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The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".

On 29 May 2007, the band signed a deal with major metal label Roadrunner Records. Their 8th studio album, titled Born into This was released on 16 October, and was produced by Martin "Youth" Glover, bass player for Killing Joke. Born into This was released as regular single disc and limited edition double disc, the second disk being a bonus 5-track CD holding the following tracks: "Stand Alone", "War Pony Destroyer", "I Assassin (Demo)", "Sound of Destruction (Demo)" and "Savages (Extended Version)". Prior to the album's release, the band played festival and headline dates, and supported the Who in Europe through summer 2007, with a US headline tour to follow. The band's appearance at Irving Plaza in New York City in early November 2006 was filmed and was released in 2007. The Cult New York City, issued by Fontana North and is the Cult's first high definition DVD release. Meanwhile, Astbury lent vocals on two tracks of the 2007 Unkle album "War Stories", one of them being the first single from the album, "Burn My Shadow". The band performed a UK and European tour in late-February and early-March 2008. On 24 March, they began their North American tour including a major 13-city tour in Canada. During September 2008, the Cult did a brief series of dates in the northeast United States, and they toured in Brazil as part of the South American tour in October 2008. As of May 2008, according to The Gauntlet, the Cult are currently unsigned and no longer under contract with Roadrunner Records. In October 2008, it was announced that the Cult would headline the inaugural Rock 'n' Roll Marathon in San Antonio, to be run 16 November 2008. The Cult announced plans for a tour showcasing their 1985 Love album across the USA and then the UK in October where they will play at the Royal Albert Hall. Coinciding with the remastered Love album and 4 disc Omnibus boxed set, the Cult kicked off the long-awaited Love Live Tour in late summer. Performing their classic Love album in its entirety, each show was played with the Love tracks opening with "Nirvana" to "Black Angel". A quick intermission followed, then other Cult hits were played (varying by venue): "Sun King", "Dirty Little Rock Star", "Electric Ocean", "Illuminated". Then followed the favorites "Fire Woman", "Lil Devil", "Wild Flower", and lastly "Love Removal Machine". In the evening of 10 October 2009 at the Royal Albert Hall in London, the band performed a second encore with original Cult bassist Jamie Stewart and drummer Mark Brzezicki, who played drums with the band during the Love album recording sessions in July and August 1985. The band sold Love Live USB flash drives for each show during the tour. CANNOTANSWER


In 1963, Major League Baseball expanded the strike zone. Compared to the previous season, National League walks fell 13 percent, strikeouts increased six percent, the league batting average fell from .261 to .245, and runs fell 15 percent. Koufax, who had reduced his walks allowed per nine innings to 3.4 in 1961 and 2.8 in 1962, reduced his walk rate further to 1.7 in 1963, which ranked fifth in the league. The top pitchers of the era - Don Drysdale, Juan Marichal, Jim Bunning, Bob Gibson, Warren Spahn, and above all Koufax - significantly reduced the walks-given-up-to-batters-faced ratio for 1963, and subsequent years. On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal--himself a no-hit pitcher a month later, on June 15. Koufax carried a perfect game into the eighth inning against the powerful Giants lineup, including future Hall of Famers Willie Mays, Willie McCovey, and Orlando Cepeda. He walked Ed Bailey on a 3-and-2 pitch in the 8th, and pinch-hitter McCovey on four pitches in the 9th, before closing out the game. As the Dodgers won the pennant, Koufax won the pitchers' Triple Crown, leading the league in wins (25), strikeouts (306) and ERA (1.88). Koufax threw 11 shutouts, setting a new post-1900 record for shutouts by a left-handed pitcher that stands to this day (the previous record of 10 shutouts had been held by Carl Hubbell for 30 years). Only Bob Gibson, a right-hander, has thrown more shutouts (13) since, and that was in 1968, "the year of the pitcher." Koufax won the NL MVP Award and the Hickok Belt, and was the first-ever unanimous selection for the Cy Young Award. Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters -- including the first 5, breaking Carl Erskine's decade-old record of 14 (Gibson would break Koufax's record by striking out 17 Detroit Tigers in the 1968 World Series opener). After seeing Koufax's Game 1 performance, Yogi Berra said, "I can see how he won 25 games. What I don't understand is how he lost five," to which Maury Wills responded, "He didn't. We lost them for him." In Game 4, Koufax completed the Dodgers' series sweep with a 2-1 victory over Ford, clinching the Series MVP Award for his performance. CANNOTANSWER

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Gaynor was born Laura Augusta Gainor (some sources stated Gainer) in Germantown, Philadelphia. Nicknamed "Lolly" as a child, she was the youngest of two daughters born to Laura (Buhl) and Frank De Witt Gainor. Frank Gainor worked as a theatrical painter and paperhanger. When Gaynor was a toddler, her father began teaching her how to sing, dance, and perform acrobatics.

Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband. Choosing to keep their relationship out of the public eye, Gaynor and Farrell were often assisted by mutual friend Douglas Fairbanks Jr. in maintaining the ruse. Looking back, Fairbanks would later recall, "We three were so chummy that I became their 'beard,' the cover-up for their secret romance. I would drive them out to a little rundown, wooden house well south of Los Angeles, near the sea. I'd leave them there and go sailing or swimming until [it was] time to collect them and then we'd all have a bit of dinner." According to Gaynor's biographer Sarah Baker, Farrell proposed marriage during the filming of Lucky Star (1929 film), but the two never followed through with it. In her later years, Gaynor would hold their different personalities accountable for their eventual separation. Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. Gaynor's attorney announced the couple's separation in late December 1932. She was granted a divorce on April 7, 1933. On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona. This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual. The couple had one son, Robin Gaynor Adrian, born in 1940. Those rumors were never hinted at in newspapers or magazines. Gaynor and Adrian remained married until Adrian's death from a stroke on September 13, 1959. On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death. The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasilia. CANNOTANSWER

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After graduating DeLand High School, Nancy got a job answering phones at State Farm Insurance. When George Napolitano needed a beautiful young girl for the cover of the June 1984 edition of the pro-wrestling magazine Wrestling All Stars, fellow photographer Bill Otten suggested the 20-year-old Nancy Toffoloni Daus for the role. Nancy, who had worked as a model, often sat alongside her then-husband Jim.

After being dumped by Sandman and Scorpio in ECW, she once again resurfaced in WCW, first appearing on the January 22, 1996 episode of WCW Monday Nitro as one of many women who stood in the aisle and waved as Hulk Hogan and Randy Savage came to the ring. On the February 5 episode of Nitro she turned on Savage during his match with Chris Benoit and rejoined Flair, Arn Anderson, Brian Pillman, and Benoit in the then-current incarnation of the Four Horsemen. Miss Elizabeth also managed the stable. In 1996, Pillman had left the Horsemen, but they added Steve McMichael and his wife Debra in June, which didn't sit well with Woman. In her next angle, the two bickered, not getting along in general. The Four Horsemen were often given interview time on Nitro and when it came time for Debra to speak on the mic, she'd often go into a soliloquy regarding Woman's looks and fashion sense -- usually when the two weren't within the vicinity of each other. Despite the heavy tension, the two managers never had a physical altercation. At the same time, she started an on-screen relationship with Benoit, who at the time was involved in a feud with her real-life husband, Kevin Sullivan. On December 7, on WCW Saturday Night, during a post-match interview with Sullivan, a home movie of the couple canoodling in a kitchen was played in front of him. Woman taunted Sullivan by saying, "You can't find me" and "I'm my own woman," while Benoit added: "You consider yourself the master of human chess. Well, my bishop just took your queen". After the video, Sullivan stood there speechless, and his manager Jimmy Hart led him off stage. This feud between Benoit and Sullivan saw Woman clashing with Sullivan's then-valet Jacquelyn at ringside. In one match, the two ladies were strapped together, took shots at each other, and used the strap connecting them as a weapon against the men. Eventually, the Benoit-Nancy on-screen relationship developed into a real-life affair off-screen. Because of this, it is often joked that 'Kevin Sullivan booked his own divorce.' The two were indeed divorced in 1997. What's more, Sullivan lost a retirement match to Benoit. His intent had been to retire from in-ring action and focus on booking. Nancy's final WCW appearance (and professional wrestling appearance as Woman) took place on May 26, 1997 on Monday Nitro as she accompanied Benoit to the ring for a confrontation with Jimmy Hart regarding the whereabouts of Sullivan, who wasn't in the arena. On the following week's show, Benoit came alone to ringside without her by his side. After managing him for a little over half a year, no reason was given for Woman's sudden disappearance, and she was never mentioned on WCW programming again. CANNOTANSWER

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Jon Miller was born on Hamilton Air Force Base and grew up in Hayward, California, listening to Giants announcers Russ Hodges and Lon Simmons on the radio. He attended his first baseball game in 1962, a 19-8 Giants' victory over the Los Angeles Dodgers at Candlestick Park. As a teenager, Miller played Strat-O-Matic and recorded his own play-by-play into a tape recorder, adding his own crowd noise, vendors, and commercials. After graduating from Hayward High School in 1969, Miller commuted across the bay to take broadcasting classes at the College of San Mateo.

Miller's delivery is notable for his easygoing, sometimes humorous manner and measured use of hyperbole, particularly in banter with his partner sportscasters. He livens up many broadcasts with a few Hawaiian and Japanese phrases spoken with impeccable pronunciation, and has been known to announce a half inning totally in Spanish. It is notable that Miller generally pronounces foreign language names with the source language pronunciation, in contrast with broadcasters who "Americanize" foreign-named players. Miller is also known for his meticulous scorekeeping, having scored over 5,500 games since he started broadcasting. Miller will occasionally quote lines from Shakespeare plays during radio broadcasts. He is well known for his foul ball call, "That ball is fooooul", and his emphatic cries of "Safe!" on close plays and "Two!" for a successful double play. He is also known for his unique pronunciation of the word safe, which sounds more like an umpire's call "tafe!", on plays where a baserunner attempts to slide into a base prior to being tagged out. Early in his career, Miller would punctuate home runs with the signature call, "Tell it goodbye!" (in emulation of longtime Giants announcer Lon Simmons), although he has eschewed this in recent years (although he continues to refer to a home run as a "big fly"). His home run call for Hispanic batters is now punctuated, "Adios, pelota!" Miller is noted in baseball circles for his impersonation of Los Angeles Dodgers announcer Vin Scully. Miller also imitates Harry Caray, Chuck Thompson, Jack Buck, Al Michaels, Babe Ruth, Bob Sheppard, and Harry Kalas, among others. Asked how he got into broadcasting play by play of baseball games, he recalled being in stands at Candlestick Park as a child and looking into the broadcast booth. In the middle of the at-bat, he watched as the broadcaster consumed a handful of fries and a drink between pitches, thinking, "That is the life for me." While calling games on the radio for the Giants, Miller occasionally introduces himself and his fellow broadcaster(s), followed by the phrase, "your Giants broadcasters". The same is repeated when Miller is on TV, except he replaces the word "broadcasters" with "telecasters." (Miller is referred to by fellow Giants broadcaster Mike Krukow as "The Big Kahuna".) He would use similar terminology for his Sunday Night Baseball telecasts on ESPN ("your Sunday night telecasters") and his World Series broadcasts for ESPN Radio ("your World Series broadcasters"). CANNOTANSWERAnswer this question using a quote from the following article:

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Andy Irvine was born in St John's Wood, northwest London on 14 June 1942 to an Irish mother from Lisburn, County Antrim, and a Scottish father from Glasgow. His mother, Felice Lascelles, had been a musical comedy actress and Irvine would later say that "she may have given up the stage, but she never stopped acting!". As a child, Irvine was given opportunities to appear on stage, TV and in films. In the summer holidays of 1950, when he was eight years old, his first role was to play Jimmy in the film A Tale of Five Cities. At thirteen, he starred as Nokie (short for Pinocchio) in the ITV children's series Round at the Redways and joined a school for child actors. He made his stage debut in the Grand Theatre in Wolverhampton and, at fourteen, received rave reviews for his performance as Morgan in the ITV Television Playhouse drama The Magpies, adapted from a Henry James short story. The same year, he was Eric Brandt in Escape to Happiness, for the Armchair Theatre programme and also played John Logie Baird as a boy in the film A Voice in Vision. In early 1958, Irvine featured as Archie Almond in five episodes of Run to Earth. Aged fifteen, he played Lord Heybrook in French Without Tears, for the Saturday Playhouse TV series and, soon after, was one of the 'Pygmies' in Brouhaha, with Peter Sellers as the Sultan. Irvine then played Raymond opposite Laurence Harvey in Room at the Top and, although his scene was cut from the final release, he still appears briefly in the film, handing a bottle of champagne to Harvey during a wedding scene. In late 1959, he featured as Lanky Graham in Ask for King Billy and, in early 1960, he played a schoolboy in A Holiday Abroad for ITV Television Playhouse. Later that year, at eighteen, Irvine performed as Dan in three episodes of Sheep's Clothing, after which he was offered a two-year contract with the BBC's Repertory company ('The Rep'), where he befriended the poet Louis MacNeice who worked there as a writer for over twenty years. As Irvine recalled much later: However, Irvine would give up acting in his early twenties, after moving to Dublin at the end of his time with the 'Rep'. CANNOTANSWER

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Throbbing Gristle were an English music and visual arts group, officially formed on 3 September 1975 in Kingston upon Hull. With its members Genesis P-Orridge (born Neil Megson), Cosey Fanni Tutti (born Christine Newby), Peter "Sleazy" Christopherson and Chris Carter, they became widely regarded as the pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made its public debut in October 1976 on COUM Transmissions exhibition Prostitution, and, the following year, released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Further throughout its first stint, the band released several studio and live albums--including D.o.

Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The last known performance of COUM Transmissions--Prostitution, an exhibition which was held in October 1976 at the Institute of Contemporary Arts--was also the public debut of Throbbing Gristle. Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However, the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle made extensive use of pre-recorded tape-based samples and special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They appeared in the fanzine Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News. In 1977, they released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Although pressed in a limited initial run of 786 copies on the band's own Industrial Records label, it was later re-released on Mute Records due to high demand; however, this later release was reversed with all tracks playing backwards and in reverse order. This was followed by a series of albums, singles and live performances over a four-year period. On 29 May 1981, Throbbing Gristle performed at the Kezar Pavilion in San Francisco, California, United States. This concert marked the end of the group and its mission. As Cosey succinctly put it, "TG broke up because me and Gen broke up". In 1981 Michael Sheppard, concert promoter and founder of Transparency Record label brought Throbbing Gristle to Los Angeles. Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Cosey Fanni Tutti and Carter continued to record together under the names of Chris and Cosey, Carter Tutti and Creative Technology Institute. Christopherson had paricipated in Psyshic TV's first releases, and had later joined John Balance in the latter project Coil. Meanwhile, Gen (now known as Genesis Breyer P-Orridge) subsequently formed Thee Majesty and PTV3 with the help of their wife, Jacqueline "Jaye" Breyer. CANNOTANSWER

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Raven-Symone Christina Pearman (; born December 10, 1985), (sometimes credited as Raven, also known mononymously as Raven-Symone) is an American actress, singer, songwriter, model, television personality, dancer, rapper and producer. She first appeared on television in 1989 on The Cosby Show as Olivia Kendall. She released her debut album, Here's to New Dreams in 1993; the single, "That's What Little Girls Are Made Of" charted number 68 on the US Billboard Hot 100.

In 1993, one year after The Cosby Show ended, she landed the role of Nicole Lee on the show Hangin' with Mr. Cooper. She made her debut in the first episode of the show's second season, and remained until the series finale in 1997. In 1994, during her time on the show Hangin' with Mr. Cooper, she had her first big screen role in the movie The Little Rascals, playing Stymie's girlfriend. The Little Rascals earned $67.3 million worldwide during its theatrical run. In 1996, Raven-Symone and her father founded RayBlaze Records, in which she signed a distribution deal with Crash Records for her second album Undeniable, which was released in May 1999. The album sold over 2,000 in US. The album yielded one single: a cover of Stevie Wonder's "With a Child's Heart". To support the album Undeniable, she went on tour as the opening act for fellow Jive artist 'N Sync's The 'N Sync Tour in 1998/1999. In 1998, she won her first major role in theatrical movie, she was cast in the Eddie Murphy comedy Dr. Dolittle, as Charisse Dolittle, the oldest daughter of Murphy's character. Dr. Dolittle earned $294.5 million worldwide during its theatrical run. In the same year, she also appeared in Zenon: Girl of the 21st Century as Nebula, her first production under Disney. In 2001, she reprised the role of Charisse Dolittle in the sequel Eddie Murphy comedy Dr. Dolittle 2. Dr. Dolittle 2 earned $176.1 million worldwide during its theatrical run. In the same year, she participated in two episodes of the comedy series, My Wife and Kids as Charmaine, Claire's pregnant friend, her first production under ABC. CANNOTANSWER

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George Burns was born Nathan Birnbaum on January 20, 1896 in New York City, the ninth of 12 children born to Hadassah "Dorah" (nee Bluth; 1857-1927) and Eliezer Birnbaum (1855-1903), known as Louis or Lippe, Jewish immigrants who had come to the United States from Kolbuszowa, Galicia. Burns was a member of the First Roumanian-American Congregation. His father was a substitute cantor at the local synagogue but usually worked as a coat presser. During the influenza epidemic of 1903, Lippe Birnbaum contracted the flu and died at the age of 47.

When Burns turned 90 in 1986, the city of Los Angeles renamed the northern end of Hamel Road "George Burns Road." City regulations prohibited naming a city street after a living person, but an exception was made for Burns. In celebration of Burns' 99th birthday in January 1995, Los Angeles renamed the eastern end of Alden Drive "Gracie Allen Drive." Burns was present at the unveiling ceremony (one of his last public appearances) where he quipped, "It's good to be here at the corner of Burns & Allen. At my age, it's good to be anywhere!" George Burns Road and Gracie Allen Drive cross just a few blocks west of the Beverly Center mall in the heart of the Cedars-Sinai Medical Center. Burns remained in good health for most of his life, in part thanks to a daily exercise regimen of swimming, walks, sit-ups, and push-ups. He bought new Cadillacs every year and drove until the age of 93, when he stopped due to becoming so short that he couldn't see over the steering wheel. After that, Burns had chauffeurs drive him around. In his later years, he also had difficulty reading fine print. Burns suffered a head injury after falling in his bathtub in July 1994 and underwent surgery to remove fluid in his skull. Burns never fully recovered and all performances celebrating his 100th birthday were canceled. In December 1995, a month before his 100th birthday, Burns was well enough to attend a Christmas party hosted by Frank Sinatra (who turned 80 that month), where he reportedly caught the flu, which weakened him further. When Burns was 96, he had signed a lifetime contract with Caesar's Palace in Las Vegas to perform stand-up comedy there, which included the guarantee of a show on his centenary, January 20, 1996. When that day actually came however, he was too weak to deliver the planned performance. He released a statement joking how he would love for his 100th birthday to have "a night with Sharon Stone". His final public appearance was in at the MCG in Melbourne, Australia, where he opened the 1996 AFL Premiership Season on February 8. On March 9, 1996, 49 days after his centenary, Burns died in his Beverly Hills home at age 100. His funeral was held three days later at the Wee Kirk o' the Heather church in Forest Lawn Memorial Park Cemetery, Glendale. As much as he looked forward to reaching the age of 100, Burns also stated, about a year before he died, that he also looked forward to death, saying that on the day he would die, he would be with Gracie again in Heaven. Upon being interred with Gracie, the crypt's marker was changed from, "Grace Allen Burns-Beloved Wife And Mother (1902-1964)" to "Gracie Allen (1902-1964) & George Burns (1896-1996)-Together Again". George had said that he wanted Gracie to have top billing. CANNOTANSWER


As an undergraduate, Parsons studied biology, sociology and philosophy at Amherst College and received his B.A. in 1924. Amherst College had become the Parsons' family college by tradition; his father and his uncle Frank had attended it, as had his elder brother, Charles Edward. Initially, Parsons was attracted to a career in medicine, as he was inspired by his elder brother so he studied a great deal of biology and spent a summer working at the Oceanographic Institution at Woods Hole, Massachusetts. Parsons' biology professors at Amherst were Otto C. Glaser and Henry Plough. Gently mocked as "Little Talcott, the gilded cherub," Parsons became one of the student leaders at Amherst. Parsons also took courses with Walton Hamilton and the philosopher Clarence Edwin Ayres, both known as "institutional economists." They exposed him to literature by authors such as Thorstein Veblen, John Dewey, and William Graham Sumner. Parsons also took a course with George Brown in the philosophy of Immanuel Kant and a course in modern German philosophy with Otto Manthey-Zorn, who was a great interpreter of Kant. Parsons showed from early on, a great interest in the topic of philosophy, which most likely was an echo of his father's great interest in theology in which tradition he had been profoundly socialized, a position unlike with his professors'. Two term papers that Parsons wrote as a student for Clarence E. Ayres's class in Philosophy III at Amherst have survived. They are referred to as the Amherst Papers and have been of strong interest to Parsons scholars. The first was written on December 19, 1922, "The Theory of Human Behavior in its Individual and Social Aspects." The second was written on March 27, 1923, "A Behavioristic Conception of the Nature of Morals." The papers reveal Parsons' early interest in social evolution. The Amherst Papers also reveal that Parsons did not agree with his professors since he wrote in his Amherst papers that technological development and moral progress are two structurally-independent empirical processes. CANNOTANSWER

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Background: Shriver was born in Chicago, Illinois, the second child and only daughter of the politician Sargent Shriver and activist Eunice Kennedy Shriver. Shriver is the niece of United States President John F. Kennedy, U.S. Attorney General and U.S. Senator Robert F. Kennedy, U.S. Senator Ted Kennedy, and five other prominent siblings. A Roman Catholic, she is of mostly Irish and German descent. Shriver attended Westland Middle School in Bethesda, Maryland, a suburb of Washington, D.C., and graduated in 1973 from Stone Ridge School of the Sacred Heart in Bethesda.
Context: In 1977, Tom Brokaw introduced Maria to Austrian bodybuilder and actor Arnold Schwarzenegger at a charity tennis tournament being held at her mother's home. She married Schwarzenegger on April 26, 1986, in Hyannis, Massachusetts, at St. Frances Xavier Roman Catholic Church. They have four children: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997). On May 9, 2011, Schwarzenegger and Shriver announced their separation after 25 years of marriage, with Shriver moving out of the couple's Brentwood mansion. In a message for her Twitter followers posted on May 13, 2011, Shriver said: "Thank you all for the kindness, support and compassion. I am humbled by the love. Thank you." On May 17, 2011, Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena, 14 years earlier, and before his election as Governor of California. He confessed to Shriver only after she confronted him with the information, having earlier confirmed what she had suspected about the child in a confrontation with Baena. Shriver described Schwarzenegger's admission as "painful and heartbreaking." She declined to speak further on the issue, saying: "As a mother, my concern is for the children. I ask for compassion, respect and privacy as my children and I try to rebuild our lives and heal." Shriver filed for divorce on July 1, 2011. citing "irreconcilable differences". In 2013, Shriver began dating political consultant Matthew Dowd, the strategist for Arnold Schwarzenegger's 2006 reelection campaign. CANNOTANSWER
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Background: Hanson is an American pop rock band from Tulsa, Oklahoma, United States, formed by brothers Isaac (guitar, bass, piano, vocals), Taylor (keyboards, piano, guitar, drums, vocals), and Zac (drums, piano, guitar, vocals). Supporting members include Dimitrius Collins (keyboards, guitar), and Andrew Perusi (bass) who have toured and performed live with the band since 2007. They are best known for the 1997 hit song "MMMBop" from their debut album released through Mercury, Polygram, Middle of Nowhere, which earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band suffered from the merger that eliminated their label, Mercury Records .
Context: On January 15, 2007, Hanson released on iTunes the first episode of their documentary podcast "Taking the Walk", detailing production of the studio album. The first episode of the band's documentary Strong Enough to Break was also released on iTunes. The program is edited into 13 episodes for release by podcast. In March 2007, Hanson began a "preview tour" to promote The Walk and give fans a taste of recent work. Over six days, Hanson performed at the Starland Ballroom in Sayreville, New Jersey, Toad's Place in New Haven, Connecticut, The Crocodile Rock in Allentown, Pennsylvania, and The Supper Club in New York City. On March 30, Taylor and Zac appeared in Dallas, TX to screen their documentary at the AFI Film Festival. Afterward, the brothers held a Q&A session along with director Ashley Greyson. Hanson performed in the UK during April 2007, playing songs from The Walk. They also promoted the release of the single "Go" and the UK release of the album. The Walk, Hanson's second studio album with 3CG Records (Fourth overall), was released in the US, Mexico and Canada on July 24. It was released in Japan on February 21 and in the UK on April 30. On May 6, 2007, the 10th anniversary of Hanson Day, the band re-recorded their first major label album, Middle Of Nowhere, at The Blank Slate bar in their hometown of Tulsa, Oklahoma. The band invited fan club members, causing hundreds to fly to Oklahoma for the acoustic event. Hanson played concerts in the summer of 2007, supporting release of The Walk. The band appeared in Providence, Boston, New York City, Toronto, and Los Angeles. The record Middle of Nowhere Acoustic was released at the end of that year, exclusively on Hanson.net. The record included all but three songs of those originally in Middle of Nowhere ("Speechless", "Thinking of You" and "With You in Your Dreams") and featured the song Yearbook, never performed live before. CANNOTANSWER
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By the time of the 1910 US Census, only 13 tribal members lived on the reservation. By the early 20th century, the reservation of 214 acres had a total population of 20 or 30 persons. In 1973, with the death of Elizabeth George (1894-1973), the last Pequot living on the reservation, the federal government started planning to take back the land. But in this period, the number of tribal members had increased, and they had maintained some continuity of culture. They began to organize politically and planned to assert their sovereignty and try to reclaim some of the land they had lost in the 19th-century Connecticut sale. In 1976, under the leadership of newly appointed tribal council chairman, Richard "Skip" Hayward, son of Elizabeth George, the Mashantucket Pequot filed a federal land claim against the state. They challenged the state's illegal sale of more than 800 acres of reservation lands in 1855. The US Department of Justice entered the suit, as it dealt with federal issues and constitutionality of the state action. The suit's settlement was documented by federal legislation in 1983: the Mashantucket Pequot Indian Land Claims Settlement Act included the tribe's federal recognition, and was signed into law by President Ronald Reagan. also filing a federal land claims suit against the state of Connecticut for its sale of land in 1855. The tribe achieved political success by persuading Congressmen and appropriate committees in making the case for recognition and land claims. In this period, some tribes based in New York filed land claim suits against its state government, winning in court. On October 18, 1983, President Ronald Reagan signed the Connecticut Indian Land Claims Settlement Act, which included federal recognition of the Mashantucket Pequot. They were the eighth American Indian tribe to gain federal recognition through an act of Congress rather than through the administrative process of the Bureau of Indian Affairs (BIA) and Department of Interior. At least one other case of recognition had also been tied to the settlement of a tribe's legitimate land claim. The Mashantucket Pequot have since added to their reservation by purchase and placed the additional lands into trust with the Bureau of Indian Affairs (BIA) on behalf of the tribe. As of the 2000 census, their total land area was 2.17 square miles (5.6 km2). CANNOTANSWER

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Grammer was born February 21, 1955, in Charlotte Amalie, Saint Thomas, U.S. Virgin Islands, the son of Sally (nee Cranmer; 1928-2008), a singer and actress, and Frank Allen Grammer, Jr. (d, 1968), a musician and owner of a coffee shop and a bar and grill called Greer's Place. He had one younger sister. Grammer was two years old when his parents divorced. Grammer and his sister Karen were subsequently raised by their mother and grandparents in New Jersey.

In 2005, Grammer returned to television. He produced and appeared in an American adaptation of the British show The Sketch Show, which aired on Fox. The main cast consisted of Malcolm Barrett, Kaitlin Olson, Mary Lynn Rajskub and Paul F. Tompkins, as well as Lee Mack from the British version of the show. Grammer appeared in only short opening and closing segments in each episode. Many of the sketches from the British version were re-created, such as the "California Dreamin'", "English Course", and "Sign Language" sketches. Only six episodes of the show were made, and it was canceled after only four of them had aired. In 2007, Grammer starred with Patricia Heaton in the American sitcom Back to You. It was canceled by Fox after its first season. His next attempt, ABC's Hank, fared even worse. It was canceled after only five episodes had aired. Grammer later commented, "Honestly, it just wasn't very funny." In 2011 and 2012, Grammer starred in the Starz drama series Boss as a fictional mayor of Chicago in the mold of Richard J. Daley which premiered in October 2011. It was his first dramatic TV series. At the 2012 Golden Globe Awards Kelsey Grammer won the award for Best Actor in a Television Series Drama for his role on Boss. The show ran for 18 episodes over two seasons. Grammer played a villain in the Paramount's Transformers movies' fourth installment, Transformers: Age of Extinction, starring Mark Wahlberg. Grammer paired up with comedian/actor Martin Lawrence to star in the comedy Partners for Lionsgate TV. The Lionsgate-produced show would be written and executive produced by Robert L. Boyett and Robert Horn, known for writing hit shows like Family Matters, Living Single, Full House, Designing Women, and Perfect Strangers. CANNOTANSWER

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Background: Josephine Elizabeth Butler (nee Grey; 13 April 1828 - 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage, the right of women to better education, the end of coverture in British law, the abolition of child prostitution, and an end to human trafficking of young women and children into European prostitution. Grey grew up in a well-to-do and politically connected progressive family which helped develop in her a strong social conscience and firmly held religious ideals. She married George Butler, an Anglican divine and schoolmaster, and the couple had four children, the last of whom, Eva, died falling from a banister.
Context: The fall of the Liberal government in 1874, and its replacement with Benjamin Disraeli's Conservative administration meant that the repeal campaign stalled; Butler called it a "year of discouragement" when there was "deep depression in the work". Although the LNA kept up the pressure, progress in persuading Liberal MPs to oppose the Contagious Diseases Acts was slow, and the government was implacable in its support of the measures. At a meeting of regional LNA branches in May, one speech focused on legislation in Europe; the meeting resolved to correspond with sister organisations on the continent. At the start of December 1874 Butler left for Paris and a tour that covered France, Italy and Switzerland, where she met with local pressure groups and civic authorities. She encountered strong support from feminist groups, but hostility from the authorities. She returned from her travels at the end of February 1875. As a result of her experiences, in March 1875 Butler formed the British and Continental Federation for the Abolition of Prostitution (later renamed the International Abolitionist Federation), an organisation that campaigned against state regulation of prostitution and for "the abolition of female slavery and the elevation of public morality among men". The Liberal MP James Stansfeld--who wished to repeal the Acts--became the federation's first general secretary; Butler and her friend, the Liberal MP Henry Wilson, became joint secretaries. In 1878 Josephine wrote a biography of Catherine of Siena, which Glen Petrie--her biographer--thought was probably her best work; Walkowitz considers the work provided a "historical justification for her own political activism". Another biographer, Helen Mathers, believes that "in emphasising that she and Catherine were born to be leaders, of both men and women, ... [Butler] made a profound contribution to feminism". Butler became aware of the slave trade of young women and children from England to mainland Europe in 1879. Young girls were considered "fair game", according to Mathers, as the law allowed them to become prostitutes at the age of 13. After playing a minor role in starting an investigation into an accusation of trafficking, Butler became active in the campaign in May 1880, and wrote to The Shield that "the official houses of prostitution in Brussels are crowded with English minor girls", and that in one house "there are immured little children, English girls of from twelve to fifteen years of age ... stolen, kidnapped, betrayed, got from English country villages by every artifice and sold to these human shambles". She visited Brussels where she met the mayor and local councillors and made allegations against the head of the Belgian Police des Moeurs and his deputy as to their involvement in the trade. After the meeting she was contacted by a detective who confirmed that the senior members of the Police des Moeurs were guilty of collusion with brothel keepers. She returned home and filed a deposition containing a copy of the statement from the detective and sent them to the Procureur du Roi (Chief Prosecutor) and the British Home Secretary. Following an investigation in Belgium, the head of the Police des Moeurs was removed from office, and his deputy was put on trial alongside 12 brothel owners; all were imprisoned for their roles in the trade. CANNOTANSWER
Question: Was Josephine Butler involved?. Whats the answer?


Styx  is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s. Styx is best known for the hit songs "Lady",

On the success of "Babe", DeYoung began pushing for a more theatrical direction, while Shaw and Young favored a harder-edged approach. This arguing over musical direction led to a bit of tension in early 1980 after Young and Shaw objected to the ballad "First Time" released as the second single from Cornerstone (1979) album. However, things were quickly smoothed over. Moreover, this song did not chart in the U.S. but became a huge hit single in the Philippines in 1981. In January 1981, Styx released Paradise Theatre, a concept album that became their biggest hit, reaching No. 1 on the Billboard pop albums chart and yielding five singles, including the top ten hits "The Best of Times" by DeYoung (#3) and "Too Much Time on My Hands" by Shaw (#9). Paradise Theatre became the band's fourth consecutive multi-platinum album. The band was accused by a California religious group and later the Parents Music Resource Center of backmasking Satanic messages in their anti-cocaine anthem, "Snowblind". James Young has denied this charge during his introduction for "Snowblind" when played live. Dennis DeYoung has denied the accusation as well, joking on the In the Studio with Redbeard program "we had enough trouble to make the music sound right forward." Also, James Young quotes, "If we were going to put something Satanic in our songs, we would have put it so it was in the song forward. Not so you would have to buy some $400 tape recorder to hear it." Throughout the 1980s, the band would use the Paradise Theatre (1981) album's opening track, "Rockin' the Paradise" (charted at No. 8 on Top Rock Tracks Chart) to open their shows. CANNOTANSWER

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Background: Train is an American rock band from San Francisco, formed in 1993. The band currently consists of Patrick Monahan (lead vocals), Luis Maldonado (guitar), Hector Maldonado (bass, vocals), Drew Shoals (drums), Jerry Becker (keyboards, guitar), Sakai Smith (backup vocals), and Nikita Houston (backup vocals). With a lineup that included original members Monahan, Rob Hotchkiss, Jimmy Stafford, Scott Underwood, and Charlie Colin, the band achieved mainstream success with their debut album Train, which was released in 1998 with the hit "Meet Virginia". Train's 2001 album, Drops of Jupiter contained the lead single "Drops of Jupiter (Tell Me)", which won two Grammy Awards in 2002.
Context: Drops of Jupiter, the band's second album, was produced by Brendan O' Brien, who has also worked with artists such as Pearl Jam, King's X, Bob Dylan, Bruce Springsteen & The E-Street Band and Neil Young. Before the release of the second album, the band released the single "Drops of Jupiter (Tell Me)". The song was a massive hit; it entered the Hot 100 on March 10, 2001, and spent over a year on the chart (54 weeks) before being relegated to the recurrents chart. The song won a Grammy Award for Best Rock Song, as well as a Grammy Award for Best Arrangement, which was written by Paul Buckmaster, known for his string arrangements for Elton John. (The band reportedly hired Buckmaster expressly to create a sound similar to his arrangement for John's "Burn Down The Mission".) The album Drops of Jupiter was released on March 27, 2001, and became Train's first multi-platinum album, with the success of the lead single. The album was Train's first top ten album, peaking at number six on the Billboard 200. The album was also a top ten hit in the United Kingdom, where it peaked at number eight. "She's on Fire", the second single from Drops of Jupiter was a modest success and was featured in the 2001 comedy The Animal and the 2003 animated comedy Rugrats Go Wild. The album was eventually certified double platinum in the United States and in Canada. It was also certified gold in Australia. During the Drops of Jupiter tour, the band released a live DVD of a sold out concert in the band's hometown of San Francisco at The Warfield. The DVD was titled "Midnight Moon" and featured Train's hits from the first two albums among others. The concert was recorded on May 26, 2001. CANNOTANSWER
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Answer:


Anquetil was the son of a builder in Mont-Saint-Aignan, in the hills above Rouen in Normandy, north-west France. He lived there with his parents, Ernest and Marie, and his brother Philippe and then at Boisguillaume in a two-storey house, "one of those houses with exposed beams that tourists think are pretty but those who live there find uncomfortable." In 1941, his father refused contracts to work on military installations for the German occupiers and his work dried up. Other members of the family worked in strawberry farming and Anquetil's father followed them, moving to the hamlet of Bourguet, near Quincampoix.

Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular. Divisions between their fans became marked, which two sociologists studying the impact of the Tour on French society say became emblematic of France old and new. The extent of those divisions is shown in a story, perhaps apocryphal, told by Pierre Chany, who was close to Anquetil: The Tour de France has the major fault of dividing the country, right down to the smallest hamlet, even families, into two rival camps. I know a man who grabbed his wife and held her on the grill of a heated stove, seated and with her skirts held up, for favouring Jacques Anquetil when he preferred Raymond Poulidor. The following year, the woman became a Poulidor-iste. But it was too late. The husband had switched his allegiance to Gimondi. The last I heard they were digging in their heels and the neighbours were complaining. Jean-Luc Boeuf and Yves Leonard, in their study, wrote: Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode. Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him. Humble people saw themselves in Raymond Poulidor, whose face - lined with effort - represented the life they led on land they worked without rest or respite. His declarations, full of good sense, delighted the crowds: a race, even a difficult one, lasts less time than a day bringing in the harvest. A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up, an image that was far from true for Poulidor, whose record was particularly rich. Even today, the expression of the eternal second and of a Poulidor Complex is associated with a hard life, as an article by Jacques Marseille showed in Le Figaro when it was headlined "This country is suffering from a Poulidor Complex". Anquetil's most humiliating race was the Trofeo Baracchi in Italy in 1962, when he had to be pushed by his partner, Rudi Altig, and was so exhausted that he hit a pillar before reaching the track on which the race finished. The Trofeo Baracchi was a 111 km race for two-man teams. Anquetil, the world's best time-triallist, and Altig, a powerful rider with a strong sprint, were favourites. But things soon went wrong. The writer Rene de Latour wrote: I got my stopwatch going again to check the length of each man's turn at the front. Generally in a race of the Baracchi type, the changes are very rapid, with stints of no more than 300 yards. Altig was at the front when I started the check -- and he was still there a minute later. Something must be wrong. Altig wasn't even swinging aside to invite Anquetil through... Suddenly, on a flat road, Anquetil lost contact and a gap of three lengths appeared between the two partners. There followed one of the most sensational things I have ever seen in any form of cycle racing during my 35 years' association with the sport -- something which I consider as great a physical performance as a world hour record or a classic road race win. Altig was riding at 30mph at the front -- and had been doing so for 15 minutes. When Anquetil lost contact, he had to ease the pace, wait for his partner to go by, push him powerfully in the back, sprint to the front again after losing 10 yards in the process, and again settle down to a 30mph stint at the front. Altig did this not just once but dozens of times. The pair reached the track on which the race finished. The timekeeper was at the entrance to the stadium, so Anquetil finished. But instead of turning on to the velodrome, he rode straight on and hit a pole. He was helped away with staring eyes and with blood streaming from a cut to his head. The pairing nevertheless won by nine seconds. Raphael Geminiani had been Anquetil's rival as a rider; he became his strongest asset as his manager. The historian Dick Yates wrote: Raphael embarked on a policy of trying to convince Jacques of the need to win more races as he certainly had the ability to do so... Anquetil had a very strong personality so he was not easily dominated but Geminiani had an even stronger one. He never gave up the task of trying to convince Jacques of the need for more panache, how a man of his talent should have an even bigger list of important wins. As a partnership they won four Tours de France, two Giro d'Italia, the Dauphine-Libere and then next day, Bordeaux-Paris. Geminiani said of him: Today, everybody pays him homage. I nearly blow my top. I can still hear the way he was whistled when he rode. I think of the organisers of the Tour, who shortened the time trial to make him lose. His home town of Rouen organises commemorations but, me, I haven't forgotten that it was in Antwerp that he made his farewell appearance. More than once, I saw him crying in his hotel room after suffering the spitting and insults of spectators. People said he was cold, a calculator, a dilettante. The truth is that Jacques was a monster of courage. In the mountains, he suffered as though he was damned. He wasn't a climber. But with bluffing, with guts, he tore them to shreds (il les a tous couillonnes). CANNOTANSWER

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Jose de la Cruz Porfirio Diaz Mori (Spanish pronunciation: [por'firjo di.as]; 15 September 1830 - 2 July 1915) was a Mexican general and politician who served seven terms as President of Mexico, a total of three and a half decades, from 1876 to 1880 and from 1884 to 1911. A veteran of the War of the Reform (1858-60) and the French intervention in Mexico (1862-67), Diaz rose to the rank of General, leading republican troops against the French-imposed rule of Emperor Maximilian. Seizing power in a coup in 1876, Diaz and his allies, a group of technocrats known as "Cientificos", ruled Mexico for the next thirty-five years, a period known as the Porfiriato. Diaz has always been a controversial figure in Mexican history; while the Porfirian regime brought stability after decades of conflict, it grew unpopular due to civil repression and political stagnation.

As a Liberal military hero, Diaz had ambitions for national political power. He challenged the civilian president Benito Juarez, who was running for what Diaz considered an illegal subsequent term as president. In 1870, Diaz ran against President Juarez and Vice President Sebastian Lerdo de Tejada. In 1871, he made claims of fraud in the July elections won by Juarez, who was confirmed as president by the Congress in October. In response, Diaz launched the Plan de la Noria on 8 November 1871, supported by a number of rebellions across the nation, including one by Manuel Gonzalez of Tamaulipas, but this rebellion failed. Following the death of Juarez of natural causes in 1872, Lerdo became president. Lerdo offered amnesty to rebels, which Diaz accepted and took up residency in Veracruz. In 1874, Diaz served in the legislature, representing Veracruz. Opposition to the presidency of Lerdo grew, particularly as anti-clericalism increased, labor unrest grew, and a major rebellion of the Yaqui in northwest Mexico under the leadership of Cajeme challenged central government rule there. Diaz saw an opportunity to plot a more successful rebellion, leaving Mexico in 1875 for New Orleans and Brownsville, Texas with his political ally Manuel Gonzalez. When Lerdo declared he was running for re-election in 1876, Diaz once again had the pretext of the principle of no-reelection to support his opposition. He issued the Plan of Tuxtepec (a town in Oaxaca) as a call to arms against Lerdo. When Lerdo was re-elected in July 1876, rebellion and unrest both before and after the election forced Lerdo from office. In November 1876, Diaz occupied Mexico City, Lerdo left Mexico for exile in New York. Diaz did not take formal control of the presidency until the beginning of 1877, putting General Juan N. Mendez as provisional president, followed by new presidential elections in 1877 that gave Diaz the presidency. Ironically, one of his government's first amendments to the 1857 liberal constitution was to prevent re-election. Although the liberals had defeated the conservatives in the War of the Reform, the conservatives had been powerful enough still in the early 1860s to aid the imperial project of France that put Maximilian Habsburg as emperor of Mexico. With the fall of Maximilian, Mexican conservatives were cast as collaborators with foreign imperialists. With the return of the liberals under Benito Juarez, and following his death, liberals held power, but basic liberal goals of democracy, rule of law, and economic development were not reached. Diaz saw his task in his term as president to create internal order so that economic development could be possible. As a military hero and astute politician, Diaz's eventual successful establishment of that peace (Pax Porfiriana) became "one of [Diaz's] principal achievements, and it became the main justification for successive re-elections after 1884." CANNOTANSWER


Anna Vissi (Greek: Anna Bisse (pronounced ['ana 'visi], locally ['an:a 'viS:i]); born 20 December 1957), also known as Anna Vishy, is a Greek Cypriot singer, songwriter, actress, television presenter, radio personality, and businesswoman.

In early 2002, Vissi starred in the musical Mala - I Mousiki Tou Anemou, based on a true love story that took place during World War II in Auschwitz, between Mala Zimetbaum and Edward Galinski. The play, which was staged at Pallas Theatre in Athens, it was written by Karvelas, directed by Giannis Kakleas and was accompanied by a symphony orchestra conducted by Giorgos Niarhos. Mala premiered on 19 January. The production and Vissi's performance was received tepidly by critics and its commercial performance was mediocre. The musical was shown on Mega Channel a year later. An album containing the songs performed at the play was also released and charted, reaching gold status in Greece and platinum in Cyprus. In late 2002, Vissi released the album Chi, which was produced by George De Angelis. Shortly after, the album was featured on CNN's Music Room, where they talked about how the album reached number one in Greece. The album quickly reached number one on the IFPI charts, and was certified 2x platinum. In the winter of 2002-2003, she was working at "Fever" club in Athens, performing with Yiannis Parios. In May 2003, Vissi performed with Nikos Karvelas and Irini Merkouri at "Boom" in Thessaloniki, Greece. On 15 July 2003, Vissi gave a concert at "A Plaz Voulas/Apollonies Aktes", with special guest star Nikos Karvelas. In September 2003, Vissi gave another concert in Cyprus, at the Tzirion Stadium in Limassol, to celebrate her 30-year-old career. At the same year, she was awarded with a prize for her whole contribution from the Cyprus Paralympic Organization, while a square in Larnaca was named after her. She also met and talked with the president of the Republic of Cyprus, in the Presidential Palace, in Nicosia. Just before 2004, on 5 December 2003, Vissi released the double album Paraksenes Eikones which went 2x platinum in six months. This was Vissi's first album since 1981's Anna Vissi that included songs written by other composers besides Nikos Karvelas. The album produced many hits. To promote the album, she started appearing at "Diogenis Studio" for the winter season 2003-2004, with Konstantinos Christoforou, Nino and girl band Hi-5. CANNOTANSWER

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"Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.

Their requests for payment having been ignored, Robey and two other music publishers initiated unprecedented legal proceedings in April against the record companies that released these competing songs, alleging copyright infringement. As a result, Chess Records withdrew Brim's "Rattlesnake" from sale. In the Memphis courts, Lion Publishing Co. sought royalties and treble damages, claiming "Bear Cat" was "a dead steal". In May, Phillips responded: "There's a lot of difference in the words. As for the tune, there's practically no melody, but a rhythm pattern", adding that it is hard to differentiate between any two 12-bar blues songs. By June 1953 in a "precedent-setting" decision the Court ruled against Phillips, and upheld the charges of plagiarism, finding the tune and some of the lyrics of "Bear Cat" to be identical to those of "Hound Dog". Phillips was ordered to pay 2% of all of the profits of "Bear Cat" plus court costs. As this amounted to $35,000 compensation, Phillips was reduced to near bankruptcy, ultimately forcing him to sell Elvis Presley's Sun contract to RCA for $35,000 to raise the funds to settle his debts. On June 4, 1953, Jet reported that: "The Sun Record Company of Memphis agreed to pay $2,080 to a Texas Recording firm because its blues tune, Bear Cat, is too similar to Hound Dog. Lion Publishing Company of Houston, Tex., won the out-of-court settlement after contending in a court suit that Bear Cat was a "conscious imitation" of their own recording with "only minor variations." Sam C. Phillips of Sun Record agreed to pay Hound Dog owners two cents per record for 79,000 waxings of Bear Cat already sold and two cents a record for future sales. On July 8 Robey wrote to Phillips again, thanking him "kindly for your co-operation in this matter", but Phillips still refused to purchase a mechanical license for Thomas' "Bear Cat". Robey then instructed his company lawyer Irving Marcus to sue Phillips and Sun Records, hoping to use this as a test case to determine the legal status of all answer songs. While earlier pressings of Sun 181 bore the caption "(The Answer To Hound Dog)" above the A-side title, as a result of the legal action this was removed from all later pressings. In the 1980s, Sam Phillips conceded: "I should have known better. The melody was exactly the same as theirs, but we claimed the credit for writing the damn thing". CANNOTANSWER

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Background: Senses Fail is an American post-hardcore band that formed in Ridgewood, New Jersey in 2002. The band has seen many lineup changes; the only founding member still in the band being lead singer James "Buddy" Nielsen. The lineup currently consists of Nielsen, bassist/guitarist Gavin Caswell and drummer Chris Hornbrook.
Context: In 2014, on their tumblr blog the band announced they signed to Pure Noise Records. Senses Fail would enter the studio in November to start recording their next full-length album which was scheduled to be released in summer 2015. It was later announced that the album would be titled Pull the Thorns from Your Heart. On February 2, 2015, the band released a tease of their split EP on their Facebook. The EP was released on March 3, 2015. Pull the Thorns from Your Heart was released on June 30, 2015. The touring cycle for the record kicked off by playing the entirety of the 2015 Vans Warped Tour. The band then embarked on a winter co-headlining tour with Silverstein. On this tour, guitarist Matt Smith was absent due to the birth of his first child. Greg Styliades, who had previously toured with the band after Zack Roach returned home for the birth of his child, performed with the band on this tour. At this time, the band was classified by AbsolutePunk as screamo and "alternative". On May 17, 2016, frontman Buddy Nielsen announced that he had formed a new band called Speak The Truth... Even If Your Voice shakes. The band also includes drummer Alex Pappas and guitarists Alex "Grizz" Linares and Daniel Wonacott, all formerly of the band Finch. They released their debut, self-titled 7" on November 4, 2016 via Bad Timing Records. The release features the songs Crash My Car and Go For The Throat. Senses Fail bassist Gavin Caswell was later recruited to play bass at the outfits first ever live performance. In 2016, the band performed at the recently revived Taste of Chaos festival in San Bernardino, California. After returning as a single day festival in 2015, Taste of Chaos returned as a full United States tour in 2016, culminating in the festival date. The festival took place on July 16, and also featured performances from The Starting Line, The Get Up Kids, and Quicksand, as well as 2016 Taste of Chaos full tour acts Saosin, Taking Back Sunday, and Dashboard Confessional. The future of the band was left uncertain after it was revealed that guitarists Zack Roach and Matt Smith would no longer be touring with the band, with both choosing to focus on their families after the recent births of their children. Despite almost breaking up, the band took the rest of the summer of 2016 off to regroup. In late 2016, the band supported Sum 41 on their "Don't Call it a Sum Back" full United States tour. Bassist Gavin Caswell took over rhythm guitar duties live, with Styliades returning on bass guitar, and Jason Millbank filling the role of lead guitarist. CANNOTANSWER
Question: Who replaced Zack Roach on the tour?

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Michael Kiske (born January 24, 1968) is a German singer best known as the lead vocalist for the German power metal band Helloween. After his departure from the band, Kiske recorded four solo albums, participated on various metal and rock related projects, such as Avantasia, Place Vendome and Kiske/Somerville, while he also performed with numerous bands as a guest vocalist. In late 2009, he formed the hard rock / heavy metal band Unisonic and began touring again after 17 years of absence. On October 2017 Kiske joined Helloween and Kai Hansen for the "Pumpkins United World Tour" that will continue throughout 2018.

At the age of eighteen, Kiske was asked to join the German power metal band Helloween, which was fronted by singer/guitarist Kai Hansen. Hansen had some difficulties being both the lead guitarist and lead vocalist, and it was decided that a new vocalist would be needed. Kiske rejected Helloween's first offer, because he disliked the sound of the band's Walls of Jericho album, but accepted the second and joined Helloween in late 1986. Michael's first album with the band was 1987's Keeper of the Seven Keys: Part I, widely considered to be one of Helloween's best albums and a milestone in the creation of the power metal genre. The album's worldwide success enabled the band to embark on an extensive world tour and perform at famous festivals such as Monsters of Rock. Helloween went on to release Keeper of the Seven Keys Part II in 1988, which went gold in Germany and brought even more success than its predecessor. The Keeper of the Seven Keys albums proved to be highly influential and aided in the formation of a new wave of European power metal bands, such as Blind Guardian, Stratovarius, HammerFall and Edguy. After the completion of the band's 1988 headlining tour, the album Live in the UK was released, while Kai Hansen left the band and was replaced by guitarist Roland Grapow. Legal disputes with their record company, prevented Helloween from releasing new material until 1991's Pink Bubbles Go Ape, which was followed by 1993's Chameleon. These two albums saw the band moving away from their power metal roots and experimenting with different sounds. Both Pink Bubbles Go Ape and Chameleon were commercial failures and resulted in Kiske leaving Helloween. Kiske was fired from the band in 1993, reportedly for personal reasons. He was replaced by Pink Cream 69's Andi Deris, who has remained with Helloween ever since. Kiske was rumored to be Bruce Dickinson's replacement, after he departed from Iron Maiden in 1993, but the position was filled by Blaze Bayley. In 2016, it was announced that Michael Kiske would join Helloween, together with Kai Hansen, for a reunion tour that would take place during 2017 and 2018. The "Pumpkins United World Tour" started on October 2017 in South America and continued in Europe with concerts lasting close to three hours. On December 8, 2017 the single Pumpkins United, featuring the reunited line-up, was released. CANNOTANSWER

What was Helloween?


Gottfried Wilhelm (von) Leibniz (; German: ['gotfRi:t 'vIlhelm fon 'laIbnIts] or ['laIpnIts]; French:

The Theodicy tries to justify the apparent imperfections of the world by claiming that it is optimal among all possible worlds. It must be the best possible and most balanced world, because it was created by an all powerful and all knowing God, who would not choose to create an imperfect world if a better world could be known to him or possible to exist. In effect, apparent flaws that can be identified in this world must exist in every possible world, because otherwise God would have chosen to create the world that excluded those flaws. Leibniz asserted that the truths of theology (religion) and philosophy cannot contradict each other, since reason and faith are both "gifts of God" so that their conflict would imply God contending against himself. The Theodicy is Leibniz's attempt to reconcile his personal philosophical system with his interpretation of the tenets of Christianity. This project was motivated in part by Leibniz's belief, shared by many conservative philosophers and theologians during the Enlightenment, in the rational and enlightened nature of the Christian religion as compared to its purportedly less advanced non-Western counterparts. It was also shaped by Leibniz's belief in the perfectibility of human nature (if humanity relied on correct philosophy and religion as a guide), and by his belief that metaphysical necessity must have a rational or logical foundation, even if this metaphysical causality seemed inexplicable in terms of physical necessity (the natural laws identified by science). Because reason and faith must be entirely reconciled, any tenet of faith which could not be defended by reason must be rejected. Leibniz then approached one of the central criticisms of Christian theism: if God is all good, all wise and all powerful, how did evil come into the world? The answer (according to Leibniz) is that, while God is indeed unlimited in wisdom and power, his human creations, as creations, are limited both in their wisdom and in their will (power to act). This predisposes humans to false beliefs, wrong decisions and ineffective actions in the exercise of their free will. God does not arbitrarily inflict pain and suffering on humans; rather he permits both moral evil (sin) and physical evil (pain and suffering) as the necessary consequences of metaphysical evil (imperfection), as a means by which humans can identify and correct their erroneous decisions, and as a contrast to true good. Further, although human actions flow from prior causes that ultimately arise in God, and therefore are known as a metaphysical certainty to God, an individual's free will is exercised within natural laws, where choices are merely contingently necessary, to be decided in the event by a "wonderful spontaneity" that provides individuals an escape from rigorous predestination. CANNOTANSWER

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Frank Manning "Bruiser" Kinard Sr. (October 23, 1914 - September 7, 1985) was an American football tackle and coach and university athletic administrator. He was inducted into the College Football Hall of Fame as a charter member in 1951 and into the Pro Football Hall of Fame in 1971. A native of Pelahatchie, Mississippi, he played college football for Ole Miss from 1935 to 1937. He was the first player from any Mississippi school to receive first-team All-American honors, receiving those honors in both 1936 and 1937.

Kinard was selected by the Brooklyn Dodgers in the third round (18th overall pick) of the 1938 NFL Draft. He made $1,974 as a rookie, a sum that Kinard recalled "was a lot of money back then." Even in 1938, Kinard was small for a lineman at 210 pounds, but he noted: "I had enough ability to offset my size. And my speed was a lot better than any of the linemen." He was a two-way player known for making "crushing blocks" on offense and as a "smothering, dominant tackler" who made "stops all over the field" on defense. Joe Stydahar, a fellow Pro Football Hall of Fame inductee who played against Kinard, recalled: "The Brooklyn team used to have plays designed just for the blocking of Kinard. They'd get Frank out there against a defender and he'd just mow them down." Kinard spent seven seasons with the Dodgers from 1938 to 1944 and developed a reputation as one of the toughest and most durable players in the NFL. According to his Pro Football Hall of Fame biography, he "rarely needed a rest and near-60-minute performances were the rule, rather than the exception." He appeared as a starter at tackle in every game for the Dodgers in 1938, 1939, 1941, 1942, 1943, and 1944. During his seven years in the NFL, he missed only two games, those coming in the 1940 season after an opposing player stepped on his hand and gangrene threatened amputation of the hand. Kinard was also a regular on the NFL's annual All-Pro teams receiving first-team recognition from one or more selectors in six of his seven years in the NFL: in 1938 from the Pro Football Writers Association (PFWA); in 1940 from the NFL, Associated Press (AP), United Press (UP), and International News Service (INS); in 1941 from the NFL and UP; in 1942 from the INS; and in 1943 and 1944 from the AP. He received second-team All-Pro honors in 1939 from the NFL, UP, and PFWA. Although used principally as a tackle, Kinard scored 42 points for the Yankees, scoring touchdowns on a reception in 1943 and a fumble recovery in 1941, kicking a field goal in 1943, and converting 27 of 30 extra point kicks. With Jock Sutherland as head coach, the Dodgers ranked among the top teams in the NFL, finishing second in the NFL East with records of 8-3 in 1940 and 7-4 in 1941. Sutherland left the team in 1942, and the club dropped to 2-8 in 1943 and 0-10 in 1944. CANNOTANSWER


Roscoe Conkling Arbuckle was born on March 24, 1887 in Smith Center, Kansas, one of nine children of Mary E. "Mollie" Gordon (d. February 19, 1898) and William Goodrich Arbuckle. He weighed in excess of 13 lb (5.9 kg) at birth and, as both parents had slim builds, his father believed the child was not his. Consequently, he named the baby after a politician (and notorious philanderer) whom he despised, Republican senator Roscoe Conkling of New York. The birth was traumatic for Mollie and resulted in chronic health problems that contributed to her death 12 years later.

In 1904, Sid Grauman invited Arbuckle to sing in his new Unique Theater in San Francisco, beginning a long friendship between the two. He then joined the Pantages Theatre Group touring the West Coast of the United States and in 1906 played the Orpheum Theater in Portland, Oregon in a vaudeville troupe organized by Leon Errol. Arbuckle became the main act and the group took their show on tour. On August 6, 1908, Arbuckle married Minta Durfee (1889-1975), the daughter of Charles Warren Durfee and Flora Adkins. Durfee starred in many early comedy films, often with Arbuckle. They made a strange couple, as Minta was short and petite while Arbuckle tipped the scales at 300 lbs. Arbuckle then joined the Morosco Burbank Stock vaudeville company and went on a tour of China and Japan returning in early 1909. Arbuckle began his film career with the Selig Polyscope Company in July 1909 when he appeared in Ben's Kid. Arbuckle appeared sporadically in Selig one-reelers until 1913, moved briefly to Universal Pictures and became a star in producer-director Mack Sennett's Keystone Cops comedies (However, according to the Motion Picture Studio Directory for 1919 and 1921, Arbuckle began his screen career with Keystone in 1913 as an extra for $3 a day (equivalent to approximately $74 in 2017 dollars), working his way up through the acting ranks to become a lead player and director.) Although his large size was undoubtedly part of his comedic appeal Arbuckle was self-conscious about his weight and refused to use it to get "cheap" laughs. For example, he would not allow himself to be stuck in a doorway or chair. Arbuckle was a talented singer. After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "...give up this nonsense you do for a living, with training you could become the second greatest singer in the world." CANNOTANSWERAnswer this question using a quote from the following article:

Did he try to change it?


Background: The Tragically Hip, often referred to simply as The Hip, are a Canadian rock band from Kingston, Ontario, currently consisting of guitarist Paul Langlois, guitarist Rob Baker (known as Bobby Baker until 1994), bassist Gord Sinclair, and drummer Johnny Fay. They have released 14 studio albums, two live albums, one EP, and 54 singles. Nine of their albums have reached No. 1 on the Canadian charts. They have received numerous Canadian music awards, including 16 Juno Awards.
Context: Day for Night was then released in 1994, producing six singles, including "Nautical Disaster" and "Grace, Too". Trouble at the Henhouse followed in 1996, producing five singles, including "Ahead by a Century" and "Butts Wigglin", which would also appear on the soundtrack to the Kids in the Hall movie Brain Candy. Live Between Us, was recorded on the subsequent tour at Cobo Arena in Detroit, Michigan. The band developed a unique sound and ethos, leaving behind its earlier blues influence. Downie's vocal style changed while the band experimented with song structures and chord progressions. Songs explored the themes of Canadian geography and history, water and land, all motifs that became heavily associated with the Hip. While Fully Completely began an exploration of deeper themes, many critics consider Day for Night to be the Hip's artistry most fully realized. The sound here is typically called "enigmatic" and "dark", while critic MacKenzie Wilson praises "the poignancy of Downie's minimalism." On the follow-up tour for this album, the band made its only appearance on Saturday Night Live, thanks in large part to the finagling of fellow Canadian and Kingston-area resident Dan Aykroyd. The band's performance on the show was one of their highest profile media appearances in the United States. In July 1996, the Hip headlined Edenfest. The three-day concert took place at Mosport Park, in Bowmanville, Ontario, Canada, just a few months after the LP Trouble at the Henhouse was released. The concert sold over 70,000 tickets total and was attended by an estimated 20,000 additional people who gained access to the concert site after the outside security broke down. CANNOTANSWER
Question: Did the members change any?. Whats the answer?


Glenda May Jackson, CBE (born 9 May 1936) is a British actress and former Labour Party politician. As a professional actress from the late 1950s, she spent four years as a member of the Royal Shakespeare Company from 1964, being particularly associated with the work of director Peter Brook. During her film career, she won two Academy Awards for Best Actress: for Women in Love (1970), and A Touch of Class (1973). Other award-winning performances include Alex in the film Sunday Bloody Sunday (1971) and the BBC television serial Elizabeth R (also 1971); for the latter, she received a Primetime Emmy Award.

Jackson was born in Birkenhead on the Wirral, where her father was a builder, and her mother worked in shops and as a cleaner. Jackson was educated at the West Kirby County Grammar School for Girls, and performed at the Townswomen's Guild drama group during her teens. She worked for two years in a branch of the Boots the Chemist chain before taking up a scholarship in 1954 to study at the Royal Academy of Dramatic Art. Jackson made her professional stage debut in Terence Rattigan's Separate Tables in 1957 while at RADA. and appeared in repertory for the next six years. Her film debut was a bit part in This Sporting Life (1963). A member of the Royal Shakespeare Company for four years from 1964, she originally joined for director Peter Brook's 'Theatre of Cruelty' season which included Peter Weiss' Marat/Sade (1965) in which she played an inmate of an asylum portraying Charlotte Corday, the assassin of Marat. The production ran on Broadway in 1965 and in Paris (Jackson appeared in the 1967 film version) and Jackson also appeared as Ophelia in Peter Hall's production of Hamlet in the same year. Critic Penelope Gilliatt thought Jackson was the only Ophelia she had seen who was ready to play the Prince himself. The RSC's staging at the Aldwych Theatre of US (1966), a protest play against the Vietnam War, also featured Jackson, and she appeared in its film version, Tell Me Lies. Later that year, she starred in the psychological drama Negatives (1968), which was not a huge financial success, but won her more good reviews. CANNOTANSWER

Using a quote from the above article, answer the following question: where was she born?


Dancing on Ice is a British television show presented by Phillip Schofield alongside Holly Willoughby from 2006 to 2011, and Christine Bleakley from 2012 to 2014. The show consists of celebrities and their professional partners figure skate in front of a panel of judges. The series, broadcast on ITV, started on 14 January 2006 and ended on 9 March 2014 after the show's contract was not renewed by ITV. On 4 September 2017, it was announced that a revived series would air on ITV from 7 January 2018 with Schofield and Willoughby returning as hosts alongside a new backstage host, Jordan Banjo.

Each week the celebrities and their partners perform a live ice dance routine. The four/five (as of Series 8) judges (commonly known as the Ice Panel) judge each performance and give a mark between 0.0 and 10.0 (0.0 to 6.0 between series 1 and 5), depending on the performance. These total scores then create a leaderboard which combines with the public vote in order to determine the two lowest placed couples. As this is the case, the pair with the lowest score from the judges can avoid being in the bottom two if the public vote for them. Once the scores and votes are combined to form the final leaderboard for that week's show, the two/three couples at the bottom compete in a final showdown known as the "Skate Off", where they perform their routine again. Once the couples have performed their routines for the judging panel, the judges decide on who deserves to stay and cast their votes, based on their second performance. The couple with the most votes from the judges receives a place in the following week's show, while the couple with the fewest votes leaves the competition. One couple leaves each week, but in series 7, two couples left in one week, due to numbering issues. A live reunion special was staged one week after the end of each season, with all celebrities talking about their experiences during the season, and answering questions from a live studio audience. Torvil and Dean themselves then made a special in-studio appearance towards the end, thanking the contestants, hosts and judges, and of course, the home viewers for their votes. CANNOTANSWER

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Rickey was born in Stockdale, Ohio, the son of Jacob Frank Rickey and Emily (nee Brown). Rickey was a relative of Beth Rickey, a Louisiana political activist. He graduated from Valley High School in Lucasville, Ohio, in 1899, and he was a catcher on the baseball team at Ohio Wesleyan University, where he obtained his B.A. Rickey was a member of the Delta Tau Delta Fraternity. Rickey was a Master Mason in Tuscan Lodge #240 in Saint Louis.

By 1930, Rickey's Cardinals, known as the "Gashouse Gang", were the class of the National League. They won 101 games in 1931 and won the World Series in seven games. The star of the 1931 World Series was rookie Pepper Martin, one of the first Cardinal stars that came from Branch's minor league system. Soon, other minor league graduates joined the team, among them future hall of famers Dizzy Dean and Joe Medwick, nicknamed "Ducky", and Dean's brother Paul "Daffy" Dean. The Deans and Medwick were integral parts of the 1934 Cardinals, who won the franchise's third World Series title. Kenesaw Mountain Landis, the Commissioner of Baseball, was concerned that Rickey's minor league system was going to ruin baseball by destroying existing minor league teams, and he twice released over 70 Cardinal minor leaguers. Despite Landis' efforts, Rickey's minor league system stayed in existence, and similar systems were adopted by every major league team within a few years. Arguably, the farm system saved the minor leagues, by keeping them necessary after the television age began and minor league attendance figures declined. Rickey continued to develop the Cardinals up until the early 1940s. In his final year at St. Louis, 1942, the Cardinals had their best season in franchise history, winning 106 games and the World Series title. The team was led by a new crop of players developed by the Cardinals, two of whom, Enos Slaughter and Stan Musial, became Hall of Famers; and several others, among them future MVP Marty Marion, who were among the best at their position during their eras. Even their manager Billy Southworth was a product of their farm system. CANNOTANSWER

Did it ruin things?


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John Rogers Searle (; born 31 July 1932) is an American philosopher. He is currently Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley. Widely noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959.

Searle defines intentionality as the power of minds to be about, to represent (see Correspondence theory of truth), or to stand for, things, properties and states of affairs in the world. The nature of intentionality is an important part of discussions of Searle's "Philosophy of Mind". Searle emphasizes that the word 'intentionality, (the part of the mind directed to/from/about objects and relations in the world independent of mind) should not be confused with the word 'intensionality' (the logical property of some sentences that do not pass the test of 'extensionality'). In Intentionality: An Essay in the Philosophy of Mind (1983), Searle applies certain elements of his account(s) of "illocutionary acts" to the investigation of intentionality. Searle also introduces a technical term the Background, which, according to him, has been the source of much philosophical discussion ("though I have been arguing for this thesis for almost twenty years," Searle writes, "many people whose opinions I respect still disagree with me about it"). He calls Background the set of abilities, capacities, tendencies, and dispositions that humans have and that are not themselves intentional states. Thus, when someone asks us to "cut the cake" we know to use a knife and when someone asks us to "cut the grass" we know to use a lawnmower (and not vice versa), even though the actual request did not include this detail. Searle sometimes supplements his reference to the Background with the concept of the Network, one's network of other beliefs, desires, and other intentional states necessary for any particular intentional state to make sense. Searle argues that the concept of a Background is similar to the concepts provided by several other thinkers, including Wittgenstein's private language argument ("the work of the later Wittgenstein is in large part about the Background") and Pierre Bourdieu's habitus. To give an example, two chess players might be engaged in a bitter struggle at the board, but they share all sorts of Background presuppositions: that they will take turns to move, that no one else will intervene, that they are both playing to the same rules, that the fire alarm won't go off, that the board won't suddenly disintegrate, that their opponent won't magically turn into a grapefruit, and so on indefinitely. As most of these possibilities won't have occurred to either player, Searle thinks the Background must be unconscious, though elements of it can be called to consciousness (if the fire alarm does go off, say). In his debate with Derrida, Searle argued against Derrida's view that a statement can be disjoined from the original intentionality of its author, for example when no longer connected to the original author, while still being able to produce meaning. Searle maintained that even if one was to see a written statement with no knowledge of authorship it would still be impossible to escape the question of intentionality, because "a meaningful sentence is just a standing possibility of the (intentional) speech act". For Searle ascribing intentionality to a statement was a basic requirement for attributing it any meaning at all. CANNOTANSWER

Did he have any notable debates?


Mohammed Rafi was the second eldest of six brothers born to Haji Ali Mohammad. The family originally belonged to Kotla Sultan Singh, a village near present-day Majitha in Amritsar district of Punjab, India. Rafi, whose nickname was Pheeko, began singing by imitating the chants of a fakir in the streets of his native village Kotla Sultan Singh where his family lived. Rafi's father moved to Lahore in 1935, where he ran a men's salon in Noor Mohalla in Bhati Gate.

During his last years, Rafi was involved in a controversy over Lata Mangeshkar's entry in the Guinness Book of World Records. In a letter dated 11 June 1977 to the Guinness Book of World Records, Rafi had challenged the claim that Lata Mangeshkar has recorded the highest number of songs ("not less than 25,000" according to Guinness). Rafi, according to his fans, would have sung more songs than Lata - he being the senior of the two. They estimated the number of songs sung by Rafi to be anything from 25,000 to 26,000. This prompted Rafi to write a letter, in protest, to Guinness. After receiving a reply from Guinness, in a letter dated 20 November 1979, he wrote, "I am disappointed that my request for a reassessment vis-a-vis Ms Mangeshkar's reported world record has gone unheeded." In an interview to BBC recorded in November 1977, Rafi claimed to have sung 25,000 to 26,000 songs till then. After Rafi's death, in its 1984 edition, the Guinness Book of World Records gave Lata Mangeshkar's name for the "Most Recordings" and stated, "Mohammad Rafi (d 1 August 1980) [sic] claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980." The Guinness Book entries for both Rafi and Lata were eventually deleted in 1991. In 2011, Lata's sister Asha Bhosle was given the title. Mohammed Rafi - Golden Voice of the Silver Screen, a 2015 book by Shahid Rafi and Sujata Dev, states that according to "industry sources", Rafi sang 4,425 Hindi film songs, 310 non-Hindi film songs, and 328 non-film songs between 1945 and 1980. A 2015 Manorama Online article states that "researchers" have found 7,405 songs sung by Rafi. CANNOTANSWER

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Sir Thomas Malory (c. 1415 - 14 March 1471) was an English writer, the author or compiler of Le Morte d'Arthur (originally titled, The Whole Book of King Arthur and His Noble Knights of the Round table). Since the late nineteenth century, he has generally been identified as Sir Thomas Malory of Newbold Revel in Warwickshire, a knight, land-owner, and Member of Parliament. Previously, it was suggested by antiquary John Leland and John Bale that he was Welsh (identifying "Malory" with "Maelor"). The name could also be rooted in Irish & Scottish Gaelic and mean "follower of the king," as in "maol" ("follower") and "ry" or "ree" ("king"). "

A second candidate was presented by A.T. Martin, another antiquarian, in an article in the Athenaeum in September 1897, who proposed that the author was Thomas Malory of Papworth St Agnes in Huntingdonshire. Martin's argument was based on a will made at Papworth on 16 September 1469 and proved at Lambeth on 27 October the same year. This identification was taken seriously for some time by editors of Malory, including Alfred W. Pollard, the noted bibliographer, who included it in his edition of Malory published in 1903. This Thomas Malory was born on 6 December 1425 at Moreton Corbet Castle, Shropshire, the eldest son of Sir William Mallory, member of Parliament for Cambridgeshire, who had married Margaret, the widow of Robert Corbet (died 1420) of Moreton Corbet. Thomas inherited his father's estates in 1425 and was placed in the wardship of the King, initially as a minor, but later (for reasons unknown) remaining there until within four months of his death in 1469. Nothing else is known of him, apart from one peculiar incident discovered by William Matthews. A collection of Chancery proceedings includes a petition brought against Malory by Richard Kyd, parson of Papworth, claiming that Malory ambushed him on a November evening and took him from Papworth to Huntingdon, and then to Bedford and on to Northampton, all the while threatening his life and demanding that he either forfeit his church to Malory or give him 100 pounds. The outcome of this case is unknown, but it seems to indicate that this Malory was something other than an ordinary country gentleman. However, there is no evidence that this Malory was ever actually knighted and the very specific use of the word "knight" in respect of the author Malory tells against him. CANNOTANSWER

Did he have siblings?


Slash has received critical acclaim as a guitarist. In 2005, he was named "Best Guitarist" by Esquire, which congratulated him on "beating the comeback odds with a surprisingly legitimate and vital outfit, Velvet Revolver." Slash was awarded the title of "Riff Lord" during Metal Hammer's fourth annual Golden Gods awards in 2007. In 2008, he was ranked No. 21 on Gigwise's list of "The 50 Greatest Guitarists Ever," and in 2009, he was named runner-up on "The 10 Best Electric Guitar Players" list in Time, which praised him as "a remarkably precise player." In 2011, Rolling Stone placed Slash at No. 65 on their list of "The 100 Greatest Guitarists of All Time." In 2007, Slash was honored with a star on the Rock Walk of Fame; his name was placed alongside Jimmy Page, Eddie Van Halen and Jimi Hendrix. He was the honoree at the 2010 Sunset Strip Music Festival, where he was presented by West Hollywood mayor John Heilman with a plaque declaring August 26 as "Slash Day." In 2012, Slash was inducted into the Rock and Roll Hall of Fame as a member of the classic lineup of Guns N' Roses. He performed three songs--"Paradise City", "Sweet Child o' Mine" and "Mr. Brownstone"--with fellow inductees Duff McKagan, Steven Adler, and Matt Sorum, one-time Guns N' Roses guitarist Gilby Clarke, and his frequent collaborator Myles Kennedy. Inductees Axl Rose, Izzy Stradlin and Dizzy Reed declined to attend. Later that year, Slash received a star on the Hollywood Walk of Fame, located directly in front of the Hard Rock Cafe on Hollywood Boulevard. In 2004, Slash's introductory riff in "Sweet Child o' Mine" was voted No. 1 on a list of "The 100 Greatest Riffs" by the readers of Total Guitar; his riffs in "Out ta Get Me" (No. 51), "Welcome to the Jungle" (No. 21), and "Paradise City" (No. 19) also made the list. In 2006, his solo in "Paradise City" was voted No. 3 by Total Guitar's readers on a list of "The 100 Hottest Guitar Solos"; his solos in "Sweet Child o' Mine" and "November Rain" were ranked No. 30 and No. 82 respectively. In 2008, Guitar World placed Slash's solo in "November Rain" at No. 6 on their list of "The 100 Greatest Guitar Solos," while his solo in "Sweet Child o' Mine" was ranked No. 37 on the list. In 2010, the readers of Total Guitar voted his riff in "Slither" runner-up on the list of "The 50 Greatest Riffs of the Decade," while his riff in "By the Sword" was ranked No. 22. Slash received a Radio Contraband Rock Radio Award in 2012. In January 2015 Slash received the Les Paul award. CANNOTANSWER

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Katherine Murray Millett (September 14, 1934 - September 6, 2017) was an American feminist writer, educator, artist, and activist. She attended Oxford University and was the first American woman to be awarded a degree with first-class honors after studying at St Hilda's College, Oxford. She has been described as "a seminal influence on second-wave feminism", and is best known for her book Sexual Politics (1970), which was based on her doctoral dissertation at Columbia University. Journalist Liza Featherstone attributes previously unimaginable "legal abortion, greater professional equality between the sexes, and a sexual freedom" being made possible partially due to Millett's efforts.

Sexual Politics originated as Millett's PhD dissertation and was published in 1970, the same year that she was awarded her doctorate from Columbia University. The bestselling book, a critique of patriarchy in Western society and literature, addressed the sexism and heterosexism of the modern novelists D. H. Lawrence, Henry Miller, and Norman Mailer and contrasted their perspectives with the dissenting viewpoint of the homosexual author Jean Genet. Millett questioned the origins of patriarchy, argued that sex-based oppression was both political and cultural, and posited that undoing the traditional family was the key to true sexual revolution. In its first year on the market, the book sold 80,000 copies and went through seven printings and is considered to be the movement's manifesto. As a symbol of the women's liberation movement, Millett was featured in a Time magazine cover story, "The Politics of Sex", which called Sexual Politics a "remarkable book" that provided a coherent theory about the feminist movement. Alice Neel created the depiction of Millett for the August 31, 1970 cover. According to biographer Peter Manso, The Prisoner of Sex was written by Norman Mailer in response to Millett's Sexual Politics. "The Prisoner of Sex is structured as a contest. His rhetoric against her prose, his charm against her earnestness, his polemic rage against her vitriolic charges. The aim is to convert the larger audience, the stronger presence as the sustaining truth. The Prisoner of Sex combines self parody and satire...", said Andrew Wilson, author of Norman Mailer: An American Aesthetic. CANNOTANSWER

Answer the following question by taking a quote from the article: Was she featured in any other magazines?