Masoumeh Ebtekar (Persian: m`Swmh btkhr; born Niloufar Ebtekar; 21 September 1960) is current Vice President of Iran for Women and Family Affairs, being appointed on 9 August 2017. She previously headed Department of Environment from 1997 to 2005, making her the first female member in the cabinet of Iran since 1979 and the third in history. She held the same level of office from 2013 to 2017. Ebtekar first achieved fame as "Mary", the spokesperson of the students who took hostages and occupied the US Embassy in 1979.

Ebtekar was the first woman to serve as Vice-President of Iran when the reformists came to power. Along with Zahra Shojaei, she participated in the first cabinet since the Islamic Revolution to include women. She has been described as a leftist in Mohammad Khatami's alliance. Ebtekar headed the Department of Environment for eight years, introducing major structural, organizational and directional changes enabling a re-engineering of the government body. During her tenure environmental awareness and support for civil society activism in this area was enhanced. Ebtekar's appointment led to the revelation of her past, and in the US questions were raised about whether President Khatami was aware of "how deeply" the hostage-taking and holding, and anger towards its foremost public defender, "affected both the American government and the American people." Many academics and literary critiques have written and expressed their views on her published memoirs. Following this, "some ambassadors" in Tehran reportedly stated they would no "longer meet with her" and would "discourage official contract with her office." In her memoirs published as the "Grapes of Shahrivar", Ebtekar repeatedly refers to her cordial and official contacts with not only Western Ambassadors, but also many European Ministers and Presidents as well.( chapters 8-16-23-26-30-32-33) On International Women's Day in 1998, as vice-president of environmental affairs, she made a speech condemning the oppression of women by the Taliban Movement in Afghanistan. Her performance caused comment by members of the Western news media in attendance as she herself was wearing a chador, a reminder of compulsory hijab in Iran which many in the West view as a violation of women's rights. In May 1999, the WorldNetDaily claimed that she and President Mohammad Khatami had been in the guest list of the 1999 Bilderberg conference held in Sintra, Portugal on June 3-6. This allegation was repeatedly denied by Ebtekar citing the fact that President Khatami had taken part in memorial ceremonies for Imam Khomeini on those days(3-6 of June) and on World Environment Day June 6 he had inaugurated the Provincial Center for Environment Research in Tehran. In March 2002, Ebtekar was a keynote speaker at the Meeting of Women Leaders on the Environment in Helsinki, sponsored by the Finnish Ministry of the Environment. In September 2002, Ebtekar participated in the World Summit on Sustainable Development, held in Johannesburg, South Africa. In May 2005, she chaired the International Conference on Environment, Peace, and the Dialogue Among Civilizations and Cultures, held in Tehran. This event was organized by Ebtekar's Department of the Environment and also by the United Nations Environment Programme. CANNOTANSWER

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The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

Ride was one of 8,000 people who answered an advertisement in the Stanford student newspaper seeking applicants for the space program. She was chosen to join NASA in 1978. During her career, Ride served as the ground-based capsule communicator (CapCom) for the second and third space shuttle flights (STS-2 and STS-3) and helped develop the space shuttle's "Canadarm" robot arm. Prior to her first space flight, she was subject to media attention due to her gender. During a press conference, she was asked questions such as, "Will the flight affect your reproductive organs?" and "Do you weep when things go wrong on the job?" Despite this and the historical significance of the mission, Ride insisted that she saw herself in only one way--as an astronaut. On June 18, 1983, she became the first American woman in space as a crew member on space shuttle Challenger for STS-7. She was preceded by two Soviet women, Valentina Tereshkova in 1963 and Svetlana Savitskaya in 1982. The five-person crew of the STS-7 mission deployed two communications satellites and conducted pharmaceutical experiments. Ride was the first woman to use the robot arm in space and the first to use the arm to retrieve a satellite. Her second space flight was in 1984, also on board the Challenger. She spent a total of more than 343 hours in space. Ride had completed eight months of training for her third flight (STS-61-M, a TDRS deployment mission) when the space shuttle Challenger disaster occurred. She was named to the Rogers Commission (the presidential commission investigating the accident) and headed its subcommittee on operations. Following the investigation, Ride was assigned to NASA headquarters in Washington, D.C., where she led NASA's first strategic planning effort, authored a report titled "NASA Leadership and America's Future in Space" and founded NASA's Office of Exploration. After Sally Ride's death in 2012, General Donald Kutyna revealed that she had discreetly provided him with key information about O-rings (namely, that they become stiff at low temperatures) that eventually led to identification of the cause of the explosion. CANNOTANSWER

How Did her NASA career start?


Gentle Giant were an English progressive rock band active between 1970 and 1980. The band were known for the complexity and sophistication of its music and for the varied musical skills of its members. All of the band members, except Malcolm Mortimore, were multi-instrumentalists. Although not commercially successful, they did achieve a cult following.

Gentle Giant was formed in 1970 when the Shulman brothers teamed up with two other multi-instrumentalists, Gary Green (guitar, mandolin, recorder etc.) and Kerry Minnear (keyboards, vibraphone, cello etc.), plus drummer Martin Smith, who had previously drummed for Simon Dupree and the Big Sound. The classically trained Minnear had recently graduated from the Royal College of Music with a degree in composition, and had played with the band Rust. Green was essentially a blues player and had never worked with a band above the semi-professional level, but adapted readily to the demanding music of the new band. The Shulman brothers, meanwhile, settled into typically multi-instrumental roles of their own: Derek on saxophone and recorder; Ray on bass and violin; Phil on saxophone, trumpet, and clarinet. The new band also featured three lead vocalists. Derek Shulman sang in a tough rhythm-and-blues style and generally handled the more rock-oriented vocals; Phil Shulman handled the more folk-or-jazz-influenced songs; and Kerry Minnear (who had a particularly delicate voice) sang the lighter folk and chamber-classical lead vocals. Minnear did not sing lead vocals at live concerts, because of his inability to support and project his voice at a level suitable for live amplification (Derek and Phil Shulman handled Minnear's lead vocal parts when the band played live). It has been reported that Elton John unsuccessfully auditioned for lead vocalist with the newly formed group. According to a booklet that was included in their first album, the band's name was a reference to a fictional character, a "gentle giant" that happens upon a band of musicians and is enthralled with their music. The character is reminiscent of those from the Renaissance tales of Francois Rabelais. From the start, Gentle Giant was a particularly flexible band because of the exceptionally broad musical skills of its members. One Gentle Giant album would list a total of forty-six instruments in the musician credits -- all of which had been played by group members -- and five of the six members sang, enabling the band to write and perform detailed vocal harmony and counterpoint. The band's approach to songwriting was equally diverse, blending a wide variety of ideas and influences whether they were considered commercial or otherwise. CANNOTANSWER

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Azaria was born in Queens, New York City, the son of Eastern Sephardic Jewish parents, Ruth (Altcheck) and Albert Azaria. His grandparents on both sides hailed from Thessaloniki, from Greece's Spanish Jewish community established there after the 1492 exile from Spain. His family's spoken language at home was the Ladino language, which Azaria has described as "a strange, antiquated Spanish dialect written in Hebrew characters." Azaria's father ran several dress-manufacturing businesses, while his mother raised him and his two older sisters, Stephanie and Elise.

Azaria's friends refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. As a child he believed that everyone could do this, but later realized that it was not a common talent. Azaria can "remember every voice I hear, famous or otherwise ... they kind of remain in the memory banks, so I'm ready to trot them out." Azaria was glad to have found the "ultimate outlet" for this skill, in The Simpsons. He "didn't realize it [when he joined the show], but it became like a lab for a character actor. I had to do so many voices." In the early 2000s, Azaria felt he had reached the maximum number of voices he was capable of: "For the first 10 years of The Simpsons, I would develop a bunch of voices. And then ... I hit a point when I was tapped out. Every noise I can make, I have made. Even characters like Gargamel, I've done. Even if it was only two or three lines, at some point I've done something similar on The Simpsons, at least somewhere along the line." For many of Azaria's characters, much of their humor is derived from a "funny voice", such as The Birdcage and Night at the Museum: Battle of the Smithsonian. He stated that "being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in," although he finds it "much easier to be someone much closer to myself", as it requires "less energy ... than playing characters that are so out there and high strung". The Simpsons creator Matt Groening has stated that Azaria possesses the ability to turn unfunny lines into some of the best in an episode, while former writer Jay Kogen stated: "Just when I think I know [Azaria's] bag of tricks, he's always got a new thing he does to surprise me." Throughout the run of The Simpsons, Azaria has had to sing in character several times, a task which he describes as easier than singing normally. The Smurfs writer David N. Weiss says Azaria "has a beautiful treasure trove of talent", and "became what you wished you were writing". Playwright Jenelle Riley wrote in 2005 that Azaria was "by far" her favorite actor, praising his "versatility" and "tendency to take small roles that would normally fade into the background and to consistently create characters people care about", noting his roles in Shattered Glass, Mystery, Alaska and especially DodgeBall: A True Underdog Story. CANNOTANSWER

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Background: Shahid Kapoor was born in New Delhi on 25 February 1981 to actor Pankaj Kapur and actor-dancer Neelima Azeem. His parents divorced when he was three years old; his father shifted to Mumbai (and married the actress Supriya Pathak) and Kapoor continued living in Delhi with his mother and maternal grandparents. His grandparents were journalists for the Russian magazine Sputnik, and Kapoor was particularly fond of his grandfather: "He would walk me to school every single day. He would talk to me about dad, with whom he shared a great relationship, and read out his letters to me."
Context: Kapoor's personal life is the subject of fervent tabloid reporting in India. During the filming of Fida in 2004, he began dating Kareena Kapoor and they both publicly spoke of the relationship. They were involved in a well-publicised scandal when Mid Day published a set of pictures of them kissing in public. Despite claims by the couple that the pictures were fabricated, the newspaper denied any wrongdoing. The couple separated in 2007 during the filming of Jab We Met. Since their split, Kapoor decided to keep his personal life away from media attention. However, tabloids speculated on his relationship with several other actresses, including Vidya Balan and Priyanka Chopra. In March 2015, Kapoor spoke of his impending marriage to Mira Rajput, a student from New Delhi, who is 13 years his junior. The Times of India reported that Kapoor met Rajput through the religious group Radha Soami Satsang Beas. The couple married at a private ceremony in Gurgaon on 7 July 2015, and Rajput gave birth to their daughter, Misha, on 26 August 2016. In addition to acting in films, Kapoor performs on stage and hosts award ceremonies. In 2006, he participated in a world tour, entitled RockStars, in which he performed alongside Kareena Kapoor, John Abraham, Salman Khan and three other celebrities. From 2010-12, Kapoor has co-hosted three Screen Awards ceremonies with Shah Rukh Khan, and from 2012-14 he co-hosted three International Indian Film Academy Awards with either Khan or Farhan Akhtar. Kapoor practices vegetarianism, and credits the author Brian Hines' book Life is Fair for influencing this lifestyle choice. He also supports charitable organisations for various causes. In 2010, he took part in a charity event named Superstars Ka Jalwa, which helped generate money for the employees of the Cine and Television Artists Association (CINTAA). Also that year, he lent his support to the NGO Swayamsiddh, which helps children with special needs. The following year, he adopted three villages in support of NDTV's Greenathon, an initiative to support environmental consciousness and improve electricity supplies to rural areas. In 2012, Kapoor helped revive the Victory Arts Foundation NGO, founded by Shiamak Davar, which helps underprivileged children through dance therapy programs. Also that year, he appeared alongside other Bollywood celebrities in Because My World Is Not The Same, a short film by Zoya Akhtar, to generate awareness on breast cancer. He supports the People for the Ethical Treatment of Animals organisation through advertisement campaigns. CANNOTANSWER
Question: what was special about his personal life?

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Victor Davis Hanson (born September 5, 1953) is an American classicist, military historian, columnist, and farmer. He has been a commentator on modern and ancient warfare and contemporary politics for National Review, The Washington Times and other media outlets. He is a professor emeritus of classics at California State University, Fresno, and is currently the Martin and Illie Anderson Senior Fellow in classics and military history at Stanford University's Hoover Institution. He chairs the Hoover working group on Military History and Contemporary Conflict as well as being the general editor of the Hoover online journal, Strategika.

Hanson, who is of Swedish and Welsh descent, grew up on a family farm outside of Selma, California in the San Joaquin Valley and has worked there most of his life. His mother, Pauline Davis Hanson, was a lawyer and a California superior court and state appeals court justice, his father was a farmer, educator and junior college administrator. Along with his older brother Nels, a writer, and fraternal twin Alfred, a farmer and biologist, Hanson attended public schools and graduated from Selma High School. Hanson received his BA with highest honors in classics and general college honors, Cowell College, from the University of California, Santa Cruz, in 1975 and his PhD in classics from Stanford University in 1980. He is a Protestant Christian. He also won the Raphael Demos scholarship at the College Year in Athens (1973-74) and was a regular member of the American School of Classical Studies, Athens, 1978-79. Hanson is currently a Senior Fellow at the Hoover Institution and professor emeritus at California State University, Fresno, where he began teaching in 1984, having created the classical studies program at that institution. In 1991, Hanson was awarded an American Philological Association's Excellence in Teaching Award, which is given annually to the nation's top undergraduate teachers of Greek and Latin, and he was named distinguished alumnus of the year (2006) at University of California, Santa Cruz. He has been a visiting professor of classics at Stanford University (1991-92), a National Endowment for the Humanities fellow at the Center for Advanced Studies in the Behavioral Sciences, Stanford, California (1992-93), an Alexander Onassis traveling fellowship to Greece (1999), as well as Nimitz Fellow at UC Berkeley (2006) and held the visiting Shifrin Chair of Military History at the U.S. Naval Academy, Annapolis, Maryland (2002-03), and often the William Simon visiting professorship at the School of Public Policy at Pepperdine University (2009-15), and was awarded in 2015 an Honorary Doctorate of Laws from the graduate school at Pepperdine. He gave the Wriston Lecture in 2004 for the Manhattan Institute. He has been a board member of the Bradley Foundation since 2015, and served on the HF Guggenheim Foundation board for over a decade. Since 2004, Hanson has written a weekly column syndicated by Tribune Media Services, as well as a weekly column for National Review Online since 2001, and has not missed a weekly column for either venue since he began. He has been published in The New York Times, Wall Street Journal, The Times Literary Supplement, The Daily Telegraph, American Heritage, and The New Criterion, among other publications. He was awarded the National Humanities Medal (2007) by President George W. Bush, as well as the Eric Breindel Prize for opinion journalism (2002), and the William F. Buckley Prize (2015). Hanson was also awarded the Claremont Institute's Statesmanship Award at its annual Churchill Dinner, and the Bradley Prize from the Lynde and Harry Bradley Foundation in 2008. CANNOTANSWER

Did he have any problems in college?


Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. Since its inception, Testament has had numerous lineup changes, leaving Peterson as the only constant member. Billy replaced original singer Steve "Zetro" Souza (who left the band to join Exodus as the replacement of Paul Baloff) in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

In a March 2017 interview with Japan's Roppongi Rocks, frontman Chuck Billy revealed that Testament had begun working on new material for their twelfth studio album, and planned to continue writing in the summer after their U.S. and European tours. Billy also expressed hope that the album would be released in 2018, stating, "We thought we'd have a record out after two years; it just ended up being four, because the process just... I don't know what happened, but it took forever. So this time, like, you know what? I don't wanna do that again. I told Eric exactly when we were done recording. I said, 'You know what? It's a great record now, but I don't wanna go through what I had to go through to do this again. So why don't we start writing now?' So we decided that when we're not on the road, let's get together and just jam and maybe come up and at least get to that point where we were with this record -- a bunch of ideas and riffs and lyrics." In a December 2017 interview with Metal Messiah Radio, Billy stated that Testament will start working on their new album after they finish touring in support of Brotherhood of the Snake in August 2018, hoping not to repeat the four year gaps between their last three albums. He explained, "If we can get a head start on riffs and ideas, and then hopefully after that, you know, really dig in to put out a record in 2019, sometime." Peterson confirmed in a February 2018 interview with RockSverige that he has begun the songwriting process of the album, and added, "Our plan was to end in August 2018 and maybe get into the studio by the end of 2018 and put the record out in 2019. But, you know, Slayer's announced [their farewell tour] and they want us to be a part of it. I would imagine, if that stuff happens, then things will get pushed back a little bit, but the initial plan is to have it out in 2019. [We're] ready for summer to do all the A markets for festivals and stuff. This summer we're not doing a lot of festivals; we're actually talking about bowing out of a couple to make other things happen with the Slayer farewell thing." In support of their twelfth studio album, Testament will reportedly embark on a revamped version of the Clash of the Titans tour with Megadeth, Slayer and Sepultura. CANNOTANSWER

Answer the following question by taking a quote from the article: What can you tell me about their next album?


The Backstreet Boys (often abbreviated as BSB) are an American vocal group, formed in Orlando, Florida in 1993. The group consists of AJ McLean, Howie D., Nick Carter, Kevin Richardson and Brian Littrell. The group rose to fame with their debut international album, Backstreet Boys (1996). In the following year they released their second international album Backstreet's Back (1997), and their U.S. debut album which continued the group's success worldwide.

In June 1995, the group flew to Sweden to record some songs with Max Martin and Denniz PoP, including "We've Got It Goin' On", which ended up being their very first single. "We've Got It Goin' On" was sent to radio in August 1995 and released as a physical single on September 5, 1995. In North America, Mix 96 in Montreal broke the group after the programmers heard it on the radio in Europe. The song was a minor success in the U.S., peaking at only No. 69 by December 1995, but it entered the top 5 in Germany, Switzerland, Austria, France, and the Netherlands. European success sent them there on a summer tour and shifted their promotion being mostly done in Europe. They finished recording their first album Backstreet Boys in April 1996 and it was released internationally on May 6, 1996, excluding U.S. and Canada; however, it was later released in Canada in October 1996. Their popularity grew in Europe. "I'll Never Break Your Heart" reached a Gold status in Germany for selling 250,000 copies and they were voted the No. 1 international group there in 1996. They also earned their first platinum record in Germany in 1996 for selling 500,000 copies of their debut album and shortly thereafter they began touring Asia and Canada. They also became one of the most successful debut artists in the world, collecting awards such as Durchstarter (Best Newcomers) in Germany's Viva Comet Awards in 1996. "Anywhere for You" was released as the last single from their international debut album on February 17, 1997. "Quit Playing Games (with My Heart)", which was originally released in Europe as their fourth single in October 1996, was released in the U.S. in May 1997 for their upcoming U.S. debut album. It managed to climb as high as No. 2 on Billboard Hot 100, eventually earning them a platinum-award for selling over one million copies. The group began working on their second album, Backstreet's Back, in 1996. They also recorded the song "If You Stay" for the Booty Call soundtrack in the same year, which was released in February 1997. Backstreet's Back was released internationally (except in the U.S.) on August 11, 1997. Their self-titled U.S. debut album, which consisted of songs from their 1996 international debut album and Backstreet's Back, was released in the U.S. a day later, August 12, 1997. The U.S. self-titled debut peaked at No. 4 on the U.S. album chart and eventually sold 14 million copies. Meanwhile, the second international release, Backstreet's Back, peaked at No. 1 in Germany, Norway, Switzerland, Finland, the Netherlands, Belgium, and Austria, selling well over five million copies in Europe alone. The two self-titled albums, the international debut and the U.S. debut, sold more than 28 million copies worldwide. In 1998, Littrell brought a lawsuit against Lou Pearlman and Trans Continental claiming that Pearlman had not been truthful about the earnings made by the group. From 1993 to 1997, Pearlman and his company took about $10 million in revenue while the band only got $300,000. In the following year, McLean, Richardson, and Dorough joined the lawsuit which eventually resulted in a number of settlements. CANNOTANSWER

Using a quote from the above article, answer the following question: What year did the group play at SeaWorld Orlando?


Seinfeld is an American television sitcom that ran for nine seasons on NBC, from 1989 to 1998. It was created by Larry David and Jerry Seinfeld, with the latter starring as a fictionalized version of himself. Set predominantly in an apartment building in Manhattan's Upper West Side in New York City, the show features a handful of Jerry's friends and acquaintances, particularly best friend George Costanza (Jason Alexander), former girlfriend Elaine Benes (Julia Louis-Dreyfus), and neighbor across the hall Cosmo Kramer (Michael Richards). It is often described as being "a show about nothing", as many of its episodes are about the minutiae of daily life.

The series was often described as "a show about nothing". However, Seinfeld in 2014 stated "the pitch for the show, the real pitch, when Larry and I went to NBC in 1988, was we want to show how a comedian gets his material. The show about nothing was just a joke in an episode many years later, and Larry and I to this day are surprised that it caught on as a way that people describe the show, because to us it's the opposite of that." Seinfeld broke several conventions of mainstream television. The show offers no growth or reconciliation to its characters. It eschews sentimentality. An episode is typically driven by humor interspersed with the superficial conflicts of characters with peculiar dispositions. Many episodes revolve around the characters' involvement in the lives of others with typically disastrous results. On the set, the notion that the characters should not develop or improve throughout the series was expressed as the "no hugging, no learning" rule. Also unlike most sitcoms, there are no moments of pathos; the audience is never made to feel sorry for any of the characters. Even Susan's death elicits no genuine emotions from anybody in the show. The characters are "thirty-something singles with vague identities, no roots, and conscious indifference to morals". Usual conventions, like isolating the characters from the actors playing them and separating the characters' world from that of the actors and audience, were broken. One such example is the story arc where the characters promote a TV sitcom series named Jerry. The show within a show, Jerry, was much like Seinfeld in that it was "about nothing" and Seinfeld played himself. The fictional Jerry was launched in the season four finale, but unlike Seinfeld, it wasn't picked up as a series. Jerry is one of many examples of metafiction in the show. There are no fewer than twenty-two fictional movies featured, like Rochelle, Rochelle. Because of these several elements, Seinfeld became the first TV series since Monty Python's Flying Circus to be widely described as postmodern. Jerry Seinfeld is an avid Abbott and Costello fan, and has cited the Abbott and Costello Show as an influence on Seinfeld. "Everybody on the show knows I'm a fan. We're always joking about how we do stuff from their show. George and I will often get into a riff that has the rhythm from the old Abbott and Costello shows. And sometimes I'll hit George in the chest the way Abbott would hit Costello." The series includes numerous references to the team. George Costanza's middle name is "Louis," after Costello. "The Old Man" episode featured a cantankerous character named "Sid Fields" as a tribute to the landlord on the team's TV show. Kramer's friend is named Mickey Abbott. A copywriter for the J. Peterman catalog is named Eddie Sherman, after the team's longtime agent. In Episode 30, Kramer hears the famous Abbott and Costello line, "His father was a mudder. His mother was a mudder." CANNOTANSWER

Using a quote from the above article, answer the following question: What conventions did they break?


Background: Mystique (Raven Darkholme) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by artist David Cockrum and writer Chris Claremont, she first appeared in the comic book Ms. Marvel #16, published in 1978. Mystique is a member of a subspecies of humanity known as mutants, who are born with superhuman abilities. Mystique is a shapeshifter who can mimic the appearance and voice of any person with exquisite precision, and her natural appearance includes blue skin and yellow eyes.
Context: Mystique becomes the adoptive mother of the four-year-old girl Rogue. Rogue had run away from her home in rural Caldecott County, Mississippi. The girl was living alone in a wooded area, brandishing a shotgun and trusting no one, when Mystique found her. Destiny foresees that Rogue will be important to them and Mystique seeks her out, gains her trust, and takes her in. She and Destiny raise the girl, and Mystique grows to be very protective of her. Mystique, as Raven Darkholme, rises rapidly through the United States Civil Service to the trusted position of Deputy Director of the Defense Advanced Research Projects Agency (DARPA) in the United States Department of Defense. This position gives her access to military secrets and advanced weaponry, both of which she uses for her own criminal and subversive purposes. In this position, she attempts the theft of the Centurion weaponry from S.H.I.E.L.D. She also beat Ms. Marvel's lover Michael Barnett to death, and sought to kill Ms. Marvel. To help her in her criminal activities, Mystique organizes her own incarnation of the Brotherhood of Evil Mutants, consisting of herself, Avalanche, the Blob, Destiny, and Pyro. The Brotherhood attempts to assassinate Senator Robert Kelly, a notoriously anti-mutant politician. The X-Men thwart the assassination attempt, and all of the Brotherhood save Mystique herself are incarcerated. Rogue is trained by Mystique and eventually joins the Brotherhood of Evil Mutants. Her mutant power is the ability to absorb the memories, personality, and skills or powers of whomever she touches. To free the other members of the Brotherhood, Mystique concocts a plan involving Rogue absorbing the powers of Ms. Marvel and the Avengers. Though the plan is successful, the Avengers ultimately defeat the Brotherhood of Evil Mutants, capturing all of them except Rogue and Mystique. Moreover, Rogue finds that she has absorbed Ms. Marvel's memories, personality, and powers permanently. In a further humiliation, a confrontation at the Pentagon ends with Mystique being defeated and turned over to the authorities by a powerless Ms. Marvel. The Brotherhood of Evil Mutants eventually escape, and battle against Dazzler. In an act of revenge against Mystique, Mastermind unbalances Rogue's psyche with the one she absorbed from Ms. Marvel, which prompts her to defect to the X-Men. Because Rogue left without a word, Mystique assumes that Professor X, the X-Men's mentor, brainwashed her. The Brotherhood of Evil Mutants accordingly launches an attempt to kill Professor X. Rogue stops Mystique, and explains that she joined the X-Men because Professor X, as the world's most powerful telepath, is her best hope of healing for her fragmented psyche. Mystique reluctantly relinquishes her guardianship of Rogue. Anti-mutant sentiment rises and the federal government launches its own covert anti-mutant program, Project Wideawake. Believing that the times have become too dangerous for the Brotherhood of Evil Mutants to continue, Mystique goes to Doctor Valerie Cooper, special assistant to the head of the National Security Council, and offers the Brotherhood's services to the government. In return for entering government service, Mystique and her team receive a presidential pardon for all criminal charges, to be revoked if any member of Freedom Force is found committing a crime. Cooper agrees to convey the offer to the President on the condition that the Brotherhood arrests their founder, Magneto. The Brotherhood, now reincarnated as Freedom Force, are defeated by Magneto and the X-Men. When Magneto learns that Freedom Force are official federal agents, he voluntarily surrenders to them. Mystique leads Freedom Force in capturing the Avengers on behalf of the federal government. She clashes with X-Factor in seeking to arrest Rusty Collins. With Freedom Force, she fights the X-Men in Dallas, and witnesses her foster daughter's apparent demise. With Freedom Force, she battles Cyclops and Marvel Girl. With Freedom Force she seeks to arrest Rusty Collins again, and battles the New Mutants. She finally succeeds in capturing Collins as well as Skids. She leads Freedom Force against the Reavers on Muir Island. On this particularly disastrous mission, Freedom Force loses two of its members, Stonewall and Mystique's lover Destiny. The death of her lover leaves Mystique psychologically scarred. Mystique is later nearly killed by Dr. Valerie Cooper, who is under the Shadow King's mental control. She then impersonates Dr. Valerie Cooper. Mystique is eventually discovered impersonating Dr. Cooper, and saves Xavier's life by killing the Shadow King's human host, Jacob Reisz. She finally reconciles with Rogue. In time, she comes to terms with Destiny's death. She teams with Spiral and Wolverine in thwarting Mojo's near-destruction of the universe. Mystique later briefly stays as a guest at Xavier's mansion. She begins going insane, and leaves the mansion under the care of Forge. Professor X is forced to make Mystique his secret agent, as his previous one, Prudence Leighton, has died and Mystique is the only one suitable to complete the missions. Xavier poses as Magneto to rescue Mystique from the Department of Homeland Security and from execution at the hands of Johny Kitano, Special Magistrate for Homo Superior crimes against humanity, and a mutant himself. At this time, Mystique claims that there is an imposter out to frame her, taking control over the Brotherhood and sending them on their recent missions (the assassination of Moira and the infiltration of X-Corps). As long as Mystique completes the missions without killing anybody, Xavier keeps her safe from the authorities, who are out to execute her. Working with Xavier is Forge. One of Xavier's enemies, the Quiet Man, who is actually Prudence Leighton inhabiting the body of her assassin, contacts Mystique and offers to give her an interference transmitter which would keep her safe from the authorities if she kills Xavier. Creating a plan that would free her from both men, Mystique pretends to try killing Xavier while secretly working with the mutant thief Fantomex, after alerting Forge to stop her at the last moment. Her plan is to have the Quiet Man see this and believe that she really has attempted to kill Xavier and is still working for him. The other X-Men believe that Mystique has tried killing Xavier and seek her out. Rogue tracks her down. Distraught with rage, she attacks her foster mother. Mystique escapes by blowing up the house and going through the window, changing her form to shield her fall. Mystique goes to the Quiet Man, who is planning on having her killed. After a battle, Mystique kills the Quiet Man, saves her former field-handler Shortpack, and discovers the Quiet Man's interference transmitter was a fake. She tries to steal Forge's interference transmitter but is caught. After some angry words, he smashes it and tells her he never wants to see her again. The two share a sad goodbye kiss and Mystique leaves. After Mystique is gone, Forge realizes that she had already switched his transmitter for the fake one. CANNOTANSWER
Question: Who did she turn on to become a double agent?. Whats the answer?


A one-man band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical and/or electronic contraptions. One man bands also often sing while they perform. The simplest type of "one-man band" -- a singer accompanying him/herself on acoustic guitar and playing a harmonica mounted in a metal "harp rack" below the mouth -- is often used by buskers and folk music singer-guitarists. More complicated setups may include wind instruments strapped around the neck, a large bass drum mounted on the musician's back with a beater which is connected to a foot pedal, cymbals strapped between the knees or triggered by a pedal mechanism, tambourines and maracas tied to the limbs, and a stringed instrument strapped over the shoulders (e.g., a banjo, ukulele or guitar).

The term "one-man band" is also colloquially used to describe a performer who plays every instrument on a recorded song one at a time, and then mixes them together in a multitrack studio. While this approach to recording is more common in electronica genres such as techno and acid house than traditional rock music, some rock performers such as Joe Hill Louis, Stevie Wonder, Prince, Lenny Kravitz, Paul McCartney, Kabir Suman, Dave Edmunds, John Fogerty, Emitt Rhodes, Todd Rundgren, Steve Winwood, Roy Wood, Nik Kershaw, and Les Fradkin have made records in which they play every instrument (one after the other). Mike Oldfield was noted for using this recording technique during the recording of his 1973 album Tubular Bells. Other examples of a one-man band in the recording studio are Dave Grohl for the first studio album by the Foo Fighters, Trent Reznor for Nine Inch Nails, jazz piano player Keith Jarrett for his album No End, Peter Tagtgren for Pain (musical project), Chris Carrabba for the first two albums released by Dashboard Confessional, Varg Vikernes for Burzum and Billy Corgan for Smashing Pumpkins since 2009. Nash the Slash (1948-2014) played all instruments on his recordings. He also played solo concerts from 1975 to 2012, using synchronized drum machines and synthesizers as he plays either an electric violin or electric mandolin. Some artists record and mixed their music in a multitrack studio and synchronize it with video multitrack video playing on all instruments, creating a one-man band illusion. One-man bands in this context have become more common in extreme metal, especially black metal, where a number of bands apart from Burzum consist of only one member. Such artists include Nargaroth, Xasthur, Falkenbach, Arckanum, Nortt, Horde, and others. While most of these bands do not play live, some such as Nargaroth hire additional musicians for live performances. "One-woman band" is not used very often in the vernacular, but women have increasingly had a presence as musicians in most forms of music. Examples of one-woman bands are Merrill Garbus, who performs as Tune-Yards and plays every instrument on all recordings, and Edith Crash  who creates "dark and haunting, drawn-out melodies". CANNOTANSWER

what other genres are mentioned?


Robert Fripp (born 16 May 1946) is an English guitarist, composer and record producer. As a guitarist for the progressive rock band King Crimson, Fripp has been the only member to have played in all of King Crimson's line-ups from their inception in the late 1960s to the present. He has also worked extensively as a studio musician, notably with singer David Bowie on the albums "Heroes" and Scary Monsters (And Super Creeps), Brian Eno, David Sylvian and contributed sounds to the Windows Vista operating system. His complete discography lists more than seven hundred releases over four decades.

The son of an estate agent from a working-class background, Robert Fripp was born in Wimborne Minster, Dorset, England. On Christmas Day 1957, aged 11, he got a "very cheap" guitar from his parents, saying "almost immediately I knew that this guitar was going to be my life". Fripp took guitar lessons with teachers Kathleen Gartell and Don Strike, which quickly advanced his skills: at 11 years of age, he was playing rock, moving on to traditional jazz at 13 and modern jazz at 15. At this time he was influenced by such modern jazz players and composers as Charlie Parker and Charlie Mingus. Despite his jazz inclinations, Fripp's first band was a rock band called The Ravens, formed in 1961 when he was 15 and also featuring schoolmates Graham Wale (drums, subsequently replaced by Chris 'Fergy' Ferguson), Gordon Haskell (bass guitar), and Tino Licinio (vocals/guitar). In 1962 The Ravens split as Fripp concentrated on his O-level studies and joined his father's firm as a junior negotiator, at this point planning to study estate management in a South Kensington university and eventually take over his father's business. By 1964, aged 17, Fripp made the decision to become a professional musician. For a while, Fripp played guitar in the Chewton Glen Hotel with a jazz band called The Douglas Ward Trio. Soon afterwards, he formed a rock and roll band called The League of Gentlemen (a name he would resurrect in 1980 for an entirely different band). In addition to Fripp on guitar, the lineup of the 1964 League of Gentlemen included his former Ravens bandmates Gordon Haskell and Tino Licinio, plus Stan Levy (drums) and Reg Matthews (vocals). Still keeping his options open, Fripp left The League of Gentlemen in 1965 in order to study for A-levels at Bournemouth College, where he studied economics, economic history and political history, writing a special paper on social conditions of the mid-to-late 19th century; it was there where he met future musical colleagues John Wetton, Richard Palmer-James and Greg Lake. He subsequently spent three further years playing light jazz in the Majestic Dance Orchestra at the Bournemouth Majestic Hotel (replacing future The Police guitarist Andy Summers, who had gone off to London with Zoot Money). At age 21, going back home from college late at night, Fripp tuned on to Radio Luxemburg where he heard the last moments of "A Day in the Life". "Galvanized" by the experience, he went on to listen to Sgt. Pepper's Lonely Hearts Club Band, Bela Bartok's string quartets, Antonin Dvorak's New World Symphony, Are You Experienced and John Mayall & the Bluesbreakers. Many years later, Fripp would recall that "although all the dialects are different, the voice was the same... I knew I couldn't say no". CANNOTANSWER

Is he still alive?


Background: Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.
Context: When Pakistan toured the West Indies in 1988, Ambrose played in the One Day International (ODI) series, taking the place of the recently retired Joel Garner. He made his debut during the first match, on 12 March 1988 in Kingston, Jamaica, taking wickets with his third and ninth deliveries; he ended the innings with four for 39 from 10 overs. In the second match, he took four for 35 and followed with another two wickets in the third. West Indies won those first three matches to take the series, and Ambrose did not play in the fourth or fifth game. In the Test series which followed, Ambrose was less effective. In the first Test, he took two for 121 as West Indies lost at home for the first time in 10 years. Wisden noted that his debut was "unimpressive", but that he improved in the subsequent matches. He finished the series with seven wickets at an average of over 50 runs per wicket. Later that year, Ambrose was chosen to tour England. After appearing in early tour games, he was chosen for the first two ODIs, taking three wickets in total, but was omitted from the third. In the Test series, he played in all five matches to take 22 wickets at an average of 20.22; his best figures of four for 58 came in the fourth Test, in which he took seven wickets and was named man of the match. Writing in Wisden, commentator Tony Cozier described Ambrose as "a ready-made replacement for Garner"; the amount of bounce he generated after the ball pitched "made him a constant menace". In 1988-89, West Indies took part in an ODI tournament in Sharjah. Ambrose took 8 wickets, and was man of the match with four for 29 when West Indies defeated Pakistan in the final. From there, West Indies travelled to Australia for a series in which Ambrose was a dominant figure. The West Indies won the Test series 3-1, using controversial short-pitched bowling tactics. Ambrose's height made him difficult to play as he made the ball bounce more than other bowlers. Writing in Wisden, John Woodcock noted: "As in England, earlier in 1988, Ambrose's bowling was a telling factor ... [His] advance compensated for something of a decline in [Malcolm] Marshall's effectiveness". In the first Test, he took seven wickets; in the second, he took five wickets in a Test innings for the first time with five for 72, and finished with eight in the game; and in the third, he took six wickets. His performances earned him man of the match award in the first and third games, and he ended the series with 26 wickets at an average of 21.46. He was West Indies' leading wicket-taker and headed the team bowling averages. In the ODI tournament that took place during the tour, West Indies defeated Australia in the final; Ambrose took 21 wickets in the series and twice took five wickets in an innings. Suffering from fatigue and illness, Ambrose was less successful later in 1989 when India toured the West Indies: he took just five wickets in the four-Test series at an average of 54.60. CANNOTANSWER
Question: What happened after he took Garner's place?

Answer:


Harry was born in the Lindo Wing of St Mary's Hospital in Paddington, London, on 15 September 1984 at 4:20 pm as the second child of Charles, Prince of Wales, heir apparent to Queen Elizabeth II, and Diana, Princess of Wales. He was baptised with the names Henry Charles Albert David, on 21 December 1984, at St George's Chapel, Windsor Castle, by the Archbishop of Canterbury, Robert Runcie. His godparents are Prince Andrew (his paternal uncle); Lady Sarah Armstrong-Jones (his paternal cousin once removed); Carolyn Bartholomew (nee Pride); Bryan Organ; Gerald Ward (former officer in the Household Cavalry); and Celia, Lady Vestey (nee Knight).

On 17 January 2014, the Ministry of Defence announced that Harry had completed his attachment to 3 Regiment Army Air Corps and would take up a staff officer role at the position of SO3 (Defence Engagement) in HQ London District. His responsibilities would include helping to co-ordinate significant projects and commemorative events involving the Army in London. He was based at Horse Guards in central London. On 6 March 2014, Prince Harry launched Invictus Games, a Paralympic-style sporting event for injured servicemen and women, which was held on 10-14 September 2014. Prince Harry met British hopefuls for the Invictus Games at Tedworth House for the start of the selection process on 29 April 2014. On 15 May 2014, Harry attended a ticket sale launch for Invictus Games at BT Tower, where he made a public tweet on the Invictus Games' official Twitter account as the president of Invictus Games. To promote the Games, Prince Harry was interviewed by BBC Radio 2's Chris Evans along with two Invictus Games hopefuls. He said: "This (Invictus Games) is basically my full-time job at the moment, making sure that we pull this off." The show aired on 31 July 2014. Harry later wrote an article in The Sunday Times about his experiences in Afghanistan: how they had inspired him to help injured personnel and how, after the trip to the Warrior Games, he had vowed to create the Invictus Games. Harry and officials attended the British Armed Forces Team announcement for Invictus Games at Potters Field Park in August 2014, and as president of the Invictus Games, Harry attended all events related to the Games from 8 to 14 September 2014. In January 2015, it was reported that Harry would take a new role in supporting wounded service personnel by working alongside members of the London District's Personal Recovery Unit for the MOD's Defence Recovery Capability scheme to ensure that wounded personnel have adequate recovery plans. The scheme was established in partnership with Help for Heroes and the Royal British Legion, the palace confirmed weeks later. In late January 2015, Harry visited The Battle Back Centre set up by the Royal British Legion, and Fisher House UK at the Queen Elizabeth Hospital Birmingham, which was created in the partnership between Help for Heroes, the Fisher House Foundation and the Queen Elizabeth Hospital Birmingham (QEHB) Charity. Fisher House Foundation is one of the Invictus Games' sponsors. In February and March 2015, Harry visited Phoenix House in Catterick Garrison, North Yorkshire, a recovery centre run by Help for Heroes, and Merville Barracks in Colchester, where Chavasse VC House Personnel Recovery Centre is located, run by Help for Heroes in partnership with the Ministry of Defence and Royal British Legion. CANNOTANSWER

Ask a question about this article.

Did he do this work to honor his mother?


Seinfeld is an American television sitcom that ran for nine seasons on NBC, from 1989 to 1998. It was created by Larry David and Jerry Seinfeld, with the latter starring as a fictionalized version of himself. Set predominantly in an apartment building in Manhattan's Upper West Side in New York City, the show features a handful of Jerry's friends and acquaintances, particularly best friend George Costanza (Jason Alexander), former girlfriend Elaine Benes (Julia Louis-Dreyfus), and neighbor across the hall Cosmo Kramer (Michael Richards). It is often described as being "a show about nothing", as many of its episodes are about the minutiae of daily life.

The series was often described as "a show about nothing". However, Seinfeld in 2014 stated "the pitch for the show, the real pitch, when Larry and I went to NBC in 1988, was we want to show how a comedian gets his material. The show about nothing was just a joke in an episode many years later, and Larry and I to this day are surprised that it caught on as a way that people describe the show, because to us it's the opposite of that." Seinfeld broke several conventions of mainstream television. The show offers no growth or reconciliation to its characters. It eschews sentimentality. An episode is typically driven by humor interspersed with the superficial conflicts of characters with peculiar dispositions. Many episodes revolve around the characters' involvement in the lives of others with typically disastrous results. On the set, the notion that the characters should not develop or improve throughout the series was expressed as the "no hugging, no learning" rule. Also unlike most sitcoms, there are no moments of pathos; the audience is never made to feel sorry for any of the characters. Even Susan's death elicits no genuine emotions from anybody in the show. The characters are "thirty-something singles with vague identities, no roots, and conscious indifference to morals". Usual conventions, like isolating the characters from the actors playing them and separating the characters' world from that of the actors and audience, were broken. One such example is the story arc where the characters promote a TV sitcom series named Jerry. The show within a show, Jerry, was much like Seinfeld in that it was "about nothing" and Seinfeld played himself. The fictional Jerry was launched in the season four finale, but unlike Seinfeld, it wasn't picked up as a series. Jerry is one of many examples of metafiction in the show. There are no fewer than twenty-two fictional movies featured, like Rochelle, Rochelle. Because of these several elements, Seinfeld became the first TV series since Monty Python's Flying Circus to be widely described as postmodern. Jerry Seinfeld is an avid Abbott and Costello fan, and has cited the Abbott and Costello Show as an influence on Seinfeld. "Everybody on the show knows I'm a fan. We're always joking about how we do stuff from their show. George and I will often get into a riff that has the rhythm from the old Abbott and Costello shows. And sometimes I'll hit George in the chest the way Abbott would hit Costello." The series includes numerous references to the team. George Costanza's middle name is "Louis," after Costello. "The Old Man" episode featured a cantankerous character named "Sid Fields" as a tribute to the landlord on the team's TV show. Kramer's friend is named Mickey Abbott. A copywriter for the J. Peterman catalog is named Eddie Sherman, after the team's longtime agent. In Episode 30, Kramer hears the famous Abbott and Costello line, "His father was a mudder. His mother was a mudder." CANNOTANSWERAnswer this question using a quote from the following article:

anything else interesting?


Chao's mother, Felisa Ortega, is from Bilbao, Basque Country, and his father, writer and journalist Ramon Chao, is from Vilalba, Galicia. They emigrated to Paris to avoid Francisco Franco's dictatorship--Manu's grandfather had been sentenced to death. Shortly after Manu's birth, the Chao family moved to the outskirts of Paris, and Manu spent most of his childhood in Boulogne-Billancourt and Sevres. As he grew up he was surrounded by many artists and intellectuals, most of whom were acquaintances of his father.

In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche a Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at No. 8. Writer Josh Tyrangiel observed, Chao's warm singing over Jose Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple. Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, Ken Boothe, and The Skatalites. His song "La Vida Tombola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica. The song "La Trampa", recorded with Tonino Carotone for the compilation album Fuerza! was used as the theme song for the short-lived improvisational comedy Drew Carey's Green Screen Show. The songs "Bongo Bong" and "Je ne t'aime plus", which appear back-to-back on Clandestino, were covered by British singers Robbie Williams and Lily Allen, who recorded them as a single track, "Bongo Bong and Je Ne T'aime Plus" and released it as a single from the album Rudebox. CANNOTANSWER

Answer the following question by taking a quote from the article: what did he release first in his solo years?


Small Faces were an English rock band from East London. The group was founded in 1965 by members Steve Marriott, Ronnie Lane, Kenney Jones, and Jimmy Winston, although by 1966 Winston was replaced by Ian McLagan as the band's keyboardist. The band is remembered as one of the most acclaimed and influential mod groups of the 1960s  with memorable hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing", and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They later evolved into one of the UK's most successful psychedelic acts before disbanding in 1969.

After Small Faces split, Lane, Jones and McLagan floundered briefly before joining forces with two former members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. This line-up dropped the "Small" tag and became Faces. However, hoping to capitalize on Small Faces' earlier success, record company executives wanted the band to keep their old name. The band objected, arguing the personnel changes resulted in a group altogether different from Small Faces. As a compromise, the new line-up's first album in the UK was credited as First Step by Faces, while in the US the same album was released as First Step by Small Faces. The album was only a mild commercial success, and the record companies perceived no further need to market this new line-up as "Small Faces". Accordingly, all subsequent albums by this incarnation of the band appeared under the new name Faces, on both sides of the Atlantic. However, all North American LP, cassette and CD reissues of First Step still credit the band as Small Faces. Jones and McLagan stayed with the 'sequel' group Faces until their breakup in 1975. Lane exited Faces slightly earlier, in 1973. With his backing band Slim Chance, Lane then released several singles and albums from 1973-1976, including the 1974 UK hit "How Come". Marriott's first post-Small Faces venture was with the rock group Humble Pie, formed with the former Herd member Peter Frampton. Initially, the group was a huge hit in the U.S. and the UK, but Humble Pie split in 1975 due to lack of later chart success, and Marriott went solo. CANNOTANSWERAnswer this question using a quote from the following article:

Was that band successful?


Answer by taking a quote from the following article:

Irwin was born on his mother's birthday to Lyn and Bob Irwin in Essendon, a suburb of Melbourne, Victoria. He was of Irish descent on his father's side. He moved with his parents as a child to Queensland in 1970, where he attended Landsborough State School and Caloundra State High School. Irwin described his father as a wildlife expert interested in herpetology, while his mother Lyn was a wildlife rehabilitator.

Irwin loved mixed martial arts competitions and trained with Greg Jackson in the fighting/grappling system of Gaidojutsu. Like many Australians, he was an avid cricket fan. This was seen during his visit to Sri Lanka where he played cricket with some local children and said "I love cricket" and "It's a shame we have to go catch some snakes now". This was seen during the Crocodile Hunter episode "Island of the Snakes". Having grown up in Essendon, Irwin was a fan of the Essendon Bombers, an Australian rules football club in the Australian Football League. Irwin took part in an Australian Rules football promotion in Los Angeles as part of "Australia Week" in early 2006. After his death, a picture of Irwin wearing a Bombers Guernsey was shown by ESPN.com in their Bottom 10 ranking of the worst Division I FBS college football teams after Week 1 of the season in tribute to him. Having lived in Queensland most of his life, Irwin was also a fan of rugby league. As a teenager, he played for the Caloundra Sharks as a second-rower, and as an adult he was known to be a passionate Brisbane Broncos fan and was involved with the club on several occasions. On one occasion after turning up to training he asked if he could tackle the largest player, Shane Webcke. Despite being thrown to the ground and looking like he'd been crushed he was jovial about the experience. Irwin laughingly shared the experience with the Queensland State of Origin squad before the 2006 series. Irwin also supported rugby union, being a fan of the national team, the Wallabies. He once wore a Wallaby jersey during a demonstration at the zoo. A behind-the-scenes episode of The Crocodile Hunter showed Irwin and the crew finding a petrol station in a remote part of Namibia to watch the Wallabies defeat France in the 1999 Rugby World Cup Final. Irwin was also a talented surfer. CANNOTANSWER

Was he ever in any competitions?


Background: Katherine Murray Millett (September 14, 1934 - September 6, 2017) was an American feminist writer, educator, artist, and activist. She attended Oxford University and was the first American woman to be awarded a degree with first-class honors after studying at St Hilda's College, Oxford. She has been described as "a seminal influence on second-wave feminism", and is best known for her book Sexual Politics (1970), which was based on her doctoral dissertation at Columbia University. Journalist Liza Featherstone attributes previously unimaginable "legal abortion, greater professional equality between the sexes, and a sexual freedom" being made possible partially due to Millett's efforts.
Context: Sexual Politics originated as Millett's PhD dissertation and was published in 1970, the same year that she was awarded her doctorate from Columbia University. The bestselling book, a critique of patriarchy in Western society and literature, addressed the sexism and heterosexism of the modern novelists D. H. Lawrence, Henry Miller, and Norman Mailer and contrasted their perspectives with the dissenting viewpoint of the homosexual author Jean Genet. Millett questioned the origins of patriarchy, argued that sex-based oppression was both political and cultural, and posited that undoing the traditional family was the key to true sexual revolution. In its first year on the market, the book sold 80,000 copies and went through seven printings and is considered to be the movement's manifesto. As a symbol of the women's liberation movement, Millett was featured in a Time magazine cover story, "The Politics of Sex", which called Sexual Politics a "remarkable book" that provided a coherent theory about the feminist movement. Alice Neel created the depiction of Millett for the August 31, 1970 cover. According to biographer Peter Manso, The Prisoner of Sex was written by Norman Mailer in response to Millett's Sexual Politics. "The Prisoner of Sex is structured as a contest. His rhetoric against her prose, his charm against her earnestness, his polemic rage against her vitriolic charges. The aim is to convert the larger audience, the stronger presence as the sustaining truth. The Prisoner of Sex combines self parody and satire...", said Andrew Wilson, author of Norman Mailer: An American Aesthetic. CANNOTANSWER
Question: When did sh become involved in politics?

Answer:


Background: Robert Emerson Clampett was born in San Diego, California on May 8, 1913. Clampett was displaying extraordinary art skills by the age of five. From the beginning, Clampett was intrigued with and influenced by Douglas Fairbanks, Lon Chaney, Charlie Chaplin, Buster Keaton and Harold Lloyd, and he began making film short-subjects in his garage beginning when he was twelve. While living in Hollywood as a young boy, Clampett and his mother Joan lived next door to Charlie Chaplin and his brother Syd.
Context: Since 1984, The Bob Clampett Humanitarian Award is given each year at the Eisner Awards. Recipients of the award include June Foray, Jack Kirby, Sergio Aragones, Patrick McDonnell, Maggie Thompson, Ray Bradbury and Mark Evanier. Clampett's Tin Pan Alley Cats (1943) was chosen by the Library of Congress as a "prime example of the music and mores of our times" and a print was buried in a time capsule in Washington, D.C. so future generations might see it. Porky in Wackyland (1938) was inducted into the National Film Registry of the Library of Congress in 2000, deemed "culturally, historically, or aesthetically significant." John Kricfalusi, best known as the creator of The Ren & Stimpy Show, got to know Clampett in his later years and has reflected on those times as inspirational. Kricfalusi calls Clampett his favorite cartoon director and calls The Great Piggy Bank Robbery (1946) his favorite cartoon: "I saw this thing and it completely changed my life, I thought it was the greatest thing I'd ever seen, and I still think it is." Animation historian Leonard Maltin has called Clampett's cartoons "unmistakable." Milton Gray believes that Schlesinger put Clampett in charge of the black and white cartoon division in order to save it, and many historians have singled out a scene in Porky's Duck Hunt in which Daffy exits as a defining Clampett moment. Maltin called it "a level of wackiness few moviegoers had ever seen." Historian Charles Solomon noted a rubbery, flexible animation quality visible in all Clampett's shorts, and Maltin noted an "energetic, comic anarchy." While Clampett's cartoons were not as well known in the latter half of the 20th century because television syndicators only had the rights to the post-1948 Warner cartoons, his creations have increased in notoriety and acclaim in recent decades. CANNOTANSWER
Question: Did Clampett receive any other awards?. Whats the answer?


Background: The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).
Context: The Living End were formed in 1994 by Chris Cheney and Scott Owen, who had met years earlier in primary school through their older sisters and began performing together from 1990 while attending Wheelers Hill Secondary College in Melbourne. Cheney and Owen had their first public gig at The Rob Roy in Melbourne in 1991. Cheney was a fan of rockabilly group Stray Cats and this prompted Owen, who originally played piano, to switch to double bass. The pair formed a cover band, The Runaway Boys, which performed Stray Cats and The Clash material. That group were named after a track, of the same name, from the Stray Cats self-titled debut album (February 1981). The Runaway Boys initially played in the local rockabilly music scene but expanded their audience by performing in regional towns. Cheney later recalled "[w]e played to all the jivers and rock 'n' rollers ... And we slowly drifted into Melbourne's rockabilly scene". As Cheney and Owen persevered, the band went through several drummers, while they were still attending school. By 1994 Cheney and Owen were writing their own material and decided to change the band's name to The Living End - a reference to the film, Rock Around the Clock (1956). According to Cheney "It's an old '50s term, meaning 'far out', 'the greatest' ... We were still into the whole '50s thing, but we wanted a neutral name, one that didn't suggest any one style of music". With Cheney on lead guitar and lead vocals, and Owen on double bass and backing vocals, the group settled on Joe Piripitzi as their drummer. Cheney considered Piripitzi to be ideal due to his charismatic appearance. During that year they recorded a track, "Headlines", which had been co-written by Cheney and Owen. The group sent a T-shirt and demo tape to Green Day guitarist and lead vocalist, Billie Joe Armstrong, and landed a support slot for the 1995 Australian tour by his band, Green Day. After that tour, The Living End recorded additional tracks for their debut extended play, Hellbound, which received moderate support from community radio stations. It was produced by the group and included "Headlines" from the previous year. Ed Nimmervoll, an Australian musicologist, described the EP's sound: "they turned their back on '50s rock revivalism and adapted that instrumentation to original songs steeped in UK punk". In November 1995, the trio recorded their second EP, It's for Your Own Good, which appeared in the following June. The six-track EP was co-produced by Lindsay Gravina (Underground Lovers, Cosmic Psychos), Mike Alonso (Jericho) and The Living End for the Rapido label. It included their first radio airplay hit, "From Here on In", which was placed on high rotation by national youth radio network, Triple J. Shortly after, Piripitzi was fired as his lifestyle choices were holding back the band. He was replaced on drums by Travis Demsey (later in The Knockout Drops). With Demsey the group appeared at major festivals: Pushover and the Falls Festival. Demsey's drum style was compared with The Who's Keith Moon. "From Here on In" was used on the soundtrack for the 1998 film, Occasional Course Language. CANNOTANSWER
Question: Which other person work on the track with them?. Whats the answer?


Background: Phillips was born in Parris Island, South Carolina. His father, Claude Andrew Phillips, was a retired United States Marine Corps officer who won an Oklahoma bar from another Marine in a poker game on the way home from France after World War I. His mother, Edna Gertrude (nee Gaines), who had English ancestry, met his father in Oklahoma. According to his autobiography, Papa John, Phillips' father was a heavy drinker who suffered from poor health.
Context: In September 2009, eight years after Phillips's death, his eldest daughter Mackenzie claimed that she and her father had a 10-year incestuous relationship. Mackenzie wrote of the relationship, which she said began when she was 19 years old in 1979, in her memoir High on Arrival. Mackenzie wrote that the relationship began after Phillips raped her while they were both under the influence of heavy narcotics on the eve of her first marriage. Mackenzie Phillips appeared on The Oprah Winfrey Show on September 23, 2009, and told Winfrey that her father injected her with cocaine and heroin. According to Phillips, the incestuous relationship ended when she became pregnant and did not know who had fathered the child. As her story goes, these doubts resulted in an abortion, which her father paid for, "and," she stated, "I never let him touch me again." Genevieve Waite, John's wife at the time,denies the allegations, saying they were inconsistent with his character. Michelle Phillips, John's second wife, also stated that she had "every reason to believe [Mackenzie's account is] untrue." Chynna Phillips, Michelle Phillips' daughter, stated that she believed Mackenzie's claims and that Mackenzie first told her about the relationship during a phone conversation in 1997, approximately 11 years after the supposed relationship had ended. Mackenzie's half-sister Bijou Phillips from her father's marriage to Genevieve Waite has stated that Mackenzie informed her of the relationship when Bijou was 13 years old, and the information had a devastating effect on Bijou's teenage years, stripping her of her innocence and leaving her "wary of [her] father." She also stated "I'm 29 now, I've talked to everyone who was around during that time, I've asked the hard questions. I do not believe my sister. Our father [was] many things. This is not one of them." Jessica Woods, daughter of Denny Doherty, said that her father had told her that he knew "the awful truth," and that he was "horrified at what John had done." CANNOTANSWER
Question: how did it begin?

Answer:


Born Mario Brown, he is the son of gospel recording artist Vickie Winans (nee Bowman) and her first husband, Bishop Ronald Brown. He is also the stepson of his mother's second husband, gospel singer, Pastor Marvin Winans whom she married in 1978. Marvin and Vickie Winans had twos sons, Josiah Winans, and Marvin Winans Jr. Vickie and Marvin Winans divorced in 1995 and she has since remarried.

Winans recorded his second album Hurt No More in 2001, 2002, and 2003 in between working with other artists. The album is based on stories of love and betrayal. The first single "I Don't Wanna Know" was based on a sample of the Fugees' 1996 hit single "Ready or Not", which itself was based on a slowed-down sample of the instrumental track "Boadicea" by Enya from her 1987 self-titled album. Enya and her representatives became angry when Winans did not seek her approval for the sample, as he was unaware that the Fugees sample he had used had itself been a sample. So, a compromise was reached to credit the single as "Mario Winans featuring P. Diddy and Enya". The song features a rap by P. Diddy. The song was released as the single in early 2004 and became a worldwide hit, reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States; to number 2 on the Billboard Hot 100 and the US R&B/Hip-Hop singles chart; and to number 3 on both the Australian and Norwegian singles charts. It also reached the top ten on a composite European singles chart. Hurt No More was released on April 20, 2004 in the US and by early June 2004 had reached number 1 on the Billboard R&B/Hip-Hop Albums chart, number 2 on the Billboard 200, and number 3 on the UK Albums Chart. The album's second single, "Never Really Was", used a sample of the orchestrated beginning of Madonna's 1986 hit, "Papa Don't Preach", as its background music. However, the song failed to chart in America. A remix version was released as a single featuring rapper Lil Flip. The song "This Is the Thanks I Get" was stated to be the album's third and final single but no official release was set. The song went on to peak on the Billboard Bubbling Under R&B chart at number 12. CANNOTANSWER

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Jose Arcadio Limon (January 12, 1908 - December 2, 1972) was a dancer and choreographer who developed what is now known as 'Limon technique'. In the 1940s he founded the Jose Limon Dance Company (now the Limon Dance Company), and in 1968 he created the Jose Limon Foundation to carry on his work. In his choreography, Limon spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures -- reaching, bending, pulling, grasping -- to communicate emotion.

In 1930, Limon first performed on Broadway, and later that same year he choreographed his first dance, "Etude in D Minor", a duet with Letitia Ide. Limon recruited Ide and schoolmates Eleanor King and Ernestine Stodelle to form "The Little Group". From 1932 to 1933, Limon made two more Broadway appearances, in the musical revue Americana and in Irving Berlin's As Thousands Cheer, choreographed by Charles Weidman. Limon also tried his hand at choreography at Broadway's New Amsterdam Theatre. Limon made several more appearances throughout the next few years in shows such as Humphrey's New Dance, Theatre Piece, With my Red Fires, and Weidman's Quest. In 1937, Limon was selected as one of the first Bennington Fellows. At the Bennington Festival at Mills College in 1939, Limon created his first major choreographic work, titled Danzas Mexicanas. After five years, however, Limon would return to Broadway to star as a featured dancer in Keep Off the Grass under the choreographer George Balanchine. In 1941, Limon left the Humphrey-Weidman company to work with May O'Donnell. They co-choreographed several pieces together, such as War Lyrics and Curtain Riser. On October 3, 1942 Limon married Pauline Lawrence, a founding member and the manager of the Humphrey-Weidman company. The partnership with O'Donnell dissolved the following year, and Limon created work for a program at Humphrey-Weidman. In 1943, Limon's made his final appearance on Broadway in Balanchine's Rosalinda, a piece he performed with Mary Ellen Moylan. He spent the rest of that year creating dances on American and folk themes at the Studio Theatre before being drafted into the Army in April 1943. During this time, he collaborated with composers Frank Loesser and Alex North, choreographing several works for the U.S. Army Special Services. The most well-known among these is Concerto Grosso. CANNOTANSWER

What did he do as a Bennington Fellow?


Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

In 1834, Pugin converted to the Roman Catholic Church and was received into it the following year. Pugin's father, Auguste-Charles Pugin was a Frenchman who had immigrated to England as a result of the French Revolution, and probably, like many others, converted to the Anglican Church in order to obtain employment, because it was very improbable that any non-Anglican would obtain a governmental commission or tender, for example. British society at the time had many restrictions on any person not adhering to the state religion of the Church of England: Non-Anglicans could not attend a university, for example, or serve on parish or city councils, be a member of Parliament, serve in the armed forces, or even serve on a jury. A number of reforms in the early 19th century relieved these restrictions, the most important of which was the Roman Catholic Relief Act of 1829, which specifically abolished the restrictions. After 1829 it became, at least theoretically, possible for Roman Catholics to have a successful career; this was the context of A. W. Pugin's conversion to the Roman Catholic Church. However, his conversion also acquainted him with new patrons and employers. In 1832 he made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic sympathetic to his aesthetic theory and who employed him in alterations and additions to his residence of Alton Towers, which subsequently led to many more commissions. Shrewsbury commissioned him to build St. Giles Roman Catholic Church, Cheadle, Staffordshire, England, which was completed in 1846, and Pugin was also responsible for designing the oldest Catholic Church in Shropshire, England, St Peter and Paul Church, Newport. CANNOTANSWER

What happened after the conversion?


Background: John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres, including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers". Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music.
Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER
Question: where did he grow up. Whats the answer?


Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.

Ronald Ross was noted to be eccentric and egocentric, described as an "impulsive man". His professional life appeared to be in constant feud with his students, colleagues and fellow scientists. His personal vendetta with G.B. Grassi became a legendary tale in science. He was openly envious of his mentor Patrick Manson's affluence from private practices. This was largely due to his own ineptitude to compete with other physicians. His Memories of Sir Patrick Manson (1930) was a direct attempt to belittle Manson's influences on his works on malaria. He hardly had good ties with the administration of Liverpool School of Tropical Medicine, complaining of being underpaid. He resigned twice, and was eventually discharged without any pension. Ross was frequently embittered by lack of government support (what he called "administrative barbarism") for scientists in medical research. In 1928 he advertised his papers for sale in Science Progress, with a statement that the money was for financial support of his wife and family. Lady Houston bought them for PS2000, and offered them to the British Museum, which turned her down for various reasons. The papers are now preserved by the London School of Hygiene and Tropical Medicine and the Royal College of Physicians and Surgeons of Glasgow. In 1889 Ross married Rosa Bessie Bloxam (d.1931). They had two daughters, Dorothy (1891-1947) and Sylvia (1893-1925), and two sons, Ronald Campbell (1895-1914) and Charles Claye (1901-1966). His wife died in 1931. Ronald and Sylvia pre-deceased him too: Ronald was killed at the Battle of Le Cateau on 26 August 1914. Ross died at the hospital of his namesake after a long illness and asthma attack. He was buried at the nearby Putney Vale Cemetery, next to his wife. CANNOTANSWER

Answer the following question by taking a quote from the article: Where is he buried?


Texas are a Scottish pop rock band from Glasgow. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Texas made their performing debut in March 1988 at the University of Dundee. They took their name from the 1984 Wim Wenders movie Paris, Texas.

In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWERAnswer this question using a quote from the following article:

So was the album a success then?


Glenda May Jackson, CBE (born 9 May 1936) is a British actress and former Labour Party politician. As a professional actress from the late 1950s, she spent four years as a member of the Royal Shakespeare Company from 1964, being particularly associated with the work of director Peter Brook. During her film career, she won two Academy Awards for Best Actress: for Women in Love (1970), and A Touch of Class (1973). Other award-winning performances include Alex in the film Sunday Bloody Sunday (1971) and the BBC television serial Elizabeth R (also 1971); for the latter, she received a Primetime Emmy Award.

Jackson's starring role in Ken Russell's film of Women in Love (1969) led to her winning her first Academy Award for Best Actress. Brian McFarlane, the main author of The Encyclopedia of British Film, has written: "Her blazing intelligence, sexual challenge and abrasiveness were at the service of a superbly written role in a film with a passion rare in the annals of British cinema." In the process of gaining funding for The Music Lovers (1970) from United Artists, Russell explained it as "the story of a homosexual who marries a nymphomaniac", the couple being the composer Pyotr Ilyich Tchaikovsky (Richard Chamberlain) and Antonina Miliukova played by Jackson. This film received mixed reviews in the U.S.: the anonymous reviewer in Variety wrote of the two principals "Their performances are more dramatically bombastic than sympathetic, or sometimes even believable". Jackson was initially interested in the role of Sister Jeanne in The Devils (1971), Russell's next film, but turned it down after script rewrites and deciding that she did not wish to play a third neurotic character in a row. In order to play Queen Elizabeth I in the BBC's serial Elizabeth R (1971), Jackson had her head shaved. After the series was shown on PBS in the US, Jackson received two Primetime Emmy Awards for her performance. She also portrayed Queen Elizabeth in the film Mary, Queen of Scots, and gained a BAFTA for her role in John Schlesinger's Sunday Bloody Sunday (both 1971). In that year British exhibitors voted her the 6th most popular star at the British box office, and she appeared in a comedy sketch as Cleopatra for The Morecambe and Wise Show including delivering the line 'All men are fools and what makes them so is having beauty like what I have got.' Filmmaker Melvin Frank saw her comedic potential on the Morecambe and Wise Show and offered her the lead female role in his next project. She gained a second Academy Award for Best Actress for A Touch of Class (1973). She continued to work in the theatre, and returned to the RSC to play the lead role in Ibsen's Hedda Gabler. A later film version directed by Nunn was released as Hedda (1975) for which Jackson was nominated for an Oscar. In 1978, she scored box office success in the United States in the romantic comedy House Calls, which co-starred Walter Matthau. Jackson and Matthau teamed again in the comedy Hopscotch (1980), which was a mild success, but not as popular as expected. For her 1980 appearance on The Muppet Show, she told the producers that she would perform any material they liked; this turned out to be a role where she has a delusion that she is a pirate captain who hijacks the Muppet Theatre as her ship. CANNOTANSWER

Answer the following question by taking a quote from the article: What other films was she in?


Sigmund Freud ( FROYD; German: ['zi:kmUnt 'fRoYt]; born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902.

In the early 1890s, Freud used a form of treatment based on the one that Breuer had described to him, modified by what he called his "pressure technique" and his newly developed analytic technique of interpretation and reconstruction. According to Freud's later accounts of this period, as a result of his use of this procedure most of his patients in the mid-1890s reported early childhood sexual abuse. He believed these stories, which he used as the basis for his seduction theory, but then he came to believe that they were fantasies. He explained these at first as having the function of "fending off" memories of infantile masturbation, but in later years he wrote that they represented Oedipal fantasies, stemming from innate drives that are sexual and destructive in nature. Another version of events focuses on Freud's proposing that unconscious memories of infantile sexual abuse were at the root of the psychoneuroses in letters to Fliess in October 1895, before he reported that he had actually discovered such abuse among his patients. In the first half of 1896, Freud published three papers, which led to his seduction theory, stating that he had uncovered, in all of his current patients, deeply repressed memories of sexual abuse in early childhood. In these papers, Freud recorded that his patients were not consciously aware of these memories, and must therefore be present as unconscious memories if they were to result in hysterical symptoms or obsessional neurosis. The patients were subjected to considerable pressure to "reproduce" infantile sexual abuse "scenes" that Freud was convinced had been repressed into the unconscious. Patients were generally unconvinced that their experiences of Freud's clinical procedure indicated actual sexual abuse. He reported that even after a supposed "reproduction" of sexual scenes the patients assured him emphatically of their disbelief. As well as his pressure technique, Freud's clinical procedures involved analytic inference and the symbolic interpretation of symptoms to trace back to memories of infantile sexual abuse. His claim of one hundred percent confirmation of his theory only served to reinforce previously expressed reservations from his colleagues about the validity of findings obtained through his suggestive techniques. Freud subsequently showed inconsistency as to whether his seduction theory was still compatible with his later findings. In an addendum to The Aetiology of Hysteria he stated: "All this is true [the sexual abuse of children]; but it must be remembered that at the time I wrote it I had not yet freed myself from my overvaluation of reality and my low valuation of phantasy". Some years later Freud explicitly rejected the claim of his colleague Ferenczi that his patients' reports of sexual molestation were actual memories instead of fantasies, and he tried to dissuade Ferenczi from making his views public. Karin Ahbel-Rappe concludes in her study "'I no longer believe': did Freud abandon the seduction theory?'': "Freud marked out and started down a trail of investigation into the nature of the experience of infantile incest and its impact on the human psyche, and then abandoned this direction for the most part." CANNOTANSWER

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What was the Seduction theory concerning?


Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.

Ronald Ross was noted to be eccentric and egocentric, described as an "impulsive man". His professional life appeared to be in constant feud with his students, colleagues and fellow scientists. His personal vendetta with G.B. Grassi became a legendary tale in science. He was openly envious of his mentor Patrick Manson's affluence from private practices. This was largely due to his own ineptitude to compete with other physicians. His Memories of Sir Patrick Manson (1930) was a direct attempt to belittle Manson's influences on his works on malaria. He hardly had good ties with the administration of Liverpool School of Tropical Medicine, complaining of being underpaid. He resigned twice, and was eventually discharged without any pension. Ross was frequently embittered by lack of government support (what he called "administrative barbarism") for scientists in medical research. In 1928 he advertised his papers for sale in Science Progress, with a statement that the money was for financial support of his wife and family. Lady Houston bought them for PS2000, and offered them to the British Museum, which turned her down for various reasons. The papers are now preserved by the London School of Hygiene and Tropical Medicine and the Royal College of Physicians and Surgeons of Glasgow. In 1889 Ross married Rosa Bessie Bloxam (d.1931). They had two daughters, Dorothy (1891-1947) and Sylvia (1893-1925), and two sons, Ronald Campbell (1895-1914) and Charles Claye (1901-1966). His wife died in 1931. Ronald and Sylvia pre-deceased him too: Ronald was killed at the Battle of Le Cateau on 26 August 1914. Ross died at the hospital of his namesake after a long illness and asthma attack. He was buried at the nearby Putney Vale Cemetery, next to his wife. CANNOTANSWER

What did he die from?