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The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.

In 1973, Ray Davies dived headlong into the theatrical style, beginning with the rock opera Preservation, a sprawling chronicle of social revolution, and a more ambitious outgrowth of the earlier Village Green Preservation Society ethos. In conjunction with the Preservation project, the Kinks' line-up was expanded to include a horn section and female backup singers, essentially reconfiguring the group as a theatrical troupe. Ray Davies' marital problems during this period began to affect the band adversely, particularly after his wife, Rasa, took their children and left him in June 1973. Davies became depressed; during a July gig at White City Stadium he told the audience he was "fucking sick of the whole thing", and was retiring. He subsequently collapsed after a drug overdose and was taken to hospital. With Ray Davies in a seemingly critical condition, plans were discussed for Dave to continue as frontman in a worst-case scenario. Ray recovered from his illness as well as his depression, but throughout the remainder of the Kinks' theatrical incarnation the band's output remained uneven, and their already fading popularity declined even more. John Dalton later commented that when Davies "decided to work again ... I don't think he was totally better, and he's been a different person ever since." Preservation Act 1 (1973) and Preservation Act 2 (1974) received generally poor reviews. The story on the albums involved an anti-hero called Mr Flash, and his rival and enemy Mr Black (played by Dave Davies during live shows), an ultra-purist and corporatist. Preservation Act 2 was the first album recorded at Konk Studio; from this point forward, virtually every Kinks studio recording was produced by Ray Davies at Konk. The band embarked on an ambitious US tour throughout late 1974, adapting the Preservation story for stage. Musicologist Eric Weisbard: "[Ray] Davies expanded the Kinks into a road troupe of perhaps a dozen costumed actors, singers and horn players. ... Smoother and tighter than on record, Preservation live proved funnier as well." Davies began another project for Granada Television, a musical called Starmaker. After a broadcast with Ray Davies in the starring role and the Kinks as both back-up band and ancillary characters, the project eventually morphed into the concept album The Kinks Present a Soap Opera, released in May 1975, in which Ray Davies fantasised about what would happen if a rock star traded places with a "normal Norman" and took a 9-5 job. In August 1975, the Kinks recorded their final theatrical work, Schoolboys in Disgrace, a backstory biography of Preservation's Mr Flash. The record was a modest success, peaking at number 45 on the Billboard charts. Following the termination of their contract with RCA, the Kinks signed with Arista Records in 1976. The song "Father Christmas" has remained a popular track. Driven by session drummer Henry Spinetti's drumming and Dave Davies' heavy guitar the song "Father Christmas" has become a classic seasonal favorite on mainstream radio. With the encouragement of Arista's management they stripped back down to a five-man core group and were reborn as an arena rock band. CANNOTANSWER

What year did Theatrcal incarnation start?


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Rufus McGarrigle Wainwright (born July 22, 1973) is an American-Canadian singer, songwriter, and composer. He has recorded seven albums of original music and numerous tracks on compilations and film soundtracks. He has also written a classical opera and set Shakespeare sonnets to music for a theater piece by Robert Wilson. Wainwright's self-titled debut album was released through DreamWorks Records in May 1998.

Through weekly shows at Cafe Sarajevo, Wainwright was on the Montreal club circuit and eventually cut a series of demo tapes produced by Pierre Marchand, who later produced Wainwright's album Poses. The resulting tapes impressed his father Loudon, who passed them on to his friend Van Dyke Parks. Parks sent the recordings to Lenny Waronker, the DreamWorks executive who eventually signed Wainwright to his label. Waronker stated the following of Wainwright: "When I was about to listen to his tape, I remember clearly I was thinking, 'Gee, if he has the mom's musicality and smarts, and the dad's smarts and voice, that'd be nice.' Then I put it on and I said, 'Oh, my God, this is stunning.'" The singer moved to New York City in 1996, performing regularly at Club Fez. He relocated to Los Angeles that year and began his first studio album, 1998's Rufus Wainwright. Waronker paired Wainwright with producer Jon Brion, and the two spent most of 1996 and 1997 making the record. Wainwright recorded 56 songs in total, on 62 rolls of tape. The sessions cost $700,000. Wainwright's self-titled debut received critical acclaim; Rolling Stone recognized it as one of the best albums of the year, and named the singer "Best New Artist" of the year. Wainwright was nominated for four awards by the Gay & Lesbian American Music Awards, including Album of the Year, Pop Recording of the Year and Video of the Year, and won for Best New Artist. Rufus Wainwright won a GLAAD Media Award for Outstanding Music Album and a Juno Award for Best Alternative Album. However, commercial success of the album was limited; the debut failed to chart in any country, though he ranked No.24 on Billboard's Top Heatseekers chart. In 1996 Wainwright toured the UK as "Special Guest" of Kate & Anna McGarrigle. He toured with Sean Lennon in 1998 and began his first headline tour later that year. In December 1998, he appeared in a Gap commercial directed by Phil Harder, performing Frank Loesser's "What Are You Doing New Year's Eve?". In March 1999, Wainwright began a headlining tour in Hoboken, New Jersey. CANNOTANSWER

Wainwright was nominated for four awards by who?


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Sun Yat-sen (; 12 November 1866 - 12 March 1925) was a Chinese physician, writer, philosopher, calligrapher and revolutionary, the first president and founding father of the Republic of China. As the foremost pioneer and first leader of a Republican China, Sun is referred to as the "Father of the Nation" in the Republic of China (ROC) and the "forerunner of democratic revolution" in the People's Republic of China (PRC). Sun played an instrumental role in the overthrow of the Qing dynasty (the last imperial dynasty of China) during the years leading up to the Xinhai Revolution.

In the early 1880s, Sun Mei sent his brother to `Iolani School, which was under the supervision of British Anglicans and directed by an Anglican prelate named Alfred Willis. The language of instruction was English. Although Bishop Willis emphasized that no one was forced to accept Christianity, the students were required to attend chapel on Sunday. At Iolani School, young Sun Wen first came in contact with Christianity, and it made a deep impression on him. Schriffin writes that Christianity was to have a great influence on Sun's whole future political life. Sun was later baptized in Hong Kong (on May 4, 1884) by Rev. C. R. Hager an American missionary of the Congregational Church of the United States (ABCFM) to his brother's disdain. The minister would also develop a friendship with Sun. Sun attended To Tsai Church (Dao Ji Hui Tang ), founded by the London Missionary Society in 1888, while he studied Western Medicine in Hong Kong College of Medicine for Chinese. Sun pictured a revolution as similar to the salvation mission of the Christian church. His conversion to Christianity was related to his revolutionary ideals and push for advancement. In 1924 Liao Chongzhen, a prominent and influential government official of the day, arranged a meeting between Sun and Martha Root, a well-known journalist and traveling teacher of the Baha'i Faith in the late 19th and early 20th century. In this meeting Sun came into contact with the Teachings of the Baha'i Faith, expressing his appreciation for the Cause and declaring it "highly relevant to the needs of China." CANNOTANSWER


Aishwarya Rai (born 1 November 1973), also known by her married name Aishwarya Rai Bachchan, is an Indian actress, model and the winner of the Miss World 1994 pageant. Through her successful acting career, she has established herself as one of the most popular and influential celebrities in India. Rai has received numerous accolades, including two Filmfare Awards from eleven nominations, and she was honoured with the Padma Shri by the Government of India in 2009 and the Ordre des Arts et des Lettres by the Government of France in 2012. She has often been cited in the media as "the most beautiful woman in the world".

After a five-year sabbatical from film acting, Rai made a comeback with Sanjay Gupta's drama-thriller Jazbaa, co-starring Shabana Azmi and Irrfan Khan. A remake of the Korean thriller Seven Days (2007), the film saw Rai play the role of Anuradha Verma, a criminal lawyer who is forced to defend a rapist in exchange for her daughter's safety. The film received mixed reviews from critics but turned out to be a profitable venture at box-office. Shomini Sen from CNN-IBN writing, "Jazbaa scores only because of the performances. Aishwarya Rai grunts and screeches on some scenes but manages to deliver a convincing performance." In 2016, Rai starred in Omung Kumar's biographical drama Sarbjit. The film is based on the life of Indian farmer Sarabjit Singh, who was convicted of terrorism by a Pakistani court, and how his sister Dalbir Kaur fought relentlessly for his release. Rai played the role of the sister of Sarabjit Singh (played by Randeep Hooda). The film premiered at the 69th Cannes Film Festival, and received mixed reactions from critics. Few reviewers expressed that Rai was "miscast" as she neither looked nor sounded like a Sikh woman. Her Punjabi accent and her over-the-top performance in few scenes was largely criticized, though several critics took note of how much she stood out in the film's quieter scenes. Rajeev Masand summarised that "she's required to scream and shout and weep copiously to express her anguish; the shrillness does her no favors. In quieter moments - like one in which Dalbir can't bear to part with her stillborn baby - the actress shines." Nonetheless her role earned her tenth Filmfare Best Actress nomination. The film underperformed at the box-office. Rai's final release of 2016 was Karan Johar's romantic drama Ae Dil Hai Mushkil, alongside Ranbir Kapoor and Anushka Sharma in which she played the role of a poetess named Saba. Rai received mostly positive notice for her performance despite having limited screen time. Nihit Bhav of Indiatimes wrote that "seeing [Rai] in the role of a confident seductress is a welcome change". The film emerged as a major commercial success with revenues of over Rs2 billion (US$31 million). As of January 2018, Rai has filmed the part of a singer in the musical comedy Fanne Khan, co-starring Anil Kapoor and Rajkummar Rao. She will also play a woman suffering from dissociative identity disorder in a remake of the 1967 film Raat Aur Din. CANNOTANSWER

Answer the following question by taking a quote from the article: What was the movie about ?


Palestinian art is a term used to refer to paintings, posters, installation art and other visual media produced by Palestinian artists. While the term has also been used to refer to ancient art produced in the geographical region of Palestine, in its modern usage it generally refers to work of contemporary Palestinian artists. Similar to the structure of Palestinian society, the Palestinian art field extends over four main geographic centers: the West Bank and Gaza Strip; Israel; the Palestinian diaspora in the Arab world, Europe and the United States. Contemporary Palestinian art finds its roots in folk art and traditional Christian and Islamic painting popular in Palestine over the ages.

Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER

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James "Jimmy" William Buffett (born December 25, 1946) is an American musician, songwriter, author, actor, and businessman. He is best known for his music, which often portrays an "island escapism" lifestyle. Together with his Coral Reefer Band, Buffett has recorded hit songs including "Margaritaville" (ranked 234th on the Recording Industry Association of America's list of "Songs of the Century") and "Come Monday". He has a devoted base of fans known as "Parrotheads".

Buffett was born on December 25, 1946, in Pascagoula, Mississippi, and spent part of his childhood in Mobile, Alabama. He is the son of Mary Lorraine (nee Peets) and James Delaney Buffett, Jr. In grade school years, he attended St. Ignatius School, where he played the trombone in the school band. Buffett's grandfather was a sailor, therefore he was exposed to sailing as a child which had an early effect on his life and later in his music. He later lived in Fairhope, Alabama. He graduated from McGill Institute for Boys in 1964. He began playing guitar during his first year at Auburn University before continuing his college years at Pearl River Community College and the University of Southern Mississippi in Hattiesburg, Mississippi, where he received a bachelor's degree in history in 1969. He was initiated into the fraternity Kappa Sigma at the University of Southern Mississippi. After graduating from college, Buffett worked as a correspondent for Billboard magazine in Nashville, breaking the news of the separation of Flatt and Scruggs. Buffett married Margie Washichek in 1969 and divorced in 1971. Buffett spent years working as the first mate on the yacht of industrialist Foster Talge on the Petticoat III in Key West while perfecting the "Caribbean Rock n' Roll" genre. Buffett and his second wife, Jane (nee Slagsvol) have two daughters, Savannah Jane and Sarah Delaney, and an adopted son, Cameron Marley, and reside in Sag Harbor, New York. They separated in the early 1980s, but reconciled in 1991. Buffett also owns a home in St Barts, a Caribbean island where he lived on and off in the early 1980s while he was part owner of the Autour de Rocher hotel and restaurant. He spends part of the summer traveling about the East Coast on his sailboat. An avid pilot, Buffett owns a Dassault Falcon 900 that he often uses while on concert tour and traveling worldwide. He has also owned a Boeing Stearman, Lake Amphibian, and Grumman Albatross. His father died May 1, 2003, at the age of 83. His mother died a few months after her husband, on September 25, 2003. In 2015, Jimmy Buffett spoke at the University of Miami's graduation ceremony and received an honorary doctorate in music. Wearing flip flops and aviator sunglasses, he told graduates, in a paraphrase of his song "The Pascagoula Run", that "it's time to see the world, time to kiss a girl, and time to cross the wild meridian." Buffett wrote the soundtrack for, and co-produced and played a role in, the 2006 film Hoot, directed by Wil Shriner and based on the book by Carl Hiaasen, which focused on issues important to Buffett, such as conservation. The film was not a critical or commercial success. Among his other film music credits are the theme song to the short-lived 1993 CBS television series Johnny Bago; "Turning Around" for the 1985 film Summer Rental starring John Candy; "I Don't Know (Spicoli's Theme)" for the film Fast Times at Ridgemont High; "Hello, Texas" for the 1980 John Travolta film Urban Cowboy; and "If I Have To Eat Someone (It Might As Well Be You)" for the animated film FernGully: The Last Rainforest, which was sung in the film by rap artist Tone Loc. In addition, Buffett has made several cameo appearances, including in Repo Man, Hook, Cobb, Hoot, Congo, and From the Earth to the Moon. He also made cameo appearances as himself in Rancho Deluxe (for which he also wrote the music) and in FM. He made a guest appearance in the season two of Hawaii Five-0 on CBS in 2011. Buffett reportedly was offered a cameo role in Pirates of the Caribbean: The Curse of the Black Pearl, but declined the offer. In 1997, Buffett collaborated with novelist Herman Wouk on a musical production based on Wouk's 1965 novel Don't Stop the Carnival. In the South Park episode "Tonsil Trouble", an animated version of Buffett (but not voiced by Buffett) was seen singing "AIDSburger in Paradise" and "CureBurger in Paradise". Jimmy has also appeared on the Sesame Street special, Elmopalooza, singing "Caribbean Amphibian" with the popular Muppet, Kermit the Frog. Buffett appeared in an episode of Hawaii Five-0 in November 2011. He played a helicopter pilot named Frank Bama, a character from his novel Where Is Joe Merchant?. Another character mentioned that he preferred "margaritas"; Buffett's character replied, "Can't argue with you there." He reprised the role with a brief cameo visiting McGarret on the March 30, 2018 episode "E Ho'oko Kuleana". Buffett made a cameo in the 2015 film Jurassic World, where he is seen holding two margaritas while the dinosaurs are set loose in the park. In 2017, Buffett was the musical guest on the NCIS: New Orleans episode "Rogue Nation", playing the song "I Will Play for Gumbo" in Dwayne Pride's (Scott Bakula) newly rebuilt bar. Buffett has been involved in many charity efforts. In 1981 the Save the Manatee Club was founded by Buffett and former Florida governor Bob Graham. It is the world's leading manatee protection organization. West Indian Manatee In 1989, legislation was passed in Florida that introduced the "Save the Manatee" license plate, and earmarked funding for the Save the Manatee Club. One of the two manatees trained to interact with researchers at Mote Marine Laboratory is named Buffett after the singer. Buffett is also a longtime supporter of and major donor to the Gulf Specimen Marine Laboratory. On November 23, 2004, Buffett raised funds with his "Surviving the Storm" Hurricane Relief Concert in Orlando, Florida to provide relief for hurricane victims in Florida, Alabama and the Caribbean affected by the four major hurricanes that year. Buffett performed in Hong Kong on January 18, 2008 for a concert that raised US$63,000 for the Foreign Correspondents' Club Charity Fund. This was his first concert in Hong Kong and it sold out within weeks. Not only did Buffett perform for the groundlings for free, but he also paid for the concertgoers' tequila and beer. On July 11, 2010, Buffett, a Gulf Coast native, put on a free concert on the beach in Gulf Shores, Alabama. The concert was Buffett's response to the BP oil disaster in the Gulf. The concert was aired on CMT television. The 35,000 free tickets were given away within minutes to help draw people back to Alabama's beaches. Buffett played several popular songs including "Fins", "Son of a Son of a Sailor", "A Pirate Looks at Forty" and modified versions of "Margaritaville" (where the lyrics were changed in the chorus to "now I know, it's all BP's fault") and "When the Coast is Clear" (the lyrics in the chorus also referencing the Deepwater Horizon disaster: "That's when it always happens / When greed and crude collide"). The concert featured Jesse Winchester and Allen Toussaint. CANNOTANSWER


Esther Jane Williams (August 8, 1921 - June 6, 2013) was an American competitive swimmer and actress. Williams set multiple national and regional swimming records in her late teens as part of the Los Angeles Athletic Club swim team. Unable to compete in the 1940 Summer Olympics because of the outbreak of World War II, she joined Billy Rose's Aquacade, where she took on the role vacated by Eleanor Holm after the show's move from New York City to San Francisco. While in the city, she spent five months swimming alongside Olympic gold medal winner and Tarzan star, Johnny Weissmuller.

Williams retired from acting in the early 1960s and later turned down the role of Belle Rosen, a character with a crucial swimming scene, in The Poseidon Adventure. (The role eventually went to Shelley Winters.) She continued to lend her name to a line of retro women's swimwear. "Women worldwide are fighting a thing called gravity," said Williams. "I say to women when I talk to them, 'You girls of 18 have until about 25, 30 at the most, and then you have to report to me. My suits are quality fabric.'" She went on: "I put you in a suit that contains you and you will swim in. I don't want you to be in two Dixie cups and a fish line." She was also the namesake of a company that manufactures swimming pools and swimming pool accessories. She came out with a line of Swim, Baby, Swim videos, which helped parents teach their children how to swim. She also appeared as a commentator for synchronized swimming at the 1984 Summer Olympics. Williams met her fourth husband as a result of his calling her to coordinate her appearance. She co-wrote her autobiography, The Million Dollar Mermaid (New York: Simon & Schuster, 1999), with popular media critic and author Digby Diehl. In a 2007 interview with Diane Sawyer, Williams admitted that she had recently suffered a stroke. "I opened my eyes and I could see, but I couldn't remember anything from the past," she said. In June 2008, Williams attended Cyd Charisse's funeral, which she did while seated in a wheelchair. In April 2010, Williams appeared at the first Turner Classic Movies Classic Film Festival in Hollywood, California, alongside two-time co-star Betty Garrett. Their film Neptune's Daughter (1949) was screened at the pool of the Roosevelt Hotel, along with a performance of the Williams-inspired synchronized swimming troupe, The Waterlilies. South Beach Miami's 2010 Mercedes Benz Fashion Week Swim, a showcase of designer swimwear, included a Williams suite, complete with a beach summer theme and sand palette with aqua accents. In 2000 an account of Williams's life and career appeared in the Swedish book Esther Williams -- Skenbiografin (Esther Williams -- The Fake Biography) written by Jane Magnusson, in which the author shares with readers her own fascination for art swimming as a genre and, here, in particular, Williams as -- to the author -- both a bewildering and mesmerizing front figure and icon in this field. CANNOTANSWER

Answer the following question by taking a quote from the article: did she have any relationships in her later years?


Simon Phillip Cowell was born on 7 October 1959 in Lambeth, London, and raised in Elstree, Hertfordshire. His mother, Julie Brett (nee Josie Dalglish; 1925-2015), was a ballet dancer and socialite, and his father, Eric Selig Phillip Cowell (1918-1999), was an estate agent, property developer, and music industry executive. Cowell's paternal grandmother was a Polish immigrant. His father was from a mostly Jewish family, though he did not discuss his background with his children, and his mother was from a Christian background.

On 16 March 2006, American Inventor debuted on ABC. Cowell co-produced the show with Peter Jones who had devised the concept. Fledgling entrepreneurs from across the United States competed to see who could come up with the best new product concept. The 2006 winner, Janusz Liberkowski, received $1 million and the opportunity to develop his idea into a business. The show returned one more time in 2007 for a second season. In 2006, Cowell executive-produced Celebrity Duets, which was described as "an Idol show for Hollywood superstars." The show was hosted by Wayne Brady, and its judges were Marie Osmond, Little Richard and David Foster. Cowell was also the executive producer of Grease Is the Word for ITV. This show set out to find performers to play Danny and Sandy in the 2007 West End revival of Grease. It was hosted by Zoe Ball and judged by Britons David Ian and Sinitta and Americans David Gest and Brian Friedman. The musical theatre casting concept had already been introduced by the BBC with the ratings hit How Do You Solve A Problem Like Maria?, but Cowell's show was not the hoped-for success. He himself said, "It has been slaughtered by the critics - and rightly so. It is far too similar to our other formats." Cowell collaborated with UK production company Shed Media to produce 2008 ITV drama series Rock Rivals, which is based on an X Factor type show. In 2011, Cowell also created his first game show, titled Red or Black? and hosted by Ant & Dec, for ITV. Series 1 was broadcast over seven nights in one week (excluding Tuesday), from 3 to 10 September. The show was recommissioned by ITV for a second series in 2012, which aired weekly. In 2013 Cowell, in partnership with YouTube, launched a video-sharing competition called The You Generation. In 2013, Simon was executive producer for ITV cookery series Food Glorious Food, which was hosted by Carol Vorderman. He will do the same for an upcoming game show called Keep it in the Family, presented by Bradley Walsh. CANNOTANSWER

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Juan Sebastian Veron (Spanish pronunciation: ['xwan sebas'tjam be'ron]; born 9 March 1975) is a retired Argentine footballer who as the chairman for Estudiantes de La Plata, where he had served as Director of Sports. A former midfielder, Veron's career started in Estudiantes, continued in Argentina's Boca Juniors, and included stints in several clubs in the Italian Serie A (where he won the Scudetto with Lazio and with Internazionale, and a UEFA Cup with Parma), and England's Manchester United and Chelsea. In 2006, Veron returned to Estudiantes, where he remained until his retirement in 2014, aside from a brief spell with Brandsen. He has announced his short return to first team will occur in Copa Libertadores 2017.

After the 2000-01 season, he moved from Lazio to Manchester United on 12 July for a fee of PS24.3 million on a five-year deal, the most expensive transfer in English football at that time and becoming the first Non-UEFA player to break the English transfer record. On signing for Manchester United, he was quoted as saying that he had no fear of the Premiership. His spell at Old Trafford was not a great success. He had trouble adapting to the faster pace of the Premiership and was not allowed the same space and time on the ball. There was plenty of pressure on him at the start of his second season at Old Trafford and his performances did improve considerably, especially in the Champions League, where he excelled due to the slower tempo of the matches, scoring four goals, and was at the heart of United's successes in the group stages. However, injury meant that he missed much of the end of the season. Questions over his performance led to an expletive laden tirade against the media by manager Sir Alex Ferguson in support of Veron: "[Veron] is a fucking great player" were his parting words. "And you're all fucking idiots." However, fans and pundits alike agreed that the signing was an expensive flop. Veron later commented that the reason for his fitness problems and struggles with injuries at Manchester United were due to the less intense summer pre-season training in England. When Chelsea paid PS15 million for him two years on following the arrival of Roman Abramovich, Veron claimed that he wanted to stay and fight for his place at Old Trafford but Ferguson was willing to let Chelsea talk to him and he was eventually convinced by then Chelsea manager Claudio Ranieri that his future lay at Stamford Bridge, where he had much to prove. His transfer fee to Chelsea was about half that of his record-breaking transfer of just two years before. Veron made an excellent start to his Chelsea career by scoring the opening goal in a 2-1 victory over Liverpool at Anfield, but he fell away with injury problems as the 2003-04 season progressed and made only 15 appearances for Chelsea. The Times listed Veron's transfers to Manchester United and Chelsea among the 50 worst transfers ever in Premiership history. His several big-money transfers made Veron then the most expensive footballer in history with a cumulative total of PS77 million at that time. CANNOTANSWER

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Cecil John Rhodes PC (5 July 1853 - 26 March 1902) was a British businessman, mining magnate and politician in southern Africa who served as Prime Minister of the Cape Colony from 1890 to 1896. An ardent believer in British imperialism, Rhodes and his British South Africa Company founded the southern African territory of Rhodesia (now Zimbabwe and Zambia), which the company named after him in 1895. South Africa's Rhodes University is also named after him. Rhodes set up the provisions of the Rhodes Scholarship, which is funded by his estate, and put much effort towards his vision of a Cape to Cairo Railway through British territory.

The BSAC had its own police force, the British South Africa Police, which was used to control Matabeleland and Mashonaland, in present-day Zimbabwe. The company had hoped to start a "new Rand" from the ancient gold mines of the Shona. Because the gold deposits were on a much smaller scale, many of the white settlers who accompanied the BSAC to Mashonaland became farmers rather than miners. When the Ndebele and the Shona--the two main, but rival, peoples--separately rebelled against the coming of the European settlers, the BSAC defeated them in the First Matabele War and Second Matabele War. Shortly after learning of the assassination of the Ndebele spiritual leader, Mlimo, by the American scout Frederick Russell Burnham, Rhodes walked unarmed into the Ndebele stronghold in Matobo Hills. He persuaded the Impi to lay down their arms, thus ending the Second Matabele War. By the end of 1894, the territories over which the BSAC had concessions or treaties, collectively called "Zambesia" after the Zambezi River flowing through the middle, comprised an area of 1,143,000 km2 between the Limpopo River and Lake Tanganyika. In May 1895, its name was officially changed to "Rhodesia", reflecting Rhodes' popularity among settlers who had been using the name informally since 1891. The designation Southern Rhodesia was officially adopted in 1898 for the part south of the Zambezi, which later became Zimbabwe; and the designations North-Western and North-Eastern Rhodesia were used from 1895 for the territory which later became Northern Rhodesia, then Zambia. Rhodes decreed in his will that he was to be buried in Matobo Hills. After his death in the Cape in 1902, his body was transported by train to Bulawayo. His burial was attended by Ndebele chiefs, who asked that the firing party should not discharge their rifles as this would disturb the spirits. Then, for the first time, they gave a white man the Matabele royal salute, Bayete. Rhodes is buried alongside Leander Starr Jameson and 34 British soldiers killed in the Shangani Patrol. Despite occasional efforts to return his body to the United Kingdom, his grave remains there still, "part and parcel of the history of Zimbabwe" and attracts thousands of visitors each year. CANNOTANSWER

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Robert Kelly Thomas (born February 14, 1972) is an American singer, songwriter, record producer and multi-instrumentalist, best known as the lead singer of Alternative band Matchbox Twenty. Thomas also records and performs as a solo artist, with "Lonely No More" released in 2005 becoming his biggest solo chart success. Thomas earned three Grammy Awards for co-writing and singing on the three-time Grammy Award Winning 1999 Summer smash hit, "Smooth" by Santana, off the fifteen-time Platinum album Supernatural. He has also lent his songwriting talents to such artists as Willie Nelson, Mick Jagger, Marc Anthony, Pat Green, Taylor Hicks, Travis Tritt and Daughtry.

As Matchbox 20 prepared to record their sophomore album, band members had heated discussions over song selection. After flirting with the idea of allowing other band members to provide songs, they chose to record only songs that Thomas had written or co-written. They renamed themselves Matchbox Twenty and, in March 2000, released Mad Season. Its first single, Bent, reached number 1 on the Billboard Hot 100 chart. Their tour took them to 87 cities, and they sold out Madison Square Garden in 15 minutes. Thomas was inducted into the South Carolina Music and Entertainment Hall of Fame in 2001. When Santana prepared to record his follow-up to Supernatural, he sought to collaborate with Thomas again. Instead of providing vocals, Thomas wrote two songs for the album, which were recorded by Seal and Musiq Thomas provided songs to other artists as well. Willie Nelson recorded three of Thomas's songs on his 2002 album The Great Divide. One of those, "Recollection Phoenix", had been in contention for the next Matchbox Twenty album before the other band members had decided it wasn't a good fit. The third Matchbox Twenty album, More Than You Think You Are, wasn't complete until four weeks before its release date, November 19, 2002. For the first time, the band recorded a song not written by Thomas. Two other songs were jointly attributed to Thomas, Cook, and Doucette. As part of the promotion for the album, Thomas and his bandmates were featured on VH1's Behind the Music. When the tour for More Than You Think You Are ended, Thomas, Cook, Doucette, Yale, and Gaynor decided to take a break to focus on their families. In June 2004, the Songwriters Hall of Fame gave Thomas the inaugural Hal David Starlight Award, which recognizes a young songwriter who has made an outsized impression on the industry. CANNOTANSWER

When was their next album released?


Dancing on Ice is a British television show presented by Phillip Schofield alongside Holly Willoughby from 2006 to 2011, and Christine Bleakley from 2012 to 2014. The show consists of celebrities and their professional partners figure skate in front of a panel of judges. The series, broadcast on ITV, started on 14 January 2006 and ended on 9 March 2014 after the show's contract was not renewed by ITV. On 4 September 2017, it was announced that a revived series would air on ITV from 7 January 2018 with Schofield and Willoughby returning as hosts alongside a new backstage host, Jordan Banjo.

Like many other reality TV shows, Dancing on Ice has had a number of supplementary shows. The first was Dancing on Ice Defrosted. It was presented by Stephen Mulhern and aired on ITV2 immediately after the main ITV show and again after the results show. The show featured opinions from celebrity guests and past contestants as well as from Torvill and Dean, the judges, presenters and competitors. Judge Nicky Slater also offered in-depth analysis of various performances using the latest video technology that the judges use to judge performances. The second spin-off show was originally called Dancing on Ice Extra and was presented by Andi Peters and Andrea McLean, both competitors in the first series. Midway through the first series Paul O'Grady left ITV to join Channel 4 meaning that ITV had no show to put on air at 5 pm. The format of Dancing on Ice Defrosted was modified so that it could be broadcast every weekday. Due to Andrea's maternity leave during the second series she did not return to present the show and therefore Ben Shephard joined the show as the anchor presenter, and, unlike during the previous, series Andi Peters was now a roving reporter around the studio. For its second run the show was renamed Dancing on Ice Exclusive. Neither of these first two spin-off shows returned in 2008 nor 2009. In 2010 it was announced that a new spin-off show would accompany Dancing on Ice, named Dancing on Ice Friday, presented by Ben Shephard and Coleen Nolan. CANNOTANSWER

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How did the ratings compare to the original show?


Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

In 1951, Jordan assembled a short-lived big band that included Pee Wee Moore and others, at a time when big bands were declining in popularity. This is considered the beginning of his commercial decline, even though he reverted to the Tympany Five format within a year. By the mid-1950s, Jordan's records were not selling as well as before, and he left Decca Records. The next label to sign Jordan was Aladdin Records, for which Jordan recorded 21 songs in early 1954. Nine singles were released from these sessions; three of the songs were not released. In 1955, Jordan recorded with RCA's "independent" subsidiary "X" Records, which changed its name to Vik Records while Jordan was with them. Three singles were released under the "X" imprint and one under the Vik imprint; four tracks were not released. In these sessions Jordan intensified his sound to compete with rock and roll. In 1956, Mercury Records signed Jordan and released two LPs and a handful of singles. Jordan's first LP for Mercury, Somebody Up There Digs Me (1956), showcased updated rock-and-roll versions of previous hits such as "Ain't Nobody Here but Us Chickens", "Caldonia", "Choo Choo Ch'Boogie", "Salt Pork, West Virginia", and "Beware!" Its follow-up, Man, We're Wailin' (1957), featured a more laid-back, "late-night" sound. Mercury intended this to be a comeback for Jordan, but it was not commercially successful, and the label let him go in 1958. He recorded sporadically in the 1960s for Warwick (1960), Black Lion (1962), Tangerine (1962-1965), and Pzazz (1968) and in the early 1970s for Black and Blue (1973), Blues Spectrum (1973), and JSP (1974). In 1962 he appeared on the album Louis Jordan Sings, by the British trumpeter and bandleader Chris Barber. Speaking in 2012, Barber recalled seeing Jordan in the early 1960s at the Apollo Theater in New York, with the intention of bringing him to the UK to record There for the first time: "playing with him was just frightening. It's a bit like an amateur guitar player from a back street who has just bought a Spanish guitar, working with Segovia. He didn't make you feel small, but he was just so perfect in what he did. ... I still remember watching him singing, but he would accompany himself on the alto, and you were convinced he was playing the alto while he was singing. ... the breath hadn't gone from his last word before he was playing his alto and it seemed to be simultaneous. ... He got a very raw deal from history... In the Chick Webb band there were two regular singers - Ella [Fitzgerald] and Louis Jordan. And yet really history has consigned him to just being a comedy vocal thing with a bit of rock and roll, and the first alto ... but he was such a consumately good singer that it's sad that he wasn't known more for it." CANNOTANSWERAnswer this question using a quote from the following article:

Did he release an album with Aladdin Records?


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John Anthony Burgess Wilson,  (25 February 1917 - 22 November 1993) - who published under the pen name Anthony Burgess - was an English writer and composer. From relatively modest beginnings in a Catholic family in Manchester, he eventually became one of the best known English literary figures of the latter half of the twentieth century. Although Burgess was predominantly a comic writer, his dystopian satire A Clockwork Orange remains his best known novel. In 1971 it was adapted into a highly controversial film by Stanley Kubrick, which Burgess said was chiefly responsible for the popularity of the book.

In 1954, Burgess joined the British Colonial Service as a teacher and education officer in Malaya, initially stationed at Kuala Kangsar in Perak, in what were then known as the Federated Malay States. Here he taught at the Malay College (now Malay College Kuala Kangsar - MCKK), modeled on English public school lines. In addition to his teaching duties, he was a housemaster in charge of students of the preparatory school, who were housed at a Victorian mansion known as "King's Pavilion". A variety of the music he wrote there was influenced by the country, notably Sinfoni Melayu for orchestra and brass band, which included cries of Merdeka (independence) from the audience. No score, however, is extant. Burgess and his wife had occupied a noisy apartment where privacy was minimal, and this caused resentment. Following a dispute with the Malay College's principal about this, Burgess was reposted to the Malay Teachers' Training College at Kota Bharu, Kelantan. Burgess attained fluency in Malay, spoken and written, achieving distinction in the examinations in the language set by the Colonial Office. He was rewarded with a salary increase for his proficiency in the language. He devoted some of his free time in Malaya to creative writing "as a sort of gentlemanly hobby, because I knew there wasn't any money in it," and published his first novels: Time for a Tiger, The Enemy in the Blanket and Beds in the East. These became known as The Malayan Trilogy and were later published in one volume as The Long Day Wanes. After a brief period of leave in Britain during 1958, Burgess took up a further Eastern post, this time at the Sultan Omar Ali Saifuddin College in Bandar Seri Begawan, Brunei. Brunei had been a British protectorate since 1888, and was not to achieve independence until 1984. In the sultanate, Burgess sketched the novel that, when it was published in 1961, was to be entitled Devil of a State and, although it dealt with Brunei, for libel reasons the action had to be transposed to an imaginary East African territory similar to Zanzibar, named Dunia. In his autobiography Little Wilson and Big God (1987) Burgess wrote: "This novel was, is, about Brunei, which was renamed Naraka, Malay-Sanskrit for 'hell.' Little invention was needed to contrive a large cast of unbelievable characters and a number of interwoven plots. Though completed in 1958, the work was not published until 1961, for what it was worth it was made a choice of the book society. Heinemann, my publisher, was doubtful about publishing it: it might be libellous. I had to change the setting from Brunei to an East African one. Heinemann was right to be timorous. In early 1958, The Enemy in the Blanket appeared and at once provoked a libel suit." About this time Burgess collapsed in a Brunei classroom while teaching history and was diagnosed as having an inoperable brain tumour. Burgess was given just a year to live, prompting him to write several novels to get money to provide for his widow. He gave a different account, however, to Jeremy Isaacs in a Face to Face interview on the BBC The Late Show (21 March 1989). He said "Looking back now I see that I was driven out of the Colonial Service. I think possibly for political reasons that were disguised as clinical reasons." He alluded to this in an interview with Don Swaim, explaining that his wife Lynne had said something "obscene" to the British Queen's consort, the Duke of Edinburgh, during an official visit, and the colonial authorities turned against him. He had already earned their displeasure, he told Swaim, by writing articles in the newspaper in support of the revolutionary opposition party the Parti Rakyat Brunei, and for his friendship with its leader Dr. Azahari. Burgess' biographers attribute the incident to the author's notorious mythomania. Geoffrey Grigson writes, He was, however, suffering from the effects of prolonged heavy drinking (and associated poor nutrition), of the often oppressive south-east Asian climate, of chronic constipation, and of overwork and professional disappointment. As he put it, the scions of the sultans and of the elite in Brunei "did not wish to be taught", because the free-flowing abundance of oil guaranteed their income and privileged status. He may also have wished for a pretext to abandon teaching and get going full-time as a writer, having made a late start. Burgess was invalided home in 1959 and relieved of his position in Brunei. He spent some time in the neurological ward of a London hospital (see The Doctor is Sick) where he underwent cerebral tests that found no illness. On discharge, benefiting from a sum of money which Lynne Burgess had inherited from her father, together with their savings built up over six years in the East, he decided to become a full-time writer. The couple lived first in an apartment in Hove, near Brighton. They later moved to a semi-detached house called "Applegarth" in Etchingham, approximately a mile from the Jacobean house where Rudyard Kipling had lived in Burwash, and one mile from the Robertsbridge home of Malcolm Muggeridge. Upon the death of Burgess's father-in-law, the couple used their inheritance to decamp to a terraced town house in Chiswick. This provided convenient access to the White City BBC television studios where he later became a frequent guest. During these years Burgess became a regular drinking partner of the novelist William S. Burroughs. Their meetings took place in London and Tangiers. A sea voyage the couple took with the Baltic Line from Tilbury to Leningrad in June 1961 resulted in the novel Honey for the Bears. He wrote in his autobiographical You've Had Your Time (1990), that in re-learning Russian at this time, he found inspiration for the Russian-based slang Nadsat that he created for A Clockwork Orange, going on to note "I would resist to the limit any publisher's demand that a glossary be provided." Liliana Macellari, an Italian translator twelve years younger than Burgess, came across his novels Inside Mr. Enderby and A Clockwork Orange, while writing about English fiction. The two first met in 1963 over lunch in Chiswick and began an affair. In 1964, Liana gave birth to Burgess' son, Paolo Andrea. The affair was hidden from Burgess's now-alcoholic wife, whom he refused to leave for fear of offending his cousin (by Burgess's stepmother, Margaret Dwyer Wilson), George Dwyer, then the Roman Catholic Bishop of Leeds. Lynne Burgess died from cirrhosis of the liver, on 20 March 1968. Six months later, in September 1968, Burgess married Liana, acknowledging her four-year-old boy as his own, although the birth certificate listed Roy Halliday, Liana's former partner, as the father. Paolo Andrea (also known as Andrew Burgess Wilson) died in London in 2002, aged 37. Liana died in 2007. CANNOTANSWER


Sir George Edward Wade, CBE (20 September 1869 - 29 November 1954), known professionally as George Robey, was an English comedian, singer and actor in musical theatre, who became known as one of the greatest music hall performers of the late 19th and early 20th centuries. As a comedian, Robey mixed everyday situations and observations with comic absurdity. Apart from his music hall acts, he was a popular Christmas pantomime performer in the English provinces, where he excelled in the dame roles. He scored notable successes in musical revues during and after the First World War, particularly with the song "If You Were the Only Girl (In the World)", which he performed with Violet Loraine in the revue

By 1890 Robey had become homesick, and so he returned to South London, where he took employment in a civil engineering company. He also joined a local branch of the Thirteen Club, whose members, many of whom were amateur musicians, performed in small venues across London. Hearing of his talent, the founder of the club, W. H. Branch, invited Robey to appear at Anderton's Hotel in Fleet Street, where he performed the popular new comic song "Where Did You Get That Hat?". Robey's performance secured him a number of private engagements for which he was paid a guinea a night. By the early months of 1891, Robey was much in demand, and he decided to change his stage name. He swapped "Wade" for "Robey" after working for a company in Birmingham that bore the latter name. It was at around this time that he met E. W. Rogers, an established music hall composer who wrote songs for Marie Lloyd and Jenny Hill. For Robey, Rogers wrote three songs: "My Hat's a Brown 'Un", "The Simple Pimple" and "It Suddenly Dawned Upon Me". In 1891 Robey visited the Royal Aquarium in Westminster where he watched "Professor Kennedy", a burlesque mesmerist from America. After the performance, Robey visited Kennedy in his dressing room and offered himself as the stooge for his next appearance. They agreed that Robey, as his young apprentice, would be "mesmerised" into singing a comic song. At a later rehearsal, Robey negotiated a deal to sing one of the comic songs that had been written for him by Rogers. Robey's turn was a great success, and as a result he secured a permanent theatrical residency at the venue. Later that year, he appeared as a solo act at the Oxford Music Hall, where he performed "The Simple Pimple" and "He'll Get It Where He's Gone to Now". The theatrical press soon became aware of his act, and The Stage called him a "comedian with a pretty sense of humour [who] delivers his songs with considerable point and meets with all success". In early 1892, together with his performances at the Royal Aquarium and the Oxford Music Hall, Robey starred alongside Jenny Hill, Bessie Bonehill and Harriet Vernon at the Paragon Theatre of Varieties in Mile End, where, according to his biographer Peter Cotes, he "stole the notices from experienced troupers". That summer, Robey conducted a music hall tour of the English provinces which began in Chatham and took him to Liverpool, at a venue owned by the mother of the influential London impresario Oswald Stoll. Through this engagement Robey met Stoll, and the two became lifelong friends. In early December, Robey appeared in five music halls a night, including Gatti's Under the Arches, the Tivoli Music Hall and the London Pavilion. In mid-December, he travelled to Brighton, where he appeared in his first Christmas pantomime, Whittington Up-to-Date. Pantomime would become a lucrative and regular source of employment for the comedian. Cotes calls Robey's festive performances the "cornerstone of his comic art", and the source of "some of his greatest successes". CANNOTANSWER

Answer the following question by taking a quote from the article: Were there any conflicts?


Albert Stevens Crockett, the hotel's veteran publicist and historian, wrote his first cocktail book "Old Waldorf Bar Days" in 1931 during Prohibition and the construction of the current hotel on Park Avenue. It was an homage to the original hotel and its famous bar and clientele. The book contains Crockett's takes on the original hand-written leather bound book of recipes that was given to him at the time of the closure by bartender Joseph Taylor. This edition was never reprinted. In 1934, Crockett wrote a second book, "The Old Waldorf Astoria Bar Book", in response to the repeal of the Volstead Act and the end of the Prohibition era. He edited out most of the text from the first book. Drawing from his experiences as a travel writer, Crockett added nearly 150 more recipes, the bulk of which can be found in the "Cuban Concoctions" and "Jamaican Jollifers" chapters. These books became reference books on the subject of pre-Prohibition cocktails and its culture. In 2016, the long-time hotel bar manager of Peacock Alley and La Chine, Frank Caiafa, added a completely new edition to the canon. Caiafa's "The Waldorf Astoria Bar Book" includes all of the recipes in Crockett's books; many of the hotel's most important recipes created since 1935; and his own creations. In 2017, it was nominated for a James Beard Foundation Award for Best Beverage Book. Other notable books with connections to the hotel include "Drinks" (1914) by Jacques Straub, a wine steward and friend of Oscar Tschirky who had written about the first hotel's notable recipes. Tschirky himself compiled a list of 100 recipes for his own book "100 Famous Cocktails" (1934), a selection of favorites from Crockett's books. Finally, hotel publicist Ted Saucier wrote "Bottoms Up" in 1951, consisting of a compendium of popular, national recipes of the day. CANNOTANSWER

Answer this question "Did this book sell well?" by extracting the answer from the text above.


Background: Kasabian ( k@-SAY-bee-@n) are an English rock band formed in Leicester in 1997. The band's original members consisted of vocalist Tom Meighan, guitarist and vocalist Sergio Pizzorno, guitarist Chris Karloff, and bassist Chris Edwards. The band's line-up was completed by drummer Ian Matthews in 2004 after a string of session drummers. Karloff left the band in 2006 and founded a new band called Black Onassis.
Context: Kasabian started work on their fourth album, Velociraptor!, in November 2010 with Dan the Automator as producer. It was revealed in a number of interviews that some songs were already written. One track, titled "Green Fairy", which featured on the London Boulevard soundtrack, is present on the record under the name "La Fee Verte", but the album version is different from the soundtrack version. In June 2011, Kasabian closed the Isle of Wight Festival. They also headlined Rockness festival and played at Rock Werchter in July 2011. The band confirmed that the album would be released on 19 September 2011. "Switchblade Smiles", the first song to be heard from Velociraptor!, was exclusively played on UK radio on 7 June 2011 during Zane Lowe's show on BBC Radio 1. The title and release date of the fourth album was also confirmed on the show. This first single from the album was available for visitors to listen to on the Kasabian website, and was available as a download for people who pre-order the album. Two tracks from the album ("Velociraptor" and "Switchblade Smiles") were premiered throughout the four-date warm-up tour including playing at the Leeds O2 Academy before the RockNess and Isle of Wight festivals in June 2011. A track from the album "Days Are Forgotten" was due for radio release on 22 July 2011. However, it surfaced online the night before. The album failed to crack the Billboard Top 200 chart upon its first week of release in the United States. On 27 November 2011, Kasabian performed "Goodbye Kiss" during the BBC's Formula 1 2011 closing season montage. In the same month, the band went on a full tour of the UK, including two sold out gigs at the Capital FM Arena in Nottingham, supported at the shows by Miles Kane and Australian band ME. On 31 December 2011, Kasabian played a New Year's Eve concert entitled 'NYE:Rewired' at the O2 Arena, London. The event was streamed live on YouTube. Following early 2012 dates in Japan, Australia, and Europe, Kasabian launched their North American leg in Dallas on 12 March, with 19 dates in U.S. and Canada until late April. It was announced on 16 May on the Kasabian website that their show of 15 December 2011, that was filmed at the O2 in London, would be screened in over 60 cinemas in the UK and Ireland on 30 May 2012. The film, titled Kasabian Live! Live at the O2 is distributed by Altive Media and Eagle Vision. On 29 June 2012, Kasabian performed at the Main Square festival in Arras France. At the end of the set, Tom Meighan returned to the stage without the band and performed The Beatles "She Loves You" unaccompanied, something that he had also done three days earlier in Athens, Greece, and on 16 June in Denmark at the NorthSide Festival. On 8 July 2012, the band headlined the UK festival T in the Park. Kasabian also headlined the Reading and Leeds Festivals on 24 and 25 August 2012. CANNOTANSWER
Question: Did anything unusually significant happen during any of their performances?. Whats the answer?


Raven-Symone Christina Pearman (; born December 10, 1985), (sometimes credited as Raven, also known mononymously as Raven-Symone) is an American actress, singer, songwriter, model, television personality, dancer, rapper and producer. She first appeared on television in 1989 on The Cosby Show as Olivia Kendall. She released her debut album, Here's to New Dreams in 1993; the single, "That's What Little Girls Are Made Of" charted number 68 on the US Billboard Hot 100.

In 1993, one year after The Cosby Show ended, she landed the role of Nicole Lee on the show Hangin' with Mr. Cooper. She made her debut in the first episode of the show's second season, and remained until the series finale in 1997. In 1994, during her time on the show Hangin' with Mr. Cooper, she had her first big screen role in the movie The Little Rascals, playing Stymie's girlfriend. The Little Rascals earned $67.3 million worldwide during its theatrical run. In 1996, Raven-Symone and her father founded RayBlaze Records, in which she signed a distribution deal with Crash Records for her second album Undeniable, which was released in May 1999. The album sold over 2,000 in US. The album yielded one single: a cover of Stevie Wonder's "With a Child's Heart". To support the album Undeniable, she went on tour as the opening act for fellow Jive artist 'N Sync's The 'N Sync Tour in 1998/1999. In 1998, she won her first major role in theatrical movie, she was cast in the Eddie Murphy comedy Dr. Dolittle, as Charisse Dolittle, the oldest daughter of Murphy's character. Dr. Dolittle earned $294.5 million worldwide during its theatrical run. In the same year, she also appeared in Zenon: Girl of the 21st Century as Nebula, her first production under Disney. In 2001, she reprised the role of Charisse Dolittle in the sequel Eddie Murphy comedy Dr. Dolittle 2. Dr. Dolittle 2 earned $176.1 million worldwide during its theatrical run. In the same year, she participated in two episodes of the comedy series, My Wife and Kids as Charmaine, Claire's pregnant friend, her first production under ABC. CANNOTANSWER

What was her role in Undeniable?


Johnson began as an assistant coach at Louisiana Tech University in 1965. During this time, Phil Robertson of Duck Dynasty fame was the starting quarterback, and Jimmy helped recruit high school quarterback Terry Bradshaw from nearby Shreveport, Louisiana. He then became an assistant coach at Picayune Memorial High School in Picayune, Mississippi, in 1966. In 1967, he was an assistant at Wichita State University, then in 1968 and 1969, he served under Johnny Majors at Iowa State University in Ames. In 1970, he moved on to another Big Eight Conference school to become a defensive line coach at the University of Oklahoma, working under head coach Chuck Fairbanks and alongside future rivals Barry Switzer and Jim Dickey. In 1973, he returned to Arkansas, where he served as defensive coordinator through the 1976 season. There, he coached such players as Brison Manor and Dirt Winston. Johnson had hopes of being named head coach when Broyles retired, but was passed over for Lou Holtz. Holtz offered to retain Johnson on his staff, but he decided to move on and amicably parted company with his alma mater. Johnson became assistant head coach and defensive coordinator at the University of Pittsburgh under Jackie Sherrill in 1977 and 1978. There, he coached Randy Holloway, David Logan, Al Chesley, J. C. Wilson, and Hugh Green, and was introduced to a Pitt alumnus and assistant coach Dave Wannstedt, who later teamed up with Johnson again at the University of Miami, the Cowboys, and the Dolphins. In 1979, Johnson became head coach at Oklahoma State. Johnson coached for five seasons at Oklahoma State, from 1979 to 1983, before taking the head coaching job at the University of Miami. Johnson interviewed for the head coaching job at Arkansas when Lou Holtz left following the 1983 season, then later found out Ken Hatfield had already been hired. Upset that Frank Broyles (who was still the Arkansas athletic director) made no mention of this during the interview, Jimmy distanced himself from his alma mater. As payback for the snub, a home-and-home series was scheduled with Arkansas. In 1987, Miami gave Arkansas its worst home loss ever at the time, 51-7. CANNOTANSWER

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Pinza's Metropolitan Opera debut occurred in November 1926 in Spontini's La vestale, with famed American soprano Rosa Ponselle in the title role. In 1929, he sang Don Giovanni, a role with which he was subsequently to become closely identified. He subsequently added the Mozart roles Figaro (in 1940) and Sarastro (in 1942) to his repertoire, a vast number of Italian operatic roles of Bellini, Donizetti, and Verdi, and Mussorgsky's Boris Godunov (sung in Italian). Apart from the Met, Pinza appeared at the Royal Opera House, Covent Garden, in 1930-1939, and was invited to sing at the Salzburg Festival in 1934-1937 by the celebrated German conductor Bruno Walter. Pinza sang once again under the baton of Toscanini in 1935, this time with the New York Philharmonic Orchestra, as the bass soloist in performances of Beethoven's Missa Solemnis. One of these performances was broadcast by CBS and preserved on transcription discs; this recording has been issued on LPs and CDs. He also sang in Toscanini's February 6, 1938, NBC Symphony Orchestra's broadcast performance of Beethoven's Ninth Symphony. These performances both took place in Carnegie Hall. In March 1942 he was arrested and detained 3 months on Ellis Island with hundreds of other Italian-Americans who were suspected of supporting the Axis. In October 1947 he performed the role of Mephistopheles in Guonod's Faust opposite his daughter, soprano Claudia Pinza Bozzolla, as Marguerite at the San Francisco Opera. Pinza retired from the Metropolitan Opera in 1948. He had sung opposite many celebrated singers at the Met during his heyday. They included, among others, such international stars as Amelita Galli-Curci, Rosa Ponselle, Elisabeth Rethberg, Giovanni Martinelli, Beniamino Gigli, Lawrence Tibbett, Giuseppe De Luca, and Salvatore Baccaloni. The Metropolitan Opera honored Pinza by dedicating all the water fountains at the new Metropolitan Opera House (Lincoln Center) to him. Before his retirement from opera, his repertoire consisted of some 95 classical roles. CANNOTANSWER

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The Prodigy are an English electronic dance music group from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The first line-up of the band also included Maxim (MC and vocalist), Keith Flint (dancer and vocalist), Leeroy Thornhill (dancer and live keyboardist), and female dancer and vocalist Sharky. Along with the Chemical Brothers, Fatboy Slim, and other acts, the Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s. The Prodigy first emerged in the underground rave scene in the early 1990s and have since achieved popularity and worldwide recognition.

In 1993, Howlett released an anonymous white label, bearing only the title "Earthbound I". Its hypnotic, hard-edged sound won wide underground approval. It was officially released as "One Love" later that year, and went on to chart at number 8 in the UK. The following year, the Prodigy's second album, Music for the Jilted Generation, debuted in the UK Albums Chart at number one, and jettisoned into positive reactions from album critics. Adding elements of big beat and electro-industrial to the mix, the album expressed a wider spectrum of musical styles, with heavy breakbeat-based tracks complemented by the concept sequence The Narcotic Suite and a rock-oriented inclination, "Their Law", featuring Pop Will Eat Itself. The album was later described as a "complex, powerful record that propelled dance music into stadiums with rock'n'roll swagger". The album was nominated for a Mercury Music Prize, although Howlett had reaffirmed his dedication to making the Prodigy a 'hard dance band', commercially successful but without compromise. The band managed to continue to prevent over-exposure in the media by refusing to appear on Top of the Pops or other television shows in the UK. To date, their only studio appearance on British television came when they appeared on the BBC2 series Dance Energy in 1991, performing "Everybody in the Place". In the ensuing years, their videos received a strong level of support by MTV Europe, which boosted their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995. Following the international success of Music for the Jilted Generation, the band augmented their line-up with guitarist Jim Davies (a live band member who later joined the group Pitchshifter) in 1995 for tracks such as "Their Law", "Break and Enter 95", and various live-only interludes and versions. He was soon to be replaced by Gizz Butt of the band Janus Stark, who remained with the band for the next three years. CANNOTANSWER

was the album successful?


Third Rock from the Sun was Diffie's highest-charting Top Country Album (where it reached number six), as well as his second consecutive platinum album. It was also the first album that he co-produced, doing so with Johnny Slate. The album included two consecutive number one singles in its title track and in "Pickup Man". The latter of those two songs was Diffie's longest-lasting number one, at four weeks. Both songs also entered the Hot 100, respectively peaking at 84 and 60. In 2005, "Pickup Man" was repurposed by the Applebee's restaurant chain for use in its television commercials. The album's next single, "So Help Me Girl", peaked at number two on the country charts and 84 on the pop charts, in addition to topping the RPM country charts. The song was covered in 1997 by English singer Gary Barlow. Diffie followed the song with "I'm in Love with a Capital 'U'" and "That Road Not Taken", which respectively reached country peaks of 21 and 40. Third Rock from the Sun received critical praise for adding more rock and up-tempo material. Thom Owens wrote that he began "adding more rock flourishes" on this album, and Nash said that Diffie "not only understands the blue-collar ethic from the inside out - he's also familiar with its humorous underbelly." In mid-1995, he recorded the title track for Columbia Records's Runnin' Wide Open, an album comprising NASCAR-themed songs by various artists. He issued two albums later in the year. The first was a Christmas project titled Mr. Christmas, which comprised covers of traditional Christmas songs as well as newly written songs. One of these original songs, "LeRoy the Redneck Reindeer", was issued as a Christmas single late in the year, peaking at number 33 upon its initial release and re-entering the country music charts for the next two years based on Christmas airplay. Of this album, Stephen Thomas Erlewine said, "it's pleasant, but it's not particularly distinguished." His other release that year was the studio album Life's So Funny. It was led off by "Bigger Than the Beatles", the last number one single of his career. The album's other two singles were "C - O - U - N - T - R - Y" and "Whole Lotta Gone" (previously the b-side of "Bigger Than the Beatles"), both of which peaked at 23 on the country music charts in 1996. Country Standard Time critic George Hauenstein praised the album for containing "songs that are slightly different from [what] those other artists sing." Owens thought that it was a "varied collection of ballads and midtempo rockers", but said that it was not "as consistently engaging" as Third Rock from the Sun. Nash gave "Bigger Than the Beatles" a C-minus rating, calling it "just a lame device to evoke the names of beloved rock heroes." CANNOTANSWER

Answer this question "Was there any mention of critic's response to the album?" by extracting the answer from the text above.


Leonard Simon Nimoy was born on March 26, 1931, in the West End of Boston, Massachusetts, the son of Jewish immigrants from Iziaslav, Ukraine. His parents left Iziaslav separately--his father first walking over the border into Poland while his mother and grandmother were smuggled out of the Soviet Union in a horse-drawn wagon by hiding under bales of hay. They reunited after arriving in the United States. His mother, Dora (nee Spinner) (1904-1987), was a homemaker, and his father, Max Nimoy (1901-1987), owned a barbershop in the Mattapan section of Boston.

Following Star Trek in 1969, Nimoy immediately joined the cast of the spy series Mission: Impossible, which was seeking a replacement for Martin Landau. Nimoy was cast in the role of Paris, an IMF agent who was an ex-magician and make-up expert, "The Great Paris". He played the role during seasons four and five (1969-1971). Nimoy had been strongly considered as part of the initial cast for the show, but remained in the Spock role on Star Trek. He co-starred with Yul Brynner and Richard Crenna in the Western movie Catlow (1971). He also had roles in two episodes of Rod Serling's Night Gallery (1972 and 1973) and Columbo (1973), season 2 episode 6 entitled "A Stitch in Crime"; Nimoy portrayed murderous doctor Barry Mayfield, one of the few murder suspects toward whom Columbo showed anger. Nimoy appeared in various made-for-television films such as Assault on the Wayne (1970), Baffled! (1972), The Alpha Caper (1973), The Missing Are Deadly (1974), Seizure: The Story Of Kathy Morris (1980), and Marco Polo (1982). He received an Emmy Award nomination for best supporting actor for the television film A Woman Called Golda (1982), for playing the role of Morris Meyerson, Golda Meir's husband, opposite Ingrid Bergman as Golda in her final role. In 1975, Leonard Nimoy filmed an opening introduction to Ripley's World of the Unexplained museum located at Gatlinburg, Tennessee, and Fisherman's Wharf at San Francisco, California. In the late 1970s, he hosted and narrated the television series In Search of..., which investigated paranormal or unexplained events or subjects. In 2000-2001 he hosted CNBC TV series The Next Wave With Leonard Nimoy, which explored how e-businesses were integrating with technology and the Internet. He also had a character part as a psychiatrist in Philip Kaufman's remake of Invasion of the Body Snatchers. Nimoy also won acclaim for a series of stage roles. In 1971 he played the starring role of Tevye in Fiddler on the Roof, which toured for eight weeks. Nimoy, who had performed in the Yiddish theater as a young man, said the part was like a "homecoming" for him, explaining that his parents, like Tevye, also came from a shtetl in Russia and could relate to the play when they saw him in it. Later that year he starred as Arthur Goldman in The Man in the Glass Booth at the Old Globe Theater in San Diego. He starred as Randle McMurphy in One Flew Over the Cuckoo's Nest in 1974, a year prior to its release as a feature film, with Jack Nicholson in the same role. During the run of the play, Nimoy took over as its director and wanted his character to be "rough and tough," and insisted on having tattoos. The costumer for the show, Sharon White, was amused: "That was sort of an intimate thing. . . . Here I am with Mr. Spock, for god's sakes, and I am painting pictures on his arms." In 1975 he toured with and played the title role in the Royal Shakespeare Company's Sherlock Holmes. A number of authors have noted parallels between the rational Holmes and the character of Spock, and it became a running theme in Star Trek fan clubs. Star Trek writer Nicholas Meyer said that "the link between Spock and Holmes was obvious to everyone." Meyer gives a few examples, including a scene in Star Trek VI: The Undiscovered Country, in which Spock quotes directly from a Conan Doyle book and credits Holmes as a forefather to the logic he was espousing. In addition, the connection was implied in Star Trek: The Next Generation, which paid homage to both Holmes and Spock. By 1977, when Nimoy played Martin Dysart in Equus on Broadway, he had played 13 important roles in 27 cities, including Tevye, Malvolio in Twelfth Night, and Randle McMurphy in One Flew Over the Cuckoo's Nest. In 1981 he starred in Vincent, a one-man show which Nimoy wrote and published as a book in 1984. The audio recording of the play is available on DVD under the title, Van Gogh Revisited It was based on the life of artist Vincent van Gogh, in which Nimoy played Van Gogh's brother Theo. Other plays included Oliver!, at the Melody Top Theater in Milwaukee, 6 Rms Riv Vu opposite Sandy Dennis, in Florida, Full Circle with Bibi Anderson in Washington, D.C., and later in Full Circle. He was in Camelot, The King and I, Caligula, The Four Poster, and My Fair Lady. CANNOTANSWER

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The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.

In 1973, Ray Davies dived headlong into the theatrical style, beginning with the rock opera Preservation, a sprawling chronicle of social revolution, and a more ambitious outgrowth of the earlier Village Green Preservation Society ethos. In conjunction with the Preservation project, the Kinks' line-up was expanded to include a horn section and female backup singers, essentially reconfiguring the group as a theatrical troupe. Ray Davies' marital problems during this period began to affect the band adversely, particularly after his wife, Rasa, took their children and left him in June 1973. Davies became depressed; during a July gig at White City Stadium he told the audience he was "fucking sick of the whole thing", and was retiring. He subsequently collapsed after a drug overdose and was taken to hospital. With Ray Davies in a seemingly critical condition, plans were discussed for Dave to continue as frontman in a worst-case scenario. Ray recovered from his illness as well as his depression, but throughout the remainder of the Kinks' theatrical incarnation the band's output remained uneven, and their already fading popularity declined even more. John Dalton later commented that when Davies "decided to work again ... I don't think he was totally better, and he's been a different person ever since." Preservation Act 1 (1973) and Preservation Act 2 (1974) received generally poor reviews. The story on the albums involved an anti-hero called Mr Flash, and his rival and enemy Mr Black (played by Dave Davies during live shows), an ultra-purist and corporatist. Preservation Act 2 was the first album recorded at Konk Studio; from this point forward, virtually every Kinks studio recording was produced by Ray Davies at Konk. The band embarked on an ambitious US tour throughout late 1974, adapting the Preservation story for stage. Musicologist Eric Weisbard: "[Ray] Davies expanded the Kinks into a road troupe of perhaps a dozen costumed actors, singers and horn players. ... Smoother and tighter than on record, Preservation live proved funnier as well." Davies began another project for Granada Television, a musical called Starmaker. After a broadcast with Ray Davies in the starring role and the Kinks as both back-up band and ancillary characters, the project eventually morphed into the concept album The Kinks Present a Soap Opera, released in May 1975, in which Ray Davies fantasised about what would happen if a rock star traded places with a "normal Norman" and took a 9-5 job. In August 1975, the Kinks recorded their final theatrical work, Schoolboys in Disgrace, a backstory biography of Preservation's Mr Flash. The record was a modest success, peaking at number 45 on the Billboard charts. Following the termination of their contract with RCA, the Kinks signed with Arista Records in 1976. The song "Father Christmas" has remained a popular track. Driven by session drummer Henry Spinetti's drumming and Dave Davies' heavy guitar the song "Father Christmas" has become a classic seasonal favorite on mainstream radio. With the encouragement of Arista's management they stripped back down to a five-man core group and were reborn as an arena rock band. CANNOTANSWER

Were there any problems during this time?


After Small Faces split, Lane, Jones and McLagan floundered briefly before joining forces with two former members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. This line-up dropped the "Small" tag and became Faces. However, hoping to capitalize on Small Faces' earlier success, record company executives wanted the band to keep their old name. The band objected, arguing the personnel changes resulted in a group altogether different from Small Faces. As a compromise, the new line-up's first album in the UK was credited as First Step by Faces, while in the US the same album was released as First Step by Small Faces. The album was only a mild commercial success, and the record companies perceived no further need to market this new line-up as "Small Faces". Accordingly, all subsequent albums by this incarnation of the band appeared under the new name Faces, on both sides of the Atlantic. However, all North American LP, cassette and CD reissues of First Step still credit the band as Small Faces. Jones and McLagan stayed with the 'sequel' group Faces until their breakup in 1975. Lane exited Faces slightly earlier, in 1973. With his backing band Slim Chance, Lane then released several singles and albums from 1973-1976, including the 1974 UK hit "How Come". Marriott's first post-Small Faces venture was with the rock group Humble Pie, formed with the former Herd member Peter Frampton. Initially, the group was a huge hit in the U.S. and the UK, but Humble Pie split in 1975 due to lack of later chart success, and Marriott went solo. CANNOTANSWER

Answer this question "Did they do anything else of importance during the hiatus?" by extracting the answer from the text above.


Stephen John Fry (born 24 August 1957) is an English comedian, actor, writer, presenter, and activist. He is well known as half of the comic double act Fry and Laurie, with collaborator Hugh Laurie, with whom he co-starred in A Bit of Fry & Laurie and Jeeves and Wooster. Fry's acting roles include a Golden Globe Award-nominated lead performance in the film Wilde, Melchett in the BBC television series Blackadder, the title character in the television series Kingdom, a recurring guest role as Dr Gordon Wyatt on the crime series Bones, and as Gordon Deitrich in the dystopian thriller V for Vendetta. He has also written and presented several documentary series, including the Emmy Award-winning Stephen Fry: The Secret Life of the Manic Depressive, which saw him explore his bipolar disorder, and the travel series Stephen Fry in America.

Fry was born in Hampstead, London, on 24 August 1957 to Marianne Eve Fry (nee Newman) and Alan John Fry, a British physicist and inventor. Fry's father is English, and his paternal grandmother had roots in Kent and Cheshire. The Fry family originates in Dorset, at Shillingstone and Blandford; in the early 1800s, Samuel Fry (second son of James Fry, of Shillingstone and Blandford) settled in Surrey, with his descendants residing in Middlesex. Fry's mother is Jewish, but he was not brought up in a religious family. His maternal grandparents, Martin and Rosa Neumann, were Hungarian Jews, who emigrated from Surany (now Slovakia) to Britain in 1927. Rosa Neumann's parents, who originally lived in Vienna, were sent to a concentration camp in Riga, Latvia, where they were murdered. His mother's aunt and cousins were sent to Auschwitz and Stutthof and never seen again. Fry grew up in the village of Booton near Reepham, Norfolk, having moved from Chesham, Buckinghamshire, at an early age. He has an elder brother, Roger, and a younger sister, Joanna. Fry briefly attended Cawston Primary School in Cawston, Norfolk, before going on to Stouts Hill Preparatory School in Uley, Gloucestershire, at the age of seven, and then to Uppingham School, Rutland, where he joined Fircroft house, and was described as a "near-asthmatic genius". He was expelled from Uppingham when he was 15 and subsequently from the Paston School. At 17, after leaving Norfolk College of Arts and Technology, Fry absconded with a credit card stolen from a family friend. He had taken a coat when leaving a pub, planning to spend the night sleeping rough, but had then discovered the card in a pocket. He was arrested in Swindon, and, as a result, spent three months in Pucklechurch Prison on remand. While Fry was in Pucklechurch, his mother had cut out the crossword from every copy of The Times since he had been away, something which Fry said was "a wonderful act of kindness". Fry later stated that these crosswords were the only thing that got him through the ordeal. Following his release, he resumed his education at City College Norwich, promising administrators that he would study rigorously to sit the Cambridge entrance exams. He scored well enough to gain a scholarship to Queens' College, Cambridge. At Cambridge, Fry joined the Footlights, appeared on University Challenge, and read for a degree in English literature, graduating with upper second-class honours. Fry also met his future comedy collaborator Hugh Laurie at Cambridge and starred alongside him in the Footlights. CANNOTANSWERAnswer this question using a quote from the following article:

Did he have any special interests as a child?


Sigmund Freud ( FROYD; German: ['zi:kmUnt 'fRoYt]; born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902.

In the early 1890s, Freud used a form of treatment based on the one that Breuer had described to him, modified by what he called his "pressure technique" and his newly developed analytic technique of interpretation and reconstruction. According to Freud's later accounts of this period, as a result of his use of this procedure most of his patients in the mid-1890s reported early childhood sexual abuse. He believed these stories, which he used as the basis for his seduction theory, but then he came to believe that they were fantasies. He explained these at first as having the function of "fending off" memories of infantile masturbation, but in later years he wrote that they represented Oedipal fantasies, stemming from innate drives that are sexual and destructive in nature. Another version of events focuses on Freud's proposing that unconscious memories of infantile sexual abuse were at the root of the psychoneuroses in letters to Fliess in October 1895, before he reported that he had actually discovered such abuse among his patients. In the first half of 1896, Freud published three papers, which led to his seduction theory, stating that he had uncovered, in all of his current patients, deeply repressed memories of sexual abuse in early childhood. In these papers, Freud recorded that his patients were not consciously aware of these memories, and must therefore be present as unconscious memories if they were to result in hysterical symptoms or obsessional neurosis. The patients were subjected to considerable pressure to "reproduce" infantile sexual abuse "scenes" that Freud was convinced had been repressed into the unconscious. Patients were generally unconvinced that their experiences of Freud's clinical procedure indicated actual sexual abuse. He reported that even after a supposed "reproduction" of sexual scenes the patients assured him emphatically of their disbelief. As well as his pressure technique, Freud's clinical procedures involved analytic inference and the symbolic interpretation of symptoms to trace back to memories of infantile sexual abuse. His claim of one hundred percent confirmation of his theory only served to reinforce previously expressed reservations from his colleagues about the validity of findings obtained through his suggestive techniques. Freud subsequently showed inconsistency as to whether his seduction theory was still compatible with his later findings. In an addendum to The Aetiology of Hysteria he stated: "All this is true [the sexual abuse of children]; but it must be remembered that at the time I wrote it I had not yet freed myself from my overvaluation of reality and my low valuation of phantasy". Some years later Freud explicitly rejected the claim of his colleague Ferenczi that his patients' reports of sexual molestation were actual memories instead of fantasies, and he tried to dissuade Ferenczi from making his views public. Karin Ahbel-Rappe concludes in her study "'I no longer believe': did Freud abandon the seduction theory?'': "Freud marked out and started down a trail of investigation into the nature of the experience of infantile incest and its impact on the human psyche, and then abandoned this direction for the most part." CANNOTANSWER

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Jan and Dean were an American rock duo consisting of William Jan Berry (April 3, 1941 - March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. Among their most successful songs was 1963's "Surf City", the first surf song to top the Hot 100. Their other charting top 10 singles were "Drag City" (1963), "The Little Old Lady from Pasadena" (1964), and "Dead Man's Curve" (1964); the last was inducted into the Grammy Hall of Fame in 2008.

Jan and Dean's career together ended with Jan Berry's death on March 26, 2004, after he suffered a seizure eight days before his 63rd birthday. Berry was an organ donor, and his body was cremated. On April 18, 2004, a "Celebration of Life" was held in Berry's memory at the Roxy Theatre on the Sunset Strip in West Hollywood, California. Attendees included Torrence, Lou Adler, Jill Gibson, and Nancy Sinatra, along with many family members, friends, and musicians associated with Jan and Dean and the Beach Boys, including the original members of Papa Doo Run Run. In February 2010, the Jan & Dean album Carnival of Sound was released on the Rhino Handmade label. The album cover was designed by Torrence. Along with the CD, there was a limited edition (1500 copies), which included a 10-track LP. The album was released in Europe in April 2010 in its original US form. In 2012, Torrence reunited with Bruce Davison, who portrayed him in the 1978 film Deadman's Curve to perform with the Bamboo Trading Company on their From Kitty Hawk To Surf City album. The songs were "Shrewd Awakening" and "Tonga Hut", which was featured on the film Return of the Killer Shrews, a sequel to the 1959 film The Killer Shrews and also "Tweet (Don't Talk Anymore)", "Drinkin' In the Sunshine", and "Star Of The Beach". The album also feature Dean's two daughters, Jillian and Katie Torrence. Torrence and his two daughters were featured in the music video of "Shrewd Awakening". Torrence now tours occasionally with the Surf City All-Stars. He serves as a spokesman for the City of Huntington Beach, California, which, thanks in part to his efforts, is nationally recognized as "Surf City USA." Dean's website, features--among other things--rare images, a complete Jan & Dean discography, a biography, and a timeline of his career with cohort Jan Berry. He currently resides in Huntington Beach, California, with his wife and two daughters. CANNOTANSWER

which album featured the daughters?


Maasai are a Nilotic ethnic group inhabiting central and southern Kenya and northern Tanzania. They are among the best known local populations due to their residence near the many game parks of the African Great Lakes, and their distinctive customs and dress.The Maasai speak the Maa language (ol Maa), a member of the Nilo-Saharan family that is related to Dinka and Nuer languages. Some have become educated in the official languages of Kenya and Tanzania, Swahili and English.

Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves. CANNOTANSWER

Are they causing problems that would make the policy makers treat them so badly?


Among his later writings must be mentioned the monographs on Soren Kierkegaard (1877), Esaias Tegner (1878), Benjamin Disraeli (1878), Ferdinand Lassalle (in German, 1877), Ludvig Holberg (1884), Henrik Ibsen (1899) and on Anatole France (1905). Brandes wrote with great depth on the main contemporary poets and novelists of Denmark and Norway, and he and his disciples were for a long time the arbiters of literary success in the north. His Danish Poets (1877), containing studies of Carsten Hauch, Ludvig Bodtcher, Christian Winther and Frederick Paludan-Muller, his Men of the Modern Transition (1883), and his Essays (1889), are volumes essential to the proper study of modern Scandinavian literature. He wrote an excellent book on Poland (1888; English translation, 1903), and was one of the editors of the German version of Ibsen. The most important of his later works was his study of William Shakespeare (1897-1898), which was translated into English by William Archer and was highly acclaimed. It was, perhaps, history's most authoritative work on Shakespeare not principally intended for an English-speaking audience. He was afterwards engaged in writing a history of modern Scandinavian literature. In his critical work, which extended over a wider field than that of any other living writer, Brandes was aided by a singularly charming style, lucid and reasonable, enthusiastic but without extravagance, brilliant and colored without affectation. In 1900 he collected his works for the first time in a complete and popular edition and began to work on a German edition, completed in 1902. He published Main Currents in Nineteenth-Century Literature in 1906 (six volumes). This book was among the 100 best books for education selected in 2008 by Will Durant. Durant and Brandes were both contributors to the Mother Earth magazine. In Volume 2 Brandes says about Kierkegaard, "It is not merely in name that this irony bears a fundamental resemblance to Kierkegaard's, which also aristocratically "chooses to be misunderstood". The Ego of genius is the truth, if not in the sense in which Kierkegaard would have us understand his proposition, "Subjectivity is the truth", still in the sense that the Ego has every externally valid commandment and prohibition in its power; and, to the astonishment and scandal of the world, invariably expresses itself in paradoxes. Irony is "divine audacity". In audacity thus comprehended there are endless possibilities. It is freedom from prejudice, yet it suggests the possibility of the most audacious defense of all possible kinds of prejudices. It is more easily attainable, we are told, by woman than by man. "Like the feminine garb, the feminine intellect has this advantage over the masculine, that its possessor by a single daring movement can rise above all the prejudices of civilization and bourgeois conventionality, at once transporting herself into the state of innocence and the lap of Nature". The lap of Nature! There is an echo of Rousseau's voice even in this wanton tirade. We seem to hear the trumpet-call of revolution; what we really hear is only the proclamation of reaction. Rousseau desired to return to the state of nature, when men roamed naked through the pathless forests and lived upon acorns. Schelling wished to turn the course of evolution back to the primeval ages, to the days before man had fallen. Schlegel blows revolutionary melodies on the great romantic "wonder-horn". CANNOTANSWER

Answer this question "What made that his most important work?" by extracting the answer from the text above.