Julian Gavin

Julian Gavin (born 1965) is an Australian-born British operatic tenor who has sung leading roles both in the United Kingdom and internationally. His full-length opera recordings include Don José in "Carmen" and the title roles in "Ernani" and "Don Carlos" for Chandos Records.
Life and career.
Julian Gavin was born in Melbourne to a musical family. His mother Val was a concert pianist and composer and his father Paul Gavin had been a professional singer before becoming a teacher. He received his Bachelor's degree in music from the University of Melbourne and then studied conducting at the Victorian College of the Arts in Melbourne before training as an opera singer, at first with his father, and then at the National Opera Studio in London. He initially covered roles for Opera North before making his UK debut as Alvaro in "La forza del destino" for English National Opera. He went on to sing for the company as its resident Principal Tenor in roles that included Alfredo in "La traviata", The Duke of Mantua in "Rigoletto", Rodolfo in "La bohème", Cavaradossi in "Tosca", and the title roles in "The Tales of Hoffmann", "Ernani" and "Il trovatore". He has since sung these roles in the opera houses of Europe, Australia, and North America.
Gavin has appeared in over ten productions for Opera Australia, including Romeo in Gounod's "Roméo et Juliette" for which he won the 2006 Green Room Award for Best Male Principal in an opera performance. His North American appearances have included Hoffmann in "The Tales of Hoffmann" (Washington National Opera 2001), Gustavo in "Un ballo in maschera" (Boston Lyric Opera 2007), and Dick Johnson in "La fanciulla del West" (Opéra de Montréal 2008). In October 2010, he made his role debut as Radames in Verdi's "Aida" for Opera Queensland.
The title role in Verdi's "Don Carlos" has been an important one in Gavin's career. He made his Royal Opera House debut in the role in 1996 when he took over from Roberto Alagna in Luc Bondy's production and sang it at the Edinburgh International Festival in 1998 as well as in productions at the New Israeli Opera, Opera North, and Minnesota Opera. In 2009 he recorded the role for the Chandos "Opera in English" series. Another key role (also recorded for Chandos) has been Don José in "Carmen" in which he made his debut at the Vienna State Opera and which he has also sung for the English National Opera, Zurich Opera, Opera Australia, Lausanne Opera, Royal Swedish Opera, and the Teatro Real in Madrid.
Gavin has sung the role of Riccardo/Gustavo in Verdi's "Un ballo in maschera" several times in his career, most recently for the Opéra National de Bordeaux in 2008, but in 2002 he made the news for not singing it. Before rehearsals began, he withdrew from the English National Opera's notorious production by Calixto Bieito which included a chorus of men seated on toilets, a mass Nazi salute and a homosexual rape scene. He was widely quoted as calling the production "a travesty" and "an act of artistic vandalism".
Although Gavin's principal repertoire is 19th-century Italian and French opera, he has sung in several works by Czech and German composers, notably Laca in "Jenůfa" (Opera North); Jenik in "The Bartered Bride" (Glyndebourne Festival Opera); Florestan in "Fidelio" (Opera Australia) and The Prince in "Rusalka" (Opera Australia). He has also appeared in two rarities: Bizet's unfinished opera "Ivan IV" at the Théâtre des Champs-Élysées in 2002 and César Franck's "Hulda" for the 1994 world premiere of the complete opera. His performances in 20th-century works include John Stephen Beaumont in Nicholas Maw's "The Rising of the Moon", broadcast by the BBC in 1995 and Arvito in Italo Montemezzi's "L'amore dei tre re" which he sang for Opera Holland Park in 2007.
Gavin is now a British citizen and resides in London with his wife and five children. In addition to his opera performances he teaches in the Department of Vocal Studies at the Guildhall School of Music and Drama.
In 2015 Gavin was invited to become a Patron of the Australian performing arts charity, the Tait Memorial Trust; he has since joined their music board.