Answer by taking a quote from the following article:

Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

In 1834, Pugin converted to the Roman Catholic Church and was received into it the following year. Pugin's father, Auguste-Charles Pugin was a Frenchman who had immigrated to England as a result of the French Revolution, and probably, like many others, converted to the Anglican Church in order to obtain employment, because it was very improbable that any non-Anglican would obtain a governmental commission or tender, for example. British society at the time had many restrictions on any person not adhering to the state religion of the Church of England: Non-Anglicans could not attend a university, for example, or serve on parish or city councils, be a member of Parliament, serve in the armed forces, or even serve on a jury. A number of reforms in the early 19th century relieved these restrictions, the most important of which was the Roman Catholic Relief Act of 1829, which specifically abolished the restrictions. After 1829 it became, at least theoretically, possible for Roman Catholics to have a successful career; this was the context of A. W. Pugin's conversion to the Roman Catholic Church. However, his conversion also acquainted him with new patrons and employers. In 1832 he made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic sympathetic to his aesthetic theory and who employed him in alterations and additions to his residence of Alton Towers, which subsequently led to many more commissions. Shrewsbury commissioned him to build St. Giles Roman Catholic Church, Cheadle, Staffordshire, England, which was completed in 1846, and Pugin was also responsible for designing the oldest Catholic Church in Shropshire, England, St Peter and Paul Church, Newport. CANNOTANSWER

Why did he join the roman catholic church?


Ray Price was born on a farm near the small, now gone, community of Peach, near Perryville in Wood County, Texas  He was the son of Walter Clifton Price and Clara Mae Bradley Cimini. His grandfather James M. M. Price was an early settler of the area. Price was three years old when his parents divorced and his mother moved to Dallas, Texas.

After the war and college, Price rethought his decision to continue schooling to be a veterinarian. For one thing he was considered too small to work with large cattle and horses, the backbone of a Texas veterinarian's practice. While helping around his father's ranch he also began singing at various functions around the Abilene, Texas area. This eventually led him to begin singing on the radio program Hillbilly Circus broadcast on Abilene's KRBC in 1948. He joined the Big D Jamboree on Dallas radio station KRLD-AM in 1949, and when the show was picked up for broadcast on the CBS radio network soon afterward Price had his first taste of national exposure. It was around this time Ray Price became friends with Lefty Frizzell. The two first met at Beck Recording Studio in Dallas, and Price ended up writing the song "Give Me More, More, More Of Your Kisses" for Frizzell's use. A few demos recorded by Price at Beck's caught the attention of Bullet Records in Nashville, Tennessee and he was signed to his first recording contract. However, his first single released on Bullet, "Jealous Lies" failed to become a chart hit. He relocated to Nashville in the early 1950s, rooming for a brief time with Hank Williams. When Williams died, Price managed his band, the Drifting Cowboys, and had minor success. He was the first artist to have a success with the song "Release Me" (1954), a top five popular music hit for Engelbert Humperdinck in 1967. In 1953, Price formed his band, the Cherokee Cowboys. Among its members during the late 1950s and early 1960s were; Roger Miller, Willie Nelson, Darrell McCall, Van Howard, Johnny Paycheck, Johnny Bush, Buddy Emmons, Pete Wade, Jan Kurtis, Shorty Lavender and Buddy Spicher. Miller wrote one of Ray Price's classics in 1958, "Invitation to the Blues", and sang harmony on the recording. Additionally, Nelson composed the Ray Price song "Night Life". Price became one of the stalwarts of 1950s honky tonk music, with hit songs such as "Talk To Your Heart" (1952) and "Release Me". He later developed the famous "Ray Price Shuffle," a 4/4 arrangement of honky tonk music with a walking bassline, which can be heard on "Crazy Arms" (1956) and many of his other recordings from the late 1950s. CANNOTANSWER

Why did he do that?


Body Count is an American crossover thrash band formed in Los Angeles, California, in 1990. The group is fronted by Ice-T, who co-founded the group with lead guitarist Ernie C out of their interest in heavy metal music. Ice-T took on the role of vocalist and writing the lyrics for most of the group's songs. Lead guitarist Ernie C has been responsible for writing the group's music.

The song "Cop Killer", intended to criticize corrupt police officers, encountered controversy, as it was seen as an attack against the entire police force. According to Ice-T, "I thought I was safe. I thought within the world of rock'n'roll, you could be free to write what you want. Hell, I was listening to Talking Heads singin' 'Psycho Killer.' Fuck it, I'll make 'Cop Killer'! But, that was the cross of metal with something that was real. Now we're not just killing your family, we're killing somebody so real that everybody just went, 'oh shit.'" The Dallas Police Association and the Combined Law Enforcement Association of Texas launched a campaign to force Warner Bros. Records to withdraw the album. Within a week, they were joined by police organizations across the United States. Some critics argued that the song could cause crime and violence. Many defended the song on the basis of the group's right to freedom of speech. In The Ice Opinion: Who Gives a Fuck, Ice-T wrote that "The people who did have a platform were way off backing me on the First Amendment. That's not where all the anger should have been directed. The anger should have been generated back at the police. [...] Because people jumped on the wrong issue they were able to drive this thing totally through Warner Brothers." Over the next month, controversy against the band grew. Vice President Dan Quayle branded "Cop Killer" as being "obscene," and President George H.W. Bush publicly denounced any record company that would release such a product. At a Time-Warner shareholders' meeting, actor Charlton Heston stood and read lyrics from the song "KKK Bitch" to an astonished audience and demanded that the company take action. The criticism escalated to the point where death threats were sent to Time-Warner executives, and shareholders threatened to pull out of the company. Finally, Ice-T decided to remove "Cop Killer" from the album of his own volition. In an interview, Ice-T stated that "I didn't want my band to get pigeon-holed as that's the only reason that record sold. It just got outta hand and I was just tired of hearing it. I said, 'fuck it,' I mean they're saying we did it for money, and we didn't. I'd gave the record away, ya know, let's move on, let's get back to real issues, not a record but the cops that are out there killing people." "Cop Killer" was replaced by a new version of "Freedom of Speech," a song from Ice-T's 1989 solo album The Iceberg/Freedom of Speech...Just Watch What You Say. The song was re-edited and remixed to give it a more rock-oriented sound. Ice-T left Warner Bros. Records the following year because of disputes over the Ice-T solo album Home Invasion, taking Body Count with him. Despite the controversy, the album received some praise, including A- reviews from Entertainment Weekly and The Village Voice, who later ranked the album among their list of The 40 Best Albums of 1992. Variety reported that the album had sold 480,000 copies by January 29, 1993. CANNOTANSWER

How was this song perceived  by the community?


Background: Boris Nikolayevich Yeltsin (Russian: Boris Nikolaevich El'tsin, IPA: [ba'rjis njIka'laIvjItc 'jeljtsin] ( listen); 1 February 1931 - 23 April 2007) was a Soviet and Russian politician and the first President of the Russian Federation, serving from 1991 to 1999. Originally a supporter of Mikhail Gorbachev, Yeltsin emerged under the perestroika reforms as one of Gorbachev's most powerful political opponents. During the late 1980s, Yeltsin had been a candidate member of the Politburo, and in late 1987 tendered a letter of resignation in protest. No one had resigned from the Politburo before.
Context: Yeltsin underwent emergency quintuple heart bypass surgery in November 1996, and remained in the hospital for months. During his presidency, Russia received US$40 billion in funds from the International Monetary Fund and other international lending organizations. However, his opponents allege that most of these funds were stolen by people from Yeltsin's circle and placed in foreign banks. In 1998, a political and economic crisis emerged when Yeltsin's government defaulted on its debts, causing financial markets to panic and the ruble to collapse in the 1998 Russian financial crisis. During the 1999 Kosovo war, Yeltsin strongly opposed the NATO military campaign against Yugoslavia, and warned of possible Russian intervention if NATO deployed ground troops to Kosovo. In televised comments he stated: "I told NATO, the Americans, the Germans: Don't push us toward military action. Otherwise there will be a European war for sure and possibly world war." On 9 August 1999 Yeltsin fired his prime minister, Sergei Stepashin, and for the fourth time, fired his entire cabinet. In Stepashin's place he appointed Vladimir Putin, relatively unknown at that time, and announced his wish to see Putin as his successor. In late 1999 Yeltsin and President Clinton openly disagreed on the war in Chechnya. At the November meeting of the Organization for Security and Cooperation in Europe, Clinton pointed his finger at Yeltsin and demanded he halt bombing attacks that had resulted in many civilian casualties. Yeltsin immediately left the conference. In December while visiting China to seek support on Chechnya, Yeltsin replied to Clinton's criticism of a Russian ultimatum to citizens of Grozny. He bluntly pronounced: "Yesterday, Clinton permitted himself to put pressure on Russia. It seems he has for a minute, for a second, for half a minute, forgotten that Russia has a full arsenal of nuclear weapons. He has forgotten about that." Clinton dismissed Yeltsin's comments stating: "I didn't think he'd forgotten that America was a great power when he disagreed with what I did in Kosovo." It fell to Putin to downplay Yeltsin's comments and present reassurances about U.S. and Russian relations. CANNOTANSWER
Question: Did he implement any policies during his second term?. Whats the answer?


Cheri Honkala was born in Minneapolis, Minnesota, in 1963. Her father, Maynard Duane Honkala, was of Finnish ancestry, and her mother had Cheyenne Native American ancestry. She grew up watching her mother suffer from domestic violence. Honkala's mother quietly endured this abuse for fear of losing her kids.

Honkala has been a controversial figure throughout her career as a protester and organizer. Feather O. Houstoun, a former secretary of the (Pennsylvania) State Department of Public Welfare, said "She has not been working, rolling up her sleeves on issues like Community Legal Services does. She has never availed herself [of] that opportunity, while other groups have." John Kromer, a former director of the city's office of Housing and Community Development, faxed a five-page letter to KWRU, in which he claimed that the group was actually preventing its poor followers from obtaining housing through its tactic of breaking into vacant homes, rather than utilizing established organizations. He wrote: "No good can come of an organization-building strategy, which is based on misleading poor people or preventing them from obtaining access to available assistance and support." Honkala admits that the group failed to rehabilitate any of the homes illegally taken, but asserts that the group was instrumental in helping 500 formerly homeless people find housing through existing programs. Honkala added: "I get criticized on a regular basis for not being a team player. But I have no qualms about holding a protest tomorrow at anybody's offices if they are denying anybody the basic necessities of life. You're not supposed to do that in Philadelphia." She has been criticized for her confrontational tactics in dealing with the authorities. Author David Zucchino described Honkala's behavior at the first Liberty Bell protest as follows: Cheri loved to make people uncomfortable... She wanted people to squirm and recoil when they saw poor people. She was convinced that America sought desperately to keep its poor out of sight so as not to be reminded of the social policies she believed exacerbated poverty. If the country was going to turn its back on the poor, she was not going to let anyone feel ambivalent about it. She would assault people with her high-pitched nasal voice--in public demonstrations, in confrontations with elected officials, in media interviews, and in front of a ragged tent on Independence Mall. During the church takeover incident, William Parshall, the deputy city managing director, known as the Philadelphia "housing czar," was asked whether Honkala's in-your-face tactics "made his job difficult." Parshall replied that he was far more concerned with such pending problems as national and state welfare cuts. He added, "The question is, what are we going to do about it? That's the question Cheri should be asking." Zucchino in his book details many confrontations between Honkala and the authorities, but also instances in which she reached a mutually satisfactory compromise with them. For example, during the first Liberty Bell protest, she negotiated successfully with park authorities to leave the site without the necessity of admitting guilt or of enduring mass arrests. CANNOTANSWER

was she ever able to help anyone?


Jonah Tali Lomu  (12 May 1975 - 18 November 2015) was a New Zealand rugby union player. He became the youngest ever All Black when he played his first international in 1994 at the age of 19 years and 45 days. Playing on the wing Lomu finished his international career with 63 caps and 37 tries. He is regarded as the first true global superstar of rugby and consequently had a huge impact on the game.

Following the World Cup New Zealand played Australia home and away for the Bledisloe Cup with Lomu scoring tries in both matches. Lomu's scoring for New Zealand continued later that year when he scored two tries in the All Blacks victory over Italy in Bologna. Lomu played in a losing effort against France in Toulouse, where New Zealand failed to score any tries. He scored a try in the second test in Paris, helping his team to victory. Lomu played for the All Blacks in matches against the touring Samoa and Scotland teams in June 1996, scoring in one of the Scottish matches. Just before the World Cup final a deal was struck between South Africa, New Zealand and Australia (SANZAR) to create the Tri-Nations, an annual round robin competition between the three nations launched with the advent of professionalism in rugby. New Zealand won all their games to become the first Tri-Nations winners. Lomu scored a try in a 43-6 victory over Australia in the inaugural match, which has been described by New Zealand Herald journalist David Leggat as "the perfect wet-weather game". At the end of 1996, he was diagnosed with a rare and serious kidney disorder, which saw him take time off from the sport. As a result, he did not play in the 1997 Tri Nations Series, but he was included in the All Blacks tour of the northern hemisphere at the end of the year. Lomu played in the two warm up matches, scoring tries against Wales 'A' and Emerging England. He played the first test against England at Old Trafford, as well as the test against Wales at Wembley Stadium, and the second match against England--he did not score in any of the three games. At the 1998 Commonwealth Games in Kuala Lumpur, he won a gold medal representing New Zealand in the Sevens Rugby event. The English rugby team came to New Zealand the following year for a two test series. Lomu played in both of the matches, scoring in the first, which was a 64-22 win in Dunedin, but not in the second test won 40-10 by the All Blacks. CANNOTANSWERAnswer this question using a quote from the following article:

How much time off did he have to take?


Background: The Carpenters were an American vocal and instrumental duo of Karen (1950-1983) and Richard Carpenter (b. 1946).  They produced a distinct soft musical style, combining Karen's contralto vocals with Richard's arranging and composition skills. During their 14-year career, the Carpenters recorded ten albums, along with numerous singles and several television specials. The siblings were born in New Haven, Connecticut, and moved to Downey, California, in 1963.
Context: The Carpenter siblings were both born at Grace-New Haven Hospital (now called Yale-New Haven Hospital) in New Haven, Connecticut, to Harold Bertram (November 8, 1908 - October 15, 1988) and Agnes Reuwer (nee Tatum, March 5, 1915 - November 10, 1996). Harold was born in Wuzhou, China, moving to Britain in 1917, and the US in 1921, while Agnes was born and grew up in Baltimore, Maryland. They married on April 9, 1935; their first child, Richard Lynn, was born on October 15, 1946, while Karen Anne followed on March 2, 1950. Richard was a quiet child who spent most of his time at home listening to Rachmaninoff, Tchaikovsky, Red Nichols and Spike Jones, and playing the piano. Karen was friendly and outgoing; she liked to play sports, including softball with the neighborhood kids, but still spent a lot of time listening to music. She enjoyed dancing and began ballet and tap classes aged four. Karen and Richard were close, and shared a common interest in music. In particular, they became fans of Les Paul and Mary Ford, whose music featured multiple overdubbed voices and instruments. Richard began piano lessons aged eight, but quickly grew frustrated with the formal direction of the lessons and quit after a year. He had begun to teach himself how to play by ear by 11, and resumed studying with a different teacher. He took a greater interest in playing this time, and would frequently practice at home. By age 14, he was interested in performing professionally, and started lessons at Yale School of Music. In June 1963, the Carpenter family moved to the Los Angeles suburb of Downey. hoping that it would mean better musical opportunities for Richard. He was asked to be the organist for weddings and services at the local Methodist church; instead of playing traditional hymns, he would sometimes rearrange contemporary Beatles songs in a "church" style. In fall 1964, Richard enrolled at California State College at Long Beach where he met future songwriting partner John Bettis, Wesley Jacobs, a friend who played the bass and tuba for the Richard Carpenter Trio, and Frank Pooler, with whom Richard would collaborate to create the Christmas standard "Merry Christmas Darling" in 1966. That same fall, Karen enrolled at Downey High School, where she found she had a knack for playing the drums. She had initially tried playing the glockenspiel, but had been inspired by her friend Frankie Chavez, who had been drumming since he was three. She became enthusiastic about the drums, and began to learn complex pieces, such as Dave Brubeck's "Take Five". Chavez persuaded her parents to buy a Ludwig drum kit in late 1964, and she began lessons with local jazz players, including how to read concert music. She quickly replaced the entry-level kit with a large Ludwig set that was a similar set-up to Brubeck's drummer, Joe Morello. Richard and Karen gave their first public performance together in 1965, as part of the pit band for a local production of Guys and Dolls. Richard and Karen Carpenter signed to A&M Records on April 22, 1969. Since Karen was 19 and underage, her parents had to co-sign. The duo had decided to sign as "Carpenters", without the definite article, which was influenced by names such as Buffalo Springfield or Jefferson Airplane, which they considered "hip". When the Carpenters signed to A&M Records, they were given free rein in the studio to create an album in their own style. The label recommended that Jack Daugherty should produce it, though those present have since suggested that Richard was the de facto producer. Most of the album's material had already been written for and performed with Spectrum; "Your Wonderful Parade" and "All I Can Do" both came from demos recorded with Osborn. Richard rearranged the Beatles' "Ticket to Ride" in a melancholic ballad style. Osborn played bass on the album, and would continue to do so throughout the Carpenters' career. Karen also played bass on "All of My Life" and "Eve", after being taught the relevant parts by Osborn. The album, entitled Offering, was released on October 9, 1969, to a positive critical reception; one review in Billboard said "With radio programming support, Carpenters should have a big hit on their hands." "Ticket to Ride" was released as a single on November 5, and became a minor hit for the Carpenters, peaking at No. 54 on the Billboard Hot 100 and the Top 20 of the Adult Contemporary chart. The album only sold 18,000 copies on its initial run, at a loss for A&M, but after the Carpenters' subsequent breakthrough the album was repackaged and reissued internationally under the name Ticket to Ride and sold 250,000 copies. The Carpenters did not record a new album in 1974. They had been touring extensively and were exhausted; Richard later said, "there was simply no time to make one. Nor was I in the mood." Tensions had erupted in the family unit; Richard had started dating the group's hairdresser but neither Agnes or Karen took kindly to her and she ultimately ended the relationship and quit the band's services. Agnes had always considered Richard to be her favorite child, which did not sit well with Karen. The duo ultimately moved out of their parents' house, at first the siblings shared a home. In May, the Carpenters undertook their first tour of Japan, playing to 85,000 fans. They later likened the scenes when they first touched down at Tokyo Airport to Beatlemania. During this period, the pair released just one single, "I Won't Last a Day Without You" from A Song for You. The Carpenters finally decided to release their original two years after its original album release and some months after Maureen McGovern's 1973 cover. In March 1974, the single version became the fifth and final selection from the album to chart in the Top 20, reaching No. 11 on the Hot 100 in May. In place of a new album, their first greatest hits package was released, featuring new remixes of their singles, and newly recorded leads and bridges that allowed each side of the album to play through with no breaks. Richard later regretted this decision. This compilation was entitled The Singles: 1969-1973, and topped the charts in the US for one week, on January 5, 1974. It also topped the UK chart for 17 weeks (non-consecutive) and became one of the best-selling albums of the decade, ultimately selling more than seven million copies in the US alone. CANNOTANSWER
Question: What date was "I wont last a day without you" released?. Whats the answer?


Jordan again led the league in scoring during the 1987-88 season, averaging 35.0 ppg on 53.5% shooting and won his first league MVP Award. He was also named the Defensive Player of the Year, as he had averaged 1.6 blocks and a league high 3.16 steals per game. The Bulls finished 50-32, and made it out of the first round of the playoffs for the first time in Jordan's career, as they defeated the Cleveland Cavaliers in five games. However, the Bulls then lost in five games to the more experienced Detroit Pistons, who were led by Isiah Thomas and a group of physical players known as the "Bad Boys". In the 1988-89 season, Jordan again led the league in scoring, averaging 32.5 ppg on 53.8% shooting from the field, along with 8 rpg and 8 assists per game (apg). The Bulls finished with a 47-35 record, and advanced to the Eastern Conference Finals, defeating the Cavaliers and New York Knicks along the way. The Cavaliers series included a career highlight for Jordan when he hit The Shot over Craig Ehlo at the buzzer in the fifth and final game of the series. However, the Pistons again defeated the Bulls, this time in six games, by utilizing their "Jordan Rules" method of guarding Jordan, which consisted of double and triple teaming him every time he touched the ball. The Bulls entered the 1989-90 season as a team on the rise, with their core group of Jordan and young improving players like Scottie Pippen and Horace Grant, and under the guidance of new coach Phil Jackson. Jordan averaged a league leading 33.6 ppg on 52.6% shooting, to go with 6.9 rpg and 6.3 apg in leading the Bulls to a 55-27 record. They again advanced to the Eastern Conference Finals after beating the Bucks and Philadelphia 76ers. However, despite pushing the series to seven games, the Bulls lost to the Pistons for the third consecutive season. CANNOTANSWER

Answer this question "Who were other players on the Bulls' team at this time?" by extracting the answer from the text above.


By 1990, Moffat had written two series of Press Gang, but the programme's high cost along with organisational changes at backers Central Independent Television cast its future in doubt. As Moffat wondered what to do next and worried about his future employment, Bob Spiers, Press Gang's primary director, suggested that he meet with producer Andre Ptaszynski to discuss writing a sitcom. Inspired by his experience working in education, Moffat's initial proposal was a programme similar to what would become Chalk, a sitcom set in a school that eventually aired in 1997. During the pitch meeting at the Groucho Club, Ptaszynski realised that Moffat was talking passionately about his impending divorce and suggested that he write about that instead of a school sitcom. Taking Ptaszynski's advice, Moffat's new idea was about "a sitcom writer whose wife leaves him". Moffat wrote two series of Joking Apart, which was directed by Bob Spiers, and starred Robert Bathurst and Fiona Gillies. The show won the Bronze Rose of Montreux and was entered for the Emmys. In an interview with Richard Herring, Moffat says that "The sit-com actually lasted slightly longer than my marriage." Fiona Gillies, who played the adulteress Becky, says that she was aware that some of her dialogue was based on what had been said to Moffat during his own separation. Moffat recycled his own dialogue: when he had learned that his wife's lover was a fan of Press Gang, he replied, "Well, did he have to fuck my wife? Most people just write in!". The line, with the expletive replaced by "shagged", was used in the first episode of Joking Apart. Speaking about the autobiographical elements of the show, the writer jokes that he has to remember that his wife didn't leave him for an estate agent; his wife was an estate agent. Conversely, his later sitcom Coupling was based on his relationship with his second wife, TV producer Sue Vertue. Moffat reused the surname "Taylor", which is Mark's surname in Joking Apart, for Jack Davenport's character Steve in Coupling. He wrote three episodes of Murder Most Horrid, an anthology series of comedic tales starring Dawn French. The first ("Overkill", directed by Bob Spiers) was identified by the BBC as a "highlight" of the series. His other two episodes were "Dying Live" (dir. Dewi Humphreys) and "Elvis, Jesus and Zack" (dir. Tony Dow). CANNOTANSWER

Answer this question "What is joking apart?" by extracting the answer from the text above.


Background: The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).
Context: The Living End were formed in 1994 by Chris Cheney and Scott Owen, who had met years earlier in primary school through their older sisters and began performing together from 1990 while attending Wheelers Hill Secondary College in Melbourne. Cheney and Owen had their first public gig at The Rob Roy in Melbourne in 1991. Cheney was a fan of rockabilly group Stray Cats and this prompted Owen, who originally played piano, to switch to double bass. The pair formed a cover band, The Runaway Boys, which performed Stray Cats and The Clash material. That group were named after a track, of the same name, from the Stray Cats self-titled debut album (February 1981). The Runaway Boys initially played in the local rockabilly music scene but expanded their audience by performing in regional towns. Cheney later recalled "[w]e played to all the jivers and rock 'n' rollers ... And we slowly drifted into Melbourne's rockabilly scene". As Cheney and Owen persevered, the band went through several drummers, while they were still attending school. By 1994 Cheney and Owen were writing their own material and decided to change the band's name to The Living End - a reference to the film, Rock Around the Clock (1956). According to Cheney "It's an old '50s term, meaning 'far out', 'the greatest' ... We were still into the whole '50s thing, but we wanted a neutral name, one that didn't suggest any one style of music". With Cheney on lead guitar and lead vocals, and Owen on double bass and backing vocals, the group settled on Joe Piripitzi as their drummer. Cheney considered Piripitzi to be ideal due to his charismatic appearance. During that year they recorded a track, "Headlines", which had been co-written by Cheney and Owen. The group sent a T-shirt and demo tape to Green Day guitarist and lead vocalist, Billie Joe Armstrong, and landed a support slot for the 1995 Australian tour by his band, Green Day. After that tour, The Living End recorded additional tracks for their debut extended play, Hellbound, which received moderate support from community radio stations. It was produced by the group and included "Headlines" from the previous year. Ed Nimmervoll, an Australian musicologist, described the EP's sound: "they turned their back on '50s rock revivalism and adapted that instrumentation to original songs steeped in UK punk". In November 1995, the trio recorded their second EP, It's for Your Own Good, which appeared in the following June. The six-track EP was co-produced by Lindsay Gravina (Underground Lovers, Cosmic Psychos), Mike Alonso (Jericho) and The Living End for the Rapido label. It included their first radio airplay hit, "From Here on In", which was placed on high rotation by national youth radio network, Triple J. Shortly after, Piripitzi was fired as his lifestyle choices were holding back the band. He was replaced on drums by Travis Demsey (later in The Knockout Drops). With Demsey the group appeared at major festivals: Pushover and the Falls Festival. Demsey's drum style was compared with The Who's Keith Moon. "From Here on In" was used on the soundtrack for the 1998 film, Occasional Course Language. CANNOTANSWER
Question: Which other places did the runaway boys performed?. Whats the answer?


Alexander Bell was born in Edinburgh, Scotland, on March 3, 1847. The family home was at 16 South Charlotte Street, and has a stone inscription marking it as Alexander Graham Bell's birthplace. He had two brothers: Melville James Bell (1845-70) and Edward Charles Bell (1848-67), both of whom would die of tuberculosis. His father was Professor Alexander Melville Bell, a phonetician, and his mother was Eliza Grace (nee Symonds).

As a child, young Bell displayed a natural curiosity about his world, resulting in gathering botanical specimens as well as experimenting even at an early age. His best friend was Ben Herdman, a neighbour whose family operated a flour mill, the scene of many forays. Young Bell asked what needed to be done at the mill. He was told wheat had to be dehusked through a laborious process and at the age of 12, Bell built a homemade device that combined rotating paddles with sets of nail brushes, creating a simple dehusking machine that was put into operation and used steadily for a number of years. In return, Ben's father John Herdman gave both boys the run of a small workshop in which to "invent". From his early years, Bell showed a sensitive nature and a talent for art, poetry, and music that was encouraged by his mother. With no formal training, he mastered the piano and became the family's pianist. Despite being normally quiet and introspective, he revelled in mimicry and "voice tricks" akin to ventriloquism that continually entertained family guests during their occasional visits. Bell was also deeply affected by his mother's gradual deafness (she began to lose her hearing when he was 12), and learned a manual finger language so he could sit at her side and tap out silently the conversations swirling around the family parlour. He also developed a technique of speaking in clear, modulated tones directly into his mother's forehead wherein she would hear him with reasonable clarity. Bell's preoccupation with his mother's deafness led him to study acoustics. His family was long associated with the teaching of elocution: his grandfather, Alexander Bell, in London, his uncle in Dublin, and his father, in Edinburgh, were all elocutionists. His father published a variety of works on the subject, several of which are still well known, especially his The Standard Elocutionist (1860), which appeared in Edinburgh in 1868. The Standard Elocutionist appeared in 168 British editions and sold over a quarter of a million copies in the United States alone. In this treatise, his father explains his methods of how to instruct deaf-mutes (as they were then known) to articulate words and read other people's lip movements to decipher meaning. Bell's father taught him and his brothers not only to write Visible Speech but to identify any symbol and its accompanying sound. Bell became so proficient that he became a part of his father's public demonstrations and astounded audiences with his abilities. He could decipher Visible Speech representing virtually every language, including Latin, Scottish Gaelic, and even Sanskrit, accurately reciting written tracts without any prior knowledge of their pronunciation. His father encouraged Bell's interest in speech and, in 1863, took his sons to see a unique automaton developed by Sir Charles Wheatstone based on the earlier work of Baron Wolfgang von Kempelen. The rudimentary "mechanical man" simulated a human voice. Bell was fascinated by the machine and after he obtained a copy of von Kempelen's book, published in German, and had laboriously translated it, he and his older brother Melville built their own automaton head. Their father, highly interested in their project, offered to pay for any supplies and spurred the boys on with the enticement of a "big prize" if they were successful. While his brother constructed the throat and larynx, Bell tackled the more difficult task of recreating a realistic skull. His efforts resulted in a remarkably lifelike head that could "speak", albeit only a few words. The boys would carefully adjust the "lips" and when a bellows forced air through the windpipe, a very recognizable "Mama" ensued, to the delight of neighbours who came to see the Bell invention. Intrigued by the results of the automaton, Bell continued to experiment with a live subject, the family's Skye Terrier, "Trouve". After he taught it to growl continuously, Bell would reach into its mouth and manipulate the dog's lips and vocal cords to produce a crude-sounding "Ow ah oo ga ma ma". With little convincing, visitors believed his dog could articulate "How are you, grandma?" Indicative of his playful nature, his experiments convinced onlookers that they saw a "talking dog". These initial forays into experimentation with sound led Bell to undertake his first serious work on the transmission of sound, using tuning forks to explore resonance. At age 19, Bell wrote a report on his work and sent it to philologist Alexander Ellis, a colleague of his father (who would later be portrayed as Professor Henry Higgins in Pygmalion). Ellis immediately wrote back indicating that the experiments were similar to existing work in Germany, and also lent Bell a copy of Hermann von Helmholtz's work, The Sensations of Tone as a Physiological Basis for the Theory of Music. Dismayed to find that groundbreaking work had already been undertaken by Helmholtz who had conveyed vowel sounds by means of a similar tuning fork "contraption", Bell pored over the German scientist's book. Working from his own erroneous mistranslation of a French edition, Bell fortuitously then made a deduction that would be the underpinning of all his future work on transmitting sound, reporting: "Without knowing much about the subject, it seemed to me that if vowel sounds could be produced by electrical means, so could consonants, so could articulate speech." He also later remarked: "I thought that Helmholtz had done it ... and that my failure was due only to my ignorance of electricity. It was a valuable blunder ... If I had been able to read German in those days, I might never have commenced my experiments!" In 1870, aged 23, Bell, together with Bell's brother's widow, Caroline Margaret Ottaway, and his parents travelled on the SS Nestorian to Canada. After landing at Quebec City, the Bells transferred to another steamer to Montreal and then boarded a train to Paris, Ontario, to stay with the Reverend Thomas Henderson, a family friend. After a brief stay with the Hendersons, the Bell family purchased a farm of 10.5 acres (42,000 m2) at Tutelo Heights (now called Tutela Heights), near Brantford, Ontario. The property consisted of an orchard, large farmhouse, stable, pigsty, hen-house, and a carriage house, which bordered the Grand River. At the homestead, Bell set up his own workshop in the converted carriage house near to what he called his "dreaming place", a large hollow nestled in trees at the back of the property above the river. Despite his frail condition upon arriving in Canada, Bell found the climate and environs to his liking, and rapidly improved. He continued his interest in the study of the human voice and when he discovered the Six Nations Reserve across the river at Onondaga, he learned the Mohawk language and translated its unwritten vocabulary into Visible Speech symbols. For his work, Bell was awarded the title of Honorary Chief and participated in a ceremony where he donned a Mohawk headdress and danced traditional dances. After setting up his workshop, Bell continued experiments based on Helmholtz's work with electricity and sound. He also modified a melodeon (a type of pump organ) so that it could transmit its music electrically over a distance. Once the family was settled in, both Bell and his father made plans to establish a teaching practice and in 1871, he accompanied his father to Montreal, where Melville was offered a position to teach his System of Visible Speech. CANNOTANSWER

Answer the following question by taking a quote from the article: did they end up moving


Eastwood was born on May 31, 1930, in San Francisco, California, the son of Clinton Eastwood Sr. (1906-1970) and Ruth Wood (nee Runner; 1909-2006). Ruth later took the surname of her second husband, John Belden Wood (1913-2004), whom she married after the death of Clinton Sr. Eastwood was nicknamed "Samson" by the hospital nurses because he weighed 11 pounds 6 ounces (5.2 kg) at birth.

Eastwood favors jazz (especially bebop), blues, classic rhythm and blues, classical, and country-and-western music; his favorite musicians include saxophonists Charlie Parker and Lester Young, pianists Thelonious Monk, Oscar Peterson, Dave Brubeck, and Fats Waller, and Delta bluesman Robert Johnson. He is also a pianist and composer. Jazz has played an important role in Eastwood's life from a young age and, although he never made it as a professional musician, he passed on the influence to his son Kyle Eastwood, a successful jazz bassist and composer. Eastwood developed as a boogie-woogie pianist early on and had originally intended to pursue a career in music by studying for a music theory degree after graduating from high school. In late 1959 he produced the album Cowboy Favorites, released on the Cameo label. Eastwood has his own Warner Bros. Records-distributed imprint Malpaso Records, as part of his deal with Warner Brothers, which has released all of the scores of Eastwood's films from The Bridges of Madison County onward. Eastwood co-wrote "Why Should I Care" with Linda Thompson and Carole Bayer Sager, which was recorded by Diana Krall. Eastwood composed the film scores of Mystic River, Million Dollar Baby, Flags of Our Fathers, Grace Is Gone, Changeling, Hereafter, J. Edgar, and the original piano compositions for In the Line of Fire. He wrote and performed the song heard over the credits of Gran Torino. The music in Grace Is Gone received two Golden Globe nominations by the Hollywood Foreign Press Association for the 65th Golden Globe Awards. Eastwood was nominated for Best Original Score, while the song "Grace is Gone" with music by Eastwood and lyrics by Carole Bayer Sager was nominated for Best Original Song. It won the Satellite Award for Best Song at the 12th Satellite Awards. Changeling was nominated for Best Score at the 14th Critics' Choice Awards, Best Original Score at the 66th Golden Globe Awards, and Best Music at the 35th Saturn Awards. On September 22, 2007, Eastwood was awarded an honorary Doctor of Music degree from the Berklee College of Music at the Monterey Jazz Festival, on which he serves as an active board member. Upon receiving the award he gave a speech claiming, "It's one of the great honors I'll cherish in this lifetime." CANNOTANSWER

Answer the following question by taking a quote from the article: Was he nominated for any other awards?


Jan and Dean were an American rock duo consisting of William Jan Berry (April 3, 1941 - March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. Among their most successful songs was 1963's "Surf City", the first surf song to top the Hot 100. Their other charting top 10 singles were "Drag City" (1963), "The Little Old Lady from Pasadena" (1964), and "Dead Man's Curve" (1964); the last was inducted into the Grammy Hall of Fame in 2008.

Jan and Dean's career together ended with Jan Berry's death on March 26, 2004, after he suffered a seizure eight days before his 63rd birthday. Berry was an organ donor, and his body was cremated. On April 18, 2004, a "Celebration of Life" was held in Berry's memory at the Roxy Theatre on the Sunset Strip in West Hollywood, California. Attendees included Torrence, Lou Adler, Jill Gibson, and Nancy Sinatra, along with many family members, friends, and musicians associated with Jan and Dean and the Beach Boys, including the original members of Papa Doo Run Run. In February 2010, the Jan & Dean album Carnival of Sound was released on the Rhino Handmade label. The album cover was designed by Torrence. Along with the CD, there was a limited edition (1500 copies), which included a 10-track LP. The album was released in Europe in April 2010 in its original US form. In 2012, Torrence reunited with Bruce Davison, who portrayed him in the 1978 film Deadman's Curve to perform with the Bamboo Trading Company on their From Kitty Hawk To Surf City album. The songs were "Shrewd Awakening" and "Tonga Hut", which was featured on the film Return of the Killer Shrews, a sequel to the 1959 film The Killer Shrews and also "Tweet (Don't Talk Anymore)", "Drinkin' In the Sunshine", and "Star Of The Beach". The album also feature Dean's two daughters, Jillian and Katie Torrence. Torrence and his two daughters were featured in the music video of "Shrewd Awakening". Torrence now tours occasionally with the Surf City All-Stars. He serves as a spokesman for the City of Huntington Beach, California, which, thanks in part to his efforts, is nationally recognized as "Surf City USA." Dean's website, features--among other things--rare images, a complete Jan & Dean discography, a biography, and a timeline of his career with cohort Jan Berry. He currently resides in Huntington Beach, California, with his wife and two daughters. CANNOTANSWER

Answer the following question by taking a quote from the article: did he release any songs that Jan had written or sung before death?


Marc Zakharovich Chagall ( sh@-GAHL; born Moishe Zakharovich Shagal; 6 July [O.S. 24 June] 1887 - 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists".

In 1923, Chagall left Moscow to return to France. On his way he stopped in Berlin to recover the many pictures he had left there on exhibit ten years earlier, before the war began, but was unable to find or recover any of them. Nonetheless, after returning to Paris he again "rediscovered the free expansion and fulfillment which were so essential to him", writes Lewis. With all his early works now lost, he began trying to paint from his memories of his earliest years in Vitebsk with sketches and oil paintings. He formed a business relationship with French art dealer Ambroise Vollard. This inspired him to begin creating etchings for a series of illustrated books, including Gogol's Dead Souls, the Bible, and the La Fontaine's Fables. These illustrations would eventually come to represent his finest printmaking efforts. In 1924, he travelled to Brittany and painted La fenetre sur l'Ile-de-Brehat. By 1926 he had his first exhibition in the United States at the Reinhardt gallery of New York which included about 100 works, although he did not travel to the opening. He instead stayed in France, "painting ceaselessly", notes Baal-Teshuva. It was not until 1927 that Chagall made his name in the French art world, when art critic and historian Maurice Raynal awarded him a place in his book Modern French Painters. However, Raynal was still at a loss to accurately describe Chagall to his readers: Chagall interrogates life in the light of a refined, anxious, childlike sensibility, a slightly romantic temperament ... a blend of sadness and gaiety characteristic of a grave view of life. His imagination, his temperament, no doubt forbid a Latin severity of composition. During this period he traveled throughout France and the Cote d'Azur, where he enjoyed the landscapes, colorful vegetation, the blue Mediterranean Sea, and the mild weather. He made repeated trips to the countryside, taking his sketchbook. He also visited nearby countries and later wrote about the impressions some of those travels left on him: I should like to recall how advantageous my travels outside France have been for me in an artistic sense--in Holland or in Spain, Italy, Egypt, Palestine, or simply in the south of France. There, in the south, for the first time in my life, I saw that rich greenness--the like of which I had never seen in my own country. In Holland I thought I discovered that familiar and throbbing light, like the light between the late afternoon and dusk. In Italy I found that peace of the museums which the sunlight brought to life. In Spain I was happy to find the inspiration of a mystical, if sometimes cruel, past, to find the song of its sky and of its people. And in the East [Palestine] I found unexpectedly the Bible and a part of my very being. CANNOTANSWER

Using a quote from the above article, answer the following question: Was the exhibition successful?


Burnham was born on May 11, 1861 on a Dakota Sioux Indian reservation in Minnesota, to a missionary family living near the small pioneer town of Tivoli (now gone), about 20 miles (32 km) from Mankato. His father, the Reverend Edwin Otway Burnham, was a Presbyterian minister educated and ordained in New York; he was born in Ghent, Kentucky. His mother Rebecca Russell Burnham had spent most of her childhood in Iowa, having emigrated with her family from Westminster, England at the age of three. In the Dakota War of 1862, Chief Little Crow and his Sioux warriors attacked the nearby town New Ulm, Minnesota; Burnham's father was in Mankato buying ammunition at the time, so when Burnham's mother saw Sioux approaching her cabin dressed in war paint, she knew she had to leave and could never escape carrying her baby.

Burnham returned to North America and for the next few years became associated with the Yaqui River irrigation project in Mexico. While investigating the Yaqui valley for mineral and agricultural resources, Burnham reasoned that a dam could provide year-round water to rich alluvial soil in the valley; turning the region into one of the garden spots of the world and generate much needed electricity. He purchased water rights and some 300 acres (1.2 km2) of land in this region and contacted an old friend from his time in Africa, John Hays Hammond, who conducted his own studies and then purchased an additional 900,000 acres (3,600 km2) of this land--an area the size of Rhode Island. Burnham together with Charles Frederick Holder made important archaeological discoveries of Mayan civilization in this region, including the Esperanza Stone. In 1909, William Howard Taft and Porfirio Diaz planned a summit in El Paso, Texas, and Ciudad Juarez, Mexico, an historic first meeting between a U.S. president and a Mexican president and also the first time an American president would cross the border into Mexico. But tensions rose on both sides of the border, including threats of assassination, so the Texas Rangers, 4,000 U.S. and Mexican troops, U.S. Secret Service agents, FBI agents and U.S. marshals were all called in to provide security. Burnham was put in charge of a 250 private security detail hired by Hammond, who in addition to owning large investments in Mexico was a close friend of Taft from Yale and a U.S. Vice-Presidential candidate in 1908. On October 16, the day of the summit, Burnham and Private C.R. Moore, a Texas Ranger, discovered a man holding a concealed palm pistol standing at the El Paso Chamber of Commerce building along the procession route. Burnham and Moore captured and disarmed the assassin within only a few feet of Taft and Diaz. After the Taft-Diaz summit, Burnham led a team of 500 men in guarding mining properties owned by Hammond, J. P. Morgan, and the Guggenheims in the Mexican state of Sonora. Just as the irrigation and mining projects were nearing completion in 1912, a long series of Mexican revolutions began. The final blow to these efforts came in 1917 when Mexico passed laws prohibiting the sale of land to foreigners. Burnham and Hammond carried their properties until 1930 and then sold them to the Mexican government. CANNOTANSWER

when did he get to mexico


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Phyllis McAlpin Schlafly (; nee Stewart;

Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER


Zulfikar Ali Bhutto belonged to a Sindhi family ( Bhutto family), He was born in Sindh to Sir Shah Nawaz Bhutto and Khursheed Begum (nee Lakhi Bai) near Larkana. Zulfikar was their third child--their first one, Sikandar Ali, had died from pneumonia at age seven in 1914, and the second, Imdad Ali, died of cirrhosis at age 39 in 1953. His father was the dewan of the princely state of Junagadh, and enjoyed an influential relationship with the officials of the British Raj. As a young boy, Bhutto moved to Worli Seaface in Bombay to study at the Cathedral and John Connon School.

The labour policy was among one of the most important cornerstone of Bhutto's government and a comprehensive labour reforms initiated by the Bhutto government. Shortly after assuming control, Bhutto's government imposed some conditions on the dismissal of workers. In 1973, the government instituted Labour Courts for the speedy redress of workers' grievances and the government also introduced a scheme for workers' participation in management, through the nationalisation policy. This scheme provided for 20% participation by workers in management committees set up at factory level. The Government abolished the workers' contribution to the Social Security Fund; instead, the employers were made to increase their contribution from 4 to 6%. The government enhanced compensation rates under the Worker's Compensation Act. In 1972 the Bhutto government initially provided for some old age benefits for workers through group insurance, increased rates of compensation and higher rates of gratuity. However, the policy did not benefited immediately, therefore, the government introduced a pension scheme of old age benefits which would provide a payment of Rs.75 a month to workers after retirement at the age of 55 for men and 50 for women, on condition that the worker had completed a minimum of 15 years insurable employment. This applied to all factories, industries, and establishments employing ten or more workers drawing monthly wages up to Rs. 1,000. Skilled workers who become invalid after five years of insurable employment were also made entitled to benefits under this scheme. Bhutto did not want to go for the western model where workers generally contribute along with the employers towards their old age benefits. In view of Pakistan's conditions, Bhutto's government did not wish the financial burden of this scheme to fall even partly on the worker. It was decided that the scheme be founded through a contribution from employers to the extent of 5% of the wage bill. After assuming power, Bhutto sought to diversify Pakistan's relations away from the United States and, soon Pakistan left CENTO and SEATO. Bhutto developed close and strengthened the Arab relations, and Sino-Pak relations. Bhutto in believed an independent Foreign Policy which had hitherto been the hand maiden of the Western Power, particularly independent from the United States' sphere of influence. With Bhutto as Foreign minister, and Prime minister, Pakistan and Iran had cemented a special relationship, as Iran had provided military assistance to Pakistan. The Sino-Pak relations were immensely improved, and Pakistan, under Bhutto, had built a strategic relationship with People's Republic of China, when PRC was isolated. In 1974, Bhutto hosted the second Organisation of the Islamic Conference (OIC) in 1974 where he delegated and invited leaders from the Muslim world to Lahore, Punjab Province of Pakistan. Bhutto was a strong advocate of Afro-Asian Solidarity and had cemented ties with Afro-Asian and Islamic countries and by 1976 had emerged as the Leader of the Third World . Bhutto sought a peace agreement--Simla Agreement--with Indira Gandhi, Premier of India, and brought back 93,000 P.O.Ws to Pakistan and secured 5,000 sq mi (13,000 km2) held by India with out compromising on Kashmir stance or recognising Bangladesh which were the key Indian demands. Negotiating with a power that has dismembered the country was an open-challenge to Bhutto who smoothly convinced India to return the territory and the POWs back to Pakistan. Before this conference, Bhutto and his colleagues did the comprehensive homework as Bhutto had realised that Arabs had still not succeeded in regaining territory lost in the 1967 war with Israel. Therefore, capturing of land does not cry out for international attention the same way as the prisoners do. According to Benazir Bhutto, Bhutto demanded the control of the territory in the first stage of the Agreement which surprised and shocked the Indian delegation. In Bhutto's point of view, the POW problem was more of a humanitarian problem that could be tackled at any time, but the territorial problem was something that could be integrated in India as time elapses. Indian Premier Gandhi was stunned and astonished at Bhutto's demand and reacted immediately by refusing Bhutto's demand. However, Bhutto calmed her and negotiated with economic packages dealt with Gandhi. Bhutto's knowledge and his intellectualism impressed Gandhi personally that Gandhi agreed to give the territory back to Bhutto in a first stage of the agreement. Signing of this agreement with Pakistan paying small price is still considered Bhutto's one of the huge diplomatic success. His vast knowledge, intelligence, and keen awareness of post-World War II, and the nuclear history, enabled him to craft the foreign policy which brought unmatched undivideds in Pakistan's foreign policy history. Elements of his policy were continued by the successive governments to play a vital role in world's politics. In 1974, Bhutto and his Foreign minister Aziz Ahmed brought a U.N. resolution, recommending and calling for the establishment of nuclear-weapon free zone in South Asia, whilst he and Aziz Ahmed aggressively attacked the Indian nuclear programme. While Abdul Qadeer Khan was tasked with bringing the gas-centrifuge technology through the means of atomic proliferation, the goal of the resolution was achieved when Bhutto put India on the defensive position and promoted Pakistan as a non-proliferationist. CANNOTANSWER

What conditions were imposed on the dismissal of workers?


Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Answer this question "Did he get in trouble for his temper" by extracting the answer from the text above.


Robert Remus (born August 27, 1948), better known by his ring name of Sgt. Slaughter, is an American retired professional wrestler currently signed with the WWE in the ambassador program. From the late 1970s to the early 1990s, he had success in the National Wrestling Alliance, American Wrestling Association, and the World Wrestling Federation. Slaughter's greatest achievement came with him becoming world champion by winning the WWF World Heavyweight Championship in 1991 as well as headlining WrestleMania VII.

After a hiatus, he returned to WWF television on the August 4, 1997 episode of Raw Is War to assume the role of on-air commissioner by (kayfabe) President Gorilla Monsoon who in reality retired from being on camera due to health issues. Initially popular, he eventually became the target of D-Generation X, who called him "Sgt. Slobber". On an episode of Raw Is War, he put Shawn Michaels and Triple H in a match for Michaels' European Championship. Michaels dropped the belt to Helmsley, by lying down in the ring. Slaughter challenged Triple H to a Boot Camp match at the December pay-per-view, which he lost. His feud with Triple H continued into WrestleMania XIV where he handcuffed himself to Chyna to prevent her from interfering with Helmsley's match against Owen Hart. But Slaughter's efforts ultimately proved futile, as Chyna threw powder into his eyes, interfered with the match anyway, and hurled Slaughter into the front row. In 1998, Slaughter turned heel, joined Vince McMahon along with Gerald Brisco and Pat Patterson, and became the on-screen lackeys of McMahon; running errands for him and dishing out punishment to McMahon's rivals, namely Steve Austin. In late 1998, Slaughter relinquished the role of commissioner to Shawn Michaels and largely disappeared from television. Slaughter still appeared from time to time in the ring, mostly at house shows. He appeared on Raw to put over younger wrestlers, such as Kurt Angle and Randy Orton. Slaughter also made an appearance at WrestleMania X-Seven, in the gimmick Battle Royal, which was won by The Iron Sheik. Slaughter got his revenge after the match by locking the Sheik in the cobra clutch. He also appeared on both Raw and SmackDown on occasion during the Invasion storyline in non-wrestling roles, usually in conjunction with Vince McMahon. CANNOTANSWER

When was this fight?


With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material. In August 1990, Michael Derks had a daughter leading him to take a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning home, Gwar filmed their first cameo in a mainstream film, Mystery Date. Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group killed their audition when they showed up in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation. The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" codpiece, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis. This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe. CANNOTANSWER

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Although Nickell rejects the term "debunker" to describe his work, his evidenced-based investigations of paranormal events has not yet uncovered any miracles, ghosts or monsters. His insistence on documented facts led to a heated exchange with Ed and Lorraine Warren on the Sally show in 1992. Nickell and the Warrens appeared on Sally Jesse Raphael's talk show with the Snedeker family, whose reports of ghosts and demons led to the 1992 book, In A Dark Place, The Story Of A True Haunting by novelist Ray Garton and the 2009 movie, The Haunting in Connecticut. After an on-air threat of violence from Ed Warren, Nickell stated: I've investigated haunted houses for some twenty years. I've not met a house that I thought was haunted; I think the Warrens have not met a house they didn't think was haunted. ...The houses that sincere people report they think are haunted usually follow a certain pattern. This is a hodgepodge of the sort of ghost tale, poltergeist, part demon, part this, part that. We saw a similar pattern with the Amityville Horror, a case that the Warrens thought was genuine. It turned out to be a blatant hoax, concocted over several bottles of wine. Nickell continues to cite the Warrens as an example of exploitative and harmful charlatans. He told Blake Smith, host of the MonsterTalk podcast, The next thing you know, the Warrens have convinced everybody that there were demons involved. Lorraine would go into one of her light trances, which would mean she would just close her eyes and haul off and say something. She would sense some demonic presence. The two of them would talk a good talk about this. You see these poor unsuspecting people who first of all don't know anything about the paranormal and not aware that there are no haunted places, only haunted people, as Robert Baker used to say. When you have someone who's an expert explaining to them that there are these different kinds of spirits and this and that and the other, they don't know any better. They think maybe these people know what they're talking about. It's interesting that in every case of this, these were Catholic families. Ed and Lorraine would show up and convince them that it was really demonic and that they really needed to use their Catholic powers of exorcism and holy water and so forth. They were converted into a demonic book and then they would get a ghost writer. All of the shenanigans would be restyled and exaggerated and spooky elements thrown in. CANNOTANSWER

Answer this question "Did Nickell think they were lying" by extracting the answer from the text above.


William Lloyd Garrison (December 10, 1805 - May 24, 1879) was a prominent American abolitionist, journalist, suffragist, and social reformer. He is best known as the editor of the abolitionist newspaper The Liberator, which he founded with Isaac Knapp in 1831 and published in Massachusetts until slavery was abolished by Constitutional amendment after the American Civil War. He was one of the founders of the American Anti-Slavery Society, and promoted "immediate emancipation" of slaves in the United States. Born in Newburyport, Massachusetts, Garrison began his newspaper career as an apprentice compositor for the Newburyport Herald.

In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Answer the following question by taking a quote from the article: What Happened on Oct. 21 , 1835 when he was mobbed?


In late 2001, Joe Nunez left Soulfly to join Stripping the Pistol, saying that it was "time for [him] to move on". Roy Mayorga departed from his band Medication to rejoin Soulfly for the recording of their third album. 3 was the first Soulfly album which was produced by Max Cavalera. Other musicians performing on 3 included Cristian Machado of Ill Nino, and guitarist Wiley Arnet and drummer Greg Hall, and Max's stepson Richie Cavalera. The album reached number 46 on the Billboard 200 in that year. After the release of 3 on June 25, 2002, Soulfly toured throughout Europe and North America with bands such as Slayer, In Flames, God Forbid, and Will Haven. In September 2003, after the world tour for 3, Marcelo Dias was fired from the band, and Mikey Doling and Roy Mayorga both left the band in protest, leaving Cavalera as the sole remaining member for a period of three weeks. Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album. Joe Nunez returned on drums with New Jersey native Marc Rizzo, formerly of Ill Nino, on guitar and Kentucky native Bobby Burns, formerly of Primer 55, on bass. David Ellefson, formerly of Megadeth at the time, also played bass on several of the album's songs. Max Cavalera explained on the band's website that he wanted to use different musicians as part of the group for each album. "This is an approach that I've wanted to do for a while. I never wanted Soulfly to be a band like Metallica, with the same four guys. On every Soulfly album, we've changed the line up and it will probably continue that way. In order to do that, I had to start from the inside out and bring in people who caught my attention, that I had never played with before, and create this." While a member of Sepultura, Cavalera had shown an interest in world music as shown in Roots, featuring elements of the music of Brazil's indigenous peoples. This approach continued on the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians. On the song "Moses", he worked with Serbian band Eyesburn, which also features reggae influences from one of his heroes, Bob Marley. Other tracks on the album feature instruments from the Middle Ages, sheepskin bagpipes, and Serbian Gypsies. Danny Marianino and Asha Rabouin returned as guest vocalists on Prophecy, as well, and Max Cavalera produced the album. Prophecy was released on March 30, 2004 and in April of that year had reached a peak of number 82 on the Billboard 200, although it has reached the top 50 of the Australian album charts. Soulfly followed the album release with tours supporting Black Sabbath and Morbid Angel. In February 2005, Soulfly released their first DVD, entitled The Song Remains Insane. This was a biography of the band, containing live footage from all over the globe, interviews, and all of the band's music videos. In August 2005, Roadrunner Records reissued their self-titled first album as part of the label's 25th anniversary celebration. CANNOTANSWER

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Cornelius Vanderbilt (May 27, 1794 - January 4, 1877), also known informally as "Commodore Vanderbilt", was an American business magnate and philanthropist who built his wealth in railroads and shipping. Born poor and having only a mediocre education, Vanderbilt used perseverance, intelligence, and luck to work his way into leadership positions in the inland water trade and invest in the rapidly growing railroad industry. He is known for owning the New York Central Railroad. As one of the richest Americans in history and wealthiest figures overall, Vanderbilt was the patriarch of a wealthy, influential family.

After Thomas Gibbons died in 1826, Vanderbilt worked for Gibbons' son William until 1829. Though he had always run his own businesses on the side, he now worked entirely for himself. Step by step, he started lines between New York and the surrounding region. First he took over Gibbons' ferry to New Jersey, then switched to western Long Island Sound. In 1831, he took over his brother Jacob's line to Peekskill, New York, on the lower Hudson River. That year he faced opposition by a steamboat operated by Daniel Drew, who forced Vanderbilt to buy him out. Impressed, Vanderbilt became a secret partner with Drew for the next thirty years, so that the two men would have an incentive to avoid competing with each other. On November 8, 1833, Vanderbilt was nearly killed in the Hightstown rail accident on the Camden and Amboy Railroad in New Jersey. Also on the train was former president John Quincy Adams. In 1834, Vanderbilt competed on the Hudson River against the Hudson River Steamboat Association, a steamboat monopoly between New York City and Albany. Using the name "The People's Line," he used the populist language associated with Democratic president Andrew Jackson to get popular support for his business. At the end of the year, the monopoly paid him a large amount to stop competing, and he switched his operations to Long Island Sound. During the 1830s, textile mills were built in large numbers in New England as the United States developed its manufacturing base. They processed cotton from the Deep South, so were directly tied to the slave societies. Some of the first railroads in the United States were built from Boston to Long Island Sound, to connect with steamboats that ran to New York. By the end of the decade, Vanderbilt dominated the steamboat business on the Sound, and began to take over management of the connecting railroads. In the 1840s, he launched a campaign to take over the most attractive of these lines, the New York, Providence and Boston Railroad, popularly known as the Stonington. By cutting fares on competing lines, Vanderbilt drove down the Stonington stock price, and took over the presidency of the company in 1847. It was the first of the many railroads he would head. During these years, Vanderbilt also operated many other businesses. He bought large amounts of real estate in Manhattan and Staten Island, and took over the Staten Island Ferry in 1838. It was in the 1830s when he was first referred to as "commodore," then the highest rank in the United States Navy. A common nickname for important steamboat entrepreneurs, by the end of the 1840s, only Vanderbilt was referred to by this nickname. CANNOTANSWER

How did he make all his money?


Background: Anne Inez McCaffrey (1 April 1926 - 21 November 2011) was an American-born writer who emigrated to Ireland and was best known for the Dragonriders of Pern fantasy series. Early in McCaffrey's 46-year career as a writer, she became the first woman to win a Hugo Award for fiction and the first to win a Nebula Award. Her 1978 novel The White Dragon became one of the first science-fiction books to appear on the New York Times Best Seller list.
Context: Anne Inez McCaffrey was born in Cambridge, Massachusetts, the second of three children of Anne Dorothy (nee McElroy) and Col. George Herbert McCaffrey. She had two brothers: Hugh ("Mac", died 1988) and Kevin Richard McCaffrey ("Kevie"). Her father had Irish and English ancestry, and her mother was of Irish descent. She attended Stuart Hall (a girls' boarding school in Staunton, Virginia), and graduated from Montclair High School in Montclair, New Jersey. In 1947 she graduated cum laude from Radcliffe College with a degree in Slavonic languages and Literature. In 1950 she married Horace Wright Johnson (died 2009), who shared her interests in music, opera and ballet. They had three children: Alec Anthony, born 1952; Todd, born 1956; and Georgeanne ("Gigi", Georgeanne Kennedy), born 1959. Except for a short time in Dusseldorf, the family lived for most of a decade in Wilmington, Delaware. They moved to Sea Cliff, Long Island in 1965, and McCaffrey became a full-time writer. McCaffrey served a term as secretary-treasurer of the Science Fiction Writers of America from 1968 to 1970. In addition to handcrafting the Nebula Award trophies, her responsibilities included production of two monthly newsletters and their distribution by mail to the membership. McCaffrey emigrated to Ireland with her two younger children in 1970, weeks after filing for divorce. Ireland had recently exempted resident artists from income taxes, an opportunity that fellow science-fiction author Harry Harrison had promptly taken and helped to promote. McCaffrey's mother soon joined the family in Dublin. The following spring, McCaffrey was guest of honour at her first British science-fiction convention (Eastercon 22, 1971). There she met British reproductive biologist Jack Cohen, who would be a consultant on the science of Pern. CANNOTANSWER
Question: did she go to college?. Whats the answer?


The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the "second wave" of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records.

The Get Up Kids have had a lasting impact on the music scene, having been cited as inspirations to several prominent bands and artists. Blink-182 bassist and singer Mark Hoppus is a vocal fan, having proposed to his wife to The Get Up Kids song "I'll Catch You." They were also a major influence on the rest of the band, even at their peak popularity around the release of Take Off Your Pants and Jacket. The members of Fall Out Boy cite The Get Up Kids' influence, particularly their album Four Minute Mile. In a 2005 interview with Alternative Press, Fall Out Boy bassist Pete Wentz stated that the band had a huge influence on him and the other members of Fall Out Boy. "There should be a How To Be a Pop-Punk Kid starter kit with bands like Get Up Kids, so kids would know whose shoulders bands like us are standing on. Fall Out Boy would not be a band if it were not for The Get Up Kids." New Jersey based act Midtown has stated in interviews that they were heavily influenced by The Get Up Kids, among other groups. The Early November band members were all fans of, and influenced by, The Get Up Kids. The Early November song "Baby Blue" includes the line "I don't want you to love me anymore", a direct reference to the Get Up Kids song "No Love" both lyrically and melodically. The band Hellogoodbye have been vocal fans of the band and while on tour with Reggie and the Full Effect in 2007, two years after the breakup of The Get Up Kids, Hellogoodbye invited James Dewees and Matt Pryor onstage with them, and proceeded to back them in a cover of The Get Up Kids' song "Action & Action". The Canadian post-hardcore band Silverstein has cited the Get Up Kids as a major influence, and covered their song Coming Clean for a split 7" with August Burns Red in 2013. Claudio Sanchez of Coheed and Cambria cited Something to Write Home About as one of the albums that the band listened to and during the recording of their breakout album In Keeping Secrets of Silent Earth: 3. Despite their lasting influence on modern music, the band has attempted to disassociate themselves with many of the bands they inspired. Following the band's reformation, guitarist Jim Suptic undertook an interview with website Drowned in Sound, in which he said, "The punk scene we came out of and the punk scene now are completely different. It's like glam rock now. We played the Bamboozle fests this year and we felt really out of place... If this is the world we helped create, then I apologise." He went on to say they were grateful for the acknowledgements they have received, though explaining "the problem is most of [the bands they inspired] aren't very good." CANNOTANSWER

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Mohanlal Viswanathan was born in the village of Elanthoor in the Pathanamthitta district on 21 May 1960. He is the youngest child of Viswanathan Nair, a former bureaucrat and law secretary with the Kerala Government, and Santhakumari. He grew up at Mudavanmugal, Poojappura, at his paternal house in Thiruvananthapuram. Mohanlal studied at Government Model Boys Higher Secondary School, Thiruvananthapuram and graduated with a Bachelor of Commerce degree from Mahatma Gandhi College in Thiruvananthapuram.

Mohanlal made his acting debut in 1978 with the film Thiranottam, which was produced and made by Mohanlal and his friends--Maniyan Pilla Raju, Suresh Kumar, Unni, Priyadarshan, Ravi Kumar and a few others. Mohanlal played Kuttappan, a mentally disabled servant. Due to some issues with censorship, the film was not released on time. It took 25 years to release the film. In 1980, Mohanlal was cast in the lead antagonist role in Manjil Virinja Pookkal - the directorial debut of Fazil. The film became a major success. Mohanlal's friends had sent his application in response to an advertisement released by Navodaya Studio. He auditioned for the role in front of a panel that included professional directors. Displeased with his appearance, two of them gave him poor marks, but Fazil and Jijo Appachan gave him 90 and 95 marks out of 100. In an interview with Reader's Digest in 2004, Mohanlal said that his looks as a young man might have fit the villain's image. By 1983, Mohanlal was credited in more than 25 feature films, most of them had him playing negative (villain) roles. Films such as Ente Mohangal Poovaninju, Iniyengilum, Visa, Attakkalasham, Kaliyil Alpam Karyam, Ente Mamattukkuttiyammakku, Engane Nee Marakkum, Unaru and Sreekrishna Parunthu changed his image. Through Sasikumar's Ivide Thudangunnu, he became a successful hero with a "good heart". Mohanlal played his first comic lead role in an ensemble cast in the 1984 comedy Poochakkoru Mookkuthi, directed by Priyadarshan, as a young man in love with a girl whom he mistakenly believes to be rich. It also marked the beginning of the Mohanlal-Priyadarshan duo, who as of 2016, have worked together in 44 films. In 1985, he recorded a song for the film Onnanam Kunnil Oradi Kunnil. Uyarangalil, Nokketha Doorathu Kannum Nattu, Boeing Boeing and Aram + Aram = Kinnaram were some of his films in this period. Mohanlal had acted in several amateur plays before entering into films. In 2001, he debuted in professional drama playing Karna (a character from the Indian epic Mahabharata) in Karnabharam, a Sanskrit-language play directed by Kavalam Narayana Panicker. It premiered at the Siri Fort Auditorium in New Delhi on 29 March 2001 as part of the National Theatre Festival of the National School of Drama. The play depicts Karna's mental agony a day before the Kurukshetra War, as he thinks about his past and his faith. Mohanlal said: "You cannot compare Kavalam's play with the amateur plays I did. Though there are other characters in the play, the theme revolves around Karna. It is almost like a solo performance. Some of the scenes are really touching and challenging". He acted without payment, saying: "I performed for the joy of it ... for my love of our history". Kadhayattam was a presentation enacted by Mohanlal, performing ten classic characters and situations from Malayalam literature, selected from ten Malayalam novels written by O. Chandu Menon, C. V. Raman Pillai, S. K. Pottekkatt, Thakazhi Sivasankara Pillai, P. Kesavadev, Vaikom Muhammad Basheer, Uroob, O. V. Vijayan, M. Mukundan, and M. T. Vasudevan Nair over a 100-year period. The play, directed by T. K. Rajeev Kumar premiered at the Senate Hall of University of Kerala on 1 November 2003, and later was staged in Kozhikode, Bangalore, Chennai and Delhi. In 2008, Mohanlal along with Mukesh performed in Chayamukhi, written and directed by Prasanth Narayanan. Mohanlal and Mukesh portrayed Bheeman and Keechakan respectively, the characters from Mahabharata. It had a play within a play narrative style. It premiered at the Lulu International Convention Centre in Thrissur on 12 March 2008, and later was staged in Thiruvananthapuram, Bangalore, Kollam, Kochi, and Kozhikode. A critic from The Hindu wrote: "Chayamukhi is, arguably, the finest work on Malayalam stage in recent times". In the same year, Mohanlal voiced Hanuman in the English ballet Maya Ravan, directed by Shobana. In 2014, Mohanlal and musician Ratheesh Vegha formed the music band Lalisom - The Lal Effect. Its maiden show was at the 2015 National Games of India. The band drew flak from social media initially for charging an amount of Rs1.63 crore and later for lip-syncing. Following the criticism, Mohanlal returned the amount to the government, which they refused stating that the government's morality would not allow to take back the money and Mohanlal had not personally benefited from the amount which he received, since it was meant to meet the stage expenses and remuneration for the artistes. Despite that, Mohanlal did not take back the money he dispatched. In 2015, he collaborated once again with Mukesh for Naga, but this time as the narrator. The play, based on Girish Karnad's Kannada play Nagamandala, was directed by Suveeran. Naga was a combination of myth, superstition, fact, and fantasy. It was premiered at the Parish Hall of St. George Church, Kalady on 9 August 2015. Mohanlal has been a goodwill ambassador for the government and other nonprofit organisations, mainly for public service ads and humanitarian causes. In March 2007, he was made the goodwill ambassador of the AIDS awareness campaign by Kerala AIDS Control Society, for which he acted in short awareness videos. In October 2009, Mohanlal was appointed as the goodwill ambassador of Kerala State Athletics by the Kerala State Athletics Association. In March 2010, Mohanlal accepted the plea of the Department of Industries and Commerce of the Government of Kerala to be designated as the goodwill ambassador of Kerala's handloom industries. In July 2015, the Government of Kerala made him the Goodwill ambassador of "Subhayatra 2015", a project developed to create awareness about traffic rules. He was appointed as the Goodwill ambassador of "Mrithasanjeevani" in September 2016, another project by the Government of Kerala aimed at promoting organ donation in the state. He has also appeared in several television commercials and advertisements for Malabar Gold and Diamonds, Oceanus etc. Mohanlal was the first movie star in India to endorse the ubiquitous dhoti after he was made the brand ambassador of MCR in 2001. MCR manufactured 30,000 coloured dhotis which had been featured in the film Narasimham (2000), which was a market success. He still continues to be the chief brand ambassador of MCR. Mohanlal signed as the brand ambassador of Kanan Devan in 2002, a tea brand owned by the Tata Global Beverages. His contract was renewed after its rebranding in 2014. In July 2010, LG Electronics India enlisted Mohanlal for the endorsement of the brand's Onam festival offers for Kerala customers lasting till September 2010. In the same year, he was signed as the brand ambassador in the state for Manappuram Finance Ltd., a non-banking financial company. Mohanlal endorsed the coconut oil brand KLF Coconad in 2013. In September 2013, the direct-broadcast satellite television provider Tata Sky announced Mohanlal as its brand endorser for its Kerala market. Mohanlal, along with Milkha Singh and P. T. Usha were the brand ambassadors of the event Kochi International Half Marathon in 2013, a half marathon organised by Kochi Municipal Corporation and Push Integrated Communication Pvt Ltd., He continued in its second edition in 2014, along with cricketer Harbhajan Singh. In May 2016, as part of expanding its market to the South Indian audience, the entertainment company Hotstar, which is a platform for streaming media and video on demand, announced Mohanlal as its brand ambassador for its Malayalam contents. He endorsed its six-week multimedia campaign on television, print, outdoor and digital medias. CANNOTANSWER


A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album.

By the beginning of 2004 the band announced their first Greatest Hits compilation was going to be released, a cover of Nick Kamen's "I Promised Myself" became the last single from the band. The band shot the video for the song in March 2004, and was premiered on ZTV in early April, the song went to international radios on late April/May becoming the last hit of the band. The album was a compilation of thirteen singles, which each one of them made the top twenty in at least one country and three new tracks, two of them were written by the band members. Promotion for the album was slow, the band did a few shows in Sweden and international interviews to magazines. Many were reporting the band was splitting up after six years in the pop world. The band quickly denied the rumours on their official website. The single became another top-two hit for the band in Sweden, it became one of the band's biggest hits in South America (especially in Argentina) and the album became the band's first to not make the top ten in their homeland while it brought back the attention to them in other countries in Latin America and Eastern Europe. The album was just released in selected European countries, Asia and Latin America. It did not receive a U.S. release, although, when MCA Records went bankrupt and was absorbed by both Geffen and Interscope, the former had plans to release it in November, ready for the Christmas sales, but plans were scrapped when the band finished their tour and Dhani released his first solo single. CANNOTANSWER

Using a quote from the above article, answer the following question: When did the Greatest Hits come out


Spirit, also known as MER-A (Mars Exploration Rover - A) or MER-2, is a robotic rover on Mars, active from 2004 to 2010. It was one of two rovers of NASA's ongoing Mars Exploration Rover Mission. It landed successfully on Mars at 04:35 Ground UTC on January 4, 2004, three weeks before its twin, Opportunity (MER-B), landed on the other side of the planet. Its name was chosen through a NASA-sponsored student essay competition.

The rocks on the plains of Gusev are a type of basalt. They contain the minerals olivine, pyroxene, plagioclase, and magnetite, and they look like volcanic basalt as they are fine-grained with irregular holes (geologists would say they have vesicles and vugs). Much of the soil on the plains came from the breakdown of the local rocks. Fairly high levels of nickel were found in some soils; probably from meteorites. Analysis shows that the rocks have been slightly altered by tiny amounts of water. Outside coatings and cracks inside the rocks suggest water deposited minerals, maybe bromine compounds. All the rocks contain a fine coating of dust and one or more harder rinds of material. One type can be brushed off, while another needed to be ground off by the Rock Abrasion Tool (RAT). There are a variety of rocks in the Columbia Hills, some of which have been altered by water, but not by very much water. The dust in Gusev Crater is the same as dust all around the planet. All the dust was found to be magnetic. Moreover, Spirit found the magnetism was caused by the mineral magnetite, especially magnetite that contained the element titanium. One magnet was able to completely divert all dust hence all Martian dust is thought to be magnetic. The spectra of the dust was similar to spectra of bright, low thermal inertia regions like Tharsis and Arabia that have been detected by orbiting satellites. A thin layer of dust, maybe less than one millimeter thick covers all surfaces. Something in it contains a small amount of chemically bound water. CANNOTANSWER

Using a quote from the above article, answer the following question: How did water alter the Martian rocks?