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Shriver was born in Chicago, Illinois, the second child and only daughter of the politician Sargent Shriver and activist Eunice Kennedy Shriver. Shriver is the niece of United States President John F. Kennedy, U.S. Attorney General and U.S. Senator Robert F. Kennedy, U.S. Senator Ted Kennedy, and five other prominent siblings. A Roman Catholic, she is of mostly Irish and German descent. Shriver attended Westland Middle School in Bethesda, Maryland, a suburb of Washington, D.C., and graduated in 1973 from Stone Ridge School of the Sacred Heart in Bethesda.

In October 2009, Shriver launched "The Shriver Report: A Woman's Nation Changes Everything," a national study and comprehensive report conducted in partnership with the Center for American Progress, USC's Annenberg Center on Communication, Leadership and Policy, and the Rockefeller Foundation. The Shriver Report revealed that American women, for the first time, make up half of the United States workforce and studied how that fact is impacting major institutions like family, business, government and faith organizations. The report was released in 2013 in partnership with TIME and NBC News. According to The New York Times, the report "was modeled on a study undertaken almost 50 years ago during the administration of John F. Kennedy, Shriver's uncle, and led by Eleanor Roosevelt." The report features, among other things, writings by public figures including Suze Orman, Beyonce, Tammy Duckworth, Billie Jean King, Heidi Hartmann, Susan J. Douglas, Stephanie Coontz, Kristin Rowe-Finkbeiner, John Podesta, and Oprah Winfrey. In 2010 The Shriver Report: A Woman's Nation Takes on Alzheimer's was published. It is a study by Maria Shriver and the Alzheimer's Association. It features, among other things, writings by public figures including Barbra Streisand, Laura Bush, Patti Davis, Soleil Moon Frye, Rosalynn Carter, Susan Collins, Kathleen Sebelius, Barbara Mikulski, Kathleen Sebelius, and Joe Biden. In 2014, The Shriver Report: A Woman's Nation Pushes Back from the Brink was published; it is about women and their children in poverty. It is by Maria Shriver, with editors Olivia Morgan, and Karen Skelton, and features, among other things, writings by public figures including Carol Gilligan, Beyonce, Joan Chittister, Ai-Jen Poo, Eva Longoria, Stephanie Coontz, Jennifer Garner, Kathleen Sebelius, Jada Pinkett Smith, Anne-Marie Slaughter, Tory Burch, Sheryl Sandberg, Kirsten Gillibrand, Barbara Ehrenreich, LeBron James, and Hillary Clinton. CANNOTANSWER


Bhindranwale was born in the village of Rode, in Moga District located in the region of Malwa. The grandson of Sardar Harnam Singh Uppal, His father, Joginder Singh Uppal was a farmer and a local Sikh leader and his mother was Nihal Kaur. Jarnail Singh was the seventh of seven brothers and one sister. He was brought up as a strict vegetarian.

On 13 April 1978, a group of Amritdhari Sikhs of Akhand Kirtani Jatha went to protest against Nirankaris. The resulting violence led to the death of thirteen Sikhs. The death of the Sikhs shocked the Sikh community. The Nirankari leader, Gurbachan Singh was afforded a police escort to the safety of his home in Delhi by the Punjab police. When a criminal case was filed against him, the Baba had his case transferred to neighbouring Haryana state, where he was acquitted the following year. The Punjab government Chief Minister Prakash Singh Badal decided not to appeal the decision. Among Sikhs there was a great frustration at this perceived sacrilege and the legal immunity of the perpetrators. This gave rise to new organizational expressions of Sikh aspirations outside the Akali party. It also created a sentiment amongst some that if the government and judiciary would not prosecute perceived enemies of Sikhism, taking extrajudical measures could be justified. The chief proponents of this attitude were the Babbar Khalsa founded by the widow, Bibi Amarjit Kaur of the Akhand Kirtani Jatha, whose husband Fauja Singh had been at the head of the march in Amritsar; the Damdami Taksal led by Jarnail Singh Bhindranwale who had also been in Amritsar on the day of the outrage; the Dal Khalsa, formed with the object of demanding a sovereign Sikh state; and the All India Sikh Students Federation, which was banned by the government. When the Nirankari Baba was himself shot to death on 24 April 1980, the Baba's followers named Bhindranwale as a suspect, even though he was nowhere near the scene of the incident. Several of his associates and relatives were arrested. The FIR named nearly twenty people involved in the murder, most of whom had ties to Bhindranwale. A member of the Akhand Kirtani Jatha, Ranjit Singh, surrendered and admitted to the assassination three years later, and was sentenced to serve thirteen years at the Tihar Jail in Delhi. Lala Jagat Narain, the editor of a widely circulated paper in which he had campaigned against Punjabi being adopted as a medium of instruction in Hindu schools, urged Hindus of Punjab to reply to government census that Hindi and not Punjabi was their mother tongue and decried the Anandpur Sahib Resolution. He had also been present at the clash between the Nirankaris and the Akhand Kirtani Jatha. Jarnail Singh had often spoken against him, so his involvement was suspected when the well-known editor was found murdered on 9 September 1981. Two days after the assassination, police issued warrants for the arrest of Bhindranwale. A police search in Chando Kalan, a Haryana village, failed to produce an arrest. Upon seeing this, Bhidranwale publicly announced that he would surrender on 20 September. On 20 September 1981, Bhindranwale surrendered to the police at a function held in a Gurudwara Gurdarshan Parkash. Over the next twenty-five days while Bhindranwale was held in custody, sporadic fights erupted in areas where Bhindranwale's accomplices had gathered. Bhindranwale was released on bail on 15 October as India's Home Minister, Giani Zail Singh announced in the Parliament that there was no evidence against Bhindrawale. He left the Ferozepur jail a hero. CANNOTANSWER

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Charles Dillon Stengel was born on July 30, 1890, in Kansas City, Missouri. His ancestry involves German and Irish; his parents--Louis Stengel and Jennie (Wolff) Stengel--were from the Quad Cities area of Illinois and Iowa, and had moved to Kansas City soon after their 1886 wedding so Louis could take an insurance job. "Charlie" was the youngest of three children, and the second son. Charlie Stengel played sandlot baseball as a child, and also played baseball, football and basketball at Kansas City's Central High School.

Stengel thought the 1943 season would be his last in baseball; Edna urged him to look after the family business interests full-time, and Casey, who had always been an athlete, was reluctant to show himself at a baseball stadium with the imperfectly-healed injury. But early in the 1944 season, the minor-league Milwaukee Brewers had a managing vacancy to fill, as the Chicago Cubs had hired away the Brewer manager, Charlie Grimm, who had played with Stengel on the 1919 Pirates. Grimm told the Cubs he was obliged to see the Brewers had a competent replacement, and urged the Brewers to hire Stengel. The team owner, Bill Veeck, stationed with the Marines on Guadalcanal, thought ill of Stengel as a manager, and was very reluctant in his consent when reached by cable. Stengel was adept at fostering good relations with reporters, and the very talented team continued to win; by the end of May, Veeck had withdrawn his objections. The team won the American Association pennant, but lost in the playoffs to Louisville. Veeck, having returned to the United States, offered to rehire Stengel for 1945, but Stengel preferred another offer he received. This was from George Weiss of the New York Yankees, to manage the team Stengel had begun with, the Kansas City Blues, by then a Yankee farm club. Kansas City had finished last in the American Association as Milwaukee won the pennant, making it something of a comedown for Stengel, who hoped to return to the major leagues. Nevertheless, it was in his old home town, allowing him to see friends and relations, and he took the job. The Blues finished seventh in the eight-team league in 1945. Although there was no major league managing vacancy Stengel could aspire to, the Oakland Oaks of the Pacific Coast League had fired their manager, and approached Stengel. The baseball played in the PCL was close to major league level, and the league featured many aging big leaguers finishing their careers. Also attractive to Stengel was that the league had three teams in Southern California, allowing him to spend more time at his home in Glendale. To that time, the club had won only one pennant, and was something of a weak sister to its crossbay rivals, the San Francisco Seals, but owner Brick Laws believed Stengel could mold the players into a winning team. The Oaks finished second in the league behind the Seals in 1946, winning the first round of the playoffs against Los Angeles before losing to San Francisco in the finals. They finished fourth in 1947, beating San Francisco in the first round before losing to Los Angeles. Stengel managed the Oaks for a third year in 1948, with the roster heavy with former major leaguers. Among the younger players on the team was 20-year-old shortstop Billy Martin. Stengel was impressed by Martin's fielding, baseball acuity, and, when there were brawls on the field, fighting ability. The Oaks clinched the pennant on September 26, and defeated Los Angeles and the Seattle Rainiers to win the Governors' Cup. The Sporting News named Stengel the Minor League Manager of the Year. CANNOTANSWER

what did he do in 1944?


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A troubadour (English: , French: [tRubaduR]; Occitan: trobador, IPA: [truba'du]) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100-1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to Italy and Spain. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, trovadorismo in Galicia and Portugal, and that of the trouveres in northern France.

The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

What is the joglars?


Stephen Joshua Sondheim (; born March 22, 1930) is an American composer and lyricist known for more than a half-century of contributions to musical theater. Sondheim has received an Academy Award, eight Tony Awards (more than any other composer, including a Special Tony Award for Lifetime Achievement in the Theatre), eight Grammy Awards, a Pulitzer Prize, a Laurence Olivier Award, and a 2015 Presidential Medal of Freedom. He has been described by Frank Rich of The New York Times as "now the greatest and perhaps best-known artist in the American musical theater." His best-known works as composer and lyricist include A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, Merrily We Roll

Burt Shevelove invited Sondheim to a party; Sondheim arrived before him, and knew no one else well. He saw a familiar face: Arthur Laurents, who had seen one of the auditions of Saturday Night, and they began talking. Laurents told him he was working on a musical version of Romeo and Juliet with Leonard Bernstein, but they needed a lyricist; Betty Comden and Adolph Green, who were supposed to write the lyrics, were under contract in Hollywood. He said that although he was not a big fan of Sondheim's music, he enjoyed the lyrics from Saturday Night and he could audition for Bernstein. Sondheim met Bernstein the following day, played for him and Bernstein said he would let him know. The composer wanted to write music and lyrics; after consulting with Hammerstein, Bernstein told Sondheim he could write music later. In 1957, West Side Story opened; directed by Jerome Robbins, it ran for 732 performances. Sondheim has expressed dissatisfaction with his lyrics, saying that they do not always fit the characters and are sometimes too consciously poetic. While Bernstein was working on Candide, Sondheim reportedly wrote some of West Side Story's music; Bernstein's co-lyricist credit disappeared from West Side Story during its tryout, possibly as a trade-off. Sondheim insisted that Bernstein told the producers to list him as the sole lyricist. He described the division of the royalties, saying that Bernstein received three percent and he received one percent. Bernstein suggested evening the percentage at two percent each, but Sondheim refused because he wanted the credit. Sondheim later said he wished "someone stuffed a handkerchief in my mouth because it would have been nice to get that extra percentage". After West Side Story opened, Shevelove lamented the lack of "low-brow comedy" on Broadway and mentioned a possible musical based on Plautus' Roman comedies. When Sondheim was interested in the idea he called a friend, Larry Gelbart, to co-write the script. The show went through a number of drafts, and was interrupted briefly by Sondheim's next project. In 1959, Sondheim was approached by Laurents and Robbins for a musical version of Gypsy Rose Lee's memoir after Irving Berlin and Cole Porter turned it down. Sondheim agreed, but Ethel Merman - cast as Mama Rose - had just finished Happy Hunting with an unknown composer (Harold Karr) and lyricist (Matt Dubey). Although Sondheim wanted to write the music and lyrics, Merman refused to let another first-time composer write for her and demanded that Jule Styne write the music. Sondheim, concerned that writing lyrics again would pigeonhole him as a lyricist, called his mentor for advice. Hammerstein told him he should take the job, because writing a vehicle for a star would be a good learning experience. Sondheim agreed; Gypsy opened on May 21, 1959, and ran for 702 performances. CANNOTANSWER

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Clark's military career began July 2, 1962, when he entered the United States Military Academy at West Point, New York. He later said that Douglas MacArthur's famous "Duty, honor, country" speech was an important influence on his view of the military. The speech was given to the class of 1962 several months before Clark entered West Point, but a recording was played for his class when they first arrived. Clark sat in the front in many of his classes, a position held by the highest performer in class. Clark participated heavily in debate, was consistently within the top 5% of his class as a whole (earning him a "Distinguished Cadet" patch on his uniform) and graduated as valedictorian of West Point. The valedictorian is first to choose which career field of the Army to serve in, and Clark selected armor. He met Gertrude Kingston, whom he later married, at a USO dance for midshipmen and West Point cadets. Clark applied for a Rhodes Scholarship and learned in December of his senior year at West Point that he had been accepted. He spent his summer at the United States Army Airborne School at Fort Benning, Georgia. He completed his master's degree in Philosophy, Politics, and Economics (PPE) at Magdalen College at the University of Oxford in August 1968. While he was at Oxford, a Jewish cousin of Clark's who lived in England telephoned him and informed him of his Jewish heritage, having received permission from Veneta Clark. Clark spent three months after graduation at Fort Knox, Kentucky, going through Armor Officer Basic Course, then went on to Ranger School at Fort Benning. He was promoted to captain and was assigned as commander of the A Company of the 4th Battalion, 68th Armor, 82nd Airborne Division at Fort Bragg, North Carolina. CANNOTANSWER

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Williams retired from acting in the early 1960s and later turned down the role of Belle Rosen, a character with a crucial swimming scene, in The Poseidon Adventure. (The role eventually went to Shelley Winters.) She continued to lend her name to a line of retro women's swimwear. "Women worldwide are fighting a thing called gravity," said Williams. "I say to women when I talk to them, 'You girls of 18 have until about 25, 30 at the most, and then you have to report to me. My suits are quality fabric.'" She went on: "I put you in a suit that contains you and you will swim in. I don't want you to be in two Dixie cups and a fish line." She was also the namesake of a company that manufactures swimming pools and swimming pool accessories. She came out with a line of Swim, Baby, Swim videos, which helped parents teach their children how to swim. She also appeared as a commentator for synchronized swimming at the 1984 Summer Olympics. Williams met her fourth husband as a result of his calling her to coordinate her appearance. She co-wrote her autobiography, The Million Dollar Mermaid (New York: Simon & Schuster, 1999), with popular media critic and author Digby Diehl. In a 2007 interview with Diane Sawyer, Williams admitted that she had recently suffered a stroke. "I opened my eyes and I could see, but I couldn't remember anything from the past," she said. In June 2008, Williams attended Cyd Charisse's funeral, which she did while seated in a wheelchair. In April 2010, Williams appeared at the first Turner Classic Movies Classic Film Festival in Hollywood, California, alongside two-time co-star Betty Garrett. Their film Neptune's Daughter (1949) was screened at the pool of the Roosevelt Hotel, along with a performance of the Williams-inspired synchronized swimming troupe, The Waterlilies. South Beach Miami's 2010 Mercedes Benz Fashion Week Swim, a showcase of designer swimwear, included a Williams suite, complete with a beach summer theme and sand palette with aqua accents. In 2000 an account of Williams's life and career appeared in the Swedish book Esther Williams -- Skenbiografin (Esther Williams -- The Fake Biography) written by Jane Magnusson, in which the author shares with readers her own fascination for art swimming as a genre and, here, in particular, Williams as -- to the author -- both a bewildering and mesmerizing front figure and icon in this field. CANNOTANSWER

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Ameesha Patel (pronounced [@'mi:sa: p@'te:l]; born Amisha Amit Patel; 9 June 1975) also simply known as "Ameesha" is an Indian actress and model who predominantly appears in Bollywood films. She has also appeared in a few Telugu and Tamil films. Making her acting debut in the 2000 romantic thriller film Kaho Naa... Pyaar Hai, Patel also won critical praise for her performance in Gadar:

During 2003 to 2006, Patel's acting career entered a slump. After the relative success of Humraaz, her string of unsuccessful films followed, and would continue until 2006. In 2003, her only releases were Tamil language film Pudhiya Geethai and the Hindi film Deepak Bahry's Parwana. Her releases in 2004, Vimal Kumar's comedy Suno Sasurjee, a delayed production since 2000, and her second Telugu language film Naani, followed. That year she also appeared in the music videos for O Meri Jaan and Hai Kasam Tu Na Ja by Adnan Sami. In 2005, she starred in Satish Kaushik's thriller Vaada, playing the role of Arjun Rampal's unfaithful wife who is followed by her obsessive ex-lover. In her next release, Elaan, she played a TV reporter. She later appeared in Ketan Mehta's historical drama Mangal Pandey: The Rising where she played the role of the soft-spoken Jwala, a Bengali widow who gets rescued from committing Sati by a British commanding officer. Patel was cast as a replacement for Aishwarya Rai under the recommendation of Aamir Khan, who was impressed by her IQ level when he saw her on BBC under the segment of Question Time India in 2003. The film, which saw her in a deglamorized role for the first time, emerged an average earner at the box office. Her other releases that year include Zameer: The Fire Within, a delayed production since 2001, and the Telugu film Narasimhudu, both which failed at the box office. Patel featured in six films in 2006, all of which failed commercially. She first appeared alongside Akshay Kumar and Karisma Kapoor in Suneel Darshan's musical drama, Mere Jeevan Saathi, a delayed production since 2003. Her second release, Humko Tumse Pyaar Hai, saw her playing a blind village girl who gets stuck in a love triangle after undergoing eye surgery. The production was halted since 2002 due to the passing of its director-producer, until Patel's boyfriend then, Vikram Bhatt, took it upon himself to complete the project. The film had a limited release and failed to perform at the box office with some critics terming it as "outdated." In Teesri Aankh: The Hidden Camera, Patel played the role of a mute girl who witnesses a murder. She learned sign language in order to fit the role. She was next cast in Tathastu, based on Denzel Washington's thriller John Q (2002). Patel's fifth release in 2006, Ankahee, earned her critical praise despite its failure at the box office. The film centred around an extramarital affair with Patel playing a housewife whose husband cheats on her with a model. To understand the mentality of a wronged wife, Patel spoke to her own grandmother who had undergone a similar situation. Diganta Guha from Hindustan Times noted "...it's Ameesha's performance that remains in your mind. She is dignity personified in the film, playing a woman betrayed in marriage, going all out to save it and in the end choosing her own path." Later that year, she appeared alongside Akshaye Khanna and Priyanka Chopra in Dharmesh Darshan's Aap Ki Khatir. CANNOTANSWER


Windham Thomas Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl, KP PC (12 February 1841 - 14 June 1926), styled Viscount Adare between 1850 and 1871, was an Anglo-Irish journalist, landowner, entrepreneur, sportsman and Conservative politician. He served as Under-Secretary of State for the Colonies under Lord Salisbury from 1885 to 1886 and 1886 to 1887. He also successfully presided over the 1902 Land Conference and was the founder of the Irish Reform Association. He recruited two regiments of sharpshooters, leading them in the Boer War and later establishing a unit in Ireland.

During the early stages of the South African War 1899-1902, the British Army suffered defeats at the hands of the Boer Commandos, composed of men who were first-class shots and good horsemen. The effect in the United Kingdom was to inspire a rush of volunteers. The Earl of Dunraven formed a committee in Dec 1899 to raise a squadron of 'Sharpshooters' from those volunteers who could both ride and shoot well. By March 1900, a full battalion (18th Bn Imperial Yeomanry) had been raised. On 6 April 1900, Dunraven's Sharpshooters started for South Africa. Lord Dunraven at the last moment decided to accompany the force and was posted as a supernumerary captain on the battalion staff. He was gazetted on 17 April 1900 to be Captain (Supernumerary) of the 18th Battalion of the Imperial Yeomanry, with the temporary rank of Captain in the Army, from 18 April 1900, which he relinquished in July 1901. He was mentioned in despatches (29 November 1900) by Lord Roberts, Commander-in-Chief during the early part of the war. In January 1901, the government made a further call for yeomanry and between February and March, another 1,200 men were recruited by the Sharpshooters Committee. They were formed into two battalions, the 21st and 23rd. The Sharpshooters fought many small-scale actions against the Boers, with increasing skill, and showed the value of mobile, well-armed and resourceful troops. Following their success, Lord Dunraven was given permission to raise a regiment for service at home. On 23 July 1901, the 3rd County of London (Sharpshooters) Imperial Yeomanry was formally organized. On 25 March 1902 Dunraven resigned his commission and received a new commission, subject to the provisions of the Militia and Yeomanry Act, 1901, retaining his rank and seniority as Lieutenant-Colonel (Honorary Captain in the Army). On 22 November 1903, Major-General Baden-Powell, Inspector of Cavalry, unveiled a memorial in the Church of St Martin's in the Fields. About 400 men of all ranks of 3CLY under the command of Colonel Lord Dunraven attended the ceremony. On 6 August 1904 he was appointed to the Honorary Colonelcy of the Regiment. In 1904 the Regiment's first battle honour South Africa 1900-02 was awarded. CANNOTANSWER

What were the sharpshooters used for?


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The Carpenters were an American vocal and instrumental duo of Karen (1950-1983) and Richard Carpenter (b. 1946).  They produced a distinct soft musical style, combining Karen's contralto vocals with Richard's arranging and composition skills. During their 14-year career, the Carpenters recorded ten albums, along with numerous singles and several television specials. The siblings were born in New Haven, Connecticut, and moved to Downey, California, in 1963.

The Carpenter siblings were both born at Grace-New Haven Hospital (now called Yale-New Haven Hospital) in New Haven, Connecticut, to Harold Bertram (November 8, 1908 - October 15, 1988) and Agnes Reuwer (nee Tatum, March 5, 1915 - November 10, 1996). Harold was born in Wuzhou, China, moving to Britain in 1917, and the US in 1921, while Agnes was born and grew up in Baltimore, Maryland. They married on April 9, 1935; their first child, Richard Lynn, was born on October 15, 1946, while Karen Anne followed on March 2, 1950. Richard was a quiet child who spent most of his time at home listening to Rachmaninoff, Tchaikovsky, Red Nichols and Spike Jones, and playing the piano. Karen was friendly and outgoing; she liked to play sports, including softball with the neighborhood kids, but still spent a lot of time listening to music. She enjoyed dancing and began ballet and tap classes aged four. Karen and Richard were close, and shared a common interest in music. In particular, they became fans of Les Paul and Mary Ford, whose music featured multiple overdubbed voices and instruments. Richard began piano lessons aged eight, but quickly grew frustrated with the formal direction of the lessons and quit after a year. He had begun to teach himself how to play by ear by 11, and resumed studying with a different teacher. He took a greater interest in playing this time, and would frequently practice at home. By age 14, he was interested in performing professionally, and started lessons at Yale School of Music. In June 1963, the Carpenter family moved to the Los Angeles suburb of Downey. hoping that it would mean better musical opportunities for Richard. He was asked to be the organist for weddings and services at the local Methodist church; instead of playing traditional hymns, he would sometimes rearrange contemporary Beatles songs in a "church" style. In fall 1964, Richard enrolled at California State College at Long Beach where he met future songwriting partner John Bettis, Wesley Jacobs, a friend who played the bass and tuba for the Richard Carpenter Trio, and Frank Pooler, with whom Richard would collaborate to create the Christmas standard "Merry Christmas Darling" in 1966. That same fall, Karen enrolled at Downey High School, where she found she had a knack for playing the drums. She had initially tried playing the glockenspiel, but had been inspired by her friend Frankie Chavez, who had been drumming since he was three. She became enthusiastic about the drums, and began to learn complex pieces, such as Dave Brubeck's "Take Five". Chavez persuaded her parents to buy a Ludwig drum kit in late 1964, and she began lessons with local jazz players, including how to read concert music. She quickly replaced the entry-level kit with a large Ludwig set that was a similar set-up to Brubeck's drummer, Joe Morello. Richard and Karen gave their first public performance together in 1965, as part of the pit band for a local production of Guys and Dolls. Richard and Karen Carpenter signed to A&M Records on April 22, 1969. Since Karen was 19 and underage, her parents had to co-sign. The duo had decided to sign as "Carpenters", without the definite article, which was influenced by names such as Buffalo Springfield or Jefferson Airplane, which they considered "hip". When the Carpenters signed to A&M Records, they were given free rein in the studio to create an album in their own style. The label recommended that Jack Daugherty should produce it, though those present have since suggested that Richard was the de facto producer. Most of the album's material had already been written for and performed with Spectrum; "Your Wonderful Parade" and "All I Can Do" both came from demos recorded with Osborn. Richard rearranged the Beatles' "Ticket to Ride" in a melancholic ballad style. Osborn played bass on the album, and would continue to do so throughout the Carpenters' career. Karen also played bass on "All of My Life" and "Eve", after being taught the relevant parts by Osborn. The album, entitled Offering, was released on October 9, 1969, to a positive critical reception; one review in Billboard said "With radio programming support, Carpenters should have a big hit on their hands." "Ticket to Ride" was released as a single on November 5, and became a minor hit for the Carpenters, peaking at No. 54 on the Billboard Hot 100 and the Top 20 of the Adult Contemporary chart. The album only sold 18,000 copies on its initial run, at a loss for A&M, but after the Carpenters' subsequent breakthrough the album was repackaged and reissued internationally under the name Ticket to Ride and sold 250,000 copies. The Carpenters did not record a new album in 1974. They had been touring extensively and were exhausted; Richard later said, "there was simply no time to make one. Nor was I in the mood." Tensions had erupted in the family unit; Richard had started dating the group's hairdresser but neither Agnes or Karen took kindly to her and she ultimately ended the relationship and quit the band's services. Agnes had always considered Richard to be her favorite child, which did not sit well with Karen. The duo ultimately moved out of their parents' house, at first the siblings shared a home. In May, the Carpenters undertook their first tour of Japan, playing to 85,000 fans. They later likened the scenes when they first touched down at Tokyo Airport to Beatlemania. During this period, the pair released just one single, "I Won't Last a Day Without You" from A Song for You. The Carpenters finally decided to release their original two years after its original album release and some months after Maureen McGovern's 1973 cover. In March 1974, the single version became the fifth and final selection from the album to chart in the Top 20, reaching No. 11 on the Hot 100 in May. In place of a new album, their first greatest hits package was released, featuring new remixes of their singles, and newly recorded leads and bridges that allowed each side of the album to play through with no breaks. Richard later regretted this decision. This compilation was entitled The Singles: 1969-1973, and topped the charts in the US for one week, on January 5, 1974. It also topped the UK chart for 17 weeks (non-consecutive) and became one of the best-selling albums of the decade, ultimately selling more than seven million copies in the US alone. CANNOTANSWER


Mae Carol Jemison was born in Decatur, Alabama, on October 17, 1956, the youngest child of Charlie Jemison and Dorothy Green. Her father was a maintenance supervisor for a charity organization, and her mother worked most of her career as an elementary school teacher of English and math at the Beethoven School in Chicago. The family moved to Chicago, Illinois, when Jemison was three years old, to take advantage of the better educational and employment opportunities there. Jemison says that as a young girl growing up in Chicago she always assumed she would get into space.

Jemison is a Professor-at-Large at Cornell University and was a professor of Environmental Studies at Dartmouth College from 1995 to 2002. Jemison continues to advocate strongly in favor of science education and getting minority students interested in science. She sees science and technology as being very much a part of society, and African-Americans as having been deeply involved in U.S. science and technology from the beginning. She has been a member of various scientific organizations, such as the American Medical Association, the American Chemical Society, the Association for Space Explorers and the American Association for the Advancement of Science. Additionally, she served on the board of directors of the World Sickle Cell Foundation from 1990 to 1992. In 1993 Jemison founded her own company, the Jemison Group that researches, markets, and develops science and technology for daily life. Jemison founded the Dorothy Jemison Foundation for Excellence and named the foundation in honor of her mother. "My parents were the best scientists I knew," Jemison said, "because they were always asking questions." One of the projects of Jemison's foundation is The Earth We Share (TEWS), an international science camp where students, ages 12 to 16, work to solve current global problems, like "How Many People Can the Earth Hold" and "Predict the Hot Public Stocks of The Year 2030." The four-week residential program helps students build critical thinking and problem solving skills through an experiential curriculum. Camps have been held at Dartmouth College, Colorado School of Mines, Choate Rosemary Hall and other sites around the United States. TEWS was introduced internationally to high school students in day programs in South Africa and Tunisia. In 1999, TEWS was expanded overseas to adults at the Zermatt Creativity and Leadership Symposium held in Switzerland. In 1999, Jemison founded BioSentient Corp and has been working to develop a portable device that allows mobile monitoring of the involuntary nervous system. BioSentient has obtained the license to commercialize NASA's space-age technology known as Autogenic Feedback Training Exercise (AFTE), a patented technique that uses biofeedback and autogenic therapy to allow patients to monitor and control their physiology as a possible treatment for anxiety and stress-related disorders. BioSentient is examining AFTE as a treatment for anxiety, nausea, migraine and tension headaches, chronic pain, hypertension and hypotension, and stress-related disorders." In 2012, Jemison made the winning bid for the DARPA 100 Year Starship project through the Dorothy Jemison Foundation for Excellence. The Dorothy Jemison Foundation for Excellence was awarded a $500,000 grant for further work. The new organization maintained the organizational name 100 Year Starship. Jemison is the current principal of the 100 Year Starship. CANNOTANSWER

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What types of science and technology did Mae use?


Theodore is the child of innocence and the youngest of the Chipmunks. He is shy, loving, sensitive, chubby, gullible, trusting, and naive. In short, he is an easy target for Alvin's manipulations. He wears green attire and has green eyes (brown in the CGI animated series). Theodore often holds the swing vote between his two brothers' choices of action. Simon appeals to Theodore's better nature while Alvin goes straight to bribery. He has a big appetite, constantly craving snacks and in one episode, Theodore tried to eat Alvin's hand because of his hunger. He plays the drums, the guitar, and other instruments. In vocal harmonies, his voice is typically the highest. He is fragile yet unpredictable and not very brave, but he will put on a brave face when his brothers are in trouble. At times, he is childish and Alvin's follower, but he is also the glue that binds his brothers despite Alvin and Simon's differences and regular disagreements. Although he is sometimes teased by Alvin, Theodore loves his big brother and knows that Alvin loves him too. He seems to have affection for Eleanor, who shares physical traits with him, but she is smarter, braver and more athletic. They each have a passion for cooking, as Theodore is seen baking Christmas cookies in some Christmas episodes. In the live action/animated films, it is revealed that Theodore is sensitive about his weight and is often hurt when he is criticized for his chubby physique. This also applies to Eleanor, but she is able to stand for herself and wishes that Theodore would do the same. Like his brothers, he was originally voiced by Ross Bagdasarian Sr. In the animated series and film, his voice was provided by Janice Karman, Ross Bagdasarian Jr.'s wife and the voice of all three Chipettes. Jesse McCartney voiced Theodore in the live-action/animated film series. CANNOTANSWER

Answer this question "who is theadore?" by extracting the answer from the text above.


Clarice Lispector (December 10, 1920 - December 9, 1977) was a Brazilian writer acclaimed internationally for her innovative novels and short stories. Born to a Jewish family in Podolia in Western Ukraine, as an infant she moved to Brazil with her family, amidst the disasters engulfing her native land following the First World War. She grew up in Recife, the capital of the northeastern state of Pernambuco, where her mother died when she was nine. The family moved to Rio de Janeiro when she was in her teens.

In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

What types of emotions were focused on during Joana's story?


Background: Michelle Jacquet DeSevren Branch (born July 2, 1983) is an American singer, songwriter, and actress. During the early 2000s, she released two top-selling albums: The Spirit Room and Hotel Paper. She won a Grammy Award for Best Pop Collaboration with Vocals with Santana for "The Game of Love". In 2005, she formed the country music duo The Wreckers with friend and fellow musician Jessica Harp, and produced the Grammy Award for Best Country Performance by a Duo or Group with Vocal-nominated single "Leave the Pieces".
Context: Branch was born on July 2, 1983, in Sedona, Arizona, to David and Peggy Branch. Her father is Irish, and her mother is of Dutch-Indonesian ("Indo") and French descent. Her siblings include an older half-brother named David and a younger sister named Nicole. Beginning to sing at the age of three, Branch enrolled in voice lessons at Northern Arizona University when she was eight, and received her first guitar for her fourteenth birthday. After teaching herself chords, she composed her first song "Fallen" within a week of receiving her guitar. She initially attended Sedona Red Rock High School, but finished the last two years of her high school education through home schooling so that she could focus on her music career. To support Branch's interests, her parents helped her book local gigs in Sedona, Arizona, and later financed her independent album Broken Bracelet. Her set list at these gigs included covers of songs by Sheryl Crow, Lisa Loeb, Jewel, and Fleetwood Mac. In December 1999, she posted two of her songs on the Rolling Stone website, which caught the attention of both pop rock band Hanson and former Rolling Stone writer and Los Angeles record producer Jeff Rabhan, eventually leading to two gigs opening for Hanson in 2000. In June 2000, Branch self-produced Broken Bracelet, a compilation of songs she wrote when she was 14 and 15; the album was released on the independent record label Twin Dragon Records. Its title was inspired from a bracelet made by pop singer Jewel, given to Branch by musician Steve Poltz at a Lisa Loeb concert she attended. Poltz told Branch that "when it breaks, you'll be famous." The Broken Bracelet recordings were destroyed in the Nashville floods in May 2010. CANNOTANSWER
Question: What year did Michelle Branch's single "Everywhere" come out?

Answer:


Background: Albert Arnold Gore Jr. (born March 31, 1948) is an American politician and environmentalist who served as the 45th Vice President of the United States from 1993 to 2001. Gore was Bill Clinton's running mate in their successful campaign in 1992, and the pair was re-elected in 1996. Near the end of Clinton's second term, Gore was selected as the Democratic nominee for the 2000 presidential election but lost the election in a very close race after a Florida recount. After his term as vice-president ended in 2001, Gore remained prominent as an author and environmental activist, whose work in climate change activism earned him (jointly with the IPCC) the Nobel Peace Prize in 2007.
Context: Gore enrolled in Harvard College in 1965; he initially planned to major in English and write novels but later decided to major in government. On his second day on campus, he began campaigning for the freshman student government council and was elected its president. Gore was an avid reader who fell in love with scientific and mathematical theories, but he did not do well in science classes and avoided taking math. During his first two years, his grades placed him in the lower one-fifth of his class. During his sophomore year, he reportedly spent much of his time watching television, shooting pool, and occasionally smoking marijuana. In his junior and senior years, he became more involved with his studies, earning As and Bs. In his senior year, he took a class with oceanographer and global warming theorist Roger Revelle, who sparked Gore's interest in global warming and other environmental issues. Gore earned an A on his thesis, "The Impact of Television on the Conduct of the Presidency, 1947-1969", and graduated with an A.B. cum laude in June 1969. Gore was in college during the era of anti-Vietnam War protests. He was against that war, but he disagreed with the tactics of the student protest movement. He thought that it was silly and juvenile to use a private university as a venue to vent anger at the war. He and his friends did not participate in Harvard demonstrations. John Tyson, a former roommate, recalled that "We distrusted these movements a lot ... We were a pretty traditional bunch of guys, positive for civil rights and women's rights but formal, transformed by the social revolution to some extent but not buying into something we considered detrimental to our country." Gore helped his father write an anti-war address to the Democratic National Convention of 1968 but stayed with his parents in their hotel room during the violent protests. CANNOTANSWER
Question: What else did he do with global warming at that time?. Whats the answer?


Ursula Kroeber Le Guin (; October 21, 1929 - January 22, 2018) was an American novelist. She worked mainly in the genres of fantasy and science fiction. She also authored children's books, short stories, poetry, and essays.

Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWERAnswer this question using a quote from the following article:

which other fantasy writer influenced her?


Alberto Moravia (Italian pronunciation: [al'berto mo'ra:vja]; November 28, 1907 - September 26, 1990), born Alberto Pincherle, was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel Gli indifferenti (1929) and for the anti-fascist novel Il Conformista (The Conformist), the basis for the film The Conformist (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are Agostino, filmed with the same title by Mauro Bolognini in 1962; Il disprezzo (A Ghost at Noon or Contempt), filmed by Jean-Luc Godard as Le Mepris (Contempt 1963); La Noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 and La ciociara, filmed by Vittorio de Sica as Two Women (1960).

In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWERAnswer this question using a quote from the following article:

Is La Noia a novel?


Ted Shawn (21 October 1891 - 9 January 1972), originally Edwin Myers Shawn, was one of the first notable male pioneers of American modern dance. Along with creating Denishawn with former wife Ruth St. Denis he is also responsible for the creation of the well known all-male company Ted Shawn and His Men Dancers. With his innovative ideas of masculine movement, he is one of the most influential choreographers and dancers of his day. He is also the founder and creator of Jacob's Pillow Dance Festival in Massachusetts, and "was knighted by the King of Denmark for his efforts on behalf of the Royal Danish Ballet".

Due to marital problems of Ruth St. Denis and Ted Shawn and financial difficulties, Denishawn concluded in the early 1930s. Consequently, Shawn went on to form an all-male dance company, made up of athletes he taught at Springfield College in Massachusetts. Shawn's mission in creating this company was to fight for acceptance of the American male dancer and to bring awareness of the art form from a male perspective. The all-male company was based out of a farm that Shawn purchased near his hometown Lee, Massachusetts. On July 14, 1933, Ted Shawn and His Men Dancers had their premier performance at Shawn's farm, which would later be known as Jacob's Pillow Dance Festival. Shawn produced some of his most innovate and controversial choreography to date with this company such as "Ponca Indian Dance", "Sinhalse Devil Dance", "Maori War Haka", "Hopi Indian Eagle Dance", "Dyak Spear Dances", and "Kinetic Molpai". Through these creative works Shawn showcased athletic and masculine movement that soon would gain popularity. The company performed in the United States and Canada, touring more than 750 cities, in addition to international success in London and Havana. Ted Shawn and His Men Dancers concluded at Jacob's Pillow on August 31, 1940 with a homecoming performance. During the years of the company, Shawn's love for the relationships created by the men in his dances soon translated into love between himself and one of his company members, Barton Mumaw (1912-2001), which lasted from 1931 to 1948. One of the leading stars of the company, Barton Mumaw would emerge onto the dance industry and be considered "the American Nijinsky." While with Shawn, Mumaw began a relationship with a John Christian, a stage manager for the company. Mumaw introduced Shawn to Christian. Later, Shawn formed a partnership with John Christian, with whom he stayed from 1949 until his death in 1972. CANNOTANSWERAnswer this question using a quote from the following article:

Where was Shawn's farm?


Alan Irwin Menken was born on July 22, 1949, at French Hospital in New York City, to Judith and Norman Menken. His father was a boogie-woogie piano-playing dentist, and his mother was an actress, dancer and playwright. His family was Jewish. Menken developed an interest in music at an early age, taking piano and violin lessons.

After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Using a quote from the above article, answer the following question: Did he work on any movies?


In 2003, Rob Hotchkiss left the band citing creative differences. According to band interviews, Hotchkiss resented being pushed away as a songwriter and decided to leave. Hotchkiss started pursuing a solo career, after having contributed to six of the 11 songs on the (at the time) upcoming album My Private Nation. His solo album, the critically acclaimed Midnight Ghost, was released in 2004. The band's third album, My Private Nation, was released in June 2003 with "Calling All Angels" as the lead single. "Calling All Angels" became Train's third top 20 hit, and was a major hit on the Billboard Hot Adult Contemporary Tracks chart. "Calling All Angels" has been certified RIAA Gold. In October 2003, bassist Charlie Colin was forced to leave the band because of substance abuse. According to singer Pat Monahan, Colin was "a mess". After a live presentation in Oregon, he called an emergency meeting and told the band that "you can have your bass player, or you can have your singer". In 2004, their non-album song "Ordinary" was featured in the movie Spider-Man 2. In 2007, it was featured again, this time in the NBC series Heroes. The music video for "Ordinary" was in rotation on MTV, but the song only charted on the Adult Top 40 Tracks chart. In July 2005, after the song was featured in an advertising campaign for Cingular, the band released "Get to Me" as the final single from My Private Nation. "Get to Me" (written by Rob Hotchkiss and Pat Monahan) reached number nine on the Billboard Adult Top 40. Paul Buckmaster returned on "My Private Nation" with string arrangements for the tracks "Lincoln Avenue" and "Your Every Color". The album was certified platinum by the RIAA. The band released their first live album, Alive at Last, in 2004, later winning a Radio Music Award for best artist. CANNOTANSWER

Answer this question "What is my private nation?" by extracting the answer from the text above.


Harry Lillis "Bing" Crosby Jr. (; May 3, 1903 - October 14, 1977) was an American singer and actor. Crosby's trademark warm bass-baritone voice made him one of the best-selling recording artists of all time, having sold over one billion analog records and tapes, as well as digital compact discs and downloads around the world.

Crosby was born on May 3, 1903 in Tacoma, Washington, in a house his father built at 1112 North J Street. In 1906, his family moved to Spokane, and in 1913, his father built a house at 508 E. Sharp Avenue. The house sits on the campus of Gonzaga University, his alma mater. He was the fourth of seven children: brothers Larry (1895-1975), Edward (1896-1966), Ted (1900-1973), and Bob (1913-1993); and two sisters, Catherine (1904-1974) and Mary Rose (1906-1990). His parents were Harry Lillis Crosby Sr. (1870-1950), a bookkeeper, and Catherine Helen "Kate" (nee Harrigan; 1873-1964). His mother was a second generation Irish-American. His father was of English descent; an ancestor, Simon Crosby, emigrated to America in the 17th century, and one of his descendants married a descendant of Mayflower passenger William Brewster (c. 1567 - April 10, 1644). In 1910, seven-year-old Harry Crosby, Jr. was forever renamed. The Sunday edition of the Spokesman-Review published a feature called "The Bingville Bugle". Written by humorist Newton Newkirk, The Bingville Bugle was a parody of a hillbilly newsletter, filled with gossip, minstrel quips, creative spelling, and mock ads. A Crosby neighbor, 15-year-old Valentine Hobart, enjoyed reading "The Bugle", and noting Harry's laugh, took a liking to him and called him "Bingo from Bingville". Eventually, the last vowel was dropped and the nickname stuck. In 1917, Crosby took a summer job as property boy at Spokane's "Auditorium," where he witnessed some of the finest acts of the day, including Al Jolson, who held him spellbound with ad libbing and parodies of Hawaiian songs. He later described Jolson's delivery as "electric." Crosby graduated from Gonzaga High School (today's Gonzaga Prep) in 1920 and enrolled at Gonzaga University. He attended Gonzaga for three years but did not earn a degree. As a freshman, he played on the university's baseball team. The university granted him an honorary doctorate in 1937. Initial successes with Whiteman were followed by disaster when they reached New York and Whiteman considered letting them go. Bing may have been retained as Whiteman was already using him as a solo performer on record, but the prospects for Rinker were bleak. However, the addition of pianist and aspiring songwriter Harry Barris made the difference and "The Rhythm Boys" were born. The additional voice meant the boys could be heard more easily in the large New York theaters and eventually became a success. A year touring with Whiteman performing and recording with musicians Bix Beiderbecke, Jack Teagarden, Tommy Dorsey, Jimmy Dorsey, Eddie Lang and Hoagy Carmichael, provided valuable experience and began touring. Crosby then matured considerably as a performer and was in constant demand as a solo artist. Crosby soon became the star attraction of the Rhythm Boys, and in 1928 he had his first number one hit with the Whiteman orchestra, a jazz-influenced rendition of "Ol' Man River". In 1929, the Rhythm Boys appeared in the film The King of Jazz with Whiteman but Bing's growing dissatisfaction with Whiteman led to the Rhythm Boys leaving his organization. They joined the Gus Arnheim Orchestra performing nightly in The Coconut Grove of the Ambassador Hotel. Singing with the Arnheim Orchestra, Bing's solos began to steal the show, while the Rhythm Boys act gradually became redundant. Harry Barris wrote several of Crosby's subsequent hits including "At Your Command", "I Surrender Dear", and "Wrap Your Troubles In Dreams". In the early months of 1931, a solo recording contract came Bing's way, Mack Sennett signed him to make film shorts and a break with the Rhythm Boys became almost inevitable. Bing had married Dixie Lee in September 1930 and after a threatened divorce in March 1931, he started to apply himself seriously to his career. His gramophone records in 1931 broke new ground as his powerful and emotional singing started to change the face of popular music forever. Their low salaries at the Cocoanut Grove of the Ambassador Hotel had led the Rhythm Boys to walk out, causing union problems for Bing. Bing's brother, Everett, interested Bill Paley of CBS in his brother and Paley beckoned Bing to come to New York. A settlement was reached with the Ambassador Hotel and Bing made his first solo national radio broadcast in September 1931 and then went on to star at the New York Paramount Theatre. In the wake of a solid decade of headlining mainly smash hit musical comedy films in the 1930s, Crosby starred with Bob Hope and Dorothy Lamour in seven Road to musical comedies between 1940 and 1962, cementing Crosby and Hope as an on-and-off duo, despite never officially declaring themselves a "team" in the sense that Laurel and Hardy or Martin and Lewis (Dean Martin and Jerry Lewis) were teams. The series consists of Road to Singapore (1940), Road to Zanzibar (1941), Road to Morocco (1942), Road to Utopia (1946), Road to Rio (1947), Road to Bali (1952), and The Road to Hong Kong (1962). When they appeared solo, Crosby and Hope frequently made note of the other in a comically insulting fashion. They performed together many times on stage, radio, film, television, and numerous brief and not so brief appearances together in movies aside from the "Road" pictures. In the 1949 Disney animated film The Adventures of Ichabod and Mr. Toad, Crosby provided the narration and song vocals for The Legend of Sleepy Hollow segment, and again in the 1977 Disney animated film The Many Adventures of Ichabod and Winnie the Pooh. In 1960, he starred in High Time, a collegiate comedy with Fabian Forte and Tuesday Weld that predicted the emerging gap between him and the new young generation of musicians and actors who had begun their careers after WWII. The following year, Crosby and Hope reunited for one more Road movie, The Road to Hong Kong, which teamed them up with the much younger Joan Collins and Peter Sellers. Collins was used in place of their longtime partner Dorothy Lamour, whom Crosby felt was getting too old for the role, though Hope refused to do the movie without her, and she instead made a cameo appearance. Shortly before his death in 1977, he had planned another Road film in which he, Hope, and Lamour search for the Fountain of Youth. He won an Academy Award for Best Actor for Going My Way in 1944 and was nominated for the 1945 sequel, The Bells of St. Mary's. He received critical acclaim for his performance as an alcoholic entertainer in The Country Girl and received his third Academy Award nomination. CANNOTANSWER

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What were the titles for the seven Road to musical comedies?


Background: Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.
Context: In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, named for the I Ching (Yi Jing in pinyin). Each numbered work in the series builds upon the original, Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. The first concerto in the series, Yi1: Intercourse of Fire and Water (1994), was written for and premiered by cellist Anssi Karttunen. The second work, Yi2: Concerto for Guitar and Orchestra (1996), combines flamenco and pipa techniques and was premiered by Sharon Isbin. Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Commissioned and premiered by the Berlin Philharmonic, the work is a musical exploration of the Silk Road. To achieve these sounds, the cello soloists employ sitar and pipa techniques. Tan Dun wrote a concerto for Lang Lang titled Piano Concerto: "The Fire" (2008), a commission by the New York Philharmonic. The concerto is reportedly inspired by the composer's love for martial arts, and the soloist is instructed to play certain passages of the music with fists and forearms. Other more tranquil sections evoke ancient Chinese instruments such as the guqin. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. The resultant work, Internet Symphony No. 1 "Eroica", was recorded by the London Symphony Orchestra and uploaded to YouTube in November 2008, thus beginning the open call for video audition submissions. Voted on by members of the YouTube community as well as professional musicians, the YTSO was assembled of 96 musicians from over 30 countries. In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work. CANNOTANSWER
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Branson was born in Blackheath, London, the eldest of three children of Eve Branson (nee Evette Huntley Flindt; born 1924), a former ballet dancer and air hostess, and Edward James Branson (1918-2011), a barrister. He has two younger sisters. His grandfather, the Right Honourable Sir George Arthur Harwin Branson, was a judge of the High Court of Justice and a Privy Councillor. Branson was educated at Scaitcliffe School, a prep school in Surrey, before briefly attending Cliff View House School in Sussex.

Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

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Background: Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.
Context: Amir played his second ICC ODI tournament in 2017 ICC Champions Trophy. During the first two games against arch rivals India and South Africa, Amir failed to pick up wickets but was economical with the figures of 0/32 (8.1) and 0/50 (10) respectively. It was Sri Lanka game where he picked up his first wickets. He picked important wickets of Angelo Mathews and Niroshan Dickwella and ended with figures of 2/53 (10). But his important contribution came from bat where he scored 28 from 63. Chasing Sri Lanka's target of 237, Pakistan were struggling at 162/7 before he arrived and, along with skipper Sarfraz Ahmed, shared an unbeaten stand of 75 to guide his team to their fourth semi final of their Champions Trophy. Amir missed the semi final against England due to back spasms. But his absences was barely noticeable as his replacement, Rumman Raees bowled well on debut with 2/44. Pakistan won that match by 8 wickets. Amir was pivotal for helping Pakistan win 2017 ICC Champions Trophy by claiming top three wickets against arch-rivals India in the Final. Amir entered his second ICC final. It was against India, who were in comfortable position. After Pakistan posted a challenging total of 338, it was Indian batsmen that needed to be taken care of. Their top three batsmen, Rohit Sharma, Shikhar Dhawan and Virat Kohli scored 70% of India's run in the tournament. Amir took them all out. He trapped Sharma on front for LBW where he was given a three ball golden duck. Then he took the Indian skipper for 5. Kohli, at first, was dropped by Azhar Ali at first slip. However, he didn't have to wait much to take the wicket of the best batsman in the world,making him edge next ball to point where Shadab Khan took a good catch. Amir got his third after he bowled cross seamer to Dhawan for 21. Amir finished with the figures of 3/16 (6). It was Amir's dream spell as his side bowled out the defending champions for 158, winning by 180 runs. Amir has rated Indian cricketer Virat Kohli as the best batsman in the world. Kohli also rated Amir as one of the 'toughest' bowlers to face in the world cricket. Amir's brother said that this was what he wanted to do. After that spot fixing scandal at same city, he wanted to make up for his wrongdoings and the spell in the final was something that brought his family to relief. CANNOTANSWER
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Pauline Curuenavuli was born in Suva, Fiji on 15 October 1982 to parents Isireli, a former choir conductor, and Miliana, a nurse. Her mother Miliana lived and worked alone in Sydney, Australia for two years. Paulini, her five siblings and their father Isireli moved from Fiji to Sydney in 1986, when she was four years old, to join Miliana. Their first home in Australia was a two-bedroom apartment in Randwick, New South Wales, where Paulini attended Coogee Public School.

In 2014, Paulini signed a joint record deal with Ambition Records and Decca Records Australia. She became the first artist signed to the reactivated Decca Records label in Australia. Paulini released "Air It All Out" as the lead single from her third studio album Come Alive on 17 October 2014. Co-written by Paulini in New York, she explained that "the song is about letting go of negativity, doubt and fear - breathing in and exhaling positivity and purpose." "By My Side" was released as the second and final single from Come Alive on 15 May 2015. Co-written in Sydney by Paulini and producer Adam Reily, "By My Side" was dedicated to Paulini's older sister Litia who battled and overcame breast cancer. Paulini stated that the song is lyrically "about my journey over the past few years and coming into my skin after a struggle to find my voice, my artistry and above all, loving myself with the help of loved ones by my side." Both "Air It All Out" and "By My Side" failed to make any significant impact on the ARIA charts. Paulini's third album Come Alive was released on 29 May 2015, almost nine years after the release of her second album Superwoman (2006). Come Alive marked a departure from Paulini's previous R&B releases, with a more commercial adult contemporary pop sound. She worked on the album for five years in Berlin, London, Los Angeles, New York City and Paris with several writers and producers, including Chris Rosa, Erik "Blue2th" Griggs and Philippe-Marc Anquetil. Paulini stated that she wanted to take her time with the album to concentrate on improving her songwriting, having co-written all but two tracks on Come Alive. Come Alive debuted at number 25 on the ARIA Albums Chart and surpassed Superwoman's peak position of number 72. Paulini's fourth studio album Merry Christmas was released on 6 November 2015. It was Paulini's first Christmas album and second overall Christmas release, following her 2004 EP, Amazing Grace: Songs for Christmas. Paulini stated that the release was her "way of saying 'thank you'" to the fans for allowing her to perform and share the spirit of Christmas at "communities all around Australia" every year. Featuring cover versions of popular Christmas tunes, Merry Christmas failed to impact the ARIA charts. Paulini promoted the album with an eight-date tour at various Christmas carols events on the East Coast. Paulini collaborated with The Wiggles on the song "Do the Pretzel" for their 2017 album Duets, and appeared in the music video included on the DVD of the same name. In April 2017, she made her musical theatre debut in the Australian production of The Bodyguard, which is based on Whitney Houston's 1992 film of the same name. Paulini played the lead role of Rachel Marron--originally portrayed by Houston in the film--a fictional pop superstar who is stalked by a fan and falls in love with her bodyguard. Paulini took acting lessons and increased her fitness to prepare for the role, which included singing and running on the treadmill at the same time. The Bodyguard musical played shows in Sydney, Brisbane and Melbourne from April until October 2017. Paulini's performance in the musical was well-received by critics and audiences. CANNOTANSWER

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Mystique (Raven Darkholme) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by artist David Cockrum and writer Chris Claremont, she first appeared in the comic book Ms. Marvel #16, published in 1978. Mystique is a member of a subspecies of humanity known as mutants, who are born with superhuman abilities. Mystique is a shapeshifter who can mimic the appearance and voice of any person with exquisite precision, and her natural appearance includes blue skin and yellow eyes.

After the Hecatomb battle on Providence, Rogue's team returns to Rogue's childhood home in Caldecott County, Mississippi, which Mystique owns for some downtime. Mystique alerts the X-Men, who come to treat Rogue's illness, that there are intruders in the area. Only after Lady Mastermind drops her illusions do the X-Men realize that it is an all-out attack, and that both Lady Mastermind and Omega Sentinel (the latter being possessed by Malice) have defected sides. During the Marauders' initial ambush, Mystique prevents Scalphunter from shooting Rogue. She then reveals herself as a traitor as well, shoots her adopted daughter, and orders the remaining Marauders to kill the X-Men. Mystique remains with the Marauders during the hunt for the first new mutant baby, but is revealed to have murdered Mister Sinister in a plot involving the baby and Rogue's killing touch. She also appears to be working with Gambit, who, like her, has ulterior motives to want to betray Mister Sinister. When Sinister approaches Mystique as she is with the comatose Rogue, Mystique shoves Sinister onto Rogue, killing him through fatal skin-to-skin contact. Then, in keeping with the words of the Destiny Diaries, she touches the baby's face to Rogue's. The baby's touch purges her of the Strain 88 virus and all the residual psyches she had absorbed over her life, including Hecatomb. Rogue is sickened by Mystique's manipulations, and leaves. Wolverine tracks Mystique to the Middle East and then into Afghanistan. It is hinted at that Mystique's recent betrayal is not the only reason Logan is out to kill her, as they have a common history of friendship, love, and ultimately, betrayal. After a heated fight, Wolverine wounds Mystique, but denies her the Coup de grace. CANNOTANSWER

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Anne Inez McCaffrey (1 April 1926 - 21 November 2011) was an American-born writer who emigrated to Ireland and was best known for the Dragonriders of Pern fantasy series. Early in McCaffrey's 46-year career as a writer, she became the first woman to win a Hugo Award for fiction and the first to win a Nebula Award. Her 1978 novel The White Dragon became one of the first science-fiction books to appear on the New York Times Best Seller list.

Anne Inez McCaffrey was born in Cambridge, Massachusetts, the second of three children of Anne Dorothy (nee McElroy) and Col. George Herbert McCaffrey. She had two brothers: Hugh ("Mac", died 1988) and Kevin Richard McCaffrey ("Kevie"). Her father had Irish and English ancestry, and her mother was of Irish descent. She attended Stuart Hall (a girls' boarding school in Staunton, Virginia), and graduated from Montclair High School in Montclair, New Jersey. In 1947 she graduated cum laude from Radcliffe College with a degree in Slavonic languages and Literature. In 1950 she married Horace Wright Johnson (died 2009), who shared her interests in music, opera and ballet. They had three children: Alec Anthony, born 1952; Todd, born 1956; and Georgeanne ("Gigi", Georgeanne Kennedy), born 1959. Except for a short time in Dusseldorf, the family lived for most of a decade in Wilmington, Delaware. They moved to Sea Cliff, Long Island in 1965, and McCaffrey became a full-time writer. McCaffrey served a term as secretary-treasurer of the Science Fiction Writers of America from 1968 to 1970. In addition to handcrafting the Nebula Award trophies, her responsibilities included production of two monthly newsletters and their distribution by mail to the membership. McCaffrey emigrated to Ireland with her two younger children in 1970, weeks after filing for divorce. Ireland had recently exempted resident artists from income taxes, an opportunity that fellow science-fiction author Harry Harrison had promptly taken and helped to promote. McCaffrey's mother soon joined the family in Dublin. The following spring, McCaffrey was guest of honour at her first British science-fiction convention (Eastercon 22, 1971). There she met British reproductive biologist Jack Cohen, who would be a consultant on the science of Pern. CANNOTANSWER

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Newly contracted to Bad Boy Records, Evans was consulted by executive producer Combs to contribute backing vocals and writing skills to Mary J. Blige's My Life (1994) and Usher's self-titled debut album (1994) prior to starting work on her debut studio album Faith. Released on August 29, 1995, in North America, the album was a main collaboration with Bad Boy's main producers, The Hitmen, including Chucky Thompson and Combs, but it also resulted in recordings with Poke & Tone and Herb Middleton. Faith became a success based on the singles "You Used to Love Me" and "Soon as I Get Home". The album was eventually certified platinum with 1.5 million copies sold, according to RIAA. A year before, on August 4, 1994, Evans married rapper and label mate Christopher "The Notorious B.I.G." Wallace, after having met him at a Bad Boy photo shoot. The couple had one child together, Christopher Jordan Wallace, born October 29, 1996, but the marriage was turbulent as Wallace reportedly had several affairs during their union, including relationships with fellow rappers Lil' Kim and Charli Baltimore. Additionally, it led to Evans' involvement in the East Coast-West Coast hip hop rivalry which dominated the rap music news at the time and ended with Wallace's murder in a yet-to-be-solved drive-by shooting in Los Angeles, California in March 1997. During early 1997, after her separation from Wallace, but before his death, Evans' friend Missy Elliott introduced her to record company executive Todd Russaw. Faith began dating Russaw during her and Wallace's separation and after Wallace died, Evans became pregnant by Russaw. The couple had their first son Joshua on June 8, 1998. During the summer of 1998, Evans and Russaw were married, and on March 22, 2007, they had their second son Ryder Evan Russaw. After Biggie's murder on March 9, 1997, Combs helped Evans produce her tribute song named "I'll Be Missing You", based on the melody of The Police's 1983 single "Every Breath You Take". The song, which featured Combs, Evans, and all-male group 112, became a worldwide number-one success and debuted at number one on the US Billboard Hot 100 chart during 1997, scoring that for eleven weeks. It eventually won Puffy and Evans the 1998 Grammy Award for Best Rap Performance by a Duo or Group. The next year, she received another two Grammy nominations for "Heartbreak Hotel", a collaboration with singers Whitney Houston and Kelly Price, that scored number two on the Billboard Hot 100 chart. Two years in the making, Evans' second studio album, Keep the Faith, was released in October 1998. Almost entirely written and produced by her, Evans considered the album difficult to complete as she had initially felt discouraged about the progress at first. Upon its release, however, the album earned generally positive reviews by music critics, with Allmusic noting it "without a doubt a highlight of 1990s soul-pop music". Also enjoying commercial success, it eventually went platinum and produced the top ten singles "Love Like This" and "All Night Long" (released March 30, 1999) prompting Evans to start an 18-city theater tour with Dru Hill and Total the following year. CANNOTANSWER

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Background: Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.
Context: In 1899, Ross resigned from Indian Medical Service and went to England to join the faculty of the Liverpool School of Tropical Medicine as lecturer. He continued to work on prevention of malaria in different parts of the world, including West Africa, the Suez Canal zone, Greece, Mauritius, Cyprus, and in the areas affected by the First World War. He also initiated organisations, which proved to be well established, for fighting malaria in India and Sri Lanka. He was appointed as Professor and Chair of Tropical Medicine of the Liverpool School of Tropical Medicine in 1902, which he held up to 1912. In 1912 he was appointed Physician for Tropical Diseases at King's College Hospital in London, and simultaneously hold the Chair of Tropical Sanitation in Liverpool. He remained in these posts until 1917 when he became (honorary) Consultant in Malariology in British War Office. He travelled to Thessaloniki and Italy in November to advise and on the way, "in a landlocked bay close to the Leucadian Rock (where Sappho is supposed to have drowned hers)", his ship escaped a torpedo attack. Between 1918 and 1926 he worked as Consultant in Malaria in the Ministry of Pensions and National Insurance. Ross developed mathematical models for the study of malaria epidemiology, which he initiated in his report on Mauritius in 1908. He elaborated the concept in his book The Prevention of malaria in 1910 (2nd edition in 1911) and further elaborated in a more generalised form in scientific papers published by the Royal Society in 1915 and 1916. These papers represented a profound mathematical interest which was not confined to epidemiology, but led him to make material contributions to both pure and applied mathematics. Ross was one of the supporters of Sir William Osler in the founding of the History of Medicine Society in 1912, and in 1913 was the history of medicines's sections vice-president. CANNOTANSWER
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Background: Palestinian art is a term used to refer to paintings, posters, installation art and other visual media produced by Palestinian artists. While the term has also been used to refer to ancient art produced in the geographical region of Palestine, in its modern usage it generally refers to work of contemporary Palestinian artists. Similar to the structure of Palestinian society, the Palestinian art field extends over four main geographic centers: the West Bank and Gaza Strip; Israel; the Palestinian diaspora in the Arab world, Europe and the United States. Contemporary Palestinian art finds its roots in folk art and traditional Christian and Islamic painting popular in Palestine over the ages.
Context: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER
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Background: Isabella Augusta, Lady Gregory (nee Persse; 15 March 1852 - 22 May 1932) was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology.
Context: The Gregorys travelled in Ceylon, India, Spain, Italy and Egypt. While in Egypt, Lady Gregory had an affair with the English poet Wilfrid Scawen Blunt, during which she wrote a series of love poems, A Woman's Sonnets. Her earliest work to appear under her own name was Arabi and His Household (1882), a pamphlet--originally a letter to The Times--in support of Ahmed Orabi Pasha, leader of what has come to be known as the Urabi Revolt, an 1879 Egyptian nationalist revolt against the oppressive regime of the Khedive and the European domination of Egypt. She later said of this booklet, "whatever political indignation or energy was born with me may have run its course in that Egyptian year and worn itself out". Despite this, in 1893 she published A Phantom's Pilgrimage, or Home Ruin, an anti-Nationalist pamphlet against William Ewart Gladstone's proposed second Home Rule Act. She continued to write prose during the period of her marriage. During the winter of 1883, whilst her husband was in Ceylon, she worked on a series of memoirs of her childhood home, with a view to publishing them under the title An Emigrant's Notebook, but this plan was abandoned. She wrote a series of pamphlets in 1887 called Over the River, in which she appealed for funds for the parish of St. Stephens in Southwark, south London. She also wrote a number of short stories in the years 1890 and 1891, although these also never appeared in print. A number of unpublished poems from this period have also survived. When Sir William Gregory died in March 1892, Lady Gregory went into mourning and returned to Coole Park; there she edited her husband's autobiography, which she published in 1894. She was to write later, "If I had not married I should not have learned the quick enrichment of sentences that one gets in conversation; had I not been widowed I should not have found the detachment of mind, the leisure for observation necessary to give insight into character, to express and interpret it. Loneliness made me rich--'full', as Bacon says." CANNOTANSWER
Question: What were her best-known works?

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