Edgar Brau

Edgar Brau is an Argentine writer, stage director and artist.
Biography.
Edgar Brau was born in Argentina. He engaged in different occupations: he was an actor, a stage director, a painter of icons, a photographer, until he completely devoted himself to writing literature. His two last performances, as actor and stage director, were "A Season in Hell", by Arthur Rimbaud, and "Malditos" (“Damned Poets”), a dramatization he wrote based on poems by Gérard de Nerval, Charles Baudelaire, and Rimbaud.
His first book, "The Poem and Other Stories", published in 1992, was included by the UNESCO in its Project for International Financing of Translations. Enrique Anderson Imbert, an eminent critic from Harvard University, referred to the author as “a poet of prose, with impressive imagination”, and predicted he would get a first place in Argentine literature. Rodolfo Modern, writer and secretary general of the Argentine Academy of Letters, wrote that Brau expresses himself in a language of “amazing richness and accuracy”.
In 1995, he published his first novel, "The Player". Between that year and 2000, two books of poems, three short story books and a novel were released. To this period belong "Argentine Suite" (a collection of four short stories based on the last Argentine military dictatorship, the National Reorganization Process) and "Captain Lemuel Gulliver's Last Travel", a satire of present-day society, in which the character created by Jonathan Swift is shown on a fantastic travel (his “fifth” voyage) to the Río de la Plata, more precisely to a country that Gulliver calls Incognitahriah.
By mid 2000, the National Endowment for the Arts awarded professor Donald A. Yates, first American translator and editor of Jorge Luis Borges, a grant to translate all the work in prose written by Brau up to that year. Since then, Edgar Brau has been invited by different American universities and literary organizations to give seminars on his work and classes as Visiting Professor. Together with his translator, he also offered several bilingual readings on the West Coast.
In the Fall of 2002, during one of those stays, he wrote "Casablanca", a novella in which a wealthy Argentine “estanciero” (ranch owner) builds a replica of Rick's café in the Argentine pampas, around the fifties, with the idea of recreating the famous film in real life. In this story, the unnamed protagonist, caught in a storm on a lonely road, takes a hitherto unnoticed turn and soon draws up at a group of Moorish-looking buildings. A battered tin sign out front says “Casablanca.” After parking, the driver seeks shelter in a shadowy room, glimpsing chairs and tables piled helter-skelter in the corners, just as a piano begins to play "As Time Goes By". The piano player is an old black man, identical to Sam. By the wall opposite the piano, a man in dark glasses (his face seems familiar at first glance), a white jacket and black bow tie dozes, his chin resting on his chest. Somehow, the narrator has wandered into Rick's Café Americain from the film "Casablanca". Before he leaves, the piano player will tell him the story of this place and of the people who lived and worked there, representing the movie characters.
Brau's first collection of works in English, entitled "Casablanca and Other Stories", was published in the US by the end of 2006. The Washington Post published a lengthy review by Michael Dirda (“For the first time in English the Argentine labyrinths of Edgar Brau”) in which he states that Brau's works are further explorations of Borges´geography of the imagination. Writer and professor John T. Irwin, from Johns Hopkins University (author of "The Mystery to a Solution: Poe, Borges, and the Analytic Detective Story"), wrote that Brau's stories must be regarded in the same level as those by Edgar Allan Poe and Borges: “These brilliant and haunting stories, superbly translated —Irwin writes— will introduce American readers to a contemporary Argentine fiction writer of startling power and subtlety, a writer whose stories it is no overstatement to mention in the same breath with those of Poe and Borges”.
In January 2007, Words Without Borders, from Chicago, published "Woodstock", a long poem by Brau based on the famous rock festival.
Between 2009 and 2013 he wrote and published the following works: "The Golem Project" ("El Proyecto Golem" - Metzengerstein, October 2011), a story that takes place at an unspecified future date and narrates how the Israelis manage to bring Hitler back to life with his memory intact; "The Child" ("El hijo" – Metzengerstein, May 2012), a play about the theft of babies from political prisoners during the last Argentine military dictatorship; "Faust" ("Fausto" - Metzengerstein, December 2012), a play in which the character is now a bright Argentine biologist at Princeton, who, while considering the possibility of destroying the formula he has just discovered (which will enable man to live for a thousand years) is interrupted by the devil Mephistopheles, who has the mission of preventing that destruction; and "Like Psalms" ("Como salmos" - Metzengerstein, February 2013), twenty-six poems in which arguments with God and arguments about the existence of God build, through contradiction, a metaphysics in which the answer always seems to bring about a new question.
He also completed two suites of photographs and poems: "A Wanderer´s Photo Album (Coghlan)" and "Woman in Syllables".
In January 2014 he published "De lo que dura a lo que pasa" (Metzengerstein), a series of eight interviews to the author made by Martina Rolandi Ricci, and in February of the same year, "Gulliver´s Craft" ("El oficio de Gulliver "- Metzengerstein), a novel written in 2012, which modifies and enlarges —from 60 to 350 pages— his earlier story based on Swift's character.
Edgar Brau lives in Buenos Aires.
External links.
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