John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

Jack and Meg married on September 21, 1996 and divorced on March 24, 2000. In 2003, he had a brief relationship with actress Renee Zellweger, whom he met during the filming of Cold Mountain. That summer, the couple were in a car accident in which White broke his left index finger and was forced to reschedule much of the summer tour. He posted the footage of his finger surgery on the web for fans. White and Zellweger's breakup became public in December 2004. White met British model Karen Elson when she appeared in The White Stripes music video for "Blue Orchid". The video's director, Floria Sigismondi, noted "you sensed an energy between them". They married on June 1, 2005, in Manaus, Brazil. The wedding took place in a canoe on the Amazon River and was officiated by a shaman. A Roman Catholic priest later convalidated their marriage. Manager Ian Montone was the best man and Meg White was the maid of honor. Official wedding announcements stated that "it was the first marriage" for both. In 2006, the couple had a daughter Scarlett Teresa. Their second child, son Henry Lee, was born in 2007. The family resided in Brentwood, a suburb south of Nashville, where Elson managed a vintage clothing store called Venus & Mars. Elson provided vocals on White's first solo record. The couple announced their intention to divorce in June 2011, throwing "a positive swing bang humdinger" party to commemorate the split. On July 22, 2013, a Nashville judge barred White from having "any contact with Karen Elson whatsoever except as it relates to parenting time with the parties' minor children." A counter-motion was filed on August 2, 2013, stating that "The reason for filing this response is that Mr. White does not want to be portrayed as something he is not, violent toward his wife and children." The divorce was finalized on November 26, 2013. Elson later recanted the charges, attributing the "aggressive" proceedings to her divorce attorneys, and saying "those who gain of a marriage ending helped to create a downward spiral at my most vulnerable." White agreed, saying, "When shitty lawyers are in a situation like divorce, their goal is to villainize." The former couple reportedly remain on good terms. CANNOTANSWER

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Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.

On 9 November 2009 he scored 73 runs against New Zealand which was a record for a number 10 batsman in ODI history until Ravi Rampaul surpassed that record with scoring 86* when batting at number 10 position in 2011. In that innings, with his batting partner Saeed Ajmal, Amir added 103 runs to Pakistan's chase, only to fall short by 7 runs. He impressed the Pakistan cricket team, including Wasim Akram, who took credit for discovering Amir, although Akram later commented that Amir needed to gain more weight to aid his development. Later in 2009, Pakistan toured Sri Lanka and in the first One Day International match, he shared a 62 run partnership with fast bowler Umar Gul for the tenth wicket but Pakistan lost by 36 runs. He also played a game against New Zealand in 2009-2010. During a match in the third One Day International match, when Pakistan were reduced to 8 wickets for 86 runs, he scored 73 runs not out, making the highest score by a number 10 batsman in One Day International cricket and putting on a 103 runs, 10th wicket partnership with Saeed Ajmal. He was unable to get his side to their victory target of 212 runs, as Ajmal was declare out in the last over and Pakistan lost by just 7 runs. During the Test match series against Australia in 2010, at the Melbourne Cricket Ground, he took his first five wicket haul, taking the wickets of Australian batsmen Ricky Ponting, Michael Hussey and Michael Clarke. On 24 July 2010 he was influential in helping Pakistan win the 2nd Test match against Australia; the first Test match Pakistan had won against them in 15 years, which also drew the series 1-1. During this match he took 7 wickets overall, and was declared man of the match. Overall, in the second series, he was the leading wicket taker of both teams with his 11 scalps. In the summer of 2010, Amir was awarded the man of the match award for becoming the youngest player to ever take a five-wicket haul in England. He also became the youngest player to take 50 test wickets earning praise from several former international cricketers. In that eventful series against England, he took 19 wickets, the highest of the Pakistanis and third highest overall at an outstanding average of 18.3. He also took 2 five-wicket hauls. CANNOTANSWER


The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in motion pictures from 1905 to 1949. Five of the Marx Brothers' thirteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them (Duck Soup and A Night at the Opera) in the top twelve. They are widely considered by critics, scholars, and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years...

The Marx Brothers' stage shows became popular just as motion pictures were evolving to "talkies". They signed a contract with Paramount Pictures and embarked on their film career at Paramount's studios in New York City's Astoria section. Their first two released films (after an unreleased short silent film titled Humor Risk) were adaptations of the Broadway shows The Cocoanuts (1929) and Animal Crackers (1930). Both were written by George S. Kaufman and Morrie Ryskind. Production then shifted to Hollywood, beginning with a short film that was included in Paramount's twentieth anniversary documentary, The House That Shadows Built (1931), in which they adapted a scene from I'll Say She Is. Their third feature-length film, Monkey Business (1931), was their first movie not based on a stage production. Horse Feathers (1932), in which the brothers satirized the American college system and Prohibition, was their most popular film yet, and won them the cover of Time magazine. It included a running gag from their stage work, in which Harpo produces a ludicrous array of props from inside his coat, including a wooden mallet, a fish, a coiled rope, a tie, a poster of a woman in her underwear, a cup of hot coffee, a sword; and, just after Groucho warns him that he "can't burn the candle at both ends," a candle burning at both ends. During this period Chico and Groucho starred in a radio comedy series, Flywheel, Shyster and Flywheel. Though the series was short lived, much of the material developed for it was used in subsequent films. The show's scripts and recordings were believed lost until copies of the scripts were found in the Library of Congress in the 1980s. After publication in a book they were performed with Marx Brothers impersonators for BBC Radio. Their last Paramount film, Duck Soup (1933), directed by the highly regarded Leo McCarey, is the highest rated of the five Marx Brothers films on the American Film Institute's "100 years ... 100 Movies" list. It did not do as well financially as Horse Feathers, but was the sixth-highest grosser of 1933. The film sparked a dispute between the Marxes and the village of Fredonia, New York. "Freedonia" was the name of a fictional country in the script, and the city fathers wrote to Paramount and asked the studio to remove all references to Freedonia because "it is hurting our town's image". Groucho fired back a sarcastic retort asking them to change the name of their town, because "it's hurting our picture." CANNOTANSWERAnswer this question using a quote from the following article:

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The Sweet (also known as Sweet) is a British glam rock band that rose to worldwide fame in the 1970s. Their best known line-up consisted of lead vocalist Brian Connolly, bass player Steve Priest, guitarist Andy Scott, and drummer Mick Tucker. The group was originally called Sweetshop. The band was formed in London in 1968 and achieved their first hit, "Funny Funny", in 1971 after teaming up with songwriters Nicky Chinn and Mike Chapman and record producer Phil Wainman.

Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates. The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar. The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later. The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. The Sweet made their UK television debut in December 1970 on a pop show called Lift Off, performing the song "Funny Funny". A management deal was signed with the aforementioned songwriting team of Nicky Chinn and Mike Chapman. Phil Wainman resumed his collaboration with Sweet, as executive producer. This management deal also included a worldwide (the U.S. excepted) record contract with RCA Records (in the United States and Canada Bell Records issued the group's music until late 1973; followed by Capitol Records). In March 1971 RCA issued "Funny Funny", written by Chinn and Chapman, which became the group's first international hit, climbing to the Top 20 on many of the world's charts. EMI reissued their 1970 single "All You'll Ever Get from Me" (May 1971) and it again failed to chart. Their next RCA release "Co-Co" (June 1971) went to number two in the U.K. and their follow up single, "Alexander Graham Bell" (October 1971), only went to #33. These tracks still featured session musicians on the instruments with the quartet providing only the vocals. The Sweet's first full LP album, Funny How Sweet Co-Co Can Be, was released in November 1971. A collection of the band's recent singles supplemented by some new Chinn/Chapman tunes (including "Chop Chop" and "Tom Tom Turnaround") and pop covers (such as the Lovin' Spoonful's "Daydream" and the Supremes' "Reflections"), the album, recorded at Nova Studios in London, was produced by Phil Wainman and engineered by Richard Dodd and Eric Holland. It was not a serious contender on the charts. Their albums' failure to match the success of their singles was a problem that would plague the band throughout their career. February 1972 saw the release of "Poppa Joe", which reached number 1 in Finland and peaked at number 11 in the UK Singles Chart. The next two singles of that year, "Little Willy" and "Wig-Wam Bam", both reached No. 4 in the UK, and "Little Willy" peaked at No. 3 on the U.S. Billboard Hot 100 after a re-issue in 1973, thus becoming the group's biggest American hit. Although "Wig-Wam Bam" remained largely true to the style of the Sweet's previous recordings, the vocals and guitars had a harder, more rock-oriented sound, largely because it was the first Chinn-Chapman single on which only members of Sweet played. In January 1973 "Block Buster!" became the Sweet's first single to reach number 1 on the UK chart, remaining there for five consecutive weeks. After their next single "Hell Raiser" was released in May and reached number 2 in the U.K., the Sweet's U.S. label, Bell, released the group's first American album The Sweet in July 1973. To promote their singles, the Sweet made numerous appearances on U.K. and European TV shows such as Top of the Pops and Supersonic. In one performance of "Block Buster!" on Top of the Pops, Priest aroused complaints after he appeared wearing a German uniform and displaying a swastika armband. The band also capitalised on the glam rock explosion, rivalling Gary Glitter, T. Rex, Queen, Slade, and Wizzard for outrageous stage clothing. Despite the Sweet's success, the relationship with their management was becoming increasingly tense. While they had developed a large fan-base among teenagers, the Sweet were not happy with their 'bubblegum' image. The Sweet had always composed their own heavy-rock songs on the B-sides of their singles to contrast with the bubblegum A-sides which were composed by Chinn and Chapman. During this time, Sweet's live performances consisted of B-sides, album tracks, and various medleys of rock and roll classics; they avoided older 'novelty' hits like "Funny Funny" and "Poppa Joe". A 1973 performance at the Palace Theatre and Grand Hall in Kilmarnock ended in the Sweet being bottled off stage; the disorder was attributed by some (including Steve Priest) to the Sweet's lipstick and eye-shadow look, and by others to the audience being unfamiliar with the concert set (the 1999 CD release Live at the Rainbow 1973 documents a live show from this period). The incident would be immortalised in the hit "The Ballroom Blitz" (September 1973). In the meantime, the Sweet's chart success continued, showing particular strength in the UK, Denmark, Germany, Sweden and Australia. At the end of 1973, the band's name evolved from "The Sweet" to "Sweet". The change would be reflected in all of their releases from 1974 onward. CANNOTANSWER

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The Box Tops are an American rock band, formed in Memphis in 1967. They are best known for the hits "The Letter", "Cry Like a Baby", and "Soul Deep" and are considered a major blue-eyed soul group of the period. They performed a mixture of current soul music songs by artists such as James & Bobby Purify and Clifford Curry; pop tunes such as "A Whiter Shade of Pale" by Keith Reid, Gary Brooker, and Matthew Fisher of Procol Harum; and songs written by their producers, Dan Penn, Spooner Oldham, and Chips Moman. Vocalist Alex Chilton went on to front the power pop band Big Star and to launch a career as a solo artist, during which he occasionally performed songs he had sung with the Box Tops.

There was a one-off Box Tops charity concert in Nashville, Tennessee, at a venue called Ace of Clubs in 1989 for Harold Cloud's family member. The lineup for this show comprised Chilton, Evans, Talley, Harold Cloud (bass), and Gene Houston (drums). At this show the group was also augmented by backup singers Tracy Nelson, Jonell Mosser, and Kim Morrison and a full horn section. Cunningham next organized a reunion of all the band's original members, including Chilton, in 1996. The group subsequently released a self-produced album of new material recorded at Easley McCain Recording, Tear Off!, and resumed performing concerts internationally. The Tear Off! album included a new original by guitarist Talley ("Last Laugh"); covers of Bobby Womack's "I'm in Love", Eddie Floyd's "Big Bird" (often covered in solo concerts since the 1980s by Chilton), and The Gentrys' "Keep on Dancing"; and a new recording of "The Letter". Other songs on the album reflected the band members' varied soul, novelty, rock-and-roll, and country music influences. B.B. Cunningham Jr. played a guitar on the album version of "Trip to Bandstand", his 1959 Memphis novelty single. The album also featured horn arrangements and performances by The Memphis Horns, who subsequently participated in some of the group's concerts. By 2000, John Evans was no longer in the band and was replaced by Nashville session man Barry Walsh. John is employed by the University of Memphis. In 2001 the group contributed a Blondie cover tune to a various artists collection of "songs you never thought you'd hear" called When Pigs Fly. Sold-out Box Tops concerts in Germany in 2003 were aired on German radio, and the group's 2005 tour schedule showed a number of American dates planned despite the group members' busy careers outside the band. The Box Tops did their last Memphis concert on May 29, 2009, at The Memphis Italian Festival. On March 17, 2010, lead vocalist Alex Chilton died of a heart attack. CANNOTANSWER


Harold Adams Innis (; November 5, 1894 - November 8, 1952) was a Canadian professor of political economy at the University of Toronto and the author of seminal works on media, communication theory, and Canadian economic history. Despite his dense and difficult prose, Innis was one of Canada's most original thinkers. He helped develop the staples thesis, which holds that Canada's culture, political history, and economy have been decisively influenced by the exploitation and export of a series of "staples" such as fur, fishing, lumber, wheat, mined metals, and coal.

The era of the "Dirty Thirties" with its mass unemployment, poverty and despair gave rise to new Canadian political movements. In Alberta, for example, the radio evangelist William "Bible Bill" Aberhart led his populist Social Credit party to victory in 1935. Three years earlier in Calgary, Alberta, social reformers had founded a new political party, the Co-operative Commonwealth Federation or CCF. It advocated democratic socialism and a mixed economy with public ownership of key industries. Frank Underhill, one of Innis's colleagues at the University of Toronto was a founding member of the CCF. Innis and Underhill had both been members of an earlier group at the university that declared itself "dissatisfied with the policies of the two major [political] parties in Canada" and that aimed at "forming a definite body of progressive opinion". In 1931, Innis presented a paper to the group on "Economic Conditions in Canada", but he later recoiled from participating in party politics, denouncing partisans like Underhill as "hot gospellers". Innis maintained that scholars had no place in active politics and that instead, they should devote themselves, first to research on public problems, and then to the production of knowledge based on critical thought. He saw the university, with its emphasis on dialogue, open-mindedness and skepticism, as an institution that could foster such thinking and research. "The university could provide an environment", he wrote, "as free as possible from the biases of the various institutions that form the state, so that its intellectuals could continue to seek out and explore other perspectives." Although sympathetic to the plight of western farmers and urban, unemployed workers, Innis did not embrace socialism. Eric Havelock, a left-leaning colleague explained many years later that Innis distrusted political "solutions" imported from elsewhere, especially those based on Marxist analysis with its emphasis on class conflict. He worried, too, that as Canada's ties with Britain weakened, the country would fall under the spell of American ideas instead of developing its own based on Canada's unique circumstances. Havelock added: He has been called the radical conservative of his day -- not a bad designation of a complex mind, clear sighted, cautious, perhaps at bottom pessimistic in areas where thinkers we would label 'progressive' felt less difficulty in taking a stand; never content to select only one or two elements in a complicated equation in order to build a quick-order policy or program; far ranging enough in intellect to take in the whole sum of the factors, and comprehend their often contradictory effects. CANNOTANSWER

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Background: George Herbert Leigh Mallory (18 June 1886 - 8 or 9 June 1924) was an English mountaineer who took part in the first three British expeditions to Mount Everest, in the early 1920s. During the 1924 British Mount Everest expedition, Mallory and his climbing partner, Andrew "Sandy" Irvine, disappeared on the North-East ridge during their attempt to make the first ascent of the world's highest mountain. The pair were last seen when they were about 800 vertical feet (245 m) from the summit. Mallory's ultimate fate was unknown for 75 years, until his body was discovered on 1 May 1999 by an expedition that had set out to search for the climbers' remains.
Context: Mallory participated in the initial 1921 British Reconnaissance Expedition, organised and financed by the Mount Everest Committee, that explored routes up to the North Col of Mount Everest. The expedition produced the first accurate maps of the region around the mountain, as Mallory, his climbing partner Guy Bullock and E. O. Wheeler of the Survey of India explored in depth several approaches to its peak. Under Mallory's leadership, and with the assistance of around a dozen Sherpas, the group climbed several lower peaks near Everest. His party were almost certainly the first Westerners to view the Western Cwm at the foot of the Lhotse face, as well as charting the course of the Rongbuk Glacier up to the base of the North Face. After circling the mountain from the south side, his party finally discovered the East Rongbuk Glacier--the highway to the summit now used by nearly all climbers on the Tibetan side of the mountain. By climbing up to the saddle of the North Ridge (the 23,030 ft (7,020 m) North Col), they spied a route to the summit via the North-East Ridge over the obstacle of the Second Step. In 1922 Mallory returned to the Himalayas as part of the party led by Brigadier-General Charles Bruce and climbing leader Edward Strutt, with a view to making a serious attempt on the summit. Eschewing their bottled oxygen, which was at the time seen as going against the spirit of mountaineering, Mallory, along with Howard Somervell and Edward Norton almost reached the crest of the North-East Ridge. Despite being hampered and slowed by the thin air, they achieved a record altitude of 26,980 ft (8,225 m) before weather conditions and the late hour forced them to retreat. A second party led by George Finch reached an elevation of approximately 27,300 ft (8,321 m) using bottled oxygen both for climbing and--a first--for sleeping. The party climbed at record speeds, a fact that Mallory seized upon during the next expedition. Mallory organised a third unsuccessful attempt on the summit, departing as the monsoon season arrived. While Mallory was leading a group of porters down the lower slopes of the North Col of Everest in fresh, waist-deep snow, an avalanche swept over the group, killing seven Sherpas. The attempt was immediately abandoned, and Mallory was subsequently accused of poor judgement, including by expedition participants such as Dr. Longstaff. Mallory is famously quoted as having replied to the question "Why did you want to climb Mount Everest?" with the retort "Because it's there", which has been called "the most famous three words in mountaineering". There have been questions over the authenticity of the quote, and whether Mallory actually said it. Some have suggested that it was a paraphrase by a newspaper reporter, but scrutiny of the original report in The New York Times leaves this unresolved. The phrase was certainly consistent with the direct quotes cited in The New York Times report, so it appears not to misrepresent Mallory's attitude. CANNOTANSWER
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Background: Samuel Dale Brownback (born September 12, 1956) is an American lawyer, politician, diplomat and the current United States Ambassador-at-Large for International Religious Freedom since 2018. Brownback previously served as the 46th Governor of Kansas, as a U.S. Senator from Kansas, as a member of the U.S. House of Representatives, and as the Secretary of Agriculture of Kansas. A member of the Republican Party, he was elected to the U.S. House of Representatives during the Republican Revolution of 1994, representing Kansas's 2nd congressional district for a single term, before running in a 1996 special election for the U.S. Senate seat previously held by Bob Dole. He won the special election and the following two regular elections, serving until 2011.
Context: Brownback opposes a single-payer, government-run health-care system. He supports increased health insurance portability, eliminating insurance rejection due to pre-existing medical conditions, a cap on frivolous malpractice lawsuits, the implementation of an electronic medical records system, an emphasis on preventative care, and tax benefits aimed at making health-care insurance more affordable for the uninsured and targeted to promote universal access. He opposes government-funded elective abortions in accordance with the Hyde Amendment. He has been a strong supporter of legislation to establish a national childhood cancer database and an increase in funding for autism research. Brownback supports negotiating bulk discounts on Medicare drug benefits to reduce prices. In 2007, Senators Brownback and Sherrod Brown (D-OH) sponsored an amendment to the Food and Drug Administration Amendments Act of 2007. The amendment created a prize as an incentive for companies to invest in new drugs and vaccines for neglected tropical diseases. It awards a transferable "Priority Review Voucher" to any company that obtains approval for a treatment for a neglected tropical disease. This provision adds to the market-based incentives available for the development of new medicines for developing world diseases such as malaria, tuberculosis and African sleeping sickness. The prize was initially proposed by Duke University faculty Henry Grabowski, Jeffrey Moe, and David Ridley in their 2006 Health Affairs paper: "Developing Drugs for Developing Countries." Brownback supports a bill that would introduce price transparency to the U.S. health care industry, as well as a bill which would require the disclosure of Medicare payment rate information. On December 16, 2006, Brownback gave an interview to the Christian Post, stating: "We can get to this goal of eliminating deaths by cancer in ten years." CANNOTANSWER
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Editors are an English rock band, formed in 2002 in Birmingham. Previously known as Pilot, The Pride and Snowfield, the band currently consists of Tom Smith (lead vocals, guitar, piano), Russell Leetch (bass guitar, synthesizer, backing vocals), Ed Lay (drums, percussion, backing vocals), Justin Lockey (lead guitar), and Elliott Williams (keys, synthesizers, guitars, and backing vocals). Editors have so far released two platinum studio albums, and six in total, with several million combined sales. Their debut album

The band met while studying Music Technology at Staffordshire University, but living in Birmingham and playing at venues such as the Jug of Ale and the Flapper & Firkin, the former of which bands such as Oasis and Blur played in during their primitive years, helped the band obtain a record deal. Tom Smith Interview in 2015 "Birmingham is very important" he explains. "Looking back further it was where we all lived together in the early years, played all those flapper and jug of ale shows, and then got our record deal". "We've always said although only one of us was brought up there, Birmingham was the band's home". The band was initially known as Pilot and played its first show under this name in 2002. While in college, the band constructed a marketing strategy which involved placing hundreds of promotional stickers across the walls of Stafford asking "Who's the Pilot?". However, they realised the name was already taken by a 1970s Scottish pop group, so they changed their name to The Pride. They made a promo under this name with the tracks "Come Share the View" and "Forest Fire" and then uploaded them onto the internet, making the songs available to listen to on BBC Radio 1's Onemusic Unsigned. A review of the songs reads "The Pride keep things subliminally lo-fi. Refreshingly simple and restrained, "Come Share The View" is a lesson in welding hypnotic soundscapes with white noise while showing allegiance to the school of slo-mo on "Forest Fire"". The band then took its music offline to create mystery and anxiousness and ensure that more "A&R" representatives came to see them perform. They then changed the line-up with Ed Lay replacing Geraint Owen on drums as he began to focus on his Welsh band The Heights. Under this lineup they became known as Snowfield. They played their debut gig under this name at the request of Fused Magazine in March 2003. The following summer the band self-released a demo six-track EP, all of which went on to become future Editors songs. Then, as it was the home of their management and the nearest big city, the band relocated to Birmingham after graduation in the autumn of 2003. For the next year, the different band members then worked part-time jobs along with the rest of their work with the band. After continuous gigging around the Midlands, it wasn't long until word of mouth helped them become a popular unsigned band. The band then sent out a one track demo cd of Bullets, earning them the interest of several British labels, with thirty A&R reps coming to see them play at Birmingham. In October 2004, the group signed to Newcastle based indie label Kitchenware Records. Upon signing to the record label they changed their band name to Editors. After supporting bands such as Puressence and Oceansize, Editors released debut single "Bullets" recorded with producer Gavin Monaghan as a limited edition of 1000 copies on Kitchenware Records on 24 January 2005. The song had previously been played by BBC Radio 1 disc jockey Zane Lowe, where it earned the honour of 'Single of the Week'. The limited run then sold out on the day of its release, with copies famously then sold later in the week for more than PS30 on eBay. The release of "Munich" followed in April of that year and gave the band their first Top 25 hit, another sold out UK tour and a place on MTV's Spanking New Music show in Manchester. At this point, due to the band's increasing popularity, Editors and Kitchenware signed an exclusive distribution deal with Sony BMG. "Blood" was released two months later, reaching number 18 in the UK Singles Chart in its first week, selling 5,286 copies. With these releases their fanbase continued to grow and on 25 July 2005 their debut album The Back Room was released to critical acclaim and commercial success. In its first week, the album entered the charts at number 13, selling 17,627 copies. After re-issuing "Bullets" and achieving another Top 30 hit, Editors gained a high-profile support slot, supporting Franz Ferdinand in arenas across the UK and Europe. Editors then re-issued "Munich" in January 2006, selling one and half thousand more copies than the last time it was released. The song gave Editors their first Top 10 single and an appearance on Top of the Pops. With the single release, The Back Room also rose back up the album charts, peaking at number 2. It sold an additional 40,000 copies in the week of "Munich"'s release and went platinum in the process. A joint North American tour with Stellastarr* coincided with the American release of The Back Room in March 2006. It was released by Fader Label and sold 35,000 albums after 20 weeks. The band went on to play influential American festivals in 2006 such as Coachella and Lollapalooza. Editors proceeded to perform "Munich" on the American television show Late Night with Conan O'Brien. At the end of March, Editors released "All Sparks" as a single in the United Kingdom, achieving a position of 21 in the singles chart. After a European tour which included three successive nights at Brixton Academy, Editors re-issued a limited edition of "Blood". It entered the Top 40, pushing the album up the chart 45 places. Shortly after this, The Back Room hit the million mark in sales worldwide and was also nominated for the 2006 Mercury Prize. After a string of high-profile festival shows across Europe, including slots on T in the Park, V 2006 and the Isle of Wight Festival, Editors began work on their second album. Lead singer Smith revealed that the band will explore a new direction on their next album, pursuing a new, rawer sound. Before January 2009, Editors had written around eighteen new songs for the new album and they have been described as some of the most synthetic, raw and anthemic songs they have written to date. In October the band went to the studio to record some demos. The band spent the first week of April recording the album and on 8 April, they released a short video with information about the recording process. It announced that Mark 'Flood' Ellis would be the producer for the album. Earlier on in the year, the sound of the album was said to have a very electric feel; the band often using the Terminator theme song as a reference. On 2 June 2009, it was announced that the new album title would be In This Light and on This Evening and that they would be the first band to play at the new O2 Academy Birmingham. Through producer Flood's heavy usage of synthesisers, the album provided a synthpop/post-punk sound to Editors' production. Flood, who is famous for collaborating with electronic music influenced bands like U2, Depeche Mode, The Killers and Erasure, helped develop synthetic elements on the album, which resulted in a mixed reception from long-term fans as to the group's new direction. The album was released on 12 October and debuted at number one on the UK Albums Chart. Alongside the album, the band released lead single "Papillon" and it led them to their first taste of number one success outside the UK, with the song hitting the top position in Belgium and being certified Gold in the process. After releasing singles "You Don't Know Love", "Last Day" and "Eat Raw Meat = Blood Drool" to limited chart success, it was announced that their unreleased song "No Sound But the Wind" would appear on the New Moon soundtrack. A live version of the song was later released in continental Europe in September 2010 and again achieved the same success as "Papillon" in Belgium, going to number 1 and being certified Gold. In November 2010 it was confirmed that a boxset called Unedited compiling the first 3 albums, as well as b-sides and previously unreleased songs on 7 12" vinyls, 7 CDs and 7 MP3 albums, alongside a book of photos and words, would be released in early 2011. The boxset included the full band version of "No Sound But The Wind", demos of "Camera" and "These Streets Are Still Home To Me", and an unreleased version of "The Weight of the World", called "Every Little Piece". CANNOTANSWER


During the filming of the second season, the band became tired of scripts which they deemed monotonous and stale. They had already succeeded in eliminating the laugh track (a then-standard on American sitcoms), with the bulk of Season 2 episodes airing minus the canned chuckles. They proposed switching the format of the series to become more like a variety show, with musical guests and live performances. This desire was partially fulfilled within some second-season episodes, with guest stars like musicians Frank Zappa, Tim Buckley and Charlie Smalls (composer of The Wiz) performing on the show. However, NBC was not interested in eliminating the existing format, and the group (except for Peter) had little desire to continue for a third season. Tork said in DVD commentary that everyone had developed such difficult personalities that the big-name stars invited as guests on the show would invariably leave the experience "hating everybody". Screen Gems and NBC went ahead with the existing format anyway, commissioning Monkees writers Gerald Gardner and Dee Caruso to create a straight-comedy, no-music half-hour in the Monkees mold; a pilot episode was filmed with the then-popular nightclub act the Pickle Brothers. The pilot had the same energy and pace of The Monkees, but never became a series. In June 1968, Music Supervisor Lester Sill chose to release the two non-album tracks "D.W. Washburn" b/w "It's Nice To Be With You" as the Monkees' next single. The Leiber/Stoller-penned A-side would break into the Top 20, peaking at No. 19 on the charts. CANNOTANSWER

Answer this question "Did the band members say anything about the second season?" by extracting the answer from the text above.


Background: Jeanine Ferris Pirro (born June 2, 1951) is an American TV personality, former judge, prosecutor, and Republican politician in New York. Pirro is currently the host of Fox News Channel's Justice with Judge Jeanine. She was the first female judge elected to the Westchester County Court prior to her election as the first female District Attorney of Westchester County. As District Attorney, Pirro gained considerable visibility in cases of domestic abuse and crimes against the elderly.
Context: On August 10, 2005, Pirro announced that she would seek the Republican nomination to challenge first-term incumbent senator Hillary Clinton, a Democrat, in the 2006 election for U.S. Senator from New York. Other Republicans who announced campaigns for the nomination were John Spencer, a former mayor of Yonkers, William Brenner, an attorney in Sullivan County, and attorney Edward Cox, the son-in-law of former president Richard Nixon. In a widely publicized moment when she was declaring her candidacy, Pirro misplaced page 10 of her speech and went silent for 32 seconds, something that is widely considered to have damaged her campaign before it even started. During an appearance at the Crime Victims Resource Center, Pirro described herself this way: "I am red on fiscal policy. I am conservative and I support the Bush tax cut." She added, however: "I have broad blue stripes when it comes to social issues... I am a woman who is a moderate in New York." Republican governor George Pataki's endorsement of Pirro caused Cox to withdraw from the race, leaving Pirro as the likely nominee. Donors to Pirro's political campaign included designer Tommy Hilfiger (also a native of Elmira) and Donald Trump, as well as contractors and real estate executives who had done business with her husband. On December 21, 2005, Pirro dropped out of the Senate race after continuing pressure from party chiefs. This decision was reached after a lagging fundraising effort and polls that showed she would be easily defeated by Clinton (a Quinnipiac University poll found Pirro would lose to Clinton 62 percent to 30 percent). In a statement, she said "I have decided that my law enforcement background better qualifies me for a race for New York State attorney general than a race for the United States Senate." Spencer was eventually chosen as the Republican Party's nominee for the U.S. Senate. CANNOTANSWER
Question: What else did she support?

Answer:


Background: Massive Attack are an English trip hop group formed in 1988 in Bristol, consisting of Robert "3D" Del Naja, Grant "Daddy G" Marshall and formerly Andy "Mushroom" Vowles ("Mush"). Their debut album Blue Lines was released in 1991, with the single "Unfinished Sympathy" reaching the charts and later being voted the 63rd greatest song of all time in a poll by NME. 1998's Mezzanine, containing "Teardrop", and 2003's 100th Window charted in the UK at number one. Both Blue Lines and Mezzanine feature in Rolling Stone's list of the 500 Greatest Albums of All Time.
Context: DJs Daddy G and Andrew Vowles and graffiti artist-turned-rapper Robert Del Naja met as members of partying collective The Wild Bunch. One of the first homegrown soundsystems in the UK, The Wild Bunch became dominant on the Bristol club scene in the mid-1980s. Massive Attack started as a spin-off production trio in 1988, with the independently released song, "Any Love", sung by falsetto-voiced singer-songwriter Carlton McCarthy, and then, with considerable backing from Neneh Cherry, they signed to Circa Records in 1990 - committing to deliver six studio albums and a "best of" compilation. Circa became a subsidiary of, and was later subsumed into, Virgin Records, which in turn was acquired by EMI. Blue Lines (1991), was co-produced by Jonny Dollar and Cameron McVey, who also became their first manager. Geoff Barrow, who went on to form Portishead, was an intern and trainee tape operator at Bristol's Coach House studio when the album was recorded. McVey (credited at the time as 'Booga Bear') and his wife, Neneh Cherry, provided crucial financial support and in-kind assistance to the early careers of Massive Attack, Portishead and Tricky during this period, even paying regular wages to them through their Cherry Bear Organisation. Massive Attack used guest vocalists, interspersed with Del Naja and Marshall's (initially Tricky's) own sprechgesang stylings, on top of what became regarded as an essentially British creative sampling production; a trademark sound that fused down-tempo hip hop, soul, reggae and other eclectic references, musical and lyrical. In the nineties, the trio became known for often not being able to easily get along with one another and working increasingly separately. Andy Vowles (Mushroom), who had once thought of himself as the trio's musical director, acrimoniously left Massive Attack in late 1999, after an ultimatum from the other two members to end the group immediately if he did not. Despite having taken Del Naja's side in the effective firing of Vowles and then participating in a show-of-unity webcast as a duo the following year, Grant Marshall (G) had also effectively left by 2001 in that he abandoned the studio altogether. Marshall returned to a studio role in 2005, having joined the touring line-up in 2003 and 2004. CANNOTANSWER
Question: Where did they perform?. Whats the answer?


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Francis Albert Sinatra was born on December 12, 1915, in an upstairs tenement at 415 Monroe Street in Hoboken, New Jersey. He was the only child of Italian immigrants Antonino Martino "Marty" Sinatra and Natalina "Dolly" Garaventa. Sinatra weighed 13.5 pounds (6.1 kg) at birth and had to be delivered with the aid of forceps, which caused severe scarring to his left cheek, neck, and ear, and perforated his ear drum, damage that remained for life. Due to his injuries at birth, his baptism at St. Francis Church in Hoboken was delayed until April 2, 1916.

Sinatra died with his wife at his side at Cedars-Sinai Medical Center in Los Angeles on May 14, 1998, aged 82, after a heart attack. Sinatra was in ill health during the last few years of his life, and was frequently hospitalized for heart and breathing problems, high blood pressure, pneumonia and bladder cancer. He was further diagnosed as having dementia. He had made no public appearances following a heart attack in February 1997. Sinatra's wife encouraged him to "fight" while attempts were made to stabilize him, and reported that his final words were, "I'm losing." Sinatra's daughter, Tina, later wrote that she and her sister, Nancy, had not been notified of their father's final hospitalization, and it was her belief that "the omission was deliberate. Barbara would be the grieving widow alone at her husband's side." The night after Sinatra's death, the lights on the Empire State Building in New York City were turned blue, the lights at the Las Vegas Strip were dimmed in his honor, and the casinos stopped spinning for a minute. Sinatra's funeral was held at the Roman Catholic Church of the Good Shepherd in Beverly Hills, California, on May 20, 1998, with 400 mourners in attendance and thousands of fans outside. Gregory Peck, Tony Bennett, and Sinatra's son, Frank Jr., addressed the mourners, who included many notable people from film and entertainment. Sinatra was buried in a blue business suit with mementos from family members--cherry-flavored Life Savers, Tootsie Rolls, a bottle of Jack Daniel's, a pack of Camel cigarettes, a Zippo lighter, stuffed toys, a dog biscuit, and a roll of dimes that he always carried--next to his parents in section B-8 of Desert Memorial Park in Cathedral City, California. His close friends Jilly Rizzo and Jimmy Van Heusen are buried nearby. The words "The Best Is Yet to Come", plus "Beloved Husband & Father" are imprinted on Sinatra's grave marker. Significant increases in recording sales worldwide were reported by Billboard in the month of his death. CANNOTANSWER


Background: Hugh Edward McElhenny Jr. (born December 31, 1928) is a former professional American football player who was a halfback in the National Football League (NFL) from 1952 to 1964 for the San Francisco 49ers, Minnesota Vikings, New York Giants, and Detroit Lions. He was noted for his explosive, elusive running style and was frequently called "The King" and "Hurryin' Hugh". A member of San Francisco's famed "Million Dollar Backfield" and one of the franchise's most popular players, McElhenny's number 39 jersey is retired by the 49ers and he is a member of the San Francisco 49ers Hall of Fame. McElhenny first rose to stardom as a standout all-around player for Compton Junior College in 1948.
Context: McElhenny gained 11,375 all-purpose yards in his thirteen-year career and retired as one of just three players to eclipse 11,000 yards. He was nicknamed "The King" while with the 49ers because he was "the most feared running back in the NFL." 49ers quarterback Frankie Albert gave him the nickname in the locker room following McElhenny's fourth game as a rookie, in which he returned a punt 96 yards for a touchdown against the Bears. He was elected to the Pro Football Hall of Fame in 1970, an honor he described as the highlight of his life. Others inducted in the class were contemporaries Jack Christiansen, Tom Fears, and Pete Pihos. His jersey number 39 is retired by the 49ers, and by virtue of his membership in the pro hall of fame, he was automatically inducted as a charter member of the San Francisco 49ers Hall of Fame in 2009. NFL Network ranked him the fourth most elusive runner of all time in 2007. McElhenny was inducted into State of Washington Sports Hall of Fame in 1963 and the College Football Hall of Fame in 1981. As of 2016, his 12 rushing touchdowns in 1950 and 13 in 1951 both remain in the top ten all-time for a Washington player in a single season, and his 28 career rushing touchdowns tie him for sixth in school history. On January 20, 1985, McElhenny participated in the opening coin toss at Super Bowl XIX at Stanford Stadium, along with U.S. President Ronald Reagan, who participated by video feed from the White House after having been sworn into his second term of office earlier that day. CANNOTANSWER
Question: Did he win any awards?. Whats the answer?


Abdurrahman ad-Dakhil was born on the fourth day of the eighth month of the Islamic calendar in 1940 in Jombang, East Java to Abdul Wahid Hasyim and Siti Sholehah. This led to a belief that he was born on 4 August; instead, using the Islamic calendar to mark his birth date meant that he was actually born on 4 Sha'aban, equivalent to 7 September 1940. He was named after Abd ar-Rahman I of the Umayyad Caliphate who brought Islam to Spain and was thus nicknamed "ad-Dakhil" ("the conqueror"). His name is stylized in the traditional Arabic naming system as "Abdurrahman, son of Wahid".

In 1963, Wahid received a scholarship from the Ministry of Religious Affairs to study at Al Azhar University in Cairo, Egypt. He left for Egypt in November 1963. Unable to provide evidence to certify that he spoke Arabic, Wahid was told when arriving that he would have to take a remedial class in the language before enrolling at the University's Higher Institute for Islamic and Arabic studies. Instead of attending classes, Wahid spent 1964 enjoying life in Egypt; watching European and American movies as well indulging in his hobby of watching football. Wahid was also involved with the Association of Indonesian Students and became a journalist for the association's magazine. After passing the remedial Arabic examination, he finally began studies at the Higher Institute for Islamic and Arabic Studies in 1965, but was disappointed as he had already studied many of the texts offered at the Institute in Java and disapproved of the rote learning method used by the University. In Egypt, Wahid found employment with the Indonesian Embassy. It was during his stint with the embassy that coup attempt was launched by the 30 September Movement, which the Communist Party of Indonesia was accused of leading. With Army Strategic Reserves commander Major General Suharto taking control of the situation in Jakarta, a crackdown against suspected communists was initiated. The Indonesian Embassy in Egypt was ordered to conduct an investigation into the political views of university students. This order was passed to Wahid, who was charged with writing the reports. Wahid's displeasure at the method of education and his work following the coup attempt distracted him from his studies. He sought and received another scholarship at the University of Baghdad and moved to Iraq. There Wahid continued his involvement with the Association of Indonesian Students as well as with writing journalistic pieces to be read in Indonesia. After completing his education at the University of Baghdad in 1970, Wahid went to the Netherlands to continue his education. He wanted to attend Leiden University but was disappointed as there was little recognition for the studies that he had undertaken at the University of Baghdad. From the Netherlands, He went to Germany and France before returning to Indonesia in 1971. CANNOTANSWER

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Spirit, also known as MER-A (Mars Exploration Rover - A) or MER-2, is a robotic rover on Mars, active from 2004 to 2010. It was one of two rovers of NASA's ongoing Mars Exploration Rover Mission. It landed successfully on Mars at 04:35 Ground UTC on January 4, 2004, three weeks before its twin, Opportunity (MER-B), landed on the other side of the planet. Its name was chosen through a NASA-sponsored student essay competition.

The rocks on the plains of Gusev are a type of basalt. They contain the minerals olivine, pyroxene, plagioclase, and magnetite, and they look like volcanic basalt as they are fine-grained with irregular holes (geologists would say they have vesicles and vugs). Much of the soil on the plains came from the breakdown of the local rocks. Fairly high levels of nickel were found in some soils; probably from meteorites. Analysis shows that the rocks have been slightly altered by tiny amounts of water. Outside coatings and cracks inside the rocks suggest water deposited minerals, maybe bromine compounds. All the rocks contain a fine coating of dust and one or more harder rinds of material. One type can be brushed off, while another needed to be ground off by the Rock Abrasion Tool (RAT). There are a variety of rocks in the Columbia Hills, some of which have been altered by water, but not by very much water. The dust in Gusev Crater is the same as dust all around the planet. All the dust was found to be magnetic. Moreover, Spirit found the magnetism was caused by the mineral magnetite, especially magnetite that contained the element titanium. One magnet was able to completely divert all dust hence all Martian dust is thought to be magnetic. The spectra of the dust was similar to spectra of bright, low thermal inertia regions like Tharsis and Arabia that have been detected by orbiting satellites. A thin layer of dust, maybe less than one millimeter thick covers all surfaces. Something in it contains a small amount of chemically bound water. CANNOTANSWER

Which Martian rocks were analysed?


Herschel Shmoikel Pinchas Yerucham Krustofsky, better known as Krusty the Clown (sometimes spelled as Krusty the Klown), is a cartoon character in the animated television series The Simpsons. He is voiced by Dan Castellaneta. He is the long-time clown host of Bart and Lisa's favorite TV show, a combination of kiddie variety television hijinks and cartoons including The Itchy & Scratchy Show. Krusty is often portrayed as a cynical, burnt-out, addiction-riddled smoker who is made miserable by show business but continues on anyway.

The third season episode "Like Father, Like Clown" is the first to establish that Krusty is Jewish. Krusty's religion had not been part of the original concept, and the idea came from Jay Kogen. The episode is a parody of The Jazz Singer, which is about a son with a strict religious upbringing who defies his father to become an entertainer. In order to make "Like Father, Like Clown" a full parody of The Jazz Singer, the decision was made to make Krusty Jewish and have his father be a Rabbi. Krusty's real last name, Krustofsky, was pitched by Al Jean. Krusty's father, Rabbi Hyman Krustofsky was played by Jackie Mason, who won a Primetime Emmy Award for Outstanding Voice-Over Performance for the episode. It was established in "Krusty Gets Busted" that Krusty is illiterate. This was shown in subsequent episodes like "Itchy & Scratchy & Marge" but the trait was dropped after the first few seasons because it was hard for the writers to write for an illiterate character. Krusty's design has undergone several subtle changes since the early years. For the episode "Homie the Clown", Krusty's design was permanently enhanced and he was given a different shaped mouth muzzle and permanent bags under his eyes in order to distinguish him from Homer. In the episode "Lisa's Wedding", which is set fifteen years in the future, Krusty's design was significantly altered to make him look considerably older and was based on Groucho Marx. Krusty is a favorite character of several of the original writers, many of whom related themselves to him and wanted to write the Krusty-focused episodes. Krusty was used as a chance for show business jokes and thus many of Krusty's experiences and anecdotes are based on real experiences and stories heard by the writers. He was a particular favorite of Brad Bird, who directed the first two Krusty episodes and always tried to animate a scene in every Krusty episode. In 1992, Matt Groening and James L. Brooks began planning a live-action spin-off from The Simpsons that revolved around Krusty and would star Dan Castellaneta as Krusty. They pitched the series in 1994. Groening and Michael Weithorn wrote a pilot script where Krusty moved to Los Angeles and got his own talk show. A recurring joke throughout the script was that Krusty lived in a house on wooden stilts which were continuously being gnawed by beavers. Eventually, the contract negotiations fell apart and Groening decided to stop work on the project. CANNOTANSWERAnswer this question using a quote from the following article:

Did the talk show have a name


Chester William David Brown (born 16 May 1960) is a Canadian cartoonist. Brown has gone through several stylistic and thematic periods. He gained notice in alternative comics circles in the 1980s for the surreal, scatological Ed the Happy Clown serial. After bringing Ed to an abrupt end, he delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists Seth and Joe Matt, and the contemporary autobiographical comics trend.

The 19th issue of Yummy Fur began his Brown's autobiographical period. First came the strip "Helder", about a violent tenant in Brown's boarding house; then "Showing 'Helder'", about the creation of "Helder" and the reactions of Brown's friends to the work-in-progress. With "Showing 'Helder'" Brown breaks from his earlier syle by giving the panels no borders and arranging them organically on the page--a style that was to characterize his work of this period. He found his friends were uncomfortable with his writing about their lives, and soon turned to his adolescence for source material. Brown began the first installment of what was to become the graphic novel The Playboy in Yummy Fur #21, under the title Disgust. The revealing, confessional story tells of the teenage Brown's feelings of guilt over his obsessive masturbating over the Playmates of Playboy magazine, and the difficulties he had relating to women even into adulthood. Critical and fan reception was strong, though it drew some criticism from those who saw it glorifying pornography. Playboy's publisher Hugh Hefner wrote Brown a letter of concern that Brown could feel such guilt in a post-sexual revolution world. It appeared in a collected edition titled The Playboy in 1992. Around this time, Brown had become friends with the cartoonists Seth and Joe Matt. The three became noted for doing confessional autobio comics in the early 1990s, and for depicting each other in their works. In 1993, they did an interview together in The Comics Journal's autobiographical comics issue. Seth had joined the new Montreal-based comics publisher Drawn and Quarterly, which had also started publishing Julie Doucet. D&Q's Chris Oliveros had been courting Brown to join as well, but Brown had felt loyal to Bill Marks for giving him his first break. When his contract came up in 1991, however, Oliveros offered Brown nearly double the royalty he was getting from Vortex. Brown moved to D&Q starting with Yummy Fur #25. CANNOTANSWER

What was Quarterly?


Background: The Backstreet Boys (often abbreviated as BSB) are an American vocal group, formed in Orlando, Florida in 1993. The group consists of AJ McLean, Howie D., Nick Carter, Kevin Richardson and Brian Littrell. The group rose to fame with their debut international album, Backstreet Boys (1996). In the following year they released their second international album Backstreet's Back (1997), and their U.S. debut album which continued the group's success worldwide.
Context: Howie Dorough and AJ McLean were natives of Orlando, Florida, who met each other and later discovered Nick Carter through auditions. The three, realizing that they could harmonize together, decided to form a trio. Cousins Kevin Richardson and Brian Littrell, both from Lexington, Kentucky, sang in local church choirs and festivals when they were children. Richardson moved to Orlando in 1990, where he worked at Walt Disney World and concentrated on music at night. Eventually, he met Dorough, Carter, and McLean through a co-worker, and the four decided to form a group. In the course of all this, Lou Pearlman in 1992 placed an ad in the Orlando Sentinel to compose a vocal group. McLean, who was the first to audition for Pearlman in his living room, became the group's first member. In January 1993, Pearlman held an open casting call and hundreds of young performers auditioned at his blimp hangar in Kissimmee. Eventually, Carter, Dorough, and Richardson were selected after meeting Pearlman's expectations. Littrell flew from Kentucky to Orlando to formally join the group on April 20, 1993, a day after receiving a phone call from Richardson about it. Thus, April 20 became their anniversary date. Pearlman decided to call them Backstreet Boys, after Orlando's Backstreet Market, an outdoor flea market near International Drive which was also a teen hangout. The Backstreet Boys had their very first performance at SeaWorld Orlando on May 8, 1993. The group then continued to perform in various venues during summer 1993, from shopping malls, restaurants, to a high-profile charity gala in Fort Lauderdale, Florida. With a change in management in the fall, they began to tour schools across the U.S. (including Littrell's former school, Tates Creek High School), building a fan base while trying to get a record deal. Mercury Records nearly signed them in 1993, but the deal fell through at the last minute because longtime Mercury recording artist John Mellencamp threatened to leave the label if they got in boy band business. However, in February 1994, Jeff Fenster (then senior VP A&R Zomba/JIVE Records) and David Renzer (then senior VP/GM of Zomba Music Publishing) caught the group performing at a high school in Cleveland, and signed them to their first record deal. CANNOTANSWER
Question: Tell me more about their early years?. Whats the answer?


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Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.

In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day. Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style. In 1937, Parker played at a jam session at the Reno Club in Kansas City. His attempt to improvise failed when he lost track of the chord changes. This prompted Jo Jones, the drummer for Count Basie's Orchestra, to contemptuously throw a cymbal at his feet as a signal to leave the stage. However, rather than discouraging Parker, the incident caused him to vow to practice harder, and turned out to be a seminal moment in the young musician's career when he returned as a new man a year later. In 1938 Parker joined pianist Jay McShann's territory band. The band toured nightclubs and other venues of the southwest, as well as Chicago and New York City. Parker made his professional recording debut with McShann's band. As a teenager, Parker developed a morphine addiction while hospitalized after an automobile accident, and subsequently became addicted to heroin. He continued using heroin throughout his life, and it ultimately contributed to his death. CANNOTANSWER

Did they gain any recognition then?


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The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.

The Goon Show has been variously described as "avant-garde", "surrealist", "abstract", and "four dimensional". The show paved the way for surreal and alternative humour, as acknowledged by comedians such as Eddie Izzard. The surreality was part of the attraction for Sellers, and this exacerbated his mental instability especially during the third series. Many of the sequences have been cited as being visionary in the way that they challenged the traditional conventions of comedy. In the Pythons' autobiography, Terry Jones states "The Goons of course were my favourite. It was the surreality of the imagery and the speed of the comedy that I loved - the way they broke up the conventions of radio and played with the very nature of the medium." This is reiterated by Michael Palin and John Cleese in their contributions to Ventham's (2002) book. Cleese recalls listening to The Goon Show as a teenager in the mid-1950s "and being absolutely amazed by its surreal humour. It came at a key stage in my own development and I never missed a show". Additionally, Milligan played games with the medium itself. Whole scenes were written in which characters would leave, close the door behind themselves, yet still be inside the room. Further to this, characters would announce their departure, slam a door, but it would be another character who had left the room. That character would then beat on the door for re-admittance, the door would open and close and again the wrong character would be locked out. CANNOTANSWER

Are there other examples of surrealism in the show?


Background: Born in Dallas, Texas, to Noel and Freida Bosh, Chris Bosh grew up in Hutchins, Texas. A family-oriented person, Bosh often played basketball in the house with his younger brother, Joel. By four years of age, he began learning how to dribble a basketball in the gym, where his dad played pick-up games.
Context: Bosh's national team career began in 2002 when he was selected as a member of the 2002 USA Basketball Junior World Championship Qualifying Team that finished with a 4-1 record and the bronze medal. After his NBA career began, Bosh was named in March 2006 to the 2006-2008 United States men's national basketball team program, and helped lead the team to a 5-0 record during its pre-World Championship tour. In August 2006, Bosh was named as a member of the 2006 USA World Championship Team. Together with fellow 2003 draftees Dwyane Wade, LeBron James, Carmelo Anthony, and Kirk Hinrich, this team competed in the 2006 FIBA World Championship. The team won the bronze medal, defeating former 2004 Olympic champion Argentina. Bosh was ranked sixth in field goal percentage. Following the 2006-07 season, Bosh was named to the team that would compete in the 2007 FIBA Americas Championship. However, he sustained a foot injury and withdrew from the squad. On June 23, 2008, he was named to the team that would compete in the 2008 Olympic Games in Beijing. During the tournament itself, Bosh operated as the main backup to center Dwight Howard as Team USA went unbeaten in all eight games en route to the gold medal, defeating Spain in the final. He averaged 9.1 points per game, and led the team in rebounds with 6.1 a game. In June 2012, Bosh withdrew his name from consideration for the 2012 Olympics in London to recover from a lower abdominal strain that kept him out of some playoff games. CANNOTANSWER
Question: who is chris bosh. Whats the answer?


Bernard Lewis, FBA (born 31 May 1916) is a British American historian specializing in oriental studies. He is also known as a public intellectual and political commentator. Lewis is the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis' expertise is in the history of Islam and the interaction between Islam and the West.

In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the "Diplome des Etudes Semitiques" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940-41 before being seconded to the Foreign Office. After the war, he returned to SOAS. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as "dominated by academics who have been critical of Israel and of America's role in the Middle East." The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled "Western Civilization: A View from the East", was revised and reprinted in The Atlantic Monthly under the title "The Roots of Muslim Rage." His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam. Lewis' influence extends beyond academia to the general public. He is a pioneer of the social and economic history of the Middle East and is famous for his extensive research of the Ottoman archives. He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in the Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics. Lewis argues that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that "Crusader successes were due in no small part to Muslim weakness." Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like "cultural arrogance," which was a barrier to creative borrowing, rather than external pressures like the Crusades. In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian civil war (1992-98), and the Iran-Iraq War (1980-88). In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the September 11, 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People. In the mid-1960s, Lewis emerged as a commentator on the issues of the modern Middle East and his analysis of the Israeli-Palestinian conflict and the rise of militant Islam brought him publicity and aroused significant controversy. American historian Joel Beinin has called him "perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community". Lewis's policy advice has particular weight thanks to this scholarly authority. U.S. Vice President Dick Cheney remarked "in this new century, his wisdom is sought daily by policymakers, diplomats, fellow academics, and the news media." A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies. Although his early Marxist views had a bearing on his first book The Origins of Ismailism, Lewis subsequently discarded Marxism. His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies. Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East. Modern Turkey holds a special place in Lewis's view of the region due to the country's efforts to become a part of the West. He is an Honorary Fellow of the Institute of Turkish Studies, an honor which is given "on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies." Lewis views Christendom and Islam as civilizations that have been in perpetual collision since the advent of Islam in the 7th century. In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength. According to one source, this essay (and Lewis' 1990 Jefferson Lecture on which the article was based) first introduced the term "Islamic fundamentalism" to North America. This essay has been credited with coining the phrase "clash of civilizations", which received prominence in the eponymous book by Samuel Huntington. However, another source indicates that Lewis first used the phrase "clash of civilizations" at a 1957 meeting in Washington where it was recorded in the transcript. In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden. In his essay "A License to Kill", Lewis indicated he considered bin Laden's language as the "ideology of jihad" and warned that bin Laden would be a danger to the West. The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan. CANNOTANSWER

Answer the following question by taking a quote from the article: What was Bernard's view and influence on contemporary politics?


Anthony Kapel "Van" Jones (born September 20, 1968) is an American news commentator, author, and non-practicing attorney. He is a co-founder of several nonprofit organizations, including the Dream Corps, a "social justice accelerator" that operates three advocacy initiatives: #cut50, #Yeswecode and Green for All. He is the author of The Green Collar Economy and Rebuild the Dream, both ranking as New York Times bestselling books. He is a regular CNN contributor and host of The Van Jones Show.

In September 2007, Jones attended the Clinton Global Initiative and announced his plans to launch Green for All, a new national NGO dedicated to creating green pathways out of poverty in America. The plan grew out of his earlier work with the Ella Baker Center. Green for All was intended to make a national program out of the Green-Collar Jobs mission - creating green pathways out of poverty. Green for All formally opened its doors on January 1, 2008. In its first year, Green for All organized "The Dream Reborn", the first national green conference in which the majority of attendees were people of color. With 1Sky and the We Campaign, it co-hosted a national day of action for the new economy called "Green Jobs Now". It launched the Green-Collar Cities Program to help cities build local green economies and started the Green for All Capital Access Program to assist green entrepreneurs. As part of the Clean Energy Corps Working Group, it launched a campaign for a Clean Energy Corps initiative which would create 600,000 'green-collar' jobs while retrofitting and upgrading more than 15 million American buildings. In reflecting on Green for All's first year, Jones wrote, "One year later, Green for All is real - and we have helped put green collar jobs on the map... We have a long way to go. But today we have a strong organization to help get us there." Jones advocates a combination of conservation, regulation and investment as a way of encouraging environmental justice and opposing environmental racism. In an interview for the "EON Deep Democracy Interview Series", Jones spoke of a "third wave of environmentalism": The first wave is sort of the Teddy Roosevelt, conservation era which had its day and then, in 1963, Rachel Carson writes a book, Silent Spring, and she's talking about toxics and the environment, and that really kind of opens up a whole new wave. So it's no longer just conservation but it's conservation, plus regulation, trying to regulate the bad, and that wave kind of continued to be developed and got kind of a 2.5 upgrade because of the environmental justice community who said, "Wait a minute, you're regulating but you're not regulating equally, the white polluters and white environmentalists are essentially steering poison into the people-of-color communities, because they don't have a racial justice frame." ... Now there's something new that's beginning to gather momentum, and it's conservation plus regulation of the bad, plus investment in the good ... beginning to put money into the solutions as well as trying to regulate the problem. CANNOTANSWER

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?


In April 1985, Loveless felt her marriage to Terry Lovelace was ending (they eventually divorced amicably in 1986). She contacted her brother Roger to help her get back to Nashville. After being in the rock 'n' roll scene for so long she felt completely out of the country-music loop but wanted to sing country music again. Roger Ramey helped his sister cut a five-song demo tape, one of them being a rough cut of her self-penned song "I Did", which Loveless first wrote as a teenager, then later included on her first album. Roger Ramey then began to spread the word around about her talent. She and her brother disagreed about including "I Did" on the demo tape. Loveless didn't believe the song was good enough, but Roger argued that it would be what got her a contract. Once the demo was finished, Roger started trying to get her a recording contract with a major label in Nashville. Roger Ramey sent the demo tape out to every major label in Nashville, and was met with a solid wall of rejection by them all. After a month of not getting anywhere, out of desperation to help his sister, he decided to take a chance with MCA Nashville. MCA, being the industry leader at the time was his first choice of labels. Taking a cassette of the five song demo of Loveless, Roger bluffed his way past the receptionist of Tony Brown, the head of A&R (Artist & Repertoire - in charge of finding and developing new talent) by pretending to be someone else who was late for an appointment. As soon as they met, Roger told Brown he had the "best girl singer to ever come to Nashville". Tony Brown said he would give Roger 30 seconds to sell him on it. Roger quickly played the tape of Patty singing "I Did". Brown listened to the entire five-song tape, and asked Roger to leave it with him so he could play it for some other execs and get back to him. Roger refused and told Brown that he wanted a commitment that day, and if he didn't want her on MCA, he knew another label that did. With Roger Ramey waiting in his office, Brown took the tape to Jimmy Bowen, President of MCA Nashville at the time. Hearing the tape, Bowen wasn't impressed with Loveless, but told Brown to go ahead and sign her, but only to a short-term, singles-only recording contract. CANNOTANSWER

Answer this question "Did the album she recorded do well?" by extracting the answer from the text above.


Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

Jordan was born on July 8, 1908, in Brinkley, Arkansas, where his father, James Aaron Jordan, was a music teacher and bandleader for the Brinkley Brass Band and for the Rabbit Foot Minstrels. His mother, Adell, died when Louis was young. Jordan studied music under his father, starting out on the clarinet. In his youth he played in his father's bands instead of doing farm work when school closed. He also played the piano professionally early in his career, but alto saxophone became his main instrument. However, he became even better known as a songwriter, entertainer and vocalist. Jordan briefly attended Arkansas Baptist College, in Little Rock, and majored in music. After a period with the Rabbit Foot Minstrels (in which one of his colleagues was Leon "Pee Wee" Whittaker) and with local bands, including Bob Alexander's Harmony Kings, he went to Philadelphia and then New York. In 1932, Jordan began performing with the Clarence Williams band, and when he was in Philadelphia he played clarinet in the Charlie Gaines band. In late 1936 he was invited to join the influential Savoy Ballroom orchestra, led by the drummer Chick Webb. Based at New York's Savoy Ballroom, Webb's orchestra was renowned as one of the best big bands of its day and regularly beat all comers at the Savoy's legendary cutting contests. Jordan worked with Webb until 1938, and it proved a vital stepping-stone in his career--Webb (who was physically disabled) was a fine musician but not a great showman. The ebullient Jordan often introduced songs as he began singing lead; he later recalled that many in the audience took him to be the band's leader, which undoubtedly boosted his confidence further. This was the same period when the young Ella Fitzgerald was coming to prominence as the Webb band's lead female vocalist; she and Jordan often sang duets on stage, and they later reprised their partnership on several records, by which time both were major stars. In 1938, Webb fired Jordan for trying to persuade Fitzgerald and others to join his new band. By this time Webb was already seriously ill with tuberculosis of the spine. He died at the age of 34, after spinal surgery on June 16, 1939. Following his death, Fitzgerald took over the band. Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis. The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.) The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs. Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. The prime of Jordan's recording career, 1942-1950, was a period of segregation on the radio. Despite this he had a crossover number 1 single, "G.I. Jive" backed with "Is You Is or Is You Ain't My Baby?" in 1944, thanks in large part to his performance with his orchestra of the song in the all-star wartime musical film Follow the Boys (Universal Pictures, 1944). Two years later, MGM's cartoon cat Tom sang "Is You Is or Is You Ain't My Baby?" in the 1946 Tom and Jerry cartoon short "Solid Serenade". Jordan appeared in the 1946 Monogram Pictures movie Swing Parade of 1946 and starred in the 1947 all-black, full-length Astor Pictures film Reet, Petite and Gone. During this period Jordan again placed more than a dozen songs on the national charts. However, Louis Jordan and His Tympany Five dominated the 1940s R&B charts, or (as they were known at the time) the "race" charts. In this period Jordan had eighteen number 1 singles and fifty-four in the Top Ten. According to Joel Whitburn's points-based analysis of Billboard chart placings, Jordan ranks fifth among the most successful artists over the period 1942-1995. From July 1946 through May 1947, Jordan had five consecutive number 1 songs, holding the top slot for 44 consecutive weeks. Jordan's popularity was boosted not only by his hit Decca records but also by his prolific recordings for Armed Forces Radio and the V-Disc transcription program, which helped to make him as popular with whites as with blacks. He also starred in a series of short musical films and made numerous "soundies" for his hit songs. The ancestor of the modern music video, soundies were short film clips designed for use in audio-visual jukeboxes. These were in addition to his part in Follow the Boys. CANNOTANSWER

Did he release any albums?


Jones was born in the Bedford-Stuyvesant neighborhood of the New York City borough of Brooklyn, the second child of Linwood Jones, a former U.S. Marine, and Ruby Jones (later Ruby Jones-Mitchell). She has one older brother named Christopher. As a child, Jones attended Queen of All Saints Elementary School in Brooklyn. At the age of 9, her parents separated, and Jones was raised by her father, with whom she had a tumultuous relationship. After being kicked out of her house by her father, Jones dropped out of high school and started living out on the streets. While still a teen, Jones met The Notorious B.I.G. aka Biggie Smalls (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly after Wallace gained popularity and influence through his relationship with Bad Boy Records, founded by Sean "Puff Daddy" Combs. Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who adopted the stage name Lil' Kim and was only 19 at the time. The group's first and only album, Conspiracy, was released to mediocre reviews and moderate sales on August 29, 1995 and debuted at number eight on the U.S. Billboard 200 chart, selling 69,000 copies in its first week of release. Wallace wrote (and ghostwrote) most of the album's material. Three hit singles came from Conspiracy: "Player's Anthem", "I Need You Tonight", and "Get Money". The RIAA certified Conspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively. Lil' Kim's increasing popularity as a member of Junior M.A.F.I.A. allowed her to start a solo career shortly after the Conspiracy album was released, and she began working on what would become her debut album Hard Core by late 1995. CANNOTANSWER

Answer this question "In what year was Conspiracy released?" by extracting the answer from the text above.


Background: Cara Carleton "Carly" Fiorina (nee Sneed; born September 6, 1954) is an American businesswoman and political figure, known primarily for her tenure as CEO of Hewlett-Packard (HP). She subsequently served as Chair of the philanthropic organization Good360. Fiorina ran unsuccessfully for the United States Senate in 2010 and the Republican presidential nomination in 2016. As Chief Executive Officer of HP from 1999 to 2005, Fiorina was the first woman to lead a Top-20 company as ranked by Fortune Magazine.
Context: In 1980, Fiorina joined AT&T as a management trainee, selling telephone services to big federal agencies. In 1990, she became the company's first female officer as senior vice president overseeing the company's hardware and systems division, eventually heading its North American operations. In 1995, Fiorina led corporate operations for Lucent Technologies, Inc., a spin-off from AT&T of its Western Electric and Bell Labs divisions into a new company. In that capacity, she reported to Lucent chief executive Henry B. Schacht. She played a key role in planning and implementing the 1996 initial public offering of a successful stock and company launch strategy. The spin-off became one of the most successful IPOs in U.S. history, raising US$3 billion. Later in 1996, Fiorina was appointed president of Lucent's consumer products sector. In 1997, she was named group president for Lucent's US$19 billion global service-provider business, overseeing marketing and sales for the company's largest customer segment. That year, Fiorina chaired a US$2.5 billion joint venture between Lucent's consumer communications and Royal Philips Electronics, under the name Philips Consumer Communications (PCC). In the edition of October 12, 1998, of Fortune magazine, Fiorina was named "The Most Powerful Woman in American Business". Lucent added 22,000 jobs and revenues grew from US$19 billion to US$38 billion and the company's market share increased in every region for every product. According to Fortune magazine, Lucent increased sales by lending money to their own customers, writing that "In a neat bit of accounting magic, money from the loans began to appear on Lucent's income statement as new revenue while the dicey debt got stashed on its balance sheet as an allegedly solid asset". Lucent's stock price grew 10-fold. CANNOTANSWER
Question: what was her role at AT&T?

Answer:


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Phelps was born in Baltimore, Maryland, and raised in the Rodgers Forge neighborhood of nearby Towson. He attended Rodgers Forge Elementary, Dumbarton Middle School, and Towson High School. Phelps is the youngest of three children. His mother, Deborah Sue "Debbie" Phelps (nee Davisson), is a middle school principal.

On July 28, 2012, Phelps placed eighth in the morning prelims for the 400-meter individual medley. Phelps, the two-time defending Olympic champion, won his heat in 4 minutes, 13.33 seconds with a time that was well off his world record of 4:03.84 set four years ago in Beijing, when Phelps won a record eight gold medals. He out-touched Laszlo Cseh by 0.07 seconds in his heat to qualify last for the final, locking out Cseh. In his first finals of the Summer Olympics, Phelps placed fourth behind fellow American Ryan Lochte, Thiago Pereira of Brazil, and Kosuke Hagino of Japan in the 400-meter individual medley. It was the first time Phelps failed to medal in an Olympic event since 2000. The next night, in his second event of the Games, he got a silver as a member of the 4x100-meter free relay. Phelps swam the fastest leg of the US relay team and the second-fastest of anyone in the race. On July 31, 2012, Phelps won a silver medal in the 200-meter butterfly behind South African Chad le Clos by 5/100ths of a second, and a gold medal in the 4x200-meter freestyle relay, thereby equaling and then surpassing Larisa Latynina to become the all-time record holder for most Olympic medals won. Latynina was present at the race and asked to be the presenter of Phelps's medal, but was told that Olympic rules would not allow it. She called Phelps deserving of the record. On August 2, 2012, Phelps won his 16th Olympic gold medal when he edged out Ryan Lochte to win the 200-meter individual medley with a time of 1:54.27, and by that victory also became the first male swimmer to win the same event in three consecutive Olympics. Rebecca Soni and Phelps (twice) are the only swimmers to successfully defend an individual title from the 2008 Games. This win also marked Phelps's fifth Olympic title in the individual medley, breaking the record of four shared by Hungarian Tamas Darnyi and Ukrainian Yana Klochkova. He repeated the achievement of winning the same event at three Olympics the following evening, winning the Olympic gold medal in the 100 m butterfly, his last individual event. After two very close victories in the 100 m butterfly at the 2004 and 2008 Olympics (by 0.04 and 0.01 sec, respectively), in this race Phelps beat Le Clos and Yevgeny Korotyshkin, who tied for silver, by 0.23 sec. Phelps's final event was the 4x100-meter medley relay in which he went on to win his 18th career gold medal and his 22nd overall. By winning 4 gold and 2 silver medals, Phelps concluded the 2012 Olympics as the most successful swimmer of the meet for the third Olympics in a row. After his last event, the international swimming federation FINA honored Phelps with an award commemorating his standing as the most decorated Olympian ever. CANNOTANSWER