Jon Vickers

Jonathan Stewart Vickers, (October 29, 1926 – July 10, 2015), known professionally as Jon Vickers, was a Canadian heldentenor.
Born in Prince Albert, Saskatchewan, he was the sixth in a family of eight children. In 1950, he was awarded a scholarship to study opera at The Royal Conservatory of Music in Toronto. In 1957 Vickers joined London’s Royal Opera House, Covent Garden company. In 1960 he joined the Metropolitan Opera. He became world-famous for a wide range of German, French, and Italian roles. Vickers' huge, powerful voice and solid technique met the demands of many French, German, and Italian roles. He was also highly regarded for his powerful stage presence and thoughtful characterizations. (Conversely, he was sometimes criticized for "scooping"—beginning a note below pitch and then sliding up to the correct pitch—and for "crooning".)
In 1968 he was made a Companion of the Order of Canada. Vickers received the Governor General's Performing Arts Award for Lifetime Artistic Achievement, Canada's highest honour in the performing arts, in 1998.
Career.
Vickers studied with George Lambert at The Royal Conservatory of Music and sang professionally in Canada from the early- to mid-1950s. His international career began with his 1957 Covent Garden Riccardo in Verdi's "Un ballo in maschera". He continued to appear there into the 1980s, putting his personal stamp on the roles of Énée in Berlioz's "Les Troyens", Radamès in Verdi's "Aida" and the title role in his "Don Carlos", Handel's "Samson", Florestan in Beethoven's "Fidelio", Tristan in Wagner's "Tristan und Isolde", Canio in Leoncavallo's "Pagliacci", and the title role in Britten's "Peter Grimes". Some critics praised Vickers' Tristan as the best since Lauritz Melchior's.
He debuted at the Bayreuth Festival in 1958 as Siegmund in "Die Walküre" and sang "Parsifal" there in 1964. Later negotiations with Wieland Wagner concerning appearances as Siegfried in "Götterdämmerung" ceased on Wieland's death in 1966. His debut role at the Metropolitan Opera in 1960 was Canio in "Pagliacci". He appeared at the Met for 22 seasons in 280 performances of 17 roles, including Florestan in "Fidelio", Siegmund in Wagner's "Die Walküre", Don Jose in Bizet's "Carmen", Radamès in "Aida", Erik in Wagner's "Der fliegende Holländer", Herman in Tchaikovsky's "Queen of Spades", Samson in both Handel's oratorio and Saint-Saëns' "Samson et Dalila", the title role of Verdi's "Otello", Don Alvaro in Verdi's "La forza del destino", "Peter Grimes", "Tristan und Isolde", Laca in Janáček's "Jenůfa", Vasek in Smetana's "The Bartered Bride", and the title role in Wagner's "Parsifal", giving his farewell in 1987.
Among Vickers' more notable recordings were "Tristan und Isolde" in 1972 with Herbert von Karajan becoming one of his favourite singers at the lavish Salzburg Easter and Summer Festivals in Der Ring des Nibelungen, Carmen, Otello, Fidelio as well as Tristan und Isolde, "Les Troyens", singing the part of Énée (Aeneas), with Sir Colin Davis in 1969, and a legendary and controversial 1959 recording of Handel's "Messiah" with Sir Thomas Beecham.
Although scheduled to sing Tannhäuser at Covent Garden in the late 1970s, Vickers dropped out, claiming he could not empathize with the character, and that the opera itself was blasphemous in nature. He sang Nerone in Monteverdi's "L'incoronazione di Poppea" at the Paris Opéra, and Alvaro in "La forza del destino" at the Met (1975). His roles also included Don Carlos, Andrea Chenier, Herod in "Salome", Giasone in "Medea" (with Maria Callas in the title role), Pollione in "Norma" and rarely heard parts such as Cellini in Berlioz's "Benvenuto Cellini", Ratan-Sen in Roussel's "Padmavati" and Sergei in Shostakovitch's "Lady Macbeth of the Mtsensk District". Many critics praised his interpretation of Verdi's "Otello", which he recorded twice: in 1960 with Tullio Serafin and 1973 with Herbert von Karajan. Vickers also was a long time collaborator with American pianist Richard Woitach.
Vickers further sang at the 'home' of Italian opera, Milan's La Scala, as well as in the major opera houses of Chicago, San Francisco, Vienna, and at the Salzburg Festival. He retired in 1988.
Personal life and death.
Vickers was born into the musical family of William, a teacher, and Myrle (née Mossop). As a youth he sang in his father's church, and his initial intention was to study medicine. He worked on a neighbour's farm and acquired the muscular stature that characterized him. During a semi-professional production his leading lady made a recording of his voice and sent it to The Royal Conservatory of Music in Toronto. He auditioned there with Every Valley Shall be Exalted and was offered a scholarship.
In 1953 he married Henrietta (Hetti) Outerbridge. They had five children. After her death in 1991, he married Judith Stewart. Vickers died of Alzheimer's disease on July 10, 2015 in Ontario.
Religion.
He was a dedicated, outspoken Christian; one writer referred to him as "God's tenor" for this reason.
Discography.
Vickers' voice was recorded in dozens of performances, including: