Charlie Poole

Charles Cleveland Poole (March 22, 1892 – May 21, 1931) was an American musician, singer and banjo player, as well as the leader of the North Carolina Ramblers, a string band that recorded many popular songs between 1925 and 1930.
Biography.
Poole was born near the mill town of Franklinville in Randolph County, North Carolina. He was the son of John Philip Poole and Elizabeth Johnson. In 1918, he moved to the town of Spray, now part of Eden. He learned banjo as a youth. He played baseball, and his three-fingered technique was the result of an accident. He bet that he could catch a baseball without a glove. He closed his hand too soon, the ball broke his thumb, and resulted in a permanent arch in his right hand.
Poole bought his first banjo, an Orpheum No. 3 Special, with profits from making moonshine. Later, he appeared in the 1929 catalog of the Gibson Company, promoting their banjo.
He spent much of his adult life working in textile mills.
The North Carolina Ramblers.
Poole and his brother-in-law, fiddler Posey Rorer, whom he had met in West Virginia in 1917 and whose sister he married, formed a trio with guitarist Norman Woodlief. The band was called the North Carolina Ramblers. They auditioned in New York for Columbia Records. After landing a contract, they recorded the successful "Don't Let Your Deal Go Down Blues" on July 27, 1925. This song sold over 106,000 copies at a time when there were estimated to be only 6,000 phonographs in the southern United States, according to Poole's biographer and great-nephew, Kinney Rorer. The band was paid $75 for the session.
For the next five years, Poole and the Ramblers were a popular band. The band's sound remained consistent, although several members came and left (including Posey Rorer and Norm Woodlief). The band recorded over 60 songs for Columbia Records during the 1920s, including "Sweet Sunny South", "White House Blues", "He Rambled", and "Take a Drink on Me". Former railroad engineer Roy Harvey was one of the guitarists. Fiddlers in various recording sessions were Posey Rorer, Lonnie Austin and Odell Smith.
Bill C. Malone, in his history of country music, "Country Music, U.S.A.", says, "The Rambler sound was predictable: a bluesy fiddle lead, backed up by long, flowing, melodic guitar runs and the finger-style banjo picking of Poole. Predictable as it may be, it was nonetheless outstanding. No string band in early country music equaled the Ramblers' controlled, clean, well-patterned sound."
Poole composed few, if any, of his recordings. Nevertheless, his dynamic renditions were popular with a broad audience in the Southeast United States. He is considered a primary source for old-time music revivalists and aficionados. Songs like "Bill Morgan and His Gal", "Milwaukee Blues", and "Leavin' Home", have been resurrected by banjo players. Poole developed a unique fingerpicking style, a blend of melody, arpeggio, and rhythm (distinct from clawhammer/frailing and Scruggs' variations).
Poole had been invited to Hollywood to play background music for a film, but died before getting there. He died after a heart attack due to alcohol poisoning in May 1931. According to some reports, he'd been disheartened by the slump in record sales due to the Depression.
Legacy.
Poole's music enjoyed a revival in the 1960s, and his renditions have been rerecorded by numerous artists, such as John Mellencamp with "White House Blues", The Chieftains, New Lost City Ramblers, Holy Modal Rounders and Hot Tuna with "Hesitation Blues", and Joan Baez with "Sweet Sunny South". The Grateful Dead's popular song "Deal" was influenced by "Don't Let Your Deal Go Down". His recordings have also appeared on numerous compilations of old-time music. Since 1995, Poole's legacy has been carried on every year in Eden, North Carolina during the month of June when the Piedmont Folk Legacies, Inc, a non-profit organization, hosts the Charlie Poole Music Festival. Bob Dylan in his Nobel Lecture acknowledged Poole and several lyrics of his song "You Ain't Talkin To Me".
Columbia issued a three-CD box set of his music, entitled "You Ain't Talkin' to Me: Charlie Poole and the Roots of Country Music" in 2005. The album, produced by Henry "Hank" Sapoznik, was nominated for three Grammy Awards. It chronicles the music made for Columbia by Poole and the North Carolina Ramblers between 1925 and 1931, including such important songs as "Don't Let Your Deal Go Down" (the first country mega-hit), "Can I Sleep in Your Barn Tonight, Mister?", "Old and Only in the Way" (the title of which was used by Jerry Garcia to name his 1970s bluegrass band with David Grisman, Old and in the Way), and "White House Blues", adapted by John Mellencamp, who in 2004 updated the politically charged lyrics and changed the title to "To Washington". In addition to 43 of Poole's original recordings, the package features performances by other early roots music players and singers, including Fred Van Eps, Arthur Collins, Billy Murray, Floyd Country Ramblers, Uncle Dave Macon and The Red Fox Chasers.
The original liner notes, by Peter Stampfel, state, "Charlie Poole and the North Carolina Ramblers recorded an incredible number of songs that are personal favorites of mine. Poole is, in fact, one of the great musicians of the century. No doubt about it." The album's cover art was created by Robert Crumb, the celebrated illustrator and an old-time music aficionado.
Kinney Rorer penned a biography of Charlie Poole, entitled "Ramblin' Blues: The Life and Songs of Charlie Poole" in 1982. Rorer is a descendant of Poole's fiddler Posey Rorer, and is the banjo player for the old-time music group The New North Carolina Ramblers.
Production of a documentary on Poole's life, tentatively titled "North Carolina Rambler", was announced in 2007 by producer-director-cinematographer George Goehl. However, no word on the film's progress is available.
A double-CD album paying tribute to Poole was released by singer-songwriter Loudon Wainwright III in August 2009. The album, entitled "", features 30 tracks, including new versions of songs originally recorded by Poole, as well as tunes composed by Wainwright and producer Dick Connette on the artist's life and times; it was awarded the Grammy for 'Best Traditional Folk Album' at the 52nd Annual Grammy Awards.