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The Seekers are an Australian folk-influenced pop quartet, originally formed in Melbourne in 1962. They were the first Australian pop music group to achieve major chart and sales success in the United Kingdom and the United States. They were popular during the 1960s with their best-known configuration as: Judith Durham on vocals, piano, and tambourine; Athol Guy on double bass and vocals; Keith Potger on twelve-string guitar, banjo, and vocals; and Bruce Woodley on guitar, mandolin, banjo, and vocals. The group had Top 10 hits in the 1960s with "I'll Never Find Another You", "A World of Our Own", "Morningtown Ride", "Someday, One Day" (written by Paul Simon),

In March 1967, The Seekers returned to Australia for a homecoming tour, which included a performance at the Sidney Myer Music Bowl in Melbourne, attended by an estimated audience of 200,000. Guinness Book of World Records (1968) listed it as the greatest attendance at a concert in the Southern Hemisphere. Melburnians were celebrating the annual Moomba Festival, a free community festival, and many thousands were enjoying other attractions but are included in the crowd estimate. The Seekers were accompanied during their 20-minute set by the Melbourne Symphony Orchestra, conducted by Hector Crawford. Film of their appearance was incorporated into their 1967 Australian television special The Seekers Down Under, which was screened on Channel 7 and drew a then record audience of over 6 million. It was also screened in the UK on BBC1 on 24 June 1968, and repeated on 27 December 1968. In January 1968, on Australia Day, in recognition of its achievements, the group was named joint Australians of the Year - the only group to have this honour bestowed upon it. They personally accepted their awards from John Gorton, the Prime Minister of Australia, during their tour. During this visit, the group filmed another TV special, The World of the Seekers, which was screened in cinemas before being screened nationally on Channel 9 to high ratings and is in the Top 10 most watched TV shows of the 20th century in Australia. During the New Zealand tour on 14 February 1968, Durham approached the other group members to announce that she was leaving The Seekers to pursue a solo career and the group subsequently disbanded. Their final performance, on Tuesday 9 July, was screened live by the BBC as a special called Farewell the Seekers, with an audience of more than 10 million viewers. The special had been preceded by a week-long season at London's Talk of the Town nightclub and a live recording of one of their shows was released as a live LP record, Live at the Talk of the Town. It reached No. 2 on the UK charts. Also in July, the compilation album The Seekers' Greatest Hits was released and spent 17 weeks at No. 1 in Australia. It was released as The Best of The Seekers in the UK and spent 6 weeks at No. 1 in 1969, managing to knock The Beatles' (White Album) off the top of the charts and preventing The Rolling Stones' Beggars Banquet from reaching the top spot. The album spent 125 weeks in the charts in the UK. CANNOTANSWER

what was the homecoming tour?


Phyllis McAlpin Schlafly (; nee Stewart;

Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Did she win the fight to oppose it?


George Armstrong Custer (December 5, 1839 - June 25, 1876) was a United States Army officer and cavalry commander in the American Civil War and the American Indian Wars. Raised in Michigan and Ohio, Custer was admitted to West Point in 1857, where he graduated last in his class in 1861. With the outbreak of the Civil War, Custer was called to serve with the Union Army. Custer developed a strong reputation during the Civil War.

Pleasonton was promoted on June 22, 1863 to Major General of U.S. Volunteers. On June 29, after consulting with his new commander, George Meade, Pleasanton began replacing political generals with "commanders who were prepared to fight, to personally lead mounted attacks". He found just the kind of aggressive fighters he wanted in three of his aides: Wesley Merritt, Elon J. Farnsworth (both of whom had command experience) and George A. Custer. All received immediate promotions; Custer to brigadier general of volunteers, commanding the Michigan Cavalry Brigade ("Wolverines"). Despite having no direct command experience, Custer became one of the youngest generals in the Union Army at age 23. Custer lost no time in implanting his aggressive character on his brigade, part of the division of Brigadier General Judson Kilpatrick. Now a general officer, Custer had great latitude in choosing his uniform. Though often criticized as gaudy, it was more than personal vanity. "A showy uniform for Custer was one of command presence on the battlefield: he wanted to be readily distinguishable at first glance from all other soldiers. He intended to lead from the front, and to him it was a crucial issue of unit morale that his men be able to look up in the middle of a charge, or at any other time on the battlefield, and instantly see him leading the way into danger." Some have claimed Custer's leadership in battle as reckless or foolhardy. However, he "meticulously scouted every battlefield, gauged the enemies [sic] weak points and strengths, ascertained the best line of attack and only after he was satisfied was the 'Custer Dash' with a Michigan yell focused with complete surprise on the enemy in routing them every time." CANNOTANSWER

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Background: Sir Edward German (17 February 1862 - 11 November 1936) was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. Some of his light operas, especially Merrie England, are still performed. As a youth, German played the violin and led the town orchestra of Whitchurch, Shropshire. He also began to compose music.
Context: At the age of 18, he studied privately with Walter Cecil Hay, the conductor of the Whitchurch choral society and director of music at St. Chad's of Shrewsbury. German entered the Royal Academy of Music, where he eventually changed his name to J. E. German (and later simply Edward German) to avoid confusion with another student named Edward Jones. He continued his studies of violin and organ, also beginning a more formal study of composition under Ebenezer Prout. Many of German's student works were played at Academy concerts. In 1884, the Academy appointed German a sub-professor of the violin. During his time as an instructor, he was well regarded and won several medals and prizes, such as the Tubbs Bow for his skill with the violin. In 1885, he won the Charles Lucas Medal for his Te Deum for soloists, choir and organ, leading him to change his focus from violin to composition. He soon wrote a light opera, The Two Poets (for four soloists and piano), in 1886, which was produced at the Academy and then performed at St. George's Hall. In 1887, his first symphony, in E Minor, was also performed at the Academy. In 1890 he conducted a revised version of this symphony at the Crystal Palace, while The Two Poets toured successfully in England. During his time at the Royal Academy, German taught at Wimbledon School and played the violin in theatre orchestras, including the Savoy Theatre. He visited Germany in 1886 and 1888-89 and was impressed by its opera, particularly at Bayreuth. His circle of close friends at the Academy included Dora Bright and Ethel Mary Boyce (1863-1936) from Chertsey, Surrey. He and Boyce became engaged. She was also a promising composition student and won the Lady Goldsmid scholarship in 1885, the Sterndale Bennett Prize in 1886 and the Charles Lucas Medal in 1889. Although the engagement was broken off, they remained friends. German never married. CANNOTANSWER
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James "Jimmy" William Buffett (born December 25, 1946) is an American musician, songwriter, author, actor, and businessman. He is best known for his music, which often portrays an "island escapism" lifestyle. Together with his Coral Reefer Band, Buffett has recorded hit songs including "Margaritaville" (ranked 234th on the Recording Industry Association of America's list of "Songs of the Century") and "Come Monday". He has a devoted base of fans known as "Parrotheads".

The earliest controversy with Buffett was his recording of "God's Own Drunk" on the album Living and Dying in 3/4 Time. In 1983, the son of the late entertainer Lord Buckley sued Buffett for $11 million for copyright infringement, claiming that Buffett took parts of the monologue from Buckley's A Tribute to Buckley and claimed it as his own work in "God's Own Drunk". The suit also alleged that Buffett's "blasphemous" rendition presented to the public a distorted impression of Lord Buckley. A court injunction against Buffett prevented him from performing the song until the lawsuit was settled or resolved, so starting in 1983, Buffett would get to the part of his show where he would normally perform "God's Own Drunk", he would say that he was not allowed to play it because of the lawsuit and instead played a song he wrote called "The Lawyer and the Asshole" in which he accuses Buckley's son and lawyers as being greedy and tells them to "kiss his ass." In January 1996, Buffett's Grumman HU-16 airplane named Hemisphere Dancer was shot at by Jamaican police, who believed the craft to be smuggling marijuana. The aircraft sustained minimal damage. The plane had previously been carrying Buffett, as well as U2's Bono, and Island Records producer Chris Blackwell, and co-pilot Bill Dindy, but they were not on board at the time. The Jamaican government acknowledged the mistake and apologized to Buffett, who penned the song "Jamaica Mistaica" for his Banana Wind album based on the experience. The plane from the incident is now at Orlando City Walk's Margaritaville. On February 4, 2001, he was ejected from the American Airlines Arena in Miami during a basketball game between the Miami Heat and the New York Knicks for cursing. After the game, referee Joe Forte said that he ordered him moved during the fourth quarter because "there was a little boy sitting next to him and a lady sitting by him. He used some words he knows he shouldn't have used." Forte apparently did not know who Buffett was, and censured Heat coach Pat Riley because he thought Riley--who was trying to explain to him who Buffett was--was insulting him by asking if he had ever been a "Parrothead", the nickname for Buffett fans. Buffett did not comment immediately after the incident, but discussed it on The Today Show three days later. On October 6, 2006, it was reported that Buffett had been detained by French custom officials in Saint Tropez for allegedly carrying over 100 pills of ecstasy. Buffett's luggage was searched after his Dassault Falcon 900 private jet landed at Toulon-Hyeres International Airport. He paid a fine of $300 and was released. A spokesperson for Buffett stated the pills in question were prescription drugs, but declined to name the drug or the health problem for which he was being treated. Buffett released a statement that the "ecstasy" was in fact a B-vitamin supplement known as Foltx. CANNOTANSWER

Why did this recording cause controversy?


Background: Ian William Geddes Johnson CBE (8 December 1917 - 9 October 1998) was an Australian cricketer who played 45 Test matches as a slow off-break bowler between 1946 and 1956. Johnson captured 109 Test wickets at an average of 29.19 runs per wicket and as a lower order batsman made 1,000 runs at an average of 22.92 runs per dismissal. He captained the Australian team in 17 Tests, winning seven and losing five, with a further five drawn. Despite this record, he is better known as the captain who lost consecutive Ashes series against England.
Context: Johnson was born in North Melbourne, an inner suburb of Melbourne, on 8 December 1918. His father, William Johnson--a wine and spirit grocer--was a keen cricketer who played one first-class match for Victoria in 1924-25 before serving as a selector for the Australian Test team. As a schoolboy, Ian Johnson excelled at a variety of sports. He participated in athletics and Australian rules football, as well as playing as a wicket-keeper for Middle Park State School. In 1936, he became the Victorian amateur squash champion. However, he found his vocation in cricket. In 1934-35, aged only 16, and still a schoolboy at Wesley College, Johnson played his first match for the South Melbourne Cricket Club First XI. He was given the opportunity to play first-class cricket the following season, playing Tasmania--not then involved in the Sheffield Shield competition--just 23 days past his seventeenth birthday. He scored 34 and 26 and took two wickets in each innings as Tasmania won by six wickets. He was retained for the next game, scoring 15 runs in his only innings and taking 3 wickets for 40 runs (3/40) in the Tasmanian first innings and 1/27 in the second. He did not play first-class cricket again for three years, finally returning to the Victorian side to play another two games against Tasmania in 1938-39, making his highest first-class score to date, 88 runs, in the second game. He secured his place in the Victorian team in the 1939-40 season, making his Sheffield Shield debut against South Australia in Adelaide in November 1939. Batting at number five, Johnson scored 33 runs in the first innings and 41 in the second, but was unable to take a wicket. That season, Johnson scored 313 runs at an average of 26.08 and took 13 wickets at an average of 39.92. In a season truncated because of the Second World War, Johnson played five matches in 1940-41, scoring 292 runs at an average of 32.44 and taking 25 wickets at 27.60. Johnson's cricket career was interrupted by the war and he enlisted in the Royal Australian Air Force (RAAF) in March 1941. He flew Bristol Beaufighters with No. 22 Squadron RAAF and, by 1944, was serving as a Flight Lieutenant in the South West Pacific theatre. In June 1945, Johnson was awarded the Commendation for Valuable Service in the Air for his work as a flight instructor with No. 11 Elementary Flying Training School, based at Benalla in rural Victoria. He was discharged in December 1945 and resumed his first-class cricket career in the 1945-46 season. CANNOTANSWER
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Kareem Abdul-Jabbar (born Ferdinand Lewis Alcindor Jr.; April 16, 1947) is an American retired professional basketball player who played 20 seasons in the National Basketball Association (NBA) for the Milwaukee Bucks and the Los Angeles Lakers. During his career as a center, Abdul-Jabbar was a record six-time NBA Most Valuable Player (MVP), a record 19-time NBA All-Star, a 15-time All-NBA selection, and an 11-time NBA All-Defensive Team member. A member of six NBA championship teams as a player and two as an assistant coach, Abdul-Jabbar twice was voted NBA Finals MVP. In 1996, he was honored as one of the 50 Greatest Players in NBA History.

Since 2005, Abdul-Jabbar has served as a special assistant coach for the Lakers. He had been interested in coaching since his retirement, and given the influence that he exerted on the league during his playing days, he thought that the opportunity would present itself. However, during his playing years, Abdul-Jabbar had developed a reputation for being introverted and sullen. He did not speak to the press, which led to the impression that he disliked journalists. In his biography My Life, Magic Johnson recalls instances when Abdul-Jabbar brushed him off when Magic (as a ball boy) asked for his autograph, Abdul-Jabbar froze out reporters who gave him a too-enthusiastic handshake or even hugged him, and he refused to stop reading the newspaper while giving an interview. Many basketball observers, in addition to Abdul-Jabbar, believe that Kareem's reticence, whether through disdain for the press corps or simply because of introversion, contributed to the dearth of coaching opportunities offered to Abdul-Jabbar by the NBA. In his words, he said he had a mindset he could not overcome, and proceeded through his career oblivious to the effect his reticence may have had on his future coaching prospects. Abdul-Jabbar said: "I didn't understand that I also had affected people that way and that's what it was all about. I always saw it like they were trying to pry. I was way too suspicious and I paid a price for it." Since he began lobbying for a coaching position in 1995, he has managed to obtain only low-level assistant and scouting jobs in the NBA, and a head coaching position only in a minor professional league. Abdul-Jabbar has worked as an assistant for the Los Angeles Clippers and the Seattle SuperSonics, helping mentor, among others, their young centers, Michael Olowokandi and Jerome James. Abdul-Jabbar was the head coach of the Oklahoma Storm of the United States Basketball League in 2002, leading the team to the league's championship that season, but he failed to land the head coaching position at Columbia University a year later. He then worked as a scout for the New York Knicks. Finally, on September 2, 2005, he returned to the Lakers as a special assistant to Phil Jackson to help the Lakers' centers, and in particular their young draftee Andrew Bynum. Abdul-Jabbar's influence has been credited with Bynum's emergence as a more talented NBA center. Abdul-Jabbar also served as a volunteer coach at Alchesay High School on the Fort Apache Indian Reservation in Whiteriver, Arizona in 1998. In 2016, he performed a tribute to friend Muhammad Ali along with Chance the Rapper. He is also co-author of a comic book published by Titan Comics entitled Mycroft Holmes and the Apocalypse Handbook. CANNOTANSWER

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Brando was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr. (1895-1965), a pesticide and chemical feed manufacturer, and Dorothy Julia (nee Pennebaker; 1897-1954). Brando had two older sisters, Jocelyn Brando (1919-2005) and Frances (1922-1994).

Brando decided to follow his sisters to New York, studying at the American Theatre Wing Professional School, part of the Dramatic Workshop of the New School, with influential German director Erwin Piscator. In a 1988 documentary, Marlon Brando: The Wild One, Brando's sister Jocelyn remembered, "He was in a school play and enjoyed it ... So he decided he would go to New York and study acting because that was the only thing he had enjoyed. That was when he was 18." In the A&E Biography episode on Brando, George Englund said Brando fell into acting in New York because "he was accepted there. He wasn't criticized. It was the first time in his life that he heard good things about himself." Brando was an avid student and proponent of Stella Adler, from whom he learned the techniques of the Stanislavski system. This technique encouraged the actor to explore both internal and external aspects to fully realize the character being portrayed. Brando's remarkable insight and sense of realism were evident early on. Adler used to recount that when teaching Brando, she had instructed the class to act like chickens, and added that a nuclear bomb was about to fall on them. Most of the class clucked and ran around wildly, but Brando sat calmly and pretended to lay an egg. Asked by Adler why he had chosen to react this way, he said, "I'm a chicken--what do I know about bombs?" Despite being commonly regarded as a Method actor, Brando disagreed. He claimed to have abhorred Lee Strasberg's teachings: After I had some success, Lee Strasberg tried to take credit for teaching me how to act. He never taught me anything. He would have claimed credit for the sun and the moon if he believed he could get away with it. He was an ambitious, selfish man who exploited the people who attended the Actors Studio and tried to project himself as an acting oracle and guru. Some people worshipped him, but I never knew why. I sometimes went to the Actors Studio on Saturday mornings because Elia Kazan was teaching, and there were usually a lot of good-looking girls, but Strasberg never taught me acting. Stella (Adler) did--and later Kazan. Brando was the first to bring a natural approach to acting on film. According to Dustin Hoffman in his online Masterclass, Brando would often talk to camera men and fellow actors about their weekend even after the director would call action. Once Brando felt he could deliver the dialogue as natural as that conversation he would start the dialogue. In his 2015 documentary, Listen To Me Marlon, he said before that actors were like breakfast cereals. He was calling them predictable. Critics would later say this was Brando being difficult, but actors who worked opposite would say it was just all part of his technique. CANNOTANSWER


Martin Gardner (October 21, 1914 - May 22, 2010) was an American popular mathematics and popular science writer, with interests also encompassing scientific skepticism, micromagic, philosophy, religion, and literature--especially the writings of Lewis Carroll, L. Frank Baum, and G. K. Chesterton. He was considered a leading authority on Lewis Carroll. The Annotated Alice, which incorporated the text of Carroll's two Alice books, was his most successful work and sold over a million copies. He had a lifelong interest in magic and illusion and was regarded as one of the most important magicians of the twentieth century.

Gardner believed in a personal God, in an afterlife, and in prayer, but rejected established religion. He considered himself a philosophical theist and a fideist. He had an abiding fascination with religious belief but was critical of organized religion. In his autobiography, he stated: "When many of my fans discovered that I believed in God and even hoped for an afterlife, they were shocked and dismayed... I do not mean the God of the Bible, especially the God of the Old Testament, or any other book that claims to be divinely inspired. For me God is a "Wholly Other" transcendent intelligence, impossible for us to understand. He or she is somehow responsible for our universe and capable of providing, how I have no inkling, an afterlife." Gardner described his own belief as philosophical theism inspired by the works of philosopher Miguel de Unamuno. While eschewing systematic religious doctrine, he retained a belief in God, asserting that this belief cannot be confirmed or disconfirmed by reason or science. At the same time, he was skeptical of claims that any god has communicated with human beings through spoken or telepathic revelation or through miracles in the natural world. Gardner has been quoted as saying that he regarded parapsychology and other research into the paranormal as tantamount to "tempting God" and seeking "signs and wonders". He stated that while he would expect tests on the efficacy of prayers to be negative, he would not rule out a priori the possibility that as yet unknown paranormal forces may allow prayers to influence the physical world. Gardner wrote repeatedly about what public figures such as Robert Maynard Hutchins, Mortimer Adler, and William F. Buckley, Jr. believed and whether their beliefs were logically consistent. In some cases, he attacked prominent religious figures such as Mary Baker Eddy on the grounds that their claims are unsupportable. His semi-autobiographical novel The Flight of Peter Fromm depicts a traditionally Protestant Christian man struggling with his faith, examining 20th century scholarship and intellectual movements and ultimately rejecting Christianity while remaining a theist. Gardner said that he suspected that the fundamental nature of human consciousness may not be knowable or discoverable, unless perhaps a physics more profound than ("underlying") quantum mechanics is some day developed. In this regard, he said, he was an adherent of the "New Mysterianism". CANNOTANSWER

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Shriver was born in Chicago, Illinois, the second child and only daughter of the politician Sargent Shriver and activist Eunice Kennedy Shriver. Shriver is the niece of United States President John F. Kennedy, U.S. Attorney General and U.S. Senator Robert F. Kennedy, U.S. Senator Ted Kennedy, and five other prominent siblings. A Roman Catholic, she is of mostly Irish and German descent. Shriver attended Westland Middle School in Bethesda, Maryland, a suburb of Washington, D.C., and graduated in 1973 from Stone Ridge School of the Sacred Heart in Bethesda.

In October 2009, Shriver launched "The Shriver Report: A Woman's Nation Changes Everything," a national study and comprehensive report conducted in partnership with the Center for American Progress, USC's Annenberg Center on Communication, Leadership and Policy, and the Rockefeller Foundation. The Shriver Report revealed that American women, for the first time, make up half of the United States workforce and studied how that fact is impacting major institutions like family, business, government and faith organizations. The report was released in 2013 in partnership with TIME and NBC News. According to The New York Times, the report "was modeled on a study undertaken almost 50 years ago during the administration of John F. Kennedy, Shriver's uncle, and led by Eleanor Roosevelt." The report features, among other things, writings by public figures including Suze Orman, Beyonce, Tammy Duckworth, Billie Jean King, Heidi Hartmann, Susan J. Douglas, Stephanie Coontz, Kristin Rowe-Finkbeiner, John Podesta, and Oprah Winfrey. In 2010 The Shriver Report: A Woman's Nation Takes on Alzheimer's was published. It is a study by Maria Shriver and the Alzheimer's Association. It features, among other things, writings by public figures including Barbra Streisand, Laura Bush, Patti Davis, Soleil Moon Frye, Rosalynn Carter, Susan Collins, Kathleen Sebelius, Barbara Mikulski, Kathleen Sebelius, and Joe Biden. In 2014, The Shriver Report: A Woman's Nation Pushes Back from the Brink was published; it is about women and their children in poverty. It is by Maria Shriver, with editors Olivia Morgan, and Karen Skelton, and features, among other things, writings by public figures including Carol Gilligan, Beyonce, Joan Chittister, Ai-Jen Poo, Eva Longoria, Stephanie Coontz, Jennifer Garner, Kathleen Sebelius, Jada Pinkett Smith, Anne-Marie Slaughter, Tory Burch, Sheryl Sandberg, Kirsten Gillibrand, Barbara Ehrenreich, LeBron James, and Hillary Clinton. CANNOTANSWER

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Background: James Bond Stockdale (December 23, 1923 - July 5, 2005) was a United States Navy vice admiral and aviator awarded the Medal of Honor in the Vietnam War, during which he was a prisoner of war for over seven years. Commander Stockdale was the senior naval officer held captive in Hanoi, North Vietnam. He had led aerial attacks from the carrier USS Ticonderoga (CVA-14) during the 1964 Gulf of Tonkin Incident. On his next deployment, while Commander of Carrier Air Wing Sixteen aboard the carrier USS Oriskany (CV-34), his A-4 Skyhawk jet was shot down in North Vietnam on September 9, 1965.
Context: On June 5, 1946 he graduated with a Bachelor of Science degree from the Naval Academy with the Class of 1947 due to the reduced schedule still in effect from World War II. Academically he ranked 130th among 821 graduates in his class. His first assignment was assistant gunnery officer aboard the destroyer minesweeper USS Carmick (DD-493) from June to October 1946. He next served aboard the USS Thompson (DD-627) from October 1946 to February 1947, the USS Charles H. Roan (DD-853) from February 1947 to July 1948, and the USS Deming (PCS-1392) from July 1948 to June 1949. Stockdale was accepted for flight training in June 1949 and reported to Naval Air Station Pensacola in Florida. He was designated a Naval Aviator at Naval Air Station Corpus Christi in Texas, in September 1950. He was next assigned for additional training at Naval Air Station Norfolk in Virginia from October 1950 to January 1951. In January 1954, he was accepted into the United States Naval Test Pilot School at the Naval Air Station Patuxent River base in Southern Maryland and completed his training in July 1954. There he tutored U.S. Marine Corps aviator John Glenn in math and physics. He was a test pilot until January 1957. In 1959, the U.S. Navy sent Stockdale to Stanford University where he received a Master of Arts degree in international relations and comparative Marxist thought in 1962. Stockdale preferred the life of a fighter pilot over academia, but later credited Stoic philosophy with helping him cope as a prisoner of war. On 2 August 1964, while on a DESOTO patrol in the Tonkin Gulf, the destroyer USS Maddox (DD-731) engaged 3 North Vietnamese Navy P-4 torpedo boats from the 135th Torpedo Squadron. After fighting a running gun and torpedo battle, in which Maddox fired over 280 5-inch (130 mm) shells, and the torpedo boats expended their 6 torpedoes (all misses) and hundreds of rounds of 14.5mm machinegun fire; the combatants broke contact. As the torpedo boats turned for their North Vietnamese coastline, four F-8 Crusader fighter aircraft from USS Ticonderoga (CV-14) arrived, and immediately attacked the retreating torpedo boats. Stockdale (commander VF-51 (Fighter Squadron 51)), with Lieutenant (Junior Grade) Richard Hastings attacked torpedo boats T-333 and T-336, while Commander R. F. Mohrhardt and Lieutenant Commander C. E. Southwick attacked torpedo boat T-339. The four F-8 pilots reported scoring no hits with their Zuni rockets, but reported hits on all three torpedo boats with their 20mm cannon. Two nights later, on 4 August 1964, Stockdale was overhead during the second reported attack in the Tonkin Gulf. Unlike the first event, which was an actual sea battle, no Vietnamese forces were, however, believed to have been involved in the second engagement. In the early 1990s, he recounted: "[I] had the best seat in the house to watch that event, and our destroyers were just shooting at phantom targets--there were no PT boats there.... There was nothing there but black water and American fire power." The next morning, on 5 August 1964, President Johnson ordered bombing raids on North Vietnamese military targets which he announced were retaliation for the alleged incident of 4 August. When Stockdale was awoken in the early morning and was told he was to lead these attacks he responded: "Retaliation for what?" Later, while a prisoner of war, he was concerned that he would be forced to reveal this secret about the Vietnam War. On 9 September 1965, while flying from USS Oriskany on a mission over North Vietnam, Stockdale ejected from his Douglas A-4 Skyhawk, which had been struck by enemy fire and completely disabled. He parachuted into a small village, where he was severely beaten and taken prisoner. Stockdale was held as a prisoner of war in the Hoa Lo prison (the infamous "Hanoi Hilton") for the next seven and a half years. As the senior Naval officer, he was one of the primary organizers of prisoner resistance. Tortured routinely and denied medical attention for the severely damaged leg he suffered during capture, Stockdale created and enforced a code of conduct for all prisoners which governed torture, secret communications, and behavior. In the summer of 1969, he was locked in leg irons in a bath stall and routinely tortured and beaten. When told by his captors that he was to be paraded in public, Stockdale slit his scalp with a razor to purposely disfigure himself so that his captors could not use him as propaganda. When they covered his head with a hat, he beat himself with a stool until his face was swollen beyond recognition. When Stockdale was discovered with information that could implicate his friends' "black activities", he slit his wrists so they could not torture him into confession. Early in Stockdale's captivity, his wife, Sybil Stockdale, organized The League of American Families of POWs and MIAs, with other wives of servicemen who were in similar circumstances. By 1968, she and her organization, which called for the President and the U.S. Congress to publicly acknowledge the mistreatment of the POWs (something that had never been done despite evidence of gross mistreatment), gained the attention of the American press. Sybil Stockdale personally made these demands known at the Paris Peace Talks. Stockdale was one of eleven U.S. military prisoners known as the "Alcatraz Gang": George Thomas Coker, USN; George G. McKnight, USAF; Jeremiah Denton, USN (he graduated with Stockdale from the Naval Academy); Harry Jenkins, USN; Sam Johnson, USAF; James Mulligan, USN; Howard Rutledge, USN; Robert Shumaker, USN (originated the name "Hanoi Hilton"); Ronald Storz, USAF (died in captivity); and Nels Tanner, USN. Because they had been resistance leaders they were separated from other captives and placed in solitary confinement in "Alcatraz", a special facility in a courtyard behind the North Vietnamese Ministry of National Defense, located about one mile away from Hoa Lo Prison. In Alcatraz, each of the prisoners was kept in an individual windowless and concrete cell measuring 3 by 9 feet (0.9 by 2.7 m) with a light bulb kept on around the clock, and locked in leg irons each night. Of the eleven, Storz died in captivity there in 1970. CANNOTANSWER
Question: What else happened while he was a POW?

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Jeanine Ferris Pirro (born June 2, 1951) is an American TV personality, former judge, prosecutor, and Republican politician in New York. Pirro is currently the host of Fox News Channel's Justice with Judge Jeanine. She was the first female judge elected to the Westchester County Court prior to her election as the first female District Attorney of Westchester County. As District Attorney, Pirro gained considerable visibility in cases of domestic abuse and crimes against the elderly.

In 1975, Carl Vergari appointed Pirro to the position of Assistant District Attorney of Westchester County, where she began her career by writing appeals and handling minor cases. In 1977, Pirro approached Vergari and requested that he apply for a federal grant for local district attorney's offices to establish bureaus that specialized in domestic violence. She hoped that Vergari would take advantage of potential funding as well as a 1977 change in New York law that moved many domestic violence cases from family court to criminal court. Vergari agreed to apply, and his office became one of four in the nation to win the grant. In 1978, he appointed Pirro to be the first chief of the new Domestic Violence and Child Abuse Bureau. Pirro was known to be an aggressive bureau chief. Due to possible coercion, she had a strict policy against dropping cases at a victim's request. Many people praised Pirro for her passion as Domestic Violence Bureau Chief, but she attracted increasing criticism from colleagues due her attention-grabbing behavior and violations of tradition. On multiple occasions, Chief District Attorney Vergari spoke to Pirro concerning her violation of office policy. She had issued press releases with her own name--and not Vergari's--on top. The relationship between Pirro and Vergari disintegrated in the late 1980s, after Pirro claimed sole responsibility for the establishment of the Domestic Violence and Child Abuse Bureau. On June 1, 1990, just five months prior to Pirro's first appearance on the ballot for County Court Judge, she attracted widespread attention and some criticism for rushing to conduct a bedside arraignment of Maria Amaya at the Intensive Care Unit of United Hospital in Port Chester. Amaya had been charged with four counts of second-degree murder for the deaths of her four children. She was a 36-year-old immigrant from El Salvador who had a history of being hospitalized for mental issues. Amaya had killed the four children and attempted suicide after believing that they were being corrupted by drugs and sex. Vergari had served as district attorney for Pirro's entire tenure as an assistant district attorney and her time on the bench. In 1999, he critiqued Pirro as "bright and capable" and someone who "plays hardball seeking publicity" but is also "very self-centered in everything she does". During a 1986 abortive campaign for lieutenant governor, Pirro claimed to have never lost a case in "about 50 trials". This number was disputed when presented in 2005 to colleagues, who said that the real number of trials personally handled by Pirro "wasn't more than 10". Pirro's then-spokesman, Anne Marie Corbalis, contended only that Pirro had a "100% felony conviction rate" as an Assistant District Attorney. In November 1993, Pirro was elected Westchester County District Attorney; she was the first woman to hold that position. She was re-elected in 1997 and 2001. On May 23, 2005, Pirro announced that she would not seek re-election to a fourth term as Westchester County District Attorney. On December 31, 1993--within hours of Pirro's midnight inauguration as District Attorney--Scripps newspaper heiress Anne Scripps Douglas was savagely bludgeoned in the head with a skull hammer by her estranged husband, Scott Douglas (who subsequently committed suicide by jumping off the Tappan Zee Bridge), as she slept in their Bronxville home. By the time police arrived, Scott Douglas had fled the scene, and Anne Scripps Douglas died in hospital on January 6. Pirro, already known as a passionate prosecutor of domestic violence cases, was a frequent presence in the media during the period between the murder and when Scott Douglas's body washed ashore in Riverdale in early March 1994. This increase in Pirro's national profile led to her surfacing as a frequent guest on network and cable television news in June 1994, when O.J. Simpson was arrested for the murder of his ex-wife, appearing frequently as a talking head for Nightline, Larry King Live, and Geraldo. Within months of taking office, Pirro undertook a costly renovation to the district attorney's facilities and expanded to an additional floor of the county courthouse. The largest expenses were a new kitchenette and a media room, costing $20,000, to assist Pirro's growing profile; additional expenditures also came to remodel her personal office with mahogany. Pirro was the first female president of the New York State District Attorneys Association. Also while district attorney, she was appointed by then Governor George Pataki to chair the New York State Commission on Domestic Violence Fatality Review Board. Its report and recommendations resulted in legislation passing that enhanced protections of, and safeguards for, the victims of domestic abuse. Pirro made her biggest procedural mistake as district attorney when she repeatedly refused to reopen the murder case of Jeffrey Deskovic. In 1990, Deskovic was falsely convicted of killing a 15-year-old girl and spent 16 years in prison before he was exonerated by DNA evidence. On May 26, 1986, Pirro, then an assistant district attorney, was announced as the running mate of Westchester County Executive and presumptive Republican gubernatorial nominee Andrew O'Rourke at a press conference in Manhattan's Roosevelt Hotel. Pirro was selected by O'Rourke and New York State Republican Committee Chairman Anthony J. Colavita after nearly a dozen individuals declined the position, including Erie County Executive Ed Rutkowski, Hempstead Presiding Supervisor Thomas Gulotta, and the Executives of Broome and Oneida Counties. Colavita, who said at the press conference that he "had so many say 'no' to me (during the lieutenant governor search), it doesn't hurt anymore", pointed to Pirro's prosecutorial experience, ability to effectively use crime as an issue, Italian married name, youth, and status as a woman when asked about her strengths as a candidate. Pirro's selection frustrated many New York Republicans, with Assembly Minority Leader Clarence D. Rappleyea Jr. traveling on May 27 from Albany to the first night of the State Republican Committee's Nominating Convention in Syracuse, to tell O'Rourke and Cloavita that his conference was concerned by Pirro's lack of political experience or statewide stature. Many Republicans also worried that if Pirro were nominated, their ticket would be too geographically dominated by downstate and the suburbs, with O'Rourke, like Pirro, being from Westchester, and the presumptive nominees for attorney general, Peter King and United States Senate, Alfonse D'Amato both hailing from Nassau County. On May 28, just one day prior to the scheduled vote for the lieutenant gubernatorial nomination at the state party convention in Syracuse, Pirro announced her withdrawal from the race, saying that her husband could not disclose his legal clients or the couple's business interests (later revealed to have been her husband's partial ownership of a Connecticut carting company with alleged mafia connections), and that many of his clients did business with the state, which would make it "virtually impossible" for her to serve as Lieutenant Governor. Pirro had privately informed O'Rourke and Cloavita of her decision during the evening of May 27, and the two were generally supportive, telling the press that her departure had nothing to do with Rappleyea's intervention. Pirro was replaced just six hours after her announcement by Michael Kavanagh, the District Attorney of Ulster County. CANNOTANSWER

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Shapiro was born in Los Angeles, California. His family is Jewish, having immigrated in part from Russia. Skipping two grades (third and ninth), Shapiro went from Walter Reed Middle School to Yeshiva University High School of Los Angeles where he graduated in 2000 at age 16. He graduated summa cum laude and Phi Beta Kappa from the University of California, Los Angeles in 2004, at age 20, with a Bachelor of Arts degree in political science, and then cum laude from Harvard Law School in 2007.

On February 25, 2016, Shapiro gave a speech at California State University, Los Angeles, entitled "When Diversity Becomes a Problem". Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech in the name of diversity of skin color, while ignoring the value of diversity of thought. In response to the announcement of the speech, hosted by the campus's chapter of Young Americans for Freedom, student protesters demanded that the speech be cancelled, labeling it as "hate speech". The university's president, William Covino, eventually announced the cancellation of the speech three days before it was to take place, with the intention of rescheduling it so that the event could feature Shapiro debating someone with opposing viewpoints. In response to the cancellation, Shapiro said he would be attending the event anyway, and several lawsuits were threatened against the university for canceling the speech. As a result, Covino ultimately backed down and allowed the speech to go on as planned. The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held, shoving away anyone who attempted to enter and starting several fights in the crowded lobby. Some students were ultimately able to enter the theater by being sneaked in through back doors, though the protesters soon found out and barricaded those doors as well. Shapiro eventually made it into the theater and began his speech, only for a fire alarm to be pulled by one of the protesters; Shapiro continued speaking regardless, calling Covino "cowardly" and referring to the protesters as "spoiled brat snowflakes" and "fascists". After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards, while those inside the theater were told that they could not leave since the protesters were preventing anyone from leaving. Only after Shapiro left did the protesters eventually disperse, and those inside the theater were allowed to exit. Three months after the CSULA incident, Young America's Foundation announced on May 19 that it was filing a lawsuit against the university (with Shapiro as one of the plaintiffs), claiming that the First and Fourteenth Amendment rights of the students were violated by Covino's attempted cancelation of the event, as well as the physical barricading of students from entering or leaving the event, and the encouragement of such actions by several campus professors. CANNOTANSWER

Using a quote from the above article, answer the following question: Why was it considered hate speech?


A second candidate was presented by A.T. Martin, another antiquarian, in an article in the Athenaeum in September 1897, who proposed that the author was Thomas Malory of Papworth St Agnes in Huntingdonshire. Martin's argument was based on a will made at Papworth on 16 September 1469 and proved at Lambeth on 27 October the same year. This identification was taken seriously for some time by editors of Malory, including Alfred W. Pollard, the noted bibliographer, who included it in his edition of Malory published in 1903. This Thomas Malory was born on 6 December 1425 at Moreton Corbet Castle, Shropshire, the eldest son of Sir William Mallory, member of Parliament for Cambridgeshire, who had married Margaret, the widow of Robert Corbet (died 1420) of Moreton Corbet. Thomas inherited his father's estates in 1425 and was placed in the wardship of the King, initially as a minor, but later (for reasons unknown) remaining there until within four months of his death in 1469. Nothing else is known of him, apart from one peculiar incident discovered by William Matthews. A collection of Chancery proceedings includes a petition brought against Malory by Richard Kyd, parson of Papworth, claiming that Malory ambushed him on a November evening and took him from Papworth to Huntingdon, and then to Bedford and on to Northampton, all the while threatening his life and demanding that he either forfeit his church to Malory or give him 100 pounds. The outcome of this case is unknown, but it seems to indicate that this Malory was something other than an ordinary country gentleman. However, there is no evidence that this Malory was ever actually knighted and the very specific use of the word "knight" in respect of the author Malory tells against him. CANNOTANSWER

Answer this question "What was the incident?" by extracting the answer from the text above.


Background: Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937-1988). Sam & Dave are members of the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and are Grammy Award and multiple gold record award-winning artists.
Context: Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians. It took eight months to issue "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. It was not a very good record, by Sam's own admission, and it represented the first time in four years that a Sam & Dave single failed to chart. Two more singles followed in 1970, "Baby, Baby, Don't Stop Now," and "One Part Love, Two Parts Pain." The first was a leftover Hayes-Porter recording from Stax; the second was produced by Wexler and Dowd in New York, and was written by Stax executive Al Bell and Allen Jones. Both failed to chart. According to Wexler, "We just made some shit-ass records with them. I never really got into their sensibilities as a producer." Wexler then sent the duo south to Muscle Shoals and Miami to work with producers Brad Shapiro and Dave Crawford for their next single "Knock It Out The Park," which also failed to chart. Sam & Dave split in June 1970, according to Moore as a result of Moore's dissatisfaction with the duo and his desire to pursue a career solo. According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own." Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, which was shelved after Curtis was stabbed to death in 1971. Prater recorded a single for Alston. Neither was commercially successful as a solo act, and they reunited in August 1971. In October 1971, their last Atlantic single, "Don't Pull Your Love," was a cover of a hit by Hamilton, Joe Frank & Reynolds. This Shapiro/Crawford production was a minor hit (R&B #36/Pop #102), but not a substantial enough commercial success to keep the duo signed to the label. Sam & Dave recorded four final songs for Atlantic in August, 1972, none of which was released by the label. Their contract with Atlantic expired shortly thereafter. CANNOTANSWER
Question: What happened after they split ?

Answer:


"Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.

Their requests for payment having been ignored, Robey and two other music publishers initiated unprecedented legal proceedings in April against the record companies that released these competing songs, alleging copyright infringement. As a result, Chess Records withdrew Brim's "Rattlesnake" from sale. In the Memphis courts, Lion Publishing Co. sought royalties and treble damages, claiming "Bear Cat" was "a dead steal". In May, Phillips responded: "There's a lot of difference in the words. As for the tune, there's practically no melody, but a rhythm pattern", adding that it is hard to differentiate between any two 12-bar blues songs. By June 1953 in a "precedent-setting" decision the Court ruled against Phillips, and upheld the charges of plagiarism, finding the tune and some of the lyrics of "Bear Cat" to be identical to those of "Hound Dog". Phillips was ordered to pay 2% of all of the profits of "Bear Cat" plus court costs. As this amounted to $35,000 compensation, Phillips was reduced to near bankruptcy, ultimately forcing him to sell Elvis Presley's Sun contract to RCA for $35,000 to raise the funds to settle his debts. On June 4, 1953, Jet reported that: "The Sun Record Company of Memphis agreed to pay $2,080 to a Texas Recording firm because its blues tune, Bear Cat, is too similar to Hound Dog. Lion Publishing Company of Houston, Tex., won the out-of-court settlement after contending in a court suit that Bear Cat was a "conscious imitation" of their own recording with "only minor variations." Sam C. Phillips of Sun Record agreed to pay Hound Dog owners two cents per record for 79,000 waxings of Bear Cat already sold and two cents a record for future sales. On July 8 Robey wrote to Phillips again, thanking him "kindly for your co-operation in this matter", but Phillips still refused to purchase a mechanical license for Thomas' "Bear Cat". Robey then instructed his company lawyer Irving Marcus to sue Phillips and Sun Records, hoping to use this as a test case to determine the legal status of all answer songs. While earlier pressings of Sun 181 bore the caption "(The Answer To Hound Dog)" above the A-side title, as a result of the legal action this was removed from all later pressings. In the 1980s, Sam Phillips conceded: "I should have known better. The melody was exactly the same as theirs, but we claimed the credit for writing the damn thing". CANNOTANSWER

How much money was involved?


Background: Woodes Rogers was the eldest son and heir of Woods Rogers, a successful merchant captain. Woodes Rogers spent part of his childhood in Poole, England, where he likely attended the local school; his father, who owned shares in many ships, was often away nine months of the year with the Newfoundland fishing fleet. Sometime between 1690 and 1696, Captain Rogers moved his family to Bristol. In November 1697, Woodes Rogers was apprenticed to Bristol mariner John Yeamans, to learn the profession of a sailor.
Context: The War of the Spanish Succession started in 1702, during which England's main maritime foes were France and Spain, and a number of Bristol ships were given letters of marque, allowing them to strike against enemy shipping. At least four vessels in which Rogers had an ownership interest were granted the letters. One, Whetstone Galley, named for Rogers' father in law, received the letters before being sent to Africa to begin a voyage in the slave trade. It did not reach Africa, but was captured by the French. Rogers suffered other losses against the French, although he does not record their extent in his book. He turned to privateering as a means of recouping these losses. In late 1707, Rogers was approached by William Dampier, a navigator and friend of Rogers' father, who proposed a privateering expedition against the Spanish. This was a desperate move on the part of Captain Dampier to save his career. Dampier had recently returned from leading a two-ship privateering expedition into the Pacific, which culminated in a series of mutinies before both ships finally sank due to Dampier's error in not having the hulls properly protected against worms before leaving port. Unaware of this, Rogers agreed. Financing was provided by many in the Bristol community, including Thomas Goldney II of the Quaker Goldney family and Thomas Dover, who would become president of the voyage council and Rogers' father in law. Commanding two frigates, Duke and Duchess, and captaining the first, Rogers spent three years circumnavigating the globe. The ships departed Bristol on 1 August 1708. Dampier was aboard as Rogers' sailing master. Rogers encountered various problems along the way. Forty of the Bristol crew deserted or were dismissed, and he spent a month in Ireland recruiting replacements and having the vessels prepared for sea. Many crew members were Dutch, Danish, or other foreigners. Some of the crew mutinied after Rogers refused to let them plunder a neutral Swedish vessel. When the mutiny was put down, he had the leader flogged, put in irons, and sent to England aboard another ship. The less culpable mutineers were given lighter punishments, such as reduced rations. The ships intended to force the chilly Drake Passage off the tip of South America, but expedition leaders soon realised that they were short of warm clothing and alcohol, which was then believed to warm those exposed to cold. Considering the latter the more important problem, the expedition made a stop at Tenerife to stock up on the local wine, and later sewed the ships' blankets into cold weather gear. The ships experienced a difficult inter-oceanic passage; they were forced to almost 62deg South latitude, which, according to Rogers, "for ought we know is the furthest that any one has yet been to the southward". At their furthest south, they were closer to as-yet-undiscovered Antarctica than to South America. CANNOTANSWER
Question: what error had he made?. Whats the answer?


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Corbin Bleu Reivers (; born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the High School Musical film series (2006-2008). Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the Billboard Hot 100.

And his second album Speed of Light was released on March 10, 2009, via Hollywood Records. In an interview with Billboard, Bleu stated: The album's first single, "Moments That Matter", was performed by Bleu at Kids' Inaugural: "We Are the Future". It was released a teaser from the music video. The song has been featured in Bleu's movie Free Style, and which was released with a music video. The album failed to debut on Billboard Top 200 album charts. Producer Eric Hudson was attached to the project, along with songwriter/lyricist Claude Kelly. Bleu performed the planned tracks "Close", "Whatever It Takes", and "Champion" on a summer concert tour with singer/actor Justin Stein. According to sources, the album sold less than 4,000 in its first week, despite promotion from Myspace. The album spawned the singles "Celebrate You", was released in January 2009. Bleu performed that song at Disneyland as part of the 25th anniversary of the Disney Parks Christmas Day Parade. The song is the official song of the "Year of Celebration" at the Disneyland Resort and the "What Will You Celebrate?" campaign at the Walt Disney World. In 2009, he sings the duet "If We Were a Movie" with Miley Cyrus for the Hannah Montana 3 soundtrack album. In 2017, Bleu signed a one-album recording contract with The Ghostlight Records to distribute his Holiday Inn, The New Irving Berlin Musical soundtrack music, will be released digitally in June 2, 2017. The album will feature a twenty-one song, the album is produced by Kurt Deutsch with Todd Whitelock serving as coproducer and Universal Stage Productions as executive producer. CANNOTANSWER


Fairport Convention are a British folk rock band. Formed in 1967, they are widely regarded as a key group in the English folk rock movement. Their seminal album Liege & Lief is considered to have launched the British folk rock movement, which provided a distinctively English identity to rock music and helped awaken much wider interest in traditional music in general. The band have drawn heavily on the Child Ballads, songs of the British Isles from the later medieval period until the 19th century.

Fairport Convention were soon playing regularly at underground venues such as UFO and The Electric Garden, which later became the Middle Earth club. After only a few months, they caught the attention of manager Joe Boyd who secured them a contract with Polydor Records. Boyd suggested they augment the line-up with another male vocalist. Singer Iain Matthews (then known as Ian MacDonald) joined the band and their first album, Fairport Convention, was recorded in late 1967 and released in June 1968. At this early stage Fairport looked to North American folk and folk rock acts such as Joni Mitchell, Bob Dylan, and The Byrds for material and inspiration. The name "Fairport Convention" and the use of two lead vocalists led many new listeners to believe that they were an American act, earning them the nickname 'the British Jefferson Airplane' during this period. Fairport Convention played alongside Jefferson Airplane at the First Isle of Wight Festival, 1968. After disappointing album sales they signed a new contract with Island Records. Before their next recording Judy Dyble was replaced by the band with Sandy Denny, a folk singer who had previously recorded as a soloist and with Strawbs. Denny's distinctive voice, described by Clive James as 'open space, low-volume, high-intensity', is one of the characteristics of two albums released in 1969: What We Did on Our Holidays and Unhalfbricking. These recordings marked the growth of much greater musicality and song-writing ability among the band. The first of these featured the Thompson-penned "Meet on the Ledge", which became their second single and eventually the band's unofficial anthem. During the recording of Unhalfbricking, Matthews left after having sung on only one song, eventually to form Matthews Southern Comfort. He was not replaced; the other male members covered his vocal parts. The album featured a guest appearance by Birmingham folk fiddler Dave Swarbrick on a recording of "A Sailor's Life", a traditional song brought to the band by Denny from her folk club days. The recording of this track marked an important turning point for the band, sparking an interest in traditional music in Ashley Hutchings that led him to detailed research in the English Folk Dance and Song Society Library at Cecil Sharp House; this theme would become the basis for their next, much more ambitious, recording project. These two albums began to gain the band wider recognition. Radio DJ John Peel championed their music, playing their albums on his influential BBC shows. Peel also recorded a number of sessions which were later released as the album Heyday (1987). They enjoyed some mainstream success when they entered the singles charts with "Si Tu Dois Partir", a French-language version of Bob Dylan's "If You Gotta Go, Go Now". The record just missed the top twenty, but secured the band a slot on Top of the Pops, Britain's most popular television pop music programme at the time. In 1969 four members of the band, one uncredited and three with pseudonyms, featured as backing musicians on the album Love Chronicles by Scottish folk artist Al Stewart. CANNOTANSWER

what albums did they have?


Background: William Morris Hughes,  (25 September 1862 - 28 October 1952) was an Australian politician who served as the seventh Prime Minister of Australia, in office from 1915 to 1923. He is best known for leading the country during World War I, but his influence on national politics spanned several decades. Hughes was a member of parliament from 1901 until his death, the only person to have served for more than 50 years. He represented six political parties during his career, leading five, outlasting four, and being expelled from three.
Context: Hughes and his followers, which included many of Labor's early leaders, called themselves the National Labor Party and began laying the groundwork for forming a party that they felt would be both avowedly nationalist as well as socially radical. Hughes was forced to conclude a confidence and supply agreement with the opposition Commonwealth Liberal Party to stay in office. A few months later, the Governor-General, Sir Ronald Munro Ferguson, persuaded Hughes and Liberal Party leader Joseph Cook (himself a former Labor man) to turn their wartime coalition into a formal party. This was the Nationalist Party of Australia, which was formally launched in February. Although the Liberals were the larger partner in the merger, Hughes emerged as the new party's leader, with Cook as his deputy. The presence of several working-class figures--including Hughes--in what was basically an upper- and middle-class party allowed the Nationalists to convey an image of national unity. At the same time, he became and remains a traitor in Labor histories. At the May 1917 federal election Hughes and the Nationalists won a huge electoral victory. At this election Hughes gave up his working-class Sydney seat and was elected for Bendigo, Victoria, becoming the first of only a handful of people who have represented more than one state or territory in the Parliament. Hughes had promised to resign if his Government did not win the power to conscript. Queensland Premier T. J. Ryan was a key opponent to conscription, and violence almost broke out when Hughes ordered a raid on the Government Printing Office in Brisbane, with the aim of confiscating copies of Hansard that covered debates in the Queensland Parliament where anti-conscription sentiments had been aired. A second plebiscite on conscription was held in December 1917, but was again defeated, this time by a wider margin. Hughes, after receiving a vote of no confidence in his leadership by his party, resigned as Prime Minister. However, there were no credible alternative candidates. For this reason, Munro-Ferguson used his reserve power to immediately re-commission Hughes, thus allowing him to remain as Prime Minister while keeping his promise to resign. CANNOTANSWER
Question: how did he persuade him to do that?

Answer:


Background: Clarence Eugene "Hank" Snow (May 9, 1914 - December 20, 1999) was a celebrated Canadian-American country music artist. In a career that spanned more than 50 years, he recorded 140 albums and charted more than 85 singles on the Billboard country charts from 1950 until 1980. His number-one hits include the self-penned songs "I'm Moving On", "The Golden Rocket" and The Rhumba Boogie and famous versions of "I Don't Hurt Anymore", "Let Me Go, Lover!", "I've Been Everywhere", "Hello Love", as well as other top 10 hits.
Context: Snow returned to live with his mother and stepfather, again without holding down steady work. Instead, he attempted to get by just peddling fish door-to-door or landing occasional jobs that included transporting passengers and their luggage by horse-drawn buggy to and from the train station in Lunenburg; unloading salt and coal ships; raking scallops and hauling loads of dried cod into a warehouse for processing and shipping. One winter, after being reunited with his father, he cut pulpwood and firewood on his father's farm in the backwoods at Pleasantville, Nova Scotia. At one point, Snow spotted a picture of a guitar for $12.95 in Eaton's catalogue. He figured he could sell his old guitar for five dollars, but - since he still wasn't working - wondered how he would raise the additional $7.95. The answer came when a storeowner in the village of Blue Rocks, Nova Scotia, hired him to paint yellow pinstripes on the wooden spokes of his brand new car. He offered to pay Snow two dollars per wheel. After the new guitar arrived, Snow experimented by playing runs and chord progressions in the style of Jimmie Rodgers. He also sang and played in an old fishhouse where local men stored their gear. Soon, Snow was invited to perform in a minstrel show in Bridgewater to help raise money for charity. "Someone blackened my face with black polish and put white rings around my eyes and lips," Snow recalls. When his turn came in the show, he played a song called "I Went to See My Gal Last Night." "My debut was a big success," Snow writes. "I even got a standing ovation." In March 1933, Snow wrote to Halifax radio station CHNS asking for an audition. The rejection letter he received only made him more determined and later that year he visited the station, was given an audition and hired to do a Saturday evening show that was advertised as "Clarence Snow and his Guitar." After a few months, he adopted the name "The Cowboy Blue Yodeler" in homage to his idol Jimmie Rodgers known as "America's Blue Yodeler." Since Snow's Saturday show had no sponsor, he wasn't paid for his performances, but he did manage to earn money playing halls and clubs in towns where people had heard him on the radio. He also played in Halifax theatres before the movies started and performed, for $10 a week, on a CHNS musical show sponsored by a company that manufactured a popular laxative. At the urging of the station's chief engineer and announcer, he adopted the name Hank because it went well with cowboy songs and once again, influenced by Jimmie Rodgers, he became "Hank, The Yodeling Ranger." Snow also appeared occasionally on the CBC's regional network. On September 2, 1935, he married Minnie Blanche Aalders, a young Halifax woman, born in Kentville, Nova Scotia, who worked in a local chocolate factory. She soon became pregnant and gave birth to their only child, Jimmie Rodgers Snow. CANNOTANSWER
Question: Did Hank fall on hard times?. Whats the answer?


The earliest Super Furry Animals track commercially available is "Dim Brys: Dim Chwys", recorded in 1994 for Radio Cymru: an ambient piece, the track shows the band's techno roots. However, by the time it was released (on the "Triskedekaphilia" compilation album in August 1995), the band had already put out their debut EP on the Ankst label. The Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch (In Space) EP appeared in June 1995 and has been listed in the Guinness Book of Records as having the longest-ever title for an EP. The Moog Droog EP followed in October 1995, named after the synthesiser manufacturer Robert Moog and the Nadsat term for "friend" in A Clockwork Orange. The EP's title is also a pun on the Welsh "mwg drwg", meaning "wacky baccy" (slang for cannabis, more literally "bad (or naughty) smoke"). The lyrics on all the tracks on both EPs were in Welsh, except for "God! Show Me Magic" from "Moog Droog". After gigging in London in late 1995, they were noticed by Creation Records boss Alan McGee at the Camden Monarch club, who signed them to his label. Creation was also home to Primal Scream, My Bloody Valentine and Teenage Fanclub, and had recently found massive commercial success with Oasis. The band have said that having watched their gig, McGee asked them if they could sing in English rather than Welsh in future shows. In fact, by this stage they were singing in English, but McGee didn't realise because their Welsh accents were so strong. The Super Furry Animals received some criticism in the Welsh media for singing in English, something which the band felt "completely pissed" about. According to drummer Dafydd Ieuan: "It all started when we played this festival in West Wales, and for some reason the Welsh media started foaming at the mouth because we were singing songs in Welsh and English. But they get The Dubliners playing and they don't sing in Irish. It's ridiculous." The band have claimed that the decision to sing in English was taken in order to broaden their fanbase. In 1999, NME readers named them 'best new band' in January (this despite the fact it was now three years since they released their debut album). In May, the single "Northern Lites" was released and made No. 11 in the charts. A dense production, with steel drums clattering out a calypso rhythm whilst Rhys sang an irreverent lyric about the El Nino-Southern Oscillation weather phenomenon, it was an apt taster for the new album, Guerrilla. Recorded at the Real World Studios, the album retained SFA's pop melodies but took a less guitar-centric approach to their execution and was their most experimental work to date. Layers of samples over brass, percussion and Gruff's melodic singing produced an album which took the freewheeling approach of 1960s groups such as The Beatles, The Beach Boys and The Velvet Underground and updated it to the late 1990s. The album swung from glam and garage rock numbers ("Night Vision", "The Teacher") to novelty techno ("Wherever I Lay My Phone (That's My Home)"), ambient indietronica ("Some Things Come From Nothing") and upbeat drum and bass ("The Door To This House Remains Open"). For the cover art, Pete Fowler created the band's first three-dimensional models, rather than the paintings he had supplied for the Radiator album and singles. After playing several of the summer festivals, SFA released "Fire in My Heart", the most soulful track from Guerrilla, in August and saw it chart at No. 25. They then embarked on a US and UK tour. SFA finished their UK tour at the Cardiff International Arena in Cardiff, where they showcased the first ever concert in surround sound and broadcast it on the World Wide Web. January 2000 involved a series of changes for SFA. The last single from Guerrilla, "Do or Die", was released and made No. 20. It was also the last single SFA released on Creation Records, as founder Alan McGee set off to pursue other interests. It had always been SFA's plan to release their next album on their own label, Placid Casual, as it would be a deliberate sidestep from their recent work: a largely acoustic album of Welsh language songs entitled Mwng. Meaning "mane", its lilting melodies established that SFA's songwriting did not have to fall back on head-spinning production tricks. A limited edition (of 3000) 7 inch record, "Ysbeidiau Heulog" (meaning "Sunny Intervals") preceded Mwng in May 2000. It came backed with "Charge", a hard-rock jam recorded as a Peel Session for the BBC. The album, released the same month, sold remarkably well for a non-English LP - it made No. 11 in the charts - and received a rare distinction for a pop record, being commended in Parliament for its efforts in keeping the Welsh language alive. 2000 also saw the Furries contribute two tracks, Free Now and Peter Blake 2000, for the Liverpool Sound Collage project, which was nominated for a Grammy. They undertook this remixing of unreleased Beatles recordings at the invitation of Paul McCartney, whom they had met at the NME Awards, where they had won Best Live Act. With the demise of Creation, SFA needed to find a new label for their next album. Sony had long held a substantial stake in Creation and offered deals to many ex-Creation artists, including SFA, who signed with one of Sony's subsidiaries, Epic. The band pushed for a deal which allowed them to take a new album elsewhere if the label wasn't interested in releasing it - thereby allowing them to find a home for any esoteric project they might want to undertake in the future. The greater resources afforded them by Epic were apparent in their first album for the label, Rings Around the World, an album that recaptured the cohesive, experimental feel of Guerrilla but more song-driven and sonically expansive. It is cited by many critics and fans alike as their most polished and accessible work. Again the first single was a good indication of what was to come: "Juxtapozed with U", released in July 2001, was a lush soul record which made No. 14 in the charts. The album followed in the same month and major label marketing muscle made it their biggest-seller to date, reaching No. 3 in the album charts. One of the tracks from the album, "Receptacle For the Respectable" featured Paul McCartney on "carrot and celery rhythm track" (a homage to his performance on the Beach Boys' "Vegetables"). SFA unleashed their experimental side on tracks such as "Sidewalk Serfer Girl" (which switches between light techno-pop and hardcore punk), "[A] Touch Sensitive" (gloomy trip-hop) and "No Sympathy" (which descends into chaotic drum'n'bass), but also apparent was an angrier edge to the lyrics: "Run! Christian, Run!" seemed to be an attack on the complacency of organised religion. Rings Around the World is also remarkable for being the world's first simultaneous release of an audio and DVD album. It was nominated for the Mercury Music Prize in 2001. The ceremony took place on the day after the terror attacks on the World Trade Center and the Pentagon, and SFA's performance of the album track "It's Not the End of the World?" took on a somewhat bitter edge. It was released as a single in January 2002 (chart No. 30), following "(Drawing) Rings Around the World" (chart No. 28): neither had that much impact but still received some airplay, notably on BBC Radio 2. The next album, Phantom Power, relied less on sound experimentation and proved to be a more stripped-down, back-to-basics recording in contrast to the orchestral Rings Around the World. It was also released as both a CD and DVD album in July 2003, preceded by a single, "Golden Retriever", in June (chart No. 13). Although the reviews for the album were generally good and it sold well initially, charting at No. 4, the album broke little new ground by SFA's standards and the band had fallen out of fashion, receiving little coverage in the music press. Another single, "Hello Sunshine", hit No. 31 in October 2003 and was eventually featured on the soundtrack of The O.C.. CANNOTANSWER

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Rufus McGarrigle Wainwright (born July 22, 1973) is an American-Canadian singer, songwriter, and composer. He has recorded seven albums of original music and numerous tracks on compilations and film soundtracks. He has also written a classical opera and set Shakespeare sonnets to music for a theater piece by Robert Wilson. Wainwright's self-titled debut album was released through DreamWorks Records in May 1998.

Through weekly shows at Cafe Sarajevo, Wainwright was on the Montreal club circuit and eventually cut a series of demo tapes produced by Pierre Marchand, who later produced Wainwright's album Poses. The resulting tapes impressed his father Loudon, who passed them on to his friend Van Dyke Parks. Parks sent the recordings to Lenny Waronker, the DreamWorks executive who eventually signed Wainwright to his label. Waronker stated the following of Wainwright: "When I was about to listen to his tape, I remember clearly I was thinking, 'Gee, if he has the mom's musicality and smarts, and the dad's smarts and voice, that'd be nice.' Then I put it on and I said, 'Oh, my God, this is stunning.'" The singer moved to New York City in 1996, performing regularly at Club Fez. He relocated to Los Angeles that year and began his first studio album, 1998's Rufus Wainwright. Waronker paired Wainwright with producer Jon Brion, and the two spent most of 1996 and 1997 making the record. Wainwright recorded 56 songs in total, on 62 rolls of tape. The sessions cost $700,000. Wainwright's self-titled debut received critical acclaim; Rolling Stone recognized it as one of the best albums of the year, and named the singer "Best New Artist" of the year. Wainwright was nominated for four awards by the Gay & Lesbian American Music Awards, including Album of the Year, Pop Recording of the Year and Video of the Year, and won for Best New Artist. Rufus Wainwright won a GLAAD Media Award for Outstanding Music Album and a Juno Award for Best Alternative Album. However, commercial success of the album was limited; the debut failed to chart in any country, though he ranked No.24 on Billboard's Top Heatseekers chart. In 1996 Wainwright toured the UK as "Special Guest" of Kate & Anna McGarrigle. He toured with Sean Lennon in 1998 and began his first headline tour later that year. In December 1998, he appeared in a Gap commercial directed by Phil Harder, performing Frank Loesser's "What Are You Doing New Year's Eve?". In March 1999, Wainwright began a headlining tour in Hoboken, New Jersey. CANNOTANSWER

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Tatchell was born in Melbourne, Australia. His father was a lathe operator and his mother worked in a biscuit factory. His parents divorced when he was four and his mother remarried soon afterwards. Since the family finances were strained by medical bills, he had to leave school at 16 in 1968.

Tatchell's book Democratic Defence was published in 1985. This outlined how defence of the United Kingdom might be assured after the nuclear disarmament that he and the Labour Party were then committed to. (Labour has since abandoned this policy.) Tatchell argued that the British military was still organised on an imperialist strategy of basing troops abroad rather than on a strategy of defending the UK itself against foreign attacks. Citing the problems that the British army was facing in Northern Ireland, he argued that their long-established methods were ineffective against guerilla warfare. He argued for a range of methods to liberalise the regime in the armed forces so that troops could be allowed to join trade unions and political parties, and to end [what he referred to as] the "bull" of "petty regulations" and harsh punishments for violating them. He upheld the British Home Guard as an example of a citizens' army that had been effective in fighting Nazi Germany, and also upheld the armed forces of Sweden, Switzerland and Yugoslavia as effective in deterring foreign aggression. Tatchell argued for withdrawal from NATO and for the establishment of a European Self-Defence Organisation, independent of both the United States and the Soviet Union. Regarding the United States, he felt that Europe had become too dependent on their military protection and that this was inappropriate given the differing interests of many European countries. He condemned the Soviet Union's invasions of Czechoslovakia and of Afghanistan, as well as condemning its internal repression. He wrote, "It is quite evident that the Soviet system today represents the complete opposite of everything that the left in the West is striving for..." He quoted with approval Enoch Powell's argument that the threat from the Soviet Union to the UK was exaggerated. CANNOTANSWER

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Therapy? are an alternative metal band from Northern Ireland. The band was formed in 1989 by guitarist-vocalist Andy Cairns from Ballyclare and drummer-vocalist Fyfe Ewing from Larne, Northern Ireland. The band initially recorded their first demo with Cairns filling in on bass guitar. To complete the lineup, the band recruited Larne bassist Michael McKeegan.

On 18 February 2014, the band began pre-production on studio album number 14 with producer Tom Dalgety in their now usual surroundings of Blast Studios in Newcastle. The session finished on 28 February with 18 tracks laid down in demo form. Having chosen 11 songs, the band began recording the album proper on 17 April 2014 and it was completed on 30 April 2014. The album, entitled Disquiet, was released on the bands' new record label on 23 March 2015. Pre-orders of the album were announced on 23 February 2015 and included an instant download of two album tracks and an exclusive pre-order track called We Kill People. A digital only single called Still Hurts, featuring two more non-album tracks, was released on 9 March 2015. The band began the first leg of their Disquiet Tour in the UK in March, before taking in the Netherlands, Belgium and Germany, and returning to the UK throughout April. Their performance in Utrecht was filmed by 'Quantum VR Media' for a future 360 VR release. In early May, Therapy? recorded a session for XFM, their 4th overall following previous sessions in 2001, 2004 and 2012. Deathstimate was released as a download only single on 30 October 2015. The single Tides was released on 15 April 2016, although it was available in early March to purchase on limited edition CD at the bands' UK tour performing the Infernal Love album in its entirety. Summer festivals on the European circuit followed, including a date at the Wacken Open Air in Germany. Therapy? performed a fully acoustic "Wood & Wire" tour through Belgium, Holland, Austria, Germany and the UK from 14 November until 1 December 2016. A newly recorded 11 track acoustic album entitled Wood & Wire was available for purchase on CD at these shows. A six date Irish Wood & Wire tour took place in April 2017. On 21 July 2017 the band announced a double live acoustic album, Communion: Live at the Union Chapel, for release on 21 August 2017. The album was recorded in London on 1 December 2016 during the "Wood & Wire" European tour. CANNOTANSWER

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Background: Arvydas Romas Sabonis (born December 19, 1964) is a Lithuanian retired professional basketball player and businessman. Recognized as one of the best European players of all time, he won the Euroscar six times, and the Mr. Europa Award twice. He played in a variety of leagues, and spent seven seasons in the National Basketball Association (NBA), in the United States. Playing the center position, Sabonis won a gold medal at the 1988 Summer Olympics, in South Korea, for the Soviet Union, and later earned bronze medals at the 1992 Olympic Games and 1996 Olympic Games, while representing Lithuania.
Context: Sabonis is married to Ingrida Mikelionyte, the first Miss Lithuania, a fashion model, and a movie actress. They have a daughter named Ausrine, and three sons: Zygimantas, Tautvydas, and Domantas - the last two being born in the cities his father was playing, Valladolid and Portland. Once Sabonis left the NBA, the family moved to the Spanish coastal city of Malaga. Tautvydas played for the Unicaja Malaga junior team, and was a member of the Lithuania under-19 national team that won the 2011 FIBA Under-19 World Cup. He later played in Mallorca. The other two sons have also represented Lithuanian national teams, in FIBA youth tournaments of their age groups; in August 2011, Domantas was touted as Lithuania's top under-15 player. During the 2012 FIBA Europe Under-16 Championship, Domantas averaged 14.1 points and 14.4 rebounds per game. Domantas went on to play at Unicaja, but did not play under a professional contract; which enabled him to sign to play college basketball at Gonzaga, beginning in the 2014-15 season. After playing two seasons at Gonzaga, Domantas declared for the 2016 NBA draft, and was selected 11th overall by the Orlando Magic. He was immediately sent to the Oklahoma City Thunder, in a trade that involved three other players. Zygimantas chose not to follow Domantas to the U.S., and is currently a free agent, after spending his last season with Pozuelo. In September 2011, Sabonis suffered a heart attack, while playing basketball in Lithuania. Doctors said that the heart attack was not life-threatening. According to his son, Domantas, Arvydas is a huge fan of the Boston Celtics, his favorite basketball player is Larry Bird, and his favorite color is green. CANNOTANSWER
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Faye Wong (born 8 August 1969) is a Hong Kong singer-songwriter and actress, often referred to as the "diva" (Chinese: Tian Hou ; literally: "Heavenly Queen") among Chinese speakers. Early in her career she briefly used the stage name Shirley Wong. Born in Beijing, she moved to British Hong Kong in 1987 and came to public attention in the early 1990s by singing in Cantonese, often combining alternative music with mainstream Chinese pop. Since 1997 she has recorded mostly in her native Mandarin.

Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER

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Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.

In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day. Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style. In 1937, Parker played at a jam session at the Reno Club in Kansas City. His attempt to improvise failed when he lost track of the chord changes. This prompted Jo Jones, the drummer for Count Basie's Orchestra, to contemptuously throw a cymbal at his feet as a signal to leave the stage. However, rather than discouraging Parker, the incident caused him to vow to practice harder, and turned out to be a seminal moment in the young musician's career when he returned as a new man a year later. In 1938 Parker joined pianist Jay McShann's territory band. The band toured nightclubs and other venues of the southwest, as well as Chicago and New York City. Parker made his professional recording debut with McShann's band. As a teenager, Parker developed a morphine addiction while hospitalized after an automobile accident, and subsequently became addicted to heroin. He continued using heroin throughout his life, and it ultimately contributed to his death. CANNOTANSWER

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Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys (1601-1680), a tailor, and Margaret Pepys (nee Kite; died 1667), daughter of a Whitechapel butcher. His great uncle Talbot Pepys was Recorder and briefly Member of Parliament (MP) for Cambridge in 1625. His father's first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, and appointed Lord Chief Justice of Ireland on 25 September 1655. Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor.

The diary gives a detailed account of Pepys' personal life. He liked wine, plays, and the company of other people. He also spent time evaluating his fortune and his place in the world. He was always curious and often acted on that curiosity, as he acted upon almost all his impulses. Periodically, he would resolve to devote more time to hard work instead of leisure. For example, in his entry for New Year's Eve, 1661, he writes: "I have newly taken a solemn oath about abstaining from plays and wine..." The following months reveal his lapses to the reader; by 17 February, it is recorded, "Here I drank wine upon necessity, being ill for the want of it." Pepys was one of the most important civil servants of his age, and was also a widely cultivated man, taking an interest in books, music, the theatre and science. He was passionately interested in music; he composed, sang, and played for pleasure, and even arranged music lessons for his servants. He played the lute, viol, violin, flageolet, recorder and spinet to varying degrees of proficiency. He was also a keen singer, performing at home, in coffee houses, and even in Westminster Abbey. He and his wife took flageolet lessons from master Thomas Greeting. He also taught his wife to sing and paid for dancing lessons for her (although these stopped when he became jealous of the dancing master). Pepys was known to be brutal to his servants, once beating a servant Jane with a broom until she cried. He kept a boy servant whom he frequently beat with a cane, a birch rod, a whip or a rope's end. CANNOTANSWER

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Lord Randolph died in 1895, aged 45. His death freed Jennie to move effortlessly in spite of her impecuniosity; she mixed in the highest London society circles, and was much-admired by the Prince of Wales. Attending a party hosted by Daisy Warwick, Jennie was introduced to George Cornwallis-West, who was just 26 days older than Winston; he was instantly smitten, and they spent much time together. A captain in the Scots Guards, George had two sisters: Constance (known as Shelagh) was the first wife of the 2nd Duke of Westminster; Daisy was married to the Prince of Pless. George and Jennie were married on 28 July 1900 at St Paul's Church, Knightsbridge. Around this time, Jennie became well-known for chartering the hospital ship RFA Maine to care for those wounded in the Second Boer War, for which she received the decoration of the Royal Red Cross (RRC) in the South Africa Honours list published on 26 June 1902. In 1908, she wrote her memoirs The Reminiscences of Lady Randolph Churchill. George doted on Jennie, amorously nicknaming her "pussycat". However, they drifted apart. The Churchills were becoming a dedicated-literary family, and George, who was a financial failure in the City, slowly fell out of love with his wife, who was old enough to be his mother. Short of money, Jennie contemplated selling the family home in Hertfordshire to move into the Ritz Hotel in Piccadilly. George was in fragile health when he recuperated at the royal skiing resort of St Moritz. Jennie took to writing plays for the West End, in many of which the star was Mrs. Patrick Campbell. Jennie separated from George in 1912, and they were divorced in April 1914, whereupon, in a bit of irony, Cornwallis-West married Mrs. Campbell. Jennie dropped the surname Cornwallis-West, and resumed, by deed poll, the name Lady Randolph Churchill. Her third marriage, on 1 June 1918, was to Montagu Phippen Porch (1877-1964), a member of the British Civil Service in Nigeria, who was younger than Winston by three years. At the end of World War I, Porch resigned from the colonial service. After Jennie's death, he returned to West Africa, where his business investments had proven successful. CANNOTANSWER

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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

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