Leon Schidlowsky

Leon Schidlowsky (Hebrew: ליאון שידלובסקי; born 21 July 1931 in Santiago de Chile) is a Chilean-Israeli composer and painter. He has written music for orchestra, chamber ensemble, choir, and instruments including the piano, violin, cello, flute, mandolin, guitar, harp, organ, as well as about sixty-five pieces of music with graphic notation. His compositions have been performed in numerous countries with different orchestras under conductors such as Aldo Ceccato, Errico Fresis, Clytus Gottwald, Juan Pablo Izquierdo, Erhard Karkoschka, Herbert Kegel, Lukas Foss, Zubin Mehta, Hermann Scherchen, and Ingo Schulz. The scores of his graphic music have been shown in various exhibitions linked to concerts, such as in the Staatsgalerie Stuttgart, Kunsthaus Hamburg, the Wilhelm-Hack-Museum, Ludwigshafen, and the Stadtgalerie Saarbrücken.
Biography.
Schidlowsky pursued his secondary studies at the Instituto Nacional de Chile in Santiago from 1940–47 and studied the piano with Roberto Duncker at the Conservatorio Nacional de Chile in Santiago from 1942-48. He later studied composition with Juan Allende-Blin and Fré Focke, as well as philosophy and psychology at the Universidad de Chile in Santiago from 1948-51. He completed his studies in Germany at the Nordwestdeutsche Musikakademie (later Hochschule für Musik Detmold) in Detmold, where he met his future wife Susanne, whom he married in 1953. They had five children (David, Elias, Judith, and twins Yuval and Noam).
Chile (1954-1968; 2014).
After his return to Chile in 1954 Leon Schidlowsky became a member of the avant-garde ensemble Grupo Tonus in Santiago and served as its director from 1958–61. This ensemble wanted to spread avant-garde and contemporary music in Chile. In 1956 Schidlowsky produced "Nacimiento", considered the first electroacoustic work composed in Latin America. Between 1956 and 1959 he was member of the British Council and between 1956 and 1961 a musical adviser of the pantomime ensemble Grupo Noisvander. He served as director of the music library at the Instituto de Extensión Musical, of the Universidad de Chile (Chilean University) in 1961-62, and as secretary-general of the Asociación Nacional de Compositores from 1961-63. He also served as director-general of the Instituto de Extensión Musical, Universidad de Chile, from 1962-66. In this period the Institute achieved distinction, with the performance of music that had never been played in Chile before, and with the performance of at least one work by a Chilean composer every year. Besides that, a number of orchestral conductors, soloists, and foreign orchestras visited Chile and made a substantial contribution to the musical culture of the country.
In 1964 he was, together with Luigi Dallapiccola and Alberto Ginastera, a member of the jury in a composers' competition in Buenos Aires, Argentina. The same year he took part in the music symposium "Latin America and the music of our time" (América Latina y la música de nuestros tiempos) in Lima, Peru. In 1965, Schidlowsky was appointed Professor of Composition at the Conservatorio Nacional, Universidad de Chile (Chilean University). In 1966 he participated in the Inter-American Festival in Washington, D.C., USA, as well as the Festival Interamericano de Música in Caracas, Venezuela. In 1967, he took part in the Festival of Music from Spain and Latin America, in Madrid, Spain. He participated in the "Festival of the Three Worlds" in Mérida, Venezuela in 1968, with lectures and discussions with the composers Krzyztof Penderecki and Luigi Nono. The city of Mérida nominated him a "Distinguished Guest of the City". In the same year he received a Fellowship from the John Simon Guggenheim Memorial Foundation in order to write an opera, which he completed in Germany.
On 21 August 2014 Leon Schidlowsky was awarded the Chilean National Prize for Musical Arts, accompanied by several homages, press articles and interviews in the local press.
Israel.
In 1969, he was appointed Professor for Composition and Music Theory at the Samuel Rubin Academy of Music at Tel Aviv University. In 1979 he was granted a Sabbatical Year, which he spent in Hamburg. He has given many conferences in Berlin, Hamburg and Stuttgart (Germany), Vienna (Austria), Lund (Sweden), and Saragossa (Spain). Schidlowsky received several fellowships from the Deutscher Akademischer Austauschdienst (DAAD), and stayed in Berlin for various periods, where he composed and painted. During one of these sojourns, in 1999, his wife Susanne died; she was buried in Tel Aviv. Leon Schidlowsky received various prizes for his music, such as at the regular Festivals of Chilean Music (Festivales de Música Chilena), with works of his being awarded the Chilean Prize CRAV. In 1996 he received the First Prize for his work "Absalom" in the 60th anniversary competition of the Israel Philharmonic Orchestra.
In 2000 he was awarded the ACUM Prize for his entire oeuvre by the Israel Composers Association. In the following year, during a visit to Chile, the Chilean Chamber Orchestra declared him an Honorary Member, the Universidad de Chile appointed him an Honorary Professor in its Arts Faculty, and the Chilean Ministry of Education conferred on him the "Orden al Mérito Docente y Cultural Gabriela Mistral" with the rank of "Caballero". He received the Engel Prize for his original work and his research into Jewish music, awarded by the city of Tel Aviv in June 2007. Leon Schidlowsky has given courses in composition in several countries; and he has helped to form and influence a whole generation of composers in Israel, like Avraham Amzallag, Chaya Arbel, Mary Even-Or, Rachel Galinne, Betty Olivero, Jan Radzynski, Ruben Seroussi, Ron Weidberg, Moshe Zorman.
Works.
Many of his works make reference to his Jewish-Israeli identity and to the history of the Jewish people, as well as to his interest in history and the political and social situation in Chile and Latin America. There is also in his works a musical response to his personal life and experience, such as the death of his wife Susanne (1999) and his son Elias (2004), or the destiny of many personal and professional friends, or personalities of his time. As an admirer of Arnold Schoenberg´s music, Schidlowsky began his career as a composer in the tradition of the Second Viennese School. His music is also highly influenced by Edgard Varèse, specially on his concern with timbre and freedom of form.
Later he began to use serial techniques, and to experiment with various tonal concepts (atonal, aleatoric, graphic notation), but always on the understanding that music has a deeper significance which transcends absolute art, which can open up a path for a human being to find a way to himself (Schidlowsky: "Art itself has not only one meaning. It includes and encompasses all senses, questions and all answers. I think that art is a way to us."). Leon Schidlowsky has written dramatic and vivid works. Examples:
Examples from his graphic notation music:
Among his numerous works, Schidlowsky also wrote three operas: