Robert Weede

Robert Weede (February 22, 1903 – July 9, 1972) was an American operatic baritone.
Life and career.
Born Robert Wiedefeld in Baltimore, Maryland, Weede studied voice at the Eastman School of Music and in Milan. He made his Metropolitan Opera debut in 1937, as Tonio in "Pagliacci". His other roles at the Metropolitan included the name part in "Rigoletto" (opposite Jussi Björling), Amonasro ("Aïda"), Manfredo ("L'amore dei tre re"), Shaklovity ("Khovanshchina") and Baron Scarpia ("Tosca"). It was with "Rigoletto" that he made his debuts in Chicago (1939), San Francisco (1940), and at the New York City Opera (1948).
At the New York City Opera, Weede also sang in "Pagliacci" and in the world premiere of William Grant Still's "Troubled Island", opposite Marie Powers, Marguerite Piazza and Robert McFerrin. In Mexico City, the baritone appeared with Maria Callas in 1950, in "Aïda" and "Tosca". Later, he sang again with Callas in Chicago, in "Il trovatore" and "Madama Butterfly".
In 1956, he scored a great success on Broadway as Tony Esposito in the original production of Frank Loesser's "The Most Happy Fella", which was recorded by Columbia Records. He was also seen on Broadway in "Milk and Honey" (1961–63, also recorded) and "Cry for Us All" (1970).
Weede's operatic recordings include excerpts from Bizet's "Carmen", for Columbia in 1946, with Risë Stevens conducted by Georges Sébastian; and an album of arias by Verdi for Capitol Records in 1953, conducted by Nicola Rescigno. In 2006, Lebendige Vergangenheit published a Compact Disc of excerpts from his Bizet and Verdi recordings, as well as various live performances from 1948 through 1954.
Weede often gave assistance to younger singers, especially John Alexander, Dominic Cossa, Mario Lanza, Jan Peerce, Seymour Schwartzman and Norman Treigle.
He died in Walnut Creek, California, in 1972.