Monica Vitti

Monica Vitti (born Maria Luisa Ceciarelli; 3 November 1931) is an Italian actress best known for her starring roles in films directed by Michelangelo Antonioni during the early-to-mid 1960s. After working with Antonioni, Vitti changed focus and began making comedies, working with director Mario Monicelli on many films. She has appeared with Marcello Mastroianni, Alain Delon, Richard Harris, Terence Stamp, Michael Caine, and Dirk Bogarde.
Vitti won five David di Donatello Awards for Best Actress, seven Italian Golden Globes for Best Actress, the Career Golden Globe, and the Venice Film Festival Career Golden Lion Award.
Early life.
Born Maria Luisa Ceciarelli in Rome, Vitti acted in amateur productions as a teenager, then trained as an actress at Rome's National Academy of Dramatic Arts (graduating in 1953) and at Pittman's College, where she played a teen in a charity performance of Dario Niccodemi's "La nemica". She toured Germany with an Italian acting troupe and her first stage appearance in Rome was for a production of Niccolò Machiavelli's "La Mandragola".
Film career.
Early roles.
Vitti's first film role was an uncredited bit part in Edoardo Anton's "Laugh! Laugh! Laugh!" (1954). She was in "Adriana Lecouvreur" (1955), the TV series "L'alfiere" (1956) and the TV movies "Questi ragazzi" (1956) and "Il tunnel" (1958). She did an episode of "Mont-Oriol" (1958) and dubbed Rosaana Rory's voice in "Big Deal on Madonna Street" (1958).
Vitti's first widely noted performance was at the age of 26, in Mario Amendola's "Le dritte" (1958) with Franco Fabrizi. She was in the TV movie "Il borghese gentiluomo" (1959).
Antonioni.
In 1957 she joined Michelangelo Antonioni's "Teatro Nuovo di Milano" and dubbed the voice of Dorian Gray in the director's "Il Grido" ("The Cry", 1957). She played a leading role in Antonioni's internationally praised film "L'Avventura" (1960), as a detached and cool protagonist drifting into a relationship with the lover of her missing girlfriend. Giving a screen presence which has been described as "stunning", she is also credited with helping Antonioni raise money for the production and sticking with him through daunting location shooting. "L'Avventura" made Vitti an international star. Her image later appeared on an Italian postage stamp commemorating the film. According to "The New York Times", Vitti's "air of disenchantment perfectly conveys the unreal aura of her heroines."
Vitti received critical praise for her starring roles in the Antonioni film "La Notte" ("Night", 1961), with Jeanne Moreau and Marcello Mastroianni. Vitti starred in a TV movie "Le notti bianche" (1962) then did a third with Antonioni, "L'Eclisse" (1962) with Alain Delon.
Vitti was one of many stars in an anthology movie, "Three Fables of Love" (1962). She had a cameo in "Sweet and Sour" (1963) and played the lead in a comedy for Roger Vadim, "Nutty, Naughty Chateau" (1963). Vitti was then in another anthology film "High Infidelity" (1964) and made a fourth with Antonioni, "Il Deserto Rosso" ("Red Desert", 1964), with Richard Harris. The director said Vitti "certainly inspires me, because I like to watch and direct her, but the parts I give her are a long way from her own character."
After Vitti's relationship with Antonioni ended, the two did not work together again until "Il mistero di Oberwald" (1980).
Vitti starred in a comedy for Tinto Brass, "The Flying Saucer" (1964), and appeared in the anthology, "The Dolls" (1964).
International films.
Vitti's first English-language film was "Modesty Blaise" (1966), a mod James Bond spy spoof in which she performed in July 1965. Co starring Terence Stamp and Dirk Bogarde, directed by Joseph Losey, it had only mixed success and received harsh critical reviews.
She performed in the anthology movie "The Queens" (1966), a television series "Les fables de La Fontaine" (1966), "Kill Me Quick, I'm Cold" (1967) with Jean Sorel, and "I Married You for Fun" (1967).
Vitti appeared in "On My Way to the Crusades, I Met a Girl Who..." (1967) with Tony Curtis, "The Girl with a Pistol" (1968) with Stanley Baker, "The Bitch Wants Blood" (1969) with Maurice Ronet, and "Help Me, My Love" (1969) with Alberto Sordi.
1970s.
Vitti starred with Marcello Mastroianni in Ettore Scola's highly successful romantic comedy "Dramma della gelosia" ("The Pizza Triangle", 1970). She followed it with "Ninì Tirabusciò, la donna che inventò la mossa" (1970), "Le coppie" (1970) with Sordi, "The Pacifist" (1970), "La supertestimone" (1971), "That's How We Women Are" (1971), and "Orders Are Orders" (1972).
Vitti was in a version of "La Tosca" (1973) and a comedy "Teresa the Thief" (1973). She made "Polvere di stelle" (1973), directed by Alberto Sordi, for which she won the 1974 David di Donatello award for Best Actress.
Vitti played a key part in one of the episodic vignettes in Luis Buñuel's "The Phantom of Liberty" (1974). She did two films with Claudia Cardinale, "The Immortal Bachelor" (1975) and "Blonde in Black Leather" (1975).
She was in "Duck in Orange Sauce" (1975), "Mimì Bluette... fiore del mio giardino" (1976), "Basta che non si sappia in giro!.." (1977), "L'altra metà del cielo" (1977), "State Reasons" (1978), "Il cilindro" (1978), "Per vivere meglio, divertitevi con noi" (1978), "Amori miei" (1978) and "Tigers in Lipstick" (1979) (with Ursula Andress).
Vitti's second English film was "An Almost Perfect Affair" (1979), directed by Michael Ritchie and co-starring Keith Carradine, which was set during the Cannes Film Festival.
Later career.
Vitti reunited with Antonioni in "The Mystery of Oberwald" ("Il mistero di Oberwald", 1980). She followed it in "I Don't Understand You Anymore" (1980), "Camera d'albergo" (1981), "Tango of Jealousy" (1981), "I Know That You Know That I Know" (1982) with Sordi, "Scusa se è poco" (1982), "Flirt" (1983), and "Francesca è mia" (1986). She co wrote the last two films. In 1984 she was awarded the Order of Arts and Letters by French Culture Minister Jack Lang, who praised her for helping spur a renewal of Italian films. "We need Italian cinema to find its health again so that French cinema will not remain an island in the middle of other European countries," Lang said. By 1986, Vitti had returned to the theatre as an actress and teacher.
In 1989, Vitti tried writing and directing, and created "Scandalo Segreto" (1990), which she also starred in alongside Elliott Gould. The film was not a success and she then retired from cinema.
During the 1990s she did television work, acting and directing, including "Ma tu mi vuoi bene?" (1992).
In 1993 Vitti was awarded the Festival Tribute at the Créteil International Women's Film Festival, in France.
Personal life.
Michelangelo Antonioni and Vitti met in the late 1950s, and their relationship grew stronger after "L'Avventura" was made, because it had shaped both their careers. However, by the late 1960s, they ceased working on films, making the relationship strained until it officially ended. In a later interview, Vitti stated that Antonioni ended their relationship.
In 1995, Vitti married Roberto Russo, with whom she had lived since 1975. She made her last public appearance in 2002 at the Paris premiere of the stage-musical Notre-Dame de Paris.In 2011, it was learned that Alzheimer's disease had "removed her from the public gaze for the last 15 years." In 2018, her husband confirmed she is still living at home with him in Rome and that he looks after her personally, with the assistance of a caregiver.