Background: Tristan Tzara (French: [tRista dzaRa]; Romanian: [tris'tan 'tsara]; born Samuel or Samy Rosenstock, also known as S. Samyro; April 16 [O.S. April 4] 1896 - December 25, 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's Chemarea, he joined Janco in Switzerland.
Context: S. Samyro, a partial anagram of Samy Rosenstock, was used by Tzara from his debut and throughout the early 1910s. A number of undated writings, which he probably authored as early as 1913, bear the signature Tristan Ruia, and, in summer of 1915, he was signing his pieces with the name Tristan. In the 1960s, Rosenstock's collaborator and later rival Ion Vinea claimed that he was responsible for coining the Tzara part of his pseudonym in 1915. Vinea also stated that Tzara wanted to keep Tristan as his adopted first name, and that this choice had later attracted him the "infamous pun" Triste Ane Tzara (French for "Sad Donkey Tzara"). This version of events is uncertain, as manuscripts show that the writer may have already been using the full name, as well as the variations Tristan Tara and Tr. Tzara, in 1913-1914 (although there is a possibility that he was signing his texts long after committing them to paper). In 1972, art historian Serge Fauchereau, based on information received from Colomba, the wife of avant-garde poet Ilarie Voronca, recounted that Tzara himself had explained his chosen name was a pun in Romanian, trist in tara, meaning "sad in the country"; Colomba Voronca was also dismissing rumors that Tzara had selected Tristan as a tribute to poet Tristan Corbiere or to Richard Wagner's Tristan und Isolde opera. Samy Rosenstock legally adopted his new name in 1925, after filing a request with Romania's Ministry of the Interior. The French pronunciation of his name has become commonplace in Romania, where it replaces its more natural reading as tara ("the land", Romanian pronunciation: ['tsara]). Tzara was born in Moinesti, Bacau County, in the historical region of Western Moldavia. His parents were Jewish Romanians who reportedly spoke Yiddish as their first language; his father Filip and grandfather Ilie were entrepreneurs in the forestry business. Tzara's mother was Emilia Rosenstock, nee Zibalis. Owing to the Romanian Kingdom's discrimination laws, the Rosenstocks were not emancipated, and thus Tzara was not a full citizen of the country until after 1918. He moved to Bucharest at the age of eleven, and attended the Schemitz-Tierin boarding school. It is believed that the young Tzara completed his secondary education at a state-run high school, which is identified as the Saint Sava National College or as the Sfantul Gheorghe High School. In October 1912, when Tzara was aged sixteen, he joined his friends Vinea and Marcel Janco in editing Simbolul. Reputedly, Janco and Vinea provided the funds. Like Vinea, Tzara was also close to their young colleague Jacques G. Costin, who was later his self-declared promoter and admirer. Despite their young age, the three editors were able to attract collaborations from established Symbolist authors, active within Romania's own Symbolist movement. Alongside their close friend and mentor Adrian Maniu (an Imagist who had been Vinea's tutor), they included N. Davidescu, Alfred Hefter-Hidalgo, Emil Isac, Claudia Millian, Ion Minulescu, I. M. Rascu, Eugeniu Sperantia, Al. T. Stamatiad, Eugeniu Stefanescu-Est, Constantin T. Stoika, as well as the journalist and lawyer Poldi Chapier. In its inaugural issue, the journal even printed a poem by one of the leading figures in Romanian Symbolism, Alexandru Macedonski. Simbolul also featured illustrations by Maniu, Millian and Iosif Iser. Although the magazine ceased print in December 1912, it played an important part in shaping Romanian literature of the period. Literary historian Paul Cernat sees Simbolul as a main stage in Romania's modernism, and credits it with having brought about the first changes from Symbolism to the radical avant-garde. Also according to Cernat, the collaboration between Samyro, Vinea and Janco was an early instance of literature becoming "an interface between arts", which had for its contemporary equivalent the collaboration between Iser and writers such as Ion Minulescu and Tudor Arghezi. Although Maniu parted with the group and sought a change in style which brought him closer to traditionalist tenets, Tzara, Janco and Vinea continued their collaboration. Between 1913 and 1915, they were frequently vacationing together, either on the Black Sea coast or at the Rosenstock family property in Garceni, Vaslui County; during this time, Vinea and Samyro wrote poems with similar themes and alluding to one another. Tzara's career changed course between 1914 and 1916, during a period when the Romanian Kingdom kept out of World War I. In autumn 1915, as founder and editor of the short-lived journal Chemarea, Vinea published two poems by his friend, the first printed works to bear the signature Tristan Tzara. At the time, the young poet and many of his friends were adherents of an anti-war and anti-nationalist current, which progressively accommodated anti-establishment messages. Chemarea, which was a platform for this agenda and again attracted collaborations from Chapier, may also have been financed by Tzara and Vinea. According to Romanian avant-garde writer Claude Sernet, the journal was "totally different from everything that had been printed in Romania before that moment." During the period, Tzara's works were sporadically published in Hefter-Hidalgo's Versuri si Proza, and, in June 1915, Constantin Radulescu-Motru's Noua Revista Romana published Samyro's known poem Verisoara, fata de pension ("Little Cousin, Boarding School Girl"). Tzara had enrolled at the University of Bucharest in 1914, studying mathematics and philosophy, but did not graduate. In autumn 1915, he left Romania for Zurich, in neutral Switzerland. Janco, together with his brother Jules, had settled there a few months before, and was later joined by his other brother Georges. Tzara, who may have applied for the Faculty of Philosophy at the local university, shared lodging with Marcel Janco, who was a student at the Technische Hochschule, in the Altinger Guest House (by 1918, Tzara had moved to the Limmatquai Hotel). His departure from Romania, like that of the Janco brothers, may have been in part a pacifist political statement. After settling in Switzerland, the young poet almost completely discarded Romanian as his language of expression, writing most of his subsequent works in French. The poems he had written before, which were the result of poetic dialogues between him and his friend, were left in Vinea's care. Most of these pieces were first printed only in the interwar period. It was in Zurich that the Romanian group met with the German Hugo Ball, an anarchist poet and pianist, and his young wife Emmy Hennings, a music hall performer. In February 1916, Ball had rented the Cabaret Voltaire from its owner, Jan Ephraim, and intended to use the venue for performance art and exhibits. Hugo Ball recorded this period, noting that Tzara and Marcel Janco, like Hans Arp, Arthur Segal, Otto van Rees, Max Oppenheimer, and Marcel Slodki, "readily agreed to take part in the cabaret." According to Ball, among the performances of songs mimicking or taking inspiration from various national folklores, "Herr Tristan Tzara recited Rumanian poetry." In late March, Ball recounted, the group was joined by German writer and drummer Richard Huelsenbeck. He was soon after involved in Tzara's "simultaneist verse" performance, "the first in Zurich and in the world", also including renditions of poems by two promoters of Cubism, Fernand Divoire and Henri Barzun. CANNOTANSWER
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James Bond Stockdale (December 23, 1923 - July 5, 2005) was a United States Navy vice admiral and aviator awarded the Medal of Honor in the Vietnam War, during which he was a prisoner of war for over seven years. Commander Stockdale was the senior naval officer held captive in Hanoi, North Vietnam. He had led aerial attacks from the carrier USS Ticonderoga (CVA-14) during the 1964 Gulf of Tonkin Incident. On his next deployment, while Commander of Carrier Air Wing Sixteen aboard the carrier USS Oriskany (CV-34), his A-4 Skyhawk jet was shot down in North Vietnam on September 9, 1965.

On June 5, 1946 he graduated with a Bachelor of Science degree from the Naval Academy with the Class of 1947 due to the reduced schedule still in effect from World War II. Academically he ranked 130th among 821 graduates in his class. His first assignment was assistant gunnery officer aboard the destroyer minesweeper USS Carmick (DD-493) from June to October 1946. He next served aboard the USS Thompson (DD-627) from October 1946 to February 1947, the USS Charles H. Roan (DD-853) from February 1947 to July 1948, and the USS Deming (PCS-1392) from July 1948 to June 1949. Stockdale was accepted for flight training in June 1949 and reported to Naval Air Station Pensacola in Florida. He was designated a Naval Aviator at Naval Air Station Corpus Christi in Texas, in September 1950. He was next assigned for additional training at Naval Air Station Norfolk in Virginia from October 1950 to January 1951. In January 1954, he was accepted into the United States Naval Test Pilot School at the Naval Air Station Patuxent River base in Southern Maryland and completed his training in July 1954. There he tutored U.S. Marine Corps aviator John Glenn in math and physics. He was a test pilot until January 1957. In 1959, the U.S. Navy sent Stockdale to Stanford University where he received a Master of Arts degree in international relations and comparative Marxist thought in 1962. Stockdale preferred the life of a fighter pilot over academia, but later credited Stoic philosophy with helping him cope as a prisoner of war. On 2 August 1964, while on a DESOTO patrol in the Tonkin Gulf, the destroyer USS Maddox (DD-731) engaged 3 North Vietnamese Navy P-4 torpedo boats from the 135th Torpedo Squadron. After fighting a running gun and torpedo battle, in which Maddox fired over 280 5-inch (130 mm) shells, and the torpedo boats expended their 6 torpedoes (all misses) and hundreds of rounds of 14.5mm machinegun fire; the combatants broke contact. As the torpedo boats turned for their North Vietnamese coastline, four F-8 Crusader fighter aircraft from USS Ticonderoga (CV-14) arrived, and immediately attacked the retreating torpedo boats. Stockdale (commander VF-51 (Fighter Squadron 51)), with Lieutenant (Junior Grade) Richard Hastings attacked torpedo boats T-333 and T-336, while Commander R. F. Mohrhardt and Lieutenant Commander C. E. Southwick attacked torpedo boat T-339. The four F-8 pilots reported scoring no hits with their Zuni rockets, but reported hits on all three torpedo boats with their 20mm cannon. Two nights later, on 4 August 1964, Stockdale was overhead during the second reported attack in the Tonkin Gulf. Unlike the first event, which was an actual sea battle, no Vietnamese forces were, however, believed to have been involved in the second engagement. In the early 1990s, he recounted: "[I] had the best seat in the house to watch that event, and our destroyers were just shooting at phantom targets--there were no PT boats there.... There was nothing there but black water and American fire power." The next morning, on 5 August 1964, President Johnson ordered bombing raids on North Vietnamese military targets which he announced were retaliation for the alleged incident of 4 August. When Stockdale was awoken in the early morning and was told he was to lead these attacks he responded: "Retaliation for what?" Later, while a prisoner of war, he was concerned that he would be forced to reveal this secret about the Vietnam War. On 9 September 1965, while flying from USS Oriskany on a mission over North Vietnam, Stockdale ejected from his Douglas A-4 Skyhawk, which had been struck by enemy fire and completely disabled. He parachuted into a small village, where he was severely beaten and taken prisoner. Stockdale was held as a prisoner of war in the Hoa Lo prison (the infamous "Hanoi Hilton") for the next seven and a half years. As the senior Naval officer, he was one of the primary organizers of prisoner resistance. Tortured routinely and denied medical attention for the severely damaged leg he suffered during capture, Stockdale created and enforced a code of conduct for all prisoners which governed torture, secret communications, and behavior. In the summer of 1969, he was locked in leg irons in a bath stall and routinely tortured and beaten. When told by his captors that he was to be paraded in public, Stockdale slit his scalp with a razor to purposely disfigure himself so that his captors could not use him as propaganda. When they covered his head with a hat, he beat himself with a stool until his face was swollen beyond recognition. When Stockdale was discovered with information that could implicate his friends' "black activities", he slit his wrists so they could not torture him into confession. Early in Stockdale's captivity, his wife, Sybil Stockdale, organized The League of American Families of POWs and MIAs, with other wives of servicemen who were in similar circumstances. By 1968, she and her organization, which called for the President and the U.S. Congress to publicly acknowledge the mistreatment of the POWs (something that had never been done despite evidence of gross mistreatment), gained the attention of the American press. Sybil Stockdale personally made these demands known at the Paris Peace Talks. Stockdale was one of eleven U.S. military prisoners known as the "Alcatraz Gang": George Thomas Coker, USN; George G. McKnight, USAF; Jeremiah Denton, USN (he graduated with Stockdale from the Naval Academy); Harry Jenkins, USN; Sam Johnson, USAF; James Mulligan, USN; Howard Rutledge, USN; Robert Shumaker, USN (originated the name "Hanoi Hilton"); Ronald Storz, USAF (died in captivity); and Nels Tanner, USN. Because they had been resistance leaders they were separated from other captives and placed in solitary confinement in "Alcatraz", a special facility in a courtyard behind the North Vietnamese Ministry of National Defense, located about one mile away from Hoa Lo Prison. In Alcatraz, each of the prisoners was kept in an individual windowless and concrete cell measuring 3 by 9 feet (0.9 by 2.7 m) with a light bulb kept on around the clock, and locked in leg irons each night. Of the eleven, Storz died in captivity there in 1970. CANNOTANSWER

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Craddock spent several years out of the music business while working in a cigarette factory and hanging drywall. He soon returned to recording, now as a country singer. He signed with Cartwheel Records in 1969. He soon had his first number one hit with a cover of the Tony Orlando and Dawn pop hit "Knock Three Times" in 1971. His version was faster and included Cajun fiddles. The song also reached the top five of the Billboard magazine Hot Country Singles chart that spring, beginning a streak of hits that continued throughout the 1970s. Other hits he had for Cartwheel, all during 1971-1972, included "Dream Lover", "You Better Move On", "Ain't Nothin' Shakin' (But the Leaves on The Trees)", and "I'm Gonna Knock on Your Door", were all top 10 hits in 1971 and 1972. In 1973, Craddock signed with ABC Records (later ABC/Dot Records), where he enjoyed his biggest hits. One was "Sweet Magnolia Blossom" but his biggest hit, 1974's "Rub It In", was also a modest pop hit. Today, several bars from the song are featured in commercials for Glade Plug-In products. Craddock was also credited with doing one of the better covers of Roy Head and the Traits "Treat Her Right". In 1975 he released Still Thinkin' 'Bout You. Craddock consistently hit the country top ten in the 1970s and he became one of country music's first male sex symbols, unusually handsome for a male country star of the era and dressed in stage clothes exposing his hairy, muscular chest as he growled his way through rocking numbers and love songs with a stage persona strongly influenced by Elvis Presley. In 1977, he moved to Capitol Records, where he had his last two top 10 hits: "I Cheated on a Good Woman's Love" (1978) and "If I Could Write a Song as Beautiful as You" (1979). He recorded several more albums for Capitol before leaving the label in 1983. CANNOTANSWER

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Mae Carol Jemison was born in Decatur, Alabama, on October 17, 1956, the youngest child of Charlie Jemison and Dorothy Green. Her father was a maintenance supervisor for a charity organization, and her mother worked most of her career as an elementary school teacher of English and math at the Beethoven School in Chicago. The family moved to Chicago, Illinois, when Jemison was three years old, to take advantage of the better educational and employment opportunities there. Jemison says that as a young girl growing up in Chicago she always assumed she would get into space.

Jemison is a Professor-at-Large at Cornell University and was a professor of Environmental Studies at Dartmouth College from 1995 to 2002. Jemison continues to advocate strongly in favor of science education and getting minority students interested in science. She sees science and technology as being very much a part of society, and African-Americans as having been deeply involved in U.S. science and technology from the beginning. She has been a member of various scientific organizations, such as the American Medical Association, the American Chemical Society, the Association for Space Explorers and the American Association for the Advancement of Science. Additionally, she served on the board of directors of the World Sickle Cell Foundation from 1990 to 1992. In 1993 Jemison founded her own company, the Jemison Group that researches, markets, and develops science and technology for daily life. Jemison founded the Dorothy Jemison Foundation for Excellence and named the foundation in honor of her mother. "My parents were the best scientists I knew," Jemison said, "because they were always asking questions." One of the projects of Jemison's foundation is The Earth We Share (TEWS), an international science camp where students, ages 12 to 16, work to solve current global problems, like "How Many People Can the Earth Hold" and "Predict the Hot Public Stocks of The Year 2030." The four-week residential program helps students build critical thinking and problem solving skills through an experiential curriculum. Camps have been held at Dartmouth College, Colorado School of Mines, Choate Rosemary Hall and other sites around the United States. TEWS was introduced internationally to high school students in day programs in South Africa and Tunisia. In 1999, TEWS was expanded overseas to adults at the Zermatt Creativity and Leadership Symposium held in Switzerland. In 1999, Jemison founded BioSentient Corp and has been working to develop a portable device that allows mobile monitoring of the involuntary nervous system. BioSentient has obtained the license to commercialize NASA's space-age technology known as Autogenic Feedback Training Exercise (AFTE), a patented technique that uses biofeedback and autogenic therapy to allow patients to monitor and control their physiology as a possible treatment for anxiety and stress-related disorders. BioSentient is examining AFTE as a treatment for anxiety, nausea, migraine and tension headaches, chronic pain, hypertension and hypotension, and stress-related disorders." In 2012, Jemison made the winning bid for the DARPA 100 Year Starship project through the Dorothy Jemison Foundation for Excellence. The Dorothy Jemison Foundation for Excellence was awarded a $500,000 grant for further work. The new organization maintained the organizational name 100 Year Starship. Jemison is the current principal of the 100 Year Starship. CANNOTANSWER

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Background: Clarence Eugene "Hank" Snow (May 9, 1914 - December 20, 1999) was a celebrated Canadian-American country music artist. In a career that spanned more than 50 years, he recorded 140 albums and charted more than 85 singles on the Billboard country charts from 1950 until 1980. His number-one hits include the self-penned songs "I'm Moving On", "The Golden Rocket" and The Rhumba Boogie and famous versions of "I Don't Hurt Anymore", "Let Me Go, Lover!", "I've Been Everywhere", "Hello Love", as well as other top 10 hits.
Context: Snow returned to live with his mother and stepfather, again without holding down steady work. Instead, he attempted to get by just peddling fish door-to-door or landing occasional jobs that included transporting passengers and their luggage by horse-drawn buggy to and from the train station in Lunenburg; unloading salt and coal ships; raking scallops and hauling loads of dried cod into a warehouse for processing and shipping. One winter, after being reunited with his father, he cut pulpwood and firewood on his father's farm in the backwoods at Pleasantville, Nova Scotia. At one point, Snow spotted a picture of a guitar for $12.95 in Eaton's catalogue. He figured he could sell his old guitar for five dollars, but - since he still wasn't working - wondered how he would raise the additional $7.95. The answer came when a storeowner in the village of Blue Rocks, Nova Scotia, hired him to paint yellow pinstripes on the wooden spokes of his brand new car. He offered to pay Snow two dollars per wheel. After the new guitar arrived, Snow experimented by playing runs and chord progressions in the style of Jimmie Rodgers. He also sang and played in an old fishhouse where local men stored their gear. Soon, Snow was invited to perform in a minstrel show in Bridgewater to help raise money for charity. "Someone blackened my face with black polish and put white rings around my eyes and lips," Snow recalls. When his turn came in the show, he played a song called "I Went to See My Gal Last Night." "My debut was a big success," Snow writes. "I even got a standing ovation." In March 1933, Snow wrote to Halifax radio station CHNS asking for an audition. The rejection letter he received only made him more determined and later that year he visited the station, was given an audition and hired to do a Saturday evening show that was advertised as "Clarence Snow and his Guitar." After a few months, he adopted the name "The Cowboy Blue Yodeler" in homage to his idol Jimmie Rodgers known as "America's Blue Yodeler." Since Snow's Saturday show had no sponsor, he wasn't paid for his performances, but he did manage to earn money playing halls and clubs in towns where people had heard him on the radio. He also played in Halifax theatres before the movies started and performed, for $10 a week, on a CHNS musical show sponsored by a company that manufactured a popular laxative. At the urging of the station's chief engineer and announcer, he adopted the name Hank because it went well with cowboy songs and once again, influenced by Jimmie Rodgers, he became "Hank, The Yodeling Ranger." Snow also appeared occasionally on the CBC's regional network. On September 2, 1935, he married Minnie Blanche Aalders, a young Halifax woman, born in Kentville, Nova Scotia, who worked in a local chocolate factory. She soon became pregnant and gave birth to their only child, Jimmie Rodgers Snow. CANNOTANSWER
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Sir Ernest Henry Shackleton  (; 15 February 1874 - 5 January 1922) was a polar explorer who led three British expeditions to the Antarctic, and one of the principal figures of the period known as the Heroic Age of Antarctic Exploration. Born in Kilkea, Athy, County Kildare, Ireland, Shackleton and his Anglo-Irish family moved to Sydenham in suburban south London when he was ten. His first experience of the polar regions was as third officer on Captain Robert Falcon Scott's Discovery Expedition 1901-1904, from which he was sent home early on health grounds, after he and his companions Scott and Edward Adrian Wilson set a new southern record by marching to latitude 82degS.

After a period of convalescence in New Zealand, Shackleton returned to England via San Francisco and New York. As the first significant person to return from the Antarctic, he found that he was in demand; in particular, the Admiralty wished to consult him about its further proposals for the rescue of Discovery. With Sir Clements Markham's blessing, he accepted a temporary post assisting the outfitting of the Terra Nova for the second Discovery relief operation, but turned down the offer to sail with her as chief officer. He also assisted in the equipping of the Argentinean corvette Uruguay, which was being fitted out for the relief of the stranded Swedish Antarctic Expedition under Nordenskiold. In search of more permanent employment, Shackleton applied for a regular commission in the Royal Navy, via the back-door route of the Supplementary List, but despite the sponsorship of Markham and of the president of the Royal Society, he was not successful. Instead, he became a journalist, working for the Royal Magazine, but he found this unsatisfactory. He was then offered, and accepted, the secretaryship of the Royal Scottish Geographical Society (RSGS), a post which he took up on 11 January 1904. On 9 April 1904 he married Emily Dorman, with whom he had three children: Raymond, Cecily, and Edward. In 1905, Shackleton became a shareholder in a speculative company that aimed to make a fortune transporting Russian troops home from the Far East. Despite his assurances to Emily that "we are practically sure of the contract", nothing came of this scheme. He also ventured into politics, unsuccessfully standing in the 1906 General Election as the Liberal Unionist Party's candidate for Dundee in opposition to Irish Home Rule. In the meantime he had taken a job with wealthy Clydeside industrialist William Beardmore (later Lord Invernairn), with a roving commission which involved interviewing prospective clients and entertaining Beardmore's business friends. Shackleton by this time was making no secret of his ambition to return to Antarctica at the head of his own expedition. Beardmore was sufficiently impressed with Shackleton to offer financial support, but other donations proved hard to come by. Nevertheless, in February 1907, Shackleton presented to the Royal Geographical Society his plans for an Antarctic expedition, the details of which, under the name British Antarctic Expedition, were published in the Royal Society's newsletter, Geographical Journal. The aim was the conquest of both the geographical South Pole and the South Magnetic Pole. Shackleton then worked hard to persuade others of his wealthy friends and acquaintances to contribute, including Sir Philip Lee Brocklehurst, who subscribed PS2,000 (2011 equivalent PS157,000) to secure a place on the expedition; author Campbell Mackellar; and Guinness baron Lord Iveagh, whose contribution was secured less than two weeks before the departure of the expedition ship Nimrod. On 4 August 1907, Shackleton was appointed a Member of the Royal Victorian Order, 4th Class (MVO; the present-day grade of Lieutenant). CANNOTANSWER

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Maria Corazon "Cory" Cojuangco Aquino (born Sumulong; January 25, 1933 - August 1, 2009) was a Filipina politician who served as the 11th President of the Philippines and the first woman to hold that office. She is widely accredited as the Mother of Asian Democracy. The first female president in the Philippines, Aquino was the most prominent figure of the 1986 People Power Revolution, which toppled the 21-year authoritarian rule of President Ferdinand E. Marcos and restored democracy to the Philippines.

Upon learning of Aquino's death, then incumbent President Gloria Macapagal Arroyo, who was then on a state visit to the United States, announced a 10-day mourning period for the former President and issued Administrative Order No. 269 detailing the necessary arrangements for a state funeral. Aquino's children, however, declined the government's offer of a state funeral for their mother. All churches in the Philippines celebrated requiem masses simultaneously throughout the country and all government offices flew the Philippine flag at half mast. Hours after her death, Aquino's body lay in repose for public viewing at the La Salle Green Hills campus in Mandaluyong City. On August 3, 2009, Aquino's body was transferred from La Salle Greenhills to Manila Cathedral in Intramuros, during which hundreds of thousands of Filipinos lined the streets to view and escort the former leader's body. On the way to the Cathedral, Aquino's funeral cortege passed along Ayala Avenue in Makati, stopping in front of the monument to her husband Ninoy, where throngs of mourners gathered and sang the patriotic protest anthem "Bayan Ko". Aquino's casket was solemnly brought inside the Cathedral by mid-afternoon that day. Following her death, all Roman Catholic dioceses in the country held requiem Masses. On August 4, 2009, Ferdinand "Bongbong" Marcos, Jr., and Imee Marcos--children of the late former President Ferdinand Marcos--paid their last respects to Aquino despite the two family's fierce political rivalry; the Aquinos have been blaming the late dictator for the assassination of Ninoy Aquino Jr. in 1983. The Marcos siblings were received by Aquino's daughters Maria Elena, Aurora Corazon, and Victoria Elisa. Early the next day, President Arroyo, who had cut short her trip in the United States, briefly paid her last respects to her erstwhile ally President Aquino. A final requiem Mass was held on the morning of August 5, 2009, with then-Archbishop of Manila Cardinal Gaudencio Rosales, then-Bishop of Balanga Socrates B. Villegas, and other high-ranking clergymen concelebrating. Aquino's daughter Kris spoke on behalf of her family towards the end of the Mass. Aquino's flag-draped casket was escorted from the Cathedral to Manila Memorial Park in Paranaque, where she was interred beside her husband in the family mausoleum. Aquino's funeral procession took more than eight hours to reach the burial site, as tens of thousands of civilians lined the route to pay their respects. Philippine Air Force UH-1 helicopters showered the procession with yellow confetti and ships docked at Manila's harbour blared their sirens, all to salute the late President, . CANNOTANSWERAnswer this question using a quote from the following article:

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In 1987, Portillo was given his first ministerial post, as Parliamentary Under-Secretary of State for Social Security; the following year, he was promoted to Minister of State for Transport. Portillo has stated that he considers "saving the Settle to Carlisle railway" was his greatest achievement. In 1990, Portillo was appointed Minister of State for Local Government, in which post he argued in favour of the ultimately highly unpopular Community Charge system (popularly known as "the Poll Tax"). He demonstrated a consistently right-of-centre line (exemplified by his insistence, in a well-publicised speech, of placing "clear blue water" between the policies of the Conservatives and other parties) and was favoured by Norman Tebbit and Margaret Thatcher, who said of him "[W]e expect great things of you, do not disappoint us". His rise continued under John Major; he was made a Cabinet Minister in 1992 as Chief Secretary to the Treasury and was admitted to the Privy Council the same year. He subsequently became Secretary of State for Employment (1994-95), and then Secretary of State for Defence (1995-1997). As Defence Secretary, Portillo became the object of criticism when he invoked the motto of the SAS, "Who Dares, Wins", at a speech at the 1995 Conservative Party annual conference. His high profile led to constant attention from the media, including Private Eye, which mockingly referred to him as "Portaloo". He was accused of vanity when the Alexandra Palace was hired to celebrate his ten years in politics. Some saw the Defence Secretary post as a reward for Portillo's cautious loyalty to Major during the 1995 leadership challenge of John Redwood, following Major's "back me or sack me" resignation as party leader. Many urged Portillo, the "darling of the right", to run against Major. He declined to enter the first round, but planned to challenge Major if the contest went to a second round. To this end, he set up a potential campaign headquarters, with banks of telephone lines. He later admitted that this had been an error: "I did not want to oppose [Major], but neither did I want to close the possibility of entering a second ballot if it came to that." Portillo acknowledged that "ambiguity is unattractive" and his opponents within the party later used Portillo's apparent equivocation as an example of his indecisiveness; "I appeared happy to wound but afraid to strike: a dishonourable position." CANNOTANSWER

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Emmeline Pankhurst (nee Goulden; 15 July 1858 - 14 June 1928) was a British political activist and leader of the British suffragette movement who helped women win the right to vote. In 1999 Time named Pankhurst as one of the 100 Most Important People of the 20th Century, stating "she shaped an idea of women for our time; she shook society into a new pattern from which there could be no going back". She was widely criticised for her militant tactics, and historians disagree about their effectiveness, but her work is recognised as a crucial element in achieving women's suffrage in the United Kingdom. Born in Moss Side, Manchester, to politically active parents, Pankhurst was introduced at the age of 14 to the women's suffrage movement.

During the struggle at Boggart Hole Clough, Richard Pankhurst began to experience severe stomach pains. He had developed a gastric ulcer, and his health deteriorated in 1897. The family moved briefly to Mobberley, with the hope that country air would help his condition. He soon felt well again, and the family returned to Manchester in the autumn. In the summer of 1898 he suffered a sudden relapse. Pankhurst had taken their oldest daughter Christabel to Corsier, Switzerland, to visit her old friend Noemie. A telegram arrived from Richard, reading: "I am not well. Please come home, my love." Leaving Christabel with Noemie, Pankhurst returned immediately to England. On 5 July, while on a train from London to Manchester, she noticed a newspaper announcing the death of Richard Pankhurst. The loss of her husband left Pankhurst with new responsibilities and a significant amount of debt. She moved the family to a smaller house at 62 Nelson Street, resigned from the Board of Guardians, and was given a paid position as Registrar of Births and Deaths in Chorlton. This work gave her more insight into the conditions of women in the region. She wrote in her autobiography: "They used to tell me their stories, dreadful stories some of them, and all of them pathetic with that patient and uncomplaining pathos of poverty." Her observations of the differences between the lives of men and women, for example in relation to illegitimacy, reinforced her conviction that women needed the right to vote before their conditions could improve. In 1900 she was elected to the Manchester School Board and saw new examples of women suffering unequal treatment and limited opportunities. During this time she also re-opened her store, with the hope that it would provide additional income for the family. The individual identities of the Pankhurst children began to emerge around the time of their father's death. Before long they were all involved in the struggle for women's suffrage. Christabel enjoyed a privileged status among the daughters, as Sylvia noted in 1931: "She was our mother's favourite; we all knew it, and I, for one, never resented the fact." Christabel did not share her mother's fervour for political work, however, until she befriended the suffrage activists Esther Roper and Eva Gore-Booth. She soon became involved with the suffrage movement and joined her mother at speaking events. Sylvia took lessons from a respected local artist, and soon received a scholarship to the Manchester School of Art. She went on to study art in Florence and Venice. The younger children, Adela and Harry, had difficulty finding a path for their studies. Adela was sent to a local boarding school, where she was cut off from her friends and contracted head lice. Harry also had difficulty at school; he suffered from measles and vision problems. CANNOTANSWER

How did he die


Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.

Forte is a supporter of the camp Wampler's Kids and recorded a promotional piece at SNL with Will Ferrell. Forte was a childhood friend of founder Steven Wampler and previously the national spokesman for SciEyes, a non-profit organization created to support research, training and public education in stem cell biology and to further the field by recognizing and supporting its potential for creating new therapies for the treatment of blinding and debilitating eye diseases. He was a primary donor towards the establishment of a research fellowship for third-year medical students at Duke Medical Center. He serves on the Board of Directors of the National Policy and Advocacy Council on Homelessness. Forte is especially close with his family. His mother has visited every film set he had worked on and made an appearance on the Mother's Day episode of SNL in which he sang a song to her on Weekend Update. Forte officiated his sister Michelle's wedding and filmed the birth of his niece and nephew. During a conversation with Scott Aukerman on the podcast Comedy Bang! Bang!, Forte discussed his parents' divorce and the family's decision to have Christmas together after his father's second divorce. During the same interview, Forte joked about his obsessive-compulsive disorder (OCD) tendencies with a story of listening to only one song in his office at SNL for an entire year because he wanted to challenge himself. During an interview with Larry King, Forte discussed his OCD as a challenge he had to overcome but not one he wished he did not have, as it is a part of his personality. In a feature on him and his new Fox series in February 2015, the writer of the article said that Forte mentioned OCD often but it was not clear if he had ever been formally diagnosed, though Forte related how he and a former girlfriend had gone through an OCD questionnaire and it concluded that Forte "should immediately talk to someone about this". Forte currently resides in Santa Monica, California. He purchased his home just two weeks before joining SNL and being forced to move to New York City; "It was not the greatest timing," he later said. CANNOTANSWERAnswer this question using a quote from the following article:

What was life ike growing up?


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Leonard Simon Nimoy was born on March 26, 1931, in the West End of Boston, Massachusetts, the son of Jewish immigrants from Iziaslav, Ukraine. His parents left Iziaslav separately--his father first walking over the border into Poland while his mother and grandmother were smuggled out of the Soviet Union in a horse-drawn wagon by hiding under bales of hay. They reunited after arriving in the United States. His mother, Dora (nee Spinner) (1904-1987), was a homemaker, and his father, Max Nimoy (1901-1987), owned a barbershop in the Mattapan section of Boston.

Following Star Trek in 1969, Nimoy immediately joined the cast of the spy series Mission: Impossible, which was seeking a replacement for Martin Landau. Nimoy was cast in the role of Paris, an IMF agent who was an ex-magician and make-up expert, "The Great Paris". He played the role during seasons four and five (1969-1971). Nimoy had been strongly considered as part of the initial cast for the show, but remained in the Spock role on Star Trek. He co-starred with Yul Brynner and Richard Crenna in the Western movie Catlow (1971). He also had roles in two episodes of Rod Serling's Night Gallery (1972 and 1973) and Columbo (1973), season 2 episode 6 entitled "A Stitch in Crime"; Nimoy portrayed murderous doctor Barry Mayfield, one of the few murder suspects toward whom Columbo showed anger. Nimoy appeared in various made-for-television films such as Assault on the Wayne (1970), Baffled! (1972), The Alpha Caper (1973), The Missing Are Deadly (1974), Seizure: The Story Of Kathy Morris (1980), and Marco Polo (1982). He received an Emmy Award nomination for best supporting actor for the television film A Woman Called Golda (1982), for playing the role of Morris Meyerson, Golda Meir's husband, opposite Ingrid Bergman as Golda in her final role. In 1975, Leonard Nimoy filmed an opening introduction to Ripley's World of the Unexplained museum located at Gatlinburg, Tennessee, and Fisherman's Wharf at San Francisco, California. In the late 1970s, he hosted and narrated the television series In Search of..., which investigated paranormal or unexplained events or subjects. In 2000-2001 he hosted CNBC TV series The Next Wave With Leonard Nimoy, which explored how e-businesses were integrating with technology and the Internet. He also had a character part as a psychiatrist in Philip Kaufman's remake of Invasion of the Body Snatchers. Nimoy also won acclaim for a series of stage roles. In 1971 he played the starring role of Tevye in Fiddler on the Roof, which toured for eight weeks. Nimoy, who had performed in the Yiddish theater as a young man, said the part was like a "homecoming" for him, explaining that his parents, like Tevye, also came from a shtetl in Russia and could relate to the play when they saw him in it. Later that year he starred as Arthur Goldman in The Man in the Glass Booth at the Old Globe Theater in San Diego. He starred as Randle McMurphy in One Flew Over the Cuckoo's Nest in 1974, a year prior to its release as a feature film, with Jack Nicholson in the same role. During the run of the play, Nimoy took over as its director and wanted his character to be "rough and tough," and insisted on having tattoos. The costumer for the show, Sharon White, was amused: "That was sort of an intimate thing. . . . Here I am with Mr. Spock, for god's sakes, and I am painting pictures on his arms." In 1975 he toured with and played the title role in the Royal Shakespeare Company's Sherlock Holmes. A number of authors have noted parallels between the rational Holmes and the character of Spock, and it became a running theme in Star Trek fan clubs. Star Trek writer Nicholas Meyer said that "the link between Spock and Holmes was obvious to everyone." Meyer gives a few examples, including a scene in Star Trek VI: The Undiscovered Country, in which Spock quotes directly from a Conan Doyle book and credits Holmes as a forefather to the logic he was espousing. In addition, the connection was implied in Star Trek: The Next Generation, which paid homage to both Holmes and Spock. By 1977, when Nimoy played Martin Dysart in Equus on Broadway, he had played 13 important roles in 27 cities, including Tevye, Malvolio in Twelfth Night, and Randle McMurphy in One Flew Over the Cuckoo's Nest. In 1981 he starred in Vincent, a one-man show which Nimoy wrote and published as a book in 1984. The audio recording of the play is available on DVD under the title, Van Gogh Revisited It was based on the life of artist Vincent van Gogh, in which Nimoy played Van Gogh's brother Theo. Other plays included Oliver!, at the Melody Top Theater in Milwaukee, 6 Rms Riv Vu opposite Sandy Dennis, in Florida, Full Circle with Bibi Anderson in Washington, D.C., and later in Full Circle. He was in Camelot, The King and I, Caligula, The Four Poster, and My Fair Lady. CANNOTANSWER


Marcus Mosiah Garvey Jr. ONH (17 August 1887 - 10 June 1940) was a proponent of Black nationalism in the United States and most importantly Jamaica. He was a leader of a mass movement called Pan-Africanism and he founded the Universal Negro Improvement Association and African Communities League (UNIA-ACL). He also founded the Black Star Line, a shipping and passenger line which promoted the return of the African diaspora to their ancestral lands. Although most American Black leaders condemned his methods and his support for racial segregation, Garvey attracted a large following.

On 4 October 1916, the Daily Gleaner in Kingston published a letter written by Raphael Morgan, a Jamaican-American priest of the Ecumenical Patriarchate, together with over a dozen other like-minded Jamaican Americans, who wrote in to protest against Garvey's lectures. Garvey's views on Jamaica, they felt, were damaging to both the reputation of their homeland and its people, enumerating several objections to Garvey's stated preference for the prejudice of the American whites over that of English whites. Garvey's response was published a month later: he called the letter a conspiratorial fabrication meant to undermine the success and favour he had gained while in Jamaica and in the United States. While W. E. B. Du Bois felt that the Black Star Line was "original and promising", he added that "Marcus Garvey is, without doubt, the most dangerous enemy of the Negro race in America and in the world. He is either a lunatic or a traitor." Du Bois considered Garvey's program of complete separation a capitulation to white supremacy; a tacit admission that Blacks could never be equal to Whites. Noting how popular the idea was with racist thinkers and politicians, Du Bois feared that Garvey threatened the gains made by his own movement. Garvey suspected that Du Bois was prejudiced against him because he was a Caribbean native with darker skin. Du Bois once described Garvey as "a little, fat black man; ugly, but with intelligent eyes and a big head". Garvey called Du Bois "purely and simply a white man's nigger" and "a little Dutch, a little French, a little Negro ... a mulatto ... a monstrosity". This led to an acrimonious relationship between Garvey and the NAACP. In addition, Garvey accused Du Bois of paying conspirators to sabotage the Black Star Line in order to destroy his reputation. Garvey recognized the influence of the Ku Klux Klan and, after the Black Star Line was closed, sought to engage the South in his activism, since the UNIA now lacked a specific program. In early 1922, he went to Atlanta for a conference with KKK imperial giant Edward Young Clarke, seeking to advance his organization in the South. Garvey made a number of incendiary speeches in the months leading up to that meeting; in some, he thanked the whites for Jim Crow. Garvey once stated: "I regard the Klan, the Anglo-Saxon clubs and White American societies, as far as the Negro is concerned, as better friends of the race than all other groups of hypocritical whites put together. I like honesty and fair play. You may call me a Klansman if you will, but, potentially, every white man is a Klansman as far as the Negro in competition with whites socially, economically and politically is concerned, and there is no use lying." After Garvey's entente with the Klan, a number of African-American leaders appealed to U.S. Attorney General Harry M. Daugherty to have Garvey incarcerated. CANNOTANSWERAnswer this question using a quote from the following article:

Did they confront one another?


Saul Hudson was born in Hampstead, London. He was named for Saul Steinberg, an artist. His mother, Ola J. Hudson (nee Oliver; 1946-2009), was an African-American costume designer, whose clients included David Bowie, and his father, Anthony Hudson, is an English artist who created album covers for musicians such as Neil Young and Joni Mitchell., Of his mixed background, Slash later remarked, "As a musician, I've always been amused that I'm both British and black; particularly because so many American musicians seem to aspire to be British while so many British musicians, in the 'Sixties in particular, went to such great pains to be black."

On October 10, 1992, Slash married model-actress Renee Suran in Marina del Rey, California. They divorced in late 1997 after five years of marriage. Slash married Perla Ferrar on October 15, 2001, in Hawaii. They have two sons, London Emilio (born August 28, 2002) and Cash Anthony (born June 23, 2004). Slash filed for divorce from Ferrar in August 2010, but the couple reconciled two months later. In December 2014, he again filed for divorce. Afterwards, he moved in together with his girlfriend Meegan Hodges, whom he previously dated from 1989 until the beginning of the 1990s. Slash is a dual citizen of the United Kingdom and the United States. A British national since his London birth, he has resided in Los Angeles since 1971 but did not acquire American citizenship until 1996. He said in 2010, "I do consider myself British. I have very strong feelings about my British heritage. My first years were there, I went to school there, and I have seemingly endless family on that side of the pond. So I've always felt most comfortable in England." In 2001, at the age of 35, Slash was diagnosed with cardiomyopathy, a form of congestive heart failure caused by his many years of alcohol and drug abuse. Originally given between six days and six weeks to live, he survived through physical therapy and the implantation of a defibrillator. Slash has been clean and sober since 2005, which he credits to his then-wife Ferrar. In 2009, following his mother's death from lung cancer, he quit smoking. Slash has been recognized for his longtime contributions to establishing environmental welfare programs. He is a board trustee of the Greater Los Angeles Zoo Association and has long supported the Los Angeles Zoo and zoos around the world. Slash's love of reptiles was for many years a notable aspect of his public persona--with several of his many snakes appearing with him in music videos and photoshoots--until the birth of his first son in 2002 forced him to rehome his collection. Slash's friendship with Guns N' Roses frontman Axl Rose soured following his departure from the band. In 2006, Rose claimed that Slash had shown up at his house uninvited the previous year to offer a truce. He alleged that Slash had insulted his Velvet Revolver bandmates, telling Rose that he considered Scott Weiland "a fraud" and Duff McKagan "spineless", and that he "hated" Matt Sorum. Slash denied the accusations. In his 2007 autobiography he admitted to visiting Rose's home with the intention to settle a longstanding legal dispute and make peace with his former bandmate. He claims, however, that he did not speak with Rose and instead merely left a note. Slash maintains that he had not spoken with Rose in person since 1996. In 2009, in response to a statement by Rose in which he referred to Slash as "a cancer", Slash commented: "It doesn't really affect me at all... It's been a long time. The fact that he has anything to say at all, it's like, 'Whatever, dude.' It doesn't really matter." In an August 2015 interview, Slash stated that he is now on good terms with Rose. Slash also rejoined Guns N' Roses in 2016. CANNOTANSWER

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Saint Peter (Syriac/Aramaic: shem`won kE`'p'A', Shemayon Keppa, Hebrew: shm`vn br yvnh Shim'on bar Yona, Greek: Petros Petros, Coptic: , translit.

Peter's original name, as indicated in the New Testament, was "Simon" (Simon Simon in Greek) or (only in Acts 15:14 and 2 Peter 1:1) "Simeon" (Sumeon in Greek). The Simon/Simeon variation has been explained as reflecting "the well-known custom among Jews at the time of giving the name of a famous patriarch or personage of the Old Testament to a male child along with a similar sounding Greek/Roman name". He was later given the name ke'ypa (Kepha) in Aramaic, which was rendered in Greek (by transliteration and the addition of a final sigma to make it a masculine word) as Kephas, whence Latin and English Cephas (9 occurrences in the New Testament); or (by translation with masculine termination) as Petros, whence Latin Petrus and English Peter (156 occurrences in the New Testament). The precise meaning of the Aramaic word is disputed, some saying that its usual meaning is "rock" or "crag", others saying that it means rather "stone" and, particularly in its application by Jesus to Simon, "precious stone" or "jewel", but most scholars agree that as a proper name it denotes a rough or tough character. Both meanings, "stone" (jewel or hewn stone) and "rock", are indicated in dictionaries of Aramaic and Syriac. Catholic theologian Rudolf Pesch argues that the Aramaic cepha means "stone, ball, clump, clew" and that "rock" is only a connotation; that in the Attic Greek petra denotes "grown rock, rocky range, cliff, grotto"; and that petros means "small stone, firestone, sling stone, moving boulder". The combined name Simon Petros (Simon Peter) appears 19 times in the New Testament. In some Syriac documents he is called, in English translation, Simon Cephas. CANNOTANSWER

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Dickinson learned to fly recreationally in Florida in the 1990s and now holds an airline transport pilot's licence. He regularly flew Boeing 757s in his role as captain for the now-defunct UK charter airline Astraeus, which, from 16 September 2010, employed him as Marketing Director. One of his key roles in that position was to promote Astraeus' services by increasing their number of videos, leading to the UK Civil Aviation Authority releasing a video featuring Dickinson on aircraft loading safety in June 2011. Following Astraeus' closure on 21 November 2011, Dickinson branched into entrepreneurship when he launched Cardiff Aviation Ltd on 1 May 2012, an aircraft maintenance business based at the Twin Peaks Hangar in St Athan, Vale of Glamorgan, Wales. According to The Wall Street Journal, in January 2013 Cardiff Aviation had created 40 jobs and hoped to have over a hundred personnel by the summer of 2013. In June 2013, The Daily Telegraph reported that the business had expanded to between 60 and 70 employees and are in discussions to set up their own airline. In August 2015, Cardiff Aviation signed a deal to provide airline support to Air Djibouti, for whom Dickinson piloted their maiden flight the following year, a Boeing 737 from Cardiff to Djibouti. As a result of his ventures in business, he has delivered keynote speeches at events around the globe, including Queen Mary University of London's Innovation Showcase in November 2012, Connect2Business, Stockholm in March 2013, Aviation Week's MRO Europe Conference, London in October 2015 and "Blog Now, Live Forever", Mumbai in October 2015. His role as a pilot has led to some high-profile flights, which include returning a group of British RAF pilots from Afghanistan in 2008, 200 UK citizens from Lebanon during the Israel/Hezbollah conflict in 2006, and 180 stranded holiday makers from Egypt following the collapse of XL Airways UK in September 2008. In addition, he flew Rangers F.C. and Liverpool F.C. to away matches in Israel and Italy in 2007 and 2010 respectively. For the 2008-09 "Somewhere Back in Time World Tour", he piloted Iron Maiden's chartered Boeing 757, dubbed "Ed Force One", specially converted to carry the band's equipment between continents, which subsequently led to a documentary film, Iron Maiden: Flight 666. Dickinson flew "Ed Force One" again for "The Final Frontier World Tour" in 2011. For the 2016 The Book of Souls World Tour, the band upgraded to a Boeing 747-400 jumbo jet, which meant that Dickinson had to undertake type conversion to fly the aircraft. In 2014, Dickinson purchased a Fokker Dr.I triplane replica G-CDXR and joined the Great War Display Team, which re-enacts First World War air battles at airshows across the UK. CANNOTANSWER

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Anna Vissi (Greek: Anna Bisse (pronounced ['ana 'visi], locally ['an:a 'viS:i]); born 20 December 1957), also known as Anna Vishy, is a Greek Cypriot singer, songwriter, actress, television presenter, radio personality, and businesswoman.

In the early 1990s, she continued performing around Greece with Nikos Karvelas, with appearances at "Diogenis Palace" and then at "Rex". In November 1991, Vissi and Karvelas starred in the first Greek rock opera, Daimones ("Demons"). It was based on a libretto by Stavros Sideras and staged at Attikon Theater in Athens for two years. Roger Williams was the director and Anna Vissi (Queen & Rozanne), Yannis Samsiaris (Daniel), Bessy Malfa (Witch & Loa) and John Modinos (Inquisitor) were the leading actors. Daimones was played on foreign TV stations and attracted the attention of Broadway agents. Vissi described it as an "artistic achievement" in her career; however, the play received mostly negative reviews from professional critics and contributed to the relatively unsuccessful period Vissi faced in the early 1990s. Vissi has defended the play, saying "I did something important and advanced for the Greek music scene!" but admitted that she lost a lot of money from the production. She is considering modernising and relaunching the production in the 2010s. A year later, in October 1993, Vissi landed the leading role of Aphrodite, in the one-act opera Ode to the Gods by Stavros Sideras. It was held only once in Limassol, Cyprus, during the celebrations for the Commonwealth Day. Then-president of the Republic of Cyprus, Glafkos Clerides, and Queen Elizabeth II, were amongst the audience. The following years, Karvelas and Vissi released the albums Lambo (1992), Emeis (1992), Live! (1993), Re! (1994), and O! Kypros (1995), an album with traditional Cypriot songs. In 1994, she was the hostess on the ANT1 weekly TV show Me Agapi, Anna. The show was cancelled and in 2008 the production company filed a lawsuit against Vissi claiming "unprofessional behavior of the singer" because the agreement was for 40 episodes and Vissi dropped out after 10 episodes. The juridical conflict between Vissi and the production company appeared to come to an end when the Court of Appeal of Athens led to the final compromise of the two sides to the sum of EUR400,000. A sum that the singer would supposed to pay in the company against the initial sum of 2.3 million Euros. Ultimately Vissi was vindicated and the decision of Supreme Court ruled that EUR400,000 was a lot more from the amount that Vissi should actually pay and decided to give the half amount of money. One year later she did a concert in Cyprus, supporting the defences of the island. CANNOTANSWER

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Phelps was born in Baltimore, Maryland, and raised in the Rodgers Forge neighborhood of nearby Towson. He attended Rodgers Forge Elementary, Dumbarton Middle School, and Towson High School. Phelps is the youngest of three children. His mother, Deborah Sue "Debbie" Phelps (nee Davisson), is a middle school principal.

Before the final of the 100-meter butterfly, US born Serbian swimmer Milorad Cavic caused a minor stir when he said it would be "good" if Phelps lost. "It'd be good for him if he loses. It would be nice if historians talk about Michael Phelps winning seven gold medals and losing the eighth to 'some guy.' I'd like to be that guy", Cavic said. Phelps responded, "When people say things like that, it fires me up more than anything." On August 16, Phelps won his seventh gold medal of the Games in the men's 100-meter butterfly, setting an Olympic record for the event with a time of 50.58 seconds and edging out his nearest competitor Cavic, by one hundredth (0.01) of a second. Unlike all six of his previous events in the 2008 Games, Phelps did not set a new world record, leaving intact Ian Crocker's world-record time of 50.40 seconds, set in 2005. Phelps's 0.01-second finish ahead of Cavic prompted the Serbian delegation to file a protest. Subsequent analysis of the video by the FINA panel, which required analyzing frames shot 1/10,000th of a second apart, was used to officially confirm Phelps's victory, but the images were not immediately released to the press. The initial refusal by official timekeeper Omega to release underwater photos of the finish also raised questions due to Phelps's sponsorship relationship with Omega. Cavic later wrote in his blog, "People, this is the greatest moment of my life. If you ask me, it should be accepted and we should move on. I've accepted defeat, and there's nothing wrong with losing to the greatest swimmer there has ever been." Phelps's seventh gold medal of the Games tied Mark Spitz's record for gold medals won in a single Olympic Games, set in the 1972 Olympics. It was also his fifth individual gold medal in Beijing, tying the record for individual gold medals at a single Games originally set by Eric Heiden in the 1980 Winter Olympics and equaled by Vitaly Scherbo at the 1992 Summer Games. Said Phelps upon setting his seventh-straight Olympic record of the Games in as many events, "Dream as big as you can dream, and anything is possible ... I am sort of in a dream world. Sometimes I have to pinch myself to make sure it is real." CANNOTANSWER

Answer the following question by taking a quote from the article: How did the losing member feel about that verdict?


Background: Harold Eugene "Gene" Clark (November 17, 1944 - May 24, 1991) was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country.
Context: In 1971, Clark released his second solo album, White Light (the title was not on the cover sleeve, and thus some later reviewers mistakenly assumed that the title was Gene Clark). The album was produced by the American Indian guitarist Jesse Ed Davis, with whom Clark developed great rapport, partly due to their common ancestry. An intimate, poetic and mostly acoustic work supplemented by Davis's slide guitar, the album contained many introspective tracks, such as "With Tomorrow", "Because of You", "Where My Love Lies Asleep" and "For a Spanish Guitar" (which Bob Dylan supposedly hailed as one of the greatest songs ever written). All of the material was written by Clark, with the exception of "Tears of Rage", by Dylan and Richard Manuel. Launched to considerable critical acclaim, the album failed to gain commercial success, except in the Netherlands, where it was voted album of the year by rock music critics. Once more, modest promotion and Clark's refusal to undertake promotional touring adversely affected sales. In the spring of 1971, Clark was commissioned by Dennis Hopper to contribute the tracks "American Dreamer" and "Outlaw Song" to Hopper's film project American Dreamer. A rerecorded, longer version of the song "American Dreamer" was later used in the 1977 film The Farmer, along with an instrumental version of the same song plus "Outside the Law (The Outlaw)", a rerecording of "Outlaw Song". In 1972, Clark attempted to record a follow-up album. Progress was slow and expensive, and A&M terminated the project before completion. The resulting eight tracks, including "Full Circle Song" and "In a Misty Morning", along with those recorded with the Byrds in 1970 and 1971 ("She's the Kind of Girl" and "One in a Hundred") and with the Flying Burrito Brothers ("Here Tonight"), were released in 1973 as Roadmaster in the Netherlands only. CANNOTANSWER
Question: Did he have any songs released in films?

Answer:


Arvydas Romas Sabonis (born December 19, 1964) is a Lithuanian retired professional basketball player and businessman. Recognized as one of the best European players of all time, he won the Euroscar six times, and the Mr. Europa Award twice. He played in a variety of leagues, and spent seven seasons in the National Basketball Association (NBA), in the United States. Playing the center position, Sabonis won a gold medal at the 1988 Summer Olympics, in South Korea, for the Soviet Union, and later earned bronze medals at the 1992 Olympic Games and 1996 Olympic Games, while representing Lithuania.

In 1982, Sabonis was one of the players in the senior Soviet Union national team that toured the United States, playing against various college basketball teams. Despite being recommended to rest, instead of playing in the 1988 Summer Olympics, the Soviets allowed Sabonis to remain a part of their national team. Sabonis led the Soviet Union to a gold medal, with a win against a United States team that featured future NBA All-Stars David Robinson, Mitch Richmond, and Danny Manning in the semifinals. The team later beat Yugoslavia in the finals. In his career with the senior Soviet national team, Sabonis also played at the following major tournaments: the 1982 FIBA World Championship (gold medal), the 1983 EuroBasket (bronze medal), the 1985 EuroBasket (gold medal), the 1986 FIBA World Championship (silver medal), and the 1989 EuroBasket (bronze medal). He was named to the EuroBasket All-Tournament Team in 1983 and 1985, and he was named the EuroBasket MVP in 1985. The 1985-1988 stretch of a heavy playing schedule, and lack of rest, took a significant toll on Sabonis' future health and durability. Various leg injuries weren't given much time to heal, due to the Cold War climate that surrounded international competition, as well as the intense rivalry of the Zalgiris Kaunas versus CSKA Moscow games in the USSR Premier League. In a 2011 interview, Sabonis expressed an opinion, that overuse by the coaches of the Soviet national program, was a major contributing factor to his first Achilles' tendon injury, back in 1986. Another key moment for his future health, took place in 1988, when Sabonis had a surgical Achilles procedure performed in Portland, but was rushed back on the floor with the USSR Olympic team, before a full recovery. The decision to include a limping Sabonis, on the USSR roster for the 1988 Olympic Games, was protested at the time by the Portland medical staff, and was later heavily criticized. While the Soviets cleared him to play professionally in 1989, when his Soviet national teammate, Sarunas Marciulionis, went to North America, Sabonis postponed his travel, over feeling that he was not physically ready for the NBA. Eventually, Sabonis would develop chronic knee, ankle and groin issues, that substantially limited his mobility and explosiveness, by the mid-1990s. CANNOTANSWER

Using a quote from the above article, answer the following question: Did he ever play with any famous people?


Louis Cachet (French pronunciation:  [lwi kaSe]) (born Kristian Vikernes [Norwegian: [vi:k@ne:s]], 11 February 1973), more popularly known as Varg Vikernes, is a Norwegian musician and writer. In 1991, he founded the one-man music project Burzum, which is considered one of the most influential black metal acts. Three years later, he was convicted of murder and arson, and subsequently served over 14 years in prison.

In January 1993, an article in one of Norway's biggest newspapers, Bergens Tidende (BT), brought the black metal scene into the media spotlight. Two friends of Vikernes interviewed him and brought the interview to the newspaper, hoping they would print it. In the anonymous interview, 'Count Grishnackh' (Vikernes) claimed to have burnt the churches and killed a man in Lillehammer. BT journalist Finn Bjorn Tonder set up a meeting with 'Count Grishnackh', with help from the friends. The journalists were summoned to an apartment and reportedly warned that they would be shot if the police were called. There, Vikernes and his companions told the journalists that they had burnt the churches, or knew who had done it, and said that the attacks would continue. They claimed to be Devil worshippers and said: "Our intention is to spread fear and devilry [...] that is why we are telling this to Bergens Tidende." They gave the journalists details about the arsons that hadn't been released to the press and so BT spoke with the police before publishing it, who confirmed these details. The article was published on 20 January as the front page of the BT. It was headlined "We Lit The Fires" and included a photo of Vikernes, his face mostly hidden, holding two large knives. However, by the time the article was printed, Vikernes had already been arrested. The police allegedly found him by going to an address printed on a Burzum flyer, although Vikernes believes that Tonder "snitched" on him. According to Vikernes, the anonymous interview was planned by himself and Euronymous. The goal, he says, was to scare people, promote black metal and get more customers for Helvete. At the time, Burzum was about to release the Aske mini-album. Vikernes said of the interview: "I exaggerated a lot and when the journalist left we [...] had a good laugh, because he didn't seem to understand that I was pulling his leg". He added that the interview revealed nothing that could prove his involvement in any crime. Vikernes claims that, after he was arrested, "the journalist edited the interview and [...] published an insane version of it the following day, without even letting me read through it." Some of the other scene members were also arrested and questioned, but all were released for lack of evidence. Jorn Inge Tunsberg of Hades said that the interview had "grave consequences" for the rest of the scene and that they did not know he was going to talk to the press, as "he had said nothing". He added that they became "bloody angry" and he, Tunsberg, was "pissed off". Norwegian magazine Rock Furore published an interview with Vikernes in February 1993. In it, he said of the prison system: "It's much too nice here. It's not hell at all. In this country prisoners get a bed, toilet and shower. It's completely ridiculous. I asked the police to throw me in a real dungeon, and also encouraged them to use violence". He was released in March for lack of evidence. CANNOTANSWER

Using a quote from the above article, answer the following question: what happened in the interview?


Background: Harpo was born on November 23, 1888 in Manhattan. He grew up in a neighborhood now known as Carnegie Hill on the Upper East Side of Manhattan, on East 93rd Street off Lexington Avenue. The turn-of-the-century tenement that Harpo later called (in his memoir Harpo Speaks!) "the first real home I can remember" was populated with European immigrants, mostly artisans--which even included a glass blower.
Context: In January 1910, Harpo joined two of his brothers, Julius (later "Groucho") and Milton (later "Gummo"), to form "The Three Nightingales", later changed to simply "The Marx Brothers". Multiple stories--most unsubstantiated--exist to explain Harpo's evolution as the "silent" character in the brothers' act. In his memoir, Groucho wrote that Harpo simply wasn't very good at memorizing dialogue, and thus was ideal for the role of the "dunce who couldn't speak", a common character in vaudeville acts of the time. Harpo gained his stage name during a card game at the Orpheum Theatre in Galesburg, Illinois. The dealer (Art Fisher) called him "Harpo" because he played the harp. He learned how to hold it properly from a picture of an angel playing a harp that he saw in a five-and-dime. No one in town knew how to play the harp, so Harpo tuned it as best he could, starting with one basic note and tuning it from there. Three years later he found out he had tuned it incorrectly, but he could not have tuned it properly; if he had, the strings would have broken each night. Harpo's method placed much less tension on the strings. Although he played this way for the rest of his life, he did try to learn how to play correctly, and he spent considerable money hiring the best teachers. They spent their time listening to him, fascinated by the way he played. The major exception was Mildred Dilling, a professional harpist who did teach Harpo the proper techniques of the instrument and collaborated with him regularly when he had difficulty with various compositions. In the autobiography Harpo Speaks (1961), he recounts how Chico found him jobs playing piano to accompany silent movies. Unlike Chico, Harpo could play only two songs on the piano, "Waltz Me Around Again, Willie" and "Love Me and the World Is Mine," but he adapted this small repertoire in different tempos to suit the action on the screen. He was also seen playing a portion of Rachmaninoff's "Prelude in C# minor" in A Day at the Races and chords on the piano in A Night at the Opera, in such a way that the piano sounded much like a harp, as a prelude to actually playing the harp in that scene. Harpo had changed his name from Adolph to Arthur by 1911. This was due primarily to his dislike for the name Adolph (as a child, he was routinely called "Ahdie" instead). The name change may have also happened because of the similarity between Harpo's name and Adolph Marks, a prominent show business attorney in Chicago. Urban legends stating that the name change came about during World War I due to anti-German sentiment in the US, or during World War II because of the stigma that Adolf Hitler imposed on the name, are groundless. CANNOTANSWER
Question: Did he perform any other acts on stage?. Whats the answer?


Having learned to play guitar, Spector performed "Rock Island Line" in a talent show at Fairfax High School, where he was a student. While at Fairfax, he joined a loose-knit community of aspiring musicians, including Lou Adler, Bruce Johnston, Steve Douglas, and Sandy Nelson, the last of whom played drums on Spector's first record release, "To Know Him Is to Love Him". With three friends from high school, Marshall Leib, Sandy Nelson, and Annette Kleinbard, Spector formed a group, the Teddy Bears. During this period, record producer Stan Ross -- co-owner of Gold Star Studios in Hollywood -- began to tutor Spector in record production and exerted a major influence on Spector's production style. In 1958, the Teddy Bears recorded the Spector-penned "Don't You Worry My Little Pet", which helped them secure a deal with Era Records. At their next session, they recorded another song Spector had written--this one inspired by the epitaph on Spector's father's tombstone. Released on Era's subsidiary label, Dore Records, "To Know Him Is to Love Him" reached number one on Billboard Hot 100 singles chart on December 1, 1958, selling over a million copies by year's end. It was the seventh number-one single on the newly formed chart. Following the success of their debut, the group signed with Imperial Records. Their next single, "I Don't Need You Anymore", reached number 91. They released several more recordings, including an album, The Teddy Bears Sing!, but failed to reach the top 100 in US sales. The group disbanded in 1959. CANNOTANSWER

Answer this question "Who were these musicians?" by extracting the answer from the text above.


Ellen Naomi Cohen was born in Baltimore, Maryland, the daughter of Philip Cohen (d: 1962) and his wife Bess (nee Levine, 1915-1994). Both her parents were the children of Jewish immigrants from the Russian Empire. Elliot's family was subject to significant financial stresses and uncertainties during her childhood years. Her father, involved in several business ventures throughout his life, ultimately succeeded through the development of a lunch wagon business in Baltimore, providing meals to construction workers.

With two female members, the New Journeymen needed a new name. According to Doherty, Elliot had the inspiration for the band's new name; as written on his website: We're all just lying around vegging out watching TV and discussing names for the group. The New Journeymen was not a handle that was going to hang on this outfit. John was pushing for the Magic Cyrcle. Eech, but none of us could come up with anything better, then we switch the channel and, hey, it's the Hells Angels on the Carson show... And the first thing we hear is: "Now hold on there, Hoss. Some people call our women cheap, but we just call them our Mamas." Cass jumped up: "Yeah! I want to be a Mama." And Michelle is going: "We're the Mamas! We're the Mamas!" OK. I look at John. He's looking at me going: "The Papas?" Problem solved. A toast! To the Mamas and the Papas. Well, after many, many toasts, Cass and John are passed out." Doherty also said that the occasion marked the beginning of his affair with Michelle Phillips. Elliot was in love with Doherty and was displeased when he told her of the affair. Doherty has said that Elliot once proposed to him, but that he was so stoned at the time that he could not even respond. Elliot was known for her sense of humor and optimism, and was considered by some to be the most charismatic member of the group. Her powerful, distinctive voice was a major factor in their success. She is best remembered for her vocals on the group's hits "California Dreamin'", "Monday, Monday", "Words of Love", and the solo "Dream a Little Dream of Me", which the group recorded in 1968 after learning about the death of Fabian Andre, one of the men who co-wrote it, whom Michelle Phillips had met years earlier. Elliot's version is noteworthy for its contemplative pace, whereas almost all earlier recordings of "Dream a Little Dream of Me" (including one by Nat King Cole and another by Ozzie Nelson) had been up-tempo versions--the song having been written in 1931 as a dance tune. The Mamas & the Papas continued to record to meet the terms of their record contract. Their final album was released in 1971. CANNOTANSWER

Answer the following question by taking a quote from the article: What album was that song on?


The Hohokam () were an ancient Native American culture centered in the present US state of Arizona. The Hohokam are one of the four major cultures of the American Southwest and northern Mexico in Southwestern archaeology. Considered part of the Oasisamerica tradition, the Hohokam established significant trading centers such as at Snaketown, and are considered to be the builders of the original canal system around the Phoenix metropolitan area, which the Mormon pioneers rebuilt when they settled the Lehi area of Mesa near Red Mountain. Variant spellings in current, official usage include Hobokam, Huhugam, and Huhukam.

Although Casa Grande red-on-buff continued to be produced, the pottery type that characterized this phase was Salado polychrome, primarily Gila polychrome. This ceramic type was either manufactured locally or procured as a trade ware. This phase also had the introduction the comal, similar to examples found in northern Mexico, and the production of bird-shaped effigy vessels. Examples of exotic stone and shell artifacts associated with high-status individuals - such as nose plugs, pendants, ear rings, bracelets, necklaces, and sophisticated shell inlays - indicate that the design and manufacture of jewelry reached its zenith during this phase. Other important developments were the significant increased procurement and manufacture of red ware, and the near-universal use of inhumation burial in the area north of the Gila River, both similar to the practices and traditions used by the historic O'odham. Immediately after AD 1300, Hohokam villages were reorganized along the lines experienced in the Lower Verde, Tonto Basin, and Safford Basin, in the 13th century. These compounds were composed of a large, rectangular exterior wall that either completely or more typically partially enclosed a series of contiguous courtyards and plazas delineated by interior partition walls. In turn, each courtyard may have contained one to as many as four large, rectangular, adobe-walled pitrooms, possibly associated with several utility structures. Overall, these communities were characterized by relatively compact clusters of between five and 25 adobe-walled compounds, which tended to be grouped around a single very large and well-built compound that often had some form of large community structure, such as a platform mound or great house. Great house structures, as with the one preserved at Casa Grande Ruins National Monument, were built only at the largest communities. These stone or adobe buildings had up to four stories, and were probably used by the managerial or religious elites. They may have also been constructed to align with astronomical observations. Trade with Mexico appears to have declined, but an increased number of trade goods arrived from Pueblo peoples in the north and the east. Between AD 1350 and 1375, the Hohokam tradition lost vitality and stability, and many of the largest settlements were abandoned. Rapidly changing climatic conditions apparently substantially affected the Hohokam agricultural base and subsequently prevented the cohesion of their large communities. Repeated floods in the middle 14th century significantly deepened the Salt River bed while destroying canal heads, which required their continuous extension upstream. Soon, additional flooding removed irreplaceable segments of these extensions, which effectively rendered hundreds of miles of canals virtually useless. Because of differences in hydrology and geomorphology, these processes had a lesser impact on the irrigation systems used by the Hohokam in the Gila River basin, yet these were abandoned, as well. CANNOTANSWER

Why did they lose stability and vitality?


On March 17, 1967, "Purple Haze" was released in the UK as the first single on Track Records. Another Hendrix composition, the R&B-influenced "51st Anniversary" was included as the B-side. Paul McCartney, who was an early Hendrix supporter, gave the record an enthusiastic pre-release review in Melody Maker. The single entered the charts at number 39 on Record Mirror and at number 43 on Melody Maker. It peaked at number three and spent 14 weeks on the chart. During March 1967, several performances of "Purple Haze" were filmed to promote the song and used for television programs, such as Beat-Club, Dee Time, and Top of the Pops. Live performances were also broadcast on German NDR and BBC Radio's Saturday Club. For the American single, Reprise Records paired the song with "The Wind Cries Mary". It was released on June 19, 1967, the day following the Experience's performance at the Monterey Pop Festival. The single entered the Billboard Hot 100 pop chart on August 26, where it spent eight weeks and reached number 65. "Purple Haze" was included as the opening track on the American release of Are You Experienced on August 23, 1967. Because of the song's airplay on underground FM radio, the album became more popular than Hendrix's singles. One of Hendrix's most popular songs, "Purple Haze" appears on numerous compilation albums. Some of these include Smash Hits, The Essential Jimi Hendrix, The Singles Album, Kiss the Sky, Cornerstones: 1967-1970, The Ultimate Experience, Experience Hendrix: The Best of Jimi Hendrix, Voodoo Child: The Jimi Hendrix Collection, and The Singles Collection. An alternative version recorded at the same time, but with different vocal and guitar overdubs, is the first song on The Jimi Hendrix Experience 2000 box set. Live recordings of "Purple Haze" as performed by each of the different Hendrix lineups have been released. These include Live at Monterey (the Experience), Live at Woodstock (Gypsy Sun and Rainbows), Live at the Fillmore East (Band of Gypsys), and Live at Berkeley (the Cry of Love touring group). Additional live recordings with the Experience appear on Winterland (2011 Billboard number 49 album) and Miami Pop Festival (2013 Billboard number 39 album). CANNOTANSWER

Answer this question "How did the fans respond to the song?" by extracting the answer from the text above.


A controversial incident occurred during a public show on 2 January 2004, when Irwin carried his one-month-old son, Bob, in his arm while hand-feeding a chicken carcass to Murray, a 3.8-metre (12 ft 6 in) saltwater crocodile. The infant was close to the crocodile, and comparisons were made in the press to Michael Jackson's dangling his son outside a German hotel window. In addition, some child welfare groups, animal rights groups, and some of Irwin's television viewers criticised his actions as irresponsible and tantamount to child abuse. Irwin apologised on the US NBC show Today. Both he and his wife publicly stated that Irwin was in complete control of the situation, as he had dealt with crocodiles since he was a small child, and based on his lifetime of experience neither he nor his son was in any danger. He also showed footage of the event shot from a different angle, demonstrating that they were much farther from the crocodile than they had appeared in the publicised clip. Terri Irwin said their child was in no more danger than one being taught to swim. No charges were filed; according to one journalist, Irwin told officials he would not repeat the action. The incident prompted the Queensland government to change its crocodile-handling laws, banning children and untrained adults from entering crocodile enclosures. In June 2004, allegations were made that he disturbed wildlife (namely whales, seals and penguins) while filming a documentary, Ice Breaker, in Antarctica. The matter was subsequently closed without charges being laid. After questions arose in 2003 about Irwin being paid $175,000 worth of taxpayers' money to appear in a television advertisement and his possible political ties, Irwin told the Australian Broadcasting Corporation (ABC) that he was a conservationist and did not choose sides in politics. His comments describing Australian Prime Minister John Howard as the "greatest leader in the world" earned him scorn in the media. Irwin was criticised for having an unsophisticated view of conservation in Australia that seemed more linked to tourism than to the problems Australia faces as a continent. In response to questions of Australia's problems with overgrazing, salinity, and erosion, Irwin responded, "Cows have been on our land for so long that Australia has evolved to handle those big animals." The Sydney Morning Herald concluded with the opinion that his message was confusing and amounted to "eating roos and crocs is bad for tourism, and therefore more cruel than eating other animals". CANNOTANSWER

Answer this question "Why is Steve Irwin considered to be controversial?" by extracting the answer from the text above.


Paul Frederic Simon (born October 13, 1941) is an American singer-songwriter and actor. Simon's musical career has spanned seven decades, with his fame and commercial success beginning as half of the duo Simon & Garfunkel, formed in 1964 with Art Garfunkel. Simon was responsible for writing nearly all of the pair's songs, including three that reached number one on the U.S. singles charts: "The Sound of Silence", "Mrs. Robinson", and "Bridge over Troubled Water". The duo split up in 1970 at the height of their popularity and Simon began a successful solo career, recording three acclaimed albums over the next five years.

After Simon and Garfunkel split in 1970, Simon began writing and recording solo material again. His album Paul Simon was released in January 1972, preceded by his first experiment with world music, the Jamaican-inspired "Mother and Child Reunion", at the time one of the few songs by a non-Jamaican musician to use prominent elements of reggae. The single was a hit, reaching both the American and British Top 5. The album received universal acclaim, with critics praising the variety of styles and the confessional lyrics, reaching No. 4 in the U.S. and No. 1 in the UK and Japan. It later spawned another Top 30 hit with "Me and Julio Down by the Schoolyard". Simon's next project was the pop-folk album, There Goes Rhymin' Simon, released in May 1973. It contained some of his most popular and polished recordings. The lead single, "Kodachrome," was a No. 2 hit in America, and the follow-up, the gospel-flavored "Loves Me Like a Rock" was even bigger, topping the Cashbox charts. Other songs like the weary "American Tune" or the melancholic "Something So Right" -- a tribute to Simon's first wife, Peggy, which received a Grammy Award nomination for Best Song of the Year -- became standards in the musician's catalog. Critical and commercial reception for this second album was even stronger than for his debut. At the time, reviewers noted how the songs were fresh and unworried on the surface, while still exploring socially and politically conscious themes on a deeper level. The album reached No. 1 on the Cashbox album charts. As a souvenir for the tour that came next, in 1974 it was released as a live album, Live Rhymin', which was moderately successful and displayed some changes in Simon's music style, adopting world and religious music. Highly anticipated, Still Crazy After All These Years was his next album. Released in October 1975 and produced by Simon and Phil Ramone, it marked another departure. The mood of the album was darker, as he wrote and recorded it in the wake of his divorce. Preceded by the feel-good duet with Phoebe Snow, "Gone at Last" (a Top 25 hit) and the Simon & Garfunkel reunion track "My Little Town" (a No. 9 on Billboard), the album was his only No. 1 on the Billboard charts to date. The 18th Grammy Awards named it the Album of the Year and Simon's performance the year's Best Male Pop Vocal. With Simon in the forefront of popular music, the third single from the album, "50 Ways to Leave Your Lover" reached the top spot of the Billboard charts, his only single to reach No. 1 on this list. Also, on May 3, 1976, Simon put together a benefit show at Madison Square Garden to raise money for the New York Public Library. Phoebe Snow, Jimmy Cliff and the Brecker Brothers also performed. The concert produced over $30,000 for the Library. CANNOTANSWER

Using a quote from the above article, answer the following question: Did he produce any solo albums?


The Screen Actors Guild (SAG) was an American labor union which represented over 100,000 film and television principal and background performers worldwide. On March 30, 2012, the union leadership announced that the SAG membership voted to merge with the American Federation of Television and Radio Artists (AFTRA) to create SAG-AFTRA. According to SAG's Mission Statement, the Guild sought to: negotiate and enforce collective bargaining agreements that establish equitable levels of compensation, benefits, and working conditions for its performers; collect compensation for exploitation of recorded performances by its members, and provide protection against unauthorized use of those performances; and preserve and expand work opportunities for its members. The Guild was founded in 1933 in an effort to eliminate exploitation of Hollywood actors who were being forced into oppressive multi-year contracts with the major movie studios that did not include restrictions on work hours or minimum rest periods, and often had clauses that automatically renewed at the studios' discretion.

In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Using a quote from the above article, answer the following question: What were the advantages for the actors?


Background: Magi (; singular magus ; from Latin magus) denotes followers of Zoroastrianism or Zoroaster. The earliest known use of the word Magi is in the trilingual inscription written by Darius the Great, known as the Behistun Inscription. Old Persian texts, pre-dating the Hellenistic period, refer to a Magus as a Zurvanic, and presumably Zoroastrian, priest. Pervasive throughout the Eastern Mediterranean and Western Asia until late antiquity and beyond, magos, "magician", was influenced by (and eventually displaced) Greek goes (goes), the older word for a practitioner of magic, to include astrology, alchemy and other forms of esoteric knowledge.
Context: The oldest surviving Greek reference to the magi - from Greek magos (magos, plural: magoi) - might be from 6th century BCE Heraclitus (apud Clemens Protrepticus 12), who curses the magi for their "impious" rites and rituals. A description of the rituals that Heraclitus refers to has not survived, and there is nothing to suggest that Heraclitus was referring to foreigners. Better preserved are the descriptions of the mid-5th century BCE Herodotus, who in his portrayal of the Iranian expatriates living in Asia minor uses the term "magi" in two different senses. In the first sense (Histories 1.101), Herodotus speaks of the magi as one of the tribes/peoples (ethnous) of the Medes. In another sense (1.132), Herodotus uses the term "magi" to generically refer to a "sacerdotal caste", but "whose ethnic origin is never again so much as mentioned." According to Robert Charles Zaehner, in other accounts, "we hear of Magi not only in Persia, Parthia, Bactria, Chorasmia, Aria, Media, and among the Sakas, but also in non-Iranian lands like Samaria, Ethiopia, and Egypt. Their influence was also widespread throughout Asia Minor. It is, therefore, quite likely that the sacerdotal caste of the Magi was distinct from the Median tribe of the same name." Other Greek sources from before the Hellenistic period include the gentleman-soldier Xenophon, who had first-hand experience at the Persian Achaemenid court. In his early 4th century BCE Cyropaedia, Xenophon depicts the magians as authorities for all religious matters (8.3.11), and imagines the magians to be responsible for the education of the emperor-to-be. CANNOTANSWER
Question: What else was Magi known for. Whats the answer?