Music of Kosovo

Music of Kosovo is part of the European culture and refers to the music of the Kosovan people, dominated by the music of Kosovo Albanians which constitute the majority of population, and to a lesser extent the inactive music of small minority groups within the Autonomous Province Of Kosovo.
Throughout its history, Kosovar music has played an important cultural role and also a significant part of the Kosovan national identity, drawing its artistic basis from the ancient and traditional folk music (with distinctive instrumentation of Albania), rhapsody, classical music, and Western culture. 
Although popular music dominates the Kosovar music market, classical music and folk music remain vibrant, with many modern Kosovar musicians having oftentimes reconstructed traditions which had been suppressed while the country was under Yugoslav occupation. Meanwhile, the mainstream music in Kosovo is Western oriented and the main popular genres include pop, rock, hip hop electronic, jazz, etc.
Folk music.
In the past, epic poetry in Kosovo and northern Albania was sung on a lahuta (a one-string fiddle) and then a more tuneful çiftelia was used which has two strings-one for the melody and one for drone. Cultural anthropology researches revealed the antiquity of this tradition and how was it developed in parallel with other traditional music in the Balkans, while various archaeologists discovered finds dating back to the 5th Century B.C. such as stone paintings depicting musicians with instruments, notably the portrait of "Pani" holding an aerophone similar to flute.
Traditional music.
Kosovo Albanian music.
It is characterized by use of "çiftelia" (an authentic Albanian instrument), "mandolin", "mandola" and "percussion". The most notable Albanian rock bands are: Gjurmët, Asgjë Sikur Dielli - Jazz Drummer, Ilir Bajri is a notable jazz and electronic musician.
Ledri Vula, Rita Ora, Era Istrefi, Dua Lipa, Regard , Dhurata Dora, Nora Istrefi, Majk (rapper), Genta Ismajli, Rona Nishliu, Vedat Ademi and Adelina Ismajli are some of the most popular commercial singers in Kosovo today.
Tallava is a minority music genre from Kosovo, also popular in Albania and the Republic of North Macedonia, in the Albanian-speaking communities. Having originated in the Roma community in Kosovo in the 1990s, it is oriental-sounding, and perceived of as low-status. Nevertheless, it is becoming increasingly popular in Albania and North Macedonia. It is identified as part of the wider Pop-folk genre of the Southeastern Europe, which includes Chalga from Bulgaria, Skiladiko from Greece, Manele from Romania and Turbo-folk from Serbia.
Kosovo.
Serbian 
music in Kosovo today represents a minority group and is a mixture of traditional music (which is part of the wider Balkan tradition) with its own distinctive sound and various Turkish influences. Some of Serbian traditional dance kolo originated from Kosovo. Serb songs from Kosovo were an inspiration for 12th song wreath (sr. Руковет) by composer Stevan Mokranjac, who is often called “father of Serbian music”. Most of Serbian music from Kosovo was dominated by church music, with its own share of sung epic poetry. Oral epic poetry and folk songs cultivated the Kosovo Myth. Many epic poems are about events related to the Battle of Kosovo, which is important to Serbian history, tradition and national identity. Serbian national instrument Gusle was also used by their minority in Kosovo.
Jordan Nikolić, Viktorija, Sejo Kalač, Đani, Jana, Tina Ivanović, Slađa Delibašić, Rasta, Nevena Božović are some of the most popular Kosovo Serb commercial singers.
Rock music.
While rock music in Kosovo has always been Western oriented, Yugoslavian influence became also evident to a minor extent but it was short-lived. One of the first popular Albanian rock bands was called "Blue Star" which formed in 1964 in Pristina and later it was renamed to "Modestët". In the beginning of the 1970s, the rock music scene in Mitrovica, Kosovo (then Yugoslavia) comprised both Albanian and Serbian bands, though each had their own separate audience and performed in their own languages. However, there was a band called MAK which had both Albanian and Serbian musicians, and another bi-ethnic band was FAN also based in Mitrovica, but their collaboration was short-lived as well.
Pristina was the most important city for Albanian rock music during the 1980s. In the mainstream circles Gjurmët (founded 1981) were among favorites. Their combination of rock with "muzikë qytetare" laid the foundation of Albanian rock. Other known bands that formed during this period were Ilirët, 403, Telex, Seleksioni 039, Minatori and Menkis. On the other hand, the underground music was more leaning towards punk. Most notable underground rock/punk band of Pristina in the 1980s was Lindja with its lead musician Luan Osmani (lead guitar). The beginning of the 1990s introduced other rock bands and individuals that played mainly in Kosovo like Troja, Dardan Shkreli, Blla blla blla and Elita 5 (from North Macedonia).
During the parallel governance (1989–1999) and after the 1999 war in Kosovo, several new Kosovo-Albanian bands emerged, among which most famous are Diadema, KEK ("Kreativ e jo Komercial" – English: creative and not commercial), 7me7, The Hithat, Cute Babulja, Por-no, Gre3n, Retrovizorja.
After 2004 many alternative rock band appeared forming a new wave. Many bands formed, dissolved than re-formed. Bands like Votra, Gillespie, The Bloody Foreigners, and Gre3n (ceased existing in 2008). Also the Glasses, the Dizzies (with some band members of Gillespie) The Freelancers most of them debuting in 2009.
Music abroad.
Musicians.
The contemporary pop stars Rita Ora and Dua Lipa are ethnic Albanians from Pristina and have achieved an international recognition for their music, as has Ava Max, whose parents are from Kosovo. Also Era Istrefi had an international breakthrough with her song "BonBon", which charted globally, and was featured on 2018 FIFA World Cup anthem "Live It Up". Another widely recognized musicians are and Petrit Çeku, both winners of prestigious music awards. Gjon's Tears a Swiss singer and songwriter of Kosovar-Albanian descent, who auditioned for the of the French singing competition "The Voice: la plus belle voix" and reached the semi-finals, as well as who will represent Switzerland at the Eurovision Song Contest 2021.
Eurovision.
SAP Kosovo was represented by RTV Priština at the "Jugovizija", the national pre-selection of Yugoslavia, but their entry has never won. "Jugovizija 1986" was organised by RTV Priština. Before 2008 Kosovo declaration of independence, Viktorija a singer from Vučitrn represented Yugoslavia as part of Aska in 1982 and Nevena Božović from Mitrovica represented Serbia in the Junior Eurovision Song Contest 2007.
Kosovo's national public service broadcaster, Radio Television of Kosovo (RTK), has attempted to attain European Broadcasting Union (EBU) membership. The broadcaster had applied to enter Kosovo for the Eurovision Song Contest 2009 and Kosovo would have made its Eurovision Song Contest debut in 2011 if it joined the EBU. However, RTK is ineligible to become a full EBU member as it is not part of the International Telecommunication Union due to Kosovo not being a United Nations members state.
From 2013 on, RTK has observer status within the EBU and did participate in the Eurovision Young Dancers 2011. According to the Kosovar newspaper "Koha Ditore", a future entry would be selected via a national final called "Akordet e Kosovës", a former pop show that had been taken off the air some years ago.
Kosovo Albanian artists have competed at the Festivali i Këngës since the 80s and have represented Albania in several occasions. The Kosovar singer, Rona Nishliu, represented Albania with "Suus" and placed 5th in the grand final of the Eurovision Song Contest 2012, whereas Lindita Halimi represented Albania in 2017 with "World". Additionally, Elhaida Dani's song I'm Alive which represented Albania in the Eurovision Song Contest 2015, was written and produced by Zzap & Chriss, both Kosovo Albanian record producers and songwriters.
Some singers, especially Kosovo Serbs, participate in Serbian national selection organised by RTS. Nevena Božović also represented Serbia as a member of Moje 3 in the Eurovision Song Contest 2013 and as a solo artist in the Eurovision Song Contest 2019.