Roy Kiyooka

Roy Kenzie Kiyooka, (January 18, 1926January 4, 1994) was a Canadian painter, poet, photographer, arts teacher, and multi-media artist.
Biography.
A Nisei, or a second generation Japanese Canadian, Roy Kenzie Kiyooka was born in Moose Jaw, Saskatchewan and raised in Calgary, Alberta. His parents were Harry Shigekiyo Kiyookaand Mary Kiyoshi Kiyooka. Roy's grandfather on the maternal side, a samurai Ōe Masamichi, was the 17th headmaster of the Musō Jikiden Eishin-ryū school of swordsmanship. Roy Kiyooka's brother Harry Mitsuo Kiyooka also became an abstract painter, a professor of art, and sometimes a curator of his brother's work. Roy's youngest brother Frank Kiyooka became a potter.
In 1942, after the bombing of Pearl Harbor, the family was uprooted and moved to a small town in rural Alberta called Opal. Roy Kiyooka was unable to finish high school.
From 1946 to 1949, he studied with Jock Macdonald and Illingworth Holey Kerr at the Provincial Institute of Technology and Art. With a scholarship, he was able in 1955 to go to Mexico for eight months to study under James Pinto at the Instituto Allende in San Miguel de Allende. In 1956, he began teaching at the Regina College of Art. In Regina, he worked with a group of abstract painters, but Kiyooka left for Vancouver in 1959 and thus was not included in the group show coined the "Regina 5".
At the time, Kiyooka was very impressed with Clement Greenberg's ideas. In the summers from 1957 to 1959 he took part in the Emma Lake Artists' Workshops of the University of Saskatchewan, and there worked with Will Barnet and Barnett Newman. While in Vancouver, in 1960, he began "Hoarfrost", a series of abstract large paintings on hardboard characterized by all-over white colour and criss-crossed patterning. Later, his work became more hard-edge and he used the ellipse form as in the Art Gallery of Ontario's "Barometer No. 2" (1964). In Vancouver, he became involved with the artists' community. 
From 1960 to 1964, he was at the Vancouver School of Art (now Emily Carr University of Art and Design), from 1965 to 1970 at the Sir George Williams University in Montréal (now Concordia University). In 1971–72 he taught at the Nova Scotia College of Art and Design, Halifax and then, from 1973 to 1991, at the Fine Arts Department of the University of British Columbia in Vancouver, where he lived on Keefer Street.
He was made an associate member of the Royal Canadian Academy of Arts in 1965. In the same year he represented Canada in Sao Paulo, Brazil, and won a Silver Medal at the Eighth Sao Paulo Biennial. In 1975, the Vancouver Art Gallery organized a twenty-five-year retrospective of his work. In 1978, he was named an Officer of the Order of Canada.
At the end of the 1960s, Kiyooka had lost faith in modernism and stopped painting. He began to use performance, film and music. He also began to work with photography and he produced a few series of sculptures. In 1969, Roy was commissioned to build a sculpture, "Abu Ben Adam’s Vinyl Dream", for the Canadian pavilion at Expo ‘70 in Osaka, Japan. While in Japan he made the "StoneDGloves: Alms for Soft Palms" photographic series, shown at the National Gallery of Canada in Ottawa and later he made "16 Cedar Laminated Sculpture" series, shown alongside the "Ottoman/Court Suite" of silk-screen prints, at the Bau Xi Gallery in Vancouver in May 1971.
"Pear Tree Pomes" illustrated by David Bolduc (Coach House Press, 1987) was nominated for a Governor General's Literary Award.
Books.
Books published posthumously include:
Exhibitions.
"Roy Kiyooka: Accidental Tourist" (Doris McCarthy Gallery, Scarborough, Ont), 17–22 March 2005.