
His New Job

His New Job is a 1915 American short silent comedy film written by, directed by, and starring Charlie Chaplin. Gloria Swanson appears as an uncredited extra. The title is an inside reference to this being Chaplin's first film after leaving Keystone Studios for Essanay Studios. It was also the only film Chaplin shot at Essanay's Chicago studio. He found the facilities and climate ("His New Job" was shot in mid-winter) not to his liking, and Chaplin soon relocated back to California.
Synopsis.
When one of the actors on a movie set doesn't show up, Charlie gets his chance to be on camera and replaces the actor. While waiting, he plays in a dice game and gets on many people's nerves. When he finally gets to act, he ruins his scene, accidentally destroys the set, and tears the skirt of the star of the movie.
Notes.
The movie's title, His New Job, had a subtle second meaning, as it was Chaplin's first film for Essanay after his contract with Keystone Studios expired at the end of 1914. The use of the name "Lockstone" for the silent film studio was an obvious humorous jab by Chaplin directed at Keystone.
The movie was filmed at Essanay's Chicago studio in the dead of winter in January 1915. Chaplin found the city's frigid weather so objectionable that he quickly relocated his operations to balmy southern California.
This was the first Chaplin film to be photographed by Rollie Totheroh who began a remarkable 40-year working association with Chaplin.
A young Gloria Swanson—she was not quite 16 years old—appears in the background as a stenographer. She received no screen credit for this part.
Review.
A reviewer for the motion picture trade publication Biograph glowingly wrote, "There is probably no film comedian in the world more popular with the average picture theater audience than that famous fun-maker Charles Chaplin, whose services have recently been secured by the Essanay Company. The art of Charles Chaplin defies analysis and disarms the critic. Just why he is so funny, it is almost impossible to say, and very probably he could not tell you himself. He possesses a naturally comic personality and its humor is accentuated by the originality of the innumerable bits of 'business,' with which his work is so profoundly interspersed. Scarcely a moment passes while he is on the screen, but he is up to some wild piece of mischief or committing some ludicrous folly."
Preservation status.
A print of the film is preserved at the George Eastman House and is now in the public domain.