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We Are Scientists is a New York City-based rock band that formed in Berkeley, California, in 2000. It consists of guitarist and vocalist Keith Murray and bass guitarist Chris Cain. The band's breakthrough success came with their first studio album, With Love and Squalor, which sold 100,000 copies in the first six months. Their second album, Brain Thrust Mastery, charted at number 11 in the UK album chart, with two top-40 singles, "After Hours" and "Chick Lit".

We Are Scientists members Keith Murray and Chris Cain met in 1997 at Pomona College, in Claremont, CA, but initially enjoyed a friendship based on attending stand-up comedy. In early 2000, after graduating and moving to Berkeley, CA, they hatched the idea for the band. Their roommate and fellow Pomona College alum Scott Lamb was a co-founder, and the original guitarist for the band. Keith was on drums, though he also sang roughly half the songs, not unlike Phil Collins in Genesis. Keith and Chris moved back to the L.A. area in late 2000 (without Scott) and recruited drummer Michael Tapper, whom they'd known during their time at Pomona, and who was in his last year at adjoining Harvey Mudd College. In 1999 the members moved to Berkeley, California for a short period of time, becoming We Are Scientists full-time, a name which the band have stated a number of origins for, most notably the song "We are Scientists!" from the pivotal '90s band Cap'n Jazz. They have also given the following story: they rented a truck from U-Haul. When they returned it, the inspector, after looking them up and down and assessing their wardrobe, asked if they were scientists. The band moved to Brooklyn, New York in 2001 and began recording their debut album on November 10, 2001. The band finished recording in January 2002, completing 12 tracks - two of which credit former member Scott Lamb. The album's title was announced on March 14, 2002 on the band's official website as Safety, Fun, and Learning (In That Order) for release in April 2002 through the band's own label, Devious Semantics. Due to issues with setting up their own label, it wasn't until June that the band were able to release the record. The summer saw them reunite with original vocalist Scott Lamb. In October after several months of performing in California and New York, amongst other places the band recorded their first EP, available originally only at live shows Bitching! was released on October 14, 2002, and featured 6 tracks. Later Bitching! was made available online on January 16, 2003. In March 2003 the band announced they would be heading to the recording studio with Paolo DeGregorio on April 1 to record a second EP; In Action, which was released through MotherWest records in October 2003, featuring 6 tracks. A year after recording In Action the band headed once more to the recording studio with Los Angeles-based producer Chris Fudurich, where they recorded rough versions of "The Great Escape", "Scene Is Dead" and "This Means War", which would make up half of the band's final independently released EP The Wolf's Hour, other tracks included "Callbacks Under The Sea", "Inaction" and "Nobody Move, Nobody Gets Hurt". The EP was released on November 26, 2004. On January 11, 2005 the band began the recording of their second full-length album in Los Angeles with Ariel Rechtshaid and engineering from Rob Brill. The band ended their time in the studio on February 23, throughout their time in the studio the band posted blogs on their official website, many of which told of a cat called Lewis, which would later be used on the album's artwork. Having recorded the album, the band decided to sign to Virgin Records to handle to release. On May 15, 2005, the first single from the album was aired in the UK, "Nobody Move, Nobody Get Hurt", this came after a number of dates in the UK with Editors. "Nobody Move, Nobody Get Hurt" was released later on June 27 at the same time as their own headline Summer 2005 UK tour. In July the band shot a music video for their second single, "The Great Escape", as well as appearing on MTV2 for the first time to plug their upcoming release. The band also appeared on at Reading and Leeds Festivals for the first time, performing on the Carling Stage, and later the band released the album With Love and Squalor in the United Kingdom on October 17, 2005 celebrating with an album signing session and intimate gig in London's Selectdisc on Berwick Street. In December 2005 the band made their U.S. Network television debut on the Late Show with David Letterman where they performed "Nobody Move, Nobody Get Hurt", as well as announcing the release of their second album, With Love and Squalor which would be released on January 10, 2006, although in January the band would be in the United Kingdom on the NME Shockwaves Tour with Mystery Jets, Arctic Monkeys and Maximo Park, before embarking on their own headline tour in April and releasing "Its a Hit" on February 20 and re-releasing "Nobody Move, Nobody Gets Hurt" on May 3. In September a co-headline tour across the USA with Art Brut and a new split single with Art Brut covering W.A.S single "The Great Escape" and in-turn We Are Scientists covering Art Brut's "Bang Bang Rock & Roll". With their ongoing success in the United Kingdom the band embarked on another full 15 date tour, with two nights at Brixton Academy in London due to demand, it was on this tour that the band released Crap Attack, a compilation album of b-sides and covers, as well as a DVD featuring music videos for all of the tracks on With Love and Squalor and live performances. In January 2007 Murray announced that he had begun working on the band's follow-up to With Love and Squalor in Brooklyn, New York, previewing "Impatience" and "Spoken For" later that month. During a UK tour that February they debuted the songs "Dinosaurs", "Chick Lit" and "Best Behavior". Recording of the new album began on June 11 in California with Ariel Rechtshaid and ended on July 19. That August the band made their second appearance at the Reading and Leeds Festivals, performing on the Radio One Stage. September 2007 saw the band hire Max Hart as an additional guitarist and keyboard player for live performances. The addition of Hart was to fit the larger arrangements of new material. Days before the tour was due to start, drummer Michael Tapper quit the band. Gary Powell and Adam Aaronson took over from Tapper for the remainder of the tour. For eight of their November tour dates the band acted as their own support act, conducting "self-improvement seminars" under the name Brain Thrust Mastery. After Virgin merged in 2007, the band were now signed to EMI. Murray stated that the band had to deal with a lot of bureaucracy recording the new album, with EMI unhappy that they were working with producer Ariel Rechtshaid; who at the time was relatively unknown. EMI instead tried setting the band up with various "cheesy, cheesy, big producers who we didn't like at all". Ultimately, against their labels wishes the band did record with Rechtshaid and in March 2008 the band announced that Brain Thrust Mastery would also be the name of their new album. Garrett Ray handled drum duties for the album. The first single from the record, "After Hours", was to be released on March 3 in the UK. The album was previewed a week before its UK release on NME.com. It came out in the United States on May 13. "Chick Lit" was released as the second single from Brain Thrust Mastery on June 9, coinciding with performances at The Great Escape Festival, Oxegen Festival Glastonbury Festival, T in the Park and Reading and Leeds on the main stage, and a consequent North American tour in July. In the latter part of 2008 the band toured the US as support to Kings of Leon in the USA. "Impatience" was the final single from the album, released on October 27. CANNOTANSWER

What happened during these "self-impovement seminars"?


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Ngo Dinh Diem (Vietnamese: [NGo din ji@m?] ( listen); 3 January 1901 - 2 November 1963) was a South Vietnamese politician. A former mandarin of the Nguyen dynasty, he was named Prime Minister of the State of Vietnam by Head of State Bao Dai in 1954. In October 1955, after winning a heavily rigged referendum, he deposed Bao Dai and established the first Republic of Vietnam (RVN), with himself as president.

During his presidency, Diem imposed programs to reform Saigon society in accordance with Catholic and Confucian values. Brothels and opium dens were closed, divorce and abortion were made illegal, and adultery laws were strengthened. Besides, Diem's government established many schools and universities, such as the National Technical Center at Phu Tho in 1957, the University of Saigon (1956), the University of Hue (1957), and the University of Dalat (1957) Diem also paid attention to the preservation of Vietnamese traditional culture. Diem restored and organized some traditional festivals, such as Hung kings ancestor festival (No, but on the contrary, Ngo Dinh Diem during his nine years in power did not allow any celebration of the Hung kings, the Vietnam National founding fathers ,and), The Trung sisters festival ... According to Diem, the values of traditional culture, along with Catholic and Confucian values were powerful in the fight against Materialism. Regarding economic development, Diem and Nhu, in the political program of the Can Lao party and National Revolutionary Movement, pointed out the key factors of the RVN economy: a developed and independent economy, support for local capitalists, stabilized currency and reduced budget deficits; enhanced building infrastructure to meet military needs and create a prosperous South Vietnam. In 1957, Diem's government suggested the 5-year plan (1957-1961), which aimed at expanding cultivated area to 20 percent and improving agricultural production to 25%, restoring exploitative industry and developing infrastructure. On 31 December 1955, Diem promulgated Decree 48 on RVN independence on currency and banknotes (This is not in accordance with the first sentence of the last paragraph under "Being Prime Minister and consolidation of power" subtitle, with ref 54). Diem's government also encouraged the development of handicrafts, industry, and commerce. In October 1957, Diem established the Center for Technological Development for Investment, Instruction, and Cooperation and supported private technological activities to gradually diminish the role of foreign capitalists, especially French capitalists in industry and to enhance the role of indigenous capitalists in the RVN economy. In 1961, Diem suggested the second 5-year plan (1962-1966) to continue the first 5-year plan. During the first Republic of Vietnam, some indigenous industrial zones or factories were founded, such as the Cogido paper factory in An Hao (1961), Vinatexco and Vimytex textile factories, the Khanh Hoi glassware factory, the Ha Tien and Thu Duc cement factories, the Da Nhim hydroelectric facility (1961), Da Lat nuclear research centre (1963), and the Bien Hoa industrial zone (1963). During 1956-1960, Diem built a relatively stable RVN with a stable economy along with development of infrastructure and people's standards of living due to export of home comforts. Nevertheless, Diem also admitted the dependence of RVN's economy on US assistance: "Today, the country is not self-sufficient. We can say that foreign assistance is a kind of compensation for the services our people have provided to the free world to protect SEA market, and to fight against manipulations of international communism". CANNOTANSWER


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The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the "second wave" of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records.

After signing to Doghouse, the band drove to Chicago to record their debut full-length album with producer Bob Weston of Shellac. The album was recorded in only two days, with the band leaving on Friday after Ryan Pope got out of school and finishing in the early hours of Sunday morning. Two months after recording the album, the band embarked on their first national tour with Braid and Ethel Meserve with the first date of the tour taking place the day after Ryan's high school graduation. It was on that tour that the band met James Dewees, the new drummer for Coalesce while the bands were playing together in Wilkes-Barre, Pennsylvania. After the show, the members of the two bands became close friends, eventually leading them to record a split 7-inch produced by Ed Rose entitled "The Get Up Kids / Coalesce". For the split, each band covered one of the other's songs in their own style. Coalesce did a post-hardcore cover of "Second Place", and The Get Up Kids recorded a power-pop rendition of "Harvest of Maturity". A few months later, the band released their debut full-length record Four Minute Mile, bringing a great deal of attention from critics, fans and labels alike. The band was invited to join Braid on their 1998 tour of Europe and the band rapidly created an overseas fanbase. While the band was receiving rapidly increasing national and international attention, they became unhappy with Doghouse Records' ability to keep up with the increasing popularity of the band. The Get Up Kids' announcement to leave Doghouse Records brought interest from prominent record labels including Sub Pop, Geffen and Mojo Records. The band made a decision to sign to Mojo, but before the contracts were signed, they began to have second thoughts. The main issue was over the label's insistence on owning merchandising rights, a large source of the band's income. Moreover, the band was insulted the label requested they re-record "Don't Hate Me" from Four Minute Mile for their next record, feeling that the label believed it was "the best that [they could] write". Before the deal with Mojo was official, the band met Rich Egan, founder of Los Angeles-based Vagrant Records. He convinced the band to sign to Vagrant instead, offering them $50,000 to record a second album, as well as their own imprint, Heroes & Villains Records. In 1998, James Dewees recorded his first solo album under the pseudonym Reggie and the Full Effect. While Dewees wrote the songs himself, he asked Matt Pryor and Rob Pope to help record some of the instrumentals. The resulting album, Greatest Hits 1984-1987 leaned heavily on the use of synthesizer keyboards for its sound. Their work together on the Reggie and the Full Effect album led Pryor to invite Dewees to collaborate with The Get Up Kids on Red Letter Day, a five-track EP produced by Ed Rose to fulfill their two-record deal with Doghouse. The cleaner, more focused sound of the EP provided the chance to experiment with the inclusion of keyboards and acts as a sonic bridge between the raw sound of Four Minute Mile and the more dynamic, produced style of their next studio album. After the release of Red Letter Day, Dewees became a full-time member as the band began recording their second studio album in Los Angeles in June 1999 with producer Alex Brahl. Before the album went into production, Vagrant Records co-owner John Cohen borrowed money from his parents, who had mortgaged their house in order to fund the production of the album. On September 21, 1999, the band released Something to Write Home About on Vagrant Records. The album's lyrics reflected the record label strife the band had experienced and their distance between friends and family back home after their move to Los Angeles. Something to Write Home About has been singled out as the band's only 'true' emo album, as the album's aesthetic fit more into the contemporary definition of the genre. Furthermore, the album single-handedly turned the struggling Vagrant label into one of the top indie labels in the country, selling over 140,000 copies after its release. Not only did the album make The Get Up Kids the poster children for emo, but it also launched the genre into a public consciousness broader than the scattered local scenes that had previously embraced it. The album gave Vagrant Records the financial backing to grow and sign a string of other bands. At the same time, the addition of keyboards alienated some fans who thought it moved the band away from the contemporary punk scene's DIY ethic. The Get Up Kids toured relentlessly for almost three years in promotion of the record. As well as touring Europe, Japan, and Australia, they shared bills with acts such as Green Day, The Anniversary, Koufax, Hot Rod Circuit, Jebediah, Weezer and Ozma. Their 2000 tour with The Anniversary and Koufax was sponsored by Napster. Their fanbase kept expanding through word of mouth. Venues booked months in advance could no longer hold the demand by the time the band arrived in town and fans were forced to stand outside to see them perform. To capitalize on anticipation for the band's next album, Vagrant Records released a rarities compilation Eudora in 2001. Eudora consisted of alternate takes, covers, and B-sides since the band's formation. Likewise, Doghouse released a re-mastered edition of Four Minute Mile and a compilation entitled The EPs: Woodson and Red Letter Day, combining the two Doghouse-owned EPs on one compact disc. In 2003 the band began recording their fourth studio album. The album would be the first recorded in Black Lodge Studios in Eudora, Kansas, a studio renovated and owned by the Pope brothers and producer Ed Rose. The writing process for the album was different from their past efforts, as most of the songs were written by only three of the band members. In the early stages of writing, Jim Suptic was on his honeymoon. James Dewees was involved in a difficult divorce, and much of his creative efforts inspired by those events went into the fourth Reggie and the Full Effect album Songs Not to Get Married To. While this led to a less collaborative effort than in the past, it gave the Pope brothers a more substantial role in writing than ever before. In an interview with Alternative Press, Pryor confirmed the song "Never Be Alone" was written by Rob Pope about his 2003 divorce from The Anniversary keyboardist Adrianne Verhoeven. This fractured approach to the writing process began to strain relationships in the band, at one point leading Suptic to consider quitting the band. Pryor drew lyrical inspiration from the lives of friends and people he knew, extracting stories of abuse, betrayal and guilt. The album's lyrics also delve into incidents of adultery ("Wouldn't Believe It", "How Long Is Too Long") and the album's first single "The One You Want" is said to be about a woman who Pryor says "Sucks the soul out of people". In March 2004, the band released their fourth studio album Guilt Show, produced by Ed Rose. Sonically, the album combined the more measured, sophisticated sound of On a Wire with the frenetic style of their earlier work. Guilt Show, which was titled after a misreading of a flier saying "Quilt show", was very well received both critically and commercially. The more pop-driven tone of the album reunited the band with many fans who were disenchanted after On a Wire, while also staying close enough to the evolution of the last album to interest newer fans and critics. However, their return was overshadowed by the booming popularity of other contemporary emo bands such as Dashboard Confessional, who invited the band to open for them on the 2004 Honda Civic Tour. CANNOTANSWER


Boris Nikolayevich Yeltsin (Russian: Boris Nikolaevich El'tsin, IPA: [ba'rjis njIka'laIvjItc 'jeljtsin] ( listen); 1 February 1931 - 23 April 2007) was a Soviet and Russian politician and the first President of the Russian Federation, serving from 1991 to 1999. Originally a supporter of Mikhail Gorbachev, Yeltsin emerged under the perestroika reforms as one of Gorbachev's most powerful political opponents. During the late 1980s, Yeltsin had been a candidate member of the Politburo, and in late 1987 tendered a letter of resignation in protest. No one had resigned from the Politburo before.

Yeltsin underwent emergency quintuple heart bypass surgery in November 1996, and remained in the hospital for months. During his presidency, Russia received US$40 billion in funds from the International Monetary Fund and other international lending organizations. However, his opponents allege that most of these funds were stolen by people from Yeltsin's circle and placed in foreign banks. In 1998, a political and economic crisis emerged when Yeltsin's government defaulted on its debts, causing financial markets to panic and the ruble to collapse in the 1998 Russian financial crisis. During the 1999 Kosovo war, Yeltsin strongly opposed the NATO military campaign against Yugoslavia, and warned of possible Russian intervention if NATO deployed ground troops to Kosovo. In televised comments he stated: "I told NATO, the Americans, the Germans: Don't push us toward military action. Otherwise there will be a European war for sure and possibly world war." On 9 August 1999 Yeltsin fired his prime minister, Sergei Stepashin, and for the fourth time, fired his entire cabinet. In Stepashin's place he appointed Vladimir Putin, relatively unknown at that time, and announced his wish to see Putin as his successor. In late 1999 Yeltsin and President Clinton openly disagreed on the war in Chechnya. At the November meeting of the Organization for Security and Cooperation in Europe, Clinton pointed his finger at Yeltsin and demanded he halt bombing attacks that had resulted in many civilian casualties. Yeltsin immediately left the conference. In December while visiting China to seek support on Chechnya, Yeltsin replied to Clinton's criticism of a Russian ultimatum to citizens of Grozny. He bluntly pronounced: "Yesterday, Clinton permitted himself to put pressure on Russia. It seems he has for a minute, for a second, for half a minute, forgotten that Russia has a full arsenal of nuclear weapons. He has forgotten about that." Clinton dismissed Yeltsin's comments stating: "I didn't think he'd forgotten that America was a great power when he disagreed with what I did in Kosovo." It fell to Putin to downplay Yeltsin's comments and present reassurances about U.S. and Russian relations. CANNOTANSWERAnswer this question using a quote from the following article:

What did he do during his second term?


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John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

White has long been a proponent of analog equipment and the associated working methods. Beginning in the fifth grade, he and his childhood friend, Dominic Suchyta, would listen to records in White's attic on weekends and began to record cover songs on an old four-track reel to reel tape machine. The White Stripes' first album was largely recorded in the attic of his parents' home. As their fame grew beyond Detroit, the Stripes became known for their affected innocence and stripped-down playing style. In particular, White became distinguished for his nasal vocal delivery and loose, explosive guitar delivery. In an early New York Times concert review from 2001, Ann Powers said that, while White's playing was "ingenious," he "created more challenges by playing an acoustic guitar with paper taped over the hole and a less-than-high-quality solid body electric." His home studio in Nashville contains two rooms ("I want everyone close, focused, feeling like we're in it together.") with two pieces of equipment: a Neve mixing console, and two Studer A800 2-inch 8-track tape recorders. In his introduction in the documentary film, It Might Get Loud, White showcases his minimalist style by constructing a guitar built out of a plank of wood, three nails, a glass Coke bottle, a guitar string, and a pickup. He ends the demonstration by saying, "Who says you need to buy a guitar?" In a 2012 episode of the show, Portlandia, White made a cameo in a sketch spoofing home studio enthusiasts who prefer antique recording equipment. CANNOTANSWER


Background: A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album.
Context: In September 2004 Dhani Lennevald released "Girl Talk", his first single as a solo artist, in Sweden. There it peaked at number twenty-nine, ensuring Gold status after nine weeks on the charts. Dhani and Universal Music parted ways in 2005, now he's preparing the release of his first solo album. In 2005, Marie Serneholt signed with SonyBMG and in early 2006, she released her first single as a solo artist titled "That's The Way My Heart Goes". It reached number two in Sweden in February, and was later released in Europe and certified Gold. This was followed by the album Enjoy the Ride which peaked at number nine in her homeland. According to her personal MySpace page she is recording her second album. She participated in Melodifestivalen 2009 with the track 'Disconnect Me'. In 2011 she was the host for Melodifestivalen in Sweden. She also participated in Melodifestivalen 2012 with the single 'Salt and Pepper.' Serneholt was a judge on X Factor in Sweden where she was the mentor for the groups. Serneholt has also been working as a model and TV-host. Currently working as a TV-host for shows like Bingolotto and other game shows. Marie is counted to be the most successful member of the A-Teens. Amit Sebastian Paul made his debut as well. "Songs In a Key of Mine" is a mini-album with eight demos. Amit Paul has released his first Solo album "Songs In A Key Of Mine" which features 12 songs in April 2008, with the first single "Judge You" was released soon after. Amit Paul has also a future career in business, and finished his Masters at the prestigious Stockholm School of Economics, where he did an internship at the management consultancy Bain & Company. Sara Lumholdt released a cover of Olivia Newton-John's song "Physical" for a compilation album. She released the song under the name of Sara Love, and according to her official MySpace page she was working with producers from the United States and Europe to release more music. She released "Glamour Bitch" to her MySpace page and is said to be her debut single. She then switched to another project with Josh Skinner and Ted Perlman. The release of her debut solo album, tentatively titled "My Saranade", has been postponed as of now. The first single from that album, "First", became available on iTunes in July 2008. CANNOTANSWER
Question: What year was Girl Talk released?

Answer:


Sharon was born to Pablo Cuneta (1911-1999), a former Mayor of Pasay who was the longest-serving mayor in the Philippines from 1951 to 1998, and Elaine Gamboa (1934 - 2014), a sister of actress and singer Helen Gamboa. She was born on January 6, 1966 at Our Lady of Lourdes Hospital in Santa Mesa, Manila. She has lived most of her early years in Dasmarinas Village, Makati. Cuneta grew up surrounded by music, listening to her dad's record collection.

In 1981, Contrary to popular notion, Cuneta's first film was not produced by Viva Films but by a production outfit known as Sining Silangan. Director Danny Zialcita was selected to direct the film; part of his job was also to convince the Cuneta household to allow Sharon to jump into acting. Almers De Luna, a member of the group Sharon's Angels, revealed that the Cunetas asked for a P220,000-talent fee, which at the time was a large amount for a newcomer. To the disbelief of Sharon's parents, Sining Silangan agreed to pay the sum without reservation. Cuneta starred in her very first feature film entitled, Dear Heart. She was paired with then Close-Up model and Regal Films' 1980s heartthrob, Gabby Concepcion. Dear Heart was successful and paved the way for future collaborations. Due to the commercial success of Dear Heart, a sequel was made. Since Sining Silangan didn't have the means to create an immediate follow up film, Pablo Cuneta collaborated with Vic Del Rosario and established Viva Films. On November 12, 1981, Viva Films released its first feature film, P.S. I Love You, starring Cuneta and Concepcion. The film was a box office success and was followed by another Sharon-Gabby collaboration, My Only Love (1982). Cuneta was also paired with other leading men, with the likes of William Martinez (in Forgive and Forget), Rowell Santiago (in Cross My Heart and Friends in Love) and Miguel Rodriguez (in To Love Again) from 1982-83, which made her the Ms. RP Movies for the years mentioned. She continued hosting the noontime show, Germspesyal, later called GMA Supershow, with German Moreno. She released albums such as PS I Love You (1981), Sixteen (1982) and Sharon & Love (1983). CANNOTANSWER

Answer the following question by taking a quote from the article: What year did it come out?


Donald Francis Shula (born January 4, 1930) is a former professional American football coach and player who is best known as the head coach of the Miami Dolphins, the team he led to two Super Bowl victories, and to the only perfect season in the history of the National Football League (NFL). He was previously the head coach of the Baltimore Colts, with whom he won the 1968 NFL Championship. Shula was drafted out of John Carroll University in the 1951 NFL Draft, and he played professionally as a defensive back for the Cleveland Browns, Baltimore Colts, and Washington Redskins. Shula was named 1993 Sportsman of the Year by Sports Illustrated.

Shula set numerous records in his 33 seasons as a head coach. He is the all-time leader in victories with 347. He is first in most games coached (526), most consecutive seasons coached (33), and Super Bowl losses (four, tied with Bud Grant, Dan Reeves, and Marv Levy). His teams won seven NFL conference titles: 1964, 1968, 1971-73, 1982, and 1984. Shula's teams were consistently among the least penalized in the NFL, and Shula served on the Rules Committee, to help change the game to a more pass-oriented league. He had a winning record against almost every coach he faced, with several exceptions: Levy, against whom he was 5-14 during the regular season and 0-3 in the playoffs; John Madden, against whom he was 2-2 in the regular season and 1-2 in the playoffs for a total of 3-4; and Bill Cowher, against whom Shula was 1-2 late in his career. Don Shula also had losing records against Tom Flores(1-6) Raymond Berry (3-8), Walt Michaels (5-7-1), and Vince Lombardi (5-8). Shula also holds the distinction of having coached five different quarterbacks to Super Bowl appearances (Johnny Unitas and Earl Morrall in 1968, Bob Griese in 1971, 1972, and 1973, David Woodley in 1982, and Dan Marino in 1984), three of them (Unitas, Griese, and Marino) future Hall of Famers. He also coached Johnny Unitas to another World Championship appearance (in the pre-Super Bowl era) in 1964. The only other NFL coach to approach this distinction is Joe Gibbs, who coached four Super Bowls with three different quarterbacks (Joe Theismann, Doug Williams, and Mark Rypien), winning three times. Shula is honored at the Don Shula Stadium at John Carroll University, and the Don Shula Expressway in Miami. An annual college football game between South Florida schools Florida Atlantic University and Florida International University is named the Shula Bowl in his honor. The game's winner receives a traveling trophy named the Don Shula Award. On January 31, 2010, a statue of him was unveiled at Hard Rock Stadium. CANNOTANSWERAnswer this question using a quote from the following article:

Did Shula lose to any coaches?


Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys (1601-1680), a tailor, and Margaret Pepys (nee Kite; died 1667), daughter of a Whitechapel butcher. His great uncle Talbot Pepys was Recorder and briefly Member of Parliament (MP) for Cambridge in 1625. His father's first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, and appointed Lord Chief Justice of Ireland on 25 September 1655. Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor.

The diary gives a detailed account of Pepys' personal life. He liked wine, plays, and the company of other people. He also spent time evaluating his fortune and his place in the world. He was always curious and often acted on that curiosity, as he acted upon almost all his impulses. Periodically, he would resolve to devote more time to hard work instead of leisure. For example, in his entry for New Year's Eve, 1661, he writes: "I have newly taken a solemn oath about abstaining from plays and wine..." The following months reveal his lapses to the reader; by 17 February, it is recorded, "Here I drank wine upon necessity, being ill for the want of it." Pepys was one of the most important civil servants of his age, and was also a widely cultivated man, taking an interest in books, music, the theatre and science. He was passionately interested in music; he composed, sang, and played for pleasure, and even arranged music lessons for his servants. He played the lute, viol, violin, flageolet, recorder and spinet to varying degrees of proficiency. He was also a keen singer, performing at home, in coffee houses, and even in Westminster Abbey. He and his wife took flageolet lessons from master Thomas Greeting. He also taught his wife to sing and paid for dancing lessons for her (although these stopped when he became jealous of the dancing master). Pepys was known to be brutal to his servants, once beating a servant Jane with a broom until she cried. He kept a boy servant whom he frequently beat with a cane, a birch rod, a whip or a rope's end. CANNOTANSWER

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What else is notable about his personal life?


Background: Charles Edward Greene (born September 24, 1946), better known as "Mean" Joe Greene, is a former American football defensive tackle who played for the Pittsburgh Steelers of the National Football League (NFL) from 1969 to 1981. A recipient of two NFL Defensive Player of the Year awards, six first-team All-Pro selections, and ten Pro Bowl appearances, Greene is widely considered one of the greatest defensive linemen to play in the NFL. He was noted for his leadership, fierce competitiveness, and intimidating style of play for which he earned his nickname. Born and raised in Temple, Texas, Greene attended North Texas State University (now University of North Texas), where he earned consensus All-America honors as a senior playing for the North Texas State Mean Green football team.
Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER
Question: Did he intimidate other players?. Whats the answer?


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Guns N' Roses, often abbreviated as GNR, is an American hard rock band from Los Angeles, California, formed in 1985. The lineup, when first signed to Geffen Records in 1986, consisted of vocalist Axl Rose, lead guitarist Slash, rhythm guitarist Izzy Stradlin, bassist Duff McKagan, and drummer Steven Adler. Guns N' Roses has released six studio albums, accumulating sales of more than 100 million records worldwide, including 45 million in the United States, making them the 41st best-selling artist of all time. Guns N' Roses' debut album, Appetite for Destruction (1987), reached number one on the Billboard 200 a year after its release, on the strength of "Sweet Child o' Mine", the band's only single to reach number one on the Billboard Hot 100.

Guns N' Roses' next album, G N' R Lies, was released in November 1988. It included the four recordings from the band's 1986 EP Live ?!*@ Like a Suicide, as well as four new acoustic tracks. "Patience", the only single released from G N' R Lies, peaked at No. 4 in the U.S., while the album itself reached No. 2 on the Billboard 200. The album cover, a parody of tabloid newspapers, was modified after initial pressings to remove the headlines "Wife-beating has been around for 10,000 years" and "Ladies, welcome to the dark ages". The song "One in a Million" raised accusations of racism and homophobia. Rose denied that he was a racist and defended his use of a racial slur, claiming that "it's a word to describe somebody that is basically a pain in your life, a problem. The word nigger doesn't necessarily mean black," as well as listing the rap group N.W.A. and the John Lennon song Woman Is the Nigger of the World as other examples of musicians using the word. Several years later, Rose conceded that he had used the word as an insult towards black people who had tried to rob him, also using the word because it was taboo. In response to the allegations of homophobia, Rose stated that he considered himself "pro-heterosexual" and blamed this attitude on "bad experiences" with gay men. Guns N' Roses' late 1980s shows were often eventful for more than just the band's performance. During a November 1987 show in Atlanta, Rose assaulted a security guard and was held backstage by police, while his band mates continued playing with a roadie singing. Riots nearly broke out during two August 1988 shows in New York State. At England's Monsters of Rock festival, held that same month, two fans were crushed to death during the group's set by the slam-dancing crowd. During the first of four October 1989 dates opening for the Rolling Stones at the L.A. Coliseum, Rose announced that the shows would be the group's last if certain members of the band did not stop "dancing with Mr. Brownstone," a reference to the band's song of the same name about heroin. Events such as these helped earn Guns N' Roses the moniker "The Most Dangerous Band in the World." CANNOTANSWER


Joko Widodo (born Mulyono; Javanese: ; 21 June 1961), also known as Jokowi, is the seventh and current President of Indonesia, in office since 2014. Previously he was Mayor of Surakarta from 2005 to 2012 and Governor of Jakarta from 2012 to 2014. He is the first Indonesian president without a high-ranking political or military background.

In the first quarter of 2015, year-on-year GDP grew 4.92 percent. In the second quarter it grew 4.6%, the lowest figure since 2009. Anything less than 6 per cent and Indonesia cannot absorb the new entrants to its labour market each year. Furthermore since most of 2017 economic growth remained above the 5.2 percent mark, the Indonesian government has projected its economic growth in 2018 to be at least at 5.4 percent, which is still .6 percent below what is considered healthy economic growth mark of 6 percent . In combination of many factors such as international trade war initiated between the U.S. and China, U.S. Federal Reserves' tightening of monetary policy and the general elections in Indonesia in 2019, much of the anemic nature of Indonesia's economic growth stems from income inequality. Whereas current government and its robust economic and "overly ambitious" infrastructure policies aim to stimulate economic growth, it hasn't been felt across the board. Only the middle- and upper- socio-economic households have been positively affected by the current government's policies. This is consistent with what the current administration attempts to do by improving infrastructure, transportation and connectivity across the country. By providing infrastructure such as roads, highways, bridges, railroads and airports across the country and into rural Indonesia, this will reduce the costs of goods. As a result, not only will this increase the purchasing power parity and reduce economic inequality, but also improving the quality of living across the board. The rupiah weakened further, with its exchange rate per US dollar, falling to Rp 14,000 in August 2015, the lowest level in the last 17 years. On 24 September 2015, it closed at 14797. The rupiah appreciated by 2.28 percent to Rp13.473/USD on 31 December 2016. The year-on-year inflation in June 2015 was 7.26 percent, higher than in May (7.15 percent) and June the year before (6.7 percent). CANNOTANSWER

Using a quote from the above article, answer the following question: What happened as a result of GDP growing?


Background: Douglas Mark Rushkoff (born 18 February 1961) is an American media theorist, writer, columnist, lecturer, graphic novelist, and documentarian. He is best known for his association with the early cyberpunk culture, and his advocacy of open source solutions to social problems. Rushkoff is most frequently regarded as a media theorist and is known for coining terms and concepts including viral media (or media virus), digital native, and social currency. He has written ten books on media, technology and culture.
Context: Up to the late-1990s, Douglas Rushkoff's philosophy towards technology could be characterized as media-deterministic. Cyberculture and new media were supposed to promote democracy and allow people to transcend the ordinary. In Cyberia, Rushkoff states the essence of mid-1990s culture as being the fusion of rave psychedelia, chaos theory and early computer networks. The promise of the resulting "counter culture" was that media would change from being passive to active, that we would embrace the social over content, and that empowers the masses to create and react. This idea also comes up in the concept of the media virus, which Rushkoff details in the 1994 publication of Media Virus: Hidden Agendas in Popular Culture. This significant work adopts organic metaphors to show that media, like viruses, are mobile, easily duplicated and presented as non-threatening. Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media. Unfortunately, people often stay one step behind our media capabilities. Ideally, emerging media and technologies have the potential to enlighten, to aid grassroots movements, to offer an alternative to the traditional "top-down" media, to connect diverse groups and to promote the sharing of information. Rushkoff does not limit his writings to the effect of technology on adults, and in Playing the Future turns his attention to the generation of people growing up who understand the language of media like natives, guarded against coercion. These "screenagers", a term originated by Rushkoff, have the chance to mediate the changing landscape more effectively than digital immigrants. With Coercion (1999), Rushkoff realistically examines the potential benefits and dangers inherent in cyberculture and analyzes market strategies that work to make people act on instinct (and buy!) rather than reflect rationally. The book wants readers to learn to "read" the media they consume and interpret what is really being communicated. CANNOTANSWER
Question: What technology did Rushkoff use?. Whats the answer?


Answer by taking a quote from the following article:

Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

Jordan was born on July 8, 1908, in Brinkley, Arkansas, where his father, James Aaron Jordan, was a music teacher and bandleader for the Brinkley Brass Band and for the Rabbit Foot Minstrels. His mother, Adell, died when Louis was young. Jordan studied music under his father, starting out on the clarinet. In his youth he played in his father's bands instead of doing farm work when school closed. He also played the piano professionally early in his career, but alto saxophone became his main instrument. However, he became even better known as a songwriter, entertainer and vocalist. Jordan briefly attended Arkansas Baptist College, in Little Rock, and majored in music. After a period with the Rabbit Foot Minstrels (in which one of his colleagues was Leon "Pee Wee" Whittaker) and with local bands, including Bob Alexander's Harmony Kings, he went to Philadelphia and then New York. In 1932, Jordan began performing with the Clarence Williams band, and when he was in Philadelphia he played clarinet in the Charlie Gaines band. In late 1936 he was invited to join the influential Savoy Ballroom orchestra, led by the drummer Chick Webb. Based at New York's Savoy Ballroom, Webb's orchestra was renowned as one of the best big bands of its day and regularly beat all comers at the Savoy's legendary cutting contests. Jordan worked with Webb until 1938, and it proved a vital stepping-stone in his career--Webb (who was physically disabled) was a fine musician but not a great showman. The ebullient Jordan often introduced songs as he began singing lead; he later recalled that many in the audience took him to be the band's leader, which undoubtedly boosted his confidence further. This was the same period when the young Ella Fitzgerald was coming to prominence as the Webb band's lead female vocalist; she and Jordan often sang duets on stage, and they later reprised their partnership on several records, by which time both were major stars. In 1938, Webb fired Jordan for trying to persuade Fitzgerald and others to join his new band. By this time Webb was already seriously ill with tuberculosis of the spine. He died at the age of 34, after spinal surgery on June 16, 1939. Following his death, Fitzgerald took over the band. Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis. The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.) The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs. Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. The prime of Jordan's recording career, 1942-1950, was a period of segregation on the radio. Despite this he had a crossover number 1 single, "G.I. Jive" backed with "Is You Is or Is You Ain't My Baby?" in 1944, thanks in large part to his performance with his orchestra of the song in the all-star wartime musical film Follow the Boys (Universal Pictures, 1944). Two years later, MGM's cartoon cat Tom sang "Is You Is or Is You Ain't My Baby?" in the 1946 Tom and Jerry cartoon short "Solid Serenade". Jordan appeared in the 1946 Monogram Pictures movie Swing Parade of 1946 and starred in the 1947 all-black, full-length Astor Pictures film Reet, Petite and Gone. During this period Jordan again placed more than a dozen songs on the national charts. However, Louis Jordan and His Tympany Five dominated the 1940s R&B charts, or (as they were known at the time) the "race" charts. In this period Jordan had eighteen number 1 singles and fifty-four in the Top Ten. According to Joel Whitburn's points-based analysis of Billboard chart placings, Jordan ranks fifth among the most successful artists over the period 1942-1995. From July 1946 through May 1947, Jordan had five consecutive number 1 songs, holding the top slot for 44 consecutive weeks. Jordan's popularity was boosted not only by his hit Decca records but also by his prolific recordings for Armed Forces Radio and the V-Disc transcription program, which helped to make him as popular with whites as with blacks. He also starred in a series of short musical films and made numerous "soundies" for his hit songs. The ancestor of the modern music video, soundies were short film clips designed for use in audio-visual jukeboxes. These were in addition to his part in Follow the Boys. CANNOTANSWER

What band was he a part of?


The Wiggles are an Australian children's music group formed in Sydney, New South Wales, in 1991. The current members of the group are Anthony Field, Lachlan Gillespie, Simon Pryce, and Emma Watkins. The original members were Field, Phillip Wilcher, Murray Cook, Greg Page, and Jeff Fatt. Wilcher left the group after their first album.

Although Moran's transition as The Wiggles' lead singer was "smooth" for the young children of their audience, it was more difficult for their parents. Moran said that "most children understood". Field reported that by the group's 20th anniversary in 2011, due to the ever-changing nature of their audience, most of their young fans were unfamiliar with Page. Cook stated that Moran's transition was challenging for the group because since he replaced their lead singer, it changed their sound. Fatt characterised Moran's singing style as more operatic, so they chose different keys to sing and perform. The Wiggles never publicly disclosed how much Moran was paid, but it was reported that he earned $200,000 per year. Moran was featured in his first DVD and CD as a member of the group in early 2008, and a sixth season of The Wiggles' television series featuring Moran was filmed and began airing in Australia. At the end of 2007, The Wiggles donated their complete back catalogue of 27 master tapes to Australia's National Film and Sound Archive. Their business ventures during these years included opening up "Wiggles World" sections in theme parks in North America and the Arab World, internet offerings, the creation of new television shows, and a five-year-long partnership with the digital cable channel Sprout in 2009. In December 2010, Cinemalive beamed a Wiggles concert live from Acer Arena into movie theatres all over Australia, for children and their families unable to attend their shows. In early July 2011, founding member Fatt developed arrhythmia and underwent "urgent but routine" heart surgery, when he was fitted with a pacemaker after feeling unwell for several weeks and blacking out. He missed the group's US tour as a result, after not missing a show in 20 years. Also in mid-2011, The Wiggles celebrated their 20th anniversary with circus-themed shows and performances throughout Australia and the outback in a circus tent, as well as a "physically grueling" birthday-themed tour of 90 shows throughout Australia, which Paul Field called "one of the biggest of their careers". Sydney's Powerhouse Museum commemorated the group's anniversary with an exhibit that displayed Wiggles memorabilia. In 2011, the worldwide financial crisis hit the group, and they recorded their first drop in revenues in 10 years, at approximately $2.5 million, a total decrease of 28 percent. Royalties partially offset the difference between their 2010 and 2011 revenues. Their managing director Mike Conway called 2011 their toughest year financially. For the first time, they had negative equity, with more liabilities than assets, and the owners had to provide the funds for them to continue operations. Conway stated that their losses were due to less touring time in the US, difficulties in placing their DVDs in Walmart, and their required investment in a new digital platform. CANNOTANSWER

Why were they not allowed to display their DVDs in WalMArt?


Maroon 5's musical style has generally been regarded as pop rock, funk rock, dance-pop, blue-eyed soul, neo soul, and soft rock. Adam Levine has stated: "[E]verything that's written and performed and put together pretty much comes from us. I just think people would be surprised to know that we're a self-contained unit. We're a band that does their own thing. There's no puppet master." However, in an article about the songwriter and producer Benny Blanco, it is revealed that at least some of the band's songs, such as "Moves like Jagger," are the product of efforts by, or collaborations with, professional songwriters and producers. In the same article, Levine says, "It's almost as if [Benny Blanco] has the Midas touch in putting the right people together at the right time to create a musical moment. He's about the collaboration. And he's so good at nailing down who does everything best." The band has cited Elita 5, Michael Jackson, The Police, the Bee Gees, Justin Timberlake, Stevie Wonder, Tonic, Prince, Tupac Shakur and Marvin Gaye as influences. Adam Levine has also cited Billy Joel as an influence. Furthermore, guitarist James Valentine said he was influenced by guitarists like Pat Metheny, Bill Frisell and John Scofield, as well as the rock band Queens of the Stone Age. The band's songs tend to be very guitar-heavy, often accompanied by piano or synthesizer. The theme in most of their songs is love, frequently lost love; songs like "This Love", "Makes Me Wonder" and "Misery" have a very cynical tone, often expressing dissatisfaction with a relationship, while their more heartfelt and emotional songs such as "She Will Be Loved" and "Never Gonna Leave This Bed" express a longing for a romantic relationship. "Makes Me Wonder" has a secondary theme, in which Levine expresses his disillusionment and frustration with the state of American politics and the Iraq War. The band's style changes from album to album. Songs About Jane consists of songs about Levine's ex-girlfriend Jane Herman. On It Won't Be Soon Before Long, however, the songs are less personal and are more electric with more use of synthesizers, creating a retro feel. Hands All Over continues the band's lost love theme, along with songs about infatuation and was re-released in 2011, with the hit single "Moves like Jagger", an electropop song which represents a drastic change in the band's sound, with more of a dance feel to it. "It was one of those songs that was definitely a risk," Levine said. "It's a bold statement. We've never really released a song like that. But it's exciting to do something different, do something new. I'm just glad that everyone likes it." James Valentine called Overexposed "our most 'pop' record ever and we weren't shy about really going for it." They also have experimented with new wave and disco sounds on several albums. CANNOTANSWER

Answer this question "Has their musical style changed over the years?" by extracting the answer from the text above.


Answer by taking a quote from the following article:

Alexander Bell was born in Edinburgh, Scotland, on March 3, 1847. The family home was at 16 South Charlotte Street, and has a stone inscription marking it as Alexander Graham Bell's birthplace. He had two brothers: Melville James Bell (1845-70) and Edward Charles Bell (1848-67), both of whom would die of tuberculosis. His father was Professor Alexander Melville Bell, a phonetician, and his mother was Eliza Grace (nee Symonds).

As a child, young Bell displayed a natural curiosity about his world, resulting in gathering botanical specimens as well as experimenting even at an early age. His best friend was Ben Herdman, a neighbour whose family operated a flour mill, the scene of many forays. Young Bell asked what needed to be done at the mill. He was told wheat had to be dehusked through a laborious process and at the age of 12, Bell built a homemade device that combined rotating paddles with sets of nail brushes, creating a simple dehusking machine that was put into operation and used steadily for a number of years. In return, Ben's father John Herdman gave both boys the run of a small workshop in which to "invent". From his early years, Bell showed a sensitive nature and a talent for art, poetry, and music that was encouraged by his mother. With no formal training, he mastered the piano and became the family's pianist. Despite being normally quiet and introspective, he revelled in mimicry and "voice tricks" akin to ventriloquism that continually entertained family guests during their occasional visits. Bell was also deeply affected by his mother's gradual deafness (she began to lose her hearing when he was 12), and learned a manual finger language so he could sit at her side and tap out silently the conversations swirling around the family parlour. He also developed a technique of speaking in clear, modulated tones directly into his mother's forehead wherein she would hear him with reasonable clarity. Bell's preoccupation with his mother's deafness led him to study acoustics. His family was long associated with the teaching of elocution: his grandfather, Alexander Bell, in London, his uncle in Dublin, and his father, in Edinburgh, were all elocutionists. His father published a variety of works on the subject, several of which are still well known, especially his The Standard Elocutionist (1860), which appeared in Edinburgh in 1868. The Standard Elocutionist appeared in 168 British editions and sold over a quarter of a million copies in the United States alone. In this treatise, his father explains his methods of how to instruct deaf-mutes (as they were then known) to articulate words and read other people's lip movements to decipher meaning. Bell's father taught him and his brothers not only to write Visible Speech but to identify any symbol and its accompanying sound. Bell became so proficient that he became a part of his father's public demonstrations and astounded audiences with his abilities. He could decipher Visible Speech representing virtually every language, including Latin, Scottish Gaelic, and even Sanskrit, accurately reciting written tracts without any prior knowledge of their pronunciation. His father encouraged Bell's interest in speech and, in 1863, took his sons to see a unique automaton developed by Sir Charles Wheatstone based on the earlier work of Baron Wolfgang von Kempelen. The rudimentary "mechanical man" simulated a human voice. Bell was fascinated by the machine and after he obtained a copy of von Kempelen's book, published in German, and had laboriously translated it, he and his older brother Melville built their own automaton head. Their father, highly interested in their project, offered to pay for any supplies and spurred the boys on with the enticement of a "big prize" if they were successful. While his brother constructed the throat and larynx, Bell tackled the more difficult task of recreating a realistic skull. His efforts resulted in a remarkably lifelike head that could "speak", albeit only a few words. The boys would carefully adjust the "lips" and when a bellows forced air through the windpipe, a very recognizable "Mama" ensued, to the delight of neighbours who came to see the Bell invention. Intrigued by the results of the automaton, Bell continued to experiment with a live subject, the family's Skye Terrier, "Trouve". After he taught it to growl continuously, Bell would reach into its mouth and manipulate the dog's lips and vocal cords to produce a crude-sounding "Ow ah oo ga ma ma". With little convincing, visitors believed his dog could articulate "How are you, grandma?" Indicative of his playful nature, his experiments convinced onlookers that they saw a "talking dog". These initial forays into experimentation with sound led Bell to undertake his first serious work on the transmission of sound, using tuning forks to explore resonance. At age 19, Bell wrote a report on his work and sent it to philologist Alexander Ellis, a colleague of his father (who would later be portrayed as Professor Henry Higgins in Pygmalion). Ellis immediately wrote back indicating that the experiments were similar to existing work in Germany, and also lent Bell a copy of Hermann von Helmholtz's work, The Sensations of Tone as a Physiological Basis for the Theory of Music. Dismayed to find that groundbreaking work had already been undertaken by Helmholtz who had conveyed vowel sounds by means of a similar tuning fork "contraption", Bell pored over the German scientist's book. Working from his own erroneous mistranslation of a French edition, Bell fortuitously then made a deduction that would be the underpinning of all his future work on transmitting sound, reporting: "Without knowing much about the subject, it seemed to me that if vowel sounds could be produced by electrical means, so could consonants, so could articulate speech." He also later remarked: "I thought that Helmholtz had done it ... and that my failure was due only to my ignorance of electricity. It was a valuable blunder ... If I had been able to read German in those days, I might never have commenced my experiments!" In 1870, aged 23, Bell, together with Bell's brother's widow, Caroline Margaret Ottaway, and his parents travelled on the SS Nestorian to Canada. After landing at Quebec City, the Bells transferred to another steamer to Montreal and then boarded a train to Paris, Ontario, to stay with the Reverend Thomas Henderson, a family friend. After a brief stay with the Hendersons, the Bell family purchased a farm of 10.5 acres (42,000 m2) at Tutelo Heights (now called Tutela Heights), near Brantford, Ontario. The property consisted of an orchard, large farmhouse, stable, pigsty, hen-house, and a carriage house, which bordered the Grand River. At the homestead, Bell set up his own workshop in the converted carriage house near to what he called his "dreaming place", a large hollow nestled in trees at the back of the property above the river. Despite his frail condition upon arriving in Canada, Bell found the climate and environs to his liking, and rapidly improved. He continued his interest in the study of the human voice and when he discovered the Six Nations Reserve across the river at Onondaga, he learned the Mohawk language and translated its unwritten vocabulary into Visible Speech symbols. For his work, Bell was awarded the title of Honorary Chief and participated in a ceremony where he donned a Mohawk headdress and danced traditional dances. After setting up his workshop, Bell continued experiments based on Helmholtz's work with electricity and sound. He also modified a melodeon (a type of pump organ) so that it could transmit its music electrically over a distance. Once the family was settled in, both Bell and his father made plans to establish a teaching practice and in 1871, he accompanied his father to Montreal, where Melville was offered a position to teach his System of Visible Speech. CANNOTANSWER

what year was this


Background: Jean-Charles Lapierre, PC (May 7, 1956 - March 29, 2016) was a Canadian politician and television and radio broadcaster. After retiring from the government in 2007, he served as a political analyst in a variety of venues. He was Paul Martin's Quebec lieutenant during the period of the Martin government. He was first elected to the House of Commons in 1978, serving from 1979 to 1993, and representing the riding of Shefford.
Context: As Minister of Transport, Lapierre initiated the Pacific Gateway Strategy, signing air transport agreements with China and India and completed a formal Canada-US Open Skies Agreement. He also spearheaded a large federal investment in the Prince Rupert container terminal, saying that it improved ties to Asian markets, while enhancing economic development in northern British Columbia and Alberta. Lapierre reduced the amount paid by airports to the federal government by some $5 billion over the remaining life of the leases. He announced the implementation of a No Fly List to increase security for airline passengers. As Transport Minister, his predecessor Tony Valeri had dismissed VIA Rail chairman Jean Pelletier, who filed a lawsuit against the government charging it had failed to use due process. A federal court ruled in his favor in November 2005 after the change in administrations, ordering Pelletier to be reinstated. The government appealed the court ruling and kept the former chair off the payroll. Lapierre ensured that due process was followed in dismissing Pelletier a second time. But in March 2007, Justice Francois Lemieux ruled that the Martin government acted improperly in 2005 when it fired Pelletier a second time, immediately after a court had overturned his first dismissal, stating that Lapierre was biased and failed to follow proper procedures. On November 22, 2007, Judge Helene Langlois of Quebec Superior Court ruled that government of then-Prime Minister Paul Martin had acted in a "cavalier and precipitous" fashion when it fired Pelletier. The court awarded Pelletier $235,000 in lost income, and a further $100,000 in damages. Lapierre and his department were criticised for their handling of the collapse of the carrier Jetsgo. Critics said that he should have seen warning signs after unsuccessful attempts to lower the carrier's costs. They also said that he had failed to warn the public or intervene, making him indirectly responsible when thousands of travelers were stranded when the carrier stopped operations. Lapierre rejected calls to resign, and denied that he had any knowledge of the collapse. He pointed out that most of the passengers had booked flights with credit cards and would be eligible for refunds. CANNOTANSWER
Question: What was the Pacific Gateway Strategy about ?

Answer:


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Keira Christina Knightley (; born 26 March 1985) is an English actress. Having worked extensively in both the British and the American film Industries, she has garnered such accolades as an Empire Award and multiple nominations for the British Academy, the Golden Globe, and the Academy Awards. Knightley featured as the highest-paid English actress on Forbes Celebrity 100 in 2008.

2014, for Knightley, began with the spy thriller Jack Ryan: Shadow Recruit alongside Chris Pine. It was based on novelist Tom Clancy's fictional character Jack Ryan and was the fifth film in the Jack Ryan film series. The film received mixed critical reviews nonetheless strong box-office response. Knightley's next film Laggies (2014), premiered at the 2014 Sundance Film Festival prior to its US general-release on 24 October. A romantic comedy also starring Chloe Grace Moretz and Sam Rockwell, the film follows the life of Megan (played by Knightley), a 28 year old underachiever going through a quarter-life crisis. Laggies opened to mostly positive reviews from critics, with Knightley's performance being chiefly praised by critics. Inkoo Kaang of TheWrap wrote of her "delightfully uncouth" performance: "she's a loose-limbed revelation as a pretty-but-normal-looking woman who just can't take things seriously enough to pull her life together." It was followed by her appearance in Morten Tyldum's historical drama The Imitation Game, a film based on the British mathematician Alan Turing (played by Benedict Cumberbatch). Knightley portrayed cryptanalyst and numismatist Joan Clarke, who decrypted German intelligence codes for the British government during World War II with Turing. The Imitation Game became a critical and commercial success grossing over $233.6 million. For her performance, Knightley received her second Academy Award nomination, for Best Supporting Actress. Though Lady Jean Forde, who worked with Clarke and Turing at that time felt Knightley was "too beautiful" to play Clarke and said: "She [Clarke] was nothing like Keira". Knightley's sole release of 2015 was as part of the ensemble cast in the biographical disaster film Everest. The film was based on the 1996 Mount Everest disaster with Knightley portraying mountaineer Rob Hall's wife. Everest opened to mixed review from critics. In October 2015, Knightley made her Broadway debut playing the title role in Helen Edmundson's adaptation of Emile Zola's Therese Raquin at Studio 54. Her performance received positive reviews. Alexandra Villarreal of The Huffington Post wrote: "She fumes, and rages, and withdraws, and you can watch her psychological evolution from stifled wife to impassioned mistress to haunted murderer". Knightley then starred in the ensemble drama Collateral Beauty (2016), alongside Will Smith, Edward Norton, Helen Mirren, and Kate Winslet. The film received overwhelmingly negative reviews, and earned the cast a Razzie nomination. Despite previously stating on a number of occasions that she would never return to the Pirates of the Caribbean film series, Knightley reprised her role of Elizabeth Swann with a cameo appearance in 2017's Pirates of the Caribbean: Dead Men Tell No Tales. On 20 January 2018, Colette premiered at the Sundance film festival. In an interview with Variety to promote the film, Knightley criticized the way female characters are portrayed in films set in the modern day stating: "I don't really do films set in the modern day because the female characters nearly always get raped. I always find something distasteful in the way women are portrayed, whereas I've always found very inspiring characters offered to me in historical pieces". CANNOTANSWER


Enrique Martin Morales (born December 24, 1971), commonly known as Ricky Martin, is a Puerto Rican singer, actor and author. Martin began his career at age 12 with the all-boy pop group Menudo. After five years with the group, he released several Spanish-language solo albums throughout the 1990s. He also acted on stage and on TV in Mexico, where he achieved modest stardom.

Ricky Martin's autobiography, Me, was published on November 2, 2010. The book became part of The New York Times Best Seller list, debuting at number five on the Hardcover Nonfiction list. A Spanish-language edition entitled Yo was published simultaneously. Martin's single, "The Best Thing About Me Is You" featuring Joss Stone also premiered on November 2, 2010 and peaked at number seventy-four on the Billboard Hot 100. The Spanish version, "Lo Mejor de Mi Vida Eres Tu" topped the Hot Latin Songs for two weeks. It was followed by a new studio album, Musica + Alma + Sexo released on January 31, 2011. It debuted at number three on the Billboard 200 and became the highest charting, primarily-Spanish language album in the United States, since Dreaming of You by Selena. Musica + Alma + Sexo also represents the highest ever chart debut on the Billboard 200 for a Sony Music Latin release. It spent two weeks at number one on the Billboard Top Latin Albums. On March 25, 2011, Martin started his Musica + Alma + Sexo World Tour, which ended on November 12, 2011. The second single from the album, "Mas" was released on April 5, 2011 and peaked at number seven on the Hot Dance Club Songs. "Frio" featuring Wisin & Yandel was chosen as the third single. 17: Greatest Hits was released on July 11, 2011 exclusively in the United Kingdom. Ricky Martin was playing Che in the Broadway revival of the show Evita, scheduled to begin previews on Broadway in March 2012, ahead of an opening in April 2012. He received mixed reviews. Martin guest-starred as a Spanish teacher on the Fox TV show Glee episode "The Spanish Teacher" on February 7, 2012. Martin premiered his "Ricky's Lip Conditioner" lip balm in April 2012 as part of the M.A.C Cosmetics "Ricky and Nicki for Viva Glam" campaign. The advertisements for the range paired him with rapper Nicki Minaj. Martin's signature is featured on the lip balm packaging. CANNOTANSWERAnswer this question using a quote from the following article:

What is musica+alma+Sexo and Evita?


Noah was born in New York City, to French singer and former world No. 3 tennis player Yannick Noah, winner of the French Open in 1983, and Cecilia Rodhe, Miss Sweden and fourth runner-up at Miss Universe 1978. His grandfather Zacharie Noah was a Cameroonian professional football player, winner of the Coupe de France in 1961. Noah lived in Paris, France from 1988 to 1998 and returned to New York City at age 13. He played high school basketball for the United Nations International School, Poly Prep Country Day School and Lawrenceville School.

From December 28, 2013 to February 1, 2014, Noah had an 18-game streak of 10 or more rebounds, averaging 13.9 rebounds during that stretch. Such streak was ended on February 4, 2014 in a game against the Sacramento Kings as Joakim was ejected from the game after complaining due to a controversial foul call against him. Noah erupted and verbally abused the referees, resulting in a $15,000 fine from the NBA. On January 30, 2014, Joakim Noah was named a reserve in the 2014 NBA All-Star Game for the second time in his career. He played 21 minutes in the game (including the entire fourth quarter) and scored 8 points, collected 5 rebounds and had 5 assists while helping the East to win 163-155. On February 11, 2014, Noah recorded his fourth career triple-double in a 100-85 win against the Atlanta Hawks, finishing the game with 19 points, 16 rebounds and 11 assists. On February 19, 2014, Joakim accounted for 13 assists in a 94-92 road win against the Toronto Raptors. By doing so, he became the first NBA center with 3 games of 10+ assists in a season since Brad Miller of the Sacramento Kings in 2005-06 and the only center with 13 assists in a game since Vlade Divac in April 1996. On March 2, 2014, Noah recorded his fifth career triple-double with 13 points, 12 rebounds and 14 assists in a 109-90 win over the New York Knicks. Noah's 14 assists was the most ever by a Bulls center, and the most by a center in the NBA since 1986. Three days later, in a 105-94 win over the Detroit Pistons, Noah recorded yet another triple-double finishing the game with 10 points, 11 rebounds and 11 assists. Joakim finished the month of March with 120 assists, the most by an NBA center since Wilt Chamberlain had 155 in March 1968. On April 9, 2014, Noah had 15 points, 13 rebounds and 10 assists in a 102-87 road win against the Minnesota Timberwolves, his fourth triple-double of the season. On April 21, 2014, Noah was awarded the NBA Defensive Player of the Year award for the first time in his career. He is the second Chicago Bull to win the award, after Michael Jordan who won it in the 1987-88 season. On June 4, 2014, Noah was named to the 2014 All-NBA first team. CANNOTANSWERAnswer this question using a quote from the following article:

Who was his coach?


Ahmose I, who is regarded as the first pharaoh of the Eighteenth Dynasty of Egypt may have been on the Theban throne for some time before he resumed the war against the Hyksos. The details of his military campaigns are taken from the account on the walls of the tomb of Ahmose, son of Ebana, a soldier from El-Kab, a town in southern Upper Egypt, whose father had served under Seqenenra Tao, and whose family had long been nomarchs of the districts. It seems that several campaigns against the stronghold at Avaris were needed before the Hyksos were finally dislodged and driven from Lower Egypt. When this occurred is not known with certainty. Some authorities place the expulsion as early as Ahmose's fourth year, while Donald B. Redford, whose chronological structure has been adopted here, places it as late as the king's fifteenth year. The Ahmose who left the inscription states that he followed on foot as his King Ahmose rode to war in his chariot (the first mention of the use of the horse and chariot by the Egyptians); in the fighting around Avaris he captured prisoners and carried off several hands (as proof of slain enemies), which when reported to the royal herald resulted in his being awarded the "Gold of Valor" on three separate occasions. The actual fall of Avaris is only briefly mentioned: "Then Avaris was despoiled. Then I carried off spoil from there: one man, three women, a total of four persons. Then his majesty gave them to me to be slaves." After the fall of Avaris, the fleeing Hyksos were pursued by the Egyptian army across northern Sinai Peninsula and into the southern Levant. Here, in the Negev desert between Rafah and Gaza, the fortified town of Sharuhen was reduced after, according to the soldier from El-Kab, a long three-year siege operation. How soon after the sack of Avaris this Asiatic campaign took place is uncertain. One can reasonably conclude that the thrust into southern Canaan probably followed the Hyksos' eviction from Avaris fairly closely, but, given a period of protracted struggle before Avaris fell and possibly more than one season of campaigning before the Hyksos were shut up in Sharuhen, the chronological sequence must remain uncertain. CANNOTANSWER

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On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio, Texas. They dated for three weeks until Cash was deployed to Germany for a three-year tour. During that time, the couple exchanged hundreds of pages of love letters. On August 7, 1954, one month after his discharge, they were married at St. Ann's Roman Catholic Church in San Antonio. The ceremony was performed by her uncle, Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy, and Tara. In 1961, Johnny moved his family to a hilltop home overlooking Casitas Springs, California, a small town south of Ojai on Highway 33. He had previously moved his parents to the area to run a small trailer park called The Johnny Cash Trailer Park. Johnny's drinking led to several run-ins with local law enforcement. Liberto later said that she had filed for divorce in 1966 because of Cash's severe drug and alcohol abuse, as well as constant touring, affairs with other women, and his close relationship with June Carter. Their four daughters were then raised by their mother. Cash met singer June Carter, of the famed Carter Family while on tour, and the two became infatuated with each other. In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June, during a live performance in London, Ontario. The couple married on March 1, 1968, in Franklin, Kentucky. They had one child together, John Carter Cash, born March 3, 1970. Cash and Carter continued to work, raising their child, create music, and tour together for 35 years until June's death in May 2003. Throughout their marriage, June attempted to keep Cash off of amphetamines, often taking his drugs and flushing them down the toilet. June remained with him even throughout his multiple admissions for rehab treatment and years of drug abuse. After June's death, Cash believed that his only reason for living was his music. He died four months after her. Cash began performing concerts at prisons starting in the late 1950s. He played his first famous prison concert on January 1, 1958, at San Quentin State Prison. These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969). Both live albums reached number 1 on Billboard country album music and the latter crossed over to reach the top of the Billboard pop album chart. In 1969 Cash became an international hit when he eclipsed even the Beatles by selling 6.5 million albums. In comparison, the prison concerts were much more successful than his later live albums such as Strawberry Cake recorded in London and Live at Madison Square Garden, which peaked at #33 and #39 on the album charts respectively. The Folsom Prison record was introduced by a rendition of his "Folsom Prison Blues," while the San Quentin record included the crossover hit single "A Boy Named Sue," a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained profanities which were edited out of the aired version. The modern CD versions are unedited thus making them longer than the original vinyl albums, though they retain the audience reaction overdubs of the originals. Cash performed at the Osteraker Prison in Sweden in 1972. The live album Pa Osteraker ("At Osteraker") was released in 1973. "San Quentin" was recorded with Cash replacing "San Quentin" with "Osteraker". In 1976, a further prison concert, this time at Tennessee Prison, was videotaped for TV broadcast and received a belated CD release after Cash's death as A Concert Behind Prison Walls. From 1969 to 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network. The show was performed at the Ryman Auditorium in Nashville. The Statler Brothers opened up for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. Cash also enjoyed booking mainstream performers as guests; including Neil Young, Louis Armstrong, Neil Diamond, Kenny Rogers and The First Edition (who appeared four times), James Taylor, Ray Charles, Roger Miller, Roy Orbison, Derek and the Dominos, and Bob Dylan. During the same period, he contributed the title song and other songs to the film Little Fauss and Big Halsey, which starred Robert Redford, Michael J. Pollard, and Lauren Hutton. The title song, "The Ballad of Little Fauss and Big Halsey," written by Carl Perkins, was nominated for a Golden Globe award. Cash had met with Dylan in the mid-1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album Nashville Skyline and also wrote the album's Grammy-winning liner notes. Another artist who received a major career boost from The Johnny Cash Show was Kris Kristofferson, who was beginning to make a name for himself as a singer-songwriter. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down," Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: The closing program of the Johnny Cash show was a gospel music special. Guests included the Blackwood Brothers, Mahalia Jackson, Stuart Hamblen and Billy Graham. 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Billy Wayne "Crash" Craddock (born June 16, 1939) is an American country and rockabilly singer. He first gained popularity in Australia in the 1950s with a string of rockabilly hits, including the Australian number one hit "Boom Boom Baby". Switching to country music, he gained popularity in United States in the 1970s with a string of top ten country hits, several of which were number one hits, including "Rub It In", "Broken Down in Tiny Pieces", and "Ruby Baby". Craddock is known to fans as "The King Of Country Rock Music " and "Mr. Country Rock" for his uptempo rock-influenced style of country music.

Craddock spent several years out of the music business while working in a cigarette factory and hanging drywall. He soon returned to recording, now as a country singer. He signed with Cartwheel Records in 1969. He soon had his first number one hit with a cover of the Tony Orlando and Dawn pop hit "Knock Three Times" in 1971. His version was faster and included Cajun fiddles. The song also reached the top five of the Billboard magazine Hot Country Singles chart that spring, beginning a streak of hits that continued throughout the 1970s. Other hits he had for Cartwheel, all during 1971-1972, included "Dream Lover", "You Better Move On", "Ain't Nothin' Shakin' (But the Leaves on The Trees)", and "I'm Gonna Knock on Your Door", were all top 10 hits in 1971 and 1972. In 1973, Craddock signed with ABC Records (later ABC/Dot Records), where he enjoyed his biggest hits. One was "Sweet Magnolia Blossom" but his biggest hit, 1974's "Rub It In", was also a modest pop hit. Today, several bars from the song are featured in commercials for Glade Plug-In products. Craddock was also credited with doing one of the better covers of Roy Head and the Traits "Treat Her Right". In 1975 he released Still Thinkin' 'Bout You. Craddock consistently hit the country top ten in the 1970s and he became one of country music's first male sex symbols, unusually handsome for a male country star of the era and dressed in stage clothes exposing his hairy, muscular chest as he growled his way through rocking numbers and love songs with a stage persona strongly influenced by Elvis Presley. In 1977, he moved to Capitol Records, where he had his last two top 10 hits: "I Cheated on a Good Woman's Love" (1978) and "If I Could Write a Song as Beautiful as You" (1979). He recorded several more albums for Capitol before leaving the label in 1983. CANNOTANSWER

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Charles Edward Greene (born September 24, 1946), better known as "Mean" Joe Greene, is a former American football defensive tackle who played for the Pittsburgh Steelers of the National Football League (NFL) from 1969 to 1981. A recipient of two NFL Defensive Player of the Year awards, six first-team All-Pro selections, and ten Pro Bowl appearances, Greene is widely considered one of the greatest defensive linemen to play in the NFL. He was noted for his leadership, fierce competitiveness, and intimidating style of play for which he earned his nickname. Born and raised in Temple, Texas, Greene attended North Texas State University (now University of North Texas), where he earned consensus All-America honors as a senior playing for the North Texas State Mean Green football team.

Charles Edward Greene was born September 24, 1946, in Temple, Texas. He played high school football at Dunbar High School in Temple. Despite Greene's talents, the Dunbar Panthers had a mediocre record, and he was not heavily recruited by colleges. His options were limited further due to segregation of the Southwest Conference. He was eventually offered a scholarship to play college football at North Texas State University (now University of North Texas), where he played on the varsity team from 1966 to 1968. He led the team to a 23-5-1 record during his three seasons. In his 29 games at defensive tackle, North Texas State held the opposition to 2,507 yards gained on 1,276 rushes, a per-carry average of less than two yards. Greene was a three-time All-Missouri Valley Conference selection. In his junior season Greene married Agnes Craft, also a student at North Texas State and the daughter of a Dallas businessman. Tight on money, they were wed at Craft's sister's house in Dallas. Chuck Beatty, Greene's teammate at North Texas and later again in the NFL with the Steelers, served as best man. As a senior, Greene was a consensus pick as a defensive tackle for the 1968 All-America team, earning first-team honors from United Press International (UPI), the Newspaper Enterprise Association, and The Sporting News, among others. His college coach, Rod Rust, said of Greene: "There are two factors behind Joe's success. First, he has the ability to make the big defensive play and turn the tempo of a game around. Second, he has the speed to be an excellent pursuit player." A pro scout said, "He's tough and mean and comes to hit people. He has good killer instincts. He's mobile and hostile." CANNOTANSWERAnswer this question using a quote from the following article:

How did he do at NTSU?


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A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

In what would turn out to become her last year as an amateur player, Lenglen played what many consider to be her most memorable match. In a February 1926 tournament at the Carlton Club in Cannes, she played her only match against Helen Wills. The 20-year-old American was already a two-time winner of the U.S. Championships and would dominate the women's game in the late 1920s and early 1930s in the same way that Lenglen had dominated it since 1919. Public attention for their meeting in the tournament final was immense, and scalper ticket prices went through the roof. Roofs and windows of nearby buildings were also crowded with spectators. The match itself saw Lenglen clinging on to a 6-3, 8-6 victory after being close to a collapse on several occasions. According to many authorities, including Larry Englemann in his book, The Goddess and the American Girl: The Story of Suzanne Lenglen and Helen Wills, Lenglen was forbidden to play Wills by her father, and, because almost for the first time she was defying her father, she was sleepless for the whole night before the match, and in a state of the highest nervous tension. Later in the year, Lenglen seemed to be on course for her seventh Wimbledon singles title. However, Lenglen unknowingly kept Queen Mary waiting in the Royal Box for her appearance in a preliminary match. Lenglen, who had been told that her match would not start until much later, fainted upon being informed of her error, which was seen by aristocratic English attendees as an insult to the monarchy. Lenglen withdrew from the tournament, which would be her last appearance at the courts of Wimbledon. CANNOTANSWER

What did she do during her final amateur year


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Adrian Frederick "H" Smith (born 27 February 1957) is an English guitarist, best known as a member of Iron Maiden, for whom he writes songs and performs live backing vocals on some tracks. Smith grew up in Camden, London and became interested in rock music at 15. He soon formed a friendship with future Iron Maiden guitarist Dave Murray, who inspired him to take up the guitar. After leaving school at 16, he formed a band called Urchin, which he led until their demise in 1980.

Born in Hackney, Smith grew up in Clapton. He purchased his first record, Deep Purple's Machine Head, at the age of 15. This led him to befriend Dave Murray, with whom he formed a band called Stone Free, which comprised Murray on guitar, Smith on vocals and their friend, Dave McCloughlin, playing the bongos. After seeing the attention Murray received from girls, Smith took up the guitar, starting with an old Spanish guitar once owned by his brother, before purchasing an old one of Murray's for PS5. His early influences included Johnny Winter and Pat Travers, which he claims made him a "melodic player" rather than a "speed merchant or a shredder" as he "was inspired by blues rock rather than metal." Leaving school after completing his O-levels, Smith formed a band called Evil Ways, including Dave Murray on guitar, which was later renamed Urchin. Smith began writing his own material, including "22 Acacia Avenue", which was later included on Iron Maiden's The Number of the Beast (1982). At this point, Murray left the band to join Iron Maiden and Urchin signed with DJM Records and released a single, "Black Leather Fantasy", in 1977. Shortly afterwards, Murray joined Urchin on their next single, "She's a Roller", as he had been sacked from Iron Maiden after a row with then vocalist Dennis Wilcock, although he was reinstated six months later. Smith was also offered a place in Iron Maiden while they were in the process of signing with EMI in 1979, but turned them down to continue with his own band, a decision he later regretted as Urchin split up in 1980. CANNOTANSWER