One Good Cop

One Good Cop is a 1991 American crime drama film written and directed by Heywood Gould and starring Michael Keaton, Rene Russo, Anthony LaPaglia and Benjamin Bratt. Keaton portrays New York City Police Department Detective Artie Lewis, who, with his wife Rita (Russo), adopts his late partner's (LaPaglia) children and loves them as their own. He also targets one of the criminals responsible for his partner's death. He initially seeks justice for his adoptive children, but ultimately chooses retaliation by robbing his quarry to support his new family, endangering them and his career.
Plot.
Artie Lewis (Keaton) is a New York City Police Department detective who believes in his work, loves his wife Rita (Russo), and is close to his partner of eight years, Stevie Diroma (LaPaglia), a widower with three young daughters. After a hard, violent encounter in a housing project while on duty, Artie and Stevie reassure each other that, although battered and bruised, they have survived.
Stevie is then killed in the line of duty by drug addict Mickey Garrett (David Barry Gray) during a hostage situation. Stevie's daughters Marian (Grace Johnston), Barbara (Rhea Silver-Smith), and Carol (Blair Swanson) are left orphaned with no relatives able to take them in. Artie is informed that Stevie, in his will, had named Artie the legal guardian of his children in the event of his death.
Artie and Rita take the children in and want to adopt them. (It is revealed the couple are unable to have children of their own). However, Child Welfare Services decides that their apartment is too small for three children, and Barbara is a diabetic who needs daily insulin shots.
To gain the welfare agency's approval, Artie feels he must buy a house. The one he has chosen requires a $25,000 down payment that he does not have. In desperation, he grabs his gun and a ski mask and robs drug kingpin Beniamino Rios (Tony Plana), whom he has investigated and knows is indirectly responsible for Stevie's death and orphaning the girls since Garret killed Stevie under the influence of Rios' drugs.
Artie uses $25,000 of the take for a down payment on the house. He gives the rest to Father Wills (Vondie Curtis-Hall), who runs a local makeshift shelter, and admits to Rita how he got the money for their house. Beniamino's girlfriend Grace De Feliz (Rachel Ticotin) is actually an undercover narcotics agent who suspects Artie, but his superior, Lieutenant Danny Quinn (Kevin Conway), defends Artie as one of his best officers and no action is taken against him.
One of Beniamino's customers, who gave Artie a tip as to the location where Beniamino kept his money, breaks down under his questioning and gives Artie to the drug lord. Beniamino kidnaps Artie and tortures him to find out what he did with the money. Knowing that Artie will not reveal the information, and is about to be killed, Grace blows her cover and saves him. Together they are forced to kill Beniamino and his colleagues.
Artie writes a confession to Lt. Quinn, preparing to turn himself in for his crime. However, Father Wills turns in most of the money Artie gave him; he used only $200 dollars of it to pay for a museum trip with the shelter's children, and all of Artie's co-workers make up the rest of the stolen money. Grace refuses to testify against him after learning that Artie's actions were not motivated by greed but as a father, so the federal government walks away from the case to avoid compromising its field agents. Quinn understands Artie's motives, is short-staffed for good detectives, and out of loyalty to Artie's slain partner, whose kids will be fatherless again if Artie goes to prison, tells Artie that no charges will be filed against him. Quinn tears up the confession letter and sends Artie home to be with his wife and adoptive children.
Relieved from the ordeal, Artie happily calls Rita to tell her that he is coming home early, and that their family is still together.
Reception.
The movie received mixed reviews. Peter Rainer of the "Los Angeles Times" said that "The realism of this film is a kind of fraud. We’re supposed to be seeing how the ultra-violence of police work clashes with the ordinariness of a cop’s domestic life. And yet the many drug-bust shoot-'em-ups that we witness seem like so much spicing in the melodrama. " Janet Maslin of "The New York Times" plaintively observed: Owen Gleiberman of "Entertainment Weekly" gave the film a C-, dubbing it "a schizophrenic high-concept movie" with "an unconscionably cynical blend of violence and sentimentality."
In his review for the "Chicago Sun-Times", Roger Ebert wrote,
Ebert's main criticism of the film was towards its resolution, in which Michael Keaton's character does not lose his job or face criminal charges for his illegal actions:
Box office.
The movie in its first week debuted at No.2, making only $3.3 million.