Roberto Abbado

Roberto Abbado (born 30 December 1954, Milan) is an Italian opera and symphonic music conductor. Currently he is Artistic Partner of The Saint Paul Chamber Orchestra. In 2015 he has been appointed Music Director of Palau de les Arts Reina Sofia in Valencia, Spain. From 2018 he's Music Director of the Festival Verdi in Parma. Previously he held the position of Chief Conductor of Münchner Rundfunkorchester (Munich Radio Orchestra).
Childhood and education.
Born into a musical family, Mr. Abbado is a son of the pianist and composer Marcello Abbado, for more than twenty years Director of Conservatorio di Musica "Giuseppe Verdi" in Milan. His grandfather was the violinist and teacher Michelangelo Abbado and his uncle the conductor Claudio Abbado.
In his teens, Roberto Abbado studied at Conservatorio "G. Rossini" in Pesaro and then piano with Paolo Bordoni and composition with Bruno Bettinelli at Milan Conservatory. He studied conducting with Mario Gusella in Milan and Franco Ferrara at Teatro La Fenice in Venice and Accademia Nazionale di Santa Cecilia in Rome. He also attended the last summer course of Hans Swarowsky in Vienna in 1975.
Career.
In 1975, Piero Farulli funded the "Vincenzo Galilei" Orchestra and Chorus at Scuola Normale Superiore in Pisa to perform Bach Cantatas. Mario Gusella recommended Mr. Abbado to Piero Farulli in order to conduct the orchestra in a series of concerts.
In 1977, the musicians of Accademia di Santa Cecilia Symphony Orchestra asked Mr. Abbado to conduct a concert in Rieti, while he was still studying at Accademia, for a fellow student a privilege never to be. In the same year he won Second Prize at Malko Competition for young conductors in Copenhagen, promoted by Danish Radio and Television.
In 1978, he conducted concerts with leading Italian and Scandinavian orchestras such as Orchestra del Teatro La Fenice, Orchestra Sinfonica della Rai di Milano, Helsingborg Symphony Orchestra, Aalborg Symphony Orchestra.
His first appearance as opera conductor, aged 23, was in Macerata, Arena Sferisterio in 1978, in a new production of Verdi's "Simon Boccanegra", featuring Renato Bruson, Cesare Siepi and Ilva Ligabue. 
He conducted the season opening night at Teatro La Fenice on December 1979 with a new production of Rossini's "Il Turco in Italia".
In 1980, he conducted Verdi's "Aida" at Teatro Massimo in Palermo: one of the performance was attended by the Intendant of Wiener Staatsoper Seefelner, who immediately engaged Mr. Abbado.
In 1981, he conducted the world première of Flavio Testi's "Il sosia" at Piccola Scala in Milan. In the same year he conducted a new production of Rossini's "La Cenerentola" at Wiener Staatsoper, staged by Gian Carlo Menotti and featuring Agnes Baltsa, Francisco Araiza, Enzo Dara, and Giuseppe Taddei.
In 1982, he conducted Rossini's "Il barbiere di Siviglia" at Opernhaus in Zurich with Edita Gruberova and Araiza. In summer he conducted at Edinburgh Festival Rossini's "La pietra del paragone" staged by Eduardo De Filippo with Orchestra and Chorus of Teatro alla Scala. In November he conducted Verdi's "Don Carlo" at Gran Teatre del Liceu in Barcelona with a stunning cast including Montserrat Caballé, Elena Obraztsova, José Carreras, Leo Nucci and Martti Talvela.
He made his debut at Teatro alla Scala in 1984 conducting Donizetti's "Don Pasquale", in a production featuring Sesto Bruscantini in the title role and Lucia Aliberti. In the same house he also conducted the world première of Testi's "Riccardo III" in 1987, Ponchielli's "La Gioconda" in 1997, Donizetti's "Lucia di Lammermoor" in 2006, the world première of Fabio Vacchi's "Teneke" in 2007 and Rossini's "La donna del lago" with Joyce DiDonato, Daniela Barcellona and Juan Diego Flórez in 2011.
In 1985, he made his Paris debut with Orchestre National de France and Yo Yo Ma as soloist. Mr. Abbado has conducted many leading orchestras in Europe, including Royal Concertgebouw Amsterdam, Orchestre de Paris, Filarmonica della Scala, Orchestra dell'Accademia di Santa Cecilia, Orchestra Sinfonica Nazionale della Rai, Orchestra del Maggio Musicale Fiorentino, Dresden Staatskapelle, Gewandhaus Orchester Leipzig, Israel Philharmonic Orchestra, NDR Symphony Orchestra (Hamburg), Rotterdam Philharmonic Orchestra, Vienna Symphony Orchestra, Swedish Radio Symphony Orchestra, Chamber Orchestra of Europe.
In 1987, he was appointed music director of the Municipal Theatre of Santiago in Chile, a position held till 1989.
In 1989, he made his debut at Münchner Opernfestspiele of Bayerisches Staatsoper with Francesco Cilea's "Adriana Lecouvreur" with Mirella Freni and Plácido Domingo. He also conducted there new productions of "La Traviata" and "Aida", furthermore "Manon Lescaut", "Don Pasquale", "Carmen" and Prokofiev's "The Love for Three Oranges". From 1991 to 1998 he served as Chief Conductor of Münchner Rundfunkorchester (Munich Radio Orchestra).
In 1993, he toured in Japan with Teatro Comunale di Bologna.
In 1994, he made his debut at Metropolitan Opera in New York with "Adriana Lecouvreur". He also conducted there Giordano's "Fedora" with Freni and Domingo (new production) in 1997, Verdi's "La Traviata" in 2000, Verdi's "Ernani" in 2008. In USA he also conducted operas in San Francisco, Washington D.C., Houston.
In 1995, he made his debut at Opéra Bastille with "Lucia di Lammermoor" featuring Mariella Devia.
He conducted his Carnegie Hall debut in 1996 with The Orchestra of St. Luke's, further he also conducted there the Philadelphia Orchestra and the Boston Symphony.
In 1998 he conducted a new production of Verdi's "I vespri siciliani" at Wiener Staatsoper, staged by Herbert Wernicke. In the same year he made his debut at Maggio Musicale Fiorentino conducting Rossini's "Le comte Ory". He also conducted in Florence Verdi's "Attila" and "I Lombardi alla prima crociata", Henze's "Phaedra" and Donizetti's "Anna Bolena".
In 1998, he made a successful Boston Symphony Orchestra debut, opening his symphonic career in the USA. He also conducted many concerts with The Philadelphia Orchestra, Chicago Symphony Orchestra, San Francisco Symphony Orchestra, Cleveland Orchestra, New York Philharmonic Orchestra, Atlanta Symphony Orchestra, National Symphony Washington D.C., Los Angeles Philharmonic Orchestra, Minnesota Orchestra, Houston Symphony Orchestra, St. Louis Symphony Orchestra, Seattle Symphony Orchestra, Cincinnati Symphony Orchestra, Baltimore Symphony Orchestra, Pittsburgh Symphony Orchestra, Detroit Symphony Orchestra, Montreal Symphony Orchestra, Toronto Symphony Orchestra.
In 1999, he made his debut with The Saint Paul Chamber Orchestra. In 2005 he became Artistic Partner of the Orchestra, the longest position in an artistic team ranking Jeremy Denk, Patricia Kopatchinskaja, Edo de Waart, Christian Zacharias and Thomas Zehetmeir.
In 2003, he conducted a new production of Verdi's "Simon Boccanegra" at Teatro Regio (Turin), staged by Graham Vick. He worked again with the English stage-director in Turin for Mozart's "La clemenza di Tito" in 2008, and at Rossini Opera Festival in Pesaro for "Mosè in Egitto" in 2011. He also conducted for the same Festival "Ermione" in 2008 and "Zelmira" in 2009.
In 2008, he conducted the season opening night at Teatro Comunale in Bologna with Marschner's "Der Vampyr", staged by Pier Luigi Pizzi. He also conducted the season opening night in 2013 with Verdi's "MacBeth" staged by Bob Wilson and in 2014 with Wagner's "Parsifal" staged by Romeo Castellucci.
In 2012, he conducted a new production of Berlioz's "La damnation de Faust" staged by Terry Gilliam at Teatro Massimo in Palermo.
In 2013, he took on tour the Neapolitan Teatro di San Carlo to Hong Kong with "La Traviata" staged by Ferzan Ozpetek.
In 2014, he made his Salzburg Festival debut with Donizetti's "La favorite" with Elina Garanča, Juan Diego Florez and Ludovic Tezier.
In 2015, after his debut with "Don Pasquale", he was appointed Music Director of Palau de les Arts Reina Sofia in Valencia, Spain. Also in 2015 he conducted Donizetti's "Lucia di Lammermoor" staged by Luca Ronconi at Teatro dell'Opera di Roma with Jessica Pratt and Stefano Secco. At same house he previously conducted Rossini's "Maometto II" staged by Pier Luigi Pizzi in 2014, Ponchielli's "La Gioconda" in 2012, Verdi's "Luisa Miller" in 1990 and the world premiere of Ferrero's "Charlotte Corday" in 1989.
He also premiered many new orchestral works of leading composers, including Claudio Ambrosini, Giorgio Battistelli, Niccolò Castiglioni, Aldo Clementi, Azio Corghi, Michele dall'Ongaro, Luca Francesconi, Ned Rorem, Steven Stucky, Giampaolo Testoni, Fabio Vacchi, Charles Wuorinen, and new operas by Lorenzo Ferrero and Marco Tutino.
More recently he was on the podium of the Opera di Roma with "Benvenuto Cellini" and "Andrea Chénier", of the Palau de les Arts in Valencia with "A Midsummer Night's Dream", "I vespri siciliani" and "Tancredi", of the Teatro Real in Madrid with "Norma", of the Shanghai Opera House with "La traviata", of the Rossini Opera Festival with "Le Siège de Corinthe" and of the Théâtre des Champs Elysées with "Lucia di Lammermoor".
From 2015 Abbado has led the orchestras of San Francisco, Dallas, Atlanta and Minnesota, the New World Symphony, the MDR-Sinfonieorchester of Leipzig, the Saint Paul Chamber Orchestra, the Malaysian Philharmonic and the Orquestra Sinfónica de Madrid.
Prizes and awards.
In 2009 Mr. Abbado was appointed Conductor of the Year – "Franco Abbiati" Award by Associazione Nazionale dei Critici musicali, Italian top classical music award. In 2012, he won the "Franco Abbiati" Award - Best performance and production for Rossini Opera Festival "Mosè in Egitto".