The Clancy Brothers were an influential Irish folk group, which initially developed as a part of the American folk music revival. Most popular in the 1960s, they were famed for their trademark Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, paving the way for an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers, Patrick "Paddy" Clancy, Tom Clancy, and Liam Clancy, are best known for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership.

In March 1956, Tommy Makem was unemployed. He had recently moved to Dover, New Hampshire, where many of his family members had emigrated to work in the local cotton mills. He had found a job there making printing presses but had an accident when a two-ton steel press that he was guiding with his hand broke from its chain. The falling press tore the tendons from the bone in three of the fingers of his left hand. His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album. Little thought was given to continuing as a singing group. They all were busy establishing theatrical careers for themselves, in addition to their work at Tradition Records. But the album was a local success and requests were often demanded for the brothers and Tommy Makem to sing some of their songs at parties and informal pub settings. Slowly, the singing gigs began to outweigh the acting gigs and by 1959, serious thought was given to a new album. Liam had developed some guitar skills, Tommy's hand had healed enough he was again able to play tin whistle and bagpipes, and the times spent singing together had improved their style. No longer were they the rough, mostly unaccompanied group of actors singing for an album to jumpstart a record label; they were becoming a professional singing group. The release of their second album, this one of Irish drinking songs called Come Fill Your Glass with Us, solidified their new careers as singers. The album was a success, and they made many appearances on the pub circuit in New York, Chicago, and Boston. It was at their first official gig after Come Fill Your Glass With Us that the group finally found a name for themselves. The nightclub owner asked for a name to put on the marquee, but they had not decided on one yet. Unable to agree on a name (which included suggestions like The Beggermen, The Tinkers and even The Chieftains) the owner decided for them, simply billing them as "The Clancy Brothers and Tommy Makem". The name stuck. They decided to try singing full-time for six months. If their singing was successful, they would continue with it; if not, then they would return to acting. The Clancy brothers and Tommy Makem proved successful as a singing group and in early 1961, they attracted the attention of scouts from The Ed Sullivan Show. The Clancy Brothers' mother read news of the terrible ice and snow storms in New York City and sent Aran sweaters for her sons and Tommy Makem to keep them warm. They wore the sweaters for the first time at the Blue Angel nightclub in Manhattan, simply as part of their regular winter clothes. When the group's manager Marty Erlichman, who had been searching for a special "look" for the group, saw the sweaters, he exclaimed, "That's it! That's it! That's what you're going to wear." Ehrlichman requested that the group wear the sweaters on their upcoming television appearance on The Ed Sullivan Show. After they did, the sales of Aran sweaters rose by 700% according to Liam Clancy, and they soon became the Clancy Brothers and Tommy Makem's trademark costume. On 12 March 1961, the Clancy Brothers and Tommy Makem performed for around fifteen minutes in front of a television audience of forty million people for the first time on The Ed Sullivan Show. A previously scheduled artist did not appear that night, and the Clancy Brothers and Tommy Makem were given the newly available time slot on the show, in addition to the two songs they had initially planned to do. The televised performance and the success of the Clancys' and Makem's nightclub performances attracted the attention of John Hammond of Columbia Records. The group was offered a five-year contract with an advance of $100,000, a huge sum in 1961. For their first album with Columbia, A Spontaneous Performance Recording, they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player. The record included songs that would soon become classics for the group, such as "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner". The album was nominated for a Grammy Award in 1962. Around the same time that they recorded A Spontaneous Performance, the Clancy Brothers and Tommy Makem cut their final, eponymous album with Tradition Records. By the end of 1962, they released a second album with Columbia, Hearty and Hellish! A Live Nightclub Performance, and they played an acclaimed concert at Carnegie Hall. Additionally, they were making appearances on major radio and television talk-shows in America. Meanwhile, after taking the rest of 1976 off, Paddy and Tom made plans to bring back the Clancy Brothers. They asked Bobby Clancy to return to the group. Tom was at the height of his new career in Hollywood and Paddy was busy with his farm, so it was ultimately decided to tour on a part-time basis and only in the United States. Their recently deceased sister Cait's son, Robbie O'Connell, was an up-and-coming musician in the US and in Ireland; he was also helping manage, along with Bobby, the inn that Cait had opened up years before. They asked him to take on the role Liam had vacated in the group. He played the guitar and occasionally the mandolin, while Bobby played the banjo, guitar, harmonica, and bodhran. Paddy continued to play the lead harmonica. Beginning in 1977, the Clancy Brothers and Robbie O'Connell toured three months a year in March, August, and November. Tom would fly over a few days before each tour and rehearse material, mostly oldies from their 1960s albums but some new ones as well. Robbie was a songwriter, composing several numbers the group sang regularly, such as "Bobby's Britches", "Ferrybank Piper", "There Were Roses" and "You're Not Irish". He also included songs written by others, such as "Dear Boss", "Sister Josephine", "John O'Dreams", and what is possibly his signature song, "Killkelly". Bobby also sang numbers new to the group, including "Love of the North", "Song for Ireland", and "Anne Boleyn". In America, the Clancy Brothers continued where they had left off the previous year, still packing Carnegie Hall. Reviews cited Robbie as a fresh addition to the group with his original compositions. Over the next several years, Paddy and Tom brought in some new material too. "The Green Fields of France", also known as "Willie McBride", by Eric Bogle had become a hit with a recording by the Clancys' old back-up musicians, the Furey Brothers, in the early 1980s. Soon numerous Irish groups were singing it, including the Clancy Brothers and Makem and Clancy. It became a staple in Tom's repertoire. He also sang "Logger Lover". The group added new lyrics to the old Irish ballad, "She Didn't Dance", and reworked old classics, such as "As I Roved Out", "Beer, Beer, Beer", and "Rebellion 1916 Medley". Some of these songs appeared on the Clancy Brothers' first album in nine years, The Clancy Brothers with Robbie O'Connell Live! (1982). In the summer of 1983, the group travelled to their hometown in Ireland to film a 20-minute special on sea songs, sung on location on the fishing ships in the area. It was called Songs of the Sea. Directed by Irish filmmaker David Donaghy, it was broadcast on the BBC Northern Ireland. Tom tried on many occasions to put it on videocassette but the plans fell through. CANNOTANSWER

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Saul Hudson was born in Hampstead, London. He was named for Saul Steinberg, an artist. His mother, Ola J. Hudson (nee Oliver; 1946-2009), was an African-American costume designer, whose clients included David Bowie, and his father, Anthony Hudson, is an English artist who created album covers for musicians such as Neil Young and Joni Mitchell., Of his mixed background, Slash later remarked, "As a musician, I've always been amused that I'm both British and black; particularly because so many American musicians seem to aspire to be British while so many British musicians, in the 'Sixties in particular, went to such great pains to be black."

Slash has received critical acclaim as a guitarist. In 2005, he was named "Best Guitarist" by Esquire, which congratulated him on "beating the comeback odds with a surprisingly legitimate and vital outfit, Velvet Revolver." Slash was awarded the title of "Riff Lord" during Metal Hammer's fourth annual Golden Gods awards in 2007. In 2008, he was ranked No. 21 on Gigwise's list of "The 50 Greatest Guitarists Ever," and in 2009, he was named runner-up on "The 10 Best Electric Guitar Players" list in Time, which praised him as "a remarkably precise player." In 2011, Rolling Stone placed Slash at No. 65 on their list of "The 100 Greatest Guitarists of All Time." In 2007, Slash was honored with a star on the Rock Walk of Fame; his name was placed alongside Jimmy Page, Eddie Van Halen and Jimi Hendrix. He was the honoree at the 2010 Sunset Strip Music Festival, where he was presented by West Hollywood mayor John Heilman with a plaque declaring August 26 as "Slash Day." In 2012, Slash was inducted into the Rock and Roll Hall of Fame as a member of the classic lineup of Guns N' Roses. He performed three songs--"Paradise City", "Sweet Child o' Mine" and "Mr. Brownstone"--with fellow inductees Duff McKagan, Steven Adler, and Matt Sorum, one-time Guns N' Roses guitarist Gilby Clarke, and his frequent collaborator Myles Kennedy. Inductees Axl Rose, Izzy Stradlin and Dizzy Reed declined to attend. Later that year, Slash received a star on the Hollywood Walk of Fame, located directly in front of the Hard Rock Cafe on Hollywood Boulevard. In 2004, Slash's introductory riff in "Sweet Child o' Mine" was voted No. 1 on a list of "The 100 Greatest Riffs" by the readers of Total Guitar; his riffs in "Out ta Get Me" (No. 51), "Welcome to the Jungle" (No. 21), and "Paradise City" (No. 19) also made the list. In 2006, his solo in "Paradise City" was voted No. 3 by Total Guitar's readers on a list of "The 100 Hottest Guitar Solos"; his solos in "Sweet Child o' Mine" and "November Rain" were ranked No. 30 and No. 82 respectively. In 2008, Guitar World placed Slash's solo in "November Rain" at No. 6 on their list of "The 100 Greatest Guitar Solos," while his solo in "Sweet Child o' Mine" was ranked No. 37 on the list. In 2010, the readers of Total Guitar voted his riff in "Slither" runner-up on the list of "The 50 Greatest Riffs of the Decade," while his riff in "By the Sword" was ranked No. 22. Slash received a Radio Contraband Rock Radio Award in 2012. In January 2015 Slash received the Les Paul award. CANNOTANSWER

What are some other interesting awards that he have won?


Louis Cachet (French pronunciation:  [lwi kaSe]) (born Kristian Vikernes [Norwegian: [vi:k@ne:s]], 11 February 1973), more popularly known as Varg Vikernes, is a Norwegian musician and writer. In 1991, he founded the one-man music project Burzum, which is considered one of the most influential black metal acts. Three years later, he was convicted of murder and arson, and subsequently served over 14 years in prison.

On 6 June 1992, the Fantoft Stave Church, dating from the 12th century and considered architecturally significant, was burned to the ground by arson. By January 1993, arson attacks had occurred on at least seven other major stave churches, including one on Christmas Eve of 1992. Vikernes was found guilty of several of these cases: the arson and attempted arson of Asane Church and Storetveit Church, respectively, in Bergen, the arson of Skjold Church in Vindafjord, and the arson of Holmenkollen Chapel in Oslo. He was also charged with the arson of Fantoft Stave Church, although the jurors found him not guilty. The judges called this an error but did not overthrow the whole case. At the time, claims were made by media outlets that Vikernes was associated with theistic Satanism. However, in an interview with Michael Moynihan, Vikernes made a statement about the church burnings that hints at a heathen rather than a Satanist motivation: I am not going to say that I burnt any churches. But let me put it this way: There was one person who started it. I was not found guilty of burning the Fantoft stave church, but anyway, that was what triggered the whole thing. That was the 6th of June and everyone linked it to Satanism ... What everyone overlooked was that on the 6th June, 793, in Lindesfarne in Britain was the site of the first known Viking raid in history, with Vikings from Hordaland, which is my county ... They [the Christians] desecrated our graves, our burial mounds, so it's revenge. Echoing this sentiment, he writes in Vargsmal: "For each devastated graveyard, one heathen grave is avenged, for each ten churches burnt to ashes, one heathen hof is avenged, for each ten priests or freemasons assassinated, one heathen is avenged." When asked whether the church burnings were linked to Odinism or Germanic neopaganism he replied: "The point is that all these churches [i.e. church burnings] are linked to one person ... who was not Oystein obviously. All the church burnings, with the exception of Stavanger, because that was another group--who, by the way, have also turned into nationalistic pagans." CANNOTANSWER

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Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.

When Pakistan toured the West Indies in 1988, Ambrose played in the One Day International (ODI) series, taking the place of the recently retired Joel Garner. He made his debut during the first match, on 12 March 1988 in Kingston, Jamaica, taking wickets with his third and ninth deliveries; he ended the innings with four for 39 from 10 overs. In the second match, he took four for 35 and followed with another two wickets in the third. West Indies won those first three matches to take the series, and Ambrose did not play in the fourth or fifth game. In the Test series which followed, Ambrose was less effective. In the first Test, he took two for 121 as West Indies lost at home for the first time in 10 years. Wisden noted that his debut was "unimpressive", but that he improved in the subsequent matches. He finished the series with seven wickets at an average of over 50 runs per wicket. Later that year, Ambrose was chosen to tour England. After appearing in early tour games, he was chosen for the first two ODIs, taking three wickets in total, but was omitted from the third. In the Test series, he played in all five matches to take 22 wickets at an average of 20.22; his best figures of four for 58 came in the fourth Test, in which he took seven wickets and was named man of the match. Writing in Wisden, commentator Tony Cozier described Ambrose as "a ready-made replacement for Garner"; the amount of bounce he generated after the ball pitched "made him a constant menace". In 1988-89, West Indies took part in an ODI tournament in Sharjah. Ambrose took 8 wickets, and was man of the match with four for 29 when West Indies defeated Pakistan in the final. From there, West Indies travelled to Australia for a series in which Ambrose was a dominant figure. The West Indies won the Test series 3-1, using controversial short-pitched bowling tactics. Ambrose's height made him difficult to play as he made the ball bounce more than other bowlers. Writing in Wisden, John Woodcock noted: "As in England, earlier in 1988, Ambrose's bowling was a telling factor ... [His] advance compensated for something of a decline in [Malcolm] Marshall's effectiveness". In the first Test, he took seven wickets; in the second, he took five wickets in a Test innings for the first time with five for 72, and finished with eight in the game; and in the third, he took six wickets. His performances earned him man of the match award in the first and third games, and he ended the series with 26 wickets at an average of 21.46. He was West Indies' leading wicket-taker and headed the team bowling averages. In the ODI tournament that took place during the tour, West Indies defeated Australia in the final; Ambrose took 21 wickets in the series and twice took five wickets in an innings. Suffering from fatigue and illness, Ambrose was less successful later in 1989 when India toured the West Indies: he took just five wickets in the four-Test series at an average of 54.60. CANNOTANSWERAnswer this question using a quote from the following article:

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Background: Sir Noel Peirce Coward (16 December 1899 - 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise". Born in Teddington, south-west London, Coward attended a dance academy in London as a child, making his professional stage debut at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards.
Context: By the end of the 1960s, Coward suffered from arteriosclerosis and, during the run of Suite in Three Keys, he struggled with bouts of memory loss. This also affected his work in The Italian Job, and he retired from acting immediately afterwards. Coward was knighted in 1969 and was elected a fellow of the Royal Society of Literature. He received a Tony Award for lifetime achievement. In 1972, he was awarded an honorary Doctor of Letters degree by the University of Sussex. Coward died at his home, Firefly Estate, in Jamaica on 26 March 1973 of heart failure and was buried three days later on the brow of Firefly Hill, overlooking the north coast of the island. A memorial service was held in St Martin-in-the-Fields in London on 29 May 1973, for which the Poet Laureate, John Betjeman, wrote and delivered a poem in Coward's honour,  John Gielgud and Laurence Olivier read verse and Yehudi Menuhin played Bach. On 28 March 1984 a memorial stone was unveiled by the Queen Mother in Poets' Corner, Westminster Abbey. Thanked by Coward's partner, Graham Payn, for attending, the Queen Mother replied, "I came because he was my friend." The Noel Coward Theatre in St. Martin's Lane, originally opened in 1903 as the New Theatre and later called the Albery, was renamed in his honour after extensive refurbishment, re-opening on 1 June 2006. A statue of Coward by Angela Conner was unveiled by the Queen Mother in the foyer of the Theatre Royal, Drury Lane in 1998. There are also sculptures of Coward displayed in New York and Jamaica, and a bust of him in the library in Teddington, near where he was born. In 2008 an exhibition devoted to Coward was mounted at the National Theatre in London. The exhibition was later hosted by the Museum of Performance & Design in San Francisco and the Academy of Motion Picture Arts and Sciences in Beverly Hills, California. CANNOTANSWER
Question: When did he die. Whats the answer?


Background: Jennifer Lynn Lopez was born on July 24, 1969, in the Castle Hill neighborhood of The Bronx, New York, to Puerto Rican parents Guadalupe Rodriguez and David Lopez. She has an older sister, Leslie, and a younger sister, Lynda, a journalist. David worked the night shift at the Guardian Insurance Company before becoming a computer technician at the firm, while Guadalupe was a homemaker. When Lopez was born, the family was living in a small apartment.
Context: In August 2003, Lopez starred opposite Affleck in the romantic comedy Gigli. The film was a box office bomb, and is considered one of the worst films of all time. The film's poor reception was attributed to negative press preceding its release, as well as the media attention surrounding Lopez and Affleck's engagement which largely overshadowed the film. Lopez would later describe this as the lowest point of her career, saying "[It] was very tough", "the tabloid press had just come into existence at the time, so I was like a poster child for that moment." In October of that year, she released her next fragrance, Still Jennifer Lopez. Lopez also launched her next fashion label, Sweetface. It was described by Andy Hilfiger as a "more intellectual, more inspirational collection than J-Lo by Jennifer Lopez. Less sporty, more suede." Lopez's clothing lines and two fragrances generated over $300 million in revenue throughout 2004, which made her the 19th richest person under 40. In March 2004, Lopez had a minor role in the film Jersey Girl, alongside Affleck. Her character, Gertrude Steiney, dies during childbirth within the first 15 minutes of the film. From the intense media scrutiny following the couple's break-up, it was noted that "they may need to put Lopez in a coffin on the poster if they want anyone to come". In October, Lopez co-starred alongside Richard Gere in the drama Shall We Dance?, a re-make of the 1996 Japanese film of the same title. The film was successful at the box office, and was considered a rebound for Lopez following Gigli. After placing her career on hiatus, Lopez released her fourth studio album, Rebirth, in February 2005. According to Lopez, Rebirth "came about because I was on such a roller-coaster ride, that was my career from my first album to my last album, and I did a bunch of movie projects in between. I finally took some time just for myself, and [when] I came back, this was the first project I did. I felt like it was a new beginning for me, like I was, in a way, reborn." Tracy Hopkins of NBC's Today Music noted that after "fawning" over Affleck on This Is Me... Then", Lopez "wisely keeps her love life out of the spotlight" on Rebirth and only references her relationship with Anthony on a few tracks. The album produced the single "Get Right", which peaked at number one in the United Kingdom. In May, she starred alongside Jane Fonda in the romantic comedy Monster-in-Law, for which she received a salary of $15 million. The film's marketing played up Lopez's "Gigli-and-tabloid tarnished image", and it became a box office success. In August, Lopez starred alongside Robert Redford and Morgan Freeman in An Unfinished Life, a drama film based on the novel of the same name. CANNOTANSWER
Question: Did her career improve after that?. Whats the answer?


Bhindranwale was born in the village of Rode, in Moga District located in the region of Malwa. The grandson of Sardar Harnam Singh Uppal, His father, Joginder Singh Uppal was a farmer and a local Sikh leader and his mother was Nihal Kaur. Jarnail Singh was the seventh of seven brothers and one sister. He was brought up as a strict vegetarian.

The law and order situation started to deteriorate. While the Akalis pressed on with their two-pronged strategy of negotiations and massive campaigns of civil disobedience directed at the Central Government, others were not so enamoured of nonviolence. Communists known as "Naxalites", armed Sikh groups - the "Babbar Khalsa" and "Dal Khalsa", and the police clashed, and sometimes worked hand in hand. A covert government group known as the Third Agency was also engaged in dividing and destabilising the Sikh movement through the use of undercover officers, paid informants and agents provocateurs. Bhindranwale himself always kept a revolver and wore a cartridge belt; he encouraged his followers to be armed. In July 1982, Longowal invited Jarnail Singh Bindranwale to take up residence at the Golden Temple compound. He called Bhindrawale "our stave to beat the government." Bhindranwale subsequently took shelter with a large group of his armed followers, in the Guru Nanak Niwas (Guest house), in the precincts of the Golden Temple. In late July 1983, finding an increasing number of his followers arrested day by day, Bhindranwale left his base in Chowk Mehta for the Golden Temple to start a campaign for their release there. Also from there, he joined his campaign to the Akali campaign for their political, economic, cultural, and religious demands. In the chaos of Punjab, Bhindranwale developed a reputation as a man of principle who could settle people's problems about land, property or any other matter without needless formality or delay. The judgement would be accepted by both parties and carried out. This added to his popularity. On 15 December 1983, Jarnail Singh and his entourage moved to the holy Akal Takhat over the objections of Giani Kirpal Singh, the head priest of the place. However, the facts reveal that Bhindranwale used his political connection with Gurcharan Singh Tohra, president of the Gurdwara committee and the man responsible for keeping the peace in the Golden Temple complex, to overrule the head priest. He fortified the temple with heavy machine-guns and sophisticated self-loading rifles were brought in. Mark Tully and Satish Jacob wrote, "All terrorists were known by name to the shopkeepers and the householders who live in the narrow alleys surrounding the Golden Temple... the Punjab police must have known who they were also, but they made no attempt to arrest them. By this time Bhindranwale and his men were above the law." However, Ranbhir Sandhu states that Bhindranwale presented himself, along with over 50 of his supporters, at the Deputy Commissioner's residence on the day he moved to the Darbar Sahib complex: therefore, his purpose in moving there was not hide from the law. Gurdev Singh, District Magistrate at Amritsar till shortly before the invasion is on record as having assured the Governor of the state that he could arrest anyone in Darbar Sahib at any time. CANNOTANSWERAnswer this question using a quote from the following article:

What were the followers arrested for?


Background: Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.
Context: Following the destruction by fire of the Palace of Westminster in Westminster, London in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for the entry of James Gillespie Graham. This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to the Roman Catholic Church in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout England. Other works include St. Chad's Cathedral, Erdington Abbey, and Oscott College, all in Birmingham, England. He also designed the collegiate buildings of St. Patrick and St. Mary in St. Patrick's College, Maynooth, Ireland; though not the collegiate chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J. J. McCarthy. Also in Ireland, Pugin designed St. Mary's Cathedral in Killarney, St. Aidan's Cathedral in Enniscorthy (renovated in 1996), and the Dominican Church of the Holy Cross in Tralee. He revised the plans for St. Michael Church in Ballinasloe, Galway, Ireland. Bishop Wareing also invited Pugin to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin. Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy. CANNOTANSWER
Question: What was his most famous piece?. Whats the answer?


The Prodigy are an English electronic dance music group from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The first line-up of the band also included Maxim (MC and vocalist), Keith Flint (dancer and vocalist), Leeroy Thornhill (dancer and live keyboardist), and female dancer and vocalist Sharky. Along with the Chemical Brothers, Fatboy Slim, and other acts, the Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s. The Prodigy first emerged in the underground rave scene in the early 1990s and have since achieved popularity and worldwide recognition.

The Prodigy were founded in Braintree, Essex, in 1990 by keyboardist and songwriter Liam Howlett. He had taken piano lessons in his youth and gained the ability to play difficult passages in just a few run-throughs. After he decided to pursue a music career, Howlett met dancer and vocalist Keith Flint in mid-1989 during an outdoor night party at which Howlett was spinning records. After Flint requested Howlett make a mix tape for him, Howlett obliged, returning a cassette several days later with a collection of his own songs on the other side. Howlett had scratched the word "Prodigy" onto the cassette, the same name as the Moog Prodigy analogue synthesizer, and Howlett's moniker. The tape was well-received by Flint and keyboardist Leeroy Thornhill who developed new dance sequences to the music and suggested to Howlett they begin a group together. They were soon joined by MC and vocalist Maxim, then known as Maxim Reality, and female dancer and vocalist Sharky, a friend of Flint's. Together they became the first line-up of the Prodigy. The group's first live gig occurred at Four Aces in Dalston, London. With a group secured, Howlett wrote, produced, and mixed a 10-track demo tape on a Roland W-30 sampling workstation keyboard, and approached Tam Tam Records with the hope of securing a record deal, but they declined. He then turned to XL Recordings, headed by Nick Halkes and Tim Palmer, who agreed to a meeting and subsequently picked up the demo. In February 1991, the band released the extended play What Evil Lurks on 12-inch vinyl, containing four songs that Howlett had produced on the demo. In August 1991, the Prodigy released their debut single "Charly", which samples dialogue from the Charley Says series of animated films produced by the Central Office of Information. It became a hit in the rave scene at the time, and reached number 3 on the UK Singles Chart, thus catapulting the band into the wider public attention. The success of "Charly" began a trend of mixing dance and "hardcore rave" tracks with cartoon samples, such as "A Trip to Trumpton" by Urban Hype and "Sesame's Treet" by Smart E's, which were a hit with speed and ecstasy-fuelled clubbers, but not to reviewers and critics, who dismissed the music as "kiddie rave" or "toytown techno". CANNOTANSWER

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Background: A marching band is a group in which instrumental musicians perform while marching, often for entertainment or competition. Instrumentation typically includes brass, woodwind, and percussion instruments. Most marching bands wear a uniform, often of a military style, that includes an associated school or organization's colors, name or symbol. Most high school marching bands, and some college marching bands, are accompanied by a color guard, a group of performers who add a visual interpretation to the music through the use of props, most often flags and rifles.
Context: Traditional Style bands, also known as Show Bands, are marching bands geared primarily towards crowd entertainment and perform on football fields. Typically, they perform a routine before the game, another at halftime, and sometimes after the game as well. Competitive show bands perform only one show that is continually refined throughout a season, while bands that focus on entertainment rather than competition usually perform a unique show for each game. These shows normally consists of three to five musical pieces accompanied by formations rooted in origin from Patterns in Motion, a book penned by band director William C. "Bill" Moffit, bandmaster of Purdue University All-American Marching Band and University of Houston Spirit of Houston. A recognizable style of show band is the one fielded by historically black colleges and universities (HBCUs). HBCU bands utilize the traditional "ankle-knee" high step and music selections are largely based on R&B, hip-hop, and contemporary popular music. In addition to traditional drill formations, HBCU bands feature heavily choreographed dance routines as part of their performances. Many of these bands may have a twirler line and/or a dancer line, but not necessarily flag twirlers. One of the most notable depictions of HBCU bands is the film Drumline. HBCU bands are a significant part of African-American musical culture and HBCU bands often surpass their associated football teams in popularity, a phenomenon that is uncommon among collegiate and high school marching bands. In 1989, as part of the celebrations for the bicentennial of the French Revolution, the Florida A&M University Marching 100, one of the most prolific HBCU bands in the country, was selected as the official representative of the United States in the bicentennial parade. Another style of show band is that used by many of the Big Ten Conference marching bands, a semi-military and semi-corps style. These bands perform a show that is designed to entertain the audience, but feature more traditional symphonic styles of music (marches, film scores, jazz, or older pop music) as well as some contemporary music. Big Ten style show bands have been influential in creating some of the earliest marching band innovations, and the style is used in high schools throughout much of the United States. Most show bands of either type include the traditional military band instrumentation of woodwinds, brass, and battery percussion. Some also include the front ensemble keyboard percussion, and may also incorporate the use of a color guard for flag, and rifle routines as well as a dance line. Many bands have auxiliaries that add a visual component to the performance. For ceremonial bands, this could be a traditional color guard or honor guard. For drum & bugle corps and corps-style field bands, this could include Dance lines, majorettes, Auxiliary units may be collectively referred to as color guard or visual ensemble. Auxiliaries may perform as independent groups. In the early 1970s, color guards began to hold their own competitions in the winter (after the American football season, and before the beginning of the summer drum and bugle corps season). These became known as winter guard. There are also numerous dance competitions in the off-season. The color guard of a marching band or drum and bugle corps may contain sabers, mock rifles, and tall flags. In modern bands, other props are often used: flags of all sizes, horizontal banners, vertical banners, streamers, pom-poms, even tires, balls, and hula hoops or custom built props. The color guard may also employ stage dressing such as backdrops, portable flats, or other structures. These can be used simply as static scenery or moved to emphasize block drill, and are often used to create a "backstage" area to store equipment and hide personnel. While military color guards were typically male, band color guards tend to be primarily female, though it is becoming more common for men to join as well. A few independent units are all-male. Guard members nearly always wear a special uniform or costume that is distinctive from that of the band, not necessarily matching in design or color. The men's and women's guard uniforms are usually designed in one of two ways: nearly identically, but with gender-specific parts (i.e. skirts) adapted for the use of the opposite sex; or complimentarily, with the two uniforms designed similarly but with variations in color or form. The color guard uniform, especially in a high school marching band, need not be in school colors; in fact, they rarely are. These uniforms are designed to represent a certain aspect of the halftime show, characterize the guard members through costumes, or tell some sort of story, and can thus be in any design or color (a surprisingly common complaint among the high school audience is that guard uniforms and equipment "aren't school colors"). Indoor color guards have become popular within high schools and universities throughout the United States. These groups perform a theme-based show in competitions after the outdoor marching band season ends. Indoor color guard shows are typically performed in school gymnasiums and are adjudicated. High step is a style of marching used by many colleges and universities, including most bands of HBCUs and the Big Ten. Three primary sub-variants of the high are used: The ankle-knee step involves bringing the foot up to the inside of the leg to the knee before coming down and forward. This is the style used by most bands from HBCUs. The chair step involves lifting the knee until the thighs are parallel to the ground, and with toes pointed downward. When the leg is elevated to its maximum height, a ninety-degree angle exists between the torso and the thigh, as well as between the thigh and shin. The leg is then lowered, and this is repeated in an alternating fashion between the legs. The style is used by many schools in the Big Ten. The extended high step, similarly to the chair step, involves the thigh being parallel to the ground and perpendicular to the body, but instead with the shin extended outward at a forty five-degree angle from the body and with toes pointed downward. The leg is then driven quickly back to the ground while the other leg repeats in this fashion. An integral part of this style of marching is known as stop action, meaning that all movement ceases momentarily at the apex of each step. This requires a band to have a great deal of stamina, though is effective visually. High step marching is often accompanied by a horizontal swing of the player's body and/or instrument. CANNOTANSWER
Question: What is high step?. Whats the answer?


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Information Society (also known as InSoc) is an American band originally from Minneapolis, Minnesota, initially active from 1982 to 1997, primarily consisting of Kurt Harland Larson, Paul Robb, and James Cassidy; the latter two reconvened the band in 2006, initially with Christopher Anton as lead vocalist, then with Harland rejoining them as lead vocalist by 2008. The group's breakout hit was 1988's "What's on Your Mind (Pure Energy)", a synthpop/freestyle hit, which spent 39 weeks on the dance chart, going straight to No. 1, and would also peak at No. 3 on the Hot 100 pop chart. The track included a vocal sample of Mr. Spock (Leonard Nimoy) from Star Trek, saying "pure energy."

In 1997 the band released a fourth album, Don't Be Afraid (1997). Written and performed by Kurt Harland alone and produced by Steven Seibold, DBA was more industrial-driven than previous albums and reflected more of what Harland wanted to do during most of his tenure with InSoc. Cleopatra Records released the album, but -- like Tommy Boy Records -- did little to promote it. Harland's love of computer-related materials continued to be evident, as the album included a CD-ROM filled with bonus material, not yet a common occurrence in 1997. The disc included a selection of digital samples used in the album's production, miscellaneous works of art by InSoc fans, a program to generate the distinctive border graphics used on the album's cover, and the music video of "Peace & Love, Inc." There was also a carefully orchestrated digital scavenger hunt culminating in the discovery of a bonus track called "White Roses." The scavenger hunt began with decoding a modem's signal recorded at the end of the audio CD, resulting in a text message from Harland which pointed the way to a Web site where the search began. There is also a cover included of Gary Numan's "Are 'Friends' Electric?". Also included is "Ozar Midrashim", later used as the main theme for the videogame Soul Reaver. The album eventually went out of print, but it had a second release in a remastered version in 2008, this time with "White Roses" included as an audio track. A remix album, InSoc Recombinant (1999), was produced, featuring vocals to the band's earlier hits remixed by various artists. The vocals to songs pre-Don't Be Afraid were not the originals, they were new versions re-recorded by Harland alone specifically for the remixers' use. Included on a bonus, unadvertised CD-ROM were digital copies most of the band's officially-produced promotional videos, including a copy of the "Peace and Love Inc." video of higher quality than that distributed with Don't Be Afraid. This CD-ROM, however, did not feature the "How Long" video. CANNOTANSWER


Background: Anna Stepanovna Politkovskaya (Russian: Anna Stepanovna Politkovskaia, IPA: ['an:@ sjtjI'pan@vn@ p@ljIt'kofsk@j@]; Ukrainian: Ganna Stepanivna Politkovs'ka ['han:a ste'panjiuna poljit'kousjka]; nee Mazepa [ma'zepa]; 30 August 1958 - 7 October 2006) was a Russian journalist, writer, and human rights activist who reported on political events in Russia, in particular, the Second Chechen War (1999-2005).
Context: In September 2016 Vladimir Markin, official spokesman for the Investigative Committee, included the killing of Anna Politkovskaya among the Most Dramatic Crimes in 21st century Russia and claimed that it had been solved. Her colleagues at Novaya gazeta protested that until the instigator or sponsor of the crime was identified, arrested and prosecuted the case was not closed. On 7 October 2016 Novaya gazeta released a video clip of its editors, correspondents, photographers and technical and administrative staff holding text-boards giving details of the case and stating, repeatedly, "The sponsor of Anna's murder has not been found". On the same day deputy chief editor Sergei Sokolov published a damning summary of the official investigation, describing its false turns and shortcomings, and emphasised that it had now effectively been wound up. After the three Makhmudov brothers, Khadjikurbanov and Lom-Ali Gaitukayev were convicted in 2014, wrote Sokolov, the once large team of investigators was reduced to one person and within a year he retired, to be replaced by a lower-ranking investigator. In accordance with Russian law there is a 15-year statute of limitation for the "particularly grave" crime of first degree murder. The 2000 killing of Igor Domnikov, another Novaya gazeta journalist, showed that the perpetrators might be identified (they were convicted in 2008), as was the businessman-intermediary who hired them (he was sentenced in December 2013 to seven years' imprisonment). The man allegedly responsible for ordering the attack on Domnikov was brought to court in 2015. In May that year the case against him was discontinued because the statute of limitations had expired. The Intercept published a top-secret document released by Edward Snowden with a screenshot of Intellipedia according to which (TS//SI/REL TO USA, AUS, CAN, GBR, NZL) Russian Federal Intelligence Services (probably FSB) are known to have targeted the webmail account of the murdered Russian journalist Anna Politkovskaya. On 5 December 2005, RFIS initiated an attack against the account annapolitovskaya@US Provider1, by deploying malicious software which is not available in the public domain. It is not known whether the attack is in any way associated with the death of the journalist.[1] CANNOTANSWER
Question: Is there anything else interesting in the article?. Whats the answer?


Diego Armando Maradona Franco (Spanish pronunciation: ['djego mara'dona], born 30 October 1960) is an Argentine retired professional footballer and manager. Many in the sport, including football writers, players, and fans, regard Maradona as the greatest football player of all time. Maradona was joint FIFA Player of the 20th Century with Pele. An advanced playmaker who operated in the classic number 10 position, Maradona is the first player in football history to set the world record transfer fee twice, first when he transferred to Barcelona for a then world record PS5 million, and second, when he transferred to Napoli for another record fee PS6.9 million.

After the resignation of Argentina national team coach Alfio Basile in 2008, Maradona immediately proposed his candidacy for the vacant role. According to several press sources, his major challengers included Diego Simeone, Carlos Bianchi, Miguel Angel Russo and Sergio Batista. On 29 October 2008, AFA chairman Julio Grondona confirmed that Maradona would be the head coach of the national team from December 2008. On 19 November 2008, Maradona managed Argentina for the first time when Argentina played against Scotland at Hampden Park in Glasgow, which Argentina won 1-0. After winning his first three matches in charge of the national team, he oversaw a 6-1 defeat to Bolivia, equalling the team's worst ever margin of defeat. With two matches remaining in the qualification tournament for the 2010 World Cup, Argentina was in fifth place and faced the possibility of failing to qualify, but victory in the last two matches secured qualification for the finals. After Argentina's qualification, Maradona used abusive language at the live post-game press conference, telling members of the media to "suck it and keep on sucking it". FIFA responded with a two-month ban on all footballing activity, which expired on 15 January 2010, and a CHF 25,000 fine, with a warning as to his future conduct. The friendly match scheduled to take place at home to the Czech Republic on 15 December, during the period of the ban, was cancelled. The only match Argentina played during Maradona's ban was a friendly away to Catalonia, which they lost 4-2. At the World Cup finals in June 2010, Argentina started by winning 1-0 against Nigeria, followed by a 4-1 victory over South Korea on the strength of a Gonzalo Higuain hat-trick. In the final match of the group stage, Argentina won 2-0 against Greece to win the group and advance to a second round, meeting Mexico. After defeating Mexico 3-1, however, Argentina was routed by Germany 4-0 in the quarter-finals to go out of the competition. Argentina was ranked fifth in the tournament. After the defeat to Germany, Maradona admitted that he was considering his future as Argentina coach, stating, "I may leave tomorrow." On 15 July 2010, the AFA said that he would be offered a new four-year deal that would keep him in charge through to the summer of 2014 when Brazil stages the World Cup. On 27 July, however, the AFA announced that its board had unanimously decided not to renew his contract. Afterwards, on 29 July, Maradona claimed that AFA president Julio Grondona and director of national teams (as well as his former Argentine national team and Sevilla coach) Carlos Bilardo had "lied to", "betrayed" and effectively sacked him from the role. He said, "They wanted me to continue, but seven of my staff should not go on, if he told me that, it meant he did not want me to keep working." CANNOTANSWER

Using a quote from the above article, answer the following question: Who did Maradona manage?


Joe Diffie was born into a musical family in Tulsa, Oklahoma, in 1958. His first musical performance came at age four, when he performed in his aunt's country music band. Diffie's father, Joe R., played guitar and banjo, and his mother sang. Following in his mother's footsteps, Diffie began to sing at an early age, often listening to the albums in his father's record collection.

Third Rock from the Sun was Diffie's highest-charting Top Country Album (where it reached number six), as well as his second consecutive platinum album. It was also the first album that he co-produced, doing so with Johnny Slate. The album included two consecutive number one singles in its title track and in "Pickup Man". The latter of those two songs was Diffie's longest-lasting number one, at four weeks. Both songs also entered the Hot 100, respectively peaking at 84 and 60. In 2005, "Pickup Man" was repurposed by the Applebee's restaurant chain for use in its television commercials. The album's next single, "So Help Me Girl", peaked at number two on the country charts and 84 on the pop charts, in addition to topping the RPM country charts. The song was covered in 1997 by English singer Gary Barlow. Diffie followed the song with "I'm in Love with a Capital 'U'" and "That Road Not Taken", which respectively reached country peaks of 21 and 40. Third Rock from the Sun received critical praise for adding more rock and up-tempo material. Thom Owens wrote that he began "adding more rock flourishes" on this album, and Nash said that Diffie "not only understands the blue-collar ethic from the inside out - he's also familiar with its humorous underbelly." In mid-1995, he recorded the title track for Columbia Records's Runnin' Wide Open, an album comprising NASCAR-themed songs by various artists. He issued two albums later in the year. The first was a Christmas project titled Mr. Christmas, which comprised covers of traditional Christmas songs as well as newly written songs. One of these original songs, "LeRoy the Redneck Reindeer", was issued as a Christmas single late in the year, peaking at number 33 upon its initial release and re-entering the country music charts for the next two years based on Christmas airplay. Of this album, Stephen Thomas Erlewine said, "it's pleasant, but it's not particularly distinguished." His other release that year was the studio album Life's So Funny. It was led off by "Bigger Than the Beatles", the last number one single of his career. The album's other two singles were "C - O - U - N - T - R - Y" and "Whole Lotta Gone" (previously the b-side of "Bigger Than the Beatles"), both of which peaked at 23 on the country music charts in 1996. Country Standard Time critic George Hauenstein praised the album for containing "songs that are slightly different from [what] those other artists sing." Owens thought that it was a "varied collection of ballads and midtempo rockers", but said that it was not "as consistently engaging" as Third Rock from the Sun. Nash gave "Bigger Than the Beatles" a C-minus rating, calling it "just a lame device to evoke the names of beloved rock heroes." CANNOTANSWER

Were there any hits for Life's So Funny?


The Muppets are an ensemble cast of puppet characters known for their self-aware, burlesque, and meta-referential style of variety-sketch comedy. Created by Jim Henson and his wife Jane Henson in 1955, they are the namesake for the Disney media franchise that encompasses feature films, television series, music recordings, theme park attractions, print publications, merchandising, and other media works associated with the characters. The Muppets debuted on the television program Sam and Friends, which aired from 1955 to 1961. After appearing on skits in several late night talk shows and advertising commercials during the 1960s, the Muppets began appearing on Sesame Street in 1969.

The success of The Muppet Show allowed Henson Associates to diversify into theatrical feature films based on the Muppets and went on to produce The Muppet Movie, The Great Muppet Caper and The Muppets Take Manhattan, which followed in 1979, 1981 and 1984, respectively. Altogether, the three films received four Academy Award nominations. By 1983, Henson had introduced another television series, Fraggle Rock, which ran on HBO in the United States until 1987. By the late 1980s, Henson entered discussions with Michael Eisner and The Walt Disney Company, in which the latter would acquire Jim Henson Productions and in turn, own the Muppets. Disney was interested in purchasing the company for $150 million. In addition to the company and Muppet characters, Eisner expressed a desire to include the Sesame Street characters as part of the acquisition. Henson declined the proposal, however, consistently referring to such a motive as a "non-starter" for the deal. As discussions between the two companies continued, Henson and Walt Disney Imagineering preemptively began developing Muppet-themed attractions for the Disney-MGM Studios at Walt Disney World. However, negotiations broke off after Jim Henson's death in 1990. Nevertheless, Disney entered into a licensing agreement with Jim Henson Productions for permission to use the characters in the theme parks. The following year, Muppet*Vision 3D debuted at Disney-MGM Studios, the only attraction to come to fruition from the original Imagineering plans. Still interested in the franchise, Disney co-produced the fourth and fifth Muppet films, The Muppet Christmas Carol and Muppet Treasure Island, with Jim Henson Productions in 1992 and 1996, respectively. Following that, the characters starred in Muppets Tonight which ran on ABC from 1996 to 1998 and a sixth film, Muppets from Space, released by Columbia Pictures in 1999. In 2000, Henson Productions was sold to EM.TV & Merchandising AG for $680 million. Following the sale, EM.TV was plagued with financial problems and the Henson family purchased the company back in 2003, with the exception of the rights to the Sesame Street characters, which had been sold by EM.TV to Sesame Workshop. CANNOTANSWER

Using a quote from the above article, answer the following question: When did Disney make that offer?


Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Answer this question "When was the golden age of comic books?" by extracting the answer from the text above.


William Jennings Bryan (March 19, 1860 - July 26, 1925) was an American orator and politician from Nebraska. Beginning in 1896, he emerged as a dominant force in the Democratic Party, standing three times as the party's nominee for President of the United States. He also served in the United States House of Representatives and as the United States Secretary of State under Woodrow Wilson. Because of his faith in the wisdom of the common people, he was often called "The Great Commoner".

L. Frank Baum satirized Bryan as the Cowardly Lion in The Wonderful Wizard of Oz, published in 1900. Baum had been a Republican activist in 1896 and wrote on McKinley's behalf. Inherit the Wind, a 1955 play by Jerome Lawrence and Robert Edwin Lee, is a highly fictionalized account of the Scopes Trial written in response to McCarthyism. A populist thrice-defeated Presidential candidate from Nebraska named Matthew Harrison Brady comes to a small town named Hillsboro in Tennessee to help prosecute a young teacher for teaching evolution to his schoolchildren. He is opposed by a famous trial lawyer, Henry Drummond (based on Darrow), and mocked by a cynical newspaperman (based on H.L. Mencken) as the trial assumes a national profile. A 1960 Hollywood film adaptation, written by the playwrights, was directed by Stanley Kramer and stars Spencer Tracy as lawyer Henry Drummond and Fredric March as his friend and rival Matthew Harrison Brady. Bryan also appears as a character in Douglas Moore's 1956 opera The Ballad of Baby Doe and is briefly mentioned in John Steinbeck's East of Eden. In addition, he is a (very) minor character in Thomas Wolfe's Look Homeward, Angel. His death is referred to in Ernest Hemingway's The Sun Also Rises. In Robert A. Heinlein's Job: A Comedy of Justice, Bryan's unsuccessful or successful runs for the presidency are seen as the "splitting off" events of the alternate histories through which the protagonists travel. He also has a biographical part in "The 42nd Parallel" in John Dos Passos' USA Trilogy. Vachel Lindsay's "singing poem" "Bryan, Bryan, Bryan, Bryan" is a lengthy tribute to the idol of the poet's youth. CANNOTANSWERAnswer this question using a quote from the following article:

Did he ever run for anything else?


In what would turn out to become her last year as an amateur player, Lenglen played what many consider to be her most memorable match. In a February 1926 tournament at the Carlton Club in Cannes, she played her only match against Helen Wills. The 20-year-old American was already a two-time winner of the U.S. Championships and would dominate the women's game in the late 1920s and early 1930s in the same way that Lenglen had dominated it since 1919. Public attention for their meeting in the tournament final was immense, and scalper ticket prices went through the roof. Roofs and windows of nearby buildings were also crowded with spectators. The match itself saw Lenglen clinging on to a 6-3, 8-6 victory after being close to a collapse on several occasions. According to many authorities, including Larry Englemann in his book, The Goddess and the American Girl: The Story of Suzanne Lenglen and Helen Wills, Lenglen was forbidden to play Wills by her father, and, because almost for the first time she was defying her father, she was sleepless for the whole night before the match, and in a state of the highest nervous tension. Later in the year, Lenglen seemed to be on course for her seventh Wimbledon singles title. However, Lenglen unknowingly kept Queen Mary waiting in the Royal Box for her appearance in a preliminary match. Lenglen, who had been told that her match would not start until much later, fainted upon being informed of her error, which was seen by aristocratic English attendees as an insult to the monarchy. Lenglen withdrew from the tournament, which would be her last appearance at the courts of Wimbledon. CANNOTANSWER

Answer this question "what was this match" by extracting the answer from the text above.


Styx  is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s. Styx is best known for the hit songs "Lady",

On the success of "Babe", DeYoung began pushing for a more theatrical direction, while Shaw and Young favored a harder-edged approach. This arguing over musical direction led to a bit of tension in early 1980 after Young and Shaw objected to the ballad "First Time" released as the second single from Cornerstone (1979) album. However, things were quickly smoothed over. Moreover, this song did not chart in the U.S. but became a huge hit single in the Philippines in 1981. In January 1981, Styx released Paradise Theatre, a concept album that became their biggest hit, reaching No. 1 on the Billboard pop albums chart and yielding five singles, including the top ten hits "The Best of Times" by DeYoung (#3) and "Too Much Time on My Hands" by Shaw (#9). Paradise Theatre became the band's fourth consecutive multi-platinum album. The band was accused by a California religious group and later the Parents Music Resource Center of backmasking Satanic messages in their anti-cocaine anthem, "Snowblind". James Young has denied this charge during his introduction for "Snowblind" when played live. Dennis DeYoung has denied the accusation as well, joking on the In the Studio with Redbeard program "we had enough trouble to make the music sound right forward." Also, James Young quotes, "If we were going to put something Satanic in our songs, we would have put it so it was in the song forward. Not so you would have to buy some $400 tape recorder to hear it." Throughout the 1980s, the band would use the Paradise Theatre (1981) album's opening track, "Rockin' the Paradise" (charted at No. 8 on Top Rock Tracks Chart) to open their shows. CANNOTANSWERAnswer this question using a quote from the following article:

What was a single off the album?


Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.

Many of Tan Dun's works call for instruments made of materials such as paper, stone, or water, but the compositions that he classifies as "organic music" feature these instruments most prominently. The first major work for organic instruments was his Water Concerto for Water Percussion and Orchestra (1998), dedicated to Toru Takemitsu. According to the composer, the sounds made by the soloist are inspired by the sounds of everyday life growing up in Hunan. Basins are filled with water, and the contents are manipulated with bowls, bottles, hands, and other devices. Other water instruments used include the waterphone. Various means of amplification are used, including contact microphones on the basins. The techniques devised in the Water Concerto were used again in Tan Dun's Water Passion After St. Matthew (2000). Written to commemorate the 250th anniversary of the death of Johann Sebastian Bach, the work for chorus, orchestra, and water percussion follows the Gospel of Matthew, beginning with Christ's baptism. The chorus doubles on tingsha, and the soprano and bass soloists double on xun. The score also requires Mongolian overtone singing from the soloists. As with Orchestral Theatre I: O, members of the orchestra play their instruments with techniques borrowed from non-Western traditions. Tan Dun's next major organic work, Paper Concerto for Paper Percussion and Orchestra (2003), explores the acoustic range of paper. Instruments constructed from differing thicknesses of paper are used as cymbals, drums, or reeds. Additionally, sheets of paper are shaken or struck. These sounds are amplified primarily through wireless microphones worn by the musicians. This work was commissioned by the Los Angeles Philharmonic for the opening of the Walt Disney Concert Hall. Earth Concerto for stone and ceramic percussion and orchestra (2009) draws from Gustav Mahler's Das Lied von der Erde (The Song of the Earth), which in turn draws from the poetry of Li Po. Ceramic instruments include percussion instruments similar to those Tan Dun had used in previous works, as well as wind instruments and xun. CANNOTANSWER

what was his first work?


Joseph Frank "Buster" Keaton (October 4, 1895 - February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies". His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.

Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Answer the following question by taking a quote from the article: what does this section say about his body language?


Diego Armando Maradona Franco (Spanish pronunciation: ['djego mara'dona], born 30 October 1960) is an Argentine retired professional footballer and manager. Many in the sport, including football writers, players, and fans, regard Maradona as the greatest football player of all time. Maradona was joint FIFA Player of the 20th Century with Pele. An advanced playmaker who operated in the classic number 10 position, Maradona is the first player in football history to set the world record transfer fee twice, first when he transferred to Barcelona for a then world record PS5 million, and second, when he transferred to Napoli for another record fee PS6.9 million.

Maradona arrived in Naples and was presented to the world media as a Napoli player on 5 July 1984, where he was welcomed by 75,000 fans at his presentation at the Stadio San Paolo. Sports writer David Goldblatt commented, "They [the fans] were convinced that the saviour had arrived." A local newspaper stated that despite the lack of a "mayor, houses, schools, buses, employment and sanitation, none of this matters because we have Maradona". Prior to Maradona's arrival, Italian football was dominated by teams from the north and centre of the country, such as A.C. Milan, Juventus, Inter Milan and Roma, and no team in the south of the Italian Peninsula had ever won a league title. At Napoli, Maradona reached the peak of his professional career: he soon inherited the captain's armband from Napoli veteran defender Giuseppe Bruscolotti and quickly became an adored star among the club's fans; in his time there he elevated the team to the most successful era in its history. Maradona played for Napoli at a period when North-South tensions in Italy were at a peak due to a variety of issues, notably the economic differences between the two. Led by Maradona, Napoli won their first ever Serie A Italian Championship in 1986-87. Goldblatt wrote, "The celebrations were tumultuous. A rolling series of impromptu street parties and festivities broke out contagiously across the city in a round-the-clock carnival which ran for over a week. The world was turned upside down. The Neapolitans held mock funerals for Juventus and Milan, burning their coffins, their death notices announcing 'May 1987, the other Italy has been defeated. A new empire is born.'" Murals of Maradona were painted on the city's ancient buildings, and newborn children were named in his honor. The following season, the team's prolific attacking trio, formed by Maradona, Bruno Giordano and Careca, was later dubbed the "Ma-Gi-Ca" (magical) front-line. Napoli would win their second league title in 1989-90, and finish runners up in the league twice, in 1987-88 and 1988-89. Other honors during the Maradona era at Napoli included the Coppa Italia in 1987, (second place in the Coppa Italia in 1989), the UEFA Cup in 1989 and the Italian Supercup in 1990. Despite primarily playing in a creative role as an attacking midfielder, Maradona was the top scorer in Serie A in 1987-88, with 15 goals, and was the all-time leading goalscorer for Napoli, with 115 goals, until his record was broken by Marek Hamsik in 2017. When asked who was the toughest player he ever faced, A.C. Milan central defender Franco Baresi stated, "Maradona; when he was on form, there was almost no way of stopping him," a view shared by his Milan teammate Paolo Maldini, who stated, "The best ever I played against was Maradona." While Maradona was successful on the field during his time in Italy, his personal problems increased. His cocaine use continued, and he received US $70,000 in fines from his club for missing games and practices, ostensibly because of "stress". He faced a scandal there regarding an illegitimate son, and he was also the object of some suspicion over an alleged friendship with the Camorra. Later on, in honour of Maradona and his achievements during his career at Napoli, the number 10 jersey of Napoli was officially retired. CANNOTANSWER

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Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

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Background: Louis Cachet (French pronunciation:  [lwi kaSe]) (born Kristian Vikernes [Norwegian: [vi:k@ne:s]], 11 February 1973), more popularly known as Varg Vikernes, is a Norwegian musician and writer. In 1991, he founded the one-man music project Burzum, which is considered one of the most influential black metal acts. Three years later, he was convicted of murder and arson, and subsequently served over 14 years in prison.
Context: On 6 June 1992, the Fantoft Stave Church, dating from the 12th century and considered architecturally significant, was burned to the ground by arson. By January 1993, arson attacks had occurred on at least seven other major stave churches, including one on Christmas Eve of 1992. Vikernes was found guilty of several of these cases: the arson and attempted arson of Asane Church and Storetveit Church, respectively, in Bergen, the arson of Skjold Church in Vindafjord, and the arson of Holmenkollen Chapel in Oslo. He was also charged with the arson of Fantoft Stave Church, although the jurors found him not guilty. The judges called this an error but did not overthrow the whole case. At the time, claims were made by media outlets that Vikernes was associated with theistic Satanism. However, in an interview with Michael Moynihan, Vikernes made a statement about the church burnings that hints at a heathen rather than a Satanist motivation: I am not going to say that I burnt any churches. But let me put it this way: There was one person who started it. I was not found guilty of burning the Fantoft stave church, but anyway, that was what triggered the whole thing. That was the 6th of June and everyone linked it to Satanism ... What everyone overlooked was that on the 6th June, 793, in Lindesfarne in Britain was the site of the first known Viking raid in history, with Vikings from Hordaland, which is my county ... They [the Christians] desecrated our graves, our burial mounds, so it's revenge. Echoing this sentiment, he writes in Vargsmal: "For each devastated graveyard, one heathen grave is avenged, for each ten churches burnt to ashes, one heathen hof is avenged, for each ten priests or freemasons assassinated, one heathen is avenged." When asked whether the church burnings were linked to Odinism or Germanic neopaganism he replied: "The point is that all these churches [i.e. church burnings] are linked to one person ... who was not Oystein obviously. All the church burnings, with the exception of Stavanger, because that was another group--who, by the way, have also turned into nationalistic pagans." CANNOTANSWER
Question: Did Varg commit any arson?

Answer:


Ricardo Alonso Gonzalez (May 9, 1928 - July 3, 1995), usually known as Pancho Gonzales, and sometimes as Richard Gonzales, was an American tennis player who has been rated one of the greatest in the history of the sport. He won 14 major singles titles (12 Pro Slam, 2 Grand Slam) and was the dominant professional of the 1950s; he still holds the men's all-time record of being ranked world No. 1 for eight years. Gonzales was a ruthless competitor with a fierce temper. Many of his peers on the professional circuit were intimidated by him, and he was often at odds with officials and promoters.

Most of Gonzales's career as a professional took place before the start of the open era of tennis in April 1968, and he was therefore ineligible to compete at the Grand Slam events between the end of 1949 (when he turned pro) and the start of the open era in April 1968. As has been observed about other great players such as Rod Laver, Gonzales almost certainly would have won a number of additional Grand Slam titles had he been permitted to compete in those tournaments during that 18-year period. Jack Kramer, for instance, has speculated in an article about the theoretical champions of Forest Hills and Wimbledon that Gonzales would have won an additional 11 titles in those two tournaments alone. In May 1968, he was the first professional to lose to an amateur, the British player Mark Cox. The then-24-year-old Cox beat Gonzales at the British Hard Court Championships at Bournemouth, 0-6, 6-2, 4-6, 6-3, 6-3, in two and a quarter hours. The first major open tournament was the 1968 French Open, when Gonzales had just turned 40. In spite of the fact that he had been semi-retired for a number of years and that the tournament was held on slow clay courts that penalize serve-and-volley players, Gonzales beat the 1967 defending champion Roy Emerson in the quarterfinals. He then lost in the semifinals to Rod Laver. He lost in the third round of 1968 Wimbledon but later beat the second-seeded Tony Roche in the fourth round of the 1968 US Open, before losing an epic match to the Netherlands' Tom Okker. CANNOTANSWER

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Vanessa Lynn Williams (born March 18, 1963) is an American actress, singer, and fashion designer. She initially gained recognition as the first African-American recipient of the Miss America title when she was crowned Miss America 1984 in 1983. However, a scandal arose the following year when, a few weeks prior to the end of her reign, Williams learned that Penthouse magazine would be publishing unauthorized nude photographs of her in an upcoming issue. Amid growing media controversy and scrutiny, Williams resigned as Miss America in July 1984 (under pressure from the Miss America Organization), and was replaced by first runner-up Miss New Jersey Suzette Charles.

Williams and her mother Helen co-authored a memoir entitled You Have No Idea, published in April 2012. In the book, Williams discusses her childhood, rise to fame, and personal struggles (including life with type 1 diabetes), including the fact that she was sexually molested by a woman when she was 10 years old. She also spoke candidly about having an abortion while she was in high school. Williams is a Roman Catholic, something she spoke about on the ABC News program, Focus On Faith with Father Edward L. Beck. Williams is also involved with a number of humanitarian causes. She is a supporter of gay rights and same sex marriage, and in 2011 she participated in a human rights campaign entitled "New Yorkers for Marriage Equality". She is also partnered with Dress For Success, an organization that provides professional attire for low-income women, to help support their job-search and interview process. In addition, Williams is involved with The San Miquel Academy of Newburgh, a school for boys at risk. Williams has been married three times. She married her first husband, Ramon Hervey II, at St. Francis Xavier Catholic Church in 1987 just a few years after giving up her crown, and gave birth to her first child at this time. Hervey was a public relations specialist who had been hired to resuscitate her career after her resignation as Miss America in July 1984. They have three children (Melanie, Jillian Hervey, and Devin) and divorced in 1997. She then married NBA basketball player Rick Fox in 1999. They have one daughter, Sasha Gabriella Fox, and divorced in 2004. In 2015, Williams married Jim Skrip, a businessman from Buffalo, New York. Her daughter Jillian Hervey is an American singer, dancer and member of the group Lion Babe. CANNOTANSWER


William Thomson, 1st Baron Kelvin,  (26 June 1824 - 17 December 1907) was a Scots-Irish mathematical physicist and engineer who was born in Belfast in 1824. At the University of Glasgow he did important work in the mathematical analysis of electricity and formulation of the first and second laws of thermodynamics, and did much to unify the emerging discipline of physics in its modern form. He worked closely with mathematics professor Hugh Blackburn in his work.

Thomson's fears were realized when Whitehouse's apparatus proved insufficiently sensitive and had to be replaced by Thomson's mirror galvanometer. Whitehouse continued to maintain that it was his equipment that was providing the service and started to engage in desperate measures to remedy some of the problems. He succeeded only in fatally damaging the cable by applying 2,000 V. When the cable failed completely Whitehouse was dismissed, though Thomson objected and was reprimanded by the board for his interference. Thomson subsequently regretted that he had acquiesced too readily to many of Whitehouse's proposals and had not challenged him with sufficient energy. A joint committee of inquiry was established by the Board of Trade and the Atlantic Telegraph Company. Most of the blame for the cable's failure was found to rest with Whitehouse. The committee found that, though underwater cables were notorious in their lack of reliability, most of the problems arose from known and avoidable causes. Thomson was appointed one of a five-member committee to recommend a specification for a new cable. The committee reported in October 1863. In July 1865, Thomson sailed on the cable-laying expedition of the SS Great Eastern but the voyage was again dogged by technical problems. The cable was lost after 1,200 miles (1,900 km) had been laid and the expedition had to be abandoned. A further expedition in 1866 managed to lay a new cable in two weeks and then go on to recover and complete the 1865 cable. The enterprise was now feted as a triumph by the public and Thomson enjoyed a large share of the adulation. Thomson, along with the other principals of the project, was knighted on 10 November 1866. To exploit his inventions for signalling on long submarine cables, Thomson now entered into a partnership with C.F. Varley and Fleeming Jenkin. In conjunction with the latter, he also devised an automatic curb sender, a kind of telegraph key for sending messages on a cable. CANNOTANSWER

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Background: Queensryche  is an American heavy metal band. It formed in 1982 in Bellevue, Washington out of the local band the Mob. The band has released 15 studio albums, one EP, several DVDs, and continues to tour and record. The original lineup consisted of guitarists Michael Wilton and Chris DeGarmo, drummer Scott Rockenfield, bassist Eddie Jackson, and lead vocalist Geoff Tate.
Context: In 1988, Queensryche released Operation: Mindcrime, a narrative concept album that proved a massive critical and commercial success. The album's story revolved around a junkie named Nikki, who is brainwashed into performing assassinations for an underground movement. Nikki is torn over his misplaced loyalty to the cause and his love for Mary, a reformed hooker-turned-nun (vocals by Pamela Moore), who gets in the way. The band's progressive metal style was fully developed on this album. The band toured through much of 1988 and 1989 with several bands, including Def Leppard, Guns N' Roses and Metallica. The album gained critical acclaim and achieved gold status. The release of Empire (1990) brought Queensryche to the height of their commercial popularity. It peaked at No. 7 and sold more than three million copies in the United States, more than their previous four releases combined (it was also certified silver in the UK). The power ballad "Silent Lucidity", which featured an orchestra, became the band's first Top 10 single. The arrangements on Empire were more straightforward than the band's previous efforts. The subsequent "Building Empires" tour was the first full-fledged tour to feature Queensryche as a headlining act (the band had previously headlined a tour in Japan in support of Operation: Mindcrime, and had headlined a handful of club and theater shows in the U.S. between 1984 and 1988, and the UK in 1988). The group used its headlining status to perform Operation: Mindcrime in its entirety, as well as songs from Empire. The tour lasted 18 months, longer than any tour the band had undertaken before or has since. The tour also added a black page to the band's history, when during a show in a sports hall in Ichtegem, Belgium on November 20, 1990, a scuffle in the audience resulted in an American fan getting fatally stabbed in the chest. Tour manager Howard Ungerleider immediately stopped the show as the band was only playing the seventh song on the set list, "Roads to Madness". A live album, recorded May 10-12, 1991, was released later that year as Operation: Livecrime. The tour also included an MTV Unplugged appearance at Warner Hollywood Studios in Los Angeles on April 27, 1992. CANNOTANSWER
Question: What else happened follwing the stabbing?. Whats the answer?


Background: Prince Philip of Greece and Denmark was born in Mon Repos on the Greek island of Corfu on 10 June 1921, the only son and fifth and final child of Prince Andrew of Greece and Denmark and Princess Alice of Battenberg. Philip's four elder sisters were Margarita, Theodora, Cecilie, and Sophie. He was baptised into the Greek Orthodox Church. His godparents were Queen Olga of Greece (his paternal grandmother) and the Mayor of Corfu.
Context: The accession of Elizabeth to the throne brought up the question of the name of the royal house. The Duke's uncle, Louis Mountbatten, 1st Earl Mountbatten of Burma, advocated the name House of Mountbatten, as Elizabeth would typically have taken Philip's last name on marriage; however, when Queen Mary, Elizabeth's grandmother, heard of this suggestion, she informed the British Prime Minister Winston Churchill, who himself later advised the Queen to issue a royal proclamation declaring that the royal house was to remain known as the House of Windsor. Churchill's strong personal antipathy to Lord Mountbatten, whom he considered a dangerous and subversive rival who had lost India, may have contributed to this. Prince Philip privately complained, "I am nothing but a bloody amoeba. I am the only man in the country not allowed to give his name to his own children." On 8 February 1960, several years after the death of Queen Mary and the resignation of Churchill, the Queen issued an Order in Council declaring that Mountbatten-Windsor would be the surname of her and her husband's male-line descendants who are not styled as Royal Highness or titled as Prince or Princess. While it seems the Queen had "absolutely set her heart" on such a change and had it in mind for some time, it occurred only eleven days before the birth of Prince Andrew (19 February), and only after three months of protracted correspondence between constitutional expert Edward Iwi (who averred that, without such a change, the royal child would be born with "the Badge of Bastardy") and Prime Minister Harold Macmillan who had attempted to rebuff Iwi. After her accession to the throne, the Queen also announced that the Duke was to have "place, pre-eminence and precedence" next to her "on all occasions and in all meetings, except where otherwise provided by Act of Parliament". This meant the Duke took precedence over his son, the Prince of Wales, except, officially, in the British parliament. In fact, however, he attends Parliament only when escorting the Queen for the annual State Opening of Parliament, where he walks and sits beside her. Contrary to rumours over the years, the Queen and Duke are said by insiders to have had a strong relationship throughout their marriage, despite the challenges of Elizabeth's reign. The Queen referred to Prince Philip in a speech on the occasion of her Diamond Jubilee in 2012 as her "constant strength and guide". CANNOTANSWER
Question: What was his relationship like with Queen Elizabeth?. Whats the answer?