Status Quo are an English rock band who play a brand of boogie rock. The group originated in The Spectres, founded by schoolboys Francis Rossi and Alan Lancaster in 1962. After a number of lineup changes, which included the introduction of Rick Parfitt in 1967, the band became The Status Quo in 1967 and Status Quo in 1969. They have had over 60 chart hits in the UK, more than any other rock band, including "Pictures of Matchstick Men" in 1968, "Whatever You Want" in 1979 and

Status Quo was formed in 1962 under the name "The Scorpions" by Francis Rossi and Alan Lancaster at Sedgehill Comprehensive School, Catford, along with classmates Jess Jaworski (keyboards) and Alan Key (drums). Rossi and Lancaster played their first gig at the Samuel Jones Sports Club in Dulwich, London. In 1963, Key was replaced by John Coghlan and the band changed name to "The Spectres". In 1965, when Rossi, Lancaster, and Jaworski had reached the end of their school education, Jaworski opted to leave the band, and was replaced by Roy Lynes. They began writing their own material and later that year met Rick Parfitt who was playing with a cabaret band called The Highlights. By the end of 1965, Rossi and Parfitt, who had become close friends, made a commitment to continue working together. On 18 July 1966, The Spectres signed a five-year deal with Piccadilly Records, releasing two singles that year, "I (Who Have Nothing)" and "Hurdy Gurdy Man" (written by Alan Lancaster), and one the next year called "(We Ain't Got) Nothin' Yet" (a song originally recorded by New York psychedelic band The Blues Magoos). All three singles failed to make an impact on the charts. By 1967, the group had discovered psychedelia and named themselves Traffic, but were soon forced to change it to "Traffic Jam" to avoid confusion with Steve Winwood's Traffic, following an argument over who had registered the name first. The band secured an appearance on BBC Radio's Saturday Club, but in June their next single, "Almost But Not Quite There", underperformed. The following month saw Parfitt, at the request of manager Pat Barlow, joining the band as rhythm guitarist and vocalist. Shortly after Parfitt's recruitment, in August 1967, the band officially became The Status Quo. CANNOTANSWER

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Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWER


Background: James William Johnson (born July 16, 1943) is an American football broadcaster and former player, coach, and executive. He served as the head football coach at Oklahoma State University-Stillwater from 1979 to 1983 and the University of Miami from 1984 to 1988. Johnson then moved to the National Football League (NFL), serving as head coach of the Dallas Cowboys from 1989 to 1993, winning two Super Bowls with the team (both against the Buffalo Bills), and finally serving as head coach of the Miami Dolphins from 1996 to 1999. As of 2016, he is an analyst for Fox NFL Sunday, the Fox network's NFL pregame show for the NFL games.
Context: Johnson began as an assistant coach at Louisiana Tech University in 1965. During this time, Phil Robertson of Duck Dynasty fame was the starting quarterback, and Jimmy helped recruit high school quarterback Terry Bradshaw from nearby Shreveport, Louisiana. He then became an assistant coach at Picayune Memorial High School in Picayune, Mississippi, in 1966. In 1967, he was an assistant at Wichita State University, then in 1968 and 1969, he served under Johnny Majors at Iowa State University in Ames. In 1970, he moved on to another Big Eight Conference school to become a defensive line coach at the University of Oklahoma, working under head coach Chuck Fairbanks and alongside future rivals Barry Switzer and Jim Dickey. In 1973, he returned to Arkansas, where he served as defensive coordinator through the 1976 season. There, he coached such players as Brison Manor and Dirt Winston. Johnson had hopes of being named head coach when Broyles retired, but was passed over for Lou Holtz. Holtz offered to retain Johnson on his staff, but he decided to move on and amicably parted company with his alma mater. Johnson became assistant head coach and defensive coordinator at the University of Pittsburgh under Jackie Sherrill in 1977 and 1978. There, he coached Randy Holloway, David Logan, Al Chesley, J. C. Wilson, and Hugh Green, and was introduced to a Pitt alumnus and assistant coach Dave Wannstedt, who later teamed up with Johnson again at the University of Miami, the Cowboys, and the Dolphins. In 1979, Johnson became head coach at Oklahoma State. Johnson coached for five seasons at Oklahoma State, from 1979 to 1983, before taking the head coaching job at the University of Miami. Johnson interviewed for the head coaching job at Arkansas when Lou Holtz left following the 1983 season, then later found out Ken Hatfield had already been hired. Upset that Frank Broyles (who was still the Arkansas athletic director) made no mention of this during the interview, Jimmy distanced himself from his alma mater. As payback for the snub, a home-and-home series was scheduled with Arkansas. In 1987, Miami gave Arkansas its worst home loss ever at the time, 51-7. CANNOTANSWER
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Background: Sharon was born to Pablo Cuneta (1911-1999), a former Mayor of Pasay who was the longest-serving mayor in the Philippines from 1951 to 1998, and Elaine Gamboa (1934 - 2014), a sister of actress and singer Helen Gamboa. She was born on January 6, 1966 at Our Lady of Lourdes Hospital in Santa Mesa, Manila. She has lived most of her early years in Dasmarinas Village, Makati. Cuneta grew up surrounded by music, listening to her dad's record collection.
Context: In 1981, Contrary to popular notion, Cuneta's first film was not produced by Viva Films but by a production outfit known as Sining Silangan. Director Danny Zialcita was selected to direct the film; part of his job was also to convince the Cuneta household to allow Sharon to jump into acting. Almers De Luna, a member of the group Sharon's Angels, revealed that the Cunetas asked for a P220,000-talent fee, which at the time was a large amount for a newcomer. To the disbelief of Sharon's parents, Sining Silangan agreed to pay the sum without reservation. Cuneta starred in her very first feature film entitled, Dear Heart. She was paired with then Close-Up model and Regal Films' 1980s heartthrob, Gabby Concepcion. Dear Heart was successful and paved the way for future collaborations. Due to the commercial success of Dear Heart, a sequel was made. Since Sining Silangan didn't have the means to create an immediate follow up film, Pablo Cuneta collaborated with Vic Del Rosario and established Viva Films. On November 12, 1981, Viva Films released its first feature film, P.S. I Love You, starring Cuneta and Concepcion. The film was a box office success and was followed by another Sharon-Gabby collaboration, My Only Love (1982). Cuneta was also paired with other leading men, with the likes of William Martinez (in Forgive and Forget), Rowell Santiago (in Cross My Heart and Friends in Love) and Miguel Rodriguez (in To Love Again) from 1982-83, which made her the Ms. RP Movies for the years mentioned. She continued hosting the noontime show, Germspesyal, later called GMA Supershow, with German Moreno. She released albums such as PS I Love You (1981), Sixteen (1982) and Sharon & Love (1983). CANNOTANSWER
Question: Who else did she work with?

Answer:


Sandra Day O'Connor (born March 26, 1930) is a retired Associate Justice of the Supreme Court of the United States, serving from her appointment in 1981 by Ronald Reagan to 2006. She is the first woman to serve on the Court. Prior to O'Connor's tenure on the Court, she was an elected official and judge in Arizona serving as the first female Majority Leader of a state senate as the Republican leader in the Arizona Senate. Upon her nomination to the Court, O'Connor was confirmed unanimously by the Senate.

In the 1990 and 1995 Missouri v. Jenkins rulings, O'Connor voted with the majority that district courts had no authority to require the state of Missouri to increase school funding in order to counteract racial inequality. In the 1991 Freeman v. Pitts case, O'Connor joined a concurring opinion in a plurality, agreeing that a school district that had formerly been under judicial review for racial segregation could be freed of this review, even though not all desegregation targets had been met. Law professor Herman Schwartz criticized these rulings, writing that in both cases "both the fact and effects of segregation were still present." In 1987's McCleskey v. Kemp, O'Connor joined a 5-4 majority that voted to uphold the death penalty for an African American man, Warren McCleskey, convicted of killing a white police officer, despite statistical evidence that black defendants were more likely to receive the death penalty than others both in Georgia and in the U.S. as a whole. In 1996's Shaw v. Hunt and Shaw v. Reno, O'Connor joined a Rehnquist opinion, following an earlier precedent from an opinion she authored in 1993, in which the Court struck down an electoral districting plan designed to facilitate the election of two black representatives out of twelve from North Carolina, a state that had not had any black representative since Reconstruction, despite being approximately 20% black--the Court held that the districts were unacceptably gerrymandered and O'Connor called the odd shape of the district in question, North Carolina's 12th, "bizarre". Law Professor Herman Schwartz called O'Connor "the Court's leader in its assault on racially oriented affirmative action," although she joined with the Court in upholding the constitutionality of race-based admissions to universities. In late 2008, O'Connor said she believed racial affirmative action should continue to help heal the inequalities created by racial discrimination. She stressed this would not be a cure-all but rather a bandage and that society has to do much more to correct our racial imbalance. In 2003 Justice O'Connor authored a majority Supreme Court opinion (Grutter v. Bollinger) saying racial affirmative action wouldn't be constitutional permanently but long enough to correct past discrimination - an approximation limit of around 25 years, or until 2028. CANNOTANSWER

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Did she work on any other death penalty cases?


Background: Cornelius Vanderbilt (May 27, 1794 - January 4, 1877), also known informally as "Commodore Vanderbilt", was an American business magnate and philanthropist who built his wealth in railroads and shipping. Born poor and having only a mediocre education, Vanderbilt used perseverance, intelligence, and luck to work his way into leadership positions in the inland water trade and invest in the rapidly growing railroad industry. He is known for owning the New York Central Railroad. As one of the richest Americans in history and wealthiest figures overall, Vanderbilt was the patriarch of a wealthy, influential family.
Context: After Thomas Gibbons died in 1826, Vanderbilt worked for Gibbons' son William until 1829. Though he had always run his own businesses on the side, he now worked entirely for himself. Step by step, he started lines between New York and the surrounding region. First he took over Gibbons' ferry to New Jersey, then switched to western Long Island Sound. In 1831, he took over his brother Jacob's line to Peekskill, New York, on the lower Hudson River. That year he faced opposition by a steamboat operated by Daniel Drew, who forced Vanderbilt to buy him out. Impressed, Vanderbilt became a secret partner with Drew for the next thirty years, so that the two men would have an incentive to avoid competing with each other. On November 8, 1833, Vanderbilt was nearly killed in the Hightstown rail accident on the Camden and Amboy Railroad in New Jersey. Also on the train was former president John Quincy Adams. In 1834, Vanderbilt competed on the Hudson River against the Hudson River Steamboat Association, a steamboat monopoly between New York City and Albany. Using the name "The People's Line," he used the populist language associated with Democratic president Andrew Jackson to get popular support for his business. At the end of the year, the monopoly paid him a large amount to stop competing, and he switched his operations to Long Island Sound. During the 1830s, textile mills were built in large numbers in New England as the United States developed its manufacturing base. They processed cotton from the Deep South, so were directly tied to the slave societies. Some of the first railroads in the United States were built from Boston to Long Island Sound, to connect with steamboats that ran to New York. By the end of the decade, Vanderbilt dominated the steamboat business on the Sound, and began to take over management of the connecting railroads. In the 1840s, he launched a campaign to take over the most attractive of these lines, the New York, Providence and Boston Railroad, popularly known as the Stonington. By cutting fares on competing lines, Vanderbilt drove down the Stonington stock price, and took over the presidency of the company in 1847. It was the first of the many railroads he would head. During these years, Vanderbilt also operated many other businesses. He bought large amounts of real estate in Manhattan and Staten Island, and took over the Staten Island Ferry in 1838. It was in the 1830s when he was first referred to as "commodore," then the highest rank in the United States Navy. A common nickname for important steamboat entrepreneurs, by the end of the 1840s, only Vanderbilt was referred to by this nickname. CANNOTANSWER
Question: did he get along with Gibbon's son William?. Whats the answer?


Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman. "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest." The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd. Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday. Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments. In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star. In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio. "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism." That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938. After the theatrical successes of the Mercury Theatre, CBS Radio invited Orson Welles to create a summer show for 13 weeks. The series began July 11, 1938, initially titled First Person Singular, with the formula that Welles would play the lead in each show. Some months later the show was called The Mercury Theatre on the Air. The weekly hour-long show presented radio plays based on classic literary works, with original music composed and conducted by Bernard Herrmann. The Mercury Theatre's radio adaptation of The War of the Worlds by H. G. Wells October 30, 1938, brought Welles instant fame. The combination of the news bulletin form of the performance with the between-breaks dial spinning habits of listeners was later reported to have created widespread confusion among listeners who failed to hear the introduction, although the extent of this confusion has come into question. Panic was reportedly spread among listeners who believed the fictional news reports of a Martian invasion. The myth of the result created by the combination was reported as fact around the world and disparagingly mentioned by Adolf Hitler in a public speech. Welles's growing fame drew Hollywood offers, lures that the independent-minded Welles resisted at first. The Mercury Theatre on the Air, which had been a sustaining show (without sponsorship) was picked up by Campbell Soup and renamed The Campbell Playhouse. The Mercury Theatre on the Air made its last broadcast on December 4, 1938, and The Campbell Playhouse began five days later. Welles began commuting from California to New York for the two Sunday broadcasts of The Campbell Playhouse after signing a film contract with RKO Pictures in August 1939. In November 1939, production of the show moved from New York to Los Angeles. After 20 shows, Campbell began to exercise more creative control and had complete control over story selection. As his contract with Campbell came to an end, Welles chose not to sign on for another season. After the broadcast of March 31, 1940, Welles and Campbell parted amicably. CANNOTANSWER

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The first Catholic Bishop of New South Wales, Australia, John Bede Polding, met Pugin and was present when St Chad's Cathedral, Birmingham and St Giles' Catholic Church, Cheadle were officially opened. Polding persuaded Pugin to design a series of churches for him. Although a number of churches do not survive, St Francis Xavier's in Berrima, New South Wales is regarded as a fine example of a Pugin church. St Stephen's Chapel, now in the cathedral grounds in Elizabeth Street, Brisbane, was built to a design of A.W.N. Pugin. Construction began in 1848, and the first mass in the church was celebrated on 12 May 1850. In 1859 James Quinn was appointed Bishop of Brisbane, Brisbane becoming a diocese, and Pugin's small church became a cathedral. When the new cathedral of St Stephen was opened in 1874 the small Pugin church became a school room, and later church offices and storage room. It was several times threatened with demolition before its restoration in the 1990s. In Sydney, there are several altered examples of his work, namely St Benedict's, Chippendale; St Charles Borromeo, Ryde; the former church of St Augustine of Hippo (next to the existing church), Balmain; and St Patrick's Cathedral, Parramatta, which was gutted by a fire in 1996 Pugin's legacy in Australia, is particularly of the idea of what a church should look like: Pugin's notion was that Gothic was Christian and Christian was Gothic ... It became the way people built churches and perceived churches should be. Even today if you ask someone what a church should look like, they'll describe a Gothic building with pointed windows and arches. Right across Australia, from outback towns with tiny churches made out of corrugated iron with a little pointed door and pointed windows, to our very greatest cathedrals, you have buildings which are directly related to Pugin's ideas. After his death Pugin's two sons, E. W. Pugin and Peter Paul Pugin, continued operating their father's architectural firm under the name Pugin & Pugin. This work includes most of the "Pugin" buildings in Australia and New Zealand. CANNOTANSWER

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The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.

The Goon Show has been variously described as "avant-garde", "surrealist", "abstract", and "four dimensional". The show paved the way for surreal and alternative humour, as acknowledged by comedians such as Eddie Izzard. The surreality was part of the attraction for Sellers, and this exacerbated his mental instability especially during the third series. Many of the sequences have been cited as being visionary in the way that they challenged the traditional conventions of comedy. In the Pythons' autobiography, Terry Jones states "The Goons of course were my favourite. It was the surreality of the imagery and the speed of the comedy that I loved - the way they broke up the conventions of radio and played with the very nature of the medium." This is reiterated by Michael Palin and John Cleese in their contributions to Ventham's (2002) book. Cleese recalls listening to The Goon Show as a teenager in the mid-1950s "and being absolutely amazed by its surreal humour. It came at a key stage in my own development and I never missed a show". Additionally, Milligan played games with the medium itself. Whole scenes were written in which characters would leave, close the door behind themselves, yet still be inside the room. Further to this, characters would announce their departure, slam a door, but it would be another character who had left the room. That character would then beat on the door for re-admittance, the door would open and close and again the wrong character would be locked out. CANNOTANSWER

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Background: Joseph Raymond McCarthy (November 14, 1908 - May 2, 1957) was an American politician who served as U.S. Senator from the state of Wisconsin from 1947 until his death in 1957. Beginning in 1950, McCarthy became the most visible public face of a period in the United States in which Cold War tensions fueled fears of widespread Communist subversion. He is known for alleging that numerous Communists and Soviet spies and sympathizers had infiltrated the United States federal government, universities, film industry, and elsewhere. Ultimately, the smear tactics that he used led him to be censured by the U.S. Senate.
Context: One of the strongest bases of anti-Communist sentiment in the United States was the Catholic community, which constituted over 20% of the national vote. McCarthy identified himself as Catholic, and although the great majority of Catholics were Democrats, as his fame as a leading anti-Communist grew, he became popular in Catholic communities across the country, with strong support from many leading Catholics, diocesan newspapers, and Catholic journals. At the same time, some Catholics did oppose McCarthy, notably the anti-Communist author Father John Francis Cronin and the influential journal Commonweal. McCarthy established a bond with the powerful Kennedy family, which had high visibility among Catholics. McCarthy became a close friend of Joseph P. Kennedy Sr., himself a fervent anti-Communist, and was a frequent guest at the Kennedy compound in Hyannis Port. He dated two of Kennedy's daughters, Patricia and Eunice. It has been stated that McCarthy was godfather to Robert F. Kennedy's first child, Kathleen Kennedy. This claim has been acknowledged by Robert's wife and Kathleen's mother Ethel, though Kathleen later claimed that she looked at her christening certificate and that her actual godfather was Manhattanville College of the Sacred Heart professor Daniel Walsh. Robert Kennedy was chosen by McCarthy as a counsel for his investigatory committee, but resigned after six months due to disagreements with McCarthy and Committee Counsel Roy Marcus Cohn. Joseph Kennedy had a national network of contacts and became a vocal supporter, building McCarthy's popularity among Catholics and making sizable contributions to McCarthy's campaigns. The Kennedy patriarch hoped that one of his sons would be president. Mindful of the anti-Catholic prejudice Al Smith faced during his 1928 campaign for that office, Joseph Kennedy supported McCarthy as a national Catholic politician who might pave the way for a younger Kennedy's presidential candidacy. Unlike many Democrats, John F. Kennedy, who served in the Senate with McCarthy from 1953 until the latter's death in 1957, never attacked McCarthy. McCarthy had refused to campaign for Kennedy's 1952 opponent, Republican incumbent Henry Cabot Lodge Jr., due to his friendship with the Kennedys. When a speaker at a February 1952 final club dinner stated that he was glad McCarthy had not attended Harvard College, an angry Kennedy jumped up, denounced the speaker, and left the event. Asked by Arthur M. Schlesinger Jr. why he avoided criticism of McCarthy, Kennedy said, "Hell, half my voters in Massachusetts look on McCarthy as a hero." CANNOTANSWER
Question: What was the aftermath of that?. Whats the answer?


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The Mamas & the Papas were an American folk rock vocal group who recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971 to record the album People Like Us but did not perform outside their recording studio at that time. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips nee Gilliam. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.

After completing their brief East coast tour, the group started work immediately on its third album, The Mamas & The Papas Deliver, which was recorded in the autumn of 1966. The first single from the album, "Look Through My Window", was released in September 1966 (before the last single from The Mamas and the Papas). It reached number twenty-four in the US, but did not chart in the UK. The second single, "Dedicated to the One I Love" (February 1967), did much better, peaking at number two in both the US and the UK. That success helped the album, also released in February 1967, reach number two in the US and number four in the UK. The third single, "Creeque Alley" (April 1967), chronicled the band's early history. It peaked at number five in the US and number nine in the UK. The strain on the group was apparent when they performed indifferently at the first Monterey International Pop Festival in June 1967, as can be heard on Historic Performances Recorded at the Monterey International Pop Festival (1970). The band was badly under-rehearsed - partly because John and Michelle Phillips and Lou Adler were preoccupied with organizing the festival, partly because Doherty arrived at the last minute from another sojourn in the Virgin Islands, and partly, it is said, because he was drinking heavily in the aftermath of his affair with Michelle Phillips. They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener), which both John and Michelle Phillips would remember as the apex of the band's career: "There would never be anything quite like it again." Deliver was followed in October 1967 by the non-album single "Glad to Be Unhappy", which reached number twenty-six in the US. "Dancing Bear" from the group's second album was released as a single in November. It peaked at number fifty-one in the US. Neither of these singles charted in the UK. CANNOTANSWER

Did they start to practice more together after that?


Psylocke (Elizabeth "Betsy" Braddock) is a fictional superheroine appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by writer Chris Claremont and artist Herb Trimpe in 1976, she first appeared in the Marvel UK series Captain Britain. Betsy was initially a supporting character in the adventures of her twin brother, Captain Britain, even briefly substituting for him in the role, before becoming the mutant superheroine and X-Men member Psylocke in 1986. Originally presented as a precognitive in the pages of Captain Britain and then as a telepath, the character eventually had her mind placed in the body of a Japanese female ninja known as Kwannon, gaining many of Kwannon's martial arts skills and elements of her personality.

One year after her death, Betsy awoke where she had died, unaware of how she had survived, and was soon reunited with the X-Men, helping them against the Saurian Hauk'ka, and Mojo and Spiral. Jamie started to covertly observe his resurrected sister, allowing her to catch occasional glimpses of him. Betsy was reunited with Brian during the Scarlet Witch's "House of M" reality storm. When the timeline was set right, the memories of their encounter took on a dreamlike state, prompting Betsy and several of the X-Men to visit London to check on Brian's status. Back in the USA, Betsy and the X-Men failed to stop Shi'ar Death Commandos from slaughtering the Grey family, targeted for death because of their relationship to Phoenix, but helped defeat them before they could kill Rachel Grey. With the First Fallen's servants, the Foursaken, about to make their move, Jamie revealed his part in Betsy's resurrection to the X-Men: sensing the approaching threat of the cosmically powerful First Fallen (a harbinger of frozen, eternal "perfection") and learning of Betsy's demise, an annoyed Jamie resurrected her, reaching back through time to stop her spirit passing into the afterlife. Intending her to be a weapon to use against the First Fallen, Jamie tightened up the "quantum strings" of Betsy's body, rendering her mostly immune to external manipulation, enhancing her telekinetic powers, and leaving her invisible to the First Fallen's senses. Jamie was abducted by the Foursaken before he could fully inform them of the imminent threat; trying to rescue him, the X-Men were easily captured, except Betsy, who found herself invisible to the Foursaken's senses. Disrupting their attempt to give the First Fallen full access to Earth, Betsy and the X-Men were pulled into his realm, the Singing City, where Betsy's immunity to his mental control allowed her to free the City's residents, including the Foursaken, from his dominance. As a wrathful First Fallen turned on them, Jamie sent the X-Men home while he held the entity back, apparently sacrificing himself. Returning to the UK to tell Brian of Jamie's fate, Betsy learned that Shadow Xavier, leader of the Shadow X-Men, had taken over the minds of his jailors in Crossmore Prison, and was demanding to see her. Accompanied by Excalibur, Betsy visited the prison, where Xavier revealed his true identity as the Shadow King, and tried to take revenge, having Excalibur attack Brian so that Betsy could witness his death; however, immune to his control, Betsy telekinetically induced a stroke in Xavier's body, freeing Excalibur. Before she could finish him off, Psylocke was interdimensionally teleported to the Crystal Palace at the Nexus of All Realities. CANNOTANSWER

Answer the following question by taking a quote from the article: what was notable about her resuurection?


Berra was called up to the Yankees and played his first game on September 22, 1946; he played 7 games that season and 83 games in 1947. He played in more than a hundred games in each of the following fourteen years. Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records. In part because Berra's playing career coincided with the Yankees' most consistent period of World Series participation, he established Series records for the most games (75), at bats (259), hits (71), doubles (10), singles (49), games caught (63), and catcher putouts (457). In Game 3 of the 1947 World Series, Berra hit the first pinch-hit home run in World Series history, off Brooklyn Dodgers pitcher Ralph Branca (who later gave up Bobby Thomson's famous Shot Heard 'Round the World in 1951). Berra was an All-Star for 15 seasons, and was selected to 18 All-Star Games (MLB held two All-Star Games in 1959 through 1962). He won the American League (AL) MVP award in 1951, 1954, and 1955; Berra never finished lower than fourth in the MVP voting from 1950 to 1957. He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons with MVP support. From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons. One of the most notable games of Berra's playing career came when he caught Don Larsen's perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play. The picture of Berra leaping into Larsen's arms following Dale Mitchell's called third strike to end the game is one of the sport's most memorable images. CANNOTANSWER

Answer this question "Are there any other interesting aspects about this article?" by extracting the answer from the text above.


Background: Peter Hitchens was born in the Crown Colony of Malta, where his father, a career naval officer, was stationed as part of the then Mediterranean Fleet of the Royal Navy. Hitchens originally hoped to become a naval officer himself, but an eye defect prevented him from doing so. He was educated at the Leys School and the Oxford College of Further Education before being accepted at the University of York, where he studied Philosophy and Politics and was a member of Alcuin College, graduating in 1973. He later commented that he "must have been a severe disappointment" to his parents after making sure he "would never get into Oxbridge" by sabotaging his own education, through actions which included being arrested breaking into a government fall-out shelter in Cambridge.
Context: In 2002, Hitchens wrote a column criticising Sir Alan Duncan after he became the first Conservative MP to come out as gay. Hitchens wrote that as a "private homosexual," Duncan "needed and deserved the tolerance of those, like me, who think his choice is wrong but believe he had the right to make it." However, he continued, by "asking for open acceptance of his choice as normal," he had undermined the position of "heterosexual marriage" as the "ideal and right form of sexual partnership," and made a "gesture of contempt" to millions of Conservative voters. He now argues that it is futile to express "conservative" opinions on homosexuality and same-sex marriage, as to do so merely ensures that one will immediately be accused of bigotry and the "subjectively defined thoughtcrime" of homophobia, against which, he argues, it is impossible to defend oneself. For Hitchens, the same-sex marriage debate is a "Stalingrad" and a "diversion" from the more important and central issue of the general breakdown of marriage in British society, exemplified by the increased prevalence of divorce and single-parent families. In 2016, he wrote a column criticising the outcome of the Northern Irish 'Gay Cake' case, in which the owners of a Belfast bakery were successfully sued by a gay couple for refusing to bake a cake with the words "support gay marriage" written in icing. In a later radio discussion, he called the ruling "outrageously totalitarian," and said, "Where people can be forced to publish things with which they disagree, there is no freedom." In November 2017, in response to the sacking of a primary school teacher for accidentally misgendering a transgender pupil, Hitchens wrote a column attacking the transgender rights movement. CANNOTANSWER
Question: What was the radio discussion about?

Answer:


Their requests for payment having been ignored, Robey and two other music publishers initiated unprecedented legal proceedings in April against the record companies that released these competing songs, alleging copyright infringement. As a result, Chess Records withdrew Brim's "Rattlesnake" from sale. In the Memphis courts, Lion Publishing Co. sought royalties and treble damages, claiming "Bear Cat" was "a dead steal". In May, Phillips responded: "There's a lot of difference in the words. As for the tune, there's practically no melody, but a rhythm pattern", adding that it is hard to differentiate between any two 12-bar blues songs. By June 1953 in a "precedent-setting" decision the Court ruled against Phillips, and upheld the charges of plagiarism, finding the tune and some of the lyrics of "Bear Cat" to be identical to those of "Hound Dog". Phillips was ordered to pay 2% of all of the profits of "Bear Cat" plus court costs. As this amounted to $35,000 compensation, Phillips was reduced to near bankruptcy, ultimately forcing him to sell Elvis Presley's Sun contract to RCA for $35,000 to raise the funds to settle his debts. On June 4, 1953, Jet reported that: "The Sun Record Company of Memphis agreed to pay $2,080 to a Texas Recording firm because its blues tune, Bear Cat, is too similar to Hound Dog. Lion Publishing Company of Houston, Tex., won the out-of-court settlement after contending in a court suit that Bear Cat was a "conscious imitation" of their own recording with "only minor variations." Sam C. Phillips of Sun Record agreed to pay Hound Dog owners two cents per record for 79,000 waxings of Bear Cat already sold and two cents a record for future sales. On July 8 Robey wrote to Phillips again, thanking him "kindly for your co-operation in this matter", but Phillips still refused to purchase a mechanical license for Thomas' "Bear Cat". Robey then instructed his company lawyer Irving Marcus to sue Phillips and Sun Records, hoping to use this as a test case to determine the legal status of all answer songs. While earlier pressings of Sun 181 bore the caption "(The Answer To Hound Dog)" above the A-side title, as a result of the legal action this was removed from all later pressings. In the 1980s, Sam Phillips conceded: "I should have known better. The melody was exactly the same as theirs, but we claimed the credit for writing the damn thing". CANNOTANSWER

Answer this question "Who filed the suit?" by extracting the answer from the text above.


Cook was born in Houston, Texas and raised in Blue Springs, Missouri. His parents are Beth Foraker and Stanley Cook. He is the middle of three brothers - the late Adam Cook being older and Andrew younger. He is of German, Irish, and English descent.

On May 10, 2012, Cook performed a new song entitled "The Last Song I'll Write for You" on the eleventh season of American Idol. Before the performance, Cook confirmed to Shirley Halperin of the Hollywood Reporter that he is without a recording contract, having departed from RCA, and is self-releasing "The Last Song I'll Write for You". On April 30, 2013, Cook released a new single, "Laying Me Low", through XIX Recordings, the record label of American Idol creator Simon Fuller, although Cook shortly departed from Fuller's label. Cook co-penned country music singer David Nail's 2014 single, "Kiss You Tonight" from his album I'm a Fire. On November 17, 2014, a new single, "Wait For Me", was released. On March 24, 2015, it was announced that Cook had signed a publishing deal with Warner/Chappell Music. Cook's move to Nashville saw his newfound role as producer of his fourth album, often citing his move as the source of creativity. He worked with previous songwriters like Zac Maloy, Kevin Griffin, David Hodges, and Andy Skib (who also contributed as engineer). Cook also collaborated with Jerry Flowers (Keith Urban's bass guitarist), Earth to Andy members Andy Waldeck and Chris Reardon (with Reardon also serving as co-producer on one track - Laying Me Low), local Nashville writers Blair Daly and Chad Carlson, former bandmate Devin Bronson, and Steven Miller. The album's title Digital Vein and track listing was announced on June 23, 2015, with "Criminals" being the first official single from the album released on July 31, 2015. Digital Vein was released on September 18, 2015 through Cook's own independent label, Analog Heart Music. Cook promoted the album on the Digital Vein Tour throughout late 2015 and early 2016. The first half of the tour, with opening act Andrew Ripp, consisted of 33 shows in 24 states, beginning on September 30, 2015 in Phoenix, Arizona and ending on November 21, 2015 in Tulsa, Oklahoma. In this tour, Daniel Damico replaced Andy Skib and Devin Bronson as the lead guitarist and keyboardist, drummer Adam Reidelbach replaced Nick Adams, and Andy Wildrick replaced Monty Anderson as the bass guitarist. His second single "Broken Windows" was released on February 22, 2016 and coincided with the second half of the tour. Featuring opening act Tony Lucca, the run consisted of 18 shows in 14 states, beginning on February 23, 2016 in Chattanooga, Tennessee and ending on March 19, 2016 in Oklahoma City, Oklahoma. CANNOTANSWER

Answer the following question by taking a quote from the article: How did it do?


John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

White has long been a proponent of analog equipment and the associated working methods. Beginning in the fifth grade, he and his childhood friend, Dominic Suchyta, would listen to records in White's attic on weekends and began to record cover songs on an old four-track reel to reel tape machine. The White Stripes' first album was largely recorded in the attic of his parents' home. As their fame grew beyond Detroit, the Stripes became known for their affected innocence and stripped-down playing style. In particular, White became distinguished for his nasal vocal delivery and loose, explosive guitar delivery. In an early New York Times concert review from 2001, Ann Powers said that, while White's playing was "ingenious," he "created more challenges by playing an acoustic guitar with paper taped over the hole and a less-than-high-quality solid body electric." His home studio in Nashville contains two rooms ("I want everyone close, focused, feeling like we're in it together.") with two pieces of equipment: a Neve mixing console, and two Studer A800 2-inch 8-track tape recorders. In his introduction in the documentary film, It Might Get Loud, White showcases his minimalist style by constructing a guitar built out of a plank of wood, three nails, a glass Coke bottle, a guitar string, and a pickup. He ends the demonstration by saying, "Who says you need to buy a guitar?" In a 2012 episode of the show, Portlandia, White made a cameo in a sketch spoofing home studio enthusiasts who prefer antique recording equipment. CANNOTANSWERAnswer this question using a quote from the following article:

Are there other aspects of his lifestyle you find interesting?


Which entity is this text about?

John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

Jack and Meg married on September 21, 1996 and divorced on March 24, 2000. In 2003, he had a brief relationship with actress Renee Zellweger, whom he met during the filming of Cold Mountain. That summer, the couple were in a car accident in which White broke his left index finger and was forced to reschedule much of the summer tour. He posted the footage of his finger surgery on the web for fans. White and Zellweger's breakup became public in December 2004. White met British model Karen Elson when she appeared in The White Stripes music video for "Blue Orchid". The video's director, Floria Sigismondi, noted "you sensed an energy between them". They married on June 1, 2005, in Manaus, Brazil. The wedding took place in a canoe on the Amazon River and was officiated by a shaman. A Roman Catholic priest later convalidated their marriage. Manager Ian Montone was the best man and Meg White was the maid of honor. Official wedding announcements stated that "it was the first marriage" for both. In 2006, the couple had a daughter Scarlett Teresa. Their second child, son Henry Lee, was born in 2007. The family resided in Brentwood, a suburb south of Nashville, where Elson managed a vintage clothing store called Venus & Mars. Elson provided vocals on White's first solo record. The couple announced their intention to divorce in June 2011, throwing "a positive swing bang humdinger" party to commemorate the split. On July 22, 2013, a Nashville judge barred White from having "any contact with Karen Elson whatsoever except as it relates to parenting time with the parties' minor children." A counter-motion was filed on August 2, 2013, stating that "The reason for filing this response is that Mr. White does not want to be portrayed as something he is not, violent toward his wife and children." The divorce was finalized on November 26, 2013. Elson later recanted the charges, attributing the "aggressive" proceedings to her divorce attorneys, and saying "those who gain of a marriage ending helped to create a downward spiral at my most vulnerable." White agreed, saying, "When shitty lawyers are in a situation like divorce, their goal is to villainize." The former couple reportedly remain on good terms. CANNOTANSWER


Background: Anna Carroll was born in 1815 on the Eastern Shore of Maryland into a prominent upper-class, religiously mixed Catholic-Protestant family. Her father was Thomas King Carroll, a planter who served as Maryland governor in 1830; he owned a 2,000-acre (8.1 km2) tobacco plantation in Somerset County. The eldest of eight children, Anna was educated and trained by her father to be his aide. She was likely tutored in the law by him.
Context: Carroll entered the national political arena in the 1850s, following her father's appointment as Naval Officer for the District of Baltimore by Whig President Zachary Taylor. Shortly thereafter, Taylor died and Carroll's commission was signed by Millard Fillmore. In 1854, Carroll joined the American Party (the Know Nothing Party) following the demise of the Whigs. At the time much political realignment was going on nationwide. The same year the Republican Party was formed. The Southern pro-slavery Democrats took over control of their party's leadership in Congress due to the defeat of many Northern Democrats following the passage of the unpopular Kansas-Nebraska Act in May. In Maryland, large numbers of immigrants, largely Irish and German Catholics, had flooded into Baltimore during the Great Famine in Ireland and the 1848 Revolutions in Germany. They took work in the port and railroad yards. Due to this rapid increase in population density, there was competition with free people of color for housing and jobs; street crime became a problem and relief rolls rose. At the same time, planters were a strong force in the state; many Catholic and Episcopalian planters resided on the Eastern Shore, which continued as primarily agricultural. In 1853, the Maryland Know Nothing party was formed, initially from three nativist groups. Yet beginning in February, it took in large numbers of striking laborers from the ironwork's factory in Baltimore, whom the Democratic Party had refused to support. In opposing the pro-slavery Democrats, the Know Nothings became a powerful, but divisive, party in the state. They were pro-Union, pro-labor, anti-Catholic, and anti-immigrant. Along with other reformers, Anna Carroll campaigned by writing against urban machine corruption, crime, and what was perceived as the political threat of the power of the Catholic Church. In Maryland the Catholic planter/urban vote could combine to establish a pro-slavery state government. In 1856, the Whig Party split nationally into Northern and Southern factions due to the slavery issue. During the 1856 presidential election, Carroll supported and campaigned on behalf of Fillmore, the Know Nothing candidate. Carroll wrote many articles and pamphlets and she toured the Northeast on his behalf. Considered a moderate, Fillmore carried the state of Maryland, his only victory in the election. For the 1856 campaign, Anna Carroll published two party books that greatly extended her political and press contacts: The Great American Battle, or, The Contest Between Christianity and Political Roman-ism and The Star of the West, and influential pamphlets such as "The Union of the States". The former book was a virulent criticism of the political influence of the Roman Catholic Church under the papacy of Pius IX (see anti-clericalism). In 1857 Carroll was the chief publicist for Governor Thomas H. Hicks of Maryland; he credited his victory to her writings. In 1858, she took up the cause of former Congressman John Minor Botts, a Unionist from Virginia, in his presidential bid. She published a series of articles in the New York Evening Express newspaper on the 1860 candidates under the pseudonym "Hancock." Others over time appeared in the influential National Intelligencer, among other venues. CANNOTANSWER
Question: What made Anna get into politics?

Answer:


Burnham returned to North America and for the next few years became associated with the Yaqui River irrigation project in Mexico. While investigating the Yaqui valley for mineral and agricultural resources, Burnham reasoned that a dam could provide year-round water to rich alluvial soil in the valley; turning the region into one of the garden spots of the world and generate much needed electricity. He purchased water rights and some 300 acres (1.2 km2) of land in this region and contacted an old friend from his time in Africa, John Hays Hammond, who conducted his own studies and then purchased an additional 900,000 acres (3,600 km2) of this land--an area the size of Rhode Island. Burnham together with Charles Frederick Holder made important archaeological discoveries of Mayan civilization in this region, including the Esperanza Stone. In 1909, William Howard Taft and Porfirio Diaz planned a summit in El Paso, Texas, and Ciudad Juarez, Mexico, an historic first meeting between a U.S. president and a Mexican president and also the first time an American president would cross the border into Mexico. But tensions rose on both sides of the border, including threats of assassination, so the Texas Rangers, 4,000 U.S. and Mexican troops, U.S. Secret Service agents, FBI agents and U.S. marshals were all called in to provide security. Burnham was put in charge of a 250 private security detail hired by Hammond, who in addition to owning large investments in Mexico was a close friend of Taft from Yale and a U.S. Vice-Presidential candidate in 1908. On October 16, the day of the summit, Burnham and Private C.R. Moore, a Texas Ranger, discovered a man holding a concealed palm pistol standing at the El Paso Chamber of Commerce building along the procession route. Burnham and Moore captured and disarmed the assassin within only a few feet of Taft and Diaz. After the Taft-Diaz summit, Burnham led a team of 500 men in guarding mining properties owned by Hammond, J. P. Morgan, and the Guggenheims in the Mexican state of Sonora. Just as the irrigation and mining projects were nearing completion in 1912, a long series of Mexican revolutions began. The final blow to these efforts came in 1917 when Mexico passed laws prohibiting the sale of land to foreigners. Burnham and Hammond carried their properties until 1930 and then sold them to the Mexican government. CANNOTANSWER

Answer this question "any other important thing i should know" by extracting the answer from the text above.


Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Wagner's later musical style introduced new ideas in harmony, melodic process (leitmotif) and operatic structure. Notably from Tristan und Isolde onwards, he explored the limits of the traditional tonal system, which gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, which include the so-called Tristan chord. Wagner inspired great devotion. For a long period, many composers were inclined to align themselves with or against Wagner's music. Anton Bruckner and Hugo Wolf were greatly indebted to him, as were Cesar Franck, Henri Duparc, Ernest Chausson, Jules Massenet, Richard Strauss, Alexander von Zemlinsky, Hans Pfitzner and numerous others. Gustav Mahler was devoted to Wagner and his music; aged 15, he sought him out on his 1875 visit to Vienna, became a renowned Wagner conductor, and his compositions are seen by Richard Taruskin as extending Wagner's "maximalization" of "the temporal and the sonorous" in music to the world of the symphony. The harmonic revolutions of Claude Debussy and Arnold Schoenberg (both of whose oeuvres contain examples of tonal and atonal modernism) have often been traced back to Tristan and Parsifal. The Italian form of operatic realism known as verismo owed much to the Wagnerian concept of musical form. Wagner made a major contribution to the principles and practice of conducting. His essay "About Conducting" (1869) advanced Hector Berlioz's technique of conducting and claimed that conducting was a means by which a musical work could be re-interpreted, rather than simply a mechanism for achieving orchestral unison. He exemplified this approach in his own conducting, which was significantly more flexible than the disciplined approach of Felix Mendelssohn; in his view this also justified practices that would today be frowned upon, such as the rewriting of scores. Wilhelm Furtwangler felt that Wagner and Bulow, through their interpretative approach, inspired a whole new generation of conductors (including Furtwangler himself). Amongst those claiming inspiration from Wagner's music are the German band Rammstein, and the electronic composer Klaus Schulze, whose 1975 album Timewind consists of two 30-minute tracks, Bayreuth Return and Wahnfried 1883. Joey DeMaio of the band Manowar has described Wagner as "The father of heavy metal". The Slovenian group Laibach created the 2009 suite VolksWagner, using material from Wagner's operas. Phil Spector's Wall of Sound recording technique was, it has been claimed, heavily influenced by Wagner. CANNOTANSWER

What kind of music he made


Phillips was born Holly Michelle Gilliam in Long Beach, California, the second child of Joyce Leon (nee Poole), an accountant, and Gardner Burnett Gilliam, a merchant mariner. She has one older sister. Phillips's mother died of a brain aneurysm when Michelle was five years old. Between the ages of six and twelve, Phillips was raised in Mexico City, Mexico, where her father was studying sociology on the GI Bill at Mexico City College.

After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together. There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965. She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966). Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds. An affair the previous year between Phillips and bandmate Denny Doherty had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode, although they later disagreed about how much Doherty contributed to the song. This time, Phillips was determined to fire his wife. After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966. Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded, lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966. After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City. After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler. The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely." In August 1967, the band played what would be their final live performance at the Hollywood Bowl. Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfil contract obligations with their record label. CANNOTANSWERAnswer this question using a quote from the following article:

What happened in 1965?


Diego Armando Maradona Franco (Spanish pronunciation: ['djego mara'dona], born 30 October 1960) is an Argentine retired professional footballer and manager. Many in the sport, including football writers, players, and fans, regard Maradona as the greatest football player of all time. Maradona was joint FIFA Player of the 20th Century with Pele. An advanced playmaker who operated in the classic number 10 position, Maradona is the first player in football history to set the world record transfer fee twice, first when he transferred to Barcelona for a then world record PS5 million, and second, when he transferred to Napoli for another record fee PS6.9 million.

After the resignation of Argentina national team coach Alfio Basile in 2008, Maradona immediately proposed his candidacy for the vacant role. According to several press sources, his major challengers included Diego Simeone, Carlos Bianchi, Miguel Angel Russo and Sergio Batista. On 29 October 2008, AFA chairman Julio Grondona confirmed that Maradona would be the head coach of the national team from December 2008. On 19 November 2008, Maradona managed Argentina for the first time when Argentina played against Scotland at Hampden Park in Glasgow, which Argentina won 1-0. After winning his first three matches in charge of the national team, he oversaw a 6-1 defeat to Bolivia, equalling the team's worst ever margin of defeat. With two matches remaining in the qualification tournament for the 2010 World Cup, Argentina was in fifth place and faced the possibility of failing to qualify, but victory in the last two matches secured qualification for the finals. After Argentina's qualification, Maradona used abusive language at the live post-game press conference, telling members of the media to "suck it and keep on sucking it". FIFA responded with a two-month ban on all footballing activity, which expired on 15 January 2010, and a CHF 25,000 fine, with a warning as to his future conduct. The friendly match scheduled to take place at home to the Czech Republic on 15 December, during the period of the ban, was cancelled. The only match Argentina played during Maradona's ban was a friendly away to Catalonia, which they lost 4-2. At the World Cup finals in June 2010, Argentina started by winning 1-0 against Nigeria, followed by a 4-1 victory over South Korea on the strength of a Gonzalo Higuain hat-trick. In the final match of the group stage, Argentina won 2-0 against Greece to win the group and advance to a second round, meeting Mexico. After defeating Mexico 3-1, however, Argentina was routed by Germany 4-0 in the quarter-finals to go out of the competition. Argentina was ranked fifth in the tournament. After the defeat to Germany, Maradona admitted that he was considering his future as Argentina coach, stating, "I may leave tomorrow." On 15 July 2010, the AFA said that he would be offered a new four-year deal that would keep him in charge through to the summer of 2014 when Brazil stages the World Cup. On 27 July, however, the AFA announced that its board had unanimously decided not to renew his contract. Afterwards, on 29 July, Maradona claimed that AFA president Julio Grondona and director of national teams (as well as his former Argentine national team and Sevilla coach) Carlos Bilardo had "lied to", "betrayed" and effectively sacked him from the role. He said, "They wanted me to continue, but seven of my staff should not go on, if he told me that, it meant he did not want me to keep working." CANNOTANSWERAnswer this question using a quote from the following article:

How many wins did Maradona have with Argentina?


In April 2010, along with actors Brian Cox and Eleanor Bron, McKellen appeared in a series of TV advertisements to support Age UK, the charity recently formed from the merger of Age Concern and Help the Aged. All three actors gave their time free of charge. A cricket fan since childhood, McKellen umpired in March 2011 for a charity cricket match in New Zealand to support earthquake victims of the February 2011 Christchurch earthquake. McKellen is an honorary board member for the New York and Washington, DC based organization Only Make Believe. Only Make Believe creates and performs interactive plays in children's hospitals and care facilities. He was honoured by the organisation in 2012 and hosted their annual Make Believe on Broadway Gala in November 2013. He garnered publicity for the organisation by stripping down to his Lord of the Rings underwear on stage. McKellen also has a history of supporting individual theatres. While in New Zealand filming The Hobbit in 2012, he announced a special New Zealand tour "Shakespeare, Tolkien, and You!", with proceeds going to help save the Isaac Theatre Royal, which suffered extensive damage during the 2011 Christchurch earthquake. McKellen said he opted to help save the building as it was the last theatre he played in New Zealand (Waiting for Godot in 2010) and the locals' love for it made it a place worth supporting. In July 2017, he performed a new one-man show for a week at Park Theatre (London), donating the proceeds to the theatre. CANNOTANSWER

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Born in Cedarville, Illinois, Jane Addams was the youngest of eight children born into a prosperous northern Illinois family of English-American descent which traced back to colonial New England; her father was politically prominent. Three of her siblings died in infancy, and another died at age 16, leaving only four by the time Addams was age eight. Her mother, Sarah Addams (nee Weber), died when Jane was two years old. Addams spent her childhood playing outdoors, reading indoors, and attending Sunday school.

Meanwhile, Jane Addams gathered inspiration from what she read. Fascinated by the early Christians and Tolstoy's book My Religion, she was baptized a Christian in the Cedarville Presbyterian Church, in the summer of 1886. Reading Giuseppe Mazzini's Duties of Man, she began to be inspired by the idea of democracy as a social ideal. Yet she felt confused about her role as a woman. John Stuart Mill's The Subjection of Women made her question the social pressures on a woman to marry and devote her life to family. In the summer of 1887, Addams read in a magazine about the new idea of starting a settlement house. She decided to visit the world's first, Toynbee Hall, in London. She and several friends, including Ellen Gates Starr, traveled in Europe from December 1887 through the summer of 1888. After watching a bullfight in Madrid, fascinated by what she saw as an exotic tradition, Addams condemned this fascination and her inability to feel outraged at the suffering of the horses and bulls. At first, Addams told no one about her dream to start a settlement house; but, she felt increasingly guilty for not acting on her dream. Believing that sharing her dream might help her to act on it, she told Ellen Gates Starr. Starr loved the idea and agreed to join Addams in starting a settlement house. Addams and another friend traveled to London without Starr, who was busy. Visiting Toynbee Hall, Addams was enchanted. She described it as "a community of University men who live there, have their recreation clubs and society all among the poor people, yet, in the same style in which they would live in their own circle. It is so free of 'professional doing good,' so unaffectedly sincere and so productive of good results in its classes and libraries seems perfectly ideal." Addams's dream of the classes mingling socially to mutual benefit, as they had in early Christian circles seemed embodied in the new type of institution. The settlement house as Addams discovered was a space within which unexpected cultural connections could be made and where the narrow boundaries of culture, class, and education could be expanded. They doubled up as community arts centers and social service facilities. They laid the foundations for American civil society, a neutral space within which different communities and ideologies could learn from each other and seek common grounds for collective action. The role of the settlement house was an "unending effort to make culture and 'the issue of things' go together." The unending effort was the story of her own life, a struggle to reinvigorate her own culture by reconnecting with diversity and conflict of the immigrant communities in America's cities and with the necessities of social reform. CANNOTANSWER

was the house a success?


Rickey was born in Stockdale, Ohio, the son of Jacob Frank Rickey and Emily (nee Brown). Rickey was a relative of Beth Rickey, a Louisiana political activist. He graduated from Valley High School in Lucasville, Ohio, in 1899, and he was a catcher on the baseball team at Ohio Wesleyan University, where he obtained his B.A. Rickey was a member of the Delta Tau Delta Fraternity. Rickey was a Master Mason in Tuscan Lodge #240 in Saint Louis.

By 1930, Rickey's Cardinals, known as the "Gashouse Gang", were the class of the National League. They won 101 games in 1931 and won the World Series in seven games. The star of the 1931 World Series was rookie Pepper Martin, one of the first Cardinal stars that came from Branch's minor league system. Soon, other minor league graduates joined the team, among them future hall of famers Dizzy Dean and Joe Medwick, nicknamed "Ducky", and Dean's brother Paul "Daffy" Dean. The Deans and Medwick were integral parts of the 1934 Cardinals, who won the franchise's third World Series title. Kenesaw Mountain Landis, the Commissioner of Baseball, was concerned that Rickey's minor league system was going to ruin baseball by destroying existing minor league teams, and he twice released over 70 Cardinal minor leaguers. Despite Landis' efforts, Rickey's minor league system stayed in existence, and similar systems were adopted by every major league team within a few years. Arguably, the farm system saved the minor leagues, by keeping them necessary after the television age began and minor league attendance figures declined. Rickey continued to develop the Cardinals up until the early 1940s. In his final year at St. Louis, 1942, the Cardinals had their best season in franchise history, winning 106 games and the World Series title. The team was led by a new crop of players developed by the Cardinals, two of whom, Enos Slaughter and Stan Musial, became Hall of Famers; and several others, among them future MVP Marty Marion, who were among the best at their position during their eras. Even their manager Billy Southworth was a product of their farm system. CANNOTANSWER

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Gerardus Mercator (; 5 March 1512 - 2 December 1594) was a 16th-century German-Flemish cartographer, geographer and cosmographer. He was renowned for creating the 1569 world map based on a new projection which represented sailing courses of constant bearing (rhumb lines) as straight lines--an innovation that is still employed in nautical charts. Mercator was one of the founders of the Netherlandish school of cartography and is widely considered as the most notable representative of the school in its golden age (approximately 1570s-1670s).

Mercator never committed any of his prison experiences to paper; all he would say was that he had suffered an "unjust persecution". For the rest of his time in Leuven his religious thoughts were kept to himself and he turned back to his work. His brush with the Inquisition did not affect his relationship with the court and Nicholas Perrenot recommended him to the emperor as a maker of superb instruments. The outcome was an Imperial order for globes, compasses, astrolabe and astronomical rings. They were ready in 1545 and the Emperor granted the royal seal of approval to his workshop. Sadly they were soon destroyed in the course of the Emperor's military ventures and Mercator had to construct a second set, now lost. He also returned to his work on a large up-to-date and highly detailed wall map of Europe which was, he had already claimed on his 1538 world map, very well advanced. It proved to be a vast task and he, perfectionist that he was, seemed unable to cut short his ever-expanding researches and publish: as a result it was to be another ten years before the map appeared. In 1547 Mercator was visited by the young (nineteen year old) John Dee who, on completion of his undergraduate studies in Cambridge (1547), "went beyond the seas to speak and confer with some learned men". Dee and Mercator were both passionately interested in the same topics and they quickly established a close rapport which lasted throughout their lives. In 1548 Dee returned to Leuven (Louvain in Dee's text) and registered as a student: for three years he was constantly in Mercator's company. Apart from a possible short visit to Duisberg in 1562 the two men did not meet but they corresponded frequently and by good fortune a number of their letters are preserved. Dee took maps, globes and astronomical instruments back to England and in return furnished Mercator with the latest English texts and new geographical knowledge arising from the English explorations of the world. Forty years later they were still cooperating, Dee using Mercator's maps to convince the English court to finance Martin Frobisher's expeditions and Mercator still avidly seeking information of new territories. The final success in Leuven was the 1551 celestial globe, the partner of his terrestrial globe of 1541. The records of the Plantin Press show that several hundred pairs of globes were sold before the end of the century despite their high price--in 1570 they sold at 25 carolus guilders for a pair, equivalent to 2500 euro in modern currency. Celestial globes were a necessary adjunct to the intellectual life of rich patrons and academics alike, for both astronomical and astrological studies, two subjects which were strongly entwined in the sixteenth century. Twenty two pairs are still in existence. CANNOTANSWER

How long was he in Leuven?


Steven Spielberg took notice of Zeta-Jones in Titanic and recommended her to Martin Campbell, who was directing The Mask of Zorro (1998) for Spielberg's production company. Campbell cast her as the leading lady in favour of Izabella Scorupco, who was his original choice for the part. Co-starring Anthony Hopkins and Antonio Banderas, the film tells the story of Zorro (Hopkins), a Mexican warrior who sets out to avenge the death of his wife and find his lost daughter Elena (Zeta-Jones). She found similarities between her "volatile" Celtic personality and her Latin character's temperament, and in preparation she studied dancing, riding and sword-fighting, and took diction lessons in Spanish. Filming the action and dance sequences while wearing heavy corsets in the humid Mexican desert proved to be a challenge for Zeta-Jones, but she found the experience "worth suffering for". The Mask of Zorro was positively received by the critics and earned over US$250 million worldwide. The role proved to be a breakthrough for her and she was nominated for the MTV Movie Award for Best Breakthrough Performance. Zeta-Jones' first release of 1999 was the heist film Entrapment, in which she starred opposite Sean Connery as a seductive insurance agent on the lookout for an art thief. Despite a negative critical reception, the film was a commercial success; Janet Maslin of The New York Times thought that the film provided Zeta-Jones a platform to "show off her slithery skills", and Desson Howe of The Washington Post called on viewers to appreciate the sex appeal she brought to the role. Later that year, Zeta-Jones appeared alongside Liam Neeson and Lili Taylor in The Haunting, a remake of the 1963 film of the same name about a team of paranormal experts who look into strange occurrences in an ill-fated mansion. The horror feature received generally poor reviews but found a significant worldwide audience. In a scathing review, the critic Mick LaSalle wrote that "Zeta-Jones seems less an actress and more a pretty face, and not an interesting one at that". After taking the supporting part of star John Cusack's romantic interest in the comedy-drama High Fidelity (2000), Zeta-Jones starred in Steven Soderbergh's Traffic (2000). In the ensemble thriller on drug abuse starring Michael Douglas and Benicio del Toro, she played Helena Ayala, the pregnant wife of a drug lord who takes over the business when her husband is arrested. Initially written by Soderbergh as a mother of two, he changed the part to that of a pregnant woman on Zeta-Jones' suggestion, to accommodate her own pregnancy. Highly profitable at the box office and critically acclaimed, Traffic was described by the Dallas Observer as "a remarkable achievement in filmmaking, a beautiful and brutal work". Edward Guthman of the San Francisco Chronicle found Zeta-Jones to be a standout among the ensemble and labelled her "sensational" in a scene in which she confronts a Tijuana dealer, adding that "through sheer conviction, she electrifies a moment that could have been absurd". The ensemble of Traffic won the SAG Award for Outstanding Cast and Zeta-Jones was nominated for the Golden Globe Award for Best Supporting Actress. CANNOTANSWER

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Ban Ki-moon (; Hangul: bangimun; Hanja: Pan Ji Wen ; Korean pronunciation: [pan.gi.mun]; born 13 June 1944) is a South Korean diplomat who was the eighth Secretary-General of the United Nations from January 2007 to December 2016. Before becoming Secretary-General, Ban was a career diplomat in South Korea's Ministry of Foreign Affairs and in the United Nations. He entered diplomatic service the year he graduated from university, accepting his first post in New Delhi, India.

Ban Ki-moon met Yoo Soon-taek in 1962 when they were both in high school. Ban was 18 years old, and Yoo Soon-taek was his secondary school's student council president. Ban Ki-moon married Yoo Soon-taek in 1971. They have three adult children: two daughters and a son. His elder daughter, Seon-yong, was born in 1972 and now works for the Korea Foundation in Seoul. Her spouse is a native of India. His son Woo-hyun was born in 1974 in India. He received an MBA from Anderson School of Management at University of California, Los Angeles, and works for an investment firm in New York. His younger daughter, Hyun-hee (born 1976), is a field officer for UNICEF in Nairobi. After his election as Secretary-General, Ban became an icon in his hometown, where his extended family still resides. Over 50,000 gathered in a soccer stadium in Chungju for celebration of the result. In the months following his election, thousands of practitioners of geomancy went to his village to determine how it produced such an important person. Ban himself is not a member of any church or religious group and has declined to expound his beliefs: "Now, as Secretary-General, it will not be appropriate at this time to talk about my own belief in any particular religion or god. So maybe we will have some other time to talk about personal matters." His mother is Buddhist. On 10 January 2017, Ban's brother Ban Ki-sang and nephew Bahn Joo-hyun have been indicted on U.S. charges that they engaged in a scheme to bribe a Middle Eastern official in connection with the attempted $800 million sale of a building complex in Vietnam. CANNOTANSWERAnswer this question using a quote from the following article:

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Andrew Mark Cuomo (; born December 6, 1957) is an American politician, author, and lawyer who has served as the 56th Governor of New York since January 1, 2011. A Democrat, he was first elected in 2010 to the same position his father, Mario Cuomo, held for three terms. Born in Queens, New York, Cuomo is a graduate of Fordham University and Albany Law School of Union University, New York. He began his career working as the campaign manager for his father, then as an assistant district attorney in New York City before entering private law practice.

In 2013, Cuomo called for the passage of a Women's Equality Act. The Women's Equality Act included 10 component bills affecting issues such as domestic violence, human trafficking, and pregnancy discrimination. The tenth bill of the Women's Equality Act was the Reproductive Health Act, which would have "enshrine[d] in state law existing federal protections for abortion rights," "shift[ed] the state's abortion law from the criminal code to the health care laws," and "[made] it clearer that licensed health care practitioners as well as physicians could perform abortions." During his 2013 State of the State address, Cuomo said, "Enact a Reproductive Health Act because it is her body, it is her choice. Because it's her body, it's her choice. Because it's her body, it's her choice." The New York State Assembly passed the Women's Equality Act on June 20, 2013. The Republican leadership of the New York State Senate expressed support for the nine non-abortion-related planks of the Women's Equality Act, but objected to the Reproductive Health Act and expressed unwillingness to allow a vote on it. On the final day of the 2013 legislative session, following the Senate Republican Conference's continued refusal to vote on the full Women's Equality Act, Senator Jeff Klein, leader of the Independent Democratic Conference (IDC), offered the abortion plank of the Act as a hostile amendment to another bill. The amendment was defeated by a narrow margin of 32-31; all 30 Senate Republicans voted against the abortion amendment, as did Democratic Sens. Ruben Diaz and Simcha Felder. The Senate proceeded to pass the nine non-abortion-related planks of the Women's Equality Act as separate bills, and the 2013 legislative session came to an end without any portion of the WEA becoming law. "[After] the 2014 election season was over, with Cuomo victorious, the governor and his lieutenant governor Kathy Hochul both declared the abortion plank of the act officially dormant, if not dead." In 2015, the non-abortion-related Women's Equality Act bills passed both houses of the State Legislature. In October 2015, Cuomo signed eight of the 10 Women's Equality Act bills into law; the abortion rights bill was not among them. CANNOTANSWER


Argento, the son of Sicilian immigrants, grew up in York, Pennsylvania. He found his music classes in elementary school to be "fifty minute sessions of excruciating boredom" but would develop as an acclaimed composer. Upon graduating from high school, he was drafted into the Army and spent some time as a cryptographer. Following the war and using funding from the G.I. Bill, he began studying piano performance at the Peabody Conservatory in Baltimore. He quickly decided to switch to composition. He earned bachelor's (1951) and master's (1953) degrees from Peabody, where his teachers included Nicolas Nabokov, Henry Cowell, and Hugo Weisgall. While there, he was briefly the music director of Weisgall's Hilltop Musical Company, which the composer founded as a sort of answer to Benjamin Britten's festival at Aldeburgh--a venue for local composers (particularly Weisgall) to present new work. This experience gave Argento broad exposure to and experience in the world of new opera. Hilltop's stage director was writer John Olon-Scrymgeour, with whom Argento would later collaborate on many operas. During this time period he also spent a year in Florence on a scholarship of the U.S.-Italy Fulbright Commission. He has called the experience "life-altering;" while there, he studied briefly with Luigi Dallapiccola. Argento continued graduate studies and received his Ph.D. from the Eastman School of Music, where he studied with composers Alan Hovhaness, Bernard Rogers and Howard Hanson. Following completion of this degree, he received a Guggenheim Fellowship to study/work for another year in Florence. He established a tradition of spending long periods of time in that city. CANNOTANSWER

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Background: John Rogers Searle (; born 31 July 1932) is an American philosopher. He is currently Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley. Widely noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959.
Context: While an undergraduate at the University of Wisconsin, Searle was the secretary of "Students against Joseph McCarthy". McCarthy was then the junior senator from Wisconsin. In 1959 Searle began teaching at Berkeley, and he was the first tenured professor to join the 1964-65 Free Speech Movement. In 1969, while serving as chairman of the Academic Freedom Committee of the Academic Senate of the University of California, he supported the university in its dispute with students over the People's Park. In The Campus War: A Sympathetic Look at the University in Agony (1971), Searle investigates the causes behind the campus protests of the era. In it he declares that: "I have been attacked by both the House Un-American Activities Committee and ... several radical polemicists ... Stylistically, the attacks are interestingly similar. Both rely heavily on insinuation and innuendo, and both display a hatred - one might almost say terror - of close analysis and dissection of argument." He asserts that "My wife was threatened that I (and other members of the administration) would be assassinated or violently attacked." In the late 1980s, Searle, along with other landlords, petitioned Berkeley's rental board to raise the limits on how much he could charge tenants under the city's 1980 rent stabilization ordinance. The rental board refused to consider Searle's petition and Searle filed suit, charging a violation of due process. In 1990, in what came to be known as the "Searle Decision", the California Supreme Court upheld Searle's argument in part and Berkeley changed its rent control policy, leading to large rent increases between 1991 and 1994. Searle was reported to see the issue as one of fundamental rights, being quoted as saying "The treatment of landlords in Berkeley is comparable to the treatment of blacks in the South...our rights have been massively violated and we are here to correct that injustice." The court described the debate as a "morass of political invective, ad hominem attack, and policy argument". Shortly after the September 11 attacks, Searle wrote an article arguing that the attacks were a particular event in a long-term struggle against forces that are intractably opposed to the United States, and signaled support for a more aggressive neoconservative interventionist foreign policy. He called for the realization that the United States is in a more-or-less permanent state of war with these forces. Moreover, a probable course of action would be to deny terrorists the use of foreign territory from which to stage their attacks. Finally, he alluded to the long-term nature of the conflict and blamed the attacks on the lack of American resolve to deal forcefully with America's enemies over the past several decades. CANNOTANSWER
Question: Did this article relate to his political career at all?. Whats the answer?


Maria Corazon "Cory" Cojuangco Aquino (born Sumulong; January 25, 1933 - August 1, 2009) was a Filipina politician who served as the 11th President of the Philippines and the first woman to hold that office. She is widely accredited as the Mother of Asian Democracy. The first female president in the Philippines, Aquino was the most prominent figure of the 1986 People Power Revolution, which toppled the 21-year authoritarian rule of President Ferdinand E. Marcos and restored democracy to the Philippines.

Upon learning of Aquino's death, then incumbent President Gloria Macapagal Arroyo, who was then on a state visit to the United States, announced a 10-day mourning period for the former President and issued Administrative Order No. 269 detailing the necessary arrangements for a state funeral. Aquino's children, however, declined the government's offer of a state funeral for their mother. All churches in the Philippines celebrated requiem masses simultaneously throughout the country and all government offices flew the Philippine flag at half mast. Hours after her death, Aquino's body lay in repose for public viewing at the La Salle Green Hills campus in Mandaluyong City. On August 3, 2009, Aquino's body was transferred from La Salle Greenhills to Manila Cathedral in Intramuros, during which hundreds of thousands of Filipinos lined the streets to view and escort the former leader's body. On the way to the Cathedral, Aquino's funeral cortege passed along Ayala Avenue in Makati, stopping in front of the monument to her husband Ninoy, where throngs of mourners gathered and sang the patriotic protest anthem "Bayan Ko". Aquino's casket was solemnly brought inside the Cathedral by mid-afternoon that day. Following her death, all Roman Catholic dioceses in the country held requiem Masses. On August 4, 2009, Ferdinand "Bongbong" Marcos, Jr., and Imee Marcos--children of the late former President Ferdinand Marcos--paid their last respects to Aquino despite the two family's fierce political rivalry; the Aquinos have been blaming the late dictator for the assassination of Ninoy Aquino Jr. in 1983. The Marcos siblings were received by Aquino's daughters Maria Elena, Aurora Corazon, and Victoria Elisa. Early the next day, President Arroyo, who had cut short her trip in the United States, briefly paid her last respects to her erstwhile ally President Aquino. A final requiem Mass was held on the morning of August 5, 2009, with then-Archbishop of Manila Cardinal Gaudencio Rosales, then-Bishop of Balanga Socrates B. Villegas, and other high-ranking clergymen concelebrating. Aquino's daughter Kris spoke on behalf of her family towards the end of the Mass. Aquino's flag-draped casket was escorted from the Cathedral to Manila Memorial Park in Paranaque, where she was interred beside her husband in the family mausoleum. Aquino's funeral procession took more than eight hours to reach the burial site, as tens of thousands of civilians lined the route to pay their respects. Philippine Air Force UH-1 helicopters showered the procession with yellow confetti and ships docked at Manila's harbour blared their sirens, all to salute the late President, . CANNOTANSWERAnswer this question using a quote from the following article:

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Diamond Rio is an American country and Christian country music band. The band was founded in 1982 as an attraction for the Opryland USA theme park in Nashville, Tennessee, and was originally known as the Grizzly River Boys, then the Tennessee River Boys. It was founded by Matt Davenport, Danny Gregg, and Ty Herndon, the last of whom became a solo artist in the mid-1990s. After undergoing several membership changes in its initial years, the band has consisted of the same six members since 1989: Marty Roe (lead vocals, rhythm guitar), Gene Johnson (mandolin, guitar, fiddle, tenor vocals), Jimmy Olander (lead guitar, Dobro, banjo), Brian Prout (drums), Dan Truman (keyboards, organ, synthesizer), and Dana Williams (bass guitar, baritone vocals).

After Olander, Williams, and Johnson had recovered, the six musicians set to work on their debut album. In doing so, Johnson soon discovered that the injuries to his hands had altered his dexterity on the mandolin, and threatened to walk away after Powell offhandedly remarked that he would have Roe dub in his own tenor harmonies instead of having Johnson sing them. The band also had commitments to finish as the Tennessee River Boys, to the point that they occasionally had to promote themselves under both names in the same day. Arista Nashville released Diamond Rio's debut single, "Meet in the Middle", on February 6, 1991. As the lead single to their self-titled debut album, "Meet in the Middle" went on to spend two weeks at No. 1 on the Billboard Hot Country Songs charts, making Diamond Rio the first country music group ever to send its debut single to the top of that chart. Following its release, the band performed its first official concert as Diamond Rio on May 4, 1991. They shared the bill with Wild Rose, whose membership included Prout's then-wife, Nancy Given Prout. Released three weeks later with DuBois and Powell as producers, Diamond Rio was met with positive critical reception from critics such as Allmusic, Chicago Tribune, and Entertainment Weekly, which praised the band's vocal harmonies, instrumentation, and song choices. Four more singles were released from Diamond Rio, all reaching top 10 on the Billboard country singles charts: "Mirror, Mirror", "Mama Don't Forget to Pray for Me", "Norma Jean Riley" (which was previously the B-side of "Mama Don't Forget to Pray for Me"), and "Nowhere Bound", the latter two of which were co-written by Powell. Roe and Prout had found both "Mama Don't Forget to Pray for Me" and "Mirror, Mirror" by attending shows at the Bluebird Cafe in Nashville, a popular spot for performances by aspiring songwriters. Truman and an employee of Arista had found "Norma Jean Riley", which was originally titled "Pretty Little Lady" until DuBois remarked that the lady in the song should have a name: "It could be 'Norma Jean Riley', anything!" Johnson spoke positively about "Mama Don't Forget to Pray for Me", which was written and originally recorded by Larry Cordle, and the impact that it had on fans. He recalled a letter sent to him by a female fan who had run away from home and chose to return after hearing that song, and said that "We already didn't wanna do the drinkin' songs and stuff ... if you're gonna touch someone, touch them with something that's positive." Diamond Rio was later certified platinum by the Recording Industry Association of America (RIAA) for shipping one million copies in the United States. In addition, the band won the Academy of Country Music's Top Vocal Group for 1992, an award they would receive again in 1993, 1994, and 1997. They were also nominated for Top New Vocal Duet or Group by the same association in 1992. A cut from the album, the instrumental "Poultry Promenade", gave the band its first Grammy Award nomination. CANNOTANSWER