Ron Geesin

Ronald Frederick Geesin (born 17 December 1943) is a Scottish musician, performer composer and writer noted for his very unusual creations and novel applications of sound.
Career.
Ron Geesin started his career from 1961 to 1965 as pianist with The Original Downtown Syncopators (ODS), a revivalist jazz band emulating the American Original Dixieland Jazz Band. The band was based in Crawley, Sussex, UK. Geesin is well known for his collaborations with Pink Floyd and Roger Waters. After the band found themselves hopelessly deadlocked over how to complete the title track from "Atom Heart Mother" in 1970, Pink Floyd entrusted the backing track mix on tape with him while they went on a USA tour. He analysed and mapped the whole tape, then composed all the material, including melodies, for 10 brass, 20 choir and solo cello. When the group returned from the USA, the work was recorded in EMI Abbey Road Studios. Before this, Geesin also collaborated with the band's Roger Waters (the two men shared a love of golf) on the soundtrack for the unconventional cinema feature film “The Body” and subsequently compiled the album "Music from "The Body"" (1970), adding two hilarious new tracks, including sound samples from the human body.
After leaving the Original Downtown Syncopators, Geesin’s ‘chance careering’ took three main distinct but parallel routes: 1) live improvised performances in venues as diverse as folk clubs and the Royal Albert Hall; 2) music and effects for The Media, including all four main UK radio channels, and advertising, documentary and feature films; 3) stand-alone works for LPs and CDs.
After his first solo album in 1967, "A Raise of Eyebrows", Geesin launched one of the first one-man record companies with the self-released "As He Stands", "Patruns", and "Right Through". In 1971 he produced and played on the pastoral "Songs for the Gentle Man" by Bridget St John. Many of his electronic compositions were used as soundtracks to ITV's 1970s and 1980s television broadcasts for schools and colleges. After scoring "The Body" (1970), his other film scores include John Schlesinger's film "Sunday Bloody Sunday" (1971), "Ghost Story" (1974), "Sword of the Valiant" (1984) and "The Girl in the Picture" (1985).
In the 1990s, Headscope released a pair of CDs, "Funny Frown" and "Bluefuse", melding modern technology with appropriated and found sounds. In 1994, Cherry Red Records released the "Hystery" CD, an overview of his career. In 1995, Cleopatra Records released his "Land of Mist" CD, a collection of instrumental ambience. In 1995, See for Miles Records re-issued his first two vinyl albums on CD. Headscope followed in 2003 with the CD "Right Through - and Beyond", a reissue of his last vinyl album, unissued material and a "Sour New Year" suite.
Geesin has long been interested in the potential for environmental sound and video installations. In the late 1960s and early 1970s he collaborated with the film maker Stephen Dwoskin on several Underground films including "Chinese Checkers", "Alone" and "Naissant". In 1970 he produced a sound-work for the British pavilion at the Osaka world fair. During the 1990s, he collaborated with the artist Ian Breakwell on video projects such as the large-scale work "Auditorium" and live art pieces such as "Christmas Carol" (1991) in which four synchronised figures dressed in Santa Claus costumes performed in Newcastle's Northumberland Street, having been banned from the Gateshead MetroCentre. In 1990 he designed and produced the 'Tune Tube', a giant interactive sound and light installation at the MacLellan Galleries, as part of ‘Glasgow 1990’.
One of his rare appearances with other artists on the same album was on the record "Miniatures - a sequence of tiny masterpieces" (Cherry Red Records, 1980) produced by Morgan Fisher. Like all the other 50 tracks on the album, Geesin's exhilarating synth/vocal/banjo track "Enterbrain Exit" was about one minute long.
In 2008 “Atom Heart Mother” was recreated live on stage at the Cadogan Hall, Chelsea, London, featuring brass, choir, cello, and Italian Pink Floyd tribute band Munn Floyd. The track was presented alongside a Geesin solo performance; “"Atom Heart Mother"” itself was extended to 35 minutes, developing the cello solos and taking in a section originally as written and again as recorded differently. David Gilmour joined the musicians for the second performance. In 2012 the French Education System chose it to be studied within the prestigious Baccalauréat 2012-2013. Geesin took part in the glorious live performance that was also videoed at the Théatre du Châtelet, Paris in January 2012 as an introduction to the students who attended and to all others throughout France.
Geesin's 2011 album, a dense, continuous work 50 minutes long, is called "Roncycle1: the journey of a melody" and is available from Tonefloat Records in the Netherlands. In 2012, he was asked by The History Press to write his version of the history of “Atom Heart Mother (suite)”, published in July 2013 and titled "The Flaming Cow". An avid collector of adjustable spanners (wrenches), amassing 3,000 specimens over a thirty-year period, in 2016 he published ""The Adjustable Spanne"r" because nobody else had done so. Late in 2020 Headscope published his collected writings ""The Stapled Brain".
In 2019, the Italian avantgarde label Dark Companion published "ExpoZoom"", an unissued work commissioned by the British Council to Geesin for the British Pavilion at the 1970 expo in Japan.
Geesin is married to the artist Frances Geesin. The couple collaborated in 1990 on an interactive installation of three panels called ‘"Tri-Aura"’ at The Science Museum, London.