Lily, Rosemary and the Jack of Hearts

"Lily, Rosemary and the Jack of Hearts", is an epic narrative ballad by the American singer-songwriter Bob Dylan released as the seventh song (or the second track on Side Two of the vinyl) on his 1975 album "Blood on the Tracks". It is known for its complex plot and nearly nine-minute running time. It is one of five songs on "Blood on the Tracks" that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year; the latter version became the album track.
Characters and plot.
The song features a large cast of characters and an elliptical plot:
Plot.
The song takes place in a cabaret in an unnamed town where most of the residents "with any sense" have already left. The town's bank is being targeted by a gang of thieves led by an enigmatic figure called "The Jack of Hearts". The Jack of Hearts appears inside the cabaret right before the show. Big Jim and his wife Rosemary are in attendance of the show, though they arrive separately and it is apparent that Big Jim intends to use the night to pursue his affair with Lily. After her performance, Lily meets the Jack of Hearts in her dressing room with romantic intentions, but Big Jim makes his way to the dressing room as well, followed by Rosemary who has been driven to despair by her years of mistreatment at the hands of Big Jim. Big Jim is going to shoot the Jack of Hearts but is killed by a penknife in the back wielded by Rosemary (her "one good deed before she dies"). "The next day", Rosemary is executed, a hanging overseen by "the hanging judge", another figure in town who is in attendance at the cabaret the night before.
The fate of the Jack of Hearts is left ambiguous. He is described at the end of the song only as "missing", as Rosemary is on the gallows, his gang across the river with the safe from the bank, and Lily contemplating the events of her life.
Extra verse.
There is an extra verse on the Bob Dylan website and in the published sheet music that is not in the album version (right after the "backstage manager" verse):
Lily's arms were locked around the man that she dearly loved to touch,
She forgot all about the man she couldn't stand who hounded her so much.
"I've missed you so," she said to him, and he felt she was sincere,
But just beyond the door he felt jealousy and fear.
Just another night in the life of the Jack of Hearts.
This verse was recorded during the album's New York sessions and can be found on the deluxe version of . This version is slower and more somber, even mournful, reflecting the approach of the other New York sessions. The version on "Blood on the Tracks" was recorded later, in Minneapolis, and reflects Dylan's attempts, following his brother's advice, to make the album less difficult and intense. The verse also appears in Joan Baez's cover of the song.
Reception and interpretations.
According to Tim Riley of National Public Radio, "'Lily, Rosemary and the Jack of Hearts' is an intricately evasive allegory about 'romantic facades' that hide 'criminal motives', and the way one character's business triggers a series of recriminations from people he doesn't even know".
In their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon note that the "protagonists seem to play with their life as if it were a game of chance. Love is seen as comedy, life as a game of a chance. There is no doubt about what Dylan thought of justice, embodied by an alcoholic judge, imposing sentences with merciless severity". 
Dylan scholar Tony Attwood sees it as a Western ballad, the "American Wild West" period setting of which "sets it completely apart" from any of the other songs on Blood on the Tracks, but he also notes that it is a "superb song, a brilliant example of how to tell a story in a song".
Other versions.
The New York recording session of "Lily, Rosemary and the Jack of Hearts" was released on the deluxe edition of "" in 2018, with the second take of the song also included on the single-CD and 2-LP versions of the album. The deluxe version of "The Bootleg Series Vol. 14" also included a remix of the December 1974 master issued on "Blood on the Tracks".
Live performance.
According to his official website, Dylan has played the song live only once on May 25, 1976, in Salt Lake City.