Duterte was born on March 28, 1945, in Maasin. His maternal grandfather was a Chinese immigrant from Xiamen, Fujian. His father was Vicente G. Duterte (1911-1968), a Cebuano lawyer, and his mother, Soledad Duterte (nee Roa; 1916-2012), was a school teacher from Cabadbaran, Agusan and a civic leader of Maranao descent. Duterte's father was mayor of Danao, Cebu, and subsequently the provincial governor of (the then-undivided) Davao province.

After the 1986 People Power Revolution, Duterte was appointed officer-in-charge vice mayor by president Corazon Aquino. In 1988, he ran for mayor and won, serving until 1998. He set a precedent by designating deputy mayors that represented the Lumad and Moro peoples in the city government, which was later copied in other parts of the Philippines. In 1998, because he was term-limited to run again for mayor, he ran for the House of Representatives and won as Congressman of the 1st District of Davao City (under the Laban ng Makabayang Masang Pilipino coalition). In 2001, he ran again for mayor in Davao and was again elected for his fourth term. He was re-elected in 2004 and in 2007. In 2013, Davao City sent rescue and medical teams to Tacloban to give aid to the victims of Typhoon Haiyan, locally known in the country as Typhoon Yolanda. Financial assistance was also given to Bohol and Cebu for the earthquake victims. In 2010, he was elected vice mayor, succeeding his daughter, Sara Duterte-Carpio, who was elected as mayor. He has been offered the Interior Secretary post 4 times, by presidents Fidel V. Ramos, Joseph Ejercito Estrada, Gloria Macapagal-Arroyo, and Benigno S. Aquino III but rejected all of them. Duterte also passed the city's Women Development Code, which aims "to uphold the rights of women and the belief in their worth and dignity as human beings". Duterte banned swimsuit competitions in beauty pageants in Davao City. Duterte also gained prominence for supporting the first-ever Gawad Kalinga Village inside a jail facility which is only located in Davao City. It is a home-type jail with ten cottages built inside the compound, which now serve as home for women inmates. Davao has the highest murder rate, the second highest rape rate, and the fourth highest number of index crimes in the country, according to official police data for the years 2010 to 2015. Nevertheless, Duterte claims that the city is one of the world's safest, a narrative that gained currency in the national media, creating a widespread public perception that has been a significant factor in establishing support for his nationwide drug policy. Prostitution in the Philippines is illegal. In Davao, by city ordinance, police ensure that prostitutes have a valid health card, but do not arrest them. In 2010, the Philippine Child Protection Unit stated that Davao was one of the top five areas for child prostitution and sex tourism in the Philippines. Jeanette Ampog, the executive director of Talikala, a Davao-based NGO that helps prostitutes, said in October 2016 that child prostitution had sharply increased over the past two years. She said that children were cheaper and more marketable. Through the support of Duterte, the City Council amended ordinance No. 1627, Series of 1994, to impose a prohibition on selling, serving, drinking, and consuming alcoholic beverages from 01:00 until 08:00 each morning. Executive Order No. 39 was signed by Duterte, reducing the speed limits for all kinds of motor vehicles within the territorial jurisdiction of Davao City in the interest of public safety and order. Duterte also signed Executive Order No. 04, Series of 2013 to impose an order creating the implementing of rules and regulations for the new comprehensive anti-smoking ordinance no. 0367-12, Series of 2012. Davao City's Firecracker Ban was also implemented with ordinance No. 060-02/1406-02, Series of 2002 by the City Council through the support of Duterte. Another known accomplishment was that the City Government of Davao was able to acquire 10 more ambulances for central 911 intended for medical emergencies and 42 new mobile patrol vehicles and motorcycles for the Davao City Police Office (the first and only 9-1-1 emergency telephone number in Asia which is also free of charge). Duterte, through Executive Order No. 24, ordered all shopping malls and commercial centers to install, operate and maintain high end and high definition closed circuit television (CCTV) cameras at all entrance and exit points of their premises. We're the ninth safest city. How do you think I did it? How did I reach that title among the world's safest cities? Kill them all [criminals]. Duterte, who has been dubbed "The Punisher" by Time magazine, has been linked by human rights groups such as Amnesty International and Human Rights Watch to extrajudicial killings of over 1,400 alleged criminals and street children by vigilante death squads. In the April 2009 UN General Assembly of the Human Rights Council, the UN report (Eleventh Session Agenda item 3, par 21) said, "The Mayor of Davao City has done nothing to prevent these killings, and his public comments suggest that he is, in fact, supportive." Human Rights Watch reported that in 2001-2002, Duterte appeared on local television and radio and announced the names of "criminals", some of whom were later executed. In July 2005 at a crime summit at the Manila Hotel, Duterte said, "Summary execution of criminals remains the most effective way to crush kidnapping and illegal drugs". Duterte has denied responsibility for the extrajudicial killings. He has also frequently announced his support for them. According to Reuters, "Duterte's loud approval for hundreds of execution-style killings of drug users and criminals over nearly two decades helped propel him to the highest office of a crime-weary land." In 2009 Duterte said: "If you are doing an illegal activity in my city, if you are a criminal or part of a syndicate that preys on the innocent people of the city, for as long as I am the mayor, you are a legitimate target of assassination." In 2015, Duterte confirmed his links to extrajudicial killings in Davao, and warned that, if elected president, he may kill up to 100,000 criminals. After the said confirmation, Duterte challenged human rights officials to file a case against him if they could provide evidence to his links with vigilante groups. CANNOTANSWER

Using a quote from the above article, answer the following question: Do the people care that this is happening?


Background: Kenneth Robert Rosewall  (born 2 November 1934) is a former world top-ranking amateur and professional tennis player from Australia. He won a record 23 tennis Majors including 8 Grand Slam singles titles and, before the Open Era, a record 15 Pro Slam titles; overall, he reached a record 35 Major finals. He won the Pro Grand Slam in 1963. Rosewall won 9 slams in doubles with a career double grand slam.
Context: From August 1972 players could enter almost all the tournaments they wanted and the real open era began (at Forest Hills they created the ATP) Rosewall won seven tournaments in 1972, including the depleted Australian Open and became the oldest Grand Slam male singles champion (37 years and 2 months old) in the open era, and was ranked, by Judith Elian or Tingay or McCauley, No. 3 behind Smith and Ilie Nastase (Bud Collins permuting Nastase and Rosewall). He lost in the second round of the 1972 U.S. Open against Mark Cox. For Rosewall the beginning of 1973 was identical to the second half of 1972: a desert. He recorded possibly his worst defeat in his whole career at the 1973 Australian Open (again with a weak field because as in 1972 among the Top 20 only Rosewall and Newcombe participated) when seeded first he was defeated by German Karl Meiler in his first match (second round) in straight sets: 2-6, 3-6, 2-6. Between May 1972 (victory at Dallas) and April 1973 (victory at Houston, River Oaks) Rosewall captured only two minor titles, Tokyo WCT (not giving points for the WCT Finals) and Brisbane (in December 1972) where he was the only Top 20 player. If 1967 has been the first year of a relative decline with however many highlights, 1973 (and more accurately his "after-Dallas 1972") has been the real start of Rosewall's true decline : admittedly he was still one of the best players but not one fighting for the first place. Rosewall did not play Wimbledon that year as the edition was boycotted by the ATP players. After an absence of 17 years Rosewall returned to Davis Cup play in November when he played a doubles match with Rod Laver in the interzonal final against Czechoslovakia. His best performances in 1973 were firstly his semifinal at the US Open (as in 1972 the greatest event of the year) and secondly his third place at the WCT Finals (he was beaten by Ashe in the semifinals and defeated Laver for 3rd place). He also won at Houston WCT, Cleveland WCT, Charlotte WCT, Osaka and Tokyo. He was still ranked in the top 10. Tommasi ranked Rosewall 4, Tingay 6, ATP 6, Collins 5, and McCauley 7. CANNOTANSWER
Question: what was a tournement he played in?

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A one-man band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical and/or electronic contraptions. One man bands also often sing while they perform. The simplest type of "one-man band" -- a singer accompanying him/herself on acoustic guitar and playing a harmonica mounted in a metal "harp rack" below the mouth -- is often used by buskers and folk music singer-guitarists. More complicated setups may include wind instruments strapped around the neck, a large bass drum mounted on the musician's back with a beater which is connected to a foot pedal, cymbals strapped between the knees or triggered by a pedal mechanism, tambourines and maracas tied to the limbs, and a stringed instrument strapped over the shoulders (e.g., a banjo, ukulele or guitar).

The term "one-man band" is also colloquially used to describe a performer who plays every instrument on a recorded song one at a time, and then mixes them together in a multitrack studio. While this approach to recording is more common in electronica genres such as techno and acid house than traditional rock music, some rock performers such as Joe Hill Louis, Stevie Wonder, Prince, Lenny Kravitz, Paul McCartney, Kabir Suman, Dave Edmunds, John Fogerty, Emitt Rhodes, Todd Rundgren, Steve Winwood, Roy Wood, Nik Kershaw, and Les Fradkin have made records in which they play every instrument (one after the other). Mike Oldfield was noted for using this recording technique during the recording of his 1973 album Tubular Bells. Other examples of a one-man band in the recording studio are Dave Grohl for the first studio album by the Foo Fighters, Trent Reznor for Nine Inch Nails, jazz piano player Keith Jarrett for his album No End, Peter Tagtgren for Pain (musical project), Chris Carrabba for the first two albums released by Dashboard Confessional, Varg Vikernes for Burzum and Billy Corgan for Smashing Pumpkins since 2009. Nash the Slash (1948-2014) played all instruments on his recordings. He also played solo concerts from 1975 to 2012, using synchronized drum machines and synthesizers as he plays either an electric violin or electric mandolin. Some artists record and mixed their music in a multitrack studio and synchronize it with video multitrack video playing on all instruments, creating a one-man band illusion. One-man bands in this context have become more common in extreme metal, especially black metal, where a number of bands apart from Burzum consist of only one member. Such artists include Nargaroth, Xasthur, Falkenbach, Arckanum, Nortt, Horde, and others. While most of these bands do not play live, some such as Nargaroth hire additional musicians for live performances. "One-woman band" is not used very often in the vernacular, but women have increasingly had a presence as musicians in most forms of music. Examples of one-woman bands are Merrill Garbus, who performs as Tune-Yards and plays every instrument on all recordings, and Edith Crash  who creates "dark and haunting, drawn-out melodies". CANNOTANSWER


Background: Jean-Jacques Rousseau (; French: [ZaZak Ruso]; 28 June 1712 - 2 July 1778) was a Genevan philosopher, writer, and composer of the 18th century, mainly active in France. His political philosophy influenced the Enlightenment across Europe, as well as aspects of the French Revolution and the overall development of modern political and educational thought. Rousseau's novel Emile, or On Education is a treatise on the education of the whole person for citizenship. His sentimental novel Julie, or the New Heloise was of importance to the development of pre-romanticism and romanticism in fiction.
Context: After Rousseau's Emile had outraged the French parliament, an arrest order was issued by parliament against him, causing him to flee to Switzerland. Subsequently, when the Swiss authorities also proved unsympathetic to him--condemning both Emile, and also The Social Contract--Voltaire issued an invitation to Rousseau to come and reside with him, commenting that: "I shall always love the author of the 'Vicaire savoyard' whatever he has done, and whatever he may do...Let him come here [to Ferney]! He must come! I shall receive him with open arms. He shall be master here more than I. I shall treat him like my own son." Rousseau later expressed regret that he had not replied to Voltaire's invitation. In July 1762, after Rousseau was informed that he could not continue to reside in Bern, d'Alembert advised him to move to the Principality of Neuchatel, ruled by Frederick the Great of Prussia. Subsequently, Rousseau accepted an invitation to reside in Motiers, fifteen miles from Neuchatel. On 11 July 1762, Rousseau wrote to Frederick, describing how he had been driven from France, from Geneva, and from Bern; and seeking Frederick's protection. He also mentioned that he had criticized Frederick in the past and would continue to be critical of Frederick in the future, stating however: "Your Majesty may dispose of me as you like." Frederick, still in the middle of the Seven Years' War, then wrote to the local governor of Neuchatel, Marischal Keith who was a mutual friend of theirs: We must succor this poor unfortunate. His only offense is to have strange opinions which he thinks are good ones. I will send a hundred crowns, from which you will be kind enough to give him as much as he needs. I think he will accept them in kind more readily than in cash. If we were not at war, if we were not ruined, I would build him a hermitage with a garden, where he could live as I believe our first fathers did...I think poor Rousseau has missed his vocation; he was obviously born to be a famous anchorite, a desert father, celebrated for his austerities and flagellations...I conclude that the morals of your savage are as pure as his mind is illogical. Rousseau, touched by the help he received from Frederick, stated that from then onwards he took a keen interest in Frederick's activities. As the Seven Years' War was about to end, Rousseau wrote to Frederick again, thanking him for the help received and urging him to put an end to military activities and to endeavor to keep his subjects happy instead. Frederick made no known reply, but commented to Keith that Rousseau had given him a "scolding". CANNOTANSWER
Question: Was he successful?. Whats the answer?


Fat Freddy's Drop is a New Zealand seven-piece band from Wellington, whose musical style has been characterised as any combination of dub, reggae, soul, jazz, rhythm and blues, and techno. Originally a jam band formed in the late 1990s by musicians from other bands in Wellington, Fat Freddy's Drop gradually became its members' sole focus. Band members continued playing with their other respective groups--The Black Seeds, TrinityRoots, Bongmaster, and others--for much of their 13-year career. Fat Freddy's Drop are known for their improvised live performances; songs on their studio albums are versions refined over years of playing them live in New Zealand, and on tour abroad.

The now seven-member Fat Freddy's Drop, sometimes calling themselves the "seven headed soul monster", continued to play live at clubs and festivals. The band's first full-length album, Live at the Matterhorn, was released in 2001 by The Drop. The live album is a recording of their show at the Matterhorn club in Wellington that year. Very little mastering was done to the album, which is divided into four tracks averaging 18 minutes each. It was not formally promoted, but sold 9,000 copies in its first few months via word-of-mouth, according to The Sydney Morning Herald. In 2000, the New Zealand government began a campaign to increase the profitability of the country's music industry, and of music exports abroad, by funding artists and events. The percentage of music sold by nationals went from 5.45% in 2000 to 10% in 2004, and a 2004 government survey indicated one-quarter of New Zealanders attended a live music event in the year previous. Fat Freddy's Drop were not one of the bands funded, but the elevated live music scene, and the relative success of Live at The Matterhorn, gave them more opportunities to establish themselves as one of the area's best live acts. Several of their early singles, like "Hope" and "Runnin", were featured on compilation albums published by local labels and radio stations. An established group from Kaikoura named Salmonella Dub--who one member described as the "forerunner for Fat Freddys"--provided the band opportunities to play in front of larger crowds in New Zealand and neighbouring Australia. The third single, released by The Drop in 2002, "Midnight Marauders" became their first step towards international recognition when a copy was taken to German record label Sonar Kollektiv by a producer. That year, Sonar and affiliated label Best Seven re-released the single in Germany, and European DJ group Jazzanova used the track in several mixes. A second single, "Hope/This Room", was re-released by Sonar and Best the next year. After the singles' success, Sonar invited the band to play a string of European shows in 2003. Sonar label manager Matthias Bohmbach said he was surprised when one-thousand copies of "Midnight Marauders" sold at a show in Germany. Not wanting a single label to control their work in Europe, the band also partnered with London-based label Kartel in 2003 to handle distribution and promotion in England. From 2003 to 2009, distribution of the band's work was handled by The Drop in New Zealand and Australia, by Sonar Kollektiv and Best Seven in most of Europe, and by Kartel in England. Fat Freddy's Drop's European profile slowly increased between 2003 and the release of their first studio album in 2005. The BBC's Gilles Peterson called "Hope" one of the top tracks of 2003. The band was invited to play at the Cannes Film Festival in 2004. International DJ Magazine listed Fat Freddy's Drop as one of the "top 20 bands to look out for" in 2004. In what became an almost annual trip, they returned to touring New Zealand and Australia in 2004, and--partnering with Sonar Kollektiv--returned to Europe for an official "Hope for a Generation" tour. CANNOTANSWER

What did they do after the album?


Alexander Bell was born in Edinburgh, Scotland, on March 3, 1847. The family home was at 16 South Charlotte Street, and has a stone inscription marking it as Alexander Graham Bell's birthplace. He had two brothers: Melville James Bell (1845-70) and Edward Charles Bell (1848-67), both of whom would die of tuberculosis. His father was Professor Alexander Melville Bell, a phonetician, and his mother was Eliza Grace (nee Symonds).

Bell's father was invited by Sarah Fuller, principal of the Boston School for Deaf Mutes (which continues today as the public Horace Mann School for the Deaf), in Boston, Massachusetts, United States, to introduce the Visible Speech System by providing training for Fuller's instructors, but he declined the post in favour of his son. Travelling to Boston in April 1871, Bell proved successful in training the school's instructors. He was subsequently asked to repeat the programme at the American Asylum for Deaf-mutes in Hartford, Connecticut, and the Clarke School for the Deaf in Northampton, Massachusetts. Returning home to Brantford after six months abroad, Bell continued his experiments with his "harmonic telegraph". The basic concept behind his device was that messages could be sent through a single wire if each message was transmitted at a different pitch, but work on both the transmitter and receiver was needed. Unsure of his future, he first contemplated returning to London to complete his studies, but decided to return to Boston as a teacher. His father helped him set up his private practice by contacting Gardiner Greene Hubbard, the president of the Clarke School for the Deaf for a recommendation. Teaching his father's system, in October 1872, Alexander Bell opened his "School of Vocal Physiology and Mechanics of Speech" in Boston, which attracted a large number of deaf pupils, with his first class numbering 30 students. While he was working as a private tutor, one of his pupils was Helen Keller, who came to him as a young child unable to see, hear, or speak. She was later to say that Bell dedicated his life to the penetration of that "inhuman silence which separates and estranges". In 1893, Keller performed the sod-breaking ceremony for the construction of Bell's new Volta Bureau, dedicated to "the increase and diffusion of knowledge relating to the deaf". Several influential people of the time, including Bell, viewed deafness as something that should be eradicated, and also believed that with resources and effort, they could teach the deaf to speak and avoid the use of sign language, thus enabling their integration within the wider society from which many were often being excluded. Owing to his efforts to suppress the teaching of sign language, Bell is often viewed negatively by those embracing Deaf culture. CANNOTANSWER

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Jason White (born November 11, 1973) is an American musician, best known as the current touring guitarist for the American punk rock band Green Day. He has played as a touring member of Green Day since 1999. However, in 2012, he was promoted to being an official member of the band before demoting himself back to being a touring guitarist in 2016. He is also the guitarist/vocalist for the Californian punk band Pinhead Gunpowder, lead guitarist/lead vocalist for California, and co-founder of Adeline Records alongside Billie Joe Armstrong.

In the summer of 1992, White filled in guitar duties at the last minute for Bay Area punk band Monsula, who were performing at Little Rock, AR club Vino's. After the performance, Jason toured as guitarist for the band and eventually relocated to the Bay Area after the breakup of Chino Horde in summer 1993. White joined the Big Cats in 1996, after the temporary departure of bassist Josh Bentley, and took over guitar duties in 2000 after the death of guitarist Shannon Yarbrough. The group is a side project of many musicians, playing live very rarely. Their newest record, On Tomorrow, was released in 2007. Because of Pinhead Gunpowder's infamy for sporadic get-togethers, White and Gunpowder bassist Bill Schneider began looking to form another band that would be a group the two could focus on. After recruiting Schneider's brother Greg Schneider to join and finally convincing Willie Samuels to play drums, The Influents were formed. White and Greg would become the focus of the band, splitting songwriting duties, as well as singing time. Bill Schneider left the band on good terms after the group's first album Check Please to focus on his drum shop and was soon replaced by Johnnie Wentz. The new line-up soon recorded a follow up, Some of the Young, and went on tour. In 2006, Jason recorded a cover of The Replacements "Torture" for the Replacements Cover compilation, "We'll Inherit the Earth". He's also featured in the May 2007 release, Towncraft, a documentary covering twenty years of the punk music scene in Little Rock, AR, White's home. That same year, White played with Green Day in the video for the cover of "Working Class Hero." CANNOTANSWER

Using a quote from the above article, answer the following question: What happened in 1992


Imran Khan Niazi PP, HI (Urdu: `mrn Hmd khn nyzy) (born 5 October 1952) is a Pakistani politician, former first-class cricketer and philanthropist who leads the Pakistan Tehreek-e-Insaf and serves as a member of the National Assembly. Prior to entering politics, Khan played international cricket for two decades in the late twentieth century. Khan was born to a Pashtun family in Lahore, Punjab, in 1952 and educated at Aitchison, Worcester, and later at Keble College, Oxford.

Khan made a lackluster first-class cricket debut at the age of sixteen in Lahore. By the start of the 1970s, he was playing for his home teams of Lahore A (1969-70), Lahore B (1969-70), Lahore Greens (1970-71) and, eventually, Lahore (1970-71). Khan was part of University of Oxford's Blues Cricket team during the 1973-1975 seasons. At Worcestershire, where he played county cricket from 1971 to 1976, he was regarded as only an average medium-pace bowler. During this decade, other teams represented by Khan included Dawood Industries (1975-1976) and Pakistan International Airlines (1975-1976 to 1980-1981). From 1983 to 1988, he played for Sussex. Khan made his Test cricket debut against England in 1971 Edgbaston. Three years later, he debuted in the One Day International (ODI) match, once again playing against England at Trent Bridge for the Prudential Trophy. After graduating from Oxford and finishing his tenure at Worcestershire, he returned to Pakistan in 1976 and secured a permanent place on his native national team starting from the 1976-1977 season, during which they faced New Zealand and Australia. Following the Australian series, he toured the West Indies, where he met Tony Greig, who signed him up for Kerry Packer's World Series Cricket. His credentials as one of the fastest bowlers of the world started to become established when he finished third at 139.7 km/h in a fast bowling contest at Perth in 1978, behind Jeff Thomson and Michael Holding, but ahead of Dennis Lillee, Garth Le Roux and Andy Roberts. As a fast bowler, Khan reached the peak of his powers in 1982. In 9 Tests, he got 62 wickets at 13.29 each, the lowest average of any bowler in Test history with at least 50 wickets in a calendar year. In January 1983, playing against India, he attained a Test bowling rating of 922 points. Although calculated retrospectively (ICC player ratings did not exist at the time), Khan's form and performance during this period ranks third in the ICC's All-Time Test Bowling Rankings. Khan achieved the all-rounder's triple (securing 3000 runs and 300 wickets) in 75 Tests, the second fastest record behind Ian Botham's 72. He is also established as having the second highest all-time batting average of 61.86 for a Test batsman playing at position 6 of the batting order. He played his last Test match for Pakistan in January 1992, against Sri Lanka at Faisalabad. Khan retired permanently from cricket six months after his last ODI, the historic 1992 World Cup final against England in Melbourne, Australia. He ended his career with 88 Test matches, 126 innings and scored 3807 runs at an average of 37.69, including six centuries and 18 fifties. His highest score was 136 runs. As a bowler, he took 362 wickets in Test cricket, which made him the first Pakistani and world's fourth bowler to do so. In ODIs, he played 175 matches and scored 3709 runs at an average of 33.41. His highest score remains 102 not out. His best ODI bowling is documented at 6 wickets for 14 runs.He holds the record for the best bowling figures by any bowler in an ODI innings in a losing cause(6-14). At the height of his career, in 1982, the thirty-year-old Khan took over the captaincy of the Pakistan cricket team from Javed Miandad. As a captain, Khan played 48 Test matches, out of which 14 were won by Pakistan, 8 lost and the rest of 26 were drawn. He also played 139 ODIs, winning 77, losing 57 and ending one in a tie. In the team's second match, Khan led them to their first Test win on English soil for 28 years at Lord's. Khan's first year as captain was the peak of his legacy as a fast bowler as well as an all-rounder. He recorded the best Test bowling of his career while taking 8 wickets for 58 runs against Sri Lanka at Lahore in 1981-1982. He also topped both the bowling and batting averages against England in three Test series in 1982, taking 21 wickets and averaging 56 with the bat. Later the same year, he put up a highly acknowledged performance in a home series against the formidable Indian team by taking 40 wickets in six Tests at an average of 13.95. By the end of this series in 1982-1983, Khan had taken 88 wickets in 13 Test matches over a period of one year as captain. This same Test series against India, however, also resulted in a stress fracture in his shin that kept him out of cricket for more than two years. An experimental treatment funded by the Pakistani government helped him recover by the end of 1984 and he made a successful comeback to international cricket in the latter part of the 1984-1985 season. In India in 1987, Khan led Pakistan in its first-ever Test series win and this was followed by Pakistan's first series victory in England during the same year. During the 1980s, his team also recorded three creditable draws against the West Indies. India and Pakistan co-hosted the 1987 World Cup, but neither ventured beyond the semi-finals. Khan retired from international cricket at the end of the World Cup. In 1988, he was asked to return to the captaincy by the president of Pakistan, General Zia-Ul-Haq, and on 18 January, he announced his decision to rejoin the team. Soon after returning to the captaincy, Khan led Pakistan to another winning tour in the West Indies, which he has recounted as "the last time I really bowled well". He was declared Man of the Series against West Indies in 1988 when he took 23 wickets in 3 Tests. Khan's career-high as a captain and cricketer came when he led Pakistan to victory in the 1992 Cricket World Cup. Playing with a brittle batting line-up, Khan promoted himself as a batsman to play in the top order along with Javed Miandad, but his contribution as a bowler was minimal. At the age of 39, Khan took the winning last wicket himself. In 1994, Khan had admitted that, during Test matches, he "occasionally scratched the side of the ball and lifted the seam." He had also added, "Only once did I use an object. When Sussex were playing Hampshire in 1981 the ball was not deviating at all. I got the 12th man to bring out a bottle top and it started to move around a lot." In 1996, Khan successfully defended himself in a libel action brought forth by former English captain and all-rounder Ian Botham and batsman Allan Lamb over comments they alleged were made by Khan in two articles about the above-mentioned ball-tampering and another article published in an Indian magazine, India Today. They claimed that, in the latter publication, Khan had called the two cricketers "racist, ill-educated and lacking in class." Khan protested that he had been misquoted, saying that he was defending himself after having admitted that he tampered with a ball in a county match 18 years ago. Khan won the libel case, which the judge labelled a "complete exercise in futility", with a 10-2 majority decision by the jury. Since retiring, Khan has written opinion pieces on cricket for various British and Asian newspapers, especially regarding the Pakistani national team. His contributions have been published in India's Outlook magazine, the Guardian, the Independent, and the Telegraph. Khan also sometimes appears as a cricket commentator on Asian and British sports networks, including BBC Urdu and the Star TV network. In 2004, when the Indian cricket team toured Pakistan after 14 years, he was a commentator on TEN Sports' special live show, Straight Drive, while he was also a columnist for sify.com for the 2005 India-Pakistan Test series. He has provided analysis for every cricket World Cup since 1992, which includes providing match summaries for the BBC during the 1999 World Cup. He holds as a captain the world record for taking most wickets, best bowling strike rate and best bowling average in Test, and best bowling figures (8 wickets for 60 runs) in a Test innings, and also most five-wicket hauls (6) in a Test innings in wins. On 23 November 2005, Imran Khan was appointed as the chancellor of University of Bradford, succeeding Baroness Lockwood. On February 26, 2014, University of Bradford Union floated a motion to remove Khan from the post over Khan's absence from every graduation ceremony since 2010. Khan, however, announced that he will step down on November 30, 2014 citing his "increasing political commitments". The university vice-chancellor Brian Cantor said Khan had been "a wonderful role model for our students". CANNOTANSWERAnswer this question using a quote from the following article:

What happened after the win?


Robyn Rihanna Fenty was born on 20 February 1988, in Saint Michael, Barbados. Her mother, Monica (Braithwaite), is a retired accountant of Afro-Guyanese background, and her father, Ronald Fenty, is a warehouse supervisor of Afro-Barbadian and Irish descent. Rihanna has two brothers, Rorrey and Rajad Fenty, and two half-sisters and a half-brother from her father's side, each born to different mothers from his previous relationships. She grew up in a three-bedroom bungalow in Bridgetown and sold clothes with her father in a stall on the street.

Rihanna's first fragrance, "Reb'l Fleur", was released in January 2011. The product became highly successful, according to Rolling Stone, Reb'l Fleur was a financial success and was expected to gross US$80 million at retail by the end of 2011. Rihanna's second fragrance, "Rebelle", was released in February 2012. The promotional campaign for Rebelle, was shot by director, Anthony Mandler, who also shot the promotional campaign for Reb'l Fleur. In November 2012, Rihanna released her third fragrance, "Nude". Rihanna's fourth women's fragrance, titled Rogue was released on 14 September 2013, followed by a male version entitled "Rouge Men" which was released in 2014. On 30 March 2015, it was announced that Rihanna is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyonce and Jay Z, sixteen artist stakeholders (such as Kanye West, Beyonce, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay Z on the release of Tidal. In 2016, it was revealed that Rihanna would be releasing her music through her own label Westbury Road Entertainment, which had been established in 2005. Westbury Road is the name of the area Rihanna grew up in back in Barbados. The music would be distributed through Universal Music Group. Westbury Road Entertainment's artist roster includes Melissa Forde as the label's photographer, and KazeLoon. In November 2015, Rihanna and Benoit Demouy launched a beauty and stylist agency named Fr8me. The business based in Los Angeles was set up in order to assist artists in booking commercials, editorial shoots, ad campaigns, and red-carpet appearances. Rihanna stated, "Hair, makeup, and styling play an important role in creativity, I am very involved with that part of my process, so this agency was an organic thing for me to do." The roster includes Rihanna's makeup artist Mylah Morales, wardrobe stylist Jason Bolden, hairstylist Patricia Morales, and Marcia Hamilton. In addition to Fr8me, Rihanna opened a photo agency called "A Dog Ate My Homework", which represents photographers Erik Asla and Deborah Anderson. In 2017, Rihanna launched cosmetic company Fenty Beauty under LVMH's Kendo Brands. The partnership was worth $10 million and would see Rihanna release various beauty products. The first installment of Fenty Beauty was released on 8 September 2017 in stores and online, available in over 150 countries. It included an array of products including foundations, highlighters, bronzers, blush compacts, lip glosses, and blotting sheets and was praised for its diverse range for all skin colours. Time magazine named Fenty Beauty as one "The 25 Best Inventions of 2017", citing the breadth of its range. CANNOTANSWER

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Leonardo di ser Piero da Vinci (Italian: [leo'nardo di ,ser 'pje:ro da (v)'vintSi] ( listen); 15 April 1452 - 2 May 1519), more commonly Leonardo da Vinci or simply Leonardo, was an Italian Renaissance polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, he epitomised the Renaissance humanist ideal.

Leonardo was born on 15 April 1452 (Old Style) "at the third hour of the night" in the Tuscan hill town of Vinci, in the lower valley of the Arno river in the territory of the Medici-ruled Republic of Florence. He was the out-of-wedlock son of the wealthy Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary, and Caterina, a peasant. Leonardo had no surname in the modern sense - "da Vinci" simply meaning "of Vinci"; his full birth name was "Lionardo di ser Piero da Vinci", meaning "Leonardo, (son) of (Mes)ser Piero from Vinci". The inclusion of the title "ser" indicated that Leonardo's father was a gentleman. Little is known about Leonardo's early life. He spent his first five years in the hamlet of Anchiano in the home of his mother, and from 1457 lived in the household of his father, grandparents and uncle in the small town of Vinci. His father had married a sixteen-year-old girl named Albiera Amadori, who loved Leonardo but died young in 1465 without children. When Leonardo was sixteen (1468), his father married again to twenty-year-old Francesca Lanfredini, who also died without children. Piero's legitimate heirs were born from his third wife Margherita di Guglielmo (who gave birth to six children: Antonio, Giulian, Maddalena, Lorenzo, Violante and Domenico) and his fourth and final wife, Lucrezia Cortigiani (who bore him another six children: Margherita, Benedetto, Pandolfo, Guglielmo, Bartolomeo and Giovanni). In all, Leonardo had twelve half-siblings, who were much younger than him (the last was born when Leonardo was forty years old) and with whom he had very few contacts, but they caused him difficulty after his father's death in the dispute over the inheritance. Leonardo received an informal education in Latin, geometry and mathematics. In later life, Leonardo recorded only two childhood incidents. One, which he regarded as an omen, was when a kite dropped from the sky and hovered over his cradle, its tail feathers brushing his face. The second occurred while he was exploring in the mountains: he discovered a cave and was both terrified that some great monster might lurk there and driven by curiosity to find out what was inside. Leonardo's early life has been the subject of historical conjecture. Vasari, the 16th-century biographer of Renaissance painters, tells a story of Leonardo as a very young man: A local peasant made himself a round shield and requested that Ser Piero have it painted for him. Leonardo responded with a painting of a monster spitting fire that was so terrifying that Ser Piero sold it to a Florentine art dealer, who sold it to the Duke of Milan. Meanwhile, having made a profit, Ser Piero bought a shield decorated with a heart pierced by an arrow, which he gave to the peasant. In 1466, at the age of fourteen, Leonardo was apprenticed to the artist Andrea di Cione, known as Verrocchio, whose bottega (workshop) was "one of the finest in Florence". He apprenticed as a garzone (studio boy) to Andrea del Verrocchio, the leading Florentine painter and sculptor of his day (and would do so for 7 years). Other famous painters apprenticed or associated with the workshop include Domenico Ghirlandaio, Perugino, Botticelli, and Lorenzo di Credi. Leonardo would have been exposed to both theoretical training and a vast range of technical skills, including drafting, chemistry, metallurgy, metal working, plaster casting, leather working, mechanics and carpentry as well as the artistic skills of drawing, painting, sculpting and modelling. Much of the painted production of Verrocchio's workshop was done by his employees. According to Vasari, Leonardo collaborated with Verrocchio on his The Baptism of Christ, painting the young angel holding Jesus' robe in a manner that was so far superior to his master's that Verrocchio put down his brush and never painted again, although this is believed to be apocryphal. Close examination reveals areas that have been painted or touched-up over the tempera using the new technique of oil paint; the landscape, the rocks seen through the brown mountain stream and much of the figure of Jesus bearing witness to the hand of Leonardo. Leonardo may have been the model for two works by Verrocchio: the bronze statue of David in the Bargello and the Archangel Raphael in Tobias and the Angel. By 1472, at the age of twenty, Leonardo qualified as a master in the Guild of Saint Luke, the guild of artists and doctors of medicine, but even after his father set him up in his own workshop, his attachment to Verrocchio was such that he continued to collaborate with him. Leonardo's earliest known dated work is a drawing in pen and ink of the Arno valley, drawn on 5 August 1473. From September 1513 to 1516, under Pope Leo X, Leonardo spent much of his time living in the Belvedere in the Vatican in Rome, where Raphael and Michelangelo were both active at the time. In October 1515, King Francis I of France recaptured Milan. On 19 December, Leonardo was present at the meeting of Francis I and Pope Leo X, which took place in Bologna. Leonardo was commissioned to make for Francis a mechanical lion that could walk forward then open its chest to reveal a cluster of lilies. In 1516, he entered Francis' service, being given the use of the manor house Clos Luce, now a public museum, near the king's residence at the royal Chateau d'Amboise. He spent the last three years of his life here, accompanied by his friend and apprentice, Count Francesco Melzi, and supported by a pension totalling 10,000 scudi. Leonardo died at Clos Luce, on 2 May 1519 at the age of 67. The cause is generally stated to be recurrent stroke; this diagnosis is consistent with accounts of the state of Leonardo's alleged remains as described in 1863.  Francis I had become a close friend. Vasari records that the king held Leonardo's head in his arms as he died, although this story, beloved by the French and portrayed in romantic paintings by Ingres, Menageot and other French artists, as well as by Angelica Kauffman, may be legend rather than fact. Vasari states that in his last days, Leonardo sent for a priest to make his confession and to receive the Holy Sacrament. In accordance with his will, sixty beggars followed his casket. Melzi was the principal heir and executor, receiving, as well as money, Leonardo's paintings, tools, library and personal effects. Leonardo also remembered his other long-time pupil and companion, Salai, and his servant Battista di Vilussis, who each received half of Leonardo's vineyards. His brothers received land, and his serving woman received a black cloak "of good stuff" with a fur edge. Leonardo da Vinci was buried in the Chapel of Saint-Hubert in Chateau d'Amboise in France. Some 20 years after Leonardo's death, Francis was reported by the goldsmith and sculptor Benvenuto Cellini as saying: "There had never been another man born in the world who knew as much as Leonardo, not so much about painting, sculpture and architecture, as that he was a very great philosopher." CANNOTANSWER

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Limbaugh was born in Cape Girardeau, Missouri, the son of Mildred Carolyn "Millie" (nee Armstrong) and Rush Hudson Limbaugh, Jr. His father was a lawyer and a U.S. fighter pilot who served in the China Burma India Theater of World War II. His mother was a native of Searcy, Arkansas. The name "Rush" was originally chosen for his grandfather to honor the maiden name of family member Edna Rush.

Limbaugh's radio show airs for three hours each weekday beginning at noon Eastern Standard Time on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network. Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity. Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline. Limbaugh's popularity paved the way for other conservative talk radio programming to become commonplace on AM radio. The show became so popular in the 1990s, even some FM stations picked it up. In March 2006, WBAL in Baltimore became the first major market radio station in the country to drop Limbaugh's nationally syndicated radio program. In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts. Limbaugh frequently mentions the EIB (Excellence In Broadcasting) Network, trademarked in 1990. In the beginning, his show was co-owned and first syndicated by Edward F. McLaughlin, former president of ABC, who founded EFM Media in 1988, with Limbaugh's show as his first product. In 1997, McLaughlin sold EFM to Jacor Communications, which was ultimately bought up by Clear Channel Communications. Today, Limbaugh owns a majority of the show, which is syndicated by the Premiere Radio Networks. According to a 2001 article in U.S. News & World Report, Limbaugh had an eight-year contract, at the rate of $31.25 million a year. In 2007, Limbaugh earned $33 million. A November 2008 poll by Zogby International found that Rush Limbaugh was the most trusted news personality in the nation, garnering 12.5 percent of poll responses. Limbaugh signed a $400 million, eight-year contract in 2008 with what was then Clear Channel Communications, making him the highest-paid broadcaster on terrestrial radio. On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract. At the announcement of the extension, Premiere Radio Networks and iHeartMedia announced that his show experienced audience growth with 18% growth in adults 25-54, 27% growth with 25-54 women, and ad revenue growth of 20% year over year. CANNOTANSWER


Background: Sir Ian Murray McKellen  (born 25 May 1939) is an English actor. He is the recipient of six Laurence Olivier Awards, a Tony Award, a Golden Globe Award, a Screen Actors Guild Award, a BIF Award, two Saturn Awards, four Drama Desk Awards, and two Critics' Choice Awards. He has also received two Oscar nominations, four BAFTA nominations and five Emmy Award nominations. McKellen's career spans genres ranging from Shakespearean and modern theatre to popular fantasy and science fiction.
Context: In April 2010, along with actors Brian Cox and Eleanor Bron, McKellen appeared in a series of TV advertisements to support Age UK, the charity recently formed from the merger of Age Concern and Help the Aged. All three actors gave their time free of charge. A cricket fan since childhood, McKellen umpired in March 2011 for a charity cricket match in New Zealand to support earthquake victims of the February 2011 Christchurch earthquake. McKellen is an honorary board member for the New York and Washington, DC based organization Only Make Believe. Only Make Believe creates and performs interactive plays in children's hospitals and care facilities. He was honoured by the organisation in 2012 and hosted their annual Make Believe on Broadway Gala in November 2013. He garnered publicity for the organisation by stripping down to his Lord of the Rings underwear on stage. McKellen also has a history of supporting individual theatres. While in New Zealand filming The Hobbit in 2012, he announced a special New Zealand tour "Shakespeare, Tolkien, and You!", with proceeds going to help save the Isaac Theatre Royal, which suffered extensive damage during the 2011 Christchurch earthquake. McKellen said he opted to help save the building as it was the last theatre he played in New Zealand (Waiting for Godot in 2010) and the locals' love for it made it a place worth supporting. In July 2017, he performed a new one-man show for a week at Park Theatre (London), donating the proceeds to the theatre. CANNOTANSWER
Question: What charity work did he do?

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Martinez grew up in the Dominican Republic in the Santo Domingo suburb of Manoguayabo. He was the fifth of six siblings living in a palm wood house with a tin roof and dirt floors. His father, Pablo Jaime Abreu, worked odd jobs. His mother, Leopoldina Martinez, worked for traditionally wealthy families, washing their clothes.

On January 24, 2013, Martinez joined the Boston Red Sox as a special assistant to general manager Ben Cherington. Martinez was elected to the National Baseball Hall of Fame in January 2015 with 91.1% of the votes. His Hall of Fame plaque will have the cap of the Boston Red Sox. "I cannot be any prouder to take Red Sox Nation to the Hall of Fame with the logo on my plaque", Martinez said in a statement. "I am extremely proud to represent Boston and all of New England with my Hall of Fame career. I'm grateful to all of the teams for which I played, and especially fans, for making this amazing honor come true." In 2015, Martinez was hired by the MLB Network as a studio analyst and also released an autobiography, Pedro, which he coauthored with Michael Silverman of the Boston Herald. Reflecting on his career, he named Barry Bonds, Edgar Martinez, Derek Jeter, Kenny Lofton and Ichiro Suzuki as the most difficult hitters he had to face. On June 22, 2015, it was announced that Martinez' number 45 would be retired by the Red Sox on July 28, two days after his Hall of Fame induction. Red Sox principal owner John Henry stated, "to be elected into the Baseball Hall of Fame upon his first year of eligibility speaks volumes regarding Pedro's outstanding career, and is a testament to the respect and admiration so many in baseball have for him." On February 1, 2018, Martinez was announced as part of the 2018 Induction Class for the Canadian Baseball Hall of Fame. CANNOTANSWER

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Did Pedro Martinez make it into the Hall of Fame on the first try?


Jennifer Mulhern Granholm (born February 5, 1959) is a Canadian-born American politician, lawyer, educator, author, political commentator and member of the Democratic Party who served as the Attorney General of Michigan from 1999 to 2003 and as the Governor of Michigan from 2003 to 2011. In January 2017, she became a CNN political contributor. Born in Vancouver, British Columbia, Granholm moved from Canada to California at age four. She graduated from San Carlos High School and briefly attempted an acting career, then held a variety of jobs before attending the University of California, Berkeley.

Thirty-seven year Democratic Attorney General Frank J. Kelley chose not to run for a 10th term in 1998 and Granholm entered the race to succeed him. Unopposed for the Democratic nomination, she faced Republican John Smietanka, the 1994 nominee and former U.S. Attorney for the Western District of Michigan, in the general election. The campaign began as a relatively friendly one, with both agreeing that they wanted to expand the Internet Crimes Unit, start neighbourhood-based crime-fighting programmes and continue working as a consumer advocate, as Kelley had done. However, the race turned bitter in mid-September, when Smietanka ran television ads that called Granholm an "inexperienced" and "dangerous" liberal. He also tried to link Granholm to Democratic gubernatorial nominee Geoffrey Fieger's crime plan, which called for greater emphasis on rehabilitation for non-violent criminals and shortening their prison terms. Granholm, who had disavowed Fieger's crime plan the day it was released, said that the claim was "a lie, just a lie" and that as Attorney General, "you are the person who is to protect the consumer from deceitful ads." Asked what separated her from Smietanka, Granholm replied, "besides honesty?" Kelley also came to Granholm's defence, starring in an advertisement where he called Smietanka's ads "garbage" and a "con" and accused him of running a "dishonest campaign". For his part, Smietanka was angered by Democratic advertisements that referred to late child support payments he had made and claimed that he had lied about how much of his own money he donated to his campaign. After a close race, with polls showing the two candidates with virtually identical votes, Granholm defeated Smietanka by 1,557,310 votes (52.09%) to 1,432,604 (47.91%). After Granholm was elected Governor in 2002, arguments broke about between Smietanka and then-Republican Governor John Engler about who was most responsible for Granholm's meteoric rise in Michigan politics. Smietanka blamed Engler for trying to force him out of the 1998 race in favour of G. Scott Romney, for dredging up the issue of his missed child support payments and for not supporting him more fully after he defeated Romney at the Republican convention. Engler contested that Smietanka was a weak candidate who should have stepped aside for Romney, who would have beaten the inexperienced Granholm; she would then not have had a launch pad for her gubernatorial campaign in 2002. CANNOTANSWERAnswer this question using a quote from the following article:

What did she do while she ran?


Katrina Kaif (pronounced [k@'tri:na: 'ke:f], born Katrina Turquotte, 16 July 1983) is an English actress who works in Hindi films. Despite receiving mixed reviews from critics for her acting prowess, she has established herself in Bollywood, and is considered among the country's most attractive and highest-paid actresses. Born in Hong Kong, Kaif and her family lived in several countries before she moved to London. She received her first modelling assignment as a teenager and later pursued a career as a fashion model.

Katrina Kaif was born in Hong Kong with her mother's surname Turquotte (also spelt Turcotte), on 16 July 1983. According to the actress, her father (Mohammed Kaif) is a British businessman of Kashmiri Indian descent and her mother (Suzanne, also spelt Susanna) is an English lawyer and charity worker. She has seven siblings: three elder sisters (Stephanie, Christine, and Natasha), three younger sisters (Melissa, Sonia, and Isabel) and an elder brother, Michael. Isabelle Kaif is also a model and actress. Kaif's parents divorced when she was a child, and her father moved to the United States. She said her father had no influence on Kaif or her siblings while they were growing up, and they were raised by their mother. On her father's absence in her life, Kaif stated: "When I see friends who have wonderful fathers who are like pillars of support for their families, I say, if only I had that. But instead of complaining, I should be grateful for all the other things I have". In a 2009 interview with The Indian Express, she said she was not in touch with her father. Kaif says that her mother decided to "dedicate her life to social causes", which led to the family's relocation to a number of countries for varying lengths of time: Our transitions in growing up were--from Hong Kong where I was born, to China, then to Japan, and from Japan by boat to France ... After France, Switzerland--and I'm cutting out many East European countries where we were for only a few months each--then Poland in Krakow ... After that we went to Belgium, then to Hawaii, which was a short time, and then came to London. Due to their frequent relocation, Kaif and her siblings were home-schooled by a series of tutors. Although she is thought to have grown up in London, she lived there for only three years before moving to India. According to Kaif, she then changed her surname to her father's because she thought it would be easier to pronounce. Kaif's paternal parentage has been questioned by some members of the film industry. In a 2011 interview with Mumbai Mirror, Boom producer Ayesha Shroff accused Kaif of fabricating her history: "We created an identity for her. She was this pretty young English girl, and we gave her the Kashmiri father and thought of calling her Katrina Kazi. We thought we'd give her some kind of Indian ancestry, to connect with the audience ... But then we thought that Kazi sounded too ... religious? ... Mohammad Kaif was at the top, and so we said, Katrina Kaif sounds really great". Kaif called Shroff's comments "hurtful". In 2012, Kaif appeared in "Chikni Chameli", an item number in Agneepath that incorporated dance steps from the Lavani genre (a Maharashtrian folk dance). The song was filmed over a ten-day period and, according to the actress, "It was hard work. It was very fast and it was not a style I was used to, but I took it as a challenge". Kaif appeared next in Kabir Khan's espionage thriller Ek Tha Tiger as a Pakistani ISI agent who falls in love with an Indian RAW agent. Shubhra Gupta of The Indian Express wrote about her performance: "Katrina is an able, animated foil to Salman, her long legs making her leaps and kicks credible". The film received predominantly positive reviews, with Aniruddha Guha of Daily News and Analysis calling it "smart and stylish". With worldwide earnings of Rs3.1 billion (US$47 million), Ek Tha Tiger was the highest-grossing Bollywood film of the year. That year Kaif also appeared with Shah Rukh Khan and Anushka Sharma in Yash Chopra's swan song, the romance Jab Tak Hai Jaan. About working with Chopra, she remarked that he "undoubtedly is the king of romance and I have always admired the way he presents his heroines. It was always a dream to work with him and the reality is even better". She played Meera, a woman who promises God to end her affair with her comatose lover if he survives. Although the film received mostly positive reviews, Kaif's performance had a mixed reception. CNN-IBN wrote: "Meera's role was a difficult one and Katrina falls short in emotional scenes. It seems Katrina still doesn't feel very easy in front of the camera and has difficulty with complex expressions". Commercially, the film proved a box-office hit with revenues of Rs2.11 billion (US$32 million) worldwide. In 2013, she appeared briefly with Aamir Khan in Vijay Krishna Acharya's action thriller Dhoom 3. To prepare for her role as a circus performer, she undertook a year-long regimen of Pilates, functional training and aerial straps. The film received ambivalent reviews and Kaif was criticised for taking on an insubstantial part. Earning Rs5.42 billion (US$83 million) in box-office receipts, Dhoom 3 went on to become the highest-grossing Bollywood film of all time until it was surpassed by PK in 2014. Kaif's next appearance was in Siddharth Anand's Bang Bang! (2014), a remake of the 2010 action comedy Knight and Day. She played a bank receptionist who unwittingly gets caught up with a secret agent (Hrithik Roshan). Raja Sen of Rediff.com was disappointed with her performance, describing it as "insufferable". Although the film was commercially successful, financial analysts observed that it failed to meet box-office expectations. Ek Tha Tiger, Dhoom 3 and Bang Bang! still rank in the list of highest-grossing Indian films, while Jab Tak Hai Jaan still rank in the list of highest-grossing Indian films in overseas markets Kaif's sole appearance of 2015 was with Saif Ali Khan in Kabir Khan's post 26/11 counter-terrorism drama Phantom. In 2016, Kaif appeared in two films. In Abhishek Kapoor's Fitoor, an adaptation of Charles Dickens' Great Expectations, Kaif played a role based on Estella Havisham along with Aditya Roy Kapur and Tabu. Later that year she featured in Nitya Mehra's love story Baar Baar Dekho with Sidharth Malhotra. Both films were critical and commercial failures. In a review for the former, Namrata Joshi wrote: "Katrina is good so long as she has to just be herself. So she dances, smiles and flirts well, but the minute a dramatic scene comes up, her utter inadequacy as a performer shows." Next year, Kaif appeared alongside Ranbir Kapoor in Anurag Basu's comedy-adventure film Jagga Jasoos, which was released in 2017 after multiple delays. The film opened to mixed critical response and was a commercial disappointment. In the end of year, Kaif re-united with Salman Khan and reprised the role of Zoya in the Ali Abbas Zafar's action thriller film Tiger Zinda Hai, sequel to the 2012 film Ek Tha Tiger. The film released on Christmas weekend and opened to strong box office collections, collecting over Rs1.1 billion within three days of release. The film opened with positive to mixed reviews. Critics praised her action sequences but criticised her lack of dialogues. Rachit Gupta of Filmfare said, "The screenplay goes easy on [Kaif] by not giving her stand and dialogue. Instead, she does the bulk of the hand to hand combat and gun fights and she looks the part. It's invigorating to see a lady kick-ass with so much elan and pull all the punches like they're real." As of 2018, Kaif has filmed for the supportive role in the period action-adventure film Thugs of Hindostan, marking her second collaboration with Aamir Khan and director Vijay Krishna Acharya, also starring Amitabh Bachchan and Fatima Sana Shaikh. Kaif has also committed to star as an actress in Anand L Rai's Zero, marking her second collaboration with Shah Rukh Khan and Anushka Sharma, set to be released on 21 December 2018 during Christmas weekend. She has also been roped in for dance film ABCD 3, opposite Varun Dhawan. CANNOTANSWER

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Jonah Tali Lomu  (12 May 1975 - 18 November 2015) was a New Zealand rugby union player. He became the youngest ever All Black when he played his first international in 1994 at the age of 19 years and 45 days. Playing on the wing Lomu finished his international career with 63 caps and 37 tries. He is regarded as the first true global superstar of rugby and consequently had a huge impact on the game.

Following the World Cup New Zealand played Australia home and away for the Bledisloe Cup with Lomu scoring tries in both matches. Lomu's scoring for New Zealand continued later that year when he scored two tries in the All Blacks victory over Italy in Bologna. Lomu played in a losing effort against France in Toulouse, where New Zealand failed to score any tries. He scored a try in the second test in Paris, helping his team to victory. Lomu played for the All Blacks in matches against the touring Samoa and Scotland teams in June 1996, scoring in one of the Scottish matches. Just before the World Cup final a deal was struck between South Africa, New Zealand and Australia (SANZAR) to create the Tri-Nations, an annual round robin competition between the three nations launched with the advent of professionalism in rugby. New Zealand won all their games to become the first Tri-Nations winners. Lomu scored a try in a 43-6 victory over Australia in the inaugural match, which has been described by New Zealand Herald journalist David Leggat as "the perfect wet-weather game". At the end of 1996, he was diagnosed with a rare and serious kidney disorder, which saw him take time off from the sport. As a result, he did not play in the 1997 Tri Nations Series, but he was included in the All Blacks tour of the northern hemisphere at the end of the year. Lomu played in the two warm up matches, scoring tries against Wales 'A' and Emerging England. He played the first test against England at Old Trafford, as well as the test against Wales at Wembley Stadium, and the second match against England--he did not score in any of the three games. At the 1998 Commonwealth Games in Kuala Lumpur, he won a gold medal representing New Zealand in the Sevens Rugby event. The English rugby team came to New Zealand the following year for a two test series. Lomu played in both of the matches, scoring in the first, which was a 64-22 win in Dunedin, but not in the second test won 40-10 by the All Blacks. CANNOTANSWERAnswer this question using a quote from the following article:

Did he win any other medals or trophies in any other year during 1996-1998?


Background: Clarence Leonidas "Leo" Fender (August 10, 1909 - March 21, 1991) was an American inventor who founded Fender Electric Instrument Manufacturing Company, or "Fender" for short. In January 1965, he sold the company to CBS and later founded two other musical instrument companies, Music Man and G&L Musical Instruments. The guitars, bass guitars, and amplifiers he designed from the 1940s on are still widely used: the Fender Telecaster (1950) was the first mass-produced solid-body electric guitar; the Fender Stratocaster (1954) is among the world's most iconic electric guitars; the Fender Precision Bass (1951) set the standard for electric bass guitars, and the Fender Bassman amplifier, popular enough in its own right, became the basis for later amplifiers (notably by Marshall and Mesa Boogie) that dominated rock and roll music. Leo Fender was inducted into the Rock and Roll Hall of Fame in 1992--a unique achievement given that he never learned to play the instruments that he made a career of building.
Context: During this time, Fender also tackled the problems experienced by players of the acoustic double bass, who could no longer compete for volume with the other musicians. Besides, double basses were also large, bulky, and difficult to transport. With the Precision Bass (or "P-Bass"), released in 1951, Leo Fender addressed both issues: the Telecaster-based Precision Bass was small and portable, and its solid-body construction and four-magnet, single coil pickup let it play at higher volumes without feedback. Along with the Precision Bass (so named because its fretted neck allowed bassists to play with 'precision'), Fender introduced a bass amplifier, the Fender Bassman, a 25-watt amplifier with one 15-inch speaker (later updated to 45 watts and four 10-inch speakers). 1954 saw an update of the Precision Bass to coincide with the introduction of the Stratocaster. Incorporating some of the body contours of the Stratocaster, the update also included a two-section nickel-plated bridge and a white single-layer pickguard. In June 1957, Fender announced a redesign of the Precision Bass. The remake included a larger headstock, a new pickguard design, a bridge with four steel saddles that could be individually adjusted and a new split single-coil pickup. This proved to be the final version of the instrument, which has changed little since then. In 1960, rosewood fingerboards, wider color selections and a three-ply pickguard became available for the P-Bass. 1960 saw the release of the Jazz Bass, a sleeker, updated bass with a slimmer neck, and offset waist body and two single coil pickups (as opposed to the Precision Bass and its split-humbucking pickup that had been introduced in 1957). Like its predecessor, the Jazz Bass (or simply "J-Bass") was an instant hit and has remained popular to this day, and early models are highly sought after by collectors. CANNOTANSWER
Question: What his role with jazz?

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Franciscus "Frank" de Boer (Dutch pronunciation: ['fraNGg d@ 'bu:r]; born 15 May 1970) is a Dutch football manager. A former defender, De Boer spent most of his professional playing career with Ajax, winning five Eredivisie titles, two KNVB Cups, one UEFA Cup and one UEFA Champions League. He later spent five years at Barcelona, where he won the 1998-99 La Liga title, before retiring after short spells at Galatasaray, Rangers, Al-Rayyan and Al-Shamal. De Boer is the second most capped outfield player in the history of the Netherlands national team, with 112 caps.

On 6 December 2010, after the resignation of Martin Jol, De Boer was appointed caretaker manager of Ajax until the winter break. His first game in charge was a Champions League match against Milan at the San Siro, a match Ajax won 2-0 through goals from Demy de Zeeuw and Toby Alderweireld. De Boer then went on to help Ajax become champions of the Eredivisie for the 2010-11 season in a 3-1 home victory over Twente, the champions of the previous year, on the final matchday, making the first year of his professional coaching career a golden one. "I couldn't have wished for a more beautiful birthday present," said De Boer, as the club's 30th championship was won on his 41st birthday. In two-and-a-half years at the helm of Ajax, De Boer won three championships, making eight in total (when including the five that he won as a player). According to reports, De Boer was offered the chance to interview for the Liverpool job but turned it down to remain with Ajax. "I am honoured by the request [from Liverpool] but I have only just started with Ajax," he said. In 2013, De Boer received the Rinus Michels Award for manager of the year in the Netherlands after leading Ajax to their third successive Eredivisie title. On 27 April 2014, De Boer won his fourth successive Eredivisie title with Ajax, the first manager ever to achieve this in the Dutch league. Moreover, it marked the first time Ajax has ever won four successive Eredivisie titles. De Boer has now won a total of nine Eredivisie championships with Ajax as a player and manager, another record; Johan Cruyff, Sjaak Swart and Jack Reynolds all won eight Eredivisie championships with Ajax. Ajax finished the 2014-15 Eredivisie in second position, a massive 17 points behind champions PSV. On 11 May 2016, De Boer announced his resignation as manager of Ajax following a disappointing season when Ajax again lost out on the Eredivisie title to PSV on the final matchday of the season. CANNOTANSWER

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Did he win anything else while he was manager?


Hilltop Hoods are an Australian hip hop group that formed in 1994 in Blackwood, Adelaide, South Australia. The group was founded by Suffa (Matthew David Lambert) and MC Pressure (Daniel Howe Smith), who were joined by DJ Debris (Barry John M. Francis) after fellow founder, DJ Next (Ben John Hare), left in 1999. The group released its first extended play, Back

Two of Hilltop Hoods' founders first met in 1987 when MC Suffa (aka Matthew David Lambert) and MC Pressure (Daniel Howe Smith) attended Blackwood High School in Eden Hills - a suburb of Adelaide. In 1991 they joined up with DJ Next (Ben John Hare) through a mutual friend and formed an Australian hip hop group. Their name was supplied by fellow local MC Flak (from Cross Bred Mongrels) - the suburb of Blackwood is known by locals as the Hilltop. The band's influences include American hip hop artists: Notorious B.I.G., KRS-One, Gang Starr, Wu-Tang Clan and Public Enemy. At live shows Next was the group's DJ, for recording he contributed audio engineering and all the scratching/turntablism on their early works. He regularly competed in the local DMC World DJ Championships (DMC) tournaments, winning the South Australian DMC championships multiple times. Hilltop Hoods recorded a demo, Highlanders, which was released on cassette tape only. As well as Pressure and Suffa on vocals, the group included MC Summit aka DJ Sum-1, but he did not appear on later Hilltop Hoods work. The group's first official release, in 1997, was a vinyl-only, seven-track extended play, Back Once Again. Production was handled by DJ Debris (Barry John M Francis), turntablism and audio engineering by Next, vocals by Pressure and Suffa. The third track, "Shades of Grey", features Debris with a verse, and was co-written by Francis, Hare, Lambert and Smith. Fifth track, "Mankind Must Suffa" also features a guest verse from Quromystix (aka Quro, Andrew Michael Bradley) - a member of Finger Lickin' Good and later the Fuglemen. "Mankind Must Suffa" is credited to Lambert, Smith, Francis and Bradley. Back Once Again is out of print and unavailable for retail purchase. The group's debut studio album, A Matter of Time, was released in 1999 on CD only. As with Back Once Again, it is now unavailable for retail purchase. All scratching/turntablism is performed by Next, a track, "Let Me Show You", has no vocals - solely showcasing his turntable skills. American MC Bukue One (Tion Torrence) appears for a guest verse on "Deaf Can Hear". The track is credited to Lambert, Smith, Francis, Hare and Torrence. The album was released independently but with financial assistance from Arts SA - the band were inspired, in 2005, to set up their own Hilltop Hoods Initiative, to help local artists. After the album appeared, Next left the group and moved to Melbourne. In 2004 he moved to London. In 1999 Debris, who was also a member of the Cross Bred Mongrels, replaced Next and became the Hilltop Hoods' full-time DJ. Hilltop Hoods founded the Certified Wise Crew - a hip hop collaborative - with local groups Terra Firma, Cross Bred Mongrels and After Hours. Certified Wise Crew has since expanded to include MCs Trauma, Blockade, Kolaps, Flea, with Vents and Funkoars joining in later years. Hilltop Hoods received two nominations for the Hip Hop Act of the Year Award at the Australian Dance Music Awards and again at the 3D World Music Awards in 2001 and 2002. In 2001 the group's second album, Left Foot, Right Foot, was released with Lambert, Francis and M. Veraquth producing. On 22 September 2003, Hilltop Hoods released their third album, The Calling, which became a commercial breakthrough. In an interview after the release of their fourth album, Suffa revealed that The Calling was recorded on his mother's computer and the simplicity of their 'studio' is the reason why some of the music on the album is in monaural ('mono') sound. The Calling entered the ARIA Albums Chart in March 2004 and reached No. 53 before exiting the top 100 in September of the same year. By December 2006 it was certified platinum for shipment of 70,000 units, becoming the first Australian hip hop album to achieve platinum status. In March 2012, it re-entered the chart and peaked at No. 50 - eight-and-a-half years after its first release. It featured two singles, "The Nosebleed Section" and "Dumb Enough", which were listed in the Triple J Hottest 100, 2003. "The Nosebleed Section" was ranked No. 17 in the Triple J Hottest 100 of All Time in 2009. Hilltop Hoods' chart and commercial success was a turning point in the Australian Hip Hop scene because it demonstrated widespread support for the genre that reached beyond an underground fan base. On 1 April 2006, the group followed with their fourth album, The Hard Road, which peaked at number one. It was the first Australian hip hop album to do so. It was certified gold within a week of being released. Its lead single, "Clown Prince", reached the top 30 on the related ARIA Singles Chart. It featured guest verses from New York rapper, Omni, and British MCs, Mystro and Braintax. The Hilltop Hoods received the inaugural Australian Independent Record (AIR) Award for Independent Artist of the Year and Best Performing Independent Album for The Hard Road in 2006. The track, "The Blue Blooded", is a collaboration with Australian MCs: Funkoars, Hau from Koolism, Mortar, Vents, Drapht, Muph & Plutonic, Pegz and Robby Balboa. On 27 April of the same year, Hilltop Hoods performed at the Bass in the Grass music festival in Darwin alongside fellow hip hop group, The Herd. That same day they issued a second single, the title track from the album. Its video includes fellow members from the Certified Wise Crew - Cross Bred Mongrels, Terrafirma and Funkoars. Following the success of The Hard Road Tour in early 2006, the Hilltop Hoods began their second national tour for the year, The Stopping All Stations Tour, which visited more regional areas of Australia as well as the capital cities. They were supported by Koolism and Mystro. Late that year, Hilltop Hoods released their third single from the album, "What a Great Night". The video shows the group at a club with camera shots panning up and down to reveal a new location. It used special effects and is one of the most expensive video clips for an Australian hip hop group, mirroring the group's rise in success and popularity. Also late in the year the band won the J Award for best album of the year from Triple J. They performed the Homebake Festival and Falls Festival before the end of the year. The Hard Road received the AIR Award for Best Independent Hip Hop/Urban Release in 2007. On 12 May 2007, Hilltop Hoods released their next album The Hard Road: Restrung which is a remix of their previous studio album, The Hard Road, featuring the Adelaide Symphony Orchestra and Okwerdz. It peaked at No. 8 on the ARIA Albums Chart. Like its predecessor The Hard Road, it took out "Best Urban Release" at the ARIA Awards of 2007, with the group going back-to-back in the category. The lead single from the album "Recapturing the Vibe Restrung", its video clip was on high rotation on rage & jtv. That year the group performed at the Southbound Festival (WA), The Great Escape at Newington Armory over Easter, and embarked on a UK tour with a Sydney-based string quartet. They finished the year by headlining the Pyramid Rock Festival on Victoria's Phillip Island over New Year's Eve 2007. In 2008 they performed at the Big Day Out festivals, at Glastonbury Festival and Islington Academy in London. In December their DVD, The City of Light, was released and was nominated as 'Best Music DVD' at the 2008 ARIA Awards. Hilltop Hoods left their longtime home of Obese Records to start their own label, Golden Era Records, to release their future material. In November 2008 Pressure announced on Triple J's breakfast program that the next studio album, State of the Art, would be recorded with session musicians: "We realised with this one after doing Restrung and having an orchestra that we were a bit less limited. So we're going to have some session musos come in on this one and stuff like that". The album was released on 12 June, with the lead single, "Chase That Feeling", issued as a digital download on 8 May, and featured a return guest appearance by a quartet from the Adelaide Symphony Orchestra. The album debuted at number one on the albums chart while "Chase That Feeling" peaked at No. 8 on the related singles chart. By 2010 State of the Art was certified 2x platinum for shipment of 140,000 units. In early 2009 the Hilltop Hoods performed at the Groovin the Moo festival in Townsville, Maitland and Bendigo. They also performed at Triple J's One Night Stand in Sale, Victoria on 30 May, and at Fat as Butter festival in Newcastle on 25 October where they played several of the tracks from the album. To promote its release the band started a national tour starting on 18 July and performed at most major cities including state capitals. The second national tour that year followed on 11 November with support provided by Vents. CANNOTANSWER

Answer the following question by taking a quote from the article: Did it have any hit singles?


A marching band is a group in which instrumental musicians perform while marching, often for entertainment or competition. Instrumentation typically includes brass, woodwind, and percussion instruments. Most marching bands wear a uniform, often of a military style, that includes an associated school or organization's colors, name or symbol. Most high school marching bands, and some college marching bands, are accompanied by a color guard, a group of performers who add a visual interpretation to the music through the use of props, most often flags and rifles.

Traditional Style bands, also known as Show Bands, are marching bands geared primarily towards crowd entertainment and perform on football fields. Typically, they perform a routine before the game, another at halftime, and sometimes after the game as well. Competitive show bands perform only one show that is continually refined throughout a season, while bands that focus on entertainment rather than competition usually perform a unique show for each game. These shows normally consists of three to five musical pieces accompanied by formations rooted in origin from Patterns in Motion, a book penned by band director William C. "Bill" Moffit, bandmaster of Purdue University All-American Marching Band and University of Houston Spirit of Houston. A recognizable style of show band is the one fielded by historically black colleges and universities (HBCUs). HBCU bands utilize the traditional "ankle-knee" high step and music selections are largely based on R&B, hip-hop, and contemporary popular music. In addition to traditional drill formations, HBCU bands feature heavily choreographed dance routines as part of their performances. Many of these bands may have a twirler line and/or a dancer line, but not necessarily flag twirlers. One of the most notable depictions of HBCU bands is the film Drumline. HBCU bands are a significant part of African-American musical culture and HBCU bands often surpass their associated football teams in popularity, a phenomenon that is uncommon among collegiate and high school marching bands. In 1989, as part of the celebrations for the bicentennial of the French Revolution, the Florida A&M University Marching 100, one of the most prolific HBCU bands in the country, was selected as the official representative of the United States in the bicentennial parade. Another style of show band is that used by many of the Big Ten Conference marching bands, a semi-military and semi-corps style. These bands perform a show that is designed to entertain the audience, but feature more traditional symphonic styles of music (marches, film scores, jazz, or older pop music) as well as some contemporary music. Big Ten style show bands have been influential in creating some of the earliest marching band innovations, and the style is used in high schools throughout much of the United States. Most show bands of either type include the traditional military band instrumentation of woodwinds, brass, and battery percussion. Some also include the front ensemble keyboard percussion, and may also incorporate the use of a color guard for flag, and rifle routines as well as a dance line. Many bands have auxiliaries that add a visual component to the performance. For ceremonial bands, this could be a traditional color guard or honor guard. For drum & bugle corps and corps-style field bands, this could include Dance lines, majorettes, Auxiliary units may be collectively referred to as color guard or visual ensemble. Auxiliaries may perform as independent groups. In the early 1970s, color guards began to hold their own competitions in the winter (after the American football season, and before the beginning of the summer drum and bugle corps season). These became known as winter guard. There are also numerous dance competitions in the off-season. The color guard of a marching band or drum and bugle corps may contain sabers, mock rifles, and tall flags. In modern bands, other props are often used: flags of all sizes, horizontal banners, vertical banners, streamers, pom-poms, even tires, balls, and hula hoops or custom built props. The color guard may also employ stage dressing such as backdrops, portable flats, or other structures. These can be used simply as static scenery or moved to emphasize block drill, and are often used to create a "backstage" area to store equipment and hide personnel. While military color guards were typically male, band color guards tend to be primarily female, though it is becoming more common for men to join as well. A few independent units are all-male. Guard members nearly always wear a special uniform or costume that is distinctive from that of the band, not necessarily matching in design or color. The men's and women's guard uniforms are usually designed in one of two ways: nearly identically, but with gender-specific parts (i.e. skirts) adapted for the use of the opposite sex; or complimentarily, with the two uniforms designed similarly but with variations in color or form. The color guard uniform, especially in a high school marching band, need not be in school colors; in fact, they rarely are. These uniforms are designed to represent a certain aspect of the halftime show, characterize the guard members through costumes, or tell some sort of story, and can thus be in any design or color (a surprisingly common complaint among the high school audience is that guard uniforms and equipment "aren't school colors"). Indoor color guards have become popular within high schools and universities throughout the United States. These groups perform a theme-based show in competitions after the outdoor marching band season ends. Indoor color guard shows are typically performed in school gymnasiums and are adjudicated. High step is a style of marching used by many colleges and universities, including most bands of HBCUs and the Big Ten. Three primary sub-variants of the high are used: The ankle-knee step involves bringing the foot up to the inside of the leg to the knee before coming down and forward. This is the style used by most bands from HBCUs. The chair step involves lifting the knee until the thighs are parallel to the ground, and with toes pointed downward. When the leg is elevated to its maximum height, a ninety-degree angle exists between the torso and the thigh, as well as between the thigh and shin. The leg is then lowered, and this is repeated in an alternating fashion between the legs. The style is used by many schools in the Big Ten. The extended high step, similarly to the chair step, involves the thigh being parallel to the ground and perpendicular to the body, but instead with the shin extended outward at a forty five-degree angle from the body and with toes pointed downward. The leg is then driven quickly back to the ground while the other leg repeats in this fashion. An integral part of this style of marching is known as stop action, meaning that all movement ceases momentarily at the apex of each step. This requires a band to have a great deal of stamina, though is effective visually. High step marching is often accompanied by a horizontal swing of the player's body and/or instrument. CANNOTANSWER

What are some other traditional drill formations?


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Abu Bakr as-Siddiq 'Abdallah bin Abi Quhafah (Arabic: 'bw bkr lSdyq `bd llh bn 'by qHf@; c. 573 CE - 22 August 634 CE), popularly known as Abu Bakr ('bw bkr), was a senior companion (Sahabi) and--through his daughter Aisha--the father-in-law of the Islamic prophet Muhammad. Abu Bakr became the first openly declared Muslim outside Muhammad's family. Abu Bakr served as a trusted advisor to Muhammad.

In 630 AD Muhammad decided to lead an expedition to Tabuk on the Syrian border. In order to finance the expedition Muhammad invited contributions and donations from his followers. Uthman provided ten thousand camels. Umar made a liberal contribution. When Muhammad asked him how much he had left for himself and his family he said that he has given one half of his wealth for the cause of God and had left one half for himself and his dependents. Then Abu Bakr came loaded with his contribution and Muhammad put him the same question as to how much wealth he had for himself and his family. Abu Bakr said "I have brought all that I had. I have left Allah and His Prophet for myself and my family". This episode has formed the theme of one of the poems of Allama Iqbal. The last verse of this poem reads: For the moth the lamp, and for the nightingale the flower For Siddiq God and His Prophet Suffice. The call to arms was given at a very critical period. The weather was burning hot. Crops were ripe and ready for harvesting. The journey was long and arduous. Many persons preferred to stay back. In spite of these obstacles and difficulties, an army of thirty thousand persons was raised. The army assembled at Al Jorf outside Medina. Muhammad remained at Medina for some time to attend to other affairs, and at Al Jorf Abu Bakr deputised for Muhammad and led the prayers. The Muslim army reached Tabuk after a weary march. At Tabuk the standard of the army was entrusted to Abu Bakr. There were no Byzantine forces to meet the Muslims. On coming to know of the advance of the Muslim army the Byzantines had withdrawn their army well within Syria. The Muslim achieved their object without fighting a shot. The Byzantines who had at one time threatened to invade Arabia were no longer in the mood to measure swords with the Muslims. CANNOTANSWER


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Massive Attack are an English trip hop group formed in 1988 in Bristol, consisting of Robert "3D" Del Naja, Grant "Daddy G" Marshall and formerly Andy "Mushroom" Vowles ("Mush"). Their debut album Blue Lines was released in 1991, with the single "Unfinished Sympathy" reaching the charts and later being voted the 63rd greatest song of all time in a poll by NME. 1998's Mezzanine, containing "Teardrop", and 2003's 100th Window charted in the UK at number one. Both Blue Lines and Mezzanine feature in Rolling Stone's list of the 500 Greatest Albums of All Time.

In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was a new Massive Attack album in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection. "The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet - but that was fun. They should be on the next album." On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavik on 20 June through 22 June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels. On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including Massive Attack's Robert Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera. On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and long term collaborator, Euan Dickinson. It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP. On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on Fantom, an iPhone application on which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter and Mazzy Star frontwoman Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. CANNOTANSWER


Gates was born in Seattle, Washington on October 28, 1955. He is the son of William H. Gates Sr. (b. 1925) and Mary Maxwell Gates (1929-1994). His ancestry includes English, German, Irish, and Scots-Irish.

After Gates read the January 1975 issue of Popular Electronics, which demonstrated the Altair 8800, he contacted Micro Instrumentation and Telemetry Systems (MITS), the creators of the new microcomputer, to inform them that he and others were working on a BASIC interpreter for the platform. In reality, Gates and Allen did not have an Altair and had not written code for it; they merely wanted to gauge MITS's interest. MITS president Ed Roberts agreed to meet them for a demo, and over the course of a few weeks they developed an Altair emulator that ran on a minicomputer, and then the BASIC interpreter. The demonstration, held at MITS's offices in Albuquerque, was a success and resulted in a deal with MITS to distribute the interpreter as Altair BASIC. Paul Allen was hired into MITS, and Gates took a leave of absence from Harvard to work with Allen at MITS in Albuquerque in November 1975. They named their partnership "Micro-Soft" and had their first office located in Albuquerque. Within a year, the hyphen was dropped, and on November 26, 1976, the trade name "Microsoft" was registered with the Office of the Secretary of the State of New Mexico. Gates never returned to Harvard to complete his studies. Microsoft's Altair BASIC was popular with computer hobbyists, but Gates discovered that a pre-market copy had leaked into the community and was being widely copied and distributed. In February 1976, Gates wrote an Open Letter to Hobbyists in the MITS newsletter in which he asserted that more than 90 percent of the users of Microsoft Altair BASIC had not paid Microsoft for it and by doing so the Altair "hobby market" was in danger of eliminating the incentive for any professional developers to produce, distribute, and maintain high-quality software. This letter was unpopular with many computer hobbyists, but Gates persisted in his belief that software developers should be able to demand payment. Microsoft became independent of MITS in late 1976, and it continued to develop programming language software for various systems. The company moved from Albuquerque to its new home in Bellevue, Washington, on January 1, 1979. During Microsoft's early years, all employees had broad responsibility for the company's business. Gates oversaw the business details, but continued to write code as well. In the first five years, according to Bill Gates' own claims, he personally reviewed every line of code the company shipped, and often rewrote parts of it as he saw fit. CANNOTANSWER

Answer the following question by taking a quote from the article: once he got rid of BASIC what did Bill do?


Canned Heat is an American rock band formed in Los Angeles in 1965. The group has been noted for its interpretations of blues material and for its efforts to promote interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat" (from the original 1914 product name Sterno Canned Heat), After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup consisting of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

With Taylor and Mandel gone, Vestine returned on guitar, accompanied by bassist Antonio de la Barreda who had played with de la Parra for five years in Mexico City and was previously a member of the groups Jerome and Sam & the Goodtimers. This lineup went into the studio to record with John Lee Hooker the tracks that would yield the double album, Hooker 'n Heat. The band had originally met Hooker at the airport in Portland, Oregon, and discovered they were fans of each other's work. Hooker and Canned Heat became good friends and Hooker had stated that Wilson was "the greatest harmonica player ever". The planned format for the sessions called for Hooker to perform a few songs by himself, followed by some duets with Wilson playing piano or guitar. The rest of the album featured Hooker with some backing by the group (sans Bob Hite, who co-produced the album along with Skip Taylor). The album was finished after Wilson's passing and became the first album in Hooker's career to make the charts, topping out at #73 in February 1971. Hooker 'n Heat would unite again in 1978 and record a live album at the Fox Venice Theatre in Los Angeles, released in 1981 as, Hooker 'n Heat, Live at the Fox Venice Theatre, under Rhino Records. Also in 1989, Canned Heat (and many others) guested on John Lee Hooker's album The Healer. Shortly after the original Hooker 'n Heat sessions, Wilson, who had always suffered from depression, was said by some to have attempted suicide by driving his van off the road near Hite's home in Topanga Canyon. Unlike other members of the band, Wilson did not have much success with women and was deeply upset and frustrated by this. His depression also worsened over time. On September 3, 1970, just prior to leaving for a festival in Berlin, the band learned of Wilson's death by barbiturate overdose; his body was found on a hillside behind Hite's home. De la Parra and other members of the band believed that his death was a suicide. Wilson died at the age of 27, just weeks before Janis Joplin and Jimi Hendrix. CANNOTANSWERAnswer this question using a quote from the following article:

Was he partying with hite