Hans-Heinz Bollmann

Born in Hamburg, Hans-Hains Bollmann came from an old-established Hamburg merchant family. He actually wanted to become a dentist, but then studied singing in Hamburg and with Enrico Rosario in Milan.
Hans-Heinz Boltmann (1 December 1889 – 9 July 1974) was a German operatic and operetta singer tenor.
Life and career.
His artistic career began in 1912 at the municipal Theatre of Bochum. From 1913 to 1915 Bollmann was engaged at the municipal Theatre of Wilhelmshaven. Afterwards he was drafted to the military service. After the end of the war he went to the municipal Theatre of Nuremberg. From 1921 to 1925 he belonged to the ensemble of the Hamburg opera house. In the 1925-1926 season he gave guest performances at the Staatsoper Unter den Linden. There he sang among others José in "Carmen", Max in "Der Freischütz," Rodolfo in "La Bohème", Baron Lummer in "Intermezzo" by Richard Strauss, Pinkerton in "Madama Butterfly", Hans in Smetana's "The Bartered Bride" and Count Almaviva in "Il barbiere di Siviglia."
At the end of the 1920s Bollmann turned increasingly to the operetta and sang at all large German-speaking operetta stages, among other things from 1927 to 1928 at the Theater des Westens, 1930 to 1931 at the Theater im Admiralspalast, 1935 to 1936 at the Berlin Neues Schauspielhaus (here in 1935 in the world premiere of "Ball der Nationen" (operetta) by Fred Raymond) and 1937 to 1938 at the Theater des Volkes (Berlin). From 1928 to 1932 he was at the Theater an der Wien, at which he took part in the premiere of Franz Lehár's operetta ' in 1931, and at the in the latter city. Furthermore, he gave a guest performance at the Raimund Theater in Vienna in 1938. The artist was a favourite singer of Franz Lehár. He sang with great success Danilo in "The Merry Widow", the title hero in "Paganini", Goethe in ' and Armand in "The Count of Luxembourg". In Berlin he sang in 1928 with Vera Schwarz as partner in "La Barberina" by Ascher. He also appeared more often as a guest at the Staatstheater am Gärtnerplatz in Munich.
Bollmann also performed in Paris, London and the USA. In addition, he was an extremely successful film actor and singer in the 1930s ("Die Lindenwirtin", (1930) with Käthe Dorsch, "Der Bettelstudent", with Jarmila Novotná, "Frasquita', with Heinz Rühmann and "Le Postillon de Lonjumeau", with Leo Slezak). In 1951 he played in the film "The Dubarry," with Sári Barabás, and two years later he appeared on stage for the last time in the opening performance of the new Hamburg Operettenhaus in Lehár's "Lustiger Witwe".
Bollmann sang gramophone records at Electrola/HMV, and the Lindström brands Gloria, Odeon Records and Parlophone.
He sang, in duet with the baritone Manfred Lewandowski, 1923-1928 cantor at the Friedenstempel in Berlin-Halensee and 1928-1938 chief cantor at the synagogue Lindenstraße in Berlin-Kreuzberg, the duet "Der Tempel Brahmas strahlt" from Bizet's opera "Les pêcheurs de perles"
but also, accompanied by the NS Reich Orchestra and Choir, the patriotic song " Mein Deutschland, du sollst du leben, du darf nicht untergeh'n".