Ricardo Alonso Gonzalez (May 9, 1928 - July 3, 1995), usually known as Pancho Gonzales, and sometimes as Richard Gonzales, was an American tennis player who has been rated one of the greatest in the history of the sport. He won 14 major singles titles (12 Pro Slam, 2 Grand Slam) and was the dominant professional of the 1950s; he still holds the men's all-time record of being ranked world No. 1 for eight years. Gonzales was a ruthless competitor with a fierce temper. Many of his peers on the professional circuit were intimidated by him, and he was often at odds with officials and promoters.

Most of Gonzales's career as a professional took place before the start of the open era of tennis in April 1968, and he was therefore ineligible to compete at the Grand Slam events between the end of 1949 (when he turned pro) and the start of the open era in April 1968. As has been observed about other great players such as Rod Laver, Gonzales almost certainly would have won a number of additional Grand Slam titles had he been permitted to compete in those tournaments during that 18-year period. Jack Kramer, for instance, has speculated in an article about the theoretical champions of Forest Hills and Wimbledon that Gonzales would have won an additional 11 titles in those two tournaments alone. In May 1968, he was the first professional to lose to an amateur, the British player Mark Cox. The then-24-year-old Cox beat Gonzales at the British Hard Court Championships at Bournemouth, 0-6, 6-2, 4-6, 6-3, 6-3, in two and a quarter hours. The first major open tournament was the 1968 French Open, when Gonzales had just turned 40. In spite of the fact that he had been semi-retired for a number of years and that the tournament was held on slow clay courts that penalize serve-and-volley players, Gonzales beat the 1967 defending champion Roy Emerson in the quarterfinals. He then lost in the semifinals to Rod Laver. He lost in the third round of 1968 Wimbledon but later beat the second-seeded Tony Roche in the fourth round of the 1968 US Open, before losing an epic match to the Netherlands' Tom Okker. CANNOTANSWER

who did he lose to


Diponegoro was born on 11 November 1785 in Yogyakarta, and was the eldest son of Sultan Hamengkubuwono III of Yogyakarta. During his youth at the Yogyakartan court, major occurrences such as the dissolution of the VOC, the British invasion of Java, and subsequent return to Dutch rule. During the invasion, the Sultan Hamengkubuwono II, pushed aside in his power on 1810 in favor of Diponegoro's father, used the general disruption to regain control. In 1812 however he was once more removed from the throne and exiled off-Java by the British forces.

Dutch colonial rule was becoming unpopular among local farmers because of tax rises, crop failures and among Javanese nobles because the Dutch colonial authorities deprived them of their right to lease land. Diponogoro was widely believed to be the Ratu Adil, the just ruler predicted in the Pralembang Jayabaya. Mount Merapi's eruption in 1822 and a cholera epidemic in 1824 furthered the view that a cataclysm is inbound, eliciting widespread support for Diponegoro. In the days leading up to the war's outbreak, no action was taken by local Dutch officials although rumors of his upcoming insurrection had been floating about. Prophesies and stories, ranging from visions from the tomb of Sultan Ageng Tirtayasa to his contact with Nyai Roro Kidul, spread across the populace. The beginning of the war saw large losses on the side of the Dutch, due to their lack of coherent strategy and commitment in fighting Diponegoro's guerrilla warfare. Ambushes were set up, and food supplies were denied to the Dutch troops. The Dutch finally committed themselves to controlling the spreading rebellion by increasing the number of troops and sending General De Kock to stop the insurgency. De Kock developed a strategy of fortified camps (benteng) and mobile forces. Heavily fortified and well-defended soldiers occupied key landmarks to limit the movement of Diponegoro's troops while mobile forces tried to find and fight the rebels. From 1829, Diponegoro definitively lost the initiative and he was put in a defensive position; first in Ungaran, then in the palace of the Resident in Semarang, before finally retreating to Batavia. Many troops and leaders were defeated or deserted. CANNOTANSWER

How many were in his army?


Background: MC5 was an American rock band from Lincoln Park, Michigan, formed in 1964. The original band line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson. "Crystallizing the counterculture movement at its most volatile and threatening", according to AllMusic critic Stephen Thomas Erlewine, the MC5's leftist political ties and anti-establishment lyrics and music positioned them as emerging innovators of the punk movement in the United States.
Context: The origins of MC5 can be traced to the friendship between guitarists Wayne Kramer and Fred Smith. Friends since their teen years, they were both fans of R&B music, blues, Chuck Berry, Dick Dale, The Ventures, and what would later be called garage rock: they adored any music with speed, energy and a rebellious attitude. Each guitarist/singer formed and led a rock group (Smith's Vibratones and Kramer's Bounty Hunters). As members of both groups left for college or straight jobs, the most committed members eventually united (under Kramer's leadership and the "Bounty Hunters" name) with Billy Vargo on guitar and Leo LeDuc on drums (at this point Smith played bass), and were popular and successful enough in and around Detroit that the musicians were able to quit their day jobs and make a living from the group. Kramer felt they needed a manager, which led him to Rob Derminer, a few years older than the others, and deeply involved in Detroit's hipster and left-wing political scenes. Derminer originally auditioned as a bass guitarist (a role which he held briefly in 1964, with Smith switching to guitar to replace Vargo and with Bob Gaspar replacing LeDuc), though they quickly realized that his talents could be better used as a lead singer: Though not conventionally attractive and rather paunchy by traditional frontman standards, he nonetheless had a commanding stage presence, and a booming baritone voice that evidenced his abiding love of American soul and gospel music. Derminer renamed himself Rob Tyner (after Coltrane's pianist McCoy Tyner). Tyner also invented their new name, MC5: it reflected their Detroit roots (it was short for "Motor City Five'). In some ways the group was similar to other garage bands of the period, composing soon-to-be historic workouts such as "Black to Comm" during their mid-teens in the basement of the home of Kramer's mother. Upon Tyner's switch from bassist to vocalist, he was initially replaced by Patrick Burrows, however the lineup was stabilised in 1965 by the arrival of Michael Davis and Dennis Thompson to replace Burrows and Gaspar respectively. The music also reflected Smith and Kramer's increasing interest in free jazz--the guitarists were inspired by the likes of Albert Ayler, Archie Shepp, Sun Ra and late period John Coltrane, and tried to imitate the ecstatic sounds of the squealing, high-pitched saxophonists they adored. MC5 even later opened for a few U.S. midwest shows for Sun Ra, whose influence is obvious in "Starship". Kramer and Smith were also deeply inspired by Sonny Sharrock, one of the few electric guitarists working in free jazz, and they eventually developed a unique interlocking style that was like little heard before: Kramer's solos often used a heavy, irregular vibrato, while Smith's rhythms contained an uncommon explosive energy, including patterns that conveyed great excitement, as evidenced in "Black to Comm" and many other songs. Playing almost nightly any place they could in and around Detroit, MC5 quickly earned a reputation for their high-energy live performances and had a sizeable local following, regularly drawing sellout audiences of 1000 or more. Contemporary rock writer Robert Bixby stated that the sound of MC5 was like "a catastrophic force of nature the band was barely able to control", while Don McLeese notes that fans compared the aftermath of an MC5 performance to the delirious exhaustion experienced after "a street rumble or an orgy". (McLeese, 57) Having released a cover of Them's "I Can Only Give You Everything" backed with original composition "One of the Guys" on the tiny AMG label over a year earlier, in early 1968 their second single was released by Trans-Love Energies on A-Square records (though without the knowledge of that label's owner Jeep Holland). Housed in a striking picture sleeve, it comprised two original songs: "Borderline" and "Looking at You". The first pressing sold out in a few weeks, and by year's end it had gone through more pressings totaling several thousand copies. A third single that coupled "I Can Only Give You Everything" with the original "I Just Don't Know" appeared at about the same time on the AMG label, as well. That summer MC5 toured the U.S. east coast, which generated an enormous response, with the group often overshadowing the more famous acts they opened up for: McLeese writes that when opening for Big Brother and the Holding Company audiences regularly demanded multiple encores of MC5, and at a memorable series of concerts, Cream -- one of the leading hard rock groups of the era -- "left the stage vanquished". (McLeese, 65) This same east coast tour led to the rapturous aforementioned Rolling Stone cover story that praised MC5 with nearly evangelistic zeal, and also to an association with the radical group Up Against the Wall Motherfuckers. MC5 became the leading band in a burgeoning hard rock scene, serving as mentors to fellow South-Eastern Michigan bands The Stooges and The Up, and major record labels expressed an interest in the group. As related in the notes for reissued editions of the Stooges' debut album, Danny Fields of Elektra Records came to Detroit to see MC5. At Kramer's recommendation, he went to see The Stooges. Fields was so impressed that he ended up offering contracts to both bands in September 1968. They were the first hard rock groups signed to the fledgling Elektra. MC5 earned national attention with their first album, Kick Out the Jams, recorded live on October 30 and 31, 1968, at Detroit's Grande Ballroom. Elektra executive Jac Holzman and producer Bruce Botnick recognized that MC5 were at their best when playing for a receptive audience. Containing such songs as the proto-punk classics "Kick Out the Jams" and "Rama Lama Fa Fa Fa", the spaced-out "Starship" (co-credited to Sun Ra because the lyrics were partly cribbed from one of Ra's poems), and an extended cover of John Lee Hooker's "Motor City is Burning" wherein Tyner praises the role of Black Panther snipers during the Detroit Insurrection of 1967. Critic Mark Deming writes that Kick out the Jams "is one of the most powerfully energetic live albums ever made ... this is an album that refuses to be played quietly." The album caused some controversy due to Sinclair's inflammatory liner notes and the title track's rallying cry of "Kick out the jams, motherfucker!" According to Kramer, the band recorded this as "Kick out the jams, brothers and sisters!" for the single released for radio play; Tyner claimed this was done without group consensus (Thompson, 2000). The edited version also appeared in some LP copies, which also withdrew Sinclair's excitable comments. The album was released in January 1969; reviews were mixed, but the album was relatively successful, quickly selling over 100,000 copies and peaking at #30 on the Billboard album chart in May 1969 during a 23-week stay. When Hudson's, a Detroit-based department store chain, refused to stock Kick Out the Jams due to the obscenity, MC5 responded with a full page advertisement in the local underground magazine Fifth Estate saying "Stick Alive with the MC5, and Fuck Hudson's!", prominently including the logo of MC5's label, Elektra Records, in the ad. Hudson's pulled all Elektra records from their stores, and in the ensuing controversy, Jac Holzman, the head of Elektra, dropped the band from their contract. MC5 then signed with Atlantic Records. CANNOTANSWER
Question: what number album was kick out the jams for them?

Answer:


Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois, to Ivan W. Wing (1907-1987), of Norwegian and Swedish descent, and Virginia (nee Barnett; 1910-1984), a lineal descendant of passengers of the Mayflower. Her parents met while they were both students at the University of Washington, and later married. In 1949, her brother Chris was born. Her father, working in the investment banking sector for Weeden and Company, was transferred several times when she was a child, and in addition to Chicagoland, she lived in Los Angeles and San Francisco, before her family finally settled in the San Francisco suburb of Palo Alto, California in the early 1950s.

Slick has been married twice--to Gerald "Jerry" Slick, a cinematographer, from 1961 to 1971, then to Skip Johnson, a Jefferson Starship lighting designer, from 1976 to 1994. She has one child--a daughter, China Wing Kantner (born January 25, 1971). China's father is the former Jefferson Airplane guitarist Paul Kantner, with whom Slick had a relationship from 1969 to 1975. During her hospital stay after China's birth, Slick joked to one of the attending nurses that she intended to name the child "god" with a lowercase g, as she "wished for the child to be humble." The nurse took Slick seriously, and her report of the incident caused a minor stir, as well as the creation of a rock-and-roll urban legend. Slick publicly has acknowledged her alcoholism, discussed her rehabilitation experiences, and commented on her use of LSD, marijuana, and other substances in her autobiography, various interviews, and several celebrity addiction and recovery books, including The Courage to Change by Dennis Wholey and The Harder They Fall by Gary Stromberg and Jane Merrill. During Jefferson Starship's 1978 European tour, Slick's alcoholism became a problem for the band. The group had to cancel the first night in Germany because she was too intoxicated to perform, causing the audience to riot. Slick performed the next night with the band, but was so inebriated she could not sing properly. She also attacked the audience, mocking Germany for losing World War II, and groping both female audience members and bandmates. The next day, she left the group. That same year, Slick was dragged off a San Francisco game show for abusing the contestants. She was admitted to a detoxification facility at least twice, once during the 1970s at Duffy's in Napa Valley, and once in the 1990s with daughter China. CANNOTANSWER

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"Purple Haze" is a song written by Jimi Hendrix and released as the second record single by the Jimi Hendrix Experience on March 17, 1967. As a record chart hit in several countries and the opening number on the Experience's debut American album, it was many people's first exposure to Hendrix's psychedelic rock sound. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. "

Music critic William Ruhlmann describes "Purple Haze" as having "relentlessly driving, if relatively slow-paced underlying music, which provides a good platform for some of Hendrix's inventive guitar playing". Beginning with its dissonant opening and heavy use of distortion, Hendrix's techniques "all contributed to the dirty, raw, metallic, [and] angular sounds" heard in the song, according to Shapiro. The intro consists of the melodic interval of a tritone or diminished (sometimes called flattened) fifth. Historically, this dissonant interval has been referred to as diabolus in musica (literally "Devil in music") and was reputedly proscribed by papal bull during the Spanish Inquisition, because "to play it was like ringing Satan's doorbell". It is sounded during the first two measures by Hendrix playing a B on guitar against an E played by Redding on bass, followed by the respective octaves. Mitchell on drums comes in for the third measure, when Hendrix introduces the riff that piqued Chandler's interest, and Redding continues playing the octaves in E. After the riff, the verse sections begin, which Shadwick describe as "simplicity itself, consisting of just three chords": E7#9, G, and A. The E7#9, or dominant seventh sharp ninth chord, has come to be called the "Hendrix chord" by guitarists and was used primarily in rhythm and blues and jazz before Hendrix helped popularize it. He also used an unconventional fingering technique for the G and A chords. Because Hendrix used his thumb to fret the roots of the G and A chords on the sixth string, his fingers were left in a position to create different chord voicings. Instead of the usual G barre chord (G-B-G-B-D-G), a G5 (G-X-G-G-D-G) is sometimes played with the major third (B) being muted on the fifth string and replaced by the open third string (G). Redding follows the chord changes mostly by playing the root with occasional passing notes, while Mitchell heightens the tension with drum flourishes that accentuate Hendrix's vocal and guitar. Biographer David Henderson describes Hendrix's guitar tone as "at the razor edge of distort". However, individual notes are still clear, as well as the harmonically more complex chords, even with the use of extreme overdrive for the time. The tension is maintained until the guitar solo, which "arrives as something of a release rather than a further racking up of the atmosphere." It is also when Hendrix first introduces the Octavia, coupled with a Fuzz Face distortion unit. Whitehill describes the solo as "almost sound[ing] likes he's playing a blues raga. He starts out playing in the Mixolydian mode and then he goes right into the blues side. The Octavia has the effect of a sitar, kind of like Ravi Shankar meets B.B. King." During the song's outro, the guitar part recorded at 7 1/2  inches per second (ips) played back at 15 ips, is combined with the Octavia, further extending the guitar's upper frequency range. Henderson describes it as "an uncanny piercing tone that takes off, Eastern-sounding beyond the range of the guitar" and, according to Shadwick, "gives the impression that the guitar notes are flying off into the ether." CANNOTANSWER

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James William Johnson (born July 16, 1943) is an American football broadcaster and former player, coach, and executive. He served as the head football coach at Oklahoma State University-Stillwater from 1979 to 1983 and the University of Miami from 1984 to 1988. Johnson then moved to the National Football League (NFL), serving as head coach of the Dallas Cowboys from 1989 to 1993, winning two Super Bowls with the team (both against the Buffalo Bills), and finally serving as head coach of the Miami Dolphins from 1996 to 1999. As of 2016, he is an analyst for Fox NFL Sunday, the Fox network's NFL pregame show for the NFL games.

Johnson began as an assistant coach at Louisiana Tech University in 1965. During this time, Phil Robertson of Duck Dynasty fame was the starting quarterback, and Jimmy helped recruit high school quarterback Terry Bradshaw from nearby Shreveport, Louisiana. He then became an assistant coach at Picayune Memorial High School in Picayune, Mississippi, in 1966. In 1967, he was an assistant at Wichita State University, then in 1968 and 1969, he served under Johnny Majors at Iowa State University in Ames. In 1970, he moved on to another Big Eight Conference school to become a defensive line coach at the University of Oklahoma, working under head coach Chuck Fairbanks and alongside future rivals Barry Switzer and Jim Dickey. In 1973, he returned to Arkansas, where he served as defensive coordinator through the 1976 season. There, he coached such players as Brison Manor and Dirt Winston. Johnson had hopes of being named head coach when Broyles retired, but was passed over for Lou Holtz. Holtz offered to retain Johnson on his staff, but he decided to move on and amicably parted company with his alma mater. Johnson became assistant head coach and defensive coordinator at the University of Pittsburgh under Jackie Sherrill in 1977 and 1978. There, he coached Randy Holloway, David Logan, Al Chesley, J. C. Wilson, and Hugh Green, and was introduced to a Pitt alumnus and assistant coach Dave Wannstedt, who later teamed up with Johnson again at the University of Miami, the Cowboys, and the Dolphins. In 1979, Johnson became head coach at Oklahoma State. Johnson coached for five seasons at Oklahoma State, from 1979 to 1983, before taking the head coaching job at the University of Miami. Johnson interviewed for the head coaching job at Arkansas when Lou Holtz left following the 1983 season, then later found out Ken Hatfield had already been hired. Upset that Frank Broyles (who was still the Arkansas athletic director) made no mention of this during the interview, Jimmy distanced himself from his alma mater. As payback for the snub, a home-and-home series was scheduled with Arkansas. In 1987, Miami gave Arkansas its worst home loss ever at the time, 51-7. CANNOTANSWERAnswer this question using a quote from the following article:

Did he set any records with the team?


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The Hohokam () were an ancient Native American culture centered in the present US state of Arizona. The Hohokam are one of the four major cultures of the American Southwest and northern Mexico in Southwestern archaeology. Considered part of the Oasisamerica tradition, the Hohokam established significant trading centers such as at Snaketown, and are considered to be the builders of the original canal system around the Phoenix metropolitan area, which the Mormon pioneers rebuilt when they settled the Lehi area of Mesa near Red Mountain. Variant spellings in current, official usage include Hobokam, Huhugam, and Huhukam.

Cultural labels such as Hohokam, Ancient Pueblo (Anasazi), Mogollon, or Patayan are used by archaeologists to define cultural differences among prehistoric peoples. Culture names and divisions have been assigned by individuals separated from the cultures by both time and space. Cultural divisions are by nature arbitrary, and are based solely on data available at the time of scholarly analysis and publication. They are subject to change, not only on the basis of new information and discoveries, but also as attitudes and perspectives change within the scientific community. An archaeological division cannot be assumed to correspond to a particular language group or to a political entity such as a "tribe". When making use of modern cultural divisions in the Southwest, three specific limitations in the current conventions exist: Archaeological research focuses on physical remains, the items left behind during people's activities. Scientists are able to examine fragments of pottery vessels, human remains, stone tools. or evidence left from the construction of buildings, but many other aspects of the cultures of prehistoric peoples are not tangible. Languages spoken by these people and their beliefs and behavior are difficult to decipher from the physical materials. Cultural divisions are tools of the modern scientist, so should not be considered similar to divisions or relationships the ancient residents may have recognized. Modern cultures in this region, many of whom claim some of these ancient people as ancestors, contain a striking range of diversity in lifestyle, language, and religious belief. This suggests the ancient people were also more diverse than their material remains may suggest. The modern term "style" has a bearing on how material items such as pottery or architecture can be interpreted. Within a people, different ways to accomplish the same goal can be adopted by subsets of the larger group. For example, in modern Western cultures, alternative styles of clothing characterize older and younger generations. Some cultural differences may be based on linear traditions, on teaching from one generation or "school" to another. Varieties in style may define arbitrary groups within a culture, perhaps identifying social status, gender, clan or guild affiliation, religious belief, or cultural alliances. Variations may also simply reflect the different resources available in given time or area. Designating culture groups, such as the Hohokam, tends to create an image of group territories separated by clear-cut boundaries, like modern nation states. These simply did not exist. "Prehistoric people traded, worshipped, and collaborated most often with other nearby groups. Cultural differences should therefore be understood as 'clinal', 'increasing gradually as the distance separating groups also increases.'"  Departures from the expected pattern may occur because of unidentifiable social or political situations or because of geographical barriers. In the Southwest, mountain ranges, rivers, and most obviously, the Grand Canyon, can be significant geographic barriers for human communities, likely reducing the frequency of contact with other groups. Current opinion holds that the closer cultural similarity between the Mogollon and Anasazi and their greater differences from the Hohokam culture is due to both the geography and the variety of climate zones in the Southwest. CANNOTANSWER


Leonard Simon Nimoy was born on March 26, 1931, in the West End of Boston, Massachusetts, the son of Jewish immigrants from Iziaslav, Ukraine. His parents left Iziaslav separately--his father first walking over the border into Poland while his mother and grandmother were smuggled out of the Soviet Union in a horse-drawn wagon by hiding under bales of hay. They reunited after arriving in the United States. His mother, Dora (nee Spinner) (1904-1987), was a homemaker, and his father, Max Nimoy (1901-1987), owned a barbershop in the Mattapan section of Boston.

Following Star Trek in 1969, Nimoy immediately joined the cast of the spy series Mission: Impossible, which was seeking a replacement for Martin Landau. Nimoy was cast in the role of Paris, an IMF agent who was an ex-magician and make-up expert, "The Great Paris". He played the role during seasons four and five (1969-1971). Nimoy had been strongly considered as part of the initial cast for the show, but remained in the Spock role on Star Trek. He co-starred with Yul Brynner and Richard Crenna in the Western movie Catlow (1971). He also had roles in two episodes of Rod Serling's Night Gallery (1972 and 1973) and Columbo (1973), season 2 episode 6 entitled "A Stitch in Crime"; Nimoy portrayed murderous doctor Barry Mayfield, one of the few murder suspects toward whom Columbo showed anger. Nimoy appeared in various made-for-television films such as Assault on the Wayne (1970), Baffled! (1972), The Alpha Caper (1973), The Missing Are Deadly (1974), Seizure: The Story Of Kathy Morris (1980), and Marco Polo (1982). He received an Emmy Award nomination for best supporting actor for the television film A Woman Called Golda (1982), for playing the role of Morris Meyerson, Golda Meir's husband, opposite Ingrid Bergman as Golda in her final role. In 1975, Leonard Nimoy filmed an opening introduction to Ripley's World of the Unexplained museum located at Gatlinburg, Tennessee, and Fisherman's Wharf at San Francisco, California. In the late 1970s, he hosted and narrated the television series In Search of..., which investigated paranormal or unexplained events or subjects. In 2000-2001 he hosted CNBC TV series The Next Wave With Leonard Nimoy, which explored how e-businesses were integrating with technology and the Internet. He also had a character part as a psychiatrist in Philip Kaufman's remake of Invasion of the Body Snatchers. Nimoy also won acclaim for a series of stage roles. In 1971 he played the starring role of Tevye in Fiddler on the Roof, which toured for eight weeks. Nimoy, who had performed in the Yiddish theater as a young man, said the part was like a "homecoming" for him, explaining that his parents, like Tevye, also came from a shtetl in Russia and could relate to the play when they saw him in it. Later that year he starred as Arthur Goldman in The Man in the Glass Booth at the Old Globe Theater in San Diego. He starred as Randle McMurphy in One Flew Over the Cuckoo's Nest in 1974, a year prior to its release as a feature film, with Jack Nicholson in the same role. During the run of the play, Nimoy took over as its director and wanted his character to be "rough and tough," and insisted on having tattoos. The costumer for the show, Sharon White, was amused: "That was sort of an intimate thing. . . . Here I am with Mr. Spock, for god's sakes, and I am painting pictures on his arms." In 1975 he toured with and played the title role in the Royal Shakespeare Company's Sherlock Holmes. A number of authors have noted parallels between the rational Holmes and the character of Spock, and it became a running theme in Star Trek fan clubs. Star Trek writer Nicholas Meyer said that "the link between Spock and Holmes was obvious to everyone." Meyer gives a few examples, including a scene in Star Trek VI: The Undiscovered Country, in which Spock quotes directly from a Conan Doyle book and credits Holmes as a forefather to the logic he was espousing. In addition, the connection was implied in Star Trek: The Next Generation, which paid homage to both Holmes and Spock. By 1977, when Nimoy played Martin Dysart in Equus on Broadway, he had played 13 important roles in 27 cities, including Tevye, Malvolio in Twelfth Night, and Randle McMurphy in One Flew Over the Cuckoo's Nest. In 1981 he starred in Vincent, a one-man show which Nimoy wrote and published as a book in 1984. The audio recording of the play is available on DVD under the title, Van Gogh Revisited It was based on the life of artist Vincent van Gogh, in which Nimoy played Van Gogh's brother Theo. Other plays included Oliver!, at the Melody Top Theater in Milwaukee, 6 Rms Riv Vu opposite Sandy Dennis, in Florida, Full Circle with Bibi Anderson in Washington, D.C., and later in Full Circle. He was in Camelot, The King and I, Caligula, The Four Poster, and My Fair Lady. CANNOTANSWER

Answer the following question by taking a quote from the article: Some examples of his stage work?


Background: Simon Phillip Cowell was born on 7 October 1959 in Lambeth, London, and raised in Elstree, Hertfordshire. His mother, Julie Brett (nee Josie Dalglish; 1925-2015), was a ballet dancer and socialite, and his father, Eric Selig Phillip Cowell (1918-1999), was an estate agent, property developer, and music industry executive. Cowell's paternal grandmother was a Polish immigrant. His father was from a mostly Jewish family, though he did not discuss his background with his children, and his mother was from a Christian background.
Context: On 16 March 2006, American Inventor debuted on ABC. Cowell co-produced the show with Peter Jones who had devised the concept. Fledgling entrepreneurs from across the United States competed to see who could come up with the best new product concept. The 2006 winner, Janusz Liberkowski, received $1 million and the opportunity to develop his idea into a business. The show returned one more time in 2007 for a second season. In 2006, Cowell executive-produced Celebrity Duets, which was described as "an Idol show for Hollywood superstars." The show was hosted by Wayne Brady, and its judges were Marie Osmond, Little Richard and David Foster. Cowell was also the executive producer of Grease Is the Word for ITV. This show set out to find performers to play Danny and Sandy in the 2007 West End revival of Grease. It was hosted by Zoe Ball and judged by Britons David Ian and Sinitta and Americans David Gest and Brian Friedman. The musical theatre casting concept had already been introduced by the BBC with the ratings hit How Do You Solve A Problem Like Maria?, but Cowell's show was not the hoped-for success. He himself said, "It has been slaughtered by the critics - and rightly so. It is far too similar to our other formats." Cowell collaborated with UK production company Shed Media to produce 2008 ITV drama series Rock Rivals, which is based on an X Factor type show. In 2011, Cowell also created his first game show, titled Red or Black? and hosted by Ant & Dec, for ITV. Series 1 was broadcast over seven nights in one week (excluding Tuesday), from 3 to 10 September. The show was recommissioned by ITV for a second series in 2012, which aired weekly. In 2013 Cowell, in partnership with YouTube, launched a video-sharing competition called The You Generation. In 2013, Simon was executive producer for ITV cookery series Food Glorious Food, which was hosted by Carol Vorderman. He will do the same for an upcoming game show called Keep it in the Family, presented by Bradley Walsh. CANNOTANSWER
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Green Day is an American punk rock band formed in 1986 by lead vocalist and guitarist Billie Joe Armstrong and bassist Mike Dirnt. For much of the band's career, they have been a trio with drummer Tre Cool, who replaced John Kiffmeyer in 1990 prior to the recording of the band's second studio album, Kerplunk (1991). Guitarist Jason White, who has been a touring member since 1999, was an official member from 2012 to 2016. Green Day was originally part of the punk scene at the DIY 924 Gilman Street club in Berkeley, California.

Kerplunk's underground success led to a number of major record labels being interested in signing Green Day, and the band eventually left Lookout! and signed to Reprise Records after attracting the attention of producer Rob Cavallo. The group was impressed by his work with fellow Californian band The Muffs, and later remarked that Cavallo "was the only person we could really talk to and connect with". Reflecting on the period, Armstrong told Spin magazine in 1999, "I couldn't go back to the punk scene, whether we were the biggest success in the world or the biggest failure ... The only thing I could do was get on my bike and go forward." After signing with Reprise, the band went to work on recording its major label debut, Dookie. Recorded in three weeks, and released in February 1994, Dookie became a commercial success, helped by extensive MTV airplay for the videos of the songs "Longview", "Basket Case", and "When I Come Around", all of which reached the number one position on the Modern Rock Tracks charts. The album went on to sell over 10 million copies in the US. At a performance on September 9, 1994 at Hatch Memorial Shell in Boston, mayhem broke out during the band's set (cut short to seven songs) and by the end of the rampage, 100 people were injured and 45 arrested. The band also joined the lineups of both the Lollapalooza festival and Woodstock '94, where the group started an infamous mud fight. During the concert, a security guard mistook bassist Mike Dirnt for a stage-invading fan and punched out some of his teeth. Viewed by millions by pay-per-view television, the Woodstock 1994 performance further aided Green Day's growing publicity and recognition, and helped push its album to eventual diamond status. In 1995, Dookie won the Grammy Award for Best Alternative Album and the band was nominated for nine MTV Video Music Awards including Video of the Year. In 1995, a new single for the Angus soundtrack was released, entitled "J.A.R.". The single debuted at number one on the Billboard Modern Rock Tracks chart. The song was followed by the band's fourth studio album, Insomniac, which was released in the fall of 1995. Insomniac was a much darker and heavier response to the band's newfound popularity, compared to the more melodic Dookie. The album opened to a warm critical reception, earning 4 out of 5 stars from Rolling Stone, which said "In punk, the good stuff actually unfolds and gains meaning as you listen without sacrificing any of its electric, haywire immediacy. And Green Day are as good as this stuff gets." The singles released from Insomniac were "Geek Stink Breath", "Stuck with Me", "Brain Stew/Jaded", and "Walking Contradiction". Though the album did not approach the success of Dookie, it sold two million copies in the United States. In addition, the album won the band award nominations for Favorite Artist, Favorite Hard Rock Artist, and Favorite Alternative Artist at the 1996 American Music Awards, and the video for "Walking Contradiction" got the band a Grammy nomination for Best Video, Short Form, in addition to a Best Special Effects nomination at the MTV Video Music Awards. After that, the band abruptly cancelled a European tour, citing exhaustion. CANNOTANSWER

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Celine Marie Claudette Dion,  ChLD (; French: [selin djo]; born 30 March 1968) is a Canadian singer. Born into a large family from Charlemagne, Quebec, Dion emerged as a teen star in the French-speaking world after her manager and future husband Rene Angelil mortgaged his home to finance her first record. Dion first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest where she represented Switzerland.

Dion is often regarded as one of pop music's most influential voices. According to Linda Lister in Divafication: The Deification of Modern Female Pop Stars, she has been described as a reigning "Queen of Pop" for her influence over the record industry during the 1990s, alongside other female entertainers, including Whitney Houston and Mariah Carey. In a countdown of the "22 Greatest Voices in Music" by Blender Magazine and MTV, she placed ninth (sixth for a female), and she was also placed fourth in Cover Magazineis list of "The 100 Outstanding Pop Vocalists." Dion is often compared to Mariah Carey and Whitney Houston for her vocal style and to her idol, Barbra Streisand, for her voice. Dion possesses a three-octave range, from B2 to E6. Dion once stated that she is a mezzo-soprano. However, attempts to adapt classical voice types to other forms of singing have been met with controversy. Without making a classification, maestro Kent Nagano remarked, "All you just sang was full lyric soprano", after Dion auditioned with two solos from Carmen, wanting to know if she could sing opera. Her timbre has been described as "thin, slightly nasal" with a "raspy" lower register and "bell glass-like high notes". Dion is often praised for her technical virtuosity. Jim Santella of The Buffalo News writes "Like an iron fist in a velvet glove, the power of Celine Dion's voice is cloaked in a silky vibrato that betrays the intensity of her vocal commitment." Jeff Miers, also of The Buffalo News, says of Dion "Her singing voice is absolutely extra-human. She hits notes in full voice, with a controlled vibrato and an incredible conception of pitch, like she's shucking an ear of corn" Stephen Holden of The New York Times states that Dion has "a good-sized arsenal of technical skills. She can deliver tricky melismas, produce expressive vocal catches and sustain long notes without the tiniest wavering of pitch. And as her duets ... have shown, she is a reliable harmony voice." In an interview with Liberation, Jean-Jacques Goldman notes that she has "no problem of accuracy or tempo". According to Kent Nagano, maestro of the Munich Symphony Orchestra, Dion is "a musician who has a good ear, a refinement, and a degree of perfection that is enviable". Charles Alexander of Time states, "[Her] voice glides effortlessly from deep whispers to dead-on high notes, a sweet siren that combines force with grace." In her French repertoire, Dion adorns her vocals with more nuances and expressiveness, with the emotional intensity being "more tender and intimate". Additionally, Luc Plamondon, a French singer-songwriter who has worked closely with Dion claims that there are three chanteuses (stylistically) that Dion uses: the Quebecois, the French, and the American. Her self-titled album was promoted with the slogan "Remember the name because you'll never forget the voice." CANNOTANSWER

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Hakeem Seriki (born November 28, 1979), better known by his stage name Chamillionaire (), is an American musician, rapper, entrepreneur, and investor from Houston, Texas. He is the CEO of Chamillitary Entertainment. Chamillionaire was also the founder and an original member of the Color Changin' Click until the group split in 2005. He began his career independently with local releases in 2002, including collaboration album

Chamillionaire's first major solo release The Sound of Revenge was released through Chamillitary Entertainment and Universal Records on November 22, 2005. The album debuted and peaked at number 10 on the Billboard 200 album chart in the United States. The album's lead single was "Turn It Up", featuring Lil' Flip produced by Scott Storch, followed by "Ridin'", featuring Krayzie Bone of Bone Thugs-n-Harmony produced by Play-N-Skillz; "Ridin'" reached number one on the Billboard Hot 100. Its video also was named "Best Rap Video" at the 2006 MTV Video Music Awards. In 2007, he won a Grammy Award for Best Rap Performance by a Duo or Group for "Ridin'". He was at that time signed with Michael 5000 Watts' Swishahouse label. Comedic performer "Weird Al" Yankovic made a parody of the song entitled "White & Nerdy", for his own album Straight Outta Lynwood. The third single from the album was "Grown and Sexy". Additionally, the bonus track "Grind Time" was featured in the video game NBA Live 06. The album was certified platinum by the RIAA, and a chopped and screwed version, screwed by OG Ron C, was released in February 2006. Guest appearances for the album included Lil' Flip, Natalie, Krayzie Bone, Bun B, Lil Wayne, Pastor Troy, Killer Mike, Scarface, singer Billy Cook, and his brother Rasaq. Chamillionaire won the Best New Artist award for the 2006 BET Awards The second installment to the Mixtape Messiah series, Mixtape Messiah 2, was released January 5, 2006. Later in 2006, Chamillionaire was featured in the singles "Get Up" by Ciara, "That Girl" by Frankie J, "Bet That" by Trick Daddy, "King Kong" by Jibbs, and "Doe Boy Fresh" by Three Six Mafia in 2007. CANNOTANSWER

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Nick Cave and the Bad Seeds are an Australian rock band formed in Melbourne in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and keyboardist Conway Savage (all four from Australia), guitarist George Vjestica (United Kingdom), keyboard/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward". The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria.

The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER


After high school, in September 1946, Evans attended Southeastern Louisiana University on a flute scholarship. He studied classical piano interpretation with Louis P. Kohnop, John Venettozzi, and Ronald Stetzel. A key part in Evans' development was Gretchen Magee, whose methods of teaching left an important print in his composition style. Soon, Bill would compose his first tune. Around his third year in college, Evans composed his first known tune, "Very Early". He was a founding member of SLU's Delta Omega Chapter of Phi Mu Alpha Sinfonia, played quarterback for the fraternity's football team, and was part of the college band. In 1950, he performed Beethoven's Piano Concerto No.3 for his senior recital, graduating with a Bachelor of Music degree, majoring in piano, and Bachelor's in Music Education. Evans regarded the last three years in college as the happiest in his life. During college, Evans met guitarist Mundell Lowe, and after graduating, they formed a trio with bassist Red Mitchell. The three relocated to New York City. However, their inability to attract bookings prompted them to leave for Calumet City, Illinois. In July 1950, Evans joined Herbie Fields's band, based in Chicago. During the summer, the band did a three-month tour backing Billie Holiday, including East Coast appearances at Harlem's Apollo Theater and shows in Philadelphia, Baltimore, and Washington, D.C. The band included trumpeter Jimmy Nottingham, trombonist Frank Rosolino and bassist Jim Aton. Upon its return to Chicago, Evans and Aton worked as a duo in clubs, often backing singer Lurlean Hunter. Shortly thereafter, Evans received his draft notice and entered the U.S. Army. During his three-year (1951-54) stay in the army, Evans played flute, piccolo, and piano in the Fifth U.S. Army Band at Fort Sheridan. He also hosted a jazz program on the camp radio station and occasionally performed in Chicago clubs, where he met singer Lucy Reed, with whom he became friends and would later record. He also met singer and bassist Bill Scott and Chicago jazz pianist Sam Distefano (his bunkmate in their platoon), both of whom became Evans' close friends. Evans' stay in the army was traumatic, and he had nightmares for years. As people criticized his musical conceptions and playing, he lost his confidence for the first time. Around 1953 Evans composed his most well known tune, "Waltz for Debby", for his young niece. During this period, in which Evans was met with universal acclaim, he began using recreational drugs, occasionally smoking marijuana. Evans was discharged from the Army in January 1954, and entered a period of seclusion, triggered by the harsh criticism he had received. He took a sabbatical year and went to live with his parents, where he set up a studio, acquired a grand piano and worked on his technique. The self-critical Evans believed he lacked the natural fluidity of other musicians. He visited his brother Harry, now in Baton Rouge, Louisiana, recently married and working as a conservatory teacher. CANNOTANSWER

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After the success of Parachutes, Coldplay returned to the studio in September 2001 to begin work on their second album, A Rush of Blood to the Head, once again with Ken Nelson producing. Since the band had never stayed in London before, they had trouble focusing. They decided to relocate in Liverpool, where they recorded some of the songs on Parachutes. Once there, vocalist Chris Martin said that they became obsessed with recording. "In My Place" was the first song recorded for the album. The band released it as the album's lead single because it was the track that made them want to record a second album, following a "strange period of not really knowing what we were doing" three months after the success of Parachutes. According to Martin "one thing kept us going: recording 'In My Place'. Then other songs started coming." The band wrote more than 20 songs for the album. Some of their new material, including "In My Place" and "Animals", was played live while the band was still touring Parachutes. The album's title was revealed through a post on the band's official website. The album was released in August 2002 and spawned several popular singles, including "In My Place", "Clocks", and the ballad "The Scientist". The latter was inspired by George Harrison's "All Things Must Pass", which was released in 1970. Coldplay toured from June 2002 to September 2003 for the A Rush of Blood to the Head Tour. They visited five continents, including co-headlining festival dates at Glastonbury Festival, V2003 and Rock Werchter. Many concerts showcased elaborate lighting and individualised screens reminiscent of U2's Elevation Tour and Nine Inch Nails' Fragility Tour. During the extended tour, Coldplay recorded a live DVD and CD, Live 2003, at Sydney's Hordern Pavilion. At the 2003 Brit Awards held at Earls Court, London, Coldplay received awards for Best British Group, and Best British Album. On 28 August 2003, Coldplay performed "The Scientist" at the 2003 MTV Video Music Awards at the Radio City Music Hall in New York City, and won three awards. In December 2003, readers of Rolling Stone chose Coldplay as the best artist and the best band of the year. At that time the band covered The Pretenders' 1983 song "2000 Miles" (which was made available for download on their official website). "2000 Miles" was the top selling UK download that year, with proceeds from the sales donated to Future Forests and Stop Handgun Violence campaigns. A Rush of Blood to the Head won the Grammy Award for Best Alternative Music Album at the 2003 Grammy Awards. At the 2004 Grammy Awards, Coldplay earned Record of the Year for "Clocks". CANNOTANSWER

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Isabella Augusta, Lady Gregory (nee Persse; 15 March 1852 - 22 May 1932) was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology.

Edward Martyn was a neighbour of Lady Gregory, and it was during a visit to his home, Tullira Castle, in 1896 that she first met W. B. Yeats. Discussions between the three of them, over the following year or so, led to the founding of the Irish Literary Theatre in 1899. Lady Gregory undertook fundraising, and the first programme consisted of Martyn's The Heather Field and Yeats's The Countess Cathleen. The Irish Literary Theatre project lasted until 1901, when it collapsed owing to lack of funding. In 1904, Lady Gregory, Martyn, Yeats, John Millington Synge, AE, Annie Horniman and William and Frank Fay came together to form the Irish National Theatre Society. The first performances staged by the society took place in a building called the Molesworth Hall. When the Hibernian Theatre of Varieties in Lower Abbey Street and an adjacent building in Marlborough Street became available, Horniman and William Fay agreed to their purchase and refitting to meet the needs of the society. On 11 May 1904, the society formally accepted Horniman's offer of the use of the building. As Horniman was not normally resident in Ireland, the Royal Letters Patent required were paid for by her but granted in the name of Lady Gregory. One of her own plays, Spreading the News, was performed on the opening night, 27 December 1904. At the opening of Synge's The Playboy of the Western World in January 1907, a significant portion of the crowd rioted, causing the remainder of the performances to be acted out in dumbshow. Lady Gregory did not think as highly of the play as Yeats did, but she defended Synge as a matter of principle. Her view of the affair is summed up in a letter to Yeats where she wrote of the riots: "It is the old battle, between those who use a toothbrush and those who don't." CANNOTANSWER

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Background: Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.
Context: In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWER
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Percy Mahendra Rajapaksa, MP (Sinhalese: prsi mheendr raajpkss; born 18 November 1945), more commonly known as Mahinda Rajapaksa (Sinhalese: mhind raajpkss, Tamil: mhint raajpkss) pronounced [ma'hind@ 'ra:j@,paks@] is a Sri Lankan politician who served as the sixth President of Sri Lanka from 19 November 2005 to 9 January 2015. A lawyer by profession, Rajapaksa was first elected to the Parliament of Sri Lanka in 1970, and he served as prime minister from 6 April 2004 until his victory in the 2005 presidential election. He was sworn in for his first six-year term as president on 19 November 2005.

Although styling himself as a man of peace and a willing negotiator, Rajapaksa signaled his intention to end the peace process once in power by forging an alliance with the Sinhalese nationalist Janatha Vimukthi Peramuna and the Jathika Hela Urumaya. The JVP had opposed the original 2002 peace process as treasonous. The agreement made with Rajapaksa included provisions which called for a revision of the ceasefire agreement to give the military broader powers against the LTTE, as well as ruling out of any devolution of power to the Tamil people. Furthermore, the cessation of aid to the tsunami struck LTTE occupied areas, and the sidelining of the Norwegian facilitators due to their alleged bias were included. Immediately following his election victory, a series of mine blasts blamed on the LTTE in the country claimed the lives of many off-duty servicemen and civilians, pushing the country back to the brink of war. Following the closure by the LTTE of a reservoir supplying water to 15,000 people named "Mavil Aru" in government controlled areas on 21 July 2006, the Sri Lankan military launched an offensive against the LTTE, bringing the entire reservoir under government control. Further military engagements have led to the LTTE been driven out of the entire Eastern Province of Sri Lanka and loss of 95% of the territory they controlled. The Sri Lanka government declared total victory on 18 May 2009. on 19 May 2009 President Mahinda Rajapaksa delivered a victory address to the Parliament and declared that Sri Lanka is liberated from terrorism. CANNOTANSWER

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Background: Ian William Geddes Johnson CBE (8 December 1917 - 9 October 1998) was an Australian cricketer who played 45 Test matches as a slow off-break bowler between 1946 and 1956. Johnson captured 109 Test wickets at an average of 29.19 runs per wicket and as a lower order batsman made 1,000 runs at an average of 22.92 runs per dismissal. He captained the Australian team in 17 Tests, winning seven and losing five, with a further five drawn. Despite this record, he is better known as the captain who lost consecutive Ashes series against England.
Context: On the return journey from England, the Australians toured India and Pakistan for the first time, with mixed results. On a matting pitch, unfamiliar to the Australians, Johnson's team lost the inaugural Test against Pakistan at Karachi. Responding to the loss, a cartoon drawn by Norman Mitchell of the Adelaide News newspaper suggested island planters might be able to scrape together a team that would be a match for the Australians. Returning to turf pitches in India, the Australians restored some pride. Johnson was the highest scorer in the Australian team's victory by an innings and five runs in the First Test at Nehru Stadium in Madras. Due to injury, both Johnson and Miller missed the drawn Second Test at Brabourne Stadium at Bombay; Lindwall skippered the side. Johnson returned for the Third Test at Eden Gardens, Calcutta for what would ultimately prove to be his final Test. The Australians won the match by 94 runs, giving them a 2-0 series win. S. K. Gurunathan, summing up in the Indian Cricket Almanack, wrote: "The Australians showed themselves to be a superior side even when their batting failed". When the team finally arrived home, Johnson announced his retirement from all cricket at the age of 39. In all, he played 45 Tests, capturing 109 wickets at an average of 29.19, including three five-wicket hauls. He scored exactly 1,000 runs, making him one of only fourteen Australians to achieve the double of 1,000 runs and 100 wickets in Test cricket. In all first-class cricket, Johnson had taken 619 wickets and scored 4,905 runs. His record as the Australian captain was mixed; he had captained Australia in 17 Tests, winning seven and losing five. However, he was better known as the first captain to lead Australia to successive Ashes defeats in the 20th century. Reviewing Johnson's time as captain, Wisden said, "Unfortunately for him, he took over in the mid-1950s, when Australian cricket was decidedly inferior to England's for the first time since before the Bradman era" but "he was a fine cricketer and, in some respects, a visionary". CANNOTANSWER
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Jeanine Ferris Pirro (born June 2, 1951) is an American TV personality, former judge, prosecutor, and Republican politician in New York. Pirro is currently the host of Fox News Channel's Justice with Judge Jeanine. She was the first female judge elected to the Westchester County Court prior to her election as the first female District Attorney of Westchester County. As District Attorney, Pirro gained considerable visibility in cases of domestic abuse and crimes against the elderly.

On August 10, 2005, Pirro announced that she would seek the Republican nomination to challenge first-term incumbent senator Hillary Clinton, a Democrat, in the 2006 election for U.S. Senator from New York. Other Republicans who announced campaigns for the nomination were John Spencer, a former mayor of Yonkers, William Brenner, an attorney in Sullivan County, and attorney Edward Cox, the son-in-law of former president Richard Nixon. In a widely publicized moment when she was declaring her candidacy, Pirro misplaced page 10 of her speech and went silent for 32 seconds, something that is widely considered to have damaged her campaign before it even started. During an appearance at the Crime Victims Resource Center, Pirro described herself this way: "I am red on fiscal policy. I am conservative and I support the Bush tax cut." She added, however: "I have broad blue stripes when it comes to social issues... I am a woman who is a moderate in New York." Republican governor George Pataki's endorsement of Pirro caused Cox to withdraw from the race, leaving Pirro as the likely nominee. Donors to Pirro's political campaign included designer Tommy Hilfiger (also a native of Elmira) and Donald Trump, as well as contractors and real estate executives who had done business with her husband. On December 21, 2005, Pirro dropped out of the Senate race after continuing pressure from party chiefs. This decision was reached after a lagging fundraising effort and polls that showed she would be easily defeated by Clinton (a Quinnipiac University poll found Pirro would lose to Clinton 62 percent to 30 percent). In a statement, she said "I have decided that my law enforcement background better qualifies me for a race for New York State attorney general than a race for the United States Senate." Spencer was eventually chosen as the Republican Party's nominee for the U.S. Senate. CANNOTANSWER

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Ricardo Alonso Gonzalez (May 9, 1928 - July 3, 1995), usually known as Pancho Gonzales, and sometimes as Richard Gonzales, was an American tennis player who has been rated one of the greatest in the history of the sport. He won 14 major singles titles (12 Pro Slam, 2 Grand Slam) and was the dominant professional of the 1950s; he still holds the men's all-time record of being ranked world No. 1 for eight years. Gonzales was a ruthless competitor with a fierce temper. Many of his peers on the professional circuit were intimidated by him, and he was often at odds with officials and promoters.

In 1969, it was Gonzales's turn to prevail in the longest match ever played till that time, one so long and arduous that it resulted in the advent of tie break scoring. As a 41-year-old at Wimbledon, Gonzales met Charlie Pasarell, a Puerto Rican younger than Gonzales by 16 years who revered his opponent. Pasarell won a titanic first set, 24-22, then with daylight fading, the 41-year-old Gonzales argued that the match should be suspended. The referee didn't relent, and thus the petulant Gonzales virtually threw the second set, losing it 6-1. At the break, the referee agreed the players should stop. Gonzales was booed as he walked off Centre Court. The next day, the serves, the volleys and all the prowess that made Gonzales a fiery competitor surfaced with trademark vengeance. Pasarell, seeking to exploit Gonzales's advanced years, tried to aim soft service returns at Gonzales's feet and tire him with frequent lobs. At one changeover Gonzales said, "Charlie, I know what you're doing - and it's not working!" Gonzales rebounded to win three straight sets, 16-14, 6-3, 11-9. In the fifth set, Gonzales saved all seven match points that Pasarell had against him, twice coming back from 0-40 deficits, to walk off the court the eventual winner in a 5-hour, 12-minute epic. The final score was an improbable 22-24, 1-6, 16-14, 6-3, 11-9. Gonzales went on to the fourth round of the championship, where he was beaten in four sets by Arthur Ashe. The match with Pasarell, however, is still remembered as one of the highlights in the history of tennis and has been called one of "The Ten Greatest Matches of the Open Era" in the November/December 2003 issue of TENNIS magazine. But it was not this match alone which gave Gonzales the reputation, among the top players, of being the greatest long-match player in the history of the game. The match would (largely due to the introduction of the tie break) remain the longest in terms of games played until the historic, 11 hours and 183 games long Isner-Mahut match at the 2010 Wimbledon Championships. CANNOTANSWER

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George Armstrong Custer (December 5, 1839 - June 25, 1876) was a United States Army officer and cavalry commander in the American Civil War and the American Indian Wars. Raised in Michigan and Ohio, Custer was admitted to West Point in 1857, where he graduated last in his class in 1861. With the outbreak of the Civil War, Custer was called to serve with the Union Army. Custer developed a strong reputation during the Civil War.

Pleasonton was promoted on June 22, 1863 to Major General of U.S. Volunteers. On June 29, after consulting with his new commander, George Meade, Pleasanton began replacing political generals with "commanders who were prepared to fight, to personally lead mounted attacks". He found just the kind of aggressive fighters he wanted in three of his aides: Wesley Merritt, Elon J. Farnsworth (both of whom had command experience) and George A. Custer. All received immediate promotions; Custer to brigadier general of volunteers, commanding the Michigan Cavalry Brigade ("Wolverines"). Despite having no direct command experience, Custer became one of the youngest generals in the Union Army at age 23. Custer lost no time in implanting his aggressive character on his brigade, part of the division of Brigadier General Judson Kilpatrick. Now a general officer, Custer had great latitude in choosing his uniform. Though often criticized as gaudy, it was more than personal vanity. "A showy uniform for Custer was one of command presence on the battlefield: he wanted to be readily distinguishable at first glance from all other soldiers. He intended to lead from the front, and to him it was a crucial issue of unit morale that his men be able to look up in the middle of a charge, or at any other time on the battlefield, and instantly see him leading the way into danger." Some have claimed Custer's leadership in battle as reckless or foolhardy. However, he "meticulously scouted every battlefield, gauged the enemies [sic] weak points and strengths, ascertained the best line of attack and only after he was satisfied was the 'Custer Dash' with a Michigan yell focused with complete surprise on the enemy in routing them every time." CANNOTANSWER


Belafonte was born Harold George Bellanfanti Jr. at Lying-in Hospital on March 1, 1927, in Harlem, New York, the son of Melvine (nee Love), a housekeeper of Jamaican descent, and Harold George Bellanfanti Sr., a Martiniquan who worked as a chef. His mother was born in Jamaica, the child of a Scottish white mother and a black father. His father also was born in Jamaica, the child of a black mother and Dutch Jewish father of Sephardi origins. Belafonte has described his grandfather, whom he never met, as "a white Dutch Jew who drifted over to the islands after chasing gold and diamonds, with no luck at all".

In 1985, he helped organize the Grammy Award-winning song "We Are the World", a multi-artist effort to raise funds for Africa. He performed in the Live Aid concert that same year. In 1987, he received an appointment to UNICEF as a goodwill ambassador. Following his appointment, Belafonte traveled to Dakar, Senegal, where he served as chairman of the International Symposium of Artists and Intellectuals for African Children. He also helped to raise funds--alongside more than 20 other artists--in the largest concert ever held in sub-Saharan Africa. In 1994, he went on a mission to Rwanda and launched a media campaign to raise awareness of the needs of Rwandan children. In 2001, he went to South Africa to support the campaign against HIV/AIDS. In 2002, Africare awarded him the Bishop John T. Walker Distinguished Humanitarian Service Award for his efforts to assist Africa. In 2004, Belafonte went to Kenya to stress the importance of educating children in the region. Belafonte has been involved in prostate cancer advocacy since 1996, when he was diagnosed and successfully treated for the disease. On June 27, 2006, Belafonte was the recipient of the BET Humanitarian Award at the 2006 BET Awards. He was named one of nine 2006 Impact Award recipients by AARP The Magazine. On October 19, 2007, Belafonte represented UNICEF on Norwegian television to support the annual telethon (TV Aksjonen) in support of that charity and helped raise a world record of $10 per inhabitant of Norway. Belafonte was also an ambassador for the Bahamas. He is on the board of directors of the Advancement Project. He also serves on the Advisory Council of the Nuclear Age Peace Foundation. CANNOTANSWER

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MC5 was an American rock band from Lincoln Park, Michigan, formed in 1964. The original band line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson. "Crystallizing the counterculture movement at its most volatile and threatening", according to AllMusic critic Stephen Thomas Erlewine, the MC5's leftist political ties and anti-establishment lyrics and music positioned them as emerging innovators of the punk movement in the United States.

The origins of MC5 can be traced to the friendship between guitarists Wayne Kramer and Fred Smith. Friends since their teen years, they were both fans of R&B music, blues, Chuck Berry, Dick Dale, The Ventures, and what would later be called garage rock: they adored any music with speed, energy and a rebellious attitude. Each guitarist/singer formed and led a rock group (Smith's Vibratones and Kramer's Bounty Hunters). As members of both groups left for college or straight jobs, the most committed members eventually united (under Kramer's leadership and the "Bounty Hunters" name) with Billy Vargo on guitar and Leo LeDuc on drums (at this point Smith played bass), and were popular and successful enough in and around Detroit that the musicians were able to quit their day jobs and make a living from the group. Kramer felt they needed a manager, which led him to Rob Derminer, a few years older than the others, and deeply involved in Detroit's hipster and left-wing political scenes. Derminer originally auditioned as a bass guitarist (a role which he held briefly in 1964, with Smith switching to guitar to replace Vargo and with Bob Gaspar replacing LeDuc), though they quickly realized that his talents could be better used as a lead singer: Though not conventionally attractive and rather paunchy by traditional frontman standards, he nonetheless had a commanding stage presence, and a booming baritone voice that evidenced his abiding love of American soul and gospel music. Derminer renamed himself Rob Tyner (after Coltrane's pianist McCoy Tyner). Tyner also invented their new name, MC5: it reflected their Detroit roots (it was short for "Motor City Five'). In some ways the group was similar to other garage bands of the period, composing soon-to-be historic workouts such as "Black to Comm" during their mid-teens in the basement of the home of Kramer's mother. Upon Tyner's switch from bassist to vocalist, he was initially replaced by Patrick Burrows, however the lineup was stabilised in 1965 by the arrival of Michael Davis and Dennis Thompson to replace Burrows and Gaspar respectively. The music also reflected Smith and Kramer's increasing interest in free jazz--the guitarists were inspired by the likes of Albert Ayler, Archie Shepp, Sun Ra and late period John Coltrane, and tried to imitate the ecstatic sounds of the squealing, high-pitched saxophonists they adored. MC5 even later opened for a few U.S. midwest shows for Sun Ra, whose influence is obvious in "Starship". Kramer and Smith were also deeply inspired by Sonny Sharrock, one of the few electric guitarists working in free jazz, and they eventually developed a unique interlocking style that was like little heard before: Kramer's solos often used a heavy, irregular vibrato, while Smith's rhythms contained an uncommon explosive energy, including patterns that conveyed great excitement, as evidenced in "Black to Comm" and many other songs. Playing almost nightly any place they could in and around Detroit, MC5 quickly earned a reputation for their high-energy live performances and had a sizeable local following, regularly drawing sellout audiences of 1000 or more. Contemporary rock writer Robert Bixby stated that the sound of MC5 was like "a catastrophic force of nature the band was barely able to control", while Don McLeese notes that fans compared the aftermath of an MC5 performance to the delirious exhaustion experienced after "a street rumble or an orgy". (McLeese, 57) Having released a cover of Them's "I Can Only Give You Everything" backed with original composition "One of the Guys" on the tiny AMG label over a year earlier, in early 1968 their second single was released by Trans-Love Energies on A-Square records (though without the knowledge of that label's owner Jeep Holland). Housed in a striking picture sleeve, it comprised two original songs: "Borderline" and "Looking at You". The first pressing sold out in a few weeks, and by year's end it had gone through more pressings totaling several thousand copies. A third single that coupled "I Can Only Give You Everything" with the original "I Just Don't Know" appeared at about the same time on the AMG label, as well. That summer MC5 toured the U.S. east coast, which generated an enormous response, with the group often overshadowing the more famous acts they opened up for: McLeese writes that when opening for Big Brother and the Holding Company audiences regularly demanded multiple encores of MC5, and at a memorable series of concerts, Cream -- one of the leading hard rock groups of the era -- "left the stage vanquished". (McLeese, 65) This same east coast tour led to the rapturous aforementioned Rolling Stone cover story that praised MC5 with nearly evangelistic zeal, and also to an association with the radical group Up Against the Wall Motherfuckers. MC5 became the leading band in a burgeoning hard rock scene, serving as mentors to fellow South-Eastern Michigan bands The Stooges and The Up, and major record labels expressed an interest in the group. As related in the notes for reissued editions of the Stooges' debut album, Danny Fields of Elektra Records came to Detroit to see MC5. At Kramer's recommendation, he went to see The Stooges. Fields was so impressed that he ended up offering contracts to both bands in September 1968. They were the first hard rock groups signed to the fledgling Elektra. MC5 earned national attention with their first album, Kick Out the Jams, recorded live on October 30 and 31, 1968, at Detroit's Grande Ballroom. Elektra executive Jac Holzman and producer Bruce Botnick recognized that MC5 were at their best when playing for a receptive audience. Containing such songs as the proto-punk classics "Kick Out the Jams" and "Rama Lama Fa Fa Fa", the spaced-out "Starship" (co-credited to Sun Ra because the lyrics were partly cribbed from one of Ra's poems), and an extended cover of John Lee Hooker's "Motor City is Burning" wherein Tyner praises the role of Black Panther snipers during the Detroit Insurrection of 1967. Critic Mark Deming writes that Kick out the Jams "is one of the most powerfully energetic live albums ever made ... this is an album that refuses to be played quietly." The album caused some controversy due to Sinclair's inflammatory liner notes and the title track's rallying cry of "Kick out the jams, motherfucker!" According to Kramer, the band recorded this as "Kick out the jams, brothers and sisters!" for the single released for radio play; Tyner claimed this was done without group consensus (Thompson, 2000). The edited version also appeared in some LP copies, which also withdrew Sinclair's excitable comments. The album was released in January 1969; reviews were mixed, but the album was relatively successful, quickly selling over 100,000 copies and peaking at #30 on the Billboard album chart in May 1969 during a 23-week stay. When Hudson's, a Detroit-based department store chain, refused to stock Kick Out the Jams due to the obscenity, MC5 responded with a full page advertisement in the local underground magazine Fifth Estate saying "Stick Alive with the MC5, and Fuck Hudson's!", prominently including the logo of MC5's label, Elektra Records, in the ad. Hudson's pulled all Elektra records from their stores, and in the ensuing controversy, Jac Holzman, the head of Elektra, dropped the band from their contract. MC5 then signed with Atlantic Records. CANNOTANSWER

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Nelson Aldrich Rockefeller (July 8, 1908 - January 26, 1979) was an American businessman and politician who served as the 41st Vice President of the United States from 1974 to 1977, and previously as the 49th Governor of New York (1959-1973). He also served as Assistant Secretary of State for American Republic Affairs for Presidents Franklin D. Roosevelt and Harry S. Truman (1944-1945) as well as Under-Secretary of Health, Education and Welfare under Dwight D. Eisenhower (1953-1954). A member of the wealthy Rockefeller family, he was a noted art collector and served as administrator of Rockefeller Center in Manhattan, New York. Rockefeller was a Republican who was often considered to be liberal, progressive, or moderate.

Because the perception was that the Alliance for Progress was a failure, shortly after taking office, on February 17, 1969, President Richard Nixon commissioned a study to assess the state of Latin America. Nixon appointed his most powerful political rival, New York Governor Nelson Rockefeller to direct the study. The poor relationship between the two politicians suggested that Nixon would not be that interested in the results of the study. There was a lack of interest for the region in the late 1960s to early 1970s. In April and May 1969, at the request of President Nixon, Rockefeller and a team of 23 advisors visited 20 American republics during four trips to solicit opinions of U.S. inter-American policies and to determine the needs and conditions of each country. Most of the trips turned out to be an embarrassment. Among the recommendations in Rockefeller's report to the President were preferential trade agreements with Latin American countries, refinancing the region's foreign debt, and removing bureaucratic impediments that prevented the efficient use of U.S. aid. The Nixon administration did little to implement the report's recommendations. Rockefeller wrote in his report preface that, There is general frustration over the failure to achieve a more rapid improvement in standards of living. The United States, because of its identification with the failure of the Alliance for Progress to live up to expectations, is blamed. People in the countries concerned also used our visit as an opportunity to demonstrate their frustrations with the failure of their own governments to meet their needs...demonstrations that began over grievances were taken over and exacerbated by anti-US and subversive elements which sought to weaken the United States, and their own governments in the process. The major part of the Rockefeller report suggested a reduction of U.S. involvement, "we, in the United States, cannot determine the internal political structure of any other nation". Because there was little the United States should or could do toward changing the political atmosphere in other countries, there was no reason to attempt to use economic aid as a political tool. This was the justification to reduce economic aid in Latin America. The Rockefeller report called for some aid to continue, but the report recommended creating more effective aid programs. CANNOTANSWER

Why was this a failure?


Sherpa are a Tibetic ethnic group native to the most mountainous regions of Nepal, China, Bhutan and India, the Himalayas. The term sherpa or sherwa derives from the Sherpa language words shar ("east") and wa ("people"), a reference to their geographical origin in northeastern Tibet. Most Sherpa people live in eastern regions of Nepal; however, some live farther west in the Rolwaling valley and in the Helambu region north of Kathmandu. Tengboche is the oldest Sherpa village in Nepal.

According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism. CANNOTANSWER

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Robin Cook was born in the County Hospital, Bellshill, Scotland, the only son of Peter and Christina Cook (nee Lynch). His father was a Chemistry teacher who grew up in Fraserburgh, and his grandfather was a miner before being blacklisted for being involved in a strike. Cook was educated at Aberdeen Grammar School and, from 1960, the Royal High School in Edinburgh. At first, Cook intended to become a Church of Scotland minister, but lost his faith as he discovered politics.

Cook became known as a brilliant parliamentary debater, and rose through the party ranks, becoming a frontbench spokesman in 1980, and reaching the Shadow Cabinet in June 1983, as spokesperson on European affairs. He was campaign manager for Neil Kinnock's successful 1983 bid to become leader of the Labour Party. A year later he was made party campaign co-ordinator but in October 1986 Cook was surprisingly voted out of the shadow cabinet. He was re-elected in July 1987 and in October 1988 elected to Labour's National Executive Committee. He was one of the key figures in the modernisation of the Labour Party under Kinnock. He was Shadow Health Secretary (1987-92) and Shadow Trade Secretary (1992-94), before taking on foreign affairs in 1994, the post he would become most identified with (Shadow Foreign Secretary 1994-97, Foreign Secretary 1997-2001). In 1994, following the death of John Smith, he ruled himself out of contention for the Labour leadership, apparently on the grounds that he was "insufficiently attractive" to be an election winner, although two close family bereavements in the week in which the decision had to be made may have contributed. On 26 February 1996, following the publication of the Scott Report into the 'Arms-to-Iraq' affair, he made a speech in response to the then President of the Board of Trade Ian Lang in which he said "this is not just a Government which does not know how to accept blame; it is a Government which knows no shame". His parliamentary performance on the occasion of the publication of the five-volume, 2,000-page Scott Report--which he claimed he was given just two hours to read before the relevant debate, thus giving him three seconds to read every page--was widely praised on both sides of the House as one of the best performances the Commons had seen in years, and one of Cook's finest hours. The government won the vote by a majority of one. As Joint Chairman (alongside Liberal Democrat MP Robert Maclennan) of the Labour-Liberal Democrat Joint Consultative Committee on Constitutional Reform, Cook brokered the 'Cook-Maclennan Agreement' that laid the basis for the fundamental reshaping of the British constitution outlined in Labour's 1997 General Election manifesto. This led to legislation for major reforms including Scottish and Welsh devolution, the Human Rights Act and removing the majority of hereditary peers from the House of Lords. Other measures have not been enacted so far, such as further House of Lords reform. On 5 May 2011 the United Kingdom held a referendum on replacing the first-past-the-post voting system with the Alternative Vote method. On 6 May it was announced that the proposed move to the AV voting system had been rejected by a margin of 67.9% to 32.1%. CANNOTANSWER


Background: Maasai are a Nilotic ethnic group inhabiting central and southern Kenya and northern Tanzania. They are among the best known local populations due to their residence near the many game parks of the African Great Lakes, and their distinctive customs and dress.The Maasai speak the Maa language (ol Maa), a member of the Nilo-Saharan family that is related to Dinka and Nuer languages. Some have become educated in the official languages of Kenya and Tanzania, Swahili and English.
Context: Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves. CANNOTANSWER
Question: What kind of influences from the outside world is the article pertaining to?. Whats the answer?


David Hume (; born David Home; 7 May 1711 NS (26 April 1711 OS) - 25 August 1776) was a Scottish philosopher, historian, economist, and essayist, who is best known today for his highly influential system of philosophical empiricism, skepticism, and naturalism. Hume's empiricist approach to philosophy places him with John Locke, Francis Bacon and Thomas Hobbes as a British Empiricist.

Hume's writings on ethics began in the Treatise and were refined in his An Enquiry Concerning the Principles of Morals (1751). His views on ethics are that "[m]oral decisions are grounded in moral sentiment." It is not knowing that governs ethical actions, but feelings. Arguing that reason cannot be behind morality, he wrote: Morals excite passions, and produce or prevent actions. Reason itself is utterly impotent in this particular. The rules of morality, therefore, are not conclusions of our reason. Hume's sentimentalism about morality was shared by his close friend Adam Smith, and Hume and Smith were mutually influenced by the moral reflections of their older contemporary Francis Hutcheson. Peter Singer claims that Hume's argument that morals cannot have a rational basis alone "would have been enough to earn him a place in the history of ethics". Hume also put forward the is-ought problem, later called Hume's Law, denying the possibility of logically deriving what ought to be from what is. He wrote in the Treatise that in every system of morality he has read, the author begins with stating facts about the world, but then suddenly is always referring to what ought to be the case. Hume demands that a reason should be given for inferring what ought to be the case, from what is the case. This because it "seems altogether inconceivable, how this new relation can be a deduction from others". Hume's theory of ethics has been influential in modern day meta-ethical theory, helping to inspire emotivism, and ethical expressivism and non-cognitivism, as well as Allan Gibbard's general theory of moral judgment and judgments of rationality. CANNOTANSWERAnswer this question using a quote from the following article:

What were the Principles of Morals?


Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWERAnswer this question using a quote from the following article:

what countries did he work in