Background: Saparmurat Atayevich Niyazov (Turkmen: Saparmyrat Ataievich Nyiazov, translit. Saparmyrat Atayewic Nyyazow, [thaparm@'rat a'tajebitS n@'jad@f], spelled Saparmxrat Atayewic Nxyazow between 1992 and 1993 and Saparmyrat Atayewic Nyyazow between 1993 and 1995); 19 February 1940 - 21 December 2006) was a Turkmen politician who served as the leader of Turkmenistan from 1985 until his death in 2006. He was First Secretary of the Turkmen Communist Party from 1985 until 1991 and continued to lead Turkmenistan for 15 years after independence from the Soviet Union in 1991. Turkmen media referred to him using the title "His Excellency Saparmurat Turkmenbasy, President of Turkmenistan and Chairman of the Cabinet of Ministers".
Context: Niyazov became president at the transition of Turkmenistan from a Soviet republic to an independent state. His presidency was characterised by an initial crumbling of the centralised Soviet model that in many respects was unsuited to function as a separate entity; also, there were large amounts of foreign income from gas and petroleum reserves (approximately $2-4 billion as of 2005). There was outside concern about press freedom and to a lesser extent religious rights of minority religious groups. Niyazov made a personal attempt to create a cultural background for the new state of Turkmenistan by writing and promoting the Ruhnama, an autobiography meant to guide the people of Turkmenistan with his ideas and promote native culture (and by extension prohibiting foreign culture). He also took part in creating new holidays with a specific Turkmen nature and introduced a new Latin-based Turkmen alphabet to replace Russian Cyrillic. The Latin Turkmen alphabet consists of: Aa, Bb, Cc, Dd, Ee, Aa, Ff, Gg, Hh, Ii, Jj, Zz, Kk, Ll, Mm, Nn, Nn, Oo, Oo, Pp, Rr, Ss, Ss, Tt, Uu, Uu, Ww, Yy, Yy, Zz. Niyazov became a substitute for the vacuum left by the downfall of the communist system, with his image replacing those of Marx and Lenin. He renamed the town of Krasnovodsk "Turkmenbashi" after himself, and renamed schools, airports and even a meteorite after himself and members of his family. His many, sometimes erratic decrees, and the doting actions of the official Turkmen media gave rise to the clear appearance of a cult of personality. The eccentric nature of some of his decrees, and the vast number of images of the president led to the perception, especially in western countries, of a despotic leader, rich on oil wealth glorifying himself whilst the population gained no benefit. Despite emphasizing a need to move from central planning to a market economy and to a full democracy during his reign, neither plan progressed. Yearly plans set forth by the government and a centralised economy gave little indication of moving away from state-dominated economics, and the dictatorial nature of many of his decrees and his declaring himself "President for Life" gave little hope as to much progress in these two areas. CANNOTANSWER
Question: When did he become president?. Whats the answer?


The Crystals were an American vocal group based in New York, considered one of the defining acts of the girl group era in the first half of the 1960s. Their 1961-1964 chart hits, including "There's No Other (Like My Baby)", "Uptown", "He's Sure the Boy I Love", "He's a Rebel", "Da Doo Ron Ron" and "Then He Kissed Me", featured three successive female lead singers, and were all produced by Phil Spector.

Despite the steady flow of hit singles, tensions between Spector and the Crystals mounted. Already unhappy with having been replaced by Love and the Blossoms on two singles, the Crystals were even more upset when Spector began focusing much of his time on his other girl group the Ronettes. Not only did the Ronettes become Philles Records' priority act, the Ronettes actually replaced the Crystals on four album tracks on the 1963 compilation LP The Crystals Sing the Greatest Hits. As well, there were disputes about royalties, with the Crystals feeling that Spector was withholding royalty money that was owed to them. Two failed Crystals singles followed before the band left Spector's Philles Records for United Artists Records in 1964. "Little Boy", which reached #92, was a Wall Of Sound production that was layered multiple times, which meant that the vocals were hard to distinguish from the music. "All Grown Up", their final Philles single (of which two versions exist), only reached #98. 1964 also saw the departure of Wright, who was replaced by Frances Collins, a dancer whom they had met while touring; toward the end of that year Alston departed leaving the group a trio. As a trio, they recorded two singles for United Artists, "My Place" and "You Can't Tie a Good Girl Down". One more single was released by Barbara, Dee Dee and Mary on the tiny Michelle Records in 1967 ("Ring-a-Ting-a-Ling") and they disbanded in 1967 (see 1967 in music). They reunited in 1971 (see 1971 in music) and still perform today. Kenniebrew is the only original Crystal who remained active throughout their touring from the seventies to the present. Dee Dee continues to carry on The Crystals legacy by performing with Patricia Pritchett-Lewis, a member since 2005, and Melissa "MelSoulTree" Grant (aka Mel-Soul-Tree), a member since 2002. The current trio of Crystals are currently promoting a CD project entitled Live In Asia, which they recorded live in Singapore. The lead vocalist for The Crystals' biggest hits is La La Brooks. After living in the UK for two decades, La La returned to the US in 2001 and currently performs across the world. Barbara Alston died at a Charlotte hospital on February 16, 2018, at age 74. CANNOTANSWER

Name another song listed.


Pauline Curuenavuli was born in Suva, Fiji on 15 October 1982 to parents Isireli, a former choir conductor, and Miliana, a nurse. Her mother Miliana lived and worked alone in Sydney, Australia for two years. Paulini, her five siblings and their father Isireli moved from Fiji to Sydney in 1986, when she was four years old, to join Miliana. Their first home in Australia was a two-bedroom apartment in Randwick, New South Wales, where Paulini attended Coogee Public School.

Paulini was raised in a devout Christian family. She officially became an Australian citizen on 21 March 2013 at a special ceremony in Canberra that coincided with Harmony Day. Following years of struggling with her weight, Paulini showcased a new slimmer physique in 2014 after going from a size 16 to a size 10. She credits the weight loss to eating healthy, running, going to the gym, "sleeping early and not staying up till late hours at night." Paulini is currently based in Sydney. In November 2014, she revealed that she was living with her sister Litia in a shared apartment in Matraville, New South Wales. Paulini is a supporter of the LGBTI community and has a gay following in Australia. Over the years, she has performed at many gay nightclubs and LGBTI-related events, including New York City Pride and the Sydney Gay and Lesbian Mardi Gras. She told the Star Observer: "the community has always been so good to me. They're the loudest and the ones right behind me." In June 2017, Paulini was charged with "corruptly giving a benefit to an agent", after she paid AU$850 to a Roads and Maritime Services (RMS) employee for a fake, NSW open driver licence, despite not being qualified to drive. Paulini's learner licence was suspended in March 2016 after she was caught driving unaccompanied and without L-plates displayed. She then spoke with an employee at a Mount Druitt RMS office in July 2016, who added an American driver licence number to Paulini's records and issued an open NSW licence for her. The employee had already been under investigation by police for distributing fake driver licences. Paulini pleaded guilty to the offence on 4 September 2017. She already had 11 driving offences, despite having only held a learner licence since 2002. On 15 December 2017, Paulini avoided jail time and was instead given a six-month suspended sentence. She has been placed on a good behaviour bond until 14 June 2018. CANNOTANSWERAnswer this question using a quote from the following article:

What were her hobbies?


Answer by taking a quote from the following article:

Denis Clive "Denny" Hulme,  (18 June 1936 - 4 October 1992) was a New Zealand racing driver who won the 1967 Formula One World Drivers' Championship for the Brabham team. Between his debut at Monaco in 1965 and his final race in the 1974 US Grand Prix, he started 112 Grand Prix, resulting eight victories and 33 trips to the podium. He also finished third in the overall standing in 1968 and 1972. Hulme showed versatility by dominating the Canadian-American Challenge Cup (Can-Am) for Group 7 sports cars.

He was born on a tobacco farm belonging to his parents in Motueka in the South Island of New Zealand. His father Clive Hulme was awarded a Victoria Cross, as a sniper, while fighting in the Battle of Crete in 1941. Whilst growing up on his family's farm in Pongakawa (near Te Puke), Hulme learned to drive a truck while sitting on his father's lap, and by the age of six, he was driving solo. He left school and went to work in a garage. He saved up enough money to buy an MG TF, promptly entering this in hillclimbing events. After that his father brought a MGA for him. After making impressive progress he purchased a F2 Cooper-Climax, subsequently being chosen for the New Zealand Driver to Europe program, along with fellow Kiwi, George Lawton. The pair of young New Zealander began competing in Formula Junior and Formula Two across Europe, in a Cooper-BMC and Cooper-Ford respectively. Hulme won the 1960 Gran Premio di Pescara for Formula Juniors, but the newspapers back in New Zealand made no mention of this, as they wrote only about Bruce McLaren. However, the year, 1960 ended in disaster, when Lawton crashed during a race at Roskilde (Denmark) dying in Hulme's arms. As the New Zealand press were ignoring Hulme, he hired a 2 1/2  litre Cooper from Reg Parnell and entered it in the 1961 New Zealand Gold Star Championship. He won the title straight away. He appeared at Le Mans for the Abarth team, taking a class win in S850 the class (partnered by fellow Kiwi Angus Hyslop), before Ken Tyrrell invited the likable (but sometimes gruff) New Zealander to race in his Formula Junior and Formula Two team, in 1962, when Tony Maggs was unavailable due to his Formula One commitments. Once there, basing himself in London, he worked as a mechanic in Jack Brabham's garage in Chessington and began to pave his way on his motor-racing path. It was Brabham who gave him drives in his Brabham sportscars and single seaters. During the 1963 season, he won seven International Formula Junior and after some impressive performances there, it was his old boss Jack Brabham who gave Hulme the call and he joined the Australian legend's F2 team. In 1964, the pair set about dominating the Championship that year, resulting in a one-two finish in the FFSA Trophees de France series. The pair also finished one-two in the 1966 series . During this spell in F2 between 1964-1966, Hulme won a total of three races in the series, plus two non-championship events (the 1964 Grote Prijs van Limborg and the 1965 Spring Trophy). Hulme was rewarded with some non-championship Formula One races. Away from single seaters, Hulme also raced the occasional saloon car. In appalling conditions, on 6 July 1963, Hulme won his first major saloon car race. The second Motor-sponsored Six-Hour, a round of the European Touring Car Championship, saw the pre-race favourite, a 7-litre Ford Galaxie driven by Dan Gurney and Jack Brabham flounder in the wet and the Jaguars dominated the race. Hulme would win, partnered by Roy Salvadori, after the winners on the road were disqualified for engine irregularities. CANNOTANSWER

What country was he in?


Edward "Ned" Kelly (December 1854 - 11 November 1880) was an Australian bushranger, outlaw, gang leader and convicted police murderer. One of the last bushrangers, and by far the most famous, he is best known for wearing a suit of bulletproof armour during his final shootout with the police. Kelly was born in the British colony of Victoria as the third of eight children to Irish parents. His father, a transported convict, died shortly after serving a six-month prison sentence, leaving Kelly, then aged 12, as the eldest male of the household.

Kelly's first documented brush with the law was on 15 October 1869 at the age of 14 when he was charged with the assault and robbery of Ah Fook, a pig and fowl trader of Chinese descent from Bright. According to Fook, as he was passing Kelly's house, Kelly approached him with a long bamboo stick, announcing that he was a bushranger and would kill him if he did not hand over his money. Kelly then allegedly took him into the bush, beat him with the stick and stole 10 shillings. According to Kelly, his sister Annie and two witnesses, Bill Skilling and Bill Grey, Annie was sitting outside the house sewing when Fook walked up and asked for a drink of water. Given creek water, he abused Annie for not giving him rain water, and Kelly came outside and pushed him. Fook then hit Kelly three times with the bamboo stick, causing him to run away. The visitor then walked away, threatening to return and burn the house down, and Kelly did not return until sundown. Historians find neither account convincing and believe that Kelly's account is likely true up to being hit by Fook but then Kelly probably took the stick from him and beat him with it. Kelly was arrested the following day for highway robbery and locked up overnight in Benalla. He appeared in court the following morning, but Sergeant Whelan, despite using an interpreter to translate Fook's account, requested a remand to allow time to find another interpreter. Kelly was held for four days and appearing in court on 20 October, was again remanded after the police failed to produce an interpreter. The charge was dismissed on 26 October and he was released. Sergeant Whelan disliked Kelly. Three months earlier when he had prosecuted Yeaman Gunn for possession of stolen mutton, Kelly testified that he had sold several sheep to Gunn that same day. The magistrate found Gunn guilty and fined him PS10. Furious that Kelly was not convicted for the robbery, Whelan kept a careful watch on the Kelly family and, according to fellow officers, became "a perfect encyclopedia of knowledge about them" through his "diligence". Following his court appearance, the Benalla Ensign reported, "The cunning of himself [Kelly] and his mates got him off", the Beechworth Advertiser on the other hand reported that "the charge of robbery has been trumped up by the Chinaman to be revenged on Kelly, who had obviously assaulted him". Fook described 14-year-old Kelly as being aged around 20 years. The following year, a reporter wrote that Kelly "gives his age as 15 but is probably between 18 and 20". Kelly, 5 ft 8 in (1.73 m) in height, was still physically imposing. When arrested, a 224-pound (102 kg) trooper was purportedly unable to subdue the then-15-year-old until several labourers ran to assist him and even then Kelly had to be knocked unconscious. On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". New South Wales issued rewards totalling PS4,000 for the gang, dead or alive. The Victorian Government matched that amount, making the total reward for the Kelly gang PS8,000. The Board of Officers, which included Captain Standish, Supts Hare and Sadleir, centralized all decisions about any search for the Kelly gang. The reward money had a demoralizing effect on them: "The capture of the Kellys was desired by these officers, but they were very jealous as to where they themselves would come in when the reward money would be allotted. This led to very serious quarrels among the heads...". From early March 1879 to June 1880 nothing was heard of the gang's whereabouts. As Thomas Aubrey wrote in his 1953 Mirror article, In the months after Jerilderie, public opinion turned sharply against Commissioner Standish and the 300 officers and men of the police and artillery corps who crowded into the towns of North-Eastern Victoria. Critics were quick to point out that the brave constables took good care to remain in the towns leaving the outlaws almost complete freedom of the bush, their natural home. Constable Devine felt so humiliated by being locked up in his own jail cell that he disliked mention of the Kelly gang's visit to his town. He moved to Western Australia, and became a racecourse detective, a position he held until his death in 1927. Kenneally wrote of him, "He was a high spirited man and was generally regarded as a man who would rather fight than run. It was because the Kellys recognised his courage that they did not take him out of the cell to patrol the town [as they did with Constable Richards]". CANNOTANSWER

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?


Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

The band released their third album, True, in March 1983. Produced by Tony Swain and Steve Jolley, the album featured a slicker pop sound. It was at this point that Steve Norman began playing saxophone for the band. Preceded by the title track which reached number one in various countries, the album also reached number one in the UK. Their next single, "Gold", reached number 2. The follow-up album, Parade, was released in June 1984, and its singles were again big successes in the charts in Europe, Oceania and Canada. The album's opening song, "Only When You Leave", became the band's last American hit. At the end of 1984, the band performed on the Band Aid charity single and in 1985 performed at Wembley Stadium as part of Live Aid. During this same year, Spandau Ballet achieved platinum status with the compilation The Singles Collection, which kept the focus on the band between studio albums and celebrated its five years of success. However, the album was released by Chrysalis Records without the band's approval and the band instigated legal action against the label. In 1986, Spandau Ballet signed to CBS Records and released the album Through the Barricades, in which the band moved away from the pop and soul influences of True and Parade and more toward rock. Though the first single, "Fight for Ourselves" peaked at 15 in the UK, the title track and the album both reached the Top 10 in the UK and Europe. After a hiatus from recording, the band released their next album, Heart Like a Sky, in September 1989. The album and its singles were unsuccessful in the UK, and the album itself was not released in the United States. It did, however, do well in Italy (where its singles "Raw" and "Be Free with Your Love" reached the Top 10) and also in Belgium, Germany and the Netherlands. CANNOTANSWER

Using a quote from the above article, answer the following question: How was the album received by the critics?


Around 3,000 years ago, the ancestral Arapaho-speaking people (Heeteinono'eino' ) lived in the western Great Lakes region along the Red River Valley in what is classified as present-day Manitoba, Canada and Minnesota, United States. There the Arapaho were an agricultural people who grew crops, including maize. Following European colonization in eastern Canada, together with the early Cheyenne people (Hitesiino'), the Arapaho were pushed westward onto the eastern Great Plains by the Ojibwe. They were numerous and powerful, having obtained guns from their French trading allies. The ancestors of the Arapaho people entered the Great Plains from the western Great Lakes region sometime before 1700. During their early history on the plains, the Arapaho lived on the northern plains from the South Saskatchewan River in Canada south to Montana, Wyoming, and western South Dakota. Before the Arapaho acquired horses, they used domestic dogs as pack animals to pull their travois. The Arapaho acquired horses in the early 1700s from other tribes, which changed their way of life. They became a nomadic people, using the horses as pack and riding animals. They could transport greater loads, and travel more easily by horseback to hunt more easily and widely, increasing their success in hunting on the Plains. Gradually, the Arapaho moved farther south, split into the closely allied Northern and Southern Arapaho, and established a large joint territory spanning land in southern Montana, most of Wyoming, the Nebraska Panhandle, central and eastern Colorado, western Oklahoma, and extreme western Kansas. A large group of Arapaho split from the main tribe and became an independent people, commonly known as the Gros Ventre (as named by the French) or Atsina. The name Gros Ventre, meaning "Big Bellies" in French, was a misinterpretation of sign language between an Indian guide and French explorers. The Gros Ventre spoke an Algonquian language similar to Arapaho after the division; they identified as A'aninin meaning ''White Clay people''. The Arapaho often viewed the Gros Ventre as inferior and referred to them as Hitunena or Hitouuteen, meaning "beggars". CANNOTANSWER

Answer this question "What did the Arapaho do?" by extracting the answer from the text above.


DeVos was born Elisabeth Prince on January 8, 1958. She grew up in Holland, Michigan, the daughter of Elsa (Zwiep) Prince (later, Broekhuizen) and Edgar Prince, a billionaire industrialist. Both of her parents are of Dutch ancestry, and her family's original surname was "Prins". Edgar was the founder of Prince Corporation, an automobile parts supplier based in Holland, Michigan.

DeVos is known as a "a fierce proponent of school vouchers" that would allow students to attend private schools with public funding. According to The New York Times, it "is hard to find anyone more passionate about the idea of steering public dollars away from traditional public schools than Betsy DeVos". DeVos served as chairwoman of the board of Alliance for School Choice. Until November 2016, she headed the All Children Matter PAC which she and her husband founded in 2003 to promote school vouchers, tax credits to businesses that give private school scholarships, and candidates who support these causes. Over the years, DeVos and her husband have provided millions in funding for the organization. In 2008, All Children Matter was fined $5.2 million in Ohio for illegally laundering money into political campaign funds. DeVos was not named in the case. The fine remained unpaid as of 2017, prompting calls by Democratic Party lawmakers for DeVos to settle the debt. Her other activities on behalf of public-school reform have included membership on the boards of directors of the Advocates for School Choice, the American Education Reform Council, and the Education Freedom Fund. She has chaired the boards of Choices for Children, and Great Lakes Education Project (GLEP). DeVos was chair of the American Federation for Children (AFC). Affiliated with the Alliance for School Choice, the AFC describes itself as "a leading national advocacy organization promoting school choice, with a specific focus on advocating for school vouchers and scholarship tax credit programs". During the 1990s, she served on the boards of Children First America and the American Education Reform Council, which sought to expand school choice through vouchers and tax credits. She and her husband worked for the successful passage of Michigan's first charter-school bill in 1993, and for the unsuccessful effort in 2000 to amend Michigan's constitution to allow tax-credit scholarships or vouchers. In response to that defeat, DeVos started a PAC, the Great Lakes Education Project, which championed charter schools. DeVos's husband and John Walton then founded All Children Matter, a political organization, which she chaired. CANNOTANSWER

Did she implement any programs while there?


Luis Walter Alvarez was born in San Francisco on June 13, 1911, the second child and oldest son of Walter C. Alvarez, a physician, and his wife Harriet nee Smyth, and a grandson of Luis F. Alvarez, a physician who lived for a time in Spain, then Cuba, and finally the United States, who found a better method for diagnosing macular leprosy. He had an older sister, Gladys, a younger brother, Bob, and a younger sister, Bernice. His aunt, Mabel Alvarez, was a California artist specializing in oil painting. He attended Madison School in San Francisco from 1918 to 1924, and then San Francisco Polytechnic High School.

In his autobiography, Alvarez said, "I think of myself as having had two separate careers, one in science and one in aviation. I've found the two almost equally rewarding." An important contributor to this was his enjoyment of flying. He learned to fly in 1933, later earning instrument and multi-engine ratings. Over the next 50 years he accumulated over 1000 hours of flight time, most of it as pilot in command. He said, "I found few activities as satisfying as being pilot in command with responsibility for my passengers' lives." Alvarez made numerous professional contributions to aviation. During World War II he led the development of multiple aviation-related technologies. Several of his projects are described above, including Ground Controlled Approach (GCA) for which he was awarded the Collier Trophy in 1945. He also held the basic patent for the radar transponder, for which he assigned rights to the U.S. government for $1. Later in his career Alvarez served on multiple high level advisory committees related to civilian and military aviation. These included a Federal Aviation Administration task group on future air navigation and air traffic control systems, the President's Science Advisory Committee Military Aircraft Panel, and a committee studying how the scientific community could help improve the United States' capabilities for fighting a nonnuclear war. Alvarez's aviation responsibilities led to many adventures. For example, while working on GCA he became the first civilian to fly a low approach with his view outside the cockpit obstructed. He also flew many military aircraft from the co-pilot's seat, including a B-29 Superfortress and a Lockheed F-104 Starfighter. In addition, he survived a crash during World War II as a passenger in a Miles Master. CANNOTANSWER

what were some of his careers that involved flying?


Background: Christopher James Christie (born September 6, 1962) is an American politician, former federal prosecutor, and political commentator who served as the 55th Governor of New Jersey from 2010 to 2018. During his governorship, he chaired the Opioid and Drug Abuse Commission in 2017. Christie became an ABC News contributor in 2018 after leaving office. Christie was born in Newark and raised in Livingston.
Context: In December 2010, Christie commuted the seven-year sentence of Brian Aitken, who had been convicted of transporting three guns within the state; as a result, Aitken was released from prison. Christie has said that each state has the right to determine firearms laws without federal interference. When announcing his candidacy in 2009 he said he supported aggressive enforcement of the state's current gun laws. In 2013, he chose not to defend a legal challenge to a New Jersey law requiring individuals to prove an urgent threat of violence before getting permits to carry handguns. In July 2014, Christie vetoed legislation that would have reduced the allowed legal size of ammunition magazines. Instead he re-wrote it, proposing a new standard for involuntary commitment of people who are not necessarily deemed dangerous "but whose mental illness, if untreated, could deteriorate to the point of harm" as well as other forms of involuntary mental health treatments. Christie had previously vetoed proposed legislation that would bar the state pension fund from investing in companies that manufacture or sell assault firearms for civilian use and a bill to prohibit the sale of .50-caliber rifles to civilians. In July 2015, Christie vetoed a bill passed the Assembly by a 74-0 (six abstentions) and the Senate by a 38-0 (2 abstentions) which would require anyone seeking to have their mental health records expunged to purchase a firearm to notify the State Police, their county prosecutor and their local police department when petitioning the court. In October 2015, the New Jersey Senate voted to override Christie's veto. In January 2018, during his final days as Governor of New Jersey, Christie signed legislation making bump stocks illegal in the state. CANNOTANSWER
Question: What happened after Aitken was released?

Answer:


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Paterno was born December 21, 1926, in Brooklyn, New York, the son of Florence de LaSalle Cafiero, a homemaker, and Angelo Lafayette Paterno, a law clerk. His family was of Italian ancestry. He spoke throughout his life with a marked Brooklyn accent. In 1944, Paterno graduated from Brooklyn Preparatory School.

In November 2006, Paterno was involved in a sideline collision during a game against Wisconsin. He was unable to avoid the play and was struck in the knee by Badgers linebacker DeAndre Levy's helmet. Paterno, then 79 years old, suffered a fractured shin bone and damage to knee ligaments. He coached the 2007 Outback Bowl from the press box before making a full recovery. In November 2008, Paterno had successful hip replacement surgery after spraining his leg while trying to demonstrate onside kicks during a practice session. While recovering, he coached the remainder of the season and the 2009 Rose Bowl from the press box. After sustaining these injuries, he made use of a golf cart to move around the field during practices. Paterno was injured again in August 2011, after colliding with a player during practice. He sustained hairline fractures to his hip and shoulder. No surgery was required, but Paterno began the 2011 regular season schedule in a wheelchair. In November 2011, Scott Paterno reported that his father had a treatable form of lung cancer. On January 13, 2012, Paterno was hospitalized in State College for complications relating to his cancer treatment, and he remained there until his death nine days later on January 22, 2012. His death resulted in tributes from prominent leaders in the U.S., including former President George H. W. Bush, who called Paterno "an outstanding American who was respected not only on the field of play but in life generally--and he was, without a doubt, a true icon in the world of sports." Pennsylvania Governor Tom Corbett said of Paterno, "His legacy as the winningest coach in major college football and his generosity to Penn State as an institution and to his players, stand as monuments to his life. ... His place in our state's history is secure." On January 23, Corbett ordered all state flags to be lowered to half mast in Paterno's honor. At the time of his death, Penn State was still finalizing Paterno's retirement package. Paterno's funeral was held in State College on January 25, 2012. About 750 mourners attended the private ceremony, after which thousands of mourners lined the route of the funeral procession. Paterno was buried in Spring Creek Presbyterian Cemetery just outside the town. Approximately 12,000 people attended a public memorial service that was held at the Bryce Jordan Center on January 26, 2012. CANNOTANSWER


Albrecht Durer (; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. Durer is commemorated by both the Lutheran and Episcopal Churches.

On his return to Nuremberg, Durer worked on a number of grand projects with religious themes, including a crucifixion scene and a Sacra Conversazione, though neither was completed. This may have been due in part to his declining health, but perhaps also because of the time he gave to the preparation of his theoretical works on geometry and perspective, the proportions of men and horses, and fortification. However, one consequence of this shift in emphasis was that during the last years of his life, Durer produced comparatively little as an artist. In painting, there was only a portrait of Hieronymus Holtzschuher, a Madonna and Child (1526), Salvator Mundi (1526), and two panels showing St. John with St. Peter in background and St. Paul with St. Mark in the background. This last great work, the Four Apostles, was given by Durer to the City of Nuremberg--although he was given 100 guilders in return. As for engravings, Durer's work was restricted to portraits and illustrations for his treatise. The portraits include Cardinal-Elector Albert of Mainz; Frederick the Wise, elector of Saxony; the humanist scholar Willibald Pirckheimer; Philipp Melanchthon, and Erasmus of Rotterdam. For those of the Cardinal, Melanchthon, and Durer's final major work, a drawn portrait of the Nuremberg patrician Ulrich Starck, Durer depicted the sitters in profile, perhaps reflecting a more mathematical approach. Despite complaining of his lack of a formal classical education, Durer was greatly interested in intellectual matters and learned much from his boyhood friend Willibald Pirckheimer, whom he no doubt consulted on the content of many of his images. He also derived great satisfaction from his friendships and correspondence with Erasmus and other scholars. Durer succeeded in producing two books during his lifetime. "The Four Books on Measurement" were published at Nuremberg in 1525 and was the first book for adults on mathematics in German, as well as being cited later by Galileo and Kepler. The other, a work on city fortifications, was published in 1527. "The Four Books on Human Proportion" were published posthumously, shortly after his death in 1528. Durer died in Nuremberg at the age of 56, leaving an estate valued at 6,874 florins -- a considerable sum. He is buried in the Johannisfriedhof cemetery. His large house (purchased in 1509 from the heirs of the astronomer Bernhard Walther), where his workshop was located and where his widow lived until her death in 1539, remains a prominent Nuremberg landmark. It is now a museum. CANNOTANSWER

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"Life on Mars?", also known as "(Is There) Life on Mars?", is a song by David Bowie, first released in 1971 on the album Hunky Dory and also released as a single. The song, with cryptic lyrics by Bowie and prominent piano by Rick Wakeman, has been described by BBC Radio 2 as "a cross between a Broadway musical and a Salvador Dali painting." When released as a single in 1973, it reached number three in the UK Singles Chart and stayed on the chart for thirteen weeks. In 2015 Neil McCormick, chief rock music critic of The Daily Telegraph, ranked it as number one in his "100 Greatest Songs of All Time" list.

In 1968, Bowie wrote the lyrics "Even a Fool Learns to Love", set to the music of a 1967 French song "Comme d'habitude", composed by Claude Francois and Jacques Revaux. Bowie's version was never released, but Paul Anka bought the rights to the original French version and rewrote it into "My Way", the song made famous by Frank Sinatra in a 1969 recording on his album of the same name. The success of the Anka version prompted Bowie to write "Life on Mars?" as a parody of Sinatra's recording. In notes for iSelect, a compilation that accompanied a June 2008 issue of The Mail on Sunday, Bowie described how he wrote the song: Workspace was a big empty room with a chaise longue; a bargain-price art nouveau screen ("William Morris," so I told anyone who asked); a huge overflowing freestanding ashtray and a grand piano. Little else. I started working it out on the piano and had the whole lyric and melody finished by late afternoon. Bowie noted that Wakeman "embellished the piano part" of his original melody and guitarist Mick Ronson "created one of his first and best string parts" for the song. The liner notes for Hunky Dory indicate that the song was "inspired by Frankie". One reviewer suggested the song was written after "a brief and painful affair" with actress Hermione Farthingale. While on tour in 1990, Bowie introduced the song by saying "You fall in love, you write a love song. This is a love song." CANNOTANSWER

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Gates was born in Seattle, Washington on October 28, 1955. He is the son of William H. Gates Sr. (b. 1925) and Mary Maxwell Gates (1929-1994). His ancestry includes English, German, Irish, and Scots-Irish.

After Gates read the January 1975 issue of Popular Electronics, which demonstrated the Altair 8800, he contacted Micro Instrumentation and Telemetry Systems (MITS), the creators of the new microcomputer, to inform them that he and others were working on a BASIC interpreter for the platform. In reality, Gates and Allen did not have an Altair and had not written code for it; they merely wanted to gauge MITS's interest. MITS president Ed Roberts agreed to meet them for a demo, and over the course of a few weeks they developed an Altair emulator that ran on a minicomputer, and then the BASIC interpreter. The demonstration, held at MITS's offices in Albuquerque, was a success and resulted in a deal with MITS to distribute the interpreter as Altair BASIC. Paul Allen was hired into MITS, and Gates took a leave of absence from Harvard to work with Allen at MITS in Albuquerque in November 1975. They named their partnership "Micro-Soft" and had their first office located in Albuquerque. Within a year, the hyphen was dropped, and on November 26, 1976, the trade name "Microsoft" was registered with the Office of the Secretary of the State of New Mexico. Gates never returned to Harvard to complete his studies. Microsoft's Altair BASIC was popular with computer hobbyists, but Gates discovered that a pre-market copy had leaked into the community and was being widely copied and distributed. In February 1976, Gates wrote an Open Letter to Hobbyists in the MITS newsletter in which he asserted that more than 90 percent of the users of Microsoft Altair BASIC had not paid Microsoft for it and by doing so the Altair "hobby market" was in danger of eliminating the incentive for any professional developers to produce, distribute, and maintain high-quality software. This letter was unpopular with many computer hobbyists, but Gates persisted in his belief that software developers should be able to demand payment. Microsoft became independent of MITS in late 1976, and it continued to develop programming language software for various systems. The company moved from Albuquerque to its new home in Bellevue, Washington, on January 1, 1979. During Microsoft's early years, all employees had broad responsibility for the company's business. Gates oversaw the business details, but continued to write code as well. In the first five years, according to Bill Gates' own claims, he personally reviewed every line of code the company shipped, and often rewrote parts of it as he saw fit. CANNOTANSWER

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Background: The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity, fueled by unprecedented sales of LP records, and helped to alter the direction of popular music in the U.S. The Kingston Trio was one of the most prominent groups of the era's pop-folk boom that started in 1958 with the release of their first album and its hit recording of "Tom Dooley", which sold over three million copies as a single.
Context: Following the Hungry i engagement, Reynolds moved to Port Orford, Oregon and pursued interests in ranching, business, and race cars for the next twenty years. Stewart commenced a long and distinguished career as a singer-songwriter, composing hit songs like "Daydream Believer" for The Monkees and "Runaway Train" for Rosanne Cash. He recorded more than 40 albums of his own, most notably the landmark California Bloodlines, and found chart success in the top forty with "Midnight Wind", "Lost Her in the Sun", and "Gold", the latter reaching number 5 in 1979. Bob Shane decided to stay in entertainment, and he experimented with solo work. He recorded several singles, including a well-received but under-marketed version of the song "Honey" that later became a million-seller for Bobby Goldsboro, and with different configurations with other folk-oriented performers. Though finances were not an immediate concern--the Kingston Trio partners Werber, Shane and Reynolds still owned an office building, a restaurant, other commercial real estate, and a variety of other lucrative investments--Shane wanted to return to a group environment and in 1969 secured permission from his partners to use the mutually owned group name for another band, with Reynolds and Werber insisting only that Shane's group be musically as accomplished as its predecessors and that Shane append "new" to the band's title. Shane agreed and organized two troupes under the name of "The New Kingston Trio". The first consisted of guitarist Pat Horine and banjoist Jim Connor in addition to Shane and lasted from 1969 to 1973, the second including guitarist Roger Gambill and banjoist Bill Zorn from 1973 until 1976. Shane tried to create a repertoire for these groups that included both the older and expected Kingston Trio standards like "Tom Dooley" and "M.T.A." but that would also feature more contemporary songs as well, including country and novelty tunes. The attempt did not meet with any significant success. The only full-length album released by either group was The World Needs a Melody in 1973 (though 25 years later FolkEra Records issued The Lost Masters 1969-1972, a compilation of previously unreleased tracks from the Shane-Horine-Connor years), and its sales were negligible. Though both troupes of the New Kingston Trio made a limited number of other recordings and several television appearances, neither generated very much interest from fans or the public at large. CANNOTANSWER
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Barrowman's professional acting career began in London's West End in 1989, playing the role of Billy Crocker in Cole Porter's Anything Goes at the Prince Edward Theatre, alongside Elaine Paige as Reno Sweeney and Bernard Cribbins as Moonface Martin. He continued to appear in West End productions for the next decade, taking the title role of Domingo Hernandez in Matador at the Queen's Theatre in 1991; as Raoul in The Phantom of the Opera at Her Majesty's Theatre in 1992; as Claude in Hair at the Old Vic Theatre in 1993; as Chris in Miss Saigon at the Theatre Royal, Drury Lane in 1993; as Joe Gillis in Sunset Boulevard at the Adelphi Theatre from 1994-1995; and as Beast in Beauty and the Beast at the Dominion Theatre in 1999. Barrowman was part of the musical Godspell in 1994, and was a soloist in two songs, "We Beseech Thee" and "On The Willows". He was lead vocalist on a rendition of Strike Up the Band in Who Could Ask for Anything More? A Celebration of Ira Gershwin at the Royal Albert Hall in 1996, and he was nominated for an Olivier Award for Best Actor in a Musical in 1998 for originating the role of Cal Chandler in The Fix, a performance he repeated in Cameron Mackintosh's 1998 gala concert Hey, Mr Producer!. Barrowman played Joe Gillis in Sunset Boulevard in the West End and, briefly, on Broadway. His only other Broadway credit is in the role of Barry in the Stephen Sondheim revue Putting It Together (1999-2000) at the Ethel Barrymore Theatre opposite Carol Burnett and George Hearn. In a review of Putting It Together, theatre critic Tom Samiljan noted Barrowman's "fine baritone voice and suave looks". In 2002, Barrowman appeared as Bobby in Sondheim's Company in the Kennedy Center's Stephen Sondheim Celebration. Barrowman returned to the role of Billy Crocker in Trevor Nunn's 2003 West End revival of Anything Goes, and appeared in West End non-musical dramas, such as his role as Wyndham Brandon in Rope at the Minerva Theatre, Chichester in 1993, and he starred as Lieutenant Jack Ross opposite Rob Lowe in the 2005 production of A Few Good Men. Barrowman starred in pantomime productions of Cinderella at the New Wimbledon Theatre (Christmas, 2005-06) and in Jack and the Beanstalk at Cardiff's New Theatre (Christmas, 2006-07). He played the title role in Aladdin at the Birmingham Hippodrome over Christmas 2007-8 and as a guest act for the Royal Variety Performance at the London Palladium in 2008. Barrowman played the lead in the Robin Hood pantomime at the Birmingham Hippodrome for the 2008-09 season. He presented Andrew Lloyd Webber's 60th birthday party in London's Hyde Park on 14 September 2008. Exactly one year later, Barrowman succeeded Roger Allam as Zaza/Albin in the West End revival of La Cage aux Folles, at the Playhouse Theatre. In Melbourne, Australia on the 16th of January 2018, Barrowman performed his first and only show to a packed audience at the Melbourne Arts Centre Hamer Hall. The audience was thrilled with the singer and many hope that he will keep his promise to return with "all the bells and whistles". CANNOTANSWER

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Background: Josephine Elizabeth Butler (nee Grey; 13 April 1828 - 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage, the right of women to better education, the end of coverture in British law, the abolition of child prostitution, and an end to human trafficking of young women and children into European prostitution. Grey grew up in a well-to-do and politically connected progressive family which helped develop in her a strong social conscience and firmly held religious ideals. She married George Butler, an Anglican divine and schoolmaster, and the couple had four children, the last of whom, Eva, died falling from a banister.
Context: The fall of the Liberal government in 1874, and its replacement with Benjamin Disraeli's Conservative administration meant that the repeal campaign stalled; Butler called it a "year of discouragement" when there was "deep depression in the work". Although the LNA kept up the pressure, progress in persuading Liberal MPs to oppose the Contagious Diseases Acts was slow, and the government was implacable in its support of the measures. At a meeting of regional LNA branches in May, one speech focused on legislation in Europe; the meeting resolved to correspond with sister organisations on the continent. At the start of December 1874 Butler left for Paris and a tour that covered France, Italy and Switzerland, where she met with local pressure groups and civic authorities. She encountered strong support from feminist groups, but hostility from the authorities. She returned from her travels at the end of February 1875. As a result of her experiences, in March 1875 Butler formed the British and Continental Federation for the Abolition of Prostitution (later renamed the International Abolitionist Federation), an organisation that campaigned against state regulation of prostitution and for "the abolition of female slavery and the elevation of public morality among men". The Liberal MP James Stansfeld--who wished to repeal the Acts--became the federation's first general secretary; Butler and her friend, the Liberal MP Henry Wilson, became joint secretaries. In 1878 Josephine wrote a biography of Catherine of Siena, which Glen Petrie--her biographer--thought was probably her best work; Walkowitz considers the work provided a "historical justification for her own political activism". Another biographer, Helen Mathers, believes that "in emphasising that she and Catherine were born to be leaders, of both men and women, ... [Butler] made a profound contribution to feminism". Butler became aware of the slave trade of young women and children from England to mainland Europe in 1879. Young girls were considered "fair game", according to Mathers, as the law allowed them to become prostitutes at the age of 13. After playing a minor role in starting an investigation into an accusation of trafficking, Butler became active in the campaign in May 1880, and wrote to The Shield that "the official houses of prostitution in Brussels are crowded with English minor girls", and that in one house "there are immured little children, English girls of from twelve to fifteen years of age ... stolen, kidnapped, betrayed, got from English country villages by every artifice and sold to these human shambles". She visited Brussels where she met the mayor and local councillors and made allegations against the head of the Belgian Police des Moeurs and his deputy as to their involvement in the trade. After the meeting she was contacted by a detective who confirmed that the senior members of the Police des Moeurs were guilty of collusion with brothel keepers. She returned home and filed a deposition containing a copy of the statement from the detective and sent them to the Procureur du Roi (Chief Prosecutor) and the British Home Secretary. Following an investigation in Belgium, the head of the Police des Moeurs was removed from office, and his deputy was put on trial alongside 12 brothel owners; all were imprisoned for their roles in the trade. CANNOTANSWER
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Background: Clarence Eugene "Hank" Snow (May 9, 1914 - December 20, 1999) was a celebrated Canadian-American country music artist. In a career that spanned more than 50 years, he recorded 140 albums and charted more than 85 singles on the Billboard country charts from 1950 until 1980. His number-one hits include the self-penned songs "I'm Moving On", "The Golden Rocket" and The Rhumba Boogie and famous versions of "I Don't Hurt Anymore", "Let Me Go, Lover!", "I've Been Everywhere", "Hello Love", as well as other top 10 hits.
Context: Snow moved to Nashville, Tennessee, in 1945, and "Hank Snow, the Singing Ranger" (modified from his earlier nickname, the Yodeling Ranger), began recording for RCA Victor in the United States in 1949. His first release in the United States, "Marriage Vow" climbed to number ten on the country charts in the fall of 1949; However, it wasn't until he was invited to play at the Grand Ole Opry in 1950 that he gained serious significance in the United States. His second release in early 1950, "I'm Moving On" was the first of seven number 1 hits on the country charts. "I'm Moving On" stayed at the top for 21 weeks, setting the all-time record for most weeks at number 1. That same year "The Golden Rocket" and "The Rhumba Boogie" both hit number one with the latter remaining No. 1 for eight weeks. Along with these hits, his other "signature song" was "I've Been Everywhere", in which he portrayed himself as a hitchhiker bragging about all the towns he'd been through. This song was originally written and performed in Australia by Geoff Mack, and its re-write incorporated North American place names. Rattling off a well-rhymed series of city names at an auctioneer's pace has long made the song a challenge for any singer. While performing in Renfro Valley, Snow worked with a young Hank Williams. In the February 7th 1953 edition, Billboard Magazine reported that Snow's then seventeen-year-old son, Jimmy Rodgers Snow, had signed with RCA Victor and that the younger Snow would "record duets with his father", as well as cover his own (presumably ghost-written) material. CANNOTANSWER
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Mohammed Rafi was the second eldest of six brothers born to Haji Ali Mohammad. The family originally belonged to Kotla Sultan Singh, a village near present-day Majitha in Amritsar district of Punjab, India. Rafi, whose nickname was Pheeko, began singing by imitating the chants of a fakir in the streets of his native village Kotla Sultan Singh where his family lived. Rafi's father moved to Lahore in 1935, where he ran a men's salon in Noor Mohalla in Bhati Gate.

Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

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Jerry Alan West was born into a poor household in Chelyan, West Virginia. He was the fifth of six children of Cecil Sue West, a housewife, and Howard Stewart West, a coal mine electrician. West was previously an aggressive child in his youth, until his brother's death at the Korean War aged 21 turned him into a shy and introverted boy when Jerry was 12/13. He was so small, frail, and weak that he needed lots of vitamin injections from his doctor and was kept apart from children's sports, to prevent him from getting seriously injured.

Lakers owner Jack Kent Cooke was known for having a keen eye identifying leadership and teaching qualities (he also gave Hall of Famers Sparky Anderson and Joe Gibbs their first managerial/head coaching positions), and asked West to coach and participate in player personnel decisions. In the 1976-77 season, West became coach of the Los Angeles Lakers. In three years, he led the Lakers and star center Kareem Abdul-Jabbar to a 145-101 record, making the playoffs in all 3 seasons and reaching the Western Conference Finals once in 1977. After his coaching stint, he worked as a scout for three years before becoming general manager of the Lakers prior to the 1982-83 season. NBA.com credits West in creating the great 1980s Lakers dynasty, which brought five championship rings (1980, 1982, 1985, 1987 and 1988) to Los Angeles. After a slump in the early 1990s, West rebuilt the team of coach Del Harris around center Vlade Divac, forward Cedric Ceballos, and guard Nick Van Exel, which won 48 games, and went to the Western Conference Semifinals; for turning the team around, West received his first Executive of the Year Award. By trading Vlade Divac for Kobe Bryant, signing free agent center Shaquille O'Neal, and signing six-time NBA champion Phil Jackson as a coach, West laid down the fundaments of the Lakers three-peat which saw L.A. win three NBA titles from 2000 to 2002. In 2002, West became general manager of the Memphis Grizzlies. He explained his decision with the desire for exploring something new: "After being a part of the Lakers success for so many years, I have always wondered how it would be to build a winning franchise that has not experienced much success. I want to help make a difference." West's Memphis stint was not as spectacular as his Los Angeles stint, but he turned a franchise which was about to be sold into a reliable playoffs team, practically making no trades but getting the maximum from the players he had available (e.g. Pau Gasol, James Posey and Jason Williams) and signing coach Hubie Brown, who became Coach of the Year in 2004. West himself won his second NBA Executive of the Year Award in the same year. At age 69, West retired as a Grizzlies general manager in 2007 and turned over managing duties to Chris Wallace, from Buckhannon, West Virginia. On May 19, 2011, West joined the Golden State Warriors as an executive board member, reporting directly to new owners Joe Lacob and Peter Guber. This role also came with an undisclosed minority ownership stake in the team. In 2015, the Warriors won their first championship in 40 years; the championship was the seventh earned by West while serving as a team executive. He earned his eighth in the 2016-2017 season. On June 14, 2017, West announced that he would go to the Los Angeles Clippers as an executive board member. CANNOTANSWER

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John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

White has long been a proponent of analog equipment and the associated working methods. Beginning in the fifth grade, he and his childhood friend, Dominic Suchyta, would listen to records in White's attic on weekends and began to record cover songs on an old four-track reel to reel tape machine. The White Stripes' first album was largely recorded in the attic of his parents' home. As their fame grew beyond Detroit, the Stripes became known for their affected innocence and stripped-down playing style. In particular, White became distinguished for his nasal vocal delivery and loose, explosive guitar delivery. In an early New York Times concert review from 2001, Ann Powers said that, while White's playing was "ingenious," he "created more challenges by playing an acoustic guitar with paper taped over the hole and a less-than-high-quality solid body electric." His home studio in Nashville contains two rooms ("I want everyone close, focused, feeling like we're in it together.") with two pieces of equipment: a Neve mixing console, and two Studer A800 2-inch 8-track tape recorders. In his introduction in the documentary film, It Might Get Loud, White showcases his minimalist style by constructing a guitar built out of a plank of wood, three nails, a glass Coke bottle, a guitar string, and a pickup. He ends the demonstration by saying, "Who says you need to buy a guitar?" In a 2012 episode of the show, Portlandia, White made a cameo in a sketch spoofing home studio enthusiasts who prefer antique recording equipment. CANNOTANSWERAnswer this question using a quote from the following article:

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Background: Lombardo was born in London, Ontario, to Italian immigrants, Gaetano Sr. and Lena Lombardo. His father, who had worked as a tailor, was an amateur singer with a baritone voice and had four of his five sons learn to play instruments so they could accompany him. Lombardo and his brothers formed their first orchestra while still in grammar school and rehearsed in the back of their father's tailor shop. Lombardo first performed in public with his brother Carmen at a church lawn party in London in 1914.
Context: Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER
Question: did he do anything else?

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Background: Tristan Tzara (French: [tRista dzaRa]; Romanian: [tris'tan 'tsara]; born Samuel or Samy Rosenstock, also known as S. Samyro; April 16 [O.S. April 4] 1896 - December 25, 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's Chemarea, he joined Janco in Switzerland.
Context: S. Samyro, a partial anagram of Samy Rosenstock, was used by Tzara from his debut and throughout the early 1910s. A number of undated writings, which he probably authored as early as 1913, bear the signature Tristan Ruia, and, in summer of 1915, he was signing his pieces with the name Tristan. In the 1960s, Rosenstock's collaborator and later rival Ion Vinea claimed that he was responsible for coining the Tzara part of his pseudonym in 1915. Vinea also stated that Tzara wanted to keep Tristan as his adopted first name, and that this choice had later attracted him the "infamous pun" Triste Ane Tzara (French for "Sad Donkey Tzara"). This version of events is uncertain, as manuscripts show that the writer may have already been using the full name, as well as the variations Tristan Tara and Tr. Tzara, in 1913-1914 (although there is a possibility that he was signing his texts long after committing them to paper). In 1972, art historian Serge Fauchereau, based on information received from Colomba, the wife of avant-garde poet Ilarie Voronca, recounted that Tzara himself had explained his chosen name was a pun in Romanian, trist in tara, meaning "sad in the country"; Colomba Voronca was also dismissing rumors that Tzara had selected Tristan as a tribute to poet Tristan Corbiere or to Richard Wagner's Tristan und Isolde opera. Samy Rosenstock legally adopted his new name in 1925, after filing a request with Romania's Ministry of the Interior. The French pronunciation of his name has become commonplace in Romania, where it replaces its more natural reading as tara ("the land", Romanian pronunciation: ['tsara]). Tzara was born in Moinesti, Bacau County, in the historical region of Western Moldavia. His parents were Jewish Romanians who reportedly spoke Yiddish as their first language; his father Filip and grandfather Ilie were entrepreneurs in the forestry business. Tzara's mother was Emilia Rosenstock, nee Zibalis. Owing to the Romanian Kingdom's discrimination laws, the Rosenstocks were not emancipated, and thus Tzara was not a full citizen of the country until after 1918. He moved to Bucharest at the age of eleven, and attended the Schemitz-Tierin boarding school. It is believed that the young Tzara completed his secondary education at a state-run high school, which is identified as the Saint Sava National College or as the Sfantul Gheorghe High School. In October 1912, when Tzara was aged sixteen, he joined his friends Vinea and Marcel Janco in editing Simbolul. Reputedly, Janco and Vinea provided the funds. Like Vinea, Tzara was also close to their young colleague Jacques G. Costin, who was later his self-declared promoter and admirer. Despite their young age, the three editors were able to attract collaborations from established Symbolist authors, active within Romania's own Symbolist movement. Alongside their close friend and mentor Adrian Maniu (an Imagist who had been Vinea's tutor), they included N. Davidescu, Alfred Hefter-Hidalgo, Emil Isac, Claudia Millian, Ion Minulescu, I. M. Rascu, Eugeniu Sperantia, Al. T. Stamatiad, Eugeniu Stefanescu-Est, Constantin T. Stoika, as well as the journalist and lawyer Poldi Chapier. In its inaugural issue, the journal even printed a poem by one of the leading figures in Romanian Symbolism, Alexandru Macedonski. Simbolul also featured illustrations by Maniu, Millian and Iosif Iser. Although the magazine ceased print in December 1912, it played an important part in shaping Romanian literature of the period. Literary historian Paul Cernat sees Simbolul as a main stage in Romania's modernism, and credits it with having brought about the first changes from Symbolism to the radical avant-garde. Also according to Cernat, the collaboration between Samyro, Vinea and Janco was an early instance of literature becoming "an interface between arts", which had for its contemporary equivalent the collaboration between Iser and writers such as Ion Minulescu and Tudor Arghezi. Although Maniu parted with the group and sought a change in style which brought him closer to traditionalist tenets, Tzara, Janco and Vinea continued their collaboration. Between 1913 and 1915, they were frequently vacationing together, either on the Black Sea coast or at the Rosenstock family property in Garceni, Vaslui County; during this time, Vinea and Samyro wrote poems with similar themes and alluding to one another. Tzara's career changed course between 1914 and 1916, during a period when the Romanian Kingdom kept out of World War I. In autumn 1915, as founder and editor of the short-lived journal Chemarea, Vinea published two poems by his friend, the first printed works to bear the signature Tristan Tzara. At the time, the young poet and many of his friends were adherents of an anti-war and anti-nationalist current, which progressively accommodated anti-establishment messages. Chemarea, which was a platform for this agenda and again attracted collaborations from Chapier, may also have been financed by Tzara and Vinea. According to Romanian avant-garde writer Claude Sernet, the journal was "totally different from everything that had been printed in Romania before that moment." During the period, Tzara's works were sporadically published in Hefter-Hidalgo's Versuri si Proza, and, in June 1915, Constantin Radulescu-Motru's Noua Revista Romana published Samyro's known poem Verisoara, fata de pension ("Little Cousin, Boarding School Girl"). Tzara had enrolled at the University of Bucharest in 1914, studying mathematics and philosophy, but did not graduate. In autumn 1915, he left Romania for Zurich, in neutral Switzerland. Janco, together with his brother Jules, had settled there a few months before, and was later joined by his other brother Georges. Tzara, who may have applied for the Faculty of Philosophy at the local university, shared lodging with Marcel Janco, who was a student at the Technische Hochschule, in the Altinger Guest House (by 1918, Tzara had moved to the Limmatquai Hotel). His departure from Romania, like that of the Janco brothers, may have been in part a pacifist political statement. After settling in Switzerland, the young poet almost completely discarded Romanian as his language of expression, writing most of his subsequent works in French. The poems he had written before, which were the result of poetic dialogues between him and his friend, were left in Vinea's care. Most of these pieces were first printed only in the interwar period. It was in Zurich that the Romanian group met with the German Hugo Ball, an anarchist poet and pianist, and his young wife Emmy Hennings, a music hall performer. In February 1916, Ball had rented the Cabaret Voltaire from its owner, Jan Ephraim, and intended to use the venue for performance art and exhibits. Hugo Ball recorded this period, noting that Tzara and Marcel Janco, like Hans Arp, Arthur Segal, Otto van Rees, Max Oppenheimer, and Marcel Slodki, "readily agreed to take part in the cabaret." According to Ball, among the performances of songs mimicking or taking inspiration from various national folklores, "Herr Tristan Tzara recited Rumanian poetry." In late March, Ball recounted, the group was joined by German writer and drummer Richard Huelsenbeck. He was soon after involved in Tzara's "simultaneist verse" performance, "the first in Zurich and in the world", also including renditions of poems by two promoters of Cubism, Fernand Divoire and Henri Barzun. CANNOTANSWER
Question: did Tristan have a part in it?

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Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

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In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

Answer this question "What did the novel talk about?" by extracting the answer from the text above.


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Jose de la Cruz Porfirio Diaz Mori (Spanish pronunciation: [por'firjo di.as]; 15 September 1830 - 2 July 1915) was a Mexican general and politician who served seven terms as President of Mexico, a total of three and a half decades, from 1876 to 1880 and from 1884 to 1911. A veteran of the War of the Reform (1858-60) and the French intervention in Mexico (1862-67), Diaz rose to the rank of General, leading republican troops against the French-imposed rule of Emperor Maximilian. Seizing power in a coup in 1876, Diaz and his allies, a group of technocrats known as "Cientificos", ruled Mexico for the next thirty-five years, a period known as the Porfiriato. Diaz has always been a controversial figure in Mexican history; while the Porfirian regime brought stability after decades of conflict, it grew unpopular due to civil repression and political stagnation.

As a Liberal military hero, Diaz had ambitions for national political power. He challenged the civilian president Benito Juarez, who was running for what Diaz considered an illegal subsequent term as president. In 1870, Diaz ran against President Juarez and Vice President Sebastian Lerdo de Tejada. In 1871, he made claims of fraud in the July elections won by Juarez, who was confirmed as president by the Congress in October. In response, Diaz launched the Plan de la Noria on 8 November 1871, supported by a number of rebellions across the nation, including one by Manuel Gonzalez of Tamaulipas, but this rebellion failed. Following the death of Juarez of natural causes in 1872, Lerdo became president. Lerdo offered amnesty to rebels, which Diaz accepted and took up residency in Veracruz. In 1874, Diaz served in the legislature, representing Veracruz. Opposition to the presidency of Lerdo grew, particularly as anti-clericalism increased, labor unrest grew, and a major rebellion of the Yaqui in northwest Mexico under the leadership of Cajeme challenged central government rule there. Diaz saw an opportunity to plot a more successful rebellion, leaving Mexico in 1875 for New Orleans and Brownsville, Texas with his political ally Manuel Gonzalez. When Lerdo declared he was running for re-election in 1876, Diaz once again had the pretext of the principle of no-reelection to support his opposition. He issued the Plan of Tuxtepec (a town in Oaxaca) as a call to arms against Lerdo. When Lerdo was re-elected in July 1876, rebellion and unrest both before and after the election forced Lerdo from office. In November 1876, Diaz occupied Mexico City, Lerdo left Mexico for exile in New York. Diaz did not take formal control of the presidency until the beginning of 1877, putting General Juan N. Mendez as provisional president, followed by new presidential elections in 1877 that gave Diaz the presidency. Ironically, one of his government's first amendments to the 1857 liberal constitution was to prevent re-election. Although the liberals had defeated the conservatives in the War of the Reform, the conservatives had been powerful enough still in the early 1860s to aid the imperial project of France that put Maximilian Habsburg as emperor of Mexico. With the fall of Maximilian, Mexican conservatives were cast as collaborators with foreign imperialists. With the return of the liberals under Benito Juarez, and following his death, liberals held power, but basic liberal goals of democracy, rule of law, and economic development were not reached. Diaz saw his task in his term as president to create internal order so that economic development could be possible. As a military hero and astute politician, Diaz's eventual successful establishment of that peace (Pax Porfiriana) became "one of [Diaz's] principal achievements, and it became the main justification for successive re-elections after 1884." CANNOTANSWER

What was the Plan de la Noria?


Michael Alan Weiner (born March 31, 1942), better known by his professional name Michael Savage, is an American radio host, author, activist, nutritionist, and conservative political commentator. He is the host of The Savage Nation, a nationally syndicated talk show that aired on Talk Radio Network across the United States until 2012, and in 2009 was the second most listened-to radio talk show in the country with an audience of over 20 million listeners on 400 stations across the United States. Since October 23, 2012, Michael Savage has been syndicated by Cumulus Media Networks. He holds master's degrees from the University of Hawaii in medical botany and medical anthropology, and a Ph.D. from the University of California, Berkeley in nutritional ethnomedicine.

Michael Savage calls himself an "independent-minded individualist" and says that he "fits no stereotype." He has also cited Barry Goldwater as an influence. Savage criticizes big government as well as liberalism and liberal activism, and accuses the mainstream news media of liberal bias. He considers the three aspects that define a nation as borders, language, and culture; those aspects inspired the motto of the Paul Revere Society. In 2003, Savage said that he voted in 2000 for George W. Bush "quite reluctantly, incidentally." In 2004, Savage and the Revere Society hosted a party at Schroeder's Cafe in San Francisco celebrating the re-election of Bush. Savage donated $5,600 to the campaign of Democratic candidate Jerry Brown in the 2006 California Attorney General election. Regarding candidates for the 2012 Republican primaries, Savage said that Ron Paul had "great ideas" but expressed hope that Rick Perry would be the nominee. On December 12, 2011, he offered Newt Gingrich "1 million dollars" to withdraw from the United States Presidential contest. He stated that only Mitt Romney had a chance to beat Barack Obama, a man he had previously described as a "quasi-pseudo-crypto Marxist" and a possible foreign usurper, in the 2012 election. Savage strongly supported Donald Trump, a regular guest on his talk show, since Trump's June 2015 announcement of his candidacy in the United States 2016 presidential election. Trump has claimed to be a listener and a fan of Savage's show, and an April 2016 Salon article described Savage as having been a major influence on Trump's campaign. Over Christmas of 2017, Michael Savage and his family met several times with President Trump. During a dinner, Savage strongly urged the President to support the cause of wildlife preservation. This followed a series of pleas on his radio show for the President to support legislation that protected wildlife. CANNOTANSWER

Why did he like them?


Sigmund Freud ( FROYD; German: ['zi:kmUnt 'fRoYt]; born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902.

In the early 1890s, Freud used a form of treatment based on the one that Breuer had described to him, modified by what he called his "pressure technique" and his newly developed analytic technique of interpretation and reconstruction. According to Freud's later accounts of this period, as a result of his use of this procedure most of his patients in the mid-1890s reported early childhood sexual abuse. He believed these stories, which he used as the basis for his seduction theory, but then he came to believe that they were fantasies. He explained these at first as having the function of "fending off" memories of infantile masturbation, but in later years he wrote that they represented Oedipal fantasies, stemming from innate drives that are sexual and destructive in nature. Another version of events focuses on Freud's proposing that unconscious memories of infantile sexual abuse were at the root of the psychoneuroses in letters to Fliess in October 1895, before he reported that he had actually discovered such abuse among his patients. In the first half of 1896, Freud published three papers, which led to his seduction theory, stating that he had uncovered, in all of his current patients, deeply repressed memories of sexual abuse in early childhood. In these papers, Freud recorded that his patients were not consciously aware of these memories, and must therefore be present as unconscious memories if they were to result in hysterical symptoms or obsessional neurosis. The patients were subjected to considerable pressure to "reproduce" infantile sexual abuse "scenes" that Freud was convinced had been repressed into the unconscious. Patients were generally unconvinced that their experiences of Freud's clinical procedure indicated actual sexual abuse. He reported that even after a supposed "reproduction" of sexual scenes the patients assured him emphatically of their disbelief. As well as his pressure technique, Freud's clinical procedures involved analytic inference and the symbolic interpretation of symptoms to trace back to memories of infantile sexual abuse. His claim of one hundred percent confirmation of his theory only served to reinforce previously expressed reservations from his colleagues about the validity of findings obtained through his suggestive techniques. Freud subsequently showed inconsistency as to whether his seduction theory was still compatible with his later findings. In an addendum to The Aetiology of Hysteria he stated: "All this is true [the sexual abuse of children]; but it must be remembered that at the time I wrote it I had not yet freed myself from my overvaluation of reality and my low valuation of phantasy". Some years later Freud explicitly rejected the claim of his colleague Ferenczi that his patients' reports of sexual molestation were actual memories instead of fantasies, and he tried to dissuade Ferenczi from making his views public. Karin Ahbel-Rappe concludes in her study "'I no longer believe': did Freud abandon the seduction theory?'': "Freud marked out and started down a trail of investigation into the nature of the experience of infantile incest and its impact on the human psyche, and then abandoned this direction for the most part." CANNOTANSWERAnswer this question using a quote from the following article:

Who was Breuer?


Stephen Joshua Sondheim (; born March 22, 1930) is an American composer and lyricist known for more than a half-century of contributions to musical theater. Sondheim has received an Academy Award, eight Tony Awards (more than any other composer, including a Special Tony Award for Lifetime Achievement in the Theatre), eight Grammy Awards, a Pulitzer Prize, a Laurence Olivier Award, and a 2015 Presidential Medal of Freedom. He has been described by Frank Rich of The New York Times as "now the greatest and perhaps best-known artist in the American musical theater." His best-known works as composer and lyricist include A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, Merrily We Roll

Burt Shevelove invited Sondheim to a party; Sondheim arrived before him, and knew no one else well. He saw a familiar face: Arthur Laurents, who had seen one of the auditions of Saturday Night, and they began talking. Laurents told him he was working on a musical version of Romeo and Juliet with Leonard Bernstein, but they needed a lyricist; Betty Comden and Adolph Green, who were supposed to write the lyrics, were under contract in Hollywood. He said that although he was not a big fan of Sondheim's music, he enjoyed the lyrics from Saturday Night and he could audition for Bernstein. Sondheim met Bernstein the following day, played for him and Bernstein said he would let him know. The composer wanted to write music and lyrics; after consulting with Hammerstein, Bernstein told Sondheim he could write music later. In 1957, West Side Story opened; directed by Jerome Robbins, it ran for 732 performances. Sondheim has expressed dissatisfaction with his lyrics, saying that they do not always fit the characters and are sometimes too consciously poetic. While Bernstein was working on Candide, Sondheim reportedly wrote some of West Side Story's music; Bernstein's co-lyricist credit disappeared from West Side Story during its tryout, possibly as a trade-off. Sondheim insisted that Bernstein told the producers to list him as the sole lyricist. He described the division of the royalties, saying that Bernstein received three percent and he received one percent. Bernstein suggested evening the percentage at two percent each, but Sondheim refused because he wanted the credit. Sondheim later said he wished "someone stuffed a handkerchief in my mouth because it would have been nice to get that extra percentage". After West Side Story opened, Shevelove lamented the lack of "low-brow comedy" on Broadway and mentioned a possible musical based on Plautus' Roman comedies. When Sondheim was interested in the idea he called a friend, Larry Gelbart, to co-write the script. The show went through a number of drafts, and was interrupted briefly by Sondheim's next project. In 1959, Sondheim was approached by Laurents and Robbins for a musical version of Gypsy Rose Lee's memoir after Irving Berlin and Cole Porter turned it down. Sondheim agreed, but Ethel Merman - cast as Mama Rose - had just finished Happy Hunting with an unknown composer (Harold Karr) and lyricist (Matt Dubey). Although Sondheim wanted to write the music and lyrics, Merman refused to let another first-time composer write for her and demanded that Jule Styne write the music. Sondheim, concerned that writing lyrics again would pigeonhole him as a lyricist, called his mentor for advice. Hammerstein told him he should take the job, because writing a vehicle for a star would be a good learning experience. Sondheim agreed; Gypsy opened on May 21, 1959, and ran for 702 performances. CANNOTANSWER

Answer the following question by taking a quote from the article: Who was not a fan of Sondheim's music?


While attending college, Graham became pastor of the United Gospel Tabernacle and also had other preaching engagements. From 1943 to 1944, Graham briefly served as pastor of the First Baptist Church in Western Springs, Illinois, which was not far from Wheaton. While there, his friend Torrey Johnson, pastor of the Midwest Bible Church in Chicago, told Graham that his radio program, Songs in the Night, was about to be canceled due to lack of funding. Consulting with the members of his church in Western Springs, Graham decided to take over Johnson's program with financial support from his congregation. Launching the new radio program on January 2, 1944, still called Songs in the Night, Graham recruited the bass-baritone George Beverly Shea as his director of radio ministry. While the radio ministry continued for many years, Graham decided to move on in early 1945. In 1948 at the age of 29, he became president of Northwestern Bible College in Minneapolis and the youngest president of a college or university in the country, from which he resigned in 1952. Graham initially intended to become a chaplain in the Armed Forces, but he contracted mumps shortly after applying for a commission. After a period of recuperation in Florida, he was hired as the first full-time evangelist of the new Youth for Christ (YFC), co-founded by Torrey Johnson and the Canadian evangelist Charles Templeton. Graham traveled throughout both the United States and Europe as a YFCI evangelist. Templeton applied to Princeton Theological Seminary for an advanced theological degree and urged Graham to do so as well, but he declined as he was already serving as the president of Northwestern Bible College. Graham scheduled a series of revival meetings in Los Angeles in 1949, for which he erected circus tents in a parking lot. He attracted national media coverage, especially in the conservative Hearst chain, although Hearst and Graham never met. The crusade event ran for eight weeks - five weeks longer than planned. Graham became a national figure with heavy coverage from the wire services and national magazines. CANNOTANSWER

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Gyorgy Lukacs (; Hungarian: ['jorj 'luka:tS]; also Georg Lukacs; born Gyorgy Bernat Lowinger; 13 April 1885 - 4 June 1971) was a Hungarian Marxist philosopher, aesthetician, literary historian, and critic. He was one of the founders of Western Marxism, an interpretive tradition that departed from the Marxist ideological orthodoxy of the Soviet Union. He developed the theory of reification, and contributed to Marxist theory with developments of Karl Marx's theory of class consciousness.

Whilst at university in Budapest, Lukacs was part of socialist intellectual circles through which he met Ervin Szabo, an anarcho-syndicalist who introduced him to the works of Georges Sorel (1847-1922), the French proponent of revolutionary syndicalism. In that period, Lukacs's intellectual perspectives were modernist and anti-positivist. From 1904 to 1908, he was part of a theatre troupe that produced modernist, psychologically realistic plays by Henrik Ibsen, August Strindberg, and Gerhart Hauptmann. Lukacs spent much time in Germany, and studied in Berlin from 1906 to 1910, during which time he made the acquaintance of the philosopher Georg Simmel. Later, in 1913, whilst in Heidelberg he befriended Max Weber, Ernst Bloch, and Stefan George. The idealist system to which Lukacs subscribed was intellectually indebted to Neo-Kantianism (then the dominant philosophy in German universities) and to Plato, Georg Wilhelm Friedrich Hegel, Soren Kierkegaard, Wilhelm Dilthey, and Fyodor Dostoyevsky. In that period, he published Soul and Form (1911; tr. 1974) and The Theory of the Novel (1916/1920; tr. 1971). In 1915, Lukacs returned to Budapest, where he was the leader of the Sunday Circle, an intellectual salon. Its concerns were the cultural themes that arose from the existential works of Dostoyevsky, which thematically aligned with Lukacs's interests in his last years at Heidelberg. As a salon, the Sunday Circle sponsored cultural events whose participants included literary and musical avant-garde figures, such as Karl Mannheim, the composer Bela Bartok, Bela Balazs, and Karl Polanyi; some of them also attended the weekly salons. In 1918, the last year of the First World War (1914-18), the Sunday Circle became divided. They dissolved the salon because of their divergent politics; several of the leading members accompanied Lukacs into the Communist Party of Hungary. CANNOTANSWER

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Background: Yogi Berra was born Lorenzo Pietro Berra in a primarily Italian neighborhood of St. Louis called "The Hill" to Italian immigrants Pietro and Paolina (nee Longoni) Berra. Pietro was originally from Malvaglio near Milan in northern Italy; he arrived at Ellis Island on October 18, 1909 at the age of 23. In a 2005 interview for the Baseball Hall of Fame, Berra said, "My father came over first. He came from the old country.
Context: Berra was called up to the Yankees and played his first game on September 22, 1946; he played 7 games that season and 83 games in 1947. He played in more than a hundred games in each of the following fourteen years. Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records. In part because Berra's playing career coincided with the Yankees' most consistent period of World Series participation, he established Series records for the most games (75), at bats (259), hits (71), doubles (10), singles (49), games caught (63), and catcher putouts (457). In Game 3 of the 1947 World Series, Berra hit the first pinch-hit home run in World Series history, off Brooklyn Dodgers pitcher Ralph Branca (who later gave up Bobby Thomson's famous Shot Heard 'Round the World in 1951). Berra was an All-Star for 15 seasons, and was selected to 18 All-Star Games (MLB held two All-Star Games in 1959 through 1962). He won the American League (AL) MVP award in 1951, 1954, and 1955; Berra never finished lower than fourth in the MVP voting from 1950 to 1957. He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons with MVP support. From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons. One of the most notable games of Berra's playing career came when he caught Don Larsen's perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play. The picture of Berra leaping into Larsen's arms following Dale Mitchell's called third strike to end the game is one of the sport's most memorable images. CANNOTANSWER
Question: What was his best game?. Whats the answer?