Pierre Louis Joseph Boulez CBE (French: [pjeR bu.le:z]; 26 March 1925 - 5 January 2016) was a French composer, conductor, writer and founder of institutions. He was one of the dominant figures of the post-war classical music world. Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andree Vaurabourg and Rene Leibowitz. He began his professional career in the late 1940s as Music Director of the Renaud-Barrault theatre company in Paris.

Pierre Boulez was born on 26 March 1925, in Montbrison, a small town in the Loire department of east-central France, to Leon and Marcelle (nee Calabre) Boulez. He was the third of four children: an older sister, Jeanne (b. 1922) and younger brother, Roger (b. 1936) were preceded by a first child, also called Pierre (b. 1920), who died in infancy. Leon (1891-1969), an engineer and technical director of a steel factory, is described by biographers as an authoritarian figure, but with a strong sense of fairness; Marcelle (1897-1985) as an outgoing, good-humoured woman, who deferred to her husband's strict Catholic beliefs whilst not necessarily sharing them. The family prospered, moving in 1929 from the apartment above a pharmacy at 29 rue Tupinerie, where Boulez was born, to a comfortable detached house at 46 avenue d'Alsace-Lorraine, where he spent most of his childhood. From the age of seven he went to school at the Institut Victor de Laprade, a Catholic seminary where the thirteen-hour school day was filled with study and prayer. By the age of fifteen he was sceptical about religion ("what struck me most was that it was so mechanical: there was a total absence of genuine conviction behind it") and by eighteen he had repudiated Catholicism, although later in life he described himself as an agnostic. As a child he took piano lessons, played chamber music with local amateurs and sang in the school choir. After completing the first part of his baccalaureate a year early he spent the academic year of 1940-41 at the Pensionnat St. Louis, a boarding school in nearby St. Etienne. The following year he took classes in advanced mathematics at the University of Lyon with a view to gaining admission to the Ecole Polytechnique in Paris. His father hoped this would lead to a career in engineering. He was in Lyon when the Vichy government fell and the Germans took over. The city became a centre of the resistance and Boulez later recalled the terrible reprisals: "when there was a bomb in a cafe where the military had been drinking next day there was a poster saying hostages had been shot. It was not a gentle time, and nothing to eat, and terribly cold." It was in Lyon that he first heard an orchestra, saw his first operas (Boris Godunov and Die Meistersinger von Nurnberg) and met the well-known soprano Ninon Vallin, who asked him to accompany her in arias from Aida and La Damnation de Faust. Impressed by his ability, she persuaded Leon to allow his son to apply to the Conservatoire in Lyon, but the selection board rejected him. Boulez was determined to pursue a career in music. The following year, with his sister's support in the face of opposition from his father, he studied the piano and harmony privately with Lionel de Pachmann (son of the pianist Vladimir). "Our parents were strong, but finally we were stronger than they," Boulez would later say. In fact, when he moved to Paris in the autumn of 1943, hoping to enrol at the Paris Conservatoire, Leon accompanied him, helped him to find a room (at 14 rue Oudinot, near the Invalides) and subsidised him until he could earn a living. In October 1943 he auditioned unsuccessfully for the advanced piano class at the Conservatoire, but he was admitted in January 1944 to the preparatory harmony class of Georges Dandelot. His progress was so rapid that by May 1944, Dandelot's report describes him as "the best of the class". Around the same time he was introduced to Andree Vaurabourg, wife of the composer Arthur Honegger, and between April 1944 and May 1946 he studied counterpoint privately with her. He greatly enjoyed working with her and she remembered him as an exceptional student, using his exercises as models in advanced counterpoint until the end of her teaching career. On 26 August 1944, the day of de Gaulle's return to Paris, Boulez was among the crowd in the Place de la Concorde, which came under sniper fire from the few remaining Germans and collaborators. In the autumn he joined Olivier Messiaen's advanced harmony class at the Conservatoire and attended the private seminars which Messiaen gave to chosen students, where key works of the early twentieth-century, including Stravinsky's Rite of Spring, were subjected to intensive analysis. In January 1945 Boulez moved to two small attic rooms at 4 rue Beautreillis in the Marais district of Paris, where he lived for the next fourteen years. The following month he attended a private performance of Schoenberg's Wind Quintet, conducted by Rene Leibowitz, a follower of Schoenberg. The piece was a revelation to him and he organised a group of fellow students to take private lessons with Leibowitz. It was here that he first studied twelve-tone technique and discovered the music of Webern. Around this time he was one of a number of Conservatoire students (organised, it was said, by Leibowitz) who booed a performance of Stravinsky's Danses concertantes, a work whose neo-classicism represented the pre-war culture he was determined to reject. Eventually he also found Leibowitz's approach too doctrinaire and he broke angrily with him in 1946 when Leibowitz tried to criticise one of his early works. In June 1945 he was one of four Conservatoire students awarded premier prix, the only member of Messiaen's class to achieve this distinction. He was described in the examiner's report as "the most gifted--a composer". Although nominally still registered as a student of the Conservatoire for the academic year 1945-46, his only attendance was at Simone Ple-Caussade's counterpoint and fugue class, which he joined in January 1946. He was so infuriated by what he described as her "lack of imagination" that he boycotted the class and organized a petition that Messiaen be given a full professorship in composition. Over the winter of 1945-46 he immersed himself in Balinese and Japanese music and African drumming at the Musee Guimet and the Musee de l'Homme in Paris: "I almost chose the career of an ethnomusicologist because I was so fascinated by that music. It gives a different feeling of time." A planned field trip to Cambodia was prevented only by the outbreak of the First Indochina War. CANNOTANSWERAnswer this question using a quote from the following article:

Who had what he felt was a lack of imagination?


DeVos was born Elisabeth Prince on January 8, 1958. She grew up in Holland, Michigan, the daughter of Elsa (Zwiep) Prince (later, Broekhuizen) and Edgar Prince, a billionaire industrialist. Both of her parents are of Dutch ancestry, and her family's original surname was "Prins". Edgar was the founder of Prince Corporation, an automobile parts supplier based in Holland, Michigan.

DeVos is known as a "a fierce proponent of school vouchers" that would allow students to attend private schools with public funding. According to The New York Times, it "is hard to find anyone more passionate about the idea of steering public dollars away from traditional public schools than Betsy DeVos". DeVos served as chairwoman of the board of Alliance for School Choice. Until November 2016, she headed the All Children Matter PAC which she and her husband founded in 2003 to promote school vouchers, tax credits to businesses that give private school scholarships, and candidates who support these causes. Over the years, DeVos and her husband have provided millions in funding for the organization. In 2008, All Children Matter was fined $5.2 million in Ohio for illegally laundering money into political campaign funds. DeVos was not named in the case. The fine remained unpaid as of 2017, prompting calls by Democratic Party lawmakers for DeVos to settle the debt. Her other activities on behalf of public-school reform have included membership on the boards of directors of the Advocates for School Choice, the American Education Reform Council, and the Education Freedom Fund. She has chaired the boards of Choices for Children, and Great Lakes Education Project (GLEP). DeVos was chair of the American Federation for Children (AFC). Affiliated with the Alliance for School Choice, the AFC describes itself as "a leading national advocacy organization promoting school choice, with a specific focus on advocating for school vouchers and scholarship tax credit programs". During the 1990s, she served on the boards of Children First America and the American Education Reform Council, which sought to expand school choice through vouchers and tax credits. She and her husband worked for the successful passage of Michigan's first charter-school bill in 1993, and for the unsuccessful effort in 2000 to amend Michigan's constitution to allow tax-credit scholarships or vouchers. In response to that defeat, DeVos started a PAC, the Great Lakes Education Project, which championed charter schools. DeVos's husband and John Walton then founded All Children Matter, a political organization, which she chaired. CANNOTANSWER

Answer the following question by taking a quote from the article: How do people get them?


Background: A marching band is a group in which instrumental musicians perform while marching, often for entertainment or competition. Instrumentation typically includes brass, woodwind, and percussion instruments. Most marching bands wear a uniform, often of a military style, that includes an associated school or organization's colors, name or symbol. Most high school marching bands, and some college marching bands, are accompanied by a color guard, a group of performers who add a visual interpretation to the music through the use of props, most often flags and rifles.
Context: Traditional Style bands, also known as Show Bands, are marching bands geared primarily towards crowd entertainment and perform on football fields. Typically, they perform a routine before the game, another at halftime, and sometimes after the game as well. Competitive show bands perform only one show that is continually refined throughout a season, while bands that focus on entertainment rather than competition usually perform a unique show for each game. These shows normally consists of three to five musical pieces accompanied by formations rooted in origin from Patterns in Motion, a book penned by band director William C. "Bill" Moffit, bandmaster of Purdue University All-American Marching Band and University of Houston Spirit of Houston. A recognizable style of show band is the one fielded by historically black colleges and universities (HBCUs). HBCU bands utilize the traditional "ankle-knee" high step and music selections are largely based on R&B, hip-hop, and contemporary popular music. In addition to traditional drill formations, HBCU bands feature heavily choreographed dance routines as part of their performances. Many of these bands may have a twirler line and/or a dancer line, but not necessarily flag twirlers. One of the most notable depictions of HBCU bands is the film Drumline. HBCU bands are a significant part of African-American musical culture and HBCU bands often surpass their associated football teams in popularity, a phenomenon that is uncommon among collegiate and high school marching bands. In 1989, as part of the celebrations for the bicentennial of the French Revolution, the Florida A&M University Marching 100, one of the most prolific HBCU bands in the country, was selected as the official representative of the United States in the bicentennial parade. Another style of show band is that used by many of the Big Ten Conference marching bands, a semi-military and semi-corps style. These bands perform a show that is designed to entertain the audience, but feature more traditional symphonic styles of music (marches, film scores, jazz, or older pop music) as well as some contemporary music. Big Ten style show bands have been influential in creating some of the earliest marching band innovations, and the style is used in high schools throughout much of the United States. Most show bands of either type include the traditional military band instrumentation of woodwinds, brass, and battery percussion. Some also include the front ensemble keyboard percussion, and may also incorporate the use of a color guard for flag, and rifle routines as well as a dance line. Many bands have auxiliaries that add a visual component to the performance. For ceremonial bands, this could be a traditional color guard or honor guard. For drum & bugle corps and corps-style field bands, this could include Dance lines, majorettes, Auxiliary units may be collectively referred to as color guard or visual ensemble. Auxiliaries may perform as independent groups. In the early 1970s, color guards began to hold their own competitions in the winter (after the American football season, and before the beginning of the summer drum and bugle corps season). These became known as winter guard. There are also numerous dance competitions in the off-season. The color guard of a marching band or drum and bugle corps may contain sabers, mock rifles, and tall flags. In modern bands, other props are often used: flags of all sizes, horizontal banners, vertical banners, streamers, pom-poms, even tires, balls, and hula hoops or custom built props. The color guard may also employ stage dressing such as backdrops, portable flats, or other structures. These can be used simply as static scenery or moved to emphasize block drill, and are often used to create a "backstage" area to store equipment and hide personnel. While military color guards were typically male, band color guards tend to be primarily female, though it is becoming more common for men to join as well. A few independent units are all-male. Guard members nearly always wear a special uniform or costume that is distinctive from that of the band, not necessarily matching in design or color. The men's and women's guard uniforms are usually designed in one of two ways: nearly identically, but with gender-specific parts (i.e. skirts) adapted for the use of the opposite sex; or complimentarily, with the two uniforms designed similarly but with variations in color or form. The color guard uniform, especially in a high school marching band, need not be in school colors; in fact, they rarely are. These uniforms are designed to represent a certain aspect of the halftime show, characterize the guard members through costumes, or tell some sort of story, and can thus be in any design or color (a surprisingly common complaint among the high school audience is that guard uniforms and equipment "aren't school colors"). Indoor color guards have become popular within high schools and universities throughout the United States. These groups perform a theme-based show in competitions after the outdoor marching band season ends. Indoor color guard shows are typically performed in school gymnasiums and are adjudicated. High step is a style of marching used by many colleges and universities, including most bands of HBCUs and the Big Ten. Three primary sub-variants of the high are used: The ankle-knee step involves bringing the foot up to the inside of the leg to the knee before coming down and forward. This is the style used by most bands from HBCUs. The chair step involves lifting the knee until the thighs are parallel to the ground, and with toes pointed downward. When the leg is elevated to its maximum height, a ninety-degree angle exists between the torso and the thigh, as well as between the thigh and shin. The leg is then lowered, and this is repeated in an alternating fashion between the legs. The style is used by many schools in the Big Ten. The extended high step, similarly to the chair step, involves the thigh being parallel to the ground and perpendicular to the body, but instead with the shin extended outward at a forty five-degree angle from the body and with toes pointed downward. The leg is then driven quickly back to the ground while the other leg repeats in this fashion. An integral part of this style of marching is known as stop action, meaning that all movement ceases momentarily at the apex of each step. This requires a band to have a great deal of stamina, though is effective visually. High step marching is often accompanied by a horizontal swing of the player's body and/or instrument. CANNOTANSWER
Question: What other significant things do the bands do during shows?

Answer:


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Ludwig Josef Johann Wittgenstein (; German: ['vItg@n,StaIn]; 26 April 1889 - 29 April 1951) was an Austrian-British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. From 1929 to 1947, Wittgenstein taught at the University of Cambridge. During his lifetime he published just one slim book, the 75-page Tractatus Logico-Philosophicus (1921), one article, one book review and a children's dictionary.

Ray Monk writes that Karl's aim was to turn his sons into captains of industry; they were not sent to school lest they acquire bad habits, but were educated at home to prepare them for work in Karl's industrial empire. Three of the five brothers would later commit suicide. Psychiatrist Michael Fitzgerald argues that Karl was a harsh perfectionist who lacked empathy, and that Wittgenstein's mother was anxious and insecure, unable to stand up to her husband. Johannes Brahms said of the family, whom he visited regularly: "They seemed to act towards one another as if they were at court." The family appeared to have a strong streak of depression running through it. Anthony Gottlieb tells a story about Paul practicing on one of the pianos in the Wittgensteins' main family mansion, when he suddenly shouted at Ludwig in the next room: "I cannot play when you are in the house, as I feel your scepticism seeping towards me from under the door!" The family Palace housed seven grand pianos and each of the siblings pursued music "with an enthusiasm that, at times, bordered on the pathological." The eldest brother, Hans, was hailed as a musical prodigy. At the age of four, writes Alexander Waugh, Hans could identify the Doppler effect in a passing siren as a quarter-tone drop in pitch, and at five started crying "Wrong! Wrong!" when two brass bands in a carnival played the same tune in different keys. But he died in mysterious circumstances in May 1902, when he ran away to America and disappeared from a boat in Chesapeake Bay, most likely having committed suicide. Two years later, aged 22 and studying chemistry at the Berlin Academy, the third eldest brother, Rudi, committed suicide in a Berlin bar. He had asked the pianist to play Thomas Koschat's "Verlassen, verlassen, verlassen bin ich" ("Forsaken, forsaken, forsaken am I"), before mixing himself a drink of milk and potassium cyanide. He had left several suicide notes, one to his parents that said he was grieving over the death of a friend, and another that referred to his "perverted disposition". It was reported at the time that he had sought advice from the Scientific-Humanitarian Committee, an organization that was campaigning against Paragraph 175 of the German Criminal Code, which prohibited homosexual sex. His father forbade the family from ever mentioning his name again. The second eldest brother, Kurt, an officer and company director, shot himself on 27 October 1918 at the end of World War I, when the Austrian troops he was commanding refused to obey his orders and deserted en masse. According to Gottlieb, Hermine had said Kurt seemed to carry "...the germ of disgust for life within himself." Later Wittgenstein wrote: "I ought to have... become a star in the sky. Instead of which I have remained stuck on earth." CANNOTANSWER

When did his other brother commit suicide?


Freaks is a 1932 American MGM pre-Code horror film produced and directed by Tod Browning. The original version of the film, running 90 minutes, was considered too shocking to be released, so several scenes were cut, resulting in an abridged runtime of 64 minutes. The original version no longer exists. The film is based on elements from the short story "Spurs" by Tod Robbins.

Despite the extensive cuts, the film was still negatively received by audiences, recording a loss of $164,000, and remained an object of extreme controversy. Today, the scenes that were removed are considered lost. Browning, famed at the time for his collaborations with Lon Chaney and for directing Bela Lugosi in Dracula (1931), had trouble finding work afterward and this effectively brought his career to an early close. "Freaks" became the only MGM film ever to be pulled from release before completing its domestic engagements. Because the film was thought to be overly exploitative, it was banned in the United Kingdom for 30 years. A number of contemporary reviews were not only highly critical of the film, but expressed outrage and revulsion. Harrison's Reports wrote that "Any one who considers this entertainment should be placed in the pathological ward in some hospital." In The Kansas City Star, John C. Moffitt wrote, "There is no excuse for this picture. It took a weak mind to produce it and it takes a strong stomach to look at it." The Hollywood Reporter called it an "outrageous onslaught upon the feelings, the senses, the brains and the stomachs of an audience." Variety also published a negative review, writing that the film was "sumptuously produced, admirably directed, and no cost was spared, but Metro heads failed to realize that even with a different sort of offering the story is still important. Here the story is not sufficiently strong to get and hold the interest, partly because interest cannot easily be gained for too fantastic a romance." The review went on to state that the story "does not thrill and at the same time does not please, since it is impossible for the normal man or woman to sympathize with the aspiring midget. And only in such a case will the story appeal." Not all reviews were as harsh. The New York Times called it "excellent at times and horrible, in the strict meaning of the word, at others" as well as "a picture not to be easily forgotten." The New York Herald Tribune wrote that it was "obviously an unhealthy and generally disagreeable work," but that "in some strange way, the picture is not only exciting, but even occasionally touching." John Mosher of The New Yorker wrote a positive review, calling it "a little gem" that "stands in a class by itself, and probably won't be forgotten in a hurry by those who see it." He found its "perfectly plausible story" a key to the effectiveness of its horror, writing that "It's a chilling notion to imagine these weird beings, with their own lives and vanities and passions, all allied in a bitter enmity against us." Addressing the controversial subject matter, Mosher stated: "if the poor things themselves can be displayed in the basement of Madison Square Garden, pictures of them might as well be shown in the Rialto. They may hereafter even be regarded in the flesh with a new dread bordering on respect." CANNOTANSWER

Using a quote from the above article, answer the following question: How was this film received?


Beckham was born at the Princess Alexandra Hospital in Harlow, Essex, United Kingdom, and raised in Goffs Oak, Hertfordshire. She is the eldest of three children of Jacqueline Doreen (nee Cannon), a former insurance clerk and hairdresser, and Anthony William Adams, who worked as an electronics engineer. They founded an electronics wholesale business which allowed a comfortable upbringing for Victoria, her sister, Louise, and her brother, Christian Adams. Beckham's great-great-great-grandfather was German artist and revolutionary Carl Heinrich Pfander.

In 2007, it was reported that Beckham was the 52nd richest woman in Britain and the 19th richest person in Britain with husband David, with an estimated joint wealth of PS112 million ($225 million). According to The Guardian, Beckham Ventures, a company linked to the Victoria Beckham fashion business, was the best performing brand in the family's three businesses in 2012, coming close to matching turnover in a sister company that promotes the David Beckham brand. In 2010, Beckhams's charity work with Save the Children earned her a nomination for the Do Something With Style Award, an awards show, produced by VH1. She is a patron of the Elton John AIDS Foundation. Beckham promotes faux/synthetic furs. Her stand against the fur industry generated praise from animal rights organisations, including PETA. Beckham has stated that she is "supportive of its [PETA's] high-profile anti-fur campaigns," and pledged "never to work with fur in any of her own fashion collections". In February 2013, she was assessed as one of the 100 most powerful women in the UK in the fashion category by Woman's Hour on BBC Radio 4. In 2014, Beckham joined the Ban Bossy campaign as a spokesperson advocating leadership roles for girls. Beckham was appointed Officer of the Order of the British Empire (OBE) in the 2017 New Year Honours for services to the fashion industry. She stated she "delighted and humbled for the recognition," which her husband also received in 2003. However, as recipients of honours are sworn to secrecy, and Beckham had announced her honour before the 2017 New Year Honours' official publication, she was criticised for the "betrayal of etiquette" by the Conservative MP Peter Bone. CANNOTANSWERAnswer this question using a quote from the following article:

Why was she appointed?


"All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

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Background: George Armstrong Custer (December 5, 1839 - June 25, 1876) was a United States Army officer and cavalry commander in the American Civil War and the American Indian Wars. Raised in Michigan and Ohio, Custer was admitted to West Point in 1857, where he graduated last in his class in 1861. With the outbreak of the Civil War, Custer was called to serve with the Union Army. Custer developed a strong reputation during the Civil War.
Context: On June 30, 1863, Custer and the First and Seventh Michigan Cavalry had just passed through Hanover, Pennsylvania, while the Fifth and Sixth Michigan Cavalry followed about seven miles behind. Hearing gunfire, he turned and started to the sound of the guns. A courier reported that Farnsworth's Brigade had been attacked by rebel cavalry from side streets in the town. Reassembling his command, he received orders from Kilpatrick to engage the enemy northeast of town near the railway station. Custer deployed his troops and began to advance. After a brief firefight, the rebels withdrew to the northeast. This seemed odd, since it was supposed that Lee and his army were somewhere to the west. Though seemingly of little consequence, this skirmish further delayed Stuart from joining Lee. Further, as Captain James H. Kidd, commander of F troop, Sixth Michigan Cavalry, later wrote: "Under [Custer's] skillful hand the four regiments were soon welded into a cohesive unit...." Next morning, July 1, 1863, they passed through Abbottstown, Pennsylvania, still searching for Stuart's cavalry. Late in the morning they heard sounds of gunfire from the direction of Gettysburg. At Heidlersburg, Pennsylvania, that night they learned that General John Buford's cavalry had found Lee's army at Gettysburg. The next morning, July 2, 1863, orders came to hurry north to disrupt General Richard S. Ewell's communications and relieve the pressure on the union forces. By mid afternoon, as they approached Hunterstown, Pennsylvania, they encountered Stuart's cavalry. Custer rode alone ahead to investigate and found that the rebels were unaware of the arrival of his troops. Returning to his men, he carefully positioned them along both sides of the road where they would be hidden from the rebels. Further along the road, behind a low rise, he positioned the First and Fifth Michigan Cavalry and his artillery, under the command of Lieutenant Alexander Cummings McWhorter Pennington, Jr. To bait his trap, he gathered A Troop, Sixth Michigan Cavalry, called out, "Come on boys, I'll lead you this time!" and galloped directly at the unsuspecting rebels. As he had expected, the rebels, "more than two hundred horsemen, came racing down the country road" after Custer and his men. He lost half of his men in the deadly rebel fire and his horse went down, leaving him on foot. He was rescued by Private Norvell Francis Churchill of the 1st Michigan Cavalry, who galloped up, shot Custer's nearest assailant, and pulled Custer up behind him. Custer and his remaining men reached safety, while the pursuing rebels were cut down by slashing rifle fire, then canister from six canons. The rebels broke off their attack, and both sides withdrew. After spending most of the night in the saddle, Custer's brigade arrived at Two Taverns, Pennsylvania roughly five miles southeast of Gettysburg around 3 A. M. July 3, 1863. There he was joined by Farnsworth's brigade. By daybreak they received orders to protect Meade's flanks. He was about to experience perhaps his finest hours during the war. CANNOTANSWER
Question: did Custer's brigade suffer any fatalities in these battles?

Answer:


The Rolling Stones are an English rock band formed in London, England in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974.

The group's fortunes changed in 1978, after the band released Some Girls (UK No. 2; US No. 1), which included the hit single "Miss You", the country ballad "Far Away Eyes", "Beast of Burden", and "Shattered". In part as a response to punk, many songs, particularly "Respectable", were fast, basic, guitar-driven rock and roll, and the album's success re-established the Rolling Stones' immense popularity among young people. Following the US Tour 1978, the band guested on the first show of the fourth season of the TV series Saturday Night Live. Following the success of Some Girls, the band released their next album Emotional Rescue (UK 1; US 1) in mid-1980. During the recording sessions of the album, a rift between Jagger and Richards was slowly beginning to form. Richards wanted to tour in summer or autumn of 1980 to promote the new album. Much to his disappointment, Jagger declined. Emotional Rescue hit the top of the charts on both sides of the Atlantic and the title track reached No.3 in the US. In early 1981, the group reconvened and decided to tour the US that year, leaving little time to write and record a new album, as well as rehearse for the tour. That year's resulting album, Tattoo You (UK 2; US 1), featured a number of outtakes, including lead single "Start Me Up", which reached No.2 in the US and ranked No.22 on Billboard's Hot 100 year-end chart. Two songs ("Waiting on a Friend" (US No. 13) and "Tops") featured Mick Taylor's unused rhythm guitar tracks, while jazz saxophonist Sonny Rollins played on "Slave" and "Waiting on a Friend". The Rolling Stones scored one more top 20 hit on the Billboard Hot 100 in 1982, the No. 20 hit "Hang Fire". The Stones' American Tour 1981 was their biggest, longest and most colourful production to date, with the band playing from 25 September through 19 December. It was the highest grossing tour of that year. The tour included a concert at Chicago's Checkerboard Lounge with Muddy Waters, in what would be one of his last performances before his death in 1983. Some shows were recorded, resulting in the 1982 live album Still Life (American Concert 1981) (UK 4; US 5), and the 1983 Hal Ashby concert film Let's Spend the Night Together, which was filmed at Sun Devil Stadium in Tempe, Arizona and the Brendan Byrne Arena in the Meadowlands, New Jersey. In mid-1982, to commemorate their 20th anniversary, the Rolling Stones took their American stage show to Europe. The European Tour 1982 was their first European tour in six years, with a similar format to the American tour. The band were joined by former Allman Brothers Band keyboardist Chuck Leavell, who continues to perform and record with the Rolling Stones. By the end of the year, the band had signed a new four-album recording deal with a new label, CBS Records, for a reported $50 million, then the biggest record deal in history. CANNOTANSWER

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Background: Shapiro was born in Los Angeles, California. His family is Jewish, having immigrated in part from Russia. Skipping two grades (third and ninth), Shapiro went from Walter Reed Middle School to Yeshiva University High School of Los Angeles where he graduated in 2000 at age 16. He graduated summa cum laude and Phi Beta Kappa from the University of California, Los Angeles in 2004, at age 20, with a Bachelor of Arts degree in political science, and then cum laude from Harvard Law School in 2007.
Context: On February 25, 2016, Shapiro gave a speech at California State University, Los Angeles, entitled "When Diversity Becomes a Problem". Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech in the name of diversity of skin color, while ignoring the value of diversity of thought. In response to the announcement of the speech, hosted by the campus's chapter of Young Americans for Freedom, student protesters demanded that the speech be cancelled, labeling it as "hate speech". The university's president, William Covino, eventually announced the cancellation of the speech three days before it was to take place, with the intention of rescheduling it so that the event could feature Shapiro debating someone with opposing viewpoints. In response to the cancellation, Shapiro said he would be attending the event anyway, and several lawsuits were threatened against the university for canceling the speech. As a result, Covino ultimately backed down and allowed the speech to go on as planned. The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held, shoving away anyone who attempted to enter and starting several fights in the crowded lobby. Some students were ultimately able to enter the theater by being sneaked in through back doors, though the protesters soon found out and barricaded those doors as well. Shapiro eventually made it into the theater and began his speech, only for a fire alarm to be pulled by one of the protesters; Shapiro continued speaking regardless, calling Covino "cowardly" and referring to the protesters as "spoiled brat snowflakes" and "fascists". After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards, while those inside the theater were told that they could not leave since the protesters were preventing anyone from leaving. Only after Shapiro left did the protesters eventually disperse, and those inside the theater were allowed to exit. Three months after the CSULA incident, Young America's Foundation announced on May 19 that it was filing a lawsuit against the university (with Shapiro as one of the plaintiffs), claiming that the First and Fourteenth Amendment rights of the students were violated by Covino's attempted cancelation of the event, as well as the physical barricading of students from entering or leaving the event, and the encouragement of such actions by several campus professors. CANNOTANSWER
Question: How did the people get out?. Whats the answer?


Harriet Tubman (born Araminta Ross, c. 1822 - March 10, 1913) was an American abolitionist. Born into slavery, Tubman escaped and subsequently made some thirteen missions to rescue approximately seventy enslaved people, family and friends, using the network of antislavery activists and safe houses known as the Underground Railroad. She later helped abolitionist John Brown recruit men for his raid on Harpers Ferry.

Tubman was born Araminta "Minty" Ross to slave parents, Harriet ("Rit") Green and Ben Ross. Rit was owned by Mary Pattison Brodess (and later her son Edward). Ben was held by Anthony Thompson, who became Mary's second husband, and who ran a large plantation near Blackwater River in Madison, Maryland. As with many slaves in the United States, neither the exact year nor place of Araminta's birth is known, and historians differ as to the best estimate. Kate Larson records the year as 1822, based on a midwife payment and several other historical documents, including her runaway advertisement, while Jean Humez says "the best current evidence suggests that Tubman was born in 1820, but it might have been a year or two later." Catherine Clinton notes that Tubman reported the year of her birth as 1825, while her death certificate lists 1815 and her gravestone lists 1820. In her Civil War widow's pension records, Tubman claimed she was born in 1820, 1822, and 1825, an indication, perhaps, that she had only a general idea of when she was born. Modesty, Tubman's maternal grandmother, arrived in the United States on a slave ship from Africa; no information is available about her other ancestors. As a child, Tubman was told that she seemed like an Ashanti person due to her character traits, though no evidence exists to confirm this lineage. Her mother Rit (who may have had a white father) was a cook for the Brodess family. Her father Ben was a skilled woodsman who managed the timber work on Thompson's plantation. They married around 1808 and, according to court records, they had nine children together: Linah, Mariah Ritty, Soph, Robert, Minty (Harriet), Ben, Rachel, Henry, and Moses. Rit struggled to keep her family together as slavery threatened to tear it apart. Edward Brodess sold three of her daughters (Linah, Mariah Ritty, and Soph), separating them from the family forever. When a trader from Georgia approached Brodess about buying Rit's youngest son, Moses, she hid him for a month, aided by other slaves and free blacks in the community. At one point she confronted her owner about the sale. Finally, Brodess and "the Georgia man" came toward the slave quarters to seize the child, where Rit told them, "You are after my son; but the first man that comes into my house, I will split his head open." Brodess backed away and abandoned the sale. Tubman's biographers agree that stories told about this event within the family influenced her belief in the possibilities of resistance. By 1840, Tubman's father, Ben, was manumitted from slavery at the age of 45, as stipulated in a former owner's will, though his actual age was closer to 55. He continued working as a timber estimator and foreman for the Thompson family, who had held him as a slave. Several years later, Tubman contacted a white attorney and paid him five dollars to investigate her mother's legal status. The lawyer discovered that a former owner had issued instructions that Rit, like her husband, would be manumitted at the age of 45. The record showed that a similar provision would apply to Rit's children, and that any children born after she reached 45 years of age were legally free, but the Pattison and Brodess families had ignored this stipulation when they inherited the slaves. Challenging it legally was an impossible task for Tubman. Around 1844, she married a free black man named John Tubman. Although little is known about him or their time together, the union was complicated because of her slave status. Since the mother's status dictated that of children, any children born to Harriet and John would be enslaved. Such blended marriages - free people of color marrying enslaved people - were not uncommon on the Eastern Shore of Maryland, where by this time, half the black population was free. Most African-American families had both free and enslaved members. Larson suggests that they might have planned to buy Tubman's freedom. Tubman changed her name from Araminta to Harriet soon after her marriage, though the exact timing is unclear. Larson suggests this happened right after the wedding, and Clinton suggests that it coincided with Tubman's plans to escape from slavery. She adopted her mother's name, possibly as part of a religious conversion, or to honor another relative. In April 1858, Tubman was introduced to the abolitionist John Brown, an insurgent who advocated the use of violence to destroy slavery in the United States. Although she never advocated violence against whites, she agreed with his course of direct action and supported his goals. Like Tubman, he spoke of being called by God, and trusted the divine to protect him from the wrath of slaveholders. She, meanwhile, claimed to have had a prophetic vision of meeting Brown before their encounter. Thus, as he began recruiting supporters for an attack on slaveholders, Brown was joined by "General Tubman", as he called her. Her knowledge of support networks and resources in the border states of Pennsylvania, Maryland and Delaware was invaluable to Brown and his planners. Although other abolitionists like Frederick Douglass and William Lloyd Garrison did not endorse his tactics, Brown dreamed of fighting to create a new state for freed slaves, and made preparations for military action. After he began the first battle, he believed, slaves would rise up and carry out a rebellion across the south. He asked Tubman to gather former slaves then living in present-day Southern Ontario who might be willing to join his fighting force, which she did. On May 8, 1858, Brown held a meeting in Chatham, Ontario, where he unveiled his plan for a raid on Harpers Ferry, Virginia. When word of the plan was leaked to the government, Brown put the scheme on hold and began raising funds for its eventual resumption. Tubman aided him in this effort, and with more detailed plans for the assault. Tubman was busy during this time, giving talks to abolitionist audiences and tending to her relatives. In the autumn of 1859, as Brown and his men prepared to launch the attack, Tubman could not be contacted. When the raid on Harpers Ferry took place on October 16, Tubman was not present. Some historians believe she was in New York at the time, ill with fever related to her childhood head injury. Others propose she may have been recruiting more escaped slaves in Ontario, and Kate Clifford Larson suggests she may have been in Maryland, recruiting for Brown's raid or attempting to rescue more family members. Larson also notes that Tubman may have begun sharing Frederick Douglass's doubts about the viability of the plan. The raid failed; Brown was convicted of treason and hanged in December. His actions were seen by abolitionists as a symbol of proud resistance, carried out by a noble martyr. Tubman herself was effusive with praise. She later told a friend: "[H]e done more in dying, than 100 men would in living." CANNOTANSWER

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Mae Carol Jemison was born in Decatur, Alabama, on October 17, 1956, the youngest child of Charlie Jemison and Dorothy Green. Her father was a maintenance supervisor for a charity organization, and her mother worked most of her career as an elementary school teacher of English and math at the Beethoven School in Chicago. The family moved to Chicago, Illinois, when Jemison was three years old, to take advantage of the better educational and employment opportunities there. Jemison says that as a young girl growing up in Chicago she always assumed she would get into space.

Jemison is a Professor-at-Large at Cornell University and was a professor of Environmental Studies at Dartmouth College from 1995 to 2002. Jemison continues to advocate strongly in favor of science education and getting minority students interested in science. She sees science and technology as being very much a part of society, and African-Americans as having been deeply involved in U.S. science and technology from the beginning. She has been a member of various scientific organizations, such as the American Medical Association, the American Chemical Society, the Association for Space Explorers and the American Association for the Advancement of Science. Additionally, she served on the board of directors of the World Sickle Cell Foundation from 1990 to 1992. In 1993 Jemison founded her own company, the Jemison Group that researches, markets, and develops science and technology for daily life. Jemison founded the Dorothy Jemison Foundation for Excellence and named the foundation in honor of her mother. "My parents were the best scientists I knew," Jemison said, "because they were always asking questions." One of the projects of Jemison's foundation is The Earth We Share (TEWS), an international science camp where students, ages 12 to 16, work to solve current global problems, like "How Many People Can the Earth Hold" and "Predict the Hot Public Stocks of The Year 2030." The four-week residential program helps students build critical thinking and problem solving skills through an experiential curriculum. Camps have been held at Dartmouth College, Colorado School of Mines, Choate Rosemary Hall and other sites around the United States. TEWS was introduced internationally to high school students in day programs in South Africa and Tunisia. In 1999, TEWS was expanded overseas to adults at the Zermatt Creativity and Leadership Symposium held in Switzerland. In 1999, Jemison founded BioSentient Corp and has been working to develop a portable device that allows mobile monitoring of the involuntary nervous system. BioSentient has obtained the license to commercialize NASA's space-age technology known as Autogenic Feedback Training Exercise (AFTE), a patented technique that uses biofeedback and autogenic therapy to allow patients to monitor and control their physiology as a possible treatment for anxiety and stress-related disorders. BioSentient is examining AFTE as a treatment for anxiety, nausea, migraine and tension headaches, chronic pain, hypertension and hypotension, and stress-related disorders." In 2012, Jemison made the winning bid for the DARPA 100 Year Starship project through the Dorothy Jemison Foundation for Excellence. The Dorothy Jemison Foundation for Excellence was awarded a $500,000 grant for further work. The new organization maintained the organizational name 100 Year Starship. Jemison is the current principal of the 100 Year Starship. CANNOTANSWER

Has the company released anything recently?


Ebtekar was the first woman to serve as Vice-President of Iran when the reformists came to power. Along with Zahra Shojaei, she participated in the first cabinet since the Islamic Revolution to include women. She has been described as a leftist in Mohammad Khatami's alliance. Ebtekar headed the Department of Environment for eight years, introducing major structural, organizational and directional changes enabling a re-engineering of the government body. During her tenure environmental awareness and support for civil society activism in this area was enhanced. Ebtekar's appointment led to the revelation of her past, and in the US questions were raised about whether President Khatami was aware of "how deeply" the hostage-taking and holding, and anger towards its foremost public defender, "affected both the American government and the American people." Many academics and literary critiques have written and expressed their views on her published memoirs. Following this, "some ambassadors" in Tehran reportedly stated they would no "longer meet with her" and would "discourage official contract with her office." In her memoirs published as the "Grapes of Shahrivar", Ebtekar repeatedly refers to her cordial and official contacts with not only Western Ambassadors, but also many European Ministers and Presidents as well.( chapters 8-16-23-26-30-32-33) On International Women's Day in 1998, as vice-president of environmental affairs, she made a speech condemning the oppression of women by the Taliban Movement in Afghanistan. Her performance caused comment by members of the Western news media in attendance as she herself was wearing a chador, a reminder of compulsory hijab in Iran which many in the West view as a violation of women's rights. In May 1999, the WorldNetDaily claimed that she and President Mohammad Khatami had been in the guest list of the 1999 Bilderberg conference held in Sintra, Portugal on June 3-6. This allegation was repeatedly denied by Ebtekar citing the fact that President Khatami had taken part in memorial ceremonies for Imam Khomeini on those days(3-6 of June) and on World Environment Day June 6 he had inaugurated the Provincial Center for Environment Research in Tehran. In March 2002, Ebtekar was a keynote speaker at the Meeting of Women Leaders on the Environment in Helsinki, sponsored by the Finnish Ministry of the Environment. In September 2002, Ebtekar participated in the World Summit on Sustainable Development, held in Johannesburg, South Africa. In May 2005, she chaired the International Conference on Environment, Peace, and the Dialogue Among Civilizations and Cultures, held in Tehran. This event was organized by Ebtekar's Department of the Environment and also by the United Nations Environment Programme. CANNOTANSWER

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Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

The band released their third album, True, in March 1983. Produced by Tony Swain and Steve Jolley, the album featured a slicker pop sound. It was at this point that Steve Norman began playing saxophone for the band. Preceded by the title track which reached number one in various countries, the album also reached number one in the UK. Their next single, "Gold", reached number 2. The follow-up album, Parade, was released in June 1984, and its singles were again big successes in the charts in Europe, Oceania and Canada. The album's opening song, "Only When You Leave", became the band's last American hit. At the end of 1984, the band performed on the Band Aid charity single and in 1985 performed at Wembley Stadium as part of Live Aid. During this same year, Spandau Ballet achieved platinum status with the compilation The Singles Collection, which kept the focus on the band between studio albums and celebrated its five years of success. However, the album was released by Chrysalis Records without the band's approval and the band instigated legal action against the label. In 1986, Spandau Ballet signed to CBS Records and released the album Through the Barricades, in which the band moved away from the pop and soul influences of True and Parade and more toward rock. Though the first single, "Fight for Ourselves" peaked at 15 in the UK, the title track and the album both reached the Top 10 in the UK and Europe. After a hiatus from recording, the band released their next album, Heart Like a Sky, in September 1989. The album and its singles were unsuccessful in the UK, and the album itself was not released in the United States. It did, however, do well in Italy (where its singles "Raw" and "Be Free with Your Love" reached the Top 10) and also in Belgium, Germany and the Netherlands. CANNOTANSWERAnswer this question using a quote from the following article:

How did Heart Like a Sky do on the charts?


Abu 'Abd ar-Rahman al-Khalil ibn Ahmad ibn 'Amr ibn Tammam al-Farahidi al-Azdi al-Yahmadi (Arabic: 'bw `bdlrHmn lkhlyl bn 'Hmd lfrhydy; 718 - 786 CE), known as Al-Farahidi, or simply Al-Khalil, famously compiled the first known dictionary of the Arabic language, and one of the first in any language, Kitab al-'Ayn (Arabic: ktb l`yn).. He was one of the earliest Arab lexicographer philologists, and is accredited for introducing the Harakat (vowel marks in Arabic script) system now in standard use, and the study of al-'arud (Arabic prosody), musicology and metre. His linguistic theories formed the basis for the development of prosody studies in the Persian, Turkish and Urdu languages.

Al-Farahidi's eschewing of material wealth has been noted by a number of biographers. In his old age, the son of Habib ibn al-Muhallab and reigning governor of the Muhallabids offered al-Farahidi a pension and requested that the latter tutor the former's son. Al-Farahidi declined, stating that he was wealthy though possessing no money, as true poverty lay not in a lack of money, but in the soul. The governor reacted by rescinding the pension, an act to which al-Farahidi responded with the following lines of poetry: "He, Who formed me with a mouth, engaged to give me nourishment till such a time as He takes me to Himself. Thou hast refused me a trifling sum, but that refusal will not increase thy wealth." Embarrassed, the governor then responded with an offer to renew the pension and double the rate, which al-Farahidi still greeted with a lukewarm reception. Al-Farahidi's apathy about material wealth was demonstrated in his habit of quoting Akhtal's famous stanza: "If thou wantest treasures, thou wilt find none equal to a virtuous conduct." Al-Farahidi distinguished himself via his philosophical views as well. He reasoned that a man's intelligence peaked at the age of forty - the age when the Islamic prophet Muhammad began his call - and began to diminuish after sixty, the point at which Muhammad died. He also believed that a person was at their peak intelligence at the clearest part of dawn. In regard to the field of grammar, al-Farahidi held the realist views common among early Arab linguists yet rare among both later and modern times. Rather than holding the rules of grammar as he and his students described them to be absolute rules, al-Farahidi saw the Arabic language as the natural, instinctual speaking habits of the Bedouin; if the descriptions of scholars such as himself differed from how the Arabs of the desert naturally spoke, then the cause was a lack of knowledge on the scholar's part as the unspoken, unwritten natural speech of pure Arabs was the final determiner. Al-Farahidi was distinguished, however, in his view that the Arabic alphabet included 29 letters rather than 28 and that each letter represented a fundamental characteristic of people or animals. His classification of 29 letters was due to his consideration of the combination of Lamedh and Aleph as a separate third letter from the two individual parts. CANNOTANSWER

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Rebel Melanie Elizabeth Wilson (born 2 March 1980) is an Australian actress, writer, and producer. After graduating from the Australian Theatre for Young People in 2003, she began appearing as Toula on the Special Broadcasting Service (SBS) comedy series Pizza and the sketch comedy series The Wedge. In 2008, Wilson wrote, produced and starred in the musical comedy series Bogan Pride. The following year, she won the Tropfest best actress award for her role in Bargain and made a guest appearance in City Homicide.

Wilson studied at the Australian Theatre for Young People (ATYP). In 2003 she moved to New York after winning the ATYP International scholarship, which was funded by Nicole Kidman. While she was in New York, Wilson trained with The Second City. She appeared with the Sydney Theatre Company and performed at the Melbourne International Comedy Festival. She first came to the public's attention in 2002 with her stage musical The Westie Monologues, which she wrote, starred in and produced in Sydney. Her follow-up stage productions, which she wrote, produced and starred in include Spunks and Confessions of an Exchange Student. In Australia, Wilson is most known for her roles as Toula on the SBS comedy series Pizza and as various characters including Lucy, Fat Mandi and Karla Bangs on the sketch comedy series The Wedge. She played an Australian Idol mad schoolgirl in a series of Telstra advertisements shown during Australian Idol from 2004 to 2005. She also had roles in the feature films Fat Pizza and Ghost Rider. In 2008, Wilson created, wrote, produced and starred in the musical comedy series Bogan Pride on SBS One and also starred in the improvisational Nine Network series Monster House. In 2009 Wilson won the Tropfest Best Actress award for her role in the film Bargain. She has made appearances on the improvisational comedy show Thank God You're Here and the comedy game show Talkin' 'Bout Your Generation. She performed stand-up on the television special The Breast Darn Show In Town and guest starred in the Seven Network drama City Homicide and performed improv at the Upright Citizens Brigade in Los Angeles. CANNOTANSWER

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After she studied at ATYP what did she do?


On November 17, 2010, Zenyatta was slated to be retired. She arrived at Lane's End Farm in Versailles, Kentucky, on December 6, 2010. On February 23, 2011, she traveled by van to Darley Stud, where she was bred to Bernardini. On March 29, after coming up negative on a 45-day pregnancy checkup, Zenyatta was bred again to Bernardini. She was announced to be in foal 60 days later. Zenyatta later give birth to a dark bay colt, eventually named Cozmic One, on March 8, 2012. Cozmic One had two starts in 2015 and performed poorly at the track. He has since been retired and in 2018 will become an ambassador for the Retired Racehorse Project after training at De Sousa Stables. On May 8, 2012, she was confirmed in foal to Tapit. She delivered a chestnut colt, Ziconic, on April 1, 2013, her 9th birthday. Ziconic began his racing career in 2016, and, like his dam, demonstrates a last-to-first running style. On June 14, 2013, she was confirmed in foal to Claiborne Farm stallion War Front. She delivered a dark bay filly, nicknamed "Z Princess," on Easter, April 20, 2014, at 12:03 am. The filly was euthanized as a weanling on October 28, 2014 at Rood & Riddle Equine Hospital in Lexington, Kentucky, after an accident in the paddock. On May 27, 2015, Zenyata was confirmed to be in foal, again bred to War Front, after receiving a year off from breeding. She gave birth to a dark bay colt with a blaze on April 10, 2016. The colt died two days later due to complications from meconium aspiration syndrome. Zenyatta was bred to Medaglia d'Oro on May 2, 2016, and delivered a bay filly from that issue on May 9, 2017, at 8:50 P.M. CANNOTANSWER

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Background: Senses Fail is an American post-hardcore band that formed in Ridgewood, New Jersey in 2002. The band has seen many lineup changes; the only founding member still in the band being lead singer James "Buddy" Nielsen. The lineup currently consists of Nielsen, bassist/guitarist Gavin Caswell and drummer Chris Hornbrook.
Context: Senses Fail began on October 17, 2001 after Garrett Zablocki posted an advertisement on the Internet to recruit members for the band. The advertisement attracted attention from Buddy Nielsen, who then began writing with Zablocki. Later Zablocki contacted Dave Miller to join the band who also brought along his friend, James Gill. After a short time with another drummer the band came across Dan Trapp, who was only 14-years-old at the time. Before the band signed to Drive-Thru Records, James Gill was kicked out of the band due to irreconcilable differences; he was replaced by Tokyo Rose ex-drummer Mike Glita. The name Senses Fail, lead singer James "Buddy" Nielsen explains, "In Hinduism, they believe that being alive is hell, and the only way to reach Nirvana is to ultimately have no attachments to anything. So, people go out and live in the middle of the woods and they don't eat and don't drink. They just meditate because they've reached such a high level where they're not attached to love, relationships or anything. And if you want to reach the highest level of being and see God, you have to have all your senses fail." Building a local fan base by playing any gig they could find from skate parks and clubs to churches, they soon entered the studio and started to record. Their first release, From the Depths of Dreams, was a six-track EP that was originally released on ECA Records on August 16, 2002. It originally started as two three-song demo CDs, but was later joined together to make one release by producer John Naclerio. The independent release did very well and caught the attention of some record labels. They signed to Drive-Thru Records, and reissued their EP on April 29, 2003 with two extra tracks, improved mixing and new cover art. The release saw much success, and sold enough copies to peak at No. 144 on the Billboard chart. In support of the EP, Senses Fail toured with such bands as Finch, The Used, Millencolin, and The Starting Line. CANNOTANSWER
Question: Are they still together?

Answer:


Saul Hudson was born in Hampstead, London. He was named for Saul Steinberg, an artist. His mother, Ola J. Hudson (nee Oliver; 1946-2009), was an African-American costume designer, whose clients included David Bowie, and his father, Anthony Hudson, is an English artist who created album covers for musicians such as Neil Young and Joni Mitchell., Of his mixed background, Slash later remarked, "As a musician, I've always been amused that I'm both British and black; particularly because so many American musicians seem to aspire to be British while so many British musicians, in the 'Sixties in particular, went to such great pains to be black."

Slash has received critical acclaim as a guitarist. In 2005, he was named "Best Guitarist" by Esquire, which congratulated him on "beating the comeback odds with a surprisingly legitimate and vital outfit, Velvet Revolver." Slash was awarded the title of "Riff Lord" during Metal Hammer's fourth annual Golden Gods awards in 2007. In 2008, he was ranked No. 21 on Gigwise's list of "The 50 Greatest Guitarists Ever," and in 2009, he was named runner-up on "The 10 Best Electric Guitar Players" list in Time, which praised him as "a remarkably precise player." In 2011, Rolling Stone placed Slash at No. 65 on their list of "The 100 Greatest Guitarists of All Time." In 2007, Slash was honored with a star on the Rock Walk of Fame; his name was placed alongside Jimmy Page, Eddie Van Halen and Jimi Hendrix. He was the honoree at the 2010 Sunset Strip Music Festival, where he was presented by West Hollywood mayor John Heilman with a plaque declaring August 26 as "Slash Day." In 2012, Slash was inducted into the Rock and Roll Hall of Fame as a member of the classic lineup of Guns N' Roses. He performed three songs--"Paradise City", "Sweet Child o' Mine" and "Mr. Brownstone"--with fellow inductees Duff McKagan, Steven Adler, and Matt Sorum, one-time Guns N' Roses guitarist Gilby Clarke, and his frequent collaborator Myles Kennedy. Inductees Axl Rose, Izzy Stradlin and Dizzy Reed declined to attend. Later that year, Slash received a star on the Hollywood Walk of Fame, located directly in front of the Hard Rock Cafe on Hollywood Boulevard. In 2004, Slash's introductory riff in "Sweet Child o' Mine" was voted No. 1 on a list of "The 100 Greatest Riffs" by the readers of Total Guitar; his riffs in "Out ta Get Me" (No. 51), "Welcome to the Jungle" (No. 21), and "Paradise City" (No. 19) also made the list. In 2006, his solo in "Paradise City" was voted No. 3 by Total Guitar's readers on a list of "The 100 Hottest Guitar Solos"; his solos in "Sweet Child o' Mine" and "November Rain" were ranked No. 30 and No. 82 respectively. In 2008, Guitar World placed Slash's solo in "November Rain" at No. 6 on their list of "The 100 Greatest Guitar Solos," while his solo in "Sweet Child o' Mine" was ranked No. 37 on the list. In 2010, the readers of Total Guitar voted his riff in "Slither" runner-up on the list of "The 50 Greatest Riffs of the Decade," while his riff in "By the Sword" was ranked No. 22. Slash received a Radio Contraband Rock Radio Award in 2012. In January 2015 Slash received the Les Paul award. CANNOTANSWER

Did he win any awards for his songs or albums?


Cynthia Ann Stephanie Lauper (born June 22, 1953) is an American singer, songwriter, actress and LGBT rights activist. Her career has spanned over 30 years. Her debut solo album She's So Unusual (1983)

Lauper was born at Boulevard Hospital in Astoria, Queens, New York City, to a Catholic family. Her father, Fred, was of German and Swiss descent. Her mother, Catrine (nee Gallo), is Italian American (from Sicily). Lauper's siblings are younger brother Fred (nicknamed Butch), and older sister, Ellen. Lauper's parents divorced when she was five. Her mother remarried and divorced again. Lauper grew up in the Ozone Park neighborhood of Queens and, as a child, listened to such artists as The Beatles, Ella Fitzgerald, Judy Garland and Billie Holiday. At age 12, she began writing songs and playing an acoustic guitar given to her by her sister. Lauper expressed herself with a variety of hair colors, eccentric clothing and even took a friend's advice to spell her name as "Cyndi" rather than "Cindy". Lauper went to Richmond Hill High School, but was expelled, although she later earned her GED. She left home at 17, to escape her abusive stepfather, intending to study art. Her journey took her to Canada, where she spent two weeks in the woods with her dog Sparkle, trying to find herself. She eventually traveled to Vermont, where she took art classes at Johnson State College and supported herself working odd jobs. In the early 1970s, Lauper performed as a vocalist with various cover bands. One, called Doc West, covered disco songs as well as Janis Joplin. A later band, Flyer, was active in the New York metropolitan area, singing hits by bands including Bad Company, Jefferson Airplane and Led Zeppelin. Although Lauper was performing on stage, she was not happy singing covers. In 1977, Lauper damaged her vocal cords and took a year off from singing. She was told by doctors that she would never sing again, but regained her voice with the help of vocal coach Katie Agresta. In 1978, Lauper met saxophone player John Turi through her manager Ted Rosenblatt. Turi and Lauper formed a band named Blue Angel and recorded a demo tape of original music. Steve Massarsky, manager of The Allman Brothers Band, heard the tape and liked Lauper's voice. He bought Blue Angel's contract for $5,000 and became their manager. Lauper received recording offers as a solo artist, but held out, wanting the band to be included in any deal she made. Blue Angel was eventually signed by Polydor Records and released a self-titled album on the label in 1980. Lauper hated the album cover, saying that it made her look like Big Bird, but Rolling Stone magazine later included it as one of the 100 best new wave album covers (2003). Despite critical acclaim, the album sold poorly ("It went lead", as Lauper later joked) and the band broke up. The members of Blue Angel had a falling-out with Massarsky and fired him as their manager. He later filed an $80,000 suit against them, which forced Lauper into bankruptcy. After this Lauper temporarily lost her voice due to an inverted cyst in her vocal cord. After Blue Angel broke up, Lauper spent time, due to her financial problems, working in retail stores, waitressing at IHOP (which she quit after being demoted to hostess when the manager made a pass at her), and singing in local clubs. Her most frequent gigs were at El Sombrero. Music critics who saw Lauper perform with Blue Angel believed she had star potential due to her four-octave singing range. In 1981, while singing in a local New York bar, Lauper met David Wolff, who took over as her manager and had her sign a recording contract with Portrait Records, a subsidiary of Epic Records. On November 19, 1997, Lauper gave birth to her son Declyn Wallace Thornton. Her fifth album, Sisters of Avalon, was released in Japan in 1996 and elsewhere in 1997. The album was written and produced with the help of Jan Pulsford (Lauper's keyboard player) and producer Mark Saunders. As in Hat Full of Stars, some of the songs in Sisters of Avalon addressed dark themes. The song "Ballad of Cleo and Joe" addressed the complications of a drag queen's double life. The song "Say a Prayer" was written for a friend of hers who had died from AIDS. "Unhook the Stars" was used in the movie of the same name. Again without support from her label, the release failed in America, spending a single week on the Billboard album chart at No. 188. This album also met with much critical praise, including People magazine, which declared it "90s nourishment for body and soul. Lauper sets a scene, makes us care, gives us hope." In November 1998, Lauper released the Christmas album Merry Christmas...Have a Nice Life. The album contained both original material and standards, and was co-produced and mixed by William Wittman. On January 17, 1999, Lauper appeared as an animated version of herself in The Simpsons episode "Wild Barts Can't Be Broken", singing the National Anthem to the melody of "Girls Just Want to Have Fun". In the same year, Lauper opened for Cher's Do You Believe? Tour alongside Wild Orchid. She also appeared in the films Mrs. Parker and the Vicious Circle and The Opportunists. Lauper contributed a cover version of The Trammps' "Disco Inferno" to the soundtrack for the film A Night at the Roxbury. The song was also released as an EP and earned Lauper a nomination 1999 Grammy Awards for Best Dance Recording. In 2000, Lauper contributed the song "I Want a Mom That Will Last Forever" to the children's movie Rugrats in Paris. The song was written with Mark Mothersbaugh (DEVO). In 2000, Lauper also co-wrote the song "If You Believe" with Faye Tozer of the British pop group Steps, for the band's third studio album, Buzz. CANNOTANSWERAnswer this question using a quote from the following article:

What happened in 2000?


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The Smashing Pumpkins (or Smashing Pumpkins) are an American alternative rock band from Chicago, Illinois. Formed in 1988 by frontman Billy Corgan (lead vocals, guitar) and James Iha (guitar), the band included D'arcy Wretzky (bass guitar) and Jimmy Chamberlin (drums) in its original incarnation. It has undergone many line-up changes over the course of its existence, with the current lineup being Corgan, Chamberlin, Iha and guitarist Jeff Schroeder. Disavowing the punk rock roots of many of their alt-rock contemporaries, they have a diverse, densely layered, and guitar-heavy sound, containing elements of gothic rock, heavy metal, dream pop, psychedelic rock,progressive rock, shoegazing, and electronica in later recordings.

After the breakup of his gothic rock band the Marked, singer and guitarist Billy Corgan left St. Petersburg, Florida, to return to his native city of Chicago, where he took a job in a record store and formed the idea of a new band to be called the Smashing Pumpkins. While working there, he met guitarist James Iha. Adorning themselves with paisley and other psychedelic trappings, the two began writing songs together (with the aid of a drum machine) that were heavily influenced by The Cure and New Order. The duo performed live for the first time on July 9, 1988 at the Polish bar Chicago 21. This performance included only Corgan on bass and Iha on guitar with a drum machine. Shortly thereafter, Corgan met D'arcy Wretzky after a show by the Dan Reed Network where they argued the merits of the band. After finding out Wretzky played bass guitar, Corgan recruited her into the lineup and the now-trio played a show at the Avalon Nightclub. After this show, Cabaret Metro owner Joe Shanahan agreed to book the band on the condition that they replace the drum machine with a live drummer. Jazz drummer Jimmy Chamberlin was recommended by a friend of Corgan's. Chamberlin knew little of alternative music and immediately changed the sound of the nascent band. As Corgan recalled of the period, "We were completely into the sad-rock, Cure kind of thing. It took about two or three practices before I realized that the power in his playing was something that enabled us to rock harder than we could ever have imagined." On October 5, 1988, the complete band took the stage for the first time at the Cabaret Metro. In 1989 the Smashing Pumpkins made their first appearance on record with the compilation album Light Into Dark, which featured several Chicago alternative bands. The group released its first single, "I Am One", in 1990 on local Chicago label Limited Potential. The single sold out and they released a follow-up, "Tristessa", on Sub Pop, after which they signed to Caroline Records. The band recorded their 1991 debut studio album Gish with producer Butch Vig at his Smart Studios in Madison, Wisconsin for $20,000. In order to gain the consistency he desired, Corgan often played all instruments excluding drums, which created tension in the band. The music fused heavy metal guitars, psychedelia, and dream pop, garnering them comparisons to Jane's Addiction. Gish became a minor success, with the single "Rhinoceros" receiving some airplay on modern rock radio. After releasing the Lull EP in October 1991 on Caroline Records, the band formally signed with Virgin Records, which was affiliated with Caroline. The band supported the album with a tour that included opening for bands such as the Red Hot Chili Peppers, Jane's Addiction, and Guns N' Roses. During the tour, Iha and Wretzky went through a messy breakup, Chamberlin became addicted to narcotics and alcohol, and Corgan entered a deep depression, writing some songs for the upcoming album in the parking garage where he lived at the time. With the breakthrough of alternative rock into the American mainstream due to the popularity of grunge bands such as Nirvana and Pearl Jam, the Smashing Pumpkins were poised for major commercial success. At this time, the Smashing Pumpkins were routinely lumped in with the grunge movement, with Corgan protesting, "We've graduated now from 'the next Jane's Addiction' to 'the next Nirvana', now we're 'the next Pearl Jam'." Amid this environment of intense internal pressure for the band to break through to widespread popularity, the band relocated to Marietta, Georgia in late 1992 to begin work on their second album, with Butch Vig returning as producer. The decision to record so far away from their hometown was motivated partly by the band's desire to avoid friends and distractions during the recording, but largely as a desperate attempt to cut Chamberlin off from his known drug connections. The recording environment for Siamese Dream was quickly marred by discord within the band. As was the case with Gish, Corgan and Vig decided that Corgan should play nearly all of the guitar and bass parts on the album, contributing to an air of resentment. The contemporary music press began to portray Corgan as a tyrant. Corgan's depression, meanwhile, had deepened to the point where he contemplated suicide, and he compensated by practically living in the studio. Meanwhile, Chamberlin quickly managed to find new connections and was often absent without any contact for days at a time. In all, it took over four months to complete the record, with the budget exceeding $250,000. Despite all the problems in its recording, Siamese Dream debuted at number ten on the Billboard 200 chart, and sold over four million copies in the U.S. alone. Alongside the band's mounting mainstream recognition, the band's reputation as careerists among their former peers in the independent music community was worsened. Indie rock band Pavement's 1994 song "Range Life" directly mocks the band in its lyrics, although Stephen Malkmus, lead singer of Pavement, has stated, "I never dissed their music. I just dissed their status." Former Husker Du frontman Bob Mould called them "the grunge Monkees", and fellow Chicago musician/producer Steve Albini wrote a scathing letter in response to an article praising the band, derisively comparing them to REO Speedwagon ("by, of and for the mainstream") and concluding their ultimate insignificance. The opening track and lead single of Siamese Dream, "Cherub Rock", directly addresses Corgan's feud with the "indie-world". In 1994 Virgin released the B-sides/rarities compilation Pisces Iscariot which charted higher than Siamese Dream by reaching number four on the Billboard 200. Also released was a VHS cassette titled Vieuphoria featuring a mix of live performances and behind-the-scenes footage. Following relentless touring to support the recordings, including headline slots on the 1994 Lollapalooza tour and at Reading Festival in 1995, the band took time off to write the follow-up album. In 2001 the compilation Rotten Apples was released. The double-disc version of the album, released as a limited edition, included a collection of B-sides and rarities called Judas O. The Greatest Hits Video Collection DVD was also released at the same time. This was a compilation of all of the Pumpkins promo videos from Gish to Machina along with unreleased material. Vieuphoria was released on DVD in 2002, as was the soundtrack album Earphoria, previously released solely to radio stations in 1994. Billy Corgan and Jimmy Chamberlin reunited in 2001 as members of Corgan's next project, the short-lived supergroup Zwan. The group's only album, Mary Star of the Sea, was released in 2003. After cancelling a few festival appearances, Corgan announced the demise of the band in 2003. During 2001 Corgan also toured as part of New Order and provided vocals on their comeback album Get Ready. In October 2004 Corgan released his first book, Blinking with Fists, a collection of poetry. In June 2005, he released a solo album, TheFutureEmbrace, which he described as "(picking) up the thread of the as-of-yet-unfinished work of the Smashing Pumpkins". Despite this, it was greeted with generally mixed reviews and lackluster sales. Only one single, "Walking Shade", was released in support of the album. In addition to drumming with Zwan, Jimmy Chamberlin also formed an alternative rock/jazz fusion project band called The Jimmy Chamberlin Complex. The group released an album in 2005 titled Life Begins Again. Corgan provided guest vocals on the track "Lokicat". James Iha served as a guitarist in A Perfect Circle, appearing on their Thirteenth Step club tour and 2004 album, eMOTIVe. He has also been involved with other acts such as Chino Moreno's Team Sleep and Vanessa and the O's. He continues to work with Scratchie Records, his own record label, as well. D'arcy Wretzky has, aside from one radio interview in 2009, not made any public statements or appearances nor given any interviews since leaving the band in 1999. On January 25, 2000, she was arrested after she allegedly purchased three bags of crack cocaine, but after successfully completing a court-ordered drug education program, the charges were dropped. Corgan insisted during this period that the band would not reform, although when Zwan broke up he announced, "I think my heart was in Smashing Pumpkins [...] I think it was naive of me to think that I could find something that would mean as much to me." Corgan said in 2005, "I never wanted to leave the Smashing Pumpkins. That was never the plan." On February 17, 2004, Corgan posted a message on his personal blog calling Wretzky a "mean-spirited drug addict" and blaming Iha for the breakup of the Smashing Pumpkins. On June 3, 2004, he added that "the depth of my hurt [from Iha] is only matched with the depth of my gratitude". Iha responded to Corgan's claims in 2005, saying, "No, I didn't break up the band. The only person who could have done that is Billy." CANNOTANSWER

what happened after?


In 2005, Grammer returned to television. He produced and appeared in an American adaptation of the British show The Sketch Show, which aired on Fox. The main cast consisted of Malcolm Barrett, Kaitlin Olson, Mary Lynn Rajskub and Paul F. Tompkins, as well as Lee Mack from the British version of the show. Grammer appeared in only short opening and closing segments in each episode. Many of the sketches from the British version were re-created, such as the "California Dreamin'", "English Course", and "Sign Language" sketches. Only six episodes of the show were made, and it was canceled after only four of them had aired. In 2007, Grammer starred with Patricia Heaton in the American sitcom Back to You. It was canceled by Fox after its first season. His next attempt, ABC's Hank, fared even worse. It was canceled after only five episodes had aired. Grammer later commented, "Honestly, it just wasn't very funny." In 2011 and 2012, Grammer starred in the Starz drama series Boss as a fictional mayor of Chicago in the mold of Richard J. Daley which premiered in October 2011. It was his first dramatic TV series. At the 2012 Golden Globe Awards Kelsey Grammer won the award for Best Actor in a Television Series Drama for his role on Boss. The show ran for 18 episodes over two seasons. Grammer played a villain in the Paramount's Transformers movies' fourth installment, Transformers: Age of Extinction, starring Mark Wahlberg. Grammer paired up with comedian/actor Martin Lawrence to star in the comedy Partners for Lionsgate TV. The Lionsgate-produced show would be written and executive produced by Robert L. Boyett and Robert Horn, known for writing hit shows like Family Matters, Living Single, Full House, Designing Women, and Perfect Strangers. CANNOTANSWER

Answer this question "what did he do afterward?" by extracting the answer from the text above.


Background: The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".
Context: In 1991, Astbury and Duffy were writing again for their next album. During the demo recordings, Todd Hoffman and James Kottak played bass and drums respectively. During the actual album recording sessions, Curry was recruited again to play drums, with Charley Drayton on bass, and various other performers. Astbury and Duffy's working relationship had disintegrated by that time, with the two men reportedly rarely even being in the studio together during recording. The resulting album Ceremony was released to mixed responses. The album climbed to US No. 34, but sales were not as impressive as the previous three records, only selling around one million copies worldwide. Only two official singles were released from the record: "Wild Hearted Son" (UK No. 34, Canada No. 41) and "Heart of Soul" (UK No. 50), although "White" was released as a single only in Canada, "Sweet Salvation" was released as a single (as "Dulce Salvacion") in Argentina in 1992, and the title track "Ceremony" was released in Spain. The Cult's Ceremonial Stomp tour went through Europe in 1991 and North America in 1992. In 1991 the Cult played a show at the Marquee Club in London, which was recorded and released in February 1993, packaged with some vinyl UK copies of their first greatest hits release. Only a handful of CD copies of it were ever manufactured originally, however it was subsequently reissued on CD in 1999. An incomplete bootleg video of this show is also in circulation. The band were sued by the parents of the Native American boy pictured on the cover of Ceremony, for alleged exploitation and for the unauthorized use of the child's image. This image of the boy is also burned in the video for "Wild Hearted Son". This lawsuit delayed the release of Ceremony in many countries including South Korea and Thailand, which did not see the record's release until late 1992, and it was unreleased in Turkey until the Cult played several shows in Istanbul in June 1993. A world tour followed with backing from future Thin Lizzy drummer Michael Lee and bassist Kinley Wolfe, and keyboardist John Sinclair returning one last time, and the Gathering of the Tribes moved to the UK. Here artists such as Pearl Jam performed. The warm-up gig to the show, in a small nightclub, was dedicated to the memory of Nigel Preston, who had died a few weeks earlier at the age of 31. Following the release of the single "The Witch" (#9 in Australia) and the performance of a song for the 1992 Buffy the Vampire Slayer movie soundtrack entitled "Zap City", produced by Steve Brown and originally a B-side to "Lil' Devil", two volumes of remixes of "She Sells Sanctuary", called Sanctuary Mixes MCMXCIII, volumes one and two, and in support of Pure Cult: for Rockers, Ravers, Lovers, and Sinners, a greatest hits compilation which debuted at No. 1 on the British charts and later went to number one in Portugal, Astbury and Duffy fired the "backing band" and recruited Craig Adams (the Mission) and Scott Garrett for performances across Europe in 1993, with some shows featuring Mike Dimkich on rhythm guitar. This tour marked the first time the band performed in Turkey, Greece, and the Slovak Republic. With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s. The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star". When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. In 2005, the band reunited to prepare for the Return To Wild world tour in 2006, making their first live appearance in three-and-a-half years on The Late Late Show with Craig Ferguson. Their lineup consisted of Astbury (vocals), Duffy (lead guitar), John Tempesta (drums), Dimkich (rhythm guitar) and Wyse (returning as bassist). Their first stage show was held in March 2006 in San Francisco, California, at The Fillmore. The entire tour was recorded by Instant Live and sold after each show. In May, they did an eight date tour in Canada. Later that summer, they toured central and eastern Europe and played their first concerts in Bulgaria, Poland and Serbia. An eleven-date UK tour followed as well as several more dates in the United States, finishing with a South American tour in December. That year, Duffy began the band Circus Diablo with Billy Morrison, Sorum, Brett Scallions and Ricky Warwick (The Cult - Hollywood 2006, pictures by Sherry Lee). During these tours, the band occasionally played an extended set, including several songs the band had not performed in decades: "King Contrary Man" and "Hollow Man", neither of which had been performed since 1987; also, "Libertine" was performed approximately three times, for the first time since 2000, and "Brother Wolf, Sister Moon", which was only performed one time since 1986 (for this particular song, the band played an abridged version which has never been performed before or since) Astbury announced in February 2007 that he was leaving Riders on the Storm and returning to the Cult. He stated: "I have decided to move on and focus on my own music and legacy." The Cult was featured on Stuffmagazine.com's list of ultimate air guitar players. On 21 March 2007, it was announced that the band would be touring Europe with the Who. The first confirmed tour date was in Rotterdam, the Netherlands, in early June, with at least a dozen shows set to follow. The band played a gig in London's West End at the CC Club on 7 June 2007, along with nearly two dozen shows across continental Europe during summer. The tour also includes the first performance in Romania and Croatia. CANNOTANSWER
Question: what did they do for their reunion?. Whats the answer?


Answer by taking a quote from the following article:

Reba Nell McEntire was born March 28, 1955, in McAlester, Oklahoma, to Jacqueline (nee Smith; born November 6, 1926) and Clark Vincent McEntire (November 30, 1927 - October 23, 2014). Her father, and her grandfather, John Wesley McEntire (February 19, 1897 - February 13, 1976), were both champion steer ropers and her father was a World Champion Steer Roper three times (1957, 1958, and 1961). John McEntire was the son of Clark Stephen McEntire (September 10, 1855 - August 15, 1935) and Helen Florida McEntire (nee Brown; May 19, 1868 - May 16, 1947).

On October 21, 2014, it was announced that McEntire would be the inaugural signing for Big Machine's new imprint Nash Icon Music. She also disclosed that she was working on a new album, with 11 new songs. Her first single for the new label, "Going Out Like That", was announced December 16, 2014 and was released on January 6, 2015. It served as the lead-off single to Love Somebody, McEntire's twenty-seventh studio album, released on April 14, 2015. Love Somebody debuted at No. 1 on the Billboard Top Country Albums--her twelfth number-one album on the chart--and No. 3 on Billboard 200, selling 62,469 copies in the U.S. The album has sold 171,600 copies in the U.S. as of October 5, 2015. In 2016, McEntire was selected as one of thirty artists to perform on "Forever Country", a mash-up track of Take Me Home, Country Roads, On the Road Again and I Will Always Love You which celebrates 50 years of the CMA Awards. McEntire released her third Christmas album My Kind of Christmas on September 2, 2016. The album was exclusively sold at Cracker Barrel and online. She also announced she would soon be selling her own line of clothing, home decor, jewelry and other things under the "Rockin' R by Reba" line also at Cracker Barrel. McEntire was a guest judge on the July 13, 2016 episode of America's Got Talent. She used her golden buzzer, which she could only use once and allowed an act to go straight to the live shows, on contortionist Sofie Dossi. After her split from ex-husband, Narvel Blackstock, Reba took control of her career as her own manager. She recruited Justin McIntosh of Starstruck Entertainment, Leslie Matthews serving as Brand Manager, and Carolyn Snell who has been with McEntire for nine years. They formed Reba's Business Inc. (RBI). She moved out of the building she and Blackstock had worked in, and moved her company to Green Hills, Nashville. On December 15, 2016, McEntire announced that she was releasing her first Gospel album titled Sing It Now: Songs of Faith & Hope. It was released by Nash Icon/Rockin' R Records on February 3, 2017, and consists of two discs. Disc one contains traditional hymns while disc two contains original tracks. "Softly and Tenderly", featuring Kelly Clarkson and Trisha Yearwood, was the first track off the album released. Another track on the album, "In the Garden/Wonderful Peace", features The Isaacs. Jay DeMarcus of the Rascal Flatts produced the album. The first single off the album is "Back to God". In January 2018, McEntire won the Grammy Award for Best Roots Gospel Album, her first nomination since 2007, and her first Grammy Award win in more than twenty years, since 1994. She also headlined the C2C: Country to Country festival in the UK alongside Brad Paisley and Zac Brown Band in March. Because of its limited release in 2016, on October 13, 2017 My Kind of Christmas was re-released - this time including songs with Vince Gill, Amy Grant, Darius Rucker and Lauren Daigle - on her website and through iTunes. During the 1980s and 1990s, almost all of McEntire's music videos were being described as "mini movies". In each video, she would portray a different character, which distinguished her music videos from other videos released by artists during that time. Her music videos alone have earned 4 award wins and 27 award nominations throughout her career. In the late 1980s, McEntire became interested in an acting career, eventually hiring an agent. In 1989, she co-hosted Good Morning America on ABC. In 1990, she obtained her first film role playing Heather Gummer in the horror comedy Tremors, along with Kevin Bacon. The film told the story of a small group of people living in Nevada who were fighting subterranean worm-like creatures. After the film's release, McEntire developed a strong interest in acting and made it her second career. The film earned McEntire a nomination for Best Supporting Actress at the 1991 Saturn Awards. The following year, she starred along with Kenny Rogers and Burt Reynolds in the made-for-television movies, The Gambler Returns: The Luck of the Draw and The Man From Left Field. In 1994, McEntire worked with director, Rob Reiner in the film, North, playing Ma Tex. The film obtained negative reviews, receiving only two and a half stars from Allmovie. In 1994, McEntire starred in Is There Life Out There?, a television movie based on her song of the same name. The following year, she appeared in Buffalo Girls, which was based upon the life of western cowgirl, Calamity Jane (played by Anjelica Huston). Playing Jane's friend, Annie Oakley, Buffalo Girls was nominated for an Emmy award. In 1996, McEntire was cast by director James Cameron as Molly Brown in his film Titanic. However, when it became apparent production for the film would extend well beyond its original length, McEntire had to turn down the part, as she had already scheduled prior concert engagements. The role was recast with Kathy Bates. In 1998, she starred as Lizzie Brooks in Forever Love, which was based upon McEntire's hit single of the same name. CANNOTANSWER

What was her next film?