The Emerald Forest

The Emerald Forest is a 1985 British adventure drama film set in the Brazilian rainforest, directed by John Boorman, written by Rospo Pallenberg, and starring Powers Boothe, Meg Foster, and Charley Boorman with supporting roles by Rui Polanah, Tetchie Agbayani, Dira Paes, Estee Chandler, and Eduardo Conde. It is allegedly based on a true story, although some dispute this. The film was screened out of competition at the 1985 Cannes Film Festival. In promoting the film for awards competition, Boorman created the first Oscar screeners, but the film received no Academy Award nominations.
Plot summary.
Bill Markham (Powers Boothe) is an engineer who has moved to Brazil with his family to work on a large hydro-electric dam. The film opens on Markham, his wife Jean (Meg Foster), his young son Tommy (William Rodriguez), and his daughter Heather (Yara Vaneau) having a picnic on the edge of the jungle, which is being cleared for the dam's construction. Tommy wanders from the cleared area, and an Indian (Rui Polanah) from one of the indigenous tribes known as the Invisible People notices Tommy and takes him. Markham pursues the pair into the forest but does not find his son.
Ten years later, the dam is nearing completion. A 17-year-old Tommy (Charley Boorman), now called Tomme, has become one of the Invisible People. Tomme undergoes a vision quest, where his spirit animal tells him he must retrieve sacred stones from a remote spot deep in the jungle and, after becoming a man, marry a woman named Kachiri (Dira Paes). Chief Wanadi, the man who took and adopted Tommy, warns him that the quest will be dangerous, as it will take him into the territory of the cannibalistic Fierce People.
Meanwhile, Markham has finally identified his son's abductors. Markham and a journalist decide to set off bottle rockets to attract the attention of the Invisible People. Instead, they attract the Fierce People and are captured. Armed with a CAR-15 carbine, Markham is able to defend himself long enough to talk with Chief Jacareh (Claudio Moreno) who releases Markham for the night, promising to hunt him down in the morning, while the Fierce People kill and butcher the journalist. Close to dawn, Markham stumbles into Tomme collecting the sacred stones. The two recognize each other just as the Fierce People arrive, shooting Markham in the shoulder. Tomme and his father manage to escape, leaving Markham's carbine behind. In the care of the Invisible People, Markham recovers from his injuries and undergoes a vision quest, waking up back at the dam's construction zone. Markham asked Chief Wanadi why he took Tommy all those years ago. Chief Wanadi answered that he thought the white people must be terribly unhappy, since they were destroying the forest, but Tommy smiled at the Invisible People when he saw them; the Chief took Tommy to save him.
Jacareh, recognizing the destructive power of Markham's carbine, visits a seedy brothel at the edge of the construction zone and arranges to exchange women for ammunition and more guns. Tomme and his friends return to their village to discover that many of the Invisible People have been murdered and all the young women abducted by the Fierce People. Desperate for help, Tomme navigates the city to his parents' condo, and Markham agrees to help rescue the women from the brothel.
That night, Markham initiates a shootout in the brothel while Tomme and his friends release the enslaved women from captivity. In the ensuing battle, the Fierce People kill several members of the Invisible People, including Chief Wanadi. Tomme is later sworn in as the new chief of the tribe. Markham warns Tomme that the almost-completed dam will end the tribe's way of life, but Tomme insists that the Invisible People are safe. During a storm, Markham places demolition explosives at key points along the dam, but the detonator seems to fail. It is not clear if either the explosives or the storm manages to breach the dam. Markham watches its destruction with mixed emotions.
The film ends with Tomme and Kachiri sitting at the swimming hole near their village in the jungle, watching the members of their tribe splash and play.
Reception.
As of 2018, "Rotten Tomatoes" assigns it an 81% approval rating out of 16 reviews. "The Emerald Forest" was designated a Critics' Pick by a "New York Times" reviewer, who called it "compelling and richly atmospheric". In a negative review, Paul Attanasio of the "Washington Post" called it "long, wheezy tribute to the Noble Savage" and more of "a National Geographic special" than a proper film.
It was nominated for 3 BAFTA Awards, for Cinematography, Make Up, and Score.
Inspiration.
The film was promoted as "based on a true story". Critic Harlan Ellison in his book "Harlan Ellison's Watching" wrote that attempts by SCAN to get background information on the real story revealed that Rospo Pallenberg's original screenplay was based on several stories, including an article in the "Los Angeles Times" about a Peruvian labourer whose child had been abducted by a local Indian tribe and located sixteen years later almost fully assimilated. Pallenberg's agent told SCAN that while director John Boorman had said that he read the original "L.A. Times" article, in fact, he had not, but was simply working from Pallenberg's screenplay. According to SCAN, Boorman told NPR's "All Things Considered" that the son was still living with the tribe in 1985, and identified the tribe as "the Mayoruna", yet detailed anthropological studies of that tribe do not mention an adopted outsider.
A possible additional source for "The Emerald Forest" is the book "Wizard of the Upper Amazon" (1971). The story is an autobiographical account of Manuel Córdova-Rios’ kidnapping when he was a teenager working for rubber cutters in the Amazon in the early 1900s. He was taken by a group of Native Amazonians to their remote Indian village. These Amazonians were fiercely independent and had fled into the interior because they refused to live under the subservient conditions imposed by the rubber barons at that time. Cordova-Rios was incorporated into their tribe and describes a life strikingly similar to the one depicted in "The Emerald Forest".
Contrary to Ellison's conclusion, a contemporaneous January 1985 review in "Variety" magazine states up front that the movie is "[b]ased on an uncredited true story about a Peruvian whose son disappeared in the jungles of Brazil." The "Los Angeles Times" article also mentioned that the Peruvian child had at the time decided as an adult to stay with his adoptive tribe.
First Oscar screeners.
Because Embassy Pictures was struggling in the year of "Emerald Forest"'s release, the film did not receive a traditional "For Your Consideration" advertising campaign for the 1985 Academy Awards. Boorman took the initiative to promote the film himself by making VHS copies available for no charge to Academy members at several Los Angeles-area video rental stores. Boorman's idea later became ubiquitous during Hollywood's award season, and by the 2010s, more than a million Oscar screeners were mailed to Academy members each year. However, "Emerald Forest" itself received no nominations from Boorman's strategy.