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Richard "Red" Skelton (July 18, 1913 - September 17, 1997) was an American comedy entertainer. He was best known for his national radio and television acts between 1937 and 1971, and as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show.

Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the "Doughnut Dunkers" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the "Doughnut Dunkers" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, "Careful what you drink, Mr. President. I got rolled in a place like this once." His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. Skelton's voice pattern for Clem was similar to the later cartoon character, Bullwinkle; there was enough similarity to cause Skelton to contemplate filing a lawsuit against Bill Scott, who voiced the cartoon moose. The second character, The Mean Widdle Kid, or "Junior", was a young boy full of mischief, who typically did things he was told not to do. "Junior" would say things like, "If I dood it, I gets a whipping.", followed moments later by the statement, "I dood it!" Skelton performed the character at home with Edna, giving him the nickname "Junior" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play "Junior" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber "We Dood It!" In 1986 the Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928. Originally called "Mellow Cigars", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine "Guzzler's Gin", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's guests were treated to a post-program performance. He would then perform his "Guzzler's Gin" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; there were times where up to 300 people needed to be turned away for lack of seats. CANNOTANSWER

Which phrase?


The Black Dahlia Murder is an American death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. The band currently comprises vocalist Trevor Strnad, guitarists Brian Eschbach and Brandon Ellis, drummer Alan Cassidy, and bassist Max Lavelle. Out of the eight studio albums they have released to date, the last seven have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands.

In early 2013, despite the news of the departure of two band members (drummer Shannon Lucas and bassist Bart Williams), plans were announced for an upcoming album release, to be entitled Everblack. Tentative plans estimated its release to be early summer 2013; likely June. On April 10, 2013, the iTunes Store was updated with official release and availability information, including cover art, a full track listing, and an official U.S. release date of June 11, 2013. The album has 10 tracks in total. On the same day, the band's first single from Everblack was made available for purchase and download, titled "Into The Everblack". The album itself was then released on June 11 and peaked at No. 32 on the U.S. Billboard 200. On November 28, 2014 (the day after Thanksgiving), The Black Dahlia Murder released a 7" EP titled Grind 'Em All featuring 3 short grindcore covers of punk rock songs: a cover of "Ripped Up" by Left for Dead, of "Rebel Without a Car" by Sedition and of "Populous" by Gyga. The covers were originally recorded almost 10 years earlier during the era of Miasma. The EP was released as part of Record Store Day's Black Friday event via A389 Recordings (rather than the band's label, Metal Blade Records), made available for purchase on the band's online merchandise store and also streamed in its entirety via Exclaim!. The album art for Grind 'Em All was designed by Szymon Siech. Lead guitarist Ryan Knight confirmed in early 2015 that the band will deliver a seventh studio release that year, followed by extensive touring, and that he is planning to start working on a solo album afterwards. Vocalist Trevor Strnad stated that the band's new album, titled Abysmal, will be "more raw and natural sounding" and feature "more dynamic and developed songs" than their previous work. "Vlad, Son of the Dragon", the first song from the album, was released online on June 24, followed by "Receipt" on July 22 and "Threat Level No. 3" on August 19. Abysmal was produced by Mark Lewis and Ryan Williams and released worldwide through Metal Blade on September 18. In early February 2016, it was announced that Knight had left the band; Brandon Ellis will replace him as touring lead guitarist. CANNOTANSWERAnswer this question using a quote from the following article:

Which album did the best in sales during this time?


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Anna Vissi (Greek: Anna Bisse (pronounced ['ana 'visi], locally ['an:a 'viS:i]); born 20 December 1957), also known as Anna Vishy, is a Greek Cypriot singer, songwriter, actress, television presenter, radio personality, and businesswoman.

In the early 1990s, she continued performing around Greece with Nikos Karvelas, with appearances at "Diogenis Palace" and then at "Rex". In November 1991, Vissi and Karvelas starred in the first Greek rock opera, Daimones ("Demons"). It was based on a libretto by Stavros Sideras and staged at Attikon Theater in Athens for two years. Roger Williams was the director and Anna Vissi (Queen & Rozanne), Yannis Samsiaris (Daniel), Bessy Malfa (Witch & Loa) and John Modinos (Inquisitor) were the leading actors. Daimones was played on foreign TV stations and attracted the attention of Broadway agents. Vissi described it as an "artistic achievement" in her career; however, the play received mostly negative reviews from professional critics and contributed to the relatively unsuccessful period Vissi faced in the early 1990s. Vissi has defended the play, saying "I did something important and advanced for the Greek music scene!" but admitted that she lost a lot of money from the production. She is considering modernising and relaunching the production in the 2010s. A year later, in October 1993, Vissi landed the leading role of Aphrodite, in the one-act opera Ode to the Gods by Stavros Sideras. It was held only once in Limassol, Cyprus, during the celebrations for the Commonwealth Day. Then-president of the Republic of Cyprus, Glafkos Clerides, and Queen Elizabeth II, were amongst the audience. The following years, Karvelas and Vissi released the albums Lambo (1992), Emeis (1992), Live! (1993), Re! (1994), and O! Kypros (1995), an album with traditional Cypriot songs. In 1994, she was the hostess on the ANT1 weekly TV show Me Agapi, Anna. The show was cancelled and in 2008 the production company filed a lawsuit against Vissi claiming "unprofessional behavior of the singer" because the agreement was for 40 episodes and Vissi dropped out after 10 episodes. The juridical conflict between Vissi and the production company appeared to come to an end when the Court of Appeal of Athens led to the final compromise of the two sides to the sum of EUR400,000. A sum that the singer would supposed to pay in the company against the initial sum of 2.3 million Euros. Ultimately Vissi was vindicated and the decision of Supreme Court ruled that EUR400,000 was a lot more from the amount that Vissi should actually pay and decided to give the half amount of money. One year later she did a concert in Cyprus, supporting the defences of the island. CANNOTANSWER

What television appearances did she make?


Background: Phelps was born in Baltimore, Maryland, and raised in the Rodgers Forge neighborhood of nearby Towson. He attended Rodgers Forge Elementary, Dumbarton Middle School, and Towson High School. Phelps is the youngest of three children. His mother, Deborah Sue "Debbie" Phelps (nee Davisson), is a middle school principal.
Context: On July 28, 2012, Phelps placed eighth in the morning prelims for the 400-meter individual medley. Phelps, the two-time defending Olympic champion, won his heat in 4 minutes, 13.33 seconds with a time that was well off his world record of 4:03.84 set four years ago in Beijing, when Phelps won a record eight gold medals. He out-touched Laszlo Cseh by 0.07 seconds in his heat to qualify last for the final, locking out Cseh. In his first finals of the Summer Olympics, Phelps placed fourth behind fellow American Ryan Lochte, Thiago Pereira of Brazil, and Kosuke Hagino of Japan in the 400-meter individual medley. It was the first time Phelps failed to medal in an Olympic event since 2000. The next night, in his second event of the Games, he got a silver as a member of the 4x100-meter free relay. Phelps swam the fastest leg of the US relay team and the second-fastest of anyone in the race. On July 31, 2012, Phelps won a silver medal in the 200-meter butterfly behind South African Chad le Clos by 5/100ths of a second, and a gold medal in the 4x200-meter freestyle relay, thereby equaling and then surpassing Larisa Latynina to become the all-time record holder for most Olympic medals won. Latynina was present at the race and asked to be the presenter of Phelps's medal, but was told that Olympic rules would not allow it. She called Phelps deserving of the record. On August 2, 2012, Phelps won his 16th Olympic gold medal when he edged out Ryan Lochte to win the 200-meter individual medley with a time of 1:54.27, and by that victory also became the first male swimmer to win the same event in three consecutive Olympics. Rebecca Soni and Phelps (twice) are the only swimmers to successfully defend an individual title from the 2008 Games. This win also marked Phelps's fifth Olympic title in the individual medley, breaking the record of four shared by Hungarian Tamas Darnyi and Ukrainian Yana Klochkova. He repeated the achievement of winning the same event at three Olympics the following evening, winning the Olympic gold medal in the 100 m butterfly, his last individual event. After two very close victories in the 100 m butterfly at the 2004 and 2008 Olympics (by 0.04 and 0.01 sec, respectively), in this race Phelps beat Le Clos and Yevgeny Korotyshkin, who tied for silver, by 0.23 sec. Phelps's final event was the 4x100-meter medley relay in which he went on to win his 18th career gold medal and his 22nd overall. By winning 4 gold and 2 silver medals, Phelps concluded the 2012 Olympics as the most successful swimmer of the meet for the third Olympics in a row. After his last event, the international swimming federation FINA honored Phelps with an award commemorating his standing as the most decorated Olympian ever. CANNOTANSWER
Question: what other events did he participate in during this Olympics?. Whats the answer?


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Raven is a fictional superheroine appearing in American comic books published by DC Comics. The character first appeared in a special insert in DC Comics Presents #26 (October 1980), and was created by writer Marv Wolfman and artist George Perez. The daughter of a demon father (Trigon) and human mother (Arella), Raven is an empath who can teleport and control her "soul-self", which can fight physically, as well as act as Raven's eyes and ears away from her physical body. She is a prominent member of the superhero team Teen Titans.

Raven is half human/half demon daughter of interdimensional demon Trigon and Gotham City-born human Angela Roth (known as Arella). Raven was conceived as the result of Trigon's marriage to Arella. Raven grew up in an alternate dimension called Azarath, with pacifistic inhabitants whose spiritual leader was the mystic Azar (Pagon). She was taught to "control her emotions" by Azar, in order to suppress her inherited demonic powers. Initially, it was feared that if Raven were ever to feel any strong emotion, she could then become possessed by her father's evil demonic energy inside of her. During this time, Raven rarely saw her mother and grew detached from her. Upon Azar's death, Arella began the task of raising and teaching Raven. Around this same time, she met her father face to face for the first time. Soon after her 18th birthday, Raven learned that Trigon planned to come to her dimension; she vowed to stop him. Raven initially approached the Justice League for help, but they refused her on the advice of Zatanna, who sensed her demonic parentage. In desperation, she reformed the Titans as the New Teen Titans to fight her father. The team consisted of Robin, Kid Flash, Wonder Girl, Starfire, Cyborg, and Beast Boy. Raven and her new friends later came to think of one another as family. Trigon soon took Raven to his home dimension. The team defeated Trigon and sealed him in an interdimensional prison with the help of Arella, who stayed at the interdimensional door as Trigon's Guardian. However, Raven continued to fight her father's influence, as he was not completely destroyed. For a period of time, Raven lost control several times in stressful situations, but managed to regain control before Trigon could assert himself. Eventually, Trigon escaped his prison, came to Earth, and took control of Raven, destroying Azarath in the process. The Titans were manipulated to kill Raven, thereby allowing the souls of Azarath contained inside the ring of Azar to possess her and use her as a channel to kill Trigon. After this battle, Raven rose from the ashes, purged of Trigon's evil, and vanished. CANNOTANSWER


Julius Marx was born on October 2, 1890, in the Manhattan borough, of New York City, New York. Marx stated that he was born in a room above a butcher's shop on East 78th Street, "Between Lexington & 3rd", as told to Dick Cavett in a 1969 television interview. The Marx children grew up on East 93rd Street off Lexington Avenue in a neighborhood now known as Carnegie Hill on the Upper East Side of the borough of Manhattan. The turn-of-the-century building that his brother Harpo called "the first real home they ever knew" (in his memoir Harpo Speaks) was populated with European immigrants, mostly artisans.

Groucho Marx made 26 movies, 13 of them with his brothers Chico and Harpo. Marx developed a routine as a wisecracking hustler with a distinctive chicken-walking lope, an exaggerated greasepaint mustache and eyebrows, and an ever-present cigar, improvising insults to stuffy dowagers (often played by Margaret Dumont) and anyone else who stood in his way. As the Marx Brothers, he and his brothers starred in a series of popular stage shows and movies. Their first movie was a silent film made in 1921 that was never released, and is believed to have been destroyed at the time. A decade later, the team made two of their Broadway hits--The Cocoanuts and Animal Crackers--into movies. Other successful films were Monkey Business, Horse Feathers, Duck Soup, and A Night at the Opera. One quip from Marx concerned his response to Sam Wood, the director of A Night at the Opera. Furious with the Marx Brothers' ad-libs and antics on the set, Wood yelled in disgust: "You can't make an actor out of clay." Groucho responded, "Nor a director out of Wood." Marx also worked as a radio comedian and show host. One of his earliest stints was a short-lived series in 1932, Flywheel, Shyster, and Flywheel, costarring Chico. Though most of the scripts and discs were thought to have been destroyed, all but one of the scripts were found in 1988 in the Library of Congress. In 1947 Marx was asked to host a radio quiz program You Bet Your Life. It was broadcast by ABC and then CBS before moving to NBC. It moved from radio to television on October 5, 1950 and ran for eleven years. Filmed before a live audience, the show consisted of Marx bantering with the contestants and ad-libbing jokes before briefly quizzing them. The show was responsible for popularizing the phrases "Say the secret word and the duck will come down and give you fifty dollars," "Who's buried in Grant's Tomb?" and "What color is the White House?" (asked to reward a losing contestant a consolation prize). Throughout his career he introduced a number of memorable songs in films, including "Hooray for Captain Spaulding" and "Hello, I Must Be Going", in Animal Crackers, "Whatever It Is, I'm Against It", "Everyone Says I Love You" and "Lydia the Tattooed Lady". Frank Sinatra, who once quipped that the only thing he could do better than Marx was sing, made a film with Marx and Jane Russell in 1951 entitled Double Dynamite. CANNOTANSWER

Using a quote from the above article, answer the following question: What was a movie that was released?


Throwdown is an American straight edge heavy metal band from Orange County, California, formed in 1997. They have toured as part of Ozzfest, Sounds of the Underground, Hellfest, and Warped Tour, and with bands such as In Flames, Lamb of God, As I Lay Dying, Killswitch Engage, Korn and Cavalera Conspiracy. The songs "Forever" and "Burn" have been staples on MTV2's Headbanger's Ball and Revolver Magazine called them part of "The Future of Metal" after hearing the album Vendetta. Initially branded a hardcore band, their most recent albums Venom and Tears and Deathless have taken a sharp direction towards metal, with critics likening the band's sound to that of Pantera, Sepultura, and Crowbar.

Throwdown was formed in 1997 by vocalist Keith Barney, who would also be an active member of both Adamantium and Eighteen Visions, guitarists Tommy Love and Javier Van Huss, bassist Dom Macaluso, and drummer Marc Jackson. The group took on the title Throwdown as a "wry irony on their collective stature," at the time no band member being more than 5 feet 8 inches (1.73 m). The band released their debut, self-titled 7-inch single that same year through Prime Directive Records. Van Huss left the band, and was replaced by Brandan Schieppati. After sign a recording contract with Indecision Records, the band released their first studio album Beyond Repair the following year. In 1999, Barney also relinquished his role in Death by Stereo to prioritise Throwdown. Schieppati left the band to concentrate full-time on his other band Bleeding Through, being replaced by Dave Peters. The following year, the new line-up released the Drive Me Dead EP. In 2001, Throwdown released their second studio album, You Don't Have to Be Blood to Be Family. They also recorded a tongue-in-cheek metalcore version of Sir Mix-a-Lot's hit single "Baby Got Back" for Radical Records' Too Legit for the Pit: Hardcore Takes the Rap compilation, which also featured Candiria, Stretch Arm Strong, and The Movielife. Allmusic reviewer Rick Anderson gave the album four and a half out of five stars, stating that Throwdown's version for the song was "absolutely hilarious". The idea of cover a hip hop song, was a collaboration between Macaluso and Love. Originally they wanted to cover House of Pain's "Jump Around". Then the band decided there was too much in the song, as they felt that hip hop songs are hard to cover. Peters said, "Sir Mix-a-Lot was easy and funny, and that's what we're all about, playing easy stuff and trying to be funny." The following year, Barney expressed a desire to switch to guitar (which he played in Eighteen Visions already) because he would often lose his voice on tour. Peters took over on vocals. Fill-in guitarist Matt Mentley would fill in whenever Barney had shows with Eighteen Visions. Lacking a permanent drummer after the departure of Jackson, 18V drummer Ken Floyd regularly filled in around this time as well. After that in 2002 Throwdown made their next cd Face the Mirror EP with no changes except for Ken Floyd on drums. CANNOTANSWER

Using a quote from the above article, answer the following question: Were those the only changes in this first years?


Pierre Louis Joseph Boulez CBE (French: [pjeR bu.le:z]; 26 March 1925 - 5 January 2016) was a French composer, conductor, writer and founder of institutions. He was one of the dominant figures of the post-war classical music world. Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andree Vaurabourg and Rene Leibowitz. He began his professional career in the late 1940s as Music Director of the Renaud-Barrault theatre company in Paris.

Pierre Boulez was born on 26 March 1925, in Montbrison, a small town in the Loire department of east-central France, to Leon and Marcelle (nee Calabre) Boulez. He was the third of four children: an older sister, Jeanne (b. 1922) and younger brother, Roger (b. 1936) were preceded by a first child, also called Pierre (b. 1920), who died in infancy. Leon (1891-1969), an engineer and technical director of a steel factory, is described by biographers as an authoritarian figure, but with a strong sense of fairness; Marcelle (1897-1985) as an outgoing, good-humoured woman, who deferred to her husband's strict Catholic beliefs whilst not necessarily sharing them. The family prospered, moving in 1929 from the apartment above a pharmacy at 29 rue Tupinerie, where Boulez was born, to a comfortable detached house at 46 avenue d'Alsace-Lorraine, where he spent most of his childhood. From the age of seven he went to school at the Institut Victor de Laprade, a Catholic seminary where the thirteen-hour school day was filled with study and prayer. By the age of fifteen he was sceptical about religion ("what struck me most was that it was so mechanical: there was a total absence of genuine conviction behind it") and by eighteen he had repudiated Catholicism, although later in life he described himself as an agnostic. As a child he took piano lessons, played chamber music with local amateurs and sang in the school choir. After completing the first part of his baccalaureate a year early he spent the academic year of 1940-41 at the Pensionnat St. Louis, a boarding school in nearby St. Etienne. The following year he took classes in advanced mathematics at the University of Lyon with a view to gaining admission to the Ecole Polytechnique in Paris. His father hoped this would lead to a career in engineering. He was in Lyon when the Vichy government fell and the Germans took over. The city became a centre of the resistance and Boulez later recalled the terrible reprisals: "when there was a bomb in a cafe where the military had been drinking next day there was a poster saying hostages had been shot. It was not a gentle time, and nothing to eat, and terribly cold." It was in Lyon that he first heard an orchestra, saw his first operas (Boris Godunov and Die Meistersinger von Nurnberg) and met the well-known soprano Ninon Vallin, who asked him to accompany her in arias from Aida and La Damnation de Faust. Impressed by his ability, she persuaded Leon to allow his son to apply to the Conservatoire in Lyon, but the selection board rejected him. Boulez was determined to pursue a career in music. The following year, with his sister's support in the face of opposition from his father, he studied the piano and harmony privately with Lionel de Pachmann (son of the pianist Vladimir). "Our parents were strong, but finally we were stronger than they," Boulez would later say. In fact, when he moved to Paris in the autumn of 1943, hoping to enrol at the Paris Conservatoire, Leon accompanied him, helped him to find a room (at 14 rue Oudinot, near the Invalides) and subsidised him until he could earn a living. In October 1943 he auditioned unsuccessfully for the advanced piano class at the Conservatoire, but he was admitted in January 1944 to the preparatory harmony class of Georges Dandelot. His progress was so rapid that by May 1944, Dandelot's report describes him as "the best of the class". Around the same time he was introduced to Andree Vaurabourg, wife of the composer Arthur Honegger, and between April 1944 and May 1946 he studied counterpoint privately with her. He greatly enjoyed working with her and she remembered him as an exceptional student, using his exercises as models in advanced counterpoint until the end of her teaching career. On 26 August 1944, the day of de Gaulle's return to Paris, Boulez was among the crowd in the Place de la Concorde, which came under sniper fire from the few remaining Germans and collaborators. In the autumn he joined Olivier Messiaen's advanced harmony class at the Conservatoire and attended the private seminars which Messiaen gave to chosen students, where key works of the early twentieth-century, including Stravinsky's Rite of Spring, were subjected to intensive analysis. In January 1945 Boulez moved to two small attic rooms at 4 rue Beautreillis in the Marais district of Paris, where he lived for the next fourteen years. The following month he attended a private performance of Schoenberg's Wind Quintet, conducted by Rene Leibowitz, a follower of Schoenberg. The piece was a revelation to him and he organised a group of fellow students to take private lessons with Leibowitz. It was here that he first studied twelve-tone technique and discovered the music of Webern. Around this time he was one of a number of Conservatoire students (organised, it was said, by Leibowitz) who booed a performance of Stravinsky's Danses concertantes, a work whose neo-classicism represented the pre-war culture he was determined to reject. Eventually he also found Leibowitz's approach too doctrinaire and he broke angrily with him in 1946 when Leibowitz tried to criticise one of his early works. In June 1945 he was one of four Conservatoire students awarded premier prix, the only member of Messiaen's class to achieve this distinction. He was described in the examiner's report as "the most gifted--a composer". Although nominally still registered as a student of the Conservatoire for the academic year 1945-46, his only attendance was at Simone Ple-Caussade's counterpoint and fugue class, which he joined in January 1946. He was so infuriated by what he described as her "lack of imagination" that he boycotted the class and organized a petition that Messiaen be given a full professorship in composition. Over the winter of 1945-46 he immersed himself in Balinese and Japanese music and African drumming at the Musee Guimet and the Musee de l'Homme in Paris: "I almost chose the career of an ethnomusicologist because I was so fascinated by that music. It gives a different feeling of time." A planned field trip to Cambodia was prevented only by the outbreak of the First Indochina War. CANNOTANSWER

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Background: James William Johnson (born July 16, 1943) is an American football broadcaster and former player, coach, and executive. He served as the head football coach at Oklahoma State University-Stillwater from 1979 to 1983 and the University of Miami from 1984 to 1988. Johnson then moved to the National Football League (NFL), serving as head coach of the Dallas Cowboys from 1989 to 1993, winning two Super Bowls with the team (both against the Buffalo Bills), and finally serving as head coach of the Miami Dolphins from 1996 to 1999. As of 2016, he is an analyst for Fox NFL Sunday, the Fox network's NFL pregame show for the NFL games.
Context: In 1984, Johnson was hired by the University of Miami to replace former coach Howard Schnellenberger, who had won Miami's first national championship in 1983 and departed for the recently formed United States Football League. Johnson's hiring was met with an initial response of "Jimmy who?" by the fans and media. Johnson started with a shaky 8-5 record his first season, which included a game in which Johnson's Hurricanes blew a 31-0 halftime lead in a loss to Maryland with Frank Reich as its QB, and also included a 47-45 loss to Boston College immortalized by Doug Flutie's "Hail Mary" touchdown pass on the game's final play. But Johnson developed the Hurricanes into a football program that came to be known as "the Decade of Dominance". In his five years at Miami, Johnson compiled a 52-9 record, appeared in five New Year's Day bowl games, winning one national championship (1987) and losing one to the Penn State Nittany Lions (1986). Johnson created a free-wheeling atmosphere where he allowed, and at times encouraged, his players to showboat, trash-talk, and run up the score. He also brought the modern 4-3 defense predicated on athletic upfield linemen to the forefront. The criticism they received from other teams caused the media to deem them the "Bad Boys of College Football", a moniker Johnson openly accepted. Johnson's Hurricanes posted the school's first undefeated regular season in 1986, only to lose the Fiesta Bowl and the national championship to #2-ranked Penn State. The loss, along with losses in Miami's prior two bowl games, began to raise questions about whether Johnson was capable of winning major games. In the ensuing 1987 season, however, the Hurricanes went undefeated in the regular season yet again, and won the school's second national title by defeating Oklahoma for the third season in a row. Johnson also created controversy by allowing the University of Miami to retire Vinny Testaverde's football jersey number #14, but refusing to retire Bernie Kosar's number #20, though Kosar played one season for Johnson and led the Hurricanes to the national title (though that did not come under Johnson). Johnson's reason for not retiring Kosar's number was, "Bernie didn't finish the program here (at Miami)." Kosar graduated with honors a year ahead of his freshman class in 1985 with a dual major in finance and economics and subsequently entered the NFL's supplemental draft. Testaverde won the school's first Heisman Trophy award in December 1986 and was the first player selected in the 1987 NFL Draft. However, Johnson later reached out and signed Kosar, who was thrown out by the Cleveland Browns during the 1993 NFL season, to be the Cowboys backup to Troy Aikman, playing during the Cowboys 1993 Super Bowl run and clinched the NFC Championship game, earning a Super Bowl ring. Johnson was inducted into the University of Miami Sports Hall of Fame in 1996. In May 2012, Johnson was inducted into the College Football Hall of Fame. CANNOTANSWER
Question: When did Jimmy go to U of M?. Whats the answer?


Background: Ghulam Ishaq Khan (Urdu: Glm sHq khn; January 20, 1915 - 27 October 2006), was a Pakistani bureaucrat who served as the seventh President of Pakistan, elected in 1988 until his resignation in 1993. Raised in Bannu, Ghulam Ishaq graduated from Peshawar University and entered the Indian Civil Service, opting for Pakistan after the independence in 1947. Appointed the first chairman of the Water and Power Development Authority by President Ayub Khan in 1961, Ghulam Ishaq also served as Finance Secretary from 1966 to 1970. A year later, he was appointed Governor of the State Bank by President Zulfikar Ali Bhutto, before being made Defence Secretary in 1975, assisting with Pakistan's atomic bomb programme.
Context: After Prime Minister Zulfikar Ali Bhutto was ousted in a staged coup d'etat in 1977, Khan played a crucial role in the event of stabilizing chief of army staff General Zia-ul-Haq, in Bhutto's capacity. After meeting with the military leadership at the JS HQ, Khan reportedly marked that: "this action was going to harm the country, but since it could not be reversed, they should do their best to salvage whatever they could." He was immediately elevated as Finance Minister by General Zia-ul-Haq, who acted as the Chief Martial Law Administrator (CMLA). A team of economic experts and technocrats were assembled in the management of Khan, giving him the authority over the Planning Commission, Economic Coordination Committee, and Executive Committee of the Space Research Council. Khan worked towards controlling the national economy while harnessing the damaged Private sector. In 1977, Khan endorsed General Haq's bid for becoming the President of Pakistan, who tightened the grip of martial law in the country. In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector. Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (SOEs) that were established in a nationalization in the 1970s. His policies and economic expertise ultimately resulted in the improvement in GDP and GNP progress, helping Pakistan's economy become among the fastest-growing in South Asia. He maintained his ties with the nuclear society and gave strong priority for the nuclear deterrence as channeling financial funds for the development of the atomic bomb projects. Khan gave tax free status to the Bank of Credit and Commerce International (BCCI). In 1983, Khan was among the invited secret dignitaries who witnessed the first Cold fission test, Kirana-I; along with attendees General Zahid Ali (E-in-C), General KM Arif (COAS), AVM MJ O'Brian (AOC)), and Munir Ahmad (Chair PAEC). In 1984, Khan supported the referendum for Islamization held by President Zia. CANNOTANSWER
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The incident took place at the north edge of Tiananmen Square, along Chang'an Avenue, on June 5, 1989, one day after the Chinese government's violent crackdown on the Tiananmen protests. The man stood in the middle of the wide avenue, directly in the path of a column of approaching Type 59 tanks. Stuart Franklin, who was on assignment for TIME magazine, told the New York Times, "At some point, shots were fired and the tanks carried on down the road toward us, leaving Tiananmen Square behind, until blocked by a lone protester." He wore a white shirt and black trousers, and he held two shopping bags. As the tanks came to a stop, the man gestured towards the tanks with one of the bags. In response, the lead tank attempted to drive around the man, but the man repeatedly stepped into the path of the tank in a show of nonviolent action. After repeatedly attempting to go around rather than crush the man, the lead tank stopped its engines, and the armored vehicles behind it seemed to follow suit. There was a short pause with the man and the tanks having reached a quiet, still impasse. Having successfully brought the column to a halt, the man climbed onto the hull of the buttoned-up lead tank and, after briefly stopping at the driver's hatch, appeared in video footage of the incident to call into various ports in the tank's turret. He then climbed atop the turret and seemed to have a short conversation with a crew member at the gunner's hatch. After ending the conversation, the man descended from the tank. The tank commander briefly emerged from his hatch, and the tanks restarted their engines, ready to continue on. At that point, the man, who was still standing within a meter or two from the side of the lead tank, leapt in front of the vehicle once again and quickly re-established the man-tank standoff. Video footage shows two figures in blue pulling the man away and disappearing with him into a nearby crowd; the tanks continued on their way. Eyewitnesses are unsure who pulled him aside. Charlie Cole, who was there for Newsweek, said it was the Chinese government PSB (the police), while Jan Wong, who was there for The Globe and Mail, thought that the men who pulled him away were concerned bystanders. In April 1998, Time included the "Unknown Rebel" in a feature titled "Time 100: The Most Important People of the Century". In November 2016, Time included Jeff Widener's photograph in "Time 100: The Most Influential Images of All Time". CANNOTANSWER

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William Mark Felt Sr. (August 17, 1913 - December 18, 2008) was a Federal Bureau of Investigation (FBI) special agent and the Bureau's Associate Director, the FBI's second-highest-ranking post, from May 1972 until his retirement from the FBI in June 1973. During his time as Associate Director, Felt served as an anonymous informant, nicknamed "Deep Throat," to reporters Bob Woodward and Carl Bernstein of The Washington Post. He provided them with critical information about the Watergate scandal, a scandal which ultimately led to the resignation of President Richard M. Nixon in 1974.

Bob Woodward first describes his source nicknamed Deep Throat in All the President's Men as a "source in the Executive Branch who had access to information at CRP (the Committee to Re-elect the President, Nixon's 1972 campaign organization), as well as at the White House." The book described Deep Throat as an "incurable gossip" who was "in a unique position to observe the Executive Branch", a man "whose fight had been worn out in too many battles". Woodward had known the source before Watergate and had discussed politics and government with him. In 2005, Woodward wrote that he first met Felt at the White House in 1969 or 1970. Woodward was working as an aide to Admiral Thomas Hinman Moorer, Chairman of the Joint Chiefs of Staff, and was delivering papers to the White House Situation Room. In his book The Secret Man, Woodward described Felt as a "tall man with perfectly combed gray hair ... distinguished looking" with a "studied air of confidence, even what might be called a command presence". They stayed in touch and spoke on the telephone several times. When Woodward started working at the Washington Post, he phoned Felt on several occasions to ask for information for articles in the paper. Felt's information, taken on a promise that Woodward would never reveal its origin, was a source for a few stories, notably for an article on May 18, 1972, about Arthur H. Bremer, who shot George C. Wallace. When the Watergate story broke, Woodward called on Felt. The senior manager advised Woodward on June 19 that E. Howard Hunt was involved; the telephone number of his White House office had been listed in the address book of one of the burglars. Initially, Woodward's source was known at the Post as "My Friend". Post editor Howard Simons tagged him as "Deep Throat", after the widely known porno film Deep Throat. According to Woodward, Simons thought of the term because Felt had been providing information on a deep background basis. When Felt revealed his role in 2005, it was noted that "My Friend" has the same initial letters as "Mark Felt". Woodward's notes from interviewing Felt were marked "M.F.", which Woodward says was "not very good tradecraft." CANNOTANSWER

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Mohammed Rafi was the second eldest of six brothers born to Haji Ali Mohammad. The family originally belonged to Kotla Sultan Singh, a village near present-day Majitha in Amritsar district of Punjab, India. Rafi, whose nickname was Pheeko, began singing by imitating the chants of a fakir in the streets of his native village Kotla Sultan Singh where his family lived. Rafi's father moved to Lahore in 1935, where he ran a men's salon in Noor Mohalla in Bhati Gate.

Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

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The Clancy Brothers were an influential Irish folk group, which initially developed as a part of the American folk music revival. Most popular in the 1960s, they were famed for their trademark Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, paving the way for an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers, Patrick "Paddy" Clancy, Tom Clancy, and Liam Clancy, are best known for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership.

In 1988, the Clancy Brothers (Paddy, Tom, and Bobby) with Robbie O'Connell recorded a poorly mixed live album at St. Anselm College in Goffstown, New Hampshire, Tunes 'n' Tales of Ireland. Bobby Clancy called this album "crap", and Paddy referred to it as "not our best effort". Regardless, the album is notable as Tom Clancy's final record. In May 1990, Tom Clancy was diagnosed with stomach cancer. When he had surgery later in the summer, Liam filled in for him during the Clancy Brothers and Robbie O'Connell's August tour. The surgery proved unsuccessful, and Tom Clancy died at the age of 66 on 7 November 1990. He left behind a wife, a son, and five daughters. His youngest daughter was only two years old at the time. With the death of Tom Clancy, Liam again stepped in full-time with his brothers. This line-up experienced a more active schedule than the group had during the previous decade, with appearances on Regis and Kathie Lee in 1991, 1993 and 1995, a performance at the 30th Anniversary Bob Dylan concert at Madison Square Garden in 1992, seen by 20,000 live and 200 million people worldwide on television, and the formation of Irish Festival Cruises in 1991, an annual cruise of the Caribbean with live folk music. They also brought their own tour groups to Ireland, which Robbie O'Connell continues to do to this day. The Bob Dylan concert inspired the recording of the first studio album by the Clancy Brothers in over twenty years, since 1973's Greatest Hits. Released in late 1995, Older But No Wiser introduced all newly recorded songs with the exception of "When the Ship Comes In", which the group performed at the Dylan concert. It was the only recording to feature the line-up of Paddy, Bobby, Liam Clancy, and Robbie O'Connell. Older But No Wiser was the Clancy Brothers' final album. The Irish Festival Cruises had led to financial disputes between Paddy and Liam. Liam decided to leave the group because of this. Robbie O'Connell, now with the group for nineteen years, was ready for a change as well. The two left the Clancy Brothers together and formed their own duo, simply called Liam Clancy and Robbie O'Connell. Before splitting up, the Clancy brothers and Robbie O'Connell gave a Farewell Tour of Ireland and America in February and March 1996. One performance in Clonmel as part of their Irish tour was televised and later released on video and DVD as The Clancy Brothers and Robbie O'Connell: Farewell to Ireland. On the album Older But No Wiser and the concert video Farewell to Ireland, respectively, two sons of Clancy brothers made their recording debuts. Donal Clancy, Liam's youngest son, played backup on the studio album, while Bobby's son Finbarr Clancy performed with the group on the filmed Farewell concert. Bobby was not well at this time and Finbarr was brought on, in part, to aid his father for this concert. He had first performed with the group the previous year as a replacement for his father when he had heart surgery. Finbarr did not join them for the American tour. CANNOTANSWER

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Shriver was born in Chicago, Illinois, the second child and only daughter of the politician Sargent Shriver and activist Eunice Kennedy Shriver. Shriver is the niece of United States President John F. Kennedy, U.S. Attorney General and U.S. Senator Robert F. Kennedy, U.S. Senator Ted Kennedy, and five other prominent siblings. A Roman Catholic, she is of mostly Irish and German descent. Shriver attended Westland Middle School in Bethesda, Maryland, a suburb of Washington, D.C., and graduated in 1973 from Stone Ridge School of the Sacred Heart in Bethesda.

In October 2009, Shriver launched "The Shriver Report: A Woman's Nation Changes Everything," a national study and comprehensive report conducted in partnership with the Center for American Progress, USC's Annenberg Center on Communication, Leadership and Policy, and the Rockefeller Foundation. The Shriver Report revealed that American women, for the first time, make up half of the United States workforce and studied how that fact is impacting major institutions like family, business, government and faith organizations. The report was released in 2013 in partnership with TIME and NBC News. According to The New York Times, the report "was modeled on a study undertaken almost 50 years ago during the administration of John F. Kennedy, Shriver's uncle, and led by Eleanor Roosevelt." The report features, among other things, writings by public figures including Suze Orman, Beyonce, Tammy Duckworth, Billie Jean King, Heidi Hartmann, Susan J. Douglas, Stephanie Coontz, Kristin Rowe-Finkbeiner, John Podesta, and Oprah Winfrey. In 2010 The Shriver Report: A Woman's Nation Takes on Alzheimer's was published. It is a study by Maria Shriver and the Alzheimer's Association. It features, among other things, writings by public figures including Barbra Streisand, Laura Bush, Patti Davis, Soleil Moon Frye, Rosalynn Carter, Susan Collins, Kathleen Sebelius, Barbara Mikulski, Kathleen Sebelius, and Joe Biden. In 2014, The Shriver Report: A Woman's Nation Pushes Back from the Brink was published; it is about women and their children in poverty. It is by Maria Shriver, with editors Olivia Morgan, and Karen Skelton, and features, among other things, writings by public figures including Carol Gilligan, Beyonce, Joan Chittister, Ai-Jen Poo, Eva Longoria, Stephanie Coontz, Jennifer Garner, Kathleen Sebelius, Jada Pinkett Smith, Anne-Marie Slaughter, Tory Burch, Sheryl Sandberg, Kirsten Gillibrand, Barbara Ehrenreich, LeBron James, and Hillary Clinton. CANNOTANSWER

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Diponegoro was born on 11 November 1785 in Yogyakarta, and was the eldest son of Sultan Hamengkubuwono III of Yogyakarta. During his youth at the Yogyakartan court, major occurrences such as the dissolution of the VOC, the British invasion of Java, and subsequent return to Dutch rule. During the invasion, the Sultan Hamengkubuwono II, pushed aside in his power on 1810 in favor of Diponegoro's father, used the general disruption to regain control. In 1812 however he was once more removed from the throne and exiled off-Java by the British forces.

Dutch colonial rule was becoming unpopular among local farmers because of tax rises, crop failures and among Javanese nobles because the Dutch colonial authorities deprived them of their right to lease land. Diponogoro was widely believed to be the Ratu Adil, the just ruler predicted in the Pralembang Jayabaya. Mount Merapi's eruption in 1822 and a cholera epidemic in 1824 furthered the view that a cataclysm is inbound, eliciting widespread support for Diponegoro. In the days leading up to the war's outbreak, no action was taken by local Dutch officials although rumors of his upcoming insurrection had been floating about. Prophesies and stories, ranging from visions from the tomb of Sultan Ageng Tirtayasa to his contact with Nyai Roro Kidul, spread across the populace. The beginning of the war saw large losses on the side of the Dutch, due to their lack of coherent strategy and commitment in fighting Diponegoro's guerrilla warfare. Ambushes were set up, and food supplies were denied to the Dutch troops. The Dutch finally committed themselves to controlling the spreading rebellion by increasing the number of troops and sending General De Kock to stop the insurgency. De Kock developed a strategy of fortified camps (benteng) and mobile forces. Heavily fortified and well-defended soldiers occupied key landmarks to limit the movement of Diponegoro's troops while mobile forces tried to find and fight the rebels. From 1829, Diponegoro definitively lost the initiative and he was put in a defensive position; first in Ungaran, then in the palace of the Resident in Semarang, before finally retreating to Batavia. Many troops and leaders were defeated or deserted. CANNOTANSWER

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Background: The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
Context: In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings. Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards). The Monkees decided that they no longer needed Chip Douglas as a producer, and starting in November 1967, they largely produced their own sessions. Although credited to the whole band, the songs were mostly solo efforts. In a couple of cases, Boyce and Hart had returned from the first two albums to produce, but credit was given to the Monkees. It was also during this time that Michael Nesmith recorded his first solo album, The Wichita Train Whistle Sings, a big band jazz instrumental collection of interpretations of Nesmith's compositions, arranged by the jazz musician Shorty Rogers. Praised in The Los Angeles Times by the author of The Encyclopedia of Jazz, jazz critic Leonard Feather wrote "Verbally and musically, Mike Nesmith is one of the most articulate spokesmen for the new and literate breed of pop musicians who have spring from the loins of primitive rock. [The album] with its carriage trade of symphony, rock, country, western, and swing, and with jazz riding in the caboose, may well indicate where contemporary popular music will be situated in the early 1970s." Considered by some to be the Monkees' "White Album" period (for example, Sandoval mentions this in the liner notes of Rhino Handmade's 2010 Deluxe reissue of the album), each of the Monkees contributions reflected his own musical tastes, which resulted in an eclectic album. Micky sang the pop songs (e.g., "I'll Be Back Upon My Feet"), and performed a double-vocal with Mike on the Nesmith/Allison composed "Auntie's Municipal Court". Davy sang the ballads (e.g., "Daydream Believer" and "We Were Made for Each Other") and Nesmith contributed some experimental songs, like the progressive "Writing Wrongs", the unusual hit song "Tapioca Tundra", and the lo-fi 1920s sound of "Magnolia Simms". This last song is notable for added effects to make it sound like an old record (even including a "record skipping" simulation) made before the Beatles "Honey Pie", which used a similar effect. Propelled by the hit singles "Daydream Believer" and "Valleri", along with Nesmith's self-penned top 40 hit "Tapioca Tundra", The Birds, The Bees & The Monkees reached No. 3 on the Billboard charts shortly after it was released in April 1968. It was the first album released after NBC announced they were not renewing The Monkees for a third season. The album cover--a quaint collage of items looking like a display in a jumble shop or toy store--was chosen over the Monkees' objections. It was the last Monkees' album to be released in separate, dedicated mono and stereo mixes. During the 1986 reunion, it would return to the Billboard charts for 11 weeks. CANNOTANSWER
Question: what album was on top of the charts?

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Imran Khan Niazi PP, HI (Urdu: `mrn Hmd khn nyzy) (born 5 October 1952) is a Pakistani politician, former first-class cricketer and philanthropist who leads the Pakistan Tehreek-e-Insaf and serves as a member of the National Assembly. Prior to entering politics, Khan played international cricket for two decades in the late twentieth century. Khan was born to a Pashtun family in Lahore, Punjab, in 1952 and educated at Aitchison, Worcester, and later at Keble College, Oxford.

Khan made a lackluster first-class cricket debut at the age of sixteen in Lahore. By the start of the 1970s, he was playing for his home teams of Lahore A (1969-70), Lahore B (1969-70), Lahore Greens (1970-71) and, eventually, Lahore (1970-71). Khan was part of University of Oxford's Blues Cricket team during the 1973-1975 seasons. At Worcestershire, where he played county cricket from 1971 to 1976, he was regarded as only an average medium-pace bowler. During this decade, other teams represented by Khan included Dawood Industries (1975-1976) and Pakistan International Airlines (1975-1976 to 1980-1981). From 1983 to 1988, he played for Sussex. Khan made his Test cricket debut against England in 1971 Edgbaston. Three years later, he debuted in the One Day International (ODI) match, once again playing against England at Trent Bridge for the Prudential Trophy. After graduating from Oxford and finishing his tenure at Worcestershire, he returned to Pakistan in 1976 and secured a permanent place on his native national team starting from the 1976-1977 season, during which they faced New Zealand and Australia. Following the Australian series, he toured the West Indies, where he met Tony Greig, who signed him up for Kerry Packer's World Series Cricket. His credentials as one of the fastest bowlers of the world started to become established when he finished third at 139.7 km/h in a fast bowling contest at Perth in 1978, behind Jeff Thomson and Michael Holding, but ahead of Dennis Lillee, Garth Le Roux and Andy Roberts. As a fast bowler, Khan reached the peak of his powers in 1982. In 9 Tests, he got 62 wickets at 13.29 each, the lowest average of any bowler in Test history with at least 50 wickets in a calendar year. In January 1983, playing against India, he attained a Test bowling rating of 922 points. Although calculated retrospectively (ICC player ratings did not exist at the time), Khan's form and performance during this period ranks third in the ICC's All-Time Test Bowling Rankings. Khan achieved the all-rounder's triple (securing 3000 runs and 300 wickets) in 75 Tests, the second fastest record behind Ian Botham's 72. He is also established as having the second highest all-time batting average of 61.86 for a Test batsman playing at position 6 of the batting order. He played his last Test match for Pakistan in January 1992, against Sri Lanka at Faisalabad. Khan retired permanently from cricket six months after his last ODI, the historic 1992 World Cup final against England in Melbourne, Australia. He ended his career with 88 Test matches, 126 innings and scored 3807 runs at an average of 37.69, including six centuries and 18 fifties. His highest score was 136 runs. As a bowler, he took 362 wickets in Test cricket, which made him the first Pakistani and world's fourth bowler to do so. In ODIs, he played 175 matches and scored 3709 runs at an average of 33.41. His highest score remains 102 not out. His best ODI bowling is documented at 6 wickets for 14 runs.He holds the record for the best bowling figures by any bowler in an ODI innings in a losing cause(6-14). At the height of his career, in 1982, the thirty-year-old Khan took over the captaincy of the Pakistan cricket team from Javed Miandad. As a captain, Khan played 48 Test matches, out of which 14 were won by Pakistan, 8 lost and the rest of 26 were drawn. He also played 139 ODIs, winning 77, losing 57 and ending one in a tie. In the team's second match, Khan led them to their first Test win on English soil for 28 years at Lord's. Khan's first year as captain was the peak of his legacy as a fast bowler as well as an all-rounder. He recorded the best Test bowling of his career while taking 8 wickets for 58 runs against Sri Lanka at Lahore in 1981-1982. He also topped both the bowling and batting averages against England in three Test series in 1982, taking 21 wickets and averaging 56 with the bat. Later the same year, he put up a highly acknowledged performance in a home series against the formidable Indian team by taking 40 wickets in six Tests at an average of 13.95. By the end of this series in 1982-1983, Khan had taken 88 wickets in 13 Test matches over a period of one year as captain. This same Test series against India, however, also resulted in a stress fracture in his shin that kept him out of cricket for more than two years. An experimental treatment funded by the Pakistani government helped him recover by the end of 1984 and he made a successful comeback to international cricket in the latter part of the 1984-1985 season. In India in 1987, Khan led Pakistan in its first-ever Test series win and this was followed by Pakistan's first series victory in England during the same year. During the 1980s, his team also recorded three creditable draws against the West Indies. India and Pakistan co-hosted the 1987 World Cup, but neither ventured beyond the semi-finals. Khan retired from international cricket at the end of the World Cup. In 1988, he was asked to return to the captaincy by the president of Pakistan, General Zia-Ul-Haq, and on 18 January, he announced his decision to rejoin the team. Soon after returning to the captaincy, Khan led Pakistan to another winning tour in the West Indies, which he has recounted as "the last time I really bowled well". He was declared Man of the Series against West Indies in 1988 when he took 23 wickets in 3 Tests. Khan's career-high as a captain and cricketer came when he led Pakistan to victory in the 1992 Cricket World Cup. Playing with a brittle batting line-up, Khan promoted himself as a batsman to play in the top order along with Javed Miandad, but his contribution as a bowler was minimal. At the age of 39, Khan took the winning last wicket himself. In 1994, Khan had admitted that, during Test matches, he "occasionally scratched the side of the ball and lifted the seam." He had also added, "Only once did I use an object. When Sussex were playing Hampshire in 1981 the ball was not deviating at all. I got the 12th man to bring out a bottle top and it started to move around a lot." In 1996, Khan successfully defended himself in a libel action brought forth by former English captain and all-rounder Ian Botham and batsman Allan Lamb over comments they alleged were made by Khan in two articles about the above-mentioned ball-tampering and another article published in an Indian magazine, India Today. They claimed that, in the latter publication, Khan had called the two cricketers "racist, ill-educated and lacking in class." Khan protested that he had been misquoted, saying that he was defending himself after having admitted that he tampered with a ball in a county match 18 years ago. Khan won the libel case, which the judge labelled a "complete exercise in futility", with a 10-2 majority decision by the jury. Since retiring, Khan has written opinion pieces on cricket for various British and Asian newspapers, especially regarding the Pakistani national team. His contributions have been published in India's Outlook magazine, the Guardian, the Independent, and the Telegraph. Khan also sometimes appears as a cricket commentator on Asian and British sports networks, including BBC Urdu and the Star TV network. In 2004, when the Indian cricket team toured Pakistan after 14 years, he was a commentator on TEN Sports' special live show, Straight Drive, while he was also a columnist for sify.com for the 2005 India-Pakistan Test series. He has provided analysis for every cricket World Cup since 1992, which includes providing match summaries for the BBC during the 1999 World Cup. He holds as a captain the world record for taking most wickets, best bowling strike rate and best bowling average in Test, and best bowling figures (8 wickets for 60 runs) in a Test innings, and also most five-wicket hauls (6) in a Test innings in wins. On 23 November 2005, Imran Khan was appointed as the chancellor of University of Bradford, succeeding Baroness Lockwood. On February 26, 2014, University of Bradford Union floated a motion to remove Khan from the post over Khan's absence from every graduation ceremony since 2010. Khan, however, announced that he will step down on November 30, 2014 citing his "increasing political commitments". The university vice-chancellor Brian Cantor said Khan had been "a wonderful role model for our students". CANNOTANSWER

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Priyanka Chopra was born on 18 July 1982 in Jamshedpur, Bihar (now in Jharkhand), to Ashok and Madhu Chopra, both physicians in the Indian Army. Her father was a Punjabi from Ambala. Her mother, from Jharkhand, is the eldest daughter of Ms. Madhu Jyotsna Akhouri, a former member of Bihar Legislative Assembly, and Dr. Manohar Kishan Akhouri, a former Congress veteran. Chopra has a brother, Siddharth, who is seven years her junior and actresses Parineeti Chopra, Meera Chopra and Mannara Chopra are her cousins.

In 2007, Chopra was on the judges' panel of the Miss India pageant. She stated, "Miss India will always remain special. That's where it all started for me. And maybe that's where it would've ended if I hadn't won the crown." She also served as a judge at Miss World 2009. She visited Jawan troops in Tenga, in eastern India, for a special episode of the NDTV show Jai Jawan celebrating the 60th anniversary of India's independence. In 2010, she hosted the third season of the reality show Fear Factor: Khatron Ke Khiladi on the Colors channel, taking over from previous host Akshay Kumar. According to contestants, in hosting the series, Chopra had "transformed into quite a whip-wielding dictator", relentlessly pushing the contestants to work. She performed most of her own stunts, adamant to prove that she could rival Akshay Kumar, who had hosted the previous two seasons. The opening ratings of the show topped those of the two previous seasons. The show was praised by critics, and earned her the Indian Telly Award for Most Impactful Debut on Television. In February 2016, Chopra presented the award for Best Film Editing at the 88th Academy Awards. Chopra has participated in a number of world tours and concerts. She took part in a world concert tour, "Temptations 2004", and performed with other Bollywood actors (including Shah Rukh Khan, Saif Ali Khan, Rani Mukerji, Preity Zinta and Arjun Rampal) in 19 stage shows. In 2011, she participated (with Shahid Kapoor and Shah Rukh Khan) in a concert in Durban, South Africa celebrating 150 years of India-South Africa friendship. In 2012, she performed at M. A. Chidambaram Stadium, Chennai in the opening ceremony of the fifth season of cricket's Indian Premier League with Amitabh Bachchan, Salman Khan, Kareena Kapoor and Katy Perry. The same year, she performed at Dubai Festival City's Ahlan Bollywood Concert with other Bollywood stars such as Salman Khan and Sophie Choudry. CANNOTANSWER


Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWERAnswer this question using a quote from the following article:

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Ian William Geddes Johnson CBE (8 December 1917 - 9 October 1998) was an Australian cricketer who played 45 Test matches as a slow off-break bowler between 1946 and 1956. Johnson captured 109 Test wickets at an average of 29.19 runs per wicket and as a lower order batsman made 1,000 runs at an average of 22.92 runs per dismissal. He captained the Australian team in 17 Tests, winning seven and losing five, with a further five drawn. Despite this record, he is better known as the captain who lost consecutive Ashes series against England.

In 1942, aged 24, Johnson married 19-year-old Lal Park, the daughter of former Test cricketer Roy Park. They were married for 56 years and had two sons, Bill and Bob. After the war, when cricket commitments allowed, Johnson worked as a salesman. Immediately following his retirement, Johnson spent some time as one of the first television sporting commentators in Australia, covering the 1956 Summer Olympics, held in his home town of Melbourne. He wrote a book; Cricket at the Crossroads, published in 1957. The following year, Johnson was chosen from a group of 44 candidates for the position of secretary of the Melbourne Cricket Club. The position--previously held by Test cricketers Hugh Trumble and Vernon Ransford--is one of the most prestigious jobs in Australian cricket. During a time of "dramatic change", he helped to maintain the Melbourne Cricket Ground's ("MCG") pre-eminence as a sporting arena. Johnson managed the club and the ground through some major redevelopment, keeping a balance between the competing interests of Australian rules football and cricket. For services to sports administration, he was appointed an Officer in the Order of the British Empire (OBE) in 1976. He played a leading part in organising the Centenary Test, held at the MCG in 1977. For 20 years, he served as a member of the Victorian state parole board. After serving Melbourne Cricket Club for 26 years, he retired to spend more time at his home in the southern Melbourne suburb of Albert Park and his holiday house in Torquay. In 1982, his OBE was upgraded, when he was appointed a Commander in the Order of the British Empire (CBE) for services to cricket. He died in Melbourne in 1998 following a long illness. CANNOTANSWER

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Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.

When Pakistan toured the West Indies in 1988, Ambrose played in the One Day International (ODI) series, taking the place of the recently retired Joel Garner. He made his debut during the first match, on 12 March 1988 in Kingston, Jamaica, taking wickets with his third and ninth deliveries; he ended the innings with four for 39 from 10 overs. In the second match, he took four for 35 and followed with another two wickets in the third. West Indies won those first three matches to take the series, and Ambrose did not play in the fourth or fifth game. In the Test series which followed, Ambrose was less effective. In the first Test, he took two for 121 as West Indies lost at home for the first time in 10 years. Wisden noted that his debut was "unimpressive", but that he improved in the subsequent matches. He finished the series with seven wickets at an average of over 50 runs per wicket. Later that year, Ambrose was chosen to tour England. After appearing in early tour games, he was chosen for the first two ODIs, taking three wickets in total, but was omitted from the third. In the Test series, he played in all five matches to take 22 wickets at an average of 20.22; his best figures of four for 58 came in the fourth Test, in which he took seven wickets and was named man of the match. Writing in Wisden, commentator Tony Cozier described Ambrose as "a ready-made replacement for Garner"; the amount of bounce he generated after the ball pitched "made him a constant menace". In 1988-89, West Indies took part in an ODI tournament in Sharjah. Ambrose took 8 wickets, and was man of the match with four for 29 when West Indies defeated Pakistan in the final. From there, West Indies travelled to Australia for a series in which Ambrose was a dominant figure. The West Indies won the Test series 3-1, using controversial short-pitched bowling tactics. Ambrose's height made him difficult to play as he made the ball bounce more than other bowlers. Writing in Wisden, John Woodcock noted: "As in England, earlier in 1988, Ambrose's bowling was a telling factor ... [His] advance compensated for something of a decline in [Malcolm] Marshall's effectiveness". In the first Test, he took seven wickets; in the second, he took five wickets in a Test innings for the first time with five for 72, and finished with eight in the game; and in the third, he took six wickets. His performances earned him man of the match award in the first and third games, and he ended the series with 26 wickets at an average of 21.46. He was West Indies' leading wicket-taker and headed the team bowling averages. In the ODI tournament that took place during the tour, West Indies defeated Australia in the final; Ambrose took 21 wickets in the series and twice took five wickets in an innings. Suffering from fatigue and illness, Ambrose was less successful later in 1989 when India toured the West Indies: he took just five wickets in the four-Test series at an average of 54.60. CANNOTANSWERAnswer this question using a quote from the following article:

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Background: The Smashing Pumpkins (or Smashing Pumpkins) are an American alternative rock band from Chicago, Illinois. Formed in 1988 by frontman Billy Corgan (lead vocals, guitar) and James Iha (guitar), the band included D'arcy Wretzky (bass guitar) and Jimmy Chamberlin (drums) in its original incarnation. It has undergone many line-up changes over the course of its existence, with the current lineup being Corgan, Chamberlin, Iha and guitarist Jeff Schroeder. Disavowing the punk rock roots of many of their alt-rock contemporaries, they have a diverse, densely layered, and guitar-heavy sound, containing elements of gothic rock, heavy metal, dream pop, psychedelic rock,progressive rock, shoegazing, and electronica in later recordings.
Context: On June 21, 2005, the day of the release of his album TheFutureEmbrace, Corgan took out full-page advertisements in the Chicago Tribune and Chicago Sun-Times to announce that he planned to reunite the band. "For a year now", Corgan wrote, "I have walked around with a secret, a secret I chose to keep. But now I want you to be among the first to know that I have made plans to renew and revive the Smashing Pumpkins. I want my band back, and my songs, and my dreams". Corgan and Chamberlin were verified as participants in the reunion, but there was question as to whether other former members of the band would participate. In April 2007 Iha and Auf der Maur separately confirmed that they were not taking part in the reunion. Chamberlin would later state that Iha and Wretzky "didn't want to be a part of" the reunion. The Smashing Pumpkins performed live for the first time since 2000 on May 22, 2007, in Paris, France. There, the band unveiled new touring members: guitarist Jeff Schroeder, bassist Ginger Reyes, and keyboardist Lisa Harriton. That same month, "Tarantula" was released as the first single from the band's forthcoming album. On July 7, the band performed at the Live Earth concert in New Jersey. The band's new album, Zeitgeist, was released that same month on Reprise Records, entering the Billboard charts at number two and selling 145,000 copies in its first week. Zeitgeist received mixed reviews, with much of the criticism targeted at the absence of half of the original lineup. The album divided the Pumpkins' fanbase. Corgan would later admit, "I know a lot of our fans are puzzled by Zeitgeist. I think they wanted this massive, grandiose work, but you don't just roll out of bed after seven years without a functioning band and go back to doing that". Corgan and Chamberlin continued to record as a duo, releasing the four-song EP American Gothic in January 2008 and the singles "Superchrist" and "G.L.O.W." later that year. That November, the group released the DVD If All Goes Wrong, which chronicled the group's 2007 concert residences in Asheville, North Carolina and San Francisco, California. In late 2008, the band commenced on a controversy-riddled 20th Anniversary Tour. Around this time, Corgan said the group will make no more full-length records in order to focus exclusively on singles, explaining, "The listening patterns have changed, so why are we killing ourselves to do albums, to create balance, and do the arty track to set up the single? It's done." CANNOTANSWER
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The Dead Boys are an American punk rock band from Cleveland, Ohio. The band was among the first wave of early punk bands, and was known as one of the rowdiest and most violent punk groups of the era. The Dead Boys were initially active from 1976 to 1979, briefly reuniting in 1986, and then later again in 2004 and 2005 for the first time without their frontman Stiv Bators, who had died in 1990. In September 2017, founding members Cheetah Chrome and Johnny Blitz reunited the band with a new lineup for a 40th anniversary tour along with a new album, Still Snotty: Young, Loud and Snotty at 40, a re-recording of their debut album.

After the Dead Boys dissolved, Cheetah Chrome played around New York City (mostly at Max's Kansas City) doing shows with The Stilettos, as well as his own band Cheetah Chrome and the Casualties. He recorded a single for ORK Records, "Still Wanna Die" / "Take Me Home", recorded with Atlantic Records co-founder Herb Abramson. Shortly thereafter, he played on Ronnie Spector's debut solo album Siren. He appeared on several recordings during the 1980s, and rejoined the Dead Boys for their ill-fated reunions of the late 1980s. In 2003, after the release of The Day the Earth Met the Rocket from the Tombs, Chrome reformed Rocket From The Tombs with David Thomas, Craig Bell, with Steve Mehlman (Pere Ubu) on drums and Richard Lloyd (Television) replacing the late Peter Laughner. This reincarnation of the group toured in 2003 and 2006. In summer 2003 they entered the studio to record some of the band's old material for the first time. The recordings were released as Rocket Redux (SmogVeil). In 2005, the members of Rocket From The Tombs flew to Germany to headline one night (The Buzzcocks headlined the other) of the International Punk Kongress in Kassel; then, in 2006, they reconvened in Cleveland, Ohio to write material for a new record. This material became the single "I Sell Soul"/"Romeo and Juliet", released in 2010, and the full-length album Barfly, released in 2011. In September 2010 Cheetah Chrome: A Dead Boy's Tale From The Front Lines Of Punk Rock was published. At the end of a week-long Rocket From The Tomb tour in December 2011, Chrome announced to the band that he had decided to stop touring extensively after 2012. He currently works for Plowboy Records in Nashville, TN, mainly in production and promotion. CANNOTANSWER


Joey Yung (Chinese: Rong Zu Er ; Jyutping: Jung4 Zo2 Ji4; born 16 June 1980) is a Hong Kong singer and actress signed to Emperor Entertainment Group.

At the end of 2006, Yung released the Cantonese album Close Up to commercial success, selling out at stores over Hong Kong as well as online CD stores. A second version of the album was released on 26 January 2007, containing a bonus DVD with music videos for the songs "Splendid Encounter (Hua Li Xie Hou )" and "Elated Heart (Xin Hua Nu Fang )". Around the same time, Yung held a concert organised by Neway with appearances from other artists such as Anthony Wong, at17, Hins Cheung, Yumiko Cheng, Vincent Wong, and Sun Boy'z. In 2007, she became Hong Kong's ambassador of the World Vision 30 Hour Famine campaign and visited Kenya in March. On 5 July, she released her fifth Mandarin album, Insignificant Me, with the title track produced by Jay Chou. Unfortunately, it was one of her worst selling Mandarin album. On 7 July, she performed at the Live Earth concert in Shanghai. On 7 November, she released another album, Glow. In early 2008, Yung released her fourth compilation album Love Joey 4, and held her fifth concert titled StarLight Live over ten days at the Hong Kong Coliseum. During the concert she performed "The Power Medley", a 20-minute intense dance medley of her fast-tempo tracks. The concert's success led to a four-night extension. In February, Yung travelled to New York City with the hope of improving her dancing skills. That year she sang a number of official songs for the 2008 Beijing Olympics and began a world tour shortly afterwards with shows in Malaysia, Canada, the United States, Mainland China, Singapore, and Macau. The year 2009 marked the tenth anniversary of Yung's career with EEG. To celebrate the occasion, two albums (A Time For Us and Very Busy) and a documentary were released and a mini-concert (Perfect Ten Live at the Hong Kong Cultural Centre's Grand Theatre, where Yung won her first major singing contest in 1995) was held on 4 October, with tickets for the two shows selling out within seven minutes. The "Perfect Ten Live Boxset" was released in two versions in December: the normal version included two concert DVDs, the Perfect 10 documentary, and a photo album; while deluxe version contained two more CDs from Perfect Ten Live and more photos. Towards the end of the year, Yung performed at the concert Music Is Live with Mobile Chan, and won the Media Award for the third time (having previously won the award in 2003 and 2004). CANNOTANSWER

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Background: Maasai are a Nilotic ethnic group inhabiting central and southern Kenya and northern Tanzania. They are among the best known local populations due to their residence near the many game parks of the African Great Lakes, and their distinctive customs and dress.The Maasai speak the Maa language (ol Maa), a member of the Nilo-Saharan family that is related to Dinka and Nuer languages. Some have become educated in the official languages of Kenya and Tanzania, Swahili and English.
Context: Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves. CANNOTANSWER
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William Mark Felt Sr. (August 17, 1913 - December 18, 2008) was a Federal Bureau of Investigation (FBI) special agent and the Bureau's Associate Director, the FBI's second-highest-ranking post, from May 1972 until his retirement from the FBI in June 1973. During his time as Associate Director, Felt served as an anonymous informant, nicknamed "Deep Throat," to reporters Bob Woodward and Carl Bernstein of The Washington Post. He provided them with critical information about the Watergate scandal, a scandal which ultimately led to the resignation of President Richard M. Nixon in 1974.

FBI Director J. Edgar Hoover often moved Bureau agents around so they would have wide experience in the field. This was typical of other agencies and corporations of the time. Felt observed that Hoover "wanted every agent to get into any field office at any time. Since he [Hoover] had never been transferred and did not have a family, he had no idea of the financial and personal hardship involved." After completing sixteen weeks of training at the FBI Academy at Quantico, Virginia, and FBI Headquarters in Washington, DC., Felt was assigned to Texas, working in the field offices in Houston and San Antonio, spending three months in each. He returned to FBI Headquarters, where he was assigned to the Espionage Section of the Domestic Intelligence Division, tracking down spies and saboteurs during World War II. He worked on the Major Case Desk. His most notable work was on the "Peasant" case. Helmut Goldschmidt, operating under the codename "Peasant", was a German agent in custody in England. Under Felt's direction, his German masters were informed "Peasant" had made his way to the United States, and thus were fed disinformation on Allied plans. The Espionage Section was abolished in May 1945 after V-E Day. After the war, Felt was assigned to field offices, first to Seattle, Washington. After two years of general work, he spent two years as a firearms instructor and was promoted from agent to supervisor. Upon passage of the Atomic Energy Act and the creation of the United States Atomic Energy Commission, the Seattle office became responsible for completing background checks of workers at the Hanford plutonium plant near Richland, Washington. Felt oversaw those investigations. In 1954, Felt returned briefly to Washington as an inspector's aide. Two months later, he was sent to New Orleans, Louisiana, as Assistant Special Agent-in-Charge (SAIC) of the field office. When he was transferred to Los Angeles, California, fifteen months later, he held the same rank there. CANNOTANSWERAnswer this question using a quote from the following article:

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