Prelude in C-sharp minor (Rachmaninoff)

Sergei Rachmaninoff's Prelude in C-sharp minor (), Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces titled "Morceaux de fantaisie," it is a 62-bar prelude in ternary (ABA) form. It is also known as "The Bells of Moscow" since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.
Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had “aroused enthusiasm”. From this point on, its popularity grew.
Rachmaninoff later published 23 more preludes to complete a set of 24 preludes covering all the major and minor keys, to emulate earlier sets by Bach, Chopin, Alkan, Scriabin and others.
Background.
This work was one of the first the 19‑year‑old Rachmaninoff composed as a "Free Artist", after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five "Morceaux de fantaisie" (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.
Composition.
The prelude is organized into three main parts and a coda:
Reception.
The prelude became one of Rachmaninoff's most famous compositions. His cousin Alexander Siloti was instrumental in securing the Prelude's success throughout the Western world. In the autumn of 1898, he made a tour of Western Europe and the United States, with a program that contained the Prelude. Soon after, London publishers brought out several editions with titles such as "The Burning of Moscow", "The Day of Judgement", and "The Moscow Waltz". America followed suit with other titles (such as "The Bells of Moscow"). It was so popular that it was referred to as "The Prelude" and audiences would demand it as an encore at his performances, shouting "C-sharp!" Because of this, Rachmaninoff grew very tired of it and once said, "Many, many times I wish I had never written it."
Rachmaninoff recorded the piece electrically, on Welte-Mignon reproducing pianos, and on Ampico piano rolls.
The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it.