Margaret Mead Film Festival

The Margaret Mead Film Festival is an annual film festival held at the American Museum of Natural History in New York City. It is the longest-running, premiere showcase for international documentaries in the United States, encompassing a broad spectrum of work, from indigenous community media to experimental nonfiction. The Festival is distinguished by its outstanding selection of titles, which tackle diverse and challenging subjects, representing a range of issues and perspectives, and by the forums for discussion with filmmakers and speakers.
The Mead Festival has a distinguished history of “firsts,” including being the first venue to screen the now-classic documentary Paris Is Burning (1990) about the urban transgender community. Furthermore the Mead Festival has introduced New York audiences to such acclaimed films as the Oscar-winning documentary The Blood of Yingzhou District (2006), Oscar-winning animated short (2005), The Future of Food (2004), Power Trip (2003), and Spellbound (2002).
Background.
The festival owes its origins (and its name) to renowned anthropologist Margaret Mead, who worked for 52 years at the American Museum of Natural History. She acted as curator in the Museum's Department of Anthropology, where she helped create the Hall of Pacific Peoples, which bears her name. In her lifetime, Margaret Mead greatly advanced the academic standing and popular appeal of cultural anthropology, and was also one of the earliest anthropologists to integrate visual methods into her research, focus on the study of visual communication, and teach courses on culture and communication. "Pictures are held together," Dr. Mead wrote, "by a way of looking that has grown out of anthropology, a science in which all peoples, however contrasted in physique and culture, are seen as members of the same species, engaged in solving problems common to humanity."
In 1976, in commemoration of her 75th birthday, the museum decided to pay tribute to her work with a film festival of top ethnographic and other documentary films. In its early years, the festival focused on ethnographic films and was hosted by the USC Center for Visual Anthropology (directed by Mead's student, the late filmmaker Tim Asch). Today, the Festival continues to exemplify Mead's teachings: that film is a tool for cross-cultural understanding and that it is possible, and important, for societies to learn from each other.
Margaret Mead Filmmaker Award.
Margaret Mead Filmmaker Award recognizes documentary filmmakers who embody the spirit, energy, and innovation demonstrated by anthropologist Margaret Mead in her research, fieldwork, films, and writings. Each year the award is given to a filmmaker whose feature documentary offers a new perspective on a culture or community remote from the majority of our audiences' experience as well as displays artistic excellence and originality in storytelling technique. U.S., North American, or World Premiere documentaries (60 minutes or longer) are eligible for the Award. This award has a cash prize.
Traveling Festival.
The Margaret Mead Traveling Film & Video Festival presents highlights of the Festival that takes place in November. Each year titles are selected from the annual Mead Festival to participate in this year-long program which brings innovative non-fiction work to communities throughout the United States and abroad.
2011 Mead Festival.
2011 Jury.
The Mead Award jury is led by the Academy Award-nominated director of Black Swan and The Wrestler, Darren Aronofsky, Karen Cooper, director of New York City's Film Forum; Liz Garbus, Academy Award-nominated director of Bobby Fischer Against the World, The Farm and 2002 MacArthur Fellow Stanley Nelson, director of the Emmy-winning documentary The Murder of Emmett Till.