Kevin Gilbert (author)

Kevin Gilbert (10 July 1933 – 1 April 1993) was an Aboriginal Australian author, activist, artist, poet, playwright and printmaker. A Wiradjuri man, Gilbert was born on the banks of the Lachlan River in New South Wales.
Gilbert was the first Aboriginal playwright and printmaker. He was an active human rights defender and was involved in the establishment of the Aboriginal Tent Embassy in 1972 as well as its re-establishment on a permanent basis in 1992. In 1979 he led the National Aboriginal Government protest on Capital Hill, Canberra. His vision for a continent with integrity led to him being Chair of the "Treaty ’88" Campaign for a sovereign treaty between Aboriginal Nations and Peoples and non-Aboriginal Australians, as a proper foundation for all people living in Australia now. He defined the legal argument for a treaty or treaties and Aboriginal sovereignty in his 1987 work "Aboriginal Sovereignty, Justice, the Law and Land".
Gilbert won the 1978 National Book Council prize for writers, for "Living Black: Blacks Talk to Kevin Gilbert" (1977).
Background and early life.
Gilbert was the youngest of eight children born to a Wiradjuri mother and an Irish/English father. He was born into the Wiradjuri Nation on the bank of the Kalara/Lachlan River just outside Condobolin in New South Wales and at age seven he and his siblings were orphaned. He was raised by his eldest sisters and extended family on an Aboriginal reserve. He left school at the age of thirteen and picked up various seasonal and short-term itinerant jobs. 
His books Me and Mary Kangaroo and Child’s Dreaming reflect a childhood of intimate connection to his mother’s Wiradjuri Country.
His extended family would annually travel on the fruit-picking circuit within Wiradjuri territory as “…a temporary release from near starvation … and above all, it meant some independence, some freedom, from under the crucifying heels of the local police and the white ‘station’ managers; an escape from refugee camps called 'Aboriginal Reserves'”.
On 12 June 1954, he married Goma Scott.
In 1957, Gilbert murdered Goma, apparently because of her infidelity. He received a life sentence. In prison, he educated himself and developed his artistic talents. He was released on parole after 14 years.
In his own words:
Written works.
"The Cherry Pickers".
While in prison Gilbert studied printmaking and took up writing. In 1968 he started to pen the play "The Cherry Pickers", which was smuggled out of gaol on toilet paper. It was first workshopped and presented in a reading at the small Mews Theatre in Sydney 'in the open air' with Bob Maza and other Aboriginal actors reading the parts. The play is significant that it was the first play written in English by an Aboriginal and also the first play to be performed entirely by an Aboriginal cast. The critic and publisher Katharine Brisbane, described her response after viewing an early performed reading of "The Cherry Pickers as 'I was overawed with a sense of privilege at being allowed into the domestic life of a people whose privacy had, for so long and for such good reason, been guarded from white eyes'. A more complete moved reading was held in 1970 and 1971 in Sydney and the play was subsequently nominated in 1970 for the Captain Cook Memorial Award.
The play was performed in its full form by Melbourne's Nindethana Theatre Group in 1971 and in , Sydney in 1972 but the play was not published until 1988 when, in the wake of protests against the Bicentennial celebrations of European colonisation of Australia, it became a symbol of Aboriginal protest. Gilbert's play is based on the stories and experiences of itinerant workers and it deals with, as Gilbert puts it in an introduction to the play written in 1969: "... spiritual searching and loss, my people pushed into refugee situations, desocialised if you like". The play's narrative mixes traditional creation myths, rituals, political diatribes, clever dialogue and humour. It is through this humour that Gilbert explores alcoholism, violence and spiritual and cultural issues. Gilbert also exhibited his artwork at the Arts Council Gallery in Sydney in 1970, in an exhibition organised by the Australia Council.
Particularly in his early verse, Gilbert uses the poetry as an apologia in respect to his own life whilst challenging the morality of the wider society.
Other writing.
He also authored "Because a White Man'll Never Do It" in 1973. In 1978, the National Book Council presented him its annual book award for his book "Living Black: Blacks Talk to Kevin Gilbert". The book included interviews with various Black commentators of the day including the late musician and dancer Robert Jabanungga.
In 1972, another play by Gilbert, "The Gods Look Down", was produced at the Wayside Theatre, a small alternative theatre in Sydney. The production, directed by Barry Donnelly, can best be described as a dance drama. Gilbert's notes for the program, describe it as 'an emotional fantasy using subconsciously emotive scenes based on modern spiritual drift and identity loss, which is actually the present search for a spiritual force or a god'. The play is poetic and semi-abstract and moves from dialogue accompanied by movement to movement-based explorations of love and sexuality.
Along with his political work which was about the Aboriginal people in the 1970s, Gilbert wrote a number of plays and sketches, including "Ghosts in Cell Ten", "The Blush of Birds", "Eternally Eve", "Evening of Fear", and "Everyman Should Care". Many of these seem to have never been staged but stylistically seem to preempt much of the work of First Nations writers and practitioners of the 1990s such as Wesley Enoch and Deborah Mailman.
In 1988 he was awarded the Human Rights and Equal Opportunity Commission's Human Rights Award for Literature for editing the Aboriginal poetry anthology "Inside Black Australia". He returned the medal to the Governor-general, Sir Ninian Stephens, citing the ongoing injustice and suffering of his people. Gilbert continued writing and exhibiting his artwork.
Activism.
From 1972 onwards Gilbert was active in numerous Aboriginal human rights causes and most notably in supporting the establishing the Aboriginal Tent Embassy at the Old Parliament House in Canberra, which remained for six months. For the last year of his life, in 1992, he was active in the re-establishment of the Aboriginal Embassy after its 20th Anniversary on a permanent basis and it remains the spearhead of the Sovereignty Movement to this day. He is known for embracing the term 'Black'.
In the lead-up to Australia's bi-centenary celebrations, Gilbert chaired the Treaty '88 campaign for a treaty enshrining Aboriginal rights and sovereignty.
Art.
After his release Gilbert established the Kalari Aboriginal Art Gallery near Taree, NSW. Gilbert is now recognised as the first Aboriginal print-maker and hisworks have been extensively exhibited nationally and internationally in Havana, Amsterdam, Rotterdam, Boston Massachusetts, Portland Oregon, Durban, London and Athens. His unique artistic style is part the Australian National Gallery collection and is housed in other major Australian art institutions.
Exhibitions.
2016 "Today, Tomorrow, Yesterday", Museum of Contemporary Art, (MCA) Sydney
2013
"I Do have a belief: Kevin Gilbert (1933 - 1993)", Belconnen Art Centre, ACT
2004
Athens Olympics, Greece
2001
"Intermission", Wharf 2 Gallery, Sydney Theatre Company, Sydney
Kevin Gilbert Retrospective, Boomalli Aboriginal Artists Co-op, Sydney
2000 - 1996
"Breath of Life: Moments in transit towards Aboriginal Sovereignty"; Visions of Australia National Tour;
CHOGM, Durban, South Africa (2000);
Rebecca Hossack Gallery, Soho, London (2000);
Umbrella Gallery, Townsville (1999);
Indigenous Pathways, Toowoomba (1998);
Tandanya – National Aboriginal Cultural Institute, Adelaide (1997);
The Armidale Aboriginal Cultural Centre and Keeping Place, Armidale (1997);
Moree Plains Gallery, Moree (1997);
Australian Centre for Photography, Paddington, Sydney (1997);
Perth Institute of Contemporary Art, Perth (1997)'
Canberra Contemporary Art Space (1996)
1995
"Yiribana", Art Gallery of New South Wales, Sydney
1994
"Tyerabarrbowaryaou II – I shall never become a white man",
Museum of Contemporary Art, Sydney and 5th Havana Biennial, Havana, Cuba
"Urban Focus", National Gallery of Australia
"Who’s afraid of Red, Black and Yella" – Museum of Ethnology, Rotterdam
"Legends from Down Under", Boomerang Galerie, Amsterdam
"New Tracks – Old Land", Portland Art Museum, Portland, Oregon
1993
"Memorial Tribute to Kevin Gilbert", Gallery One, National Gallery of Australia
"New Tracks – Old Land" 
Australian Galleries, Green Street, Soho, New York;
Northern Territory Museum of Arts and Sciences, Darwin;
Queensland Aboriginal Creations, Brisbane;
Redcliff Entertainment Centre, Redcliff, Queensland
1992
"New Tracks-Old Land,"
Massachusetts College of Art, Huntington Gallery, Boston Massachusetts
"Painting Our Dreaming", Alliance Francaise Gallery, Canberra
"’92 Pressin", Spiral Arm Gallery, Canberra
1991
"Tjukurrpa Nganampa Kantyila Kanyintjaku – Keeping Our Dreaming Strong",
Hackett, ACT & Alliance Francaise Gallery, Canberra.
"Social Images", Gorman House, Canberra.
1990
"Desert Art", Albert Hall, Canberra
1989
"Narragunnawalli", Canberra Contemporary Art Space
"Inside Black Australia, Aboriginal Photographers Exhibition", 
Showground, Wagga Wagga,NSW;
Trades and Labour Club, Newcastle, NSW;
Queensland Museum, Brisbane;
Museum of Victoria, Melbourne.
1988
"Inside Black Australia, Aboriginal Photographers Exhibition"
Albert Hall, Canberra;
Leftbank Bookshop, Canberra;
Tin Sheds Gallery, Sydney;
Centreprize, London;.
Boomalli Aboriginal Artists Co-Op, Sydney.
1975-6
Koorainghat Gardens Art Gallery, Taree, NSW
1970-1
Arts Council Gallery, East Sydney
1968, 1969 and 1970
Robin Hood Gallery, Sydney
Collections.
Museum of Contemporary Art, Sydney;yes
National Gallery of Australia;yes
National Museum of Australia;yes
Canberra Museum and Art Gallery;no.
Art Gallery of NSW;
Queensland Art Gallery;
Queensland Museum;
West Australian Art Gallery;
Powerhouse Museum;
Tandanya Aboriginal Art Gallery;
Museum of Victoria;
Queensland University of Technology;
Museum of Contemporary Art, Sydney;
Australian Institute of Aboriginal and Torres Strait Islander Studies;
Private collections
In 1992 Gilbert was awarded a Prime Minister’s four-year Creative Fellowship for his ‘outstanding artistic contribution to the nation’
Personal life.
Gilbert died in 1993, aged 59, survived by six children, grandchildren and many great-grandchildren.
Published works.
 