Juan Trigos

Juan Trigos (born February 26, 1965) is a Mexican composer and conductor, with a career of over 25 years.
Biography.
Trigos was born in Mexico City, and studied music there at the National Conservatory and the Instituto de Liturgia Música y Arte "Cardinal Miranda". He continued his studies in Italy at the Pontificio Istituto di Musica Sacra of Rome, the Conservatorio di Musica "G. Verdi" (Milan), the Civica Scuola di Musica (Milan), and the Academy "Lorenzo Perosi" (Biella). Among his most important teachers are Franco Donatoni, Niccolò Castiglioni, Giovanni Bucci and Jesús Villaseñor (composition), Gianpiero Taverna, Franco Gallini, Domenico Bartolucci, and Xavier González Tescucano (conducting), Enzo Stanzani, Margot Fleites and Miguel Agustín López (piano).
Activity as a composer.
Trigos is an active composer, creator of the concept "Abstract Folklore", a process in which he abstracts and assimilates various literary and vernacular musical traditions into a modern compositional rhetoric. Some of the principles behind this concept are elements such as primary pulsation, the resonance and the interrelation of polyrhythmic/polyphonic musical events and segments of different density and duration. Is founded on the abstraction and manipulation of original materials or taken from diverse sources. The material is always susceptible to innovation, not only in a pure speculation sense, but also as the assimilation of the musical experience.
As a composer, whose work has been performed worldwide, two fundamental aspects distinguish his musical production: vocal music (opera and sacred) and symphonic music, both with a remarkable predilection for large-scale forms. His more relevant compositions include five symphonies, four operas, three Cantatas Concertantes, Concertos for several instruments and his production for guitar.
Winner of the 2020 Fromm Commission of the Fromm Music Foundation at Harvard University. One of Juan Trigos’s orchestral works most performed in the United States and in Mexico is his Symphony N.3 Ofrenda a los Muertos (Offering to the Dead), commissioned by the Houston Symphony in 2013. Extremely important also his contribution to the guitar repertoire. As a highly distinguished composer, he has been invited by the Eastman School of Music as the Howard Hanson Visiting Professor 2017. Currently he is member of Sistema Nacional de Creadores de Arte (Mexico).
Important orchestras, institutions and performers had commissioned him different kinds of works. Among the latest and most significant are: 
He has presented and conducted his operas "DeCachetitoRaspado" "(CheekToStubbledCheek)" and the trilogy "Mis" "Dos Cabezas Piensan Peor Que Una" "(My Two Heads Think Worse Than One)", in several theatres and international festivals in Croatia, Italy, Mexico, and the USA such as Rialto Theater of Atlanta (USA 2015), Festival Internazionale Spazio Musica of Cagliari (Italy 2007), Palacio de Bellas Arte (Mexico City 2005), Lisinski Hall of Zagreb (Croatia 2005), Festival Internacional Cervantino, Teatro Principal and Teatro Juárez (Guanajuato 2003 and 2005), Foro Internacional de Música Nueva "Manuel Enríquez", Teatro de las Artes (Mexico City 2003), 22 Music Biennale of Zagreb, National Theatre (Croatia 2003), Festival Internacional Musica y Escena, Teatro Helénico (Mexico City 1999).
His music has been recorded mainly by iTinerant Classic (Spain), Quindecim Recordings, Spartacus Classics (Mexico), and performed in several cities of the following countries: Argentina, Brazil, Canada, Costa Rica, Croatia, France, Germany, Great Britain, Guatemala, Italy, Japan, Mexico, Netherlands, Russia, Slovenia, Spain, Switzerland and the USA.
In the musical composition area, he obtained the following awards and fellowships: Howard Hanson Visiting Professor – Eastman School of Music (USA 2017); Fomento a Proyectos y Coinversiones FONCA (Mexico 2015) – Awarded for carry out the performance of his opera "DeCachetitoRaspado" in Atlanta with the Bent Frequency Ensemble; Sistema Nacional de Creadores de Arte (Mexico 2001–2006, 2009–2011, 2012–2015); Canadian Music Center – Associate Composer since June 2006; Magazine – Líderes Mexicanos 2002 – Appointed as one of the 300 Mexican leaders; Colegio de Compositores Latinoamericanos de Música de Arte – Composer member (Mexico 2000); International Composition Competition "SINFOMNICA 2000" 1st prize with his Guitar Concerto n. 1 "Ricercare VI" (Guadalajara, Mexico); Fomento a Proyectos y Coinversiones FONCA – Awarded for carry out the recording on CD of the Chamber Opera "DeCachetitoRaspado" (Mexico 2000); International "Rodrigo Riera" Guitar Composition Competition – Honorable Mention with "Ricercare VI" (Indiana USA – Caracas Venezuela 1999); Composition Competition "Carlos Jiménez Mabarak" – 1st prize with "Ricercare de Cámara V" (Mexico 1996); "Crossroads of Traditions (the Second Inter – American Composition Workshop)" – Selected to participate as a composer: Bloomington School of Music, Indiana University, Latin American Music Center 1996 (USA); "Medalla Mozart" and the grant awarded by the "Fundación Cultural Domecq" and the government of Austria (Mexico 1995), Jóvenes Creadores of Fondo Nacional para la Cultura y las Artes – FONCA (Mexico 1995).
At the beginning of his career, he has also ended finalist of several international music competitions such as International Composition Competition "Osterfestspiel Salzburg 1994" (Short list), with his "Ricercare II"; Concorso Internazionale di Composizione "Nuove Sincronie 1993" of Milan, Italy (finalist) with "Ricercare I; Internacional Gaudeamus Music Week" of Amsterdam (The Netherlands). Finalist in 1991 with "Prologo" from "Magnificat Guadalupano," and in 1993 with "Danza Concertante".
Activity as a conductor.
As a conductor, Trigos has specialized particularly in contemporary music and in music from the 20th century. He has premiered, promoted, and recorded an extensive catalogue of new works with numerous ensembles, choirs and orchestras around the world. As Music Director and Principal Conductor of the Sinfónica de Oaxaca (Mexico), among other successful projects, during 2016 Trigos recorded for the Spanish label iTinerant, four monographic compact discs with works by Mexican composers Carlos Jiménez Mabarak (to celebrate his 100th year of birth), Víctor Rasgado, Jesús Villaseñor and his own.
He was Artistic Director and Principal Conductor of the Academia Cervantina (2014), ensemble created by the Festival International Cervantino (Mexico) to promote the training of high-level performers specialized in 20th century and contemporary music.
As Principal Conductor of the "Eastman BroadBand Ensemble" (USA), he participated in many international tours and recorded for Bridge Records (2010) and Urtext (2012) two monographic CDs, respectively with music by Zohn-Muldoon (finalist for 2011 Pulitzer Prize) and Sánchez-Gutiérrez.
Trigos was also Music Director and Principal Conductor of Orquesta Sinfónica de Guanajuato (2012–2014). With this orchestra he recorded a triple CD with music by Mexican composers Gutiérrez-Heras, Lavista, Quintanar, Trigos and Vidaurri (Quindecim 2014), two monographic CDs respectively with music by Carlos Chávez and "The Sleeping Beauty" by Spanish composer Rubén Someso.
At 35 years old he was appointed as Principal Conductor and Music Director of the "Orquesta de Camara de Bellas Artes (National Chamber Orchestra)" in Mexico City. At the age of 32 Founder, Artistic Director and Conductor of the "Sinfonietta de las Américas" with which he recorded for "Global Entertainment" and BMG Entertainment three CDs with chamber and orchestral music by the German composer "Gerhart Muench".
He was Principal Guest Conductor of the ensemble "La Camerata de las Américas," dedicated particularly to contemporary music"." With this ensemble he recorded several CDs with music by Revueltas, Rasgado and his own. He was also Founder and Principal Conductor of "Musica XX Ensemble" and "Sones Contemporáneos Ensemble" in Milan (Italy).
As a guest conductor he has worked with numerous symphony orchestras, ensembles and choirs, in Canada, USA, Europe, and Mexico. Among some of the most important are Orquesta Sinfónica Heredia (Costa Rica), Orquestrae Sinfônica de Sergipe (Brazil), Houston Symphony Orchestra (USA), Orquesta Sinfónica de Xalapa (Mexico), Orchestra Sinfonica "Tito Schipa" (Italy), Orquesta Filarmónica de la Universidad Autónoma de México "OFUNAM" (Mexico), Zagreb Philharmonic Orchestra (Croatia), Orquesta Filarmónica de la Ciudad de México (Mexico), State Symphony Orchestra of Saint Petersburg (Russia), Orquesta del Teatro de la Opera del INBA (National Opera House Orchestra – Mexico), Orquesta Sinfónica Nacional (National Symphony Orchestra, Mexico), Cincinnati College Conservatory – Orchestra Concert (USA), "I Pomeriggi Musicali" (Italy). San Francisco Contemporary Music Players (USA), Bent Frequency Ensemble (USA), ensemble CEPROMUSIC (Mexico), Accidental Music Festival Ensemble (USA), New Music Concerts Ensemble (Canada), Eastman School of Music Ensemble (USA), Icarus Ensemble (Italy), Donatoni Project Ensemble (Canada), Contemporary Vocal Ensemble of Bloomington (USA), Solistas Ensamble del Instituto Nacional de Bellas Artes (Mexico), Academic Choir “Ivan Goran Kovacic” (Croatia), Academic Choir Saint Petersburg-Concert (Russia), and Chorus of the "Pontificio Istituto di Musica Sacra" di Roma (Italy).
Festivals.
He has participated in several festivals as a composer and conductor, such as Foro Internacional de Música Nueva "Manuel Enríquez" (Mexico City), Festival Internacional Cervantino (Guanajuato, Mexico), Festival Internacional de Chihuahua (Mexico), Stony Brook University Chamber Music Festival (USA), 2° Biennale Internazionale di Musica Contemporanea Koper (Slovenia), Festival de Música de la CEGAC (Guanajuato, Mexico), Festival "Spaziomusica" (Cagliari, Italy), Festival "Humánitas" (Oaxaca, Mexico), "22 Music Biennale Zagreb" (Croatia), 39th International Music Festival Pula 2002 (Croatia), XXXV Stagione, Torino e Regione (Italy), Festival “Ponte sul Mincio” (Italy), Festival del Centro Histórico (Mexico City), Festival "Arte 01" (Mexico City), XI Foro Internacional de Compositores del Caribe (Jalapa, Mexico), "Mexican Contemporary Music Festival" (Cincinnati, USA), Festival "Callejón del Ruido" (Guanajuato, Mexico), "Festival Nuove Sincronie" (Milano, Italy), "Gaudeamus Music Week" (Amsterdam, Netherlands).
Teaching activity.
Throughout twenty years of teaching, he organized successful workshops in which he had the opportunity to work with students of different levels of study and cultural backgrounds. In collaboration with Franco Donatoni, he organized an International Composition Course and Festival over four consecutive years (Mexico City 1993–96), attended by a large number of national and international composers, ensembles, and soloists. He was the principal teacher of composition, analysis, and orchestration at the "Instituto Cardenal Miranda" (Mexico City), and the University of Guanajuato. He also lectured and conducted composition seminars, workshops, master classes, and symposiums at several other institutions in Europe, United States, Canada, Costa Rica, and Mexico. Among the most noteworthy are University of Kentucky at Lexington (USA), Georgia State University (USA), Northwestern University—Bienen School of Music (USA), CEPROMUSIC (Mexico City), Centro de las Artes de San Agustín Etla (Oaxaca, Mexico), University of Louisville (USA), Houston Symphony Orchestra – Lectures about Symphony n. 3 "Ofrenda a los muertos" (USA), Universidad Veracruzana (Mexico), University of Costa Rica, College – Conservatory University of Cincinnati (USA), University of Tampa (USA), Conservatorio F. A. Bonporti of Riva del Garda (Italy), Centro Nacional de las Artes (Mexico City), Eastman School of Music (USA), Rotterdam Conservatory of Music (Netherlands), Conservatoire de Musique de Montreal (Canada), Bloomington School of Music (USA) and San Francisco State University (USA).
Discography.
He has recorded in USA for Bridge Records (2009) and DarkPress. In Italy for Stradivarius, in Spain for iTinerant and in Mexico for Quindecim, FECA of Veracruz, "Colegio de Compositores Latinoamericanos de Música de Arte" and UAM, BMG Entertainment, Urtext Classics, Global Entertainment, Euram and Spartacus Classics.