Winnebago language

The Ho-Chunk language ("Hoocąk, Hocąk"), also known as Winnebago, is the traditional language of the Ho-Chunk (or Winnebago) nation of Native Americans in the United States. The language is part of the Siouan language family, and is closely related to the languages of the Iowa, Missouri, and Oto.
"Winnebago" is an exonym, an Anglicization of the Sauk and Fox word "Oinepegi". The anglicized form of the endonym is "Ho-Chunk".
Phonology.
Phonemic Inventory.
Ho-Chunk's vowels are distinguished by nasality and length. That is to say, the use of a nasal vowel or a long vowel affects a word's meaning. This is evident in examples such as "pąą" 'bag' compared to "paa" 'nose,' and "waruc" 'to eat' compared to "waaruc" 'table.' All of Ho-Chunk's vowels show a short/long distinction, but only /i/ /a/ and /u/ have nasal counterparts. 
Ho-Chunk's consonants are listed in the following table: 
Typical of Mississippi Valley Siouan languages, Ho-Chunk has aspirated /p/ and /k/ phonemes but no aspirated /t/.
Nasalization Rules.
In Ho-Chunk, nasalizable vowels /a/, /i/, and /u/ are always nasalized when they occur after nasal consonants /m/ and /n/. The nasality spreads to an adjacent vowel if that vowel is nasalizable as well. The spread operates across syllable or word boundaries and can move across consonants /h/ and /w/, but is blocked by all other consonants. Examples include "nąįžą" 'a tree' and "ha'ųwį" 'we (exclusive) do':
Another frequently occurring nasalization rule is /r/ to [n] alternation: the /r/ consonant is pronounced as [n] when it immediately follows a nasal vowel. That is shown in the sentence "Mąąhį haanįną juujuxšąną" 'My knife is dull':
Dorsey's Law (Vowel copying rule).
There is a notable sound law in Ho-Chunk called Dorsey's Law[9] which dictates the following:
where O is a voiceless obstruent, R is a resonant, and S a syllabic sound. In other words, if there is an underlying voiceless obstruent (in Ho-Chunk, /p/, /c/, /k/, /s/, /š/, and /x/) followed by resonant (/r/, /n/, or /w/), the vowel following the resonant is copied into the proceeding consonant cluster. All Dorsey's Law sequences attested in the language are listed below, with V representing the copied vowel: 
Multiple sources advocate that Dorsey's Law is a synchronic process in the language because of the way that things like stress assignment and the morphological process of reduplication are affected by it.
Dorsey's Law can apply within a single morpheme, as in /pra/ becoming [para] in the word "paras" '(be) wide, flat', or across morpheme boundaries, as in /šra/ becoming [šara] in the word "šaraše" 'you go there,' where "š" is the second person pronominal prefixing to the verb "rahe" 'to be going there.'
Metrical structure.
Ho-Chunk is a mora counting, but syllable accenting language. The stress placement of words spoken in isolation is extremely regular. Single-syllable words always have a long vowel (two moras), and stress falls on the first mora (e.g. "áa" 'arm'). Two-syllable words have two moras, and primary stress falls on the second mora (e.g. "wajé" 'dress'). In words longer than two syllables, primary stress most often falls on the third syllable, with secondary stress on each even numbered vowel after the point of primary stress (e.g. "waǧįǧį́ " 'ball,' or "hocįcį́k" 'boy'). A few rare examples of words with primary stress not on the third syllable include "booráxux" 'you break something into pieces' and "gikąnąhé" 'to invite somebody.' These and other exceptions are a result of syllable weight affecting stress location. As seen in "booráxux" 'you break something into pieces,' when one of the first two syllables of a multiple-syllable word is a heavy syllable, then the main stress falls on the second syllable
Generally when words are spoken in sequence to form sentences, each retains its own stress domain. However, when two or more words are compounded, they are treated as a single word and form a new single stress domain in which the aforementioned patterns apply. Examples include "hąąbókahi" 'every day' (a compound consisting of "hąąp" 'day' and "hokahí" 'every') and "wąągwácek" 'young man' ("wąąk" 'man' and "wacék" 'young').
Ho-Chunk's stress system is substantially different from that of other Siouan languages, which have main stress on the second syllable or second mora. It is theorized that Ho-Chunk underwent a stress shift one mora to the right at some point in its history.
Orthography.
The official Ho-Chunk orthography derives from an Americanist version of the International Phonetic Alphabet (IPA). As such, its graphemes broadly resemble those of IPA, and there is a close one-to-one correspondence between graphemes and phonemes. The orthography differs from IPA in that the nasal vowels are indicated using an ogonek. Thus, /ĩ/, /ũ/, and /ã/ are written as "į", "ų", and "ą," respectively. In addition, the postalveolar and palatal consonants are written as "c, j, š, ž," and "y" (in IPA: /tʃ/, /dʒ/, /ʃ/, /ʒ/ and /j/), the velar fricative /ɣ/ is written as "ǧ," and the glottal stop is written as "ʼ" .
The diacritic marks can be referred to in Ho-Chunk with the following terms: "sįįc" 'tail' for the ogonek, "wookąnąk" 'hat' for the haček, and "hiyuša jikere" 'sudden start/stop' for the glottal stop.
For a short period of time in the mid to late 1800s, Ho-Chunk was written with an adaptation of the "Ba-Be-Bi-Bo" syllabics system. As of 1994, however, the official alphabet of the Ho-Chunk Nation is an adaptation of the Latin script. The Ho-Chunk Nations of Wisconsin and Nebraska represent some sounds differently in the alphabets that they use, as the Wisconsin tribe write a double vowel to mark longer length, and the Nebraska tribe uses a macron over the vowel (compare "oo" with "ō" for IPA /o:/")." These differences, shown with example words, are demonstrated in the chart below. In total, the Ho-Chunk writing system consists of 26 consonant and 16 vowel graphs/digraphs.
Morphology.
Verb structure.
Ho-Chunk is an agglutinating and somewhat fusional language. Verbs contain several affixes to indicate things like person, number, tense, and mood.
Prefix field.
Ho-Chunk uses prefixes on a verb stem to mark person, locative case, instrumental case, benefactive case, reflexivity (including possessive reflexivity), and reciprocality.
Person prefixes.
Ho-Chunk verbs are inflected with eight pronominal categories marked for person and clusivity. Ho-Chunk is a pro-drop language; pronouns are used very infrequently, and information on grammatical person is found on the verb in the form of one or more prefixes.
Person marking in transitive verbs.
Ho-Chunk's transitive verbs are inflected with agent (actor) and patient (undergoer) pronominals. The generic paradigm of the pronominal prefixes in transitive verbs is outlined below. The letter V stands in the place of the verb stem.:
In this table, the null symbol (∅) is used to represent all third person singular actor and patient pronominals. It indicates that there is no overt prefix for those pronominals (in other words, that they are null morphemes). Some cells are left blank because there are no pronominal affixes associated with that particular person/number combination. In cases like these, the action is reflexive (i.e. I do something to myself, or you (plural) do something to yourselves). Reflexivity in Ho-Chunk is indicated with another prefix, "kii"-.
The sounds in the prefixes run together in casual speech, often leading to the deletion of the /h/ consonant and thus a long vowel or diphthong. This is evident in the example "waakere" 'I put them (standing),' in which the third person plural patient prefix "wa"- merges with the first person actor prefix "ha"-, producing "waa"-.
Person marking in intransitive verbs.
Ho-Chunk's intransitive verbs fall into three main types: intransitive active verbs, intransitive stative verbs, and intransitive 'third person-only' verbs.
Intransitive active verbs are those which involve only human or animate agent(s). An example is "šgaac" 'play,' which is inflected for person and number as follows:
Intransitive stative verbs involve an action affecting a patient. This is characteristic of the verb "š'aak" 'to be old':
Intransitive third-person-only verbs designate states and properties of mostly inanimate things, such as "(to) be delicious" or "(to) be expensive." They can only be inflected for third person singular or third person plural subjects (e.g. "ceexi" (∅-ceexi) 'it is expensive' or "ceexire" (ceexi-ire) 'they are expensive').
Locative prefixes.
Ho-Chunk has two locative prefixes, "ha-" 'on' or 'onto,' and "ho-" 'in' or 'into.' These prefixes were first described by William Lipkind in his 1928 grammar of the language[11] . The prefixes are added to a verb stem as seen in the examples below:
mįįk → hamįk
to lie (somewhere) → to lie on top of
mįįk → homįk
to lie (somewhere) → to lie in
A locative prefix may derive a noun, a verb, or both. This is true for "homįk", which can refer to a verb 'to lie in' or a noun 'bed.' More recent learning materials refer to the "ha-" prefix as a superessive applicative marker, and the "ho-" prefix as an inessive applicative marker.
Instrumental prefixes.
Ho-Chunk has a set of instrumental prefixes which indicate that an action is accomplished by means of some instrument, force, or special type of instrumental movement. These prefixes are translated into English with such phrases as 'by foot,' 'by hand,' or 'by striking.' Some sources list eight instrumental prefixes in Ho-Chunk, while others recognize a ninth "nąą"- 'by internal force' (phonologically identical to "nąą"- 'by foot'). These prefixes are listed first with their English translation, then paired with a stem "wax" 'to break, cut or sever a string-like object':
The instrumental prefixes are identified as 'Inner' or 'Outer' due to their position relative to other prefixes attaching to the verb stem. Inner prefixes are closer to the verb stem, while outer prefixes are farther away on the left edge of the word. Instrumental prefixes are found in all Siouan languages, and it is theorized that outer instrumentals originated as nouns or nominalized stems.
Suffix field.
Ho-Chunk's suffixes mark number, tense, mood, negation, and aspect.
Syntax.
Basic word order.
Like other Siouan languages, Ho-Chunk's basic word order is Subject-Object-Verb (SOV).An example of a typical sentence is "Hinųkra wažątirehižą ruwį" 'The woman bought a car.' In a sentence with two objects, such as "Hinųkiža hocįcįhižą wiiwagaxhižą hok'ų" 'A girl gave a boy a pencil,' the canonical word order is Subject-Indirect Object-Direct Object-Verb. Word order is relatively free in Ho-Chunk; however, while a word order such as "Wažątirehižą, hinųkra ruwį" 'The woman bought a car' is permissabie, the change from the basic neutral word order of SOV requires a prosodic pause indicated by a comma. Without this pause, an interpretation 'A car bought the woman' is possible, though highly unlikely.
Negation.
Negative phrases are expressed with a particle, such as "hąąke" 'not' or "hąkaga" 'never' paired with the suffix/enclitic -"nį" 'not.' Both elements are required in such phrases: the particle precedes the verb phrase, while -"nį" is suffixed to the verb. The following examples demonstrate this construction:
Language revitalization.
Although the language is highly endangered, there are currently vigorous efforts underway to keep it alive in Ho-Chunk communities. In Wisconsin, the Hocąk Wazija Haci Language Division runs several language classes, an immersion daycare, and a language apprentice program. In Nebraska, the Ho-Chunk Renaissance program teaches the language in local and reservation schools. Both tribal governments recognize the importance of technology in language learning, and are active in Facebook and YouTube to reach the younger generation of learners. A "Ho-Chunk (Hoocąk) Native American Language app" is available for iPhone, iPad, and other iOS devices. Language is a crucial aspect of Ho-Chunk culture:
"Within a lot of Native American cultures, language and culture go together," Lewis St. Cyr, language program director for the Ho-Chunk, said. "You can't have culture without language and you can't have language without culture. The importance of it is of who we are."