Arthur Fickenscher

Arthur Fickenscher (March 9, 1871 in Aurora, Illinois – April 15, 1954 in San Francisco, California) was an American composer and academic. The first head of the music department of the University of Virginia, he is credited with being an early 20th-century pioneer of microtonal music.
Fickenscher studied music in Munich under Joseph Rheinberger and lived then as a teacher in Oakland, California, and Charlottesville, Virginia. From 1911 to 1914, he was a vocal teacher in Berlin. From 1920 until 1941 he was the first head of the music department at the University of Virginia. From about 1923 to 1933 he was the conductor of the Virginia Glee Club, a male choral ensemble at the University of Virginia.
He composed a Mimodrama, orchestral variations in the medieval style, a Dies Irae, visions for voice and orchestra, church works, a piano quintet, and various songs (including the song cycle "Willowwood"). His first major work, "Visions" for dramatic soprano and orchestra, received its premiere at the Royal Conservatory in Berlin in 1913 to acclaim from the New York Times. Recordings have been made of his song cycle "Willowwood" and his piano quintet "From the seventh Realm"; of the latter, Percy Grainger wrote, "While I am a reverent admirer of the piano and string quintets by Bach, César Franck, Brahms, Cyril Scott and others, I must confess that this American work by Fickenscher out-soars them all, for my ears, in point of spiritual rapture and sensuous loveliness."
Fickenscher also invented the Polytone, a keyboard instrument that could produce sixty distinct tones within the scope of an octave.

Pietro Spagnoli (born 22 January 1964 in Rome) is an Italian operatic baritone. In the 2013/14 season, he sang Sulpice Pingot in Donizetti's "La Fille du régiment" at The Royal Opera, having made his debut there as Figaro in "Il barbiere di Siviglia" and having since sung Rambaldo Fernandez in "La rondine".