Leeds City Museum

Leeds City Museum, originally established in 1819, reopened in 2008 in Leeds, West Yorkshire, England. It is housed in the former Mechanics' Institute built by Cuthbert Brodrick, in Cookridge Street (now Millennium Square). It is one of nine sites in the Leeds Museums & Galleries group.
Admission to the museum is free of charge. Special exhibitions are hosted alongside a collection of displays from the Leeds Archive.
History.
In 1819, a museum was established in Philosophical Hall, Bond Street, by the Leeds Philosophical and Literary Society, and in 1821 it opened to the public. In 1921, control of the museum was handed to the Corporation of Leeds which later became Leeds City Council. In 1862, Philosophical Hall was rebuilt in Park Row, where its stone portico can still be seen on the west side of the road. In 1941, the museum building and artifacts were badly damaged by bombing. In 1965 the museum was closed, and a few exhibits removed to a couple of rooms in the city library in 1966. The oversized Leeds Tiger, the giant moose skeleton and the carved wooden cart took up much of the space. In 1999 the museum went into storage, though researchers and the public could view items by appointment. In 2000, the resource centre at Yeadon opened, under the same appointment-to-view arrangement. In 2001, Leeds City Council bid for National Lottery cash, and in 2004, it was awarded £19.5 million, 
so in 2005, the Leeds Mechanics' Institute building began to be redesigned as Leeds City Museum, finally to reopen in 2008. It was redeveloped to a design by architects and Buro Happold engineers. The gallery and exhibit design was provided by Redman Design.
The exhibits.
While exhibits vary, they are mainly made up of exhibits from Leeds' history. The central hall has a large map of Leeds printed on the floor. There is also a scale model of the Quarry Hill flats.
Life on Earth gallery.
This is the natural history gallery, featuring everything from a meteorite to dinosaur poo (coprolite). In 2019, the skeleton of a Long-finned Pilot Whale was hung from the ceiling just outside the gallery.
Leeds Tiger.
A large, stuffed Bengal tiger, this exhibit came to Leeds in 1862. It was shot by Colonel Charles Reid in the valley of Deyrah Dhoon near Mussoorie hill station in Uttarakhand, India in March, 1860. It was originally exhibited at the 1862 International Exhibition in London as a skin - hence its odd shape - before being turned into a taxidermy mount by Edwin Henry Ward (father of Rowland Ward). The Leeds Philosophical and Literary Society bought the tiger from Ward and it has been on display to the people of Leeds almost continuously for over 150 years.
The tiger was one of the foremost attractions in Leeds as soon as it was exhibited. At the annual conversazione of the Leeds Philosophical Society in 1863, the Reverend T. Hincks stated that "he was afraid that the tiger ... had been too much the great lion ... and that they had neglected many other noble beasts surrounding it." This exhibit - so beloved of the Leeds populace - has a strange history. It was a tiger skin rug when purchased for £90 and presented to the Museum by William Gott in the 19th century. The present exhibit was likely constructed of more than one tiger skin because: "researcher Ebony Andrews believes that the skin might have been trimmed after it was tanned, leaving missing sections underneath the tiger's chin, neck and up all four legs." 
Museum records give the impression that the tiger had been shot for spending too much time near a village in India. Meanwhile, the story of a tiger shot for its mere presence at the edge of a village became a legend of the killer of one man, then of two people, then the serial killer of forty. This myth may have developed following a 1906 guidebook by Henry Crowther, which said it "destroyed forty bullocks in six weeks and was considered so formidable that no native dare venture into the jungle where this noble beast reigned supreme." The "Yorkshire Evening Post" said, "We'll never know for certain whether the Leeds Tiger really lived up to its dangerous reputation, but today it sends a shiver down the spines of visitors to Leeds City Museum." However the pelt may now be dangerous after all, in a sense, as the Victorians will have preserved it with arsenical soap. For over a century it has sagged somewhat, as can be seen in the photograph. Nevertheless, in the early 1860s the tiger was considered an object of beauty:The setting up of this tiger is so natural and so perfect in posture and anatomical detail, that it is certainly to be looked upon as a work of art quite as much as an object for scientific observation ... Professor Owen has more than once stated that it is the finest and largest animal of its species not only in England but in Europe.
In 2016 the tiger, along with several other natural history exhibits, was temporarily moved into frozen storage to destroy any possible infestation of the webbing clothes moth after larvae were found in the gallery.
It has been suggested that the tiger was "saved from the curators' skip by the "Yorkshire Post" when it mounted a successful campaign to retain it as a popular centrepiece of the museum's collection" but the museum's curator was quoted in 1979 as saying: 
Ancient Worlds gallery.
Here are archaeological items from Leeds and around the world.
World View gallery.
In 2014 this gallery began hosting a long-term exhibition called 'Voices of Asia', which celebrates the sights, sounds and culture of Asian communities here in Leeds and around the world. The 'faith' element of the display regularly changes. From 2017, the focus was on Buddhism.
Leeds Museums & Galleries has large collection of objects from around the world, and Voices of Asia displays just one aspect of the city's holdings. The Leeds African collections are also significant, especially the sculpture, masks and textiles. Since 2019, most are held at Leeds Discovery Centre, which holds representations of North American beadwork, European folk items and the traditional arts of Oceania.
Leeds Story gallery.
The history of Leeds from prehistory to the modern day. One of the key objects on display is the Malham Pipe, originally identified as an Iron Age flute made from bone, its dating has been revised to the early medieval period. The West Yorkshire Hoard is an example of one aspect of medieval Leeds.
Special exhibitions.
On the third floor is a gallery space dedicated to a changing exhibition programme. One previous exhibition was 'Beavers to Weavers' looking at things created by creatures.
Collectors Cabinet.
Various collections appear here in rotation with a focus on the people behind the objects.