A sampler is an electronic or digital musical instrument similar in some respects to a synthesizer, but instead of generating new sounds with filters, it uses sound recordings (or "samples") of real instrument sounds (e.g., a piano, violin or trumpet), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or other sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed.

A sampler is organized into a hierarchy of progressively more complicated data structures. At the bottom lie samples, individual recordings of any sound, recorded at a particular sample rate and resolution. While a common sound to sample is a musical instrument being played (e.g., a pianist playing a piano note or an organist playing a pipe organ), a sample could be any sound, including "non-musical" sounds such as a typewriter clacking or a dog barking. A reference center pitch indicates the actual frequency of the recorded note. Samples may also be "looped" by defining points at which a repeated section of the sample starts and ends, allowing a relatively short sample to play endlessly. In some cases, a "loop crossfade" is indicated, allowing less obvious transitions at the loop point by fading the end of the loop out while fading its beginning in. Keymaps are arranged into instruments. At this level parameters may be added to define how the keymaps are played. Filters can be applied to change the sound-color while low frequency oscillators and envelope generators can shape the amplitude, pitch, filter or other parameters of the sound. Instruments may have multiple layers of keymaps in order to play more than one sample at the same time and each keymap may have a different set of parameters so that the incoming note-events affect each layer differently. For example, two layers may have a different sensitivity to the velocity of the incoming note, altering the resulting timbre according to how hard the note is played. At this level, there are two basic approaches to sampler organization. In a bank approach, each instrument is assigned to a different MIDI channel and multiple banks can be stored to reconfigure the sampler. A different and more powerful approach is to associate each instrument with a patch number or ID so that each MIDI channel can be configured separately by sending controller information on the individual channel. CANNOTANSWER

can you explain the heiarchy


Alan Gordon Partridge is a character portrayed by English actor and comedian Steve Coogan. A parody of British television personalities, Partridge is a tactless and inept television and radio presenter who often insults his guests and whose inflated sense of celebrity drives him to treachery and shameless self-promotion. Coogan described Partridge as a Little Englander, with right-wing values and poor taste. Partridge was created by Coogan and Armando Iannucci for the 1991 BBC Radio 4 comedy programme On the Hour, a spoof of British current affairs broadcasting, as the show's sports presenter.

Alan Partridge is an incompetent and tactless television and radio presenter from Norwich, England. He is socially inept, often offending his guests, and has an inflated sense of importance and celebrity. According to the Telegraph, Partridge is "utterly convinced of his own superiority, and bewildered by the world's inability to recognise it - qualities that place him in the line of comedy lineage that runs directly from Hancock, Captain Mainwaring, and Basil Fawlty." His need for public attention drives him to deceit, treachery and shameless self-promotion, and sometimes violence; in the Knowing Me, Knowing Yule Christmas special, for example, he assaults a BBC boss and a paralysed former golfer. Partridge holds right-wing views; Coogan described him as a Little Englander, with a "myopic, slightly philistine mentality". He is a reader of the right-wing tabloid newspaper the Daily Mail, and supports Brexit because, according to Coogan, the Daily Mail "told him to". Earlier versions of the character were more bigoted, but the writers found there was more humour in having him attempt to be liberal; in I, Partridge, for example, Partridge stresses his friendship with gay television presenter Dale Winton. Coogan said: "He's aware of political correctness but he's playing catch-up. In the same way that the Daily Mail is a bit PC - it wouldn't be openly homophobic now - Alan is the same. He tries to be modern." According to Forbes, Partridge has "parochial bad taste", and Coogan described him as "on the wrong side of cool". He is a fan of James Bond films and Lexus cars and his music taste includes Wings and Abba; Partridge named his son Fernando and his talk show Knowing Me, Knowing You after Abba songs, and his talk show catchphrase, "Aha!", also comes from Abba. In earlier incarnations, Partridge's wardrobe included a blazer, badge and tie, driving gloves, and "too-short" shorts, styles he describes as "sports casual" and "imperial leisure". According to Iannucci, by the time of Alpha Papa his wardrobe had "evolved to the Top Gear Presenter Circa 2005 stage", with sports jackets and a "borderline-foppish" fringe. As Coogan aged, the ageing make-up he wore in earlier performances became unnecessary. Baynham told the Guardian that "despite the fact that people say he's awful, a lot of the time we were trying to build empathy: you're watching a man suffer but also at some level identifying with his pain." According to Marber, the "fundamental aspect" of the character is desperation. Felicity Montagu, who plays Partridge's assistant Lynn, felt he was a good person "deep down" and actually "vulnerable and lovable". Iannucci said that Partridge stays optimistic because he never sees himself as others see him, and that despite his failings was "the perfect broadcaster for these times, when there are 24 hours to fill and dead time is a crime - he has a unique capacity to fill any vacuum with his own verbal vacuum." Rob and Neil Gibbons felt that by the time of Mid Morning Matters, when Partridge is working for an even smaller radio station, he was more at peace with himself and that his lack of self-awareness saved him from misery. CANNOTANSWER

What did others think of him?


Which entity is this text about?

Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

The first Catholic Bishop of New South Wales, Australia, John Bede Polding, met Pugin and was present when St Chad's Cathedral, Birmingham and St Giles' Catholic Church, Cheadle were officially opened. Polding persuaded Pugin to design a series of churches for him. Although a number of churches do not survive, St Francis Xavier's in Berrima, New South Wales is regarded as a fine example of a Pugin church. St Stephen's Chapel, now in the cathedral grounds in Elizabeth Street, Brisbane, was built to a design of A.W.N. Pugin. Construction began in 1848, and the first mass in the church was celebrated on 12 May 1850. In 1859 James Quinn was appointed Bishop of Brisbane, Brisbane becoming a diocese, and Pugin's small church became a cathedral. When the new cathedral of St Stephen was opened in 1874 the small Pugin church became a school room, and later church offices and storage room. It was several times threatened with demolition before its restoration in the 1990s. In Sydney, there are several altered examples of his work, namely St Benedict's, Chippendale; St Charles Borromeo, Ryde; the former church of St Augustine of Hippo (next to the existing church), Balmain; and St Patrick's Cathedral, Parramatta, which was gutted by a fire in 1996 Pugin's legacy in Australia, is particularly of the idea of what a church should look like: Pugin's notion was that Gothic was Christian and Christian was Gothic ... It became the way people built churches and perceived churches should be. Even today if you ask someone what a church should look like, they'll describe a Gothic building with pointed windows and arches. Right across Australia, from outback towns with tiny churches made out of corrugated iron with a little pointed door and pointed windows, to our very greatest cathedrals, you have buildings which are directly related to Pugin's ideas. After his death Pugin's two sons, E. W. Pugin and Peter Paul Pugin, continued operating their father's architectural firm under the name Pugin & Pugin. This work includes most of the "Pugin" buildings in Australia and New Zealand. CANNOTANSWER


Background: Spirit, also known as MER-A (Mars Exploration Rover - A) or MER-2, is a robotic rover on Mars, active from 2004 to 2010. It was one of two rovers of NASA's ongoing Mars Exploration Rover Mission. It landed successfully on Mars at 04:35 Ground UTC on January 4, 2004, three weeks before its twin, Opportunity (MER-B), landed on the other side of the planet. Its name was chosen through a NASA-sponsored student essay competition.
Context: The rocks on the plains of Gusev are a type of basalt. They contain the minerals olivine, pyroxene, plagioclase, and magnetite, and they look like volcanic basalt as they are fine-grained with irregular holes (geologists would say they have vesicles and vugs). Much of the soil on the plains came from the breakdown of the local rocks. Fairly high levels of nickel were found in some soils; probably from meteorites. Analysis shows that the rocks have been slightly altered by tiny amounts of water. Outside coatings and cracks inside the rocks suggest water deposited minerals, maybe bromine compounds. All the rocks contain a fine coating of dust and one or more harder rinds of material. One type can be brushed off, while another needed to be ground off by the Rock Abrasion Tool (RAT). There are a variety of rocks in the Columbia Hills, some of which have been altered by water, but not by very much water. The dust in Gusev Crater is the same as dust all around the planet. All the dust was found to be magnetic. Moreover, Spirit found the magnetism was caused by the mineral magnetite, especially magnetite that contained the element titanium. One magnet was able to completely divert all dust hence all Martian dust is thought to be magnetic. The spectra of the dust was similar to spectra of bright, low thermal inertia regions like Tharsis and Arabia that have been detected by orbiting satellites. A thin layer of dust, maybe less than one millimeter thick covers all surfaces. Something in it contains a small amount of chemically bound water. CANNOTANSWER
Question: What materials do Martian rocks contain?. Whats the answer?


Paul Frederic Simon (born October 13, 1941) is an American singer-songwriter and actor. Simon's musical career has spanned seven decades, with his fame and commercial success beginning as half of the duo Simon & Garfunkel, formed in 1964 with Art Garfunkel. Simon was responsible for writing nearly all of the pair's songs, including three that reached number one on the U.S. singles charts: "The Sound of Silence", "Mrs. Robinson", and "Bridge over Troubled Water". The duo split up in 1970 at the height of their popularity and Simon began a successful solo career, recording three acclaimed albums over the next five years.

After Simon and Garfunkel split in 1970, Simon began writing and recording solo material again. His album Paul Simon was released in January 1972, preceded by his first experiment with world music, the Jamaican-inspired "Mother and Child Reunion", at the time one of the few songs by a non-Jamaican musician to use prominent elements of reggae. The single was a hit, reaching both the American and British Top 5. The album received universal acclaim, with critics praising the variety of styles and the confessional lyrics, reaching No. 4 in the U.S. and No. 1 in the UK and Japan. It later spawned another Top 30 hit with "Me and Julio Down by the Schoolyard". Simon's next project was the pop-folk album, There Goes Rhymin' Simon, released in May 1973. It contained some of his most popular and polished recordings. The lead single, "Kodachrome," was a No. 2 hit in America, and the follow-up, the gospel-flavored "Loves Me Like a Rock" was even bigger, topping the Cashbox charts. Other songs like the weary "American Tune" or the melancholic "Something So Right" -- a tribute to Simon's first wife, Peggy, which received a Grammy Award nomination for Best Song of the Year -- became standards in the musician's catalog. Critical and commercial reception for this second album was even stronger than for his debut. At the time, reviewers noted how the songs were fresh and unworried on the surface, while still exploring socially and politically conscious themes on a deeper level. The album reached No. 1 on the Cashbox album charts. As a souvenir for the tour that came next, in 1974 it was released as a live album, Live Rhymin', which was moderately successful and displayed some changes in Simon's music style, adopting world and religious music. Highly anticipated, Still Crazy After All These Years was his next album. Released in October 1975 and produced by Simon and Phil Ramone, it marked another departure. The mood of the album was darker, as he wrote and recorded it in the wake of his divorce. Preceded by the feel-good duet with Phoebe Snow, "Gone at Last" (a Top 25 hit) and the Simon & Garfunkel reunion track "My Little Town" (a No. 9 on Billboard), the album was his only No. 1 on the Billboard charts to date. The 18th Grammy Awards named it the Album of the Year and Simon's performance the year's Best Male Pop Vocal. With Simon in the forefront of popular music, the third single from the album, "50 Ways to Leave Your Lover" reached the top spot of the Billboard charts, his only single to reach No. 1 on this list. Also, on May 3, 1976, Simon put together a benefit show at Madison Square Garden to raise money for the New York Public Library. Phoebe Snow, Jimmy Cliff and the Brecker Brothers also performed. The concert produced over $30,000 for the Library. CANNOTANSWER

Answer the following question by taking a quote from the article: Are there any other interesting aspects about this article?


Maroon 5 is an American pop rock band from Los Angeles, California. It currently consists of lead vocalist Adam Levine, keyboardist and rhythm guitarist Jesse Carmichael, bassist Mickey Madden, lead guitarist James Valentine, drummer Matt Flynn, keyboardist PJ Morton and multi-instrumentalist Sam Farrar. Original members Adam Levine, Jesse Carmichael, Mickey Madden and drummer Ryan Dusick first came together as Kara's Flowers in 1994, while they were still in high school. The band self-released an album called We Like Digging?, then signed to Reprise Records and released the album The Fourth World in 1997.

Maroon 5's musical style has generally been regarded as pop rock, funk rock, dance-pop, blue-eyed soul, neo soul, and soft rock. Adam Levine has stated: "[E]verything that's written and performed and put together pretty much comes from us. I just think people would be surprised to know that we're a self-contained unit. We're a band that does their own thing. There's no puppet master." However, in an article about the songwriter and producer Benny Blanco, it is revealed that at least some of the band's songs, such as "Moves like Jagger," are the product of efforts by, or collaborations with, professional songwriters and producers. In the same article, Levine says, "It's almost as if [Benny Blanco] has the Midas touch in putting the right people together at the right time to create a musical moment. He's about the collaboration. And he's so good at nailing down who does everything best." The band has cited Elita 5, Michael Jackson, The Police, the Bee Gees, Justin Timberlake, Stevie Wonder, Tonic, Prince, Tupac Shakur and Marvin Gaye as influences. Adam Levine has also cited Billy Joel as an influence. Furthermore, guitarist James Valentine said he was influenced by guitarists like Pat Metheny, Bill Frisell and John Scofield, as well as the rock band Queens of the Stone Age. The band's songs tend to be very guitar-heavy, often accompanied by piano or synthesizer. The theme in most of their songs is love, frequently lost love; songs like "This Love", "Makes Me Wonder" and "Misery" have a very cynical tone, often expressing dissatisfaction with a relationship, while their more heartfelt and emotional songs such as "She Will Be Loved" and "Never Gonna Leave This Bed" express a longing for a romantic relationship. "Makes Me Wonder" has a secondary theme, in which Levine expresses his disillusionment and frustration with the state of American politics and the Iraq War. The band's style changes from album to album. Songs About Jane consists of songs about Levine's ex-girlfriend Jane Herman. On It Won't Be Soon Before Long, however, the songs are less personal and are more electric with more use of synthesizers, creating a retro feel. Hands All Over continues the band's lost love theme, along with songs about infatuation and was re-released in 2011, with the hit single "Moves like Jagger", an electropop song which represents a drastic change in the band's sound, with more of a dance feel to it. "It was one of those songs that was definitely a risk," Levine said. "It's a bold statement. We've never really released a song like that. But it's exciting to do something different, do something new. I'm just glad that everyone likes it." James Valentine called Overexposed "our most 'pop' record ever and we weren't shy about really going for it." They also have experimented with new wave and disco sounds on several albums. CANNOTANSWER

Answer the following question by taking a quote from the article: Have they had any criticisms of their style?


Throwdown is an American straight edge heavy metal band from Orange County, California, formed in 1997. They have toured as part of Ozzfest, Sounds of the Underground, Hellfest, and Warped Tour, and with bands such as In Flames, Lamb of God, As I Lay Dying, Killswitch Engage, Korn and Cavalera Conspiracy. The songs "Forever" and "Burn" have been staples on MTV2's Headbanger's Ball and Revolver Magazine called them part of "The Future of Metal" after hearing the album Vendetta. Initially branded a hardcore band, their most recent albums Venom and Tears and Deathless have taken a sharp direction towards metal, with critics likening the band's sound to that of Pantera, Sepultura, and Crowbar.

Throwdown was formed in 1997 by vocalist Keith Barney, who would also be an active member of both Adamantium and Eighteen Visions, guitarists Tommy Love and Javier Van Huss, bassist Dom Macaluso, and drummer Marc Jackson. The group took on the title Throwdown as a "wry irony on their collective stature," at the time no band member being more than 5 feet 8 inches (1.73 m). The band released their debut, self-titled 7-inch single that same year through Prime Directive Records. Van Huss left the band, and was replaced by Brandan Schieppati. After sign a recording contract with Indecision Records, the band released their first studio album Beyond Repair the following year. In 1999, Barney also relinquished his role in Death by Stereo to prioritise Throwdown. Schieppati left the band to concentrate full-time on his other band Bleeding Through, being replaced by Dave Peters. The following year, the new line-up released the Drive Me Dead EP. In 2001, Throwdown released their second studio album, You Don't Have to Be Blood to Be Family. They also recorded a tongue-in-cheek metalcore version of Sir Mix-a-Lot's hit single "Baby Got Back" for Radical Records' Too Legit for the Pit: Hardcore Takes the Rap compilation, which also featured Candiria, Stretch Arm Strong, and The Movielife. Allmusic reviewer Rick Anderson gave the album four and a half out of five stars, stating that Throwdown's version for the song was "absolutely hilarious". The idea of cover a hip hop song, was a collaboration between Macaluso and Love. Originally they wanted to cover House of Pain's "Jump Around". Then the band decided there was too much in the song, as they felt that hip hop songs are hard to cover. Peters said, "Sir Mix-a-Lot was easy and funny, and that's what we're all about, playing easy stuff and trying to be funny." The following year, Barney expressed a desire to switch to guitar (which he played in Eighteen Visions already) because he would often lose his voice on tour. Peters took over on vocals. Fill-in guitarist Matt Mentley would fill in whenever Barney had shows with Eighteen Visions. Lacking a permanent drummer after the departure of Jackson, 18V drummer Ken Floyd regularly filled in around this time as well. After that in 2002 Throwdown made their next cd Face the Mirror EP with no changes except for Ken Floyd on drums. CANNOTANSWER

Using a quote from the above article, answer the following question: Where were some of their first gigs?


Maroon 5 is an American pop rock band from Los Angeles, California. It currently consists of lead vocalist Adam Levine, keyboardist and rhythm guitarist Jesse Carmichael, bassist Mickey Madden, lead guitarist James Valentine, drummer Matt Flynn, keyboardist PJ Morton and multi-instrumentalist Sam Farrar. Original members Adam Levine, Jesse Carmichael, Mickey Madden and drummer Ryan Dusick first came together as Kara's Flowers in 1994, while they were still in high school. The band self-released an album called We Like Digging?, then signed to Reprise Records and released the album The Fourth World in 1997.

Levine stated that he believed the band was reaching its peak and may make one more album before disbanding. He explained, "Eventually I want to focus on being a completely different person because I don't know if I want to do this into my 40s and 50s and beyond, like the Rolling Stones". The band's third studio album was recorded in 2009 in Switzerland, where the band was joined by record producer Robert John "Mutt" Lange. The album, titled Hands All Over, was released on September 21, 2010. On the Billboard 200, the album debuted at number two behind Zac Brown Band's album You Get What You Give. Despite the high placement on the Billboard 200 only 142,000 copies were sold, which was relatively weak compared to their previous album It Won't Be Soon Before Long, which debuted at number one with 429,000 copies. The album received mixed reviews from music critics, though many of them praised it for its production. The first single from the album, "Misery", was released on June 22, 2010. The band toured with Train for the summer of 2011, from July 22 to September 24. On June 12, 2011, the band re-released the album Hands All Over just to include their summer hit "Moves like Jagger", featuring Christina Aguilera. The song premiered live on The Voice on June 21, 2011 and reached the number one position on the Billboard Hot 100 chart in September 2011. Frontman Levine was also featured in the Gym Class Heroes' song "Stereo Hearts", which peaked at number four on the Billboard Hot 100. On September 8, 2011, Jesse Carmichael stated the band was likely to begin recording its next album within the year. On October 1, 2011, the band performed live at the Rock in Rio concert in Rio de Janeiro, Brazil. Maroon 5 was a last hour addition, chosen to fill the vacant spot left by Jay-Z after he cancelled his appearance for personal reasons. The band launched a Snapple flavor named "Tea Will Be Loved" in support of Feeding America in September 2011. Maroon 5 performed "Moves Like Jagger" and "Stereo Hearts" with Travie McCoy on November 5, 2011 on Saturday Night Live. The band also performed "Moves Like Jagger" and "Stereo Hearts" with Christina Aguilera and Gym Class Heroes on November 20, 2011 on the American Music Awards, where it won its first AMA for Favorite Pop Band/Duo/Group. The band also performed "Moves Like Jagger" at the 2011 Victoria's Secret Fashion Show. During a promotion by Coca-Cola in the March 2011, the band participated in a special studio session during which, with the help of musician PJ Morton, they only had 24 hours to write a completely original song. After their time was up, the song "Is Anybody Out There" was released on the Coca-Cola website for free download. In 2012, the band recorded a song for The Hunger Games soundtrack, called "Come Away to the Water" featuring Rozzi Crane. At the 54th Annual Grammy Awards, on February 12, 2012, the group performed alongside Foster the People and the Beach Boys in a medley of the Beach Boys songs to celebrate their 50th anniversary. CANNOTANSWER

Did they win any awards?


Background: Jazmine Sullivan was born and raised in Philadelphia, Pennsylvania. Her mother Pam is a former backup singer for Philadelphia International Records. When she was five years old, her father landed a position as a curator for the city's Historic Strawberry Mansion in the Strawberry Mansion section, and her family moved into the historical landmark.
Context: Sullivan first appeared on the mainstream music scene with her debut single "Need U Bad", released in May 2008. The song, which featured additional vocals by Missy Elliott and Sandy "Pepa" Denton of Salt-n-Pepa fame, went to #1 on the Hot R&B/Hip-Hop Songs and peaked at #37 on the Hot 100. Sullivan's debut album Fearless was released on September 23, 2008. She wrote every song and served as the album's executive producer alongside Missy Elliott, Salaam Remi and Peter Edge. The album received production from Elliott, Remi, Stargate, Carvin & Ivan, Jack Splash, and Fisticuffs. Fearless debuted at #1 on the Top R&B/Hip Hop Albums and at #6 on the Billboard 200. Sullivan followed her successful debut single with the release of the second single from Fearless, "Bust Your Windows", which reached #4 on the Hot R&B/Hip-Hop Songs and #31 on the Hot 100, becoming her most successful single on that chart to date. "Bust Your Windows" appeared on the debut episode of the Fox hit television show Glee and was also nominated for a Grammy for Best R&B Song. In 2014, Stevie Wonder claimed he considered "Bust Your Windows" a classic song. "Lions, Tigers & Bears" was released as the album's third single in December 2008. It scored her third consecutive top ten on the Hot R&B/Hip-Hop Songs, reaching #10, and garnered some mainstream success by reaching #74 on the Hot 100. Sullivan later pursued success in the UK when she released "Dream Big" as her first official UK single in February 2009, though it failed to chart there. The song was later released as the fourth US single from the album in April 2009, but also failed to chart there. The album's fifth and final single, "In Love with Another Man", was released in August 2009 and was only moderately successful by reaching #37 on the Hot R&B/Hip-Hop Songs. A sixth single, "Switch!", was set to be released in November 2009, though its release was later cancelled. The album received Gold certification by the RIAA, and has sold more than 510,000 copies in the United States so far. Sullivan was featured on a song entitled "Smoking Gun" with Jadakiss on his 2009 album The Last Kiss. She was also a supporting act for R&B singer Maxwell on his highly successful 2008 U.S. tour and was the opening act for Ne-Yo's 2009 Year of the Gentleman Tour. She additionally appeared on Ace Hood's second album, Ruthless, on the song "Champion". She went on to headline a few dates with Ryan Leslie, before participating in the Essence Music Festival in June 2009. That same year, Sullivan appeared in commercials for Cotton Incorporated. Additionally, Sullivan made a guest appearance on Snoop Dogg's tenth studio album Malice n Wonderland on the song "Different Languages". CANNOTANSWER
Question: Was it popular?

Answer:


Jordan again led the league in scoring during the 1987-88 season, averaging 35.0 ppg on 53.5% shooting and won his first league MVP Award. He was also named the Defensive Player of the Year, as he had averaged 1.6 blocks and a league high 3.16 steals per game. The Bulls finished 50-32, and made it out of the first round of the playoffs for the first time in Jordan's career, as they defeated the Cleveland Cavaliers in five games. However, the Bulls then lost in five games to the more experienced Detroit Pistons, who were led by Isiah Thomas and a group of physical players known as the "Bad Boys". In the 1988-89 season, Jordan again led the league in scoring, averaging 32.5 ppg on 53.8% shooting from the field, along with 8 rpg and 8 assists per game (apg). The Bulls finished with a 47-35 record, and advanced to the Eastern Conference Finals, defeating the Cavaliers and New York Knicks along the way. The Cavaliers series included a career highlight for Jordan when he hit The Shot over Craig Ehlo at the buzzer in the fifth and final game of the series. However, the Pistons again defeated the Bulls, this time in six games, by utilizing their "Jordan Rules" method of guarding Jordan, which consisted of double and triple teaming him every time he touched the ball. The Bulls entered the 1989-90 season as a team on the rise, with their core group of Jordan and young improving players like Scottie Pippen and Horace Grant, and under the guidance of new coach Phil Jackson. Jordan averaged a league leading 33.6 ppg on 52.6% shooting, to go with 6.9 rpg and 6.3 apg in leading the Bulls to a 55-27 record. They again advanced to the Eastern Conference Finals after beating the Bucks and Philadelphia 76ers. However, despite pushing the series to seven games, the Bulls lost to the Pistons for the third consecutive season. CANNOTANSWER

Answer this question "What year did the Bulls lose to the Pistons for the third consecutive season?" by extracting the answer from the text above.


The band took an extended break after their second album, in an effort to evolve their sound. New material was written, and recording sessions took place in New York during 2006. Failing to meet the band's standards, many of these new songs were ultimately discarded, and remain unreleased. "We were definitely striving for a new standard," Deasy said in 2007. "We were willing to scrap months of work on songs, which is one of the reasons it took so long. We recorded maybe 30 songs." During an interview with indie music magazine Under The Radar in October 2007, Deasy stated: "We wrote about 30 songs for this album, and a lot of the songs we discarded. They weren't poor songs. They were perfectly good songs, but they were songs that could have fit on the first or the second album a little too easily." More new material was written, including "Midnight Choir" which became the opening track for Teenager and was also released as a single. At the suggestion of R.E.M., the five relocated to a renovated morgue (owned by Canadian musician Bryan Adams) in inner-city Vancouver to record their third album with Tony Hoffer, who had previously produced their debut album. Teenager was released in Ireland on 22 July 2007 and Central Europe on 25 July 2007. It failed to light up the British and Irish charts, but received mixed reviews, getting a Metacritic score of 71%, positive reviews from the BBC, 7/10 from the NME, a 6.9/10 from Pitchfork and a 2/5 review from The Guardian. A special CD/DVD edition of Teenager - which contained a film-length documentary about the band entitled The Thrills: The End of Innocence - was given limited release in the UK only. CANNOTANSWER

Answer this question "Did the band tour to support the album?" by extracting the answer from the text above.


Background: That Was the Week That Was, informally TWTWTW or TW3, was a satirical television comedy programme on BBC Television in 1962 and 1963. It was devised, produced and directed by Ned Sherrin and presented by David Frost. An American version by the same name aired on NBC from 1964 to 1965, also featuring Frost. The programme is considered a significant element of the satire boom in the UK in the early 1960s.
Context: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it". However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association, upset by an item questioning the sexuality of its founder Lord Baden-Powell, and the government of Cyprus, which claimed that a joke about Archbishop Makarios, the country's ruler, was a "gross violation of internationally accepted ethics". Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude and often revealed other nuts and bolts of studio technology." In the 1960s, this was unusual and gave the programme an exciting, modern feel. TW3 also flouted conventions by adopting "a relaxed attitude to its running time: loosely structured and open-ended, it seemed to last just as long as it wanted and needed to last, even if that meant going beyond the advertised time for the ending [...] the real controversy of course, was caused by the content." Its subject matter has also been praised. McCann says: "TW3...did its research, thought its arguments through and seemed unafraid of anything or anyone.... Every hypocrisy was highlighted and each contradiction was held up for sardonic inspection. No target was deemed out of bounds: royalty was reviewed by republicans; rival religions were subjected to no-nonsense 'consumer reports'; pompous priests were symbolically defrocked; corrupt businessmen, closet bigots and chronic plagiarists were exposed; and topical ideologies were treated to swingeing critiques." CANNOTANSWER
Question: what sexuality was lord baden powell?

Answer:


Background: Jeanine Ferris Pirro (born June 2, 1951) is an American TV personality, former judge, prosecutor, and Republican politician in New York. Pirro is currently the host of Fox News Channel's Justice with Judge Jeanine. She was the first female judge elected to the Westchester County Court prior to her election as the first female District Attorney of Westchester County. As District Attorney, Pirro gained considerable visibility in cases of domestic abuse and crimes against the elderly.
Context: On August 10, 2005, Pirro announced that she would seek the Republican nomination to challenge first-term incumbent senator Hillary Clinton, a Democrat, in the 2006 election for U.S. Senator from New York. Other Republicans who announced campaigns for the nomination were John Spencer, a former mayor of Yonkers, William Brenner, an attorney in Sullivan County, and attorney Edward Cox, the son-in-law of former president Richard Nixon. In a widely publicized moment when she was declaring her candidacy, Pirro misplaced page 10 of her speech and went silent for 32 seconds, something that is widely considered to have damaged her campaign before it even started. During an appearance at the Crime Victims Resource Center, Pirro described herself this way: "I am red on fiscal policy. I am conservative and I support the Bush tax cut." She added, however: "I have broad blue stripes when it comes to social issues... I am a woman who is a moderate in New York." Republican governor George Pataki's endorsement of Pirro caused Cox to withdraw from the race, leaving Pirro as the likely nominee. Donors to Pirro's political campaign included designer Tommy Hilfiger (also a native of Elmira) and Donald Trump, as well as contractors and real estate executives who had done business with her husband. On December 21, 2005, Pirro dropped out of the Senate race after continuing pressure from party chiefs. This decision was reached after a lagging fundraising effort and polls that showed she would be easily defeated by Clinton (a Quinnipiac University poll found Pirro would lose to Clinton 62 percent to 30 percent). In a statement, she said "I have decided that my law enforcement background better qualifies me for a race for New York State attorney general than a race for the United States Senate." Spencer was eventually chosen as the Republican Party's nominee for the U.S. Senate. CANNOTANSWER
Question: Did she have other supporters?. Whats the answer?


Kasabian ( k@-SAY-bee-@n) are an English rock band formed in Leicester in 1997. The band's original members consisted of vocalist Tom Meighan, guitarist and vocalist Sergio Pizzorno, guitarist Chris Karloff, and bassist Chris Edwards. The band's line-up was completed by drummer Ian Matthews in 2004 after a string of session drummers. Karloff left the band in 2006 and founded a new band called Black Onassis.

Kasabian started work on their fourth album, Velociraptor!, in November 2010 with Dan the Automator as producer. It was revealed in a number of interviews that some songs were already written. One track, titled "Green Fairy", which featured on the London Boulevard soundtrack, is present on the record under the name "La Fee Verte", but the album version is different from the soundtrack version. In June 2011, Kasabian closed the Isle of Wight Festival. They also headlined Rockness festival and played at Rock Werchter in July 2011. The band confirmed that the album would be released on 19 September 2011. "Switchblade Smiles", the first song to be heard from Velociraptor!, was exclusively played on UK radio on 7 June 2011 during Zane Lowe's show on BBC Radio 1. The title and release date of the fourth album was also confirmed on the show. This first single from the album was available for visitors to listen to on the Kasabian website, and was available as a download for people who pre-order the album. Two tracks from the album ("Velociraptor" and "Switchblade Smiles") were premiered throughout the four-date warm-up tour including playing at the Leeds O2 Academy before the RockNess and Isle of Wight festivals in June 2011. A track from the album "Days Are Forgotten" was due for radio release on 22 July 2011. However, it surfaced online the night before. The album failed to crack the Billboard Top 200 chart upon its first week of release in the United States. On 27 November 2011, Kasabian performed "Goodbye Kiss" during the BBC's Formula 1 2011 closing season montage. In the same month, the band went on a full tour of the UK, including two sold out gigs at the Capital FM Arena in Nottingham, supported at the shows by Miles Kane and Australian band ME. On 31 December 2011, Kasabian played a New Year's Eve concert entitled 'NYE:Rewired' at the O2 Arena, London. The event was streamed live on YouTube. Following early 2012 dates in Japan, Australia, and Europe, Kasabian launched their North American leg in Dallas on 12 March, with 19 dates in U.S. and Canada until late April. It was announced on 16 May on the Kasabian website that their show of 15 December 2011, that was filmed at the O2 in London, would be screened in over 60 cinemas in the UK and Ireland on 30 May 2012. The film, titled Kasabian Live! Live at the O2 is distributed by Altive Media and Eagle Vision. On 29 June 2012, Kasabian performed at the Main Square festival in Arras France. At the end of the set, Tom Meighan returned to the stage without the band and performed The Beatles "She Loves You" unaccompanied, something that he had also done three days earlier in Athens, Greece, and on 16 June in Denmark at the NorthSide Festival. On 8 July 2012, the band headlined the UK festival T in the Park. Kasabian also headlined the Reading and Leeds Festivals on 24 and 25 August 2012. CANNOTANSWER

Answer the following question by taking a quote from the article: what other popular songs did they release?


Answer by taking a quote from the following article:

Cheri Honkala was born in Minneapolis, Minnesota, in 1963. Her father, Maynard Duane Honkala, was of Finnish ancestry, and her mother had Cheyenne Native American ancestry. She grew up watching her mother suffer from domestic violence. Honkala's mother quietly endured this abuse for fear of losing her kids.

Honkala has been a controversial figure throughout her career as a protester and organizer. Feather O. Houstoun, a former secretary of the (Pennsylvania) State Department of Public Welfare, said "She has not been working, rolling up her sleeves on issues like Community Legal Services does. She has never availed herself [of] that opportunity, while other groups have." John Kromer, a former director of the city's office of Housing and Community Development, faxed a five-page letter to KWRU, in which he claimed that the group was actually preventing its poor followers from obtaining housing through its tactic of breaking into vacant homes, rather than utilizing established organizations. He wrote: "No good can come of an organization-building strategy, which is based on misleading poor people or preventing them from obtaining access to available assistance and support." Honkala admits that the group failed to rehabilitate any of the homes illegally taken, but asserts that the group was instrumental in helping 500 formerly homeless people find housing through existing programs. Honkala added: "I get criticized on a regular basis for not being a team player. But I have no qualms about holding a protest tomorrow at anybody's offices if they are denying anybody the basic necessities of life. You're not supposed to do that in Philadelphia." She has been criticized for her confrontational tactics in dealing with the authorities. Author David Zucchino described Honkala's behavior at the first Liberty Bell protest as follows: Cheri loved to make people uncomfortable... She wanted people to squirm and recoil when they saw poor people. She was convinced that America sought desperately to keep its poor out of sight so as not to be reminded of the social policies she believed exacerbated poverty. If the country was going to turn its back on the poor, she was not going to let anyone feel ambivalent about it. She would assault people with her high-pitched nasal voice--in public demonstrations, in confrontations with elected officials, in media interviews, and in front of a ragged tent on Independence Mall. During the church takeover incident, William Parshall, the deputy city managing director, known as the Philadelphia "housing czar," was asked whether Honkala's in-your-face tactics "made his job difficult." Parshall replied that he was far more concerned with such pending problems as national and state welfare cuts. He added, "The question is, what are we going to do about it? That's the question Cheri should be asking." Zucchino in his book details many confrontations between Honkala and the authorities, but also instances in which she reached a mutually satisfactory compromise with them. For example, during the first Liberty Bell protest, she negotiated successfully with park authorities to leave the site without the necessity of admitting guilt or of enduring mass arrests. CANNOTANSWER

What caused the controversary?


Which entity is this text about?

Marco Simoncelli (Italian pronunciation: ['marko simon'tSelli]; 20 January 1987 - 23 October 2011) was an Italian professional motorcycle racer. He competed in the MotoGP World Championship for 10 years from 2002 to 2011. He started in the 125cc class before moving up to the 250cc class in 2006. He won the 250cc World Championship with Gilera in 2008.

After a successful European 125cc campaign, in August 2002, Simoncelli made his first Grand Prix appearance with Matteoni Racing, replacing Czech rider Jaroslav Hules who stepped up to the 250cc class. Simoncelli, riding an Aprilia bike with the number 37, managed to finish in 27th place in his first race at Brno. In the following race at Estoril, he scored his first championship points by finishing in 13th place. However, he failed to score any points in the next four races and finished the season with three points from six races. He continued with the Matteoni Racing Team for his first full season in 2003. That season, he also started to use the iconic number 58 on his bike. He managed to score points in six races with a best result of fourth at Valencia, the last race of the season. Overall, he scored 31 points and ranked 21st in the final championship standings. In the 2004 season, Simoncelli switched to WorldwideRace team under the name of Rauch Bravo, which also run an Aprilia bike. In the second race of the season at Jerez, Simoncelli recorded his first pole position. In the race, which was held in wet conditions, Simoncelli was in second place when race leader Casey Stoner crashed out with three laps remaining, handing Simoncelli his first victory. However, the victory was his only podium finish for the season. He managed to score points in seven other races with a best result of sixth. He ended in 11th place in the final standings with 79 points. Simoncelli continued to ride for WorldwideRace in 2005, this time under the Nocable.it Race banner. In the opening race at Jerez, he qualified first and then won the race for his second successive win at Jerez. Despite failing to add another win that season, Simoncelli finished on the podium on five other occasions. His consistency earned him 177 points and a fifth place in the final standings. CANNOTANSWER


Background: Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.
Context: In 1951, Jordan assembled a short-lived big band that included Pee Wee Moore and others, at a time when big bands were declining in popularity. This is considered the beginning of his commercial decline, even though he reverted to the Tympany Five format within a year. By the mid-1950s, Jordan's records were not selling as well as before, and he left Decca Records. The next label to sign Jordan was Aladdin Records, for which Jordan recorded 21 songs in early 1954. Nine singles were released from these sessions; three of the songs were not released. In 1955, Jordan recorded with RCA's "independent" subsidiary "X" Records, which changed its name to Vik Records while Jordan was with them. Three singles were released under the "X" imprint and one under the Vik imprint; four tracks were not released. In these sessions Jordan intensified his sound to compete with rock and roll. In 1956, Mercury Records signed Jordan and released two LPs and a handful of singles. Jordan's first LP for Mercury, Somebody Up There Digs Me (1956), showcased updated rock-and-roll versions of previous hits such as "Ain't Nobody Here but Us Chickens", "Caldonia", "Choo Choo Ch'Boogie", "Salt Pork, West Virginia", and "Beware!" Its follow-up, Man, We're Wailin' (1957), featured a more laid-back, "late-night" sound. Mercury intended this to be a comeback for Jordan, but it was not commercially successful, and the label let him go in 1958. He recorded sporadically in the 1960s for Warwick (1960), Black Lion (1962), Tangerine (1962-1965), and Pzazz (1968) and in the early 1970s for Black and Blue (1973), Blues Spectrum (1973), and JSP (1974). In 1962 he appeared on the album Louis Jordan Sings, by the British trumpeter and bandleader Chris Barber. Speaking in 2012, Barber recalled seeing Jordan in the early 1960s at the Apollo Theater in New York, with the intention of bringing him to the UK to record There for the first time: "playing with him was just frightening. It's a bit like an amateur guitar player from a back street who has just bought a Spanish guitar, working with Segovia. He didn't make you feel small, but he was just so perfect in what he did. ... I still remember watching him singing, but he would accompany himself on the alto, and you were convinced he was playing the alto while he was singing. ... the breath hadn't gone from his last word before he was playing his alto and it seemed to be simultaneous. ... He got a very raw deal from history... In the Chick Webb band there were two regular singers - Ella [Fitzgerald] and Louis Jordan. And yet really history has consigned him to just being a comedy vocal thing with a bit of rock and roll, and the first alto ... but he was such a consumately good singer that it's sad that he wasn't known more for it." CANNOTANSWER
Question: Did he record with any other artists?

Answer:


Answer by taking a quote from the following article:

Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

Andy Irvine was born in St John's Wood, northwest London on 14 June 1942 to an Irish mother from Lisburn, County Antrim, and a Scottish father from Glasgow. His mother, Felice Lascelles, had been a musical comedy actress and Irvine would later say that "she may have given up the stage, but she never stopped acting!". As a child, Irvine was given opportunities to appear on stage, TV and in films. In the summer holidays of 1950, when he was eight years old, his first role was to play Jimmy in the film A Tale of Five Cities. At thirteen, he starred as Nokie (short for Pinocchio) in the ITV children's series Round at the Redways and joined a school for child actors. He made his stage debut in the Grand Theatre in Wolverhampton and, at fourteen, received rave reviews for his performance as Morgan in the ITV Television Playhouse drama The Magpies, adapted from a Henry James short story. The same year, he was Eric Brandt in Escape to Happiness, for the Armchair Theatre programme and also played John Logie Baird as a boy in the film A Voice in Vision. In early 1958, Irvine featured as Archie Almond in five episodes of Run to Earth. Aged fifteen, he played Lord Heybrook in French Without Tears, for the Saturday Playhouse TV series and, soon after, was one of the 'Pygmies' in Brouhaha, with Peter Sellers as the Sultan. Irvine then played Raymond opposite Laurence Harvey in Room at the Top and, although his scene was cut from the final release, he still appears briefly in the film, handing a bottle of champagne to Harvey during a wedding scene. In late 1959, he featured as Lanky Graham in Ask for King Billy and, in early 1960, he played a schoolboy in A Holiday Abroad for ITV Television Playhouse. Later that year, at eighteen, Irvine performed as Dan in three episodes of Sheep's Clothing, after which he was offered a two-year contract with the BBC's Repertory company ('The Rep'), where he befriended the poet Louis MacNeice who worked there as a writer for over twenty years. As Irvine recalled much later: However, Irvine would give up acting in his early twenties, after moving to Dublin at the end of his time with the 'Rep'. CANNOTANSWER

What were notable roles when he was a child?


Answer by taking a quote from the following article:

Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWER

What else did he do with his time?


Seinfeld is an American television sitcom that ran for nine seasons on NBC, from 1989 to 1998. It was created by Larry David and Jerry Seinfeld, with the latter starring as a fictionalized version of himself. Set predominantly in an apartment building in Manhattan's Upper West Side in New York City, the show features a handful of Jerry's friends and acquaintances, particularly best friend George Costanza (Jason Alexander), former girlfriend Elaine Benes (Julia Louis-Dreyfus), and neighbor across the hall Cosmo Kramer (Michael Richards). It is often described as being "a show about nothing", as many of its episodes are about the minutiae of daily life.

The series was often described as "a show about nothing". However, Seinfeld in 2014 stated "the pitch for the show, the real pitch, when Larry and I went to NBC in 1988, was we want to show how a comedian gets his material. The show about nothing was just a joke in an episode many years later, and Larry and I to this day are surprised that it caught on as a way that people describe the show, because to us it's the opposite of that." Seinfeld broke several conventions of mainstream television. The show offers no growth or reconciliation to its characters. It eschews sentimentality. An episode is typically driven by humor interspersed with the superficial conflicts of characters with peculiar dispositions. Many episodes revolve around the characters' involvement in the lives of others with typically disastrous results. On the set, the notion that the characters should not develop or improve throughout the series was expressed as the "no hugging, no learning" rule. Also unlike most sitcoms, there are no moments of pathos; the audience is never made to feel sorry for any of the characters. Even Susan's death elicits no genuine emotions from anybody in the show. The characters are "thirty-something singles with vague identities, no roots, and conscious indifference to morals". Usual conventions, like isolating the characters from the actors playing them and separating the characters' world from that of the actors and audience, were broken. One such example is the story arc where the characters promote a TV sitcom series named Jerry. The show within a show, Jerry, was much like Seinfeld in that it was "about nothing" and Seinfeld played himself. The fictional Jerry was launched in the season four finale, but unlike Seinfeld, it wasn't picked up as a series. Jerry is one of many examples of metafiction in the show. There are no fewer than twenty-two fictional movies featured, like Rochelle, Rochelle. Because of these several elements, Seinfeld became the first TV series since Monty Python's Flying Circus to be widely described as postmodern. Jerry Seinfeld is an avid Abbott and Costello fan, and has cited the Abbott and Costello Show as an influence on Seinfeld. "Everybody on the show knows I'm a fan. We're always joking about how we do stuff from their show. George and I will often get into a riff that has the rhythm from the old Abbott and Costello shows. And sometimes I'll hit George in the chest the way Abbott would hit Costello." The series includes numerous references to the team. George Costanza's middle name is "Louis," after Costello. "The Old Man" episode featured a cantankerous character named "Sid Fields" as a tribute to the landlord on the team's TV show. Kramer's friend is named Mickey Abbott. A copywriter for the J. Peterman catalog is named Eddie Sherman, after the team's longtime agent. In Episode 30, Kramer hears the famous Abbott and Costello line, "His father was a mudder. His mother was a mudder." CANNOTANSWER

Any other abbot and costello influences?


John Rogers Searle (; born 31 July 1932) is an American philosopher. He is currently Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley. Widely noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959.

Searle defines intentionality as the power of minds to be about, to represent (see Correspondence theory of truth), or to stand for, things, properties and states of affairs in the world. The nature of intentionality is an important part of discussions of Searle's "Philosophy of Mind". Searle emphasizes that the word 'intentionality, (the part of the mind directed to/from/about objects and relations in the world independent of mind) should not be confused with the word 'intensionality' (the logical property of some sentences that do not pass the test of 'extensionality'). In Intentionality: An Essay in the Philosophy of Mind (1983), Searle applies certain elements of his account(s) of "illocutionary acts" to the investigation of intentionality. Searle also introduces a technical term the Background, which, according to him, has been the source of much philosophical discussion ("though I have been arguing for this thesis for almost twenty years," Searle writes, "many people whose opinions I respect still disagree with me about it"). He calls Background the set of abilities, capacities, tendencies, and dispositions that humans have and that are not themselves intentional states. Thus, when someone asks us to "cut the cake" we know to use a knife and when someone asks us to "cut the grass" we know to use a lawnmower (and not vice versa), even though the actual request did not include this detail. Searle sometimes supplements his reference to the Background with the concept of the Network, one's network of other beliefs, desires, and other intentional states necessary for any particular intentional state to make sense. Searle argues that the concept of a Background is similar to the concepts provided by several other thinkers, including Wittgenstein's private language argument ("the work of the later Wittgenstein is in large part about the Background") and Pierre Bourdieu's habitus. To give an example, two chess players might be engaged in a bitter struggle at the board, but they share all sorts of Background presuppositions: that they will take turns to move, that no one else will intervene, that they are both playing to the same rules, that the fire alarm won't go off, that the board won't suddenly disintegrate, that their opponent won't magically turn into a grapefruit, and so on indefinitely. As most of these possibilities won't have occurred to either player, Searle thinks the Background must be unconscious, though elements of it can be called to consciousness (if the fire alarm does go off, say). In his debate with Derrida, Searle argued against Derrida's view that a statement can be disjoined from the original intentionality of its author, for example when no longer connected to the original author, while still being able to produce meaning. Searle maintained that even if one was to see a written statement with no knowledge of authorship it would still be impossible to escape the question of intentionality, because "a meaningful sentence is just a standing possibility of the (intentional) speech act". For Searle ascribing intentionality to a statement was a basic requirement for attributing it any meaning at all. CANNOTANSWER

Answer the following question by taking a quote from the article: Are there any other interesting aspects about this article?


Background: Robin Cook was born in the County Hospital, Bellshill, Scotland, the only son of Peter and Christina Cook (nee Lynch). His father was a Chemistry teacher who grew up in Fraserburgh, and his grandfather was a miner before being blacklisted for being involved in a strike. Cook was educated at Aberdeen Grammar School and, from 1960, the Royal High School in Edinburgh. At first, Cook intended to become a Church of Scotland minister, but lost his faith as he discovered politics.
Context: Cook became known as a brilliant parliamentary debater, and rose through the party ranks, becoming a frontbench spokesman in 1980, and reaching the Shadow Cabinet in June 1983, as spokesperson on European affairs. He was campaign manager for Neil Kinnock's successful 1983 bid to become leader of the Labour Party. A year later he was made party campaign co-ordinator but in October 1986 Cook was surprisingly voted out of the shadow cabinet. He was re-elected in July 1987 and in October 1988 elected to Labour's National Executive Committee. He was one of the key figures in the modernisation of the Labour Party under Kinnock. He was Shadow Health Secretary (1987-92) and Shadow Trade Secretary (1992-94), before taking on foreign affairs in 1994, the post he would become most identified with (Shadow Foreign Secretary 1994-97, Foreign Secretary 1997-2001). In 1994, following the death of John Smith, he ruled himself out of contention for the Labour leadership, apparently on the grounds that he was "insufficiently attractive" to be an election winner, although two close family bereavements in the week in which the decision had to be made may have contributed. On 26 February 1996, following the publication of the Scott Report into the 'Arms-to-Iraq' affair, he made a speech in response to the then President of the Board of Trade Ian Lang in which he said "this is not just a Government which does not know how to accept blame; it is a Government which knows no shame". His parliamentary performance on the occasion of the publication of the five-volume, 2,000-page Scott Report--which he claimed he was given just two hours to read before the relevant debate, thus giving him three seconds to read every page--was widely praised on both sides of the House as one of the best performances the Commons had seen in years, and one of Cook's finest hours. The government won the vote by a majority of one. As Joint Chairman (alongside Liberal Democrat MP Robert Maclennan) of the Labour-Liberal Democrat Joint Consultative Committee on Constitutional Reform, Cook brokered the 'Cook-Maclennan Agreement' that laid the basis for the fundamental reshaping of the British constitution outlined in Labour's 1997 General Election manifesto. This led to legislation for major reforms including Scottish and Welsh devolution, the Human Rights Act and removing the majority of hereditary peers from the House of Lords. Other measures have not been enacted so far, such as further House of Lords reform. On 5 May 2011 the United Kingdom held a referendum on replacing the first-past-the-post voting system with the Alternative Vote method. On 6 May it was announced that the proposed move to the AV voting system had been rejected by a margin of 67.9% to 32.1%. CANNOTANSWER
Question: Did he do anything else while in opposition?. Whats the answer?


The earliest Super Furry Animals track commercially available is "Dim Brys: Dim Chwys", recorded in 1994 for Radio Cymru: an ambient piece, the track shows the band's techno roots. However, by the time it was released (on the "Triskedekaphilia" compilation album in August 1995), the band had already put out their debut EP on the Ankst label. The Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch (In Space) EP appeared in June 1995 and has been listed in the Guinness Book of Records as having the longest-ever title for an EP. The Moog Droog EP followed in October 1995, named after the synthesiser manufacturer Robert Moog and the Nadsat term for "friend" in A Clockwork Orange. The EP's title is also a pun on the Welsh "mwg drwg", meaning "wacky baccy" (slang for cannabis, more literally "bad (or naughty) smoke"). The lyrics on all the tracks on both EPs were in Welsh, except for "God! Show Me Magic" from "Moog Droog". After gigging in London in late 1995, they were noticed by Creation Records boss Alan McGee at the Camden Monarch club, who signed them to his label. Creation was also home to Primal Scream, My Bloody Valentine and Teenage Fanclub, and had recently found massive commercial success with Oasis. The band have said that having watched their gig, McGee asked them if they could sing in English rather than Welsh in future shows. In fact, by this stage they were singing in English, but McGee didn't realise because their Welsh accents were so strong. The Super Furry Animals received some criticism in the Welsh media for singing in English, something which the band felt "completely pissed" about. According to drummer Dafydd Ieuan: "It all started when we played this festival in West Wales, and for some reason the Welsh media started foaming at the mouth because we were singing songs in Welsh and English. But they get The Dubliners playing and they don't sing in Irish. It's ridiculous." The band have claimed that the decision to sing in English was taken in order to broaden their fanbase. In 1999, NME readers named them 'best new band' in January (this despite the fact it was now three years since they released their debut album). In May, the single "Northern Lites" was released and made No. 11 in the charts. A dense production, with steel drums clattering out a calypso rhythm whilst Rhys sang an irreverent lyric about the El Nino-Southern Oscillation weather phenomenon, it was an apt taster for the new album, Guerrilla. Recorded at the Real World Studios, the album retained SFA's pop melodies but took a less guitar-centric approach to their execution and was their most experimental work to date. Layers of samples over brass, percussion and Gruff's melodic singing produced an album which took the freewheeling approach of 1960s groups such as The Beatles, The Beach Boys and The Velvet Underground and updated it to the late 1990s. The album swung from glam and garage rock numbers ("Night Vision", "The Teacher") to novelty techno ("Wherever I Lay My Phone (That's My Home)"), ambient indietronica ("Some Things Come From Nothing") and upbeat drum and bass ("The Door To This House Remains Open"). For the cover art, Pete Fowler created the band's first three-dimensional models, rather than the paintings he had supplied for the Radiator album and singles. After playing several of the summer festivals, SFA released "Fire in My Heart", the most soulful track from Guerrilla, in August and saw it chart at No. 25. They then embarked on a US and UK tour. SFA finished their UK tour at the Cardiff International Arena in Cardiff, where they showcased the first ever concert in surround sound and broadcast it on the World Wide Web. January 2000 involved a series of changes for SFA. The last single from Guerrilla, "Do or Die", was released and made No. 20. It was also the last single SFA released on Creation Records, as founder Alan McGee set off to pursue other interests. It had always been SFA's plan to release their next album on their own label, Placid Casual, as it would be a deliberate sidestep from their recent work: a largely acoustic album of Welsh language songs entitled Mwng. Meaning "mane", its lilting melodies established that SFA's songwriting did not have to fall back on head-spinning production tricks. A limited edition (of 3000) 7 inch record, "Ysbeidiau Heulog" (meaning "Sunny Intervals") preceded Mwng in May 2000. It came backed with "Charge", a hard-rock jam recorded as a Peel Session for the BBC. The album, released the same month, sold remarkably well for a non-English LP - it made No. 11 in the charts - and received a rare distinction for a pop record, being commended in Parliament for its efforts in keeping the Welsh language alive. 2000 also saw the Furries contribute two tracks, Free Now and Peter Blake 2000, for the Liverpool Sound Collage project, which was nominated for a Grammy. They undertook this remixing of unreleased Beatles recordings at the invitation of Paul McCartney, whom they had met at the NME Awards, where they had won Best Live Act. With the demise of Creation, SFA needed to find a new label for their next album. Sony had long held a substantial stake in Creation and offered deals to many ex-Creation artists, including SFA, who signed with one of Sony's subsidiaries, Epic. The band pushed for a deal which allowed them to take a new album elsewhere if the label wasn't interested in releasing it - thereby allowing them to find a home for any esoteric project they might want to undertake in the future. The greater resources afforded them by Epic were apparent in their first album for the label, Rings Around the World, an album that recaptured the cohesive, experimental feel of Guerrilla but more song-driven and sonically expansive. It is cited by many critics and fans alike as their most polished and accessible work. Again the first single was a good indication of what was to come: "Juxtapozed with U", released in July 2001, was a lush soul record which made No. 14 in the charts. The album followed in the same month and major label marketing muscle made it their biggest-seller to date, reaching No. 3 in the album charts. One of the tracks from the album, "Receptacle For the Respectable" featured Paul McCartney on "carrot and celery rhythm track" (a homage to his performance on the Beach Boys' "Vegetables"). SFA unleashed their experimental side on tracks such as "Sidewalk Serfer Girl" (which switches between light techno-pop and hardcore punk), "[A] Touch Sensitive" (gloomy trip-hop) and "No Sympathy" (which descends into chaotic drum'n'bass), but also apparent was an angrier edge to the lyrics: "Run! Christian, Run!" seemed to be an attack on the complacency of organised religion. Rings Around the World is also remarkable for being the world's first simultaneous release of an audio and DVD album. It was nominated for the Mercury Music Prize in 2001. The ceremony took place on the day after the terror attacks on the World Trade Center and the Pentagon, and SFA's performance of the album track "It's Not the End of the World?" took on a somewhat bitter edge. It was released as a single in January 2002 (chart No. 30), following "(Drawing) Rings Around the World" (chart No. 28): neither had that much impact but still received some airplay, notably on BBC Radio 2. The next album, Phantom Power, relied less on sound experimentation and proved to be a more stripped-down, back-to-basics recording in contrast to the orchestral Rings Around the World. It was also released as both a CD and DVD album in July 2003, preceded by a single, "Golden Retriever", in June (chart No. 13). Although the reviews for the album were generally good and it sold well initially, charting at No. 4, the album broke little new ground by SFA's standards and the band had fallen out of fashion, receiving little coverage in the music press. Another single, "Hello Sunshine", hit No. 31 in October 2003 and was eventually featured on the soundtrack of The O.C.. CANNOTANSWER

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The first live performance of the Ray Davies Quartet, the band that would become the Kinks, was at a dance for their school, William Grimshaw, in 1962. The band performed under several names between 1962 and 1963--the Pete Quaife Band, the Bo-Weevils, the Ramrods, and the Ravens--before settling on the Kinks in early 1964. The Kinks made their first tour of Australia and New Zealand in January 1965 as part of a "package" bill that included Manfred Mann and the Honeycombs. They performed and toured relentlessly, headlining package tours throughout 1965 with performers such as the Yardbirds and Mickey Finn. Tensions began to emerge within the band, expressed in incidents such as the on-stage fight between drummer Mick Avory and Dave Davies at The Capitol Theatre, Cardiff, Wales on 19 May. After finishing the first song, "You Really Got Me", Davies insulted Avory and kicked over his drum set. Avory responded by hitting Davies with his hi-hat stand, rendering him unconscious, before fleeing from the scene, fearing that he had killed his bandmate. Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to his head. To placate police, Avory later claimed that it was part of a new act in which the band members would hurl their instruments at each other. Following their summer 1965 American tour, the American Federation of Musicians refused permits for the group to appear in concerts in the United States for the next four years, possibly due to their rowdy on-stage behaviour. In April 1969 Davies helped negotiate an end to the American Federation of Musician ban on the group, which allowed plans for a North American tour. Davies went into a state of depression, culminating in his onstage announcement that he was "sick of it all" at a gig in White City Stadium. A review of the concert published in Melody Maker stated: "Davies swore on stage. He stood at The White City and swore that he was 'F...... [sic] sick of the whole thing' ... He was 'Sick up to here with it' ... and those that heard shook their heads. Mick just ventured a disbelieving smile, and drummer [sic] on through 'Waterloo Sunset.'" Davies proceeded to try to announce that the Kinks were breaking up, but this attempt was foiled by the group's publicity management, who pulled the plug on the microphone system. CANNOTANSWER

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Isabella Augusta, Lady Gregory (nee Persse; 15 March 1852 - 22 May 1932) was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology.

Edward Martyn was a neighbour of Lady Gregory, and it was during a visit to his home, Tullira Castle, in 1896 that she first met W. B. Yeats. Discussions between the three of them, over the following year or so, led to the founding of the Irish Literary Theatre in 1899. Lady Gregory undertook fundraising, and the first programme consisted of Martyn's The Heather Field and Yeats's The Countess Cathleen. The Irish Literary Theatre project lasted until 1901, when it collapsed owing to lack of funding. In 1904, Lady Gregory, Martyn, Yeats, John Millington Synge, AE, Annie Horniman and William and Frank Fay came together to form the Irish National Theatre Society. The first performances staged by the society took place in a building called the Molesworth Hall. When the Hibernian Theatre of Varieties in Lower Abbey Street and an adjacent building in Marlborough Street became available, Horniman and William Fay agreed to their purchase and refitting to meet the needs of the society. On 11 May 1904, the society formally accepted Horniman's offer of the use of the building. As Horniman was not normally resident in Ireland, the Royal Letters Patent required were paid for by her but granted in the name of Lady Gregory. One of her own plays, Spreading the News, was performed on the opening night, 27 December 1904. At the opening of Synge's The Playboy of the Western World in January 1907, a significant portion of the crowd rioted, causing the remainder of the performances to be acted out in dumbshow. Lady Gregory did not think as highly of the play as Yeats did, but she defended Synge as a matter of principle. Her view of the affair is summed up in a letter to Yeats where she wrote of the riots: "It is the old battle, between those who use a toothbrush and those who don't." CANNOTANSWER

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Albert Stevens Crockett, the hotel's veteran publicist and historian, wrote his first cocktail book "Old Waldorf Bar Days" in 1931 during Prohibition and the construction of the current hotel on Park Avenue. It was an homage to the original hotel and its famous bar and clientele. The book contains Crockett's takes on the original hand-written leather bound book of recipes that was given to him at the time of the closure by bartender Joseph Taylor. This edition was never reprinted. In 1934, Crockett wrote a second book, "The Old Waldorf Astoria Bar Book", in response to the repeal of the Volstead Act and the end of the Prohibition era. He edited out most of the text from the first book. Drawing from his experiences as a travel writer, Crockett added nearly 150 more recipes, the bulk of which can be found in the "Cuban Concoctions" and "Jamaican Jollifers" chapters. These books became reference books on the subject of pre-Prohibition cocktails and its culture. In 2016, the long-time hotel bar manager of Peacock Alley and La Chine, Frank Caiafa, added a completely new edition to the canon. Caiafa's "The Waldorf Astoria Bar Book" includes all of the recipes in Crockett's books; many of the hotel's most important recipes created since 1935; and his own creations. In 2017, it was nominated for a James Beard Foundation Award for Best Beverage Book. Other notable books with connections to the hotel include "Drinks" (1914) by Jacques Straub, a wine steward and friend of Oscar Tschirky who had written about the first hotel's notable recipes. Tschirky himself compiled a list of 100 recipes for his own book "100 Famous Cocktails" (1934), a selection of favorites from Crockett's books. Finally, hotel publicist Ted Saucier wrote "Bottoms Up" in 1951, consisting of a compendium of popular, national recipes of the day. CANNOTANSWER

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Tom Ritchey (born 1956) is an American bicycle frame builder, Category 1 racer, fabricator, designer, and founder of Ritchey Design. Ritchey was an early US pioneer in the craft of modern frame building and the first production mountain bike builder/manufacturer in the history of the sport. He is an innovator of bicycle components that have been raced to victory in some of the biggest cycling competitions in the world including the UCI World Championships, the Tour de France and the Olympics. In 1988, Ritchey was inducted into the inaugural Mountain Bike Hall of Fame in Crested Butte, CO (now located in Fairfax, CA): and 2012, inducted to the United States Bicycle Hall of Fame in Davis, California.

In December 2005, Ritchey was challenged by a friend to experience Rwanda. Ritchey decided to do it by bicycle. He found the landscape to be a beautiful one, but the people and their journey of reconciliation even more compelling. Ritchey rode through the hilly countryside, (Rwanda is called, Land of a Thousand Hills) and witnessed the incredible cycling talent that existed there, without any of the modern cycling technology available to the average cyclist here in the USA. Ritchey believed that a national cycling team could bring a sense of hope and national pride. Within the next few months, Ritchey began to formalize a 501c3 called, Project Rwanda. Ritchey then asked his friend, Jared Miller, if he would go to Rwanda to explore possibilities of putting on a cycling event. On September 16, 2006, Ritchey sponsored the first annual Rwandan Wooden Bike Classic, held in Karongi Stadium. More than 3,000 Rwandans filled the stadium and lined the streets to watch the country's first mountain bike, wooden bike, and single speed colonial bike race. Ritchey would ask North American Tour de France Stage winner, Alex Stieda, and cycling pioneer, Jock Boyer, to race alongside him at the event held to celebrate the wooden bike innovation and what it meant to Ritchey. After the event, Ritchey asked Boyer to help him in finding and cultivating cycling talent, which would become Team Rwanda. It was also at this event that Ritchey decided there was more he could do for the once war torn country, devastated by their genocide. Ritchey designed a geared cargo/Coffee bike, capable of carrying heavy loads, to help the Rwandans, especially the coffee farmers in the rural areas of Rwanda, get their crops more efficiently to washing stations. He worked with other NGO's like World Vision and Bikes for Rwanda, to help distribute approximately 4,000 bikes, through micro finance programs and grants. CANNOTANSWER

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Constantin G. Stere or Constantin Sterea (Romanian; Russian: Konstantin Egorovich Stere, Konstantin Yegorovich Stere or Konstantin Georgievich Stere, Konstantin Georgiyevich Stere; also known under his pen name Sarcaleanu; June 1, 1865 - June 26, 1936) was a Romanian writer, jurist, politician, ideologue of the Poporanist trend, and, in March 1906, co-founder (together with Garabet Ibraileanu and Paul Bujor -- the latter was afterwards replaced by the physician Ioan Cantacuzino) of the literary magazine Viata Romaneasca.

He was born in Horodiste, Soroca County, to a family of boyar origins from Ciripcau, Bessarabia -- which was part of the Russian Empire at the time. Stere was one of the three sons of an ethnic Romanian couple of Russian citizens: Gheorghe or Iorgu Stere (known as Yegor Stepanovich Stere, Egor Stepanovich Stere in Russian), a landowner whose family was originally from Botosani County in the Romanian part of Moldavia, and Pulcheria (Pulkeriia), a member of the impoverished gentry in Bessarabia. He spent most of his early years, until the age of eight, in Ciripcau, where the family manor was located. Around 1874, he graduated from a Chisinau private school where classes were taught German, and entered the school for dvoryane in the city, where he became close friends with Alexandru Grosu and Lev Matveyevich Kogan-Bernstein (who were the basis for the characters Sasa Lungu and Moise Roitman in Stere's novel). It was also around this time that he became acquainted with progressive, utopian socialist, and Darwinist ideas (notably reading the works of Nikolai Chernyshevsky, Alexander Herzen, Charles Darwin, Karl Marx, Mikhail Bakunin, Ferdinand Lassalle, and Peter Lavrovich Lavrov). Stere later indicated that, before the late 1870s, he could not spell the Romanian alphabet, which had just been adopted over the border (see Romanian Cyrillic alphabet), and had to rely on a few books smuggled into Bessarabia for getting a sense of literary Romanian. While still students, Stere and Kogan-Bernstein engaged in revolutionary politics as socialists and Narodniks, initiating a conspirative "self-instruction" cell of six inside their school. The group was affiliated with Narodnaya Volya, and Stere was responsible for multiplying and distributing locally the manifesto issued by the latter after it had assassinated Emperor Alexander II. This was also the first moment when Stere declared his opposition to a Social democratic program, a Narodnik-inspired objection which would later form one of the tenets of his doctrine. He was first arrested in late 1883, after Okhrana units decapitated the Bessarabian wing of the Narodnaya Volya. Detained in Odessa (during which time he read intensely), Stere was frequently visited by Maria Grosu, the sister of Alexandru, who had fallen in love with him -- a Narodnik and a feminist, she asked Stere for a marriage of convenience that was meant to help her become free from parental tutelage (according to the laws of the Russian Empire, unmarried women were under their father's protection). Stere agreed, and they were married in the prison chapel (1885). CANNOTANSWERAnswer this question using a quote from the following article:

DID HE HAVE ANY CHILDREN?


Status Quo are an English rock band who play a brand of boogie rock. The group originated in The Spectres, founded by schoolboys Francis Rossi and Alan Lancaster in 1962. After a number of lineup changes, which included the introduction of Rick Parfitt in 1967, the band became The Status Quo in 1967 and Status Quo in 1969. They have had over 60 chart hits in the UK, more than any other rock band, including "Pictures of Matchstick Men" in 1968, "Whatever You Want" in 1979 and

Status Quo was formed in 1962 under the name "The Scorpions" by Francis Rossi and Alan Lancaster at Sedgehill Comprehensive School, Catford, along with classmates Jess Jaworski (keyboards) and Alan Key (drums). Rossi and Lancaster played their first gig at the Samuel Jones Sports Club in Dulwich, London. In 1963, Key was replaced by John Coghlan and the band changed name to "The Spectres". In 1965, when Rossi, Lancaster, and Jaworski had reached the end of their school education, Jaworski opted to leave the band, and was replaced by Roy Lynes. They began writing their own material and later that year met Rick Parfitt who was playing with a cabaret band called The Highlights. By the end of 1965, Rossi and Parfitt, who had become close friends, made a commitment to continue working together. On 18 July 1966, The Spectres signed a five-year deal with Piccadilly Records, releasing two singles that year, "I (Who Have Nothing)" and "Hurdy Gurdy Man" (written by Alan Lancaster), and one the next year called "(We Ain't Got) Nothin' Yet" (a song originally recorded by New York psychedelic band The Blues Magoos). All three singles failed to make an impact on the charts. By 1967, the group had discovered psychedelia and named themselves Traffic, but were soon forced to change it to "Traffic Jam" to avoid confusion with Steve Winwood's Traffic, following an argument over who had registered the name first. The band secured an appearance on BBC Radio's Saturday Club, but in June their next single, "Almost But Not Quite There", underperformed. The following month saw Parfitt, at the request of manager Pat Barlow, joining the band as rhythm guitarist and vocalist. Shortly after Parfitt's recruitment, in August 1967, the band officially became The Status Quo. CANNOTANSWER

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Bernard Joseph Francis Lonergan  (17 December 1904 - 26 November 1984) was a Canadian Jesuit priest, philosopher, and theologian, regarded by many as one of the most important thinkers of the 20th century. Lonergan's works include Insight: A Study of Human Understanding (1957) and Method in Theology (1972), as well as two studies of Thomas Aquinas, several theological textbooks, and numerous essays, including two posthumously published essays on macroeconomics. A projected 25-volume Collected Works is underway with the University of Toronto Press. He held appointments at the Pontifical Gregorian University, Regis College, Toronto, as Distinguished Visiting Professor at Boston College, and as Stillman Professor of Divinity at Harvard University.

While at the Gregorian University, Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964). It has recently appeared in the Collected Works together with an interleaf English translation under the title The Triune God: Doctrines (2009) and The Triune God: Systematics (2007). In The Triune God: Doctrines, Lonergan begins with an examination of the dialectical process by which the dogma of the Trinity developed in the first four centuries. This section was previously published in English as The Way to Nicea. The second section of the work advances dogmatic theses on (1) the consubstantiality of the Son with the Father, (2) the divinity of the Holy Spirit, (3) the distinction of the divine persons by relations of origin, and (4) the procession of the Holy Spirit from the Father and the Son (the Filioque). The fifth and final thesis is that the Trinity is a theological mystery in the strict sense and can only be understood analogically. A concluding scholion presents New Testament evidence in favor of the "psychological" analogy of the Trinity. In The Triune God: Systematics, Lonergan develops the theory of intelligible (or spiritual) emanations in God as propounded by Thomas Aquinas. The volume begins with a discussion of the method of systematic theology which seeks an imperfect but highly fruitful understanding of the mysteries of faith by means of analogies. The following chapters develop an analogical conception of the divine processions (as intelligible emanations), relations, persons, and the two missions of the Word and Spirit. CANNOTANSWER

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Fat Freddy's Drop is a New Zealand seven-piece band from Wellington, whose musical style has been characterised as any combination of dub, reggae, soul, jazz, rhythm and blues, and techno. Originally a jam band formed in the late 1990s by musicians from other bands in Wellington, Fat Freddy's Drop gradually became its members' sole focus. Band members continued playing with their other respective groups--The Black Seeds, TrinityRoots, Bongmaster, and others--for much of their 13-year career. Fat Freddy's Drop are known for their improvised live performances; songs on their studio albums are versions refined over years of playing them live in New Zealand, and on tour abroad.

The now seven-member Fat Freddy's Drop, sometimes calling themselves the "seven headed soul monster", continued to play live at clubs and festivals. The band's first full-length album, Live at the Matterhorn, was released in 2001 by The Drop. The live album is a recording of their show at the Matterhorn club in Wellington that year. Very little mastering was done to the album, which is divided into four tracks averaging 18 minutes each. It was not formally promoted, but sold 9,000 copies in its first few months via word-of-mouth, according to The Sydney Morning Herald. In 2000, the New Zealand government began a campaign to increase the profitability of the country's music industry, and of music exports abroad, by funding artists and events. The percentage of music sold by nationals went from 5.45% in 2000 to 10% in 2004, and a 2004 government survey indicated one-quarter of New Zealanders attended a live music event in the year previous. Fat Freddy's Drop were not one of the bands funded, but the elevated live music scene, and the relative success of Live at The Matterhorn, gave them more opportunities to establish themselves as one of the area's best live acts. Several of their early singles, like "Hope" and "Runnin", were featured on compilation albums published by local labels and radio stations. An established group from Kaikoura named Salmonella Dub--who one member described as the "forerunner for Fat Freddys"--provided the band opportunities to play in front of larger crowds in New Zealand and neighbouring Australia. The third single, released by The Drop in 2002, "Midnight Marauders" became their first step towards international recognition when a copy was taken to German record label Sonar Kollektiv by a producer. That year, Sonar and affiliated label Best Seven re-released the single in Germany, and European DJ group Jazzanova used the track in several mixes. A second single, "Hope/This Room", was re-released by Sonar and Best the next year. After the singles' success, Sonar invited the band to play a string of European shows in 2003. Sonar label manager Matthias Bohmbach said he was surprised when one-thousand copies of "Midnight Marauders" sold at a show in Germany. Not wanting a single label to control their work in Europe, the band also partnered with London-based label Kartel in 2003 to handle distribution and promotion in England. From 2003 to 2009, distribution of the band's work was handled by The Drop in New Zealand and Australia, by Sonar Kollektiv and Best Seven in most of Europe, and by Kartel in England. Fat Freddy's Drop's European profile slowly increased between 2003 and the release of their first studio album in 2005. The BBC's Gilles Peterson called "Hope" one of the top tracks of 2003. The band was invited to play at the Cannes Film Festival in 2004. International DJ Magazine listed Fat Freddy's Drop as one of the "top 20 bands to look out for" in 2004. In what became an almost annual trip, they returned to touring New Zealand and Australia in 2004, and--partnering with Sonar Kollektiv--returned to Europe for an official "Hope for a Generation" tour. CANNOTANSWER

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James William Johnson (born July 16, 1943) is an American football broadcaster and former player, coach, and executive. He served as the head football coach at Oklahoma State University-Stillwater from 1979 to 1983 and the University of Miami from 1984 to 1988. Johnson then moved to the National Football League (NFL), serving as head coach of the Dallas Cowboys from 1989 to 1993, winning two Super Bowls with the team (both against the Buffalo Bills), and finally serving as head coach of the Miami Dolphins from 1996 to 1999. As of 2016, he is an analyst for Fox NFL Sunday, the Fox network's NFL pregame show for the NFL games.

In 1984, Johnson was hired by the University of Miami to replace former coach Howard Schnellenberger, who had won Miami's first national championship in 1983 and departed for the recently formed United States Football League. Johnson's hiring was met with an initial response of "Jimmy who?" by the fans and media. Johnson started with a shaky 8-5 record his first season, which included a game in which Johnson's Hurricanes blew a 31-0 halftime lead in a loss to Maryland with Frank Reich as its QB, and also included a 47-45 loss to Boston College immortalized by Doug Flutie's "Hail Mary" touchdown pass on the game's final play. But Johnson developed the Hurricanes into a football program that came to be known as "the Decade of Dominance". In his five years at Miami, Johnson compiled a 52-9 record, appeared in five New Year's Day bowl games, winning one national championship (1987) and losing one to the Penn State Nittany Lions (1986). Johnson created a free-wheeling atmosphere where he allowed, and at times encouraged, his players to showboat, trash-talk, and run up the score. He also brought the modern 4-3 defense predicated on athletic upfield linemen to the forefront. The criticism they received from other teams caused the media to deem them the "Bad Boys of College Football", a moniker Johnson openly accepted. Johnson's Hurricanes posted the school's first undefeated regular season in 1986, only to lose the Fiesta Bowl and the national championship to #2-ranked Penn State. The loss, along with losses in Miami's prior two bowl games, began to raise questions about whether Johnson was capable of winning major games. In the ensuing 1987 season, however, the Hurricanes went undefeated in the regular season yet again, and won the school's second national title by defeating Oklahoma for the third season in a row. Johnson also created controversy by allowing the University of Miami to retire Vinny Testaverde's football jersey number #14, but refusing to retire Bernie Kosar's number #20, though Kosar played one season for Johnson and led the Hurricanes to the national title (though that did not come under Johnson). Johnson's reason for not retiring Kosar's number was, "Bernie didn't finish the program here (at Miami)." Kosar graduated with honors a year ahead of his freshman class in 1985 with a dual major in finance and economics and subsequently entered the NFL's supplemental draft. Testaverde won the school's first Heisman Trophy award in December 1986 and was the first player selected in the 1987 NFL Draft. However, Johnson later reached out and signed Kosar, who was thrown out by the Cleveland Browns during the 1993 NFL season, to be the Cowboys backup to Troy Aikman, playing during the Cowboys 1993 Super Bowl run and clinched the NFC Championship game, earning a Super Bowl ring. Johnson was inducted into the University of Miami Sports Hall of Fame in 1996. In May 2012, Johnson was inducted into the College Football Hall of Fame. CANNOTANSWER

How was his second season?