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William Franklin Graham Jr. was born on November 7, 1918, in the downstairs bedroom of a farmhouse near Charlotte, North Carolina. He was of Scots-Irish descent and was the eldest of four children born to Morrow (nee Coffey) and William Franklin Graham Sr., a dairy farmer. Graham was raised on a family dairy farm with his two younger sisters, Catherine Morrow and Jean and a younger brother, Melvin Thomas. When he was eight years old in 1927, the family moved about 75 yards (69 m) from their white frame house to a newly built red brick home.

While attending college, Graham became pastor of the United Gospel Tabernacle and also had other preaching engagements. From 1943 to 1944, Graham briefly served as pastor of the First Baptist Church in Western Springs, Illinois, which was not far from Wheaton. While there, his friend Torrey Johnson, pastor of the Midwest Bible Church in Chicago, told Graham that his radio program, Songs in the Night, was about to be canceled due to lack of funding. Consulting with the members of his church in Western Springs, Graham decided to take over Johnson's program with financial support from his congregation. Launching the new radio program on January 2, 1944, still called Songs in the Night, Graham recruited the bass-baritone George Beverly Shea as his director of radio ministry. While the radio ministry continued for many years, Graham decided to move on in early 1945. In 1948 at the age of 29, he became president of Northwestern Bible College in Minneapolis and the youngest president of a college or university in the country, from which he resigned in 1952. Graham initially intended to become a chaplain in the Armed Forces, but he contracted mumps shortly after applying for a commission. After a period of recuperation in Florida, he was hired as the first full-time evangelist of the new Youth for Christ (YFC), co-founded by Torrey Johnson and the Canadian evangelist Charles Templeton. Graham traveled throughout both the United States and Europe as a YFCI evangelist. Templeton applied to Princeton Theological Seminary for an advanced theological degree and urged Graham to do so as well, but he declined as he was already serving as the president of Northwestern Bible College. Graham scheduled a series of revival meetings in Los Angeles in 1949, for which he erected circus tents in a parking lot. He attracted national media coverage, especially in the conservative Hearst chain, although Hearst and Graham never met. The crusade event ran for eight weeks - five weeks longer than planned. Graham became a national figure with heavy coverage from the wire services and national magazines. CANNOTANSWER


Background: Daniel Armand Lee (Korean: Lee Seon-woong; Hangul: iseonung; born July 22, 1980), known professionally as Tablo (Hangul: tabeulro), is a South Korean-Canadian rapper, songwriter, record producer, author, and entrepreneur; also past actor and radio host. Tablo is best known as the leader and producer of veteran Korean hip-hop group Epik High, and the founder of independent music label HIGHGRND (High Ground), which houses bands Hyukoh and The Black Skirts. Tablo became employed as a lyricist while still in high school.
Context: Tablo met Mithra Jin and DJ Tukutz in the underground hip-hop scene. They formed Epik High and under the tutelage of Movement crew members, especially CB Mass (currently Dynamic Duo), they attempted to record their first record alongside hip-hop duo, and close friends, TBNY (composed of Yankie and TopBob). However, CB Mass member Curbin allegedly embezzled Epik High and TBNY's funds for their first studio album, effectively causing the disbandment of CB Mass (and the creation of Dynamic Duo without Curbin). Tablo and Epik High were finally signed by Woolim Entertainment, which at the time focused on underground hip hop and modern rock. Tablo made his official debut as the leader of the group Epik High in 2003 alongside DJ Tukutz and Mithra Jin. The group's first album, Map of the Human Soul, was released on October 21, 2003. However, due to hip hop's lack of popularity in South Korea at the time, the album was a commercial failure. It wasn't until the release of their second album, High Society, that the group started to become more popular. Epik High's third album, Swan Songs, was originally intended to be their last album; however, upon release, the album became number one on numerous charts, and swept the year-end hip hop awards. One of the lead singles from the album, "Fly", was featured on the soundtrack of the video game FIFA 07. Due to the numerous offers to remake "Fly", as well as "Paris", the second single from the album, a CD sampler, was released in Japan. In 2007, the group released their fourth studio album, Remapping the Human Soul, and managed to push Epik High to the number one spot for best upcoming artist after selling almost 90,000 copies in the first month of release. The album ended up becoming South Korea's third best-selling album of 2007. However, many songs from the album were banned from several channels and the album buying age was restricted to 19+ due to some songs dealing with issues the Ministry of Culture and Tourism in South Korea deemed inappropriate for younger listeners. The group later went on to release their next album, Pieces, Part One, which was also a commercial success. In late 2008, Tablo published a book entitled Pieces of You. Although the stories were originally written in English, the book was first published in Korean. The Korean translation sold 50,000 copies in its first week of release and topped the bestseller's list in Korea. The original English version was released in February 2009 and also met with moderate success. The book garned a positive reception from critics, with Tablo's writing praised for a first-time author. After the group's contract with Woolim Entertainment expired in 2008, Tablo, alongside his group members, founded their own independent label, Map the Soul, and they went on to release an album of the same name. Through their independent label, the group went on to release two more albums; [e] in 2009, and Epilogue in 2010. In November 2013, Tablo revealed the reason of shutting down the label "Map the Soul" in his interview with HiphopLE that one of the executive member of Map The Soul embezzled the label's funds. CANNOTANSWER
Question: was the album a success?. Whats the answer?


Barrowman was born in 1967 in Glasgow, the youngest of three children. He lived in Glasgow for the first eight years of his life. Barrowman's mother was a singer and worked as a clerk in a record shop while his father was employed by the Caterpillar heavy machinery company in Uddingston. In 1975, his father's company relocated the family to the United States, where his father managed the Caterpillar tractor factory in Aurora, Illinois.

Barrowman's professional acting career began in London's West End in 1989, playing the role of Billy Crocker in Cole Porter's Anything Goes at the Prince Edward Theatre, alongside Elaine Paige as Reno Sweeney and Bernard Cribbins as Moonface Martin. He continued to appear in West End productions for the next decade, taking the title role of Domingo Hernandez in Matador at the Queen's Theatre in 1991; as Raoul in The Phantom of the Opera at Her Majesty's Theatre in 1992; as Claude in Hair at the Old Vic Theatre in 1993; as Chris in Miss Saigon at the Theatre Royal, Drury Lane in 1993; as Joe Gillis in Sunset Boulevard at the Adelphi Theatre from 1994-1995; and as Beast in Beauty and the Beast at the Dominion Theatre in 1999. Barrowman was part of the musical Godspell in 1994, and was a soloist in two songs, "We Beseech Thee" and "On The Willows". He was lead vocalist on a rendition of Strike Up the Band in Who Could Ask for Anything More? A Celebration of Ira Gershwin at the Royal Albert Hall in 1996, and he was nominated for an Olivier Award for Best Actor in a Musical in 1998 for originating the role of Cal Chandler in The Fix, a performance he repeated in Cameron Mackintosh's 1998 gala concert Hey, Mr Producer!. Barrowman played Joe Gillis in Sunset Boulevard in the West End and, briefly, on Broadway. His only other Broadway credit is in the role of Barry in the Stephen Sondheim revue Putting It Together (1999-2000) at the Ethel Barrymore Theatre opposite Carol Burnett and George Hearn. In a review of Putting It Together, theatre critic Tom Samiljan noted Barrowman's "fine baritone voice and suave looks". In 2002, Barrowman appeared as Bobby in Sondheim's Company in the Kennedy Center's Stephen Sondheim Celebration. Barrowman returned to the role of Billy Crocker in Trevor Nunn's 2003 West End revival of Anything Goes, and appeared in West End non-musical dramas, such as his role as Wyndham Brandon in Rope at the Minerva Theatre, Chichester in 1993, and he starred as Lieutenant Jack Ross opposite Rob Lowe in the 2005 production of A Few Good Men. Barrowman starred in pantomime productions of Cinderella at the New Wimbledon Theatre (Christmas, 2005-06) and in Jack and the Beanstalk at Cardiff's New Theatre (Christmas, 2006-07). He played the title role in Aladdin at the Birmingham Hippodrome over Christmas 2007-8 and as a guest act for the Royal Variety Performance at the London Palladium in 2008. Barrowman played the lead in the Robin Hood pantomime at the Birmingham Hippodrome for the 2008-09 season. He presented Andrew Lloyd Webber's 60th birthday party in London's Hyde Park on 14 September 2008. Exactly one year later, Barrowman succeeded Roger Allam as Zaza/Albin in the West End revival of La Cage aux Folles, at the Playhouse Theatre. In Melbourne, Australia on the 16th of January 2018, Barrowman performed his first and only show to a packed audience at the Melbourne Arts Centre Hamer Hall. The audience was thrilled with the singer and many hope that he will keep his promise to return with "all the bells and whistles". CANNOTANSWER

What other roles did he play?


The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).

The Living End were formed in 1994 by Chris Cheney and Scott Owen, who had met years earlier in primary school through their older sisters and began performing together from 1990 while attending Wheelers Hill Secondary College in Melbourne. Cheney and Owen had their first public gig at The Rob Roy in Melbourne in 1991. Cheney was a fan of rockabilly group Stray Cats and this prompted Owen, who originally played piano, to switch to double bass. The pair formed a cover band, The Runaway Boys, which performed Stray Cats and The Clash material. That group were named after a track, of the same name, from the Stray Cats self-titled debut album (February 1981). The Runaway Boys initially played in the local rockabilly music scene but expanded their audience by performing in regional towns. Cheney later recalled "[w]e played to all the jivers and rock 'n' rollers ... And we slowly drifted into Melbourne's rockabilly scene". As Cheney and Owen persevered, the band went through several drummers, while they were still attending school. By 1994 Cheney and Owen were writing their own material and decided to change the band's name to The Living End - a reference to the film, Rock Around the Clock (1956). According to Cheney "It's an old '50s term, meaning 'far out', 'the greatest' ... We were still into the whole '50s thing, but we wanted a neutral name, one that didn't suggest any one style of music". With Cheney on lead guitar and lead vocals, and Owen on double bass and backing vocals, the group settled on Joe Piripitzi as their drummer. Cheney considered Piripitzi to be ideal due to his charismatic appearance. During that year they recorded a track, "Headlines", which had been co-written by Cheney and Owen. The group sent a T-shirt and demo tape to Green Day guitarist and lead vocalist, Billie Joe Armstrong, and landed a support slot for the 1995 Australian tour by his band, Green Day. After that tour, The Living End recorded additional tracks for their debut extended play, Hellbound, which received moderate support from community radio stations. It was produced by the group and included "Headlines" from the previous year. Ed Nimmervoll, an Australian musicologist, described the EP's sound: "they turned their back on '50s rock revivalism and adapted that instrumentation to original songs steeped in UK punk". In November 1995, the trio recorded their second EP, It's for Your Own Good, which appeared in the following June. The six-track EP was co-produced by Lindsay Gravina (Underground Lovers, Cosmic Psychos), Mike Alonso (Jericho) and The Living End for the Rapido label. It included their first radio airplay hit, "From Here on In", which was placed on high rotation by national youth radio network, Triple J. Shortly after, Piripitzi was fired as his lifestyle choices were holding back the band. He was replaced on drums by Travis Demsey (later in The Knockout Drops). With Demsey the group appeared at major festivals: Pushover and the Falls Festival. Demsey's drum style was compared with The Who's Keith Moon. "From Here on In" was used on the soundtrack for the 1998 film, Occasional Course Language. CANNOTANSWER

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Leonardo di ser Piero da Vinci (Italian: [leo'nardo di ,ser 'pje:ro da (v)'vintSi] ( listen); 15 April 1452 - 2 May 1519), more commonly Leonardo da Vinci or simply Leonardo, was an Italian Renaissance polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, he epitomised the Renaissance humanist ideal.

Within Leonardo's lifetime, his extraordinary powers of invention, his "outstanding physical beauty", "infinite grace", "great strength and generosity", "regal spirit and tremendous breadth of mind", as described by Vasari, as well as all other aspects of his life, attracted the curiosity of others. One such aspect was his respect for life, evidenced by his vegetarianism and his habit, according to Vasari, of purchasing caged birds and releasing them. Leonardo had many friends who are now renowned either in their fields or for their historical significance. They included the mathematician Luca Pacioli, with whom he collaborated on the book De divina proportione in the 1490s. Leonardo appears to have had no close relationships with women except for his friendship with Cecilia Gallerani and the two Este sisters, Beatrice and Isabella. While on a journey that took him through Mantua, he drew a portrait of Isabella that appears to have been used to create a painted portrait, now lost. Beyond friendship, Leonardo kept his private life secret. His sexuality has been the subject of satire, analysis, and speculation. This trend began in the mid-16th century and was revived in the 19th and 20th centuries, most notably by Sigmund Freud. Leonardo's most intimate relationships were perhaps with his pupils Salai and Melzi. Melzi, writing to inform Leonardo's brothers of his death, described Leonardo's feelings for his pupils as both loving and passionate. It has been claimed since the 16th century that these relationships were of a sexual or erotic nature. Court records of 1476, when he was aged twenty-four, show that Leonardo and three other young men were charged with sodomy in an incident involving a well-known male prostitute. The charges were dismissed for lack of evidence, and there is speculation that since one of the accused, Lionardo de Tornabuoni, was related to Lorenzo de' Medici, the family exerted its influence to secure the dismissal. Since that date much has been written about his presumed homosexuality and its role in his art, particularly in the androgyny and eroticism manifested in John the Baptist and Bacchus and more explicitly in a number of erotic drawings. CANNOTANSWER


Juan Esteban Aristizabal Vasquez (born August 9, 1972), known professionally as Juanes, is a Colombian musician who was a member of the rock band Ekhymosis and is now a solo artist. In 2000, his solo debut album Fijate Bien won three Latin Grammy Awards. According to his record label, Juanes has sold more than 15 million albums worldwide. Raised in Colombia, Juanes began playing guitar at age seven.

In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

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My Bloody Valentine are a rock band formed in Dublin in 1983. Since 1987, the band's lineup has consisted of founding members Kevin Shields (vocals, guitar, sampler) and Colm O Ciosoig (drums, sampler), with Bilinda Butcher (vocals, guitar) and Debbie Googe (bass). Their music is best known for its merging of dissonant guitar textures with ethereal melody and unorthodox production techniques, and helped to pioneer the alternative rock subgenre known as shoegazing during the late 1980s and early 1990s. Following several unsuccessful early releases and membership changes, My Bloody Valentine signed to Creation Records in 1988.

In January 1988, My Bloody Valentine performed in Canterbury, opening for Biff Bang Pow!, a band that featured Creation Records founder Alan McGee. After "blowing [Biff Bang Pow!] off the stage", My Bloody Valentine were described as "the Irish equivalent to Husker Du" by McGee, who approached the band after the show and offered them an opportunity to record and release a single on Creation. The band recorded five songs at a studio in Walthamstow, East London in less than a week and in August 1988, released You Made Me Realise. The EP was well received by the independent music press and according to AllMusic's Nitsuh Abebe, the release that "made critics stand up and take notice of the brilliant things My Bloody Valentine were up to", adding "it developed some of the stunning guitar sounds that would become the band's trademark". It debuted at number 2 on the UK Indie Chart. Following the success of You Made Me Realise, My Bloody Valentine released their debut full-length studio album, Isn't Anything, in November 1988. Recorded in rural Wales, the album was a major success, receiving widespread critical acclaim, peaking at number 1 on the UK Indie Chart and influencing a number of "shoegazing" bands, who according to Allmusic, "worked off the template My Bloody Valentine established with [the album]". In February 1989, My Bloody Valentine began recording their second studio album at Blackwing Studios in Southwark, London. Creation Records believed that the album could be recorded "in five days". However, it soon "became clear that wasn't going to happen". Following several unproductive months, during which Shields assumed main duties on the musical and technical aspects of the sessions, the band relocated to a total of nineteen other studios and hired a number of engineers, including Alan Moulder, Anjali Dutt and Guy Fixsen. Due to the extensive recording time, Shields and Alan McGee agreed to release another EP and subsequently the band released Glider in April 1990. Containing the lead single "Soon", which featured the first recorded use of Shields' "glide guitar" technique, the EP peaked at number 2 on the UK Indie Chart and the band toured in summer 1990 to support its release. In February 1991, while still recording their second album, My Bloody Valentine released Tremolo, which was another critical success and topped the UK Indie Chart. Released in November 1991, Loveless was rumoured to have cost over PS250,000 and bankrupted Creation Records, claims which Shields has denied. Critical reception to Loveless was almost unanimous with praise although the album was not a commercial success. It peaked at number 24 on the UK Albums Chart but failed to chart elsewhere internationally. McGee dropped My Bloody Valentine from Creation Records soon after the release of Loveless, due to the album's extensive recording period and interpersonal problems with Shields. My Bloody Valentine signed with Island Records in October 1992 for a reported PS250,000 contract. The band's advance went towards the construction of a home studio in Streatham, South London, which was completed in April 1993. Several technical problems with the studio sent the band into "semi-meltdown", according to Shields, who was rumoured to have been suffering from writer's block. The band remained largely inactive, but they recorded and released two cover songs from 1993 to 1996--a rendering of "We Have All the Time in the World" by Louis Armstrong for Peace Together and a cover of "Map Ref. 41degN 93degW" by Wire for the tribute album Whore: Tribute to Wire. In 1995, Debbie Googe and Colm O Ciosoig left My Bloody Valentine. Googe, who briefly worked as a taxi driver following her departure, formed the indie rock supergroup Snowpony with Katharine Gifford, who also performed with Stereolab and Moonshake, and O Ciosoig relocated to the United States, forming Hope Sandoval & the Warm Inventions with Hope Sandoval of Mazzy Star. Shields and Butcher attempted to record a third studio album, which Shields claimed would be released in 1998. However, Butcher departed the band in 1997. Unable to finalise a third album, Shields isolated himself, and in his own words "went crazy", drawing comparisons in the music press to the eccentric behavior of other musicians, including Brian Wilson of The Beach Boys and Syd Barrett of Pink Floyd. Shields later became a touring member of Primal Scream, collaborated with a number of artists including Yo La Tengo, Dinosaur Jr., and Le Volume Courbe and recorded songs for the soundtrack to the 2003 film Lost in Translation. Rumours had spread amongst fans that albums worth of material had been recorded and shelved prior to the band's break up. In 1999, it was reported that Shields had delivered 60 hours of material to Island Records, and Butcher confirmed that there existed "probably enough songs to fill two albums." Shields later admitted that at least one full album of "half-finished" material was abandoned, stating "it was dead. It hadn't got that spirit, that life in it." CANNOTANSWER

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Ray Price was born on a farm near the small, now gone, community of Peach, near Perryville in Wood County, Texas  He was the son of Walter Clifton Price and Clara Mae Bradley Cimini. His grandfather James M. M. Price was an early settler of the area. Price was three years old when his parents divorced and his mother moved to Dallas, Texas.

After the war and college, Price rethought his decision to continue schooling to be a veterinarian. For one thing he was considered too small to work with large cattle and horses, the backbone of a Texas veterinarian's practice. While helping around his father's ranch he also began singing at various functions around the Abilene, Texas area. This eventually led him to begin singing on the radio program Hillbilly Circus broadcast on Abilene's KRBC in 1948. He joined the Big D Jamboree on Dallas radio station KRLD-AM in 1949, and when the show was picked up for broadcast on the CBS radio network soon afterward Price had his first taste of national exposure. It was around this time Ray Price became friends with Lefty Frizzell. The two first met at Beck Recording Studio in Dallas, and Price ended up writing the song "Give Me More, More, More Of Your Kisses" for Frizzell's use. A few demos recorded by Price at Beck's caught the attention of Bullet Records in Nashville, Tennessee and he was signed to his first recording contract. However, his first single released on Bullet, "Jealous Lies" failed to become a chart hit. He relocated to Nashville in the early 1950s, rooming for a brief time with Hank Williams. When Williams died, Price managed his band, the Drifting Cowboys, and had minor success. He was the first artist to have a success with the song "Release Me" (1954), a top five popular music hit for Engelbert Humperdinck in 1967. In 1953, Price formed his band, the Cherokee Cowboys. Among its members during the late 1950s and early 1960s were; Roger Miller, Willie Nelson, Darrell McCall, Van Howard, Johnny Paycheck, Johnny Bush, Buddy Emmons, Pete Wade, Jan Kurtis, Shorty Lavender and Buddy Spicher. Miller wrote one of Ray Price's classics in 1958, "Invitation to the Blues", and sang harmony on the recording. Additionally, Nelson composed the Ray Price song "Night Life". Price became one of the stalwarts of 1950s honky tonk music, with hit songs such as "Talk To Your Heart" (1952) and "Release Me". He later developed the famous "Ray Price Shuffle," a 4/4 arrangement of honky tonk music with a walking bassline, which can be heard on "Crazy Arms" (1956) and many of his other recordings from the late 1950s. CANNOTANSWERAnswer this question using a quote from the following article:

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Epica is a Dutch symphonic metal band, founded by guitarist and vocalist Mark Jansen after his departure from After Forever. Born as a symphonic metal band with gothic tendencies, later Epica have incorporated into their sound strong death metal influences. Starting from the third album, even progressive metal attitudes have become evident. In addition, the band often uses thrash metal and groove metal riffs, black metal passages (mostly in the drum technique), power metal moments and references to Arabic music.

In an interview in November 2010, Simone stated that the band was going to start writing music around February 2011 after their Latin American tour is over. She also stated that they were hoping for a release in the first quarter of 2012. 14 tracks were written without lyrics by May 2011. The band entered the studio later that year, with Sascha Paeth once again as the producer. On December 1, the band announced that the name of the album would be Requiem for the Indifferent, and would be inspired by such factors as the enormous tension between different religions and cultures, wars, natural disasters and the financial crisis. The album was released on March 9, 2012 in Europe, and on March 13, 2012 in the United States. On March 25, 2012, Epica announced on their website that original bassist Yves Huts and Epica had parted ways, to be replaced by Rob van der Loo (ex-Delain, MaYaN). On April 24, the music video of Storm the Sorrow was officially released, earning 128,000 views on YouTube on the release day. General response to Requiem for the Indifferent was positive. Allmusic stated that the album "is a typically elaborate and ambitious affair, incorporating copious amounts of choral work and classical arrangements into the band's neatly established blend of goth, progressive, power, and symphonic metal." Natalie Zed of About.com staff considered Requiem for the Indifferent "a transitional album for the band", which tries to expand their musical range experimenting with "weird" riffing and new combination of vocals, while "losing none of the richness that has gained them fans." On 16 September 2012, the band made a guest appearance on the Dutch TV show Niks te gek (translation: "Nothing [is] too crazy"), where mentally disabled people (18 years or older) can get their wishes granted. In the episode, they recorded, together with the mildly autistic Ruurd Woltring, one of his own compositions, "Forevermore". The single was released through Nuclear Blast on 25 September 2012. The band announced on their official website that on March 23, 2013, they would celebrate the 10th anniversary of Epica in Eindhoven, Netherlands. The concert which would be called Retrospect, would be held in Klokgebouw with a 70-piece orchestra, choirs, international guests and many special effects. The band invited the Hungarian Remenyi Ede Chamber Orchestra and the Choir of Miskolc National Theatre to this show as they were the same orchestra that accompanied Epica in the recording of the live album The Classical Conspiracy. The concert consisted of a 70-piece orchestra, special effects, acrobats, guest vocalist Floor Jansen and former band members Ad Sluijter, Yves Huts and Jeroen Simons. Finnish singer Tarja Turunen was also invited to the show, but had to decline due to scheduling problems. In the show the band introduced a new song titled "Retrospect" and played "Twin Flames" from Requiem for the Indifferent for the first time. They also played for the second time their longest song "The Divine Conspiracy", however a shorter version of this song was played. During the concert, Coen Janssen announced that Retrospect would be filmed for release as a DVD. CANNOTANSWER

was is popular?


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Wayne Norviel Aspinall (April 3, 1896 - October 9, 1983) was a lawyer and politician from Colorado. He is largely known for his tenure in the United States House of Representatives, serving as a Democrat from 1949-1973 from Colorado's Fourth District. Aspinall became known for his direction of the House Interior and Insular Affairs Committee, of which he was the chairman from 1959-1973. Aspinall focused the majority of his efforts on western land and water issues.

Aspinall favored dams and water reclamation projects for several reasons: (1) the power they generated; (2) general recreational use; and (3) he felt the key to Western economic prosperity lay in obtaining permanent stored supply of water for economic purposes. In Aspinall's mind, Americans had many opportunities to enjoy scenic areas, so damming a few of them would not hurt the country. After his career, he boasted that he had brought over $1 billion worth of water projects to his district. According to his observers, he "never met a dam he didn't like." The Colorado River Storage Project (CRSP) came before Congress in the early to mid-1950s. The bill, sponsored by Wayne Aspinall and several western allies, called for damming several areas in the Upper Basin of the Colorado River. It included the Echo Park Dam proposal, located within Dinosaur National Monument. This became a volatile issue between environmentalists and water project advocates. Located just below the Green and Yampa Rivers, the proposed 525-foot (160 m) high dam would have created a 43,000 acre (170 km2) lake, flooding the Green River Canyon for 63 miles (101 km) and the Yampa River Canyon for 44 miles (71 km). However, because of increased environmental awareness around the country, the majority of the public opposed the project. In 1954 alone, the Department of the Interior received 20,000 pieces of mail about the plan, and one insider estimated the letters ran 80 to 1 in opposition of the project. In 1954 and 1955, environmentalists defeated the controversial aspects of the CRSP. In '55, Aspinall conceded that for the bill to pass, he needed to sacrifice the Echo Park plan. Several more compromises between the two sides gave way to the Colorado River Storage Act of 1956 (Public Law 485, in chapter 203), which called for the creation of other irrigation projects and several large dams, including the Glen Canyon Dam in Utah, which created Lake Powell. Other projects created from the CRSP included the Flaming Gorge, Navajo, and Curecanti reservoirs. For his compromise, Aspinall gained five other reclamation projects and three hydroelectric dams for the Fourth District. The bill passed the House 256-136 in March 1956 and then-President Dwight Eisenhower signed it into law soon thereafter. CANNOTANSWER

Why did the people oppose the Act?


Throughout the series, her Catholic faith served as a cornerstone, although a contradiction to her otherwise rigid skepticism of the paranormal. Due to her career in science and medicine, she drifted from her Catholic Christian upbringing but remained somewhat entrenched in her religious beliefs. Scully almost always wears a gold cross necklace, given to her by her mother as a Christmas present when she was fifteen. When she was abducted by Duane Barry, a self-proclaimed alien abductee, it was the only item left behind in Barry's getaway car. Mulder wore it as a talisman of her until Scully miraculously reappeared in a Washington, D.C. hospital. After she recovered from the trauma of her abduction, he returned the cross to her. The abduction visibly tested the limits of her faith -- Mulder believes that Scully was taken aboard an alien spaceship and was subjected to tests. However, because of Scully's skepticism, she believes she was kidnapped by men and subjected to tests, not aliens. She believes she could have been brought there by Barry, and she began to exhibit symptoms of post-traumatic stress disorder on a case involving a murdering fetishist named Donnie Pfaster. This psychological re-victimization continued after Pfaster escaped from prison five years later and again attempted to kill her in her home, ending only after she fatally shot him. She struggled with what motivated her actions to kill Pfaster, and questioned whether it was God compelling her to kill him, or "something else." Sometime after her recovery from cancer, Scully began to regularly attend Mass again. At the request of Father McCue, Scully got involved in a case concerning a paraplegic girl who was found dead in a kneeling position with her palms outstretched and eye sockets charred. After Scully discovered the girl was part of a set of quadruplets and two more were murdered, Father McCue shared with her the story of the seraphim and the nephilim, which Scully interpreted as a possible explanation for the deformations and deaths of the girls. Scully continued to have visions of Emily, and when the last girl died, Scully believed she was returning the girl to God. Upon her return to Washington D.C., she went to confession to gain peace of mind and acceptance for Emily's death. In confession she regretted her decision of letting the girl go. This suggests Scully had doubts about her faith. In the sixth season episode "Milagro", Agent Scully's vulnerability is exposed. In this episode, the murderer takes the victim's heart out. The suspect, a writer named Phillip Padgett, has a particular interest in Scully and is fascinated by her beauty and personality. When she goes to a church to observe a painting, the writer is there and talks to her about the Sacred Heart of Jesus. During the conversation he says she visits the church because she likes art, but not as place of worship. Scully doesn't say otherwise and later she says to Agent Mulder the writer told her her life story. All this suggests that Scully isn't a devout Roman Catholic, although she attempted to approach again the Catholic community and the Catholic faith to which she was devout in her youth, after handling the strange case presented in "Revelations" and also after dealing with life-threatening cancer during the fourth season. CANNOTANSWER

Answer this question "What are some personality traits?" by extracting the answer from the text above.


In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, "falling from the stalk like an overblown flower", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for PS250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be "dreadful", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonais with one page folded round a silk parcel containing some of his ashes and the remains of his heart. CANNOTANSWER

Answer this question "Where did Mary die?" by extracting the answer from the text above.


Background: Edward "Ned" Kelly (December 1854 - 11 November 1880) was an Australian bushranger, outlaw, gang leader and convicted police murderer. One of the last bushrangers, and by far the most famous, he is best known for wearing a suit of bulletproof armour during his final shootout with the police. Kelly was born in the British colony of Victoria as the third of eight children to Irish parents. His father, a transported convict, died shortly after serving a six-month prison sentence, leaving Kelly, then aged 12, as the eldest male of the household.
Context: On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". CANNOTANSWER
Question: Are there any other interesting aspects about this article?

Answer:


Background: MC5 was an American rock band from Lincoln Park, Michigan, formed in 1964. The original band line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson. "Crystallizing the counterculture movement at its most volatile and threatening", according to AllMusic critic Stephen Thomas Erlewine, the MC5's leftist political ties and anti-establishment lyrics and music positioned them as emerging innovators of the punk movement in the United States.
Context: The origins of MC5 can be traced to the friendship between guitarists Wayne Kramer and Fred Smith. Friends since their teen years, they were both fans of R&B music, blues, Chuck Berry, Dick Dale, The Ventures, and what would later be called garage rock: they adored any music with speed, energy and a rebellious attitude. Each guitarist/singer formed and led a rock group (Smith's Vibratones and Kramer's Bounty Hunters). As members of both groups left for college or straight jobs, the most committed members eventually united (under Kramer's leadership and the "Bounty Hunters" name) with Billy Vargo on guitar and Leo LeDuc on drums (at this point Smith played bass), and were popular and successful enough in and around Detroit that the musicians were able to quit their day jobs and make a living from the group. Kramer felt they needed a manager, which led him to Rob Derminer, a few years older than the others, and deeply involved in Detroit's hipster and left-wing political scenes. Derminer originally auditioned as a bass guitarist (a role which he held briefly in 1964, with Smith switching to guitar to replace Vargo and with Bob Gaspar replacing LeDuc), though they quickly realized that his talents could be better used as a lead singer: Though not conventionally attractive and rather paunchy by traditional frontman standards, he nonetheless had a commanding stage presence, and a booming baritone voice that evidenced his abiding love of American soul and gospel music. Derminer renamed himself Rob Tyner (after Coltrane's pianist McCoy Tyner). Tyner also invented their new name, MC5: it reflected their Detroit roots (it was short for "Motor City Five'). In some ways the group was similar to other garage bands of the period, composing soon-to-be historic workouts such as "Black to Comm" during their mid-teens in the basement of the home of Kramer's mother. Upon Tyner's switch from bassist to vocalist, he was initially replaced by Patrick Burrows, however the lineup was stabilised in 1965 by the arrival of Michael Davis and Dennis Thompson to replace Burrows and Gaspar respectively. The music also reflected Smith and Kramer's increasing interest in free jazz--the guitarists were inspired by the likes of Albert Ayler, Archie Shepp, Sun Ra and late period John Coltrane, and tried to imitate the ecstatic sounds of the squealing, high-pitched saxophonists they adored. MC5 even later opened for a few U.S. midwest shows for Sun Ra, whose influence is obvious in "Starship". Kramer and Smith were also deeply inspired by Sonny Sharrock, one of the few electric guitarists working in free jazz, and they eventually developed a unique interlocking style that was like little heard before: Kramer's solos often used a heavy, irregular vibrato, while Smith's rhythms contained an uncommon explosive energy, including patterns that conveyed great excitement, as evidenced in "Black to Comm" and many other songs. Playing almost nightly any place they could in and around Detroit, MC5 quickly earned a reputation for their high-energy live performances and had a sizeable local following, regularly drawing sellout audiences of 1000 or more. Contemporary rock writer Robert Bixby stated that the sound of MC5 was like "a catastrophic force of nature the band was barely able to control", while Don McLeese notes that fans compared the aftermath of an MC5 performance to the delirious exhaustion experienced after "a street rumble or an orgy". (McLeese, 57) Having released a cover of Them's "I Can Only Give You Everything" backed with original composition "One of the Guys" on the tiny AMG label over a year earlier, in early 1968 their second single was released by Trans-Love Energies on A-Square records (though without the knowledge of that label's owner Jeep Holland). Housed in a striking picture sleeve, it comprised two original songs: "Borderline" and "Looking at You". The first pressing sold out in a few weeks, and by year's end it had gone through more pressings totaling several thousand copies. A third single that coupled "I Can Only Give You Everything" with the original "I Just Don't Know" appeared at about the same time on the AMG label, as well. That summer MC5 toured the U.S. east coast, which generated an enormous response, with the group often overshadowing the more famous acts they opened up for: McLeese writes that when opening for Big Brother and the Holding Company audiences regularly demanded multiple encores of MC5, and at a memorable series of concerts, Cream -- one of the leading hard rock groups of the era -- "left the stage vanquished". (McLeese, 65) This same east coast tour led to the rapturous aforementioned Rolling Stone cover story that praised MC5 with nearly evangelistic zeal, and also to an association with the radical group Up Against the Wall Motherfuckers. MC5 became the leading band in a burgeoning hard rock scene, serving as mentors to fellow South-Eastern Michigan bands The Stooges and The Up, and major record labels expressed an interest in the group. As related in the notes for reissued editions of the Stooges' debut album, Danny Fields of Elektra Records came to Detroit to see MC5. At Kramer's recommendation, he went to see The Stooges. Fields was so impressed that he ended up offering contracts to both bands in September 1968. They were the first hard rock groups signed to the fledgling Elektra. MC5 earned national attention with their first album, Kick Out the Jams, recorded live on October 30 and 31, 1968, at Detroit's Grande Ballroom. Elektra executive Jac Holzman and producer Bruce Botnick recognized that MC5 were at their best when playing for a receptive audience. Containing such songs as the proto-punk classics "Kick Out the Jams" and "Rama Lama Fa Fa Fa", the spaced-out "Starship" (co-credited to Sun Ra because the lyrics were partly cribbed from one of Ra's poems), and an extended cover of John Lee Hooker's "Motor City is Burning" wherein Tyner praises the role of Black Panther snipers during the Detroit Insurrection of 1967. Critic Mark Deming writes that Kick out the Jams "is one of the most powerfully energetic live albums ever made ... this is an album that refuses to be played quietly." The album caused some controversy due to Sinclair's inflammatory liner notes and the title track's rallying cry of "Kick out the jams, motherfucker!" According to Kramer, the band recorded this as "Kick out the jams, brothers and sisters!" for the single released for radio play; Tyner claimed this was done without group consensus (Thompson, 2000). The edited version also appeared in some LP copies, which also withdrew Sinclair's excitable comments. The album was released in January 1969; reviews were mixed, but the album was relatively successful, quickly selling over 100,000 copies and peaking at #30 on the Billboard album chart in May 1969 during a 23-week stay. When Hudson's, a Detroit-based department store chain, refused to stock Kick Out the Jams due to the obscenity, MC5 responded with a full page advertisement in the local underground magazine Fifth Estate saying "Stick Alive with the MC5, and Fuck Hudson's!", prominently including the logo of MC5's label, Elektra Records, in the ad. Hudson's pulled all Elektra records from their stores, and in the ensuing controversy, Jac Holzman, the head of Elektra, dropped the band from their contract. MC5 then signed with Atlantic Records. CANNOTANSWER
Question: who were the guitarists that were friends?. Whats the answer?


Background: Robert Francis Kennedy was born on November 20, 1925, in Brookline, Massachusetts, the seventh child of businessman/politician Joseph P. Kennedy Sr. and philanthropist/socialite Rose Fitzgerald Kennedy. His older brothers were Joseph P. Kennedy Jr. and John F. "Jack" Kennedy, who was elected the 35th President of the United States in 1960. His younger brother was longtime United States Senator Edward M. "Ted" Kennedy. All four of his grandparents were children of Irish immigrants.
Context: In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their freshman year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and like her, he became a devout Catholic and throughout his lifetime he practiced his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." In November 1951, Kennedy moved with his wife and daughter to a townhouse in Georgetown in Washington, D.C., and started work as a lawyer in the Internal Security Section of the Criminal Division of the U.S. Department of Justice; the section was charged with investigating suspected Soviet agents. In February 1952, he was transferred to the Eastern District of New York in Brooklyn to prosecute fraud cases. On June 6, 1952, Kennedy resigned to manage his brother John's successful 1952 U.S. Senate campaign in Massachusetts. JFK's victory was of great importance to the Kennedy family, elevating him to national prominence, and turning him into a serious potential presidential candidate. But his brother's victory was equally important to Robert, who felt he had succeeded in eliminating his father's negative perceptions of him. In December 1952, at the behest of his father, Kennedy was appointed by family friend Republican Senator Joseph McCarthy as assistant counsel of the U.S. Senate Permanent Subcommittee on Investigations, However, Kennedy disapproved of the senator's aggressive methods of garnering intelligence on suspected communists. This was a highly visible job for him. He resigned in July 1953, but "retained a fondness for McCarthy". The period of July 1953 to January 1954 saw him at "a professional and personal nadir", feeling that he was adrift while trying to prove himself to the rest of the Kennedy family. After a period as an assistant to his father on the Hoover Commission, Kennedy rejoined the Senate committee staff as chief counsel for the Democratic minority in February 1954. That month, McCarthy's chief counsel Roy Cohn subpoenaed Annie Lee Moss, accusing her of membership in the Communist Party. Kennedy revealed that Cohn had called the wrong Annie Lee Moss and he requested the file on Moss from the FBI. FBI director J. Edgar Hoover had been forewarned by Cohn and denied him access, referring to RFK as "an arrogant whipper-snapper". When the Democrats gained the majority in the Senate in January 1955, Kennedy became chief counsel and was a background figure in the televised Army-McCarthy Hearings of 1954 into McCarthy's conduct. The Annie Lee Moss incident turned Cohn into an enemy, which led to Kennedy assisting Democratic senators in ridiculing Cohn during the hearings. The animosity grew to the point where Cohn had to be restrained after asking RFK if he wanted to fight him. For his work on the McCarthy committee, Kennedy was included in a list of Ten Outstanding Young Men of 1954, created by the U.S. Junior Chamber of Commerce. His father had arranged the nomination, his first national award. In 1955, Kennedy was admitted to practice before the United States Supreme Court. In 1960, Kennedy published the successful book, which he had drafted over the summer of the previous year, The Enemy Within, describing the corrupt practices within the Teamsters and other unions that he had helped investigate. Biographer Evan Thomas wrote that the book was a bestseller and could have launched a political career on its own, but "family duty called", and Kennedy went to work on the presidential campaign of his brother, John. In contrast to his role in his brother's previous campaign eight years prior, Kennedy gave stump speeches throughout the primary season, gaining confidence as time went on. His strategy "to win at any cost" led him to call on Franklin D. Roosevelt Jr. to attack Hubert Humphrey as a draft dodger; Roosevelt eventually did make the statement that Humphrey avoided service. Concerned that John Kennedy was going to receive the Democratic Party's nomination, some supporters of Lyndon Johnson, who was also running for the nomination, revealed to the press that JFK had Addison's disease, saying that he required life-sustaining cortisone treatments. Though in fact a diagnosis had been made, Kennedy tried to protect his brother by denying the allegation, saying that JFK had never had "an ailment described classically as Addison's disease". After securing the nomination, John Kennedy nonetheless decided to offer Lyndon Johnson the vice presidency. This did not sit well with some Kennedy supporters, and Robert tried unsuccessfully to convince Johnson to turn down the offer, leading him to view Robert with contempt afterward. RFK had already disliked Johnson prior to the presidential campaign, seeing him as a threat to his brother's ambitions. RFK wanted his brother to choose labor leader Walter Reuther. Despite Kennedy's attempts, Johnson became his brother's running mate. Kennedy worked toward downplaying his brother's Catholic faith during the primary but took a more aggressive and supportive stance during the general election. These concerns were mostly calmed after JFK delivered a speech in September in Houston where he said that he was in favor of the separation of church and state. The following month, Kennedy was involved in securing the release of civil rights leader Martin Luther King Jr. from a jail in Atlanta. Kennedy spoke with Georgia governor Ernest Vandiver and later, Judge Oscar Mitchell, after the judge had sentenced King for violating his probation when he protested at a whites-only snack bar. CANNOTANSWER
Question: What was his role on the campaign?

Answer:


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Francisco Pizarro was born in Trujillo, Caceres, Spain (then in the Crown of Castile) in modern-day Extremadura, Spain. He was the illegitimate son of infantry colonel Gonzalo Pizarro (1446-1522) and Francisca Gonzalez, a woman of poor means. His date of birth is uncertain, but it is believed to be sometime in the 1470s, probably 1474. Little attention was paid to his education and he grew up illiterate.

On 10 November 1509, Pizarro sailed from Spain to the New World with Alonso de Ojeda on an expedition to Uraba. He sailed to Cartagena and joined the fleet of Martin Fernandez de Enciso and, in 1513, accompanied Balboa to the Pacific. In 1514, he found a supporter in Pedro Arias Davila, the Governor of Castilla de Oro and was rewarded for his role in the arrest of Balboa with the positions of mayor and magistrate in Panama City, serving from 1519 to 1523. Reports of Peru's riches and Cortes's success in Mexico tantalized Pizarro. He undertook two expeditions to conquer the Incan Empire in 1524 and in 1526. Both failed as a result of native hostilities, bad weather and lack of provisions. Pedro de los Rios, the Governor of Panama, made an effort to recall Pizarro, but the conquistador resisted and remained in the south. In April 1528, he reached northern Peru and found the natives rich with precious metals. This discovery gave Pizarro the motivation to plan a third expedition to conquer the area. He returned to Panama to make arrangements, but the Governor refused to grant permission for the project. Pizarro returned to Spain to appeal directly to King Charles I. His plea was successful and he received not only a license for the proposed expedition, but also authority over any lands conquered during the venture. He was joined by family and friends and the expedition left Panama in 1530. When hostile natives along the coast threatened the expedition, Pizarro moved inland and founded the first Spanish settlement in Peru, San Miguel de Piura. Atahualpa refused to tolerate a Spanish presence in his lands, but was captured by Pizarro during the Battle of Cajamarca on 16 November 1532. A ransom for the emperor's release was demanded and Atahualpa filled a room with gold, but Pizarro charged him with various crimes and executed him on 26 July 1533, overriding his associates who thought he was overstepping his authority. The same year, Pizarro entered the Inca capital of Cuzco and completed his conquest of Peru. In January 1535, Pizarro founded the city of Lima, a project he considered his greatest achievement. Quarrels between Pizarro and his longtime comrade-in-arms Diego Almagro culminated in the Battle of Las Salinas. Almagro was captured and executed and, on 26 June 1541, his embittered son, Diego de Almagro "el mozo", assassinated Pizarro in Lima. The conquistador of Peru was laid to rest in the Lima Cathedral. Two years later Pizarro, Almagro and Luque started the arrangements for a second expedition with permission from Pedrarias Davila. The governor, who himself was preparing an expedition north to Nicaragua, was reluctant to permit another expedition, having lost confidence in Pizarro. The three associates eventually won his trust and he acquiesced. By this time, a new governor was to arrive and succeed Davila. Pedro de los Rios took charge in July 1526 and initially approved Pizarro's expeditions (he would join him several years later in Peru). On 10 March 1526 Pizarro left Panama with two ships with 160 men and several horses, reaching as far as the Colombian San Juan River. Soon after arriving the party separated, with Pizarro staying to explore the new and often perilous territory off the swampy Colombian coasts, while the expedition's co-commander, Almagro, returned to Panama for reinforcements. Pizarro's Piloto Mayor (main pilot), Bartolome Ruiz, continued sailing south and, after crossing the equator, found and captured a balsa (raft) under sail, with natives from Tumbes. To everyone's surprise, these carried textiles, ceramic objects and some pieces of gold, silver and emeralds, making Ruiz's findings the central focus of this second expedition. Some natives were taken aboard Ruiz's ship to serve as interpreters. He then set sail north for the San Juan River, arriving to find Pizarro and his men exhausted from the difficulties they had faced exploring the new territory. Soon Almagro sailed into the port laden with supplies and a reinforcement of at least eighty recruits who had arrived at Panama from Spain with an expeditionary spirit. The findings and excellent news from Ruiz along with Almagro's new reinforcements cheered Pizarro and his tired followers. They decided to sail back to the territory already explored by Ruiz and, after a difficult voyage due to strong winds and currents, reached Atacames on the Ecuadorian coast. Here, they found a large native population recently brought under Inca rule. Unfortunately for the conquistadores, the warlike spirit of the people they encountered seemed so defiant and dangerous in numbers that the Spanish decided not to enter the land. When the new governor of Panama, Pedro de los Rios, refused to allow for a third expedition to the south, the associates resolved for Pizarro to leave for Spain and appeal to the sovereign in person. Pizarro sailed from Panama for Spain in the spring of 1528, accompanied by Pedro de Candia, some natives and llamas, plus samples of fabric, gold and silver. Pizzaro reached Seville in early summer. King Charles I, who was at Toledo, had an interview with Pizarro and heard of his expeditions in South America. The conquistador described the territory as rich in gold and silver that he and his followers had bravely explored "to extend the empire of Castile". The king, who was soon to leave for Italy, was impressed at his accounts and promised his support for the conquest of Peru. Queen Isabel, though, in the absence of the king, signed the Capitulacion de Toledo on 6 July 1529, a license document that authorized Pizarro to proceed with the conquest of Peru. Pizarro was officially named the Governor, Captain general, Adelantado and Alguacil Mayor, of New Castile for the distance of 200 leagues along the newly discovered coast and invested with all authority and prerogatives, leaving his associates in secondary positions (a fact that later incensed Almagro and would lead to eventual discord). One of the grant conditions was that within six months, Pizarro should raise a sufficiently equipped force of 250 men, of whom 100 might be drawn from the colonies. This gave Pizarro time to leave for his native Trujillo and convince his brother Hernando Pizarro and other close friends to join him on his third expedition. Francisco de Orellana joined the group and would later discover and explore the length of the Amazon River. Two more of his brothers from his father, Juan Pizarro and Gonzalo Pizarro, and a brother from his mother, Francisco Martin de Alcantara, later decided to join him, as well as his cousin Pedro Pizarro, who served as his page. When the expedition left the following year, it numbered three ships, 180 men and 27 horses. Pizarro could not raise the number of men the Capitulacion required and sailed clandestinely from the port of Sanlucar de Barrameda for the Canary Island of La Gomera in January 1530. He was there joined by his brother Hernando and the remaining men in two vessels that would sail back to Panama. Pizarro's third and final expedition left Panama for Peru on 27 December 1530. CANNOTANSWER


Walter Winchell (April 7, 1897 - February 20, 1972) was an American newspaper and radio gossip commentator. Winchell showed a particular talent for finding embarrassing stories about famous people by exploiting his exceptionally wide circle of contacts, and trading gossip, sometimes in return for his silence. His uniquely outspoken style made him both feared and admired, and his column was syndicated worldwide. In the 1930s, he attacked the appeasers of Nazism, and later aligned with Joseph McCarthy in his campaign against communists.

During the 1950s, Winchell supported Senator Joseph McCarthy's quest to identify Communists in the entertainment industry, but his popularity and influence began to decline as the public turned against McCarthy. His weekly radio broadcast was simulcast on ABC television until he ended that association because of a dispute with ABC executives in 1955. He starred in The Walter Winchell File, a television crime drama series that initially aired from 1957 to 1958, dramatizing cases from the New York City Police Department that were covered in the New York Daily Mirror. ABC re-hired him in 1959 to narrate The Untouchables for four seasons. In 1960, he signed with NBC to host a variety program called The Walter Winchell Show, which was canceled after only 13 weeks--a particularly bitter failure in view of the success of his longtime rival Ed Sullivan in a similar format with The Ed Sullivan Show. In the early 1960s, a public dispute with Jack Paar effectively ended Winchell's career--already in steep decline due to his association with McCarthy--signaling a shift in power from print to television. Winchell had angered Paar several years earlier when he refused to retract an item alleging that Paar was having marital difficulties. Biographer Neal Gabler described the exchange on Paar's show in 1961: Hostess Elsa Maxwell appeared on the program and began gibing at Walter, accusing him of hypocrisy for waving the flag while never having voted [which, incidentally, wasn't true; the show later issued a retraction]. Paar joined in. He said Walter's column was "written by a fly" and that his voice was so high because he wears "too-tight underwear" ... [H]e also told the story of the mistaken item about his marriage, and cracked that Walter had a "hole in his soul". On subsequent programs, Paar called Winchell a "silly old man" and cited other examples of his underhanded tactics. No one had previously dared to criticize Winchell publicly, but by then his influence had eroded to the point that he could not effectively respond. The New York Daily Mirror, his flagship newspaper for 34 years, closed in 1963; his readership dropped steadily, and he faded from the public eye. CANNOTANSWER

when did he go on television?


Gardner believed in a personal God, in an afterlife, and in prayer, but rejected established religion. He considered himself a philosophical theist and a fideist. He had an abiding fascination with religious belief but was critical of organized religion. In his autobiography, he stated: "When many of my fans discovered that I believed in God and even hoped for an afterlife, they were shocked and dismayed... I do not mean the God of the Bible, especially the God of the Old Testament, or any other book that claims to be divinely inspired. For me God is a "Wholly Other" transcendent intelligence, impossible for us to understand. He or she is somehow responsible for our universe and capable of providing, how I have no inkling, an afterlife." Gardner described his own belief as philosophical theism inspired by the works of philosopher Miguel de Unamuno. While eschewing systematic religious doctrine, he retained a belief in God, asserting that this belief cannot be confirmed or disconfirmed by reason or science. At the same time, he was skeptical of claims that any god has communicated with human beings through spoken or telepathic revelation or through miracles in the natural world. Gardner has been quoted as saying that he regarded parapsychology and other research into the paranormal as tantamount to "tempting God" and seeking "signs and wonders". He stated that while he would expect tests on the efficacy of prayers to be negative, he would not rule out a priori the possibility that as yet unknown paranormal forces may allow prayers to influence the physical world. Gardner wrote repeatedly about what public figures such as Robert Maynard Hutchins, Mortimer Adler, and William F. Buckley, Jr. believed and whether their beliefs were logically consistent. In some cases, he attacked prominent religious figures such as Mary Baker Eddy on the grounds that their claims are unsupportable. His semi-autobiographical novel The Flight of Peter Fromm depicts a traditionally Protestant Christian man struggling with his faith, examining 20th century scholarship and intellectual movements and ultimately rejecting Christianity while remaining a theist. Gardner said that he suspected that the fundamental nature of human consciousness may not be knowable or discoverable, unless perhaps a physics more profound than ("underlying") quantum mechanics is some day developed. In this regard, he said, he was an adherent of the "New Mysterianism". CANNOTANSWER

Answer this question "Why was he critical of organized religion?" by extracting the answer from the text above.


Jeanine Ferris Pirro (born June 2, 1951) is an American TV personality, former judge, prosecutor, and Republican politician in New York. Pirro is currently the host of Fox News Channel's Justice with Judge Jeanine. She was the first female judge elected to the Westchester County Court prior to her election as the first female District Attorney of Westchester County. As District Attorney, Pirro gained considerable visibility in cases of domestic abuse and crimes against the elderly.

In 1975, Carl Vergari appointed Pirro to the position of Assistant District Attorney of Westchester County, where she began her career by writing appeals and handling minor cases. In 1977, Pirro approached Vergari and requested that he apply for a federal grant for local district attorney's offices to establish bureaus that specialized in domestic violence. She hoped that Vergari would take advantage of potential funding as well as a 1977 change in New York law that moved many domestic violence cases from family court to criminal court. Vergari agreed to apply, and his office became one of four in the nation to win the grant. In 1978, he appointed Pirro to be the first chief of the new Domestic Violence and Child Abuse Bureau. Pirro was known to be an aggressive bureau chief. Due to possible coercion, she had a strict policy against dropping cases at a victim's request. Many people praised Pirro for her passion as Domestic Violence Bureau Chief, but she attracted increasing criticism from colleagues due her attention-grabbing behavior and violations of tradition. On multiple occasions, Chief District Attorney Vergari spoke to Pirro concerning her violation of office policy. She had issued press releases with her own name--and not Vergari's--on top. The relationship between Pirro and Vergari disintegrated in the late 1980s, after Pirro claimed sole responsibility for the establishment of the Domestic Violence and Child Abuse Bureau. On June 1, 1990, just five months prior to Pirro's first appearance on the ballot for County Court Judge, she attracted widespread attention and some criticism for rushing to conduct a bedside arraignment of Maria Amaya at the Intensive Care Unit of United Hospital in Port Chester. Amaya had been charged with four counts of second-degree murder for the deaths of her four children. She was a 36-year-old immigrant from El Salvador who had a history of being hospitalized for mental issues. Amaya had killed the four children and attempted suicide after believing that they were being corrupted by drugs and sex. Vergari had served as district attorney for Pirro's entire tenure as an assistant district attorney and her time on the bench. In 1999, he critiqued Pirro as "bright and capable" and someone who "plays hardball seeking publicity" but is also "very self-centered in everything she does". During a 1986 abortive campaign for lieutenant governor, Pirro claimed to have never lost a case in "about 50 trials". This number was disputed when presented in 2005 to colleagues, who said that the real number of trials personally handled by Pirro "wasn't more than 10". Pirro's then-spokesman, Anne Marie Corbalis, contended only that Pirro had a "100% felony conviction rate" as an Assistant District Attorney. In November 1993, Pirro was elected Westchester County District Attorney; she was the first woman to hold that position. She was re-elected in 1997 and 2001. On May 23, 2005, Pirro announced that she would not seek re-election to a fourth term as Westchester County District Attorney. On December 31, 1993--within hours of Pirro's midnight inauguration as District Attorney--Scripps newspaper heiress Anne Scripps Douglas was savagely bludgeoned in the head with a skull hammer by her estranged husband, Scott Douglas (who subsequently committed suicide by jumping off the Tappan Zee Bridge), as she slept in their Bronxville home. By the time police arrived, Scott Douglas had fled the scene, and Anne Scripps Douglas died in hospital on January 6. Pirro, already known as a passionate prosecutor of domestic violence cases, was a frequent presence in the media during the period between the murder and when Scott Douglas's body washed ashore in Riverdale in early March 1994. This increase in Pirro's national profile led to her surfacing as a frequent guest on network and cable television news in June 1994, when O.J. Simpson was arrested for the murder of his ex-wife, appearing frequently as a talking head for Nightline, Larry King Live, and Geraldo. Within months of taking office, Pirro undertook a costly renovation to the district attorney's facilities and expanded to an additional floor of the county courthouse. The largest expenses were a new kitchenette and a media room, costing $20,000, to assist Pirro's growing profile; additional expenditures also came to remodel her personal office with mahogany. Pirro was the first female president of the New York State District Attorneys Association. Also while district attorney, she was appointed by then Governor George Pataki to chair the New York State Commission on Domestic Violence Fatality Review Board. Its report and recommendations resulted in legislation passing that enhanced protections of, and safeguards for, the victims of domestic abuse. Pirro made her biggest procedural mistake as district attorney when she repeatedly refused to reopen the murder case of Jeffrey Deskovic. In 1990, Deskovic was falsely convicted of killing a 15-year-old girl and spent 16 years in prison before he was exonerated by DNA evidence. On May 26, 1986, Pirro, then an assistant district attorney, was announced as the running mate of Westchester County Executive and presumptive Republican gubernatorial nominee Andrew O'Rourke at a press conference in Manhattan's Roosevelt Hotel. Pirro was selected by O'Rourke and New York State Republican Committee Chairman Anthony J. Colavita after nearly a dozen individuals declined the position, including Erie County Executive Ed Rutkowski, Hempstead Presiding Supervisor Thomas Gulotta, and the Executives of Broome and Oneida Counties. Colavita, who said at the press conference that he "had so many say 'no' to me (during the lieutenant governor search), it doesn't hurt anymore", pointed to Pirro's prosecutorial experience, ability to effectively use crime as an issue, Italian married name, youth, and status as a woman when asked about her strengths as a candidate. Pirro's selection frustrated many New York Republicans, with Assembly Minority Leader Clarence D. Rappleyea Jr. traveling on May 27 from Albany to the first night of the State Republican Committee's Nominating Convention in Syracuse, to tell O'Rourke and Cloavita that his conference was concerned by Pirro's lack of political experience or statewide stature. Many Republicans also worried that if Pirro were nominated, their ticket would be too geographically dominated by downstate and the suburbs, with O'Rourke, like Pirro, being from Westchester, and the presumptive nominees for attorney general, Peter King and United States Senate, Alfonse D'Amato both hailing from Nassau County. On May 28, just one day prior to the scheduled vote for the lieutenant gubernatorial nomination at the state party convention in Syracuse, Pirro announced her withdrawal from the race, saying that her husband could not disclose his legal clients or the couple's business interests (later revealed to have been her husband's partial ownership of a Connecticut carting company with alleged mafia connections), and that many of his clients did business with the state, which would make it "virtually impossible" for her to serve as Lieutenant Governor. Pirro had privately informed O'Rourke and Cloavita of her decision during the evening of May 27, and the two were generally supportive, telling the press that her departure had nothing to do with Rappleyea's intervention. Pirro was replaced just six hours after her announcement by Michael Kavanagh, the District Attorney of Ulster County. CANNOTANSWER

What did she do next?


Sanctus Real is an American Christian rock band formed in Toledo, Ohio, in 1996. The group is composed of Chris Rohman (lead guitar), Mark Graalman (drums), and Dustin Lolli (lead vocals). The band is best known for their number one singles "Lead Me", "Forgiven", "Whatever You're Doing", "I'm Not Alright", "Don't Give Up", "We Need Each Other", "

The band recorded a cover of U2's song, "Beautiful Day", for the compilation album In the Name of Love: Artists United for Africa, which was released at the beginning of 2004. The track reached number 1 on R&R magazine's Christian rock chart in 2004, becoming their first chart-topping single. "Beautiful Day" also received a GMA Dove Award nomination for Modern Rock Song of the Year in 2004. The band also did a cover of the song "Promised Land" for the 2004 album Veggie Rocks. In February 2004, the band went back in studio to record their second album; almost all of its tracks were written the previous month. It was recorded in six weeks with producer Tedd T, and soon released under the title Fight the Tide in June 2004. The lead single "Everything About You" was released in mid-2004, and by September it had stayed at number 1 on R&R's Christian rock chart for six consecutive weeks. The song was later featured on the X 2006 compilation album in 2005. In September 2004, Sanctus Real launched their first headlining tour, the Fight the Tide Tour. The tour featured guest bands Hawk Nelson, Seven Places and Ever Stays Red, and traveled through more than 25 cities. After being nominated in late 2004, Fight the Tide won the GMA Dove Award for "Modern Rock Album of the Year" in early 2005. Released near the beginning of the year, "The Fight Song" was Sanctus Real's next single, and in May 2005 it reached the top of R&R's Christian rock chart, becoming the band's third number 1 song. In April 2005, bass player Steve Goodrum left the band and was replaced by Dan Gartley, a previous touring member of Relient K. Gartley played his first concert with Sanctus Real at the Agape Festival in May 2005. CANNOTANSWER

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did they have any other bands or singers that they toured with?


Background: Smash is the third studio album by American punk rock band The Offspring. After touring in support of their previous album, Ignition (1992), The Offspring began recording Smash in January 1994 at Track Record in North Hollywood, California. Recording and production were finished a month later, and the album was released on April 8, 1994 on Epitaph Records.
Context: Punk rock bands like Green Day and Rancid were gaining popularity, and riding on this wave of popularity, Smash's singles became radio rock hits. An example of this was the success of The Offspring's first major single release, "Come Out and Play", which reached #1 on Billboard Modern Rock Tracks chart. The second single released from the album, "Self Esteem", became a radio hit, managing to peak at number 4 on the Billboard Modern Rock Tracks chart, although it didn't hit number 1 like its prior hit, "Self Esteem" was actually more popular and more successful worldwide. The lyrics are about an abusive relationship in which the girl takes advantage of her boyfriend, as he has "no self-esteem" to stand up to her. Contrary to popular belief, the song is not autobiographical. In an interview Dexter revealed that it is about one of his old friends. This song was the most successful and most popular of the album's three singles. The third single, "Gotta Get Away" was another rock radio hit, although it was not as successful as the previous two singles. The song reached number 6 on the Billboard Modern Rock Tracks chart. Being the last song written for the album, the lyrics describe a point in Dexter's life when he was suffering from extreme pressure due to the then-upcoming deadline of the album. "What Happened To You" is driven by a Jamaican ska beat. A fourth song, "Bad Habit", received radio play in some areas, but was never officially released. However, it is often their set opener and is a favorite among fans. The lyrics discuss road rage to the point where the protagonist shoots at the car in front of him. The only cover in the album was "Killboy Powerhead", by The Didjits. CANNOTANSWER
Question: Where did it place on the charts?. Whats the answer?


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The KLF (also known as The Justified Ancients of Mu Mu, furthermore known as The JAMs and The Timelords and by other names) were a British electronic band of the late 1980s and early 1990s. Beginning in 1987, Bill Drummond (alias King Boy D) and Jimmy Cauty (alias Rockman Rock) released hip hop-inspired and sample-heavy records as the Justified Ancients of Mu Mu, and on one occasion (the British number one hit single "Doctorin' the Tardis") as the Timelords. The KLF released a series of international hits on their own KLF Communications record label, and became the biggest-selling singles act in the world for 1991. The duo also published a book, The Manual (How to Have a Number One the Easy Way), and worked on a road movie called The White Room.

In 1986, Bill Drummond was an established figure within the British music industry, having co-founded Zoo Records, played guitar in the Liverpool band Big in Japan, and worked as manager of Echo & the Bunnymen and the Teardrop Explodes. On 21 July of that year, he resigned from his position as an A&R man at record label WEA, citing that he was nearly 33 1/3  years old (33 1/3  revolutions per minute being significant to Drummond as the speed at which a vinyl LP revolves), and that it was "time for a revolution in my life. There is a mountain to climb the hard way, and I want to see the world from the top". He released a well-received solo LP, The Man, judged by reviewers as "tastefully understated," a "touching if idiosyncratic biographical statement" encapsulating "his bizarrely sage ruminations", and "a work of humble genius: the best kind". Artist and musician Jimmy Cauty was, in 1986, the guitarist in the commercially unsuccessful three-piece Brilliant--an act that Drummond had signed to WEA Records and managed. Cauty and Drummond shared an interest in the esoteric conspiracy novels The Illuminatus! Trilogy and, in particular, their theme of Discordianism, a form of post-modern anarchism. As an art student in Liverpool, Drummond had been involved with the set design for the first stage production of The Illuminatus! Trilogy, a 12-hour performance which opened in Liverpool on 23 November 1976. Re-reading Illuminatus! in late 1986, and influenced by hip-hop, Drummond felt inspired to react against what he perceived to be the stagnant soundscape of popular music. Recalling that moment in a later radio interview, Drummond said that the plan came to him in an instant: he would form a hip-hop band with former colleague Jimmy Cauty, and they would be called the Justified Ancients of Mu Mu. It was New Year's Day ... 1987. I was at home with my parents, I was going for a walk in the morning, it was, like, bright blue sky, and I thought "I'm going to make a hip-hop record. Who can I make a hip-hop record with?". I wasn't brave enough to go and do it myself, 'cause, although I can play the guitar, and I can knock out a few things on the piano, I knew nothing, personally, about the technology. And, I thought, I knew [Jimmy], I knew he was a like spirit, we share similar tastes and backgrounds in music and things. So I phoned him up that day and said "Let's form a band called The Justified Ancients of Mu-Mu". And he knew exactly, to coin a phrase, "where I was coming from". And within a week we had recorded our first single which was called "All You Need Is Love". In 1988, Drummond and Cauty became "Time Boy" and "Lord Rock", and released a 'novelty' pop single, "Doctorin' the Tardis" as The Timelords. The song is predominantly a mash-up of the Doctor Who theme music, "Block Buster!" by Sweet and Gary Glitter's "Rock and Roll (Part Two)". Also credited on the record was "Ford Timelord", Cauty's 1968 Ford Galaxie American police car (claimed to have been used in the film Superman IV filmed in the UK). Drummond and Cauty declared that the car had spoken to them, giving its name as Ford Timelord, and advising the duo to become "The Timelords". Drummond and Cauty later portrayed the song as the result of a deliberate effort to write a number one hit single. In interviews with Snub TV and BBC Radio 1, Drummond said that the truth was that they had intended to make a house record using the Doctor Who theme. After Cauty had laid down a basic track, Drummond observed that their house idea wasn't working and what they actually had was a Glitter beat. Sensing the opportunity to make a commercial pop record they abandoned all notions of underground credibility and went instead for the lowest common denominator. According to the British music press, the result was "rancid", "pure, unadulterated agony" and "excruciating" and - in something of a backhanded compliment from the normally supportive Sounds Magazine - "a record so noxious that a top ten place can be its only destiny". They were right: the record went on to sell over one million copies. A single of The Timelords' remixes of the song was released: "Gary Joins The JAMs" featured original vocal contributions from Glitter himself, who also appeared on Top of the Pops to promote the song with The Timelords. The Timelords released one other product, a 1989 book called The Manual (How to Have a Number One the Easy Way), a step-by-step guide to achieving a number one hit single with little money or talent. The K Foundation was an arts foundation established by Drummond and Cauty in 1993 following their 'retirement' from the music industry. From 1993 to 1995 they engaged in a number of art projects and media campaigns, including the high-profile K Foundation art award (for the "worst artist of the year"). Most notoriously, they burnt what was left of their KLF earnings--a million pounds in cash--and filmed the performance. In 1995, Drummond and Cauty contributed a song to The Help Album as The One World Orchestra ("featuring The Massed Pipes and Drums of the Children's Free Revolutionary Volunteer Guards"). "The Magnificent" is a drum'n'bass version of the theme tune from The Magnificent Seven, with vocal samples from DJ Fleka of Serbian radio station B92: "Humans against killing... that sounds like a junkie against dope". On 17 September 1997, ten years after their debut album 1987, Drummond and Cauty re-emerged briefly as 2K. 2K made a one-off performance at London's Barbican Arts Centre with Mark Manning, Acid Brass, the Liverpool Dockers and Gimpo; a performance at which "Two elderly gentlemen, reeking of Dettol, caused havoc in their motorised wheelchairs. These old reprobates, bearing a grandfatherly resemblance to messrs Cauty and Drummond, claimed to have just been asked along." The song performed at the Barbican--"Fuck the Millennium" (a remix of "What Time Is Love?" featuring Acid Brass and incorporating elements of the hymn "Eternal Father, Strong to Save")--was also released as single. These activities were accompanied by the usual full page press adverts, this time asking readers "***k The Millennium: Yes/No?" with a telephone number provided for voting. At the same time, Drummond and Cauty were also K2 Plant Hire, with plans to build a "People's Pyramid" from used house bricks; this plan never reached fruition at the time. However, during the Welcome To The Dark Ages event in August 2017, Cauty and Drummond announced the creation of an undertakers business and new plans for a People's Pyramid. As of 2010, Drummond continues to work as a writer and conceptual artist, with occasional appearances on radio and television. Cauty has been involved in several post-KLF projects including the music and conceptual art collective Blacksmoke and, more recently, numerous creative projects with the aquarium and the L-13 Light Industrial Workshop based in Clerkenwell, London. CANNOTANSWER

when was the k foundation started?


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Ray Washington Traylor Jr. (May 2, 1963 - September 22, 2004)  was an American professional wrestler who was best known for his appearances with the World Wrestling Federation (WWF) under the ring name Big Bossman, as well as for his appearances with World Championship Wrestling (WCW) as The Boss, The Man, The Guardian Angel, and Big Bubba Rogers. During his appearances with the WWF, Big Boss Man held the WWF World Tag Team Championship once and the WWF Hardcore Championship four times. On March 7, 2016, Traylor was confirmed to be inducted into the WWE Hall of Fame Class of 2016.

In June 1988, Traylor joined the WWF as "Big Boss Man", a Corrections Officer character. Wrestling as a heel and managed by Slick, Boss Man's post-match routine often included handcuffing his defeated opponents to the ring rope and beating them with a nightstick or ball and chain. After defeating Koko B. Ware at the inaugural SummerSlam, Boss Man began his first major WWF angle by attacking Hulk Hogan on "The Brother Love Show". During this feud, he also challenged Randy Savage for the WWF Championship, and formed a team with Akeem (formerly billed as One Man Gang, his UWF opponent) to form The Twin Towers. They feuded with Hogan and Savage (who had formed The Mega Powers), and were a key part in the top storyline of Savage turning on Hogan, leading to the WrestleMania V main event; in the later part of a tag match between the four on Saturday Night's Main Event, Hogan abandoned Savage to attend to the hurt Miss Elizabeth and went backstage. After being double-teamed for a while, Savage eventually rallied and defeated The Twin Towers on his own. This led to The Mega Powers demise as Savage beat Hulk in the backstage medical room where fellow wrestlers, managers and staff had to break them up. At WrestleMania V, The Twin Towers defeated The Rockers (Shawn Michaels and Marty Jannetty) and then, for most of spring and early summer 1989, feuded with Demolition (Ax and Smash) over the Tag Team Championship. Meanwhile, Boss Man concluded his feud with Hogan in a series of steel cage matches; one of the most memorable aired on the May 27 episode of Saturday Night's Main Event, with Hogan's WWF Championship on the line. During the match, Hogan superplexed Boss Man off the top of the cage. The Big Boss Man turned face on the February 24, 1990 episode of Superstars, when Ted DiBiase had paid Slick to have Boss Man retrieve the Million Dollar Championship belt from Jake Roberts, who had stolen it. Boss Man retrieved a bag containing both the belt and Roberts' pet python, Damien. On The Brother Love Show, he refused to accept DiBiase's money for the bag, and returned it to Roberts. Boss Man then feuded with former partner Akeem, defeating him in less than two minutes at WrestleMania VI. As part of his face turn, he later stopped handcuffing and beating jobbers after matches. He made peace with Hogan, appearing in his corner in his match against Earthquake at Summerslam 1990, and teaming with him at the 1990 Survivor Series, along with "Hacksaw" Jim Duggan and Tugboat, to defeat Earthquake's team. CANNOTANSWER


Franz Ferdinand are a Scottish indie rock band, formed in 2002 and based in Glasgow. The band's original lineup was composed of Alex Kapranos (lead vocals and guitar, keyboard), Nick McCarthy (rhythm guitar, keyboards and backing vocals), Bob Hardy (bass guitar), and Paul Thomson (drums, percussion and backing vocals). Julian Corrie (keyboards, synthesiser, guitar and backing vocals) and Dino Bardot (guitar and backing vocals) joined the band in 2017 after McCarthy left during the previous year. The band has been notable for being one of the more popular post-punk revival bands, garnering multiple UK top 20 hits.

The name of the band was originally inspired by a racehorse called Archduke Ferdinand. After seeing the horse win the Northumberland Plate in 2001, the band began to discuss Archduke Franz Ferdinand and thought it would be a good band name because of the alliteration of the name and the implications of the Archduke's death (his assassination was a significant factor in the lead-up to World War I). "Mainly we just liked the way it sounded," says Bob. "We liked the alliteration." "He was an incredible figure as well," continues Alex. "His life, or at least the ending of it, was the catalyst for the complete transformation of the world and that is what we want our music to be. But I don't want to over-intellectualize the name thing. Basically a name should just sound good ... like music." Paul offered, "I like the idea that, if we become popular, maybe the words Franz Ferdinand will make people think of the band instead of the historical figure" - talking to is this music?. The song "Take Me Out", on the band's first album, was the second single to be released by the band. The single release of "Take Me Out" came with the B-side, "All for You, Sophia", based on the assassination of Archduke Ferdinand and his wife, whose name was Sophie, not Sophia. The band chose the name Sophia rather than Sophie to give the song a better ring. The song mentions the assassin Gavrilo Princip, the Black Hand, the location of the Appel Quay and "Urban" (Franz Urban), the name often mistakenly given to Leopold Lojka, the driver of the car. In addition to this, in 2004 the band played a number of "secret" gigs under the pseudonym "The Black Hands", alluding to the secret society that was held responsible for the assassination of Franz Ferdinand. CANNOTANSWERAnswer this question using a quote from the following article:

What influenced them to name that band Franz Ferdinand?