The Long Dark

The Long Dark is a first-person survival video game developed and published by Hinterland Studio. The player assumes the role of a crash-landed bush pilot Will Mackenzie who must survive the frigid Canadian wilderness after a geomagnetic regional storm disaster. The game received seed financing from the Canada Media Fund, and further funding was secured through a successful Kickstarter campaign in October 2013.
An alpha version was released through Steam Early Access in September 2014. The alpha version was later launched on the Xbox One as one of the first two launch titles associated with Microsoft's Game Preview Program in June 2015. Early reviews of the alpha release were generally positive, and the game went on to sell around 750,000 copies by April 2016. It was officially released on all aforementioned platforms on August 1, 2017, as well as for PlayStation 4. In 2017, it was announced that a film adaptation of "The Long Dark" was in the works. On September 17, 2020, it was announced that the game would be coming to Nintendo Switch later that same day.
Gameplay.
"The Long Dark" is a survival game set in an open world environment and played from a first-person perspective. The game takes place in the frigid Canadian wilderness where the player assumes the role of a crash-landed pilot struggling to survive after a geomagnetic storm. The gameplay is stated by the developers to be a "survival simulation that accounts for body temperature, caloric intake, hunger/thirst, fatigue, wind-chill, wildlife, and a host of other environmental factors." There are three game modes available to the player, "Story mode", "Survival mode", and "Challenge mode". During the game's alpha release, the player had access to Sandbox (Survival) mode, with an option to spawn in one of the six regions: "Mystery Lake", "Coastal Highway", "Pleasant Valley", "Forlorn Muskeg", "Desolation Point", and "Timberwolf Mountain", all of which are connected together through transition zones. There are currently 11 regions in the game, as 5 have since been introduced. These are named: "Mountain Town", "Broken Railroad", "Hushed River Valley", "Bleak Inlet" and "Ash Canyon".
The objective is for the player to survive as long as possible by scavenging and utilizing whatever resources they may find within the world. This includes commodities such as food, water, firewood, medicine, and tools such as weapons, axes, knives, and a myriad of other items. Wildlife is also present, such as deer which can be hunted for food, and wolves and bears which are a constant threat to the player as they venture outside. All items and wildlife are randomly spawned for every new game, so no two games will be alike for the player. Tools and items degrade over time, forcing the player to make careful decisions regarding their condition and their eventual need for repair. Fire, being a primary component, is necessary for warmth and cooking. The player has to forage for wood and fuel on a regular basis to stay alive. The player can also get sick from food poisoning and disease. "The Long Dark" simulates a full day/night cycle which is a fundamental part of the game. The game also simulates temperature and wind-chill, encouraging the player to monitor the weather and their clothing carefully at all times to prevent death from exposure. Initially, the game did not feature varied experience modes, but due to player demand, Hinterland added three experience modes to accommodate a range of playstyles, and a fourth mode added later. The easiest mode, "Pilgrim", is for players looking for a more exploratory experience, "Voyageur" is a middle ground and the most well rounded with regard to exploration and survival, "Stalker" offers a more hardcore survival experience, and "Interloper" is for players looking for a punishing, difficult experience.
Added late in 2017, "Custom" lets the player customize many of the gameplay elements to create a unique playstyle.
The save game system enforces careful decision making by the player; saving only when the player's avatar enters a building, sleeps, passes time or receives an injury. When the player dies the original save file is deleted, forcing the player to start a new game.
Story mode.
Story mode is episodic and was initially planned to be released late 2014, but was pushed back to late 2016. The name of the story is "Wintermute".
Development was pushed back again and the game was ultimately released on August 1, 2017, with the first two episodes of the five-part story released together. Episode one was entitled "Do Not Go Gentle" and episode two is called "Luminance Fugue".
A redux version of episodes one and two was released in December 2018, with many changes made to the gameplay, presentation and mission structure. Episode three was released October 22, 2019. Episode four is currently in development, while the status of episode five is unknown.
Development.
Following completion of his work as director on "", Raphael van Lierop left Relic Entertainment to work on projects which he felt were "more personal" and "more representative of [his] values". Van Lierop also left Vancouver, moving his family from the city to the northern part of Vancouver Island. Inspired by these new surroundings, he formed Hinterland and began to work on "The Long Dark", a game about surviving the Canadian wilderness. Hinterland wanted to explore a post apocalyptic world from the fringes, away from the urban apocalypse, which "we've all seen a million times" and away from "B-movie cliches like zombies". Van Lierop was also keen to impart a Canadian identity upon the game, having been frustrated with homogenised AAA video games which sacrificed character for mass market appeal, he summed up his approach with, "I'm Canadian. This game is Canadian. Deal with it."
When van Lierop announced the Hinterland team in September 2013, members included Alan Lawrance, formerly a lead at Volition, Marianne Krawczyk, writer of the "God of War" series, and David Chan, BioWare's first audio designer. A year later, they were joined by Ken Rolston, the lead designer of "". Hinterland operate as a virtual team, with its members working remotely. Lawrance cites his ability to work from home as a crucial factor in his decision to join Hinterland.
Hinterland obtained seed funding from the Canada Media Fund, and in September 2013, launched a Kickstarter campaign for "The Long Dark" to raise C$200,000 and build a community around the game. The campaign was successful, raising C$256,617 upon its completion in October 2013. PayPal contributions following the Kickstarter campaign pushed the final total to over C$275,000 by March 2014. Hinterland announced the game's voice cast during the Kickstarter campaign, allowing "The Long Dark" to capitalise on the actors' individual fan bases; the cast announced were Mark Meer, Elias Toufexis, Jennifer Hale and David Hayter. Hinterland were mindful of the game's scope, not wanting to expand the team's size and increase risk, and so limited their Kickstarter stretch goals to those that added quality, rather than those that added in-game content.
Van Lierop spoke of their studio's approach to early access at the 2015 Game Developers Conference where he warned against allowing the player community to dictate the game's direction. Van Lierop spoke of the differing play styles in the game's audience; though players that preferred a "hardcore survival" experience were in the minority, they were most vocal in the player community. Had Hinterland pandered to those requests, they might have alienated the silent majority of their player community.
In April 2016, Van Lierop posted an update about the Story-mode release, explaining that Hinterland had elected to delay the launch of Story mode until it contained 4-6 hours of initial gameplay instead of the originally planned 2 hours. He also declined to set a release date, saying, "You won't get another promise from me about when it will ship, until we are close enough to being done with it that I can say with 100% certainty, and give you a definitive date that I know isn't going to end up with us pushing out an experience we aren't 100% satisfied with". He pointed to the evolution of Sandbox mode as another reason for delay, saying that its popularity had grown to the point that Hinterland decided to bring back regular updates for it, even though it was originally conceived merely as a test-bed for the Story mode. His post also provided a developmental road-map with short-term, medium-term, and long-term goals for additions and improvements.
In February 2020, the developers asked Nvidia to remove "The Long Dark" from GeForce Now, a cloud streaming service, shortly after the service exited beta and went "live". The developers said that their game was improperly placed on the service without any sort of licensing agreement; Nvidia agreed to remove it as a result.
Reception.
Early access.
Following a period of alpha access exclusive to backers of the crowdfunding campaign, a version of the game featuring only its sandbox-style survival mode was released on Steam Early Access in September 2014 for Windows. It later arrived on Linux in November 2015. Early impressions from critics were generally favorable, but noted the incomplete nature of the game.
Leif Johnson, writing for "PC Gamer" in June 2014 felt that the game's small unchanging map rewarded rote memorisation whereas the game was most engaging when allowing the player to discover its systems. Andy Kelly, writing for the same publication a month later, praised the atmosphere, highlighting the art style, sound design and lighting. Kelly felt that the game's "focus on atmosphere and environmental survival" made it "[stand] out in an increasingly crowded genre". Also at "PC Gamer" Martin Musgrave wrote that The Long Dark made for one of the greatest survival games to date.
At "GameSpot", Shaun McInnis had similar thoughts, seeing that while the survival genre was becoming ever more crowded, "The Long Dark" was "one of the few games in this genre focused on capturing the solitary wonder of fighting to staying alive in the brutal wilderness". John Walker, writing at "Rock, Paper, Shotgun" in August 2014, enjoyed the game and found it "impressively full of things to do", but felt that the accelerated passage of time detracted from the realism. In an early access review for GameSpot in October 2014, Nick Capozzoli too criticised unrealistic systems, noting that one should not need "a dozen energy bars and a pound of venison to sustain yourself day-to-day" and that "a crowbar [shouldn't] lose half its integrity after being used to pry open a couple lockers". Instead of stretching his resources as a survivalist would, he felt "like an insatiable force that roves through the environment, picking it clean." Like Johnson, he criticised the limited area given to explore. With an update later that October, Hinterland doubled the size of the playable area, and expanded it again in February 2015 to bring the size of the game world to 25 km2.
"Wired" writer Matt Peckham labelled "The Long Dark" a "troubling yet beautiful gem", and joined IGN columnist Lucy O'Brien in recognizing the game's beautiful artistic vision, with O'Brien noting that "Developer Hinterland has gone to great lengths to make the world itself a beautiful place to explore". In a 2015 interview with Creative Director Raphael van Lierop about "The Long Dark"s launch on Xbox One, Gameranx's Holly Green addressed the unique nature of the game's survival mechanics, writing it was "one of the first pure survival games on console, separating the genre from its horror roots and taking its themes of minimalist resource management to their most logical conclusion".
Commercial reception.
By January 2015, the game had sold 250,000 copies and by August 2015, 500,000 copies had been sold. On April 2016, Hinterland announced that over 750,000 copies had been sold across all platforms and expressed gratitude over the 99.78% approval rating from the Steam user-base. As of September 2019, 3.3 million copies have been sold.
Accolades.
The game was nominated for "Best Art Direction", "Best Game Design" and "Best Music/Sound Design", and won the award for both "Best Writing" and "Strategy/Simulation" at the 2018 Webby Awards.