The Witch Who Came from the Sea

The Witch Who Came from the Sea is a 1976 American psychological horror film produced and directed by Matt Cimber and starring Millie Perkins, Lonny Chapman, Vanessa Brown, Peggy Feury, Rick Jason, George Buck Flower, and Roberta Collins. The film centers on an emotionally scarred woman who goes on a killing spree after taking a job as a waitress in a seaside bar. Its title refers to "The Birth of Venus", which figures in the film. The film was released the same year as "The Sailor Who Fell from Grace with the Sea". Dean Cundey was associate photographer on the picture.
Plot.
Molly is a troubled alcoholic woman living in the Venice Beach section of Los Angeles. She is obsessed with television, and suffers from extreme sexual repression stemming from the molestation she experienced by her sea captain father, who was lost at sea during her childhood. Her sister, Cathy, is candid about her disgust for their father, but Molly deludedly tells romanticized stories about him to her nephews, Tadd and Tripoli.
Molly departs for her shift as a bartender at a seaside tavern run by a man named Long John, who is also her lover. However, she first meets with two famous football players in a hotel room, with whom she engages in a sadomasochistic threesome. She ties both men to the bed before placing gags in their mouths, and proceeds to castrate them with straight razor before killing them. After committing the murders, Molly arrives for her bartending shift and is nearly three hours late, which Long John chastises her for; however, he is reluctant to fire her as the bar is short-staffed.
Later, Molly meets aging television star Billy Batt at a party, and the two discuss a print of "The Birth of Venus" on the wall. They go to a room to have sex, but Molly inexplicably becomes enraged, breaking his wrists before ranting incoherently about her father, whom she says "died for love." Their fight escalates and is overheard by party guests, and Billy throws Molly out of the room onto the ground, knocking her unconscious. Unaware of what occurred, Long John and the other partygoers accuse Billy of abusing her; Molly has no recollection of the incident.
Molly goes and sees Jack Dracula, a tattoo artist in near the boardwalk who gives her a tattoo of a mermaid on her abdomen. After, she phones Alexander McPeak, another actor she met at the party, who expressed romantic interest in her despite his relationship with his neurotic girlfriend, a starlet named Clarissa Jenks. The next morning, an enraged Clarissa fires a gun into the tires of Alexander's car, and is charged with assault with a deadly weapon. Detectives question Alexander about Clarissa, suspecting she may be responsible for the recent murders of the football players. Meanwhile, Cathy becomes suspicious of Molly after learning that the clothing found stuffed in the men's mouths resembles clothing owned by Molly.
Alexander and Molly have an affair, and Molly brutally slashes his throat with a razor before castrating him in his bathroom. The next morning, Long John awakens to find Molly lying in bed beside him, nude and covered in blood. She claims the blood is her own, and that she hurt herself while drunk the night before. She later admits to Long John and Doris, her co-worker, that her father died of a heart attack while raping her, and that she blames herself for his death. She also admits to the murders. Moments later, Tadd and Tripoli arrive, insisting they visit their aunt Molly, whom they have not seen for an extended period. The three visit briefly, but the children are unaware that Molly is overdosing on sleeping pills. As the police arrive to arrest her, she envisions herself alone, aboard a yacht on the sea.
Production.
The film was written by Robert Thom, actress Millie Perkins's then-husband, who was undergoing extensive medical care at the time. Thom's hospital bills had become a financial burden for the couple, so Thom devised the screenplay for the film, for Perkins to star. The screenplay was composed of elements from both Perkins's and Thom's own lives (Perkins's father was a merchant marine), and Perkins's sister was upset about the film as she feared it would tarnish their father's honor.
Censorship.
In 1983, the United Kingdom Department of Public Prosecutions compiled a list of 72 video releases that were not brought before the BBFC for certification and declared them prosecutable for obscenity. This list of "video nasties" included "The Witch Who Came From the Sea", but it was in the sub-group of 33 titles that were unsuccessfully prosecuted and was soon dropped from the DPP list. In the United Kingdom, the film was eventually released completely uncut in 2006 with a complete running time of 87m 43 secs.
Release.
Home media.
The film was released on DVD by Subversive Cinema on December 21, 2004. Subversive Cinema later re-released the film on August 17, 2007 as a part of its 2-disk "Grindhouse Classics" double feature. On May 20, 2014 it was released by Cinema Epoch. It was released for the first time on Blu-ray by Arrow Video on December 5, 2017. Arrow also released the film on DVD that same day.
Reception.
On Rotten Tomatoes, the film holds an approval rating of 75% based on , with a weighted average rating of 5.8/10. 
Film critic Mark Kermode recommended the film as one of the best video nasties of the era. Brett Gallman from "Oh, the Horror" wrote, "For all its glib asides, "The Witch Who Came from the Sea" leaves the haunting image of a woman undone by a world that never lived up to the fantasies inside of her television set."
Casey Scott from "DVD Drive-in" called the film "an unsung psychological gem" among 1970s exploitation films. Chris Coffel from "Bloody Disgusting" gave the film a score of 4/5, writing, ""The Witch Who Came from the Sea" is a movie people need to see. Again it’s not horror in the typical sense, though it was a video nasty, but it is without question horrific. And despite grim nature, the film is quite beautiful thanks to the DP work of the legendary Dean Cundey." Todd Martin from "HorrorNews.net" called the film "a hidden gem", praising the film's bleak tone, and Perkins' performance.