Vyacheslav Polozov

Vyacheslav Michailovich Polozov (; January 1, 1950) nicknamed "Slava", is a Soviet-born opera singer, professor of voice, entrepreneur. He sang at many opera houses around the world, appearing in a variety of leading roles from lyric to dramatic repertoires in French, Italian, German and Russian. Laureate International Competitions. Meritorious Artist of the Byelorussian SSR.
Biography.
Vyacheslav Michailovich Polozov (Russian: Вячеслав Михайлович Полозов) was born in the industrial city of Mariupol, Ukrainian SSR, where his parents, mother Ludmila Danilovna Roschina (1918-2003) and father Michael Semyonovich Polozov (1918-?), worked on the local railroad. From 1967 to 1970, he studied at Donetsk Music College. While studying, he sang some small roles at the Donetsk State Academic Opera Theatre. From 1970 to 1972, Polozov served his military duty in Soviet Red Army Choir, Kiev, Ukraine. From 1973-1978, he studied voice at the Tchaikovsky National Academy of Music (or Kiev Conservatory), during which time he made his successful operatic debut in 1977 in the role of Alfredo in "La Traviata" at the National Opera of Ukraine.
Opera career.
In 1978, he became the leading tenor of the Saratov Academic Opera and Ballet Theatre when he performed: Vladimir Igorevich in Borodin's "Prince Igor", The Prince in Dargomyzhsky's "Rusalka", Lensky in Tchaikovsky's "Eugene Onegin", Lohengrin in Wagner's "Lohengrin" and in 1980 he became a member of the National Academic Opera and Ballet Theatre of the Republic of Belarus when he performed: Faust in Gounod's "Faust", Alfredo in Verdi's "La Traviata", the Duke of Mantua in Verdi's "Rigoletto", Prince Kuragin in Prokofiev's "War and Peace", Pinkerton In Puccini's "Madama Butterfly", Vodemon in Tchaikovsky's "Iolanta", Tsar Berendey in Rimsky-Korsakov's "The Snow Maiden". As a member of the Opera Theatre (Minsk), in 1982, Polozov made his successful debut with the Bolshoi Theatre when he performed Alfredo opposite and Turiddu in Mascagni's "Cavalleria rusticana" opposite Makvala Kasrashvili and Elena Obraztsova. In 1983, he made his debut in the role of Faust at the Lithuanian National Opera opposite and Irena Milkeviciute. In 1984, he made debut for the role of the Duke of Mantua at the Bulgarian National Opera and Lensky at the Novosibirsk Opera and Ballet Theatre. In 1984, he performed the role of Alfredo at the Estonian National Opera and Latvian National Opera. In January 1986, another great success followed - Polozov's debut at the Teatro alla Scala in Milano where he sang the role of Pinkerton, which very soon became, along with the role of Rodolfo in "La Boheme" the most important roles in his repertoire. In May 1986 after winning the prestigious Madama Butterfly singing competition (Tokyo, Japan), Polozov announced his intention to live in the United States. Since his arrival in the USA, Polozov has appeared in numerous highly praised performances throughout the country - from Chicago (city of his American operatic debut for the role of Rodolfo "La Boheme" with Michael Tilson Thomas) to Boston, New York (his Metropolitan Opera debut in January 1987 in the role of Pinkerton opposite Renata Scotto, to California's Palm Springs and Texas - at the San Antonio Festival ("Tosca") with Julius Rudel, which received highest public and press acclaim. He also appeared in the Metropolitan Opera summer season in parks for the role of Rodolfo and a concert and recording in Washington D.C. (Kennedy Center) of Boris Godunov the role of Dimitry, opposite Ruggero Raimondi as Boris, Galina Vishnevskaya as Marina, Nicolai Gedda as the Simplenton and Paul Plishka as Pimen under the baton of Mstislav Rostropovich. The new 1987/88 season started for Polozov with a great success when he appeared in the role of Calaf in Puccini's Turandot in New York City Opera, and the very same week repeated this role in Munich's Bayerische Staatsoper with Giuseppe Patane. During the 1988/89 season, he performed in San Francisco Opera in the role of Enzo in La Gioconda opposite Eva Marton and in the role of Cavaradossi in Puccini's Tosca at the Canadian Opera Company. Soon he was engaged to perform in Paris, Hamburg, Barcelona, Rome, Lyon, Houston, Miami, Los Angeles, Santiago, Tokyo, and other world opera houses. He sang almost every major tenor role of the Russian, Italian, German and French repertory and evenly produced voice, brilliant upper register, and stylish singing, are shown to best effect.
Personal life.
He is married to Elena Leontieva and they have two children.