Didcot

Didcot ( ) is a railway town and civil parish in the ceremonial county of Oxfordshire and the historic county of Berkshire. Didcot is south of Oxford, east of Wantage and north west of Reading. The town is noted for its railway heritage, Didcot station opening as a junction station on the Great Western Main Line in 1844.
Today the town is known for the railway museum and power stations, and is the gateway town to the Science Vale: three large science and technology centres in the surrounding villages of Milton (Milton Park), Culham (Culham Science Centre) and Harwell (Harwell Science and Innovation Campus which includes the Rutherford Appleton Laboratory).
In January 2021 it was voted as being among the worst places to live in England.
History.
Ancient and Medieval eras.
The area around present-day Didcot has been inhabited for at least 9,000 years. A large archaeological dig between 2010 and 2013 produced finds from the Mesolithic, Neolithic, Iron Age and Bronze Age.
In the Roman era the inhabitants of the area tried to drain the marshland by digging ditches through what is now the Ladygrove area north of the town near Long Wittenham, evidence of which was found during surveying in 1994. A hoard of 126 gold Roman coins dating from about AD 160 was found just outside the village in 1995 by an enthusiast with a metal detector. It is now displayed at the Ashmolean Museum on loan from the British Museum.
The Domesday Book of 1086 does not record Didcot. In 13th-century records the toponym appears as "Dudecota", "Dudecote", "Doudecote", "Dudcote" or "Dudecothe". Some of these spellings continued into later centuries, and were joined by "Dodecote" from the 14th century onward, "Dudcott" from the 16th century onward and "Didcott" from the 17th century onward. It is derived from Old English, meaning the house or shelter of Dudda's people. The name is believed to be derived from that of Dida, a 7th-century Mercian sub-king who ruled the area around Oxford and was the father of Saint Frithuswith or Frideswide, now the patron saint of both Oxford and Oxford University.
Didcot was then a rural Berkshire village, and it remained so for centuries, only occasionally appearing in records. If Didcot existed at the time of the Domesday Book in 1086, it will have been much smaller than several surrounding villages, including Harwell and Long Wittenham, that modern Didcot now dwarfs. The nearest settlement recorded in the Domesday Book was "Wibalditone", with 21 inhabitants and a church, whose name possibly survives in Willington's Farm on the edge of Didcot's present-day Ladygrove Estate.
The oldest parts of the Church of England parish church of All Saints go back to the 12th century. They include the walls of the nave and east wall of the chancel, which were built about AD 1160. The church is a Grade II* listed building.
Early modern era.
Parts of the original village survive in the Lydalls Road area around All Saints' church. In the 16th-century Didcot was a small village of landowners, tenants and tradespeople with a population of about 120. The oldest surviving house in Didcot is White Cottage, a 16th-century timber-framed building in Manor Road that has a wood shingle roof. It is a Grade II listed building.
At that time the village centre consisted of a group of cottages and surrounding farms around Manor, Foxhall and Lydalls Roads. Those still surviving include The Nook, Thorney Down Cottage and Manor Cottage, which were all built in the early to mid-17th century. Didcot village was on the route between London and Wantage (now Wantage Road), which in 1752 was made a toll road. Didcot had three toll gates that collected revenue for the turnpike trust until 1879, when the trust was dissolved due to the growing use of the railway.
19th and 20th centuries: Arrival of the Railway.
Great Western Railway.
The Great Western Railway, engineered by Isambard Kingdom Brunel, reached Didcot in 1839. In 1844 the Brunel-designed Didcot station was opened. The original station burnt down in the late 19th century. Although longer, a cheaper-to-build line to Bristol would have been through Abingdon farther north, but the landowner the first Lord Wantage is reputed to have prevented that alignment. The railway and its junction to assisted the growth of Didcot. The station's name helped to standardise the spelling "Didcot".
Didcot, Newbury and Southampton Railway.
Didcot's junction of the routes to London, Bristol, Oxford and to Southampton via the Didcot, Newbury and Southampton Railway (DN&S) made the town militarily important, especially during the First World War campaign on the Western Front and the Second World War preparations for D-Day. The DN&S line has since closed, and the large Army and Royal Air Force ordnance depots have disappeared beneath the power station and Milton Park Business Park; however the 11 Explosive Ordnance Disposal and Search Regiment RLC is still based at the Vauxhall Barracks in the town.
Remains of the DN&S railway survive in the eastern part of town. This line, designed to provide a direct link to the south coast from the Midlands and the North avoiding the indirect and congested route "via" Reading and Basingstoke, was built in 1879–82 after previous proposals had failed. It was designed as a main line and was engineered by John Fowler and built by contractors TH Falkiner and Sir Thomas Tancred, who together also constructed the Forth Railway Bridge.
It was a very costly line to build due to the heavy engineering challenges of crossing the Berkshire and Hampshire Downs with a 1 in 106 gradient to allow for higher mainline speeds, and this initial cost and the initially lower than expected traffic volumes caused the company financial problems. It never independently reached Southampton, but instead joined the main London and South Western Railway line at Shawford, south of Winchester.
In the Second World War there was so much military traffic to the port of Southampton that the line was upgraded. The northern section between Didcot and Newbury was made double track. It was closed for 5 months in 1942–43 for this to be done. Several of the bridges in the area of Didcot and the Hagbournes were also strengthened and rebuilt.
Although passenger trains between Didcot and were withdrawn in 1962, the line continued to be used by freight trains for a further four years, and there was regular oil traffic to the north from the refinery at Fawley near Southampton. But in 1966 this traffic also was withdrawn, and the line was then dismantled. The last passenger train was a re-routed "Pines Express" in May 1964, diverted due to a derailment at . A section of the abandoned embankment towards Upton, now designated as a Sustrans route, has views across the town and countryside.
21st century.
As at 2011, Didcot had a population of more than 26,000. The new town centre, the Orchard Centre, was opened in August 2005. As part of the Science Vale Enterprise Zone, Didcot is surrounded by one of the largest scientific clusters in the United Kingdom. There are a number of major science and technology campuses nearby, including the Culham Science Centre, Harwell Science and Innovation Campus, and Milton Park. The Diamond Light Source synchrotron, based at the Harwell Campus, is the largest UK-funded scientific facility to be built for more than 30 years.
Didcot has been designated as one of the three major growth areas in Oxfordshire; the Ladygrove development, to the north and east of the railway line on the former marshland, is set to double the number of homes in the town since construction began in the late 1980s. Originally, the Ladygrove development was planned to be complete by 2001, but the plans for the final section to the east of Abingdon Road were only announced in 2006.
Before the Ladygrove development was completed, a prolonged and contentious planning enquiry decided that a 3,200-home development would be built to the west of the town, partly overlapping the boundary with the Vale of White Horse. This is now being built as Great Western Park.
In 2008 a new £8 million arts and entertainment centre, Cornerstone, was opened in the Orchard Centre. It has exhibition and studio spaces, a café and a 236-seat auditorium. Designed by Ellis William Architects, the centre is clad with silvered aluminium panels and has a window wall, used to connect the building with passing shoppers.
The United Kingdom government named Didcot a garden town in 2015, the first existing town to gain this status, providing funding to support sustainable and environmentally friendly town development over the coming 15 years.
In 2017, researchers named Didcot as the most "normal" town in England.
Railways.
Didcot Railway Centre.
Formed by the Great Western Society in 1967 to house its collection of Great Western Railway locomotives and rolling stock, housed in Didcot's 1932-built Great Western engine shed. The Railway Centre is used as period film set and has featured in works including "Anna Karenina", "" and "The Elephant Man". The centre is north of Didcot Parkway railway station, and can be accessed from the station via the pedestrian subway.
Didcot Parkway station.
The station was originally called Didcot but then renamed in 1985 by British Rail; the site of the old GWR provender stores, which had been demolished in 1976 (the provender pond was kept to maintain the water table) was made into a large car park to attract passengers from the surrounding area. An improvement programme for the forecourt of the station began in September 2012. This was viewed as being the first phase of better connecting the station to Didcot town centre.
Economy.
Power stations.
Didcot A Power Station (between Didcot and Sutton Courtenay) ceased generating electricity for the National Grid in March 2013. "Country Life" magazine once voted the power station the third worst eyesore in Britain.
The power station cooling towers were visible from up to away because of their location, but were designed with visual impact in mind (six towers in two separated groups apart rather than a monolithic 3×2 block), much in the style of what is sometimes called Didcot's 'sister' station – Fiddlers Ferry Power Station – at Widnes, Cheshire, constructed slightly earlier. The power station had also proved a popular man-made object for local photographers.
In October 2010, Didcot Sewage Works became the first in the UK to produce biomethane gas supplied to the national grid, for use in up to 200 homes in Oxfordshire.
On Sunday 27 July 2014 three of the six cooling towers were demolished in the early hours of the morning, using of explosives. The demolition was streamed live by webcam.
On Tuesday 23 February 2016, part of the boiler house building collapsed at Didcot Power Station; one person was declared dead, five injured and three missing. All were believed to have been preparing the site for demolition. On Sunday 17 July 2016, what remained of the structure was demolished in a controlled explosion. The bodies of the three missing men were still in the remains at that time. A spokesman said that because of the instability of the structure, it had not been possible to recover the three bodies. For safety reasons, robots were used to place the explosive charges, and the site was demolished just after 6 o'clock in the morning (BST).
On Sunday 18 August 2019, the remaining three cooling towers were demolished at 7am.
Car racing.
Didcot has a strong connection with the Williams Grand Prix Engineering team as Frank Williams founded the team there in a former carpet warehouse in 1977. After establishing themselves in Formula One, the factory, now including a small 'Williams Museum', moved within Didcot to a new factory on the Didcot A Power Station site on Basil Hill Road. They stayed there until 1995 when they finally outgrew the site, moving to nearby Grove where they are based today. In 2012 a new road through the new Great Western Park development in Didcot was named "Sir Frank Williams Avenue" in honour of Williams' contribution to the town.
Didcot also hosts a Pirelli distribution and logistics centre which provides tyres for Formula One Grand Prix motor racing events across Europe.
Didcot's link to the automotive industry continued in 2015 when the head offices of the Bloodhound SSC team were moved to the new University Technical College (UTC) Oxfordshire site on the boundary between Didcot and Harwell. The team are aiming to break the world land speed record with their supersonic car.
Agriculture.
Didcot is surrounded by farmland which has historically grown traditional British crops such as wheat and barley, sheep farming is also common in the area. The area is also noted for farmers growing opium poppies for legal production of morphine and heroin to meet National Health Service demand. The poppies produced are sold to Macfarlan Smith, a major pharmaceutical company, who hold a licence from the United Kingdom Home Office.

Alfonsina Storni

Alfonsina Storni (29 May 1892 – 25 October 1938) was an Argentine poet of the modernist period.
Early life.
Storni was born on May 29, 1892 in Sala Capriasca, Switzerland. Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss descent. Before her birth, her father had started a brewery in the city of San Juan, Argentina, producing beer and soda. In 1891, following the advice of a doctor, he returned with his wife to Switzerland, where Alfonsina was born the following year; she lived there until she was four years old. In 1896 the family returned to San Juan, and a few years later, in 1901, moved to Rosario because of economic issues. There her father opened a tavern, where Storni did a variety of chores. That family business soon failed, however. Storni wrote her first verse at the age of twelve, and continued writing verses during her free time. She later entered into the Colegio de la Santa Union as a part-time student. In 1906, her father died and she began working in a hat factory to help support her family.
In 1907, her interest in dance led her to join a traveling theatre company, which took her around the country. She performed in Henrik Ibsen's "Ghosts," Benito Pérez Galdós's "La loca de la casa," and Florencio Sánchez's "Los muertos". In 1908, Storni returned to live with her mother, who had remarried and was living in . After a year there, Storni went to Coronda, where she studied to become a rural primary schoolteacher. During this period, she also started working for the local magazines "Mundo Rosarino" and "Monos y Monadas", as well as the prestigious "Mundo Argentino".
In 1912 she moved to Buenos Aires, seeking the anonymity afforded by a big city. There she met and fell in love with a married man whom she described as "an interesting person of certain standing in the community. He was active in the politics..." That year, she published her first short story in Fray Mocho. At age nineteen, she found out that she was pregnant with the child of a journalist and became a single mother. Supporting herself with teaching and newspaper journalism, she lived in Buenos Aires where the social and economical difficulties faced by Argentina's growing middle classes were inspiring an emerging body of women's rights activists.
Literary career.
Storni was among the first women to find success in the male-dominated arenas of literature and theater in Argentina, and as such, developed a unique and valuable voice that holds particular relevance in Latin American poetry. Storni was an influential person, not only to her readers but also to other writers. Though she was known mainly for her poetic works, she also wrote prose, journalistic essays, and drama. Storni often gave controversial opinions. She criticized a wide range of topics from politics to gender roles and discrimination against women. In Storni's time, her work did not align itself with a particular movement or genre. It was not until the modernist and avant-garde movements began to fade that her work seemed to fit in. She was criticized for her atypical style, and she has been labeled most often as a postmodern writer.
Early work.
Storni published some of her first works in 1916 in Emin Arslan's literary magazine "La Nota", where she was a permanent contributor from 28 March until 21 November 1919. Her poems “Convalecer” and “Golondrinas” were published in the magazine. In spite of economic difficulties, she published "La inquietud del rosal " in 1916, and later started writing for the magazine "Caras y Caretas" while working as a cashier in a shop. Even though today Storni's early works of poetry are among her most well known and highly regarded, they received harsh criticism from some of her male contemporaries, including such well known figures as Jorge Luis Borges and Eduardo Gonzalez Lanuza. The eroticism and feminist themes in her writing were controversial subject matter for poetry during her time, but writing about womanhood in such a direct way was one of her principal innovations as a poet.
Wider recognition.
In the rapidly developing literary scene of Buenos Aires, Storni soon became acquainted with other writers, such as José Enrique Rodó and Amado Nervo. Her economic situation improved, which allowed her to travel to Montevideo, Uruguay. There she met the poet Juana de Ibarbourou, as well as Horacio Quiroga, with whom she would become great friends. Quiroga led the Anaconda group and Storni became a member together with Emilia Bertolé, Ana Weiss de Rossi, Amparo de Hieken, Ricardo Hicken and Berta Singerman
During one of her most productive periods, from 1918 to 1920 Storni published three volumes of poetry: "El dulce daño" (Sweet Pain), 1918; "Irremediablemente" (Irremediably), 1919; and "Languidez" (Languor) 1920. The latter received the first Municipal Poetry Prize and the second National Literature Prize, which added to her prestige and reputation as a talented writer. she also published many articles in prominent newspapers and journals of the time. Later, she continued her experimentation with form in 1925's "Ocre", a volume composed almost entirely of sonnets that are among her most traditional in structure. These verses were written around the same time as the more loosely structured prose poems of her lesser-known volume, "Poemas de Amor", from 1926.
Theater.
After the critical success of "Ocre", Storni decided to focus on writing drama. Her first public work, the autobiographical play "El amo del mundo" was performed in the "Cervantes" theater on March 10, 1927, but was not well received by the public. However, this was not a conclusive indication of the quality of the work; many critics have observed that during those years Argentinian theater as a whole was in a state of decline, so many quality works of drama failed in this atmosphere. After the play's short run, Storni had it published in "Bambalinas", where the original title is shown to have been "Dos mujeres". Her "Dos farsas pirotécnicas" were published in 1931.
She wrote the following works intended for children: "Blanco...Negro...Blanco", "Pedro y Pedrito", "Jorge y su Conciencia", "Un sueño en el camino", "Los degolladores de estatuas" and "El Dios de los pájaros". They were brief theatre pieces with songs and dances. They were meant for her students at "Teatro Labardén" theatre. For "Pedrito y Pedro" and "Blanco...Negro...Blanco", Alfonsina wrote the music for the plays. These were performed in 1948 at "Teatro Colón" theatre in Buenos Aires. On these, Julieta Gómez Paz says: ""These present, ironically, adult situations transferred to the children's world to outline errors, prejudice and damaging customs by adults, but corrected by the poetic fantasy with happy endings"." 
Later work.
After a nearly 8-year hiatus from publishing volumes of poetry, Storni published "El mundo de siete pozos" (The World of Seven Wells), 1934. That volume, together with the final volume she published before her death, "Mascarilla y trébol" (Mask and Clover), 1938, mark the height of her poetic experimentation. The final volume includes the use of what she termed "antisonnets," or poems that used many of the versification structures of traditional sonnets but did not follow the traditional rhyme scheme.
Illness and death.
In 1935, Storni may have discovered a lump on her left breast and decided to undergo an operation. On May 20, 1935, she underwent a radical mastectomy. In 1938 she found out that the breast cancer had reappeared. Around 1:00 AM on Tuesday, 25 October 1938. Storni left her room and headed towards the sea at "La Perla" beach in Mar del Plata, Argentina and committed suicide. Later that morning two workers found her body washed up on the beach. Although her biographers hold that she jumped into the water from a breakwater, popular legend is that she slowly walked out to sea until she drowned. She is buried in La Chacarita Cemetery. Her death inspired Ariel Ramírez and Félix Luna to compose the song "Alfonsina y el Mar" ("Alfonsina and the Sea").
Work.
Some of Storni's work
Teeth of flowers, cap of dew
hands of grass, you, kind nurse, 
have ready for me sheets of earth
and the eiderdown of fresh moss
I shall sleep now, my nurse; help me to bed. Put a lamp at the head; 
a constellation, whichever you choose; 
all are fine; turn down a light a bit.
Leave me now; hear the buds bursting...
from above a heavenly foot will rock you
and a bird will sing to you
that you might forget... Thank you. Ah, 
One request! If he should phone again, tell him not to persist, 
for I have left...
Post mortem:
Awards and recognition.
In 1910 she receives her title as "Maestra Rural"
In 1917 Storni receives the Premio Annual del Consejo Nacional de Mujeres.
In 1920 Languidez, one of her publications was awarded the First Municipal prize as well as the second National Literature Prize.