Mandatory World Tour

The Mandatory World Tour (also known as the Return of the Mandatory World Tour) is the 12th concert tour by American recording artist, "Weird Al" Yankovic. Launched in 2015, the tour supports the singer's 14th studio album, "Mandatory Fun" (2014). Running for two years, the tour played nearly 200 shows in North America, Europe and Australasia.
Background.
Yankovic announced the tour in January 2015 via his Twitter account. The tweet featured a 30-second ad, styled as a propaganda film, calling the show, "the greatest musical spectacle ever seen". The tour predominately played in the United States, with a handful of dates in Canada, Europe, Australia and New Zealand. Along with standalone gigs, Yankovic also played music festivals, state and county fairs. At the end of 2015, the tour placed 122nd on Pollstar's annual year end list, earning 8.2 million. In 2016, the singer added additional shows marked as the "Return of the Mandatory World Tour". Yankovic remarked many fans were upset that he didn't play certain territories, stating: "They forgot the show was mandatory". The shows in 2016 placed 159th on Pollstar's annual year end list, making $7.1 million, bringing the total earned to $15.3 million.
Critical reception.
Along with its commercial success, the tour received praise from critics and spectators of the concerts.
In Cary, David Menconi ("The News & Observer") stated Yankovic makes being funny look easy. He says: "People still turn out for Yankovic because he's incredibly skilled at crafting cultural time-capsules starring himself. He's also about the last word in appealing adolescent silliness; my 16-year-old son came along, and he loved it."
Ashley Belanger ("Orlando Weekly") writes Yankovic was a great showman despite the humorous material. For the show in Orlando, she wrote: "'Weird Al' was a live wire. I found my eyes flitting around to follow his every move, like I was a freaking cat watching a laser pointer. Not only did he do costume changes nearly every song, but his whole band played along by switching get-ups too, with enough change-ups to wonder if backstage looked like a teen girl's bedroom with cast-off garments covering every surface."
The show in London received three out of five stars. Brian Logan ("The Guardian") writes: "The experience is more akin to watching a tribute band, where the homage being paid is tongue-in-cheek, if scarcely less affectionate, and the source material extends to every major pop song since the early 80s. Highlights include a swing version of Yankovic's breakout Michael Jackson pastiche Eat It, and his Star Wars/Don McLean mashup The Saga Begins, replete with stormtroopers. Throughout, Yankovic's voice is strong, whether he's aping Kurt Cobain or crooning barbershop with his excellent band. The personal touch is lacking, but there's no denying, Weird Al gives good show."
Cory Garcia ("Houston Press") writes the show was given a different vibe in the Brown Theatre. He says: "The surroundings made the show feel bigger physically and on a metaphorical level. It feels weird to label what Weird Al does live as a concert because it feels much more than that. Over his career, Weird Al Yankovic has earned his place in fancy theater venues; yes, his art may be writing food-centric parodies of pop songs, but he is the Shakespeare of that art. So, maybe I've had it backward before; it's not that Al is worthy of playing the Wortham; it's that the Wortham is worthy of hosting Al."
Danny Gallagher ("Dallas Observer") stated the show at the Winspear Opera House was a repeat success of the show in October 2015. He goes on to say: "The focus of his show is on the music, even if he's performing purely for laughs. It's a tightly constructed and executed set list that not only included multiple instruments and heavy multimedia interaction but also wardrobe changes and even some special prosthetic makeup."
Setlist.
The following setlist was obtained from the concert held on May 15, 2015, at the PH Showroom in Las Vegas, Nevada. It does not represent all concerts for the duration of the tour.