Murder Ballads

Murder Ballads is the ninth studio album by Nick Cave and the Bad Seeds, released in 1996 on Mute Records. As its title suggests, the album consists of new and traditional murder ballads, a genre of songs that relays the details (and often consequences) of crimes of passion.
"Where the Wild Roses Grow", a duet featuring Cave singing with Kylie Minogue, was a hit single and received two ARIA Awards in 1996. Other prominent guest musicians on the album include PJ Harvey and Shane MacGowan.
Details.
"Murder Ballads" was the band's biggest commercial success to date, most likely helped by the unexpected repeated airplay of the "Where the Wild Roses Grow" video on MTV. MTV even nominated Cave for their "best male artist" award of that year, though this nomination was later withdrawn at Cave's request. Cave later said, "I was kind of aware that people would go and buy the "Murder Ballads" album and listen to it and wonder 'What the fuck have I bought this for?' because the Kylie song wasn't any true indication of what the record was actually like."
The first song written for the album was "O'Malley's Bar", when the band was recording "Henry's Dream". According to Cave, the idea for the "Murder Ballads" album came from this song: "We couldn't use 'O'Malley's Bar' on any of our other records. So we had to make a record, an environment where the songs could exist." Recordings were done towards the end of the "Let Love In" sessions, and there was some thought that the early material could be made into a film with John Hillcoat. Cave said, "I was going around everywhere with letters of intent, pushing them at everyone I knew, saying 'Do you want to be in this film?'"
Reception.
"Murder Ballads" received almost unanimous critical praise. Bill van Parys of "Rolling Stone" wrote that "never before have manic elements elevated Cave's shtick to art as on "Murder Ballads"", describing the album as "literate, sultry and tortured" and "the performance of Nick Cave's life." Tony Scherman of "Entertainment Weekly" warned that "Murder Ballads" was "not for the squeamish," calling it "the rare pop record that resonates with the weight of the ages". In "The New York Times", Neil Strauss felt that the album "is about more than storytelling", adding that Cave "meticulously creates a macabre fable and then distills it to a single image of death in much the way a photographer arranges a studio shoot". In a mixed review, "Spin"s Chris Norris complimented the album's "sordid epics and dark confessionals", but felt that Cave's "rheumy Poe-ish romance" songs were less effective.
In the English music press, "Select"s Clark Collis remarked that "Murder Ballads" "weaves itself together into a meditation on death that is both beautiful and genuinely unnerving." Dave Henderson of "Q" observed that "musically, the Bad Seeds touch on tinkling cabaret jazz, country-paced morbidity and every morose station between." "Murder Ballads" ranked number 16 on "Melody Maker"s list of 1996's Albums of the Year and number 7 in the "NME"s 1996 critics' poll.
Personnel.
Nick Cave and the Bad Seeds
Guest musicians
The Moron Tabernacle Choir on "The Curse of Millhaven"
Charts and certifications.
Certification.
 the album has sold close to a million copies worldwide.