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Benito "Benny" Cuntapay (born December 29, 1978) is an American professional wrestler better known by his ring name, B-Boy. He is best known for his work in the independent circuit, where he worked in promotions like Combat Zone Wrestling (CZW), Pro Wrestling Guerrilla (PWG), Jersey All Pro Wrestling (JAPW) or Wrestling Society X (WSX). He is a former CZW World Heavyweight Champion, one-time CZW Iron Man Champion and three-times PWG World Tag Team Champion (once with Homicide and twice with Super Dragon).

In Combat Zone Wrestling (CZW), Cuntapay, using the name B-Boy, joined the Hi V faction, with Messiah and The Backseat Boys, managed by Dewey Donovan. On April 12, 2003, B-Boy defeated Deranged, Lil Cholo, Jay Briscoe and Sonjay Dutt to win the Best of the Best tournament. On July 20, Hi V turned on CZW owner John Zandig, leading to the rest of the roster chasing them out of the building. This allowed the Hi V members to take a short hiatus from CZW, and B-Boy returned on the show of October 11, Uprising, defeating Homicide. He continued working regularly throughout the end of 2003 and 2004, gaining numerous title matches, but failing to win them. On July 10, 2004, B-Boy competed in the fourth annual Best of the Best tournament in an attempt to win it for the second consecutive time, but lost to Roderick Strong in the quarter-finals. After another short hiatus from CZW, B-Boy defeated Dan Maff on December 11 to win the Xtreme Strong Style Tournament. This earned him a match that night against the CZW Iron Man Champion, Chris Hero, who he then defeated to win the championship. After successful defenses against Kaos, B-Boy lost the championship to Frankie The Mobster on February 5, 2005 at Only the Strong: Scarred for Life. On April 2, 2005, B-Boy unsuccessfully challenged Ruckus for the CZW World Heavyweight Championship, and on May 14, he competed in the fifth Best of the Best tournament, making it to the finals, where he lost to Mike Quackenbush in a four-way match. On August 13, B-Boy lost a Loser Leaves Town match to Nate Webb, although he returned just under a month later on September 10, at the Chri$ Ca$h Memorial Show. After this, he competed only sporadically for CZW, making an appearance at the 2006 Chri$ Ca$h Memorial Show, and then, later that night, unsuccessfully challenging LuFisto for the CZW Iron Man Championship. He also competed in the seventh Best of the Best tournament on July 14, 2007, defeating Cheech, Ricochet, Brandon Thomaselli and Jigsaw en route to the final, where he lost to Joker. On January 30, 2010, at High Stakes 4 - Sky's the Limit B-Boy won the CZW World Heavyweight Championship, by defeating the previous champion Drake Younger. He held the championship for two weeks, before losing it to Jon Moxley on February 13. B-Boy announced on his Twitter that he would be returning to CZW to face AR Fox. Later, it was announced that B-Boy would be facing Jonathan Gresham at Proving Grounds. CANNOTANSWER

What was his most recent fight?


William Theodore Walton III (born November 5, 1952) is an American retired basketball player and television sportscaster. Walton became known playing for John Wooden's powerhouse UCLA Bruins in the early 1970s, winning three successive College Player of the Year Awards, while leading the Bruins to two Division I national titles. He then went on to have a prominent career in the National Basketball Association (NBA) where he was a league Most Valuable Player (MVP) and won two NBA championships.

Walton was born in La Mesa, California, the son of Gloria Anne (nee Hickey) and William Theodore "Ted" Walton. His listed adult playing height was 6 feet 11 inches; it has been reported that Walton is actually taller (7 feet 2 inches, or more) but does not like being categorized as a seven-footer. He played high school basketball at Helix High School. At age 17, Walton played for the United States men's national basketball team at the 1970 FIBA World Championship. He played college basketball for John Wooden at the University of California, Los Angeles (UCLA) from 1971 to 1974, winning the national title in 1972 over Florida State and again in 1973 with an 87-66 win over Memphis State in which Walton made 21 of 22 field goal attempts and scored 44 points, representing more than half his team's total. The Walton-led 1971-72 UCLA basketball team had a record of 30-0, in the process winning its games by an average margin of more than 30 points. He was the backbone of two consecutive 30-0 seasons and was also part of UCLA's NCAA men's basketball record 88-game winning streak. The UCLA streak contributed to a personal winning streak that lasted almost five years, in which Walton's high school, UCLA freshman (freshmen were ineligible for the varsity at that time) and UCLA varsity teams did not lose a game from the middle of his junior year of high school to the middle of his senior year in college. Walton was the 1973 recipient of the James E. Sullivan Award as the top amateur athlete in the United States. Walton also received the USBWA College Player of the Year and Naismith College Player of the Year as the top college basketball player in the country three years in a row while attending UCLA, at the same time earning Academic All-American honors three times. Some college basketball historians rate Walton as the greatest who ever played the game at the college level. In Walton's senior year during the 1973-74 season, the school's 88-game winning streak ended with a 71-70 loss to Notre Dame. During the same season, UCLA's record seven consecutive national titles was broken when North Carolina State defeated the Bruins 80-77 in double overtime in the NCAA semi-finals. With Walton's graduation in 1974 and Bruin coach John Wooden's retirement after UCLA's 1975 national title, the UCLA dynasty came to an end. Prior to joining the varsity team, Walton (18.1, 68.6 percent), along with Greg Lee (17.9 ppg) and Keith Wilkes (20.0 ppg), was a member of the 20-0 UCLA Freshman team. CANNOTANSWER

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William Mark Felt Sr. (August 17, 1913 - December 18, 2008) was a Federal Bureau of Investigation (FBI) special agent and the Bureau's Associate Director, the FBI's second-highest-ranking post, from May 1972 until his retirement from the FBI in June 1973. During his time as Associate Director, Felt served as an anonymous informant, nicknamed "Deep Throat," to reporters Bob Woodward and Carl Bernstein of The Washington Post. He provided them with critical information about the Watergate scandal, a scandal which ultimately led to the resignation of President Richard M. Nixon in 1974.

Bob Woodward first describes his source nicknamed Deep Throat in All the President's Men as a "source in the Executive Branch who had access to information at CRP (the Committee to Re-elect the President, Nixon's 1972 campaign organization), as well as at the White House." The book described Deep Throat as an "incurable gossip" who was "in a unique position to observe the Executive Branch", a man "whose fight had been worn out in too many battles". Woodward had known the source before Watergate and had discussed politics and government with him. In 2005, Woodward wrote that he first met Felt at the White House in 1969 or 1970. Woodward was working as an aide to Admiral Thomas Hinman Moorer, Chairman of the Joint Chiefs of Staff, and was delivering papers to the White House Situation Room. In his book The Secret Man, Woodward described Felt as a "tall man with perfectly combed gray hair ... distinguished looking" with a "studied air of confidence, even what might be called a command presence". They stayed in touch and spoke on the telephone several times. When Woodward started working at the Washington Post, he phoned Felt on several occasions to ask for information for articles in the paper. Felt's information, taken on a promise that Woodward would never reveal its origin, was a source for a few stories, notably for an article on May 18, 1972, about Arthur H. Bremer, who shot George C. Wallace. When the Watergate story broke, Woodward called on Felt. The senior manager advised Woodward on June 19 that E. Howard Hunt was involved; the telephone number of his White House office had been listed in the address book of one of the burglars. Initially, Woodward's source was known at the Post as "My Friend". Post editor Howard Simons tagged him as "Deep Throat", after the widely known porno film Deep Throat. According to Woodward, Simons thought of the term because Felt had been providing information on a deep background basis. When Felt revealed his role in 2005, it was noted that "My Friend" has the same initial letters as "Mark Felt". Woodward's notes from interviewing Felt were marked "M.F.", which Woodward says was "not very good tradecraft." CANNOTANSWER

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The Hohokam () were an ancient Native American culture centered in the present US state of Arizona. The Hohokam are one of the four major cultures of the American Southwest and northern Mexico in Southwestern archaeology. Considered part of the Oasisamerica tradition, the Hohokam established significant trading centers such as at Snaketown, and are considered to be the builders of the original canal system around the Phoenix metropolitan area, which the Mormon pioneers rebuilt when they settled the Lehi area of Mesa near Red Mountain. Variant spellings in current, official usage include Hobokam, Huhugam, and Huhukam.

Although Casa Grande red-on-buff continued to be produced, the pottery type that characterized this phase was Salado polychrome, primarily Gila polychrome. This ceramic type was either manufactured locally or procured as a trade ware. This phase also had the introduction the comal, similar to examples found in northern Mexico, and the production of bird-shaped effigy vessels. Examples of exotic stone and shell artifacts associated with high-status individuals - such as nose plugs, pendants, ear rings, bracelets, necklaces, and sophisticated shell inlays - indicate that the design and manufacture of jewelry reached its zenith during this phase. Other important developments were the significant increased procurement and manufacture of red ware, and the near-universal use of inhumation burial in the area north of the Gila River, both similar to the practices and traditions used by the historic O'odham. Immediately after AD 1300, Hohokam villages were reorganized along the lines experienced in the Lower Verde, Tonto Basin, and Safford Basin, in the 13th century. These compounds were composed of a large, rectangular exterior wall that either completely or more typically partially enclosed a series of contiguous courtyards and plazas delineated by interior partition walls. In turn, each courtyard may have contained one to as many as four large, rectangular, adobe-walled pitrooms, possibly associated with several utility structures. Overall, these communities were characterized by relatively compact clusters of between five and 25 adobe-walled compounds, which tended to be grouped around a single very large and well-built compound that often had some form of large community structure, such as a platform mound or great house. Great house structures, as with the one preserved at Casa Grande Ruins National Monument, were built only at the largest communities. These stone or adobe buildings had up to four stories, and were probably used by the managerial or religious elites. They may have also been constructed to align with astronomical observations. Trade with Mexico appears to have declined, but an increased number of trade goods arrived from Pueblo peoples in the north and the east. Between AD 1350 and 1375, the Hohokam tradition lost vitality and stability, and many of the largest settlements were abandoned. Rapidly changing climatic conditions apparently substantially affected the Hohokam agricultural base and subsequently prevented the cohesion of their large communities. Repeated floods in the middle 14th century significantly deepened the Salt River bed while destroying canal heads, which required their continuous extension upstream. Soon, additional flooding removed irreplaceable segments of these extensions, which effectively rendered hundreds of miles of canals virtually useless. Because of differences in hydrology and geomorphology, these processes had a lesser impact on the irrigation systems used by the Hohokam in the Gila River basin, yet these were abandoned, as well. CANNOTANSWER


Enrique Miguel Iglesias Preysler (; Spanish pronunciation: [en'rike mi'gel i'glesjas 'preizler]; born 8 May 1975) is a Spanish singer, songwriter, actor and record producer. He is widely regarded as the King of Latin Pop.

On 5 July 2010, Iglesias released his ninth studio album, Euphoria, his first work to be released under his new label, Universal Republic. The album is Iglesias's first bilingual album with seven original English songs and six original Spanish songs. The album won the Billboard Music Award for Top Latin Album, the Billboard Latin Awards for Latin Album of the Year and Latin Pop Album of the Year and was nominated for the Latin Grammy Award for Album of the Year. Iglesias worked with three producers whom he had collaborated with before; RedOne, Mark Taylor and Carlos Paucer. The album features collaborations with Akon, Usher, Nicole Scherzinger, Sunidhi Chauhan, Ludacris, DJ Frank E, Pitbull, Juan Luis Guerra and his third duet with Wisin & Yandel. In a joint venture with Universal Latino, Iglesias released different singles in both English and Spanish simultaneously to different formats. The first English single from the album, "I Like It", which features the rapper Pitbull, was released on 3 May 2010 in the U.S. and became a success, reaching No. 4 on the Billboard Hot 100. The song was also featured in the MTV reality series, Jersey Shore. "Cuando Me Enamoro" was released as the lead Spanish single from the album, and became the theme song of the Mexican telenovela of the same title, produced by Televisa. The song debuted at number eight and number twenty-five on the U.S. Latin Pop Songs chart and the U.S. Hot Latin Songs chart, respectively. The song became his twenty-fifth top ten single on the U.S. Billboard Hot Latin Songs chart and after four weeks of its release date it became his twenty-first No.1 song on this chart. In January 2011, the album's third English single "Tonight (I'm F**kin' You)" broke into the top ten on the Billboard Hot 100, also reaching No. 4. The song was released only for digital download in the United States but was featured on some editions of Euphoria in Europe and some Asian areas. The song became Iglesias' first number one on the U.S. Pop Songs and Radio Songs airplay charts. A remix version of the album track "Dirty Dancer" was released as the fourth English single and became his ninth Hot Dance Club Play chart topper, tying with Prince and Michael Jackson as the male with the most No. 1 dance singles. Further, "Ayer" served as the album's third Spanish single and seventh single overall. The Euphoria Tour took Iglesias across the U.S., Canada, the U.K. and several European countries. One of the tour's legs took him to Australia while fellow artist Pitbull joined him as an opening act. Prince Royce also served as opening act during the tour's second leg across North America. In August 2011, he released the single "I Like How It Feels" to radio. This was planned to serve as the lead single from the Euphoria album's proposed re-issue that never came to fruition, Euphoria Reloaded. CANNOTANSWER

Did Enrique tour in the 2010 to 2011 period?


Background: Giacomo Costa (14 December 1919 - 22 January 2000) was an Italian Australian professional wrestler best known by his ring name, Al Costello. Costello was the first professional wrestler to be nicknamed "The Man of a Thousand Holds" because of his innovative and very technical style. Costello was the creator and original member of the tag team The Fabulous Kangaroos, whose "Ultra Australian" gimmick complete with boomerangs, bush hats and the song "Waltzing Matilda" as their entrance music, existed in various forms from 1957 until 1983. Costello was either an active wrestler, or a manager in all versions of The Fabulous Kangaroos.
Context: In 1975, Costello surprised everyone by returning to professional wrestling as the manager of the team known as "The Love Brothers" (Hartford and Reggie Love). He actually stepped into the ring on occasion as part of special six-man tag team matches. After recovering from his hip surgery, Costello returned to active competition at age 56. The fact that he was able to recover from such a major injury is credited to his almost-fanatical style of healthy living. As a devout vegan, Costello credited his meat-free diet with his recovery, as well as the remarkable shape he was in for a man of his age. Costello reformed The Fabulous Kangaroos once more, this time teaming up with wrestler Tony Charles. The team defeated Dominic DeNucci and Chris Markoff to win Detroit's version of the NWA World Tag Team title, the same title that Costello and Kent had previously held. The Kangaroos title run was short, however, and they lost their gold to "Crazy" Luke Graham and Ripper Collins. In 1977, Tony Charles was replaced by Don Kent and the two reunited for a tour of Puerto Rico with the World Wrestling Council (WWC). In Puerto Rico, The Kangaroos arrived billed as the WWC World Tag Team Champions, once more to give a newly created title legitimacy. They dropped the titles to Carlos Colon and Jose Rivera on 12 March 1977 and remained in the WWC until 1978 chasing, but never regaining, the WWC World Tag Team Championship. After their tour in Puerto Rico ended, Don Kent returned to singles wrestling, and Costello refocused on managing. CANNOTANSWER
Question: What happened after they teamed up?

Answer:


William Jefferson Clinton (ne Blythe III; born August 19, 1946) is an American politician who served as the 42nd President of the United States from 1993 to 2001. Prior to the presidency, he was the Governor of Arkansas from 1979 to 1981, and again from 1983 to 1992. A member of the Democratic Party, Clinton was ideologically a New Democrat and many of his policies reflected a centrist "Third Way" political philosophy. Clinton was born and raised in Arkansas and attended Georgetown University, the University of Oxford, and Yale Law School.

Clinton was born William Jefferson Blythe III on August 19, 1946, at Julia Chester Hospital in Hope, Arkansas. He was the son of William Jefferson Blythe Jr. (1918-1946), a traveling salesman who had died in an automobile accident three months before his birth, and Virginia Dell Cassidy (later Virginia Kelley: 1923-1994). His parents had married on September 4, 1943, but this union later proved to be bigamous, as Blythe was still married to his third wife. Soon after Bill was born, Virginia traveled to New Orleans to study nursing. She left her son in Hope with her parents Eldridge and Edith Cassidy, who owned and ran a small grocery store. At a time when the southern United States was racially segregated, Clinton's grandparents sold goods on credit to people of all races. In 1950, Bill's mother returned from nursing school and married Roger Clinton Sr., who owned an automobile dealership in Hot Springs, Arkansas, with his brother and Earl T. Ricks. The family moved to Hot Springs in 1950. Although he immediately assumed use of his stepfather's surname, it was not until Clinton turned 15 that he formally adopted the surname Clinton as a gesture toward his stepfather. Clinton said that he remembered his stepfather as a gambler and an alcoholic who regularly abused his mother and half-brother, Roger Clinton Jr., to the point where he intervened multiple times with the threat of violence to protect them. In Hot Springs, Clinton attended St. John's Catholic Elementary School, Ramble Elementary School, and Hot Springs High School, where he was an active student leader, avid reader, and musician. Clinton was in the chorus and played the tenor saxophone, winning first chair in the state band's saxophone section. He briefly considered dedicating his life to music, but as he noted in his autobiography My Life: Clinton began an interest in law at Hot Springs High, when he took up the challenge to argue the defense of the ancient Roman Senator Catiline in a mock trial in his Latin class. After a vigorous defense that made use of his "budding rhetorical and political skills", he told the Latin teacher Elizabeth Buck that it "made him realize that someday he would study law". Clinton has identified two influential moments in his life, both occurring in 1963, that contributed to his decision to become a public figure. One was his visit as a Boys Nation senator to the White House to meet President John F. Kennedy. The other was watching Martin Luther King Jr.'s 1963 I Have a Dream speech on TV, which impressed him enough that he later memorized it. Upon graduating from Georgetown in 1968, Clinton won a Rhodes Scholarship to University College in Oxford, England, where he initially read for a B.Phil. in Philosophy, Politics, and Economics but transferred to a B.Litt. in politics and, ultimately, a B.Phil. in politics. Clinton did not expect the second year because of the draft and he switched programs; this type of activity was common among other Rhodes Scholars from his cohort. He had received an offer to study at Yale Law School, Yale University, but he left early to return to the United States and did not receive a degree from Oxford. During his time at Oxford, Clinton befriended fellow American Rhodes Scholar Frank Aller. In 1969, Aller received a draft letter that mandated deployment to the Vietnam War. Aller's 1971 suicide had an influential impact on Clinton. British writer and feminist Sara Maitland said of Clinton, "I remember Bill and Frank Aller taking me to a pub in Walton Street in the summer term of 1969 and talking to me about the Vietnam War. I knew nothing about it, and when Frank began to describe the napalming of civilians I began to cry. Bill said that feeling bad wasn't good enough. That was the first time I encountered the idea that liberal sensitivities weren't enough and you had to do something about such things". He also developed an interest in rugby union, which he played at Oxford. While Clinton was president in 1994, he received an honorary degree and a fellowship from the University of Oxford, specifically for being "a doughty and tireless champion of the cause of world peace", having "a powerful collaborator in his wife," and for winning "general applause for his achievement of resolving the gridlock that prevented an agreed budget". While at Oxford, Clinton also participated in Vietnam War protests and organized an October 1969 Moratorium to End the War in Vietnam event. During the Vietnam War, Clinton received educational draft deferments while he was in England in 1968 and 1969. He was planning to attend law school in the U.S. and was aware that he might lose his draft deferment. Clinton tried unsuccessfully to obtain positions in the National Guard or Air Force, and he then made arrangements to join the Reserve Officers' Training Corps (ROTC) program at the University of Arkansas. He subsequently decided not to join the ROTC, saying in a letter to the officer in charge of the program that he opposed the war, but did not think it was honorable to use ROTC, National Guard, or Reserve service to avoid serving in Vietnam. He further stated that because he opposed the war, he would not volunteer to serve in uniform, but would subject himself to the draft, and would serve if selected only as a way "to maintain my political viability within the system". Clinton registered for the draft and received a high number (311), meaning that those whose birthdays had been drawn as numbers 1 to 310 would have to be drafted before him, making it unlikely that he would be drafted. (In fact, the highest number drafted was 195.) Colonel Eugene Holmes, the Army officer who had been involved with Clinton's ROTC application, suspected that Clinton attempted to manipulate the situation to avoid the draft and avoid serving in uniform. He issued a notarized statement during the 1992 presidential campaign: During the 1992 campaign, it was revealed that Clinton's uncle had attempted to secure him a position in the Navy Reserve, which would have prevented him from being deployed to Vietnam. This effort was unsuccessful and Clinton said in 1992 that he had been unaware of it until then. Although legal, Clinton's actions with respect to the draft and deciding whether to serve in the military were criticized during his first presidential campaign by conservatives and some Vietnam veterans, some of whom charged that he had used Fulbright's influence to avoid military service. Clinton's 1992 campaign manager, James Carville, successfully argued that Clinton's letter in which he declined to join the ROTC should be made public, insisting that voters, many of whom had also opposed the Vietnam War, would understand and appreciate his position. CANNOTANSWER

Using a quote from the above article, answer the following question: what involvment did bill have with vietnam war oppositiion?


Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians. It took eight months to issue "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. It was not a very good record, by Sam's own admission, and it represented the first time in four years that a Sam & Dave single failed to chart. Two more singles followed in 1970, "Baby, Baby, Don't Stop Now," and "One Part Love, Two Parts Pain." The first was a leftover Hayes-Porter recording from Stax; the second was produced by Wexler and Dowd in New York, and was written by Stax executive Al Bell and Allen Jones. Both failed to chart. According to Wexler, "We just made some shit-ass records with them. I never really got into their sensibilities as a producer." Wexler then sent the duo south to Muscle Shoals and Miami to work with producers Brad Shapiro and Dave Crawford for their next single "Knock It Out The Park," which also failed to chart. Sam & Dave split in June 1970, according to Moore as a result of Moore's dissatisfaction with the duo and his desire to pursue a career solo. According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own." Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, which was shelved after Curtis was stabbed to death in 1971. Prater recorded a single for Alston. Neither was commercially successful as a solo act, and they reunited in August 1971. In October 1971, their last Atlantic single, "Don't Pull Your Love," was a cover of a hit by Hamilton, Joe Frank & Reynolds. This Shapiro/Crawford production was a minor hit (R&B #36/Pop #102), but not a substantial enough commercial success to keep the duo signed to the label. Sam & Dave recorded four final songs for Atlantic in August, 1972, none of which was released by the label. Their contract with Atlantic expired shortly thereafter. CANNOTANSWER

Answer this question "What did Sam and Dave do ?" by extracting the answer from the text above.


The Black Dahlia Murder is an American death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. The band currently comprises vocalist Trevor Strnad, guitarists Brian Eschbach and Brandon Ellis, drummer Alan Cassidy, and bassist Max Lavelle. Out of the eight studio albums they have released to date, the last seven have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands.

In early 2013, despite the news of the departure of two band members (drummer Shannon Lucas and bassist Bart Williams), plans were announced for an upcoming album release, to be entitled Everblack. Tentative plans estimated its release to be early summer 2013; likely June. On April 10, 2013, the iTunes Store was updated with official release and availability information, including cover art, a full track listing, and an official U.S. release date of June 11, 2013. The album has 10 tracks in total. On the same day, the band's first single from Everblack was made available for purchase and download, titled "Into The Everblack". The album itself was then released on June 11 and peaked at No. 32 on the U.S. Billboard 200. On November 28, 2014 (the day after Thanksgiving), The Black Dahlia Murder released a 7" EP titled Grind 'Em All featuring 3 short grindcore covers of punk rock songs: a cover of "Ripped Up" by Left for Dead, of "Rebel Without a Car" by Sedition and of "Populous" by Gyga. The covers were originally recorded almost 10 years earlier during the era of Miasma. The EP was released as part of Record Store Day's Black Friday event via A389 Recordings (rather than the band's label, Metal Blade Records), made available for purchase on the band's online merchandise store and also streamed in its entirety via Exclaim!. The album art for Grind 'Em All was designed by Szymon Siech. Lead guitarist Ryan Knight confirmed in early 2015 that the band will deliver a seventh studio release that year, followed by extensive touring, and that he is planning to start working on a solo album afterwards. Vocalist Trevor Strnad stated that the band's new album, titled Abysmal, will be "more raw and natural sounding" and feature "more dynamic and developed songs" than their previous work. "Vlad, Son of the Dragon", the first song from the album, was released online on June 24, followed by "Receipt" on July 22 and "Threat Level No. 3" on August 19. Abysmal was produced by Mark Lewis and Ryan Williams and released worldwide through Metal Blade on September 18. In early February 2016, it was announced that Knight had left the band; Brandon Ellis will replace him as touring lead guitarist. CANNOTANSWER

Using a quote from the above article, answer the following question: Was there any conflicts in the band during this time?


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Christopher Eric Hitchens (13 April 1949 - 15 December 2011) was an Anglo-American author, columnist, essayist, orator, religious and literary critic, social critic, and journalist. Hitchens was the author, co-author, editor or co-editor of over 30 books, including five collections of essays on culture, politics and literature. A staple of public discourse, his confrontational style of debate made him both a lauded intellectual and a controversial public figure. He contributed to New Statesman, The Nation, The Weekly Standard, The Atlantic, London Review of Books, The Times Literary Supplement, Slate, Free Inquiry and Vanity Fair.

Former British prime minister Tony Blair said, "Christopher Hitchens was a complete one-off, an amazing mixture of writer, journalist, polemicist, and unique character. He was fearless in the pursuit of truth and any cause in which he believed. And there was no belief he held that he did not advocate with passion, commitment, and brilliance. He was an extraordinary, compelling, and colourful human being whom it was a privilege to know." Richard Dawkins, a friend of Hitchens, said, "I think he was one of the greatest orators of all time. He was a polymath, a wit, immensely knowledgeable, and a valiant fighter against all tyrants, including imaginary supernatural ones." American theoretical physicist and cosmologist Lawrence Krauss said, "Christopher was a beacon of knowledge and light in a world that constantly threatens to extinguish both. He had the courage to accept the world for just what it is and not what he wanted it to be. That's the highest praise, I believe, one can give to any intellect. He understood that the universe doesn't care about our existence or welfare and he epitomized the realization that our lives have meaning only to the extent that we give them meaning." Bill Maher paid tribute to Hitchens on his show Real Time with Bill Maher, saying, "We lost a hero of mine, a friend, and one of the great talk show guests of all time." Salman Rushdie and English comedian Stephen Fry paid tribute at the Christopher Hitchens Vanity Fair Memorial 2012. Three weeks before Hitchens's death, George Eaton of the New Statesman wrote, "He is determined to ensure that he is not remembered simply as a 'lefty who turned right' or as a contrarian and provocateur. Throughout his career, he has retained a commitment to the Enlightenment values of reason, secularism and pluralism. His targets--Mother Teresa, Bill Clinton, Henry Kissinger, God--are chosen not at random, but rather because they have offended one or more of these principles. The tragedy of Hitchens' illness is that it came at a time when he enjoyed a larger audience than ever. The great polemicist is certain to be remembered, but, as he is increasingly aware, perhaps not as he would like." The Chronicle of Higher Education asked if Hitchens was the last public intellectual. In 2015, an annual prize of $50,000 was established in his honour for "an author or journalist whose work reflects a commitment to free expression and inquiry, a range and depth of intellect, and a willingness to pursue the truth without regard to personal or professional consequence." CANNOTANSWER

How did he pass away?


Background: Samuel Osborne Barber II (March 9, 1910 - January 23, 1981) was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century: music critic Donal Henahan stated that "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras.
Context: From his early to late twenties, Barber wrote a flurry of successful compositions, launching him into the spotlight of the classical music world. His first orchestral work, an overture to The School for Scandal, was composed in 1931 when he was 21 years old. It premiered successfully two years later in a performance given by the Philadelphia Orchestra under conductor Alexander Smallens. Many of his compositions were commissioned or first performed by such famous artists as Vladimir Horowitz, Eleanor Steber, Raya Garbousova, John Browning, Leontyne Price, Pierre Bernac, Francis Poulenc, and Dietrich Fischer-Dieskau. In 1935, at the age of 25, he was awarded the American Prix de Rome and was the recipient of a Pulitzer traveling scholarship which allowed him to study abroad in 1935-1936. He was later awarded a Guggenheim Fellowship in 1946. When Barber was 28, his Adagio for Strings was performed by the NBC Symphony Orchestra under the direction of Arturo Toscanini in 1938, along with his first Essay for Orchestra. The Adagio had been arranged from the slow movement of Barber's String Quartet, Op. 11. Toscanini had only rarely performed music by American composers before (an exception was Howard Hanson's Second Symphony, which he conducted in 1933). At the end of the first rehearsal of the piece, Toscanini remarked, "Semplice e bella" (simple and beautiful). In 1942, Barber joined the Army Air Corps; there, he was commissioned to write his Second Symphony, a work he later suppressed. (It was released in a Vox recording by the New Zealand Symphony Orchestra conducted by Andrew Schenck.) Composed in 1943, the symphony was originally titled Symphony Dedicated to the Air Forces and was premiered in early 1944 by Serge Koussevitsky and the Boston Symphony Orchestra. Barber revised the symphony in 1947; it was published by G. Schirmer, and recorded the following year by the New Symphony Orchestra of London conducted by the composer, but in 1964 Barber destroyed the score. It was reconstructed from the instrumental parts. According to another source, however, it was precisely the parts to the symphony that Barber had torn up. Hans Heinsheimer was an eyewitness, and reported that he accompanied Barber to the publisher's office where they collected all the music from the library and Barber "tore up all these beautifully and expensively copied materials with his own hands" Doubt has been cast on this story, however, on grounds that Heinsheimer, as an executive at G. Schirmer, would have been unlikely to have allowed Barber into the Schirmer offices to watch him "rip apart the music that his company had invested money in publishing". In 1943, Barber and Menotti purchased a house in Mount Kisco, New York. Barber won the Pulitzer Prize twice: in 1958 for his first opera Vanessa, and in 1963 for his Concerto for Piano and Orchestra. CANNOTANSWER
Question: Were any other awards won?

Answer:


Sean Michael Leonard Anderson (born March 25, 1988), known professionally as Big Sean, is an American rapper. Sean signed with Kanye West's GOOD Music in 2007, Def Jam Recordings in 2008 and Roc Nation in 2014. After releasing a number of mixtapes, Sean released his debut studio album, Finally Famous, in 2011. He released his second studio album, Hall of Fame, in 2013.

In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga. CANNOTANSWERAnswer this question using a quote from the following article:

Who are the guest appearances by?


Jon Miller was born on Hamilton Air Force Base and grew up in Hayward, California, listening to Giants announcers Russ Hodges and Lon Simmons on the radio. He attended his first baseball game in 1962, a 19-8 Giants' victory over the Los Angeles Dodgers at Candlestick Park. As a teenager, Miller played Strat-O-Matic and recorded his own play-by-play into a tape recorder, adding his own crowd noise, vendors, and commercials. After graduating from Hayward High School in 1969, Miller commuted across the bay to take broadcasting classes at the College of San Mateo.

Miller's delivery is notable for his easygoing, sometimes humorous manner and measured use of hyperbole, particularly in banter with his partner sportscasters. He livens up many broadcasts with a few Hawaiian and Japanese phrases spoken with impeccable pronunciation, and has been known to announce a half inning totally in Spanish. It is notable that Miller generally pronounces foreign language names with the source language pronunciation, in contrast with broadcasters who "Americanize" foreign-named players. Miller is also known for his meticulous scorekeeping, having scored over 5,500 games since he started broadcasting. Miller will occasionally quote lines from Shakespeare plays during radio broadcasts. He is well known for his foul ball call, "That ball is fooooul", and his emphatic cries of "Safe!" on close plays and "Two!" for a successful double play. He is also known for his unique pronunciation of the word safe, which sounds more like an umpire's call "tafe!", on plays where a baserunner attempts to slide into a base prior to being tagged out. Early in his career, Miller would punctuate home runs with the signature call, "Tell it goodbye!" (in emulation of longtime Giants announcer Lon Simmons), although he has eschewed this in recent years (although he continues to refer to a home run as a "big fly"). His home run call for Hispanic batters is now punctuated, "Adios, pelota!" Miller is noted in baseball circles for his impersonation of Los Angeles Dodgers announcer Vin Scully. Miller also imitates Harry Caray, Chuck Thompson, Jack Buck, Al Michaels, Babe Ruth, Bob Sheppard, and Harry Kalas, among others. Asked how he got into broadcasting play by play of baseball games, he recalled being in stands at Candlestick Park as a child and looking into the broadcast booth. In the middle of the at-bat, he watched as the broadcaster consumed a handful of fries and a drink between pitches, thinking, "That is the life for me." While calling games on the radio for the Giants, Miller occasionally introduces himself and his fellow broadcaster(s), followed by the phrase, "your Giants broadcasters". The same is repeated when Miller is on TV, except he replaces the word "broadcasters" with "telecasters." (Miller is referred to by fellow Giants broadcaster Mike Krukow as "The Big Kahuna".) He would use similar terminology for his Sunday Night Baseball telecasts on ESPN ("your Sunday night telecasters") and his World Series broadcasts for ESPN Radio ("your World Series broadcasters"). CANNOTANSWER

Do people like Jon commenting style?


The Oprah Winfrey Show, often referred to simply as Oprah, is an American syndicated talk show that aired nationally for 25 seasons from September 8, 1986 to May 25, 2011 in Chicago, Illinois. Produced and hosted by its namesake, Oprah Winfrey, it remains the highest-rated daytime talk show in American television history.

Winfrey claims her worst interviewing experience was with Elizabeth Taylor in the show's second season. Just before the interview, Taylor asked Winfrey not to ask any questions about her relationships. Winfrey found this to be a challenge considering Taylor had been married seven times. Taylor returned to the show in 1992, apologized to Winfrey and told her that she was in excruciating back and hip pain at the time. On February 10, 1993, Winfrey sat down with Michael Jackson for what would become the most-watched interview in television history. Jackson, an intensely private entertainer, had not given an interview in 14 years. The event was broadcast live from Jackson's Neverland Ranch and was watched by 90 million people worldwide result his recently studio album Dangerous on the top-ten charts. Jackson discussed missing out on a normal childhood and his strained relationship with his father, Joe Jackson. During the interview, Jackson attempted to dispel many of the rumors surrounding him and told Winfrey he suffered from the skin-pigment disorder known as vitiligo when asked about the change in the color of his skin. While admitting to getting a nose job, he denied all other plastic surgery rumors. Later in the interview, Jackson was joined by his close friend Elizabeth Taylor, her third appearance on the show. Winfrey's interview with Tom Cruise, which was broadcast on May 23, 2005, also gained notoriety. Cruise "jumped around the set, hopped onto a couch, fell rapturously to one knee and repeatedly professed his love for his then-girlfriend, Katie Holmes." This scene quickly became part of American pop-cultural discourse and was heavily parodied in media. Celine Dion appeared on the show 28 times, the most of any celebrity, besides Gayle King, Winfrey's best friend, who appeared 141 times. Winfrey also interviewed Chicago's "Guardian Angels" and Raymond Lear in 1988. CANNOTANSWERAnswer this question using a quote from the following article:

Was he the only celebrity on her show


Background: Steven Siro Vai (; born June 6, 1960) is an American guitarist, composer, singer, songwriter, and producer. He was voted the "10th Greatest Guitarist" by Guitar World magazine, and has sold over 15 million records. A three-time Grammy Award winner and fifteen-time nominee, Vai started his music career in 1978 at the age of 18 as a transcriptionist for Frank Zappa, and joined his band from 1980 to 1983. He embarked on a solo career in 1983 and has released eight solo albums to date.
Context: Vai designed the Ibanez JEM guitar, a unique instrument that incorporated a series of groundbreaking designs that have since become staples in feature throughout the guitar industry, in 1985. In speaking of the development of the guitar, Vai says, "Stratocasters had whammy bars--which were fantastic--but they were very limited, were always going out of tune, and had single-coil pickups. Les Pauls had humbuckers--which gave you that real scream in the bridge position--but no whammy bar, and I didn't like the way they sat. Neither guitar had twenty-four frets. So I went to a guitar shop in Hollywood, where I had these elements implemented into a guitar (what would have been considered a Superstrat at the time). The guitar was designed with a sharper body shape, a large cutaway around the neck, twenty-four frets, a fully floating tremolo system, a specially wired five-way pickup selector switch, and an output jack angled on the side of the body (so that when you step on the cable, it doesn't pull out of your guitar). I knew of course that these features would eventually be taken and used in other guitars, so I did something completely preposterous: I said, 'Put a handle in it!' That way, during videos and photoshoots I could swing the guitar around." Vai had several custom prototypes of these guitars built (which were used on the Eat 'Em and Smile tour) by Joe "Jem" Despagni, a custom guitar luthier and friend of Vai's. Due to Vai's highly coveted position in Roth's band, many guitar companies were eager to propose endorsement opportunities. In response to these offers, Vai sent out the specifications of the JEM guitar, detailing that the company that returned the best guitar would be given the endorsement. Dissatisfied with the guitars returned and unwilling to compromise, Vai held out on a guitar endorsement until Ibanez approached him, sending him an instrument superior to that of the other companies and willing to follow his instructions. After the pre-production prototypes were perfected, the first production Ibanez JEM 777 guitars were unveiled at the NAMM Show in 1987. Since its original 1987 release, the JEM has become one of the longest-running and most successful signature series guitars in history, with its sister guitar, the Ibanez RG, being the second highest-selling guitar (behind the Fender Stratocaster) on the market. Another design by Vai was the Ibanez Universe, the first production seven-string guitar, which was released in 1989. The Universe incorporated many of the aspects that made the JEM a unique instrument (24 frets, full floating tremolo, special pickup configuration, angled output jack, and deeper body cutaway), with an added low 'B' string, allowing for new low-range sonic possibilities. Used by Vai on much of Passion and Warfare and all of Whitesnake's Slip of the Tongue, the Universe was a large stepping stone for the burgeoning Nu-metal genre (with bands such as Korn having adopted the instrument and incorporating it into their signature sound). CANNOTANSWER
Question: What was his connection with Universe Guitars

Answer:


Crosby was born on May 3, 1903 in Tacoma, Washington, in a house his father built at 1112 North J Street. In 1906, his family moved to Spokane, and in 1913, his father built a house at 508 E. Sharp Avenue. The house sits on the campus of Gonzaga University, his alma mater. He was the fourth of seven children: brothers Larry (1895-1975), Edward (1896-1966), Ted (1900-1973), and Bob (1913-1993); and two sisters, Catherine (1904-1974) and Mary Rose (1906-1990). His parents were Harry Lillis Crosby Sr. (1870-1950), a bookkeeper, and Catherine Helen "Kate" (nee Harrigan; 1873-1964). His mother was a second generation Irish-American. His father was of English descent; an ancestor, Simon Crosby, emigrated to America in the 17th century, and one of his descendants married a descendant of Mayflower passenger William Brewster (c. 1567 - April 10, 1644). In 1910, seven-year-old Harry Crosby, Jr. was forever renamed. The Sunday edition of the Spokesman-Review published a feature called "The Bingville Bugle". Written by humorist Newton Newkirk, The Bingville Bugle was a parody of a hillbilly newsletter, filled with gossip, minstrel quips, creative spelling, and mock ads. A Crosby neighbor, 15-year-old Valentine Hobart, enjoyed reading "The Bugle", and noting Harry's laugh, took a liking to him and called him "Bingo from Bingville". Eventually, the last vowel was dropped and the nickname stuck. In 1917, Crosby took a summer job as property boy at Spokane's "Auditorium," where he witnessed some of the finest acts of the day, including Al Jolson, who held him spellbound with ad libbing and parodies of Hawaiian songs. He later described Jolson's delivery as "electric." Crosby graduated from Gonzaga High School (today's Gonzaga Prep) in 1920 and enrolled at Gonzaga University. He attended Gonzaga for three years but did not earn a degree. As a freshman, he played on the university's baseball team. The university granted him an honorary doctorate in 1937. Initial successes with Whiteman were followed by disaster when they reached New York and Whiteman considered letting them go. Bing may have been retained as Whiteman was already using him as a solo performer on record, but the prospects for Rinker were bleak. However, the addition of pianist and aspiring songwriter Harry Barris made the difference and "The Rhythm Boys" were born. The additional voice meant the boys could be heard more easily in the large New York theaters and eventually became a success. A year touring with Whiteman performing and recording with musicians Bix Beiderbecke, Jack Teagarden, Tommy Dorsey, Jimmy Dorsey, Eddie Lang and Hoagy Carmichael, provided valuable experience and began touring. Crosby then matured considerably as a performer and was in constant demand as a solo artist. Crosby soon became the star attraction of the Rhythm Boys, and in 1928 he had his first number one hit with the Whiteman orchestra, a jazz-influenced rendition of "Ol' Man River". In 1929, the Rhythm Boys appeared in the film The King of Jazz with Whiteman but Bing's growing dissatisfaction with Whiteman led to the Rhythm Boys leaving his organization. They joined the Gus Arnheim Orchestra performing nightly in The Coconut Grove of the Ambassador Hotel. Singing with the Arnheim Orchestra, Bing's solos began to steal the show, while the Rhythm Boys act gradually became redundant. Harry Barris wrote several of Crosby's subsequent hits including "At Your Command", "I Surrender Dear", and "Wrap Your Troubles In Dreams". In the early months of 1931, a solo recording contract came Bing's way, Mack Sennett signed him to make film shorts and a break with the Rhythm Boys became almost inevitable. Bing had married Dixie Lee in September 1930 and after a threatened divorce in March 1931, he started to apply himself seriously to his career. His gramophone records in 1931 broke new ground as his powerful and emotional singing started to change the face of popular music forever. Their low salaries at the Cocoanut Grove of the Ambassador Hotel had led the Rhythm Boys to walk out, causing union problems for Bing. Bing's brother, Everett, interested Bill Paley of CBS in his brother and Paley beckoned Bing to come to New York. A settlement was reached with the Ambassador Hotel and Bing made his first solo national radio broadcast in September 1931 and then went on to star at the New York Paramount Theatre. In the wake of a solid decade of headlining mainly smash hit musical comedy films in the 1930s, Crosby starred with Bob Hope and Dorothy Lamour in seven Road to musical comedies between 1940 and 1962, cementing Crosby and Hope as an on-and-off duo, despite never officially declaring themselves a "team" in the sense that Laurel and Hardy or Martin and Lewis (Dean Martin and Jerry Lewis) were teams. The series consists of Road to Singapore (1940), Road to Zanzibar (1941), Road to Morocco (1942), Road to Utopia (1946), Road to Rio (1947), Road to Bali (1952), and The Road to Hong Kong (1962). When they appeared solo, Crosby and Hope frequently made note of the other in a comically insulting fashion. They performed together many times on stage, radio, film, television, and numerous brief and not so brief appearances together in movies aside from the "Road" pictures. In the 1949 Disney animated film The Adventures of Ichabod and Mr. Toad, Crosby provided the narration and song vocals for The Legend of Sleepy Hollow segment, and again in the 1977 Disney animated film The Many Adventures of Ichabod and Winnie the Pooh. In 1960, he starred in High Time, a collegiate comedy with Fabian Forte and Tuesday Weld that predicted the emerging gap between him and the new young generation of musicians and actors who had begun their careers after WWII. The following year, Crosby and Hope reunited for one more Road movie, The Road to Hong Kong, which teamed them up with the much younger Joan Collins and Peter Sellers. Collins was used in place of their longtime partner Dorothy Lamour, whom Crosby felt was getting too old for the role, though Hope refused to do the movie without her, and she instead made a cameo appearance. Shortly before his death in 1977, he had planned another Road film in which he, Hope, and Lamour search for the Fountain of Youth. He won an Academy Award for Best Actor for Going My Way in 1944 and was nominated for the 1945 sequel, The Bells of St. Mary's. He received critical acclaim for his performance as an alcoholic entertainer in The Country Girl and received his third Academy Award nomination. CANNOTANSWER

Answer this question "Did he star in any movies besides the Adventures of Ichabod and Mr. Toad?" by extracting the answer from the text above.


Lonnie Rashid Lynn, Jr. was born on March 13, 1972 at the Chicago Osteopathic Hospital in Chicago's Hyde Park neighborhood, the son of educator Dr. Mahalia Ann Hines and former ABA basketball player turned youth counselor Lonnie Lynn Sr. He was raised in the Calumet Heights neighborhood. Lynn's parents divorced when he was six years old, resulting in his father moving to Denver, Colorado. This left Lynn to be raised by his mother; however, his father remained active in his life, and was able to get Lynn a job with the Chicago Bulls as a teenager.

Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

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Background: George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).
Context: In late November 1941, Welles was appointed as a goodwill ambassador to Latin America by Nelson Rockefeller, U.S. Coordinator of Inter-American Affairs and a principal stockholder in RKO Radio Pictures. The mission of the OCIAA was cultural diplomacy, promoting hemispheric solidarity and countering the growing influence of the Axis powers in Latin America. John Hay Whitney, head of the agency's Motion Picture Division, was asked by the Brazilian government to produce a documentary of the annual Rio Carnival celebration taking place in early February 1942. In a telegram December 20, 1941, Whitney wrote Welles, "Personally believe you would make great contribution to hemisphere solidarity with this project." The OCIAA sponsored cultural tours to Latin America and appointed goodwill ambassadors including George Balanchine and the American Ballet, Bing Crosby, Aaron Copland, Walt Disney, John Ford and Rita Hayworth. Welles was thoroughly briefed in Washington, D.C., immediately before his departure for Brazil, and film scholar Catherine L. Benamou, a specialist in Latin American affairs, finds it "not unlikely" that he was among the goodwill ambassadors who were asked to gather intelligence for the U.S. government in addition to their cultural duties. She concludes that Welles's acceptance of Whitney's request was "a logical and patently patriotic choice". In addition to working on his ill-fated film project, It's All True, Welles was responsible for radio programs, lectures, interviews and informal talks as part of his OCIAA-sponsored cultural mission, which was regarded as a success. He spoke on topics ranging from Shakespeare to visual art at gatherings of Brazil's elite, and his two intercontinental radio broadcasts in April 1942 were particularly intended to tell U.S. audiences that President Vargas was a partner with the Allies. Welles's ambassadorial mission was extended to permit his travel to other nations including Argentina, Bolivia, Chile, Colombia, Ecuador, Guatemala, Mexico, Peru and Uruguay. Welles worked for more than half a year with no compensation. Welles's own expectations for the film were modest. "It's All True was not going to make any cinematic history, nor was it intended to," he later said. "It was intended to be a perfectly honorable execution of my job as a goodwill ambassador, bringing entertainment to the Northern Hemisphere that showed them something about the Southern one." CANNOTANSWER
Question: Did he have any other responsibilities?. Whats the answer?


Loretta Lynn Morgan (born June 27, 1959) is an American country music singer. She is the daughter of George Morgan, a country music singer who charted several hit singles between 1949 and his death in 1975. Morgan charted her first single in 1978, although she did not break into the top of the U.S. country charts until her 1989 single, "Trainwreck of Emotion." Since then, she has charted 40 songs on the Billboard Hot Country Singles & Tracks charts, with three number one hits: "Five Minutes," "What Part of No" and "I Didn't Know My Own Strength".

In 1990, Morgan had her first number one single, "Five Minutes." Morgan's second album, Something in Red, was released in 1991 and went platinum. The same year, she married her third husband, Brad Thompson, Clint Black's bus driver. Watch Me, her third album, was released on RCA's newest label, BNA Records; it contained the number-one single, "What Part of No." Watch Me also was certified platinum, making Morgan the first female country artist to have three albums in a row to be certified platinum. Morgan's romantic life gained tabloid attention with Dallas Cowboys quarterback Troy Aikman. In 1994 she was voted "Female Vocalist of the Year" by the fans in TNN's Music City News Awards. She would earn this honor again in 1996, 1997 and 1998. Morgan also appeared on Frank Sinatra's Duets II album, singing a version of "How Do You Keep the Music Playing" intertwined with Sinatra's "My Funny Valentine." Morgan's Greatest Hits album, which produced her third and, to date, last number-one single in the song "I Didn't Know My Own Strength", was released in 1995. The next year, Morgan was featured on the Beach Boys' now out-of-print album, Stars and Stripes Vol. 1, performing a cover of their 1964 hit, "Don't Worry Baby." The Beach Boys provided the harmonies and backing vocals. Lorrie appeared on the 2006 album She Was Country When Country Wasn't Cool: A Tribute to Barbara Mandrell. Morgan's eleventh album A Moment in Time was released on October 27, 2009, on the Stroudavarious label. It features fourteen covers of traditional country songs. In December 2010, Morgan released her twelfth studio album I Walk Alone on iTunes and Amazon download. This was followed in 2014 by Dos Divas, a collaboration album with Pam Tillis. Morgan released a further solo album in 2016, Letting Go...Slow and a second duets album with Tillis in 2017, Come See Me and Come Lonely. CANNOTANSWER

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David William Donald Cameron (; born 9 October 1966) is a British politician who was Prime Minister of the United Kingdom from 2010 to 2016 and Leader of the Conservative Party from 2005 to 2016. He was Member of Parliament (MP) for Witney from 2001 to 2016. Cameron identifies as a One-Nation Conservative, and has been associated with both economically liberal and socially liberal policies. Born in London to wealthy upper middle-class parents, Cameron was educated at Heatherdown School, Eton College, and Brasenose College, Oxford.

Following the Labour victory in the May 2005 general election, Michael Howard announced his resignation as leader of the Conservative Party and set a lengthy timetable for the leadership election. Cameron announced on 29 September 2005 that he would be a candidate. Parliamentary colleagues supporting him included Boris Johnson, Shadow Chancellor George Osborne, Shadow Defence Secretary and deputy leader of the party Michael Ancram, Oliver Letwin and former party leader William Hague. His campaign did not gain wide support until his speech, delivered without notes, at the 2005 Conservative party conference. In the speech he vowed to make people "feel good about being Conservatives again" and said he wanted "to switch on a whole new generation." His speech was well-received; The Daily Telegraph said speaking without notes "showed a sureness and a confidence that is greatly to his credit". In the first ballot of Conservative MPs on 18 October 2005, Cameron came second, with 56 votes, slightly more than expected; David Davis had fewer than predicted at 62 votes; Liam Fox came third with 42 votes; and Kenneth Clarke was eliminated with 38 votes. In the second ballot on 20 October 2005, Cameron came first with 90 votes; David Davis was second, with 57; and Liam Fox was eliminated with 51 votes. All 198 Conservative MPs voted in both ballots. The next stage of the election process, between Davis and Cameron, was a vote open to the entire party membership. Cameron was elected with more than twice as many votes as Davis and more than half of all ballots issued; Cameron won 134,446 votes on a 78% turnout, to Davis's 64,398. Although Davis had initially been the favourite, it was widely acknowledged that his candidacy was marred by a disappointing conference speech. Cameron's election as the Leader of the Conservative Party and Leader of the Opposition was announced on 6 December 2005. As is customary for an Opposition leader not already a member, upon election Cameron became a member of the Privy Council, being formally approved to join on 14 December 2005, and sworn of the Council on 8 March 2006. CANNOTANSWER

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George Gideon Oliver Osborne  (born 23 May 1971) is a British Conservative Party politician, who was Member of Parliament (MP) for Tatton from June 2001 until he stood down on 3 May 2017. He served as Chancellor of the Exchequer under Prime Minister David Cameron from 2010 to 2016. He has been editor of the London Evening Standard since May 2017. Osborne worked briefly as a freelancer for The Daily Telegraph before joining the Conservative Research Department in 1994 and becoming head of its political section.

Osborne announced on 16 May that he would deliver a second Budget on 8 July, and promised action on tax avoidance by the rich by bringing in a "Google Tax" designed to discourage large companies diverting profits out of the UK to avoid tax. In addition, large companies would now have to publish their UK tax strategies; any large businesses that persistently engaged in aggressive tax planning would be subject to special measures. However, comments made by Osborne in 2003 on BBC2's Daily Politics programme then resurfaced; these regarded the avoidance of inheritance tax and using "clever financial products" to pass the value of homeowners' properties to their children, and were widely criticised by politicians and journalists as hypocritical. The second Budget also increased funding for the National Health Service, more apprenticeships, efforts to increase productivity and cuts to the welfare budget. In response, the Conservative-led Local Government Association, on behalf of 375 Conservative-, Labour- and Liberal Democrat-run councils, said that further austerity measures were "not an option" as they would "devastate" local services. They said that local councils had already had to make cuts of 40% since 2010 and couldn't make any more cuts without serious consequences for the most vulnerable. After the budget, many departments were told to work out the effect on services of spending cuts from 25% to 40% by 2019-20. This prompted fears that services the public takes for granted could be hit, and concern that the Conservative Party had not explained the policy clearly in its manifesto before the 2015 election. Osborne announced the introduction of a "National Living Wage" of PS7.20/hour, rising to PS9/hour by 2020, which would apply to those aged 25 or over. This was widely cheered by both Conservative MPs and political commentators. He also announced a raise in the income tax personal allowance to PS11,000; measures to introduce tax incentives for large corporations to create apprenticeships, aiming for 3 million new apprenticeships by 2020; and a cut in the benefits cap to PS23,000 in London and PS20,000 in the rest of the country. The July budget postponed the predicted arrival of a UK surplus from 2019 to 2020, and included an extra PS18 billion more borrowing for 2016-20 than planned for the same period in March. In the July Budget, Osborne also planned to cut tax credits, which top up pay for low-income workers, prompting claims that this represented a breach of promises made by colleagues before the general election in May. Following public opposition and a House of Lords vote against the changes, Osborne scrapped these changes in the 2015 Autumn Statement, saying that higher-than-expected tax receipts gave him more room for manoeuvre. The IFS noted that Osborne's proposals implied that tax credits would still be cut as part of the switch to Universal Credit in 2018. CANNOTANSWER

Using a quote from the above article, answer the following question: Was the public then satisfied?


White Lion was a Danish/American rock band that was formed in New York City in 1983 by Danish vocalist/guitarist Mike Tramp and American guitarist Vito Bratta. Mainly active in the 1980s and early 1990s, releasing their debut album Fight to Survive in 1985. The band achieved success with their No. 8 hit "Wait" and No. 3 hit "When the Children Cry" from their second album, the double platinum selling Pride. The band continued their success with their third album, Big Game which achieved Gold status and their fourth album Mane Attraction which included a supporting tour.

In August 1989, White Lion released their third album, Big Game, a musically eclectic follow-up to Pride that featured the single "Little Fighter" (which peaked at No. 52), in Memory of The Rainbow Warrior, a Greenpeace boat which was destroyed by the French. A cover of Golden Earring's "Radar Love" (which peaked at No. 59) was released as the second single and "Cry for Freedom" was released as the third single. "Going Home Tonight" was released as the album's final single. The album quickly went gold, with a peak of No. 19 on the album charts. The band's success continued with more constant touring. After two years of writing and recording, White Lion released their fourth album Mane Attraction in the spring of 1991. More of a "back to basics" album, centering on strong hooks and melodic hard rock, the album was received well by the fans. Tramp also changed his singing style on this disc, as he was no longer comfortable singing high. Unfortunately, the album failed to reach the top 20 like the last two albums, charting at No. 61 on The Billboard 200. It received little or no airplay due to the recent Grunge explosion. The album featured the singles "Love Don't Come Easy" which peaked at number 24 on The Mainstream Rock Charts, "Lights and Thunder" and a re-recorded version of the band's debut single "Broken Heart", all of which featured music videos. "Out with the Boys" was released as a rare promo single and "Farewell to You" featured a music video montage. The album also contained White Lion's only instrumental song, "Blue Monday", a tribute to Stevie Ray Vaughan, who had died while the band was writing for the album. "Till Death Do Us Part" has become popular in the Philippines, where most radio stations are playing that song. Greg D'Angelo and James LoMenzo left the band soon after the album's release, citing "musical differences," but White Lion carried on with bassist Tommy T-Bone Caradonna and drummer Jimmy DeGrasso (Megadeth, Alice Cooper, Suicidal Tendencies, Y&T, Fiona). CANNOTANSWER

Where did they tour?


Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman. "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest." The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd. Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday. Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments. In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star. In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio. "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism." That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938. After the theatrical successes of the Mercury Theatre, CBS Radio invited Orson Welles to create a summer show for 13 weeks. The series began July 11, 1938, initially titled First Person Singular, with the formula that Welles would play the lead in each show. Some months later the show was called The Mercury Theatre on the Air. The weekly hour-long show presented radio plays based on classic literary works, with original music composed and conducted by Bernard Herrmann. The Mercury Theatre's radio adaptation of The War of the Worlds by H. G. Wells October 30, 1938, brought Welles instant fame. The combination of the news bulletin form of the performance with the between-breaks dial spinning habits of listeners was later reported to have created widespread confusion among listeners who failed to hear the introduction, although the extent of this confusion has come into question. Panic was reportedly spread among listeners who believed the fictional news reports of a Martian invasion. The myth of the result created by the combination was reported as fact around the world and disparagingly mentioned by Adolf Hitler in a public speech. Welles's growing fame drew Hollywood offers, lures that the independent-minded Welles resisted at first. The Mercury Theatre on the Air, which had been a sustaining show (without sponsorship) was picked up by Campbell Soup and renamed The Campbell Playhouse. The Mercury Theatre on the Air made its last broadcast on December 4, 1938, and The Campbell Playhouse began five days later. Welles began commuting from California to New York for the two Sunday broadcasts of The Campbell Playhouse after signing a film contract with RKO Pictures in August 1939. In November 1939, production of the show moved from New York to Los Angeles. After 20 shows, Campbell began to exercise more creative control and had complete control over story selection. As his contract with Campbell came to an end, Welles chose not to sign on for another season. After the broadcast of March 31, 1940, Welles and Campbell parted amicably. CANNOTANSWER

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The Birthday Massacre (abbreviated TBM) is a Canadian band, formed in 1999 in London, Ontario, and currently based in Toronto, Ontario. The current lineup consists of lead vocalist Chibi, rhythm guitarist Rainbow, lead guitarist Falcore, drummer Rhim, keyboardist Owen, and bassist Nate Manor. When the band formed in 1999, they were known as Imagica. This name was inspired from the fantasy novel Imajica (1991) by Clive Barker.

On July 20, 2004, the Birthday Massacre again independently released an EP, Violet, and at the end of the year, re-released Nothing with new sleeve artwork. In the fall of 2004, Kai Schmidt, former member of electronic group Funker Vogt, signed the band to his label in Germany. They released a remastered and expanded LP version of Violet in Europe, including updated album art in a Digipak case. Adm left the band shortly before signing to Repo Records and can be seen in the original group photo on the nine song EP but is absent in the Digipak and LP version. In 2004, Brett Carruthers briefly joined the band on live keyboards. 2004 saw the band touring outside of Canada for the first time, playing the states of New York, Ohio, Indiana, Michigan, Illinois, Virginia, Pennsylvania and Maryland performing with American bands 51 Peg, Deadstar Assembly, Celldweller and Crossbreed. In 2005, the band signed to Metropolis Records and re-released Violet. In August, the band began a series of international tours taking them to Germany, Switzerland, Netherlands, Hungary, Czech Republic, Belgium, Spain and UK. Also in August the band released a DVD with the video for Blue by Dan Ouellette. Owen joined on keyboards first assuming the name Waffles, then O-en, then finally using his given name. Owen previously met the Birthday Massacre when playing in another band called Electric Knife Fight and joined just after the Blue filming was completed and therefore missed making an appearance in the video. On New Year's Eve the band performed in Los Angeles, California, at Bar Sinister. In early 2006, the Birthday Massacre toured North America, playing across Canada, the United States and Mexico on their "Broken Minds" tour sharing the stage with KMFDM, Schoolyard Heroes, Suicide City and the Start. They toured Europe again with bands Das Ich, Jesus on Extasy and Dope Stars Inc; playing in France, Italy, and Poland's Castle Party 2006. Through its European debut, Violet ranked high in the alternative charts. In several countries, the band made it onto the front pages of magazines; performing at some of Germany's largest music festivals, including the annual Highfeild and M'era Luna summer festivals. Also in 2006 the band recorded a remix of the song "Straight to Video" by Mindless Self Indulgence. Later in 2008, the band would record a second remix, this time of the song Never Wanted to Dance with the addition of Chibi's vocals. CANNOTANSWER

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James William Johnson (born July 16, 1943) is an American football broadcaster and former player, coach, and executive. He served as the head football coach at Oklahoma State University-Stillwater from 1979 to 1983 and the University of Miami from 1984 to 1988. Johnson then moved to the National Football League (NFL), serving as head coach of the Dallas Cowboys from 1989 to 1993, winning two Super Bowls with the team (both against the Buffalo Bills), and finally serving as head coach of the Miami Dolphins from 1996 to 1999. As of 2016, he is an analyst for Fox NFL Sunday, the Fox network's NFL pregame show for the NFL games.

In 1984, Johnson was hired by the University of Miami to replace former coach Howard Schnellenberger, who had won Miami's first national championship in 1983 and departed for the recently formed United States Football League. Johnson's hiring was met with an initial response of "Jimmy who?" by the fans and media. Johnson started with a shaky 8-5 record his first season, which included a game in which Johnson's Hurricanes blew a 31-0 halftime lead in a loss to Maryland with Frank Reich as its QB, and also included a 47-45 loss to Boston College immortalized by Doug Flutie's "Hail Mary" touchdown pass on the game's final play. But Johnson developed the Hurricanes into a football program that came to be known as "the Decade of Dominance". In his five years at Miami, Johnson compiled a 52-9 record, appeared in five New Year's Day bowl games, winning one national championship (1987) and losing one to the Penn State Nittany Lions (1986). Johnson created a free-wheeling atmosphere where he allowed, and at times encouraged, his players to showboat, trash-talk, and run up the score. He also brought the modern 4-3 defense predicated on athletic upfield linemen to the forefront. The criticism they received from other teams caused the media to deem them the "Bad Boys of College Football", a moniker Johnson openly accepted. Johnson's Hurricanes posted the school's first undefeated regular season in 1986, only to lose the Fiesta Bowl and the national championship to #2-ranked Penn State. The loss, along with losses in Miami's prior two bowl games, began to raise questions about whether Johnson was capable of winning major games. In the ensuing 1987 season, however, the Hurricanes went undefeated in the regular season yet again, and won the school's second national title by defeating Oklahoma for the third season in a row. Johnson also created controversy by allowing the University of Miami to retire Vinny Testaverde's football jersey number #14, but refusing to retire Bernie Kosar's number #20, though Kosar played one season for Johnson and led the Hurricanes to the national title (though that did not come under Johnson). Johnson's reason for not retiring Kosar's number was, "Bernie didn't finish the program here (at Miami)." Kosar graduated with honors a year ahead of his freshman class in 1985 with a dual major in finance and economics and subsequently entered the NFL's supplemental draft. Testaverde won the school's first Heisman Trophy award in December 1986 and was the first player selected in the 1987 NFL Draft. However, Johnson later reached out and signed Kosar, who was thrown out by the Cleveland Browns during the 1993 NFL season, to be the Cowboys backup to Troy Aikman, playing during the Cowboys 1993 Super Bowl run and clinched the NFC Championship game, earning a Super Bowl ring. Johnson was inducted into the University of Miami Sports Hall of Fame in 1996. In May 2012, Johnson was inducted into the College Football Hall of Fame. CANNOTANSWER

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Soul Asylum is an American alternative rock band formed in 1981 in Minneapolis, Minnesota. The band began using their official name in 1983. The band originally formed in 1981 under the name Loud Fast Rules, with a lineup consisting of Dave Pirner, Dan Murphy, Karl Mueller, and Pat Morley. Morley was replaced by Grant Young in 1984.

The group signed with A&M Records in 1988. Their first offering on that label was Clam Dip & Other Delights (1989), the title and cover art being a parody of Whipped Cream & Other Delights, by A&M Records co-founder Herb Alpert. Hang Time was released in 1988, followed by And the Horse They Rode In On in 1990 (produced by X-pensive Winos drummer Steve Jordan). Because of poor sales and Pirner's hearing problems, the group considered disbanding. After playing a series of acoustic shows in the early 1990s, they were picked up by Columbia Records. In 1992 they released Grave Dancers Union, which became their most popular album. On January 20, 1993, the group performed at the first inauguration of United States President Bill Clinton. Later that year, the band performed "Sexual Healing" for the AIDS benefit album No Alternative, produced by the Red Hot Organization. The band added keyboard player Joey Huffman in the summer of 1993. He toured with the band until joining Matchbox Twenty in 1998. Huffman played on the albums Let Your Dim Light Shine, After the Flood: Live from the Grand Forks Prom, June 28, 1997, and The Silver Lining. Soul Asylum won the 1994 Grammy Award for Best Rock Song for "Runaway Train". The music video for that song featured photographs and names of missing children, in the style of a public service announcement. At the end of the video, Pirner appeared and said, "If you've seen one of these kids, or you are one of them, please call this number", and then the telephone number of a missing children's help line was shown. For use outside the U.S., the video was edited to include photos and names of missing children from the area where the video would be shown. The video was instrumental in reuniting several children with their families. Before their next studio album, drummer Grant Young was fired and was replaced by Sterling Campbell. Campbell had been credited as providing percussion on Grave Dancers Union (although he had actually done at least half of the drumming on that album). The next release, Let Your Dim Light Shine, included the track "Misery", which reached the Top 20, but the album was not as successful as the band's previous one. In 1997 Soul Asylum performed a benefit concert for North Dakota students whose prom had been cancelled because of the Red River Flood of 1997. Some of the songs played during the prom were later released on After the Flood: Live from the Grand Forks Prom, June 28, 1997 in 2004. The group released Candy from a Stranger the following year. The album was unsuccessful, and the band was dropped by Columbia Records. Pirner said, "It's sort of sad to say, but you could see the whole grunge-rock-band thing getting totally over-saturated and people were looking for something new." The band took a step back; Pirner explained, "We needed to reassess how far we've gone and how much further we're going to go and which way we want to go and what we do right and what we do wrong. It was kind of time to take inventory." CANNOTANSWER

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Jose Julio Sarria also known as The Grand Mere, Absolute Empress I de San Francisco, and the Widow Norton (December 13, 1922 - August 19, 2013) was an American political activist from San Francisco, California, who in 1961 became the first openly gay candidate for public office in the United States. He is also remembered for performing as a drag queen at the Black Cat Bar and as the founder of the Imperial Court System. Jose Sarria was born to Julio Sarria and Maria Dolores Maldonado.

With the demise of the Black Cat, Sarria helped found the Society for Individual Rights (SIR) in 1963. SIR grew out of a split between Sarria and Strait over the direction that LCE was heading. Strait and his supporters wanted to focus more on publishing the group's newsletter, while Sarria and his backers wanted to maintain focus on street-level organizing. SIR sponsored both social and political functions, including bowling leagues, bridge clubs, voter registration drives and "Candidates' Nights" and published its own magazine, Vector. In association with the Tavern Guild, SIR printed and distributed "Pocket Lawyers". These pocket-sized guides offered advice on what to do if arrested or harassed by police. SIR lasted for 17 years. Crowned Queen of the Beaux Arts Ball in 1964 by the Tavern Guild, Sarria, stating that he was "already a queen", proclaimed himself "Her Royal Majesty, Empress of San Francisco, Jose I, The Widow Norton". Sarria devised the name "Widow Norton" as a reference to the much-celebrated citizen of 19th century San Francisco, Joshua Norton, who had declared himself Emperor of the United States and Protector of Mexico in 1859. Sarria organized elaborate annual pilgrimages to lay flowers on Norton's grave in the Woodlawn Cemetery in Colma, California. He purchased a plot adjacent to Norton's where he is now interred. Sarria's assumption of the title of Empress led to the establishment of the Imperial Court System, a network of non-profit charitable organizations throughout the United States, Canada, and Mexico that raises money for various beneficiaries. Sarria is much revered within the hierarchy of the Imperial Court System and is affectionately and informally known as "Mama" or "Mama Jose" among Imperial Court members. The "Jose Honors Awards" are presented to Imperial Court dignitaries and others in a bi-annual banquet held in Sarria's honor. CANNOTANSWERAnswer this question using a quote from the following article:

Who is Jose I


Charles Dillon Stengel was born on July 30, 1890, in Kansas City, Missouri. His ancestry involves German and Irish; his parents--Louis Stengel and Jennie (Wolff) Stengel--were from the Quad Cities area of Illinois and Iowa, and had moved to Kansas City soon after their 1886 wedding so Louis could take an insurance job. "Charlie" was the youngest of three children, and the second son. Charlie Stengel played sandlot baseball as a child, and also played baseball, football and basketball at Kansas City's Central High School.

Stengel thought the 1943 season would be his last in baseball; Edna urged him to look after the family business interests full-time, and Casey, who had always been an athlete, was reluctant to show himself at a baseball stadium with the imperfectly-healed injury. But early in the 1944 season, the minor-league Milwaukee Brewers had a managing vacancy to fill, as the Chicago Cubs had hired away the Brewer manager, Charlie Grimm, who had played with Stengel on the 1919 Pirates. Grimm told the Cubs he was obliged to see the Brewers had a competent replacement, and urged the Brewers to hire Stengel. The team owner, Bill Veeck, stationed with the Marines on Guadalcanal, thought ill of Stengel as a manager, and was very reluctant in his consent when reached by cable. Stengel was adept at fostering good relations with reporters, and the very talented team continued to win; by the end of May, Veeck had withdrawn his objections. The team won the American Association pennant, but lost in the playoffs to Louisville. Veeck, having returned to the United States, offered to rehire Stengel for 1945, but Stengel preferred another offer he received. This was from George Weiss of the New York Yankees, to manage the team Stengel had begun with, the Kansas City Blues, by then a Yankee farm club. Kansas City had finished last in the American Association as Milwaukee won the pennant, making it something of a comedown for Stengel, who hoped to return to the major leagues. Nevertheless, it was in his old home town, allowing him to see friends and relations, and he took the job. The Blues finished seventh in the eight-team league in 1945. Although there was no major league managing vacancy Stengel could aspire to, the Oakland Oaks of the Pacific Coast League had fired their manager, and approached Stengel. The baseball played in the PCL was close to major league level, and the league featured many aging big leaguers finishing their careers. Also attractive to Stengel was that the league had three teams in Southern California, allowing him to spend more time at his home in Glendale. To that time, the club had won only one pennant, and was something of a weak sister to its crossbay rivals, the San Francisco Seals, but owner Brick Laws believed Stengel could mold the players into a winning team. The Oaks finished second in the league behind the Seals in 1946, winning the first round of the playoffs against Los Angeles before losing to San Francisco in the finals. They finished fourth in 1947, beating San Francisco in the first round before losing to Los Angeles. Stengel managed the Oaks for a third year in 1948, with the roster heavy with former major leaguers. Among the younger players on the team was 20-year-old shortstop Billy Martin. Stengel was impressed by Martin's fielding, baseball acuity, and, when there were brawls on the field, fighting ability. The Oaks clinched the pennant on September 26, and defeated Los Angeles and the Seattle Rainiers to win the Governors' Cup. The Sporting News named Stengel the Minor League Manager of the Year. CANNOTANSWER

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Background: Constantin G. Stere or Constantin Sterea (Romanian; Russian: Konstantin Egorovich Stere, Konstantin Yegorovich Stere or Konstantin Georgievich Stere, Konstantin Georgiyevich Stere; also known under his pen name Sarcaleanu; June 1, 1865 - June 26, 1936) was a Romanian writer, jurist, politician, ideologue of the Poporanist trend, and, in March 1906, co-founder (together with Garabet Ibraileanu and Paul Bujor -- the latter was afterwards replaced by the physician Ioan Cantacuzino) of the literary magazine Viata Romaneasca.
Context: He was born in Horodiste, Soroca County, to a family of boyar origins from Ciripcau, Bessarabia -- which was part of the Russian Empire at the time. Stere was one of the three sons of an ethnic Romanian couple of Russian citizens: Gheorghe or Iorgu Stere (known as Yegor Stepanovich Stere, Egor Stepanovich Stere in Russian), a landowner whose family was originally from Botosani County in the Romanian part of Moldavia, and Pulcheria (Pulkeriia), a member of the impoverished gentry in Bessarabia. He spent most of his early years, until the age of eight, in Ciripcau, where the family manor was located. Around 1874, he graduated from a Chisinau private school where classes were taught German, and entered the school for dvoryane in the city, where he became close friends with Alexandru Grosu and Lev Matveyevich Kogan-Bernstein (who were the basis for the characters Sasa Lungu and Moise Roitman in Stere's novel). It was also around this time that he became acquainted with progressive, utopian socialist, and Darwinist ideas (notably reading the works of Nikolai Chernyshevsky, Alexander Herzen, Charles Darwin, Karl Marx, Mikhail Bakunin, Ferdinand Lassalle, and Peter Lavrovich Lavrov). Stere later indicated that, before the late 1870s, he could not spell the Romanian alphabet, which had just been adopted over the border (see Romanian Cyrillic alphabet), and had to rely on a few books smuggled into Bessarabia for getting a sense of literary Romanian. While still students, Stere and Kogan-Bernstein engaged in revolutionary politics as socialists and Narodniks, initiating a conspirative "self-instruction" cell of six inside their school. The group was affiliated with Narodnaya Volya, and Stere was responsible for multiplying and distributing locally the manifesto issued by the latter after it had assassinated Emperor Alexander II. This was also the first moment when Stere declared his opposition to a Social democratic program, a Narodnik-inspired objection which would later form one of the tenets of his doctrine. He was first arrested in late 1883, after Okhrana units decapitated the Bessarabian wing of the Narodnaya Volya. Detained in Odessa (during which time he read intensely), Stere was frequently visited by Maria Grosu, the sister of Alexandru, who had fallen in love with him -- a Narodnik and a feminist, she asked Stere for a marriage of convenience that was meant to help her become free from parental tutelage (according to the laws of the Russian Empire, unmarried women were under their father's protection). Stere agreed, and they were married in the prison chapel (1885). CANNOTANSWER
Question: DID STERE HAVE A WIFE?

Answer: