In 1957, Spahn was the ace of the champion Milwaukee Braves. Spahn pitched on two other Braves pennant winners, in 1948 and 1958. He had 2,583 strikeouts, which at the time of his retirement was the highest total for a left-handed pitcher in baseball history. Spahn led the NL in strikeouts for four consecutive seasons, from 1949 to 1952 (tied with Don Newcombe in 1951), which includes a single game high of 18 strike outs (then the NL record) in a 15-inning appearance on June 14, 1952. For several decades, Spahn's Hall of Fame plaque contained a typographical error, crediting him with 2,853 strikeouts. Spahn maintained that "A pitcher needs two pitches -- one they're looking for, and one to cross 'em up." He was thus able to maintain his position as one of the game's top pitchers until his 19th season in the sport. This was exemplified by his start on July 2, 1963. Facing the San Francisco Giants, the 42-year-old Spahn became locked into a storied pitchers' duel with 25-year-old Juan Marichal. The score was still 0-0 after more than four hours when Willie Mays hit a game-winning solo home run off Spahn with one out in the bottom of the 16th inning. Marichal's manager, Alvin Dark, visited the mound in the 9th, 10th, 11th, 13th, and 14th innings, and was talked out of removing Marichal each time. During the 14th-inning visit, Marichal told Dark, "Do you see that man pitching for the other side? Do you know that man is 42 years old? I'm only 25. If that man is on the mound, nobody is going to take me out of here." Marichal ended up throwing 227 pitches in the complete game 1-0 win, while Spahn threw 201 in the loss, allowing nine hits and one walk. Hall of Famer Carl Hubbell, who was in attendance that night, said of Spahn, "He ought to will his body to medical science." Spahn threw his first no-hitter against the Phillies 16 September 1960, when he was 39. He pitched his second no-hitter the following year, 28 April 1961, against the Giants. By the last two seasons of his career, Spahn was the oldest active player in baseball. He lost this distinction for a single day: September 25, 1965, when 58-year-old Satchel Paige pitched three innings. Spahn's seemingly ageless ability caused Stan Musial famously to quip, "[Spahn] will never get into the Hall of Fame. He won't stop pitching." CANNOTANSWER

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Jessica Hilda Mauboy was born on 4 August 1989 and raised in Darwin, Northern Territory. Her father, Ferdy, is an Indonesian born electrician who came from West Timor, and her mother, Therese, is an Indigenous Australian. Mauboy's mother is from the indigenous Kuku Yalanji people in the rainforest regions of Far North Queensland. Mauboy has three older sisters Sandra, Jenny and Catherine, and a younger sister Sophia.

In January 2010, Mauboy signed to Universal Music for an exclusive worldwide long-term publishing agreement. In May 2010, Mauboy collaborated with four other international artists representing their continents--Sean Kingston representing America, Jody Williams representing Africa, Tabitha Nauser (Asia), Steve Appleton (Europe), with Mauboy representing Oceania--on the theme song for the 2010 Summer Youth Olympics titled "Everyone". Mauboy, Williams, Nauser and Appleton performed "Everyone" at the opening of the Youth Olympics held in Singapore on 14 August 2010. Kingston was unable to attend the performance, due to a passport mix-up. Mauboy released her second studio album Get 'Em Girls on 5 November 2010; it debuted at number six and was certified gold. She had travelled to the United States in February of that year to work on the album in Los Angeles, New York, and Atlanta with American songwriters and producers, most of whom she had not worked with previously. Mauboy co-wrote eight of the album's songs. Get 'Em Girls received mixed reviews from critics. Majhid Heath of ABC Online Indigenous gave the album two-and-a-half out of five stars, writing that it's a "non-cohesive mess of similar sounding, auto-tuned ravaged pop/R&B that diminishes the talent of this brilliant young songstress". The album's title track, featuring American rapper Snoop Dogg, peaked at number 19. Mauboy performed "Get 'Em Girls" at the 2010 Nickelodeon Australian Kids' Choice Awards, where she co-hosted the award ceremony with Liam Hemsworth and Jerry Trainor, and won the award for Fave Aussie Muso. The following singles, "Saturday Night" featuring American rapper Ludacris and "What Happened to Us" featuring English singer Jay Sean, peaked at numbers seven and 14, respectively. The former single was certified double platinum while the latter was only certified platinum. At the 2010 Australian of the Year Awards, Mauboy received her first nomination for Young Australian of the Year. On 10 December 2010, she performed in front of an audience of 92,000 at the Federation Square in Melbourne, ahead of Oprah Winfrey's visit to the place. Mauboy's performance was shown in the first of the four Australian specials of The Oprah Winfrey Show on 18 January 2011. In April 2011, she served as a support act for Chris Brown's Australian leg of his F.A.M.E. Tour. Get 'Em Girls was re-released as a deluxe edition on 12 August 2011, which included the singles "Inescapable" and "Galaxy" featuring Stan Walker. The former single peaked at number four and was certified double platinum, while the latter peaked at number 13 and was certified platinum. "Galaxy" also reached number 36 on the New Zealand Singles Chart and became Mauboy's first single to chart in that country. On 17 November 2011, Mauboy performed for the Australian troops at RAAF Base Darwin, ahead of US President Barack Obama's visit to the place. In January 2012, Mauboy and Walker embarked on their Galaxy Tour across Australia, which served as her first headlining tour. Mauboy recorded 15 songs for The Sapphires' soundtrack album, which was released on 27 July 2012. The album debuted at number one and was certified platinum. Mauboy released "Gotcha" as the album's lead single, which peaked at number 43 and was certified gold. At the 2012 ARIA Music Awards, she was nominated for Best Female Artist, Best Pop Release for "Gotcha", and Song of the Year for "Galaxy". Mauboy received two nominations at the 2013 Australian of the Year Awards for Young Australian of the Year and Northern Territory Young Australian of the Year; she won the latter award. In March 2013, she participated in a singing quiz segment for Ellen DeGeneres' two Australian shows in Sydney and Melbourne. In September 2013, she performed at the 65th Primetime Emmy Awards Governors Ball in Los Angeles. Mauboy's third studio album Beautiful was released on 4 October 2013; it debuted at number three and was certified platinum. The lead single "To the End of the Earth" peaked at number 21 and was certified gold, while the second single "Pop a Bottle (Fill Me Up)" debuted at number two and was certified platinum. "Pop a Bottle (Fill Me Up)" also reached number 33 in New Zealand and became Mauboy's third single to chart internationally. The following singles, "Beautiful" and "Never Be the Same", peaked at numbers 46 and six, respectively, with the latter single being certified platinum. At the 2013 NRL Grand Final on 6 October 2013, Mauboy performed the Australian national anthem, "Livin' la Vida Loca" with Ricky Martin, and a medley of "Something's Got a Hold on Me" and "Pop a Bottle (Fill Me Up)". At the 2013 ARIA Music Awards, Mauboy won Best Female Artist for "To the End of the Earth". She embarked on the To the End of the Earth Tour, her second headlining tour, from November 2013 to January 2014. To coincide with the 2014 Australia Day celebrations, Mauboy along with Dami Im, Justice Crew, Nathaniel Willemse, Samantha Jade and Taylor Henderson released a cover of "I Am Australian" which peaked at number 51. She appeared in an episode of Sesame Street on 20 March 2014, singing "Count the Kangaroos" in a clip which was filmed in Alice Springs with children from Yipirinya State Primary School. Mauboy was chosen by SBS to perform at the 2014 Eurovision Song Contest, in recognition of Australia's love affair with the annual event. She performed the single "Sea of Flags" during the second semi-final in Denmark. SBS screened the documentary, Jessica Mauboy's Road to Eurovision on 10 May 2014 before their coverage of the second semi-final. Mauboy's first extended play iTunes Session was released on 18 July 2014, and debuted at number 25. On 3 August 2014, she performed during the 2014 Commonwealth Games Flag Handover Ceremony at Hampden Park Stadium in Glasgow, Scotland to mark the official handover of the Commonwealth Games from Glasgow to the Gold Coast in 2018. Beautiful was re-released as a platinum edition on 21 November 2014, which included the singles "Can I Get a Moment?" and "The Day Before I Met You". The former single debuted at number five and was certified platinum. Mauboy received three nominations at the 2014 ARIA Music Awards, including Album of the Year and Best Female Artist for Beautiful, and Best Video for "Never Be the Same". Mauboy performed at the ICC Cricket World Cup opening ceremony held on 12 February 2015 at the Sidney Myer Music Bowl in Melbourne. On 3 May 2015, she appeared on the US Today show in a segment that was filmed live at the Sydney Opera House with host Savannah Guthrie. In an interview with the Australian Associated Press that same month, Mauboy revealed that she had already begun writing songs for her upcoming fourth studio album. She said, "This time around with the album I would like to...just take risks in terms of the sound and identifying who I am as a woman. It's more of a rhythmic pop so it's not going to be extreme pop. It's going to be a little bit more soul." The album's lead single "This Ain't Love" was released in September 2015; it peaked at number five and was certified gold. Mauboy along with The Veronicas and Tina Arena performed Arena's 1994 single "Chains" at the 2015 ARIA Music Awards, where Arena was inducted into the ARIA Hall of Fame. Their version was released as a single following the performance, and peaked at number 14. In March 2016, Mauboy released the single "Where I'll Stay", which was used to promote the Seven Network's coverage of the 2016 Rio Olympics. Plans for Mauboy's upcoming fourth studio album were put on hold when she released her first individual soundtrack album, The Secret Daughter: Songs from the Original TV Series, on 14 October 2016. The album featured music used in the television series of the same name, in which Mauboy plays the lead role of Billie Carter. The album included five original songs and twelve cover versions of songs by Cold Chisel, Crowded House, The Clash, Roxette, Ed Sheeran and Alex Lloyd, among others. One of the original tracks, "Risk It", was released as the lead single from the soundtrack album. The Secret Daughter: Songs from the Original TV Series became Mauboy's first individual number-one album and also made her the first Indigenous artist to reach number one on the ARIA Albums Chart. Mauboy embarked on her third headlining tour, All the Hits Live - The Australian Tour, in March and April 2017, where she performed songs from the last 10 years of her career. Mauboy's second individual soundtrack album, The Secret Daughter Season Two: Songs from the Original 7 Series, was released on 6 October 2017. The album included two original songs and sixteen covers of songs by The Church, Crowded House, Thirsty Merc, Paul Kelly, Lighthouse Family and Aretha Franklin, among others. Original track "Fallin'" was released as the album's lead single; it peaked at number 11, became Mauboy's sixteenth top-twenty hit, and was certified platinum. The Secret Daughter Season Two: Songs from the Original 7 Series debuted at number two and became Mauboy's fifth top-ten album. She received six nominations at the 2017 ARIA Music Awards, including Best Female Artist and Best Original Soundtrack, Cast or Show Album for The Secret Daughter, Best Australian Live Act, and Song of the Year, Best Pop Release and Best Video for "Fallin'". On 11 December 2017, Mauboy was unveiled as the representative of Australia for the 2018 Eurovision Song Contest in Lisbon, Portugal, becoming the fourth overall artist to compete for Australia. CANNOTANSWER

Answer the following question by taking a quote from the article: Does the public review her as a success?


Ray Washington Traylor Jr. (May 2, 1963 - September 22, 2004)  was an American professional wrestler who was best known for his appearances with the World Wrestling Federation (WWF) under the ring name Big Bossman, as well as for his appearances with World Championship Wrestling (WCW) as The Boss, The Man, The Guardian Angel, and Big Bubba Rogers. During his appearances with the WWF, Big Boss Man held the WWF World Tag Team Championship once and the WWF Hardcore Championship four times. On March 7, 2016, Traylor was confirmed to be inducted into the WWE Hall of Fame Class of 2016.

In the fall of 1990, Boss Man began feuding with Bobby Heenan and The Heenan Family after Heenan continually insulted Boss Man's mother. He won a series of matches against Heenan Family members in 1991, including The Barbarian at the Royal Rumble and Mr. Perfect (via disqualification) at WrestleMania VII in an Intercontinental Championship match, which featured the return of Andre the Giant. At the SummerSlam, he defeated The Mountie in a Jailhouse Match, a match in which the loser must spend a night in jail. This was the only such match ever held by the promotion. Boss Man then briefly feuded with Irwin R. Schyster. In 1992, Boss Man began feuding with Nailz, an ex-convict character who, in a series of promos aired before his debut, claimed Boss Man had been his abusive Officer in prison, and warned he was seeking revenge. On the May 30 episode of WWF Superstars, Nailz -- clad in an orange prison jumpsuit -- ran into the ring and attacked Boss Man, handcuffing him to the top rope and repeatedly choking and beating him with the nightstick. Boss Man took time off TV to sell his (kayfabe) injuries, eventually returning and having a series of matches with Nailz in the latter half of 1992. The feud culminated at Survivor Series, when Boss Man defeated Nailz in a Nightstick on a Pole match. This was the final push for the Boss Man during this run, as he was subsequently used as enhancement talent against Razor Ramon, Bam Bam Bigelow, and Yokozuna on the house show circuit. The Big Boss Man's last pay-per-view match of this run came at the 1993 Royal Rumble, where he lost to Bam Bam Bigelow. He left the WWF shortly after a house show in Gatineau, Quebec on March 14. During the next few months he made appearances in the USWA and SMW. On December 4 he made a one-time return to the WWF as a special guest referee to officiate the main event of a house show in Anaheim, CA between Bret Hart and Jeff Jarrett. Bossman was expected to rejoin the WWF but elected to sign with WCW instead. CANNOTANSWER

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Shahid Kapoor was born in New Delhi on 25 February 1981 to actor Pankaj Kapur and actor-dancer Neelima Azeem. His parents divorced when he was three years old; his father shifted to Mumbai (and married the actress Supriya Pathak) and Kapoor continued living in Delhi with his mother and maternal grandparents. His grandparents were journalists for the Russian magazine Sputnik, and Kapoor was particularly fond of his grandfather: "He would walk me to school every single day. He would talk to me about dad, with whom he shared a great relationship, and read out his letters to me."

In 2010, Kapoor reteamed with Ken Ghosh in Chance Pe Dance, a comedy-drama about a struggling actor, in which Kapoor's performance was described as "uneven" by Aniruddha Guha of Daily News and Analysis. He had a supporting role in Paathshaala, a drama about the education system in India, starring Nana Patekar, following which he starred in Yash Raj Films' Badmaash Company, a comedy-drama about a group of overambitious youngsters who become con men. Rachel Saltz of The New York Times praised Kapoor's look in the film, though Tushar Joshi of Mid Day thought that he was miscast. Kapoor's fourth and final release that year was Satish Kaushik's romantic comedy Milenge Milenge, which marked his fourth collaboration with Kareena Kapoor. Plagiarised from the Hollywood film Serendipity, the production was delayed since 2005. During its production in December 2004 at Phuket, Kapoor requested a delay in filming to attend the premiere of Dil Maange More. The delay may have saved the lives of the crew, since the hotel booked for them was destroyed during the 2004 Indian Ocean tsunami. With the exception of Badmaash Company, none of these films performed well commercially. Kapoor next appeared in his father's directorial Mausam (2011); co-starring Sonam Kapoor, the star-crossed romance set over a decade, took two years to complete. Considering the film to be his "dream project", Kapoor did not take on additional work while filming for it. For his role as an unambitious village boy who becomes an air force pilot, Kapoor trained to fly the F-16 Fighting Falcon. Rajeev Masand reviewed that "while he doesn't quite cut it as a convincing IAF pilot, Shahid Kapoor is terrific as the small-town brat". The film was a box office flop and Kapoor was later regretful for spending so much time on the project. The following year, Kapoor took on another romantic role in Kunal Kohli's Teri Meri Kahaani (2012), co-starring Priyanka Chopra. It tells the story of a pair of star-crossed lovers who are reincarnated in three different eras. Filmfare reviewed that "Shahid and Priyanka give it their best shot, but their charm doesn't make up for the absence of a genuine kahani [story]". The comedy Phata Poster Nikhla Hero from director Rajkumar Santoshi was Kapoor's first release of 2013. His role was that of Vishwas Rao, a struggling actor who masquerades as a policeman. Critical reviews on the film were negative, though Kapoor's performance was praised. As with his last few releases, the film earned little at the box office leading trade analysts to question his commercial appeal. This changed later that year, when he starred in Prabhu Deva's action film R... Rajkumar; despite a negative critical reception, the film earned over Rs995 million (US$15 million) worldwide, becoming Kapoor's highest-grossing release to that point. In a scathing review, Saibal Chatterjee of NDTV called the film a "massive mess" and wrote that Kapoor "ends up looking more moronic than macho" in it. Kapoor suffered from burn injuries on his back and hands while filming a stunt sequence in R... Rajkumar. CANNOTANSWER

Are there any roles or appearances that he was not successful in?


Roxette are a Swedish pop rock duo, consisting of Marie Fredriksson (vocals and keyboards) and Per Gessle (vocals and guitar). Formed in 1986, the duo became an international act in the late 1980s, when they released their breakthrough album Look Sharp! Their third album Joyride, which was released in 1991, became just as successful as its predecessor.

Per Gessle and Marie Fredriksson first met in Halmstad, Sweden, in the late 1970s. Gessle performed in Gyllene Tider, one of Sweden's most popular bands at the time, and Fredriksson in the less successful Strul and MaMas Barn (Mama's Children) before both embarked on solo careers. In 1981, Fredriksson sang for the first time with Gyllene Tider on stage and was featured as a background vocalist for a Swedish-language album the band released in 1982. Gessle also worked with ex-ABBA singer Frida, for a song that appeared on her 1982 album Something's Going On, setting music to a Dorothy Parker poem. While working on her first solo album, Het vind (Hot Wind), Fredriksson performed more background vocals for Gyllene Tider's only album in English, The Heartland Cafe. The 11-track album was released in February 1984 and sold 45,000 copies in Sweden. According to Gessle, the group's first English-language release was in response to interest expressed by EMI's American label Capitol Records. Capitol took six of the tracks and released an extended play (EP) record in the US with an abridged title, Heartland, but the company insisted on a different name for the band. Gessle and the other members of Gyllene Tider (Swedish for "Golden Times" or "Golden Age") chose the title of a 1975 Dr. Feelgood song, "Roxette". The newly named Roxette issued one near-invisible release in the US, "Teaser Japanese", whose video reached MTV's studio but received no rotation to speak of. It, and subsequent singles, fared better in Sweden, and Gyllene Tider briefly toured the country to support the album. However, "the album died soon enough and the international career died before it even started", Gessle wrote. "We decided to put Gyllene Tider to rest... until further notice." Gessle then turned solo work, recording his second Swedish-language solo album, Scener, released in 1985 and again featuring Fredriksson on background vocals. While Fredriksson recorded her second solo album, Den sjunde vagen (The Seventh Wave). It was then that the Managing Director of EMI, Rolf Nygren, suggested that Gessle and Fredriksson should sing together. Gessle translated a song called "Svarta glas" ("Black glasses") into English, which became their first single, "Neverending Love". It was released in the summer of 1986 under the name "Roxette" and reached the Swedish top 10, selling 50,000 copies. CANNOTANSWERAnswer this question using a quote from the following article:

Who did Roxette's Scener feature?


Indigenous peoples, also known as first peoples, aboriginal peoples or native peoples, are ethnic groups who are the original inhabitants of a given region, in contrast to groups that have settled, occupied or colonized the area more recently. Groups are usually described as indigenous when they maintain traditions or other aspects of an early culture that is associated with a given region. Not all indigenous peoples share this characteristic, usually having adopted substantial elements of a colonising culture, such as dress, religion or language. Indigenous peoples may be settled in a given region (sedentary) or exhibit a nomadic lifestyle across a large territory, but they are generally historically associated with a specific territory on which they depend.

Throughout history, different states designate the groups within their boundaries that are recognized as indigenous peoples according to international or national legislation by different terms. Indigenous people also include people indigenous based on their descent from populations that inhabited the country when non-indigenous religions and cultures arrived--or at the establishment of present state boundaries--who retain some or all of their own social, economic, cultural and political institutions, but who may have been displaced from their traditional domains or who may have resettled outside their ancestral domains. The status of the indigenous groups in the subjugated relationship can be characterized in most instances as an effectively marginalized, isolated or minimally participative one, in comparison to majority groups or the nation-state as a whole. Their ability to influence and participate in the external policies that may exercise jurisdiction over their traditional lands and practices is very frequently limited. This situation can persist even in the case where the indigenous population outnumbers that of the other inhabitants of the region or state; the defining notion here is one of separation from decision and regulatory processes that have some, at least titular, influence over aspects of their community and land rights. In a ground-breaking 1997 decision involving the Ainu people of Japan, the Japanese courts recognised their claim in law, stating that "If one minority group lived in an area prior to being ruled over by a majority group and preserved its distinct ethnic culture even after being ruled over by the majority group, while another came to live in an area ruled over by a majority after consenting to the majority rule, it must be recognised that it is only natural that the distinct ethnic culture of the former group requires greater consideration." The presence of external laws, claims and cultural mores either potentially or actually act to variously constrain the practices and observances of an indigenous society. These constraints can be observed even when the indigenous society is regulated largely by its own tradition and custom. They may be purposefully imposed, or arise as unintended consequence of trans-cultural interaction. They may have a measurable effect, even where countered by other external influences and actions deemed beneficial or that promote indigenous rights and interests. CANNOTANSWER

Answer the following question by taking a quote from the article: Are there any other interesting aspects about this article?


Granholm was born in Vancouver, British Columbia, Canada, to Shirley Alfreda (nee Dowden) and Victor Ivar Granholm, both bank tellers. Granholm's maternal grandparents came from Ireland and Newfoundland. Her paternal grandmother was an emigrant from Norway and her paternal grandfather, who immigrated to Canada in the 1930s, came from Robertsfors, Sweden, where his father was the mayor. The former Minister for Enterprise and Energy and former Deputy Prime Minister of Sweden, Maud Olofsson, lives in Robertsfors, and when the two met in Sweden, the media revealed that Olofsson's husband is a relative of Granholm. Granholm's family moved to California when she was four years old. She grew up in Anaheim, San Jose, and San Carlos. Granholm graduated from San Carlos High School in 1977 and won the Miss San Carlos beauty pageant. As a young adult she attempted to launch a Hollywood acting career but was unsuccessful and abandoned her efforts at the age of 21. In 1978 she appeared on The Dating Game, and held jobs as a tour guide at Universal Studios and in customer service at the Los Angeles Times and was the first female tour guide at Marine World Africa USA in Redwood City, piloting boats with 25 tourists aboard. In 1980, at the age of 21 years, she became a naturalized U.S. citizen, worked for John B. Anderson's campaign for President of the United States as an Independent in the 1980 election. She then enrolled at the University of California, Berkeley, the first person in her family to do so, joining Phi Beta Kappa and graduating in 1984 with a B.A. in Political Science and French. During a year in France, she helped to smuggle clothes and medical supplies to Jewish people in the Soviet Union and became involved in the Anti-Apartheid Movement. She then earned a Juris Doctor degree at Harvard University, also with honors, in 1987. At Harvard Law School, Granholm served as Editor-in-Chief of the Harvard Civil Rights-Civil Liberties Law Review, the leading progressive law journal in the United States. CANNOTANSWER

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Belinda Jo Carlisle was born in Hollywood, Los Angeles, California on August 17, 1958 to Harold Carlisle, a gas station employee, and his wife, Joanne (nee Thompson), a homemaker. Her mother met her father, who was twenty years her senior, at age eighteen, and Carlisle was born nine months later. She was named after her mother's favorite film, Johnny Belinda (1948). Carlisle was the first of seven siblings, with three brothers and three sisters.

Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger. She was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Thousand Oaks High School. However, her time in the band was short due to her contracting mononucleosis, and she never recorded or performed live with the Germs. According to Pat Smear, upon quitting, she introduced her friend, Donna Rhia, who became her replacement. Carlisle does appear on one recording introducing the band at a 1977 performance at the Whisky a Go Go, heard on the live album Germicide (1977). Around this time Carlisle did some back-up singing for Black Randy and the Metrosquad. Soon after leaving the Germs, she co-founded The Go-Go's (originally named the Misfits), with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. All five women were largely untrained musicians, and Carlisle recalls having to use tape as fret markers during their initial songwriting: "[Charlotte] had to show us how to plug in our amps," she said. The Go-Go's would go on to become one of the most successful American bands of the 1980s, helping usher new wave music into popular American radio, and becoming the first all-female band who wrote their own music and played their own instruments to ever achieve a No. 1 album, Beauty and the Beat, which featured the hits "We Got the Beat" and "Our Lips Are Sealed". The Go-Go's recorded two more studio albums on I.R.S. Records, including 1982's Vacation, which went gold. "Head over Heels", from their 1984 album Talk Show, made it to No. 11. In 1984, Carlisle made a foray into acting in the movie Swing Shift, starring alongside Goldie Hawn and Kurt Russell. In 2001, The Go-Go's reunited again and released an album of new material, God Bless The Go-Go's. Green Day's lead singer Billie Joe Armstrong co-wrote the only released single "Unforgiven". God Bless The Go-Go's received mixed reviews from critics. Peter Fawthrop of AllMusic wrote "Every bit as Go-Go's, that is, as their non-hits and less remarkable material. While The Go-Go's sound is intact, there is not a "We Got the Beat" or a "Head Over Heels" to be found. It is feasible that in this age of pop rebirth, The Go-Go's decided it was now or never ... The album doesn't attempt to update the band's sound with hip-hop moves or electronic frippery, for which God should bless 'em, indeed. The girls' hold on the current pop world remains so strong that Green Day's Billie Joe Armstrong co-writes a song ("Unforgiven") in impeccable Go-Go's drag". In spite of the mixed reviews, the album charted in the US Billboard 200, peaking at number No. 57. Around the time of The Go-Go's definitive reunion tour, Carlisle appeared nude for the cover feature and a full pictorial of the August 2001 edition of Playboy. In 2007, Carlisle released her seventh album, Voila, which was her first full-length solo studio album in more than ten years. The album was produced by John Reynolds and included Brian Eno on keyboards. Consisting of a mix of French pop tunes and chanson standards, including covers of Francoise Hardy and Edith Piaf classics, Voila was released via Rykodisc in the UK on February 5 and in the United States the following day, February 6, 2007. In early 2009, Carlisle was on the eighth season of Dancing with the Stars, paired with Jonathan Roberts. She was the first star to be eliminated from the competition, on March 17. In October 2009, Carlisle took over the role of Velma Von Tussle in London's West End production of Hairspray at the Shaftesbury Theatre. She remained with the show till late January 2010 and was replaced by Siobhan McCarthy. Between 2011 and 2012, Carlisle embarked on a United States tour with The Go-Go's, which included concerts at the Greek Theatre in Los Angeles in August 2011 and the Hollywood Bowl in September 2012. In March 2013, Carlisle released her first U.S. single in 17 years titled "Sun", an up-tempo pop song, which was included on "ICON", a new greatest hits compilation album. The single was also released in the United Kingdom. The song was written by Carlisle, Jane Wiedlin of The Go-Go's and singer-songwriter Gabe Lopez. Lopez also produced the song. While the track did not chart, it received positive reviews. In August 2013, Edsel Records released remastered, three-disc versions of Heaven on Earth, Runaway Horses, Live Your Life Be Free and Real. Each album comprised a remastered version of the original LP followed by the 7-inch or radio edits of each single from that album, a second disc of remixes and 12-inch versions of all the singles, and a DVD comprising the promotional videos for the singles. Some of singles and remixes had never previously been released on CD. In March 2014, a new Greatest Hits titled The Collection was released containing 18 hits and one new song, "Goodbye Just Go", along with a DVD of 18 videos. The album reached number 24 in the UK albums chart. Also in March 2014, another digitally remastered, five-disc retrospective collection titled Anthology was released. The anthology included "Dancing in the City", which had previously only been available on the Japanese LP/CD for the soundtrack to the 1987 movie Burglar, and "I Won't Say I'm in Love" which had previously only been released in 1997 as a CD single in France. It also included all three singles from her first album and all four singles from A Woman and a Man. Later in 2014, Carlisle's three other studio albums, Belinda, A Woman and a Man and Voila were re-issued by Edsel on CD, although there were a number of issues with their production. Carlisle confirmed in a radio interview in August 2015 that she has completed work on a new album, tentatively earmarked for release in January 2016. She commented that the music on the album will be partly inspired by Kundalini yoga, which she had taken up while pregnant in 1991/1992 and of which she had qualified as a teacher since becoming sober in 2005. Also in August 2015, Edsel released a box set of all the commercially released singles from Carlisle's studio albums, plus a bonus disc featuring a previously-unreleased recording of "In My Wildest Dreams", which had featured in the 1987 film Mannequin. In late 2016, the Go-Go's completed an international tour with Best Coast as a supporting act, which Carlisle stated would likely be their last tour together. Carlisle's eighth studio album, a selection of Gurmukhi chants titled Wilder Shores, was released in September 2017. CANNOTANSWER


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Palestinian art is a term used to refer to paintings, posters, installation art and other visual media produced by Palestinian artists. While the term has also been used to refer to ancient art produced in the geographical region of Palestine, in its modern usage it generally refers to work of contemporary Palestinian artists. Similar to the structure of Palestinian society, the Palestinian art field extends over four main geographic centers: the West Bank and Gaza Strip; Israel; the Palestinian diaspora in the Arab world, Europe and the United States. Contemporary Palestinian art finds its roots in folk art and traditional Christian and Islamic painting popular in Palestine over the ages.

Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER

How did these artists portray the massacres?


Following the Hungry i engagement, Reynolds moved to Port Orford, Oregon and pursued interests in ranching, business, and race cars for the next twenty years. Stewart commenced a long and distinguished career as a singer-songwriter, composing hit songs like "Daydream Believer" for The Monkees and "Runaway Train" for Rosanne Cash. He recorded more than 40 albums of his own, most notably the landmark California Bloodlines, and found chart success in the top forty with "Midnight Wind", "Lost Her in the Sun", and "Gold", the latter reaching number 5 in 1979. Bob Shane decided to stay in entertainment, and he experimented with solo work. He recorded several singles, including a well-received but under-marketed version of the song "Honey" that later became a million-seller for Bobby Goldsboro, and with different configurations with other folk-oriented performers. Though finances were not an immediate concern--the Kingston Trio partners Werber, Shane and Reynolds still owned an office building, a restaurant, other commercial real estate, and a variety of other lucrative investments--Shane wanted to return to a group environment and in 1969 secured permission from his partners to use the mutually owned group name for another band, with Reynolds and Werber insisting only that Shane's group be musically as accomplished as its predecessors and that Shane append "new" to the band's title. Shane agreed and organized two troupes under the name of "The New Kingston Trio". The first consisted of guitarist Pat Horine and banjoist Jim Connor in addition to Shane and lasted from 1969 to 1973, the second including guitarist Roger Gambill and banjoist Bill Zorn from 1973 until 1976. Shane tried to create a repertoire for these groups that included both the older and expected Kingston Trio standards like "Tom Dooley" and "M.T.A." but that would also feature more contemporary songs as well, including country and novelty tunes. The attempt did not meet with any significant success. The only full-length album released by either group was The World Needs a Melody in 1973 (though 25 years later FolkEra Records issued The Lost Masters 1969-1972, a compilation of previously unreleased tracks from the Shane-Horine-Connor years), and its sales were negligible. Though both troupes of the New Kingston Trio made a limited number of other recordings and several television appearances, neither generated very much interest from fans or the public at large. CANNOTANSWER

Answer this question "When did the New Kingston Trio form?" by extracting the answer from the text above.


John Dee (13 July 1527 - 1608 or 1609) was an English mathematician, astronomer, astrologer, occult philosopher, and advisor to Queen Elizabeth I. He devoted much of his life to the study of alchemy, divination, and Hermetic philosophy. He was also an advocate of England's imperial expansion into a "British Empire", a term he is generally credited with coining. Dee straddled the worlds of modern science and magic just as the former was emerging.

Dee was married three times and had eight children. He first married Katherine Constable in 1565; she died in 1574 and their union resulted in no children. His second (also childless) marriage to an unknown woman lasted only a year until her death in 1576. From 1577 to 1601, Dee kept a sporadic diary (also referred to as his "almanac") from which most of what we know about his life during that time has been gleaned. In 1578 he married the 23-year-old Jane Fromond: Dee was fifty-one at the time. Jane had her own connections to the Elizabethan court: she was a lady in waiting to Elizabeth Clinton, Countess of Lincoln, a position she gave up when she married Dee. When in 1587, Kelley informed Dee of the angel's wish that they share wives, Jane Dee (nee Fromond) was the wife Dee shared with him. Although Dee complied with the angel's supposed request for a while, he was apparently distressed by the arrangement and it was one reason why the two men parted company not long thereafter. Some believe that Dee's son Theodore, born nine months later, could have been Kelley's son, not Dee's. Jane died in Manchester of the bubonic plague and was buried in the Manchester Cathedral burial grounds in March 1604. Michael, born in Prague, died on his father's birthday in 1594. Theodore, born in Trebon, died in Manchester in 1601. His sons Arthur Dee and Rowland survived him, as did his daughter Katherine "who was his companion to the end". No records exist for his youngest daughters Madinia, Frances and Margaret after 1604, so it is widely assumed they died in the same epidemic that took their mother. (Dee had by this time ceased keeping his diary). While Arthur was a student at the Westminster School, Dee wrote a letter to his headmaster that echoes the worries of boarding school parents in every century. Arthur was an apprentice in much of his father's alchemical and scientific work, and was in fact often his scryer until Kelley came along. Arthur went on to become an alchemist and hermetic author, whose works were published by Elias Ashmole. As regards Dee's physical appearance, the antiquary John Aubrey gives the following description: "He was tall and slender. He wore a gown like an artist's gown, with hanging sleeves, and a slit.... A very fair, clear sanguine complexion... a long beard as white as milk. A very handsome man." CANNOTANSWER

Was John married?


Catherine Zeta-Jones, CBE (; born 25 September 1969) is a Welsh actress. Born and raised in Swansea, Zeta-Jones aspired to be an actress from a young age. As a child, she played roles in the West End productions of the musicals Annie and Bugsy Malone. She studied musical theatre at the Arts Educational Schools, London, and made her stage breakthrough with a leading role in a 1987 production of 42nd Street.

Steven Spielberg took notice of Zeta-Jones in Titanic and recommended her to Martin Campbell, who was directing The Mask of Zorro (1998) for Spielberg's production company. Campbell cast her as the leading lady in favour of Izabella Scorupco, who was his original choice for the part. Co-starring Anthony Hopkins and Antonio Banderas, the film tells the story of Zorro (Hopkins), a Mexican warrior who sets out to avenge the death of his wife and find his lost daughter Elena (Zeta-Jones). She found similarities between her "volatile" Celtic personality and her Latin character's temperament, and in preparation she studied dancing, riding and sword-fighting, and took diction lessons in Spanish. Filming the action and dance sequences while wearing heavy corsets in the humid Mexican desert proved to be a challenge for Zeta-Jones, but she found the experience "worth suffering for". The Mask of Zorro was positively received by the critics and earned over US$250 million worldwide. The role proved to be a breakthrough for her and she was nominated for the MTV Movie Award for Best Breakthrough Performance. Zeta-Jones' first release of 1999 was the heist film Entrapment, in which she starred opposite Sean Connery as a seductive insurance agent on the lookout for an art thief. Despite a negative critical reception, the film was a commercial success; Janet Maslin of The New York Times thought that the film provided Zeta-Jones a platform to "show off her slithery skills", and Desson Howe of The Washington Post called on viewers to appreciate the sex appeal she brought to the role. Later that year, Zeta-Jones appeared alongside Liam Neeson and Lili Taylor in The Haunting, a remake of the 1963 film of the same name about a team of paranormal experts who look into strange occurrences in an ill-fated mansion. The horror feature received generally poor reviews but found a significant worldwide audience. In a scathing review, the critic Mick LaSalle wrote that "Zeta-Jones seems less an actress and more a pretty face, and not an interesting one at that". After taking the supporting part of star John Cusack's romantic interest in the comedy-drama High Fidelity (2000), Zeta-Jones starred in Steven Soderbergh's Traffic (2000). In the ensemble thriller on drug abuse starring Michael Douglas and Benicio del Toro, she played Helena Ayala, the pregnant wife of a drug lord who takes over the business when her husband is arrested. Initially written by Soderbergh as a mother of two, he changed the part to that of a pregnant woman on Zeta-Jones' suggestion, to accommodate her own pregnancy. Highly profitable at the box office and critically acclaimed, Traffic was described by the Dallas Observer as "a remarkable achievement in filmmaking, a beautiful and brutal work". Edward Guthman of the San Francisco Chronicle found Zeta-Jones to be a standout among the ensemble and labelled her "sensational" in a scene in which she confronts a Tijuana dealer, adding that "through sheer conviction, she electrifies a moment that could have been absurd". The ensemble of Traffic won the SAG Award for Outstanding Cast and Zeta-Jones was nominated for the Golden Globe Award for Best Supporting Actress. CANNOTANSWER

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Anne Inez McCaffrey (1 April 1926 - 21 November 2011) was an American-born writer who emigrated to Ireland and was best known for the Dragonriders of Pern fantasy series. Early in McCaffrey's 46-year career as a writer, she became the first woman to win a Hugo Award for fiction and the first to win a Nebula Award. Her 1978 novel The White Dragon became one of the first science-fiction books to appear on the New York Times Best Seller list.

The first Pern story, "Weyr Search", was published in 1967 by John W. Campbell in Analog Science Fiction and Fact. It won the 1968 Hugo Award for best novella, voted by participants in the annual World Science Fiction Convention. The second Pern story, "Dragonrider", won the 1969 Nebula Award for best novella, voted annually by the Science Fiction Writers of America. Thus she was the first woman to win a Hugo for fiction and the first to win a Nebula. "Weyr Search" covers the recruitment of a young woman, Lessa, to establish a telepathic bond with a queen dragon at its hatching, thus becoming a dragonrider and the leader of a Weyr community. "Dragonrider" explores the growth of the queen dragon Ramoth, and the training of Lessa and Ramoth. Editor Campbell requested "to see dragons fighting thread [the menace from space]", and also suggested time travel; McCaffrey incorporated both suggestions. The third story, "Crack Dust, Black Dust", was not separately published, but the first Pern novel (Dragonflight, published by Ballantine Books in 1968) was a fix-up of all three. Agent Virginia Kidd and editor Betty Ballantine provided advice and assistance for its sequel Dragonquest. It was almost complete (and the contract for another sequel signed) before the 1970 move to Ireland. Both Ballantine and fellow writer Andre Norton made suggestions for the mutant white dragon. Readers waited a long time for the completion of the original trilogy. Progress was not made until 1974-1975, when the New England Science Fiction Association invited McCaffrey to its annual convention (Boskone) as guest of honour (which included publication of a novella for sale on-site). She wrote A Time When, which would become the first part of The White Dragon. The White Dragon was released with new editions of the first two Pern books, with cover art illustrated by Michael Whelan. It was the first science-fiction book by a woman on the New York Times best-seller list, and the cover painting is still in print from Whelan. The artists share credit for their career breakthroughs. CANNOTANSWER

What was the story on?


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Belinda Jo Carlisle was born in Hollywood, Los Angeles, California on August 17, 1958 to Harold Carlisle, a gas station employee, and his wife, Joanne (nee Thompson), a homemaker. Her mother met her father, who was twenty years her senior, at age eighteen, and Carlisle was born nine months later. She was named after her mother's favorite film, Johnny Belinda (1948). Carlisle was the first of seven siblings, with three brothers and three sisters.

In 1986, Carlisle married political operative and film producer Morgan Mason, son of actor James Mason. He made appearances in Carlisle's music videos "Mad About You" and "Heaven Is a Place on Earth". They have one son, James, who was born in 1992. After the 1994 Northridge earthquake, Carlisle and her family moved to Europe, settling in the south of France. Carlisle and her husband lived between Frejus, a commune in Southern France, India, and the United States. In 2017 the couple moved to Bangkok, Thailand. In a 1990 interview with Spin, Carlisle stated that she was not close with her siblings or parents, saying: "I want to be close to them. I kind of feel uncomfortable. I think I feel guilty sometimes about my success in some ways." During the initial stages of her tenure with the Go-Go's, Carlisle developed a serious addiction to cocaine and alcohol that would span thirty years. Simultaneously, she had also developed an eating disorder, which she said stemmed from media comments regarding her appearance; Carlisle's excessive cocaine use helped keep her weight down. Additionally, Carlisle admitted to using LSD, quaaludes, and MDA regularly as both a teenager and adult. In a 2017 interview, she told The Guardian that she "couldn't believe she wasn't dead." After a three-day-long cocaine binge in 2005, Carlisle says she looked at herself in the mirror and "didn't see a light or a soul" in her eyes: "I just thought, 'I know I don't look like myself anymore.'" The same morning, she had an auditory hallucination telling her she would be found dead in a hotel room if she did not stop using drugs. The incident jarred Carlisle into seeking sobriety, and she has been sober since 2005. She told The Sydney Morning Herald in 2014: "I don't smoke anymore, I don't drink any more and I don't do drugs any more. I am very much into my Buddhism. I found turning 40 a real passage in time for me." Carlisle states in her autobiography Lips Unsealed: A Memoir that she has practiced Nichiren Buddhism as a member of the Soka Gakkai International since 2002, and she often mentions in press interviews that she chants Nam Myoho Renge Kyo daily. She has also credited the practice with helping her maintain sobriety. CANNOTANSWER


Limbaugh was born in Cape Girardeau, Missouri, the son of Mildred Carolyn "Millie" (nee Armstrong) and Rush Hudson Limbaugh, Jr. His father was a lawyer and a U.S. fighter pilot who served in the China Burma India Theater of World War II. His mother was a native of Searcy, Arkansas. The name "Rush" was originally chosen for his grandfather to honor the maiden name of family member Edna Rush.

Limbaugh's radio show airs for three hours each weekday beginning at noon Eastern Standard Time on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network. Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity. Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline. Limbaugh's popularity paved the way for other conservative talk radio programming to become commonplace on AM radio. The show became so popular in the 1990s, even some FM stations picked it up. In March 2006, WBAL in Baltimore became the first major market radio station in the country to drop Limbaugh's nationally syndicated radio program. In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts. Limbaugh frequently mentions the EIB (Excellence In Broadcasting) Network, trademarked in 1990. In the beginning, his show was co-owned and first syndicated by Edward F. McLaughlin, former president of ABC, who founded EFM Media in 1988, with Limbaugh's show as his first product. In 1997, McLaughlin sold EFM to Jacor Communications, which was ultimately bought up by Clear Channel Communications. Today, Limbaugh owns a majority of the show, which is syndicated by the Premiere Radio Networks. According to a 2001 article in U.S. News & World Report, Limbaugh had an eight-year contract, at the rate of $31.25 million a year. In 2007, Limbaugh earned $33 million. A November 2008 poll by Zogby International found that Rush Limbaugh was the most trusted news personality in the nation, garnering 12.5 percent of poll responses. Limbaugh signed a $400 million, eight-year contract in 2008 with what was then Clear Channel Communications, making him the highest-paid broadcaster on terrestrial radio. On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract. At the announcement of the extension, Premiere Radio Networks and iHeartMedia announced that his show experienced audience growth with 18% growth in adults 25-54, 27% growth with 25-54 women, and ad revenue growth of 20% year over year. CANNOTANSWER

Answer the following question by taking a quote from the article: Was the show on radio or television?


Rauschenberg picked up trash and found objects that interested him on the streets of New York City and brought these back to his studio where they could become integrated into his work. He claimed he "wanted something other than what I could make myself and I wanted to use the surprise and the collectiveness and the generosity of finding surprises. And if it wasn't a surprise at first, by the time I got through with it, it was. So the object itself was changed by its context and therefore it became a new thing." Rauschenberg's comment concerning the gap between art and life can be seen as a statement which provides the departure point for an understanding of his contributions as an artist. In particular his series of works which he called Combines served as instances in which the delineated boundaries between art and sculpture were broken down so that both were present in a single work of art. Technically "Combines" refers to Rauschenberg's work from 1954 to 1962, but the artist had begun collaging newsprint and photographic materials in his work and the impetus to combine both painting materials and everyday objects such as clothing, urban debris, and taxidermied animals such as in Monogram continued throughout his artistic life. His transitional pieces that led to the creation of Combines were Charlene (1954) and Collection (1954) where he combined collage technique and started to incorporate objects such as scarves, comic strips, and faux architectural cornice pieces. Considered one of the first of the Combines, Bed (1955) was created by dripping red paint across a quilt. The quilt was later stretched and displayed as a work of art. Some critics according to The Daily Telegraph considered the work to be a symbol for violence and rape. Critics originally viewed the Combines in terms of the formal aspects of art, shape, color, texture, and the composition and arrangement of these. This 1960s view has changed over time so that more recently critics and art historians see the Combines as carrying coded messages difficult to decipher because there is no apparent order to the presentation of the objects. Canyon (1959) features a stuffed bald eagle which drew government ire due to the 1940 Bald and Golden Eagle Protection Act, but the stuffed angora goat with paint applied to its snout in his Monogram (1955-1959) was without controversy. CANNOTANSWER

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Sandman (Wesley Dodds) is a fictional character, a superhero who appears in American comic books published by DC Comics. The first of several DC characters to bear the name Sandman, he was created by writer Gardner Fox and artist Bert Christman. Attired in a green business suit, fedora, and gas mask, the Sandman used a gun emitting a sleeping gas to sedate criminals. He was originally one of the mystery men to appear in comic books and other types of adventure fiction in the 1930s but later was outfitted with a unitard/cowl costume and developed into a proper superhero, acquiring sidekick Sandy, and founding the Justice Society of America.

Reintroduced in the Silver Age in Justice League of America No. 46 (July 1966), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA. In 1981 DC began publishing All-Star Squadron, a retelling of the Earth-Two mystery-men during WWII. Although not a main character, Sandman does appear in its pages. Of note is issue No. 18 which gives an explanation of why Dodds changed costumes from the cloak and gas mask to the yellow-and-purple outfit; Dian wore his costume while he was fighting elsewhere and she was killed in a fray. Dodds decided to wear the new costume, of Dian's design, until he could bring himself to wear the original in which she had died. Later, this explanation would be changed again when Dian Belmont was retconned to have never died, and a new explanation was given: Sandy convinced Dodds to switch to the more colorful costume to gain the support of regular people, who preferred the more traditional superhero look to his older, pulp-themed costume. An acclaimed film noir-inspired retelling of the original Sandman's adventures, Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint. Although as a whole its continuity within the DC Universe is debatable, several elements of the series - the more nuanced relationship between Dodds and Dian Belmont; the Sandman's appearance, (wearing a trench coat and World War I gas mask instead of the cape and the custom-made gas mask); and Dodds' pudgier appearance and wearing of glasses - have been adopted into regular continuity. The series ran for 70 issues and 1 annual. In Sandman Midnight Theatre (1995) a one-shot special by Neil Gaiman (author of the Modern Age supernatural series The Sandman), Matt Wagner (co-author of Sandman Mystery Theatre), and Teddy Kristiansen, depicts an interaction between the two characters, with the original visiting Great Britain and encountering the imprisoned Dream, the protagonist of Gaiman's series. A minor retcon by Gaiman suggested that Dodds' chosen identity was a result of Dream's absence from the realm the Dreaming, and that Dodds carries an aspect of that mystical realm. This explains Dodds' prophetic dreams. CANNOTANSWER

Answer the following question by taking a quote from the article: What comics did Sandman appear in during the Silver Age?


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Bantu Stephen Biko (18 December 1946 - 12 September 1977) was a South African anti-apartheid activist. Ideologically an African nationalist and African socialist, he was at the forefront of a grassroots anti-apartheid campaign known as the Black Consciousness Movement during the late 1960s and 1970s. His ideas were articulated in a series of articles published under the pseudonym Frank Talk. Raised in a poor Xhosa family, Biko grew up in Ginsberg township in the Eastern Cape.

Biko was initially interested in studying law at university, but many of those around him discouraged this, believing that law was too closely intertwined with political activism. Instead they convinced him to choose medicine, a subject thought to have better career prospects. He secured a scholarship, and in 1966 entered the "non-European" section of the University of Natal Medical School in Wentworth, a township of Durban. There, he joined what his biographer Xolela Mangcu called "a peculiarly sophisticated and cosmopolitan group of students" from across South Africa; many of them later held prominent roles in the post-apartheid era. The late 1960s was the heyday of radical student politics across the world, as reflected in the protests of 1968, and Biko was eager to involve himself in this environment. Soon after he arrived at the university, he was elected to the Students' Representative Council (SRC). The university's SRC was affiliated with the National Union of South African Students (NUSAS). NUSAS had taken pains to cultivate a multi-racial membership but remained white-dominated because the majority of South Africa's students were from the country's white minority. As Clive Nettleton, a white NUSAS leader, put it: "the essence of the matter is that NUSAS was founded on white initiative, is financed by white money and reflects the opinions of the majority of its members who are white". NUSAS officially opposed apartheid, but it moderated its opposition in order to maintain the support of conservative white students. Biko and several other black African NUSAS members were frustrated when it organised parties in white dormitories, which black Africans were forbidden to enter. In July 1967, a NUSAS conference was held at Rhodes University in Grahamstown; after the students arrived, they found that dormitory accommodation had been arranged for the white and Indian delegates but not the black Africans, who were told that they could sleep in a local church. Biko and other black African delegates walked out of the conference in anger. Biko later related that this event forced him to rethink his belief in the multi-racial approach to political activism: I realized that for a long time I had been holding onto this whole dogma of nonracism almost like a religion ... But in the course of that debate I began to feel there was a lot lacking in the proponents of the nonracist idea ... they had this problem, you know, of superiority, and they tended to take us for granted and wanted us to accept things that were second-class. They could not see why we could not consider staying in that church, and I began to feel that our understanding of our own situation in this country was not coincidental with that of these liberal whites. CANNOTANSWER

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Background: Ban Ki-moon (; Hangul: bangimun; Hanja: Pan Ji Wen ; Korean pronunciation: [pan.gi.mun]; born 13 June 1944) is a South Korean diplomat who was the eighth Secretary-General of the United Nations from January 2007 to December 2016. Before becoming Secretary-General, Ban was a career diplomat in South Korea's Ministry of Foreign Affairs and in the United Nations. He entered diplomatic service the year he graduated from university, accepting his first post in New Delhi, India.
Context: The aftermath of the Libyan Civil War and other events of the Arab Spring continued to command Ban's attention with the start of his second term. He focused in 2012 on what he termed "intolerance" in the Arab world. After travelling to Vienna to participate in the opening of the KAICIID Dialogue Centre to foster interreligious dialogue, Ban commented, "Many countries in the Arab world including Saudi Arabia are changing. Since the Arab Spring, the leaders have begun to listen to the voice of their people." He was however criticised in the Austrian press for associating himself with a project of Saudi King Abdullah, Saudi Arabia being a location of perceived religious intolerance. Throughout 2012, Ban expressed his concern about the continuing Israeli-Palestinian conflict, in particular the condition of the Palestinian hunger strikers in Israeli prisons and the movement restrictions imposed on Gaza Strip residents. On 30 August 2012 Ban criticized the Iranian leadership due to their statements regarding Israel's destruction and denying the Holocaust. On 16 August 2013, Ban Ki-moon admitted that the UN was biased against Israel, stating in a meeting with Israeli students that there was a biased attitude towards the Israeli people and Israeli government at the UN. He described this as "an unfortunate situation." A few days later, he backtracked on the utterance. During an interview on 16 December 2016, Ban said that the UN has issued a "disproportionate volume of resolutions, reports and conferences criticizing Israel." On 26 January 2016, Ban made a statement in relation to the attacks by Palestinians against Israelis. Ban Ki-moon said that "as oppressed peoples have demonstrated throughout the ages, it is human nature to react to occupation, which often serves as a potent incubator of hate and extremism". In rebuking Ban's statement, the Israeli PM Benjamin Netanyahu stated that "there is no justification for terror". Ban has criticized Saudi Arabian-led intervention in Yemen, saying: "Grave violations against children increased dramatically as a result of the escalating conflict". In June 2016, Ban Ki-moon removed a Saudi-led coalition from a list of children's rights violators. He later admitted that Saudi Arabia threatened to cut Palestinian aid and funds to other UN programs if coalition was not removed from blacklist for killing children in Yemen. According to one source, there was also a threat of "clerics in Riyadh meeting to issue a fatwa against the UN, declaring it anti-Muslim, which would mean no contacts of OIC members, no relations, contributions, support, to any UN projects, programs". CANNOTANSWER
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Background: Guns N' Roses, often abbreviated as GNR, is an American hard rock band from Los Angeles, California, formed in 1985. The lineup, when first signed to Geffen Records in 1986, consisted of vocalist Axl Rose, lead guitarist Slash, rhythm guitarist Izzy Stradlin, bassist Duff McKagan, and drummer Steven Adler. Guns N' Roses has released six studio albums, accumulating sales of more than 100 million records worldwide, including 45 million in the United States, making them the 41st best-selling artist of all time. Guns N' Roses' debut album, Appetite for Destruction (1987), reached number one on the Billboard 200 a year after its release, on the strength of "Sweet Child o' Mine", the band's only single to reach number one on the Billboard Hot 100.
Context: In 1984, Hollywood Rose member Izzy Stradlin was living with L.A. Guns member Tracii Guns. When L.A. Guns needed a new vocalist, Stradlin suggested Hollywood Rose singer Axl Rose. Guns N' Roses was formed in March 1985 by Rose and rhythm guitarist Stradlin, along with lead guitarist Tracii Guns, bassist Ole Beich, and drummer Rob Gardner of L.A. Guns. The band coined its name by combining the names of both previous groups. Rejected names for the band included "Heads of Amazon" and "AIDS". After a short time, during which the band reportedly played two or three shows, Beich was fired and replaced by Duff McKagan. Tracii Guns left the band after an argument with Rose leading to his replacement by Rose and Stradlin's one-time Hollywood Rose bandmate, Slash. Gardner quit soon after and was replaced by another former Hollywood Rose member, Steven Adler. Slash had also previously played with McKagan and Adler in Road Crew. The band's "classic" lineup was finalized on June 4, 1985 when Adler and Slash officially joined. After two days of rehearsals, the band played their first show with the lineup on June 6, 1985. Two days later, the band embarked on a short, disorganized tour of the West Coast, from Sacramento, California, to McKagan's hometown of Seattle, Washington. The band drove in a separate van and had to abandon their gear when both vans broke down on the way to Seattle, forcing them to hitch-hike up the coast and back home to LA with only their guitars. The so-called "Hell Tour" settled the band's first stable lineup, with McKagan later commenting, "This trip had set a new benchmark for what we were capable of, what we could and would put ourselves through to achieve our goals as a band." Through the band's increasing presence on the Hollywood club scene - playing famed bars such as The Troubadour and The Roxy - Guns N' Roses drew the attention of major record labels. The group signed with Geffen Records in March 1986, receiving a $75,000 advance. They had turned down an offer from Chrysalis Records that was nearly double Geffen's, due to Chrysalis wanting to change the band's image and sound and Geffen offering full artistic freedom. In December of that year, the group released the four-song EP Live ?!*@ Like a Suicide, designed to keep interest in the band alive while the group withdrew from the club scene to work in the studio. The EP release was designed to sooth over the label, who felt the band didn't have enough songs to record an album. The EP contained covers of Rose Tattoo's "Nice Boys" and Aerosmith's "Mama Kin", along with two original compositions: the punk-influenced "Reckless Life" and the classic rock-inspired "Move to the City." Although billed as a live recording, the four songs were taken from the band's demo tapes and overdubbed with crowd noise. Live ?!*@ Like a Suicide was released on the Geffen subsidiary Uzi Suicide, with production limited to 10,000 vinyl copies. CANNOTANSWER
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Beckham was born at the Princess Alexandra Hospital in Harlow, Essex, United Kingdom, and raised in Goffs Oak, Hertfordshire. She is the eldest of three children of Jacqueline Doreen (nee Cannon), a former insurance clerk and hairdresser, and Anthony William Adams, who worked as an electronics engineer. They founded an electronics wholesale business which allowed a comfortable upbringing for Victoria, her sister, Louise, and her brother, Christian Adams. Beckham's great-great-great-grandfather was German artist and revolutionary Carl Heinrich Pfander.

Beckham made a guest appearance on the catwalk for Maria Grachvogel on 17 February 2000, marking her debut as a model at London Fashion Week. Beckham also acted as a British ambassador for Dolce and Gabbana and was briefly the face of Rocawear in 2003. Beckham designed a limited-edition fashion line for Rock & Republic called VB Rocks in 2004, consisting mainly of jeans for the high end of the market, retailing at approximately $300 in the US. On 16 January 2006, Beckham walked the runway for Roberto Cavalli at Milan Fashion Week, and was for a period exclusively dressed by him for red-carpet and social events. For the March 2006 issue of Harper's Bazaar, Beckham acted as fashion editor when she styled her close friend, Katie Holmes, for a fashion shoot. She has admitted to a personal love of sunglasses, saying "I'm quite obsessed with sunglasses. I collect vintage Guccis and Carreras - they can make virtually any outfit look cool." After Beckham's departure from Rock & Republic, in September 2006, she furthered her fashion ventures by launching her own denim label, dvb Style. Beckham then launched a new official website, dvbstyle.com to promote her fashion work. On 14 June 2007, Beckham launched dvb Denim collection in New York at Saks Fifth Avenue, along with unveiling her eyewear range in the United States for the first time. In the same month, Beckham made her first appearance at London's annual Graduate Fashion Week as a judge alongside Glenda Bailey (editor-in-chief of Harper's Bazaar) and Lanvin's Alber Elbaz, to choose the winner of the River Island Gold Award, worth PS20,000. In August 2007, Intimately Beckham perfume was launched into US stores, one of more than 20 perfumes she and David Beckham have introduced over the years. In September 2007 her cosmetics line V-Sculpt was launched in Tokyo. In a 2007 appearance at an LA Galaxy press conference, Beckham is credited with having popularised Roland Mouret's 'moon dress' and his brand, and Beckham was also the face of Marc Jacobs for his Spring 2008 collection. Beckham has graced countless fashion magazine covers during her career, including I-D in 2004 and W in 2007. Her first Vogue appearance was the April 2008 British edition. This was followed by Vogue India, Vogue Paris as well as the German, Russian, Australian, Turkish, Taiwanese, Chinese and Spanish editions. Beckham has also graced various international editions of Harper's Bazaar and Elle. CANNOTANSWER

what did she go on to do from there?


Harpo was born on November 23, 1888 in Manhattan. He grew up in a neighborhood now known as Carnegie Hill on the Upper East Side of Manhattan, on East 93rd Street off Lexington Avenue. The turn-of-the-century tenement that Harpo later called (in his memoir Harpo Speaks!) "the first real home I can remember" was populated with European immigrants, mostly artisans--which even included a glass blower.

In January 1910, Harpo joined two of his brothers, Julius (later "Groucho") and Milton (later "Gummo"), to form "The Three Nightingales", later changed to simply "The Marx Brothers". Multiple stories--most unsubstantiated--exist to explain Harpo's evolution as the "silent" character in the brothers' act. In his memoir, Groucho wrote that Harpo simply wasn't very good at memorizing dialogue, and thus was ideal for the role of the "dunce who couldn't speak", a common character in vaudeville acts of the time. Harpo gained his stage name during a card game at the Orpheum Theatre in Galesburg, Illinois. The dealer (Art Fisher) called him "Harpo" because he played the harp. He learned how to hold it properly from a picture of an angel playing a harp that he saw in a five-and-dime. No one in town knew how to play the harp, so Harpo tuned it as best he could, starting with one basic note and tuning it from there. Three years later he found out he had tuned it incorrectly, but he could not have tuned it properly; if he had, the strings would have broken each night. Harpo's method placed much less tension on the strings. Although he played this way for the rest of his life, he did try to learn how to play correctly, and he spent considerable money hiring the best teachers. They spent their time listening to him, fascinated by the way he played. The major exception was Mildred Dilling, a professional harpist who did teach Harpo the proper techniques of the instrument and collaborated with him regularly when he had difficulty with various compositions. In the autobiography Harpo Speaks (1961), he recounts how Chico found him jobs playing piano to accompany silent movies. Unlike Chico, Harpo could play only two songs on the piano, "Waltz Me Around Again, Willie" and "Love Me and the World Is Mine," but he adapted this small repertoire in different tempos to suit the action on the screen. He was also seen playing a portion of Rachmaninoff's "Prelude in C# minor" in A Day at the Races and chords on the piano in A Night at the Opera, in such a way that the piano sounded much like a harp, as a prelude to actually playing the harp in that scene. Harpo had changed his name from Adolph to Arthur by 1911. This was due primarily to his dislike for the name Adolph (as a child, he was routinely called "Ahdie" instead). The name change may have also happened because of the similarity between Harpo's name and Adolph Marks, a prominent show business attorney in Chicago. Urban legends stating that the name change came about during World War I due to anti-German sentiment in the US, or during World War II because of the stigma that Adolf Hitler imposed on the name, are groundless. CANNOTANSWERAnswer this question using a quote from the following article:

What is notable about on stage?


Roy Claxton Acuff (September 15, 1903 - November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the "King of Country Music," Acuff is often credited with moving the genre from its early string band and "hoedown" format to the singer-based format that helped make it internationally successful. In 1952 Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds.

In 1938, the Crazy Tennesseans moved to Nashville to audition for the Grand Ole Opry. Although their first audition went poorly, the band's second audition impressed Opry founder George D. Hay and producer Harry Stone, and they offered the group a contract later that year. On Hay and Stone's suggestion, Acuff changed the group's name to the Smoky Mountain Boys, referring to the mountains near where he and his bandmates grew up. Shortly after the band joined the Opry, Clell Summey left the group and was replaced by the dobro player Beecher (Pete) Kirby--best known by his stage name Bashful Brother Oswald--whom Acuff had met in a Knoxville bakery earlier that year. Acuff's powerful lead vocals and Kirby's dobro playing and high-pitched backing vocals gave the band its distinctive sound. By 1939, Jess Easterday had switched to bass to replace Red Jones, and Acuff had added the guitarist Lonnie "Pap" Wilson and the banjoist Rachel Veach to fill out the band's lineup. Within a year, Roy Acuff and the Smoky Mountain Boys rivaled the long-time Opry banjoist Uncle Dave Macon as the troupe's most popular act. In spring 1940, Acuff and his band traveled to Hollywood, where they appeared with Hay and Macon in the motion picture Grand Ole Opry. Acuff appeared in several subsequent B-movies, including O, My Darling Clementine (1943), in which he played a singing sheriff; Night Train to Memphis (1946), the title of which comes from a song Acuff recorded in 1940; and Home in San Antone (1949), in which he starred with Lloyd Corrigan and William Frawley. Acuff and his band also joined Macon and other Opry acts at various tent shows held throughout the Southeast in the early 1940s. The crowds at these shows were so large that roads leading into the venues were jammed with traffic for miles. Starting in 1939, Acuff hosted the Opry's Prince Albert segment. He left the show in 1946 after a dispute with management. CANNOTANSWER

Answer the following question by taking a quote from the article: What instrument did Acuff play?


Background: Jackie Mason was born Yacov Moshe Maza in Sheboygan, Wisconsin, the fourth and last son (and first one born in the United States) in a family of six children in a strict Orthodox Jewish family. Mason came from a long line of rabbis, which included his father, his grandfather, his great-grandfather, and his great-great grandfather. His father Eli and his mother had both been born in Minsk, and had emigrated to the U.S. in the 1920s with the rest of Mason's family from Minsk; his father died in 1959. A Jewish refugee organization helped his father find a position in Sheboygan, as it needed a rabbi.
Context: On October 18, 1964, in an appearance on The Ed Sullivan Show, Mason allegedly gave host Ed Sullivan the finger on air. Footage of the incident shows Mason in the middle of doing his stand-up comedy act and then looking toward Sullivan, who had placed himself directly behind the camera, commenting that Sullivan was signaling him. Sullivan was reportedly letting Mason know (by holding up two fingers) that he had only two minutes left, and to cut his act short, as the program was about to cut away due to having been partly pre-empted by an impromptu speech by President Lyndon B. Johnson that the show carried. Mason--clearly distracted--began working his own fingers into his act to make fun of the situation, and pointed toward Sullivan with an index finger, a thumb, but not (as Sullivan mistakenly believed) his middle finger. Sullivan was clearly infuriated by this, and banned Mason from future appearances on the show, canceling Mason's $45,000 ($355,000 in current dollar terms), six-appearance contract. Mason denied knowingly giving Sullivan the middle finger; he later said that he had not heard of the middle finger gesture at that time. To clear his name, Mason filed a libel suit on the grounds that Sullivan had defamed him at the New York Supreme Court. That court dismissed most of Mason's complaint. Both Mason and Sullivan appealed to the New York Supreme Court Appellate Division (which reinstated three additional causes of action against Sullivan) in June 1966. He was nevertheless banned from the show for a period of time. Sullivan asserted that Mason was unpredictable and could not be trusted. Because of Sullivan's influence, he was branded as unreliable, volatile, and obscene, and he failed to get substantial TV work for the next two decades. There was no ruling on the merits, merely a determination that Mason's suit could proceed and that he would be given an opportunity to prove his claim. Mason was given a single comeback appearance on Sullivan's TV program two years later, and Sullivan publicly apologized to him, but the damage was done. At that time, Mason opened his monologue by saying, "It is a great thrill ... and a fantastic opportunity to see me in person again." Mason later appeared on the show five times: April 23, 1967; February 25, 1968; November 24, 1968; July 22, 1969; and August 31, 1969. Mason later said: "It took 20 years to overcome what happened in one minute". CANNOTANSWER
Question: What else did he do?

Answer:


Jerry Alan West was born into a poor household in Chelyan, West Virginia. He was the fifth of six children of Cecil Sue West, a housewife, and Howard Stewart West, a coal mine electrician. West was previously an aggressive child in his youth, until his brother's death at the Korean War aged 21 turned him into a shy and introverted boy when Jerry was 12/13. He was so small, frail, and weak that he needed lots of vitamin injections from his doctor and was kept apart from children's sports, to prevent him from getting seriously injured.

Lakers owner Jack Kent Cooke was known for having a keen eye identifying leadership and teaching qualities (he also gave Hall of Famers Sparky Anderson and Joe Gibbs their first managerial/head coaching positions), and asked West to coach and participate in player personnel decisions. In the 1976-77 season, West became coach of the Los Angeles Lakers. In three years, he led the Lakers and star center Kareem Abdul-Jabbar to a 145-101 record, making the playoffs in all 3 seasons and reaching the Western Conference Finals once in 1977. After his coaching stint, he worked as a scout for three years before becoming general manager of the Lakers prior to the 1982-83 season. NBA.com credits West in creating the great 1980s Lakers dynasty, which brought five championship rings (1980, 1982, 1985, 1987 and 1988) to Los Angeles. After a slump in the early 1990s, West rebuilt the team of coach Del Harris around center Vlade Divac, forward Cedric Ceballos, and guard Nick Van Exel, which won 48 games, and went to the Western Conference Semifinals; for turning the team around, West received his first Executive of the Year Award. By trading Vlade Divac for Kobe Bryant, signing free agent center Shaquille O'Neal, and signing six-time NBA champion Phil Jackson as a coach, West laid down the fundaments of the Lakers three-peat which saw L.A. win three NBA titles from 2000 to 2002. In 2002, West became general manager of the Memphis Grizzlies. He explained his decision with the desire for exploring something new: "After being a part of the Lakers success for so many years, I have always wondered how it would be to build a winning franchise that has not experienced much success. I want to help make a difference." West's Memphis stint was not as spectacular as his Los Angeles stint, but he turned a franchise which was about to be sold into a reliable playoffs team, practically making no trades but getting the maximum from the players he had available (e.g. Pau Gasol, James Posey and Jason Williams) and signing coach Hubie Brown, who became Coach of the Year in 2004. West himself won his second NBA Executive of the Year Award in the same year. At age 69, West retired as a Grizzlies general manager in 2007 and turned over managing duties to Chris Wallace, from Buckhannon, West Virginia. On May 19, 2011, West joined the Golden State Warriors as an executive board member, reporting directly to new owners Joe Lacob and Peter Guber. This role also came with an undisclosed minority ownership stake in the team. In 2015, the Warriors won their first championship in 40 years; the championship was the seventh earned by West while serving as a team executive. He earned his eighth in the 2016-2017 season. On June 14, 2017, West announced that he would go to the Los Angeles Clippers as an executive board member. CANNOTANSWER

Using a quote from the above article, answer the following question: did he have any other statistics?


The Clancy Brothers were an influential Irish folk group, which initially developed as a part of the American folk music revival. Most popular in the 1960s, they were famed for their trademark Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, paving the way for an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers, Patrick "Paddy" Clancy, Tom Clancy, and Liam Clancy, are best known for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership.

In March 1956, Tommy Makem was unemployed. He had recently moved to Dover, New Hampshire, where many of his family members had emigrated to work in the local cotton mills. He had found a job there making printing presses but had an accident when a two-ton steel press that he was guiding with his hand broke from its chain. The falling press tore the tendons from the bone in three of the fingers of his left hand. His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album. Little thought was given to continuing as a singing group. They all were busy establishing theatrical careers for themselves, in addition to their work at Tradition Records. But the album was a local success and requests were often demanded for the brothers and Tommy Makem to sing some of their songs at parties and informal pub settings. Slowly, the singing gigs began to outweigh the acting gigs and by 1959, serious thought was given to a new album. Liam had developed some guitar skills, Tommy's hand had healed enough he was again able to play tin whistle and bagpipes, and the times spent singing together had improved their style. No longer were they the rough, mostly unaccompanied group of actors singing for an album to jumpstart a record label; they were becoming a professional singing group. The release of their second album, this one of Irish drinking songs called Come Fill Your Glass with Us, solidified their new careers as singers. The album was a success, and they made many appearances on the pub circuit in New York, Chicago, and Boston. It was at their first official gig after Come Fill Your Glass With Us that the group finally found a name for themselves. The nightclub owner asked for a name to put on the marquee, but they had not decided on one yet. Unable to agree on a name (which included suggestions like The Beggermen, The Tinkers and even The Chieftains) the owner decided for them, simply billing them as "The Clancy Brothers and Tommy Makem". The name stuck. They decided to try singing full-time for six months. If their singing was successful, they would continue with it; if not, then they would return to acting. The Clancy brothers and Tommy Makem proved successful as a singing group and in early 1961, they attracted the attention of scouts from The Ed Sullivan Show. CANNOTANSWERAnswer this question using a quote from the following article:

Who were the original members ?


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Tatchell was born in Melbourne, Australia. His father was a lathe operator and his mother worked in a biscuit factory. His parents divorced when he was four and his mother remarried soon afterwards. Since the family finances were strained by medical bills, he had to leave school at 16 in 1968.

Tatchell's book Democratic Defence was published in 1985. This outlined how defence of the United Kingdom might be assured after the nuclear disarmament that he and the Labour Party were then committed to. (Labour has since abandoned this policy.) Tatchell argued that the British military was still organised on an imperialist strategy of basing troops abroad rather than on a strategy of defending the UK itself against foreign attacks. Citing the problems that the British army was facing in Northern Ireland, he argued that their long-established methods were ineffective against guerilla warfare. He argued for a range of methods to liberalise the regime in the armed forces so that troops could be allowed to join trade unions and political parties, and to end [what he referred to as] the "bull" of "petty regulations" and harsh punishments for violating them. He upheld the British Home Guard as an example of a citizens' army that had been effective in fighting Nazi Germany, and also upheld the armed forces of Sweden, Switzerland and Yugoslavia as effective in deterring foreign aggression. Tatchell argued for withdrawal from NATO and for the establishment of a European Self-Defence Organisation, independent of both the United States and the Soviet Union. Regarding the United States, he felt that Europe had become too dependent on their military protection and that this was inappropriate given the differing interests of many European countries. He condemned the Soviet Union's invasions of Czechoslovakia and of Afghanistan, as well as condemning its internal repression. He wrote, "It is quite evident that the Soviet system today represents the complete opposite of everything that the left in the West is striving for..." He quoted with approval Enoch Powell's argument that the threat from the Soviet Union to the UK was exaggerated. CANNOTANSWER

Did he try to do anything outside the book to help his views?


Since 1983, Shearer has been the host of the public radio comedy/music program Le Show. The program is a hodgepodge of satirical news commentary, music, and sketch comedy that takes aim at the "mega morons of the mighty media". It is carried on many National Public Radio and other public radio stations throughout the United States. Since the merger of SIRIUS and XM satellite radio services the program is no longer available on either. The show has also been made available as a podcast on iTunes and by WWNO. On the weekly program Shearer alternates between DJing, reading and commenting on the news of the day after the manner of Mort Sahl, and performing original (mostly political) comedy sketches and songs. In 2008, Shearer released a music CD called Songs of the Bushmen, consisting of his satirical numbers about former President George W. Bush on Le Show. Shearer says he criticizes both Republicans and Democrats equally, and also says that "the iron law of doing comedy about politics is you make fun of whoever is running the place" and that "everyone else is just running around talking. They are the ones who are actually doing something, changing people's lives for better or for worse. Other people the media calls 'satirists' don't work that way." Since encountering satellite news feeds when he worked on Saturday Night Live, Shearer has been fascinated with the contents of the video that does not air. Shearer refers to these clips as found objects. "I thought, wow, there is just an unending supply of this material, and it's wonderful and fascinating and funny and sometimes haunting - but it's always good," said Shearer. He collects this material and uses it on Le Show and on his website. In 2008, he assembled video clips of newsmakers from this collection into an art installation titled "The Silent Echo Chamber" which was exhibited at The Aldrich Contemporary Art Museum in Ridgefield, Connecticut. The exhibit was also displayed in 2009 at Institut Valencia d'Art Modern (IVAM) in Valencia, Spain and in 2010 at the New Orleans Contemporary Arts Center. In 2006 Shearer appeared with Brian Hayes in four episodes of the BBC Radio 4 sitcom Not Today, Thank You, playing Nostrils, a man so ugly he cannot stand to be in his own presence. He was originally scheduled to appear in all six episodes but had to withdraw from recording two due to a problem with his work permit. On June 19, 2008, it was announced that Shearer would receive a star on the Hollywood Walk of Fame in the radio category. The date of the ceremony where his star will be put in place has yet to be announced. CANNOTANSWER

Answer this question "Does he use the material for other things?" by extracting the answer from the text above.


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William Lloyd Garrison (December 10, 1805 - May 24, 1879) was a prominent American abolitionist, journalist, suffragist, and social reformer. He is best known as the editor of the abolitionist newspaper The Liberator, which he founded with Isaac Knapp in 1831 and published in Massachusetts until slavery was abolished by Constitutional amendment after the American Civil War. He was one of the founders of the American Anti-Slavery Society, and promoted "immediate emancipation" of slaves in the United States. Born in Newburyport, Massachusetts, Garrison began his newspaper career as an apprentice compositor for the Newburyport Herald.

In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Was he successful in his anti slavery work?