In 1970, El Gran Combo's contract with Gema Records was not renewed. Despite offers from other record companies including the Motown label, the group decided to self-release recordings under their own newly created independent label, Combo Records (alternatively known as EGC Records). The first album released on the label was the 1970 album entitled Estamos Primeros. On February 15, 1970, the members of El Gran Combo shared a near death experience. They were at Venezuela, and scheduled to fly the following day to Las Americas International Airport in Santo Domingo. After landing they were told about the Dominicana Airlines DC-9 that crashed off the Caribbean coast which occurred the night before. Therefore, the tale about a group member having a bad feeling regarding that flight while stranded at the Santo Domingo airport is not entirely true, since they did not arrive there until the day after the crash. In 1971, El Gran Combo introduced the trombone to their instrument mix. The trombone was played by Fanny Ceballos. Soon after, their production named De Punta a Punta was released. In 1972, they released the album "Por el Libro", which marks the 10th anniversary of the orchestra. Pellin Rodriguez left the group to embark on a solo career. Rodriguez was replaced by Charlie Aponte at the recommendation of Jerry Concepcion and the well known sportscaster Rafael Bracero, both friends of Ithier. In 1973, El Gran Combo sang in front of 50,000 fans at the famous Yankee Stadium in New York City as the opening act for the Fania All-Stars' sold out concert. Montanez left the band in early 1977 and went to live in Venezuela where he replaced Oscar D'Leon in another orchestra, Dimension Latina. Jerry Rivas was then chosen to join the orchestra. Both Rivas and Aponte are still members of the orchestra to this day. The success of this new duo was proved with their 1977 album International and 1978's En Las Vegas which reached gold record status. In 1966, En Navidad, a Christmas album, was released, with Martin Quinones appearing as Santa Claus in the album's cover. After an automobile accident in early 1977, Quinones was replaced in the band by his son, Martin Quinones Jr. He stayed until 1979, being replaced by Luis Diaz. CANNOTANSWER

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Hilltop Hoods are an Australian hip hop group that formed in 1994 in Blackwood, Adelaide, South Australia. The group was founded by Suffa (Matthew David Lambert) and MC Pressure (Daniel Howe Smith), who were joined by DJ Debris (Barry John M. Francis) after fellow founder, DJ Next (Ben John Hare), left in 1999. The group released its first extended play, Back

Two of Hilltop Hoods' founders first met in 1987 when MC Suffa (aka Matthew David Lambert) and MC Pressure (Daniel Howe Smith) attended Blackwood High School in Eden Hills - a suburb of Adelaide. In 1991 they joined up with DJ Next (Ben John Hare) through a mutual friend and formed an Australian hip hop group. Their name was supplied by fellow local MC Flak (from Cross Bred Mongrels) - the suburb of Blackwood is known by locals as the Hilltop. The band's influences include American hip hop artists: Notorious B.I.G., KRS-One, Gang Starr, Wu-Tang Clan and Public Enemy. At live shows Next was the group's DJ, for recording he contributed audio engineering and all the scratching/turntablism on their early works. He regularly competed in the local DMC World DJ Championships (DMC) tournaments, winning the South Australian DMC championships multiple times. Hilltop Hoods recorded a demo, Highlanders, which was released on cassette tape only. As well as Pressure and Suffa on vocals, the group included MC Summit aka DJ Sum-1, but he did not appear on later Hilltop Hoods work. The group's first official release, in 1997, was a vinyl-only, seven-track extended play, Back Once Again. Production was handled by DJ Debris (Barry John M Francis), turntablism and audio engineering by Next, vocals by Pressure and Suffa. The third track, "Shades of Grey", features Debris with a verse, and was co-written by Francis, Hare, Lambert and Smith. Fifth track, "Mankind Must Suffa" also features a guest verse from Quromystix (aka Quro, Andrew Michael Bradley) - a member of Finger Lickin' Good and later the Fuglemen. "Mankind Must Suffa" is credited to Lambert, Smith, Francis and Bradley. Back Once Again is out of print and unavailable for retail purchase. The group's debut studio album, A Matter of Time, was released in 1999 on CD only. As with Back Once Again, it is now unavailable for retail purchase. All scratching/turntablism is performed by Next, a track, "Let Me Show You", has no vocals - solely showcasing his turntable skills. American MC Bukue One (Tion Torrence) appears for a guest verse on "Deaf Can Hear". The track is credited to Lambert, Smith, Francis, Hare and Torrence. The album was released independently but with financial assistance from Arts SA - the band were inspired, in 2005, to set up their own Hilltop Hoods Initiative, to help local artists. After the album appeared, Next left the group and moved to Melbourne. In 2004 he moved to London. In 1999 Debris, who was also a member of the Cross Bred Mongrels, replaced Next and became the Hilltop Hoods' full-time DJ. Hilltop Hoods founded the Certified Wise Crew - a hip hop collaborative - with local groups Terra Firma, Cross Bred Mongrels and After Hours. Certified Wise Crew has since expanded to include MCs Trauma, Blockade, Kolaps, Flea, with Vents and Funkoars joining in later years. Hilltop Hoods received two nominations for the Hip Hop Act of the Year Award at the Australian Dance Music Awards and again at the 3D World Music Awards in 2001 and 2002. In 2001 the group's second album, Left Foot, Right Foot, was released with Lambert, Francis and M. Veraquth producing. On 22 September 2003, Hilltop Hoods released their third album, The Calling, which became a commercial breakthrough. In an interview after the release of their fourth album, Suffa revealed that The Calling was recorded on his mother's computer and the simplicity of their 'studio' is the reason why some of the music on the album is in monaural ('mono') sound. The Calling entered the ARIA Albums Chart in March 2004 and reached No. 53 before exiting the top 100 in September of the same year. By December 2006 it was certified platinum for shipment of 70,000 units, becoming the first Australian hip hop album to achieve platinum status. In March 2012, it re-entered the chart and peaked at No. 50 - eight-and-a-half years after its first release. It featured two singles, "The Nosebleed Section" and "Dumb Enough", which were listed in the Triple J Hottest 100, 2003. "The Nosebleed Section" was ranked No. 17 in the Triple J Hottest 100 of All Time in 2009. Hilltop Hoods' chart and commercial success was a turning point in the Australian Hip Hop scene because it demonstrated widespread support for the genre that reached beyond an underground fan base. On 1 April 2006, the group followed with their fourth album, The Hard Road, which peaked at number one. It was the first Australian hip hop album to do so. It was certified gold within a week of being released. Its lead single, "Clown Prince", reached the top 30 on the related ARIA Singles Chart. It featured guest verses from New York rapper, Omni, and British MCs, Mystro and Braintax. The Hilltop Hoods received the inaugural Australian Independent Record (AIR) Award for Independent Artist of the Year and Best Performing Independent Album for The Hard Road in 2006. The track, "The Blue Blooded", is a collaboration with Australian MCs: Funkoars, Hau from Koolism, Mortar, Vents, Drapht, Muph & Plutonic, Pegz and Robby Balboa. On 27 April of the same year, Hilltop Hoods performed at the Bass in the Grass music festival in Darwin alongside fellow hip hop group, The Herd. That same day they issued a second single, the title track from the album. Its video includes fellow members from the Certified Wise Crew - Cross Bred Mongrels, Terrafirma and Funkoars. Following the success of The Hard Road Tour in early 2006, the Hilltop Hoods began their second national tour for the year, The Stopping All Stations Tour, which visited more regional areas of Australia as well as the capital cities. They were supported by Koolism and Mystro. Late that year, Hilltop Hoods released their third single from the album, "What a Great Night". The video shows the group at a club with camera shots panning up and down to reveal a new location. It used special effects and is one of the most expensive video clips for an Australian hip hop group, mirroring the group's rise in success and popularity. Also late in the year the band won the J Award for best album of the year from Triple J. They performed the Homebake Festival and Falls Festival before the end of the year. The Hard Road received the AIR Award for Best Independent Hip Hop/Urban Release in 2007. On 12 May 2007, Hilltop Hoods released their next album The Hard Road: Restrung which is a remix of their previous studio album, The Hard Road, featuring the Adelaide Symphony Orchestra and Okwerdz. It peaked at No. 8 on the ARIA Albums Chart. Like its predecessor The Hard Road, it took out "Best Urban Release" at the ARIA Awards of 2007, with the group going back-to-back in the category. The lead single from the album "Recapturing the Vibe Restrung", its video clip was on high rotation on rage & jtv. That year the group performed at the Southbound Festival (WA), The Great Escape at Newington Armory over Easter, and embarked on a UK tour with a Sydney-based string quartet. They finished the year by headlining the Pyramid Rock Festival on Victoria's Phillip Island over New Year's Eve 2007. In 2008 they performed at the Big Day Out festivals, at Glastonbury Festival and Islington Academy in London. In December their DVD, The City of Light, was released and was nominated as 'Best Music DVD' at the 2008 ARIA Awards. Hilltop Hoods left their longtime home of Obese Records to start their own label, Golden Era Records, to release their future material. In November 2008 Pressure announced on Triple J's breakfast program that the next studio album, State of the Art, would be recorded with session musicians: "We realised with this one after doing Restrung and having an orchestra that we were a bit less limited. So we're going to have some session musos come in on this one and stuff like that". The album was released on 12 June, with the lead single, "Chase That Feeling", issued as a digital download on 8 May, and featured a return guest appearance by a quartet from the Adelaide Symphony Orchestra. The album debuted at number one on the albums chart while "Chase That Feeling" peaked at No. 8 on the related singles chart. By 2010 State of the Art was certified 2x platinum for shipment of 140,000 units. In early 2009 the Hilltop Hoods performed at the Groovin the Moo festival in Townsville, Maitland and Bendigo. They also performed at Triple J's One Night Stand in Sale, Victoria on 30 May, and at Fat as Butter festival in Newcastle on 25 October where they played several of the tracks from the album. To promote its release the band started a national tour starting on 18 July and performed at most major cities including state capitals. The second national tour that year followed on 11 November with support provided by Vents. CANNOTANSWER

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William Morris Hughes,  (25 September 1862 - 28 October 1952) was an Australian politician who served as the seventh Prime Minister of Australia, in office from 1915 to 1923. He is best known for leading the country during World War I, but his influence on national politics spanned several decades. Hughes was a member of parliament from 1901 until his death, the only person to have served for more than 50 years. He represented six political parties during his career, leading five, outlasting four, and being expelled from three.

In 1919 Hughes, with former Prime Minister Joseph Cook, travelled to Paris to attend the Versailles Peace Conference. He remained away for 16 months, and signed the Treaty of Versailles on behalf of Australia - the first time Australia had signed an international treaty. At Versailles, Hughes claimed: "I speak for 60 000 [Australian] dead". He asked of Woodrow Wilson; "How many do you speak for?" when the United States President failed to acknowledge his demands. Hughes, unlike Wilson or South African Prime Minister Jan Smuts, demanded heavy reparations from Germany, suggesting a staggering sum of PS24,000,000,000 of which Australia would claim many millions to off-set its own war debt. Hughes frequently clashed with President Wilson, who described him as a "pestiferous varmint". Hughes demanded that Australia have independent representation within the newly-formed League of Nations. Despite the rejection of his conscription policy, Hughes retained popularity with Australian voters, and in the Australian federal election of December 1919 his government was comfortably re-elected. At the Treaty negotiations, Hughes was the most prominent opponent of the inclusion of Japan's Racial Equality Proposal, which as a result of lobbying by him and others was not included in the final Treaty. His position on this issue reflected the general mindset of "racial categories" during this time. Japan was notably offended by Hughes's position on the issue. Like Jan Smuts of South Africa, Hughes was concerned by the rise of Japan. Within months of the declaration of the European War in 1914, Japan, Australia and New Zealand had seized all German territorial possessions in the Pacific. Though Japan had occupied German possessions with the blessing of the British, Hughes felt alarm at this turn of events. In 1919 at the Peace Conference the British Dominions of New Zealand, South Africa and Australia argued their case to keep their occupied German possessions of German Samoa, German South West Africa, and German New Guinea respectively; these territories were given as "Class C Mandates" to the respective Dominions. In a same-same deal Japan obtained control over its occupied German possessions north of the equator. With reference to Hughes's actions at the Peace Conference, the historian Seth Tillman described him as "a noisesome demagogue", the "bete noir  [sic] of Anglo-American relations". Unlike Smuts, Hughes totally opposed the concept of the League of Nations, as in it he saw the flawed idealism of "collective security". CANNOTANSWER

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Former British prime minister Tony Blair said, "Christopher Hitchens was a complete one-off, an amazing mixture of writer, journalist, polemicist, and unique character. He was fearless in the pursuit of truth and any cause in which he believed. And there was no belief he held that he did not advocate with passion, commitment, and brilliance. He was an extraordinary, compelling, and colourful human being whom it was a privilege to know." Richard Dawkins, a friend of Hitchens, said, "I think he was one of the greatest orators of all time. He was a polymath, a wit, immensely knowledgeable, and a valiant fighter against all tyrants, including imaginary supernatural ones." American theoretical physicist and cosmologist Lawrence Krauss said, "Christopher was a beacon of knowledge and light in a world that constantly threatens to extinguish both. He had the courage to accept the world for just what it is and not what he wanted it to be. That's the highest praise, I believe, one can give to any intellect. He understood that the universe doesn't care about our existence or welfare and he epitomized the realization that our lives have meaning only to the extent that we give them meaning." Bill Maher paid tribute to Hitchens on his show Real Time with Bill Maher, saying, "We lost a hero of mine, a friend, and one of the great talk show guests of all time." Salman Rushdie and English comedian Stephen Fry paid tribute at the Christopher Hitchens Vanity Fair Memorial 2012. Three weeks before Hitchens's death, George Eaton of the New Statesman wrote, "He is determined to ensure that he is not remembered simply as a 'lefty who turned right' or as a contrarian and provocateur. Throughout his career, he has retained a commitment to the Enlightenment values of reason, secularism and pluralism. His targets--Mother Teresa, Bill Clinton, Henry Kissinger, God--are chosen not at random, but rather because they have offended one or more of these principles. The tragedy of Hitchens' illness is that it came at a time when he enjoyed a larger audience than ever. The great polemicist is certain to be remembered, but, as he is increasingly aware, perhaps not as he would like." The Chronicle of Higher Education asked if Hitchens was the last public intellectual. In 2015, an annual prize of $50,000 was established in his honour for "an author or journalist whose work reflects a commitment to free expression and inquiry, a range and depth of intellect, and a willingness to pursue the truth without regard to personal or professional consequence." CANNOTANSWER

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Azaria was born in Queens, New York City, the son of Eastern Sephardic Jewish parents, Ruth (Altcheck) and Albert Azaria. His grandparents on both sides hailed from Thessaloniki, from Greece's Spanish Jewish community established there after the 1492 exile from Spain. His family's spoken language at home was the Ladino language, which Azaria has described as "a strange, antiquated Spanish dialect written in Hebrew characters." Azaria's father ran several dress-manufacturing businesses, while his mother raised him and his two older sisters, Stephanie and Elise.

Azaria's friends refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. As a child he believed that everyone could do this, but later realized that it was not a common talent. Azaria can "remember every voice I hear, famous or otherwise ... they kind of remain in the memory banks, so I'm ready to trot them out." Azaria was glad to have found the "ultimate outlet" for this skill, in The Simpsons. He "didn't realize it [when he joined the show], but it became like a lab for a character actor. I had to do so many voices." In the early 2000s, Azaria felt he had reached the maximum number of voices he was capable of: "For the first 10 years of The Simpsons, I would develop a bunch of voices. And then ... I hit a point when I was tapped out. Every noise I can make, I have made. Even characters like Gargamel, I've done. Even if it was only two or three lines, at some point I've done something similar on The Simpsons, at least somewhere along the line." For many of Azaria's characters, much of their humor is derived from a "funny voice", such as The Birdcage and Night at the Museum: Battle of the Smithsonian. He stated that "being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in," although he finds it "much easier to be someone much closer to myself", as it requires "less energy ... than playing characters that are so out there and high strung". The Simpsons creator Matt Groening has stated that Azaria possesses the ability to turn unfunny lines into some of the best in an episode, while former writer Jay Kogen stated: "Just when I think I know [Azaria's] bag of tricks, he's always got a new thing he does to surprise me." Throughout the run of The Simpsons, Azaria has had to sing in character several times, a task which he describes as easier than singing normally. The Smurfs writer David N. Weiss says Azaria "has a beautiful treasure trove of talent", and "became what you wished you were writing". Playwright Jenelle Riley wrote in 2005 that Azaria was "by far" her favorite actor, praising his "versatility" and "tendency to take small roles that would normally fade into the background and to consistently create characters people care about", noting his roles in Shattered Glass, Mystery, Alaska and especially DodgeBall: A True Underdog Story. CANNOTANSWER

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Patricia Campbell Hearst (born February 20, 1954), granddaughter of American publishing magnate William Randolph Hearst, became internationally known for events following her 1974 kidnapping and physical violation by a domestic American terrorist group known as the Symbionese Liberation Army. Hearst was found nineteen months after being abducted, by which time she was a fugitive wanted for serious crimes. She was held in custody, despite speculation that her family's resources would prevent her from spending time in jail. At her trial, the prosecution suggested that she had joined the Symbionese Liberation Army of her own volition.

The SLA was formed through contacts made by a study group, coordinated by a University of California, Berkeley professor. Its purpose was the tutelage of black inmates, and over time the ethos became increasingly radicalized. Eventually, black convicts came to be viewed as heroic political prisoners, victimized by a racist American society. On March 5, 1973, Donald DeFreeze escaped from prison. Radical penal activists and future SLA members Russell Little and William Wolfe took DeFreeze to Patricia Soltysik's house. The SLA was led by DeFreeze, who, after a prison acquaintance named Wheeler left, was the only African American in the group. By the time the group became active, most of the members of the tiny group were women, some of whom have, like Soltysik and her roommate Nancy Ling Perry, been described as in lesbian relationships. The members included William and Emily Harris and Angela Atwood. DeFreeze was suspected by many of being a government provocateur, but his race and prison time gave him unquestioned authority in the SLA. He also had sexual dominion over women in the group. They acquired resources by robbing homes in the Bay Area. The first proposed operation, assassinating the head of the state penitentiaries, was cancelled because of possible repercussions for inmates; instead, Marcus Foster, a black educator regarded by the SLA as a fascist who had brought police onto school campuses, was targeted and killed. DeFreeze's estimation of the military strength of the then dozen-strong SLA group was hyperbolic, and he gave himself a concomitantly grandiose title of 'field marshal'. Soltysik is believed to have created much of the SLA ideological material, which stated the organization was opposed to "racism, sexism, agism [sic], fascism, individualism, competitiveness, possessiveness and all other institutions that have made or sustained capitalism". CANNOTANSWER

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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Wagner's later musical style introduced new ideas in harmony, melodic process (leitmotif) and operatic structure. Notably from Tristan und Isolde onwards, he explored the limits of the traditional tonal system, which gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, which include the so-called Tristan chord. Wagner inspired great devotion. For a long period, many composers were inclined to align themselves with or against Wagner's music. Anton Bruckner and Hugo Wolf were greatly indebted to him, as were Cesar Franck, Henri Duparc, Ernest Chausson, Jules Massenet, Richard Strauss, Alexander von Zemlinsky, Hans Pfitzner and numerous others. Gustav Mahler was devoted to Wagner and his music; aged 15, he sought him out on his 1875 visit to Vienna, became a renowned Wagner conductor, and his compositions are seen by Richard Taruskin as extending Wagner's "maximalization" of "the temporal and the sonorous" in music to the world of the symphony. The harmonic revolutions of Claude Debussy and Arnold Schoenberg (both of whose oeuvres contain examples of tonal and atonal modernism) have often been traced back to Tristan and Parsifal. The Italian form of operatic realism known as verismo owed much to the Wagnerian concept of musical form. Wagner made a major contribution to the principles and practice of conducting. His essay "About Conducting" (1869) advanced Hector Berlioz's technique of conducting and claimed that conducting was a means by which a musical work could be re-interpreted, rather than simply a mechanism for achieving orchestral unison. He exemplified this approach in his own conducting, which was significantly more flexible than the disciplined approach of Felix Mendelssohn; in his view this also justified practices that would today be frowned upon, such as the rewriting of scores. Wilhelm Furtwangler felt that Wagner and Bulow, through their interpretative approach, inspired a whole new generation of conductors (including Furtwangler himself). Amongst those claiming inspiration from Wagner's music are the German band Rammstein, and the electronic composer Klaus Schulze, whose 1975 album Timewind consists of two 30-minute tracks, Bayreuth Return and Wahnfried 1883. Joey DeMaio of the band Manowar has described Wagner as "The father of heavy metal". The Slovenian group Laibach created the 2009 suite VolksWagner, using material from Wagner's operas. Phil Spector's Wall of Sound recording technique was, it has been claimed, heavily influenced by Wagner. CANNOTANSWER

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Jennifer Mulhern Granholm (born February 5, 1959) is a Canadian-born American politician, lawyer, educator, author, political commentator and member of the Democratic Party who served as the Attorney General of Michigan from 1999 to 2003 and as the Governor of Michigan from 2003 to 2011. In January 2017, she became a CNN political contributor. Born in Vancouver, British Columbia, Granholm moved from Canada to California at age four. She graduated from San Carlos High School and briefly attempted an acting career, then held a variety of jobs before attending the University of California, Berkeley.

Thirty-seven year Democratic Attorney General Frank J. Kelley chose not to run for a 10th term in 1998 and Granholm entered the race to succeed him. Unopposed for the Democratic nomination, she faced Republican John Smietanka, the 1994 nominee and former U.S. Attorney for the Western District of Michigan, in the general election. The campaign began as a relatively friendly one, with both agreeing that they wanted to expand the Internet Crimes Unit, start neighbourhood-based crime-fighting programmes and continue working as a consumer advocate, as Kelley had done. However, the race turned bitter in mid-September, when Smietanka ran television ads that called Granholm an "inexperienced" and "dangerous" liberal. He also tried to link Granholm to Democratic gubernatorial nominee Geoffrey Fieger's crime plan, which called for greater emphasis on rehabilitation for non-violent criminals and shortening their prison terms. Granholm, who had disavowed Fieger's crime plan the day it was released, said that the claim was "a lie, just a lie" and that as Attorney General, "you are the person who is to protect the consumer from deceitful ads." Asked what separated her from Smietanka, Granholm replied, "besides honesty?" Kelley also came to Granholm's defence, starring in an advertisement where he called Smietanka's ads "garbage" and a "con" and accused him of running a "dishonest campaign". For his part, Smietanka was angered by Democratic advertisements that referred to late child support payments he had made and claimed that he had lied about how much of his own money he donated to his campaign. After a close race, with polls showing the two candidates with virtually identical votes, Granholm defeated Smietanka by 1,557,310 votes (52.09%) to 1,432,604 (47.91%). After Granholm was elected Governor in 2002, arguments broke about between Smietanka and then-Republican Governor John Engler about who was most responsible for Granholm's meteoric rise in Michigan politics. Smietanka blamed Engler for trying to force him out of the 1998 race in favour of G. Scott Romney, for dredging up the issue of his missed child support payments and for not supporting him more fully after he defeated Romney at the Republican convention. Engler contested that Smietanka was a weak candidate who should have stepped aside for Romney, who would have beaten the inexperienced Granholm; she would then not have had a launch pad for her gubernatorial campaign in 2002. CANNOTANSWER

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John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

Jack and Meg married on September 21, 1996 and divorced on March 24, 2000. In 2003, he had a brief relationship with actress Renee Zellweger, whom he met during the filming of Cold Mountain. That summer, the couple were in a car accident in which White broke his left index finger and was forced to reschedule much of the summer tour. He posted the footage of his finger surgery on the web for fans. White and Zellweger's breakup became public in December 2004. White met British model Karen Elson when she appeared in The White Stripes music video for "Blue Orchid". The video's director, Floria Sigismondi, noted "you sensed an energy between them". They married on June 1, 2005, in Manaus, Brazil. The wedding took place in a canoe on the Amazon River and was officiated by a shaman. A Roman Catholic priest later convalidated their marriage. Manager Ian Montone was the best man and Meg White was the maid of honor. Official wedding announcements stated that "it was the first marriage" for both. In 2006, the couple had a daughter Scarlett Teresa. Their second child, son Henry Lee, was born in 2007. The family resided in Brentwood, a suburb south of Nashville, where Elson managed a vintage clothing store called Venus & Mars. Elson provided vocals on White's first solo record. The couple announced their intention to divorce in June 2011, throwing "a positive swing bang humdinger" party to commemorate the split. On July 22, 2013, a Nashville judge barred White from having "any contact with Karen Elson whatsoever except as it relates to parenting time with the parties' minor children." A counter-motion was filed on August 2, 2013, stating that "The reason for filing this response is that Mr. White does not want to be portrayed as something he is not, violent toward his wife and children." The divorce was finalized on November 26, 2013. Elson later recanted the charges, attributing the "aggressive" proceedings to her divorce attorneys, and saying "those who gain of a marriage ending helped to create a downward spiral at my most vulnerable." White agreed, saying, "When shitty lawyers are in a situation like divorce, their goal is to villainize." The former couple reportedly remain on good terms. CANNOTANSWER

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Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.

In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day. Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style. In 1937, Parker played at a jam session at the Reno Club in Kansas City. His attempt to improvise failed when he lost track of the chord changes. This prompted Jo Jones, the drummer for Count Basie's Orchestra, to contemptuously throw a cymbal at his feet as a signal to leave the stage. However, rather than discouraging Parker, the incident caused him to vow to practice harder, and turned out to be a seminal moment in the young musician's career when he returned as a new man a year later. In 1938 Parker joined pianist Jay McShann's territory band. The band toured nightclubs and other venues of the southwest, as well as Chicago and New York City. Parker made his professional recording debut with McShann's band. As a teenager, Parker developed a morphine addiction while hospitalized after an automobile accident, and subsequently became addicted to heroin. He continued using heroin throughout his life, and it ultimately contributed to his death. CANNOTANSWER

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Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

In the 1990s, the band split up after a disagreement about royalties. Hadley, Norman and Keeble launched an unsuccessful court case against Gary Kemp for a share of Kemp's songwriting royalties from his work with Spandau Ballet. Although they vowed to appeal the verdict, they later decided against this. The three non-Kemp members then continued to tour as a trio, but they had to sell their shares in Spandau Ballet's company to Gary Kemp to pay off legal debts. Because the company owned the rights to the name of Spandau Ballet, the trio had to tour under the moniker "Hadley, Norman and Keeble, ex-Spandau Ballet". In 1990, the Kemp brothers played the lead roles in the film The Krays. Martin Kemp landed an acting role in the UK soap opera EastEnders. Gary Kemp also did more acting, appearing in a supporting role in the Whitney Houston hit The Bodyguard. In 1995 he released his only solo album, Little Bruises. Meanwhile, Tony Hadley tried to establish a solo career but with little success. After leaving EastEnders, Martin Kemp continued acting in various high-profile projects and appeared on TV in other roles. He wrote and directed his first film, Martin Kemp's Stalker. Gary Kemp wrote songs with Paul Stratham, who had written songs for Dido, continued acting on stage, in film and in television, and worked on the musicals Begbug and A Terrible Beauty with Guy Pratt. Steve Norman moved to Ibiza, where he formed a lounge band, Cloudfish, with Rafa Peletey and Shelley Preston in 2001. Hadley released three studio albums, landed the lead role in the musical Chicago and won the ITV reality show Reborn in the USA. In 1999, Hadley appeared as a guest vocalist on the Alan Parsons album The Time Machine, performing lead vocals on the song "Out of the Blue". CANNOTANSWER

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The Birthday Massacre (abbreviated TBM) is a Canadian band, formed in 1999 in London, Ontario, and currently based in Toronto, Ontario. The current lineup consists of lead vocalist Chibi, rhythm guitarist Rainbow, lead guitarist Falcore, drummer Rhim, keyboardist Owen, and bassist Nate Manor. When the band formed in 1999, they were known as Imagica. This name was inspired from the fantasy novel Imajica (1991) by Clive Barker.

On July 20, 2004, the Birthday Massacre again independently released an EP, Violet, and at the end of the year, re-released Nothing with new sleeve artwork. In the fall of 2004, Kai Schmidt, former member of electronic group Funker Vogt, signed the band to his label in Germany. They released a remastered and expanded LP version of Violet in Europe, including updated album art in a Digipak case. Adm left the band shortly before signing to Repo Records and can be seen in the original group photo on the nine song EP but is absent in the Digipak and LP version. In 2004, Brett Carruthers briefly joined the band on live keyboards. 2004 saw the band touring outside of Canada for the first time, playing the states of New York, Ohio, Indiana, Michigan, Illinois, Virginia, Pennsylvania and Maryland performing with American bands 51 Peg, Deadstar Assembly, Celldweller and Crossbreed. In 2005, the band signed to Metropolis Records and re-released Violet. In August, the band began a series of international tours taking them to Germany, Switzerland, Netherlands, Hungary, Czech Republic, Belgium, Spain and UK. Also in August the band released a DVD with the video for Blue by Dan Ouellette. Owen joined on keyboards first assuming the name Waffles, then O-en, then finally using his given name. Owen previously met the Birthday Massacre when playing in another band called Electric Knife Fight and joined just after the Blue filming was completed and therefore missed making an appearance in the video. On New Year's Eve the band performed in Los Angeles, California, at Bar Sinister. In early 2006, the Birthday Massacre toured North America, playing across Canada, the United States and Mexico on their "Broken Minds" tour sharing the stage with KMFDM, Schoolyard Heroes, Suicide City and the Start. They toured Europe again with bands Das Ich, Jesus on Extasy and Dope Stars Inc; playing in France, Italy, and Poland's Castle Party 2006. Through its European debut, Violet ranked high in the alternative charts. In several countries, the band made it onto the front pages of magazines; performing at some of Germany's largest music festivals, including the annual Highfeild and M'era Luna summer festivals. Also in 2006 the band recorded a remix of the song "Straight to Video" by Mindless Self Indulgence. Later in 2008, the band would record a second remix, this time of the song Never Wanted to Dance with the addition of Chibi's vocals. CANNOTANSWERAnswer this question using a quote from the following article:

what is violet?


Seth Woodbury MacFarlane (; born October 26, 1973) is an American actor, animator, writer, producer, director, and singer, working primarily in animation and comedy, as well as live-action and other genres. MacFarlane is the creator of the TV series Family Guy (1999-2003, 2005-present) and The Orville (2017-present), and co-creator of the TV series American Dad! (2005-present) and The Cleveland Show (2009-2013).

MacFarlane was the executive producer of a live-action sitcom starring Rob Corddry called The Winner. The plot has a man named Glen discussing the time he matured at 32 and has him pursuing his only love after she moves in next door. Glen meets her son and both become good friends. The show ran on Fox for six episodes in Spring 2007. In August 2011, Fox ordered a 13-part updated series of Cosmos: A Spacetime Odyssey. MacFarlane co-produced the series with Ann Druyan and Steven Soter. The new series is hosted by Neil deGrasse Tyson and began airing on the channel in March 2014, with repeats airing on the National Geographic Channel on the next night. In addition to serving as one of the executive producers, MacFarlane provided voices for characters during the animated portions of the series. In 2013 and 2014, MacFarlane produced one season of a live-action sitcom called Dads. The series, revolves around Eli, played by Seth Green, and Warner, played by Giovanni Ribisi, two successful guys in their 30's whose world is turned upside down when their dads move in with them. MacFarlane, Alec Sulkin and Wellesley Wild executive-produced the series, with Sulkin and Wild writing. In 2014, MacFarlane executive-produced a two-season, 20-episode series called Blunt Talk for Starz. The series followed an English newscaster who moves to Los Angeles with his alcoholic manservant and the baggage of several failed marriages to host a sanctimonious talk show. In 2009 MacFarlane began work on the animated series Bordertown. The series is set in Texas and follows a border patrol agent and a Mexican immigrant, satirizing America's changing cultural landscape. It ran for 13 episodes in the first half of 2016, on Fox. CANNOTANSWER

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Sir Thomas Malory (c. 1415 - 14 March 1471) was an English writer, the author or compiler of Le Morte d'Arthur (originally titled, The Whole Book of King Arthur and His Noble Knights of the Round table). Since the late nineteenth century, he has generally been identified as Sir Thomas Malory of Newbold Revel in Warwickshire, a knight, land-owner, and Member of Parliament. Previously, it was suggested by antiquary John Leland and John Bale that he was Welsh (identifying "Malory" with "Maelor"). The name could also be rooted in Irish & Scottish Gaelic and mean "follower of the king," as in "maol" ("follower") and "ry" or "ree" ("king"). "

A second candidate was presented by A.T. Martin, another antiquarian, in an article in the Athenaeum in September 1897, who proposed that the author was Thomas Malory of Papworth St Agnes in Huntingdonshire. Martin's argument was based on a will made at Papworth on 16 September 1469 and proved at Lambeth on 27 October the same year. This identification was taken seriously for some time by editors of Malory, including Alfred W. Pollard, the noted bibliographer, who included it in his edition of Malory published in 1903. This Thomas Malory was born on 6 December 1425 at Moreton Corbet Castle, Shropshire, the eldest son of Sir William Mallory, member of Parliament for Cambridgeshire, who had married Margaret, the widow of Robert Corbet (died 1420) of Moreton Corbet. Thomas inherited his father's estates in 1425 and was placed in the wardship of the King, initially as a minor, but later (for reasons unknown) remaining there until within four months of his death in 1469. Nothing else is known of him, apart from one peculiar incident discovered by William Matthews. A collection of Chancery proceedings includes a petition brought against Malory by Richard Kyd, parson of Papworth, claiming that Malory ambushed him on a November evening and took him from Papworth to Huntingdon, and then to Bedford and on to Northampton, all the while threatening his life and demanding that he either forfeit his church to Malory or give him 100 pounds. The outcome of this case is unknown, but it seems to indicate that this Malory was something other than an ordinary country gentleman. However, there is no evidence that this Malory was ever actually knighted and the very specific use of the word "knight" in respect of the author Malory tells against him. CANNOTANSWER

What became of this incident?


In 1998, Marshall rejoined Jarrett in the WWF. At the beginning of her WWF career, known simply as Debra, she played the part of a shrewd businesswoman, wearing business suits. She also played the part of Jarrett's girlfriend. In late 1998, Jarrett began a feud with Goldust that culminated in December at Rock Bottom: In Your House in a "Striptease match". During the match, Debra hit Goldust over the head with Jarrett's trademark guitar, enabling Jarrett to win. WWF Commissioner Shawn Michaels, however, disqualified Jarrett, and Debra had to strip due to the match's stipulations. As she stripped, The Blue Blazer and Jarrett covered her up. Debra, however, began utilizing a new strategy during matches, distracting Jarrett's opponents by unbuttoning her blouse. She would willingly take off her blouse to show the crowd her "puppies", a nickname originally bestowed upon her chest by wrestler Road Dogg and later utilized by commentator Jerry Lawler. The strategy helped Jarrett and partner Hart defeat The Big Boss Man and Ken Shamrock to become World Tag Team Champions in January 1999. In February, Debra feuded with female professional wrestler Ivory, and Jarrett and Hart retained the tag title in a tag match against Ivory's associates Mark Henry and D'Lo Brown at St. Valentine's Day Massacre. In March, the team lost their tag title to the team of Kane and X-Pac. As Debra continued to manage Jarrett and Hart, a potential storyline developed where Hart and Debra would have an affair, but the creative team vetoed the idea before it played out on-screen. A team name was also in the works--Debra favoring "Talent and Attitude" (T&A)--but Hart died in May 1999 at Over the Edge. Later in the event, Debra and Jarrett lost a mixed tag team match against Nicole Bass and Val Venis. Debra and Jarrett were interviewed moments after Hart's fall from the rafters at Kemper Arena, where Debra was noticeably shaken and fighting back tears of concern for her friend, and was unable to stay in her persona. On May 10, 1999, Debra won the Women's Championship from Sable in an Evening Gown match. Usually, in an Evening Gown match, the woman who forcibly removes her opponent's dress wins. Because Sable removed Debra's dress, she therefore should have been the winner. Commissioner Shawn Michaels, however, ruled that he considered the woman who had lost her dress the winner, crowning Debra the new Women's Champion. Debra lost the Women's Title to Ivory on June 14, due to interference from Nicole Bass. At SummerSlam in 1999 Jarrett faced D'Lo Brown. During the match, Debra and Brown's former tag-team partner Mark Henry interfered on Jarrett's behalf, allowing him to win both the European Championship and the Intercontinental Championship. The following night, Jarrett awarded Henry the European title and gave Debra an assistant, Miss Kitty. At Unforgiven on September 26, Debra turned on Jarrett and hit him over the head with a guitar in the middle of his match against Chyna for the Intercontinental Championship. Chyna pinned Jarrett, but referee Tom Prichard overturned the decision due to Debra's involvement. CANNOTANSWER

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"'03 Bonnie & Clyde" is a song recorded by American rapper Jay-Z featuring his then-girlfriend, American singer Beyonce. It was composed by Shawn Carter, Kanye West, Prince Nelson, Tupac Shakur, Darryl Harper, Ricky Rouse and Tyrone Wrice for Jay-Z's seventh studio album The Blueprint 2: The Gift & The Curse (2002).

"'03 Bonnie & Clyde" marked the first collaboration between rapper Jay-Z and R&B singer Beyonce. While listening to Shakur's The Don Killuminati: The 7 Day Theory, producer Kanye West suggested that American rapper Tupac Shakur's song "Me and My Girlfriend" would make a good sample to use on Jay-Z's duet with Beyonce. West told MTV News that Jay-Z had asked him on the telephone for a duet for him and Beyonce: "We got this joint, it has to be the best beat you ever made." He continued: So I went home and called my dog, E Base, who plays a lot of instruments up at Baseline [studio] for me and [producer] Just Blaze. [E] came through. I programmed the drums in 10 minutes, and then he played all the different parts. This version is all live bass, live guitars, [live] chords on it. I brought it to Hov that night, he heard it, he thought of the video treatment before he thought of the rap. He just knew it was gonna be the one. Tensions arose during the conception of "'03 Bonnie & Clyde" over the sampling of "Me and My Girlfriend. Senior Vice President of A&R Tina Davis commented on the issue, "We only had one day to clear the [Tupac Shakur] sample [from 'Me and my Girlfriend'] that was used on ''03 Bonnie and Clyde' last year with Jay-Z and Beyonce [Beyonce]. We were back and forth with Afeni Shakur all day until we got the clearance. And then it's a hit." "'03 Bonnie & Clyde" was released on October 10, 2002, as the lead single from Jay-Z's album The Blueprint2: The Gift & the Curse. Beyonce later included the song as a bonus track on international editions of her 2003 debut solo album Dangerously in Love. In 2003, Now That's What I Call Music! included "'03 Bonnie & Clyde" as the opening track of the 12th volume of the US release and the fifteenth track of the 54th volume of the UK release. The song's release was the first indication of Jay-Z's and Beyonce's romantic status, spawning rumors about a burgeoning relationship. Their relationship was not made public until Jay-Z featured on Beyonce's songs "Crazy In Love" (2003) and "Deja Vu" (2006). It was later announced that they had been dating since recording "'03 Bonnie & Clyde". The latter's release also marked the debut of the solo career of Beyonce, leaving Destiny's Child on hiatus. CANNOTANSWER


Background: Steven Siro Vai (; born June 6, 1960) is an American guitarist, composer, singer, songwriter, and producer. He was voted the "10th Greatest Guitarist" by Guitar World magazine, and has sold over 15 million records. A three-time Grammy Award winner and fifteen-time nominee, Vai started his music career in 1978 at the age of 18 as a transcriptionist for Frank Zappa, and joined his band from 1980 to 1983. He embarked on a solo career in 1983 and has released eight solo albums to date.
Context: Vai designed the Ibanez JEM guitar, a unique instrument that incorporated a series of groundbreaking designs that have since become staples in feature throughout the guitar industry, in 1985. In speaking of the development of the guitar, Vai says, "Stratocasters had whammy bars--which were fantastic--but they were very limited, were always going out of tune, and had single-coil pickups. Les Pauls had humbuckers--which gave you that real scream in the bridge position--but no whammy bar, and I didn't like the way they sat. Neither guitar had twenty-four frets. So I went to a guitar shop in Hollywood, where I had these elements implemented into a guitar (what would have been considered a Superstrat at the time). The guitar was designed with a sharper body shape, a large cutaway around the neck, twenty-four frets, a fully floating tremolo system, a specially wired five-way pickup selector switch, and an output jack angled on the side of the body (so that when you step on the cable, it doesn't pull out of your guitar). I knew of course that these features would eventually be taken and used in other guitars, so I did something completely preposterous: I said, 'Put a handle in it!' That way, during videos and photoshoots I could swing the guitar around." Vai had several custom prototypes of these guitars built (which were used on the Eat 'Em and Smile tour) by Joe "Jem" Despagni, a custom guitar luthier and friend of Vai's. Due to Vai's highly coveted position in Roth's band, many guitar companies were eager to propose endorsement opportunities. In response to these offers, Vai sent out the specifications of the JEM guitar, detailing that the company that returned the best guitar would be given the endorsement. Dissatisfied with the guitars returned and unwilling to compromise, Vai held out on a guitar endorsement until Ibanez approached him, sending him an instrument superior to that of the other companies and willing to follow his instructions. After the pre-production prototypes were perfected, the first production Ibanez JEM 777 guitars were unveiled at the NAMM Show in 1987. Since its original 1987 release, the JEM has become one of the longest-running and most successful signature series guitars in history, with its sister guitar, the Ibanez RG, being the second highest-selling guitar (behind the Fender Stratocaster) on the market. Another design by Vai was the Ibanez Universe, the first production seven-string guitar, which was released in 1989. The Universe incorporated many of the aspects that made the JEM a unique instrument (24 frets, full floating tremolo, special pickup configuration, angled output jack, and deeper body cutaway), with an added low 'B' string, allowing for new low-range sonic possibilities. Used by Vai on much of Passion and Warfare and all of Whitesnake's Slip of the Tongue, the Universe was a large stepping stone for the burgeoning Nu-metal genre (with bands such as Korn having adopted the instrument and incorporating it into their signature sound). CANNOTANSWER
Question: What was different about its sound

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Wahid returned to Jakarta expecting that in a year's time, he would be abroad again to study at McGill University in Canada. He kept himself busy by joining the Institute for Economic and Social Research, Education and Information (LP3ES), an organization which consisted of intellectuals with progressive Muslims and social-democratic views. LP3ES established the magazine Prisma and Wahid became one of the main contributors to the magazine. Whilst working as a contributor for LP3ES, he also conducted tours to pesantren and madrasah across Java. It was a time when pesantren were desperate to gain state funding by adopting state-endorsed curricula and Wahid was concerned that the traditional values of the pesantren were being damaged because of this change. He was also concerned with the poverty of the pesantren which he saw during his tours. At the same time as it was encouraging pesantren to adopt state-endorsed curricula, the Government was also encouraging pesantren as agents for change and to help assist the government in the economic development of Indonesia. It was at this time that Wahid finally decided to drop plans for overseas studies in favor of promoting the development of the pesantren. Wahid continued his career as a journalist, writing for the magazine Tempo and Kompas, a leading Indonesian newspaper. His articles were well received, and he began to develop a reputation as a social commentator. Wahid's popularity was such that at this time he was invited to give lectures and seminars, obliging him to travel back and forth between Jakarta and Jombang, where he now lived with his family. Despite having a successful career up to that point, Wahid still found it hard to make ends meet, and he worked to earn extra income by selling peanuts and delivering ice to be used for his wife's Es Lilin (popsicle) business. In 1974, he found extra employment in Jombang as a Muslim Legal Studies teacher at Pesantren Tambakberas and soon developed a good reputation. A year later, Wahid added to his workload as a teacher of Kitab al-Hikam, a classical text of sufism. In 1977, Wahid joined the Hasyim Asyari University as Dean of the Faculty of Islamic Beliefs and Practices. Again he excelled in his job and the University wanted to him to teach extra subjects such as pedagogy, sharia, and missiology. However, his excellence caused some resentment from within the ranks of university and he was blocked from teaching the subjects. Whilst undertaking all these ventures he also regularly delivered speeches during Ramadan to the Muslim community in Jombang. CANNOTANSWER

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Background: Harry Lillis "Bing" Crosby Jr. (; May 3, 1903 - October 14, 1977) was an American singer and actor. Crosby's trademark warm bass-baritone voice made him one of the best-selling recording artists of all time, having sold over one billion analog records and tapes, as well as digital compact discs and downloads around the world.
Context: Crosby was born on May 3, 1903 in Tacoma, Washington, in a house his father built at 1112 North J Street. In 1906, his family moved to Spokane, and in 1913, his father built a house at 508 E. Sharp Avenue. The house sits on the campus of Gonzaga University, his alma mater. He was the fourth of seven children: brothers Larry (1895-1975), Edward (1896-1966), Ted (1900-1973), and Bob (1913-1993); and two sisters, Catherine (1904-1974) and Mary Rose (1906-1990). His parents were Harry Lillis Crosby Sr. (1870-1950), a bookkeeper, and Catherine Helen "Kate" (nee Harrigan; 1873-1964). His mother was a second generation Irish-American. His father was of English descent; an ancestor, Simon Crosby, emigrated to America in the 17th century, and one of his descendants married a descendant of Mayflower passenger William Brewster (c. 1567 - April 10, 1644). In 1910, seven-year-old Harry Crosby, Jr. was forever renamed. The Sunday edition of the Spokesman-Review published a feature called "The Bingville Bugle". Written by humorist Newton Newkirk, The Bingville Bugle was a parody of a hillbilly newsletter, filled with gossip, minstrel quips, creative spelling, and mock ads. A Crosby neighbor, 15-year-old Valentine Hobart, enjoyed reading "The Bugle", and noting Harry's laugh, took a liking to him and called him "Bingo from Bingville". Eventually, the last vowel was dropped and the nickname stuck. In 1917, Crosby took a summer job as property boy at Spokane's "Auditorium," where he witnessed some of the finest acts of the day, including Al Jolson, who held him spellbound with ad libbing and parodies of Hawaiian songs. He later described Jolson's delivery as "electric." Crosby graduated from Gonzaga High School (today's Gonzaga Prep) in 1920 and enrolled at Gonzaga University. He attended Gonzaga for three years but did not earn a degree. As a freshman, he played on the university's baseball team. The university granted him an honorary doctorate in 1937. Initial successes with Whiteman were followed by disaster when they reached New York and Whiteman considered letting them go. Bing may have been retained as Whiteman was already using him as a solo performer on record, but the prospects for Rinker were bleak. However, the addition of pianist and aspiring songwriter Harry Barris made the difference and "The Rhythm Boys" were born. The additional voice meant the boys could be heard more easily in the large New York theaters and eventually became a success. A year touring with Whiteman performing and recording with musicians Bix Beiderbecke, Jack Teagarden, Tommy Dorsey, Jimmy Dorsey, Eddie Lang and Hoagy Carmichael, provided valuable experience and began touring. Crosby then matured considerably as a performer and was in constant demand as a solo artist. Crosby soon became the star attraction of the Rhythm Boys, and in 1928 he had his first number one hit with the Whiteman orchestra, a jazz-influenced rendition of "Ol' Man River". In 1929, the Rhythm Boys appeared in the film The King of Jazz with Whiteman but Bing's growing dissatisfaction with Whiteman led to the Rhythm Boys leaving his organization. They joined the Gus Arnheim Orchestra performing nightly in The Coconut Grove of the Ambassador Hotel. Singing with the Arnheim Orchestra, Bing's solos began to steal the show, while the Rhythm Boys act gradually became redundant. Harry Barris wrote several of Crosby's subsequent hits including "At Your Command", "I Surrender Dear", and "Wrap Your Troubles In Dreams". In the early months of 1931, a solo recording contract came Bing's way, Mack Sennett signed him to make film shorts and a break with the Rhythm Boys became almost inevitable. Bing had married Dixie Lee in September 1930 and after a threatened divorce in March 1931, he started to apply himself seriously to his career. His gramophone records in 1931 broke new ground as his powerful and emotional singing started to change the face of popular music forever. Their low salaries at the Cocoanut Grove of the Ambassador Hotel had led the Rhythm Boys to walk out, causing union problems for Bing. Bing's brother, Everett, interested Bill Paley of CBS in his brother and Paley beckoned Bing to come to New York. A settlement was reached with the Ambassador Hotel and Bing made his first solo national radio broadcast in September 1931 and then went on to star at the New York Paramount Theatre. In the wake of a solid decade of headlining mainly smash hit musical comedy films in the 1930s, Crosby starred with Bob Hope and Dorothy Lamour in seven Road to musical comedies between 1940 and 1962, cementing Crosby and Hope as an on-and-off duo, despite never officially declaring themselves a "team" in the sense that Laurel and Hardy or Martin and Lewis (Dean Martin and Jerry Lewis) were teams. The series consists of Road to Singapore (1940), Road to Zanzibar (1941), Road to Morocco (1942), Road to Utopia (1946), Road to Rio (1947), Road to Bali (1952), and The Road to Hong Kong (1962). When they appeared solo, Crosby and Hope frequently made note of the other in a comically insulting fashion. They performed together many times on stage, radio, film, television, and numerous brief and not so brief appearances together in movies aside from the "Road" pictures. In the 1949 Disney animated film The Adventures of Ichabod and Mr. Toad, Crosby provided the narration and song vocals for The Legend of Sleepy Hollow segment, and again in the 1977 Disney animated film The Many Adventures of Ichabod and Winnie the Pooh. In 1960, he starred in High Time, a collegiate comedy with Fabian Forte and Tuesday Weld that predicted the emerging gap between him and the new young generation of musicians and actors who had begun their careers after WWII. The following year, Crosby and Hope reunited for one more Road movie, The Road to Hong Kong, which teamed them up with the much younger Joan Collins and Peter Sellers. Collins was used in place of their longtime partner Dorothy Lamour, whom Crosby felt was getting too old for the role, though Hope refused to do the movie without her, and she instead made a cameo appearance. Shortly before his death in 1977, he had planned another Road film in which he, Hope, and Lamour search for the Fountain of Youth. He won an Academy Award for Best Actor for Going My Way in 1944 and was nominated for the 1945 sequel, The Bells of St. Mary's. He received critical acclaim for his performance as an alcoholic entertainer in The Country Girl and received his third Academy Award nomination. CANNOTANSWER
Question: What other movies did he star in?. Whats the answer?


Background: Kimberly Denise Jones (born July 11, 1975 or 1976), known professionally by her stage name Lil' Kim, is an American rapper, songwriter, record producer, model, and actress. She was born and raised in Brooklyn, New York, living much of her adolescent life on the streets after being expelled from home. In her teens, Jones would freestyle rap, heavily influenced by fellow female hip-hop artists like MC Lyte and The Lady of Rage.
Context: Lil' Kim released her fourth album, The Naked Truth, on September 27, 2005, while serving a federal prison sentence. It earned her a 5 mic rating from The Source, making her the only female rapper to ever receive a 5 mic rating. The album debuted at number 6 on the Billboard 200 chart, selling 109,000 copies in its first week of release, giving Lil' Kim her third top 10 debut on the chart. The Naked Truth did not sell as well as her previous works, it only managed to reach a gold certification by RIAA. She said that her prison sentence left her with no time to promote the project. The music video for The Naked Truth's first single, "Lighters Up", was number one on BET's 106 & Park for two weeks. "Lighters Up" was a Top Ten hit on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart. The single also reached number. 67 on the German Single Chart, number 12 on the UK Top 75 and number 4 on the Finland Single Chart. The second single, "Whoa" was released on February 17, 2006. It reached number 22 on Airplay. On March 9, 2006, BET premiered the show Lil' Kim: Countdown to Lockdown, which was filmed before Lil' Kim headed to prison. The show became the highest rated premiere in BET history, averaging 1.9 million viewers. In May 2006, Debbie Harry released a song in tribute to Lil' Kim called "Dirty and Deep" in protest of her conviction. The song was available for free from her official website. The Dance Remixes, her first compilation album was released on June 6, 2006. The album featured remixes of songs from The Naked Truth and Hard Core. A limited pressing released only in the US, it received no promotion, due to Lil' Kim being in prison at the time of release, and failed to chart. On August 31, 2006, Lil' Kim presented the award for Best Male Video at the 2006 MTV Video Music Awards, it marked her first televised appearance since being released from prison. She also made appearances on the show The Pussycat Dolls Present: The Search for the Next Doll and Pussycat Dolls Present: Girlicious in 2007 and 2008 as a judge. In January 2008, Lil' Kim announced that she had parted ways with Atlantic Records, choosing to release future projects independently. She stated she had no hard feelings towards Atlantic but felt more comfortable in her knowledge of the music business to do it alone. Lil' Kim released her first mixtape, Ms. G.O.A.T., an acronym for "Greatest of All Time", on June 3, 2008. It was produced by New York City DJs Mister Cee and DJ Whoo Kid. Among critics, the mixtape received generally positive reviews. It has been called a representation of Lil' Kim's return to the streets. Tito Salinas of All Hip Hop says "Lil' Kim shows that her time behind bars did not rust all of her swag away" on Ms. G.O.A.T. On the other hand, Ehren Gresehover of New York Mag says that although one of the tracks "The Miseducation of Lil' Kim" is not bad, he wished that it was Lauryn Hill who was making a comeback instead. CANNOTANSWER
Question: What is The Naked Truth ?

Answer:


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Agnetha Ase Faltskog (Swedish pronunciation: [aNG2ne:ta 2feltsku:g], born 5 April 1950) is a Swedish musician, singer, songwriter, actress, and author. She achieved success in Sweden after the release of her debut album Agnetha Faltskog in 1968, and reached international stardom as a member of the pop group ABBA, which has sold over 380 million albums and singles worldwide, making them one of the best-selling music artists in history. After the break-up of ABBA, Faltskog found some success as a solo artist in the 1980s, though also became more solitary, avoiding outside publicity and settling  on the Stockholm County island of Ekero.

Faltskog worked as a telephonist for a car firm while performing with a local dance band, headed by Bernt Enghardt. The band soon became so popular that she had to make a choice between her job and her musical career. She continued singing with the Bernt Enghardt band for two years. During that time, Faltskog broke up with her boyfriend Bjorn Lilja; this event inspired her to write a song, "Jag var sa kar" ("I Was So in Love"), that soon brought her to media prominence. At that time, Karl Gerhard Lundkvist, a relative of one of the band's members, retired from his successful rock and roll career and began working as a record producer at Cupol Records. Enghardt sent him a demo recording of the band, but Lundkvist only showed interest in Faltskog and her song. She was worried because he was not interested in the band and they were not to be included on the record. However, she decided to accept the offer, and signed a recording contract with Cupol Records. Her self-penned debut single "Jag var sa kar" was released through Cupol Records in 1967, and topped the Swedish Chart on 28 January 1968 and sold more than 80,000 copies. She also submitted the song "Forsonade" ("Reconciled") to Melodifestivalen, the Swedish preliminary for the Eurovision Song Contest, but it was not selected for the final. Faltskog developed a career as one of Sweden's most popular pop music artists, participating in a television special about pilots in 1968. The same year, she released the single "Zigenarvan" ("Gypsy Friend") about a young girl attending a Gypsy wedding and falling in love with the bride's brother. Its release coincided with a heated debate about Gypsies in the Swedish media, and Faltskog was accused of deliberately trying to make money out of the situation by writing the song. Faltskog's success continued throughout the late 1960s. She met German songwriter/producer Dieter Zimmerman, to whom she became engaged. Her albums thus reached the German charts, and Zimmerman promised her she would achieve great success in Germany. However, when she went there and met with record producers, the venture was not productive; Faltskog refused to meet the demands of the producers, describing their chosen material as "horrible". She soon ended her engagement to Zimmerman and returned to Sweden. In 1970, she released "Om tarar vore guld" ("If Tears Were Gold"). A Danish composer claimed that she used 22 bars from his composition "Tema" ("Theme"), even though it was written in the 1950s and had never been recorded. The case dragged on until 1977, when a settlement was reached and Faltskog paid the Danish musician SEK5,000. In 1972, Faltskog portrayed Mary Magdalene in the Swedish production of the international hit musical Jesus Christ Superstar. CANNOTANSWER

How did her career begin in 1966?


Bernard Joseph Francis Lonergan  (17 December 1904 - 26 November 1984) was a Canadian Jesuit priest, philosopher, and theologian, regarded by many as one of the most important thinkers of the 20th century. Lonergan's works include Insight: A Study of Human Understanding (1957) and Method in Theology (1972), as well as two studies of Thomas Aquinas, several theological textbooks, and numerous essays, including two posthumously published essays on macroeconomics. A projected 25-volume Collected Works is underway with the University of Toronto Press. He held appointments at the Pontifical Gregorian University, Regis College, Toronto, as Distinguished Visiting Professor at Boston College, and as Stillman Professor of Divinity at Harvard University.

While at the Gregorian University, Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964). It has recently appeared in the Collected Works together with an interleaf English translation under the title The Triune God: Doctrines (2009) and The Triune God: Systematics (2007). In The Triune God: Doctrines, Lonergan begins with an examination of the dialectical process by which the dogma of the Trinity developed in the first four centuries. This section was previously published in English as The Way to Nicea. The second section of the work advances dogmatic theses on (1) the consubstantiality of the Son with the Father, (2) the divinity of the Holy Spirit, (3) the distinction of the divine persons by relations of origin, and (4) the procession of the Holy Spirit from the Father and the Son (the Filioque). The fifth and final thesis is that the Trinity is a theological mystery in the strict sense and can only be understood analogically. A concluding scholion presents New Testament evidence in favor of the "psychological" analogy of the Trinity. In The Triune God: Systematics, Lonergan develops the theory of intelligible (or spiritual) emanations in God as propounded by Thomas Aquinas. The volume begins with a discussion of the method of systematic theology which seeks an imperfect but highly fruitful understanding of the mysteries of faith by means of analogies. The following chapters develop an analogical conception of the divine processions (as intelligible emanations), relations, persons, and the two missions of the Word and Spirit. CANNOTANSWERAnswer this question using a quote from the following article:

Was any of his work published?


Pinochet suffered a heart attack on the morning of 3 December 2006, and subsequently the same day he was given the last rites. On 4 December 2006, the Chilean Court of Appeals ordered the suspension of his house arrest. On 10 December 2006 at 13:30 local time (16:30 UTC) he was taken to the intensive care unit. He died of congestive heart failure and pulmonary edema, surrounded by family members, at the Military Hospital at 14:15 local time (17:15 UTC). Massive spontaneous street demonstrations broke out throughout the country upon the news of his death. In Santiago, opponents celebrated his death in Alameda Avenue, while supporters grieved outside the Military Hospital. Pinochet's remains lay in repose on 11 December 2006 at the Military Academy in Las Condes. During this ceremony, Francisco Cuadrado Prats--the grandson of Carlos Prats (a former Commander-in-Chief of the Army in the Allende government who was murdered by Pinochet's secret police)--spat on the coffin, and was quickly surrounded by supporters of Pinochet, who kicked and insulted him. Pinochet's funeral took place the following day at the same venue before a gathering of 60,000 supporters. In a government decision, he was not granted a state funeral (an honor normally bestowed upon past presidents of Chile) but a military funeral as former commander-in-chief of the Army appointed by Allende. The government also refused to declare an official national day of mourning, but it did authorize flags at military barracks to be flown at half staff, and for the Chilean flag to be draped on Pinochet's coffin. Socialist President Michelle Bachelet, whose father Alberto was temporarily imprisoned and tortured after the 1973 coup and died shortly afterwards from heart complications, said that it would be "a violation of [her] conscience" to attend a state funeral for Pinochet. The only government authority present at the public funeral was the Defense Minister, Vivianne Blanlot. In Spain, supporters of late dictator Francisco Franco paid homage to Pinochet. Antonio Tejero, who led the failed coup of 1981, attended a memorial service in Madrid. Pinochet's body was cremated in Parque del Mar Cemetery, Concon on 12 December 2006, on his request to "avoid vandalism of his tomb," according to his son Marco Antonio. His ashes were delivered to his family later that day, and are deposited in Los Boldos, Santo Domingo, Valparaiso, Chile; one of his personal residences. The armed forces refused to allow his ashes to be deposited on military property. CANNOTANSWER

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Background: Phillips was born Holly Michelle Gilliam in Long Beach, California, the second child of Joyce Leon (nee Poole), an accountant, and Gardner Burnett Gilliam, a merchant mariner. She has one older sister. Phillips's mother died of a brain aneurysm when Michelle was five years old. Between the ages of six and twelve, Phillips was raised in Mexico City, Mexico, where her father was studying sociology on the GI Bill at Mexico City College.
Context: After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together. There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965. She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966). Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds. An affair the previous year between Phillips and bandmate Denny Doherty had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode, although they later disagreed about how much Doherty contributed to the song. This time, Phillips was determined to fire his wife. After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966. Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded, lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966. After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City. After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler. The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely." In August 1967, the band played what would be their final live performance at the Hollywood Bowl. Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfil contract obligations with their record label. CANNOTANSWER
Question: Who was in it?. Whats the answer?


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"Purple Haze" is a song written by Jimi Hendrix and released as the second record single by the Jimi Hendrix Experience on March 17, 1967. As a record chart hit in several countries and the opening number on the Experience's debut American album, it was many people's first exposure to Hendrix's psychedelic rock sound. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. "

Music critic William Ruhlmann describes "Purple Haze" as having "relentlessly driving, if relatively slow-paced underlying music, which provides a good platform for some of Hendrix's inventive guitar playing". Beginning with its dissonant opening and heavy use of distortion, Hendrix's techniques "all contributed to the dirty, raw, metallic, [and] angular sounds" heard in the song, according to Shapiro. The intro consists of the melodic interval of a tritone or diminished (sometimes called flattened) fifth. Historically, this dissonant interval has been referred to as diabolus in musica (literally "Devil in music") and was reputedly proscribed by papal bull during the Spanish Inquisition, because "to play it was like ringing Satan's doorbell". It is sounded during the first two measures by Hendrix playing a B on guitar against an E played by Redding on bass, followed by the respective octaves. Mitchell on drums comes in for the third measure, when Hendrix introduces the riff that piqued Chandler's interest, and Redding continues playing the octaves in E. After the riff, the verse sections begin, which Shadwick describe as "simplicity itself, consisting of just three chords": E7#9, G, and A. The E7#9, or dominant seventh sharp ninth chord, has come to be called the "Hendrix chord" by guitarists and was used primarily in rhythm and blues and jazz before Hendrix helped popularize it. He also used an unconventional fingering technique for the G and A chords. Because Hendrix used his thumb to fret the roots of the G and A chords on the sixth string, his fingers were left in a position to create different chord voicings. Instead of the usual G barre chord (G-B-G-B-D-G), a G5 (G-X-G-G-D-G) is sometimes played with the major third (B) being muted on the fifth string and replaced by the open third string (G). Redding follows the chord changes mostly by playing the root with occasional passing notes, while Mitchell heightens the tension with drum flourishes that accentuate Hendrix's vocal and guitar. Biographer David Henderson describes Hendrix's guitar tone as "at the razor edge of distort". However, individual notes are still clear, as well as the harmonically more complex chords, even with the use of extreme overdrive for the time. The tension is maintained until the guitar solo, which "arrives as something of a release rather than a further racking up of the atmosphere." It is also when Hendrix first introduces the Octavia, coupled with a Fuzz Face distortion unit. Whitehill describes the solo as "almost sound[ing] likes he's playing a blues raga. He starts out playing in the Mixolydian mode and then he goes right into the blues side. The Octavia has the effect of a sitar, kind of like Ravi Shankar meets B.B. King." During the song's outro, the guitar part recorded at 7 1/2  inches per second (ips) played back at 15 ips, is combined with the Octavia, further extending the guitar's upper frequency range. Henderson describes it as "an uncanny piercing tone that takes off, Eastern-sounding beyond the range of the guitar" and, according to Shadwick, "gives the impression that the guitar notes are flying off into the ether." CANNOTANSWER


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Maria Corazon "Cory" Cojuangco Aquino (born Sumulong; January 25, 1933 - August 1, 2009) was a Filipina politician who served as the 11th President of the Philippines and the first woman to hold that office. She is widely accredited as the Mother of Asian Democracy. The first female president in the Philippines, Aquino was the most prominent figure of the 1986 People Power Revolution, which toppled the 21-year authoritarian rule of President Ferdinand E. Marcos and restored democracy to the Philippines.

Upon learning of Aquino's death, then incumbent President Gloria Macapagal Arroyo, who was then on a state visit to the United States, announced a 10-day mourning period for the former President and issued Administrative Order No. 269 detailing the necessary arrangements for a state funeral. Aquino's children, however, declined the government's offer of a state funeral for their mother. All churches in the Philippines celebrated requiem masses simultaneously throughout the country and all government offices flew the Philippine flag at half mast. Hours after her death, Aquino's body lay in repose for public viewing at the La Salle Green Hills campus in Mandaluyong City. On August 3, 2009, Aquino's body was transferred from La Salle Greenhills to Manila Cathedral in Intramuros, during which hundreds of thousands of Filipinos lined the streets to view and escort the former leader's body. On the way to the Cathedral, Aquino's funeral cortege passed along Ayala Avenue in Makati, stopping in front of the monument to her husband Ninoy, where throngs of mourners gathered and sang the patriotic protest anthem "Bayan Ko". Aquino's casket was solemnly brought inside the Cathedral by mid-afternoon that day. Following her death, all Roman Catholic dioceses in the country held requiem Masses. On August 4, 2009, Ferdinand "Bongbong" Marcos, Jr., and Imee Marcos--children of the late former President Ferdinand Marcos--paid their last respects to Aquino despite the two family's fierce political rivalry; the Aquinos have been blaming the late dictator for the assassination of Ninoy Aquino Jr. in 1983. The Marcos siblings were received by Aquino's daughters Maria Elena, Aurora Corazon, and Victoria Elisa. Early the next day, President Arroyo, who had cut short her trip in the United States, briefly paid her last respects to her erstwhile ally President Aquino. A final requiem Mass was held on the morning of August 5, 2009, with then-Archbishop of Manila Cardinal Gaudencio Rosales, then-Bishop of Balanga Socrates B. Villegas, and other high-ranking clergymen concelebrating. Aquino's daughter Kris spoke on behalf of her family towards the end of the Mass. Aquino's flag-draped casket was escorted from the Cathedral to Manila Memorial Park in Paranaque, where she was interred beside her husband in the family mausoleum. Aquino's funeral procession took more than eight hours to reach the burial site, as tens of thousands of civilians lined the route to pay their respects. Philippine Air Force UH-1 helicopters showered the procession with yellow confetti and ships docked at Manila's harbour blared their sirens, all to salute the late President, . CANNOTANSWER

What happened after the mass?


Yune Sugihara (Shan Yuan  You Yin , Sugihara Yune), born Yasuhiro Sugihara (Shan Yuan  Kang Hong , Sugihara Yasuhiro, on July 8, 1969 in Hadano, Kanagawa, Japan), known exclusively by his stage name Sugizo, is a Japanese musician, singer, songwriter, composer, and record producer. He is best known as lead guitarist and violinist of the rock band Luna Sea.

After Luna Sea went on break in 1997, Sugizo started his own solo career and opened the independent label "Cross" to produce other artists, as well as releasing his own records. He points out that the opening of his record label was one of his very important projects at the time, but not anymore. On July 9, his debut single "Lucifer" was released and reached number 8 on the Oricon singles chart. It was followed by his first solo tour "Abstract Day" which lasted until the final performance in August at Akasaka Blitz, where he was joined by DJ Krush, Masami Tsuchiya and members of Japan. Then on September 10 he released his second single, "A Prayer", which reached number 7 on the charts. On November 19, his first solo album Truth? was released, and reached number 12 on the album charts. It was met with mixed reviews, largely because of the unexpected musical style which mixed different genres with electronica beats. A variety of artists participated in the album, from Ryuichi Sakamoto and Mick Karn, to Lou Rhodes and Valerie Etienne. Towards the end of the year, remix editions of his two maxi singles and album were released. As Luna Sea resumed activities, until the bands disbandement, Sugizo collaborated in the studio with actress Miki Nakatani, and singers Miu Sakamoto and Vivian Hsu among others. On August 11, 1999 a compilation album titled "Grand Cross 1999", which was sponsored by Sugizo's record label "Cross", was released, featuring many musicians with whom he had worked with before and many for the first time. In 2001, he participated in Ryuichi Sakamoto's N.M.L. ("No More Landmines"), a campaign to promote awareness of the problems of land mines and promote a ban on them, and helped in the making of the album Zero Landmine. He starred in Ken Nikai's movie Soundtrack and composed the music for the film. On November 14, a compilation album inspired by the film, titled Parallel Side of Soundtrack was released, and the following year he released the single "Rest in Peace & Fly Away" featuring Bice on vocals. That same year he produced the music for, as well danced in, Suichoku no Yume, a production by the popular contemporary dance company H. Art Chaos. Around late 2001 he formed the solo project Sugizo & the Spank Your Juice, with whom he toured with until 2004 and released three singles; "Super Love", "Dear Life" and "No More Machineguns Play the Guitar", which entered top 50 on the charts. His acting career also continued in 2002, when he starred in Isao Yukisada's film Rock'n'roll Mishin, and the television series RedIaum, directed by Ken Nikai. In 2003, following the release of "No More Machineguns Play the Guitar", Sugizo released his second album C:Lear. It peaked at the number 56 on the album charts. In March 2004, Sugizo formed the rock band the Flare with vocalist Yuna Katsuki. He also created a new record label called "Embryo", which received major distribution from Universal Music Group for the music of The Flare. They performed at Earth Day in Tokyo, Japan's largest event devoted to environmental and peaceful causes. The band would last until 2006, releasing four singles and one album. In May 2005, Sugizo organized the event "Neo Ascension Groove", with psychedelic jam session act Shag. In the band he plays guitar, violin and percussion, while the music is avant-garde with concentration on rhythm. In April 2006, collaborated with trumpeter Toshinori Kondo and celebrated Earth Day by participating in three shows held on April 9, 22 and 23 at the Yoyogi Koen in Tokyo. He later had his first performance with Juno Reactor at the Tokyo Techno Festival, after starting talks with the band in 2005 about a possible collaboration. In 2007, Sugizo participated in the project Stop Rokkasho run by the Japanese NGO Boomerang Net and headed up by Ryuichi Sakamoto. The project was created to bring attention to the Rokkasho Reprocessing Plant in Aomori Prefecture. In April, he played at the Nagisa Music Festival with Shag. On June 29 at the 2007 Anime Expo convention in Long Beach, California was the debut, and only, performance of S.K.I.N, a supergroup consisting of Sugizo, Yoshiki, Gackt and Miyavi. In July, Juno Reactor performed as the White Stage's main act on the final day of the Fuji Rock Festival. On December 5, he released the remix album Spirituarise, in which artists from both Japan and overseas remixed his original tracks. On December 24, 2007, Luna Sea reunited for a one-night only concert at the Tokyo Dome. On March 28 and 29, 2008, Sugizo played at X Japan's two reunion concerts as a stand-in along Wes Borland and Richard Fortus for the deceased hide. In April, he took part in Juno Reactor's European tour. On May 2, he reunited with Luna Sea again at the "hide memorial summit", a two-day concert in memory of hide, at the Ajinomoto Stadium. On July 23, Sugizo released a greatest hits compilation album titled Cosmoscape. The album shows off his various types of music genres, such as rock, trance, jazz, classic, bossa nova, among others, and spans his ten years of solo work. During the year, Sugizo wrote a song titled "Enola Gay", named after the Boeing B-29 bomber that dropped the atomic bomb on Hiroshima. He wrote the song to convey his feelings and thoughts toward the people who suffered from the aftermath of nuclear war, and to the cities of Hiroshima and Nagasaki. As well, that the bomb never must be dropped again, and as his live supporting drummer Greg Ellis is American, singer Origa Russian, and him Japanese, that people from former enemy states can be friends. In September joined Juno Reactor on the USA leg of their tour. On December 19, at the 1,500-seat Shibuya-AX concert hall, he held the solo concert "Rise to Cosmic Dance" playing songs from Cosmoscape, and including the new song "Enola Gay". On December 31, Sugizo played with X Japan at their New Years countdown gig at Akasaka Blitz. On May 1, 2009, Sugizo officially joined X Japan as lead guitarist, violinist and backing vocalist. In December, Sugizo with Juno Reactor performed in the Netherlands, twice in Germany, the Czech Republic and Poland. Upon returning to Japan, he released two new digital singles, "Messiah" and "Tell Me Why You Hide the Truth?", via iTunes on December 16. They topped iTunes electronic music charts with first and second place. On December 24 and 25, he held the concert "Next Phase of Cosmic Dance" in Taipei, Taiwan. CANNOTANSWERAnswer this question using a quote from the following article:

what was the record label called?


Jacqueline had visited the White House twice prior to becoming First Lady, the first time as a grade-school tourist in 1941 and again as the guest of Mamie Eisenhower shortly before her husband's inauguration. She was dismayed to find that the mansion's rooms were furnished with undistinguished pieces that displayed little historical significance and made it her first major project as First Lady to restore its historical character. On her first day in residence, she began her efforts with the help of interior decorator Sister Parish. She decided to make the family quarters attractive and suitable for family life by adding a kitchen on the family floor and new rooms for her children. The $50,000 that had been appropriated for this effort was almost immediately exhausted. Continuing the project, she established a fine arts committee to oversee and fund the restoration process and solicited the advice of early American furniture expert Henry du Pont. To solve the funding problem, a White House guidebook was published, sales of which were used for the restoration. Working with Rachel Lambert Mellon, Kennedy also oversaw the redesign and replanting of the White House Rose Garden and the East Garden, which was renamed the Jacqueline Kennedy Garden after her husband's assassination. In addition, Kennedy helped to stop the destruction of historic homes in Lafayette Square in Washington, D.C., because she felt these buildings were an important part of the nation's capital and played an essential role in its history. Prior to Kennedy's years as First Lady, furnishings and other items had been taken from the White House by presidents and their families when they departed; this led to the lack of original historical pieces in the mansion. To track down these missing furnishings and other historical pieces of interest, she personally wrote to possible donors. She also initiated a Congressional bill establishing that White House furnishings would be the property of the Smithsonian Institution, rather than available to departing ex-presidents to claim as their own, and founded the White House Historical Association, the Committee for the Preservation of the White House, the position of a permanent Curator of the White House, the White House Endowment Trust, and the White House Acquisition Trust. She was the first presidential spouse to hire a White House curator. On February 14, 1962, Jacqueline took American television viewers on a tour of the White House with Charles Collingwood of CBS News. In the tour she stated that "I feel so strongly that the White House should have as fine a collection of American pictures as possible. It's so important... the setting in which the presidency is presented to the world, to foreign visitors. The American people should be proud of it. We have such a great civilization. So many foreigners don't realize it. I think this house should be the place we see them best." The film was watched by 56 million television viewers in the United States, and was later distributed to 106 countries. Kennedy won a special Academy of Television Arts & Sciences Trustees Award for it at the Emmy Awards in 1962, which was accepted on her behalf by Lady Bird Johnson. Kennedy was the only First Lady to win an Emmy. CANNOTANSWER

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