Los Lobos

Los Lobos (, Spanish for "the Wolves") is an American rock band from East Los Angeles, California. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. The band gained international stardom in 1987, when their version of Ritchie Valens' "La Bamba" topped the charts in the U.S., the UK and several other countries. Songs by Los Lobos have been recorded by Waylon Jennings and Frankie Yankovic. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. In 2018, they were inducted into Austin City Limits Hall of Fame. They are also known for performing the theme song for "Handy Manny".
History.
1973–79: Formation and early releases.
Vocalist and guitarist David Hidalgo and drummer Louie Pérez met at Garfield High School in East Los Angeles, California, and bonded over their mutual affinity for obscure musical acts such as Fairport Convention, Randy Newman and Ry Cooder. Pérez recalls, "We’re looking at each other, 'You like this stuff? I thought I was the only weird one.' So I went over to his house one day for about a year, which we spent listening to records, playing guitars, and starting to write songs." The two borrowed reel-to-reel recorders from a friend and created multitrack recordings of music spanning from parody songs to free-form jazz. They later enlisted fellow students Frank Gonzalez, Cesar Rosas and Conrad Lozano to complete the group's lineup, in 1973. Their first album, "Los Lobos del Este de Los Angeles", was recorded at two studios in Hollywood in 1977 over a period of about four months. At that time, they all had regular jobs, and it was hard to get together for the sessions. To accommodate that situation, their producer Louis Torres would call the engineer, Mark Fleisher, who owned and operated a high-speed tape duplicating studio in Hollywood, to find a studio when he knew all the band members could get off work that night. Most of the songs were recorded at a studio on Melrose Avenue, located next to the Paramount studios at the time, and a low-priced studio on Sunset Boulevard.
The band members were unsatisfied with playing only American Top 40 songs and began experimenting with the traditional Mexican music they listened to as children. This style of music received a positive reaction from audiences, leading the band to switch genres, performing at hundreds of weddings and dances between 1974 and 1980. However, Los Lobos took notice of the popular groups on the Hollywood music scene and added influences of rock to its sound.
Originally, they called themselves Los Lobos del Este (de Los Angeles) ("The Wolves of the East [of Los Angeles)]"), which was a play on the name of the norteño band Los Tigres del Norte; also, there was another conjunto band at the time named "Los Lobos Del Norte", who had released several albums already, and in fact Los Lobos del Este were from east L.A. The name was quickly shortened to Los Lobos.
1980–88: "How Will the Wolf Survive?" and commercial success.
The band's first noteworthy public appearance occurred in 1980 at the Olympic Auditorium in Los Angeles, when they were hired by David Ferguson and CD Presents to open for Public Image Ltd. In 1983, the band released an extended play entitled "...And a Time to Dance", which was well received by critics but sold only about 50,000 copies. However, the sales of the EP earned the group enough money to purchase a Dodge van, enabling the band to tour throughout the United States for the first time. Los Lobos returned to the studio in the summer of 1984 to record its first major-label album, "How Will the Wolf Survive?", in 1984. The album's title and the title song were inspired by a "National Geographic" article entitled "Where Can the Wolf Survive", which the band members related to their own struggle to gain success in the United States while maintaining their Mexican roots.
Los Lobos were exposed to Rock and Roll audiences when they opened for The Clash, a punk/new wave group, and they later opened for a Los Angeles band the Blasters, with influences in rhythm and blues and rockabilly. Steve Berlin, who was born in Philadelphia, was a saxophone player for the Blasters and then left the group to join Los Lobos. When he joined the group, Berlin spoke about his similar record collection to the other members of Los Lobos, where they shared loves for George Jones and Hank Williams. 
The film "Colors" includes "One Time, One Night" in the opening credits, although the song was not included on the soundtrack album. In 1986, members of Los Lobos appeared alongside Tomata du Plenty in the punk rock musical "". In 1987, they released a second album, "By the Light of the Moon". In the same year, they recorded some Ritchie Valens covers for the soundtrack of the film "La Bamba", including the title track, which became a number one single for the band. In 1988 they followed with another album, "La pistola y el corazón", featuring original and traditional Mexican songs.
1988–94: "The Neighborhood" and "Kiko".
In the late 1980s and early 1990s the band toured extensively throughout the world, opening for such acts as Bob Dylan, U2 and the Grateful Dead.
Los Lobos returned with "The Neighborhood" in 1990, and the more experimental "Kiko" (produced by Mitchell Froom) in 1992. In 1991, the band contributed a lively cover of "Bertha", a song which they often performed live, to the Grateful Dead tribute–rain forest benefit album "Deadicated." In 1994 they also contributed a track, "Down Where the Drunkards Roll", to the Richard Thompson tribute album "Beat the Retreat".
On the band's twentieth anniversary they released a two-CD collection of singles, outtakes, live recordings and hits, entitled "Just Another Band from East L.A."
1995–98: "Papa's Dream" and "Colossal Head".
In 1995, Los Lobos released the prestigious and bestselling record "Papa's Dream" on Music for Little People Records along with veteran guitarist and singer Lalo Guerrero. The band also scored the film "Desperado". The album track "Mariachi Suite" won a Grammy Award for Best Pop Instrumental Performance and stands as their last Grammy Award to date (the other two Grammy Awards were in the category of Best Mexican-American Performance in 1983 and 1989 for the song "Anselma" and the album "La Pistola y el Corazón").
In 1996, they released "Colossal Head". In spite of the fact that the album was critically acclaimed, Warner Brothers decided to drop the band from their roster. Los Lobos spent the next few years on side projects. The band contributed along with Money Mark to the AIDS benefit album "", produced by the Red Hot Organization, on which they performed "Pepe and Irene."
1999–2006: Mammoth Records, subsequent releases.
Los Lobos signed to Mammoth Records and released "This Time" in 1999. Mammoth also reissued 1977's "Del Este de Los Angeles". In 2000, Rhino/Warner Archives released the boxed set "Cancionero: Mas y Mas". 
In 2001, Los Lobos was awarded the El Premio "Billboard" Award.
The band released their Mammoth Records debut, "Good Morning Aztlan" in 2002. They released "The Ride" in 2004. "The Ride" featured Tom Waits, Mavis Staples, Bobby Womack, Elvis Costello and others covering Los Lobos music along with the band.
Los Lobos released its first full-length live-show DVD "Live at the Fillmore" in 2004. The DVD captures the band's act over a two-day period in July at the famed San Francisco venue.
In September 2006, Los Lobos released "The Town and the City" (Mammoth Records) to much critical acclaim. The album's lyrics deal with Louis Perez's childhood in East Los Angeles, while the music provides complex and original soundscapes reminiscent of their previous release "Kiko". Cartoonist Jaime Hernandez did the artwork for the album. The album is told in the first person, with each song serving as an episodic step.
2007–present.
In 2007, Los Lobos performed a cover of Bob Dylan's "Billy 1" (from "Pat Garrett & Billy the Kid") for the soundtrack to Todd Haynes's film "I'm Not There". Also in 2007, they participated in "" (Vanguard), contributing their version of Domino's "The Fat Man."
In 2009, the group under contract to Disney Music released an album of Disney covers, "Los Lobos Goes Disney" (Disney Sound/Walt Disney Records) and participated in a tribute album to the late Doug Sahm, "" (Vanguard).
In 2010, Cesar Rosas and David Hidalgo were featured artists in the Experience Hendrix Tour. On August 3, 2010, the group released their first album of new material in 4 years, entitled "Tin Can Trust", through Shout! Factory, which features two Spanish-language tracks.
In 2011, the group was awarded the Latin Grammy Lifetime Achievement Award.
In 2013, the group toured Europe supporting Neil Young and Crazy Horse.
On October 9, 2015, Los Lobos was nominated for induction into the Rock and Roll Hall of Fame for the first time.
In 2017, Los Lobos appeared in the multi award-winning documentary film "The American Epic Sessions" directed by Bernard MacMahon, where they recorded, “El Cascabel”, live direct-to-disc on the first electrical sound recording system from the 1920s. During their session, the belt holding the 100Ib weight that powered the 1924 cutting lathe broke and Jack White had to rush to an upholstery shop to repair it.
Los Lobos was inducted into the Austin City Limits Hall of Fame in 2018.
On October 4, 2019, Los Lobos released "Llegó Navidad", an album of Christmas music from Central America and South America with Mexican folk songs, as well as an original song by Hidalgo and Pérez.
On January 1, 2020, Los Lobos performed as the finale at the Rose Parade in Pasadena, California.