The Mill and the Cross

The Mill and the Cross () is a 2011 drama film directed by Lech Majewski and starring Rutger Hauer, Charlotte Rampling and Michael York. It is inspired by Pieter Bruegel the Elder's 1564 painting "The Procession to Calvary", and based on Michael Francis Gibson's 1996 book "The Mill and the Cross". The film was a Polish-Swedish co-production. Filming on the project wrapped in August 2009. It premiered at the Sundance Film Festival on January 23, 2011.
Plot.
The film focuses on a dozen of the 500 characters depicted in Bruegel's painting. It consists of a series of vignettes depicting everyday peasant life, interspersed with monologues from some of the principal characters, including Bruegel explaining the structure and symbolism of his painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564.
Reception.
, "The Mill and the Cross" holds a 79% approval rating on review aggregator Rotten Tomatoes, based on 42 reviews with an average rating of 7.41/10. Metacritic, which uses a weighted average, assigned a score of 80 out of 100, based on 17 critics, indicating "generally favorable reviews".
Roger Ebert from the Chicago Sun-Times gave the film 4 stars out of four and stated: "If you see no more than the opening shots, you will never forget them. It opens on a famous painting, and within the painting, a few figures move and walk. We will meet some of those people in more detail." Joe Bendel: "... one of the standouts at this year’s Sundance". "Variety"s Dennis Harvey wrote: "While hardly an exercise in strict realism a la "The Girl With the Pearl Earring", the pic details rustic Flanders life with loving care, from costuming to simple machinery. Pic's narrative content ... is hardly straightforward or propulsive. ... the film is never dull, and frequently entrancing." Harvey thought that if marketed cleverly, the film "could prove the Polish helmer's belated international breakthrough". Neil Young of "The Hollywood Reporter" complimented the technical achievements, but called the film "ambitious but frustratingly flat". He described the English dialogue as "mostly clunky" and thought the film "has too much of a stodgy Euro-pudding feel". On the other hand, in his review for the San Francisco International Film Festival, executive director Graham Leggat wrote: "...the narrative is not the point—the extraordinary imagery is. The painting literally comes to life in this spellbinding film, its wondrous scenes entering the viewer like a dream enters a sleeping body."