo, alongside his group members, founded their own independent label, Map the Soul, and they went on to release an album of the same name. Through their independent label, the group went on to release two more albums; [e] in 2009, and Epilogue in 2010. In November 2013, Tablo revealed the reason of shutting down the label "Map the Soul" in his interview with HiphopLE that one of the executive member of Map The Soul embezzled the label's funds. CANNOTANSWER
Question: what happened in 2003?. Whats the answer?


Which entity is this text about?

Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.

Key in Unger's thinking is the need to re-imagine social institutions before attempting to revise them. This calls for a program, or programmatic thought. In building this program, however, we must not entertain complete revolutionary overhaul, lest we be plagued by three false assumptions: Typological Fallacy: the fallacy that there is closed list of institutional alternatives in history, such as "feudalism" or "capitalism". There is not a natural form of society, only the specific result of the piecemeal institutional changes, political movements, and cultural reforms (as well as the accidents and coincidences of history) that came before it. Indivisibility Fallacy: most subscribers to revolutionary Leftism wrongly believe that institutional structures must stand and fall together. However, structures can be reformed piecemeal. Determinism Fallacy: the fallacy that uncontrollable and little understood law-like forces drive the historical succession of institutional systems. However, there is no natural flow of history. We make ourselves and our world, and can do so in any way we choose. To think about social transformation programmatically, one must first mark the direction one wants society to move in, and then identify the first steps with which we can move in that direction. In this way we can formulate proposals at points along the trajectory, be they relatively close to how things are now or relatively far away. This provides a third way between revolution and reform. It is revolutionary reform, where one has a revolutionary vision, but acts on that vision in a sequence of piecemeal reforms. As Unger puts it, transformative politics is "not about blueprints; it is about pathways. It is not architecture; it is music". CANNOTANSWER


Background: Kraftwerk (German pronunciation: ['kRaftveak], "power station") is a German band formed in Dusseldorf in 1970 by Ralf Hutter and Florian Schneider. Widely considered to be innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before embracing electronic instrumentation, including synthesizers, drum machines, vocoders, and self-made instruments, in the middle of the decade. On commercially successful albums such as Autobahn (1974), Trans-Europe Express (1977), and The Man-Machine (1978), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits.
Context: Florian Schneider (flutes, synthesizers, violin) and Ralf Hutter (organ, synthesizers) met as students at the Robert Schumann Hochschule in Dusseldorf in the late 1960s, participating in the German experimental music and art scene of the time, which the Melody Maker jokingly dubbed "krautrock". They joined a quintet known as Organisation, which released one album, Tone Float in 1969, issued on RCA Records in the UK, and split shortly thereafter. Schneider became interested in synthesizers deciding to acquire one in 1970. While visiting an exhibition in their hometown about visual artists Gilbert and George, they saw "two men wearing suits and ties, claiming to bring art into everyday life. The same year, Hutter and Schneider start bringing everyday life into art and form Kraftwerk". Early Kraftwerk line-ups from 1970 to 1974 fluctuated, as Hutter and Schneider worked with around a half-dozen other musicians during the preparations for and the recording of three albums and sporadic live appearances, most notably guitarist Michael Rother and drummer Klaus Dinger, who left to form Neu! The only constant figure in these line-ups was Schneider, whose main instrument at the time was the flute; at times he also played the violin and guitar, all processed through a varied array of electronic devices. Hutter, who left the band for eight months, played synthesizer and keyboards (including Farfisa organ and electric piano). Their first three albums were free-form experimental rock without the pop hooks or the more disciplined song structure of later work. Kraftwerk, released in 1970, and Kraftwerk 2, released in 1972, were mostly exploratory musical improvisations played on a variety of traditional instruments including guitar, bass, drums, organ, flute, and violin. Post-production modifications to these recordings were used to distort the sound of the instruments, particularly audio-tape manipulation and multiple dubbings of one instrument on the same track. Both albums are purely instrumental. Live performances from 1972 to 1973 were made as a duo, using a simple beat-box-type electronic drum machine, with preset rhythms taken from an electric organ. These shows were mainly in Germany, with occasional shows in France. Later in 1973, Wolfgang Flur joined the group for rehearsals, and the unit performed as a trio on the television show Aspekte for German television network ZDF. With Ralf und Florian, released in 1973, Kraftwerk began to move closer to its now classic sound, relying more heavily on synthesizers and drum machines. Although almost entirely instrumental, the album marks Kraftwerk's first use of the vocoder, which would in time become one of its musical signatures. Kraftwerk's futuristic and robotic sound was influenced by the 'adrenalized insurgency' of Detroit artists of the late '60s such as MC5 and the Stooges. The input, expertise, and influence of producer and engineer Konrad "Conny" Plank was highly significant in the early years of Kraftwerk. Plank also worked with many of the other leading German electronic acts of that time, including members of Can, Neu!, Cluster, and Harmonia. As a result of his work with Kraftwerk, Plank's studio near Cologne became one of the most sought-after studios in the late 1970s. Plank coproduced the first four Kraftwerk albums. CANNOTANSWER
Question: Were they popular?. Whats the answer?


Bolt Thrower were a British death metal band from Coventry, England. They formed in 1986 and released their first album with Vinyl Solution in 1988. The band then shifted to a new record label, Earache Records, soon becoming one of the best selling bands on that label. Their last label was Metal Blade Records.

In 2004, the band began working on new material for their latest album. They intended to record it in May 2004, with the release set to the end of the year by Metal Blade. Meanwhile, a European tour and a U.S. tour were being prepared. Unfortunately, right before the recording could begin, Dave Ingram decided to leave due to health and personal issues. This postponed the new record and tours, and priority was set to finding a new singer. On 18 November 2004 the band announced the return of Karl Willetts. Recording of the album, titled Those Once Loyal, started in May 2005; it was released on 11 November in Germany, 14 November in the rest of Europe and 15 November in the United States, 2005. It has been met with widespread critical acclaim from magazines such as Rock Sound, Rock Hard and Metal Hammer. A European tour followed in January and February 2006. A second leg followed in April, with dates in Scandinavia, UK, Spain and more. Bolt Thrower announced that, as they were satisfied with the Those Once Loyal album, they would be indefinitely postponing the recording of another LP. The band stated that their goal was always to stop after releasing "the perfect Bolt Thrower album". However, Karl Willetts had mentioned work on a ninth album. Since releasing Those Once Loyal, Earache has released a remastered edition of the 1989 album Realm of Chaos featuring alternate artwork of John Sibbick, the artist responsible for the original artwork of both the Warhammer 40,000 Rogue Trader cover and Realm of Chaos - Slaves to Darkness. The band encouraged people not to buy it as, like Who Dares Wins, it was released without their consultation let alone consent. Furthermore, it has been alleged that the band has not received royalties from Earache for a number of years. CANNOTANSWER

Did they tour?


Shakur was born on June 16, 1971, into an African-American family in the East Harlem section of Manhattan in New York City. His birth name was Lesane Parish Crooks. The following year, he was renamed after Tupac Amaru II, the 18th-century Peruvian revolutionary who was executed after leading an indigenous uprising against Spanish rule. His parents, Afeni Shakur (born Alice Faye Williams in North Carolina) and Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s.

In October 1995, Shakur was released from prison after serving nine months of a sentence for sexual assault and formed a new group called Outlaw Immortalz. Shakur joined the Death Row label, under which he released the single "California Love". On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold more than nine million copies. The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as in-house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album, One Nation, with the New York-based Boot Camp Clik and their label Duck Down Records. On June 4, 1996, he and Outlawz released the diss track "Hit 'Em Up", a scathing lyrical assault on The Notorious B.I.G. and others associated with him. In the track, Shakur claimed to have had sexual intercourse with Faith Evans, the wife of Wallace, Shakur's former friend and rival, and attacked Bad Boy's street credibility. Shakur was convinced that some members associated with Bad Boy had known about the 1994 attack on him due to their behavior that night and the information that his sources gave to him. According to a 2005 interview with Jimmy Henchman, in Vibe magazine, after the attack, Shakur immediately accused Henchman, an associate of Bad Boy CEO Sean Combs, of orchestrating the attack. Shakur, therefore, aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Jake Robles, the friend and bodyguard of Suge Knight; Knight was adamant in voicing his suspicions about Combs' involvement. In the years following their killings, associates of both Shakur and The Notorious B.I.G. made comments indicating the pair, were it not for their deaths, would have reconciled. Collaborator Buckshot claimed in 2015 that Shakur defended him against Suge Knight, who had insisted that the East Coast rapper could not come with him to Las Vegas on the grounds of the ongoing hip hop rivalry. Shakur asserted that he would not board the plane unless accompanied by Buckshot and was described by the fellow rapper as looking "discomforted" while they recorded a song together in a studio after Shakur "tore up the plane tickets". During an August 15, 1996, appearance at the Brotherhood Crusade Rally, which featured several artists discussing the importance of voting, Shakur compared the sales of Death Row records to voters in the U.S. and the influence he and other artists had over an adoring fanbase. CANNOTANSWER

Answer the following question by taking a quote from the article: How successful was Hit 'Em Up?


John Maynard Keynes, 1st Baron Keynes  ( KAYNZ; 5 June 1883 - 21 April 1946), was a British economist whose ideas fundamentally changed the theory and practice of macroeconomics and the economic policies of governments. He built on and greatly refined earlier work on the causes of business cycles, and was one of the most influential economists of the 20th century and the founder of modern macroeconomics theory. His ideas are the basis for the school of thought known as Keynesian economics, and its various offshoots. During the Great Depression of the 1930s, Keynes spearheaded a revolution in economic thinking, challenging the ideas of neoclassical economics that held that free markets would, in the short to medium term, automatically provide full employment, as long as workers were flexible in their wage demands.

The British Government called on Keynes's expertise during the First World War. While he did not formally re-join the civil service in 1914, Keynes travelled to London at the government's request a few days before hostilities started. Bankers had been pushing for the suspension of specie payments - the convertibility of banknotes into gold - but with Keynes's help the Chancellor of the Exchequer (then Lloyd George) was persuaded that this would be a bad idea, as it would hurt the future reputation of the city if payments were suspended before it was absolutely necessary. In January 1915, Keynes took up an official government position at the Treasury. Among his responsibilities were the design of terms of credit between Britain and its continental allies during the war, and the acquisition of scarce currencies. According to economist Robert Lekachman, Keynes's "nerve and mastery became legendary" because of his performance of these duties, as in the case where he managed to assemble - with difficulty - a small supply of Spanish pesetas. The secretary of the Treasury was delighted to hear Keynes had amassed enough to provide a temporary solution for the British Government. But Keynes did not hand the pesetas over, choosing instead to sell them all to break the market: his boldness paid off, as pesetas then became much less scarce and expensive. On the introduction of military conscription in 1916 he applied for exemption as a conscientious objector, which was effectively granted conditional upon continuing his government work. In the 1917 King's Birthday Honours, Keynes was appointed Companion of the Order of the Bath for his wartime work, and his success led to the appointment that would have a huge effect on Keynes's life and career; Keynes was appointed financial representative for the Treasury to the 1919 Versailles peace conference. He was also appointed Officer of the Belgian Order of Leopold. CANNOTANSWER

Which people were there to help him in the process?


Milton Ernest "Robert" Rauschenberg (October 22, 1925 - May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, papermaking, and performance.

Rauschenberg picked up trash and found objects that interested him on the streets of New York City and brought these back to his studio where they could become integrated into his work. He claimed he "wanted something other than what I could make myself and I wanted to use the surprise and the collectiveness and the generosity of finding surprises. And if it wasn't a surprise at first, by the time I got through with it, it was. So the object itself was changed by its context and therefore it became a new thing." Rauschenberg's comment concerning the gap between art and life can be seen as a statement which provides the departure point for an understanding of his contributions as an artist. In particular his series of works which he called Combines served as instances in which the delineated boundaries between art and sculpture were broken down so that both were present in a single work of art. Technically "Combines" refers to Rauschenberg's work from 1954 to 1962, but the artist had begun collaging newsprint and photographic materials in his work and the impetus to combine both painting materials and everyday objects such as clothing, urban debris, and taxidermied animals such as in Monogram continued throughout his artistic life. His transitional pieces that led to the creation of Combines were Charlene (1954) and Collection (1954) where he combined collage technique and started to incorporate objects such as scarves, comic strips, and faux architectural cornice pieces. Considered one of the first of the Combines, Bed (1955) was created by dripping red paint across a quilt. The quilt was later stretched and displayed as a work of art. Some critics according to The Daily Telegraph considered the work to be a symbol for violence and rape. Critics originally viewed the Combines in terms of the formal aspects of art, shape, color, texture, and the composition and arrangement of these. This 1960s view has changed over time so that more recently critics and art historians see the Combines as carrying coded messages difficult to decipher because there is no apparent order to the presentation of the objects. Canyon (1959) features a stuffed bald eagle which drew government ire due to the 1940 Bald and Golden Eagle Protection Act, but the stuffed angora goat with paint applied to its snout in his Monogram (1955-1959) was without controversy. CANNOTANSWERAnswer this question using a quote from the following article:

What did he combine?


Christopher Eric Hitchens (13 April 1949 - 15 December 2011) was an Anglo-American author, columnist, essayist, orator, religious and literary critic, social critic, and journalist. Hitchens was the author, co-author, editor or co-editor of over 30 books, including five collections of essays on culture, politics and literature. A staple of public discourse, his confrontational style of debate made him both a lauded intellectual and a controversial public figure. He contributed to New Statesman, The Nation, The Weekly Standard, The Atlantic, London Review of Books, The Times Literary Supplement, Slate, Free Inquiry and Vanity Fair.

Hitchens wrote book-length biographical essays about Thomas Jefferson (Thomas Jefferson: Author of America), Thomas Paine (Thomas Paine's "Rights of Man": A Biography) and George Orwell (Why Orwell Matters). He became known for his critiques of public contemporary figures including Mother Teresa, Bill Clinton and Henry Kissinger-- the subjects of three separate full length texts, The Missionary Position: Mother Teresa in Theory and Practice, No One Left to Lie To: The Triangulations of William Jefferson Clinton, and The Trial of Henry Kissinger. In 2007, while promoting his book God Is Not Great: How Religion Poisons Everything, Hitchens described the Christian evangelist Billy Graham as "a self-conscious fraud" and "a disgustingly evil man". Hitchens claimed that the evangelist, who had recently been hospitalized for intestinal bleeding, made a living by "going around spouting lies to young people. What a horrible career. I gather it's soon to be over. I certainly hope so." In response to the comments, writers Nancy Gibbs and Michael Duffy published an article in Time Magazine in which, among other things, they refuted Hitchens's suggestion that Graham went into ministry to make money. They argued that during his career Graham 'turn[ed] down million-dollar television and Hollywood offers'. They also pointed out that having established the Billy Graham Evangelistic Association in 1950, Graham drew a straight salary, comparable to that of a senior minister, irrespective of the money raised by his meetings. Other of Hitchens's critiques took the form of opinion pieces or lengthy lectures, including his critiques of Jerry Falwell, George Galloway, Slobodan Milosevic, Mel Gibson, the 14th Dalai Lama, Michael Moore, Daniel Pipes, Ronald Reagan, Jesse Helms, and Cindy Sheehan. CANNOTANSWERAnswer this question using a quote from the following article:

Was there a fact that stood out to you about the article?


Answer by taking a quote from the following article:

A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album.

By the beginning of 2004 the band announced their first Greatest Hits compilation was going to be released, a cover of Nick Kamen's "I Promised Myself" became the last single from the band. The band shot the video for the song in March 2004, and was premiered on ZTV in early April, the song went to international radios on late April/May becoming the last hit of the band. The album was a compilation of thirteen singles, which each one of them made the top twenty in at least one country and three new tracks, two of them were written by the band members. Promotion for the album was slow, the band did a few shows in Sweden and international interviews to magazines. Many were reporting the band was splitting up after six years in the pop world. The band quickly denied the rumours on their official website. The single became another top-two hit for the band in Sweden, it became one of the band's biggest hits in South America (especially in Argentina) and the album became the band's first to not make the top ten in their homeland while it brought back the attention to them in other countries in Latin America and Eastern Europe. The album was just released in selected European countries, Asia and Latin America. It did not receive a U.S. release, although, when MCA Records went bankrupt and was absorbed by both Geffen and Interscope, the former had plans to release it in November, ready for the Christmas sales, but plans were scrapped when the band finished their tour and Dhani released his first solo single. CANNOTANSWER

Was the album popular


Which entity is this text about?

Joseph Kevin Keegan, OBE (born 14 February 1951) is an English former football player and manager. A forward, he played for several clubs including Liverpool and Hamburger SV. He went on to manage Newcastle United, Fulham and Manchester City, winning promotion as champions in his first full season at all three clubs. He also managed the England national team.

Keegan's transfer to Hamburg was agreed between the FA Cup final and the European Cup final of 1977, although Keegan had negotiated a maximum transfer fee the season before. On his arrival in Germany, Keegan was the highest paid player in the country, and was built up by the press and club as the "saviour" of Hamburg. He scored in pre-season friendlies against Barcelona and former club Liverpool, but the club suffered defeat in the European Super Cup against the Merseysiders, and Keegan was sent off in a mid-season friendly against VfB Lubeck after knocking out an opposition player with a punch. An unhappy first few months at the club gave way to a more successful season. Although the club finished tenth in the league in 1977-78, Keegan's 12 goals helped him pick up a personal honour, the France Football European Footballer of the Year award for 1978. The 1978-79 season saw a vast improvement on the club's 1978 finish. New manager Branko Zebec imposed a tough training regime, and Keegan's increasing grasp of the German language, coupled with the newly imposed discipline meant that Hamburg finished as league champions for the first time in nineteen years. The club's success also translated into individual recognition for Keegan, who picked up the European Footballer of the Year award for a second consecutive year, as well as the nickname Mighty Mouse from the fans, after the cartoon superhero. Hamburg's European campaign of 1979-80 saw Keegan score two goals to help Hamburg past Dinamo Tbilisi, Soviet champions who had beaten Liverpool to reach the latter stages. The club lost to Nottingham Forest in the final in Madrid, however, and this was coupled domestically with being beaten to the Bundesliga title by Bayern Munich. Having negotiated a maximum transfer fee of PS500,000 in his contract the year before and agreeing a move in February, Keegan left Hamburg for Southampton in the summer of 1980. CANNOTANSWER


Which entity is this text about?

The Manhattan Transfer is a jazz vocal group founded in 1969 that has explored a capella, vocalese, swing, standards, Brazilian jazz, rhythm and blues, and pop music. There have been two editions of the Manhattan Transfer, with Tim Hauser the only person to be part of both. The first group consisted of Hauser, Erin Dickins, Marty Nelson, Pat Rosalia, and Gene Pistilli. The second version of the group, formed in 1972, consisted of Hauser, Alan Paul, Janis Siegel, and Laurel Masse.

The group signed to the Telarc label in 2003 to release Couldn't Be Hotter, a live performance capturing many of the songs from The Spirit of St. Louis. In 2004, the group released Vibrate, another one of their "pastiche" albums, blending original tunes with older ones, pop, jazz and funk. Vibrate featured notable musicians such as bassist Will Lee and Steve Hass on drums. They also released, first in Japan, their second holiday album, An Acapella Christmas, in 2005. The album was released in the U.S. in 2006. During 2006, the group released The Symphony Sessions, a collection of some of their best known songs re-recorded with an orchestra, and also The Definitive Pop Collection, a two-disc collection of the group's material from their time with Atlantic Records. They also recorded their first original title song for a movie, "Trail of the Screaming Forehead"; and, in late 2006, the group released a new concert DVD, The Christmas Concert, and was broadcast by PBS. The Chick Corea Songbook, a tribute to the works of American jazz musician Chick Corea, was released in September 2009. The album features an appearance by Corea himself on the track "Free Samba". Other prominent musicians on this recording are Airto Moreira, Scott Kinsey, Steve Hass, Alex Acuna, Jimmy Earl, John Benitez, and Christian McBride. In 2011, The Manhattan Transfer worked on an album of previously recorded, but never finished, songs to honor their 40th anniversary. "We are working on a project now that is called The Vaults. Over the years, there are a lot of different songs that we recorded but never finished. We pull out from the archives a lot of these songs and are finishing them," said Alan Paul in an interview for Jazz FM radio in Bulgaria. One of the highlights of the album was a vocalese version of George and Ira Gershwin's The Man I Love, based on an Artie Shaw and his orchestra performance of the composition, which had been slated for the Swing album. CANNOTANSWER


A controversial incident occurred during a public show on 2 January 2004, when Irwin carried his one-month-old son, Bob, in his arm while hand-feeding a chicken carcass to Murray, a 3.8-metre (12 ft 6 in) saltwater crocodile. The infant was close to the crocodile, and comparisons were made in the press to Michael Jackson's dangling his son outside a German hotel window. In addition, some child welfare groups, animal rights groups, and some of Irwin's television viewers criticised his actions as irresponsible and tantamount to child abuse. Irwin apologised on the US NBC show Today. Both he and his wife publicly stated that Irwin was in complete control of the situation, as he had dealt with crocodiles since he was a small child, and based on his lifetime of experience neither he nor his son was in any danger. He also showed footage of the event shot from a different angle, demonstrating that they were much farther from the crocodile than they had appeared in the publicised clip. Terri Irwin said their child was in no more danger than one being taught to swim. No charges were filed; according to one journalist, Irwin told officials he would not repeat the action. The incident prompted the Queensland government to change its crocodile-handling laws, banning children and untrained adults from entering crocodile enclosures. In June 2004, allegations were made that he disturbed wildlife (namely whales, seals and penguins) while filming a documentary, Ice Breaker, in Antarctica. The matter was subsequently closed without charges being laid. After questions arose in 2003 about Irwin being paid $175,000 worth of taxpayers' money to appear in a television advertisement and his possible political ties, Irwin told the Australian Broadcasting Corporation (ABC) that he was a conservationist and did not choose sides in politics. His comments describing Australian Prime Minister John Howard as the "greatest leader in the world" earned him scorn in the media. Irwin was criticised for having an unsophisticated view of conservation in Australia that seemed more linked to tourism than to the problems Australia faces as a continent. In response to questions of Australia's problems with overgrazing, salinity, and erosion, Irwin responded, "Cows have been on our land for so long that Australia has evolved to handle those big animals." The Sydney Morning Herald concluded with the opinion that his message was confusing and amounted to "eating roos and crocs is bad for tourism, and therefore more cruel than eating other animals". CANNOTANSWER

Answer this question "What was his views on conservation?" by extracting the answer from the text above.


Ray Price was born on a farm near the small, now gone, community of Peach, near Perryville in Wood County, Texas  He was the son of Walter Clifton Price and Clara Mae Bradley Cimini. His grandfather James M. M. Price was an early settler of the area. Price was three years old when his parents divorced and his mother moved to Dallas, Texas.

During the 1960s, Ray experimented increasingly with the so-called Nashville sound, singing slow ballads and utilizing lush arrangements of strings and backing singers. Examples include his 1967 rendition of "Danny Boy", and "For the Good Times" in 1970 which was Price's first country music chart No. 1 hit since "The Same Old Me" in 1959. Written by Kris Kristofferson, the song also scored No. 11 on the popular music chart and featured a mellower Price backed by sophisticated musical sounds, quite in contrast to the honky tonk sounds Price had pioneered two decades before. Price had three more No. 1 country music successes during the 1970s: "I Won't Mention It Again", "She's Got To Be A Saint", and "You're the Best Thing That Ever Happened To Me" (the last of which was a pop hit in Canada, and would gain greater fame a year later when Gladys Knight & the Pips covered it). His final top ten hit was "Diamonds In The Stars" in early 1982. Price continued to have songs on the country music chart through 1989. Later, he sang gospel music and recorded such songs as "Amazing Grace", "What A Friend We Have In Jesus", "Farther Along" and "Rock of Ages." Ray Price briefly made national news again in 1999 when he was arrested for possession of marijuana. According to Price in a 2008 interview, old friend Willie Nelson--no stranger to marijuana arrests--phoned and told him he'd just earned $5 million in free publicity with the drug bust. In 2009, Price made two performances for the Fox News show Huckabee. The first was with the Cherokee Cowboys and host Mike Huckabee, and he performed "Crazy Arms" and "Heartaches By The Number". Weeks later he performed with the Cherokee Cowboys and Willie Nelson (again with Huckabee playing bass guitar). This time they performed duets of "Faded Love" and "Crazy." Price worked on his last but one album, Last of the Breed, with fellow country music singers Willie Nelson and Merle Haggard. This album was released on March 20, 2007 by the company Lost Highway Records. The two-disc set features 20 country classics as well as a pair of new compositions. The trio toured the U.S. from March 9 until March 25 starting in Arizona and finishing in Illinois. This was Price's third album with Nelson and first album with Haggard. After the tour, Haggard remarked, "I told Willie when it was over, 'That old man gave us a goddamn singing lesson.' He really did. He just sang so good. He sat there with the mic against his chest. And me and Willie are all over the microphone trying to find it, and he found it." CANNOTANSWER

Ask a question about this article.


Modern Talking was a German duo consisting of Thomas Anders and Dieter Bohlen. They have been referred to as Germany's most successful pop duo, and have had a number of hit singles, reaching the top five in many countries. Some of their most popular and widely known singles are "You're My Heart

In 1984, Bohlen cited the hit single "Precious Little Diamond" (by Fox the Fox), as his inspiration for using falsetto choruses. The studio vocal line up of Rolf Kohler, Michael Scholz, Detlef Wiedeke and (on early albums) Birger Corleis, in addition to Bohlen and Anders, produced the high choruses characteristic of Modern Talking. Kohler, Scholz and Wiedeke later went on to work with Bohlen in Blue System, before joining with songwriter Thomas Widrat to form Systems in Blue. Kohler, Scholz and Wiedeke were never credited on the Modern Talking albums, and eventually went to court over the matter. They received an out of court settlement and Bohlen published a sleeve note for his next release (Obsession, by Blue System), acknowledging the trio's contribution. Further influences include German-language schlager music, disco pop (the Bee Gees) and romantic English-language songs of Italian and French origin, like Gazebo's "I Like Chopin". After the 1998 reunion, Bohlen produced Eurodance as well as American-style MOR ballads. Global sales of Modern Talking, after the duo's second and final break-up in 2003, had reached 120 million singles and albums combined, making them the biggest-selling German music act in history. Dieter Bohlen also composed for other artists while still in Modern Talking, such as for Chris Norman and Smokie, whose song "Midnight Lady" (1986) remains Bohlen's most popular composition. He also composed a large number of tracks for C. C. Catch, using an accelerated, less-romantic sound. Some English Bohlen songs such as "You're My Heart, You're My Soul" were also recorded with German lyrics by Mary Roos, using the same playback tracks. When Modern Talking split up in 1987, a number of tracks written for the last album were re-arranged and then transferred onto Bohlen's first solo album by Blue System. Modern Talking's sixth album was released about the same time as the first single from Blue System, "Sorry Little Sarah", where Bohlen competed on the charts against Modern Talking's "In 100 Years" hit song. CANNOTANSWER

Who won in court?


Background: Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.
Context: Amir played his second ICC ODI tournament in 2017 ICC Champions Trophy. During the first two games against arch rivals India and South Africa, Amir failed to pick up wickets but was economical with the figures of 0/32 (8.1) and 0/50 (10) respectively. It was Sri Lanka game where he picked up his first wickets. He picked important wickets of Angelo Mathews and Niroshan Dickwella and ended with figures of 2/53 (10). But his important contribution came from bat where he scored 28 from 63. Chasing Sri Lanka's target of 237, Pakistan were struggling at 162/7 before he arrived and, along with skipper Sarfraz Ahmed, shared an unbeaten stand of 75 to guide his team to their fourth semi final of their Champions Trophy. Amir missed the semi final against England due to back spasms. But his absences was barely noticeable as his replacement, Rumman Raees bowled well on debut with 2/44. Pakistan won that match by 8 wickets. Amir was pivotal for helping Pakistan win 2017 ICC Champions Trophy by claiming top three wickets against arch-rivals India in the Final. Amir entered his second ICC final. It was against India, who were in comfortable position. After Pakistan posted a challenging total of 338, it was Indian batsmen that needed to be taken care of. Their top three batsmen, Rohit Sharma, Shikhar Dhawan and Virat Kohli scored 70% of India's run in the tournament. Amir took them all out. He trapped Sharma on front for LBW where he was given a three ball golden duck. Then he took the Indian skipper for 5. Kohli, at first, was dropped by Azhar Ali at first slip. However, he didn't have to wait much to take the wicket of the best batsman in the world,making him edge next ball to point where Shadab Khan took a good catch. Amir got his third after he bowled cross seamer to Dhawan for 21. Amir finished with the figures of 3/16 (6). It was Amir's dream spell as his side bowled out the defending champions for 158, winning by 180 runs. Amir has rated Indian cricketer Virat Kohli as the best batsman in the world. Kohli also rated Amir as one of the 'toughest' bowlers to face in the world cricket. Amir's brother said that this was what he wanted to do. After that spot fixing scandal at same city, he wanted to make up for his wrongdoings and the spell in the final was something that brought his family to relief. CANNOTANSWER
Question: Did they win?. Whats the answer?


Humphrey Richard Adeane Lyttelton (23 May 1921 - 25 April 2008), also known as Humph, was an English jazz musician and broadcaster from the aristocratic Lyttelton family. Having taught himself the trumpet at school, Lyttelton became a popular figure of the trad jazz revival, leading his own eight-piece band, which recorded a hit single, "Bad Penny Blues", in 1956. As a broadcaster, he presented BBC Radio 2's The Best of Jazz for forty years, and hosted the comedy panel game I'm

Lyttelton was born at Eton College, (then in Buckinghamshire), where his father, George William Lyttelton (second son of the 8th Viscount Cobham), was a house master. (As a male-line descendant of Charles Lyttelton, Lyttelton was in remainder to both the Viscountcy Cobham and the Barony of Lyttelton.) From Sunningdale Preparatory School, Lyttelton duly progressed to Eton College. He was a cousin of the 10th Viscount Cobham and a great-nephew of the politician and sportsman Alfred Lyttelton, the first man to represent England at both football and cricket, both of whom also attended Eton. At Eton, Lyttelton fagged for Lord Carrington and formed his love of jazz. He was inspired by the trumpeters Louis Armstrong (who subsequently referred to Lyttelton as "that cat in England who swings his ass off") and Nat Gonella. He taught himself the instrument, and formed a quartet at the school in 1936 that included the future journalist Ludovic Kennedy on drums. After leaving school, Lyttelton spent some time at the Port Talbot steel plate works in South Wales, an experience which led to him becoming what he termed a "romantic socialist". After being called up for war service, he was commissioned in the Grenadier Guards as a second lieutenant on 29 November 1941 alongside future politician Mark Bonham Carter, and seeing action at Salerno, Italy, during Operation Avalanche when he came ashore with his pistol in one hand, and his trumpet in the other. On VE Day, 8 May 1945, Lyttelton joined in the celebrations by playing his trumpet from a wheelbarrow, inadvertently giving his first broadcast performance; the BBC recording still survives. Following demobilisation after World War II, he attended Camberwell Art College for two years. In 1949, he joined the Daily Mail as a cartoonist, where he remained until 1956. Several of his cartoons have recently been on display in various branches of the Abbey National bank, as part of their new advertising campaign. He was one of the collaborators with Wally Fawkes on the long running cartoon strip Flook. CANNOTANSWER

when did his career first start to take off


Clive Campbell (born April 16, 1955), better known by his stage name DJ Kool Herc, is a Jamaican-American DJ who is credited with helping originate hip hop music in the early-1970s in The Bronx, New York City. Known as the "Founder of Hip-Hop" and "Father of Hip-Hop", Campbell began playing hard funk records of the sort typified by James Brown as an alternative both to the violent gang culture of the Bronx and to the nascent popularity of disco in the 1970s. Campbell began to isolate the instrumental portion of the record, which emphasized the drum beat--the "break"--and switch from one break to another. Using the same two turntable set-up of disco DJs, Campbell used two copies of the same record to elongate the break.

DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop. CANNOTANSWERAnswer this question using a quote from the following article:

What did the break consist of?


Background: Sheryl Suzanne Crow (born February 11, 1962) is an American musician, singer, songwriter and actress. Her music incorporates elements of pop, rock, country and blues. She has released ten studio albums, four compilations, a live album, and has contributed to a number of film soundtracks. Her songs include "All I Wanna Do" and "If It Makes You Happy."
Context: She then began dating Kevin Gilbert and joined him in an ad hoc group of musicians known to themselves as the "Tuesday Music Club." Group members Gilbert, David Baerwald, and David Ricketts (both formerly of David & David), Bill Bottrell, Brian MacLeod, and Dan Schwartz share songwriting credits with Crow on her debut album, Tuesday Night Music Club. The group existed as a casual songwriting collective prior to its association with Crow but rapidly developed into a vehicle for her debut album after her arrival. Her relationship with Gilbert became acrimonious soon after the album was released, and disputes arose about songwriting credits. Crow appeared in the "New Faces" section of Rolling Stone in 1994. Tuesday Night Music Club featured many of the songs written by Crow's friends, including the second single, "Leaving Las Vegas". The album was slow to garner attention, until "All I Wanna Do" became an unexpected smash hit in the fall of 1994. As she later stated in People, she found an old poetry book in a used book store in the L.A. area and used a poem as lyrics in the song. The singles "Strong Enough" and "Can't Cry Anymore" were also released, with the first song ("Strong Enough") charting at No. 5 on Billboard and "Can't Cry Anymore" hitting the Top 40. Tuesday Night Music Club went on to sell more than 7 million copies in the U.S. and U.K. during the 1990s. The album also won Crow three Grammy Awards, in 1995: Record of the Year, Best New Artist and Best Female Vocal Performance. She performed at the 1994 and 1999 Woodstock Festivals, as well as the Another Roadside Attraction in 1997. Crow supplied background vocals to the song "The Garden of Allah" from Don Henley's 1995 album Actual Miles: Henley's Greatest Hits. In 1996, Crow released her self-titled second album. The album had songs about abortion, homelessness and nuclear war. She produced the album herself and also played a variety of instruments, from various guitars, bass or pedal steel to various organs and piano. The debut single, "If It Makes You Happy", became a radio success and netted her two Grammy awards for Best Female Rock Vocal Performance and Best Rock Album. Other singles included "A Change Would Do You Good", "Home", and "Everyday Is a Winding Road". The album was banned from sale at Wal-Mart, because in the lyrics to "Love Is a Good Thing" Crow says that Wal-Mart sells guns to children.  The album also features a protest song called "Redemption Day", which was covered by Johnny Cash on his last album American VI: Ain't No Grave. In 1997, Crow contributed the theme song to the James Bond film Tomorrow Never Dies. Her song "Tomorrow Never Dies" was nominated for a Grammy Award and Best Original Song Golden Globe. Crow collaborated on Scott Weiland's 1998 album, 12 Bar Blues. CANNOTANSWER
Question: Did Sheryl Crows success peak in 1998?

Answer:


Timothy David Minchin (born 7 October 1975) is an Australian comedian, actor, writer, musician and director. He was born in Northampton, England, to Australian parents, but raised in Perth, Western Australia. Minchin is best known for his musical comedy, including six CDs, five DVDs, and live comedy shows that he has performed internationally. He has appeared on television in Australia, Britain, and the United States.

Minchin describes his act as a "funny cabaret show" and sees himself primarily as a musician and songwriter as opposed to a comedian; he has said that his songs "just happen to be funny." His reasoning for combining the disciplines of music and comedy was revealed in one interview when he said: "I'm a good musician for a comedian and I'm a good comedian for a musician but if I had to do any of them in isolation I dunno." He draws on his background in theatre for his distinctive onstage appearance and persona. In his performances, he typically goes barefoot with wild hair and heavy eye makeup, which is juxtaposed with a crisp suit and tails, and a grand piano. According to Minchin, he likes going barefoot in his shows because it makes him feel more comfortable. He considers the eye makeup important because while he is playing the piano he is not able to use his arms and relies on his face for expressions and gestures; the eyeliner makes his features more distinguishable for the audience. He has said that much of his look and persona is about "treading that line between mocking yourself and wanting to be an iconic figure. Mocking the ridiculousness and completely unrealistic dream of being an iconic figure." The shows consist largely of Minchin's comedic songs and poetry, with subjects including social satire, inflatable dolls, sex fetishes, and his own failed rock star ambitions. In between songs, he performs short stand-up routines. Several of his songs deal with religion, a subject with which Minchin--an atheist and a fan of Richard Dawkins--says he is "a bit obsessed". He argues that, as one of the most powerful and influential forces in the world, religion should never be off-limits to satirists. He says that his favourite song to perform is "Peace Anthem for Palestine", which reflects his feelings about religious conflict. In October 2010, he was made a Distinguished Supporter of the British Humanist Association. His comedy also deals with taboos more broadly. A prime example of this is the song "Prejudice", which parodies the power awarded to something as simple as a word. CANNOTANSWER

Ask a question about this article.


Vanessa Lynn Williams (born March 18, 1963) is an American actress, singer, and fashion designer. She initially gained recognition as the first African-American recipient of the Miss America title when she was crowned Miss America 1984 in 1983. However, a scandal arose the following year when, a few weeks prior to the end of her reign, Williams learned that Penthouse magazine would be publishing unauthorized nude photographs of her in an upcoming issue. Amid growing media controversy and scrutiny, Williams resigned as Miss America in July 1984 (under pressure from the Miss America Organization), and was replaced by first runner-up Miss New Jersey Suzette Charles.

Williams first received public recognition for her musical abilities when she won the preliminary talent portion of the Miss America pageant with her rendition of "Happy Days Are Here Again" (Williams would later be crowned Miss America 1984). Four years later in 1988, Williams released her debut album, The Right Stuff. The first single, "The Right Stuff", found success on the R&B chart, while the second single, "He's Got the Look", found similar success on the same chart. The third single, "Dreamin'", was a pop hit, becoming Williams' first top 10 hit on the Billboard Hot 100, peaking at No. 8, and her first number one single on the Hot R&B/Hip-Hop Songs chart. The album reached platinum status in the U.S. and earned her a NAACP Image Award and three Grammy Award nominations, including one for Best New Artist. Her second album The Comfort Zone became the biggest success in her music career. The lead single "Running Back to You" reached top twenty on the Hot 100, and the top position of Hot R&B/Hip-Hop Songs chart on October 5, 1991. Other singles included "The Comfort Zone" (#2 R&B), "Just for Tonight" (#26 Pop), a cover of The Isley Brothers' "Work to Do" (#3 R&B), and the club-only hit "Freedom Dance (Get Free!)." The most successful single from the album, as well as her biggest hit to date, is "Save the Best for Last". It reached No. 1 in the United States, where it remained for five weeks, as well as No. 1 in Australia, the Netherlands, and Canada, and was in the top 5 in Japan, Ireland and the United Kingdom. The album sold 2.2 million copies in the U.S. at its time of release and has since been certified triple platinum in the United States by the RIAA, gold in Canada by the CRIA, and platinum in the United Kingdom by the BPI. The Comfort Zone earned Williams five Grammy Award nominations. The Sweetest Days, her third album, was released in 1994 to highly-favorable reviews. The album saw Williams branch out and sample other styles of music that included jazz, hip hop, rock, and Latin-themed recordings such as "Betcha Never" and "You Can't Run", both written and produced by Babyface. Other singles from the album included the adult-contemporary and dance hit "The Way That You Love" and the title track. The album was certified platinum in the U.S. by the RIAA and earned her two Grammy Award nominations. Other releases include two Christmas albums, Star Bright in 1996, and Silver & Gold in 2004; Next in 1997, and Everlasting Love in 2005, along with a greatest-hits compilation released in 1998, and a host of other compilations released over the years. Notable chart performances from subsequent albums, motion picture and television soundtracks have included the songs "Love Is", which was a duet with Brian McKnight, the Golden Globe- and Academy Award-winning "Colors of the Wind", "Where Do We Go from Here?", and "Oh How the Years Go By". CANNOTANSWERAnswer this question using a quote from the following article:

When did "The Right Stuff" come out?


Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.

In 1899, Ross resigned from Indian Medical Service and went to England to join the faculty of the Liverpool School of Tropical Medicine as lecturer. He continued to work on prevention of malaria in different parts of the world, including West Africa, the Suez Canal zone, Greece, Mauritius, Cyprus, and in the areas affected by the First World War. He also initiated organisations, which proved to be well established, for fighting malaria in India and Sri Lanka. He was appointed as Professor and Chair of Tropical Medicine of the Liverpool School of Tropical Medicine in 1902, which he held up to 1912. In 1912 he was appointed Physician for Tropical Diseases at King's College Hospital in London, and simultaneously hold the Chair of Tropical Sanitation in Liverpool. He remained in these posts until 1917 when he became (honorary) Consultant in Malariology in British War Office. He travelled to Thessaloniki and Italy in November to advise and on the way, "in a landlocked bay close to the Leucadian Rock (where Sappho is supposed to have drowned hers)", his ship escaped a torpedo attack. Between 1918 and 1926 he worked as Consultant in Malaria in the Ministry of Pensions and National Insurance. Ross developed mathematical models for the study of malaria epidemiology, which he initiated in his report on Mauritius in 1908. He elaborated the concept in his book The Prevention of malaria in 1910 (2nd edition in 1911) and further elaborated in a more generalised form in scientific papers published by the Royal Society in 1915 and 1916. These papers represented a profound mathematical interest which was not confined to epidemiology, but led him to make material contributions to both pure and applied mathematics. Ross was one of the supporters of Sir William Osler in the founding of the History of Medicine Society in 1912, and in 1913 was the history of medicines's sections vice-president. CANNOTANSWER

How long did he lecture at the University?


James Bond Stockdale (December 23, 1923 - July 5, 2005) was a United States Navy vice admiral and aviator awarded the Medal of Honor in the Vietnam War, during which he was a prisoner of war for over seven years. Commander Stockdale was the senior naval officer held captive in Hanoi, North Vietnam. He had led aerial attacks from the carrier USS Ticonderoga (CVA-14) during the 1964 Gulf of Tonkin Incident. On his next deployment, while Commander of Carrier Air Wing Sixteen aboard the carrier USS Oriskany (CV-34), his A-4 Skyhawk jet was shot down in North Vietnam on September 9, 1965.

On June 5, 1946 he graduated with a Bachelor of Science degree from the Naval Academy with the Class of 1947 due to the reduced schedule still in effect from World War II. Academically he ranked 130th among 821 graduates in his class. His first assignment was assistant gunnery officer aboard the destroyer minesweeper USS Carmick (DD-493) from June to October 1946. He next served aboard the USS Thompson (DD-627) from October 1946 to February 1947, the USS Charles H. Roan (DD-853) from February 1947 to July 1948, and the USS Deming (PCS-1392) from July 1948 to June 1949. Stockdale was accepted for flight training in June 1949 and reported to Naval Air Station Pensacola in Florida. He was designated a Naval Aviator at Naval Air Station Corpus Christi in Texas, in September 1950. He was next assigned for additional training at Naval Air Station Norfolk in Virginia from October 1950 to January 1951. In January 1954, he was accepted into the United States Naval Test Pilot School at the Naval Air Station Patuxent River base in Southern Maryland and completed his training in July 1954. There he tutored U.S. Marine Corps aviator John Glenn in math and physics. He was a test pilot until January 1957. In 1959, the U.S. Navy sent Stockdale to Stanford University where he received a Master of Arts degree in international relations and comparative Marxist thought in 1962. Stockdale preferred the life of a fighter pilot over academia, but later credited Stoic philosophy with helping him cope as a prisoner of war. On 2 August 1964, while on a DESOTO patrol in the Tonkin Gulf, the destroyer USS Maddox (DD-731) engaged 3 North Vietnamese Navy P-4 torpedo boats from the 135th Torpedo Squadron. After fighting a running gun and torpedo battle, in which Maddox fired over 280 5-inch (130 mm) shells, and the torpedo boats expended their 6 torpedoes (all misses) and hundreds of rounds of 14.5mm machinegun fire; the combatants broke contact. As the torpedo boats turned for their North Vietnamese coastline, four F-8 Crusader fighter aircraft from USS Ticonderoga (CV-14) arrived, and immediately attacked the retreating torpedo boats. Stockdale (commander VF-51 (Fighter Squadron 51)), with Lieutenant (Junior Grade) Richard Hastings attacked torpedo boats T-333 and T-336, while Commander R. F. Mohrhardt and Lieutenant Commander C. E. Southwick attacked torpedo boat T-339. The four F-8 pilots reported scoring no hits with their Zuni rockets, but reported hits on all three torpedo boats with their 20mm cannon. Two nights later, on 4 August 1964, Stockdale was overhead during the second reported attack in the Tonkin Gulf. Unlike the first event, which was an actual sea battle, no Vietnamese forces were, however, believed to have been involved in the second engagement. In the early 1990s, he recounted: "[I] had the best seat in the house to watch that event, and our destroyers were just shooting at phantom targets--there were no PT boats there.... There was nothing there but black water and American fire power." The next morning, on 5 August 1964, President Johnson ordered bombing raids on North Vietnamese military targets which he announced were retaliation for the alleged incident of 4 August. When Stockdale was awoken in the early morning and was told he was to lead these attacks he responded: "Retaliation for what?" Later, while a prisoner of war, he was concerned that he would be forced to reveal this secret about the Vietnam War. On 9 September 1965, while flying from USS Oriskany on a mission over North Vietnam, Stockdale ejected from his Douglas A-4 Skyhawk, which had been struck by enemy fire and completely disabled. He parachuted into a small village, where he was severely beaten and taken prisoner. Stockdale was held as a prisoner of war in the Hoa Lo prison (the infamous "Hanoi Hilton") for the next seven and a half years. As the senior Naval officer, he was one of the primary organizers of prisoner resistance. Tortured routinely and denied medical attention for the severely damaged leg he suffered during capture, Stockdale created and enforced a code of conduct for all prisoners which governed torture, secret communications, and behavior. In the summer of 1969, he was locked in leg irons in a bath stall and routinely tortured and beaten. When told by his captors that he was to be paraded in public, Stockdale slit his scalp with a razor to purposely disfigure himself so that his captors could not use him as propaganda. When they covered his head with a hat, he beat himself with a stool until his face was swollen beyond recognition. When Stockdale was discovered with information that could implicate his friends' "black activities", he slit his wrists so they could not torture him into confession. Early in Stockdale's captivity, his wife, Sybil Stockdale, organized The League of American Families of POWs and MIAs, with other wives of servicemen who were in similar circumstances. By 1968, she and her organization, which called for the President and the U.S. Congress to publicly acknowledge the mistreatment of the POWs (something that had never been done despite evidence of gross mistreatment), gained the attention of the American press. Sybil Stockdale personally made these demands known at the Paris Peace Talks. Stockdale was one of eleven U.S. military prisoners known as the "Alcatraz Gang": George Thomas Coker, USN; George G. McKnight, USAF; Jeremiah Denton, USN (he graduated with Stockdale from the Naval Academy); Harry Jenkins, USN; Sam Johnson, USAF; James Mulligan, USN; Howard Rutledge, USN; Robert Shumaker, USN (originated the name "Hanoi Hilton"); Ronald Storz, USAF (died in captivity); and Nels Tanner, USN. Because they had been resistance leaders they were separated from other captives and placed in solitary confinement in "Alcatraz", a special facility in a courtyard behind the North Vietnamese Ministry of National Defense, located about one mile away from Hoa Lo Prison. In Alcatraz, each of the prisoners was kept in an individual windowless and concrete cell measuring 3 by 9 feet (0.9 by 2.7 m) with a light bulb kept on around the clock, and locked in leg irons each night. Of the eleven, Storz died in captivity there in 1970. CANNOTANSWER

Using a quote from the above article, answer the following question: What else happened during his time as a POW?


Ursula Kroeber Le Guin (; October 21, 1929 - January 22, 2018) was an American novelist. She worked mainly in the genres of fantasy and science fiction. She also authored children's books, short stories, poetry, and essays.

Being so thoroughly informed by social science perspectives on identity and society, Le Guin treats race and gender quite deliberately. The majority of her main characters are people of color, a choice made to reflect the non-white majority of humans, and one to which she attributes the frequent lack of character illustrations on her book covers. Her writing often makes use of alien (i.e., human but non-Terran) cultures to examine structural characteristics of human culture and society and their impact on the individual. This prominent theme of cultural interaction is most likely rooted in the fact that Le Guin grew up in a household of anthropologists where she was surrounded by the remarkable case of Ishi - a Native American acclaimed in his time as the "last wild Indian" - and his interaction with the white man's world. Le Guin's father was director of the University of California Museum of Anthropology, where Ishi was studied and worked as a research assistant. Her mother wrote the bestseller Ishi in Two Worlds. Similar elements are echoed through many of Le Guin's stories - from Planet of Exile and City of Illusions to The Word for World Is Forest and The Dispossessed. Le Guin's writing notably employs the ordinary actions and transactions of everyday life, clarifying how these daily activities embed individuals in a context of relation to the physical world and to one another. For example, the engagement of the main characters with the everyday business of looking after animals, tending gardens and doing domestic chores is central to the novel Tehanu. Themes of Jungian psychology also are prominent in her writing. For example Le Guin's Hainish Cycle, a series of novels encompassing a loose collection of societies, of various related human species, that exist largely in isolation from one another, providing the setting for her explorations of intercultural encounter. The Left Hand of Darkness, The Dispossessed and The Telling all consider the consequences of contact between different worlds and cultures. Unlike those in much mainstream science fiction, Hainish Cycle civilization does not possess reliable human faster-than-light travel, but does have technology for instantaneous communication. The social and cultural impact of the arrival of Ekumen envoys (known as "mobiles") on remote planets, and the culture shock that the envoys experience, constitute major themes of The Left Hand of Darkness. Le Guin's concept has been borrowed explicitly by several other well-known authors, to the extent of using the name of the communication device (the "ansible"). The Left Hand of Darkness is particularly noted for the way she explores social, cultural, and personal consequences of sexual identity through a novel involving a human's encounter with an intermittently androgynous race. In addition to androgyny, Le Guin's focus on sexuality breaks down normative gender roles. "Solitude", one of the stories in The Birthday of the World: and Other Stories follows a young girl, more adventurous and daring than her older brother, into a world dominated by strong, territorial women. In Paradises Lost, the people of a spaceship several generations into the voyage to a new colony-world are saved by a female interstellar navigator, an archetypal role typically reserved for men. CANNOTANSWER

Answer the following question by taking a quote from the article: What was some of her other outlooks?


Which entity is this text about?

James Peter Greaves (born 20 February 1940) is a former England international footballer who played as a forward. He is England's fourth highest international goalscorer (44 goals), Tottenham Hotspur's highest ever goalscorer (266 goals), the highest goalscorer in the history of English top-flight football (357 goals), and has also scored more hat-tricks (six) for England than anyone else. He finished as the First Division's top scorer in six seasons. He is a member of the English Football Hall of Fame.

In March 1970, Greaves joined West Ham United as part-exchange in Martin Peters' transfer to White Hart Lane. Brian Clough's Derby County had also been interested in Greaves, but he did not want to move away from London. In hindsight Greaves felt that Clough might have helped him revive his career, as he had done for Greaves' former Tottenham teammate Dave Mackay. Greaves later admitted his regret in making the move to Upton Park. He scored two goals on his "Hammers" debut on 21 March, in a 5-1 win against Manchester City at Maine Road. In January 1971, with Bobby Moore, Brian Dear and Clyde Best, Greaves was involved in late-night drinking, against the wishes of manager Ron Greenwood, prior to an FA Cup tie away to Blackpool. On arriving in Blackpool, Greaves and his teammates had been informed by members of the press that the game, the following day, was unlikely to go ahead due to a frozen pitch and the likelihood of frost that night. Believing that there would be no game the following day, Greaves drank 12 lagers in a club owned by Brian London and did not return to the team hotel until 1.45am. In fact, the match went ahead and West Ham lost 4-0. Greaves claimed the defeat was not a result of the late night, the drinking or the frozen pitch, but because the West Ham team in which he was playing was not good enough. As a result, the players were fined and dropped by the club. Greaves was struggling with his fitness and his motivation. He felt he had become a journeyman footballer and lost motivation as he believed that apart from Moore, Geoff Hurst, Billy Bonds and Pop Robson, few of his teammates could play good football. Towards the end of his career with West Ham Greaves began to drink more and more alcohol, often going straight from training in Chadwell Heath to a pub in Romford, where he would remain until closing time. He later admitted that he was in the early stages of alcoholism. His final game came on 1 May 1971 in a 1-0 home defeat to Huddersfield Town. Greaves scored 13 goals in 40 games in all competitions for West Ham. CANNOTANSWER


Ion Heliade Radulescu or Ion Heliade (also known as Eliade or Eliade Radulescu; Romanian pronunciation: ['i.on heli'ade r@du'lesku]; January 6, 1802 - April 27, 1872) was a Wallachian, later Romanian academic, Romantic and Classicist poet, essayist, memoirist, short story writer, newspaper editor and politician. A prolific translator of foreign literature into Romanian, he was also the author of books on linguistics and history. For much of his life, Heliade Radulescu was a teacher at Saint Sava College in Bucharest, which he helped reopen. He was a founding member and first president of the Romanian Academy.

Later in 1859, Heliade returned to Bucharest, which had become the capital of the United Principalities after the common election of Alexandru Ioan Cuza and later that of an internationally recognized Principality of Romania. It was during that period that he again added Radulescu to his surname. Until his death, he published influential volumes on a variety of issues, while concentrating on contributions to history and literary criticism, and editing a new collection of his own poems. In 1863, Domnitor Cuza awarded him an annual pension of 2,000 lei. One year after the creation of the Romanian Academy (under the name of "Academic Society"), he was elected its first President (1867), serving until his death. In 1869, Heliade and Alexandru Papiu-Ilarian successfully proposed the Italian diplomat and philologist Giovenale Vegezzi Ruscalla as honorary member of the Academy. By then, like most other 1848 Romantics, he had become the target of criticism from the younger generation of intellectuals, represented by the Iasi-based literary society Junimea; in 1865, during one of its early public sessions, Junimea explicitly rejected works by Heliade and Iancu Vacarescu. During the elections of 1866, Heliade Radulescu won a seat in the Chamber as a deputy for the city of Targoviste. As Cuza had been ousted from power by a coalition of political groupings, he was the only Wallachian deputy to join Nicolae Ionescu and other disciples of Simion Barnutiu in opposing the appointment of Carol of Hohenzollern as Domnitor and a proclamation stressing the perpetuity of the Moldo-Wallachian union. Speaking in Parliament, he likened the adoption of foreign rule to the Phanariote period. The opposition was nevertheless weak, and the resolution was passed with a large majority. Among Ion Heliade Radulescu's last printed works were a textbook on poetics (1868) and a volume on Romanian orthography. By that time, he had come to consider himself a prophet-like figure, and the redeemer of his motherland, notably blessing his friends with the words "Christ and Magdalene be with you!" His mental health declining, he died at his Bucharest residence on Polona Street, nr. 20. Heliade Radulescu's grandiose funeral ceremony attracted a large number of his admirers; the coffin was buried in the courtyard of the Mavrogheni Church. CANNOTANSWER

Ask a question about this article.


"All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

Answer this question "Has he received any critical acclaim for his artistic style?" by extracting the answer from the text above.


Which entity is this text about?

Skyhooks were an Australian rock band formed in Melbourne in March 1973 by mainstays Greg Macainsh on bass guitar and backing vocals, and Imants "Freddie" Strauks on drums. They were soon joined by Bob "Bongo" Starkie on guitar and backing vocals, and Red Symons on guitar, vocals and keyboards; Graeme "Shirley" Strachan became lead vocalist in March 1974. Described as a glam rock band, because of flamboyant costumes and make-up, Skyhooks addressed teenage issues including buying drugs "Carlton (Lygon Street Limbo)", suburban sex "Balwyn Calling", the gay scene "Toorak Cowboy" and loss of girlfriends "Somewhere in Sydney" by namechecking Australian locales.

Greg Macainsh and Imants "Freddie" Strauks both attended Norwood High School in the Melbourne suburb of Ringwood and formed Spare Parts in 1966 with Macainsh on bass guitar and Strauks on lead vocals. Spare Parts was followed by Sound Pump in 1968, Macainsh formed Reuben Tice in Eltham, with Tony Williams on vocals. By 1970 Macainsh was back with Strauks, now on drums, first in Claptrap and by 1971 in Frame which had Graeme "Shirley" Strachan as lead vocalist. Frame also included Pat O'Brien on guitar and Cynthio Ooms on guitar. Strachan had befriended Strauks earlier--he sang with Strauks on the way to parties--and was asked to join Claptrap which was renamed as Frame. Strachan stayed in Frame for about 18 months but left for a career in carpentry and a hobby of surfing in Phillip Island. Skyhooks formed in March 1973 in Melbourne with Steve Hill on vocals (ex-Lillee), Peter Ingliss on guitar (The Captain Matchbox Whoopee Band), Macainsh on bass guitar and backing vocals, Peter Starkie on guitar and backing vocals (Lipp & the Double Dekker Brothers) and Strauks on drums and backing vocals. The name, Skyhooks, came from a fictional organisation in the 1956 film Earth vs. the Flying Saucers. Their first gig was on 16 April 1973 at St Jude's Church hall in Carlton. At a later gig, former Daddy Cool frontman, Ross Wilson was playing in his group Mighty Kong with Skyhooks as a support act. Wilson was impressed with the fledgling band and signed Macainsh to a publishing deal. In August, Bob "Bongo" Starkie (Mary Jane Union) on guitar replaced his older brother Peter (later in Jo Jo Zep & The Falcons) and Ingliss was replaced by Red Symons (Scumbag) on guitar, vocals and keyboards. The two new members added a touch of theatre and humour to the band's visual presence. By late 1973, Wilson had convinced Michael Gudinski to sign the band to his booking agency, Australian Entertainment Exchange, and eventually to Gudinski's label, Mushroom Records. Skyhooks gained a cult following around Melbourne including university intelligentsia and pub rockers, but a poorly received show at the January 1974 Sunbury Pop Festival saw the group booed off stage. Two tracks from their live set, "Hey What's the Matter?" and "Love on the Radio" appeared on Mushroom's Highlights of Sunbury '74. After seeing his performance on TV, Hill phoned Macainsh and resigned. To replace Hill, in March, Macainsh recruited occasional singer, surfer and carpenter Strachan from his Frame era. Strachan had been dubbed "Shirley" by fellow surfers due to his curly blond hair a la Shirley Temple. For Skyhooks, the replacement of Hill by Strachan was a pivotal moment, as Strachan had remarkable vocal skills, and a magnetic stage and screen presence. Alongside Macainsh's lyrics, another facet of the group was the twin-guitar sound of Starkie and Symons. Adopting elements of glam rock in their presentation, and lyrics that presented frank depictions of the social life of young Australia in the 1970s, the band shocked conservative middle Australia with their outrageous (for the time) costumes, make-up, lyrics, and on-stage activities. A 1.2 metre (4 ft) high mushroom-shaped phallus was confiscated by Adelaide police after a performance. Six of the ten tracks on their debut album, Living in the 70's, were banned by the Federation of Australian Commercial Broadcasters for their sex and drug references, "Toorak Cowboy", "Whatever Happened to the Revolution?", "You Just Like Me Cos I'm Good in Bed", "Hey What's the Matter", "Motorcycle Bitch" and "Smut". Much of the group's success derived from its distinctive repertoire, mostly penned by bass guitarist Macainsh, with an occasional additional song from Symons--who wrote "Smut" and performed its lead vocals. Although Skyhooks were not the first Australian rock band to write songs in a local setting--rather than ditties about love or songs about New York or other foreign lands--they were the first to become commercially successful doing so. Skyhooks songs addressed teenage issues including buying drugs ("Carlton (Lygon Street Limbo)"), suburban sex ("Balwyn Calling"), the gay scene ("Toorak Cowboy") and loss of girlfriends ("Somewhere in Sydney") by namechecking Australian locales. Radio personality, Billy Pinnell described the importance of their lyrics in tackling Australia's cultural cringe: [Macainsh] broke down all the barriers [...] opening the door for Australian rock 'n' roll songwriters to write about local places and events. He legitimised Australian songwriting and it meant that Australians became themselves. The first Skyhooks single, "Living in the 70's", was released in August, ahead of the album, and peaked at #7 on the Australian Kent Music Report Singles Charts. Living in the 70's initially charted only in Melbourne upon its release on 28 October 1974. It went on to spend 16 weeks at the top of the Australian Kent Music Report Albums Charts from February to June 1975. The album was produced by Wilson, and became the best selling Australian album, to that time, with 226,000 copies sold in Australia. Skyhooks returned to the Sunbury Pop Festival in January 1975. They were declared the best performers by Rolling Stone Australia and The Age reviewers, and Gudinski now took over their management. The second single, "Horror Movie", reached #1 for two weeks in March. The band's success was credited by Gudinski with saving his struggling Mushroom Records and enabled it to develop into the most successful Australian label of its time. The success of the album was also due to support by a new pop music television show Countdown on national public broadcaster ABC Television, rather than promotion by commercial radio. "Horror Movie" was the first song played on the first colour transmission of Countdown in early 1975. Despite the radio ban, the ABC's newly established 24-hour rock music station Double Jay chose the album's fifth track, the provocatively titled "You Just Like Me Cos I'm Good in Bed", as its first ever broadcast on 19 January. After completing their 1976 US tour, the band remained in San Francisco and recorded their third album with Wilson producing, Straight in a Gay Gay World--called Living in the 70's for US release with "Living in the 70's" replacing "The Girl Says She's Bored"--which appeared in August and peaked at #3 on the Australian album charts. In July, upon return to Australia they launched The Brats Are Back Tour with a single, "This is My City", which reached the Top 20. "Blue Jeans" followed in August and peaked at #13 on the singles chart. By October, Strachan provided his debut solo single, "Every Little Bit Hurts" (a cover of Brenda Holloway's 1964 hit), which reached #3. In February 1977, Symons left the band and was replaced on guitar by Bob Spencer from the band Finch. With Symons' departure the band dropped the glam rock look and used a more straight forward hard rock approach. During 1977 Skyhooks toured nationally three times, while their first single with Spencer, "Party to End All Parties", entered the top 30 in May. Strachan released his second solo single, a cover of Smokey Robinson's "Tracks of My Tears", which reached the top 20 in July. Meanwhile, Mushroom released a singles anthology, The Skyhooks Tapes, which entered the top 50 in September. The band's mass popularity had declined although they still kept their live performances exciting and irreverent. In January 1978 they toured New Zealand and performed at the Nambassa festival. In February their next single, "Women in Uniform", was issued and peaked at #8, while its album Guilty Until Proven Insane followed in March and reached #6. The album was produced by Americans Eddie Leonetti and Jack Douglas. The second single from the album, "Megalomania" issued in May, did not enter the top 40. Strachan told band members he intended to leave--but it was not officially announced for six months--he continued regular shows until his final gig with Skyhooks on 29 July. Strachan released further solo singles, "Mr Summer" in October and "Nothing but the Best" in January 1979, but neither charted in the top 50. Strachan's replacement in Skyhooks, on lead vocals, was Tony Williams (ex-Reuben Tice with Macainsh). Williams' first single for Skyhooks, "Over the Border", a political song about the state of the Queensland Police Force at the time, reached the top 40 in April, and their fifth studio album, Hot for the Orient, appeared in May 1980, but failed to enter the top 50. From 1975 to 1977, Skyhooks were--alongside Sherbet--the most commercially successful group in Australia, but over the next few years, Skyhooks rapidly faded from the public eye with the departure of key members, and in 1980 the band announced its break-up in controversial circumstances. Ian "Molly" Meldrum, usually a supporter of Skyhooks, savaged Hot for the Orient on his "Humdrum" segment of Countdown--viewers demanded that the band appear on a following show to defend it. Poor reception of the album both by the public and reviewers led the band to take out a page-sized ad in the local music press declaring "Why Don't You All Get Fu**ed" (title of one of their songs) and they played their last performance on 8 June, not in their hometown of Melbourne, but in the mining town of Kalgoorlie in Western Australia. CANNOTANSWER


The Backstreet Boys (often abbreviated as BSB) are an American vocal group, formed in Orlando, Florida in 1993. The group consists of AJ McLean, Howie D., Nick Carter, Kevin Richardson and Brian Littrell. The group rose to fame with their debut international album, Backstreet Boys (1996). In the following year they released their second international album Backstreet's Back (1997), and their U.S. debut album which continued the group's success worldwide.

In June 1995, the group flew to Sweden to record some songs with Max Martin and Denniz PoP, including "We've Got It Goin' On", which ended up being their very first single. "We've Got It Goin' On" was sent to radio in August 1995 and released as a physical single on September 5, 1995. In North America, Mix 96 in Montreal broke the group after the programmers heard it on the radio in Europe. The song was a minor success in the U.S., peaking at only No. 69 by December 1995, but it entered the top 5 in Germany, Switzerland, Austria, France, and the Netherlands. European success sent them there on a summer tour and shifted their promotion being mostly done in Europe. They finished recording their first album Backstreet Boys in April 1996 and it was released internationally on May 6, 1996, excluding U.S. and Canada; however, it was later released in Canada in October 1996. Their popularity grew in Europe. "I'll Never Break Your Heart" reached a Gold status in Germany for selling 250,000 copies and they were voted the No. 1 international group there in 1996. They also earned their first platinum record in Germany in 1996 for selling 500,000 copies of their debut album and shortly thereafter they began touring Asia and Canada. They also became one of the most successful debut artists in the world, collecting awards such as Durchstarter (Best Newcomers) in Germany's Viva Comet Awards in 1996. "Anywhere for You" was released as the last single from their international debut album on February 17, 1997. "Quit Playing Games (with My Heart)", which was originally released in Europe as their fourth single in October 1996, was released in the U.S. in May 1997 for their upcoming U.S. debut album. It managed to climb as high as No. 2 on Billboard Hot 100, eventually earning them a platinum-award for selling over one million copies. The group began working on their second album, Backstreet's Back, in 1996. They also recorded the song "If You Stay" for the Booty Call soundtrack in the same year, which was released in February 1997. Backstreet's Back was released internationally (except in the U.S.) on August 11, 1997. Their self-titled U.S. debut album, which consisted of songs from their 1996 international debut album and Backstreet's Back, was released in the U.S. a day later, August 12, 1997. The U.S. self-titled debut peaked at No. 4 on the U.S. album chart and eventually sold 14 million copies. Meanwhile, the second international release, Backstreet's Back, peaked at No. 1 in Germany, Norway, Switzerland, Finland, the Netherlands, Belgium, and Austria, selling well over five million copies in Europe alone. The two self-titled albums, the international debut and the U.S. debut, sold more than 28 million copies worldwide. In 1998, Littrell brought a lawsuit against Lou Pearlman and Trans Continental claiming that Pearlman had not been truthful about the earnings made by the group. From 1993 to 1997, Pearlman and his company took about $10 million in revenue while the band only got $300,000. In the following year, McLean, Richardson, and Dorough joined the lawsuit which eventually resulted in a number of settlements. CANNOTANSWER

Answer the following question by taking a quote from the article: There were signed after being heard playing what type of venue in Cleveland?


Background: Born in Cedarville, Illinois, Jane Addams was the youngest of eight children born into a prosperous northern Illinois family of English-American descent which traced back to colonial New England; her father was politically prominent. Three of her siblings died in infancy, and another died at age 16, leaving only four by the time Addams was age eight. Her mother, Sarah Addams (nee Weber), died when Jane was two years old. Addams spent her childhood playing outdoors, reading indoors, and attending Sunday school.
Context: Meanwhile, Jane Addams gathered inspiration from what she read. Fascinated by the early Christians and Tolstoy's book My Religion, she was baptized a Christian in the Cedarville Presbyterian Church, in the summer of 1886. Reading Giuseppe Mazzini's Duties of Man, she began to be inspired by the idea of democracy as a social ideal. Yet she felt confused about her role as a woman. John Stuart Mill's The Subjection of Women made her question the social pressures on a woman to marry and devote her life to family. In the summer of 1887, Addams read in a magazine about the new idea of starting a settlement house. She decided to visit the world's first, Toynbee Hall, in London. She and several friends, including Ellen Gates Starr, traveled in Europe from December 1887 through the summer of 1888. After watching a bullfight in Madrid, fascinated by what she saw as an exotic tradition, Addams condemned this fascination and her inability to feel outraged at the suffering of the horses and bulls. At first, Addams told no one about her dream to start a settlement house; but, she felt increasingly guilty for not acting on her dream. Believing that sharing her dream might help her to act on it, she told Ellen Gates Starr. Starr loved the idea and agreed to join Addams in starting a settlement house. Addams and another friend traveled to London without Starr, who was busy. Visiting Toynbee Hall, Addams was enchanted. She described it as "a community of University men who live there, have their recreation clubs and society all among the poor people, yet, in the same style in which they would live in their own circle. It is so free of 'professional doing good,' so unaffectedly sincere and so productive of good results in its classes and libraries seems perfectly ideal." Addams's dream of the classes mingling socially to mutual benefit, as they had in early Christian circles seemed embodied in the new type of institution. The settlement house as Addams discovered was a space within which unexpected cultural connections could be made and where the narrow boundaries of culture, class, and education could be expanded. They doubled up as community arts centers and social service facilities. They laid the foundations for American civil society, a neutral space within which different communities and ideologies could learn from each other and seek common grounds for collective action. The role of the settlement house was an "unending effort to make culture and 'the issue of things' go together." The unending effort was the story of her own life, a struggle to reinvigorate her own culture by reconnecting with diversity and conflict of the immigrant communities in America's cities and with the necessities of social reform. CANNOTANSWER
Question: how did the settlement house work out?

Answer:


Paterno was born December 21, 1926, in Brooklyn, New York, the son of Florence de LaSalle Cafiero, a homemaker, and Angelo Lafayette Paterno, a law clerk. His family was of Italian ancestry. He spoke throughout his life with a marked Brooklyn accent. In 1944, Paterno graduated from Brooklyn Preparatory School.

In November 2006, Paterno was involved in a sideline collision during a game against Wisconsin. He was unable to avoid the play and was struck in the knee by Badgers linebacker DeAndre Levy's helmet. Paterno, then 79 years old, suffered a fractured shin bone and damage to knee ligaments. He coached the 2007 Outback Bowl from the press box before making a full recovery. In November 2008, Paterno had successful hip replacement surgery after spraining his leg while trying to demonstrate onside kicks during a practice session. While recovering, he coached the remainder of the season and the 2009 Rose Bowl from the press box. After sustaining these injuries, he made use of a golf cart to move around the field during practices. Paterno was injured again in August 2011, after colliding with a player during practice. He sustained hairline fractures to his hip and shoulder. No surgery was required, but Paterno began the 2011 regular season schedule in a wheelchair. In November 2011, Scott Paterno reported that his father had a treatable form of lung cancer. On January 13, 2012, Paterno was hospitalized in State College for complications relating to his cancer treatment, and he remained there until his death nine days later on January 22, 2012. His death resulted in tributes from prominent leaders in the U.S., including former President George H. W. Bush, who called Paterno "an outstanding American who was respected not only on the field of play but in life generally--and he was, without a doubt, a true icon in the world of sports." Pennsylvania Governor Tom Corbett said of Paterno, "His legacy as the winningest coach in major college football and his generosity to Penn State as an institution and to his players, stand as monuments to his life. ... His place in our state's history is secure." On January 23, Corbett ordered all state flags to be lowered to half mast in Paterno's honor. At the time of his death, Penn State was still finalizing Paterno's retirement package. Paterno's funeral was held in State College on January 25, 2012. About 750 mourners attended the private ceremony, after which thousands of mourners lined the route of the funeral procession. Paterno was buried in Spring Creek Presbyterian Cemetery just outside the town. Approximately 12,000 people attended a public memorial service that was held at the Bryce Jordan Center on January 26, 2012. CANNOTANSWER

Ask a question about this article.