Oranges and Lemons

"Oranges and Lemons" is a traditional English nursery rhyme, folksong, and singing game which refers to the bells of several churches, all within or close to the City of London. It is listed in the Roud Folk Song Index as No 13190.
Lyrics.
<poem>Oranges and lemons,
Say the bells of St. Clement's.
You owe me five farthings,
Say the bells of St. Martin's.
When will you pay me?
Say the bells at Old Bailey.
When I grow rich,
Say the bells at Shoreditch.
When will that be?
Say the bells of Stepney.
I do not know,
Says the great bell at Bow.
Here comes a candle to light you to bed,
And here comes a chopper to chop off your head!
 Chip chop chip chop the last man is dead
</poem>
Alternative version.
<poem>Gay go up, and gay go down,
To ring the bells of London town.
Bull's eyes and targets,
Say the bells of St. Margret's.
Brickbats and tiles,
Say the bells of St. Giles'.
Halfpence and farthings,
Say the bells of St. Martin's.
Oranges and lemons,
Say the bells of St. Clement's.
Pancakes and fritters,
Say the bells of St. Peter's.
Two sticks and an apple,
Say the bells at Whitechapel.
Pokers and tongs,
Say the bells at St. John's.
Kettles and pans,
Say the bells at St. Ann's.
Old Father Baldpate, 
Say the slow bells at Aldgate.
Maids in white Aprons
Say the bells of St Catherine's.
You owe me ten shillings,
Say the bells of St. Helen's.
When will you pay me?
Say the bells at Old Bailey.
When I grow rich,
Say the bells at Shoreditch.
Pray when will that be?
Say the bells of Stepney.
I'm sure I don't know,
Says the great bell at Bow.
Here comes a candle to light you to bed,
And here comes a chopper to chop off your head.
</poem>
As a game.
The song is used in a children's singing game with the same name, in which the players file, in pairs, through an arch made by two of the players (made by having the players face each other, raise their arms over their head, and clasp their partners' hands). The challenge comes during the final lines beginning "Here comes a chopper to chop off your head"; and on the final repetition of "chop" in the last line, the children forming the arch drop their arms to catch the pair of children currently passing through. These are then "out" and must form another arch next to the existing one. In this way, the series of arches becomes a steadily lengthening tunnel through which each set of two players has to run faster and faster to escape in time.
Alternative versions of the game include: children caught "out" by the last rhyme may stand on a pressure plate behind one of the children forming the original arch, instead of forming additional arches; and children forming "arches" may bring their hands down for each word of the last line, while the children passing through the arches run as fast as they can to avoid being caught on the last word.
Origins and meaning.
Various theories have been advanced to account for the rhyme, including: that it deals with child sacrifice; that it describes public executions; that it describes Henry VIII's marital difficulties. Problematically for these theories the last two lines, with their different metre, do not appear in the earlier recorded versions of the rhyme, including the first printed in "Tommy Thumb's Pretty Song Book" (c. 1744), where the lyrics are:
<poem>Two Sticks and Apple,
Ring ye Bells at Whitechapple,
Old Father Bald Pate,
Ring ye Bells Aldgate,
Maids in White Aprons,
Ring ye Bells a St. Catherines,
Oranges and Lemons,
Ring ye bells at St. Clements,
When will you pay me,
Ring ye Bells at ye Old Bailey,
When I am Rich,
Ring ye Bells at Fleetditch,
When will that be,
Ring ye Bells at Stepney,
When I am Old,
Ring ye Bells at Pauls.</poem>
There is considerable variation in the churches and lines attached to them in versions printed in the late eighteenth and early nineteenth centuries, which makes any overall meaning difficult to establish. The final two lines of the modern version were first collected by James Orchard Halliwell in the 1840s.
"Oranges and Lemons" was the title of a square dance, published from the third (1657) edition onwards of "The Dancing Master". Similar rhymes naming churches and giving rhymes to their names can be found in other parts of England, including Shropshire and Derby, where they were sung on festival days on which bells would also have been rung.
The identity of the London churches is not always clear, but the following have been suggested, along with some factors that may have influenced the accompanying statements:
Melody.
The tune is reminiscent of change ringing, and the intonation of each line is said to correspond with the distinct sounds of each church's bells. Today, the bells of St. Clement Danes ring out the tune of the rhyme. As is the case with almost all traditional songs, there were minor variations in the melody. The American folklorist James Madison Carpenter recorded two versions of the song in the 1930s which are now available on the Vaughan Williams Memorial Library website: one in Garsington, Oxfordshire and another somewhere in either Yorkshire or Lincolnshire. These recordings show slight melodic and lyrical variations.
Song settings.
The song is one of the nursery rhymes most commonly referred to in popular culture. These include George Orwell's "Nineteen Eighty-Four" (1949), where it is used as a snippet of nursery rhyme which embodies the forgotten past that protagonist Winston Smith yearns for. Various characters contribute snippets of the rhyme as the book goes on, and the last lines figure symbolically into the closing events of the second section.
The rhyme was also altered for the song "Clash City Rockers" (1978) by The Clash:
A setting of the full "Tommy Thumb's Pretty Song Book" version for choir was written by Bob Chilcott. Entitled "London Bells", it is the third movement of "Songs and Cries of London Town" (2001).
Benjamin Till composed music based upon the nursery rhyme which was performed in 2009 at St Mary Le Bow Church, London to honour 150 years of the great bell, Big Ben.