Sadeness (Part I)

"Sadeness (Part I)" is the debut single by German musical project Enigma. The song was released in 1990 as the first of four singles from their debut album "MCMXC a.D." (1990). It became an international hit, reaching number one in 24 countries. In the United States, the song peaked at number five on the "Billboard" Hot 100 and number one on its dance chart. A sequel to the song, "Sadeness (Part II)" featuring Anggun, was released on Enigma's eighth studio album, "The Fall of a Rebel Angel" (2016).
History.
"Sadeness" was written by Michael Cretu (under the pseudonym Curly M.C.), Frank Peterson (under the pseudonym F. Gregorian), and Fabrice Cuitad (under the pseudonym David Fairstein). The song was named "Sadeness (Part I)" on its single release in Germany, and "Sadness Part I" on its single release in the United Kingdom and Japan. It is a sensual track based around "questioning" the sexual desires of Marquis de Sade; hence the German release name of "Sadeness", as opposed to the English word of "Sadness" used in the UK release. The track reached number-one faster than any new release in German history - before its video clip had even been finished. The record company Virgin had done virtually no promotion on the song. Sales took off purely on the strength of radio and club play.
In the 2017 book "Stars of 90's Dance Pop: 29 Hitmakers Discuss Their Careers" by James Arena, producer Frank Peterson told, "Well, we finished the song, and we were in total awe of ourselves. Michael's manager, who also managed Sandra, came out to Ibiza with us for a weekend, and we played him the track. He was sitting there listening and said, "That's very heavy going. You'll never get that on radio." We started thinking, "Oh shit." An hour later, our contact at Virgin tells us his secretary and other people at the office are fucking amazed by the song. He said he didn't get it, but everyone else seemed to love it. So pretty quickly the song came out."
Music.
The track makes use of the following:
Lyrics.
The lyrics are in Latin and French.
Latin lyrics.
"Procedamus in pace!" is related to Psalm 24. A section of the Latin text quotes directly from the psalm:
"Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of glory shall come in" is the King James Version.
In Christian theology, the words have been taken to refer to the ascension to heaven.
French lyrics.
The female French lyrics address "Sade".
The Extended Trance Mix from the CD single contains some additional male lyrics in French.
Critical reception.
Ned Raggett from AllMusic commented, "Snippets of monks invoking the Almighty effortlessly glide in and out of a polite but still strong breakbeat, shimmering, atmospheric synth and flute lines and a Frenchwoman whispering in a way that sounds distinctly more carnal than spiritual (as her gasps for breath elsewhere make clear)." Keith Clark from "Bay Area Reporter" called the song "suggestive". Larry Flick from "Billboard" described it as "brilliant and quirky", stating that "it is currently the fastest-selling single in German recording history." He added that it "has already raised the ire of religious groups for its use of traditional Gregorian chants within the context of orgasmic groaning and a tribal hip-hop groove." "Complex" included it in their list of "15 Songs That Gave Dance Music a Good Name", commenting, "We doubt that something like this, with lyrics in Latin and French that dealt with religion and the sexual desires of Marquis de Sade, would fly in today's pop charts, but there's something that was so undeniable about this new age/downtempo track that it was featured everywhere, from "Single White Female" to "Tropic Thunder"." Leah Greenblatt from "Entertainment Weekly" described it as a "incense trance". "Evening Herald" called it "one of the most seductive dance records of the past couple of years". Swedish newspaper "Expressen" noted that church song are used "as a very reliable vocal generator". Dave Sholin from the "Gavin Report" wrote, "Listeners may not have a clue what it's about, but the mood created by this totally unique production will keep 'em glued and wanting more. Not only have the Germans demolished the Berlin Wall, they had the good sense to make this a number one "sod - as in (Marquis De Sade) ness." Kim Såtvedt from Norwegian newspaper "Laagendalsposten" picked the song as one of the best cuts of the album. "Music Week" described it as "chanting monks and a sensual muttering rolling over a hypnotically rolling slow beat". Ian Cranna from "Smash Hits" noted the "atmospheric lines" of the song in his review, adding that it's "combining medieval monks' chants and wispy, wistful synthesiser driftings over hippety-hoppety beats." Bob Mack from "Spin" called it "the Dark Ages disco cut". He added that "the track starts with a standard call and response—but it's one of monks doing Gregorian chants. After the beats kick in, synth washes buoy the flute flourishes, while French spoken words and heavy female panting get the point across." Kimberly Chrisma from "The Stanford Daily" said the result of combining Gregorian chant with "pulsating synthesizers" was "an ambient fantasia that made the heart throb and the mind tingle."
Chart performance.
The single reached number-one on the UK Singles Chart on January 13, 1991, as well as in Austria, Belgium, France, Germany, Greece, Ireland, Italy, Japan, the Netherlands, Norway, Portugal, Spain, Sweden and Switzerland. It reached the top spot on the Eurochart Hot 100, where it remained at the top for nine weeks. In the United States, the single peaked at number five on the "Billboard" Hot 100 singles chart in April 1991. The record sold over 500,000 copies in the US and was certified Gold there. The single has sold more than 5 million copies worldwide. It earned a gold record in Australia, Austria, France, the Netherlands and the United States, and a silver record in the United Kingdom. It also earned a platinum record in Germany and Sweden.
Music video.
The music video, directed by Michel Guimbard, shows a scribe who dreams of wandering among cathedral ruins. He comes up to Auguste Rodin's "The Gates of Hell"; and as the scribe looks on, he sees a woman (played by French model Cathy Tastet) beyond it, who whispers the main lyrics from the song to him. The video ends with the scribe waking up. "Sadeness (Part 1)" was uploaded to YouTube in February 2009. In August 2020, the video had generated nearly 43 million views.
Influence.
It was followed by a pseudo-sequel named "Mea Culpa (Part II)", which was a moderate commercial success compared with "Sadeness (Part I)".
The 1991 opening theme for the video game "Streets of Rage", released on Sega Genesis, shares an identical drum beat to "Sadeness (Part I)", which is believed to be a major influence on the music heard in the game.
The song was featured in the first episode of the second season of "Chappelle's Show". The song is also featured on "It's Always Sunny in Philadelphia" episode The Gang Gets a New Member.
The song can be heard on the 2008 action slapstick film "Tropic Thunder" during the faux trailer for Kirk Lazarus's (Robert Downey Jr.) recent film "Satan's Alley".
The song's notable drum loop was used for the executioner entrance in the "Jester's Nightmare" number of the 2000 and 2001 tours of Michael Flatley's second show, Feet of Flames.